public abstract class View
extends java.lang.Object
implements java.lang.Runnable
Runnable
| Modifier and Type | Field and Description |
|---|---|
private boolean |
isStarted |
protected int |
playerID |
private java.lang.String |
playerName |
| Constructor and Description |
|---|
View() |
| Modifier and Type | Method and Description |
|---|---|
abstract ClientInterface |
getConnection()
method that provides the caller the connection
|
int |
getPlayerID()
method that provides the caller the id of the player
|
java.lang.String |
getPlayerName()
method that provides the caller the name of the player
|
protected boolean |
isStarted()
method that indicates if the game is started or not
|
abstract void |
setConnection(ClientInterface client)
method that allows to set the connection of the client
|
void |
setNameView(java.lang.String nameView)
method that allows to set the name of the view
|
void |
setPlayerID(int playerID)
method that allows to set the id of the player
|
void |
setStarted(boolean isStarted)
method that allows to set if the game is started or not
|
abstract void |
showBoard(RoundTracker roundTracker,
DraftPool draftPool)
method that allows to show the board of the game
|
abstract void |
showChooseCommand()
method that allows to show to the current player the command to choose
|
abstract void |
showCopperFoilEnd()
method that allows to show the end index for the Copper Foil tool card
|
abstract void |
showCopperFoilStart()
method that allows to show the start index for the CopperFoil tool card
|
abstract void |
showCorkBackedEnd()
method that allows to show the index where to move the dice in the pattern card
|
abstract void |
showCorkBackedPool(int poolSize)
method that allows to show the index of the pool
|
abstract void |
showCurrentRound(int round)
method that allows to show the current round during the game
|
abstract void |
showCurrentTurn()
method that allows to show the current turn during the game
|
abstract void |
showDifficultyRequest()
method that allows to show the difficulty chosen by the player
|
abstract void |
showDraftPool(DraftPool draftPool)
method that allows to show the draft pool
|
abstract void |
showEglomiseEnd()
method that allows to show the end index for the Eglomise tool card
|
abstract void |
showEglomiseStart()
method that allows to show the start index for the Eglomise tool card
|
abstract void |
showEndSinglePlayer(boolean winner,
int playerPoints,
int gameThreshold)
method that allows to show if the player won the game
|
abstract void |
showExitPlayer(java.lang.String playerName)
method that allows to show the player that exited the game
|
abstract void |
showFinalRank(java.util.List<Player> playerList,
boolean ended)
method that allows to show the final rank at the end of the game
|
abstract void |
showFluxBrushRequest(int poolSize)
method that allows to show request for the Flux Brush tool card
|
abstract void |
showFluxRemoverPool(DiceColor color,
int poolSize)
method that allows to show the color of the selected dice e the index of the pool
|
abstract void |
showFluxRemoverValue()
method that allows to show the new value of the selected dice
|
abstract void |
showGameStarted()
method that allows to show that the game is started
|
abstract void |
showGlazingHammerRequest()
method that allows to show request for the Glazing Hammer tool card
|
abstract void |
showGrindingStoneRequest(int poolSize)
method that allows to show the request for Cork Backed tool card
|
abstract void |
showGrozingCommand()
method that allows to show the command to use Grozing tool card
|
abstract void |
showGrozingRequest(int poolSize)
method that allows to show the request for the Grozing tool card
|
abstract void |
showID()
method that allows to show the id of the player
|
abstract void |
showIndexPatternCommand()
method that allows to show the index of the patten where the player wants to move the dice
|
abstract void |
showIndexPoolCommand(int poolSize)
method that allows to show the index of the pool of the dice the player wants to move
|
abstract void |
showInvalidMove(java.lang.String msg)
method that allows to show an invalid move
|
abstract void |
showLathekinEnd()
method that allows to show the first index where to move the dice in Lathekin tool card
|
abstract void |
showLathekinEndTwo()
method that allows to show the second index where to move the dice in Lathekin tool card
|
abstract void |
showLathekinStart()
method that allows to show the first index where to pick up the dice in Lathekin tool card
|
abstract void |
showLathekinStartTwo()
method that allows to show the second index where to pick up the dice in Lathekin tool card
|
abstract void |
showLensCutterDice(java.util.List<java.lang.Integer> round,
int roundIndex)
method that allows to show the dice in the round tracker for the Lens Cutter tool card
|
abstract void |
showLensCutterRequest(int poolSize,
java.util.List<java.lang.Integer> round)
method that allows to show the Lens Cutter tool card request
|
abstract void |
showLensCutterRound(java.util.List<java.lang.Integer> round)
method that allows to show the round of the round tracker for the Lens Cutter tool card
|
abstract void |
showLosers()
method that allows to show the players who lost
|
abstract void |
showMatchError()
method that allows to show that the selected dice isn't right to use the tool card
|
abstract void |
showMaxPlayerLogin()
method that allows to show that the limit of the player reached the maximum
|
abstract void |
showMoveCommand(int poolSize)
method that allows to show to the current player the command to move a dice
|
abstract void |
showName()
method that allows to show the name
|
abstract void |
showNameChoose()
method that allows to show the choise of the name
|
abstract void |
showNameError()
method that allows to show that the current name is not permitted
|
abstract void |
showNameOther(java.lang.String name)
method that allows to show the current name to the other players
|
abstract void |
showNotPermittedReconnection()
method that allows to show that a player can't reconnect to a game because no players exit
|
abstract void |
showOtherCurrentTurn(java.lang.String username)
method that allows to show to the other players, the current turn of the selected player
|
abstract void |
showOtherPattern(PatternCard patternCard,
java.lang.String playerName,
int id)
method that allows to show the pattern during the game
|
abstract void |
showOtherStartPattern(PatternCard patternCard,
int id)
method that allows to show the pattern of the current player to other players
|
abstract void |
showOtherTimer(java.lang.String playerName)
method that allows to show the current player's timer is ended to the other players
|
abstract void |
showPattern(PatternCard patternCard)
method that allows to show the pattern the player chose
|
abstract void |
showPatternList(java.util.List<PatternCard> patternCards)
method that allows to show the list of the pattern cards
|
abstract void |
showPatternUpdate(PatternCard patternCard)
method that allows to show update of a selected pattern card
|
abstract void |
showPrivateCard(PrivateObjectiveCard privateObjectiveCard)
method that allows to show the private card
|
abstract void |
showPrivateSingle(java.util.List<PrivateObjectiveCard> publicList)
method that allows to show the list of the private cards
|
abstract void |
showPublicCard(java.util.List<PublicObjectiveCard> publicList)
method that allows to show the list of the public cards
|
abstract void |
showReconnectPlayer(java.lang.String playerName)
method that allows to show the player that reconnected to the game
|
abstract void |
showReload(Player currPlayer,
boolean singlePlay,
boolean gameStart,
java.util.List<ToolCard> tool,
java.util.List<PublicObjectiveCard> publicCard,
java.util.List<Player> players)
method that allows to reload all the scene of the player who reconnected to the game
|
abstract void |
showRollCommand()
method that allows to show to the current player the command to rool the draft pool
|
abstract void |
showRoundTracker(RoundTracker roundTracker)
method that allows to show the round tracker
|
abstract void |
showRunningPliersEnd()
method that allows to show the index where to move the dice in the pattern card
|
abstract void |
showRunningPliersPool(int poolSize)
method that allows to show the index of the pool
|
abstract void |
showSinglePlayerRequest()
method that allows to show request for the single player mode
|
abstract void |
showStartScene()
method that allows to show the start of a scene
|
abstract void |
showTapWheelEndOne()
method that allows to show the first index where to move the dice in Tap Wheel tool card
|
abstract void |
showTapWheelEndTwo()
method that allows to show the second index where to move the dice in Tap Wheel tool card
|
abstract void |
showTapWheelNumber()
method that allows to show the number of dice the player wants to move
|
abstract void |
showTapWheelStartOne()
method that allows to show the first index where to pick up the dice in Tap Wheel tool card
|
abstract void |
showTapWheelStartTwo()
method that allows to show the second index where to pick up the dice in Tap Wheel tool card
|
abstract void |
showTimer()
method that allows to show the timer is ended to the current player
|
abstract void |
showTokenError()
method that allows to show that tokens isn't enough to use a tool card
|
abstract void |
showTokens(int tokensNumber)
method that allows to show the tokens of a player
|
abstract void |
showToolCards(java.util.List<ToolCard> toolCardList)
method that allows to show the list of tool cards
|
abstract void |
showToolChooseCommand()
method that allows to show the selected tool card by the player
|
abstract void |
showToolCommand(java.util.List<ToolCard> toolCards)
method that allows to show the command of the tool card
|
abstract void |
showToolCostCommand(java.util.List<java.lang.Integer> toolCost,
int indexTool)
method that allows to show the cost of the selected tool card
|
abstract void |
showToolSingleChoose()
method that allows to show the selected tool card by the player
|
abstract void |
showToolSingleCommand(java.util.List<ToolCard> toolList,
int poolSize)
method that allows to show the possiblity to choose a tool card
|
abstract void |
showToolSingleDice()
method that allows to show the selected dice to use the tool card
|
abstract void |
showWinner()
method that allows to show the player who won
|
private java.lang.String playerName
private boolean isStarted
protected int playerID
public java.lang.String getPlayerName()
protected boolean isStarted()
public int getPlayerID()
public void setPlayerID(int playerID)
playerID
- id of the playerpublic void setNameView(java.lang.String nameView)
nameView
- name of the viewpublic void setStarted(boolean isStarted)
isStarted
- booleanpublic abstract ClientInterface getConnection()
public abstract void setConnection(ClientInterface client)
client
- client to setpublic abstract void showID()
public abstract void showGameStarted()
public abstract void showNameChoose()
public abstract void showName()
public abstract void showNameOther(java.lang.String name)
name
- name of the current playerpublic abstract void showNameError()
public abstract void showPrivateCard(PrivateObjectiveCard privateObjectiveCard)
privateObjectiveCard
- private card to showpublic abstract void showPublicCard(java.util.List<PublicObjectiveCard> publicList) throws java.io.IOException
publicList
- list of public cardsjava.io.IOException
- Something goes wrongpublic abstract void showPatternList(java.util.List<PatternCard> patternCards) throws java.io.IOException
patternCards
- list of pattern cardsjava.io.IOException
- Something goes wrongpublic abstract void showPattern(PatternCard patternCard) throws java.io.IOException
patternCard
- pattern chosen by the playerjava.io.IOException
- Something goes wrongpublic abstract void showOtherPattern(PatternCard patternCard, java.lang.String playerName, int id)
patternCard
- pattern card of a playerplayerName
- name of the playerid
- id of the playerpublic abstract void showOtherStartPattern(PatternCard patternCard, int id)
patternCard
- pattern card chosen by the playerid
- id of the playerpublic abstract void showPatternUpdate(PatternCard patternCard)
patternCard
- pattern card of a playerpublic abstract void showTokens(int tokensNumber)
tokensNumber
- number of tokenspublic abstract void showStartScene() throws java.io.IOException
java.io.IOException
- Something goes wrongpublic abstract void showCurrentRound(int round)
round
- int round of the gamepublic abstract void showCurrentTurn()
public abstract void showOtherCurrentTurn(java.lang.String username)
username
- name of the selected playerpublic abstract void showRollCommand()
public abstract void showDraftPool(DraftPool draftPool)
draftPool
- draft pool of the gamepublic abstract void showChooseCommand()
public abstract void showMoveCommand(int poolSize)
poolSize
- size of the poolpublic abstract void showIndexPoolCommand(int poolSize)
poolSize
- size of the poolpublic abstract void showIndexPatternCommand()
public abstract void showToolCommand(java.util.List<ToolCard> toolCards)
toolCards
- list of tool cardspublic abstract void showToolChooseCommand()
public abstract void showToolCostCommand(java.util.List<java.lang.Integer> toolCost, int indexTool)
toolCost
- list of tool card's costsindexTool
- index of the selected toolpublic abstract void showRoundTracker(RoundTracker roundTracker)
roundTracker
- round tracker of the gamepublic abstract void showFinalRank(java.util.List<Player> playerList, boolean ended)
playerList
- list of the playersended
- boolean that indicates if the game is endedpublic abstract void showWinner()
public abstract void showLosers()
public abstract void showTimer()
public abstract void showOtherTimer(java.lang.String playerName)
playerName
- name of the current playerpublic abstract void showToolCards(java.util.List<ToolCard> toolCardList)
toolCardList
- list of tool cardspublic abstract void showTokenError()
public abstract void showGrozingRequest(int poolSize)
poolSize
- size of the poolpublic abstract void showGrozingCommand()
public abstract void showEglomiseStart()
public abstract void showEglomiseEnd()
public abstract void showCopperFoilStart()
public abstract void showCopperFoilEnd()
public abstract void showLathekinStart()
public abstract void showLathekinStartTwo()
public abstract void showLathekinEnd()
public abstract void showLathekinEndTwo()
public abstract void showLensCutterRequest(int poolSize, java.util.List<java.lang.Integer> round)
poolSize
- size of the poolround
- round of the gamepublic abstract void showLensCutterRound(java.util.List<java.lang.Integer> round)
round
- round of the round trackerpublic abstract void showLensCutterDice(java.util.List<java.lang.Integer> round, int roundIndex)
round
- round of the round trackerroundIndex
- index of the roundpublic abstract void showFluxBrushRequest(int poolSize)
poolSize
- size of the poolpublic abstract void showGlazingHammerRequest()
public abstract void showRunningPliersPool(int poolSize)
poolSize
- size of the poolpublic abstract void showRunningPliersEnd()
public abstract void showCorkBackedPool(int poolSize)
poolSize
- size of the poolpublic abstract void showCorkBackedEnd()
public abstract void showGrindingStoneRequest(int poolSize)
poolSize
- size of the poolpublic abstract void showFluxRemoverPool(DiceColor color, int poolSize)
color
- color of the selected dicepoolSize
- index of the poolpublic abstract void showFluxRemoverValue()
public abstract void showTapWheelNumber()
public abstract void showTapWheelStartOne()
public abstract void showTapWheelEndOne()
public abstract void showTapWheelStartTwo()
public abstract void showTapWheelEndTwo()
public abstract void showBoard(RoundTracker roundTracker, DraftPool draftPool)
roundTracker
- round tracker of the gamedraftPool
- draft pool of the gamepublic abstract void showInvalidMove(java.lang.String msg)
msg
- message to showpublic abstract void showSinglePlayerRequest()
public abstract void showDifficultyRequest()
public abstract void showPrivateSingle(java.util.List<PrivateObjectiveCard> publicList)
publicList
- list of private cardspublic abstract void showToolSingleCommand(java.util.List<ToolCard> toolList, int poolSize)
toolList
- list of the tool cardspoolSize
- size of the poolpublic abstract void showToolSingleChoose()
public abstract void showToolSingleDice()
public abstract void showMatchError()
public abstract void showEndSinglePlayer(boolean winner, int playerPoints, int gameThreshold)
winner
- boolean that indicates if the player wonplayerPoints
- total points of the playergameThreshold
- threshold to overcome to winpublic abstract void showMaxPlayerLogin()
public abstract void showExitPlayer(java.lang.String playerName)
playerName
- name of the player who exited the gamepublic abstract void showReconnectPlayer(java.lang.String playerName)
playerName
- name of the player that reconnected to the gamepublic abstract void showNotPermittedReconnection()
public abstract void showReload(Player currPlayer, boolean singlePlay, boolean gameStart, java.util.List<ToolCard> tool, java.util.List<PublicObjectiveCard> publicCard, java.util.List<Player> players)
currPlayer
- current playersinglePlay
- boolean that indicates if the modality is single playergameStart
- boolean that indicates if the game is startedtool
- list of tool cardspublicCard
- list of public cardsplayers
- list of players


unpivotr deals with non-tabular data, especially from spreadsheets. Use unpivotr when your source data has any of these ‘features’:
If that list makes your blood boil, you’ll enjoy the function names.
behead()
deals with multi-headered hydra tables one layer of headers at a time, working from the edge of the table inwards. It’s a bit like using header = TRUE
in read.csv()
, but because it’s a function, you can apply it to as many layers of headers as you need. You end up with all the headers in columns.spatter()
is like tidyr::spread()
but preserves mixed data types. You get into a mixed-data-type situation by delaying type coercion until after the table is tidy (rather than before, like read.csv()
et al). And yes, it usually follows behead()
.More positive, corrective functions:
justify()
aligns column headers before behead()
ing, and has deliberate moral overtones.enhead()
attaches a header to the body of the data, a la Frankenstein. The effect is the same as behead()
, but is more powerful because you can choose exactly which header cells you want, paying attention to formatting (which behead()
doesn’t understand).isolate_sentinels()
separates meaningful symbols like "N/A"
or "confidential"
from the rest of the data, giving them some time alone think about what they’ve done.partition()
takes a sheet with several tables on it, and slashes into pieces that each contain one table. You can then unpivot each table in turn with purrr::map()
or similar.Unpivotr uses data where each cells is represented by one row in a dataframe. Like this.
What can you do with tidy cells? The best places to start are:
Otherwise the basic idea is:
devtools::install_github("tidyverse/readr#760")
.unpivotr::tidy_html()
unpivotr::as_cells()
– this should be a last resort, because by the time the data is in a conventional data frame, it is often too late – formatting has been lost, and most data types have been coerced to strings.behead()
straight away, else dplyr::filter()
separately for the header cells and the data cells, and then recombine with enhead()
.spatter()
so that each column has one data type.
library(unpivotr)
library(tidyverse)
#> ── Attaching packages ─────────────────────────────────────── tidyverse 1.3.1 ──
#> ✔ ggplot2 3.3.5 ✔ purrr 0.3.4
#> ✔ tibble 3.1.2 ✔ dplyr 1.0.7
#> ✔ tidyr 1.1.3 ✔ stringr 1.4.0
#> ✔ readr 1.4.0 ✔ forcats 0.5.1
#> ── Conflicts ────────────────────────────────────────── tidyverse_conflicts() ──
#> ✖ dplyr::filter() masks stats::filter()
#> ✖ dplyr::lag() masks stats::lag()
#> ✖ tidyr::pack() masks unpivotr::pack()
#> ✖ tidyr::unpack() masks unpivotr::unpack()
x <- purpose$`up-left left-up`
x # A pivot table in a conventional data frame. Four levels of headers, in two
#> X2 X3 X4 X5 X6 X7
#> 1 <NA> <NA> Female <NA> Male <NA>
#> 2 <NA> <NA> 0 - 6 7 - 10 0 - 6 7 - 10
#> 3 Bachelor's degree 15 - 24 7000 27000 <NA> 13000
#> 4 <NA> 25 - 44 12000<PHONE_NUMBER> 81000
#> 5 <NA> 45 - 64 10000 64000 7000 66000
#> 6 <NA> 65+ <NA> 18000 7000 17000
#> 7 Certificate 15 - 24 29000<PHONE_NUMBER>0 190000
#> 8 <NA> 25 - 44 34000<PHONE_NUMBER>0 219000
#> 9 <NA> 45 - 64 30000<PHONE_NUMBER>0 199000
#> 10 <NA> 65+ 12000 77000 8000 107000
#> 11 Diploma 15 - 24 <NA> 14000 9000 11000
#> 12 <NA> 25 - 44 10000 66000 8000 47000
#> 13 <NA> 45 - 64 6000 68000 5000 58000
#> 14 <NA> 65+ 5000 41000 1000 34000
#> 15 No Qualification 15 - 24 10000 43000 12000 37000
#> 16 <NA> 25 - 44 11000 36000 21000 50000
#> 17 <NA> 45 - 64 19000 91000 17000 75000
#> 18 <NA> 65+ 16000<PHONE_NUMBER> 66000
#> 19 Postgraduate qualification 15 - 24 <NA> 6000 <NA> <NA>
#> 20 <NA> 25 - 44 5000 86000 7000 60000
#> 21 <NA> 45 - 64 6000 55000 6000 68000
#> 22 <NA> 65+ <NA> 13000 <NA> 18000
# rows and two columns.
y <- as_cells(x) # 'Tokenize' or 'melt' the data frame into one row per cell
y
#> # A tibble: 132 x 4
#> row col data_type chr
#> <int> <int> <chr> <chr>
#> 1 1 1 chr <NA>
#> 2 2 1 chr <NA>
#> 3 3 1 chr Bachelor's degree
#> 4 4 1 chr <NA>
#> 5 5 1 chr <NA>
#> 6 6 1 chr <NA>
#> 7 7 1 chr Certificate
#> 8 8 1 chr <NA>
#> 9 9 1 chr <NA>
#> 10 10 1 chr <NA>
#> # … with 122 more rows
rectify(y) # useful for reviewing the melted form as though in a spreadsheet
#> # A tibble: 22 x 7
#> `row/col` `1(A)` `2(B)` `3(C)` `4(D)` `5(E)` `6(F)`
#> <int> <chr> <chr> <chr> <chr> <chr> <chr>
#> 1 1 <NA> <NA> Female <NA> Male <NA>
#> 2 2 <NA> <NA> 0 - 6 7 - 10 0 - 6 7 - 10
#> 3 3 Bachelor's degree 15 - 24 7000 27000 <NA> 13000
#> 4 4 <NA> 25 - 44 12000<PHONE_NUMBER> 81000
#> 5 5 <NA> 45 - 64 10000 64000 7000 66000
#> 6 6 <NA> 65+ <NA> 18000 7000 17000
#> 7 7 Certificate 15 - 24 29000<PHONE_NUMBER>0 190000
#> 8 8 <NA> 25 - 44 34000<PHONE_NUMBER>0 219000
#> 9 9 <NA> 45 - 64 30000<PHONE_NUMBER>0 199000
#> 10 10 <NA> 65+ 12000 77000 8000 107000
#> # … with 12 more rows
y %>%
behead("up-left", "sex") %>% # Strip headers
behead("up", "life-satisfication") %>% # one
behead("left-up", "qualification") %>% # by
behead("left", "age-band") %>% # one.
select(-row, -col, -data_type, count = chr) %>% # cleanup
mutate(count = as.integer(count))
#> # A tibble: 80 x 5
#> count sex `life-satisfication` qualification `age-band`
#> <int> <chr> <chr> <chr> <chr>
#> 1 7000 Female 0 - 6 Bachelor's degree 15 - 24
#> 2 12000 Female 0 - 6 Bachelor's degree 25 - 44
#> 3 10000 Female 0 - 6 Bachelor's degree 45 - 64
#> 4 NA Female 0 - 6 Bachelor's degree 65+
#> 5 27000 Female 7 - 10 Bachelor's degree 15 - 24
#> 6 137000 Female 7 - 10 Bachelor's degree 25 - 44
#> 7 64000 Female 7 - 10 Bachelor's degree 45 - 64
#> 8 18000 Female 7 - 10 Bachelor's degree 65+
#> 9 NA Male 0 - 6 Bachelor's degree 15 - 24
#> 10 9000 Male 0 - 6 Bachelor's degree 25 - 44
#> # … with 70 more rows
Note the compass directions in the code above, which hint to behead()
where to find the header cell for each data cell.
"up-left"
means the header (Female
, Male
) is positioned up and to the left of the columns of data cells it describes."up"
means the header (0 - 6
, 7 - 10
) is positioned directly above the columns of data cells it describes."left-up"
means the header (Bachelor's degree
, Certificate
, etc.) is positioned to the left and upwards of the rows of data cells it describes."left"
means the header (15 - 24
, 25 - 44
, etc.) is positioned directly to the left of the rows of data cells it describes.
# install.packages("devtools") # If you don't already have devtools
devtools::install_github("nacnudus/unpivotr", build_vignettes = TRUE)
The version 0.4.0 release had somee breaking changes. See NEWS.md
for details. The previous version can be installed as follow:
devtools::install_version("unpivotr", version = "0.3.1", repos = "http://cran.us.r-project.org")
unpivotr is inspired by Databaker, a collaboration between the United Kingdom Office of National Statistics and The Sensible Code Company. unpivotr.
jailbreaker attempts to extract non-tabular data from spreadsheets into tabular structures automatically via some clever algorithms. unpivotr differs by being less magic, and equipping you to express what you want to do.


InsanityBot is a modern discord bot built on top of C#, .NET 5 and DSharpPlus 4. It is found here.
InsanityBot is a selfhost bot - which means you have to supply your own token and hosting space, which is inconvenient, but it means you have full control over the bot. Want to modify important files manually? Go for it!
It is intended to be easy and straightforward to use, as well as providing an unheard of amount of control for advanced users. It is currently under heavy development, but we’re doing our best to keep releases stable.
Roadmaps are found here.
Documentation is found here.
We also have plans to make our own Discord API wrapper. It will be found here and documented here.


| 1218 | (A) | No grettere than a grewehownde to grippe in the myddis |
| 1221 | (C) | No grettur þenne a grehounde . to grype in þe myddełł |
| 1204 | (D) | No gretter þan a grehound þan to gripe in þe myddis |
| 1181 | (E) | were as smal as grehoundes . to grype in þe myddes |
| (Ex) | ---- no text ---- | |
| 1246 | (L) | No gretter þan a grehounde to grype on þe medil |
| (P) | ---- no text ---- | |
| 1189 | (U) | No gretter then a grehounde / to grype in the myddes |
| 282 | (V) | were no gretter þanne a grehonde . to gripe in þe middell |


The Kiel Canal, or Nord-Ostsee Kanal, runs 53 miles (99 km) NW from Brunsbuttel on the River Elbe, to Kiel on the Baltic coast. It is over 100m wide and 11m deep and has a clearance of 40m.
A Navigation Handbook giving rules for the canal can be downloaded.
Permission to enter the canal must be requested as follows:-
At Brunsbuttel: "Kiel Kanal 1" on VHF ch. 13
At Kiel-Holtenau: "Kiel Kanal 4" on VHF ch. 12
During transit of the canal, a listening watch should be kept on each of the above channels when approaching the locks, on ch. 02 ("Kiel Kanal 2") between Brunsbuttel and Breiholz, and on ch. 03 from Breiholz to Kiel ("Kiel Kanal 3").
The cost of transit is about 55 euro and is paid, at the Kiel end only, to the lock master (Old lock) or at the newspaper stand (New lock). This kiosk also sells charts.
Apart from at Brunsbuttel and Holtenau, there are five berthing places (weichen) where it is possible for yachts to spend the night (moving at night is not permitted). They are located in sidings
and are reasonably sheltered from wash. Yachts will not be locked into the canal unless they have time to reach one of these berthing places before dark.
Canal website www.kiel-canal.org


Here you can integrate experimental data and metadata to enrich your projects or your studies. Use these datafiles to create or describe your experimental design, your observations units, and many more.
Here you can create a datafile skeleton by simply paste Sutdy unique IDs. For each study IDs, a study will b i,ntegrrated in your project. Use these datafiles later, to create or describe your experimental design, your observations units, and many more.


[§201-83] Rules. The department may adopt rules in accordance with chapter 91 for the purposes of this part. [L 1988, c 366, pt of §1]
Revision Note
"Part" substituted for "chapter" pursuant to §23G-15.


While our Community partner level is FREE to developers and provides access to the Blackboard Learn AMI for developers to build REST and LTI applications, API limits apply and Behind the Blackboard support access is not provided. Consider investing in one of our other partnership levels to receive added benefits that help partners deepen integrations, promote solutions and connect with Blackboard clients.
Blackboard Developers Network (BbDN) is Blackboard’s basic partnership and is available for $3,000 annually (pro-rated to an annual April 15th renewal). BbDN Partnerships include the following benefits:
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e02 : Midterm Exam-II
| num | ready? | description | exam date |
|---|---|---|---|
| e02 | true | Midterm Exam-II | Wed 05/16 09:30AM |
Instructions for the exam
- You may bring one 8.5” x 11” piece of paper with notes on both sides. This paper will be collected along with your exam, so make your own copy if you would like to keep it.
- No calculators or phones are allowed in the exam
- No other notes or books are allowed
- There are no makeups for this exam
- You must write your name on every single sheet of paper including your notes
- We will provide you with scratch paper
- We will provide you the table of operator precedence
Collaborative notes
A fun way to prepare for the exam is to work with your classmates to create notes collaborative. I have created a document with the above list of topics. Jump right in and add content, code examples and other useful information. I will review and comment your notes as will the tutors and TAs! Students who contribute will get star points :)
Click here to contribute to Collaborative Notes
Post exam information
Reference material
You are expected to know the material from the following lectures, labs and homeworks:
- Lecture 1 to lecture 12 , including all code implemented in class
- Homework 1 to 6
- Labs 0 to 5
- pa01 and pa02
Study guide
- Converting procedural code to OOP
- Basic design of classes - member variables and methods. Corrrect declaration of accessors and modifiers and the appropriate use of the const keyword
- Distinguishing between class vs.instance
- Understanding how to create instances of a class on the stack and heap
- Member functions, non-member functions and friend functions - why and how
- Operator overloading - why and how
- The big 4- Constructor, destructor, copy-constructor, assignment operator (default behavior, overloaded implementation and identifying when each is invoked in any given code)
- Linked-lists - you may be asked to implement any function that involves a linked list
- Recursive implementations involving linked-lists
- The big 4 for linked-lists - why and how to overload the c’tor, de-stor, copy-c’tor and copy assignment
- Run time analysis – Big-Oh
- Deriving Big-Oh for code that involves loops
- Binary Search Trees - Implementing all operations and derivations of running times.
- Binary Search Trees - Implementing overloaded operators, and the big 4.
- Analyzing the run times of operations supported by linked lists, sorted arrays ans binary search trees- insert, search, delete, min, max
Past exams
Link to the past exam is available on gauchospace.


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Special Projects
This story is part of a series of specially designed stories that represents some of the best journalism The Post has to offer. Check out the rest of the special projects here.
8/23/2018
The new honors program that will pilot this fall is making “new and dynamic learning approaches” available to approximately 47 incoming honors students.
The Honors Task Force, originally announced in October, has been working to develop honors curricular and cocurricular experiences that will be available to all students starting in the fall of 2020.
Blake Nissen | PHOTO EDTOR
Duane Nellis speaks before the 2017 Interfaith Walk in front of The Episcopal Church of the Good Shepherd on University Terrace.
Honors students will complete a total of 14 experiences throughout their undergraduate career. The experiences will be completed by taking three to four honors (both academic and cocurricular) courses a year.
Margaux Cowden, director of the Cutler Scholars Program and the new honors program, said the task force is working with faculty from different colleges within the university. They are attempting to build a robust selection of courses by the fall of 2020.
“This asks students to do additional work or complete work that is more advanced or typical for that course,” Cowden said. “Honors students will receive honors experience credit in that course, sort of akin to a dual listed course.”
Cowden said that while the honors students will be doing slightly different work, they will receive honors credit toward their diploma. Students will not be given a letter grade, but rather evaluated holistically by the instructor’s’ standards.
“This is really exciting for students who wish to take risks because they will no longer be relying on a single product and whether or not that product is a success or failure,” Cowden said.
The other half of the program includes cocurricular opportunities that emphasize the public value of scholarship, Cowden said. Those activities can include internships and public engagement through community service.
“If you’re doing an internship, for example, this provides an opportunity for you to connect that internship to your learning,” Cowden said. “Not just in your major, but broadly across your interdisciplinary education experience.”
 It will count if you do an independent study, attend graduate seminars or participate in semester-long community engagement activities.
Other service opportunities are offered in separate honors programs across the university. The honors college of business is one example with the most common being community and public service engagement. Those students participate in one event per semester, which includes walkathons.
“I think it’s great to do service,” Austin Anderson, a junior studying marketing and entrepreneurship and an honors business student, said. “You get to see a little more of the community and be more involved, while interacting with students and faculty outside of the classroom.”
For the honors program piloting in the fall, students will create a portfolio based on their cocurricular experiences by the end of their senior year. The Honors Task Force hopes that the portfolio will be a valuable tool shared with employers during future job searches.
“This portfolio shows employers that ‘not only do I know what I’ve been working on, but I have the core knowledge for my field. I know how to put it to work,’ ” Cowden said. “That is critical thinking. Recognizing abstract ideas and putting them to work in a dynamic setting.”
The task force hopes to increase academic attraction to OU by further increasing enrollment rates.
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John Niehoff
FALL RIVER--John H. Niehoff, age 81, passed away on Thursday, November 14, 2019 at Clearview Long Term Care in Juneau as a result of a traumatic brain injury due to a fall.
He was born in Beaver Dam, WI to Louis and Grace (Tramburg) Niehoff on October 18, 1938.
He was married to Muriel "Jean" Moore on June 21, 1958. They resided in Fall River where they raised their four children. John was a partner, with his brother, Eugene in Niehoff TV & Appliance for several years before he became a real estate developer and launched LNM Builders, Inc. and Niehoff Real Estate. He was a home builder for more than 30 years before retiring to his own home in the woods.
He enjoyed time with his family the most, and also loved to travel, fish and hunt. John was an avid Packer fan and was a season ticket holder for many years.
He is survived by his wife, Jean, his sons Philip (Heather) of Winnetka, IL, Mike (Carolyn) of Waunakee, his daughters, Susan (Craig Galuska) Niehoff of Las Vegas, NV, and Linda (Michael J.) Ansay of Sheboygan Falls. He is also survived by seven grandchildren, Nicole and Alexander of Winnetka, Heather and Whitney of Columbus, Eric Hammons of Cottage Grove, Matthew (Briana) Ansay of DePere and Andrew Ansay of Chicago. He is further survived by three exchange students, Hason Putal of Thailand, Arzu of Azerbaijan, and Amelie of Germany. He was preceded in death by his parents and brother, Eugene, infant grandchildren, Allison and Jeremy Niehoff, and infant great grandson Caelan Niehoff.
Thank you to all the staff at Clearview for their kind and compassionate care of John
A celebration of life will be Sunday, January 5, 2020 from 1:00 P.M. until 3:00 P.M. at Savanna Oaks, 100 Savanna Road, Fall River.


How did we start? It all began when we realized that our dogs got nervous on trips to the dog park and wouldn’t socialize with a big number of dogs. Using DogGo would have a positive effect on both dogs and owners by allowing dogs to feel safe and owners happy that their dog has a friend to play with.
Our Mission
Our mission is to guide all dogs of different breeds, sizes, and ages in finding a pal to play with.


Woman’s body found in Perumbakkam lake
Body bore injury marks, rope found around neck
by Special CorrespondentThe body of a young woman was found floating in the Perumbakkam lake late on Thursday.
On receiving information from the public, Pallikaranai Inspector of Police R. Azhagu reached the spot and began an investigation.
The age of the deceased could be around 25. The body bore injury marks and a rope was found around the neck. Since the body was in a decomposed state, the identity of the deceased could not be established immediately, the police said.
The police have sent the body to the Government Chromepet Hospital for post-mortem. The police are also checking cases relating to missing persons, registered across the State.


EARTH (director/writer: Deepa Mehta; screenwriter: adapted from Bapsi Sidhwa's semi-autobiographical novel "Cracking India"; cinematographer: Giles Nuttgens; editor: Barry Farrell; cast: Nandita Das (Shanta ), Aamir Khan (Dil Navaz), Rahul Khanna (Hasan), Maia Sethna (Lenny-Baby Sethna), Kitu Gidwani (Bunty Sethna), Kulbushan Kharbanda (Imam Din), Gulshan Grover (Singh), Arif Zakari (Rustom Sethna), Pavan Malhotra (Butcher), Raghubir Yadav (Hariya/ Himmat Ali), 1998-India/Can.)
Reviewed by Dennis Schwartz
For Ms. Deepa Mehta -- Fire is the first film of her trilogy on the elements, this her second, and Water, to be filmed later, will be her third. She is the India-born, now living in Canada, director of this sweeping panoramic film about the Partition of India in 1947, which resulted in the greatest migration of people ever, 12 million, plus the slaughter of one million on all sides as a result of the conflict. The Partition was decided unilaterally by the British- with India, whose majority is Hindus, and Pakistan, whose majority is Muslims, becoming separate countries. It is seen through the naive eyes of a crippled (polio-afflicted) 8-year-old girl, Lenny-Baby (Maia), living in Lahore, who represents the book's author, Bapsi Sidhwa, as a child.
She hears the arguments over the partition in her house over dinner, as an arrogant British official gets into a fight over how India will miss the British who kept all the different religions from killing each other, as he argues with a fanatical Sikh (a religion which combines tenets of both Hinduism and Islam). Then the ominous signs of the near-future come up again, when Lenny-Baby is in the park (Queens Gardens) where a multireligious group of Shanta's friends meet daily and discuss the current issues. The group of friends, include Hasan the Muslim masseur (Khanna), Sher Singh the Sikh (Gulshan Grover), Muslim Imam Din (Khalbushan Khalbanda), and Muslim Dil Nawaz (Khan), the Ice Candy Man.Their discussions about independence and British withdrawal from the region, brings about a growing tension among them, as Shanta, who is apolitical, wishes that they do not discuss their heated differences when she is present.
The film offers a powerful history lesson of how religion is used as an excuse to grab land and vent violence against another people in the name of nationalism, as each side got trapped in the war fever, with Muslim against Hindu-Sikh, with each side guilty of massacring, kidnapping, and raping each other. The hope of India remaining peaceful is viewed best through the eyes of a Parsee family, the upper-class madame of the house, the gentle Bunty (Kitu), and her practical-minded husband, Rustom (Arif), and their precocious daughter Lenny, as the family tries to bring all sides together. Lenny's nanny is the warmly pretty Hindu girl, Shanta (Nandita Das), who has attracted all the men in her group, but is being actively pursued by two handsome Muslim young men, Hasan, an inventor of a product made from fish oil that can grow hair on bald people, and Dil Navaz, someone who is a voice of reason in the Muslim community. Lenny-Baby tags along with Shanta, whom she considers to be her best friend, and is, at first, fascinated watching the rascal-like Dil try to win Shanta over and then becoming more concerned that she will lose her best friend to the earnest, soft-spoken Hasan, whom she sees Shanta falling in love with.
The Parsees who are descended from Muslims, fled Persia in the ninth century to migrate to India, and have been an insignificant part of the India population ever since their arrival. They aim to remain neutral in all the conflicts, to emulate the Swiss during WW11. They believe they can be invisible, spreading sweetness to the land like sugar placed in the middle of a glass of milk. Besides, they realize it is the only way they can survive in this country.
The story picks up steam with independence acclaimed as a great day by the politicians, but in a Lahore, Pakistan, train station (the Lahore scenes were filmed in New Delhi as the Pakistani government never got around to granting the filmmaker permission to shoot there), Dil is anxiously waiting for his sisters to arrive from just across the border in Gurdaspur, India. The train pulls in late and when Dil looks on board, the carnage is horrifying as everyone is brutally murdered, with his sisters breasts removed and placed in gunnysacks filled with the severed breasts of other Muslim women. This experience shatters Dil's faith in a peaceful solution and a hatred grows within him. There is one last hope, as he tells Shanta, that his love for her is stronger than any hatred, and only she can prevent him from joining the cause of inflicting a violent upheaval against his outnumbered neighbors, by marrying him. But she chooses the more gentle Hasan, whom she plans to marry and live with in India, as he tells her that he will convert to Hinduism for her.
Lahore's Hindu section is burnt to the ground and total violence becomes the rule of the day, after the train incident. The gardener (Yadav) in the Parsee household converts to being a Muslim rather than being persecuted. A 10- year- old sweeper's daughter is married off to an old dwarf so that the Hindu family can convert to Christianity, as Lenny's mother comments, amidst the surreal gaiety of the wedding replete with song and dance, "Fear makes all of us to abandon reason." There is danger for everyone in Lahore who isn't a Muslim or isn't active in the Muslim cause, even the neutrality of the Parsee's home is compromised and Shanta comes under danger from betrayal.
The problem with the film is twofold; one, is that all these tragic events are translated through the childish eyes of Lenny, who cannot grasp everything that is happening, she just doesn't have the maturity to do that. Because of that, the story has too much of a childish flavor to it and is simplified to a point that touches on being too fine. The tragic historical statistics speak for themselves and it is unnecessary to be hammered over the head by repeatedly seeing the events unfold through the eyes of an innocent child. The horror is already a given and doesn't have to be reinforced by Lenny throwing a dish on the floor and then asking her mother, if a country could be broken into pieces like that. It was an unneeded artifice, that tended to spoil the flow of the film's dramatics. The other problem, with this otherwise splendid history lesson and tragic love story, is that all the movie's metaphors are used as if they were merely to amplify the historical tale. The character's lives were reduced in scope and they seemed to be milked for the benefit of making the story fit into the historical text.
Earth is based on a semiautobiographical novel by Bapsi Sidhwa, called "Cracking India." It is stunningly photographed, using reds and purples to express the blood-curdling scenes of Lahore under siege and a glowing yellow for the warm household scenes and a brownish amber to catch the vast beauty of the countryside. It is noteworthy for exploring in detail the destruction of innocence and the arbitrary splitting up of the earth, and how everyone gets caught up in the emotional frenzy of hatred and how difficult it is to just do what is right. This is an on-going conflict that still threatens the earth today, and with both Pakistan and India armed with atomic weapons, which only makes their religious conflict more perilous.
There was a certain power the film had, that could not be denied. Nandita Das as Shanta, is the heart of the picture. Her performance is breathtaking, as she slowly finds love with Hasan, remains friendly with Dil Nawaz, and generously serves the Sethna family and is the human face we remember about the violence and the betrayal taking place in Lahore. Her performance was very moving and gave life to this epic film. But, Aamir Khan as Dil Nawaz, a very popular actor in India, is the force behind the film. His masterful performance, changing from an endearing and helpful figure, to one who embraces violence, was what put a human face of evil on this melodrama and saved the film from being thought of as mostly a metaphorical historical exercise.
REVIEWED ON 5/2/2000 GRADE: B
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
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BEVERLY HILLS NINJA A film review by James Berardinelli Copyright 1997 James Berardinelli
RATING (0 TO 10): 3.0 Alternative Scale: *1/2 out of ****
United States, 1997 Release date: 1/17/97 (wide) Running Length: 1:30 MPAA Classification: PG-13 (Crude humor, mature themes) Theatrical Aspect Ratio: 1.85:1
Cast: Chris Farley, Robin Shou, Nicollette Sheridan, Chris Rock, Soon Tek-Oh, Nathaniel Parker Director: Dennis Dugan Producers: Brad Krevoy, Steve Stabler, Bran Jenkel Screenplay: Mark Feldberg & Mitch Klebanoff Cinematography: Arthur Albert Music: George S. Clinton U.S. Distributor: TriStar Pictures
Early publicity for BEVERLY HILLS NINJA offered reasons for optimism. Print ads released last summer trumpeted the starring duo of Chris Farley, the heir apparent to John Candy's brand of "big man" humor, and Jackie Chan, the human pretzel. Somewhere along the way, however, Chan bowed out -- probably as soon as he read the script (credited to Mark Feldberg and Mitch Klebanoff). I don't know the exact reason for the action superstar's defection, but, given the final product (and it doesn't take a great deal of imagination to guess what his role would have been), it was probably a wise career move. Chan's latest effort to hit U.S. shores, FIRST STRIKE, may not be the best movie released this month, but it's a significant improvement over this lame comedy.
BEVERLY HILLS NINJA is essentially a one-joke film. That joke has to do with Chris Farley (TOMMY BOY, BLACK SHEEP), who plays one of the clumsiest men on Earth, crashing into objects or having things fall on his head. There's a reason why cartoons, which often rely on similar tactics, are only a few minutes long. The first few times Farley gets hammered, there is some amusement value, but, soon after, it grows repetitious, then tedious. The movie can't seem to find anything more entertaining or original to do than having its star walk into lamp posts, crash through glass windows, or smack his head on tree branches. Is this what American movie-goers really want to see? Or is it just what Hollywood, which is known for underestimating viewers' intelligence, thinks they're looking for?
As a baby, Haru (Farley) is found by a Ninja clan and raised as one of their own.   Determined to prove himself, Haru agrees to help Alison Page (Nicollette Sheridan), a blond damsel in distress who comes to the Ninjas seeking aid. Mistaking Haru for a master, she asks him to spy on her good-for- nothing boyfriend (Nathaniel Parker). Shortly thereafter, she disappears, and Haru fears for her safety. After finding a match book that says "Beverly Hills", he decides to go after her, in case she needs rescuing. His adopted father, the venerable Ninja master, Sensei (Soon Tek-Oh), sends Gobei to the States as Haru's "shadow." Once in California, Haru makes all the usual "fish out of water" mistakes, none of which lead to anything close to the level of humor attained by better films with similar ideas, such as CROCODILE DUNDEE.
It's rather amazing to see how agile Farley is in certain situations (he performed some of his own stunts), but his unexpected athleticism doesn't make up for the film's lack of entertaining material. BEVERLY HILLS NINJA is even less ambitious than director Dennis Dugan's last feature, HAPPY GILMORE. At least that movie has an edge; this one doesn't have anything. Farley might want to be like John Candy, but, while Candy knew how to make an audience laugh, Farley keeps missing the mark. His brand of humor, which doesn't vary significantly from film-to-film, isn't just juvenile, it's lackluster and unfunny. And, because BEVERLY HILLS NINJA relies so heavily on the comic's limited talent, the movie sinks like a rock. No one, not even Jackie Chan with all of his enthralling derring-do, could have saved BEVERLY HILLS NINJA from its ignominious fate.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
The review above was posted to the
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Excluded from regularisation plan: Homes on Yamuna O-Zone, ASI land
Parts of several areas in East and North East Delhi like Okhla, Karawal Nagar, Yamuna Vihar come under the O-Zone of the Yamuna floodplains.
by Express News ServiceHouses built on the Yamuna O-Zone, land belonging to the Archaeological Survey of India, land earmarked for roads in the Master Plan and houses built under high-tension lines will not be part of the Delhi Development Authority’s (DDA) plan to give ownership rights in unauthorised colonies, a senior DDA official said.
Flood-prone areas come under the O-Zone and, hence, there is an embargo on any construction in this zone by the DDA. However, illegal constructions have proliferated in these areas over the last several years.
Parts of several areas in East and North East Delhi like Okhla, Karawal Nagar, Yamuna Vihar come under the O-Zone of the Yamuna floodplains.
As per estimates, around 4 lakh people are likely to be left out with these rules, mainly people who built houses on encroached government land. Last month, the Union Cabinet approved grant of ownership rights to people living in 1,797 identified unauthorised colonies in Delhi — a move that will benefit 40 lakh people mostly belonging to lower income groups.


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Overview¶
The Hydrological Data Engines, commonly named HyDE, is a python package part of FloodPROOFS Modelling System. The FloodPROODS framework is a modelling system designed to assist decision makers during the operational phases of flood forecasting, nowcasting, mitigation and monitoring in various-sized catchments.
The system is operational in real time in different basins on the whole Italian territory for the National Civil Protection Department and in some basins of Bolivia, Albania and Lebanon. It is also used for water management purposed by Italian hydro-power companies (Compagnia Valdostana delle Acque, CVA, ERG Power Generation).
Components¶
In the Flood-PROOFS forecasting chain, the data dynamic processing part is performed by using the HyDE package [1]. Written in python3 language, HyDE manages all aspects concerning the production of the datasets suitable for the FloodPROOFS modelling system. This package is able to read data both from various types of information (weather stations, satellite, nwp … ) and in different formats (such as GRIB, BUFR, hdf, hdf5, netcdf4 …); once getting and reading the source data, HyDE converts them from their original struture to formats commonly used by FloodPROOFS modelling system (for instance netCDF4, JSON and so on) and by other freely available applications (such as cdo, panoply, ncview, MET …).
For adapting datasets to the requested format, HyDE provides a checking of names, units and physics limits of all variables used by the FloodPROOFS modelling system. The reprojection or the interpolation of datasets, where they are needed, are performed by HyDE package too.
- Particularly, the HyDE library is organized in different parts, which are summarized as follows:
- Applications: tools to configure procedures able to processing different type of data, usually written in python3 programming language and available in the apps folder;
- Executables: tools and utilities to run procedures, to download datasets or to interface HyDE package with different environments, usually written in bash or python3 programming languages and available in the bin folder;
- Docs: documents to describe HyDE package, applications and executables, usually written in reStructuredText (rst) and available in the docs folder;
- Codes: generic and specific classes and methods used by the applications, to perform processing data and to save results in the formats commonly used in FloodPROOFs modelling system, are written in python3 and available in the src folder;
- Utilities: common functionality required by the previous components.
The structure of the package is reported above:
hyde-master
├── apps
├── bin
├── docs
├── src
│ ├── common
│ └── hyde
├── test
├── AUTHORS.rst
├── CHANGELOG.rst
├── LICENSE.rst
└── README.rst
All codes and datasets are freely available and users can be get them from our github repository [1].
Prerequisites¶
In order to use the HyDE, users are strongly raccomanted to control if the following characteristics, libraries and packages are available and correctly installed on their machine.
Usually, HyDE is installed on Linux Debian/Ubuntu 64bit environment and all dependencies must be installed in according with this operative system.
All codes, subroutines and scripts are developed using both Python (version 3 and greater) [2] and GNU Bash [3]. QGIS geographic information system (version 2.18 and greater) [4] is used to develop tools to organize, create and control static and dynamic datasets.
The libraries and the packages are mainly divided in three categories:
- python3 packages and applications;
- GNU Bash applications;
- other software and applications (Jupyter Notebook, Panoply, cdo, nco, ncview …)
Python3 libraries¶
The python3 standard library is not sufficient to correctly install all HyDE applications; for this reason some extra libraries are needed to guarantee all functionalities. To install all python3 libraries a bash script named “setup_fp_env_python.sh” is provided [5]; basically, the script calls a miniconda [6] installation that allow to get all needed libraries and install them into “$HOME/user/fp_libs_python/” folder. During the installation, a virtual environment named “fp_env_python” is created too.
The users have to clone the github repository:
>> git clone git@github.com:c-hydro/fp-envs.git
and run the following bash script:
>> ./setup_fp_env_python.sh
|[take a moment ... ]
Once all libraries are correctly installed and configurated, to activate “fp_env_python” by command-line is necessary to execute the following:
>> export PATH="$HOME/fp_libs_python/bin:$PATH"
>> source activate fp_env_python
By default, the “fp_env_python” environment is shown in parentheses () or brackets [] at the beginning of your command prompt:
(fp_env_python) >>
Activating the virtual enviroment permits to use a correct configuration and all applications of HyDE package will work properly.
Other software and applications¶
As previously said, to perform analysis or check results, users can use some external and freely available softwares and applications.
Some of these are reported in the following list:
More information is available on the homepage of the different software.
Potential Users¶
The HyDE package has been released to enable different applications (for example local/regional scenario assessment) and further development by external users.
Potential users are anticipated to predominately be interested in the ability to run the system with local data (including scenario modelling) and to modify the system with new capabilities. The potential collaborators have expressed a range of potential goals for their use of the modelling system, including performing comparisons with existing models, tailoring the hydrological performance to specific land uses and cropping types.
Broadly speaking, there are four potential user categories of the FloodPROOFS modelling system:
- Data user: who accessing the model outputs through the Bureau’s website.
- Case study user: who work to evaluate his/her case using data over a selected time period.
- Applying users: who would primarily be interested in applying the current model to a region of interest using localised and/or scenario data where available.
- Contributor users: who will extend the capabilities of the model with new research and coding (modify the system with new capabilities)
It is expected that the majority of early adopters of the HyDE package will be Applying users looking to apply the system with local data/scenarios, with more Contributor users adopting the system as it becomes well known and established.
Contribute¶
We are happy if you want to contribute. Please raise an issue explaining what is missing or if you find a bug. We will also gladly accept pull requests against our master branch for new features or bug fixes.
Development setup¶
For Development we also recommend a “conda” environment. You can create one including test dependencies and debugger by running
>> conda env create -n fp_env_dev -c <list_of_packages>
or alternatively using a file:
>> "conda env create -n fp_env_dev -f <file_of_packages.yml>
This will create a new “fp_env_dev” environment which you can activate by using “source activate fp_env_dev”.
Guidelines¶
- If you want to contribute please follow these steps:
- Fork the HyDE package to your account
- Clone the repository, make sure you use “git clone –recursive” to also get the test data repository.
- make a new feature branch from the repository master branch
- Add your feature
- Please include tests for your contributions in one of the test directories. We use py.test so a simple function called “test_my_feature” is enough
- submit a pull request to our master branch


What Do Banks Really Do?
Banks are not that different from any other business.
What sets them apart is that they work with money: looking after it, lending it, and helping you pay for things with it.
Looking after your money
Cash is very dangerous to walk around with. It’s fine to walk with small amounts of cash but if you carry huge amounts of cash, its very dangerous and criminals might rob you. So the safest place to put the money in, is a bank.
 So when you make a deposit into the bank, you are telling the bank to hold the money safe until you need it.
Lending Money
Because banks have many people telling them to hold their money, they can lend it to other people who need the money. A person might want a loan to get a roof for their house, buy a business or get married etc.
So banks lend money to these people and these people spend the money on the economy, which makes the economy grow. Banks lend this money and get paid interest, which is just another way of saying they make a profit.
Because the bank is lending your money to someone else, the big bank in your country, which is the regulator, and in Zambia, is the Bank of Zambia, makes sure that all banks have sufficient financial resources (money) in case they lend to bad people who can’t afford to repay.
Payments
In the future, people will rely less and less on cash. This is because paying for things in cash, is expensive and keeps poor people, poor.
Banks around the world have to abide by global trends and help people to adapt to new environment. So they provide debit and credit cards to help you pay for things in shops or online.
When you use a card to buy, say, food, the money is transferred from your bank account to the bank account of the shop. Exactly the same thing happens when you pay for things using your debit or credit card online.
If these payments stopped working, then the entire economy would grind to a halt. This is why the Bank of Zambia oversees these payments, to make sure they operate smoothly every day.
You can also follow us on Facebook & Twitter, or reach us at: hello@ilovezazu.com


--- date: 2010-03-04T00:00:00Z published: true title: Courts, not politicians, stand up for free speech url: /2010/03/04/courts-not-politicians-stand-up-for-free-speech/ ---
While our politicians may shy away from protecting freedom of speech and human rights commissions may trample it, it's encouraging that judges still appreciate its importance.
It helps that most judges are well versed in the subtleties of the law, like the part about this freedom applying to even buffoons. It's not explicitly spelled out in most legislation, which is perhaps why so many seem to miss it.


Eat
Stella's
Modern Greek fare with a gourmet market and coffee bar across the street
1013 Lafayette St, Richmond VA 23221
Kuba Kuba
Casual Cuban cuisine in the Fan - Great for brunch or dinner
1601 Park Ave, Richmond, VA 23220
Can Can Brasserie
French bistro in the heart of Carytown
3120 W Cary St, Richmond, VA 23221
Early Bird Biscuit Co.
Homemade biscuits and baked goods in the Fan
119 N Robinson St, Richmond, VA 23220
Garnett's
Neighborhood sandwich shop in the Fan
2001 Park Ave, Richmond, VA 23220
Drink
Breweries
With over 30 breweries, Richmond has grown to become a national destination for craft beer lovers. Some of our favorites include:
Ardent Craft Ales: 3200 W Leigh St, Richmond VA 23230
The Veil Brewing Co: 1301 Roseneath Rd, Richmond VA 23230
Hardywood Park Craft Brewery: 2410 Ownby Ln, Richmond VA 23220
Brambly Park
All you could want wrapped into one – A winery, dog-friendly park, restaurant, & pavilion with live music
1708 Belleville Street, Richmond, VA 23230
Black Hand Coffee
Our favorite weekend coffee spot in the Museum District. Grab a bagel too and walk over to the VMFA to enjoy
3101 Patterson Avenue, Richmond, VA 23221
North End Juice Co.
Walk-up window if you’re in the mood for a healthy meal or a smoothie
718 N, Cleveland St Richmond, VA 23221
Explore
Virginia Museum of Fine Arts & Grounds
Located in the Museum District, VMFA is a great place to check out art (admission is free), enjoy a drink on the patio, or just explore the gardens
200 N Boulevard, Richmond, VA 23220
Brown’s Island and Belle Isle
A favorite place to walk, especially if you’re looking for views of the James River
Tredegar St. between 5th and 12th streets Richmond, VA 23219
Take a stroll through The Fan
Named for the fan-like layout of its streets, grab a coffee and explore this quaint and historic neighborhood
The Fan District, Richmond, VA
Maymont
100-acre estate and park with gardens, a museum, & a zoo. Be sure to also check out the Swan & Shields Lakes nearby
1700 Hampton St, Richmond, VA 23220


--- layout: post title: "This Week's Menu and CSA" date: 2022-10-19 12:00:00 +0000 tags: menu image: imagecredits: ---
Here's what I'm expecting to pick up this afternoon:
Much of the fruit will be made into syrups — I've had good success with that the last few weeks. The pears will be eaten in our morning smoothies; the apples will be used for baking. (I am making apple cider donuts this afternoon.) I was planning on making a bolognese on Saturday; now I'll serve it with spaghetti squash rather than homemade pasta. I'll steam the turnips for dinner tomorrow night — we're having teriyaki chicken. The potatoes will go into a jamaican curry. The kale and the braising mix will be side dishes in the comings days. The arugula will be eaten as salad. Bam. That's the menu. Or much of it, at least.


Congratulations! You've just leveled up your financial skills! Let your friends know, and keep up the good work!
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For each donor a subtab is provided containing information on the sequence overlap between replicates of the different replicates of one donor. Dependent on the settings of the Shared clonal types / clonality filter a clonality score is given. The clonality score is calculated according to the formula described by Boyd et al, PMID: 20161664.
For each individual replicate the number of reads is reported. In addition, the number of coincidences between the different replicates of the same donor are reported.


| DOSE: |
8.0 mg |
insufflated |
5-MeO-DMT |
(powder / crystals) |
Friday was awesome beyond what I had hoped for. 8mg 5-MEO insufflated, then same again at the 1 hour mark when the initial dose was really fading. Total time with noticable effects maybe 3-3.5 hours. Very psychedelic, glorious. positive. Did a lot of laughing and lying on the floor. Very difficult to put into words. Few visuals, but that didn't diminish the trrrriiiipppppyyyyyy-ness of the whole thing. Positive physical contact with my 3 covoyagers. Hugs. Comfort. Lying on the floor with my eyes closed, feeling SO much bigger than my actual body with the deep tones of the music swirling deeply within me.
The effects were of high quality, even as they were fading. Got to swing myself upside down on one of those boards you hook your feet into -- good back stretching equipment. Made me laugh, laugh, laugh, to swing myself up and down about 2/3 of they way through the experience. Lots of fun and felt great.
I read a lot of too-intense reports about 5 MEO, but my experience was pure bliss. Had a lot of fear/intimidation going in, which dissipated quickly after the effects kicked in. I'd do it again in a heartbeat, ideally with 10-12mg insufflated. Listened to this echoey, very deep tibetan chanting thing, which was far out, maaaannn. Near the end we put on that Laswell ambient remix of Bob Marley's stuff, which just helped coast through the tail end of the experience in a calm, relaxing, and peaceful way. Food appreciation was highly intensified; I think I ate the best fruit salad of my *entire* life on Friday. Wow.
It really worked, and worked wonderfully. Sacred space, and I'm so grateful that I was given this opportunity. Not sure if this is a scheduled drug or not, it might actually be legal. I totally, completely, enjoyed it. Did I bring anything 'back'? The sense that I don't have to have so much anxiety prior to trying a new altered state. But mostly, I brought back the life-enhancing feeling of having had an experience of Entheogenic Joy (but still no sudden Connection To Everything. Perhaps with higher doses.). Yeah. I'm sure 5-MEO will continue to baffle people and throw the occasional person for a loop. But with proper set and setting, it's a magickally marvelous thing. Highly recommended. Was a little out of it the next day, but not too badly. I'd still like to try smoking it, but would probably insufflate again just because of how awesome this experience was via that route. Also highly interested in virola now!
Deep thanks to those who made this long-wished-for experience manifest.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


SENSE AND SENSIBILITY A film review by Chad Polenz Copyright 1997 Chad Polenz
Chad'z rating: **1/2 (out of 4 = OK) 1995, PG, 136 minutes [2 hours, 16 minutes] [drama] Starring: Emma Thompson (Elinor), Kate Winsley (Marianne), Alan Rickman (Colonel Brandon), Hugh Grant (Edward Ferreras), Greg Wise (Willoughby), produced by Lindsay Doran, written by Emma Thompson, directed by Ang Lee, based on the novel by Jane Austen.
I don't understand why a film made with a lot of class, and set in historical time settings are considered so great (or at least present themselves as such). "Sense & Sensibility" is another one of those films, but it's not that it's bad, it's just a soap operas set in a different time period, and a boring one at that.
This is the story of the Dashwoods, a family of women living in England sometime in the 18th or 19th century. They are an "upstanding" family that comes from a wealthy heritage. Although this is past the era of arranged marriages, the people here don't exactly marry out of love. It's as if every person is a robot going through the motions and can't really express what they feel. The dialogue is dry and almost unrealistic. They do not speak in Shakespeare-like speech, but the dialogue has an extremely highbrow, snobbish, elegant tone to it.
 They don't really have occupations because they inherited a fortune, but many things happen to them because of this. Elinor meets a handsome gentleman named Edward Ferreras (Hugh Grant) who she is drawn to immediately and gets along with well. Basically, it isn't any different from romance stories we see today, and it's a shame it does not become the focal point of the film because it was quite interesting.
The middle daughter, Marianne (Winsley), is attractive and the perfect age for marriage. No wonder she meets Colonel Brandon (Rickman), but is even more attracted to the rebellious Willoughby (Wise) who comes to her rescue when she sprains her ankle while frolicking in the meadows (literally).  In fact, most of the events are even more formulated than this.
Despite all these romantic elements and storylines, there really isn't any one plot to the film. It is just the story of a close-knit family of women who care for each other and must somehow make ends meet in this rigid society. Just when it seems that one of them has fallen in love something comes up and their lover is gone, or some other kind of tragedy ensues. We've seen all of these characters before, and they are not any more interesting or original here.
I have to give "Sense & Sensibility" credit though. It is not formulated for the sake of dramatics and sappiness, it is true to itself. This should make for some depth, but it doesn't work well here. Everything is too boring and slowly paced to maintain interest.
Please visit Chad'z Movie Page @ http://members.aol.com/ChadPolenz E-mail<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Limited for the first x orders: Get your fully customized limited edition frame now! Let's meet up and together we’ll design a one of a kind ride.
All designs are limited to one piece each, yours.
Mind the gap / Get together
To keep it short: Short chainstay, steep head angle and the short top tube will give you the ultimate wheelbase. Short sprints, evening rides and a common get together with your friends could be a lot more fun - if you’re ready. Are you?
Nested slides are useful for adding additional detail underneath a high level horizontal slide.


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Hello World
Published: June 22, 2020
What better way to commemorate my new blog than to preface my first post with 'Hello World'?
In it's early inception squib, the static site generator powering this site was nothing more than a joke. Weeks prior I had written crunchwrap, a mustache-like templating engine implemented in pure Bash. At the time I was convinced I could write a static site generator under 100 lines of code leveraging crunchwrap. That quickly spiraled out of control as I became infatuated with recreating a 'feature complete' experience rivaling Jekyll or Hugo.
As of time of writing squib is still incredibly rough around the edges. It's missing basic features like tags and pagination, but it has potential. I'm excited to see where it takes me.
As for the blog I'll be covering a hodge podge of topics that interest me:
- GNU/Linux
- Programming
- Retro Gaming/Modding
- Mechanical Keyboards
- Open Source
Tags: off-topic


Pete Davidson REVEALED That He Jerked Off Looking At Leonardo DiCaprio’s Movies
The "Saturday Night Live" star has admitted having a major crush on Leonardo DiCaprio.
by IANSStand-up comedian Pete Davidson got candid in an interview and said that he used to “jerk off” to Oscar-winning star Leonardo DiCaprio’s “acting”.
The “Saturday Night Live” star has admitted having a major crush on Leo.
“Yeah!  Uhh, like his acting. I used to have a HUGE crush on Leonardo DiCaprio. I had this huge poster of him from The Beach in my room, and there used to be, like, ‘Leo love books’… Do you remember? Like, right when Titanic came out [when I was] in like third or fourth grade, he was just like, ‘teen milk.’ There were love books and I had all of them. He was the coolest,” Davidson revealed, according to freepressjournal.in.
Davidson also revealed that he has met Leonardo a couple of times. “I’ve met him twice and I’ve just shaken hands and run away fast,” he said.
Meanwhile, Davidson has come out with a new magazine cover shoot. Posing in the nude, the comedian has been transformed into a Ken doll, reports metro.co.uk.


Connecting Generations
Enter your tasks here, they will appear on interns' feed and they can apply for the task from here, mention everything, from rewards to duration and deadline.


Shared coding conventions allow teams to collaborate effectively. For that reason, file names should conform to the following regular expression: ^[a-z][a-z0-9_]*\.pp$
^[a-z][a-z0-9_]*\.pp$


I recently bought a RFM12Pi, emonTx V3 and three of the clip on current sensors, but am having trouble getting sensible measurements. I've followed the guide on how to setup a oem gateway:
http://emoncms.org/site/docs/raspberrypigateway
and that all went fine. I receive data from the emonTx when it is on and the data also appears on the emoncms website.
But when testing the sensors etc the values don't seem to make any sense. To test I clipped the sensor(s) around the lead of an electric kettle. When the kettle is off some of the sensors send values of around 4-6, but when I turn it on (2000W) the values are still around 4-6. Furthermore, some of the inputs don't seem to send any data (other than 0) at all. CT1 and CT4 for example are (most often) 0.
I tried resetting the emonTx a couple of times.  I assume this is the intended behaviour?
Anyone any idea what might be wrong? Maybe I missed a step?
Re: Problem getting sensors to work
Putting the CT's around a normal kettle lead will not result in a reading. you are effectively measuring the flow of energy at 2 points, once on route to the kettle and again returning. so one reading of 2000w and another of -2000w in the same CT will cancel each other out and equal 0 (plus or minus a little noise etc).
The CT's must only be clipped around one conductor (wire) it can be on either line or neutral but not both.
Check CT1 & CT4 are pushed fully home in the sockets, the most common cause of CT's not working is where they are not 100% home despite looking and feeling like they are. the sockets are very tight.
Paul
Re: Problem getting sensors to work
Thanks for your reply. I guess that means I will have to cut open the wires to get the CT around one conductor? I am pretty sure only one wire is going into my fuse box.
Re: Problem getting sensors to work
"I am pretty sure only one wire is going into my fuse box."
I'm pretty sure that is not the case. Only the LINE conductor is fused, but inside the fuse box you will find the neutral bar where all the second (NEUTRAL) wires connect at a common point to complete the circuit back to the supply, and an EARTH bar where all the circuit protective earths similarly connect to your main earth terminal.
Re: Problem getting sensors to work
Thanks for the help. I had to open up the fuse box and was able to connect the sensor there. It seems to be working fine now.


Video: Will Spann III opens CFFC 80 with stunning head kick KO
by MMA Fighting NewswireHe might be an amateur, but Will Spann III’s picked up a finish on Friday that was worthy of the pros.
Less than 20 seconds into his opening flyweight bout opposite Jordan DeJesus at Cage Fury Fighting Championships 80 in Hampton, Va., Spann landed a head kick right on the jaw that flattened DeJesus.
Spann, 21, has now recorded back-to-back finishes competing in Virginia’s regional circuit.


Name
HPL_grid_init Create a process grid.
Synopsis
#include "hpl.h"
int
HPL_grid_init(
MPI_Comm
COMM
,
const HPL_T_ORDER
ORDER
,
const int
NPROW
,
const int
NPCOL
,
HPL_T_grid *
GRID
);
Description
HPL_grid_init
creates a NPROW x NPCOL process grid using column- or
row-major ordering from an initial collection of processes identified
by an MPI communicator. Successful completion is indicated by the
returned error code MPI_SUCCESS. Other error codes depend on the MPI
implementation. The coordinates of processes that are not part of the
grid are set to values outside of [0..NPROW) x [0..NPCOL).
Arguments
COMM (global/local input) MPI_Comm
On entry, COMM is the MPI communicator identifying the
initial collection of processes out of which the grid is
formed.
ORDER (global input) const HPL_T_ORDER
On entry, ORDER specifies how the processes should be ordered
in the grid as follows:
ORDER = HPL_ROW_MAJOR row-major ordering;
ORDER = HPL_COLUMN_MAJOR column-major ordering;
NPROW (global input) const int
On entry, NPROW specifies the number of process rows in the
grid to be created. NPROW must be at least one.
NPCOL (global input) const int
On entry, NPCOL specifies the number of process columns in
the grid to be created. NPCOL must be at least one.
GRID (local input/output) HPL_T_grid *
On entry, GRID points to the data structure containing the
process grid information to be initialized.
See Also
HPL_pnum,
HPL_grid_info,
HPL_grid_exit.


WITNESS LIST Appropriations Committee March 19, 2001-1:00P Budget On: Cooke, Jason (Texas Health & Human Services Commission) Gilbert, Don (Health & Human Services Commission) Gilchrist, Alfred (Texas Medical Association) Jones, Marsha (Texas Hospital Association) Keig, Lowell (Office of the Attorney General) O'Hanlon, Mary Beth (Health & Human Services Commission) Wertz, Linda (Health & Human Services Commission)


Maharashtra education board announces class 10 and 12 exam dates
by Nagpur Today, Nagpur NewsThe Maharashtra education board on Monday announced the dates for the Secondary School Certificate (SSC) and Higher Secondary Certificate (HSC) examinations which are to be held in February-March 2020.
Exams for Class 12 ( HSC) will begin on February 18, 2020 and conclude on March 18, whereas the Class 10 (SSC) exams will start on March 3 and end on March 23.
A detailed time table for both the exams has been made available on the official website of the Maharashtra State Board of Secondary and Higher Secondary Education.
The board had announced these dates on October 15 and sought suggestions from parents, teachers and various organisations within 15 days before releasing the schedule on Monday.


Usable in Java, Scala, Python, and R.
MLlib fits into Spark's APIs and interoperates with NumPy in Python (as of Spark 0.9) and R libraries (as of Spark 1.5). You can use any Hadoop data source (e.g. HDFS, HBase, or local files), making it easy to plug into Hadoop workflows.
High-quality algorithms, 100x faster than MapReduce.
Spark excels at iterative computation, enabling MLlib to run fast. At the same time, we care about algorithmic performance: MLlib contains high-quality algorithms that leverage iteration, and can yield better results than the one-pass approximations sometimes used on MapReduce.
Spark runs on Hadoop, Apache Mesos, Kubernetes, standalone, or in the cloud, against diverse data sources.
You can run Spark using its standalone cluster mode, on EC2, on Hadoop YARN, on Mesos, or on Kubernetes. Access data in HDFS, Apache Cassandra, Apache HBase, Apache Hive, and hundreds of other data sources.
MLlib contains many algorithms and utilities.
ML algorithms include:
ML workflow utilities include:
Other utilities include:
Refer to the MLlib guide for usage examples.
MLlib is developed as part of the Apache Spark project. It thus gets tested and updated with each Spark release.
If you have questions about the library, ask on the Spark mailing lists.
MLlib is still a rapidly growing project and welcomes contributions. If you'd like to submit an algorithm to MLlib, read how to contribute to Spark and send us a patch!
To get started with MLlib:


Reconstructs retinae by morphing a flat surface with cuts (a dissected flat-mount retina) onto a curvilinear surface (the standard retinal shape). It can estimate the position of a point on the intact adult retina to within 8 degrees of arc (3.6% of nasotemporal axis). The coordinates in reconstructed retinae can be transformed to visuotopic coordinates.
| Version: | 0.5.12 |
| Depends: | R (≥ 3.1.0) |
| Imports: | foreign, RImageJROI, png, ttutils, sp, geometry (≥ 0.2-1), RTriangle (≥ 1.6-0.9), rgl, R.matlab |
| Suggests: | testthat, gWidgets2RGtk2 (≥ 1.0.6), gWidgets2 (≥ 1.0.6), cairoDevice, RGtk2 |
| Published: | 2017-08-09 |
| Author: | David C. Sterratt [aut, cre, cph], Daniel Lyngholm [aut, cph] |
| Maintainer: | David C. Sterratt <david.c.sterratt at ed.ac.uk> |
| BugReports: | https://github.com/davidcsterratt/retistruct/issues |
| License: | CC BY-NC-SA 4.0 |
| URL: | http://davidcsterratt.github.io/retistruct/ |
| NeedsCompilation: | yes |
| Citation: | retistruct citation info |
| Materials: | NEWS |
| CRAN checks: | retistruct results |
| Reference manual: | retistruct.pdf |
| Package source: | retistruct_0.5.12.tar.gz |
| Windows binaries: | r-devel: retistruct_0.5.12.zip, r-release: retistruct_0.5.12.zip, r-oldrel: retistruct_0.5.12.zip |
| OS X binaries: | r-release: retistruct_0.5.12.tgz, r-oldrel: retistruct_0.5.12.tgz |
| Old sources: | retistruct archive |
Please use the canonical form https://CRAN.R-project.org/package=retistruct to link to this page.


This project demonstrates how to use two DataSources with Spring Boot
.
It utilizes:
Spring Data JPA/REST
Flyway migrations for the two DataSources
Separate Hibernate properties for each DataSource
Thymeleaf 3
Unit tests for components
Source Code


Classes
The following classes are available globally.
-
Handles callbacks via inter-app communication such as deeplinks
See moreDeclaration
Swift
public class CallbackService
-
Cache for securely storing credentials in the keychain
See moreDeclaration
Swift
public final class CredentialCache
-
The entry point to the SDK
See moreDeclaration
Swift
public final class DigiMe
-
Allows metadata for raw files, which will be written to user’s library, to be built up.
See moreDeclaration
Swift
public final class RawFileMetadataBuilder
-
Undocumented
See moreDeclaration
Swift
public class FilePersistentStorage