Periodic
Overview
Periodic is an enterprise information and content management system, designed for you to be able to quickly implement your own information architecture. Periodic is a lightweight application wrapper for Express, that provides a simple mechanism to handle theming, routes and extensions.
Unlike some traditional content management solutions, there are no assumptions made about your data model, which allows for information hierarchies and taxonomies to be extremely malleable.
Installation
Periodic runs with a production grade process manager called PM2, this allows for you application to restart only when necessary and runs as a process in the background. PM2 is a prerequesite for running periodic
$ npm install pm2 -g #for running the application
$ npm install nodemon -g #for extention and module development
$ npm install periodicjs@latest
$ cd periodicjs
$ sudo mongod # you need mongo running
$ npm start #this starts the pm2 daemon process
$ open http://localhost:8786 # there's a login link at the bottom for the admin, or http://localhost:8786/p-admin
Usage
Content
- Entities
- Items
- Items are the base content entity, when used in conjunction with content types you can define new types of items with additional custom fields.
- Complicated taxonomies and information hierarchies can be created by classifying items with content types, tags and categories.
- The Drupal equivalent would be a node, the wordpress equivalent would be a post.
- Collections
- Collections are a generic grouping of items, they can be used to provide gallery, listicle, and slide show functionilty
- Like Items, you can create complicated information heirarchies by using custom attributes with content types, tags and categories.
- In equivalent content management systems, collections are like galleries.
- (Media) Assets
- Assets are uploaded files, you can create complicated information models and add additional fields with content types
- Items
- Attributes & Taxonomies
- Categories
- Categories are an entity attribute that can be nested into logical heirachries, additional attributes can be added with content types
- Tags
- Tags are an entity attribute that can be nested into logical heirachries, additional attributes can be added with content types
- Categories
- Classification
- Content Types
- Content Types are collections of additional attributes that can be added to Entities and Attributes.
- Content Types can be used to create "podcasts", "images", "slideshows", "listicles", "videos" and more by adding additional properties to items, collections, assets, tags and categories.
- Content Types
Extensions
Extensions are simply node modules that are name-spaced by the extension name prefix 'periodicjs.ext.'. The index.js file is loaded during runtime if the extension is enabled.
Any part of the application can be overwritten via extensions; routes, controllers, views, etc.
Installing extensions
$ npm install periodicjs.ext.myextension
$ npm install periodicjs.ext.myextension --skip-install-periodic-ext
You can install extensions from the command line via npm, by installing with the --skip-install-periodic-ext command line argument, your extension configuration file will not be modified.
Configuring, Removing, Enabling and Disabling extensions
The state of all extensions are in the content/extensions/extensions.json
configuration file and is loaded at runtime.
Extensions can be enabled/disabled/removed either manually from extensions.json or from the admin extension interface.
Configuration
Application Configuration
Your application loads content/config/config.json
at runtime, here you can modify the runtime environment (or via the command line).
config.json
will override any settings in your environment specific configurations
Database Configuration
The Database configuration settings are located in content/config/database.js
, database.js
is loaded at runtime. You can modify the environment specific database configuration here.
Runtimes
Periodic runs with a production grade process manager called PM2, this allows for you application to restart only when necessary and runs as a process in the background.
Starting Periodic
$ npm start
Periodic runs with npm, the exact commands are in package.json.
$ npm start -p [port] -e [environment]
The run time environment can be modified with command line arguments for the specific environment and port settings. WARNING: anything in config.json will override these settings
$ npm run nd
For development purposes only, the nd script runs with nodemon
Stopping Periodic
$ npm stop$ pm2 kill periodicjs
Both npm stop and pm2 kill will stop the periodic daemon.
Restarting Periodic
$ npm run reload
npm run reload, reloads the pm2 daemon.
Upgrades
$ cd path/to/periodic/directory
$ npm install periodicjs@latest --upgrade
Running npm install periodicjs with the --upgrade command line argument installs periodic without modifying which extensions you have installed.
Development
Make sure you have grunt installed
$ npm install -g grunt-cli
Then run grunt watch
$ grunt watch


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Launch Presentation


54 (Miramax) Starring: Ryan Phillippe, Salma Hayek, Breckin Meyer, Mike Myers, Neve Campbell. Screenplay: Mark Christopher. Producers: Richard N. Gladstein, Dolly Hall and Ira Deutchman. Director: Mark Christopher.  Running Time: 91 minutes. Reviewed by Scott Renshaw.
Mike Myers transforms himself in 54, in virtually every way a performer can transform himself. Myers plays Steve Rubell, the nightclub impresario who created the Manhattan disco to be the center of the party universe in the closing years of the 1970s. Rubell presides over his kingdom in a heavy-lidded barbiturate stupor, wheezing a forced monotone cackle as he moves among his glitterati guests. In his first truly dramatic screen performance, Myers is still recognizable with his open-mouthed little boy grin, but here he uses it to create an overgrown little boy convinced he can only find friends by throwing the coolest party. Wearing Izod shirts and sweaters, thinning hair perched pointlessly on top of his head, Rubell is a proto-Gates portrait of entrepreneurial geekdom. If people won't play with him because they like him, he'll make them play with him because they need him.
Rubell is a fascinating character, performed by Myers with a mix of savvy, pathos and self-absorption. If writer/director Mark Christopher had had the common sense to make 54 the story of Steve Rubell, he might have created a great film. Instead, he makes his protagonist a New Jersey kid named Shane O'Shea (Ryan Phillippe) who comes to Manhattan in 1979 to break away from his dead-end family. He first manages to catch Rubell's eye and gain entry into the club, then lands a job as a busboy, eventually moving up the Studio 54 social ladder to bartender. Along the way he befriends another busboy named Greg (CLUELESS's Breckin Meyer) and Greg's wife, aspiring disco diva Anita (Salma Hayek). He also becomes infatuated with Julie Black (Neve Campbell), a soap opera ingenue whose Jersey-to-the-big-time success story inspired him to action.
54's base-line narrative is so trite it almost plays like a parody, a disco-era goof on MIDNIGHT COWBOY or some far less seminal corruption of the innocent melodrama. Naturally, the fame and flash go immediately to Shane's head as he poses for modeling shoots and buys a Camaro with personalized plates; naturally, he is lured into a sordid world of sex, drugs and money; naturally, he begins to alienate his friends and family. Christopher heads down every obvious path in the interactions between Shane, Greg, Anita and Julie, apparently oblivious to the fact that every one of those characters is a piece of cardboard. Perhaps it was his idea of irony: like Studio 54 itself, his movie invites people in so they can stand around and be attractive.
The plotting and pacing are so relentlessly predictable that the film doesn't even work well as a sociology lesson. Occasionally it offers peeks at the side rooms or basement hot spots where the elite meet to revel in their elite-ness; occasionally it focuses on the politics of succeeding in an environment of glamour for glamour's sake. Shane's voice-over narration dutifully informs us why Studio 54 was so unique and popular, but there's never enough energy for us to believe him or care. 54 spends 91 minutes pointing off-handedly at this or that detail like a bored tour guide. For a film that includes money-laundering, ripping off the mob, sex, drugs, celebrities and plenty of boogie oogie oogie-ing, it almost never gets the pulse racing.
The notable exceptions are the scenes involving Myers as Rubell. Sure, the character isn't perfectly realized; in fact, it probably seems better simply because it's surrounded by so much uninspired junk. There is something undeniably intriguing about Rubell, however, as his king of the playground glee mingles with self-destructive anxiety and paranoia. It's also amusing watching him tell a talk show host "the road of excess leads to the palace of wisdom" after we've seen him lying in a pile of money, drooling vomit. There's a great story in that unhappy collection of contradictions, but you won't find it amidst the smothering cliches of Mark Christopher's script. With all the stranger-than-fiction truth at his disposal, he somehow found the least interesting approach possible. Steve Rubell would have been disgusted to see Studio 54 turned into something so...mundane.
On the Renshaw scale of 0 to 10 disco balls: 4.
Visit Scott Renshaw's MoviePage http://www.inconnect.com/~renshaw/ *** Subscribe to receive new reviews directly by email! See the MoviePage for details, or reply to this message with subject line "Subscribe".
The review above was posted to the
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Related links: index of all rec.arts.movies.reviews reviews


public class TimeWindowRtpMediaBuffer extends java.lang.Object implements RtpMediaBuffer
RtpMediaBuffer.State
| Constructor and Description |
|---|
TimeWindowRtpMediaBuffer(com.biasedbit.efflux.session.RtpSessionDataListener upstream,
java.util.Properties properties)
Creates an RTP buffer which work is to avoid network jitter.
|
| Modifier and Type | Method and Description |
|---|---|
void |
dataPacketReceived(com.biasedbit.efflux.session.RtpSession session,
com.biasedbit.efflux.participant.RtpParticipantInfo participant,
com.biasedbit.efflux.packet.DataPacket packet)
When a new data packet arrives, it may be discarded if it is older than the play head.
|
void |
stop()
Stops the consuming thread.
|
public TimeWindowRtpMediaBuffer(com.biasedbit.efflux.session.RtpSessionDataListener upstream, java.util.Properties properties)
upstream
- properties
- public void dataPacketReceived(com.biasedbit.efflux.session.RtpSession session, com.biasedbit.efflux.participant.RtpParticipantInfo participant, com.biasedbit.efflux.packet.DataPacket packet)
dataPacketReceived
in interface com.biasedbit.efflux.session.RtpSessionDataListener
session
- participant
- packet
- public void stop()
stop
in interface RtpMediaBuffer


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Feathers SDK and MXML
The Feathers SDK combines the application layout capabilities of MXML with the Feathers open source library of UI components. The SDK includes its own compilers and everything else that you need to develop Feathers applications. See an overview of Feathers SDK features.
Installation & Getting Started
Install the Feathers SDK and its dependencies with the Feathers SDK Manager.
Set up the Feathers SDK in your preferred development environment:
Follow the instructions in Getting started with MXML in the Feathers SDK to create your first "Hello World" app using the Feathers SDK.


UP10TION's Lee Jin Hyuk drops performance MV for solo debut 'I Like That' 06 Nov 2019, 09:57 by germainej UP10TION's Lee Jin Hyuk drops performance MV for solo debut 'I Like That'


A unified estimation procedure for the analysis of right censored data using linear transformation models.
| Version: | 2.1 |
| Depends: | stats, graphics, survival, MASS |
| Published: | 2017-05-11 |
| Author: | Jie Zhou, Jiajia Zhang, Wenbin Lu |
| Maintainer: | Jie Zhou <zhoujie02569 at gmail.com> |
| License: | GPL-2 |
| NeedsCompilation: | no |
| In views: | Survival |
| CRAN checks: | TransModel results |
| Reference manual: | TransModel.pdf |
| Package source: | TransModel_2.1.tar.gz |
| Windows binaries: | r-devel: TransModel_2.1.zip, r-release: TransModel_2.1.zip, r-oldrel: TransModel_2.1.zip |
| OS X binaries: | r-release: TransModel_2.1.tgz, r-oldrel: TransModel_2.1.tgz |
| Old sources: | TransModel archive |
| Reverse suggests: | mlt.docreg |
Please use the canonical form https://CRAN.R-project.org/package=TransModel to link to this page.


Those of you who hold Gerard Manley Hopkins in awe—which I assume is every last one of you—should turn today to The Dabbler, where my sister Rita Byrne Tull explains how the great Victorian Jesuit priest was instrumental in setting the course of her life.
This sketch of Father Hopkins was drawn by my son Edwood Burn. A finished version of it will appear in Mr Key's Shorter Potted Brief, Brief Lives, alongside a score of other portraits.


I’m a creative soul in love with pole dancing, yoga, fashion, food, languanges and discovering new worlds and cultures.
Completed item setups for Nordstrom Rack by gathering and inputing product information from multiple business partners and databases. Also, partnered with the Buying Office to process and clarify purchase orders with vendors and set up items in Nordstrom systems. Prioritized workflow efficiently through the Item Workspace to maintain high productivity. Gained extensive grasp of Microsoft Excel.
Delivered fun lessons to students in a variety of skill levels focusing on the practice, formation and use of English sentence structures while aiding in creation of a new English curriculum at a Korean school. Also, created a vast collection of teaching and study materials for learning how to read and write English.
Study Abroad:
Years of Experience
Languages I speak


Created by Andrea Esposito <and1989@gmail.
Created by Andrea Esposito <and1989@gmail.
Created by Andrea Esposito <and1989@gmail.
Default combiner that simply appends messages together (i.
Simple Empty vertex context
Utility message which encapsulates descriptors
Convenient vertex context for view exchanges
Created by Andrea Esposito <and1989@gmail.
ONJAG Engine
Created by Andrea Esposito <and1989@gmail.
Created by Andrea Esposito <and1989@gmail.
Created by Andrea Esposito <and1989@gmail.
Request Framework Message
Response Framework Message
Checkpoints the protocol each interval supersteps
Created by Andrea Esposito <and1989@gmail.
Companion object
Enumeration about how manage the intermediate RDDs


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MUSIC QUEST
A demo Music Search Application using Spotify Web-API
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Brad Abrams make Jeffrey Richter and me stand in front our of "software legend" stand-up cut outs yesterday so that he could take a picture. I've already gotten crap from my new team at MS for being one of these guys. I assume it's the shock and awe... : )
Brad Abrams
Tue 4/22/2003 10:09 PM


|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object atg.commerce.csr.returns.RefundMethod
public class RefundMethod
This class represents information for a refund
This is class is just a base class. Out of box, the returns feature supports only
CreditCardRefundMethod
and StoreCreditRefundMethod
. If you want to
support additional payment type as refund option, you need to extend this class.
The #saveRefundMethod(RepositoryItem, Order)
is used to load refund method properties from repository item.
if you add additional properties to refund method and it needs to be loaded to the refund method object, you need
to extend this method.
The saveRefundMethod(MutableRepositoryItem)
is used to save refund method properties to repository item.
if you add additional properties to refund method and it needs to be saved in the repository, you need
to extend this method.
loadRefundMethod(RepositoryItem, Order)
,
saveRefundMethod(MutableRepositoryItem)
,
Serialized Form| Field Summary | |
|---|---|
static java.lang.String |
CLASS_VERSION
Class version string |
static java.lang.String |
CREDIT_CARD_TYPE
|
protected double |
mMaximumRefundAmount
|
static int |
NO_LIMIT
|
static java.lang.String |
RETURN_MANAGER_PATH
|
static java.lang.String |
STORE_CREDIT_TYPE
|
static java.lang.String |
UNKNOWN_TYPE
|
| Constructor Summary | |
|---|---|
RefundMethod()
Deprecated. |
|
RefundMethod(java.lang.String pRefundType)
Construct this object, setting the refund type |
|
RefundMethod(java.lang.String pRefundType,
double pAmount)
Construct this object, setting the refund type and amount |
| Method Summary | |
|---|---|
double |
getAmount()
Returns the amount of the refund |
static RefundMethod |
getInstance()
Deprecated. |
double |
getMaximumRefundAmount()
This method is just an empty method and returns -1. |
java.lang.String |
getRefundType()
Returns refund type for this record |
ReturnManager |
getReturnManager()
Deprecated. |
void |
loadRefundMethod(RepositoryItem pSource,
Order pOrder)
This method is used to copy the information from the source refund method repository item to refund method instance. |
void |
saveRefundMethod(MutableRepositoryItem pDestination)
This method is used to copy the information from refund method instance to repository item. |
void |
setAmount(double pAmount)
The amount of the refund |
void |
setMaximumRefundAmount(double pMaximumRefundAmount)
|
protected void |
setRefundType(java.lang.String pRefundType)
Sets the refund type for this record |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
public static final java.lang.String CLASS_VERSION
public static final int NO_LIMIT
public static final java.lang.String CREDIT_CARD_TYPE
public static final java.lang.String STORE_CREDIT_TYPE
public static final java.lang.String UNKNOWN_TYPE
public static final java.lang.String RETURN_MANAGER_PATH
protected double mMaximumRefundAmount
| Constructor Detail |
|---|
public RefundMethod()
public RefundMethod(java.lang.String pRefundType)
public RefundMethod(java.lang.String pRefundType, double pAmount)
| Method Detail |
|---|
public void setAmount(double pAmount)
pAmount
- the amount of the refundpublic double getAmount()
protected void setRefundType(java.lang.String pRefundType)
pRefundType
- the refund type for this recordpublic java.lang.String getRefundType()
public ReturnManager getReturnManager()
public static RefundMethod getInstance()
RefundMethod()
to create RefundMethod
.
public double getMaximumRefundAmount()
This method computes the maximum allowed refund amount.
public void setMaximumRefundAmount(double pMaximumRefundAmount)
public void loadRefundMethod(RepositoryItem pSource, Order pOrder) throws ReturnException
This method sets the amount
property.
pOrder
- pSource
- The information to be copied from.
ReturnException
public void saveRefundMethod(MutableRepositoryItem pDestination) throws ReturnException
This method sets the ReturnTools.getAmountPropertyName()
in the repository item.
pDestination
- The information to be copied
ReturnException
|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Select File
GST reconciliation
Featured snippet from the web
Under Goods and Services Tax (GST), reconciliation means recording every transaction that took place during a period while also ensuring that the data filed by the supplier matches with those of the recipients. This enables one to make sure that no sales or purchases are missing or wrongly reported in the GST returns.


{% extends "base.html" %}
{% block content %}
Access Key: {{ access_key }}
Quotas
| 24 Quota |
24 Sent |
Quota Remaining |
Per/s Quota |
| {{ 24hour_quota }} |
| {{ 24hour_sent }} |
{{ 24hour_remaining }} |
{{ persecond_rate }} |
Sending Totals
| Delivery Attempts |
Bounces |
Complaints |
Rejected |
| {{ summary.DeliveryAttempts }} |
| {{ summary.Bounces }} |
{{ summary.Complaints }} |
{{ summary.Rejects }} |
Verified Emails
| Email Address |
{% for email_address in verified_emails %}
| {{ email_address }} |
{% endfor %}
| {{ verified_emails|length }} |
| Delivery Attempts |
Bounces |
Complaints |
Rejected |
Timestamp |
{% for datapoint in datapoints %}
| {{ datapoint.DeliveryAttempts }} |
{{ datapoint.Bounces }} |
{{ datapoint.Complaints }} |
{{ datapoint.Rejects }} |
{{ datapoint.Timestamp }} |
{% endfor %}
{% endblock %}


Nehemiah 6:17
Moreover in those days the nobles of Judah sent many letters unto Tobiah, and the letters of Tobiah came unto them.


latexdiff makes a diff of an old latex file and a new latex file and gives a new diff file.
The diff file can now be compiled and will show all the additions and deletions in the new file compared to the old one.
I have recently migrated from the Enthought Python Distribution to the Anaconda Python Distribution.
Using anaconda has been a breeze compared to Enthought.
Somehow, I couldn't get around my head to understand the User and System enviroments in Enthought.
Also, I didn't quite understand how the command line ...


Practice Fusion (SHRS)
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Allergy
Alleryies Name:
*Other(If yes):
Allergies Type:
Food
Drug
Enviornment
Severity:
Server
Moderate
Onset:
Reaction:
Status:
Active
Historal
Comments:
Next to Flowsheet


Gather your family and friends and join us in our third annual event! We race every year to promote awareness and raise funds for children who are in slavery.
Join Us in DC
Join Us in Dallas
Since 2013, O.U.R. has gathered the world’s experts in extraction operations and anti-child trafficking efforts to bring an end to child slavery. O.U.R.'s Underground Jump Team consists of former CIA, Navy SEALs, and Special Ops operatives that lead coordinated identification and extraction efforts. These operations are always in conjunction with law enforcement throughout the world.
Once victims are rescued, a comprehensive process involving justice for the perpetrators and recovery and rehabilitation for the survivors begins. To date, O.U.R. has rescued 670 victims and arrested 280 traffickers worldwide. Learn more at ourrescue.org.


|
Interface Summary |
| Asset |
Represents the items under control of the version management system. |
| AssetVersion |
An immutable wrapper for a specific version of an asset
under version control. |
| Branch |
Branches comprise of a set of versions,
one for each asset included in the branch. |
| DevelopmentLine |
A DevelopmentLine is a set of versions, with one from each
included asset. |
| ManagedElement |
A base interface for all objects under control of a version manager. |
| Snapshot |
A development line holding a fixed set of versions. |
| SnapshotDiff |
|
| WorkingVersion |
An editable resource created by checking out an asset version in a workspace. |
| Workspace |
A DevelopmentLine that controls changes to versioned resources. |


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Myrtle Beach, South Carolina
The two-story building is leased to the three original tenants who have occupied the building since it opened in 1998. 72 percent of square footage leased rolls in December 2019, 28 percent rolls in May 2020. Medical tenants traditionally have a higher renewal rate than standard office tenants.
The hospital is a tenant of the property and a subsidiary of Hospital Corporation of America (HCA), the largest publicly-traded for-profit operator of health care facilities in the U.S., rated Ba2 by Moody’s. The hospital last renewed in 2013 at a 10 percent premium to the other tenants.
Although there can be no guaranty, the three tenants have expressed their intent to renew long-term leases due to their long-term investment into the property and proximity to the hospital.
Leases are NN with annual rent increases of (i) 3.0 percent or (ii) CPI with a 2.0 percent floor and 4.0 percent ceiling.
| Property Details | |
|---|---|
| Address | 945 82nd Parkway Myrtle Beach, SC 29572 |
| Size | 2 floors / 44,323 Sq FT |
| Tenant | 3 tenants |
| Occupancy | 100 percent |
| Lease Types | NN (Landlord responsible for roof and exterior structure) |
| Lease Expirations | Dec 2019 and May 2020 |
| Date Acquired | May 21, 2014 |
| Appraised Value | $15,700,000 |
| Purchase Price | $14,535,000 |
| Projected 2016 NOI | $1,229,000 |
| Projected IRR1 | 15.1 percent |
| Avg. Equity Yield2 | 11.4percent (7-Year Hold) |
| Cap Rate | 8.1 percent |
| Leverage | $10,300,000 |
| LTV (Orig. PurchasePrice): | 70.9 percent |
1) Projected IRR - Assumes all 3 tenants will renew their leases upon expiration with
3% annual growth rates, cap ex reserve of $0.15 PSF, TI/LC reserve of $0.36 PSF,
7 year hold period, exit cap rate of 8%, and cost of sale of 4%.
2) Avg. Equity Yield - Computed as average of: net cash flow after TI/LC reserve, asset
management fee and debt service divided by initial equity investment of
$5,438,115 for each year of hold period.
Brooklyn, New York
The property is a 9-story elevator building with 117 one bedroom and studio apartments comprising 86,360 square feet. The average unit size is 432+/- sq. ft. and each unit has a kitchen, bathroom and other typical apartment necessities. Constructed in 2004, the property was built structurally as a standard apartment building. The property is located in the East Flatbush section of Brooklyn between Lott Street and Veronica Place, southeast of Prospect Park. The area is characterized by typical urban residences, row houses and cottage homes, along the side streets and mostly "mom and pop" retail along the main thoroughfares. The area is well served by public transportation.
Given the property's inflation-indexed, long term scheduled rental payments, the REIT believes this asset will contribute to the first objective of it's Dual Strategy; providing the potential for consistent dividend distributions.
There can be no assurances that these investment objectives will be met, and the achievement of any or all goals is not guaranteed.
| Property Details | |
|---|---|
| Address | 2520 Tilden Avenue - Brooklyn, NY 11226 |
| Size | 117 Units / 86,360 Sq FT |
| Tenant | Highland Park Community |
| Occupancy | 100 percent |
| Lease Types | Net Lease |
| Lease Expirations | November 2031 |
| Date Acquired | March 29, 2013 |
| Appraised Value | $35,300,000 |
| Purchase Price | $22,900,000 |
| Projected 2016 NOI | $2,500,000 |
| Projected IRR | 21.7 percent1 |
| Avg. Equity Yield | 14.4 percent (7-Year Hold excluding capital events) |
| Cap Rate | 11.9 percent |
| Leverage | $14,500,000 |
| LTV (Orig. PurchasePrice): | 64.4 percent |
1) Projected IRR – Rent will increase every 3 years based on cumulative CPI. Assumes annual
growth rates of 3%, cap ex reserve of $0.20 PSF, 7 year hold period, exit cap rate of 8%
and cost of sale of 3%.
2) Avg. Equity Yield – Computed as average of: net cash flow after debt service divided by
initial equity Investment of $9,845,592 for each year of hold period.
Cherry Hill, New Jersey
This single-story office building was acquired as a sale-leaseback transaction. Built in 1988 and renovated in 2004 and 2009, the property is located within the local medical office corridor of the affluent suburb of Cherry Hill, NJ, approximately 12 miles outside of downtown Philadelphia.
Founded in 1998 and headquartered at this property, Fox Rehab provides at-home physical, occupational, and speech therapy services. The company targets the aging baby boomer demographic in the eight Eastern U.S. states in which it operates.
Fox Rehab has experienced growth in its customer network as annual therapy visits increased from approximately 180,000 in 2007 to 718,000 in 2013. The company reported net revenues and adjusted EBITDA for year-to-date October 2015 were $85.9 million and $6.2 million, respectively, representing a 15.3% and 129.6% increase over the same period in 2014. The NNN lease has a 15 year term with annual rent increases of greater of 3% or CPI.
| Property Details | |
|---|---|
| Address | 7 Carnegie Plaza Cherry Hill, NJ 08003 |
| Size | 1 floors / 90,080 SQ FT |
| Tenant | Fox Rehabilitation |
| Occupancy | 100 percent |
| Lease Types | NNN |
| Lease Expirations | December 13, 2029 |
| Date Acquired | December 16, 2014 |
| Appraised Value | $11,600,000 |
| Purchase Price | $9,300,000 |
| Projected 2016 NOI | $881,680 |
| Projected IRR1 | 17.7 percent |
| Avg. Equity Yield2 | 9.0 percent |
| Cap Rate | 9.15 percent |
| Leverage | $5,500,000 |
| LTV (Orig. PurchasePrice): | 59.1 percent |
1) Projected IRR - Assumes rent will increase 3% annually, 10 year hold period, exit cap rate
of 9%, and cost of sale of 4%.
2) Avg. Equity Yield - Computed as average of: net cash flow after advisor oversight fee
and debt service divided by initial equity investment of $4,687,205 for each year of hold
period.
Winston-Salem, NC
American Airlines has over 1,100 employees at this location which represents its largest call center location on the east coast. The tenant has invested approximately $5.0 million of capital improvements since 2009 and has occupied the building since opening in 1988. The building’s 800+ parking spaces, more than double the standard office parking requirement, meeting the needs of its 24/7, three-shift-per-day workforce.
In October 2015, the American Airlines Group reported a Q3 2015 net profit of $1.9 billion, representing a 54 percent improvement over the same period in 2014 and the highest quarterly profit in the company’s history. American Airlines is rated BB- by S&P.
FCRETI has a 7.1 percent ownership interest in the Delaware Statutory Trust (“DST”) entity that owns the asset.
| Property Details | |
|---|---|
| Address | 799 Hanes Mall BLVD Winston-Salem, NC 27103 |
| Size | 5 stories / 101,555 Sq FT |
| Tenant | American Airlines |
| Occupancy | 100 percent |
| Lease Types | NN (Landlord responsible for roof and exterior structure) |
| Lease Expirations | March 2020 (One 10-Year Renewal Option Remaining) |
| Date Acquired | July 24, 2015 |
| Appraised Value | $17,200,000 |
| Purchase Price | $16,300,000 |
| Projected 2016 NOI | $1,343,000 |
| Projected IRR1 | 11.1 percent |
| Avg. Equity Yield2 | 9.1 percent (10-Year Hold) |
| Cap Rate | 8.1 percent |
| Leverage | $10,000,000 |
| LTV (Orig. PurchasePrice): | 61.3 percent |
1) Projected IRR - Assumes rent will increase 3% annually, 10 year hold period, exit cap Projected
IRR – Rent will increase 3% annually. Assumes tenant renews lease upon expiration
with 3% annual rent growth. Includes cap ex reserve of $0.10 PSF per year, TI/LC reserve of
$0.50 PSF per year until expiration of current term of lease, 10 year hold period, exit cap rate
of 8.75%, and cost of sale of 2%.
2) Avg. Equity Yield – Computed as average of: net cash flow after TI/LC reserve, asset management
fee and debt service divided by initial equity investment of $8,562,082 for each year
of hold period.
Marlton, New Jersey
This single-story office building was acquired off-market, direct from seller in 2015. Extensively renovated in 2010, the interior was custom designed by the tenant with high-end, Class A finishes including over $2.8 million invested in tenant improvements. It is located within Marlton Crossing, a 200-acre mixed-use development considered the premier office park in Burlington County, approximately 14 miles outside of downtown Philadelphia.
Founded in 1998 and headquartered at this property, the tenant, Continuum Health Alliance, LLC (“CHA”), provides proven, strategic business and clinical solutions empowering medical providers to enhance patient access and experience, improve health, and lower costs. The company serves over 1,250 primary care physicians, specialists, and nurse practitioners at more than 400 medical offices and hospital locations and manages approximately $1 Billion in annual billings.
FCRETI has a 16.7 percent ownership interest in the DST entity that owns the asset. The NNN lease has 9 years remaining on its existing term with annual rent increases of 2.5 percent to 2.0 percent per annum.
| Property Details | |
|---|---|
| Address | 402 & 404 Lippincott Dr. Marlton, NJ 08053 |
| Size | 2 buildings / 1-story each / 53,100 Sq FT |
| Tenant | Continuum Health Alliance, LLC (CHA) |
| Occupancy | 100 percent |
| Lease Types | NNN |
| Lease Expirations | December 2024 |
| Date Acquired | May 15, 2015 |
| Appraised Value | $11,800,000 |
| Purchase Price | $11,750,000 |
| Projected 2016 NOI | $1,115,000 |
| Projected IRR1 | 10.1 percent |
| Avg. Equity Yield2 | 10.0 percent (7-Year Hold) |
| Cap Rate | 9.4 percent |
| Leverage | $6,500,000 |
| LTV (Orig. PurchasePrice): | 55.3 percent |
1) Projected IRR – Rent will increase $0.50 PSF annually. Assumes a 7 year hold period, exit
cap rate of 9.75%, and cost of sale of 2%.
2) Avg. Equity Yield – Computed as average of: net cash flow after TI/LC reserve, asset
management fee and debt service divided by initial equity investment of $7,300,000 for
each year of hold period.
Yonkers, New York
FCRETI has a 14.6 percent ownership interest in this property. It is ideally located directly off the South Broadway commercial corridor, minutes off the Saw Mill River Parkway, just north of the Bronx border and a short walk to the Metro North Ludlow station. This major transit corridor is currently undergoing a demographic shift.
Although not guaranteed, the asset benefits from 99 percent occupancy of low-income residents. Future upside potential may include capital upgrades of the existing boilers and installation of an energy management system to reduce overall utility expenses. Additionally, cap rate compression since 2013 has resulted in appreciation in value by over 40 percent.
| Property Details | |
|---|---|
| Address | 14 Highland Ave. Yonkers, NY 10705 |
| Size | 22 Units / 5-stories / 10,970ft |
| Unit Mix | 9 Studios; 9 1BR; 1 3BR; 3 4BR |
| Occupancy | +/- 99 percent |
| Lease Types | Net Lease |
| Rents | Avg. rent is $1,157/mo, rent growth expected |
| Date Acquired | August 2, 2013 |
| Appraised Value | $2,900,000 |
| Purchase Price | $2,000,000 |
| In Place NOI | $161,157 |
| Projected IRR | 10.9 percent1 |
| Avg. Equity Yield | 9.2 percent (5-Year Hold excluding capital events) |
| Cap Rate | 8.1 percent |
| Leverage | $1,500,000 |
| LTV (Orig. PurchasePrice): | 75.0 percent |
1) Projected IRR – Assumes annual growth rates of 3%, cap ex reserve of $250 per unit, 5
year hold period, exit cap rate of 8.56% and cost of sale of 3%.
2) Avg. Equity Yield – Computed as average of: net cash flow after debt service, asset
management fee, and capital reserve divided by initial equity investment of $676,000 for
each year of hold period.
Columbia, SC
This select-service hotel was gut renovated in 2013 by prior ownership and is currently undergoing significant renovations totaling $4.2 million, or approximately $22,000 per key, to complete the rebranding from an independent hotel to a Ramada flag (part of the Wyndham Worldwide brand reservation system). With $850,000 spent to date, the hotel has been officially reflagged Ramada. As of December 2015, approximately onethird of the guest rooms are renovated and returned to inventory.
Amenities include a restaurant and lounge, 8,350 square feet of meeting space, an outdoor pool, a fitness room (planned), an arcade (planned), a business center (planned), a gift shop (planned), a guest laundry room (planned), and vending areas.
As a result of the rebranding, renovations, and new management, revenue has more than doubled in the second half of 2015 compared to the first half of 2015.
| Property Details | |
|---|---|
| Address | 1539 Horseshoe Dr. Columbia, SC 29223 |
| Number of Rooms | 2186 guest rooms |
| Year Built | 1981 |
| Date Acquired | September 15, 2015 |
| Appraised Value | $8,100,000 (March 2015) |
| Purchase Price Allocation | $6,520,000 |
| Price Per Key | $35,000 |
| Capex Spent To Date | $850,000 |
| Capex Remaining | $3,350,000 |
| Remaining Lender | $200,000 |
| Renovation Reserves | |
| Leverage | $4,750,000 |
Amarillo, TX
This full-service hotel is undergoing significant renovations totaling $7.5 million, or over $28,000 per key, as part of the Wyndham Garden rebranding.
Amenities include a lounge/restaurant, breakfast dining area, fitness center and indoor pool, two lobby business centers, guest vending machine on every floor, and a third party-operated gift shop.
In 2015, $6.0 million was invested in renovating the hotel’s lobby, Pour House restaurant, back-of-house, common areas, and guest rooms on floors one through five. Despite only renovating 50 percent of the guest rooms through year-end 2015, the positive renovation impact can still be seen in the June through November increase in Average Daily Rate (ADR) of 19.6 percent over prior year while the competitive set of properties only achieved ADR growth of 5.2 percent. Additional RevPAR growth of 28.0 percent is budgeted for 2016.
| Property Details | |
|---|---|
| Address | 3100 W. Interstate 40 Amarillo, TX 79102 |
| Flag | Wyndham Garden |
| Number of Rooms | 259 guest rooms |
| Avg. Room Size | 9377 Square Feet |
| Date Acquired | September 15, 2015 |
| YTD Occupancy (Nov 2015) | 35.1 percent |
| YTD ADR (Nov 2015) | $68.06 |
| YTD RevPAR (Nov 2015) | $23.92 |
| Purchase Price Allocation | $18,310,000 |
| Price Per Key | $69,000 |
| Capex Spent To Date | $6,020,000 |
| Capex Remaining | $1,490,000 |
| Net Equity | $7,720,000 |
| Leverage | $10,590,000 |
*Purchase price represents debt plus net equity values stated in FCRETI’s public filings.


Teens arrested after allegedly lighting grassfire in NSW
by Shanee DobesonThree teenage boys have been arrested after allegedly starting a grass fire in Sydney’s south-west overnight.
A passing motorist alerted authorities when he saw the fire in bush off The Northern Road at Harrington Park about 5.30pm on Sunday.
Police say firefighters from Fire and Rescue NSW and the RFS rushed to the scene and quickly brought the flames under control.
After receiving a tip off from members of the public, officers searched the area and arrested two boys, aged 15 and 16, near Harrington Parkway.
A third teen, aged 15, was arrested a short time later.
“All three were taken to Narellan Police Station and have been interviewed by police in the presence of their support people,” NSW Police said.
All are eligible to be dealt with under the Young Offender’s Act.
Three mobile phones and other items were also seized for forensic examination.


Kon'nichiwa Anime Lovers!"
ANIME REVOLUTION 2021
Bringing together industry and fans of Japanese Pop Culture for an annual celebration. See you in downtown Los Angeles on 2021!
Anime Expo is an annual convention dedicated to Japanese culture and currently held at the Los Angeles Convention Center.
Popular events include; the Masquerade, Anime Music Video Contest, Concerts, and the Fashion Show. Anime Expo also offers late-night programming such as dance, video screenings, tabletop and electronic gaming, and open-mic karaoke. Many of the attendees cosplay while attending the convention, and join in the many gatherings for fans of different anime, manga, gaming and other genres.
Renowned for its ability to bring famous guests to America for panels and concerts, Anime Expo has been the site of many U.S. premiers of shows, movies, and bands including; AKB48, Hatsune Miku, Morning Masume, Porno Graffitti, Yoko Kanno, SKIN and many more.
Please contact us per Email for any further questions about Anime Revolution 2021!
<EMAIL_ADDRESS>Anime Revolution 2021 Logo
___________
The logo of Anime Revolution 2021 was decided through the logo competition from 1. Jenuary to 28. July.
The logo of Anime Revolution 2021 was decided through the logo competition from 1. Jenuary to 28. July. After online public voting and Selection Committee's judging process, the logo from Naresh Agrawal won the prize. After consultation with Mr. Agrawal we optimized the prize winning logo for this year's AR as following
See the past AR Conventions
___________
Take a look at the last two Anime Revolution Conventions which took place in Japan and in Mexico.


A stock phrase associated with department store elevators, which in Real Life often emit a prerecording that lists the "departments" of the current floor. (In the days of live elevator operators, it was typically the operator's job to do this.)
Typically the formula is two normal items and a plot relevant item, though this can be mixed up by having another mundane item after the plot-relevant item. The plot-relevant item is often jarringly discordant with the other mundane items: see Bread, Eggs, Milk, Squick.
If the department store's policy is "We Sell Everything" then the resulting Long List can sometimes become an Overly Long Gag.
Often The Elevator from Ipanema. Might appear inside the elevators of a Sapient Ship.
Always included as part of an Elevator Gag. Also invoked as a Pre-Asskicking One-Liner for someone "dramatically" entering or ascending to a floor.
Examples:
- Used in a Wilkins Coffee commercial.
Wilkins: Tenth floor — Pots, pans, home furnishings and Wilkins Coffee.
Wontkins: Wilkins Coffee?
Wilkins: Sure, you can't keep house without Wilkins.
- Transformers Cybertron used this once, to fill part of the Stock Footage Fighter-Launching Sequence.
Optimus Prime: This elevator could use a few windows. First floor, housewares.
- Used in the third part of the Yu Yu Hakusho Abridged movie. "First floor: homicidal ex-partners".
- In With Strings Attached, there's a scene where the four have been shrunk, but George manages to get himself back to normal height.  The others are too agitated to laugh.
- In The Keys Stand Alone the four have to take an elevator up to see the Pyar gods. (It Makes Sense in Context). The elevator has transparent doors and they can see the gigantic statues of the Pyars, so John starts to make silly announcements about them as they move past various bits, largely because they're all extremely nervous. Then Paul provides his own Muzak by humming I've Just Seen A Face.
- Plan 7 of 9 from Outer Space. The Long List of floors in the Supervillain Lair includes Weapons of Mass Destruction, Weapons of Minor Inconvenience, a storage floor for cardboard boxes and a Mime School.
- The St. Mungo's elevator in Knights of the Founders:
Now arriving on Basement Level One - In-Patient Rooms and Maternity Ward.
Now arriving on Basement Level Two - Pediatrics, Geriatrics, and General Consultation Rooms.
- Appears in Flushed Away during the big finale:
Le Frog: Top floor! Lingerie, housewares, and certain doom!
- Appears in The Wild when Kazar is about to push Samson into the volcano.
Kazar: Next floor, bottom of the food chain! Ding!
- The Audience Participation lines for The Rocky Horror Picture Show use this trope during the elevator ride early in the movie:
- Of course, every location has different lines, but another one goes:
"First floor, pineapple-shaped dildos.  Third floor, midget's room. Fourth floor, Stevie Wonder's room. Fifth floor, who's that guy all dressed in green? That's no man, it's a gay marine, don't ask, don't tell, HOO-AH!
"First floor, weird musical numbers.  Third floor, strange answers. Fourth floor, Stevie Wonder's workshop. (Don't worry, he can't see it either!) Top floor, mad laboratory."
- The 5000 Fingers of Dr. T has a song about all the tortures in the good doctor's dungeon:
First floor dungeon
Assorted simple tortures
Molten lead, chopping blocks and hot boiling oil
Second floor dungeon
Jewelry department
Leg chains, ankle chains, neck chains, wrist chains, thumbscrews and nooses of the very finest rope
Basement dungeon
EVERYBODY OUT!- The third floor dungeon was cut from the film for some reason:
Third floor dungeon
Household appliances.
Spike beds, electric chairs, gas chambers, roasting pots, and scalping devices. - In his typical fashion, Officer Vickers in Psycho Cop Returns says this when gets on a lift:
Vickers: Seventh floor, going up. Linens, luxury, eviscerated women.
- Deconstructing Harry has the voice on the Hellevator read out:
Floor five: Subway muggers, aggressive panhandlers, and book critics.
Floor six: Right-wing extremists, serial killers, lawyers who appear on television.
Floor seven: The media. Sorry, that floor is all filled up.
Floor eight: Escaped war criminals, TV evangelists, and the NRA.
- Marco makes a joke along these lines in Animorphs, book 7, The Stranger.
Marco: (elevator music is playing) Top floor. Ladies shoes. Children's apparel. Everyone out.
- The Ministry of Magic in Harry Potter has an elevator that announces and describes the departments on each floor — the punchline being that the Department of Mysteries is referred to only as the Department of Mysteries.
- Star Wars Expanded Universe: Castin Donn wishes the Empire would label the insides of its turbolift tubes. (Don't even ask why he's inside the elevator shaft. Just don't.)
- Are You Being Served?:
- This kind of announcement message is used straight in the theme tune, which makes sense, since it is set in a department store.
Ground floor: Perfumery,
Stationery and leather goods,
Wigs and haberdashery,
Kitchenware and food...
Going up!
First floor: Telephones,
Gents' ready-made suits,
Shirts, socks, ties, hats,
Underwear and shoes...
Going up!
Second floor: Carpets,
Travel goods and bedding,
Material, soft furnishings,
Restaurant and teas...
Going down! - Incidentally, the series takes place almost entirely on the first floor, which does in fact feature the menswear department. Oddly, it also features the women's department, which goes completely unannounced in the theme.
- This kind of announcement message is used straight in the theme tune, which makes sense, since it is set in a department store.
- Monty Python's Flying Circus:
- Taken to extremes, as usual, in episode 41 ("Michael Ellis"):
Basement: Dangerous gases, viruses, contagious diseases, restaurant and toilet fixings.
Ground floor: Menswear, boyswear, effeminate goods hall, ill health foods.
Mezzanine: Tableware, kitchen goods, soft furnishings, hard furnishings, rock-hard furnishings.
First floor: Complaints.
Second floor: Cosmetics, jewellery, electrical, satire.
Third floor: Nasal injuries hall, other things.
Fourth floor: Granite hall — rocks, shales, alluvial deposits, feldspar, Carpathians, Andes, Urals, mining requisites, atom-splitting service.
Fifth floor: Complaints.
Sixth floor: Complaints.
Seventh floor: Leather goods.
Eighth floor: Roof garden.
Ninth floor: Television aerials.
Tenth floor: Fresh air, clouds, occasional periods of sunshine. - Later on in the same store, a "Lift Woman" (elevator attendant) calls out:
Lift Woman: Second floor... stationery, leather goods, tribal head injuries, cricket bats, film stars, dolphinariums.
Lift Woman: Third floor... cosmetics, books, Irish massage, tribal head-gear, ants... but not complaints about ants!
- Taken to extremes, as usual, in episode 41 ("Michael Ellis"):
- One episode of M*A*S*H:
Hawkeye: Here we are. First floor. Lingerie, sportswear, elephant accessories and recuperating patients.
- Kari spoofs this in one episode of MythBusters:
Kari: Aaand on this level, we have lumber, explosives and women's lingerie.
[Grant gives a wide-eyed aside glance] - Farscape episode "John Quixote" has a ridiculous one;
John Headroom: [elevator music plays constantly] Yes I know.  My job su-su-sucks. Day after day the same-the same thing. Up. Down. Up. Down-down. Just once-just once it'd be nice to go... sideways. Just-just... sideways. Frog Princes! [door opens, a monster blows fire, John slays it] N-n-not that I plan on doing this forever-ever. I have plans you know — [softly] Big [loudly] PLANS! I-I-I'm studying to be an astronaut. And... Penthouse! Have a good day.
- MacGyver: Jack Dalton issues one of these in the season two episode, "Dalton, Jack of Spies", when showing Mac where he runs his business.
- "Love in an Elevator" by Aerosmith has an introduction in the video based on this trope. The album version too:
"Second floor, hardware, children's wear, lady's lingerie. Oh, good morning Mr. Tyler...going down?"
- "Paco!" by Ladytron.
Ground floor: ladies' clothes, sportswear, stationery
First floor: kitchenware, furnishings, confectionary
Second floor: children's toys, back to school, many more
Fourth floor: electronics, fake antiques, and lingerie - "Weird Al" Yankovic's "Hardware Store" song uses an extensive (and somewhat unusual) list of merchandise as the bridge.
- Industrial band Coil covered the Are You Being Served? theme song on their final album. (Your guess is as good as mine.)
- On the old Abbott and Costello radio show, during World War II, Mel Blanc (acting as Bugs Bunny), was an elevator operator in a department store, quoting "Cigarettes, Nylons, Rubber Tires, Gasoline, Sugar, and other picture postcards!" — each item listed was rationed for the war effort.
- On Adventures in Odyssey episode "The last great adventure of the summer" Agent Cat's Paw announces "Top floor: Lady's shoes, hand bags, international spies."
- "Elevator Song (Step to the Rear of the Car, Please)" from the musical Top Banana does this with quadruple rhymes and alliteration.
- Halo
- The Halo: Combat Evolved level "The Library" has a segment titled "Fourth Floor: Tools, Guns, Keys to Super Weapons".
- Halo: Reach has section 1 of the level "Long Night of Solace": "First Floor: Beaches, Aliens, Top-Secret Launch Facilities".
- Used in Tomb Raider Chronicles:
Zip: Bing! Ground floor. Depart here for gun-toting refrigerator men and long walk back upstairs!
- Daxter in Jak II: Renegade: "Ding ding, third floor! Body chains, roach food, torture devices!"
- Gears of War 2:
Baird: Bottom floor! Sporting goods, lingerie, and one bitch-ass queen!
- Captain America: Super Soldier:
Cap: Top floor! Ladies hosiery and anti-aircraft guns.
- Monkey King from Pirate 101 gives a series of these with a Bread, Eggs, Milk, Squick while ascending a traitorous Yakooza's tea house.
Monkey King: First Floor! Stationary! Sportswear! Rubber mallets... and pig archers!
Monkey King: Second Floor! Children's toys, Kitchenware! Confectionery... and Yaketeers!
Monkey King: Third Floor! Molten Lead! Chopping blocks! Hot boiling oil... and evil sorcerers!
Monkey King: Top Floor! Frying Pans! Razor Blades! Ladies garments... wannabe Yakooza Oyobuns! Everybody out! - One of the stylized question-number introductions in You Don't Know Jack Volume 3: "15th floor: lingerie, housewares, and useless trivia."
- During the Battle of Azure City in The Order of the Stick, Xykon says "DING! 8th floor: Men's Outerwear, Sporting Goods, and Rifts in the Fabric of the Universe." as he floats up the side of the tower.
- In Adventurers!, Khrima's personal rival, helping out Eternion, makes an appearance with Lumi with this line. He even appears in a cosmic elevator of some sort.
Garshak: Ding! Third floor! Cookware, men's socks, battles for the fate of the universe, and giftwrapping!
- This strip from Angel Moxie.

- Paw of Channel Awesome uses "Level two! More mountains, snow, icicles, and owls!" in his Let's Play of King's Quest V here.
- Spoofed in The Spoony Experiment's Let's Play of Phantasmagoria 2 when Curtis goes to investigate the restricted basement of Wyntech.
Spoony: *ding ding* Second floor: interdimensional portals and secret corporate black ops science labs!
- The Batman, "The Everywhere Man". The title villain uses "Penthouse Level! Nefarious plots, brilliant schemes, doomed heroes."
- Flash in the Justice League two-parter with Etrigan, "A Knight of Shadows".
Flash: Ding! Fifth floor — hardware, sporting goods, evil sorceresses!
- Spider-Man and His Amazing Friends:
Iceman: First floor, bees! Second floor, bees! Third floor — biiiig bees!
- The Spectacular Spider Man:
Mysterio: Second floor. Toys, Housewares, Superhero Defeat!
- From Spider-Man Unlimited:
Spider-Man: Basement level! Household linens, kitchenware, superheroes in need of breathing space!
- On Foster's Home for Imaginary Friends, Bloo does this while riding the house elevator with Mac. Halfway through he runs out of things to say and pesters Mac for ideas.
- Played straight in an episode of Rocko's Modern Life, with Rocko announcing the departments on each floor. Every floor sold "underpants".
- In the episode "Make Tracks" of The Transformers, Cosmos rescues an elevator full of people in freefall:
Cosmos: First floor. Movie theaters, shoe stores, and fast food restaurants.
- Looney Tunes:
- The short "Hare Conditioned", 1945 (see the Radio example above for the Late to the Punchline moment in this gag):
Bugs Bunny: Fifth floor! Rubber tires, sugar, bourbon, butter, and other picture postcards!
- Also occurs in "Patient Porky", where a Rochester expy operates an elevator in a hospital.
"First floor: Acute asthma, anemia, arthritis, aches and apoplexy."
"Second floor: Beriberi, biliousness, bronchitis, bends and blind-staggers."
"Third floor: Colds, cramps, convulsions, corns, callouses, concussions and curvature of all kinds."
[later]
"Palsy, palpitations, pimples, pleurisy and p-neumonia." - Also affected in the edutainment cartoon "By Word of Mouse", as an American mouse and his German relative ride an elevator in a department store.
- The short "Hare Conditioned", 1945 (see the Radio example above for the Late to the Punchline moment in this gag):
- Aladdin: The Series has the Genie pull this off in one episode after rescuing the rest of the cast; "First floor, amazing rescues, ridiculous fight scenes and happy endings!"
- In the Ed, Edd n Eddy episode "3 Squares and an Ed", upon reaching the basement via Double-D's specially lubricated laundry chute, Eddy says:
Eddy: Bottom floor: Dryer lint, paint cans, lonely socks, and mildew!
[Edd lands through a different chute]
Edd: ... and arachnids! - One episode of 101 Dalmatians: The Series has a variation of this: the puppies (and Spot) sneak into Cruella's enormous ride-through closet, which shuttles them along as a prerecorded voice points out the various sections along the way. And the last one listed is "lingerie".
- The Monkey King in Jackie Chan Adventures:
"Third floor: housewares, ladies' undergarments, puppets!"
- Garfield in the Garfield and Friends segment "Ship Shape" occurring on a cruise ship.
Garfield: Going up. Next floor: notions, lotions, oceans, commotions, and lasagna.
- Marlon Brando, of all people, worked as an elevator operator. He quit because saying "lingerie" out loud embarrassed him.
- In order for blind people using an elevator to know what floor they are on, elevators generally give low pings as they cross floors they are not stopping at, and much louder ones when they do stop. Some elevators automatically announce the floor number.


An automatic cell type detection and assignment algorithm for single cell RNA-Seq and Cytof/FACS data. 'SCINA' is capable of assigning cell type identities to a pool of cells profiled by scRNA-Seq or Cytof/FACS data with prior knowledge of markers, such as genes and protein symbols that are highly or lowly expressed in each category.
| Version: | 1.0.1 |
| Depends: | R (≥ 2.15.0), MASS, gplots |
| Published: | 2018-10-13 |
| Author: | Ze Zhang |
| Maintainer: | Ze Zhang <Ze.Zhang at utsouthwestern.edu> |
| License: | GPL-2 |
| URL: | http://lce.biohpc.swmed.edu/scina/ https://github.com/jcao89757/SCINA |
| NeedsCompilation: | no |
| Materials: | NEWS |
| CRAN checks: | SCINA results |
| Reference manual: | SCINA.pdf |
| Package source: | SCINA_1.0.1.tar.gz |
| Windows binaries: | r-devel: SCINA_1.0.1.zip, r-release: SCINA_1.0.1.zip, r-oldrel: SCINA_1.0.1.zip |
| OS X binaries: | r-release: SCINA_1.0.1.tgz, r-oldrel: SCINA_1.0.1.tgz |
| Old sources: | SCINA archive |
Please use the canonical form https://CRAN.R-project.org/package=SCINA to link to this page.


Volunteering for ECSA is a great way to get involved and be a positive influence in the residence community! The minimum expectations are to open the ECSA House volunteer office for at least a two hour shift per week. During these shifts, volunteers are expected to be in ECSA House, and be available for residents who wish to rent items or to print something, as described in ECSA services. Volunteers are also encouraged to help with various ECSA events, or even host their own events if they desire.
There are a number of perks that we offer to volunteers
If you're interested in volunteering with ECSA, please fill out our Volunteer Application. We'll email you back shortly to schedule some quick volunteer training. All volunteers are greatly appreciated!


Skeletal baby in Yemeni hospital lays bare heartbreaking cost of conflict
Shocking pictures of a malnourished baby boy at hospital in Yemen highlight the stark claim that a child under five dies every 10 minutes due to extreme hunger in the country.
Doctors are seen treating the infant at Al-Sabeen hospital in the capital of Sana’a on Saturday.
A nearly five-year-long war has created what the UN calls the world’s worst humanitarian crisis, with at least 12 million children caught up in the conflict.
The fighting has killed tens of thousands of civilians and driven millions to the brink of famine, according to the Armed Conflict Location and Event Data Project NGO.
The UN envoy for Yemen, Martin Griffiths, said on Friday that momentum is building to end the war within the first few months of 2020.
Air attacks by the Saudi-led coalition battling Houthi rebels has dropped almost 80 per cent in the last two weeks
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‘In recent weeks, there have been entire 48-hour periods without air strikes for the first time since the conflict began,’ Mr Griffiths added.
‘We call this de-escalation, a reduction in the tempo of the war, and perhaps a move towards an overall ceasefire in Yemen.’
Wrecked health infrastructure and chronic poverty could mean child deaths continuing in numbers well beyond any upcoming truce.
The bleak statistic on infant deaths was reported by the public health minister in the Iran-backed Houthi-run administration in an address to the UN given at the hospital, according to al-Masirah TV.
Taha al-Mutawakel added that six newborns also lose their lives every two hours.
‘We are not demanding toys and video game consoles, but we are calling for incubators and other related devices to give children the right to life,’ Mutawakel said in his address.
‘Stop shedding tears for our children who get killed, whilst there is no credibility whatsoever in your international reports and they do not help assuage this tragic situation.’
He went on to claim that 5,000 Yemeni children suffer traumas caused by weapons of mass destruction, some of them internationally banned.
International experts convened by the UN have accused both sides in the conflict of committing war crimes.
Got a story for Metro.co.uk?
Get in touch with our news team by emailing us at<EMAIL_ADDRESS>For more stories like this, check our news page.


Module: Mongoid::Persistable::Settable
- Extended by:
- ActiveSupport::Concern
- Included in:
- Mongoid::Persistable
- Defined in:
- lib/mongoid/persistable/settable.rb
Overview
Defines behavior for $set operations.
Instance Method Summary collapse
-
#set(setters) ⇒ Document
Perform a $set operation on the provided field/value pairs and set the values in the document in memory.
Instance Method Details
#set(setters) ⇒ Document
Perform a $set operation on the provided field/value pairs and set the values in the document in memory.
The key can be a dotted sequence of keys, in which case the top level field is treated as a nested hash and any missing keys are created automatically:
Performing a nested set like this merges values of intermediate keys:
If the top level field was not a hash, its original value is discarded and the field is replaced with a hash.
Note that unlike MongoDB's $set, Mongoid's set writes out the entire field even when setting a subset of the field via the nested hash semantics. This means performing a $set with nested hash semantics can overwrite other hash keys within the top level field in the database.
52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 |
# File 'lib/mongoid/persistable/settable.rb', line 52 def set(setters) prepare_atomic_operation do |ops| process_atomic_operations(setters) do |field, value| field_seq = field.to_s.split('.') field = field_seq.shift if field_seq.length > 0 # nested hash path old_value = attributes[field] # if the old value is not a hash, clobber it unless Hash === old_value old_value = {} end # descend into the hash, creating intermediate keys as needed cur_value = old_value while field_seq.length > 1 cur_key = field_seq.shift # clobber on each level if type is not a hash unless Hash === cur_value[cur_key] cur_value[cur_key] = {} end cur_value = cur_value[cur_key] end # now we are on the leaf level, perform the set # and overwrite whatever was on this level before cur_value[field_seq.shift] = value # and set value to the value of the top level field # because this is what we pass to $set value = old_value end process_attribute(field, value) unless relations.include?(field.to_s) ops[atomic_attribute_name(field)] = attributes[field] end end { "$set" => ops } unless ops.empty? end end |


What's in your wastewater?
Would you believe medications flushed down the toilet can actually be read in our wastewater facility? Pills do not dissolve as quickly as you may think, and that may be a good thing. While a recent event allowed a municipal employee to be able to identify a particular medication type that came through our treatment facility, the real story is that this happened at all.
Disposing of things can be tricky business. It’s not always clear what one should do with things they don’t want anymore, especially for things like controlled substances. What we can emphatically say you should NOT do, is flush things down the toilet. The Town of Castine spends a lot of resources carefully removing most waste products from the water that goes down your drains, toilets and outdoor sewers. Thus, when you introduce things into that water stream that are non-standard, the wastewater facility has to deal with it.
In this case, prescription or over-the-counter medications are a significant problem. In large urban areas, studies are beginning to discover serious issues with medications reaching our public water supplies, oceans, lakes and rivers. A few weeks ago, one of our wastewater facility employees discovered anti-seizure medications that had gone down the drain. While these pills were caught, easy dissolving pills might not have, and that medication would have joined the (mostly clean) wastewater as it is disposed of via over-board discharge into Oakum Bay.
When you’re flushing something, ask yourself, would I want to see this in Castine Harbor? If the answer is no, call Town Hall and ask for the appropriate way to dispose of your waste. In the case of medications, you can take them to the Bucksport Police Department or the Hancock County Sheriff’s office in Ellsworth. Either location will happily and safely dispose of them for free.


Auto-deploy Hadoop cluster with HDP
With the heat of Hadoop, the deployment and monitor becoming our system engineers’ focus.
More solution coming out now. such as Serengeti, but it aims for the Vsphere.
Bigtop, is a project under Apache. not bad, will give it a try.
HDP, Hortonworks Data Platform has been release recently.
Will try mention as much details doing the installation as I can.
Preparation:
- OS, Although HDP offically support CentOS 5.x/ RHEL 5.x. we still found some issue when doing the installation.
such as missing nodes when doing the deployment(can be fixed by update php5.1 to php5.3 but will bring more issue).
so we skip CentOS 5.x and use CentOS 6.x. it’s cool and have less issue ;), recommend install the OS with minimal packages.
# tips, please update the release file.
sed -i.bak ‘s/6.2/5.8/g’ /etc/redhat-release
- Disable Selinux and Iptables.
/etc/sysconfig/selinux SELINUX=disabled
chkconfig iptables off
reboot
- password less auth
ssh-keygen
ssh-copy-id target_host (don’t forget the deployment host itself.)
- DNS, add the new nodes to DNS with PTR record. or you can add them to /etc/hosts.
Start Installation:
- Enable Repo
# ruby repo
rpm -Uvh http://passenger.stealthymonkeys.com/rhel/6/passenger-release.noarch.rpm
# HDP
rpm -Uvh http://public-repo-1.hortonworks.com/HDP-<IP_ADDRESS>/repos/centos5/hdp-release-<IP_ADDRESS>-1.el5.noarch.rpm
# EPEL
rpm -Uvh http://download.fedoraproject.org/pub/epel/6/i386/epel-release-6-7.noarch.rpm
- Install HMC (HDP core package)
Note: when you start the HMC. it ask you download JDK. recommend download by yourself from Oracle site.
[root@hmhdp01 ~]# yum install -y hmc php-process
[root@hmhdp01 ~]# service hmc start
Do you agree to Oracle’s Java License at
/usr/share/hmc/licenses/ORACLE_JDK_LICENSE.txt?(y/n)y
Would you like us to download the JDK binaries for you?(y/n)n
Please download jdk-6u31-linux-x64.bin and jdk-6u31-linux-i586.bin from Oracle to /var/run/hmc/downloads/
Starting HMC Installer [ OK ]
Starting httpd:
Starting HMC
- Deploy HDP.
3.1
# update puppet for the nagios. remove php-pecl-json. because php5.3 already include it by default.
line 11+ /etc/puppet/master/modules/hdp-nagios/manifests/server/packages.pp
3.2
open http://your_deploy_host/hmc/html/
Then next follow the guide. Good luck.
Snapshots:


A REVIEW OF "LIFE IS BEAUTIFUL" by Ryan Ellis
give me a buzz on the ol' e-lines<EMAIL_ADDRESS>As Charlie Chaplin's classic "City Lights" told us, smile though your heart is breaking, smile even though it's aching. And if you can entertain your kid while you're at it, all the better. Roberto Benigni's Italian film of a man's love for his family is up for some of the high-profile Academy Awards (Best Picture, Best Director, Best Actor, etc.), but it's just a notch below the competition. The brilliance and star-power of both "Saving Private Ryan" and "Shakespeare In Love" will probably relegate "Life Is Beautiful" to winning lesser, yet still significant, awards (Best Foreign Language Film, for example.)
As writer, director, and charismatic star of this Italian comedy/drama, Benigni has created a remarkable character who never loses sight of what's important to him. He's also written a multi-dimensional script that takes us on an unexpected journey through war-torn Europe during World War II. The first half of the film is almost entirely comedy as Guido Orefice (Benigni) meets his dream woman, Dora (Nicoletta Brashci), and keeps running into her on purpose. Also working as a waiter, the aspiring bookshop owner makes plenty of friends with his wit and plenty of enemies with his irreverance.
The second half of the film takes a mild turn toward drama, but, as I said, it doesn't lose its way. Guido and Dora consummate their love and flash-forward to a few years later when young Giosue (Giorgio Cantarini) is born. After years of marital happiness, Dora returns home one day to find that Guido, his uncle (Giustino Durano), and Giosue have been captured and imprisoned in a Nazi concentration camp. She asks the Nazis to take her, too. Although the family can't be together (she's kept in a separate women's camp), they don't lose hope that they'll be together again.
The boy doesn't understand why they've been thrown into such a place, so to keep him from panicking or even being gassed to death (as children were in the camps), Guido makes it into a game. He tells Giosue that they will be given a real tank if they win the game. He makes up rules that will keep the kid safe if he follows them. His antics are funny and the adorable boy falls for it, thinking he and his father will win first prize if they accumulate 1000 points. Ah, ignorance is bliss. If only everyone who'd been placed in those horrible concentration camps could have kept such a hopeful heart...
Man, it's hard to write about the holocaust. Such a hateful display of politics and inhumanity is awful to imagine and difficult to write about even in 1999. However, Benigni doesn't allow his audience to brood over the horrors of WWII too long. He keeps our spirits up when he entertains his son. I can't remember smiling and feeling so terrible simultaneously in quite this way before. I was both the boy AND his father during the final hour of the film. I was scared for their lives and giggling at the whoppers he would tell his son to keep him from knowing the hideous truth. If all parents lied to their kids for such good, loving reasons, maybe the global crime rates wouldn't be so brutally high. Yes, I'm preaching, but parents can learn something from this film about raising their kids under the worst possible strain. So the Jeep stalls on the way to violin lessons, tough noogies! It's easier than dragging anvils around all day and then struggling to convince your son that the worst thing that could happen is they won't win this supposed game. Sorry, no more preaching...
Benigni is a naturally gifted artist. He occasionally evokes the immortal Charlie Chaplin, which may be high praise, but it's worthy praise. As director, he uses his supporting cast extremely well, allowing many of their paths to cross in poignant or humourous ways. As lead actor, he is excellent, but will be hard-pressed to pry the Oscar away from Ian McKellan or Nick Nolte. Still, his character is as well-developed as those and he's more likable.
The film's conclusion is not spectacular or unexpected, but it's quite emotional all the same. These characters are simple and real and we fall in love with them. The film builds up and becomes more enthralling as time ticks by. It's not quite perfect, but "Life is Beautiful" is a unique piece of story-telling. Once they draw you in, not even having to read subtitles seems to be a chore. After all, if Guido can smile though his heart is breaking, so can we.
USELESS TRIVIA--I'd like to have some, but I have no useless trivia for this heart-felt movie.
This film gets a 9/10.

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Before you begin
This is a Xamarin.Forms class which includes projects for iOS, Android, and Windows. When working on the exercises, you can select the easiest supported platform to run your application on. Refer to the Setup Requirements on the Xamarin University website if you need help with your development environment.
Overview
This session introduces the Model-View-ViewModel (MVVM) architectural design pattern and shows you how to apply it in your Xamarin.Forms applications using the built-in data binding infrastructure.
Objectives
- Decide where to place code in Model-View-ViewModel
- Define Visual Behavior
- Use Commands
- Test MVVM based apps
Lecture
XAM320 - Model-View-ViewModel in Xamarin.Forms.
Exercises
-
Defining a ViewModelExercise
In this exercise, we will create a ViewModel and use data binding to connect it to a Xamarin.Forms GUI. -
Creating ViewModel CollectionsExercise
We will continue our prior exercise and create aMainViewModel
to manage a collection of quotes. -
Driving behavior through propertiesExercise
In this exercise, we will add in selection support, and use data triggers to change the UI based on property values exposed in the view models. -
Using commands to run behaviorExercise
The last piece we can control in our ViewModels is the behavior of the application - what happens when you tap the button or swipe that list. In this exercise, we will examine commanding - the official way to push behavior into our bindable ViewModel. -
Adding unit tests for View ModelsExercise
This demonstration will show an example of providing some unit tests for ourMainViewModel
along with some dependency injection to isolate the services which are used in the view model.
Exploring On Your Own
MVVM Libraries
All of the following are open-source frameworks for implementing the MVVM design pattern. Most provide fairly sophisticated implementations which go beyond what is being discussed in this course.


I am Data Science consultant helping businesses make data-driven business decisions.
I combine my business acumen, rich technical experience and passion about everything data to build intuitive, easy-to-use data products, helping my clients become well-oiled, money-making machines.
For the last 6 years I've been working in the affiliate marketing sector of iGaming industry with some of the major brands.
Read more about me.
or get social
{% include svg-icons.html %}


{% extends 'layout.html' %} {% block pageTitle %} Text message check-ins {% endblock %} {% block beforeContent %} {{ breadcrumb({ href: "/dashboard", text: "Your dashboard" }) }} {% endblock %} {% block content %}
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If you'd like to be contacted, please enter your phone number below.
Messages will come from "CAMHS Gloucestershire." If you're worried about other people seeing this, you can set your notifications to hide the message preview and the sender, or choose phone check-ins instead.


Government deliberately collapsing NIB – Isaac Adongo
The Bolgatanga Central Member of Parliament (MP), Isaac Adongo, is accusing the government of deliberately scheming to collapse the National Investment Bank (NIB).
He says, the government in recapitalizing the bank, pumped assets into it and exposed it to imminent collapse.
In the past, the legislator has accused the government of selling off the national asset and opposed moves to support it under the Ghana Amalgamated Trust (GAT) support package for solvent but under-capitalized banks.
Speaking on the Floor of Parliament on Monday, Mr. Adongo who is also a member of the Finance Committee, described the development as dubious.
“NIB is on its way to death and is essential because it is a calculated attempt to bring it this way. The Minister tells us that he didn’t have money when he was asked to re-capitalise NIB. He rather decided to take the most important thing on the balance sheet of NIB which is the net-share of 24 per cent. Everybody knows that the problem of NIB is because it has not recapitalised and depositors are taking their monies from them. They have been given a loan of GHS 500 million so that depositors can take their money so NIB will collapse. How can they do that to NIB?”
“If they had allowed the shares to be sold and an announcement made that those shares would be sold to recapitalise NIB, there will have been confidence in NIB and the market would have come down and at the end of the day, NIB will have been saved. The main idea is to collapse NIB.”
Recapitalization under GAT
Five banks were categorized as well run but undercapitalized banks in the sector clean-up which gave them access to GHS 2 billion in funds to shore up their minimum capital requirement.
The five banks are: ADB, NIB, merged Omni/Bank Sahel Sahara, Universal Merchant Bank, and Prudential Bank.
The Ghana Amalgamated Trust, which is made up of some private pension funds in the country, is envisioned as support for five banks that could not meet the GHc400 million capital requirement but were solvent.
Government stressed that the banks in the arrangement must not consider the support they are receiving as a bailout programme.
Already, the move to use the pension funds has received some criticism from unions and observers.


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This is a demonstration of using Crossbar.io
to enable live syncing of jQuery UI elements across browsers.
Works across several tabs or browsers by setting a common controller
channel in all instances.
All interactions on this demo occur in response to messages routed through the instance of Crossbar.io displayed in the status line at the bottom of the demo box.


Installation
Install with npm
$ npm install bolt-rpc
Install with component(1):
$ component install plaidev/bolt-rpc
API
server example
{Server} = require('bolt-rpc')
# setup server
app = require("http").createServer()
io = require("socket.io")(app)
app.listen 2000, () ->
console.log 'server listen start'
server = new Server(io)
# server api
# auth -> validate -> process
server.pre (req, res, next) ->
console.log 'authentification should be here'
next()
server.use 'add', (req, res, next) ->
return next(new Error('requied parameter: a')) if not req.param('a')?
next()
server.use 'add', (req, res, next) ->
a = req.param('a')
b = req.param('b')
res.send a + b
client example
{Client} = require('bolt-rpc')
# setup client in (node|browser)
io = require('socket.io-client')
client = new Client io, {url: 'http://localhost:2000'}
# client api
client.send 'add', {a: 1, b: 2}, (err, val) ->
assert not err
assert val is 3
License
The MIT License (MIT)
Copyright (c) 2014
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


Predictions
| # | Student | Attendance during aid | Attendance after aid |
|---|---|---|---|
| 1 | Anning, Mary | 100% | 50% |
| 2 | Austen, Jane | 50% | 10% |
| 3 | Beckham, Victoria | 70% | 30% |
| 4 | Curie, Marie | 90% | 80% |
| 5 | Ennis, Jessica | 85% | 60% |
| 6 | Kelly, Grace | 80% | 62% |
| 7 | Nicks, Stevie | 72% | 33% |
| 8 | Shelley, Mary | 50% | 15% |
| 9 | Watson, Emma | 90% | 70% |
| 10 | Winslet, Kate | 72% | 49% |