|
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java.lang.Object com.izforge.izpack.installer.ResourceManager
public class ResourceManager
With this ResourceManager you are able to get resources from the jar file.
All resources are loaded language dependent as it's done in java.util.ResourceBundle. To set a language dependent resource just append '_' and the locale to the end of the Resourcenamecreate
by the installer
and later, the instance is retrieved using getInstance
.
| Field Summary | |
|---|---|
private AutomatedInstallData |
installData
Contains the given InstallData |
private static ResourceManager |
instance
The instance of this class. |
private java.lang.String |
locale
Contains the current language of the installer The locale is taken from InstallData#installData#getAttribute("langpack") If there is no language set, the language is english. |
protected java.lang.String |
resourceBasePath
Internel used resourceBasePath = "/res/" |
java.lang.String |
resourceBasePathDefaultConstant
The base path where to find the resources: resourceBasePathDefaultConstant = "/res/" |
| Constructor Summary | |
|---|---|
protected |
ResourceManager(AutomatedInstallData data)
Constructor. |
| Method Summary | |
|---|---|
static ResourceManager |
create(AutomatedInstallData data)
Create the resource manager. |
javax.swing.ImageIcon |
getImageIconResource(java.lang.String resource)
Returns a laguage dependent ImageIcon for the given Resource |
java.io.InputStream |
getInputStream(java.lang.String resource)
Returns an InputStream contains the given Resource The Resource is loaded language dependen by the informations from this.locale If there is no Resource for the current
language found, the default Resource is given. |
static ResourceManager |
getInstance()
Return the resource manager. |
private java.lang.String |
getLanguageResourceString(java.lang.String resource)
This method is used to get the language dependent path of the given resource. |
java.lang.String |
getLocale()
Returns the locale for the resourcefiles. |
java.lang.String |
getTextResource(java.lang.String resource)
Returns a text resource from the jar file. |
java.lang.String |
getTextResource(java.lang.String resource,
java.lang.String encoding)
Returns a text resource from the jar file. |
java.net.URL |
getURL(java.lang.String resource)
Returns a URL refers to the given Resource |
void |
setDefaultOrResourceBasePath(java.lang.String aDefaultBasePath)
If null was given the Default BasePath "/res/" is set If otherwise the Basepath is set to the given String. |
void |
setLocale(java.lang.String locale)
Sets the locale for the resourcefiles. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
private java.lang.String locale
public final java.lang.String resourceBasePathDefaultConstant
protected java.lang.String resourceBasePath
private AutomatedInstallData installData
private static ResourceManager instance
| Constructor Detail |
|---|
protected ResourceManager(AutomatedInstallData data)
data
- - the current installData| Method Detail |
|---|
public static ResourceManager create(AutomatedInstallData data)
AutomatedInstallData.localeISO3
data
- the installation information
public static ResourceManager getInstance()
public void setDefaultOrResourceBasePath(java.lang.String aDefaultBasePath)
aDefaultBasePath
- If null was given the DefaultBasepath is re/set "/res/"private java.lang.String getLanguageResourceString(java.lang.String resource) throws ResourceNotFoundException
resource
- Resource to load language dependen
ResourceNotFoundException
- If the resource is not foundpublic java.io.InputStream getInputStream(java.lang.String resource) throws ResourceNotFoundException
this.locale
If there is no Resource for the current
language found, the default Resource is given.
resource
- The resource to load
ResourceNotFoundException
- Description of the Exception
ResourceNotFoundException
- thrown if there is no resource foundpublic java.net.URL getURL(java.lang.String resource) throws ResourceNotFoundException
resource
- the resource to load
ResourceNotFoundException
- Description of the Exception
ResourceNotFoundException
- thrown if there is no resource foundpublic java.lang.String getTextResource(java.lang.String resource, java.lang.String encoding) throws ResourceNotFoundException, java.io.IOException
resource
- - a text resource to loadencoding
- - the encoding, which should be used to read the resource
ResourceNotFoundException
- if the resource can not be found
java.io.IOException
- if the resource can not be loadedpublic java.lang.String getTextResource(java.lang.String resource) throws ResourceNotFoundException, java.io.IOException
resource
- - a text resource to load
ResourceNotFoundException
- if the resource can not be found
java.io.IOException
- if the resource can not be loadedpublic javax.swing.ImageIcon getImageIconResource(java.lang.String resource) throws ResourceNotFoundException, java.io.IOException
resource
- resrouce of the Icon
ResourceNotFoundException
- thrown when the resource can not be found
java.io.IOException
- if the resource can not be loadedpublic void setLocale(java.lang.String locale)
locale
- of the resourcefilepublic java.lang.String getLocale()
|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | ||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Contributions of each feedback and atmospheric forcing to polar amplification. a Arctic (60–90N) relative to tropics (30S–30N), and b Antarctic (60–90S) relative to Arctic (60–90N) at year 100 of abrupt CO 2 quadrupling in climate models involved in the fifth phase of the Coupled Model Intercomparison Project (CMIP5). The feedbacks shown are the lapse rate (LR), surface albedo (A), water vapor (WV), cloud (C), and latitudinal variation in the Planck response (P’, local difference from its global-mean value λ0); the additional energetic contributions shown are the CO 2 forcing (CO 2), atmospheric heat transport convergence (ΔAHT) and ocean heat uptake (ΔOHU) (see method section). The feedbacks are expressed as warming contributions to the total temperature change


What Lies Beneath
What would happen if Robert Zemeckis did an impression of M. Night Shyamalan doing an impression of Alfred Hitchcock? "What Lies Beneath" is the answer. It's this year's "The Sixth Sense" only with an all-adult cast and a more intense plot about supposedly happy people who aren't as happy as they seem and when their secrets are revealed the plot gets thicker and suspense ensues.
The problem is it takes the film a really REALLY long time to get to said secrets. The first two thirds are all just build-up without much development of the story. There's practically no second act, it goes straight to the major conflict and then a series of plot twists and action sequences and ends at the climax of the story. There's no epilogue.
So why am I giving this film a positive review? Because it works. It's a thriller that's not dumbed down and a horror movie not about gore. It's the kind of film that doesn't come around that often so we must be appreciative. It's got two of the best actors in showbusiness as the leads (Harrison Ford and Michelle Pfeifer for all of you who have been living underwater for the last year or so). It's directed by a master autuer doing something different from his usual style. He's clearly drawing from Hitchcock and Stanley Kubrick, but they're legends of the film world and Zemeckis is on his way to being one too. In any other director's hands this probably wouldn't have worked.
This is a great movie to see with a packed audience - be prepared to jump out of your seat quite a few times.
GRADE: B
Chad'z Movie Page is back! New reviews of the latest movies in easy-to-swallow capsule form with the trendy, Entertainment Weekly-style of letter grades instead of the old star system. Have I sold out? Visit my page and decide for yourself ;-)
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


I'm Gabi Hoffmann BE. Computer Engineering | FullStack Developer in progress | student at @Rocketseat 🚀


Choose an image:
Processing image data...
Choose pattern
Hexagon pattern
Autumn pattern
Wave pattern
Pill pattern
Color count:
6
Pattern resolution:
20
Color palette
Display:
Colors
Numbers
Lines
Download SVG
Download PNG
Choose new image:


All Classes
AddNewEmployee
AddNewEmployeeController
Admission
AdmissionController
Controller
Database
EmployeeDetails
EmployeeDetailsController
Login
LoginController
Main
MainController
Patient
PatientController
PatientDetails
PatientDetailsController
Payment
PaymentController
Successful
SuccessfulController
TestTreat
TestTreatController
UIFactory
UIFactory.UIName
Unsuccessful
UnsuccessfulController
View


Science Bowl Question Generator
Practice for the National Science Bowl with a database of questions!
{{#if questionDisplayed}}Get Answer{{else}}Get Question{{/if}}
{{#if questionDisplayed}}
Start Timer
{{else}}
Back
{{/if}}
{{#if currentQuestion}} {{#if questionDisplayed}}
{{currentQuestion.level}}/{{currentQuestion.set_name}}/{{currentQuestion.round_name}}/{{currentQuestion.page}}/{{currentQuestion.num}}
{{#if currentQuestion.bonus}}BONUS{{else}}TOSS-UP{{/if}}
{{currentQuestion.category}}
{{currentQuestion.type}}
{{else}}
{{/if}} {{else}} No question to display. Select some additional options. {{/if}}
Enabled Categories
Math
Earth and Space
Chemistry
Biology
Physics
Energy
General
Computer Science
Type
Multiple Choice
Short Answer
Difficulties
HS
MS


contains
operator fun LongRange.contains(other: LongRange): Boolean
Returns true if other range is fully contained inside this range
true
length
val LongRange.length: Long
Length of this LongRange


Issue 6920
: Pretty print for the Command Editor
Steps to reproduce
Enable the Console panel
Open the Command editor
Type:
function test() { return true; }
Click on the
Pretty Print
button
The code should be prettified as follows:
function test() { return true; }


Main Concepts
Classes Are Everywhere - Directives / Components
The directives concept in Angular is very similar to AngularJs, it's :
-
A new behavior on an existing element:
- Uses the @Directive annotation
- Doesn't need a template, as directives for forms management (let's see them later)
Angular has only a few core directives.
/**
* The ngIf directive is used when you want to display or hide an element based on a condition. The
* condition is determined by the result of the expression that you pass into the directive.
*
* If the result of the expression returns a false value, the element will be removed from the DOM.
*/

 b">

/**
* Turns the li element and its contents into a template, and uses that to instantiate a view
* for each item in list.
*/

/**
* Conditionally swaps the contents of the div by selecting one of the embedded templates based on the
* current value of conditionExpression.
*/

 Var is A

 Var is B

Var is C

Var is something else

/**
* Binds the presence of CSS classes on the element to the truthiness of the associated map values.
* The right-hand expression should return {class-name: true/false} map.
*/
.bordered {
border: 1px dashed black;
background-color: #eee;
}

Using object literal. Border {{ isBordered ? "ON" : "OFF" }}

/**
* can also use a list of class names to specify which class names should be added to the element.
*/

This will always have a blue background and round corners

/**
* The NgModel directive specifies a selector of ngModel.
* This means we can attach it to our input tag by adding this sort of attribute: ngModel="whatever".
*/
<input name="username" ngModel > //bind the input value to username
<input [ngModel]="user.username" > //bind the input value to user.username
/**
* Provides two-way data-binding, parsing, and validation for form controls.
*/
<input [(ngModel)]="userName">
<input [ngModel]="user.username" (ngModelChange)="user.username= $event" >
more details angular.io cheatsheet.


Hi folks, these are the interesting things I found during this week.
The Astounding Physics of N95 Masks
Before seeing this video I used to think that N95 masks worked by having the gaps between their fibers be so thin that particulate matter could not cross it. But it is so not the case. Even if you don’t read/see any of the remaining things, still make time to watch this 6 min video. N95 masks are way cooler than I used to think previously.
Window Swap
Feel cooped up in your own home and bored of seeing the same scene outside your window? Try the above website which lets users submit pictures (or ultra-short videos) of scenes from their windows from around the world. It had a calming effect on me. If you can, do submit the scene from your window too (someone might find that captivating).
The World’s Largest Indoor Waterpark
Check out the above video if you want to see how the biggest uninterrupted (no support pillars for the roof) indoor space looks like. It is just a cherry on the top that it happens to be a waterpark, of all things. Fun fact: It is so big to have indoor hot-air balloon rides.
Private Pilot Ground School
If it is your dream too to someday learn to fly planes then this course offered by MIT might be a good way to cover the ground-school part of flight training. They even called some guest experts for extra sessions. My favorite was the one by Lieutenant Colonel Randy Gordon where he explains F-22 flight controls and his experiences in flying fighter jets (https://www.youtube.com/watch?v=Evhrk5tY-Yo).
If you find something interesting and think I should check it out send it over to interesting@varunbarad.com


The following specification describes farfetchd API version 0.1.0.
The client and server both MUST conform to JSON-API.
To obtain a CAPTCHA, the client MUST send a request for GET /fetch.
The farfetchd server SHOULD respond 200 OK and include JSON in the following format:
{ 'data': { 'id': 1, 'type': "fetch", 'version': FARFETCHD_API_VERSION, 'image': CAPTCHA, 'challenge': CHALLENGE, } }
where:
The challenge contains an encrypted-then-HMACed timestamp, and solutions submitted more than 30 minutes after requesting the CAPTCHA are considered invalid.
To propose a solution to a CAPTCHA, the client MUST send a request for POST /check, where the body of the request contains the following JSON:
{ 'data': { 'id': 2, 'type': "check", 'version': FARFETCHD_API_VERSION, 'challenge': CHALLENGE, 'solution': SOLUTION, } }
where:
If the CHALLENGE has already timed out, or if the SOLUTION was incorrect, the server SHOULD respond with 419 No You're A Teapot.
If the SOLUTION was successful for the supplied CHALLENGE, the server responds 200 OK with the following JSON:
{ 'data': { 'id': 3, 'type': "check", 'version': FARFETCHD_API_VERSION, 'result': BOOLEAN, } }
where:
If the client requested some page other than /, /fetch, or /check, the server MUST respond with 501 Not Implemented.
If the client attempts to request POST / or POST /fetch, the server MUST respond 403 FORBIDDEN.


Pair arrested as police swoop in drugs operation in Wishaw street
The man and woman were both from Cheshire and appeared at Hamilton Sheriff Court.
by Wishaw Press, https://www.dailyrecord.co.uk/authors/wishaw-press/A man and a woman were arrested and a substantial amount of drugs seized, during an intelligence-led operation in Wishaw.
Officers recovered the drugs, believed to be cocaine with a street value of around £80,000, in Bentfoot Road yesterday (Wednesday November 20).
The 60-year-old man and the woman, aged 54 years, both from Cheshire are due to appear at Hamilton Sheriff Court today Thursday, November 21.
A report has been submitted to the Procurator Fiscal.
Another man (45) was released pending further enquiries.


What programming language should you learn first?
Type "yes" or "no" in each box to find out!
Enter Your Name:
Do you like pina coladas?
Do you enjoy getting caught in the rain?
Are you into yoga?
Do you have half a brain?
Are you into champagne?
Find my language!
Hey,
! You should try out
!


| Name | Kind | Description |
| Camera | class | |
| cameras | attribute | |
| Color | class | |
| Constraint | class | |
| ConstraintDecorator | class | |
| ConstraintFactories | class | |
| ConstraintManager | class | |
| Constraints | class diagram | |
| Context | class | |
| coords | relation | |
| CordConstaint | class | |
| create | operation | |
| create | operation | |
| create_ | operation | |
| createCamera | operation | |
| createDistanceConstraint | operation | |
| createElement | operation | |
| createElement | operation | |
| createElement_1 | operation | |
| createElement_2 | operation | |
| createGravitationConstraint | operation | |
| createGrid | operation | |
| createLight | operation | |
| createListener | operation | |
| createManagedModel | operation | |
| createMovingPoint | operation | |
| createOggVorbisPlayer | operation | |
| createParentConstraint | operation | |
| createPoint | operation | |
| createRigidBody | operation | |
| createRotationConstraint | operation | |
| createSound | operation | |
| createSoundSource | operation | |
| createStdOpenGlSettings | operation | |
| createTimeConstraint | operation | |
| createTranslationConstraint | operation | |
| createUserDefinedConstraint | operation | |
| currentCam | attribute |


>>
<<
Usr
Pri
JfC
LJ
Phr
Dic
Voc
!:
Help
Primer
Comparative
The dyad = has a result of 1 if its left and right argument are equal, and a result of 0 if they are different.
23 = 34
0
23 = 23
1
a =. 'd'
a = 'c'
0
7 + a = 'c'
7
7 + a = 'd'
8
Some programming languages treat the results of comparative primitives such as = as True and False values that are not numbers. In J the results of comparatives are just numbers.
There are several other comparative verbs: less-than < , less-or-equal <: , larger-than > , and larger-or-equal >: . These comparative primitives are sometimes called relationals.
7 < 8
1
7 < 7
0
7 <: 7
1
>>
<<
Usr
Pri
JfC
LJ
Phr
Dic
Voc
!:
Help
Primer


Contact Us
Email<EMAIL_ADDRESS>Are you a CSUF student that's interested?
Find our booth during beginning of the semester at DiscoverFest, ECS Welcome Fair, or email<EMAIL_ADDRESS>for more info!
Are you a company interested in sponsoring us?
Sponsorships would greatly help us with funding club members' Rocket
certification fees, building our competition rocket, and providing our club
members industry-wide software tools to design rockets.
We would deeply appreciate all sponsorships and would promote the company
to our members and other students through showcasing the company's logo
on our club shirts. We look forward to hearing from you and learning more
about your company! Please email
info@titanrockets.org.


kdig
Advanced DNS lookup utility.
More information: home page
- Lookup the IP(s) associated with a hostname (A records):
kdig example.com
- Specify a specific DNS server to query (e.g. Google DNS):
kdig example.com @<IP_ADDRESS>
- Query a specific DNS record type associated with a given domain name:
kdig example.com A|AAAA|NS|SOA|DNSKEY|ANY
- Lookup the IP(s) associated with a hostname (A records) using DNS over TLS (DoT):
kdig -d @<IP_ADDRESS> +tls-ca +tls-host=dns.google example.com
- Lookup the IP(s) associated with a hostname (A records) using DNS over HTTPS (DoH):
kdig -d @<IP_ADDRESS> +https +tls-hostname=1dot1dot1dot1.cloudflare-dns.com example.com


Welcome!
Let's see a little bit more about me.
At first, I'm a
But when you dig deeper,
About me
I was born in Bogotá in 1998. I've been trying to live my life in such a way I can be as happiest as possible. I've tried to do what I love (maybe this page it's part of it) and I've met wonderful people all along the way (but we're going to focus on that later). Those things have inspired me to show a part of me and I guess this is a little result.
As I said, I've been surrounded with amazing people all along the way and these are just a few moments (and not all the people) I'd like to share with you. With them, my family, I've certainly learnt that if they surround you, they define you (that's why I think I am a great person) and I'm proudly grateful to them all (you can see it because of my constant smile). Even if the whole of life becomes an act of letting go (Yann Martel), they have marked me for life.
My Music
"Music gives a soul to the universe, wings to the mind, flight to the imagination and life to everything". This is not different in my case, so I decided to share some of my top favourite songs with you, dear visitor. Some of these songs gave me energy to finish this web page.
Where do I come from?
Here I will show you some of the places were I have been. In these places I've learnt all what I know and they have given to me the best of my experiences. These are the places where I come from.


The unfunny librarian looks at you strangely. Then her face changes.
"You were the one who gave me that quarter you found in the copy machine! "
That's me—a friend of, well you, is your response.
"You know a real friend would help me find my keys. I swear I just had them." Jessica says, patting herself down.
| Sure! That's what friends are for | ||
| . . . . . | . . . . . | |
| I've got to find the Culinary Arts Coordinator, sorry pal |


TWO MOON JUNCTION A film review by Jeff Meyer Copyright 1988 Jeff Meyer
See at the Seattle Film Festival: TWO MOON JUNCTION (USA, 1988) Director/Screenwriter: Zalman King Cast: Sherilyn Fenn, Richard Tyson, Don Galloway, Juanita Moore, Louise Fletcher, Burl Ives
Right before this film was shown at the Festival, Gary Tucker, ofttimes Festival MC and Seattle Landmark, read a letter from Zalman King apologizing for not being able to be there. In the note, King said (I paraphrase) "Many of the films you've been showing at the festival so far is directed at the audience's head or heart. TWO MOON JUNCTION aims a little lower." No lie. The question is, does such a witty remark and later assertions that he realizes his film is soft-porn fluff give a few extra points on the ol' Moriarty grading scale?
For King, yes. For TWO MOON JUNCTION, no.
It's possible that this film could be seen as camp, or as some type of crossover between a Tennessee Williams play and BLOOD SIMPLE (the photography is over-ingenious), but if so, it's too well hidden. The number of Southern stereotypes here might contribute to that thesis, but again, the comedy needs to be more apparent. But onto what little meat this film provides:
TWO MOON JUNCTION opens with a beautiful young sorority girl (Fenn) returning to her family's Georgia (I think) mansion after graduating from some exclusive Southern college. She's going to marry a handsome fraternity Nazi with a future (especially since her dad is a Senator -- another stereotype, played by the guy who played Ironside's leg-man and JoBeth Williams uptight husband in THE BIG CHILL), and is living at home for one last time. While taking her two sisters to a local carnival, she catches the eye of the carny manager (Tyson), a long-haired, body-built, hunk o' man, and they are immediately sexually attracted to one another. We know this because the soundtrack starts doing this rhythmic heartbeat sound, and we get pseudo-Tangerine Dream music as everything's slllllloooooowwwwwsssss ddddoooowwwnnnnn around them. She accidentally drops her purse, which he retrieves and gives back to her. They touch!  Oh, the humanity!
Later, Senator Dad and Mom and the younger sisters leave Fenn alone in the mansion for the weekend (or as alone as you can be with 20 servants and gardeners). She suddenly hears the shower running upstairs. It's her pal, the carny manager; he's dropped by, entered the house and is taking a quick shower. Lots of muscular skin. Fenn says she's going to call the police. She runs for door. Decides not to open it, though, probably due to that annoying heartbeat tone in the soundtrack. Carny Guy offers to leave if she wants him to; she doesn't say anything, he carries her into the den, lays her down on the rug, turns on the family video camera (boy, is Senator Dad in for a surprise at the next neighborhood home movie showing!), and proceeds to put the Playboy Channel to shame.
Well, the rest of the film follows this general pattern. The wedding approaches, and the girl can't make up her mind if she wants to satisfy her family or her loins. Several more "Heartbeat of America" scenes. To spice up the plot a bit, Louise Fletcher as Fenn's grandmother and ruler of the county (this is the Hollywood version of the South, right? Can you guess what comes next?) decides that the young Carny Guy could seriously screw up her plans for the Master Preppie Race, and sics Burl Ives, the county sheriff (right you are!) on the lad. But True Lust cannot be daunted by adversity (or common sense -- neither of these sweat puppies are appealing for anything other than their sexual stamina)....
Fenn was apparently surgically altered to look as much like Madonna as possible. Tyson reminded me of Christopher Lambert in GREYSTOKE, but Lambert had better lines in his film. Ives and Fletcher grind out their characters as they have for years. Only Jodie Foster (in an uncredited role, at least in my program) adds any life at all, as a drifter who has traveled with Tyson and befriends Fenn, then leaves good-naturedly when she notices the two are jumping into the nearest alcove whenever they're together. Having her name unmentioned in the program credits showed a certain amount of sense, at any rate.
A big-budget, MTV drive-in movie.  Pfffffft.
Moriarty, aka Jeff Meyer INTERNET<EMAIL_ADDRESS>Manual UUCP: {uw-beaver, sun, microsoft}!fluke!moriarty
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Welcome to AT
Accelerator Toolbox for
Matlab
Version 2.0 (March 3, 2018)

ABOUT THE TOOLBOX
Accelerator Toolbox (AT) is a collection of tools to model storage rings and beam transport lines in Matlab.
With AT it is possible to:
- create and manipulate accelerator lattice elements, which are stored in Matlab structures
- track particles through the lattice, selecting the appropriate integrator to represent the physics
- compute accelerator parameters and beam properties, generating new scripts or taking advantage of the existing ones
Examples of things AT enables are: create a lattice structure that links to the integrators, and then to track through the lattice
including non-linear elements, analyze the non-linear motion, change settings to affect parameters, compute equilibrium beam sizes
with radiation, and so on.
The toolbox can be downloaded here.
CONTENTS
The toolbox is divided into 7 parts, arranged by directory:
DOWNLOAD
ABOUT THE DOCUMENTATION
The bulk of this documentation was produced automatically from the
Matlab m-files of the toolbox using m2html.
Disclaimer: AT is made freely available for research
and educational purposes only, and may not be redistributed for
commercial profit. The toolbox is distributed "as is" without
warranty as to the accuracy of the software.


{% extends "main/base.html" %} {% import "manage/form_macro.html" as form_macro %} {% import "bootstrap/wtf.html" as wtf %} {% block main_body %}
{{error}}


Protective Wear is Available. Come Quick.
With the reduction of hand sanitizers, Face masks and Gloves, We have stocked
up on these products to help everyone be safe in the country. Now more than ever, we understand that
you need reliability and support from your community. Our job is to serve our Zambian people during
this time. The health and well-being of our customers and staff is our top priority.
Fresh Organic Food
We've increased hygiene measures for our distribution
centres and delivery partners, and implemented no-contact deliveries.
Oh yeah, it’s that good. See for yourself.
The Fresh fish..... fringilla. Vestibulum id ligula porta felis euismod
semper. Praesent commodo cursus magna, vel scelerisque nisl consectetur. Fusce dapibus, tellus ac cursus
commodo.
Follow these steps & get started today!
Fresh Tomatoes. Juicy as can BE.
The tomatoes we acquire are from our local FAMAI Farms that are located
in Makeni New Farms.


We're working to make your experience even better.
An update is currently underway and what you’re trying to access isn’t available right now. If you need immediate help with your account; we’re available 24/7 to assist you.
1-800-XFINITY
(1-800-934-6489)


Functions | |
| static void | CSL_CPSW_SS_getVersionInfo (CSL_CPSW_SS_VERSION *versionInfo) |
| void | CSL_CPSW_SS_getVersionInfo (CSL_Xge_cpsw_ss_sRegs *hCpswSsRegs, CSL_CPSW_SS_VERSION *versionInfo) |
| void | CSL_CPSW_SS_INTD_getVersionInfo (CSL_cpswRegs_INTD *hCpswIntDRegs, CSL_CPSW_SS_INTD_VERSION *versionInfo) |
| Uint32 | CSL_CPSW_SS_INTD_getEOIVector (CSL_cpswRegs_INTD *hCpswIntDRegs) |
| void | CSL_CPSW_SS_INTD_setEOIVector (CSL_cpswRegs_INTD *hCpswIntDRegs, Uint32 eoiVector) |
| Uint32 | CSL_CPSW_SS_INTD_getEOIIntrVector (CSL_cpswRegs_INTD *hCpswIntDRegs) |
| Uint32 | CSL_CPSW_SS_INTD_getIntrVectorOutPulse (CSL_cpswRegs_INTD *hCpswIntDRegs) |
| void | CSL_CPSW_SS_INTD_setEnableIntrCPSWEventInterrupt (CSL_cpswRegs_INTD *hCpswIntDRegs, Uint32 enable) |
| Uint32 | CSL_CPSW_SS_INTD_getEnableIntrCPSWEventInterrupt (CSL_cpswRegs_INTD *hCpswIntDRegs) |
| void | CSL_CPSW_SS_INTD_setClearIntrCPSWEventInterrupt (CSL_cpswRegs_INTD *hCpswIntDRegs) |
| void | CSL_CPSW_SS_INTD_getStatusIntr (CSL_cpswRegs_INTD *hCpswIntDRegs, CSL_CPSW_SS_INTD_INTRSTATUS *intrStatus) |
| void | CSL_CPSW_SS_INTD_setEnableIntrMdioInterrupt (CSL_cpswRegs_INTD *hCpswIntDRegs, Uint32 enable) |
| Uint32 | CSL_CPSW_SS_INTD_getEnableIntrMdioInterrupt (CSL_cpswRegs_INTD *hCpswIntDRegs) |
| void | CSL_CPSW_SS_INTD_setClearIntrMdioInterrupt (CSL_cpswRegs_INTD *hCpswIntDRegs) |
| void | CSL_CPSW_SS_INTD_setEnableIntrStatInterrupt (CSL_cpswRegs_INTD *hCpswIntDRegs, Uint32 enable) |
| Uint32 | CSL_CPSW_SS_INTD_getEnableIntrStatInterrupt (CSL_cpswRegs_INTD *hCpswIntDRegs) |
| void | CSL_CPSW_SS_INTD_setClearIntrStatInterrupt (CSL_cpswRegs_INTD *hCpswIntDRegs) |
| void | CSL_CPSW_SS_setSGMIIMode (CSL_Xge_cpsw_ss_sRegs *hCpswSsRegs, Uint32 macPortNum, CSL_SGMII_MODE sgmiiModeId) |
| void | CSL_CPSW_SS_getRGMIIStatus (CSL_Xge_cpsw_ss_sRegs *hCpswSsRegs, Uint32 macPortNum, CSL_CPSW_SS_RGMIISTATUS *pRgmiiStatus) |
| Uint32 | CSL_CPSW_SS_getSerdesResetIsolation (CSL_Xge_cpsw_ss_sRegs *hCpswSsRegs) |
| void | CSL_CPSW_SS_setSerdesResetIsolation (CSL_Xge_cpsw_ss_sRegs *hCpswSsRegs, Uint32 resetIso) |
| Uint32 | CSL_CPSW_SS_getQSGMIIControlRdCd (CSL_Xge_cpsw_ss_sRegs *hCpswSsRegs, Uint32 qsgmiiId) |
| void | CSL_CPSW_SS_setQSGMIIControlRdCd (CSL_Xge_cpsw_ss_sRegs *hCpswSsRegs, Uint32 qsgmiiId, Uint32 qsgmiiControlRdCd) |
| Uint32 | CSL_CPSW_SS_getQSGMIIStatusRxSync (CSL_Xge_cpsw_ss_sRegs *hCpswSsRegs, Uint32 qsgmiiId) |
| Uint32 | CSL_CPSW_SS_getXGMIILinkStatus (CSL_Xge_cpsw_ss_sRegs *hCpswSsRegs, Uint32 xgmiiId) |
| Uint32 | CSL_CPSW_SS_getSGMIILinkStatus (CSL_Xge_cpsw_ss_sRegs *hCpswSsRegs, Uint32 sgmiiId) |
| Uint32 CSL_CPSW_SS_getQSGMIIControlRdCd | ( | CSL_Xge_cpsw_ss_sRegs * | hCpswSsRegs, |
| Uint32 | qsgmiiId | ||
| ) |
============================================================================
CSL_CPSW_SS_getQSGMIIControlRdCd
Description
This function returns the QSGMII control register for the given qsgmii
Arguments
qsgmiiId QSGMII (0/1) for which the QSGMII control register is queried *
Return Value
QSGMII control configuration for the given QSGMII id
| Uint32 CSL_CPSW_SS_getQSGMIIStatusRxSync | ( | CSL_Xge_cpsw_ss_sRegs * | hCpswSsRegs, |
| Uint32 | qsgmiiId | ||
| ) |
============================================================================
CSL_CPSW_SS_getQSGMIIStatusRxSync
Description
This function returns the QSGMII status register for the given qsgmii
Arguments
qsgmiiId QSGMII (0/1) for which the QSGMII status register is queried *
Return Value
QSGMII status for the given QSGMII id
| void CSL_CPSW_SS_getRGMIIStatus | ( | CSL_Xge_cpsw_ss_sRegs * | hCpswSsRegs, |
| Uint32 | macPortNum, | ||
| CSL_CPSW_SS_RGMIISTATUS * | pRgmiiStatus | ||
| ) |
============================================================================
CSL_CPSW_SS_getRGMIIStatus
Description
This function returns the RGMII status for the given macPort
Arguments
macPortNum Mac Port for which RGMII status is queried pRgmiiStatus RGMII status to be populated *
Return Value
none
| Uint32 CSL_CPSW_SS_getSerdesResetIsolation | ( | CSL_Xge_cpsw_ss_sRegs * | hCpswSsRegs | ) |
============================================================================
CSL_CPSW_SS_getSerdesResetIsolation
Description
This function returns the Serdes reset isolation configuration
Arguments
none *
Return Value
Serdes Reset isolation value
| Uint32 CSL_CPSW_SS_getSGMIILinkStatus | ( | CSL_Xge_cpsw_ss_sRegs * | hCpswSsRegs, |
| Uint32 | sgmiiId | ||
| ) |
============================================================================
CSL_CPSW_SS_getSGMIILinkStatus
Description
This function returns the SGMII link status register for the given sgmii
Arguments
qsgmiiId QSGMII (0/1) for which the QSGMII status register is queried *
Return Value
SGMII link status for the given SGMII id
|
inlinestatic |
============================================================================
CSL_CPSW_SS_getVersionInfo
Description
This function retrieves the ethernet switch subsystem version information.
Arguments
versionInfo CSL_CPSW_SS_VERSION structure that needs to be populated with the version info read from the hardware. *
Return Value
None
Pre Condition
None
Post Condition
None
Reads
CPSW_5GFSS_S_IDVER_REG_MINOR_VER, CPSW_5GFSS_S_IDVER_REG_MAJOR_VER, CPSW_5GFSS_S_IDVER_REG_RTL_VER, CPSW_5GFSS_S_IDVER_REG_IDENT
Example
CSL_CPSW_SS_VERSION versionInfo; CSL_CPSW_SS_getVersionInfo (&versionInfo);
| void CSL_CPSW_SS_getVersionInfo | ( | CSL_Xge_cpsw_ss_sRegs * | hCpswSsRegs, |
| CSL_CPSW_SS_VERSION * | versionInfo | ||
| ) |
============================================================================
CSL_CPSW_SS_getVersionInfo
Description
This function retrieves the ethernet switch subsystem version information.
Arguments
versionInfo CSL_CPSW_SS_VERSION structure that needs to be populated with the version info read from the hardware. *
Return Value
None
Pre Condition
None
Post Condition
None
Reads
XGE_CPSW_SS_S_IDVER_REG_MINOR_VER, XGE_CPSW_SS_S_IDVER_REG_MAJOR_VER, XGE_CPSW_SS_S_IDVER_REG_RTL_VER, XGE_CPSW_SS_S_IDVER_REG_IDENT
Example
CSL_CPSW_SS_VERSION versionInfo; CSL_CPSW_SS_getVersionInfo (&versionInfo);
| Uint32 CSL_CPSW_SS_getXGMIILinkStatus | ( | CSL_Xge_cpsw_ss_sRegs * | hCpswSsRegs, |
| Uint32 | xgmiiId | ||
| ) |
============================================================================
CSL_CPSW_SS_getXGMIILinkStatus
Description
This function returns the XGMII link status register for the given xgmii
Arguments
xgmiiid XGMII (0/1) for which the XGMII status register is queried *
Return Value
XGMII status for the given XGMII id
| Uint32 CSL_CPSW_SS_INTD_getEnableIntrCPSWEventInterrupt | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs | ) |
============================================================================
CSL_CPSW_SS_INTD_getEnableIntrCPSWEventInterrupt
Description
This function returns flag indicating if the CPSW event interrupt is enabled
Arguments
none *
Return Value
Flag indicating if the interrupt is enabled or not
| Uint32 CSL_CPSW_SS_INTD_getEnableIntrMdioInterrupt | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs | ) |
============================================================================
CSL_CPSW_SS_INTD_getEnableIntrMdioInterrupt
Description
This function returns flag indicating if the MDIO interrupt is enabled
Arguments
none *
Return Value
Flag indicating if the interrupt is enabled or not
| Uint32 CSL_CPSW_SS_INTD_getEnableIntrStatInterrupt | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs | ) |
============================================================================
CSL_CPSW_SS_INTD_getEnableIntrStatInterrupt
Description
This function returns flag indicating if the STAT interrupt is enabled
Arguments
none *
Return Value
Flag indicating if the interrupt is enabled or not
| Uint32 CSL_CPSW_SS_INTD_getEOIIntrVector | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs | ) |
============================================================================
CSL_CPSW_SS_INTD_getEOIIntrVector
Description
This function retrieves the CPSW_SS INTD INTR_VECTOR from INTR_VECTOR_REG
The EOI Interrupt Vector Register captures the active and prioritized interrupts so that software may quickly read the values rather than check every bit in the IP Interrupt Source Register. The exact definition of this register is configuration dependent Arguments
none *
Return Value
intrVector EOI Interrupt Vector value. This has the latest prioritized interrupt values.
| Uint32 CSL_CPSW_SS_INTD_getEOIVector | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs | ) |
============================================================================
CSL_CPSW_SS_INTD_getEOIVector
Description
This function retrieves the CPSW_SS INTD EOI_VECTOR from EOI_REG The EOI Register allows the software to perform an end of interrupt handshake to interrupts with an IP that does not have an EOI register. The EOI handshake allows system interrupts to be re-evaluated for the associate logic with the EOI vector value (to allow multiple logic paths to re-evaluate individually without separate EOI registers). The EOI occurs the cycle after the register is written
Arguments
none *
Return Value
eoiVector
| Uint32 CSL_CPSW_SS_INTD_getIntrVectorOutPulse | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs | ) |
============================================================================
CSL_CPSW_SS_INTD_getIntrVectorOutPulse
Description
This function get the CPSW_SS INTD INTR_VECTOR_REG_OUT_PULSE
Arguments
none *
Return Value
intrVectorOutPulse field from INTR_VECTOR_REG_OUT_PULSE The Interrupt Vector Registers captures the interrupt vector of active and prioritized interrupts for each host based in that hosts' enabled interrupts
| void CSL_CPSW_SS_INTD_getStatusIntr | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs, |
| CSL_CPSW_SS_INTD_INTRSTATUS * | intrStatus | ||
| ) |
============================================================================
CSL_CPSW_SS_INTD_getStatusIntr
Description
This function returns CSL_CPSW_SS_INTD_INTRSTATUS populated with status of various CPSW interrupts
Arguments
intrStatus Interrupt status to be populated *
Return Value
none
| void CSL_CPSW_SS_INTD_getVersionInfo | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs, |
| CSL_CPSW_SS_INTD_VERSION * | versionInfo | ||
| ) |
============================================================================
CSL_CPSW_SS_getIntdVersionInfo
Description
This function retrieves the CPSW_SS INTD information.
Arguments
versionInfo CSL_CPSW_SS_INTD_VERSION structure that needs to be populated with the version info read from the hardware. *
Return Value
None
| void CSL_CPSW_SS_INTD_setClearIntrCPSWEventInterrupt | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs | ) |
============================================================================
CSL_CPSW_SS_INTD_setClearIntrCPSWEventInterrupt
Description
This function clears the CPSW EVENT Interrupt status by writing to the ENABLE_CLR_REG_OUT_PULSE_0 register
Arguments
none *
Return Value
none
| void CSL_CPSW_SS_INTD_setClearIntrMdioInterrupt | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs | ) |
============================================================================
CSL_CPSW_SS_INTD_setClearIntrMdioInterrupt
Description
This function clears the CPSW MDIO Interrupt status by writing to the ENABLE_CLR_REG_OUT_PULSE_0 register
Arguments
none *
Return Value
none
| void CSL_CPSW_SS_INTD_setClearIntrStatInterrupt | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs | ) |
============================================================================
CSL_CPSW_SS_INTD_setClearIntrStatInterrupt
Description
This function clears the CPSW STAT Interrupt status by writing to the ENABLE_CLR_REG_OUT_PULSE_0 register
Arguments
none *
Return Value
none
| void CSL_CPSW_SS_INTD_setEnableIntrCPSWEventInterrupt | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs, |
| Uint32 | enable | ||
| ) |
============================================================================
CSL_CPSW_SS_INTD_setEnableIntrCPSWEventInterrupt
Description
This function enables/disables the CPSW event interrupt
Arguments
enable Flag to enable/disable *
Return Value
none
| void CSL_CPSW_SS_INTD_setEnableIntrMdioInterrupt | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs, |
| Uint32 | enable | ||
| ) |
============================================================================
CSL_CPSW_SS_INTD_setEnableIntrMdioInterrupt
Description
This function enables/disables the MDIO interrupt
Arguments
enable Flag to enable/disable *
Return Value
none
| void CSL_CPSW_SS_INTD_setEnableIntrStatInterrupt | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs, |
| Uint32 | enable | ||
| ) |
============================================================================
CSL_CPSW_SS_INTD_setEnableIntrStatInterrupt
Description
This function enables/disables the STAT interrupt
Arguments
enable Flag to enable/disable *
Return Value
none
| void CSL_CPSW_SS_INTD_setEOIVector | ( | CSL_cpswRegs_INTD * | hCpswIntDRegs, |
| Uint32 | eoiVector | ||
| ) |
============================================================================
CSL_CPSW_SS_INTD_setEOIVector
Description
This function set the CPSW_SS INTD EOI_VECTOR in EOI_REG The EOI Register allows the software to perform an end of interrupt handshake to interrupts with an IP that does not have an EOI register. The EOI handshake allows system interrupts to be re-evaluated for the associate logic with the EOI vector value (to allow multiple logic paths to re-evaluate individually without separate EOI registers). The EOI occurs the cycle after the register is written
Arguments
eoiVector EOI vector to be set *
Return Value
none
| void CSL_CPSW_SS_setQSGMIIControlRdCd | ( | CSL_Xge_cpsw_ss_sRegs * | hCpswSsRegs, |
| Uint32 | qsgmiiId, | ||
| Uint32 | qsgmiiControlRdCd | ||
| ) |
============================================================================
CSL_CPSW_SS_setQSGMIIControlRdCd
Description
This function sets the QSGMII control register for the given qsgmii
Arguments
qsgmiiId QSGMII (0/1) for which the QSGMII control register is set qsgmiiControlRdCd QSMII control configuration *
Return Value
QSGMII control configuration for the given QSGMII id
| void CSL_CPSW_SS_setSerdesResetIsolation | ( | CSL_Xge_cpsw_ss_sRegs * | hCpswSsRegs, |
| Uint32 | resetIso | ||
| ) |
============================================================================
CSL_CPSW_SS_setSerdesResetIsolation
Description
This function sets the serdes reset isolation configuration
Arguments
resetIso Reset isolation configuration to be set *
Return Value
none
| void CSL_CPSW_SS_setSGMIIMode | ( | CSL_Xge_cpsw_ss_sRegs * | hCpswSsRegs, |
| Uint32 | macPortNum, | ||
| CSL_SGMII_MODE | sgmiiModeId | ||
| ) |
============================================================================
CSL_CPSW_SS_setSGMIIMode
Description
This function sets the SGMII mode (fiber or copper) for the given macPort
Arguments
macPortNum Mac Port for which SGMII mode is set sgmiiModeId CSL_SGMII_MODE value *
Return Value
none


--- layout: post title: Hello world! date: type: post published: false status: private categories: [] tags: [] meta: {} author: login: Sandeep email: '' display_name: Sandeep first_name: '' last_name: '' ---
Welcome to WordPress. This is your first post. Edit or delete it, then start blogging!


Femur is me, Luke Phillips.
I like making musical things that anyone can play.
Theremin is a free online synth instrument that makes an array of different sounds. Play it by dragging the cursor or use multiple fingers to fiddle with waveforms, and experiment with the delay, feedback and scuzz sliders.
In the new app version (available for iPhone / iPad and Desktop), you can make layers, record, loop and download creations. The app allows use offline to play live at shows, in the studio or anywhere.
BlokDust is a web-based music making app. By joining blocks together, you can build synthesizers, put effects on your voice, remix & manipulate samples and arrange self-playing musical environments.
As a completely free and open source app, the code is available on Github to learn from, fork and contribute towards. It was made in collaboration with my friends, Luke Twyman from WhiteVinyl and Ed Silverton.
I'm making more videos of my work.
Go to my Youtube to see my apps in use.


Search
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Home
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Course Details
Mentor's Name
e.g. "Ashwin Singh"
Course Title
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- done() - Method in class logic.car.CarOrder
-
returns a boolean holding whether this car order is done or not.
- done() - Method in class logic.car.Order
-
Checks if this order is completed by checking if all its tasks are completed.
- done() - Method in class logic.car.TaskOrder
-
Checks if this task order is completed by checking if all its tasks are completed.
- done() - Method in class logic.workstation.Workstation
-
Checks whether all tasks, of the current order which can be performed on this
workstation, have been completed.
- doTask(String, int) - Method in class controllers.MechanicController
-
Performs the given task if the current mechanic is not null.
- doTask(Task) - Method in class logic.assemblyline.AssemblyLine
-
Completes the task corresponding to the given task.
- doTask(Task) - Method in class logic.users.CarManufacturingCompany
-
Completes the task corresponding to the given task.
- doTask(Task, int) - Method in class logic.users.Mechanic
-
Performs a task if the task is compatible with the active workstation of the mechanic
and tries to move the assembly line.
- doTask(Task) - Method in class logic.workstation.Workstation
-
Lets the chain of workstations perform a task corresponding to the given task.
- DriveTrainPost - Class in logic.workstation
-
Class used to describe a drive train post of an assembly line.
- DriveTrainPost() - Constructor for class logic.workstation.DriveTrainPost
-


ABOUT ME
Inquisitive, energetic computer science specialist skilled in leadership, with a strong foundation in math, logic, and cross-platform coding. Seeking internship to leverage solid skills in collaboration, communication, and development as a programmer.My experience includes 2 years as a software engineer at Tata Consultancy Services,Voluntering as a Data Engineer in non profit organization Assisting with research and analysis of an academic paper on retention and graduation of new enrolments.
PORTFOLIO
Data Engineer volunteer in HomePlate Youth Services Worked as a member of VOICE Dev team, involved in design and development of programs of VOICE and Chorus to migrate and synchronize the data. Provided the Business information to .NET developers from VOICE for Chorus application development. Code Review on frequent basis and make the adjustments accordingly to ensure that no business requirements are missed.
Major related Courses are CS586 : Introduction to Database , CS 588 Cloud & Cluster Data Management, CS 545 Machine Learning,CS 530 Internet, Web, & Cloud Systems,CS 565 Full Stack Web Development, CS 594 Internetworking Protocols
Worked as a member of VOICE Dev team, involved in design and development of programs of VOICE and Chorus to migrate and synchronize the data. Provided the Business information to .NET developers from VOICE for Chorus application development. Code Review on frequent basis and make the adjustments accordingly to ensure that no business requirements are missed.
Worked as a member of VOICE Dev team, involved in design and development of programs of VOICE and Chorus to migrate and synchronize the data.Provided the Business information to .NET developers from VOICE for Chorus application development.Code Review on frequent basis and make the adjustments accordingly to ensure that no business requirements are missed.


'One leg' - Nottingham Forest fans react to Matty Cash £12m link to Everton
The Toffees are said to be "lining up" a £12m move for Cash in January, when the transfer window opens for business
by James PallattNottingham Forest fans have been reacting to Matty Cash being a £12m target for Everton, according to The Sun.
The 22-year-old has been in good form for the Reds so far this season, helping them challenge towards the top of the Championship under new head coach Sabri Lamouchi.
And his performances at the City Ground are said to have attracted the attention of Everton, with the Toffees claimed to be "lining up" a £12m move for Cash in January, when the transfer window opens for business.
The Sun say scouts for the Goodison Park club have watched Cash in action for Lamouchi's Reds this season and "like his versatility as a midfielder and full-back".
Crystal Palace and Southampton are also said to be keeping tabs on Cash, who rose through Forest's academy into the first team.
Here's what Reds fans have been saying...


Once equivalent stresses are calculated, cycle count information is available for creating the level
crossing plots. Following video demonstrates how to do this.
For this, right click on an Equivalent Stress item (or multiple items) and select
Plot Level Crossing;
By default, cycle counts are normalized with spectrum validities. Instead, you can also input the DSG for each level crossing.
Rainflow cycle counts are scaled with the DSG values for generating the plot.
Generated level crossings plot will contain series for each compared spectrum. In order to uniquely identify each spectrum,
the name of the series can include A/C program, A/C section, fatigue mission and rainflow omission levels, depending on the
selected options.


It's not possible to generate a scenario with this configuration. Add nouns/verbs or manage exclusions to create more combinations
Nouns
Verbs
Scenario Generator
Number of scenario steps
Repetition control
Allow repetition and sequences
Steps have to be unique
Steps can repeat but not in sequence
Generate!
#
Step
Actions
Nonsense
Restore
Show Nouns/Verbs
Next Scenario
© 2015
Gojko Adzic
.


Introduction:
Mime is considered one of the earliest mediums of self-expression. Before there was spoken language, mime was used to communicate what the primitive people needed or wanted. Instead of fading into obscurity when the spoken language was developed, mime had become a form of entertainment. The principle mimes were known as ethnologies and the PEARL'15 announces this competition as DEAF AND DUMB in association with INDIAN MIME ACADEMY.
Big write up:
Experiment with the actor within you and let your expressions convey your feelings. Let the silence speak and somebody someday said, actions speak louder than words. Pearl 2015 in associated with The Indian Mime Academy invites you to the event Deaf and Dumb, where language is no barrier.
Event Format:
1. Each team can have a maximum of 10 members. Single performers are also allowed.
2. No lip-synching or audible vocal sounds by the performers are permitted.
3. The performer MUST use pre-recorded non-vocal musical accompaniment or pre-recorded non-vocal sound effects. Performers MUST submit these sound effects by USB Drive
4. Time limit is 9+1 minutes for each performance. Negative points for exceeding the time beyond 10 minutes.
5. No act shall contain any offensive, obscene, disrespectful actions or gestures. The act will be immediately stopped and the entry will be disqualified, if these instructions are not followed.
6. Points will be given on the basis of innovation, depiction of the situation, team work and expressions by judge from INDIAN MIME ACADEMY.
7. Props, costumes or theatrical make-up are allowed.
8. One chair may be used.
Prizes:
1. Training workshop for top two participants of the event.
2. A chance for the finalists to perform in the next act with The Indian Academy of Mime.
PEARL'15 wish you the best luck.
For more details:
Kaushal Raut:
8501926741
SHORT DESCRIPTION:
Charlie Chaplin famously said, "All I need to make a comedy is a park, a policeman and a pretty girl."" If you can find something funny in the dreariest of situations and manage to make a crowd laugh along with you, BITS Pilani Hyderabad invites you to the Spoof competition during Pearl '15. Come be the sun that drives winter from faces!
LONG DESCRIPTION:
The spoof competition at Pearl '15 will be conducted at BITS Pilani Hyderabad campus. This is a continuous event spanning all the three days of Pearl 2015. Interested participants are expected to take a certain well known concept eg. A TV show or a movie and add a dash of humour to without changing the fundamental characters. The spoof may be a satire, a comedy or a parody. The only rule is you have to make people laugh!
RULES:
1. The entire performance should not be more than 10 minutes long.
2. A maximum of 10 members can be on arena at a time however, the team can have extras to provide sounds, etc from off arena they can shuffle with the actors already on stage.
Contact:
Harshit-7730080396
Devesh-9553720585
Short description:
All major uprisings or indeed revolutions have been the consequence of the
snowballing and mobilization of popular opinion through nukkad nataks. In
the dark medieval times, actors were perhaps the most influential figures in
doing just this. Rousing monologues, raw emotions and gripping plots;
deploy all these and more, and become legendary.
Long description:
Nukkad natak, as the name suggests, nukkad means road-side and natak
means play. It is a form of theatrical performance and presentation in
outdoor public spaces without a specific paying audience. These spaces can
be anywhere, including shopping centers, car parks, recreational reserves
and street corners. They are especially seen in outdoor spaces where there
are large numbers of people. Whatever the reason for choosing the street,
the street is a place with a different set of possibilities than the conventional
theatre space.
If you have a desire to inspire people, BITS Pilani Hyderabad campus
provides you with a perfect platform to showcase your talent.
Registration:
On spot registration
Rules:
1. Time Limit - 15 minutes
2. Only 1 team per college is allowed.
3. Only acoustic and percussion instruments will be allowed.
4. Plays will have to deal with the theme "_________"; however you may choose any
sub-topic under it for your play.
5. Plays in English and Hindi are allowed. Please avoid other languages except for very
small lines.
6. No props/costume will be provided.
7. Please stick to the area allotted to the event.
8. Any kind of nudity and excessive profanity is not acceptable.
Pranking someone has always managed to tickle the funny
bone of many a person, and it is believed to be an art form to pull off a perfect prank
in this day and age.
This summer, as BPHC gears up to welcome colleges from around the country to
participate in Pearl, the National Annual Cultural Festival, we – the Dramatics club
are here with a fun event to encourage some creative talent as we look to laugh our
a**es off at the entries we receive.
Event Format -
Round 1 : Make a video, upload it on YouTube, and send the link to
<EMAIL_ADDRESS>by the 6th of March, 2015.
Round 2 : Judges shall look through all the videos and submit a final list of 10 most
funny videos.
Round 3 : An online poll shall be conducted in the end to decide the top two videos
among the ten. Prize money for first prize will be Rs. 1,000 and gets a free entry to
the Pearl pro show, and the second prize gets Rs. 500 and a free entry to the pro
show.
Rules -
1. Only one team per college.
2. The length of the video cannot exceed one minute.
3. Excessive profanity is discouraged.
4. Nudity is prohibited.
Clearly mention your name, your Pearl ID, and the name of your college in the mail.
Disclaimer : Rules are subject to change without prior notice.
The decision of the judges regarding results and the decision of the coordinators in
all matters concerning the event is final and binding upon the participating teams.
Contact: Sai Ram-9705261484
The four vedas were created by Brahma, but the lower cast and ladies were not allowed to study them. So, the myth says, Brahma created the fifth veda called Natyaveda, i.e. the art of drama, which can be studied and practiced by everybody. While creating this natyaveda, Brahma adopted its constituents from four vedas. Recitation was adopted from Rigveda, music and song from Samaveda, histrionics from Yajurveda and sentiments from Atharvaveda. Subordinate vedas called Upavedas were also connected with natyaveda, e.g. Ayurveda was used to show expressions of diseases, their symptoms and certain mental moods etc. as explained by Charaka and Sushruta. Dhanurveda (archery) was made use of in the representation of fights on the stage. Gandharveveda was used in the preliminaries and in the actual performance of drama. Sthapatyaveda (architectural science) was necessary for construction of the playhouse.
Brahma, the Lord of all Creation extracted the requisite elements from the four Vedas and combined them into a fifth Veda and thus gave birth to the art of Drama i.e. Natyaveda. He then handed it to his son, Lord Indra, who in turn passed it to Bharata, a human being, for the Gods cannot indulge in pretence. So, if you believe you have what it takes to please the Gods and keep the audience on the edge of their seat, then come, be a part of the "Odyssey" and honor the "Legends".
Event Format:
This is a pre-registered college event. All members of the team have to first register on the Pearl website and later using your Pearl Ids as a single team for the event.
Format:
Round 1 - Script submission: Brownie points for sending a 7 minute video of your preparation / rehearsals along with the script.
Round 2 - Trailer : Prepare a 10 minute sketch of your play which will be showcased to the judge panel at BITS Hyderabad. The best teams progress to Round 3
Round 3 - Finals : Finalists will showcase their act in the Auditorium, BITS Pilani Hyderabad Campus at Pearl 2015.
Rules :
1. Teams can be of any size; but one only team per college.
2. Teams must have their Pearl ID cards to complete the registration.
3. Time limit - 60 minutes (subject to change) will be counted from 'empty stage to empty stage'.
4. Use of props is highly encouraged. Basic props such as chairs/tables will be provided if informed in advance. Use of any other heavy prop/set needs to be arranged by the team themselves with prior notification to the organising team.
5. Use of fire/water/explosives or any other potential harmful substances is strictly prohibited.
6. Lights will be provided.
7. Sounds – Bring your own laptop with the sounds. Lights and sounds will be played from the soundbox and rehearsal time will be given prior to the final event.
8. The play should be primarily in English / Hindi. Excessive profanities are discouraged.
For script submissions, kindly put the name of the script as the name of the file, and use "Pearl 2015 Natyashastra Prelims" as the subject of the email.
Clearly mention your name, your Pearl ID, and the name of your college in the mail.
Disclaimer : Rules are subject to change without prior notice.
The decision of the judges regarding results and the decision of the coordinators in all matters concerning the event is final and binding upon the participating teams.
Contact:
Harshit-7730080396
Devesh-9553720585
"There is that smaller world which is the stage, and that larger stage which is the world."
- Isaac Goldberg. Mono acting is a very interesting art form which involves both acting as well as intelligence. There is only one place - The stage, where you can be anybody you want. We have all dreamt of going up on the stage and owning it to the dust This PEARL'15, plot the war, conquer the stage, win the battle, own the crowd and be the legend you want to be.
All participants have to first register on the Pearl'15 website and afterwards using your Pearl'15 ID register for this event. Those who haven't registered yet can register on-spot.
Format:
1. Each participant in the preliminary round is allowed 4 + 1 minutes on stage to perform a piece of their choice.
2. The finalists are given a certain piece that is theme related -Odyssey of Legends. They will be issued with the piece at least 24hrs prior to the finals .The top 3 after the finals are placed. The final placing will depend on scores from both rounds.
Rules:
1. The piece must primarily be in English.
2. Participants must adhere to time limit. They may be penalized as per judge's discretion.
3. Participants are required to bring their props (if any) for the preliminary round.
Contact:
1. Gireesh -<PHONE_NUMBER>
2. Vineel -<PHONE_NUMBER>


In the .PRG file you must start a conversation with the server before data is exchanged. To initiate a conversation with Pegaesys, set up a channel to the server in the format:
Channel = DDEInitiate(ServiceName, TopicName)
where
for example:
iCh1 = DDEInitiate("Pegaes", "General")
iCh2 = DDEInitiate("Pegaes", "Commands")
If Pegaesys program is not already running, it must be started. Any convenient Channel name can be used. Multiple channels can be open simultaneously.
You have now started a conversation between FoxPro and Pegaesys which allows you to pass data and commands between them.


| ICT Division | Dhaka, BD |
| LICT Best Project Award (Android) | 2018 |
Received LICT best project award (Android) from Mustafa Jabbar (Honourable Minister - Ministry of Posts, Telecommunication and Information Technology, Govt of Bangladesh). This award was given under the project of LICT. This project made 1600 skilled android developer all over the Bangladesh. Among all of them I was awarded as the best android developer all over the Bangladesh.
| Daffodil International University | Dhaka, BD |
| RIGHT Presents Android Application Contest | 2019 |
The contest held at Daffodil International University at 24th March 2019. The contest was supported by Bangladesh Computer Council (BCC), Organized by RIGHT IT Innovative Organization and Knowledge Partner by Daffodil International University. Total 30 projects were shortlisted for the final contest. Among all of them my project (Medicare) was awarded as the best android project.


Digestive System:
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Circulatory System:
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DNA Points: 200
Home
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Cure Production:
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You Lose!
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Play Again


Say yes if you would like to have a candy.


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TRAVEL WRITING FROM NORTH AFRICA
United by common cultures, religions, and aridity, the countries of North Africa are sometimes known as
The Dry World. Separated from the rest of Africa by the Sahara, and from Europe and the Middle East by
water, the dry world remains a distinct and vivid place in the world.
In these notes about traveling in Morocco, and beyond, I write about food, the history of cheese, and
the idea of personal themes of travel. Follow me through medinas, courtyards and desert landscapes of
the Dry World.
Naini_lake
Nainital Lake, a natural freshwater body, situated amidst the township of Nainital in Uttarakhand State
Chilika_lake
Chilika Lake is a brackish water lagoon, spread over the Puri, Khurda and Ganjam districts of Odisha state


MOTHER A film review by James Berardinelli Copyright 1996 James Berardinelli
RATING (0 TO 10): 7.5 Alternative Scale: *** out of ****
United States, 1996 U.S. Release Date: 12/25/96 (limited), 1/10/97 (wide) Running Length: 1:45 MPAA Classification: PG-13 (Mature themes, mild profanity) Theatrical Aspect Ratio: 1.85:1
Cast: Albert Brooks, Debbie Reynolds, Rob Morrow Director: Albert Brooks Producer: Scott Rudin and Herb Nanas Screenplay: Albert Brooks and Monica Johnson Cinematography: Lajos Koltai Music: Marc Shaiman U.S. Distributor: Paramount Pictures
"There are two kinds of mothers on the planet. The first kind thinks that every single thing their children do is perfect and their children are God's gift to the world. And then there's the other kind. [MOTHER] is about the other kind." -- Albert Brooks
In discussing the pantheon of living American motion picture funny men, names like Jack Lemmon, Billy Crystal, Steve Martin, Robin Williams, and Eddie Murphy are likely to surface. A man who's rarely mentioned, however, is Albert Brooks, one of this country's most underrated comics. Brooks, who started his public life as a standup comedian before moving into writing, directing, and acting in feature films, has done screen work every bit as hilarious as any of the aforementioned names, and his latest effort, MOTHER, proves that he's quite capable of bouncing back from a failure (1994's THE SCOUT, which he co-wrote and starred in, but did not direct).
In the formula-laden playground of modern comedies, MOTHER comes as a breath of fresh air.  Brooks doesn't use the AIRPLANE approach to comedy. His films aren't loaded with hit-and-miss gags. The director/writer strives for quality over quantity, and when he wants the audience to laugh, they generally do so.
MOTHER doesn't have much of a plot. In fact, what little story there is functions mostly as a framing device for two good performances and a stream of rich, intelligent dialogue. Brooks has a keen eye for comedy in normal, natural situations. Much of the humor in this film works because we can relate to it. Regardless of your race, class, or creed, many of the situations represented in MOTHER will have a familiar feel.
Brooks plays John Henderson, a forty year old B-grade science fiction writer (his published books include PLANET SEVEN and PLANET EIGHT) who is going through his second divorce. For John, this is only the latest in a long line of failed relationships. In the words of a friend he meets at a bar (John C. McGinley), "You've gotta know what you're looking for [in a woman], and you don't have a clue." After a great deal of soul-searching, John decides that to better understand women, he needs to investigate his strained relationship with his mother, Beatrice (Debbie Reynolds). So, much to the surprise of his friends and his younger brother, Jeff (Rob Morrow), he decides to move back into his childhood home in Sausalito and live with her. Thus begins an odyssey of mother/son bonding that not even John is prepared for.
It would have been easy for Brooks' script (co-written by Monica Johnson) to treat Mrs. Henderson as a caricature. Most comedies would have opted for that route, I think. The result might have been funny, but it wouldn't have been as meaningful. As the film progresses, Beatrice is allowed to fill out into a full-fledged character, complete with her own desires, dashed hopes, and simmering dreams. We, like John, gradually recognize why she reacts to him the way she does.
Although MOTHER boasts a host of hilarious one-liners, the best moments are the extended episodes that delve into everyday life. One features John's attempt to start an intelligent conversation with a vacuous date (FRIENDS' Lisa Kudrow). There are also the scenes with Mom: a trip to the grocery store, an excursion through the mall, and an afternoon at the zoo. All of these sequences could have been short, but Brooks allows them to develop and play out naturally, letting the comedy bubble to the surface rather than escape in one sudden, contrived explosion.
While Brooks is solid and likable as John, the scene-stealer is Debbie Reynolds, who is taking on her first starring role since the '70s. Reynolds, who is probably best remembered as the leading lady in SINGING IN THE RAIN, sparkles as Beatrice, bringing a quality to this role that will make some motherly aspect instantly recognizable to nearly everyone in the audience. Rob Morrow (LAST DANCE), an actor of limited range and passable talent who hasn't impressed me since his television to film transition, is well-cast as John's obnoxious, shallow brother.
Admittedly, MOTHER has a weak beginning and ending, but the material in between is what makes it worth watching. This probably isn't the funniest or most inventive comedy of the year, but it gets high marks in both categories. From the parody of Simon and Garfunkel's "Mrs. Robinson" to the scenes of Beatrice attempting to work a video- phone, MOTHER represents more than just another carbon-copy, unfunny comedy.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Add new types of scatter [7/09 to 7/30, 3 weeks]
- Investigate characteristics of other types of scatter. Determine which categories will be most useful to researchers, and which categories are well-understood and can be modeled. Look for validation methods.
- Add new categories to the algorithm. Which categories are added will depend on the results of research.
- Test, validate, and document.
Work Log
lorem ipsum


⇐ Colors
CSS and Images ⇒
Anchors
A normal
anchor tag
.
A cool
anchor tag
.
Go back to the
Starting page
.


From the 1976 paper defining the MOG—
"There is a correspondence between the two systems of 35 groups, which is illustrated in Fig. 4 (the MOG or Miracle Octad Generator)." —R.T. Curtis, "A New Combinatorial Approach to M24," Mathematical Proceedings of the Cambridge Philosophical Society (1976), 79: 25-42
Curtis's 1976 Fig. 4. (The MOG.)
The Wikipedia article, like a similar article at PlanetMath, is based on a different definition, from a book first published in 1988—
I have not seen the 1973 Curtis paper, so I do not know whether it uses the 35-sets correspondence definition or the 6×4 array definition. The remarks of Conway and Sloane on page 312 of the 1998 edition of their book about "Curtis's original way of finding octads in the MOG [Cur2]" indicate that the correspondence definition was the one Curtis used in 1973—
Here the picture of "the 35
standard sextets of the MOG"
is very like (modulo a reflection) Curtis's 1976 picture
of the MOG as a correspondence between two 35-sets.
A later paper by Curtis does use the array definition. See "Further Elementary Techniques Using the Miracle Octad Generator," Proceedings of the Edinburgh Mathematical Society (1989) 32, 345-353.
The array definition is better suited to Conway's use of his hexacode to describe octads, but it obscures the close connection of the MOG with finite geometry. That connection, apparent in the phrases "vector space structure in the standard square" and "parallel 2-spaces" (Conway and Sloane, third ed., p. 312, illustrated above), was not discussed in the 1976 Curtis paper. See my own page on the MOG at finitegeometry.org.


| Name | Total Lines | Lines of Code | Total Coverage | Code Coverage |
|---|---|---|---|---|
| spec/controllers/people_controller_spec.rb | 54 | 46 | 98.15%
|
97.83%
|
Code reported as executed by Ruby looks like this...and this: this line is also marked as covered.Lines considered as run by rcov, but not reported by Ruby, look like this,and this: these lines were inferred by rcov (using simple heuristics).Finally, here's a line marked as not executed.
1 require 'D:/Projects/CS169/Rides/spec/spec_helper.rb' |
2 |
3 describe PeopleController do |
4 before(:each) do |
5 @person = create_valid!("Person") |
6 end |
7 |
8 describe "GET index" do |
9 context "when not logged in" do |
10 it "renders the index template" do |
11 get :index |
12 response.should render_template("index") |
13 end |
14 end |
15 |
16 context "when logged in" do |
17 before(:each) do |
18 signin(@person) |
19 end |
20 |
21 it "redirects to the dashboard page" do |
22 get :index |
23 response.should redirect_to(:action => "dashboard") |
24 end |
25 end |
26 end |
27 |
28 describe "GET dashboard" do |
29 context "when not logged in" do |
30 it "redirects to the signin page" do |
31 get :dashboard |
32 response.should redirect_to(:controller => "devise/sessions", :action => "new") |
33 end |
34 end |
35 |
36 context "when logged in" do |
37 before(:each) do |
38 signin(@person) |
39 end |
40 |
41 it "assigns to @upcoming_trips a list of upcoming trips" do |
42 trips = [stub_model(Trip), stub_model(Trip)] |
43 @person.stub(:upcoming_trips).and_return(trips) |
44 get :dashboard |
45 assigns[:upcoming_trips].should eq(trips) |
46 end |
47 |
48 it "renders the dashboard template" do |
49 get :dashboard |
50 response.should render_template("dashboard") |
51 end |
52 end |
53 end |
54 end |
Generated on 2010-11-22 21:31:46 -0800 with rcov 0.9.8


System Management Controller¶
There are several forms of communication between the Embedded Controller and Intel SoC in the system including ACPI, System Management Bus (SMBus), or shared memory. The sections details how the reference code implements the interfaces described in the ACPI specification Chapter 12, to enable communication between the Embedded Controller and BIOS/OS.
This include communication in both directions. Either initiated by BIOS/EC where EC is queried to obtain system information within EC domain (battery, thermal, fan, and so on). Or initiated by EC when a system event detected needs to be notified to OS (button press, thermal event).
This section also describes how this communication mechanism can be extended or modified.
HW interface¶
The most common Embedded Controllers include a host interface that physically connects the EC HW to the SoC host bus and allows a bidirectional communication. Similarly, it supports a bidirectional event mechanism that allows EC to “interrupt” the SoC and vice versa.
The most common host interface architecture in microcontrollers is depicted in ACPI specification Figure 12-70. The figure depicts the interrupts and the ports or ‘ranges’ used by the register interface for communication.
Note that as described in the ACPI specification, there are 2 registers in the interface. EC_SC acts as a status register when read and as command when written. On the other hand, EC_DAT is used to exchange data in both directions.
Operations over these registers are frequently emulated/tunneled through a physical bus. See LPC specification, Section 11.2
SW flow¶
In a nutshell the above register interface is used by BIOS and OS to interact with the EC as depicted below. Refer to ACPI specification Section 12.2 for more details.
When BIOS write to EC_SC one of the predefined values (0x80-0x84) to indicate EC to perform an operation it does using I/O ports 0x66 and 0x62.
Note
In eSPI-enabled system, when the host perform operations over 0x66 and 0x62, the traffic is tunneled over eSPI.
The sequence for predefined EC command processing is as follows:
Host wait for IBF flag on status register to be 0, which indicates interface is free.
Host write to command byte to port 66.
While the transaction is outgoing 3a) Wait until IBF flag becomes 0 again 3b) Write data or address byte to port 62.
To receive data from EC 4a) Wait for OBF flag to be 1, which indicates there is incoming data. 4b) Read data byte from port 62.
Implementation¶
The SMC host module is implemented as a cooperative thread that registers multiple callbacks within different modules to track event in the system.
The most relevant notifications are:
BIOS/EC commands
Host has sent data or command over eSPI bus using HW interface previously described.
Peripheral notifications
Used to be aware of any human interaction with the system that need to be notified to the BIOS/OS.
Host warning notifications
Host has issued a warning for an upcoming platform or host reset.
Queue Mechanism¶
The thread performs periodic checks on above notifications to handle all operations outside of ISR/callback context it follows same pattern as all other tasks where upon notification.
This module uses 2 queues one for incoming data and for outgoing data. A third queue is used to schedule system interrupt notifications towards BIOS/OS.
SCI Notifications¶
In several scenarios, EC is responsible to notify BIOS/OS about asynchronous event in the system, EC modules do enqueue different notifications.
Note
As mentioned before, in eSPI-enabled platform the register interface traffic is tunneled eSPI bus peripheral channel. Similarly, the System Controller Interrupt pin level is transmitted as eSPI virtual wire. Main implication is that SCI queue should be flushed whenever there is a platform reset event.
ACPI Region¶
ACPI standard supports multiple embedded controller in a system, each with its own addressable I/O space or EC ACPI region. Nevertheless, reference HW only has one instance. The region is defined in BIOS ACPI tables and this module defines a memory region that matches byte per byte the fields in that table.
BIOS runtime does implement ACPI methods that request EC read/write operations over this region. i.e. battery status.
Custom EC Commands¶
EC FW framework does extend the command interface defined in ACPI specification to enrich BIOS-EC interaction communication. These custom commands are defined under smchost_codes.h