HUNDRED PERCENT (1997)
Rating: 3 stars (out of 4.0) ******************************** Key to rating system: 2.0 stars - Debatable 2.5 stars - Some people may like it 3.0 stars - I liked it 3.5 stars - I am biased in favor of the movie 4.0 stars - I felt the movie's impact personally or it stood out ********************************* A Movie Review by David Sunga
Directed by: Eric Koyanagi
Written by: Eric Koyanagi
Ingredients: Three Asian American guys, romance, danger
Starring: Garrett Wang, Tamlyn Tomita, Dustin Nguyen, Lindsay Price, Darion Basco, Keiko Agena
Synopsis/Opinion: As I write this first draft, I'm sitting in a small auditorium at the Art Institute Film Center in Chicago, scribbling my notes on a piece of newspaper. An event called the Third Annual Chicago Asian American Showcase is taking place. Right now actor Garrett Wang (from STAR TREK: VOYAGER) is on stage, as is director Eric Koyanagi, some producers, and the cinematographer. The men all seem to be cordial, laid back professionals. They're here to field questions on HUNDRED PERCENT, the new movie written and directed by Koyanagi which has just been shown. At this time HUNDRED PERCENT has not yet been widely released, but it has opened to enthusiastic responses at a Harvard test screening as well as here in Chicago.
I saw the movie. HUNDRED PERCENT is one of those slice-of-life movies, the kind that usually have names like MYSTIC PIZZA, the film about three gal waitresses in a pizza parlor in Connecticut, and a two-season slice of the girls' romance lives. HUNDRED PERCENT is a little like that, except it's three Asian American guys in Venice Beach, and not necessarily romance.
Actually HUNDRED PERCENT is three stories in one, an independent film done up as a PULP FICTION-like collage of interwoven mini-episodes. In the opening scene, a Star Trek debate in the middle of a dominoes game involving the three Southern California guys quickly turns into a flashback review of their recent experiences. Each man is a twenty-something Asian American. Isaac (Dustin Nguyen) is an average Joe who works behind the counter of a coffee bar.  Slim (Darion Basco) is a dreadlock-wearing wannabe rasta man who is supposed to take good care of a vicious gangster's favorite car, but is afraid of what might happen when he must face the gangster to tell him the car is missing. Troy (Garrett Wang) is an aspiring actor who finds that he doesn't agree with the racist caricatures he is forced to play.
I felt a little peculiar after watching HUNDRED PERCENT, because I knew the movie had made a statement, but I couldn't quite put my finger on what statement had been made. The answer was both obvious and hidden at the same time, because I was looking for a statement made by the plot, but the statement was made by the movie itself.
Let me explain. In Hollywood, Asian American actors get short shrift. With few exceptions, there are really only three types of roles Asian Americans ever get: the nerdy studious geek, the kung fu man, or the jabbering guy with a funny, unintelligible accent. And any national 'racial' debate is always silent on Asian Americans: even Tiger Woods and Andrew Cunanan are not portrayed as Asian Americans. Let's face it: 70% of the roles offered to Asian Americans in 1998 are hackneyed stereotypes. So the odd thing about HUNDRED PERCENT is that it's chock full of Asian American actors and actresses who go about playing their roles as if it's entirely normal for them to go about playing their roles. I find this to be a very profound, even revolutionary message, as well as the reason why one of the mini-stories involves an Asian American actor making tough choices, and why the ending involves a fortune cookie message for the three Asian Americans.
Getting back to the film, the cinematography in HUNDRED PERCENT is interesting in that it's filmed wider than most normal films, giving the Venice Beach setting a quaint, yet larger than life feel. HUNDRED PERCENT also sports an all star cast. You may recognize Nguyen from 21 JUMPSTREET, Tomita from THE JOY LUCK CLUB, and Troy's girlfriend Cleveland (Lindsay Price) from THE BOLD AND THE BEAUTIFUL. Two of the plots have unexpected endings, and the romance has a typical ending, but Dustin Nguyen sparkles in his role as romantic lead.
Reviewed by David Sunga March 21, 1998
Copyright © 1998 This review and others like it can be found at THE CRITIC ZOO: http://www.criticzoo.com email<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


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Gillette 4000 400 $
OneBlade X 3650 $
Angora Rabit 35 200 $


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.control
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Character control panel
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.away / .back
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Away Mode (AFK)
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.getreward
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Use it every 12 hours to claim Reward from Voting
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.online
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Shows how many players are online in game
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.offline
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Sets Offline Private Store
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.repair
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Repairing character located in same account
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.password
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Changing Password of your Account
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.buffstore
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Setup Offline Buffer Store.
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.buffshield
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Protects you from unwanted buffs
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.siege
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Full siege information
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.combine
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Combines all same type talismans, into 1 with the total duration!
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.dressme
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Change your visual texture appearance of Armor/Weapon/Cloak!
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.npcspawn
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Spawn NPCs in ClanHalls!
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.party [Message]
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Find Party System
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.report
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Target a player you think is botting, and punish him!
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.whereis
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Set radar to your party or clan member (Syntaxes .whereis Name)
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CTRL+CLICK
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Hold Ctrl and click attry to use the stones on your armor!
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gtsam 4.1.1
gtsam
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CRTP Base class for function bases.
Static Public Member Functions | |
| static Matrix | WeightMatrix (size_t N, const Vector &X) |
| Calculate weights for all x in vector X. More... | |
| static Matrix | WeightMatrix (size_t N, const Vector &X, double a, double b) |
| Calculate weights for all x in vector X, with interval [a,b]. More... | |
| static double | Derivative (double x, const Vector &p, OptionalJacobian< -1, -1 > H=boost::none) |
Classes | |
| class | ComponentDerivativeFunctor |
| Given a M*N Matrix of M-vectors at N polynomial points, an instance of ComponentDerivativeFunctor computes the N-vector derivative for a specific row component of the M-vectors at all the polynomial points. More... | |
| class | DerivativeFunctor |
An instance of a DerivativeFunctor calculates f'(x;p) at a given x , applied to Parameters p . More... | |
| class | DerivativeFunctorBase |
| Base class for functors below that calculate derivative weights. More... | |
| class | EvaluationFunctor |
An instance of an EvaluationFunctor calculates f(x;p) at a given x , applied to Parameters p . More... | |
| class | ManifoldEvaluationFunctor |
| Manifold EvaluationFunctor at a given x, applied to ParameterMatrix<M>. More... | |
| class | VectorComponentFunctor |
| Given a M*N Matrix of M-vectors at N polynomial points, an instance of VectorComponentFunctor computes the N-vector value for a specific row component of the M-vectors at all the polynomial points. More... | |
| class | VectorDerivativeFunctor |
| VectorDerivativeFunctor at a given x, applied to ParameterMatrix<M>. More... | |
| class | VectorEvaluationFunctor |
| VectorEvaluationFunctor at a given x, applied to ParameterMatrix<M>. More... | |
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inlinestatic |
Calculate weights for all x in vector X.
Returns M*N matrix where M is the size of the vector X, and N is the number of basis functions.
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inlinestatic |
Calculate weights for all x in vector X, with interval [a,b].
| N | The number of basis functions. |
| X | The vector for which to compute the weights. |
| a | The lower bound for the interval range. |
| b | The upper bound for the interval range. |


Sign here for Stats 810 Fall 2015 Homework 13
This is a very simple HTML file, consisting of a header, a paragraph break, and an un-numbered list. You should be able to edit this file with any text editor.
Please add your name to the following list:
- Edward Ionides
- Carles Breto
- Roger Fan
- Brook Luers
- Nick Seewald
- Jack Goetz
- Xuefei Zhang
- Hyesun Yoo
- Tim Lycurgus
- Add a line for your name
- Leave these example lines for those who follow


--- layout: page title: Food Types subtitle: Breaking it down (unlike your gut). desc: Different classes of food type. permalink: /food_types/ ---
Here are just some of the types of food you might want to be making. We have tried to break this down sensibly, but obviously categories are arbitrary and personal. If you want to have lemon drizzle for breakfast we won't judge you ... much.
Sauces form the basis of so much of cooking. Once you have a few sauces to work with you can explore with variations on a theme. Here we'll look at fodmap friendly staples like tomato sauce, béchamel, velouté and many more.
Breakfast is definitely my favourite meal.
These lunches are designed to be light mid-day eating and should be suitable to bring to work as a pack lunch.
The main event in most culinary circles.
Tea or supper depending on your geographical and social coordinates. Whatever you call it this is the meal you have in the evening if your're not going for a full on dinner ... at least that's my take on it.


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DashingPlatforms
1.0
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#include <OPM.h>
Static Public Member Functions | |
| static bool | initialize () |
| static void | shutdown () |
| static int | createPool (const char *objectType, long objectInitParam, OPM_INIT_PTR bootStrapMethod, double thresholdPercentage, int capacityIncrement, int initialSize, bool threadSafe, OPMGrowthModeType growthMode) |
| static bool | isPoolCreated (const char *objectType, long objectInitParam) |
| static int | getObjectPoolID (const char *objectType, long objectInitParam) |
| static OPMBase * | reserveObject (int objectPoolID, bool blockWaitingForAccess=true) |
| static bool | releaseObject (OPMBase *object, const char *callingFileName, int callingLineNumb) |
| static bool | isCreatedByOPM (OPMBase *objectRef) |
| static bool | setPoolCapacityIncrement (int objectPoolID, int capacityIncrement) |
| static int | getPoolCapacityIncrement (int objectPoolID) |
| static double | getPoolThresholdPercentage (int objectPoolID) |
| static int | getPoolObjectInitParam (int objectPoolID) |
| static void | printAllPoolsSummary () |
| static void | printPoolSummary (int objectPoolID) |
| static void | checkForUnreleasedObjects () |
Friends | |
| void | cliPrintAllPoolsSummary () |
| void | cliPrintOPMPoolSummary (int objectPoolID) |
| void | checkForUnreleasedOPMObjects () |
OPM (Object Pool Manager) manages the creation of a pool of reusable objects that can be reserved for use within the program and made available again for reuse.
OPM contains overloaded methods for creating the object pool, getting the objects from the pool and releasing the objects back into the pool. NOTE: There currently is no support for deleting/destroying existing pools and their objects.
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static |
Method tests all of the pools and prints the statistics per Object Pool for objects which HAVE NOT been properly returned/released into the OPM.
References ObjectPool::getCurrentCapacity(), ObjectPool::getCurrentUsedObjects(), and ObjectPool::getObjectType().
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static |
Method for Creating an Object Pool of Specified Object Type, Object Count, Initial capacity, capacity increment, threshold, and growth Mode.
Note that this method allows for an object Initializer to be specified for all objects in the pool.
Note that if the Object Pool already exists (ie. was created earlier by another part of the application), then the existing object Pool ID is returned.
| objectType | Type of the object to be Created |
| objectInitParam | long or pointer to initialization data needed by each of the objects in the pool, or NULL if none is needed |
| bootStrapMethod | pointer to a function or method (OPMBase::initialize) that will create the object and return a pointer to it |
| thresholdPercentage | double representing the percentage of the initial capacity above which to autoincrease the pool size. |
| capacityIncrement | integer number of objects to add to the pool when autoincrementing the pool capacity |
| initialSize | initial capacity of objects to create within the pool |
| threadSafe | Boolean to determine if the ObjectPool should be created as thread safe or not |
| growthMode | Either NO_GROWTH, GROWTH_ALLOWED, or GROW_AND_SHRINK |
References getObjectPoolID().
Referenced by DistributedMailboxProxy::DistributedMailboxProxy(), GroupMailboxProxy::GroupMailboxProxy(), LocalMailbox::LocalMailbox(), LocalSMMailboxProxy::LocalSMMailboxProxy(), and ConnectionSet::performActivation().
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static |
Method to return the Object Pool ID for an existing object Pool.
| objectType | type string of the objects being pooled |
| objectInitParam | long or pointer to initialization data needed by each of the objects in the pool |
Referenced by createPool().
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static |
Get the Pool Capacity Increment value which is the number of objects to add to the pool when the threshold value is reached.
| objectPoolID | integer used by applications in referencing this particular object pool for retrieving objects (this is returned by createPool) |
References ObjectPool::getCapacityIncrement(), and ObjectPool::release().
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static |
Get the Pool's object initializer (or 0/NULL if there is none).
| objectPoolID | integer used by applications in referencing this particular object pool for retrieving objects (this is returned by createPool) |
References ObjectPool::getObjectInitParam(), and ObjectPool::release().
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static |
Get the Pool Threshold Percentage value which is the factor (double) of the current capacity at which to increase the capacity.
| objectPoolID | integer used by applications in referencing this particular object pool for retrieving objects (this is returned by createPool) |
References ObjectPool::getThresholdPercentage(), and ObjectPool::release().
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static |
initializes the Object Pool Manager (OPM).
Referenced by FaultManager::processMailbox(), ResourceMonitor::toString(), and ProcessManager::toString().
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static |
Method to test if an Object was created by the OPM. Remember that for this to be called from Multiple threads, the object pool must be thread safe.
| object | OPMBase Object pointer to test |
true
if the specified Object was created by OPM false
if the specified Object was created elsewhere References ObjectPool::containsObject(), OPMBase::getPoolID(), and ObjectPool::release().
Referenced by MailboxOwnerHandle::cancelTimer(), and MessageBase::deleteMessage().
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static |
Method to verify if an object pool has been created for the specified Object type
| objectType | type string of the objects being pooled |
| objectInitParam | long or pointer to initialization data needed by each of the objects in the pool |
true
if the named object pool exists false
if the named object pool does not exist
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static |
Method prints the usage summary for all Object Pools being managed within the OPM. This method is called by default when the shutdown method is called.
|
static |
Method prints the usage summary for a particular Object Pool.
| objectPoolID | integer used by applications in referencing this particular object pool for retrieving objects (this is returned by createPool) |
References ObjectPool::release().
|
static |
Method for releasing the specified object back into the OPM pool after it is no longer in-use.
| object | Pointer to the Object to be released back into the Pool |
| callingFileName | - Specifies the source file from which the object is being released (this will be printed as a DEBUG log using a MACRO) |
| callingLineNumb | - Specifies the source line from which the object is being released (this will be printed as a DEBUG log using a MACRO) |
true
if the specified Object was successfully releasedfalse
if the Object Reference was not found in the Pool's USED data structure (could be wrong pool, is already released, or) was not created via OPM) References ObjectPool::release().
|
static |
Method to retrieve an object from a specified pool being managed within OPM.
| objectPoolID | integer used by applications in referencing this particular object pool for retrieving objects (this is returned by createPool) |
| blockWaitingForAccess | If true, this method will block until an object becomes available if they are all in use. Otherwise, if false, this method will return NULL if all objects are in use. |
NULL
. NOTE that it can also return NULL if the user has requested a non-blocking call (blockWaitingForAccess = false)References ObjectPool::release(), and ObjectPool::reserve().
|
static |
Method sets the capacityIncrement for the specified Object Pool. This value is either initially specified as a parameter to the createPool() method or is chosen by the default constructor of ObjectPool.
| objectPoolID | integer used by applications in referencing this particular object pool for retrieving objects (this is returned by createPool) |
| capacityIncrement | Number of objects to add to the pool when increasing |
true
if the capacity increment was successfully changedfalse
if setting the capacity increment failed References ObjectPool::release(), and ObjectPool::setCapacityIncrement().
|
static |
Method to be called when the node is shutdown. This method will reset all Objects to NULL
|
friend |
Friend function tests all of the pools and prints the statistics per Object Pool for objects which HAVE NOT been properly returned/released into the OPM.
|
friend |
Friend function prints the usage summary for all Object Pools being managed within the OPM.
|
friend |
Friend function prints the usage summary for a particular Object Pool.
| objectPoolID | integer used by applications in referencing this particular object pool for retrieving objects (this is returned by createPool) |


PLANET SICK-BOY: http://www.sick-boy.com "We Put the SIN in Cinema"
A film like this rarely lives up to its hype. First, it's the sequel to a movie that took in over $180 million domestically and over $420 worldwide in 1996. Helming the project is arguably the greatest shoot-em-up director of all-time, and the screenplay was written by a four-time Oscar nominee. Its acting lead is one of the world's biggest stars, who is only a few months removed from his third Oscar nod. Heck, there's even an unbilled Oscar winner thrown for good measure. And then there's the little matter of every other potential summer blockbuster cutting a wide path around the film's May 24th release date.
Sadly, M:I-2 doesn't live up to the hype. I'm not saying it's bad (although everybody else in the theatre seemed to think so) just disappointing. Believe me, I was pulling for it to set the action film standard for the next four or five years, like M:I-2 director John Woo's Face/Off did in 1997. While M:I-2 is better than the last couple James Bond flicks, it struggles to even duplicate the level of entertainment created by the first M:I film. It's still entertaining and fun, in a check-your-brain-at-the-box-office kind of way.
Tom Cruise (Magnolia) returns as Ethan Hunt, IMF (Impossible Missions Force) pointman, who, as the film opens, has his rock-climbing vacation interrupted by an emergency summons to Seville, Spain, where the IMF boss (played by an uncredited Anthony Hopkins, Titus) dispatches him to apprehend a malevolent Scotsman (shades of Fat Bastard?) that has designs on threatening the world with a deadly virus called Chimera.
To complete his mission, Hunt nabs M:I's only other holdover in Luther Stickell (Ving Rhames, Bringing out the Dead), as well as a wisecracking agent played by Aussie actor John Polson (The Boys). Hunt is also instructed to recruit the services of a civilian master thief named Nyah Nordoff-Hall (Thandie Newton, Besieged), who also happens to be an ex-lover of Sean Ambrose (Dougray Scott, Ever After), the IMF's target. Hunt and Nyah become soulmates after about thirty seconds of contact, at which point M:I-2 becomes slightly derailed by a lot of unnecessary, vomit-inducing romance, including a really corny line that I think may have been stolen from Michael Mann's The Last of the Mohicans.
Like the original M:I film, the sequel is full of double-crossing via rubber masks, which look a lot cooler here than they did four years ago, thanks to advancements in CGI. There are also some nifty gadgets, such as a satellite that can capture detailed video of anyone in the world. And like Face/Off (or any Woo film), there's plenty of double-fisted gunplay, birds taking flight, martial arts, slow-motion action, and a chase scene that goes on for a bit too long (it was boats in Face/Off and it's motorcycles here). That is to say, there's plenty of this stuff in the last fifteen minutes. The rest of the film is pretty light on all of the exciting things that you would expect from Woo. In fact, Woo fans will probably be bitterly disappointed, but then again, they have slightly unreal expectations because of the director's previous work.
M:I-2 has a plot so convoluted that they have the bad guy narrate what's happening during one sequence, and it will still leave you scratching your head (people complained that the first film was too hard to follow, which is probably why they tried to add the explanation here). Hey, this isn't Chinatown (which screenwriter Robert Towne also penned) - it's an action flick, implying that there should be action throughout the film, and not just the last fifteen minutes.
Another big problem is with Scott, who overacts so badly that I thought he was doing a bad Scottish accent (turns out he's actually from Scotland). He's certainly not physically intimidating, and he damn well isn't creepy enough to pull off a `psychological madman'-type role, like Alan Rickman in Die Hard, or even Robert Carlyle in The World is Not Enough. Is he evil? Maybe. Is he diabolical? Definitely not. Ambrose doesn't come off any more threatening than anybody else with a sneer and an accent.
Cruise is simply adequate and, apparently, too short to don the flowing black trenchcoat usually worn by the lead actors in Woo's films (see Nic Cage in Face/Off or Chow Yun-Fat in anything). While M:I-2 has added the romantic angle, Cruise's character has become a little more human, but there still isn't much to like about Ethan Hunt, other than hearing Rhames call him `Efan' instead of `Ethan.' In short (sorry, Tom), M:I-2 is ridiculously unbelievable, which is something that every entertaining action flick should be. But it should have been so much better.
2:08 PG-13 for violence, sexual content and adult language
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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{% extends 'conftheme/2021/parts/base.html'%} {% block head %}
We agree not to sell your data ever. Ever.


Freegans are people who employ alternative strategies for living based on limited participation in the conventional economy and minimal consumption of resources. Freegans embrace community, generosity, social concern, freedom, cooperation, and sharing in opposition to a society based on materialism, moral apathy, competition, conformity, and greed.
After years of trying to boycott products from unethical corporations responsible for human rights violations, environmental destruction, and animal abuse, many of us found that no matter what we bought we ended up supporting something deplorable. We came to realize that the problem isn’t just a few bad corporations but the entire system itself.
Freeganism is a total boycott of an economic system where the profit motive has eclipsed ethical considerations and where massively complex systems of productions ensure that all the products we buy will have detrimental impacts most of which we may never even consider. Thus, instead of avoiding the purchase of products from one bad company only to support another, we avoid buying anything to the greatest degree we are able.
The word freegan is compounded from “free” and “vegan”. Vegans are people who avoid products from animal sources or products tested on animals in an effort to avoid harming animals. Freegans take this a step further by recognizing that in a complex, industrial, mass-production economy driven by profit, abuses of humans, animals, and the earth abound at all levels of production (from acquisition to raw materials to production to transportation) and in just about every product we buy. Sweatshop labor, rainforest destruction, global warming, displacement of indigenous communities, air and water pollution, eradication of wildlife on farmland as “pests”, the violent overthrow of popularly elected governments to maintain puppet dictators compliant to big business interests, open-pit strip mining, oil drilling in environmentally sensitive areas, union busting, child slavery, and payoffs to repressive regimes are just some of the many impacts of the seemingly innocuous consumer products we consume every day.
Freegans employ a range of strategies for practical living based on our principles:
We live in an economic system where sellers only value land and commodities relative to their capacity to generate profit. Consumers are constantly being bombarded with advertising telling them to discard and replace the goods they already have because this increases sales. This practice of affluent societies produces an amount of waste so enormous that many people can be fed and supported simply on its trash. As freegans we forage instead of buying to avoid being wasteful consumers ourselves, to politically challenge the injustice of allowing vital resources to be wasted while multitudes lack basic necessities like food, clothing, and shelter, and to reduce the waste going to landfills and incinerators which are disproportionately situated within poor, non-white neighborhoods, where they cause elevated levels of cancer and asthma.
Perhaps the most notorious freegan strategy is what is commonly called “urban foraging” or “dumpster diving”. This technique involves rummaging through the garbage of retailers, residences, offices, and other facilities for useful goods. Despite our society’s sterotypes about garbage, the goods recovered by freegans are safe, useable, clean, and in perfect or near-perfect condition, a symptom of a throwaway culture that encourages us to constantly replace our older goods with newer ones, and where retailers plan high-volume product disposal as part of their economic model. Some urban foragers go at it alone, others dive in groups, but we always share the discoveries openly with one another and with anyone along the way who wants them. Groups like Food Not Bombs recover foods that would otherwise go to waste and use them to prepare meals to share in public places with anyone who wishes to partake.
By recovering the discards of retailers, offices, schools, homes, hotels, or anywhere by rummaging through their trash bins, dumpsters, and trash bags, freegans are able to obtain food, beverages, books, toiletries magazines, comic books, newspapers, videos, kitchenware, appliances, music (CDs, cassettes, records, etc.), carpets, musical instruments, clothing, rollerblades, scooters, furniture, vitamins, electronics, animal care products, games, toys, bicycles, artwork, and just about any other type of consumer good. Rather than contributing to further waste, freegans curtail garbage and pollution, reducing the over-all volume in the waste stream.
Lots of used items can also be found for free or shared with others on websites like Freecycle and in the free section of your local Craigslist. To dispose of useful materials check out the EPA’s Materials and Waste Exchanges directory. In communities around the country, people are holding events like “Really, Really, Free Markets” and “Freemeets”. These events are akin to flea markets with free items. People bring items to share with others. They give and take but not a dollar is exchanged. When freegans do need to buy, we buy second-hand goods which reduces production and supports reusing and reducing what would have been wasted without providing any additional funds for new production.
Because of our frequent sojourns into the discards our throwaway society, freegans are very aware of and disgusted by the enormous amounts of waste the average US consumer generates and thus choose not to be a part of the problem. So, freegans scrupulously recycle, compost organic matter into topsoil, and repair rather than replace items whenever possible. Anything unusable by us, we redistribute to our friends, at freemarkets, or using internet services like freecycle and craigslist.
Freegans recognize the disastrous social and ecological impacts of the automobile. We all know that automobiles cause pollution created from the burning of petroleum but we usually don’t think of the other destruction factors like forests being eliminated from road building in wilderness areas and collision deaths of humans and wildlife. As well, the massive oil use today creates the economic impetus for slaughter in Iraq and all over the world. Therefore, freegans choose not to use cars for the most part. Rather, we use other methods of transportation including trainhopping, hitchhiking, walking, skating, and biking. Hitchhiking fills up room in a car that would have been unused otherwise and therefore it does not add to the overall consumption of cars and gasoline.
Some freegans find at least some use of cars unavoidable so we try to eliminate our dependence on fossil fuels by using cars with diesel engines converted to run on biodiesel or “veggie-oil” literally fueling our cars with used fryer oil from restaurants – another example of diverting waste for practical use. Volunteer groups are forming everywhere to assist people in converting diesel engines to run on vegetable oil.
Freegans believe that housing is a RIGHT, not a privilege. Just as freegans consider it an atrocity for people to starve while food is thrown away, we are also outraged that people literally freeze to death on the streets while landlords, banks and cities keep buildings boarded up and vacant.
Squatters are people who occupy and rehabilitate abandoned, decrepit buildings. Squatters believe that real human needs are more important than abstract notions of private property, and that those who hold deed to buildings but won’t allow people to live in them, even in places where housing is vitally needed, don’t deserve to own those buildings. In addition to living areas, squatters often convert abandoned buildings into community centers with programs including art activities for children, environmental education, meetings of community organizations, and more.
We live in a society where the foods that we eat are often grown a world away, overprocessed, and then transported long distances to be stored for too long, all at a high ecological cost. Because of this process, we’ve lost appreciation for the changes in season and the cycles of life but some of us are reconnecting to the Earth through gardening and wild foraging.
Many urban ecologists have been turning garbage-filled abandoned lots into verdant community garden plots. In neighborhoods where stores are more likely to carry junk food than fresh greens, community gardens provide a health food source. Where the air is choked with asthma inducing pollutants, the trees in community gardens produce oxygen. In landscapes dominated by brick, concrete, and asphalt, community gardens provide an oasis of plants, open spaces, and places for communities to come together, work together, share food, grow together, and break down the barriers that keep people apart in a society where we have all become too isolated from one another.
Wild foragers demonstrate that we can feed ourselves without supermarkets and treat our illnesses without pharmacies by familiarizing ourselves with the edible and medicinal plants growing all around us. Even city parks can yield useful foods and medicines, giving us a renewed appreciation of the reality that our sustenance comes ultimately not from corporate food producers, but from the Earth itself. Others take the foraging lifestyle even farther, removing themselves from urban and suburban concepts and attempting to “go feral” by building communities in the wilderness based on primitive survival skills.
How much of our lives do we sacrifice to pay bills and buy more stuff? For most of us, work means sacrificing our freedom to take orders from someone else, stress, boredom, monotony, and in many cases risks to our physical and psychological well-being.
Once we realize that it’s not a few bad products or a few egregious companies responsible for the social and ecological abuses in our world but rather the entire system we are working in, we begin to realize that, as workers, we are cogs in a machine of violence, death, exploitation, and destruction. Is the retail clerk who rings up a cut of veal any less responsible for the cruelty of factory farming than the farm worker? What about the ad designer who finds ways to make the product palatable? How about the accountant who does the grocery books and allows it to stay in business? Or the worker in the factory that manufacturers refrigerator cases? And, of course, the high level managers of the corporations bear the greatest responsibility of all for they make the decisions which causes the destruction and waste. You don’t have to own stock in a corporation or own a factory or chemical plant to be held to blame.
By accounting for the basic necessities of food, clothing, housing, furniture, and transportation without spending a dime, freegans are able to greatly reduce or altogether eliminate the need to constantly be employed. We can instead devote our time to caring for our families, volunteering in our communities, and joining activist groups to fight the practices of the corporations who would otherwise be bossing us around at work. For some, total unemployment isn’t an option it’s far harder to find free dental surgery than a free bookcase on the curb but by limiting our financial needs, even those of us who need to work can place conscious limits on how much we work, take control of our lives, and escape the constant pressure to make ends meet. But even if we must work, we need not cede total control to the bosses. The freegan spirit of cooperative empowerment can be extended into the workplace as part of worker-led unions like the Industrial Workers of the World.


Before Change
config["num_workers"] = 0
// Test all frameworks.
for fw in ["tf", "eager", "torch"]:
if fw == "torch" and \
run in [ddpg.DDPGTrainer, dqn.DQNTrainer, dqn.SimpleQTrainer,
impala.ImpalaTrainer, sac.SACTrainer, td3.TD3Trainer]:
continue
elif fw == "eager" and run in [
ddpg.DDPGTrainer, sac.SACTrainer, td3.TD3Trainer
]:
continue
print("Testing {} in framework={}".format(run, fw))
config["eager"] = fw == "eager"
config["use_pytorch"] = fw == "torch"
// Test for both the default Agent"s exploration AND the `Random`
// exploration class.
for exploration in [None, "Random"]:
if exploration == "Random":
// TODO(sven): Random doesn"t work for IMPALA yet.
if run is impala.ImpalaTrainer:
continue
config["exploration_config"] = {"type": "Random"}
print("exploration={}".format(exploration or "default"))
eager_ctx = None
if fw == "eager":
eager_ctx = eager_mode()
eager_ctx.__enter__()
assert tf.executing_eagerly()
elif fw == "tf":
assert not tf.executing_eagerly()
trainer = run(config=config, env=env)
// Make sure all actions drawn are the same, given same
// observations.
After Change
config["num_workers"] = 0
// Test all frameworks.
for fw in framework_iterator(config):
if fw == "torch" and \
run in [ddpg.DDPGTrainer, dqn.DQNTrainer, dqn.SimpleQTrainer,
impala.ImpalaTrainer, sac.SACTrainer, td3.TD3Trainer]:


Managing Apicurio Registry content using a Java client
You can write a Apicurio Registry Java client application and use it to manage artifacts stored in Apicurio Registry:
Apicurio Registry Java client
You can manage artifacts stored in Apicurio Registry by using a Java client application. You can create, read, update, or delete artifacts by using the Apicurio Registry Java client classes. You can also use the Apicurio Registry Java client to perform administrator functions, such as managing global rules or importing and exporting Apicurio Registry data.
You can access the Apicurio Registry Java client by adding the correct dependency to your Apache Maven project. For more details, see Writing Apicurio Registry Java client applications.
The Apicurio Registry client is implemented by using the HTTP client provided by the JDK, which you can customize as needed. For example, you can add custom headers or enable configuration options for Transport Layer Security (TLS) authentication. For more details, see Apicurio Registry Java client configuration.
Writing Apicurio Registry Java client applications
You can write a Java client application to manage artifacts stored in Apicurio Registry by using the Apicurio Registry Java client classes.
-
Apicurio Registry is installed and running in your environment.
-
You have created a Maven project for your Java client application. For more details, see Apache Maven.
-
Add the following dependency to your Maven project:
<dependency> <groupId>io.apicurio</groupId> <artifactId>apicurio-registry-client</artifactId> <version>${apicurio-registry.version}</version> </dependency>
-
Create the Apicurio Registry client as follows:
public class ClientExample { public static void main(String[] args) throws Exception { // Create a registry client String registryUrl = "https://my-registry.my-domain.com/apis/registry/v2"; RegistryClient client = RegistryClientFactory.create(registryUrl); } }
-
If you specify an example Apicurio Registry URL of
https://my-registry.my-domain.com
, the client will automatically append/apis/registry/v2
. -
For more options when creating a Apicurio Registry client, see the Java client configuration in the next section.
-
When the client is created, you can use all of the operations available in the Apicurio Registry REST API in the client. For more details, see the Apicurio Registry REST API documentation.
-
For an open source example of how to use and customize the Apicurio Registry client, see the Apicurio Registry REST client demonstration.
-
For details on how to use the Apicurio Registry Kafka client serializers/deserializers (SerDes) in producer and consumer applications, see Validating schemas using Kafka client serializers/deserializers in Java clients.
Apicurio Registry Java client configuration
The Apicurio Registry Java client includes the following configuration options, based on the client factory:
| Option | Description | Arguments |
|---|---|---|
Plain client |
Basic REST client used to interact with a running Apicurio Registry instance. |
|
Client with custom configuration |
Apicurio Registry client using the configuration provided by the user. |
|
Client with custom configuration and authentication |
Apicurio Registry client that accepts a map containing custom configuration. For example, this is useful to add custom headers to the calls. You must also provide an authentication server to authenticate the requests. |
|
Custom header configuration
To configure custom headers, you must add the apicurio.registry.request.headers
prefix to the configs
map key. For example, a configs
map key of apicurio.registry.request.headers.Authorization
with a value of Basic: YWxhZGRpbjpvcGVuc2VzYW1
sets the Authorization
header with the same value.
TLS configuration options
You can configure Transport Layer Security (TLS) authentication for the Apicurio Registry Java client using the following properties:
-
apicurio.registry.request.ssl.truststore.location
-
apicurio.registry.request.ssl.truststore.password
-
apicurio.registry.request.ssl.truststore.type
-
apicurio.registry.request.ssl.keystore.location
-
apicurio.registry.request.ssl.keystore.password
-
apicurio.registry.request.ssl.keystore.type
-
apicurio.registry.request.ssl.key.password
-
For details on how to configure authentication for Apicurio Registry Kafka client serializers/deserializers (SerDes), see Validating schemas using Kafka client serializers/deserializers in Java clients.


Four Joburg shop owners arrested after allegedly offering cops R100 000 bribe
by Azarrah KarrimFour people, believed to be Pakistani nationals, were arrested on Saturday when they allegedly tried to offer police officers a large sum of money to prevent them searching their premises.
They were arrested in connection with money laundering and bribery after police went ahead with the search.
The suspects are the owners of a shop located in Rahima Moosa Street in the Johannesburg CBD.
Johannesburg Metropolitan Police Department Chief Superintendent Wayne Minnaar told News24 that the suspects had offered officers a large bribe to prevent them searching their premises.
"Officers followed up information today of suspects who were doing money laundering at their shop," Minnaar said.
"At arrival at the shop, four suspects offered officers R100 000 bribe. The officers also discovered over R500 000 in money at this location and the suspects were detained at Johannesburg Central Police Station for money laundering, as well as for bribery and corruption."


Chords and scales.
A tonal tutorial
This is a growing tutorial about scales, chords and tonal.
Tonal is composed by modules. You can install and require the whole library, or individual modules. We'll see both in examples.
Creating chords
The chord function from music-chord package is the primary function to create chords. This function is available in tonal as tonal.chord
Create a chord from intervals and tonic
If you know the intervals of a chord, you can create a chord starting from any tonic:
var chord = require('music-chord')
chord('1 3 5', 'A')
// => ['A', 'C#', 'E']
// or using tonal
tonal.chord('1 3 5', 'A')
// => ['A', 'C#', 'E']
If you use a note as tonic, properly octaved notes are returned:
tonal.chord('1 3 5', 'A4')
// => ['A4', 'C#5', 'E5']
Create a chord from chord name and tonic
tonal is packed with a chord dictionary so you can use chord names to create chords:
tonal.chord('maj7', 'A4')
// => ['A4', 'C#5', 'E5', 'G#5']
chord.get is a convenient function to create chords using the complete chord name (instead to type and tonic):
tonal.chord.get('A7')
// => ['A', 'C#', 'E', 'G']
List of available chord names
Here is a list of included chord names in alphabetical order. You can change the tonic and the chord showed on the score:
Creating scales
Scales are created the same way as chords, but using the function scale from music-scale package.
Create scale using type and tonic
Again, with pitch classes:
var scale = require('music-scale')
scale('major', 'A')
// => ['A', 'B', 'C#', 'D', 'E', 'F#', 'G#']
// or using tonal
tonal.scale('major', 'A')
// => ['A', 'B', 'C#', 'D', 'E', 'F#', 'G#']
Or with notes:
tonal.scale('major', 'A4')
// => ['A4', 'B4', 'C#5', 'D5', 'E5', 'F#5', 'G#5']
Create scale using intervals and tonic
The scale function accepts a list of intervals as first parameter, but unlike chords, the scale intervals are simplified to span an octave:
tonal.scale('1P 2M 3M 4P 5P 6M 7m 8P 9M 10M', 'A4')
// => ['A4', 'B4', 'C#5', 'D5', 'E5', 'F#5', 'G5']
Again, you can use pitch classes:
tonal.scale('1P 3M 5P 6M 7m 8P 9M 11P', 'A')
// => ['A', 'B', 'C#', 'D', 'E', 'F#', 'G', 'A']
Get scale intervals
Again, use false as tonic to get scale intervals:
tonal.scale('major', false)
// => ['P1', 'M2', 'M3', 'P4', 'P5', 'M6', 'M7']
Get scale using a scale name only
scale.get is a convenient function to create scales but givin the tonic and the name in one string:
tonal.scale.get('A major')
// => ['A', 'B', 'C#', 'D', 'E', 'F#', 'G#']
Get available scale names
The scale.names function returns all the scale names:
tonal.scale.names()
// => ['major', 'minor', ...]
tonal.scale.names(true)
// => ['major', 'ionian', 'minor', 'aeolian', ...]
List of available scales
Here is a list of included scales (without aliases) in alphabetical order. You can change the tonic and the scale showed on the score:


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self.vectorizer.mxlen = self.nctx
for file in files[start_idx:end_idx]:
with open(file) as rf:
for line in rf:
response = self.process_line(line)
for file_idx in read_file_order:
file = files[file_idx]
with open(file) as rf:
lines = rf.readlines()
if self.shuffle:
random.shuffle(lines)
for l in lines:
response = self.process_line(l)


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Riley Scott
05.30.19
Arguably, the most appealing fact about Athens and Ohio University is the atmosphere. Any time or season, Athens is one of the most gorgeous places to be. When the weather is nice, going outside and enjoying the outdoors can be a great way to stay in shape, bond with friends or take a break from studying.
To get the full OU experience, it’s important to go outside and enjoy the beautiful scenery the campus has to offer. There are plenty of ways for students to spend time enjoying the outdoors, but here are the top four ways students can stay active and unwind with nature:
Hammocking is probably the most common outdoor activity for college students anywhere, but the hammocking scenery at OU is unmatched by anywhere else. Students usually get a hammock, find the perfect spot between two trees and stay there the rest of the day. It’s perfect for relaxing, studying or sharing with a friend.
Anthony Warner | FOR THE POST
Ohio University senior Morgan Beard reads while in his hammock in Emeriti Park on Wednesday, April 17, 2019.
Kate Wray, a sophomore studying nursing, has always loved hammocking and takes any opportunity she can get.
“I love hammocking because it’s so relaxing, and it’s a great way to bond with friends,” Wray said. “You can also study while hammocking because it’s such a calming environment, so hammocking has multiple purposes. It’s my favorite outdoor activity.”
Though Ping Center is a good gym for people to exercise in, it’s much nicer to exercise outside when weather permits. Students can walk or run on the Hocking Adena Bikeway, a trail that runs past campus. Activities can be done alone, with friends or with on-campus exercise groups.
One exercise group on campus is Changing Health, Attitudes, and Actions to Recreate Girls (CHAARG), a women’s exercise group that focuses on female empowerment. A lot of its workouts are outdoors to ensure participants can enjoy nature at the same time.
Jadyn Dubach, a sophomore studying child and family studies, joined CHAARG her first semester of freshman year, and loves it more than any group on campus.
“I joined CHAARG to stay in shape and get out more, but I realized it was a great way to make some of my best friends,” Dubach said. “It’s so fun to go outside and get workouts done with a group of strong women.”
The Hocking Adena Bikeway is a great place to people-watch, walk or run, but it can also be a great place for students to ride bikes or rollerblade. The trail is 21 miles long, so it can be hard to experience the whole thing when running or walking. Biking or rollerblading are great ways to stay in shape and make the most out of the trail experience.
“Being outside is a good way to relieve stress...It creates a refreshing environment, especially after being cooped up in class and in the dorms.”-Michaela Reynolds
Claire Geary, a sophomore studying journalism, thinks biking and rollerblading are the perfect way to connect exercising with nature and enjoying the outdoors.
“Rollerblading and biking, especially in Athens, is a great source of activity and exercise, but also especially visually pleasing because of the natural sights,” Geary said. “Not only is it healthy for students to be involved, but they can enjoy the views of the good weather.”
If students don’t own a hammock or don’t feel like exercising, a relaxing day-nap on a blanket is the way to go. Laying outside on a blanket to study or hangout with friends is always a good option, but it’s also a fun way to people-watch and take a nap.
There are many spots to set up a blanket and lounge around, like College Green, but a great spot for people-watching is behind South Green by the river. Students can see the trail, the river and have a beautiful nature experience while taking some time to unwind.
Michaela Reynolds, a sophomore studying child and family studies and criminology-sociology, loves relaxing on a blanket outside to unwind and recharge after a lot of stress from classes.
“Being outside is a good way to relieve stress,” Reynolds said. “It creates a refreshing environment, especially after being cooped up in class and in the dorms. So I love spending time laying out a blanket and hanging out with friends.”
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About
National Day of Civic Hacking is an international event for people to focus on improving their community. Thousands of people from around the world will tackle civic-oriented projects around open data, disaster relief, mapping, safety and justice, economic development, and other topics.
Here in San Francisco, we are focusing on how to the city can stay resilient in the face of disaster (natural and human-made). Code for San Francisco is partnering with the Neighborhood Empowerment Network (NEN) and the San Francisco Department of Emergency Management (SFDEM) to bring an engaging program that will allow participants to learn and experience the ways the City is working with communities to be prepared and connected. NEN will do this with an immersive, interactive exercise that will have people on their feet and learning by doing.
With Hurricanes Harvey and Irma, the 8.0 earthquake off the coast of Mexico, and even the recent heat wave in the Bay Area, we are being constantly reminded of how important recovery and resiliency is in a world with increasing threats, both natural and human-driven. Being prepared is something we all can contribute to. Join us in making San Francisco a more resilient city.
Proceeds from ticket sales and donations collected day of will go to support ongoing relief efforts.
We invite you to join us: participate in the weekend, sponsor the event, or partner with us.
Program: A Resilient City
On Saturday, September 23rd, the Neighborhood Empowerment Network (NEN) and San Francisco Department of Emergency Management (SFDEM) will give an overview of resiliency efforts happening in San Francisco and lead a tabletop exercise with participants.
We'll kickoff the day with an introduction and keynote by Megan Georing to set the tone and wrap time for prototyping, hacking and networking. We'll bring all the great ideas and energy back to our weekly hack nights, which are every Wednesday night. We invite you to continue working with us here after National Day.
8:30 AM Breakfast
Doors open and breakfast provided!
9:00 AM Intro and keynote
Join the Code for San Francisco organizing team to kickoff the day. Megan Goering will set the tone with a keynote on human-centered design. We'll keep her messages in mind throughout the day as we dig deeper into the topic of city resiliency.
9:45 AM City resiliency overview
Before the tabletop, Daniel Homsey, NEN Director and Alicia Johnson, Resilience and Recovery Manager at SFDEM, will give an overview the concept of resiliency and how the City's work relates to it.
10:15 AM Tabletop: immersive disaster response exercise
The Tabletop Exercise is a 90 minute immersive experience that allows you to plan and prepare your response in real-time with your neighbors and community. The exercise will be run by Daniel Homsey. Daniel will guide the participants through the scenario.
After this workshop, attendees should better understand their community’s needs post-disaster, recognize the value of teamwork in addressing those needs, and identify individual and collective investments to attain their internal and external disaster response goals. Ultimately, local stakeholder organizations across all sectors will form a higher level of connection with one another.
12:00 PM Break for lunch
Lunch will be provided
1:00 PM Human centered design workshop
Using the raw material of our discoveries and questions from the morning, Megan will take us through the steps of using human-centered design to generate problem statements that lead into action. We will simultaneously learn and apply methods of human-centered design to increase the resiliency of our city and our communities.
2:00 PM Moving forward
Having put the ideas and skills together, we have a few hours to build momentum on these projects inspired by the morning’s activities. While we don’t expect complete solutions in a couple hours, we’ll have the chance to scope and build a kernel for projects that can continue at Code for SF weekly hack night or wherever you wish. We'll bring people back together to report out at 5, but you're welcome to stick around later to continue working.
5:00 PM Report out and wrap
What did we learn or work on today? We'll wrap the day with some report out from participants and next steps. Dinner will be provided after.
5:30 PM Dinner, celebration, networking
Let's celebrate the day by breaking bread together. Participants are welcome to continue working on things if they desire until we close, but there will be no more formal programming after dinner.
Join Us
- Participants: Get tickets to join us. Tickets ($10) include the workshops, food, and fun for the entire weekend. If you have financial constraints, help us out and volunteer! Or, please contact us.
- Sponsors: Read more about our sponsorship opportunities.
- Partners: Read more about our partnership opportunities.
Partners
Thank you to our partners:
Neighborhood Empowerment Network: The NEN is a cross sector cohort of agencies which develop tools and resources that empower communities to craft culturally competent resilience action plans that guide their investments at the individual, organizational and community wide levels.
SF Department of Emergency Management: The San Francisco Department of Emergency Management (SFDEM) manages and prepares for everyday and not-so-everyday emergencies. Their dispatchers answer 9-1-1 when you call. Their planners help you prepare for disaster and manage our response and recovery. Their team manages the homeland security priorities for the San Francisco Bay Area.
DataSF: DataSF's mission is to empower use of data. They seek to transform the way the City works through the use of data. They believe use of data and evidence can improve our operations and the services we provide. This ultimately leads to increased quality of life and work for San Francisco residents, employers, employees and visitors.
Sponsors
Thank you to our sponsors:


Job Summary
WestFax is seeking an experienced sales executive for our HIPAA compliant fax solution. In this position you will work directly with the WestFax executive team to identity and develop high volume healthcare related fax users.
Job Duties
Qualifications and Skills
Compensation and Benefits


public static final class Router.ConnFailureCode
extends java.lang.Object
| Modifier and Type | Field and Description |
|---|---|
static int |
FAIL_CONN_EXIST
Connection request rejected because same peer-peer connection has
been set up.
|
static int |
FAIL_CONN_SELF
Self connection request is rejected.
|
static int |
FAIL_CONNMGR_INACTIVE
Connection request rejected because target device is not in active
connection setup process (whose connection manager is not active).
|
static int |
FAIL_LOSE_CONNECTION
Connection is not responding.
|
static int |
FAIL_LOSE_WIFI
Peer connection failed because wifi is lost.
|
static int |
FAIL_PIN_MISMATCH
Connection request rejected because security token passed by
connecting peer is invalid.
|
static int |
FAIL_REJECT_BY_USER
Connection request is explicitly rejected by user.
|
static int |
FAIL_UNKNOWN_PEER
Connection request is rejected because connecting peer is not found
during search.
|
| Constructor and Description |
|---|
ConnFailureCode() |
public static final int FAIL_CONNMGR_INACTIVE
public static final int FAIL_PIN_MISMATCH
public static final int FAIL_CONN_EXIST
public static final int FAIL_REJECT_BY_USER
public static final int FAIL_UNKNOWN_PEER
public static final int FAIL_CONN_SELF
public static final int FAIL_LOSE_WIFI
public static final int FAIL_LOSE_CONNECTION


Input/Output Drivers¶
File Input Drivers¶
File Output Drivers¶
General Input Drivers¶
General Output Drivers¶
-
class
cis_interface.drivers.InputDriver.
InputDriver
(name, args, **kwargs)[source] Driver for receiving input from another model’s comm via a local comm.
Parameters:
Input/Output Drivers¶
-
class
cis_interface.drivers.ClientDriver.
ClientDriver
(model_request_name, request_name=None, comm=None, comm_address=None, **kwargs)[source]¶ Alias for ClientRequestDriver.
-
class
cis_interface.drivers.ServerDriver.
ServerDriver
(model_request_name, request_name=None, comm=None, comm_address=None, **kwargs)[source]¶ Alias for ServerRequestDriver.


[viewBag] title = "Department of Russian language" ==
|
111700, Republic of Uzbekistan, Tashkent region, Chirchik city, 2 a Istiqbol str. Tel: (0370) 712-4541, Fax: 712-45-41, e-mail<EMAIL_ADDRESS>|
Head of the Department Badalova Barno Tajimovna |
In accordance with the decision No. 1 of the Council of Chirchik state pedagogical Institute dated August 27, 2017, the Department of Russian language began to function at the Faculty of History and languages, separated from the Department of "Languages". The Department of Russian language is a part of the Faculty of History and languages and trains staff in the following areas:
* Bachelor " 5111300- Russian language and literature”;
“ 5111306-Russian language and literature ( in foreign language groups ) ”
Read disciplines:
1. Russian language (in all directions)
2. General linguistics
3. Modern Russian literary language
4. History of the Russian language and dialectology
5. Fundamentals of literature
6. History of Russian literature
7. Workshop of the Russian language
8. Workshop of Russian literature
9. Propaedeutic course of Russian language
10. Introduction to the specialty
11. History of world literature
12. Russian language stylistics and culture of speech
13. Theory of translation and expressive reading
14. Literature of the CIS peoples
15. Theory and practice of translation
16. Propaedeutic course of Russian literature
17. Teacher's culture of speech
18. Mother tongue and children's literature
19. Methods of teaching the Russian language
20. Methods of teaching literature
21. History of literature
22. Linguo- reginal studies
23. Mother tongue and literature
24. Methods of teaching mother tongue
25. Analysis of literary text and expressive reading
26. Comparative typology
Magistracy:
1. Methodology of scientific research
2. Morphonology of the Russian language
3. Literary trends of the late XX and early XXI century
4. World lettering process
5. Theory and practice of literary analysis of epic genres
6. Methods of teaching special subjects
7. Culture of speech
8. Work with international database
9. Scientific-research and scientific-pedagogical work
10. Preparation of master's dissertation
The Department has formed a unique multidisciplinary team, where work specialists, scientists and practitioners of various scientific specialties. In addition to teaching relevant subjects, teachers of the Department carry out research in various areas.
Leading teachers of the Department:
• Badalova Barno Tadjimova – head of Department specialist in the field of Russian language;
* Faizullaev Javad Said-Burkhanovich-candidate of pedagogical Sciences, Professor, specialist in the field of Russian language;
* Tursunov Ibrohim Nuralievich-candidate of pedagogical Sciences, associate Professor, specialist in the field of Russian language and literature;
• Saparova Kunduz Atabaeva – doctor of philological Sciences, associate Professor, specialist in the field of Russian language and literature;
* Saparova Nurzhamal Beigaidarovna-candidate of philological Sciences, associate Professor, specialist in the field of Russian language and literature;
* Yuldasheva Tokhta Ametovna- senior teacher, specialist in the field of Russian language;
• Narkuzieva Gulnara-Ziyadullaevna – lecturer, specialist in Russian literature;
* Kadirova Khosiyat Nazarovna -teacher, specialist in Russian literature;
* Sergeeva Elyanora Sergeevna-teacher, specialist in the field of Russian language and literature;
• Yusupova Feruza Mahkamovna - lecturer, specialist in Russian literature;
• Shakerimova Kamola Abdullaevna - lecturer, specialist in the field of Russian language;
• Mirzorahimov Oybek Kahrimanovich – lecturer, specialist in the field of Russian language;
• Kononova Irina Urevna – lecturer, specialist in the field of Russian language and literature;
* Skomoroshenko Olga Valentinovna-teacher, specialist in the field of Russian language;
* Kenenbayev Erkin-teacher, specialist in the field of Russian language and literature;
* Li Tatiana Genadevna -teacher, specialist in the field of Russian language and literature;
* Shagieva Nargiz Fagimovna-teacher, specialist in the field of Russian language and literature;
* Mansurova Tahmina Tahirovna-teacher, specialist in the field of Russian language and literature;
* Muratov Kamil Kurbanovich-teacher, specialist in the field of Russian language and literature;
* Koraev Mansur-teacher, specialist in the field of Russian language and literature;
* Saydakhmetova Dilrabo-teacher, specialist in the field of Russian language and literature;
• Adianova Alfiya Shakirovna - lecturer, specialist in the field of Russian language and literature;
In addition to the main teachers of the Department, specialists of research institutes are involved in carrying out training sessions
To improve the educational process, teachers of the Department use modern teaching methods, multimedia and information and communication technologies.
Students perform practical training in secondary schools of Tashkent region.
The Department cooperates with secondary schools and training centers.
International cooperation: today the teaching staff of the Department cooperates with foreign universities and institutes. In particular the Moscow state Institute of Russian language and literature
Teachers of the Department regularly take refresher courses in specialized universities of the country, participate in interregional and international seminars and conferences.
We invite for training young people who want to get a quality education and acquire fundamental knowledge in the field of natural Sciences
List of courses and level of attainment
Bachelor
|
Code |
Course |
Profiles of preparation |
|
5111300 |
Russian language and literature |
duration: 4 years; language of education: Russian |
|
5110306 |
Russian language and literature ( in foreign language groups ) |
duration: 4 years; language of education: Russian |
Magistracy
|
Code |
Course |
Profiles of preparation |
|
|
Russian language and literature
|
duration: 2 years; language of education: Russian |
|
Badalova Barno Tadjimova |
teacher |
head of Department |
|
Faizullaev Javad Said-Burkhanovich |
candidate of pedagogical Sciences |
associate professor |
|
Tursunov Ibrohim Nuralievich |
candidate of pedagogical Sciences |
associate professor |
|
Saparova Kunduz Atabaeva |
doctor of philological Sciences |
associate professor |
|
Saparova Nurzhamal Beigaidarovna |
candidate of philological Sciences |
associate professor |
|
Yuldasheva Tokhta Ametovna- |
senior teacher |
senior teacher |
|
Kadirova Khosiyat Nazarovna |
teacher |
teacher |
|
Sergeeva Elyanora Sergeevna |
teacher |
Преподаватель |
|
Yusupova Feruza Mahkamovna |
teacher |
teacher |
|
Shakerimova Kamola Abdullaevna |
teacher |
teacher |
|
Mirzorahimov Oybek Kahrimanovich |
teacher |
teacher |
|
Kononova Irina Urevna |
teacher |
teacher |
|
Skomoroshenko Olga Valentinovna |
teacher |
teacher |
|
Kenenbayev Erkin |
teacher |
teacher |
|
Li Tatiana Genadevna |
teacher |
teacher |
|
Shagieva Nargiz Fagimovna |
teacher |
teacher |
|
Mansurova Tahmina Tahirovna |
teacher |
teacher |
|
Muratov Kamil Kurbanovich |
teacher |
teacher |
|
Koraev Mansur |
teacher |
teacher |
|
Saydakhmetova Dilrabo |
teacher |
teacher |
|
Adianova Alfiya Shakirovna |
teacher |
teacher |
|
Narkuzieva Gulnara-Ziyadullaevna |
teacher |
teacher |
Information about gifted students of the Department of Russian language
|
№ |
Student |
Directions group |
supervisor |
Achievements (scientific articles and theses) |
|
1 |
Osmanova Elzara Erlanovna |
RLR 17/1 |
Ekabsons Alexandra Valerievna |
Under the guidance of the supervisor wrote " Poetics of the title in literary criticism” |
|
2 |
Buranova Madina Zhasurovna |
RLR 18/2 |
Sergeeva Elyanora Sergeevna |
Under the guidance of the supervisor wrote "Questions of the language of literature and history”," Forms of expression of philosophical poetic consciousness in lyrics” |
|
3 |
Sayapina Alesya Igorevna |
RLU 18/1 |
Kononova Irina Urevna |
Under the guidance of the supervisor wrote "Questions of the language of literature and history”," Forms of expression of philosophical poetic consciousness in lyrics” |
|
4 |
Shagalieva Madina |
RLR 17/1 |
Ekabsons Alexandra Valerievna |
Under the guidance of the supervisor wrote " the Image of the prophet in the lyrical works of A. S. Pushkin and M. Yu. Lermontov” |
|
5 |
Khairullina Ilsia Ravilevna |
RLR 18/2 |
Kononova Irina Urevna |
Under the guidance of the supervisor wrote " the Specifics of teaching orthoepy” |
|
6 |
Tillegenova Shinnigul |
RLR 17/1 |
Ekabsons Alexandra Valerievna |
under the guidance of the supervisor wrote " the Specifics of creating the image of the Prisoner in the lyrical works of A. S. Pushkin and M. Y. Lermontov” |


{% include 'head.html' { page: "index" }%}
This is a mobile interface I had designed during Code Wars 2016. Code Wars is the annual interschool IT Fest organised by Delhi Public School, Vasant Kunj.
We were a team of 3, and the task was to create a 3D model, a video and a user interface for a phone.
I was incharge of making the User Interface for the phone's operating system.


| DOSE: |
25 mg |
oral |
4-HO-DET |
(capsule) |
Material - Ethocin, 25 milligrams in a gelcap. The powder inside is fluffy and light brown.
Setting - My apartment.
Purpose - Entertainment and exploration.
0hr - Consume gelcap; this is my first time with this chemical. My partner also consumes gelcap; same dosage.
+1:00 - Nothing much. Some slight tryptamine awareness going on, but it's not developing to much.
+1:30 - Still barely anything. I start to wonder about the quality of the material. Partner is mostly sober too.
+2:00 - Partner and I quickly head up to a +2. Good vibes going, lots of laughing. We listen to some music and relax.
+2:30 - We both hit +3 territory; there are no visuals, no auditory hallucinations. This is very clear headed material, and very manageable despite how sketched we were. Me and my partner smoke cigarettes, relax, and chat.
+3:00 - Still very strong, still pretty clear headed. I ask my partner (an ex-acid fiend) about this drug: 'It is very much like LSD. Not too close to mushrooms at all. If you've done this drug at this dose, you could probably say you've tried acid too.'
+4:00 - We head to my partner's bedroom and lay down and cuddle and talk. It is very positive, and our communication is very open and sincere. This is wonderful stuff for deeper social exploration. We find ourselves forgetting what we are talking about sometimes, though, and then returning to it later. There are moments that seem very clear and sober and then moments that seem very much not a few minutes later; I nicknamed this 'bounce' at this point.
+6:00 - Chatting and cuddling. Great vibes. Still tripping hard, +3. We go outside for a little while to pick up some money from an ATM to pay a friend we owed who'd stop by. It's a little weird, but not too bad.
+8:00 - Heading downwards some now, we fell to +1 pretty slowly over a period of 2 hours or so. My partner remarks: 'This is better than acid in that the comedown isn't a trainwreck; it's energetic, but not hard on you. And, I guess the comedown is an important part of a drug. I like this.'  The rest is quickly leaving.
I really enjoyed this material; there's nothing spectacular about it, but there's also very little negative about it. I think I could deal with this drug in public and have a great time. For socializing and introspection, it is fantastic. It is very, very clean and clear headed. I would repeat at about the same dose or lower.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


full-stack developer
I'm an enthusiastic software developer who is very curious about learning new technologies. Currently a graduate student at Indiana Universoty, Bloomington and learnign the technologies and tech stack required for the full-stack development.
I'm a Experienced DevOps engineer with Software development background. I have developed a devops lifecycle along my peers for many Projects.
I love capturing beatiful moments during my free time.
Full-Stack and DevOps engineer based out of Bloomington, Indiana
I'm an gradute student at Indiana Uinversity studying Computer Science. I love running, cycling or capturing the good moments around the beatiful college town. Find me on Instagram(Link below) for more photos.


Welcome to next level studios. We are an all women photography and videography company based in Nairobi, Kenya. We specialize in potrait, weddings and events. This company was started by agroup of women who noticed that the photography/ videography industry was a male dominated industrty. when couldn’t have an all women events if they wanted to take proffesional photos. We started this company for such women.
Ivy Awiti, 26years old. Lead photographer in the team. She has a degree is communications and has been doing this since she started luniversity. Next level studios was her dream.
Mary Njoroge, 28years.Lead videographer. She has a degree in journalism. She has had a passion for this ever since she was 10. She grauated 5 years and has been perfecting her skills ever since.
Aisha Mbuvi, 27 years old. Lead editor in the company. She has a diploma in journalism. She had a passion for video editing. Later on in her career she started editing both videos and pictures. She has a 6 years experience.
Emma Ndugu, 24 years old.Lead graphic designer . Emma started graphics design as a hobby after finishing highschool. She then realised that she haad a passion for this. it is then that she decided she would become a graphic designer.
To see more wedding photos, Click here
To see more portrait photos Click here
To see more fireworks photos Click here


---
layout: default
parent: "home_Analytics"
activePage: "analytics"
pageTitle: "analytics"
plugins: ["apexcharts", "jvectormap", "slimscroll", "daterangepicker"]
---
Timezone: (+06:00) Asia - Dhaka
{% include user.htm %}
{% include session.htm %}
{% include bounce-rate.htm %}
{% include user-acuisition.htm %}
{% include sessions-device.htm %}
{% include us-vector-map.htm %}
{% include page-view.htm %}


THE MUSKETEER RATING: 4/10
For more reviews and movie screensavers, visit http://www.joblo.com/
PLOT: A young French boy sees his parents killed before his eyes by Tim Roth, oops...I mean, an evil man. He vows revenge on that man and is taught the ways of the Musketeer by some old dude who used to be one himself? Anyway, fourteen years go by and...arrgh, well, you know the rest...swish-swish-zzzzzzz!
CRITIQUE: This is a pretty bad movie. Let's see, where should I start? Okay, first of all, the story is just plain boring. It's not original, is entirely predictable and lacks energy. Okay, what's next? Acting, you say. Hmmmm, well, the main actor, Justin Chambers, is basically an uncharismatic version of Chris O'Donnell but with less range (think about that!), and Mena Suvari, is just plain off. Not as bad as Thora Birch was in DUNGEONS & DRAGONS, but entirely miscast, with bad deliveries, awful sequences and a piss-poor accent that comes and goes. Now I'm not sure if this was Ms. Suvari's fault or the director's, but I've definitely seen her at a much higher level than in this film. The only semi-saving grace actor-wise is Tim Roth as the irrepressible "bad guy", but once again, it's not something that we haven't seen before...a thousand times...by the same guy!! Tim, please...for the love of God, beg your agent to ask the marketplace for some modern day "American roles" for you as a "nice guy" in a romantic comedy or something. Stretch, dude...stretch!! We all know that you can do much better than this gunk. Alright, what else was bad in this film? Oh yeah, the score! Yikes, how's about taking it down a few notches there, fellas? This thing blares in your ear whenever it feels the need to accentuate a certain scene, but actually does little more than annoy. I think it's important for the man behind the music to recognize that this film isn't a "real epic" by any stretch of the imagination. It's a fluffy rehashed cake-walk created by some "shrewd" studio heads who decided to take advantage of the whole "kung-fu" phenomenon in films, and test it out on an old classic. Dudes...you failed all around! (keep reading)
The editing is also pretty shoddy in this movie, the dialogue banal and stilted and the plot problems...plentiful! (why does the guy on top of the horse carriage just stand there when his opponent takes forever scampering his way back to the top? why don't they just cut the mouseketeer's rope at the top of the tower, instead of jumping down on their own chords and fighting him while hanging? why doesn't anybody look a day older, when the sequence says "14 years later"? (at least...change your shirt, man!) Keep in mind that I have never strayed away from championing certain movies that are created simply for the sake of a "fun time", but this flick just didn't cut it for me. It was boring for stretches, the acting was atrocious at times (the "romantic" scene between Suvari and Chambers next to the lake reminded me of plays in high school which made you cringe), there was little reason to care for anyone and since when were the Musketeers fat?
I will give the movie this much, and that is that its main reason for being (its "raison-d'etre", as the French would say), its fight sequences, do come through despite the lack of their numbers in the film. I was hoping that the movie would be packed with cool stuntwork as promoted in its trailer, but what you see there, are essentially the snippets from the two major (and cool) swashbuckling sequences from the film. The first comes right at the beginning of the movie, while the other essentially finishes the film off, hanging from the tower and juggling off ladders.  And can anyone please tell me how Catherine Deneuve got her name placed at the top of this film's credits? Hullo? The film is called THE MUSKETEER and stars a dude name Justin Chambers. Deneuve is barely in this movie!
Now say it together, gang: "All for one, and one for all...we vow to stay away from it all!!" Thank me later.
Where's JoBlo coming from? A Knight's Tale (7/10) - American Outlaws (5/10) - Crouching Tiger, Hidden Dragon (7/10) - The Matrix (8/10) - The Replacement Killers (6/10) - Romeo Must Die (3/10) - Shanghai Noon (6/10)
Review Date: September 5, 2001 Director: Peter Hyams Writer: Gene Quintano Producer: Moshe Diamant Actors: Justin Chambers as D'Artagnan Mena Suvari as Constance Bonacieux Tim Roth as Febre Genre: Action Year of Release: 2001 ------------------------------------ JoBlo's Movie Emporium http://www.joblo.com/ ------------------------------------ (c) 2001 Berge Garabedian
========== X-RAMR-ID: 29417 X-Language: en X-RT-ReviewID: 248194 X-RT-TitleID: 1109693 X-RT-SourceID: 573 X-RT-AuthorID: 1021 X-RT-RatingText: 4/10
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Graph Information
These graphs display the asynchrony and interval length of each tap in your session.
Asynchrony is how far away your tap was from the actual correct beat. It is normal for this
value to drift over time when the beat is silent.
Interval length is the rate you tap at with your internal imagined rhythm. This should stay
near the center line with some variation.
If your asynchrony or interval length is within 10% of the ideal value, the point will fall
between the green lines. This is the ideal area to be.
If the value is within 15% of the ideal value, it will fall between the yellow lines.
If the value is within 20% of the ideal value, it will fall between the red lines.
Anything with a variation beyond 20% will fall outside the red lines.
The vertical pink and green lines separate phases with and without sound.
The first phase has sound on.  A green vertical line marks a transition where the sound turns back on.
A score is displayed at the top of the page. This score is calculated based on the interval
lengths. Staying in the green area will maximize your score.


Page not found
Tickets Purchased
You should receive an email from Square with an invoice to purchase the tickets shortly. Once you pay, you will receive an email with the tickets.
You should receive an email from Square with an invoice to purchase the tickets shortly. Once you pay, you will receive an email with the tickets.


---
format: html
external: true
title: "BoomChik Ba-Boom Boom Chik \xE2\x80\xA6"
author: Jesse MacFadyen
link: http://www.risingj.com/archives/463
date: 2013-02-12 19:37:15 Z
type: post
status: publish
tags:
- PhoneGap Network
thumb: /blog/uploads/thumb/jesse.jpg
---
BoomChik is available in the Windows store! BoomChik on Windows Store The code is virtually identical to the code running on the iPad, and soon they will be exactly the same. Time to tap to the beat of your own drummer. Note, I have many more features I would like to add, but I will let usage + downloads dictate ...


Strappy Pack's Adventure World!
Home
Asia
North America
Africa
Europe
Australia
South America
Antarctica
this is a cool picture
so are these, check em out!
This exists only to prove a point!


Q. What's your take on the DBC/EDA experience?
A. What I see when I look at the DBC/EDA experience, is their way of teaching and growing the individual, as part of a whole and living, community.
A family outside of it's normal definition, one bound not by blood, but instead by commonly held values and goals.
Q.What are your impressions?
A.My impressions so far are that my first impressions were right on the money.
Here resides a school, a home, a place of work and growth,
that I would love nothing more than to be a part of.
Q.How do you see yourself engaging with this type of culture?
A.I can hardly wait to further immerse myself in what I have seen of the EDA culture.
To give it my all, only to be humbled and then ride the emotions that come from short team defeats.
To reflect, look deeper inside and see the still more, yet untouched gears that we all have and to learn as a group how to put them into action.
Q.Have your expectations of EDA changed? If so, how?
A.Trepidation voided, gut instincts confirmed.
Q.Are you excited to participate in this kind of learning environment? Does it make you nervous?
A.I am really looking forward to more EDA experience, excited to be a part of the Mamaku cohort and my nerves are as of now, resting. I have no doubt that as a whole, we can overcome inconceivable odds.


Vancify, the Spotify Visualizer
Please login to Spotify and authorize this application.
Welcome, {{user.display_name}}
Find connections between two concepts.
Example: cat and dog
The common word is {{matchingWords.w1}}. From the albums:
{{connectingAlbums.c1.name }} ← → {{connectingAlbums.c2.name}}


Avoid idempotent operations - they are have no effect. Example : int x = 2; x = x;
int x = 2; x = x;
This rule is deprecated, use {rule:squid:S1656} instead.


This shape is a coding challenge inspired by the Society Centered Design website.
Made with three.js.


CURLOPT_HTTPAUTH explained
NAME
CURLOPT_HTTPAUTH - set HTTP server authentication methods to try
SYNOPSIS
#include <curl/curl.h> CURLcode curl_easy_setopt(CURL *handle, CURLOPT_HTTPAUTH, long bitmask);
DESCRIPTION
Pass a long as parameter, which is set to a bitmask, to tell libcurl which authentication method(s) you want it to use speaking to the remote server.
The available bits are listed below. If more than one bit is set, libcurl will first query the site to see which authentication methods it supports and then pick the best one you allow it to use. For some methods, this will induce an extra network round-trip. Set the actual name and password with the CURLOPT_USERPWD option or with the CURLOPT_USERNAME and the CURLOPT_PASSWORD options.
For authentication with a proxy, see CURLOPT_PROXYAUTH.
HTTP Basic authentication. This is the default choice, and the only method that is in wide-spread use and supported virtually everywhere. This sends the user name and password over the network in plain text, easily captured by others.
HTTP Digest authentication. Digest authentication is defined in RFC 2617 and is a more secure way to do authentication over public networks than the regular old-fashioned Basic method.
HTTP Digest authentication with an IE flavor. Digest authentication is defined in RFC 2617 and is a more secure way to do authentication over public networks than the regular old-fashioned Basic method. The IE flavor is simply that libcurl will use a special "quirk" that IE is known to have used before version 7 and that some servers require the client to use.
HTTP Bearer token authentication, used primarily in OAuth 2.0 protocol.
You can set the Bearer token to use with CURLOPT_XOAUTH2_BEARER.
HTTP Negotiate (SPNEGO) authentication. Negotiate authentication is defined in RFC 4559 and is the most secure way to perform authentication over HTTP.
You need to build libcurl with a suitable GSS-API library or SSPI on Windows for this to work.
HTTP NTLM authentication. A proprietary protocol invented and used by Microsoft. It uses a challenge-response and hash concept similar to Digest, to prevent the password from being eavesdropped.
You need to build libcurl with either OpenSSL, GnuTLS or NSS support for this option to work, or build libcurl on Windows with SSPI support.
NTLM delegating to winbind helper. Authentication is performed by a separate binary application that is executed when needed. The name of the application is specified at compile time but is typically /usr/bin/ntlm_auth
Note that libcurl will fork when necessary to run the winbind application and kill it when complete, calling waitpid() to await its exit when done. On POSIX operating systems, killing the process will cause a SIGCHLD signal to be raised (regardless of whether CURLOPT_NOSIGNAL is set), which must be handled intelligently by the application. In particular, the application must not unconditionally call wait() in its SIGCHLD signal handler to avoid being subject to a race condition. This behavior is subject to change in future versions of libcurl.
This is a convenience macro that sets all bits and thus makes libcurl pick any it finds suitable. libcurl will automatically select the one it finds most secure.
This is a convenience macro that sets all bits except Basic and thus makes libcurl pick any it finds suitable. libcurl will automatically select the one it finds most secure.
This is a meta symbol. OR this value together with a single specific auth value to force libcurl to probe for un-restricted auth and if not, only that single auth algorithm is acceptable.
DEFAULT
PROTOCOLS
EXAMPLE
CURL *curl = curl_easy_init(); if(curl) { CURLcode ret; curl_easy_setopt(curl, CURLOPT_URL, "https://example.com/"); /* allow whatever auth the server speaks */ curl_easy_setopt(curl, CURLOPT_HTTPAUTH, CURLAUTH_ANY); curl_easy_setopt(curl, CURLOPT_USERPWD, "james:bond"); ret = curl_easy_perform(curl); }
AVAILABILITY
Option Added in 7.10.6.
CURLAUTH_DIGEST_IE was added in 7.19.3
CURLAUTH_ONLY was added in 7.21.3
CURLAUTH_NTLM_WB was added in 7.22.0
CURLAUTH_BEARER was added in 7.61.0
RETURN VALUE
Returns CURLE_OK if the option is supported, CURLE_UNKNOWN_OPTION if not, or CURLE_NOT_BUILT_IN if the bitmask specified no supported authentication methods.
SEE ALSO
CURLOPT_PROXYAUTH, CURLOPT_USERPWD
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FriendlyId::ActiveRecord2::SluggedModel::DeprecatedMethods
FriendlyId::ActiveRecord2::SluggedModel::FinderMethods
FriendlyId::ActiveRecord2::SluggedModel::MultipleFinder
FriendlyId::ActiveRecord2::SluggedModel::SingleFinder
FriendlyId::ActiveRecord2::SluggedModel::SluggedFinder
FriendlyId::Base
FriendlyId::BlankError
FriendlyId::Configuration
FriendlyId::Finders
FriendlyId::Finders::Base
FriendlyId::Finders::Single
FriendlyId::ReservedError
FriendlyId::SlugGenerationError
FriendlyId::SlugString
FriendlyId::Slugged
FriendlyId::Slugged::Model
FriendlyId::Slugged::Status
FriendlyId::Status
FriendlyId::TaskRunner
FriendlyId::Test
FriendlyId::Test::ActiveRecord2
FriendlyId::Test::ActiveRecord2::BasicSluggedModelTest
FriendlyId::Test::ActiveRecord2::CachedSlugTest
FriendlyId::Test::ActiveRecord2::Core
FriendlyId::Test::ActiveRecord2::CustomNormalizerTest
FriendlyId::Test::ActiveRecord2::CustomTableNameTest
FriendlyId::Test::ActiveRecord2::DeprecatedTest
FriendlyId::Test::ActiveRecord2::Simple
FriendlyId::Test::ActiveRecord2::Simple::BasicTest
FriendlyId::Test::ActiveRecord2::Simple::SimpleTest
FriendlyId::Test::ActiveRecord2::Simple::StatusTest
FriendlyId::Test::ActiveRecord2::Slugged
FriendlyId::Test::ActiveRecord2::StatusTest
FriendlyId::Test::ActiveRecord2::StiTest
FriendlyId::Test::CustomNormalizer
FriendlyId::Test::FriendlyIdTest
FriendlyId::Test::Generic
FriendlyId::Test::ScopedModelTest
FriendlyId::Test::SlugStringTest
FriendlyId::Test::SlugTest
FriendlyId::Test::Slugged
FriendlyId::Test::SluggedStatus
FriendlyId::Test::Status
FriendlyId::Version
FriendlyIdGenerator
House
Novel
Object
Person
Place
Post
Question
Resident
Slug
String
TasksTest
User
This is the API documentation for RDoc Documentation.


Block Chain Adoptions
The New Land Of Opportunity
A number of company and startup are exploring and exprimenting on the possibility that the block chain
technology offers to different businnes segments.
- WAVE
connects all members of the supply chain to a
decentralized network and allows them a direct exchange of documents. WAVE's application manages
ownership of documents on the blockchain eliminating disputes, forgeries and unnecessary risks.
Building on top of BitCoin ad LiteCoin.
An article is available here
- OpenBazar
new way to buy and sell goods and services online.
By running a program on your computer, you can connect directly to other users in the OpenBazaar network and
trade with them. The network isn't controlled by a company or organisation. OpenBazaar is
a decentralised peer-to-peer network, which means there are no listing fees and the marketplace is censorship-resistant.
Goods and services are bought and sold on OpenBazaar using Bitcoin, a digital cryptocurrency that is decentralised
and censorship-resistant. Transaction fees on the Bitcoin network are very cheap.
 Technology can be extended to track any asset
that carries a Unique Identifier which is difficult to destroy or replicate. (Diamonds, art..)
Allianz is working with startup Everledger to develop a blockchain to track diamonds from mine to retail sale.
For each diamond, Everledger measures 40 attributes: cut and clarity, the number of degrees in pavilion angles and,
eventually, where they were mined. The company generates a serial number for each diamond,
inscribed microscopically, then added to Everledger’s blockchain
Smart Contracts Based. Heris blockchain + bitcon, will then move to ethereum.
An article is available here
- slack.it
Blockchain + IOT.
Winner of IoT Winner At 4YFN
- Augur
Augur is a fully open-source and decentralized prediction
market platform built on Ethereum,
An article is available here
[ Previous ] Block Chain Adoptions [ Next ]


Except where otherwise noted, the contents of this document are Copyright 2019 Scott Uk-Jin Lee. All rights reserved. Any redistribution, reproduction, transmission, or storage of part or all of the contents in any form is prohibited without the author's expressed written permission.
Lab 6: Forms - create the Grade Store
web page
The Grade Store
page sells A+, A, B+, and B grades for various courses
that students can buy with their credit card. (Just a joke!)
The Grade Store
page (gradestore.html
) has a form that submits to cheater.php
.
Then cheater.php
will output a web page to confirm that the student's money was taken out.
Download the gradestore.zip
and complete the following exercises.
(See example screenshot on next slide.)
Create an HTML form that POST
s its submitted data to a PHP program on a server.
gradestore.html
by turning part of its contents into an HTML form:
Nameand
ID
CSE326,
CSE107,
CSE603,
CIN870
A+,
A,
B+,
B
Credit Cardand radio buttons for -
Visa,
MasterCard
I am a giant cheater!
name
attribute must be given to form controls for the data to be sent as query parametersvalue
attributeYour page should look like this when you are done:
(See example screenshot on next slide.)
Write the PHP page to handle the submitted form data.
gradestore.html
to POST its data to cheater.php
.cheater.php
to display submitted data.
print
or echo
in PHP: use expression blockprocessCheckbox
:
Your page should look like this when you are done:
(See example screenshot on next slide.)
Modify cheater.php
to save the submitted data to a file loosers.txt
.
Jaejin Kim;20120024754;4125475455554754;visa Jaeho Choi;20130024754;5855457454324754;mastercard Scott Lee;20110115238;4300523877775238;visa
loosers.txt
.
<pre>
element to preserve whitespacefile_get_contents
and
file_put_contents
.
Your page should look like this when you are done:
(See example screenshot on next slide.)
Update cheater.php
to verify that all parameters exist and are not blank.
isset
.
Try againlink that directs back to the initial
gradesotre.html
pageYour page should look like this when you are done:
(See example screenshot on next slide.)
Update cheater.php
to further validite the name and the credit card number.
Your page should look like this when you are done:
If you finish all the exercises:
gradestore.html
and cheater.php
files to your Git
repository under lab06
folderGreat work!


List the words to be replaced here...
Format - {"word 1":"replacement 1", "word 2":"replacement 2"}
Save


When I was younger my parents made me study and do homework in the kitchen. They thought I would cheat if I did it in the office where the computer was.
Even if I did want to cheat, it wouldn't matter becuase it was only homework. I could've also used the computer to look up a question I didn't understand.


Modules
Utilities
Collaboration diagram for Utilities:
Modules
Simple Array
Assert Utilities
Auxiliary Draw API
Driver Draw API
Line Base Text File Load API
Text Mask
String Utilities
Language Dependent String Messages
Hash Table
Generated on Sat Jan 5 2019 18:36:15 for SDK by
1.7.1