UKCloud for OpenShift FAQs
What is UKCloud for OpenShift?
UKCloud for OpenShift is a Kubernetes based Platform as a Service (PaaS) solution providing container management and orchestration using Red Hat OpenShift to deliver a flexible, scalable cloud application platform. Unlike traditional managed PaaS offerings, it provides a modern application platform that accelerates end-to-end development, deployment and operation of digital applications, while raising overall application reliability and availability.
Which version of OpenShift is the service based upon?
UKCloud for OpenShift is built using Red Hat's OpenShift Container Platform v3.11, which is the Enterprise-hardened version of OKD (previously Origins) v.3.11, which is based upon Kubernetes v1.11.
Why deliver UKCloud for OpenShift as a cloud service?
Although UKCloud for OpenShift is a simple, benefits-rich service to consume, it is a complex platform of inter-dependent servers and services, whose deployment, configuration and maintenance requires time and expertise.
By offering this service, we take on all that complexity so that customers can immediately realise the value of UKCloud for OpenShift by simply consuming it.
Is UKCloud for OpenShift a single-tenant or multi-tenant solution?
UKCloud for OpenShift is built as an isolated single-tenant environment on top of UKCloud's secure, assured multi-tenant UKCloud for OpenStack IaaS platform, helping to deliver the benefits of single-tenant isolation with the economics and flexibility of multi-tenant infrastructure.
How is UKCloud for OpenShift billed?
This service comprises of two main chargeable elements:
Foundation Pack - providing an initial footprint of 32GiB of RAM, billed by the month with a one-month minimum commitment
Runtime Pack - billed by the month with a one-month minimum commitment based upon the amount of additional RAM allocated
Does UKCloud offer a free trial?
Free trials are currently available for UKCloud for OpenShift. Please get in touch with your Account Manager to raise this request.
Where is the service hosted?
The service is delivered by UKCloud, a UK company, from two UK data centres separated by more than 100km, which are securely connected by high-bandwidth, low-latency dedicated connectivity.
Does my data leave the UK?
As the service is delivered from UK data centres by a UK company, your data doesn't leave the UK when at rest.
How is UKCloud for OpenShift supported?
UKCloud manages and supports UKCloud for OpenShift using our dedicated support team based in the UK. Support is available via helpdesk ticket or phone.
What constitutes UKCloud for OpenShift?
We monitor, maintain and support our controlled UKCloud for OpenShift infrastructure and services, including:
UKCloud-controlled components, such as the virtual infrastructure, storage, power and physical firewalls and routers
UKCloud-maintained OpenShift services (for example, router service, DEAs, health manager, cloud controller, Master Nodes, Worker Nodes, Routing Layer).
Can I use UKCloud for OpenShift in the UKCloud Elevated domain?
UKCloud for OpenShift services are available in both our Assured and upon request in our Elevated security domains.
Is the service Pan Government Accredited?
UKCloud's existing PGA continues to apply to the infrastructure underpinning our services. But since the move to the Government Security Classification Policy (GSCP), we can no longer seek PGA for newer services, such as UKCloud for OpenShift.
We are now required to self-assert our services, with customers taking responsibility for assessing and selecting the most appropriate cloud services to meet their individual security requirements.
We provide confidence that our OpenShift service still meets the highest level of information assurance, which is why we continue to have our platform independently tested and validated, and have the findings made available to customers and partners. This enables SIROs to make an informed decision about any service they choose to consume.
Can I use UKCloud for OpenShift over closed networks such as PSN and HSCN?
UKCloud for OpenShift has been certified for use over the PSN network.
Connectivity to the HSCN network is available for customers and partners serving the healthcare community.
Does UKCloud offer any scheduled automated backups for UKCloud for OpenShift?
As standard, localised component failures are tolerated within the infrastructure through elimination of single points of failure (including physical server failure or disk failure).
Although UKCloud for OpenShift is designed to deploy and manage stateless apps (applications that can be killed and re-instantiated without risk of data loss), customers should ensure they maintain a master copy or backup copy of any persistent or dynamic data hosted on this service (such as MySQL DB) by using, for example, our Cloud Storage.
What languages and frameworks are compatible with UKCloud for OpenShift?
The service supports many popular development frameworks and languages such as:
Java
Spring
Ruby
Sinatra
Node.js
Python
PHP
GoLang
For the full list please visit https://access.redhat.com/articles/2176281?hsLang=en-us
Does UKCloud for OpenShift support any data services?
Our OpenShift service provides popular open source data service packages deployable within the platform, all supported by the global open source community, including:
MySQL, an open source relational database
Postgres, a relational database based on PostgreSQL
MongoDB, a scalable, open, document-based database
RabbitMQ, for reliable, scalable and portable messaging for applications
Note that these services are offered 'as is' with no management, support or availability commitment from UKCloud. We strongly suggest customers ensure they maintain a master copy or backup copy of any persistent or dynamic data hosted on this service (such as MySQL DB) by using, for example, a data service provided by a managed service provider on our UKCloud for VMware platform.
How scalable is UKCloud for OpenShift?
As a true cloud platform, UKCloud for OpenShift provides full elasticity and scalability. However, in order to protect the integrity of the platform and manage customer spend, soft limits on the number and size of application instances will be in place. These limits may be extended upon request.
Which ports are open to the platform from the internet by default?
By default, ports 80 and 443 are open for customer application traffic. Further ports can be opened on request either at time of deployment or post-deployment by raising a Service Request via the My Calls section of the UKCloud Portal.
How do I add users?
In order to add new users, you will need to raise a Service Request via the My Calls section of the UKCloud Portall.
What monitoring of the services is provided by default in a trial?
By default, no specific monitoring service is integrated. However, we recommend external monitoring services such as Datadog or Coscale for production-grade OpenShift hosted applications. Alternatively, you can implement your own simple monitoring solution as described in How to monitor your OpenShift cluster.
What monitoring of the services is provided on a billable service?
By default, no specific monitoring service is integrated. It is our expectation that customers may want to use a third party or their own monitoring service to ensure cluster availability. There is a metrics service deployed into the cluster that provides utilisation stats of the cluster, and a wide range of metrics about both the cluster itself and the containers running within it can be extracted via the API to this service.
Can I integrate external monitoring SaaS providers or my own monitoring agents to the service?
We will happily work with customers during a trial period to integrate an external monitoring service that enables customer monitoring of the cluster and applications where infrastructure level configuration is required.
How do I add extra capacity to my cluster?
To add extra capacity to you cluster, you will need to raise a Service Request via the My Calls section of the UKCloud Portal. We hope to provide portal integration to enable customers to be in control of this in the future.
How many persistent volumes can I claim/attach to each worker node?
In line with current restrictions on the OpenStack service underpinning OpenShift, you can claim/attach 25 additional persistent volume claims (PVCs) to each worker node.
Can I have integrated container logging deployed with the platform?
Yes, this can be requested at time of deployment, or added post-deployment. The services can be run on either the master nodes or the worker nodes in the cluster. By default, we would place them on the master nodes, but you may wish to change this placement to be more suitable for the specific cluster performance you desire.
How much control do I have over the policies and configuration of the platform once it has been deployed?
Customers have full administrative rights over the cluster configuration via the UI and API. Due to the varied nature of configurations that customers may want, such as the ability to merge projects and add service accounts for applications, we provide customers with the ability to self-serve on cluster administration from the beginning. Only infrastructure level tasks are controlled by UKCloud, such as adding users, scaling environments and patching.
Can I run a privileged container?
Yes, it is possible to run a privileged container. However, this is not recommended as it goes against security best practices.
What is the underlying architecture of the starter deployment?
Feedback
If you find a problem with this article, click Improve this Doc to make the change yourself or raise an issue in GitHub. If you have an idea for how we could improve any of our services, send an email to feedback@ukcloud.com.


|
Rendu
An OpenGL rendering engine for experimentations
|
Represent a 3D textured object. More...
#include <Object.hpp>
Public Types | |
| enum | Type { Skybox = 0, Regular = 1, Parallax = 2, Custom = 3 } |
| Type of shading/effects. More... | |
Public Member Functions | |
| Object () | |
| Object (const Object::Type &type, const std::string &meshPath, const std::vector< std::pair< std::string, bool >> &texturesPaths, const std::vector< std::pair< std::string, bool >> &cubemapPaths={}, bool castShadows=true) | |
| Object (const ProgramInfos *program, const std::string &meshPath, const std::vector< std::pair< std::string, bool >> &texturesPaths, const std::vector< std::pair< std::string, bool >> &cubemapPaths={}) | |
| void | update (const glm::mat4 &model) |
| void | draw (const glm::mat4 &view, const glm::mat4 &projection) const |
| void | drawGeometry () const |
| BoundingBox | getBoundingBox () const |
| bool | castsShadow () const |
| const glm::mat4 & | model () const |
Private Attributes | |
| const ProgramInfos * | _program |
| Shader responsible for the object rendering. | |
| const MeshInfos * | _mesh |
| Geometry of the object. | |
| std::vector< TextureInfos * > | _textures |
| Textures used by the object. | |
| glm::mat4 | _model |
| The transformation matrix of the 3D model. | |
| int | _material |
| The material ID, based on shading effects. | |
| bool | _castShadow |
| Can the object casts shadows. | |
Represent a 3D textured object.
| enum Object::Type |
| Object::Object | ( | ) |
Constructor
| Object::Object | ( | const Object::Type & | type, |
| const std::string & | meshPath, | ||
| const std::vector< std::pair< std::string, bool >> & | texturesPaths, | ||
| const std::vector< std::pair< std::string, bool >> & | cubemapPaths = {} , |
||
| bool | castShadows = true |
||
| ) |
Construct a new object.
| type | the type of shading and effects to use when rendering this object |
| meshPath | name of the geometric mesh to use |
| texturesPaths | names and SRGB flags of the 2D textures to use |
| cubemapPaths | names and SRGB flags of the cubemap textures to use |
| castShadows | denote if the object should cast shadows |
| Object::Object | ( | const ProgramInfos * | program, |
| const std::string & | meshPath, | ||
| const std::vector< std::pair< std::string, bool >> & | texturesPaths, | ||
| const std::vector< std::pair< std::string, bool >> & | cubemapPaths = {} |
||
| ) |
Construct a new object.
| program | the custom shader program to use when rendering this object |
| meshPath | name of the geometric mesh to use |
| texturesPaths | names and SRGB flags of the 2D textures to use |
| cubemapPaths | names and SRGB flags of the cubemap textures to use |
|
inline |
Query if the object should cast shadows or not.
| void Object::draw | ( | const glm::mat4 & | view, |
| const glm::mat4 & | projection | ||
| ) | const |
Render the object using its textures and shading program.
| view | the camera view matrix |
| projection | the camera projection matrix |
| void Object::drawGeometry | ( | ) | const |
Just bind and draw the geometry, with no implicit shader or textures.
| BoundingBox Object::getBoundingBox | ( | ) | const |
Query the bounding box of the object.
|
inline |
Query the object transformation palcing it in world space.
| void Object::update | ( | const glm::mat4 & | model | ) |
Update the object transformation matrix.
| model | the new model matrix |


--- # Front matter ---
I code and design beautiful simple things, and I love what I do. I use HTML, CSS, and JavaScript to produce responsive websites and web apps that provide users the best and most appropriate experience. Feel free to take a look at some of my programs and projects below.
{{ repo.description }}
{% for tech in site.data.technologies %}
{% if tech.name == repo.name %}
Technologies used:
{{ tech.technologies }}
{% endif %}
{% endfor %}


Health
Posted by: Bahati
The statement released last night also shows that 190 cases have been found out of 16811 sample tests, 359 have recovered while 16 patients are critically ill. The majority of new cases were found in Kigali: 54, Karongi: 34,
Posted by: Bahati
The statement released last night also shows that 190 cases have been found out of 16811 sample tests, 359 have recovered while 16 patients are critically ill. The majority of new cases were found in Kigali: 54, Karongi: 34,
Posted by: Bahati
Even before the dust could settle, Facebook Founder Mark Zuckerberg, admitted before congress that his own personal data had been harvested by a third party in one of the world’s most unethical data abuse investigations.
Posted by: Bahati
President Paul Kagame who is also the chairperson of the African Union (AU), had held a telephone talk with King Mohammed VI of Morocco who thanked him for the continued progress in reforms of the organization.
Posted by: Bahati
Rwanda’s Afro-beat singer, Prosper Turatsinze a.k.a Mico The Best who has been raising awareness campaign against Tuberculosis (TB) has organized a concert to celebrate World Tuberculosis Day.
Posted by: Bahati
President Paul Kagame who is also the chairperson of the African Union (AU), had held a telephone talk with King Mohammed VI of Morocco who thanked him for the continued progress in reforms of the organization.
Posted by: Bahati
The statement released last night also shows that 190 cases have been found out of 16811 sample tests, 359 have recovered while 16 patients are critically ill. The majority of new cases were found in Kigali: 54, Karongi: 34,
Posted by: Bahati
Rwanda’s Afro-beat singer, Prosper Turatsinze a.k.a Mico The Best who has been raising awareness campaign against Tuberculosis (TB) has organized a concert to celebrate World Tuberculosis Day.
Posted by: Bahati
Even before the dust could settle, Facebook Founder Mark Zuckerberg, admitted before congress that his own personal data had been harvested by a third party in one of the world’s most unethical data abuse investigations.


toc: false copyright: false assets: none
Forward references to dfn work.
Also terms from ES6 are auto-linked: Lexical Environment, Completion, etc.
The term dfn means the dfn tag. Other mentions of dfn in this clause should not be auto-linked.
Terms with ids are called id dfns. Since this dfn has an id, other occurences of id dfns may autolink.
Dfn should be auto-linked here as well. The linking of dfn is case insensitive. But the header shouldn't auto-link.
Id dfns should link to #identifiers.
Also terms are auto-linked in algorithms. But not naked abstract ops!


{% extends 'base.html' %} {% load staticfiles %} {% block title %} Bulk EoL checks {% endblock %} {% block custom_css %} .paginate_button { /* fix an issue with the pagination on the datatable */ padding: 0 !important; } td.details-control { background: url('{% static 'images/details_open.png' %}') no-repeat center center; cursor: pointer; } tr.details td.details-control { background: url('{% static 'images/details_close.png' %}') no-repeat center center; } /* Datatables header icon workaround */ table.dataTable thead .sorting_asc::after { content: "" } table.dataTable thead .sorting_desc::after { content: "" } table.dataTable thead .sorting::after { content: "" } /* customize button panel on datatables */ .dt-buttons { margin-top: 20px; margin-bottom: 20px; } {% endblock %} {% block content %}
On this page, you can execute a bulk check of multiple products against the local database. Please enter a list of product IDs in the following text field separated by line breaks.
{% if query_result|length > 0 %} Start another Bulk EoL check {% endif %}The following table shows the product lifecycle state and how often they appeared within the provided data.
Please note: The following table contains also products and/or query string, which are not found in the local database.
| Product ID | description | number | state |
|---|
The following table contains the detailed lifecycle information for the products which were found in the provided data.
| PID | EoL anno. | EoS | EoNewSA | EoSWM | EoRFA | EoSCn | EoSup | Link |
|---|
The following Product IDs are not affected by an End of Life announcement or the query does not return a result from the database.
| Query/Product ID | result |
|---|
PID = Product ID EoL anno = End of Life announcement date EoS = End of Sale Date EoNewSA = End of new service attachment date EoSWM = End of Software Maintenance date EoRFA = End of routine failure analysis EoSCn = End of Service Contract renewal EoSup = Last day of support


We visualize networks!
- disintermediate integrated experiences
- incentivize 24/365 initiatives
- transition cross-media initiatives
- deliver bleeding-edge infrastructures
- visualize back-end applications
- orchestrate mission-critical vortals
- empower real-time channels
- empower open-source methodologies


$ nwayo run assets-fonts
Move a copy of the font in the build directory
$ nwayo run assets-images-optimization
Optimize images with gulp-imagemin. Move the optimized images to the build directory.
$ nwayo run assets-images-highdensity
Generate a high density version of the images. Optimize images with gulp-imagemin. Move the optimized images to the build directory.
$ nwayo run assets-raw
Move the assets as is to the build directory.
$ nwayo run assets-images
Rebuild the images available in all or specific bundles. Will generate optimized and high desity images.
Rebuild the assets available in all or specific bundles. Will generate fonts, images and raw assets.


Coding Quiz Challenge
Try to answer the following code-related questions withing the time limit. keep in mind that incorrect answers will penalize your score/time.
Start QuizTry to answer the following code-related questions withing the time limit. keep in mind that incorrect answers will penalize your score/time.
Start Quiz


VERY BAD THINGS (M). (Polygram/Twentieth Century Fox) Director: Peter Berg Stars: Christian Slater, Cameron Diaz, Jon Favreau, Daniel Stern, Jeanne Tripplehorn, Jeremy Piven, Leland Orser, Joey Zimmerman, Tyle Malinger, Russell B McKenzie, Lawrence Pressman Running time: 98 minutes.
While Very Bad Things shares a similar moral to A Simple Plan, it is ultimately a vastly different film.  However, debut writer/director Peter Berg (from Chicago Hope, etc) relentlessly pushes the pitch black material down a vastly different path. This uncompromising and brutal film about murder and mayhem is pervaded with an air of cynicism, misogyny, and delicious black humour, the like of which has rarely been seen in mainstream cinema. A week before his wedding, Kyle Fisher (Jon Favreau, from Swingers) heads off to Las Vegas with four buddies for a wild bachelor party. It's an orgy of drink and cocaine and male bonding, taken to excess. The weekend takes a turn for the worse following the arrival of the stripper. During some energetic sex in the bathroom with the callow Michael (Jeremy Piven), she ends up impaled on a hook. While everyone else panics, sleazy real estate agent Robert Boyd (Christian Slater) takes charge, suggesting that they bury the body in the desert. The simple plan does not go smoothly and before long the body count is steadily rising.
When the five men return to Los Angeles, their uneasy sense of guilt begins to consume them, and eventually explodes into hysteria and anarchy, disrupting the smooth wedding plans. The former friends turn on each other with a frightening and unexpected ferocity. Sibling rivalries and old jealousies boil over into murder, and they all pay a hefty price for their sins.
Very Bad Things takes a number of unexpected and macabre turns before the final sting in the tail. Berg has a jaundiced view of human nature, and he unerringly strips away the thin veneer of middle class urban values and ethics. He maintains a delicate balance between outright farce and psychological drama. The humour is often quite uncomfortable and vicious, and will not be to everyone's taste.
The opening scenes are handled somewhat awkwardly. However, Berg quickly hits his stride, and directs this inventive, but uncharacteristic and uncomfortably black comedy with assurance. The ensemble cast throw themselves into their unsympathetic characters with relish, their frenetic performances capturing the spirit of the material.
An often manic and mannered performer, Slater has rarely been so perfectly cast. His intense performance captures the demonic, unscrupulous and completely amoral Boyd, who doesn't hesitate to act when he recognises his smoothly laid plans beginning to unwind. Cameron Diaz (There's Something About Mary, etc) is also good as Laura, Kyle's tightly wound fiancée, who becomes increasingly neurotic as the wedding approaches. Laura is so desperate to ensure that her wedding proceeds without a hitch that she eventually becomes as morally bankrupt as everyone else around her. Her performance reveals an often unexplored nasty side to her usually sweet screen demeanour. Daniel Stern (Home Alone, etc) brings plenty of shrill nervous energy to his role as the family man who succumbs to his feelings of guilt and paranoia, and finally snaps under the mounting pressure.
Very Bad Things is decidedly nasty stuff, but those attuned to its perverse wavelength will also find much to enjoy.
*** greg king http://www.netau.com.au/gregking
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


FormBuilder.js Use Cases
Login Form
SignUp Form
Media Form
Personal Info Form
Question Form
Contact Me Form
Concate 2 forms together!
Make it draggable!
Make it closable!
Make it float!


Information related to what UCLouvain is as a university and what differentiates it from other universities.
*whole page* + missing explanations about the number of physical sites there are
*whole page*
*whole page*
*whole page*
Ownership of research conducted at UCL by PhD students, researchers and lecturers is governed by UCL intellectual property and copyright regulations and Belgian intellectual property law. Intellectual property protection covers copyright, patents, trademarks and corporate names. Researchers and lecturers should consult the related steps involved in contract signing.
*Empty*
*Note: there should be an explanation of what the student card and what the access card are for.*
Student Card: this card will allow you to register at the sports centre and to get a discount at the cinema, shops, travel expenses if you are under 26 years old (train, etc.) Access Card: this card enables you to enter the LSM building, UCLouvain computer rooms (after 8:00 pm) and libraries
Libraries
The UCL staff card or the UCL student access card entitles its holder to free access and borrowing privileges at all UCL libraries and learning commons.
UCL libraries hold 1.5 million books and 3,500 current paper journals, in addition to the resources located in research laboratories and specialised centres with subject-specific source documents.
UCL libraries offer access through their portal to more than 30,000 e-journals from all the major scientific publishers, as well as 80,000 e-books and some 100 bibliographical and factual databases, such as Bloomberg/Macrobond, Scopus and SciFinder. Paper and electronic resources are easily accessible on site as well as off-site through the Libellule library portal. In addition, Discovery helps users browse and search, via a single interface, all UCL print and digital holdings, databases and external references.
In addition, UCL offers DIAL (Digital Access to Libraries), a digital consultation and long-term storage tool for UCL and partner institution research publications. Digital versions of all research publications are definitively stored, and their online promotion and dissemination is assured. The institutional repository is flexible enough to host heterogeneous content and allow varied access and use. The main purpose of DIAL is offering the full publication text, not just bibliographic references.
Need help? Ninety trained librarians are on hand to help users in their reference work and literature search.
University Restaurant Service
The University Restaurant Service offers healthy, balanced meals designed in collaboration with a nutritionist for maximum benefit to students and staff.
Self-service restaurants offer daily specials, pastas, and snacks at reasonable prices:
Louvain-la-Neuve: Le Sablon and Le Galilée
Brussels Woluwe: Le Martin V
Mons: La Bascule
In addition, sandwich shops offer reasonably priced fresh homemade sandwiches, soups, desserts, and salads:
Louvain-la-Neuve: D'un Pain à l'Autre
Brussels Woluwe: D'un Pain à l'Autre
A catering service is also available in Brussels Woluwe, Louvain-La-Neuve, Mons.
Culture
Theatre, cinema, concerts, shows, exhibitions, conferences – cultural activities abound at UCL and throughout Wallonia and Brussels. Each year,² UCL features a cultural season and hosts an artist-in-residence.
For all students, the €12 Culture Card provides free or low-cost access to cultural activities in conjunction with some 100 cultural partners.
Researchers and lecturers enjoy advantages for cultural activities via their UCL Staff Card.
And students, researchers and lecturers can contact the UCL Culture service to:
get advice on organising a cultural project;
apply for project funding;
find a venue for an event;
practice an art form;
advertise an event as part of UCL’s cultural agenda;
participate in UCL’s thematic season;
learn more about Culture Card benefits.
Sport
The UCL Sport and Fitness Service offers more than 90 sports and fitness activities as well as modern fitness facilities. Gifted athletes can join the university teams (the Wolves) and compete at inter-university level. Louvain-la-Neuve is home to French-speaking Belgium’s largest sport and fitness centre: 25 sports rooms, 1 indoor fitness room, 2 pools and 3 hectares of outside pitches which include 1 outdoor fitness area.
All students can register for the Sport Card, which for an affordable price (only 30 euros for exchange students) provides access to all activities mentioned in the Sport and Fitness Service programme as well as sport-related insurance.
Researchers and lecturers can access sport and fitness activities by registering for the ASPU Card.
Belgian health insurance agencies (‘mutuelles’) might reimburse the cost of the card.
UCL emergency and security numbers
For emergencies:
in Louvain-la-Neuve: 010 47 22 22
in all other UCL locations: first dial 112, then 010 47 22 22
To report suspicious, malicious, disturbing, noisy or violent behaviour (fights), theft, inappropriately open doors or windows, damaged or degraded public infrastructure, or some other security concern:
in Louvain-la-Neuve and Charleroi: 010/47 24 24
in Brussels Woluwe and Brussels Saint-Gilles: 02/764 93 93
in Mons: 065/32 35 55
Internet / WIFI
All students and staff are entitled to a UCL email address and access to computer labs and libraries. Moreover, all UCL accommodations are equipped with a cable television connection with internet access.
The university also provides a uniform wireless network using the latest security and ID technology for universal use. WIFI service covers all lecture rooms, teaching rooms and libraries, plus meeting rooms and other areas. Access conditions are identical for every building.
In addition, UCL is a partner in the Eduroam project, permitting transparent access to the wireless networks of all partner universities. This covers a great many universities throughout Europe.
Check out the rapid configuration guides.
In case of problems/questions, contact the Service Desk by phone from 8:30 am to 5:30 pm weekdays at 010/47.82.82, or by email at<EMAIL_ADDRESS>Student activities
The university encourages student involvement in extracurricular activities, whether social, sport, environmental or cultural, and provides venues, equipment and subsidies. Student associations have formed around four types of activities:
Student representation is assured by the Louvain Student General Assembly (AGL) at the university level; student offices at the faculty level; and the General Coordination of International Students (CGEI).
An original idea that involves students sharing a flat and working together on a social, cultural or sport-related project in which they have a special interest, the so-called ‘kots à projet’ are home to nearly a thousand students each year.
Regional organisations (‘Les Régionales’) reunite students of the same geographical region and promote their local folklore on campus.
Faculty groups (‘Les Cercles’) bring together students of the same faculty.


Tiny Html5 rich text editor based on bootstrap3 and jQuery, makes it easy to enable switch your input/textarea into simple WYSIWYG editors.
An angular directive offering a simple way to make your items movable.
Transform for timestamp base64 url unicode.
timestamp <=> date time
encode/decode base64/url/unicode


Before Change
train_x_sort = train_x.sort(1)[0]
max_dist = train_x_sort[:, -1, :] - train_x_sort[:, 0, :]
min_dist = torch.min(train_x_sort[:, 1:, :] - train_x_sort[:, :-1, :], 1)[0]
// Inverse of lengthscales should be drawn from truncated Gaussian | N(0, max_dist^2) |
self.log_mixture_scales.data.normal_().mul_(max_dist).abs_().pow_(-1).log_()
After Change
def initialize(self, train_x, train_y, **kwargs):
_, n_dims = train_x.size()
if not n_dims == self.n_dims:
raise RuntimeError(
"The number of dimensions doesn"t match what was supplied!"


Version 0.23.0 - Update to use Sphero.js v0.4.0
Version 0.22.0 - Use Cylon 1.2.0
Version 0.21.0 - Use Cylon 1.1.0
Version 0.20.0 - Update to use sphero.js instead of spheron
Version 0.19.0 - Compatibility with Cylon 1.0.0
Version 0.18.0 - Compatibility with Cylon 0.22.0
Version 0.17.0 - Compatibility with Cylon 0.21.0
Version 0.16.0 - Compatibility with Cylon 0.20.0
Version 0.15.0 - Compatibility with Cylon 0.19.0
Version 0.14.1 - Fix disconnect bug
Version 0.14.0 - Compatibility with Cylon 0.18.0
Version 0.13.0 - Added rebeccapurple
as a supported color. Thanks to
@juliancheal for the PR.
Version 0.12.0 - Compatibility with Cylon 0.16.0
Version 0.11.2 - Added setDataStreamming, updated test coverage.
Version 0.11.1 - Add peerDependencies to package.json
Version 0.11.0 - Compatibility with Cylon 0.15.0
Version 0.10.0 - Compatibility with Cylon 0.14.0, remove node-namespace.
Version 0.9.1 - Added new 'locator' event, changed spheron to hybridgroup-spheron module
Version 0.9.0 - Update for cylon 0.12.0
Version 0.8.1 - Update dependencies to include npm version of Spheron with Cylon.js pull requests
Version 0.8.0 - Update for cylon 0.11.0, migrated to pure JS
Version 0.7.0 - Update for cylon 0.10.0, add calibration commands
Version 0.6.0 - Update for cylon 0.9.0
Version 0.5.0 - Update to match new Spheron module's callback and for cylon 0.8.0
Version 0.4.0 - Update for cylon 0.7.0
Version 0.3.0 - Use new Basestar proxying and events
Version 0.2.0 - Lots of colors, support for entire Sphero API, and uses Basestar for DRY code
Version 0.1.0 - Initial release for ongoing development


The RsiAlphaModel
generates insights based on the relative strength index (RSI) indicator values. When the RSI value passes above 70, the model emits a down insight. When the RSI value passes below 30, the model emits an up insight. The model uses the Wilder moving average type and sets the duration of Insight objects to be the product of the resolution
and period
arguments.
AddAlpha(new RsiAlphaModel());
self.AddAlpha(RsiAlphaModel())
The following table describes the arguments the model accepts:
| Argument | Data Type | Description | Default Value |
|---|---|---|---|
period |
int |
The RSI indicator period | 14 |
resolution |
Resolution |
The resolution of data sent into the RSI indicator | Resolution.Daily |
To view the implementation of this model, see the LEAN GitHub repositoryLEAN GitHub repository.


List of available stubbed routes
Datasets
- GET /datasets
- GET /datasets/:id
- POST /datasets
- PATCH /datasets/:id
- DELETE /datasets/:id
Dictionaries
- POST /dictionaries
- DELETE /dictionaries/:id
Variables
- GET /dictionaries/:id/variables
- GET /dictionaries/:id/variables/:id
- PATCH /dictionaries/:id/variables/:id
Jobs
Modalities sets
- GET /modalities_sets
- GET /modalities_sets/:id
- POST /modalities_sets/:id
Models
- GET /models/:id
- POST /models
- DELETE /models/:id
Preparation rules sets
- GET /preparation_rules_sets/:id
- POST /preparation_rules_sets
Projects
- GET /projects
- GET /projects/:id
- POST /projects
- PATCH /projects/:id
- DELETE /projects/:id
Reports
- GET /reports/:id
- POST /reports
Sources
Credentials S3
- GET /sources/credentials/s3
- POST /sources/credentials/s3
User management
- GET /users/me
- POST /users
- POST /users/password


-->
follow us :
call us :
+123-456-7890
LEAF NOW
home
category
plants
Seeds
contact
Registration Form
First Name
Last Name
Date of Birth
Email ID
Phone
Password
Confirm Password
Gender
Male
Female
Address
State
Select a state
Assam
Karnataka
Manipur
AP
Delhi
GOA
Kolkata
Country


Grid-based design involves building the page layout of a website on an underlying framework of columns (usually 12 in total) and rows so that the page can be divided easily into sections and the content laid out in a way that’s visually appealing and easy to follow.
A responsive webpage displays differently depending on the size of the screen it’s viewed on, and is built with a variety of screen types (and what would be easiest and most visually appealing to view on each of them) in mind - e.g. laptops, tablets, phones, and desktops.
Semantic structure is the structure determined by the different elements and their functions and order of prominence in an HTML file - e.g. h1, h2, h3, etc. Elements are named according to their function, which makes the HTML make more semantic sense.


Solaris (1972) Directed by Andrei Tarkovsky
As a laserdisc collector I have learnt that often it doesn't pay to be impatient. Sometimes an out-of-print disc gets re-released and becomes readily available again. Sometimes this is worth waiting for. This has happened to me with "Dune" this past winter, and it just happened again with "Solaris". When I first tried to obtain a copy of "Solaris", it was only available from the "Collectible and Out-of-print" department of my laserdisc supplier, for $150.00. As a re-release, it may now be had, new and sealed, for much, much less.
Critic Penelope Houston said of "Solaris" that it was "Russia's answer to 2001: A Space Odessy". Completed in 1972, the film comes from an era in which it seemed that nearly everything done in the West resulted in (or, was the result of) a Russian response. Like "2001", "Solaris" explores the possibilities of Alien Contact. Unlike "2001", it does so with a deep emphasis on humanity.
The story follows a scientist, Kris Kelvin (Donatas Banionis), who is a pecialist in space psychology. He has been assigned to get to the bottom of the peculiar goings-on at the Solaris space station. Solaris is in orbit around an alien planet that is completely covered by an ocean. The space station, designed for an expedition of 80+ people is now inhabited by only three. Kelvin views the film of a deposition made by Burton (Vladislav Dvorjetzki), a pilot who flew a rescue mission near the alien ocean's surface. The pilot reported seeing strange things, including a giant, animated statue of a boy whom he recognized as the dead son of a colleague. The prevailing view of the scientific panel that heard Burton's deposition is that Burton was suffering from overwork; there is a minority view that the alien ocean may be organic, sentient, and capable of communicating telepathically.
Kelvin wraps up his terrestial affairs in a bittersweet scene with his parents, and travels to the Solaris station. There, he discovers that one of the three remaining crew members, his old buddy Gibarian (Sos Sarkisyan) has committed suicide after recording a puzzling message intended for Kelvin. The remaining two crew members Snouth (Jueri Jaervet) and Sartorius (Anatoli Solonitsyn) are secretive and shut themselves up in their labs. Kelvin becomes aware of other presences aboard the station. Snouth and Sartorius explain that the "guests" have been appearing for some time. Kelvin soon meets another guest, in the form of his dead wife Hari (Natalya Bondarchuk) who also committed suicide several years earlier.
Kelvin learns that the guests have odd physical characteristics. He tricks Hari into entering a transit capsule and blasts her into space. She reappears. He locks her in his quarters. She escapes by bashing down the door, critically lacerating herself in the process. The wounds heal before his eyes. Despite these oddities, Kelvin believes (or, wants to believe) that the soul of his dead wife inhabits the body of the "guest" that has taken on her form. Kelvin has received a rare gift: The opportunity to redress some wrongs that resulted in the loss of a loved one.
Eventually, Kelvin comes to the conclusion that the guests are forms emanating from the alien ocean. Whether the ocean is capable of materializing matter, or is merely inducing perceptions in the minds of the crew is not made clear (I prefer to believe the latter), but the guests are as real to the crew as a brick wall and just as hard to ignore. The crew rig up an experiment in which they transmit Kelvin's brain waves to the planet below. The experiment nearly kills him, but when he recovers he discovers that the "guests" are gone. And, in a final scene that is beautiful, moving, and joyous, the ocean opens up to Kelvin for First Contact on a very intimate level.
"Solaris" is based on Stanislaw Lem's novel of the same name. Like the best of speculative fiction, "Solaris" uses fantastic situations for observations on mundane human conditions. After so many years of anthropomorphic humanoid aliens in "Star Wars" and and on "Star Trek", it is startling to contemplate what alien intelligence might REALLY be like. The alien life form in "Solaris" is a single, global life form. Or, perhaps a global colony with a single intellect. Or, maybe something totally different. We see the Solaris crew grappling to understand this intelligence, we see them consider blasting the planet with lethal radiation (the standard, human knee-jerk reaction to the unknown). And we seem them finally reconcile themselves to it.
Many science-fiction films abandon the human aspect in favor of futuristic gadgetry and fantastic settings. "Solaris" presents the deepest view of Humanity of any science-fiction film I have seen. Tarkovsky purposely puts the standard sci-fi accoutrements in the background to focus on the characters' humanity. And, the interpersonal relationships between the characters are more complex, more complete, and have more depth of feeling that is standard for the science fiction genre.
And, speaking of humanity, the film is a revelation to me on another level. I had grown up with the usual Cold War propaganda about the Evil Empire behind the Iron Curtain. Now, I view this film, and I see ordinary people dealing with ordinary human issues of love, death, fear, and understanding: This drives home to me how wrong that propaganda was. Our government, our System, was preparing us for conflict with the Soviet Union using traditional techniques to dehumanize the enemy in our eyes. This film reinforces how universal the human condition is, despite political boundaries or nationalities. It's ironic that this film, from the peak of the Cold War, can be such a powerful bridge between cultures.
Andrei Tarkovsky was a brilliant, visual filmmaker. His shots are composed with layer upon layer of meaning. "Solaris" features Tarkovsky's trademark of switching between color and black-and-white. More than one critic has called him a "visual poet". The scenes of the alien ocean are breathtakingly beautiful. However, anyone expecting a science-fiction adventure will be disappointed. This film is reflective, it is contemplative. And, the science-fiction setting is merely a backdrop for a film for which the primary emphasis is speculation on deeper human issues.
Image Entertainment's laserdisc of Solaris is letterboxed, in Russian with English subtitles. (This is one foreign-language film I wish had been dubbed. I know enough French and German to pick up dialogue in these languages with the help of subtitles, and I enjoyed listening to the musical, tonal Vietnamese language in "Scent of Green Papaya". But, the Russian language is inscrutable to me and not all that pretty to listen to. Subtitles miss nuances of dialogue and distract from Tarkovsky's wonderful images.) Image has re-relased the disc in their "Lasers for Less" category: Collectors should be advised to get it while they can.
Review copyright (C) 1998 David M. Arnold. All rights reserved. --
David M. Arnold<EMAIL_ADDRESS>To reply via EMail, replace "Xexecpc" with "execpc" in the address above.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


1.2.2
- Fixed: Use variable for spinner size (defaults to 40px)
1.2.1
- Fixed: Two spinners were slightly broken on Android
- Changed: Bumped default top and bottom margin to 40px
1.2.0
- Added: Folding cube spinner
- Fixed: Lowercase in package name
1.1.0
- Removed one spinner (circle with rotating circle, not polished enough)
- Cleaned up the CSS
- Added more SCSS variables to more easily customize spinners
- Introduced SCSS
@for
loops to more easily change timing of spinners
- Removed moot
version
property from bower.json
1.0.1
- Fix: Missed sass variables for background-color


It is a requirement for all yachts to enter the Cook Islands at one of the official ports of entry to obtain clearance papers prior to visiting other islands in the Cook Islands.
Advance Notice of Arrival
All vessels sailing to the Cook Islands are required to fill in an Advance Notice Advice (ANA) with Cook Islands Customs, at least 48 hours prior to the expected arrival time in the Cook Islands. ANA forms can be downloaded at CICS Form 29 (advance Notice of Arrival For Small Craft).
Advance Notices of Arrival must be provided to Customs by fax (+682 29465) or by email<EMAIL_ADDRESS>using the file name format [ANA, name of craft, voyage or sail number if available, estimated time of arrival into the Cook Islands], e.g. ANA, Banana Split, 30/11/2014
Failure to provide an ANA is a criminal offence.
You must also advise the Biosecurity Cook Islands of your arrival port and date, either by emailing the staff(s) of your planned destination. Email<EMAIL_ADDRESS>Be sure to fly the Q Flag.
On Arrival at a Port of Entry
The skipper must report to Customs immediately on arrival. All other crew must remain on board until the boat is cleared. The skipper must also contact Immigration (often provided by Customs) and Bio-Security. For a list of paperwork that must be presented see this Customs Arrival Facts sheet.
Biosecurity
As well as getting your Biosecurity and Customs (which includes Immigration) clearance you will need a Health Clearance. On arrival you will need to present a Master’s Certificate pertaining to any meat, live plants and live animals on board to a Biosecurity Officer. In many cases there will be a set time for attendance (i.e. 7am and 3pm) where a Biosecurity officer is present.
A Biosecurity Officer will ask to see any fruit, vegetables, meat and other food. Some of your goods may be seized, especially any fruit and vegetables. The Officer has the power to search the entire vessel and seize any risky products. You will receive a written clearance from a Biosecurity Officer once they are satisfied that all significant risks has been removed.
Departure Clearance
You should advise Customs at least 72 hours before your intended departure to ensure that there is no delay. Again, see this Customs Departure Facts Sheet for the appropriate forms that need to be completed and given to Customs on departure. If all forms are correct, they will issue you with a Certificate of Clearance. Once clearance is granted, you must leave immediately.
Under no circumstances can a yacht intending to depart to an overseas place to go to any other place in the Cook Islands following their departure from a nominated Customs Port of Entry or other authorised place. If, due to extenuating circumstances, you are required to do so, you must immediately advise the Cook Islands Customs Service (24 hours) on phone: (+682) 55368.
When visiting all other islands following the port of entry, the captain should check in with Customs and the Resident Administrator, if present.
Yachts Intending to Arrive at or Depart from Suwarrow Island
Suwarrow Island is not a nominated Customs Port of Entry. Marine craft intending to arrive at or depart from Suwarrow Island MUST obtain authorisation from the Comptroller of Customs. To obtain this authorisation, an application to the Comptroller of Customs must be submitted using CICS Form 27 which can be found on the Customs Website: www.mfem.gov.ck/customs. This form once completed can be emailed to<EMAIL_ADDRESS>or faxed to (+682) 29465.
The Comptroller of Customs will consult with the Ministry of Agriculture, The Ministry of Foreign Affairs and Immigration, the Ministry of Health, the Ministry of Transport and the Cook Islands Police before granting an authorisation to arrive at Suwarrow Island, and has the right to deny the application.
If Suwarrow is your first port of call the Suwarrow Park Rangers will conduct all formalities pertaining to Biosecurity. The park rangers are trained and appointed as Biosecurity officers.
Failure to arrive at a nominated Customs Port of Entry without authorisation is a criminal offence punishable by a term of imprisonment not exceeding two years or a fine not exceeding $100. Customs officers may also elect to detain/seize your craft pending prosecution.
See these websites for the latest official information:-
www.ports.co.ck/cruiseguide.html
www.mfem.gov.ck/customs/arrival-and-departure-information-for-marine-crafts
Last updated August 2016.
If entering in Rarotonga a permit for up to 31 days will be given on arrival. Extensions are granted on a monthly basis - up to a total of three months only.
Fourteen days before the permit expires one should apply for the extension. Proof of adequate funds may be requested for extensions.
For those wanting to stay in the Cook Islands longer than 3 months must apply for a visa from their home territory, prior to their arrival in the Cook Islands. Applications must be made direct to the Principal Immigration Officer in Rarotonga.
In Aitutaki and other ports of entry, a 31 day permit will be given on arrival. Extensions have to be obtained in Rarotonga. If crew disembarks from the yacht, they must notify Immigration and provide a baggage declaration.
Last checked August 2016.
All vessels sailing to the Cook Islands are required to fill in an Advance Notice Advice (ANA) with Cook Islands Customs, prior to arrival in the Cook Islands. ANA forms can be obtained on the Customs website: www.mfem.gov.ck/customs.
Visiting yachts visiting the Cook Islands temporarily, may be granted a Temporary Import Entry (TIE) with Customs duty and Import VAT charges being deferred. Customs will generally align the period of the TIE with the length of your visitor's visa, or 12 months, whichever is less. Applications for extensions to your visitors permit are to be made to the Cook Islands Immigration Service. If your visitors permit is extended you may apply to Customs for a similar extension to your TIE. The extension will depend on Customs being satisfied that your craft continues to meet the criteria for a temporary entry.
A list of firearms must be produced on arrival and these will be impounded until departure.
Biosecurity/Quarantine: Animals, plants and fruit will be inspected as the Cooks are free of serious diseases and pests, and their economy depends very much on agriculture. Fruit and meat will be confiscated, so it is advisable not to arrive with a lot of fresh supplies. Fortunately good local fruit is available.
All vessels entering the Cook Islands require a Bio Security Clearance which will be issued by the Quarantine Inspector when he boards your vessel.
You are permitted to bring frozen food, canned food and vacuum packed products. These must be declared to Customs on arrival.
VAT: Most goods and services supplied in the Cook Islands attract VAT. However, some taxable supplies are zero rated which means VAT is charged at a rate of 0 percent rather than the standard rate of 15%. Goods supplied to a person for consumption or use outside the Cook Islands (such as repairs or maintenance on overseas marine craft) may be considered zero rate taxable supplies. All queries regarding VAT should be referred to:
Tax Division, Revenue Management Division, Ministry of Finance and Economic Management - Ph (+682 )29365
For a full list of Customs rules see the Customs Website.
Last updated August 2016.
Mosquito repellent is essential and it is advisable to wear reef shoes when in the water.
There is a well equipped hospital with New Zealand trained staff situated in Rarotonga, with a smaller hospital in Aitutaki.
Customs fees are $57.20.
Port dues are payable at the Ports Authority in Rarotonga prior to departure and are assessed on the length and type of vessel. The fees are:
Monohull Yacht NZD 2.45 per metre per day
Multihull Yacht NZD 2.95 per metre per day
Motor Yacht NZD 2.40 per metre per day or NZD 0.60 per Gross Tonne per day (whichever is greater).
There is also a mooring fee of NZD 5.00 per day at Aitutaki.
All persons departing the Cook Islands are required to pay departure tax of NZD 66.30 per person (NZD 15.00 for children under 12).
Visa extension fee amounts to NZD 70.00 for 3 months per person.
Overtime is charged before 08:00 and after 16:00 on weekdays, and all day at weekends and public holidays.
Last updated June 2015.
Cruising yachts are not allowed to remain in the islands during the cyclone season, which is from November to March. Harbour masters in Rarotonga and Aitutaki may not even let transiting yachts stay overnight in port during the cyclone season.
The Cook Islands National Environment Service is the administrator of the Islands of Suwarrow. All vessels sailing to Suwarrow are requested to contact the National Environment Service on<EMAIL_ADDRESS>for permission to visit.
Suwarrow undertook a rat eradication exercise 2 years ago, with help from the the Critical Ecosystem Protection Fund and the European Union. They request that all yachts be very vigilant that they do not bring any rats or mice to Suwarrow - a very important bird breeding ground for the Pacific Islands. It is also requested that boats are sprayed for other invasives, such as fire ants.
Last updated August 2016.
No animal or birds is permitted ashore anywhere in the Cook Islands unless you are permitted by a Biosecurity officer. All animal(s) are required to be kept secured aboard the yacht and may be required to be bonded for the duration of your stay in the Cook Islands. This is fully refundable provided the conditions of bond have not been breached.
For further information:-
Email<EMAIL_ADDRESS>Tel: (682) 28711 or (682) 28710
Last updated September 2015.


Reservation Bot
Reservation Bot
This is just a project that suddenly reminds me.
Of course I did not actually work, I wrote something plausible.
To be honest, the project here is a virtual project.
It’s all fake.
Tech
I usually create a Bot with Slack and build it using the slack API.
nd I used my favorite Python.
Duration
I’ll make it in a day.


{# emails/email_base.html #}
| {% block content %}{% endblock content %} |
|
http://www.valuesandvalue.info |
|
Values & Value is funded by an ESRC Professorial Fellowship (ES/K010786/1) and hosted by the Department of Sociology, Goldsmiths, University of London. |


An ImplementationStatusModifier allows a user to specify an example's
ImplementationStatus at runtime. The status modifier can be injected via the concordion extensions.
If provided, it will override a declared implementation status via c:status
attribute. The user can
create the conditional logic based on the example element (usually a
).
An ImplementationStatusModifier is installed that sets the status of an example to IGNORED if the example name ends in Ignored, a @BeforeExample annotated fixture method which saves the example names in a list, and a @AfterExample annotated fixture method which saves the example names in a different list.
Running a specification containing:

 a == a

 a == b

 c == d

 a == b

Would result in
Example names which executed @BeforeExample method: [[Outer], aPassingExample, aFailingExample, expectedToFailExample]
Example names which executed @AfterExample method: [aPassingExample, aFailingExample, expectedToFailExample] (Note that although the @AfterExample annotated method was also called for [Outer] example this concordion assertion was evaluated prior to that call that's why it is not included in the list)


Aegisub / Options
Aegisub is highly customizable and hence has a large amount of user-changeable options. These are available in the options dialog box, found in the View menu. This page is a reference of all the available options.
Aegisub stores all its configuration in a plain text file called config.json which by default is stored in the ?user directory. If you want to reset Aegisub to its default options without reinstalling the program, you can just delete config.json and restart Aegisub.
General
- Auto Check for Updates
- If enabled, Aegisub will periodically check whether there is a newer version available, and alert you if there is. Requires a working connection to the internet.
- Show main toolbar
- If disabled, Aegisub's main toolbar is hidden.
- Toolbar icon size
- The size of icons to use in all of the toolbars in Aegisub. Currently the only valid values are 16 and 24.
- Automatically load linked files
- Whenever you save a script, Aegisub also stores some information about what video, audio and timecodes files you had open while working on it, inside the script itself. This option decides what Aegisub does with these files that are "linked" to the script when opening it. If set to "ask", Aegisub will ask you if you want to load linked files. If set to "never", Aegisub will never load linked files, and likewise if set to "always", Aegisub will always try to load linked files (and report an error if the file(s) were not found).
- Undo levels
- The maximum number of changes that can be undone. The higher this value, the more memory Aegisub will use.
- Recently Used Lists
- Maximum number of items to remember for all of the various lists of recently used items in Aegisub. The memory impact from increasing these is trivial, but larger lists may get unwieldy to use.
Audio
- Lock scroll on cursor
- When enabled, the audio waveform view will automatically scroll to follow the playback cursor if it gets too close to either of the edges.
- Snap markers by default
- When enabled, Aegisub will default to snapping audio markers to other markers in the audio display (such as keyframes and the start or end times of other lines) when moving them by clicking or dragging them if they are close enough. Snapping can be toggled on or off by holding down shift.
- Default mouse wheel to zoom
- When enabled, the mouse wheel will zoom the audio display horizontally by default, and scroll the audio display when Ctrl is held down. If disabled, this is reversed.
- Auto-focus on mouse over
- If enabled, moving the mouse cursor over the audio waveform will automatically give it focus (as opposed to requiring a click).
- Play audio when stepping in video
- When enabled, frame stepping plays the audio for that frame.
- Default timing length
- The default length of a new untimed line, in milliseconds.
- Default lead-in length
- Default lead-out length
- The duration added to the start of a line by the "add lead-in" and "add lead-out" functions. Also used in (and set by) the timing postprocessor.
- Marker drag-start sensitivity
- The distance in pixels that a marker must be dragged for it to register as a drag. Higher values reduce the chance of accidental changes, at the cost of worse responsiveness.
- Left-click-drag moves end marker
- When enabled, left clicking will set the start time of the line to the clicked point, then set the end time of the line to the point dragged to, making it possible to time a line with a single click-drag movement. When disabled, left-click-drag always updates only the start time of the line, as right-click does with the end time.
- Line boundary thickness
- The width, in pixels, of the line start and end markers.
- Maximum snap distance
- Maximum distance to snap markers to other markers, in pixels.
- Show inactive lines
- Controls how lines surrounding the currently selected line are displayed in the audio waveform. "Don't show" will only display the current line. "Show previous" will show the previous line (in the grid, not chronologically) in gray in addition to the current line. "Show next and previous" will show the lines before and after the current line (in the grid, not chronologically). "Show all" will show all lines in gray in addition to the current line.
- Include commented inactive lines
- If disabled, commented lines will be skipped over when picking which inactive lines to show in the audio display (making "Show previous" into "Show last uncommented line before this line", and so on).
Display Visual Options
- keyframes
- If enabled, lines marking the positions of keyframes in the video will be drawn on the audio waveform when in dialogue timing mode (the default).
- Karaoke keyframes
- If enabled, lines marking the positions of keyframes in the video will be drawn on the audio waveform when in karaoke timing mode.
- Draw cursor time
- If enabled, a timestamp showing the time since the start of the file will be drawn near the top of the audio waveform cursor.
- Video position
- If enabled, a line is drawn in the audio display marking the start time of the current video frame.
- Waveform style
-
Selects which of the waveform rendering styles to use
- Maximum + Average
- The waveform is two-tone, indicating both the maximum value of a sample within a pixel's time range, and in a brighter color, the average value of all samples within the time range.
- Maximum
- The waveform displays only the maximum value, as previous versions of Aegisub did.
Audio labels
These options control the appearance of labels drawn in the audio display for karaoke syllables.
- Font Face
- The font to use for audio labels.
- Font Size
- The font size to use for audio labels.
Video
- Show keyframes in slider
- When enabled, Aegisub will draw keyframe markers on the video seek slider.
- Seek video to line start on selection change
- When enabled, whenever the active line is changed Aegisub will automatically seek the video to the first frame of the new line. Note that this can by done manually by double-clicking on the grid, or by pressing Ctrl-1.
- Always show visual tools
- When disabled, the visual typesetting tools are only rendered when the mouse is over the video display.
- Automatically open audio when opening video
- When enabled, when you open a video file which also has audio data, Aegisub will automatically load the audio.
- Default zoom
- The default video zoom level. Useful if you have a very big or very small screen.
- Fast jump step in frames
- Decides how big "jumps" Aegisub will make when you use the fast seek feature (Alt-rightarrow and Alt-leftarrow). Measured in frames.
- Screenshot save path
- Decides where Aegisub should save screenshots. The default is
?video
, which means they are saved to wherever the video is, but you can change it to any path you like. Aegisub path specifiers are supported; another option directly available in the dropdown is?script
, which is wherever the script is.
Script resolution
- Use resolution of first video opened
- When enabled, Aegisub will automatically set the script resolution to the video resolution if you open a video and the script resolution is not yet set. If this is disabled, Aegisub instead sets the script resolution to a configurable default.
- Match video resolution on open
- Controls what Aegisub will do about script resolution when you open a video. If set to "never", Aegisub will do nothing if the script resolution doesn't match the video resolution. If set to "ask", Aegisub will ask you if you want to change the script resolution to match the video resolution if they don't match. If set to "always", Aegisub will always change the script resolution to match the video resolution automatically. "always" is not recommended since it just changes script resolution without resampling anything, so it will most likely break existing typesetting.
Interface
- Enable call tips
- When enabled, Aegisub will detect when you are writing an override tag and display a small box with a brief reference of the syntax of the tag in question until you close the tag. This is called a "call tip" and the feature may be familiar to users of various programming IDEs.
- Overwrite in time boxes
- Controls the behavior of all time edit boxes in the program. By default, all time edit boxes in Aegisub behave like as if you had pressed the Insert button, so every digit you type overwrites what is already there, and you cannot erase numbers that are already there, you have to overwrite them. Unticking this box disables this behavior and makes the time edit boxes behave just like normal text edit boxes (almost).
- Enable syntax highlighting
- Enables or disables syntax highlighting of override tags in the main edit box.
- Path to dictionary files
- Decides where Aegisub will look for dictionary files for its spellchecker and
thesaurus. By default it looks in
?data/dictionaries
, but if you have your own dictionaries in the correct format somewhere else, feel free to point Aegisub there instead. - Font
- Decides the font and fontsize used for the subtitle edit box and other edit boxes.
- Allow grid to take focus
- When enabled, the subtitles grid acts as its own area of the program and it can have focus, just like the audio or the video can, and while it does you can use the arrow keys/mouse wheel to scroll around it etc. On the other hand, if you disable this option, the focus will stay where it was before whenever you click in the grid. This means you can't use keyboard shortcuts in the grid anymore, but on the other hand it means you can click in the grid to go to a line without losing the audio focus and so on. Use at your own discretion.
- Highlight visible subtitles
- When enabled, all subtitle lines that are currently visible in the video frame (or at least should be visible; Aegisub does not account for alpha and such trickery in this case; it cares only about the timing of the line) will be highlighted in the grid with a special background color (see the "Line in frame background" option below).
- Hide overrides symbol
- The character that will be shown instead of override blocks if tag hiding is active. Note that despite the name, this can be more than one character if you so desire.
- Font
- Decides the font and font size of all text in the grid.
Colors
Audio Display
- Play cursor
- The color of the playback cursor.
- Line boundary start
- Line boundary end
- Line boundary inactive line
- The respective colors of the various line boundary markers.
- Syllable boundary
- The color of a syllable boundary line in karaoke mode.
Color Schemes
Controls the color scheme used for the waveform/spectrum and some of the UI elements. Aegisub currently does not have a UI for editing the color schemes or creating new ones, but if you're feeling adventurous they can be found in config.json.
Syntax Highlighting
- Normal
- The color of normal text.
- Brackets
- The color of brackets that start/end override blocks.
- Slashes and parentheses
- The color of backslashes and parentheses within override blocks.
- Tags
- The color of tag names within override blocks.
- Parameters
- The color of parameters to override tags.
- Error
- The error color for invalid syntax within an override block.
- Error background
- Background color for errors.
- Line break
- Color for \N, \n and \h outside of override blocks.
- Karaoke templates
- Color for karaoke templater blocks on template lines.
Subtitle Grid
- Standard foreground
- Standard background
- The normal color of lines in the grid. "Foreground" is the text color, and "Background" is obviously the background color.
- Selection foreground
- Selection background
- The color of selected lines in the grid.
- Comment background
- Selected comment background
- The background color of commented-out lines and selected commented-out lines, respectively.
- Collision foreground
- The text color of lines whose timings overlap with the currently active line.
- Line in frame background
- The background color of lines currently visible in the video frame.
- Header
- Left column
- Active line border
- Lines
- The color of the grid lines and fixed columns/headers.
Hotkeys
This page lists all hotkeys currently set in Aegisub, and allows you to add, remove or change them.
Hotkey Contexts
Aegisub supports setting different hotkeys depending on what part of the program has focus.
The "Default" group is for hotkeys which should work regardless of what in Aegisub currently has keyboard focus. Hotkeys set in Default are overridden by the more specific categories when applicable.
The "Always" group sets hotkeys which are enabled by Medusa mode, which apply everywhere in the program and override all other keypresses, including ordinary typing in edit boxes.
All other hotkey contexts should be self-explanatory.
Setting hotkeys
To modify a hotkey, first click on the row to select it, then click on the hotkey field in the row, then press the key(s) that should trigger the command. Accept the new hotkey by clicking on another row.
To add a new hotkey, select the context you want to add the hotkey to, then click the New button. There is currently no list of commands available, but between the existing hotkeys and the auto-complete you can probably guess the command name for the thing you want to do. Everything on any of the menus or any of the toolbars except the subtitles edit box toolbar has a command.
Backup
Automatic Save
- Enable
- If enabled, Aegisub will periodically save a copy of the script you are working on to the autosave path.
- Interval in seconds
- How often should Aegisub autosave.
- Path
- Decides where to save autosaved copies of scripts you are working on. By
default set to
autosave
in your Aegisub?user
directory (see the Aegisub path specifiers page for details). - Autosave after every change
- If enabled, Aegisub will save the file after every change made to it. Note that this currently causes some problems with the undo system.
Automatic Backup
- Enable
- If enabled, Aegisub will save a backup copy of each script you open,
immediately on opening it. By default, it is saved to
?user/autoback/
, but this can be changed (see below). - Path
- Decides where to save automatic backup copies of scripts. By default set to
autoback
in your Aegisub?user
directory.
Automation
- Base path
- A base directory where you put non-autoloaded automation scripts. Used only for saving paths to script files in the subtitles.
- Include path
- List of directories where include files and modules are searched for.
Directories are separated with a pipe character,
|
. - Auto-load path
- List of directories that are searched for scripts on startup, which are then
automatically loaded. Directories are separated with a pipe character,
|
. - Trace level
- When a script sends a message to the debug console it can also specify a trace level. If the trace level of a message is lower than the value given here, the message is not logged. The names given to the levels are only suggestions and they don't have any effect on the execution of the script. (i.e. a "Fatal" level message will not cause the script to terminate.)
- Thread priority
- Priority given to the script execution thread. If you're on a single-core/single-CPU system having this on lower than normal will make other programs more responsive while long-running scripts are active.
- Autoreload on Export
- Automatically reloads the specified sets of scripts when the Exporting dialogue is opened. In that case you will have to enter the Manager window and determine the cause of the error.
Advanced Audio
- Audio provider
-
What backend to to use for loading audio. Currently there are only two methods.
- avisynth (Windows only)
- Uses Avisynth to load audio. All file types will be loaded with DirectShowSource(), except for AVS files which will be opened with Import().
- FFmpegSource
- Uses FFMS2 to load audio. Generally more reliable than opening via DirectShowSource, but slower due to that it has to index files first.
Regardless of this setting, the internal PCM WAV reader will always be tried first for WAV files.
- Audio player
-
What method to use for playing back audio. The options depend on the platform.
- DirectSound (Windows only)
- Uses Microsoft DirectSound to play back audio. This is the best tested and most stable audio player.
- DirectSound-old (Windows only)
- Aegisub's original implementation of the DirectSound player. If you have audio playback problems when using the DirectSound player this one may work better (but probably won't).
- alsa (Linux only)
- Uses the Advanced Linux Sound Architecture to play back audio. ALSA is the native sound architecture of Linux and is not available on any other systems.
- pulse (Linux and other *NIX-like systems)
- Plays sound back through a PulseAudio sound server. This is the least-tested and least likely to work of the audio players, and is only recommended if your audio setup makes non-pulse players undesirable.
- portaudio
- Use the PortAudio API to play back sound. PortAudio has different playback implementations on different platforms. On most Unices it uses Open Sound System (OSS) for output. It is currently the only Windows audio player which supports selecting the output device.
- openal
- Uses the OpenAL API to play back audio. This is the recommended player on OS X. It is normally not included in windows builds due to that it adds an extra dependency for little benefit.
Cache
- Cache type
- Use RAM unless you have very little of it, then use Hard Disk. The cache is not needed and not used when PCM WAV files are opened. If you disable caching, audio playback might become very unreliable.
- Path
- File name
- These options determine where the hard disk audio cache will be located. Only used if cache is set to hard disk. You shouldn't need to change this unless you're low on disk space. For the name, the string expects a printf-style "%i" parameter, that will be replaced with a number. "%02i" is used by default. Don't change that unless you know what you are doing.
Spectrum
- Spectrum quality
- Determines the quality of the audio spectrum display. Higher quality settings result in larger CPU and RAM use. Each consecutive setting uses a bit more CPU than the previous, and double the amount of RAM. For 48 kHz sample rate audio, one minute of audio uses this much memory at the different settings:
0 "regular" - 11 MB 1 "better" - 22 MB 2 "high" - 44 MB 3 "insane" - 88 MB
: The amount of memory used does not depend on the number of channels (Aegisub always works in mono) or the bit-depth (the spectrum is always calculated in 32 bit floating point) of the audio.
- Cache memory max
- The maximum amount of memory to use for audio spectrum caching. The results of the calculations to display the audio spectrum are cached to make scrolling through the audio smoother. The amount of spectrum display that can be cached in an amount of memory depends on the quality setting above. The default cache size of 128 MB results a little less than 6 minutes of audio at 48 kHz in quality 1. If you set this smaller than 5 MB, the default of 128 MB will be used instead. You probably shouldn't set this to more than 1/4 of your amount of physical RAM installed.
Avisynth (Windows only)
- Avisynth down-mixer
- Aegisub can only use mono (single-channel) audio. This option determines which Avisynth function to use to convert audio to mono.
- Force sample rate
- Convert all audio opened to the given sample rate. Forcing the sample rate to the sample rate used by your sound card (rather than having the audio player do it) can potentially improve audio performance and fix playback issues.
FFmpegSource
- Audio indexing error handling mode
-
What to do if an error occurs while indexing an audio track.
- Ignore
- Ignore the error and continue decoding the file. This mode can let you open some corrupted files, but can cause audio/video desync.
- Clear
- Pretend that the track with the error does not exist in the file.
- Stop (default)
- Stop indexing at the point of the error and return all audio data before the error. This is the default due to that corrupted audio packets at the very end of files are fairly common.
- Abort
- Refuse to open the file at all.
- Always index all audio tracks
- If disabled, opening a video file will only index the video tracks, forcing you to reindex the file to open audio tracks from the same file.
Portaudio
- Portaudio device
- What output device to use when playing audio through portaudio.
Advanced Video
- Video provider
-
Decides what method Aegisub should use to load video. What options you have available here depends on how your copy of Aegisub was compiled and what operating system you are running under. The following alternatives exist:
- avisynth (Windows only)
- Uses Avisynth to load video. Versatile, supports loading almost all common formats as well as .d2v files (indexed DVD VOBs) if the correct plugin is supplied. Note that Aegisub can install its own avisynth.dll instead of using your system installation if so desired. Requires Video for Windows decoders for AVI files for best performance. Uses DirectShow for most formats, so it isn't recommended for anything but AVI, d2v and opening Avisynth scripts.
- FFmpegSource
- Uses FFMS2 to load video. Generally the most reliable option.
- Subtitles provider
-
Decides what backend Aegisub uses to render subtitles on the video. If you install additional CSRI renderers such as VSFilterMod or xy-VSFilter (by placing the dlls in the CSRI directory within Aegisub's directory), they will be listed here along with the default ones.
- CSRI/vsfilter_textsub (Windows only)
- Use VSFilter 2.40 to render subtitles. This is the standard subtitle renderer which defines the ASS format used by Aegisub.
- libass
- Use libass to render subtitles. libass is far faster than VSFilter and (somewhat) cross-platform, but unfortunately still has some rendering differences from VSFilter and font-related issues on Windows. If you are doing complex typesetting that will be softsubbed it is a good idea to check your work with both VSFilter and libass, as an increasing number of users are using libass.
- Force BT.601
-
Pretend all YUV videos are BT.601, for VSFilter compatibility.
When VSFilter is used as a DirectShow filter, it always uses the BT.601 color matrix for converting the subtitles from RGB to YUV. This means that if the video uses BT.709 (as most HD video and the occasional DVD does), colors which match the video in Aegisub will not match the video in the player. This option makes Aegisub always convert videos to RGB using BT.601, making the colors shown in Aegisub incorrect, but making it so that if the colors match in Aegisub, they will match in the player.
To make things more exciting, VSFilter will use the correct color space when used as the internal subtitle renderer in MPC-HC, so enabling this option will result in mismatched colors in that case. As the ISR is currently broken in many ways (e.g. it is impossible to accurately position subtitles with it), we recommend not worrying about it for now.
This comparison may make this clearer:
Aegisub now writes what colorspace should be used for RGB -> YUV conversions to the subtitle file, so hopefully this mess will be resolved by renderer improvements sometime in the future.
Avisynth
- Allow pre-2.56a Avisynth
- Support using ancient versions of Avisynth that a few people refuse to upgrade past for various bad reasons.
- Avisynth memory limit
- Frame cache memory limit for Avisynth. Raising this generally does not improve performance and should be done only if you're opening overcomplicated Avisynth scripts directly.
FFmpegSource
- Debug log verbosity
- Set ffmpeg/libav's verbosity level. Only has an effect when you have a debugger attached to Aegisub.
- Decoding threads
- Maximum number of threads to use to decode video, or -1 to choose automatically. Setting this to 1 can fix some decoding issues at the cost of performance. There is rarely any reason to set it to a value other than 1 or -1.
- Enable unsafe seeking
- Disable some of FFMS2's sanity checks when seeking in video. Makes it possible to open some files which FFMS2 cannot seek frame-accurately in.


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|
RTM for Unity3D
Agora Realtime Messaging for Unity3d
|
The class for setting and retrieving attributes of a channel or peer-to-peer message. More...
#include <IAgoraRtmService.h>
Public Member Functions | |
| virtual long long | getMessageId () const =0 |
| Retrieves the unique ID of the message. More... | |
| virtual MESSAGE_TYPE | getMessageType () const =0 |
| Retrieves the message type. More... | |
| virtual void | setText (const char *str)=0 |
| Sets the content of a text message, or the text description of a raw message. More... | |
| virtual const char * | getText () const =0 |
| Retrieves the content of a text message, or the text description of a raw message. More... | |
| virtual const char * | getRawMessageData () const =0 |
| Retrieves the starting address of the raw message in the memory. More... | |
| virtual int | getRawMessageLength () const =0 |
| Retrieves the length of the raw message. More... | |
| virtual long long | getServerReceivedTs () const =0 |
| Allows the receiver to retrieve the timestamp of when the messaging server receives this message. More... | |
| virtual bool | isOfflineMessage () const =0 |
| Allows the receiver to check whether this message has been cached on the server (Applies to peer-to-peer message only). More... | |
| virtual void | release ()=0 |
| Releases all resources used by the IMessage instance. More... | |
| virtual long long | getMessageId () const =0 |
| Retrieves the unique ID of the message. More... | |
| virtual MESSAGE_TYPE | getMessageType () const =0 |
| Retrieves the message type. More... | |
| virtual void | setText (const char *str)=0 |
| Sets the content of a text message, or the text description of a raw message. More... | |
| virtual const char * | getText () const =0 |
| Retrieves the content of a text message, or the text description of a raw message. More... | |
| virtual const char * | getRawMessageData () const =0 |
| Retrieves the starting address of the raw message in the memory. More... | |
| virtual int | getRawMessageLength () const =0 |
| Retrieves the length of the raw message. More... | |
| virtual long long | getServerReceivedTs () const =0 |
| Allows the receiver to retrieve the timestamp of when the messaging server receives this message. More... | |
| virtual bool | isOfflineMessage () const =0 |
| Allows the receiver to check whether this message has been cached on the server (Applies to peer-to-peer message only). More... | |
| virtual void | release ()=0 |
| Releases all resources used by the IMessage instance. More... | |
| virtual long long | getMessageId () const =0 |
| Retrieves the unique ID of the message. More... | |
| virtual MESSAGE_TYPE | getMessageType () const =0 |
| Retrieves the message type. More... | |
| virtual void | setText (const char *str)=0 |
| Sets the content of a text message, or the text description of a raw message. More... | |
| virtual const char * | getText () const =0 |
| Retrieves the content of a text message, or the text description of a raw message. More... | |
| virtual const char * | getRawMessageData () const =0 |
| Retrieves the starting address of the raw message in the memory. More... | |
| virtual int | getRawMessageLength () const =0 |
| Retrieves the length of the raw message. More... | |
| virtual long long | getServerReceivedTs () const =0 |
| Allows the receiver to retrieve the timestamp of when the messaging server receives this message. More... | |
| virtual bool | isOfflineMessage () const =0 |
| Allows the receiver to check whether this message has been cached on the server (Applies to peer-to-peer message only). More... | |
| virtual void | release ()=0 |
| Releases all resources used by the IMessage instance. More... | |
Protected Member Functions | |
| virtual | ~IMessage () |
| virtual | ~IMessage () |
| virtual | ~IMessage () |
The class for setting and retrieving attributes of a channel or peer-to-peer message.
|
protectedvirtual |
|
protectedvirtual |
|
protectedvirtual |
|
pure virtual |
Retrieves the unique ID of the message.
|
pure virtual |
Retrieves the unique ID of the message.
|
pure virtual |
Retrieves the unique ID of the message.
|
pure virtual |
Retrieves the message type.
|
pure virtual |
Retrieves the message type.
|
pure virtual |
Retrieves the message type.
|
pure virtual |
Retrieves the starting address of the raw message in the memory.
|
pure virtual |
Retrieves the starting address of the raw message in the memory.
|
pure virtual |
Retrieves the starting address of the raw message in the memory.
|
pure virtual |
Retrieves the length of the raw message.
|
pure virtual |
Retrieves the length of the raw message.
|
pure virtual |
Retrieves the length of the raw message.
|
pure virtual |
Allows the receiver to retrieve the timestamp of when the messaging server receives this message.
|
pure virtual |
Allows the receiver to retrieve the timestamp of when the messaging server receives this message.
|
pure virtual |
Allows the receiver to retrieve the timestamp of when the messaging server receives this message.
|
pure virtual |
Retrieves the content of a text message, or the text description of a raw message.
|
pure virtual |
Retrieves the content of a text message, or the text description of a raw message.
|
pure virtual |
Retrieves the content of a text message, or the text description of a raw message.
|
pure virtual |
Allows the receiver to check whether this message has been cached on the server (Applies to peer-to-peer message only).
|
pure virtual |
Allows the receiver to check whether this message has been cached on the server (Applies to peer-to-peer message only).
|
pure virtual |
Allows the receiver to check whether this message has been cached on the server (Applies to peer-to-peer message only).
|
pure virtual |
Releases all resources used by the IMessage instance.
|
pure virtual |
Releases all resources used by the IMessage instance.
|
pure virtual |
Releases all resources used by the IMessage instance.
|
pure virtual |
Sets the content of a text message, or the text description of a raw message.
| str | The text message to be set. Must not exceed 32 KB in length. If the message is a raw message, ensure that the overall size of the text description and the raw message data does not exceed 32 KB. |
|
pure virtual |
Sets the content of a text message, or the text description of a raw message.
| str | The text message to be set. Must not exceed 32 KB in length. If the message is a raw message, ensure that the overall size of the text description and the raw message data does not exceed 32 KB. |
|
pure virtual |
Sets the content of a text message, or the text description of a raw message.
| str | The text message to be set. Must not exceed 32 KB in length. If the message is a raw message, ensure that the overall size of the text description and the raw message data does not exceed 32 KB. |


Thank you for undertaking this assessment - we hope you found it interesting to do. This feedback sheet provides a summary of what was assessed and then describes your overall performance, along with some relevant development suggestions.
@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import models.page.Phase3CompetencyFeedback @import models.page.Phase3FeedbackPage @import config.TrackingConsentConfig @(page: Phase3FeedbackPage)(implicit request: Request[_], flash: Flash, user: Option[CachedData], feedbackUrl: String, trackingConsentConfig: TrackingConsentConfig, messages: Messages) @returnToHomePage = { Return to homepage } @main_template(title = "Your feedback") {
Video Interview Candidate Feedback Report
@returnToHomePage
Thank you for undertaking this assessment - we hope you found it interesting to do. This feedback sheet provides a summary of what was assessed and then describes your overall performance, along with some relevant development suggestions.
This Video Interview asks you to respond to a series of questions relating to a range of criteria regarding your experience and also what you enjoy and find energising. Your score relates to your capability to do things and also to how engaged and motivated you feel about those areas - these two aspects are presented separately below.
@Messages(page.capabilityFeedback.feedbackOnPerformance)
@Messages(page.capabilityFeedback.suggestionsForFurtherDevelopment)
@Messages(page.engagementFeedback.feedbackOnPerformance)
@Messages(page.engagementFeedback.suggestionsForFurtherDevelopment)
}