In scientific/research computing, especially in high-performance computing when you’re running many jobs with a batch system, it’s a good idea to include logging in your libraries and tools. If you’re running many tasks that are meant to occur in a particular sequence, especially if multiple such workflows are occurring asynchronously across more than one machine, having detailed logs to review (manually or automatically by another tool) is a powerful way of managing workloads.
You can print out either a message or the value of some variable, etc., while your code is running. This is quite common and is usually accomplished with a simple call to the print function.
print
In [1]: x = 1.234 In [2]: print(f'x is {x:.4f}') x is 1.234
Doing this is a good idea to keep track of milestones in your code. That way, both when you are developing your code but also when other users are running the code, they can be notified of an event, progress, or value.
It’s also typical for novice programmers to attempt a simple form of debugging where print statements are inserted throughout the program to track behavior or data to verify things are working as they should. The issue is that these statements are hastily inserted when things aren’t as they should be and then just as hastily removed afterward. A better approach would be to have a mechanism by which messages could be included programmatically upon request but suppressed otherwise.
A log is a record of some event or action. In software, logging is the act of keeping a record of the events and actions done by a program. There are two defining characteristics that distinguish logging from simple print statements. Messages emitted by the logger can automatically have additional metadata attached. Further, messages should be filterable based on severity such that messages below a given level of severity can be suppressed.
Several common attributes (metadata) are typically included in logging messages. Which ones you should include in your logging setup is a matter of use-case and preference. The following are things you should consider.
As stated, one of the core features of logging is that you should be able to control which messages are printed as a matter of category. These categories are usually a reference to the level of severity of the message. There is always a numeric value and a name for a logging level.
Conventionally you have a subset or a superset of the following levels.
DEBUG - Supplemental messages typically only used when something is wrong.
INFO - General purposes messages for tracking progress.
WARNING - Something unexpected has occurred and may be important.
ERROR - A problem has occurred and a task cannot be completed.
CRITICAL - The code or application must halt.
These particular levels are not required, they are merely conventional. As we’ll see in a moment, Python automatically supports these levels as described. Some applications include additional levels for more fine grained control. Completely different schemes are not unheard of either; another common sort of approach for simple tools may be to just have OK/ERR messages instead.
The important feature is that these levels are an ordered set. The numeric value of the level is what is used to filter against. Setting a logging level of WARNING (i.e., 3) means that levels below that (DEBUG and INFO) will be suppressed. This is meant to be a run-time option that lets you include the statements in your code, but switch them off if not needed.
When printing statements, the name of the logging level (often in all-caps), is typically included before the message.
INFO - all done
There are many targets for outputting logs. Often, logs are simply printed (or redirected from) the console, or written in plain text to a file. You might imagine having logs written to another service over the network or maybe even a database. Sometimes, one doesn’t preclude the other.
Note
Many software engineers have very strong opinions about what to do with logging output, how it should be formatted, and where it should go. We’ll stick to the basics and not worry about that too much for now.
We’ll assume that our messages should be printed as text in some controllable fashion. As discussed in the previous section on command-line interfaces, you should print messages to stderr. This is if the messages are going to the console; you might allow the user to instead specify a file path to write the messages to.
In addition to the logging level, you might want to include a few other things. Some good ones include the timestamp for the message, a topic, and a hostname.
You should include a timestamp for your message so you have a record of when the event occurred. It also might be the case that you are running more than one workflow at a time from more than one program and it helps if they are all logging timestamps so you can merge them to get an order of events. In this regard, it’s a good idea to include the timestamp at the very beginning of the message so that you can combine output from multiple sources and sort it with standard command-line tools.
You should include a topic in your message so that you can associate it with some part of your library. It’s not always the case, but often this is done by tagging all your messages by which module and/or function it came from. This can be done manually in the messages themselves, or automatically by the framework you’re using. This can be very helpful in tracking down messages pertaining to a particular part of your code.
You might want to include the hostname of the machine you’re running on. This is not as common as other attributes, but in scientific computing the chances are high that you’re running your workflow on many machines that are not your laptop. It might be useful to know what machine a particular task ran on when analyzing your logs. This is easy to include automatically in most logging frameworks.
We’ve covered a lot of details here, but as with the previous section on command-line interfaces, Python has you covered with a module from the standard library.
The logging module is quite comprehensive and allows the user to heavily customize many parts of the behavior. It is pretty strait forward to implement your own logging functionality; unless you’re doing something special why not use the standard library?
In [1]: import logging In [2]: log = logging.getLogger(__name__) In [3]: log Out[3]: <Logger __main__ (WARNING)>
Here we’ve started with a name (usable as a topic) and by default our logging level is WARNING. Our filter works, but our formatting is simply the message for now.
In [4]: log.info('hello, world') In [5]: log.warning('uh oh') uh oh
We can alter the formatting of the messages that are written by creating a formatter object. The formatter is an attribute of a handler. A logger object has zero or more handlers that all are free to deal with messages in their own way. We’ll setup a stream handler to write to stderr and add it to our logger.
In [6]: handler = logging.StreamHandler() In [7]: handler Out[7]: <StreamHandler <stderr> (NOTSET)> In [8]: formatter = logging.Formatter('%(asctime)s %(levelname)s [%(name)s] %(message)s') In [9]: handler.setFormatter(formatter) In [10]: log.addHandler(handler) In [11]: log.warning('oh my') 2020-07-26 15:35:49,497 WARNING [__main__] oh my
We can change the level if we like to allow lower level message to come through.
In [12]: log.setLevel(logging.INFO) In [13]: log.info('hello') 2020-07-26 15:41:33,491 INFO [__main__] hello
There’s a way to have the logging library add an attribute so you can include the hostname in the message as a named field, like %(hostname)s. This is a bit cumbersome and makes things more complicated than we’d like at this point. An easy hack though is to literally just code it in.
%(hostname)s
In [14]: import socket In [15]: HOST = socket.gethostname() In [16]: HOST Out[16]: 'my_machine.local' In [17]: formatter = logging.Formatter(f'%(asctime)s {HOST} %(levelname)s [%(name)s] %(message)s') In [18]: handler.setFormatter(formatter) In [19]: log.info('look at this') 2020-07-26 15:46:09,422 my_machine.local INFO [__main__] look at this
Let’s update our code to include logging. When you’re developing a Python package, you don’t want to duplicate code in each module. Instead, let’s create some generic code in a logging module. We could just add it right along side our existing module, but it might be a good idea to create a distinct core sub-package for generic code separate from our business-logic. That way, we can add things later (like configuration file handling) and not clutter our top-level API.
$ tree . . ├── docs/ │ ├── build/ │ │ └── ... │ ├── source/ │ │ ├── conf.py │ │ ├── manpage.rst │ │ └── index.rst │ ├── Makefile │ └── make.bat ├── LICENSE ├── python201/ │ ├── __init__.py │ ├── algorithms.py │ └── core/ │ ├── __init__.py │ └── logging.py ├── README.rst └── setup.py
Again, the __init__.py file is a signal that this folder is a package (or sub-package). The find_packages function we used in our setup.py will automatically pick this up so we don’t need to worry about modifying any code there.
__init__.py
find_packages
setup.py
Our logging module might look something like this.
logging
import logging from logging import DEBUG, INFO, WARNING, ERROR, CRITICAL from socket import gethostname HOST = gethostname() handler = logging.StreamHandler() formatter = logging.Formatter(f'%(asctime)s {HOST} %(levelname)s [%(name)s] %(message)s') handler.setFormatter(formatter) def getLogger(name: str, level: str = 'warning') -> logging.Logger: """ Create a named logger. Parameters: name (str): name for the logger level (str): logging level (default='warning') Returns: logger (`logging.getLogger`): the created logger instance See Also: `logging.getLogger` """ log = logging.getLogger(name) log.addHandler(handler) log.setLevel(getattr(logging, level.upper())) return log
We only need to create the handler once. But we want to allow each of the modules in our package to create a new logger with a distinct name. So we’ve created a new function with the same name as the underlying logging library to let us automatically add the handler.
Now let’s modify the algorithms module to make use of our logging module.
algorithms
import sys from typing import List from argparse import ArgumentParser, FileType from .core.logging import getLogger, DEBUG log = getLogger(__name__) def cumulative_product(array: List[float]) -> List[float]: """ Compute the cumulative product of an array of numbers. Parameters: array (list): An array of numeric values. Returns: result (list): A list of the same shape as `array`. Example: >>> cumulative_product([1, 2, 3, 4, 5]) [1, 2, 6, 24, 120] """ result = list(array) for i, value in enumerate(array[1:]): result[i+1] = result[i] * value sample = '[]' if not result else f'[..., {result[-1]:g}]' log.debug(f'cumulative_product: length-{len(result)} array {sample}') return result def main(argv: List[str] = None) -> int: """Command line entry-point for `cumulative_product`.""" # command line interface description = 'Compute the cumulative product of an array of numbers.' parser = ArgumentParser(prog='cumprod', description=description) parser.add_argument('-v', '--version', action='version', version='0.0.1') parser.add_argument('infile', metavar='FILE', type=FileType(mode='r'), default=sys.stdin, help='input file path (default <stdin>)') parser.add_argument('-o', '--output', dest='outfile', metavar='FILE', default=sys.stdout, type=FileType(mode='w'), help='output file path (default <stdout>)') parser.add_argument('-l', '--last-only', action='store_true', help='only keep the last value') parser.add_argument('-d', '--debug', action='store_true', help='show debugging messages') cmdline = parser.parse_args(argv) if cmdline.debug: log.setLevel(DEBUG) values = map(float, cmdline.infile) result = cumulative_product(list(values)) # '%g' formatting automatically pretty-prints start = -1 if cmdline.last_only else 0 print('\n'.join([f'{value:g}' for value in result[start:]]), file=cmdline.outfile) return 0
If you’ve not seen that syntax before, the import statement for our logging module is called a relative import. The leading dot means adjacent. If we had two leading dots it would signify one level up, and so on. This way, we need not hard code the name of our package.
Let’s reinstall our package and try it out.
$ pip install . --upgrade
$ cumprod <(seq 10) --last-only 3.6288e+06
$ cumprod <(seq 10) --last-only --debug >results.txt 2020-07-26 20:21:22,340 my_machine.local DEBUG [python201.algorithms] cumulative_product: length-10 array [..., 3.6288e+06]


The Editor class This is responsible for creating and managing all windows of the editor. MainWindow will be created, and filled with dockable widgets. This owns all views, and handles all comunication between front and backend.
More...
#include <editor.h>
The Editor class This is responsible for creating and managing all windows of the editor. MainWindow will be created, and filled with dockable widgets. This owns all views, and handles all comunication between front and backend.
◆ Editor()
| Editor::Editor |
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QObject * |
parent = nullptr | ) |
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explicit |
◆ ~Editor()
◆ closeMap
| void Editor::closeMap |
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slot |
◆ exportMapMesh
| void Editor::exportMapMesh |
( |
| ) |
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slot |
◆ loadMap
◆ newMap
◆ saveMap
◆ saveMapAs
| void Editor::saveMapAs |
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| ) |
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slot |
◆ viewMapProperties
| void Editor::viewMapProperties |
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slot |
The documentation for this class was generated from the following files:


Funke Akindele Loses Dad
by Michael BamideleNigerian actress and filmmaker Funke Akindele has lost her dad.
The “Jenifa Diary” actress took to her Instagram page today to announce the passing away of her father. She posted a photo of herself with her late father who was a retired school principal, along with the caption:
“Dad!!! May your soul Rest In Peace!! I tried Dad! I did!! We love you but God knows best!!! #iwishicanturnbackthehandsoftime”
Funke Akindele has over 100 films to her credit as actress, writer, and producer. She came into the limelight after starring in popular United Nations Population Fund (UNFPA)-sponsored sitcom “I Need to Know”, which ran from 1998 to 2002.
Her big break came in 2008 when she appeared in the film “Jenifa” which has spurn the comedy series “Jenifa’s Diary”.


A couple years ago I purchased a bottle of Czech absinthe online, but wasn't too impressed with it, and found out that I had bought the low thujone content one by mistake. It tasted good (prepared tradionally first, then by dipping sugar and setting on fire) without much bitterness, but I dont remember really getting any effects other than the alcohol. It may have been a bit different than my normal alcohol buzz, but I don't really remember...
My next experience with absinthe was recently when I tried making my own. I did some research on recipes and experiences, and found one to use as a base recipe, then modified it. (being a chef..:)) As expected, it was very bitter. The way I prepared it is as follows: I split a bottle of 192 proof grain alcohol into 2 bottles, and added 15g of wormwood to each and let it sit. I then filtered that and added to it other herbs (anise, coriander, caraway, yarrow, feverfew, angelica, cardamon, hops, etc) and let that sit more, then filtered it and added an equal amount of arak - 80-100 proof anise flavored liquor. (This one was 80.) To test different lengths of leaving the wormwood in the alcohol, I removed it in stages.
The first time, I filtered out approx 100 ml from the bottles after 3 days, let that sit with the other herbs for 4 days, then filtered it and added another 100 ml of the arak. It was cloudy (from sediment) and dark green, so I tried filtering it with a tea bag, but that didnt work too well, so I just left it. I tried preparing it tradionally, with sugar cubes and water, but it was still very bitter. Over a 45 min or so, I drank about 100-125 ml of it in 2 glasses, after giving a bit to a couple friends to try. It was definitely different than a normal alcohol buzz, which for me is looseness after a few shots, then drowsiness as I drink more. It probably hit me harder than regular alcohol would have, but I didnt feel tired from it. Just the opposite, I felt energetic a bit, and I think I was feeling a bit violent from it, which I also dont get get from alcohol alone.
For the next batch, I filtered the wormwood out of the rest of one of the bottles after it had soaked for a week and added the other spices to it. This time, when I removed the grain alcohol to add the other spices to it, I added 1/2 the bottle of 40% arak to the wormwood, to let it soak in that also. After almost a week, I filtered out about 25 ml of the grain alcohol from the other herbs and added to it 25 ml of 50% arak to fill a small bottle. Again it was cloudy and dark green, so I tried filtering it through a tissue, and this worked pretty good. It was now clear and a lighter green, though still pretty dark. As an interesting side note, I noticed that when just looking at it, it was dark green, but when I held a flashlight right next to it, the direct light from the flashlight seemed to make it appear blood-red for some reason.
I'm not sure, but I think the sediment that I filtered out was a combination of clorophyll, since it became a lighter green, and the bitter alkaloid, since although it was still pretty bitter, it was quite noticably less bitter than last time, despite soaking in the wormwood longer. This time instead of the traditional way, I drank it mixed with grape juice, approx 1:3 or 1:4 ratio. Like this it had a relatively pleasant taste, followed by a slight bitter aftertaste. Due to the smaller dosage, I couldn't really tell too much about the effects, although it definitely hit me harder than alcohol, and it seemed like if I had had more it would have had better effects.
Two days after that, when the other herbs had soaked in the grain alcohol for a week, I filtered the arak and GA and combined them as well as adding a bit more 50% arak. I noticed that initially it was clear, then a few minutes after combining them, it was cloudy, so I think this comes from the clorophyll and alkaloids precipitating out of solution when the alcohol % drops. I tried drinking it with hot chocolate first, 50 ml ab mixed in a large cup of it. It was still pretty bitter, worse than with the grape juice. After drinking that, I felt a little 'warm', but that could have just as easily been from the warmth of the hot chocolate.
About 30 min later I had another 50 ml, this time mixed with a smaller amount of orange soda. I was doing this while sitting down reading, and while sitting I still didn't feel much, but when I got up and started moving around, I started to feel the effects. I felt a little drunk without being tired and my mind felt relatively clear for being tipsy, although I usually have a pretty clear mind when I drink, but I think it was a bit clearer than normal. About 20 min after I finished that I had another 50 ml, mixed with fruit punch and then after a sip I added some cranberry juice to it. I think the cranberry juice covered the bitterness the best of anything I had this time.
By now, I was feeling pretty drunk, and also starting to feel a bit sick. I didn't really feel anything else, though. During this last one I started eating dinner, which helped get rid of the bitter taste, but it didn't help feeling sick. I had another 25 ml or so mixed with the punch (for some reason I used that instead of the cranberry) and started to feel even more nauseous. I finished dinner and went back to my room to lay down for a bit before a class, and woke up 3 hours later, only slightly nauseous, and feeling dehydrated from the alcohol.
I've still got the other bottle soaking in wormwood. After its been soaking for 2.5 weeks, I'm going to filter it, add the other spices and let it sit for 4 weeks while I'm on vacation, and hopefully that will affect me more. It doesn't seem like thujone affects me very much, although a friend said that when he had some absinthe (not mine) and whiskey in Germany his friend looked like Alf to him. Like many things, it probably affects some people more than others.
It could also be that I take ritalin, which could inhibit the effects, although I forgot to take it often, and hadn't neccesarily taken it when I was experimenting with the absinthe. I'm probably going to try again and soak the wormwood in water first to see if it reduces the bitterness. But if that doesn't give some better effects, or at least doesn't make me nauseous, then I'll stick to scotch and arak (not together).
*Update*
The other bottle which sat for 2.5 then 4 weeks wasn't much better than the first. In fact, I still have most of it left. I gave someone (a 'tough-guy' who claims to be able to drink a whole bottle of whiskey no problem) a shot or less of it straight without diluting it with water or sugar. He made a face, but kept talking. Two minutes later he was puking all over the sidewalk.
I also got more wormwood and tried again, soaking it in water this time. The first time, I soaked the wormwood in water for three days before putting it into grain alc. I think it was there for a month or so before I put it into arak and put the other herbs in the grain alc. I think they were there for 2 or 3 weeks.
This time I prepared it by first mixing equal parts absinthe and sugar water, then adding a bit of orange, anise (which louched violently) and vanilla extracts. Like this it was relatively decent to drink. Soaking it in water first definitely took away a lot of the bitterness. It didn't seem to take away the thujone, though, as even after having about a shots worth (measured before adding water) I was already starting to feel some effect. Clear(er) thinking, tipsy feeling without feeling drowsy, etc. On another occasion I had about 3 times that amount, but it didn't seem to affect me much stronger. It didn't make me nauseous like the first batch did, though. I think for me at least, this is something to drink lightly to relax or open up, not to get wasted.
I also tried refining the recipe a bit more in a third batch (cause I had more wormwood) but I think this one will be my last. This time I let the wormwood soak in water for a week, changing the water once or twice. Then I put it in the grain alcohol, where it was for about 3 or 4 months. This time I just threw out the wormwood instead of putting it into the arak. I also ground some of the other seeds (like anise, fennel, cardamom, coriander, caraway, etc) a bit before putting them in. As of now, the other herbs have been in the grain alc for about a month and a half.
To try it I filtered out a small amount (since its still very concentrated), about 1/4 shot, and mixed it with twice as much of a sweet wine. I was going to put in the extracts, but I forgot. It didn't really need them, though. Even like this it was almost pleasant to drink - only a bit bitter, although it did leave a bit of a bitter aftertaste, which candy corn promptly covered up. All the batches had this aftertaste, though.
As for effects, they're there, even from this little bit, similar to before. A friend of mine called me shortly after I had had this, and I was much more talkative and upbeat than I usually am. We got into a more 'down' topic, though, and I think my mood quickly swung to just as down as I had been high before, and having another similar dose didn't help. I was going to try a bit of a previous batch for direct taste comparison, but I forgot to. I'm sure this one was definitely much less bitter, though.
-RF
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


HEAVY A film review by Edwin Jahiel Copyright 1996 Edwin Jahiel
HEAVY (1995, US release1996)*** 1/2 Directed and written by James Mangold. Photography, Michael Barrow. Editing,Meg Reticker. Production design,Michael Shaw. Music,Thurston Moore. Producer, Richard Miller. Cast: Pruitt TaylorVince (Victor), Liv Tyler (Callie), Shelley Winters (Dolly), Deborah Harry (Delores), Joe Grifasi (Leo), Evan Dando (Jeff). A CFP release, 105 min. Not rated. (Nothing objectionable)
Decades ago, the term "Theater of Silence" was applied in France to plays in which rhetoric was replaced by restrained speech, where dialogues comprised hesitations, where the subtext was more important than the text. The appellation did not last long, yet found its application in several theatrical genres, such as the work of Samuel Beckett.
Most people have forgotten this. James Mangold probably never heard of it, yet his "Heavy" fits that category well. A first feature yet a true original, it was rightly awarded the Grand Jury Prize for Best Direction at the Sundance Film Festival in early 1995. A good guess of why it was released in the U.K. in 1995 but had to wait for U.S. distribution until past mid-1996, is that this a maverick work, serious, non-Hollywoodish and not catering to immature audiences.
Set in upstate New York in and around a roadhouse, the film has few sets and even fewer characters. The tavern is named "Pete and Dolly's" after the long-deceased Pete and his widow (Shelley Winters) who runs the place. The sign ought to have changed to "Dolly's," but then time stands still in this story. Regulars come and go as the diner also seems isolated in space. We guess that it is near a town, but except for the time when a hospital comes into the picture, "P & D" might as well be miles from any urban agglomeration.
Molly's son, the thirtysomething Victor, is severely balding, heavy (like "big" an euphemism for "fat"), 100 percent shy and 99 percent silent. Not reserved, reticent, laconic. Not romantically taciturn. Just silent. In the entire movie he utters just a few words, and when, under stress, he does speak out, he breaks his record with two sentences. That's near the end when he tells Delores "You don't have to be nice, only nicer" "Or what, Victor?" "I'll fire you." In a less restrained movie you might feel like applauding.
The causes for this are not made known. One facile explanation goes that Dolly is an overbearing mother --yet we don't see excessive control by her, while her love for Victor is fairly obvious. There must have been some sympathy for the heavy Victor character by Shelley Winters who went from slim to...well, heavy. The Mama's Boy syndrome was much clearer in "Only The Lonely (1991)" a fine film where a Chicago policeman (the late, lamented, hefty John Candy) falls in love.
The root of the trouble is more likely that Victor's poundage --tough the man is far from a monster of obesity --weighs heavy on his mind, especially as he can't help eating high-fat and junk foods. With typical restraint, the film does not make a big show of this. But then, to argue with myself, it is also clear that overeating can be a symptom of other problems -- so we're back to square one.
In the meantime we might wonder at the increasing number of recent movies that deal, directly or not, with food and sometimes with the exclusively American problem of obesity. Let me only say that "Heavy" is a million times preferable to "Thinner."
The film opens with Molly hiring pretty Callie as a new waitress, to the silent jealousy of Delores, the older barmaid and only other employee. She has been around the block before, semi-flirts with elbow-bending Leo,the most regular of regulars,ever-present on his bar stool. Delores just might have views of permanency also with Victor. The un-cliched Delores, warts and all like Molly, comes through as likable.
Callie is sweet, natural, none too talkative.  The rapport between the two, almost wordless, is immediate. But when, at closing time, Callie declares :"My boyfriend is waiting," you can sense the sky falling on Chicken Little.
There is little action and plot --as usually understood -- so that the developments should not be divulged here. The film is, above all, one of original, quiet yet minute observation of characters and relationships, notably Victor's. It may, for some viewers, feel a bit heavy and in need of some pruning, but on second thought, the same viewers might realize that the length (not excessive by today's standards) allows the movie to develop, so that several poignant, even heart-breaking passages (Victor's mostly) can affect us as they do. Mind you, for the little that is happening, a lot is happening too. What I mean by this paradox will be understood by a sensitive public.
Lest one get the wrong idea, note that the beauty of "Heavy" is in its details. The film is under the twin signs of naturalism and minimalism in everything: script, direction, sets, the excellent photography and editing, the music that does not obtrude and does the right thing at the right moments. But naturalism does not preclude some very good scenes of visions by Victor, including his first kiss with Callie -- as a mouth-to-mouth resuscitation. And minimalism does away with elaborations of unnecessary sights, such as details about the bar's customers, or the guitar-strumming, singing Jeff, Callie's garage mechanic boyfriend who is played by a member of the band "The Lemonheads."
It came as no surprise to learn that 32-year old James Mangold is the son of well-known painters, that among his earlier works was a documentary about his mother, and that his father is a minimalist artist.
Mr. Mangold has made no compromises. In its sympathetic but un-gooey attitudes, the movie avoids the obviousness of melodrama, replaces audience-pleasing but dishonest twists with real life (there is no closure, for example), finds perfect interpreters in its cast.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


Detailed Description
Module Source Dependencies
The following files must be built with any user project that uses this module:
- LUFA/Drivers/USB/Class/Device/RNDIS.c (Makefile source module name: LUFA_SRC_USBCLASS)
Description
Device Mode USB Class driver framework interface, for the RNDIS USB Class driver.
Function Documentation
Configures the endpoints of a given RNDIS interface, ready for use. This should be linked to the library EVENT_USB_Device_ConfigurationChanged() event so that the endpoints are configured when the configuration containing the given HID interface is selected.
- Note:
- The endpoint index numbers as given in the interface's configuration structure must not overlap with any other interface, or endpoint bank corruption will occur. Gaps in the allocated endpoint numbers or non-sequential indexes within a single interface is allowed, but no two interfaces of any type have have interleaved endpoint indexes.
- Parameters:
-
| [in,out] | RNDISInterfaceInfo | Pointer to a structure containing a RNDIS Class configuration and state. |
- Returns:
- Boolean true if the endpoints were successfully configured, false otherwise.
Processes incoming control requests from the host, that are directed to the given RNDIS class interface. This should be linked to the library EVENT_USB_Device_ControlRequest() event.
- Parameters:
-
| [in,out] | RNDISInterfaceInfo | Pointer to a structure containing a RNDIS Class configuration and state. |
General management task for a given HID class interface, required for the correct operation of the interface. This should be called frequently in the main program loop, before the master USB management task USB_USBTask().
- Parameters:
-
| [in,out] | RNDISInterfaceInfo | Pointer to a structure containing a RNDIS Class configuration and state. |


Explore for more information about scuba diving. You will learn about the equipment that is required and some locations to explore once certified.
Credit: Stock photo provided by Radiotetouan.ma
Click the links below
Equipment Dive SpotsI chose the Padi Website The website has a lot more happening than mine, which is to be expected. There are 'button' features that allow the user to navigate to other linked pages. The page also has click-able images, which will navigate to another page. Once I gain more experience with the different tags, elements, & attributes, and incorporating different formatting and styling data.


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{{player.opponent}} |
{{(player.home) ? 'Home': 'Away'}} |
{{player.attempts}} |
{{player.completions}} |
{{player.pass_yards}} |
{{player.pass_tds}} |
{{player.interceptions}} |
{{player.pass_long}} |
{{player.times_sacked}} |
{{player.targets}} |
{{player.receptions}} |
{{player.rec_yards}} |
{{player.rec_tds}} |
{{player.rec_long}} |
{{player.carries}} |
{{player.rush_yards}} |
{{player.rush_tds}} |
{{player.rush_long}} |
{{player.fumbles}} |
{{player.fumbles_lost}} |
{{player.fantasy | number:2}} |


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{% extends 'records/base.html' %} {% load fullcalendar_tags %} {% block content %}
Add a new horse or medicine/schedule to the tracker, or update an existing one! Scroll down or expand the panel to see all the things you can do.
| {{event.title}} |
| There's nothing planned for today! |


--- layout: default nav: tutorial ---
This example demos a click to load UI for a table.
Note that the "server side" implementation is mocked out using mockjax, so you can see the entire implementation. Click the "Source Code" tab to see the code.
ic-get-from
attribute that loads the next page of data (including another button). The button targets the closest
table row for replacement with the
ic-target
attribute, using the special closest
syntax. Finally, because we want to replace the entire row
with the new page of rows returned (rather than simply replacing the inner content of the row), the
ic-replace-target
is set to true
| Name | ID # | |
|---|---|---|
| Agent Smith |<EMAIL_ADDRESS>| D92B582CA8GDD94 |
| Agent Smith |<EMAIL_ADDRESS>| 4AEC9GF0F0A35G5 |
| Agent Smith |<EMAIL_ADDRESS>| 3G80BFBF490BBAF |
| Agent Smith |<EMAIL_ADDRESS>| A4CB29F6G6D812D |
| Agent Smith |<EMAIL_ADDRESS>| FDFEGE1580A78C0 |
| Agent Smith |<EMAIL_ADDRESS>| 96961373E447G6F |
| Agent Smith |<EMAIL_ADDRESS>| 05EE57C9C2GD1B0 |
| Agent Smith |<EMAIL_ADDRESS>| 2G6BC043G9F12BD |
| Agent Smith |<EMAIL_ADDRESS>| 2G6BC043G9F12BD |
| Agent Smith |<EMAIL_ADDRESS>| 3C8D2157F4B854F |
|
|


download word font chalkboard bold - Extensions
Blackboard bold - Wikipedia, the free encyclopedia Blackboard bold is a typeface style that is often used for certain symbols in mathematical . direct support for blackboard bold symbols, but the add-on AMS Fonts package ( amsfonts ) . This is derived from the German word Körper, which is German for field (literally, . Create a book · Download as PDF · Printable version . http://en.wikipedia.org/wiki/Blackboard_bold
You can develop your own extensions
using the measuring labour input in horticulture.
Syntax-Highlighting Addons
Free chalkboard fonts - FontSpace Download 25 free fonts in the chalkboard category for Windows and Mac. . for a free account. Save favorites, add comments, and add fonts if you're a designer . http://www.fontspace.com/category/chalkboard
TeX Frequently Asked Questions - Section 13 Because mathematicians usually do not have access to bold chalk, they . Another complete set of blackboard bold fonts, the bbold family, is available in . occupy in running text, since the inter-word glue can be adjusted in paragraph mode. http://www.math.harvard.edu/computing/latex/tetex/help/faq/uktug-faq/texfaq_13.html in one installer (526 kb).
chalk Font Category - Ace Free Fonts Results 1 - 29 of 29 . Download lots of chalk free fonts for Windows or Mac. Search by . Tags: sci-fi, techno, futuristic, stencil, chalk, textured, grainy, outlined . http://www.acefreefonts.com/c-chalk.html
A Roundup of Best Chalkboard Fonts | TutorialChip Jul 4, 2012 . Fonts are you looking for some cool fonts? There are lots of good sites where you can download fonts. Chalkboard fonts are perfect for school . http://www.tutorialchip.com/freebies/best-chalkboard-fonts/
Free kindergarten fonts - FontSpace Download 55 free fonts in the kindergarten category for Windows and Mac. . Print Bold. Print Dashed. Print Dashed. Commercial-use friendly Download Install . http://www.fontspace.com/category/kindergarten
A simple JavaScript Formatter (47kb)Search: Chalk | Font Download - The World's Biggest Font Site Font Details · Download (8,104). Font Name: . Download (276). Font Name: Chalk-Condensed Bold . Download (115). Font Name: Chalk-Extended Bold . http://www.fontyukle.net/en/1,chalk
Fonts supplied with Mac OS X 10.5 Leopard Microsoft Typography » Fonts » Fonts supplied with Mac OS X . http://www.microsoft.com/typography/fonts/macosx.aspx CertMaker for iOS and Android
Blackboard bold: Information from Answers.com Blackboard bold is a typeface style that is often used for certain symbols in mathematical . support for blackboard bold symbols, but the add-on AMS Fonts package ( amsfonts ) . This is derived from the German word Körper, which is German for field (literally, . Can you download sprint blackboard to the blackberry bold? http://www.answers.com/topic/blackboard-bold
Windows 8 AppContainer Loopback Utility
jsMath (Download/Extra-fonts): Extra Font Tables Mar 14, 2004 . You only need to download one unless you are maintaining a site . Blackboard bold font . eufb10-sprite.zip (440KB), AMS Fractur bold font . http://www.math.union.edu/~dpvc/jsmath/download/extra-fonts/ Download
Now (60kb) or
limp bizkit only you
Traffic Differ
Chalkboard effect in Word - Office Watch Sep 7, 2011 . How to get a 'chalkboard' or 'Whiteboard' effect in Microsoft Word. . These days Word should automatically change the font color when it's . Segoe Script is the one we used in the above examples with Bold . Article Services sponsored by: Office Watch Ebooks - available now to download and read today. http://office-watch.com/?1607 Download now (47kb).
SAZ Clipboard
AMSFonts Download AMSFonts version 3 (amsfonts.zip) . Euler math fonts; Extra mathematical symbols; Blackboard bold letters (uppercase only); Fraktur letters . http://www.ams.org/publications/authors/tex/amsfonts
Gallery
The Gallery extension (50kb) Technical questions and answers archives - MacKichan Software, Inc. Version 2.5 of Scientific WorkPlace and Scientific Word uses 120 fonts. . Q. Characters in the blackboard bold, calligraphic and slant fonts don't seem to be . You can download them from out ftp site, install them in your SW directory, then . http://www.mackichan.com/techtalk/qanda.html
Download Free Fonts at Urbanfonts.com Download Free Fonts at Urbanfonts.com. Find amazing collection of PC fonts, Mac fonts and many more. http://www.urbanfonts.com/free-fonts.htm
AnyWHERE (sample)
The AnyWHERE extension (40kb) AMSTeX Reference Card 1.3 [.pdf] - digilife . be blackboard bold. \rom#1. Roman. Loading Fonts & Symbols (if not using amsppt style). \loadmsam load msam symbol font. \loadmsbm load msbm symbol font . http://www.digilife.be/quickreferences/QRC/AMSTeX%20Reference%20Card%201.3.pdf
RulesTab (sample)
Font Management in OS X Oct 15, 2012 . Also how to avoid font conflicts, and troubleshooting of font issues. . Click here to download a PDF version of this article. . Also in 10.5 and earlier, Chalkboard and Chalkboard Bold are separate fonts. . the substituted text will show the font name Word is looking for in the font selection drop down menu. http://www.jklstudios.com/misc/osxfonts.html
Privacy Scanner
The Privacy Scanner
(41kb) Cyrillic truetype font , download free - 911fonts.com Download fonts, free fonts, zephyr font, microsoft fonts, gothic fonts, scary fonts and graffiti. More 40 000 fonts on . LC Chalk. font ????? LC Chalk. Fonts Family: LC Chalk, Views: 613 . font ????? 612KosheyLine-Bold. Fonts Family: . http://www.911fonts.com/cyrilic_fonts/index3.htm
Content-Blocking (sample)
The Content Blocker
sample (11kb) iOS 6: Font list The following fonts are installed with iOS 6: . Bradley Hand Bold; Chalkboard SE Bold; Chalkboard SE Light; Chalkboard SE Regular; Chalkduster; Cochin . http://support.apple.com/kb/ht5484
Image-Flipper (sample)
The Image
Flipper sample (6kb) Free American Typewriter Font You should only download a free version of the font if doing so is legal where you . Cloffin: Check out the free version of American Typewriter Bold BTat . A computer does not have these variations - every letter, every word on the . Free Dr. Seuss Font · Fonts Chalkboard TTF Free · Web Embedded Fonts · Cool Free Fonts . http://web-design.lovetoknow.com/Free_American_Typewriter_Font
3rd-Party Extensions
free chalk fonts download - chalk truetype font at Fonts101.com Search results for 'chalk' (free chalk fonts). Total Fonts: 28. PW Chalk font download (truetype) preview image. PW Chalk / PWChalk.ttf. (685 downloads) more . http://www.fonts101.com/search/chalk
Top 100 Free Font Downloads | UrbanFonts.com Top 100 free fonts at UrbanFonts.com We have over 8000 free fonts and . For free fonts, dingbats, truetype fonts and much more, head to www.urbanfonts.com. http://www.urbanfonts.com/fonts/top-100-fonts.htm
neXpert Performance Report Generator
Revtex 4.1 command and options summary - aps - Journals of the ... Adds AMS font support. [amssymb] . Escape a letter or word from being uppercased in a top-level \section heading. . Math blackboard bold font. Requires . http://publish.aps.org/files/revtex/summary4-1.pdf
StresStimulus
LaTeX for Physicists Download and install MikTex; Download and install TeXnicCenter; Download . Sets font size to 11pt; Includes commonly needed packages; Reduces page . Use "\mathcal{ }" for a caligraphic font; Use "\mathbb{ }" for a blackboard bold font . http://www.dfcd.net/articles/latex/latex.html
Watcher - Passive Security Auditor
How do I get blackboard bold symbols? | Lurch Jul 6, 2012 . The word processor that can check your math . In Lurch 0.76, blackboard bold symbols appear in their own palette in the math toolbar. . in Lurch by typing ordinary letters like N, Q, R, Z, and C and then changing their font to jsMath- msbm10. . Fast, secure and Free Open Source software downloads . http://lurch.sourceforge.net/faq/how-do-i-get-blackboard-bold-symbols/
Ammonite - Security Scanner
MyFonts: Webfonts & Desktop Fonts Welcome to MyFonts, the #1 place to download great @font-face webfonts and desktop fonts: classics (Baskerville, Futura, Garamond) alongside hot new fonts . http://www.myfonts.com/
REVTEX 4.1 Author's Guide - Journals of the American Physical ... 12. VI.7. Bold symbols in math. 12. VII. . words should still be explicitly hyphenated, e.g., author- prepared copy. . be downloaded from http://www. ams.org/tex/. There are . to the Fraktur and Blackboard Bold fonts, respectively. These fonts . http://publish.aps.org/files/revtex/auguide4-1.pdf
how set up dba florida
x5s - Automated XSS Security Testing AssistantBitstream Font Family - CTAN Hebrew words in Roman transliteration are inserted either by typing . Two fonts of symbols, including a Blackboard Bold alphabet, are also available. . The following faces have already been released by Adobe as downloadable PostScript . http://ctan.unixbrain.com/info/digests/texline/no8/fontmemo.tex
- Detecting where safe encodings were not applied to emitted
user-inputs
- Detecting where Unicode character transformations might bypass
security filters
- Detecting where non-shortest UTF-8 encodings might bypass security
filters
premishship transferes 08 9
intruder21
REVTEX Information for APS Authors Instructions for preparing ... B Using bold symbols in math: \bbox{#1} and the amsfonts option . 1-10. C Extra typefaces in . Section VII discusses font selection schemes, support for AMSFonts, and . not hyphenate words at the end of a line; TEX will do this. Continue to . commands to switch to the Fraktur and Blackboard Bold fonts, respectively. https://authors.aps.org/latex/revtex.pdf
mexican jumping bean resaerch
HTML Inspector
info/metafont-list - University of Washington I have deleted the information on using fonts, as there's now an FAQ for comp. fonts. . Alan Jeffrey's blackboard bold font, and contains both upper and lower case. . to use them with TeX, and also to arrange to download them to your printer. http://www.math.washington.edu/tex-archive/info/metafont-list
User's Guide to AMSFonts - FTP Directory Listing - American ... Standard distributions of TEX ordinarily come with all the fonts specified in plain. tex, and . letters of the blackboard bold alphabet that resides in the msbm font. This alphabet . The t·s pair appears, for example, in the word sovet\cydot ski\u\i . ftp://ftp.ams.org/pub/tex/doc/amsfonts/amsfndoc.pdf
WCF Binary-Encoded Message Inspector
Chalk Pushcast Plug-in for Microsoft PowerPoint - 5.6 ... - BlackBerry Download Chalk Pushcast Software installation files and guides . . Use different font colors to emphasize words. . BlackBerry® Bold 9000 smartphone . http://docs.blackberry.com/en/admin/deliverables/23934/Chalk_Pushcast_Plug-in_for_Microsoft_PowerPoint-Installation_and_Administration_Guide--1281516-0921085519-001-5.6-US.pdf
Chad Sowald's Request-To-Code
Chapter 8 Fonts and Typography - Www Personal Umich A type font is a collection of letters, numbers and punctuation marks which are de . Microsoft Word, but could not be used in LATEXor TEX. . is an example of the so-called Blackboard Bold symbols that are part of standard Latex, . phabet uses black letter; it requires the amsfonts package [available free by download . http://www-personal.umich.edu/~jpboyd/eng403_chap8_fontsall.pdf
Eyal's Extensions
- free shipping on lamp shade finials has written two extensions:
Thomas Deml's Export WCAT Script extension
User's Guide to AMS-TEX - CTeX Appendix D. Before Installing AMS-TEX: Facts About Fonts. 1. . AMS-TEX has a blackboard bold font, \Bbb. Like \Cal, it will work only in math mode, and only . http://www.ctex.org/documents/packages/nonstd/amsguide.pdf
Per-Response Latency Extension
How can I write these math symbols in Word? : Mathematics ... Mar 27, 2011 . I want to write in Word the hollow symbols of sets of numbers: . This then led to a whole new typeface called blackboard bold, which has worked its way into textbooks to replace the original boldface. . Or download a font. http://www.rationalskepticism.org/mathematics/how-can-i-write-these-math-symbols-in-word-t20876.html
WPAD Server
TeXlips: Download In addition, you can select special fonts for fraktur, script, blackboard bold, sans . leq, for converting LaTeX into Word documents; word2tex, for converting Word . http://www.texlips.net/texlips.html
XML Request InspectorUsing MathType to Create TEX and MathML Equations - TUG other products, such as word processors, page layout . font-to-MTCode mappings is used to relate char- . Greek, italics, Fraktur, blackboard bold, and . http://www.tug.org/TUGboat/tb20-3/tb64topp.pdf XML DataSet InspectorTeX - EnglishWiki The download site for the hieroglyph metapost fonts. . 11.3 laptop computer, I found that the blackboard bold fonts seemed to be missing. . 9492 multiletter control sequences out of 10000+50000 26965 words of font info for 96 fonts, out of . http://wiki.alankennington.com/en/TeX
©2013 Telerik
|


Soul Guide Udan Mardui:
You're not strong enough yet.
(Quest may only be undertaken by characters of level 75 or above.)


For some reason it never occurred to me that you could use property() as a decorator. Of course, if you want to use getters and setters you can't, but for the (fairly common) case when you have a function that you want to turn into a read-only attribute, it works great:
class Foo(object): @property def bar(self): return <calculated value>
Huh. Seems obvious now.
Update: these days this is built in, and fancier. Try:
class Velocity(object): def __init__(self, x, y): self.x = x self.y = y @property def speed(self): return math.sqrt(self.x**2 + self.y**2) @speed.setter def speed(self, value): angle = math.atan2(self.x, self.y) self.x = math.sin(angle) * value self.y = math.cos(angle) * value @speed.deleter def speed(self): self.x = self.y = 0
That is, @property
is both a decorator, and creates
a decorator, that can be used to add a setter and deleter to the getter.
Note the name of the second two functions is insignificant.
For getters and setters, I like this: class Foo(object): @apply def bar(): def fget(self): return self.whatever def fset(self, value): self.whatever = value return property(**locals()) fdel and doc can be added if needed. And, if the "**locals()" seems too magical "fget, fset" can be substituted.
I can't get myself to like any of those kinds of recipes for getters and setters. In SQLObject I added something to the metaclass to automatically turn _get_* and _set_* functions into getters and setters, and the Wareweb I changed the convention to *__get, since that seems more obviously special (code for that is in paste.util.classinit)
# Ian Bicking
A clean namespace is good, but a namespace can be _too_ clean.
Having '_get_something' '_set_something' available is usually nice.
# anonymous
I'd prefer camel cased versions, and preferably, set the decorator myself. (Like the python 2.3 notation)
# rboerma


POET - POEM Editor Transplatform version
POET
New
Open
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The standard this POEM use.
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The generator of this POEM.
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The url of the generator.
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The description of this POEM.
HTML Override
No Override (Default)
Declear this problem uses raw & purified HTML (NOT Recommend)


Thank you for reaching out!
May 2020: I am looking for people to interview! Here's step-by-step interview information.
The best way to get ahold of me is to email me at<EMAIL_ADDRESS>You can also contact me through social media:
Instagram (@ClimateInterviews)
Twitter (@ClimateInts)
Facebook (@ClimateInterviews)
(Also, please follow Climate Interviews at these platforms!)
If I somehow miss your message, please feel free to reach out to me personally (details at ashleyhoffmann.com).


I am an avid hobbyist and mechanical engineer who enjoys working with hardware, electronics and software to create the ultimate project.
Below you will find several slow motion videos of my rocket project, Poindexter.
Launch cam of Poindexter at the Bonneville Salt Flats in Utah on an M1315w. During this flight, the rocket achieved 17,531 ft in altitude and flew supersonic. Filmed at 210 FPS.
Launch in Pueblo Colorado on a sparky L motor. The force of this launch broke a leg on the launch pad and sent the rocket two miles off course. GPS tracking allowed me to recover the rocket intact next to a very large tree. Filmed at 210 FPS.
Here is an overview of each flight that Poindexter has been on. Interesting specs for the vehicle:
Max Altitude Flown
Top Speed
0-60 time
0-Mach1 time
Total distance flown
Total fuel used
This data shows the acceleration incurred by the rocket, this includes launch, parachute deplyment, descent, and landing.


VTX HEN 1.7:
VTX DUMPER 1.8:
VTX FTP 1.3:
Made by DefaultDNB 2018
[WARNING]: CLEARING WEBSITE DATA ALSO ERASES STATS


--- layout: default title: Princeton Review's Network ---
This project was last updated on 31 October 2017


We take your privacy seriously and we want to keep the privacy policy short, clear, and simple,
while outlining everything you need to know about the app and the usage it does of your personal data.
From now on, we refer to "VideoQR" as "the app".
- The app needs access to the camera to fulfill its main purpose (taking videos).
-
The app needs access to the device storage in order to temporarily save the videos you take before sending them to our server.
- The app only temporarily writes a file and then removes it immediately after sending the file to our server.
-
We do not process any payments ourselves.
- The purchase required to acquire the app is processed and handled by Google Inc.
- We are not involved in the purchase process in any way, therefore, we do not, and we cannot, collect any information in the process.
-
The app requests Internet permission.
- The app needs to send the recorded videos to our server to process the information which is the app's main purpose.
- The app also send basic phone information phone model for data analytics.
- You accept the terms of this privacy policy by using the app.
Last update: 2019/11/07.
Go back to Home Page


We've found a few great parks for you to visit! Based on what you've said, our top recommendation is:
{{ predictions[0] }}
We also strongly recommend:
-
{% for prediction in predictions[1:] %}
- {{ prediction }} {% endfor %}


Output:
Changelog:
- Misc improvements for CSS and controllers
- Multiline TextArea support (description)
- Enumerated value >= threshold labeling for slider (enumerated)
- Removed implicit horizontal mouseDown+mouseDrag step handlers on NumberControllerBox to prevent conflict with text highlighting.
- If you define explicit "step" value for your controller component, the input now uses the HTML5 input type="number", with a "step" attribute, which should provide native stepper UI functionality if available.
- Added GUI instance utility methods: getFolderByName(name), getControllerByName(name,?recurse), getAllGUIs(?recurse, ?myArray), getAllControllers(?recurse, ?myArray)
- Added 'onClosedChange' handler to detect opened/closed states


I am a driven and highly motivated computer science major with professional and academic experience in full-stack development.
Last updated: July 19, 2019
GPA: 3.23
Apart from being a computer scientist, I enjoy most of my time being with friends and family. I love to explore different locations, mainly the city of Chicago during the different seasons. I'm also an avid coffee enthusiast. I love going to different coffee shops to relax, study, or catch up with an old friend.
I love watching movies and television, I enjoy reading books, and I like to play console videogames. I'm a huge fan of Star Wars, Comic-Book Super Heroes, and Game of Thrones. I am currently learning how to play the hand-drum because I love making fun beats to listen to. I also love to stay up-to-date with the latest tech advancements in general, but also within the computer science community.
Some quick example text to build on the card title and make up the bulk of the card's content.
Go to RepoMr. Biabani was the intern supervisor during my time as an intern at the Sufi Community Center. SCC is a 501c3 nonprofit organization whose motto is “Educating, Empowering, and Collaborating.”
 McDaniel was my Language and Compositions professor during my time at Pike in Indianapolis, Indiana.


这个题一开始没看懂什么意思，所以就放在那没做，还是今天pengnix跟我说了这个题，才开始做的。
179487 * 4 = 717948（10进制）
4*7=28
4*8+2=34
4*4+3=19
4*9+1=37
4*7+3=31
4*1+3=7
| Multiplying by Rotation |
Warning: Not all numbers
in this problem are decimal numbers!
Multiplication of natural numbers in general is a cumbersome
operation. In some cases however the product can be obtained by
moving the last digit to the front.
Example: 179487 * 4 = 717948
Of course this property depends on the numbersystem you use, in the
above example we used the decimal representation. In base 9 we have
a shorter example:
17 * 4 = 71 (base 9)
as (9 * 1 + 7) * 4 = 7 * 9 + 1
Input
The input for
your program is a textfile. Each line consists of three numbers
separated by a space: the base of the number system, the least
significant digit of the first factor, and the second factor. This
second factor is one digit only hence less than the base. The input
file ends with the standard end-of-file marker.
Output
Your program
determines for each input line the number of digits of the smallest
first factor with the rotamultproperty. The output-file is also a
textfile. Each line contains the answer for the corresponding input
line.
Sample
Input
10 7 4
9 7 4
17 14 12
Sample
Output
6
2
4
代码：


The coronavirus package provides a tidy format dataset of the 2019 Novel Coronavirus COVID-19 (2019-nCoV) epidemic. The raw data pulled from the Johns Hopkins University Center for Systems Science and Engineering (JHU CCSE) Coronavirus repository.
More details available here, and a csv
format of the package dataset available here
As this an ongoing situation, frequent changes in the data format may occur, please visit the package news to get updates about those changes
Install the CRAN version:
install.packages("coronavirus")
Install the Github version (refreshed on a daily bases):
# install.packages("devtools")
devtools::install_github("RamiKrispin/coronavirus")
While the coronavirus CRAN version is updated every month or two, the Github (Dev) version is updated on a daily bases. The update_dataset
function enables to overcome this gap and keep the installed version with the most recent data available on the Github version:
library(coronavirus)
update_dataset()
Note: must restart the R session to have the updates available
Alternatively, you can pull the data using the Covid19R project data standard format with the refresh_coronavirus_jhu
function:
covid19_df <- refresh_coronavirus_jhu()
head(covid19_df)
#> date location location_type location_code location_code_type
#> 1 2020-06-03 Afghanistan country AF iso_3166_2
#> 2 2020-06-07 Afghanistan country AF iso_3166_2
#> 3 2020-06-02 Afghanistan country AF iso_3166_2
#> 4 2020-06-04 Afghanistan country AF iso_3166_2
#> 5 2020-06-08 Afghanistan country AF iso_3166_2
#> 6 2020-06-06 Afghanistan country AF iso_3166_2
#> data_type value lat long
#> 1 cases_new 758 33.93911 67.70995
#> 2 recovered_new 45 33.93911 67.70995
#> 3 cases_new 759 33.93911 67.70995
#> 4 cases_new 787 33.93911 67.70995
#> 5 recovered_new 296 33.93911 67.70995
#> 6 recovered_new 68 33.93911 67.70995
data("coronavirus")
This coronavirus
dataset has the following fields:
date
- The date of the summaryprovince
- The province or state, when applicablecountry
- The country or region namelat
- Latitude pointlong
- Longitude pointtype
- the type of case (i.e., confirmed, death)cases
- the number of daily cases (corresponding to the case type)head(coronavirus)
#> date province country lat long type cases
#> 1 2020-01-22 Afghanistan 33.93911 67.70995 confirmed 0
#> 2 2020-01-23 Afghanistan 33.93911 67.70995 confirmed 0
#> 3 2020-01-24 Afghanistan 33.93911 67.70995 confirmed 0
#> 4 2020-01-25 Afghanistan 33.93911 67.70995 confirmed 0
#> 5 2020-01-26 Afghanistan 33.93911 67.70995 confirmed 0
#> 6 2020-01-27 Afghanistan 33.93911 67.70995 confirmed 0
Summary of the total confrimed cases by country (top 20):
library(dplyr)
summary_df <- coronavirus %>%
filter(type == "confirmed") %>%
group_by(country) %>%
summarise(total_cases = sum(cases)) %>%
arrange(-total_cases)
summary_df %>% head(20)
#> # A tibble: 20 x 2
#> country total_cases
#> <chr> <int>
#> 1 US 5313055
#> 2 Brazil 3226443
#> 3 India 2525922
#> 4 Russia 910778
#> 5 South Africa 579140
#> 6 Peru 516296
#> 7 Mexico 511369
#> 8 Colombia 445111
#> 9 Chile 382111
#> 10 Spain 342813
#> 11 Iran 338825
#> 12 United Kingdom 315621
#> 13 Saudi Arabia 295902
#> 14 Pakistan 287300
#> 15 Argentina 282437
#> 16 Bangladesh 271881
#> 17 Italy 252809
#> 18 France 249655
#> 19 Turkey 246861
#> 20 Germany 223791
Summary of new cases during the past 24 hours by country and type (as of 2020-08-14):
library(tidyr)
coronavirus %>%
filter(date == max(date)) %>%
select(country, type, cases) %>%
group_by(country, type) %>%
summarise(total_cases = sum(cases)) %>%
pivot_wider(names_from = type,
values_from = total_cases) %>%
arrange(-confirmed)
#> # A tibble: 188 x 4
#> # Groups: country [188]
#> country confirmed death recovered
#> <chr> <int> <int> <int>
#> 1 India 64732 996 57381
#> 2 US 64201 1336 21678
#> 3 Peru 17741 4143 12294
#> 4 Colombia 11306 347 10799
#> 5 Argentina 6365 165 6571
#> 6 South Africa 6275 286 24117
#> 7 Philippines 6134 16 1018
#> 8 Mexico 5618 615 3896
#> 9 France 5559 18 381
#> 10 Spain 5479 12 0
#> # … with 178 more rows
Plotting the total cases by type worldwide:
library(plotly)
coronavirus %>%
group_by(type, date) %>%
summarise(total_cases = sum(cases)) %>%
pivot_wider(names_from = type, values_from = total_cases) %>%
arrange(date) %>%
mutate(active = confirmed - death - recovered) %>%
mutate(active_total = cumsum(active),
recovered_total = cumsum(recovered),
death_total = cumsum(death)) %>%
plot_ly(x = ~ date,
y = ~ active_total,
name = 'Active',
fillcolor = '#1f77b4',
type = 'scatter',
mode = 'none',
stackgroup = 'one') %>%
add_trace(y = ~ death_total,
name = "Death",
fillcolor = '#E41317') %>%
add_trace(y = ~recovered_total,
name = 'Recovered',
fillcolor = 'forestgreen') %>%
layout(title = "Distribution of Covid19 Cases Worldwide",
legend = list(x = 0.1, y = 0.9),
yaxis = list(title = "Number of Cases"),
xaxis = list(title = "Source: Johns Hopkins University Center for Systems Science and Engineering"))
Plot the confirmed cases distribution by counrty with treemap plot:
conf_df <- coronavirus %>%
filter(type == "confirmed") %>%
group_by(country) %>%
summarise(total_cases = sum(cases)) %>%
arrange(-total_cases) %>%
mutate(parents = "Confirmed") %>%
ungroup()
plot_ly(data = conf_df,
type= "treemap",
values = ~total_cases,
labels= ~ country,
parents= ~parents,
domain = list(column=0),
name = "Confirmed",
textinfo="label+value+percent parent")
The raw data pulled and arranged by the Johns Hopkins University Center for Systems Science and Engineering (JHU CCSE) from the following resources:


REAR WINDOW (1954) A Film Review by Ted Prigge Copyright 1997 Ted Prigge
Director: Alfred Hitchcock Writer: John Michael Hayes (from a story by Cornell Woolrich) Starring: James Stewart, Grace Kelley, Thelma Ritter, Raymond Burr
Watching a movie, viewing a story featuring characters alien to you, is a lot like voyeurism. This is what Hitchcock's film, "Rear Window," is claiming. And like any bold statement, it backs it up with a suspense filled story that drawls us, and the protagonists, into its web. What results is, in essence, one of the greatest films ever made. I'm talking top 10 or 20 here. Of course, it's from the greatest director of all time, Alfred Hitchcock, who made, maybe, one bad film in his 50 film career.
Anyway, the film deals with a photographer (James Stewart) who has wounded himself in an accident and is confined to a wheelchair for a couple months, whereas he has become pretty much attracted with watching his neighbors from his back window for hours upon hours, since he has very little to do. He names some of the people who do several things, like naming a woman who lives alone, and suffers a bad date "Miss Lonely Hearts."
However, one thing he sees is shocking. He spies on a husband (a young Raymond Burr) and wife, the latter who has disappeared suddenly. He starts to suspect foul play as evidence keeps turning up. But what can he do? He's a voyeur, which is illegal and everything. But like him, we're obsessed with the story, which is very intriguing.
Also in his life is his gorgeous girlfriend (Grace Kelley), who he has come to ignore and put down, since she's not as interesting as watching the people from his window. Not until she goes ahead and ventures out as part of the world from his window, does he take notice. And when she comes back, he's infacuated with her. There's also his physical therapist (Thelma Ritter), who warns him about the dangers of being a voyeur, and eventually joins with him and Kelley in their fascinatoin and obsession with the world from the window.
To be brilliant, Hitchcock shoots the entire film (save a small bit at the end) from the inside of his apartment, not allowing the viewers to see the people from any close shots, and with no sound. We, like Stewart, are in a seat watching the events form across the way like we're in a movie theater. The fact that he's a photographer is also very intriguing. This whole film is filled to the brim with symbolism, so that while we're watching a satisfying suspense/thriller, we're also intrigued by the meaning of the film.
Unlike "Sliver," this film shows voyeurism in an intelligent light. It's fascinating, and the film does not totally condone it. It can get us into trouble though, when we start having trouble differentiating the real world from that of the TV world.
The acting is, of course, wonderful. Come on, it's a Hitchcock film. Stewart (who sadly passed away recently...but you already knew that) is awesome as usual. And Kelley is fantastic, as, well, she always has been. She was a gorgeous woman, but she wasn't all just looks, but she could act too. And Thelma Ritter almost steals some of her scenes with Kelley and Stewart.
Did I forget the awesome screenplay? These characters don't have a lot to do in terms of action wise. They're basically watching and talking about the people they see, kind of like an audience. And the talking they do is almost as fascinating as the things that go on in the lives of the other people.
And, of course, the direction is near-perfect. Not only does he create a greatly intriguing film, and give it a great theme and message, but he doesn't take a negative view of his protagonists, much like what another lesser director would do. These people are us, and we're watching ourselves on screen. They're just normal people, with a lot of time on their hands. Kind of like us, since we're taking 2 hours to watch this. If he were to put them down, they'd put us down. Good man, that Hitchcock.
I love Hitchcock's films, and this is probably his best work. I'm not saying it is, it can be argued it's another one as much as it can be this one. But anyway, "Rear Window" is an entertaining masterpiece, a film of style AND substance.
MY RATING (out of 4): ****
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The Internet is essentially a collection of HTML documents--it's comprised of hundreds of thousands of computers that communicate with each other. It was invented in the early 90's and has approximately 30 billion web pages!
Here's a highly entertaining video of how the Internet works!
HTMLStands for HyperText Markup Language--it's the glue that holds everything together on the Internet. It's made up of:
A simple protocol used by an Internet browser to consume content. When trying to access a web page, the Internet browser sends an HTTP request to a web server via the Internet. The web server locates the requested HTML content and sends it back to the browser. The browser then translates the HTML and displays the content on the computer.
Inline and Block ElementsHTML elements can be either inline or block. Inline elements are just as they sound, direct inline modifications, whereas block elements draw an invisible box around the content which can have it's height, width, and more modified.


About me
As an experienced Agile Business Analyst, I am committed to delivering exceptional value to organizations through a collaborative and strategic approach. With a deep understanding of Agile methodologies and a focus on continuous improvement, I excel at identifying opportunities for optimization and developing solutions that drive business results.
Throughout my career, I've been fortunate enough to work with some of the biggest names in tech, including Microsoft and their groundbreaking Azure DevOps platform. As a part of the unified cloud transformation strategy, I had the privilege of collaborating with the Microsoft product team to gather requirements and deliver the best possible results.
Overall, my experience working with Microsoft and other top-tier organizations has enabled me to develop a deep understanding of best practices in Agile development and project management. I am passionate about delivering exceptional value to organizations through a collaborative and data-driven approach, and I am always seeking new opportunities to improve my skills and expertise in this field. So, if you're looking for someone who knows how to deliver amazing results, look no further!


Testing WebRTC
This is a set of scripts designed to help you get up and running testing WebRTC applications on travis. The scripts themselves are designed to be fetched during a travis before_install
process and used to prepare your environment.
Usage
First, create a .travis.yml
folder in your project that looks similar to the followng:
language: node_js
node_js:
- 0.10
env:
matrix:
- BROWSER=chrome BVER=stable
- BROWSER=chrome BVER=beta
- BROWSER=chrome BVER=unstable
- BROWSER=firefox BVER=stable
- BROWSER=firefox BVER=beta
- BROWSER=firefox BVER=nightly
matrix:
fast_finish: true
allowed_failures:
- env: BROWSER=chrome BVER=unstable
- env: BROWSER=firefox BVER=nightly
before_install:
- ./setup.sh
before_script:
- export DISPLAY=:99.0
- sh -e /etc/init.d/xvfb start
after_failure:
- for file in *.log; do echo $file; echo "======================"; cat $file; done || true
The most interesting part of the configuration file above is definitely the before_install
section which defines a number of commands that will be executed in the TRAVIS environment prior to running the language appropriate install
command.
The commands above are used to pull down the contents of this repository into a .travis
within the travis build environment. Once this is completed, the ./travis/setup.sh
command is run which will knows how to provision a browser based on a BROWSER
(specifying the browser name) and BVER
which defines the version to test. This script is an only very slightly modified version of the .travis-setup.sh script written by @mithro.
This is where the matrix
section comes into play. In the .travis.yml
file above, I've used the matrix to tell travis that I want to a few variants of both chrome and firefox. It should be noted that the original script does this is a slightly different way, but I wanted to use the BROWSER
environment variable later when running my npm test
command.
Testing rtc.io
I'll now talk about how the scripts in this repo are used to test particular modules within the rtc.io suite. If you'd prefer to just dig around in a repo, then feel free to take a look at rtc-quickconnect.
Up until now, everything here is useful to anyone wanting to do headless browser testing using travis. We are about to take a more opinionated turn into the world of node, and specifically browserify, testling and tape. I won't cover why I've chosed to use this toolchain here, but simply cover how to use these tools to achieve a level of testing zen seldom discovered on the Internet.
Let's begin our journey by taking a look at the relevant bits of a package.json
file from the rtc-quickconnect
repo:
{
"scripts": {
"test": "testling -x ./.travis/start-$BROWSER.sh",
},
"devDependencies": {
"tape": "^2",
"testling": "^1"
},
"testling": {
"files": "test/all.js"
}
}
I'm obvsiouly leaving out a whole pile of stuff here, but what you see above are the bits that are required to "make it go". You can see in the scripts.test
section we are defining our test command as:
testling -x ./.travis/start-$BROWSER.sh
Executing this command in combination with our previously defined matrix, will execute either testling -x ./.travis/start-chrome.sh
or testling -x ./.travis/start-firefox.sh
depending on the environment. At this stage, the start-firefox.sh
file doesn't do anything clever at all, but the start-chrome.sh
starts chrome with a number of command-line switches enabled that make testing WebRTC a whole lot easier.
And that's it (more or less). Testling does all of the hard work by creating a bridge between the running browser instance and itself to monitor test success, reporting failure through an error code that travis will pick up as build failure.
Testing Locally
For testing locally, I have a cloned version of this repo checked out on my local machine and I then create a symlink from it to a .travis
directory in each project that uses this approach. It's then a simple matter of running a command similar to the following to have magic happen locally:
BROWSER=chrome npm start
Understanding Fake Media Devices
Both chrome and firefox provide approaches for simulating media capture with "fake" media devices. It is important to note, however, that the approach outlined here will only provide fake media streams on chrome. When testing rtc.io modules we typically make use of rtc-media as we have enabled use of firefox's "fake" capture constraint when we detect that we are running in a testling run testing environment:
https://github.com/rtc-io/rtc-media/commit/7b6cbce0efb2010e5218dfef0ea53b514385a395
Prior Art
None of this would have been possible without the docs and code listed below:
.travis-setup.sh
from the web-animations-js projectTravis docs on GUI and Headless Browsers


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Message from The Post
Welcome, class of 2025, to your Bobcat Student Orientation. Whether you are attending BSO on the bricks of Athens or through your computer screen, rest assured you are at the beginning of a wonderful journey. Being a Bobcat means becoming a part of a huge community that will usher you into its ranks no matter the modality of your BSO experience.
Nonetheless, orientation can be overwhelming — and that’s why we’re here to help. The Post’s 2021 Orientation Guide is filled with a plethora of resources for incoming Bobcats. From people and places to know to where to fix your caffeinated craving and how to approach in-person classes, this guide serves as your informal orientation to college. Take a look at our articles, listicles, photos and more as you prepare for an unforgettable Fall Semester. We can’t wait to meet you.
Warm regards,
Abby Miller | Editor-In-Chief
Want to learn more about us? Check us out at thepostathens.com, email us at<EMAIL_ADDRESS>or follow our social media below!


€100m retail outlet centre proposed for Cork site
A €100m retail centre, similar to Kildare Village, is being proposed for the eastern outskirts of Cork city.
The tourist outlet village (TOV) proposed by British-based Rioja Estates close to the IDA industrial estate at Killacloyne in Carrigtwohill, will create more than 850 permanent jobs and a further 640 during construction.
The developers are hoping it could open by 2024.
A TOV is a specialist form of retail and tourist destination, drawing visitors from a two-hour drive radius.
TOVs sell discounted products not normally found on the high street — for example end-of-line, seconds and out-of-season goods.
Rioja Estates, which describes itself as ‘the largest independent outlet promoter and developer in Europe’, has in the past 25 years created more than 4m sq ft of TOV floorspace at 13 outlets across Britain.
The company believes the Cork TOV would draw 220,000 additional tourists to the region annually.
It carried out “extensive research over the last four years” which showed there was room for another TOV in Ireland.
Carrigtwohill was seen as the optimum site, as it was served by a very good road network, had a rail link, and was very close to tourist attractions such as Spike Island, Fota Wildlife Park, Fota House, the Titanic Experience, the Queenstown Story, Cobh’s cruise liner terminal, and Jameson Distillery.
The County Development Plan (CDP) would need to be amended to accommodate such a centre.
The company hasmade a detailed submission to Cork County Council on the project and a report will be given to councillors on it by the end of next month.
It’s expected councillors will then vote on the recommendations of their management by the end of January.
Subject to their approval, the company said it will lodge a planning applicationin mid-2020 and will engage with the local community and businesses in the interim.
The retail park is expected to take 24 months to build and Rioja Estates hopes to open the retail centre by March 2024.
READ MORE
Developer says Cork tourist outlet village would have huge benefits


Hey there, I am Rony and this is my personal Portfolio. Welcome!
I am a Political Scientist and here I am publishing some of my academic works, but not only. I am also posting some notes, curiosities and things of personal interest (mostly, R-programming language related) that, sometimes, can have no much sense without context. Anyway, if you would like to know more or contact me, please, feel free<EMAIL_ADDRESS>Disclaimer: site best seen on Desktop version


This example displays a map with two markers showing the position of Liverpool and Manchester City football clubs. Clicking on a marker opens an infobubble which holds HTML content related to the marker.