Text to Handwriting
Hey everyone! Thank you for supporting Text to Handwriting 🎉
- If you want to use additional fonts, you can check out comments in text-to-handwriting issue#78. After downloading the .ttf or .otf file of font, you can import it with "Upload your Handwriting Font" button.
- I made this tool for fun and didn't expect the response I'm getting right now. Since this tool is not my full-time job, I may be late responding for the feature requests and emails regarding this tool.
Output
Click "Generate Image" Button to generate new image.
🤓 Guide to add your own handwriting
- To use your handwriting, you will have to generate font of your handwriting.
- There are websites like Calligraphr that let you do that.
- Once you get .ttf file of your handwriting, upload it from 'Upload your handwriting font' button in customizations sections
🤗 Sponsors
This tool is completely free and neither stores any of your data for money so maybe you can consider being patron or making an one time payment with buy me a coffee to help sustain 🤗
👫 GitHub Contributors
Text-to-Handwriting is an open-source tool built with HTML, CSS, and
JavaScript!
You can check out CONTRIBUTING.md on GitHub, if you want to contribute.
You can check out CONTRIBUTING.md on GitHub, if you want to contribute.
❓ FAQs (Frequently Asked Questions)
1. How can I add my own Handwriting?
Check out Guide to add your own Handwriting
2. Where can I get more fonts?
You can use fonts from https://www.quantumenterprises.co.uk/handwriting-fonts/fontvault.htm
3. There are gaps between letters in custom fonts
This is a known issue that we haven't figured out the solution for. As a temporary workaround, there is letter spacing and word spacing option to adjust the gap.


The following waveforms show the behavior of lpm_mult megafunction for the chosen set of parameters in design mult30_9.v. The design mult30_9.v is a 30 X 9 SIGNED multiplier producing an output of width 39. The output of the multiplier has a latency of 1.


fun createAnnotationFile(annotationClass: JsEventManagerClass): Unit
Overrides Process.createAnnotationFile
Make two files, one extended an event manager and another extended the WebWrapper This second extension use the first to initialize and load all js interfaces.


What is Firebase?
Firebase is an easy to use baas (backend as as service) for app and web developers.
Firebase (aquired by Google) integrates with Google Cloud platform (Google's cloud computing services and direct competitor to AWS and Microsoft Azure).
It provides a good number of features including a realtime database, syncing data automatically through a websocket.
Other essential features it provides include authentication,storage and hostings.
This makes firebase a one-stop shop for creating and deploying a starter or simple full stack web app.
Firebase is free to use for small apps and the pricing grows modestly afterward ( see pricing )
Create production build in react
In your finished react app, first make sure to create a `production` build of your react project. In the terminal of your project folder:
npm run build
Install firebase tools
In the terminal inside your project folder:
npm install -g firebase-tools
Deploy
In the terminal inside your project folder:
firebase login
firebase init


My name is Bonnie~
I am taking Data Analytics at UC Cal Extendo
My teacher is Drew, he is awesome!
Click play for some ~good vibes~
I love pizza...
However, I also love ice cream and sushi!
Here is a happy turtle to bring good luck!
His name is Murphy
Don't scroll past Murphy for 10 years of good luck!


Your browser does not support the HTML5 Canvas element. Please update your system, or download
Mozilla Firefox
.
Drunken Pastures: Use arrow keys to move cow.
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VNI is one of the most popular Vietnamese input method. Originally by VNI Software Company, it is often available on computer systems to type Vietnamese. Initually, VNI's input method utilized function keys (F1, F2...) to enter the tone marks, which later turned out to be problematic, as the operating system used those keys for other purposes. VNI then turned to the numerical keys for entering tone marks.
Important Notice: This keyboard uses Quy tắc đặt dấu thanh kiểu cũ (òa, òe, úy) by default.
You can turn on Quy tắc đặt dấu thanh kiểu mới (oà, oè, uý) in Keyman → Configuration → Keyboard Layouts → Vietnamese VNI → Keyboard Options
© 2022 Mike Vo


This page provides instructions on how to run DistributedLog across multiple regions.
Cluster Setup & Deployment
Setting up globally replicated DistributedLog is very similar to setting up local DistributedLog. The most important change is use a ZooKeeper cluster configured across multiple-regions. Once set up, DistributedLog and BookKeeper are configured to use the global ZK cluster for all metadata storage, and the system will more or less work. The remaining steps are necessary to ensure things like durability in the face of total region failure.
The key differences with standard cluster setup are summarized below:
- The zookeeper cluster must be running across all of the target regions, say A, B, C.
- Region aware placement policy and a few other options must be configured in DL config.
- DistributedLog clients should be configured to talk to all regions.
We elaborate on these steps in the following sections.
Global Zookeeper
When defining your server and participant lists in zookeeper configuration, a sufficient number of nodes from each region must be included.
Please consult the ZooKeeper documentation for detailed Zookeeper setup instructions.
DistributedLog Configuration
In multi-region DistributedLog several DL config changes are needed.
Placement Policy
The region-aware placement policy must be configured. Below, it is configured to place replicas across 3 regions, A, B, and C.
# placement policy bkc.ensemblePlacementPolicy=org.apache.bookkeeper.client.RegionAwareEnsemblePlacementPolicy bkc.reppRegionsToWrite=A;B;C bkc.reppMinimumRegionsForDurability=2 bkc.reppEnableDurabilityEnforcementInReplace=true bkc.reppEnableValidation=true
Connection Timeouts
In global replicated mode, the proxy nodes will be writing to the entire ensemble, which exists in multiple regions. If cross-region latency is higher than local region latency (i.e. if its truly cross-region) then it is advisable to use a higher BookKeeper client connection tiemout.
# setting connect timeout to 1 second for global cluster bkc.connectTimeoutMillis=1000
Quorum Size
It is advisable to run with a larger ensemble to ensure cluster health in the event of region loss (the ensemble will be split across all regions).
The values of these settings will depend on your operational and durability requirements.
ensemble-size=9 write-quorum-size=9 ack-quorum-size=5
Client Configuration
Although not required, it is recommended to configure the write client to use all available regions. Several methods in DistributedLogClientBuilder can be used to achieve this.
1 2 |
|
Additional Steps
Other clients settings may need to be tuned - for example in the write client, timeouts will likely need to be increased.
Aside from this however, cluster setup is exactly the same as single region setup.


| DOSE: T+ 0:00 |
0.5 |
oral |
LSA |
(cookie / food) |
| T+ 1:00 |
1 |
oral |
LSA |
(cookie / food) |
My friends botched a synthesis of LSD based upon morning glory seed extraction, and ended up with roughly 8 liquid ounces of LSA. I'd always wanted to try LSA, but was afraid to eat morning glory seeds due to the fact that many are coated with poisons, so this looked like a golden opportunity. I dropped five drops from a Visine-type bottle onto two sugar cubes (five drops per cube), and saved them for a rainy day.
Well, a day came when it rained and I was alone and bored, so I decided to ingest a half of one. My state of mind at the time of ingestion was the same as it always is with any psychedelic - nervousness, prayer, and a continued conveyance of respect for whatever god I might meet. As experienced users know, dosages are extremely various, and some are just too damned high! I can say that with me, some of the physical effects of any psychedelic are due simply to nerves as I await the powerful psychedelic experience - I am pretty high strung to begin with.
I waited for an hour and felt nothing, so I took another whole cube, leaving me with one-half. OOOOPPPPSSSS...then it hit me, and hard. The visuals were intense for a very short period of time, but nothing like a full-blown LSD trip. They crept up on me in a matter of minutes. I knew they could only be from the first half-cube I took, so I expected one hell of a ride.
The physical sensations were unbelievably strong, and I felt nausea, coupled with a racing, pounding heart. I also noticed an intense need to urinate, like a vice had tightened on my bladder. As always, these physical sensations caused me undue stress verging on panic. I managed to maintain, though, as I have experienced VERY strong LSD trips, and knew that it would go away eventually. After another hour, the second whole cube kicked in, and it was basically a repeat of the first, but stronger. Thankfully, the physical effects tapered off rather quickly, leaving me to enjoy the very modest visuals for around four hours afterward.
[Erowid Note: Driving while intoxicated or tripping is dangerous and irresponsible because it endangers other people. Don't do it!]
I went to Barnes and Noble, it did not render me incapable of driving, at least after the physical effects lessened, to read books about ancient Egyptian civilization. The pictures of tomb art took on a mystical 'glow,' like a low-level acid trip, and I had that mystical mindset like one gets from being stoned on herb. There were very few trails, and no real sustained auditory or visual hallucinations like with LSD.
The closest similarity to acid was that silliness, where I just have to laugh and everything is amusing. For example, I was plopped down in an easy chair, and a family of rednecks (I live in the southern U.S.) stood in front of me, browsing books. Their child, roughly 5-6 yoa, was raising hell, being hyperactive, and generally causing a scene. It was all I could do to stifle the urge to laugh - a few snickers did slip through, and people looked at me like I was a madman, which I felt like, and this caused no anxiety, but instead encouraged my inner giggles.
On the whole, LSA was neat, but very dirty in the physical LSD sense. The duration of the trip was not very hallucinogenic, and did not last nearly as long as good LSD. The come-down was easy, and the worst part, the physical discomfort, did not last long at all. For me, LSA is one of those things I am glad to have experienced, but I probably wouldn't do it again.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Islamic Jihad says Israel agreed to ceasefire, Gaza quiet
GAZA (Reuters) - Palestinian militant group Islamic Jihad said an Egyptian-mediated truce with Israel was in force in the Gaza Strip as of 0330 GMT on Thursday, and a Reuters witness confirmed that fighting had subsided.
An Islamic Jihad official told Reuters that Israel had agreed to the faction’s demand that it cease targeted killings of militants and shooting of Gaza border protesters. There was no immediate confirmation of this from Israeli officials.


Have access to a handy scheduler, emergency information, as and the latest updates during the conference!
1) Download "Expo Client" in the App Store
2) Scan this QR code
3) And you're in!
ECAASU's mission is to inspire, educate, and empower those interested in Asian American and Pacific Islander Issues.
We envision a world of Asian American and Pacific Islander student leaders with an understanding of AAPI history and issues as well as the leadership skills to positively impact their communities.
We work to strengthen student networks and build bridges across communities through various programs held over the course of the year. In doing so, we hope to advance equity for marginalized communities, fight prejudice and discrimination, and advocate for equal rights.
Learn MoreEvery year, ECAASU partners with a university on the East Coast to host a conference that provides passionate students and community members with a physical space to come together and discuss political, social, and cultural issues relevant to the Asian American community. Since the Conference's inception, Cornell University has traditionally hosted ECAASU every 10 years: first in 1988, then in 1998, and again in 2008. The 2018 Conference will thus mark the fourth time that ECAASU has returned to Cornell’s campus.
We hope that bringing ECAASU back to Cornell for the 4th time will remind people that the most resilient foundations for social change come from a sense of continuity—not only ensuring our perspectives are informed by the past but making sure our work and ideas are geared towards the future. Once we grasp our place on the continuum, we have no choice but to broaden our perspective, to realize our power to help create the future we want to see, and to take action.
Through the theme of Continuum, we will explore our racialization, incarceration, labor, and civil rights movements, settler colonialism, immigration policy, ethnic enclaves, and many more facets of the Asian American story.
Through the theme of Perspective, we will explore representation, intersectionality, mental health, data disaggregation, transnationalism, cultural authenticity, and other nuances that broaden the Asian American landscape.
Through the theme of Power, we will explore leadership development, civic engagement, contemporary advocacy efforts, coalition building, racial triangulation, police brutality, liberation struggles, and other key components of the Asian American movement.
As a courtesy to conference attendees who are looking for housing accommodations for the weekend, we have reserved room blocks at discounted group rates at two hotels near campus. Please note that you and any other guests sharing a room with you are responsible for paying for the hotel room. Details about the hotels are listed below.
222 South Cayuga Street
Ithaca, New York 14850
Phone number:<PHONE_NUMBER>
Room rate: $149/night (does not include tax)
Room type: Double Queen Executive (two queen beds)
Check in time: 4:00 PM EST, Friday March 2
Checkout time: 12:00 PM EST, Sunday March 4
Reserve by: February 2, 2018 (after 2/2/18, room availability within the block is not guaranteed)
120 South Aurora Street
Ithaca, New York 14850
Direct Reservation Line Phone #:<PHONE_NUMBER>
Online reservation link
Room rate: $149/night (does not include tax)
Room type: Deluxe room with two queens (two queen beds)
Check in time: 4:00 PM EST, Friday March 2
Checkout time: 11:00 AM EST, Sunday March 4
Reserve by: February 2, 2018 by 4:00PM (after 2/2/18, room availability within the block is not guaranteed)
1. Call the hotel and request a double room (two queen beds) under the "East Coast Asian American Student Union" room block. Verify that the rate is $149 per night (not including tax). Note that you must request a room in the East Coast Asian American Student Union block to take advantage of the group rate.
2. Book the room, providing your own contact information and payment information.
Additionally, we have arranged transportation for guests staying at Hotel Ithaca and Ithaca Marriott, with shuttles running from both hotels to Cornell's campus, where all conference activities will be taking place.
For more details about housing and transportation, please contact Rebecca Lee at<EMAIL_ADDRESS>or click here for more information.
YES - Friday events are cancelled and Saturday events have been rescheduled. New schedules will be available on the website, app, and in a print-out (not the booklet) in your registration packet.
On Friday, registration will ONLY be held at Hotel Ithaca from 5 PM - 12 AM. Attendees who are unable to make it to registration at this time can register on Saturday in Klarman Hall, starting at 8 AM and until 4:30PM.
Make sure to check our Facebook page (link) for updates. The app will also have updates posted on the homepage under “Announcements.”
Buses will be unavailable on Friday, but are expected to be running on Saturday as planned. Check Facebook, etc. for updates.
Every ID tag has a symbol that indicates where you’ll be assigned to go for lunch and dinner.
Fire: Klarman (lunch), Physical Sciences Building Atrium (banquet)
Water: Klarman (lunch), Klarman (banquet)
Air: Physical Sciences Building Atrium (lunch), Biotechnology G10 (banquet)
Earth: Physical Sciences Building Atrium (lunch), Duffiled Hall Atrium (banquet)
Refer to the website at ecaasu2018.org/programming for workshops and locations
Dress warmly, and with coverage for your ears, nose, and fingers. Waterproof shoes with grip are preferable.
Walk like a penguin to avoid falls!
Source: http://www.dhses.ny.gov/oem/safety-info/winter/outdoor.cfm
We are so sorry that you are unable to attend the Conference this year. Right now, we are unable to accommodate refunds because we have already made non-refundable contracts with food vendors and our venue. However, we are still looking into our budget to see what we can do to help you all out. We understand it must be disappointing for you and we’ve ensured that the closing ceremony will be live-streamed. We will post the link on Facebook tomorrow before the ceremony. Please keep an eye on your email for any other updates from us as we figure out a solution.
Sponsored in part by SAFC
Let us know if you have any questions by emailing us at<EMAIL_ADDRESS>forget to check out our Facebook page for more details as they become available. We look forward to seeing you in March!


The Unban Participant dialog box allows you to remove the ban on participant from a conference that you moderate. Use the associated Ban Participant button to ban a participant.
Enter the CIX Forum nickname of the participant to be un-banned in the Enter participant name text box.
Click OK to un-ban the participant the next time Ameol connects to CIX Forums.


A C D E G H I L P R S U W
All Classes All Packages
All Classes All Packages
All Classes All Packages
G
- getAncestorFunctions(Q) - Static method in class com.ensoftcorp.open.pcg.common.IPCG
- getCapturedFunctions() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns the functions that are captured in this ICFGPCG
- getCFG() - Method in class com.ensoftcorp.open.pcg.common.PCG
-
Returns the original control flow graph
- getCreationTime() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Gets the time (unix time) that the this ICFGPCG was created
- getCreationTime() - Method in class com.ensoftcorp.open.pcg.common.PCG
-
Gets the time (unix time) that the this PCG was created
- getDefault() - Static method in class com.ensoftcorp.open.pcg.Activator
-
Returns the shared instance
- getEntryPointFunction() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns the entry point function of this ICFGPCG
- getEvents() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns the set of events used to contruct the PCG
- getEvents() - Method in class com.ensoftcorp.open.pcg.common.PCG
-
Returns the set of events used to contruct the PCG
- getExits() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns the exits of the control flow graph specified to create the PCG
- getExits() - Method in class com.ensoftcorp.open.pcg.common.PCG
-
Returns the exits of the control flow graph specified to create the PCG
- getExpandableFunctions(Q, Q) - Static method in class com.ensoftcorp.open.pcg.common.IPCG
- getFunction() - Method in class com.ensoftcorp.open.pcg.common.PCG
-
Returns the function that contains this PCG
- getFunctionsContainingEvents(Q) - Static method in class com.ensoftcorp.open.pcg.common.IPCG
- getGivenName() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns the name assigned to this ICFGPCG
- getGivenName() - Method in class com.ensoftcorp.open.pcg.common.PCG
-
Returns the name assigned to this PCG
- getICFG() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns the original interprocedural control flow graph
- getICFGPCG() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns the interprocedural projected control graph
- getICFGPCGInstanceID(Graph, AtlasSet<Node>, AtlasSet<Node>, AtlasSet<Node>) - Static method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns a hash of the sorted node/edge addresses used to construct the ICFGPCG, which can be used to identify a unique PCG instance
- getICFGPCGInstanceID(UniqueEntryExitInterproceduralControlFlowGraph, AtlasSet<Node>) - Static method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns a hash of the sorted node/edge addresses used to construct the PCG, which can be used to identify a unique PCG instance.
- getICFGPCGMarkup(Q, Q) - Static method in class com.ensoftcorp.open.pcg.common.highlighter.PCGHighlighter
- getImplicitCallsiteEvents(Q, Q, Q) - Static method in class com.ensoftcorp.open.pcg.common.IPCG
- getInstanceID() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns the instance ID of this ICFGPCG which can be used to load the ICFGPCG later
- getInstanceID() - Method in class com.ensoftcorp.open.pcg.common.PCG
-
Returns the instance ID of this PCG which can be used to load the PCG later
- getIPCG(Q, Q, Q) - Static method in class com.ensoftcorp.open.pcg.common.IPCG
- getIPCG(Q, Q, Q, boolean) - Static method in class com.ensoftcorp.open.pcg.common.IPCG
- getIPCGCallGraph(Q, Q) - Static method in class com.ensoftcorp.open.pcg.common.IPCG
- getIPCGMarkup(Q, Q) - Static method in class com.ensoftcorp.open.pcg.common.highlighter.PCGHighlighter
- getIPCGMarkup(Q, Q, Q, Q) - Static method in class com.ensoftcorp.open.pcg.common.highlighter.PCGHighlighter
- getLastAccessTime() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Gets the time (unix time) that the this ICFGPCG was last accessed
- getLastAccessTime() - Method in class com.ensoftcorp.open.pcg.common.PCG
-
Gets the time (unix time) that the this PCG was last accessed
- getMasterEntry() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns the master entry of the PCG and CFG
- getMasterEntry() - Method in class com.ensoftcorp.open.pcg.common.PCG
-
Returns the master entry of the PCG and CFG
- getMasterExit() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns the master exit of the PCG and CFG
- getMasterExit() - Method in class com.ensoftcorp.open.pcg.common.PCG
-
Returns the master exit of the PCG and CFG
- getPCG() - Method in class com.ensoftcorp.open.pcg.common.PCG
-
Returns the project control graph
- getPCGInstanceID(Graph, AtlasSet<Node>, AtlasSet<Node>, AtlasSet<Node>) - Static method in class com.ensoftcorp.open.pcg.common.PCG
-
Returns a hash of the sorted node/edge addresses used to construct the PCG, which can be used to identify a unique PCG instance
- getPCGInstanceID(UniqueEntryExitControlFlowGraph, AtlasSet<Node>) - Static method in class com.ensoftcorp.open.pcg.common.PCG
-
Returns a hash of the sorted node/edge addresses used to construct the PCG, which can be used to identify a unique PCG instance.
- getPCGMarkup(Q) - Static method in class com.ensoftcorp.open.pcg.common.highlighter.PCGHighlighter
- getPCGSlice(Graph, Graph, AtlasSet<Node>, int, int) - Static method in class com.ensoftcorp.open.pcg.common.PCGSlice
- getPCGSlice(Q, int, int) - Static method in class com.ensoftcorp.open.pcg.common.PCGSlice
- getPCGSlice(Q, Q, Q, int, int) - Static method in class com.ensoftcorp.open.pcg.common.PCGSlice
- getPreferenceStore() - Static method in class com.ensoftcorp.open.pcg.preferences.PCGPreferences
-
Returns the preference store used for these preferences
- getRoots() - Method in class com.ensoftcorp.open.pcg.common.ICFGPCG
-
Returns the roots of the control flow graph specified to create the PCG
- getRoots() - Method in class com.ensoftcorp.open.pcg.common.PCG
-
Returns the roots of the control flow graph specified to create the PCG
All Classes All Packages


Louth County Council
64 new homes in Lis na Dara in Dundalk on cards following application for planning extension
Developer seeks extension of duration for planning permission
by Donard McCabeThe Lis na Dara housing estate on the Carrickmacross Road in Dundalk, may be in line for 64 new homes, following an application by Silaro Limited for an extension of duration of the planning permission granted for the final phase of the development.
According to the application lodged with the Council on November 4, Silaro Limited seeks to construct 64 new homes comprising of 24 four/five bedroom houses, 16 three bedroom semi-detached houses, four two/three bedroom detached bungalows, and 20 four/five bedroom detached houses.
Planning had initially been granted for this development in 2014, following a number of submissions made on the application.
A decision is due on this application, which is at a pre-validation stage, by January 7, 2020.


Mobile
Library
Parnassus Floor Maps
Floor 1
Conference Rooms
Administration
Bound Journals
Floor 2
Technology Commons
Learning Technologies
Teaching & Learning Center
Conference Room
Floor 3
Service Desk/Reserves
Copy Services/Cashier
Current Journals
Hearst Reading Room
Group Study Rooms
Floor 4
Books, Q-Z
Group Study Rooms
Floor 5
Books, A-P
Archives
Lange Room
UCSF Quiet Study


Food Tracker
Food Name:
Description:
Purchase Date:
Expiration Date:
Button
Check to see if food is expired
Food Item
Description (Qualities)
Purchase Date (YYMMDD)
Expiration Date (YYMMDD)


Solon
A Virtual Assistant to improve productivity and learning
Github Repository
---
Tech Stack: C++, Python, beautifulsoup4, gTTS
---
Solon
A Virtual Assistant to improve productivity and learning.
Features
- using voice or keyboard shortcut to search for definitions and explanation of words or concepts
- save the searched words as a flashcard
- transform your personal notes automatically into flashcards
- create your own decks of flashcards
- start learning sessions with a goal of correct answers for each card in the choosen deck
Before building
Set up your browser
- set your default browser. You can find the option in the search/search.cpp file.
If you use Chromium for example:
system(("chromium -new-tab " + search2).c_str());
Replace “chromium” with your default browser:
- For google chrome: google-chrome or google-chrome-stable (on linux)
- For Firefox: firefox
- On windows, uncomment the ShellExecute function to enable the browser function. This method may be easier if you run into issues with the browser set up.
How to build
- Open your command line
- cd to project root directory: solon/
- Create a build directory: mkdir build
- Change into the build direcotry: cd build
- Inside the build directory type: cmake .. && make
- To execute the application write: ./solon
Required python packages
- bs4
- SpeechRecognition
- gTTS
- requests
- playsound
- To install all the packages type this into your command line:
pip install bs4 SpeechRecognition gTTS requests playsound
How to use?
- First of all, I would recommend to set the program as a keyboard shortcut, to use it effortless, quickly and intuitively.
You can also create a bash script with the following text:
#!/bin/bash cd <path-to-build-directory> .solon
- If you already have a collection of notes, you can turn them easily into flashcard:
- Create a .txt file inside /solon/files/decks/
.txt - Copy your entire notes document into the .txt file
- Put a “?” at the end of each question or “#” at the front of a topic title. You will find an example inside the example.txt file.
- Save the file and the program will automatically create the front and back of each flashcard after execution
- Create a .txt file inside /solon/files/decks/
- Uncomment line 42-43 inside the scraping.py file.
- Every searched keyword is stored in the /files/decks/history.txt file


Hotel management system can be used to book rooms by the guests and provides administrator functionality such as allocating waiters, adding rooms etc.
Model classes like Room, RoomType, Employee, Guest, Occupancy help in accessing and updating data in database.
Also they act as Entity models that can be translated to Relation schema tables.
access the system by the user.


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Komodo-Bot
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15-Jul-18 12:03 PM
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| | |
- builtins.object
-
- ExpectationMaximization
class ExpectationMaximization(builtins.object) |
| |
Base class for Expectation - Maximization algorithm.
Treats data preparation, looping, e-step and m-step.
Usage:
em = ExpectationMaximization()
em.em() |
| |
Methods defined here:
- __init__(self, dump_path='../tests/data/em_01/')
- Constructor
:param dump_path: path to save temporary files. Mostly used for testing.
- compute_cost(self)
- e_step(self)
- em(self)
- Default chain for e-m algorithm.
:return: pi matrix.
- em_loop(self)
- Expectation maximization loop.
Executes e-step and m-step until a max number of iterations is reached
or until a delta between pi in two consecutive steps is less than a threshold.
:return: pi matrix
- import_data(self)
- Imports data from annotated text.
:return:
- initialize_parameters(self)
- Creates parameters for model computation.
:return:
- m_step(self)
Data descriptors defined here:
- __dict__
- dictionary for instance variables (if defined)
- __weakref__
- list of weak references to the object (if defined)
| |


-
Charity Statistics
31% of donors worldwide give to NGOs, NPOs & charities located outside of their country of
residence.
-
Charitable Giving Demographics
40% of Millennial donors are enrolled in a monthly giving program
-
School Fundraising Statistics
56% of the country’s public schools have at least one donor appeal on its site
-
Volunteering Statistics & Trends
Approximately 63 million Americans — 25% of the adult population — volunteer their time,
talents, and energy to making a difference.
-
Corporate Giving Statistics
Corporate giving was bolstered by $405 million in contributions related to disaster relief.
-
Online Giving For Churches
Giving to religion (defined as giving specifically to congregations, denominations,
missionary societies, and religious media) has consistently remained America’s single
largest recipient of charitable giving.


Logistic regression may give a headache initially. While the structure and idea is the same as “normal” regression, the interpretation of the b’s (ie., the regression coefficients) can be more challenging.
This post provides a convenience function for converting the output of the glm
function to a probability. Or more generally, to convert logits (that’s what spit out by glm
) to a probabilty.
Note1: The objective of this post is to explain the mechanics of logits. There are more convenient tools out there. (Thanks to Jack’s comment who made me adding this note.)
Note2: I have corrected an error pointed out by Jana’s comment, below (you can always check older versions on the Github repo).
Example time
So, let’s look at an example. First load some data (package need be installed!):
data(titanic_train, package = "titanic")
d <- titanic_train # less typing
Compute a simple glm:
glm1 <- glm(Survived ~ Pclass, data = d, family = "binomial")
The coeffients are the interesting thing:
coef(glm1)
## (Intercept) Pclass
## 1.4467895 -0.8501067
These coefficients are in a form called ’logits'.
Takeaway
If coefficient (logit) is positive, the effect of this predictor (on survival rate) is positive and vice versa.
Here Pclass
coefficient is negative indicating that the higher Pclass
the lower is the probability of survival.
Conversion rule
To convert a logit (glm
output) to probability, follow these 3 steps:
- Take
glm
output coefficient (logit) - compute e-function on the logit using
exp()
“de-logarithimize” (you’ll get odds then) - convert odds to probability using this formula
prob = odds / (1 + odds)
. For example, sayodds = 2/1
, then probability is2 / (1+2)= 2 / 3
(~.67)
R function to rule ’em all (ahem, to convert logits to probability)
This function converts logits to probability.
logit2prob <- function(logit){
odds <- exp(logit)
prob <- odds / (1 + odds)
return(prob)
}
For convenience, you can source the function like this:
source("https://sebastiansauer.github.io/Rcode/logit2prob.R")
For our glm:
logit2prob(coef(glm1))
## (Intercept) Pclass
## 0.8095038 0.2994105
How to convert logits to probability
How to interpret:
- The survival probability is 0.8095038 if
Pclass
were zero (intercept). - However, you cannot just add the probability of, say
Pclass == 1
to survival probability ofPClass == 0
to get the survival chance of 1st class passengers.
Instead, consider that the logistic regression can be interpreted as a normal regression as long as you use logits. So the general regression formula applies as always:
y = intercept + b*x
That is, in our example
logits_survival = intercept + b_survival*Pclass
where b_survival
is given in logits (it’s just the b-coefficient of Pclass).
So, it’ simple to calculate by hand, eg., the survival logits for a 2nd class passenger:
(intercept <- coef(glm1)[1])
## (Intercept)
## 1.44679
(b_survival <- coef(glm1)[2])
## Pclass
## -0.8501067
(logits_survival <- intercept + 2 * b_survival)
## (Intercept)
## -0.253424
Thus, the logits of survival are -0.25 Now we can convert to probability:
logit2prob(logits_survival)
## (Intercept)
## 0.4369809
Lumping logits to probability
Remember that $$e^1 \approx 2.71$$. That is, if your logit is 1, your odds will be approx. 2.7 to 1, so the the probability is 2.7 / 3.7, or about 3/4, 75%.
Similarly important, $$e^0 = 1$$. Hence, your odds will be 1:1, ie., 50%.
Hence, whenever your logit is negative, the associated probability is below 50% and v.v. (positive logit <–> probability above 50%).
Predict as convenience function
However, more convenient would be to use the predict
function instance of glm
; this post is aimed at explaining the idea. In practice, rather use:
predict(glm1, data.frame(Pclass = 1), type = "response")
## 1
## 0.644897
In the 1st class, survival chance is ~65%, and for 2nd class about 44%.
predict(glm1, data.frame(Pclass = 2), type = "response")
## 1
## 0.4369809
Conversion table
Here’s a look up table for the conversion:
logit_seq <- seq(-10, 10, by = 2)
prob_seq <- round(logit2prob(logit_seq), 3)
df <- data.frame(Logit = logit_seq,
Probability = prob_seq)
library(htmlTable)
htmlTable(df)
| Logit | Probability | |
|---|---|---|
| 1 | -10 | 0 |
| 2 | -8 | 0 |
| 3 | -6 | 0.002 |
| 4 | -4 | 0.018 |
| 5 | -2 | 0.119 |
| 6 | 0 | 0.5 |
| 7 | 2 | 0.881 |
| 8 | 4 | 0.982 |
| 9 | 6 | 0.998 |
| 10 | 8 | 1 |
| 11 | 10 | 1 |
A handy function is datatable
, does not work in this environment however it appears.
library(DT)
datatable(df)
The package mfx provides a convenient functions to get odds out of a logistic regression (Thanks for Henry Cann’s comment for pointing that out!).
Conversion plot
More convenient for an overview is a plot like this.
library(ggplot2)
logit_seq <- seq(-10, 10, by = .1)
prob_seq <- logit2prob(logit_seq)
rm(df)
df <- data.frame(Logit = logit_seq,
Probability = prob_seq)
ggplot(df) +
aes(x = logit_seq, y = prob_seq) +
geom_point(size = 2, alpha = .3) +
labs(x = "logit", y = "probability of success")
Takeway
The relationship between logit and probability is not linear, but of s-curve type.
The coefficients in logit form can be be treated as in normal regression in terms of computing the y-value.
Transform the logit of your y-value to probability to get a sense of the probability of the modeled event.
Happy glming!
sessionInfo
sessionInfo()
## R version 3.3.2 (2016-10-31)
## Platform: x86_64-apple-darwin13.4.0 (64-bit)
## Running under: macOS Sierra 10.12.4
##
## locale:
## [1] en_US.UTF-8/en_US.UTF-8/en_US.UTF-8/C/en_US.UTF-8/en_US.UTF-8
##
## attached base packages:
## [1] stats graphics grDevices utils datasets methods base
##
## other attached packages:
## [1] ggplot2_2.2.1 DT_0.2 htmlTable_1.9
##
## loaded via a namespace (and not attached):
## [1] Rcpp_0.12.10 knitr_1.16 magrittr_1.5
## [4] munsell_0.4.3 colorspace_1.3-2 R6_2.2.1
## [7] rlang_0.1 plyr_1.8.4 stringr_1.2.0
## [10] highr_0.6 dplyr_0.5.0 tools_3.3.2
## [13] grid_3.3.2 webshot_0.4.0 gtable_0.2.0
## [16] checkmate_1.8.2 DBI_0.6-1 htmltools_0.3.6
## [19] yaml_2.1.14 lazyeval_<IP_ADDRESS>00 assertthat_0.2.0
## [22] rprojroot_1.2 digest_0.6.12 tibble_<IP_ADDRESS>02
## [25] htmlwidgets_0.8 rsconnect_0.8 evaluate_0.10
## [28] rmarkdown_1.5 labeling_0.3 stringi_1.1.5
## [31] scales_0.4.1 backports_1.0.5 jsonlite_1.4


Generic Autocomplete
result: {{result}}
Autocomplete - Cities in Canada
result: {{result}}
Autocomplete - Establishments in the UK
result: {{result}}


public interface IOperationAdviceManager
| Modifier and Type | Field and Description |
|---|---|
static int |
MODE_ADVISE
Mode constant which indicates that advice should be computed for
an operation.
|
static int |
MODE_ADVISE_AND_EXECUTE
Mode constant which indicates that advice should be computed for
an operation.
|
static int |
MODE_ADVISE_AND_EXECUTE_AGAIN
Mode constant which indicates that advice should be computed for
an operation.
|
static int |
MODE_EXECUTE
Mode constant which indicates that an operation will be executed.
|
| Modifier and Type | Method and Description |
|---|---|
void |
addAdviceListener(IOperationAdviceListener listener)
Adds the given listener to the list of advice listeners which
will be notified of events by this manager.
|
IOperationReport[] |
getReports()
Returns the collection of operation reports contained in
this manager.
|
void |
removeAdviceListener(IOperationAdviceListener listener)
Removes the given listener from the list of advice listeners which
will be notified of events by this manager.
|
static final int MODE_ADVISE
static final int MODE_ADVISE_AND_EXECUTE
A given operation should not be advised in this mode more than once.
static final int MODE_ADVISE_AND_EXECUTE_AGAIN
A given operation should only be advised in this mode after it has
been advised in mode
MODE_ADVISE_AND_EXECUTE
.
A given operation may be advised in this mode multiple times.
static final int MODE_EXECUTE
A given operation should not be executed in this mode more than once.
IOperationReport[] getReports()
void addAdviceListener(IOperationAdviceListener listener)
listener
- the listener to addvoid removeAdviceListener(IOperationAdviceListener listener)
listener
- the listener to remove


For this project we used two primary sources of information. The first is from the National Cancer Institute to determine the "MET" value or "intensity" of the activity choices for our users. Although we only used ten activities in our page, the institutes' website lists upwards of one hundred different activities one can use to calculate calorie expenditure. The "MET" value is used in the final calculations to determine the calories burned during a strenuous (or not so strenuous) activity. This is done using the following formula.
Calories Burned = MET VALUE x Weight(in Kilograms) x Time(in Hours)
The second primary source of information is from an equation known as the Harris-Benedict Formula. This is used to calculate a persons "BMR" or Basal Metabolic Rate. This formula is used on our "plan" page to give information about dietary needs to meet the users goal.
Women BMR = 655 + (4.35 x weight in pounds) + (4.7 x height in inches) - (4.7 x age in years)
Men BMR = 66 + (6.23 x weight in pounds) + (12.7 x height in inches) - (6.8 x age in year)


{% extends "tutorial.html" %} {% block head %} {% endblock %} {% block html5badge %} {% endblock %} {% block iscompatible %} {% endblock %} {% block content %}
This past spring (2010) I took interest in the rapidly increasing support for HTML5 and related technologies. At the time, a friend and I had been challenging each other in two-week game development competitions to hone our programming and development skills as well as bring to life the game ideas we were constantly tossing at each other. So, I naturally began incorporating HTML5 elements into my competition entries to gain a better understanding for how they worked and be able to do things that were nearly impossible using earlier HTML specs.
Of the many new features in HTML5, the increasing support for the canvas tag offered me an exciting opportunity to implement interactive art using JavaScript, which led me to try implementing a puzzle game now called Entanglement. I had already created a prototype using the back of Settlers of Catan tiles, so using this as a blueprint of sorts, there are three essential parts to fashioning the hexagonal tile on the HTML5 canvas for web play: drawing the hexagon, drawing the paths, and rotating the tile. The following goes into detail outlining how I accomplished each of these in their current form.
In the original version of Entanglement, I used several canvas draw methods to draw the hexagon, but the current form of the game uses drawImage() to draw textures clipped from a sprite sheet.
I combined the images together into a single file so it's only one request to the server instead of, in this case, ten. To draw a chosen hexagon to the canvas, we first must gather our tools together: canvas, context, and the image.
To create a canvas, all we need is the canvas tag in our html document like so:
<canvas id="myCanvas"></canvas>
I give it an id so we can pull it into our script:
var cvs = document.getElementById('myCanvas');
Secondly, we need to grab the 2d context for the canvas so we can begin drawing:
var ctx = cvs.getContext('2d');
Lastly, we need the image. If it's named "tiles.png" in the same folder as our web page, we can get it by:
var img = new Image(); img.src = 'tiles.png';
Now that we have the three components, we can use ctx.drawImage() to draw the single hexagon we want from the sprite sheet to the canvas:
ctx.drawImage(img, sourceX, sourceY, sourceWidth, sourceHeight, destinationX, destinationY, destinationWidth, destinationHeight);
In this case, we're using the fourth hexagon from the left on the top row. Also, we will draw it to the canvas in the top left corner, keeping it the same size as the original. Assuming the hexagons are 400 pixels wide and 346 pixels high, altogether it will look something like this:
var cvs = document.getElementById('myCanvas'); var ctx = cvs.getContext('2d'); var img = new Image(); img.src = 'tiles.png'; var sourceX = 1200; var sourceY = 0; var sourceWidth = 400; var sourceHeight = 346; var destinationX = 0; var destinationY = 0; var destinationWidth = 400; var destinationHeight = 346; ctx.drawImage(img, sourceX, sourceY, sourceWidth, sourceHeight, destinationX, destinationY, destinationWidth, destinationHeight);
We have successfully copied part of the image to the canvas with this as the result:
Now that we have our hexagon drawn to the canvas, we want to draw a few lines on it. First, we will look at some geometry regarding the hexagon tile. We want two line ends per side with each ending 1/4 from the ends along the each edge and 1/2 of the edge apart from one another, like so:
We also want a nice curve, so, using a little trial and error, I found that, if I make a perpendicular line from the edge at each endpoint, the intersection from each pair of endpoints around a given angle of the hexagon makes a nice bezier control point for the given endpoints:
Now, we map both the endpoints and the control points to a Cartesian plane corresponding with our canvas image and we're ready to get back to the code. To keep it simple, we will start with one line. We will begin by drawing a path from the top left endpoint to the bottom right endpoint. With our earlier hexagon image being 400x346, that will make our top endpoint 150 pixels across and 0 pixels down, shorthand (150, 0). It's control point will be (150, 86). The bottom edge endpoint is (250, 346) with a control point of (250, 260):
With our coordinates in hand, we are now prepared to begin drawing. We will start fresh with ctx.beginPath() and then move to the first endpoint using:
ctx.moveTo(pointX1,pointY1);
We can then draw the line itself using ctx.bezierCurveTo() as follows:
ctx.bezierCurveTo(controlX1, controlY1, controlX2, controlY2, pointX2, pointY2);
Since we want the line to have a nice border, we will stroke this path twice using a different width and color each time. Color will be set using the ctx.strokeStyle property and width will be set using ctx.lineWidth. Altogether, drawing the first line will look like this:
var pointX1 = 150; var pointY1 = 0; var controlX1 = 150; var controlY1 = 86; var controlX2 = 250; var controlY2 = 260; var pointX2 = 250; var pointY2 = 346; ctx.beginPath(); ctx.moveTo(pointX1, pointY1); ctx.bezierCurveTo(controlX1, controlY1, controlX2, controlY2, pointX2, pointY2); ctx.lineWidth = 15; ctx.strokeStyle = '#ffffff'; ctx.stroke(); ctx.lineWidth = 10; ctx.strokeStyle = '#786c44'; ctx.stroke();
We now have a hexagonal tile with the first line meandering across:
Entering coordinates for the other 10 endpoints as well as the corresponding bezier curve control points, we can repeat the steps above and might create a tile something like this:
Once we have our tile, we want to be able to turn it so different paths can be taken in the game. To accomplish this using canvas, we use ctx.translate() and ctx.rotate(). We want the tile to rotate about it's center, so our first step is to move the canvas reference point to the center of the hexagonal tile. To do this we use:
ctx.translate(originX, originY);
Where originX will be half of the hexagonal tile's width and originY will be half of the height, giving us:
var originX = 200; var originY = 173; ctx.translate(originX, originY);
Now we are able to rotate the tile with our new center point. Since a hexagon has six sides, we will want to rotate it by some multiple of Math.PI divided by 3. We will keep it simple and go with a single turn clockwise using:
ctx.rotate(Math.PI / 3);
However, since our hexagon and lines are using the old (0,0) coordinates as the origin, once we are finished rotating, we will want to translate back before drawing. So, altogether we now have:
var originX = 200; var originY = 173; ctx.translate(originX, originY); ctx.rotate(Math.PI / 3); ctx.translate(-originX, -originY);
Putting the above translation and rotation before our rendering code causes it to now render the rotated tile:
Above I have highlighted a few of the capabilities that HTML5 has to offer using the canvas tag, including rendering images, drawing bezier curves, and rotating the canvas. Using the HTML5 canvas tag and its JavaScript drawing tools for Entanglement proved to be an enjoyable experience, and I look forward to the many new applications and games that others create with this open and emerging technology.
All code examples provided above are combined below as a reference:
var cvs = document.getElementById('myCanvas'); var ctx = cvs.getContext('2d'); var img = new Image(); img.src = 'tiles.png'; var originX = 200; var originY = 173; ctx.translate(originX, originY); ctx.rotate(Math.PI / 3); ctx.translate(-originX, -originY); var sourceX = 1200; var sourceY = 0; var sourceWidth = 400; var sourceHeight = 346; var destinationX = 0; var destinationY = 0; var destinationWidth = 400; var destinationHeight = 346; ctx.drawImage(img, sourceX, sourceY, sourceWidth, sourceHeight, destinationX, destinationY, destinationWidth, destinationHeight); ctx.beginPath(); var pointX1 = 150; var pointY1 = 0; var controlX1 = 150; var controlY1 = 86; var controlX2 = 250; var controlY2 = 260; var pointX2 = 250; var pointY2 = 346; ctx.moveTo(pointX1, pointY1); ctx.bezierCurveTo(controlX1, controlY1, controlX2, controlY2, pointX2, pointY2); ctx.lineWidth = 15; ctx.strokeStyle = '#ffffff'; ctx.stroke(); ctx.lineWidth = 10; ctx.strokeStyle = '#786c44'; ctx.stroke(); ctx.beginPath(); pointX1 = 250; pointY1 = 0; controlX1 = 250; controlY1 = 86; controlX2 = 150; controlY2 = 86; pointX2 = 75; pointY2 = 43; ctx.moveTo(pointX1, pointY1); ctx.bezierCurveTo(controlX1, controlY1, controlX2, controlY2, pointX2, pointY2); ctx.lineWidth = 15; ctx.strokeStyle = '#ffffff'; ctx.stroke(); ctx.lineWidth = 10; ctx.strokeStyle = '#786c44'; ctx.stroke(); ctx.beginPath(); pointX1 = 150; pointY1 = 346; controlX1 = 150; controlY1 = 260; controlX2 = 300; controlY2 = 173; pointX2 = 375; pointY2 = 213; ctx.moveTo(pointX1, pointY1); ctx.bezierCurveTo(controlX1, controlY1, controlX2, controlY2, pointX2, pointY2); ctx.lineWidth = 15; ctx.strokeStyle = '#ffffff'; ctx.stroke(); ctx.lineWidth = 10; ctx.strokeStyle = '#786c44'; ctx.stroke(); ctx.beginPath(); pointX1 = 325; pointY1 = 43; controlX1 = 250; controlY1 = 86; controlX2 = 300; controlY2 = 173; pointX2 = 375; pointY2 = 130; ctx.moveTo(pointX1, pointY1); ctx.bezierCurveTo(controlX1, controlY1, controlX2, controlY2, pointX2, pointY2); ctx.lineWidth = 15; ctx.strokeStyle = '#ffffff'; ctx.stroke(); ctx.lineWidth = 10; ctx.strokeStyle = '#786c44'; ctx.stroke(); ctx.beginPath(); pointX1 = 25; pointY1 = 130; controlX1 = 100; controlY1 = 173; controlX2 = 100; controlY2 = 173; pointX2 = 25; pointY2 = 213; ctx.moveTo(pointX1, pointY1); ctx.bezierCurveTo(controlX1, controlY1, controlX2, controlY2, pointX2, pointY2); ctx.lineWidth = 15; ctx.strokeStyle = '#ffffff'; ctx.stroke(); ctx.lineWidth = 10; ctx.strokeStyle = '#786c44'; ctx.stroke(); ctx.beginPath(); pointX1 = 325; pointY1 = 303; controlX1 = 250; controlY1 = 260; controlX2 = 150; controlY2 = 260; pointX2 = 75; pointY2 = 303; ctx.moveTo(pointX1, pointY1); ctx.bezierCurveTo(controlX1, controlY1, controlX2, controlY2, pointX2, pointY2); ctx.lineWidth = 15; ctx.strokeStyle = '#ffffff'; ctx.stroke(); ctx.lineWidth = 10; ctx.strokeStyle = '#786c44'; ctx.stroke();{% endblock %}


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Hello, I am 峰 (Fung)
Tools I worked on
Beta releases
Search Forvo Chrome extension
Search Forvo progressive web app
(works on Android),
Source
Search YouGlish progressive web app
(works on Android),
Source
Contact
Twitter


Rules of the Tribe: Hardcore Punks and Hair Metal in the 1980s
The chant began less than two minutes into the first song. An undercurrent at first, just a few hecklers. But it got louder with repetition, each wave building on the last. Soon the chant threatened to drown out the band itself.
“Fuck you!
It was tough to take. But it was entirely in keeping with everything else about this disastrous tour. The angry crowd in Long Beach. The broken-down van in the Sonoran desert. Sixteen tickets sold in Portland. Now, onstage in San Francisco, the members of Discharge—the fastest, meanest, most uncompromising English hardcore punk band of the 1980s—must have wished they were somewhere, anywhere else.
It was quite a comedown. On the band’s previous North American tour, in 1983, Discharge had played sold-out shows to thousands. Up-and-coming thrash metal bands Metallica and Slayer, both of whom would be headlining arenas soon, cited the group as a prime influence. Iconic punk fanzines like Flipside, which could make or break reputations, pronounced them “fucking great.”
But it was 1986, and a new era was dawning in underground music. Punk’s energy was waning, and metal was on the rise. Many punk bands were moving toward a more metallic sound, melding their radical politics and D.I.Y. approach with metal’s musical chops and low-end heft. For some bands the transition went off without a hitch. For others, though, it was akin to choosing sides in a civil war. Discharge, one of the most influential bands in punk history, chose wrong.
Back in San Francisco, the band skidded to a halt twelve minutes into the set. The singer, Cal, attempted a bit of bravado to counter the booing: “I love it when you talk dirty!”
Nobody in the audience was fooled. Out beyond the stage, the crowd was a roiling sea of leather-jacketed anger, a mosaic of jeering faces and raised middle fingers. San Francisco, like every other city in America, hated Discharge.
We suggest this recording of the ill-fated 1986 San Francisco show as a soundtrack while you read.
At first, Discharge didn’t stand out from the legions of punk bands that sprang up in the wake of the Sex Pistols’ incendiary 1977 debut. Indeed, the group’s first demos are filled with Pistols-esque songs of non-specific rebellion. The recordings sound like the work of bored teenagers, which is exactly what they were. The band members, working-class kids from the provincial town of Stoke-on-Trent, had a good idea of what their futures held—a succession of crappy jobs or a life on the dole, punctuated, perhaps, by nuclear annihilation. Punk offered an outlet.
The first wave of punk burnt out quickly. By 1980 Sid Vicious was gone and the Clash was branching out into reggae. Punk, the media declared, was dead. The guys in Discharge felt betrayed by their heroes, as this 1980 interview with the fanzine Grinding Halt demonstrates:
G.H.: What do you think of all the original punk groups now then?
Cal: There’s none left now, they’ve all either sold out or split up, there’s only a few bands left now who’re any good.
Rainy: They were good then, but now they’re shit…
Abandoning its Pistols-worship, Discharge began forging its own path. In the process, as Ian Glasper recounts in his history of English punk, Burning Britain, the band helped kick off punk’s second wave.
Musically, punk’s first wave hadn’t been all that far removed from regular rock’n’roll. “God Save the Queen,” with its hummable melody and simplistic chord changes, is clearly a relation, albeit distant, of Chuck Berry and the Rolling Stones. The difference is in the attitude, in Johnny Rotten’s adenoidal snarl.
Discharge’s revamped version of punk bore little resemblance to anything that had come before. It was faster, harsher, and often almost entirely lacking in melody. The riffs were generally three-chord affairs, but they were played at warp speed, accompanied by a rumbling bass and a merciless, galloping drumbeat. The songs rarely topped the two-minute mark. As Garry Maloney, who drummed on some of the band’s best recordings, explained to a ‘zine called Trakmarx, “We just embraced speed—the concept—not the drug—took it to its logical limit.”
The vocals, meanwhile, weren’t anything like Johnny Rotten’s. Cal’s hoarse barking just sounded angry. His lyrics, anarchist jeremiads against government oppression and nuclear war, were like nihilist haikus, delivered without metaphor, nuance, or humor. Here’s the entirety of “Is This To Be,” from the band’s seminal 1981 EP, Why:
Scorched earth is all that’s left
Where trees and flowers once grew
A trail of destruction
Death and destruction
Nothing left but wasteland
Littered with human flesh and bone
A trail of destruction
Death and destruction
Soon, as Glasper notes, Discharge was topping the UK’s independent charts and making waves across the globe. Even reviewers who hated the music couldn’t help but admire the band’s uncompromising attack. “I certainly never wish to listen to this record again when I’ve completed this review,” a critic wrote in Sounds magazine. “And yet Discharge are the very best of their kind. Their energy, as we used to say in ’77, is amazing.”
A short video shot in Toronto in 1983 captures the band’s live show in its heyday. Cal, sporting a soaped-up mohawk, stalks the stage like an apex predator, swinging the microphone and hanging over the stage’s edge to bait the crowd. His neck veins bulge as he screams. Pooch, the guitarist, and Rainy, the bassist, stand stock-still to either side of Cal, spike-haired golems, while the strobes flash behind them. Garry anchors the attack, pounding out a racing, relentless drumbeat. The camera cuts frequently to the crowd, which in its writhing resembles a human storm pattern.
At this point in its career, Discharge was hardcore royalty, the keeper of punk’s true flame.
It was a dangerous place to be.
When Discharge returned to North America three years later, in the summer of 1986, a new trend was sweeping the music world. All of the heat and light was focused on the Sunset Strip, in Los Angeles, on glam metal bands like Poison and Dokken. “Cock-rock” (as detractors termed it) was rock’s worst excesses made audible—spandex-clad and empty-headed, interested solely in partying and getting laid. But it was catnip to record label executives and ubiquitous on MTV. Underground groups of all stripes hopped on the AquaNet and cocaine bandwagon.
Glam metal was the antithesis of everything Discharge stood for. Bizarrely, though, Discharge had gone glam, too. Its new album, Grave New World, abandoned the brutal minimalism that had defined the band’s sound. The new stuff was twice as long, with hooks that sounded like Aerosmith outtakes and guitar solos best measured in geologic time. The lyrics remained substantive, tackling issues like drug addiction. Unfortunately, Cal delivered them in a nearly unlistenable wail, grasping at notes he couldn’t quite hit.
Moreover, the band had a new, markedly un-punk look: bird’s-nest hairdos, dangly earrings, mascara. The band photo on the album said it all: the anarcho-punks had become poodles with shiny, well-conditioned coats.
Reviews were unkind, to say the least.
Nowadays, punk and metal bleed into one another to such an extent that there’s often no practical difference between the two. Punks are still less likely to have hair and more likely to play fast instead of slow, but that’s about it. Within a few years the genres would hardly matter.
But in the mid-1980s the two sides were just beginning to feel each other out, and there was plenty of tribal animosity—think cats and dogs, skiers and snowboarders. For punks, purity was all. The Oakland band Neurosis was banned from Berkeley’s Gilman Street punk club when it began playing more slowly and using keyboards.
A 1986 column for MaximumRockNRoll, the international punk bible, illustrates the doctrinaire punk view. “What is just so dangerous about metal?” an English crust-punk wrote in a scene update. “Well, I can’t say I come into a great deal of contact with it, but on the occasions I have (not looking for faults), I’ve been amazed, even disgusted, at what I’ve found.” Don’t be fooled by the sonic similarities, he warned. Metal is reactionary stuff, and best avoided altogether: “Approach with caution and not glassy eyes.”
It was a losing battle. Even then a new scene was taking root, composed of bands that combined punk’s politics and attitude with the complexity and weight of metal. It was a seamless process for bands like C.O.C. and Cro-Mags, both of whom were rooted in hardcore culture but had a metallic sound, using slower tempos and chunky-sounding guitars.
Few bands, however, overhauled both their sound and look as significantly as Discharge did. Fewer still modeled that overhaul on Mötley Crüe.
By the time Discharge’s van rolled into San Francisco, the band had been on the road for weeks. The first show, in New York City, set the tone for the whole tour. As Jim MacNaughton, a 46-year-old New York scene veteran, remembers it, angry punks bought cans of Budweiser from the bar and hurled them, unopened, at the band. Another indignity followed: the singer of another legendary hardcore band, the Bad Brains, allegedly climbed into the balcony lugging a garbage can full of water then dumped it onto Discharge’s heads.
In San Francisco, the band was slated to play the Farm, a cavernous warehouse wedged between looping freeways in a rundown, industrial part of the city. It was a punk club, a chaotic place where punks and skinheads and metalheads regularly fought each other, along with the Latino gangs that held sway over the neighborhood.
That night a crowd of a thousand, most of them punks, had packed into the club. There’s no video of the show, but thanks to Nate Wilson, the proprietor of a blog named True Punk & Metal, we have a complete audio record. The then twenty-year-old metalhead taped it on a Walkman, perched on a bench near the soundboard.
Word traveled slowly back then, mostly via ‘zines, so many people didn’t know about the band’s transformation. It was obvious, though, as soon as Discharge took the stage: tight leather, spandex shirts, pouffed-up hair. According to Wilson, a surge of disgust ran through the crowd. “We all just went, ‘Ugh—they look like posers.’”
Discharge kicked things off with a new song. With the benefit of perspective, it’s not that terrible of a song. Cal’s caterwauling voice remains a tough sell, but the band sounds vital, and the rhythm section swings with an appealing looseness. It’s sinuous and a bit sleazy, more like Guns N’ Roses’ sidewinding “Mr. Brownstone,” which would be released the following year, than the plodding hair-metal epics of the day.
But on this stage, in front of this crowd, it was heresy. Worse, Cal had adopted some new, suspiciously rock star-ish moves, high-stepping around the stage, wagging his finger like Mick Jagger. Wilson says, “He looked like a less athletic David Lee Roth.”
On the tape, you can hear the first boo a mere 33 seconds into the song. The “Fuck Yous” took over shortly thereafter. They rolled through the crowd, petering out for a minute then returning even louder the next.
The end of the second song, nearly eight minutes in, elicited a weak cheer, a few claps, and a robust chant of “D.R.I.”—a local thrash band on the rise, which had played earlier that night.
That might be when people began throwing garbage, a steady rain of beer cans and anything else that wasn’t nailed down. Discharge stubbornly kept playing.
Five minutes later, following an audible “smack”—a beer can hit its mark, perhaps—the guitarist stopped playing. The rhythm section continued for ten more seconds, then the whole thing fell apart. The band walked off the stage, to the loudest crowd roar of the night.
For the next fifteen minutes, a succession of Farm staffers and scene guys harangued the crowd.
But still the booing.
Finally, after two-thirds of the audience had left, Discharge reemerged. “Everyone settled down now?” Cal asked.
Alas, no. They made it through two more songs. The hail of garbage never ceased.
When Discharge left the stage for the second and final time, it had played a total of nineteen minutes. Wilson says that Cal was crying.
There’s something admirable—and also a little nuts—about the band’s perseverance. Others might have packed it in after the first few shows, but Discharge soldiered on, facing the abuse each night. Maybe some concerts went well, and fans loved the band’s glammy turn. If so, there’s no record of it.
A video shot in Winnipeg near the end of the tour, the week after San Francisco, offers a glimpse of how Discharge was holding up. Garry, the drummer, and guitarist Stephen “Fish” Brooks submitted to a pre-show interview with a couple of solicitous Canadian punks. Cal, who probably bore the brunt of the loathing, was nowhere to be seen.
Fish, who has ratted-up yellow hair and ripped jeans, drinks beer, drags luxuriantly on a cigarette, and talks about groupies. He appears unfazed by the hostility. Garry, who wears his hair in a sleek ponytail and considers each question seriously, wants to explain it all—not just to his interviewers but, I’d guess, to himself.
He begins in a defensive crouch. The band’s new sound, he insists, is just an extension of the old, and the only difference is that they’re better musicians now. The interview moves on to other topics, but Garry returns to the subject, trying to scratch an itch he can’t reach. “We got out expecting all the people who used to come see us before, maybe to have changed as well, like the natural progression that we had,” he says. “But instead we had nothing but trouble at the shows.”
Many fans, he laments, expect the band to keep playing the same old songs. “We do a few early tracks still,” he says, frustration in his voice. “But, ah, it wasn’t enough.”
Garry seems wounded, and genuinely puzzled, by the unfairness of it all. And he’s right. You can’t preserve a sound—or a scene, for that matter—in amber. But those were the ironclad ways of the underground. As MacNaughton, the New York scene veteran, says, “It’s about the unwritten rules of the tribe. You don’t change.”
The band broke up after the tour. Cal, still following his hard-rock muse, assembled a new lineup in 1990 and put out two more albums that are almost as reviled as Grave New World. During this time the band appears to have played a lot in Japan, the last refuge of fading rock stars. There’s plenty from this period to disturb purists: a 1991 concert video, for instance, shows a shirtless Cal crawling through his guitarist’s legs during a song.
It wasn’t until 2002 that a quorum of original band members regrouped to make a record. (A version of the band is active today, but didn’t respond to emailed requests for comment.) Titled simply Discharge, it was the closest thing to the band’s “classic” era since 1983: the songs were short and punishing, and Cal didn’t try to sing. Discharge had finally come home.
Even through the darkest days, though, Discharge’s legacy was growing. Indeed, it set a template for generations of heavy musicians to come. Big-name metal bands like Metallica, Sepultura, and Slayer have been tireless proselytizers, covering Discharge songs and introducing their punk heroes to legions of young listeners.
More importantly, the band’s galloping drumbeat spawned its own hardcore subgenre, “D-Beat.” In the years after Discharge’s ascension, thousands of bands from Brazil to Japan adopted not only that drum beat but, in some cases, Discharge’s minimalist aesthetic, right down to the black-and-white graphics and the font of the band’s logo. Every big punk band has imitators. Nobody else has a subgenre.
A few years ago, the Swedish band Dissober gave “Grave New World” the proper D-Beat treatment. Half the length and twice the speed of the original, this take is a short, sharp, circa-1982 shock. As one YouTube commenter put it, “This is what this song should’ve sounded like.”
On a wet night last November, I went to a punk and metal show at a squat in West Oakland. Black-garbed people smoked cigarettes and swigged PBR in the courtyard, huddled against the elements. The performance room was damp, moist from rain and body heat but still cold, somehow. A couple of muddy dogs chased a rubber ball through the crowd, ducking under legs and skidding into walls.
A local D-Beat band named Old Crow began tuning up. After a blast of feedback, the guitarist looked up from his Flying-V. “You should get the dogs out,” he told the crowd. “We’re really loud. It might hurt their ears.”
He wasn’t exaggerating. The drummer set off with a loping D-Beat. The guitar joined in with a series of chugging barre chords.  The sound hit me in my solar plexus, just the way it was supposed to.
I surveyed the room. There were crust punks in black hoodies and vests, metal dudes with long hair and flannel, hipsters with messenger bags draped over their shoulders. Lots of people wore beat-up jackets covered with the patches of their favorite bands.
On the back of one, written in that iconic, sloping white script, was a familiar name: “Discharge.”


Propranolol slows down your heart rate and makes it easier for your heart to pump blood around your body.
It is usually prescribed for high blood pressure and other heart problems, but it can also help with the
physical signs of anxiety, like sweating and shaking.
Your very first dose of propranolol may make you feel dizzy, so take it at bedtime. After that, if you don't
feel dizzy, you can take it in the morning.
The main side effects of propranolol are feeling dizzy or tired, cold hands or feet, difficulties sleeping and
nightmares. These side effects are usually mild and short lived.
Propranolol is also called by the brand names Angilol, Bedranol, Beta-prograne, and Half Beta-prograne.


ScioVirtual is a nonprofit organization that provides quality virtual science courses at an affordable cost. All profits go towards hunger alleviation.
Managed and instructed by university and high school competitors with extensive state and national experience, courses emphasize mentorship. Veteran science competitors guide aspiring students in thinking scientifically and studying effectively. Courses are catered towards students interested in science competitions as well as learning advanced science not taught in school.
Our Story1700+ seats filled
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Courses ranging all science disciplines
Instructors include national and state medalists with extensive competitive experience. Veteran instructors mentor students to develop a toolkit to think scientifically and study effectively outside of class.
All profits from our affordable registration fees are donated to the Community FoodBank. With the ongoing pandemic, child hunger has been exacerbated. Financial aid is provided for all courses.
Virtual courses allow students to stay connected with others across the country during these isolated times. Classes are engaging with problem sets, valuable resources, and original tests in addition to icebreakers and other fun activities!
Subject specialists oversee the content of all courses falling in their respective domains.
Ensure the quality and consistency of all course material as well as how they are being taught.
Instructors are from powerhouse schools across the nation with extensive competition and research experience.
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- Dhruv, Parent of 6th grader
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Low-resolution lighting displays are commonplace in internet-of-things devices, wearable products and embedded interfaces. However, prototyping such displays is challenging and cumbersome as methods, specific domain knowledge and skills are only available to experts. Sketching-in-Light is a novel toolkit to assist with designing and evaluating the characteristics of low resolution lighting displays as well as content variations using different materials. The components of the toolkit include a tablet, a custom-built app and low-cost prototyping materials. The toolkit can easily be replicated and adopted by others working in this domain to prototype low-resolution lighting displays without requiring any previous expertise in hardware prototyping.
Relevant Publications
Marius Hoggenmueller and Luke Hespanhol. 2017. P+: a test fit platform for generative design of 3d media architecture. In Proceedings of the 6th international symposium on pervasive displays, New York, NY, USA, 2017.
Exhibition
27 May - 18 June 2016 - Vivid Sydney / Sydney (Australia)


Welcome to kaleyra-python’s documentation!¶
KRequest¶
-
class
api.messaging.k_request.
KRequest
(message, to)¶ Abstract class.
Note: KRequest is inherited by SMSMessageRequest and GroupRequest.
SMSMessageRequest¶
-
class
api.messaging.sms.sms_message_request.
SMSMessageRequest
(message=None, to=None, custom=None, datetime=None, dlr_url=None, flash=None, format=None, from_date=None, group_id=None, id=None, port=None, to_date=None, unicode=None)¶ -
credit_status
()¶ Method to check the available credits in the user’s account.
:return:object of SMSMessageResponse which would be used to return a specific response as per the user’s requirement.
-
credit_usage
()¶ Method to check credit usage of the user(API key) between two valid dates entered by the user.
:return:object of SMSMessageResponse which would be used to return a specific response as per the user’s requirement.
-
delete
()¶ Method to delete a scheduled SMS campaign after a valid message-id is received from the user.
:return:object of SMSMessageResponse which would be used to return a specific response as per the user’s requirements.
-
edit
()¶ Method to edit a scheduled SMS campaign after the mandatory parameters are validated and ID of the SMS campaign is entered correctly.
:return:object of SMSMessageResponse which would be used to return a specific response as per the user’s requirements.
-
schedule
()¶ Method to schedule a SMS campaign to a specified date and time after the required mandatory parameters received from the user are validated. dlr_url, custom, unicode and flash are optional parameters.
:return:object of SMSMessageResponse which would be used to return a specific response as per the user’s requirements.
-
send
()¶ Method to send a SMS campaign after the required mandatory parameters received from the user are validated. dlr_url, custom, unicode and flash are optional parameters.
:return:object of smsMessageResponse which would be used to return a specific response as per the user’s requirements.
-
set_schedule
(datetime, format)¶ Method to set the date and time when a SMS campaign is scheduled/edited.
:return:None
-
sms_status
()¶ Method to check the status of any sent SMS campaign using it’s message ID(not group ID).
:return:object of SMSMessageResponse which would be used to return a specific response as per the user’s requirement.
-
GroupRequest¶
-
class
api.messaging.group.group_request.
GroupRequest
(message=None, to=None, email_id=None, full_name=None, group_name=None)¶ -
add
()¶ Method to add contacts to an SMS group that already exists. full_name and email_id are optional parameters.
:return:groupResponse object which would be used to return a specific response as per user’s requirements.
-
create
()¶ Method to create a group of contacts having a unique name so that you can simply type the group name to send an SMS campaign.
:return:groupResponse object which would be used to return a specific response as per user’s requirements.
-
send
()¶ Method to send an SMS to a group of contacts.
:return:groupResponse object which would be used to return a specific response as per user’s requirements.
-
send_optin
()¶ Method to send an SMS to an optin group of contacts.
:return:groupResponse object which would be used to return a specific response as per user’s requirements.
-
KResponse¶
-
class
api.messaging.k_response.
KResponse
(data, response, message, status, status_code)¶ Abstract class.
Note: KResponse is inherited by SMSMessageResponse and GroupResponse.
-
get_data
()¶ Overridden abstract method.
-
get_message
()¶ Overridden abstract method.
-
get_status
()¶ Overridden abstract method.
-
get_status_code
()¶ Overridden abstract method.
-
to_json
()¶ Overridden abstract method.
-
SMSMessageResponse¶
-
class
api.messaging.sms.sms_message_response.
SMSMessageResponse
(data=None, message=None, status=None, status_code=None, response=None, position=None)¶ -
get_credits
()¶ :return:credits
-
get_customid
()¶ :return:customid
-
get_customid1
()¶ :return:customid1
-
get_customid2
()¶ :return:customid2
-
get_data
()¶ :return:data
-
get_delivery_time
()¶ :return:delivery_time
-
get_dlr_status
()¶ :return:delivery_status
-
get_end_date
()¶ :return:end_date
-
get_id
()¶ :return:id
-
get_message
()¶ :return:message
-
get_mobile
()¶ :return:mobile
-
get_sent_time
()¶ :return:sent_time
-
get_start_date
()¶ :return:start_date
-
get_status
()¶ :return:status
-
get_status_code
()¶ :return:status_code
-
get_total_credits
()¶ :return:total_credits
-
get_total_sms
()¶ :return:total_sms
-
to_json
()¶ :return:json
-
GroupResponse¶
-
class
api.messaging.group.group_response.
GroupResponse
(data=None, json_response=None, message=None, status=None, status_code=None, response=None)¶ -
get_data
()¶ :return:data
-
get_group_id
()¶ :return:group_id
-
get_message
()¶ :return:message
-
get_sms_message_responses
()¶ :return:smsMessageResponse
-
get_status
()¶ :return:status
-
get_status_code
()¶ :return:status_code
-
to_json
()¶ :return:json_response
-
TxtlyResponse¶
-
class
api.txtly.txtly_response.
TxtlyResponse
(response)¶ Constructor parses the response received from the server and populates the attributes of the class. The attributes are then returned when a function call is made by the user.
‘response’ parameter receives the HTTP response from the server.
Note: The value of all attributes are initially considered as None.
-
get_data
()¶ :return:data
-
get_id
()¶ :return:id
-
get_message
()¶ :return:message
-
get_status
()¶ :return:status
-
get_token
()¶ :return:token
-
get_txtly_link
()¶ :return:txtly
-
to_json
()¶ :return:json
-
TxtlyRequest¶
-
class
api.txtly.txtly_request.
TxtlyRequest
(advanced=None, id=None, name=None, page=None, title=None, token=None, track=None, url=None)¶ -
create
()¶ Method to create a txtly URL to be sent as a message.
Txtly is basically a shortened URL which can be used within text messages so that SMS would not exceed the specified characters.
- Returns
txtlyResponse object which is used to return a specific response as per user’s requirements
-
delete
()¶ Method to delete an existing Txtly web link.
- Returns
txtlyResponse object which is used to return a specific response as per user’s requirements
-
log
()¶ Method to extract the logs of all the Txtly link that have been shortened in the user’s account. page is an optional parameter.
- Returns
txtlyResponse object which is used to return a specific response as per user’s requirements
-
report
()¶ Method to extract the reports of all the Txtly links that have been shortened in the user’s account page is an optional parameter.
- Returns
txtlyResponse object which is used to return a specific response as per user’s requirements
-
TxtlyLog¶
-
class
api.txtly.txtly_log.
TxtlyLog
(response)¶ -
class
Pagination
(response)¶ Pagination is a nested class within TxtlyLog
-
get_extra
()¶ :return:extra
-
get_limit
()¶ :return:limit
-
get_limitstart
()¶ :return:limitstart
-
get_next
()¶ :return:next
-
get_now
()¶ :return:now
-
get_page
()¶ :return:page
-
get_total
()¶ :return:total
-
-
class
Txtlys
(response)¶ Txtlys is a nested class within TxtlyLog
-
get_browser
()¶ :return:browser
-
get_browser_engine
()¶ :return:browser_engine
-
get_browser_lang
()¶ :return:browser_lang
-
get_browser_version
()¶ :return:browser_version
-
get_city
()¶ :return:city
-
get_client_ip
()¶ :return:client_ip
-
get_country
()¶ :return:country
-
get_created
()¶ :return:created
-
get_device_brand
()¶ :return:device_brand
-
get_device_model
()¶ :return:device_model
-
get_device_type
()¶ :return:device_type
-
get_device_version
()¶ :return:device_version
-
get_fk_link_id
()¶ :return:fk_link_id
-
get_fkuserid
()¶ :return:fkuserid
-
get_host
()¶ :return:host
-
get_latitude
()¶ :return:latitude
-
get_log_id
()¶ :return:log_id
-
get_longitude
()¶ :return:longitude
-
get_mobile
()¶ :return:mobile
-
get_platform
()¶ :return:platform
-
get_platform_version
()¶ :return:platform_version
-
get_query_string
()¶ :return:query_string
-
get_region
()¶ :return:region
-
get_resolution
()¶ :return:resolution
-
get_scheme
()¶ :return:scheme
-
get_serial
()¶ :return:serial
-
get_status
()¶ :return:status
-
get_touch_enabled
()¶ :return:touch_enabled
-
get_user_agent
()¶ :return:user_agent
-
to_json
()¶ :return:json_response
-
-
get_data
()¶ :return:data
-
get_message
()¶ :return:message
-
get_pagination
()¶ :return:pagination
-
get_pagination_responses
()¶ :return:pagination_obj
-
get_status
()¶ :return:status
-
get_txtlys
()¶ :return:txtlys
-
get_txtlys_responses
()¶ :return:txtly_responses
-
to_json
()¶ :return:json_response
-
class
TxtlyReport¶
-
class
api.txtly.txtly_report.
TxtlyReport
(response)¶ -
class
Pagination
(response)¶ Pagination is a nested class within TxtlyReport
-
get_extra
()¶ :return:extra
-
get_limit
()¶ :return:limit
-
get_limitstart
()¶ :return:limitstart
-
get_next
()¶ :return:next
-
get_now
()¶ :return:now
-
get_page
()¶ :return:page
-
get_total
()¶ :return:total
-
-
class
Txtlys
(response)¶ Txtlys is a nested class within TxtlyReport
-
get_advanced
()¶ :return:advanced
-
get_callback
()¶ :return:callback
-
get_created
()¶ :return:created
-
get_last_viewed
()¶ :return:last_viewed
-
get_link_id
()¶ :return:link_id
-
get_link_type
()¶ :return:link_type
-
get_long_url
()¶ :return:long_url
-
get_meta_value
()¶ :return:meta_value
-
get_serial
()¶ :return:serial
-
get_short_url
()¶ :return:short_url
-
get_status
()¶ :return:status
-
get_title
()¶ :return:title
-
get_token
()¶ :return:token
-
get_uw
()¶ :return:uw
-
get_views
()¶ :return:views
-
to_json
()¶ :return:json_response
-
-
get_data
()¶ :return:data
-
get_message
()¶ :return:message
-
get_pagination
()¶ :return:pagination
-
get_pagination_responses
()¶ :return:pagination_obj
-
get_status
()¶ :return:status
-
get_txtlys
()¶ :return:txtlys
-
get_txtlys_responses
()¶ :return:txtly_responses
-
to_json
()¶ :return:json_response
-
class
Klient¶
Validation¶
-
class
utility.validation.
Validate
¶ Validates a particular parameter entered by the user with the required correct format. If the parameter/parameters entered by the user is not validated,then the execution of API is restricted.
-
static
abbr_month
(date_time)¶ Method to convert the datetime entered by the user in a format which has month entered in the abbreviated form to a standard format. Prints an alert statement to the user if the difference between the datetime entered by the user and the current datetime is not sufficient. Otherwise the date and time is converted to the string format and concatenated to a single string variable.
- :return:False if the time difference between the entered datetime and current time if not sufficient.
Otherwise,a string format of standard datetime which is required by the API is returned.
-
static
date_and_time_validation
(date_time, format)¶ Method which receives parameters entered by the user and converts it to a standard datetime format required by the API by calling the respective functions that are defined above, depending on the type of datetime format entered by the user. If the format and datetime entered by the user is incorrect, then an alert message is displayed to the user.
:return:Correct format of datetime obtained from datething() or abbr_month().
-
static
date_validation
(date, format)¶ Method which receives parameters entered by the user and converts it to a standard date format required by the API by calling the respective functions depending on the type of date format entered by the user. If the format and date entered is incorrect, then an alert message is displayed to the user.
:return:Correct format of date that is required by the API.
-
static
datething
(date, month, year, time)¶ Method used to concatenate the standard date and time and compare it with the current datetime. Prints an alert statement to the user if the datetime difference is not sufficient. Otherwise the date and time is converted to the string format and concatenated to a single string variable.
- :return:False if the datetime difference between the the entered datetime and current time is not sufficient.
Otherwise,a string format of standard datetime which is required by the API is returned.
-
static
group_name
(name)¶ Method to check whether the group_name has some content or is null.
- Returns
False and an alert message to the user if the group_name is blank and exits the execution. Otherwise it returns True and continues with the execution of API.
-
static
message
(message)¶ Method to check whether the message parameter has some content or is null.
- Returns
False and an alert message to the user if the message parameter is blank and exits the execution. Otherwise it returns True and continues with the execution of API.
-
static
number
(to)¶ Method to check whether the number entered is in the correct format or not.
- Returns
False and an alert message to the user if the number is not a valid number and exits the execution. Otherwise it returns True and continues with the execution of API.
-
static


This app is a demo of the e-mission geolocation plug-in. This plug-in can easily be reused in the context of contact tracing for example.
This app automatically detects the users trips and stores them on the phone. The user can manually push their trips to a server.
The plug-ins are :
Optimized to minimize the use the phone’s battery (location tracking is automatically disabled when not needed).
The platform development is being led by K. Shankari and has been adapted by a team of happy worker bees.
If you have any questions about this project, please feel free to contact us.


Birth of a legend
15 October 2017
I was born in Walsall, England. My parents are blue ragdolls. I have two siblings. My mummy brought me up along with her lady partner. My daddy lives else where.
15 October 2017
I was born in Walsall, England. My parents are blue ragdolls. I have two siblings. My mummy brought me up along with her lady partner. My daddy lives else where.
6 January 2018
One morning a new hooman came. She put me in a carrier box and drove somewhere. I cried all the way there. When we arrived I was in my new home. The new hooman introduced me to her partner. It was very scary but they made me feel loved. They got me all these gifts and played with me and gave me lots of cuddles.
My favourite hoomans in the world.
My favourite fooman is called Dominika. She looks after me and makes sure that I have everything I need. My other hooman is called Gareth. He has a thick dressing gown and lets me kneed on it.
The day I tried to run away.
One day my favourite hooman allowed me to hang out in the back garden by myself. I decided to explore the world behind the fence. It was not particulary exciting. I got lost. I thought I would never find my way home but then I heard my favourite hooman's voice. I cried until she found me and took me back. I will never go exploring again.
Chicken day.
One afternoon my hoomans gave me lots of chicken and wished me happy birthday. I am still unsure exactly what it means but I hope it happens again soon. I love chicken.


I am currently attending a React masterclass with my mentors Andrei Neagoie and Yihua Zhang on Udemy to extend my knowledge on building modern user interfaces and becoming a Senior React developer.
I will be available for hire or freelance work from 1st January 2020.
Feel free to contact me and please follow my progress on Github!


string rawurlencode ( string $str )
Encodes the given string according to » RFC 3986.
Returns a string in which all non-alphanumeric characters except -_.~ have been replaced with a percent () sign followed by two hex digits. This is the encoding described in » RFC 3986 for protecting literal characters from being interpreted as special URL delimiters, and for protecting URLs from being mangled by transmission media with character conversions (like some email systems). Note: Prior to PHP 5.3.0, rawurlencode encoded tildes (~) as per » RFC 1738.


--- title: Introduction permalink: /docs/introduction/ ---
Teach anyone win their fantasy league by running their own analyses, using Python and SQL. Focus on the baseball analysis; we will provide the data, infrastructure, and course material necessary to get started.
Programming is best learned by doing. We have removed upfront obstacles so you can focus on exercises. The course is designed around these exercises, but you should be exploring on your own. For example: when we show you how to identify the players with the biggest disagreement between fWAR and bWAR, you should try a similar approach for DRS and UZR.


{% extends 'base.html' %} {% block metadesc %}About the BirdWatch project, the bird image identification system for photographers: it's current capabilities, limitations, and the team behind it.{% endblock %} {% block title %}BirdWatch - About: The Capabilities, Limitations, and the People behind it{% endblock %} {% block og_title %}BirdWatch - Home: The Deep Learning Bird Image Identification System{% endblock %} {% block og_desc %}About the BirdWatch project, the bird image identification system for photographers: it's current capabilities, limitations, and the team behind it.{% endblock %} {% block pageurl %}https://app.birdwatch.photo/about{% endblock %} {% block navbar %}
{% endblock %} {% block content %}The BirdWatch Project aims to provide a solution to a simple problem that many wildlife photographers face: a way to identify the birds in their photographs
Built by an amateur photographer and a machine learning enthusiast, this project hopes to provide a solution to this problem using AI/Deep Learning and Computer Vision. BirdWatch can also be a useful tool for bird and nature enthusiasts, researchers and academics.
Application Changelog: See the BirdWatch application details page
The system can currently identify the following {{ classes|length }} species of birds:
| Bird ID | Bird Name |
|---|---|
| {{ bird_id + 1 }} | {{ bird_name }} |
| Bird ID | Bird Name |
|---|---|
| {{ bird_id + 1 }} | {{ bird_name }} |
The BirdWatch Application, as well as the BirdWatch Blog, is created an maintained by Thimira Amaratunga.
Thimira Amaratunga is an inventor, software architect, researcher in machine learning and computer vision, author, and an armature photographer.
Thimira is also the author of Codes of Interest, a website dedicated to sharing knowledge on Deep Learning, AI, and Computer Vision topics.


Number of Yetis
Your password does not match our records. Please re-enter your password.
Plase enter your 4-digit passcode


As with the list and the responsive table, the grid list displays a set of items. In contrast to both controls,
the grid list displays the items not in rows, but in a grid. The grid list is usually used as an alternative
view for a list or table. It is ideal for displaying images, charts, object cards, and other content, which
profit from more height (but less width).
Usage
Use the grid list if:
-
Your content is “visual” and profits from the rectangular format of the items. This is true for e.g.
images, charts, and object cards.
- The focus is on items, not on cells. The grid list shows complete items.
- You want to display a homogeneous set of basic data.
- You need to sort, group, or filter simple data sets.
- As an alternative view for tables or lists, if the content profits from the different format.
Do not use the grid list if:
-
Your content is not appropriate for a card-like format. For example, do not use the grid list for
displaying a wall of text. Use a table instead.
-
The main use case is to select one item from a very small number of items, without viewing additional
details. In this case, a select or combo box might be more appropriate.
-
Data needs to be structured in a hierarchical manner. In this case, a tree might be more appropriate.
- You need an overview of a large amount of data. In this case, use a chart.
-
You want to manage complex datasets that need to be extensively sorted, grouped, filtered, or edited. In
this case, use a table.


HACKAHOLIC
QUEST 1
Delve into the Labyrinth, O brave Warrior..
Jump the hurdles, Or you'll be the sorrier!
For deep in the maze, cloaked and concealed
SIX secret keys, success guaranteed!!
Godspeed. XP
LBZO
HBFJ
CYJY
Link to submit codes (all codes together only)


Treasure Map
Always find your way back, Mate
logout
add
Live your life by a Treasure Map not a Clock!


{{site.user_description}}
I have exper working on the front-end, going from pure CSS & HTML5 to Sass, Bootstrap or AngularJS/2+, VueJS and whatever!
My main development languages are Go and Python, but I also have worked with C++, C#, Java and etc.
Git, Gulp, Grunt, NPM, Linux, Docker, you name it, I have used a bajillion tools!


Blog Index
Friday, May 1, 2015: Phase 0 - Week 1 Version Control ... How and Why?
Friday, May 1, 2015: Chefs in the Kitchen - Fireside Chat
Friday, May 8, 2015: The CSS Box Model
Friday, May 15, 2015: Week 3 Technical Blog - Arrays Vs Hashes
Friday, May 15, 2015: Week 3 Cultural Blog
Friday, May 22, 2015: Week 4 Technical Blog - The Hills are Alive with Enumerables
Friday, May 22, 2015: Week 4 Cultural Blog - Issues Facing the Technology Industry
Friday, May 29, 2015: Week 5 Technical Blog - The Cooking Class
Friday, May 29, 2015: My Experience Pair Programming and Giving/Receving Feedback
Sunday, June 7, 2015: Functional Programming vs Object Oriented Design
Sunday, June 7, 2015: Stereotype Threat
Sunday, June 12, 2015: Ruby Docs vs Javascript Docs
Sunday, June 12, 2015: Cultural Blog - Values
Sunday, June 19, 2015: What is Rails Anyway?
Sunday, June 19, 2015: Cultural Blog - Conflict


Harshini 6563
This page lists the Student records
| Name |
Grade |
Room |
Telnum |
Pic |
Keyword |
{% for row in rows %}
| {{row["name"]}} |
{{row["Grade"]}} |
{{row["Room"]}} |
{{row['Telnum']}} |
|
{{row['Keyword']}} |
{% endfor %}
Enter a GRADE below to find people who have scored less
Enter Name to display Pictures