| D | C |
| Got a world of trouble | on my | mind |
| G | D |
| Lookin’ for a lover who | won’t blow my cover |
| C | G |
| She’s | so hard to | find |
| Em | C | G |
| Take it | easy, take it | ea | sy |
| Am |
| Don’t let the | sound of your own |
| C | Em |
| Wheels make you | crazy |
| C | G | C | G |
| Come on | ba | by, don’t say | may | be |
| Am |
| I gotta | know if your sweet |
| C | G |
| Love is gonna | save me |
x3
| G | G9 | C |
| Oh, we got it | ea | | sy |
| G | G9 | C |
| We oughta take it | ea | | sy |
| G | C |
| All | alone at the end of the | evening |
| G | C |
| And the | bright lights have faded to | blue |
| G | B7 | Em |
| I was | thinking ‘bout a | woman who might have | loved me |
| D | D/C | G/B |
| But I never | knew | | |
| D/A | G | C |
| You know I’ve | always been a | dreamer (spent my life | runnin’ round) |
| C | G | C |
| And it’s | so hard to | change (can’t seem to | settle down) |
| C | Am | C |
| But the | dreams I’ve seen | lately | keep on turnin’ out |
| C/D | D | C/D | D |
| And | burnin’ out and | turnin’ out the | sa | me |
| C | G | C | G |
| So | put me on a | highway and | show me a | sign |
| C | D | G |
| And | take it to the | limit one more | time |
| G | C |
| You can | spend all your time making m | oney |
| G | C |
| Or you can | spend all your love making | time |
| G | B7 | Em |
| If it | all fell to | pieces tom | orrow |
| D | D/C | G/B |
| Would you still be | mine? | | |
| D/A | G | C |
| And when you’re | looking for your | freedom (nobody | seems to care) |
| C | G | C |
| And you | can’t find the | door (can’t find it | anywhere) |
| C | Am | C |
| When there’s | nothing to be | lieve in | still you’re coming back |
| C/D | D | C/D | D |
| You’re | running back, you’re | coming back for | mo | re |
| C | G | C | G |
| So | put me on a | highway and | show me a | sign |
| C | D | Em |
| And | take it to the | limit one more | time |
| C | D | C | D |
| Take it to the | limit, | take it to the | limit |
| C | D | G |
| Take it, to the | limit one more | time |
| E | C#m7 | A | B |
| Drea-ea-ea-ea- | eam, | dream, dream, | dream |
| E | C#m7 | A | B |
| Drea-ea-ea-ea- | eam, | dream, dream, | dream |
| E | C#m7 | A | B |
| When | I want | you | in my | arms |
| E | C#m7 | A | B |
| When | I want | you | and all your | charms |
| E | C#m7 | A | B |
| When | ever I | want you, | all I have to | do is |
| E | C#m7 | A | B |
| Drea-ea-ea-ea- | eam, | dream, dream, | dream |
| E | C#m7 | A | B |
| When | I feel | blue | in the | night |
| E | C#m7 | A | B |
| And | I need | you | to hold me | tight |
| E | C#m7 | A | B |
| When | ever I | want you, | all I have to | do is |
| A | G#m7 |
| I can make you mine, | taste your lips of wine |
| F#m7 | B7 | E | E7 |
| Anytime | night or | day | |
| A | G#m7 |
| Only trouble is, | gee whiz |
| F# | B7 |
| I’m | dreamin’ my life | away |
| E | C#m7 | A | B |
| I | need you | so | that I could | die |
| E | C#m7 | A | B |
| I | love you | so | and that is | why |
| E | C#m7 | A | B |
| When | ever I | want you, | all I have to | do is |
| A | G#m7 |
| I can make you mine, | taste your lips of wine |
| F#m7 | B7 | E | E7 |
| Anytime | night or | day | |
| A | G#m7 |
| Only trouble is, | gee whiz |
| F# | B7 |
| I’m | dreamin’ my life | away |
| E | C#m7 | A | B |
| I | need you | so | that I could | die |
| E | C#m7 | A | B |
| I | love you | so | and that is | why |
| E | C#m7 | A | B |
| When | ever I | want you, | all I have to | do is |
| E | C#m7 | A | B |
| Drea-ea-ea-ea- | eam, | dream, dream, | dream |
| E | C#m7 | A | B |
| Drea-ea-ea-ea- | eam, | dream, dream, | dream |
| C | G | C | G |
| Bye bye | love, | bye bye | happiness |
| G | D | G |
| I | think I’m a- | gonna | cry-y |
| C | G | C | G |
| Bye bye | love, | bye bye | sweet caress |
| G | D | G |
| I | feel like | I could | di-ie |
| G | D | G |
| Bye | bye, my | love, good | by-ye |
| D7 | G |
| There goes my | baby with-a someone | new |
| D7 | G |
| She sure looks | happy, I sure am | blue |
| C | D |
| She was my | baby ‘til he stepped | in |
| G | G7 |
| Goodbye to romance that might have | been | |
| C | G | C | G |
| Bye bye | love, | bye bye | happiness |
| G | D | G |
| I | think I’m a- | gonna | cry-y |
| C | G | C | G |
| Bye bye | love, | bye bye | sweet caress |
| G | D | G |
| I | feel like | I could | di-ie |
| G | D | G |
| Bye | bye, my | love, good | by-ye |
| D7 | G |
| I’m a-through with | romance, I’m a-through with | love |
| D7 | G |
| I’m through with-a | countin’ the stars a | bove |
| C | D |
| And here’s the | reason that I’m so | free |
| G | G7 |
| My lovin’ baby is a-through with | me | |
| C | G | C | G |
| Bye bye | love, | bye bye | happiness |
| G | D | G |
| I | think I’m a- | gonna | cry-y |
| C | G | C | G |
| Bye bye | love, | bye bye | sweet caress |
| G | D | G |
| I | feel like | I could | di-ie |
| G | D | G |
| Bye | bye, my | love, good | by-ye |
| G | D | G |
| Bye | bye, my | love, good | by-ye |
| G | D | G |
| Bye | bye, my | love, good | by-ye |
| E | B | E | B | E | B | E |
| Don’t want your | love | | | any | more | | |
| B | E | B | E | B | E | B | E |
| Don’t | want your | kisse | s | | that’s for | sure | | |
| B | C#m | A | B |
| I | die each | time I hear this | sound | |
| E | B | E | B | E | B | E |
| Here he | co | mes | that’s | Cathy’s | clown | | |
| E | A | E |
| I’ve gotta stand | tall | | |
| A | E | A | E |
| You know a | man can’t | crawl | | |
| A | C#m | A |
| For when he | knows you tell lies and he | hears ‘em passin’ | by |
| B | E | A | E |
| He’s | not a man at | all | | |
| E | B | E | B | E | B | E |
| Don’t want your | love | | | any | more | | |
| B | E | B | E | B | E | B | E |
| Don’t | want your | kisse | s | | that’s for | sure | | |
| B | C#m | A | B |
| I | die each | time I hear this | sound | |
| E | B | E | B | E | B | E |
| Here he | co | mes | that’s | Cathy’s | clown | | |
| E | A | E | E | A | E |
| When you see me shed a | tear | | and you know that it’s sin | cere | | |
| A | C#m | A |
| Dontcha think it’s kinda | sad that you’re | treatin’ me so | bad |
| B | E | A | E |
| Or | don’t you even | care | | |
| E | B | E | B | E | B | E |
| Don’t want your | love | | | any | more | | |
| B | E | B | E | B | E | B | E |
| Don’t | want your | kisse | s | | that’s for | sure | | |
| B | C#m | A | B |
| I | die each | time I hear this | sound | |
| E | B | E | B | E |
| Here he | co | mes | that’s | Cathy’s | clown |
| B | E | B | E |
| | That’s | Cathy’s | clown |
| B | E | B | E |
| | That’s | Cathy’s | clown |
| D | F | G | F | D |
| Wake up little Susie, wake up | | | | |
| D | F | G | F | D |
| Wake up little Susie, wake up | | | | |
| G | D | G | G | D | G |
| We b | oth been s | ound asl | eep, wake | up little Su | sie and w | eep |
| G | D | G | D | G | D | G |
| The mov | ie’s ov | er, it’s fo | ur o’clo | ck and we | ’re in tr | ouble de | ep |
| A | G | A |
| Wake up little Su | sie | , wake up little | Susie |
| A | G | A |
| W | hat are we gonna t | ell your ma | mma? |
| A | G | A |
| W | hat are we gonna t | ell your p | a? |
| A | G | A |
| W | hat are we gonna t | ell our | friends when they say “ooh la la” |
| D | A | D |
| Wake up little Sus | ie, | wake up little Su | sie |
| D |
| Well I to | ld your momma that you’d be in by ten |
| G |
| Well now Su | sie baby looks like we goofed again |
| A | G | A |
| Wake up little Sus | ie, | wake up little Su | sie, we gotta go home |
| D | F | G | F | D |
| Wake up little Susie, wake up | | | | |
| D | F | G | F | D |
| Wake up little Susie, wake up | | | | |
| G | D | G | G | D | G |
| The mo | vie w | asn’t so h | ot, it d | idn’t have m | uch of a p | lot |
| G | D | G | D | G | D | G |
| We f | ell as | leep, our go | ose is co | oked, our rep | uta | tion is s | hot |
| A | G | A |
| Wake up little S | usie | , wake up li | ttle Susie |
| A | G | A |
| W | hat are we gonna t | ell your ma | mma? |
| A | G | A |
| W | hat are we gonna t | ell your p | a? |
| A | G | A |
| W | hat are we gonna t | ell our | friends when they say “ooh la la” |
| D | A | D |
| Wake up little Sus | ie, | wake up little Su | sie |
| D | G | B |
| Why do you bu | ild me up b | uttercup, baby |
| C | D |
| Just to l | et me down and m | ess me around |
| G | B |
| And then wo | rst of all you | never call, baby |
| C | D |
| When you s | ay you will but | I love you still |
| G | G7/F |
| I need y | ou more than a | nyone, darling |
| C/E | Cm/D# |
| You k | now that I have from the | start |
| G | D | C |
| So b | uild me up b | uttercup, don’t break my | heart |
| G | D | F | C |
| I’ll be o | ver at t | en, you told me | time and | again |
| G | C |
| But you’re l | ate, I wait ar | ound and then |
| G | D | F | C |
| I r | un to the d | oor, I can’t t | ake any | more |
| G | C |
| It’s not y | ou, you let me d | own again |
| D |
| Baby, baby, t | ry to find |
| Bm | E | E/D |
| A little time, and I | ’ll make you happy | |
| A7 | D |
| I’ll be | beside the phone waiting for | you-oo-hoo, you-oo-hoo |
| D | G | B |
| Why do you bu | ild me up b | uttercup, baby |
| C | D |
| Just to l | et me down and m | ess me around |
| G | B |
| And then wo | rst of all you | never call, baby |
| C | D |
| When you s | ay you will but | I love you still |
| G | G7/F |
| I need y | ou more than a | nyone, darlin’g |
| C/E | Cm/D# |
| You k | now that I have from the | start |
| G | D | C |
| So b | uild me up b | uttercup, don’t break my | heart |
| G | D | F | C | G |
| To y | ou I’m a t | oy but I co | uld be the b | oy you a | dore |
| C |
| If you’d just l | et me know |
| G | D | F | C | G |
| Although you’re unt | rue, I’m attr | acted to y | ou all the m | ore |
| C |
| Why do you tr | reat me so? |
| D |
| Baby, baby, t | ry to find |
| Bm | E |
| A little time, and I | ’ll make you happy |
| A7 | D |
| I’ll be be | side the phone waiting for | you-oo-hoo, you-oo-hoo |
| D | G | B |
| Why do you bu | ild me up b | uttercup, baby |
| C | D |
| Just to l | et me down and m | ess me around |
| G | B |
| And then wo | rst of all you | never call, baby |
| C | D |
| When you s | ay you will but | I love you still |
| G | G7/F |
| I need y | ou more than a | nyone, darlin’ |
| C/E | Cm/D# |
| You k | now that I have from the | start |
| G | D | E |
| So b | uild me up b | uttercup, don’t break my | heart |
| A | A7/G |
| I need y | ou more than a | nyone, darlin’ |
| D/F# | Dm/F |
| You k | now that I have from the | start |
| A | E | D |
| So b | uild me up b | uttercup, don’t break my | heart |
| D | C |
| Can you h | ear them they t | alk about us |
| G |
| | Telling lies well that’s no surprise |
| D | C |
| Can you s | ee them see right t | hrough them |
| G |
| They have no shield no secrets to reveal |
| A# | G |
| It doesn’t matter w | hat they say |
| D# | A |
| In the jealous games p | eople play |
| D | G | D |
| | Our lips are sealed | |
| D | C |
| There’s a | weapon that | we must use |
| G |
| In | our defense si-u-lence |
| D | C |
| When you | look at them look right | through them |
| G | G |
| That’s when they’ll disappear | that’s when we’ll be feared |
| A# | G |
| It doesn’t matter w | hat they say |
| D# | A |
| In the jealous games p | eople play |
| D | G | D |
| | Our lips are sealed | |
| A# | G |
| Pay no mind to what | they say |
| D# | A |
| It doesn’t matter | anyway |
| D | G | D |
| | Our lips are sealed | |
| D |
| H | ush, my darling don’t you cry |
| D |
| Q | uiet, angel forget their lies |
| D | C |
| Can you h | ear them they t | alk about us |
| G |
| Telling lies well that’s no surprise |
| D | C |
| Can you s | ee them see right t | hrough them |
| G |
| They have no shield no secrets to reveal |
| A# | G |
| It doesn’t matter w | hat they say |
| D# | A |
| In the jealous games p | eople play |
| D | G | D |
| | Our lips are sealed | |
| A# | G |
| Pay no mind to what | they say |
| D# | A |
| It doesn’t matter | anyway |
| D | G | D |
| | Our lips are sealed | |
| D | Asus4 | A |
| Bluish | gray suns don’t | rise | |
| D | D7 | G | Gm |
| Bathing deep | in the stolen | dreams from borrowed | times | |
| D | Asus4 | A |
| The morning | breaks to vacant | signs | of |
| D | Asus4 | A |
| And the shallow | pools as if the tears were | mine | |
| D | D7 | G | Gm |
| Shade the | waves’ | reflections left | behind | |
| D | Asus4 | A |
| And I search my | faith to never | find | a |
| D | A |
| And now you’re | gone, somehow you’re | gone |
| G | D |
| You were my | midnight, you were my | dawn |
| Bm | Em7 | Asus4 | A |
| You were the | shoulder that my | life leaned | on | |
| D | A(b9) |
| You were my | world, you were my | song |
| Bm | Bm/A | E |
| You’re every | thing I | could depend | on |
| G | D |
| But | now all you are is | gone |
| D | Asus4 | A |
| And I passed the | blame to pass the | time | |
| D | D7 | G | Gm |
| To cross my | heart and | walk across that | line | |
| D | Asus4 | A |
| Whose will is | this which poet’s | lines | pull at |
| D | A |
| And now you’re | gone, somehow you’re | gone |
| G | D |
| You were my | midnight, you were my | dawn |
| Bm | Em7 | Asus4 | A |
| You were the | shoulder that my | life leaned | on | |
| D | A(b9) |
| You were my | world, you were my | song |
| Bm | Bm/A | E |
| You’re every | thing I | could depend | on |
| G | D |
| But | now all you are is | gone |
| D | A |
| And now you’re | gone, somehow you’re | gone |
| G | D |
| You were my | midnight, you were my | dawn |
| Bm | Em7 | Asus4 | A |
| You were the | shoulder that my | life leaned | on | |
| D | A(b9) |
| You were my | world, you were my | song |
| Bm | Bm/A | E |
| You’re every | thing I | could depend | on |
| G | D |
| But | now all you are is | gone |
| G | Am7sus4 | Cadd9 | D |
| I’m | trying to tell you | something about my | life | |
| G | Am7sus4 | Cadd9 | D |
| Maybe | give me insight | between black and | white | |
| D11 | C |
| The | best thing you’ve ever done for | me |
| D11 | C |
| Is to | help me take my life less serious | ly |
It’s only life
| G | Am7sus4 | Cadd9 | D |
| After all | | | |
| G | Am7sus4 | Cadd9 | D |
| Well the darkness has a | hunger that’s in | satiable | |
| G | Am7sus4 | Cadd9 | D |
| And the | lightness has a | call that’s hard to | hear | |
| D11 | C |
| I wrap my fear around me like a | blanket |
| D11 | C |
| I | sailed my ship of safety till I | sank it |
| G | C | G |
| I’m crawling on your shore | | | |
| D | Cadd9 | G |
| I went to the doctor, I | went to the mou | ntains |
| D | Cadd9 | G |
| I looked to the children, I | drank from | the fountain |
| D11 | C |
| There’s more than one answer to these | questions |
| C | G |
| Pointing me in a crooked | line |
| D11 | C |
| The less I seek my source for some de | finitive |
| G | A7sus9 | Cadd9 | D |
| The closer I | am to fine | | | |
| G | A7sus9 | Cadd9 | D |
| The closer I | am to fine | | | |
| G | Am7sus4 | Cadd9 | D |
| I | went to see the | doctor of phil | osophy | |
| G | Am7sus4 | Cadd9 | D |
| With a | poster of Ras | putin and a | beard down to his | knee |
| D11 | C |
| He | never did marry or | see a B-grade movie |
| D11 | C |
| He | graded my performance, he | said he could see through me |
| G | A7sus9 | Cadd9 | D |
| I spent | four years prostrate | to the higher | mind, got my | paper |
| D | Cadd9 | G |
| I went to the doctor, I | went to the mou | ntains |
| D | Cadd9 | G |
| I looked to the children, I | drank from | the fountain |
| D11 | C |
| There’s more than one answer to these | questions |
| C | G |
| Pointing me in a crooked | line |
| D11 | C |
| The less I seek my source for some de | finitive |
| G | A7sus9 | Cadd9 | D |
| The closer I | am to fine | | | |
| G | A7sus9 | Cadd9 | D |
| The closer I | am to fine | | | |
| G | Am7sus4 | Cadd9 | D |
| I | stopped by the | bar at 3 a. | m | |
| G | Am7sus4 | Cadd9 | D |
| To seek | solace in a | bottle or | possibly a | friend |
| D11 | C |
| I | woke up with a headache like my | head against a board |
| D11 | C |
| Twice as cloudy as I’d been the | night before |
| G | C | G |
| And I went in seeking | clarity | | |
| D | Cadd9 | G |
| I went to the doctor, I | went to the mou | ntains |
| D | Cadd9 | G |
| I looked to the children, I | drank from | the fountain |
| D | Cadd9 | G |
| We go to the doctor, we | go to the mou | ntains |
| D | Cadd9 | G |
| We look to the children, we | drink from | the fountain |
| D | Cadd9 | G |
| We go to the bible, we | go through the | workout |
| D | Cadd9 | G |
| We read up on revival and we | stand up for the | lookout |
| D11 | C |
| There’s | more than one answer to these | questions |
| G |
| Pointing me in a | crooked line |
| D11 | C |
| The | less I seek my source for some | definitive |
| G | A7sus9 | Cadd9 | D |
| The closer I | am to fine | | | |
| G | A7sus9 | Cadd9 | D |
| The closer I | am to fine | | | |
| G | A7sus9 | Cadd9 | D |
| The closer I | am to fine | | | |
| G | A7sus9 | Cadd9 | D |
| The closer I | am to fine | | | |
| A | A/C# | D |
| F#m | A/C# | D | A | Bm7 | E | A |
| x2 |
| A | E/G# | F#m | E | D | D/C# | Bm7 | E |
| Oh | | | | | | Let me | tell you now |
| A | D |
| When I had you to myself, I | didn’t want you around |
| F#m | A/C# | D | A |
| Those | pretty | faces a | lways m | ade you |
| Bm7 | E7 | A |
| S | tand out i | n a c | rowd |
| A | D |
| Then | someone picked you from the bunch, one | glance was all it took |
| F#m | A/C# | D | A |
| Now it’s | much too l | ate for m | e |
| Bm7 | E7 | A |
| To t | ake a s | econd l | ook |
| A | E/G# | F#m | E | D | D/C# |
| Oh | baby | give me one | more | chance | |
| Bm7 | E |
| (To | show you that I | love you) |
| F#m | A/C# | D | A | Bm7 | E |
| Won’t | you p | lease l | et m | e | |
| A | E/G# | F#m | E | D | D/C# |
| Oh d | arlin’ I | was b | lind to l | et you go | |
| F#m | A/C# | D | A | Bm | E | A |
| Well | now | since I’ | ve | seen yo | u | in his | arms |
(I want you back)
| A |
| Yes I do now (I want you back) |
| A |
| Ooh ooh baby (I want you back) |
| A |
| Yeah no no no (I want you back) |
| A | D |
| Tryin’ to live without your love, is | one long sleepless night |
| F#m | A/C# | D | A | Bm7 | E7 | A |
| Let me | show you g | irl | that I | know w | rong from r | ight |
| A | D |
| Every street you walk on, I leave | tear stains on the ground |
| F#m | A/C# | D | A | Bm7 | E7 | A |
| Follow | ing the g | irl, | I didn’t e | ven w | ant ar | ound |
Let me tell you now
| A | E/G# | F#m | A | D | D/C# | Bm7 |
| Oh | baby | all I | need is | one more | chance | |
| Bm7 | E |
| (To | show you that I | love you) |
| F#m | A/C# | D | A | Bm7 | E |
| Won’t | you p | lease l | et m | e | |
| A | E/G# | F#m | E | D | D/C# |
| Oh d | arlin’ I | was b | lind to l | et you go | |
| F#m | A/C# | D | A | A |
| Well | now | since I | | see you | in his arms |
| A | E/G# | F#m | E | D | D/C# |
| Oh d | arlin’ I | was b | lind to l | et you go | |
| F#m | A/C# | D | A | Bm | E | A |
| Well | now | since I’ | ve | seen yo | u | in his | arms |
(I want you back)
| A |
| Yes I do now (I want you back) |
| A |
| Ooh ooh baby (I want you back) |
| A |
| Yeah no no no (I want you back) |
| A |
| No no no no (I want you back) |
| A |
| (Wait!) Oh yes, wait a minute Mr. Postman |
| F#m |
| (Wait!) Wai-ai-ai-ait Mr. Postman |
| A |
| Mr. Postman, look and see (Oh yea) |
| F#m |
| Is there a letter in your bag for me? (Please, please, Mr. Postman) |
| D |
| I’ve been waiting such a long time (Whoa yea) |
| E |
| Since I heard from this boyfriend of mine |
| A |
| There must be some word today (waaooo) |
| F#m |
| From my boyfriend so far away (waaooo) |
| D |
| Please Mr. Postman, look and see (waaooo) |
| E |
| Is there a letter, a letter for me? |
| A |
| I’ve been standing here waiting Mr. Postman (waaooo) |
| F#m |
| So... so patiently (waaooo) |
| D |
| For just a card, or just a letter (waaooo) |
| E |
| Saying he’s returning home to me |
| A |
| (Please Mr. | Postman) Please Mr. postman look and see (Oh yea) |
| F#m |
| Is there a letter in your bag for me? (Please, please, Mr. Postman) |
| D |
| I’ve been waiting such a long time (Whoa yea) |
| E |
| Since I heard from this boyfriend of mine |
| A |
| So many days, you passed me by |
| F#m |
| You saw the tear standing in my eye |
| D |
| You wouldn’t stop to make me feel better |
| E |
| By leaving me a card or a letter |
| A |
| Please Mr. Postman, look and see (Postman, postman) |
| F#m |
| Is there a | letter oh yea in your bag for me? (Postman, postman) |
| D |
| You know it’s | been so long (Postman, postman) |
| E |
| Since I | heard from this boyfriend of mine |
| A |
| You better | wait a minute, wait a minute (Please wait a minute) |
| F#m |
| Oh, you better | wait a minute, wait a minute (Please wait a minute) |
| D |
| Please, please Mr. | Postman (Wait a minute, Mr. Postman) |
| E |
| Please | check and see, one more time for me |
| A |
| You better | wait a minute, wait a minute (Please wait a minute) |
| F#m |
| Oh, you better | wait a minute, wait a minute (Please wait a minute) |
| D |
| Please Mr. | Postman (Wait a minute, Mr. Postman) |
| E |
| Don’t | pass me by, you see the tears in my eyes |
| G | Am |
| Oh I could h | ide ‘neath the w | ings |
| Bm | C |
| Of the b | luebird as she s | ings |
| G | Em | A7 | D7 |
| The s | ix-o-clock a | larm would never r | ing | |
| G | Am |
| But six | rings and I | rise |
| Bm | C |
| Wipe the s | leep out of my ey | es |
| G | Em | C | D7 | G |
| My sh | aving r | azor’s c | old | and it sti | ngs |
| C | D | Bm |
| Ch | eer up sl | eepy J | ean |
| C | D | Em | C |
| Oh what c | an it m | ean | to a |
| G | C |
| Daydream bel | iever and a |
| G | Em | A7 | D7 |
| Home | coming qu | een | |
| G | Am |
| You once thought of | me |
| Bm | C |
| As a w | hite knight on his s | teed |
| G | Em | A7 | D7 |
| Now you know how | happy I can | be | |
| G | Am |
| Oh and our g | ood times start an | d end |
| Bm | C |
| Without | dollar one to | spend |
| G | Em | C | D7 | G |
| But | how much | baby d | o we | really nee | d |
| C | D | Bm |
| Ch | eer up sl | eepy J | ean |
| C | D | Em | C |
| Oh what c | an it m | ean | to a |
| G | C |
| Daydream bel | iever and a |
| G | Em | A7 | D7 |
| Home | coming qu | een | |
| C | D | Bm |
| Ch | eer up sl | eepy J | ean |
| C | D | Em | C |
| Oh what c | an it m | ean | to a |
| G | C |
| Daydream bel | iever and a |
| G | Em | A7 | D7 |
| Home | coming qu | een | |
| C | D | Bm |
| Ch | eer up sl | eepy J | ean |
| C | D | Em | C |
| Oh what c | an it m | ean | to a |
| G | C |
| Daydream bel | iever and a |
| G | Em | A7 | D7 |
| Home | coming qu | een | |
D------3-3--5p3--3-
A--3h5----------5--
| G | D | G |
| I thought love was | only true in | fairy tales |
| G | D | G |
| Meant for someone | else but not for | me |
| C | G |
| Love was out to | get me |
| C | G |
| That’s the way it | seemed |
| C | G | D | D7 |
| Disappointment | haunted all my | dreams | |
| G | C/G | G | C/G | G |
| Then I saw her face | | | now I’m a believer | | |
| G | C/G | G | C/G | G |
| Not a trace | | of doubt in my mind | | |
| C | G | F | D | D7 |
| I’m in love | I’m a be | liever I couldn’t | leave her if I | tried | |
| G | D | G |
| I thought love was | more or less a | givin’ thing |
| G | D | G |
| Seems the more I | gave the less I | got |
| C | G |
| What’s the use in | tryin’? |
| C | G | D | D7 |
| When I needed | sunshine I got | rain | |
| NC | G | C/G | G | C/G | G |
| Then I saw her face | | | now I’m a believer | | |
| G | C/G | G | C/G | G |
| Not a trace | | of doubt in my mind | | |
| C | G | F | D | D7 |
| I’m in love | I’m a be | liever I couldn’t | leave her if I | tried | |
| G | C/G | G | C/G | G |
| Then I saw her face | | | now I’m a believer | | |
| G | C/G | G | C/G | G |
| Not a trace | | of doubt in my mind | | |
| G | F | G | F | G |
| Said I’m a | believer yeah | yeah yeah | yeah yeah | yeah | yeah |
| F | G | F | G | F | G |
| Yes | I’m a | believer yeah | yeah yeah | yeah yeah | yeah | yeah |
| A | F#m | E |
| Josie’s on a | vacation far a | way |
Come around and talk it over
| A | F#m | E |
| So many | things that I wanna | say |
You know I like my girls a little bit older
| D | F#m | E |
| I just wanna | use your love to | night |
| F#m | D | E |
| I don’t wanna | lose your love to | night |
| A | F#m | E |
| I ain’t got many | friends left to talk to | |
No one’s around when I’m in trouble
| A | F#m | E |
| You know I’d do any | thing for | you |
Stay the night but keep it undercover
| D | F#m | E |
| I just wanna | use your love to | night |
| F#m | D | E |
| I don’t wanna | lose your love to | night |
| C | D |
| Trying to stop my | hands from shakin’ |
| C | D |
| Somethin’ in my | mind’s not makin’ sense |
| C | D |
| It’s been a while since | we were all alone |
| C | D |
| I can’t hide the | way I’m feelin’ |
| A | F#m | E |
| As you leave me | please would you close the | door |
And don’t forget what I told you
| A | F#m | E |
| Just ‘cause you’re | right that don’t mean I’m | wrong |
Another shoulder to cry upon
| D | F#m | E |
| I just wanna | use your love to | night |
| F#m | D | E |
| I don’t wanna | lose your love to | night |
| D | F#m | E |
| I just wanna | use your love to | night |
| F#m | D | E |
| I don’t wanna | lose your love to | night |
| D | F#m | E |
| I just wanna | use your love to | night |
| F#m | D | E |
| I don’t wanna | lose your love to | night |
| G | Em | C | D |
| Earth | angel, Earth | angel | will you be | mine |
| G | Em | C | D |
| My darling | dear | love you all the | time |
| G | Em | C | D |
| I’m just a | fool | a fool in l | ove with |
| G | Em | C | D |
| Earth | angel, Eart | h angel | the one I a | dore |
| G | Em | C | D |
| Love you for | ever and | ever | more |
| G | Em | C | D |
| I’m just a | fool, a | fool in | love with |
| C | Cm | G |
| I | fell for | you | and I knew the |
| C | G |
| Vision of your love loveli | ness |
| C | G |
| I | hope and I pray | that some day |
| A | D |
| I’ll be the visi | on of your hap-happi | ness oh |
| G | Em | C | D |
| Earth | angel, Earth | angel | please be | mine |
| G | Em | C | D |
| My darling | dear | love you all the | time |
| G | Em | C | D |
| I’m just a | fool, | a fool in | love with |
| C | Cm | G |
| I fell for | you | and I knew |
| C | G |
| The vision of your love loveli | ness |
| C | G |
| I hope and pray | that some day that |
| A | D |
| I’ll be the vision of your happin | ess oh |
| G | Em | C | D |
| Earth | angel, Earth | angel | please be | mine |
| G | Em | C6 | D |
| My darling | dear | love you all the | time |
| G | Em | C | D |
| I’m just a | fool, | a fool in | love with |
| G | Em |
| Every breath you | take every move you | make |
| Csus2 | Dsus2 |
| Every bond you b | reak every step you t | ake |
| G | Em |
| Every single d | ay every word | you say |
| Csus2 | Dsus2 |
| Every game you p | lay every night you s | tay |
| A |
| How my poor heart | aches |
| D |
| With every step you t | ake |
| G | Em |
| Every move you m | ake every vow you | break |
| Csus2 | Dsus2 |
| Every smile you f | ake every claim you st | ake |
| D# |
| Since you’ve gone, I’ve been lost without a trace |
| F |
| I dream at night I can only see your face |
| D# |
| I look around but it’s you I can’t replace |
| F |
| I feel so cold I long for your embrace |
| D# | G |
| I keep crying baby, baby | please |
| A |
| How my poor heart | aches |
| D |
| With every step you t | ake |
| G | Em |
| Every move you m | ake every vow you b | reak |
| Csus2 | Dsus2 |
| Every smile you f | ake every claim you st | ake |
| Csus2 | Dsus2 |
| Every move you ma | ke every step you ta | ke |
| Em |
| I’ll be watching y | ou (hold an extra 2 measures) |
| G |
| Every breath you take, every move you make |
| C | G |
| Every step you take (I’ll be watching | you) |
| G |
| Every single day, every word you say |
| C | G |
| Every night you stay (I’ll be watching | you) |
| G |
| Every move you make, every vow you break |
| C | G |
| Every claim you stake (I’ll be watching | you) |
| G |
| Every single day, every word you say |
| C | G |
| Every night you stay (I’ll be watching | you) |
-2-0-0-5---
-0-3-2-5---
-0-0-3-2---
-2-2-0-2---
-2-3---0---
-0---------
-----0-0---
---3-2-0---
---0-3-4---
-4-2-0-2---
-2-3---0---
-0---------
| Em9 | Cadd9 | Dsus2 | Asus2 |
| Just | a c | asta | way |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| On an | island | lost at | sea | |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| Ano | ther lo | nely | day |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| With no | one here | but | me |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| Mor | e l | onelin | ess |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| | Than | any man c | ould | bear |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| Res | cue m | e be | fore |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| I | fall i | nto de | spair | |
| C | F | G | Am |
| I’ll send an | SO | S to the | world |
| C | F | G | Am |
| I’ll | send an | SO | S to the | world |
| Am | F |
| I hope that s | omeone gets my |
| Am | F |
| I hope that s | omeone gets my |
| Am | F |
| I hope that s | omeone gets my |
| Em | Cadd9 | Em | Cadd9 |
| M | essage in a b | ottle | | |
| Em | Cadd9 | Am7 |
| M | essage in a b | ottle | |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| | A | year has | passed since I |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| Wrote my | note | | |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| But | I should have | known this | right from the |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| Start | | | |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| O | nly | hope can | keep me |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| To | gethe | r | | |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| | Love can m | end your | life |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| B | ut love c | an break yo | ur | heart |
| C | F | G | Am |
| I’ll send an | SO | S to the | world |
| C | F | G | Am |
| I’ll | send an | SO | S to the | world |
| Am | F |
| I hope that s | omeone gets my |
| Am | F |
| I hope that s | omeone gets my |
| Am | F |
| I hope that s | omeone gets my |
| Em | Cadd9 | Em | Cadd9 |
| M | essage in a b | ottle | | |
| Em | Cadd9 | Am7 |
| M | essage in a b | ottle | |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| Wa | lked out this | morn | ing |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| Don’t beli | eve what I | saw | |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| A h | undred | billion | bottles |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| Washed up | on the s | hore | |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| See | ms I’m not al | one at | being alone |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| A h | undred | billion c | asta | ways |
| Em9 | Cadd9 | Dsus2 | Asus2 |
| Looking | for a | home | |
| C | F | G | Am |
| I’ll send an | SO | S to the | world |
| C | F | G | Am |
| I’ll | send an | SO | S to the | world |
| Am | F |
| I hope that s | omeone gets my |
| Am | F |
| I hope that s | omeone gets my |
| Am | F |
| I hope that s | omeone gets my |
| Em | Cadd9 | Em | Cadd9 |
| M | essage in a b | ottle | | |
| Em | Cadd9 | Em | Cadd9 |
| M | essage in a b | ottle | | |
| Em | Cadd9 | Em | Cadd9 |
| M | essage in a b | ottle | | |
| Em | Cadd9 | Am7 |
| M | essage in a b | ottle | |
| Em9 | C | Dsus2 | Asus2 |
| Sending | out an | S | OS |
| Am | Am |
| Am | G | Fmaj7 | Em7 |
| Fmaj7 | G | Amsus4 |
| | | |
| Am | G |
| Rox | anne | you don’t have to |
| Fmaj7 | Em7 |
| Put on the red light | |
| Fmaj7 | G |
| Those days are over | |
| Amsus4 |
| You don’t have to sell your | body to the night |
| Am | G |
| R | oxanne | you don’t have to |
| Fmaj7 | Em7 |
| Wear that dress tonight | |
| Fmaj7 | G |
| Walk the streets for money | |
| Amsus4 |
| You don’t care | if it’s wrong or if it’s right |
| Fmaj7 | G | Amsus4 |
| Rox | anne | you don’t have to | put on the red light |
| Fmaj7 | G | Amsus4 |
| Rox | anne | you don’t have to | put on the red light |
| Em7 | C |
| Roxa | nne (Put on the red light) |
| F | G |
| Roxa | nne (Put on the red light) |
| G | Am |
| Roxa | nne (Put on the red light) |
| Em7 | C |
| Roxa | nne (Put on the red light) |
| F | G |
| Roxa | nne (Put on the red light) |
| Am | G |
| I | loved you since I knew you | |
| Fmaj7 | Em7 |
| I | wouldn’t talk down to you | |
| Fmaj7 | G |
| I | have you to tell just | how I feel |
| Amsus4 |
| I won’t share | you with another boy |
| Am | G |
| I | know my mind is made up | |
| Fmaj7 | Em7 |
| So put | away your make up | |
| Fmaj7 | G |
| Told you once I won’t | tell you again |
| Fmaj7 | G | Amsus4 |
| Rox | anne | you don’t have to | put on the red light |
| Fmaj7 | G | Amsus4 |
| Rox | anne | you don’t have to | put on the red light |
| Em7 | C |
| Roxa | nne (Put on the red light) |
| F | G |
| Roxa | nne (Put on the red light) |
| G | Am |
| Roxa | nne (Put on the red light) |
| Em7 | C |
| Roxa | nne (Put on the red light) |
| F | G |
| Roxa | nne (Put on the red light) |
| G | F |
| So no one told you life was gonna be this | way |
| G | Bm |
| Your job’s a joke you’re broke you’re love life’s D.O | .A |
| F | C | G |
| It’s like you’re | always stuck in | second gear |
| F | C |
| Well it | hasn’t been your | day, your week your |
| D |
| Month or even your year |
| G | C | D |
| I’ll be | there for | you when the rain starts to fall |
| G | C | D |
| I’ll be | there for | you like I’ve been there before |
| G | C | D | F |
| I’ll be | there for | you ‘cause you’re there for me | too |
| G | F |
| You’re still at bed at 10, and work began at | 8 |
| G | Bm |
| You burned your breakfast so far things are going gr | eat |
| F | C | G |
| Your mother | warned you there’d be | days like these |
| F | C |
| But she | didn’t tell you | when the world has |
| D |
| Brought you down to your knees |
| G | C | D |
| I’ll be | there for | you when the rain starts to fall |
| G | C | D |
| I’ll be | there for | you like I’ve been there before |
| G | C | D | F |
| I’ll be | there for | you ‘cause you’re there for me | too |
| C | C |
| No one could ever know me, | no one could ever see me |
| Em | Em |
| Seems you’re the only one who knows | what it’s like to be me |
| Am | Am/G |
| Someone to face the day with, | make it through all the mess with |
| F | C |
| Someone I’ll | always laugh with |
| D | C | D | Em |
| Even at my | worst I’m | best with | you |
| F | C | G |
| It’s like you’re | always stuck in | second gear |
| F | C |
| Well it | hasn’t been your | day, your week your |
| D |
| Month or even your year |
| G | C | D |
| I’ll be | there for | you when the rain starts to fall |
| G | C | D |
| I’ll be | there for | you like I’ve been there before |
| G | C | D | F |
| I’ll be | there for | you ‘cause you’re there for me | too |
| E |
| (Riff Raff) It’s as | tounding |
| D | A | E |
| Madness | takes its t | oll |
(Magenta) Ahh...
| E |
| (Riff Raff) But listen | closely |
| F# |
| (Magenta) Not for very much l | onger |
| D | A | E |
| (Riff Raff) I | ’ve got to | keep cont | rol |
| E | F# |
| I re | member doing the Time | Warp |
| D | A | E |
| Drinking | those moments w | hen |
| E |
| The blackness would | hit me |
| F# |
| (Riff Raff & Magenta) And the void would be | calling |
| C | G | D | A | E |
| (Guests) L | et’s | do the | Time W | arp aga | in |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp ag | ain |
| B |
| (Narrator) It’s just a jump to the lef | t |
| E |
| (Guests) And then a step to the r | i-i-i-i-ight |
| B |
| (Narrator) With your hand on your hip | s |
| E |
| (Guests) You bring your knees in t | ight |
| A |
| But it’s the pelvic t | hrust |
| E |
| They really drive you in | sa-a-a-a-a-ne |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp ag | ain |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp ag | ain |
| E |
| (Magenta) It’s so d | reamy |
| F# |
| With voyeuristic int | ention |
| D | A | E |
| Well secl | uded | I see | all |
| E |
| (Riff Raff) | With a bit of a mind flip |
| F# |
| (Magenta) You’re into a time | slip |
| D | A | E |
| (Riff Raff) And | nothing | can ever be the s | ame |
| E |
| (Magenta) You’re spaced out on sensa | tion |
| F# |
| (Riff Raff) Like you’re under sed | ation |
| C | G | D | A | E |
| (Guests) | Let’s | do the T | ime | Warp a | gain |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp ag | ain |
| E |
| (Columbia) Well, I was w | alking down the street |
| E | E |
| When a | snake of a guy gave me an | evil wink |
| A | A |
| He s | hook me up, he took me | by surprise |
| E | E |
| He had a | pick-up truck and the | devil’s eyes |
| B | A |
| He s | tared at me, and I f | elt a change |
| E | E |
| Time meant nothing, | never would again |
| C | G | D | A | E |
| (Guests) L | et’s | do the T | ime | Warp ag | ain |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp aga | in |
| B |
| (Narrator) It’s just a jump to the lef | t |
| E |
| (Guests) And then a step to the ri | -i-i-i-ight |
| B |
| (Narrator) With your hands on your hip | s |
| E |
| (Guests) You bring you knees in t | ight |
| A |
| But it’s the pelvic t | hrust |
| E |
| That really drives you in | sa-a-a-a-a-ne |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp ag | ain |
| C | G | D | A | E |
| Let’s | do the T | ime W | arp a | gain |
(Columbia) Ah! Oh! Oh! Yeoooww
| C | G | D | A | E |
| (Guests) L | et’s d | o the T | ime W | arp a | gain |
| C | G | D | A | E |
| L | et’s | do the T | ime W | arp ag | ain |
| B |
| (Narrator) It’s just a jump to the lef | t |
| E |
| (Guests) And then a step to the ri | -i-i-i-ight |
| B |
| (Narrator) With your hands on your hip | s |
| E |
| (Guests) You bring you knees in t | ight |
| A |
| But it’s the pelvic t | hrust |
| E |
| That really drives you in | sa-a-a-a-a-ne |
| C | G | D | A | E |
| (Guests) L | et’s d | o the T | ime W | arp a | gain |
| C | G | D | A | E |
| L | et’s | do the T | ime W | arp ag | ain |
| E | D |
| Please allow me to intro | duce myself |
| A | E |
| I’m a | man of wealth and | taste |
| E | D |
| I’ve been around for a | long, long year |
| A | E |
| Stole many a man’s soul and | faith |
| E | D |
| And I was ‘round when | Jesus Christ |
| A | E |
| Had his | moment of doubt and | pain |
| D |
| Made damn sure that | Pilate |
| A | E |
| Washed his | hands and sealed his | fate |
| B | E |
| Pleased to meet you, hope you guess my | name |
| B | E |
| But what’s | puzzling you is the nature of my | game |
| E | D |
| I stuck around St. | Petersburg |
| A | E |
| When I | saw it was a time for a | change |
| D |
| Killed the Czar and his | ministers |
| A | E |
| Anas | tasia screamed in | vain |
| E | D |
| I | rode a tank, held a | general’s rank |
| A | E |
| When the | Blitzkrieg raged and the | bodies stank |
| B | E |
| Pleased to meet you, hope you guess my | name |
| B | E |
| But what’s | puzzling you is the nature of my | game |
| E | D |
| I | watched with glee while your | kings and queens |
| A | E |
| Fought for | ten decades for the | Gods they made |
| E | D |
| I | shouted out “Who killed the | Kennedys?” |
| A | E |
| When | after all it was | you and me |
| E | D |
| Let me please intro | duce myself |
| A | E |
| I’m a | man of wealth and | taste |
| D |
| And I laid traps for | troubadours |
| A | E |
| Who get | killed before they reached Bom | bay |
| B | E |
| Pleased to meet you, hope you guess my | name |
| B | E |
| But what’s | puzzling you is the nature of my | game |
| B | E |
| Pleased to meet you, hope you guess my | name |
| B | E |
| But what’s | confusing you is the nature of my | game |
| E | D |
| Just as | every cop is a | criminal |
| A | E |
| And | all the sinners | saints |
| E | D |
| As | heads is tails just call me | Lucifer |
| A | E |
| ‘Cause I’m in | need of some re | straint |
| E | D |
| So if you meet me have some | courtesy |
| A | E |
| Have some | sympathy, and some | taste |
| D |
| Use all your well-learned pol | itesse |
| A | E |
| Or I’ll | lay your soul to | waste, aw yeah |
| B | E |
| Pleased to meet you hope you guess my | name |
| B | E |
| But what’s | puzzling you is the nature of my | game, get down |
Woo hoo, aww yeah, get on down
Mmm ba ba bom bom ba ba
Tell me baby, what's my name
Tell me honey, baby guess my name
Tell me baby, what's my name
| D |
| (Vamp, then keyboard riff x 2, then “hey!”) |
| D | G/D |
| Well my | temperature’s | rising |
| D | G/D |
| And my feet | left the | floor |
| D | G/D |
| Crazy people | knocking |
| D | G/D |
| ‘Cause | they want it some | more |
| D | G/D |
| I don’t | know what you | got |
| D | G/D |
| You | better take it | easy |
| D | F |
| And I’m | So glad we | made it |
| G/D | A# |
| So glad we | made it, I wanna |
| D | G/D | D |
| Gimme some | lovin’ every | day |
| D |
| (Vamp, then keyboard riff x 2, then “hey!”) |
| D | G/D |
| My | head’s a- | spinning |
| D | G/D |
| And I’m | floating to | sound |
| D | G/D |
| Too much is | happening |
| D | G/D |
| ‘Cause | you’re | around |
| D | G/D |
| It’s | been a | hard day |
| D | G/D |
| And nothing | went too | good |
| D | G/D |
| Like | everybody | should |
| D | F |
| And I’m | so glad we | made it |
| G/D | A# |
| So glad we | made it, I wanna |
| D | G/D | D |
| Gimme some | lovin’ every | day |
| D | G/D |
| Well I | feel so | good |
| D | G/D |
| Every | thing is gettin’ | higher |
| D | G/D |
| You | better take some | time out |
| D | G/D |
| ‘Cause the | place is on | fire |
| D | G/D |
| ‘Cause I | have so much to | do |
| D | G/D |
| And it | happened to | you |
And I'm
| G/D | A# |
| So glad weu | made it |
I wanna
| D | G/D |
| Gimme some | lovin’ every day |
| D | G/D |
| Gimme some | lovin’ every night |
| D | G/D |
| Gimme some | lovin’ whoohooo |
| Em |
| Imagine | me and you, I do |
| D |
| I think about you | day and night, it’s only right |
| C |
| To think about the | girl you love and hold her tight |
| Em |
| If I should | call you up, invest a dime |
| D |
| And you say you be | long to me and ease my mind |
| C |
| Imagine how the | world could be so very fine |
| E | D |
| I can’t see me | lovin’ nobody but |
| E | D |
| When you’re with me | baby the skies’ll be |
| Em |
| Me and you and you and me |
| D |
| No matter how they | toss the dice it had to be |
| C |
| The only one for | me is you and you for me |
| E | D |
| I can’t see me | lovin’ nobody but |
| E | D |
| When you’re with me | baby the skies’ll be |
| Em |
| Me and you and you and me |
| D |
| No matter how they | toss the dice it had to be |
| C |
| The only one for | me is you and you for me |
| E | D | E | G |
| Ba-ba-ba-ba | ba-ba-ba-ba-ba-ba- | ba ba-ba-ba- | baaa |
| E | D | E | D |
| Ba-ba-ba-ba | ba-ba-ba-ba-ba-ba- | ba ba-ba-ba- | baaa |
| Em |
| Me and you and you and me |
| D |
| No matter how they | toss the dice it had to be |
| C |
| The only one for | me is you and you for me |
| B7 | Em |
| So happy to | gether... | |
| B7 | Em |
| So happy to | gether... | |
| B7 | Em |
| How is the | weather? | |
| B7 | Em |
| So happy to | gether... | |
| Em | G | D |
| No one knows what it’s | like, to be the | bad man |
| Cadd9 | Asus2 |
| To be the | sad man, behin | d blue eyes |
| Em | G | D |
| No one knows what it’s | like to be | hated |
| Cadd9 | Asus2 |
| To be | fated, to telling on | ly lies |
| C | D | G | C/G | G |
| But my | dre | ams, they aren’t as | empty | | |
| C | D | E | Asus2 | E |
| As my | conscience | seems to | be | | |
| Bm | C |
| I have | hours, only l | onely |
| D | Asus2 |
| My love is | vengeance that’s never | free |
| Em | G | D |
| No one knows what it’s | like to feel these | feelings |
| Cadd9 | Asus2 |
| Like I | do, and I blame | you |
| Em | G | D |
| No one bites back as | hard on their | anger |
| Cadd9 | Asus2 |
| None of my | pain and woe, can show | through |
| C | D | G | C/G | G |
| But my | dre | ams, they aren’t as | empty | | |
| C | D | E | Asus2 | E |
| As my | conscience | seems to | be | | |
| Bm | C |
| I have | hours, only l | onely |
| D | Asus2 |
| My love is | vengeance that’s never | free |
| E | Bm | A | E | Bm | A |
| E | Bm | A | E |
| When my fist | clenches | crack it open | |
| Bm | G | D |
| Before I | use it and | lose my | cool |
| Bm | A | D |
| When I s | mile t | ell me some b | ad news |
| Bm | A | E | Bm | A |
| Before I la | ugh and a | ct like a f | ool | | |
| E | Bm | A | E |
| And if I sw | allow any | thing ev | il |
| Bm | G | D |
| Stick your fi | nger do | wn my th | roat |
| Bm | A | D |
| And if I sh | iver please gi | ve me a bla | nket |
| Bm | A | E |
| Keep me w | arm let me we | ar your c | oat |
| E | Bm | A | E | Bm | A |
| B | A | G | D |
| B | A | G | D |
| B | A | G | D |
| B |
|
| Em | G | D |
| No one knows what it’s | like, to be the | bad man |
| Cadd9 | Asus2 |
| To be the | sad man, behin | d blue eyes |
| D | G | A |
| You | doin’ that | thing you |
| D | G | A |
| Do | breakin’ my | heart |
| Bm | E |
| In | to a million | pieces |
| Em | Gm | A |
| Like you always | do-o-o- | o |
| D | G | A |
| And | you | don’t mean | to be |
| D | G | A |
| Cruel, you | never | even |
| Bm | E |
| Knew about the | heartache |
| C | A |
| I’ve been goin’ | through |
| Bm | E |
| Well I | try and try to | forget you girl |
| D | D7 | G | Gm |
| But it’s | just so | hard to | do | |
| D | Gm | D | A |
| Every time you | do that thing you | do | |
| D | G | A |
| I know | all the | games you |
| D | G | A |
| Play, and I’m | gonna | find a |
| Bm | E |
| Way to let you | know that |
| Em | Gm | A |
| You’ll be mine some | day | |
| D | G | A |
| ‘Cause | we could be | happy | can’t you |
| D | G | A |
| See, if you’d | only | let me |
| Bm | E |
| Be the one to | hold you |
| C | A |
| And | keep you here with | me |
| Bm | E |
| ‘Cause I | try and try to | forget you girl |
| D | D7 | G | Gm |
| But it’s | just so | hard to | do | |
| D | Gm | D |
| Every time you | do that thing you | do |
| Bm |
| But I | know one thing’s for sure |
| E |
| It’s the | love I haven’t got, girl |
| A | A# | A |
| And I | just can’t take it | anymore | |
| D | G | A |
| ‘Cause | we could be | happy | can’t you |
| D | G | A |
| See, if you’d | only | let me |
| Bm | E |
| Be the one to | hold you |
| C | A |
| And | keep you here with | me |
| Bm | E |
| ‘Cause it | hurts me so just to | see you go |
| D | D7 | G | Gm |
| Around with | someone | new | |
| D | Gm |
| And if | I know you you’re | doin’ that thing |
| D | Gm |
| Every day just | doin’ that thing |
| D | A | G | Gm | Dmaj7 |
| I can’t take you | doin’ that thing you | do | | |
One two three
| D | G | A | G | D | G | A | G |
| I was | feelin’ | | | so | bad | | | |
| D | G | A | G | D | G | A | G |
| I | asked my | family | doctor just | what I | had | | | |
| D | G | A | G |
| I said, | Doctor ( | Doc | tor) | |
| D | G | A | G |
| Mr. M. | D. ( | Doc | tor) | |
| D | G | A | G |
| Now can you | tell me | | | |
| G | D | G | A | G |
| What’s | ailin’ | me? ( | Doc | tor) | |
| D | G | D | G | D |
| He said, | Yeah, | yeah, | yeah, | yeah, | yeah |
| D | G | D | G | D |
| ( | Yeah, | yeah, | yeah, | yeah, | yeah) |
| E | A |
| Yes, in | deed, all I | really need |
| D | G | A | G |
| (Good | love) | Gimme that | good, good | lovin |
| D | G | D | G |
| (Good | love) | All I | need is | love |
| D | G | A | G |
| (Good | love) | Good | lovin’ | baby |
| D | G | A | G | D | G | A | G |
| Now honey | please | | | squeeze me | tight ( | Squeeze me | tight) | |
| D | G | A | G | D | G | A | G |
| Now | don’t you | want your | baby to | be al | right? ( | Be al | right) | |
| D | G | A | G | D | G | A | G |
| I said | baby | (Ba | by) | now it’s for | sure ( | It’s for | sure) | |
| G | D | G | A | G | D | G | A | G |
| I got the | fever, | yeah | yea, and | you’ve got the | cure ( | Got the | cure) | |
| D | G | D | G | D |
| Everybody, | Yeah, | yeah, | yeah, | yeah, | yeah |
| D | G | D | G | D |
| ( | Yeah, | yeah, | yeah, | yeah, | yeah) |
| E | A |
| Yes, in | deed, all I | really need |
| D | G | A | G |
| (Good | love) | Come on | gimme that | lovin’ |
| D | G | D | G |
| (Good | love) | All I | need is | love |
| D | G | A | G |
| (Good | love) | Good | lovin’ | baby |
| D | G | A | D |
| (Good | love) | | | All I need is love |
| D | G | A | D |
| (Good | love) | | | All I want is love |
| D | G | A | D |
| (Good | love) | | | Lovin’ early in the morning |
| D | G | A | D |
| (Good | love) | | | Lovin’ late ate night |
| D | G | A | D |
| (Good | love) | | | Love love love love love love |
| Em | A | Em | A |
| Well no one | told me a | bout | her |
| Em | C | Em | A |
| The | way she | lied | |
| Em | A | Em | A |
| Well no one | told me a | bout | her |
| Em | C | E |
| How many | people | cried |
| A | Am | Em |
| Well it’s too | late to | say you’re | sorry |
| Bm | Em |
| How would I | know, why should I | care? |
| A | Am | G |
| Please don’t | bother | trying to | find her |
| Em | A |
| Well let me tell you ‘bout the | way she looked | |
| Em | C | Em | A |
| The way she | acted, the | color of her | hair | |
| Em | C | Em | A |
| Her voice was | soft and cool, | her eyes were | clear and bright | |
| Em | A | Em | A |
| Well no | one told me a | bout | her |
| Em | C | Em | A |
| What | could I | do? | |
| Em | A | Em | A |
| Well no one | told me a | bout | her |
| Em | C | E |
| Though they | all | knew |
| A | Am | Em |
| But it’s too | late to | say you’re | sorry |
| Bm | Em |
| How would I | know, why should I | care? |
| A | Am | G |
| Please don’t | bother | trying to | find her |
| Em | A |
| Well let me tell you ‘bout the | way she looked | |
| Em | C | Em | A |
| The way she | acted, the | color of her | hair | |
| Em | C | Em | A |
| Her voice was | soft and cool, | her eyes were | clear and bright | |
| A | Am | Em |
| Well it’s too | late to | say you’re | sorry |
| Bm | Em |
| How would I | know, why should I | care? |
| A | Am | G |
| Please don’t | bother | trying to | find her |
| Em | A |
| Well let me tell you ‘bout the | way she looked | |
| Em | C | Em | A |
| The way she | acted, the | color of her | hair | |
| Em | C | Em | A |
| Her voice was | soft and cool, | her eyes were | clear and bright | |
| Bm | G | A |
| I took a walk around the wo | rld to ease my tr | oubled mind |
| Bm | G | A |
| I left my body laying somew | here in the san | ds of time |
| Bm | G | A |
| I watched the world float to the | dark side of the | moon |
| Bm | G | A |
| I feel there is nothing I can d | o | |
| Bm | G | A |
| I watched the world float to the d | ark side of the | moon |
| Bm | G | A |
| After all I knew it had to b | e something to | do with you |
| Bm | G | A |
| I really don’t mind what hap | pens now and | then |
| Bm | G | A |
| As long as you’ll be my fr | iend at the | end |
| Bm | G | A |
| If I go crazy then will y | ou still call me | Superman |
| Bm | E | F# |
| If I’m alive and well, will | you be there ho | lding my hand |
| Bm | G | A | Bm |
| I’ll keep you by my side with | my super | human m | ight |
| Bm | G |
| You called me strong, you called me | weak |
| A |
| But your s | ecrets I will keep |
| Bm | G | A |
| You took for granted all the t | imes I never | let you down |
| Bm | G |
| You stumbled in and bumped your | head |
| A |
| If not for m | e then you would be dead |
| Bm | G | A |
| I picked you up and put you b | ack on solid g | round |
| Bm | G | A |
| If I go crazy then will y | ou still call me | Superman |
| Bm | E | F# |
| If I’m alive and well, will | you be there ho | lding my hand |
| Bm | G | A | Bm |
| I’ll keep you by my side with | my super | human m | ight |
| Bm | G | A |
| If I go crazy then will y | ou still call me | Superman |
| Bm | G | A |
| If I’m alive and well, will | you be there ho | lding my hand |
| Bm | G | A | Bm |
| I’ll keep you by my side with | my super | human m | ight |
| Bm | G | A |
| If I go crazy then will y | ou still call me | Superman |
| Bm | E | F# |
| If I’m alive and well, will | you be there ho | lding my hand |
| Bm | G | A | Bm |
| I’ll keep you by my side with | my super | human m | ight |
| Am | G | F | F |
| F | C/E | C | C |
| F | C/E | G | G |
| F | C/E | G | G |
| | | | |
| F |
| L | ife’s like the road that you travel on |
| C |
| There’s one da | y here and the next day gone |
| G |
| Sometime | s you bend, sometimes you stand |
Sometimes you turn your back to the wind
| F |
| There’s a world | outside every darkened door |
| C |
| Where | blues won’t haunt you anymore |
| G |
| Where the | brave are free and lovers soar |
Come ride with me to the distant shore
| Am | G |
| W | e won’t hesitate to br | eak down the garden gate |
| F | D |
| T | here’s not much time left today | |
| Am | G | F | F | C/E | C |
| L | ife i | s a | highway, | I | wanna | ride it |
| F | C/E | G | F | C/E | G |
| All | night | long | | | |
| Am | G | F | F | C/E | C |
| I | f yo | u’re going | my way, | I | wanna | drive it |
| F | C/E | G | F | C/E | G |
| All | night | long | | | |
| F |
| Through | all these cities and all these towns |
| C |
| It’s | in my blood and it’s all around |
| G |
| I loved y | ou now like I loved you then |
This is the road, and these are the hills
| F |
| From | Mozambique to those Memphis nights |
| C |
| The | Khyber Pass to Vancouver’s lights |
| G |
| Knock me down and back up again |
You’re in my blood, I’m not a lonely man
| Am | G |
| T | here’s no load I can’t hold, | roads are rough, this I know |
| F |
| I | ’ll be there when the light comes in |
| D |
| Just | tell ‘em we’re survivors |
| Am | G | F | F | C/E | C |
| L | ife i | s a | highway, | I | wanna | ride it |
| F | C/E | G | F | C/E | G |
| All | night | long | | | |
| Am | G | F | F | C/E | C |
| I | f yo | u’re going | my way, | I | wanna | drive it |
| F | C/E | G | F | C/E | G |
| All | night | long | | | , mmmm |
| Am | G | F | F | C/E | C |
| L | ife i | s a | highway, | I | wanna | ride it |
| F | C/E | G | F | C/E | G |
| All | night | long | | | , gimme gimme gimme gimme yeah |
| Am | G | F | F | C/E | C |
| I | f yo | u’re going | my way, | I | wanna | drive it |
| F | C/E | G | F | C/E | G |
| All | night | long | | | |
| Dm | F | Am | G |
| T | here was a dis | tance between | you and I | |
| Dm | F | Am | G |
| A misunders | tanding once, but | now we look it in the eye | |
| Am | G |
| T | here ain’t no load that I can’t hold, | roads are rough, this I know |
| F |
| I | ’ll be there when the light comes in |
| D |
| Just | tell ‘em we’re survivors |
| Am | G | F | F | C/E | C |
| L | ife i | s a | highway, | I | wanna | ride it |
| F | C/E | G | F | C/E | G |
| All | night | long | | | , yeah yeah yeah yeah |
| Am | G | F | F | C/E | C |
| I | f yo | u’re going | my way, | I | wanna | drive it |
| F | C/E | G | F | C/E | G |
| All | night | long | | | , a-gimme gimme gimme gimme yeah |
| Am | G | F | F | C/E | C |
| L | ife i | s a | highway, | I | wanna | ride it |
| F | C/E | G | F | C/E | G |
| All | night | long | | | |
| Am | G | F | F | C/E | C |
| I | f yo | u’re going | my way, | I | wanna | drive it |
| F | C/E | G | F | C/E | G |
| All | night | long | | | , a-gimme gimme gimme gimme yeah |
| D | Dsus4 | Dsus4 | D | A7sus4 |
| | | | | x2 |
| D | Dsus4 | Dsus4 | D | A7sus4 |
| She’s a | good | girl, | loves | her | mama |
| D | Dsus4 | Dsus4 | D | A7sus4 |
| Loves | Je | sus and | Ameri | ca | too |
| D | Dsus4 | Dsus4 | D | A7sus4 |
| She’s a | good | girl, | crazy | ’bou | t Elvis |
| D | Dsus4 | Dsus4 | D | A7sus4 |
| Loves | hors | es and her | boy | friend | too |
| D | Dsus4 | Dsus4 | D | A7sus4 |
| | | | | x2 |
| D | Dsus4 | Dsus4 | D | A7sus4 |
| It’s a | long | day | livin’ | in Re | seda |
| D | Dsus4 | Dsus4 | D | A7sus4 |
| There’s a | free | way ru | nnin’ | through the | yard |
| D | Dsus4 | Dsus4 | D | A7sus4 |
| And I’m a | bad | boy, cause I | don’t | even | miss her |
| D | Dsus4 | Dsus4 | D | A7sus4 |
| And I’m a | bad | boy for | breakin’ | her | heart |
| D | G | G | D | A7sus4 |
| Now I’m | free | | | | |
| D | G | G | D | A7sus4 |
| Free | fallin’ | | | | |
| D | G | G | D | A7sus4 |
| Yeah I’m | free | | | | |
| D | G | G | D | A7sus4 |
| Free | fallin’ | | | | |
All the vampires walkin' through the valley
Move west down Ventura Boulevard
All the bad boys are standing in the shadows
And the good girls are home with broken hearts
| D | G | G | D | A7sus4 |
| Now I’m | free | | | | |
| D | G | G | D | A7sus4 |
| Free | fallin’ | | | | |
| D | G | G | D | A7sus4 |
| Yeah I’m | free | | | | |
| D | G | G | D | A7sus4 |
| Free | fallin’ | | | | |
| D | Dsus4 | Dsus4 | D | A7sus4 |
| | | | | x2 |
(Free fallin’, now I’m, free fallin’)
| D | Dsus4 | Dsus4 | D | A7sus4 |
| | | | | x2 |
I wanna glide down over Mulholland
I wanna write her name in the sky
Gonna free fall out into nothin'
Gonna leave this world for a while
| D | G | G | D | A7sus4 |
| Now I’m | free | | | | |
| D | G | G | D | A7sus4 |
| Free | fallin’ | | | | |
| D | G | G | D | A7sus4 |
| Yeah I’m | free | | | | |
| D | G | G | D | A7sus4 |
| Free | fallin’ | | | | |
| Em | EmM7 | Em7 | EmM6 |
| Eddie | waited till he | finished high | school |
| Em | EmM7 | Em7 | EmM6 |
| He went to | Hollywood, | got a | tattoo |
| Am | Am/G | Am/F# | Am/G |
| He met a | girl out there with | a tattoo | too |
| G | F | C |
| The | future was | wide | open |
| Em | EmM7 | Em7 | EmM6 |
| They moved in | to a place they | both could af | ford |
| Em | EmM7 | Em7 | EmM6 |
| He found a | nightclub he could | work at the | door |
| Am | Am/G | Am/F# | Am/G |
| She had a | guitar and she | taught him some | chords |
| G | F | C |
| The | sky | was the | limit |
| G | C | D |
| Into the | great wide | open |
| G | Em | D |
| Under them | skies of | blue |
| G | C | D |
| Out in the | great wide | open |
| G | F | Em7 | A |
| A | rebel with | out a | clue | |
| Em | EmM7 | Em7 | EmM6 |
| The papers | said Ed always | played from the | heart |
| Em | EmM7 | Em7 | EmM6 |
| He got an | agent and a | roadie named | Bart |
| Am | Am/G | Am/F# | Am/G |
| They made a | record and it | went in the | charts |
| G | F | C |
| The | sky | was the | limit |
| Em | EmM7 | Em7 | EmM6 |
| His leather | jacket had | chains that would | jingle |
| Em | EmM7 | Em7 | EmM6 |
| They both met | movie stars, | partied and | mingled |
| Am/F# | Am/G | Am | C |
| Their A& | R man said “I | don’t hear a si | ngle” |
| G | F | C |
| The | future was | wide | open |
| G | C | D |
| Into the | great wide | open |
| G | Em | D |
| Under them | skies of | blue |
| G | C | D |
| Out in the | great wide | open |
| G | F | Em7 | A |
| A | rebel with | out a | clue | |
| G | C | D |
| Into the | great wide | open |
| G | Em | D |
| Under them | skies of | blue |
| G | C | D |
| Out in the | great wide | open |
| G | F | Em7 | A |
| A | rebel with | out a | clue | |
| F#m | E |
| That’s what they | say when were together |
| A | C#m |
| And watch how you | play |
| F#m | E |
| They don’t under | stand, and so we’re |
| C#m | A |
| Running just as fast as we | can |
| C#m | A |
| Holding on to one another’s | hand |
| G |
| Trying to get away into the night |
| E |
| And then you | put your arms around me |
| A |
| And we tumble to the ground and then you | say |
| A | E |
| I think we’re a | lone now |
| D | A |
| There | doesn’t seem to be any | one around |
| E |
| I think we’re a | lone now |
| D | A |
| The | beating of our hearts is the | only sound |
| F#m | E |
| We gotta | hide what we’re doing |
| A | C#m |
| ‘Cause what would they | say |
| F#m | E |
| If they ever | knew, and so we’re |
| C#m | A |
| Running just as fast as we | can |
| C#m | A |
| Holding on to one another’s | hand |
| G |
| Trying to get away into the night |
| E |
| And then you | put your arms around me |
| A |
| And we tumble to the ground and then you | say |
| A | E |
| I think we’re a | lone now |
| D | A |
| There | doesn’t seem to be any | one around |
| E |
| I think we’re a | lone now |
| D | A |
| The | beating of our hearts is the | only sound |
| A | E |
| I think we’re a | lone now |
| D | A |
| There doesn’t seem to | be anyone around |
| E |
| I think we’re a | lone now |
| D | A |
| The | beating of our hearts is the | only sound |
Riff:
|-----0-------0-------0-----0-----|
|---5-------5-------5-----4---4---|
|-6-----7-------6-------4-------4-|
| Em | C | G | A | Em | C | G | A |
| Jenny, | Jenny, | who can I | turn to? | | | | |
| Em | C | G | A | Em | C | G | A |
| You give me | something | I can hold | on to | | | | |
| Em | C | G | A | Em | C | G | A |
| I know you | think I’m | like the | others be | fore | | | |
| Em | C | G | A | Em | C | G | A |
| Who saw your | name and | number | on the | wall | | | |
| D | C | G |
| Jenny, I | got your | number |
| D | G | C |
| I need to | make you | mine |
| D | C | G |
| Jenny, don’t | change your | number |
| Em | C | G | A | Em | C | G | A |
| 8 6 | 7 - 5 | 3 0 | 9 | | | | |
| Em | C | G | A | Em | C | G | A |
| 8 6 | 7 - 5 | 3 0 | 9 | | | | |
| Em | C | G | A | Em | C | G | A |
| Jenny, | Jenny, | you’re the girl | for me | | | | |
| Em | C | G | A | Em | C | G | A |
| You don’t | know me but you | make me so | happy | | | | |
| Em | C | G | A | Em | C | G | A |
| I tried to | call you be | fore but I | lost my | nerve | | | |
| Em | C | G | A | Em | C | G | A |
| I tried my i | magi | nation, but | I was dis | turbed | | | |
| D | C | G |
| Jenny, I | got your | number |
| D | G | C |
| I need to | make you | mine |
| D | C | G |
| Jenny, don’t | change your | number |
| Em | C | G | A | Em | C | G | A |
| 8 6 | 7 - 5 | 3 0 | 9 | | | | |
| Em | C | G | A | Em | C | G | A |
| 8 6 | 7 - 5 | 3 0 | 9 | | | | |
| Em | G | A |
| I got your | number on the | wall |
| Em | G | A |
| For a | good time, for a | good time | call |
| D | C | G |
| Jenny, don’t | change your | number |
| D | G | C |
| I need to | make you | mine |
| D | C | G |
| Jenny, don’t | change your | number |
| Em | C | G | A | Em | C | G | A |
| 8 6 | 7 - 5 | 3 0 | 9 | | | | |
| Em | C | G | A | Em | C | G | A |
| 8 6 | 7 - 5 | 3 0 | 9 | | | | |
| Em | C | G | A | Em | C | G | A |
| Jenny, | Jenny, | who can I | turn to? | | | | |
| Em | C | G | A | Em | C | G | A |
| For the | price of a | dime I can | always | turn to | you | | | |
| Em | C | G | A | Em | C | G | A |
| 8 6 | 7 - 5 | 3 0 | 9 | | | | |
| Em | C | G | A | Em | C | G | A |
| 8 6 | 7 - 5 | 3 0 | 9 | | | | |
| C | G | Am |
| See the | stone set in your | eyes |
| F | C |
| See the | thorn twist in your | side |
| C | G | Am |
| Sleight of hand a | nd twist of | fate |
| F | C |
| On a bed of nail | s she makes me | wait |
| C | G | Am | F |
| And I | wait wi | thout you | |
| C | G | Am |
| Through the | storm we reach the | shore |
| F | C |
| You give it all | but I want | more |
| C | G | Am | F |
| And I’m wa | iting for | you | |
| G | Am | F |
| With or | without you, oh | oh |
| C | G | Am | F |
| I can’t | live | with or with | out you | |
| C | G |
| And you | give yourself a | way |
| Am | F |
| And you | give yourself a | way |
| C | G |
| And you | give And you | give |
| Am | F |
| And you | give yourself a | way |
| C | G | Am | F | C |
| My hands are ti | ed | my body | bruised, she’s got me | with |
| G | Am | F |
| Nothing to | win and | nothing left to lo | se |
| C | G |
| And you | give yourself a | way |
| Am | F |
| And you | give yourself a | way |
| C | G |
| And you | give And you | give |
| Am | F |
| And you | give yourself a | way |
| G | Am | F |
| With or | without you, oh | oh |
| C | G | Am | F |
| I can’t | live | with or with | out you | |
| C | G | Am | F | C | G | Am | F |
| Whoa... | | | | whoa... | | | |
| C | G | Am | F | C | G | Am | F |
| Whoa... | | | | whoa... | | | |
| G | Am | F |
| With or | without you, oh | oh |
| C | G | Am | F |
| I can’t | live | with or with | out you | |
| Em | Em | Em | Em |
| C | C | Em | Em |
| C | D |
| | |
| Em | D |
| Don’t wanna wait till to | morrow |
| C | B | D |
| Why put it off another | day? | |
| Em | D |
| One by one, little | problems |
| C | B | D |
| Build | up and stand in our | way, oh | |
| C | D | G | Asus4 | A |
| One step a | head, one step be | hind | | |
| C | D | Em |
| Now you gotta | run to get e | ven |
| C | D | G | Asus4 | A |
| Make future | plans, or dream a | bout yester | | day, hey |
| C | D | B |
| Come on, | turn, | turn this thing around |
| G | G/B | C | D |
| Right | now, hey | it’s your to | morrow | |
| G | G/B | C | D |
| Right | now, come o | n, it’s | everything | |
| G | G/B | C |
| Right | now, catch your m | agic | moment, do it |
| D | C |
| Right here and n | ow, it means everything |
| Em | D |
| Miss a beat, you lose the | rhythm |
| C | B | D |
| And nothing falls into | place, no | |
| Em | D |
| Only missed by a | fraction |
| C | B | D |
| Slipped a little off your | pace, | oh |
| C | D | G | Asus4 | A |
| The | more things you | get, the more you | want | | |
| C | D | Em |
| Just traded | one for the | other |
| C | D | G | Asus4 | A |
| Working so | hard, to make it | easy, | who | a |
| C | D | B |
| Got to | turn, | come on, | turn this thing around |
| G | G/B | C | D |
| Right | now, hey | it’s your to | morrow | |
| G | G/B | C | D |
| Right | now, come o | n, it’s | everything | |
| G | G/B | C |
| Right | now, catch that m | agic | moment, do it |
| D | C |
| Right here and n | ow, it means everything |
| Em | C | Em |
| It’s enlightening | right | now |
| C | D |
| What are you waitin’ for | , o | h |
| G | A | C | D | B |
| | Ye | ah, | | right now |
| C | D | G | A | C | D | Em |
| C | D | G | A | C | D | B |
| | | | | | | |
| G | G/B | C | D |
| Right | now, hey | it’s your to | morrow | |
| G | G/B | C | D |
| Right | now, come o | n, it’s | everything | |
| G | G/B | C |
| Right | now, catch that m | agic | moment, and do it right |
| G | G/B | C | D | C |
| Right | now, | | ooooh | , right | now |
| C | Em |
| It’s what’s happening | |
| C |
| Right here and now | , right now |
| C | Em |
| Oh, | tell me, what are you waitin’ for | |
| C | Em |
| Turn this thing arou | nd |
---------------8-10-12-10-8------------------
-8-10-12-10-8----------------8-10-12-10-8-10-
---------------9-10-12-10-9------------------
-9-10-12-10-9----------------9-10-12-10-9-10-
| G | C | G | D |
| Hey where did | we go | days when the r | ain came |
| G | C | G | D |
| Down in the ho | llow, | playing a n | ew game |
| G | C | G | D |
| Laughin’ and a | runnin’ hey, hey, | skipping and a | jumping |
| G | C | G | D |
| In the misty mor | ning fog | oh our | hearts a thumpin’ and |
| C | D | G | Em |
| You | my brown-eyed | girl | |
| C | D | G | D |
| You my | brown-eyed | girl | |
| G | C | G | D |
| Whatever | happened | to Tuesdays and | so slow |
| G | C | G | D |
| Going down the o | ld mine with a | transistor | radio |
| G | C | G | D |
| Standing in the | sunlight laughing, | hiding behind a | rainbow’s wall |
| G | C | G | D |
| Slipping and a | sliding | all along the | waterfall with |
| C | D | G | Em |
| You | my brown-eyed | girl | |
| C | D | G |
| You my | brown-eyed | girl |
| D7 |
| Do you remember when we used to sing |
| G | C | G | D |
| Sha la la | la la la la | la la la la tee | da just like that |
| G | C | G | D | G |
| Sha la la | la la la la | la la la la tee | da la tee da | |
| G | C | G | D |
| So hard to | find my way, | now that I’m | on my own |
| G | C | G | D |
| I saw you | just the other day, | my how | you have grown |
| G | C | G | D |
| Cast my memory | back there, lord | sometimes I’m | overcome thinking ‘bout |
| G | C | G | D | C |
| Making love in the | green grass | behind the | stadium with | you |
| C | D | G | Em |
| You | my brown-eyed | girl | |
| C | D | G |
| You my | brown-eyed | girl |
| D7 | G |
| Do you remember when we used to | sing |
| G | C | G | D |
| Sha la la | la la la la | la la la la tee | da just like that |
| G | C | G | D | G |
| Sha la la | la la la la | la la la la tee | da la tee da | |
| Gm7 | Am7 | A#maj7 | Am7 |
| Well it’s a ma | rvelous nig | ht for a mo | ondance | with the |
| Gm7 | Am7 | A#maj7 | Am7 |
| Stars up abo | ve in your ey | es | |
| Gm7 | Am7 | A#maj7 | Am7 |
| A fan | tabulous nigh | t to make r | omance | ‘neath the |
| Gm7 | Am7 | A#maj7 | Am7 |
| Color of O | ctober s | kies | |
| Gm7 | Am7 | A#maj7 | Am7 |
| All the l | eaves on the tree | s are fal | ling | to the |
| Gm7 | Am7 | A#maj7 | Am7 |
| Sound of the bre | ezes that bl | ow | |
| Gm7 | Am7 | A#maj7 | Am7 |
| And I’m | trying to plea | se to the c | alling | of your |
| Gm7 | Am7 | A#maj7 | Am7 |
| Heartstrings that pla | y soft and lo | w | |
| Cm7 | Gm7 |
| You know the | night’s m | agic seems to |
| Cm7 | Gm7 | Cm7 |
| You know the | soft m | oonlight seems to shine | |
| Gm7 | Cm7 | Gm7 | Cm7 |
| Can I | just hav | e one mo | re moondanc | e with |
| Gm7 | Cm7 | Gm7 | D7#9 |
| Yo | u | my l | ove | |
| Gm7 | Cm7 | Gm7 | Cm7 |
| Can I | just ma | ke some m | ore roma | nce with |
| Gm7 | Cm7 | Gm7 | D7#9 |
| You | | my | love | |
| Gm7 | Am7 | A#maj7 | Am7 |
| Well I | want to make lov | e to you | tonight | |
| Gm7 | Am7 | A#maj7 | Am7 |
| I can’ | t wait ‘til t | he morning has co | me | |
| Gm7 | Am7 | A#maj7 | Am7 |
| And I k | now now the tim | e is just | right | and straight |
| Gm7 | Am7 | A#maj7 | Am7 |
| In | to my arm | s you will r | un | |
| Gm7 | Am7 | A#maj7 | Am7 |
| When you | come my he | art will be w | aiting | to make |
| Gm7 | Am7 | A#maj7 | Am7 |
| Sure that you’re n | ever alon | e | |
| Gm7 | Am7 | A#maj7 | Am7 |
| There and | then all my d | reams will c | ome true d | ear |
| Gm7 | Am7 | A#maj7 | Am7 |
| There and | then I will m | ake you my ow | n | |
And every time...
| Cm7 | Gm7 |
| I | touch you, you just |
| Cm7 | Gm7 | Cm7 |
| Then I know | how | much you want me that | |
| Gm7 | Cm7 | Gm7 | Cm7 |
| Can I | just hav | e one mo | re moondanc | e with |
| Gm7 | Cm7 | Gm7 | D7#9 |
| Yo | u | my l | ove | |
| Gm7 | Cm7 | Gm7 | Cm7 |
| Can I | just ma | ke some m | ore roma | nce with |
| Gm7 | Cm7 | Gm7 | D7#9 |
| You | | my | love | |
| Gm7 | Am7 | A#maj7 | Am7 |
| Well it’s a ma | rvelous nig | ht for a mo | ondance | with the |
| Gm7 | Am7 | A#maj7 | Am7 |
| Stars up abo | ve in your ey | es | |
| Gm7 | Am7 | A#maj7 | Am7 |
| A fan | tabulous nigh | t to make r | omance | ‘neath the |
| Gm7 | Am7 | A#maj7 | Am7 |
| Color of O | ctober s | kies | |
| Gm7 | Am7 | A#maj7 | Am7 |
| All the l | eaves on the tree | s are fal | ling | to the |
| Gm7 | Am7 | A#maj7 | Am7 |
| Sound of the bre | ezes that bl | ow | |
| Gm7 | Am7 | A#maj7 | Am7 |
| And I’m | trying to plea | se to the c | alling | of your |
| Gm7 | Am7 | A#maj7 | Am7 |
| Heartstrings that pla | y soft and lo | w | |
| Cm7 | Gm7 |
| You know the | night’s m | agic seems to |
| Cm7 | Gm7 | Cm7 |
| You know the | soft m | oonlight seems to shine | |
| Gm7 | Cm7 | Gm7 | Cm7 |
| Can I | just hav | e one mo | re moondanc | e with |
| Gm7 | Cm7 | Gm7 | D7#9 |
| Yo | u | my l | ove | |
| Gm7 | Cm7 | Gm7 | Cm7 |
| Can I | just ma | ke some m | ore roma | nce with |
| Gm7 | Cm7 | Gm7 | D7#9 |
| You | | my | love | |
| Gm7 | Am7 | A#maj7 | Am7 |
| One more moon | dance | with yo | u | |
| Gm7 | Am7 | A#maj7 | Am7 |
| In the | moonlight | | | on a |
| Gm7 | Am7 | A#maj7 | Am7 |
| Magic | night | | |
| Gm7 | Am7 | A#maj7 | Am7 |
| La la la | la la la | | |
| Gm7 | Am7 | A#maj7 | Am7 |
| In the | moonlight | | | |
| Gm7 | Am7 | A#maj7 | Am7 |
| On a | magic | night | | |
| A#maj7 | F | D# | Dm | Cm7 |
| Can | I just | have one | more moon | dance with | you |
x4
| A |
| You put the boom | -boom into my heart |
| Bm | A |
| You send my soul | sky high when your lovi | n’ starts |
Jitterbug into my brain
| Bm | A |
| Goes a b | ang-bang-bang ‘til my fe | et do the same |
| Bm |
| But some | thing’s bugging you |
| C#m |
| Something ain’t right |
| D | C#m |
| My | best friend told me what you di | d last night |
| Bm | C#m |
| You | left me sleepin’ | in my bed |
| D | E |
| I was dreaming, but I sh | ould have been with you instead |
| A |
| Wake me | up before you go-go |
| Bm | A |
| Don’t leave me | hanging on like a | yo-yo |
Wake me up before you go-go
| Bm | A |
| I don’t want to | miss it when you hit that | high |
Wake me up before you go-go
| Bm | A |
| ‘Cause I’m not p | lanning on going | solo |
Wake me up before you go-go
| C#m | Bm | A7 |
| Take me da | ncing ton | ight |
I wanna hit that high (yeah, yeah)
| A |
| You take the gre | y skies out of my way |
| Bm | A |
| You make the sun | shine brighter than Dor | is Day |
Turned a bright spark into a flame
| Bm | A |
| My beats | per minute never been t | he same |
| Bm | C#m |
| ‘Cause y | ou’re my lady, I | ’m your fool |
| D | C#m |
| It m | akes me crazy when y | ou act so cruel |
| Bm | C#m |
| Come on, baby, l | et’s not fight |
| D | E |
| We | ’ll go dancing, | everything will be all right |
| A |
| Wake me up before you go-go |
| Bm | A |
| Don’t leave me h | anging on like a | yo-yo |
Wake me up before you go-go
| Bm | A |
| I don’t want to | miss it when you hit that | high |
Wake me up before you go-go
| Bm | A |
| ‘Cause I’m not p | lanning on goin | g solo |
Wake me up before you go-go
| C#m | Bm | A7 |
| Take me da | ncing ton | ight |
I wanna hit that high (yeah, yeah, baby)
| Bm | C#m |
| Cuddle up, baby, | move in tight |
| D | C#m |
| We’ll go dancing to | morrow night |
| Bm | C#m |
| It’s cold out th | ere, but it’s warm in bed |
| D | E |
| They can dance, | we’ll stay home instead |
| A |
| Wake me up before you go-go |
| Bm | A |
| Don’t leave me h | anging on like a | yo-yo |
Wake me up before you go-go
| Bm | A |
| I don’t want to | miss it when you hit that | high |
Wake me up before you go-go
| Bm | A |
| ‘Cause I’m not p | lanning on goin | g solo |
Wake me up before you go-go
| C#m | Bm | A |
| Take me d | ancing ton | ight |
Don't you dare leave me hanging on...
Boom boom boom boom...
| E | B | A |
| I don’t know | where I’m | going |
| E | B | A |
| But I sure | know where I’ve been | |
| E | B/D# | A/C# | A | E/G# |
| Hanging on the | promises in so | ngs of yesterday | | |
| F#m | B |
| And I’ve made up my mind | |
| F#m | B |
| I ain’t wasting no more time | |
| E | C#m | F#m | A | B |
| Here I go a | gain | | | | |
| E | B | A |
| Though I keep | searching for the | answer |
| E | B | A |
| I never seem to | find what I’m looking for | |
| E | B/D# | A/C# | A | E/G# |
| Oh lord I | pray you give me | strength to carry on | | |
| F#m | B |
| ‘Cause I know what it means | |
| F#m | B | A | B |
| To | walk along the lonely street of dreams | | | |
| E | A | B | A | B |
| And | here I go a | gain on my ow | n | | |
| E | A | B | A | B |
| Going | down the only | road I’ve ever kn | own | | |
| E | A | B | A | E/G# |
| Like a | drifter I was | born to walk a | lone | | |
| F#m | B |
| And I’ve made up my mind | |
| F#m | B | A | B |
| I ain’t wasting no more time | | | |
| E | B | A |
| I’m just another | heart in need of | rescue |
| E | B | A |
| Waiting on | love’s sweet chari | ty |
| E | B | A/C# | A | E/G# |
| And I’m gonna | hold on for the | rest of my days | | |
| F#m | B |
| ‘Cause I know what it means | |
| F#m | B | A | B |
| To | walk along the lonely street of dreams | | | |
| E | A | B | A | B |
| And | here I go a | gain on my ow | n | | |
| E | A | B | A | B |
| Going | down the only | road I’ve ever kn | own | | |
| E | A | B | A | E/G# |
| Like a | drifter I was | born to walk a | lone | | |
| F#m | B |
| And I’ve made up my mind | |
| F#m | B |
| I ain’t wasting no more time | |
| A | B | C#m | F#m |
| But | here I | go a | again | |
| C#m | F#m | A | B |
| Here I | goooooo | | | |
| F#m | B |
| ‘Cause I know what it means | |
| F#m | B | A | B |
| To | walk along the lonely street of dreams | | | |
| E | A | B | A | B |
| And | here I go a | gain on my ow | n | | |
| E | A | B | A | B |
| Going | down the only | road I’ve ever kn | own | | |
| E | A | B | A | E/G# |
| Like a | drifter I was | born to walk a | lone | | |
| F#m | B |
| And I’ve made up my mind | |
| F#m | B | A | B |
| I ain’t wasting no more time | | | |
| E | A | B | A | B |
| And | here I go a | gain on my ow | n | | |
| E | A | B | A | B |
| Going | down the only | road I’ve ever kn | own | | |
| E | A | B | A | E/G# |
| Like a | drifter I was | born to walk a | lone | | |
| F#m | B |
| ‘Cause I know what it means | |
| F#m | B | A | B |
| To | walk along the lonely street of dreams | | | |
| C | A | F | G |
| Hey girl | , | whatcha | doin’? |
| C | A | F | G |
| Hey girl | , | where you | goin’? |
| C | F | G |
| Don’t let the sunshine | fall from the | sky |
| C | D | G |
| Just find the sunshine | in your own | eyes |
| F | Fm | C |
| You’re a | lollipop, no | second prize |
| D | G7 |
| An apple somewhere in some | body’s eyes |
| C | A | F | G |
| Hey | girl, | whatcha | doin’? |
| C | A | F | G |
| Hey | girl, | where you | goin’? |
| C | C7 |
| Shot in the arm | , a twinkly eye |
| F | Fm |
| She could have fell fell | out of the sky |
| C | C7 | D |
| She could have | fell right | out of the sky |
| F |
| Who’s that girl? (Who’s that girl?) |
| Fm |
| Who’s that girl? (Who’s that girl?) |
| C | F | G |
| Don’t let the moonshine | cry up the | night |
| C | D | G |
| Set from your shadow, | and make it | bright |
| F | Fm | C |
| You’re a | lollipop, no | second prize |
| D | G7 |
| An apple somewhere in some | body’s eyes |
| C | A | F | G |
| Hey | girl, | whatcha | doin’? |
| C | A | F | G |
| Hey | girl, | where you | goin’? |
| C | C7 |
| You get down, | and make a frown |
| F | Fm |
| She’s gonna turn, turn, | turn it around |
| C | C7 | D |
| She’s gonna | turn, turn, | turn it around |
| F |
| Who’s that girl? (Who’s that girl?) |
| Fm |
| Who’s that girl? (Who’s that girl?) |
| C | C | C | C | F | Fm | G | G |
| C | C | C | C | D | D | G | G |
| F | F | Fm | Fm | C | C | C | C |
| D | D | D | D | G7 | G7 | G7 | G7 |
| | | | | | | | |
| C | A | F | G |
| Hey | girl, | whatcha | doin’? |
| C | A | F | G |
| Hey | girl, | where you | goin’? |
| C | C7 |
| You get down, | and make a frown |
| F | Fm |
| She’s gonna turn, turn, | turn it around |
| C | D |
| She’s gonna turn, turn, | turn it around |
| F |
| Who’s that girl? (Who’s that girl?) |
| Fm |
| Who’s that girl? (Who’s that girl?) |


CLI Usage¶
For general usage and arguments description run uqa --help
or uqa -h
.
Help is also avaible for subcommands (ex: uqa ner --help
)
General usage and arguments¶
uqa
CLI is a group of subcommands:
clean
ner
constituency
qas
show
validate
split
General options allow to configure verbosity and logging behaviour:
Alias |
Option Name |
Value(s) |
Description |
|---|---|---|---|
|
|
Show help message |
|
|
|
Disable console logging |
|
|
Disable file logging |
||
|
|
["debug", "info", "warning", "error"] |
(default: info)
Set console logging level
|
|
|
path |
Log file path (default: uqa.log) |
|
|
["debug", "info", "warning", "error"] |
(default: debug)
Set file logging level
|
download
subcommand¶
The download
subcommand is a shortcut for downloading pre-trained model required to perform NER and constituency parsing.
Usage::
uqa [options] download [-n/--name STR] MODEL
MODEL
can either be all, spacy or benepar.
all will install default models
- spacy or benepar will install SpaCy french model or Benepar french constituency parsing model respectivelythey can be used with
-n / --name
option to specify the model to install
See Models
Data processing subcommands¶
Subcommands:
clean
ner
constituency
qas
Usage::
uqa [options] <subcommand> [options] SRC... DST
Data processing commands both read and write data, for each input file and output file is generated.
Positional arguments¶
Argument |
Value(s) |
Description |
|---|---|---|
SRC |
path(s) |
Single path to a dir
one / mulitple path(s) to file(s)
|
DST |
path |
Single DST path |
Data reading¶
Alias |
Option Name |
Value(s) |
Description |
|---|---|---|---|
|
|
Display help message |
|
|
|
Indicate SRC as a directory |
|
|
|
|
(default: “json”)
File format to read
|
|
|
|
(default: “default”)
Data format
|
A dataset can be stored as either JSON or pickle files.
clean
, ner
and constituency
subcommands support reading data in either Default data format or FQuAD data format
as they work independently from each others, wheras qas
command depends on``ner`` and constituency
steps ouputs
and thus only accepts default data format.
All subcommands can process:
a single file
mulitple files enumerated in SRC…
a whole directory (with
-d
option)
For the directory case, all files and subdirectory are explored and files with the expected extension are processed
(.json
for json input-format and .pickle
for a pickle input-format).
Data writing¶
Alias |
Option Name |
Value(s) |
Description |
|---|---|---|---|
|
|
Display help message |
|
|
|
Override existing files
instead of skiping
|
|
|
|
|
(default: “json”)
File format to write
|
|
|
(default: 0)
Json indentation when -of is json
|
clean
, ner
, and `` constituency`` the data-format of the written files is default.qas
it’s fquad.DST
positional parameter determine the path(s) of the written file(s):
if SRC is … |
DST is … |
Notes |
|---|---|---|
a single input file path |
the single output file path |
|
multiple input file paths |
the path to the directory
where ouputs files are written
|
Output files preserve their name
and are directly saved under DST
|
a single path to a dir |
the path to the directory
where ouputs files are written
|
The internal structure of SRC dir is
preserved inside DST
|
For each input file, the output file path is generated before processing, if -o / --override
is not set
and the output file path already exist then the file is skipped.
validate
subcommand¶
This command checks wheter FQuAD format file(s) containing question / answers are correct.
It checks:
whether the file(s) structure is correct
whether
answers
field values agree with thecontext
field values
The command has the same arguments as described in Data reading
but will raise an error if -df / --data-format
is set to default.
split
subcommand¶
The split
subcommand allow to split / combine data files.
Usage::
uqa split [options] NUM SRC... DST
The command has the same arguments as described in Data reading and in Data writing but DST positional behaves differently.
The output files have the same data format as the input files.
if NUM
is 0 or negative all SRC… files are combined and saved at DST.
if NUM
is 1 or more, the DST must be a path template which contains a placeholder {num}
,
the input files data are read and split in chunks of NUM
articles / documents.
The chunks are saved at DST by replacing {num}
with increasing integers starting from 0.
show
subcommand¶
The show
subcommand allow to visualize data with NER / constituency / qas information.
The command has the same arguments as described in Data reading.
And additonaly accepts:
Alias |
Option Name |
Value(s) |
Description |
|---|---|---|---|
|
|
Print for all contexts at once |
|
|
Discard NER information |
||
|
Discard constituency information |
||
|
int |
(default: -1)
Set maximum depth for constituents to be displayed
|
|
|
Display constituents with empty label. |
||
|
|
If set, will apply the rule and display its outputs. |
If -a / --all
is not set the console will print one context at a time and prompt the user to continue.


Registration
User Name :
Password :
Password Confirm :
Email :
Phone :
Already have an account?
Sign In


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Main Action Buttons
Main Action buttons appear in the action bar. These buttons are generally to start an action like exporting or importing a list, creating a new event or series.
/* [ Main Button ] */
.action-nav-bar .btn-group .add {
color
:
#FFFFFF
;
background-color
:
#39c985
;
background-image
:
linear-gradient(
#39c985,
#2d9b67)
;
border
:
1px solid
#193043
;
}
Modal Buttons
/* [ Modal Button - Accept ] */
.modal
a {
color
:
#FFFFFF
;
background-color
:
#39c985
;
background-image
:
linear-gradient(
#39c985,
#2d9b67)
;
border
:
1px solid
#20724b
;
}
/* [ Modal Button - Cancel / Return ] */
.modal a.cancel
{
color:
#666666;
background-color:
#FFFFFF;
background-image:
linear-gradient(#FFFFFF,
#f7f7f7);
border:
1px solid #c9d0d3;
}
Action buttons
Action buttons are used to allow the user to control steps in a process. Usually placed within a table view, actions include options to delete, process and view statistics. These action buttons will generally open a modal and should be placed in a specific hierarchical order for consistency.
- Detail Actions
- Sub Actions
- Delete Actions


!WARNING!
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WITH THE MOST CRYPTOGRAPHICALLY ADVANCED RANSOMWARE
CryptoTrooper
All your data of all your users, all your databases and all your Websites are encrypted
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Beyond one week, you will have to pay one bitcoin
After payment, send /key.enc and /key.iv to<EMAIL_ADDRESS>You will receive the key to place in / and to use with /decipher.sh by launching it


@(step: scrupal.controllers.ConfigWizard.Step.Kind, lastError: Option[Throwable])( implicit context : scrupal.controllers.Context) @import scrupal.views.html @import scrupal.views.html.helpers._ @import scrupal.controllers.routes.ConfigWizard @html.configPage("Thank You For Choosing Me!", step, lastError) {
Hi! I'm the Scrupal Configuration Wizard
As you can see, I've recognized that this is your first configuration attempt, or at least you need to start from square one.  :)
To get Scrupal working (again?), it needs to use a database and that means you'll have to specify which one you want to use and where. If you have a local mongoDB server running, I can do all this for you with by just using the Take Short Cut button below. Otherwise, press Configure to make your own choices.
@iForm(name="Choices", action = ConfigWizard.configAction) { @actionButton("how", "configure", "Continue") @actionButton("how", "shortcut", "Take Short Cut") } }


Hi, I'm a Computer Science Engineering senior at Amrita University, Amritapuri Campus. I am currently working as a Growth Hacker at Swapcard, Paris and have worked/interned over 5 early stage startups including Typeset, Scapic, VSTV, and Supertext .
I'm on Twitter @srijancse and GitHub @srijancse. You can also drop me an email at<EMAIL_ADDRESS>My public key is 2416 141C BCC1 397B. You can check out my resume, here!
"Growth for me is like an optimization problem. Similar to optimising code where we take an existing program and focus on reducing the time or memory usage, Growth is like focusing on hitting a target rate which would make all the decisions for me, anything that gets me the growth is right. It’s not that I don’t think about the future, just that I think about it not more than necessary".


Hong Kong votes in election seen as referendum on protests
by The Associated PressHONG KONG — Voting was underway Sunday in Hong Kong elections that have become a barometer of public support for anti-government protests now in their sixth month.
Long lines formed outside polling stations for 452 seats in the city’s 18 district councils.
The councils are largely advisory and have little power. But the election has taken on symbolic importance in the semiautonomous Chinese territory.
A strong showing by the opposition would show that the public still supports the pro-democracy movement, even as the protests have become increasingly violent.
The ruling camp in Hong Kong and the national government in Beijing hope that the unrest and disruption to daily life will turn voters against the movement.
There has been a rare break in the violence in recent days as protesters, anxious to validate their cause through the ballot box, hit the pause button to ensure the polls won’t be postponed.
“We need to show the world that our cause is legitimate. I don’t believe that Beijing will not respond to the Hong Kong people’s voice,” a black-clad and masked student Alex Wong said during a peaceful march Saturday.
Hong Kong Chief Secretary Matthew Cheung said that the vote is a “real democratic exercise,” and that a strong police presence at polling stations will ensure that it proceeds smoothly.
Online messages from protest support groups have advised people not to wear black or face masks during voting in case they are targeted by police.
The Associated Press


Syntax:
replace sequence-1 sequence-2 &key start1 end1 start2 end2 => sequence-1
Arguments and Values:
sequence-1---a sequence.
sequence-2---a sequence.
start1, end1---bounding index designators of sequence-1. The defaults for start1 and end1 are 0 and nil, respectively.
start2, end2---bounding index designators of sequence-2. The defaults for start2 and end2 are 0 and nil, respectively.
Description:
Destructively modifies sequence-1 by replacing the elements of subsequence-1 bounded by start1 and end1 with the elements of subsequence-2 bounded by start2 and end2.
Sequence-1 is destructively modified by copying successive elements into it from sequence-2. Elements of the subsequence of sequence-2 bounded by start2 and end2 are copied into the subsequence of sequence-1 bounded by start1 and end1. If these subsequences are not of the same length, then the shorter length determines how many elements are copied; the extra elements near the end of the longer subsequence are not involved in the operation. The number of elements copied can be expressed as:
(min (- end1 start1) (- end2 start2))
If sequence-1 and sequence-2 are the same object and the region being modified overlaps the region being copied from, then it is as if the entire source region were copied to another place and only then copied back into the target region. However, if sequence-1 and sequence-2 are not the same, but the region being modified overlaps the region being copied from (perhaps because of shared list structure or displaced arrays), then after the replace operation the subsequence of sequence-1 being modified will have unpredictable contents. It is an error if the elements of sequence-2 are not of a type that can be stored into sequence-1.
Examples:
(replace "abcdefghij" "0123456789" :start1 4 :end1 7 :start2 4) => "abcd456hij" (setq lst "012345678") => "012345678" (replace lst lst :start1 2 :start2 0) => "010123456" lst => "010123456"
Side Effects:
The sequence-1 is modified.
Affected By: None.
Exceptional Situations: None.
See Also:
Notes: None.


{% extends "base.html" %} {% block content %}
Date: {{event.date}} From: {{event.startTime}} To: {{event.endTime}}


Last updated: 2017-07-26
The \(\varepsilon\)-complexity of a continuous function is, roughly speaking, the amount of information needed to reconstruct that function within an absolute error \(\varepsilon\). The theory and procedure for estimating \(\varepsilon\)-complexity was introduced by Darkhovsky and Piryatinska1. In previous work, the complexity coefficients have been shown to be useful features for the segmentation and classification of time series2.
The purpose of these analyses was three-fold:
To improve the estimation of the complexity coefficients by enlarging the set of approximation methods used in the estimation procedure.
To explore the relation between the complexity coefficients, the Hölder condition and fractal dimension.
An application of the complexity coefficients to the segmentation and classification of EEG.
Along with an overview of the results of each of these analyses we outline the procedure for estimating the complexity coefficients.
library(devtools)
load_all()
knitr::read_chunk("../code/eeg-segment-plot.R")
par(mar = c(0, 0, 2, 0))
library(ggplot2)
library(dplyr)
library(viridis)
library(ecomplex)
prefix = "eeg"
seed = 2017
# Derived features. 30 Trials : 6 channels : 15 features
feature_df <-readRDS(cache_file("mod_all_features", prefix))
# Load meta data
trial_df <- readRDS(cache_file("mod_trial_segments", "eeg"))
df <- do.call(rbind, feature_df) %>%
cbind(., trial_df) %>%
dplyr::filter(., window == 240)
df$trial <- 1:26
ch = 1; colnums = c(5:9, 13:15); tnum = 8
dfch <- df[[ch]][[tnum]]
res <- palarm(dfch$ecomp.cspline_B)
seg_plot <- function(startn, stopn, title ="", ...){
segcol = adjustcolor("tomato3", 0.9)
pal = c("gray20", segcol, viridis::viridis(256)[c(1, 30, 60, 90, 120)])
plot(dfch$ecomp.cspline_B + 3,
type = 'l',
col = adjustcolor("gray20", 0.6),
lwd = 2,
lty = 1,
cex = 0.5,
ylim = c(0,2.2),
xlim = c(0,120),
xlab = "Time",
yaxt = "n",
ylab = "",
main = title,
...)
lines(res$means + 3, type = 'l', xlim=c(0,120), col=segcol, lwd=2, lty= 1 )
for(k in startn:stopn) lines(dfch[ , 4 + k] + 0.5*(k-startn),
lwd = 2,
col = pal[k + 2])
for(k in res$kout) abline(v = k, col = segcol, lwd = 1.5, lty = 2)
}
# pdf(file.path(getwd(), paste0("figures/", prefix, "-segment-plot.pdf")),
# width = 9, height = 4)
par(mfrow = c(1,1), mar = c(1,1,1,1))
seg_plot(3,5, xaxt = "n")
These poject pages were developed with the help of the workflowr package.


WORK
Most of my work are based on given assignments.
Click on any tab to view respective projects.
Most of my work are based on given assignments.
Click on any tab to view respective projects.
Most of my projects are regarding simple input and output commands. In addition to that, I have worked on some projects regarding arrays.
Here are some of my work. Click on the github link below. Most of my projects are regarding simple design and markup templates and websites. In addition to that, I have worked on some projects regarding javascript.
I have worked on a realtime clock and countdown clock which works on a DS1302 chip that uses a cell and also uses rotation pin for setting the counter.


K-Nearest Neighbors (KNN) locates the K most similar instances in the training dataset for a new data instance. From the K neighbors, a mean or median output variable is taken as the prediction.
Linear regression assumes that the input variables have a Gaussian distribution. It is also assumed that input variables are relevant to the output variable and that they are not highly correlated with each other.
In Support Vector Regressor (SVR), to minimize error, individualizing the hyperplane which maximizes the margin, keeping in mind that part of the error is tolerated.
Random Forest Regressor is collection of decision trees which determines statistical relationship between two or more variables where a change in a dependent variable is associated with, and depends on, a change in one or more independent variables.


Class Files
FilesList(...)
| ... | one or more |
|---|
Files object
Files
(with "s
") class is usally returned by the API call
which returns Files. A group of Files
is defined as FilesList
.
Users do not usually need to construct Files
or FilesList
manually, they are generated from a API call most of the time.
id
character used as file id
name
string used as file name
size
file size
project
project id if any, when returned by a API call, it usually return the project id and stored with the object.
created_on
date created on
modified_on
date modified on
storage
list as storage type
origin
list as origin
tags
list as tags
metadata
a list for metadata associated with the file
url
file download url
parent
parent folder ID
type
"FILE"
or "FOLDER"
description
file description
add_tag(x, ...)
add new tags while keeping old tags
copy_to(project = NULL, name = NULL)
copy a file to a project (id) with new name
copy_to_folder(folder_id, name_new = NULL, ...)
Copy a file to a folder.
create_folder(name, ...)
Create a new folder under the parent folder.
create_marker(
name = NULL,
start = NULL,
end = NULL,
chromosome = NULL,
private = TRUE,
...
)
Create a marker.
download(destfile, ..., method = "curl")
see `help(download.file)` for more options
get_parent_folder()
Get the parent folder object of the current file/folder.
get_parent_folder_id()
Get the parent folder ID of the current file/folder.
list_folder_contents(type = c("file", "folder"), ...)
List folder contents (return files, folders, or both).
marker(id = NULL, ...)
List markers available on a file or get details for a marker.
meta()
get metadata from a file
move_to_folder(folder_id, name_new = NULL, ...)
Move a file to a folder.
setMeta(..., overwrite = FALSE)
Set metadata with provided list, when overwrite is set to TRUE, it overwrites the metadata.
set_meta(..., overwrite = FALSE)
Set metadata with provided list, when overwrite is set to TRUE, it overwrites the metadata.
set_tag(x = NULL, overwrite = TRUE, ...)
set a tag for a file, your tag need to be a list or vector
tag()
get tag from a file
typeof()
Get object type ("file" or "folder").
update(name = NULL, metadata = NULL, tags = NULL)
This call updates the name, the full set metadata, and tags for a specified file.
In the sevenbridges package version <= 1.5.4, the Files
class
inherited from the File
class defined in CWL. To avoid confusion,
in the current implementation, they are defined separately and not
coupled anymore.
Files(id = "test_id", name = "test.bam")#> == Files == #> id : test_id #> name : test.bam


| Total distance | |
| Farthest distance | |
| Maximum speed | |
| Time stationary | |
| Time walking | |
| Time motorized |
Developped by Matthieu Corageoud. My website - My Google profile
Using extensions.js, an extension of the JavaScript language, browser_extension, an extension of the JavaScript for DOM and queue.js, a tool to manage a queue of asynchronous tasks
To display the heatmap, the application must retrieve a large set of records from Google servers. By browsing your history, you already have local records (from to ).
You can do a fresh start by deleting all records stored locally (this will only delete records cached locally in your browser). This is useful if you manage your Latitude history though an other application.
Once you think you have enough data, you can draw the heatmap. For now heatmap is based on location records number and not on the time spent on each location.


Displays a hamburger menu which transitions to a cross button on hover. - Use a `.hamburger-menu` container `div` which contains the top, bottom, and middle bars. - Set the container to `display: flex` with `flex-flow: column wrap`. - Add distance between the bars using `justify-content: space-between`. - Use `transform: rotate()` to rotate the top and bottom bars by 45 degrees and `opacity: 0` to fade the middle bar on hover. - Use `transform-origin: left` so that the bars rotate around the left point.