BE CONFIDENT! On social media, there is stigma of what women SHOULD look like. Positive influencers are very important. Women who have stepped out of society's box of what they should look like and embraced their true beauty with confidence. Below you will find a few positive influencers who have learned to embrace their true beauty.
“I realized what a real struggle it is for so many women and young girls to feel confident in themselves. I want to make a difference - to remind young women that we should celebrate who we are by empowering ourselves, by overcoming challenges, by practicing strength and resilience, and by thriving off of what we are capable of." More of Jenny's Story
This April, Candice crossed the finish line of the Boston Marathon and vowed to never tell herself she “can’t” ever again, learning that nothing in this life is impossible if you let go of fear and doubt. With an everlasting personal mission to empower women to embrace their authentic selves and love the skin they are in, Candice is combining her two passions of fashion and sport and stepping into a much dreamed about role of designer with the creation of her new brand DAY/WON. With it’s arrival she will continue sharing the message that all bodies are good bodies and all women CAN! More of Candice's Story
Jessamyn Stanley is a yoga teacher, body positivity advocate, and writer based in Durham, North Carolina. Jessamyn uses high energy vinyasa flow as a way to move past mental and emotional barriers. Her classes provide a body positive approach to yoga which celebrates students’ bodies and encourages them to ask “How do I feel?” rather than “How do I look?” when practicing yoga. More of Jessamyn's Story
"Offscreen, Brooks has been just as ambitious, positioning herself as an outspoken leader in the body positivity movement with her hashtag, #voiceofthecurves, a Lane Bryant modeling gig, and her role as a spokesperson for Refinery29's 67% Project, which focuses on representation of plus-size women in mainstream media. Now, just in time for Take Back The Beach, Refinery29's annual celebration of beach bodies of all sizes, Brooks is sharing some advice she wish she'd been given as a teenager. Do yourself a favor, and read on. Most of these life lessons — even the bit about cheerleading uniforms — are surprisingly applicable over a decade after prom." More of Danielle's Story


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ComputeDataService (CDS).
The ComputeDataService is the application's interface to submit ComputeUnits and PilotData/DataUnit to the Pilot-Manager in the P* Model.
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CDS_ID_PREFIX =
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Create a ComputeDataService object. Keyword arguments: cds_url -- Reconnect to an existing CDS (optional).
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Add a PilotComputeService to this CDS.
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Remove a PilotJobService from this CDS. Note that it won't cancel the PilotComputeService, it will just no longer be connected to this CDS. Keyword arguments:
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Submit a CU to this Compute Data Service.
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Add a PilotDataService
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Remove a PilotDataService
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Cancel the CDS. All associated PD and PC objects are canceled.
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Waits for CUs and DUs. Return after all DU's have been placed (i.e. in state Running) and all CU's have been completed (i.e. in state Done) or if a fault has occurred or the user has cancelled a CU or DU. |
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| Generated by Epydoc 3.0.1 on Sat Jan 26 22:29:06 2013 | http://epydoc.sourceforge.net |


GLADIATOR (2000) / ***
Directed by Ridley Scott. Screenplay by David H Franzoni, John Logan and William Nicholson. Starring Russell Crowe, Joaquin Phoenix, Connie Nielsen. Running time: 153 minutes. Rated AA for blood letting and violent scenes by the MFCB. Reviewed on May 8th, 2000.
By SHANNON PATRICK SULLIVAN
The reign of Caesar Marcus Aurelius in the mid-second century A.D. is often considered a golden age of the Roman Empire. Marcus was instrumental in securing peace in the nether regions of the Empire, but was also a philosopher of great renown. He died in 180 and rule passed to his son Commodus. The transition was an orderly one; Commodus was recommended to the Senate by Marcus, and indeed had been sharing power with his father since 177. Commodus' rule, however, would go down in the history books as disastrous, with the Caesar's demeanour descending into brutality and ultimately madness. In 182 his sister Lucilla and a group of senators tried unsuccessfully to have him assassinated. Commodus became obsessed with the gladiatorial games, and in 192 his own advisers had him strangled by a popular wrestler.
"Gladiator" is a condensed and largely fictionalised version of the true events. The most notable addition to the story is Maximus (Russell Crowe), a general who leads the Romans to victory against the German tribes to the north. Contradicting real life, Marcus Aurelius (Richard Harris) wants Maximus -- not Commodus -- to be Rome's new ruler after his death, with the aim of eventually turning the empire back into a republic. Before he can proclaim his decision, however, the deceitful Commodus (Joaquin Phoenix) murders his father and orders Maximus' execution.
Maximus escapes and tries to return home to Spain, only to discover that Commodus has had his wife and son killed as well. Gravely wounded in his flight, Maximus is captured and bought by Proximo (the late Oliver Reed) to fight as a gladiator. Initially reluctant, Maximus soon embraces his new role when it gives him a chance to travel to Rome, where the new Caesar has declared 150 days of gladiatorial games to celebrate his ascension to the throne. There, Maximus' efforts to take revenge on Commodus involve him in the machinations of Commodus' sister Lucilla (Connie Nielsen).
The first blockbuster movie of the 2000 summer season, "Gladiator" is a visual feast. Expert set design and computer effects have been exploited in their fullest by director Ridley Scott to bring ancient Rome to life. Shots which pan overhead across the city to the Coliseum, teeming with spectators, are fabulous to behold. It is difficult not to feel transported eighteen hundred years back in time.
In some respects, however, Scott overdoes it with his cinematic trickery. Specifically, he portrays many fight scenes -- both with the gladiators and the legions -- using a choppy, strobe-like technique. Scott is clearly trying to achieve the sense of disorientation in battle that was so successfully conveyed in films like "Braveheart" and "Saving Private Ryan". Instead, he merely makes these sequences disjointed and hard to watch. It is virtually impossible to follow the actions of even the principal characters, and so the viewer is left to try to piece together what is actually happening.
It has been more than thirty years since the last great Roman epic was made. In reviving the genre, the scriptwriters have elected to hew closely to tried-and-true storylines rather than break new ground. "Gladiator" does not deviate much from other examples of the genre, echoing everything from "Spartacus" to "Doctor Who". The mad emperor, the resurgent war hero, and the gladiatorial games as a conduit for revenge are all familiar plot elements. Nonetheless, the story is entertainingly told, and while considerable attention is paid to the gladiator combat which is the movie's main attraction, this is not overaccentuated. "Gladiator" is no "Mortal Kombat", moving from meaningless battle to meaningless battle without pause. The film is very well paced, and the quieter aspects of the plot are not trivialised.
Perhaps as a result of this, "Gladiator" boasts some unusually fine acting for a big-budget action picture. Crowe, although by no means achieving the complexity of his Oscar-nominated performance in "The Insider", brings a pleasant depth to Maximus. The general is a man first and a hero second; he is driven to confront Commodus not by a love of Rome, but rather of a man who was as a father to him, and of a murdered wife and child whose deaths he must avenge. Crowe brings an evenness to the role which makes Maximus seem more real than similar characters in other movies.
Likewise, Phoenix does well not to overplay Commodus. The role of the insane tyrant has often been an invitation to hammy overacting in the past, but Phoenix's portrayal is more subtle. Commodus' burgeoning madness is manifested largely through his body language, rather than any particular statement or deed. Also very good are Reed and Harris in supporting roles. Despite their comparatively short screen time (indeed, Reed actually died before filming was complete, forcing Scott to compensate using clever editing and digital effects), both grant their characters a sense of history and profundity.
Perhaps least successful is Nielsen as Lucilla, despite having what may be "Gladiator"'s most involved role. Lucilla is Commodus' sister, and he obviously harbors inappropriate feelings for her. It is also strongly implied that she is Maximus' former lover. And she is a dispassionate and intelligent schemer, whose allegiances may be pivotal in determining Rome's future. But Nielsen comes across as detached throughout the proceedings, more so than is called for by her character. Even in scenes where Lucilla's reserve breaks, Nielsen feels removed from the action. Given her importance in how the events of the movie play out, this is an unfortunate central weakness.
But all in all, "Gladiator" is entrancing to watch, beautifully acted, and really just a lot of good old-fashioned fun. Although far removed from the greatness of classics like "Ben-Hur", it marks an entertaining and satisfying return of what was once one of Hollywood's favourite genres. Indeed, given the possibilities offered by this age of increasingly sophisticated special effects, "Gladiator" is hopefully just the first of many forays back to the time of the great Roman Empire.
Copyright © 2000 Shannon Patrick Sullivan. Archived at The Popcorn Gallery, http://www.physics.mun.ca/~sps/movies/Gladiator.html
-- _______________________________________________________________________ / Shannon Patrick Sullivan | "We are all in the gutter, but some of us \ |<EMAIL_ADDRESS>| are looking at the stars." - Oscar Wilde | \___________________________|__________________________________________/ | Popcorn Gallery Movie Reviews www.physics.mun.ca/~sps/movies.html | | Doctor Who: A Brief History of Time (Travel) /drwho.html |
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Jacobi elliptic functions#
This module implements the 12 Jacobi elliptic functions, along with their inverses and the Jacobi amplitude function.
Jacobi elliptic functions can be thought of as generalizations of both ordinary and hyperbolic trig functions. There are twelve Jacobian elliptic functions. Each of the twelve corresponds to an arrow drawn from one corner of a rectangle to another.
n ------------------- d
| |
| |
| |
s ------------------- c
Each of the corners of the rectangle are labeled, by convention, s
,
c
, d
, and n
. The rectangle is understood to be lying on the complex
plane, so that s
is at the origin, c
is on the real axis, and n
is
on the imaginary axis. The twelve Jacobian elliptic functions are
then \(\operatorname{pq}(x)\), where p
and q
are one of the letters
s
, c
, d
, n
.
The Jacobian elliptic functions are then the unique doubly-periodic, meromorphic functions satisfying the following three properties:
There is a simple zero at the corner
p
, and a simple pole at the cornerq
.The step from
p
toq
is equal to half the period of the function \(\operatorname{pq}(x)\); that is, the function \(\operatorname{pq}(x)\) is periodic in the directionpq
, with the period being twice the distance fromp
toq
. \(\operatorname{pq}(x)\) is periodic in the other two directions as well, with a period such that the distance fromp
to one of the other corners is a quarter period.If the function \(\operatorname{pq}(x)\) is expanded in terms of \(x\) at one of the corners, the leading term in the expansion has a coefficient of 1. In other words, the leading term of the expansion of \(\operatorname{pq}(x)\) at the corner
p
is \(x\); the leading term of the expansion at the cornerq
is \(1/x\), and the leading term of an expansion at the other two corners is 1.
We can write
where p
, q
, and r
are any of the
letters s
, c
, d
, n
, with
the understanding that \(\mathrm{ss} = \mathrm{cc} = \mathrm{dd}
= \mathrm{nn} = 1\).
Let
then the Jacobi elliptic function \(\operatorname{sn}(u)\) is given by
and \(\operatorname{cn}(u)\) is given by
and
To emphasize the dependence on \(m\), one can write \(\operatorname{sn}(u|m)\) for example (and similarly for \(\mathrm{cn}\) and \(\mathrm{dn}\)). This is the notation used below.
For a given \(k\) with \(0 < k < 1\) they therefore are solutions to the following nonlinear ordinary differential equations:
\(\operatorname{sn}\,(x;k)\) solves the differential equations
\[\frac{d^2 y}{dx^2} + (1+k^2) y - 2 k^2 y^3 = 0 \quad \text{ and } \quad \left(\frac{dy}{dx}\right)^2 = (1-y^2) (1-k^2 y^2).\]\(\operatorname{cn}(x;k)\) solves the differential equations
\[\frac{d^2 y}{dx^2} + (1-2k^2) y + 2 k^2 y^3 = 0 \quad \text{ and } \quad \left(\frac{dy}{dx}\right)^2 = (1-y^2)(1-k^2 + k^2 y^2).\]\(\operatorname{dn}(x;k)\) solves the differential equations
\[\frac{d^2 y}{dx^2} - (2 - k^2) y + 2 y^3 = 0 \quad \text{ and } \quad \left(\frac{dy}{dx}\right)^2 = y^2 (1 - k^2 - y^2).\]If \(K(m)\) denotes the complete elliptic integral of the first kind (named
elliptic_kc
in Sage), the elliptic functions \(\operatorname{sn}(x|m)\) and \(\operatorname{cn}(x|m)\) have real periods \(4K(m)\), whereas \(\operatorname{dn}(x|m)\) has a period \(2K(m)\). The limit \(m \rightarrow 0\) gives \(K(0) = \pi/2\) and trigonometric functions: \(\operatorname{sn}(x|0) = \sin{x}\), \(\operatorname{cn}(x|0) = \cos{x}\), \(\operatorname{dn}(x|0) = 1\). The limit \(m \rightarrow 1\) gives \(K(1) \rightarrow \infty\) and hyperbolic functions: \(\operatorname{sn}(x|1) = \tanh{x}\), \(\operatorname{cn}(x|1) = \operatorname{sech}{x}\), \(\operatorname{dn}(x|1) = \operatorname{sech}{x}\).
REFERENCES:
AUTHORS:
David Joyner (2006): initial version
Eviatar Bach (2013): complete rewrite, new numerical evaluation, and addition of the Jacobi amplitude function
- class sage.functions.jacobi.InverseJacobi(kind)#
Bases:
BuiltinFunction
Base class for the inverse Jacobi elliptic functions.
- class sage.functions.jacobi.Jacobi(kind)#
Bases:
BuiltinFunction
Base class for the Jacobi elliptic functions.
- class sage.functions.jacobi.JacobiAmplitude#
Bases:
BuiltinFunction
The Jacobi amplitude function \(\operatorname{am}(x|m) = \int_0^x \operatorname{dn}(t|m) dt\) for \(-K(m) \leq x \leq K(m)\), \(F(\operatorname{am}(x|m)|m) = x\).
- sage.functions.jacobi.inverse_jacobi(kind, x, m, **kwargs)#
The inverses of the 12 Jacobi elliptic functions. They have the property that
\[\operatorname{pq}(\operatorname{arcpq}(x|m)|m) = \operatorname{pq}(\operatorname{pq}^{-1}(x|m)|m) = x.\]INPUT:
kind
– a string of the form'pq'
, wherep
,q
are inc
,d
,n
,s
x
– a real numberm
– a real number; note that \(m = k^2\), where \(k\) is the elliptic modulus
EXAMPLES:
sage: jacobi('dn', inverse_jacobi('dn', 3, 0.4), 0.4) 3.00000000000000 sage: inverse_jacobi('dn', 10, 1/10).n(digits=50) 2.4777736267904273296523691232988240759001423661683*I sage: inverse_jacobi_dn(x, 1) arcsech(x) sage: inverse_jacobi_dn(1, 3) 0 sage: m = var('m') sage: z = inverse_jacobi_dn(x, m).series(x, 4).subs(x=0.1, m=0.7) sage: jacobi_dn(z, 0.7) 0.0999892750039819... sage: inverse_jacobi_nd(x, 1) arccosh(x) sage: inverse_jacobi_nd(1, 2) 0 sage: inverse_jacobi_ns(10^-5, 3).n() 5.77350269202456e-6 + 1.17142008414677*I sage: jacobi('sn', 1/2, 1/2) jacobi_sn(1/2, 1/2) sage: jacobi('sn', 1/2, 1/2).n() 0.470750473655657 sage: inverse_jacobi('sn', 0.47, 1/2) 0.499098231322220 sage: inverse_jacobi('sn', 0.4707504, 0.5) 0.499999911466555 sage: P = plot(inverse_jacobi('sn', x, 0.5), 0, 1)
- sage.functions.jacobi.inverse_jacobi_f(kind, x, m)#
Internal function for numerical evaluation of a continuous complex branch of each inverse Jacobi function, as described in [Tee1997]. Only accepts real arguments.
- sage.functions.jacobi.jacobi(kind, z, m, **kwargs)#
The 12 Jacobi elliptic functions.
INPUT:
kind
– a string of the form'pq'
, wherep
,q
are inc
,d
,n
,s
z
– a complex numberm
– a complex number; note that \(m = k^2\), where \(k\) is the elliptic modulus
EXAMPLES:
sage: jacobi('sn', 1, 1) tanh(1) sage: jacobi('cd', 1, 1/2) jacobi_cd(1, 1/2) sage: RDF(jacobi('cd', 1, 1/2)) 0.7240097216593705 sage: (RDF(jacobi('cn', 1, 1/2)), RDF(jacobi('dn', 1, 1/2)), ....: RDF(jacobi('cn', 1, 1/2) / jacobi('dn', 1, 1/2))) (0.5959765676721407, 0.8231610016315962, 0.7240097216593705) sage: jsn = jacobi('sn', x, 1) sage: P = plot(jsn, 0, 1)


Example Card
But there's so much more to a card than just text and links. Go read the docs to find out more!
READ DOCS


There are many variations of Ipsum available, but the majority have suffered alteration in some form, by injected humour.
Learn MoreDignissim cras tincidunt lobortis feugiat vivam at augue eget. Id consectetur purus orci.
$25,270 Raised
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$25,270 Raised
$30,000 Goal
Give Education to Kids
Successful Campaigns
Raised Funds
Satisfied Donors
Best Volunteers
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There are many variations of passages of Lorem Ipsum available simply free text, but the majority.


Übertech '13, was a two day National Level Technical Symposium was organised on August 22nd and 23rd, 2013. Along with a variety of interesting and captivating events, two workshops with hands-on training on Web Development and Cross platform Mobile app development using PhoneGap, were also organised.
The mixed-bag of events attracted students from various colleges across the country, winning prizes worth over 1 lakh.
We are now back with a Bigger, Better and Grander Übertech '15


RDB is a set of class templates implementing simple, generic and fast collections of objects called tables. Each table can store objects of any class with one or more integer attributes called keys. The table has a separate index for each key for fast retrieving and iterating items.
In addition, this package contains adapter classes for using RDB tables with the Qt Model/View architecture.
Website: http://www.mimec.org/components/rdb
Depending on your needs, you can use just the 'core' components of RDB, or use them together with the model components. The core RDB components have no external dependencies. The model components require Qt 4.2 or newer (http://www.trolltech.com/products/qt/).
The RDB package contains the following files:
The main header file defining the data tables and iterators. If you're not planning to use the model components, this is the only file you need.
Header file defining some useful additional functions; requires Qt.
Files implementing the model adapter between Qt Model/View architecture and data tables.
Copyright © 2006-2010 Michał Męciński
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
THIS SOFTWARE IS PROVIDED BY THE COPYRIGHT HOLDERS AND CONTRIBUTORS "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED.


FRONT-END ENGINEER
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Shall We Dance? A film review by Hanson Yoo Copyright 1997 Hanson Yoo
Being that it is a foreign language film with no known names with a select number theaters showing it, "Shall We Dance" won't be seen by that many people. And that's a shame - this is a funny, enchanting, and goofy movie full of laughs, surprises, and wonderful dance sequences.
The surprising thing about "Shall We Dance" is the universal appeal of the story. A US version is in the works, and it's no wonder - it's not really all that culture specific. Although there is a narrated set-up that adds some extra resonance to the proceedings (about the view the Japanese culture has about ballroom dancing), the movie is so rich in character and appeal that this added layer isn't at all necessary to understand or enjoy the film. The only important unexplained Japanese-specific reference that may leave some a bit puzzled is that 1000 yen is roughly $10 (when you see the film - and you should see this film - you'll know why).
A middle aged company man realizes that achieving all the goals he set for himself in life (a house, a child, and good marriage) still doesn't translate into a fulfilled life. After glimpsing a melancholy beauty looking out from a dance studio window while on the train home from work, Sugiyana (Koji Yakusho) decides after some trepidation to take up ballroom dance lessons in order to meet the woman who has stirred something in himself. After finding the weekly fees for private lessons from the elegant and beautiful Mai (Tamiyo Kusakari) too rich for his blood, Sugiyama opts for groups lessons simply to be near her. We then meet the players in this gem of a movie, who all have their own reasons for joining the class. Later on, we meet Aoki at the dance studio (Naoto Takenaka), a co-worker and all out weirdo and one of the laugh riot highlights of the film. The story, laughs, and touching scenes evolve as the movie goes along.
It's a pleasure to watch such a wonderful film that is propelled almost solely by the characters and performances. It's difficult to explain the charms of the film without revealing too much - the movie abounds with little revelations that subtly shape the characters, and in the end, each one is that much fuller and more understood by the time you leave the theater. It's one of those movies that only the French seem to make anymore - no big plot, no special effects, no gunplay, no tragic consequences, no forced examinations of the nature of love, and no insights into the nature of evil. Just a warm, funny, endearing film that will charm the pants off of you. When was the last time you left a theater feeling all warm and fuzzy inside? "Shall We Dance" will do that to you without any treacly aftertaste.
Grade: A-
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Weekend traffic changes for Three Miles, St Andrew
The National Works Agency (NWA) is reporting that traffic changes have been be implemented at Three Miles, St Andrew to facilitate critical waterline connection works within the interchange.
Over the weekend, access will be restricted to the lower overpass bridge located along Spanish Town Road as well as to some local roads.
Only a single lane of traffic travelling from the direction of downtown Kingston towards Six Miles will be allowed onto the lower overpass while the local road will be closed and motorists redirected onto Bell Road.
The bridge will continue to facilitate two-lane traffic travelling from Six Miles towards downtown Kingston, however, the roadway will be reduced to single lane on exiting the ramp at Tools Hardware, located at the eastern side of Spanish Town Road.
NWA Communication and Customer Services Manager, Stephen Shaw, says the planned activities will not affect access to the higher overpass bridge which extends from Marcus Garvey Drive to Hagley Park Road.
He however explains that movement between both ground level roadways will be impacted.
Motorists travelling on the local road along Hagley Park Road towards Three Miles will be allowed only as far as the National Commercial Bank, at which point they will be required to turnaround onto either Olympic Way or back onto Hagley Park Road.
In addition, motorists travelling from Marcus Garvey Drive will not be allowed to turn either right or left onto Spanish Town Road.
Motorists wishing to access the western side of Spanish Town Road should continue straight and use Olympic Way and Coburn Avenue while those travelling to the eastern side of Spanish Town Road may use the higher overpass bridge to travel up to Waltham Park Road.
The NWA says in order to avoid delays motorists may opt for alternative routes, where possible.
The agency says the contractors have been instructed to erect the requisite directional and road closure signs at the appropriate locations to guide the travelling public.


A comment is some text in code that isn't interpreted by the run-time enigne.
A comment can be placed anywhere in code and have to be wrapped between two :cossack:
.
:cossack: This is a comment. Ecre will ignore this text. You can even make
line breaks. :cossack:


[ht::head {Displaying Data}]
<%nochildlist%>
:navtop
+callout-info
RAMADDA provides a number of information and data display components in the wiki facility.
There are a number of
examples available. An easy way to figure out what is going on is to the the wiki text of working examples. The wikitext used for any RAMADDA entry can be viewed with the Menu->View->Information page -
example.
-callout
[ug::wikiheading {Basics} basics]
The charts and information displays follow the RAMADDA wiki tag format:
[wiki::text {{{display_<display type> <name=value pairs>}}}]
Each of these tags support the following attributes:
[wiki::text {
layoutHere="true"
showMenu="true"
showTitle="true"
title="Title to display"
}]
If [ug::attr layoutHere] is set to false then the component is laid out by the container group (below).
Otherwise it is displayed in place.
[ug::wikiheading {Data} thedata]
The data that is displayed takes the form of a number of records where each record is composed of the same number of fields.
Optionally, records can also have a latitude/longitude position and a date associated with them.
You can think of the data as a structured representation of a CSV file.
name(type=string),occupation(type=enumeration),value1(type=double),value2(type=int)
Joe,bartender,1.3,17
Jill,ceo,39,54
Jane,pilot,39,54
...
The total number of records fetched from the server
can be set with the "max" attribute. This will only retrieve the first N records.
So, for example if you have a dataset with lots of records (e.g., 20000) you can display them
all (e.g., in a line chart) with:
[wiki::text {{{display_linechart max=20000}}}]
If you have a number of displays on one page that you want to apply the same max value for then use:
[wiki::text {
{{property max=20000}}
{{display_linechart}}
{{display_table}}
}]
You can specify a stride with the "skip" attribute. For example if you want to fetch every other record do:
[wiki::text {{{display_linechart skip=1}}}]
Every 10th record do:
[wiki::text {{{display_linechart skip=10}}}]
If you only wanted the last N records specify, e.g.:
[wiki::text {{{display_linechart lastRecords=10}}}]
You can also specify a start and end date range with:
[wiki::text {{{display_linechart startDate="yyyy-MM-dd HH:mm" endDate="yyyy-MM-dd HH:mm"}}}]
e.g.:
[wiki::text {{{display_linechart startDate="2021-01-01"}}}]
The startDate and endDate can also be relative to the current date. For example, if you wanted to get the last week's data you would do:
[wiki::text {{{display_linechart startDate="-1 week"}}}]
In general the relative dates take the form:
<offset> <dateunit>
where:
dateunit=second|minute|hour|day|week|month|year|century|millenium
For example:
[wiki::text {{{display_linechart startDate="-13 days" endDate="-5 days"}}}]
[ug::wikiheading {Specifying Fields} fields]
Most of these displays are based on [ug::link pointdata.html {point data}] in RAMADDA. The point data model
is based on a series of records (or rows) that are made up of a set of fields (or columns).
Each field has a certain type - double, integer, string, date.
Many of the displays below use a fields attribute to specify the fields that are displayed.
These are either the field ids of the point data or a 1-based index into the field list.
[wiki::text {
fields="active_voters,total_ballots"
Or:
fields="1,#2,#3"
}]
The field ids for a point data entry can be viewed with the Metadata view, e.g. -
(example).
[wiki::text {{{display_linechart fields="#5,#6,#7,#8,#9,#10" }}}]
[ug::wikiheading {Filtering Data} filters]
A display can present a set of widgets that allow the user to filter the data being shown. For example, in the image below (See here) the data has a set of fields - elev, elev_gain, distance, range and class.
[ht::screenshot images/filters.png {Filtering Data} {}]
Below is the wiki text that creates the above display. The map display defines which fields should be used with the filterFields="..." attribute. The ranking display specifies the same set of filter fields but also has a hideFilterWidget=true which specifies to actually not show the widgets. The filter values the user enters in the map display are then applied to the ranking display.
[wiki::text {+row
+col-3
{{display type="ranking"
...
filterFields="elev,elev_gain,distance,range,class" hideFilterWidget=true
}}
-col
+col-9
{{display type="map"
...
filterFields="elev,elev_gain,distance,class,range"
}}
-col
-row
}]
Filter attributes:
- filterFields="field1,field2"
The fields to filter on
- hideFilterWidget=true
Don't show the filter widgets.
- <field_name>.filterValue="some value"
Specify an initial filter value
- <field_name>.includeAll="false"
For enumerated values a menu of items is shown. To not have the "All" value
add a attribute.
- <field_name>.filterMultiple="true"
Support multiple values to filter on
- <field_name>.filterMultipleSize="5"
How big a selection menu to show
- <field_name>.filterValues="value1,value2,.."
Specify values to use in the filter menu instead of the values in the data
- <field_name>.filterValueMin="min value", <field_name>.filterValueMax="max value"
Use these to specify initial values for numeric fields.
- <field_name>.filterLabel="some label"
Specify an alternative label to display with the filter widget
- <field_name>.filterPrefix="some prefix", <field_name>.filterSuffix="some suffix"
Specify extra text to wrap the filter value
[ug::wikiheading {Converting Data} converting]
[wiki::text {
convertData="command1;command2;...;"
Where commands can be:
derived(field=field_id, function=some_expression)
e.g.:
derived(field=poptimes10, function=population*10)
rotateData(includeFields=true,includeDate=true,flipColumns=true)
addPercentIncrease(replaceValues=false)
}]
[ug::wikiheading {Subsetting Data} subsetting]
You can specify various filters applied to the data
[wiki::text {
By date:
startDate="yyyy-MM-dd"
endDate="yyyy-MM-dd"
By value:
dataFilters="command(field=<field id>,value=<value>,enabled=<value>,label=...
Where "command" can be one of:
match - string match
notmatch - string not match
lessthan - <=
greaterthan - >=
equals
notequals
If the label is specified then a selector checkbox will be shown to turn on/off this filter
}]
You can also sample the data with:
[wiki::text {
stride=1 - take every other point
maxDisplayedPoints= - if set, then set the stride so we at most have maxDisplayedPoints points
}]
You can bin the data based on dates with:
[wiki::text {
binDate=day|week|month|year
binType=total|count|average
}]
Only show unique rows with:
[wiki::text {
uniqueField=<field id>
}]
[ug::wikiheading {Color} ]
RAMADDA provides a large number of built-in color tables.
The full set of color tables can be viewed at
here.
When editing the wiki text if you right-lick inside
of a {{display ...}} tag a context menu will be shown that will list the available color tables.
Colors are defined and can also be modified the following ways.
[wiki::text {
colorTable="some color table name" - specify the color table
colorTable="colors:red,green,blue,...." - explicit list of colors
colorTable.<field name> ="some color table" - specify a color table for one of the "color by" fields
colorTableInverse="true" -reverse the colors
colorTableAlpha="0.0 - 1.0" - specify a transparency value
colorBy=<field name> - specify a data field to color by
colorByFields=<field1,field2,...,fieldN> - specify a number of fields to allow the user to choose how to color
}]
[ug::wikiheading {Display Groups} groups]
There is a group tag that can manage a number of children displays. The general use is of the form below where displays 1-3 are part of group 1 and displays 4,5 are part of group 2.
The group allows for different displays to communicate with each other
(e.g., creating a new chart, map click, animation, etc), the inheritance of
certain attributes (e.g., showMenu, showTitle)
and the layout of the children displays.
If there is a wiki page that does not have a group but only one or more display tags
then a group will be added automatically.
[wiki::text {
{{group group 1 ...}}
{{display display 1}}
{{display display 2}}
{{display display 3}}
{{group group 2...}}
{{display display 4}}
{{display display 5}}
}]
If [ug::attr showMenu] is set to true for a group then the below menu is displayed.
This supports the interactive creation of new charts and displays. The layout of these
displays can be changed interactively, their state can be changed and they can be deleted.
[ht::screenshot images/groupmenu.png {Group menu}]
If the user is logged in then the set of dynamically created displays can
be saved (e.g., as a wiki page)
through the group menu as seen below:
[ht::screenshot images/groupmenu2.png {File save menu}]
[ug::subsubheading {Display Layout}]
Each child display may be located in a fixed location (using [ug::attr layoutHere=false]) in the web page
or the group can manage the layout of the children displays. Different layouts can be
specified with the layoutType attribute. The available layouts are:
[wiki::text {
layoutType=tabs
layoutType=table
layoutType=columns
layoutType=rows
}]
Using the table layout the number of columns is specified with the layoutColumns attribute.
For the columns and rows layout type each child display can specify the column number of
row number it should be placed in. For example, for the rows layout if you had:
[wiki::text {
{{group layoutType="rows"}}
{{display display1 row="1"}}
{{display display2 row="1"}}
{{display display3 row="1"}}
{{display display4 row="2"}}
{{display display5 row="2"}}
{{display display6 row="3"}}
}]
Would result in (without the border):
The divid attribute allows you to specify a div tag that is in the wiki page as the location for the group and the displays
to place themselves in. For example, below is the (abbreviated) wiki text used to create
this page on ramadda.org.
We want to have a fixed layout where the entry list is on the left and the map is on the right. Any charts or other display components that are interactively created by the user are managed by the group and layed out below the list and map.
To do this we define a regular html table layout that contains a couple of div tags - one for the list and one for the map. We set the IDs of the div tags and then reference those IDs in the display wiki tags below.
Likewise, the group has a divid=maindiv which corresponds to the div at the bottom of the page.
[ug::xml {
{{group layoutType="table" layoutColumns="1" divid="maindiv"}}
{{display_entrylist divid="listdiv" }}
{{display_map layoutHere="true" height="250" divid="mapdiv"}}
}]
[ug::wikiheading {Displaying Multiple Entries} changeentries]
When you have multiple entries you can create a display (e.g., a time series)
and allow the user to select which entry to display.
Here is an example
that shows a time series plot of one of a set of data files:
[ht::screenshot images/changeentries.png]
Below is the relevant wiki text for the above display. You can also view the
full wiki text
here.
All that is needed is to add a changeEntries=true attribute to the group tag.
An optional changeEntriesLabel can be specified to provide a context specific label.
The firstEntry attribute is an optional way of specifying which entry should be shown
as the first entry. For the actual displays you should specify an entry that is initially used as well.
[wiki::text {
{{group changeEntries=true changeEntriesLabel="Select Region"
firstEntry="93198426-f87d-40e6-b206-43b25ad1d4fa"
}}

{{display_fieldslist width=150px
entry=93198426-f87d-40e6-b206-43b25ad1d4fa
fields="#41,#42,#43,#44,#45,#46,#47,#48,#49,#50"
...
}}

{{display_linechart
entry=93198426-f87d-40e6-b206-43b25ad1d4fa
fields="#41,#42,#43,#44,#45,#46,#47,#48,#49,#50"
...
}}

}]
The above lists the entries in a menu. Alternatively you can display the entries in a map
or in a timeline.
[ht::foot]


|
QuantLib: a free/open-source library for quantitative finance
Fully annotated sources - version 1.30
|
#include <ql/math/matrixutilities/basisincompleteordered.hpp>
Public Member Functions | |
| OrthogonalProjections (const Matrix &originalVectors, Real multiplierCutOff, Real tolerance) | |
| const std::valarray< bool > & | validVectors () const |
| const std::vector< Real > & | GetVector (Size index) const |
| Size | numberValidVectors () const |
Private Attributes | |
| Matrix | originalVectors_ |
| inputs More... | |
| Real | multiplierCutoff_ |
| Size | numberVectors_ |
| Size | numberValidVectors_ |
| Size | dimension_ |
| std::valarray< bool > | validVectors_ |
| outputs More... | |
| std::vector< std::vector< Real > > | projectedVectors_ |
| Matrix | orthoNormalizedVectors_ |
| workspace More... | |
Given a collection of vectors, w_i, find a collection of vectors x_i such that x_i is orthogonal to w_j for i != j, and <x_i, w_i> = <w_i, w_i>
This is done by performing GramSchmidt on the other vectors and then projecting onto the orthogonal space.
This class is tested in
MatricesTest::testOrthogonalProjection();
Definition at line 54 of file basisincompleteordered.hpp.
| OrthogonalProjections | ( | const Matrix & | originalVectors, |
| Real | multiplierCutOff, | ||
| Real | tolerance | ||
| ) |
Definition at line 111 of file basisincompleteordered.cpp.
| const std::valarray< bool > & validVectors | ( | ) | const |
Definition at line 208 of file basisincompleteordered.cpp.
Definition at line 214 of file basisincompleteordered.cpp.
| Size numberValidVectors | ( | ) | const |
Definition at line 220 of file basisincompleteordered.cpp.
|
private |
inputs
Definition at line 70 of file basisincompleteordered.hpp.
|
private |
Definition at line 71 of file basisincompleteordered.hpp.
|
private |
Definition at line 72 of file basisincompleteordered.hpp.
|
private |
Definition at line 73 of file basisincompleteordered.hpp.
|
private |
Definition at line 74 of file basisincompleteordered.hpp.
|
private |
outputs
Definition at line 77 of file basisincompleteordered.hpp.
|
private |
Definition at line 78 of file basisincompleteordered.hpp.
|
private |
workspace
Definition at line 81 of file basisincompleteordered.hpp.


-
At A.D's Machinery, we do our best to ensure that every product is of the highest quality,
so that you can shop anywhere - any time - with no worries.
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Before your purchase, make sure to read our Returns Policy to see how we'll
look after you in cases where an item needs to be returned.
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Visit our Payment & Shipping page to
learn more about how to make your purchase using our website.


TALL TALE A film review by Steve Rhodes Copyright 1997 Steve Rhodes
RATING (0 TO ****): ***
"Just 'cause it's a tall tale don't mean it ain't true," is the wisdom imparted by father Jonas Hackett (Stephen Lang) to his son Daniel (Nick Stahl). But Daniel is a skeptic. He has his father's tall tales committed to memory, but has grown tired of hearing them. It's "The American West in 1905," and although horseless carriages are intruding upon the pristine landscape, the cowboy legends remain fresh and vivid.
In 1994 Disney cast some big stars and a top flight crew, including director Jeremiah S. Chechik (BENNY & JOON), to make the highly imaginative, live action film TALL TALE. Why it did poorly at the box office isn't clear because it is an excellent film. Most other movies for kids are ready to accept mediocrity. There are so few kids' movies produced, perhaps the studios figure that spending too much money and effort on them is a waste. With such a paucity of product, the young consumers will flock to see them regardless of the quality.
After the evil J.P. Stiles (Scott Glenn) tries to gain control of his father's farm, Daniel gets the faith and embarks on his own tall tale of an adventure. In it he hooks up with Pecos Bill (Patrick Swayze), John Henry (Roger Aaron Brown), and Paul Bunyan (Oliver Platt). Even Calamity Jane (Catherine O'Hara) has a cameo role in his adventure. I will not give Daniel's story away. Better to have him tell it.
Early on in the picture, nature's grandeur engulfs the screen. The cinematography by Academy Award winning cinematographer Janusz Kaminski (SCHINDLER'S LIST) creates so many images of tremendous natural beauty that they almost take your breath away.
When Daniel awakes in a field of "wildflowers," the butterflies rise up and obliterate everything in a dazzling swirl of orange and gold. ("Kind of all makes it worthwhile, don't you think?" is how his friend Pecos Bill puts it when the butterflies take flight.) Towards night Kaminski captures the royal blue of twilight in the most mystical way imaginable. And, the rust colored canyons of the West have never been shown more majestically.
The beautiful sets are by Academy Award winner Eugenio Zanetti (RESTORATION). The sweeping musical score is by Randy Edelman, who did one of my all-time favorite movie scores, the one for GETTYSBURG.
The script by Steven Bloom (JAMES AND THE GIANT PEACH) and Robert Rodat (FLY AWAY HOME) is a lot of fun. A beautiful mixture of the mythical story of a tall tale laced with broad humor. (As the protagonists are crossing a scorching desert, Pecos Bill assures them that it could be worse. "Not as hot as the summer of '88 when the chickens laid fried eggs and the babies cried sawdust," he tells the others.
The script has just enough pathos to counterbalance the lighter parts. ("As far as Pa is concerned, I never do nothing right," laments Daniel to John Henry. John Henry proceeds to tell him how his father was "sold down river," so he never saw him again. This makes Daniel realize how lucky he is to even have a father.)
The story teaches, not preaches, good values. Patrick Swayze, who does the best of several good pieces of acting in the show, looks like he is developing an ulcer when Daniel seems ready to give in to the evil Stiles. Looking Daniel straight in the eye, he pleads with him, "Don't lose the dream!"
In order to make the show palatable to the younger crowd, the violence is limited in a surprising way. Pecos shoots off the trigger fingers of the villains, sometimes from a dozen of them at a time. This incapacitates them without killing them. Still it does make tracking Pecos easier. When Stiles finds a trigger finger lying in the desert sand, he knows that Pecos must have passed this way.
TALL TALE is a child's story told with imagination and good acting. A well developed story that enchants its viewers, young and old.
TALL TALE runs 1:38. It is rated PG for mild and cartoonish violence. The only two potentially scary parts are when Daniel appears about to be crushed or cut in two. For that reason, kids under 5 might be frightened. My son Jeffrey, age 8, likes the picture "a whole lot." His absolute favorite character was Pecos Bill, but he was disappointed that they did not cast a larger actor for the Paul Bunyan role, which is a good point. I recommend the movie to you and your family and give it ***.
**** = A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show. Don't waste your money. 0 = Totally and painfully unbearable picture.
REVIEW WRITTEN ON: May 24, 1997
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: post status: publish published: true title: Upgrading author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 835 wordpress_url: http://winterdom.com/2003/04/upgrading date: '2003-04-13 15:23:56 +0000' date_gmt: '2003-04-13 15:23:56 +0000' categories: - Personal tags: [] comments: - id: 559 author: sdfgsdgf author_email<EMAIL_ADDRESS>author_url: http://sdgf.com date: '2003-04-26 09:05:59 +0000' date_gmt: '2003-04-26 09:05:59 +0000' content: |
sdflmsd
I'm just coming back up again from upgrading my notebook (well, my only computer at home, really


When you collapse a tab, its children are hidden in this attic. That clears up space in main tab bar.
Minimize this window and forget about it (Don't close it though). TabSense uses it internally.


{% extends 'base.html' %} {% block register %}
In order to decrypt messages sent to you, you will need to keep a user specific private key
Your private key is important! Copy and save it to a text file now!


A responsive, versatile grid system written in LESS.

 ...

 ...

 ...

You can mix and match the classes above however you like. To help you get an idea of what's possible, here are a few examples.

 ...

 ...

 ...

If you want different widths for each column, just add one of the custom width classes to each grid-block you want changed.

 <-- replace "xx" with the percentage width desired -->

Again, to help you get an idea of what's possible, here are a few examples.

Since this system is written with LESS, you can control the size of your gutters by just changing a few values.
/* below are the varables you can change and their default values */
// small screens
@gutter-2: 1.25rem; // 20px
@gutter-3: .9375rem; // 15px
@gutter-4: .625rem; // 10px
@gutter-5: .5rem; // 8px
@gutter-6: .5rem; // 8px
// medium screens
@gutter-2-md: 1.875rem; // 30px
@gutter-3-md: 1.25rem; // 20px
@gutter-4-md: .9375rem; // 15px
@gutter-5-md: .625rem; // 10px
@gutter-6-md: .625rem; // 10px
// large screens
@gutter-2-lg: 2.8125rem; // 45px
@gutter-3-lg: 1.875rem; // 30px
@gutter-4-lg: 1.25rem; // 20px
@gutter-5-lg: .9375rem; // 15px
@gutter-6-lg: .9375rem; // 15px
/* you can also define the breakpoints */
@medium: 30.625rem; // 490px
@large: 50rem; // 800px
/* note: pixel values above are based on a 16px base */
If you don't want the gutters, add the "grid-collapse" class to the container to remove them.

By default, the grid blocks float to the left. To go the other direction, add the "grid-right" class.

You can have as many blocks in your grid as you want, just keep in mind that if those blocks have different heights, the results will be unpredictable. It is safer to just have as many blocks as you have columns, unless you are confident the heights are all the same.
It is also possible to nest the grid, but it is probably a good idea to collapse the gutters for the internal grids, otherwise their gutters will probably be too large for your needs.


WITNESS LIST Business & Commerce Committee (Subcommittee on Subcommittee on Interim Charge #1) December 4, 2001 - 9:30A Termination of Insurance Agent Cont ON: Alejos, George Real Estate Broker (Self), San Antonio, TX Ayala, Daniel Allstate Agent (Ayala Insurance Agency, Inc.), San Antonio, TX Beauchamp, Jerry (National Association of State Farm Agents, Inc.), San Antonio, TX Boldin, Jim Insurance Agent (Self), Austin, TX Carnahan, Jerry Insurance Agent (Self), San Antonio, TX Gary, Benton Insurance Agent (Self), San Antonio, TX Gilliam, Rick Insurance Agent (Self), Kerrville, TX Gonzalez, Jr., Raymond Insurance Agent (National Association of Professional Allstate Agents), San Antonio, TX Hintz, John Vice President - Agency (State Farm Insurance Companies), Austin, TX Howell, Dave Insurance Agent (Self), New Braunfels, TX Huxel, Bob (Farmers Insurance Group), Austin, TX Kreps, David Insurance Agent (Self), San Antonio, TX Leach, James Insurance Agent (Self), El Campo, TX Merlinsky, Joseph Insurance Agent (Self), Houston, TX Montemayor, Jose Commissioner of Insurance (Texas Department of Insurance), Austin, TX Moore, Charles Insurance Agent (Self), San Antonio, TX Munoz, Jesse (Self), San Antonio, TX Murguia, Carlos Vice President (Image of Texas Civil Rights Organization), San Antonio, TX Rodriguez, Henry District XV Director (LULAC), San Antonio, TX Sloan, Clyde Retired Insurance Agent (CITA), Houston, TX Smith, David William Insurance Agent (National Association of Professional Allstate Agents), Kingwood, TX Swift, David Insurance Agent (Coalition of Exclusive Agents), San Antonio, TX Thompson, Jay (AFACT), Austin, TX Traver, Doug Insurance Agent (Self), Fredericksburg, TX Zepeda, Johnny Legal Assistant (National Image, Inc.), San Antonio, TX Registering, but not testifying: On: Ayala, Ralph L. Former Allstate Agent (Self), San Antonio, TX Lenard, Steve Farmers Insurance Agent (Self), Sugarland, TX Munoz, Juanita Cantu (Self), San Antonio, TX Perry, Robert Insurance Agent (CITA), Houston, TX Thiele, William Insurance Agent (CITA), Katy, TX


MinHash¶
datasketch.MinHash
lets you estimate the Jaccard
similarity
(resemblance) between
sets of
arbitrary sizes in linear time using a small and fixed memory space. It
can also be used to compute Jaccard similarity between data streams.
MinHash is introduced by Andrei Z. Broder in this
paper
from datasketch import MinHash
data1 = ['minhash', 'is', 'a', 'probabilistic', 'data', 'structure', 'for',
'estimating', 'the', 'similarity', 'between', 'datasets']
data2 = ['minhash', 'is', 'a', 'probability', 'data', 'structure', 'for',
'estimating', 'the', 'similarity', 'between', 'documents']
m1, m2 = MinHash(), MinHash()
for d in data1:
m1.update(d.encode('utf8'))
for d in data2:
m2.update(d.encode('utf8'))
print("Estimated Jaccard for data1 and data2 is", m1.jaccard(m2))
s1 = set(data1)
s2 = set(data2)
actual_jaccard = float(len(s1.intersection(s2)))/float(len(s1.union(s2)))
print("Actual Jaccard for data1 and data2 is", actual_jaccard)
You can adjust the accuracy by customizing the number of permutation functions used in MinHash.
# This will give better accuracy than the default setting (128).
m = MinHash(num_perm=256)
The trade-off for better accuracy is slower speed and higher memory usage. Because using more permutation functions means
- more CPU instructions for every data value hashed and
- more hash values to be stored.
The speed and memory usage of MinHash are both linearly proportional to the number of permutation functions used.
You can union two MinHash object using the merge
function. This
makes MinHash useful in parallel MapReduce style data analysis.
# The makes m1 the union of m2 and the original m1.
m1.merge(m2)
MinHash can be used for estimating the number of distinct elements, or cardinality. The analysis is presented in Cohen 1994.
# Returns the estimation of the cardinality of
# all data values seen so far.
m.count()
If you are handling billions of MinHash objects, consider using
datasketch.LeanMinHash
to reduce your memory footprint.


Web Developer Examples and Resources by Haidar Aliwi
Social Media Optimization
SMOSMO (Social media optimization) SMO is social media optimization is the use of social media networks to manage and grow on organization message and online presence. It can be used to increase awareness of new products, and services, connect with customers. SMO focuses only on driving traffic via various social media platforms and involves finding out what content performs well for your company on social platforms. also, SMO is the next wave of online marketing and is the perfect marriage between SEO and social media. Furthermore SMO is the technique designed to promote your product, service through various channels like youtube ,networking sites, twitter and LinkedIn. As a user SMO choose right platforms to focus on and these should be one of your audience. In this it is to find what social media platforms your audience use. The next is to perform competitive analysis. You want to figure out how you stack up against the competition. You can also perform content gap analysis on your social media, and once you understand your audience its time to build a strategy to help you reach the goals. The SMO is a very important tool, it ensures a strong web presence for your business.It introduces people to the business and also helps in branding and improving brand visibility. It provides the opportunity to reach out to target audience .It allows you to position the brand to your customer through mobile ,video and audio. Although social media is useful for branding, it is increasingly being used for lead generation. Social media optimization is great source for traffic generation and allows you to reach customers worldwide and is cost effective . Driving traffic to your site is an organic process that takes time and one that never ends .For many companies twitter has become an indispensable part of their busniess plan .The goal is not to spend all time to get followers but quality and consistency will have long impact on how much traffic will be driven to your site . Work sites. Social media optimization - Wikipedia Sturgis, Ingrid (2014). "Social Media Optimization". In Harvey, Kerric (ed.). Encyclopedia of Social Media and Politics. 3. CQ Press. pp. 1167–1171. Why SMO is Important for Business (mgiwebzone.com) Organic Traffic and Why it is Important | LinkedIn


## Radio Lists The radio-list scaffolding component (`PacemRadioListElement`) iterates radio buttons for single-choice input. It provides nonetheless **databinding capabilities** for handy connects against datasources:
## Declarative usage Same results can be achieved in a more declarative way by wrapping a list of `<pacem-data-item>` elements. > Any `PacemDatasourceElement` can wrap `<pacem-data-item>` elements as a datasource.
## Autogenerated `PacemRadioListElement` can be injected into a form via metadata, the following way. > Radio lists are **_opinionatedly_** bound to enumerations in metadata.
{ "display": { "cssClass": ["form-minimal"] }, "props": [ { "prop": "fruit", "type": "byte", "dataType": "enumeration", "display": { "name": "Name", "watermark": "Your name here...", "description": "Write down your full name" }, "extra": { "enum": [ { "value": 1, "caption": "apples"}, { "value": 2, "caption": "bananas" }, { "value": 3, "caption": "cucumbers" }, { "value": 4, "caption": "dates" }, { "value": 5, "caption": "elderberries" }, { "value": 6, "caption": "figs" }, { "value": 7, "caption": "grapefruits" }, { "value": 8, "caption": "hackberries" } ] } } ]}


30. Jesus Feeds Five Thousand People
Jesus sent his apostles to preach and to teach people in many different villages. When they returned to where Jesus was, they told him what they had done. Then Jesus invited them to go with him to a quiet place across the lake to rest for a while. So, they got into a boat and went to the other side of the lake.
But there were many people who saw Jesus and the disciples leave in the boat. These people ran along the shore of the lake to get to the other side ahead of them. So when Jesus and the disciples arrived, a large group of people was already there, waiting for them.
The crowd had over 5,000 men in it, not counting the women and children. Jesus felt great compassion towards the people. To Jesus, these people were like sheep without a shepherd. So he taught them and healed the people among them who were sick.
Late in the day, the disciples told Jesus, "It is late and there are no towns nearby. Send the people away so they can go get something to eat."
But Jesus said to the disciples, "You give them something to eat!" They responded, "How can we do that? We only have five loaves of bread and two small fish."
Jesus told his disciples to tell the people in the crowd to sit down on the grass, in groups of fifty people each.
Then Jesus took the five loaves of bread and the two fish, looked up to heaven, and thanked God for the food.
Then Jesus broke the bread and the fish into pieces. He gave the pieces to his disciples to give to the people. The disciples kept passing out the food, and it never ran out! All the people ate and were satisfied.
After that, the disciples collected the food that had not been eaten and it was enough to fill twelve baskets! All the food came from the five loaves of bread and two fish.
A Bible story from: Matthew 14:13-21; Mark 6:31-44; Luke 9:10-17; John 6:5-15


Contact HM Land Registry
Contact HM Land Registry (email form) to get a category for this charge
Why can't I add this charge without a category?
If someone takes a dispute to court that involves this charge, they will need to know what category of charge it is.
This tells us the legal right or restriction on land. Without this information, we don't know what the charge does.


{% for name in amplifiers_names %}
{{ name }}
Configure Amplifier
Output
Output:
dB
Input:
dB
Reflected:
dB
VSWR:
Temperature:
℃
Requested Output:
dB
Couldn't connect to amplifier!
{% endfor %}


The second closest planet to the sun, Venus shines its bright glow as the morning star.
Covered by layers of sweeping clouds that rise up to 60 km above the planet's surface, which contain droplets of sulfuric acid, only recently have infrared detectors been able to scan through the opaque view. Openings, however, show a view of a world underneath at Venus' north and south poles.
The atmospheric pressure is only one tenth of that on Earth and a surface pressure of 96 bars. Clouded, Venus maintains a constant planetary surface temperature of 459 degrees Celcius, independent of day or night. Filtering the sun's light energy, Venus' clouds promote a continual deep freeze throughout the planet.
Ninety-seven percent of Venus' atmosphere is composed of carbon dioxide, compared Earth's seventy-eight percent nitrogen composition. Continuing, since Venus is closer to the Sun it experienced a runaway green-house effect that caused the primitive oceans to evaporate into the clouds.


TABLE OF INTERACTIONS WITH
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN)
From the French ANSM drug interactions document of
September 2016, pp. 176-178
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
AMIODARONE RxNorm: 703 ATC: C01BD01 |
Increase of the plasma concentrations of the phenytoin with signs of overdose, in particular neurological ones (decrease of the hepatic metabolism of the phenytoin) |
Precaution for use Clinical monitoring, testing of the plasma concentrations of phenytoin, and possible adjustment of its dosage |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
CARBAMAZEPINE RxNorm: 2002 ATC: N03AF01 |
Reciprocal reduction of the plasma concentrations (increase of the metabolism without apparent modification of the anticonvulsive effectiveness) |
Take into account Use prudence in the interpretation of the plasma concentrations. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
CIMETIDINE RxNorm: 2541 ATC: A02BA01 |
With the cimetidine used in doses greater than or equal to 800 mg/day: increase of the plasma concentrations of phenytoin with the possibility of appearance of the usual signs of overdose |
Not recommended If administering the substances together cannot be avoided, strict clinical monitoring, plasma concentration dosages of phenytoin, and possible adjustment of its dosage during the treatment with the cimetidine and after it is stopped. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
CIPROFLOXACIN RxNorm: 2551 ATC: J01MA02 S01AE03 S02AA15 S03AA07 |
Variation, possibly large, of the concentrations of phenytoin in the case of treatment with the ciprofloxacin |
Precaution for use Clinical monitoring and testing of the plasma concentrations of the anticonvulsant during the treatment with ciprofloacin and after it is stopped. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
CLOPIDOGREL RxNorm: 32968 ATC: B01AC04 |
Increase of the plasma concentrations of phenytoin with signs of overdose (inhibition of the metabolism of the phenytoin) |
Precaution for use Clinical monitoring and testing of the plasma concentrations of phenytoin. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
CLOZAPINE RxNorm: 2626 ATC: N05AH02 |
Risk of ineffectiveness of the antipsychotic treatment (decrease of the plasma concentrations of clozapine due to increase of its hepatic metabolism) |
Precaution for use Clinical monitoring and possible increase of the dosage of the clozapine during the treatment with the phenytoin. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
CYTOTOXICS CLASS CODE: L01 |
Risk of onset of convulsions due to decrease of the digestive absorption of the phenytoin only [not the fosphenytoin] by the cytotoxic, or risk of increase of the toxicity or loss of the effectiveness of the cytotoxic due to the increase of its hepatic metabolism by the phenytoin or the fosphenytoin |
Not recommended |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
DIAZEPAM RxNorm: 3322 ATC: N05BA01 |
Unpredictable variations: the plasma concentrations of phenytoin can increase, with signs of overdose, but also decrease or remain stable. |
Precaution for use Clinical monitoring and testing of the plasma concentrations of phenytoin. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
DISULFIRAM RxNorm: 3554 ATC: N07BB01 |
Large and rapid increase of the plasma concentrations of phenytoin with signs of toxicity (inhibition of its metabolism) |
Not recommended If the administration of these substances together cannot be avoided, clinical monitoring and monitoring of the plasma concentrations of phenytoin during the treatment with the disulfiram and after it is stopped. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
FELBAMATE RxNorm: 24812 ATC: N03AX10 |
Increase of the plasma concentrations of phenytoin with risk of overdose, due to inhibition of its metabolism by the felbamate |
Precaution for use Clinical monitoring, testing of the plasma concentrations of phenytoin, and if needed, adjustment of its dosage during the treatment with the felbamate. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
FLUCONAZOLE RxNorm: 4450 ATC: D01AC15 J02AC01 |
Increase of the plasma concentrations of phenytoin that can reach toxic values. Mechanism proposed: inhibition of the hepatic metabolism of the phenytoin |
Precaution for use Strict clinical and biological monitoring. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
FLUOXETINE RxNorm: 4493 ATC: N06AB03 N06CA03 |
Increase of the plasma concentrations of phenytoin with signs of overdose, due to inhibition of the metabolism of the phenytoin |
Precaution for use Clinical monitoring and possibly testing of the plasma concentrations of phenytoin. If needed, adjustment of the dosage during the treatment with the fluoxetine and after it is stopped. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
FLUVOXAMINE RxNorm: 42355 ATC: N06AB08 |
Increase of the plasma concentrations of phenytoin with signs of overdose, due to inhibition of the hepatic metabolism of the phenytoin. |
Precaution for use Clinical monitoring and possibly testing of the plasma concentrations of phenytoin. If needed, adjustment of the dosage of the phenytoin during the treatment with the fluvoxamine and after it is stopped. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
FOLATES CLASS CODE: V03- B03 |
Decrease of the plasma concentrations of phenytoin due to increase of its metabolism of which the folates represent one of the cofactors |
Precaution for use Clinical monitoring and testing of the plasma concentrations of phenytoin. Possible adjustment of the dosage of the phenytoin during the folic supplementation and after it is stopped. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
FUROSEMIDE RxNorm: 460 ATC: C03CA01 C03CB01 C03EB01 |
Decrease of the diuretic effect which can reach 50% |
Precaution for use Possibly use higher doses of furosemide. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
ISONIAZID RxNorm: 6038 ATC: J04AC01 |
Overdose of phenytoin (decrease of its metabolism) |
Precaution for use Strict clinical monitoring, plasma concentration dosage of phenytoin and possible adjustment of its dosage during the treatment with the isoniazid and after it is stopped. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
METYRAPONE RxNorm: 6923 ATC: V04CD01 |
Risk of false negative results of the test with metyrapone, due to a decrease of its plasma concentrations, because of the increase of its hepatic metabolism by the phenytoin. |
Precaution for use Double the dosage of the metyrapone. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
MEXILETINE RxNorm: 6926 ATC: C01BB02 |
Decrease of the antiarrythmic activity, of the plasma concentrations, and of the half life of the mexiletine (increase of its hepatic metabolism) |
Precaution for use Clinical monitoring, EKG, and, possibly monitoring of the plasma concentrations of the mexiletine; if there is reason for it, adjustment of the dosage of the mexiletine during the treatment with the phenytoin and after it is stopped. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
MICONAZOLE RxNorm: 6932 ATC: A01AB09 A07AC01 D01AC02 G01AF04 J02AB01 S02AA13 |
Increase of the plasma concentrations of phenytoin which can reach toxic values. Mechanism proposed: inhibition of the hepatic metabolism of the phenytoin. |
Precaution for use Strict clinical monitoring. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
NINTEDANIB RxNorm: 1592737 ACT: L01XE31 |
Decrease of the plasma concentrations of the nintedanib due to decrease of its absorption by the phenytoin or the fosphenytoin. |
Precaution for use Clinical monitoring during the administration of these substances together |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
PHENOBARBITAL (AND, BY EXTRAPOLATION, PRIMIDONE) CLASS CODE: N03AA-001 |
In cases of previous treatment with the phenobarbital or the primidone, and the addition of phenytoin, increase of the plasma concentrations of phenobarbital that can lead to toxic signs (inhibition of the metabolism by competition) In cases of previous treatment with the phenytoin and the addition of phenobarbital or of primidone, unpredictable changes: --the plasma concentrations of phenytoin are most often decreased (increase of the metabolism) without this decrease affecting the anticonvulsant activity unfavorably. When the phenobarbital or the primidone is stopped, possibility of toxic effects of the phenytoin. --it can happen that the concentrations of phenytoin are increased (inhibition of the metabolism due to competition) |
Take into account |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
SUCRALFATE RxNorm: 10156 ATC: A02BX02 |
Decrease of the digestive absorption of the phenytoin. |
Precaution for use Take the sucralfate at a different time from the phenytoin (more than 2 hours apart if possible). |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
SULFAFURAZOLE RxNorm: 10207 ATC: J01EB05 S01AB02 |
Increase of the plasma concentrations of phenytoin up to toxic values (inhibition of its metabolism) |
Not recommended Another class of antibiotic should be used; if not, strict clinical monitoring, concentration dosage of phenytoin, and possible adjustment of its dosage during the treatment with the sulfonamide antibiotic and after it is stopped. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
SULFAMETHIZOLE RxNorm: 10179 ATC: B05CA04 D06BA04 J01EB02 S01AB01 |
Increase of the plasma concentrations of phenytoin up to toxic values (inhibition of its metabolism) |
Not recommended Another class of antibiotic should be used; if not, strict clinical monitoring, concentration dosage of phenytoin, and possible adjustment of its dosage during the treatment with the sulfonamide antibiotic and after it is stopped. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
SULFAMETHOXAZOLE RxNorm: 10180 ATC: J01EC01 J01EE01 |
Increase of the plasma concentrations of phenytoin up to toxic values (inhibition of its metabolism). |
Not recommended Another class of antibiotic should be used; if not, strict clinical monitoring, concentration dosage of phenytoin, and possible adjustment of its dosage during the treatment with the sulfonamide antibiotic and after it is stopped. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
TICLOPIDINE RxNorm: 10594 ATC: B01AC05 |
Increase of the plasma concentrations of phenytoin with signs of overdose (inhibition of the metabolism of the phenytoin). |
Precaution for use Clinical monitoring and testing of the plasma concentrations of phenytoin. |
PHENYTOIN (AND, BY EXTRAPOLATION, FOSPHENYTOIN) CLASS CODE: N03AB |
VALPROIC (ACID) AND, BY EXTRAPOLATION, VALPROMIDE CLASS CODE: N03AG0 |
Increase of the hyperammoniemia, with increased risk of encephalopathy |
Precaution for use Regular clinical and biological monitoring |


 Home and pet owners open their homes to pet sitters who want to travel and live like locals. The product can be accessed from its website or mobile app for iOS and Android.
I joined the company as the first product designer to work on redesigning the web experience. This involved usability evaluation of the product to gather design requirements, creating a design system, working in design sprints to validate ideas before moving into agile sprints. Later the team grew to include our UX researcher and UI designer who helped refine our design processes and continue improving the product.
Usability testing of the website revealed that first-time visitors did not understand the service, which we assumed was affecting conversion rates/membership sales.
From these problem areas, we created how might we questions and solutions for them. We then formed hypothesises to eliminate assumptions and ran tests to see if they would be valid.
How might we get across how our service works before people go to sign-up?
Including information pieces on the sign-up modal
We ran usability tests to include information pieces on the sign-up modal and asked follow-up questions to identify the user's understanding of how the service works. The majority of participants understood that sitters petsit for free in exchange for a place to stay which validated the hypothesis.
The sign-up modal redesign was applied to the existing site which resulted in a 12.1% increase in sign-up page value.
How might we explain that there is an annual membership fee and sitters pet sit for free in exchange for accommodation?
Showing information cards about our pricing model which also direct users to our how it works page. Include information about pricing on our how it works page.
We ran usability tests to show information cards about our pricing model which also directs users to our how it works page. We then asked follow-up questions to identify the user's understanding of the pricing model. The majority of participants understood that there is an annual membership fee and sitters petsit for free which validated the hypothesis.
How might we ensure people feel they can trust our service and be comfortable letting strangers into their homes?
Directing users to information about our safety verifications and code of conduct
We ran usability tests to direct users to information about our safety verifications and code of conduct. We then asked follow-up questions to identify the user's emotion associated with our service (trustworthy, safe, legit). The majority of participants identified our service as safe or trustworthy and they would be willing to become a member. However, some participants were still hesitant about letting strangers into their home which is an ongoing problem we are solving.
When redesigning the sign-up and checkout, we used a shortened 3-day design sprint which involved researching problems with the existing user flow, sketching ideas, prototyping, and remote user testing.
Overall the checkout redesign performed fantastically on six testers, who all described it as being very easy to complete.
Core elements of the sign-up and checkout redesign were applied to the existing site which resulted in a 7.4% increase in checkout/billing page value.
Creating a design system helped us reduce design debt, maintain consistency across designs, and speed up our process allowing us to iterate much faster.
The system is made up of UI components, layout guidelines, typography rules, colour usage, and navigation specs. Now the foundations are set, research into micro-interactions is underway.


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Upload a zip file of resources.
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Constructor
new App(definition) → {App}
Generic bundle for building Fabric applications.
Parameters:
| Name | Type | Description |
|---|---|---|
definition |
Object | Application definition. See `config` for examples. |
Properties:
| Name | Type | Description |
|---|---|---|
components |
Collection | Interface elements. |
stash |
Store | Routable Datastore. |
- Source:
Returns:
Returns an instance of `App`.
- Type
- App
Extends
Methods
(async) _GET(path) → {Promise}
Retrieve a value from the Service's state.
Parameters:
| Name | Type | Description |
|---|---|---|
path |
String | Path of the value to retrieve. |
- Overrides:
- Source:
Returns:
Resolves with the result.
- Type
- Promise
(async) _PUT(path, value, commitopt) → {Promise}
Store a value in the Service's state.
Parameters:
| Name | Type | Attributes | Default | Description |
|---|---|---|---|---|
path |
String | Path to store the value at. | ||
value |
Object | Document to store. | ||
commit |
Boolean |
<optional> |
false | Sign the resulting state. |
- Overrides:
- Source:
Returns:
Resolves with with stored document.
- Type
- Promise
(async) _registerActor(actor) → {Promise}
Parameters:
| Name | Type | Description |
|---|---|---|
actor |
Object | Instance of the Actor. |
- Overrides:
- Source:
Returns:
Resolves upon successful registration.
- Type
- Promise
_registerService(name, Service) → {Service}
Registers a named Service with the application. Services are
standardized interfaces for Fabric contracts, emitting Message
events with a predictable lifecycle.
Parameters:
| Name | Type | Description |
|---|---|---|
name |
String | Internal name of the service. |
Service |
Class | The ES6 class definition implementing Service. |
- Source:
Returns:
The registered service instance.
- Type
- Service
(async) _send(message)
Sends a message.
Parameters:
| Name | Type | Description |
|---|---|---|
message |
Mixed | Message to send. |
- Overrides:
- Source:
attach(element) → {App}
Configure the Application to use a specific element.
Parameters:
| Name | Type | Description |
|---|---|---|
element |
DOMElement | DOM element to bind to. |
- Source:
Returns:
Configured instance of the Application.
- Type
- App
beat() → {Service}
Compute latest state.
- Overrides:
- Source:
Fires:
- Message#event:beat
Returns:
- Type
- Service
(async) connect(notify) → {Promise}
Attach to network.
Parameters:
| Name | Type | Default | Description |
|---|---|---|---|
notify |
Boolean | true | Commit to changes. |
- Overrides:
- Source:
Returns:
Resolves to Fabric.
- Type
- Promise
consume(resources) → {App}
Define the Application's resources from an existing resource map.
Parameters:
| Name | Type | Description |
|---|---|---|
resources |
Object | Map of resource definitions by name. |
- Source:
Returns:
Configured instance of the Application.
- Type
- App
(async) defer(authority) → {App}
Defer control of this application to an outside authority.
Parameters:
| Name | Type | Description |
|---|---|---|
authority |
String | Hostname to trust. |
- Source:
Returns:
The configured application as deferred to `authority`.
- Type
- App
(async) define(name, structure) → {Object}
Define a Resource, or "Type", used by the application.
Parameters:
| Name | Type | Description |
|---|---|---|
name |
String | Human-friendly name for the Resource. |
structure |
Object | Map of attribute names -> definitions. |
- Source:
Returns:
[description]
- Type
- Object
envelop(selector) → {App}
Use a CSS selector to find an element in the current document's tree and
bind to it as the render target.
Parameters:
| Name | Type | Description |
|---|---|---|
selector |
String | CSS selector. |
- Source:
Returns:
Instance of app with bound element.
- Type
- App
get(path) → {Mixed}
Retrieve a key from the State.
Parameters:
| Name | Type | Description |
|---|---|---|
path |
Path | Key to retrieve. |
- Overrides:
- Source:
Returns:
- Type
- Mixed
handler(message) → {Service}
Default route handler for an incoming message. Follows the Activity
Streams 2.0 spec: https://www.w3.org/TR/activitystreams-core/
Parameters:
| Name | Type | Description |
|---|---|---|
message |
Activity | Message object. |
- Overrides:
- Source:
Returns:
Chainable method.
- Type
- Service
init()
Called by Web Components.
TODO: move to @fabric/http/types/spa
- Overrides:
- Source:
lock(durationopt) → {Boolean}
Attempt to acquire a lock for `duration` seconds.
Parameters:
| Name | Type | Attributes | Default | Description |
|---|---|---|---|---|
duration |
Number |
<optional> |
1000 | Number of milliseconds to hold lock. |
- Overrides:
- Source:
Returns:
true if locked, false if unable to lock.
- Type
- Boolean
render() → {String}
Get the output of our program.
- Source:
Returns:
Output of the program.
- Type
- String
(async) route(msg) → {Promise}
Parameters:
| Name | Type | Description |
|---|---|---|
msg |
Message | Explicit Fabric Message. |
- Overrides:
- Source:
Returns:
Resolves with resulting State.
- Type
- Promise
(async) send(channel, message) → {Service}
Send a message to a channel.
Parameters:
| Name | Type | Description |
|---|---|---|
channel |
String | Channel name to which the message will be sent. |
message |
String | Content of the message to send. |
- Overrides:
- Source:
Returns:
Chainable method.
- Type
- Service
set(path) → {Mixed}
Set a key in the State to a particular value.
Parameters:
| Name | Type | Description |
|---|---|---|
path |
Path | Key to retrieve. |
- Overrides:
- Source:
Returns:
- Type
- Mixed
(async) start() → {Promise}
Start the program.
- Overrides:
- Source:
Returns:
- Type
- Promise
(async) stop() → {Promise}
Stop the program.
- Source:
Returns:
- Type
- Promise
tick() → {Number}
Move forward one clock cycle.
- Overrides:
- Source:
Returns:
- Type
- Number
trust(source) → {Service}
Explicitly trust all events from a known source.
Parameters:
| Name | Type | Description |
|---|---|---|
source |
EventEmitter | Emitter of events. |
- Overrides:
- Source:
Returns:
Instance of Service after binding events.
- Type
- Service
use(name, definition) → {App}
Define a named Resource.
Parameters:
| Name | Type | Description |
|---|---|---|
name |
String | Human-friendly name for this resource. |
definition |
Object | Map of configuration values. |
- Source:
Returns:
Configurated instance of the App.
- Type
- App


You are not alone. Panic attacks are more common than you think - especially as a result
of the effects of the Covid-19. Take a minute to read what helped me to get through hard
times and don't forget to breath.
Breathing is the first step to calm your body. when your body is calm,
your mind calms itself automatically after a while because it no more feels
in danger (fight or fight affect).
It's always best that when you're having an anxiety attack to find a person around
you feel close enough to, to spill your feelings to. Even if they wouldn't be able
to help, the act of talking your feelings out will help.
but in case you are around strangers and you can't call your loved ones, there is
this adorable and soothing app - a penguin AI therapist. it includes psychology insights
and exercises. Very useful in moments of need and with getting out of your head.
Music
I recommend putting together a playlist of songs that calm you down. It can be songs
that are quiet and soothing or ones that cheer you up. When you feel you're getting anxious,
and talking to people dindn't help or you just don't feel like it, find a quiet place away
from people, put on your headphones and listen to that playlist you made earlier.
You can use mine as an example:
Alisa's Chill Playlist


Gold Coast wakes to ‘unhealthy’ smoke haze
by Monique StClairThe Gold Coast has woken to a thick layer of smoke this morning, after the air quality deteriorated overnight.
According to the air quality index, we peaked at a rating of almost 150 – an unhealthy rating – around dawn.
It’s prompted warnings for those with breathing difficulties to remain indoors, and keep breathing medication nearby.
Since dawn, the rating has dropped off slightly – with winds easing the density of the smoke.
At the time of writing (6.30am), our rating was sitting at a moderate level of around 90.
It comes as fire fighters prepare for a day of worsening conditions across the state, as temperatures continue heating up.

On the Gold Coast, we’re in for top temps around 30 degrees, with northwesterly winds shifting around to a stronger northeasterly throughout the afternoon.
While the fire danger on the coast remains at a ‘very high’ level.
There are currently no weather warnings for the state.


func BuildCollectionKVSKey(ccname string) string
BuildCollectionKVSKey constructs the collection config key for a given chaincode name
func GetCCNameFromCollectionConfigKey(key string) string
GetCCNameFromCollectionConfigKey returns the chaincode name given a collection config key
func IsCollectionConfigKey(key string) bool
IsCollectionConfigKey detects if a key is a collection key
func ParseCollectionConfig(colBytes []byte) (*common.CollectionConfigPackage, error)
ParseCollectionConfig parses the collection configuration from the given serialized representation
func RetrieveCollectionConfigPackageFromState(cc common.CollectionCriteria, state State) (*common.CollectionConfigPackage, error)
RetrieveCollectionConfigPackageFromState retrieves the collection config package from the given key from the given state
Collection defines a common interface for collections
type Collection interface { // CollectionID returns this collection's ID CollectionID() string // MemberOrgs returns the collection's members as MSP IDs. This serves as // a human-readable way of quickly identifying who is part of a collection. MemberOrgs() []string }
CollectionAccessPolicy encapsulates functions for the access policy of a collection
type CollectionAccessPolicy interface { // AccessFilter returns a member filter function for a collection AccessFilter() Filter // The minimum number of peers private data will be sent to upon // endorsement. The endorsement would fail if dissemination to at least // this number of peers is not achieved. RequiredPeerCount() int // The maximum number of peers that private data will be sent to // upon endorsement. This number has to be bigger than RequiredPeerCount(). MaximumPeerCount() int // MemberOrgs returns the collection's members as MSP IDs. This serves as // a human-readable way of quickly identifying who is part of a collection. MemberOrgs() []string // IsMemberOnlyRead returns a true if only collection members can read // the private data IsMemberOnlyRead() bool }
type CollectionFilter interface { // AccessFilter retrieves the collection's filter that matches a given channel and a collectionPolicyConfig AccessFilter(channelName string, collectionPolicyConfig *common.CollectionPolicyConfig) (Filter, error) }
CollectionPersistenceConfigs encapsulates configurations related to persistence of a collection
type CollectionPersistenceConfigs interface { // BlockToLive returns the number of blocks after which the collection data expires. // For instance if the value is set to 10, a key last modified by block number 100 // will be purged at block number 111. A zero value is treated same as MaxUint64 BlockToLive() uint64 }
CollectionStore provides various APIs to retrieves stored collections and perform membership check & read permission check based on the collection's properties. TODO: Refactor CollectionStore - FAB-13082 (1) function such as RetrieveCollection() and RetrieveCollectionConfigPackage() are
never used except in mocks and test files.
(2) in gossip, at least in 7 different places, the following 3 operations
are repeated which can be avoided by introducing a API called IsAMemberOf(). (i) retrieves collection access policy by calling RetrieveCollectionAccessPolicy() (ii) get the access filter func from the collection access policy (iii) create the evaluation policy and check for membership
(3) we would need a cache in collection store to avoid repeated crypto operation.
This would be simple to implement when we introduce IsAMemberOf() APIs.
type CollectionStore interface { // RetrieveCollection retrieves the collection in the following way: // If the TxID exists in the ledger, the collection that is returned has the // latest configuration that was committed into the ledger before this txID // was committed. // Else - it's the latest configuration for the collection. RetrieveCollection(common.CollectionCriteria) (Collection, error) // RetrieveCollectionAccessPolicy retrieves a collection's access policy RetrieveCollectionAccessPolicy(common.CollectionCriteria) (CollectionAccessPolicy, error) // RetrieveCollectionConfigPackage retrieves the whole configuration package // for the chaincode with the supplied criteria RetrieveCollectionConfigPackage(common.CollectionCriteria) (*common.CollectionConfigPackage, error) // RetrieveCollectionPersistenceConfigs retrieves the collection's persistence related configurations RetrieveCollectionPersistenceConfigs(common.CollectionCriteria) (CollectionPersistenceConfigs, error) // HasReadAccess checks whether the creator of the signedProposal has read permission on a // given collection HasReadAccess(common.CollectionCriteria, *pb.SignedProposal, ledger.QueryExecutor) (bool, error) CollectionFilter }
func NewSimpleCollectionStore(s Support) CollectionStore
NewSimpleCollectionStore returns a collection stored backed by a ledger supplied by the specified ledgerGetter with an internal name formed as specified by the supplied collectionNamer function
Filter defines a rule that filters peers according to data signed by them. The Identity in the SignedData is a SerializedIdentity of a peer. The Data is a message the peer signed, and the Signature is the corresponding Signature on that Data. Returns: True, if the policy holds for the given signed data.
False otherwise
type Filter func(common.SignedData) bool
MembershipProvider can be used to check whether a peer is eligible to a collection or not
type MembershipProvider struct { IdentityDeserializerFactory func(chainID string) msp.IdentityDeserializer // contains filtered or unexported fields }
func NewMembershipInfoProvider(selfSignedData common.SignedData, identityDeserializerFunc func(chainID string) msp.IdentityDeserializer) *MembershipProvider
NewMembershipInfoProvider returns MembershipProvider
func (m *MembershipProvider) AmMemberOf(channelName string, collectionPolicyConfig *common.CollectionPolicyConfig) (bool, error)
AmMemberOf checks whether the current peer is a member of the given collection config. If getPolicy returns an error, it will drop the error and return false - same as a RejectAll policy.
type NoSuchCollectionError common.CollectionCriteria
func (f NoSuchCollectionError) Error() string
SimpleCollection implements a collection with static properties and a public member set
type SimpleCollection struct {
// contains filtered or unexported fields
}
func (sc *SimpleCollection) AccessFilter() Filter
AccessFilter returns the member filter function that evaluates signed data against the member access policy of this collection
func (sc *SimpleCollection) CollectionID() string
CollectionID returns the collection's ID
func (sc *SimpleCollection) IsMemberOnlyRead() bool
func (sc *SimpleCollection) MaximumPeerCount() int
func (sc *SimpleCollection) MemberOrgs() []string
MemberOrgs returns the MSP IDs that are part of this collection
func (sc *SimpleCollection) RequiredPeerCount() int
RequiredPeerCount returns the minimum number of peers required to send private data to
func (sc *SimpleCollection) Setup(collectionConfig *common.StaticCollectionConfig, deserializer msp.IdentityDeserializer) error
Setup configures a simple collection object based on a given StaticCollectionConfig proto that has all the necessary information
type SimpleCollectionPersistenceConfigs struct {
// contains filtered or unexported fields
}
func (s *SimpleCollectionPersistenceConfigs) BlockToLive() uint64
BlockToLive return collection's block to live configuration
StateGetter retrieves data from the state
type State interface { // GetState retrieves the value for the given key in the given namespace GetState(namespace string, key string) ([]byte, error) }
Support is an interface used to inject dependencies
type Support interface { // GetQueryExecutorForLedger returns a query executor for the specified channel GetQueryExecutorForLedger(cid string) (ledger.QueryExecutor, error) // GetIdentityDeserializer returns an IdentityDeserializer // instance for the specified chain GetIdentityDeserializer(chainID string) msp.IdentityDeserializer }


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by Cyrus LanghorneThe holidays are right around the corner and people are gearing up for some serious traveling. In celebration of Morgan Freeman and Gerard Butler‘s Angel Has Fallen landing on Digital HD this month and the Blu-ray/DVD dropping next week (November 26), SOHH has an exclusive bonus behind the scenes feature. Watch below!


{% block books %}
{% for i in forum %} {% endfor %}
{% endblock %}
Book X
Web platform where students of D.J Sanghvi can exchange books
created for students by students.
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