HomePage
Extends:
Component → HomePage
Constructor Summary
| Public Constructor | ||
| public |
constructor(props: any) Creates an instance of HomePage. |
Member Summary
| Public Members | ||
| public |
state: {"defaultSiteVersion": *, "open": *, "UploaderData": *} |
Method Summary
| Public Methods | ||
| public |
addSiteVersion(siteVersion: any) |
|
| public |
|
|
| public |
deleteSiteVersion(siteVersion: any) |
|
| public |
getUploaderData(UploaderData: any) |
|
| public |
|
|
| public |
|
|
| public |
onSubmit() |
|
| public |
render(): * |
|
| public |
updateSiteVersion(siteVersion: any) |
Public Constructors
public constructor(props: any) source
Creates an instance of HomePage.
Params:
| Name | Type | Attribute | Description |
| props | any |
Public Members
public state: {"defaultSiteVersion": *, "open": *, "UploaderData": *} source
Public Methods
public addSiteVersion(siteVersion: any) source
Params:
| Name | Type | Attribute | Description |
| siteVersion | any |
public componentWillMount() source
public deleteSiteVersion(siteVersion: any) source
Params:
| Name | Type | Attribute | Description |
| siteVersion | any |
public getUploaderData(UploaderData: any) source
Params:
| Name | Type | Attribute | Description |
| UploaderData | any |
public handleClose() source
public handleOpen() source
public onSubmit() source
public updateSiteVersion(siteVersion: any) source
Params:
| Name | Type | Attribute | Description |
| siteVersion | any |


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BY EDWIN JAHIEL
THE HURRICANE (1999) *** Directed by Norman Jewison; written by Armyan Bernstein and Dan Gordon, based on "The 16th Round" (1974) autobiography by Hurricane Carter, and on "Lazarus and the Hurricane" (1991) by Sam Chaiton and Terry Swinton. Photography, Roger Philip Rosenberg. Music, Christopher Young. Produced by Bernstein, John Ketcham and Jewison. Cast: Denzel Washington (Rubin Carter), John Hannah (Terry), Deborah Kara Unger (Lisa), Liev Schreiber (Sam), Vicellous Reon Shannon (Lesra), David Paymer (Myron Beldock), Dan Hedaya (Della Pesca), Harris Yulin (Leon Friedman), Garland Whitt (John Artis), Rod Steiger (Federal Judge Sarokin). A Universal release. 146 minutes. R (physical and psychological violence)
Several sources list this movie as 125 minutes long. The theater I saw it in says 146, as does the site of its chain. I had intended to use my chronometer, but I was engrossed enough to forget doing this.
I am also somewhat baffled by the hullabaloo raised by "The Hurricane," about historical inexactitudes and omissions. The movie falls in the genre of biopics. There's no more fanciful type than this, barring total fantasies like Hercules fighting the Incas. Biopics are notoriously manipulated, falsified, misleading and wrong. Think of films from great (even prize-winning) to junky, about figures ranging from Attila to Zola Napoleon, Zapata, Pasteur, Hitler, Lawrence of Arabia, Lord Nelson, Ferdinand de Lesseps, Queen Victoria, Buffalo Bill, Juarez, Mata Hari, Al Capone, Bonnie and Clyde, Hemingway and so on...
In fact, even with the best, most scholarly and historical intentions, the most faithful stories of a life have to have cuts, simplifications, amalgamations or condensations when they are turned into films.
The fact remains that the story of boxer Rubin "Hurricane" Carter has been made into a very good, very moving, very well-acted, very well-produced movie. It follows the life of a black boy who is sent to reformatory for pulling a knife on a white, influential local who is a child molester. The kid spends years in that prison, eventually escapes, joins the Army, becomes its lightweight champion abroad, returns home, becomes a middleweight contender. Two men enter a New Jersey bar and gun down three people (white). Carter, then 29 is arrested along with his 21-year old admirer John Artis (black). They are falsely accused and sentenced to three consecutive life sentences. They spent 19 years in prison.
Claiming his innocence, Carter set to prove it from his cell. As played by the extraordinary Denzel Washington, he is a mixture of fascinating personalities that complement one another: the rebel, the good convict, the man in despair, the man who educates himself, the writer of his autobiography "The 16th Round" published in 1974 while he was still in jail. It is this book that comes to the attention of Lesra, a 15-year old African-American boy whom some Canadian activists and commune-dwellers in Toronto had rescued from a bad family environment and "adopted" so as to prepare him for high school.
Lesra's fascination for Rubin Carter communicates to his hosts. These are Sam, Terry and Lisa, the prettiest chain-smoker in film history. They dedicate themselves to proving Rubin innocent, and eventually succeed.
The film has superior photography, and acting by Washington and by Vicellous Reon Shannon (Lesra) who is already an experienced actor and who is in reality far older than what he seems to be. The choice of music is one of the best, including the song "Hurricane" by Bob Dylan. Dylan was one of the defenders of Rubin's, along with many other champions, celebrities and non-celebrities, but it would seem that it was only the Canadian friends who showed enough staying power to finish the job.
"The Hurricane" is a grab-your-heartstrings, moving motion picture, even a two-handkerchief work. Its director, Norman Jewison, is a Canadian and an old "liberal" (a nice word that has been made into a pox by the Right). His credits include themes of discrimination, "A Soldier's Story" (about a black army officer) and "In the Heat of the Night"(about a black Philadelphia policeman in the South). He knows his subject.
"The Hurricane" is not without some inventions (over and above the omissions), such as a vengeful cop who is Rubin's nemesis the way Inspector Javert was to Jean Valjean in "Les Miserables." I will not detail them. They are for a good cause. They are also counterbalanced by some discreet touches, e.g. a prison guard who likes Carter, probably believes him, yet shows it silently simply through photographic angles and close-ups.
I disregard, or at least don't get hot under the collar for, several of the objections to the movie's historicity. But one aspect annoyed me: the fact that the three Canadians were unexplored characters. In reality there were several more people in the commune, here reduced to just three, the pro-Rubin activists. But eliminating the others leads to confusion. Are Terry, Lisa and Sam a menage a trois? Can one call three cohabitants a commune? What exactly did the micro-commune do besides taking in Lesra and fighting for Rubin? (We are not told, either, that eventually Lisa and Rubin married, then divorced --but that could be justified as a personal fact that comes after Carter's liberation).
Lacunae, some distortions and all, the film is valid, involving and anti-racist.. Its flaws of omission and commission are characteristic of the arguments of true believers in causes, of political movements, of schools of thought, where the activists draw blanket conclusions. Imperfect, but a fact of life. "Le mauvais gout mene au crime"(Stendhal)
Edwin Jahiel's film reviews are at: http://www.prairienet.org/ejahiel/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


class Sass::Selector::SimpleSequence
A unseparated sequence of selectors that all apply to a single element. For example, `.foo#bar` is a simple sequence of the selectors `.foo`, `#bar`, and `[attr=baz]`.
Attributes
The array of individual selectors.
@return [Array<Simple>]
This sequence source range.
@return [Sass::Source::Range]
The extending selectors that caused this selector sequence to be generated. For example:
a.foo { ... } b.bar {@extend a} c.baz {@extend b}
The generated selector `b.foo.bar` has `{b.bar}` as its `sources` set, and the generated selector `c.foo.bar.baz` has `{b.bar, c.baz}` as its `sources` set.
This is populated during the {Sequence#do_extend} process.
@return {Set<Sequence>}
@see {#subject?}
Public Class Methods
@param selectors [Array<Simple>] See {#members} @param subject [Boolean] See {#subject?} @param #source_range [Sass::Source::Range]
# File lib/sass/selector/simple_sequence.rb, line 69 def initialize(selectors, subject, source_range = nil) @members = selectors @subject = subject @sources = Set.new @source_range = source_range end
Public Instance Methods
Returns the element or universal selector in this sequence, if it exists.
@return [Element, Universal, nil]
# File lib/sass/selector/simple_sequence.rb, line 41 def base @base ||= (members.first if members.first.is_a?(Element) || members.first.is_a?(Universal)) end
Non-destructively extends this selector with the extensions specified in a hash (which should come from {Sass::Tree::Visitors::Cssize}).
@overload #do_extend(extends, parent_directives)
@param extends [{Selector::Simple => Sass::Tree::Visitors::Cssize::Extend}] The extensions to perform on this selector @param parent_directives [Array<Sass::Tree::DirectiveNode>] The directives containing this selector.
@return [Array<Sequence>] A list of selectors generated
by extending this selector with `extends`.
@see Sass::Selector::CommaSequence#do_extend
# File lib/sass/selector/simple_sequence.rb, line 143 def do_extend(extends, parent_directives, seen = Set.new) groups = Sass::Util.group_by_to_a(extends[members.to_set]) {|ex| ex.extender} groups.map! do |seq, group| sels = group.map {|e| e.target}.flatten # If A {@extend B} and C {...}, # seq is A, sels is B, and self is C self_without_sel = Sass::Util.array_minus(members, sels) group.each {|e| e.result = :failed_to_unify unless e.result == :succeeded} unified = seq.members.last.unify(self_without_sel, subject?) next unless unified group.each {|e| e.result = :succeeded} group.each {|e| check_directives_match!(e, parent_directives)} new_seq = Sequence.new(seq.members[0...-1] + [unified]) new_seq.add_sources!(sources + [seq]) [sels, new_seq] end groups.compact! groups.map! do |sels, seq| seen.include?(sels) ? [] : seq.do_extend(extends, parent_directives, seen + [sels]) end groups.flatten! groups.uniq! groups end
Returns a string representation of the sequence. This is basically the selector string.
@return [String]
# File lib/sass/selector/simple_sequence.rb, line 217 def inspect members.map {|m| m.inspect}.join end
# File lib/sass/selector/simple_sequence.rb, line 45 def pseudo_elements @pseudo_elements ||= (members - [base]). select {|sel| sel.is_a?(Pseudo) && sel.type == :element} end
Resolves the {Parent} selectors within this selector by replacing them with the given parent selector, handling commas appropriately.
@param super_cseq [CommaSequence] The parent selector @return [CommaSequence] This selector, with parent references resolved @raise [Sass::SyntaxError] If a parent selector is invalid
# File lib/sass/selector/simple_sequence.rb, line 83 def resolve_parent_refs(super_cseq) # Parent selector only appears as the first selector in the sequence unless (parent = @members.first).is_a?(Parent) return CommaSequence.new([Sequence.new([self])]) end return super_cseq if @members.size == 1 && parent.suffix.empty? CommaSequence.new(super_cseq.members.map do |super_seq| members = super_seq.members.dup newline = members.pop if members.last == "\n" unless members.last.is_a?(SimpleSequence) raise Sass::SyntaxError.new("Invalid parent selector for \"#{self}\": \"" + super_seq.to_a.join + '"') end parent_sub = members.last.members unless parent.suffix.empty? parent_sub = parent_sub.dup parent_sub[-1] = parent_sub.last.dup case parent_sub.last when Sass::Selector::Class, Sass::Selector::Id, Sass::Selector::Placeholder parent_sub[-1] = parent_sub.last.class.new(parent_sub.last.name + parent.suffix) when Sass::Selector::Element parent_sub[-1] = parent_sub.last.class.new( parent_sub.last.name + parent.suffix, parent_sub.last.namespace) when Sass::Selector::Pseudo if parent_sub.last.arg raise Sass::SyntaxError.new("Invalid parent selector for \"#{self}\": \"" + super_seq.to_a.join + '"') end parent_sub[-1] = parent_sub.last.class.new( parent_sub.last.type, parent_sub.last.name + parent.suffix, nil) else raise Sass::SyntaxError.new("Invalid parent selector for \"#{self}\": \"" + super_seq.to_a.join + '"') end end Sequence.new(members[0...-1] + [SimpleSequence.new(parent_sub + @members[1..-1], subject?)] + [newline].compact) end) end
Returns the non-base, non-pseudo-class selectors in this sequence.
@return [Set<Simple>]
# File lib/sass/selector/simple_sequence.rb, line 53 def rest @rest ||= Set.new(members - [base] - pseudo_elements) end
Whether or not this compound selector is the subject of the parent selector; that is, whether it is prepended with `$` and represents the actual element that will be selected.
@return [Boolean]
# File lib/sass/selector/simple_sequence.rb, line 62 def subject? @subject end
Returns whether or not this selector matches all elements that the given selector matches (as well as possibly more).
@example
(.foo).superselector?(.foo.bar) #=> true (.foo).superselector?(.bar) #=> false
@param sseq [SimpleSequence] @return [Boolean]
# File lib/sass/selector/simple_sequence.rb, line 200 def superselector?(sseq) (base.nil? || base.eql?(sseq.base)) && pseudo_elements.eql?(sseq.pseudo_elements) && rest.subset?(sseq.rest) end
@see Sass::Selector::Simple#to_a
# File lib/sass/selector/simple_sequence.rb, line 207 def to_a res = @members.map {|sel| sel.to_a}.flatten res << '!' if subject? res end
Unifies this selector with another {SimpleSequence}‘s {SimpleSequence#members members array}, returning another `SimpleSequence` that matches both this selector and the input selector.
@param sels [Array<Simple>] A {SimpleSequence}‘s {SimpleSequence#members members array} @param other_subject [Boolean] Whether the other {SimpleSequence} being merged is a subject. @return [SimpleSequence, nil] A {SimpleSequence} matching both `sels` and this selector,
or `nil` if this is impossible (e.g. unifying `#foo` and `#bar`)
@raise [Sass::SyntaxError] If this selector cannot be unified.
This will only ever occur when a dynamic selector, such as {Parent} or {Interpolation}, is used in unification. Since these selectors should be resolved by the time extension and unification happen, this exception will only ever be raised as a result of programmer error
# File lib/sass/selector/simple_sequence.rb, line 183 def unify(sels, other_subject) sseq = members.inject(sels) do |member, sel| return unless member sel.unify(member) end return unless sseq SimpleSequence.new(sseq, other_subject || subject?) end
Return a copy of this simple sequence with `sources` merged into the {SimpleSequence#sources} set.
@param sources [Set<Sequence>] @return [SimpleSequence]
# File lib/sass/selector/simple_sequence.rb, line 226 def with_more_sources(sources) sseq = dup sseq.members = members.dup sseq.sources = self.sources | sources sseq end
Private Instance Methods
# File lib/sass/selector/simple_sequence.rb, line 255 def _eql?(other) other.base.eql?(base) && other.pseudo_elements == pseudo_elements && Sass::Util.set_eql?(other.rest, rest) && other.subject? == subject? end
# File lib/sass/selector/simple_sequence.rb, line 251 def _hash [base, Sass::Util.set_hash(rest)].hash end
# File lib/sass/selector/simple_sequence.rb, line 235 def check_directives_match!(extend, parent_directives) dirs1 = extend.directives.map {|d| d.resolved_value} dirs2 = parent_directives.map {|d| d.resolved_value} return if Sass::Util.subsequence?(dirs1, dirs2) line = extend.node.line filename = extend.node.filename # TODO(nweiz): this should use the Sass stack trace of the extend node, # not the selector. raise Sass::SyntaxError.new("You may not @extend an outer selector from within #{extend.directives.last.name}. You may only @extend selectors within the same directive. From "@extend #{extend.target.join(', ')}" on line #{line}#{" of #{filename}" if filename}. ") end


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Game of Thrones - Season 8
Sampled Torrent IPs
Top Locations
Unique IPs
Total unique IPs located
Drag to rotate. Scroll to zoom.
Uses
Google WebGL Globe
•
Created by
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Enumeration
Account.Kind
public enum Kind
The kind of the account.
Relationships
Member Of
Account
An account could either be a debit account, a credit card, a loan or mortgage.
Enumeration Cases
checking
case checking
A checking account.
savings
case savings
A savings account.
investment
case investment
An investment account.
mortgage
case mortgage
A mortgage account.
creditCard
case creditCard
A creditCard account.
loan
case loan
A loan account.
pension
case pension
A pension account.
other
case other
Other type account.
external
case external
An external account.
unknown
case unknown
An unknown account.


A superhero is a person who does heroic deeds and has the ability to do them in a way that a normal person couldn’t. So in order to be a superhero, you need a power that is more exceptional than any power a normal human being could possess, and you need to use that power to accomplish good deeds. Otherwise, a policeman or a fireman could be considered a superhero.
For instance, a good guy fighting a bad guy could be just a regular police story or detective story or human-interest story. But if it’s a good guy with a superpower who is fighting a bad guy, it becomes a superhero story. If the good guy is doing something that a normal human being couldn’t do, couldn’t accomplish, then I assume he becomes a superhero.
Article on superhero at OUP blog
Alfred
Alfred Thaddeus Crane Pennyworth or simply Alfred is a fictional character appearing in American comic books published by DC Comics, most commonly in association with the superhero Batman. ... A vital part of the Batman mythos, Alfred was nominated for the Wizard Fan Award for Favorite Supporting Male Character in 1994.
Anchor to "What makes as superhero?"


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AssetHat
Load CSS and JS faster. Your assets are covered.
With Rails’ default asset caching, CSS and JS are concatenated (not even minified) at runtime when that bundle is first requested. Not good enough. To make your pages load faster, AssetHat can automatically:
- Easily minify and bundle CSS and JS to reduce file sizes and HTTP requests. Do this on deploy, and avoid any performance hit at runtime.
- Load popular libraries from the JS community — like jQuery, YUI, and Dojo — from Google's CDN when in production, or from localhost in development. It’s as simple as <%= include_js :jquery %> to load straight from Google.
- Load plenty of JS files in parallel in LABjs mode. When calling include_js, just add :loader => :lab_js.
- Force image URLs in your CSS to use CDN subdomains (including SSL support), not just the current host.
- Add an image’s last Git commit ID to its CSS URLs to bust browser caches (e.g., /images/foo.png?ab12cd3).
After setup, you can use this in your layouts and views:
<%= include_css :bundle => 'application' %> <%= include_js :jquery, :bundles => ['plugins', 'common'] %>
Which expands into:
<link href="/stylesheets/bundles/application.min.css" media="screen,projection" rel="stylesheet" type="text/css" /> <script src="/javascripts/jquery-1.x.x.min.js" type="text/javascript"></script> <!-- In production, jQuery loads from Google's CDN instead. --> <script src="/javascripts/bundles/plugins.min.js" type="text/javascript"></script> <script src="/javascripts/bundles/common.min.js" type="text/javascript"></script>
Don’t have your own copy of jQuery? AssetHat detects this and knows how to load jQuery from Google’s CDN instead, whether you’re in development or production.
Add this to your deploy script, and your CSS/JS will be optimized automatically:
rake asset_hat:minify
Tested with Rails 3 and Rails 2.3.x (with Bundler). For a quick overview, see the AssetHat website. To see how AssetHat performs in production, check some stats. For the gritty details, check the complete docs and change history.
Installation
Rails 3.x
- Add to your app’s Gemfile: gem 'asset_hat', '0.x.x'
- Command-line: bundle install
Rails 2.3.x
- Add the gem:
- If you’re using Bundler
0.9+:
- Add to your app’s Gemfile: gem 'asset_hat', '0.x.x'
- Command-line: bundle install
- If you’re using Rails 2.3.x’s config.gem:
- Add to your app’s config/environment.rb: config.gem 'asset_hat', :version => '0.x.x'
- Command-line: gem install asset_hat
- If you’re using Bundler
0.9+:
- Add to your app’s Rakefile: require 'asset_hat/tasks'
Quick start & configuration
- In all of your layouts and views, change stylesheet_link_tag to include_css, and change javascript_include_tag to include_js. (Don’t worry, these helpers use the same arguments as Rails’ helpers. Nothing will break.)
- Create the default config file:
rake asset_hat:config
- In your app, open the new file at config/assets.yml, and set up your CSS/JS bundles according to that file’s example.
- In your layouts and views, switch to the new bundles. For example, if you
originally had this:
<%# app/views/layouts/application.html.erb: %> <%= stylesheet_include_tag 'reset', 'application' %>
Then you’ll now have:
# config/assets.yml: css: bundles: application: ['reset', 'application'] <%# app/views/layouts/application.html.erb: %> <%= include_css :bundle => 'application' %>
- Add this to your deployment script:
rake asset_hat:minify
This minifies all of the CSS/JS files listed in config/assets.yml, concatenates the minified code into bundle files, and adds CDN asset hosts and cache-busting commit IDs to image URLs in your CSS.
Any previously minified bundles are overwritten; your original CSS/JS files remain untouched. Bundles are created as new files in public/stylesheets/bundles/ and public/javascripts/bundles/.
If you’re using a CSS/JS layer like SASS or CoffeeScript, be sure to compile/transpile to regular CSS/JS before running rake asset_hat:minify. (When AssetHat is ready for Rails 3.1, rake asset_hat:minify will automatically start with rake assets:precompile.)
Advanced configuration
If you manage deployments with Capistrano, see the gem’s packaged example at lib/asset_hat/capistrano.rb.
If your stack uses Unicorn, you’ll want to configure it so that assets’ commit IDs are precached only once. See the gem’s packaged example at lib/asset_hat/unicorn.rb.
If you want shorter output during deployments, you can use `rake asset_hat:minify FORMAT=short` (one output line per bundle) or `FORMAT=dot` (one output line total) in your deploy script.
Additional settings are supported in config/assets.yml:
- engine: Indicates how CSS and JS are minified; omit this setting
to use the defaults. By default, CSS is minified with rgrove/cssmin (a Ruby port of
Lecomte’s YUI Compressor and Schlueter’s PHP cssmin), and JS is
minified with rgrove/jsmin (a
Ruby port of Crockford’s JSMin).
If you’d prefer to have slightly more readable code for debugging purposes, you can switch both the CSS and JS engines to weak. However, the weak engines don’t save as many bytes.
- vendors: Configures third-party JS that’s loaded from a CDN
or other external source. The following example configures jQuery and
jQuery UI for use throughout the app:
js: vendors: jquery: version: 1.5.2 jquery_ui: version: 1.8.12 remote_url: http://cdn.example.com/js/jquery-ui-1.8.12.min.js remote_ssl_url: https://cdn-ssl.example.com/js/jquery-ui-1.8.12.min.js
Configuration keys per vendor:
- version: Sets the default version across the app. In the example above, <%= include_js :jquery %> uses version 1.5.2 by default. You can override this for special layouts/views with <%= include_js :jquery, :version => '1.3.2' %>.
- remote_url, remote_ssl_url: By default, vendor JS will load from Google's CDN in production (or any environment where config.action_controller.consider_all_requests_local is set to false). If the original request to your app used SSL, the vendor JS will also load from Google’s CDN via SSL. If you prefer to use a different CDN, specify its SSL/non-SSL URLs, and the appropriate URL will be used per request.
A full list of supported vendors is in the AssetHat::JS::Vendors module.
SSL configuration
When you request a page via SSL, some browsers (euphemism for “IE”) show errors if any assets — stylesheets, JS files, images — are served without SSL.
AssetHat plays well with SSL pages that load assets from a CDN. Put this in config/environments/production.rb or similar:
config.action_controller.asset_host = Proc.new do |source, request| "#{request.protocol}cdn#{source.hash % 4}.example.com" # => 'http://cdn0.example.com', 'https://cdn1.example.com', etc. end
This switches to a different CDN URL if the request used SSL. When you run rake asset_hat:minify at deploy time, AssetHat detects this configuration, and generates special SSL versions of each stylesheet that also load images from CDN via SSL. (Non-SSL pages still get non-SSL stylesheets.)
Usage
In your layouts and views, instead of these:
<%= stylesheet_link_tag 'reset', 'application', 'clearfix', :media => 'screen,projection', :cache => 'bundles/application' %> <%= javascript_include_tag 'plugin-1', 'plugin-2', 'plugin-3', :cache => 'bundles/application' %>
Use these:
<%= include_css :bundle => 'application' %> <%= include_js :bundle => 'application' %>
These turn into:
<link href="/stylesheets/bundles/application.min.css" media="screen,projection" rel="stylesheet" type="text/css" /> <script src="/javascripts/bundles/application.min.js" type="text/javascript"></script>
Have an enormous app? You can integrate gradually, using AssetHat alongside Rails’ default asset caching.
If your environment has config.action_controller.perform_caching set to true (e.g., in production), the layout/view will include minified bundle files. Otherwise, the separate, unminified files will be included, based on the bundle contents you define in config/assets.yml.
If your environment has config.action_controller.asset_host pointing to a CDN, your CSS/JS files will load from there. If your configuration supports using the CDN via SSL (see the section “SSL configuration”), SSL requests will also load CSS/JS files via SSL.
Advanced usage
You can also include single files as expected:
<%= include_css 'reset', 'application' %> <%= include_js 'plugin.min', 'application' %>
Or include multiple bundles at once:
<%= include_js :bundles => %w[plugins common] %>
When including multiple bundles at once, this yields one <link> or <script> element per bundle.
LABjs mode
Say you’re loading several JS bundles. However, because there are so many, you decide to try a popular script loader like LABjs to see how much it improves performance. Here’s how it’s done the old Rails way:
<%= javascript_include_tag 'LAB-1.2.0.min.js' %> <script> $LAB. script('/javascripts/jquery-1.6.1.min.js').wait(). script('/javascripts/common.js').wait(). script('/javascripts/search.js').wait(). script('/javascripts/app.js').wait(); </script>
What a hassle. With AssetHat, just set up a bundle in config/assets.yml:
js: bundles: app: - common - search - app
Ready to go. Here’s how to load jQuery and your bundle normally:
<%= include_js :jquery, :bundle => 'app' %>
And here’s how to switch on LABjs mode:
<%= include_js :jquery, :bundle => 'app', :loader => :lab_js %>
Add your preferred jQuery and LABjs versions to the config file if you haven’t already, and that’s it. If you don’t have a copy of LABjs locally, AssetHat knows how to instead load it from cdnjs, which uses high-speed Amazon Cloudfront servers.
This is just the most common LABjs use case. If you want to fine-tune it even further, you can have the best of both worlds:
<%= include_js :lab_js %> <script> $LAB. script('<%= include_js :jquery, :only_url => true %>').wait(). script('<%= include_js "common", :only_url => true %>'). // Non-blocking script('<%= include_js "search", :only_url => true %>').wait(). script('<%= include_js "app", :only_url => true %>').wait(); </script>
In this example, common is not a dependency for search, so allow either to execute as soon as possible — whichever happens to load first — rather than always forcing common to execute first.
Bundle tips
Don’t go overboard with huge bundles:
- Mobile browsers may not cache CSS/JS files that are too large, regardless of gzipping. Check the latest specs for each mobile browser you support.
- You might want to put plugins (rarely changed) in one bundle, and application code (frequently changed) in another bundle. This way, when the app code changes, the browser re-downloads only the new app code, and uses the cached plugin code.
- Regardless of code-change frequency, it’s sometimes faster to split a bundle in half, and load each half in parallel (i.e., two HTTP requests instead of one). LABjs mode can help with loading several smaller bundles in parallel. Your own tests will tell what’s optimal for your situation.
More info
- Official website
- Full documentation
- History/changelog
- Released under the MIT license.
Contributing
Have an idea, problem, or bug report? Send a pull request! Please base pull requests on the `development` branch, not the `master` branch.
Contributors:
What is best in AssetHat?
- To crush your assets;
- See them bundled before you; and
- Hear no more lamentation about slow page loads.


Ronny's team arrived Tuesday and went to Etosha Wednesday through Friday afternoon. It is now Friday night.
Etosha is a huge game reserve in northern Namibia... it's where Bryan takes teams so they can experience the Bush (not George).
I hear they had fun. Amber and Bryan went - Dana, Chad, and I stayed home. I should be going with Bob's team from FBC Woodway in July.
Tonight we had YWAP and Ronny's team did half of it. YWAP took about 2 hours tonight - which is really long, but it was good.
Bryan talked some, they played a video I made (an interview video), Namib kids did a skit, the Namib band played, the Highland BC band played, Ronny showed a Nooma video, Ronny talked... so, it went long.
While they were in Etosha, I spent my three days staring at computers - trying to figure out the file format issues I'm having with my camcorder.
You see: with a DV camcorder, you do your video editing with AVI files - which are video files with very little compression - ideal for editing. My hard drive camcorder records directly to a dolby digital MPEG-2. This is a compressed video file - ideal for storing, non-ideal for editing.
Since MPEG-2 is not ideal for editing, many/most video editors don't support MPEG2 input files. CyberLink PowerDirector does... which is good.
The MPEG-2 recordings are also interlaced instead of progressive, so if you play the videos in a normal player like, Windows Media Player, they look bad (they have skewed horizontal lines). I finally figured out that if I play these files in a DVD player program on the computer, the DVD player will de-interlace the video. It took me a long time to discover this because my recorded files are initially ".MOD". PowerDVD (whichever version I have) doesn't understand ".MOD". Even if I tell PowerDVD to open the file, it doesn't know what to do. I found out today that if you change the file extension from ".MOD" to ".mpg" PowerDVD does read the file, and will play it correctly.
I'm currently using a trial version of PowerDirector and hope to use the trial all summer (1-month trial, but I have multiple computers I can work on.) When I get back to the states, I'll do some better research and find which editor will be best for my situation (like Ulead, Vegas, or Premiere Elements).
Other than researching which editor to use, I think I am finally done being frustrated with the file type issues on my camcorder (I hope.)
How did it get to be 1:00AM? I have to be gone at 8:30 tomorrow morning.
Cheers.


--- layout: jobs title: Join the Ionic Team! header_title: Ionic Jobs header_sub_title: Help us change the way the world builds for mobile! news: Questions? Head over to our Community Forum to chat with others using the framework. ---


The array-based implementation for Mergesort uses how many arrays?
n
\log n
There are \log n
passes.
But the implementation is careful to reuse the auxilliary array rather than make a new one on each pass.
So Mergesort requires the original array and an auxilliary array.


| as.environment.xts {xts} | R Documentation |
Method to automatically convert an ‘xts’ object to an environment containing vectors representing each column of the original xts object. Each objects will be named according to the column name it is exracted by.
## S3 method for class 'xts' as.environment(x)
x |
an |
An experimental tool to convert xts
objects into environments
for simplifying use withing the standard R formula/data paradigm.
An environment
containing ncol(x)
vectors
extracted by column from x
. Note that environments
do not preserve (or have knowledge) of column position, a.k.a order.
Jeffrey A. Ryan
x <- xts(1:10, Sys.Date()+1:10) colnames(x) <- "X" y <- xts(1:10, Sys.Date()+1:10) colnames(x) <- "Y" xy <- cbind(x,y) colnames(xy) e <- as.environment(xy) # currently using xts-style positive k ls(xy) ls.str(xy)


THE SIEGE (1998)
a review by Christian Pyle
Edward Zwick's "The Siege" raises more questions than it can convincingly answer or even clearly articulate. Its subject is the rising threat of terrorism in American cities. Denzel Washington is Anthony "Hub" Hubbard, who runs the FBI's anti-terrorism task force in New York. His investigation into Arab terrorist cells intensifies when suicide bombers take out a busload of people. Hub focuses on a mysterious CIA operative (Annette Bening), whose goes by both "Elise" and "Sharon." As the terrorist attacks continue and the body count rises, the question of martial law is raised. Enter General Devereaux (Bruce Willis), who opposes martial law at first but who, as soon as the President decides to send in the Army, begins herding Arab immigrants into a prison camp and attacking every link that Hub uncovers in the terrorist chain. Hub listens as Devereaux tortures and murders a suspect.
The future Zwick and screenwriter Lawrence Wright offer is all too possible. What would happen, they ask, if terrorism became as much a fact of daily life in New York as it is in cities like Beirut and Belfast? What would happen to our civil liberties if soldiers patrol our streets with machine guns? These questions "The Siege" answers in realistic detail. It implies tougher ones, though: what can be done to combat terrorism without sacrificing justice and freedom? if we encourage terrorism abroad (from Bening's character we discover that the CIA trained the bombers), will it inevitably come back to us?
"Siege" avoids the tougher questions by endowing its hero, Hub, with a uncompromising sense of clear right and wrong. This comforting fantasy of Sir Galahad confronting the evils of the modern world is an escape from the thought-provoking issues the movie raises. Still, Zwick deserves credit for at least addressing the issue with as much realism as he does where so many movies (Willis' "Die Hard" series, for example) offer only a comic-book view on terrorism.
Grade: B
© 1999 Christian L. Pyle
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Resource brings a full-service experience to transforming living environments. From finding the perfect space solution to installation day, we are here every step of the way, ensuring the best in quality, beauty, and functionality.
After gathering your room measurements and identifying what you’d like to achieve, the Resource journey starts with a call or visit to a showroom. There you’ll connect with your personal design and production team who will guide you through every aspect of your project (appointments not required, but highly encouraged). We’ll first get to know you and your aspirations, so we can pinpoint the perfect solutions that beautifully, elegantly fit your exact needs.
Most of our furnishings are custom and made-to-order. To ensure the best solutions for your project, we’ll take a close look at your floor plans, measurements, photos, and other unique spatial considerations. For immediate furnishing needs in the US, we have an array of quick ship items ready for delivery, usually within three weeks.
Our expert design associates can assist with space planning to optimize the toughest of layouts. After visiting our showroom, we offer in-home design consultations (to those not already working with a designer) to better identify the best products and finishes in your space. For designers, we offer CAD blocks and a sketch-up library that can jump-start and streamline your design process. Once your furniture is selected, we can provide dimensioned floor plans and 3D renderings so you can envision exactly how your space will be transformed. With final details like finishes and colors decided, we’ll provide a quote and estimated lead time, so you’ll know exactly what to expect.
Once your design project is complete, you’ll step into a home that exceeds expectations in quality, style, and functionality. All of our wall beds come with a Lifetime Warranty, and Resource also offers reinstallation services so your furniture can move with you wherever you go.


Nameless Spirit:
Ah, you're back! How's Nurse Devorin doing? I just can't let her see me like this!
Do you have the lyrics?
"Here they are."


{% extends 'base.html' %} {% block title %} Terms of Use {% endblock %} {% block content %}
Acceptance of the Terms of Use
These terms of use are entered into by and between you ("You") and Blueprint Kansas, Inc., also known as KSVotes.org ("Corporation"). The following terms and conditions, together with any documents they expressly incorporate by reference and/or available by hyperlink (collectively, "Terms of Use"), govern Your access to and use of ksvotes.org, including any content, functionality, and services offered on or through ksvotes.org ("Website").
Please read the Terms of Use carefully before accessing or using the Website. By accessing or using any part of the Website, You accept and agree to be bound and abide by these Terms of Use and Privacy Policy, found at https://ksvotes.org/, incorporated herein by reference. If You do not agree to all Terms of Use, then You may not access the Website or use any services.
This Website is offered and available to users who are 18 years of age or older and are eligible to vote in the State of Kansas. By using this Website, You represent and warrant that You are of legal age to form a binding contract with the Corporation and meet all of the foregoing eligibility requirements. If You do not meet all of these requirements, You must not access or use the Website.
Changes to the Terms of Use
Corporation may revise and update these Terms of Use from time to time in its sole discretion. All changes are effective immediately when posted. Your continued use of the Website following the posting of revised Terms of Use means You accept and agree to the changes. You are responsible to check this page from time to time so You are aware of any changes, as they are binding on You.
Intellectual Property Rights
The Website and its entire contents, features, and functionality (including, but not limited to, all information, software, text, displays, images, video and audio, and the design, selection, and arrangement thereof), are owned by Corporation, its licensors, or other providers of such material and are protected by United States and international copyright, trademark, patent, trade secret, and other intellectual property or proprietary rights laws.
These Terms of Use permit You to use the Website for Your personal, non-commercial use only. You must not access or use for any commercial purposes any part of the Website or any services or materials available through the Website.
You cannot reproduce, duplicate, copy, sell, resell, or exploit any portion of the Website without express written consent by Corporation. If You print, copy, modify, download, or otherwise use the Website in breach of the Terms of Use, Your right to use the Website will cease immediately and You must, at Corporation's option, return or destroy any copies of the materials You have made. No right, title, or interest in or to the Website or any content on the Website is transferred to You, and all rights not expressly granted are reserved by the Corporation.
Trademarks
The Corporation name and all related names, logos, product and service names, designs, and slogans are trademarks of the Corporation or its affiliates or licensors. You must not use such marks without the prior written permission of Corporation. All other names, logos, product and service names, designs, and slogans on this Website are the trademarks of their respective owners.
Prohibited Uses
You may use the Website only for lawful purposes and in accordance with these Terms of Use. You agree not to use the Website in any way that violates any applicable federal, state, local, or international law or regulation, including, without limitation, any laws regarding the export of data or software to and from the United States or other countries. You further agree not to use the Website to engage in any conduct that restricts or inhibits anyone's use or enjoyment of the Website, or which, as determined by Corporation, may harm Corporation or users of the Website or expose them to liability.
Additionally, You agree not to: (a) use the Website in any manner that could disable, overburden, damage, or impair the site or interfere with any other party's use of the Website, including their ability to engage in real time activities through the Website; (b) use any robot, spider, or other automatic device, process, or means to access the Website for any purpose, including monitoring or copying any of the material on the Website; (c) use any manual process to monitor or copy any of the material on the Website or for any other unauthorized purpose without Corporation's prior written consent; (d) use any device, software, or routine that interferes with the proper working of the Website; (e) introduce any viruses, trojan horses, worms, logic bombs, or other material which is malicious or technologically harmful; (f) attempt to gain unauthorized access to, interfere with, damage, or disrupt any parts of the Website, the server on which the Website is stored, or any server, computer, or database connected to the Website; (g) attack the Website via a denial-of-service attack or a distributed denial-of-service attack; or (h) otherwise attempt to interfere with the proper working of the Website.
Reliance on Information Posted
The information presented on or through the Website is made available for general information purposes only and should not be relied upon or used as the sole basis for making decisions without consulting primary, more accurate, more complete, or more timely sources of information. Corporation does not warrant the accuracy or completeness of this information. Any reliance on the material on the Website is strictly at Your own risk. Corporation disclaims all liability and responsibility arising from any reliance placed on such materials by You or any other visitor to the Website, or by anyone who may be informed of any of its contents.
Information About You and Your Visits to the Website
All information collected on this Website is subject to the Privacy Policy [LINK TO WEBSITE'S PRIVACY POLICY]. By using the Website, You consent to all actions taken by us with respect to Your information in compliance with the Privacy Policy.
Other Terms and Conditions
Additional terms and conditions may also apply to specific portions, services, or features of the Website. All such additional terms and conditions are hereby incorporated by this reference into these Terms of Use.
Linking to the Website
You may link to the Website, provided You do so in a way that is fair and legal and does not damage Corporation's reputation or take advantage of it, but You must not establish a link in such a way as to suggest any form of association, approval, or endorsement by Corporation without Corporation's prior express written consent.
Third-Party Links
Third-party links on the Website may direct You to third-party websites that are not affiliated with Corporation. These links are provided for Your convenience only. This includes links contained in advertisements, including banner advertisements and sponsored links. Corporation is not responsible for examining or evaluating the content or accuracy, and Corporation does not warrant and will not have any liability or responsibility for any third-party materials or websites, or for any other materials, products, or services of third-parties.
Corporation is not liable for any harm or damages related to the purchase or use of goods, services, resources, content, or any other transactions made in connection with any third-party websites. If You decide to access any of the third-party websites linked to this Website, You do so entirely at Your own risk and subject to the terms and conditions of use for such websites. Complaints, claims, concerns, or questions regarding third-party products should be directed to the third-party.
Geographic Restrictions
The owner of the Website is based in the state of Kansas in the United States. This Website is provided for use only by persons located in the United States. Corporation makes no claims that the Website or any of its content is accessible or appropriate outside of the United States. Access to the Website may not be legal by certain persons or in certain countries. If You access the Website from outside the United States, You do so on Your own initiative and are responsible for compliance with local laws.
Disclaimer of Warranties
You understand Corporation cannot and does not guarantee or warrant that files available for downloading from the internet or the Website will be free of viruses or other destructive code. You are responsible for implementing sufficient procedures and checkpoints to satisfy Your particular requirements for antivirus protection and accuracy of data input and output, and for maintaining a means external to Website for any reconstruction of any lost data. Corporation is not liable for any loss or damage caused by a distributed denial-of-service attack, viruses, or other technologically harmful material that may infect Your computer equipment, computer programs, data, or other proprietary material due to Your use of the Website or any services or items obtained through the Website or to Your downloading of any material posted on the Website, or on any third-party link on the Website.
Your use of the Website, its content, and any services or items obtained through the Website is at Your own risk. The Website, its content, and any services or items obtained through the Website are provided on an "as is" and "as available" basis, without any warranties of any kind, either express or implied. Neither Corporation nor any person associated with Corporation makes any warranty or representation with respect to the completeness, security, reliability, quality, accuracy, or availability of the Website. Without limiting the foregoing, neither Corporation nor anyone associated with Corporation represents or warrants that the Website, its content or any services or items obtained through the Website will be accurate, reliable, error-free, or uninterrupted, that defects will be corrected, that the Website or the server that makes it available are free of viruses or other harmful components or that the Website or any services or items obtained through the Website will otherwise meet Your needs or expectations.
The Corporation hereby disclaims all warranties of any kind, whether express, implied, statutory, or otherwise, including, but not limited to, any warranties of merchantability, non-infringement, and fitness for particular purpose. The foregoing does not affect any warranties which cannot be excluded or limited under applicable law.
Limitation on Liability
In no event will Corporation, its affiliates or their licensors, service providers, employees, agents, officers, or directors be liable for damages of any kind, under any legal theory, arising out of or in connection with Your use, or inability to use, the Website, any websites linked to it, any content on the Website or such other websites, or any services or items obtained through the Website or such other websites, including any direct, indirect, special, incidental, consequential, or punitive damages, including, but not limited to, personal injury, pain and suffering, emotional distress, loss of revenue, loss of profits, loss of business or anticipated savings, loss of use, loss of goodwill, or loss of data, and whether caused by tort (including negligence), breach of contract, or otherwise, even if foreseeable. The foregoing does not affect any liability which cannot be excluded or limited under applicable law.
Indemnification
You agree to defend, indemnify, and hold harmless Corporation, its affiliates, licensors and service providers, and its and their respective officers, directors, employees, contractors, agents, licensors, suppliers, successors, and assigns from and against any claims, liabilities, damages, judgments, awards, losses, costs, expenses, or fees (including reasonable attorneys' fees) arising out of or relating to Your violation of these Terms of Use or Your use of the Website, including, but not limited to, any use of the Website's content, services, and products other than as expressly authorized in these Terms of Use, or Your use of any information obtained from the Website.
Governing Law and Jurisdiction
All matters relating to the Website and these Terms of Use and any dispute or claim arising therefrom or related thereto (in each case, including non-contractual disputes or claims), shall be governed by and construed in accordance with the internal laws of the State of Kansas without giving effect to any choice or conflict of law provision or rule. Any legal suit, action, or proceeding arising out of, or related to, these Terms of Use or the Website shall be instituted exclusively in the federal district court of Kansas or the courts of the State of Kansas at Sedgwick County.
Arbitration
At Corporation's sole discretion, it may require You to submit any disputes arising from the use of these Terms of Use or the Website, including disputes arising from or concerning their interpretation, violation, invalidity, non-performance, or termination, to final and binding arbitration under the Rules of Arbitration of the American Arbitration Association, applying Kansas law.
Waiver
No waiver by the Corporation of any term or condition set forth in these Terms of Use shall be deemed a further or continuing waiver of such term or condition or a waiver of any other term or condition, and any failure of the Corporation to assert a right or provision under these Terms of Use shall not constitute a waiver of such right or provision.
Severability
In the event that any provision of these Terms of Use is determined to be unlawful, void, or unenforceable for any reason, such provision shall nonetheless be enforceable to the fullest extent permitted by applicable law, and the unenforceable portion shall be deemed to be severed from these Terms of Use, but such determination shall not affect the validity and enforceability of any other remaining provisions.
Entire Agreement
These Terms of Use, Privacy Policy, and any policies or operating rules posted by Corporation on this Website constitute the entire agreement and understanding between You and Corporation and govern Your use of the Website, superseding any prior or contemporaneous agreements, communications, and proposals, whether oral or written, between You and Corporation, including, but not limited to, any prior versions of the Terms of Use.
Contact Information
This website is operated by Blueprint Kansas, Inc., a Kansas Nonprofit Corporation. Questions about the Terms of Use should be sent to us at<EMAIL_ADDRESS>Last Modified: October 9, 2017


Quick questions
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After graduating I will be looking into freelance development to ease into the career. I will polish my skills and prepare myself for real world projects.
I have created this site showcase some of my work while I have been at Full Sail. All projects can be made available upon request.


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Medieval catalogues > UNIVERSITY AND COLLEGE LIBRARIES OF CAMBRIDGE > Donor documents > Will of William Gedge, 2 October 1500; Peterhouse
{% endif %}3 identified entries found.
All data was derived from the List of Identifications by Professor Richard Sharpe.
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[§10-20]Taro security; funding. (a) The office may seek available federal, state, county, or private funding to restore taro and loi cultivation. The office shall cooperate with other public and private agencies, as appropriate, in applying for funds pursuant to this section.
(b) The office may use and distribute funds received pursuant to subsection (a) for projects that use taro for:
(1) Flood control;
(2) Wetland restoration and preservation;
(3) Food security;
(4) Community economic development;
(5) Job creation;
(6) Education; and
(7) Water-quality protection. [L 2010, c 196, §2]
Cross References
Hand-pounded poi, see §321-4.7.


Numbers 15:9
Then shall he bring with a bullock a meat offering of three tenth deals of flour mingled with half an hin of oil.


PlayStation's DualShock controllers are terrible and I hate using them
Source: Jennifer Locke / Android Central
One of the first controllers I ever used as a kid was the DualShock 2. I hated it. Nothing about it felt comfortable to hold, and the way the thumbsticks were laid out threw me off. Nearly 20 years later, my opinion hasn't changed — much like the DualShock's fundamental design.
When the PlayStation 5 was announced, I had hoped — rather naively — that the DualShock's inevitable redesign could finally change my mind. While I haven't seen or held the controller yet, likely to be called the DualShock 5, early impressions don't sound too great. In fact, according to Wired, it just looks to be more of the same.
Source: Jennifer Locke / Android Central
I really don't understand Sony's thought process behind the design. The ergonomics are bad. It doesn't fit as comfortably in your hands as the Xbox controller does, the DualShock 4's light drains its battery — which is notoriously bad, and the symmetrical thumbstick layout doesn't feel natural. Even the triggers are lacking. They aren't shaped to mold around your fingers at a curved angle; they just abruptly come to a straight edge and drop off. It doesn't fit your natural grip.
Its giant touchpad does nothing of actual use other than take up space where a smaller button would have sufficed. Games generally aren't built to support the touchpad for anything more than a way to pull up a menu. It's a gimmick that's overstayed its welcome.
There's a reason a lot of premium third-party PS4 controllers — not always taking into consideration thumbstick position — look more like that of Xbox controllers, the Astro C40 TR and Razer Raiju Ultimate being two prominent examples. There's even one of a lesser-known brand that's just a wholesale ripoff of the Xbox One controller's design. You'll be hard-pressed to find examples of the opposite where a third-party Xbox One controller looks like a DualShock clone.
The second I had a usable PS4 controller in my hands that wasn't the DualShock 4 was the second I realized I could never go back. As it stands my DualShock controller sits in a drawer collecting dust, which I only cleaned off to take pictures for this article.
Source: Android Central
For everything that Sony does right with its hardware and software, I still can't fathom how it continues to drop the ball when it comes to the DualShock controller. A controller is one of the most fundamental aspects of gaming.
You can't deny that the next DualShock will pack some impressive features with haptic feedback and adaptive triggers, but those don't make or break a controller. The intrinsic physical design does. No matter how many bells and whistles you cram into it, there needs to be a solid foundation. And the DualShock doesn't have one.
Little victories
It isn't right to dismiss the DualShock 4 controller completely without acknowledging what it does well and where it bests its competitors. The Share button is a feature that I hope every company employs going forward. Gaming is a social experience now more than ever. The importance of being able to quickly share your favorite screenshots and accomplishments or just broadcast your gameplay to an audience with the press of a button cannot be understated. Sony was ahead of the curve on this one.
And its internal battery that can be charged via USB is something I hope Xbox will adopt as well.  Sure, I could buy a separate battery pack, but it'd be even better if Xbox designed its controllers like that to begin with so that they are included in your purchase of a console. (Yes, the Elite Series 2 uses a battery rechargeable via dock or USB-C, but it's also $180.)
What do you think of the DualShock controller? Let us know in the comments below!
Swap and play
Astro C40 TR
Use a real controller
It's expensive, but well worth the price. After using the Astro C40 TR controller, you can never go back to a regular DualShock. The ability to configure your thumbstick layout is an added bonus on top of extra paddles and hair trigger toggles.
We may earn a commission for purchases using our links. Learn more.


Football
I played football for over 10 years with De La Salle FC.
The majority of my success came in the final seasons where we won two League Cups, the Youth A League and reached the semi final of the Munster Cup.
I also played for the Waterford Youth Development Squad where we won the All Ireland.
Ultimate Frisbee
My first venture into Ultimate Frisbee was P.E. in Secondary School but I have begun training since I have come to college.
Ultimate is a refreshing change of pace from the seriousness that I often find permeates football. I have my friends and I enjoy keeping fit in such a fun environment.


gov.uk have removed  styling through the reset css but have included an override via the use of the .bold-{size} class.
You can also use the decoration class .bold to make any text bold agnostic of its size.
bold extra small
bold small
bold medium
bold large
bold extra large
bold extra extra large
HTML

bold extra small

bold small

bold medium

bold large

bold extra large

bold extra extra large

SASS
// Bold font sizes
.bold-xxlarge {
@include bold-80();
}
.bold-xlarge {
@include bold-48();
}
.bold-large {
@include bold-36();
}
.bold-medium {
@include bold-24();
}
.bold-small {
@include bold-19();
}
.bold-xsmall {
@include bold-16();
}
// Bold, without needing a font size
.bold {
font-weight: 700;
}


Twinkle Cats
A Tutorial Channel for Technology Lovers
What is Your Name?
What is Your Email?
What is Your Password?
Please Join


cdist is a usable configuration management system.
KISS principle
cdist is simple. Unnecessary complexity are not there.
Suitable for every environment
cdist is used in small up to enterprise grade environments.
a better alternative
cdist is an alternative to other configuration management systems like bcfg2, chef, cfengine and puppet.
WHY SHOULD I USE cdist?
There are several motivations to use cdist, these are probably the most popular ones.
Known language
Cdist is being configured in shell script. Shell script is used by UNIX system engineers for decades. So when cdist is introduced, your staff does not need to learn a new DSL or programming language.
Powerful language
Not only is shell scripting widely known by system engineers, but it is also a very powerful language. Configuration can react dynamicly on explored values. High level string manipulation. (using sed, awk, grep) Conditional support. (if, case)
Loop support. (for, while) Support for dependencies between cdist types
More than shell scripting
If you compare regular shell scripting with cdist, there is one major difference: When using cdist types, the results are idempotent. In practice that means it does not matter in which order you call cdist types, the result is always the same.
Zero dependency configuration management
cdist requires very litte on a target system. In almost all cases all dependencies are usually fulfilled. cdist does not require an agent or a high level programming languages on the target host: it will run on any host that has a ssh server running and a posix compatible shell (/bin/sh). Compared to other configuration management systems, it does not require to open up an additional port.
Push based distribution
cdist uses the push based model for configuration, meaning one (or more) computers connect the target hosts and apply the configuration. So the source host has very little requirements, cdist can even run on a sysadmin notebook that is loosely connected to the network and has limited amount of resources. Only one machine needs access to the target hosts. No target hosts will ever need to connect back to the source host, which contains the full configuration.
Highly scalable
If at some point you manage more hosts than can be handled from a single source host, you can simply add more resources: Either add more cores to one host or add hosts. Cdist will utilise the given resources in parallel.
We are constantly enhancing our configuration portfolio,
but in case you have a specific wish - do not hesitate to contact us for
a development quote.
3.Configure!
Press the configure button.
Press the configure button and we will verify that access
to your system work and ensure it is configured as chosen.
Project Name
Lorem ipsum dolor sit amet consectetur.
Start Bootstrap's Agency theme is based on Golden, a free PSD website template built by Mathavan Jaya. Golden is a modern and clean one page web template that was made exclusively for Best PSD Freebies. This template has a great portfolio, timeline, and meet your team sections that can be easily modified to fit your needs.
You can download the PSD template in this portfolio sample item at FreebiesXpress.com.
Project Name
Lorem ipsum dolor sit amet consectetur.
Escape is a free PSD web template built by Mathavan Jaya. Escape is a one page web template that was designed with agencies in mind. This template is ideal for those looking for a simple one page solution to describe your business and offer your services.
You can download the PSD template in this portfolio sample item at FreebiesXpress.com.
Project Name
Lorem ipsum dolor sit amet consectetur.
Dreams is a free PSD web template built by Mathavan Jaya. Dreams
is a modern one page web template designed for almost any purpose. It’s a
beautiful template that’s designed with the Bootstrap framework in
mind.
You can download the PSD template in this portfolio sample
item at FreebiesXpress.com.


{% extends "partials/tooltips/base.html" %}
{% block title %}
Special and Extraordinary Expenses
{% endblock %}
{% block inner %}
Special expenses are over and above the regular cost of living for a child,
such as the cost of child care or post-secondary education. Extraordinary
expenses are for education, programs, or extracurricular activities that meet
the child's needs, such as for tutoring or private school, or for other
activities at which the child excels.
{% endblock %}
{% block label %}
{% if text %}{{ text }}{% else %}special and extraordinary expenses{% endif %}
{% endblock %}


| Ken Flurchick | Libero Bartolotti | |
|
Ohio Supercomputer
Center |
North Carolina
Supercomputing Center |
|
| 1224 Kinnear Rd | 3021 Cornwallis Rd | |
| Columbus, OH 43212 |
Research Triangle Park, NC
27709 |
|
| Theresa Windus | Mark Reed | |
|
Environmental Molecular
Science Laboratory |
North Carolina
Supercomputing Center |
|
| 3335 Q Ave. MS K8-91 | 3021 Cornwallis Rd | |
|
Richland, WA
99352 |
Research Triangle Park, NC
27709 |


Big Trouble in Little China (1986) Rating: 4.5 stars out of 5.0 stars Reviewed by Chuck Dowling
Cast: Kurt Russell, Kim Cattrall, Dennis Dun, James Hong, Victor Wong, Kate Burton, Donald Li, Jerry Hardin Written by: Gary Goldman and David Z. Weinstein Adapted by: W.D. Richter Directed by: John Carpenter Running Time: 99 minutes
"I'd go with you but..." "I know, there's a problem with your face." --- Typical (and hilarious) dialogue exchange between lawyer Gracie Law (Kim Cattrall) and trucker Jack Burton, in the action-comedy Big Trouble in Little China.
Martial arts, fantasy, action, comedy, romance, drama, science fiction, horror... all these genres finally come together in one movie. John Carpenter's Big Trouble in Little China is that movie, and it sits along side Halloween and The Thing as one of his best films.
Truck driver Jack Burton (Kurt Russell, playing the role with just a touch of John Wayne) rolls into Chinatown and wins a sizable cash sum while gambling with his friend Wang (Dennis Dun). Wang has some business to attend to before he can pay Jack, so Jack tags along to ensure he gets his winnings. Jack and Wang wind up in the middle of mystical war between good and evil, with a 2000 year old demon sorcerer named Lo Pan (James Hong) leading the charge for evil.
I remember discovering this little gem of a movie at the discount theater in my town, right before school started up for the fall. After seeing it, I went back countless times... making sure both friends and family came along as well. What a great time at the movies this was.
Carpenter says that what he likes most about this film is how somewhere along the way, the hero becomes the sidekick, the sidekick becomes the hero, and the two are never aware of the switch. This is absolutely the film's main appeal... contrary to what studio execs might have thought at the time (they requested Carpenter add the scene which begins the film to make Burton seem more like a hero). It's a blast to see these two character-types reversed. It works wonders for what might have otherwise been a simple Indiana Jones clone.
It's interesting to note Kurt Russell's performance here. While he's no Robert DeNiro, Russell is a very fine actor in his own right. Just take for example the five times Russell has teamed up with Carpenter: Escape from New York and Escape from L.A., Elvis, The Thing, and Big Trouble in Little China. While all but one of those films is an action film, Russell's performance completely differs in each one. Of the five, Jack Burton might just be my favorite.
As a sidenote, the mid-80s really excelled in some great looking lightning and other electrical effects. Movies like this one, Weird Science and My Science Project all featured this really well done type of effect (using nothing more than simple animation basically) that just can't be properly duplicated by today's CGI workstations.
Big Trouble in Little China is available on DVD in an excellent special edition package from Fox Home Entertainment. This two-disc set features a number of quality extras that should satisfy even the die hard fans of this film. The first disc features the film in its original widescreen theatrical aspect ratio of 2.35:1, anamorphically enhanced. The film's transfer looks incredibly good, and the audio is equally impressive. The menu screens are nifty here as well, recreating the main set from the end of the film and having the menu selections interact with it. The main extra feature on this first disc is a full length commentary track with director John Carpenter and star Kurt Russell.
If you're familiar with the commentary tracks on The Thing and for Escape From New York (laserdisc only at this time, unfortunately), then you're in for another treat with this one. Best nugget of info I learned here is that the original script was for a western (!) until writer/director W.D. Richter (The Adventures of Buckaroo Banzai) adapted it to a modern day setting. Had this film been made as a western, I believe it would have successfully melded every single genre of filmmaking.
Watching and commenting on the film is essentially abandoned about halfway through, so while its not exactly screen specific, listening to these two men reminisce is simply delightful. Russell gets in a couple of anonymous shots at his (then) upcoming disaster 3000 Miles To Graceland, and poses an interesting theory late in the track about the current state of movies today and how many young directors have no vision. It's strange though that Carpenter agrees with Russell's assessment, since this was Carpenter's last "great" film to date. Carpenter also spends a lot of time mentioning Kurt Russell's film Captain Ron.
Disc two features a number of additional extras. First up is a rather large collection of deleted scenes, alternate takes, and an extended ending, all presented in what might be the best way I can think of to present such material. Each selection is first given a text screen, explaining the deleted material and why it was cut. Then, many times you're given the option of watching either the workprint or the video master version, which gives you a choice of quality and a choice between seeing just the deleted footage by itself, or as it would have been fit into a particular scene. Great stuff here.
A video interview with special effects guru Richard Edlund is also on the second disc, and it makes great use of both the still gallery feature and the multiple angle feature. I rarely find still galleries worthwhile, but the minds behind this disc found a way to do it right. Edlund is filmed in a sort of "TV news" manner where he's on one side of the screen, leaving empty space on the other side for graphics. It's in this space that you'll see a montage of special effects stills, mostly relevant to what Edlund is talking about at that given moment. Then, by using the angle feature on your DVD player, you can select to see the still montage full frame, while the audio of the interview plays underneath. Great, great stuff.
Also on the second disc is an absolutely goofy and typically 1980s music video for the film's theme song "Big Trouble in Little China" (which plays over the film's end credits). The song is performed by "The Coupe de Villes", a group consisting of John Carpenter, Nick Castle (Halloween's Michael Myers) and Tommy Lee Wallace (director of Halloween III: Season of the Witch). My only question: Did this actually receive airtime somewhere? I can't imagine that it would have, as it really helps to define the word "uncool". In any case, it's a rare extra feature related to the film and its fun to own.
Rounding out the extras on the second disc are three trailers for the film (one of which is in Spanish), six TV spots (including one for Pay Per View), biographies for the cast and crew, a still gallery, and two magazine articles from the time of the film's release. The articles are the only part of this release that even comes close to being considered a negative, but only because the text is a little too small to read (on most televisions anyway). Hidden on the second disc (although not hard to find) are additional trailers for Aliens and The Fly in a gallery called "Summer 1986", and screenshots from the Commodore 64 computer game version of the film.
Fox had high hopes for Big Trouble in Little China (it was their July 4th weekend release in 1986) and apparently due to a poor advertising campaign, the film wasn't as successful as it should have been. So it was surprising that they've given this film a super-deluxe DVD package. If you've never seen the film before, definitely give these discs a spin. It's a great set for a fun flick... and is one of the best DVD releases of 2001. PG-13 -- Chuck Dowling, Editor in Chief - The Jacksonville Film Journal Specializing in reviews of DVDs, cult favorites and the indie scene. http://www.jaxfilmjournal.com/ Proud Member of the Online Film Critics Society - http://www.ofcs.org/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


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tuberculosis (.) TST care conversion health history {border-style px;} #ffffff;} subjects tuberculin unit (.–.) exposure past infection prevention test working workplaces control surgical year years positive previous px; recent study workers {font-family History LTB facilities font-size negative odds operating risk unit, use variables HCW area conversion. double; family final latent onset out-patient regression units using .%, Srinagarind Tuberculosis [], analyses analysis border-color border-width characteristics consecutive defined groups in- logistic mask model programs results showed solid; tuberculosis. worked workplace {font-style {font-weight (.%), (Table (–) Baseline Data History Results Thailand Thailand. Tuberc adjusted associated baseline bold cases confidence courier; em; factors having inpatient laboratory manuscript. masks method multivariate outpatient particularly predictors prevalence pt;} ratios related retained significant significantly skin units,


!The following devices can be used for the protection of the castle. These devices would all be useful in the next siege, but their high cost should be carefully weighed in your decision. If you want to reinforce your device, please note that each device can be directly reinforced to the upper level without going through the lower level.


A QT tool that interfaces with Mbient sensors for the use of streaming and collecting live data.
An Arduino based logger that interfaces with an ICM-2048 and saves the resulting data to an SD card. - The data is saved at a rate of 500hz
SLice is a twitch based 2D hybrid action-puzzle game with a story,
that is best described as a mixture of Fruit Ninja and Spuzzies.
The entire game revolves around color theory. It also includes special
abilities, equipment, and varying enemy types. SLice starts off easy,
slowly wading players into the full suite of mechanics.
Caketominoes is a VR game based mainly around the concept of pantomimes.
- implemented mechanics to pick up and snap blocks to a board
- modeled a lot of the elements that appeared in the kitchen
A simple Match 3 game revolving around combining elements to form other
elements and vise versa. This game was developed in unity3d and featured
a selection of small self contained levels and an infinite mode of play.
Momentus is a simple space game where the basic goal is to bring resources
back to the home planet. This game was featured in the 2013 IEEE Game Sig
and came in second place. This game won best game and best astroid game. I
worked on major parts of the ui.


Thank you, {{fullName}}!
Your {{team}} application is being processed. If you are approved, you will receive an email at <{{email}}> with further instructions.
Your {{team}} application is being processed. If you are approved, you will receive an email at <{{email}}> with further instructions.


The stars looking for love on E4's expert dating agency are Love Islands Amy Hart , TOWIE star Amy Childs, and EastEnders actor Dean Gaffney.
They will be joined by Hollyoaks and I’m A Celebrity… Get Me Out Of Here! star Malique Thomson–Dwyer, TOWIE's James Lock, who is newly single, and Made in Chelsea's Olivia Bentley.
The hopefuls will throw themselves into the dating scene, receiving advice from life coach Anna Williamson and matchmaker Paul C Brunson.
As always, junior Client Coordinator and celeb confidante Tom Read Wilson will be ready and waiting for the celebs to divulge all, offering a comforting shoulder to cry on when things go wrong and a warm, lingering embrace to help celebrate a dating triumph when things go right.
Amy Hart, 26, revealed she can't wait for the dates to begin.
"I can’t wait to walk through those famous agency doors and find out who Anna and Paul have lined up for me!", she gushed.
"I haven’t been on a proper date in ages, so I’m excited - and nervous! - to see what happens.
"I’ve been a huge fan of Celebs Go Dating for years - so to join the agency really is a dream come true, and hopefully it’ll help me find The One!”
Amy dated Curtis Pritchard in the Love Island villa, but was left broken hearted when he admitted he had feelings for another islander just as she realised she was in love with him.
Sobbing Amy quit the villa and has been single since, while Curtis moved on with Maura Higgins.
Dean Gaffney added that he was looking for true love, after a string of failed relationships.
“I’m looking for that ‘Wellard’ kind of love, you know that unbreakable force", he said.
"It’s hard to find someone that you can do nothing with, that’s what I want!"
Dean, 41, played Robbie Jackson in EastEnders on and off for 30 years, but was axed last month amid a string of embarrassing incidents for the troubled star.
It emerged he had pestered a woman ‘young enough to be his daughter’ with questions about her breasts and buttocks.
And before that, he had turned to dating apps after being dumped by his girlfriend of three years, who was 16 years younger than him.
Before Rebekah, Dean was married to childhood sweetheart Sarah Burge, who is the mother of his children.
During an appearance on I’m A Celebrity… Get Me Out Of Here! in 2006, Dean confessed that he had cheated on Sarah.
Meanwhile James Lock, 32, recently split from Yazmin Oukhellou amid cheating rumours after she caught three girls leaving his hotel room in Turkey - one of them pulling her knickers up - on a holiday that Yazmin had actually paid for.
He then had a brief fling with Ellie Mackenzie, but it didn't last long.
Amy Childs, 29, split with boyfriend Ritchie at the start of this year.
They share a son together, and Amy also has daughter Polly, two, with whom she shares with her ex partner Bradley Wright.
Malique Thompson-Dwyer, 20, parted ways with his girlfriend Molly Redknapp, granddaughter of Harry Rednknapp, in September.
He was seen flirting with Love Island winner Amber Gill not long after.
Olivia Bentley, 24, recently split with her MIC boyfriend Digby Edgley.
Their tumultuous relationship came to an end as Digby travelled to South Africa to work for three months.


FrontEndResoures is a collection of Free resources for Beginning and Intermediate Front-End Developers.
It aims to provide a good source of material for Learning HTML CSS and Javascript and list of leaders in the front end development community
Please Feel Free to Fork the project and submit additions


Skill_Pool_Access 30 include/character-skill.h Skill_Pool_Access (*start)(uint8_t); Skill_Pool_Access 31 include/character-skill.h void (*stop)(Skill_Pool_Access); Skill_Pool_Access 32 include/character-skill.h Skill_Access (*malloc)(Skill_Pool_Access, Status_Access); Skill_Pool_Access 33 include/character-skill.h bool (*find)(Skill_Pool_Access, Status_Access, String, Skill_Access *); Skill_Pool_Access 22 src/character-skill.c static Skill_Pool_Access pool_start(uint8_t size) { Skill_Pool_Access 24 src/character-skill.c Skill_Pool_Access pool_access = calloc(1, sizeof(Skill_Pool)); Skill_Pool_Access 33 src/character-skill.c static void pool_stop(Skill_Pool_Access pool_access) { Skill_Pool_Access 38 src/character-skill.c static Skill_Access pool_malloc(Skill_Pool_Access pool_access, Status_Access owner) { Skill_Pool_Access 48 src/character-skill.c static bool pool_find(Skill_Pool_Access access, Status_Access owner,


block
<
Block
>
primitiveBlockMethod
^<
Method
>
'Returns the block method'
<
Block
>
primitiveBlockIsOptimized
^<
Boolean
>
'Tells whether the block has optimized code'


DLF AIG MWG Metadata Assessment Toolkit
Contributors
2017
This list of contributors was created based on the lists of people who attended either the regular Metadata Working Group meeting or any of the subgroup meetings.
-
- – Laura Akerman (member, Tools subgroup)
-
- – Shaun Akhtar
-
- – Damian Biagi
-
- – Scott Carlson (leader, Metadata Application Profile Clearinghouse Project subgroup; member, Metadata Analysis Workshop subgroup; member, Website subgroup)
-
- – Maggie Dickson (member, Framework subgroup)
-
- – Kate Flynn (co-facilitator; member, Metadata Analysis Workshop subgroup; leader, Tools subgroup; member, Website subgroup)
-
- – Paloma Graciani
-
- – Kathryn Gronsbell (member, Framework subgroup)
-
- – Gretchen Gueguen (leader, Metadata Analysis Workshop subgroup; member, Metadata Application Profile Clearinghouse Project subgroup)
-
- – Julie Hardesty (member, Website subgroup)
-
- – Christina Harlow (co-facilitator; member, Metadata Analysis Workshop subgroup; member, Website subgroup)
-
- – Andrea Leonard
-
- – Bill McMillin (member, Website subgroup)
-
- – Darnelle Melvin
-
- – Ryan Mendenhall
-
- – Amelia Mowry (member, Tools subgroup)
-
- – Anna Neatrour (member, Framework subgroup; member, Website subgroup)
-
- – Joy P.
-
- – Diana Page
-
- – Suzanne Pilsk
-
- – Susan Ponischil
-
- – Sara Rubinow (leader, Framework subgroup; member, Website subgroup)
-
- – Bethany Scott (member, Framework subgroup)
-
- – Jeanette Sewell
-
- – Jacob Shelby (member, Tools subgroup)
-
- – Laura Smart (member, Metadata Analysis Workshop subgroup)
-
- – Ayla Stein
-
- – Hannah Stitzlein (member, Metadata Analysis Workshop subgroup)
-
- – Hannah Tarver
-
- – Becky Wolsk
2016
-
- – Janet Ahrberg
-
- – Shaun Akhtar
-
- – Filipe Bento
-
- – Molly Bragg
-
- – Anne Caldwell
-
- – Joyce Chapman
-
- – Tracy Chui
-
- – Kevin Clair
-
- – Robin Desmeules
-
- – Maggie Dickson
-
- – Laura Drake Davis
-
- – Jennifer Eustis
-
- – Arcadia Falcone
-
- – Sharon Farnel
-
- – Ethan Fenichel
-
- – Kate Flynn
-
- – Patrick Galligan
-
- – Jennifer Gilbert
-
- – Ivey Glendon
-
- – Anna Goslen
-
- – Peggy Griesinger
-
- – Kathryn Gronsbell
-
- – Wendy Hagenmaier
-
- – Christina Harlow
-
- – Violeta Ilik
-
- – Dana Jemison
-
- – Lukas Koster
-
- – Liz Kupke
-
- – Andrea Leonard
-
- – Karen Majewicz
-
- – Bill McMillin
-
- – Timothy Ryan Mendenhall
-
- – Amelia Mowry
-
- – Jeremy Myntti
-
- – Anna Neatrour
-
- – Kayla Ondracek
-
- – Bria Parker
-
- – Sam Popowich
-
- – Sarah Potvin
-
- – Erik Radio
-
- – Hilary Robbeloth
-
- – Wendy Robertson
-
- – Domenic Rosati
-
- – Jason Roy
-
- – Sara Rubinow
-
- – Melissa Rucker
-
- – Sibyl Schaefer
-
- – Matt Schultz
-
- – Sarah Beth Seymore
-
- – Debra Shapiro
-
- – Amber Sherman
-
- – Laura Smart
-
- – Ayla Stein
-
- – Kathryn Stine
-
- – Hannah Tarver
-
- – Rachel Trent
-
- – Friday Valentinev
-
- – Liz Woolcott
-
- – Jennifer Young
-
- – Angelina Zaytsev


Home destroyed in West Virginia blast
by Bradford BetzA West Virginia home was destroyed in an explosion Monday, causing non-life-threatening injuries to two people, according to officials.
The explosion occurred at a home in Charles Town, near the border with Maryland and Virginia, around 1 p.m., Fox 5 DC reported.
Witnesses told the station that the homeowners were having problems with their propane furnace on Sunday. A technician reportedly arrived at the home Monday to fix the propane furnace and smelled gas.
The homeowner and the technician were taken to an area hospital with non-life-threatening injuries, Fox 5 reported, citing witnesses. There were reportedly two teenage boys who were home during the explosion, but they were unharmed.
BODIES FOUND IN NEW JERSEY HOUSE FIRE WERE STABBED; SUSPECT, 21, CHARGED
Photos and video footage from news outlets show firefighters dousing the remnants of a fire at the leveled house. Fire officials said they were trying to determine what caused the explosion.

The Associated Press contributed to this report.


--- layout: post title: Use Ioncube HTML Encoder to CodeIgniter permalink: use-ioncube-html-encoder-to-codeigniter/ date: 2013-10-13 16:04:03.000000000 +08:00 categories: - coding - php - privacy - security tags: - Cannot use output buffering in output buffering display handlers - codeigniter and iconcube html encoder - html encoder for codeigniter - ioncube html encoder getting blank page - use ioncube to ci status: publish type: post published: true meta: _edit_last: '2' _thumbnail_id: '1099' _wpas_done_all: '1' _wpas_mess: Use Ioncube HTML Encoder to CodeIgniter http://wp.me/p2kRRS-hy _wpas_skip_1611607: '1' _wpas_skip_2452381: '1' dsq_thread_id: '2958796289' dsq_needs_sync: '1' cleaned: true ---
If you want to obfuscate your HTML markup and you want to use the Ioncube's HTML encoder, this is a quickfix on how to make it work at least in CodeIgniter.
These are the versions of the software that I had tested with this setup:
Ubuntu 13.04 - http://www.ubuntu.com/
PHP 5.4.9 http://www.php.net/
CI 2.1.4 - http://ellislab.com/codeigniter
Obfuscating HTML Encoder 1.9 by IonCube - http://www.ioncube.com/html_encoder.php
I'm not sure with other version combinations, but most likely it will work in your end as well.
Disclaimer: Ok, ok, I know now that PHP 5.3 and 5.4 is coming, there is a lot of new things that comes along. I know CodeIgniter is not maintained anymore and Laravel is taking over already. However, there are tons of web apps there that are still running in CI, and not all company is able to rewrite their whole thing to newer framework. This is for those who will deal with CI, and I emphasize, do not use this instructions when there is a better/cleaner option since this one requires modifying some core files of CI.
So here are the steps.
1. Check the server if it has Ioncube Loader installed. This can be done by putting a php script in the webserver with the following code on it:
Look for this particular area (or you can do a search of "Zend Scripting Language Engine")
see that "ionCube PHP Loader v4.4.3" part? that indicates that IonCube is already installed. That needs to be installed since the encoder itself to be added in your application is an encoded file. Without the ionCube loader installed, the server wont be able to figure out how to execute the encoder file.
2. (Follow these instructions if you dont have ionCube Loader installed)
login to linux terminal and execute the following commands:
cd /usr/local
sudo wget http://downloads3.ioncube.com/loader_downloads/ioncube_loaders_lin_x86-64.tar.gz
sudo tar xzf ioncube_loaders_lin_x86-64.tar.gz
Check the module is added and enabled in the php configuration file by :
sudo cat /etc/php5/conf.d/ioncube.ini
You should see this in there
zend_extension=/usr/local/ioncube/ioncube_loader_lin_5.4.so
If not, then manually add that line there. Make sure you check the version number matches with your PHP version. If PHP is 5.4 then the file enabled should be ioncube_loader_lin_5.4.so not ioncube_loader_lin_5.3.so
Restart apache for the new settings to take effect
sudo /etc/init.d/apache2 restart
check again the phpinfo on step 1 to make sure the ioncube is showing up now.
3. Download the encoder file in http://www.ioncube.com/html_encoder.php
(i used the http://www.ioncube.com/html_encoder_1.9.zip)
Extract it to your local disk. the encoder file is html_encoder_1.9.php
Note: that is a binary file! don't open it in a text editor since you could accidentally corrupt it.
Save it on CI project on this folder /application/hooks/
4. In your CodeIgniter, you need to enable hooks
application/config/config.php
$config['enable_hooks'] = TRUE;
5. Then define a hook
application/config/hooks.php
$hook['display_override'] = array(
'class' => 'IoncubeHTMLEncoder',
'function' => 'obfuscate',
'filename' => 'IoncubeHTMLEncoder.php',
'filepath' => 'hooks'
);
6. Test the page.
if you got a blank page. check the apache error log
sudo tail -n 10 /var/log/apache2/error.log
if you see stuffs like "Cannot use output buffering in output buffering display handlers"
edit the system/core/Exceptions.php
(I know you can override core classes by putting a class in the application/core instead of editing the core files, but for some reason, that didn't worked for me)
Edit the lines 181 and 184 so that the ob_start and ob_end_clean is commented out
//ob_start();
include(APPPATH.'errors/error_php.php');
$buffer = ob_get_contents();
//ob_end_clean();
(I know this is a dirty way of fixing up things, that is why I call this a quickfix. Use this instructions only in case of emergency)
7. Reload again your CI app and see if you are not getting a blank page anymore.
That's all I know.


Lathon’s jumper moves UTEP to 4-0, tops New Mexico 66-63
EL PASO, Texas (AP) - Jordan Lathon’s clutch jumper in the lane with 27 seconds left lifted UTEP to a 66-63 win over long-time rival New Mexico in the annual Noche Latina game on Tuesday night.
In the 145th renewal of the game, New Mexico took the lead on Zane Martin’s dunk with 53 seconds left to play. UTEP worked the ball around the perimeter before Lathon dribbled into the key to put up the game-winner.
Makauch Malauch missed a 3-point attempt for the lead with three seconds left and the Miners’ Bryson Williams snared the rebound and drew a foul. He knocked down two free throws with a second left to set the final margin.
Daryl Edwards scored 20 points, dished four assists and collected three steals to lead UTEP, which moves to 4-0 to start the season. Efe Odigie added 12 points off the bench and Souley Boum and Lathon each contributed 10 points.
New Mexico, which came into the game 4-0, got 19 points and eight boards from JaQuan Lyle. Malauch added 11 points and Carlton Bragg Jr. added 10 points and grabbed nine boards.
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Eco-designed wing secures Bombardier UK engineering award 20 Nov 2019, 12:29 by Mike Richardson Share This Article Tweet ShareShareShare Subscribe to our FREE Newsletter Tags


Resume Review Day is an event hosted by the College of Engineering and Applied Science Tribunal in order to help prepare students for the Career Fair. This event gives students the opportunity to sign up for minute intervals to receive resume feedback from industry leaders and also gives students the ability to network with employers before the Technical Career Fair.
Resume Review Day takes place on in .
Select a timeslot with an employer by browsing all of the available options or filter by major, a desired time (if applicable), and a desired review method. You are able to register for up to different employer(s). The last day to sign up will be on .
Further instructions will be sent to your email after signing up.
If you have any questions, please contact us at .
The registration is currently closed. Return soon for the next Resume Review Day!


Kotlin
for Education
Kotlin is a powerful language that's suitable for teaching a wide range of computer science courses.
Join the educators community: subscribe to our
newsletter or join our Slack #education channel.
Why Teach Kotlin
-
Academically recognized
25 of the top 100 universities in the Times Higher Education World University Rankings 2021 include Kotlin in their courses.
-
Language of the industry
Kotlin is used by top companies such as Google, Twitter, Reddit, Netflix, Uber, BMW, Coursera, Slack, and Trello, just to name a few.
-
Multiplatform
The first-choice language for Android development, Kotlin is also being adopted for teaching multiplatform development for mobile, web, server-side programming, data science, and other computer science topics.
Kotlin Courses
Around the World
Explore our interactive map with links to university courses that include Kotlin.
- 40 countries
- 190 universities
- Stanford university
- Imperial College London
- Johns Hopkins university
- Penn
- UCLA
- Duke
If you would like to feature your university and Kotlin course, please get in touch with us at
out to us at
<EMAIL_ADDRESS>We’ll send a Kotlin T-shirt for you and stickers for your students.
Join the Kotlin Educator Community
The #education Slack channel is a place to meet fellow educators and the Kotlin team. We post news and announcements there, and you can ask your questions and share your teaching experience.
Join us on SlackStory Highlights
#} {#-
Teaching Introduction to Computer Science in Kotlin
San Skulrattanakulchai, Gustavus Adolphus College
-
Teaching Mobile Computing in Kotlin
Pedro Alves, Lusófona University
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Kotlin for Competitive Programming
Nick Johnson, Milwaukee School of Engineering
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Teaching Mobile Devices Programming in Kotlin
Paulo Pereira, Lisbon Superior Engineering Institute


Separated Soul:
As a soul, all I have is time. I'll tell you everything.
Kill them and take the Essense of Drake Lord from its corpse... the Behemoth Leader's Essence... And... the Dragon Beast's Essence... collect them. I will gather my last bit of hatred to cheer you on!
Except you will need many skilled people for this fight - take trustworthy people with you.
(You cannot collect the quest item if you're not in a party)


Hi! :wave: I'm Brandon, a fullstack dev, cloud engineer, linux sysadmin, and raspberrypi (pi) enthusiast. I code for the next feature, prioritize documentation, and elevate teams. I'm passionate about keeping the lights on.
Happy to discuss cloud or fullstack dev opportunities.