This is my first time entering a report on here. I will try to explain the effects of Kratom to the best of my ability. I have been reading other reports on here about Kratom, and there are more negative ones than positive. I am writing here to give to an all positive report.
I drink Kratom fairly regularly, (3+ times a week) and I notice no tolerance to it. It actually has displayed to me 'anti-tolerance' qualities, meaning the more often I use it, the more Kratom likes me.
5:00PM - I begin boiling water in a regular size pot. I place 5 grams of dried Thai Kratom into the bottom of a 20oz heavy plastic cup (I like my Kratom drinks tall). After the water is at a full, rolling boil, I slowly pour the water over the dry Kratom in the bottom of the glass. This will yield a floaty-looking cup of leafy wet material. Don't fret, it will sink to the bottom. I stir the tea vigorously for about a minute.
5:20PM - The leafy matter has sunken to the bottom of the glass, and the tea has taken a wonderful amber brown hue. It is ready for sipping at this point. I feel the initial effects after 3 or 4 sips. It acts fast. I boil more water.
5:45pm - I have finished my first glass. I don't drink the leafy matter in the bottom. The next pot of water is ready. I put 2-4 more grams in the glass on top of the old stuff. I again pour more boiling water over the Kratom. Stir vigorously as before, it should settle faster this time. I feel very good and 'toasty' at this time. The relaxing feelings that come very fast are setting in very well.
6:30 PM - The opiate effects are getting a lot stronger. I feel very euphoric, and am developing an enormous sense of well being. It just keeps getting better. I become more talkative to my roommate. I am on to my third cup.
6:50pm - I am halfway through my third cup. In addition to the relaxation and feelings of well being, I am starting to feel quite stimulated. I get up to tidy up a bit. I feel very social. I am a MJ user, every day, and I tend to get rather quiet when I use it. Kratom is a very social drink. I only wish we could rid ourselves of alcohol and drink this socially in bars.
As you can see, the effects of Kratom are very fast acting. I am a regular user, and I prefer making it into tea. The variety that I get regularly has a wonderful roasted taste, and a numbing effect on the mouth and throat. There is a bitterness to it, which I have read lots of complaints about the taste, but the nummy takes the bitter away. I add no sugar of honey. If you REALLY don't like the taste, put a little peppermint or chamomile in the the cup along with the Kratoms.
 It is my cure all. I have noticed no detrimental effects from drinking it, and at any quantity. My body seems to tell me that I have had all I need, once I have reached an awesome plateau of good feelings.
I have also noticed potentially awesome synergetic qualities in Kratom. Kratom potentiates other substances I've noticed. I have eaten some quality ecstasy and drank Kratom at the same time, and the Kratom keeps up with the X.
I wish I could go on, but I feel as if there might be a more appropriate place to post all of my findings on Kratom. I also have some cultivation info, and there is not much information on that anywhere in the net.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Privacy Policy
Information Collection
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We also collect basic analytics information when you use the App. This sort of information may be collected from third-party providers like Google Analytics, and includes, among other things, the type of device you use, access times, IP address, hardware model, operating system and version, and other unique device identifiers. Some of these third-party providers may place cookies or pixels - small data files stored on your hard drive or in device memory - on your browser or hard drive. Note that this Policy does not cover the use of cookies or pixels by such third parties. Most web browsers are set to accept cookies and pixels by default, but you can usually set your browser to remove or reject browser cookies or pixels. If you do choose to remove or reject cookies or pixels, however, your ability to use the App might be affected.
Information We Don’t Collect
We do not collect any other personally-identifiable information about you, unless you give it to us directly: giving us written feedback, communicating with us via third-party social media sites, or otherwise communicating with us via the App or any other means. We do not collect any payment information from you, we don't store your Ethereum address and we don't send it to third-party providers.
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We use the information we collect in the following ways:
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Watershed Districts Instructions
Step 1
Begin with WatershedDistricts.sql. This will list the steps required to recreate district geometries. This process may take several days, depending on the size of the data and the machine processing it. It is theoretically possible to use it with any source dataset containing the applicable elements, and there is also a method by which US congressional districts may be assigned without regard to state boundaries. This results in a far more equitable distribution of population.
Step 2
Download all required data.
Step 3
Install required functions.
Step 4
Run each PGScript batch section in order. It's recommended to run each section separately and to run the included sanity checks afterward, in case data were not imported correctly.
Step 5
Update the database connexion in include.php and run the listed PHP files, in order.
Step 6
If desired, export final shapes as text or KML with the SQL code at the very end of WatershedDistricts.sql.


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This page loads the Stencila Core Library as the core global object. Open the developer console to try functions out e.g core.max([1,23,4])
core
core.max([1,23,4])
Functions:


Presented by Charged Power
South Africa’s first Micro-USB rechargeable AA and AAA batteries
by PartnerCharged Power, the critically acclaimed renewable energy solutions company, has announced the official launch of the first Micro-USB rechargeable AA and AAA batteries in South Africa – the INFINITE POWER.
Having taken the portable power bank market by storm in the last few years, Charged Power has opted to lend its smart tech to the wider consumer market.
Rechargeable batteries have always been a pain; they require bulky Ni-MH chargers and access to a wall plug!
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With a sleek design, the infinite power batteries are both stylish and effective and are bound to replace the numerous redundant batteries you have lying around at home.
Moreover, the Micro-USB cable included allows you to charge 2 batteries from a single port!
“With Christmas coming up, we wanted to create something sleek for our customers to prevent the excessive battery waste that comes with buying electronics at this time of year, and also to save them money” stated one of CHJGD’s design team.
The environmentally friendly brand has in the past relished the opportunity to contribute to a reduction in the carbon footprint of mobile phone users with a solar powered offering and increasingly efficient products; the INFINITE POWER battery is no different and serves to reduce environmental pollution.
Each year in the South Africa hundreds of millions of batteries are thrown away after a single use, contributing to landfills and the subsequent introduction of unwanted chemicals into the environment.
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Some of the world’s top technology blogs and news outlets have showered CHJGD’s products with praise since the brand’s conception in 2015 with particular emphasis on their range’s performance.
They are still well known for the world’s smallest 10000 mAh and the retro Kaset power banks. Their power bank range is still ranked top 10 in Europe by top Tech firms.
As a result, their collection has been a mainstay in the best seller charts across the USA and Europe and now in South Africa.
With the festive season fast approaching, Infinite Power is bound to join its predecessors with smart power on tap.
Charged Power’s new offering is available to shop over at their website now, just in time for Christmas. They will be available from all major retailers in South Africa in a matter of weeks.
This article was published in partnership with Charged Power.


109r
Old English
Modern English
i. For a headache; and for an old headache; and for a half head ache.
ii. For swollen eyes; and a good eye-salve; and for darkness in the eyes and for the white speck and for worms in the eyes and in case flesh grows on the eyes and if a red spongy excrescence grows on the eyes and if eyes tear; and a salve for obscure vision of the eyes; and a smooth eye salve.
iii. For an earache and in case worms are in the ears and a good ear salve.
iiii. For a toothache and if teeth are hollow.
1
v. For an inwardly broken mouth.
vi. For cheek disease and for jowl pain.
2
x. For when a person spits up blood.
xii. For the yellow disease.
4
xiiii. For cough and for lung disease.
xv. For stomach pain and for swelling [of the stomach].


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Woman has baby at 90mph on M6 after loose dog and flooding threw plans into chaos
Hannah Rowlinson had planned to give birth at her home in Holmes Chapel, in Cheshire, but was forced to try and reach Royal Stoke Hospital last-minute due to staff shortages
by Hayley Parker, Chris FlanaganA mother-of-two gave birth on the M6 while being driven at 90mph after a loose dog and flooding threw her plans into chaos.
Hannah Rowlinson had arranged to have her baby in a birthing pool at home - but after having contractions for 48 hours and expecting a midwife imminently, she received a call saying she would need to come into Leighton Hospital in Cheshire.
The 32-year-old was then told there were no beds available there or at Macclesfield and they had to go to Royal Stoke - a 45-minute drive from their Holmes Chapel home.
But after jumping in the car with husband Joel his phone sat-nav died and they ran into traffic caused by floods.
"I had been having contractions for so long I hadn't looked outside for days. But when we got going in the car I saw that the weather was horrendous, there were floods everywhere," she told Stoke on Trent Live .
"As soon as we were out of the house we hit heavy traffic.
"I said to my husband 'I am going to give birth to this baby imminently', so we diverted our course onto bumpy back lanes with pools of water everywhere, heading towards Sandbach."
Hannah's mum, who was also in the back of the car, called 999 after they pulled into a residential estate - where the operator helped them prepare the birth process - but she then managed to flag down a police officer to help.
Eventually an ambulance arrived and paramedics helped her walk barefoot to the stretcher - but just seven minutes into the journey the baby's head was crowning.
Hannah said: "We were going at 90mph down the motorway and I asked the paramedics to pull over because the baby was coming.
"The roads were bedlam because of the floods - I didn't even know where I was. There was a coned off area and he pulled in. I did one more push and she was out.
"I was convinced I was having a boy. It was a good five minutes into the journey to hospital after she had arrived that the paramedics said 'do we know if it's a boy or a girl'. I lifted her up and realised. She was so purple, hence Viola.
"One of my friends said it must have been a traumatic situation but not once did I ever doubt what was happening. I felt the whole time that it was going to be okay.
"Yes, it was not the birth I was expecting but everyone was so incredible.
"There are things in your life that will stick with you forever and this is definitely one of them. I don't have words to describe how grateful I am.
"I will never forget those two paramedics. Sometimes things don't go to plan, but who needs a plan when you have Garry and Dave?"


Partial Transcription of a taped workshop with Ethnobotanist, Well, I suppose it's an invitation to describe a DMT trip, which is never to be passed up. Because ... I think what we're talking about here is a continuum, I'm talking about a very narrow band of experience. A continuum of experience that comes through tryptamine hallucinogens: DMT, Psilocybin, and the DMT-Harmine combination... and that's it... Mescaline doesn't, isn't what I'm talking about. Ketamine certainly isn't what I'm talking about. Datura certainly isn't what I'm talking about. And some of these are plants, and some of them are synthetic drugs, but it's a very narrow spectrum of these highly visionary ones, and then the most visionary, the quintessence is DMT. I mean, I think that DMT is as intense as any drug should ever get; I don't ever want to be more loaded than that. I don't think you can be more loaded than that and come back. You know? What happens on DMT for me, and this is based on, you know, composite image of many experiences, and I've confirmed it to some degree with other people, but I was talking to somebody the other day, somebody who had just done it, and I said, "what did you think?" and they said: "It's the most idiosyncratic thing there is." and I thought, what a wonderful description, that's exactly what it is - it's pure idiosyncraticness. It's so idiosyncratic that's all there's there - it's like idiosyncracy without an object, is what DMT is.
Shamanologist, and Psychedelico, Terence McKennaTime and Mind
May 26/27, 1990 - New MexicoThe Tykes...
When you smoke this, the onset is very rapid. 30-45 seconds, you know? There's this feeling which comes over your body - half arousal, half anaesthesia. The air appears to suddenly have been sucked out of the room because all the colors brighten visibly, as though some intervening medium has been removed.  A friend of mine says this is radio-entelechy leaving the anterior fontanelle at the top of your head. [laughter] I'm not sure I want to line up with that... but a membrane is being ripped; something is being torn.  That's like a hit and run accident except the car came from hyperspace, you know? A complete rupture of the mundane plane. And you fall back into this hallucinogenic space, and what you see is a slowly rotating red and orange kind of thing, which, over the years we've nicknamed, uh, "The Chrysanthemum." And it's.. this represents some kind of disequilibrium state that has its roots in the synapses. What's happening as you're watching this Chrysanthemum is that millions and then hundreds of millions of DMT molecules are rushing into these serotonin bond sites in the synaptic cleft and disrupting the serotonin and switching the electron spin resonance signature of these neural junctions in this "other" direction. And this is taking, you know, 30 or 40 seconds, and there's this rising hum, this
____nnnmmmmMMMMMMMM^^^^
that rising tone; the flying saucer tone of Hollywood B movies... you actually hear this thing.
And then, if you've taken enough DMT (and it has to do entirely with physical capacity: Did you take, did you cross the threshold?) something happens [clap]... for which there are no words. A membrane is rent, and you are propelled into this "place." And language cannot describe it - accurately. Therefore I will inaccurately describe it.
The rest is now lies. When you break into this space, you have several impressions simultaneously that are a kind of gestalt: First of all (and why, I don't know) you have the impression that you are underground - far underground - you can't say why, but there's just this feeling of immense weight above you but you're in a large space, a vaulted dome. People even call it "The DMT dome" I have said, had people say to me, "Have you been under the dome?" and I knew exactly what they meant.
So you burst into this space. It's lit, socketed lighting, some kind of indirect lighting you can't quite locate. But what is astonishing and immediately riveting is that in this place there are entities - there are these things, which I call "self transforming machine elves," I also call them self-dribbling basketballs. They are, but they are none of these things. I mean you have to understand: these are metaphors in the truest sense, meaning they're lies! Uh, it's a jeweled self-transforming basketball, a machine elf. I name them 'Tykes' because tyke is a word that means to me a small child, and I was fascinated by the 54th fragment of Heraclitis, where he says: "The Aeon is a child at play with colored balls" ... and when you burst into the DMT space this is the Aeon - it's a child, and it's at play with colored balls, and I am in eternity, apparently, in the presence of this thing.
There are many of these things, but the main thing that's happening is that they are engaged in a linguistic activity of some sort, which we do not have words for, but it's visible language. They are doing the visible language trip. When you break into the space, they actually cheer!  "The Gnomes have Learned a New Way to Say Hoo-Ray?" This has gotta be what these guys were talking about; how else could it be? It doesn't make any sense otherwise.
You break into this space... the gnomes say hoo-ray! And they come rushing forward and they, and, and the thing then that happens is... and people say "is there risk, to DMT? it sounds so intense. Is it dangerous?".
The answer is: yes, it's tremendously dangerous; the danger is the possibility of death by astonishment. And you must prepare yourself for this eventuality, because you are so amazed. Amazement seems to be the emotion that has torn loose and swamped everything else - I mean astounded? When was the last time you were genuinely 'ASTOUNDED'?
I mean you're like this:
And it raises issues: like you say, "Jesus, ah, huhh ... I must be dead!" And you, and the weird thing about DMT is it does not effect what we ordinarily call the mind. The part that you call "you" - nothing happens to it. You're just like you were before, but the World has been radically replaced - 100% - it's all gone, and you're sitting there, and you're saying, "Jesus, a minute ago I was in a room with some people, and they were pushing some weird drug on me, and, and now, what's happened? Is this the Drug? Did we do it? Is this it?" And meanwhile, these things are saying: "Do not give way to amazement; Control your wonder." in other words, they try to bring you down. They say, "Don't just goof out on this; pay attention. PAY ATTENTION... to what we're doing." "OK, what're you doing?..."Say this is what we're doing, and then they proceed to sing objects into existence. Amazing objects. Objects that are Faberge Eggs, things made of pearl, and metal, and glass, and gel, and you, when you're shown one of these things, a single one of them, you look at it an you know, without a shadow of a doubt, in the moment of looking at this thing, that if it were right here, right now, this world would go mad. It's like something from another dimension. It's like an artifact from a flying saucer. It's like something falling out of the mind of God - such objects DO not exist in this universe, and yet, you're looking at it. And they're clamoring for your attention. " 'k at this! 'ook at This! Look at THIS!" and they pull these things... and each one, you look into it and it begins to open into this wonder that you must fight. You say "No, don't look at it, look AWAY from it!" because it's so wonderful that it's swamping my objectivity and destroying my ability to function in this space.
Well, then they say "do"...
And the objects that they make have the peculiar ability to themselves generate this linguistic "stuff" which condenses as other objects. So beings are making objects, showing you objects, the objects are turning into beings and making other objects, these beings and objects, they jump into your chest - and then they jump back out. They jump into your body and disappear into your body, and then they jump back out, waving these things, just throwing this stuff in all directions. They are - the word that comes to mind is: they are Zany.  And all of this energy - they are elves. This is what elves are. It's this weird thing, where they love you - or they like you a lot, but you can tell that their sense of humor is Weird. And that you must be very careful of the deals you cut with these things, [...] in fact I've spent so much time trying to understand what this is. It has different kinds of feelings about it. One is (and this really threw me for a loop when I figured this out) after many many of these trips, and analyzing this place I kept going to, I finally realized: "this place is... somebody very weird... it's their idea of a reassuring environment for a human being! It's like a playpen. It's this warm. well lit, secure, womblike environment, and when I break into it they these things, the elves and the toys, are toys! These are things to amuse me. The way you would hang, uh, cubes and blocks above a cradle... a playpen, you know? Because children are supposed to coordinate shapes and bright colors. That's what these things are: they are toys to try and get me to coordinate my perception in this place. It's a holding area of some sort - someone's created this and is watching me.
OK - that's one metaphor for what it is. Another metaphor is... I took this stuff to Tibetans, to the Amazon. I gave it to Tibetans, they said "this is the lesser lights, the lesser lights of the Bardo. You cannot go further into the Bardo and return. This takes you as far as you can go." When I gave it to shamans in the Amazon, they said "It's strong - but this is, these are the ancestors. These are the spirits that we work with. These are ancestor souls. We know this place." Well then, the third and final metaphor, because when you're in that place you have such complex emotions - very complex emotions - something weird is going on with time, because you perceive your body image as infantile. You seem to have a very large head, and a very small body, and very short limbs.
Then the last facet of it that I want to mention is: there is this "you must be on your toes" thing - don't let these guys get behind you. They are tricky. And their elfin humor may not be your idea of a good time.
And I said to myself, where have I had, before, this feeling that I'm having now. It's a feeling of being with people that I can't trust, but who want to help me, and who seem to be trying to, uh, cut a deal. That was the word that gave me the clue: "deal." And then I remembered, "I know where I felt like this" - I felt like this in the Crawford Market in Bombay when I had a kilo of Gold in my pocket and I was trying to trade it for hashish, and I was surrounded by all these Arab hash traders, and they were saying "we're your friend, just wait, don't worry..." And say "yes, I KNOW you're my friend and I'm NOT worrying, but, you know, brbrbrrr... perform!" And so then I said: "Aha the creatures in the DMT flash are Traders..." They're Traders. And that's what this weird feeling is - it's a business environment in there. We're having a business meeting. They're saying... and then the objects! Then I remembered- the objects... they're trade goods! They're saying: "How about thissss! How about This!".
What do they want? What do I have that they want?... They're meme traders, is what it is. And I think that what they wanted, and got, and took - without bothering to even say a word about it - was everything I knew about the "I Ching." And they're like art collectors. They say "well, the idea is primitive, and primitive in its execution, but with a certain kind of internal integrity that one really must respect..." So they're primitive art collectors, and what they left me with, then, was, uh, my own, you know, their model of time. Which is the closest thing to one of these hyperdimensional objects. The objects themselves cannot exist in this world. But the blueprints of them can. And this afternoon, if the computers are up and running, I will run through this "time idea" with you.
And I think I will be able to convince you that it has a weirdly crafted patina to it, that, the feeling is it didn't spring from human minds, it, it is a creature of another kind of mental universe. And I think, you know, aside from the crisis on this planet and our own personal difficulties this is the real challenge of the psychedelic thing; is to meet the inhabitants and trade with them. And set up a relationship. The notion traders. They can trade hyperspacial notions from across the cosmos. And this may be all the extraterrestrial contact that we're going to be vouch-safed, you know?


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You should never offer “exposure” to a potential sponsor. Learn what to offer them instead.
To get sponsored, it's crucial to understand WHY companies sponsor.
Learn how to create an effective Proposal that will get potential sponsors to call back.
Learn how to identify the tangible assets of your race team and how to accurately value them for sponsors.
Learn how to respond when a sponsor asks what the R.O.I of your program is.
You’ll meet decision makers from Momo, Weld Wheels, and many more companies currently looking to sponsor.
MW Corporation, MOMO & Weld Wheels, Chairman
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Permatex, Sr. Innovation and Product Manager
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SLIME, Marketing Director


#include <sys/time.h>
Go to the source code of this file.
◆ CAMERA_LEFT_ID
| #define CAMERA_LEFT_ID 'L' |
"Left" camera ID
Definition at line 22 of file cv_cam.h.
◆ CAMERA_LEFT_IDX
| #define CAMERA_LEFT_IDX 0 |
"Left" array offset
Definition at line 27 of file cv_cam.h.
◆ CAMERA_RIGHT_ID
| #define CAMERA_RIGHT_ID 'R' |
"Right" camera ID
Definition at line 24 of file cv_cam.h.
◆ CAMERA_RIGHT_IDX
| #define CAMERA_RIGHT_IDX 1 |
""Right" array offset
Definition at line 29 of file cv_cam.h.
◆ MAX_CAMERA_READ
| #define MAX_CAMERA_READ (2*1024) |
Maximum camera read size.
Definition at line 14 of file cv_cam.h.
◆ MIN_CAM_REC_SIZE
| #define MIN_CAM_REC_SIZE 14 |
Minimum correct camera message size.
Definition at line 17 of file cv_cam.h.
◆ NUM_OF_CAMERAS


Provides an alternative to manually process hemispherical pictures. The algorithm processes each picture one by one to determine the proportion of sky pixel. The algorithm uses the Ridler and Calvard method (Ridler and Calvard 1978).
| Version: | 1.0 |
| Depends: | R (≥ 2.10), EBImage |
| Published: | 2016-02-04 |
| Author: | Benedicte Bachelot |
| Maintainer: | Benedicte Bachelot <bmb43 at duke.edu> |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: | no |
| CRAN checks: | Sky results |
| Reference manual: | Sky.pdf |
| Package source: | Sky_1.0.tar.gz |
| Windows binaries: | r-devel: Sky_1.0.zip, r-release: Sky_1.0.zip, r-oldrel: Sky_1.0.zip |
| OS X binaries: | r-release: Sky_1.0.tgz, r-oldrel: Sky_1.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=Sky to link to this page.


Welcome!
Hey Space Cadette!
Enter your birth date in MM/DD/YYYY format.
Tell me stuff!
Your Current Age:


Tutte polynomial#
This module implements a deletion-contraction algorithm for computing the Tutte polynomial as described in the paper [HPR2010].
Computes the Tutte polynomial of the input graph |
Authors:
Mike Hansen (06-2013), Implemented the algorithm.
Jernej Azarija (06-2013), Tweaked the code, added documentation
Definition#
Given a graph \(G\), with \(n\) vertices and \(m\) edges and \(k(G)\) connected components we define the Tutte polynomial of \(G\) as
where the sum ranges over all induced subgraphs \(H\) of \(G\).
Functions#
- class sage.graphs.tutte_polynomial.Ear(graph, end_points, interior, is_cycle)#
Bases:
object
An ear is a sequence of vertices
Here is the definition from [HPR2010]:
An ear in a graph is a path \(v_1 - v_2 - \dots - v_n - v_{n+1}\) where \(d(v_1) > 2\), \(d(v_{n+1}) > 2\) and \(d(v_2) = d(v_3) = \dots = d(v_n) = 2\).
A cycle is viewed as a special ear where \(v_1 = v_{n+1}\) and the restriction on the degree of this vertex is lifted.
INPUT:
- static find_ear(g)#
Finds the first ear in a graph.
EXAMPLES:
sage: G = graphs.PathGraph(4) sage: G.add_edges([(0,4),(0,5),(3,6),(3,7)]) sage: from sage.graphs.tutte_polynomial import Ear sage: E = Ear.find_ear(G) sage: E.s 3 sage: E.unlabeled_edges [(0, 1), (1, 2), (2, 3)] sage: E.vertices [0, 1, 2, 3]
- removed_from(*args, **kwds)#
A context manager which removes the ear from the graph \(G\).
EXAMPLES:
sage: G = graphs.PathGraph(4) sage: G.add_edges([(0,4),(0,5),(3,6),(3,7)]) sage: len(G.edges(sort=True)) 7 sage: from sage.graphs.tutte_polynomial import Ear sage: E = Ear.find_ear(G) sage: with E.removed_from(G) as Y: ....: G.edges(sort=True) [(0, 4, None), (0, 5, None), (3, 6, None), (3, 7, None)] sage: len(G.edges(sort=True)) 7
- property s#
Returns the number of distinct edges in this ear.
EXAMPLES:
sage: G = graphs.PathGraph(4) sage: G.add_edges([(0,4),(0,5),(3,6),(3,7)]) sage: from sage.graphs.tutte_polynomial import Ear sage: E = Ear(G,[0,3],[1,2],False) sage: E.s 3
- unlabeled_edges()#
Returns the edges in this ear.
EXAMPLES:
sage: G = graphs.PathGraph(4) sage: G.add_edges([(0,4),(0,5),(3,6),(3,7)]) sage: from sage.graphs.tutte_polynomial import Ear sage: E = Ear(G,[0,3],[1,2],False) sage: E.unlabeled_edges [(0, 1), (1, 2), (2, 3)]
- property vertices#
Returns the vertices of this ear.
EXAMPLES:
sage: G = graphs.PathGraph(4) sage: G.add_edges([(0,4),(0,5),(3,6),(3,7)]) sage: from sage.graphs.tutte_polynomial import Ear sage: E = Ear(G,[0,3],[1,2],False) sage: E.vertices [0, 1, 2, 3]
- class sage.graphs.tutte_polynomial.EdgeSelection#
Bases:
object
- class sage.graphs.tutte_polynomial.MaximizeDegree#
Bases:
EdgeSelection
- class sage.graphs.tutte_polynomial.MinimizeDegree#
Bases:
EdgeSelection
- class sage.graphs.tutte_polynomial.MinimizeSingleDegree#
Bases:
EdgeSelection
- class sage.graphs.tutte_polynomial.VertexOrder(order)#
Bases:
EdgeSelection
EXAMPLES:
sage: from sage.graphs.tutte_polynomial import VertexOrder sage: A = VertexOrder([4,6,3,2,1,7]) sage: A.order [4, 6, 3, 2, 1, 7] sage: A.inverse_order {1: 4, 2: 3, 3: 2, 4: 0, 6: 1, 7: 5}
- sage.graphs.tutte_polynomial.contracted_edge(*args, **kwds)#
Delete the first vertex in the edge, and make all the edges that went from it go to the second vertex.
EXAMPLES:
sage: from sage.graphs.tutte_polynomial import contracted_edge sage: G = Graph(multiedges=True) sage: G.add_edges([(0,1,'a'),(1,2,'b'),(0,3,'c')]) sage: G.edges(sort=True) [(0, 1, 'a'), (0, 3, 'c'), (1, 2, 'b')] sage: with contracted_edge(G,(0,1)) as Y: ....: G.edges(sort=True); G.vertices(sort=True) [(1, 2, 'b'), (1, 3, 'c')] [1, 2, 3] sage: G.edges(sort=True) [(0, 1, 'a'), (0, 3, 'c'), (1, 2, 'b')]
- sage.graphs.tutte_polynomial.edge_multiplicities(G)#
Return the dictionary of multiplicities of the edges in the graph \(G\).
EXAMPLES:
sage: from sage.graphs.tutte_polynomial import edge_multiplicities sage: G = Graph({1: [2,2,3], 2: [2], 3: [4,4], 4: [2,2,2]}) sage: sorted(edge_multiplicities(G).items()) [((1, 2), 2), ((1, 3), 1), ((2, 2), 1), ((2, 4), 3), ((3, 4), 2)]
- sage.graphs.tutte_polynomial.removed_edge(*args, **kwds)#
A context manager which removes an edge from the graph \(G\) and restores it upon exiting.
EXAMPLES:
sage: from sage.graphs.tutte_polynomial import removed_edge sage: G = Graph() sage: G.add_edge(0,1) sage: G.edges(sort=True) [(0, 1, None)] sage: with removed_edge(G,(0,1)) as Y: ....: G.edges(sort=True); G.vertices(sort=True) [] [0, 1] sage: G.edges(sort=True) [(0, 1, None)]
- sage.graphs.tutte_polynomial.removed_loops(*args, **kwds)#
A context manager which removes all the loops in the graph \(G\). It yields a list of the loops, and restores the loops upon exiting.
EXAMPLES:
sage: from sage.graphs.tutte_polynomial import removed_loops sage: G = Graph(multiedges=True, loops=True) sage: G.add_edges([(0,1,'a'),(1,2,'b'),(0,0,'c')]) sage: G.edges(sort=True) [(0, 0, 'c'), (0, 1, 'a'), (1, 2, 'b')] sage: with removed_loops(G) as Y: ....: G.edges(sort=True); G.vertices(sort=True); Y [(0, 1, 'a'), (1, 2, 'b')] [0, 1, 2] [(0, 0, 'c')] sage: G.edges(sort=True) [(0, 0, 'c'), (0, 1, 'a'), (1, 2, 'b')]
- sage.graphs.tutte_polynomial.removed_multiedge(*args, **kwds)#
A context manager which removes an edge with multiplicity from the graph \(G\) and restores it upon exiting.
EXAMPLES:
sage: from sage.graphs.tutte_polynomial import removed_multiedge sage: G = Graph(multiedges=True) sage: G.add_edges([(0,1,'a'),(0,1,'b')]) sage: G.edges(sort=True) [(0, 1, 'a'), (0, 1, 'b')] sage: with removed_multiedge(G,(0,1)) as Y: ....: G.edges(sort=True) [] sage: G.edges(sort=True) [(0, 1, 'a'), (0, 1, 'b')]
- sage.graphs.tutte_polynomial.tutte_polynomial(G, edge_selector=None, cache=None)#
Return the Tutte polynomial of the graph \(G\).
INPUT:
edge_selector
(optional; method) this argument allows the user to specify his own heuristic for selecting edges used in the deletion contraction recurrencecache
– (optional; dict) a dictionary to cache the Tutte polynomials generated in the recursive process. One will be created automatically if not provided.
EXAMPLES:
The Tutte polynomial of any tree of order \(n\) is \(x^{n-1}\):
sage: all(T.tutte_polynomial() == x**9 for T in graphs.trees(10)) # needs sage.symbolic True
The Tutte polynomial of the Petersen graph is:
sage: P = graphs.PetersenGraph() sage: P.tutte_polynomial() x^9 + 6*x^8 + 21*x^7 + 56*x^6 + 12*x^5*y + y^6 + 114*x^5 + 70*x^4*y + 30*x^3*y^2 + 15*x^2*y^3 + 10*x*y^4 + 9*y^5 + 170*x^4 + 170*x^3*y + 105*x^2*y^2 + 65*x*y^3 + 35*y^4 + 180*x^3 + 240*x^2*y + 171*x*y^2 + 75*y^3 + 120*x^2 + 168*x*y + 84*y^2 + 36*x + 36*y
The Tutte polynomial of a connected graph \(G\) evaluated at (1,1) is the number of spanning trees of \(G\):
sage: G = graphs.RandomGNP(10,0.6) sage: while not G.is_connected(): ....: G = graphs.RandomGNP(10,0.6) sage: G.tutte_polynomial()(1,1) == G.spanning_trees_count() # needs sage.modules True
Given that \(T(x,y)\) is the Tutte polynomial of a graph \(G\) with \(n\) vertices and \(c\) connected components, then \((-1)^{n-c} x^k T(1-x,0)\) is the chromatic polynomial of \(G\).
sage: G = graphs.OctahedralGraph() sage: T = G.tutte_polynomial() sage: R = PolynomialRing(ZZ, 'x') sage: R((-1)^5*x*T(1-x,0)).factor() # needs sage.symbolic (x - 2) * (x - 1) * x * (x^3 - 9*x^2 + 29*x - 32) sage: G.chromatic_polynomial().factor() (x - 2) * (x - 1) * x * (x^3 - 9*x^2 + 29*x - 32)
- sage.graphs.tutte_polynomial.underlying_graph(G)#
Given a graph \(G\) with multi-edges, returns a graph where all the multi-edges are replaced with a single edge.
EXAMPLES:
sage: from sage.graphs.tutte_polynomial import underlying_graph sage: G = Graph(multiedges=True) sage: G.add_edges([(0,1,'a'),(0,1,'b')]) sage: G.edges(sort=True) [(0, 1, 'a'), (0, 1, 'b')] sage: underlying_graph(G).edges(sort=True) [(0, 1, None)]


| DOSE: |
3 Tbsp |
oral |
Nutmeg |
(ground / crushed) |
One Friday afternoon after reading a bit about the psychedelic effects of nutmeg I decided to give it a whirl. It was about 3p.m. when I ingested it.
I was just hangging out with my friend Joe playing video games for about two hours, until we had to go to his girlfriend's house and thats when it started to take hold. I was feeling a bit euphoric and a bit high at the time it was about 5:30. When we got to his girlfriends house her mother was there and she began to talk to us about some trip she was taking that day, I only recall half of what she was saying since I was in a sort of daze. I can only describe the 'daze' as an awake dream, it was like I was participating in all these events but as a spectator where I'm watching myself do things.
I remember sometime around 8 going to some fast food joint to eat with Joe and a couple others, but only getting a drink to get the lingering taste of nutmeg out of my mouth. At about 9 we went to the mall, all the while I'm still feeling high not a hyper kind of high like some people get but more of a mellow type of high. There we met up with a friend named Donny who imediately asked me if I was high. I told him I didn't smoke anything and he called me a liar because he said my eyes were dark red, which I hadn't noticed yet. I told him what really did and he said he wanted to try it but I told him to save it for another day. The mall closed at eleven and we went back to Joe's girl's house, by the way I was still feeling high with no signs of coming down.
Later around midnight I paged my friend Shaun and he came by and we went to IHOP with 2 other people. I remember ordering a burger and fries and a coffee, I didn't finish it, and I think I fell asleep right there. At about 1:30am we left and I went back home. I was feeling really tired and high still, but I didn't want to go to sleep, because I didn't want to miss the psychedelic stage (the whole reason I took the damn nutmeg) of the drug which I was told comes around ten hours after taking it. So I forced myself to stay up while watching some Chris Rock special on TV.
Nothing was happening and it was about 3am so I called it quits and went to bed. All of a sudden couldn't sleep, and then my stomach started to feel weird. It felt like my stomach kept contracting, and I had real sharp pains like someone had a rope tied to my stomach tugging it and letting go, tugging it and letting go, tugging it and letting go, that went on for a half hour and once it stopped I finally went to sleep. Only to be woken up sometime later by a humming noise, this noise was coming from nowhere, and it kept getting louder and closer until it got right inside my ear only to die out. Then I went to sleep again....
The next day I woke up by my alarm at 7:30am because I had work at 8. I stood up to shut it off and I found I was having trouble walking. I staggered to the bathroom and looked in the mirror to see my eyes almost completley shut and what part of my eyes that were open were blood red. I went back to my bed in no condition to work and called out sick. Then went back to sleep. I was woken up at 1pm by Joe still tired but no longer high, my eyes were still bloodshot but not nearly as much as before, and I could walk strait. For the rest of Saturday and the following day I was beat, I could not do anything more active than getting the mail , and I dont even think I did that.
In my opinion nutmeg was par, not that much fun, but something to do. I was let down since I didn't even hallucinate, although I can't explain that huumming noise. For those of you going to try nutmeg make sure you don't have anything to do for the next 72 hours, don't have to drive, and won't have anyone questioning why your eyes look red. If you go by those rules you should be ok.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Configuring Stores |
There are several Store objects, but we're currently primarily concerned with RecordStores and IndexStores. DocumentStores are practically identical to RecordStores in terms of configuration, so we'll talk about the two together.
Database specific stores will be included in the subConfigs section of a database configuration file.
Example store configurations:
01 <subConfig type="recordStore" id="eadRecordStore"> 02 <objectType>recordStore.BdbRecordStore</objectType> 03 <paths> 04 <path type="databasePath">recordStore.bdb</path> 05 <object type="idNormalizer" ref="StringIntNormalizer"/> 06 </paths> 07 <options> 08 <setting type="digest">sha</setting> 09 </options> 10 </subConfig> 11 12 <subConfig type="indexStore" id="eadIndexStore"> 13 <objectType>indexStore.BdbIndexStore</objectType> 14 <paths> 15 <path type="defaultPath">indexes</path> 16 <path type="tempPath">temp</path> 17 <path type="recordStoreHash">eadRecordStore</path> 18 </paths> 19 </subConfig>
Line 1 starts a new recordStore configuration for an object called 'eadRecordStore', and the following line declares that it should be instantiated using the recordStore.BdbRecordStore class. There are several possible classes distributed with Cheshire3, the other main one is PostgresRecordStore which will maintain the data and associated metadata in a PostgreSQL relational database. The default is the much faster BerkeleyDB store.
Then we have two fields wrapped in the paths section. Line 4 gives the filename of the database to use, in this case 'recordStore.bdb'. Remember that this will be relative to the current defaultPath. Line 5 has a reference to a Normalizer object -- this is used to turn the record identifiers into something appropriate for the underlying storage system. In this case, it turns integers into strings as Berkeley DB only has string keys. It's safest to leave this alone.
Then in line 8, we have a setting called 'digest'. This will configure the recordStore to maintain a checksum for each record to ensure that it remains unique within the store. There are two checksum algorithms available at the moment, 'sha' and 'md5'. If left out, the store will be slightly faster, but allow (potentially inadvertant) duplicate records.
For documentStores, instead all we would change would be the identifier and the class. Everything else can remain the same. DocumentStores have some additional objects that can be referenced in the paths section however -- 'inWorkflow', 'inPreParser', 'outWorkflow' and 'outPreParser'. These are objects to call to transform the document as it comes into the store or as it is fetched out of it respectively.
At line 12 we start configuring an indexStore called eadIndexStore, and as always the following line gives the class to instantiate it as.
In the paths section for this object we have three path elements. The first at line 15 we've seen before -- it adds another link in the defaultPath. Line 16 gives a path in which to store temporary files. During indexing, the store will create a couple of temporary files per index and then load them into the database only at the end after some pre-processing for efficiency. Line 17 then has a path of type 'recordStoreHash'. This is a space separated list of recordStores that contain records that will appear in the indexes. Normally there will just be the one store, but for larger or composite databases it may be appropriate to split the data into multiple stores.


ViKeyManagerTarget Protocol Reference
| Conforms to | NSObject |
| Declared in | ViKeyManager.h |
Tasks
-
– keyManager:shouldParseKey:inScope:
Intercept keys before parsing.
-
– keyManager:presentError:
Present errors from key parsing.
-
– keyManager:evaluateCommand:
Evaluate a generated command.
-
– keyManager:partialKeyString:
Notify about partial keys.
Instance Methods
keyManager:evaluateCommand:
Evaluate a generated command.
- (BOOL)keyManager:(ViKeyManager *)keyManager evaluateCommand:(ViCommand *)command
Return Value
YES if the command succeded, otherwise NO.
Discussion
Only normal editor actions are passed to this method. Macros and Nu expressions are evaluated automatically by the key manager.
Declared In
ViKeyManager.h
keyManager:partialKeyString:
Notify about partial keys.
- (void)keyManager:(ViKeyManager *)keyManager partialKeyString:(NSString *)keyString
Parameters
- keyManager
The key manager handling the event.
- keyString
A string of partial keys.
Discussion
This method can be used to present partial vi commands.
Declared In
ViKeyManager.h
keyManager:presentError:
Present errors from key parsing.
- (void)keyManager:(ViKeyManager *)aKeyManager presentError:(NSError *)error
Parameters
- aKeyManager
The key manager handling the event.
- error
An error from the vi key parser or map.
Declared In
ViKeyManager.h
keyManager:shouldParseKey:inScope:
Intercept keys before parsing.
- (NSNumber *)keyManager:(ViKeyManager *)aKeyManager shouldParseKey:(NSNumber *)keyCode inScope:(ViScope *)scope
Parameters
- aKeyManager
The key manager handling the event.
- keyCode
The key code that is being parsed.
- scope
The active scope.
Return Value
A NSNumber with a boolean YES if the key should be parsed, otherwise NO.
Declared In
ViKeyManager.h


Febuary 25, 2000
Around 10:30 pm, friday. Salvia 5x extract was smoked, not very much at all, I would say...an average sized bowl between the two of us. We smoked it through a regular pipe - we (bobby and gwynne, a happy couple) were too lazy to make a bong so we just used Bobby's pipe. We were at Bobby's house. His parents were at the movies. This was Gwynne's second Salvia experience. The first experience offered virtually nothing. This was Bobby's fourth or fifth attempt at getting something from Salvia. This time was the first time Bobby experienced anything worthwhile.
The entire experience lasted less then 15 minutes for both participants. The onset was felt seconds after inhaling. Residual effects lasted no more then 30 minutes.
We did not intend to do salvia as a recreational experience. Both of us believe in a greater spirituality, and would never disrespect any plant. Anyway...
-gwynnes voice-
After I took my first toke, I started to feel a little strange, after my second toke all i remember is...
Reality started to unfold infront of me. I knew I had smoked something, but I do not remember ever exhailing.
In waves, like a rollercoster our/my reality was slashed in half and pulled apart. Reality started to move like a kalidescope (sp?). It was like i was stuck under the kalidescope watching our reality turn and move.
There was a beautiful arrangement of colors that continually twisted in space. As strange as this seems, the colors were made up of thousands of tiny rabbits. The colors I most vividly remember are blue, red and yellow. It felt like i was watching our reality turn and move in this kalidescope motion for about 10 minutes, after which the the colors and the new reality started to slow down and stop moving. Bobby informs me that all this actually took 3 or 4 minutes.
I then found myself looking to my right side at what seemed to me a light bluish/green pale plane. I immideatly knew that this 'plane' was another reality, another 'world'. To my left, I then saw Bobby. Realizing he was here, I tried to explain to him that there was another world beside me. The other world was calling me, inviting me to come to it, I did not know however how i would get there. I then suddlenly felt torn. I saw Bobby, and I wanted him to come to this other world with me, however; I knew he was not allowed. I sat there thinking what to do, and trying to explain to Bobby what was happening. I felt a 'presence' from the other world that was 'calling' me to it.  This voice was coming from deep within the plane.
Slowly the effects wore off, and things started to go back to normal. This has been the most powerful substance I have ever done. Yet, i don't feel overly excited to do Salvia again right away. I feel almost frightened by what awaits me the next time I try Salvia. However; I do feel like there is something important i will learn from future expierances.
-bobby's voice-
>From what I can remember....
Upon closing my eyes I reliazed that I understood my alter-ego, my second self. I understood that not only was I really two beings (possibly more), but that I only really appreciate this reality in my normal day to day life. From this experience, I am almost sure that there is atleast one other reality super-imposed on ours. It wasn't a happy or amazing or orgasmic experience, it was just something that showed me that we don't know everything we think we do. The other reality I saw...
I was with two other beings. They had characteristics of people I know, but were not people I know. We were trying to move some object, and because of this strange time-shift, my other self in the other reality was unable to function. The object we were trying to move at that point began to turn into a large spike that was stabbing me in the face. It sounds harsh, but it wasn't painful, just annoying. At this point I began to try to explain this to Gwynne, but then it all folded in on itself and disapeared. I tried to lay quietly for a bit, with my head in the covers, but once I had thought about it...it was too late. Then, stardetdly, I heard the sound of Gwynne saying to me: 'Are you okay?'.
I got up and went over to the other room, where Gwynne was sitting. She hadn't said anything. From that point on it just kinda felt like my other Salvia experiences. I was hot, sweaty, etc, with a large pressure being forced on my body. Then she got off the computer and I begin writing this. When I began writing, I was still very high, and upon reading the first sentance over, I realize that I wasn't really concious of what I was trying to convey. Now I'm almost fully back to normal.
I do not claim that this has any spiritual or actual significance. It seems to me like only a tease as to what I can really learn...I know that this other reality was probably just a part of my own mind, but I would never brush it off as just that, as that would stop me from learning all I can from it.
 And you'd better respect it.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Time is running out to claim this free ebook
Scaling Big Data with Hadoop and Solr
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your big data search as you gain everything you need to make a distributed search platform optimized to your needs.


1)
Ricky
is
going
to
Sweden
during
his
holidays.
2)
Carol
decided
to
have
a
Halloween
party
at
her
house.
3)
Africa
is
a
continent
between
America
and
Asia.
4)
Prince Harry
recently
got
married
to
Meghan Markle.
5)
My
dad
drives
a
Honda
SUV.
6)
From
the
top
of
The Empire State Building,
you
can
get
a
complete
view
of
New York City.
7)
They
stopped
at
McDonald’s
for
burgers
and
fries.
8)
Beijing
is
the
capital
city
of
China.
9)
His
neighbour
works
at
Google.
10)
I
have
a
Dell
laptop
that
I
carry
to
school
for
studies.


Overlay Component Examples
This example shows overlay component with different configurations
1. Basic overlay component
2. Overlay component with vertical positioning


{# # Licensed under the Apache License, Version 2.0 (the "License"); # you may not use this file except in compliance with the License. # You may obtain a copy of the License at # # http://www.apache.org/licenses/LICENSE-2.0 # # Unless required by applicable law or agreed to in writing, software # distributed under the License is distributed on an "AS IS" BASIS, # WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. # See the License for the specific language governing permissions and # limitations under the License. -#} {% extends "admin/base.html" %} {% import "admin/utils/pagination.html" as pagination %} {% block title %}Journal Entries For {{ project.name }}{% endblock %} {% block breadcrumb %}
| Name | Version | Date | Submitted By | Submitted From | Action |
|---|---|---|---|---|---|
| {{ journal.name }} | {{ journal.version }} | {{ journal.submitted_date }} | {{ journal.submitted_by.username }} | {{ journal.submitted_from }} | {{ journal.action }} |


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Answer:
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© 2015 paidaki -
paidaki@hotmail.com


Fired when a pointer device button (usually a mouse button) is pressed on the display object.

Fired when a pointer device button (usually a mouse button) is released outside the display object that initially registered a [mousedown]{@link PIXI.interaction.InteractionManager#event:mousedown}.
Fired when a pointer device button is pressed on the display object.

Fired when a pointer device button is released over the display object.
Fired when a pointer device button is released outside the display object that initially registered a [pointerdown]{@link PIXI.interaction.InteractionManager#event:pointerdown}.
Fired when a pointer device secondary button (usually a mouse right-button) is pressed and released on the display object.
Fired when a pointer device secondary button (usually a mouse right-button) is pressed on the display object.
Fired when a pointer device secondary button (usually a mouse right-button) is released over the display object.
Fired when a pointer device secondary button (usually a mouse right-button) is released outside the display object that initially registered a [rightdown]{@link PIXI.interaction.InteractionManager#event:rightdown}.
Fired when a touch point is placed and removed from the display object.
Fired when a touch point is removed from the display object.
Fired when a touch point is removed outside of the display object that initially registered a [touchstart]{@link PIXI.interaction.InteractionManager#event:touchstart}.
Fired when a touch point is moved along the display object.
Fired when a touch point is placed on the display object.
Internal check to detect if the left mouse button is pressed on the displayObject
Internal check to detect if the right mouse button is pressed on the displayObject
Internal check to detect if the mouse cursor is hovered over the displayObject
Internal check to detect if the pointer is down on the displayObject
Internal check to detect if the pointer cursor is hovered over the displayObject
Internal check to detect if a user has touched the displayObject
Indicates if the displayObject uses button mode or normal mode.
Default cursor.
Interaction shape. Children will be hit first, then this shape will be checked.
Indicates if the displayObject is interactive or not.
Indicates if the children of displayObject are interactive or not.
Alias method for on
Calls each of the listeners registered for a given event.
The event name.
Arguments that are passed to registered listeners
true
if the event had listeners, else false
.
Return an array listing the events for which the emitter has registered listeners.
Return the number of listeners listening to a given event.
The event name.
Alias method for removeListener
Add a listener for a given event.
The event name.
The listener function.
this
.
Add a one-time listener for a given event.
The event name.
The listener function.
this
.
Remove all listeners, or those of the specified event.
The event name.
this
.
Remove the listeners of a given event.
The event name.
Only remove the listeners that match this function.
Only remove the listeners that have this context.
Only remove one-time listeners.
this
.
Generated using TypeDoc
Fired when a pointer device button (usually a mouse button) is pressed and released on the display object.
InteractiveTarget#


--- layout: post excerpt: | I once heard a preacher expounding on how the relationship between the Creator and the creation changes the moment the summary: | Making things is pretty cool, regardless at what time you loose your sanity. listing-priority: 1 title: It's 1 a.m. tags: - tag: web ---
Its 1:04 AM and I'm still chugging away at this project. The project being my personal website, the one you're reading the content from right now actually. It's going well, thus far.
I began approximately 3 days ago, or 11 hours ago. Tonight I plan on wrapping it up for now. The workflow has been fairly predictable. Get inspired, start coding, realize design is important, stop coding, Photoshop, realize it's a website, start coding again, and 3 months later the cycle continues.
It can be painful but I love it. For me it is part of the joy of creating. Wrestling my emotions and desires for the project onto paper or code or whatever, the medium is not important, its the result. And if you are human, 100% of the time you will not be satisfied with the result which will push you further into the creative process, or at least should.
I once heard a preacher expounding on how the relationship between the Creator and the creation changes the moment the creation process is finished. There certainly is truth to that and plenty to go from there. But for now, I'm content with the way it has turned out, lets see where we're at 3 months from now.


Pochettino's Spurs future uncertain
Cape Town - Mauricio Pochettino's future at Tottenham has once again come into question after reported talks between the manager and club chairman Daniel Levy.
Spurs sit 14th in the Premier League standings following a disastrous start to the season by their lofty standards and it has been claimed that both Pochettino and Levy met to discuss his future during the international break.
A decision has yet to be made, but it looks unlikely that Pochettino will see the season out with Spurs and a parting of ways could be on the cards sooner rather than later.
Levy is hoping that a mutual agreement can be made between the two as he does not want to sack Pochettino following the fine job he has done during his time at the club.
Such a move would also cost him a £12.5 million pay-off to the Argentine, so it is easy to see why there is a stand-off between the two.
Pochettino is not ready to walk away at this point, but it remains to be seen how long the current working arrangement can go on for.
The Spurs boss was disappointed with the fact Levy failed to move out certain players this summer and bring in new ones, and there has been the constant talk of unrest behind the scenes.
Pochettino himself has also been quite vocal when claiming the squad is as unsettled as it has ever been, and that is the reason why they have failed to perform this season.
If Levy did make the decision to axe Pochettino, there is no suitable caretaker to step straight in and a quick appointment would have to be made.
He would be unable to bring in Bournemouth boss Eddie Howe at this time and would have to target someone who is out of work like Jose Mourinho or Massimiliano Allegri.
It is all speculation at this stage, but the clock certainly seems to be ticking on Pochettino's time at the club.
- TeamTalk Media


| Issue | Contact | Date raised | Status | |
|---|---|---|---|---|
|
Where can I find the selling guidelines?
REF# 195263788 |
Jon Robbins | 17.02.2018 |
Processing
|
View |
|
Where can I find the selling guidelines?
REF# 195263788 |
Jon Robbins | 17.02.2018 |
Resolved
|
View |
|
Where can I find the selling guidelines?
REF# 195263788 |
Jon Robbins | 17.02.2018 |
Resolved
|
View |
|
Where can I find the selling guidelines?
REF# 195263788 |
Jon Robbins | 17.02.2018 |
Resolved
|
View |


This website was written in Python and deployed on the cloud
Applications such as games can be easily deployed. The code below is for the classic game Hangman
import time
name = input("What is your name? ")
print ("Hello, " + name, +"! " "Time to play hangman!")
time.sleep(1)
print ("Start Guessing...")
time.sleep(0.5)
word = "python is the best"
guesses = ''
turns = 10
while turns > 0:
failed = 0
for char in word:
if char in guesses:
print (char,)
else:
print ("_"),
failed += 1
if failed == 0:
print ("You won!")
break
guess = input("Guess a Character:")
guesses += guess
if guess not in word:
turns -= 1
print ("Wrong")
print ("You have", + turns, 'more guesses')
if turns == 0:
print ("You Loose")
{% endblock %}


StarNotary Token DAPP
Create a Star
Star Name:
Star ID:
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Transfer a Star
Receiver Address:
Star ID:
Transfer star
Look for a Star
Star ID:
Look for star
Check star owner
Star ID:
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The Mystery of Cloomber
by Sir Arthur Conan Doyle
Chapter I: “The Hegira of the Wests from Edinburgh”
Additional Information
- Year Published: 1889
- Language: English
- Country of Origin: England
- Source: Doyle, A. C. (1889). The Mystery of Cloomber.London, England: Ward and Downey.
-
Readability:
- Flesch–Kincaid Level: 9.5
- Word Count: 1,055
- Genre: Mystery
- Keywords: 19th century literature, british literature, mystery, sir arthur conan doyle, the mystery of cloomber
- ✎ Cite This
Downloads
I John Fothergill West, student of law in the University of St. Andrews, have endeavoured in the ensuing pages to lay my statement before the public in a concise and business-like fashion.
It is not my wish to achieve literary success, nor have I any desire by the graces of my style, or by the artistic ordering of my incidents, to throw a deeper shadow over the strange passages of which I shall have to speak. My highest ambition is that those who know something of the matter should, after reading my account, be able to conscientiously indorse it without finding a single paragraph in which I have either added to or detracted from the truth.
Should I attain this result, I shall rest amply satisfied with the outcome of my first, and probably my last, venture in literature.
It was my intention to write out the sequence of events in due order, depending on trustworthy hearsay when I was describing that which was beyond my own personal knowledge. I have now, however, through the kind cooperation of friends, hit upon a plan which promises to be less onerous to me and more satisfactory to the reader. This is nothing less than to make use of the various manuscripts which I have by me bearing upon the subject, and to add to them the first-hand evidence contributed by those who had the best opportunities of knowing Major-General J. B. Heatherstone.
In pursuance of this design I shall lay before the public the testimony of Israel Stakes, formerly coachman at Cloomber Hall, and of John Easterling, F.R.C.P. Edin., now practicing at Stranraer, in Wigtownshire. To these I shall add a verbatim account extracted from the journal of the late John Berthier Heatherstone, of the events which occurred in the Thul Valley in the autumn of ‘41 towards the end of the first Afghan War, with a description of the skirmish in the Terada defile, and of the death of the man Ghoolab Shah.
To myself I reserve the duty of filling up all the gaps and chinks which may be left in the narrative. By this arrangement I have sunk from the position of an author to that of a compiler, but on the other hand my work has ceased to be a story and has expanded into a series of affidavits.
portrait of Sir Arthur Conan Doyle
My Father, John Hunter West, was a well-known Oriental and Sanskrit scholar, and his name is still of weight with those who are interested in such matters. He it was who first after Sir William Jones called attention to the great value of early Persian literature, and his translations from the Hafiz and from Ferideddin Atar have earned the warmest commendations from the Baron von Hammer-Purgstall, of Vienna, and other distinguished Continental critics.
In the issue of the Orientalisches_Scienzblatt for January, 1861, he is described as ”Der_beruhmte_und_sehr_gelhernte_Hunter_West_von Edinburgh” —a passage which I well remember that he cut out and stowed away, with a pardonable vanity, among the most revered family archives.

When his clients were seeking him at his chambers in George Street, he was buried in the recesses of the Advocates’ Library, or poring over some moldy manuscript at the Philosophical Institution, with his brain more exercised over the code which Menu propounded six hundred years before the birth of Christ than over the knotty problems of Scottish law in the nineteenth century. Hence it can hardly be wondered at that as his learning accumulated his practice dissolved, until at the very moment when he had attained the zenith of his celebrity he had also reached the nadir of his fortunes.
There being no chair of Sanscrit in any of his native universities, and no demand anywhere for the only mental wares which he had to dispose of, we should have been forced to retire into genteel poverty, consoling ourselves with the aphorisms and precepts of Firdousi, Omar Khayyam, and others of his Eastern favourites, had it not been for the kindness and liberality of his half-brother William Farintosh, the Laird of Branksome, in Wigtownshire.
This William Farintosh was the proprietor of a landed estate, the acreage which bore, unfortunately, a most disproportional relation to its value, for it formed the bleakest and most barren tract of land in the whole of a bleak and barren shire. As a bachelor, however, his expenses had been small, and he had contrived from the rents of his scattered cottages, and the sale of the Galloway nags, which he bred upon the moors, not only to live as a laird should, but to put by a considerable sum in the bank.
We had heard little from our kinsman during the days of our comparative prosperity, but just as we were at our wit’s end, there came a letter like a ministering angel, giving us assurance of sympathy and succour. In it the Laird of Branksome told us that one of his lungs had been growing weaker for some time, and that Dr. Easterling, of Stranraer, had strongly advised him to spend the few years which were left to him in some more genial climate. He had determined, therefore to set out for the South of Italy, and he begged that we should take up our residence at Branksome in his absence, and that my father should act as his land steward and agent at a salary which placed us above all fear of want.
Our mother had been dead for some years, so that there were only myself, my father, and my sister Esther to consult, and it may be readily imagined that it did not take us long to decide upon the acceptance of the laird’s generous offer. My father started for Wigtown that very night, while Esther and I followed a few days afterwards, bearing with us two potato-sacksful of learned books, and such other of our household effects that were worth the trouble and expense of transport.


---
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title: Page 61
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{% raw %}A WALK BY THE RIVER.{% endraw %}
{% raw %}61{% endraw %}
{% raw %}me," said Mr. Mauvais, half reproachftUIy, yet smUing vcrj-{% endraw %}
{% raw %}benevoleutly, at the same time.{% endraw %}
{% raw %}" Oh, you have been—you are. Everybody is a great dea.{% endraw %}
{% raw %}kinder to me than I deserve," she carelessly answered.{% endraw %}
{% raw %}" Not a bit, little rose of the prairie. Could any one help{% endraw %}
{% raw %}wishing to tend a beautiful flower, or to have it for his own{% endraw %}
{% raw %}if he could ? Mr. Allen is a promising young man, as young{% endraw %}
{% raw %}men go. But he is not old enough, nor wise enough, ncr{% endraw %}
{% raw %}rich enough, to have the care of a beautiful young woman{% endraw %}
{% raw %}like yourself."{% endraw %}
{% raw %}" And you are ?" said Alicia, archly.{% endraw %}
{% raw %}" Yes, I think I am. But siuce you are not sure of it in{% endraw %}
{% raw %}your own judgment, I must go to your father about it.{% endraw %}
{% raw %}What would you do for me. Miss Alicia, if I should procure{% endraw %}
{% raw %}your reconciliation to your father ?"{% endraw %}
{% raw %}" I should be so glad—so grateful!" she cried, with swim¬{% endraw %}
{% raw %}ming eyes; " and so happy," she added, with a smUe.{% endraw %}
{% raw %}" Then I think I must do it for you," said Mr. ^lauvaia{% endraw %}
{% raw %}politely raising her small, ungloved hand to his lips.{% endraw %}
{% raw %}She did not ask him how he proposed to bring about this{% endraw %}
{% raw %}change in her father's feelings. She was too confiding to{% endraw %}
{% raw %}doubt that what those older and more influential than herself{% endraw %}
{% raw %}promised they could perform. She only thought that she{% endraw %}
{% raw %}was very happy to have so many and warm friends, and{% endraw %}
{% raw %}this pleasant consciousness displayed itself in her animated{% endraw %}
{% raw %}face.{% endraw %}
{% raw %}As they drove back through the town, Alicia noticed Alien{% endraw %}
{% raw %}standing in the street before his office, and that, on their{% endraw %}
{% raw %}approach, he went in without turning to look at them. This{% endraw %}
{% raw %}incident, slight as it was, alarmed her affectionate heart, and{% endraw %}
{% raw %}quite dampened the pleasure of her ride.{% endraw %}
{% raw %}" Adieu, Miss Newcome," said her escort, as he left her at{% endraw %}
{% raw %}Mrs. Wyman's door; " do not commence your school until I{% endraw %}
{% raw %}have first seen your father;" and, with a graceful flourish of{% endraw %}
{% raw %}bis hand, the Frenchman was gone, flying over the road at a{% endraw %}
{% raw %}"two-forty" rate.{% endraw %}
{% raw %}That evening Alicia received a call from her " brother,"{% endraw %}
{% raw %}who had come to see how soon she would be able to begin{% endraw %}
{% raw %}her duties as teacher, and in reply she had frankly related to{% endraw %}
{% raw %}him all that the trader had said to her.{% endraw %}


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This is the day 2 update of my one week game project.
The main tasks for today were to get the movement behaviour working for blocks of different shapes and sizes, and to start work on a level manager.
At first things started fairly well, I quickly had multiple blocks connected together behaving as expected but then I hit a problem. When working on the initial collision detection code I had overlooked a bug with the player overlapping the blocks slightly during pushing. I had dismissed it as something that would be easy to resolve at a later stage. It turns out however that this was much more of a problem than I had initially realised. Because of the structure I had used in my collision detection each phase was very dependant on the steps before, making the correction of the overlap difficult. In the end I decided to completely re-write the collision algorithm from scratch. At the time this seemed like a real set back, but after I had chance to redesign the code I've been left with a much cleaner flow for the collision detection.
The second task for the day - the level loading - has gone smoothly. I'm now using a simple text file to define each level which means I can construct different designs and test the puzzles efficiently. Tomorrow I will need to continue with the level manager to extend the support for combined blocks, add in the completion conditions and start looking at level switch and selection.
xxxxxxxxxxxxxxxxx x........x......x x........x...e..x x........x......x x........x......x x.s......x......x x......111.x....x x........1.x....x x........x......x x........x......x xxxxxxxxxxxxxxxxx


Thor 24 Peterbilt 359 Semi Truck Packs 24-Cylinder Detroit Diesel, 4,000 HP
by Mircea PanaitThe horse-drawn cart became obsolete when Karl Benz introduced internal combustion to trucks in 1895. Modern semi trailers appeared right after World War I, and Benz sealed the fate of the big rig by introducing diesel options in the 1920s.
Making trucks and driving trucks are industries of utmost importance, and looking at the bigger picture, it’s these gentle giants that make the world go around. Those shipping containers arriving in ports are hauled to sorting hubs by semis, then a delivery man (or woman) ensures that your Chinese goods arrive at your doorstep by van.
The thing is, did you know there’s a semi tuning scene out there? I’m not talking about mere customization such as lights and paint, but proper tuning. Case in point, the Thor 24 in the photo gallery and video is nothing like the truck on which it’s based.
Caribou Industries founder and president Mike Harrah started the build with a 359 model from 1979, one of the most popular big rigs in North America. The top-of-the-line conventional highway truck now features two Detroit Diesel engines, connected by a splined crankshaft for a total of 24 cylinders and a lot of suck-squeeze-bang-blow.
Harrah, who also knows how to do stunts in helicopters, then equipped the V24 two-stroke Detroit Diesel with… wait for it… 12 superchargers. That’s one per every two cylinders, and the 27.9-liter mammoth stands eight feet tall. The goodies are delivered to the wheels with the help of an Allison HT740 transmission, and as the headline implies, total output stands at a mind-blowing 3,974 horsepower at 2,500 revolutions per minute.
Eight nitrous oxide bottles help the engine do its thing, and even though the big rig tips the scales at 32,000 pounds, Thor 24 can top 130 mph (210 km/h). Getting the truck to stop is a wholly different affair, which explains the four twelve-foot parachutes at the rear. Even more ridiculous is the intake manifold, weighing in at 1,000 pounds.
According to thor2471.com, Harrah spent seven years building the Thor 24 with the help of Tim Spinks, Paul Abram, and Steve Huff. Standing 44 feet long, the Peterbilt-based truck doesn't feature the original front fascia but an enormous chrome grille recalling the 1933 Ford coupe (or International Lonestar, whichever of the two floats your boat).
The cabin is a treat in itself, featuring more than 24 gauges and a 200-mile-per-hour speedometer. A broadsword shifter, Lamborghini-opening passenger door, and four 4- by 6-inch displays are also worthy of mention, along with a helicopter engine acting as an auxiliary generator for seven movie screens and a 1,500-watt audio system.
We’re also told that “the entire list of additional features and accessories can go on for ninety-nine and one-half days,” and the cost of this extreme build is estimated at $7 million. 🏁


Layers¶
-
class
interlinq.objects.layer.
Layer
(operations: list = [])¶ Layer object which is a collection of operations to be applied on the qubits in the system.
-
add_operation
(operation)¶ Add a operation to the layer :param operation: Information about the operation to be added in the layer :type operation: Operation
-
add_operations
(operations: list)¶ Add multiple operations to the layer :param operations: List of Operation objects :type operations: list
-
control_gate_present
()¶ Check if a control gate is present in the layer between two different computing hosts
- Returns
- True if control gate is present between two different computing
hosts
- Return type
(bool)
-
property
operations
¶ Get the operations in the layer
- Returns
- List of Operation objects, which contains information about the operation to
be performed on the quantum circuit.
- Return type
(list)
-
remove_operation
(index: int)¶ Remove an operation from the layer.
- Parameters
index (int) – Index of the operation to be removed
-


QLinearGradient Class
The QLinearGradient class is used in combination with QBrush to specify a linear gradient brush. More...
| Header: | #include <QLinearGradient> |
| qmake: | QT += gui |
| Inherits: | QGradient |
Public Functions
| QLinearGradient() | |
| QLinearGradient(const QPointF &start, const QPointF &finalStop) | |
| QLinearGradient(qreal x1, qreal y1, qreal x2, qreal y2) | |
| QPointF | finalStop() const |
| void | setFinalStop(const QPointF &stop) |
| void | setFinalStop(qreal x, qreal y) |
| void | setStart(const QPointF &start) |
| void | setStart(qreal x, qreal y) |
| QPointF | start() const |
- 10 public functions inherited from QGradient
Detailed Description
The QLinearGradient class is used in combination with QBrush to specify a linear gradient brush.
Linear gradients interpolate colors between start and end points. Outside these points the gradient is either padded, reflected or repeated depending on the currently set spread method:
| PadSpread (default) | ReflectSpread | RepeatSpread |
The colors in a gradient is defined using stop points of the QGradientStop type, i.e. a position and a color. Use the QGradient::setColorAt() or the QGradient::setStops() function to define the stop points. It is the gradient's complete set of stop points that describes how the gradient area should be filled. If no stop points have been specified, a gradient of black at 0 to white at 1 is used.
In addition to the functions inherited from QGradient, the QLinearGradient class provides the finalStop() function which returns the final stop point of the gradient, and the start() function returning the start point of the gradient.
See also QRadialGradient, QConicalGradient, and The Gradients Example.
Member Function Documentation
QLinearGradient::QLinearGradient()
Constructs a default linear gradient with interpolation area between (0, 0) and (1, 1).
See also QGradient::setColorAt(), setStart(), and setFinalStop().
QLinearGradient::QLinearGradient(const QPointF &start, const QPointF &finalStop)
Constructs a linear gradient with interpolation area between the given start point and finalStop.
Note: The expected parameter values are in pixels.
See also QGradient::setColorAt() and QGradient::setStops().
QLinearGradient::QLinearGradient(qreal x1, qreal y1, qreal x2, qreal y2)
Constructs a linear gradient with interpolation area between (x1, y1) and (x2, y2).
Note: The expected parameter values are in pixels.
See also QGradient::setColorAt() and QGradient::setStops().
QPointF QLinearGradient::finalStop() const
Returns the final stop point of this linear gradient in logical coordinates.
See also setFinalStop() and QGradient::stops().
void QLinearGradient::setFinalStop(const QPointF &stop)
Sets the final stop point of this linear gradient in logical coordinates to stop.
This function was introduced in Qt 4.2.
See also finalStop().
void QLinearGradient::setFinalStop(qreal x, qreal y)
This is an overloaded function.
Sets the final stop point of this linear gradient in logical coordinates to x, y.
This function was introduced in Qt 4.2.
See also start().
void QLinearGradient::setStart(const QPointF &start)
Sets the start point of this linear gradient in logical coordinates to start.
This function was introduced in Qt 4.2.
See also start().
void QLinearGradient::setStart(qreal x, qreal y)
This is an overloaded function.
Sets the start point of this linear gradient in logical coordinates to x, y.
This function was introduced in Qt 4.2.
See also start().
QPointF QLinearGradient::start() const
Returns the start point of this linear gradient in logical coordinates.
See also setStart() and QGradient::stops().


This page can quickly help determine causes of errors due to connectivity issues. If you are experiencing issues that have not been addressed below, please report an incident.


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--- layout: post title: UK Extensions Course date: 2005-12-15 00:00:00 category: aikido ---
Just gotten this through from Mr Walsh:
"A day of Round-Robin multi-style training, and presentations of "off-mat" aikido. A seminar for people interested in aikido in everyday life, and how the art can be applied in non-dojo settings.
Workshop leaders include Senseis Piers Cooke (business), Terry Ezra (spirituality), Philip Smith (sports science) and Simon Whittaker (security). Aikido as a peace building tool will also be presented.
January 21st, 2006,1-6pm + dinner.
Kilburn, NW London.
£10 – Suggested donation.
Please confirm attendance at training and dinner, as numbers are limited.
Contact Ian Hurst Sensei or Mark Walsh to do this, or for further details:
<EMAIL_ADDRESS>or<EMAIL_ADDRESS>WEB Information:
London Host Dojo – Includes map:
http://www.happyaikido.com/kilburn/charteris.php
Last UK applied aiki event (includes event format and pictures):
http://www.aikiweb.com/forums/showthread.php?t=8782
Aiki Extensions around the world: http://www.aiki-extensions.org"
Full flyer here. I'll be heading along for the training, but probably not the evening dinner. Anyone else interested?


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From October 19-30, the exhibit area and theater at Minuteman Missile National Historic Site's visitor center will be closed to allow for a number of needed repairs to be conducted to the exhibits.
Read More →Devils Tower National Monument will implement a prescribed burn this fall as conditions permit. Fire management officials from the Northern Great Plains Fire Office and Devils Tower National Monument plan to burn 171 acres in the North Terrace Unit during the next few weeks.
Read More →The mountain lion known as P-41 was found dead yesterday on the edge of the Verdugo Mountains, near the Shadow Hills neighborhood.
Read More →


This tool provides three themes by default (None, Light and Dark). You can use the (+) sign to create your own themes.
NoneClear all theme variablesSelectLightDefault Light ThemeSelectDarkDefault Dark ThemeSelectDefault Dark ThemeSelectSave
2. Set the Core Variables
When you set these properties, they will be applied to all components as default values. They can then be over-ruled by component specific theme properties.
Application ColorsSet the backdrop and text color for main elements
Primary ColorsThe primary color should represent your brand
${showAdvancedPrimary ? 'Collapse':'Expand'}
Accent ColorsThe accent color provides more ways to accent and distinguish your product
${showAdvancedAccent ? 'Collapse':'Expand'}
Control ColorsThese colors will be the defaults for control elements such as ux-input, ux-textarea, etc...
State ColorsThese colors help to unify different states that can be applied to elements such as buttons or controls


Chapter 1 Introduction
1.1 Definitions and sources of information
Developing emissions inventories is a complex task. Therefore, before entering into the details of the functions, it is good to provide some initial definitions.
A good starting point is the book “The Art of Emissions Inventorying” (Pulles and Heslinga 2010). This book provides general description of what is an emissions inventory. One of the early sources of information about emissions inventories and emissions factors is the Environmental Protection Agency (U.S.EPA) and its compilation of emission factors AP42 (https://www.epa.gov/air-emissions-factors-and-quantification). A third source of information are the European EMEP/EEA air pollutant emission inventory guidebook (https://www.eea.europa.eu/themes/air/emep-eea-air-pollutant-emission-inventory-guidebook/).
An emissions inventory is the compilation of all mass emitted into the atmosphere by activities in a defined area during a lapse of time. The Eq. ((1.1) shows the general form (McGlade and Vidic 2009):
\[\begin{equation} Emission_{pollutant}=\sum_{activities} Activity reate \cdot Emission factor_{activity, pollutant} \tag{1.1} \end{equation}\]There are two main tpes of inventories based on the application, one type is for policy application and the other for scientific application (Pulles and Heslinga 2010).
- Inventories for policy application include the National Greenhouse Gas Inventory for the parties under the United Nations Framework on Climate Change (UNFCCC 2017).
- Emissions inventories with scientific applications include the Emission Database for Global Atmospheric Research EDGAR (EJ-JRC/PBL 2016).
Emissions inventories can be also multi medi ainventories, such as the Pollutant Release and Transfer Registers (PRTR) which include pollutants released to air, water and soil and transferred off-site for treatment or disposal (http://www.oecd.org/chemicalsafety/pollutant-release-transfer-register/). However, the type of inventory covered in this book cover only the emissions released into the atmosphere.
1.1.1 Approaches
It is necessary show some definitions of vehicular emissions inventories approaches, which in this case comes from the European Emissions Guidelines (Ntziachristos and Samaras 2016):
- Top-down inventories are uses input activity traffic data as fleet statistics, fuel consumption, representative speeds and country balances. The emissions factors uses representative speeds. This inventory are also know as static.
- Bottom-up Input activity traffic data comes from traffic counts, traffic simulations, vehicle composition, speed recordings and length of the raods. The emission factors are speed or/and acceleration functions. These inventories are also know as dynamic.
- Reconciliation Both approaches can be reconciliated in urban emissions inventories with comparison of total mileage, cold start mileage or emission factors in order that the comparison with the total fuel consumption on the study area is satisfactory. This means that bottom-up and top-down vehicular emissions must match the fuel sales over a region of study.
1.2 Installation
The VEIN r-package can be installed from Comprehensive R Archive Network CRAN directly:
# CRAN
install.packages("vein")
VEIN can be also installed from github:
library(devtools)
install_github("ibarraespinosa/vein")
The github installation requires that the devtools package (Wickham and Chang 2017) must be installes, including its dependencies.
1.3 Required R packages and dependencies
In order to use the VE0IN package it is necesary to download other r-packages and its dependencies. The current dependencies of VEIN are:
- sp. This is a package that provides clases and methods for spatial data (Pebesma and Bivand 2005) considering points, lines, polygons and grids.
- rgeos. It is an interface to the “geometry Engine - Open Source (‘GEOS’) using the C ‘API’ for topology operations on geometries” (Bivand and Rundel 2017). Depends on the library GEOS (http://trac.osgeo.org/geos).
- rgdal. Provides bindings to the ‘Geospatial’ Data Abstraction Library (‘GDAL’) (>= 1.6.3) and access to projection/transformation operations from the ‘PROJ.4’ library (Bivand, Keitt, and Rowlingson 2017). Depends on the library GDAL (http://www.gdal.org/) and PROJ (http://proj4.org/).
- raster. It is a package that provides tools for analyses and modeling of geographic data (Hijmans 2016).
- units. It i a package dor measurement units in R (Pebesma, Mailund, and Hiebert 2016). This package depends on the library udunits2 (http://www.unidata.ucar.edu/software/udunits/). I
install.packages(c("sp", "rgeos", "rgdal", "raster", "units"))
In order to install these package it is necessary to install the dependencies into each operational system. The instructions are:
Ubuntu
sudo add-apt-repository ppa:ubuntugis/ubuntugis-unstable
sudo apt-get update
sudo apt-get install libudunits2-dev libgdal-dev libgeos-dev l
ibproj-dev
Fedora
sudo dnf install gdal-devel proj-devel proj-epsg proj-nad
geos-devel udunits2-devel
Debian and other
Dockerfiles from rocker geospatial.
Windows Via Rtools.
MAC OS
brew unlink gdal
brew tap osgeo/osgeo4mac && brew tap --repair
brew install proj
brew install geos
brew install udunits
brew install gdal2 --with-armadillo --with-complete
--with-libkml --with-unsupported
brew link --force gdal2
The new version of VEIN wil replace the spatial r-packages dependencies of raster, rgeos and rgdal by the new sf (Pebesma 2017) package and the units (Pebesma, Mailund, and Hiebert 2016) package.
sf is a package that provides simple features access for R (Pebesma 2017), which can be installed in this way:
install.packages("sf")
or via devtools
library(devtools)
install_github("r-spatial/sf")
1.4 Data inside the VEIN model
There are several datasets available inside the model:
1.4.1 Emission factors from CETESB
- fe2015: Emission factors from Environmental Agency of Sao Paulo (CETESB). Pollutants included: “CH4”, “CO”, “CO2”, “HC”, “N2O”, “NMHC”, “NOx” and “PM”. The type of vehicles included are Passenger Cars (PC) and
usage:
library(vein, quietly = T)
data(fe2015)
| Age | Year | Pollutant | PC_G | LT |
|---|---|---|---|---|
| 1 | 2015 | CO | 0.171 | 0.027 |
| 2 | 2014 | CO | 0.216 | 0.012 |
| 3 | 2013 | CO | 0.237 | 0.012 |
| 4 | 2012 | CO | 0.273 | 0.005 |
| 5 | 2011 | CO | 0.275 | 0.379 |
| 6 | 2010 | CO | 0.204 | 0.416 |
1.4.2 Mileage functions of Brazilian Fleet
- fkm: List of functions of mileage in km fro Brazilian fleet. Includes mileage functions based on more than 2 million recordings of vehicles (Bruni and Bales 2013). It consists in a list of age functions. The type of vehicles are Passneger Cars (PC), Light Commercial Vehicles (LCV), Small Bus (SBUS), Trucks, Articulated Trucks (ATRUCKS), Motorcycles (MOTO) and Light vehicles’ (LDV). The fuels are Gasoline using 25% of ethanol (E25), Ethanol 100% (E100) and Diesel with 5% of biodiesel (B5). There are also vehicles with flex engines which can run either with E25, E100 or any mixture in between (Giroldo et al. 2005). The Fig. (1.1 shows the mileage of PC using fuel E25.
usage:
library(vein, quietly = T)
data(fkm)
names(fkm)
## [1] "KM_PC_E25" "KM_PC_E100" "KM_PC_FLEX" "KM_LCV_E25"
## [5] "KM_LCV_FLEX" "KM_PC_B5" "KM_TRUCKS_B5" "KM_BUS_B5"
## [9] "KM_LCV_B5" "KM_SBUS_B5" "KM_ATRUCKS_B5" "KM_MOTO_E25"
## [13] "KM_LDV_GNV"
age <- 1:50
mileage <- fkm[["KM_PC_E25"]](1:50)
par(mar = c(4, 4, .1, .1))
plot(y = mileage, x = age, pch = 19, type = "b")
- net: Road network of the west part of Sao Paulo city. It consistes in a SpatialLinesDataFrame (class of sp) with the attributes ldv (light duty vehicles, \(1 \cdot h^{-1}\)), hdv (heavy duty vehicles, \(1 \cdot h^{-1}\)), ps (peak speed, \(km \cdot h^{-1}\)), ffs (free flow speed, \(km \cdot h^{-1}\)), tstreet (type of street), lanes (number of lanes), capacity (capacity fo vehicles at each link, 1/h) and tmin (time for travelling each link, min). The Fig. (4 shows more details.
1.4.3 Temporal factors for Passenger Cars
Temporal factors (TF) are marix of jourly traffic data normalized for the hour of interest, normally the morning rush hour 08:00-09:00 in local time (LT) (Ibarra-Espinosa et al. 2018). This dataset cover 168 hours of one week and it is based on traffic counts of toll stations near the center of the city of SãoPaulo, Brazil. The Fig. (1.2 shows the temporal factors for PC.
usage:
library(vein, quietly = T)
data(pc_profile)
tf <- unlist(pc_profile)
hours <- 1:168
par(mar = c(4, 4, .1, .1))
plot(y = tf, x = hours, pch = 16, type = "b")
1.4.4 Profile for cold starts of Passenger Cars
This is a profile with the hourly percentage of cold starts of Passenger Cars. This data covers 24 hours of a working day and it is based cold start recordings during the implementation of the International Vehicle Emissions (IVE) model (Davis et al. 2005) in São Paulo (Lents et al. 2004). The Fig. (1.3 shows the cold-start profile.
usage:
library(vein, quietly = T)
data(pc_cold)
cold <- unlist(pc_cold)
hours <- 1:24
par(mar = c(4, 4, .1, .1))
plot(y = cold, x = hours, pch = 16, type = "b")
Appendix B
Pulles, Tim, and Dick Heslinga. 2010. “The Art of Emission Inventorying.” TNO, Utrecht.
McGlade, J, and S Vidic. 2009. “EMEP/Eea Air Pollutant Emission Inventory Guidebook 2009: Technical Guidance to Prepare National Emission Inventories.” Technical report 9/2009, EEA, Copenhagen, Denmark.
UNFCCC. 2017. Greenhouse Gas Inventory Data. http://unfccc.int/ghg_data/items/3800.php.
EJ-JRC/PBL. 2016. “Emission Database for Global Atmospheric Research (Edgar), Release Edgar V4.3.1_v2 (1970 - 2010).” http://edgar.jrc.ec.europa.eu.
Ntziachristos, L, and Z Samaras. 2016. “EMEP/Eea Emission Inventory Guidebook; Road Transport: Passenger Cars, Light Commercial Trucks, Heavy-Duty Vehicles Including Buses and Motorcycles.” European Environment Agency, Copenhagen.
Wickham, Hadley, and Winston Chang. 2017. Devtools: Tools to Make Developing R Packages Easier. https://CRAN.R-project.org/package=devtools.
Pebesma, Edzer J., and Roger S. Bivand. 2005. “Classes and Methods for Spatial Data in R.” R News 5 (2): 9–13. https://CRAN.R-project.org/doc/Rnews/.
Bivand, Roger, and Colin Rundel. 2017. Rgeos: Interface to Geometry Engine - Open Source (’Geos’). https://CRAN.R-project.org/package=rgeos.
Bivand, Roger, Tim Keitt, and Barry Rowlingson. 2017. Rgdal: Bindings for the ’Geospatial’ Data Abstraction Library. https://CRAN.R-project.org/package=rgdal.
Hijmans, Robert J. 2016. Raster: Geographic Data Analysis and Modeling. https://CRAN.R-project.org/package=raster.
Pebesma, Edzer, Thomas Mailund, and James Hiebert. 2016. “Measurement Units in R.” The R Journal 8 (2): 486–94. https://journal.r-project.org/archive/2016-2/pebesma-mailund-hiebert.pdf.
Pebesma, Edzer. 2017. Sf: Simple Features for R. https://CRAN.R-project.org/package=sf.
Bruni, Antonio De Castro, and Marcelo Pereira Bales. 2013. “Curvas de Intensidade de Uso Por Tipo de Veículo Automotor Da Frota Da Cidade de São Paulo.” CETESB.
Giroldo, Mauro Berti, Edward Werninghaus, Eugenio Coelho, and William Makant. 2005. “Development of 1.6l Flex Fuel Engine for Brazilian Market.” In SAE Technical Paper. SAE International. doi:10.4271/2005-01-4130.
Ibarra-Espinosa, S., R. Ynoue, S. O’Sullivan, E. Pebesma, M. D. F. Andrade, and M. Osses. 2017. “VEIN V0.2.2: An R Package for Bottom-up Vehicular Emissions Inventories.” Geoscientific Model Development Discussions 2017: 1–29. doi:10.5194/gmd-2017-193.
2018. “VEIN V0.2.2: An R Package for Bottom–up Vehicular Emissions Inventories” 11 (6): 2209–29. doi:10.5194/gmd-11-2209-2018.Davis, Nicole, James Lents, Mauricio Osses, Nick Nikkila, and Matthew Barth. 2005. “Part 3: Developing Countries: Development and Application of an International Vehicle Emissions Model.” Transportation Research Record: Journal of the Transportation Research Board 8 (1939). Transportation Research Board of the National Academies: 155–65.
Lents, James, Nicole Davis, Nick Nikkila, and Mauricio Osses. 2004. “São Paulo Vehicle Activity Study.” 605 South Palm Street, Suite C, La Habra, CA 90631, USA: International Sustainable System Research Center.