{% extends "base.html" %} {% block title %}About{% endblock %} {% block main_content_title %}About The Pain Index{% endblock %} {% block main_content %}
[This site is currently a demo. Please check back soon for added functionality; we are deploying early and often.]
The Pain Index is a pain index. What hurts more, getting stung by a yellowjacket or a saddleback caterpillar? It is 2014 and you have a right to know. The information is out there, and our goal is to synthesize it into a single, easy-to-understand index.
Pain is painful. That's why you care about it, but also why it's difficult to learn about it. People work hard to avoid pain, which means information about pain is highly diffused across the population. Furthermore, painfulness is a subjective, personal experience, so how can we even begin to compare those experiences across people? What does it mean to you, if I say that a yellowjacket sting rates a 4 out of 10?
And yet, 95% of people who have been stung by both a yellowjacket and a saddleback caterpillar agree that the caterpillar is worse. We're all humans, and even if we can't feel each other's pain directly, the painful experiences of others can still teach us something about ourselves. Pain data is diffuse and subjective and noisy, yes, but why should that stop us? It's 2014! We know Science!
Here's how it works. When you submit a pain rating for the saddleback caterpillar sting, you are of course helping us to understand how much that sting hurts. But more than that, you are helping us to train a model which knows how to convert natural language into pain intensity.  And when they are in more pain, they complain more loudly. They use different, stronger language, with words like "fire" and "writhing" and "BEJEEZUS."
With your help, we are learning to extract the signal from this abundant but noisy data. Even a small amount of user-submitted data can be greatly leveraged by our machine learning algorithm. We can predict intensities for pains that none of our users have ever personally experienced.
For the moment, we are focusing on insect stings. Stings are a great starting point because we can use the Schmidt Sting Pain Index in lieu of user-submitted data. Justin O. Schmidt, over the course of his entomology field work, took it upon himself to get stung by 78 different hymenopterans, rating the intensity and duration of each sting. Justin Schmidt, if you're ever in Chicago, we owe you a beer!
{% endblock %}


Setup witness node
Download wallet and node daemon
Go to https://github.com/SophiaTX/SophiaTX/releases and download latest version.

Once done, test it with:
feeder <YOUR_ACCOUNT_NAME> <YOUR_MINING_KEY>
, e.g. feeder <YOUR_ACCOUNT_NAME> 5J7ejuMu2ZkNWQ367X38wVvBWFzgbsjPvw6PLNtwsYEQrbhigT6
. Use your actual mining key, as entered into config.ini.
Once the script functionality is checked, run it regularly, at lease once per day. You can use e.g. crond service on Linux:
crontab
0 * * * * /usr/local/bin/feeder <YOUR_ACCOUNT_NAME> <YOUR_MINING_KEY>
<ctrl-D>
Setup NTP Time Synchronization
Suse
Ubuntu
Before installing ntpd, you should turn off timesyncd:
sudo timedatectl set-ntp no
Please install ntpd by executing following command:
sudo apt-get install ntp
ntpd will be started automatically after install.


This post follows on the Design - Getting Started post.
Our first interaction with the Fithome system is with the Firebase RT db. As noted in the design post, one of the steps we take to initiate the FitHome experience is to make a pre-member entry into the Firebase RT db.
We make this entry prior to the electrician installing the energy monitor.
Prior to the electrician installing the energy monitor and CTs, we have configured the machine name and Firebase Project ID within the config.json file for the microcontroller. How this is done, including how the home owner’s wifi SSID and password are discussed within the energy monitor firmware Readme file.
Now that the energy monitor is online, it will start sending power readings to the Firebase RT db over wifi. The details are discussed within the energy monitor firmware Readme file.


## Data plumbing with Luigi
Saturday, February 16, 2019
![Pycon Belarus logo](img/logo_pycon_color.png)
### A little about me
* I'm the Chief Maintiner of [Luigi](https://github.com/spotify/luigi).
* Currently working at Google in Zurich. (there is nothing about that in these slides)
* Arash Rouhani. [@Tarrasch](https://github.com/Tarrasch) on github.
### This talk
1. Introduction to luigi
2. Creating folders - why it's not trivial
3. An interesting ContextManager that solves 2.
### What is luigi?
[github.com/Spotify/luigi](https://github.com/Spotify/luigi)
![Luigi logo](img/luigi.png "luigi logo")
A task orchestrator made in house at Spotify.
Open sourced in 2012.
#### even has spinoffs: luiti, mario, sciluigi
![Luiti logo](img/luiti_rectangle_logo.png)
![Mario logo](img/mario.png)
![SciLuigi logo](img/sciluigi.png)
## A dependency graph
![Mario logo](img/dependency_graph.png)
## Task DSL
It is very much like GNU Make.
```python
class MyTask(luigi.Task):
some_parameter = luigi.Parameter(default="hello")
def complete(self):
return True or False
def requires(self):
return [TaskA(), TaskB(param='yay')]
def run(self):
print(self.some_parameter, 'world')
```
## Small example
```python
import luigi
class HelloWorldTask(luigi.Task):
def run(self):
with self.output().open('w') as fd:
fd.write('Hello World')
def output(self):
return luigi.LocalTarget('hello.txt')
```
(default `complete()` checks for file `output()`)
## Lets run it!
```bash
$ luigi --module helloworld HelloWorldTask --local-scheduler
...
INFO: Scheduled HelloWorldTask() (PENDING)
...
===== Luigi Execution Summary =====
Scheduled 1 tasks of which:
* 1 ran successfully:
- 1 HelloWorldTask()
===== Luigi Execution Summary =====
$ cat hello.txt
Hello World
```
## And let's run it again!
```bash
$ luigi --module helloworld HelloWorldTask --local-scheduler
...
INFO: Scheduled HelloWorldTask() (DONE)
...
INFO:
===== Luigi Execution Summary =====
Scheduled 1 tasks of which:
* 1 present dependencies were encountered:
- 1 HelloWorldTask()
Did not run any tasks
===== Luigi Execution Summary =====
```
Luigi does ETL well
## Example pipeline
* Extract: `wget` some file from internet to storage
* Extract: dump table `X` from database to storage
* Transform: process using say Apache Spark
* Transform: use legacy tool `Y` for refinement
* Load: Upload to database **Z**.
Every bullet point is alike a
```python
class MyTask(luigi.Task): ...
```
Then we can serve webpages/music recommendations/whatever using **Z**.
## Let's focus on the Transform
* -
* -
* Transform: process using say Apache Spark
* -
* -
(I'm shifting to my second part of the talk now)
## Part 2. Creating a folder
With the luigi model, one just doesn't create a folder.
...
And here's why :)
## A common `Task` dependency
```python
class ProducerTask(luigi.Task):
def output(self):
return luigi.HdfsTarget('hdfs:///my/file.avro')
def run(self):
# ... do something that produces the output ...
class ConsumerTask(luigi.Task):
def requires(self):
return ProducerTask()
def run(self):
# ... use self.output() (the HdfsTarget above.)
```
So contract is like this...
Consumer will start once the producer's file is there!
```python
class ProducerTask(luigi.Task):
def output(self):
return luigi.HdfsTarget('hdfs:///my/file.avro')
def run(self):
runcmd('/bin/spark MyTransformation '
'--input {} --output {}'.format(
self.get_input_somehow(),
self.output().path)
```
What will go wrong here?
### Input will exist before it's ready.
This is a big problem. The consumer will see that the input is already
produced and start consuming the input while it is still being written.
One solution would be to extend the luigi scheduler to handle this, but we want
to keep the server part simple.
### So we want temporary files/folders
Our need to write "all at once" is implemented by writing to temporary path,
and only if it was successful we write it to the final path.
### How it can look like
```python
class ProducerTask(luigi.Task):
def run(self):
tmp_path = self.output().path + '.tmp'
runcmd('/bin/spark MyTransformation '
'--input {} --output {}'.format(
self.get_input_somehow(),
tmp_path)
filesystem.move(tmp_path, self.output().path)
```
`tmp_path` can be either single file or a folder.
### The community's first solution:
This has to be done for all task types. So this is what the community did.
```bash
$ ag luigi-tmp
luigi/contrib/hadoop_jar.py
49: y = luigi.contrib.hdfs.HdfsTarget(x_path_no_slash + '-luigi-tmp-%09d' % random.randrange(0, 1e10))
luigi/contrib/ftp.py
169: tmp_path = folder + os.sep + 'luigi-tmp-%09d' % random.randrange(0, 1e10)
187: tmp_local_path = local_path + '-luigi-tmp-%09d' % random.randrange(0, 1e10)
261: self.__tmp_path = self.path + '-luigi-tmp-%09d' % random.randrange(0, 1e10)
(also luigi/contrib/ssh.py and luigi/file.py)
```
And maybe even places where we forgot.
## Downsides
* Every file format made their own implementation.
* And they take different parameters.
## So my "invention"
```python
class ProducerTask(luigi.Task):
def output(self):
return luigi.HdfsTarget('hdfs:///my/file.avro')
def run(self):
with self.output().temporary_path() as output_path:
runcmd('/bin/spark MyTransformation '
'--input {} --output {}'.format(
self.get_input_somehow(),
output_path)
```
## Does it work?
* I (at prev company) and others use it in production.
* It works for filsystems (local, gfs, hdfs, ssh, etc).
* The knowledge of moving files is encoded in the `FileSystem` interface rather
than folks maintaining `SparkTask`/`BigQueryTask`/etc.
## Part 3. How is it implemented?
* This is PyCon, so let's look at the implementation!
* I'll show my first attempt. Which was bad Python.
```python
class FileSystemTarget(Target):
...
def temporary_path(self):
class _Manager(object):
def __init__(self):
...
def __enter__(self):
...
def __exit__(self, exc_type, exc_value, traceback):
...
return _Manager()
```
So `__enter__()` and `__exit__()` is what makes it a context manager (the `with` statement).
It's from the the docs; [3.3.9. `With` Statement Context
Managers](https://docs.python.org/3/reference/datamodel.html#with-statement-context-managers)
```python
class _Manager(object):
def __init__(self):
num = random.randrange(0, 1e10)
slashless_path = self.target.path.rstrip('/')
.rstrip("\\")
self._temp_path = '{}-luigi-tmp-{:010}{}'.format(
slashless_path,
num,
self.target._trailing_slash())
tmp_dir = os.path.dirname(slashless_path)
if tmp_dir:
self.target.fs.mkdir(tmp_dir, parents=True,
raise_if_exists=False)
```
`__enter__` is easy. :)
```python
class _Manager(object):
def __enter__(self):
return self._temp_path
```
```python
class _Manager(object):
target = self
# This is the default signature for __exit__()
def __exit__(self, exc_type, exc_value, traceback):
if exc_type is None:
# There were no exceptions
self.target.fs.rename_dont_move(self._temp_path,
self.target.path)
return False # means we don't suppress the exception
```
Here is the interesting part, because our behavior is opposite of most context
mangers. We do an action when there are no exceptions.
refresher on `@contextmanager`
```python
from contextlib import contextmanager
@contextmanager
def managed_resource(*args, **kwds):
# Code to acquire resource, e.g.:
resource = acquire_resource(*args, **kwds)
try:
yield resource
finally:
# Code to release resource, e.g.:
release_resource(resource)
>>> with managed_resource(timeout=3600) as resource:
... # Resource is released at the end of this block ..
```
### Can we use a `@contextmanager`?
* Yes we can. (next slide)
* Initially I could not "pattern match" what I wanted into the
@contextmanager. I din't see how it would support "do X if block didn't fail".
greatly simplified implementation.
```python
@contextmanager
def temporary_path(self):
num = random.randrange(0, 1e10)
slashless_path = self.path.rstrip('/').rstrip("\\")
_temp_path = '{}-luigi-tmp-{:010}{}'.format(...)
tmp_dir = os.path.dirname(slashless_path)
if tmp_dir:
self.fs.mkdir(tmp_dir, parents=True,
raise_if_exists=False)
yield _temp_path
# We won't reach here if there was an user exception.
self.fs.rename_dont_move(_temp_path, self.path)
```
## What I learned
* implementation isn't a big deal. API is.
* unit tests your API not the internals.
* Do code reviews!!!
* contextmanagers aren't trivial. The library is good.


| DOSE: T+ 0:00 |
10 mg |
insufflated |
Ethylphenidate |
(powder / crystals) |
| T+ 0:20 |
7 mg |
insufflated |
Ethylphenidate |
(powder / crystals) |
| T+ 1:00 |
200 mg |
oral |
Pharms - Gabapentin |
(pill / tablet) |
| T+ 1:55 |
5 mg |
insufflated |
Ethylphenidate |
(powder / crystals) |
| T+ 2:15 |
8 mg |
insufflated |
Ethylphenidate |
(powder / crystals) |
| T+ 2:15 |
800 mg |
oral |
Pharms - Gabapentin |
(pill / tablet) |
| T+ 2:45 |
2 |
oral |
Alcohol - Beer/Wine |
|
| T+ 4:45 |
15 mg |
oral |
Pharms - Cyclobenzaprine |
(pill / tablet) |
| T+ 6:45 |
25 mg |
oral |
Diphenhydramine |
(pill / tablet) |
| T+ 6:45 |
25 mg |
oral |
Dimenhydrinate |
(pill / tablet) |
The material was acquired from an online source. To the naked eye it appeared as a very clean, white, crystalline powder. Under a microscope the crystals were clear and stick-like, like quartz but not as perfectly shaped, and they varied in size. Since the material was quite dense, it bulked up considerably when crushed. Insufflation of this quantity caused little discomfort.
5:45 PM - I insufflated 10 mg of ethylphenidate.
6:00 - Minor stimulation is noted, but not much else.
6:05 - I insufflated another 7 mg.
6:20 - I am feeling moderately stimulated without any significant euphoria and Iím motivated to get stuff done, like cleaning and organizing the house. This is productive, enjoyable and not at all obsessive or frantic as can be the case with stimulants. There is also a drying out at the back of my throat, and Iím beginning to feel a tad bit cracked out but this feeling is very manageable.
6:45 - I take 200 mg of gabapentin to help mediate the creeping dysphoria.
7:30 Yeuuuuckkk Ö Iíve felt very dysphoric over the past hour. I enjoyed an alfredo that I made for dinner but it left me feeling a bit sick to my stomach afterwards. Iím quite stimulated and I talked my girlfriends ear off throughout dinner, but the dysphoria sucks Ö it is the same way I feel after insufflating MDPV, jittery with a hollow gut feeling.
7:40 - I insufflated 5 mg more to see if I could stem off some of the dysphoria. It definitely helps, but overall I am left only feeling very stimulated (in a good way) and crappy (in a bad way).
8:00 - I insufflated 8 mg more just before going out the door to play football and popped another 800 mg of gabapentin with the hopes of knocking this out before bedtime. The final dose brought the stimulation up, and by the time we were on the field I was feeling better. The game definitely makes me feel better. It is as if I have somewhere to put all that energy and it makes the dysphoria less noticeable.
9:00 Ė Iím feeling very, very stimulated. Iíd say in terms of the stimulation, the 30 mg total dose feels about equivalent to 20 mg of methylphenidate but not as enjoyable, nor as comfortable. Itís like methylphenidate without the fun. However, I drank a couple of beers while I was playing and I played harder than I ever have in my life (Iím in pretty good physical condition or I wouldnít have been doing it)! It all merged together to be a great deal of fun. I paid attention to my pulse as I was really exerting myself and sweating. My pulse was reasonable .. somewhere between 120-150, but given the exertion that seemed totally fair. What a blast! Underneath everything there was still the icky feeling, but the stimulation, along with the drunken feeling from the beer and gabapentin, covered that aspect up and I ended up having so much fun.
10:30 - I returned home and still felt wired, but much better. Time to take the dog for a walk outside. I have a lot of energy. I take 15 mg of cyclobenzaprine to assist with the wind-down before bed time.
11:30 - Iím still feeling very stimulated. My muscles are tight and Iím chewing gum like a madman, but the cyclone is kicking in, so I think I should be okay when morning comes.
12:30 - Iím still highly amped up so I take 25 mg of dimenhydrinate and 25 mg of diphenhydramine.
1:00 AM - I fall asleep easily. I wake up feeling extremely hung over, but the weird thing is, I only had three drinks yesterday, so the question is, what caused the hangover? It could be the horrendous mix of sleep aids or all of the sweating and activity or all of the above. All in all there were a lot of different substances ingested so I suppose I shouldnít be surprised.
If I had to sum things up as concisely as possible Iíd say insufflated ethylphenidate is like insufflated methylphenidate without the fun Ö which implies to me that the fun takes place somewhere in that letter m. It is very effective as a stimulant but there were very prominent, unpleasant side effects which can be described as a vague sense of dysphoria. The dry mouth and gurning werenít much fun either.
Added some time later:
Iíve since experimented with this substance at insufflated doses of 2-5 mg for use as a study aid and found it to work very well, providing I donít mind the vague shitty feeling that comes with it. At very low doses the dysphoria is still present but there is less of it.
Certainly not my favorite substance, but it will do in a pinch when nothing better is available.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


virus ZIKV Zika infection clinical dengue fever rash reported AFF Cambodia. Haddow case confirmed detection flavivirus health maculopapular patient serum symptoms throat


Upcoming Events
{{ content }}
{% include head.html %}
{% include header.html %}The Computer Science Undergraduate Association supports the undergraduate computer science student body at UC Berkeley and acts as an entry point to industry. The CSUA hosts tech talks, hackathons, info sessions, CS workshops, LAN parties, and the biannual Startup Fair. Looking for a place to learn more about computer science and meet other students? Come visit us at our office (311 Soda) or use our study lounge (341* Soda).


Airmen killed in Oklahoma Air Force base crash identified
ENID, Okla. (AP) — Two U.S. Air Force airmen killed in a training jet crash at Vance Air Force Base in northwestern Oklahoma have been identified as an instructor and a student pilot.
The base said Friday that 47-year-old instructor pilot Lt. Col. John “Matt” Kincade and 23-year-old student pilot Lt. Travis Wilkie died in what Col Corey Simmons has called a “mishap” as two T-38 Talon jets were landing at the base in Enid, about 65 miles northwest of Oklahoma City.
Two airmen aboard the second jet were not injured.
Simmons said the cause of the Thursday morning accident is under investigation by an Air Force safety board that functions similarly to the National Transportation Safety Board.
Simmons said it typically takes 30-60 days to determine the cause of such accidents.


Session01
session01-introduction-scientific-research_thursday.pdf
session01-introduction-scientific-research_tuesday.pdf
session01-introduction-scientific-research_wednesday.pdf
source


--- layout: archive title: Zulip Chat Archive permalink: /stream/113489-new-members/topic/proving.201.20.2B.201.20.3D.202.2E.20Why.20does.20my.20rewrite.20fail.20here.3F.html ---
Hi all. I wanted to build my own natural number-like number system and prove that 1 + 1 = 2. Why does my rw fail here?
constant mynumber: Type constant zero: mynumber constant one: mynumber constant two: mynumber constant after: mynumber → mynumber constant plus: mynumber → mynumber → mynumber def one_is_after_zero := one = after(zero) def two_is_after_one := two = after(one) def plus_zero (n: mynumber) := plus n zero = n def plus_after (n m: mynumber) := plus n (after m) = after (plus n m) theorem one_plus_one_is_two: plus one one = two := begin rw one_is_after_zero, -- FAILED HERE end
The popup in vs code just say "failed" without any explanation. Thanks.
You never need to use constants in Lean. But the reason for the failure is that one_is_after_zero
is the statement that one = after(zero)
-- it has type Prop
. The rw
tactic eats proofs -- you need to rw h
where h
has type one_is_after_zero
.
constant h : one = after(zero) theorem one_plus_one_is_two: plus one one = two := begin rw h, sorry end
You could change all your def blah := ...
to axiom blah : ...
to get the effect you want
Note the change from :=
to :
that makes sense. proposition != the proof that the proposition is true
constant one_is_after_zero: one = after(zero) constant two_is_after_one: two = after(one) constant plus_zero (n: mynumber): plus n zero = n constant plus_after (n m: mynumber) : plus n (after m) = after (plus n m) theorem one_plus_one_is_two: plus one one = two := begin rw one_is_after_zero, rw plus_after, rw plus_zero, rw two_is_after_one, rw one_is_after_zero, end
The constant-free version looks like this:
inductive mynumber: Type | zero: mynumber | one: mynumber | two: mynumber | after: mynumber → mynumber | plus: mynumber → mynumber → mynumber namespace mynumber variables (one_is_after_zero : one = after(zero)) (two_is_after_one : two = after(one)) (plus_zero : ∀ n, plus n zero = n) (plus_after : ∀ n m, plus n (after m) = after (plus n m)) include one_is_after_zero two_is_after_one plus_zero plus_after theorem one_plus_one_is_two: plus one one = two := begin rw one_is_after_zero, rw plus_after, rw plus_zero, rw two_is_after_one, rw one_is_after_zero, end end mynumber
include
should be purple. I can't remember the reason this can't be fixed.
Wow thanks! Other than 'inductive' I've encountered them from TPiL. I hope I can write my code more closer to everyone else's style
The only advantage I can think of for the inductive
method over the constant
method is that with the inductive
method the principle of induction gets generated automatically by Lean. Other than that the two methods are very similar. If you write #print prefix mynumber
you can see all the stuff that Lean generates for you, the key one being mynumber.rec
. With your method you'd have to make the principle of induction yourself as another constant.
Umm...
theorem one_plus_one_is_not_two: plus one one ≠ two.
the inductive structure is assuming things that you don't necessarily want to assert
You could just do this:
variables (mynumber: Type) (zero: mynumber) (one: mynumber) (two: mynumber) (after: mynumber → mynumber) (plus: mynumber → mynumber → mynumber) (one_is_after_zero : one = after(zero)) (two_is_after_one : two = after(one)) (plus_zero : ∀ n, plus n zero = n) (plus_after : ∀ n m, plus n (after m) = after (plus n m)) include one_is_after_zero two_is_after_one plus_zero plus_after theorem one_plus_one_is_two: plus one one = two := begin rw one_is_after_zero, rw plus_after, rw plus_zero, rw two_is_after_one, rw one_is_after_zero, end
That's really annoying. There's no way you can put the relations in the definition of an inductive type?
They call those HITs (higher inductive types), and the theory is much more subtle
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


SvgShapes.Components.SvgSquareComponent Class
SvgSquareComponent
{{svg-square
size="number"
strokeWidth="number"
rotate="number of degrees"
radiusX="number"
radiusY="number"
fill="color"
filter="filter id"
class="class names"}}
Item Index
Properties
_height
Number
private
This is a computed property. It sets the height of the square shape based on the size of the svg image element.
_width
Number
private
attributeBindings
Array
private
Default: ['style']
className
Array
private
This is an array of class names to be added to the svg element.
Default: ['ember-svg-shapes', 'svg-square']
fill
String
The fill color.
`
{{svg-triangle fill="blue"}}
`
filter
String
## Filter
The
id
of the filter to be applied to the svg shape component.
Set the id
attribute of the filter component...
`
{{#svg-filters}}
{{filter-drop-shadow id="drop-shadow" dx="2" dy="4"}}
{{/svg-filters}}
`
..then set the filter
attribute of the SVG shape component to the same value.
`
{{svg-triangle filter="drop-shadow"}}
`
filterUrl
String
private
height
Number
The height of the svg image.
Default: 10
left
Number
Default: 0
radiusX
Number
This value sets the
rx
attribute of the rect
element.
Default: 0
radiusY
Number
This value sets the
ry
attribute of the rect
element.
Default: 0
rotate
Number
Rotate the shape.
Default: 0
size
Number
This value is used to multiply the height and width of the svg element. The
value is pixels (
px
). The default is 1.
The number can be less than 1, but not less than 0.. You can have a value
of 0.5, which will multiply the height and with by 0.5 resulting in the
rectangle being scaled down by half.
A value of 2, will double its size. The default value of 1 means that the
height and width values are not scaled.
Default: 1
stroke
String
The stroke color. Use this with
strokeWidth
to set a border around the shape.
`
{{svg-triangle stroke="blue" strokeWidth="2"}}
`
Default: 'black'
strokeWidth
Number
The stroke width. Use this with
stroke
to set a border around the shape.
`
{{svg-triangle strokeWidth="2" stroke="blue"}}
`
Default: 0
style
String
private
This is a computed property. It sets the height and width of the svg element.
tagName
String
private
Default: 'svg'
top
Number
Default: 0
transform
String
private
This is a computed property. It sets the
transform
attribute of the
polygon element.
width
Number
The width of the svg image.
Default: 20


Colombian. Responsible, punctual & cheerful. Congratulate me on june fifteen! Because it's my birthday. Industrial and systems engineering student. Formed in CEDEJ in integral leadership. Dog lover born in 1996. get in touch with me<EMAIL_ADDRESS>Coursed middle and high school in Abraham Lincoln school (Left logo). Graduated in 2014 with a distinction for my final project on science and technology line. Fourth year student of systems engineering and industrial engineering at Los Andes university (Right logo).
Check my projects and awards: Ramón Vega - Resume
Jun 2017 - Present: Business model simulation tool. (JAVA)
Jan 2016 - Present: Courses: Data Structures (Three times - Java course), Languages and machines (Twice), IT in organizations.
I play the guitar and I like to paint. I also enjoy to take walks (hills, natural reserves, parks, etc). I like to watch movies and listen to music. I'm not as athletic as I would like to be but, I enjoy practicing almost all sports. Spending my time with friends and family is the perfect plan. Dots in the map are the places where i've been. When I travel, I feel that i'm the happiest person so I expect to fill that map.


Wrapper for 'minepy' implementation of Maximal Information-based Nonparametric Exploration statistics (MIC and MINE family). Detailed information of the ANSI C implementation of 'minepy' can be found at <http://minepy.readthedocs.io/en/latest>.
| Version: | 1.5 |
| Depends: | R (≥ 2.14.0) |
| Imports: | parallel, Rcpp, stats |
| LinkingTo: | Rcpp |
| Suggests: | testthat |
| Published: | 2018-12-14 |
| Author: | Michele Filosi [aut, cre], Roberto Visintainer [aut], Davide Albanese [aut], Samantha Riccadonna [ctb], Giuseppe Jurman [ctb], Cesare Furlanello [ctb] |
| Maintainer: | Michele Filosi <michele.filosi at gmail.com> |
| License: | GPL-3 |
| URL: | https://www.r-project.org, http://minepy.readthedocs.io/en/latest, http://www.exploredata.net |
| NeedsCompilation: | yes |
| Citation: | minerva citation info |
| Materials: | README NEWS |
| CRAN checks: | minerva results |
| Reference manual: | minerva.pdf |
| Package source: | minerva_1.5.tar.gz |
| Windows binaries: | r-devel: minerva_1.5.zip, r-release: minerva_1.5.zip, r-oldrel: minerva_1.5.zip |
| OS X binaries: | r-release: minerva_1.5.tgz, r-oldrel: minerva_1.5.tgz |
| Old sources: | minerva archive |
| Reverse depends: | rsgcc, testforDEP |
| Reverse imports: | autoBagging, linkspotter |
Please use the canonical form https://CRAN.R-project.org/package=minerva to link to this page.


|
LaserPirates
|
Public Member Functions | |
| void | start (Stage primaryStage) throws Exception |
Static Public Member Functions | |
| static void | display (Stage parentWindow) |
| static void | main (String[] args) |
Static Public Attributes | |
| static final String | DEBUG_CANVAS = "Debug Canvas" |
| static final String | DEBUG_GROUP = "Debug Group" |
| static final String | DEBUG_ANIMATION = "Debug Animation" |
A Debug Mode / Sandbox to spawn different GUI implementations to test with.
It is integrated into the client itself but can also be started standalone.
To do this, just run this file by itself by starting the main method.
In Netbeans right click on this file and select "Run File..." or press SHIFT + F6
To add more options, you should add a new constant and add it to getDebugOptions() as well. See DEBUG_CANVAS
Definition at line 26 of file DebugBox.java.
|
static |
| parentWindow |
Definition at line 40 of file DebugBox.java.
|
static |
Definition at line 68 of file DebugBox.java.
| void game.gui.debug.DebugBox.start | ( | Stage | primaryStage | ) | throws Exception |
|
static |
Definition at line 32 of file DebugBox.java.
|
static |
Definition at line 28 of file DebugBox.java.
|
static |
Definition at line 30 of file DebugBox.java.


"Search Inside Yourself - Chapter 1" - What did I learn?
Search Inside Yourself has a core aim of helping the reader live a more fulfilled and happy life. Finding an emotional balance is a big part of this.
Empathy, motivation, self-awareness, and self-regulation are core aspects of emotional intelligence. Developing our emotional intelligence enables us to function on an higher level than we are currently aware of. Its goal is optimisation, and for it to flow throughout all aspects of ones life.
High performers have strong analytical ability and ability to influenece; they are equiped with dealing with challenges and have positive self-confidence. They set high standards for themselves and have high achievement goals.
How did you find the two minutes of mindfulness?
I find it crucial to switch off and calm my mind at the end of a busy day. Life is more hectic than ever, so devoting time to mindfulness is important.


Click on the locations above to highlight the number of times that location has been mentioned. This dataset is extracted using the GDELT GEO 2.0 API. The results are stored locally in geojson format and applied to the Google Map. A few lines of SQL using Google Big Query will deliver results 'live' / updated every 15 minutes or for a specified period of time.
This query can be applied to any online news domain. In fact GDELT can be queried using keyworks, themes and much more. Over the next week will be create coverage maps for a number of online news domains for the same time frame to generate further insights into global news coverage.
GDELT outlined more about the GEO 2.0 API in an article in 2017 "Perhaps most importantly, the new API now allows you to create maps of any arbitrary keyword or phrase, rather than being limited to just the GKG topical themes of the previous GeoJSON API. Now you can enter any English keyword and instantly receive back a map of every location mentioned within a sentence or two of your keyword across everything GDELT has monitored in all 65 live machine translated languages over the last 7 days, updated every 15 minutes. Now no matter what word or phrase you're interested in, you can map it and even combine multiple terms into basic boolean OR statements".
Given the immense complexity of monitoring worldwide news media in nearly every country of the world across more than 100 languages, visually identifying and extracting the actual article text from the rest of the page, machine translating the incredible complexity and nuance of more than 65 languages in realtime and geocoding and disambiguating more than 9 million places on earth down to the level of a remote isolated hilltop, together with deep learning analysis of imagery reflecting the entirety of global human experience, you will almost always see at least some level of error in the results this API provides. This can range from one city being confused for another of the same name and context to a city name being mistranslated to an unrelated temporary breaking news inset at a different location being incorrectly inserted into the middle of an article. With anything this massive, you will always find some level of error when you dive deeply enough into the results, but overall the maps should accurately reflect the broad contours of the geography of your search.


Exodus 3:21
And I will give this people favor in the sight of the Egyptians: and it shall come to pass, that, when ye go, ye shall not go empty.


SUGAR TOWN
Reviewed by Harvey Karten USA Films/October Films Directors: Allison Anders, Kurt Voss Writers: Allison Anders, Kurt Voss Cast: Jade Gordon, Michael Des Barres, John Taylor, Martin Kemp, Larry Klein, John Doe, Lucinda Jenney, Ally Sheedy, Rosanna Arquette, Beverly D'Angelo
As Europe wheezes history, so California breathes contemporary. The Coast, even more than the rest of the U.S., is notorious for embracing the new, the trendy, the modish, while tossing the old, the battered, and even the moderately seasoned into the dust bin. In "Sugar Town," written and directed by Allison Anders ("Grace of My Heart," about the New York pop song world of the fifties and sixties), and Kurt Voss ("Border Radio," about the L.A. punk scene), explores the angst-ridden lives of musicians who were big in the eighties, washed up in middle age, and now seeking to restore their lost glory. Save for one pregnant woman, the film's Earth-mother, there isn't a wholesome character in the story--part of the charm and distinction of this eminently enjoyable, delightfully cynical tale. If the folks portrayed here are stereotypical--each representing a generic trait of the coke-and-fast-buck lifestyle of virtuosos and vocalists in the City of Angels--Anders and Voss's pigeonholing does not detract in the slightest from the malevolent movie's merriment.
While the film-makers conspicuously copy the Robert Altman style--spinning a diverse tapestry of separate stories into a loosely-woven cloth--"Sugar Town" is not up to that director's cogent character studies. It lacks the classic poignancy of "Nashville" and at frequently Chris Figler's editing is so abrupt that you get the impression that some scenes are isolated from the others as though parts of different movies. But the fifteen out of sixteen self-absorbed neurotics are sporadically even more amusing than some of "Nashville"'s twenty-four individuals, with Beverly D'Angelo's characterizations of a rich, sardonic widow easily stealing the show.
Essentially "Sugar Town" exhibits a palette of ambitious souls who think nothing of using one another to climb the ladder in Los Angeles' rock-and-roll subculture. Only one of them, the insufferable but physically attractive Gwen (Jade Gordon), will freely and totally without compunction steal other women's influential dates and almost immediately perform the sexual services that so many followers of the Hollywood business believe women must render to get ahead.  After dating Burt (Larry Klein), a record producer working with middle-aged, has-been rock stars Nick (Michael Des Barres) and Clive (John Taylor), Liz is hit on by a health-food worker who thinks he can charm his way into using Liz as a reference for his own acting career.
Being in her late thirties does not do much for Eva (Rosanna Arquette), who in her heyday was a fixture in second-rate horror films, but is now annoyed that her only potential offer is in the role of a mother to 18-year-old Christina Ricci. When Jane (Beverly D'Angelo), a rich widow, consents to putting up the funding for support a comeback try for Burt's musicians only if Burt can arrange to get the attractive glam rocker Nick in the sack with her, Allison and Voss have prepared their viewers for the most hilarious scene in the movie.
Ally Sheedy is instantly recognizable to any young woman who has been told by her dates that they will "give you a call." A sucker for New Age fads, she follows the counsel of a healer who tells her that she is vaginally blocked and who offers to loosen her up, while her reading consists of self-help paperbacks about how to succeed in relationships. Filling in some of the minor roles are former musicians like Carl (John Doe), now a farmer trying to make enough to support his growing family and must deal with the sexual come-ons of Mexican-American singer Rosio (Lumi Cavazos); and a sharply defined scene involving a 12-year-old, mixed-up but intelligent and cocky kid, Nerve (Vincent Berry) who may or may not be the love child of Eva's husband, Clive.
Despite the hang-loose nature of the film, the dialogue is often sharp and focussed, apparently not improvised, and the soundtrack is filled unobtrusively and congenially with goodies like "Gravy Stain Girl," "Puget Sound Sanitation," and "Manic Kraut Rock."
Rated R. Running Time: 93 minutes. (C) 1999 Harvey Karten
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Full Bleed CSS Grid
CSS Grid provides a trivial solution to a complex problem: How to display full-bleed content mixed with center-aligned width-constrained content. This solution ellimiates the need for auto-margins and floats while allowing the developer to change the grid globally and see those changes apply to each element individually.
-
Grid is great
CSS Grid is a two-dimensional layout tool. It is great for laying out content in a grid, and for laying out content in two dimensions.
-
Flex is great too
That said, Grid is not always the right option for layouts. If for example you need to lay out a series of identical boxes like those you see here, Flex may be a better option.
-
Know what tool to use
In some cases Grid and Flex are interchangeable. In other cases one is definitely better than the other. The choice usually comes down to whether you are laying out a list of items (Flex) or creating a more nuanced layout (Grid).
Subgrid would be nice here
The solution provided here is limited by the lack of support for
subgrids. If subgrids were available, the solution would be more
refined. In lieu of subgrid, the solution applies a grid to each
full-bleed section within the layout using a common class
.grid
and creates the full-bleed/centered effect that
way.
Grid lets you do unusual things
Creating this layout, where two items share the total available viewport width evenly alongside full-width and centered content, is suprisingly complex if you don't have CSS Grid available.
Grid requires a rethink
Seeing this layout you may still think it's better to just use old methods with auto-margins and max-widths. And you can, but looking at the CSS you'll see the Grid approach is both cleaner and easier to understand.


asString
Returns a string containing a textual representation of the receiver.
at(indexOrName)
Returns the capture with the given index or name. at(0) is the entire match.
captures
Returns a list of captured strings. The first element is the whole match.
end
Returns the index into the subject at which the match ends.
endOf(indexOrName)
Returns the index into the subject at which the capture with the given index or name ends.
expandTo(templateString)
Returns templateString with capture placeholders replaced with what they represent.
$0 is replaced with the whole match, $1 is replaced with the first
sub capture, etc. ${name} is replaced with the capture of that name.
foreach([index], capture, message)
Loops through the captures, assigns each capture to capture, and evaluates message.
Returns a list with the result of each evaluation.
indexOf(name)
Returns the index of the capture with the given name.
map([index], capture, message)
Like foreach , but the result of each evaluation of message is returned in a list.
nameOf(index)
Returns the name of the capture with the given index.
names
Returns a list of the name of each named capture.
If there are no named captures, the list will be empty.
postfix
Returns a slice of the subject string that contains all text after this match.
Equivalent to:
match subject slice(match end)
prefix
Returns a slice of the subject string that contains all text before this match.
Equivalent to:
match subject slice(0, match start)
range
Returns the range of the match in the subject.
rangeOf(indexOrName)
Returns the range of the capture with the given index or name.
ranges
Returns a list containing the range of each capture.
regex
Returns the Regex that was used to find this match.
select([index], capture, message)
Like foreach , but the values for which the result of evaluating message are non-nil are returned
in a list.
size
Returns the number of captures.
sizeInChars
Returns the length of the match, in characters.
slice(startIndex, [endIndex])
Returns a new list containing the subset of the receiver from the startIndex to the endIndex.
The endIndex argument is optional. If not given, it is assumed to be the end of the capture list.
start
Returns the index into the subject at which the match starts.
startOf(indexOrName)
Returns the index into the subject at which the capture with the given index or name starts.
string
Returns the matched string.
subject
Returns the string that this match was found in.
|


Struct Camera
Camera abstraction. Simplifies work with view matrix.
struct Camera
;
Do not support roll Euler angle.
Constructors
| Name | Description |
|---|---|
this
(position, yaw, pitch, worldUp)
|
Constructor of the camera. |
Fields
| Name | Type | Description |
|---|---|---|
_front
|
gfm | |
_pitch
|
float | |
_position
|
gfm | |
_right
|
gfm | |
_up
|
gfm | |
_worldUp
|
gfm | |
_yaw
|
float |
Methods
| Name | Description |
|---|---|
front
()
|
Angle that determines camera orientation. |
getView
()
|
Calculates view matrix of the camera. |
move
(offset)
|
Change position of the camera by specified offset. |
moveFront
(offset)
|
Change position of the camera in front direction. |
moveRight
(offset)
|
Change position of the camera in right direction. |
moveUp
(offset)
|
Change position of the camera in up direction. |
pitch
()
|
Pitch Euler angle in radians. Clamped to interval [-radians(89.0f), radians(89.0f)]. |
position
()
|
3D position coordinates of the camera. |
right
()
|
Angle that determines camera orientation. |
rotate
(yawOffset, pitchOffset)
|
Rotates using Euler angles in radians. |
up
()
|
Angle that determines camera orientation. |
worldUp
()
|
Constant world up direction. |
yaw
()
|
Yaw Euler angle in radians. Wrapped to interval [-PI, PI). |
constrainAngle
(angle)
|
Constrain angle in [-PI, PI) by angle wrapping. |
updateAngles
(newYaw, newPitch)
|
|
updateVectors
()
|
Note
All angles are specified in radians.
Uses right-handed coordinate system (as in OpenGL), so that negative Z should point into the screen (positive to the user); positive Y should be "up", and positive X should be to the right.
Example
import gfm .math : vec3f, vec4f;
import std .math : PI_2, approxEqual;
vec3f fromHomogeneous(vec4f v)
{
return v .xyz / v .w;
}
vec3f applyView(Camera camera, vec3f v)
{
return fromHomogeneous(camera .getView() * vec4f(v, 1.0f));
}
auto origin = vec3f(0.0f, 0.0f, 0.0f);
auto camera = Camera(vec3f(0.0f, 0.0f, 1.0f));
assert(applyView(camera, origin)[] .approxEqual([0.0f, 0.0f, -1.0f]));
camera .rotate(PI_2, 0.0f);
assert(applyView(camera, origin)[] .approxEqual([-1.0f, 0.0f, 0.0f]));
camera .moveFront(1.0f);
assert(applyView(camera, origin)[] .approxEqual([-1.0f, 0.0f, 1.0f]));


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NEW PRODUCT UPDATES
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Noesis now let’s you easily share proposal information with your customers online. When you invite your customers to view their proposal, they are able to access all the latest project information through your private and secure online portal. |
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The online proposal lets you:
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Speed up your project approval process:
Share your proposal, get customer feedback, make proposal revisions and request financing quotes for projects online in real time.
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Track your customer’s engagement:
Ensure your project is always top of mind for your customer with automatic reminders to view your proposal and engage with the Noesis Financing team.
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Keep the sales conversation moving after your initial proposal:
Avoid being in the dark about your customer’s interest level - get notified as soon as your customer views or adds comments to the proposal.
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Remind your customers of the cost of waiting:
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| Proposals can stall after being presented, keeping you in the dark. Noesis helps you keep the conversation going by automatically sending a Cost of Waiting email three days after your presentation, illustrating the cash wasted while waiting to implement the project.
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View Example »
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Have you completed the Noesis Partner Quick Start?
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If you haven’t, take 20 min to complete it and we will send you a Welcome Kit stuffed with cool gifts. Our Quick Start is a brand new initiative we launched to ensure that all of our partners know about all of the support services they are entitled to as our financing customers. The process is easy and interactive and takes less than 20 min.
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You are receiving this email as a courtesy from Noesis Financing. If you think you've become a victim of spam, please send a message to<EMAIL_ADDRESS>© 2014 Noesis Energy, All Rights Reserved. |
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THE THIN RED LINE
Starring: Sean Penn, James Caviezel, Elias Koteas & Nick Nolte Written by: Terrence Malick Directed by: Terrence Malick
When you see a film which is a true work of art, you know it. Previously, I knew after watching "Three Colours Red", "Paths of Glory", "Contact" and "Heat" that I had seen something different, something special, and after viewing The Thin Red Line I had that feeling all over again. This film - definately a film, not a mere movie - is a beautiful ode to the futility and brutality of war, and the effects it has on the human soul and psyche. It also marks, as everyone should know by now, the return after twenty years of Terrence Malick to the world of cinema (after seemingly abandoning it following his critically acclaimed Badlands and Days of Heaven).
The film takes place around the fight for Guadalcanal during World War II and focuses on a group of men in C Company. Rather than being a collection of increasingly brutal war scenes, however, The Thin Red Line is more of a character study as we follow the men as they head on their way to securing the island from the Japanese or, in the cases of some, dying in the attempt. The almost-court martialled Witt (James Cavaziel) recently went AWOL to spend time with the natives of Guadalcanal and has started thinking about the brutality of human nature; Private Bell (Ben Chaplin) longs for the wife (Miranda Otto) he left behind; battle-hungry Doll (Dash Mihok) delights in his first kill; Welsh (Sean Penn) only seems to see the futility in not only the war but life in general; and Captain Staros (Elias Koteas, a long way from Teenage Mutant Ninja Turtles) is apprehensive about sending his men onwards in what is obviously a suicide mission.
The performances from Malick's cast are superb. With little-known actors in the main roles, Malick has done what Curtis Hanson successfully accomplished with "L.A. Confidential" by making more believable the characters which the actors play. Cavaziel is fine in what could be considered the film's lead role, giving an air of innocence and weariness to Private Witt. Chaplin, as Bell, gives a good performance which is helped a great deal by the flashbacks and images he has of his wife. Sean Penn's bitter, defeated Welsh is one of his best roles yet, and he is excellent without stealing the spotlight from his lesser-known cast members. Best of all, though, is Nick Nolte as the ambitious Colonel in charge of the operation. His scene with Koteas, when the latter tells him that he refuses to follow an order to send his troops against the Japanese and face certain death, is one of the best of the year.
Much of the discussion that has surrounded Malick's film is the extensive use of voice-over and the apparent lack of real narrative, especially in the third hour. I'm not entirely sure if the narrative is really a problem; Malick doesn't appear to be telling a story so much as letting his characters discuss with themselves what is going on around them. This isn't a film about a war, this is a film about war itself.
It must be said that nothing much in the way of action actually happens in the final year, but nothing happens brilliantly. John Toll, who failed to really impress me with his Oscar-winning cinematography in "Legends of the Fall" and "Braveheart", beautifully captures the mayhem and slaughter of the battle scenes on the island, as well as the serene moments away from the carnage. This is photography which has to be seen to be believed.
Other technical aspects of the film are also excellent. The battle scenes are at least on par with those from 1998's other WWII epic, "Saving Private Ryan", and just as disturbing and enthralling. As with Spielberg's film, the editing and sound crew have come into their own here, showing what film as a medium is all about; it's not just great performances, screenplays and direction that are important in the craft of filmmaking but the less obvious, behind-the-scenes crew which help make cinema great without even being noticed by the average moviegoer.
Malick has created a work of art which will not be fully appreciated by the masses who expect "Saving Private Ryan" in the Pacific. The Thin Red Line demands a great deal from the audience, and if people are willing to do some thinking for themselves they should be able to fully appreciate what Malick has created; something that embodies everything there is about film.
5 out of 5
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: archive title: Zulip Chat Archive permalink: /stream/116395-maths/topic/Stretch.20goal.html ---
I just had a look at Tucker's paper "The Lorenz attractor exists" https://doi.org/10.1016/S0764-4442(99)80439-X a 6-page (or really 5-page) summary of his proof that the Lorenz attractor exists and exhibits chaotic behaviour. The proof seems to rely on a bunch of C programs to do a whole lot of estimates. Some bright young things interested in getting analytical stuff up and going in Lean could probably do worse than build toward formal verification of some of these.
https://dl.acm.org/citation.cfm?id=3230191
To save others a click, title is "A Verified ODE Solver and the Lorenz Attractor"; it's a formalised version of Tucker's work using Isabelle/HOL. But, it would be an interesting branch out from algebraic number theory to attack ODEs.
Tucker's journal article "A rigorous ODE solver and Smale's 14th problem" https://doi.org/10.1007/s002080010018
presents the proof in more detail than the 5-page summary.
Note that the verification that I did in Isabelle/HOL was restricted to the numerical part of Tucker's proof (i.e., section 3 in the 5-page summary, sections 4 and 5 in the journal).
Verification of the analytical part (section 2 in the summary, section 3 in the journal) would be completely novel, so there is lots of things to do ;-)
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


Move in the record
- Zoom = ctrl + Mouse Scrool
- Move forward/backward = using your and keys on your keyboard, or the arrows buttons available under the signals.
Annotate
An annotation is defined by two timestamps: the beginning and the end of the annotation. When an annotation is a unique sample (not a timerange) the beginning equals the end.
- Annotate a sample = Double click on the place where you would like to set your annotation. This will draw a vertical line.
- Annotate a timerange = First click on the beginning and then click on the end. This will draw a rectangle over the annotation.
- Edit an annotation = Right click on the annotation and click on the Edit option.
- Delete an annotation = Right click on the annotation and click on the Delete option.


|
App Engine Python SDK
v1.6.9 rev.445
The Python runtime is available as an experimental Preview feature.
|
Additional Inherited Members | |
| Public Member Functions inherited from google.appengine.ext.db.djangoforms.BaseModelForm | |
| def | __init__ |
| def | save |
| Public Attributes inherited from google.appengine.ext.db.djangoforms.BaseModelForm | |
| instance | |
A Django form tied to a Datastore model. Note that this particular class just sets the metaclass; all other functionality is defined in the base class, BaseModelForm, above. Usage example: from google.appengine.ext import db from google.appengine.ext.db import djangoforms # First, define a model class class MyModel(db.Model): foo = db.StringProperty() bar = db.IntegerProperty(required=True, default=42) # Now define a form class class MyForm(djangoforms.ModelForm): class Meta: model = MyModel You can now instantiate MyForm without arguments to create an unbound form, or with data from a POST request to create a bound form. You can also pass a model instance with the instance=... keyword argument to create an unbound (!) form whose initial values are taken from the instance. For bound forms, use the save() method to return a model instance. Like Django's own corresponding ModelForm class, the nested Meta class can have two other attributes: fields: if present and non-empty, a list of field names to be included in the form; properties not listed here are excluded from the form exclude: if present and non-empty, a list of field names to be excluded from the form If exclude and fields are both non-empty, names occurring in both are excluded (i.e. exclude wins). By default all property in the model have a corresponding form field defined. It is also possible to define form fields explicitly. This gives more control over the widget used, constraints, initial value, and so on. Such form fields are not affected by the nested Meta class's fields and exclude attributes. If you define a form field named 'key_name' it will be treated specially and will be used as the value for the key_name parameter to the Model constructor. This allows you to create instances with named keys. The 'key_name' field will be ignored when updating an instance (although it will still be shown on the form).


Base Elements
{% include patterns/base.html %}
_base.scss
Buttons
{% include patterns/buttons.html %}
patterns/_buttons.scss
Forms
{% include patterns/forms.html %}
patterns/_forms.scss
Alerts
{% include patterns/alerts.html %}
patterns/_alerts.scss
Pagination
{% include patterns/pagination.html %}
patterns/_pagination.scss
Helpers
{% include patterns/helpers.html %}
patterns/_helpers.scss
Media object
{% include patterns/media.html %}
patterns/_media.scss


It was thought until fairly recently that our brains stopped growing around the age of 25. Science now tells us we are capable of learning new things throughout our entire lifetime. This is the science of Neuroplasticity, understanding that our brains are malleable, capable of change, growth, and learning and that nothing is fixed within our brain patterns. Our brains can adapt to new ways of thinking and learning. Over time we re-enforce new neuro pathways, forming new patterns and habits within the brain which creates greater connections. An example of this is learning a new language or instrument. Through repetition and dedication, we can learn new things slowly but surely. No matter what age or ability, nothing can hold you back.
Encouraging and strengthening Neuroplasticity can be done through repetition and practice, over and over. Similar to learning the piano. Going through your scales, up and down, up and down, many times over. Another method to strengthen Neuroplasticity is using existing knowledge and applying the new skills to it. This process helps re-inforce deeper learning by putting new skills into a different context. Just understanding the science behind Neuroplasticity itself can be beneficial. Studies show students who understand their brains can change progress immensely. If we repeat new learning, in action and thinking we build new neuro pathways. These get stronger over time, forming deeper grooves in our brains. I like to think of our brains as powerful computers, they need the right input if we want to learn and grow. As more information goes in it travels more through those wires, the wires get bigger the more we apply ourselves, and more connections form with other parts of the computer.
Mel Robbins studies Neuroplasticity and behaviour flexibility. She explains we can break old habits and form new ones. Our brains are capable of change.
This is wonderful knowledge when we are learning or trying to kick a habit.
Mel Robins uses the 5-second rule, also known as the 5-4-3-2-1 countdown method to help interrupt the usual brain's wiring, which is following old patterns and ways of thinking.
Counting down creates immediate change in our brain, we start using our pre-frontal cortex. The countdown pushes
our brain into action and off autopilot, followed by the prompt "what is my next best action?". This re-inforces our ability
to take control of our brains and lives the more it is practiced. The more we do this the stronger the pathways get, which creates
lasting behaviour and thinking change. I use the countdown method when I am faced with challenges,
things that trigger me, or old habits that aren't serving my learning. The 5-second rule also helps practice a Growth Mindset
You can find out more about Mel Robbins and the science that backs the 5 second rule here
Growth mindset is a learning theory developed by Stanford University professor Carol Dweck. Dweck researched success and failure, and came to the understanding that how we face learning comes from one of two “mindsets”: fixed or growth. Using a growth mindset we can grow our intelligence and skills. Bringsing a can-do attitude, problem-solving, and willingness to learn from mistakes. Mistakes aren’t failure but an opportunity to learn. They are reminders of things to work on. Fixed however is not open to possibilities or change, not flexible to new ways of thinking or tackling a challenge.
Our brains are wired to protect us from things that are brave, scary or new. It’s a form of protection. While this can be great if there is an actual threat this doesn’t work very well if you’re picking up a new skill. A Growth Mindset challenges our brain's natural tendency to resist the new.
Having a growth mindset changes how you think about yourself and others. I’m working on
applying a growth mindset to my spoken words and thoughts. Instead of I can’t do it I apply “I am trying my
best”, “I can try this approach”, “I’m still learning and that is ok.”
Thoughts of I’m not good enough are flipped to, “I’m building on my knowledge of yesterday”, “I’m
showing up today to learn”. When something goes wrong that is pointing me to an area I need to focus on.
Having a growth mindset will change your life and the lives of the people around us. It challenges how we were
raised and educated usually with the understanding that we were born with inherent abilities. For example, I was
always told I was a good artist from a young age and while I loved it this also made me avoid subjects
that I wasn't naturally talented at from the outset. Having a Growth Mindset helps push past the
uncomfortableness of being a beginner, committing to learning and applying ourselves to growth and change.
I will be using a Growth Mindset to my learning plan and strategy. Even understanding the concept will help my learning. Bringing self compassion to the slow change and growth required in learning something new, being more flexible to others, listening to feedback with a different filter, admitting when I don't know something, also having less of a fear of what people will think of me if I don't understand something. I will be writing small notes to remind myself of the Growth Mindset. Daily reminders that learning takes time and that my brain can do it with the right tools. Challenging the “I'm not a coder” mentality can be difficult when you’re completely stuck. But using problem-solving to tackle a task will be key. Practicing over and over will also help my brain to make more connections. I think the reflection aspect will be important as well. Looking back on what I have achieved in a very small amount of time. Celebrating small wins is important, acknowledging how far you've come already. This builds self trust and resilience to keep going. Also understanding everyone is learning at their own speed. We all come into this with different abilities and that it isn’t a competition. Comparison is the death of a Growth Mindset. Celebrate others' successes and persistence instead.
Having a Growth Mindset takes time. It’s a practice we build upon and test out according to our abilities and
challenges. Through small actions and progressive changes in thinking we can grow our Growth Mindset. We are
often somewhere in between Fixed or Growth. Recognising and having an awareness of which one we are leaning towards
can be helpful. If I commit to showing up regularly, committed to learning and changing and having awareness of
thoughts and actions. "Is this Growth or Fixed?" can be a simple question to apply.
A Growth Mindset requires careful nurturing over time. It’s about taking small, targeted steps building on the trust
and understanding we can change our brains and use it as a tool for learning.
Image from lifteducation.com


Everything You Always Wanted to Know About MapMaster
[But Were Afraid To Ask]
But seriously,
ask anyway.
But seriously:
RTFM first
I spent time putting them together.
Uses
Underpins a number of Xignite services, mostly equities, but all over the place
xGlobalQuotes, xGlobalRealtime, xGlobalHistorical
...and xQuotes
...and anything in xServices that calls xQuotes
General Concept
[Identifier, IdentfierType] => [MasterRecord]
Ok, well, really:
[Identifier, IdentfierType] =>
[MasterRecord_1], ..., [MasterRecord_n]
Actually Querying a Key/Value Store
Implementation Detail
Like most everything, the real keys are namespaced with a `CacheDataProvider` value
Real keys are also Base-64 encoded, since we [currently] use memcached's ASCII protocol
Yes, it was a quick hack that would be rethought, but hasn't caused problems
xServices stores `MasterRecord`s as binary-serialized objects, Stratus as Protocol Buffered
xServices/Legacy MapMaster
Broken up into aggregation and retrieval
trac/Xignite/wiki/UpdateMaster
"What does that ugly program do?"<br/>
^ Says a lot.
Retrieval
Source/Master.vb#MapMaster
Cached, both levels stored for a day
StratusCommonLibSettings.xml
#XServicesMaximumCacheTimeMin
Uncached
Simple wrapper around LookupMasterBy*
UpdateMaster does OK job of US securities
...everything else, we're in trouble.
Manual cleanup: PurgeCachedMasterRecord
Antipatterns
Call MapMaster, call Primary Server
Failure!
Call MapMaster, call Backup Server
TickerCollection surprisingly not antipattern!
Stratus MapMaster
Surprise! More complex
All of SecurityMaster
[Issuer]1 => *[Instrument]1 =>
*[Security]1 => *[ASI]
Aggregation
Combiner:
wiki/XigniteSecurityMaster#DataPopulation
xCloudMaster
`MasterRecords` and `ListSecurities`
xCloudMaster
Options: push everything,
MasterRecords, only recent, which Juggalo endpoints, filters, push overrides (via JSON objects)
Pushes Bonds, Indices, Stocks,
Warrants/Structured Products, Funds, Derivatives
Exchange Suffixes
Everything has an ID of [Valoren, Mic, Currency]
.XETR => .DE in the frontend
[Valoren, MIC] not unique, but symbols differ
Hacks!
xIndices was going to be supported this way
Scrapped
..well, now it may be back [edit, 1/13]
Index overrides
<Identifier id="998434.NDXX.USD">
<Addendum type="Symbol">^GSPC</Addendum>
<Addendum type="Symbol">^SPX</Addendum>
<Addendum type="Symbol">^SP500</Addendum>
</Identifier>
yGlobalMaster#MapMaster
In-Process Cache
Cache [Redis]
MapMasterTimeline
xServices Fallback
MapMaestro
https://internalapps.xignite.com/maestro
Build your own MapMaster
Implement these:
[Minimal subset]
Get / Set
Identifier map
Enabler / WriteEnabler
Perf Counters
MapMasterTimeline
Surprise! More complex
Maps [Identifier, IdentifierType] over time
(duh)
Why?
Can either occlude previous data
...or do something more complex
(which we did)
...or do something even more complex
(which we will)
How?
Match ASIs
Pit competing ASI/Sec/Inst/ISSR pairs
Build full chain
Punt!
Bad data
Other issues?
Bad ASIs
Case study on wiki
Questions?


Log your Work is a light weight app to track your progress.
Just start a timer on your finger tips.
Get notifications when your timer runs in the background after a defined time interval.
Start and stop your timer directly on your wrist with your Apple Watch.
No data is captured or recorded or sent when using the Log your Work app. In the future the app will offer extensions which can be purchased as In-App-Purchase. Which is not required when using the app and just extends the app by definition.


We Have The Best Protection For Your Discord Server
Let Us Take Care About Your Discord Server Settings
Ok Let's Start Moderate Your Discord Server
Let's Make Your Discord Server Members Having Fun


{% extends "layout.html" %} {% block page_title %} LAA Online Portal {% endblock %} {% block content %} Check your phone We've sent you a text message with a security code. Text message code Continue Not received a text message? {% endblock %}
We've sent you a text message with a security code.


Help
ADD PLAYER
This form serves to assist the user in the process of adding one or more players to a specific team.
Student ID
First Name
Last Name
Gender
Male
Female
Other
Expertise
Novice Player
Competent Player
RU First Team Player
Provincial/National Player
Add Player
Click here
to load this Caspio
Cloud Database
Cloud Database
by Caspio


Solace style requires core prosilver style to be installed in your phpBB. It should be there by default so please don't uninstall it.
First, you will need to unpackage Solace on your computer. Solace is zipped into one ThemeForest package which contains following files and directories:
Documentation/
devlom.zip
solace.zip
Solace phpBB style is inside solace.zip.
In Windows, to unzip the style, simply double click solace.zip from the Windows Explorer view (for instance, if you downloaded the style to My Documents, you would open My Documents and double click the file). Proceed to click "Extract all files" under the address bar (Windows Vista, 7 and 8) or under the Folder Tasks menu (Windows XP) from within the Explorer window and follow the prompts.
On Mac, zipped files are automatically unzipped upon download by Safari (this setting can be disabled by unticking "Open safe files" in Safari's preferences) and can be accessed through the downloads list.
Make sure that your style includes all the required files as described below:
To upload files, open your favourite FTP client (such as FileZilla, CuteFTP, SmartFTP, etc - even some internet web browsers have this capability) and log in to your hosting account. Generally your publicly accessible files will be in an area named "public_html", "www" or similar.
Upload solace folder to the styles/
directory inside your phpBB 3.1.x root directory. You can check if you have uploaded it correctly by looking at the location of the style.cfg file. It should be located at:
phpBB/styles/solace/style.cfg
Once the style has been uploaded, navigate in the board's Administration Control Panel to Customise -> Install Styles. You should see your recently uploaded styles listed (assuming you uploaded it to the correct location and the style is valid), with an option to "Install style". Simply click it and the installation is complete!
You may need to Deactivate prosilver if you don't see any changes.
Solace can be updated without any prior steps. All you need to do is simply upload the style's files to the same location as the old style, and let the files be overwritten.
Finally, simply navigate to your board's ACP index, and click the button at "Purge the cache".
If you have made changes to the style files you are about to update, you will lose all your changes! So be sure to make a backup of your style's files before updating. After updating your style, you can reapply your changes.


{% extends "layout.html" %} {% from "macros/log.html" import render_day_entry %} {% from "macros/projects.html" import render_category_nav, render_project_list %} {% from "macros/project-entry.html" import render_project_entry %} {% block title %}Project Category {{ this.name }}{% endblock %} {% block body %}


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FloatingMeasure
class API for phyiscal calculations
|
#include "VectorHandle.h"
Go to the source code of this file.
Classes | |
| class | CBaseMeasure |
| CBaseMeasure: represents the base-measure part of a measure. For example milli degree celsius consists of the base-measure part "degree celsius" (see CBaseMeasure) and the pre-measure part "milli" (see CPreMeasure). This class handles vectors of: More... | |
Macros | |
| #define | BASE CBaseMeasureSingleton::instance() |
| shortcut to the singleton representation of CBaseMeasure More... | |
Typedefs | |
| typedef CSingleton< CBaseMeasure > | CBaseMeasureSingleton |
| use CBaseMeasure as a singleton More... | |
Enumerations | |
| enum | eBaseMeasure { bmNumber = 0, bmFirst = bmNumber, bmVolt, bmAmpere, bmDegKelvin, bmDegCelsius, bmDegFahrenheit, bmOhm, bmFarad, bmHertz, bmSecond, bmMinute, bmHour, bmDay, bmMeter, bmInch, bmFoot, bmYard, bmMile, bmLast, bmUnknown = bmLast } |
| enum for indexing the vectors of CBaseMeasure More... | |
| #define BASE CBaseMeasureSingleton::instance() |
shortcut to the singleton representation of CBaseMeasure
Definition at line 183 of file BaseMeasure.h.
| typedef CSingleton<CBaseMeasure> CBaseMeasureSingleton |
use CBaseMeasure as a singleton
Definition at line 178 of file BaseMeasure.h.
| enum eBaseMeasure |
enum for indexing the vectors of CBaseMeasure
Definition at line 36 of file BaseMeasure.h.


| DOSE: |
100 mg |
insufflated |
MDMA |
(powder / crystals) |
Substance - MDMA
Experience - First time
Setting - a concert
I have been interested in MDMA for quite some time. Almost everyone I have talked to reported such wonderful things about it. I have held off on trying it mainly because of the number of fake pills and such sold. I had planned to order a testing kit, but never got around to ordering one. Recently a friend of mine had approached me saying he had bought an ounce of good ?molly?. I had been told ?molly? was 100% pure MDMA. While I doubted my friend had PURE MDMA, I decided I would trust him, and the testimonials of many others, and buy some. He told me he would meet me in the parking lot of the concert the next night, and I could buy some there.
Next night came around and I drove up to the venue with my friend ?T?. T and I were going to be seeing the Disco Biscuits. There was plenty of partying going on the parking lot. There were many ?neo-hippies? walking around drinking beer, smoking marijuana, or selling a wide variety of drugs. We walked through the crowd and finally found our friend. He had been expecting us, and quickly sold us what was said to be 1/10 (100mg). Whether or not it was exact I will never know now.
We waited around the parking lot for awhile talking with people. T was drinking beers, but I chose to abstain from anything just yet. I wanted to feel the MDMA on its on.
I checked the clock and realized it was 8:45 PM. I had planned on taking it orally, but it was later than I thought. I had to be able to drive home by 2:00 AM. I decided that insufflating it tonight would probably be my best route. I went over to my friends car, sat inside it with T, and we prepared.
9:00 PM - T and I each insufflate ?100mg? of MDMA. I had been told it would hurt a lot, and it burned, but it honestly wasn?t as bad as I had been expecting. I kept sniffing to get that clogged feeling out of my nose. In 1 minute, I was out of the car, and my nose felt better.
9:05 PM - I was starting to get really shaky. I felt a strong presence of a drug in my body. I new it was time to get moving inside, as I didn?t want to get patted down by guards when this got stronger. I felt slightly fuzzy in the head, and a bit confused. T and I walked to the entrance quickly and made our way inside.
9:10 PM - Passing the guards was much easier than I thought. I made my way into the main room. There were no seats in this room which didn?t matter. I saw a few of my friends inside, and I went over to talk to them. It suddenly hit me that I am not this talkative normally. This just made me giggle and I continued on.
9:15 PM - The Disco Biscuits hadn?t come on yet, but a CD was being played through the house speakers. I had no idea who it was, but it sounded familiar. It sounded very good. I looked down, and noticed I was dancing to it. I personally hate dancing. It is not something that entertains me in the least. But right now, it felt so right?
9:30 PM - The Disco Biscuits came on. They came out of a cloud of smoke with strobe lights. I stared in complete awe as they started there first song. As soon as the music started, I began to dance again. T laughed at me, as I guess I looked foolish. But it didn?t matter. I was feeling good. It felt good to move.
9:45 PM - The music has completely taken over my body. I cannot stop dancing (or is it I just don?t want to?). The music flows through my body and moves my arms and legs like a madman. I felt like I was one with the song. I have said this about other psychedelics, but something was different this time. I completely let go.
10:30 PM - Am I seeing visuals? Not exactly. However, everything in the room looks so crisp and well defined. It looks as though I went from watching a fuzzy TV to a high definition one. I can see every detail of everything in the room, and I can see them all at once. I turn to my left and see a friend who had just snorted some of the same MDMA that I had. He looked very happy, and we talked for a moment. It felt good that someone else was experience something as wonderful as I was.
11:00 PM - I have lost count of how many people I have randomly started conversations with. Everyone is my friend! Everyone on my left and right, they are as good of friends as I have ever had. I am happy to talk to them, and they happily talk right back to me. I cannot help but wonder why this is illegal, as there is no violence here. There is no anger amongst the people in the crowd. There is no hate. There is only love. And as the Beatles said ?Love is all you need?.
11:30 PM - The first set has ended. The effects are tapering. I find T and ask him how he?s feeling. He says that he?s coming down as well. He goes off to smoke to marijuana, but I choose not to again. Although the concert is not over, I still need to drive later. I wanted to ensure that I would be sober when that time came.
11:45 PM - I feel mostly down. The effects tapered off fast. I am still quite happy at this time. I have a terrific afterglow. I would not consider myself sober yet, but I am definitely not too intoxicated. I was slightly depressed to see the effects go. Everything just seemed so right. Who could have thought that such happiness was just a little line away?
Then Disco Biscuits came back out and played their second set, and all my sadness was lost?
--------------------------------------------------------
MDMA was more than I had expected. I can easily see why this has become such a popular drug, especially in the club scene. It induced feelings of extreme euphoria. The social effects were amazing as well. I never felt so trusting of complete strangers as I did. No one was there to harm me. All the worries of the world were gone. Nothing matters anymore. All that exists is you, and what you allow to. And you are happy.
I think this could definitely be helpful for people. People who are socially maladjusted could definitely benefit from it. Also, people who are troubled by deeper things would probably be more willing to spit them out and share with the world. MDMA could possibly bring out the true nature of a person?s psyche and help to resolve any issues they may have.
As far as the after effects go, the next day I felt great. I felt a little tired, but it was from the lack of sleep (MDMA is an amphetamine). There was no 'hangover' which I had read so much about. I was very pleasant towards people. I was eager to talk to everyone, including my family. It was just a great feeling. It was great to be alive. The world seemed like such a friendlier place.
I would really like to do MDMA again. Next time I would take it orally. I would also prefer to take it with a group of friends outside the club setting. I would love to take a long hike, or just spend a day in the sun, getting to see what?s really behind their eyes.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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| CPanel (const CRect *prc) |
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virtual void | OnResized () |
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virtual BOOL | AddChild (CPanel *prc) |
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virtual BOOL | RemoveChild (CPanel *prc) |
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virtual BOOL | SetAnchor (UINT anchor) |
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virtual BOOL | SetMinSize (CSize &size) |
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virtual BOOL | SetMaxSize (CSize &size) |
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virtual CString | ToString () |
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virtual CString | GetTypeName () |
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virtual CWnd * | GetHookedWnd () |
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UINT | Anchor |
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UINT | Dock |
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CString | Name |
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CPanel * | Parent |
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CPanelList | Children |
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int | LeftOffset |
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int | TopOffset |
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int | RightOffset |
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int | BottomOffset |
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CSize | MinSize |
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CSize | MaxSize |
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The documentation for this class was generated from the following files:
- include/WndResizer/WndResizer.h
- src/WndResizer/WndResizer.cpp


Conservation can benefit from community-based technology lessons in other sectors: health, agriculture, education, etc.
Techno-utopinanism, amplifier principle, technical details, relationships
(Easy to say, challenging to practice)


WITNESS LIST Criminal Justice Committee March 11, 2003 - 1:00P SB 57 FOR: Arnold, Ann Executive Director (Texas Association of Broadcasters), Austin, TX Kohl, Kate Director (Heidi Search Center for Missing Children), San Antonio, TX Scurlock, Steve EVP (Independent Bankers Association of Texas), Austin, TX ON: Wolf, Chuck Chairman (Houston Local Emergency Communications Committee), Sugarland, TX Registering, but not testifying: For: Kolodzey, Patricia Director, Insurance and Managed Care (Texas Hospital Association), Austin, TX Lyons, Steve Lieutenant (Houston Police Department), Houston, TX Oliver, Larry Lieutenant (Austin Police Department), Austin, TX Wilkison, Charley Political/Legislative Director (Combined Law Enforcement Associations of Texas), Austin, TX Ybarbo, Ray Lieutenant (Chief of Police, Albert Ortiz), San Antonio, TX On: Colley, Jack State Coordinator (Department of Public Safety), Austin, TX Fischer, Heidi Program Administrator (Texas Department of Public Safety), Austin, TX Rawson, Carol Deputy Director - Traffic Operations Div (Texas Department of Transportation), Austin, TX SB 103 FOR: Garcia, Alex Treasurer (National Latino Peace Officers Association), Dallas, TX Registering, but not testifying: For: McNeil Jr., Carvel Legislative Chairman (Houston Police Patrolmen's Union), Houston, TX Parnell, James Legislative Liaison (Dallas Police Association), Dallas, TX Sanders, Stephen Legislative Director (Texas Fraternal Order of Police), Austin, TX Wilkison, Charley Pol. Legislative Director (Combined Law Enforcement Association of Texas), Austin, TX SB 117 FOR: Elkin, W.M. "Bill" Executive Director (Houston Police Retired Officers Association), Houston, TX Registering, but not testifying: For: Garcia, Alex Treasurer (National Latino Peace Officer Association), Dallas, TX Heaton, Chris Executive Director (Texas Municipal Police Association), Austin, TX Lyons, Steve Lieutenant (Houston Police Department/Texas Police Chiefs Association), Houston, TX McNeil, Jr., Carvel Legislative Chairman (Houston Police Patrolmen's Union), Houston, TX Miller, D.A. Chair, Legislative Committee (Houston Police Retired Officers Association), Willis, TX Navarro, Jr., Wilfred President (Houston Police Retired Officers Association), Houston, TX Sanders, Stephen Legislative Director (Texas Fraternal Order of Police), Austin, TX Wilkison, Charley Political - Legislative Director (Combined Law Enforcement Associations of Texas), Austin, TX Ybarbo, Ray Lieutenant (Chief of Police, Albert Ortiz), San Antonio, TX SB 307 Registering, but not testifying: For: Elfant, Constable Bruce Chair, JPCA Leg. Cmte. (Justice of the Peace and Constables Assosciation of Texas), Austin, TX Freeman, Constable Gary Constable (Justice of the Peace and Constable Association of Texas), Pasadena, TX Hickman, Ron Constable (Justice of the Peace and Constable Assosciation of Texas), Spring, TX Werlein, Constable S.H. "Hal" Constable (Justices of the Peace and Constables Association of Texas), Sugarland, TX SB 458 FOR: Spieker, Dianna Tom Green County Treasurer (Co. Treasurers Association), San Angelo, TX Registering, but not testifying: For: Igo, Shanna Director of Legislative (Texas Municpal League), Austin, TX Lee, Donald Executive Director (Texas Conference on Urban Counties), Austin, TX On: Elliott, Verma Managing Senior Auditor (Texas State Auditors Office), Austin, TX Nagy, Geraldine Deputy Director of Division (Texas Department of Criminal Justice - Community Justice Assistance Div.), Austin, TX SB 501 FOR: Loucks, Don County Commissioner (Self), Bastrop, TX Perez, Noe E. High School Mathematics Teacher (Self), Laguna Vista, TX Tarsikes, John (Self), Devine, TX Tripp, Alice (Texas State Rifle Association), Paige, TX AGAINST: Horton, Susan (Texas Municipal League), Brady, TX Westbrook, Max Lieutenant (Austin Police Department), Austin, TX ON: Edmonds, Shannon (Texas District and County Attorney's Association), Austin, TX Lee, Donald Executive Director (Texas Conference of Urban Counties), Austin, TX Registering, but not testifying: For: Harrell, Will Executive Director (American Civil Liberties Union), Austin, TX Against: Ybarbo, Ray Lieutenant (Chief of Police, Albert Ortiz), San Antonio, TX


|
Nakama .NET Client SDK 3.8.0
Nakama .NET Client SDK
|
An adapter which implements a socket with a protocol supported by Nakama. More...
Public Member Functions | |
| Task | CloseAsync () |
| Close the socket with an asynchronous operation. | |
| Task | ConnectAsync (Uri uri, int timeout) |
| Connect to the server with an asynchronous operation. | |
| Task | SendAsync (ArraySegment< byte > buffer, bool reliable=true, CancellationToken canceller=default) |
| Send data to the server with an asynchronous operation. | |
Properties | |
| bool | IsConnected [get] |
| If the socket is connected. | |
| bool | IsConnecting [get] |
| If the socket is connecting. | |
Events | |
| Action | Connected |
| An event dispatched when the socket is connected. | |
| Action | Closed |
| An event dispatched when the socket is disconnected. | |
| Action< Exception > | ReceivedError |
| An event dispatched when the socket has an error when connected. | |
| Action< ArraySegment< byte > > | Received |
| An event dispatched when the socket receives a message. | |
An adapter which implements a socket with a protocol supported by Nakama.
| Task Nakama.ISocketAdapter.CloseAsync | ( | ) |
Close the socket with an asynchronous operation.
Implemented in Nakama.WebSocketAdapter, and Nakama.WebSocketStdlibAdapter.
| Task Nakama.ISocketAdapter.ConnectAsync | ( | Uri | uri, |
| int | timeout | ||
| ) |
Connect to the server with an asynchronous operation.
| uri | The URI of the server. |
| timeout | The timeout for the connect attempt on the socket. |
Implemented in Nakama.WebSocketAdapter, and Nakama.WebSocketStdlibAdapter.
| Task Nakama.ISocketAdapter.SendAsync | ( | ArraySegment< byte > | buffer, |
| bool | reliable = true , |
||
| CancellationToken | canceller = default |
||
| ) |
Send data to the server with an asynchronous operation.
| buffer | The buffer with the message to send. |
| reliable | If the message should be sent reliably (will be ignored by some protocols). |
| canceller | A cancellation token used to propagate when the operation should be canceled. |
Implemented in Nakama.WebSocketAdapter, and Nakama.WebSocketStdlibAdapter.
|
get |
If the socket is connected.
Implemented in Nakama.WebSocketAdapter, and Nakama.WebSocketStdlibAdapter.
|
get |
If the socket is connecting.
Implemented in Nakama.WebSocketAdapter, and Nakama.WebSocketStdlibAdapter.
| Action Nakama.ISocketAdapter.Closed |
An event dispatched when the socket is disconnected.
| Action Nakama.ISocketAdapter.Connected |
An event dispatched when the socket is connected.
| Action<ArraySegment<byte> > Nakama.ISocketAdapter.Received |
An event dispatched when the socket receives a message.
| Action<Exception> Nakama.ISocketAdapter.ReceivedError |
An event dispatched when the socket has an error when connected.


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Pokemon Sword and Shield's first official online competition starts in December
You can sign up now
by Chris CarterThe season of Pokemon battling is upon us yet again, and this time it'll be with a completely new meta now that a ton of creatures have been nixed from the game. Yep, Pokemon Sword & Shield is running a new online competition.
Signups began at the launch of the game and will run through Friday, December 5 at 7PM ET. At that point you won't be able to enter, and the competition will begin the next day on December 6, running through December 8 at 7PM ET. It's a single battle format, with bans for Mew, Zamazenta and Zacian as well as "some other special Pokemon."
Here's the kicker: you need to register a team of three to six creatures, and they'll automatically become level 50 for the bouts. Sometime after the event Game Freak will provide ranking results. And that's it! Just register now and battle it out on those dates.
To do that, head to the menu in-game and into the VS portion, then select online competitions. You're good!


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MEET THE PARENTS A film review by Mark R. Leeper
Capsule: Ben Stiller plays a man brought home to meet his girlfriend's family. With the religious and class differences, things would be bad enough, but the judgmental and unfriendly father, played by Robert DeNiro, may just destroy the entire relationship. This is an uneasy blend of drama, comedy, and contrived slapstick that only occasionally works. This is a big budget remake of the 1992 film where perhaps things may worked a little better in a more modest production. Rating: 4 (0 to 10), 0 (-4 to +4)
In China in 1982 I turned the tables on our National Guide and asked him if he had any questions about America. I guess I was expecting some sort of political question. Instead, I was dumfounded by what was most on his mind. "In America, do wives and their mothers-in-law get along well?" He assured me in China that they did, but I am certain if that were true he would not have asked. Even in China people seem to have problems relating to in- laws. Perhaps some of life's most difficult relationships arise when families are suddenly artificially joined by marriage. A man trying to relate to his new prospective in-laws and vice-versa could be the basis of a very strong comedy. MEET THE PARENTS does not demonstrate that fact, however.
Greg Focker (played by Ben Stiller) has been dating and in love with Pam Byrnes (Teri Polo) for ten months and is now ready to propose to her. He will do it during a weekend visit to meet Debbie's family and to attend her sister's wedding. From the beginning the relationship is awkward between Greg and Jack and Dina Byrnes (Robert DeNiro and Blythe Danner). Through no fault of his own, the airline has lost Greg's luggage. And he has to ask to borrow clothing. It is the beginning of a game of one-upmanship in which Greg is nearly always one-down. As the games go on Greg is more and more uncomfortable and uneasy which only contributes to the mistakes he makes. Greg is playing a game he does not understand, in a league he is new to. But perhaps along the way he will discover some unexpected secrets about his father-in-law.
This film had potential in its tale of one-upmanship. It has hit on a situation that many in the audience may find familiar--one that has not been done overly frequently in films. But the script by Jim Herzfeld and John Hamburg is a little too contrived. Too many coincidences in the story work against Greg. The script could not decide if the main character was incompetent or simply unlucky. Certainly he does not help his situation by doing everything wrong he possibly could, but even when he is trying to do the right things nature conspires against him. There is an uneven mix of slapstick sequences and human comedy. Certainly the last part of the film feels awkwardly written.
The main reason to see MEET THE PARENTS is to see Robert DeNiro's performance. DeNiro plays the suspicious and not a little fascistic father as tightly wound and threatening as he can. The little judgmental expressions on his face are a show in themselves as Greg digs himself deeper and deeper into his insecurities. But we do not really see much of that digging. Ben Stiller is an affable presence in the film but is not really stretching himself by playing the role as the nebbish to whom so many bad things happen. It is nice to see Blythe Danner again on the screen. But her character has a basic conflict between a basic decency and her love for her husband and the script should have given her more to do with that.
Randy Newman has written a playful score. In the first few seconds of the film it does something creative I have never heard a film score do before. There is a lot of source music that is popular music of the 1960s. Presumably that is what the upper class listens to at least in somebody's imagination.
Humor is subjective and some this film has been getting some favorable comment. But this is a comedy that works only occasionally for me. I would have to rate it 4 on the 0 to 10 scale and a 0 on the -4 to +4 scale.
Mark R. Leeper<EMAIL_ADDRESS>Copyright 2000 Mark R. Leeper
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Joe’s Triangular Gardens
问题描述 :
Joe’s landscaping company specializes in gardens for computer geeks who have just had their company go public. One of his signature features is a round pool surrounded by a tiled patio in the form of an equilateral triangle where the edge of the pool is tangent to each side of the triangle at its midpoint. Unfortunately, some of Joe’s customers are not satisfied with an equilateral triangle, usually in the center of the garden. Some want it in a corner or next to a slope or some other layout. Joe would like the option of offering arbitrary triangular patios with an elliptical pool which is tangent to each side at the center of the side. For example:
Joe knows how to draw an ellipse by putting two stakes in the ground (at the foci of the ellipse), tying a rope between them and dragging a marker stick inside the rope. What Joe would like is for the customer to determine where the corners of the triangle will be and then measure the location of the triangle vertices and compute where to put the stakes and how long to make the rope.
Joe knows how to draw an ellipse by putting two stakes in the ground (at the foci of the ellipse), tying a rope between them and dragging a marker stick inside the rope. What Joe would like is for the customer to determine where the corners of the triangle will be and then measure the location of the triangle vertices and compute where to put the stakes and how long to make the rope.
Write a program, which takes as input the three vertices (x1, y1), (x2, y2) and (x3, y3) of a triangle and computes an ellipse inscribed in the triangle, which is tangent to each side of the triangle at its midpoint. The output is the coordinates of the two foci of the ellipse and the length of the rope (which is the sum of the distances from the foci to any point on the ellipse.
输入:
The first line of input contains a single integer N, (1 ≤ N ≤ 1000) which is the number of data sets that follow. Each data set consists of a single line of input containing 6 space separated floating point numbers x1 y1 x2 y2 x3 y3 giving the coordinates of the vertices of a triangle.
输出:
The first line of input contains a single integer N, (1 ≤ N ≤ 1000) which is the number of data sets that follow. Each data set consists of a single line of input containing 6 space separated floating point numbers x1 y1 x2 y2 x3 y3 giving the coordinates of the vertices of a triangle.
样例输入:
3 100 100<PHONE_NUMBER> 300 100 100 100 100 300 300 100 100 200 100 300 300 100
样例输出:
1 200.00 157.71 200.00 157.76 115.47 2 119.53 213.81 213.81 119.53 163.30 3 103.94 253.14 229.40 146.86 170.51
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问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
问题是句子中的今天是哪天，不就是题目说的周5吗
博主您好，这是一个内容十分优秀的博客，而且界面也非常漂亮。但是为什么博客的响应速度这么慢，虽然博客的主机在国外，但是我开启VPN还是经常响应很久，再者打开某些页面经常会出现数据库连接出错的提示
多谢提醒。代码又编辑了一下
什么破题，题意好难懂啊
整理的很好，多谢
We do not harbor that I couldn’t remove other individuals’ problems whenever this arrived at.
helpful！！ mark
大致看了下，算法的时间复杂度没有很本性的提升，算不上高效。
这个后缀数组不是常用的那个.
学算法中的数据结构学到一定程度会乐此不疲的，比如其中的2－3树，类似的红黑树，我甚至可以自己写个逻辑文件系统结构来。
如果两个序列的最后字符不匹配（即X [M-1]！= Y [N-1]）
L（X [0 .. M-1]，Y [0 .. N-1]）= MAX（L（X [0 .. M-2]，Y [0 .. N-1]），L（X [0 .. M-1]，Y [0 .. N-1]）
这里写错了吧。
,,,,,,,,,,,,,,,
这个也是算法导论的习题
写的好····· Pollard Rh