This is an H1
This is an H2
This is an H3
This is an H4
This is an H5
This is an H6
This is the first level of quoting.
This is nested blockquote.
Back to the first level.
Unordered List
- Red
- Green
- Blue
Ordered List
- Red
- Green
- Blue
- Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Aliquam hendrerit mi posuere lectus. Vestibulum enim wisi, viverra nec, fringilla in, laoreet vitae, risus.
- Donec sit amet nisl. Aliquam semper ipsum sit amet velit. Suspendisse id sem consectetuer libero luctus adipiscing.
A sample text here. And some code below:
import sys
import gobject
def init():
for i in range(0, 10):
print 'task %d, done' % i
if __name__ == '__main__':
init()
Inline code printf()
here.
This is a link to Google.
single asterisks
double asterisks
Create fake iPhone text conversations. Enter a conversation: Example: Dad: Your mom and I are going to divorce next month. Son: Why ? Call me please.
Create fake iPhone text conversations. Enter a conversation: Example: Dad: Your mom and I are going to divorce next month. Son: Why ? Call me please.
This is an H1
This is an H2
This is an H3
This is an H3
This is an H3
This is an H4
This is an H4
This is an H2
This is an H3
This is an H4
This is an H5
This is an H6
This is the first level of quoting.
This is nested blockquote.
Back to the first level.
Unordered List
- Red
- Green
- Blue
Ordered List
- Red
- Green
- Blue
- Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Aliquam hendrerit mi posuere lectus. Vestibulum enim wisi, viverra nec, fringilla in, laoreet vitae, risus.
- Donec sit amet nisl. Aliquam semper ipsum sit amet velit. Suspendisse id sem consectetuer libero luctus adipiscing.
A sample text here. And some code below:
import sys
import gobject
def init():
for i in range(0, 10):
print 'task %d, done' % i
if __name__ == '__main__':
init()
Inline code printf()
here.
This is a link to Google.
single asterisks
double asterisks
Create fake iPhone text conversations. Enter a conversation: Example: Dad: Your mom and I are going to divorce next month. Son: Why ? Call me please.
Create fake iPhone text conversations. Enter a conversation: Example: Dad: Your mom and I are going to divorce next month. Son: Why ? Call me please.
Table test
v0.1.4
| Keys | Value |
|---|---|
| 说明 | 检查用户是否已经登录 |
| 网址 | index.php?c=mobile&a=checklogin |
| 登录 | FALSE |
| 参数 | NULL |
| 返回 | ↓↓↓↓↓↓↓↓↓↓ |


Bbymutha Stresses That She Can't Be Checked On New Song, "Club Secret"
Bbymutha cannot make a bad song.
by Noah CClub Secret
BbyMutha
Editor Rating: VERY HOTTTTT
User Rating: n/a - 0% (0)
Bbymutha can rap circles around your favorite rapper. Not only are her breath control and flows immaculate, but she delivers the kind of one-liners that punch you in the throat. For proof of this, look no further than her new track, "Club Secret". It opens up with her unblinkingly stating, "Bitches ain't got nothing but bad taste and a whole lot of audacity". The hook features the Chattanooga artist repeatedly asking, "Who gon' check me?", and the answer is obviously "no one".
"Club Secret" - which was shared on Bbymutha's SoundCloud page last night - is produced by Rock Floyd and Kindora. Kindora is a frequent collaborator of Bbymutha's, but the pop artist usually contributes a vocal feature.
Bbymutha was set to release her debut studio album, Muthaland, back in April but it has been pushed back indefinitely. After sharing her new song, she tweeted that she has scrapped two albums "to get to this point." While we await our invitation to Muthaland, you can check out Bbymutha's extensive catalog of tapes and EPs on streaming services.


May 27
If thou wilt diligently hearken to the voice of the Lord thy God, and wilt do that which is right in his sight, and wilt give ear to his commandments, and keep all his statutes, I will put none of these diseases upon thee, which I have brought upon the Egyptians: for I am the Lord that healeth thee.
Exodus 15:26
Has the devil ever tried to put you under condemnation by telling you that it's contrary to the principles of faith to use doctors and medicine when you need healing? If so, here are some encouraging words that I believe will help you put your heart at rest.
It is God's will to heal you. That's the first and most important thing for you to understand. If your faith is strong and you can believe the Word without wavering (regardless of what circumstances or symptoms come against you), then you'll be able to receive that healing by faith alone.
But that kind of faith takes more than just hearing a few sermons about healing. It takes a deep personal revelation of God's healing power. So, if you haven't yet developed that kind of faith, the doctor is your best friend.
If you're not certain whether your faith is strong enough or whether you need a doctor's help, follow the instructions of the Apostle Paul (Col. 3:15) and let peace be your umpire.
If fear rises up within you when you think about doing without medical help, then go to a doctor. And go in faith! On the other hand, if you have a sure confidence within you that healing is yours strictly by faith, let your faith do its work and receive your healing directly. Whether or not you go to the doctor is not the issue. It is what you do with your faith.
 Thank God for your healing--however it comes!--and do not let Satan put you under condemnation. It is none of his business!
Scripture Reading: Deuteronomy 7:8-15


DEAD POETS SOCIETY A film review by Mark R. Leeper Copyright 1989 Mark R. Leeper
Capsule review: Robin Williams plays an unorthodox and charismatic teacher branded as dangerous in what is basically a retelling of THE PRIME OF MISS JEAN BRODIE told sympathetically to the teacher. Fundamentally good, but it has some problems with its narrative style. Rating: high +1.
There are lots and lots of films about schools but very few films really about the teaching process and the influence of a teacher on students. Perhaps the best is Ronald Neame's 1969 film THE PRIME OF MISS JEAN BRODIE, which managed to tighten up the narrative of the Muriel Spark novel (one of the rare occasions a film adaptation improves greatly on the novel, incidentally). Neame's film tells the story of a teacher who broadens her students' world but at the same time molds them into her own likeness. Having myself been greatly influenced by a very charismatic high school teacher who I think greatly affected my world view, I find THE PRIME OF MISS JEAN BRODIE hits very close to home for me, though because I liked this teacher a lot I sometimes try also to see the film from a point of view sympathetic to Miss Brodie. What does the story become then? It becomes something very much like Peter Weir's new film, DEAD POETS SOCIETY.
The year is 1959. The setting is Welton Academy, a very posh and expensive prep school dedicated to bleaching any sort of non-conformity out of its students and programming them to be successful, if unimaginative, social leaders. The new English teacher is one John Keating, played with as much control and and reserve as Robin Williams could possibly put into a performance. But even Williams's most reserved character could never fit in as a teacher at a place like Welton. His Keating uses unorthodox efforts to get his students to feel the emotion of the they read, and he gets them to live lives that will allow them to feel their own emotions and the emotions of the great poets. Keating's class is a good show, but we know from the beginning it is a show that will not outlast the season. As in GOOD MORNING, VIETNAM, which had a very similar story line: we admire the non- conformist, but we know he will not be around for long. DEAD POETS SOCIETY is his story and the story of his students while he is there. In particular, it is the story of a group of friends who form the Dead Poets Society and sneak out to the woods after hours in order to read poetry and discuss life.
And it is in the film's depiction of these meetings that Weir's film lets us down the most. We hear a little poetry and we see the lives changing, but the connection between the two is never clearly drawn. What poems are influential and why--a very major question of the film--is never really explained. We never really see why the meetings transcend being bull sessions that have occasional poetry readings. The real value of these meetings, so central to the film, is never clear. Similarly, we are told one of the members has written a very controversial article for the school newspaper but we are given only the vaguest idea of what the article said. And because the exact influence the teacher and the poetry has had on the students is left as vague as it is, when the film starts following the lives of the students outside of school hours it rapidly loses interest for me. I found myself not really caring whether one of the students would or would not work up the courage to kiss his current heartthrob. I found myself just looking at the nice, misty, snowy photography, and waiting for something of interest to happen.
Another problem with the script is that, while Keating is clearly played for sympathy, he is not entirely such an ideal teacher. Early on he has his students cut an article on poetry analysis out of their textbooks and destroy it before they had read more than the first paragraph. And the enthusiasm that he can get from his students for this sort of an action reinforces his similarities to the dangerous Miss Brodie and other dictators in history who have been more dangerous. One final complaint: in 1959 the sort of regimentation that the film complains about may have been a problem. If anything this country's schools have the opposite problem of insufficient discipline today. Weir is preaching to the choir.
This review has concentrated mostly on the negative aspects of a basically good film. Enough reviewers will be telling about the film's good points. I was concerned that these flaws might be less likely to be mentioned. In a field of films about drugs, car chases, and plastic monsters, DEAD POETS SOCIETY is a good choice, albeit flawed. I rate it a high +1 on the -4 to +4 scale.
Mark R. Leeper att!mtgzx!leeper<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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EVE'S BAYOU a film essay by Sean Lee
Directed and Written by Kasi Lemmons Eve Batiste: Jurnee Smollett Cisely Batiste: Meagan Good Louis Batiste: Samuel L. Jackson Roz Batiste: Lynn Whitfield Mozelle Batiste Delacroix: Debbi Morgan
Evaluation: **** (out of ****)
The summer she killed her father, Eve was 10 years old – or at least, that's what Eve believes as she laconically states in the opening and closing of Eve's Bayou. The audience, however, gets the feeling that the truth is far more complex. To dissect Kasi Lemmons' gorgeous directorial debut through the validation of its presumed truths would be irreverent to the rich tapestry woven by Lemmons. However, as the film is oft-times enigmatic in its lyric, a thoughtful examination of the role of truth in Eve's Bayou may lend a hand at elucidating Lemmons' intentions. Eve's Bayou is about ‘the selection of images' and the awareness that reality may elude the images we select as truths.
In the opening shot of Eve's Bayou, the film starts in black and white and turns to color as Eve's voice-over ends and the film's story begins. The black and white sequence corresponds to Eve's telling of the Baptistes' and her own past. As Eve's narrative ends and the film turns to color, the audience is left with the question of who is now telling the story. Are we seeing Eve's recollection of her own ‘selection of images' or are we watching the events being objectively told by Lemmons? In a film where there are different sides to every story, the question of reliable narration plays a role in how we come to understand it. As expected, the answer to who is telling the story in Eve's Bayou is also ambiguous. There are some scenes, though few, where Eve is not present, which would indicate that Eve may not be telling the story, or at least in the capacity of sole narrator. On the other hand, Eve possesses to some degree Mozelle's clairvoyance and the possibility that Eve's mother telling her what Eve didn't know is also quite possible.
Our best indication, then, may lie in the opening scene. There are two items in particular that I find interesting in the sequence. One is the image of Eve – not the one played by Jurnee Smollett, but the very first Eve Baptiste as told in the opening narrative. She is standing at the edge of the bayou looking into her reflection in the water, right before the camera pans into color. The other item of interest is the transition into color itself, and the fact that it is achieved not by a fade or dissolve or traditional cut, but through what seems to be a matte with black and white on one side of a tree trunk and color on the other. This invisible cut reinforces the continuity of location while at the same time clearly indicating a temporal change. Complemented by the image of the first Eve Baptiste gazing into the water as it changes to color offers explanation to who is telling the story of Eve's Bayou. It is neither completely a pastiche of recollections of Louis Baptiste's daughter, nor is the story told entirely through the objective eye of the director. The story of Eve's Bayou is told through the Bayou itself and this is implied by the double-entendre of the bayou's name. Which Eve is the Eve of Eve's Bayou? Both women gaze into the bayou and in its reflection find a piece of the Baptiste story.
Reflections play an important role in Eve's Bayou. Not only does the movie begin with a reflection of Eve, but the movie ends with the reflection of the descendants of Eve reflected in the Bayou. Though the use of mirrors as a symbol of duality has been discussed in film analyses to the point of becoming a cinematic cliché, I feel I must discuss Kasi Lemmons' extensive use of mirrors in Eve's Bayou because reflections play an important role in a movie whose verisimilitude lies below the surface. Take, for instance, the scene where Eve tells Cisely that she saw their father with Mrs. Mereaux. While Eve is describing her father's indiscretion, we see Cisely both facing Eve and reflected in the mirror as she desperately tries to make sense of what she is hearing. Through the use of the mirror, Lemmons presents the dichotomy between the Cisely who wants to believe that her father is faithful and the Cisely that believes Eve. We find that Cisely is unable to decide how to view her father – perhaps she sees him as a womanizer, as she tells Eve later that she believed her all along; or, she may believe that her mother doesn't really love her father, and forgivingly views him as feeling unloved. This indeed is the confusion that will foreshadow the tragic miscommunication that occurs near the end of the film.
So what really happens the night Cisely goes down to comfort his father? Was it Cisely who kisses his father not as a daughter but as a woman, or was it Louis, who kisses his daughter not as a father but as a lover? Just as our preceding examination of the story's narration yielded not some absolute answer, but a variegate one, we can be assured that Lemmons will not be so conspicuous as to offer an easy explanation to the night's events. On the other hand, Eve's Bayou is not cinema verite, and there is no presumption that the truth needs to be presented explicitly. Nonetheless, I feel Lemmons suggests, again through the use of mirrors, that perhaps Louis' interpretation of events as written in his letter to Mozelle is correct. In the scene, when Cisely sits on her father's lap and leans over to kiss him, we see part of her body reflected in the mirror while Louis is not. Had the mirror reflected them both, we might have said that both were willing partners in the act and the mirror reflected the duality between father/daughter and secret lovers. Lemmons, however, deliberately cuts off the reflection in this scene so that only Cisely is reflected to show that it is Cisely, who in an attempt to substitute for her mother's absent love, expresses love in a way that crosses acceptable boundaries.
Returning to the ideas posed in the introduction, is there anything in Eve's Bayou that can be construed as absolute and with the efficiency and confidence of Eve's opening narrative? There is, and it is none other than Eve's words that open and close the film. `The summer I killed my father I was ten years old.' Lemmons makes this lucid in the scene where Eve meets Mr. Mereaux in the market. At first, Eve asks Mr. Mereaux about Mrs. Mereaux, but goes no further. She asks where the apples are and there is a shot of her walking up to the apple cart, stopping in front of the cart and pondering the apples, and then turning around to intimate to Mr. Mereaux her father's affair with Mrs. Mereaux. Through the reference to the biblical Eve, Lemmons conspicuously makes the argument that it is indeed Eve who kills her father. The apples, which are metonymic with temptation, drive Eve to sin against her father. Yet even in this observation, Lemmons is able to create some ambiguity, for even though she talks to Mr. Mereaux right after looking at the apples, she also summons the powers of Elzora in the same scene. Was it Elzora or Mr. Mereaux who kills Louis Baptiste? If Eve was the catalyst for her father's death, could not Elzora carry out Eve's wishes through Mr. Mereaux? This is a thoughtful question posed by Lemmons and our interpretation likely depends on whether we are romantically or pragmatically inclined.
Eve's Bayou is not a film with simply stated truths; even when we seem to find an answer, Lemmons turns the answer to a question. Eve seems to be narrating the movie, or is she? Louis takes advantage of his daughter's adoration, or does he? Through Lemmons' inspired use of her camera, we may glean a few explanations for ourselves so that we may feel some comfort in our ability to comprehend. Certainly I have tried to do so in writing this essay. At the same time, however, I would allude to Peter Weir's Picnic at Hanging Rock as a reminder that some ideas are ultimately ineffable and the search for definitive truth is made both in vain and vanity. Eve's Bayou transcends the need for simple answers as Lemmons carefully leaves its meaning open to interpretation. Life is not of black and white, and the story of Eve's Bayou lies within the immutable grays that romance our subjective interpretations of truth.
Copyright 1998 Sean Lee
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Pacetrack is a progress tracking tool for WikiProject improvement drives, started at WikiCite 2018. It lets you measure features of articles within your drive, so you can find tasks and get work done!
Learn how to start a drive
{campaign_start_date} - {campaign_end_date}
{description}
Last updated {save_date}


This app was created as a fullstack capstone project for LaunchCode's LiftOff program (Spring 2021 cohort). Team members Anna McBride, Anya Wynne, Casey Gardonio-Foat, Chandler EuBank, and Tara Kotthoff built the project from scratch under the mentorship of Carrie Jones.


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The classic version of connect 4 is this.
Connect Four (also known as Captain's Mistress, Four Up, Plot Four, Find Four, Four in a Row, Four in a Line and Gravitrips (in Soviet Union)) is a two-player connection game in which the players first choose a color and then take turns dropping colored discs from the top into a seven-column, six-row vertically suspended grid. The pieces fall straight down, occupying the next available space within the column. The objective of the game is to be the first to form a horizontal, vertical, or diagonal line of four of one's own discs. Connect Four is a solved game. The first player can always win by playing the right moves. The game was first sold under the Connect Four trademark by Milton Bradley in February 1974.
Source: Wikipedia


Greensboro Marathon
Greensboro NC/USA
Race Winners
(26 runnings)
24 Nov
1991
2:40:01
3:25:14
18 Nov
1990
2:30:15
3:25:17
19 Nov
1989
2:36:43
3:09:26
20 Nov
1988
2:34:40
3:18:22
22 Nov
1987
2:38:45
3:16:56
23 Nov
1986
2:39:02
3:24:42
24 Nov
1985
2:37:25
3:24:32
13 Oct
1984
2:45:22
3:15:14
08 Oct
1983
2:24:12
3:13:19
09 Oct
1982
2:30:34
3:32:57
10 Oct
1981
2:32:52
3:31:27
11 Oct
1980
2:38:19
3:23:33
14 Oct
1979
2:38:32
3:47:39
14 Oct
1978
2:44:45
1977
2:20:28
3:43:35
16 Oct 1976
---
3:15:17
16 Aug
1975
2:48:35a
17 Aug
1974
2:44:07a
3:34:14a
18 Aug 1973
2:30:26a
19 Aug
1972
2:29:50a
21 Aug
1971
2:34:59a
22 Aug
1970
2:36:27a
30 Aug
1969
2:39:48a
01 Jun
1968
2:50:
1967
---
1966
---
Notes: 1966 was the inaugural year. There were five starters in 1966. The race was known as the Greens-Winston
Marathon for 1966-1974 and the Greensboro-Winston Salem Marathon for 1975,and the race was run from Greensboro
to Winston-Salem. The 1983 race was known as the Greensboro Humana Marathon, the 1984 race was known as the Humana
Hospital Greensboro Marathon, and the 1985 race was known as the Health America Marathon.
Drew Rogers
Nancy Johnson
Jeffrey Martin (CAN)
Sarah Lowell
Martin Maag (SC/USA)
Debbie Davis (MN/USA)
David Moore
Linda Miesch (NC/USA)
Dan Wyatt (NC/USA)
Mary Lou Day (TN/USA)
Takashi Yagisawa (JPN)
Nancy Sigmon (NC/USA)
Thomas Burr (NC/USA)
Lea Gilbert-2
Freddie Johnson (NC/USA)
Lea Gilbert (NC/USA)
Barry Troutman-3
Debbie Grow
Barry Troutman-2
Betty Stephenson (NC/USA)
Barry Troutman (NC/USA)
Christine Lee
Johnny Farlow (NC/USA)
Joy Emery (NC/USA)
Jim Driver (NC/USA)
Alicia Pinheiro
Bill Lawder (NJ/USA)
.
Scott Eden (GA/USA)
Shelby Haydon (NC/USA)
n/a
Kim Fisher
DeNorris Bradley (NC/USA)
.
Ed Strabel (NC/USA)
Kam Benfield
Gareth Hayes-2
Gareth Hayes (NC/USA)
Donald Kennedy (TX/USA)
Grif Balthis
Marshall Adams
Larry Widgeon (NC/USA)
n/a
n/a
Most Wins
(1966/1991)
Men
3
Barry Troutman (NC/USA)
1981-83
Women 2
Lea Gilbert (NC/USA)
1984-85
Prize Money
(ADR qualified runners)
No prize money information has been reported for this race.
Race Time Bias
(sec/km)
Insufficient data to calculate the race time bias.
Competitive Level
(1990-date)
Insufficient data to calculate the competitive level.
Quality Performances
Men No men under 2:20 Women No women under 2:50
Last Updated on 21
Feb 2009
Contributors: Jim Halsch, Jack Leydig (3)


The jumpers on the board are super small, everything else is ok, even the radio module... just this second jumper. ugli small thing.
But for the second jumper - pin 10 or 5 , I just burn it out :(
Is there a way to connect / select RFM12B SS pin ?
This is my first build and first post here.
Thanks.
Re: Just destroyed my emonTx Shield while soldering the jumpers :(
The first question is, how did you manage to destroy the p.c.b? Are you using the correct size soldering iron and is the temperature correct? (It is as bad not hot enough as too hot!) You probably took too long to make the joint, you should be able to complete that link in less than one second. It's too late now, but with fine work like this, it is essential to get these things right.
If you look at / download the design files for the Shield from Solderpad (there's a link on the Shield page), you'll see the pads go to header pins and a 4k7 resistor R18. You might be able to solder a fine wire link (insulated of course) on the underside of the board from the resistor to the appropriate header pin.
Re: Just destroyed my emonTx Shield while soldering the jumpers :(
The layout of the emonTx Shield is available on Solderpad in the Reference section. With fine wire, such as "Kynar", you should be able to rectify any problems. If a track has been destroyed, you can just tack the wire directly to the pad of the RFM12B chip.
It may be helpful to route the wire through a spare hole so that it can be terminated at the correct place on the "solder" side of the board. Most errors can be fixed with a bit of care.
Good Luck!
Re: Just destroyed my emonTx Shield while soldering the jumpers :(
Hey thanks for the fast replays.
It is funny because this is the last thing to solder on the board and i fouled up it. :) carma.
I use the solder iron for a 3 euro - i suppose its getting too hot.
I tracked down the tack on the pcb. it connect the hole of the jumper which is connected to middle to pin 10 or pin 5.
i will just place a wire from jumper hole to the pin 10.
right?
Re: Just destroyed my emonTx Shield while soldering the jumpers :(
I think your "cheap" €3 soldering iron could easily have cost you €16.24. It might be a good idea to throw it away and buy a more suitable one. Like this http://www.antex.co.uk/soldering/standard-soldering-irons/m12/
"will just place a wire from jumper hole to the pin 10." Yes.
Re: Just destroyed my emonTx Shield while soldering the jumpers :(
everything is up and running. now i am moving to software part of this forum :)
fell free to use pic for the wiki if you wish - for first timers will be easy to solder jumpers this way.
thanks to all for advices.


Test passes if you see two rectangles, one green and one blue, as described below:
The green rectangle should contain three lists, separated by a small vertical space. The first list should be a numbered list starting at 3, with only one item. The second list should be a bulleted list with three items. The third list should be a numbered list with two items, numbered A and C respectively.
The blue rectangle should contain a list with items numbered/marked in a different ways, as follows. As opposed to the green rectangle, the numbers/markings for the list items in the blue rectangle should be outside the rectangle. The first and second items should be numbered with 1 and 2 (decimal). The third and fourth items should be bulleted. The fifth and sixth items should be numbered with B and D respectively.


ABOUT US
Valuestream Business Solutions (VBS) is a revolution in the arena of Business/ Knowledge Process Outsourcing. This is a team of seasoned professionals who understand the need of time and combines the most talented workforce along with technology to provide ultimate customer experience. Our team includes people experienced in the outbound contact center, customer service, back office operations and customer retention. Such vast experience has enhanced our capabilities to provide projects of economies of scale and better productivity.
Vision
To be a preferred & niche service provider in Business Process Outsourcing which enables our clients to surpass their goals.
Mission
Create unmatched service value to the clients through transparent, efficient and effective means
Core Values
Transparency, Integrity, High Ownership and Commitment. Entrepreneurial Mindset. Service Excellence
BEST PERFORMERS OF THE MONTH
ORGANIZATION POLICIES
An organizational policy is a set of guidelines and best practices put in place to protect the company, employees, and customers. Organizational policies may cover employment practices, employee conduct, disciplinary procedures, Internet and e-mail use. Customer policies provide guidelines on working with customers and outline what customers can expect from the organization. In general, organizational policies define what is or is not permitted within the organization. By doing this, they establish expectations and limitations related to behavior. There are many types of policy that an organization may develop, for example:
Human Resource Manual
Lorem ipsum dolor sit amet, consect adipis elit minim veniam ettis inkeras.

Information Security Policy V3
Lorem ipsum dolor sit amet, consect adipis elit minim veniam ettis inkeras.
KNOWLEDGE DOCS
An Knowledge docs is a set of documents for basic insurance, for example:
Basics Of Life Insurance
Lorem ipsum dolor sit amet, consect adipis elit minim veniam ettis inkeras.
Objection Handling
Lorem ipsum dolor sit amet, consect adipis elit minim veniam ettis inkeras.

UPCOMING BIRTHDAYS
The whole team wishes you all the happiest of birthdays and a great year.
- All
- January
- February
- March
- April
- May
- June
- July
- August
- September
- October
- November
- December
| DOB | Name | Team |
|---|
OUR TEAM
We are a team because we respect, trust & care for each other. Our greatest strength is our team spirit & that will remain because a core of us come through the leagues together.
Client Testimonials
OUR CLIENTS
It's understandable. We sound Great. but you want examples of our work, so here they are. we hope this will give you a good survey of the type of work we are doing here at Valuestream Business Solutions.
HOLIDAYS
List of National and Regional Public Holidays of India
| SlNo | Date | Day | Occation |
|---|
CONTACT US
Get in touch with us.
Valuestream Business Solutions Private Limited
Zenith House, No.4, 1st Floor, Industrial layout, Kormangala 7th Block, Bangalore - 560095
<EMAIL_ADDRESS>080-66958818


--- title: 5th & 6th Grade Summer Camps layout: default ---
Back to main Summer Camp page
Click the panels below for information about each camp.
Partner Camp with Tanner Dance
Get ready to explore the world of plants with Tanner Dance and Red Butte Garden! Spend your mornings at the Garden digging, planting, watering, and weeding your way through the plant kingdom as you learn what plants need to grow, plant your own patio container garden, and more. In the afternoon, you’ll work with Tanner Dance to learn more about plants and the connections they form through visual art, drama, and dance. You’ll end the week with a special dance performance at Tanner Dance showcasing all you’ve learned. Transportation between sites provided.
Drop off at Red Butte Garden by 9AM and pick up at Tanner Dance by 4PM.
Click Here for Camp Overview
Red Butte Garden / Tanner Dance: 1721 Campus Center Drive, SLC, UT 84112
Members: $250, Public: $300
801-581-8454
Scholarships Available - CLICK HERE
Calling all game coders! Build STEAM (science, technology, engineering, art, and math) skills as you learn about nature with Red Butte Garden! Using software developed by MIT, you’ll design, create, and code original handheld games about the natural world. At the end of the week you’ll learn how to download your game onto a handheld mobile device for your friends and family to play and enjoy. Don’t miss out on this chance to engage with the Garden in a new and innovative way!
Click Here for Camp Overview
Red Butte Garden
Members: $120, Public: $150
801-581-8454
Scholarships Available - CLICK HERE
Explore the plant kingdom and discover the unique uses of several common (and not-so-common!) plants this week at camp. From healing to textiles, you’ll investigate how people use plants around the world. Then you’ll create your own botanical projects like organic lip balm, insect repellant, beeswax candles, and more.
Click Here for Camp Overview
Red Butte Garden
Members: $120, Public: $150
801-581-8454
Scholarships Available - CLICK HERE
Ready for an out of this world adventure? Spend the week investigating the wonders of outer space through STEAM (science, technology, engineering, art, and math) and discover the connection between space and the plants and animals found on planet Earth. From plants that grow without sunlight to real-life, alien-like creatures, you’ll discover the plethora of strange and bizarre plants and animals from planet Earth that would be right at home on an alien planet. End the week by crafting your own galactic landscape, complete with an “alien” plant and extraterrestrial critter you create. Don’t miss this stellar camp!
Red Butte Garden
Members: $120, Public: $150
801-581-8454
Scholarships Available - CLICK HERE
Calling all chefs! Get ready to explore the Garden with your taste buds as you practice essential kitchen skills like chopping, mixing, blending, and more. In addition to making daily snacks like corn salsa, cheddar cheese popcorn, pineapple jam, and hummus, you’ll also harvest fresh ingredients from the Garden, decorate your own chef apron, and compile a camp cookbook.
Caregivers: If your camper loves to cook, consider signing him or her up for our new 5th & 6th Grade cooking camp, Garden Cuisine, July 10 – 14!
Click Here for Camp Overview
Red Butte Garden
Members: $120, Public: $150
801-581-8454
Scholarships Available - CLICK HERE
Calling all actors and actresses! Spend the week exploring drama, dance, visual arts, and more in this FULL-DAY theater camp. Throughout the week you’ll learn to act from a drama teacher, create props and backdrops with a stage craft instructor, and work with your fellow thespians to produce and star in a simple, one-act play. End the week with a live performance of your play in the Garden showcasing all you’ve learned.
Red Butte Garden
Members: $240, Public: $300
801-581-8454
Scholarships Available - CLICK HERE
Calling all chefs! Get ready to explore the Garden with your taste buds as you practice essential kitchen skills like chopping, mixing, blending, and more. In addition to making daily snacks like corn salsa, cheddar cheese popcorn, pineapple jam, and hummus, you’ll also harvest fresh ingredients from the Garden, decorate your own chef apron, and compile a camp cookbook.
Caregivers: Please send a simple digital camera with your camper to use each day.
SOLD OUT! Click Below To Be Added to Waiting List
Red Butte Garden
Members: $120, Public: $150
801-581-8454
Scholarships Available - CLICK HERE
Foodies unite! Become a culinary master this week at camp as you discover the art of cooking. In addition to practicing essential kitchen skills like chopping, mixing, and blending, you’ll also learn how to design a complete menu, set a table, and make daily snacks like avocado mango smoothies, watermelon kiwi popsicles, and rainbow pizza. Throughout the week, you’ll also harvest fresh ingredients from the Garden, decorate your own chef apron, and compile a camp cookbook.
SOLD OUT! Click Below To Be Added to Waiting List
Red Butte Garden
Members: $120, Public: $150
801-581-8454
Scholarships Available - CLICK HERE
Did you know humans hurt the environment more than any other creature on earth? Discover how you can help improve the environment through recycling, composting, and water conservation, as you explore the Garden, create a reusable lunch bag, build your own countertop compost bin, and more. By week’s end you’ll know how to help make the earth better—all by going green!
Click Here for Camp Overview
Red Butte Garden
Members: $96, Public: $120
801-581-8454
Scholarships Available - CLICK HERE
Calling all artists! Explore the world of art this week at camp as you paint, draw, and sculpt your way across the Garden. In addition to learning the basics of line, shape, color, and texture, you’ll also create stencil portraits, sculpt found object statues, paint pointillism murals, and more. End the week with a gallery stroll to showcase the incredible art you make.
Click Here for Camp Overview
Red Butte Garden
Members: $96, Public: $120
801-581-8454
Scholarships Available - CLICK HERE
Get ready for an outdoor adventure! Spend your week learning to survive in the wild as you explore the basics of navigation, make a collection of safe and useful plants, discover how to make a shelter, and learn a number of other useful survival skills. On the last day of camp, use your new skills to race through an obstacle course in the ultimate survival challenge!
Click Here for Camp Overview
Red Butte Garden
Members: $120, Public: $150
801-581-8454
* Short week due to Independence Day and Pioneer Day holidays.


| # | First Name | Last Name | Username |
|---|---|---|---|
| 1 | Mark | Otto | @mdo |
| 2 | Jacob | Thornton | @fat |
| 3 | Larry | the Bird |
| # | First Name | Last Name | Username |
|---|---|---|---|
| 1 | Mark | Otto | @mdo |
| 2 | Jacob | Thornton | @fat |
| 3 | Larry | the Bird |
| # | First Name | Last Name | Username |
|---|---|---|---|
| 1 | Mark | Otto | @mdo |
| 2 | Mark | Otto | @TwBootstrap |
| 3 | Jacob | Thornton | @fat |
| 4 | Larry the Bird |
| # | First Name | Last Name | Username |
|---|---|---|---|
| 1 | Mark | Otto | @mdo |
| 2 | Jacob | Thornton | @fat |
| 3 | Larry | The bird | |
| 3 | Larry the Bird |
| # | First Name | Last Name | Username |
|---|---|---|---|
| 1 | Mark | Otto | @mdo |
| 2 | Jacob | Thornton | @fat |
| 3 | Larry | The bird | |
| 3 | Larry the Bird |
| First Name | Last Name | Username |
|---|---|---|
| Mark | Otto | @mdo |
| Jacob | Thornton | @fat |
| This row is expanded | ||
| Larry the Bird |


Last semester was rough for Megan. But wiser now from experience, she gives some tips on how to reduce stress and stay on track with her assignments by starting the semester off right!
- Show respect.
- Express differences of opinion in a respectful and rational way.
- Maintain an environment of constructive criticism when commenting on the work of other students.
- Avoid bringing up irrelevant topics when involved in group discussions or other collaborative activities.
Students should not:
- Show disrespect for the instructor or other students in the class
- Send messages or comments that are threatening, harassing, or offensive
- Use inappropriate or offensive language
- Convey a hostile or confrontational tone
- Use all UPPERCASE in their messages—this is the equivalent of shouting
Canvas Support Information
If you have any difficulty with Canvas, please call the Support Desk. A support specialist dedicated to your success is available to you and can be contacted by phone, email, chat or in person. Visit the UVU Support page for contact information.
Office of Teaching & Learning Disclaimer
UVU online courses are not independent study and will have due dates throughout the semester. Students will only have access to submit online materials during the registered term. Materials contained in this course may be protected by copyright law. It is recommended that students keep a copy of all work in the event that an assignment is lost.


Beryl1 Guest House is situated in dive upmarket, quiet residential area of Flamwood, Klerksdorp
Our guests like to call it, “our other home!"
Peaceful atmosphere
Comfortable & Tidy Rooms
Safe & Secure
Our Different Lovely Rooms
Double Room
Family Room
Twin Room
Our Facilities
Secure Parking
Beautiful Garden
Lovely Food
Our Guest House is lovingly managed by us!
We respect our guests’ privacy!
Testimonials
Eugene Bieldt
"Enjoyed a pleasant stay in a new, well equipped and furnished, AC room. Received a warm welcome from Owners. Good value for money, I can recommend this to anyone looking for accommodation in Klerksdorp!"
Anina Jacobs
"We had a wonderful stay. Just wish we could stay longer."
Andre Fourie
"We had a good stay over at Beryl1 Guest House. It was neat, tidy and clean. dive host was very friendly! Will recommend it to anyone!"


|
BitShares-Core
6.1.0
BitShares blockchain implementation and command-line interface software
|
mutex More...
#include <mutex.hpp>
Public Member Functions | |
| mutex () | |
| ~mutex () | |
| bool | try_lock () |
| bool | try_lock_for (const microseconds &rel_time) |
| bool | try_lock_until (const time_point &abs_time) |
| void | lock () |
| void | unlock () |
mutex
This mutex has an advantage over boost::mutex in that it does not involve any system calls, even in contention.
Uncontensted access is a simple compare and swap, no delay.
Contested access by different fibers in the same thread simply yields the thread until the lock is available. Actual delay is subject to the cooperative nature of other tasks in the fiber's thread.
Contested access by different threads requires a spin lock while the task is enqueued. Because the enqueue action is well-defined and 'short-lived' time spent 'spinning' should be minimal.
Cooperatively multi-tasked code must still worry about reentrancy. Suppose you have a thread sending a message across a socket, the socket members are thread safe, but the write_message()
operation is not rentrant because the context could yield while waiting for a partial write to complete.
If while it has yielded another task in the same thread attempts to write a second message then you will get garbage out as both fibers take turns writing parts of their messages out of the socket.
Example problem:
The output could look something like:
What you want to happen is this:
Now if while writing the first message, someone attempts to write a second message second write will 'queue' behind the first by 'blocking' on the mutex.
As a result we now have to extend the normal discussion on thread-safe vs reentrant.
In the example above, before we added the mutex the code was thread-unsafe After we added the mutex the code became coop-thread-safe, and potentially prempt-thread-safe
To be preempt-thread-safe any operations must be atomic or protected by a lock because the OS could switch you out between any two instructions.
To be coop-thread-safe all operations are 'atomic' unless they span a 'yield'. If they span a yield (such as writing parts of a message), then a mutex is required.
| bool fc::mutex::try_lock | ( | ) |
| bool fc::mutex::try_lock_for | ( | const microseconds & | rel_time | ) |
| bool fc::mutex::try_lock_until | ( | const time_point & | abs_time | ) |


Welcome to the Pizzeria
Choose your preferred Pizza, Crust and Toppings
Select Crust
Thin
Thick
Gluten Free
Select Topping
Pepparoni
Mushrooms
Onions
Olives
Sausages
Select Size
Small:500
Medium:800
large:1000
Mega:1200
ADD TO CART


{% extends "beam/base.html" %} {% load i18n crispy_forms_tags %} {% block title %}{{ title }} | {{ block.super }}{% endblock %} {% block content %}
{% translate "Please enter your new password twice so we can verify you typed it in correctly." %}
{% else %}{% translate "The password reset link was invalid, possibly because it has already been used. Please request a new password reset." %}
{% url "password_reset" as reset_url %} {% if reset_url %} {% trans "Forgotten your password or username?" %} {% endif %} {% endif %} {% endblock %}


{{ partial "header.html" . }}
Not all those who wander are lost
You seem to be, though
{{ .Site.Params.HomeLinkText}}


Worden Park toilets closed to public as Travellers refuse to leave car park
by Matthew CalderbankA group of travellers are refusing to leave Worden Park after setting up camp earlier this week.
Around five caravans and a number of vehicles moved onto the main car park, off Worden Lane, at around 3pm on Tuesday (November 26).
As of Friday afternoon (November 29) the group continue to occupy the site, after being asked to leave by South Ribble Borough Council (SRBC).
A Council representative visited the group on Tuesday and advised them that they are trespassing on council land.
But the Travellers have refused to leave the site and the Council has today (November 29) sought a court order for their removal.
An SRBC spokesman said: "The Councils’ legal team have instigated possession proceedings through the courts against the individuals who are unlawfully on the park."
In the meantime, the Council has taken the decision to close the park's public toilets and overflow car park over the weekend.
The Council said the closures are due to the presence of Travellers in the park.
Andrew Richardson, assistant director of neighbourhoods said: "As a consequence of the travellers currently being on site, the overflow car park will remain closed this weekend.
"The park toilets will also be closed during this time.
"We apologise for any inconvenience to the public and please be assured that we are doing what we can to ensure the trespassers on Worden Park are moved on from the site as soon as possible in accordance with council policy and relevant legislation."
The overflow car park is normally closed Monday to Friday, but will remain closed this weekend.
READ MORE: Convoy of travellers set up camp in Leyland's Worden Park
The Council is advising visitors to the park to use the Tesco car park (for short stays) or other town centre car parks during this time.


#-- /********************************************************************************** * $URL: https://source.sakaiproject.org/contrib/etudes/sakai-jforum/tags/2.8.1/jforum-tool/src/webapp/templates/default/user_category_post_show_action_buttons_inc.htm $ * $Id: user_category_post_show_action_buttons_inc.htm 63128 2009-09-08 23:03:49Z<EMAIL_ADDRESS>$ *********************************************************************************** * * Copyright (c) 2009 Etudes, Inc. * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. ***********************************************************************************/ -->
| ${post.formatedTime} | ${I18n.getMessage("PostShow.subject")}: ${post.subject?default("")?html} |


|
|
CIFXDeviceLightOGL Class ReferenceInheritance diagram for CIFXDeviceLightOGL:
List of all members.
Constructor & Destructor Documentation
| CIFXDeviceLightOGL::CIFXDeviceLightOGL |
( |
|
) |
|
|
| CIFXDeviceLightOGL::~CIFXDeviceLightOGL |
( |
|
) |
|
|
Member Function Documentation
| U32 CIFXDeviceLightOGL::AddRef |
( |
|
) |
[virtual] |
|
|
|
This method increments the reference count for an interface on a component.
- Note:
- It should be called for every new copy of a pointer to an interface on a given component.
- Returns:
- It returns a U32 that contains a value from 1 to 2^32 - 1 that defines the new reference count. The return value should only be used for debugging purposes.
Reimplemented from CIFXDeviceLight. |
| IFXRESULT CIFXDeviceLightOGL::Construct |
( |
|
) |
[protected] |
|
| void CIFXDeviceLightOGL::InitData |
( |
|
) |
[protected] |
|
|
|
Initializes all data members to default values.
Default values for IFXRenderLight are:
- Type: IFX_DIRECTIONAL
- Ambient: IFXVector4(0,0,0,0)
- Diffuse: IFXVector4(1,1,1,1)
- Specular: IFXVector4(1,1,1,1)
- Intensity: 1.0
- Attenuation: IFXVector3(1,1,1)
- World Matrix: Identity matrix
- Spot Decay: TRUE
- Spot Inner Angle: 0.0
- Spot Outer Angle: 45.0
- Light Range: sqrt(FLT_MAX)
Reimplemented from CIFXDeviceLight. |
| IFXRESULT CIFXDeviceLightOGL::Initialize |
( |
U32 |
uIndex, |
|
|
IFXOpenGL * |
pOGL |
|
) |
|
|
| IFXRESULT CIFXDeviceLightOGL::QueryInterface |
( |
IFXREFIID |
interfaceId, |
|
|
void ** |
ppInterface |
|
) |
[virtual] |
|
|
|
This method provides access to the various interfaces supported by a component.
Upon success, it increments the component's reference count and hands back a pointer to the specified interface.
- Note:
- A number of rules must be adhered to by all implementations of IFXAPI QueryInterface . For a list of such rules, refer to the IFXCOM usage guidelines.
- Returns:
- Upon success, IFX_OK is returned. Otherwise, either IFX_E_INVALID_POINTER or IFX_E_UNSUPPORTED are returned.
Reimplemented from CIFXDeviceLight. |
| U32 CIFXDeviceLightOGL::Release |
( |
|
) |
[virtual] |
|
|
|
This method decrements the reference count for the calling interface on a component.
- Note:
- If the reference count on a component falls to zero, the component is destroyed.
- Returns:
- It returns a U32 that contains a value from 1 to 2^32 - 1 that defines the new reference count. The return value should only be used for debugging purposes.
Reimplemented from CIFXDeviceLight. |
| IFXRESULT CIFXDeviceLightOGL::SetHWAmbient |
( |
const IFXVector4 & |
vColor |
) |
[protected, virtual] |
|
| IFXRESULT CIFXDeviceLightOGL::SetHWAttenuation |
( |
const IFXVector3 & |
vAttenuation |
) |
[protected, virtual] |
|
| IFXRESULT CIFXDeviceLightOGL::SetHWDiffuse |
( |
const IFXVector4 & |
vColor |
) |
[protected, virtual] |
|
| IFXRESULT CIFXDeviceLightOGL::SetHWEnabled |
( |
BOOL |
bEnabled |
) |
[protected, virtual] |
|
| IFXRESULT CIFXDeviceLightOGL::SetHWIntensity |
( |
F32 |
fIntensity |
) |
[protected, virtual] |
|
| IFXRESULT CIFXDeviceLightOGL::SetHWLight |
( |
|
) |
[protected, virtual] |
|
| IFXRESULT CIFXDeviceLightOGL::SetHWRange |
( |
F32 |
fRange |
) |
[protected, virtual] |
|
| IFXRESULT CIFXDeviceLightOGL::SetHWSpecular |
( |
const IFXVector4 & |
vColor |
) |
[protected, virtual] |
|
| IFXRESULT CIFXDeviceLightOGL::SetHWSpotDecay |
( |
BOOL |
bEnabled |
) |
[protected, virtual] |
|
| IFXRESULT CIFXDeviceLightOGL::SetHWSpotInnerAngle |
( |
F32 |
fAngle |
) |
[protected, virtual] |
|
| IFXRESULT CIFXDeviceLightOGL::SetHWSpotOuterAngle |
( |
F32 |
fAngle |
) |
[protected, virtual] |
|
| IFXRESULT CIFXDeviceLightOGL::SetHWType |
( |
IFXenum |
eType |
) |
[protected, virtual] |
|
| IFXRESULT CIFXDeviceLightOGL::SetHWWorldMatrix |
( |
const IFXMatrix4x4 & |
mWorldMatrix |
) |
[protected, virtual] |
|
Friends And Related Function Documentation
| IFXRESULT IFXAPI_CALLTYPE CIFXDeviceLightOGLFactory |
( |
IFXREFIID |
intId, |
|
|
void ** |
ppUnk |
|
) |
[friend] |
|
Member Data Documentation
© 1999 - 2006 Intel Corporation. All rights reserved.
* Other names and brands may be claimed as the property of others.
|
|


| HCV core protein |
Structural |
Makes up the viral nucleocapsid. Affects host cell functions like gene transcription, lipid metabolism, apoptosis, and various signaling pathways Directly or indirectly involved in hepatocarcinogenesis and steatosis hepatitis |
| Envelope proteins E1 and E2 |
Structural |
Play an important role in cell entry. E1 serves as the fusogenic subunit. E2 acts as the receptor binding subunit of the HCV envelope. |
| P7 protein |
Structural |
P7 has characteristics similar to those of a group of proteins called viroporins. Forms ion channels that play an essential role in virus infection. Essential for virus particle assembly and release of infectious virions in a genotype specific manner |
| NS2 protein |
Nonstructural |
Essential for completion of the viral replication cycle in vitro and in vivo. |
| NS3 protein |
Non-structural |
It is a multifunctional protein whose N & C terminals have serine protease & NTPase/helicase activities, respectively |
| NS4A protein |
Nonstructural |
Acts as a cofactor for NS3 protein. Also required for the phosphorylation of NS5A and can directly interact with NS5A |
| NS4B protein |
Nonstructural |
Plays an important role in the recruitment of other viral proteins. |
| NS5A protein |
Nonstructural |
Plays an important role in viral replication and modulation of cell signaling pathways and interferon response. |
| NS5B protein |
Nonstructural |
Acts as an RNA-dependent RNA polymerase and plays an important role in the synthesis of new RNA genome. |


Certificate
of completion
This acknowledges that
THE STUDENT
has successfully completed Girl Code
2019-01-01
Graduation Date
Alice Gatland, Programme Educator
This certificate acknowledges THE STUDENT's achievement of completing the Girl Code beginner programming course.
Girl Code is a short course that covers practical programming and software development skills. THE STUDENT has completed 16 hours of work on individual and team projects, using HTML, CSS, JavaScript, Git, GitHub, Node, command line tools, VS Code, Chrome DevTools, pair programming, and simple project management.
For more information on THE STUDENT's studies please contact Girl Code Auckland.


I want to use the application emoncms to read data from a file with the format:
time, voltage, current1, current2, current3, current4
12:10:00,231,1,4,8,12
12:11:00,231,1,3,6,11
12:12:00,230,2,3,5,10
12:13:00, .........
know of any manual or help understanding how to do it?
thanks
Re: working with file data.dat?
My suggestion is you need to write a script that reads your file, parses it and submits the data to emoncms in the format that's described here: http://openenergymonitor.org/emon/emoncms/using-emoncms#Sending_data_to_... or there's some more here: http://openenergymonitor.org/emon/node/1065
If you search for "emoncms data" you might find some more useful leads. I'm fairly certain I've seen at least one script to do a similar job.
Re: working with file data.dat?
OK, get it data from an application in "c", you know like could send directly to emoncms? (application c->json->emoncms).
I've solved this way:
#include <stdlib.h>
#include <stdio.h>
int main(){
#define link "http://localhost/emoncms/"
#define apikey "xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx"
char datos[6][10]={"tension","intensida1","intensida2","intensida3","intensida4","intensida5"};
int valor=5;
char cmd[256];
sprintf(cmd, "wget -o /dev/null -O /dev/null \"%s/api/post?apikey=%s&json={%s:%d}\"", link, apikey, datos[0],valor);
system(cmd);
return 0;
}


MyMobKit is an Android application that can be used to provide extended functions to your smart phone.


Extension("scanpy.cython.utils_cy",
["scanpy/cython/utils_cy.pyx"]),
]
cmdclass.update({ "build_ext": build_ext })
else:
ext_modules += [
Extension("scanpy.cython.utils_cy",
["scanpy/cython/utils_cy.c"]),
from Cython.Distutils import build_ext
with open("requirements.txt") as requirements:
requires = [l.strip() for l in requirements]
more_requires = []
if sys.version_info[0] == 2:
more_requires = [


Police arrest suspected killers of PDP Women Leader in Kogi
by NANThe Police Command in Kogi has arrested six suspects in connection with the killing of one Mrs Salome Abu, at Ochadamu, Ofu Local Government Area (LGA) of the state, on Nov. 18.
The spokesman for the command, DSP William Aya disclosed this while speaking with the News Agency of Nigeria (NAN), in Lokoja on Monday.
Aya said that the suspects were brought in on Friday.
Abu, a former councillor and Women Leader of the Peoples Democratic Party (PDP) was set ablaze on Nov. 18 in her husband’s house at Ochadamu, by hoodlums.
Aya said the police had started interrogating the suspects to ascertain their level of culpability in the death of the woman.
He said that the outcome of the investigation would be made public as soon as it was completed.
President Muhammadu Buhari had on Sunday directed the police to arrest the killers of Abu with a view to bringing them to justice.


{% extends 'contents/_base/registration.html' %} {% block title %}Financial Aid{% endblock title %} {% block page_title %}
Everybody Pays is one of the principles of PyCon APAC. All conference attendees including speakers, chairperson, staff and volunteers pay to register. While following this convention, we also have financial aid program to help people who have financial difficulties. As long as you need it, please simply apply for the financial aid. All applications are subject to review, which is based on our budget and your condition. (See the rationale behind Everybody Pays)
The financial aid program is set to minimize the financial barrier of the conference and to maximize the benefits to the community. For instance, taking students and engineers with full-time job into consideration, we will favor the students. Then, community contributors or conference speakers will have high priority.
The procedure of the application is what follows:
We understand everyone's financial status is different and it's hard to quantify contribution. For the budget is limited, we can't guarantee to fund every applicants. But if you need support, please do let us know and we will do our best.
{% endblock content %}


{% extends "macros.html"%} {% block content%}
This is an interactive web apllication that facilitate the creation and sharing of information, ideas, career interests, and other forms of pitch ideas via virtual communities of users


Read the task carefully and inspect the image.
Choose the appropriate label that best suits the image.
Draw a polyline around the boundaries of all objects
that the label applies to.
Make sure that the polyline fits tightly around the boundary
of the object.
Read the task carefully and inspect the image.
Review the tool guide to learn how to use the polyline tool.
Choose the appropriate label that best suits the image.
To draw a polyline, select a label that applies to an object of interest
and add a single point to the photo by clicking on that point. Continue to
draw the polyline around the object by adding additional points
around the object boundary.


My Questions
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{{ x.adderid }}
Edit your Questions
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Model Answer:
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hmmer web server offers biosequence analysis using profile hidden Markov Models. This function allows searching of a protein sequence vs a profile-HMM database (Pfam-A).
get_hmm(data, ...) # S3 method for character get_hmm(data, ...) # S3 method for data.frame get_hmm(data, sequence, id, ...) # S3 method for list get_hmm(data, ...) # S3 method for default get_hmm( data = NULL, sequence, id, verbose = FALSE, sleep = 1, attempts = 2L, timeout = 10, progress = FALSE, ievalue = NULL, bitscore = NULL, ... ) # S3 method for AAStringSet get_hmm(data, ...)
| data | A data frame with protein amino acid sequences as strings in one column and corresponding id's in another. Alternatively a path to a .fasta file with protein sequences. Alternatively a list with elements of class |
|---|---|
| ... | currently no additional arguments are accepted apart the ones documented bellow. |
| sequence | A vector of strings representing protein amino acid sequences, or the appropriate column name if a data.frame is supplied to data argument. If .fasta file path, or list with elements of class "SeqFastaAA" provided to data, this should be left blank. |
| id | A vector of strings representing protein identifiers, or the appropriate column name if a data.frame is supplied to data argument. If .fasta file path, or list with elements of class "SeqFastaAA" provided to data, this should be left blank. |
| verbose | Boolean, whether to print out the output for each sequence, defaults to FALSE. |
| sleep | Numeric indicating the pause in seconds between server calls, at default set to 1. |
| attempts | Integer, number of attempts if server unresponsive, at default set to 2. |
| timeout | Numeric, time in seconds to wait for server response. |
| progress | Boolean, whether to show the progress bar, at default set to FALSE. |
| ievalue | Numeric, all sequences with independent E-value lower or equal to this value will be retained in the function output. Used to filter out low similarity matches. If set some queried sequences might be discarded from the output. Suggested values: 1e-2 - 1e-5. |
| bitscore | Numeric, all sequences with bitscore greater or equal to this value will be retained in the function output. Used to filter out low similarity. If set some queried sequences might be discarded from the output. Suggested values: 10 - 20. |
https://www.ebi.ac.uk/Tools/hmmer/search/hmmscan
A data frame with columns:
Character, as supplied in the function call
Character, PFAM family name
Character, PFAM family accession
Character, PFAM family description
Character, PFAM clan
Numeric, start of domain alignment in query sequence
Numeric, end of domain alignment in query sequence
Numeric, start of alignment in domain model
Numeric, end of alignment in domain model
Numeric, the "independent E-value", the E-value that the sequence/profile comparison would have received if this were the only domain envelope found in it, excluding any others. This is a stringent measure of how reliable this particular domain may be. The independent E-value uses the total number of targets in the target database.
Numeric, the "conditional E-value", a permissive measure of how reliable this particular domain may be.
Numeric, the domain bit score.
Logical, is the result reported on the hmmer site. The hmmer web server outputs more hmm profile matches than it presents to the user. Results below a certain threshold are not reported (hidden) on the site.
hmmscan does not handle sequences longer than 1000 amino acids. get_hmm splits these sequences into shorter substrings which overlap by 300 amino acids and queries hmmscan. Some results might be redundant or partially overlapping in this case. When this is an issue it is advisable to provide a subsequence of appropriate length as get_hmm input.
pfam_pred <- get_hmm(data = at_nsp[1:5,], sequence = sequence, id = Transcript.id, verbose = FALSE, sleep = 0) pfam_pred#> id name acc desc clan #> 1 ATCG00660.1 Ribosomal_L20 PF00453.20 Ribosomal protein L20 <NA> #> 2 AT2G43600.1 Glyco_hydro_19 PF00182.21 Chitinase class I <NA> #> 3 AT2G43600.1 Glyco_hydro_19 PF00182.21 Chitinase class I CL0037 #> 4 AT2G43600.1 Glyco_hydro_19 PF00182.21 Chitinase class I <NA> #> 5 AT2G28410.1 <NA> <NA> <NA> <NA> #> 6 AT2G22960.1 Peptidase_S10 PF00450.24 Serine carboxypeptidase <NA> #> 7 AT2G22960.1 Peptidase_S10 PF00450.24 Serine carboxypeptidase CL0028 #> 8 AT2G19580.1 Tetraspanin PF00335.22 Tetraspanin family CL0347 #> align_start align_end model_start model_end ievalue cevalue bitscore #> 1 3 108 1 104 2.0e-32 1.0e-36<PHONE_NUMBER> #> 2 38 54 76 93 9.1e+03 4.8e-01 -3.7497714 #> 3 83 219 1 156 2.3e-30 1.2e-34<PHONE_NUMBER> #> 4 227 273 185 232 1.5e-04 8.1e-09 21.6809082 #> 5 NA NA NA NA NA NA NA #> 6 30 48 1 19 8.9e+02 4.6e-02 -0.8947501 #> 7 48 181 276 416 6.1e-36 3.2e-40<PHONE_NUMBER> #> 8 6 251 3 230 3.3e-30 1.7e-34<PHONE_NUMBER> #> reported #> 1 TRUE #> 2 FALSE #> 3 TRUE #> 4 FALSE #> 5 FALSE #> 6 FALSE #> 7 TRUE #> 8 TRUE


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About this Free CSS Template
December 1st, 2008
Handmade 1.0 is a free CSS web template coded with valid XHTML 1.0 Transitional and CSS 2.1 standards. This design uses pure CSS and no tables for layout and is released under the Creative Commons Attribution-Share Alike 3.0 Philippines License, which basically says that:
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ENEMY OF THE STATE (Touchstone) Starring: Will Smith, Gene Hackman, Jon Voight, Regina King, Loren Dean, Jake Busey, Barry Pepper, Tom Sizemore, Lisa Bonet, Gabriel Byrne. Screenplay: David Marconi. Producer: Jerry Bruckheimer. Director: Tony Scott. MPAA Rating: R (violence, profanity, adult themes) Running Time: 127 minutes. Reviewed by Scott Renshaw.
Director Tony Scott presents what sometimes seems like a documentary on electronic surveillance in ENEMY OF THE STATE. His vehicle is the story of Robert Clayton Dean (Will Smith), a Washington D.C. attorney who unwittingly becomes embroiled in a conspiracy when a computer disk finds its way into his shopping bags. On the disk is evidence that a National Security Agency boss named Reynolds (Jon Voight) engineered the murder of a U.S. congressman (an uncredited Jason Robards) who would have killed legislation making it easier for the NSA to spy on citizens. Piece by piece Dean's identity is destroyed and accusations are trumped up against him, until the only chance he has left is a secretive former government operative known only as Brill (Gene Hackman).
It's a great button-pushing premise for a millenial-angst-heavy information age, full of shadowy government operations and technological voyeurism of every shape and form. Early on, however, Scott starts to fetishize all that technology. Satellites sweep across the sky from hundreds of miles above to pinpoint a fleeing target; microtransmitters are planted in shoes, pens and cell phones; phone and bank records betray every personal secret. The first time a chase scene spills over with surveillance details, it's effective and alarming. The second time, you start to notice that it drags scenes out much longer than they need to be. The third, fourth and fifth times, you wonder why the omniscient gadgetry is beginning to seem more cool than scary. Is this a movie about people oppressed by electronics, or a commercial for electronics?
Fortunately, the human angle is in the capable hands of Will Smith. In his first purely starring role -- no buddy cop, no aliens -- Smith continues to show the charisma of a star. He's a more effective hounded Everyman than you might expect, cracking wise when it serves the moment while generally handling his predicament with intelligence and resolve. Hackman arrives fairly late in the film to provide some requisite bonding moments, but mostly the weight of ENEMY OF THE STATE falls squarely on Smith's shoulders. He proves more than capable of handling it.
He also gets to work with an action/thriller script considerably more coherent than average. Dean's imperfect relationship with his wife (Regina King) links deftly into the conspiracy plot, as does the connection between Brill and go-between Rachel (Lisa Bonet). The resolution is a rushed disappointment -- mixing in a dopey mob sub-plot just when the table-turning pleasures of Dean and Brill watching the watchmen had been so promising -- but for nearly two hours it's pretty a effective story.  Marconi's script may not be impressive, but it's unobtrusive, which is one of the higher compliments you can pay an action/thriller script in 1998.
Still, there's the matter of all those gee-whiz shots of satellite cams, computer extrapolations and general manipulation of technology. Tony Scott has always been a director who never met a five-second piece of film he liked, and in ENEMY OF THE STATE it often proves distracting as he whips back and forth between Smith talking to someone and someone _listening_ to Smith talking to someone, a couple dozen times in the space of a minute. Sure it's unsettling to consider that the only privacy you may have is inside your head, but it's most unsettling if we connect with a character connecting with that reality the hard way. Will Smith provides that humanity almost in spite of Scott's inventory of spy gear. The director takes the edge off the edgy concept, turning in a solid thriller that hypes us up when it should be freaking us out.
On the Renshaw scale of 0 to 10 state secrets: 6.
Visit Scott Renshaw's MoviePage http://www.inconnect.com/~renshaw/ *** Subscribe to receive new reviews directly by email! See the MoviePage for details, or reply to this message with subject line "Subscribe".
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| pbdRPC-package | pbdRPC |
| .pbd_env | Sets of controls in pbdRPC. |
| .rpcopt_init | Initial controls in pbdRPC |
| check_cs | Example Functions of RPC Related to pbdCS |
| check_exec | ssh and plink |
| check_rr | Example Functions of RPC Related to Remote R Server |
| find_plink | Find plink |
| Initial Control Functions | Initial controls in pbdRPC |
| kill_cs | Example Functions of RPC Related to pbdCS |
| kill_rr | Example Functions of RPC Related to Remote R Server |
| plink | ssh and plink |
| rpc | Remote Procedure Call |
| RPC Control Environment | Sets of controls in pbdRPC. |
| RPC Control Functions | Sets of controls in pbdRPC. |
| RPC.CT | Sets of controls in pbdRPC. |
| RPC.LI | Sets of controls in pbdRPC. |
| RPC.RR | Sets of controls in pbdRPC. |
| rpcopt_get | Set and Get Options for Remote Procedure Call |
| rpcopt_set | Set and Get Options for Remote Procedure Call |
| rpc_cs_example | Example Functions of RPC Related to pbdCS |
| rpc_options | Set and Get Options for Remote Procedure Call |
| rpc_rr_example | Example Functions of RPC Related to Remote R Server |
| run_args | ssh and plink |
| ssh | ssh and plink |
| ssh_plink | ssh and plink |
| start_cs | Example Functions of RPC Related to pbdCS |
| start_rr | Example Functions of RPC Related to Remote R Server |


To talk about the difference between varieties and schemes, we should have a definition of both in mind. It is common to introduce varieties before introducing schemes. Later, schemes are introduced in general and varieties are viewed as schemes with certain extra properties. For instance, in Hartshorne's Algebraic Geometry, varieties are introduced in Chapter 1, schemes in Chapter 2.
Here is a standard definition of varieties not involving schemes. Let \(k\) be an algebraically closed field. A projective variety over \(k\) is the vanishing sets of homogeneous polynomials in \(\P^n (k)\), for some \(n \in \N\). There is a technicality saying that a variety cannot be written as the union of two varieties, neither of which contains the other. This is rarely an issue and mostly a matter of convention.
Now that we know what projective varieties are, a variety is the complement inside a projective variety of the vanishing set of homogeneous polynomials. More conceptually, a variety is an open subset of a projective variety.
After a few preliminaries on varieties, schemes are introduced. I won't go here into the definition of schemes: this might be the content of a later post. Varieties are re-defined as integral, separated schemes of finite type over a field.
The first difference that catches the eye is that
In particular, for a variety-viewed-as-a-scheme, the maximal ideals are in bijection with the "old" points, while the non-maximal prime ideals do not correspond to anything in the original definition of variety.
While this is certainly a good point, I always felt that it failed to address the "real" issue: varieties and schemes were defined in intrinsically different ways and it is a little unsatisfying to compare their definitions.
In other words: the definition of variety is "a subset of \(\P^n\) with some properties"; the definition of scheme is "a locally ringed space with some properties". Of course they are different! Simply comparing the underlying topological spaces is not good enough!
Once there is a definition of scheme, varieties are identified with integral, separated, schemes of finite type over a field. [Hartshorne also requires the field to be algebraically closed, but I will drop this assumption.] Thus, tautologically, any scheme that does not satisfy at least one of the conditions
is a scheme that is not a variety. Below are examples of schemes fitting all requirements except for one.
1a. \(\spec k[x]/(x^2)\) is not reduced;
1b. \(\spec (k \oplus k) \simeq \spec k[x]/(x^2-x)\) is not irreducible;
2. usual "affine line with the doubled origin" is not separated;
3. \(\spec \Z\) is not defined over a field.
1a. Nonreduced schemes. For me, this is the most useful gain in going from varieties to schemes. In some sense, non-reducedness often takes the form of "conservation of mass". It also helps in making precise the idea of "counting with multiplicities".
1b. Reducible schemes. The gain here is often just a matter of convention. Some people allow varieties to be reducible (although I personally do not). Regardless of your convention, it is usually easy to convert from one to the other and little is gained/lost with either choice.
2. Non-separated schemes. I personally rarely encounter non-separated schemes. For instance, a subscheme of a separated scheme is separated and projective (or, in fact, proper) schemes are separated.
3. Schemes not of finite type. Some schemes not of finite type make their way into usefulness for me! Most of the rings not of finite type that I encounter, though, are essentially of finite type: they are the localization of a ring of finite type. The main example is passing from a scheme defined over \(\spec \Z\) to a scheme defined over \(\spec \Q\): the morphism \(\spec \Q \to \spec \Z\) is not of finite type, but it is essentially of finite type.
3'. Schemes not over a field. Another huge advantage of working with schemes! For instance, the spectra of the integers \(\Z\), of Dedekind domains, of local rings play incredibly important roles in number theory and in algebraic geometry.


---
layout: archive
title: "Industry Work Experience"
permalink: /industry/
author_profile: true
---
Zoho Corporation, Chennai – Project Trainee (Current)
Jan 2021 (6 months)
ONGC, Chennai – Intern
May 2019 (1 month)
-
Developed an issue tracking system on ONGC Intranet for Regional Computer Center (RCC) users to create issues, retrieve issues by ID, and view status of resolution. Users can deny or accept solutions provided by ONGC employees to indicate if further
assistance is required or if the issue can be closed as resolved. Gained experience working with a team of software engineers to build a real-world product.
-
Advisor: Ravinderanath.B, Dy. General Manager – Programming, Oil and Natural Gas Corporation Limited (ONGC) Ltd., Chennai, India.


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Test suite functionalities.
Suite Name:
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Test project functionalities.
Project Name:
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Test load suites of project functionality.
Project Name:
Test load a suite functionality.
Suite Name:
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Digitizing collections
I’ve begun creating a media server lately. Something that I never thought I would attempt. With the number of relatively comprehensive streaming services, a media server did not make much sense. Not to mention my ptsd thinking back to my teenage years of terrible data-handling. I would create inumerable backups with minute differences, making it impossible to realize which one was the proper backup when needed. I’m still surprised today by some backup hidden deep in my file systems.


BusinessToday
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WITNESS LIST Natural Resources Committee May 3, 2006-1:00P Soil and Water Conservation Charge On: Arthur, Lloyd (Texas Farm Bureau) Foster, John (Texas State Soil and Water Conservation Board) Isom, Rex (Texas State Soil and Water Conservation Board) Jones, Charles Allan (Texas Water Resources Institute/Texas Ag. Experiment Station) Langford, David K. (Self and Texas Wildlife Association) Mullican, William F. (Texas Water Development Board) Oswald, Johnny (Texas State Soil and Water Conservation Board)


AKA protocol, the LDAP of Ethereum
The AKA protocol and AKAP registry smart contract, deployed on Ethereum networks, provide features similar to LDAP but for smart contracts. Details provided in our whitepaper and documentation.
Leverage AKAP best practice to:
- Ensuring correct contract address references across any number of smart contracts
- Sharing configuration items among several contracts without needing to duplicate storage
- Atomically updating reference data with a single transaction, avoiding slow change propagation
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Any dapp or smart contract that need to hold configuration, use external references or look up data can benefit from using AKAP.
Browse the network
The AKAP system consists of nodes placed in a directed acyclic graph, allowing for a full range of simple to complex setups, depending on your needs. Use the AKAP browser to navigate, claim, and manage these AKAP nodes.
All AKAP nodes represent tokens, and can be managed, owned and transferred according to the ERC-721 standard.
Getting started
The AKA Protocol Registry Contract is deployed and ready for use. You can find the contract on address 0xaacCAAB0E85b1EfCEcdBA88F4399fa6CAb402349 as is available on Goerli, Rinkeby, Kovan, Ropsten, and Mainnet.


20th September, 1893
Christians must always be ready for good criticism, and I hardly think that you will mind if I make a little criticism. You Christians, who are so fond of sending out missionaries to save the soul of the heathen — why do you not try to save their bodies from starvation? In India, during the terrible famines, thousands died from hunger, yet you Christians did nothing. You erect churches all through India, but the crying evil in the East is not religion — they have religion enough — but it is bread that the suffering millions of burning India cry out for with parched throats. They ask us for bread, but we give them stones. It is an insult to a starving people to offer them religion; it is an insult to a starving man to teach him metaphysics. In India a priest that preached for money would lose caste and be spat upon by the people. I came here to seek aid for my impoverished people, and I fully realised how difficult it was to get help for heathens from Christians in a Christian land.


| 18 Oct 1921 |
Jesse Helms born, Monroe NC. |
| 1942 |
U.S. Navy until 1945. |
| 1963 |
Jesse Helms: "The Negro cannot count forever on the kind of restraint that's thus far left him free to clog the streets, disrupt traffic, and interfere with other men's rights." |
| Nov 1972 |
Elected to U.S. Senate. |
| 1980 |
Legislator of the Year Award by Christians for a Better America. |
| 1986 |
Jesse Helms, concerning the protests during his visit to Mexico: "All Latins are volatile people. Hence, I was not surprised at the volatile reaction." |
| 1987 |
Jesse Helms: "The only way to stop AIDS is to stop the disgusting and immoral activities that continue to spread the disease." |
| 1988 |
Jesse Helms: "There is not one single case of AIDS in this country that cannot be traced in origin to sodomy." |
| 1990 |
Jesse Helms offers an amendment to the Hate Crimes Statistics Act stating that "the homosexual movement threatens the strength and survival of the American family" and "state sodomy laws should be enforced." |
| 1991 |
A 35-foot condom is inflated atop Jesse Helms' roof by AIDS activists. |
| 4 Jun 1991 |
The News & Observer quotes Senator Jesse Helms as saying: "There have been 248 different U.S. senators in the 18 years and 5 months I have been there. None -- none -- have been more capable than Dan Quayle." |
| 19 Jul 1991 |
The News & Observer quotes Senator Jesse Helms as saying: "I'm so old-fashioned I believe in horsewhipping." |
| 1993 |
Jesse Helms on his opposition to HUD nominee Roberta Achtenberg: "She's not your garden-variety lesbian.  |
| 1993 |
Sen. Carol Moseley-Braun of Jesse Helms: "He saw me standing there, and he started to sing, 'I wish I was in the land of cotton.' And he looked at Senator Hatch and said, 'I'm going to make her cry. I'm going to sing Dixie until she cries.' And I looked at him and said, 'Senator Helms, your singing would make me cry if you sang 'Rock of Ages.'" |
| 1994 |
Jesse Helms, on the President's unpopularity in North Carolina: "Mr. Clinton better watch out if he comes down here. He'd better have a bodyguard." |


fun removeListener(): Unit
Removes the PurchasesListener. You should call this to avoid memory leaks.
Note This method just sets listener to null


Trump Says Democratic Presidential Hopeful Bloomberg 'Will Fail' in 2020 Election
WASHINGTON (Sputnik) - US President Donald Trump said on Friday that Democratic presidential hopeful and New York billionaire Michael Bloomberg will fail in his bid to run for president in the 2020 election.
"He's not going to do well, but I think he's going to hurt [Democratic candidate Joe] Biden, actually, but he doesn't have the magic to do well", Trump said. "Little Michael will fail".
Trump pointed out that he knows Bloomberg fairly well and would be happy if he did end up doing well.
The statement comes after The New York Times reported on 7 November that Bloomberg is expected to file paperwork by the Friday deadline to enter the Democratic presidential primary.
Bloomberg adviser Howard Wolfson said in a series of tweets said the former mayor fears that no Democratic candidate currently running will beat Trump in the 2020 race.
Bloomberg is expected to file documentation this week to put his name on the ballot in at least one state, The New York Times reported earlier citing people briefed on the matter. Michael Bloomberg, facing an 8 November deadline, dispatched staffers to Alabama to gather signatures to qualify in the state’s primary, according to the report.


"ELISHAH "the oldest of the four sons of Javan (Genesis 10:4), whose descendants peopled Greece. It has been supposed that Elishah’s descendants peopled the Peloponnesus, which was known by the name of Elis. This may be meant by “the isles of Elishah” (Ezekiel 27:7).
"ELISHAH "the oldest of the four sons of Javan (Genesis 10:4), whose descendants peopled Greece. It has been supposed that Elishah’s descendants peopled the Peloponnesus, which was known by the name of Elis. This may be meant by “the isles of Elishah” (Ezekiel 27:7).


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Through our websites we may collect, store and use the following kinds of personal information:
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Posted on September 5, 2019 at 6:06 PM
Neighbors:
Please see the below information regarding 5G Cell Towers, which was provided by the Southside
Civic Association.
 But
first some history:
The US Congress passed laws to help/encourage 5G installations.
Those laws limit local government regulation if regulations attempt or in fact prohibit 5G
installations.
Local laws can impact installation sites especially when making 5G services follow some of the
requirements of other utilities and services and somewhat on "aesthetics".
The Task Force has been working with the Mayor and at least 5 council members (Watson, Wilson,
Collard-Lewis, Hudson and Freiburg) and the CP Legal Department. All of them seem to want to work
with the committee.
The Council wants input now and the plan is to give them a vetted copy of a revised ordinance for
the Sep 11th Council meeting. The proposed ordinance will be shared with the task force before then.
No drafts are available at this time.
More of these towers are needed (and at closer distances) since they use higher radio frequencies
(RF) and those frequencies travel much shorter distances than low radio frequencies we associate
with the current big towers located around the parish.
Any issue that people have with presumed health/sickness issues due to RF has been preempted from
local control by the feds as long as the towers meet the standards set by the Federal Communications
Commission (FCC).
The current strategy for the proposed ordinance:
Have clear notice to property owners that a tower is being put up nearby and time to respond.
Have a clear process for filing an objection to a specific placement.
Come up with a "preferred placement" rota. i.e., place on public buildings, place on other existing
structures, business areas... residential areas.
Implement a "co-location" policy so that if ATT puts up a tower they have to make room for Verizon
and Cox.
Add more content to the construction permits as they are bare bones now.
Make installation match surrounding infrastructure... a tower in Rouzan would have to match the
fancy light poles they have over there now or place most of the equipment under ground if the
current utilities are underground in a development (Obviously the antenna needs to be above ground).


<input type="checkbox" checked>

@import "assets/components/common/forms/elements/bootstrap-switch/assets/lib/css/bootstrap-switch.css"; @import "assets/components/common/forms/elements/bootstrap-switch/assets/custom/less/bootstrap-switch.less";

section of your HTML document, before any JavaScript files: <link type="stylesheet/less" href="styles.less" />
NOTE All the styles from the CORE package also need to be imported in this file, before the component imports.
BODY You should include the following scripts at the end of the HTML document, right before the closing
tag.

<input type="checkbox" checked>

@import "assets/components/common/forms/elements/bootstrap-switch/assets/lib/css/bootstrap-switch.css"; @import "assets/components/common/forms/elements/bootstrap-switch/assets/custom/less/bootstrap-switch.less";

section of your HTML document, before any JavaScript files: <link type="stylesheet/less" href="styles.less" />
NOTE All the styles from the CORE package also need to be imported in this file, before the component imports.
BODY You should include the following scripts at the end of the HTML document, right before the closing
tag.

<input type="checkbox" checked>

@import "assets/components/common/forms/elements/bootstrap-switch/assets/lib/css/bootstrap-switch.css"; @import "assets/components/common/forms/elements/bootstrap-switch/assets/custom/less/bootstrap-switch.less";

section of your HTML document, before any JavaScript files: <link type="stylesheet/less" href="styles.less" />
NOTE All the styles from the CORE package also need to be imported in this file, before the component imports.
BODY You should include the following scripts at the end of the HTML document, right before the closing
tag.

<input type="checkbox" checked>

@import "assets/components/common/forms/elements/bootstrap-switch/assets/lib/css/bootstrap-switch.css"; @import "assets/components/common/forms/elements/bootstrap-switch/assets/custom/less/bootstrap-switch.less";

section of your HTML document, before any JavaScript files: <link type="stylesheet/less" href="styles.less" />
NOTE All the styles from the CORE package also need to be imported in this file, before the component imports.
BODY You should include the following scripts at the end of the HTML document, right before the closing
tag.

<input type="checkbox" checked>

@import "assets/components/common/forms/elements/bootstrap-switch/assets/lib/css/bootstrap-switch.css"; @import "assets/components/common/forms/elements/bootstrap-switch/assets/custom/less/bootstrap-switch.less";

section of your HTML document, before any JavaScript files: <link type="stylesheet/less" href="styles.less" />
NOTE All the styles from the CORE package also need to be imported in this file, before the component imports.
BODY You should include the following scripts at the end of the HTML document, right before the closing
tag.