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description
-queen-liliuokalani-the-hawaiian-kingdom-s-last-m-book.pdf
[51.39 KB]


Convergence
The Neidan's body is attuned to the potions themselves, sometimes granting additional unexpected power.{^n}{^Y}Can trigger when a health or energy potion is used.
${value} Second Duration
30 30 30 30 30 30 30 30 30 30 30 30
${value}% Chance of activating
3 4.5 6.17 7.975 9.945 12.07 14.35 16.795 19.375 22.125 25.045 28.1
MaxLevel
8
UltimateLevel
12


News are small to medium text entries that you can use on your website to publish information or changes in your organization. News items are available as news-list, with the most recent entries, or as an archive where older entries can be viewed.
To create a new news item, click on the "Create new" button and fill out the form. It's important that you mark the entry with your signature if you share the work of creating news items for your website.
In the list of news items you can click to edit or delete news items.


Prefer seeing this trip on a map?
New York City
My point of arrival in the US, where we stayed for one week.
I shot photos mainly by day, but I have to say best part was by night!
Awesome week. Also: thanks Duke for the show!
Keywords: Liberty, Night life, Bathtub, "Oohhh, really?!", Crossroad Bridge and Reservoir, Model, Boom, Boom, Room.
Amherst
Amherst, small town near Boston. The two things we checked out: UMASS university life,
and the Quabbin Reservoir. Huge thanks to Megan, Jaakko and Katie for welcoming us :)
Keywords: Spartan, Kick-ass, Hockey, Bloody mary, Psycho analysis, Real reservoir
Boston
Boston felt a lot like England. After an evening in Harvard, we spent a full day in the city center,
walking the liberty trail as perfect tourists would...
Keywords: Golf party, Harvard, Stenway singing, New England, History, !Beer, Closed at 11pm
Hey Barack!
Going to America, we couldn't miss the capital: Washington. White House, Washington Monument, etc. Thanks to Kate for having us at home during two days! Notable quote: "If you're behind the Capitole, Justice can't see you". It stuck with me.
Keywords: white, collar, Barack, SpicEthiopian, Ben's Chili Bowl
Jazzy New Orleans
New Orleans, Louisiana. Once upon a time, France sold it to the US...what a shame!
The city is difficult to grasp because it's a huge mix between a lot of different influences.
There are good and bad parts. Up to you to remember only the good ones!
Keywords: Bourbon, Fat Cat..., *Boring Bike Trip*, Barely legal
Fort Myers
Fort Myers, a rather big town on the West coast of Florida.
Photos show the St. Jude Nature Trail, a sunset on Sanibel Island,
and some pictures from Thomas Edison's lab.
Keywords: Flour sand, Roots, Mosquitos
Miami Beach!
Not that many photos here. What? Too much night life?! Naaaaaa...
Keywords: Ireland FTW, Hostelbar, Miami Vice, Beaches
Everglades...by night
We had the opportunity to go paddling and walking in the Everglades, the big swamps full of gators in the middle of Florida,
during four hours, guided by (thank god!) a guide and the full moonlight. Unbelievable memories.
Keywords: paddle, red light, gators vs crocs
Coral Castle
Coral Castle is truly one of the craziest thing I've seen. Built by one love-disappointed man named Edward Leedskalnin,
this "castle" is full of crazy, unpolished ideas. And coral of course!
Keywords: Ed, Vegetal ball, Art or/and Crazy?
Key West
Key West is the southernmost island of the US. Pictures include beach and views from the town,
but we could also see some wild birds and Hemingway's house.
Keywords: Chickens, Cigars, To Park or Not To Park, Hemingway
Incredible Yosemite
Car rental: 20min on the Internet, by Hertz.
Driving there: 4 hours of driving, with beautiful landscape on the way.
We hiked during two days in Yosemite Valley. Needless to say: stunning views and incredible memories!
(including the night spent in the car with 32°F).
Keywords: Landscape, Portrait, Panorama, Stars, Bears, Corolla, Corona, Yelp!
San Francisco, the End ©
San Francisco was the final stop of the trip.
Pacific Ocean, SF Bay, hills and overall atmosphere were stunning. The weather wasn't bad either.
Keywords: Lombard, Mortadelle, 15miles/day, flat tire, Yelp, Yelp, Yelp


Sylvanian Families Barker Golden Labrador Family
UK Biography Information
Father Jerry Barker is the tour guide of Sylvania. He takes visitors to all the points of interest around Sylvania and regales them with information about buildings and their origins, historical events and old customs.
Mother Margo Barker runs the well organised Tourist Information Office.
Brother Tarquin Barker does everything at a sedate pace, he never runs or rushes around. If he could, he would spend all day, every day reading a book in front of the warm open fire in the family front room.
 Give her a ball and she will play for hours in the garden even if there is no one else to play ball with!


TSF BANK
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Questioning Your Questions
As a developer (creator), you're probably quite familiar with how easy it is to obsess over your finished product. You've spent countless hours tweaking, polishing, modifying, and cleaning a project that is near and dear to your developer soul, and your desire for perfection in presenting it to the world is insurmountable. With that, have you ever considered how many questions you had to ask in creating that project? How many times did you have to solicit the help of others in working through the various obstacles you encountered?
Asking questions in an inherent part of the design process, and moving forward you should make it a regular practice of questioning your questions! Writing clear and relevant questions can make a world of difference with regard to the answers you'll receive, and the simple truth is that the better the questions you ask, the better a developer you will become.
Who Is Your Question For?
Before you even begin to worry about how to ask your question, put considerable thought into WHO the question is intended for. Knowing your audience is paramount to successfully communicating in any situation, and posting to technical sites is no different.
For example, you may looking for help with a general concept that could be answered by almost anyone, so you decide to post it to a "beginner-level" help site. If that's the case, you may want to speak in a more non-technical fashion so as not to confuse readers. Alternatively, your question may pertain to a much more advanced technical subject, in which event you'll want to be sure to use appropriate and specific terminology that paints a clear picture to the experts you are hoping to connect with.
If anything, pretend that you are the one trying to answer your question. Put yourself in the reader's shoes, and think about what information YOU would need to have an easy time providing an answer. Remember, your audience has no background information about your problem other than what you provide!
What Should Your Question Contain?
Short answer: RELEVANT INFORMATION ONLY!
To capture the attention of your readers, it is critical that your question is to the point, and doesn't contain any unnecessary information. Imagine if movie titles were several sentences long, or contained info that didn't pertain to the subject of the film. Would you still go? Humans have short attention spans, and you should be cognizant of that as you post questions online.
The most important element of your question will likely be the title. Being that the title is the first thing your readers will see, they should be specific, and as concise as possible. You should assume that whoever is reading it is likely in a hurry, and has plenty of other things they could be doing. Make it worth their time, as you would expect the same of them. Try not to be too broad or vague, as this can be confusing and will likely lead to you receiving just as vague an answer (if any at all).
As you've searched around on various tech help sites (such as Stack Overflow), you've probably noticed that the questioners often include code snippets to paint a clearer picture of their problem. This is an acceptable practice, but again, only do so if necessary. Similar to your approach with the title, keep the code snippets as concise as possible, using only the lines that are necessary for the reader to reproduce the problem. Quality over quantity!
How Should Your Question Look?
Short answer: PROFESSIONAL!
So at this point, you know who your question is for, and what information it should contain, so you're most of the way there. Now you need to consider the "appearance" of your question, and no, I'm not referring to it's hair color or muscle definition.
You're a professional now, and the days of using funky run-on sentences or having typos in your writing are hopefully few and far between. As a developer, you know that anyone can view your work at any time, and your work is your face in the online world. Your attention to detail in formatting questions on help sites is no different from the effort you would put into creating your own blog. Your writing should be free of typos and grammatical errors. To be safe, have someone proof-read your question before you post (if you doubt your own editing abilities).  Extra punctuation can also appear very unprofessional, so refrain from using multiple exclamation points or questions marks to show your enthusiasm!!!!!!!
After You've Posted
Now that you have all the makings for a first-class question, what next? After you've posted it for all the world to see, you'll obviously be looking for a response, which may or may not come at all. In the event it does, use the same guidelines you just read about in responding to those helping you. Your feedback to them should be timely, and of course gracious. If they offer any criticism, take it as constructive and not personal. Reading emotions through writing can be difficult in any situation, and even more so on a technical site.
And please don't forget the most important rule of question asking:
Don't be afraid to ask!


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Order id: {{ order_id }}
Order Access Token: {{ order_access_token }}
{% endif %} {% if order_failure %}We are not able to successfully receive the payment
Your money will be refunded within 6 days if amount was deducted from your account
For assistance please contact<EMAIL_ADDRESS>{% endif %}


"Scary Movie" -- Getting Stabbed Is More Fun by Homer Yen (c) 2000
Since "Scary Movie" is nothing more than a silly spoof, it would be unfair to measure it against the same standards as you would any other kind of film. The plot, thin as it is, revolves around the myriad of horror movies that have ever come out, and in particular "Scream" and "I Know What You Did Last Summer." In fact, one of the original titles considered was "Scream If You Know What I Did Last Halloween."
In this parody, a mad slasher donning the frock and ghost mask from "Scream" is plaguing a local high school, and no one can figure out who it is or why he/she is doing it. But if you're even thinking about trying to determine his/her identity or motive, then you're completely in the wrong mind set. Meanwhile, the characterizations, shallow as they are, serve no other purpose other than to usher us from one setup to another. The players in this film are a few of the Wayan's brothers and a few other 20-something actors who either fall victim to the mad slasher, scream at the top of their lungs, and/or engage in heavy tongue-kissing.
Thus, the question that begs to be asked is: is this funny enough to endure the 100-minute running time? In many ways, watching "Scary Movie" might remind you of any recent installment of "Saturday Night Live." It starts off with funny material but then quickly spirals downward as it becomes mired in unfunny gross-out gags, jokes that are insulting rather than irreverent, and a lineup of skits that strains for laughs but instead is greeted by heads nodding in disappointment.
The funniest, most clever, and probably least offensive segment happens at the beginning of the film. Desperately trying to escape the masked killer is a dumb, nubile blonde. She comes across a table loaded with a variety of powerful weapons...and a banana. Guess which one she picks? Then, as she runs outside, there are two road signs. One points towards safety. The other points towards death. Guess which path she takes?
There are some other funny tidbits including a take on the "Wassup" beer commercials and a parody of "The Matrix" (which would have been funnier if I hadn't seen the movie trailer a dozen times), but the clever ideas are at a bare minimum. The tone of the movie begins to shift. Jokes become extravagantly gross such as the butch, Swedish woman named Miss Mann who has a secret that 'she' wants to expose. This spawned more "Ewwwws" rather than chuckles. Gags also focus heavily on sex. There's a running theme about a boyfriend who encourages her virgin girlfriend to explore. And there's another ongoing gag about an effeminate jock who acts gay in every way possible but constantly denies it. The film also engages in heavy stereotyping. Admittedly, I was glad to see a movie patron, who talked incessantly on her cell phone and screamed at the onscreen actors as if they could hear her, get what she deserved. But the pleasures are slim at best.
Juvenile, lewd, and only sometimes funny, "Scary Movie" scores a 9 out of 10 on the Dumb-o-Meter, a 5 out of 10 on the Laugh-O-Meter. And a 3 out of 10 on the Whether-You-Should-See-This-Or-Not-Meter.
Grade: C S: 3 out of 3 L: 2 out of 3 V: 2 out of 3
Do You Yahoo!? Get Yahoo! Mail – Free email you can access from anywhere! http://mail.yahoo.com/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


We're sorry but swamp-walk doesn't work properly without JavaScript enabled. Please enable it to continue.


[§124A-36] Sentences of dismissal or dishonorable discharge to be approved by the governor. In the organized militia not in federal service, no sentence of dismissal or dishonorable discharge may be executed until it is approved by the governor. [L 1982, c 171, pt of §2]


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Another proximus instance!
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GovernorLine
Telephone line is open:
Monday to Friday from 9am to 8pm
The line is closed on bank holidays.
Guidance
This document has been replaced by the ‘Governance handbook’ .
Departmental advice outlining governors' roles and duties.
Ref: DFE-00050-2013 PDF , 1.02MB , 111 pages
Ref: DFE-00050-2013 MS Word Document , 1.03MB
PDF , 26.7KB , 4 pages
This departmental advice is for governing bodies in:
The ‘ Statutory policies for schools ’ page outlines the policies and other documents school governing bodies are legally required to hold.
If you are are governor looking for more advice, you can contact GovernorLine free of charge.
Telephone line is open:
Monday to Friday from 9am to 8pm
The line is closed on bank holidays.
Published: 14 May 2013
Updated: 3 March 2014


--- layout: page title: Yuriy Pakhotin subtitle: "Senior Data Scientist | Ph.D." use-site-title: true --- Tweets by pakhotin


Strontium
Element Name:
Strontium
Latin Name:
Strontium
Atomic Number:
38
Atomic Weight:
87.62 u
Is a:
Alkali-Earth-Metal
State of the element:
Solid
About:
Strontium is the chemical element with the symbol Sr and atomic number 38. An alkaline earth metal, strontium is a soft silver-white yellowish metallic element that is highly chemically reactive. The metal forms a dark oxide layer when it is exposed to air. Strontium has physical and chemical properties similar to those of its two vertical neighbors in the periodic table, calcium and barium. It occurs naturally mainly in the minerals celestine and strontianite, and is mostly mined from these.
Electrons
38
Protons
38
Neutrons
50
Discoverer:
Adair Crawford
Discovered in:
1790


A record / playback proxy for testing JVM applications that connect to external HTTP services.
Just add a @Betamax annotation to your test or spec method. The first time it runs HTTP requests & responses are recorded to tape.
@Betamax
Future test runs replay HTTP responses from tape. Insert different tapes to stub different responses.
Edit your tape files with any text editor. Commit them to source control to share with your team and use on your Continuous Integration server.


Constructor for SingleView.
The URI to the background image for the page.
Add a callback to the list of those be called when the page updates.
The callback function.
Change to a certain page Since there is only one page, this is essentially a wrapper for updateSVG
The zero-indexed number of the current page. This will always be zero.
The URI of the page.
A human readable name for the page. Used for downloads.
Remove a callback from the list of callbacks if it is part of the list.
The callback function.
Reset the transformations that have been applied to the SVG upon update.
Set event handlers for the view and display panel.
Update the SVG being displayed.
New rendered SVG to use.
Generated using TypeDoc
A view module for displaying a single page of a manuscript.


To succeed in today's economy, getting a college education is a MUST. It's estimated that by 2024, about half of all jobs will require a college diploma.
In 2015, the average student debt was over $29,000. Take advantage of Cuomo's intiative for free college tution and start your path to getting higher education today.
Read about college affordability and completion intiatives and information in US Department of Education's website.
Check out the valuable tool provided by the US Department of Education to help you find the cost of college tuition in each sector or higher education from public community colleges to private 4-year universities.


Isar735.github.io
Teaching Resources Lesson Plans Teachers Pay Teachers.
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498 Creative Writing Teacher jobs available on Indeed.com. Apply to English Teacher, Teacher, Daycare Teacher Creative Writing; EFL - ESL Teachers Pay Teachers is an online marketplace where teachers buy and special offers we send out every week in our teacher. Browse writing prompts resources on Teachers Pay Teachers, a marketplace trusted by millions of teachers for original educational resources. Creative Writing Teacher Pay Teachers. Creative writing teacher pay teachers - IearnDaily.com. Browse resources on Teachers Pay Teachers, a marketplace trusted by millions of teachers for original educational resources.
Prospective students searching for Creative Writing Teacher: Job Description Requirements found the articles, information, and resources
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Creative writing teachers pay teachers to write about definition of character in creative writing. P. Curiously preserved, i writing creative teachers pay teachers. Creative writing teacher pay teachers. Creative Writing Teaching - Teachers Pay Teachers.


Hi, I'm Stanley Pierre-Louis
a Responsive Web Designer [ certified ] from FreeCodeCamp , and I'm currently working on my skills to be a full stack Wed Developer.
check out [my resume ] to learn more about me and my [works]
These are some of my projects i finished on freecodecamp
Random Quote Machine
See the Pen Random Quote Machine by Stanley ( @pierrelstan) on CodePen.
Weather App
See the Pen Weather by Stanley ( @pierrelstan) on CodePen.
Build a Survey Form
See the Pen Build a Survey Form by Stanley ( @pierrelstan) on CodePen.
Wikipedia Viewer
See the Pen Wikipedia Viewer by Stanley ( @pierrelstan) on CodePen.
Tribute Page
See the Pen Thomas Edison by Stanley ( @pierrelstan) on CodePen.
Markdown Previewer
See the Pen Markdown Previewer by Stanley ( @pierrelstan) on CodePen.
Contact me
How may i help you ?


MARKET 24
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Ocean [ae06], ocean, in Crystal Sea
Last updated Turn #148
Ocean [ae06], ocean, in Crystal Sea
------------------------------------------------------------------------
11: Sirocco Traveller [ja8y], ship, 10 hulls, 1 rowing port, 30 sails,
11: 4% damaged, arrived from Ocean [ae05], owner:
11: Phantasm [n4b], Imperial Empire, duke, with one peasant,
11: two workers, 32 sailors, 15 lt. xbowmen, accompanied by:
11: Elisabeth [hn0y], Pen, with 21 pikemen
11: A storm batters the ship and causes some damage.
12: Sirocco Traveller [ja8y], ship, 10 hulls, 1 rowing port, 30 sails,
12: 7% damaged, departed for Ocean [ae07].
Routes leaving Ocean:
North, to Ocean [ad06], 6 days
East, to Ocean [ae07], 6 days
South, to Ocean [af06], 6 days
West, to Ocean [ae05], 6 days
It is raining.


(Note, this won’t work with amplified data.)
Extra resources:
—
At the command line, create a new directory and extract some data:
cd /mnt
mkdir slice
cd slice
We’re going to work with half the read data set for speed reasons –
gunzip -c ../mapping/SRR1976948.abundtrim.subset.pe.fq.gz | \
head -6000000 > SRR1976948.half.fq
In a Jupyter Notebook (go to ‘http://‘ + machine name + ‘:8000’), password ‘davis’, create new Python notebook “conda root”, run:
cd /mnt/slice
and then in another cell:
!load-into-counting.py -M 4e9 -k 31 SRR1976948.kh SRR1976948.half.fq
and in another cell:
!abundance-dist.py SRR1976948.kh SRR1976948.half.fq SRR1976948.dist
and in yet another cell:
%matplotlib inline
import numpy
from pylab import *
dist1 = numpy.loadtxt('SRR1976948.dist', skiprows=1, delimiter=',')
plot(dist1[:,0], dist1[:,1])
axis(ymax=10000, xmax=1000)
Then:
python2 ~/khmer/sandbox/calc-median-distribution.py SRR1976948.kh \
SRR1976948.half.fq SRR1976948.readdist
And:
python2 ~/khmer/sandbox/slice-reads-by-coverage.py SRR1976948.kh SRR1976948.half.fq slice.fq -m 0 -M 60
(Re)install megahit:
cd
git clone https://github.com/voutcn/megahit.git
cd megahit
make
Go back to the slice directory and extract paired ends:
cd /mnt/slice
extract-paired-ends.py slice.fq
Assemble!
~/megahit/megahit --12 slice.fq.pe -o slice
The contigs will be in slice/final.contigs.fa
.


EVERYONE SAYS I LOVE YOU A film review by Scott Renshaw Copyright 1997 Scott Renshaw
(Miramax) Starring: Woody Allen, Julia Roberts, Goldie Hawn, Alan Alda, Edward Norton, Drew Barrymore, Natasha Lyonne, Tim Roth, Natalie Portman. Screenplay: Woody Allen. Producer: Robert Greenhut. Director: Woody Allen. MPAA Rating: PG-13 (profanity, adult themes) Running Time: 95 minutes. Reviewed by Scott Renshaw.
Woody Allen is one of the unlikeliest film-makers I can think of to try to revive the movie musical. It is true that Allen has made nostalgia something of his personal fiefdom, and that he clearly loves the old standards, but that doesn't necessarily make him the best man for the job. To oversimplify the matter somewhat, the near-total disappearance of the musical as a cinematic genre has been the product of a less innocent era; for a musical to work its magic on you, you had to surrender to its often-absurd optimism, something increasingly difficult to do in a cynical time. Woody Allen may not necessarily be a cynic, but he has become somewhat synonymous with sophistication. EVERYONE SAYS I LOVE YOU is an entertaining trifle which never truly transports you because Allen is too often outside the genre. This may be the first meta-musical.
 Teenager DJ (Natasha Lyonne) narrates the interwoven stories, beginning with her sister Skylar's (Drew Barrymore) engagement to upstanding young Holden (Edward Norton). Skylar and DJ's unlucky-in-love father Joe (Woody Allen) is an author living in Paris, currently trying to woo a young art historian named Von (Julia Roberts); Meanwhile, Joe's dyed-in-the-wool liberal ex-wife Steffi (Goldie Hawn) is remarried to like-minded Bob (Alan Alda), though Bob's son Scott (Lukas Haas) has become a conservative Republican. Naturally, all the relationships have their problems. Skylar is attracted to a rough ex-con (Tim Roth), Von is still married (if unhappily) and there may still be a bit of a spark between Joe and Steffi.
With so many film-makers content to make the same film over and over, you have to respect Allen for experimenting constantly with techniques (the hand-held camera work of HUSBANDS AND WIVES and MANHATTAN MURDER MYSTERY), narrative devices (the Greek chorus of MIGHTY APHRODITE) and genres. EVERYONE SAYS I LOVE YOU is an experiment, to be sure, with most of the actors singing their own parts and production numbers popping up in the oddest places. A couple of the numbers work superbly, notably a ghostly dance to "Enjoy Yourself (It's Later Than You Think)" which is reminiscent of Disneyland's Haunted Mansion, but watching this film makes you realize how long it may have been since you've seen characters break into song on screen; even though you know it is a musical, it is a bit startling every time a song begins. Still, no one embarrasses him or herself (though Julia Roberts comes close), and the familiar songs are given unique spins out of their plot-appropriate appearances.
The problem with EVERYONE SAYS I LOVE YOU isn't the songs, it is Allen's approach to them. His audience is notoriously upscale, and he makes his films decidedly with that audience in mind; how better to explain the knowing laughter which accompanies a cameo appearance by Itzhak Perlman playing violin at a party? In fact, knowing laughter plays a significant role in EVERYONE SAYS I LOVE YOU. Allen appears to be banking not on the songs and dances themselves being entertaining, but on their silly incongruity being entertaining. One moment, a light-hearted duet between Goldie Hawn and Woody Allen on the banks of the Seine, strikes a perfect low-key tone, but it is a rare exception. Allen has made a comedy in which the object of much of the humor is the fact that people are singing and dancing; he is getting us to laugh _at_ the musical genre, not with it.
One of the ironies of that effect is that Allen may also have given a winking acknowledgment to critics of his romanticized view of New York. An early sequence finds a panhandler breaking into song, and Allen's tendency to focus on upper crust Manhattanites is given a nudge as he sets a scene Le Cirque and a production number at exclusive jeweler Harry Winston's. There is plenty to laugh at in EVERYONE SAYS I LOVE YOU, from Skylar's propensity for swallowing engagement rings to one hilarious swipe at Italians from a Teutonic housekeeper, as well as inspired performances by Edward Norton (effortlessly charming in his two musical numbers) and Tim Roth (hilarious as a suspicious criminal thrust into high society). Curiously, those two performances also emphasize why EVERYONE SAYS I LOVE YOU isn't better. They offer a couple of rare moments of unrestrained glee in a story which feels constrained by its characters' social positions, even though Allen is all too conscious of the world in which he has set his story. It is noteworthy that the Marx Brothers play a significant role in the film's climax (as well as the title, a tune prominently featured in HORSE FEATHERS), because EVERYONE SAYS I LOVE YOU is a musical in the sense that the Marx Brothers' early films were musicals, where songs serving romantic sub-plots only got in the way of the real funny material. It is also set in the posh world the Marxes used to tear to shreds, only the classy folks are the heroes this time. Once upon a time Woody Allen seemed comfortable with Marx-ist ideology, but perhaps he has mellowed with age. EVERYONE SAYS I LOVE YOU sings, but it might have soared if the guiding sensibility had been Groucho instead of Margaret Dumont.
On the Renshaw scale of 0 to 10 silly love songs: 7.
Visit Scott Renshaw's MoviePage http://www-leland.stanford.edu/~srenshaw Subscribe to receive reviews directly via email See details on the MoviePage
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| FHI Type | FHI Name | Patient ID | Diseases | Diseases Code | Status | |
|---|---|---|---|---|---|---|
| FTH | FTH, Abakaliki | 78400 | Fungal Infection | FI09636 | On Prescription | View Details |
| SH | NOH, Enugu | 612465 | Brain Tumor | BT904534 | On Admission | View Details |
| FTH | LUTH, Lagos | 34123 | Shingles | SG943590 | On Admission | View Details |
| FTH | FTH, Abakaliki | 78400 | Fungal Infection | FI09636 | On Prescription | View Details |
| SH | NOH, Enugu | 612465 | Brain Tumor | BT904534 | On Admission | View Details |
| FTH | LUTH, Lagos | 34123 | Shingles | SG943590 | On Admission | View Details |
| FTH | FTH, Abakaliki | 78400 | Fungal Infection | FI09636 | On Prescription | View Details |
| SH | NOH, Enugu | 612465 | Brain Tumor | BT904534 | On Admission | View Details |
| FTH | LUTH, Lagos | 34123 | Shingles | SG943590 | On Admission | View Details |


|
| Query | createQuery (String query) |
| |
| EntityManager | getEntityManager () |
| | create a enitityManager with the persistence.xml. Entity Manger is used for which class is relatet to each other... More...
|
| |
Definition at line 14 of file Store.java.
§ createQuery()
| Query createQuery |
( |
String |
query | ) |
|
- Parameters
-
| query | if you want to make queries on your own. with advantage use predefined queries ;) |
- Returns
- runnable query
Definition at line 39 of file Store.java.
§ getEntityManager()
| EntityManager getEntityManager |
( |
| ) |
|
create a enitityManager with the persistence.xml. Entity Manger is used for which class is relatet to each other...
- Returns
- entity manager
Definition at line 48 of file Store.java.
§ getInstance()
| static Store getInstance |
( |
| ) |
|
|
static |
create a new Instance of a DB
- Returns
- DB Instance
Definition at line 26 of file Store.java.
§ entityManager
| EntityManager entityManager = null |
|
private |
§ instance
§ jpaStoreId
| String jpaStoreId = "store" |
|
private |
The documentation for this class was generated from the following file:
- /home/silas/IdeaProjects/EnOcean/src/ch/bfh/gr33nopo55um/enocean/persistence/Store.java


Title
Description
Client
Client A
Client B
Client C
Client Priority
Number only, 1 for highest priority
Target Date
Product Area
Policies
Billing
Claims
Reports
Submit
Fitcha - Feature Requests
ID
Title
Description
Client
Client Priority
Target Date
Product Area
Delete


the strong thesis is that software is pattern per se (in the broad sense of anything structured, not particularly regular or so), or syntactical form (and thus matter?)
Software patterns, then, are only contingently expressed in binary codes, but are essentially expressed as arrays of symbols —or texts.
A digital pattern is an organized array of differences.
interesting tension: between exact information and blurry meaning.
it is pattern which is readable and executable by the machine. that is, it abides by certain formal/syntactic rules.
but to go further, we must project intent
This suggests that to understand software we must understand intentions, purposes, goals, or will, which enlarges the problem far more than we originally anticipated. […] We should not be surprised if human compositions that are meant to make machines do useful work should require us to posit and understand human purposiveness. After all, to distinguish literature from noise requires a similar undertaking.
so is software a human composition meant to make a machine do interesting work? there could be a version where there is no human involved, just purpose (like bio computation) but that’s beyond the scope of the phd
source code has a material component because to be interpreted by a machine it must have a physical form. can’t be oral, e.g.
software itself, though, is both the immanerial idea and its material manifestation
he says that the soft in software is related to:
Software has a dimension of pure pattern or meaning, and is in that sense soft.
it can actually be that you change parts of the source code and the software remains, semantically, the same. (difference between semantic pattern and syntactic pattern)
If one is to set the time, one should think about time, not about gear ratios.
software qua pattern is not a series of effective methods; it is the encoded expression of them.


Error #61: FILE NOT OPEN This message is generated when a file is being accessed that has not been opened in the DOS. Sometimes, in this case, a message is not generated; the request is simply ignored.


--- title: E-mail Obfuscater Perl One-liner layout: post tags: [perl] uuid: 9498c4a0-8f5c-37a3-b443-ccc189dbbcbd ---
If you look at the page sources around here you might notice that there are no bare e-mail addresses around. This is because I obfuscate them into a series of HTML entities. So far this has been pretty effective at hiding from address-scraping, web-crawling spam bots. They don't seem to try very hard at decoding HTML entities.
When I added the comment system, I needed to obfuscate addresses automatically. I quickly realized that this is yet another perl one-liner (and implemented as one line in the comment system). It can be used on the command line to obfuscate a file/pipe containing a list of addresses.
{% highlight bash %} perl -lpe '$_ = join "", map {"" . ord() . ";"} split //' {% endhighlight %}All of the spaces are really only there for us humans,
{% highlight bash %} perl -lpe '$_=join"",map{"".ord.";"}split//' {% endhighlight %}I keep running into these one-liners.


I'm currently a second-year CS master student at Arizona State University, former senior
data engineer and software engineer at top tech companies in China:
ByteDance Inc(2 years),
Baidu Inc(1.5 years) and
58 & Ganji Inc(0.5 yeas). I'm actively seeking
PhD opportunity starting from fall 2020
. My research interests are focused on
data visualization and information retrieval


World of tanks
For years, World of Tanks has been the go-to game for epic battles featuring
historically accurate armored vehicles. Experience driving a multi-ton,
cannon-equipped behemoth into combat against teams of tankers from all over the world.
World of Tanks: Xbox 360 Edition was made from the ground-up, with every part of the game ratcheted up
for explosive showdowns like no other.
Massive team battles
It's great to dream of being the ace who saves the day, but it's only through teamwork that you and your
allies prevail. 30 tanks split between two teams battle for supremacy on over a dozen
intricately-designed maps. Do your best to collaborate,
and your allies will work with you to unleash an unstoppable assault against your enemies!
Multiple game modes
World of Tanks: Xbox 360 Edition offers three distinct game modes: Standard,
Encounter, and Assault. Standard battles are intense "capture" scenarios where two teams attempt
to secure the opposing base. Encounter battles offer only one base to capture,
and teams fight tooth-and-nail to keep it. In Assault mode, players get a pitched battle between
attackers and defenders during a single-base engagement.


Lets Write a Compiler!
Our goal is to write a compiler which is a function:
compiler :: SourceProgram -> TargetProgram
In 131 TargetProgram
is going to be a binary executable.
Lets write our first Compilers
SourceProgram
will be a sequence of four tiny “languages”
- Numbers
- e.g.
7
,12
,42
…
- Numbers + Increment
- e.g.
add1(7)
,add1(add1(12))
, …
- Numbers + Increment + Decrement
- e.g.
add1(7)
,add1(add1(12))
,sub1(add1(42))
- Numbers + Increment + Decrement + Local Variables
- e.g.
let x = add1(7), y = add1(x) in add1(y)
Recall: What does a Compiler look like?
An input source program is converted to an executable binary in many stages:
- Parsed into a data structure called an Abstract Syntax Tree
- Checked to make sure code is well-formed (and well-typed)
- Simplified into some convenient Intermediate Representation
- Optimized into (equivalent) but faster program
- Generated into assembly
x86
- Linked against a run-time (usually written in C)
Simplified Pipeline
Goal: Compile source into executable that, when run, prints the result of evaluating the source.
Approach: Lets figure out how to write
- A compiler from the input string into assembly,
- A run-time that will let us do the printing.
Next, lets see how to do (1) and (2) using our sequence of adder
languages.
Adder-1
- Numbers
- e.g.
7
,12
,42
…
The “Run-time”
Lets work backwards and start with the run-time.
Here’s what it looks like as a C
program main.c
#include <stdio.h>
extern int our_code() asm("our_code_label");
int main(int argc, char** argv) {
int result = our_code();
"%d\n", result);
printf(return 0;
}
main
just callsour_code
and prints its return value,our_code
is (to be) implemented in assembly,- Starting at label
our_code_label
, - With the desired return value stored in register
EAX
- per, the
C
calling convention
- Starting at label
Test Systems in Isolation
Key idea in (Software) Engineering:
Decouple systems so you can test one component without (even implementing) another.
Lets test our “run-time” without even building the compiler.
Testing the Runtime: A Really Simple Example
Given a SourceProgram
42
We want to compile the above into an assembly file forty_two.s
that looks like:
section .text
global our_code_labelour_code_label:
mov eax, 42
ret
For now, lets just
- write that file by hand, and test to ensure
- object-generation and then
- linking works
(On MacOS)
nasm -f macho64 -o forty_two.o forty_two.s
$ clang -g -m64 -o forty_two.run c-bits/main.c forty_two.o $
(On Linux)
nasm -f elf64 -o forty_two.o forty_two.s
$ clang -g -m64 -o forty_two.run c-bits/main.c forty_two.o $
We can now run it:
forty_two.run
$ 42
Hooray!
The “Compiler”
Recall, that compilers were invented to avoid writing assembly by hand
First Step: Types
To go from source to assembly, we must do:
Our first step will be to model the problem domain using types.
Lets create types that represent each intermediate value:
Text
for the raw input sourceExpr
for the ASTAsm
for the output x86 assembly
Defining the Types: Text
Text
is raw strings, i.e. sequences of characters
texts :: [Text]
=
texts "It was a dark and stormy night..."
[ "I wanna hold your hand..."
, "12"
, ]
Defining the Types: Expr
We convert the Text
into a tree-structure defined by the datatype
data Expr = Number Int
Note: As we add features to our language, we will keep adding cases to Expr
.
Defining the Types: Asm
Lets also do this gradually as the x86 instruction set is HUGE!
Recall, we need to represent
section .text
global our_code_labelour_code_label:
mov eax, 42
ret
An Asm
program is a list of instructions each of which can:
- Create a
Label
, or - Move a
Arg
into aRegister
Return
back to the run-time.
type Asm = [Instruction]
data Instruction
= ILabel Text
| IMov Arg Arg
| IRet
Where we have
data Register
= EAX
data Arg
= Const Int -- a fixed number
| Reg Register -- a register
Second Step: Transforms
Ok, now we just need to write the functions:
parse :: Text -> Expr -- 1. Transform source-string into AST
compile :: Expr -> Asm -- 2. Transform AST into assembly
asm :: Asm -> Text -- 3. Transform assembly into output-string
Pretty straightforward:
parse :: Text -> Expr
= parseWith expr
parse where
= integer
expr
compile :: Expr -> Asm
Number n) =
compile (IMov (Reg EAX) (Const n)
[ IRet
,
]
asm :: Asm -> Text
= L.intercalate "\n" [instr i | i <- is] asm is
Where instr
is a Text
representation of each Instruction
instr :: Instruction -> Text
IMov a1 a2) = printf "mov %s, %s" (arg a1) (arg a2)
instr (
arg :: Arg -> Text
Const n) = printf "%d" n
arg (Reg r) = reg r
arg (
reg :: Register -> Text
EAX = "eax" reg
Brief digression: Typeclasses
Note that above we have four separate functions that crunch different types to the Text
representation of x86 assembly:
asm :: Asm -> Text
instr :: Instruction -> Text
arg :: Arg -> Text
reg :: Register -> Text
Remembering names is hard.
We can write an overloaded function, and let the compiler figure out the correct implementation from the type, using Typeclasses.
The following defines an interface for all those types a
that can be converted to x86 assembly:
class ToX86 a where
asm :: a -> Text
Now, to overload, we say that each of the types Asm
, Instruction
, Arg
and Register
implements or has an instance of ToX86
instance ToX86 Asm where
= L.intercalate "\n" [asm i | i <- is]
asm is
instance ToX86 Instruction where
IMov a1 a2) = printf "mov %s, %s" (asm a1) (asm a2)
asm (
instance ToX86 Arg where
Const n) = printf "%d" n
asm (Reg r) = asm r
asm (
instance ToX86 Register where
EAX = "eax" asm
Note in each case above, the compiler figures out the correct implementation, from the types…
Adder-2
Well that was easy! Lets beef up the language!
- Numbers + Increment
- e.g.
add1(7)
,add1(add1(12))
, …
Repeat our Recipe
- Build intuition with examples,
- Model problem with types,
- Implement compiler via type-transforming-functions,
- Validate compiler via tests.
1. Examples
First, lets look at some examples.
Example 1
How should we compile?
add1(7)
In English
- Move
7
into theeax
register - Add
1
to the contents ofeax
In ASM
mov eax, 7
add eax, 1
Aha, note that add
is a new kind of Instruction
Example 2
How should we compile
add1(add1(12))
In English
- Move
12
into theeax
register - Add
1
to the contents ofeax
- Add
1
to the contents ofeax
In ASM
mov eax, 12
add eax, 1
add eax, 1
Compositional Code Generation
Note correspondence between sub-expressions of source and assembly
We will write compiler in compositional manner
- Generating
Asm
for each sub-expression (AST subtree) independently, - Generating
Asm
for super-expression, assuming the value of sub-expression is inEAX
2. Types
Next, lets extend the types to incorporate new language features
Extend Type for Source and Assembly
Source Expressions
data Expr = ...
| Add1 Expr
Assembly Instructions
data Instruction
= ...
| IAdd Arg Arg
Example-1 Revisited
= "add1(7)"
src1
= Add1 (Number 7)
exp1
= [ IMov (Reg EAX) (Const 7)
asm1 IAdd (Reg EAX) (Const 1)
, ]
Example-2 Revisited
= "add1(add1(12))"
src2
= Add1 (Add1 (Number 12))
exp2
= [ IMov (Reg EAX) (Const 12)
asm2 IAdd (Reg EAX) (Const 1)
, IAdd (Reg EAX) (Const 1)
, ]
3. Transforms
Now lets go back and suitably extend the transforms:
parse :: Text -> Expr -- 1. Transform source-string into AST
compile :: Expr -> Asm -- 2. Transform AST into assembly
asm :: Asm -> Text -- 3. Transform assembly into output-string
Lets do the easy bits first, namely parse
and asm
Parse
parse :: Text -> Expr
= parseWith expr
parse
expr :: Parser Expr
= try primExpr
expr <|> integer
primExpr :: Parser Expr
= Add1 <$> rWord "add1" *> parens expr primExpr
Asm
To update asm
just need to handle case for IAdd
instance ToX86 Instruction where
IMov a1 a2) = printf "mov %s, %s" (asm a1) (asm a2)
asm (IAdd a1 a2) = printf "add %s, %s" (asm a1) (asm a2) asm (
Note
- GHC will tell you exactly which functions need to be extended (Types, FTW!)
- We will not discuss
parse
andasm
any more…
Compile
Finally, the key step is
compile :: Expr -> Asm
Number n)
compile (= [ IMov (Reg EAX) (Const n)
IRet
,
]Add1 e)
compile (= compile e -- EAX holds value of result of `e` ...
++ [ IAdd (Reg EAX) (Const 1) ] -- ... so just increment it.
Examples Revisited
Lets check that compile behaves as desired:
>>> (compile (Number 12)
IMov (Reg EAX) (Const 12) ]
[
>>> compile (Add1 (Number 12))
IMov (Reg EAX) (Const 12)
[ IAdd (Reg EAX) (Const 1)
,
]
>>> compile (Add1 (Add1 (Number 12)))
IMov (Reg EAX) (Const 12)
[ IAdd (Reg EAX) (Const 1)
, IAdd (Reg EAX) (Const 1)
, ]
Adder-3
You do it!
- Numbers + Increment + Double
- e.g.
add1(7)
,twice(add1(12))
,twice(twice(add1(42)))
Adder-4
- Numbers + Increment + Decrement + Local Variables
- e.g.
let x = add1(7), y = add1(x) in add1(y)
Can you think why local variables make things more interesting?
Repeat our Recipe
- Build intuition with examples,
- Model problem with types,
- Implement compiler via type-transforming-functions,
- Validate compiler via tests.
Step 1: Examples
Lets look at some examples
Example: let1
let x = 10
in
x
Need to store 1 variable – x
Example: let2
let x = 10 -- x = 10
= add1(x) -- y = 11
, y = add1(y) -- z = 12
, z in
-- 13 add1(z)
Need to store 3 variables– x, y, z
Example: let3
let a = 10
= let b = add1(a)
, c in
add1(b)in
add1(c)
Need to store 3 variables – a
, b
, c
– but at most 2 at a time
- First
a, b
, thena, c
- Don’t need
b
andc
simultaneously
Problem: Registers are Not Enough
A single register eax
is useless:
- May need 2 or 3 or 4 or 5 … values.
There is only a fixed number (say, N
) of registers
- And our programs may need to store more than
N
values, so
Need to dig for more storage space!
Memory: Code, Globals, Heap and Stack
Here’s what the memory – i.e. storage – looks like:
Focusing on “The Stack”
Lets zoom into the stack region, which when we start looks like this:
The stack grows downward (i.e. to smaller addresses)
We have lots of 4-byte slots on the stack at offsets from the “stack pointer” at addresses:
[RBP - 4 * 1]
,[RBP - 4 * 2]
,[RBP - 4 * 3]
…,
Note: On 32-bit machines the “base” is the EBP
register (not RBP
).
How to compute mapping from variables to slots ?
The i
-th stack-variable lives at address [RBP - 4 * i]
Required A mapping
- From source variables (
x
,y
,z
…) - To stack positions (
1
,2
,3
…)
Solution The structure of the let
s is stack-like too…
- Maintain an
Env
that mapsId |-> StackPosition
let x = e1 in e2
adds x |-> i
to Env
- where
i
is ``current’’ size of stack.
Let-bindings and Stacks: Example-1
-- []
let x = 1
in -- [ x |-> 1 ]
x
Let-bindings and Stacks: Example-2
-- []
let x = 1
-- [x |-> 1]
= add1(x)
, y -- [y |-> 2, x |-> 1]
= add1(y)
, z in -- [z |- 3, y |-> 2, x |-> 1]
add1(z)
QUIZ
At what position on the stack do we store variable c
?
let a = 1
=
, c let b = add1(a)
in add1(b)
in
add1(c)
A. 1
B. 2
C. 3
D. 4
E. not on stack!
Strategy
-- ENV(n)
let x = E1
in -- [x |-> n+1, ENV(n)]
E2
-- ENV(n)
Strategy: Variable Definition
At each point, we have env
that maps (previously defined) Id
to StackPosition
To compile let x = e1 in e2
we
- Compile
e1
usingenv
(i.e. resulting value will be stored ineax
) - Move
eax
into[RBP - 4 * i]
- Compile
e2
usingenv'
(where env'
be env
with x |-> i
i.e. push x
onto env
at position i
)
Strategy: Variable Use
To compile x
given env
- Move
[RBP - 4 * i]
intoeax
(where env
maps x |-> i
)
Example: Let-bindings to Asm
Lets see how our strategy works by example:
Example: let1
QUIZ: let2
When we compile
let x = 10
= add1(x)
, y in
add1(y)
The assembly looks like
mov eax, 10 ; LHS of let x = 10
mov [RBP - 4*1], eax ; save x on the stack
mov eax, [RBP - 4*1] ; LHS of , y = add1(x)
add eax, 1 ; ""
???add eax, 1
What .asm instructions shall we fill in for ???
mov [RBP - 4 * 1], eax ; A
mov eax, [RBP - 4 * 1]
mov [RBP - 4 * 1], eax ; B
mov [RBP - 4 * 2], eax ; C
mov [RBP - 4 * 2], eax ; D
mov eax, [RBP - 4 * 2]
; E (empty! no instructions)
Example: let3
Lets compile
let a = 10
= let b = add1(a)
, c in
add1(b)in
add1(c)
Lets figure out what the assembly looks like!
mov eax, 10 ; LHS of let a = 10
mov [RBP - 4*1], eax ; save a on the stack
???
Step 2: Types
Now, we’re ready to move to the implementation!
Source Expressions
type Id = Text
data Expr = ...
| Let Id Expr Expr -- `let x = e1 in e2` represented as `Let x e1 e2`
| Var Id -- `x` represented as `Var x`
Assembly Instructions
Lets enrich the Instruction
to include the register-offset [RBP - 4*i]
data Arg = ...
| RegOffset Reg Int -- `[RBP - 4*i]` modeled as `RegOffset RBP i`
Environments
An Env
type to track stack-positions of variables with API
push
variable ontoEnv
(returning its position),lookup
a variable’s position inEnv
push :: Id -> Env -> (Int, Env)
= (i, (x, i) : env)
push x env where
= 1 + length env
i
lookup :: Id -> Env -> Maybe Int
lookup x ((y, i) : env)
| x == y = Just i
| otherwise = lookup x env
lookup x [] = Nothing
Step 3: Transforms
Almost done: just write code formalizing the above strategy
Code: Variable Use
Var x) = [ IMov (Reg EAX) (RegOffset RBP i) ]
compileEnv env (where
= fromMaybe err (lookup x env)
i = error (printf "Error: Variable '%s' is unbound" x) err
Code: Variable Definition
Let x e1 e2 l) = compileEnv env e1
compileEnv env (++ IMov (RegOffset RBP i) (Reg EAX)
: compileEnv env' e2
where
= pushEnv x env (i, env')
Step 4: Tests
Lets take our adder
compiler out for a spin!
Recap: We just wrote our first Compilers
SourceProgram
will be a sequence of four tiny “languages”
- Numbers
- e.g.
7
,12
,42
…
- Numbers + Increment
- e.g.
add1(7)
,add1(add1(12))
, …
- Numbers + Increment + Decrement
- e.g.
add1(7)
,add1(add1(12))
,sub1(add1(42))
- Numbers + Increment + Decrement + Local Variables
- e.g.
let x = add1(7), y = add1(x) in add1(y)
Using a Recipe
- Build intuition with examples,
- Model problem with types,
- Implement compiler via type-transforming-functions,
- Validate compiler via tests.
Will iterate on this till we have a pretty kick-ass language.


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ConfigResponse(apps: List<App>)
Represents the response given by the Server when executing the config Request.


Contact for Class - 9th , 10th , 11th , 12th Tution Classes
NEW ERA OF EDUCATION WE ARE THE BEST.. NO ONE CAN MATCH WITH US. I AM SHUBHAM SINGH. CEO OF EXCELLENCE CLASSES. OVERACHIEVER, NMMS HOLDER, PURSUING BSC. FROM THE PRESTIGIOUS COLLEGE OF DELHI UNIVERSITY. I ALWAYS SCORE 95+ BECAUSE IT IS EASY TO SCORE. WE JUST NEED A PROPER GUIDANCE AND THAT IS WHY WE ARE HERE FOR YOU. MY TEAM WILL MAKE SURE THAT OUR EVERY STUDENT SCORE MORE THAN 95 IN THEIR EXAM, AND WE WILL MAKE IT POSSIBLE JOIN US SHUBHAM SINGH-9354805357
Lets continue on WhatsApp


Michael Thomas is an interaction designer working for the Government Digital Service.
Most recently he's been
helping users to prove their identity online
. He also designed
the guidance manual
that helps teams around government build quality digital services and helped
make government service data more transparent
.
He previously worked for
Applied
, translating complex spaces into clear signage and wayfinding for cities and transport infrastructure around the world.


-
icebox
- Schema
- Migrations
- SMS API
- Prioritization Visualization
-
development
- UI
- UX
-
testing
- Name
-
deployed
- Self-doubt
- Chocolate


This page discusses the change in the internal implementation of the Table class which took place starting from version 1.0 of astropy. The motivation for making this change is discussed in the Benefits section.
The images below illustrate the basic architecture of the Table class for astropy versions 0.4.x and earlier (left) and after version 1.0 (right).
On the left side (before 1.0) the fundamental data container is a numpy structured array referenced as an internal attribute _data. All public methods and operations (e.g. column access, row indexing) are done via this internal ndarray object. The columns attribute is used to manage table columns and provide access. It is a TableColumns object which is essentially an ordered dictionary of Column or MaskedColumn objects which provide views of the _data array.
On the right side (after 1.0) the fundamental data container is now the collection of individual column objects and there is no longer a structured array associated with the table. Each Column object is the sole owner of its data. As before, the columns attribute is used to manage columns and provide access.
For versions before 1.0 the Column object is an ndarray subclass with a memory view of the corresponding column in the _data array. This means that the physical memory for the Column object data is exactly the same as the memory storing the _data array. Therefore updating an element in the column results in the corresponding update in the _data value. This model is convenient in many ways, but also has drawbacks. In particular, astropy tables are easily mutable (e.g. you can add or remove columns) while numpy structured arrays are not. This means that key operations require regenerating the entire _data structured array and likewise regenerating all the Column view objects. This is relatively slow and results in additional code complexity to always ensure correspondence.
Starting with version 1.0 the Column object is the same ndarray subclass but it is sole owner of the data. This simplifies table management considerably along with making operations like adding or removing columns much faster because there is no structured array to regenerate.
A Row object corresponds to a single row in the table. For versions before 1.0, when a Row object is requested it uses numpy indexing into the table _data array to generate a numpy.void or numpy.ma.mvoid object as the data attribute [1]. This delegates most of the row access functionality like row['a'] to the numpy void classes. For unmasked tables this data attribute is a memory view of the parent table row, though for masked tables (due to the implementation of numpy masked arrays), the data attribute is not a view.
For version 1.0 and later, the Row object does not create a view of the full row at any point. Instead it manages access (like row['a']) dynamically in a way that maintains the same interface. Due to improved implementation this is actually faster.
The row data attribute is part of the public API before 1.0, therefore it is still available in 1.0 but as a deprecated property. In this case accessing data runs the as_void() method to dynamically create and return a numpy.void or numpy.ma.mvoid object. This provides a copy of the original data, not a view. Code which was relying on the row data attribute as a view into the parent table will need to be modified.
| [1] | numpy.void is a dtype that can be used to represent structures of arbitrary byte width. |
The data property of the Row object is deprecated in version 1.0 and may be removed in a later version. Code which requires access to a numpy.void or numpy.ma.mvoid object corresponding to a table row can now use the as_void() method. This is public and stable, with the caveat that it is relatively slow and returns a copy of the row data, not a view.
While the _data property of the Table object is not part of the public API in any astropy release, some users may have let this creep into their code as back-door access to the numpy object. In version 1.0 this attribute is formally deprecated and will generate a warning.
From 1.0 the public method for getting the corresponding numpy structured array or masked array version of a table is the Table method as_array(). This dynamically generates the requested object, making a copy of the table data. Be aware that the _data property calls as_array(), so accessing _data will effectively double the memory usage of the table.
An alternative is to use array to do the conversion, e.g. for an astropy Table object named dat use np_dat = np.array(dat). Be aware that for a masked table this operation always returns a pure ndarray with data corresponding to the unmasked values.
In version 1.0 the operations described in Table operations rely on as_array() to create numpy structured arrays which are used in the actual array manipulations. This creates temporary copies of the tables.
From version 1.0 most common operations run at the same speed or are faster (sometimes significantly faster). The only operations which are noticeably slower are adding a row in a masked table (~2 times slower) and setting a column like dat['a'][:] = 10 in a masked table (~6 times slower).
The key benefits of the version 1.0 change are as follows:
Allows for much faster addition or removal of columns. A common idiom is creating a table and then adding columns:
>>> from astropy.table import Table
>>> import numpy as np
>>> t = Table()
>>> t['a'] = np.arange(100)
>>> t['b'] = np.random.uniform(size=100)
>>> t['c'] = t['a'] + t['b']
Prior to 1.0 this idiom was extremely inefficient because the underlying structured array was being entirely regenerated with each column addition. From 1.0 forward this is fast and a good way to write code.
Provides the infrastructure to allow for Tables to easily hold column types beyond just Column and MaskedColumn. This includes Quantity, Time, and SkyCoord objects. Other ideas like nested Table objects are also possible.
Generally faster because of improved implementation in key areas. Column-based access is faster because the column data are held in contiguous memory instead of being strided within the numpy structure array.
Reduces code complexity in a number of core table routines.