Overview:
Welcome to Violent-Flows - Crowd Violence \ Non-violence Database and benchmark: A database of real-world, video footage of crowd violence, along with standard benchmark protocols designed to test both violent/non-violent classification and violence outbreak detections. The data set contains 246 videos. All the videos were downloaded from YouTube. The shortest clip duration is 1.04 seconds, the longest clip is 6.52 seconds, and the average length of a video clip is 3.60 seconds.
Code
New! May, 25th, 2014: Code for computing the Violent Flows (ViF) descriptors is
now available.To run, call VIF_create_feature_vec.m with path and file_name of an AVI file. The output is a vector of VIF features.
Download the database
Please provide the details here. The reason we ask for them is that we would like to keep in touch in case we find any need for a critical update or in case we would organize a dedicated workshop, etc. When done, you will be able to see the FTP password. Thanks for your cooperation.
The file Movies.zip is available from www.cslab.openu.ac.il/download. You will need the username and password provided by the form above.
Results:
The Violent-Flows Results page.
Reference:
If you use this database, or refer to its results, please cite the following paper:Tal Hassner, Yossi. Itcher, and Orit Kliper-Gross, Violent Flows: Real-Time Detection of Violent Crowd Behavior, 3rd IEEE International Workshop on Socially Intelligent Surveillance and Monitoring (SISM) at the IEEE Conf. on Computer Vision and Pattern Recognition (CVPR), Rhode Island, June 2012 .
PDF, BibTeX
Contact:
Tal HassnerYossi Itcher -<EMAIL_ADDRESS>Orit Kliper-Gross - orit.kliper@weizmann.ac.il


Contents
This chapter defines the processing model for tables in CSS. Part of this processing model is the layout. For the layout, this chapter introduces two algorithms; the first, the fixed table layout algorithm, is well-defined, but the second, the automatic table layout algorithm, is not fully defined by this specification.
For the automatic table layout algorithm, some widely deployed implementations have achieved relatively close interoperability.
Table layout can be used to represent tabular relationships between data. Authors specify these relationships in the document language and can specify their presentation using CSS 2.1.
In a visual medium, CSS tables can also be used to achieve specific layouts. In this case, authors should not use table-related elements in the document language, but should apply the CSS to the relevant structural elements to achieve the desired layout.
Authors may specify the visual formatting of a table as a rectangular grid of cells. Rows and columns of cells may be organized into row groups and column groups. Rows, columns, row groups, column groups, and cells may have borders drawn around them (there are two border models in CSS 2.1). Authors may align data vertically or horizontally within a cell and align data in all cells of a row or column.
Here is a simple three-row, three-column table described in HTML 4:

This is a simple 3x3 table

 Header 1 Cell 1 Cell 2
 Header 2 Cell 3 Cell 4
 Header 3 Cell 5 Cell 6

This code creates one table (the TABLE element), three rows (the TR elements), three header cells (the TH elements), and six data cells (the TD elements). Note that the three columns of this example are specified implicitly: there are as many columns in the table as required by header and data cells.
The following CSS rule centers the text horizontally in the header cells and presents the text in the header cells with a bold font weight:
th { text-align: center; font-weight: bold }
The next rules align the text of the header cells on their baseline and vertically center the text in each data cell:
th { vertical-align: baseline } td { vertical-align: middle }
The next rules specify that the top row will be surrounded by a 3px solid blue border and each of the other rows will be surrounded by a 1px solid black border:
table { border-collapse: collapse } tr#row1 { border: 3px solid blue } tr#row2 { border: 1px solid black } tr#row3 { border: 1px solid black }
Note, however, that the borders around the rows overlap where the rows meet. What color (black or blue) and thickness (1px or 3px) will the border between row1 and row2 be? We discuss this in the section on border conflict resolution.
The following rule puts the table caption above the table:
caption { caption-side: top }
The preceding example shows how CSS works with HTML 4 elements; in HTML 4, the semantics of the various table elements (TABLE, CAPTION, THEAD, TBODY, TFOOT, COL, COLGROUP, TH, and TD) are well-defined. In other document languages (such as XML applications), there may not be pre-defined table elements. Therefore, CSS 2.1 allows authors to "map" document language elements to table elements via the 'display' property. For example, the following rule makes the FOO element act like an HTML TABLE element and the BAR element act like a CAPTION element:
FOO { display : table } BAR { display : table-caption }
We discuss the various table elements in the following section. In this specification, the term table element refers to any element involved in the creation of a table. An internal table element is one that produces a row, row group, column, column group, or cell.
The CSS table model is based on the HTML4 table model, in which the structure of a table closely parallels the visual layout of the table. In this model, a table consists of an optional caption and any number of rows of cells. The table model is said to be "row primary" since authors specify rows, not columns, explicitly in the document language. Columns are derived once all the rows have been specified -- the first cell of each row belongs to the first column, the second to the second column, etc.). Rows and columns may be grouped structurally and this grouping reflected in presentation (e.g., a border may be drawn around a group of rows).
Thus, the table model consists of tables, captions, rows, row groups (including header groups and footer groups), columns, column groups, and cells.
The CSS model does not require that the document language include elements that correspond to each of these components. For document languages (such as XML applications) that do not have pre-defined table elements, authors must map document language elements to table elements; this is done with the 'display' property. The following 'display' values assign table formatting rules to an arbitrary element:
Replaced elements with these 'display' values are treated as their given display types during layout. For example, an image that is set to 'display: table-cell' will fill the available cell space, and its dimensions might contribute towards the table sizing algorithms, as with an ordinary cell.
Elements with 'display' set to 'table-column' or 'table-column-group' are not rendered (exactly as if they had 'display: none'), but they are useful, because they may have attributes which induce a certain style for the columns they represent.
The default style sheet for HTML4 in the appendix illustrates the use of these values for HTML4:
table { display: table } tr { display: table-row } thead { display: table-header-group } tbody { display: table-row-group } tfoot { display: table-footer-group } col { display: table-column } colgroup { display: table-column-group } td, th { display: table-cell } caption { display: table-caption }
User agents may ignore these 'display' property values for HTML table elements, since HTML tables may be rendered using other algorithms intended for backwards compatible rendering. However, this is not meant to discourage the use of 'display: table' on other, non-table elements in HTML.
Document languages other than HTML may not contain all the elements in the CSS 2.1 table model. In these cases, the "missing" elements must be assumed in order for the table model to work. Any table element will automatically generate necessary anonymous table objects around itself, consisting of at least three nested objects corresponding to a 'table'/'inline-table' element, a 'table-row' element, and a 'table-cell' element. Missing elements generate anonymous objects (e.g., anonymous boxes in visual table layout) according to the following rules:
For the purposes of these rules, the following terms are defined:
For the purposes of these rules, out-of-flow elements are represented as inline elements of zero width and height. Their containing blocks are chosen accordingly.
The following steps are performed in three stages.
In this XML example, a 'table' element is assumed to contain the HBOX element:
<HBOX> <VBOX>George</VBOX> <VBOX>4287</VBOX> <VBOX>1998</VBOX> </HBOX>
because the associated style sheet is:
HBOX { display: table-row } VBOX { display: table-cell }
In this example, three 'table-cell' elements are assumed to contain the text in the ROWs. Note that the text is further encapsulated in anonymous inline boxes, as explained in visual formatting model:
<STACK> <ROW>This is the <D>top</D> row.</ROW> <ROW>This is the <D>middle</D> row.</ROW> <ROW>This is the <D>bottom</D> row.</ROW> </STACK>
The style sheet is:
STACK { display: inline-table } ROW { display: table-row } D { display: inline; font-weight: bolder }
Table cells may belong to two contexts: rows and columns. However, in the source document cells are descendants of rows, never of columns. Nevertheless, some aspects of cells can be influenced by setting properties on columns.
The following properties apply to column and column-group elements:
Here are some examples of style rules that set properties on columns. The first two rules together implement the "rules" attribute of HTML 4 with a value of "cols". The third rule makes the "totals" column blue, the final two rules shows how to make a column a fixed size, by using the fixed layout algorithm.
col { border-style: none solid } table { border-style: hidden } col.totals { background: blue } table { table-layout: fixed } col.totals { width: 5em }
In terms of the visual formatting model, a table can behave like a block-level (for 'display: table') or inline-level (for 'display: inline-table') element.
In both cases, the table generates a principal block box called the table wrapper box that contains the table box itself and any caption boxes (in document order). The table box is a block-level box that contains the table's internal table boxes. The caption boxes are block-level boxes that retain their own content, padding, margin, and border areas, and are rendered as normal block boxes inside the table wrapper box. Whether the caption boxes are placed before or after the table box is decided by the 'caption-side' property, as described below.
The table wrapper box is a 'block' box if the table is block-level, and an 'inline-block' box if the table is inline-level. The table wrapper box establishes a block formatting context. The table box (not the table wrapper box) is used when doing baseline vertical alignment for an 'inline-table'. The width of the table wrapper box is the border-edge width of the table box inside it, as described by section 17.5.2. Percentages on 'width' and 'height' on the table are relative to the table wrapper box's containing block, not the table wrapper box itself.
The computed values of properties 'position', 'float', 'margin-*', 'top', 'right', 'bottom', and 'left' on the table element are used on the table wrapper box and not the table box; all other values of non-inheritable properties are used on the table box and not the table wrapper box. (Where the table element's values are not used on the table and table wrapper boxes, the initial values are used instead.)
| Value: | top | bottom | inherit |
| Initial: | top |
| Applies to: | 'table-caption' elements |
| Inherited: | yes |
| Percentages: | N/A |
| Media: | visual |
| Computed value: | as specified |
This property specifies the position of the caption box with respect to the table box. Values have the following meanings:
Note: CSS2 described a different width and horizontal alignment behavior. That behavior will be introduced in CSS3 using the values 'top-outside' and 'bottom-outside' on this property.
To align caption content horizontally within the caption box, use the 'text-align' property.
In this example, the property places captions below tables. The caption will be as wide as the parent of the table, and caption text will be left-justified.
caption { caption-side: bottom; width: auto; text-align: left }
Internal table elements generate rectangular boxes with content and borders. Cells have padding as well. Internal table elements do not have margins.
The visual layout of these boxes is governed by a rectangular, irregular grid of rows and columns. Each box occupies a whole number of grid cells, determined according to the following rules. These rules do not apply to HTML 4 or earlier HTML versions; HTML imposes its own limitations on row and column spans.
The edges of the rows, columns, row groups and column groups in the collapsing borders model coincide with the hypothetical grid lines on which the borders of the cells are centered. (And thus, in this model, the rows together exactly cover the table, leaving no gaps; ditto for the columns.) In the separated borders model, the edges coincide with the border edges of cells. (And thus, in this model, there may be gaps between the rows, columns, row groups or column groups, corresponding to the 'border-spacing' property.)
Note. Positioning and floating of table cells can cause them not to be table cells anymore, according to the rules in section 9.7. When floating is used, the rules on anonymous table objects may cause an anonymous cell object to be created as well.
Here is an example illustrating rule 5. The following illegal (X)HTML snippet defines conflicting cells:

1 	2 	3 	4

5

User agents are free to visually overlap the cells, as in the figure on the left, or to shift the cell to avoid the visual overlap, as in the figure on the right.
For the purposes of finding the background of each table cell, the different table elements may be thought of as being on six superimposed layers. The background set on an element in one of the layers will only be visible if the layers above it have a transparent background.
A "missing cell" is a cell in the row/column grid that is not occupied by an element or pseudo-element. Missing cells are rendered as if an anonymous table-cell box occupied their position in the grid.
In the following example, the first row contains four non-empty cells, but the second row contains only one non-empty cell, and thus the table background shines through, except where a cell from the first row spans into this row. The following HTML code and style rules
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.01//EN">   <TITLE>Table example</TITLE>

  1  2  3  4
  5

might be formatted as follows:
Note that if the table has 'border-collapse: separate', the background of the area given by the 'border-spacing' property is always the background of the table element. See the separated borders model.
CSS does not define an "optimal" layout for tables since, in many cases, what is optimal is a matter of taste. CSS does define constraints that user agents must respect when laying out a table. User agents may use any algorithm they wish to do so, and are free to prefer rendering speed over precision, except when the "fixed layout algorithm" is selected.
Note that this section overrides the rules that apply to calculating widths as described in section 10.3. In particular, if the margins of a table are set to '0' and the width to 'auto', the table will not automatically size to fill its containing block. However, once the calculated value of 'width' for the table is found (using the algorithms given below or, when appropriate, some other UA dependent algorithm) then the other parts of section 10.3 do apply. Therefore a table can be centered using left and right 'auto' margins, for instance.
Future updates of CSS may introduce ways of making tables automatically fit their containing blocks.
| Value: | auto | fixed | inherit |
| Initial: | auto |
| Applies to: | 'table' and 'inline-table' elements |
| Inherited: | no |
| Percentages: | N/A |
| Media: | visual |
| Computed value: | as specified |
The 'table-layout' property controls the algorithm used to lay out the table cells, rows, and columns. Values have the following meaning:
The two algorithms are described below.
With this (fast) algorithm, the horizontal layout of the table does not depend on the contents of the cells; it only depends on the table's width, the width of the columns, and borders or cell spacing.
The table's width may be specified explicitly with the 'width' property. A value of 'auto' (for both 'display: table' and 'display: inline-table') means use the automatic table layout algorithm. However, if the table is a block-level table ('display: table') in normal flow, a UA may (but does not have to) use the algorithm of 10.3.3 to compute a width and apply fixed table layout even if the specified width is 'auto'.
If a UA supports fixed table layout when 'width' is 'auto', the following will create a table that is 4em narrower than its containing block:
table { table-layout: fixed; margin-left: 2em; margin-right: 2em }
In the fixed table layout algorithm, the width of each column is determined as follows:
The width of the table is then the greater of the value of the 'width' property for the table element and the sum of the column widths (plus cell spacing or borders). If the table is wider than the columns, the extra space should be distributed over the columns.
If a subsequent row has more columns than the greater of the number determined by the table-column elements and the number determined by the first row, then additional columns may not be rendered. CSS 2.1 does not define the width of the columns and the table if they are rendered. When using 'table-layout: fixed', authors should not omit columns from the first row.
In this manner, the user agent can begin to lay out the table once the entire first row has been received. Cells in subsequent rows do not affect column widths. Any cell that has content that overflows uses the 'overflow' property to determine whether to clip the overflow content.
In this algorithm (which generally requires no more than two passes), the table's width is given by the width of its columns (and intervening borders). This algorithm reflects the behavior of several popular HTML user agents at the writing of this specification. UAs are not required to implement this algorithm to determine the table layout in the case that 'table-layout' is 'auto'; they can use any other algorithm even if it results in different behavior.
Input to the automatic table layout must only include the width of the containing block and the content of, and any CSS properties set on, the table and any of its descendants.
Note. This may be defined in more detail in CSS3.
The remainder of this section is non-normative.
This algorithm may be inefficient since it requires the user agent to have access to all the content in the table before determining the final layout and may demand more than one pass.
Column widths are determined as follows:
Calculate the minimum content width (MCW) of each cell: the formatted content may span any number of lines but may not overflow the cell box. If the specified 'width' (W) of the cell is greater than MCW, W is the minimum cell width. A value of 'auto' means that MCW is the minimum cell width.
Also, calculate the "maximum" cell width of each cell: formatting the content without breaking lines other than where explicit line breaks occur.
For each column, determine a maximum and minimum column width from the cells that span only that column. The minimum is that required by the cell with the largest minimum cell width (or the column 'width', whichever is larger). The maximum is that required by the cell with the largest maximum cell width (or the column 'width', whichever is larger).
For each cell that spans more than one column, increase the minimum widths of the columns it spans so that together, they are at least as wide as the cell. Do the same for the maximum widths. If possible, widen all spanned columns by approximately the same amount.
For each column group element with a 'width' other than 'auto', increase the minimum widths of the columns it spans, so that together they are at least as wide as the column group's 'width'.
This gives a maximum and minimum width for each column.
The caption width minimum (CAPMIN) is determined by calculating for each caption the minimum caption outer width as the MCW of a hypothetical table cell that contains the caption formatted as "display: block". The greatest of the minimum caption outer widths is CAPMIN.
Column and caption widths influence the final table width as follows:
A percentage value for a column width is relative to the table width. If the table has 'width: auto', a percentage represents a constraint on the column's width, which a UA should try to satisfy. (Obviously, this is not always possible: if the column's width is '110%', the constraint cannot be satisfied.)
Note. In this algorithm, rows (and row groups) and columns (and column groups) both constrain and are constrained by the dimensions of the cells they contain. Setting the width of a column may indirectly influence the height of a row, and vice versa.
The height of a table is given by the 'height' property for the 'table' or 'inline-table' element. A value of 'auto' means that the height is the sum of the row heights plus any cell spacing or borders. Any other value is treated as a minimum height. CSS 2.1 does not define how extra space is distributed when the 'height' property causes the table to be taller than it otherwise would be.
Note. Future updates of CSS may specify this further.
The height of a 'table-row' element's box is calculated once the user agent has all the cells in the row available: it is the maximum of the row's computed 'height', the computed 'height' of each cell in the row, and the minimum height (MIN) required by the cells. A 'height' value of 'auto' for a 'table-row' means the row height used for layout is MIN. MIN depends on cell box heights and cell box alignment (much like the calculation of a line box height). CSS 2.1 does not define how the height of table cells and table rows is calculated when their height is specified using percentage values. CSS 2.1 does not define the meaning of 'height' on row groups.
In CSS 2.1, the height of a cell box is the minimum height required by the content. The table cell's 'height' property can influence the height of the row (see above), but it does not increase the height of the cell box.
CSS 2.1 does not specify how cells that span more than one row affect row height calculations except that the sum of the row heights involved must be great enough to encompass the cell spanning the rows.
The 'vertical-align' property of each table cell determines its alignment within the row. Each cell's content has a baseline, a top, a middle, and a bottom, as does the row itself. In the context of tables, values for 'vertical-align' have the following meanings:
The baseline of a cell is the baseline of the first in-flow line box in the cell, or the first in-flow table-row in the cell, whichever comes first. If there is no such line box or table-row, the baseline is the bottom of content edge of the cell box. For the purposes of finding a baseline, in-flow boxes with a scrolling mechanisms (see the 'overflow' property) must be considered as if scrolled to their origin position. Note that the baseline of a cell may end up below its bottom border, see the example below.
The maximum distance between the top of the cell box and the baseline over all cells that have 'vertical-align: baseline' is used to set the baseline of the row. Here is an example:
Cell boxes 1 and 2 are aligned at their baselines. Cell box 2 has the largest height above the baseline, so that determines the baseline of the row.
If a row has no cell box aligned to its baseline, the baseline of that row is the bottom content edge of the lowest cell in the row.
To avoid ambiguous situations, the alignment of cells proceeds in the following order:
Cell boxes that are smaller than the height of the row receive extra top or bottom padding.
The cell in this example has a baseline below its bottom border:
div { height: 0; overflow: hidden; }

 Test

The horizontal alignment of inline-level content within a cell box can be specified by the value of the 'text-align' property on the cell.
The 'visibility' property takes the value 'collapse' for row, row group, column, and column group elements. This value causes the entire row or column to be removed from the display, and the space normally taken up by the row or column to be made available for other content. Contents of spanned rows and columns that intersect the collapsed column or row are clipped. The suppression of the row or column, however, does not otherwise affect the layout of the table. This allows dynamic effects to remove table rows or columns without forcing a re-layout of the table in order to account for the potential change in column constraints.
There are two distinct models for setting borders on table cells in CSS. One is most suitable for so-called separated borders around individual cells, the other is suitable for borders that are continuous from one end of the table to the other. Many border styles can be achieved with either model, so it is often a matter of taste which one is used.
| Value: | collapse | separate | inherit |
| Initial: | separate |
| Applies to: | 'table' and 'inline-table' elements |
| Inherited: | yes |
| Percentages: | N/A |
| Media: | visual |
| Computed value: | as specified |
This property selects a table's border model. The value 'separate' selects the separated borders border model. The value 'collapse' selects the collapsing borders model. The models are described below.
| Value: | <length> <length>? | inherit |
| Initial: | 0 |
| Applies to: | 'table' and 'inline-table' elements* |
| Inherited: | yes |
| Percentages: | N/A |
| Media: | visual |
| Computed value: | two absolute lengths |
*) Note: user agents may also apply the 'border-spacing' property to 'frameset' elements. Which elements are 'frameset' elements is not defined by this specification and is up to the document language. For example, HTML4 defines a <FRAMESET> element, and XHTML 1.0 defines a <frameset> element. The 'border-spacing' property on a 'frameset' element can be thus used as a valid substitute for the non-standard 'framespacing' attribute.
The lengths specify the distance that separates adjoining cell borders. If one length is specified, it gives both the horizontal and vertical spacing. If two are specified, the first gives the horizontal spacing and the second the vertical spacing. Lengths may not be negative.
The distance between the table border and the borders of the cells on the edge of the table is the table's padding for that side, plus the relevant border spacing distance. For example, on the right hand side, the distance is padding-right + horizontal border-spacing.
The width of the table is the distance from the left inner padding edge to the right inner padding edge (including the border spacing but excluding padding and border).
However, in HTML and XHTML1, the width of the
 element is the distance from the left border edge to the right border edge.
Note: In CSS3 this peculiar requirement will be defined in terms of UA style sheet rules and the 'box-sizing' property.
In this model, each cell has an individual border. The 'border-spacing' property specifies the distance between the borders of adjoining cells. In this space, the row, column, row group, and column group backgrounds are invisible, allowing the table background to show through. Rows, columns, row groups, and column groups cannot have borders (i.e., user agents must ignore the border properties for those elements).
The table in the figure below could be the result of a style sheet like this:
table { border: outset 10pt; border-collapse: separate; border-spacing: 15pt } td { border: inset 5pt } td.special { border: inset 10pt } /* The top-left cell */
| Value: | show | hide | inherit |
| Initial: | show |
| Applies to: | 'table-cell' elements |
| Inherited: | yes |
| Percentages: | N/A |
| Media: | visual |
| Computed value: | as specified |
In the separated borders model, this property controls the rendering of borders and backgrounds around cells that have no visible content. Empty cells and cells with the 'visibility' property set to 'hidden' are considered to have no visible content. Cells are empty unless they contain one or more of the following:
When this property has the value 'show', borders and backgrounds are drawn around/behind empty cells (like normal cells).
A value of 'hide' means that no borders or backgrounds are drawn around/behind empty cells (see point 6 in 17.5.1). Furthermore, if all the cells in a row have a value of 'hide' and have no visible content, then the row has zero height and there is vertical border-spacing on only one side of the row.
The following rule causes borders and backgrounds to be drawn around all cells:
table { empty-cells: show }
In the collapsing border model, it is possible to specify borders that surround all or part of a cell, row, row group, column, and column group. Borders for HTML's "rules" attribute can be specified this way.
Borders are centered on the grid lines between the cells. User agents must find a consistent rule for rounding off in the case of an odd number of discrete units (screen pixels, printer dots).
The diagram below shows how the width of the table, the widths of the borders, the padding, and the cell width interact. Their relation is given by the following equation, which holds for every row of the table:
row-width = (0.5 * border-width0) + padding-left1 + width1 + padding-right1 + border-width1 + padding-left2 +...+ padding-rightn + (0.5 * border-widthn)
Here n is the number of cells in the row, padding-lefti and padding-righti refer to the left (resp., right) padding of cell i, and border-widthi refers to the border between cells i and i + 1.
UAs must compute an initial left and right border width for the table by examining the first and last cells in the first row of the table. The left border width of the table is half of the first cell's collapsed left border, and the right border width of the table is half of the last cell's collapsed right border. If subsequent rows have larger collapsed left and right borders, then any excess spills into the margin area of the table.
The top border width of the table is computed by examining all cells who collapse their top borders with the top border of the table. The top border width of the table is equal to half of the maximum collapsed top border. The bottom border width is computed by examining all cells whose bottom borders collapse with the bottom of the table. The bottom border width is equal to half of the maximum collapsed bottom border.
Any borders that spill into the margin are taken into account when determining if the table overflows some ancestor (see 'overflow').
Note that in this model, the width of the table includes half the table border. Also, in this model, a table does not have padding (but does have margins).
CSS 2.1 does not define where the edge of a background on a table element lies.
In the collapsing border model, borders at every edge of every cell may be specified by border properties on a variety of elements that meet at that edge (cells, rows, row groups, columns, column groups, and the table itself), and these borders may vary in width, style, and color. The rule of thumb is that at each edge the most "eye catching" border style is chosen, except that any occurrence of the style 'hidden' unconditionally turns the border off.
The following rules determine which border style "wins" in case of a conflict:
The following example illustrates the application of these precedence rules. This style sheet:
table { border-collapse: collapse; border: 5px solid yellow; } *#col1 { border: 3px solid black; } td { border: 1px solid red; padding: 1em; } td.cell5 { border: 5px dashed blue; } td.cell6 { border: 5px solid green; }
with this HTML source:

 <COL id="col1"><COL id="col2"><COL id="col3">
  1  2  3

  4  5  6

  7  8  9

  10  11  12

  13  14  15

would produce something like this:
Here is an example of hidden collapsing borders:
HTML source:

foo	 bar

foo	 bar

Some of the values of the 'border-style' have different meanings in tables than for other elements. In the list below they are marked with an asterisk.


FARGO A film review by Andrew Mitchell Copyright 1997 Andrew Mitchell
I saw Fargo on Saturday night. I had to make a reservation at Roger's video a week ahead to get it. But it was worth it. And despite all the hype I thoroughly enjoyed it and would put it on my top 10 list for the year.
I liked the outlandishness of the situation and the reactions of our Minnesotan neighbours. Didn't Rose from the Golden Girls come from this part of Minnesota? The people in this movie sure seemed to be of the same intellect. I think most of the people in Brainerd were of Swedish descent. The accents were fun. Sounded very Canadian to me. Reminded me a lot of "Blue Velvet" for the fact that a most horrendous crime takes place in a small, happy town where the usual tragedy is missing the weekly all you can eater. Frances McDormand was a revelation. She captured the comic character without making fun of it, thus creating a real person which seemed lacking in her police partner. She reminds me of certain people who have an innate brilliance for what they do but seem entirely vapid elsewhere. Or the kind of person who would face a tragedy and not need therapy because they wouldn't comprehend the severity of the situation. I especially liked the first breakfast scene with the long take of her husband eating breakfast and then her coming back into the house to ask for a jump for the car. Reminded me of that static scene at the end of Big Night where Secondo is whipping up the omellette. I also liked the scene with her and the Asian high school guy she met at the Radisson(where they make real good food). Her reactions were priceless from the fixing of her hair as she walked in to the place to her calm solace after he made the moves on her. She remained reasonably sunny all through and wasn't even phased later when she found out his wife didn't die of leukemia as he purported. There are whackos all around her but she manages to retain a safe distance from it all. Not even a blemish. And after all that's happened, doncha know it, we get a nice happy ending. Her hon gets his artwork published on a stamp!
http://www.inforamp.net/~amitch/andrew.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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belongs to the author.
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Related links: index of all rec.arts.movies.reviews reviews


Hey there,
My name is Tochukwu, Graphic Designer,
Developer.
I love connecting brands and companies with their customers through
good design,I can help you with logo, Infographics,Bronchure and i
post very often on slack but enough about me,how can i help you?
I'm a front-end developer/Graphics Designer. I love to work together
with software and design firms communicating web design, principles
and strategies for ongoing development.
My aim is to create better interfaces and experiences for the user,
making the web application's and its technology easier for the user.
Simplifying communication barriers by bridging the gap between end-users,
designers and developers
http://girlcode.academy
http://myp.com.ng
http://cas-systems.com
http://corporate.landaba.com


Pitbull
-
Outta Nowhere
Outta Nowhere Sooner or later that spark just disappears Outta nowhere, outta nowhere Every time one of us ending up i... -
Have Some Fun
All I wanna do (Mr. WorldWide) is have some fun I got a feeling, that I’m not the only one (The Wanted) All I wanna do i... -
Hotel Room Service Remix
Jim Johnson Mr. 305 remix Nicole de los ******** Dolls Como? Mami tu estas como el bistec a la plancha Tu sabes como? Ps... -
Mmm Yeah
[by:KRees] Austin M, keep doing your thing Let these boys keep slipping, man I'm not into gymnastics but I'm into flippi... -
Dedicated
[by:小陀螺Tony] I wanna take love out, I wanna buy love drinks I want to have a good time, I wanna show love things I wanna... -
Lady
[by:工作婊] This is for the beautiful girls around the world Mr. Worldwide This is for the beautiful girls around the world...  -
Greenlight
作曲 : Armando C. Perez/Gamal Lewis/Lukasz Gottwald/Henry Walter/Tramar Dillard 作词 : Armando C. Perez/Gamal Lewis/Lukasz...  -
Can't Believe It [Super Super Clean Radio Edit]
she make me feel so good better than i would by myself or if was with somebody else (you don't under stand she make the ... -
Bailar
[by:蝶蝶蝶蝶蝶蝶蝶蝶] Despacito (como) Mami, yo sé que te va a gustar (Mr. Worldwide!) Despacito Mami, yo sé que te va a encanta... -
International Love
作曲 : Perez Biker+Hurley+Kelly 作词 : Perez Biker+Hurley+Kelly Went from Mr. 305' Dade County' to Mr. Worldwide' all arou... -
Fun
Oh, feeling crazy The moon is up, the night is hazy Let's get lost in the shadows Somewhere we can go And no one else ca... -
Hey Ma (Spanish Version)
Dale sin miedo Arriésgate y sígueme el juego Sola creo Di a tus amigas hasta luego No des explicaciones solo vente Que t... -
DJ Got Us Fallin' In Love
Yeah man So we back in the club Get that bodies rockin from side to side (side to side) Thank God the week is done I fee... -
Timber
It's going down, I'm yelling timber You better move, you better dance Let's make a night, you won't remember I'll be the... -
Give Me Everything
作曲 : Smith Perez Van De Wall 作词 : Smith Perez Van De Wall Me not working hard? Yea right picture that with a kodak And...  -
I'm a Freak
Let's go I tried to let it go But I'm addicted to your chemicals I got a piece, I want an overdose I love the way s... -
Feel This Moment
Ask for money, and get it viced Ask for advice, get money twice I'm from the Dirty, but that chico nice Ya'll call it a ... -
Ocean to Ocean
[by:Trap_Girl] They tried to get rid of me But from ocean to ocean They gon' have to deal with me I been overlooked, sle...  Well this year gon be called Calle Ocho, ... -
Dame Tu Cosita (Radio Version)
[by:Trap_Girl] 作曲 : Rodney Sebastián/Clark Donalds/Rashid Badloe/Giordano Ashruf/Sharif Badloe 作词 : Rodney Sebastián/C... -
Tchu Tchu Tcha
[ti:Tchu tchu tcha] [ar:Pitbull] Caperucita Roja,a donde tu va? pa lavante la thcu tchu tchu tchu tchu tcha ... -
Dj Got Us Fallin' In Love
Yeah man So we back in the club Get that bodies rockin from side to side (side to side) Thank God the week is done I fee... -
I Like How It Feels
It's my time It's my life I can do what I like For the price of a smile I gotta take it to right So I keep living cause ... -
Hotel Room Service
作曲 : Perez Brankin+Campbell+Camp 作词 : Perez Brankin+Campbell+Camp （Intro） DJ Jim Jonsin I want everybody to stop what ... -
Hey Baby (Drop It To The Floor) (Radio Edit)
So listen up Let her go, lalala Baby girl wanna play, let her go Said let her go, lalala Baby girl wanna play, let her g... -
Superstar
[by:哈里-斯泰尔斯] [ti:] [ar:] [al:] [by:九九Lrc歌词网～www.99Lrc.net] 作曲 : Jimmy "Jimmy Joker" Thornfeldt/Armando C. Pérez (Pitbul... -
Celebrate
Mr. Worldwide Let's celebrate I just wanna celebrate I just wanna celebrate Tonight we're making history I just wanna ce... -
Back in Time (featured in "Men In Black 3")
Let's excuse me baby Go, yeah you baby Back, ooh you groovy baby In, let's make a movie baby Time, excuse me baby Let's,... -
Live It Up
[by:了已李] From the streets of Miami to presenting at the Grammys Con el multito de Jennifer maybe now you understand me C... -
Driving Around
Driving around looking in the mirror what do I see Somebody that I never thought that I would be Yeah it's amazing but i... -
Muévelo Loca Boom Boom
[by:墨尔本bounce] 作曲 : José E. Luna ("Shockbit")/Bilal Hajji (Billy)/Jorge Gómez Martínez (Jorgie)/José Carlos García (IAM... -
Fireball
[by:你粑粑的歌你别听] Mr. Worldwide to infinity You know the roof on fire We gon' boogie oogie oggi Jiggle, wiggle and dance Lik... -
Exotic
Cool Me Down I'm Feeling So Exotic Yaa Right Now I'm Hotter Than The Chocolate Take Me Down Oh My Cuba Baby Let's Go La-...  Baby i ... -
Body On My
[by:Trap_Girl] 作曲 : Marlon McClain/Joseph De Pace/Nick Rivera Caminero/Andrew Fedyk/Cassio Lopes/Armando Christian Pere... -
Hiya Hiya
[by:孔雀王__] أنا مشيت وما ناسي هي مهبلة راسي أنا بغيت نجيب ناسي فريمر وعندي فاسي سمحى فالدار وجايا بألف خبر ما يهمها عي... -
Goalie Goalie
Goalie Goalie Goalie Goalie Goalie Goalie Goalie Goalie Goalie Goalie Goalie Goalie Goalie Goalie (Don't stop!) Goalie G... -
Por Favor
[by:Sherry_Esther] 作曲 : Philip Kembo (Pip Kembo)/Armando Pérez (Pitbull)/Jamie Sanderson (Sermstyle)/José Carlos García...   -
On The Floor
J-LO! ya tu sabe no es mas nada It's a new generation Mr. worldwide Of party people get on the floor Darling get on the ...  -
Do It
[by:肖大能耐] I got a new one for ya I like the way that sounds (The point of life I'm saying) I'm bout to do it for ya I li... -
Go Girl
作曲 : Bowen-Petterson, Coby, Perez (What would the music be without sounds) Young Boss, Miss Trina, Pitbull Let's show t... -
We Run the Night (Edited)
[by:小坑鹏] Havana Brown Red One Mr. Worldwide From Miami, Morocco To Australia, to the world Run 'em like run 'em run 'em ... -
Rain Over Me
作曲 : AJ Jannusi, Armando C. Perez, Bilal "The Chef" Hajii, Marc Anthony, Rachid Aziz & Redo Rain Over Me Pitbull,Marc A... -
Dance Again
Jennifer Lopez - Dance Again （feat.Pitbull） dance, yes （redone） love, next dance, yes （j.lo） love, next shimmy shimmy... -
MOVE TO MIAMI
[by:工作婊] 作曲 : Bilal Hajji/Enrique Iglesias/J.R. Rotem/Richard Cook Mears/Ezequiel Rivera/Jorge Gomez/José Carlos García... -
Krazy
[by:Azdes] [ti:Krazy] [ar:Pitbull Feat. Lil Jon] [al:] Hey Hey Let's do it again Baby...Let's Do it... We gotta do it a... -
Wild Wild Love
Oh this wild wild love of ours It can't be tamed, no All this wild wild love of ours It can't be tamed, no For better or...  -
We Are One (Ole Ola) [The Official 2014 FIFA World Cup Song]
Put your flags up in the sky (put 'em in the sky, jogue lá no alto) And then wave 'em side to side (side to side, lado a...


You have a strong family history of chronic disease, such as cancer or heart disease, and are worried that you're at risk too.
You're confused about what types of changes you can make to your lifestyle to improve your health.
You're on a handful of medications, all with a list of side-effects, and desperately want to get off as many as you can.
You're going through or have been through cancer treatment and want to manage treatment-related side effects and prevent recurrence or other types of cancer.
1) Mosesso, K., Wein, R. (2012, September). Midline Carcinoma with NUT rearrangement: A case report. Poster presented at: AAO-HNSF 2012 Annual Meeting and OTO EXPO, Washington, DC.
2) Mosesso, K., Wein. R., O’Leary, M., Von Euw, E. Tracheostomy Management Made Simple for the Head and Neck Cancer Patient. Spokane: Provenir Publishing; 2014.
3) Mosesso, K. (2015, November). Evaluation and Management of Late and Long-term Treatment Related Effects in Adult Allogeneic Hematopoietic Stem Cell Transplant Survivors. American Journal of Nursing. 115(11):22-34
4) Mosesso, K. (2017, May). Reach Beyond Fear and Learn to Live Life as an Authentic Adventure. Transformation Coaching Magazine, 10.
5) Mosesso, K., Walters, C., Supan, C., Jakubowski, J. (2018, February). Assessing the feasibility of developing and implementing a web-based patient education app. Poster presented at: ASCO Survivorship Symposium, Orlando, FL.
Smoking Cessation Public Service Announcement aired on local radio, 2010
BMT Infonet Survivorship Symposium Panelist (“Protecting Your Long-Term Health”) and Session Moderator (“Take a Breath! Managing Breathing Problems after Transplant”), East Rutherford, NJ, 9/13/14- 9/14/14
BMT Tandem Meeting- Oncology Nursing Society Special Interest Group, Table Facilitator, San Diego, CA, 2/13/2015
The American Journal of Nursing Podcast
Well & Good: How To Make Your Pumpkin Spice Latte Healthy
The Nomad Podcast: Episode 12- Kara Mosesso of Nomadic Nourishment
Kara completed a web development and coding bootcamp at The Institute of Code where she learned html, CSS and Javascript. She utilizes her web development and extensive health and wellness knowledge for front-end development of websites for burgeoning health and wellness entrepreneurs. She designed and developed this site.


Changing the Layer
|
To change or set an object's layer from the Scene Editor, select the object. Now, go to the
Edit Tab (as
shown in Figure
1.1.1).
|
Figure 1.1.1 |
| Next, open the Scene Object Section (as shown in Figure 1.1.2) and look for the Layer field (as shown in Figure 1.1.3). |
Figure 1.1.2 Figure 1.1.3 |
|
Brief Explanation of the Layer field: In T2D objects can exist on different layers in the view. The lower the number, the closer the layer is to the front. There are 32 layers that range from layer 0 (the closest to the viewer and default, so whatever is on this layer will be shown in front of the other layers) to layer 31 (the furthest layer, anything on this layer will be shown behind all other layers). Setting things on different layers can give us some neat effects. The default layer is 0. |


Widget Palette Dojo GridX Tests (Basic)
Comma separated data
Steps
- Choose New HTML File from the New menu
- Open the Dojo Controls folder in the Widget palette.
- Drag the GridX widget onto the canvas.
- SmartInput is displayed. Choose Comma separated data from the drop down list on the first panel of the wizard.
- Change the data in the text area to:
one, two, three
data 1, data 2, data 3
xxxx, yyy, zzz
111, 222, 3333
- Click Finish.
- The GridX should be updated with the data you entered. In addition, the grid's width should be 100%.
- Save and close the file.
- Reopen the file
- Click on the preview icon in the toolbar, this should open a new browser window and the grid should be displayed with the data entered
Expected results
- The GridX in page editor and preview should be displaying the data you just entered.
- You should see 3 columns with the headers one, two and three.
- You should see 3 rows of data, corresponding to the data you entered.
Smart Input (GridX Configuration Wizard)
Steps
- Choose New HTML File from the New menu
- Open the Dojo Controls folder in the Widget palette.
- Drag the GridX widget onto the canvas.
- SmartInput is displayed.
- Verify the SmartInput is a modal dialog containing a wizard.
- Verify the wizard contains three panels (one for data source set-up, one for column selection, and one for previewing the grid and resizing/reordering columns):
- Click the Next button 2 times and then the Back button two times to verify you can go to the end of the wizard and back (seeing the 3 steps along the way).
- Along the top of the dialog there should be a clickable heading for each step. Click on each heading and verify the corresponding wizard page is selected.
- On the first panel:
- Mouse down and hold on the icon in the button right corner of the text area. Drag to re-size the the text area.
- Click on the ? icon to display the help.
- Click on the ? icon to hide the help.
Expected results
- The user should see a modal dialog containing a wizard.
- The user should be able to navigate through the 3 steps of the wizard with Next/Back buttons or the clickable headings.
- On the first panel, the user should be able to re-size the text area and display/hide help.
Canceling the wizard
Steps
- Choose New HTML File from the New menu
- Open the Dojo Controls folder in the Widget palette.
- Drag the GridX widget onto the canvas.
- SmartInput is displayed. Choose Comma separated data from the drop down list
- Change the data in the text area to:
one, two, three
data 1, <b>data 2</b>, data 3
xxxx, yyy, zzz
111, 222, 3333
- NOTE: The UI should not change despite the presence of HTML tags. Unlike DataGrid, GridX does not support specifying the use of Plan Text vs. HTML Markup.
- Click the Cancel button.
- The GridX should be be displayed with the default data, not the data you entered.
- Save and close the file.
- Reopen the file
- Click on the preview icon in the toolbar, this should open a new browser window and the grid should be displayed with the default data.
Expected results
- The GridX in page editor and preview should be displaying the default data.
Data file from workspace
Steps
- Choose New HTML File from the New menu
- Open the Dojo Controls folder in the Widget palette.
- Drag the GridX widget onto the canvas.
- SmartInput is displayed. Choose Data file from workspace from the drop down list on the first panel of the wizard.
- Click on the folder icon.
- The select a source dialog will be displayed, navigate to the samples/sample_data folder and then select the htmlSample.json file. Click the OK button
- The text area should now display the text samples/sample_data/htmlSample.json Unlike DataGrid, radio buttons to specify plain text or HTML markup should not
be displayed.
- Click the Finish button on the wizard.
- The GridX should be updated with the data from the htmlSample file. Notice that the data is displayed with HTML markup rendered (e.g., Fruits is made bold).
- Save and close the file.
- Reopen the file
- Click on the preview icon in the toolbar, this should open a new browser window and the grid should be displayed with the data from the file.
Expected results
- The GridX in page editor and preview should be displaying the data from the file.
Data from URL (JSONP)
Steps
- Continuing from the test case above, open the HTML File from the Data from workspace test case.
- Double click on the GridX Widget in the design view to display the smart input.
- SmartInput is displayed. Choose Data from URL (JSONP) from the drop down list on the first panel.
- In the text area enter the following URL: http://maqettaservice.appspot.com/sampleservice
- Click the Finish button on the wizard.
- The GridX should be updated with the data from the service. Notice that the data is displayed with HTML tags rendered (for example Fruits).
- Save and close the file.
- Reopen the file
- Click on the preview icon in the toolbar, this should open a new browser window and the grid should be displayed with the data from the service.
Expected results
- The GridX in page editor and preview should be displaying the data from the file.
Comma separated data (with empty cells)
Steps
- Choose New HTML File from the New menu
- Open the Dojo Controls folder in the Widget palette.
- Drag the GridX widget onto the canvas.
- SmartInput is displayed. Choose Comma separated data from the drop down list on the first panel of the wizard.
- Change the data in the text area to the following (note empty cells in the 2nd column of the first two rows):
Date de début,Date de fin,Code UT,Intitulé UT
03/03/2012,,UT3,Unité de Travail Trois
02/02/2011,,UT2,Unité de Travail Deux
01/01/2010,31/12/2012,UT1,Unité de Travail Un
- Click Finish.
- The GridX should be updated with the data you entered to show 4 columns of data.
- Double-click the GridX to reopen smart input. Ensure that the data looks the same as when you pasted it in originally. In particular, ensure the
2nd column is present and the empty cells in the first two rows are reflected.
- Save and close the file.
- Reopen the file
- Click on the preview icon in the toolbar, this should open a new browser window and the grid should be displayed with the data entered
Expected results
- The GridX in page editor and preview should be displaying the data you just enter.
- You should see 4 columns with the headers specified in your data.
- You should see 3 rows of data, corresponding to the data you entered.
- Reopening smart input should show exactly the same data as what you pasted in originally.
CSV Data file from workspace
Steps
- Choose New HTML File from the New menu
- Open the Dojo Controls folder in the Widget palette.
- Drag the GridX widget onto the canvas.
- SmartInput is displayed. Choose Data file from workspace from the drop down list on the first panel of the wizard.
- Click on the folder icon.
- The select a source dialog will be displayed, navigate to the samples/sample_data folder and then select the sample.csv file. Click the OK button
- The text area should now display the text samples/sample_data/sample.csv
- Click the Finish button on the wizard.
- The GridX should be updated with the data from the sample.csv file.
- Save and close the file.
- Reopen the file
- Click on the preview icon in the toolbar, this should open a new browser window and the grid should be displayed with the data from the file.
Expected results
- The GridX in page editor and preview should be displaying the data from the file.
Switching Between File & Data Source Types
Steps
- Continuing with the file from the previous section, double-click on the GridX to bring up smart input.
- SmartInput is displayed. The Data file from workspace option should still be selected and the text field should contain
samples/sample_data/sample.csv.
- Click on the folder icon.
- The select a source dialog will be displayed, navigate to the samples/sample_data folder and then select the sampleManyColumns.json file. Click the OK button
- Click the Finish button on the wizard.
- The GridX should be updated with the data from the sampleManyColumns.json file.
- Double-click on the GridX to bring up smart input.
- SmartInput is displayed. The Data file from workspace option should still be selected and the text field should contain
samples/sample_data/sampleManyColumns.json.
- Click on the folder icon.
- The select a source dialog will be displayed, navigate to the samples/sample_data folder and then select the sample.json file. Click the OK button
- Click the Finish button on the wizard.
- The GridX should be updated with the data from the sample.json file.
- Double-click on the GridX to bring up smart input.
- SmartInput is displayed. The Data file from workspace option should still be selected and the text field should contain
samples/sample_data/sample.json.
- Choose Comma separated data from the drop down list on the first panel of the wizard.
- The text area should be empty. Enter the following:
one, two, three
data 1, data 2, data 3
xxxx, yyy, zzz
111, 222, 3333
- Click Finish.
- The GridX should be updated with the data you entered.
- Save and close the file.
- Reopen the file
- Click on the preview icon in the toolbar, this should open a new browser window and the grid should be displayed with the data from the file.
Expected results
- See above.


Sold out: MTN Marathon kits out of stock
by James BakamaThe marathon has in recent years according to organisers consistently attracted over 20,000 participants.
KAMPALA - A record 25,000 kits have been bought for this year’s MTN Kampala Marathon. MTN Uganda Chief Executive Wim Vanhelleputte announced yesterday that the kit had sold out. Vanhelleputte had paid a courtesy call to the Speaker of Parliament Rebecca Kadaga to hand over 200 pieces of the kit for the legislators.
The marathon has in recent years according to organisers consistently attracted over 20,000 participants. This is, however, the first time that MTN officially comes out to state that 25,000 kits have been sold.
This is a huge improvement from 1500 entrants in the inaugural edition of the annual event.
Proceeds from this year’s marathon will go towards the improvement of maternal health. The marathon is today Uganda’s biggest social event. Vision Group, Stanbic, Huawei, Rwenzori, Uganda Athletics Federation, and Uganda Police are some of the marathon key partners.
World and Olympic champion Stephen Kiprotich and double Commonwealth and African champion Moses Kipsiro are some of the big names that have featured in the annual race.
The race also attracts a big international entry. Prominent amongst these are the Kenyans who have dominated the podium. There will be five, 10, 21, 42 kilometer and wheelchair races


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Celebrating the San José State University MFA Graduates 2019-2021
This site serves as a showcase and archive for the combined Fall 2019
- Spring 2021 graduating MFAs from San José State University.
As with so many things in our lives, this trajectory was disrupted in
Spring of 2020; the production of the exhibition and catalogue put on
hold while the world grappled with the global pandemic.
In Fall of 2020, graduates elected to combine their efforts in a joint
exhibition and catalogue featuring work from a selection of artists
from the graduating classes of Fall 2019 through Spring 2021 who were
able to participate. This website reflects the combined curatorial,
administrative, creative, and scholastic efforts during a period where
hard stops in the timeline softened; the culmination is a blending of
shared resources and efforts.
2019 - 2021 Participating Graduates
- Mape Andrews
- Andrew Andrawes
- Cleia Muggler
- Kyoko Fischer
- Omar Harb
- Mason Hershenow
- Kat Mergens
- Megan Moriarty
- Lacey Nein
- Alana Rios
- UGLYKIKI
- Monica Valdez
Overview
As a component of their degree, MFA Candidates at San Jose State
University mount two exhibits housed within one of six University
Galleries; one exhibition in their second year of study and a
culminating Thesis Exhibition at the end of their third year. In
addition to the Solo Thesis Exhibitions installed on campus, MFA
Candidates have the option of participating in a group exhibition
hosted off-site & pairing with an MA Candidate in Art History and
Visual Culture to create an entry in the annual, Lift-off Catalogue.
Past exhibitions have been installed at Root Division (SF), Incline
Gallery (SF), Pro Arts (Oakland), and the San Jose Institute for
Contemporary Art. Recent Curatorial advisors for the exhibition
include Chris Gurnder & Cléa Massiani (Co-Directors of Bass & Rainer,
SF), Kevin Chen (Independent Curator), and in this iteration, Marcella
Faustini (co-Director of CLOACA Projects, SF).
Art students at San José State join a legacy of thinkers, activists,
and innovators dedicated to the public good. They test ideas through
experimentation in the university’s robust fabrication studios, which
support the technical components of artistic production in ceramics,
digital media, metals, glass, painting, photography, printmaking, and
sculpture. Individual studios create space for deep thinking and
artistic creation; adjacent communal work areas engender peer-to-peer
dialogue and foster innovation and intellectual rigor.
Students combine their in-class experiences, faculty mentorship,
independent research, and individual studio practices to produce these
exhibitions. The transformations that occur through interdisciplinary
dialogue and pedagogical stewardship are nowhere more evident than in
these markers of educational maturation.
The culminating group exhibit and accompanying catalog, produced at
the end of students’ final year of study, reveal the synergies that
emerge from the diversity of learning practices. The artworks speak to
critical issues far beyond the University grounds; that inevitably
direct graduates' thinking, making, and far beyond their time at San
Jose State University.
Rhonda Holberton
Assistant Professor, Digital Media Arts
Art Graduate Program Coordinator
San Jose State University | College of Humanities and the Arts
Credits
- 2021 Exhibition infraordinary Curated by Marcella Faustini, co-director of CLOACA Projects, SF
- 2020 Exhibition (postponed) Curated by Alena Sauzade, PhD, Natalie and James Thompson Art Galleries Director and Collections Manager
- Catalogue Design by Diane Lee, Assistant Professor, Design Department at San José State University
- Web Design by Chelsea Thompto, Department of Art & Art History at San José State University
- Faculty Advisor, Rhonda Holberton, Department of Art & Art History at San José State University
- Installation images, infra-ordinary, Root Division. Photo: Alana Rios © artists retain copyright


This example shows how to use advanced test options, which allow you to specify additional information about how a test should be run.
Each TestCase
can specify up to three different options for tests,
including tests that should be ignored, tests that should throw an error, and tests that should fail.


Running out of a key product not only disrupts your business, it can leave a bad impression with a client. But with powerful business management software from AppPrawject ACA Software, you’ll have peace of mind. AppPrawject ACA Software gives you all the tools you need to make managing your inventory quick and easy. With product reorder notifications, reporting, purchase orders, and check printing perfectly integrated together, you’ll never have to say “sorry we’re out of stock,” again.
The AppPrawject ACA client dashboard provides a direct channel of communication between your pet pros and the clients you service. Clients are met with a clean, enjoyable interface where they can view service history and update information..
You have questions, We have answers!
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Three stage encryption, multipayer firewalls, and extensive app protetion.
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How To Create a new Webpage on the Production Server
Clone your repository and type cd green2350-cmis-wd.
Type gedit index.html & and gedit main.css & to create the files
Type python -m SimpleHTTPServer (in the repository folder) to run the webpage on the development server
After you are done with your html and styling, check the webpage on the development server by going to localhost:8000/filename and validate your code. Then save your work and close it.
In terminal, git add (filename), git commit -m"Desciption of what you did", and git push.
To upload the file to the production server, start sftp by typing sftp green2350@cmis-hsteacher to connect to the production server.
Type cd public_html and enter your password. Type !ls to view the files in the folder.
Type put (filename) to upload the file or put * to put all the files.
View the file by going to cmis-hsteacher/~green2350/filename


Select .ink file to open automatically
(None selected)
Select ink runner
(None selected)
Character count danger zone:
Enforce character count
(These values are saved automatically when edited.)


| IMAGE | DATE & TIME | EARNING |
|---|---|---|
|
Formula view |
2021-06-014 06:43:37 | Free Download |
|
Ticket view |
2021-06-014 06:43:37 | Free Download |
|
Time view |
2021-06-014 06:43:37 | Free Download |
|
Dinosour view |
2021-06-014 06:43:37 | Free Download |
|
Investment view |
2021-06-014 06:43:37 | Free Download |
|
Lift view |
2021-06-014 06:43:37 | Free Download |
|
Graph view |
2021-06-014 06:43:37 | Free Download |
|
Calender view |
2021-06-014 06:43:37 | Free Download |
|
Dart view |
2021-06-014 06:43:37 | Free Download |
|
Dollar view |
2021-06-014 06:43:37 | Free Download |
212 items
5837 items
| DATE | DIRECT SALES | SUBSCRIPTION SALES | EARNING |
|---|---|---|---|
| May,2021 |
$42 29 items |
$199.7 1985 items |
$241.7 |
| Jun,2021 |
$42 29 items |
$199.7 1985 items |
$241.7 |
| March,2021 |
$42 29 items |
$199.7 1985 items |
$241.7 |
| Feb,2021 |
$42 29 items |
$199.7 1985 items |
$241.7 |
| Dec,2020 |
$42 29 items |
$199.7 1985 items |
$241.7 |


module Anim:sig
..end
val ease_in_out : ?a:float -> float -> float
ease_in_out ~a t
is the value of an ease in and out curve at
time t
. Maps unit intervals to unit intervals. a
can be used
to control the stiffness of the curve.val tri : float -> float
tri t
is a triangle (tent) curve at time t
. Maps the unit interval
to a triangle whose maximum is at 0.5
. The height of the triangle
is 1.
, the base at 0.
.


Use the first checkbox below to ignore private methods which are called from an anonymous class.
Use the second checkbox to ignore private static methods which are accessed from a non-static inner class.
Use the third checkbox to only report static methods.
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Back to Home
Week 1
Blog #1: My Favorite Websites(Technical)
Blog #2: Shereef's Fireside Chat(Cultural)
Week 2
Blog #3: Borders vs Margins vs Padding(Technical)
Week 3
Blog #4: JavaScript in Web Development(Technical)
Blog #5: Thoughts on Gregorc Thinking Styles(Cultural)
Week 4
Blog #6: Ruby: Enumerable Cycle(Technical)
Blog #7: Issues in Tech(Cultural)
Week 5
Blog #8: Class is in Session!(Technical)
Blog #9: Paired Programming @ Dev Bootcamp(Cultural)
Week 6
Blog #10: Ruby: Variable Scopes(Technical)
Blog #11: Stereotype Threat(Cultural)
Week 7
Blog #12: SQL vs NoSQL(Technical)
Blog #13: Exploring Your Values(Cultural)
Week 8
Blog #14: Review: Blogs(Week 8 HTML Challenge)
Blog #15: Conflict Resolution(Cultural)
Blog #16: What is Rails?(Technical)
Week 9
Blog #17: Any Questions?


In the meeting room task bar click on the 'Closed Caption' icon and click 'Copy the API token' to copy the API token to clipboard.
Paste the API token below in the 'ZOOM CC API Token' field.
Select a language in the 'Language' field if needed.
Click the 'Start' button when you are ready to start recording audio to be transcribed. This will prompt a browser response to grant access to your microphone, click 'Allow'.
Muting your microphone in Zoom will not mute your microphone in this tool. You will still generate captions that will be sent to the Zoom meeting unless you also click 'Stop' to stop recording below.
This tool will only generate captions for what you say. It will not generate captions for student questions and discussions unless they are picked up by your microphone (not recommended).


2019: 🛩 63380km (-11%) 🚄 8989km (+8%) & 44058+ words
Week 39/2019
- Europeana Foundation Governing Board meeting [882km]
Week 38/2019
- Exchange of view with the European Commission on the Architecture of the Out of Commerce Portal [402km]
- FEPS/SAMAK workshop: Taking Charge of Europe’s Digital Future – The Progressive Narrative [2251km]
Week 35/2019
- Academic Workshop on User Rights and Safeguards in Article 17 of the Copyright in the Digital Single Market Directive
Week 27/2019
- Glushko & Samuelson Information Law and Policy Lab Advisory Council meeting [8km]
Week 22/2019
- COMMUNIA copyright directive implementation strategy meeting [402km]
- New position: research fellow at the Institute for Information law of the University of Amsterdam
Week 11/2019
- A Vision for a Shared Digital Europe presentation at BEUC/OSEPI workshop on "A Human-Centric Roadmap for Digital Europe"[402km]
Week 08/2019
- Updated Internet is for the people to reflect final Copyright Directive trilogue outcome
- Europeana Network Association Management Board handover meeting [72km]
- New website
- A Vision for a Shared Digital Europe presentation at the Europeana Foundation Governance Board Changing Landscapes Working Group meeting [102km]


Overview¶
Representational Similarity Analysis (RSA) has become a popular and effective method to measure the representation of multivariable neural activity in different modes.
NeuroRA is an easy-to-use toolbox based on Python, which can do some works about RSA among nearly all kinds of neural data, including behavioral, EEG, MEG, fNIRS, sEEG, ECoG, fMRI and some other neuroelectrophysiological data. In addition, users can do Neural Pattern Similarity (NPS), Spatiotemporal Pattern Similarity (STPS) & Inter-Subject Correlation (ISC) on NeuroRA.
NeuroRA includes some typical features below:
Calculate the Neural Pattern Similarity (NPS)
Calculate the Spatiotemporal Neural Pattern Similarity (STPS)
Calculate the Inter-Subject Correlation (ISC)
Calculate the Representational Dissimilarity Matrix (RDM)
Calculate the Representational Similarity based on RDMs
One-Step Realize Representational Similarity Analysis (RSA)
Statistical Analysis
Save the RSA result as a NIfTI file for fMRI
Visualization for RSA results
Required Dependencies:
Numpy: a fundamental package for scientific computing.
SciPy: a package that provides many user-friendly and efficient numerical routines.
Matplotlib: a Python 2D plotting library.
NiBabel: a package prividing read +/- write access to some common medical and neuroimaging file formats.
Nilearn: a Python module for fast and easy statistical learning on NeuroImaging data.
MNE-Python: a Python software for exploring, visualizing, and analyzing human neurophysiological data.


Node-RED: Low-code programming for event-driven applications.
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