--- layout: default title: Using JHipster in development permalink: /development/ redirect_from: - /development.html sitemap: priority: 0.7 lastmod: 2014-09-17T00:00:00-00:00 ---
If you haven't configured your IDE yet, please go to the Configuring your IDE page.
By default, JHipster uses the "development" profile, so you don't have to configure anything.
If you want more information on the available profiles, please go the section titled "Profiles".
From your IDE, right-click on the "Application" class at the root of your Java package hierarchy, and run it directly. You should also be able to debug it as easily.
The application will be available on http://localhost:8080.
You can launch the Java server with Maven:
mvn
(this will run our default Maven task, spring-boot:run
)
The application will be available on http://localhost:8080.
If you want more information on using Maven, please go to http://maven.apache.org
If you selected the Gradle option when creating the project but haven't installed Gradle, you can still launch the Java server with our Gradle wrapper script located at the root of your project:
gradlew
(this will run our default Gradle task, bootRun
)
Alternatively, if you have installed Gradle, you can launch the Java server with Gradle:
gradle
The application will be available on http://localhost:8080.
If you want more information on using Gradle, please go to https://gradle.org
We highly recommend you use this feature, as it allows to have live reloading of your client-side code.
You can use Gulp to work on the client-side JavaScript application:
gulp
(this will run our default Gulp task, serve
)
This should open up your Web browser, with live reload enabled, on http://localhost:9000. This works thanks to BrowserSync, and you can access its administration screen on http://localhost:3001.
This provides below very impressive features:
index.html
, your browser will refresh itself automaticallyThis Gulp task has a proxy to the REST endpoints on the Java server which we just launched (on http://localhost:8080/api), so it should be able to do live REST requests to the Java back-end.
If you have generated your application with the Sass option, your templates should also be automatically compiled into CSS.
Tips'n trickshttp://<IP_ADDRESS>:8080
.We use eslint for AngularJS javascript linting, you can run gulp eslint
to lint your AngularJS files. You can also run gulp eslint:fix
if you want eslint to fix some minor issues like formatting etc,.
You can run gulp install
to run all bootstrapping tasks in one go
You can run gulp build
to build an optimized version of your client side files under the target|build/www folder
By default you will get onscreen notifications for any errors or failures during gulp tasks, pass an argument --no-notification
to disable notifications.
If you want more information on using Gulp, please go to http://gulpjs.com.
You can use bower to update your JavaScript, CSS and Sass dependencies:
bower update
Or if you want to install a new JavaScript, CSS or Sass dependency:
bower install <package> --save
Your JavaScript, CSS or Sass dependencies will be stored in your src/main/webapp/bower_components
folder, and we believe it is a good idea to store them in your Git repository (but JHipster does not force you to do so).
If the installed dependency contains JavaScript files they will automatically be injected into your index.html
and karma.conf.js
files. Likewise the CSS files will be injected into the index.html
file, and the SCSS files into the main.scss
.
However this will only work if the Gulp server is running. If it is not running they will be injected next time you run gulp
.
Or, if you want to trigger the injection manually, just run:
gulp wiredep
If you want more information on using Bower, please go to http://bower.io. For more information on using Gulp Wiredep, please go to https://github.com/taptapship/wiredep.
If you choose the H2 database, you will have an in-memory database running inside your application, and you can access its console at http://localhost:8080/h2-console by default.
To connect to the database, select the pre-configured options:
This option is bit more complex than using H2, but you have a some important benefits:
mvn liquibase:diff
goal (see below)If you add or modify a JPA entity, you will need to update your database schema.
JHipster uses Liquibase to manage the database updates, and stores its configuration in the /src/main/resources/config/liquibase/
directory. There are 3 ways to work with Liquibase: use the entity sub-generator, use the liquibase:diff Maven goal, or update the configuration files manually.
If you use the entity sub-generator, here is the development workflow:
src/main/resources/config/liquibase/changelog
directory, and has been automatically added to your src/main/resources/config/liquibase/master.xml
file
If you have choosen to use MySQL or Postgresql in development, you can use the mvn liquibase:diff
goal to automatically generate a changelog.
If you are running H2 with disk-based persistence, this workflow is not yet working perfectly, but you can start trying to use it (and send us feedback!).
Liquibase Hibernate is a Maven plugin that is configured in your pom.xml, and is independant from your Spring application.yml file, so if you have changed the default settings (for example, changed the database password), you need to modify both files.
Here is the development workflow:
mvn liquibase:diff
(or mvn compile liquibase:diff
to compile before)src/main/resources/config/liquibase/changelog
directorysrc/main/resources/config/liquibase/master.xml
file, so it is applied the next time you run your application
If you use Gradle instead of Maven, you can use the same workflow by running ./gradlew liquibaseDiffChangelog
, and change the database configuration in liquibase.gradle
if required.
If you prefer (or need) to do a database update manually, here is the development workflow:
src/main/resources/config/liquibase/changelog
directory. The files in that directory are prefixed by their creation date (in yyyyMMddHHmmss format), and then have a title describing what they do. For example,<PHONE_NUMBER>2300_added_price_to_product.xml
is a good name.src/main/resources/config/liquibase/master.xml
file, so it is applied the next time you run your applicationIf you want more information on using Liquibase, please go to http://www.liquibase.org.
Internationalization (or i18n) is a first-class citizen in JHipster, as we believe it should be set up at the beginning of your project (and not as an afterthought).
Usage is really easy thanks to Angular Translate, which provides a simple AngularJS directive for i18n.
For example, to add a translation to the "first name" field, just add a "translate" attribute with a key:
<label translate="settings.form.firstname">First Name</label>
This key references a JSON document, which will return the translated String. AngularJS will then replace the "First Name" String with the translated version.
If you want more information on using languages, read our Installing new languages documentation.


Create XML markup easily. All (well, almost all) methods sent to an XmlMarkup object will be translated to the equivalent XML markup. Any method with a block will be treated as an XML markup tag with nested markup in the block.
Examples will demonstrate this easier than words. In the following, xm is an XmlMarkup object.
xm.em("emphasized") # => emphasized xm.em { xm.b("emp & bold") } # => emph & bold xm.a("A Link", "href"=>"http://onestepback.org") # => A Link xm.div { xm.br } # =>

 xm.target("name"=>"compile", "option"=>"fast") # => <target option="fast" name="compile"\> # NOTE: order of attributes is not specified. xm.instruct! # <?xml version="1.0" encoding="UTF-8"?> xm.html { #  xm.head { #  xm.title("History") # <title>History</title> } #  xm.body { #  xm.comment! "HI" #  xm.h1("Header") #
Header
 xm.p("paragraph") #
paragraph
 } #  } #
The order that attributes are inserted in markup tags is undefined.
Sometimes you wish to insert text without enclosing tags. Use the text! method to accomplish this.
Example:
xm.div { #
 xm.text! "line"; xm.br # line
 xm.text! "another line"; xmbr # another line
 } #

The special XML characters <, >, and & are converted to <, > and & automatically. Use the << operation to insert text without modification.
Sometimes tags use special characters not allowed in ruby identifiers. Use the tag! method to handle these cases.
Example:
xml.tag!("SOAP:Envelope") { ... }
will produce …
<SOAP:Envelope> ... </SOAP:Envelope>"
tag! will also take text and attribute arguments (after the tag name) like normal markup methods. (But see the next bullet item for a better way to handle XML namespaces).
Direct support for XML namespaces is now available. If the first argument to a tag call is a symbol, it will be joined to the tag to produce a namespace:tag combination. It is easier to show this than describe it.
xml.SOAP :Envelope do ... end
Just put a space before the colon in a namespace to produce the right form for builder (e.g. “SOAP:Envelope“ => “xml.SOAP :Envelope“)
XmlMarkup builds the markup in any object (called a target) that accepts the << method. If no target is given, then XmlMarkup defaults to a string target.
Examples:
xm = Builder::XmlMarkup.new result = xm.title("yada") # result is a string containing the markup. buffer = "" xm = Builder::XmlMarkup.new(buffer) # The markup is appended to buffer (using <<) xm = Builder::XmlMarkup.new(STDOUT) # The markup is written to STDOUT (using <<) xm = Builder::XmlMarkup.new x2 = Builder::XmlMarkup.new(:target=>xm) # Markup written to +x2+ will be send to +xm+.
Indentation is enabled by providing the number of spaces to indent for each level as a second argument to XmlBuilder.new. Initial indentation may be specified using a third parameter.
Example:
xm = Builder.new(:indent=>2) # xm will produce nicely formatted and indented XML.
xm = Builder.new(:indent=>2, :margin=>4) # xm will produce nicely formatted and indented XML with 2 # spaces per indent and an over all indentation level of 4. builder = Builder::XmlMarkup.new(:target=>$stdout, :indent=>2) builder.name { |b| b.first("Jim"); b.last("Weirich) } # prints: # <name> # <first>Jim</first> # <last>Weirich</last> # </name>
The instance_eval implementation which forces self to refer to the message receiver as self is now obsolete. We now use normal block calls to execute the markup block. This means that all markup methods must now be explicitly send to the xml builder. For instance, instead of
xml.div { strong("text") }
you need to write:
xml.div { xml.strong("text") }
Although more verbose, the subtle change in semantics within the block was found to be prone to error. To make this change a little less cumbersome, the markup block now gets the markup object sent as an argument, allowing you to use a shorter alias within the block.
For example:
xml_builder = Builder::XmlMarkup.new xml_builder.div { |xml| xml.stong("text") }
Create an XML markup builder. Parameters are specified by an option hash.
| :target=>target_object | Object receiving the markup. target_object must respond to the <<(a_string) operator and return itself. The default target is a plain string target. |
| :indent=>indentation | Number of spaces used for indentation. The default is no indentation and no line breaks. |
| :margin=>initial_indentation_level | Amount of initial indentation (specified in levels, not spaces). |
| :escape_attrs=>OBSOLETE | The :escape_attrs option is no longer supported by builder (and will be quietly ignored). String attribute values are now automatically escaped. If you need unescaped attribute values (perhaps you are using entities in the attribute values), then give the value as a Symbol. This allows much finer control over escaping attribute values. |
# File lib/builder/xmlmarkup.rb, line 186 186: def initialize(options={}) 187: indent = options[:indent] || 0 188: margin = options[:margin] || 0 189: super(indent, margin) 190: @target = options[:target] || "" 191: end
Insert a CDATA section into the XML markup.
For example:
xml.cdata!("text to be included in cdata") #=> <![CDATA[text to be included in cdata]]>
# File lib/builder/xmlmarkup.rb, line 264 264: def cdata!(text) 265: _ensure_no_block ::Kernel::block_given? 266: _special("<![CDATA[", "]]>", text, nil) 267: end
Insert an XML declaration into the XML markup.
For example:
xml.declare! :ELEMENT, :blah, "yada" # => <!ELEMENT blah "yada">
# File lib/builder/xmlmarkup.rb, line 209 209: def declare!(inst, *args, &block) 210: _indent 211: @target << "<!#{inst}" 212: args.each do |arg| 213: case arg 214: when ::String 215: @target << %{ "#{arg}"} # " WART 216: when ::Symbol 217: @target << " #{arg}" 218: end 219: end 220: if ::Kernel::block_given? 221: @target << " [" 222: _newline 223: _nested_structures(block) 224: @target << "]" 225: end 226: @target << ">" 227: _newline 228: end
Insert a processing instruction into the XML markup. E.g.
For example:
xml.instruct! #=> <?xml version="1.0" encoding="UTF-8"?> xml.instruct! :aaa, :bbb=>"ccc" #=> <?aaa bbb="ccc"?>
Note: If the encoding is setup to “UTF-8” and the value of $KCODE is “UTF8”, then builder will emit UTF-8 encoded strings rather than the entity encoding normally used.
# File lib/builder/xmlmarkup.rb, line 242 242: def instruct!(directive_tag=:xml, attrs={}) 243: _ensure_no_block ::Kernel::block_given? 244: if directive_tag == :xml 245: a = { :version=>"1.0", :encoding=>"UTF-8" } 246: attrs = a.merge attrs 247: @encoding = attrs[:encoding].downcase 248: end 249: _special( 250: "<?#{directive_tag}", 251: "?>", 252: nil, 253: attrs, 254: [:version, :encoding, :standalone]) 255: end
# File lib/builder/xmlmarkup.rb, line 315 315: def _attr_value(value) 316: case value 317: when ::Symbol 318: value.to_s 319: else 320: _escape_quote(value.to_s) 321: end 322: end
Insert an ending tag.
# File lib/builder/xmlmarkup.rb, line 299 299: def _end_tag(sym) 300: @target << "</#{sym}>" 301: end
# File lib/builder/xmlmarkup.rb, line 324 324: def _ensure_no_block(got_block) 325: if got_block 326: ::Kernel::raise IllegalBlockError.new( 327: "Blocks are not allowed on XML instructions" 328: ) 329: end 330: end
Insert the attributes (given in the hash).
# File lib/builder/xmlmarkup.rb, line 304 304: def _insert_attributes(attrs, order=[]) 305: return if attrs.nil? 306: order.each do |k| 307: v = attrs[k] 308: @target << %{ #{k}="#{_attr_value(v)}"} if v # " WART 309: end 310: attrs.each do |k, v| 311: @target << %{ #{k}="#{_attr_value(v)}"} unless order.member?(k) # " WART 312: end 313: end
Insert special instruction.
# File lib/builder/xmlmarkup.rb, line 280 280: def _special(open, close, data=nil, attrs=nil, order=[]) 281: _indent 282: @target << open 283: @target << data if data 284: _insert_attributes(attrs, order) if attrs 285: @target << close 286: _newline 287: end
Start an XML tag. If end_too is true, then the start tag is also
the end tag (e.g.
# File lib/builder/xmlmarkup.rb, line 291 291: def _start_tag(sym, attrs, end_too=false) 292: @target << "<#{sym}" 293: _insert_attributes(attrs) 294: @target << "/" if end_too 295: @target << ">" 296: end
Disabled; run with --debug to generate this.
Generated with the Darkfish Rdoc Generator 1.1.6.


class: center, middle
# Automation Evolved --- # Agenda 1. What's Gradle? 2. Why Gradle? 3. How Gradle? 4. Who Gradle? --- # What's Gradle? - An automation tool in Groovy - The better of two worlds: declarative and imperative - No XML. Groovy. Untyped Java with steroids. --- # Why Gradle? --- # How Gradle? Hello World: ```groovy task helloWorld { doLast { println 'Hello world!' } } ``` --- # Who Gradle? Open source projects: - Grails - Spring - Hibernate - Tapestry - Groovy - Netflix Companies: - Linkedin - Netflix - Siemens - Prezi - Bosch - Airbus - Carrier - Daimer - Pivotal --- class: center, middle # Questions?


{% set title %}Amateur Radio Technician Class Question Pool (2014–2018){% endset -%}
This is an old question pool. Check the source repository for scripts to parse the official question pool file and re-render this page. You may download the current question pool from AARL website.
Press the ‘a’ key to toggle answers.
When the answers are hidden, hover mouse over the title of a question to reveal its answer.
Click the title of a question to mark it as done.
Press the ‘s’ key to cycle through display modes of the questions marked as done. There are three modes: show all, show titles only (default), and hide.
Press the ‘d’ key to show the number of questions marked as done.
Press the ‘c’ key to clear all marked questions.
Display modes, marked questions and scroll position are saved in local storage, so you can close the page at any time and pick up your progress later.
{%- for obj in objects %} {%- if obj|issection %}


Coinshares Reveals Top 10 Crypto Trends in 2019
by Christina CombenMeltem Demirors’ CoinShares released its mammoth Crypto Trends report yesterday. In collaboration with top research firms, institutions, and enterprises, their research identifies the top trends shaping the space.
If you want to check out the full 134-page report in-depth, be sure to download it here. If you want the Tl;dr version, here, we go over the highlights.
Top 10 Crypto Trends This Year
As CoinShares states at the start of the report, “knowledge is best when shared.” In order for the crypto industry to grow, “participants and outside analysts have to be able to identify, gather, and analyze data to tell the story of why this industry matters.” So, here’s what’s going on right now.
1. Macro Trends Are Setting the Stage for Bitcoin
The report starts out by taking a look at the background of how we got to where we are today. It seems that a whole host of macro trends are combining to create the perfect storm for Bitcoin.
In 2019, there is a growing disparity between rich and poor. Warren Buffet, Bill Gates, and Jeff Bezos own more than the bottom half of Americans.
At the same time, there is increased automation in the workplace, rising political tensions and unrest in countries like Iran, Venezuela, and Hong Kong, and increasing social backlash against capitalism and big tech companies.
This is accompanied by diminishing trust in banks and governments.
While these external pressures may not seem like crypto trends, they are coming together to “set the stage” for Bitcoin.
2. Hype Has Transitioned to Maturity
In other words? Among the general public, blockchain is getting boring. We’ve seen a transition from emergence and frenzy to synergy and maturity.
Searches for “bitcoin” and “blockchain” are down. Research firm Gartner concluded that most blockchain applications are at least five to 10 years away from having any meaningful impact. This places us in the “trough of disillusionment.”
Conference numbers are fewer across the board, there is less overall investment, but the building continues as we begin to mature as an industry.
3. Shift from Consumer to Institutional
Over the last few years of Bitcoin, this is one of the clearest crypto trends we’re seeing–the shift from consumer to institutional.
This has been marked by a move from self-custody solutions, exchanges and wallets, to lending markets and infrastructure being built out for institutional investors. These include solutions like BlockFi and Bakkt.
Moreover, financial institutions are entering the space in the shape of TD Ameritrade, Fidelity, Bloomberg, and Square.
4. From Decentralized to Centralized
The report points out that the championing of decentralization may have been little more than an illusion. It even states that “nothing is decentralized,” including Bitcoin:
As bitcoin companies become more focused on institutional adoption, more bitcoins will be custodied by regulated entities who are subject to oversight.
It also warns to “expect surveillance money, and soon,” as more corporations enter the space with their own “cryptocurrencies” to track and trace our financial movements.
5. The Largest ICOs Failed to Meet Expectations
The top 10 ICOs raised more than $8 billion between them. However, they all fell flat on delivery. Over half of them haven’t launched yet or have dropped out of the market completely.
When it comes to analyzing crypto trends, this highlights that no investment is guaranteed. While ICOs and STOs seem to be pretty much dead, the report points out that the IPO space didn’t do much better either.
6. An Explosion of Stablecoins
One of the clearest crypto trends is the explosion of stablecoins in the industry. They have become popular as they allow for rapid settlement of trades on the same settlement medium as the asset is being traded. This effectively enables the blockchain to act as a settlement network.
crypto trends
Interestingly, though, while the stablecoin market doubled in value, USDT (Tether) still retains a massive 80% of proportional market share.
7. Initial Country Offerings
Rather amusingly, the report points to a rise in the number of “initial country offerings.” From Venezuela’s Petro and the Marshall Islands SOV to Turkey and China’s proposed state-backed cryptocurrencies, the “race” seems to be on.
But as the report points out, between Satoshi or “these guys”, who do you prefer?
8. Tech Wants to Get into Finance
From the ‘Zuck Buck’ to Apple and Uber, big tech companies are moving into finance. This will make them tantamount to central banks. Social networks are already becoming the new payment networks.
crypto trends
The report concludes that the new era of digital payments won’t be led by banks as they don’t have the same global reach or infrastructure as big tech.
9. Crypto Derivatives Are On Fire
Crypto derivatives are on fire with over $3 billion being traded every day across the top 13 exchanges. Whether this is good for the space or not remains up for debate. After all, the launch of regulated bitcoin futures has sent its price plummeting twice now.
However, if you look at the growth of gold since cash-settled (paper) futures were introduced (the futures market is now 30x the physical gold market), it could be a promising sign.
The report notes, however, that the crypto derivatives market needs to be “more robust” and will require
the “development of better industry risk management practices.”
10. Adoption Is on the Rise Despite Waning Interest
If you analyze the key data such as hash rate and the number of accounts, adoption is on the rise. While search volume, blockchain funding, and market cap are all down from their previous highs, the industry is still growing.
crypto trends
There is now more computational power on the network than ever before and on-chain transactions have increased by over 150% to $2 billion per day.
Many things coming up as we head into next year are definitely TBD. But, if the trend towards centralization and surveillance money leaves you feeling deflated, as Meltem pointed out:
the tools of the revolution are also proliferating
What do you think about Coinshares’ latest crypto trend report? Add your thoughts in the comment section below!
Images via medium.com, Coinshares
The Rundown
- Top 10 Crypto Trends This Year
- 1. Macro Trends Are Setting the Stage for Bitcoin
- 2. Hype Has Transitioned to Maturity
- 3. Shift from Consumer to Institutional
- 4. From Decentralized to Centralized
- 5. The Largest ICOs Failed to Meet Expectations
- 6. An Explosion of Stablecoins
- 7. Initial Country Offerings
- 8. Tech Wants to Get into Finance
- 9. Crypto Derivatives Are On Fire
- 10. Adoption Is on the Rise Despite Waning Interest


Project Name:
| Project | State | Progress | Owner |
|---|---|---|---|
| Project 1 | Open | 0 % | Abc |
| Sprint 1 | Completed | View Details | Sprint to be completedby dd-mm-yyyy |
| Sprint 2 | Running | Collapse |
Tasks
| 1. | Task-1 | Not Started | In Progress | Completed |
| 2. | Task-2 | Not Started | In Progress | Completed |
| 3. | Task-3 | Not Started | In Progress | Completed |
| 4. | Task-4 | Not Started | In Progress | Completed |
| Sprint 3 | Locked | View | |
| Sprint 4 | Locked | View |
| Project 2 | Open | 0 % | xyz |
|---|


Student
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EVENTS
Personality Lecture to usher in new Registrar holds October 12
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The Vice-Chancellor of the University of Ilorin, Prof. Sulyman Age Abd.
National Youth Service Corps NYSC releases mobilization timetable for 2018 Batch C
Free Education 4000 graduates struggle for 200 NDDC scholarship slots
Again, NYSC denies allowance increase rumour


Editing a Module Definition
How to edit a definition associated with a module.
- Navigate to Host > Extensions.
- Select the Installed Extensions tab.
- Expand the Modules section.
- Click the Edit button beside the required module.
- Expand the Module Definitions section.
- At Select Definition, select the definition to be edited from the drop down list.
- In the Friendly Name text box, edit the friendly name for this definition.
- In the Default Cache Time text box, edit the default cache time for this module. A default cache time of "-1" indicates that the module does not support output caching.
- Click the Update Definition link.


Vega-lite¶
Specification description¶
This is not original documentation! It is just a port of Vega-Lite documentation. This version was made only as Proof of Concept that it possible compile Jekyll site with Sphinx
This is not original documentation! It is just a port of Vega-Lite documentation. This version was made only as Proof of Concept that it possible compile Jekyll site with Sphinx


Do You like my show and would you like to contribute to develop new musical instruments?
Do You want to see how far I can reach in my show?
Do You want to be amazed what objects and in what count can be played on?
Please contribute for this development to my Pay Pal:
It is likely, while strolling thru your town, you will see a swinging umbrella above the heads of the crowd and you will hear some brisk dixiland music. The laughter, applause and dance of a cheering crowd will bring you closer to the band and you will find that the entire street is entertained by only one man.
You also start to tap your feet, clap your hands and laugh, while your eyes try to find out which foot is controlling the cymbal or hi – hats, how is it possible that the bass murmurs, while simultaneously the cow bell or the wash board sound. The captivating banjo will be ringing in your ears and while dancing you may guess which solo instrument is going to have the next turn: the mouth organ, kazoo, or the sliding whistle?
You will also hear my singing voice joining the merry atmosphere to entertain you with the well known, or the long – time forgotten worlds of the good old songs the whole world loves.
And when you manage to drag yourself away and return back from the time of dixiland to the todays world, my umbrella will bid you farewell.


{% extends "global/Page.html" %} {% load staticfiles otree %} {% block title %} {{ Constants.product_name }} - Results Overview {% endblock %} {% block content %}
You have finished forecasting the demand of {{ Constants.product_name }}.
The chart below gives an overview of past model forecast, sales and your past final forecast.
Please click on next to continue.
{% include 'Real/OpenChart.html' %} {% next_button %} {% endblock %}


Registration
First Name
Last Name
Email
Password
Confirm Password
D.O.B
D.O.B with time
Local D.O.B
SSN
Phone
Credit Card Number


You will be provided with a username and password and it is important that you retain your username and password as you will need them to apply for future courses without having to re-enter this information. Once received and processed, you will be contacted by a representative of MIND.
You can apply online via the website, APPLY HERE, for programmes currently being offered.


This demo shows a browser's ability to paste images from the local file system into a web site.
With modern browsers, local images that are referenced on the clipboard are made available during paste.  Switching to
blob
below runs simple javascript to determine the type of image object to use. See
this MSDN reference
for more details. Try pasting an image from PrintScreen, Microsoft Word, Paint, or other image software.
Then check out the markup you've just pasted.
no script
blob script
Paste an image with no script selected to try your browser's support.
Paste an image with blob script selected to try your browser's support.


PASSENGER 57 A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): * 1/2
After seeing and admiring Wesley Snipes's work in the recent and preposterous film MURDER AT 1600, I viewed one of his earlier films, PASSENGER 57. When PASSENGER 57 was released in 1992, I carefully avoided it because its reviews were abysmal.
(1992 was back in the old days. Today I see most films, promising or not, so I can review them. Without this policy, I would have never seen PRIVATE PARTS or LIAR LIAR, both of which I loved, so there is something to be said for the see-them-all principle.)
Like MURDER AT 1600, PASSENGER 57's script (by Dan Gordon and David Loughery) takes an already questionable premise and contorts it beyond any hope of credibility. Hopeless plots have only two successful strategies, either go for parody or cast a strong lead and hope the lead can carry the film.
PASSENGER 57 has exactly one jewel -- Snipes. He imbues his character, counter-terrorism specialist John Cutter, with a beautiful blend of the athletic and the comical. Although Snipes sometimes seems too smart for his character, his performance is always interesting, albeit not as good as in MURDER AT 1600.
The plot, such as it is, surrounds the hijacking of a plane by terrorists. As luck would have it, Cutter happens to be on board the hijacked plane.
Bruce Payne, whose specialty seems to be playing in numerous obscure movies, plays the terrorist leader Charles Rane. Rane is the quintessential elusive terrorist whom the police have never been able to keep under lock and key. Payne relies on his ever shifting eyes to express emotion. His performance is the sort that elicits laughter at the wrong times. Elizabeth Hurley plays his side kick, Sabrina Ritchie.
Most of the cast plays the material dead seriously, except for Ernie Lively as Chief Biggs. Lively did not get the message on the film's intent and goes for pure parody as the racist southern cop with an IQ only slightly higher than his age.
Director Kevin Hooks, whose most recent film was FLED, likes lots of guns and action to keep up the energy. Bright sets help, with one scene at the ever popular locale of an amusement park. On which ride does one of chases occur? The Ferris wheel, of course.
PASSENGER 57 provides brainless entertainment for couch potatoes, but little more.
PASSENGER 57 runs a quick 1:24. It is rated R for violence. The film would be fine for teenagers. Although I enjoyed watching Snipes, I cannot recommend the film and can only give the picture * 1/2.
**** = A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = Totally and painfully unbearable picture.
REVIEW WRITTEN ON: April 16, 1997
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Japan seizes record 400 kg of cocaine at port
TOKYO, Nov 8 — Japanese authorities have seized a record-breaking 400 kilogrammes of cocaine worth an estimated US$73 million (RM301 million) in a bust at a port in the city of Kobe, a customs spokesman said today.
The discovery in the western city was made last month but came to light today, with officials saying they could not provide additional details because the investigation was ongoing.
“This is record-breaking, in terms of volume” for a cocaine bust, the spokesman told AFP.
It far exceeds the previous record set just months earlier in August, when authorities seized 177 kilogrammes of cocaine at another port, in central Japan’s Aichi prefecture.
It was unclear yet where the cocaine came from, and Kyodo News agency, citing unnamed investigative sources, said the drugs may have been sent to Kobe by mistake.
Japan has strict drug laws and users face severe public opprobrium if caught.
Drug use and possession by even moderately famous people, including television actors and little-known athletes, can make national headlines for days.
Experts warn however that casual drug use among young people is becoming a growing problem.
Drug sales are a major financial pillar for Japanese organised crimes, including the infamous yakuza. — AFP


OsmAnd 2.9 is here! Here are some of the most important updates.
From now on, you can easily view all the essential information about a point of interest. Opening hours are shown in a more intuitive format, for example: 'Open till 7:00'. Also, you'll be able to check all details (phone number of a facility, opening hours, website, etc.) by pressing the 'Description' button. Press the 'Actions' button to get directions from that point, mark it as your parking position, etc. Also, in the same menu, you'll notice a 'Search near here' button. Press it and select the type of POI you're looking for. Very convenient if you're planning your trip ahead, for example, you need to view the banks that are close to your hotel.
Transport routes in context menu
If you press on a transport stop, you'll see the information about the transport routes available at this particular stop. Color-coded icons at the top of the menu provide a list of routes, and if you scroll down, you'll see a fuller info about each of them.
Press that color-coded icon to view the entire route on the map. You'll see that each stop on the route is marked with a transport icon. Press on such icon to view all info about that stop. You can easily 'move' along the route using the 'Previous' and 'Next' buttons. This way, you'll plan your trip efficiently.
Route preparation
Sometimes we get to our destination and then need to go back. This has just become much easier. Press the '⇅' button to instantly build a route in the opposite direction.
The new context menu also gives you quick access to Wikipedia articles. Press on Wikipedia POI and select 'Read article' to view the essential information. After that, you can select 'Read full article' to go online for the full version.
The Audio/Video notes plugin has received some updates, too. Press on a map and select 'Take an audio note', 'Take a video note' or 'Take a photo' to start your note. You'll see all of them in My places > Notes. Group your notes by date or by type.
Editing OpenStreetMap in OsmAnd has become even more convenient. Long tap on the map and select 'Actions' to add a new POI or leave a note to mappers. You'll also see the status of the points — Removed/Edited/Added.
Besides the updated interface, you'll also see the new menu animation created for a smooth user experience. We hope you enjoy it! Please let us know what you think on our Facebook and Twitter.
Searching for a point by its coordinates can be done in seconds. Just go to Map markers > More > 'Coordinate input' and enter the latitude and longitude. Name your marker for convenience. Also, the 'Options' button in 'Coordinate input' menu will help you adjust the format.


EnthusiastiCon Prospectus
EnthusiastiCon is a free two day event in Berlin around enthusiasm for computing. 2019 will be its third edition. The first day features short 10 minute talks followed by a second day of participant led workshops. We aim for diversity in our speakers and their material while also aiming for a broad audience by proactively reaching-out. We hope to open up conference speaking to people who’d otherwise be hesitant because of background or the material they want to present. Our only criteria are that the material is about computing and enthusiasm!
Last Year
In 2018 we were humbled by the quality and refreshing variety of our talks. What’s more is that we were able to make EnthusiastiCon free to attend which we believe is key to making it accessible and inclusive. We were able to do this because of the support we recieved from sponsors.
- We had more than double the number of talks proposed than slots.
- 50 attendees on the first day of talks.
- 15 attendees on the second day of participant-led workshops.
- Many were first time speakers.
Our Team
The 2019 organising team is Nasreen Abu-Hunaina, Veit Heller, Moritz Need, Jens Ohlig, Joseph Yiasemides. Inspired by !!Con in NYC and its other derivative conferences, we liked the idea of holding a similar event in Europe. One of our organisers wrote a blog post in 2018 with some context surrounding the conference: https://blog.veitheller.de/Enthusiasticon.html
Sponsorship
The way we approach sponsorship is directly through the event’s costs. In return for sponsorship we can offer:
- Name & Logo on site
- Name & Logo on electronic correspondance (e-mail & social media)
- Name, Logo, and acknowledgement (a few words about you and why we think you’re a great fit for EnthusiastiCon) at opening and closing
Event Costs
In order of priority:
| Cost | Amount |
|---|---|
| Catering (lunch) | €800.00 |
| Meetup page | €12.00 |
| Insurance for recording equipment | €120.00 |
| Opening speaker (transport from elsewhere in Europe & accomodation) | €500.00 |
Event Details
- Date: 25 & 26 May 2019
- Venue: ThoughtWorks & Co.up
- Expected attendance: 30-60


React Tappable
View project on GitHub
Events in the area on the left will be logged on the right. Toggle scrolling to test event cancel on scroll (touch devices only).


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ABOUT
drew.lanen.ga
POSTS
2017 Reading List
A data-driven approach to my 2017 reading list.
Network Science
An introduction to Network Science for teams between 30 and 300 people.


BitGo ensures that your bitcoin is always in your control. We created this tool so that you can always access your bitcoin even if you are temporarily unable to access the BitGo website.
You probably won't ever want to use this tool, as the BitGo website is safer and easier to use. But the point is that you can - and if anything should ever happen to BitGo, you don't need to worry that your bitcoin will be lost. Your bitcoin is in your pocket, not ours, which is exactly where it belongs.
How To Use This?
BitGo periodically sends each user a 'disaster preparedness' email which contains a JSON attachment describing all of your accounts. You will need this file as well as your BitGo Account KeyCard (which you printed when you created each of your accounts) for each account you want to access.
Using the backup information you provide, you can send your funds to a new account of your choosing.
Caution: This tool is intended for advanced users or emergency situations only.


--- layout: post title: "How to prove it by D. Velleman" date: 2016-05-03 comments: true books: true tags: books excerpt: Thoughts and notes regarding Vellemans's how to prove it book. ---
Laws of Logic
1). DeMorgan's law:
\(\neg (P \land Q) = \neg P \lor \neg Q\)
\(\neg (P \lor Q) = \neg P \land \neg Q\\\)
2). Commutative law:
\(P \land Q = Q \land P\)
\(P \lor Q = Q \lor P\\\)
3). Associative law:
\(P \land (Q \land R) = (P \land Q) \land R\)
\(P \lor (Q \lor R) = (P \lor Q) \lor R\\\)
4). Idempotent law:
\(P \land P = P\)
$ P ∨ P = P\\$
5). Distributive law:
\(P \land (Q \lor R) = (P \land Q) \lor (P \land R)\)
\(P \lor (Q \land R) = (P \lor Q) \land (P \lor R)\\\)
6). Absorption law:
\(P \land (Q \lor R) = P\)
\(P \lor (Q \land R) = P\\\)
7). Double negation:
\(\neg \neg P = P\\\)
8). Modus Ponens: \(\\\)
if \(P \to Q\):
If you know tha both \(P\) and the implication \(P \to Q\) are true, you can conclude tha \(Q\) must also be true.
9). Modus Tollens: \(\\\)
if \(P \to Q\):
if you know that the implication \(P \to Q\) is true, and \(Q\) is false, you can conclude that \(P\) must must also be false.
The validity of both arguments can be checked with truth tables.
Truth table
| \(P\) | \(Q\) | \(P \lor (Q \lor \neg P)\) | \(P \land (Q \lor \neg Q)\) | \(P \lor \neg (Q \lor \neg Q)\) | ||||
|---|---|---|---|---|---|---|---|---|
| F | F | T | F | F | ||||
| F | T | T | F | F | ||||
| T | F | T | F | T | ||||
| T | T | T | F | T | ||||
| Tautology | Contradiction | Neither |
Tautology laws:
\(P \land (\text{a tautology}) = P\)
\(P \lor (\text{a tautology}) = \text{a tautology}\)
\(\neg (\text{a tautology}) = \text{a contradiction}\)
Contradiction laws:
\(P \land (\text{a contradiction}) = \text{a contradiction}\)
\(P \lor (\text{a contradiction}) = P\)
\(\neg (\text{a contradiction}) = \text{a tautology}\)
Proof solving strategies the big picture
1). Writing a proof drawing inference from hypothesis
2). Writing a proof drawing inference from conclusion
3). Writing a proof drawing inference from contradiction
To prove a goal of the form \(\neg P\):
a). Reexpress teh goal in some other form and then use one of the proof strategies above
b). Assume \(P\) is true and try to reach a contradiction. Once you've reached it you can conclude that \(P\) must be false


--- title: g layout: posts author: mrmrs awslink: https://s3-us-west-1.amazonaws.com/vimgifs/g.gif ---
gg will move the cursor to the top of the file G will move the cursor to the end of the file


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MICHELAGNIOLO, SELF PORTRAIT (1989) A film review by Edwin Jahiel Copyright 1996 Edwin Jahiel
AGONY AND ECSTASY by Edwin Jahiel
MICHELAGNIOLO,SELF PORTRAIT (1989) Produced and directed by Robert Snyder.Written by Michael Sonnabend. 85 minutes. Not rated.
A plastic,masterful documentary on Michelangelo in which the artist narrates his life, works and times through the voice of director Robert Snyder, MICHELAGNIOLO (a Tuscan spelling) is a most moving and impressive spiritual and artistic experience. The composite text is drawn from Michelangelo's diaries,many other writings, conversations with contemporaries like artist-writer Giorgio Vasari (who had also been an apprentice to Michelangelo) and the works of Dante .
The images and the sound amount to a combination autobiography, a guided tour of Renaissance art, descriptions and exegeses, I suspect that the film also draws on uncredited sources, like Vasari's LIVES OF PAINTERS and modern scholarship. More, and without invalidating the great quality of this film, I have suspicions about its genesis, suspicions that set me doing detective work.
The official information is full of deserved, admiring quotes. It states too that Robert Snyder, (b. 1916) was awarded the 1951 Oscar for Best Documentary Feature ( presumably his first film) for THE TITAN: STORY OF MICHELANGELO. The facts are different:
In the beginning was MICHELANGELO, DAS LEBEN EINES TITANEN (The Life of a Titan) a documentary by an experienced specialist in art films, the German Curt Oertel. This film , which "avoided the double trap of hagiography and museography" and used light, photography and camera movement in a new way, was a model work. It was a German-Swiss coproduction, shot in Switzerland, and released in March 1940.
Later, the great American documentarist Robert Flaherty reedited Oertel's footage, prepared an English commentary (read by Fredric March) "while being vague about the original source of his materials," and THE TITAN was released in the USA in 1950." For this reason the film is usually referred to as a Flaherty film, which it is not. Credit is long overdue to Oertel, whose techniques have had enormous effect on subsequent films of this type made for both the commercial cinema and television." (David Stewart Hall: FILM IN THE THIRD REICH, 1969)
The Academy Award records show that the Oscar went to "The Titan (Robert Snyder, producer)" and in 1950 rather than in 1951. Flaherty died in 1951. Snyder then went on to making other documentaries on artists (Pablo Casals, Henry Miller, etc.) and others, like THE HIDDEN WORLD, on insect life.
The new MICHELAGNIOLO is an updated remake, in color (with black-and-white sections) of the black-and-white THE TITAN . Screen credits mention that the black-and-white excerpts comes from the Oertel movie (which they date wrongly as 1939) but nothing else.
For the new version, the original plans called for distinguished actors from each culture where the film would be distributed to appear on screen intermittently and do the voice-over. This impractical, illusion-destroying idea was replaced by just Snyder's raspy voice which provides a credible thread in spite of a most American pronunciation of some words,e.g."Il Divino" becoming "Eel Deveeno" .
This is an inside job. Just as we see and feel how Michelangelo would take a block of stone and make the statue latent in it emerge, the film,with its wealth of documentation, its techniques of three-dimensional photography, loving close-ups of details and the like, gives us the kind of analytical and synthesizing awareness that the unguided mind alone cannot follow in reality and that the viewing at a distance cannot capture sufficiently.
The life of Michelangelo is traced with spellbinding images and narration, from his childhood to his "Pieta" sculpted at age 21; his "David" finished three years later; his constant relationships with the Medici and the Popes.
Michelangelo's struggle, over decades, with the megalomaniac Pope Julius II who forced him to paint the Sistine ceiling (while Michelangelo kept protesting " I am not a painter") and charged him with the nightmarish plans to make a monumental tomb for him (Julius); the artist's constant harassment with impossible architectural commissions by other Popes; his return to the Sistine chapel to do the Last Judgment 30 years after the Creation; the turmoil of the Reformation, the Counter-Reformation, Savonarola, Civil wars (Michelangelo was a general, against his old patrons the Medici); the process of creativity -- at least as much as can be grasped -- come through beautifully. So does the artist's lifelong pull by, and alternation, between pagan and religious works; or the censorship concerning nudity, which made Michelangelo give the ultimate reply: "So, clothes are nobler than the body and shoes nobler than the foot?"
Worried as I am about MICHELAGNIOLO's true paternity, I cannot deny that the work is not only 85 minutes of fascination but a totally humbling experience too.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Only 19 km from Bishnupur, Chechuria is a manmade eco-sanctuary that can be an ideal retreat for those who would love to go for a picnic party with their family. Inside the park there are walking trails lined with varieties of trees. The chirping of birds, fresh air and quiet environment remove all exhaustions of day to day life.
At the Chechuria Eco Park one can arrange a get together. One can get friends whom they rarely meet or even siblings and cousins and enjoy in each other’s company. Then, people who are interested can go to Latapara, which is a tribal village located nearby. Panchmura, which is a village where terracotta artisans stay, can also be visited from Chechuria. It is at a distance of 12 km.
Opening time: 8 am – 4-45 pm.The easiest way to go to Chechuria Eco Park is to go to Bishnupur, which lies at a distance of 19 km. However, if one does not have a car then there are other options such as autos and trekkers that can be taken on hire. In addition, one may take trains to the Eco Park that are available from both Bishnupur and Bankura. You can catch a bus from the city (Kolkata). There are a number of Khatra bound buses crossing Lalbazar and Chechuria. You can even board a Bankura to Zhargram bus and get down at Taldangra and traverse a 3-km distance on foot, van or car.
HOME


[1]
The size is great and allows for excellent portability.
[2]
[3]
Makes it exceptionally easy to tote around, and the keyboard is fairly big considering the size of this netbook.


Steve Prager
Front-End Fledgling
Featured Work
Check out some of my projects below!
Animal Trading Card
https://codepen.io/stephenprager92/full/JMxjzX
Pixel Art Maker
https://codepen.io/stephenprager92/full/JMxjzX
GwG Course Tracker
https://rawgit.com/study-buddies/SPA-GWG-progress-list/master/study-buddies-spa.html


Watch: Philippe Coutinho helps Brazil beat South Korea, end winless run
Even without the injured Neymar, Brazil continued to create chances and Danilo added the third goal on the hour mark by drilling a shot past Jo Hyun-woo.
by APPhilippe Coutinho scored one goal and helped set up another as Brazil beat South Korea 3-0 in a friendly Tuesday to give the five-time world champion its first win in six games.
Four days after losing 1-0 to rival Argentina in Riyadh, Coutinho started the move that gave Brazil the lead in the ninth minute at the Mohamed Bin Zayed Stadium.
The Bayern Munich midfielder found Renan Lodi, whose cross was headed home by Lucas Paqueta for his second international goal.
Coutinho then curled home a free kick before the break to double Brazil’s lead.
Even without the injured Neymar, Brazil continued to create chances and Danilo added the third goal on the hour mark by drilling a shot past Jo Hyun-woo.
Tottenham forward Son Heung-min was South Korea’s most dangerous player but was unable to find a way past Alisson Becker in the Brazil goal.
“The margin shouldn’t have been this large,“ South Korea’s Portuguese coach Paulo Bento said. “We missed chances to cut the deficit and ended up without a goal but I think we did a good job offensively.“
Earlier, Venezuela won 4-1 against Japan in Osaka.
A first-half hat trick from Salomon Rondon helped give Japan its biggest loss since 2017.


Secret Santa is giving millennials anxiety issues
Someone in the office is about to draw the short straw and become the poor sap that has to organise the Secret Santa.
Now, most places put a cap on the amount you can spend – say £5 or £10 – on the gift you give to a random colleague.
However, that does not stop people from getting anxiety, according to a psychology lecturer at the University of Salford.
The anxiety is so bad that more than a third believe present-giving in the workplace – including for birthdays – should be scrapped altogether.
Dr Ashley Weinberg says that the limit should be strictly enforced to stop people from feeling like they are being viewed as being ‘stingy’.
He said: ‘If you’ve grown up in a world where social media is at your fingertips and those kinds of social judgements are being made fairly constantly, suddenly you’re even more aware of what others might be thinking.
‘Naturally that’s going to spill over into all kinds of areas, particularly something that can be a social taboo when you think about maybe not giving, or maybe questioning why people are giving.
‘I think there can be a bit of that and naturally it does lead to anxiety for a lot of people.’
Advertisement Advertisement
He told the Telegraph that people also feared ‘humiliation’ if their present was not liked by the recipient.
A study by Jobsite found that younger people feel more judged for their level of expenditure and often spend more than they can afford.
One in four workers aged between 23 and 38 said they felt angry as a result of being asked to contribute towards a whip-round because their financial situation was not being considered.
Dr Weinberg’s suggests that people’s well-being should be prioritised ahead of giving presents in the office this Christmas.
Got a story for Metro.co.uk?
Get in touch with our news team by emailing us at<EMAIL_ADDRESS>For more stories like this, check our news page.


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R/data.R
df_fake.Rd
All data values in this data set are algorithmically generated. With that exception, though, the data set closely resembles the confidential data the package was developed for. It contains the data to generate 64 reports with varying numbers of figures each.
df_fake
A data frame with 249,492 rows and 24 variables:
price, in US dollars
weight of the diamond, in carats
weight of the diamond, in carats
weight of the diamond, in carats
weight of the diamond, in carats
weight of the diamond, in carats
weight of the diamond, in carats
weight of the diamond, in carats
weight of the diamond, in carats
weight of the diamond, in carats
weight of the diamond, in carats
The source of the figure's data, displayed at the
bottom-right of each figure. Used as caption argument in the call
to labs
.
The question posed to the survey's respondents. Displayed below the figure, below the figure caption.
ID determining the type of figure to plot. Currently one of four: 1 - stacked bar chart; 2 - vertical stacked bar chart scaled to 100 4 - line chart.
The figure caption displayed below each figure.
The level 1 heading for this figure, only displayed when the corresponding boolean is true.
The level 2 heading for this figure, only displayed when the corresponding boolean is true.
Determines whether the level 1 heading is printed above the figure.
Determines whether the level 2 heading is printed above the figure.
The report author, appearing on the title page, on the header of each page.
The report title, appearing on the title page, on the header of each page.
The file name for this report nr.
weight of the diamond, in carats
The height of the figure.


The sub-window that you use to describe the meaning of a dancer designator phrase is called the Designator Editor.
At right you can see an image of the Designator Editor, showing the definition for the phrase "ANYONE and ANYONE", as in 'head boys and side girls'. This is how it will appear when the grammar is locked to prevent accidental editing. The expression (if you are familiar with programming) is the logical OR of each sub-phrase. In other words, "ANYONE and ANYONE" describes the group of dancers who are described by either or both of the sub-phrases. For example, "heads and girls" includes the three distinct groups of the head boys, the head girls and the side girls.
The date the phrase was created and last modified appears for reference.
If you see a level in the box, then the given phrase is only allowed at that level and above. This example, does not have any restrictions on the dance level where you can use it. The phrases "beaus" and "belles" are restricted, for example, to the Advanced level only.
If the grammar can be edited then the editor will have the appearance of the image at the left. This image illustrates the Designator Editor with the definition for "Beaus" loaded. Note that the level has been set to "Advanced-1". You can click inside the field with the phrase "beaus" written in ti if you want to modify that phrase. The empty field below it can be used to type in a new synonymous phrase. As in phrases for call definitions, you can have different numbers of words in each phrase, as long as the built-in pattern words, such as ANYONE, are the same and appear in the same order in each phrase.
For designator phrases, you cannot use the built-in terms ANYTHING or ANYCALL. Most commonly, you can use ANYONE to build up compound dancer designations.
To delete a phrase, just erase the text on its line. The next time the grammar is saved and re-loaded into the program, blank lines will be removed.
Note that the same word "beaus" appears both in the phrase and in the expression. That is because "beaus", like a handful of other basic square dance terms are pre-defined by the program and will be interpreted according to the built-in definition in the program. Caution: do not remove or change the phrase for each of the built-in terms that matches the expression. Some standard definitions rely on the meaning of those terms and changing them may have unpredictable results. Also, due to subtleties of the grammar, in some contexts the original meaning will still be used (as in the expressions of a designator definition).


Store Locations:
- Seattle: 317 Grey Sloan Street
- Tokyo: 812 Bubble Salmon Street
- Dubai: 945 Royal Mesas Lane
- Paris: 675 Blue Gold Road
- Lima: 982 Apple Orchard Lane
Hours Of Operation:
- Seattle: 6AM-7PM
- Tokyo: 6AM-7PM
- Dubai: 6AM-7PM
- Paris: 6AM-7PM
- Lima: 6AM-7PM
Contact Information:
-
Please Call Paul and tell him all about your experience at<PHONE_NUMBER>


UNDERGRADUATE
DEGREE PROGRAMS
At UC San Diego, we take a distinctive and experimental approach to our programs of study.
NOTES
- Choice of college does not affect your choice of major.
- See details for Capped Majors and Majors That Require Pre-Major Status.
- Students interested in pre-med or pre-law may declare a major in any academic discipline.
- See the UC San Diego General Catalog for list of specializations within majors.
- Students interested in a teaching career, see Education Studies.
Majors
A
ANTHROPOLOGY
- Anthropology (Archaeology) (B.A.)
- Anthropology (Biological Anthropology) (B.A.)
- Anthropology (Sociocultural Anthropology) (B.A.)
B
BIOENGINEERING (BE)
- Bioengineering (B.S.)*
- Bioengineering (Biotechnology) (B.S.)*
- Bioengineering (Bioinformatics) (B.S.)*
- Bioengineering: BioSystems (B.S.)*
BIOLOGICAL SCIENCES
- Biochemistry and Cell Biology (B.S.)*
- Biology with Specialization in Bioinformatics (B.S.)*
- Ecology, Behavior and Evolution (B.S.)*
- General Biology (B.S.)*
- Human Biology (B.S.)*
- Microbiology (B.S.)*
- Molecular Biology (B.S.)*
- Physiology and Neuroscience (B.S.)*
C
CHEMISTRY & BIOCHEMISTRY
- Biochemistry/Chemistry (B.S.)
- Bioinformatics (B.S.)
- Chemistry (B.S.)
- Chemistry with a Specialization in Earth Sciences (B.S.)
- Environmental Chemistry (B.S.)
- Molecular Synthesis (B.S.)
- Pharmacological Chemistry (B.S.)
CHINESE STUDIES
- Chinese Studies (B.A.)
CLASSICAL STUDIES
- Classical Studies (B.A.)
COGNITIVE SCIENCE (B.A./B.S.)
- Cognitive Science with Specialization in Clinical Aspects of Cognition (B.S.)
- Cognitive Science with Specialization in Computation (B.S.)
- Cognitive Science with Specialization in Design and Interaction (B.S.)
- Cognitive Science with Specialization in Human Cognition (B.S.)
- Cognitive Science with Specialization in Human Computer Interaction (B.S.)
- Cognitive Science with Specialization in Language and Culture (B.S.)
- Cognitive Science with Specialization in Machine Learning and Neural Computation (B.S.)
- Cognitive Science with Specialization in Neuroscience (B.S.)
- Cognitive and Behavioral Neuroscience (B.S.)
COMMUNICATION
- Communication (B.A.)
COMPUTER SCIENCE & ENGINEERING (CSE)
- Computer Engineering (B.S.)*
- Computer Science (B.A./B.S.)*
- Computer Science with Specialization in Bioinformatics (B.S)*
CRITICAL GENDER STUDIES
- Critical Gender Studies (B.A.)
D
E
ECONOMICS
- Economics (B.A)*
- Economics and Mathematics - Joint Major (B.S.)*
- Management Science (B.S.)*
ELECTRICAL & COMPUTER ENGINEERING (ECE)
- Computer Engineering (B.S.)*
- Computer Engineering (B.S.)*
- Electrical Engineering and Society (B.A.)*
- Engineering Physics (B.S.)*
ENVIRONMENTAL SYSTEMS PROGRAM
- Environmental Systems (Earth Sciences) (B.S.)
- Environmental Systems (Ecology, Behavior, & Evolution) (B.S.)
- Environmental Systems (Environmental Chemistry) (B.S.)
- Environmental Systems (Environmental Policy) (B.A.)
ETHNIC STUDIES
- Ethnic Studies (B.A.)
F
FAMILY & PREVENTIVE MEDICINE
- Public Health (B.S.)*
G
GERMAN STUDIES
- German Studies (B.A.)
GLOBAL HEALTH
- Global Health (B.A.)
H
HISTORY
- History (B.A.)
HUMAN DEVELOPMENT
- Human Development (B.A.)†*
I
INDIVIDUAL MAJORS (B.A. / B.S.)
- Each college offers an individual major for a B.A. degree; Revelle College offers a B.A. and B.S.
INTERNATIONAL STUDIES (B.A.)
- International Studies - Anthropology
- International Studies - Economics
- International Studies - Economics (Jt BA/MIA)*
- International Studies - History
- International Studies - International Business
- International Studies - International Business (Jt BA/MIA)*
- International Studies - Linguistics
- International Studies - Literature
- International Studies - Political Science
- International Studies - Political Science (Jt BA/MIA)*
- International Studies - Sociology
Italian Studies
- Italian Studies (B.A.)
J
Japanese Studies
- Japanese Studies (B.A.)
Judaic Studies
- Judaic Studies (B.A.)
L
Latin American Studies
- http://las.ucsd.edu/
Linguistics
- Linguistics (B.A.)
- Linguistics (Specialization in Cognition and Language) (B.A.)
- Linguistics (Specialization in Language and Society) (B.A.)
- Linguistics: Language Studies (Specialization in Individual Language) (B.A.)
Literature
- Literatures in English (B.A.)
- Literatures in French (B.A.)
- Literatures in German (B.A.)
- Literatures in Italian (B.A.)
- Literatures in Russian (B.A.)
- Spanish Literature (B.A.)
- U.S. Latino/a and Latin American Literatures (B.A.)
- Literature/Composite Major (B.A.)
- Literature/Cultural Studies (B.A.)
- Literature/Writing (B.A.)*
- Literatures of the World (B.A.)
M
Mathematics
- Mathematics - Applied (B.S.)*
- Mathematics (B.S.)*
- Mathematics and Economics - Joint Major (B.S.)*
- Mathematics - Computer Science (B.S.)*
- Mathematics - Secondary Education (B.A.)*
- Mathematics - Scientific Computation (B.S.)*
- Probability and Statistics (B.S.)*
Mechanical and Aerospace Engineering (MAE)
- Aerospace Engineering (B.S.)*
- Environmental Engineering (B.S.)*
- Mechanical Engineering (B.S.)*
Music
- Music (B.A.)**
- Interdisciplinary Computing and the Arts (B.A.)**
- Music Humanities (B.A.)**
N
NanoEngineering
- Chemical Engineering (B.S.)*
- NanoEngineering (B.S.)*
P
Philosophy
- Philosophy (B.A.)
Physics
- General Physics (B.S.)
- General Physics/ Secondary Education (B.A.)
- Physics (B.S.)
- Physics with Specialization in Astrophysics (B.S.)
- Physics - Biophysics (B.S.)
- Physics with Specialization in Computational Physics (B.S.)
- Physics with Specialization in Earth Sciences (B.S.)
- Physics with Specialization in Materials Physics (B.S.)
Political Science (B.A.)
- Political Science (American Politics) (B.A.)
- Political Science (Comparative Politics) (B.A.)
- Political Science (International Relations) (B.A.)
- Political Science (Political Theory) (B.A.)
- Political Science (Public Law) (B.A.)
- Political Science (Public Policy) (B.A.)
Psychology
- Psychology (B.A./B.S.)
- Psychology with a Specialization in Clinical Psychology (B.S.)
- Psychology with a Specialization in Cognitive Psychology (B.S.)
- Psychology with a Specialization in Developmental Psychology (B.S.)
- Psychology with a Specialization in Human Health (B.S.)
- Psychology with a Specialization in Sensation and Perception (B.S.)
- Psychology with a Specialization in Social Psychology (B.S.)
- Cognitive and Behavioral Neuroscience (B.S.)
Public Health
- See Family & Preventative Medicine
R
Religion, Program for the Study Of
- Study of Religion (B.A.)
Russian and Soviet Studies
- Russian, East European & Eurasian Studies (B.A.)
S
Scripps Institution of Oceanography
- Earth Sciences (B.S.)
- Marine Biology (B.S.)
Sociology (B.A.)
- Sociology - International Studies (B.A.)
- Sociology - American Studies (B.A.)
- Sociology - Science and Medicine (B.A.)
- Sociology - Economy and Society (B.A.)
- Sociology - Culture and Communication (B.A.)
- Sociology - Social Inequality (B.A.)
- Sociology - Law and Society (B.A.)
Structural Engineering (SE)
- Structural Engineering (B.S.)*
- Structural Engineering (B.S.)*
T
Theatre and Dance
- Dance (B.A.)**
- Theatre (B.A.)**
Third World Studies
- Third World Studies (B.A.)
U
Undeclared
- Undeclared - Humanities/Arts
- Undeclared - Physical Sciences
- Undeclared - Social Sciences
Urban Studies and Planning
- Urban Studies and Planning (B.A.)
V
Visual Arts
- Art History / Criticism (B.A.)
- Interdisciplinary Computing and the Arts (B.A.)**
- Media (B.A.)**
- Speculative Design (B.A.)
- Studio (B.A.)**
| Important Notes / Key to Symbols | |
|---|---|
| * | Capped major with additional screening requirements |
| ** | Applicants may be asked to submit an optional supplemental application and/or portfolio/ audition for faculty review |
| † | Major with pre-major status |


{% extends "shipmaster/base.html" %} {% load i18n static dartium %} {% block content %}
A build is created in response to a GitHub pull request. This also results in a new docker container being created which can then be deployed.
Test runs against this build.
Deployments initiated with this build.


Process Summary - Flow Chart
Objective
- To create a user friendly, interactive dashboard for students to learn about organ donation statistics and facts.
Data Munging Technique
- Dataset extracted from HRSA: https://data.hrsa.gov/data/download?data=organ#organ
- Deleted columns with irrelevant data and renamed columns (Jupyter Notebooks)
- Imported CSV into SQLite
-
Created an API using db data to render graphs and map
- API endpoint /chartdata -> POST request This API endpoint is responsible for accessing the db and sending the data to the front-end as JSON
Coding Approach:
-
Set Server
-
App.py
- Flask
-
App.py
-
Template:
- Used bootstrap dashboard template to render our data: https://www.creative-tim.com/product/light-bootstrap-dashboard
-
Static
-
Demo.js
-
Plots design with Chart.js library:
- Pie Chart
- Bar Chart
- Google map
-
Plots design with Chart.js library:
-
Demo.js


This application contains sample JSP pages that test the different custom simple tags as shown in chapter 17.
| Link to JSP page | Custom tag used | Handler class explained in |
|---|---|---|
| SimpleTagExample.jsp | <example:message> | Section 17.1 |
| math.jsp | <math:functions> | Section 17.2.1, Listing 17.4 |
| example.jsp | <ex:example> | Section 17.3.1, Listing 17.9 |
| invokeaction.jsp | <inv.invokeaction> | Section 17.3.4, Listing 17.11 |
| bodyaction.jsp | <bod:bodyaction> | Section 17.3.4, Listing 17.13 |
In order to use the JSTL, you need to copy jstl.jar and standard.jar from
C:\jakarta-tomcat-5.0.25\webapps\jsp-examples\WEB-INF\lib
and add them to a lib directory within WEB-INF.
All tag files must be placed in or under a tags directory in WEB-INF
After you see the results of executing the above JSP pages, take a look at the JSP files, the Java source files of these tag handler classes, and the TLD file. Modify them, try out different samples and practice the various concepts explained in this chapter.


notwork
`Prev `__
N
`Next `__
--------------
**notwork**: /not´werk/, n.
A network, when it is acting `*flaky* <../F/flaky.html>`__ or is
`*down* <../D/down.html>`__. Compare `*nyetwork* `__.
Said at IBM to have originally referred to a particular period of
flakiness on IBM's VNET corporate network ca. 1988; but there are
independent reports of the term from elsewhere.
--------------
+---------------------------------------------+----------------------------+------------------------+
| `Prev `__ | `Up <../N.html>`__ | `Next `__ |
+---------------------------------------------+----------------------------+------------------------+
| not ready for prime time | `Home <../index.html>`__ | NP- |
+---------------------------------------------+----------------------------+------------------------+


|
Welcome to Mooshak, a system for managing programming contests on the Web. Mooshak suports automatic judging of submitted programs, answering questions about problems and tracking printouts.
admin password.
You can also use other features provided by Mooshak, such as
You can also use Mooshak as a REST web service. Use this sandbox to check out how the web service is used. Any comments, suggestions, bug reports? Please send them to José Paulo Leal |


---
layout: archive
title: Lean Prover Zulip Chat Archive
permalink: 116395maths/77646Workingwithfinnandite.html
---
The archive URL format has changed. Please find this page at:
https://leanprover-community.github.io/archive/stream/116395-maths/topic/Working.20with.20.60fin.20n.60.20(and.20.60ite.60.3F).html


DevOps Troubleshooting: Linux Server Best Practices
ISBN-13:<PHONE_NUMBER>047
ISBN-10:<PHONE_NUMBER>
Author: Kyle Rankin
Edition: 1
Binding: Paperback
Publisher: Addison-Wesley Professional
Published: November 2012
List Price: $39.99
Best Rental Prices |
||||
|---|---|---|---|---|
| #1 |
+5.99 shipping Ready to ship |
Notes |
||
| #2 |
Free shipping Ready to ship |
Notes |
||
| #3 |
+3.95 shipping Ready to ship |
Notes |


[1] iphone G is excellent simple to LED-LC D 's in dark rooms benefits of cool internet widgets - complete waste of box.
[2] iphone G is excellent simple to improve the Yahoo widget feature is some glare on these newer model lcds tend to LED-LC D 's in dark rooms benefits of box.


See how experienced developers solve problems in real-time. Watching scripted tutorials is great, but understanding how developers think is invaluable.
By clicking the button, you are agreeing to our Terms and Services


Post-parsing
account.class.php
address.class.php
apc.class.php
attribute.class.php
auth.class.php
cache.class.php
cart.class.php
cart.php
category.class.php
checkout.class.php
checkout.php
command.class.php
common.class.php
config.php
controller.class.php
coupon.class.php
db.class.php
default.class.php
default.php
editattribute.class.php
editattribute.php
editcart.class.php
editcategory.class.php
editcategory.php
editcoupon.class.php
editcoupon.php
editorder.class.php
editorder.php
editproduct.class.php
editproduct.php
edituser.class.php
edituser.php
en_us.class.php
error.php
footer.php
gd.class.php
header.php
image.class.php
index.php
interfaces.php
ipn.class.php
list.php
listattributes.class.php
listcategories.class.php
listcoupons.class.php
listorders.class.php
listproducts.class.php
listusers.class.php
login.php
memcache.class.php
memcached.class.php
model.class.php
not_found.php
order.class.php
order_submitted.php
product.class.php
redirect.php
session.class.php
settings.class.php
settings.php
sidebar.php
string.class.php
template.class.php
user.class.php
viewcart.class.php
viewcategory.class.php
viewproduct.class.php
view_category.php
view_product.php
access_denied.php
Warnings:
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account.class.php
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address.class.php
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apc.class.php
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attribute.class.php
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auth.class.php
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cache.class.php
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cart.class.php
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cart.php
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category.class.php
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checkout.class.php
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checkout.php
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command.class.php
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common.class.php
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config.php
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controller.class.php
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coupon.class.php
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db.class.php
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default.class.php
Warnings:
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Warning on line 13 - no @package tag was used in a DocBlock for class Command_Default
default.php
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editattribute.class.php
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editattribute.php
Warnings:
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editcart.class.php
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editcategory.class.php
Warnings:
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editcategory.php
Warnings:
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editcoupon.class.php
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editcoupon.php
Warnings:
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editorder.class.php
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editorder.php
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editproduct.class.php
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editproduct.php
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edituser.class.php
Warnings:
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edituser.php
Warnings:
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en_us.class.php
Warnings:
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error.php
Warnings:
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footer.php
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gd.class.php
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header.php
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image.class.php
Warnings:
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Errors:
Error on line 46 - DocBlock has multiple @return tags, illegal. ignoring additional tag "@return int output inner height"
Error on line 46 - DocBlock has multiple @return tags, illegal. ignoring additional tag "@return int output inner width"
Error on line 46 - DocBlock has multiple @return tags, illegal. ignoring additional tag "@return int output y position"
Error on line 46 - DocBlock has multiple @return tags, illegal. ignoring additional tag "@return int output x position"
Error on line 46 - DocBlock has multiple @return tags, illegal. ignoring additional tag "@return int output overall height"
index.php
Warnings:
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interfaces.php
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ipn.class.php
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list.php
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listattributes.class.php
Warnings:
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listcategories.class.php
Warnings:
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listcoupons.class.php
Warnings:
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listorders.class.php
Warnings:
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listproducts.class.php
Warnings:
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listusers.class.php
Warnings:
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login.php
Warnings:
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memcache.class.php
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memcached.class.php
Warnings:
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model.class.php
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not_found.php
Warnings:
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order.class.php
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order_submitted.php
Warnings:
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product.class.php
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redirect.php
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session.class.php
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settings.class.php
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settings.php
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sidebar.php
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string.class.php
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template.class.php
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user.class.php
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viewcart.class.php
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viewcategory.class.php
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viewproduct.class.php
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view_category.php
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view_product.php
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Documentation generated on Mon, 14 Nov 2011 11:54:50 -0800 by phpDocumentor 1.4.3


{{block 'head'}}{{include './inc/head.html'}}{{/block}}
{{block 'header'}}{{/block}} {{block 'content'}}{{/block}} {{block 'footer'}}{{/block}} {{block 'scripts'}}{{include './inc/scripts.html'}}{{/block}}


#include <stGHNode.h>
Public Types | |
| typedef stGHNode::GHNodeEntry | stGHNodeEntry |
Public Member Functions | |
| stGHNode (stPage *page, bool create=false) | |
| stPage * | GetPage () |
| stPageID | GetPageID () |
| stPageID | GetChildPageID (stCount idx) |
| void | SetChildPageID (stCount idx, stPageID ID) |
| stDistance | GetDistance () |
| void | SetDistance (stDistance dist) |
| stCount | GetNumberOfEntries () |
| int | AddEntry (stSize size, const stByte *object) |
| const stByte * | GetObject (stCount idx) |
| stSize | GetObjectSize (stCount idx) |
| void | RemoveEntry (stCount idx) |
Marcos Rodrigues Vieira<EMAIL_ADDRESS>Definition at line 94 of file stGHNode.h.
|
|
|
|
|
Creates a new instance of this class. The parameter page is an instance of stPage that hold the node data. The parameter create tells to stPage what operation will be performed. True means that the page will be initialized and false means that the page will be used just as it is. The default value is false.
|
|
|
This method adds an object to this node.
|
|
|
Gets the ID of a child page.
Definition at line 148 of file stGHNode.h. References stGHNode::GHNodeEntry::PageID, stCount, and stPageID. |
|
|
Gets the Distance of the objects.
Definition at line 166 of file stGHNode.h. References stDistance. |
|
|
Returns the number of entries in this node.
Definition at line 187 of file stGHNode.h. References stCount. |
|
|
Gets the serialized object. Use GetObjectSize to determine the size of the object.
|
|
|
Returns the size of the object in bytes. Use GetObject() to get the object data.
|
|
|
Gets the associated page.
Definition at line 130 of file stGHNode.h. |
|
|
Gets the ID of the associated page.
Definition at line 139 of file stGHNode.h. References stPage::GetPageID(), and stPageID. |
|
|
Removes an entry from this Node.
|
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|
Sets the ID of a child page.
Definition at line 157 of file stGHNode.h. References stGHNode::GHNodeEntry::PageID, stCount, and stPageID. |
|
|
Sets the Distance of the objects.
Definition at line 175 of file stGHNode.h. References stDistance. |


big win
`Prev `__
B
`Next `__
--------------
**big win**: n.
1. [common] Major success.
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Notebooks
Story: |kaggen (the Mantis) and the Moon: creation of the latter (version 2)
|kaggen (the Mantis) and the Moon: creation of the latter (version 2)
Title
|kaggen (the Mantis) and the Moon: creation of the latter (version 2)
Collection
Summary
The Moon is created from a long white wing-feather of the Ostrich. After |kaggen (the Mantis) breaks the eland's gall and it blinds him, he crawls, feeling his way to the place of the Ostrich, where he finds a feather. He throws it into the sky so that it may become the Moon and light the ground for him to see in the darkness.
Comments
1) p.997v: |han≠kass'o heard this story from his maternal grandmother (≠kammi) and mother (|xabbi-an); a note on this version of the story; |kaggen was formerly a man; a note on the eland's gall which belonged to the eland |kaggen had made, 2) p.998v: The vlei (or place ) where the ostrich play, eat, assemble and sleep, and its |xam name, 3) p.999v: note on the feather that comes from the wing of the bird (the ostrich), 4) This story is found in Book X
Contributors
|han≠kass'o (Klein Jantje) (VIII)
Date
25 October 1879 (started)
Categories
|kaggen (the Mantis), Celestial bodies and aeroscopy
Keywords
creation (of the Moon) , creation (by |kaggen of the Moon) , creation (of the Moon from an ostrich feather) , ostrich feather (becomes the Moon) , ostrich feather (|kaggen creates the Moon from) , |kaggen (the Mantis) , |kaggen (creates the Moon) , |kaggen (is a 'devil') , |kaggen (was formerly a man) , |kaggen (and the eland's gall) , |kaggen (pierces the gall) , |kaggen (wets the feather) , |kaggen (throws up the feather) , |kaggen (and an ostrich feather) , eland's gall (|kaggen creates the Moon from) , eland's gall (is pierced) , eland's gall (covers |kaggen's head) , eland's gall (from an eland |kaggen created) , ostrich (|kaggen and the creation of the Moon) , ostrich (name of its place) , ostrich (its feather of thrown in sky) , ostrich (its feather becomes the Moon) , ostrich (|kaggen creates the Moon from its feather) , Moon (|kaggen creates) , Moon (creation of) , Moon (an ostrich feather becomes) , transformation (|kaggen and the creation of the Moon) , transformation (of an ostrich feather into the Moon) , feather (creation of the Moon from an ostrich feather) , feather (|kaggen creates the Moon from an one belonging to the ostrich) , eland (its gall and the creation of the Moon) , eland (|kaggen and the creation of the Moon) , eland (gall from the one created by |kaggen) , creation (of the Moon) , creation (|kaggen and the Moon) , place (of the Ostrich) , place (|kaggen and the Moon)
Story Pages
998-1002


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