Love's Labour's Lost **
Rated on a 4-star scale Screening venue: Odeon (Manchester City Centre) Released in the UK by Pathe on 31 March, 2000; certificate U; 93 minutes; counties of origin UK/USA; aspect ratio 2.35:1
Directed by Kenneth Branagh; produced by David Barron, Kenneth Branagh. Written by Kenneth Branagh; based on the play by William Shakespeare. Photographed by Alex Thomson; edited by Daniel Farrell, Neil Farrell.
CAST..... Alessandro Nivola..... King Kenneth Branagh..... Berowne Adrian Lester..... Dumaine Matthew Lillard..... Longaville Alicia Silverstone..... Princess Natasha McElhone..... Rosaline Carmen Ejogo..... Maria Emily Mortimer..... Katherine Richard Briers..... Nathaniel Nathan Lane..... Costard Timothy Spall..... Don Armado
Kenneth Branagh's "Love's Labour's Lost" conceives many good ideas on how to inject life into one of Shakespeare's most inane plays, then spoils them with bizarre execution. It's one thing to intersperse the Bard's original dialogue with Busby Berkeley-style musical numbers, and quite another to fill the frame with actors who look like they've been smoking crack.
In the story, a young king (Alessandro Nivola) forms a pact with several countrymen, who pledge to lock themselves away for three years and dedicate their attentions to study. They will sleep only three hours per night, fast frequently and avoid female company. It's a bit like boarding school, I guess, except without the buggery.
The early scenes show words of concern coming from Berowne, the character played by Branagh, who doubts whether he and his chums will be able to live without romance. This is an accurate prediction, and soon he and the king, as well as fellow scholars Dumaine (Adrian Lester) and Longaville (Matthew Lillard), are bewitched by the charms of four French ladies -- Princess (Alicia Silverstone), Rosaline (Natasha McElhone), Maria (Carmen Ejogo) and Katherine (Emily Mortimer).
Neither the play nor the film explain what possessed the king to lock himself away -- is it intentional that the man seems mad? If so, why do none of the characters ever mark his insanity? More importantly, what is supposed to be so entertaining about men and women sending each other messages of love, shuffling away tittering, discussing the process and then repeating it? That's the ridiculous game that fills most of "Love's Labour's Lost". Hardly Shakespeare's finest hour.
Because its story is so very lame, I was grateful for the film's singing and dancing -- at least some energy is brought to the proceedings. Wouldn't you rather hear songs such as "Cheek to Cheek" and "There's No Business Like Show Business" than the frivolous chatter of sub-standard Elizabethan drama? The movie's problem is its excess of reaction shots, and its performers' over-the-top gestures, bulging eyes and sweeping hand movements. Especially irritating is Timothy Spall, who attempts to be a jester by way of an embarrassing fake Spanish accent and clumsy walk.
Branagh loves the work of William Shakespeare, and UNDERSTANDS it, which is why his screen adaptations garner so much acclaim. "Hamlet" (1996) was one of cinema's great directorial achievements. "Love's Labour's Lost" is a film of ingenious concepts put into practice with disappointing clumsiness.
COPYRIGHT(c) 2000 Ian Waldron-Mantgani http://members.aol.com/ukcritic
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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belongs to the author.
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Related links: index of all rec.arts.movies.reviews reviews


Many of today’s most popular cocktails are either variations of iconic drinks or based on old-fashioned remedies for sicknesses that we now cure with injections or pills. The recipes might have changed, the liquors have become more refined and yet the enjoyment of a tasty cocktail remains the same.
Is a variant of the Piña Colada with Cachaça and Batida de Côco.
Is a variant of the Piña Colada with Cachaça and Batida de Côco.
Is a variant of the Piña Colada with Cachaça and Batida de Côco.


Texas appeals court blocks execution of Rodney Reed amid new questions about evidence in murder case
by EndPlayHOUSTON - HOUSTON (AP) - Texas appeals court blocks execution of Rodney Reed amid new questions about evidence in murder case.
HOUSTON - HOUSTON (AP) - Texas appeals court blocks execution of Rodney Reed amid new questions about evidence in murder case.


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Aenean sollicitudin, lorem quis bibendum auctor, nisi elit consequat ipsum, nec sagittis sem nibh id elit. Duis sed odio sit amet nibh
"Fashion is About something that comes from Within you"
"In the design process, my gut instinct is my best critic"
"Accordingly composed pictures contrived as many lines"


Get to know me
Who is Susan?
I am a mother of 3 lovely kids, Married to 1 Mr. John and currently a solutions architect supporting the Safaricom Enterprise Business Section. I have a Bsc from The USIU with a major in networking, thus my interest in systems. I started
off a systems administrator where i managed to install and play around with major enterpise systems such as Solarwinds and cPanel, of which we currently use to support our clients i.e. within Safaricom.
I have over 10 years experience(please dont go about calculating my age) in the solutions or presales area.
I decided to take up digital academy with a specialisation in cloud computing and devops, because i want to unlearn and relearn what is there in the market, sharpen my skills to enable me technically in this market space.
My current hobbies and interests lie mainly in cloud computing, baking and farming just to name a few.
Susan Mwaura
Solution Architecting means;
Im really good at:
Devops
cloudcomputing
Cybersecurity


Carrier is a middle-level machine based on Linux, the main focus of the machine is the network
related stuff. Since the user exploitation, we have a web application dedicated to monitor the network, then in the post exploitation we have a really challenging privilege escalation
stage, going through pivoting
to get last flag.
Recon
Starting with Nmap
The SNMP port is open, we can see if there’s some interesting strings from the device using the tool snmpwalk
On /docs, verifying the file that has a manual with errors, the error 450009 is somehow related to the SNMP string that we got earlier.
It’s possible to login into the web application using the login admin
and the password NET_45JDX23
.
Exploiting - Command Injection on the Web Application
Doing a small recon we can see that there’s a button that verifies which services the user quagga
is executing right now.
Analyzing the request we can deduct that the output of the Diagnostics function command is something similar to:
By knowing the command used to generate the output we can dig a little deep into the request parameters and see if we can inject some commands into it. Let’s append a new command on it and send to the server (you need to base64-encode the command)
After send this we noticed that the vulnerability is exploitable so the next step is craft our reverse shell payload, encode and send to the server.
I made a script that exploits this vulnerability, automating the whole process of login and command injection and it comes with an interactive shell. The script is available on my GitHub.
Post Exploitation - Pivoting to another network
The privilege escalation is a bit challenging on this box, because it needs a solid network knowledge about router management, routes, etc.
Doing a small recon we can see that there’s a tool named vtysh
, responsible for managing the network.
The image above was obtained during the recon process and it show the actual network map, with 3 different networks: AS100
, AS200
and AS300
.
Back to the recon on the web application, in the tickets
we can see that there’s a ticket saying that the network <IP_ADDRESS>/24
has a leak problem on the FTP service
.
The information lead us to an attack named BGP Route Hijacking
, where the attacker hijack the gateway between two networks, making him the Man In The Middle
, sniffing the whole traffic.
More information about BHP Route Hijacking: BGP Route Hijacking by Akamai
All we need to do is change the route using the vtysh
tool:
After that we can intercept the port 21, grab the plaintext password and login as root on SSH, finishing the box.


About Us
In a city where culinary innovations happen every day,
we wanted to create something not only truly unique, but also iconic to Seattle and the pacific northwest.
By combining the savoryness of wild salmon and delicious sweet cookies, we have brought a new treat to the scene that people won't soon forget.
LOCATIONS
1st and Pike: 111 Main St., Seattle, WA, 98101
SeaTac Airport: 112 Main St., Seattle, WA, 98102
Seattle Center: 113 Main St., Seattle, WA, 98103
Capitol Hill: 114 Main St., Seattle, WA, 98104
Alki: 115 Main St., Seattle, WA, 98105
Business Hours
MON - Fri : 6:00am - 8:00pm
SAT: 9:00am - 7:00pm
SUN: 9:00am - 4:00pm
Contact Us
Customer Service(toll free): 1-800-sal-cook
Address: 123 Main St, Seattle , WA 98100


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There are the overall all-round rankings. For rankings just for the current round, {{ window.verbose_name }} use the dropdown above.
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--- layout: single author_profile: false author: mark title: "Merry Christmas Tom & KD!" permalink: /xmastkd ---


Standards and Testing Agency
Email<EMAIL_ADDRESS>National curriculum assessments helpline 0300 303 3013
For general enquiries about national curriculum tests.
Guidance
Information about how teachers can reschedule the key stage 2 tests.
Some pupils may be able to take a test at a different time from the rest of the cohort, subject to strict criteria.
Schools can use a start time variation or a timetable variation to change the 2017 key stage 2 test timetable. Both must be authorised by the headteacher before submission to STA on NCA tools.
You can use a start time variation to vary the test time between 7am and 7pm on the day of a test, so that a pupil can take a test on the scheduled date, but at a different time from the rest of the cohort.
You can use a timetable variation to vary the test time to a different day, up to 5 school days after the day specified in the statutory timetable.
Under no circumstances may a test be taken before the day specified in the statutory timetable.
You must complete the appropriate form in the ‘Access arrangements’ section of NCA tools . You may find it helpful to watch our video demonstrating how to notify STA of a start time variation or apply for a timetable variation.
Timetable variations and start time variations will only be granted if:
It is maladministration for a school to vary the test timetable without permission from STA or without having notified us. Incorrect use of timetable variations could lead to the annulment of pupils’ results.
If you are in any doubt about which type of timetable variation is most appropriate, contact the national curriculum assessments helpline on 0300 303 3013.
You must notify us if you are going to make a start time variation for individual pupils between 7am and 7pm on the day of a test. In the interests of their welfare, pupils must not take the tests before 7am or after 7pm.
You may move the time of a test on the scheduled day if, for example:
Before the test is administered you must notify STA using an online ‘Start time variation’ form in the ‘Access arrangements’ section of NCA tools. STA will not approve or reject notifications so you do not need to wait for a response before administering the test to the pupil.
Headteachers must authorise any proposed start time variations.
Schools must not administer a start time variation unless the headteacher can confirm that:
Headteachers may wish to contact the pupil’s parents to confirm that the integrity of the tests has been maintained.
If a pupil has had contact with pupils who have taken the test or had access to the test materials via the internet, the pupil must not take the test and should be marked as ‘A’ (absent) on the attendance register.
To move the test to a different day you must submit an online ‘Application for a timetable variation’ form in the ‘Access arrangements’ section of NCA tools. You can apply to move a test up to 5 school days after the date specified in the statutory timetable. You must not administer the test until we have approved your application.
We will consider your application if a pupil:
We will also consider applications if your school:
We will not allow the test timetable to be changed for:
If a pupil is absent on the day of the test, wait until the pupil has returned to school before making an application. We will not accept applications unless we are sure which day the test will be taken on.
During test week and the following timetable variation week, you need to allow up to 2 hours for your application to be processed. Please bear this in mind when submitting your application. The pupil must only take the test after the application has been approved by STA.
You will receive an email to tell you that your application has been updated. You should then login to the NCA tools website to check the status of the application.
Pupils taking the test with a timetable variation should be marked as ‘✔’ (present for the test) on the attendance register once the test has been administered. They should not be marked as ‘F’ (taking the test in a future year).
This table summarises what action you need to take if a pupil is late or absent on the day of a test.
| Circumstance | Action required | Application for a ‘timetable variation’ or notification of ‘start time variation’ required? |
|---|---|---|
| A pupil arrives late but before the rest of the pupils have completed the test. | The pupil should be given the full time to complete the test. | No |
| A pupil arrives after the test has been completed, but before the rest of the cohort has left the test room. | The pupil should be kept isolated from the rest of the cohort until the pupil’s rescheduled test has been administered. | No |
| A pupil arrives after the test has been completed and the pupils have left the test room. | The pupil should be kept isolated from the rest of the cohort until the pupil’s rescheduled test has been administered. | Yes - notification of a start time variation |
| The school is unable to administer a test to the whole cohort in one sitting. | The school may administer the test in 2 or more sittings on the scheduled day of the test. No pupil should have the opportunity to communicate with any pupil who has already taken the test. | Yes - notification of a start time variation |
| A pupil is absent on the day of a test and returns to school within 5 school days of the published test date. | The headteacher must first confirm that the pupil hasn’t had any contact with any other pupil who has already taken the test or had access to the internet. | Yes - application for a timetable variation |
| A pupil is absent on the day of a test and doesn’t return to school within 5 days of the published test date. | The pupil must be marked as ‘A’ (absent) on the attendance register. | No - application for a timetable variation not applicable |
Email<EMAIL_ADDRESS>National curriculum assessments helpline 0300 303 3013
For general enquiries about national curriculum tests.
Published: 14 April 2014
Updated: 27 January 2017


Login| Cart |
Private Beach |
|
On your Bahamian getaway, we offer a private island with pristine beaches and many of activities to do. You can relax with our shore side spa, or you could indulge in our fresh seafood. Or you can enjoy our lagoon-style pool with stellar poolside seating and a swim up bar. |
Dining Opportunities |
|
This resort comes included with many different dining options and different styles of cuisine. We have seafood restaurants, French cuisine, Italian restaurants, and many more to discover. |
Relaxing Environment |
|
One of our goals is that every person has a fun, relaxing time at our Resort. Our staff works hard to ensure that the environment is as relaxing as possible with rooms that lookout to the peaceful waters and employees that are available to make sure that your stay is all that you hope it to be and more. |
Pools/Spa |
|
This resort includes the option to enjoy our Red Lane Spa. Here we offer couples massages and aromatherapy massages. We also offer facials, hot stone therapy, foot massages, massages for expecting mothers, and many more. Also, we have many different pools and beaches to have all the fun in the water that you want. We have pools with swim-up bars, scuba diving, and many other fun ways to enjoy the pristine water in this beautiful environment. |
Rooms |
|
We have many different room types to fit any budget and needs. The base level of rooms are called the Luxury Level Rooms. These rooms include luxurious and calming furniture with a private balcony with an ocean view. The next rooms are called the Club Level Rooms. These rooms offer a stunning view of the beach and ocean. Included is a luxurious dining and sleeping area with fine furniture, top-of-the-range television, and a private balcony with breathtaking views. The next rooms are called the Butler Level Rooms. These rooms are extravagantly decorated that lookout to the ocean. Included is a large living area, dining area, and sleeping area. Also, these rooms have a top-of-the-range television, and a luxurious bathroom with a large tub. 24-hour room service is included, as well as, VIP Rolls Royce or Mercedes airport transfers and exclusive dining at our various restaurants. |
Gym |
|
Our gyms are free to use for the vacationers and offer 24/7 access, complimentary instruction, and many more. We are equipped with treadmills, elliptical, exercise bikes, and stair climbers all with iPod docks with the capacity to watch videos or play music. Also, we have yoga, aerobics, Zumba, Pilates classes, and many more complimentary classes. |
Friendly Staff |
|
Our staff is determined to make sure that your stay is as relaxing and enjoyable as possible. We have staff standing by 24/7 to make sure that all your needs are met and that your stay allows you to relax and enjoy the time you have with your family in this island utopia. |
|
Affinity Travels Agency |
|
© Affinity IT Squad web design powered by Overflow System |


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Text message sent out by Dems tonight. It’s 1938. These are Nazis. “We turned GA BLUE! Congratulations Raphael Warnock & Jon Ossoff! We now control all 3 branches of power & can pursue our progressive agenda, unimpeded. We will never surrender, our terms are non-negotiable.”
Sickening
So are you going to start shooting yet?
Dark to light
We will see
Who sent this? Show your work.
It’s not over !!!!
We're at war and half of us don't know it.
They are excited about destroying our country.
😈😈😈😈😈😈😈😈🤮🤮🤮🤮🤮🤮🤮🤮🤢🤢🤢🤢🤢🤢🤢🤢🤢🤢🤢🤢
we'll see tomorrow
🤣 Wow aren’t they bold. Do they realize they have been caught cheating again?
I keep saying it is time for good men to do bad things.

Looks like the last step is for Patriots take back the country.
That sounds like a call for war to me
This is a coup designed to look like an election. If they succeed at stealing the presidency and these seats, we will never have a fair election again. These are the same machines that did this to Venezuela.
😢
Its called a Dictatorship.


storage
settings
masterpass
masterpass
bucket
s3key
s3secret
save settings
key
username
secret
save
delete


Research Overview:
Thesis is comprised of two parts:
- The difference in the scattering cross sections for two
helicity states of a longitudinally polarized proton target for hard
exclusive photon productions will be extracted for the first
time. The cross section difference will be extracted in 4
dimensional kinematic bins covering a wide kinematic range.
Combined with other DVCS measurements, the generalized parton
distributions (GPDs), which will encode information on the
distribution of partons in the transverse plane and in the
longitudinal direction. will be accessed.
- A Ring Imaging Cherenkov (RICH) detector for the upgraded CLAS
spectrometer (CLAS12) will be developed. The CLAS12 RICH
detector is designed to provide the CLAS12 detector with the
capability to identify kaons in the 3-5 GeV momentum range with a
rejection power with respect to pions and protons about 1:500.
Updates:


{% extends 'base.html' %} {% block title %}Incognito {% endblock %} {% block body %} {% load static %} Become a Cyber Security Professional No experience? No problem.Work with industry-leading mentors as they help you get started and guide you through the Program. View Course 50% Discount About us Create Free Portfolio and Get Hired Create free portfolio in just less than 5 minutes and Learn from free Ethical hacking courses to get Hired By top recruiters.. Learn from our free Ethical Hacking courses Create a free Portfolio. Get Started About Us Best Handpicked Courses From Top Websites Best Courses related to ethical hacking and cyber security from all over the web, Handpicked by our team. Learn Anywhere Excellent Discounts Recent Posts {% for crs in threepost %} {{crs.tag}} {{crs.title |safe|truncatechars:50}} {{crs.author}} {% endfor %} {% endblock %}
No experience? No problem.Work with industry-leading mentors as they help you get started and guide you through the Program.
Create free portfolio in just less than 5 minutes and Learn from free Ethical hacking courses to get Hired By top recruiters..
Best Courses related to ethical hacking and cyber security from all over the web, Handpicked by our team.


Quickstart¶
Installing and Running RGA¶
The tool is available for download on the RGA GitHub releases page.
- Windows: use the .msi installer or .zip archive from. For Vulkan®, the installer would also install the RGA Layer and hence is the recommended option.
- Linux: use the .tgz archive.
To run the app, run the RadeonGPUAnalyzerGUI executable.
Startup dialog¶
The graphical user interface has been extended to support more than a single API, so you will now be prompted to select your default API of choice on startup. You can check the “Do not ask me again” check box to always launch the app in the desired mode.
Vulkan® Mode¶
The Home Page¶
Select Vulkan® as the API of choice on startup. Then, in the home page, we have two options for a start:
- Create a graphics pipeline
- Create a compute pipeline
Creating a Project¶
Let’s start by creating a graphics pipeline.
You will then be prompted for an optional rename of your project:
After the project is created, you can use this menu to add your shaders:
When adding a shader file, you have two options:
- Create a template GLSL file, auto-generated by RGA. This is a good option if you are interested in rapid prototyping and just want something that compiles to use as a base line.
- Add an existing SPIR-V binary or GLSL source file.
Let’s create template vertex and fragment shaders:
After creating/adding a file, you can edit the source code in the editor. This is true not only to GLSL textual code. It is possible to load a SPIR-V binary in RGA. If you do that, the binary would be disassembled, and you will be able to edit it as textual code. Upon compilation, RGA would reassemble the SPIR-V binary for you.
After we edited our shader source code, SPIR-V binaries or mix thereof, let’s make sure that the pipeline state matches our shaders. Clicking on Pipeline state would open the RGA’s pipeline state editor:
The editor provides a tree representation of the Vulkan® pipeline state, allowing the user to edit a graphics or compute pipeline’s creation parameters. Different sections are available to be configured within this view depending on the project’s pipeline type:
Graphics pipeline
- VkGraphicsPipelineCreateInfo
- VkPipelineLayoutCreateInfo
- VkDescriptorSetLayoutCreateInfo array
- VkRenderPassCreateInfo
Compute pipeline
- VkComputePipelineCreateInfo
- VkPipelineLayoutCreateInfo
- VkDescriptorSetLayoutCreateInfo array
One nice thing about this view is that it allows you to visually see the create info structure relationships within the Vulkan® pipeline state, which is sometimes hard to do from just looking at the flat Vulkan® spec.
You can use Ctrl+F to search the state:
which would also scroll to the relevant occurrence:
It is also possible to use the filter option while searching:
Searching with this option on would only show the relevant parts of the tree:
Another useful option is loading the pipeline state file. RGA stores the Vulkan® pipeline state in a JSON file:
- .gpso file for graphics pipelines, with a representation of VkGraphicsPipelineCreateInfo
- .cpso file for compute pipelines, with a representation of VkComputePipelineCreateInfo
These files can be serialized from your Vulkan® app in runtime using the RGA layer, a beta feature that ships with RGA. For more info about this feature, see the Vulkan® Help Manual section.
When you build your project with RGA, the tool spawns a Vulkan® app that accepts the JSON representation of your state (based on the values in the UI),
Generating Disassembly¶
After the pipeline state matches our shaders, let’s build the project:
The compiler output can be viewed at the Build output pane at the bottom:
And, in case of a successful build, the disassembly and HW resource usage info would be shown on the right:
That’s it - we got our first Vulkan® pipeline built with RGA.
ROCm OpenCL™ Mode¶
The Home Page¶
Creating a Project¶
RGA Project is a vehicle that can contain any number of OpenCL™ source files (.cl), together with a set of build settings. When you build the project, the OpenCL™ source files are being compiled and linked together into a single HSA Code Object binary.
RGA will automatically create for you the project when you add or create a file in the Home Page.
To add an existing .cl source file, use Ctrl+O or click on “Open existing .cl file” under the Start section:
You can also do this by clicking on File -> “Open existing c.l file”:
In a similar way, you can create a project by creating an empty .cl file. Use the Ctrl+N shortcut or click on “Create new .cl file”.
You will then be prompted for an optional rename of your project:
RGA will use a yymmdd-hhmmss date-time string as a default name. Check the “Always use auto-generated project names” check box to instruct RGA to always use the default name without prompting for renaming.
Generating Disassembly¶
To build your project and generate the disassembly, use the Ctrl+Shift+B shortcut. Alternatively, you can use the Build -> Build project menu item:
When a build is triggered, the rga command line tool will be invoked. The “Build output” window at the bottom will display the invocation command for the RGA command line tool, as well its output.
In case of a build success, the list of kernels in each file would be shown underneath each entry in the file menu on the left side.
Use that list to control which kernel is in focus (highlighted in yellow):
The disassembly for the relevant kernel will be displayed in the disassembly view on the right:
- Highlighted rows are correlated to the current line in the source code view on the left
- Memory instructions are colored in red to help you identify spots with high memory pressure
- The Columns drop-down menu at the top can be used to customize the presented columns
- If more than one GPU was targeted, use the drop-down on the top left corner to switch devices
- The resource usage line shows the GPU resources that are consumed by the presented code
In case of a performance hazard due to the usage of a GPU resource, RGA will display a warning icon and highlight the relevant resources:
The possible hazards are:
- VGPR spills
- SGPR spills
- LDS usage exceeds the recommended limit (based on the target GPU’s HW features)
- Scratch memory usage is non-zero
- The size of the code is larger than the instruction cache


Buy movie tickets with the Google Assistant on Chrome
by Dana RitterUsing our Duplex technology, the Google Assistant can already book your restaurant reservations over the phone. Now we’re extending that technology to complete tasks online, like buying movie tickets.
On Android phones, the Assistant can now help you purchase movie tickets on the web. As you’re thinking about holiday activities for the family, ask the Assistant something like, “Hey Google, showtimes for [movie] in Phoenix this weekend.” Or you can do a search for movie times from the Google app on Android.
After selecting a theater and time that works best for you, you’ll have the option to “Buy tickets” with the Assistant from more than 70 cinemas and ticketing services, such as Fandango, MovieTickets.com, AMC, or MJR Theaters in the U.S., or ODEON in the UK. From there, the Assistant opens in Chrome to guide you through purchasing your ticket. Thanks to Duplex on the web technology, the Assistant will be able to navigate the site and input your information, like payment information saved in Chrome.
To continue to help you get things done with the Assistant on your phone, we'll expand this feature to other tasks. Up next, car rentals.


An input for upload one or several files. It uses native input file abilities.
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you want to use our component
Add to the template:


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Pistons’ Thomas has foot surgery, out for at least 6 weeks
by Associated PressThe Detroit Pistons guard Khyri Thomas had surgery on his right foot and will be out at least six weeks.
The Pistons said Wednesday that Thomas had the procedure on the fifth metatarsal of his right foot. They say rehabilitation will begin immediately and that Thomas will be re-evaluated for a status update in six weeks.
Thomas had missed the Pistons’ last two games due to a stress reaction in his right foot.
Thomas was the 38th overall pick in the 2018 draft. He played in just two games so far this season. He averaged 2.3 points in 26 games last season.


| waiter {waiter} | R Documentation |
Programatically show and hide loading screens.
use_waiter(spinners = 1:7, include_js = TRUE) waiter_use(spinners = 1:7, include_js = TRUE) waiter_show( id = NULL, html = spin_1(), color = "#333e48", logo = "", hide_on_render = !is.null(id) ) waiter_show_on_load(html = spin_1(), color = "#333e48", logo = "") waiter_hide_on_render(id) waiter_on_busy(html = spin_1(), color = "#333e48", logo = "") waiter_hide(id = NULL) waiter_update(id = NULL, html = NULL)
spinners |
Spinners to include. By default all the CSS files for
all spinners are included you can customise this only that which you
need in order to reduce the amount of CSS that needs to be loaded and
improve page loading speed. There are 7 spinner kits. The spinner kit
required for the spinner you use is printed in the R console when
using the spinner. You can specify a single spinner kit e.g.: |
include_js |
Deprecated argument, no longer needed. |
id |
Id of element to hide or element on which to show waiter over. |
html |
HTML content of waiter, generally a spinner, see |
color |
Background color of loading screen. |
logo |
Logo to display. |
hide_on_render |
Set to |
use_waiter
and waiter_use
: waiter dependencies to include anywhere in your UI but ideally at the top.
waiter_show_on_load
: Show a waiter on page load, before the session is even loaded, include in UI after use_waiter
.
waiter_show
: Show waiting screen.
waiter_hide
: Hide any waiting screen.
waiter_on_busy
: Automatically shows the waiting screen when the server is busy, and hides it when it goes back to idle.
waiter_update
: Update the content html
of the waiting screen.
waiter_hide_on_render
: Hide any waiting screen when the output is drawn, useful for outputs that take a long time to draw, use in ui
.
library(shiny) ui <- fluidPage( use_waiter(), # dependencies waiter_show_on_load(spin_fading_circles()), # shows before anything else actionButton("show", "Show loading for 5 seconds") ) server <- function(input, output, session){ waiter_hide() # will hide *on_load waiter observeEvent(input$show, { waiter_show( html = tagList( spin_fading_circles(), "Loading ..." ) ) Sys.sleep(3) waiter_hide() }) } if(interactive()) shinyApp(ui, server)


Final Project Proposal
The name of the application will be "Game.py"
The people that will be delivering this application will be Burhan and Olivia
OBJECTIVE: To create a Rock Paper Scissors game. I plan to add this follwing
- A player
- A computer that can play against the human player.
- Provide some error checking
- To make sure that the computer can randomly pick between rock paper and scissors.
- The language that I will use for this project is python.


This SRFI is a reduced version of the SRFI 99
syntactic layer that can be implemented with syntax-rules
without requiring low-level macros. Like SRFI-99's syntax layer, it is
backward compatible with the define-record-type macro from
SRFI 9 or R7RS-small. It is forward compatible with
SRFI 99.


Bless The Child
"Bless This Mess" is more like it.
Oh boy, when is Hollywood going to grow up and stop making these supernatural thrillers about Satan trying to take over the world using methods that can be stopped simply by bullets?
Here's the lowdown: this is another quasi-horror/quasi-action flick about seemingly innocent people who find out they may be, as the tagline reads; "mankind's last hope." This time it's Kim Basinger as Maggie O'Connor - a nurse living in New York City whose drug-addicted sister leaves her with her baby. Basinger raises the child as her own, a girl named Cody who is a bit different than other children. We even get such trite lines like "It's like she's listening to something we can't see." Oooh. There's a subplot going on about a series of child murders which are somehow related to New Age guru Eric Stark (Rufus Sewell) who is being hunted by FBI agent John Travis (Jimmy Smits) who happens to be a former seminary student and specializes in occult crimes.
It's really easy to see what is going on here and where the story will go.  Will Travis finally be able to get enough dirt on Stark to make a conviction stick? Will Cody learn how to use her powers to spin plates and light candles by telekinsies to save the world?
The film isn't so much about the answer to that as it is the process. It attempts to play it safe by concentrating more on Maggie then bombarding us with a lot of cliche occult tomfoolery. Yeah, those symbols everyone has tattooed on their arms are pretty scary and yeah all that Catholic mysticism is fascinating because of all those stained-glass windows and Renaissance paintings and the dusty old books in the exiled Jesuit priest's sanctuary. And yeah the showdown at the end really had me believing Satan himself was going to win this time (the big cheese even makes a CGI cameo).
What it all comes down to is that there's not an original idea to the film. The screenplay is as trite and predictable and full of cliches as any horror flick released in 20 years. The special effects seem very half-assed and aren't all that impressive (dark grey is not a scary color). The villains have no motivation other than the fact that they're villains and therefore they are bad.
Just another movie released on an otherwise dead weekend and will be forgotten about in a few weeks.
GRADE: C
------------------------------------------------------------------------ You can also read this review at: http://www.epinions.com/mvie-review-1B02-25D1C49-39CCF478-prod1 And other reviews on the same topic at: http://www.epinions.com/mvie Check out my profile page at: http://www.epinions.com/user-chad9976
***** Chad'z Movie Page is back! In-depth reviews of nearly all mainstream films playing at your local cineplex. There's also reviews of a few classic films and some of your personal favorites.
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Dear Sir, First I must solicit your confidence in this transaction, this is by virtue of it�s nature as being very CONFIDENTIAL. I am a Senior Manager with a commercial bank . I came to know of you in my private search for a reliable and reputable person to handle this confidential transaction, which involves the transfer of a huge sum of money to a foreign country. THE PREPOSITION The late JERRY ADAMS a Foreigner and an oil merchant / contractor with the Federal Government of Nigeria until his death four years ago in a plane crash, banked with us and had a closing balance of USD10,000,000.00 (Ten Million United States Dollars). The bank now unquestionably expect it to be claimed by JERRY ADAMS� next of kin. Efforts have been made by my bank to get in touch with any of the ADAMS� Family but to no avail. It is because of the perceived possibility of not being able to locate JERRY ADAMS� next of kin (NOK) that the management under the influence of our Executive Director has agreed that since the incident occurred in 1997 and has left the fund dormant and devalued, we should transfer the fund overseas and utilize it either on stock exchange market or personal business interest. Your role is very important as the fund when concluded on transfer would be justifiably presented as having been remitted to JERRY ADAMS� next of kin (NOK) . Your interest will be protected as unnecessary documentation will be avoided. Note that all modalities necessary for execution of the business have been perfected. The money will be shared equally i.e 50% for you 50% for us, expenses too will be shared equally . It is a risk-free deal. Mr Temi Efosa Mail to<EMAIL_ADDRESS>_______________________________________________ Join Excite! - http://www.excite.com The most personalized portal on the Web!


The address-book Application
The address-book example application is a simple web application that stores contact data. It uses a single entity class, Contact, that uses the Java API for JavaBeans Validation (Bean Validation) to validate the data stored in the persistent attributes of the entity, as described in Validating Persistent Fields and Properties.
Bean Validation Constraints in address-book
The Contact entity uses the @NotNull, @Pattern, and @Past constraints on the persistent attributes.
The @NotNull constraint marks the attribute as a required field. The attribute must be set to a non-null value before the entity can be persisted or modified. Bean Validation will throw a validation error if the attribute is null when the entity is persisted or modified.
The @Pattern constraint defines a regular expression that the value of the attribute must match before the entity can be persisted or modified. This constraint has two different uses in address-book.
The regular expression declared in the @Pattern annotation on the email field matches email addresses of the form name@domain name.top level domain, allowing only valid characters for email addresses. For example<EMAIL_ADDRESS>will pass validation, as will<EMAIL_ADDRESS>However<EMAIL_ADDRESS>which contains an illegal comma character in the local name, will fail validation.
The mobilePhone and homePhone fields are annotated with a @Pattern constraint that defines a regular expression to match phone numbers of the form (xxx) xxx–xxxx.
The @Past constraint is applied to the birthday field, which must be a java.util.Date in the past.
Here are the relevant parts of the Contact entity class:
@Entity public class Contact implements Serializable { private static final long serialVersionUID = 1L; @Id @GeneratedValue(strategy = GenerationType.AUTO) private Long id; @NotNull protected String firstName; @NotNull protected String lastName; @Pattern(regexp="[a-z0-9!#$%&'*+/=?^_`{|}~-]+(?:\\." +"[a-z0-9!#$%&'*+/=?^_`{|}~-]+)*" +"@(?:[a-z0-9](?:[a-z0-9-]*[a-z0-9])?\\.)+[a-z0-9](?:[a-z0-9-]*[a-z0-9])?", message="{invalid.email}") protected String email; @Pattern(regexp="^\\(?(\\d{3})\\)?[- ]?(\\d{3})[- ]?(\\d{4})$", message="{invalid.phonenumber}") protected String mobilePhone; @Pattern(regexp="^\\(?(\\d{3})\\)?[- ]?(\\d{3})[- ]?(\\d{4})$", message="{invalid.phonenumber}") protected String homePhone; @Temporal(javax.persistence.TemporalType.DATE) @Past protected Date birthday; ... }
Specifying Error Messages for Constraints in address-book
Some of the constraints in the Contact entity specify an optional message:
@Pattern(regexp="^\\(?(\\d{3})\\)?[- ]?(\\d{3})[- ]?(\\d{4})$", message="{invalid.phonenumber}") protected String homePhone;
The optional message element in the @Pattern constraint overrides the default validation message. The message can be specified directly:
@Pattern(regexp="^\\(?(\\d{3})\\)?[- ]?(\\d{3})[- ]?(\\d{4})$", message="Invalid phone number!") protected String homePhone;
The constraints in Contact, however, are strings in the resource bundle tut-install/examples/persistence/address-book/src/java/ValidationMessages.properties. This allows the validation messages to be located in one single properties file and the messages to be easily localized. Overridden Bean Validation messages must be placed in a resource bundle properties file named ValidationMessages.properties in the default package, with localized resource bundles taking the form ValidationMessages_locale-prefix.properties. For example, ValidationMessages_es.properties is the resource bundle used in Spanish speaking locales.
Validating Contact Input from a JavaServer Faces Application
The address-book application uses a JavaServer Faces web front end to allow users to enter contacts. While JavaServer Faces has a form input validation mechanism using tags in Facelets XHTML files, address-book doesn’t use these validation tags. Bean Validation constraints in JavaServer Faces managed beans, in this case in the Contact entity, automatically trigger validation when the forms are submitted.
The following code snippet from the Create.xhtml Facelets file shows some of the input form for creating new Contact instances:
<h:form> <h:panelGrid columns="3"> <h:outputLabel value="#{bundle.CreateContactLabel_firstName}" for="firstName" /> <h:inputText id="firstName" value="#{contactController.selected.firstName}" title="#{bundle.CreateContactTitle_firstName}" /> <h:message for="firstName" errorStyle="color: red" infoStyle="color: green" /> <h:outputLabel value="#{bundle.CreateContactLabel_lastName}" for="lastName" /> <h:inputText id="lastName" value="#{contactController.selected.lastName}" title="#{bundle.CreateContactTitle_lastName}" /> <h:message for="lastName" errorStyle="color: red" infoStyle="color: green" /> ... </h:panelGrid> </h:form>
The <h:inputText> tags firstName and lastName are bound to the attributes in the Contact entity instance selected in the ContactController stateless session bean. Each <h:inputText> tag has an associated <h:message> tag that will display validation error messages. The form doesn’t require any JavaServer Faces validation tags, however.
Building, Packaging, Deploying, and Running the address-book Application
This section describes how to build, package, deploy, and run the address-book application. You can do this using either NetBeans IDE or Ant.
Building, Packaging, Deploying, and Running the address-book Application in NetBeans IDE
- From the File menu, choose Open Project.
- In the Open Project dialog, navigate to:
tut-install/examples/persistence/
- Select the address-book folder.
- Select the Open as Main Project and Open Required Projects check boxes.
- Click Open Project.
- In the Projects tab, right-click the address-book project and select Run.
After the application has been deployed, a web browser window appears at the following URL:
http://localhost:8080/address-book/
- Click Show All Contact Items, then Create New Contact. Type values in the
form fields; then click Save.
If any of the values entered violate the constraints in Contact, an error message will appear in red beside the form field with the incorrect values.
Building, Packaging, Deploying, and Running the address-book Application Using Ant
- In a terminal window, go to:
tut-install/examples/persistence/address-book/
- Type the following command:
ant
This will compile and assemble the address-book application.
- Type the following command:
ant deploy
This will deploy the application to GlassFish Server.
- Open a web browser window and type the following URL:
http://localhost:8080/address-book/
Tip - As a convenience, the all task will build, package, deploy, and run the application. To do this, type the following command:
ant all
- Click Show All Contact Items, then Create New Contact. Type values in the
form fields; then click Save.
If any of the values entered violate the constraints in Contact, an error message will appear in red beside the form field with the incorrect values.


A primitive website that was created with HTML.
A very primitive website that used HTML.
This was a project to practice using tags with HTML.
This website demonstrates use of unordered lists, a tags, and images with HTML.
This website shows usage of a tags, image placement, and words with emphasis using HTML.
A primitive website that demonstrates mastery of simple HTML fundamental skills.
This website includes images and a tags for a simple HTML assignment.
This is an old assignment that utilizes CSS and HTML for a rather decent end of week project.
I enjoy capturing moments with cameras, taking road trips, listening to music, and having a good time. I went to catholic school for most of my childhood. I received an associates degree in nursing in 2009. My interest in programing is based in the idea that programming allows people to enjoy the ability to customize electronics.
Favorite Foods


As with a bricks-and-mortar museum, the objects of this museum are arranged into Galleries of related Exhibits; to choose a Gallery you wish to visit, just select its name from the "Gallery" menu, and it will become the current Gallery. This means its name becomes the name of the Exhibit menu -- the one just to the right of the Gallery menu -- and the names of the Exhibits that it contains will be listed in the Exhibit menu or in one of its sub-menus. (When the program starts up you will find yourself in the Surface Gallery.)
When an Exhibit is selected by name from the Exhibit menu, the program immediately displays a default representation of that Exhibit. In many cases, an animation will play that shows the "creation" of the object. This illustrates a basic feature of the program: wherever possible, the program assigns carefully chosen default values to various parameters and options needed to display an Exhibit; it creates the view of the Exhibit corresponding to these default choices; and it then allows the user to alter one or more of these defaults by making various menu choices, by entering values in dialogs, or by clicking buttons in control panels. The program will then display the new representation of the same Exhibit appropriate for these user choices. We next explain in more detail some of the more important methods of modifying an Exhibit in this way.
3D-XplorMath-J is designed to be a highly interactive program, and the mouse is an important tool for telling the program what you want. The first thing you should learn is that clicking the mouse during a drawn out action will usually abort it, possibly after a short delay. (On the other hand if you just want to pause an animation, tap the space bar; then tap it again to continue the animation.)
In two-dimensional Galleries, you can generally move the image around on the screen by clicking-and-dragging with the mouse. If you click-and-drag with the right-mouse button (or, on Mac OS, while holding down the Command key), you can select a rectangular portion of the image to be magnified. If you hold down the Shift key while dragging, or if you drag with the middle mouse button, you can zoom in and out on the image by dragging the mouse up and down.
In three-dimensional Galleries, clicking-and-dragging with the mouse will generally rotate the object in three dimensions, and if you release the mouse button while you are in mid-drag, the object will continue to rotate. To move the object around, drag it with the right mouse button (or while holding down the Command key on Mac OS). And, just as in two dimensions, holding down the Shift key and dragging up and down will expand or contract the object on the screen.
There are some exceptions to these general rules about using the mouse. In some cases, the exception will be noted in the status line at the bottom of the window.
While most menus of the program change little if at all when the current Exhibit is changed to another in the same Gallery, or even when the Gallery changes, the "Action" menu changes substantially when the Gallery changes, and certain individual Exhibits within a Gallery often have associated to them special Action menu items that help explain some unusual detail of that Exhibit. As a result, after selecting an Exhibit for the first time, it is a good idea to check and see if the "Action" menu has any such special items. The top item of the "Action" menu does not vary; it is always "Create." Selecting "Create" will generally show the same animation that is played when the Exhibit is first selected, but incorporating any changes that you have made to the properties of the Exhibit.
What sort of things are in the "Action" menu? Here are some typical examples. For Plane Curves there is an item "Show Osculating Circles". For Conformal Maps you can choose to draw a circle or a line and see how it gets mapped. And for Polyhedra you can choose among seeing a normal, truncated or stellated view.
One should keep in mind that mathematical objects are abstract concepts, so that the possibilities for representing them visually admit considerable flexibility and choice. There are simple options, such as whether to show an object on a white, black, or colored background, and in three dimensions there are important additional options, such as whether to use orthographic or perspective projection and whether to use mono- or stereo vision. These choices and more are controlled from the "View" menu.
The stereo views require some explanation. These views enable you to view true three-dimensional representations of an object. "Anaglyph Stereo Vision" is meant to be viewed using red/blue or red/green stereo glasses (with the red lens over the left eye); it gives a clear and easy-to-see three-dimensional effect, but the object appears in shades of yellow rather than in color. "Cross-eyed Stereo Vision" shows two copies of the object side-by-side, showing the object from the perspective of the left and right eyes. To get the three-dimensional effect, you have to cross your eyes to merge the two images. "Parallel Stereo Vision" is similar, but you must merge the two images by gazing as if at a point that lies a foot or so behind the screen. It takes some practice to learn how to merge the images, but the result should be a clear, full-color three-dimensional image.
Most Exhibits are not unique, single mathematical objects. Rather, Exhibits come in parameterized families. For example, the Ellipsoid Exhibit has three parameters, corresponding to the lengths of its three axes, and similarly a torus is described by two radii. When an object is selected from the Exhibit menu, the program displays it with special (but typical) default choices of these parameters that, as will be explained below, can then be altered with the "Set Parameters..." command in the "Settings" menu. But something more interesting can also be done to get a clear idea of how the appearance of an object changes as one or more of its parameters vary, and this is called morphing. Many Exhibit parameters are "morphable," meaning that one can choose "initial" and "final" values for these parameters. Then, when the "Morph" command is chosen from the "Animate" menu, the program creates an animation by rapidly drawing a sequence of images of the object, starting from the initial values of the parameters and ending with their final values, giving the illusion that the object is smoothly morphing from its initial to its final shape. In some cases (particularly in the Plane Curves, Polyhedra, and Ordinary Differential Equation Galleries) the program is able to render individual images fast enough that the morph can be created on the fly, but in most cases, to get a sufficiently smooth morph, the individual images must be saved in memory as they are created and then played back in rapid succession as a a flip-book animation. (In general, it is best to vary just one parameter at a time, making the initial and final values of the others equal.)
The "Settings" menu is the center for changing the various parameters and options that define the current appearance of an Exhibit. Selecting an item from this menu, will in most cases bring up a dialog box where the new values can be entered. For example, as mentioned above, selecting "Set Parameters..." will bring up a dialog allowing you to change any of the parameters that are associated with the current Exhibit, while "Set Morphing..." will let you to set the initial and final values for these parameters during a morphing animation. "Set Number of Frames..." allows changing the number of frames in a morphing animation -- increasing this will make the animation take longer but it will be smoother. "Set Visible Ranges..." lets you adjust the size and the placement of the Exhibit by setting the horizontal and vertical edges of the rectangular region that is displayed in the window. In three dimensions, "Set Viewpoint and Up Direction..." allows you to set the location and orientation in space of the virtual camera that is used to image a three-dimensional Exhibit on its focal plane. And for surfaces, "Light Settings..." will bring up a dialog in which you can set the colors of the lights shining on the surface and the directions in which the lights point.
Using the "File" menu, it is possible to save a snapshot of the current visualization of an Exhibit, either as a JPEG or PNG file. It is also possible to save the identity of the current Exhibit together with all its parameters and options in a so-called settings file, by selecting "Save Exhibit to File..." in the "File" menu. If you later open this settings file, using the "File" menu command "Open Settings File...", the program will return to the state it had when the file was created. (And you can share your work by sending the settings file as an email attachment to a friend.) Saving an Exhibit to a file also works with user-defined Exhibits (see below), and is particularly useful in this case since it in effect allows you to create and distribute entirely new Exhibits that are not in the 3D-XPlorMath-J repertory.
When we began this introduction to 3D-XplorMath-J, we said that you should think of it as a museum. But now we want to explain in what sense you can also think of it as a mathematical laboratory, using so called user-defined Exhibits.
Most (but not all) Galleries contain at least one User Defined Exhibit. These at first glance seem similar to other Exhibits of the Gallery. However when you first select a User Defined Exhibit, you will see a dialog box, much like a "Set Parameters..." dialog, except that in addition to the usual boxes to reset the values of various parameters, there will also be text boxes where you can enter mathematical formulas that describe an Exhibit of the Gallery. As usual, these will have default values, and you can just click OK and see the Exhibit these defaults describe. But of course it is more interesting to replace these default formulas by formulas of your own. For example, if in the Plane Curves Gallery, you select User Plane Curve (parametric), the default equations are x(t) = a * cos(t) and y(t) = b * sin(2*t) (where a has the value 3 and b the value 1.5). If you accept these values by clicking OK you will get a "figure eight", but if you replace sin(2*t) by sin(t) you will get an ellipse.
By the way, once you have created a user-defined exhibit, it you want to edit your formulas and parameters, do not re-select the User Defined Exhibit from the Exhibit menu -- this will give back the original defaults. Instead, select "Change User Data..." from the Settings menu.


Min Yang Jung | 29 Jan 2020Yes, it may sound a bit bold, especially for those who work in medical robotics industry. It is actually the title of an article recently published in the Communications of the ACM (Vol 63, Issue 2, Feb 2020):
- Nancy Leveson, “Are you sure your software will not kill anyone?”, Commun. ACM 63, 2 (February 2020), 25–28. DOI: 10.1145/3376127
If you are interested in the topics around safety such as software system safety, safety engineering, and dependable computing, you have probably heard of Dr. Nancy Leveson. She is a Professor at Aeronautics and Astronautics/MIT and her research takes a systems approach to safety, safety engineering, and software system safety. Her work has been formulated as a new model for safety, called the system-theoretic model of accidents (STAMP). She is leading the Partnership for Systems Approaches to Safety and Security (PSASS).
I first came across her name and her body of work when I started working on literature review for my PhD thesis. While digging through her research and publication, it was relieving to me to realize safety is a “real” problem, not something that people talk about at an abstract level and/or without substantial thinking around it. The existing body of work around safety in various domains confirmed that safety is still a challenging topic both for academia and for industry, thereby validating the problem of my thesis in medical robotics.
In this short recent article, she briefly talks about some of the key concepts in safety, discuss some of the most common misconceptions around software and safety, and wraps up the article with a quick intro to her book – Engineering a Safer World – and PSASS.
Here are the misconceptions listed in the article:
- Misconception 1: Software itself can be unsafe.
- Misconception 2: Reliable systems are safe; that is, reliability and safety are essentially the same thing. Reliability assessment can therefore act as a proxy for safety.
- Misconception 3: The safety of components in a complex system is a useful concept; that is, we can model or analyze the safety of software in isolation from the entire system design.
- Misconception 4: Software can be shown to be safe by testing, simulation, or standard formal verification.
From the article, I got a sense of the need for her to straighten something up about software system safety. This article also reminded me of all the years back in Baltimore reading and writing a bunch of articles on software system safety.
For those who’d like to explore more on safety engineering and software system safety, the following two books would be a good starting point:
- Safeware: System Safety and Computers: The first book from Nancy Leveson that I went through cover to cover. A bit outdated (published in 1995), but still contain a lot of great and fundamental materials.
- Engineering a Safer World: The second book in my bookshelf. More recently updated materials with modern concepts.


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About Belt Ranks
What are Belt Ranks?
Belt ranks are a way of tracking your progress in the Manoa Dojo. They are based off of the same belt rankings
that are used in martial arts.
What are the different ranks?
There are nine belt ranks. In order they are white, yellow, orange, green, blue purple brown, red, and
black.
How do I advance my Belt Rank?
As you create or join sessions in Manoa Dojo, your progress is counted. Once you reach a certain number of
sessions created or joined, you will advance to the next belt rank. Below is a table showing the requirements
for each belt rank in order of progression.
|
Belt Rank |
Requirements |
| White |
|
Default starting rank |
| Yellow |
|
Create or attend 2 sessions |
| Orange |
|
Create or attend 5 sessions |
| Green |
|
Create or attend 8 sessions |
| Blue |
|
Create or attend 10 sessions |
| Purple |
|
Create or attend 13 sessions |
| Brown |
|
Create or attend 15 sessions |
| Red |
|
Create or attend 18 sessions |
| Black |
|
Create or attend 20 sessions |
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_Down_to_Earth_ (PG-13) ** (out of ****)
There's no denying that Chris Rock is a funny man. On the stand-up stage, he blazes, eliciting many a large laugh with his fierce mix of rage and joy. But one thing few would ever say about Rock is that he's a great actor. This is not to say that he's an especially bad one, for he has been effective in small roles in _Dogma_ and _Nurse_Betty_. It's just that one doesn't exactly equate "lead movie star" with him, and his flat starring vehicle _Down_to_Earth_ doesn't do anything to change that perception.
Part of the problem is that he is never quite able to completely shake off his stand-up persona. Granted, on screen he displays the same charismatic presence he has on stage, but the barking line delivery and cadences of his stand-up delivery also carry over, which makes it difficult to separate Rock from the character he's supposed to be playing. _Down_to_Earth_, a remake of 1978's _Heaven_Can_Wait_ (which itself was a remake of 1941's _Here_Comes_Mr._Jordan_), makes an obvious attempt to ease the transition by casting Rock as Lance Barton, a stand-up comic. This, however, just makes matters worse; whenever Lance takes the stage and does his act, we see Rock (who happened to co-write the script and recycle some of his own material), not the character of Lance.
The plot, as it is, has struggling stand-up Lance suffering an untimely death in a traffic accident; apparently, this was a mistake, so an angel named King (Chazz Palminteri) quickly gives Lance another body--which, unfortunately, is that of just-deceased billionaire Charles Wellington. Lance negotiates this to be a temporary arrangement, but he has second thoughts when he meets activist Sontee (Regina King), whom Lance manages to successfully woo while in the body of the much-older white man.
Rock and King manage to generate some charm together, but their romance is often lost amid easy fish-out-of-body jokes (there is not only one, but two, scenes of Lance bumping to rap music, forgetting he's in the form of a portly old white man) and boring subplots, in particular one revolving around Wellington's scheming wife (Jennifer Saunders) and her lover (Greg Germann), who also happens to be Wellington's right-hand man.
_Down_to_Earth_ was directed by Chris and Paul Weitz, but this film doesn't display any of the antic spirit of their last film, _American_Pie_--not even during the stand-up sequences that should be comic high points. But just at fault, if not more, is Rock, who fashioned a less-than-ideal project for himself. When someone wants to see a Chris Rock comedy, one wants to see him R-rated unleashed--not so much in terms of profanity than his intelligently biting adult humor. In _Down_to_Earth_, not only has his edge been smoothed over, so has his smarts.
©2001 Michael Dequina
Michael Dequina<EMAIL_ADDRESS>|<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Mr. Brown's Movie Site: http://www.mrbrownmovies.com CinemaReview Magazine: http://www.CinemaReview.com on ICQ: #25289934 | on AOL Instant Messenger: MrBrown23
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Slogan has a built-in package manager to ease distribution of software. Any Slogan project can be converted into a package by
adding two files to the project's root folder – init.sn
and build
. Init.sn
is a Slogan script
called by the Slogan runtime for loading the package. It contains all initialization code for the package. Build
should be an executable script that is used to compile the package. It can also contain code to install any dependencies the
package needs to work properly. The code that needs to run each time the package is loaded must be in the file src/core.sn
.
To make ourselves familiar with the process of creating packages, let us work through an example. The project from which we create the package is called "simple" and its directory structure is as shown below:
simple/
-> init.sn
-> build
-> src/
--> core.sn
The script src/core.sn
implements the entire functionality of the package:
// src/core.sn
function hello() "hello simple world!"
Init.sn
call the init_package
function which will find the correct path
to core.sn
and load it:
// init.sn
init_package("simple")
The build
script compiles init.sn
into object code:
#!/bin/bash
slogan -c init
Make sure that the build
script is executable:
$ chmod +x build
You may also write the build script in Slogan. In that case the name of the script must be build.sn
.
The Slogan interpreter will evaluate this while building the package, so it need not be made executable. If you choose to write
the build script in Slogan, its contents should be:
// build.sn
compile("init")
To test the package, we should first install it using the Slogan package manager:
$ slogan -i "simple,local,/mypackages/simple"
You should replace the path /mypackages/simple
with the actual path to your package.
Now that the package is installed, we can load and use it:
load_package("simple")
hello()
// hello simple world
Once a package is developed and tested, it can be distributed as a compressed file or hosted on a network server.
See the reference on the install_package
function to learn more about remote
distribution options.


Agent arrived at the department common room one hour ahead of the scheduled student meeting. Listening devices were installed without complications. Transcript of conversation filed separately.
Agent waited discreetly outside meeting room, until meeting concluded. The group dispersed, subject leaving along with female identified as Alyona Artemieva. Agent followed at a discreet distance. Subjects relocated to local student bar. Surveillance abandoned as agent unable to pass for student. Agent recommends activating department assets.
After the meeting, agents raided the meeting room, discovering a small crate of recently printed pamphlets. A sample of materials have been turned over to Literature for analysis.


2.54 mm 10 Pin Female Header - HF10
Summary
Name: 2.54 mm 10 Pin Female Header
ID: HEAF-I01-X-10PI-01
Hex ID: HF10
WebPage: https://github.com/oomlout/oomlout-OOMP/wiki/HEAF-I01-X-10PI-01
Short URL: http://oom.lt/HF10
Revision History: https://github.com/oomlout/oomlout-OOMP/blob/master/parts/HEAF-I01-X-10PI-01/
| Type |
Size |
Color |
Description |
Index |
HEAF Female Header |
I01 2.54 mm |
X
|
10PI 10 Pin |
01
|
Images
About
A commonly used 10 pin 2.54 mm spaced female header. Nice to use for a connector to another PCB (via a header like
Common Uses
This part is commonly used as:
*Used as the input strip on the Arduino UNO board for the upper digital inputs (8-13) (and compatible)
Specifications
| Info |
Value |
| Type |
Female Header |
| Size |
2.54 mm |
| Description |
10 Pin |
| Pitch |
2.54 mm |
| Width |
25.4 mm |
| Height |
11.65mm |
| Length |
2.54 mm |
| Number of Pins |
10 |
Extra Details
Spotted a mistake, want to add more? Let us know<EMAIL_ADDRESS>All images and resources are licensed [CC BY-SA] unless otherwise stated (ie. the datasheets)


Additional remarks for MailMergePending/SQLQuery
SQL query to generates data for merging. Note: This property is used in Mail Merge, and it is obsolete in Word Merge.


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--- layout: null section-type: faq title: FAQ --- # General FAQ If math makes your booty drop, the Technical FAQ is further down. ## Who are we? We are a group of artists, engineers, and activists. ## What are we doing? openAWG is an open source project that focuses on atmospheric water generation (AWG). Water is essential to life and economy, yet 663 million people on this planet don't readily have access to clean water. We want to help solve that problem by building an open source AWG system that is designed to pull water from the air in dry environments so it can provide drinking water for communities all over the world. ## When are things happening? Right now. But more specifically, we are targeting the first large-scale deployment of openAWG v1 for Burning Man 2016: DaVinci’s Workshop. This model is projected to generate 1000L, literally a metric fucktonne of water per day. ## Where are we located? Our workspace is at NIMBY in Oakland, California and we plan to test our prototypes at the Black Rock Desert in Nevada before Burning Man 2016. ## Why are we doing this? Everyone should have access to clean drinking water without having to depend on expensive and closed systems designed to make a profit. ## How do we make air water? Condensation! Water has three forms: ice, liquid, and gas. Water vapor is always present in the air around us, and because cold air can't carry as much vapor as warmer air, humidity levels depend on the weather. When temperatures reach the "dew point", water vapor condenses into liquid and leaves the air. This is why you see dew on morning grass, or "sweat" on a cold glass of beer. The openAWG machine works similarly to an air conditioner or dehumidifier. The working prototype we built, Blueice Alpha, is in fact a modified dehumidifier! It cools air, collects condensed water vapor on the evaporator coil, and the condensation is then pumped into the filtration and remineralization systems to produce drinking water! ## AWG systems are not new, how is openAWG special? openAWG is different in two ways - the first being that it is designed for arid environments. We can predict that an AWG built to operate in extreme conditions will perform solidly anywhere on Earth. Experiments will be conducted at the Black Rock Desert to reflect this goal. Second - it is part of a modular system of technologies that we call "civilization-in-a-box". We hope to help communities become self-sufficient by designing an open system that will allow people to recycle biomass and produce essential resources like water, power, industrial gases, biofuels, cryogenic liquids, and Internet access. # Technical FAQ ## How can you calculate the mass of water in the air? This NASA technical note0 describes how to derive absolute humidity from TMP C and DWP C:
=((0.21668*((TMPC+273)^-1))*((DWPC+273)^-4.9283)*(10^(23.5518+(-2937.4/(DWPC+273)))))*1000
We calculate the dewpoint from the temperature and relative humidity with this equation1,2:
=243.04*(LN(RH/100)+((17.625*TMPC)/(243.04+TMPC)))/(17.625-LN(RH/100)-((17.625*TMPC)/(243.04+TMPC)))
\[0\]: NASA TN D-8401 Equations for the Determination of Humidity From Dewpoint and Psychrometric Data
1951.85 J/s * 1g/2591j * 86400s/24h * 1L/1000g * 24h/1day = 65L/1day
It largely depends on the capacity of the heat pump. From the manufacturer’s specifications of Copeland model `M4FF-0075-CAA-050`0, we are able to assume a capacity of `6,660 BTU/hr * 0.29307107 = 1,951.85 J/s @ -3.89 C`.
Because the dew point at BRC is on average `-10 – 10 C`, we must combine the enthalpy of condensation1 and fusion2 `(2257 + 333.55) J/g`.
Not only do we need to pump heat for the phase change, but we also need to bring the temperature of the water vapor down to the phase change temperature. The specific heat of air `1.0035 J/gK` and H2O vapor `2.080 J/gK`3 are orders of magnitude less than the `2590.55 J/g` required to separate the water vapor from the air. By using a mini-split A/C unit to “pre-cool” the intake air to the phase change temperature, we can separate our concerns of temperature enthalpy and phase change enthalpy.
Mix all the numbers together, and we get 65L per day. This is assuming we're able to supply the heat pump with enough water vapor.
\[0\]: M4FF-0075-CAA-050 Specifications
Temperature: 15 - 31 C
Dewpoint: -4.37 - 4.68 C
Relative Humidity: 17 - 30 %
Absolute Humidity: 3.33 - 6.08 g/m^3
![BRC Climate Prediction](/assets/BRCClimatePrediction.png)
## Can you use commercially available dehumidifiers?
Our BlueIce0 prototype is constructed using commercially available dehumidifiers, and isn't designed to work in arid environments (<45%). We are not sure if it will even operate in BRD conditions, but we plan on testing it alongside openAWG v0 in BRD.
\[0\]: BlueIce Alpha


Software Development & IT Support Services
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London
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#24-89 The Central
Singapore 059818
Ariel House
74a Charlotte St
London W1T 4QJ
PH: +65 6521 6420
<EMAIL_ADDRESS>PH: +44 207 6368 883
london@leotech.com.sg


QuickStart¶
It assumes you already have srfnef installed, if you do not, head over to the Installation section.
Assuming you have access to /mnt/gluster/Techpi/ which is the official gluster directory of Tech-Pi company.
A minimal application¶
A minimal SRF-NEF application looks something like this:
%matplotlib inline
import srfnef as nef
img = nef.load('/mnt/gluster/Techpi/SRF-NEF/resource/demo/helloworld/image.hdf5')
if nef.utils.is_notebook():
img.imshow()
print('helloworld!')
if you see helloworld! printed, good job! You are now a Nefer!
A simple reconstruction¶
The application above only imports package srfnef and illustrates a slice of existing image (if you are in jupyter notebook environment). Let’s move on to reconstructing projection. We will use brain16 phantom to do this reconstruction. Before this, please check if you have at least one GPU mounted and CUDA toolkit installed.
%matplotlib inline
import srfnef as nef
mlem = nef.load('/mnt/gluster/Techpi/SRF-NEF/resource/demo/simple_recon/mlem.hdf5')
listmode = nef.load('/mnt/gluster/Techpi/SRF-NEF/resource/demo/simple_recon/listmode.hdf5')
img = mlem(listmode)
if nef.utils.is_notebook():
img.imshow()
print('helloworld, again!')
If you see helloworld, again! printed, well done! This is a whole reconstruction of brain16.
So what dis that code do?
- First we imported the package srfnef as nef.
- Next we loaded a mlem and listmode which is a function and a data, separately. Yes. We saved a function in memory. In this way, a existing mlem reconstruction program (function) can be repeatedly used on different listmode. The listmode is the data to be reconstructed.
- We then apply the mlem function on data listmode to do the reconstruction. This reconstruction will last 10 iterations.
- an img will come out being displayed. It should be exactly same with that in helloworld.
During we importing srfnef, we
- checking the package is well installed,
- write TYPE_BIND with necessary components,
- import nef.load we would use later.
The TYPE_BIND was initialized as a empty dictionary and been updated later. It records the bind bewteen a type and a string to parse from string to corresponding type. Common types in srfnef package have been fulfilled in TYPE_BIND. Once new types are defined as a DataClass, you need to add it to TYPE_BIND as
from srfnef.templating import TYPE_BIND
TYPE_BIND.update({'your-type': your-type})
A comprehensive Reconstruction¶
Somtimes, a full reconstruction need to be built personally from system descriptions. We take a PET system as example.
import numpy as np
import h5py
%matplotlib inline
import srfnef as nef
block = nef.Block(np.array([20, 33.4, 33.4]), np.array([1, 10, 10]))
scanner = nef.PETCylindricalScanner(99.0, 119.0, 1, 16, 0, block)
shape = np.array([90, 90, 10])
center = np.array([0.,0.,0.])
size = np.array([180., 180., 33.4])
with h5py.File('/mnt/gluster/Techpi/brain16/recon/data/cylinder/small_cylinder_air_trans.h5', 'r') as fin:
fst = np.array(fin['listmode_data']['fst'])
snd = np.array(fin['listmode_data']['snd'])
listmode = nef.Listmode.from_lors(nef.LORs.from_fst_snd(fst, snd)).compress(scanner)
projector = nef.projector_picker('siddon')('gpu')
bprojector = nef.bprojector_picker('siddon')(shape, center, size, 'gpu')
print('emaping...')
emap = nef.Emap_MLEM.from_scanner(scanner, bprojector, 'full')
print('reconstructing with MLEM...')
mlem = nef.MLEM(10, projector, bprojector, emap)
img = mlem(listmode)
if nef.utils.is_notebook():
img.imshow()
print('helloworld, again again!')
A sample to build of DataClass and FuncClass¶
With srfnef package, new functions or data can be added as esay as breath. We provide some examples here about how to build a new DataClass or FuncClass with srfnef and their features.
Example 1. Build a new DataClass¶
Before build a new DataClass, we need to clarify what is a DataClass. Similar with it been implemented in Python 3.7, The DataClass is a way of automating the generation of boiler-plate code for classes which store multiple properties. A DataClass is built with a dataclass decorator over class definition.
from srfnef.templating import dataclass
@dataclass
class SimpleClass(object):
field_0: str
from srfnef.templating import TYPE_BIND
TYPE_BIND.update({'SimpleClass': SimpleClass})
simple_obj = SimpleClass('hello')
- dataclass decorator, for decorating a data class
- The field method for configuration fields.
- Update the TYPE_BIND in srfnef.templating to bind the string (class name) with this class. This step help the io to parse the classname to corresponding class.
(TODO: refering Python 3.7, implement the dataclass from official site.)
Note, all the fields of a DataClass are frozen. We prefer the users to build a new instance but changing one. To build a new instance from the current, we implemented a replace method in DataClass, replacing fields with values from changes. Some more features can be found in the following examples.
# simple_obj.field_0 = 'world' -> FrozenInstanceError()
simple_obj2 = simple_obj.replace(field_0 = 'world')
_dict = simple_obj.as_dict()
# _dict = {'field_0': 'hello'}
Example 2. Build a new FuncClass¶
As the name FuncClass says, a FuncClass is a ‘Function Class’. It is a special DataClass which has __call__ method. In this way, it can behave as a function, to be called with. It works similar with DataClass,being built with a decorator funcclass.
from srfnef.templating import funcclass
@funcclass
class PrintClass(object):
prefix: str
def __call__(self, string1, string2):
return self.prefix + ' ' + string1 + ' ' + string2
from srfnef.templating import TYPE_BIND
TYPE_BIND.update({'PrintClass': PrintClass})
hello_sth = PrintClass('hello')
print(hello_sth('world,', 'my friend'))
# hello world, my frien
Some more features have been implemented on FuncClass, with examples shown below.
hello_sth_my_friend = hello_sth.currying('my friend')
print(hello_sth_my_friend('moto,'))
# hello moto, my friend
the = PrintClass('the')
what_world = the.currying('world')
print((hello_sth_my_friend @ what_world)('cruel'))
# hello the cruel world my friend
# _sth = hello_sth_my_friend @ what_world('cruel')
# _sth() -> AttributeError
We firstly implemented FuncClass.currying to provide function currying. Currying provides a way for working with functions that take multiple arguments, and using them in frameworks where functions might take only one argument. Our function currying is not exactly same with its strict definition. We binded the rest arguments as fields in a new FuncClass instance for regarding the first argument as the only one. So we call the first argument of a FuncClass instance as key argument. This is a nautral thought! A function should accept one argument and return one output. For sure, this preference is not strict in srfnef package.
Function currying make it more clear to do function compositions. An regular function composition is implemented by nesting, even multiple nesting. For example f(g(a, b), c). What if composition with more functions is needed. It would be a disaster After currying them, we can simplicit it to f1(g1(a)) = f1 @ g1(a). We used @ in srfnef package to present function composition.
As we mentioned above, we can save a function with package srfnef. This is implemented with FuncClass. In this way, some useful function can be saved and loaded when needed.
from srfnef import save, load
save('./what_world.hdf5', what_world)
what_world2 = load('./what_world.hdf5')
print(what_world2('better'))
# the better world
Example 3. A special DataClass¶
There is a special DataClass in srfnef, DataClass with data, literally. it is a DataClass with field data. We defined this kind of class because most of the fields in a DataClass are mostly unwanted changable. For example, if you defined an BankAccount class, the only field that changes usually is your balance. The other fields, for example, name and address would rarelly change. We say the balance is the data in your BankAccount.
from srfnef.templating import dataclass
@dataclass
class BankAccount:
data: int
name: str
address: str
@property
def balance(self):
return self.data
We used data to represent your balance in your BankAccount for some reason. We can define a @property function balance to return the balance(data). We used a special field name data because we have defined some math operators on DataClass, which works on field data by default. For example, you have two account in this stupid bank (because it doesn’t recognize bank account with account numbers) and you want to combine them to a new account.
account1 = BankAccount(100, 'Minghao', 'Tech-Pi')
account2 = BankAccount(200, 'Minghao', 'Tech-Pi')
new_account = account1 + account2
# new_account.balance = 300
And you can do some business and double your BankAccount balance.
im_rich = new_account * 2
# im_rich.balance = 600
All these ufunc operators have been implemented in numpy.ndarray and numba.cuda. With the second one, it will work on GPUs.
123


January
19th,
2018
Hello all of you! from this article we are going to explore how to send POST requests from a Node.js Application. Node application using here is very much simple & very easy to understand.
For the easy coding we are using requests
npm package to send the requests. In requests
npm package you can find many easy http method implementations
- request.get(): Defaults to method: “GET”.
- request.post(): Defaults to method: “POST”.
- request.put(): Defaults to method: “PUT”.
- request.patch(): Defaults to method: “PATCH”.
- request.del() / request.delete(): Defaults to method: “DELETE”.
- request.head(): Defaults to method: “HEAD”.
- request.options(): Defaults to method: “OPTIONS”.
So lets directly go into the code
To run the code snippet
Step 1 - run npm init
to initiate a command line questionnaire that will conclude with the creation of a package.json in the directory
Step 2 - You first need to install related npm packages using npm install <package-name>
command
Step 3 Run the js file


Copyright 2010 Human Resource Department, University of Science and Technology of China Human Resource Department, University of Science and Technology of China, Hefei, Anhui,P.R.China,230026
Tel: 86-551-3601234 Fax:86-551-3637049 Email:fyl@ustc.edu.cn


|
OOjsUI
Object-Oriented JavaScript – User Interface
|
Element containing an indicator. More...
Public Member Functions | |
| __construct (Element $element, array $config=array()) | |
| setIndicator ($indicator=null) | |
| Set indicator name. More... | |
| getIndicator () | |
| Get indicator name. More... | |
| getConfig (&$config) | |
| Public Member Functions inherited from OOUI\ElementMixin | |
| __construct (Element $element, Tag $target, array $config=array()) | |
| Create element. More... | |
| getConfig (&$config) | |
Add properties to the given $config array to allow reconstruction of this widget via its constructor. More... | |
Static Public Attributes | |
| static | $targetPropertyName = 'indicator' |
| Static Public Attributes inherited from OOUI\ElementMixin | |
| static string | $targetPropertyName = '' |
| Property name for accessing the target on the element. | |
Protected Attributes | |
| string null | $indicator = null |
| Symbolic indicator name. More... | |
| Protected Attributes inherited from OOUI\ElementMixin | |
| Element | $element = null |
| Element being mixed into. | |
Additional Inherited Members | |
| Public Attributes inherited from OOUI\ElementMixin | |
| Tag | $target = null |
| Tag being targeted. | |
Element containing an indicator.
Indicators are graphics, smaller than normal text. They can be used to describe unique status or behavior. Indicators should only be used in exceptional cases; such as a button that opens a menu instead of performing an action directly, or an item in a list which has errors that need to be resolved.
| OOUI\IndicatorElement::__construct | ( | Element | $element, |
| array | $config = array() |
||
| ) |
| OOUI\IndicatorElement::getIndicator | ( | ) |
Get indicator name.
| OOUI\IndicatorElement::setIndicator | ( | $indicator = null | ) |
Set indicator name.
| string | null | $indicator | Symbolic name of indicator to use or null for no indicator |
|
protected |
Symbolic indicator name.


Creative, passionate and detail oriented Web Developer with a sociable personality. Great communicative skills and ability to work under pressure.
Strong background in Graphic Design and Music Production including experience with organization of large projects and meeting countless deadlines.
[Front End]
HTML5, CSS3, JavaScript, React, jQuery, and Bootstrap.
[Back End]
NodeJS, ExpressJS, CLI, AJAX, SQL, MongoDB, and GIT.
[Design]
Adobe Creative Cloud: Photoshop, Illustrator, InDesign, Dreamweaver, and Premiere Pro.


Unity editor extension for loading Tiled Map Editor files into Unity, providing a 2D, tile-based workflow for designing both 2D and 3D levels.
TiledLoader was originally created as part of another project I was working on for a class. I needed to create a labyrinth level for a 3D game, and the ideal tool for this that immediately came to mind was Tiled. Unfortunately, Unity does not natively support loading levels made in Tiled, and all existing Unity extensions which add support for this were either overly complicated or lacking in features which I needed.
Thus was born TiledLoader. The original purpose of TiledLoader was simple: load a level from a TMX file, replacing each tile with a prefab paired with that tile. This alone proved extremely powerful, and is the main feature of the free version of TiledLoader. However, as the class project grew, it began to demand a more powerful tool, and TiledLoader grew with it.
One major feature which I quickly realized would be extremely helpful would be to allow the user to run code on each tile that is loaded in, which has access to all custom properties added to that tile. To allow for this, I made TiledLoader load in all custom properties on each tile and store them in a dictionary, which I stored in a component which TiledLoader adds to each object it instantiates.


enum class VideoRotation
VideoRotation describes the rotation of the video frame buffer in degrees clockwise from intended viewing horizon.
e.g. If you were recording camera capture upside down relative to the orientation of the sensor, this value would be VideoRotation.Rotation180.
Rotation0 |
Not rotated |
Rotation90 |
Rotated 90 degrees clockwise |
Rotation180 |
Rotated 180 degrees clockwise |
Rotation270 |
Rotated 270 degrees clockwise |
degrees |
val degrees: Int |
from |
fun from(intValue: Int): VideoRotation? |


NHLPA files grievance challenging Dustin Byfuglien’s suspension by Jets
by Sportsnet StaffThe NHLPA has filed a grievance challenging Dustin Byfuglien’s suspension by the Winnipeg Jets, according to Sportsnet’s Elliotte Friedman.
The veteran defenceman was suspended by the team for failing to report to training camp.
Friedman reported earlier this month that the situation between the Jets and Byfuglien could end up in arbitration. The Jets said that the 34-year-old was deemed fit to play after his 2018-19 season-ending physical, he didn’t indicate he was dealing with an ankle injury during the summer and made it clear at the beginning of the year he was ready to retire.
But it was announced at the end of October that Byfuglien underwent surgery for a high-ankle sprain and will not be available to play until the new year, at the earliest.
Byfuglien is in the second-last season of a five-year, $38-million contract with the Jets. He is scheduled to earn $8 million this season and $6 million next, but due to his suspension by the team, he hasn’t collected any of his salary.


import { VM } from "./vm"
import gibberish from "./audio/gibberish"
import waa from "./audio/waa"
import stdlib from "./ext/stdlib"
import random from "./ext/random"
import debug from "./ext/debug"
import compatibility from "./ext/compatibility"
import { VM } from "./vm"
import gibberish from "./audio/gibberish"
import waa from "./audio/waa"
import stdlib from "./ext/stdlib"
import random from "./ext/random"
import debug from "./ext/debug"
import compatibility from "./ext/compatibility"
The main purpose of the virtual machine is to run processes concurrently.
It holds a commands
object (that maps instruction names to functions)
and schedules a collection of processes
. Each process has an values stack
and operations
stack (to be executed).
export function initGibberish (Gibberish, options) {
return init(gibberish, Gibberish, options)
}
export function initWebAudio (context, options) {
return init(waa, context, options)
}
the init function creates a vm controlled by Gibberish
export function init (driver, audio, options = {}) {
const { plugins } = options
Create the virtual machine
const vm = new VM(options)
Install the audio driver
driver(audio, options).start(vm)
Include all the commands
vm.addCommands(stdlib)
vm.addCommands(random(options))
vm.addCommands(debug(options))
vm.addCommands(compatibility(options))
Add the plugins if any
if (plugins) plugins.forEach(cmds => vm.addCommands(cmds))
return vm
}


Documentation
Palette Load Palette Modify Palette
Layers Reorder Layers Delete Layers
Autosave
Preview and layers get cut off for larger images
Opening an image that is smaller than the canvas grid spacing issues
Sync to server?
Animation Frames New Frame Delete Frame Onion Skin
Selections
Copy/Paste
Replays
Grid Modify Grid Size
Command Console
Scripts
Plugins
Composite Preview
Zoom In/Out
Resize Image
Export Image
Load Image Save Image
Save Files to desktop .json
Export to desktop .png
Open files from a file picker .json .png or .jpeg
Refreshing canvas gets a little messed up in resizing
Expand canvas when dropping an larger image
Preview Erase/Transparent
Preview Layer in canvas always shows at top


{% extends "global/Page.html" %} {% load staticfiles otree %} {% block title %} Results {% endblock %} {% block content %}
You chose to {{ player.decision }} and your partner chose to {{ other_dec }}
As a result, you earned {{ player.payoff|floatformat:0 }} and your partner earned {{ other_pay }}.
So far, you have earned {{ participant.vars.pay_nooffer }}.
{% next_button %} {% endblock %}