--- layout: post title: Next week, Forge 2011 in Madrid! categories: - Software Libre tags: [] status: draft type: post published: false meta: _edit_last: '2' author: login: afiestas email<EMAIL_ADDRESS>display_name: afiestas first_name: Àlex last_name: Fiestas ---
So, just like that a year has passed and we're gathering again in our offices to enjoy the annual Solid sprint also known as Forge.
A lot of things happened since last year, while last year we had to organize ourselves to finally support the new stack (UDisk, UPower, U...) this year all of that is done and stable,


1. GitHub Account and Deusto Organization
DyCon Blog is hosted on the GitHub web service (GitHub Pages) for them you need to create a GitHub account associated with your @deusto email.
In addition, it is necessary to belong to the GitHub organization to add content to DyCon Blog for this, contact the following email<EMAIL_ADDRESS>3. DyConBlog Repository
If you have your github account logged into your local computer you can clone the repository
$ git clone https://github.com/DeustoTech/DyCon-Blog.git
3. Folder description
This web page is made with jekyll software, so it has a typical structure for these projects (see struture jekyll directory).
Let’s see the contents of the repository with the command ls -l
(base) djoroya@djoroya-MRC-WX0:~/DyCon-Blog$ tree -L 1
.
├── assets
├── colorscheme.scss
├── _config.yml
├── css
├── _data
├── docs
├── edit.md
├── favicon.png
├── feed.xml
├── Gruntfile.js
├── img
├── _includes
├── index.html
├── info.md
├── js
├── _layouts
├── lib
├── LICENSE.md
├── node_modules
├── package.json
├── package-lock.json
├── plugin
├── _posts
├── projects
├── README.md
├── search.json
├── stl
├── syntax_help.md
├── threejs
└── typo.md
This folder define the html structure of the project.
There are two very important folders for modifying content on DyCon Blog. Is are
- Images : The
assets
folder contains all the image files and codes for all the posts
assets/imgs/OT01
assets/imgs/DP00
assets/imgs/WP01
assets/imgs/WP02
assets/imgs/WP03
assets/imgs/WP04
assets/imgs/WP05
assets/imgs/WP06
assets/imgs/WP99
- Content : In the
_post / tutorials
folder you will find each of the blog posts distributed in the following folders
_posts/tutorials/OT01
_posts/tutorials/DP00
_posts/tutorials/WP01
_posts/tutorials/WP02
_posts/tutorials/WP03
_posts/tutorials/WP04
_posts/tutorials/WP05
_posts/tutorials/WP06
_posts/tutorials/WP99
We can see all the content of blogs with the following command:
(base) djoroya@djoroya-MRC-WX0:~/DyCon-Blog/_posts/tutorials$ tree
.
├── OT01
│ ├── 2018-05-01-P0001.md
│ ├── 2018-06-29-P0002.md
│ ├── 2018-06-29-P0003.md
│ ├── 2018-06-30-P0004.md
│ ├── 2018-07-03-P0005.md
│ └── 2018-07-23-P0006.md
├── DP00
│ ├── 2017-09-18-P0001.md
│ ├── 2018-10-26-P0002.md
│ └── 2019-02-04-P0003.md
├── OT03
│ └── 0001-01-01-P0001.md
├── WP01
│ ├── 2017-03-01-P0001.md
│ ├── 2017-11-01-P0002.md
│ ├── 2017-11-28-P0003.md
│ ├── 2017-12-21-P0004.md
│ ├── 2018-03-12-P0005.md
│ ├── 2018-10-19-P0006.md
│ ├── 2018-11-15-P0007.md
│ ├── 2020-02-10-P0008.md
│ └── 2020-02-10-P0009.md
├── WP02
│ ├── 2017-05-04-P0001.md
│ ├── 2017-10-25-P0002.md
│ ├── 2019-04-21-P0003.md
│ └── 2019-07-08-P0004.md
├── WP03
│ ├── 2017-08-05-P0001.md
│ ├── 2018-03-05-P0002.md
│ ├── 2019-05-31-P0003.md
│ ├── 2019-07-08-P0004.md
│ ├── 2020-03-30-P0005.md
│ ├── 2020-03-31-P0006.md
│ ├── 2020-04-04-P0007.md
│ ├── 2020-04-04-P0008.md
│ └── 2020-04-04-P0009.md
├── WP04
│ ├── 2017-05-04-P0001.md
│ ├── 2017-06-05-P0002.md
│ ├── 2017-11-05-P0003.md
│ ├── 2019-05-25-P0004.md
│ ├── 2019-06-14-P0005.md
│ ├── 2019-12-20-P0006.md
│ ├── 2020-02-31-P0007.md
│ ├── 2020-02-31-P0008.md
│ ├── 2020-03-07-P0009.md
│ └── 2020-04-01-P0010.md
├── WP05
│ ├── 2017-12-05-P0001.md
│ ├── 2017-12-05-P0002.md
│ ├── 2018-10-28-P0003.md
│ ├── 2018-10-29-P0004.md
│ ├── 2018-10-29-P0005.md
│ ├── 2019-03-26-P0006.md
│ ├── 2019-04-03-P0007.md
│ ├── 2019-06-04-P0008.md
│ ├── 2019-06-07-P0009.md
│ ├── 2019-06-07-P0010.md
│ ├── 2019-10-30-P0011.md
│ ├── 2019-10-30-P0012.md
│ ├── 2019-12-17-P0013.md
│ └── 2020-04-01-P0014.md
├── WP06
│ ├── 2017-11-05-P0001.md
│ ├── 2017-11-05-P0002.md
│ ├── 2018-10-28-P0003.md
│ ├── 2018-10-29-P0004.md
│ ├── 2019-05-27-P0005.md
│ ├── 2019-11-01-P0006.md
│ ├── 2020-03-01-P0008.md
│ └── 2020-04-01-P0007.md
└── WP99
├── 2017-10-11-P0001.md
├── 2018-04-05-P0002.md
├── 2018-06-29-P0003.md
├── 2018-07-21-P0004.md
├── 2019-01-07-P0005.md
├── 2019-02-04-P0006.md
├── 2019-03-26-P0007.md
├── 2019-06-26-P0008.md
├── 2019-07-18-P0009.md
├── 2019-09-30-P0010.md
└── 2019-12-01-P9999.md
10 directories, 75 files
4. Edit post
All the posts are written in the markdown
(.md) format. You can find a syntax guide on the following page: basis-syntax
For the best edition of the post, it is necessary to use a text editor that supports markdown, such as the Visual Studio Code program. Also in need to install a plugin that render markdown, like for example Markdown All in One
You can edit with this view:
Each post has in its url it contains the address of the folder where it is located.
Example
https://deustotech.github.io/DyCon-Blog/tutorial/wp04/P0010
Se encuentra en: _posts/tutorials/WP04/2020-04-01-P0010.md
If we open the content
---
title: Inverse problem for Hamilton-Jacobi equations
description: "In this tutorial we study the inverse design problem for time-evolution Hamilton-Jaco
bi equations. More precisely, for a given observation of the viscosity solution at time $T>0$, we c
onstruct all the possible initial data that could have led the solution to the observed state. We n
ote that these initial data are not in general unique. "
date: 2020-04-03
author: [CarlosE]
layout: tutorial
categories: [tutorial,WP04]
url_zip: assets/imgs/WP04/P0010/CodesHJ.rar
avatar: https://deustotech.github.io/DyCon-Blog/assets/imgs/WP04/P0010/ico.gif
code: MATLAB
equation: Hamilton-Jacobi
---
### Background and motivation
We consider the initial-value problem for a Hamilton-Jacobi equation of the form
$$
\tag{HJ}
\left\{ \begin{array}{ll}
\partial_t u + H(D_x u) = 0, & \text{in} \ [0,T]\times \mathbb{R}^n, \\
u(0,x) = u_0(x), & \text{in} \ \mathbb{R}^n,
\end{array}\right.
$$
where $u_0\in C^{0,1}(\mathbb{R}^n)$ and the Hamiltonian $H: \mathbb{R}^n\rightarrow\mathbb{R}$ is
assumed to satisfy the following hypotheses:
$$
\tag{2}
H\in C^2(\mathbb{R}^n), \quad H_{pp}(p) >0, \ \forall p\in\mathbb{R}^n, \quad \text{and} \quad
\lim_{|p|\to\infty} \dfrac{H(p)}{|p|} = +\infty.
$$
The images referring to this Blog are in
(base) djoroya@djoroya-MRC-WX0:~/DyCon-Blog$ tree assets/imgs/WP04/P0010/
assets/imgs/WP04/P0010/
├── 01_Fig11.png
├── 02_Vid11.gif
├── 02_Vid12.gif
├── 03_Fig12.png
├── 04_Fig13.png
├── 05_Vid2.gif
├── 06_Vid3.gif
├── 07_Fig21.png
├── 08_Vid41.gif
├── 08_Vid42.gif
├── 09_Fig22.png
├── 10_Fig23.png
├── 11_Fig31.png
├── 12_Vid5Gif.gif
├── 13_Vid6Gif.gif
├── 14_Fig41.png
├── 15_Vid7Gif.gif
├── 16_Vid8Gif.gif
├── 17_Vid9Gif.gif
├── CodesHJ.rar
└── ico.gif
o use them within the blog content, the following syntax is necessary:
<img src="{site.url}{site.baseurl}/assets/imgs/WP04/P0010/01_Fig11.png">
Update Post
This whole project has been done with the help of the jekyll program. You must have jekyll
installed to be able to upload content directly. Another option is to upload your changes using Github
, and notify the administrator<EMAIL_ADDRESS>) to compile your changes.
If you have jekyll installed you can update the web directly being in the main project folder, using the following command
To see a preview of the web you can use
Configuration file: /DyCon-Blog/_config.yml
Source: /DyCon-Blog
Destination: /DyCon-Blog/docs
Incremental build: disabled. Enable with --incremental
Generating...
done in 8.035 seconds.
Auto-regeneration: enabled for '/DyCon-Blog'
Server address: http://<IP_ADDRESS>:4000/DyCon-Blog/
Server running... press ctrl-c to stop.
While this command is working you can access the web http://<IP_ADDRESS>:4000/DyCon-Blog/. This is a local version of the Dycon Web. All changes made will be seen on this local website
In summary, the steps to upload content are:
jekyll build
Very Important step
- Update the GitHub repository


| PostgreSQL Tcl Interface Documentation | ||||
|---|---|---|---|---|
| Prev | Fast Backward | Fast Forward | Next |
pg_exec_prepared
submits a command to the PostgreSQL server and returns a result.
pg_exec_prepared
functions identically to pg_exec
, except that it operates using statements prepared by the PREPARE SQL command.
Note that prepared statements are only support under PostgreSQL 7.4 and later.
conn
The handle of the connection on which to execute the command.
statementName
The name of the prepared statement to execute.
args
args
consists of zero or more optional values that can be inserted, unquoted, into the SQL statement using $-style substitution.


Python is an amazing, powerful language that can be used for programs as simple as printing "Hello World" to machine learning, web services, and beyonD! [Businesses] use Python for [purposes]!
Input Code Here!
U got it!
Boy ur ded wrong


burro
appvignettes/making_a_burro_app.Rmd
making_a_burro_app.Rmd
The build_shiny_app
function is currently incompatible with the new version of explore_data()
. We will update it when it is ready.
Until then, you can use the Publish()
button to publish a site to shinyapps.io
: https://docs.rstudio.com/shinyapps.io/getting-started.html
A very good guide to publishing to shinyapps.io is here: https://towardsdatascience.com/how-to-publish-a-shiny-app-example-with-shinyapps-io-ec6c6604d8
There is currently an issue with visdat
and the Shiny app when deployed. The app is not showing the `visdat summary when given a very large dataset. This apparently has to with the memory available on the Shiny server. For this reason, try to subset the data in the app to be around 10,000 rows or less, unless you have more memory.
Excited to make an app to explore data together? You’ve come to the right place.
burro
has a function called build_shiny_app
that will do most of the building for you. Let’s run through that process. Here’s the steps required to build an app.
burro
Appshinyapps.io
.In RStudio, make a new project by going to File >> New Project and Choose the “New Folder” option.
library(burro)
## Loading required package: shiny
library(readxl)
Name the folder what you want your app to be named. Let’s name our project “diamonds”.
We’re going to use the diamonds
dataset from the ggplot2
package. In the console, type the following:
## # A tibble: 6 x 10
## carat cut color clarity depth table price x y z
## <dbl> <ord> <ord> <ord> <dbl> <dbl> <int> <dbl> <dbl> <dbl>
## 1 0.23 Ideal E SI2 61.5 55 326 3.95 3.98 2.43
## 2 0.21 Premium E SI1 59.8 61 326 3.89 3.84 2.31
## 3 0.23 Good E VS1 56.9 65 327 4.05 4.07 2.31
## 4 0.290 Premium I VS2 62.4 58 334 4.2 4.23 2.63
## 5 0.31 Good J SI2 63.3 58 335 4.34 4.35 2.75
## 6 0.24 Very Good J VVS2 62.8 57 336 3.94 3.96 2.48
Your dataset may have variables (or covariates) that you might want to remove from the app. Here’s your chance to whittle them down, by selecting the covariates that you want to include.
Here are all of the variables in the diamonds
dataset.
colnames(diamonds)
## [1] "carat" "cut" "color" "clarity" "depth" "table" "price"
## [8] "x" "y" "z"
We’re going to specify our variables as
covars <- c("carat", "cut", "color", "clarity", "depth", "table", "price")
You’ll now need to choose your outcome variable, which currently needs to be a factor
(categorical) variable. A number of visualizations in burro
are in terms of this outcome.
We’re going to focus on the cut
type of the diamond as our outcome.
outcome <- "cut"
With everything specified, we can now build our app in our current project. diamonds
is a fairly large dataset (over 50,000 rows) and we need to filter it down with the dplyr
command sample_n
, to limit it to 10,000 rows. This ensures that the burro
app will run on limited memory servers such as the ones available to default shinyapps.io
accounts.
diamonds <- diamonds %>% dplyr::sample_n(10000) build_shiny_app(dataset = diamonds, covariates=covars, outcome_var=outcome)
Check to make sure that there’s an app.R
in your main project folder and there is a dataset.rds
file in your data
folder inside your project.
Open the app.R
file and hit the Run App
button. Your app should pop up.  We’ll focus on Shinyapps.io because it’s free. You’ll need to follow the directions here: https://docs.rstudio.com/shinyapps.io/getting-started.html (signing up, installing the rsconnect
package, setting it up) to get started.
Once all that is setup, you can hit the “Publish” button or use rsconnect::deployApp()
to publish it to your Shinyapps.io
account.
Your burro
app is now ready to share at your url. Send it out and have a data scavenger hunt!


{{ideas.name}} | Tech Lead
{{ideas.location}}, {{ideas.domain}}
{{user}}
{{ideas.location}}, {{ideas.domain}}
{{idea.details.no_of_participants}} Participants
In publishing and graphic design, lorem ipsum (derived from Latin dolorem ipsum, translated as "pain itself") is a filler text commonly used to demonstrate the graphic elements of a document or visual presentation
{{ideas.location}}, {{ideas.domain}}
{{ideas.ideas_participating}} Participants
{{ideas.location}}, {{ideas.domain}}
{{idea.details.no_of_participants}} Participants
In publishing and graphic design, lorem ipsum (derived from Latin dolorem ipsum, translated as "pain itself") is a filler text commonly used to demonstrate the graphic elements of a document or visual presentation
{{ideas.location}}, {{ideas.domain}}
{{ideas.ideas_participating}} Participants
{{ideas.location}}, {{ideas.domain}}
{{idea.details.no_of_participants}} Participants
In publishing and graphic design, lorem ipsum (derived from Latin dolorem ipsum, translated as "pain itself") is a filler text commonly used to demonstrate the graphic elements of a document or visual presentation
{{ideas.location}}, {{ideas.domain}}
{{ideas.ideas_participating}} Participants


---
layout: site
permalink: dunedin
location: DUNEDIN
dates: February 2-4, 2016
splashImage: https://upload.wikimedia.org/wikipedia/commons/c/c9/University_of_Otago_Clocktower.jpg
map: sites/dunedin.geojson
menu: The Research Bazaar is a (free-of-charge) 3-day intensive conference where researchers come together to up-skill in ‘next generation digital research tools and skills’. In the spirit of a marketplace or bazaar, ResBaz is a highly participatory event where researchers from many different disciplines can learn, share knowledge and skills, and have fun!
Who should attend?  PhD and research Masters students are especially encouraged to apply. Research technologists who support researchers to do their job should also come along!
NOTE! The New Zealand events (Auckland and Dunedin) are being held 2-4 Feb, not 1-3 Feb as elsewhere in the world.
We are still working on the programme to bring you a broad range of digital research skills topics but you should register now to avoid missing out. Below are just some of the sessions that will be on offer.
accommodation: Coming to the Dunedin ResBaz event from out of town? We're working on providing some accommodation information.
Check back soon for an update.
classes:
- class: Main Streams - Software Carpentry
tools:
- name: The Unix Shell
id: id1
blurb: Use of the shell is fundamental to using a wide range of other powerful tools and computing resources (including “high-performance computing” supercomputers). These lessons will start you on a path towards using these resources effectively.
- name: R
id: id2
blurb: The R language provides a flexible and powerful environment for data analysis and visualisation. This workshop will introduce the R language and will teach you some key programming skills.
- name: Git
id: idn
blurb: Version control is the lab notebook of the digital world - it’s what professionals use to keep track of what they’ve done and to collaborate with other people. Keeping a record of what was changed, when, and why is extremely useful for all researchers if they ever need to come back to the project later on.
- class: Additional Sessions
tools:
- name: ggplot2 for data visualisation
id: id3
blurb: The popular ggplot2 package for R provides a powerful means to create compelling data visualisations. Come along and learn how to use ggplot2 to make your data look even more beautiful.
- name: Reproducible research - concepts and practise
id: id4
blurb: Reproducibility is a key component of science, and one that is becoming even more critical as we analyse ever-growing amounts of data using increasingly complex tools. Come along to learn about the key concepts of reproducible research, and gain some experience with tools that will help you put these ideas into practise.
- name: Analysis workflows for genomic data from ancient DNA
id: ido
blurb: Having trouble analysing the genomic data from your ancient DNA study? Then this workshop is for you!
- name: Interactive data analysis and visualisation with R and shiny server
id: id9
blurb: Want to turn your ground-breaking R analyses into web-based tools for your friends and collaborators? The "shiny" package for R provides a simple mechanism for building sophisticated web interfaces for interactive data analysis and visualisation - come along and learn how it's done.
- name: Advice for early career researchers
id: id8
blurb: Want to get your research career off to a flying start? Come along and learn from the pros.
- name: Advanced R programming
id: id7
blurb: Can't get enough of R? This focused workshop will help turn your commands into scripts, your scripts into functions, and your functions into packages - what more could you want?
schedule: Each day at ResBaz will be split into morning and afternoon events. Following a Key Story from one of our exciting speakers, the mornings will consist of introductory Software Carpentry lessons, alongside intermediate and advanced topics for those who are already familar with the introductory material. Afternoon sessions will begin with a second Key Story, followed by a more informal collection of activities, including focussed workshops, dicussion sessions, and lightning research presentations. At the end of each afternoon we will reconvence for a discusion session, to help set the scene for an evening of fun social and networking activities.
A more detailed timetable will be displayed once more sessions are confirmed.
days:
- day: Tuesday February 2
sessions:
- title: Welcome and Key Story 1
- title: Unix Shell (Software Carpentry) + Intermediate R
- title: LUNCH
- title: Key Story 2
- title: Mini-workshops and informal discussions
- title: Discussion session
- title: Evening social event
- day: Wednesday February 3
sessions:
- title: Key Story 3
- title: R (Software Carpentry) + Advanced R
- title: LUNCH
- title: Key Story 4
- title: Mini-workshops and informal discussions
- title: Discussion session
- title: Dinner
- day: Thursday February 4
sessions:
- title: Key Story 5
- title: Version Control with Git (Software Carpentry) + Reproducible Research
- title: LUNCH
- title: Key Story 6
- title: Mini-workshops and informal discussions
- title: Discussion session and wrap-up
speakers:
- name:
img: img/placehold.jpg
blurb:
- name: TBC
img: img/speakerTBC.jpg
blurb: Our KeyStory speakers are still to be confirmed - watch this space!
- name: You!
img: img/sponsors/fake-sponsor.png
blurb: Let us know if you're interested in helping out with a workshop session when you register.
sponsors:
- name: 'Sponsor Number One'
img: fake-sponsor.png
- name: 'Sponsor Number Two'
img: fake-sponsor.png
- name: 'Sponsor Number Three'
img: fake-sponsor.png
---
{{page.dates}}
{{page.schedule}}
We have had a huge response to the Dunedin ResBaz event, and are currently unable to accept any more registrations.
If you are interested in attending future ResBaz or Software Carpentry events, please email us at<EMAIL_ADDRESS>and we will notify you of upcoming sessions.
{{ speaker.blurb }}
{{page.accommodation}}


I was selling pure DXM powder in capsules. I know it wasn't smart... but I did it. The main reason i sold it was I bought 100g of the shit, and got really sick of it. It quit working for me somewhere around the 125th time I did it (95% of the time 3rd plateau or higher, 700mg+) I had done robo, vicks, coro, and another smaller batch of powder.
I was packaging it up in 350mg caps and selling it to a kid I knew for about a year. he knew what it was, and how much was in it. I was doing this at school. He was selling it at school to people he didnt really know. He sold it to one guy who started puking and decided to go to the office, and passed out on the way there. I know how stupid it is to take DXM at school, especially for the first time, but apparently the guy who i sold to didnt tell them this.
Well the kid woke up in the office and told them what he took and where he got it (the guy I sold to was telling them it was DXM, but they didnt know what DXM was). The guy went to the office and told them where he got it (me) and told them EVERYONE he sold to.
I was taken to the office and the cops were called. The cops had the bottle he had the pills in. I have given him 25 350mg dxm pills and 3 pills of 350mg dxm + 150mg BZP. They had 2 pills of dxm+bzp and that's it. I told them what happened (because a lot of people knew I was the source, and I wouldve been in more trouble if I hadnt talked) and where I got it, and they went and searched my house (my mom signed the thing). they found about 5g of bzp, 20g of dxm, 250mg 2ct7, 500mg amt, 1g 5x salvia, 6 vicodin es, some ephedra pills, a pipe w/ resin in it, and my deering 2g scale.
I am charged with 'Buy/possess drug paraphernalia' and 'Poss for sale/transfer of a simulated controlled substance' (for the dxm). 1 count of each. I guess they couldnt identify anything else. I'm going to end up going to some drug program probably. I know I'd be in much more trouble if i was caught with ecstasy or something, but I still am gonna have to put up with the drug program.
I'm sure if I got a good lawyer I could get off the hook, but I can't afford that. So everyone just watch yourself and dont sell chemicals, legal or not, unless you're prepared to pay for it. I don't see anything wrong with selling small quantities to friends, but dont sell anything for people to sell to people who know nothing about the chemical.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


If you're new to Mesos
See the getting started page for more information about downloading, building, and deploying Mesos.
If you'd like to get involved or you're looking for support
See our community page for more details.
Windows
Mesos 1.0.0 introduced experimental support for Windows.
Building Mesos
System Requirements
- Install the latest version of Visual Studio Community 2015. Make sure to select the Common Tools for Visual C++ and the Windows 10 SDK. Start Visual Studio Community to complete the setup and configuration.
- Install CMake 3.6.3 or later. Do not run CMake before finishing the Visual Studio Community setup.
- Install Gnu Patch 2.5.9-7 or later.
- If building from git, make sure you have Windows-style line endings.
i.e.
git config core.autocrlf true
. - Make sure there are no spaces in your build directory.
For example,
C:/Program Files (x86)/mesos
is an invalid build directory. - Optional: Install
python 2.6+
andvirtualenv
This is only necessary when developing Mesos on Windows (specifically for automated linting of python files).
Build Instructions
Following are the instructions for stock Windows 10 and Windows Server 2012 or newer.
# Start a VS2015 x64 Native Tool command prompt.
# This can be found by opening VS2015 and looking under the "tools"
# menu for "Visual Studio Command Prompt".
# Change working directory.
$ cd mesos
# If you are developing on Windows, we recommend running the bootstrap.
# This requires administrator privileges.
$ .\bootstrap.bat
# Generate the solution and build.
$ .\support\windows-build.bat
# Set the `PreferredToolArchitecture` environment variable to `x64`.
# NOTE: `PreferredToolArchitecture` can be set system-wide via Control Panel.
$ SET PreferredToolArchitecture=x64
# After generating the Visual Studio solution you can use the IDE to open
# the project and skip this step.
$ msbuild Mesos.sln /m
# mesos-agent.exe can be found in the <repository>\build\src folder.
$ cd src
# The Windows agent exposes new isolators that must be used as with
# the `--isolation` flag. To get started point the agent to a working
# master, using eiher an IP address or zookeeper information.
$ mesos-agent.exe --master=<master> --work_dir=<work folder> --launcher_dir=<repository>\build\src
Known Limitations
The current implementation is known to have the following limitations:
- At this point, only the agent is capable of running on Windows, the Mesos master must run on a Posix machine.
- Due to the 260 character
MAX_PATH
limitation on Windows, it is required to set the configuration option--launcher_dir
to be a root path, e.g.C:\
. In addition, theTASK_ID
that is passed to Mesos should be short, up to about 40 characters. NOTE: If you schedule tasks via Marathon, your Marathon task id should be up to four characters long since Marathon generates MesosTASK_ID
by appending a UUID (36 characters) onto the Marathon task id. - Currently runs as Administrator (mainly due to symlinks).
- Only the
MesosContainerizer
is currently supported, which does not provide resource isolation on Windows. Resource isolation will be provided via theDockerContainerizer
(e.g. Windows Containers) in the future. - Most of the tests are not ported to Windows.
Status
For more information regarding the status of Windows support in Mesos, please refer to the Jira epic.


Bhikkhu Sujato: A few rather insignificant notes on the Dhammika Sutta that you can mostly likely live without
I'm picking up my translation work after something of a break, and I'd like to continue making a few little notes on things that I come across that may be of interest.
The Dhammikasutta (Snp 2.14) records the questions of a certain Dhammika, a layman with a retinue of 500 followers. His question is somewhat elaborate and elevated praise of the Buddha, but boils down to what is the good conduct for both monastics and lay folk. Here are few translation issues.
The question of Dhammika is:
Kathaṅkaro sāvako sādhu hoti
Now we can read this as implying a change of state: how does a disciple act in order to become a good disciple? Or more simply, "how does a good disciple act?" Norman has the former, Bodhi the latter. The verb hoti in such cases can convey either sense. I feel that here it seems to be placed to convey the sense "become".
The phrase is echoed in verse 19, with the almost identical line:
Yathākaro sāvako sādhu hoti
Here both Norman and Bodhi have the "become" sense, with Bodhi rendering "how one should act to become a good disciple". Surely they should be consistent.
what does one do to become a good disciple,
doing which one becomes a good disciple.
In verse 11 we have the lines;
Iriyāpathaṁ pabbajitānulomikaṁ
Sevetha naṁ atthadaso mutīmā.
The tricky part is the phrase atthadasa. The suffix -dasa means "seer". Attha is possibly second only to dhamma in its ambiguity, so it's often hard to parse out in context. Often it means simply "the good", "benefit", or "goal". Rather more technically it can mean "meaning" as in the interpretation of a text. Here, Norman has "goal" while Bodhi has "the good". In this context, I usually render "meaning", though without any great confidence.
But I think it is supported in this case. It's talking about someone at the beginning of their practice, who, having heard the teaching, would start practicing the lifestyle because they get the point, i.e. that this is something to be applied.
Thus:
A reflective person, seeing the meaning,
would adopt the deportment proper to a renunciate.
Another little detail where former translations can, I think, be improved is in the parsing of the two verses 17 and 18. We have one verse that speaks of how, when they had learned the Dhamma, a mendicant would make use of requisites such as almsfood and lodging, only after "appraisal".
This term saṅkhāya is often rendered as "reflected" or similar, but the exact sense is a little more specific. It's related to the word to "count" and it means "after appraisal, after assessment". I'm trying to change all my translations to reflect this sense. Using "reflects" is not wrong, it's just a little vague.
Anyway, the next verse repeats a similar phrase, but in a different voice: it starts with "therefore" and appears to speak of the mendicant in an indicative rather than optative voice. The verb is, however, implicit. Norman adds a (should) in brackets; but this basically makes the two verses have a similar meaning. Bodhi keeps the indicative sense, but renders the opening tasmā hi as "for", which rather obscures the nature of the connection between the verses. A mendicant should be careful when using requisites because they are unsullied?
The point here is that, after hearing the Dhamma, and after carefully appraising the use of requisites, the mendicant makes use of them and that is why they use them unsullied.
Alms, a dwelling, a bed and seat,
and water for rinsing the dust from the cloak--
after hearing the teaching of the Holy One,
a disciple of splendid wisdom would use these after appraisal.That's why, when it comes to alms and lodgings,
and water for rinsing the dust from the cloak,
a mendicant is unsullied in the midst of these things,
like a droplet on a lotus-leaf.
Okay, so next we find in verse 23, a line about lying. It refers to different situations in which one would not lie. Now, in Buddhism, or early Buddhism at least, no lie is allowable. Yet the most serious lies are always said to be those in a formal context, much like our lying under oath. So here it begins by mentioning the sabhā and the parisā "councils and assemblies".
So far so good. But the next line has an idiom meaning something like "one on one". The connection between this and the previous line is not clear.
Norman:
When gone to the audience hall or assembly, he should not speak falsely to a single person.
Bodhi:
One who has entered a council or an assembly should not speak falsely to anyone.
So the sense from these translations seems to be that it refers to not lying to anyone at all in an assembly.
Here it is with the Pali:
Sabhaggato vā parisaggato vā,
Gone to a council, or assembly,
Ekassa veko na musā bhaṇeyya
or one on one, they would not lie.
There seems to be three vā, i.e. three cases. (I.e. veko resolves to vā eko. There is a variant ceko but I don't think it materially affects the translation.)
Thus ekassa eko doesn't mean "a single person in the assembly" it means that the rule applies, not just in an assembly, but also one on one.
Well, that's about it I think, the rest has been well translated by the excellent scholars who have gone before me.


Things seemed more alive...
Foxy certainly is a curious beast. One time I dosed 20mg while I was fairly drunk already, and that was not a pleasant experience at all. It only added disorientation to the drunkeness, plus a bit of a body load at that. Not good at all.
However, the second time was the charm as I chose to experiment on the low-dose characteristics that some entries in the TIKAL imply is the prefered way to take this drug.
Dosage: approx. 5mg (Foxy dissolved in an alcohol based solution) at 9:00PM, on a overcast night with a few drops of rain here and there. I was already feeling spiritual and relaxed for the day...
9:05PM: I set out for a walk around my neighborhood. Already, I'm noticing some slight effects. Things were just more *noticeable*. I didn't see any tracers or anything. Things just felt more vibrant.
9:30PM: As I walk around the block, the wind definitely feels nice on the skin. The street lights vibrate with energy, and I seem to hear the distant roar of cars from the highway much more clearly. It feels good to get up and move, to enjoy the night sky. I feel every raindrop that splashes against my skin... it just *feels* right. I feel connected with the earth, just walking... spiritually happy and free. No visuals, really... just a heightened sense of awareness, and definitely some audio expansion... but it felt nice.
Things seem more alive. No trails, no big audio hallucinations, no brain introspection or anything.  Of all things my skin feels a little tingly and good to touch - a characteristic like MDMA, perhaps, only this tingle is of a much different quality.
10:15PM: I begin composing on the keyboards. I notice that I'm starting to come down. Here the audio hallucinations are not as pronounced, except that I'm noticing little details in the sounds that weren't there before.
11:00PM: My girlfriend unfortunately was away this weekend. No matter. Received a call on the phone and chatted for the next 45 minutes. Talking was quite a bit easier, I seemed to flow from topic to topic. I'm a little shy, so this effect was certainly benefitial. Even phone sex was great... it felt good just to touch yourself... let alone (I'm sure) another person...
12:30PM: A slight headache begins to form. No matter, the effects are dead except for a slight tryptamine high. As a precaution, I take a Tylenol PM, along with a couple melatonin pills. Sleep came easy after that.
Conclusion:
Wow. Foxy may not be a visual drug at this level in the sense that LSD would be, but it has a place, a place I like, and it's vaulted up into one of my new favorite drugs. Certainly not trippy for me, nor good for extended thought. But this is the first tryptamine that so far I consider a good *social* drug, with the 'connectedneess' being a new feeling I haven't had on other tryptamines. I'm curious to try it out in concerts and other such things soon, and determine whether my previous mood had anything to do with it.
Many will think Foxy rather bites I'm sure. The body load for me is too heavy at visual doses. The effects at low doses are rather subtle compared to other drugs. But as of now the short duration, heavy eroticism or 'connected' feeling, and increased sociability make it one of my new favorite drugs. It is subtle, which will mean that many will not care for the effects. But to me, its subtleness only makes it better.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


FROM: Dr. Wilson Itam EMAIL<EMAIL_ADDRESS>Dear Sir, I am an administrative staff of the Federal Ministry of Petroleum Resource Abuja, Nigeria, and I represent a group that is interested in engaging your services as Manager for investment purpose,of a large volume of fund. If this proposal is acceptable to you, please get back to me through the above email or fax number to enable me give you more details and work out a remuneration for your participation in the transactio,and also let know how i came to select you for this purpose. I await your urgent response. Sincerely Yours, Dr. Wilson Itam.


PhoneGap Demo App
-
Accelerometer
-
Audio Player/Recorder
-
Battery
-
Camera
-
Compass
-
Contacts
-
File
-
Geolocation
-
Network
-
Notifications
-
Storage
-
Tests


ParseKit
ParseKit is a Mac OS X Framework written by Todd Ditchendorf in Objective-C and released under the Apache 2 Open Source License. ParseKit is suitable for use on Mac OS X Leopard and later or iOS. ParseKit is an Objective-C is heavily influced by ANTLR by Terence Parr and "Building Parsers with Java" by Steven John Metsker. Also, ParseKit depends on MGTemplateEngine by Matt Gemmell for its templating features.
The ParseKit Framework offers 3 basic services of general interest to Cocoa developers:
- String Tokenization via the Objective-C PKTokenizer and PKToken classes.
- High-Level Language Parsing via Objective-C - An Objective-C parser-building API (the PKParser class and sublcasses).
- Objective-C Parser Generation via Grammars - Generate an Objective-C source code for parser for your custom language using a BNF-style grammar syntax (similar to yacc or ANTLR). While parsing, the parser will provide callbacks to your Objective-C code.
The ParseKit source code is available on Github.
More documentation:
- Instructions for including ParseKit in your iOS app
- Instructions for including ParseKit in your OS X app
- Doxygen-generated Header Docs
Projects using ParseKit:
- SQLite Professional: Mac SQLite tool by Kyle Hankinson
- Base: Mac SQLite tool by Ben Barnett
- TaskPaper for iPhone: Simple to-do lists app by Jesse Grosjean
- Worqshop: Development environment for iOS with GitHub support by Donny Kurniawan
- JSTalk: Interprocess Cocoa scripting with JavaScript by Gus Mueller
- Spike: A Rails log file viewer/analyzer by Matt Mower
- BayesianKit: A Cocoa framework implementing a bayesian classifier by Samuel Mendes
- Cocoa ODBC Framework: A Cocoa framework for ODBC access by Mikael Hakman
- Objective-J Port of ParseKit by Ross Boucher
- HTTP Client: HTTP debugging/testing tool
- Fluid: Site-Specific Browser for Mac OS X
- Cruz: Social Browser for Mac OS X
- Fake: A Recordable/Automated Browser for Mac OS X
- Shapes: Simple, Elegant Diagramming tool for Mac OS X
- OkudaKit: Syntax Highlighting Framework for Mac OS X
- Exedore: XPath 1.0 implemented in Cocoa (ported from Saxon)
Xcode Project
The ParseKit Xcode project consists of 6 targets:
- ParseKit : the ParseKit Objective-C framework. The central feature/codebase of this project.
- libParseKit : the ParseKit Framework as a static library for Mac OS X applications.
- libParseKitMobile : the ParseKit Framework as a static library for iOS applications.
- ParserGenApp : a simple Mac app that can convert your ParseKit grammars into Objective-C parser source code.
- Tests : a UnitTest Bundle containing hundreds of unit tests (or more correctly, interaction tests) for the framework as well as some example classes that serve as real-world uses of the framework.
- DemoApp : a simple Cocoa demo app that gives a visual presentation of the results of tokenizing text using the PKTokenizer class.
- DebugApp : a simple Cocoa app that exists only to run arbitrary test code thru GDB with breakpoints for debugging (I was not able to do that with the UnitTest bundle).
ParseKit Framework
Tokenization
The API for tokenization is provided by the PKTokenizer class. Cocoa developers will be familiar with the NSScanner class provided by the Foundation Framework which provides a similar service. However, the PKTokenizer class is simpler and more powerful for many use cases.
Example usage:
NSString *s = @"\"It's 123 blast-off!\", she said, // watch out!\n" @"and <= 3.5 'ticks' later /* wince */, it's blast-off!"; PKTokenizer *t = [PKTokenizer tokenizerWithString:s]; PKToken *eof = [PKToken EOFToken]; PKToken *tok = nil; while ((tok = [t nextToken]) != eof) { NSLog(@" (%@)", tok); }
outputs:
("It's 123 blast-off!") (,) (she) (said) (,) (and) (<=) (3.5) ('ticks') (later) (,) (it's) (blast-off) (!)
Each token produced is an object of class PKToken. PKTokens have a tokenType (Word, Symbol, Number, QuotedString, etc.) and both a stringValue and a floatValue.
More information about a token can be easily discovered using the -debugDescription method instead of the default -description. Replace the line containing NSLog above with this line:
NSLog(@"%@", [tok debugDescription]);
and each token's type will be printed as well:
<Quoted String «"It's 123 blast-off!"»> <Symbol «,»> <Word «she»> <Word «said»> <Symbol «,»> <Word «and»> <Symbol «<=»> <Number «3.5»> <Quoted String «'ticks'»> <Word «later»> <Symbol «,»> <Word «it's»> <Word «blast-off»> <Symbol «!»>
As you can see from the output, PKTokenzier is configured by default to properly group characters into tokens including:
- single- and double-quoted string tokens
- common multiple character symbols (<=)
- apostrophes, dashes and other symbol chars that should not signal the start of a new Symbol token, but rather be included in the current Word or Number token (it's, blast-off, 3.5)
- silently ignoring C- and C++-style comments
- silently ignoring whitespace
The PKTokenizer class is very flexible, and all of those features are configurable. PKTokenizer may be configured to:
- recognize more (or fewer) multi-char symbols. ex:
[t.symbolState add:@"!="];
allows != to be recognized as a single Symbol token rather than two adjacent Symbol tokens
- add new internal symbol chars to be included in the current Word token OR recognize internal symbols like apostrophe and dash to actually signal a new Symbol token rather than being part of the current Word token. ex:
[t.wordState setWordChars:YES from:'_' to:'_'];
allows Word tokens to contain internal underscores
[t.wordState setWordChars:NO from:'-' to:'-'];
disallows Word tokens from containing internal dashes.
- change which chars signal the start of a token of any given type. e.g.:
[t setTokenizerState:t.wordState from:'_' to:'_'];
allows Word tokens to start with underscore
[t setTokenizerState:t.quoteState from:'*' to:'*'];
allows Quoted String tokens to start with an asterisk, effectively making * a new quote symbol (like " or ')
- turn off recognition of single-line "slash-slash" (//) comments. ex:
[t setTokenizerState:t.symbolState from:'/' to:'/'];
slash chars now produce individual Symbol tokens rather than causing the tokenizer to strip text until the next newline char or begin striping for a multiline comment if appropriate (/*)
- turn on recognition of "hash" (#) single-line comments. ex:
[t setTokenizerState:t.commentState from:'#' to:'#']; [t.commentState addSingleLineStartSymbol:@"#"];
- turn on recognition of "XML/HTML" (<!-- -->) multi-line comments. ex:
[t setTokenizerState:t.commentState from:'<' to:'<']; [t.commentState addMultiLineStartSymbol:@"<!--" endSymbol:@"-->"];
- report (rather than silently consume) Comment tokens. ex:
t.commentState.reportsCommentTokens = YES; // default is NO
- report (rather than silently consume) Whitespace tokens. ex:
t.whitespaceState.reportsWhitespaceTokens = YES; // default is NO
- turn on recognition of any characters (say, digits) as whitespace to be silently ignored. ex:
[t setTokenizerState:t.whitespaceState from:'0' to:'9'];
Parsing
ParseKit also includes a collection of token parser subclasses (of the abstract PKParser class) including collection parsers such as PKAlternation, PKSequence, and PKRepetition as well as terminal parsers including PKWord, PKNum, PKSymbol, PKQuotedString, etc. Also included are parser subclasses which work in individual chars such as PKChar, PKDigit, and PKSpecificChar. These char parsers are useful for things like RegEx parsing. Generally speaking though, the token parsers will be more useful and interesting.
The parser classes represent a Composite pattern. Programs can build a composite parser, in Objective-C (rather than a separate language like with lex&yacc), from a collection of terminal parsers composed into alternations, sequences, and repetitions to represent an infinite number of languages.
Parsers built from ParseKit are non-deterministic, recursive descent parsers, which basically means they trade some performance for ease of user programming and simplicity of implementation.
Here is an example of how one might build a parser for a simple voice-search command language (note: ParseKit does not include any kind of speech recognition technology). The language consists of:
search google for? <search-term>
... [self parseString:@"search google 'iphone'"]; ... - (void)parseString:(NSString *)s { PKSequence *parser = [PKSequence sequence]; [parser add:[[PKLiteral literalWithString:@"search"] discard]]; [parser add:[[PKLiteral literalWithString:@"google"] discard]]; PKAlternation *optionalFor = [PKAlternation alternation]; [optionalFor add:[PKEmpty empty]]; [optionalFor add:[PKLiteral literalWithString:@"for"]]; [parser add:[optionalFor discard]]; PKParser *searchTerm = [PKQuotedString quotedString]; [searchTerm setAssembler:self selector:@selector(workOnSearchTermAssembly:)]; [parser add:searchTerm]; PKAssembly *result = [parser bestMatchFor:[PKTokenAssembly assmeblyWithString:s]]; NSLog(@" %@", result); // output: // ['iphone']search/google/'iphone'^ } ... - (void)workOnSearchTermAssembly:(PKAssembly *)a { PKToken *t = [a pop]; // a QuotedString token with a stringValue of 'iphone' [self doGoogleSearchForTerm:t.stringValue]; }


Before Change
if key not in self._experiment_info_cache.keys():
self._experiment_info_cache[key] = ({}, time.time())
try:
pass
// self._experiment_info_cache[key]["logtail"] = \
// self._get_experiment_logtail(experiment)
// self._experiment_info_cache[key] = \
// self._get_experiment_info(experiment)
except Exception:
pass
def download_info():
try:
self._experiment_info_cache[key] = (
self._get_experiment_info(experiment),
After Change
self.logger.debug("Starting info download for " + key)
if self.pool:
Thread(target=download_info).start()
else:
download_info()
def get_user_experiments(self, userid=None, blocking=True):


3rd October Presentations
PVManager Status
– Gabriele Carcassi
pvAccess APIs
– Matej Sekoranja
VTypes / NTtypes
– Gabriele Carcassi


If you are interested in imlementing a game with OJS, you may want to download Apocalympics version of the client and use it as a basis.
Although this video is about developing for .NET Gadgeteer, it also shows the whole process of using OJS Web IDE, and hence it may help you.


Hey I am Karla
a web developer
These are some of my projects
A technical documentation page for Python 3 - freeCodeCamp's responsive web design project
Python 3
A product landing page for a cafe - freeCodeCamp's responsive web design project
Mia'z Cafe
A code-along project from Udemy's web developer bootcamp 2021 by Cole Steele
Museum of Candy
A minigame made using Scratch for problem set zero of CS50X introduction to computer science
Egglington
Just a simple survey form made for freeCodeCamp's responsive web design project
Noodles Life


Progressbar
Progressbar provide up-to-date feedback on the progress of a workflow or action with simple yet flexible bars.
Bootstrap Progressbar
This is the default progress bar provided by Bootstrap. You can also convert it to stripped, animated or stacked progressbar.
Propeller Progressbar
It consists of Bootstrap HTML structure enhanced with Propeller customized classes based on Material Standards. Include Propeller Static Progressbar to your code by adding .pmd-progress
.
Striped Progressbar
Include Propeller Striped Progressbar to your code by adding .progress-striped
besides .pmd-progress
.
Animated Progressbar
Include Propeller Animated Progressbar to your code by adding .active
beside .progress-striped
.
Stacked Progressbar
Include Propeller Stacked Progressbar to your code by adding .progress-bar
inside the wrapper div containing .pmd-progress
.
Configuration Options
The Propeller CSS classes apply various predefined visual enhancements to the progressbar. The table lists the available classes and their effects.
| Propeller Class | Effect | Remark |
|---|---|---|
.progress |
Used to initialize static progress bar. | Required |
.pmd-progress |
Add this class to create propeller customized progress bar. | Required |
.progress-striped |
Used to add stripes to the progress bar. | Optional |
.active |
Add this class along with .progress-stripped to animate the progress bar. |
Optional |
.progress-bar |
Use this class to create a stacked progress bar. | Optional |


WITNESS LIST Civil Practices Committee June 13, 2002-10:00A Interim Charge #1 On: Fibich, Tommy (Texas Trial Lawyers Association) Interim Charge #2 Against: Ahmad, Janet (Home Owners for Better Building) Pearlman, Tamara R. (Home Owners for Better Builders and Homeowners Against Deficient Dwilling) Reier, Jerry (Self) Reier, Lynda (Self) On: Barton, Andrew (American Arbitration Association) Interim Charge #5 On: Griesel, Chris (Rules Attorney, Supreme Court of Texas)


The application may change the number of simultaneous outstanding transactions supported by the Berkeley DB environment by calling the DB_ENV->set_tx_max() method. This will also set the size of the underlying transaction subsystem's region. When the number of outstanding transactions is reached, additional calls to DB_ENV->txn_begin() will fail until some active transactions complete.
The application can limit how long a transaction runs or blocks on contested resources. The DB_ENV->set_timeout() method specifies the length of the timeout. This value is checked whenever deadlock detection is performed or when the transaction is about to block on a lock that cannot be immediately granted. Because timeouts are only checked at these times, the accuracy of the timeout depends on how often deadlock detection is performed or how frequently the transaction blocks.
There is an additional parameter used in configuring transactions; the DB_TXN_NOSYNC. Setting the DB_TXN_NOSYNC flag to DB_ENV->set_flags() when opening a transaction region changes the behavior of transactions to not write or synchronously flush the log during transaction commit.
This change may significantly increase application transactional throughput. However, it means that although transactions will continue to exhibit the ACI (atomicity, consistency, and isolation) properties, they will not have D (durability). Database integrity will be maintained, but it is possible that some number of the most recently committed transactions may be undone during recovery instead of being redone.


PZH PZP LIST :
Testfunctions:
Discover Device and Service
Use Discovered service
Found devices supporting selected service :
Folder list :
File list :
Contacts:
<EMAIL_ADDRESS>Found devices supporting selected service :
Folder list :
File list :
Contacts:
ziran.sun@samsung.com


Don't have an account?
SIGN UP


Cape Town and Winelands
The Winelands are a destination not to be missed with some world famous wine estates where one can spend time with winemakers and learn how this region differs from the rest of the world.
Namibia
With over 42% of the country protected in national parks and community reserves, the country is often called ‘Africa’s Gem.' Namibia provides its visitors with a wide variety of sights.
Botswana
On our luxury Botswana safaris, you will explore the varied terrain from the dry grassy plains of the Kalahari Desert to the lush waters of the Okavango Delta, the world’s largest inland delta
Village
This is where the wildlife safari experience originated more than 100 years ago and remains to this day the best place to see lions, leopards, elephants, buffalo and the endangered rhinoceros.
Kenya
It's also home to wildlife like lions, elephants and rhinos. From Nairobi, the capital, safaris visit the Maasai Mara Reserve.
Zimbabwe
A journey to Zimbabwe will take you through an attractive patchwork of landscapes, from highveld, balancing boulders and flaming msasa trees, to laidback towns, lush mountains and lifeblood rivers.


{% extends "account/base.html" %} {% load i18n %} {% block head_title %}{% trans "Waiting on approval process" %}{% endblock %} {% block body %}
{% blocktrans %} We have sent you an e-mail to {{ email }} for verification. Follow the link provided to finalize the signup process. If you do not receive it within a few minutes, submit a ticket.. {% endblocktrans %}
{% endblock %}


Copyright (c) 2001 Joćo Pedro Neto
Berolina's Revenge is a two player game played on a 8x8 square board, with the following setup:
|
Since White pawns have a numerical advantage, it is good to exchange stones on a one to one ratio. This must be done as often as possible, because, when the promotion phase begins, White pawns will tend to stalemate each other and Black will have his revenge!
There is a ZRF to play Berolina's Revenge with Zillions.
| An example White plays and wins. How? White d1-d2 is a waiting move to exploit the Black's positional zungzang. Now, Black moves c4-d3, followed by e2:d3, c3-b2, c1:b2, h7-g6, h5:g6, f7-e6, f5:e6 and White wins by stalemate. |
Berolina's Revenge was a candidate for the 2002 Game Design Competition.


Company profile - Canadian Company Capabilities
Third-Party Information Liability Disclaimer
Some of the information on this Web page has been provided by external sources. The Government of Canada is not responsible for the accuracy, reliability or currency of the information supplied by external sources. Users wishing to rely upon this information should consult directly with the source of the information. Content provided by external sources is not subject to official languages, privacy and accessibility requirements.
Native Expressions
Legal Name:
Native Expressions
Operating Name:
Native Expressions - LiL CroW Native Art Centre
Mailing Address:
226 Bayshore RdTyendinaga Mohawk Territory
DESERONTO, Ontario
K0K 1X0
Location Address:
216 Bayshore RdTyendinaga Mohawk Territory
DESERONTO, Ontario
K0K 1X0
Tel.:<PHONE_NUMBER>
Fax:<PHONE_NUMBER>
Logo
Company Profile
DAVID R. MARACLE/NATIVE EXPRESSIONS
LIL CROW NATIVE ART GALLERY & CAFÉ
STAGE RED PERFORMANCE COURTYARD - BIO
BUSINESS OWNER sole proprietorship
David and Kimberly Maracle are proud owners of NATIVE EXPRESSIONS LIL CROW NATIVE ART GALLERY & CAFÉ
on the Bay and have had the land in operation since 2009. David himself has been an entrepreneurial spirit on the Territory since 1985. Come and explore their Tiny but mighty, unique, first nations gallery, cafe, gift shop & outdoor performing arts courtyard.
Their rustic Cabin entitled "LIL CROW CAFE & STAGE RED" is nestled along the beautiful shores of the Bay of Quinte, (formerly known as Mohawk Bay) located just east of Highway 49 on the Tyendinaga Mohawk Territory.
People from around the globe come to enjoy an organic Coffee, Espresso, Specialty Tea, or a Sweetbird Smoothie and take in the beauty of First Nations Art, Music and Gifts at its finest.
People can try the all day Brecky Wraps, or traditional foods they offer while sitting by a roaring fire in our 27 foot tipi. Outdoor events, concerts, meetings, even weddings can be scheduled to take place in our Stage Red Performing Arts Courtyard. an Outdoor Performance Stage and Bistro, with seating available for 400 people with lawn chair; the bistro seats 25 to 30 people and is great for more intimate meetings.
A showcase of summer concerts also takes place every season; bringing Award winning First Nations Musicians and Youth from the community to come together to share their talents on stage.
This First Nations Destination offers an atmosphere of warmth, peace and serenity, and a sharing place of rich culture. Over the years, many people have noted how at home and relaxed they feel when they are visiting. A First Nations Experience of high caliber, not to be duplicated anywhere in Ontario.
On the gallery side, they have only Hand Crafted, Hand Carved First Nations Art and unique one of a kind ART- carvings, pottery, moccasins and an in-depth collection of First Nations Music in all genres These high end quality pieces are from many First Nations around the world.
David R. Maracle is the featured artist of the Gallery. He takes great pride in bringing forth his Mohawk Heritage by keeping the Authenticity of his own items he produces; from Ancient Medicine Wheels, Smudge bowls, Talking Feathers, Mandalas and Iroquoian Love Flutes, to hand crafted Tomahawks and Sacred Healing Gourds. Each treasured product is unique, one of a kind, hand-crafted, top quality and made with countless hours of love and care.
THIS LITTLE GALLERY WITH A BIG ATTITUDE WANTS TO INCLUDE YOU IN OUR FAST GROWING CIRCLE OF FRIENDS...
WORKSHOPS & CONCERTS
David R. Maracle & Native Expressions also offer a wide range of workshops GEARED FOR ALL AGES . drumming workshops, Music sound building, mini concerts, FIRST NATIONS Heritage teachings, AND our OUTDOOR survival teachings. He also specializes in Medicine Wheel Workshops incorporating traditional teachings, and hands on carving.
These workshops can be customized to suite any YOUTH CAMP, facility, company, school, institute - private or public sector. Again, we travel extensively around the globe with our workshops & concerts. OR you can book a package with us to take place on our property, and be immersed in the culture and feel the land where the Peacemaker was born.
Our Performance Concerts come in all sizes; from large and in depth productions to small intimate gatherings; we will customize our Concert to fit your budget and personal or corporate needs. We travel extensively and have performed all over the globe, so distance is never an issue for us.
FIRST NATIONS CULTURAL EXPERIENCE PACKAGES
We are a perfect destination for Tourism as we are the only business on the Territory that has been recognized as a heritage and education Center for First Nations Culture, Arts and Music. We have signage off the 401 Trans Canada Highway designating us as an arts destination for Ontario and we are part of the Great Waterway Tourism authority. We have day packages available including traditional meals, tours and storytelling with music, or we can create overnight packages with all of the above and a campfire with accommodations in an authentic First Nations Tipi. A First Nations Experience in one stop for Tourists from around the world. We have had visitors from as far away as Norway, Australia, Brazil, Poland and Russia.
MOHAWK HERITAGE & CULTURAL DESTINATION
Stage Red Performance Courtyard is an outdoor venue on the water of the beautiful Bay of Quinte, located in the heart of Tyendinaga Mohawk Territory. It is now moving towards its fourth season of hosting top quality outdoor concerts featuring our First Nations Professional Musicians and Youth from our communities; Juno and Grammy Award winning artists of native and non-native descent also have graced the stage. The Tiny Cabin is nestled along what used to be called Mohawk Bay. It is located just a stone throw from the heritage site for the landing of the Mohawks in 1784. The Landing is an annual commemoration of the historic arrival of the Mohawks here on May 22, 1784, although archival cartographic maps show Iroquois settlement on the north shore of Lake Ontario more than 150 years prior.
Celebrated since 1929, "Mohawk Landing" is held on the Sunday closest to May 22.. Traditional dress and Iroquoian food also enhance this unique historical celebration. Tyendinaga, when translated in English, means "where the wood comes together." Of special significance, the name is derived from " Thayentiné:ka," Captain Joseph Brant's Mohawk name and reflects the belief that "our strength shall be in unity." David R. Maracle is the owner of this breathtaking property, and his wife Kimberly helps to manage the property and oversees and executes all business contracts, and scheduling.
MOHAWK HERITAGE & CULTURAL DESTINATION
THE ROYAL TOUCH
Make your way to the Gothic-style Christ Church, Her Majesty's Royal Chapel of the Mohawks, on South Church Road, just above Bayshore Road, AROUND THE CORNER FROM LIL CROW CAFÉ to see one of only six "Chapels Royal" outside the United Kingdom. Now designated a National Historical Site, the stone Church was built by the Mohawks in 1843 to replace a log structure built soon after 1784 landing of the first arrivals.
The Church is filled with Royal Gifts, testament to the long association of the Mohawks with the British Crown. On display is a triptych in the Mohawk language given by King George III, a Royal coat of arms given by King George V, a Bible presented by Queen Victoria.
The Church's most historic artefact-used only on ceremonial occasions-is the treasured Communion Silver set given by Queen Anne in 1711 as a symbol of Mohawk and British alliance.
DAVID R. MARACLE AND THE VISION
David R. Maracle, Bear Clan, named Tehenneiakwa;tarons (cutter of stone) has lived on this historical land for over 35 years and finally settled on the waterfront and has called it home for 20 years; a gift from his Father Karoniaktatjeh. Davids heart has always been about First Nations Rights, Culture and Language; being able to convey teachings through his carvings of stone and his musical abilities has been his lifetime goal and achievement.
David in recent years, had a vision about the land he wanted to build a stage for First Nations Musicians and Artists who are in the business, to provide a place to perform in between Ottawa, Montreal and Toronto. David felt it was time that a place be created and dedicated to First Nations Musicians and youth who were interested in the Music and Arts path. David has used all of his savings and his personal funds to take on this project by himself, with no help from grants or sponsors to date. David is a professional Musician himself, having 14 albums to his credit. He is also a World Renown First Nations Sculptor and knows first hand the importance of guidance and encouragement for the Youth who grow up in his community of Tyendinaga.
He thoroughly believes that if the Youth have a place to be encouraged and groomed in the Culture, the Language, Music, and Arts, the Youth will have a better chance in staying on a good road of health and happiness for generations to come. During Davids youth, he had a very strong mentor in his father, who always encouraged him in his artistic path and accredits his Father and Mother for the support he needed to achieve his goals.
David feels by giving back to the community and the youth, he has completed that circle of life that he was taught to respect. Native Expressions and Stage Red Performance Courtyard is a tribute stage for the youth. This is a place for the youth to come and showcase themselves, a healthy environment for them to be encouraged by fellow First Nations Musicians and Artists, in front of their whole community who come out to support them. What better way to instill pride and dignity to our First Nations Youth; BY EXAMPLE.
The stage has also been extended to the other colors of our medicine wheel to make it a multi-cultural venue with a First Nations organic ambiance. It is truly a magical, organic place, where the Traditional knowledge, Culture, Music and Arts unfold on the grounds of this beautiful courtyard. David and Kimberly wanted to share this wonderful piece of land with everyone, right in the heart of the Peacemakers Territory, Tyendinaga Mohawk Land....
Full profile
Full profile
Contact information
Company description
Product / Service / Licensing
His sculptures have touched the hearts of many people; private and corporate collectors alike throughout the world. Some of his more famous Curators include Nelson Mandela, Loretta Lynne, Dan Akroyd, and the Emperor of Japan. David is well-known for his realism in his carvings of Eagles, Elders & First Nations Heritage symbols.
A highlight of his carving career - taking 1st prize Blue Ribbon with his one of a kind 3 foot sculpture entitled "Gathering Our Minds" at the Prestigious Scottsdale Arizona "Heard Museum" in 2009. Davids sculptures have been featured on cheques across Canada at all major banks, and he has had many art installations in High End Galleries all around Canada. For further information on any of his recent sculptures, or to purchase for Corporate gifting, please contact us at<PHONE_NUMBER> or visit the website at www.Davidrmaracle.com for detailed pictures of his one of a kind Originals in Stone.
THE LISTED ALBUMS ARE ENTITLED AS SUCH:
Caught between two worlds
SPIRIT FLUTES
.CALM
NATURAL RESOURCES
SACRED HEALING
NATIVE EXPRESSIONS - INHALE, EXHALE
THE 7TH SUN
THE OTHER SIDE, DAVID R. MARACLE
THERE ARE ALSO THREE OTHER TITLES ON THE MARKET THAT CAN BE ACQUIRED AS WELL WHICH ARE THROUGH HIS RECORD COMPANY, THE TITLES ARE AS SUCH;
SPIRIT FLUTES
SPIRIT JOURNEY
SPIRIT SPA
SPIRIT WATERS
SPIRIT CANYONS - DVD
SPIRIT DREAMS - 3 PACK DVD
These workshops can be customized to suite any YOUTH CAMP, facility, company, school, institute - private or public sector. We travel extensively around the globe with our workshops & concerts. You can also book a package with us to take place on our property, and be immersed in the culture and feel the land where the Peacemaker was born.
Our MUSICAL Performance Concerts come in all sizes; from large and in depth productions to small intimate gatherings; we will customize our Concert to fit your budget and personal or corporate needs. We travel extensively and have performed all over the globe, so distance is never an issue for us
To book a concert or workshop, please contact Native Expressions well in advance..
TECHNICAL REQUIREMENTS FOR A MEDIUM SIZED MUSICAL PERFORMANCE WOULD REQUIRE:
HIGH QUALITY SOUND BOARD/PA SYSTEM
2 FRONT MONITORS
3 MICS, 3 MIC STANDS
2 DI BOXES
TWO LARGE 6FT TABLES
2 MUSIC STOOLS
- MINIMUM OF 6 PEOPLE PER GROUP, AND INCLUDES:
* Tour of Heritage Sites; the Mohawk Landing, The Royal Chapel, and Our Traditional Pow Wow Park
* A Traditional Meal for Lunch, with Fair Trade Tea or Coffee
* Storytelling & Music by Award Winning Musician/sculptor David R. Maracle
* $5.00 voucher to go towards any gift purchase in the gallery
**PLEASE NOTE WE ARE ABLE TO ACCOMMODATE LARGE GROUPS WITH ADVANCED NOTICE**
ADULTS $119 INCLUSIVE
CHILDREN $69 INCLUSIVE
****TRANQUILITY & WELLNESS PACKAGE****
-OVERNIGHT TIPI EXPERIENCE , INCLUDES (LIMIT OF 12 PER GROUP)
* Welcoming of guests, tour of property and settling into the tipi
* A traditional meal for dinner with Fair Trade Tea or Coffee
* A campfire in the evening with cultural teachings, music & Storytelling with David R. Maracle
* One night stay in our authentic 27foot tipi
(please pack warm clothing, roll mat and sleeping bag for optimal comfort)
*$5.00 voucher to go towards any gift purchase in the gallery
*brecky wrap and coffee, tea, or juice in the morning
ADULTS $225 INCLUSIVE
CHILDREN $119 INCLUSIVE
Market profile
Alliances:
- Financial
- Sales/Marketing
Sector information
Key / Major clients:
OPG, ONTARIO POWER GENERATIONSOCIETY OF ENERGY PROFESSIONALS
QMUSIC STUDIOS
TROY BYNO STUDIOS
NATIONAL ABORIGINAL ACHIEVEMENT FOUNDATION
CANADIAN ABORIGINAL MUSIC AWARDS
BMO BANK OF CANADA
ROYAL BANK
CBC
MUCH MUSIC
CTV
APTN ABORIGINAL PEOPLES TELEVISION NETWORK
HEALTH CANADA
AFN
GOVERNMENT OF CANADA
NELSON MANDELA
LORETTA LYNNE
DAN AKKROYD
GOVERNER OF GERMANY
EMPORER OF JAPAN
Success stories:
Many companies, such as the Ontario Power Generation, and the Society of Energy Professionals have utilized our workshops to help in Aboriginal Sensitivity training and Education with their staff members. We have also been contracted to over 15 schools within the Upper Canada District School Board of Ontario to further educate and sensitize the youth about our Culture, Music and Traditional Teachings. We have been to as far as Nova Scotia with our teachings in their schools in the province, and have had rave reviews from teachers, parents and students alike. We can cater to large groups of over 400 people, or intimate sized gatherings of any aged group, and refine the workshop to meet the needs of corporate, government and private companies alike.Testimonial:
"Whether making music or the instrument of music, David R. Maracle puts his imaginative skills to work to produce beauty with excellence in sound and shape." - Stephen J. Augustine, Curatoro of Ethinology, Canadian Museum of Civilization"Im very impressed with your works of art - a definite Canadian Master." - Gary Slimon, Director, Curatorial Services, The Canadian Wildlife & Wilderness Art Museum
"There is a certain warmth that occurs while in their presence at Lil Crow Native Art Centre; the gestalt of partnership that gently asks you to step foward and be embraced. It is then that the magic of what they bring - be it art, comestible nourishment, or sweet music - can be fully realized." Astrid Young, Bestselling Author, Recording Artist & Sommolier
" I would happily debate with anyone that David R. Maracle is one of the world's most talented modern day carvers, and it is easy to see why he has commissioned works around the world. Each of his carvings is unique and those who have witnessed David's talents are amazed at the quality, skill, energy and the time he invests in each piece." - Harry Willmot, Manager, Aboriginal Market Development, Royal Bank
"I have known David for many years and he is truly an extraordinary talent. He has rightfully earned and received both national and international recognition." - Ron Jamieson, Senior VP, BMO Bank of Montreal
David has also been a featured artist on cheques across Canada in all major Banks for his artwork series, to help support Advancement of Aboriginal Youth.
Third-Party Information Liability Disclaimer
Some of the information on this Web page has been provided by external sources. The Government of Canada is not responsible for the accuracy, reliability or currency of the information supplied by external sources. Users wishing to rely upon this information should consult directly with the source of the information. Content provided by external sources is not subject to official languages, privacy and accessibility requirements.
Contacts
Contact information
Description
Company description
Products, services and licensing
Product / Service / Licensing
His sculptures have touched the hearts of many people; private and corporate collectors alike throughout the world. Some of his more famous Curators include Nelson Mandela, Loretta Lynne, Dan Akroyd, and the Emperor of Japan. David is well-known for his realism in his carvings of Eagles, Elders & First Nations Heritage symbols.
A highlight of his carving career - taking 1st prize Blue Ribbon with his one of a kind 3 foot sculpture entitled "Gathering Our Minds" at the Prestigious Scottsdale Arizona "Heard Museum" in 2009. Davids sculptures have been featured on cheques across Canada at all major banks, and he has had many art installations in High End Galleries all around Canada. For further information on any of his recent sculptures, or to purchase for Corporate gifting, please contact us at<PHONE_NUMBER> or visit the website at www.Davidrmaracle.com for detailed pictures of his one of a kind Originals in Stone.
THE LISTED ALBUMS ARE ENTITLED AS SUCH:
Caught between two worlds
SPIRIT FLUTES
.CALM
NATURAL RESOURCES
SACRED HEALING
NATIVE EXPRESSIONS - INHALE, EXHALE
THE 7TH SUN
THE OTHER SIDE, DAVID R. MARACLE
THERE ARE ALSO THREE OTHER TITLES ON THE MARKET THAT CAN BE ACQUIRED AS WELL WHICH ARE THROUGH HIS RECORD COMPANY, THE TITLES ARE AS SUCH;
SPIRIT FLUTES
SPIRIT JOURNEY
SPIRIT SPA
SPIRIT WATERS
SPIRIT CANYONS - DVD
SPIRIT DREAMS - 3 PACK DVD
These workshops can be customized to suite any YOUTH CAMP, facility, company, school, institute - private or public sector. We travel extensively around the globe with our workshops & concerts. You can also book a package with us to take place on our property, and be immersed in the culture and feel the land where the Peacemaker was born.
Our MUSICAL Performance Concerts come in all sizes; from large and in depth productions to small intimate gatherings; we will customize our Concert to fit your budget and personal or corporate needs. We travel extensively and have performed all over the globe, so distance is never an issue for us
To book a concert or workshop, please contact Native Expressions well in advance..
TECHNICAL REQUIREMENTS FOR A MEDIUM SIZED MUSICAL PERFORMANCE WOULD REQUIRE:
HIGH QUALITY SOUND BOARD/PA SYSTEM
2 FRONT MONITORS
3 MICS, 3 MIC STANDS
2 DI BOXES
TWO LARGE 6FT TABLES
2 MUSIC STOOLS
- MINIMUM OF 6 PEOPLE PER GROUP, AND INCLUDES:
* Tour of Heritage Sites; the Mohawk Landing, The Royal Chapel, and Our Traditional Pow Wow Park
* A Traditional Meal for Lunch, with Fair Trade Tea or Coffee
* Storytelling & Music by Award Winning Musician/sculptor David R. Maracle
* $5.00 voucher to go towards any gift purchase in the gallery
**PLEASE NOTE WE ARE ABLE TO ACCOMMODATE LARGE GROUPS WITH ADVANCED NOTICE**
ADULTS $119 INCLUSIVE
CHILDREN $69 INCLUSIVE
****TRANQUILITY & WELLNESS PACKAGE****
-OVERNIGHT TIPI EXPERIENCE , INCLUDES (LIMIT OF 12 PER GROUP)
* Welcoming of guests, tour of property and settling into the tipi
* A traditional meal for dinner with Fair Trade Tea or Coffee
* A campfire in the evening with cultural teachings, music & Storytelling with David R. Maracle
* One night stay in our authentic 27foot tipi
(please pack warm clothing, roll mat and sleeping bag for optimal comfort)
*$5.00 voucher to go towards any gift purchase in the gallery
*brecky wrap and coffee, tea, or juice in the morning
ADULTS $225 INCLUSIVE
CHILDREN $119 INCLUSIVE
Market
Market profile
Alliances:
- Financial
- Sales/Marketing
Sector
Sector information
Key / Major clients:
OPG, ONTARIO POWER GENERATIONSOCIETY OF ENERGY PROFESSIONALS
QMUSIC STUDIOS
TROY BYNO STUDIOS
NATIONAL ABORIGINAL ACHIEVEMENT FOUNDATION
CANADIAN ABORIGINAL MUSIC AWARDS
BMO BANK OF CANADA
ROYAL BANK
CBC
MUCH MUSIC
CTV
APTN ABORIGINAL PEOPLES TELEVISION NETWORK
HEALTH CANADA
AFN
GOVERNMENT OF CANADA
NELSON MANDELA
LORETTA LYNNE
DAN AKKROYD
GOVERNER OF GERMANY
EMPORER OF JAPAN
Success stories:
Many companies, such as the Ontario Power Generation, and the Society of Energy Professionals have utilized our workshops to help in Aboriginal Sensitivity training and Education with their staff members. We have also been contracted to over 15 schools within the Upper Canada District School Board of Ontario to further educate and sensitize the youth about our Culture, Music and Traditional Teachings. We have been to as far as Nova Scotia with our teachings in their schools in the province, and have had rave reviews from teachers, parents and students alike. We can cater to large groups of over 400 people, or intimate sized gatherings of any aged group, and refine the workshop to meet the needs of corporate, government and private companies alike.Testimonial:
"Whether making music or the instrument of music, David R. Maracle puts his imaginative skills to work to produce beauty with excellence in sound and shape." - Stephen J. Augustine, Curatoro of Ethinology, Canadian Museum of Civilization"Im very impressed with your works of art - a definite Canadian Master." - Gary Slimon, Director, Curatorial Services, The Canadian Wildlife & Wilderness Art Museum
"There is a certain warmth that occurs while in their presence at Lil Crow Native Art Centre; the gestalt of partnership that gently asks you to step foward and be embraced. It is then that the magic of what they bring - be it art, comestible nourishment, or sweet music - can be fully realized." Astrid Young, Bestselling Author, Recording Artist & Sommolier
" I would happily debate with anyone that David R. Maracle is one of the world's most talented modern day carvers, and it is easy to see why he has commissioned works around the world. Each of his carvings is unique and those who have witnessed David's talents are amazed at the quality, skill, energy and the time he invests in each piece." - Harry Willmot, Manager, Aboriginal Market Development, Royal Bank
"I have known David for many years and he is truly an extraordinary talent. He has rightfully earned and received both national and international recognition." - Ron Jamieson, Senior VP, BMO Bank of Montreal
David has also been a featured artist on cheques across Canada in all major Banks for his artwork series, to help support Advancement of Aboriginal Youth.


Current Technology
Solar Sails work by using the way mirrors reflect incoming photons as a source of momentum in the opposite direction of the reflected photons. Against a thin-enough material (roughly 40 to 100 times thinner than paper), a continuous stream of photons provides sufficient propulsion for navigation. This idea can easily be confused with the way winds on Earth propel sailboats and ships, but the two are of significant distinction. Solar radiation, rather than actively pushing on a surface, exerts a pressure on it as a result of the momentum carried by incoming photons. Though relatively new to the world of tech, there’s no doubt that the development of solar sail technology has been a rigorous, ongoing effort in recent decades.
Current solar sails are heavily dependent on how efficient their mirrors are. In other words, the more photons that a mirror can reflect, the more movement the payload will experience. Such efficiency is described using what is called specular reflection. Ideally, solar sails want 100% specular reflection so that every photon will be used toward moving the payload (i.e. “more bang for your buck”). In reality, mirrors used in solar sails have an efficiency around 90%, so they are incapable of fully taking advantage of the solar radiation around them. This lack of efficiency is due to the mirrors’ metallic material, namely aluminum.
Dielectric mirrors are a type of mirror composed of thin sheets of dielectric material. Dielectric material is essentially any electrical insulator whose molecules can be polarized by an applied electric field. The polarization of these molecules induces a displacement in the positive and negative charges such that they face opposite of one another. The result is an internal electric field that reduces the overall field within the dielectric itself. Dielectric mirrors are especially useful to solar sails because they are capable of achieving reflectivity well over 99.99%.
Our proposed solar sail utilizes a dielectric mirror made up of synthetic CVD diamond in an effort to maintain heat resistance and structural integrity while increasing reflectivity. Solar sails provide a low-cost, long-lifespan alternative to current spacecraft, but are presently unable to function at full capacity due to limitations in current technology.
Breakthroughs necessary
Refractive index is a dimensionless measure of how much of the incoming light is refracted. Thus, for solar sails, a higher refractive index would mean more of the photons are reflected, and thus the solar sail would utilize more of the sunlight and consequently achieve a higher velocity. The solar spectrum of sunlight approximately spans wavelengths between .29 µm and 3.2 µm, with visible light between .39 and .70 µm (7). The refractive index of aluminum is around .26 at .29µm and 4.7 at 3.2µm, and the refractive index of CVD diamond is 2.47 at .29µm and 2.38 at 3.2µm (12). The diamond has a significantly higher refractive index, for lower wavelengths, but is outperformed by aluminum at higher wavelengths. Ideally, the mirror should be able to make better use of the infrared light from the sun than aluminum to maximize efficiency and pose a definite advantage over aluminum.
Furthermore, innovations in 3D printing technology would not only improve production speed, but cut costs for manufacturing as well. Lockheed Martin has already made the initiative to incorporate synthetic diamond into the process; in 2016, they reportedly filed patent applications for a diamond-printing 3D printer (9). Current synthesis processes for CVD diamond involves painstakingly waiting for a carbon-containing gas to decompose and for the carbon atoms to be deposited on a surface. It’s a long and high-effort process that could significantly benefit from improvements.


{% extends 'index.html' %} {% load static %} {% block content %}
To give you the most compelling fresh cut potatoes, so that together we can save money, time and energy for a better living.


Home
Events
Contact us
Contact Us
Phone:9988774455
<EMAIL_ADDRESS>Location: New Delhi, India
Hold


Your address is not authorised to update rates or control the trading, go back to exchange if you want to trade.
If you are using this ĐApp from a regular browser please install MetaMask first.


|
HADS Project
0.1.0-alpha
Proyecto de la asignatura HADS usando Azure y .NET Web Forms en C#.
|
Protected Member Functions | |
| void | Page_Load (object sender, EventArgs e) |
Protected Attributes | |
| global::System.Web.UI.WebControls.ContentPlaceHolder | HeadContent |
| HeadContent control. More... | |
| global::System.Web.UI.HtmlControls.HtmlForm | form1 |
| form1 control. More... | |
| global::System.Web.UI.WebControls.ContentPlaceHolder | FeaturedContent |
| FeaturedContent control. More... | |
| global::System.Web.UI.WebControls.ContentPlaceHolder | MainContent |
| MainContent control. More... | |
Definition at line 10 of file Site.Mobile.Master.cs.
|
protected |
Definition at line 12 of file Site.Mobile.Master.cs.
|
protected |
FeaturedContent control.
Auto-generated field. To modify move field declaration from designer file to code-behind file.
Definition at line 40 of file Site.Mobile.Master.designer.cs.
|
protected |
form1 control.
Auto-generated field. To modify move field declaration from designer file to code-behind file.
Definition at line 31 of file Site.Mobile.Master.designer.cs.
|
protected |
HeadContent control.
Auto-generated field. To modify move field declaration from designer file to code-behind file.
Definition at line 22 of file Site.Mobile.Master.designer.cs.
|
protected |
MainContent control.
Auto-generated field. To modify move field declaration from designer file to code-behind file.
Definition at line 49 of file Site.Mobile.Master.designer.cs.


Cheat Sheet of SQL Query Commands!
SELECT * FROM table;
Selects ALL column data from table
SELECT * FROM Students;
SELECT column1, column 2, .. FROM table;
Selects data from columns specified from table
SELECT LastName, FirstName FROM Students;
SELECT column1, column 2,...
FROM table
[WHERE conditions];
Selects the specified columns from table located where the condition evaluates TRUE.
SELECT LastName, FirstName
FROM Students
WHERE StudentID LIKE '%substring%';
SELECT column1, column2,..
FROM table
[ORDER BY column(s)[DESC/ASC]]
Selects from column1 and column 2 from Table, and orders in Descending or Ascending order.
SELECT LastName, FirstName
FROM table
[ORDER BY column(s)[DESC]];
SELECT column1, column2, ..
FROM table1, table2..
[WHERE condition(s)];
Joins column1 of table 1 and column2 of table2.
SELECT LastName,Points
FROM Students, Assignments
WHERE AssignmentsID = 12 AND
Students.StudentID=Assignments.StudentID;


Across: 1. Religious figure has dramatic part (4) 3. Mostly whip coloured "butt" (popular term for 29) (5 5) 10. A bit of platypus rump's oven-cooked (5 4) 11. Discussion about right table to record popular releases (5) 12. Religious figure has milk shakes (7) 13. Masks chaos around end of music with hits (6) 15. Era of the first half of 1 down (5) 17. One lost by formation of icicles etc. - they seem to draw on many sources (9) 19. With no openings to mouth, mouse's facilities limited (9) 21. Last of them all in the main band to show gift (5) 22,24. Rethinks Cuba's arrangements on return to 2 perhaps (4 2 3 <IP_ADDRESS>.) 27. Musical group in hotel wrapped in fibre (5) 28. Magic - grin turned into less happy expression (9) 29. Table he set out for group recording popular releases (3 7) 30. Merit near disaster (4) Down: 1. Love 22 groove, and one on start of 24 perhaps (10) 2. Type of coat one might wear around end of Christmas in Belarus city (5) 4,14. Song with snap ... "Arms Wipe Anguish Out!" (9 2 1 4 3) 5. I rest poorly, which does this to me (5) 6. Some sugar chai comforts the elderly (7) 7. Brick building held by strangely bald but feathered fellow (9) 8. Some dreamy theory? (4) 9. Love mother has for children of northeast Nebraska (6) 14. see 4 16. Transport network had unit which some heroin addicts moved into (9) 18. Lit strobe, freaking out people not familiar with modern technology (4 5) 20. Take ore, perhaps, a natural resource (3 4) 21. Flushes semen, a mistake (6) 23. Darkness, a frightful thing (5) 25. Religious figure has about four taken in (5) 26. Sing like crap? (4)


Copyright ©2016-2017 Atom Software Studios, All right reserved
https://github.com/atomsoftwarestudios/Ajs
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
Copyright (c) 2014 Yehuda Katz, Tom Dale, Stefan Penner and contributors
https://github.com/stefanpenner/es6-promise
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
Copyright ©2014 beatgammit
https://github.com/beatgammit/base64-js
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
Copyright ©2012 Nicholas Fisher
https://github.com/KyleAMathews/deepmerge
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
Copyright ©2010 Nuwa Information Co., Ltd, and individual contributors., All rights reserved.
https://code.google.com/archive/p/jslzjb/
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
1. Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer.
2. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentation and/or other materials provided with the distribution.
3. Neither the name of Nuwa Information nor the names of its contributors may be used to endorse or promote products derived from this software without specific prior written permission.


---
layout: default
title: How to
subtitle: "Global Forest Watch is an interactive online platform that offers a variety of data and tools to help you monitor forests. Whether you're looking for general facts or specialized information about fires, we can help you learn how to use GFW to achieve your goals."
---
{{page.title}}
{{page.subtitle}}
{% include by-ranking.html %}
Find content by application
{% include by-app.html %}
{% include by-tool.html %}
Global Forest Watch Discussion Forum
{% include googlegroups.html %}


| Dragon Tool User Manual | ||||
'Palette' node is a parent of a 'stone' node. 'Stone' node is a child of a 'palette' node.
The value of object property is set in the Property Editor.
|node1|node2|referenceNode
where referenceNode is the reference, and node2 is a parent of referenceNode, node1 is a parent of a node2.
The path to the 'panelTile' node is '|panel|panelTile'.
Some properties can be only read, but not set (for example, the width of the image). Every object has at least two properties: name and visible. Name of the object should consist of numbers and english letters. (It's possible to give an non-english letters in object names, but such names wouldn't be exported to mobile dragon.) Visible property defines whether or not Dragon Tool should draw this object and it's children.
Dragon Tool supports following types of objects:
Sprite is just a bitmap (or a picture) that is loaded into the program. It takes a picture from the png file and draws it on screen. When png file changes then sprite image updates automaticaly. Sprite has following set of properties:
path (string) Relative path to the bitmap file. For examle: sprites/bullet.png. All png files should be stored inside the 'sprites' project folder or it's subfolders. width (integer, read only) Width of the image. height (integer, read only) Height of the image. showMatte (boolean) When this option is on all sprites in the scene show display it's transparent color as magenta.
Transform object defines location, rotation, scale, transparency and Z order of the attached objects. It has following properties:
translateX (double) X coord of the object. translateY (double) Y coord of the object. ZOrder (integer) Z order of the transform. Objects with higher value of Z order will be painted over objects with lower values. rotation (double) Rotation angle. [POSITIVE and NEGATIVE angles]. displayPivot (boolean) Check to display a pivot point. Pivot point is a point around which object is rotated. scaleX (double) Scale of the object on x axis (1 = 100% = no scale). scaleX (double) Scale of the object on y axis. opacity (float) Opacity of the object. Can vary from 0 (transparent) to 1 (opaque).
Dummy is a simliest object in the programm. It has only two properties: name and visible. It usually used just for grouping a set of objects or as a container for custom properties.
Grid object is used to adjust a grid color/snapping. It's created every time you make a new project. Most part of it's properties is the same as a Transform properties. But some of them have slightly different meaning.
showHomeGrid (boolean) Check it to display a small home grid. gridWidth (double) Size (or step) of the grid (x axis). gridHeight (double) Size (or step) of the grid (y axis). checkerOpacity (float) Opacity of the checker texture. Doesn't affect on the small home grid. (if you wish to hide it - uncheck the visible property).
Polygon is a shape that is defined by a set of Points which should be attached to this object. Polygon is used for defining a custom tile map cell shape.
Points define a shape of a polygon.
Cell is an object that is used together with tile maps.
size (integer) Size of the cell (in pixels).
size (integer) Size of the cell (in pixels). aspectRatio (float) How distorted the cell is.
It is consists of three objects: a polygon, which defines it's shape and two points. This points affect the layout of the cells in the map. First point defines a location of the next cell in the row, second - location of the next cell in the column. There is an expample in the Quick Start section and a Working with IndexedTileMap tutorial that shows a role of a cell.
This object (as says it's name) is a tile map. Size of the map is defined by rowCount and columnCount properties. Also you can turn on showCells property to display cells of the map. The cell property stores a path to a cell which is used in current tile map.
The best analogue of an IndexedTileMap is a indexed image (for examle a GIF bitmap). Such image has a color palette and a data, which store only indexes of colors in this color palette. The same is with IndexedTileMap. It has a set of objects as a palette and a data which refer to idexes of this objects. See an expample in the Quick Start section and a tutorial Working with IndexedTilMap.IndexedTileMap properties:
palette (object) Palette node which is used in this map. This node is defined in the Tree Path format.
Time object is created every time you make a new project. It has a property frameNum which is a frame number for all animations in the scene. When you press Play button on the player panel frameNum increases with 30 frames per second.
Animation object has the same properties as a Transform object. The difference is that Animation object can have only Frame objects as it's children. Also it can display only one frame (the index of this frame is defined by a Time object).
Frame objects should be attached only to the animation objects. Their purpose is to define delay during wich this frame will be shown. See Working with Animation tutorial to see Frame objects in action.
TilesExporter object created only once when you choose "DragonTool -> Export Res" command. In this object you can adjust output settings of the resource files.
border (integer) Defines empty space between sprites in the output image (in pixels). imageSize (integer) Size of the output image (in pixels). outDir (string) Output directory where resource files are written.
| Dragon Tool User Manual |


[gecode-users] Problem with Flatzinc 1.0 on Gecode 2.0
Guido Tack
tack at ps.uni-sb.de
Wed Feb 6 18:30:07 CET 2008
Raffaele Cipriano wrote:
> installing gecode 2.0 is ok; I used
>
> $ ./configure --prefix=/home/cipriano/gecode2.0
> $ make
> $ make install
>
> also installing flatzinc is (seems) ok; I used
>
> $ ./configure --prefix=/home/cipriano/flatzinc1.0
> $ make
> $ make install
>
> But when I try to invoke "fz", the exacutable for flatzinc parser e
> get thie error:
>
> fz: error while loading shared libraries: libgecodecpltset.so.9:
> cannot
> open shared object file: No such file or directory
Did you put /home/cipriano/gecode2.0/lib on your LD_LIBRARY_PATH? If
not, that may solve your problem.
Cheers,
Guido
More information about the gecode-users
mailing list


EBRAINS WebComponents Demo
https://github.com/HumanBrainProject/ebrains-webcomponents
ebrains-yt-video
ebrains-iam-auth
ebrains-toast


Before Change
def get_asuswrt_data(self):
Retrieve data from ASUSWRT and return parsed result.
from pexpect import pxssh
try:
ssh = pxssh.pxssh()
ssh.login(self.host, self.username, self.password)
ssh.sendline("ip neigh")
ssh.prompt()
neighbors = ssh.before.split(b"\n")[1:-1]
ssh.sendline("cat /var/lib/misc/dnsmasq.leases")
ssh.prompt()
leases_result = ssh.before.split(b"\n")[1:-1]
ssh.logout()
except pxssh.ExceptionPxssh as exc:
_LOGGER.exception("Unexpected response from router: %s", exc)
return
devices = {}
for lease in leases_result:
match = _LEASES_REGEX.search(lease.decode("utf-8"))
After Change
def get_asuswrt_data(self):
Retrieve data from ASUSWRT and return parsed result.
if self.protocol == "telnet":
neighbors, leases_result = self.telnet_connection()
else:
neighbors, leases_result = self.ssh_connection()
devices = {}
for lease in leases_result:
match = _LEASES_REGEX.search(lease.decode("utf-8"))


Get The Best Discounts On Planet Earth!
Hello {{username}},
Click the button below to activate your Troupon account.
Thanks,
Troupon Team.
Please disregard this email if you did not signup on Troupon.


Breaking: INEC declares 30 staff missing as results come in
by The Eagle OnlineThe Independent National Electoral Commission has declared 30 of its staff for the governorship election in Kogi State missing.
This came on the heels of the abduction of four staff of the commission in Bumodi-Gbene in Yenagoa Local Government Area of Bayelsa State and Ologi in Ogbia Local Government Area of the state.
Through the four officials were later released, INEC cancelled the election in Ologi community.
The staff in Kogi State, mainly members of the National Youth Service Corps, were declared missing by the electoral umpire at about 1am on Sunday.
They were part of those posted to Olamaboro Local Government Area for the poll.
Those declared missing as the compilation of results for the local government commenced on Sunday morning included Presiding Officers and Assistant Presiding Officers of polling units in Imane Wards 1 and 2, Olamaboro LGA of Kogi State.
The Election Officer of the LGA, Garba Mahmood, declared them missing.
Mahmood said the missing ad-hoc staff have not been seen since voting ended at 2pm on Saturday.
He said calls to their mobile phone numbers had not been going through.
Meanwhile, results of the polls in both Kogi and Bayelsa States have been pouring into the collation centres at the local government level, while the INEC offices in Lokoja, the Kogi State capital, and Yenagoa, the Bayelsa State capital, are awaiting the results for the final official announcements.
Previous Post
Ginter inspires Germany to clinch Euro 2020 spot
Next Post
Two suspects arrested for planning to attack French president – Report


Presenting: Ishtar
Inanna[a] is an ancient Mesopotamian
goddess associated with love, beauty, sex, war,
justice and political power.
She was originally
worshiped in Aratta and Sumer under the name "Inanna",
and was later worshipped by the
Akkadians, Babylonians,
and Assyrians under the name Ishtar.