Press n or j to go to the next uncovered block, b, p or k for the previous block.
| File | Statements | Branches | Functions | Lines | |||||
|---|---|---|---|---|---|---|---|---|---|
| components/backToTop |
|
65.11% | 28/43 | 16.66% | 4/24 | 57.14% | 4/7 | 55.88% | 19/34 |
| components/backToTop/backToTopButton |
|
97.29% | 36/37 | 61.53% | 8/13 | 100% | 3/3 | 96.96% | 32/33 |
| components/backToTop/backToTopButton/styled |
|
100% | 3/3 | 100% | 2/2 | 100% | 0/0 | 100% | 3/3 |
| components/fadeInEntrance |
|
100% | 7/7 | 100% | 0/0 | 100% | 1/1 | 100% | 7/7 |
| components/fadeInEntrance/styled |
|
100% | 7/7 | 100% | 8/8 | 100% | 1/1 | 100% | 6/6 |
| components/logoutRoute |
|
66.66% | 12/18 | 100% | 0/0 | 0% | 0/4 | 70.58% | 12/17 |
| components/navigation |
|
82.92% | 34/41 | 6.66% | 1/15 | 62.5% | 5/8 | 80.55% | 29/36 |
| components/privateRoute |
|
100% | 20/20 | 50% | 1/2 | 100% | 4/4 | 100% | 19/19 |
| components/scrollToTop |
|
100% | 9/9 | 100% | 0/0 | 100% | 1/1 | 100% | 9/9 |
| components/scrollToTop/hooks/useScrollToTopOnLocationChange |
|
77.77% | 7/9 | 0% | 0/3 | 100% | 3/3 | 77.77% | 7/9 |
| config |
|
100% | 4/4 | 100% | 0/0 | 100% | 0/0 | 100% | 4/4 |
| layout/mainLayout |
|
87.5% | 14/16 | 0% | 0/1 | 25% | 1/4 | 87.5% | 14/16 |
| pages/about |
|
100% | 14/14 | 100% | 0/0 | 100% | 3/3 | 100% | 14/14 |
| pages/home |
|
100% | 18/18 | 100% | 0/0 | 100% | 3/3 | 100% | 18/18 |
| pages/home/styled |
|
100% | 6/6 | 100% | 4/4 | 100% | 0/0 | 100% | 6/6 |
| pages/login |
|
70.49% | 43/61 | 5.55% | 1/18 | 44.44% | 4/9 | 69.64% | 39/56 |
| pages/pageNotFound |
|
100% | 15/15 | 100% | 0/0 | 100% | 3/3 | 100% | 15/15 |
| pages/protected |
|
100% | 14/14 | 100% | 0/0 | 100% | 3/3 | 100% | 14/14 |
| redux/modules/userAuth |
|
35.02% | 62/177 | 7.69% | 7/91 | 34.21% | 13/38 | 38.56% | 59/153 |
| services/API |
|
60% | 9/15 | 0% | 0/4 | 0% | 0/2 | 58.33% | 7/12 |
| services/auth |
|
12.37% | 12/97 | 1.33% | 1/75 | 10% | 1/10 | 12.37% | 12/97 |
| services/sw |
|
25% | 3/12 | 0% | 0/2 | 0% | 0/2 | 30% | 3/10 |


What channel is Arsenal vs Wolves on? TV and live stream information
The pressure is growing on Unai Emery and the Arsenal squad and they face another tough test as Wolves visit the Emirates
by Aaron Flanagan, https://www.mirror.co.uk/authors/aaron-flanagan/Arsenal return to Premier League action for the first time since Granit Xhaka’s extraordinary outburst.
But one week on from his expletive-ridden rant, Xhaka will not be in the squad to take on Wolves at the Emirates.
Xhaka sat out of the Carabao Cup thriller with Liverpool on Wednesday night and again will not play a part as Arsenal return to league duties.
Standing in Arsenal’s way are Wolves, who have had an upturn in form following a difficult start to the season.
Here is all you need to know ahead of the game…
When is the game?
The match will be played on Saturday 2 November at 15:00 GMT.
Where is the game being played?
The game is being played at Arsenal ’s home ground, the Emirates Stadium.
What TV channel is the game on?
Due to the Saturday 3pm blackout, the match will not be shown in the UK.
It did not get selected to be moved for TV coverage.
Can you live stream the game?
Due to the lack of TV coverage, there is no available live stream for this match.
Betting odds
- Arsenal: 3/4
- Draw: 11/4
- Wolves: 7/2
Odds courtesy of thepools.com


- All Implemented Interfaces:
- java.lang.Runnable
- Direct Known Subclasses:
- MapDigesterCircleFinderThread
public abstract class CircleFinderThread
extends GenericObservable<java.util.List<CircleFinding>>
implements java.lang.Runnable
Searches in a given image-file for circles. This abstract class implements no
search algorithm but defines the interface for the calculation-method
findCircleCoordinates and the functionality to notify all observers
observing this object with the found circle-data. After an implementation of
the findCircleCoordinates completed, the returning circle findings
are available as an argument in the observers update-method.
- Author:
- Alexander Johr u26865 m18927


About
This project uses a particle simulation to visualize a field of directional vectors. The color of each particle is based on a random point in the uploaded image. It uses Perlin Noise to
construct a field of random (but related) forces in horizontal and vertical directions (that
change over time). The project uses the P5js
library, and is heavily based on this tutorial
series and the corresponding code.
Source code and additional information are available on GitHub.
Source code and additional information are available on GitHub.


These units are based off of Fab Academy 2017, and several years of High School teaching experience...


?6
7
8
9
10
TheNewYork
copyright
reserved
botanical
Garden
SJORK
BOTANICA!.
gardfn
01442680
Mus.
Botan.
Stockho
01442680
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


_Drowning_Mona_ (R) ** (out of ****)
Say what you will about Ben Affleck, but one cannot deny that he has screen presence. The same, however, cannot be said of his younger brother Casey, who is given his biggest opportunity to step out of his Oscar-winning sibling's shadow in _Drowning_Mona_. But his flat performance isn't the only thing that contributes to this dark comedy's overall lack of color.
_Mona_ is an ensemble film, but Affleck's character, mousy landscaper Bobby Calzone, is given the greatest amount of focus. He is a suspect in the murder of the ironically named Mona Dearly (Bette Midler), who was anything but dear to Bobby, who was involved in a business partnership with Mona's dim son Jeff (Marcus Thomas). Then again, Mona wasn't dear to anyone but herself, hence just about everyone in her small town of Verplanck, New York is a suspect: Jeff; Mona's philandering husband, Phil (William Fichtner); Phil's mistress, Rona (Jamie Lee Curtis); and Bobby's fiancée, Ellen (Neve Campbell), who happens to be the daughter of Police Chief Wyatt Rash (Danny DeVito), the leader of the murder investigation.
Among this group are a couple of interesting characters.  But much attention is paid to those considerably less interesting, namely Bobby, who is made even more bland by Affleck's opaque, inexpressive performance. It's not that he had to hype up his portrayal; after all, DeVito does a quietly effective job in his straight-arrow part. It's just that he forgets that even the most "normal" of characters still has some personality, and he doesn't give Bobby any.
But Affleck isn't entirely to blame the drowning of _Mona_; writer Peter Steinfeld and director Nick Gomez do a good (bad) enough job of it on their own. There a few funny scenes and a biting one-liner here and there, but they are outnumbered by the groaners. Steinfeld does pack in a couple of interesting twists along the way, but his story is ultimately done in by a too-contrived resolution, which ends what is supposed to be a dark comedy on an overly pat and sunny note. Then again, the latter can be said about the entire film; it's supposed to be dark and mean-spirited, but it never goes beyond a somewhat dark shade of grey; perhaps the PG-13 rating held more sinister--and possibly funnier--instincts in check?
Regardless of the rating, however, one would expect a comedy to be funny. _Drowning Mona_ is that, but only on occasion. The rest of the time, the film relies on bad wigs (sported by nearly every cast member) and references to cheap Yugo cars for laughs. It's hardly surprising, then, that _Mona_ goes down in a heap long before Mona takes her plunge from a cliff; the real fatal crash happened back in the writing stage.
Michael Dequina<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Mr. Brown's Movie Site: http://welcome.to/mrbrown CinemaReview Magazine: http://www.CinemaReview.com on ICQ: #25289934 | on AOL Instant Messenger: MrBrown23
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Create New Game
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--- layout: page title: About subtitle: Asynchronous QA permalink: /about/ ---
It's just getting started and I'm hoping to have at least one post a week. I imagine it will be busier at the start but aim for one post each week on Saturday.
I've been a professional QA for over tens years and doing QA Volunteer work for longer. I got my toes wet with Popcap Games and fell in love with testing. I keep reading QA blogs and they all seem to be either way below me or way above me. Thus to fill in the middle ground, I've started a blog with encouragement from my advocate.


Documentation
Getting Started
The Apache Clerezza Stack
API docs
FAQ
Project Infos
Downloads
License
Mailing lists
Issue Tracker
Source Repository
Sponsorship
Thanks
Become a Sponsor
Buy Stuff
Thanks
To all who have helped to make Apache Clerezza a reality. Specially we want to thank to:
Apache Software Foundation Sponsors
Confederation’s innovation promotion agency
for financing research
getunik AG
for sponsoring the Clerezza T-Shirts and initial financial donations
unknown?
for sponsoring the Clerezza Website Theme and Logo


Ever wondered how long your builds in Xcode are taking? Here’s a quick way to show the build duration in seconds inside Xcode after each build:
defaults write com.apple.dt.Xcode ShowBuildOperationDuration -bool YES
If you’re looking for something with a bit more control over how the duration is displayed, you should check out Craig Edwards’ BuildMeUp Xcode Plugin.


This tutorial shows a brief example of information that can be easily extracted from the Global Analyses section of BIGNASim portal. For this short tutorial we have selected a very simple study that can be extended to a real and current research: the importance of flanking nucleotides in the flexibility of base-pair steps. The effect of the tetranucleotide environment in the sequence-dependent polymorphism of particular base-pair steps has been the target of recent studies. CG base pair step for example, shows an interesting bimodal behaviour in one of the six helical base-pair step parameters: Twist (P. Dans et al, NAR 2014). In this study, authors claim that the effect of the flanking bases in the CG base pair step is crucial for the existence of two different conformers: High Twist (HT: ~40º) and Low Twist (LT: ~ 20º). Different behaviors are studied and presented for each of the 16 possible tetramers including CG. From these, we chose a couple: ACGC showing almost no bimodality, and GCGA showing a clear bimodality, to illustrate the power of BIGNASim database and its interface. First step in this tutorial is going to the Search section of the portal. It can be accessed through the main menu:
Once in the search page we are going to select all the simulations stored in the database having the first fragment of the pair we have chosen: GCGA. For that, we just type the letters of the nucleotidic fragment in the Search by Sequence area:
In this case, we have more than 40 simulations stored containing this particular fragment. Now, we can choose the ones we are interested in, or just select all of them. For that, the first thing is to show all the results on the screen, using the selector placed at the top left part of the browse page:
Then, with all the trajectories now shown on the screen, we can select them all by clicking at the checkbox placed in the top left part of the table, next to the Id title, or we can click at the Mark All button placed at the bottom of the page.
And finally, clicking at the Retrieve Analysis for the selected simulations at the bottom of the page, we will be redirected to a Global Analyses page, showing the results for our particular GCGA fragment. Now we are here, remember we are interested in studying the possible bimodality showed by the CG base pair step in its Twist parameter when it is surrounded by G and A (GCGA). Then, we need to select the CG button:
From all the possible analyses, we are going to chose Curves:
And, as the Twist parameter is a base-pair step analysis, we are going to chose Helical_bpstep Analysis:
BIGNASim in its current version contains a couple of analysis for each of the six helical base-pair step parameters: one with all the values for each of the snapshots of all the selected simulations, and one with just the time-averaged values for each simulation. We are going to choose the one containing all the possible values for the Twist parameter:
And the result is presented in a histogram plot, with the mean represented in a vertical blue line, and an experimental value represented in a vertical red line, as a reference (see section Experimental Averages of this help).
This histogram is certainly not following a normal distribution. Actually, two different distributions can be easily identified, centered at ~25º and ~35º, in good agreement with the previously presented study P. Dans et al, NAR 2014). But we are interested in seeing the influence of the surrounding bases in the CG base pair step (tetramer influence). So, for that, we are going to repeat all the steps, but now seeking for the fragment ACGC. Remember: Search by Sequence -> Select All -> Open Analysis for the selected simulations.
Once in the Analysis section: CG -> Curves -> Helical_bpstep Analysis -> Twist Analysis. And we should obtain a similar histogram than the previous one, now for the CG base-pair step into the ACGC tetramer:
Now, this histogram do seems to follow a normal distribution, although a shoulder to the low twist conformation can still be identified. The difference between the previous plot and this one, though, are clear: CG base pair steps included in a GCGA tetramer show a clear bimodality in its Twist parameter, whereas the ones included in a ACGC tetramer are more inclined to be in a High Twist conformation. In this short tutorial, we have reproduced one of the results of a published research with just a few clicks. And this is just a brief example of what can be done with BIGNASim portal.


|
Nana - a C++ framework project The Programmer's Guide |
||||||||
|
nana::gui::dragger Description The dragger is a helper class that allows the user to drag windows. If a user presses the mouse on the specified window and moves the mouse, the specified window is dragged. Model of None. Public base classes None. Members
File nana/gui/dragger.hpp Notes 1. The drag target window and trigger window can be set more than one. For example. #include <nana/gui/wvl.hpp> #include <nana/gui/widgets/button.hpp> #include <nana/gui/dragger.hpp> int main() { using namespace nana::gui; form fm; button btn(fm, 10, 10, 100, 20); btn.caption(STR("Drag Me")); form & adherent = form_loader<form>()(); adherent.show(); dragger dg; dg.target(fm); dg.target(adherent); dg.trigger(btn); dg.trigger(adherent); fm.show(); exec(); } This example sets the btn and the adherent to be triggers, and dragger will move the form and adherent when the user is dragging the trigger widgets. See also None. Move to The Nana Programmer's Guide Main Page |
||||||||


Not sure which one you want, look at them all!
See our knives in action.
See one you like?
Read stories and watch video of people who have used our knives
Click here to watch videos
We guarantee our knives will last a lifetime.
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Here you can customize your results by modifying optional tool parameters, change the title of the notebook, and add biological tags. Once you have made the desired changes, click on Generate Notebook to proceed.


latest news
5 reasons to keep your beauty salon resevation
8 march. 2020
5 reasons to keep your beauty salon resevation
8 march. 2020
5 reasons to keep your beauty salon resevation
8 march. 2020


So, what exactly is a change? How is it related to intelligence? These were the first questions that struck me on reading this quote. In layman language, change is referred to as modification. If we think practically, without modifications we would not exist. Everyone in this world fights to survive and this survival rate is directly proportional to how well one can exist with the circumstances one is thrown in. To make things clearer let me give you a very simple example. A man drives every day to his office, as he approaches a red light he needs to slow his car down and eventually stop. What if he doesn’t? His car will crash and the accident could be fatal for him. As the man changes the speed of his car according to his requirements, similarly, we need to alter ourselves, our behavior, according to the situation.
Often we have heard, ”Change is the only thing constant”. When you consider change is inevitable, it is clear that everyone must be proficient in navigating the situation and changing one’s attitude according to it or else the consequences become inevitable. It is impossible to escape change. When a person is unable to navigate in the waters of change, it invites problems and even disasters. No matter what level of formal education one has received, in this world of hardships only those with the ability to change are considered intelligent. Somebody with an IQ of 148 has some serious health problems but decides to ignore them and continue living the way he is. Can he escape death? No, eventually he will die because he decided on not modifying in the face of change i.e he decides to not seek treatment.
To be successful one really needs to change. Have you seen a river? How meandering and winding its course is! Do you know why? Whenever any obstacle comes its way the river either cuts it to make a new course or goes around it. In the end, it finally reaches its destination- the sea. Similarly for a man to be successful, he must not stop his efforts. He must change his strategies and other traits according to his circumstances. It is wiser to go around the object than to be deterred by its formidable height. In life, you find three types of people: the pessimists who complain about the wind, the optimists who expect the wind to change, and the mature and realist who adjust the sails according to the wind.
Why is it that elderly folks are considered as the most mature? It is because throughout their life they have been through many changes and have gained a lot of experience from these changes. Some wise old man once said, “To improve is to change. To be perfect is to change often.”
One can compare life to an untitled book. What do you do when one chapter ends? Do you close the book and never read it again? No, you read the next chapter. We need to remember that it is just another chapter. There will be more chapters after it and finally, when you finish reading the last chapter, the title of the book will reveal itself to you—the life of (your name).


Pressing the "Delete" Button
This test category is intended to verify the requirements associated with pressing the delete button.
-
DELETE-010 - Pressing "Delete", deletes the stock displayed from the portfolio
-
DELETE-020 - Pressing "Delete", when there is nothing on the display does nothing


--- layout: page title: "Real World Haskell, 1st Edition" prev: colophon_split_000.html next: index_split_000.html book_path: books/real-world-haskell-_oeb/ --- {% include JB/setup %} {% raw %}
The animal on the cover of Real World Haskell is a rhinoceros beetle, a species of scarab beetle. Relative to their size, rhinoceros beetles are among the strongest animals on the planet. They can lift up to 850 times their own weight. The average rhino beetle found in the U.S. is about an inch long, but they can grow as long as seven inches.
Rhino beetles have horns on their heads, resembling that of the rhinoceros, hence the name. The size of their horns is related to how much nutrition they had in larva. In some species, the horns are longer than the bodies, and they can grow as many as four or five horns. They use the horns for digging, as well as for fighting for territory and mates.
Rhino beetles thrive on sap and rotting fruit, specifically bananas, apples, and oranges. Their larvae, which takes between 3–5 years to mature, eat decaying wood, compost, and dead leaves—a kind of recycling for the environment.
The cover image is from an unknown source. The cover font is Adobe ITC Garamond. The text font is Linotype Birka; the heading font is Adobe Myriad Condensed; and the code font is LucasFont's TheSans Mono Condensed.


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 4
This dish is low in fat but high in flavour. A perfect one-pan wonder for a weekday supper. (Try adding steamed wholegrain rice if you want a more filling meal.)
This meal is
low calorie
and provides 386 kcal, 23.3g protein, 59.1g carbohydrate (of which 8.7g sugars), 5.2g fat (of which 1.1g saturates), 7.8g fibre and 1.2g salt per portion.
Heat a large frying pan with a flameproof handle over a medium heat and lightly spray with oil. Add the onion, red pepper, garlic and chicken. Cook for 3 minutes, stirring continuously.
Preheat the grill to a hot setting.
Add the chilli powder, rice, beans, tomatoes and stock to the pan. Season to taste with salt and freshly ground black pepper. Bring to the boil, then reduce the heat and simmer for 15 minutes.
Place the pan under the grill and cook until golden.
Divide between four plates, garnish with coriander and serve with lime wedges.


Contributing¶
Contributions are more than welcome!
Types of Contributions¶
Report Bugs or Request Features¶
On github: https://github.com/VersBersh/django-data-validation/issues
If you are reporting a bug, please include:
Your operating system name and version.
Any details about your local setup that might be helpful in troubleshooting.
Detailed steps to reproduce the bug.
Fix Bugs or Implement Features¶
Look through the GitHub issues for bugs/features
There is also a Trello Board with some ideas that i’d like to implement (new idea - migrate trello to github)
Development Setup (Linux)¶
Django-data-validation is developed on Ubuntu-18.04, but will probably work on macOS. If anyone uses this package at all, I might consider making it available on Windows.
Fork the django-data-validation repo on GitHub.
Clone your fork locally
Set up a virtual environment and activate it. Optional: I high recommend pyenv for managing different python versions. pyenv-virtualenv is also a nice way to manage your virtual environments. If using pyenv and virtualenv you can write:
pyenv virtualenv 3.6.9 django-data-validation
source "$PYENV_ROOT/versions/django-data-validation/bin/activate"
run the setup script for development (this will add the pre-commit hooks, install python dependencies, setup node, and add a .pth file to site-packages to make the directories discoverable by python)
cd ./django-data-tests
chmod +x ./setup/dev_setup.sh
./setup/dev_setup.sh
Optional: if you want to use a specific database in the django test project, create a ./test_proj/local_settings.py file with the
DATABAESS
config. I am using postgres, but settings.py will default to sqlite3
Pull Request Guidelines¶
Before you submit a pull request, check that it meets these guidelines:
The pull request should include tests
If the pull request adds functionality, the docs should be updated.
flake8 and pytest are passing


--- layout: post title: fashion (not) friday date: 2011-10-22 18:20:35.000000000 -04:00 type: post published: true status: publish categories: - college - style tags: - american apparel - red pumps - style meta: _edit_last: '1' author: login: sophie email<EMAIL_ADDRESS>display_name: Pika first_name: '' last_name: '' ---
It's not Friday, I know.
But...
It's been a really crazy week.
And my photographer friend has been sick.
And basically...
Just kidding!
Anyway, to make up for my tardiness, here are not just one, but TWO outfits.
The first is my lovely roommate Caroline's:
[caption id="" align="aligncenter" width="375" caption="no citations, sorry, unless I rummage through her closet...which may not turn out so well"][/caption]
It's very indicative of her style: cute but classy!
And here's mine:
[caption id="" align="aligncenter" width="318" caption="top (dress), american apparel; jeggings, forever 21; heels, thrifted"][/caption]
This outfit is composed of three of my favorite items of clothing: jeggings (because why wear pants when you can wear spandex??), the satiny, Italian-made red pumps I got for twenty (TWENTY!) dollars at Housing Works thrift shop this summer, and the absolutely amazing infinity bandeau dress from American Apparel. I swear that dress is magic--you can wear it 15+ ways, even as a top, like I did here! And black never goes out of style. I'm thinking about getting the pencil version, too, for a going-out LBD! Christmas, maybe?


Table of Contents
File System Access
Table of Contents
Inferring local file presence through absolute file:// paths
MacOS and Linux
Windows
Inferring local file presence through symbolic file links
Inferring local file presence through symbolic folder links
File content leaking through XHR and Fetch API
Audio and video content leaking through XHR and Fetch API
File presence checking through timing attacks
Guide
Table of Contents


| < Day Day Up > |
12.2. Version Control ConceptsEach file under version control has a change history that consists of an initial version and a series (or sometimes a branching tree) of subsequent revisions. To make a file version-controlled, you must register it; that is, you must tell the version control system to treat the file contents you're starting with as an initial version and begin maintaining a change history for it.[1]
To change a registered file, in the old days you'd have to check out the file. Doing so notifies the version control system that you're modifying it. Under SCCS and RCS, this would lock the file so that no one else could check it out until you were done (anyone else could still look at it, though). This limitation was one of the major motivations for the development of CVS, the Concurrent Versions System, which doesn't make locks. Instead, it tries to reconcile any concurrent changes at the time that they are committed, as described below. Even so, some developers prefer to configure CVS to keep files locked at the OS level until they consciously decide they want to make changes to one of them; this largely mimics the RCS experience, albeit on a voluntary basis. In a system like SCCS or RCS that uses locking, you may sometimes find that you can't check out a file because someone else has it locked already. Perhaps that person checked it out and wandered away, so that the lock is stale. You may want to steal the lock—that is, seize control of the work file with whatever changes the other person has made and take responsibility for checking in a clean set of changes yourself. (It's bad practice to do this casually!) Again, this hasn't generally been an issue since CVS made concurrent edits a practical option—recall that the "C" in CVS stands for "concurrent." While making changes to your work file (the working copy you've checked out) and experimenting with them, you may decide at any time to revert the work file—that is, to throw away your changes and undo the check-out operation. After you've made changes to your file that you want to keep, you must check in those changes. Doing so adds them permanently to the saved change history as a new revision of the file. Under RCS and SCCS, it also removes the lock on your work file, so that other people can check it out and edit it. Under CVS and Subversion, the file was never locked; instead, the version control system tries to reconcile your changes with any other changes that might have been made since check-out time and yells for help (manual intervention) if it finds conflicts. Because you never really checked the file out in a concurrent system, the standard term for integrating your changes back into such a repository is commit rather than check in. The CVS interface also allows you to call it checking in, to accommodate people who are used to older systems, and that's what Emacs calls it too. The register, check-out, revert, and check-in operations are the basic ones. But you may want to do other things as well. You can also retrieve any saved revision, get a difference report between any two saved versions or any saved version and your (possibly modified) work file, or even completely remove saved revisions that you want to throw away (though this is rare). If conflicts are reported during a check-in operation, Emacs offers to help you resolve them by launching an Ediff session (described at the end of this chapter). If you decide against Ediff, you will see the conflicts as represented within the file by the version control system and you can address them manually or use whatever other tools you find convenient. If you later decide you do want help from Ediff after all, you can use M-x vc-resolve-conflicts Enter while you're editing the conflicted file. Most version control systems (and all the ones we're talking about here) associate change comments with each revision. So each time you check in a registered file, you can add an explanation of the change to the change history, which won't be part of the file itself. Each revision has a revision number, which identifies its place in the history. The base revision in SCCS, RCS, and CVS is 1.1. If the history is a linear sequence of changes (which is typical for small projects), sequence numbers are two numeric fields separated by a dot. Subversion uses a simpler revision numbering scheme with which you're undoubtedly familiar: The first revision is numbered 1, the one that comes after it is 2 . . . subtle, eh? It is possible to start branches so that variant versions of files can be maintained in parallel. In such cases, the main trunk still has two-field revision numbers, but branches have more fields. The exact naming conventions for branches are arcane and different between SCCS and RCS or CVS; if you need to know about them in detail, consult the documentation for your version control system. Once again, this is a whole lot simpler in Subversion, which versions the entire source tree as a unit and supports efficient copies of parts of the tree. In Subversion, a branch is just another directory. There is a lot more to know about version control systems than we go into here, and two excellent O'Reilly books on the topic are: Essential CVS by Jennifer Vesperman and Version Control with Subversion by Ben Collins-Sussman, Brian W. Fitzpatrick, and C. Michael Pilato. |
| < Day Day Up > |


Generator class
Data fetcher, parser and generator
Fetches all country details using companion classes and store each of them in CountryData instance Finally encodes them in json string and writes into target file path, if provided in construtor as named optional parameter
Remember, target file path should be a json file, for which user has write permission, if it's provided
Constructors
- Generator({String targetPath })
Properties
- targetPath ↔ String
-
read / write
- hashCode → int
-
The hash code for this object. [...]
read-only, inherited
- runtimeType → Type
-
A representation of the runtime type of the object.
read-only, inherited
Methods
-
generate(
) → Future< Map< String, Map< >String, String> > - Fetches all country data, encodes to json and write in a target json file, does all heavy lifting [...]
-
noSuchMethod(
Invocation invocation) → dynamic -
Invoked when a non-existent method or property is accessed. [...]
inherited
-
toString(
) → String -
Returns a string representation of this object.
inherited
Operators
-
operator ==(
dynamic other) → bool -
The equality operator. [...]
inherited


Jomhuria is a dark Persian/Arabic and Latin display typeface, suitable for headline and other display usage.
The name means 'republic,' and the spark of inspiration for the design was a stencil of “Shablon” showing just a limited character set just for the Persian language without any marks, vowels or Latin glyphs. Shablon was designed 30 years ago in Iran, and is reinterpreted by Kourosh to incorporate contemporary techniques, aesthetics and of course some personal taste. While inspired by the spirit of Shablon, Jomhuria is a new typeface that stands on its own. The typeface designer Kourosh created an additional original Latin design that is tailored to harmonize with the aesthetics of the Persian/Arabic design.
Being made for big sizes means details matter. The positions of the dots remains faithful to their locations in Persian/Arabic calligraphy; this is an important factor of beauty in the writing system and is key to readability.
The Arabic script was designed by Kourosh Beigpour, and the Latin was designed by Eben Sorkin. The font is engineered by Lasse Fister, and the technicalities build upon those developed by Khaled Hosny for his “Amiri.”
The Latin is scaled to work best with the Arabic component.
The Jomhuria project is led by KB Studio, a type design foundry based in Los Angelese, USA. To contribute, see github.com/Tarobish/Jomhuria


What is BiblioGraph.net?
This site provides a collection of schemas that are used to describe concepts, entities, and relationships for bibliographic and cultural heritage resources and collections, in libraries and associated domains. As an extension to schema.org, BiblioGraph.net adds terms and entities that are particularly relevant and important within these more specific domains.
It is designed to be used by organizations in the bibliographic field to describe resources that they curate, aggregate, describe and reference for local use, or to serve as authoritative hubs of knowledge about these items. Such organizations will benefit from the use of the BiblioGraph.net vocabulary through greater exposure, consumption, sharing, discovery, integration, navigation and display of bibliographic related information across the web.
With schema.org forming its foundation, BiblioGraph.net helps remove data integration barriers by enabling search engines to consume semantic data directly, making it easier for people and systems to find the information they seek. It also helps facilitate the integration of structured data between libraries and other information hubs, providing rich discovery, navigation and browsing experience of resources offered by libraries and associated organizations.
Based on a set of shared principles BiblioGraph.net, initially sponsored by OCLC, is shared with the wider community, with the objective of improving access to, and dissemination and discovery of, the world’s information.
We invite you to get started!
If you have any questions or comments contact info@bibliograph.net.


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This is a brief guide to managing content with the Academic framework. Content can include publications, projects, talks, and news/blog articles. After you have read this guide about creating and managing content, you may also be interested to learn about writing content with Markdown, LaTeX, and Shortcodes.
To enable LaTeX math rendering for a page, you should include math = true
in the page’s +++
preamble, as demonstrated in the included example site. Otherwise, to enable math on the homepage or for all pages, you must globally set math = true
in config.toml
.
To disable source code highlighting by default for all pages, set highlight = false
in config.toml
. You can then enable source code highlighting only on pages that need it by setting highlight = true
in that page’s preamble. See the code-highlighting docs for more details.
To display a featured image in content page headers, the parameters below can be inserted towards the end of a page’s +++
preamble. It is assumed that the image is located in your static/img/
folder, so the full path in the example below will be static/img/headers/getting-started.png
. The caption
parameter can be used to write an image caption or credit.
[header]
image = "headers/getting-started.png"
caption = "Image credit: [**Academic**](https://github.com/gcushen/hugo-academic/)"
If you wish to prevent a featured image automatically being used for a post’s thumbnail on the homepage, the preview = false
parameter can be added to [header]
.
Create a publication
To create a new publication:
hugo new publication/my-paper-name.md
Then edit the default variables at the top of content/publication/my-paper-name.md
to include the details of your publication. The url_
variables are used to generate links associated with your publication, such as for viewing PDFs of papers. Here is an example:
+++
abstract = "An abstract..."
authors = ["First author's name", "Second author's name"]
date = "2013-07-01"
image = ""
image_preview = ""
math = false
publication = "The publishing part of the citation goes here. You may use *Markdown* for italics etc."
title = "A publication title, such as title of a paper"
url_code = ""
url_dataset = ""
url_pdf = "pdf/my-paper-name.pdf"
url_project = ""
url_slides = ""
url_video = ""
+++
Further details on your publication can be written here using *Markdown* for formatting. This text will be displayed on the Publication Detail page.
The url_
links can either point to local or web content. Associated local publication content, such as PDFs, may be copied to a static/pdf/
folder and referenced like url_pdf = "pdf/my-paper-name.pdf"
.
You can also associate custom link buttons with the publication by adding the following block(s) within the variable preamble above, which is denoted by +++
:
[[url_custom]]
name = "Custom Link"
url = "http://www.example.org"
If you enabled detailed_list
for publications in config.toml
, then there are a few more optional variables that you can include in the publication page preamble. You may use abstract_short = "friendly summary of abstract"
and publication_short = "abbreviated publication details"
to display a friendly summary of the abstract and abbreviate the publication details, respectively. Furthermore, there is the option to display a different image on the homepage to the publication detail page by setting image_preview = "my-image.jpg"
. This can be useful if you wish to scale down the image for the homepage or simply if you just wish to show a different image for the preview.
Any double quotes ("
) or backslashes (e.g. LaTeX \times
) occurring within the value of any frontmatter parameter (such as the abstract) should be escaped with a backslash (\
). For example, the symbol "
and LaTeX text \times
become \"
and \\times
, respectively. Refer to the TOML documentation for more info.
Post an article
To create a blog/news article:
hugo new post/my-article-name.md
Then edit the newly created file content/post/my-article-name.md
with your full title and content.
Hugo will automatically generate summaries of posts that appear on the homepage. If you are dissatisfied with an automated summary, you can either limit the summary length by appropriately placing <!--more-->
in the article body, or completely override the automated summary by adding a summary
parameter to the +++
preamble such that:
summary = "Summary of my post."
To disable commenting for a specific post, you can add disable_comments = true
to the post +++
preamble. Or to disable commenting for all posts, you can either set disqusShortname = ""
or disable_comments = true
in config.toml
.
Create a project
To create a project:
hugo new project/my-project-name.md
Then edit the newly created file content/project/my-project-name.md
. Either you can link the project to an external project website by setting the external_link = "http://external-project.com"
variable at the top of the file, or you can add content (below the final +++
) in order to render a project page on your website.
Create a talk
To create a talk:
hugo new talk/my-talk-name.md
Then edit the newly created file content/talk/my-talk-name.md
with your full talk title and details. Note that many of the talk parameters are similar to the publication parameters.
Manage node index pages
The node index pages (e.g. /post/
) are the special pages which list all of your content. They can exist for blog posts, publications, and talks. The homepage widgets will automatically link to the node index pages when you have more items of content than can be displayed in the widget. Therefore, if you don’t have much content, you may not see the automatic links yet - but you can also manually link to them using a normal Markdown formatted link in your content.
You can edit the title and add your own content, such as an introduction, by creating and editing the following content files for the node indexes:
hugo new post/_index.md
hugo new publication/_index.md
hugo new talk/_index.md
Then remove all parameters except for title
, math
, highlight
, and date
. Edit the title
parameter as desired and add any content after the +++
preamble/frontmatter ends. For example, you should have something similar to:
+++
title = "List of my posts"
date = "2017-01-01T00:00:00Z"
math = false
highlight = false
+++
Below is an automatically generated list of all my blog posts!
Removing content
Generally, to remove content, simply delete the relevant file from your content/post
, content/publication
, content/project
, or content/talk
folder.
View your updated site
After you have made changes to your site, you can view it by running the hugo server --watch
command and then opening localhost:1313 in your web browser.
Deploy your site
Finally, you can build the static website to a public/
folder ready for deployment using the hugo
command.
You may then deploy your site by copying the public/
directory (by FTP, SFTP, WebDAV, Rsync, git push, etc.) to your production web server.
Note that running hugo
does not remove any previously generated files before building. Therefore, it’s best practice to delete your public/
directory prior to running hugo
to ensure no old or interim files are deployed to your server.


| DOSE: |
repeated |
oral |
Alcohol |
(liquid) |
I am in charge of the night operations of a small bank in a small state, and as such work the graveyard shift in a brightly lit, climate controlled room, by myself.
This in and of itself is not so bad.
The problem is that I come home from work at 7:30 in the morning and tend to want to indulge in the same indulgences in which I indulged when I was working during the day. In other words, I get pissed drunk before going to bed like I used to, but because of the time of day, I don't go to bed.  I might get a little tired, but I have a few more drinks and smoke a bowl or two and no longer care too much.
Seven PM or so rolls around and I really feel kind of tired, but at that point I'm so drunk that I don't think it's worth it to get a little nap before I go to work. I might sleep for a little bit at work, during down-time, but I hardly get any rest at all. I mean, think about that for a second... People who work normal daytime shifts might get shit-faced when they go home at night, and might only get three hours of sleep before going to work, but at least they do sleep a little. But a person working the third shift has a million reasons to not sleep during the day... I hardly ever do. I get drunk and start cleaning up the house or recording music or writing poetry or, hell, just jerking off or whatever. It just hardly ever seems like the middle of the afternoon is a good time to sleep, I guess.
I worry about myself sometimes. I really believe that I still drink for the fun of it, just because I like being drunk. I don't yet consider myself an alcoholic. But I do notice that when I drink, as I have today, I am less likely to get the rest I need to function properly at work 'the next day'. I do my job perfectly well, but I only get away with showing up half asleep because I'm in the building all by myself. Part of me wonders whether I would get fired for being a substance abuser if I worked under tighter supervision, like during the day.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


copy_term/1
copy_term/1 – make copy of a term
FORMS
copy_term(Term)
DESCRIPTION
copy_term/1 will copy the term Term and unify this copy with Copy. Unbound variables in Term and Copy will not be shared between the two terms.
EXAMPLES
?- copy_term(f(X,g(Y,X)), Z).
X = X
Y = Y
Z = f(_A,g(_B,_A))
yes.
NOTES
copy_term/1 is useful in situations involving destructive assignment. It is useful not
only for the obvious situation of making a copy which is then destructively
modified, but also for avoiding certain problems regarding structures becoming
uninstantiated upon backtracking when using access predicates created with either make_gv/1 or make_hashtable/1. See make_gv/1 for further discussion.
SEE ALSO
make_gv/1, make_hash_table/1, mangle/3.


2048
score
4
5
6
7
normal
hard
very hard
really hard
go big (easy)
go bigger (hard)
burn yourself (very hard)


1. In the top menu there is a list of languages. Click on the one that you would like to translate sentences to.
2. What you see now is a list of the untranslated phrases for the selected language. The left column contains the phrases also called "keys" in the default language which is Swedish in our case. The right column contains the phrases that should be translated to the selected language.
3. To translate a sentence, click on the text in the right side and a text area will appear.
4. Translate the text to the selected language and then click Save translation. If you do not want to save the translation, you can click Cancel. If you think that the translation of this sentence is the same as in the default language, click Mark always as translated and the system will consider this sentence as translated forever.
5. In order for the new translations to take effect you need to submit your translations. You can submit them by clicking Submit translations in the top menu. A list of all the changes that you have done will be shown and you can revise them if you need to. Once you are confident with your translations you can click the Submit button to submit your translations.
Polish also allows you to search for words or parts of words. You can click Search in the top menu. A simple form will appear where you can select your searching criteria.
Polish allows multiple translators to work at the same time in the same language. You are able to see who is currently translating by clicking Status in the top menu. The status panel also contains information about the selected language, such as the total number of phrases, the total number of untranslated phrases, and also who is currently translating the same language, and how many unsubmitted phrases they have.
That's it! Pretty easy right? You can now start using Polish and translate sentences in a cool and easy way! :-)


| Location |
| Located in Lambayeque, about 7 miles (12 km) from Chiclayo |
| Address |
| Av. Juan Pablo y Guzmán S/N Lambayeque, Perú |
| Phone Number |
| (51) (074)-28-3977 or (074)-28-3978 |
| Email Address |
|<EMAIL_ADDRESS>|
| Website |
| museotumbasrealessipan.pe/principal.html |
| Hours |
| Tuesday – Sunday, 9am-5pm |
| Price |
|
Paid at the toll booth upon entering the parking lot Adults-10 Soles Students/Unemployed-4 Soles School Children- 1.50 Soles Parking-1.70 Soles Optional Guide (recommended)- 20.00 Soles (plus tip) for a group up to 15 people |
| English/Spanish tours |
| Yes (Arrange beforehand) |
| Time It Takes |
| With guide, about 1.5-2 hours (plus transportation time) |
| Bathrooms? |
| Yes |
| Gift Shop? |
| Yes. There is a small gift shop at the front of the building where souvenirs, artisan crafts, and snacks can be purchased. In addition, there are small artisan shops behind the museum (hours are irregular) |
| Note |
| No cameras are allowed inside the museum, so you will need to store your things in the safe room before entering. |
| Activities |
| If you have time, visit the buildings behind the museum. Take a look at the native crops growing and maybe even get a look at archaeologists at work cleaning and restoring ancient artifacts. |
Interesting Facts:
-The Moche people believed in gods who were half animal, half man. At the museum, you can see artwork representing these deities– half man, half crab, fish, wolf, etc.
-The Lord of Sipán was buried with several animals, including a dog and llamas!
-Many treasures were taken by grave-robbers before the official discovery of the tombs. However, several artifacts were recovered in the Miami airport by the FBI and are now displayed in a special section of the museum.


The other day after some effort I managed to get my hands on some chemicals with character. I picked up 20mg of 5-Meo-Dipt which I had been trying to get for a while, as well as some high quality blotter hits. Me and my four friends R, K, G, and J decided to make a night of it. I have tried a variety of substances such as Lsd, Lsa, Mushrooms, Ecstacy, Dextromethorphan, Cannabis, Cocaine, Nirous, Ketamine, 5-Meo-Dipt, a wide variety of benzodiazepines and opiates, and also a bunch of herbal highs.
3:30- Me and my four friends are sitting at my house waiting for our trip sitter and driver for the evening. I decide to pre-dose with the foxy, we are planning on eating the acid at 4:20 so i figured i would be coming up on the acid while i was peaking on the foxy.
4:20- Sitting in my house we dose on the acid (I dose with 5 hits). still waiting on or sitter for the evening(I am very much starting to fell the Foxy now it's oddly similar to rush's I get when on mushroooms and ecstacy. R drives to the store to pick up M to drive all us to the local nature preserve.
5:00- We get to the nature preserve, I am starting to feel the acid now. At this time the snow on the ground was making the body load quite noticeable. The walk to the beach was difficult fighting the intoxification the whole way.
5:30- Once I got to the beach I was glad we took the trip, our plan was to watch sunset but it was cloudy. The overcast sky created an erie tone at the beach, at this point everything in my field of vision began to pulsate and morph. The low tide left pools of water that seemed to breath with life, sitting on a large rock the swan looked huge next to my friend. As i stare into the distance clear plasma like patterns scroll arcoss my vision. Some of the amazing visuals of the trip dring this time.
6:30- It is getting dark now, walking through the woods was more difficult this time not being able to see much. When we get back to the car we decide get some weed for the trip. Being in my car and not driving was alittle nerve-racking but the visuals where a good distraction.
7:00- After finally finding a way to get herb we go to pick up, the next hour was spent coming down from the foxy and waiting for bud. The visuals seemed to decrease with the foxy at this time the only memorable moment is when the dirt on the snow started to pump through it like blood through veins.
8:00- We go back to my house and smoke some herb which really helps my visuals. I also start to sip some beers which makes my memory of the the trip more hazy, but i know that between the hours of eight and eleven I had some very creative visuals. My clothing pile began crawling and moving around like snakes which kind of left me shaken, and the nozzles controling the water in the shower above my room started trailing down towards me.
11:30- G,J, and M all leave so me K and R decide to take another hit. At ths point we were alot less intoxicated than before and wanted to get back to where we were before.
12:30- K falls asleep after taking some Lorazepam leaving me and R drinking more heavily feeling the the one hit a little bit. Over the next few hours me and R smoke some weed and wish we could be tripping as hard as before.
2:00- We decide to take some kava kava extract to see if anything happens, with nothing to speak of. So we decide to take some lorazepam and pass out.
This trip was something speacial I really enjoyed this combination. For some reason when I combine hallucinogens I manage to take more away for trips. The only thing is that I think a phenethylamine needs to be added to this combinaton maybe Mda might be good except for the added bodyload may be a problem, o'well.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


This post explains how to build grouped, stacked and percent stacked
barplots with R and
ggplot2. It provides a reproducible example with code for each type. Note
that this
online course has a
dedicated section on barplots using the
geom_bar()
function.
A grouped barplot display a numeric value for a set of entities
split in groups and subgroups. Before trying to build one, check
how to make a
basic barplot
with R
and ggplot2
.
A few explanation about the code below:
value
), and 2 categorical variables for the group
(specie
) and the subgroup (condition
)
levels.
aes()
call, x is the group
(specie
), and the subgroup (condition
)
is given to the fill
argument.
geom_bar()
call,
position="dodge"
must be specified to have the bars
one beside each other.
# library
library(ggplot2)
# create a dataset
<- c(rep("sorgho" , 3) , rep("poacee" , 3) , rep("banana" , 3) , rep("triticum" , 3) )
specie <- rep(c("normal" , "stress" , "Nitrogen") , 4)
condition <- abs(rnorm(12 , 0 , 15))
value <- data.frame(specie,condition,value)
data
# Grouped
ggplot(data, aes(fill=condition, y=value, x=specie)) +
geom_bar(position="dodge", stat="identity")
A stacked barplot is very similar to the grouped barplot above. The subgroups are just displayed on top of each other, not beside.
The only thing to change to get this figure is to switch the
position
argument to stack
.
# library
library(ggplot2)
# create a dataset
<- c(rep("sorgho" , 3) , rep("poacee" , 3) , rep("banana" , 3) , rep("triticum" , 3) )
specie <- rep(c("normal" , "stress" , "Nitrogen") , 4)
condition <- abs(rnorm(12 , 0 , 15))
value <- data.frame(specie,condition,value)
data
# Stacked
ggplot(data, aes(fill=condition, y=value, x=specie)) +
geom_bar(position="stack", stat="identity")
Once more, there is not much to do to switch to a percent stacked
barplot. Just switch to position="fill"
. Now, the
percentage of each subgroup is represented, allowing to study the
evolution of their proportion in the whole.
# library
library(ggplot2)
# create a dataset
<- c(rep("sorgho" , 3) , rep("poacee" , 3) , rep("banana" , 3) , rep("triticum" , 3) )
specie <- rep(c("normal" , "stress" , "Nitrogen") , 4)
condition <- abs(rnorm(12 , 0 , 15))
value <- data.frame(specie,condition,value)
data
# Stacked + percent
ggplot(data, aes(fill=condition, y=value, x=specie)) +
geom_bar(position="fill", stat="identity")
As usual, some customization are often necessary to make the chart look better and personnal. Let’s:
# library
library(ggplot2)
library(viridis)
library(hrbrthemes)
# create a dataset
<- c(rep("sorgho" , 3) , rep("poacee" , 3) , rep("banana" , 3) , rep("triticum" , 3) )
specie <- rep(c("normal" , "stress" , "Nitrogen") , 4)
condition <- abs(rnorm(12 , 0 , 15))
value <- data.frame(specie,condition,value)
data
# Small multiple
ggplot(data, aes(fill=condition, y=value, x=specie)) +
geom_bar(position="stack", stat="identity") +
scale_fill_viridis(discrete = T) +
ggtitle("Studying 4 species..") +
theme_ipsum() +
xlab("")
Small multiple can be used as an alternative of stacking or
grouping. It is straightforward to make thanks to the
facet_wrap()
function.
# library
library(ggplot2)
library(viridis)
library(hrbrthemes)
# create a dataset
<- c(rep("sorgho" , 3) , rep("poacee" , 3) , rep("banana" , 3) , rep("triticum" , 3) )
specie <- rep(c("normal" , "stress" , "Nitrogen") , 4)
condition <- abs(rnorm(12 , 0 , 15))
value <- data.frame(specie,condition,value)
data
# Graph
ggplot(data, aes(fill=condition, y=value, x=condition)) +
geom_bar(position="dodge", stat="identity") +
scale_fill_viridis(discrete = T, option = "E") +
ggtitle("Studying 4 species..") +
facet_wrap(~specie) +
theme_ipsum() +
theme(legend.position="none") +
xlab("")


| templateOptions | Type | defaultValue | Directive | Description |
|---|---|---|---|---|
| groups | Array | Select option list in groups. | ||
| mdContainerClass | String | md-container-class | Class list to get applied to the .md-select-menu-container element (for custom styling). | |
| mdOnClose | Function | md-on-close | Expression to be evaluated when the select is closed. | |
| mdOnOpen | Function | md-on-open | Expression to be evaluated when opening the select. Will hide the select options and show a spinner until the evaluated promise resolves. | |
| options | Array | Select option list. | ||
| placeholder | string | Placeholder hint text. |
| templateOptions | Key | Type | Directive | Description |
|---|---|---|---|---|
| options | className | String | Group class. | |
| label | String | Group label. | ||
| options | Array | Select options in group. |
| templateOptions | Key | Type | Directive | Description |
|---|---|---|---|---|
| options | className | String | class | Option class. |
| disabled | Boolean | ng-disabled | Option class is disabled. | |
| name | String | Select option name. | ||
| ngDisabled | Boolean | ng-disabled | Option class is disabled. | |
| ngClick | Function(options, model) | ng-click | Option class click. | |
| ngClass | Function(options, model) | ng-class | Option change class. | |
| ngValue | Expression | ng-value | Select option model value. | |
| value | Expression | ng-value | Select option model value. |