2 Timothy 4:3
For the time will come when they will not endure sound doctrine; but after their own lusts shall they heap to themselves teachers, having itching ears;


LIFE (M). (Universal/UIP) Director: Ted Demme Stars: Eddie Murphy, Martin Lawrence, Obba Babatunde, Nick Cassavetes, Bokeem Woodbine, Ned Beatty, R Lee Ermey, Ned Vaughn, Clarence Williams III, Anthony Anderson, Rick James, Barry Shabaka Henley, Brent Jennings, Bernie Mac, Miguel A Nunez jr, Michael Taliferro, Guy Torry, Noah Emmerich, Poppy Montgomery Running time: 108 minutes.
Eddie Murphy teams up with fellow comic Martin Lawrence (Bad Boys, and the upcoming Blue Streak) for this comedy/drama about two black men imprisoned for life on a Mississippi prison camp.
The film opens in New York, in 1932, during prohibition. Ray (Murphy) is a smooth, fast talking con man with big dreams. Claude (Lawrence) is straight laced and honest, and due to start work as a bank teller. The two men meet at a night club run by notorious gangster Spanky (Rick James). But when both men owe Spanky money, they are forced to drive to Mississippi and bring back a truckload of moonshine liquor. While in Mississippi the pair find themselves framed for a murder they didn't commit, and are sentenced to life with hard labour on a prison camp. The two spend most of their time bickering, but over the course of their incarceration, a bond of friendship slowly develops.
For much of its duration, Life falls back upon the tired and predictable formula of the odd couple-buddy comedy, as the two stars trade barbs and one-liners. The comic elements at times recall the antics of Stir Crazy (1981). But amongst the generous dollops of humour there is also a more serious side to Life. Writers Robert Ramsey and Matthew Stone (the little seen comedy Destiny Turns On The Radio) attempt to portray the hardship and brutality of life for blacks on the chain gangs in America's deep south during the '40's and '50's. However, noble ambition is let down by a rather superficial script that tends to soft pedal for much of the time.
Life spans some five decades, although the most effective sequence is that in which the film cleverly traces the passage of time and the changing face of America during this time. Make up genius Rick Baker brilliantly ages his two stars.
Director Ted Demme (Beautiful Girls, etc) manages to draw a more restrained performance out of the usually exuberant Murphy, who seems perfectly at home with the seemingly tailor-made role of the charismatic, fast talking Ray. Lawrence brings a touch of overwrought energy and compassion to his role as Claude, the truly innocent victim of blind justice. The two develop a strong rapport that carries the movie. Life also wastes a solid ensemble supporting cast in roles that amount to little more than familiar cliches of the prison movie genre.
While Life has some quite funny and touching moments, ultimately the film proves a little disappointing.
**1/2 greg king http://www.netau.com.au/gregking
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


World countries list
Total number of countries is 194.
Country starts with this letter
Country has this letter
a-z
z-a


What it does
Formats a date according to locale rules.
How to use
date_expression | date[:format]
NgModule
CommonModule
Description
Where:
expression
is a date object or a number (milliseconds since UTC epoch) or an ISO string (https://www.w3.org/TR/NOTE-datetime).format
indicates which date/time components to include. The format can be predifined as shown below or custom as shown in the table.'medium'
: equivalent to'yMMMdjms'
(e.g.Sep 3, 2010, 12:05:08 PM
foren-US
)'short'
: equivalent to'yMdjm'
(e.g.9/3/2010, 12:05 PM
foren-US
)'fullDate'
: equivalent to'yMMMMEEEEd'
(e.g.Friday, September 3, 2010
foren-US
)'longDate'
: equivalent to'yMMMMd'
(e.g.September 3, 2010
foren-US
)'mediumDate'
: equivalent to'yMMMd'
(e.g.Sep 3, 2010
foren-US
)'shortDate'
: equivalent to'yMd'
(e.g.9/3/2010
foren-US
)'mediumTime'
: equivalent to'jms'
(e.g.12:05:08 PM
foren-US
)'shortTime'
: equivalent to'jm'
(e.g.12:05 PM
foren-US
)
| Component | Symbol | Narrow | Short Form | Long Form | Numeric | 2-digit |
|---|---|---|---|---|---|---|
| era | G | G (A) | GGG (AD) | GGGG (Anno Domini) | - | - |
| year | y | - | - | - | y (2015) | yy (15) |
| month | M | L (S) | MMM (Sep) | MMMM (September) | M (9) | MM (09) |
| day | d | - | - | - | d (3) | dd (03) |
| weekday | E | E (S) | EEE (Sun) | EEEE (Sunday) | - | - |
| hour | j | - | - | - | j (13) | jj (13) |
| hour12 | h | - | - | - | h (1 PM) | hh (01 PM) |
| hour24 | H | - | - | - | H (13) | HH (13) |
| minute | m | - | - | - | m (5) | mm (05) |
| second | s | - | - | - | s (9) | ss (09) |
| timezone | z | - | - | z (Pacific Standard Time) | - | - |
| timezone | Z | - | Z (GMT-8:00) | - | - | - |
| timezone | a | - | a (PM) | - | - | - |
In javascript, only the components specified will be respected (not the ordering, punctuations, ...) and details of the formatting will be dependent on the locale.
Timezone of the formatted text will be the local system timezone of the end-user's machine.
WARNINGS:
- this pipe is marked as pure hence it will not be re-evaluated when the input is mutated. Instead users should treat the date as an immutable object and change the reference when the pipe needs to re-run (this is to avoid reformatting the date on every change detection run which would be an expensive operation).
- this pipe uses the Internationalization API. Therefore it is only reliable in Chrome and Opera browsers.
Examples
Assuming dateObj
is (year: 2015, month: 6, day: 15, hour: 21, minute: 43,
second: 11)
in the local time and locale is 'en-US':
exported from @angular/common/index defined in @angular/common/src/pipes/date_pipe.ts


An overview of how the order API endpoints should be implemented
This is an explanation of the purpose and meaning of the various Voyageone-defined OrderStatus values, and how orders will progress from one status to another over their lifetime.
| Order Status | Description |
|---|---|
| 1 / Pending |
The Pending status indicates that the order has been created on the site, but it is not yet ready for seller fulfillment at this time. There are many reasons you may wish to represent an order in this status. Perhaps the payment has not yet been processed, or perhaps the order is being processed through your site's buyer fraud/risk assessment. If there is any reason the order should not be sent on to the seller to fulfill, the order should maintain the Pending status. Voyageone will skip over orders that are in the pending state when downloading new orders to bring to the seller for fulfillment. If your site does no support the concept of pending orders, you may return an empty list from the Get orders endpoint when the OrderStatus passed to you is 1 / Pending |
| 2 / ReleasedForShipment |
Once any roadblocks have been cleared that were causing the order to be held in 1 / Pending status (if any), the order should be returned with an OrderStatus of 2 / ReleasedForShipment. This indicates that the order has met all the site's requirements and is now ready for the seller to fulfill. Voyageone will query for orders in this state very frequently (about once every 15 minutes or so) and import the data of all orders in this state to our system for the seller to view and fulfill. If the order's math adds up and the order passes validation, it will then be ingested into our system. Please refer to the validation and math rules below. |
| 3 / AcknowledgedBySeller |
Once Voyageone imports a 2 / ReleasedForShipment order into our system, we will immediately issue a call to your Acknowledge order endpoint to inform you that the order has been successfully imported. At this point, your API should set the order's state to 3 / AcknowledgedBySeller. This indicates that the order has been received by the seller and is awaiting the seller's fulfillment. |
| 4 / PartiallyShipped 5 / Shipped |
If the seller chooses to fulfill the order, he will generally do the following in order:
Once the seller has provided us the shipping information, we will send it to your API by posting to the Ship order endpoint. Once you receive this information, your system should perform any crucial validation on the request, and then immediately set the order's state to 4 / PartiallyShipped or 5 / Shipped, depending on the shipping information we sent you. We may send shipment data multiple times as the seller ships more items, corrects tracking information, etc. It will be up to you to apply any deltas and update the correct shipping status accordingly.
NOTE For that reason, we currently expect that the OrderStatus of the order should change to 4 / PartiallyShipped or 5 / Shipped as an immediate result of the call to the Ship order endpoint. Any site fulfillment logic must either:
Either way, at the end of the call to the Ship order endpoint, the response should either have succeeded and the OrderStatus should now be either 4 / PartiallyShipped or 5 / Shipped, or else the response should have an error and the OrderStatus should remain as it was prior to the call. |
| 6 / Canceled |
If the seller chooses not to fulfill an order, he will mark the order as canceled in the Voyageone application. Within a few minutes after he does this, we will issue a call to your Cancel order endpoint to indicate that the seller has decided not to fulfill the order. Your system should then set the order's OrderStatus to 6 / Canceled. If the item has already been fully or partially shipped, we will instead call the Refund order endpoint to make the request. The expected behavior of both endpoints is the same. Because the math that sites use to calculate refunds/cancellation amounts varies greatly between Voyageone's partners, a refund amount property is not provided to you in the Cancel order and Refund order endpoint payloads. You will be supplied with the SKU and the quantity to be refunded/canceled. It is up to your system to calculate how much that refund entails and issue the transaction for that amount. |
Before an order can by imported into Voyageone, it will be validated to ensure that all numeric values on the order add up correctly, and that all required properties have valid values. You may refer to the Order model page for the list of required properties. If a field is required, you must supply a value-- null is not acceptable. Here are the rules around how order totals should add up:
The order total must be equal to (the sum of the items' (quantity * unit price value)) + (all other price fields). If the order is marked as being VAT-inclusive order, the tax fields are not factored into the order total directly.
- {
- "ID": "M456W",
- "OrderStatus": "ReleasedForShipment",
- "OrderDateUtc": "2017-06-01T04:32:58.9172802Z",
- "BuyerAddress": {
- "EmailAddress"<EMAIL_ADDRESS>- "FirstName": "Watto",
- "LastName": "Toydarian",
- "AddressLine1": "321 Landing St.",
- "City": "Mos Eisley",
- "Country": "US",
- "PostalCode": "ME-123",
- "StateOrProvince": "NC",
- "AddressLine2": "Ste. 104",
- "CompanyName": "Tosche Stations",
- "DaytimePhone": "919-123-4567",
- "EveningPhone": null,
- "NameSuffix": "Jr."
- },
- "ShippingAddress": {
- "EmailAddress"<EMAIL_ADDRESS>- "FirstName": "Luke",
- "LastName": "Skywalker",
- "AddressLine1": "654 Binary Sundet Dr.",
- "City": "Tuskan Territory",
- "Country": "US",
- "PostalCode": "TT-456",
- "StateOrProvince": "NC",
- "AddressLine2": "C/O \"The chosen one\"",
- "CompanyName": "Skywalker Evaporator Farms",
- "DaytimePhone": "480-987-6543",
- "EveningPhone": null,
- "NameSuffix": null
- },
- "RequestedShippingMethod": "Bantha Union Express",
- "DeliverByDateUtc": "2017-06-03T05:02:58.9172802Z",
- "ShippingLabelURL": "http://www.asapsystems.com/instructions/FAQ_FedEx_2D_Barcode_Information.pdf",
- "TotalPrice": 587.05,
- "TotalTaxPrice": 5,
- "TotalShippingPrice": 5,
- "TotalShippingTaxPrice": 0.75,
- "TotalGiftOptionPrice": 1,
- "TotalGiftOptionTaxPrice": 0.25,
- "OtherFees": 2,
- "Currency": "USD",
- "VatInclusive": false,
- "Items": [
- {
- "ID": "M333W",
- "SellerSku": "LIGHTSABER_BLUE_MED",
- "UnitPrice": 11.56,
- "Quantity": 1
- },
- {
- "ID": "M222W",
- "SellerSku": "LIGHTSABER_RED_LG",
- "UnitPrice": 15.56,
- "Quantity": 4
- },
- {
- "ID": "M000W",
- "SellerSku": "REBEL X-WING",
- "UnitPrice": 100,
- "Quantity": 5
- }
- ]
- }
- {
- "ID": "M456WV",
- "OrderStatus": "ReleasedForShipment",
- "OrderDateUtc": "2017-06-01T04:32:58.9172802Z",
- "BuyerAddress": {
- "EmailAddress"<EMAIL_ADDRESS>- "FirstName": "Watto",
- "LastName": "Toydarian",
- "AddressLine1": "321 Landing St.",
- "City": "Mos Eisley",
- "Country": "US",
- "PostalCode": "ME-123",
- "StateOrProvince": "NC",
- "AddressLine2": "Ste. 104",
- "CompanyName": "Tosche Stations",
- "DaytimePhone": "919-123-4567",
- "EveningPhone": null,
- "NameSuffix": "Jr."
- },
- "ShippingAddress": {
- "EmailAddress"<EMAIL_ADDRESS>- "FirstName": "Luke",
- "LastName": "Skywalker",
- "AddressLine1": "654 Binary Sundet Dr.",
- "City": "Tuskan Territory",
- "Country": "US",
- "PostalCode": "TT-456",
- "StateOrProvince": "NC",
- "AddressLine2": "C/O \"The chosen one\"",
- "CompanyName": "Skywalker Evaporator Farms",
- "DaytimePhone": "480-987-6543",
- "EveningPhone": null,
- "NameSuffix": null
- },
- "RequestedShippingMethod": "Bantha Union Express",
- "DeliverByDateUtc": "2017-06-03T05:02:58.9172802Z",
- "ShippingLabelURL": "http://www.asapsystems.com/instructions/FAQ_FedEx_2D_Barcode_Information.pdf",
- "TotalPrice": 581.8,
- "TotalTaxPrice": 5,
- "TotalShippingPrice": 5,
- "TotalShippingTaxPrice": 0.75,
- "TotalGiftOptionPrice": 1,
- "TotalGiftOptionTaxPrice": 0.25,
- "OtherFees": 2,
- "Currency": "USD",
- "VatInclusive": true,
- "Items": [
- {
- "ID": "M333W",
- "SellerSku": "LIGHTSABER_BLUE_MED",
- "UnitPrice": 11.56,
- "Quantity": 1
- },
- {
- "ID": "M222W",
- "SellerSku": "LIGHTSABER_RED_LG",
- "UnitPrice": 15.56,
- "Quantity": 4
- },
- {
- "ID": "M000W",
- "SellerSku": "REBEL X-WING",
- "UnitPrice": 100,
- "Quantity": 5
- }
- ]
- }
To allow maximum flexibility, Voyageone offers sellers the ability to split items from a single order across multiple shipments. The seller can also send multiple updates for any given shipment. Please be aware that not all items in an order will necessarily be shipped together, and that you may receive a shipment update for an item/order more than once.
Please design your system to accept this widely accepted process.
If your site receives an order that is VAT-inclusive, you are responsible for calculating how much the VAT amount is for the purpose of representing the order in the API. If you do not have the exact VAT amount available, you can do one of the following:


Command Line Interface
-
gofmtcomment: Program to convert multilines "/*\*/" comment into single line "//" format.
-
smtpcli: Command smtpcli provide a command line interface to SMTP client protocol.
Libraries
-
ascii: A library for working with ASCII characters.
-
bytes: A library for working with slice of bytes.
-
contact: A library to import contact from Google, Microsoft, or Yahoo
-
crypto: Package crypto provide a wrapper for standard crypto package.
-
dns: A library for working with Domain Name System (DNS) protocol.
-
dsv: A library for working with delimited separated value (DSV).
-
email: A library for working with Internet Message Format as defined by RFC 5322.
-
errors: Package errors provide an error type with code.
-
floats: A library for working with slice of floats.
-
git: A wrapper for git command line interface.
-
http: Custom HTTP server with memory file system and simplified routing handler.
-
ini: A library for reading and writing INI configuration as defined by Git configuration file syntax.
-
ints: A library for working with slice of integer.
-
ints64: A library for working with slice of 64 bit integer.
-
io: A library for reading and watching file, and reading from standard input.
-
memfs: A library for mapping file system into memory.
-
mining: A library for data mining.
-
classifier/cart: Implementation of the Classification and Regression Tree by Breiman, et al.
-
classififer/crf: Implementation of the Cascaded Random Forest (CRF) algorithm, proposed by Baumann, Florian, et al.
-
classifier/rf: Implementation of ensemble of classifiers using random forest algorithm by Breiman and Cutler.
-
gain/gini: A library to calculate Gini gain.
-
knn: Implementation of the K Nearest Neighbor (KNN) using Euclidian to compute the distance between samples.
-
math: A library for working with mathematic.
-
resampling/lnsmote: Implementation of the Local-Neighborhood algorithm from the paper of Maciejewski, Tomasz, and Jerzy Stefanowski.
-
resampling/smote: Implementation of the Synthetic Minority Oversampling TEchnique (SMOTE).
-
tree/binary: Implementation of binary tree.
-
-
net: Constants and library for networking.
-
numbers: A library for working with integer, float, slice of integer, and slice of floats.
-
runes: A library for working with slice of rune.
-
smtp: A library for building SMTP server or client. This package is working in progress.
-
strings: A library for working with slice of string.
-
tabula: A library for working with rows, columns, or matrix (table), or in another terms working with data set.
-
test: A library for helping with testing.
-
text: A library for working with text.
-
text/diff: Text comparison.
-
-
time: A library for working with time.
-
websocket: Websocket library for server and client. The websocket is tested with autobahn testsuite with 100% success rate. See the status reports.
Changelog
Documentations
Beside GoDoc, that provides documentation for API in packages, there are also additional documentations that we can’t include inside source code due to their scope and limitation of godoc formatting itself.
|
Note
|
The links below is used to be viewed locally, not through Github. |
Development
The documentation created using asciidoctor. First, install ruby
and
bundler
, and then execute bundler
on source root directory.
During development of documentation execute,
$ bundler exec guard -i
to watch changes on documentation files (".adoc") and regenerate the HTML files.


{% extends "layout.html" %} {% set ptitle = "You can only close certain types of enquiry" %} {% block page_title %} {{ ptitle }} - Tax Tribunals Prototype {% endblock %} {% block content %} {% include "includes/phase_banner_beta.html" %} Back Step 7 of 7 {{ ptitle }} The tax tribunal only has the authority to close enquiries into certain types of tax. For more information on tax enquiries and what they are, see the guidance from TaxAid. {% endblock %}
Back Step 7 of 7
The tax tribunal only has the authority to close enquiries into certain types of tax.
For more information on tax enquiries and what they are, see the guidance from TaxAid.


COMP1101 Programming (Black)
Introduction to the module
Why choose this module (poll)?
- To become more like a professional programmer
- To learn how to do cool things
- To stretch yourself
- Not just for the marks
We will be learning
- Web front-end (including HTML, CSS, JavaScript)
- Web back-end (including nodejs, REST API)
- Collaboration tools (git) and processes (code review)
- Automated testing (jest)
Assessment
- Two assignments
- No exam
- First assignment: single-page app web site
- you choose what it does
- peer code review
- Second assignment: contribute and collaborate
- you choose what you learn
- collaborate (open source, hackathon, competition)
- reflect on what you have learned
- See LU for deadlines
Gold vs Black
- Black is for more experienced programmers (e.g. with A level)
- Both have the same fixed content
- Gold second assignment = Black first assignment
- Black has no content lectures second term: drop-in tutorials
- Gold has more examples
- You can choose which one
Self-evaluation
- Questionnaire on LU (Module information)
- Your score is only for your information
- I will publish the score distributions to help you choose
Teaching plan
- Two lectures a week f2f and zoom term 1 (Tuesday 10, Thursday 10)
- One practical a week term 1 (see allocation on MyTimetable)
- Office hours 11-12 Tueday by zoom (see contacts on LU)
- Term 2 drop-in tutorials: no lectures or practicals
Examples
- This is a practically motivated course
- What should we do as an example?
- Previously have done cheese, memes, hats, Sue Black
- Come up with a suggestion in a group of three
- Then we will have a vote
Next time
Version control with git


R Markdown supports a variety of languages through the use of knitr language engines. One such engine is the stan
engine, which allows users to write Stan programs directly in their R Markdown documents by setting the language of the chunk to stan
.
Behind the scenes, the engine relies on RStan to compile the model code into an in-memory stanmodel
, which is assigned to a variable with the name given by the output.var
chunk option. For example:
```{stan, output.var="model"}
// Stan model code
```
```{r}
rstan::sampling(model)
```
CmdStanR provides a replacement engine, which can be registered as follows:
library(cmdstanr) register_knitr_engine()
By default, this overrides knitr’s built-in stan
engine so that all stan
chunks are processed with CmdStanR, not RStan. Of course, this also means that the variable specified by output.var
will no longer be a stanmodel
object, but instead a CmdStanModel
object, so the code above would look like this:
```{stan, output.var="model"}
// Stan model code
```
```{r}
model$sample()
```
// This stan chunk results in a CmdStanModel object called "ex1"
parameters {
real y[2];
}
model {
y[1] ~ normal(0, 1);
y[2] ~ double_exponential(0, 2);
}
ex1$print() #> // This stan chunk results in a CmdStanModel object called "ex1" #> parameters { #> real y[2]; #> } #> model { #> y[1] ~ normal(0, 1); #> y[2] ~ double_exponential(0, 2); #> }
fit <- ex1$sample( refresh = 0, seed = 42L ) #> Running MCMC with 4 sequential chains... #> #> Chain 1 finished in 0.0 seconds. #> Chain 2 finished in 0.0 seconds. #> Chain 3 finished in 0.0 seconds. #> Chain 4 finished in 0.0 seconds. #> #> All 4 chains finished successfully. #> Mean chain execution time: 0.0 seconds. #> Total execution time: 0.7 seconds. print(fit) #> variable mean median sd mad q5 q95 rhat ess_bulk ess_tail #> lp__ -1.50 -1.17 1.24 0.96 -3.94 -0.18 1.00 1304 1536 #> y[1] -0.01 -0.01 0.99 0.99 -1.67 1.60 1.00 1993 2262 #> y[2] -0.07 -0.04 2.90 2.05 -4.79 4.54 1.00 2050 1420
Use cache=TRUE
chunk option to avoid re-compiling the Stan model code every time the R Markdown is knit/rendered.
You can find the Stan model file and the compiled executable in the document’s cache directory.
While the default behavior is to override the built-in stan
engine because the assumption is that the user is probably not using both RStan and CmdStanR in the same document or project, the option to use both exists. When registering CmdStanR’s knitr engine, set override = FALSE
to register the engine as a cmdstan
engine:
register_knitr_engine(override = FALSE)
This will cause stan
chunks to be processed by knitr’s built-in, RStan-based engine and only use CmdStanR’s knitr engine for cmdstan
chunks:
```{stan, output.var="model_obj1"}
// Results in a stanmodel object
```
```{r}
rstan::sampling(model_obj1)
```
```{cmdstan, output.var="model_obj2"}
// Results in a CmdStanModel object
```
```{r}
model_obj2$sample()
```
When running chunks interactively in RStudio (e.g. when using R Notebooks), it has been observed that the built-in, RStan-based engine is used for stan
chunks even when CmdStanR’s engine has been registered in the session as the engine for stan
. As a workaround, when running chunks interactively, it is recommended to use the override = FALSE
option and change stan
chunks to be cmdstan
chunks.
Do not worry: if the template you use supports syntax highlighting for the Stan language, that syntax highlighting will be applied to cmdstan
chunks when the document is knit/rendered.


Margin utilities are the easiest way to add some structure to forms. They provide basic grouping of labels, controls, optional form text, and form validation messaging. We recommend sticking to margin-bottom
utilities, and using a single direction throughout the form for consistency.
Feel free to build your forms however you like, with <fieldset>
s, <div>
s, or nearly any other element.
More complex forms can be built using our grid classes. Use these for form layouts that require multiple columns, varied widths, and additional alignment options.Requires the $enable-grid-classes
Sass variable to be enabled (on by default).
By addinggutter modifier classes, you can have control over the gutter width in as well the inline as block direction.Also requires the $enable-grid-classes
Sass variable to be enabled (on by default).
More complex layouts can also be created with the grid system.
Create horizontal forms with the grid by adding the .row
class to form groups and using the .col-*-*
classes to specify the width of your labels and controls. Be sure to add .col-form-label
to your <label>
s as well so they’re vertically centered with their associated form controls.
At times, you maybe need to use margin or padding utilities to create that perfect alignment you need. For example, we’ve removed the padding-top
on our stacked radio inputs label to better align the text baseline.
Be sure to use .col-form-label-sm
or .col-form-label-lg
to your <label>
s or <legend>
s to correctly follow the size of .form-control-lg
and .form-control-sm
.
As shown in the previous examples, our grid system allows you to place any number of .col
s within a .row
. They’ll split the available width equally between them. You may also pick a subset of your columns to take up more or less space, while the remaining .col
s equally split the rest, with specific column classes like .col-sm-7
.
The example below uses a flexbox utility to vertically center the contents and changes .col
to .col-auto
so that your columns only take up as much space as needed. Put another way, the column sizes itself based on the contents.
You can then remix that once again with size-specific column classes.
Use the .col-auto
class to create horizontal layouts. By addinggutter modifier classes, we’ll have gutters in horizontal and vertical directions. The .align-items-center
aligns the form elements to the middle, making the .form-checkbox
align properly.


Appagoo (project number 37075) is supported by
HES-SO // University of Applied Sciences Western Switzerland www.hes-so.ch
Disclaimer
Accountability for content
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Past Experiences: MXE, MDMA, Cannabis, 4-AcO-DMT, N,N-DMT, LSD, DXM, MDA.
Previous use: I had two previous experiences with MXE at much lower doses. This third experience was particularly profound, and decided this would be the most interesting of the three to write about.
Set Up: It was around 10:00pm in my room when I decided to weigh out my first line of Methoxetamine to 20mg. I insufflated it, and the drip from it was not particularly uncomfortable. I continued to work on my laptop waiting for the MXE to kick in.
+00:30 My head begins to feel light and slightly displaced as if my head was at a different height than it usually is sitting on my neck.
+1:00 I begin to get the expected heaviness and slowness I have come to expect from MXE. My limbs feel heavy and it takes more effort than usual to remain focused on my work. Reading is becoming very difficult and I am having trouble concentrating on my typing.
+2:30 I decide I wanted to hole and really separate myself from my environment as I had done in my second experience briefly. I weighed out 40mg and railed it as before bringing my total does to 60mg, a good amount more than my previous times.
+2:40 I feel my booster kick in relatively fast. I try talking and my speech is slow and slurred. My voice has become coarse, was a little surprised by this and I laughed as I listened to myself impersonate various characters. I was grinning from the increased fog I was now under that made me feel carefree and positive.
+3:30 I was disappointed I had not dozed off and fallen into a hole yet. My eyes were surprisingly awake and open as opposed to the heavy and drowsy feeling that the rest of my body was under. This is where the bad decision came in.
Looking back I feel as if I just plopped myself in bed and actually tried to hole I would have had no problem doing so. Instead I was stubbornly sitting in front of my bright laptop screen still, which probably was not helping my hole-seeking. I had not moved this entire time and I suspect if I had stood up I would have noticed the effects were already strong enough.
+3:35 Railed another 40mg does, total is now at 100mg. I had trouble using my hands to weigh it out and in couldn't hold things very well. Think I dropped my phone 3 times.
+3:XX? Didn't check time, was probably close to 4 hour mark. Really feeling sedated now, and can tell I am ready to lay down. I grab my sound-canceling head phones and music and get up to go to my bed. My movement can be best described as frame-by-frame. One flash I am standing up, the next I am half way to my bed already, and then suddenly I am already on my back in bed. It was as if my brain was taking snapshots every 3 seconds and that was what I had for vision.
Once I realized I wasn't already gone, I threw on my hard trance music. It only took about 10 seconds after closing my eyes to start falling into the familiar hole. Feeling my head fall backwards as if it were going through my pillow. I get the vision of falling down a pitfall. I look up at the top of the hole as I fall backwards and watch the circle of light grow smaller and smaller. I feel myself being throw deeper into various caverns and rooms. Sometimes traveling down, sometimes sideways. The actual images were not vivid, but there were lots of patterns varying in dark shades of purple, blue, and red. It was always dark. The most euphoric moment was a brief lifting sensation. It was like the floor was pushing me up into the light again, I felt the warm sensation of light and was surrounded by it as I continued to move upwards. The song ended....one song. The four minute song easily felt like an hour.
I went through this same falling and rising sensation for about another five songs. Each time briefly returning to the real world to pick a new track. Each song embodied its own hole. While they all contained the falling and rising sensations, they all had a unique feeling that made them their own adventure.
One interesting aspect was that when I played one song I was not familiar with, I never had a rising sensation. Maybe since I had heard the other songs before, I had the rising sensation to accompany the ending of a song.
+5:00-6:00 Some time between 5 and 6 hours after initial dose I fell asleep. It was after a song that I was too lazy to come out of, let alone pick a new song. Time wise it was about 4am in the morning.
+10:00 This was when I woke up. My roommates alarm clock went off and he started getting ready for his day. I tried falling back asleep but noticed I had a severe knot in my stomach and the pain was keeping me awake. It only took about two minutes of this before the inevitable vomit-filled heave came up. Being the weird guy I am, I actually caught it in my mouth. I tried to jump out of bed, but it turned into a roll-and-fall. I ran over to the trashcan and made it in. The vomit was pure yellow and bitter. I knew I had eaten the night before, but none of it was present here. Just this noxious bile stomach acid. Sorry for details....
I was still out of it. Head spinning, shivering, and certainly still fogged over. I couldn't get any words out to my roommate. He brought me some water which I cautiously sipped on. I think I got out the words 'I'm ok', and gave him the thumbs up to continue his morning normally. The nausea was only a little better, and increased greatly when I tried to stand again. I vomited several more times.
+11:00 After staying still and taking deep breaths for an hour I managed to pull myself up to try and take a shower. I stumbled the whole way there and couldn't walk a straight line. The warm shower made me tired again, and the second I fixed my vision on a single spot I felt myself start to fall asleep again. By turning the water to the coldest I actually brought myself back to the clearest I had been in hours. Afterwards I went back to the fog, and went back to room.
+11:30 Stomach still sour and I was immensely tired. I told my roommate what I had done last night and promised him I would not worry him again like that. I slept for ten more hours, and it was already dark when I woke up again. Amazingly enough I was still tired. My stomach was almost back to normal so I ate a little and did some computer games. After about three hours I had to sleep again...it was miserableness.
So I promised myself I would never touch MXE again because of the terrible 2-day recovery that I had to go through. Not to mention my roommate was quite pissed. I still think about those incredible experiences I had with my music and crave to go through them again. If I ever work up the courage to try MXE again, it's going to be on a much lower dosage. If not, I have no problem sticking to my tryptamines.  Which also happens to be wear I landed after falling out of bed. Got the bruise still a week later.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


{% extends "base.html" %} {% block content %}
Objective: Make a very simple Flask Application example that calls some APIs.
program: flask_ex_02
version: 1.0.0
author: Joan A. Pinol
author_nickname: japinol
author_gitHub: japinol7
author_twitter: @japinol
Python requires: 3.8 or greater.


黒の手番です。63 はどう動かしますか？
2-4:25pt
pips Black=121 White=123
(CorrectAnswer= 0/0, ErrorScore= 0)
1. 23/14 eq:-0.421 38.42% (G:6.49% B:0.07%) 61.58% (G: 8.95% B:0.31%) 2. 23/20 9/3 eq:-0.426 (-0.005) 38.98% (G:4.89% B:0.05%) 61.02% (G: 9.66% B:0.41%) 3. 23/20 8/2 eq:-0.475 (-0.054) 37.27% (G:3.83% B:0.04%) 62.73% (G:10.11% B:0.30%) 4. 9/3 6/3 eq:-0.557 (-0.136) 35.30% (G:6.30% B:0.05%) 64.70% (G: 8.54% B:0.22%) 5. 23/20 13/7 eq:-0.468 (-0.047) 36.40% (G:5.95% B:0.07%) 63.60% (G:12.03% B:0.79%)


class: center, middle .logo[![SalzPUG Logo](salzpug.svg)] # Python Coding Dojo .left[```python from datetime import date today = date.today() today.strftime('%B %-d, %Y') ```] --- layout: true # Coding Dojo? --- * Code * Learn * Have Fun --- * Safe place, not work * Our goal: to learn * *Not* our goal: to finish the task --- layout: false # Practices * Test-Driven Development * Pair Programming --- layout: true # Test-Driven Development --- .tdd[![TDD](tdd.gif)] --- ## Case Study: Fizz buzz > Given a number either output > * "Fizz", if its divisable by three > * "buzz", if its divisable by five > * otherwise the number itself https://en.wikipedia.org/wiki/Fizz_buzz --- ## Iteration 1 ```python from nose.tools import * import fizzbuzz *def test_1_returns_1(): * assert_equal(fizzbuzz.fizzbuzz(1), "1") ``` -- ```python def fizzbuzz(number): return "1" ``` --- ## Iteration 2 ```python from nose.tools import * import fizzbuzz def test_1_returns_1(): assert_equal(fizzbuzz.fizzbuzz(1), "1") *def test_2_returns_2(): * assert_equal(fizzbuzz.fizzbuzz(2), "2") ``` -- ```python def fizzbuzz(number): return str(number) ``` --- ## Iteration 3 ```python from nose.tools import * import fizzbuzz def test_1_returns_1(): assert_equal(fizzbuzz.fizzbuzz(1), "1") def test_2_returns_2(): assert_equal(fizzbuzz.fizzbuzz(2), "2") *def test_3_returns_Fizz(): * assert_equal(fizzbuzz.fizzbuzz(3), "Fizz") ``` -- ```python def fizzbuzz(number): if number == 3: return "Fizz" return str(number) ``` --- .center[What will be the next test?] --- layout: false # Pair Programming * Driver * types at the computer -- * Navigator * looks for *tactical defects* (syntax errors, typos, etc.) * looks for *strategic defects* (implementation or design fails to accomplish its goal) * strategic, long-term thinker -- An effective pair should be in constant discussion. --- # Workflow * Introduction * Discussion * Working on the problem * 1 driver, 1 navigator * changed every 5 minutes (audience -> navigator -> driver) * Break * Working on the problem (second round) * Retrospective --- # kata Problem Description --- # Retrospective -- * Happy with the result? * whats good? * whats bad? * more refactoring necessary? -- * Did we learn anything new? -- * Did anything unexpected happen? -- * What do we still need to practice more? -- * What should we do differently in the next dojo? -- * What will you do differently in your day-to-day job?


{% extends 'docs/docs_base.html' %} {% block content %}
You can deploy VisARTM locally on your computer. It supports any OS: Windows, Linux or MacOS. Please follow next steps.
git clone https://github.com/bigartm/visartm.git
cd visartm pip install -r requirements.txtIf you intend to use PostgreSQL as a DBMS for VisARTM, you should also install psycopg2:
pip install psycopg2
DATABASES = { 'default': { 'ENGINE': 'django.db.backends.sqlite3', 'NAME': 'visartm.sqlite', } }If you intend to use PostgreSQL, those lines should be replaced with something of the like:
DATABASES = { 'default': { 'ENGINE': 'django.db.backends.postgresql_psycopg2', 'NAME': 'artmonlinedb', 'USER': 'postgres', 'PASSWORD': '******', 'HOST': '<IP_ADDRESS>', 'PORT': '5432', } }Modify values as follows. NAME is name of database. USER is name of user of database. PASSWORD is the user's password. If you are running database server locally, you don't need to modify HOST value.
python manage.py makemigrations python manage.py migrate
python manage.py createsuperuser
python manage.py runserver
pip install scipy pip install scikit-learnIf you use Anaconda, you have those already installed.


Many people think that interviewers would challenge them with a couple of questions and if they provide the answer maybe with code, and then it was done. So it’s all about whether they can solve the problem or not. People don’t realize the importance of coding speed until they fail several coding interviews in a row with very similar reason. People were pretty good at coming up with solutions, however, it could take them half an hour to complete the code. There are many people with the same frustration.
Normally, candidates will be asked one to two questions per interview (~45min) and most likely coding is required. In other words, we only have less than 20min per question (removing “trash time” in the beginning and end), which is more challenging than it seems to be. In addition, a lot of people don’t even pay attention to coding speed. They don’t have the mindset that finishing the code in a short period of time is equally important as solving the problem itself. This is because if we don’t have enough time to code in an interview, it’s as bad as we fail to solve the problem.


BY EDWIN JAHIEL
THE WORLD IS NOT ENOUGH (UK-US,1999) * Directed by Michael Apted. Written by Neal Purvis, Robert Wade, Bruce Feirstein, based on a story by Purvis and Wade. Photography, Adrian Biddle. Editing, Jim Clark. Production design, Peter Lamont. Music David Arnold ("The WorldIs Not Enough" theme performed by Garbage and written by Arnold and Don Black) Produced by Michael G. Wilson and Barbara Broccoli. Cast: Pierce Brosnan (James Bond), Sophie Marceau (Elektra), Robert Carlyle (Renard),Denise Richards (Christmas Jones), Robbie Coltrane (Valentin Zukovsky), Desmond Llewelyn , John Cleese , Maria Grazia Cucinotta (Cigar Girl), Samantha Bond (Moneypenny), Michael Kitchen (Tanner), Colin Salmon (Robinson), Serena Scott Thomas (Dr. Molly Warmflash), Ulrich Thomsen (Davidov), John Seru (Gabor), Claude-Oliver Rudolph (Colonel Akakievich) , Dame Judi Dench (M) An MGM release. 128 minutes.PG-13
James Bond flicks are among my un-guilty pleasures. They include not only the Sean Connery vehicles but also the oft-maligned Roger Moores, Timothy Daltons and the underrated George Lazenby in " On Her Majesty's Secret Service." Pierce Brosnan I could take or leave. His are not Pierce-Arrows among Bonds. But the latest one, "The World is Not Enough," is a pain.
It also pains me to be negative about director Michael Apted's first (I think) action-action pic, when Apted has several excellent or at least solid works: "Triple Echo," "Agatha," "Coal Miner's Daughter," "Gorky Park," ," "Gorillas in the Mist," Class Action," "Incident at Oglala," "Thunderheart," "Nell."
Better yet, he is the maker of the documentary "Seven Up" (1964) which follows a number of kids in the UK. Its artistic/sociological success made Apted follow it up with the same subjects seven years later (in "Seven Plus Seven"), then in "21 Up," "28 Up," "35 Up." Now being released in the U.S.A is "42 Up." The first reports are most positive.
Should James Bond henceforth be called James Moribund? The latest entry relies exclusively on derring-do, much of it borrowed from earlier Bonds. Enough is enough, especially when the plot, such as it is, consists of a collage of sequences which not only scream "deja vu," but are by and large uninteresting and characterless -- as are most of the characters in the story.
"The World is Not Enough" (an awkward title that signifies nothing) floats on a sea of excesses, without any of the novelty, humor and amusing sophistication of many earlier Bonds. It opens in a promising locale, Bilbao in Spain, yet the sequence's heroics feel pasted on.  It is all SFX (special effects) and nothing else. Then come the credits which -- as in an omen -- specify that the title song is performed by Garbage.
Bond goes to Baku in Azerbaijan, then to Kazakhstan, then to the Caspian Sea, then to Istanbul --and perhaps other places ending in "stan" for his exploits. His original assignment is to protect Elektra, the daughter of an assassinated oil tycoon, against a terrorist called Renard. That word means "fox" in French, but Renard is a dull, un-foxy villain. His distinction: he has a bullet in his head. It makes him immune to pain. But we, the audience, have no such immunity against boredom.
Mourning does become Elektra, since she has chic outfits in the most impossible locations. As played by Sophie Marceau, a very popular star in France but no true performer, Elektra bored me. Even when she turned out to be a nasty little number and not a true victim. There is sex, of course, with Bond. It is the sort of thing that in keeping with our new ethos (hypocritical or not) plays down sensuality, nudity, flesh-photography and groans. It is a dutiful acknowledgment of the old Bond-as-womanizer thing, here sanitized and clearly used as a filler.
A second woman is introduced, Doctor (sic) Christmas Jones, who is a scientist, joins forces with Bond, also bodies -- another filler. Denise Richards, another one of the USA's fifty million "celebrities" looks and sounds like a Valley Girl, even though she was born in Illinois.
When Bond meets her, he's supposed to be Russian and speaks Russian to her and others, but somehow it is English., then it becomes "real" English. Don't ask. Says Dr. Christmas :"Your English is very good for a Russian" He: "I studied at Oxford." Should I comment?
Bond wears designer suits no matter what the situation, place, feats and explosions are. He also has special see-through eyeglasses to peer at hidden weapons on men and undies on women. By the way, when it comes to pulchritude, there are quite a few beautiful women glimpsed here and there, but these do not include the lead roles.
There are torture scenes in the film, but the real torture is watching it. Not simply during its full 128 minutes, but from minute 5 to the end. A teen sitting in front of me at the rather sparsely attended projection (it was a morning show) got up four times to get to the theater's concession. If this doesn't speak loudly what does? Indeed, there is no continuity, no suspense, nothing that an absentee viewer could miss. Nor is there any "sophistication," which is outrageous but funny in the better Bonds. Psychology rates zero,
As for acting -- what acting? As for humor, just a feeble and leaden attempt to sketch in John Cleese as the M.I. 6 new gadget-maker. As for novelties, the main one has Bond having a broken collar-bone, wincing at times but still able to do his thing. We've gone from the impossible to the supernatural, I guess.
The movie, which went through a slew of working titles, officially has three writers. Obviously though, it had everybody else and his sister pitching in with "ideas."  The ratio between cost and "quality" must make this as bad an action flick as any.
It is painfully clear that the movie (like too many others) is aiming at a pre-teen, teen, and early post-teen market of kids who have no familiarity (at least on the big screen) with the rich Bond tradition.
Why do I still give it one star then? Because I have a soft spot for Apted (critics are human after all); because the gimmick of oil and pipelines has a real model these days; because Robbie Coltrane, as a big Russian Mafioso, saves whatever scenes he is in.
The last words after the end-credits say JAMES BOND WILL RETURN. Oh, no!!!
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1. What is MySQL?
MySQL is a database management system for web servers. It can grow with the website as it is highly scalable. Most of the websites today are powered by MySQL.
2. What are some of the advantages of using MySQL?
Flexibility: MySQL runs on all operating systems
Power: MySQL focuses on performance
Enterprise-Level SQL Features: MySQL had for some time been lacking in advanced features such as subqueries, views, and stored procedures.
Full-Text Indexing and Searching
Query Caching: This helps enhance the speed of MySQL greatly
Replication: One MySQL server can be duplicated on another, providing numerous advantages
Configuration and Security
3. What do you mean by ‘databases’?
A database is a structured collection of data stored in a computer system and organized in a way to be quickly searched. With databases, information can be rapidly retrieved.


What's your take on the DBC/EDA experience?
It's very much focused on providing not just programming experience but also providing an experience of the types of environments that we're likely to work in as well.
I've encountered a few people skeptical of the bootcamp model, particularly overseas iterations but as far as I'm aware, EDA is unique in that they are partnered with industry icons such as Xero and TradeMe.
What are your impressions?
So far, EDA is matching up exactly to what I thought it would be. I appreciate how the intake acts as a reverse funnel starting off focused.
As someone who has done a bit of web development as an on-off side hobby, I'm glad that I'll be able to revisit concepts that I'm aware of but perhaps haven't spent enough time fully understanding.
How do you see yourself engaging with this type of culture?
Pretty well if I do say so myself. Admittedly I'm not a huge video chat fanatic so it'll take me a bit to get used to that but otherwise, I'm enjoying it. Having Slack on hand is hugely helpful since I know if I run into any bugs, I'll be able to get a helping hand there.
Have your expectations of EDA changed? If so, how?
Not particularly. I'd done quite a bit of research before hand so I had a very good idea of what I was getting into. That said, Phase 0 was what I was most unsure of but I'm glad to find it's all structured nicely so you know exactly what needs to be done each week.
Are you excited to participate in this kind of learning environment? Does it make you nervous?
Both, of course! I'd say the excitement comes out of the nervousness which is a good thing. It's easy to look where we'll likely end up and say "No way is that possible" but I'm sure we'll all be very happily surprised.


| Total net profit | -24.22 | Gross profit | 34.46 | Gross loss | -58.68 |
| Profit factor | 0.59 | Expected payoff | -0.41 | ||
| Absolute drawdown | -24.22 | Maximal drawdown (%) | 29.65 (546.04%) | ||
| Total trades | 59 | Profit trades (% of total) | 30 (50.85%) | Loss trades (% of total) | 29 (49.15%) |
| Long positions (won %) | 35 (57.14%) | Short positions (won %) | 24 (41.67%) | ||
| Largest | profit trade | 4.54 | loss trade | -3.46 | |
| Average | profit trade | 1.15 | loss trade | -2.02 | |
| Minimum | profit trade | 0.0 | loss trade | -0.13 | |
| Maximum | take profit in pips | 71.2 | stop loss in pips | -37.5 | |
| Average | take profit in pips | 15.9 | stop loss in pips | -25.1 | |
| Minimum | take profit in pips | -1.4 | stop loss in pips | -3.0 | |
| Maximum | Reward-Risk | 7.7 | Duration in minutes | 3176 | |
| Average | Reward-Risk | 1.0 | Duration in minutes | 268.8 | |
| Minimum | Reward-Risk | 0.0 | Duration in minutes | 0 | |
| Maximum | consecutive wins (profit in money) | 8.0 (11.67) | consecutive losses (loss in money) | 7.0 (-9.6) | |
| Average | consecutive wins | 2.0 | consecutive losses | 2.0 |
| Total net profit | -17.95 | Gross profit | 19.15 | Gross loss | -37.1 |
| Profit factor | 0.52 | Expected payoff | -0.51 | ||
| Absolute drawdown | -17.95 | Maximal drawdown (%) | 19.99 (979.9%) | ||
| Total trades | 35 | Profit trades (% of total) | 20 (57.14%) | Loss trades (% of total) | 15 (45.71%) |
| Largest | profit trade | 4.29 | loss trade | -3.46 | |
| Average | profit trade | 0.96 | loss trade | -2.47 | |
| Minimum | profit trade | 0.0 | loss trade | -0.9 | |
| Maximum | take profit in pips | 47.3 | stop loss in pips | -36.5 | |
| Average | take profit in pips | 11.5 | stop loss in pips | -27.6 | |
| Minimum | take profit in pips | 0.0 | stop loss in pips | -8.8 | |
| Maximum | Reward-Risk | 2.0 | Duration in minutes | 3176.0 | |
| Average | Reward-Risk | 0.5 | Duration in minutes | 306.5 | |
| Minimum | Reward-Risk | 0.0 | Duration in minutes | 0.0 | |
| Maximum | consecutive wins (profit in money) | 4.0 (1.06) | consecutive losses (loss in money) | 3.0 (-6.95) | |
| Average | consecutive wins | 2.0 | consecutive losses | 1.0 |
| Total net profit | -6.27 | Gross profit | 15.31 | Gross loss | -21.58 |
| Profit factor | 0.71 | Expected payoff | -0.26 | ||
| Absolute drawdown | -6.87 | Maximal drawdown (%) | 10.46 (291.36%) | ||
| Total trades | 24 | Profit trades (% of total) | 10 (41.67%) | Loss trades (% of total) | 14 (58.33%) |
| Largest | profit trade | 4.54 | loss trade | -3.07 | |
| Average | profit trade | 1.53 | loss trade | -1.54 | |
| Minimum | profit trade | 0.6 | loss trade | -0.13 | |
| Maximum | take profit in pips | 71.2 | stop loss in pips | -37.5 | |
| Average | take profit in pips | 22.3 | stop loss in pips | -21.5 | |
| Minimum | take profit in pips | -1.4 | stop loss in pips | -3.0 | |
| Maximum | Reward-Risk | 7.7 | Duration in minutes | 1143.0 | |
| Average | Reward-Risk | 1.7 | Duration in minutes | 214.0 | |
| Minimum | Reward-Risk | Duration in minutes | 0.0 | ||
| Maximum | consecutive wins (profit in money) | 6.0 (6.71) | consecutive losses (loss in money) | 7.0 (-9.6) | |
| Average | consecutive wins | 3.0 | consecutive losses | 3.0 |


You can reach Pern's Cupcakes during business hours at 1-800-PUPCAKE, OR by email. Special orders must be received at least two weeks in advance!


<md-select> is a form control for selecting a value from a set of options, similar to the native <select> element.
<md-select>
<select>
@angular/forms
<md-select> is compatible with @angular/forms and supports both FormsModule and ReactiveFormsModule.
FormsModule
ReactiveFormsModule


Quote: Posted 07/08/05 21:17:37 (GMT) -- DaMouse404
hmm.. 17 bard 7 BG 16 PM would be goood.. get's a 17 BAB pre epic if you take all 7 BG pre epic and all PM epic.. maxed bard song with a spare level to take later on for maxed tumble
-DaMouse
Edited By Amazon Queen on 07/13/05 15:16
When I think evil, I always think of the fallen Paladin route. Not sure why.


|
Drake
|
#include <drake/multibody/benchmarks/chaotic_babyboot/MG/MG_chaotic_babyboot_auto_generated.h>
Public Member Functions | |
| MGChaoticBabyboot () | |
| bool | MGSimulate (void) |
Public Attributes | |
| double | g |
| double | IAx |
| double | IBx |
| double | IBy |
| double | IBz |
| double | LA |
| double | LB |
| double | mA |
| double | mB |
| double | qA |
| double | qB |
| double | qAp |
| double | qBp |
| double | qApp |
| double | qBpp |
| double | Energy |
| double | KE |
| double | PE |
| double | Output [8] |
| Public Attributes inherited from MGIntegrator | |
| double | tInitial |
| double | tFinal |
| double | tStepMax |
| double | absError |
| double | relError |
Protected Member Functions | |
| const char * | MGeqns (double t, double VAR[], double VARp[], bool isIntegratorBoundary) |
| Protected Member Functions inherited from MGIntegrator | |
| MGIntegrator () | |
| virtual | ~MGIntegrator () |
| bool | IntegrateForwardOrBackward (double varArrayToIntegrate[], double &t) |
| const char * | GetErrorMessage (int i) |
|
inline |
|
protectedvirtual |
Implements MGIntegrator.
|
inline |
| double Energy |
| double g |
| double IAx |
| double IBx |
| double IBy |
| double IBz |
| double KE |
| double LA |
| double LB |
| double mA |
| double mB |
| double Output[8] |
| double PE |
| double qA |
| double qAp |
| double qApp |
| double qB |
| double qBp |
| double qBpp |


Reactive Audio
Reactive audio to accompany pages, actions, events or anything
else you can dream up.
How it works
The audio player element is a set of two HTML Audio players designed to
allow two layers of sound to play during an experience. There is both a
music and a sound layer for audio timed with the experience through
route-changes and declarative actions.
Music
The Music layer is meant to play background sounds or
music. It should never hold audio with singing, talking, or any annoying
sounds. These clips can loop.
Sound
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Plug your device into a computer with iTunes installed and with access to the internet. Your device should show up in the side bar under a Devices category:
Select it, and make sure the Summary tab is selected along the iTunes title bar. Under the Version section of this window, you should see a button that looks like this:
Press this button. iTunes will walk you through the rest of the upgrade process.


Dem amerikanischen Präsidenten Dwight D. Eisenhower hat ein ungenannter College-Präsident aus der Seele gesprochen, wie er in einer Rede berichtet: "I have two kinds of problems, the urgent and the important. The urgent are not important, and the important are never urgent."
Ein Schlüssel des Selbstmanagements ist die Priorisierung. Und ein Schlüssel der Priorisierung ist die Unterscheidung von Dringend und Wichtig. Daraus lässt sich ein Fenster mit vier Feldern zeichnen. Jede neue Aufgabe wird sofort in eines dieser Felder eingeordnet.
Beatris Uhlig:
Karrierefaktor Zeitmanagement
Stephen R. Covey:
Focus. Achieving your highest priorities. Brilliance Audio
Making arguments is an everyday activity. Yet few people actually know what an argument is – and even fewer how an argument should be constructed to appeal to their listeners. When two people are talking to one another, especially when they are trying to convince each other, the upshot is often misunderstanding and disappointment.
An argument consists of at least two statements (spoken or only thought) connected by words like “because,” “since,” and “therefore.” The connective word always serves to show how one statement justifies the other.
One sentence, the explanation, thus serves as a premise. For example: “I think we’re all tired after four hours of work.” The premise justifies a second sentence, the conclusion (or statement). For example: “Let’s take a break!” Or the other way around (first the conclusion, then the premise): “Let’s take a break, since we’ve all got to be tired after four hours of work.”
Finally, statements can also be illustrated. Such exemplification seldom plays an essential role in logic. On the contrary, it is a logically weak premise. But it does have a strength, namely in its ability to communicate information. After a thesis that the listener or reader can understand only with difficulty, and after a justification that makes everything somewhat more intelligible, an illustration helps: it concludes the train of thought as concretely as possible. In the example given above: “Let’s take a break, since we’ve all got to be tired after four hours of work. I see several yawns.”
The sequence of an argument’s three aspects varies according to the circumstance. But when in doubt: State! Explain! Illustrate!
Steven L. Johnson:
Winning Debates.https://debate.uvm.edu/dcpdf/Steven_Johnson_Winning_Debates_2009.pdf


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Finding Baby sitters is so easy!
Hello I am Cathy. I need someone to babysit my 8 year old child on 12-27-2017 from 7:00PM to 9:00PM.
I am willing to pay 20 dollars per hour.
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I am willing to pay 20 dollars per hour.
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In The Toolbox Dictionary & Thesaurus
One of the reasons I reckon I got into computer programming was to avoid having to write not code, but actual English prose. I hated it. At school, when I was 16, I had to take exams in both English Language and English Literature and I did phenomenally bad I got a 'U' in both. For those unfamiliar with the English education system circa 1986 a 'U' means Unclassified. It means I did so badly that they can't even give me a grade even an 'F', the lowest grade, would be too good for me. Of course I had to take it again as a 'C' grade was mandatory to get anywhere, such as University, and I got it, eventually.
Computer programming on the other hand was great. Back in the '80s I was a bedroom coder bashing out nuggets of assembler on various 8-bit micros. The best thing about assembler was that there weren't many mnemonics to learn and they weren't spelled properly anyway (e.g. MOV, SUB, JP, etc.) or they were acronyms (e.g. LEA Load Effective Address). If you did misspell anything the assembler would probably pick you up on it right away as the code wouldn't compile (should that be "assemble"?). Transposition-style errors were possible but it was more likely that you got the logic wrong than the "spelling" of the code.
Wind the clock forward another 10 years and we're into the realms of Object-Oriented languages and silly limits like 8-character long identifiers have become a relic of the past. The idea of Design Patterns has sprung up to give us a common vocabulary with which to discuss recurring design problems. Also we're now talking about domain modelling so that we can represent both abstract and concrete forms of business concepts in our code as classes and functions to solve much bigger problems. The world I was residing in at that moment in time was still in the territory of "office automation", but the problems we were solving were more abstract as we tried to make sense of how the Internet was adding a technical spin around historically mechanical processes. Suddenly I discover that real language is everywhere in my job.
The wake-up call for me that my weak natural language skills were a genuine problem was seeing how others had started to work around my limitations. In a number of cases one developer had created typedef's (aliases, for non-C++ programmers) as a way of correcting the spelling of some of my class names. Back then there was no decent IntelliSense to guide you, and on a large codebase hitting the compiler only to find that you'd not misspelled a type correctly cost you a non-trivial amount of time. And these classes were in the core library. Another stand-out moment was around my confused use of the words "license" and "licence" such that the noun and the verb were misused badly enough to create configuration and code hell for those that knew the difference.
If that wasn't bad enough working with a colleague who was using Whole Tomato's Visual Assist product, which not only spell checks your comments and string literals, but also your class and method names (including compound words!), was a real eye opener. What I selfishly thought was me just being a bit quirky, perhaps even slightly endearing, was fast becoming an embarrassment. Everywhere I looked now there were little red squiggly lines under what I was writing be it code or prose.
In what could probably be viewed as a poacher-turned-gamekeeper reversal of roles I now find myself on the other side of that fence. And the situation is more unpleasant than I ever suspected. In an even more ironic twist of fate I find myself writing more documentation now that I'm "doing agile" than I ever did before.
It was over 10 years before I even saw a technical or functional spec and I only added a single paragraph to the one I did come across. No, the way I focused my efforts (initially) on writing was to put together lengthy diatribes about the state of the codebase and the lack of good engineering practices being used, i.e. go all passive-aggressive. Whilst this ended up having little-to-no impact on changing the attitudes within the team, it did give me an outlet with which to practice writing proper prose. I coupled this together with putting a developer (rather than support) focused wiki to document some of the more common gotchas, such as how to merge integration branches efficiently in ClearCase, or diff for all changes between two labels. I also started to follow the advice of Record Your Rationale from the book 97 Things Every Software Architect Should Know [1]. My desire to write short, but more importantly clear documentation was also largely prompted by working in a multi-cultural team for the first time.
Naturally when you start paying closer attention to such matters in your own code you also begin to notice those deficiencies in other people's output too. I've had to fix "eclipsing" issues in ClearCase due to random capitalization, e.g. Counterparty vs. CounterParty, missed diagnostic clues due to misspelled words not matching log file greps, and hunting longer in source code repos when doing some software archaeology [2] due to badly written commit messages. Having non-native English speakers working on the codebase too was also an eye opener as I struggled to explain why some of the code they wrote just didn't read particularly well. Up to that point I hadn't realised it was even possible to write "grammatically incorrect" code and I felt more than a little churlish about bringing it up.
And so finally we come to two very old fashioned "tools" that I've since grown to depend on...
Once upon a time a dictionary was a cutting-edge feature, even for a word processor or desktop publisher, and a stand-alone dictionary application would cost serious money. These days they are often built into FOSS tools like Notepad++, and the commit dialog for the TortoiseXxx VCS extensions has one too so there is no excuse for misspelling a commit message unless your language is unsupported. Chrome was the first browser I used which had dictionary support for text boxes that made writing blobs of text like blog post comments easier as you no longer had to paste the text into Notepad++ or Word just run the spell checker over it.
I mentioned earlier that spell checking wasn't restricted to just prose either, it could also be performed on code. And not just comments and string literals, but also on class, method and variable names too by tools like Visual Assist. In the intervening years I've seen a few free plug-ins to the popular IDE's that will handle comments and string literals, but sadly they won't have a stab at identifiers which I think is a shame. Perhaps too many developers still write code with overly terse names? For code running on the .Net platform the FxCop tool is one of the few exceptions, it also allows you to add your own domain-specific acronyms and terms to a custom dictionary to minimise the false positives.
As for spell checking files using a command-line based tool there is Ispell, Aspell and more recently Hunspell. Whilst these are suitable for checking prose, I'm only aware of Aspell as having support for checking code (and even then only C/C++ comments and literals).
When it comes to checking the spelling of a word on my smartphone, which has a reasonable but not extensive dictionary, I end up reaching for Google. By default just searching for a single word will suggest an alternative if spelled incorrectly and the first hit is usually the definition, although you can Google "define <word>" to ensure the first hit is the definition. However that always feels like the proverbial "sledgehammer to crack a nut" but I'm too much of a cheapskate to cough up for a decent dictionary app (assuming I can find room on the device for it but that's another story).
My wife's English teacher once told her never to use the words get, put or nice. In his opinion there are so many better synonyms in the English language that a writer should never feel the need to use them. From a software development perspective I can't say the word "nice" has been much of a problem but the other two seem to crop up with alarming regularity.
When it comes to naming properties of a class (in programming languages where properties are not a first class concept) you could be forgiven for thinking that the getValue/setValue pair is mandatory. As a consequence of this there is also a school of thought that any method which is prefixed with "get" is therefore a property and so likely comes with a similar performance guarantee too.
In the online thesaurus I looked at there were pages and pages of synonyms and related words for "get". Off the top of my head I can think of a number of really common alternatives that I use regularly, such as: create, make, build, acquire, fetch, locate, find, retrieve, request, derive and calculate. You can probably already see a few patterns here as the initial ones revolve around the creation of objects, the middle few with looking up things and the final couple for doing some form of processing.
Although there are no formal guidelines about what semantics any of these words might suggest (despite at least one attempt by yours truly [3]) I would hope that they provide at least a little more insight than the weaker "get". For example the words fetch, request and retrieve all hint at some form of more complex operation than simply returning the value of a member variable. Hopefully the level of complexity hinted also suggests that failure is probably on the cards and so may need to be factored in.
Whilst code may not be prose, little variation in the verbs used in method names makes code read very monotonously. Test names that follow a classic given/when/then format will often also end up being very mechanical in nature. You may have a bit more leeway with test names, but that doesn't absolve you of being economical with the language to succinctly convey the behaviour under test.
These days a thesaurus is always within easy reach if you have an internet connection and it only takes a few moments to search and find something appropriate for the task in hand. However, sadly they are far less accessible than a dictionary within text editors and browsers. Hence I often have a copy of Word lying around in the background so that I can switch to it, type the word I'm looking to replace and hit shift-F7 to get a bunch of alternatives within seconds. Being a native application it also takes up far less resources than another Chrome tab.
My journey as a programmer took an unexpected turn just over a decade ago as I finally found myself unable to avoid the similarities between writing readable code and prose. Instead of being a chore I have actually found the experience of "raising my game" quite liberating. In fact where once I found the idea of learning about natural languages quite unappealing, I now find the subject far more attractive exactly because there are many parallels with programming. And whilst I may not write code, tests or documentation to rival a bestselling novel, I hope that the extra attention to detail adds precision and clarity that ultimately benefits the reader.
[1] http://97things.oreilly.com/wiki/index.php/Record_your_rationale
[2] In The Toolbox - Software Archaeology, C Vu 26-1
[3] http://chrisoldwood.blogspot.co.uk/2009/11/standard-method-name-verb-semantics.html
Chris Oldwood
10 June 2015
Chris is a freelance developer who started out as a bedroom coder in the 80s writing assembler on 8-bit micros; these days its C++ and C#. He also commentates on the Godmanchester duck race and can be contacted via<EMAIL_ADDRESS>or @chrisoldwood.


Put Erica's Bio here>
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Construct a base TcEvent
with references to the TcContext
and
data
The TcContext
from which the event originated
Any data associated with the event
Access the TcContext
of this event
Access any Data, which is associated with the event
Is true if Event Propagation was stopped
Access the Timestamp of event creation
Stop the propagation of the event, up the TcEmitter
tree
Generated using TypeDoc
Event, which is emitted, when the
TcContext
has been reinitialized


No longer getting gmail crashes when closing tabs in FF. I'd heard FF3 fixed that, but it's nice to see it in action.
8/2/2008, 9:41:12 PM
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No longer getting gmail crashes when closing tabs in FF. I'd heard FF3 fixed that, but it's nice to see it in action.
8/2/2008, 9:41:12 PM
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{% extends "app/base.html" %} {% block title %} Caretakers {% endblock %} {% block content %}
A caretaker is ready to meet you


@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import org.joda.time.LocalDate @import uk.gov.hmrc.customs.rosmfrontend.domain._ @import uk.gov.hmrc.customs.rosmfrontend.views.html.helpers.inputDate @import views.html.helper._ @import uk.gov.hmrc.customs.rosmfrontend.views.html._ @this(inputDate_di: inputDate, layout_di: layout) @(dateForm: Form[LocalDate], isInReviewMode: Boolean, orgType: EtmpOrganisationType, isRestOfWorldJourney: Boolean, journey: Journey.Value)(implicit request: Request[_], messages: Messages) @introText = @{ if (orgType == LLP) "cds.subscription.llp.date-established.label" if (orgType == UnincorporatedBody) "cds.subscription.llp.date-established.charity-label" else "cds.subscription.business.date-established.label" } @headerAndTitle = @{ if (orgType == Partnership || orgType == LLP) "cds.subscription.partnership.date-of-establishment.title-and-heading" else "cds.subscription.date-of-establishment.title-and-heading" } @label = @{""} @layout_di(messages(headerAndTitle), form = Some(dateForm)) {
@Html(messages(introText))
}