New in version 2.4.
- Requires the following module to be installed ‘python-owasp-zap-v2.4’
- pip install python-owasp-zap-v2.4 will work
- Tested with Python2.7 version
parameter |
required |
default |
choices |
comments |
|---|---|---|---|---|
|
host
|
yes |
|
The IP address/domain name with port number of the hosted OWASP ZAP instance |
|
|
apikey
|
no |
|
API Key value if the ZAP instance has one |
|
|
target
|
yes |
|
The website that needs to be scanned by OWASP ZAP |
|
|
scantype
|
no |
passive |
|
Type of scan to be done by OWASP ZAP |
# Pass in a message
- name: Scan a website
owasp_zap_test_module:
host: "http://<IP_ADDRESS>:8080"
target: "http://testphp.vulnweb.com"
scantype: passive
register: output
Common return values are documented here, the following are the fields unique to this {{plugin_type}}:
name |
description |
returned |
type |
sample |
|---|---|---|---|---|
|
output
|
Output of OWASP ZAP scan
|
JSON |
||
|
host
|
Hostname of the OWASP ZAP scanner instance
|
str |
||
|
changed
|
If changed or not (true if scan completed)
|
bool |
||
|
target
|
Hostname of the web site that was scanned and attacked
|
str |
Note
This module is flagged as preview which means that it is not guaranteed to have a backwards compatible interface.
If you want to help with development, please read Community Information & Contributing, Testing Ansible and Developing Modules.


Peter Greenaway is the supreme film stylist of the 20th century. He creates tales, not stories in the conventional narrative sense, of our erotic desires and murderous impulses within the context of literature and art history. He said recently that films are more concerned with pop culture than with art. I couldn't agree more with the current schlock in cinemas nowadays. Arguably, his most profound work was the controversial "The Cook, The Thief, His Wife and Her Lover," a savagely funny tale of revenge and sex in a decadent restaurant. It was not for all tastes, but then who says art is? "The Pillow Book" is his latest film, and it is enticing, sexy and alluring though Greenaway often shies away from his basic premise.
"The Pillow Book" stars Vivian Wu as Nagiko, a flamboyant fashion model who is obsessed with calligraphy. Her first husband had no interest in her obsession and, as a result, their house was burnt down.  Her obsession emanates from her childhood when her father painted words on her face. Her latest lover is a bisexual translator, Jerome (Ewan McGregor from "Trainspotting"), and she insists that he write all over her body. If man can make perfect love to her, then he also must be able to write perfect letters.
Peter Greenaway's gift as a director is his visual flamboyance - an ability to layer several images together to convey the erotic feeling of where mind and body integrate. He beautifully executes scenes of passion from the lovingly choreographed close-up shots of men painting on Nagiko's skin to lighting effects of Chinese symbols flashing and dissolving on the walls - the effect is grandiose yet thrilling. The technique of rectangular frames subdividing the screen and changing from black-and-white to color is marvelous to behold - this style of editing originated in Greenaway's "Prospero's Books." No other director can match the love and care that he puts into every shot of his films (except for Scorsese and Lynch). In the end, though, it is really more about Greenaway's own obsession of literature and art than it is about Nagiko's personal odyssey.
"The Pillow Book" becomes somewhat melodramatic in the last half when it erroneously stays away from the character of Nagiko.  After Jerome begins to get involved with this character, a spooky and, literally, revealing thing happens to Jerome's skin. But instead of focusing on Nagiko's obsessive behavior, the movie opts for elements that negate the first half of the film - the sexual connection of flesh and writing. The revenge plot is typical of Greenaway but here, he loses the themes he explored beforehand and so the film becomes distracting and laborious. There are several scenes of naked bodies covered in writing confronting the evil homosexual, but they become repetitious and meaningless. However, when Nagiko plans to keep her lover, the idea of flesh and text is restored.
"The Pillow Book" is better seen than described. It is purely a filmic exercise in exploring themes rather than placing them in a narrative structure or plot. Greenaway should be commended for trying to push the boundaries of film structure in an age of homogenized hogwash. Nagiko is wonderfully performed with genuine emotion by the sensual actress Vivian Wu (her lovemaking sessions with Jerome are truly sexy). If only Greenaway chose a more internal frame of mind when exploring Nagiko instead of coldly pulling her out towards the end. "The Pillow Book" is a masterpiece of filmmaking but it is not as intricate or as intimate as Greenaway's other works.
For more reviews check out JERRY AT THE MOVIES at http://buffs.moviething.com/buffs/faust/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Interface: tos.chips.rf230.Neighborhood
interface Neighborhood
Every component maintains its own neighborhood data. The Neighboorhood
component maintains only the nodeids and ages of the neighbors, and
evicts old entries from the table when necessary.
Commands
command uint8_t getAge(uint8_t index)
command uint8_t getIndex(am_addr_t id)
command am_addr_t getNode(uint8_t index)
command uint8_t insertNode(am_addr_t id)
Events
event void evicted(uint8_t index)
Commands - Details
getAge
command uint8_t getAge(uint8_t index)
getIndex
command uint8_t getIndex(am_addr_t id)
getNode
command am_addr_t getNode(uint8_t index)
insertNode
command uint8_t insertNode(am_addr_t id)
Events - Details
evicted
event void evicted(uint8_t index)


| DOSE: |
100 mg |
insufflated |
DPT |
I don't really know how to describe my experience. For one thing, describing any psychedelic experience is difficult, especially to naive people. And on the other hand, to have an 'experience,' there must be a 'self' present to have it. Paradoxically, the whole thing is rather simple.
In college a good friend of mine was deeply interested in psychedelics. When i met him i knew virtually nothing about the drugs, had never tried them, and would never even think about using them. I was naive, and like so many people, the idea of using drugs was reproachable.
It just so happened that during the week of spring break I came home and his order of DPT had come in that very day. I walked over to his apartment that evening, not thinking that i would ever try DPT that very night, but knowing that it was a possibility. His apartment was a studio, meaning very small, but well lit with soft lights and a cozy atmosphere. We discussed DPT and I read up about it in his decent collection of books. It was my decision to make and i wanted to make an informed one. Anyway, to cut to the point, after almost three hours of indecision and debate within myself, i bent down, took the rolled paper, and did my first line ever. Now you have to remember that at that point in time i had never even tried marijuana, so doing DPT was a major step and risk for me.
He had taken his 100 mg about an hour before me, and he was puking in the bathroom not long after (I was happy that i had very little in my stomache).I wiped my nose, settled down on the floor, and waited for the affects to transpire. The first thing i noticed was a change in light. No, actually, it wasn't quite a change in light, but rather, i was merely noticing the pattern of light thrown on the wall. This was about 10 minutes after insuflation. And then things started happening fast. I looked up, and the rectangular pattern carved in the door started popping in and out, which startled me. The field at the sides of my vision became blurry. My whole vision started to move and pulsate and do all kinds of things that i had only read about. I wasn't vomiting and had no other adverse affects, but quite frankly i was freaked out.
I sat there against the wall, wanting everything to stop, when suddenly i got stuck in time. I thought to myself 'This is never going to stop.' And if that wasn't bad enough, I continued my errors 'If its never going to end, did it ever begin?'
I stood up, tried to calm down, and went to drink some water. So at this point I could still function properly and take care of myself; that was a good sign. Where to go from here? i thought, and the obvious answer was to lay down and relax.
After laying on the floor, things in my memory become unclear as to what happened next. What is clear to me is that there was complete annihilation of any remnants of a 'me,' an 'I' with a name and a past and fears and worries and regrets and hopes and dreams. Let me also make it clear that this happened swiftly and without struggle. In one moment that 'I' was cleared out and swept away, with no shred of self left. There was no fear of dying or 'losing oneself', because in order for there to be fear, there must that me or I. Therefore, how do i call this an 'experience'?
I was no more: dead, gone, out to lunch. And I was replaced with (and this is the thing that is not very clear at all, and impossible to describe) pure energy. There was simply energy, and nothing more. I circumnavigated the earth countless times. Well, i was the world, and it was me. After peaking (about an hour and a half after insuflation) i do remember sort of 'popping up' into my body to make sure that it was not in trouble. I wear hard contact lenses, and i'm always concerned about losing them, so i never really lost contact with my body or awareness of my body's needs during the whole time. I was not unconscious.
Slowly, perceptibly, i floated back down, passed through a nice period of warm bliss, and came back into my normal, baseline state of being. And as i did, i watched my old ways and mental habits fall back into place, as i knew and expected they would. I was truly reborn into the world, and for awhile at least the environment around me was new, fascinating, almost surreal. From beginning to end, about three to four hours passed.
The next day i doubted whether or not what happened was real, or whether or not it was a true glimpse into Reality. My doubts were shattered when two weeks later i had the same 'experience,' although i didnt panic in the beginning. The second trip was nearly identical, except for the beginning and end. I ended the second DPT experience with an excursion to a club, but thats another story for another time.
What were the after affects?  I can tell you that i never felt cleaner in my entire life. A thousand baths couldnt have made me feel cleaner. For the next week i was able to appreciate the birds and the trees and the bright blue sky on a higher scale than i ever knew. That experience affects me to this day, and not many days go by that i don't think about it. I have told few people, and very few would understand.
What do i think of it all now? A door was opened. A door was closed. I know that it will be opened again.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


module Secp256k1::Util
Overview
A collection of utilities for Secp256k1
key management, e.g., private key
generation, public key conversions, key formatting, or hex padding.
Defined in:
util.crClass Method Summary
-
.decode_compressed_public_key(pub : String, prime = EC_PRIME_P)
Decodes a public key as
ECPoint
from a compressed public key string. -
.new_private_key
A helper function to generate 32 pseudo-random bytes within the elliptic curve field size of
EC_ORDER_N
. -
.public_key_compressed_prefix(p : ECPoint)
Exports the compressed public key from an
ECPoint
with either the prefix"02"
or"03"
. -
.public_key_from_private(priv : BigInt)
Gets a public key from a private key.
-
.public_key_uncompressed(p : ECPoint)
Exports the uncompressed public key from an
ECPoint
without prefix. -
.public_key_uncompressed_prefix(p : ECPoint)
Exports the uncompressed public key from an
ECPoint
with prefix"04"
. -
.restore_public_key(pub : String, prime = EC_PRIME_P)
Detects public key type and tries to restore the
ECPoint
from it. -
.to_padded_hex_01(i : Int32)
A generic utility to encode single hex bytes as strings, e.g., "07"
-
.to_padded_hex_32(i : BigInt)
An utility tool to ensure hex keys are always 32 bytes; it pads the number with leading zeros if it's shorter.
Class Method Detail
Decodes a public key as ECPoint
from a compressed public key string.
If unsure, .restore_public_key
should be used.
Parameters:
pub
(String
): the public key in prefixed compressed format.prime
(BigInt
): the prime number that shapes the field, default:EC_PRIME_P
.
Secp256k1::Util.decode_compressed_public_key "03d885aed4bcaf3a8c95a57e3be08caa1bd6a060a68b9795c03129073597fcb19a"
Returns an ECPoint
containing the public key.
Raises if compressed public key is malformed or comes with invalid prefix.
A helper function to generate 32 pseudo-random bytes within the elliptic
curve field size of EC_ORDER_N
.
Secp256k1::Util.new_private_key
# => "b795cd2c5ce0cc632ca1f65e921b9c751b363e97fcaeec81c02a85b763448268"
Exports the compressed public key from an ECPoint
with either the
prefix "02"
or "03"
.
The prefix can be later used to recover the y
coordinate of the public key,
see .decode_compressed_public_key
. Bitcoin
uses this format
to generate shorter addresses as compared to using uncompressed keys.
Parameters:
p
(ECPoint
): the public key point which shall be compressed.
Secp256k1::Util.public_key_compressed_prefix my_public_key
# => "03d885aed4bcaf3a8c95a57e3be08caa1bd6a060a68b9795c03129073597fcb19a"
Gets a public key from a private key.
This is basically a wrapper function to perform an elliptic curve
multiplication with the generator point g
and a provided private key priv
.
Parameters:
priv
(BigInt
): the private key to be used.
Secp256k1::Util.public_key_from_private BigInt.new("b795cd2c5ce0cc632ca1f65e921b9c751b363e97fcaeec81c02a85b763448268", 16)
Returns an ECPoint
containing the public key.
Exports the uncompressed public key from an ECPoint
without prefix.
Ethereum
uses this format to generate addresses. For prefixed
uncompressed public keys, see .public_key_uncompressed_prefix
.
Parameters:
p
(ECPoint
): the public key point which shall be uncompressed.
Secp256k1::Util.public_key_uncompressed my_public_key
# => "d885aed4bcaf3a8c95a57e3be08caa1bd6a060a68b9795c03129073597fcb19a67299d1cf25955e9b6425583cbc33f4ab831f5a31ef88c7167e9eb714cc758a5"
Exports the uncompressed public key from an ECPoint
with prefix "04"
.
Bitcoin
uses this format to generate uncompressed addresses.
For unprefixed public keys, see .public_key_uncompressed
.
Parameters:
p
(ECPoint
): the public key point which shall be uncompressed.
Secp256k1::Util.public_key_uncompressed_prefix my_public_key
# => "04d885aed4bcaf3a8c95a57e3be08caa1bd6a060a68b9795c03129073597fcb19a67299d1cf25955e9b6425583cbc33f4ab831f5a31ef88c7167e9eb714cc758a5"
Detects public key type and tries to restore the ECPoint
from it.
Parameters:
pub
(String
): the public key in any format.prime
(BigInt
): the prime number that shapes the field, default:EC_PRIME_P
.
Secp256k1::Util.restore_public_key "d885aed4bcaf3a8c95a57e3be08caa1bd6a060a68b9795c03129073597fcb19a67299d1cf25955e9b6425583cbc33f4ab831f5a31ef88c7167e9eb714cc758a5"
Returns an ECPoint
containing the public key.
Raises if public key format is unknown.
A generic utility to encode single hex bytes as strings, e.g., "07"
Parameters:
i
(Int32
): the integer to be formatted as padded hex byte.
Secp256k1::Util.to_padded_hex_01 7
# => "07"
An utility tool to ensure hex keys are always 32 bytes; it pads the number with leading zeros if it's shorter.
Parameters:
i
(BigInt
): the integer to be formatted as padded hex byte string.
Secp256k1::Util.to_padded_hex_32 BigInt.new 7
# => "0000000000000000000000000000000000000000000000000000000000000007"


5 February 2014 - On 3 February 2014, the National Health and Family Planning Commission (NHFPC) of China notified WHO of four additional laboratory-confirmed cases of human infection with avian influenza A(H7N9) virus, including one death.
Two of the cases are male. The age range is 2 to 76 years old. Cases were reported from Guangdong (2), Hunan (1) and Fujian (1). One case is currently in a serious condition, one is in a critical condition, one is in a mild condition. All cases are reported to have had a history of exposure to poultry or a live poultry market.
So far, there is no evidence of sustained human-to-human transmission.
The Chinese Government continues to take the following surveillance and control measures:
While the recent report of avian influenza A(H7N9) virus being detected in live poultry imported from the mainland to Hong Kong SAR, shows the potential for the virus to spread through live poultry, at this time there is no indication that international spread of avian influenza A(H7N9) has occurred through humans or animals.
Further sporadic human cases of A(H7N9) infection are expected in affected and possibly neighbouring areas, especially given expected increases in the trade and transport of poultry associated with the Lunar New Year.
WHO advises that travellers to countries with known outbreaks of avian influenza should avoid poultry farms, or contact with animals in live bird markets, or entering areas where poultry may be slaughtered, or contact with any surfaces that appear to be contaminated with faeces from poultry or other animals. Travellers should also wash their hands often with soap and water. Travellers should follow good food safety and good food hygiene practices.
WHO does not advise special screening at points of entry with regard to this event, nor does it currently recommend any travel or trade restrictions.
As always, a diagnosis of infection with an avian influenza virus should be considered in individuals who develop severe acute respiratory symptoms while travelling or soon after returning from an area where avian influenza is a concern.
WHO encourages countries to continue strengthening influenza surveillance, including surveillance for severe acute respiratory infections (SARI) and to carefully review any unusual patterns, in order to ensure reporting of human infections under the IHR (2005), and continue national health preparedness actions.


| Class | Description |
|---|---|
| AbstractController | |
| AbstractTwitterController | |
| AddArticleMenuController |
Controller of the AddArticleView, will only open the right view
|
| AddController |
Class responsible for adding articles
|
| AddFromMapController |
AbstractController of the Add View
|
| AddFromWebSiteController |
AbstractController of the Add View
|
| ArticlePreviewController |
Article Preview controller
|
| ArticleViewController |
Article View controller
|
| ChooseArticleController | |
| DependencyInjector | |
| FacebookController | |
| FacebookDataController |
Controller for FacebookData
|
| FeedController |
AbstractController of the ArticleService View
|
| HelpViewController |
Help controller
|
| LoginController |
AbstractController of the Login
|
| MediaViewController | |
| MenuController |
AbstractController of Menu View
|
| RegisterController |
AbstractController of the Register
|
| RootController |
controller that handle the root element in the UI element tree
|
| Route |
Contain information about the navigation from view to view
|
| Router |
Router
transition between views
|
| SocialNetworkViewController |
Facebook & Twitter login view
|
| TopPaneViewController |
TopPaneView controller
extends AbstractController
|
| TwitterAuthController |
TwitterAuthController
|
| TwitterController | |
| UserController |
User controller
|
| Enum | Description |
|---|---|
| AddController.WebsiteCategory |
Enum of different of website urls
|
| AddController.WebsiteSource |
Enum of different of website urls
|
| Router.Views |
Enum of different views
|


Workspaces
Create your first workspace to autosave the open tabs.
Create Workspace
Workspaces
...
New
Edit Workspace
Name
Color
Workspace
Create in this window
Remove
Done
Remove Workspace
Do you really want to remove
workspace?
Cancel
Remove
Debug Screen
Run Tests
Clear Data


Go back to plugin page and documentation
ArtZoom Demostration
Simple image zoom (autodetect colorbox)
Colorbox integration off, custom width
Gallery


Route 1: For Participants who arrive by Train to Egmore Station
Route 2: For Participants who arrive by Train to Central Station
Route 3: For Participants who arrive by bus
SSN Buses can also be used by participants during the three days of the event. Information about these bus routes will be available soon.
Please Note that MTC buses will not be available after 11 pm.
SSN college of Engineering.
Designed and Developed by Instincts Tech Team
2018 © All rights reserved.


Games
Bad- eggs
Run2
Happywheels-Hacked
DuckLife3
DuckLife4
Tetris
DoodleJump
ImpossibleQuiz
ImpossibleQuiz2
Papa's Sushiria
Papa's Cheeseria
Papa's Burgeria
Shell Shock
Bloons tower defense
GiveUp
HappyWheels
2048 Game
Raze2
Papa's Taco mia
Enigmata 2
Emulator
Plasma Burst 2


--- date: 2016-06-27 tags: - theano - nerual author: jamworld layout: post title: What is Theano excerpt: Discuss some of my thoughts on what is theano categories: - study ---
Theano is an python library for tensor computation.
Easy to write and high performance.
Two kinds of nodes
In theano we organize the graph as
In order to keep the data consistent for the low level implementation there is an type system for the theano library.
By cloning the graph we can build new graph from existing graph.
In order to implement the back propagation method. We need the reverse operator (R-Op)
With chain rule, we can make differentiation in a recursion form.
The gradient of scan is implemented as another scan operation, which iterates over reversed sequences, computing the same gradient as if the loop had been unrolled, implementing what is known as back-propagation through time.Similarly, the R operator is also a scan operation that goes through the loop in the same order as the original scan.
In the sense of the computation graph to the high performance executable code. The reason we need something like theano and spark is that it is too difficult for us humans to understand the complex machine code for the complex computation. So as what we have done the mathematics we what more abstraction. So the direction we towards is just more and more high level abstraction. What we want is just high recursion. We what something that can auto-execute the instruction once we describe the base situation and the induction step.


{% include "includes/HeaderNavbar.html" %}
{% include "includes/HeroSection.html" %}
{% include "includes/AboutUsSection.html" %}
{% include "includes/video.html" %}
{% include "includes/ServicesSection.html" %}
{% include "includes/PricingSection.html" %}
{% include "includes/TeamSection.html" %}
{% include "includes/ContactSection.html" %}
{% include "includes/Footer.html" %}
{% include "includes/LoginRegister.html" %}
{% if HaveToLogin==True %}
{% else %}
{% endif %}
{% if PostFail==True %}
{% else %}
{% endif %}
{% if Resetfail==True %}
{% else %}
{% endif %}


Boston Muffler Brake & Automotive is a local, independent, full service repair shop offering friendly, professional, expert work on all makes of cars, suv's and light trucks. We have been in business in Waltham since 1959 and are committed to establishing a long trusting relationship with our customers. Our goal is to become your regular mechanic. We believe by getting to know our customers and their vehicles we can help to maximize the life and reliability of your investment and very importantly help you to decide when it is time for a new vehicle.We specialize in factory recommended mileage services / scheduled mainte- nance as well as a complete range of repair services on all vehicles. Body and collision work performed as well. Providing our customers an affordable alternative to the dealer for the life of the vehicle. All of our mechanics are ASE certified and carefully chosen for their knowledge, experience, and commitment to excellent work.
Boston Muffler Brake & Automotive is a local, independent, full service repair shop offering friendly, professional, expert work on all makes of cars, suv's and light trucks. We have been in business in Waltham since 1959 and are committed to establishing a long trusting relationship with our customers.
Boston Muffler Brake & Automotive is a local, independent, full service repair shop offering friendly, professional, expert work on all makes of cars, suv's and light trucks. We have been in business in Waltham since 1959 and are committed to establishing a long trusting relationship with our customers.


Early Yahoo investor joins Oyo board
by TNNHighlights
- Atkins is known for her early investments in Yahoo and eBay via Baja
- She also sits on the board of Volvo Cars and Wynn Resorts
BENGALURU: SoftBank-backed Oyo Hotels and Homes said it has appointed Betsy Atkins, CEO and founder of Baja Corporation, as an independent director on the company’s board. Atkins is known for her early investments in Yahoo and eBay via Baja. She also sits on the board of Volvo Cars and Wynn Resorts. She will play a supervisory role and provide guidance on key business areas including corporate governance, driving tech-enabled efficiencies in business operations.
Oyo’s current board members include Goldman Sachs vice-chairman Mark Schwartz, SoftBank Vision Fund managing partner Munish Varma, Lightspeed India partner Bejul Somaia and Sequoia Capital India MD Mohit Bhatnagar.
“Betsy brings tremendous operating and governance experience that will help us continue our mission to help middle-income people gain access to quality accommodations at different price points,” said Ritesh Agarwal, founder and group CEO, Oyo Hotels & Homes.


Bulworth (1999) * * * *
A movie review by Serdar Yegulalp Copyright 2000 by Serdar Yegulalp
After seeing "Bulworth", I remarked to a friend that a movie like this, in today's political climate, was probably inevitable. At some point we were almost guaranteed a satire about a machine politician who snaps and does a Putney Swope on his constituents. Well, we got it -- and it's to Warren Beatty's credit that he managed to pull it off as well as he did. It is easily one of the best movies this country has produced in years.
Beatty stars (in a movie he directed, produced and wrote as well) as the titular character, a California senator who has reached total burnout.  He can't bring himself to mouth the same phoney glad-handling junk any more. Worse, he's lost tons of money in the stock market, and so has decided to set up a contract on his life and have himself killed.
The threat of death for some people is liberating, however, and Bulworth finds that he no longer feels pressured to tailor himself to his public. He shows up at an inner-city church, and when asked by one of the members of the congregation why he hasn't done anything for the black community, he responds in the only sane way left to him: "Well, that's easy: it's because you haven't contributed any money to my campaign." The audience roars derisively; Bulworth giggles. For the first time in his life he feels like he's done something right.
That's when the film cuts completely loose. Bulworth winds up getting tangled up with a crew of giggly [black] women, gets loaded in a rap club, and shows up at his next public speech disheveled and unwashed. Rather than hide or stall, he seizes the stage and delivers an impromptu rap song about how the government does a better job of providing medical coverage than the big corporations do, but we're propagandized into believing it's not true: "Say the magic word: SOCIALISM!" he bellows into the mike. He's transformed into DJ Bulworth, bringing a whacked-out mixture of social commentary and insider know-how into the public eye.
This is very funny, of course, but it's also shocking how confrontatory and genuinely uncomfortable it is, too. In a period where movies are doing just about anything to get our attention and shock us, it's sort of refreshing to see a movie that does this through social issues instead of bodily functions. "Bulworth" covers an amazing amount of ground for a two-hour movie: there's material on inner-city blight and the way constitutents are chosen and the politics of campaigning and TV and truth-as-a-commodity and much more.
Maybe too much more. The movie's biggest asset is also its biggest liability: there's just too much material here to cover effectively in a two-hour movie, and it's held together with a plot that is too obviously a plot. And there's an ending which feels unsatisfactory and hurried. It's not a perfect film, but on the other hand, what film that works like this, in so risk-taking a fashion, could be? "Bulworth" is not about its plot but about its insights and discoveries, and in that sense is indispensible. It's daring and invigorative. And it also made me laugh louder and longer than almost any other film in recent memory.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Games are a fun way to relax with friends on nights and weekends. Especially with pizza!
Image by Júlio Reis (User:Tintazul) - Original File, CC BY-SA 2.5, https://commons.wikimedia.org/w/index.php?curid=306300


Preparation time
1-2 hours
Cooking time
30 mins to 1 hour
Serves
Serves 4
Dietary
For the ice cream, place the egg yolks and sugar in a bowl and whisk together until combined.
Place the milk and lavender into a pan and bring to the boil.
Pour the boiling milk onto the egg yolks and whisk well, then pour back into the pan and return to the heat.
Add the cream and continue to cook until the mixture has thickened, but do not allow to boil.
Place the white chocolate into a large heatproof bowl. Pour three quarters of the lavender custard mixture through a sieve onto the white chocolate and stir well. Allow the mixture to cool, then place into an ice cream machine to churn to ice cream.
Place the remaining quarter of the custard into a clean bowl and transfer to the fridge to chill.
For the fondant, preheat the oven to 180C/355F/Gas 4.
Grate 40g/1½oz of the dark chocolate into a bowl and set aside.
Melt half of the butter and brush liberally around the inside of four ramekins. Dust the ramekins well with the grated chocolate, shaking out any excess, then place onto a baking sheet and set aside.
Place the remaining chocolate, including any shaken out excess, and the remaining butter into a heatproof bowl and place over a pan of barely simmering water to melt.
Add the ground almonds, egg yolks and cornflour to the melted chocolate and stir well.
In a separate bowl, whisk the egg whites until stiff peaks form when the whisk is removed.
Gradually add the caster sugar, whisking constantly.
Gently fold the egg white mixture into the melted chocolate mixture, taking care to retain volume in the whites.
Spoon half the chocolate and egg mixture into the base of each prepared ramekin. Place a chocolate truffle on top, then fill each ramekin with the remaining mixture.
Smooth the tops of the fondants with a palette knife, then transfer to the oven to bake for 10-15 minutes, until risen (the surface should be slightly wobbly), then remove from the oven and serve immediately.
To serve, strain the reserved, chilled custard mixture and place a spoonful onto the centre of each of four plates. Turn out the chocolate fondants and place into the centre of the sauce. Dust the top of the fondant with the cocoa powder and place a spoonful of lavender ice cream alongside.


Across: 8. Mount and saunter away after royal gesture for start of 9,22 (4 4 4-3) 9,22. Action taken against the unjust odds as gout reigned: I join satyr, pickled (8 6) 10. He would write of rearing farm animals, or spring (6) 11. Dogma of pogroms I carefully show as backward (6) 13. Locals' medicines hit, with some Iodine taken (8) 15. see 25dn 17. Most optimistic of fantasy stories (7) 19. Many many small ones put in large places like these (8) 20. Deal would be sweet at the end of the day (6) 22. see 9 24. Argentinian doctor that's mad about cutting devices (8) 26. Leader of 8 will evince dismantling a plagiarist via regular sampling (7 8) Down: 1. Seen in other culture having no word for "Cadillac" (unavoidably) (6) 2. Despite losing a round, Isle of Man is performing in key games (10) 3. Nice sort (4) 4. Purported medical crisis (7) 5. PM who brought important referendum and rebuilt toll road along with two hospitals (6 4) 6. Bias of South Melbourne suburb (4) 7. Cliff sat out troubles (8) 12. SS removing Reformation rules to ill effect (10) 14. Miss do at plant (10) 16. Claim one's held by fellow with dark skin (8) 18. Blacktop snakestop? (7) 21. Coaches turned to rust (6) 23. Make little progress in main challenge (4) 25,15ac. Network met, backing low-pitched campaign pitched at Australian parliament (4 7)


Free to explore your data any way you need - not limited by the number of basic plots (cf. Excel)
Free to present your data any way you want
Free to use any style, color and form
Free to combine or overlay any plot with any other plot
Plots created using code remain reproducible
The same code works a week, a month, a year, and likely a decade later
Easy to retain uniform style throughout your paper/thesis/book/career
No more clicking through endless menus and buttons
Time is money!
But but I'm not a programmer!
R is free and widely used
Easy to learn
Massively extendable with packages
(e.g. to make slides like these)
RStudio makes R convenient to use
Very good for stats & data science.
Enough talk. Let's make some plots.
Use a spacebar or arrow keys to navigate


Status Bar
Previous
Top
Next
The status bar is shown at the bottom of the Ameol main window. It displays a number of bits of information about Ameol such as the number or unread messages, the status of an import and the current time.


Go/ links (powered by Trotto)
By signing in, you agree to Trotto's
Terms of Service
and
Privacy Policy
.
or
Get sign in link
By signing in, you agree to Trotto's
Terms of Service
and
Privacy Policy
.


It is time once again for this popular contest, open to all readers, their families and friends. With just a week to go until Pansy Cradledew Day, the panel of judges decided to set her as the topic—or, to be more precise “a poem in praise of Pansy Cradledew written in the style of Andrew Motion”. Now there's a challenge for poetasters and versifiers! Sharpen your pencils, set to work, and send in entries by Thursday 25th March, for publication on the great day itself. See 18th December and 17th March for examples of the Poet Laureate's doggerel, and refer to What Is Hooting Yard? for some pointers to Pansy's estimable character. The winner will be sent an original Gervase Beerpint manuscript, in pink ink on blotting paper—really!
The “Atlas Shrugged” Poetry Competition is sponsored by the Gubbins-Dobson Foundation For Global Shenanigans, innit


My name is Julia and I'll be your guide on this journey.
http://tiy-durham-june2014-frontend.github.io/class-website/
"You never conquer a mountain. Mountains can't be conquered; you conquer yourself." — Jim Whittaker
"You never conquer a mountain. Mountains can't be conquered; you conquer yourself."


Current system time: loading...
| Time | GPIO | New State |
|---|
This example shows you a web-page that can be used to control GPIOs 25, 26, 27, 32 and 33 to be turned on or off at a given time.
For simplicity, we use the system uptime here, which you can see at the top of the page.
The page uses the REST API provided at /api to commuicate with the ESP32.
GET /api/uptime returns the current system uptime:
{"uptime":42}
This node is polled every 10 seconds to stay synchronized.
GET /api/events returns the current list of events:
[{"gpio":27,"state":1,"time":42,"id":0}, ...]
This node is polled every 60 seconds to stay synchronized
POST /api/events can be used to add new events. The response object will contain an additional id that can be used to refer to the event.
DELETE /api/events/id will delete the event with the specified id. If events are executed (time < uptime), they are deleted as well.
The client side javascript synchronizes your view even if not explicit request is sent to the ESP32.


Basic material-button demo
Flat Button
dense default
dense raised
compact
compact raised
default with primary
raised with primary
default with accent
raised with accent
Disable Ripple
No Ripple
Disabled
Flat Button
dense default
dense raised
compact
compact raised
default with primary
raised with primary
default with accent
raised with accent
Dark
Flat Button
dense default
dense raised
compact
compact raised
default with primary
raised with primary
default with accent
raised with accent
Dark Disabled
Flat Button
dense default
dense raised
compact
compact raised
default with primary
raised with primary
default with accent
raised with accent


An empty list (all boot samples will be added later).
del benchmark_spec
return []
def Cleanup(unused_benchmark_spec):
pass
Returns:
An empty list (all boot samples will be added later).
samples = []
if FLAGS.cluster_boot_time_reboot:
samples.extend(_MeasureReboot(benchmark_spec.vms))
return samples
def Cleanup(unused_benchmark_spec):
pass


Please fill in a valid value for all required fields
Please ensure all values are in a proper format.
Are you sure you want to leave this form and resume later?
Are you sure you want to leave this form and resume later? If so, please enter a password below to securely save your form.
Save and Resume Later
Save and get link
You must upload one of the following file types for the selected field:
There was an error displaying the form. Please copy and paste the embed code again.
Apply Discount
You saved
with code
Submit
Submitting
Validating
There was an error initializing the payment processor on this form. Please contact the form owner to correct this issue.
Please check the field:
Name
*
First Name
*
Last Name
*
Email
*
Student ID#
Major or Field of Interest
Please tell us what your advising needs are:
Previous
←
Next
→
Form secured by
Formstack
Enter your save and resume password
Cancel
Confirm
University of Houston-Downtown's
Privacy Policy
.


Ksh.100 per topping
Choose delivery method
Name:
Toppings:
Size:
Crust:
Total cost:
Pizza Quantity Cost:


Try out our Premium Member services: Virtual Legal Assistant, Query Alert Service and an ad-free experience. Free for one month and pay only if you like it.
IN THE HIGH COURT OF JUDICATURE AT PATNA Criminal Miscellaneous No.43872 of 2018 Arising Out of PS.Case No. -116 Year- 2018 Thana -BARUN District- AURANGABAD ====================================================== 1. Anil Kumar 2. Binod Kumar @ Binod Kumar Singh Both S/o Late Siya Ram Singh R/o Village - Pali, P.S. - Dehri, District - Rohtas. .... .... Petitioner/s Versus 1. The State of Bihar, through the Principal Secretary Cum Commissioner Department of Mines and Geology Government of Bihar, Patna. .... .... Opposite Party/s ====================================================== Appearance : For the Petitioner/s : Mr. Ravindra Kumar For the Opposite Party/s : Mr. Naresh Dikshit ====================================================== CORAM: HONOURABLE MR. JUSTICE VINOD KUMAR SINHA ORAL ORDER
2 20-07-2018 Heard the parties.
The petitioners are apprehending their arrest in connection with Barun P.S. Case No. 116 of 2018, registered for the offences punishable under Sections 379, 411 and 420/34 of the Indian Penal Code and Section 4/40 of Bihar Mines and Minerals concession Rules, 1972 and Section 15 Prevention of Pollution Act, 1986.
Allegation is that the accused persons including the petitioners were carrying sand loaded on the tractor without proper challan and seeing the police party they fled away.
Submission on behalf of the learned counsel for the petitioners is that having proper challan they could not produce challan at the time when the tractors were intercepted. The petitioners have got no criminal antecedent. Patna High Court Cr.M isc. No.43872 of 2018 (2) dt.20-07-2018 2/2
Heard learned A.P.P. also.
Having heard both sides and in view of the facts and circumstances of the case, as stated above, let the petitioners, above named, in the event of their arrest or surrender before the court below within a period of six weeks from today, be released on bail on furnishing bail bonds of Rs.25,000/- (Rupees twenty five thousand) each with two sureties of the like amount each to the satisfaction of the learned Chief Judicial Magistrate, Aurangabad, in Barun P.S. Case No.116 of 2018, subject to conditions as laid down under section 438 (2) of the Code of Criminal Procedure and further conditions are that one of the bailors shall be a local person having sufficient immoveable properties within the jurisdiction of court concerned and further condition is that he has to co-operate in the investigation of the case and make himself available as and when required by the police, otherwise the prosecution is free to move for cancellation of his bail bond.
With the aforesaid observation, this application is allowed.
(Vinod Kumar Sinha, J) AnilKrSinha/-
U


|
Quick Links: |
Provide a builder for MessageEvent
objects.
More...
Namespaces | |
| namespace | bmqa |
| namespace | bmqp |
MessageEvent
objects. | bmqa::MessageEventBuilder | a builder for MessageEvent . |
bmqa::MessageEventBuilder
, that can be used for creating message events containing one or multiple messages. The resulting MessageEvent can be sent to the BlazingMQ broker using the bmqa::Session
(refer to bmqa_session
for details). MessageEvent
under construction, and provides methods to return a reference to the current message (in order to set its various members), as well as to append a new message. Once the application is done, the builder provides a method to get the message event that has been constructed. See Usage
section for more details. packMessage
can be called multiple times in a row with different queue IDs. The builder will append the previously packed message with the new queue ID to the underlying message event. Note that after calling packMessage
, the message keeps all the attributes (payload, properties, etc) that were previously set (except for the correlationId
which must be set explicitly for each individual message). If desired, any attribute can be tweaked before being packing the message again. Refer to usage example #2 for an illustration. // Note that error handling is omitted below for the sake of brevity bmqa::Session session; // Session start up logic omitted for brevity. // Obtain a valid instance of message properties. bmqt::MessageProperties properties; session.loadMessageProperties(&properties); // Set common properties that will be applicable to all messages sent by // this application. int rc = properties.setPropertyAsChar( "encoding", static_cast<char>(MyEncodingEnum::e_BER)); rc = properties.setPropertyAsString("producerId", "MyUniqueId"); // Obtain a valid instance of message event builder. bmqa::MessageEventBuilder builder; session.loadMessageEventBuilder(&builder); // Create and post a message event containing 1 message. Associate // properties with this message. bmqa::Message& msg = builder.startMessage(); msg.setCorrelationId(myCorrelationId); // Set payload (where 'myPayload' is of type 'bdlbb::Blob') msg.setDataRef(&myPayload); // Set current timestamp as one of the properties. rc = properties.setPropertyAsInt64( "timestamp", bdlt::EpochUtil::convertToTimeT64(bdlt::CurrentTime::now())); // Set properties. msg.setPropertiesRef(&properties); // Pack the message. rc = builder.packMessage(myQueueId); // Post message event rc = session.post(builder.messageEvent()); // Create and post another message event containing 1 message. // bmqa::MessageEventBuilder must be reset before reuse. builder.reset(); // Start a new message. bmqa::Message& msg = builder.startMessage(); msg.setCorrelationId(myAnotherCorrelationId); msg.setDataRef(&myAnotherPayload); // It's okay (and recommended) to use same properties instance. rc = properties.setPropertyAsInt64( "timestamp", bdlt::EpochUtil::convertToTimeT64(bdlt::CurrentTime::now())); msg.setPropertiesRef(&properties); rc = builder.packMessage(myAnotherQueueId); // Post second message event rc = session.post(builder.messageEvent()); // Reset the builder to free resources earlier. builder.reset();
// Note that error handling is omitted below for the sake of brevity bmqa::Session session; // Session start up logic omitted for brevity. // Obtain a valid instance of message properties. bmqt::MessageProperties properties; session.loadMessageProperties(&properties); // Set common properties that will be applicable to all messages sent by // this application. int rc = properties.setPropertyAsChar( "encoding", static_cast<char>(MyEncodingEnum::e_BER)); rc = properties.setPropertyAsString("producerId", "MyUniqueId"); // Obtain a valid instance of message event builder. bmqa::MessageEventBuilder builder; session.loadMessageEventBuilder(&builder); // Create and post a message event containing 4 messages. bmqa::Message& msg = builder.startMessage(); // Pack message #1 msg.setCorrelationId(correlationId1); msg.setDataRef(&payload1); // where 'payload1' is of type 'bdlbb::Blob' // Set current timestamp as one of the properties. int rc = properties.setPropertyAsInt64( "timestamp", bdlt::EpochUtil::convertToTimeT64(bdlt::CurrentTime::now())); // Pack the message. rc = builder.packMessage(queueId1); // Pack message #2 // We want to send message #1 to another queue. In order to do so, we // just update the correlation ID of message #1. There is no need to set // the payload or properties again. Because 'payload1' and 'properties' // objects are being reused for the second message, they should not be // destroyed before packing the second message. msg.setCorrelationId(correlationId2); // Also note that the "timestamp" property for the second message will be // updated for this message. There is no need to invoke // 'setPropertiesRef' on the message though. rc = properties.setPropertyAsInt64( "timestamp", bdlt::EpochUtil::convertToTimeT64(bdlt::CurrentTime::now())); rc = builder.packMessage(queueId2); // 'payload1' can be safely destroyed at this point if it will not be // reused again for another message. // Pack message #3 // Message #3 has a different payload, no properties and destined to // 'queueId1'. msg.setCorrelationId(correlationId3); msg.setDataRef(&payload2); // where 'payload2' is of type 'bdlbb::Blob' // We need to explicitly clear out the associated properties. msg.clearProperties(); rc = builder.packMessage(queueId1); // Pack message #4 // Message #4 has different payload and destined to 'queueId3'. msg.setCorrelationId(correlationId4); msg.setDataRef(&payload3); // where 'payload3' is of type 'bdlbb::Blob' // Update "timestamp" property. rc = properties.setPropertyAsInt64( "timestamp", bdlt::EpochUtil::convertToTimeT64(bdlt::CurrentTime::now())); // Need to associate properties with the message, since they were cleared // out while packing message #3 above. msg.setPropertiesRef(&properties); rc = builder.packMessage(queueId3); // Post second message event rc = session.post(builder.messageEvent()); // Reset the builder to free resources earlier. builder.reset();


--- layout: post status: publish published: true title: "为 发现号 祈祷" author: Leask author_login: leask author_email<EMAIL_ADDRESS>author_url: https://leaskh.com wordpress_id: 713 wordpress_url: http://leaskh.wordpress.com/2005/08/03/%e4%b8%ba-%e5%8f%91%e7%8e%b0%e5%8f%b7-%e7%a5%88%e7%a5%b7 date: '2005-08-03 08:38:46 +0800' date_gmt: '2005-08-03 08:38:46 +0800' categories: - Life tags: [] comments: - id: 85 author: "啦啦" author_email: '' author_url: '' date: '2005-08-03 21:03:08 +0800' date_gmt: '2005-08-03 21:03:08 +0800' content: "偶也祈祷。。" ---


Hello everyone,
I'm trying to optimize a qmmm system.
Actually, what I really want to do is to calculate the Free energy of the system.
I saw the documentation page and found that I need .top / .rst / .xyzi / .esp files.
I think I can make .top and .rst file from prepare task, and .xyzi file by manual change of .xyz file.
I also found that .esp file can be obtained by optimization task or esp task.
At first I tried to do esp task but found a error. (I also want to ask about this error later...)
So now I'm trying to do optimize task.
When I run the NWCHEM, the calculation starts and the output file shows no error message.
The problem is that the calculation does not end.
When I open the output file (I'm using openmpi and able to open the .out file during calculation),
I see that the output file remains at certain script line and do not proceed anymore.
Now I'm waiting more than one hour.
I'm not sure whether NWCHEM need more time to proceed or not.
However the energy calculation in my task finished within 100sec. So I guess there is some error.
Here is the description about my system, the input file, and the last output script line
[System] I set solvation box and there is a amino-acid(tyrosine?) at the center.
[Input file]
start tyr
permanent_dir ./perm
scratch_dir ./scratch
md
system tyr_optimization
end
basis
* library "6-31G"
end
dft
xc b3lyp
iterations 500
convergence energy 1e-4
end
qmmm
region qm solvent
maxiter 100 1000
ncycles 5
density espfit
xyz xyz_tyr
end
task qmmm dft optimize
[Tail part of .out file]
NWChem DFT Gradient Module
--------------------------
charge = 0.00
wavefunction = closed shell
DFT ENERGY GRADIENTS
atom coordinates gradient
x y z x y z
1 C 1.020943 0.501344 -16.556675 0.027611 0.049265 0.023862
2 C 1.773129 -1.571252 -18.366403 0.025040 0.042327 -0.018517
3 C 0.631624 1.664066 -12.032204 -0.069200 0.003572 -0.033601
4 C -1.865233 1.828028 -11.172846 -0.008663 0.012754 0.010223
5 C -2.562252 3.750972 -9.495472 0.002641 -0.006136 -0.001670
6 C -0.764556 5.511519 -8.677121 -0.007786 0.014917 0.011669
7 C 1.732301 5.347557 -9.536479 0.002912 0.006850 0.009406
8 C 2.429895 3.423401 -11.215184 -0.000962 -0.008045 -0.005092
9 O -1.447872 7.392487 -7.036097 0.016169 -0.010029 -0.005915
10 N -1.693860 1.171657 -16.968381 0.012055 -0.009052 0.010000
11 C 0.000000 0.000000 22.490492 -0.005057 -0.003997 0.000969
12 O 3.471800 -1.216304 -19.884409 -0.068289 -0.054912 0.043898
13 O 0.639003 -3.686918 -18.306816 0.059139 0.027121 -0.019370
14 H -3.252258 0.469040 -11.803776 0.005123 0.006214 -0.003917
15 H -4.488996 3.877038 -8.832874 0.000656 -0.000740 -0.000128
16 H 3.119014 6.703927 -8.905982 -0.006194 -0.005727 -0.002011
17 H 4.356638 3.297336 -11.877782 -0.001450 -0.000934 -0.002433
18 H 0.213826 -2.067097 -13.511057 0.002625 -0.021090 0.047741
19 H 3.360676 -0.896246 -13.542224 0.022445 -0.034114 -0.045208
20 H 0.000000 8.447355 -6.654673 -0.003146 -0.001115 -0.006300
21 H 2.192494 2.159561 -16.886554 0.000203 -0.004876 -0.017041
22 H -1.940646 1.787807 -18.807798 0.006793 -0.005791 -0.001579
23 H -2.209890 2.593044 -15.727386 0.001415 0.004297 0.002539
24 H -2.808210 -0.405021 -16.653135 -0.011433 -0.002005 0.003300
----------------------------------------
| Time | 1-e(secs) | 2-e(secs) |
----------------------------------------
| CPU | 0.12 | 1.12 |
----------------------------------------
| WALL | 0.12 | 1.12 |
----------------------------------------
Bq nuclear interaction energy = 0.862503323818484
From the last line, calculation does not proceed anymore...
I see that even now, I mean when the calculation does not proceed anymore at above line, the NWCHEM is using memories and CPUs of computer.
(It is doing something but I can't see any progress, as like as my current state. )
Now I have no idea... Can you help me?
Thank you much in advance-
|


Hello there, awesome person!
Here's a link to GitHub.
Adobe is also awesome.
This is the Internet Archive
MuckRock is for FOIA requests


{% extends 'foundation_tenant/base.html' %} {% load staticfiles i18n compress %} {% block content %} {% compress js inline %} {% endcompress %}
{% trans 'Your document is being generated. You will receive an email with a download link once it is ready. Click the next button to go back to your dashboard, or you will be automatically taken there in 10 seconds.' %}


This example uses default values
This example uses custom colors and animates the transition
rating updated is a DOM Custom Event that fires whenever the value of the <star-rating> is updated. This event passes a JavaScript object with 2 key/value pairs to 'event.detail'.
maxValue - this is the current maxvalue attribute value at the time the event fires
value - this is the current value property/attribute value at the time the event fires
required: n/a (read-only) | expected output: integer | default value: 0
value is mapped directly to the value property & is meant to be a 'output only' attribute. This means it is internally managed by the element and should be considered 'read-only'
required: no | expected value: 2 comma separated url strings | default value: (datauri svg embed)
This attribute is 2 urls that are comma separated in a single string value. These 2 img paths get added as background-image url's in the css
required: no | expected value: integer | default value: "5"
maxvalue is the total number of stars you wish to display.
required: no | expected value: boolean | default value: none
When assigned to a value of 'true' this will add a hover handler to th element
required: no | expected value: css unit string | default value: "36px"
size defines the height & width values in css recognized units for each individual star
value type: number
use the 'ratingUpdated' event detail (see the events section) OR use the DOM (document.querySelector('star-rating').value)
the value property represents the number of stars currently selected. Value directly maps to the value attribute (see above).
this method resets the value of the <star-rating> element to 0 and triggers the ratingUpdated event.


--- layout: post title: equine show Storyboards date: '2013-08-03T09:39:00+02:00' categories: - Horses - Storyboards - Sketches picture_url: https://film-Storyboards.tumblr.com/post/57247562793/equine-show-Storyboards ---
Equine Show Storyboards.


Foster's x Tylenol
Main Navigation
Home
About
Products
Advertisements
Contact
Products
Original Beer
Foster Large
Foster Light
Limited Beer
Limited Foster Extra Strength
Limited Foster Extra Strength Large


At one door enter CLEOPATRA, CHARMION, IRAS, and ALEXAS, a Train of Egyptians: at the other ANTONY and Romans. The entrance on both sides is prepared by music; the trumpets first sounding on ANTONY’S part: then answered by timbrels, etc., on CLEOPATRA’S. CHARMION and IRAS hold a laurel wreath betwixt them. A Dance of Egyptians. After the ceremony, CLEOPATRA crowns ANTONY.
Ant. I thought how those white arms would fold me in,
And strain me close, and melt me into love;
So pleased with that sweet image, I sprung forwards,
And added all my strength to every blow.
Cleo. Come to me, come, my soldier, to my arms!
You’ve been too long away from my embraces;
But, when I have you fast, and all my own,
With broken murmurs, and with amorous sighs,
I’ll say, you were unkind, and punish you,
And mark you red with many an eager kiss.
Ant. My brighter Venus!
Cleo. O my greater Mars!
Ant. Thou join’st us well, my love!
Suppose me come from the Phlegræan plains,
Where gasping giants lay, cleft by my sword,
And mountain-tops paired off each other blow,
To bury those I slew. Receive me, goddess!
Let Cæsar spread his subtle nets; like Vulcan,
In thy embraces I would be beheld
By heaven and earth at once;
And make their envy what they meant their sport?
Let those, who took us, blush; I would love on,
With awful state, regardless of their frowns,
As their superior gods.
There’s no satiety of love in thee:
Enjoyed, thou still art new; perpetual spring
Is in thy arms; the ripened fruit but falls,
And blossoms rise to fill its empty place;
And I grow rich by giving.
Enter VENTIDIUS, and stands apart
Alex. Oh, now the danger’s past, your general comes!
He joins not in your joys, nor minds your triumphs;
But, with contracted brows, looks frowning on,
As envying your success.
Ant.
Lead to the temple: I’ll avoid his presence;
It checks too strong upon me. [Exeunt the rest.] [As ANTONY is going, VENTIDIUS pulls him by the robe.]
Vent. Emperor!
Ant. ’Tis the old argument; I pr’ythee, spare me. [Looking back.
Vent. But this one hearing, emperor.
Ant. Let go
My robe; or, by my father Hercules—
Vent. By Hercules’ father, that’s yet greater,
I bring you somewhat you would wish to know.
Ant. Thou see’st we are observed; attend me here,
And I’ll return. [Exit.]
Vent. I am waning in his favour, yet I love him;
I love this man, who runs to meet his ruin;
And sure the gods, like me, are fond of him:
His virtues lie so mingled with his crimes,
As would confound their choice to punish one,
And not reward the other.
Enter ANTONY
Ant. We can conquer,
You see, without your aid.

Five thousand Romans, with their faces upward,
Lie breathless on the plain.
Vent. ’Tis well; and he,
Who lost them, could have spared ten thousand more.
Yet if, by this advantage, you could gain
An easier peace, while Cæsar doubts the chance
Of arms—
Ant. Oh, think not on’t, Ventidius!
The boy pursues my ruin, he’ll no peace;
His malice is considerable in advantage.
Oh, he’s the coolest murderer! so staunch,
He kills, and keeps his temper.
Vent. Have you no friend
In all his army, who has power to move him?
Mæcenas, or Agrippa, might do much
Ant. They’re both too deep in Cæsar’s interests.
We’ll work it out by dint of sword, or perish.
Vent. Fain I would find some other.
Ant. Thank thy love.
Some four or five such victories as this
Will save thy further pains.
Vent. Expect no more; Cæsar is on his guard:
I know, sir, you have conquered against odds;
But still you draw supplies from one poor town,
And of Egyptians: he has all the world,
And, at his beck, nations come pouring in,
To fill the gaps you make. Pray, think again.
Ant. Why dost thou drive me from myself, to search
For foreign aids?—to hunt my memory,
And range all o’er a waste and barren place,
To find a friend? The wretched have no friends.
Yet I had one, the bravest youth of Rome,
Whom Cæsar loves beyond the love of women:
He could resolve his mind, as fire does wax,
From that hard rugged image melt him down,
And mould him in what softer form he pleased.
Vent. Him would I see; that man, of all the world;
Just such a one we want.
Ant. He love me too;
I was his soul; he lived not but in me:
We were so closed within each other’s breasts,
The rivets were not found, that joined us first.
That does not reach us yet: we were so mixt,
As meeting streams, both to ourselves were lost;
We were one mass; we could not give or take,
But from the same; for he was I, I he.
Vent. He moves as I would wish him. [Aside.
Ant. After this,
I need not tell his name;—’twas Dolabella.
Vent. He’s now in Cæsar’s camp.
Ant. No matter where,
Since he’s no longer mine. He took unkindly,
That I forbade him Cleopatra’s sight,
Because I feared he loved her: he confessed,
He had a warmth, which, for my sake, he stifled;
For ’twere impossible that two, so one,
Should not have loved the same. When he departed,
He took no leave; and that confirmed my thoughts.
Vent. It argues, that he loved you more than her,
Else he had stayed; but he perceived you jealous,
And would not grieve his friend: I know he loves you.
Ant. I should have seen him, then, ere now.
Vent. Perhaps
He has thus long been labouring for your peace.
Ant. Would he were here!
Vent. Would you believe he loved you?
I read your answer in your eyes, you would.
Not to conceal it longer, he has sent
A messenger from Cæsar’s camp, with letters.
Ant. Let him appear
Vent. I’ll bring him instantly. [Exit VENTIDIUS, and re-enters immediately withDOLABELLA.
Ant. ’Tis he himself! himself, by holy friendship! [Runs to embrace him.]
Art thou returned at last, my better half?
Come, give me all myself!
Let me not live,
If the young bridegroom, longing for his night,
Was ever half so fond.
Dola. I must be silent, for my soul is busy
About a nobler work; she’s new come home,
Like a long-absent man, and wanders o’er
Each room, a stranger to her own, to look
If all be safe.
Ant. Thou hast what’s left of me;
For I am now so sunk from what I was,
Thou find’st me at my lowest water-mark.
The rivers that ran in, and raised my fortunes,
Are all dried up, or take another course:
What I have left is from my native spring;
I’ve still a heart that swells, in scorn of fate,
And lifts me to my banks.
Dola. Still you are lord of all the world to me.
Ant. Why, then I yet am so; for thou art all.
If I had any joy when thou wert absent,
I grudged it to myself; methought I robbed
Thee of thy part. But, O my Dolabella!
Thou has beheld me other than I am.
Hast thou not seen my morning chambers filled
With sceptred slaves, who waited to salute me?
With eastern monarchs, who forgot the sun,
To worship my uprising?—menial kings
Ran coursing up and down my palace-yard,
Stood silent in my presence, watched my eyes,
And, at my least command, all started out,
Like racers to the goal.
Dola. Slaves to your fortune.
Ant. Fortune is Cæsar’s now; and what am I?
Vent. What you have made yourself; I will not flatter.
Ant. Is this friendly done?
Dola. Yes; when his end is so, I must join with him;
Indeed I must, and yet you must not chide;
Why am I else your friend?
Ant. Take heed, young man,
How thou upbraid’st my love: The queen has eyes,
And thou too hast a soul. Canst thou remember,
When, swelled with hatred, thou beheld’st her first,
As accessary to thy brother’s death?
Dola. Spare my remembrance; ’twas a guilty day,
And still the blush hangs here.
Ant. To clear herself,
For sending him no aid, she came from Egypt.
Her galley down the silver Cydnus rowed,
The tackling silk, the streamers waved with gold;
The gentle winds were lodged in purple sails:
Her nymphs, like Nereids, round her couch were placed;
Where she, another sea-born Venus, lay.
Dola. No more; I would not hear it.
Ant. Oh, you must!
She lay, and leant her cheek upon her hand,
And cast a look so languishingly sweet,
As if, secure of all beholder’s hearts,
Neglecting, she could take them: boys, like Cupids,
Stood fanning, with their painted wings, the winds,
That played about her face. But if she smiled
A darting glory seemed to blazed abroad,
That men’s desiring eyes were never wearied,
But hung upon the object: To soft flutes
The silver oars kept time; and while they played,
The hearing gave new pleasure to the sight;
And both to thought. ’Twas heaven, or somewhat more;
For she so charmed all hearts, that gazing crowds
Stood panting on the shore, and wanted breath
To give their welcome voice.
Then, Dolabella, where was then they soul?
Was not thy fury quite disarmed with wonder?
Didst thou not shrink behind me from those eyes
And whisper in my ear—Oh, tell her not
That I accused her with my brother’s death?
Dola. And should my weakness be a plea for yours?
Mine was an age when love might be excused,
When kindly warmth, and when my springing youth
Made it a debt to nature. Yours—
Vent. Speak boldly.
Yours, he would say, in your declining age,
When no more heat was left but what you forced,
When all the sap was needful for the trunk,
When it went down, then you constrained the course,
And robbed from nature, to supply desire;
In you (I would not use so harsh a word)
’Tis but plain dotage.
Ant. Ha!
Dola. ’Twas urged too home.—
But yet the loss was private, that I made;
’Twas but myself I lost: I lost no legions;
I had no world to lose, no people’s love.
Ant. This from a friend?
Dola. Yes, Antony, a true one;
A friend so tender, that each word I speak
Stabs my own heart, before it reach your ear.
Oh, judge me not less kind, because I chide!
To Cæsar I excuse you.
Ant. O ye gods!
Have I then lived to be excused to Cæsar?
Dola. As to your equal.
Ant. Well, he’s but my equal:
While I wear this he never shall be more.
Dola. I bring conditions from him.
Ant. Are they noble?
Methinks thou shouldst not bring them else; yet he
Is full of deep dissembling; knows no honour
Divided from his interest. Fate mistook him;
For nature meant him from an usurer:
He’s fit indeed to buy, not conquer kingdoms.
Vent. Then, granting this,
What power was theirs, who wrought so hard a temper
To honourable terms?
Ant. I was my Dolabella, or some god.
Dola.  That task is mine,
And, Heaven, thou know’st how pleasing. [Exit VENT.]
Dola. You’ll remember
To whom you stand obliged?
Ant. When I forget it
Be thou unkind, and that’s my greatest curse.
My queen shall thank him too,
Dola. I fear she will not.
Ant. But she shall do it: The queen, my Dolabella!
Hast thou not still some grudgings of thy fever?
Dola. I would not see her lost.
Ant. When I forsake her,
Leave me my better stars! for she has truth
Beyond her beauty. Cæsar tempted her,
At no less price than kingdoms, to betray me;
But she resisted all: and yet thou chidest me
For loving her too well. Could I do so?
Dola. Yes; there’s my reason.
Re-enter VENTIDIUS, with OCTAVIA, leading ANTONY’S two little Daughters
Ant. Where?—Octavia there! [Starting back.
Vent. What, is she poison to you?—a disease?
Look on her, view her well, and those she brings:
Are they all strangers to your eyes? has nature
No secret call, no whisper they are yours?
Dola. For shame, my lord, if not for love, receive them
With kinder yes. If you confess a man,
Meet them, embrace them, bid them welcome to you.
Your arms should open, even without your knowledge,
To clasp them in; your feet should turn to wings,
To bear you to them; and your eyes dart out
And aim a kiss, ere you could reach the lips.
Ant. I stood amazed, to think how they came hither.
Vent. I sent for them; I brought them in unknown
To Cleopatra’s guards.
Dola. Yet, are you cold?
Octav. Thus long I have attended for my welcome;
Which, as a stranger, sure I might expect.
Who am I?
Ant. Cæsar’s sister.
Octav. That’s unkind.
Had I been nothing more than Cæsar’s sister,
Know, I had still remained in Cæsar’s camp:
But your Octavia, your much injured wife,
Though banished from your bed, driven from your house,
In spite of Cæsar’s sister, still is yours.
’Tis true, I have a heart disdains your coldness,
And prompts me not to seek what you should offer;
But a wife’s virtue still surmounts that pride.
I come to claim you as my own; to show
My duty first; to ask, nay beg, your kindness:
Your hand, my lord; ’tis mine, and I will have it. [Taking his hand.]
Vent. Do, take it; thou deserv’st it.
Dola. On my soul,
And so she does: she’s neither too submissive,
Nor yet too haughty; but so just a mean
Shows, as it ought, a wife and Roman too.
Ant.
Octav. Begged it, my lord?
Ant. Yes, begged it, my ambassadress;
Poorly and basely begged it of your brother.
Octav. Poorly and basely I could never beg:
Nor could my brother grant.
Ant. Shall I, who, to my kneeling slave, could say,
Rise up, and be a king; shall I fall down
And cry,—Forgive me, Cæsar! Shall I set
A man, my equal, in the place of Jove,
As he could give me being?
Dola. You shall not need it.
Ant. I will not need it. Come, you’ve all betrayed me,—
My friend too!—to receive some vile conditions.
My wife has bought me, with her prayers and tears;
And now I must become her branded slave.
In every peevish mood, she will upbraid
The life she gave: if I but look awry,
She cries—I’ll tell my brother.
Octav. My hard fortune
Subjects me still to your unkind mistakes.
But the conditions I have brought are such,
Your need not blush to take: I love your honour,
Because ’tis mine; it never shall be said,
Octavia’s husband was her brother’s slave.
Sir, you are free; free, even from her you loathe;
For, though my brother bargains for your love,
Makes me the price and cement of your peace,
I have a soul like yours; I cannot take
Your love as alms, nor beg what I deserve.
I’ll tell my brother we are reconciled;
He shall draw back his troops, and you shall march
To rule the East: I may be adopt at Athens;
No matter where. I never will complain,
But only keep the barren name of wife,
And rid you of the trouble.
Apart.
Vent. Was ever such a strife of sullen honour!
Both scorn to be obliged.
Dola. Oh, she has touched him in the tenderest part;
See how he reddens with despite and shame,
To be outdone in generosity!
Vent. See how he winks! how he dries up a tear,
That fain would fall!
Ant. Octavia, I have heard you, and must praise
The greatness of your soul;
But cannot yield to what you have proposed:
For I can ne’er be conquered but by love;
And you do all for duty. You would free me,
And would be dropt at Athens; was’t not so?
Octav. It was, my lord.
Ant. Then I must be obliged
To one who loves me not; who, to herself,
May call me thankless and ungrateful man:—
I’ll not endure it; no.
Vent. I am glad it pinches there. [Aside.]
Octav. Would you triumph o’er poor Octavia’s virtue?

I have been injured, and my haughty soul
Could brook but ill the man who slights my bed.
Ant. Therefore you love me not.
Octav. Therefore, my lord,
I should not love you.
Ant. Therefore you would leave me?
Octav. And therefore I should leave you—if I could.
Dola. Her soul’s too great, after such injuries,
To say she loves; and yet she lets you see it.
Her modesty and silence plead her cause.
Ant. O Dolabella, which way shall I turn?
I find a secret yielding in my soul;
But Cleopatra, who would die with me,
Must she be left? Pity pleads for Octavia;
But does it not plead more for Cleopatra?
Vent. Justice and pity both plead for Octavia;
For Cleopatra, neither.
One would be ruined with you; but she first
Had ruined you: The other, you have ruined,
And yet she would preserve you.
In everything their merits are unequal.
Ant. O my distracted soul!
Octav. Sweet Heaven compose it!—
Come, come, my lord, if I can pardon you,
Methinks you should accept it. Look on these;
Are they not yours? or stand they thus neglected,
As they are mine? Go to him, children, go;
Kneel to him, take him by the hand, speak to him;
For you may speak, and he may own you too,
Without a blush; and so he cannot all
His children: go, I say, and pull him to me,
And pull him to yourselves, from that bad woman.
You, Agrippina, hang upon his arms;
And you, Antonia, clasp about his waist:
If he will shake you off, if he will dash you
Against the pavement, you must bear it, children;
For you are mine, and I was born to suffer. [Here the Children go to him, etc.]
Vent. Was ever sight so moving?—Emperor!
Dola. Friend!
Octav. Husband!
Both Child. Father!
Ant. I am vanquished: take me,
Octavia; take me, children: share me all. [Embracing them.]
I’ve been a thriftless debtor to your loves,
And run out much, in riot, from your stock;
But all shall be amended.
Octav. O blest hour!
Dola. O happy change!
Vent. My joy stops at my tongue;
But it has found two channels here for one,
And bubbles out above.
Ant. [to OCTAV.]. This is thy triumph; lead me where thou wilt;
Even to thy brother’s camp.
Octav. All there are yours.
Enter ALEXAS hastily
Alex. The queen, my mistress, sir, and yours—
Ant. ’Tis past.—
Octavia, you shall stay this night: To-morrow,
Cæsar and we are one. [Exit leading OCTAVIA; DOLABELLA and the Children follow.]
Vent. There’s news for you; run, my officious eunuch,
Be sure to be the first; haste forward:
Haste, my dear eunuch, haste. [Exit.]
Alex. This downright fighting fool, this thick-skulled hero,
This blunt, unthinking instrument of death,
With plain dull virtue has outgone my wit.
Pleasure forsook my earliest infancy;
The luxury of others robbed my cradle,
And ravished thence the promise of a man.
Cast out from nature, disinherited
Of what her meanest children claim by kind,
Yet greatness kept me from contempt: that’s gone.
Had Cleopatra followed my advice,
Then he had been betrayed who now forsakes.
She dies for love; but she has known its joys:
Gods, is this just, that I, who know no joys,
Must die, because she loves?
Enter CLEOPATRA, CHARMION, IRAS, and Train
O madam, I have seen what blasts my eyes!
Octavia’s here.
Cleo. Peace with that raven’s note.
I know it too; and now am in
The pangs of death.
Alex. You are no more a queen;
Egypt is lost.
Cleo. What tell’st thou me of Egypt?
My life, my soul is lost! Octavia has him!—
O fatal name to Cleopatra’s love!
My kisses, my embraces now are hers;
While I—But thou hast seen my rival; speak,
Does she deserve this blessing? Is she fair?
Bright as a goddess? and is all perfection
Confined to her? It is. Poor I was made
Of that coarse matter, which, when she was finished,
The gods threw by for rubbish.
Alex. She is indeed a very miracle.
Cleo. Death to my hopes, a miracle!
Alex. A miracle; [Bowing.]
I mean of goodness; for in beauty, madam,
You make all wonders cease.
Cleo. I was too rash:
Take this in part of recompense. But, oh! [Giving a ring.]
I fear thou flatterest me.
Char. She comes! she’s here!
Iras. Fly, madam, Cæsar’s sister!
Cleo. Were she the sister of the thunderer Jove,
And bore her brother’s lightning in her eyes,
Thus would I face my rival. [Meets OCTAVIA with VENTIDIUS. OCTAVIA bears up to her. Their Trains come up on either side.]
Octav. I need not ask if you are Cleopatra;
Your haughty carriage—
Cleo. Shows I am a queen:
Nor need I ask you, who you are.
Octav. A Roman:
A name, that makes and can unmake a queen.
Cleo. Your lord, the man who serves me, is a Roman.
Octav. He was a Roman, till he lost that name,
To be a slave in Egypt; but I come
To free him thence.
Cleo. Peace, peace, my lover’s Juno.
When he grew weary of that household clog,
He chose my easier bonds.
Octav. I wonder not
Your bonds are easy: you have long been practised
In that lascivious art: He’s not the first
For whom you spread your snares: Let Cæsar witness.
Cleo. I loved not Cæsar; ’twas but gratitude
I paid his love: The worst your malice can,
Is but to say the greatest of mankind
Has been my slave. The next, but far above him
In my esteem, is he whom law calls yours,
But whom his love made mine.
Octav. I would view nearer [Coming up close to her.]
That face, which has so long usurped my right,
To find the inevitable charms, that catch
Mankind so sure, that ruined my dear lord.
Cleo. Oh, you do well to search; for had you known
But half these charms, you had not lost his heart.
Octav. Far be their knowledge from a Roman lady,
Far from a modest wife! Shame of our sex,
Dost thou not blush to own those black endearments,
That make sin pleasing?
Cleo. You may blush, who want them.
If bounteous nature, if indulgent Heaven
Have given me charms to please the bravest man,
Should I not thank them? Should I be ashamed,
And not be proud? I am, that he has loved me;
And, when I love not him, Heaven change this face
For one like that.
Octav. Thou lov’st him not so well.
Cleo. I love him better, and deserve him more.
Octav. You do not; cannot: You have been his ruin.
Who made him cheap at Rome, but Cleopatra?
Who made him scorned abroad, but Cleopatra?
At Actium, who betrayed him? Cleopatra.
Who made his children orphans, and poor me
A wretched widow? only Cleopatra.
Cleo. Yet she, who loves him best, is Cleopatra.
If you have suffered, I have suffered more.
You bear the specious title of a wife
To gild your cause, and draw the pitying world
To favour it: the world condemns poor me.
For I have lost my honour, lost my fame,
And stained the glory of my royal house,
And all to bear the branded name of mistress.
There wants but life, and that too I would lose
For him I love.
Octav. Be’t so, then; take thy wish. [Exit with her Train.]
Cleo. And ’tis my wish,
Now he is lost for whom alone I lived.
My sight grows dim, and every object dances,
And swims before me, in the maze of death.
My spirits, while they were opposed, kept up;
They could not sink beneath a rival’s scorn!
But now she’s gone, they faint.
Alex. Mine have had leisure
To recollect their strength, and furnish counsel,
To ruin her, who else must ruin you.
Cleo. Vain promiser!
Lead me, my Charmion; nay, your hand too, Iras.
My grief has weight enough to sink you both.
Conduct me to some solitary chamber,
And draw the curtains round;
Then leave me to myself, to take alone
My fill of grief:
There I till death will his unkindness weep;
As harmless infants moan themselves asleep. [Exeunt.]


Building the Front End
Building the Front EndIn this session, we’ll add the front end web site, with a public anonymous home page showing the conference agenda.
Building the Front End
In this session, we’ll add the front end web site, with a public anonymous home page showing ... -->


The world wants to know: who is she? Read this page to learn about her likes (and maybe her dislikes)!
She was recently asked about her top 5 movies, musicians, and places she has visited. Here are her answers
No Reservations
International


The Lamborghini Lambo V12 Vision Gran Turismo Is Virtually The Coolest Thing You Will See Today
by News DeskLamborghini has unveiled its latest concept car, the Lamborghini Lambo V12 Vision Gran Turismo, just ahead of the World Finals of the 2019 FIA Certified Gran Turismo Championships taking place in Monte Carlo, Monaco.
The emphasis behind the Lamborghini Lambo V12 Vision GT (clearly Ferrari does not have the exclusive rights to odd double names) is its ‘fun to drive’ nature, although, in this case, it is within the digital environment of the Gran Turismo Sport PlayStation game, as, despite the achingly beautiful model that was built for the event, this is solely a digital reveal.
Stefano Domenicali, chairman and CEO of Automobili Lamborghini S.p.A. comments, “Lamborghini is a very young brand, and this is why we are here today to present our newest virtual vision in the form of a real model, with a highly futuristic and cool design to be enjoyed by the young generation of racing game and super sports car enthusiasts.”
The Lambo V12 Vision GT may not be heading to your local Lamborghini anytime soon but it has many real-world influences and has been designed by Lamborghini Centro Stile in Sant’Agata Bolognese. It is a single-seater, which uses the powertrain from the Lamborghini Sián FKP 37. That means a combined 807 hp from its 6.5-liter V12 hybrid engine, which in the Sián means 0-62mph in 2.8-seconds and a limited top speed of 217mph.
So it may be rooted in the virtual world but the Vision GT’s performance and looks are based very much in reality. The design itself builds on historic Lamborghini styling cues, expanding the potential of the design language in a very futuristic way.

“The Lambo V12 Vision Gran Turismo is created to provide the ultimate virtual car for young fans and gamers, who are ultra-enthusiastic about Lamborghini and its futuristic aspirations,” said Mitja Borkert, head of Lamborghini Centro Stile. ”It is an opportunity for the design talent within Lamborghini to stretch its wings and visualize a car that, like every Lamborghini, is a head-turner and the best driving experience, but also mirrors Lamborghini’s push on future technologies, particularly in the arena of lightweight materials and hybridization.”
The Lamborghini Lambo V12 Vision GT will be virtually available from spring 2020 and with a bit of luck, some of its ground-breaking design cues will become part of the next generation of the marque’s hypercars.
Images courtesy of Lamborghini


Psalms 18:26
With the pure thou wilt shew thyself pure; and with the froward thou wilt shew thyself froward.


Please update your contact details in the below form and we will contact to you at our earliest convenience. You to contact us to query information or if you would like to register on this site


Uses: HTML5, CSS3, Bootstrap 4, Java, Apache Tomcat, MySQL
Designed for the Collin College Continuing Education Java Development Program


Node.js based web service that tells you when your project npm dependencies are out of date. To use David, your project must include a package.json file in the root of your repository.
Getting Started
With Node.js and Grunt installed already, do the following:
-
Install david-www:
cd /path/to/david-www npm install npm run build
Create a
.davidrc
file (see Configuration section below)-
Run david-www:
npm start
Example usage
View a web page of all dependencies (and their updates, and their versions) for public GitHub repository "grunt-jsio" owned by "alanshaw":
curl http://localhost:1337/alanshaw/grunt-jsio
Get the current build status badge:
curl http://localhost:1337/alanshaw/grunt-jsio.png
Configuration
Configuration is handled by rc
(https://github.com/dominictarr/rc), see config.js for default configuration values.
For basic configuration, add a .davidrc
file in the local directory (it is git ignored) and you can use JSON to override any of the default values.
Register a github personal oauth token and add it to the config:
{
"github": {
"token": "some_github_token"
}
}
You can also use environment variables e.g.
david_github__token=some_github_token
- (Optional) If you want to use "sign in" feature you should:
- Register a github developer application and add oauth client id and secret to
.davidrc
. - Developer application should have callback URL:
http://localhost:1337/auth/callback
- Register a github developer application and add oauth client id and secret to
Docker Support
This example will run david-www interactively and will exit and destroy the container upon a control-c.
docker run -it --rm \
-p 11337:1337 \
-e david_github__token=github-token \
-e david_site__hostname=http://localhost:11337 \
-v /data/david:/opt/data \
david
This example will run it in detached mode.
docker run -d --name="david-www" \
--restart=always \
-p 11337:1337 \
-e david_github__token=github-token \
-e david_site__hostname=http://localhost:11337 \
-v /data/david:/opt/data \
david
Building
docker build -t david .


Support page suggests Samsung Galaxy A51 might be just around the corner
by SagarThe Samsung Galaxy A51 passed through Geekbench last month bearing model number SM-A515F, and a few days ago, the smartphone bagged certification from Wi-Fi Alliance hinting an imminent launch.
There's no word from Samsung about the Galaxy A51 yet, but the Korean giant has updated its official Russian site with the support page of the Galaxy A51, which implies the smartphone will go official soon.
CAD renders of the Galaxy A51 surfaced earlier this week revealing the phone's design.
On the front, we'll get a 6.5" display with a hole up top in the center for the 32MP selfie camera, and on the back we'll get an L-shaped quad camera setup said to be a combination of a 48MP main, 12MP ultrawide, 12MP telephoto, and 5MP depth sensor units.
The Galaxy A51 is rumored to pack a 4,000 mAh battery, and Geekbench revealed it will come with an Exynos 9611 SoC, 4GB RAM and Android 10.
Source (in Russian) | Via (in Dutch)


User defined wrappers for the C memory management API.
◆ GTS_ALIGNED_FREE
| #define GTS_ALIGNED_FREE |
( |
|
ptr | ) |
#error "Replace with custom definition" |
Override aligned_free.
- Parameters
-
| ptr | A pointer to the memory to free that was allocated with GTS_ALIGNED_MALLOC. |
◆ GTS_ALIGNED_MALLOC
| #define GTS_ALIGNED_MALLOC |
( |
|
size, |
|
|
|
alignment |
|
) |
| #error "Replace with custom definition" |
Override aligned_malloc.
- Parameters
-
| size | The size of the memory to allocate. |
| alignment | The address alignment of the allocated memory. |
- Returns
- A pointer to the memory or nullptr on fail.
◆ GTS_FREE
| #define GTS_FREE |
( |
|
ptr | ) |
#error "Replace with custom definition" |
Override free.
- Parameters
-
| ptr | A pointer to the memory to free that was allocated with GTS_MALLOC. |
◆ GTS_MALLOC
| #define GTS_MALLOC |
( |
|
size | ) |
#error "Replace with custom definition" |
Override malloc.
- Parameters
-
| size | The size of the memory to allocate. |
- Returns
- A pointer to the memory or nullptr on fail.


Ex-De Vere boss Andrew Coppel to be appointed as Arcadia chairman
by Jessica ClarkSir Philip Green’s Arcadia Group is preparing to appoint the former boss of the De Vere hotel and leisure group as its new chairman.
The appointment of Andrew Coppel, who currently sits on the board of housebuilder MJ Gleeson, is expected to be announced tomorrow, Sky News reported.
Read more: Arcadia bolsters senior digital team in online sales push
He will replace corporate restructuring expert Jamie Drummond Smith, who stepped down as interim chairman in September after being brought into steer the high street giant’s restructuring process.
Coppel will become chairman of Arcadia, its holding company Taveta Investments and Top Shop Top Man Limited.
Coppel’s experience in property-backed consumer businesses would be an “important asset” to Green’s retail empire, Sky News said, citing sources.
Previously, Coppel has held board positions at the Jockey Club and Duncan Bannatyne’s leisure group.
Arcadia reported an operating loss of £138m in the year ending 1 September 2018, its most recent financial filings, and a 4.5 per cent drop in turnover to £1.8bn.
Read more: Sir Philip Green's Arcadia reveals huge losses amid CVA controversy
The group attributed the dip to the “ongoing challenging global market conditions for retailers” and increased competition from other high street stores and online retailers in particular.
Green is currently implementing a restructuring of his retail empire, which will see 23 stores close and rents slashed at 200 branches.
Main image credit: Getty


JUNIOR ACETAMINOPHEN AGES 6-11- acetaminophen tablet, orally disintegrating
Wal-Mart Stores Inc
Disclaimer: Most OTC drugs are not reviewed and approved by FDA, however they may be marketed if they comply with applicable regulations and policies. FDA has not evaluated whether this product complies.
Liver warning: This product contains acetaminophen. Severe liver damage may occur if your child takes:
Sore throat warning: If sore throat is severe, persists for more than 2 days, is accompanied or followed by fever, headache, rash, nausea, or vomiting, consult a doctor promptly.
These could be signs of a serious condition.
Overdose warning: Taking more than the recommended dose (overdose) may cause liver damage. In case of overdose, get medical help or contact a Poison Control Center (1-800-222-1222) right away. Quick medical attention is critical even if you do not notice any signs or symptoms.
| Weight (lb) | Age (yr) | Tablets |
| under 48 | under 6 | Ask a doctor |
| 48-59 | 6-8 | 2 |
| 60-71 | 9-10 | 2 1/2 |
| 72-95 | 11 | 3 |
citric acid, crospovidone, D&C red #27 aluminum lake, D&C red #30 aluminum lake, dextrates hydrated, ethylcellulose, FD&C blue #1 aluminum lake, flavors, magnesium stearate, mannitol, polyethylene, stearic acid, sucralose
NDC 49035-449-08
equate®
Compare to Jr. Strength Tylenol® Meltaways® Active Ingredient*
Ages 6-11
Junior
Acetaminophen
Fever Reducer/Pain Reliever
Rapid Tabs
Aspirin Free
Ibuprofen Free
Grape Flavor
160 mg EACH
24 TABLETS
TAMPER EVIDENT: DO NOT USE IF PACKAGE IS OPENED OR IF BLISTER UNIT IS TORN, BROKEN OR SHOWS ANY SIGNS OF TAMPERING
Distributed by:
Wal-Mart Stores, Inc.,
Bentonville, AR 72716
© Wal-Mart Stores Inc.
*This product is not manufactured or distributed by McNeil Consumer Healthcare, owner of the registered trademark Junior Strength Tylenol® Meltaways®.
50844 REV0213G44908
Equate 44-449
|
JUNIOR ACETAMINOPHEN
AGES 6-11 acetaminophen tablet, orally disintegrating | ||||||||||||||||||||||
| ||||||||||||||||||||||
| ||||||||||||||||||||||
| ||||||||||||||||||||||
| ||||||||||||||||||||||
| ||||||||||||||||||||||
|
| Labeler - Wal-Mart Stores Inc (051957769) |
| Establishment | |||
| Name | Address | ID/FEI | Business Operations |
|---|---|---|---|
| LNK International, Inc. | 038154464 | PACK(49035-449) |
| Establishment | |||
| Name | Address | ID/FEI | Business Operations |
|---|---|---|---|
| LNK International, Inc. | 832867894 | MANUFACTURE(49035-449) |


So, my technically-challenged friend, you want to know about Javascript syntax and symbols eh? Well, get ready to have your mind blown!
Parentheses ()
are for: grouping or containing expressions or parameters. I know right? Geek jargon.  Parameters are sometimes what a function needs to run a piece of code: say if it needs two numbers to do a calculation, then the parameters can be those two numbers. See Figure (a) below:
function myFunc(x,y) {
if (x < y) {
return x + " is less than " + y;
} else return x + ' is greater than ' + y;
};
myFunc(3, 7);
In this example, the function uses the parameter placeholders x and y in the parentheses at the top, while at the bottom, the parameters are specified as actual numbers inside the parentheses. Those numbers go through the function in place of x and y respectively, so where you see the expression (x < y), the function is figuring out if 3 is less than 7. Neat eh?
Brackets []
are for building arrays, and for "bracket notation".
Arrays store data in a format like a table or spreadsheet, with rows and columns. Check out the basic one shown below in Figure (b), and the function below that:
var myArray = [1, 2, 3, 4, 5];
function myLoop = {
for (var i = 0; i < myArray.length; i++) {
return myArray[i];
}
};
myloop();
The variable "myArray" simply contains a few numbers (it's a very basic array). The function below it "loops" through the array and returns the values in it. It does this using a basic form of bracket notation - where it says return myArray[i]
, the [i]
contains a number based on how many times the loop has run, and grabs a value from a location in the array based on that number. Phew!
PS: See Figure (c) below for more on bracket notation.
Curly braces {}
are kind of a big deal. In one instance, they define the start and finish of the actual code that is run as part of your script, as you can see in figures (a) and (b). Each separate bit of code needs to run inside its own set of curly braces, so you will commonly see one set "nested" inside another, and more nested inside that, and so on. It can get confusing, which is why coders need special text editing programs that keep track of where things are.
The other use for curly braces is when building Objects. Objects are a bit like arrays - but ON STEROIDS. They contain data in the form of properties and values, and can be written three different ways. Figure (c) below shows an Object (with smaller Objects nested inside it):
var people = {
george: {
firstName: "George"
},
bob: {
firstName: "Bob"
},
stan: {
firstName: 'Stan'
}
};
console.log(people.george.firstName); // => George
console.log(people["george"].firstName); // => George
console.log(people["george"]["firstName"]); // => George
Check out the last three lines in the above example. The first is using "dot" notation to access the properties and values inside the Object. The second is using a mixture of dot and bracket notation, and the third is just using bracket notation. All are legitimate ways of doing it, but brackets can be more flexible because they can contain properties that are formatted unusually - say, if they had spaces in them.
Single Quotes ''
and Double Quotes ""
are more or less interchangeable. They are used to contain "strings", which are basically just combinations of letters or numbers that you want the computer to interpret as words or sentences. In Figure (a), you can see two strings: one is using single, and the other is using double quotes.
When using quotes, you need to be consistent: you cannot start a string with a single and end it with a double, and vice versa. You must also "close" a string that you open with quotes - if you don't, your code WILL NOT WORK because it will assume everything after the opening quote is part of the string.
Although I said single and double quotes are interchangeable, there's an instance when they aren't. If you're using an online program to check that your Objects are properly laid out, you must use double quotes. Check out the Object in Figure (c) again. A checker would freak out because 'Stan' is in single quotes.


Welcome!
Enter your details to create an account.
Name:
Email:
Password:
Create Account
By creating an account, you agree to our
Terms
.
Already have an account?
Log In


10
1 These are the proverbs of Solomon:
A child who lives according to wisdom makes his father happy;
but if a child does foolish things, he causes his mother to be very sad.
2 Riches that you got by being dishonest will not have any value;
but when you do what is right, you will be protected from death.
3 Yahweh does not allow people who do right to starve,
but he will makes it impossible for wicked people to get what they want.
4 A lazy person who will not work becomes poor;
those who work hard become rich.
5 He is wise who harvests the crops when they are ready to be gathered;
but it would be shameful for him to sleep while others are harvesting the crop.
6 Those who do right will receive many good gifts from God;
but those who do wicked things cover their violence so they cannot be seen.
7 When we remember those who do what is right, we get a blessing from Yahweh;
but we cannot remember the names of the wicked.
8 Wise people follow good instructions,
but a fool who talks too much will fail.
9 An honest person lives his life and has nothing to hide;
but one who is dishonest—his lies will be discovered.
10 The one who winks his eye signals others to help him do something that is wrong,
and a fool will be ruined because he talks too much.
11 A person who does right is like a fountain that gives life;
but the wicked person hides his brutality by his words.
12 Hatred has the power to start many arguments;
but love covers anything that may hurt us.
13 Those who have good sense say what is wise,
but people who do not have good judgment must be punished.
14 Wise people continue to learn all that they can,
but when foolish people speak, they will soon experience destruction.
15 The wealth that rich people have protects them like a city is protected by a strong wall around it ,
but because people are poor, they have no one to help them.
16 If you do what is right, your reward will lead you to life,
but all that sinful people gain is the ability to sin even more.
17 Life can be found by the one who is trained by discipline;
but the one who will not listen to correction wanders away.
18 Those who hide their hatred of others, must lie to cover it up.
and those who repeat slander are foolish.
19 When people talk a lot, sin is sure to follow;
if you are wise, you will always be careful about what you say.
20 The one who does right
is like pure silver;
there is little value in the heart of the one who does wicked things.
21 What those who do right say benefits many,
but foolish people die because they lack good sense.
22 Yahweh gives good gifts that make some people wealthy,
and he does not make them suffer for it.
23 Foolish people play games when they do what is wrong,
but people with understanding enjoy wisdom.
24 What the wicked fear will happen to them;
those who do what is right will get what they hoped for.
25 Wicked people are like the storm that comes and then it is gone.
but those who do right are like a foundation that lasts forever.
26 Like vinegar in our mouths or smoke in our eyes,
that is what the lazy man is like to the one who hired him.
27 If you give Yahweh the respect he deserves, you will live for a long time;
but wicked people die before they become old.
28 Those who do right have hope in their joy,
but the wicked can expect their lives to be short.
29 Following Yahweh brings protection to those who keep their promises;
but those who do not follow him find out he destroys those who do what is evil.
30 Those who do right will never be defeated,
but wicked people will not have a home.
31 Wisdom is like a fruit that those who do right bear,
but Yahweh will cut out the deceitful tongue.
32 Those who do right know the words Yahweh permits them to speak,
but wicked people say what Yahweh has forbidden.


public static enum STMLConstants.Convention extends java.lang.Enum<STMLConstants.Convention>
| Enum Constant and Description |
|---|
ATC
Anatomical Therapeutic Chemical Classification System for drugs
|
ATOMARRAY
CML
|
BEILSTEIN |
CAS
Chemical Abstracts
|
CHEBI
EBI chemistry
|
CID
Pubchem compound Id
|
DRUGBANK
Harvard
|
EINECS
European chemicals
|
EXTERNAL
other
|
GMELIN |
INCHI |
IUPAC
Int Union of Pure and Applied Chemistry
|
KEGG
Japan database
|
MESH
PubMed terminology
|
MET3D
not sure
|
PUBCHEM
PubChem
|
RTECS
Chemical labelling
|
SMILES
SMILES line notation
|
| Modifier and Type | Field and Description |
|---|---|
java.lang.String |
v |
| Modifier and Type | Method and Description |
|---|---|
boolean |
equals(java.lang.String s)
equality to value
|
static STMLConstants.Convention |
valueOf(java.lang.String name)
Returns the enum constant of this type with the specified name.
|
static STMLConstants.Convention[] |
values()
Returns an array containing the constants of this enum type, in
the order they are declared.
|
public static final STMLConstants.Convention ATOMARRAY
public static final STMLConstants.Convention MET3D
public static final STMLConstants.Convention ATC
public static final STMLConstants.Convention BEILSTEIN
public static final STMLConstants.Convention CAS
public static final STMLConstants.Convention CID
public static final STMLConstants.Convention DRUGBANK
public static final STMLConstants.Convention CHEBI
public static final STMLConstants.Convention EINECS
public static final STMLConstants.Convention GMELIN
public static final STMLConstants.Convention INCHI
public static final STMLConstants.Convention IUPAC
public static final STMLConstants.Convention KEGG
public static final STMLConstants.Convention MESH
public static final STMLConstants.Convention PUBCHEM
public static final STMLConstants.Convention RTECS
public static final STMLConstants.Convention SMILES
public static final STMLConstants.Convention EXTERNAL
public static STMLConstants.Convention[] values()
for (STMLConstants.Convention c : STMLConstants.Convention.values()) System.out.println(c);
public static STMLConstants.Convention valueOf(java.lang.String name)
name
- the name of the enum constant to be returned.java.lang.IllegalArgumentException
- if this enum type has no constant with the specified namejava.lang.NullPointerException
- if the argument is nullpublic boolean equals(java.lang.String s)
s
-