A mapper macro that adds text labels to isolines. It processes the output from the isoline module and generates a DataObject that can be directly displayed.
Input Ports
Name Type Description in_fld Field input data from isoline module Parameters
Name Type Description UI Control Active int Whether module updates. - ContourFrequency int Number of contours to skip. UIslider NodeFrequency int Number of nodes to skip. UIslider LineIndependent int Generating labels not depending on the number of isolines. UItoggle NumberOfLabels int Number of Labels if LineIndependent is ticked. UIslider Format string formating specification - Decimals int number of decimal points. UIslider Output Ports
Name Type Description out_fld Field locations and values of labels out_text string[] text of labels out_obj DataObject directly renderable output object
The IsoObjectLabel macro generates and displays text annotation labels for isoline visualizations. It connects to the field output of the isoline module and generates Field data and an array of string values. The macro also generates a DataObject which can be viewed directly. In most cases it will only be necessary to use the generated DataObject. However if you wish to use the raw outputs the Field data contains the position and numerical values of the labels while the string array contains the actual label text at each point. The number of labels output and number of decimal points displayed can both be controlled through a user interface. Internally a text_glyph module is used to actually create the viewable DataObject. The text_glyph user interface is presented in the user interface so that the text display can be controlled.
The module combines the IAC projects Isolabel and Isolabel2. Both of these projects have advantages and disadvantages and the functionality of both projects is available in the IsoObjectLabel project. The label placement algorithm in the Isolabel2 project is significantly more advanced than in the Isolabel project. The isoline project outputs the contours it generates as a mesh with a Line cell-set. The IsoObjectLabelCore module uses the algorithm from the Isolabel2 project to reconstruct the generated contours from this Line mesh and to generate at least one isolabel on each contour. This ensures that each contour is labeled and that the isolabel positions are relatively consistent and sensible. As the positions are consistent these isolabels are suitable for animation.
The disadvantage of this approach is that the isoline module does not always output each contour as a continuous series of lines. If the input data is noisy then the isoline module is likely to output each contour as a series of smaller line segments. While using the Isolabel2 algorithm the IsoObjectLabelCore module interprets each of these line segments as a separate contour. As one label is generated per line segment this can lead to large numbers of labels being generated. One solution to this problem is to use the ContourFrequency parameter. This parameter allows the module to skip a certain proportion of line segments, hence reducing the number of labels generated. Moreover the Isolabel2 algorithm only works with Line type data, such as that output by the isoline module.
Alternatively the algorithm from the Isolabel project can be used by the IsoObjectLabelCore module. The original Isolabel project does not reconstruct contour lines and therefore does not suffer from this problem. It also is able to work with input data that has cell-sets other than Line. To use the algorithm from the Isolabel project the parameter LineIndependent must be greater than zero. In this case ContourFrequency parameter and the NodeFrequency parameter have no effect as they are only needed for the Isolabel2 algorithm.
in_fld
Field data which should be used by the module to generate the text labels. The Field should consist of a Line Mesh and Node Data. Only the first set of Node data is used and that Node data must be scalar.
Active
Integer parameter that specifies whether the module should update. If the parameter is set to zero no updates take place. Conversely if the parameter is not set to zero updates take place as normal.
NodeFrequency
Integer parameter that specifies how frequently labels should be generated. The parameter specifies the stride that should be taken between each node that is labelled. Therefore a NodeFrequency of 1 implies that a label should be generated for every node.
ContourFrequency
Integer parameter that specifies how frequently labels should be generated for a contour. The parameter specifies the stride that should be taken between each contour that is processed. Therefore a ContourFrequency of 1 implies that labels should be generated for every contour.
LineIndependent
Integer parameter that specifies which algorithm is used to generate labels. If the parameter is zero labels are generated for each contour. If it is greater than zero as many labels are generated as determined by the parameter NumberOfLabels and the parameters NodeFrequency and Contout Frequency are not used.
NumberOfLabels
Integer parameter that specifies how how labels should be generated if the parameter LineIndependent is greater than zero.
Format
String parameter that is used to specify the C style formatting specification. This sets how the Node data values should be converted into text. Normally it should not be necessary to alter this parameter and hence there is no user interface.
Decimals
Integer parameter that is used to specify the number of decimal points that each text labels should have. Internally this parameter is used to generate the Format parameter that is actually used in the conversion of numerical values to text strings.
out_fld
Field data containing the locations and numerical values of each text label. The field data contains a Point mesh that contains the locations of each label and a single set of node data that contains the node data values at each label position. If the input mesh contains any transformation data this is copied across to the output mesh.
out_text[]
String array containing the actual label text that should be displayed.
out_obj
The directly renderable output of the isolabel macro. This contains a DataObject object that can be rendered by the standard data viewers. The output object contains the generated text labels placed at the appropriate positions. The output object is generated internally by a text_glyph module. If more control of the display is required the other outputs can be used. Alternatively the Functional macro could be used directly.
The User Macro IsoObjectLabel combines the Functional Macro IsoObjectLabelFunc with the UI Macro IsolabelUI and the standard module text_glyph. The User macro also makes use of the common parameter block IsoObjectLabelParams to tie the Functional Macro and UI macro together.
Three example applications are provided, IsoObjectLabelEg1, IsoObjectLabelEg2 and IsoObjectLabelEg3. These applications generate text labels for 2D and 3D isoline plots. They show how the numbers of generated labels can be controlled for data-sets of various sizes and types.
xp_comm_proj/isobjlbl/islblmac.v Creates the IsoObjectLabelMacs library containing the Functional macro IsoObjectLabelFunc, the UI macro IsoObjectLabelUI and the User macro IsoObjectLabel.
xp_comm_proj/isobjlbl/islblapp.v Creates the IsoObjectLabelApps library containing the example applications IsoObjectLabelEg1, IsoObjectLabelEg2 and IsoObjectLabelEg3.
Please refer to AVS documentation for more information on the isoline and text_glyph modules. This macro does not use the AG kit, and should not be confused with AGContour which also contains isoline labels.
The IsoObjectLabelMacs library inherits its process. As this library contains no procedural code, the process is not important. The modules in the low-level IsoObjectLabelMods library execute under the process specified in that library, not the process defined in the high-level library.
Dr Federico Gamba Advanced Visual Systems, Inc. Andrew Dodd International AVS Centre Simone Herrmann Manchester Visualization Centre


Store Records
Check this box to save submitted records in a database.
This will allow you to view and export them from the queries overview.
If you don't want to store data (due to policies in your organisation), leave the box un-checked.
Captions
Add title and change captions for Submit, Next and Previus buttons
Styling
Add a class/Multiple classes to wrap you form to enable custom styling, disable default styling and load assets with client dependencies
Validation
Provide better validation messages, hide validation labels and change or disable the required/mandatory marker
Moderation
Allow form submissions to be post moderated. Most use cases are for publically shown entries such as blog post comments or submisisons for a social campaign


{{#if station}}
{{#with station}}
{{/with}}
{{else}}
{{name}}, {{city}} ({{abbr}})
{{address}}
{{city}}
{{county}}
{{state}} - {{zipcode}}
{{city}}
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{{state}} - {{zipcode}}
- Introduction: {{intro}}
- Attraction: {{attraction}}
- Food: {{food}}
- Shopping: {{shopping}}
- Platform Info: {{platform_info}}
- North Platforms: {{north_platforms[0].platform}}
- South Platforms: {{south_platforms[0].platform}}
- Routes
- North Routes: {{north_routes[0].route}}
- South Routes: {{south_routes[0].route}}
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If it takes too long then, Oops! We did not find any stations for you!


This is my official portfolio website to showcase my all works related to web developmert and UI design.


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---
layout: post
title: Setting up X Windows on Mac
date: '2011-07-29T12:03:00.000-07:00'
author: Mark Evans
tags:
- X11
- X-windows
modified_time: '2011-07-29T12:03:02.274-07:00'
blogger_id: tag:blogger.com,1999:blog-8042776731714569314.post-1847742113340192133
blogger_orig_url: http://codexpython.blogspot.com/2011/07/setting-up-x-windows-on-mac.html
---
For Snow Leopard.
First check /usr/etc/sshd_config and make sure that "X11 Forwarding yes" has been set.
Then login to remote server with ssh -X<EMAIL_ADDRESS>Start remote desktop (e.g. gnome) with gnome-session


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| DevCamp | RE: Bootcamp Interview - Dear Applicant, This is a invitation to the foremost software bootcamp in the company. We ...... [draft] | 12/03/2019 |
| [No recipient] | RE: What happened? - I'm so sorry babes 💐💓. You are always on mind. I will make it.......[draft] | 24/02/2019 |
| Frank Bishop | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Request for Quote - Hi Umar, This is a request for forex quotation for Allumaudabe.......[draft] | 01/12/2018 |
| Frank Bishop | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |
| [No recipient] | Guy how far na? - Frank, Which way na? We suppose meet for that bar. Guy call me[draft] | 01/12/2018 |


Password Generator
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Include uppercase letters
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Generate password
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Florin Pop
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grub-editenv - edit GRUB environment block
grub-editenv [,OPTION/...] ,FILENAME COMMAND/
Tool to edit environment block.
Commands:
create Create a blank environment block file.
list List the current variables.
set [NAME=VALUE ...] Set variables.
unset [NAME ...] Delete variables.
-?, --help give this help list
--usage give a short usage message
-v, --verbose print verbose messages.
-V, --version print program version
Options:
If FILENAME is `-', the default value ,/boot/grub/grubenv/ is used.
There is no `delete' command; if you want to delete the whole environment block, use `rm /boot/grub/grubenv'.
Report bugs to<EMAIL_ADDRESS>grub-reboot (8), grub-set-default (8)
The full documentation for grub-editenv is maintained as a Texinfo manual. If the info and grub-editenv programs are properly installed at your site, the command
info grub-editenv
should give you access to the complete manual.


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Angular seed app: v


The song {{ (song | async)?.songName }} was released by {{ (song | async)?.artistName }}.
It was part of the {{ (song | async)?.albumName }} album.
{{ (song | async)?.songDescription }}


We're going to make stars appear and disappear on our page.
It could be for giving ratings, or it could be for a game where you click on stars to get stardust.
(This activity uses JavaScript and jQuery.)
It helps if you know the difference between HTML, CSS and JavaScript.
We recommend doing this after doing our "Make a page" and "Idea generator" activities first.
Log in to Neocities.org. (If you don't have an account, create one. It's free.)
Make a new page:
Call it fivestar
Open a tab to edit the new page.
Open a tab to view the new page.
Delete all the default code
Copy and Paste this code instead:
<!DOCTYPE html>

<meta charset='utf-8'>

<title>Five Star</title>

Five Star Rating

<button class="button1">hello</button>

CHECK that you copied all the code. Save the page, then view it.
You will see a page with one star and one button.
Clicking the button makes a message pop up.
We use JavaScript to make the button call a function when you click on it.
1. Find the JavaScript. It starts with
2. Find this line: $(".button1").on("click", greeting);
. (It's near the end.)
3. Replace the word greeting with addStar.
We just changed what happens when you click on the button, using JavaScript.
CHECK: clicking the button now adds a star.
The button's label says "hello". It should say something like "Add a star".
1. Find the HTML that adds a button to the page.
This is NOT the same line we were before! It's not part of the JavaScript.
2. Give the button a better label.
CHECK: The button has a better label instead of "hello".
Let's make a new button that removes stars.
1. Add a new button to the HTML. Do this by copying the HTML code for the old button. (Remember, HTML means pointy brackets like these <button...>)
2. Give your new button a different class. This means the JavaScript can know which is which.
3. CHECK that there are now two different buttons when you view the page.
4. In the JavaScript, make your new button work. Make it call the removeStar
function when it is clicked.
CLUE: Remember the line right at the end? It starts with $('.button1')
. You will need to copy that line and then change a few things to make your new button work.
CHECK: You have 2 buttons. One adds stars, one removes stars.
There is one more function in the code. Can you see it? Can you make a new button that calls that function?
You could probably change the CSS (between ) to make the page look a lot better. You can make the buttons look different!


PSM.Interface
Defines a common interface for working with forward models
Description
The PSM.Interface defines an interface that allows users to work with a variety of forward models using a common set of commands. This interface is specifically designed to facilitate use of the “PSM.estimate” command, which allows users to apply a collection of forward models to a state vector ensemble.
Key Commands
For users, the key commands in the interface are as follows.
You can create an object for a particular type of forward model using PSM.<model type> For example, “PSM.linear” creates new linear forward model, and “PSM.bayspar” creates an object that implements the BaySPAR forward model.
You can optionally label a forward model object by calling the “label” command on the object. You can also return the current label of a forward model using this command.
Indicate which state vector rows contain the inputs required to run the forward model by calling the “rows” command on the object. In addition to a fixed set of state vector rows, the “rows” command also allows users to optionally assign different state vector rows to different ensemble members and/or ensembles in an evolving set.
In addition to these user commands, the PSM interface also requires PSM objects to implement an “estimate” command, which runs the forward model on inputs extracted from a state vector ensemble. These estimate methods are essentially wrappers to whatever external code actually runs the forward model, and they are used by the “PSM.estimate” method to run any input forward models. The interface also requires PSM objects to indicate whether they can estimate R uncertainties or not. This is also used to help run the PSM.estimate method.
The interface requires PSM classes to also define several constant properties that relate to the location of the forward model codebase on Github, and also a description of the forward model. These properties are used to implement the PSM.info, PSM.githubInfo, and PSM.download commands.
Finally, the interface implements several common utilities for working with PSM objects. These utilities allow developers to quickly develop new PSMs with a minimum of new code.
All User Methods
Interface
Utilities
Utility methods that help the class run. They are not intended for users and do not implement error checking.


This application defines a "HelloWorld" Backdraft Component. The component prints "Hello, World" in several languages as given by the language property of the component and a set of translations. The main program creates and renders an instance of HelloWorld in the black block below, and then changes the language property every second, causing the component to lookup and reflect the translation to the DOM. The className property of the DIV node is also changed to the language and the associated CSS colors the translation according to the class.
This page loads the source version (not aggregated or minimized) of Backdraft and, as you can see, the page is very minimal. Open the debugger and explore!
This program is discussed in the tutorial section Hello, World. The code for the program is in the github repo altoviso/backdraft-examples.


{{content.title}}
{{content.titleOriginal}}
© {{content.copyright}}
* TODO: Intensive Reading explanation.
Sorry, computing recommendations is a long task! Thank you for waiting!
{{content.title}}
{{content.titleOriginal}}
© {{content.copyright}}
* TODO: Extensive Reading explanation.
Sorry, computing recommendations is a long task! Thank you for waiting!


Sets values from nested element config
.
Sets values from nested element config
.
Sets value from nested element jvmarg
.
Sets value from nested element jvmarg
.
Sets value from nested element membersonly
.
Sets value from nested element membersonly
.
Sets value from nested element reporter
.
Sets value from nested element reporter
.
Sets value from nested element runpath
.
Sets value from nested element runpath
.
Sets value from nested element runpathurl
.
Sets value from nested element runpathurl
.
Sets value from nested element suite
.
Sets value from nested element suite
.
Sets value from nested element excludes
.
Sets value from nested element excludes
.
Sets value from nested element tagsToInclude
.
Sets value from nested element tagsToInclude
.
Sets value from nested element testngsuites
.
Sets value from nested element testngsuites
.
Sets value from nested element wildcard
.
Sets value from nested element wildcard
.
Executes the task.
Executes the task.
Sets value of the fork
attribute.
Sets value of the fork
attribute.
Sets value of the haltonfailure
attribute.
Sets value of the haltonfailure
attribute.
Sets value of the maxmemory
attribute.
Sets value of the maxmemory
attribute.
Sets value of membersonly
attribute.
Sets value of membersonly
attribute.
Sets value of the numthreads
attribute.
Sets value of the numthreads
attribute.
Sets value of the parallel
attribute.
Sets value of the parallel
attribute.
Sets value of the runpath
attribute.
Sets value of the runpath
attribute.
Sets value of suite
attribute.
Sets value of suite
attribute.
Sets value of the testngsuites
attribute.
Sets value of the testngsuites
attribute.
Sets value of wildcard
attribute.
Sets value of wildcard
attribute.
Sets value from nested element excludes
.
Sets value from nested element excludes
.
The excludes
attribute has been deprecated and will be removed in a future version of ScalaTest.
Please use the tagsToExclude
attribute instead.
scala.this.deprecated.init$default$1
Sets value from nested element includes
.
Sets value from nested element includes
.
The includes
attribute has been deprecated and will be removed in a future version of ScalaTest.
Please use the tagsToInclude
attribute instead.
scala.this.deprecated.init$default$1
Sets values from nested element property
.
Sets values from nested element property
.
The property
attribute has been deprecated and will be removed in a future version of ScalaTest.
Please use the config
attribute instead.
scala.this.deprecated.init$default$1
Sets value of the concurrent
attribute.
Sets value of the concurrent
attribute.
Note: The concurrent
attribute has been deprecated and will be removed in a future version of ScalaTest.
Please use the parallel
attribute instead.
scala.this.deprecated.init$default$1
Deprecated: please use ScalaTestAntTask instead.
scala.this.deprecated.init$default$1


We study how people build and maintain social ties through technology. As mobile social applications become and essential part of our social fabric, they are transforming the way we make new social ties and redefining human connection and communication.
New Jersey Institute of Technology
To transform the experience people have with new technologies. From understanding user needs, to developing and evaluating those technologies.
Through supporting social group collaboration, the goal of lifelogging is to provide a digital tool that results in “better memory” and, as a consequence, “better health and productivity.
To focus on a human centered design approach, we narrowed down our target audience to three main roles in the theatre business. This included:
After understanding each persona’s goals, frustrations, and technology abilities we moved on to creating use cases of the first two personas Jonathan Graham (Director) and Rachel Moore (Scenic Designer).
The client had an idea of how the application would function. However, he wanted the developer to get started in building a small working prototype that will be shared to other stakeholders. In this case, I decided to use InVision Freehand to collaborate with the developer and figure out the core functions of the VR program.
We knew who to design the system for, but what exact tools did they need for a typical work day? What tasks did scenic designers and directors need to to achieve their goals? In addition, how can we optimize their current work flow process and keep consideration of their technical abilities. These were questions we discussed to help in figuring out the main functionalities of the program.
I decided to use the tool Figma to create low-fidelity wireframes. First I focused on one persona, gave them a task, and drew up wireframes that followed their process if they were to use the application. I worked with the client weekly and used Figma as a collaboration tool to figure out how the users would interact with the application.
After a few weeks of discussing the different personas, we came to the conclusion of our final flow. I decided that we should dive in further to discuss the details with the developer and make any changes needed when walking through the process.
It took a bit of time to figure out our final MVP. However, I wanted to make sure that we were on the right track and look into our competition. Where exactly does our product stand out? Are there any opportunities or threats that we should take in consideration? How can we be progressive with this application to avoid copying other products?
This is currently an on-going project and definitely one of my favorites. After taking a look into our competitors, the client now understands the opportunity that this product can bring to the theatre industry. In the next few weeks, I’ll be starting and finishing the design phase.


Marvel comic book sells for record $1.26 million
'Finest known copy' of Marvel Comics 1
by Paul P. Murphy, CNN(CNN) - It's rare to find an almost-perfect copy of Marvel Comics' first comic book, aptly named "Marvel Comics 1." But one in near-mint condition just sold for a record $1.26 million.
It's the "finest known copy" of the comic book, according to Heritage Auctions, which handled the bidding. It's also the most anyone has ever paid for a comic from Marvel Comics, it said.
The comic book was first released on October 1, 1939, and it introduced fans to characters including the Human Torch, Angel, Sub-Mariner and the Masked Raider.
The auctioned comic was bought off a newsstand rack soon after its release by a mailman in Uniontown, Pennsylvania, Heritage Auctions said in a news release.
"This is a historic copy of a historic comic book," Ed Jaster, the auction house's senior vice president, said in the statement.
But it's still not the most expensive comic book ever sold. "Action Comics #1," the first Superman comic, sold for more than $3.2 million in 2014 on eBay.


{% extends "base_boot.html" %} {% block title %} you're not the owner of this account, please enter a valid number account {% endblock %} {% block body %}


FAQs
What can I do if my phone runs out of power quickly?
What can I do if my phone is overheating?
What can I do if my phone runs slowly?
What can I do if my phone is running out of storage space?
Why can't I access the Internet after I turn on my mobile network?
What can I do if I can't connect to a WLAN hotspot?
What can I do if the call volume is too low or the call quality is poor?
What can I do if I can't send messages?
Why can't my phone open some audio clips or videos?
Why can't I transfer files to another Bluetooth device that I've already paired with?
Why is the positioning information displayed on my phone inaccurate?


Algerian Magistrates Protest at Supreme Court amid Crisis
Judges, prosecutors and lawyers have staged an unusual protest at Algeria's Supreme Court to demand more judicial independence, amid resurgent tensions in the country's nine-month-old political crisis.
Hundreds of magistrates, many wearing traditional black-and-red robes, joined in Monday's demonstration in the capital Algiers, reported The Associated Press. It was prompted by anger over a military intervention Sunday to dislodge striking judicial officials in a courthouse in the city of Oran.
Many Algerian magistrates have been on strike for days over what they call increasing pressure from the government. They want the justice minister fired.
The government says strikers are a minority and their protests are preventing others from working.
The government wants the magistrates back at work before Algeria's December 12 presidential election, because they ensure elections are carried out according to the law.


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NCI Connect Study
IHCS Site - API Test Runner
Enter Your NCI Dev-Site Key
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Sample studyId's used : -1 and -2


#example1 - init with data attributes
#example2 - init with options object
#example3 - init with options object (without autoplay)
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{% load staticfiles %}
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Identify landmarks. Then travel to them.


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{% include 'app/loginpartial.html' %}
{% block content %}{% endblock %}
{% block scripts %}{% endblock %}


MULTIVITAMIN WITH FLUORIDE- .alpha.-tocopherol acetate, dl-, ascorbic acid, cyanocobalamin, sodium fluoride, folic acid, niacin, pyridoxine, riboflavin, thiamine, vitamin a and vitamin d tablet, chewable
Sancilio & Company Inc
Disclaimer: This drug has not been found by FDA to be safe and effective, and this labeling has not been approved by FDA. For further information about unapproved drugs, click here.
| Each Multivitamin with 1.0 mg Fluoride Tablet Contains: | |
|---|---|
| |
| Vitamin A (as Acetate) | 2500 IU |
| Vitamin C | 60 mg |
| Vitamin D | 400 IU |
| Vitamin E | 15 IU |
| Thiamine | 1.05 mg |
| Riboflavin | 1.2 mg |
| Niacin | 13.5 mg |
| Vitamin B6 | 1.05 mg |
| Folate (as Folic Acid) | 0.3 mg |
| Vitamin B12 | 4.5 mcg |
| Fluoride (as Sodium Fluoride)* | 1.0 mg |
KEEP THIS AND ALL MEDICATIONS OUT OF THE REACH OF CHILDREN. IF OVERDOSAGE IS SUSPECTED, SEEK PROFESSIONAL ASSISTANCE OR CONTACT A POISON CONTROL CENTER IMMEDIATELY 1-800-222-1222. TABLET SHOULD BE CHEWED.
DO NOT USE IF FOIL SEAL UNDER CAP IS BROKEN OR MISSING
Off-white to pale yellow, speckled, fruit flavor, round-shaped chewable tablet debossed "SCI" on one side and "3" on the other.
Do not use this product if you are allergic to any of the ingredients. Take this product at least 2 hours before or after taking any products containing calcium (including milk, yogurt, other dairy products) or aluminum/magnesium hydroxide (e.g., certain antacids/laxatives). Prolonged daily ingestion of excessive fluoride may result in varying degrees of dental fluorosis. Account for all daily sources of fluoride intake.
Xylitol, microcrystalline cellulose, mannitol, talc, magnesium stearate, sucralose, natural fruit flavor, citric acid.
Store in a cool, dry place at room temperature 20° - 25°C (68° - 77°F) away from heat and sunlight. Store in original container.
This medical food product is formulated to be administered orally, under the ongoing supervision of a physician and is intended for the dietary management of dental caries for which a distinctive nutritional requirement of fluoride, based on recognized scientific principles, has been established by medical evaluation.
The numeric identifier on this product's labeling is an assigned product code for use with pharmacy-level, health-insurance and state level reimbursement programs and is not intended to denote registration with the FDA.
Manufactured by: Sancilio & Co., Inc. Riviera Beach, FL 33404 USA
rev. 11/18/11
|
MULTIVITAMIN WITH FLUORIDE
.alpha.-tocopherol acetate, dl-, ascorbic acid, cyanocobalamin, sodium fluoride, folic acid, niacin, pyridoxine, riboflavin, thiamine, vitamin a, and vitamin d tablet, chewable | |||||||||||||||||||||||||||||||||||||||
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| Labeler - Sancilio & Company Inc (176681257) |


Propella is a collective of founders and startup professionals who provide you with the support to build your business.
We are founders, executives and professionals from a wide range of backgrounds and experience building start-up businesses.
We have expertise across a broad range of sectors and work with our own experienced teams. Our members choose to work with projects they believe in, so you’ll find a motivated partner for your team.
New Founders who start off on the founding journey can find valuable advice from people who’ve been on the same journey.
Founders themselves love to work outside of areas in their own business or to assist other founders.
We have experience operating in markets around the world and we operate a truly remote team. We’re based out of London, a city with access to some of the best minds and largest investors in the world.
We help non-techy founders get accelerated learning, focus on the right opportunity and champion a new mindset through rapid validation and design thinking.
Innovation Pie has started in London by our CEO, Chaymae Lougmani, a serial entrepreneur who founded startups
in the UK, Vietnam and Morocco.
It doesn't matter what stage your idea/product is, we will help with getting you to the next level. Have a chat with our Design Thinking and innovation experts and we'll take it from there.
Get in touch


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学生电子作业及实验报告
网络教室
云南农业大学教务管理平台
MOOC马原
阿里网盘
全国大学生英语四六级
GitHub
腾讯云
阿里云
华为云
MyEclipse7.5注册码在线生成
Process On
免费的LOGO在线设计制作工具
方便快捷的在线笔记工具
Android 9-patch shadow generator fully customizable shadows
SVG在线压缩平台
免费在线抠图软件,图片快速换背景-抠白底图
图标下载
Photoshop不需要解释
专业创意软件
矢量图形和插图。
页面设计、布局和出版。
Cinema 4D is the perfect package for all 3D artists who want to achieve breathtaking results fast and hassle-free.
3D modeling, animation, and rendering software
Blender is the free and open source 3D creation suite.
The digital design toolkit
Introducing Adobe XD. Design. Prototype. Experience.
Powerful design prototyping tools
Simple design, prototyping and collaboration
无需利用编码即可进行网站设计。
Design, prototype, and gather feedback all in one place with Figma.
电影般的视觉效果和动态图形。
Animate Your Ideas, Design Better Apps
Flinto is a Mac app used by top designers around the world to create interactive and animated prototypes of their app designs.
Design everything from detailed icons to high-fidelity interactions—all in one place.
高保真交互原型设计
Khroma is the fastest way to discover, search, and save color combos you'll want to use.
Beautiful colored gradients
Curated gradients for designers and developers
Coolest handpicked Gradient Hues for your next super ⚡ amazing stuff
WebGradients is a free collection of 180 linear gradients that you can use as content backdrops in any part of your website.
2017 Grabient by unfold
The daily color digest
Copy Paste Color Pallette from Flat UI Theme
The super fast color schemes generator!
Beautiful Color Palettes
Create color schemes with the color wheel or browse thousands of color combinations from the Color community.
Best Flat Colors For UI Design
Trianglify Generator
Beautiful colors and designs to your inbox every week
Color Claim was created in 2012 by Tobias van Schneider with the goal to collect & combine unique colors for my future projects.
百度首页


To add a new mic or make changes to this page, fork this repo and submit a pull request.
This github help page tells you everything you need to know about creating forks and submitting a pull request.
There is a spreadsheet of non open mic gigs. please contact them directly for add/remove requests. contact info should be in the sheet. https://docs.google.com/spreadsheets/d/1CjE_SjglmgoZ6He0ZyvU63ETccQeNODvfDQcEbLXLkw/edit#gid=0
Last List Update: 7/18/18


We are in the lovely location of !
Number alive: 0
Click on a button to kill a player manually. You might have to click a few times


INVENTING THE ABBOTTS A film review by Walter Frith Copyright 1997 Walter Frith
A small town in Illinois in 1957 is the setting for the opening of 'Inventing the Abbotts', a film about relationships that plays out more like a series of home movies and family photographs rather than as a full length motion picture. Three young women from a wealthy family (Liv Tyler, Jennifer Connelly and Joanna Going) examine their lives and make decisions about life at home, careers, raising children and examing their own morals. They are swept up in their tasks by two brothers (Joaquin Phoenix and Billy Crudup) who desire to escape from their borderline poverty stricken lives to perhaps marry into the wealthy family while providing love and companionship to their widowed mother played by Kathy Baker ('Picket Fences').
Will Patton is the head of the town's wealthy family who is strict in his convictions about the future of his daughters. At first one daughter, played by Going, marries a wealthy young man at the insistence of her parents and later has a child by him and ends up in an unhappy marriage. Another daughter (Connelly) who is the family tramp has a romantic fling with Crudup while both brothers desire her. Lastly, the nicest and most down to earth daughter (Tyler) has a passion for Phoenix and thier relationship is the centre of the film's focus and conflicts arise on all sides throughout the course of the film.
"Bland" is the word to describe this slow moving and often lazy film which has terrible performances from its leads (Tyler and Phoenix) and is a film which never gets off the ground and offers no twists or surprises in its plot to take it to another level. The film spans its way well into the 1960's and the characters are virtually the same at the end of the movie as they were at the beginning with a predictable outcome as well. Director Pat O'Connor has no zest for filmmaking and his interpretation of boy meets girl, boy loses girl and boy gets girl back is a tiresome one at best. 'Inventing the Abbotts' is a disappointing slice of American life from an era in history that many considered America's finest. Too bad this movie doesn't live up to the same expectations.
OUT OF 5> * *
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Constellation polylines
Home
Constellation abbr:
Stars (Bayer as 'alp, bet1' etc., or Flamsteed num):
No commas between stars. One row per polyline.


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As he rattles off the long list, Brick and Steel share a look. This is going to be BAD.
An EXTREMELY HANDSOME MAN drinks a beer. Shirtless, unfortunately.


[gecode-users] move from a choco model to Gecode model
manel askri
askri.manel1 at gmail.com
Sun Sep 1 02:49:53 CEST 2013
hi everyone !
i'm trying to move from choco model to gecode model but i got some problems
while programing
so this is my choco code :
int [][] g;
//objective variable
IntegerVariable Z= choco.makeIntVar( "gain", 1, 1000000,
Options.V_OBJECTIVE)
IntegerVariable [][] X= new IntegerVariable[n][m];
for( int i=0;i<n;i++){
for (int j=0; j<m; j++) {
X[i][j]=choco.makeIntVar("X"+i+j,0,1);}}
//Objective function
IntegerExpressionVariable []exp1= new IntegerExpressionVariable [n];
for (int i =0; i<n;i++)Choco.sum(exp1), Z));
and here is my code in gecode :
IntArgs g;
BoolVarArray a;
a = BoolVarArray (*this, n*m, 0,1);
Matrix <BoolVarArray > X(a, m,n);
IntVar gain (*this, 1, 1000000);
g = IntArgs (n*m, 0,1000000);
//objective function
for(int i =0; i<n;i++)
{
IntArgs row=, g.slice(n*i,1,m);
linear (*this , row, X.row(i), IRT_EQ, gain);
}
but that doesn't work , idon't know where is the error and the compiler
doesn't tell me any thing so any idea about that and how can i fix it
Thank you very much , and i really did read the MPG and all the examples
that YOU gave about using matrix
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Use this command to toggle the display of the ruler in all hex views. A check mark appears next to the menu item when the ruler option is on.
Which ruler is shown (hex or decimal) depends on whether addresses are shown in hex or decimal in the particular window - both rulers are shown if both types of addresses are shown. How the ruler looks (placement of numbers, large ticks etc) can be configured in the Workspace Display Options.
The current cursor and mouse positions are also shown in the ruler (and address area), but this can be turned off in the Workspace Display Options.
The ruler also includes "markers" that show and allow you to quickly change display settings that are normally set in the Document Display Options page. These are
Columns - the number of columns to display (this will be red if AutoFit mode is on)
Grouping - how many byte are grouped together in columns
Offset - The column in which the first byte of the file is shown
To see the current numeric value of these settings hover the mouse over the "marker". To change click and drag the marker.


Across: 7. I blame TV - an ill that doesn't care (10) 9. Round animal (4) 10. Blunt letters brought about ring's release (6) 11. Short texts left seal broken (8) 12. Festival of rich - masts bobbing about (9) 14,16. Australian musician has major armour protecting special esky (4 7) 15. Lets down active mids, say (7) 16. see 14 19,13dn. KKK say we'll rue mixing ... does one fight one's father? (4 9) 21. Platonic writer strange to realist (9) 22. Platonic hero keeps captivating Americans (8) 23. Starts to jive and prance about - now selling coats? (6) 25. see 23dn. 26. Commotion as Hugh, crazy with love, gets into stir (10) Down: 1. Mantra with English sign (4) 2. Nagaski log ramparts protect one among the masses (8) 3,4. English musician using dull instrument with Winehouse (4 7) 5. It's easy lumping characters together - some seek it, indeed some are committed to it (6) 6. Underhand manipulations of futures beg for reform (10) 8. Ten trains crashed in passing (9) 12. They are so small! Pack them in the bureau, then unpack six (one in three) (10) 13. see 19ac. 17. "Trap" = home perhaps? (8) 18. Boy cuts odd figure but matches striker (7) 20. Endear stranger to like desert (6) 23,25ac. American musician in sanitary confinement (4 4) 24. Serious hearing loss - you might feather it (4)


Subspecialty training in EEG interpretation and Epilepsy management
Rigorous training in general neurology with broad exposure to all subspecialty fields
Graduated top third of the class.
3.9 GPA in medical school pre-requisites while working 40-60 hours per week.
Magna cum laude, Phi Beta Kappa


--- layout: default title: Art Information Commons ---
June 2019 - Ongoing
Coffee with the Commons is a regular open forum designed to both inform and engage museum staff in the initiative. Staff continue to provide valuable insights and information at each session. At the first two Coffee with the Commons, we facilitated a task brainstorm activity in which we asked participants to identify their tasks and challenges related to six categories of art information. This helped to highlight several broad themes across the institution, provide a broad understanding of how people are interacting with art information, and understand where points of friction may exist. These insights have been sorted to more deeply comprehend user needs and common tasks being performed across the institution. You may view a task information exercise we conducted at one of the Coffee with the Commons here.
Now that we are in the prototype phase, we have paused the regular all staff forum while we work on the tech build. However, once this phase is complete, we will hold a final Coffee with the Commons to review the newly created and staff-tested prototype.
The Art Information Commons at the Philadelphia Museum of Art has been made possible by the Mellon Foundation.


Bytecode Manipuation
This package contains a framework for Java bytecode manipulation.
Bytecode manipulation is a powerful tool in the arsenal of the Java
developer. It can be used for tasks from compiling alternative
programming languages to run in a JVM, to creating new classes on the
fly at runtime, to instrumenting classes for performance analysis, to
debugging, to altering or enhancing the capabilities of existing
compiled classes. Traditionally, however, this power has come at a
price: modifying bytecode has required an in-depth knowledge of the
class file structure and has necessitated very low-level programming
techniques. These costs have proven too much for most developers, and
bytecode manipulation has been largely ignored by the mainstream.
The goal of the serp bytecode framework is to tap the full power of
bytecode modification while lowering its associated costs.
The framework provides a set of high-level APIs for manipulating all
aspects of bytecode, from large-scale structures like class member
fields to the individual instructions that comprise the code of
methods. While in order to perform any advanced manipulation, some
understanding of the
class file format and especially of the
JVM instruction set is necessary, the framework makes it as easy
as possible to enter the world of bytecode development.
There are several other excellent bytecode frameworks available. Serp
excels, however, in the following areas:
-
Ease of use. Serp provides very high-level APIs for
all normal bytecode modification functionality. Additionally,
the framework contains a large set of convenience methods to
make code that uses it as clean as possible. From overloading
its methods to prevent you from having to make type
conversions, to making shortcuts for operations like adding
default constructors, serp tries to take the pain out of
bytecode development.
-
Power. Serp does not hide any of the power of
bytecode manipulation behind a limited set of high-level
functions. In addition to its available high-level APIs, which
themselves cover the functionality all but the most advanced
users will ever need, serp gives you direct access to the
low-level details of the class file and constant pool. You
can even switch back and
forth between low-level and high-level operations;
serp maintains complete consistency of the class structure
at all times. A change to a method descriptor in the constant
pool, for example, will immediately change the return values
of all the high-level APIs that describe that method.
-
Constant pool management. In the class file format,
all constant values are stored in a constant pool of shared
entries to minimize the size of class structures. Serp gives
you access to the constant pool directly, but most of you
will never use it; serp's high-level APIs completely
abstract management of the constant pool.
Any time a new constant is needed, serp will automatically add
it to the pool while ensuring that no duplicates ever exist.
Serp also does its best to manipulate the pool so that the
effects of changing a constant are as expected: i.e. changing
one instruction to use the string "bar" instead of "foo"
will not affect other instructions that use the string "foo",
but changing the name of a class field will instantly change
all instructions that reference that field to use the new name.
-
Instruction morphing. Dealing with the individual
instructions that make up method code is the most difficult
part of bytecode manipulation. To facilitate this process,
most serp instruction representations have the ability to
change their underlying low-level opcodes on the fly as the
you modify the parameters of the instruction. For
example, accessing the constant integer value 0 requires the
opcode
iconst0
, while accessing the string
constant "foo" requires a different opcode, ldc
,
followed by the constant pool index of "foo". In serp, however,
there is only one instruction, constant
. This
instruction has setValue
methods which use the
given value to automatically determine the correct opcodes and
arguments -- iconst0
for a value of 0 and
ldc
plus the proper constant pool index for the
value of "foo".
Serp is not ideally suited to all applications. Here are a few
disadvantages of serp:
-
Speed. Serp is not built for speed. Though there
are plans for performing incremental parsing, serp currently
fully parses class files when a class is loaded, which is a
slow process.
Also, serp's insistence on full-time consistency between the
low and high level class structures slows down both access and
mutator methods. These factors are less of a concern, though,
when creating new classes at runtime (rather than modifying
existing code), or when using serp as part of the compilation
process. Serp excels in both of these scenarios.
-
Memory. Serp's high-level structures for representing
class bytecode are very memory-hungry.
-
Multi-threaded modifications. The serp toolkit is
not threadsafe. Multiple threads cannot safely make
modifications to the same classes the same time.
-
Project-level modifications. Changes made in one
class in a serp project are not yet automatically propogated
to other classes. However, there are plans to implement this,
as well as plans to allow operations to modify bytecode based
on specified patterns, similar to aspect-oriented programming.
The first class that you should study in this package is the
{@link serp.bytecode.Project} type. From there, move onto the
{@link serp.bytecode.BCClass}, and trace its APIs into
{@link serp.bytecode.BCField}s, {@link serp.bytecode.BCMethod}s,
and finally into actual {@link serp.bytecode.Code}.


Welcome to every BBLogger!
I'm the new Polish translator here, will do my best to keep the add-on and website updated with PL translations.
Big appreciations for all the programmers doing the plugin, I've started learning some webmastering things lately and I wonder how much effort went into this project, you're amazing :)
xXJumpyXx
Helping Hand
Welcome to the team!
I'm glad to see the team growing. I hope you'll like it here on the forum, and in the team.

Yeah so don't... don't feed the cookie monster.
ORFK
Global Moderator
Kulczakk wrote:
I'm the new Polish translator here
well.. at this point i have to remember one song.. ;-) welcome in the team.
http://youtu.be/Apv5hlZ1zTU
Dendari
Translator
Hello and welcome.
Topicstarter
Kulczakk
Translator
@ORFK
You should see this if you haven't already :)
http://www.youtube.com/watch?v=FTgT-IU--zM
dapil
Plugin Developer
This reminds me of this series:
https://www.youtube.com/watch?v=-_xUIDRxdmc
https://www.youtube.com/watch?v=1YQAYEmwBvs
https://www.youtube.com/watch?v=hDWw_0deJ3c
José Ortega
Global Moderator
I have to ask, why the hell is there a mexican flag in the spanish language? and why he speaks spanish like a russian with an italian?


In class, we discussed the CARDIAC and a small example of adding two numbers. In this lab, you will develop a more capable summation program. Your program will read in a variable number of values and print out the number of values read and their sum
Make sure to answer the following lab questions in a plain text file named questions5.txt At the top of your plain text file, include your name, user id, and lab section.
Helpful LinksThe plan is to keep reading numbers from the input until a negative number is read. Which instruction allows us to test a number and decide on a different course of action if that number is negative?
| Instructions | |
|---|---|
| 0 | INP |
| 1 | CLA |
| 2 | ADD |
| 3 | TAC |
| 4 | SFT |
| 5 | OUT |
| 6 | STO |
| 7 | SUB |
| 8 | JMP |
| 9 | HRS |
For the next step you should write the instructions that will repeatedly read an input until a negative number is read. To do this, there are several details to address:
The first step is to answer these questions in english. Explain the process of what's happening in english words.
The last question you answer in english words. Now, turn those english words into assembly code.
Convert the assembly language from your answer to the previous question to machine language in the same way as shown in the examples. In doing so, remember you'll need to select memory locations for your variables and code. I suggest putting the variable into which you read numbers at memory location 04 and that you put your code starting at location 10. Enter the addresses and values as an answer.
Now it's time to test out your program on the CARDIAC simulator. Enter the program numbers you answered in the previous question into the CARDIAC's memory. Put the values into 005, 010, and -001 into the input deck. Now press, Load and Reset. Then click Step repeatedly until your program halts. Did it correctly read in each number and stop when it read the negative number? Were there any problems that your testing exposed?
The next step is to enhance your program so that it counts the number of non-negative values read. Each time you've read a non-negative number, add one to the count. When a negative number is read, use the OUT instruction to output the count. Put your modified assembly language program in the answer box below.
As before, convert your assembly language program into machine language. Put the addresses and values as the answer.
Put this modified program into the CARDIAC as you did the previous one. You may want to click the "Clear Mem" button to clear out the memory before starting. Test your program with the same input cards as before. Does it correctly output the number 002? Did you have to fix any bugs with this one?
The final development step is to add the input values to a running sum. You'll be able to draw on the example from class for this part. When you read a negative number, output the sum after the count.
As with the other two parts, assemble the program and put the addresses and values as the answer.
Test your new program with the same input card deck. Do you get the right answers? Test your program with other sets of data. Put the input values that you use for testing along with the results generated by your program. Share test data with your group members. So you should be able to report the same number of tests as you have team members.
For extra credit, generate and test a bootable card deck for your program. Put your debugged card deck as an answer.
Submit on BBLearn
questions5.txt : A plain text file with your answers to the questions


Invoice for Order #533102 |
December 31, 2099 |
From
AwesomeCo Inc.
123 Fake Street
Chicago, IL 55555
|
To
GNB
456 Industry Way
New York, NY 55555
|
Order Summary
| SKU |
Item |
Price |
QTY |
Total |
| 10042 |
15-inch MacBook Pro |
$1799.00 |
1 |
$1799.00 |
| 20005 |
Mini-Display Port to DVI Adapter |
$19.99 |
1 |
$19.99 |
| Subtotal: |
$1818.99 |
| Total Due: |
$1818.99 |
Notes
Thank you for your business!
|
|


Dead Man Walking (1996) * * * * A movie review by Serdar Yegulalp Copyright 1999 by Serdar Yegulalp
There really is a Sister Helen Prejean, and she really did befriend not just one but several Death Row inmates, serving as their spiritual advisors before they were gassed or electrocuted. The book "Dead Man Walking", from which this astonishing movie is drawn, goes into far deeper detail about the politics and inherent ugliness of Death Row, but the movie preserves the deepest spirit of the book: to bear witness to and to bring humanity to a troubling subject.
And what a film this is. This is not a simple-minded piece of propaganda -- although the film is avowedly against the death penalty, it does not bore us with speechifying. It simply presents the case of two people -- one, a nun who works in inner-city neighborhoods (Prejean, played radiantly by Susan Sarandon), and the other, a death-row inmate named Matthew Poncelet (Sean Penn) who unrepentantly aided in the murder of a lovers'-lane couple. (Poncelet is a fictionalized combination of several characters, but this does not distract from the storytelling in any way.)
As the movie opens, Poncelet writes to Prejean and asks here to visit. Nothing more than that. Prejean takes this in the spirit in which it was offered, and goes to see this fellow without pretense. With his hair Brylcreemed back in an Elvis pompidour and his wiry facial hair, Poncelet looks like he's some odd mixture of gigolo and back-alley dweller. But he's clearly scared and nervous, and he admits to Prejean that he is frightened of dying, and wants to do whatever he can to avoid the chair. Prejean agrees to help him file his appeals, and draws quiet little parallels between them that get under Poncelet's skin.
What follows from this is by turns brutally sad and achingly beautiful. Poncelet has spent his whole life squirming on the hook, avoiding responsibility, and one of the things Prejean does is help catalyze the latent guilt inside of him. Not by lecturing him, although she does do that every so often, but simply by confronting him with his own humanity, and hers.  He seems ashamed, like a schoolboy who has been caught sneaking a puff in the boy's room (even the way he smokes is guilt-ridden, come to think of it). Then again, in many ways, he *is* a boy, and a good deal of his stance comes from trying to "take things like a man" -- all macho bluff, without any of the real humility and sensitivity that maturity requires.
The film also toys with the possibility that Poncelet is not entirely guilty, that he was ramrodded through the system as a scapegoat while a confederate in the crime (who may have done the actual trigger-pulling) was given a life sentence. But by the time we learn the truth about this, it's irrelevant. The question is not Poncelet's guilt in the eyes of the law, but his sense of dignity. Murderer or no, Prejean argues, he is human, and what we are doing in this cold and calculated way is every bit as hateful and vile as what he did in his drunkenness and shallow stupidity.
Prejean's attitude about Poncelet is put all the more brutally to the test when she goes to the parents of the victims and haltingly tries to help them as well. At first they angrily spurn her offerings. One couple horribly misinterprets her help as a sign that she's "changed sides" (although in Prejean's mind, the only "sides" are life and death). But one of the fathers lets her into his heart, and realizes that it hurts worse to suffer alone no matter what.
The final half-hour of the film has the midnight execution deadline looming, and brings Poncelet back into contact with his family.
And then there is death itself. This is not one of those movies where there is some fancy courtroom theatrics that brings down a last-minute reprieve. Poncelet and Prejean stare down death in the face together, and in the end there is redemption, but not in the form of Poncelet praising Christ, either: there's real redemption, with the victim's families standing there behind a glass partition while Poncelet bares his soul.
Penn and Sarandon disappear completely into their characters; there isn't a moment I was less than convinced of their performances. The supporting cast (with R. Lee Ermey as one of the fathers and Robert Prosky as a death-row lawyer) is also excellent, and the director is none other than Sarandon's longtime companion Tim Robbins. This film shows him to be gifted and perceptive in ways that most Hollywood films are incapable of being, because they are handicapped by the sense that you *need* to have the 11th-hour reversal of fortune, etc. Here, Robbins simply wades into the story, and does amazing justice to it.
When people are interested in finding movies that are uplifting or "spiritual", this is one of the first films I mention. I hope they see what I mean.
-----------== Posted via Deja News, The Discussion Network ==---------- http://www.dejanews.com/ Search, Read, Discuss, or Start Your Own
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


A protocol responsible for Obj-C - JS binding.
More...
#import <MFInAppPurchaseManager.h>
A protocol responsible for Obj-C - JS binding.
- Author
- Jakub Darowski
- Version
- 1.1
This is where the magic happens. Any method declared inside a JSExport protocol will be translated into JavaScript. Quite useful.
| - (NSDictionary<NSString *, SKProduct*> * _Nonnull) availableProducts |
|
|
|
- Author
- Jakub Darowski
Products available to be bought, returned by StoreKit
- Returns
- A list of products available for purchase
| - (void) buyProduct: |
|
(nonnull SKProduct *) |
product |
|
- Author
- Jakub Darowski
- Deprecated:
- since 1.1, use purchaseProduct: instead
Tells the manager to begin the purchase process
- Parameters
-
| product | Product to be bought. |
| - (NSMutableArray * _Nonnull) errors |
|
|
|
- Author
- Jakub Darowski
Some place to accumulate errors whenever they occur, since there might be little compatibility between Obj-C's and TVJS' concurrency engines.
| - (BOOL) hasPurchasedProductWithID: |
|
(nonnull NSString *) |
identifier |
|
- Author
- Jakub Darowski
Check whether the user has purchased a product.
- Parameters
-
| identifier | ID of the product to be checked. |
- Returns
- YES if the product was purchased, NO otherwise
| - (BOOL) productRequestWasMade |
|
|
|
- Author
- Jakub Darowski
A guard flag to indicate whether the request was already sent and it's safe to retrieve products.
| - (NSArray * _Nonnull) products |
|
|
|
| - (SKProduct* _Nullable) productWithID: |
|
(nonnull NSString *) |
identifier |
|
- Author
- Jakub Darowski
Retrieve the product with the given ID.
- Parameters
-
| identifier | ID of the desired product |
- Returns
- The product with the given ID or nil if none was found.
| - (NSArray<NSString*> * _Nonnull) purchasedProducts |
|
|
|
- Author
- Jakub Darowski
Retrieve products the user has already purchased.
- Returns
- An array of purchased products.
| - (void) purchaseProduct: |
|
(nonnull SKProduct *) |
product |
|
- Author
- Jakub Darowski
Tells the manager to begin the purchase process
- Parameters
-
| product | Product to be purchased. |
| - (void) purchaseProductWithID: |
|
(nonnull NSString *) |
identifier |
|
- Author
- Jakub Darowski
Begin the purchase process using the given ID.
- Parameters
-
| identifier | ID of the desired product. |
| - (void) requestProductInfo |
|
|
|
- Author
- Jakub Darowski
Request data from the App Store
| - (void) restorePurchases |
|
|
|
- Author
- Jakub Darowski
Restore purchases with the App Store.
| - (BOOL) transactionInProgress |
|
|
|
- Author
- Jakub Darowski
A guard that prevents multiple transactions from starting at the same time.
The documentation for this protocol was generated from the following file:


--- imgsrc: "jewish_art_will_deutsch_judaism_jews_the_deception_of_isaac_torah.jpg" buylink: "http://store.notesfromthetribe.com/product/jewish-art-8-5-x11-the-deception-of-isaac-print" postDate: "12.19.11" layout: post ---
My best friend in kindergarten, David, was a latch key kid and I envied him.
Unlike my video game-less Orwellian household where my every move was discriminated, David had an endless supply of Super Nintendo and G.I. Joe’s to keep him company.
I used to love going to his house after school.
His Dad was a long haul trucker and his Mother worked, so the only adult there was his housekeeper, Rosa.
Without the watchful eye of authority, the world was ours.
We’d build forts in the living room, have water balloon fights in the bathroom and occasionally climb the fence into the elementary school up the street.
The best part was the food.
Chef Boyardee straight from the can.
Frozen Hungry Man Dinners.
My favorite was Jif Peanut Butter.
I was told that ‘Choosy Moms Choose Jif’ but my Mother didn’t seem to be all that discerning as she gave me organic unsalted peanut paste that was barely suitable for spreading on the sprouted wheat rice cake I got every day for lunch.
But Jif between two slices of Wonder Bread tasted like freedom.
Needless to say David was a bad influence.
If my parents had been aware of what was going on surely they would not have approved. We were able to keep the ruse of a well supervised environment up for the entirety of the school year until that fateful Summer day we went too far.
The house was dry. No T.V. dinners, no canned goods…no Jif.
It was lunchtime and without parents to replenish our food stores we were hungry.
David had a plan.
In the top drawer of his father’s nightstand was a supply of petty cash and up the street was a 7-11 with a two for one deal on big bite hot dogs.
We split six of them and let the man at the counter keep the change.
It tastes delicious when you don’t know how its made.
It was the first time I had ever eaten pork outside my Father’s company and there was no way I was going to tell my parents.
That night my Mother found a ketchup stain on the sleeve of my Member’s Only jacket.
‘What’s this from?’ She asked.
‘Its from….uh…..we….its from french fries I had at David’s house….’ I lied.
‘I see……is that really what happened?’
I broke down.
She called David’s Mom.
I never went over there again.
The point is this: you can lie to your parents…you can tell them you ate french fries…or you can wear a goatskin in order to convince them that you are their hairy first born son in order to receive their blessing…….but you can’t fool them.
Isaac knew. He was blind but he wasn’t dumb.
As soon as Jacob comes in the room dressed like his brother, Isaac exclaims that the voice is that of his second born. Then he questions Jacob as to who he is and how he got there so quickly.
Sure, Jacob lies to his father but are we really to believe that Isaac is going to be taken in by an animal hide disguise? I mean I know Esau was supposed to be rough and hairy but nobody’s skin feels like fur.
Isaac knew and he gave the blessing anyway because Esau had married a foreign woman but the blessing was supposed to go to the son who would create a chosen nation from his descendants.
But with this convincing alibi, Isaac could still preserve his relationship with Esau in spite of giving away his birthright.
All I’m saying is biblical or not, a Jewish parent knows.


Kito is that your name" asked Cody "your cousin here has some rather upsetting news" "Wait Cody what about you trying to find out about your mermaid tail " asked Alesha "that can wait"said Cody right now There a bad guys plotting to wreak havoc on your uncle's kingdom and they plan to assassinate the royal family" "oh no we can't let this happen"said Kito "I foresee that these monsters will attack in t three hours that gives us 180 minutes to warn the kingdom of this crisis" "then there's no time to lose"
"Hold on there's something else"said Kito "but i guess it can wait till we get there"


The button classes create buttons to trigger actions from within an interface.
The primary button triggers the most important or most frequently used action on a page. As a general rule, you should only include one primary button per page to ensure that it draws user attention.
<button type="button" class="sky-btn sky-btn-primary">Primary</button>
Secondary buttons trigger less important or less frequently used actions. Since secondary buttons are less important than primary buttons, SKY UX reduces the visual weight to make them noticeable but not attention-drawing.
<button type="button" class="sky-btn sky-btn-default">Secondary</button>
Link buttons can trigger actions that take users to other pages. They can also trigger actions that end tasks or exit modals. For example, you can use this option to create a Cancel button.
<button type="button" class="sky-btn sky-btn-link">Link button</button>
Inline link buttons trigger the same type of actions as link buttons, but the styling is altered so that the buttons fit inline.
<button type="button" class="sky-btn sky-btn-link-inline">Inline link</button>


These lists allow you to choose what Ameol will do after an action is performed on a message. For example when marking a message ignored you may want to move to the next unread message, but when tagging messages you may want to stay at the same message.


I designed the layout grid used across all eBay web properties. This case study covers the challenges, research, and design behind the system.
Consistency. We wanted to bring a more stable, uniform appearance across eBay.
Ease. Studies show strong grids increase ease of use, retention, and legibility.
Speed. Structured layout code is much easier to repurpose and reuse.
Constraints. We were incorporating more advertising in eBay, so we needed a system that could handle a few popular IAB ad sizes. The left navigation was too complex to refactor, so we had to keep that region very close to the same width.
Challenges. A wide range of teams with different reporting structures would be implementing the grid, so to be adopted, it needed to focus on solving a small number of immediate problems, and clearly save them time and effort.
I needed some grounding, so, I started by gathering data on our site visitors. I created the infographic above to help me visualize what types of devices were being used, at what screen sizes, and to see what sort of implications I could draw from that. Does anything here influence the design?
I then took each resolution and measured how many people we 'lost' as screen sizes went up. I then tried to see if there were any patterns that would make sense to influence a grid design. If we start designing for bigger screens, how many people actually benefit?
The final thing that clicked was as I was shopping the problem around to various engineers, one of them griped about odd pixel dimensions. I forget the exact numbers, but he said:
"I never remember column widths because they always break down into some oddball number like four at 157 pixels and one that's one pixel off. So I end up winging it."
It then hit me: what’s a nice, round number that is big enough to fit a 203 pixel wide nav bar? 210 pixels.
You know what adds up to 210 pixels? Two 100-pixel columns and a 10-pixel gutter.
You know what makes a numbers-driven system easy to remember and use? Being divisible by ten.
Bingo. We went metric.
Testing. I beta tested the grid in my own work for a while and found that it worked perfectly. Our layout-heavy screens all fit into the 7-column content area with minor adjustment.
Future proofing. I fleshed out the grid to optimize the experience for larger resolutions. I documented two strategies - making the column 100px wide minimum and stretching to fill larger screens, or adding more columns dynamically at larger breakpoints.
Launch. We adopted the grid for all our teams' work going forward, distributed the documentation company-wide, and began training other design and engineering teams throughout eBay.
Adoption. This grid system was adopted by teams across the retail shopping experience, and continued to be used for years after I left the company. It did it's job as a transitional step to a responsive layout, and stayed in use until the 2015 redesign.


from heapq import heappop, heappush class Solution: def minimumDeviation(self, nums: List[int]) -> int: raw = set() h = [] for i, n in enumerate(nums): while n%2 == 0: n //= 2 raw.add((n, nums[i])) ans = float('inf') cur = max(raw)[0] for e in raw: heappush(h, e) while True: n, n0 = heappop(h) ans = min(ans, cur - n) if n % 2 == 0 and n >= n0: break n *= 2 cur = max(cur, n) heappush(h, (n, n0)) return ans


@* * This template takes a single argument, a String containing a * message to display. *@ @(message: String, apps: List[models.App]) @* * Call the `main` template with two arguments. The first * argument is a `String` with the title of the page, the second * argument is an `Html` object containing the body of the page. *@ @main("Welcome to App Builder") {


| Home | Trees | Indices | Help |
|
|---|
|
|
object --+ | ADObject
A generic AD Object.
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Inherited from |
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| distinguished_name | |||
| object_class | |||
| object_category | |||
| created_time | |||
| modified_time | |||
| canonical_name | |||
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Inherited from |
|
Initialize the AD object. Args: distinguished_name: the full distinguished name of the object properties: if a list, a list of properties to retrieve. if a hash, it is a pre-populated list of properties. If a hash is provided and mandatory properties are missing, then they will be retrieved by an ldap query domain_obj: the Domain object that the AD object is associated with
|
repr(x)
|
Updates self.properties with the values from AD. Args: properties: a list of properties to retrieve Raises: errors.NonListParameterError: if a string is passed instead of a list |
Move an AD object from one part of the directory to another. Args: destination: the destination DN |
Write changed properties to Active Directory. Note: A property must be retrieved at least once before updating. Returns: True: on success False: on failure |
|
distinguished_name
|
object_class
|
object_category
|
created_time
|
modified_time
|
canonical_name
|
| Home | Trees | Indices | Help |
|
|---|
| Generated by Epydoc 3.0.1 on Tue Feb 01 17:00:01 2011 | http://epydoc.sourceforge.net |


For this demo to work it is best server from a webserver. You can
quickly start one by running python test_server.py
in the
jquery.recurrenceinput directory, and pointing your webbrowser to
http://localhost:8000/demo/localized.html
When you run this demo without starting the test_server.py you currently get a lot of JSON errors. This will be fixed, but even then you will not get all of the features, as you need to have a server running that will provide you with the recurrence list.


The Big Six Studios and Their Films
Films and their revenue by selected studio 2000-2009
Film
Studio
Revenue


*** User 2017-05-05 20:42:30.281 ***
20:42:30.281 [info] Disabling blocking sync...
*** User 2017-05-05 20:42:30.285 ***
20:42:30.285 [info] Configured peer_service_manager partisan_default_peer_service_manager on node 'node-1@MacBook-Pro-de-Anne-France'
*** User 2017-05-05 20:42:31.781 ***
20:42:31.781 [info] Enabling membership...
*** User 2017-05-05 20:42:31.782 ***
20:42:31.782 [info] Disabling blocking sync...
*** User 2017-05-05 20:42:31.787 ***
20:42:31.787 [info] Configured peer_service_manager partisan_default_peer_service_manager on node 'node-2@MacBook-Pro-de-Anne-France'
*** User 2017-05-05 20:42:33.282 ***
20:42:33.282 [info] Enabling membership...
*** User 2017-05-05 20:42:33.283 ***
20:42:33.283 [info] Disabling blocking sync...
*** User 2017-05-05 20:42:33.288 ***
20:42:33.288 [info] Configured peer_service_manager partisan_default_peer_service_manager on node 'node-3@MacBook-Pro-de-Anne-France'
*** User 2017-05-05 20:42:33.523 ***
Joining node: 'node-3@MacBook-Pro-de-Anne-France' to 'runner@MacBook-Pro-de-Anne-France' at port 61075
*** User 2017-05-05 20:42:33.523 ***
Joining issued: 'node-3@MacBook-Pro-de-Anne-France' to 'runner@MacBook-Pro-de-Anne-France' at port 61075
*** User 2017-05-05 20:42:33.524 ***
Joining node: 'node-2@MacBook-Pro-de-Anne-France' to 'runner@MacBook-Pro-de-Anne-France' at port 61058
*** User 2017-05-05 20:42:33.524 ***
Joining issued: 'node-2@MacBook-Pro-de-Anne-France' to 'runner@MacBook-Pro-de-Anne-France' at port 61058
*** User 2017-05-05 20:42:33.525 ***
Joining node: 'node-1@MacBook-Pro-de-Anne-France' to 'runner@MacBook-Pro-de-Anne-France' at port 61046
*** User 2017-05-05 20:42:33.525 ***
Joining issued: 'node-1@MacBook-Pro-de-Anne-France' to 'runner@MacBook-Pro-de-Anne-France' at port 61046
*** User 2017-05-05 20:42:33.587 ***
Waiting for join to complete with manager: partisan_default_peer_service_manager
*** User 2017-05-05 20:42:33.588 ***
Finished.
*** CT 2017-05-05 20:42:33.588 *** COVER INFO
Adding nodes to cover test: ['runner@MacBook-Pro-de-Anne-France']
*** CT 2017-05-05 20:42:33.597 *** COVER INFO
Successfully added nodes to cover test: []
*** User 2017-05-05 20:42:41.640 ***
Case finished: awset_ps_test
*** User 2017-05-05 20:42:48.693 ***
20:42:48.692 [info] Application lasp exited with reason: stopped
*** User 2017-05-05 20:42:48.693 ***
20:42:48.693 [info] Application partisan exited with reason: stopped
=== Ended at 2017-05-05 20:42:48
=== successfully completed test case
=== Returned value: ok
Test run history
| Top level test index


--- layout: post title: "A toast to my sorrow" subtitle: "Top places to drink beer in Prague." date: 2020-02-04 background: '/img/posts/03.jpg' ---
How different can beer be ? Many would like to argue that in the end it is just beer. I would argue the same if I was stuck in the middle of the desert and had not had a drop to drink. But since we are in Prague we can afford to be a little obnoxious about beer. The Czechs have been brewing beer since the beginning of the 13th Century. Over the course of a couple of hundred years, Czech have more or less perfected the art of brewing and now are considered to be amongst the best, if not the best.
It is true that in the beginning you would feel that all beer is the same, but once you have spent enough time and drank to your heart's content, you will slowly realise that not all beers are the same, not all restaurants are the same in terms of the quality of the beer. Some are fine while others are excellent. There can and will be another chapter on Czech Beer and why it is the best, till then let us at least show you the way to some of the places where you can decide for yourself.
Czech Beer is classified into four main categories based on the amount of alcohol they have.The logic that we were told about the numbers ( 10, 11, 12....) is that if you were to divide the number by two, you will get the percentage of alcohol present in the beer.
- Desítku or the number ten is pronounced as you read it. This is the mildest variant.
- Jedenáctku or the number 11 is pronounced as Yedenactku. This is a little stronger than desítku and a popular choice amongst locals.
- Dvanáctku or the number 12 is pronouced as you read it. This is the most popular gradient. Pilsner Urquell is the most famous brand that sells this grade.
- I.P.A is an acronym for Indian Pale Ale. This is the strongest of them all. Try at your own risk.
- Černy pronounced as Cherny. The CH needs to sound like Ch in Chair. This is black beer and can be tried for testing purposes.
Located in Staromestka, this place is opposite Staromestka Tram Stop. We were recommended to this place by our friend. We were told that this place serves the best beer in town to which we couldn't agree more. The restaurant has seating spread between two floors. The food is not bad but the beer is simply the best. Directions to the place can be found>here.
This place is a hidden gem. It is right in the city centre but if you are not taken there, you will not know that it exists.
Situated in a building with a courtyard this is a cosy place where you can have a fun evening with your friends. The courtyard is perfect for the summer but you will be advised to be quiet so as to not disturb the neighbours. They serve the Pilsner family and the staff is friendly and speaks english.
One of the coolest in the list, this little nondescript bar is a real winner. Its been serving beer for the past twenty years and shows no sign of slowing down. They serve beer from the Bernard family. This is a nice place to meet locals. Ambient music is played indoors till 10 pm after which it is shut down since there are people who live above the pub.
This watering spot is located near the National Museum. It is a cosy hole in the wall and a perfect place to have an intimate conversation over a glass of beer. They host art exhibitions regularly and serve beer from the Bernard family. Unfortunately they do not have a menu online. The price for a large beer will be roughly 45Kč and they do not have a kitchen.
This little cafê is located near the National Meuzeum. It is a cosy hole in the wall and a perfect place to have an intimate conversation over a glass of beer. They host art exhibitions regularly and serve beer from the Bernard family. You can find the directions to get there Unfortunately they do not have a menu online. The price for a large beer will be roughly 45Kč and they have a very limited food menu.
That's the list for now. We hope you liked it. Please click on the mail icon at the end of the page to share your feedback or visit our contact page to drop us a line.
We look forward to hearing from you !
Photographs by Unsplash.


Enjoy and seek advanture.
Photos should not be trapped in small boxes on instgram. Self taught, shoot on FUJIFILM X100V. Based in Hsinchu and Taichung city, Taiwan. Hope you enjoy it!


Typing Master
Type the word given below in
5 [Easy]
3 [Medium]
2 [Hard]
secs
...
Highscore:
Time Left:
Score:
0
Instructions:
Type the given words within the time limit and press Enter to continue
-Build by Sk Abdullah


Unix Permissions
Symbolic Notation
Octal Notation
English
Owner
Read
Write
Execute
Group
Read
Write
Execute
Other
Read
Write
Execute
000
Owner:
Group:
Other:


- save(String,
ArrayList<String>) - Method in interface resources.CandidateList
-
Method to save all information into a file
- save(String,
ArrayList<String>) - Method in class resources.CandidateList_Impl
-
Method to save all information into a file
- setClass_(int) - Method in
class types.Candidate
-
setter for class_ - sets
- setClass_(int, int)
- Method in class types.Candidate_Type
-
- setClass_(int) - Method in class
types.Features
-
setter for class_ - sets
- setClass_(int, int)
- Method in class types.Features_Type
-
- setDf(int) - Method in class types.Candidate
-
setter for df - sets document frequency
- setDf(int, int) -
Method in class types.Candidate_Type
-
- setDf(int) - Method in class
types.Features
-
setter for df - sets
- setDf(int, int) - Method
in class types.Features_Type
-
- setDocument_frequency(int) - Method
in class resources.Candidate
-
A setter for the document-frequency of the candidate
- setDocumentName(String) - Method
in class types.Document
-
setter for documentName - sets
- setDocumentName(int,
String) - Method in class types.Document_Type
-
- setEffective_full_form(String)
- Method in class types.Candidate
-
setter for effective_full_form - sets
- setEffective_full_form(int,
String) - Method in class types.Candidate_Type
-
- setEffectiveFullForm(String)
- Method in class resources.Candidate
-
A setter for the effective full form of the candidate
- setFirst_occ(int) - Method
in class types.Candidate
-
setter for first_occ - sets first occurence of the candidate
- setFirst_occ(int, int)
- Method in class types.Candidate_Type
-
- setFirst_occurrence(int)
- Method in class resources.Candidate
-
A setter for the first occurrence of the candidate
- setFirst_occurrence(int) - Method in class
types.Features
-
setter for first_occurrence - sets
- setFirst_occurrence(int,
int) - Method in class types.Features_Type
-
- setFrequency(int) - Method
in class types.Candidate
-
setter for frequency - sets the frequency of the candidate
- setFrequency(int, int)
- Method in class types.Candidate_Type
-
- setFull_forms(StringList)
- Method in class types.Candidate
-
setter for full_forms - sets
- setFull_forms(int,
int) - Method in class types.Candidate_Type
-
- setIdf(double) - Method in
class types.Candidate
-
setter for idf - sets inverse document frequency
- setIdf(int, double)
- Method in class types.Candidate_Type
-
- setIdf(double) - Method in class
types.Features
-
setter for idf - sets
- setIdf(int, double)
- Method in class types.Features_Type
-
- setInverse_document_frequency(double)
- Method in class resources.Candidate
-
A setter for the inverse document-frequency of the candidate
- setLast_occ(int) - Method in
class types.Candidate
-
setter for last_occ - sets last occurence of the candidate
- setLast_occ(int,
int) - Method in class types.Candidate_Type
-
- setLast_occurrence(int) - Method in
class resources.Candidate
-
A setter for the last occurrence of the candidate
- setLast_occurrence(int)
- Method in class types.Features
-
setter for last_occurrence - sets
- setLast_occurrence(int,
int) - Method in class types.Features_Type
-
- setLength(byte) - Method in class
types.NGram
-
setter for length - sets length of the NGram: 2 for bigram, 3 for trigram, ...
- setLength(int, byte) -
Method in class types.NGram_Type
-
- setName(String)
- Method in class resources.Candidate
-
A setter for the name of the candidate
- setName(String) -
Method in class types.Candidate
-
setter for name - sets the topic title of the candidate
- setName(int,
String) - Method in class types.Candidate_Type
-
- setSpread(int) - Method in class
types.Features
-
setter for spread - sets
- setSpread(int, int)
- Method in class types.Features_Type
-
- setTerm_frequency(int) - Method in
class resources.Candidate
-
A setter for the term-frequency of the candidate
- setTf(int) - Method in class types.Candidate
-
setter for tf - sets term frequency
- setTf(int, int) -
Method in class types.Candidate_Type
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- setTf(int) - Method in class
types.Features
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setter for tf - sets
- setTf(int, int) - Method
in class types.Features_Type
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- setTfidf(double) - Method in
class types.Features
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setter for tfidf - sets
- setTfidf(int,
double) - Method in class types.Features_Type
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Bible Records - Upper Eastern Shore of Maryland
to practice law in the Courts of Maryland, do hereby solemnly swear . William Ruley Covington married Lillie Elmira Sewell on May 12,1903, Tilghman's Island, .
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Get all the local information you need on Tilghman Island Cemetery, . Web sites; Birth & Death records; Cemeteries; Colleges; Communities; Family history . Legal, Other, Public Relations, Sales/Marketing Services, Audiology, Bio Engineer .
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Ready to Rumble (2000)
A film review by Chris Casino
Chris' film ratings scale:
**** - Excellent *** - Good ** - Fair * - Poor NO STARS - Don't even bother.
NO STARS out of ****
Cast: David Arquette (Gordie Boggs), Oliver Platt (Jimmy King), Scott Caan (Sean Dawkins), Bill Goldberg (himself), Diamond Dallas Page (himself), Joe Palitaliano (Titus Sinclair), Steve Borden (Sting), Rose McGowan (Sasha), Martin Landau (Sal).
Crew: Directed by Brian Robbins, written by Steven Brill, Executive produced by Eric Bischoff.
Let me begin this review by saying that I am a huge fan of professional wrestling, and I'm not ashamed to say it. I'm not too fond of Ted Turner's World Championship Wrestling, however, and after this ridiculous excuse for a wrestling movie they have put out, I have even less respect for them.
Gordie Boggs (Arquette, aptly cast as a moron, as he is one) and his best friend Sean Dawkins (Scott Caan. The son of James Caan should not be reduced to garbage like this!) are two losers from Wyoming with no jobs and no girlfriends, who look up to World Championship Wrestling champion Jimmy King (a terribly casted Oliver Platt), as he is everything they are not. They finally get to see him live and he is screwed out of his title by the evil, ruthless promoter Titus Sinclair (a wasted Palitaliano, in a role originally meant for real-life WCW President Eric Bischoff, whose name was written all over the role!). Gordie and Sean track down King in Atlanta and discover that he is not really the English king the WCW writers created for him, but a drunken, ignorant Southerner who is as irritated by these two lunkheads as Bob Newhart was by Larry, Darryl, and Darryl. They sneak him back onto WCW TV, after which Sinclair agrees to book him in a steel cage match in Las Vegas at WCW's next pay-per-view, against his rival, Diamond Dallas Page. If he wins, King gets his title and his career back, plus one million dollars.
WCW President Eric Bischoff, knowing his promotion was desperate with bad writing and ratings skyrocketing down thanks to the far superior World Wrestling Federation, came up with the idea for this movie hoping it would save WCW. He was then fired and rehired two months ago, but by the time he'd left, they had already been contracted to do the film, and Bischoff could not play Sinclair (which, in itself, is for the best, as anybody who has seen him on WCW programming knows that Bischoff is NO actor!). The characters of Gordie and Sean show you exactly what Eric Bischoff thinks of his fans.  That is why he doesn't take the fans into consideration when he books a Nitro or a pay-per-view.  This is 2000, you know, not 1985. Bischoff will try to cover up criticism like that by saying it is a comedy, but I have no doubt in my mind that if this had been a dramatic, ROCKY-style film (which it probably should have been. Professional wrestling is ridiculed enough as it is, why should the first wrestling movie in ten years be a comedy?), Gordie and Sean would have been portrayed in the same light.
Anybody who has seen the documentary WRESTLING WITH SHADOWS, documenting WWF owner Vince McMahon's double-crossing of Bret Hart, will probably realize via the reviews and previews of READY TO RUMBLE, that it is basically a rip-off of that film's storyline with the poor man's Wayne and Garth thrown in for comedic affect. You can tell Titus Sinclair is supposed to poke fun at Vince, but any self-respecting wrestling fan knows that Sinclair is more inspired by Bischoff than Vince, and that Vince did what he had to do to Bret Hart. All of these aspects of the film, needless to say, seriously offended me as a wrestling fan.
Another thing I found disturbing about the film was the romance between Gordie and Nitro Girl Sasha (The lovely Rose McGowan). Wouldn't it have been easier to bring something new into the relationship rather than revealing she was only working on Gordie at Sinclair's insistance?
The World Wrestling Federation would have made a better film. They are the promotion everyone cares about, they are winning the ratings, they have better wrestlers, and they take their fans into consideration and don't treat fans like morons. So, Vince, how about a movie?
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