ADMIT tricks and advanced script usage¶
In this section we describe some more advanced usages of ADMIT, particularly in the use of the Unix command line.
Input FITS files: listfitsa¶
The script listfitsa helps to quickly summarizing cube size, source name, ra/dec/freq and filesize of your FITS files. The script will accept the usual wild card style arguments. E.g.:
$ listfitsa *.fits
concat.spw17.image.fits [118, 118, 4096, 1] Serpens_Main<PHONE_NUMBER>67 1.22916666667<PHONE_NUMBER>46 0.212
concat.spw19.image.fits [116, 116, 4096, 1] Serpens_Main<PHONE_NUMBER>67 1.22916666667<PHONE_NUMBER>49 0.205
concat.spw21.image.fits [108, 108, 4096, 1] Serpens_Main<PHONE_NUMBER>67 1.22916666667<PHONE_NUMBER>99 0.178
concat.spw23.image.fits [110, 110, 4080, 1] Serpens_Main<PHONE_NUMBER>67 1.22916666667<PHONE_NUMBER>94 0.184
concat.spw33.image.fits [138, 138, 4096, 1] Serpens_Main<PHONE_NUMBER>67 1.22916666667<PHONE_NUMBER>65 0.291
concat.spw35.image.fits [138, 138, 4080, 1] Serpens_Main<PHONE_NUMBER>67 1.22916666667<PHONE_NUMBER>08 0.289
concat.spw37.image.fits [144, 144, 4096, 1] Serpens_Main<PHONE_NUMBER>67 1.22916666667<PHONE_NUMBER>99 0.316
concat.spw39.image.fits [142, 142, 4096, 1] Serpens_Main<PHONE_NUMBER>67 1.22916666667<PHONE_NUMBER>19 0.308
The optional -v option can be used for a verbose listing of the FITS header.
Output FITS files: image2fits¶
If you are in an ADMIT developer environment, your unix shell has direct access to a number of CASA commands. In particular the
$ image2fits in=test0.admit/x.csm out=test0.mom0.fits
(make sure you have a proper 4-element $CASAPATH, otherwise this command will fail).
An alternative is the ADMIT script casa2fits, which handles multiple casa images and appends the fits extension:
$ casa2fits test1.im test2.im test3.im
-> test1.im.fits test2.im.fits test3.im.fits
Running ADMIT recipes¶
We already discussed ADMIT recipes earlier, but list them here for completeness. You run them in the shell as follows:
$ admit_recipe Line_Moment test0.fits
and just typing the command admit_recipe will list the currently available recipes.
Export ADMIT projects¶
If you want to share a project with a collaborator, or have a developer look at certain types of problems, you can turn your ADMIT project into a tar file. The script admit_export makes this a little easier, and also have an option to make a more lightweight version of the project if your recipient does not need the actual cubes. This is actually the default of the script,
$ admit_export test0.admit
Writing brief test0.admit.tar.gz
$ admit_export -a test0.admit -b test00.admit
Writing all in test0.admit.tar.gz
Writing brief test00.admit.tar.gz
You can export as many projects as you want, and whenever the -a or -b arguments are mentioned, subsequent projects are in their respective modes.
Native File Browser¶
The aopen script is an alternative to the web based review (and re-run) of an ADMIT project. It will use whatever your native OS has available to resolve how to display a file given the file extension of magic marker. It will accept a directory name, with no arguments it will open the current directory.
Line Fitting¶
In each ADMIT directory where LineID has run you can currently find ascii tables that represent the different spectra that feed into LineID, albeit via their respective BDP’s.
- testCubeSpectrum.tab (make sure multiple points come out right now)
- testCubeStats.tab
- testPVCorr.tab
The tables have two columns, the observed frequency and the “spectrum”. Technically we call each of them a spectrum, as they represent some response where we expect a signal where the transition is. See admit4.py below. Of course, within ADMIT these tables are really properly stored within a BDP (an XML file). For example, the testCubeSpectrum.tab file is probably in a file x.csp.bdp
Doppler Recession¶
Optical, Radio and Relativistic conventions exist. CASA has conversion routines, so does astropy, and we have a version in admit.util. Would be good to reference that here. Add some reminder math as well?
apar files¶
Some of the ADMIT scripts can use an apar file to help you set script parameters. These are ascii files, actually meant to be executable python code (the first line should contain a magic ** -- python -- ** marker for emacs zealots)
Scripts will typically support looking at certain default names, in the following order:
- <scriptname>.apar for global parameters (for example admit1.apar)
- <fitsname>.apar for specific files (for example test0.fits.apar)
- <aparname>.apar for personal use (for example test123.apar, if your script supported the –apar test123.apar command line option; admit1.py does).
An example to use executable code is in $ADMIT/etc/data/test253_spw3.fits.apar
runa1 and admit1.py¶
The runa1 script is a very simple front-end to the more complex admit1.py script, which is the current (and still evolving) model how to run ADMIT on the pipeline. It contains some decision making which depends on running an admit project at critical times.
You would only pass the name of a fits file to the script, and the script tries to figure out what type of ALMA (or non-ALMA) fits file you have and call admit1.py appropriately. The flow of the script can be controlled by a number of admit parameters (apar, see below), that match certain AT keywords. You can store these in an apar file, but it has to be python executable code.
If you want to use runa1, here’s a sample workflow and strategy:
Run the script “listfitsa” on the fits file to get the object name for vlsr
$ listfitsa uid___A001_X12b_X231.NGC_1068_sci.spw17.cube.I.pbcor.fits -> [1000, 1000, 3839, 1] NGC_1068 40.6696170833 -0.0133133333333 14.301
This is a 1000 x 1000 x 3839 cube, source name is NGC_1068, RA,DEC are 40.6696170833 -0.0133133333333 and the datasize is 14.3 GB
If that does not resolve the source name, use “listfitsa -v” and debug the full header to find the sourcename (e.g. OBJECT vs. FIELD issue? use of quotes?)
Enter the appropriate VLSR into ADMIT; there are several ways to do this:
- enter it into $ADMIT/etc/vlsr.tab, but this requires you to be able to write there and there is the issue what happens if ADMIT gets updated
- enter it into a private apar file:
- admit1.apar , which is used for all fits files in the working directory if you use admit1 (other recipes should support this as well)n
- test0.fits.apar, which would only be used for that fits file
You can use NED or SIMBAD, but be sure to get the VLSRK, since that’s the official ALMA frame of reference
http://ned.ipac.caltech.edu/ http://simbad.u-strasbg.fr/simbad/
and stuff this into admit1.apar so each fits file will. We have this code in VLSR.py, could add a python commandline interface
If the ALMA source name has spaces, you must use quotes. Otherwise not needed.
PB correction is currently very slow in ADMIT (CASA) for large cubes. Especially if your imaging area has a large portion outside of the 50% you could use a straight ADMIT on the pbcor file, since the inner portion is not affected. To confirm you can do this, run admit1.py with maxlines=0 in admit1.apar and inspect the cubesum (CSM) map how much smaller you can make your map. e.g.
$ runa1 uid___A001_X12b_X231.NGC_1068_sci.spw17.cube.I.pbcor.fits
Assuming all your spw’s have the same imaging area, add these into admit1.apar via the inbox= (and optionally inedge=) keywords for admit1.py:
inbox = [xmin,ymin,xmax,ymax] inedge = [2,2]
and use the full fits name:
runa1 uid___A001_X12b_X231.NGC_1068_sci.spw17.cube.I.pbcor.fits
If you must go the slow way, the runa1 script needs the shorter name to deal with the pbcor.fits and pb.fits file, as follows:
runa1 uid___A001_X12b_X231.NGC_1068_sci.spw17.cube.I
- Example: just Ingest_AT takes 53 mins on this 14GB cube, but in just
pbcor.fits mode it was barely 4 mins.
full: real/user/sys 100m25.976s / 60m50.785s / 22m35.384s DIED IN LINEID pbcor: real/user/sys 27m9.151s / 17m50.085s / 4m10.644s OK pbcor(") full(") ingest 223 3205 cubestats 552 602 cubesum 47 47 pvslice 479 574 lineid 19 - linecube 90 -
If you have a large (>1?) set of fits cubes with the ALMA naming and directory (project/SOUS/MOUS/GOUS/products) convention, there’s a script do_aap in ADMIT that can help you processing all data in a clean directory. Alternatively you can run admit (e.g. runa1) inside of each of the (project/SOUS/MOUS/GOUS/products) directories.
Essentially, the do_aap script creates symlinks into those trees but processes in local admit directories, outside of the ALMA tree structure. See documentation in script, and more examples to come here.
A version of do_aap exists that works from working/ instead of product/, and looks for the “*.cont.residual” files, which are the continuum subtracted cubes.
admit1 apar parameters¶
The ADMIT apar parameters can be placed in up to three files, processed in the following order
- admit1.apar : if present, this apar file will be first parsed
- fitsfilename.apar : if present, this apar file will be parsed next
- aparname.apar : if present as argument to the –apar command line argument to admit1.py, this will be read last.
They normally contain python variables, used by admit1, but can also contain python code, if you parameters need a minor computation.
useMask = False # Ingest_AT(mask=)
This uses a mask where fits data == 0.0. Normally not needed, as ALMA fits cubes are properly masked where needed.
vlsr = None # Ingest_AT(vlsr=) and LineID_AT(vlsr=)
Somewhat peculiar. Normally is a float, so you would use vlsr=236.0, but by setting it to the None python value, we tell the AT to try it figure it out from the RESTFREQ, if present. If no value found, 0.0 will be used and most likely LineID will not do a great job. Look at the output for Ingest_AT, where it lists the VLSRc value.
maxpos = [] # CubeSpectrum_AT(pos=)
Paired positions, e.g. maxpos=[10,10,64,64,128,128], for the probes for a spectrum through the cube with CubeSpectrum_AT that will also normally serve as input for LineID_AT. You can also use CASA’s RA-DEC position: maxpos=[‘00h47m33.041s’,’-25d17m26.61s’]
robust = ['hin',1.5] # CubeStats_AT(robust=)
Robust noise, as an alternative to the default MAD scheme.
contsub = [None] # ContinuumSub_AT(contsub=)
By default no continuum is subtracted. You can set this to either a blank list ([]), in which case the LineSegment_AT() will be used to block out potential lines and determine the continuum, or a specific number of tuples can be given where the continuum should be fitted, for example [(0,99), (900,999)]
insmooth = [] # smooth inside of Ingest_AT, in pixels
inbox = [] # box to cut in Ingest_AT [x0,y0,x1,y1] or [x0,y0,z0,x1,y1,z1]
inedge = [] # edges to cut in Ingest_AT [zleft,zright]
# [0] and [1] are spatial
# [2] is frequency: 1=>Hanning >1 Boxcar
smooth = [] # if set, smooth the cube right after ingest (list of 2 or 3 can be given)
usePeak = True # LineCubeSpectra through peak of a Moment0 map? (else pos[] or SpwCube Peak)
useCSM = False # if usePeak, should CubeSum (CSM) be used (instead of mom0 from LineCube)
pvslice = [] # PV Slice (x0,y0,x1,y1)
pvslit = [] # PV Slice (xc,yc,len,pa) if none given, it will try and find out
pvwidth = 5 # width of a slit in PV (>1 will decrease the noise in PV)
usePV = True # make a PVSlice?
usePPP = True # create and use PeakPointPlot?
useMOM = True # if no lines are found, do a MOM0,1,2 anyways ?
minOI = 0 # If at least minOI linecubes present, use them in an OverlapIntegral; 0 turns off OI
pvSmooth = [10,10] # smooth the PVslice ? Pos or Pos,Vel pixel numbers
maxlines = -1 # limit the # linecubes? (set to 0 if you want to exit after LineID_AT)
linebdp = [True, True, False] # use of [CSP,CST,PVC] for LineID?
contbdp = [True, True] # use of [CSP,CST] for LineSegment
cspbdp = [True, True, True] # use of [CST,CSM, SL] for initial CubeSpectrum
lineUID = False # if True, this would run LineID(identifylines=False) [old relic]
lineSEG = True # if True, it also runs LineSegment (aiding in automated ContinuumSub)
linepar = () # if set, (numsigma,minchan,maxgap); both LineSegment and LineID
iterate = True # iterate to find narrower higher S/N peaks
online = False # use splatalogue online?
reflist = 'etc/co_lines.list' # pick one from $ADMIT/etc
llsmooth = [] # if set, apply this smoothing to the inputs for LineSegment and LineId
admit1.py¶
Here is a different descriptive explanation about how guide you through the darkness of running admit1, with comments for future expansion of this script. Again,the parameters listed are the APAR parameters, which are close to (but not necessarely identical to) the AT keywords.
A FITS cube (file=) is selected for ingestion into the ADMIT flow. This needs to be a noise flat data cube. If you get a primary beam corrected cube (where the noise increases near the edges of the field), it will need to be multiplied by the primary beam, in order to get noise flat images. This is a current limitation of ADMIT, it works best if the image has more-or-less constant RMS accross the field, although we do allow it to very per channel. The pb= keyword is meant to pass a primary beam into the flow, you can leave it blank if you don’t need it.
An optional continuum map (cont=) can be added to the flow. This will be used to find one or more continuum sources, which can then be used as probes for a spectrum, but more on that below.
At the ingest stage, there are a few procedures worth mentioning:
- A subregion can be given using inbox=. This can be very useful if you are certain the source is limited spatially and/or spectrally. This can save a huge amount of processing.
- If no box was given, you can also specify taking out a number of edge channels using inedge=.
- Smoothing can be applied to the cube using insmooth=. Although there is a separate Smooth_AT available to do this as a separate step in the flow, this will take up extra disk space. need to confirm if flux is conserved in this step
The cube can now be smoothed, potentially to help in the line detection. Once the line detection has succeeded, you can opt to continue with the original higher resolution cube. You trigger a smoothing operation with smooth=.
Although Ingest_AT will report some global stastics of the cube (a min,max,RMS), these are not what we call robust statistics (an attempt to ignore the signal and compute the statistics on the remainder).
Thus the first step after the data has been ingested (and smoothed) is a thorough analysis of the statistics. This is currently done on a plane by plane basis, since they can differ. Different methods to reject the signal and attempt to get a robust statistics is available wiht the robust= keyword.
If the RMS(channel) plot shows suspicious “lines” where lines are also present, this could be the result of:
- Missing short spacings where there is source structure in a line. You would also expect to see the minval to show that line structure
- Extended emission where even the robust noise detection failed. You can try different methods or robust=, in particular the half-fit should be less sensitive.
- Continuum emission had not been (properly) subtracted.
More on CubeSum, CubeSpectrum now. Then go into LineSegment_AT
After the continuum has been subtracted based on the LineSegment’s, a good strategy to check on its correctness would be to take the new continuum free cube, and extract a new CubeSum of the line based on the segments, as well as a sum of all the emission that was not deemed part of the lines (x-test_line.csm), to check if no remaining line or continuum emission was left. It should be a pure noise map, and we need a cubestats and histogram for this. Should find the noise to be sigma/sqrt(nchan). This map is x-test_cont.csm.
We now have new CST and CSP and perhaps a PVC. They can be fed into LineID_AT for line identification.
runa2 and admit2.py¶
This is a special version of admit1 for just continuum maps. The flow will only call CubeStats_AT and SFind2D_AT and present a list of found sources and fluxes. The –cont option in admit1 can be used to pass a continuum map and use the brightest continuum source position as probe for CubeSpectrum_AT in that flow.
runa4 and admit4.py¶
The runa4 script is a simple front-end for admit4.py, which allows you to take an ASCII spectrum (frequency in column 1, in GHz, spectrum value in column 2, arbitrary units). For example, from the Unix command line
$ runa4 test0.admit/testCubeSpectrum.tab
would import this table into a CubeSpectrum_BDP and rerun the LineSegment_AT and LineId_AT tasks and allow you to experiment with LineID_AT. Parameters can be placed in admit4.apar or testCubeSpectrum.tab.apar in this specific case.
admit4 apar parameters¶
vlsr = 0.0 # LineID_AT(vlsr=)
Set the VLSR (remember to use the VLSK frame of reference for ALMA data) for LineID
loglevel = 10 # 10=DEBUG, 15=TIMING 20=INFO 30=WARNING 40=ERROR 50=FATAL
The default ADMIT loglevel is 20, and some verbose feedback from the work done in LineSegment and LineID needs loglevel=10.
lineUID = False # LineID_AT(identifylines=True)
This would limit the LineID run to only identifying line segments, and it’s output should be identical to LineSegment. By default lines will be identified.
linepar = () # LineID_AT(numsigma=,minchan=,maxgap=) and LineSegment_AT(...)
A convenience
llsmooth = [] # LineID_AT(smooth=) and LineSegment_AT(...)
iterate = True # LineID_AT(iterate=)
csub = None # LineID_AT(csub=) and LineSegment_AT(...)
Since only one spectrum is read, only the CubeSpectrum csub parameter (normally a list) has to be set as an integer here.
online = False # LineID_AT(online=)
By default the CASA internal slsearch() is used to query a smaller version of Splatalogue, but with online=True the web interface can be used, at the cost of some latency.
reflist = 'etc/co_lines.list' # LineID(references=)
Pick a references list, a table of names/frequencies (in GHz), to be overplotted on the LineID plots for comparison. Some example references list files are in $ADMIT/etc/*_lines.list)


I'm the collapsible content. By default I'm closed, but you can click the header to open me.
I'm the collapsible content with a themed content block set to "d".
I'm the collapsible content. By default I'm closed, but you can click the header to open me.
I'm the collapsible content with a themed content block set to "d".
This is an example of a series of individual collapsibles. The difference with a "Collapsible Set" is that multiple collapsible rows can be open at once.
To avoid "double" borders the framework removes the top border of collapsibles that are immediately preceded by another collapsible. Here we show how to negate this with custom CSS.


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| DOSE: |
repeated |
oral |
Chlorpheniramine Maleate |
(pill / tablet) |
| |
repeated |
oral |
DXM |
(pill / tablet) |
| |
repeated |
oral |
DXM |
(liquid) |
[Erowid Warning: Most Coricidin contains CPM (Chlorpheniramine Maleate) which can be dangerous in high doses. See DXM Brand Warnings for more info.]
It was March of the beginning of this year. I had just gotten out of depression and wanted to go out and do new and fun stuff. I made some new friends who introduced me to drugs. Just pot though.  I got high, and I loved every second of it. I thought that every drug would be like this. I was DEAD wrong.
One day, I got really stoned and saw colors. I noted this to my friend, and he said that acid was like that only cooler. I searched...finding none...and losing interest in weed, because I couldnít find acid.
My friend approached me one day. His exact words were 'Hey man, I took 8 of this stuff called coricidin, its weird, and itís like acid, but with no crawly stuff.' This was a guy who had never taken acid, but I didnít know it at the time. So after school, we smoked out (the usual), and headed to the pharmacy. My friend went in and jacked 4 boxes of coricidin, and we went to his house. He wanted me to try it, I refused at first, but he said that he would have plenty for tomorrow. He assured me all that would happen would be it was hard to walk, like I was drunk. I stupidly popped 6 pills in my mouth and said goodbye to anything I had left in the world.
I got home, and ate a bag of chips until I thought I would puke. I lied down in bed, and my dad woke me up and brought me into the living room. Everything was HUGE, and I fell over like 3 times. I told him I was stoned (he didnít have a problem with weed, but he warned me if I took anything else he would.) And he laughed with me, although I really wanted to go back to sleep. I couldnít laugh either. It was just weird, but with a body high...something I hadnít really experienced...not pleasant, but still a high.
The next day at school, 8 pills were ingested. At this point, I fell in love.
Over the next 2 weeks, I upped it to 16 pills a day, then to 20. My dad said my eyes were funny after one day at school, I told him about the pills, and grounded me. I kept on taking them at school.  Besides, I didnít like weed anymore.
I vowed to quit, and on my last day of taking it, I got caught. I was sent to the hospital (for 16 pills..yeesh..) And got into a shitload of trouble. I attempted suicide 3 times, it was so bad. My parents hated me, cause my mom had no idea about drugs and I was a different person now.
I told myself that I would stick to that, cause I didnít like it. I went out to score some bud, hoping it would bring me back to the pleasant stonings of the month before CCC. Unable to score some, I headed to the pharmacy and jacked some more ccc.
I popped 12, and got away with it. I got some more, and put it all in a baggie, just in case.
I dealt it at my school the next day, hoping to get some weed, but never got any. It was the last day of school, and I had a bad with 30 left in it. That night, I went home, and swallowed down the whole bag.
I got a weird feeling, and I kept on seeing things that werenít there. The TV was 200 feet off the ground, and every time I got up, I could see myself walking to the bathroom, which qucikly rose into the air and glided away from me. I looked in the mirror just to be scared shitless...I didnít know who that was. It was absolutely terrible. I lost it, I couldnít find out who it was in the mirror, and I wanted to cry, but forgot what crying was. I went pee (an ordeal that took 45 minutes at the least), feeling I was getting rid of my good side, leaving only my bad, dxm-ed out side.
I saw chains and wrecking balls hanging from my ceiling, and did not get one wink of sleep that night. I slept until work the next morning, and sweated like a pig the whole time people were looking at me weird.
A couple days later, I got a chance for a day alone, at my auntís house. I was once 'reassured' that it would be like LSD. (My last trip I got no unusual colors.) I just had to take a higher dose. I went to the store, and scared to OD on Chlorpheniramine Maleate, got a couple bottles of robitussin along with the 2 ccc boxes.
I invited a friend over to watch me, and he was against it, but by the time he got there, I had already taken it ALL. The whole time I tripped, I couldnít remember if he was really there or not. In fact, I had (not knowing) walked back up to a different store, bought some MORE coricidin (another box), and took 4 of those pills. I didnt even know I did this, until I found another box in the trashcan when I came back. It was about 3 hours until my parents got there that I had finished off that last box. I sat there, watching south park, remembering how we were about to go out and do what they did, and it was a training video.
I floated to the bathroom, and stood there floating above the toilet, not being able to pee, and hearing south park UNBEARABLY LOUD in my ears (the TV was actually on quiet..) My friend left, and I freaked out. When my dad showed up, he was like 'what did you take' and I was like 'what the hell is that' and I was pointing to the window behind him, there were swirling flowers and stuff behind him. His head was really small, and pulsated in and out, as I failed to grasp who he was exactly.  It was about 7 hours after I had finished it all.
A time of severe depression followed, with 24 hour supervision. I saw shrinks and stuff, and they were thinking about sending me to a mental hospital.
I got by for a while, and finally scored some bud!! I was so happy to be back (had been a couple months), and it was great. Unfortunately, my mom found it, and promptly flushed it. I then went and did something really stupid...you guessed it, got more ccc, and a bottle of Robo.
I took the 32 ccc and the robo, and tripped that night, and my eyes were red and funky looking all day the next day.
A couple weeks later, I did the same thing again. This time, I saw a lava-like pattern on my ceiling. 'COOL!' I thought.  It was cool, nonetheless. 'I've finally done it!! I've reached my LSD-like high! I LOVE CORICIDIN!'
God, I regret that night.
A week later, we traveled up to visit some family. I got anxious. I had been away from drugs for a week, and was starting to freak out. After numerous failed attempts at getting some weed, I just broke down and sprung for the easy alternative...coricidin.

I downed a bottle of honey cough Robitussin, hoping it would be easier than the original. It wasnít, I puked it up promptly. I drank another...puked it up. I then became hot, and figured I had taken enough.
I set up a tent in the backyard as not to get caught, and laid down. I then thought (stupidly) that it wasnít enough, so I went back, took all the coricidin, and started taking it, one by one. I must have taken about 60, because I had 4 boxes laying there, 3 empty, and one with 4 left in it. Shit man, I didnít know. I threw the boxes in the bushes and ran back to the tent.
Lying in the tent, I saw that the tent roof became the ceiling of the house, and I wondered why she (my mom) moved the tent into the house. So I went up to ask her.
I just answered coricidin, hearing it echo millions of times in my head, producing a demons face every time it rang. I saw her (my sister) extend her arm, float to the ceiling, and throw off all her limbs and spin around in a ball. 'Stop, ' I said, and trampled off to the bathroom, puking my guts out on the floor.
I looked in the mirror, and had a severe breakdown. Not only did I not know who the person in the mirror was, they looked really fuckiní scary. The following was not a hallucination (my mom described it the same way)
My eyes were hardly open. What was open, was a very dark red, almost black color. When my mom lifted my eyelid, she noticed barely in the sea of dark red a pupil, with absolutely no green iris left in it. My skin was PALE white, with red blotches all over the place. I was covered in puke. I couldnít walk. I looked like a monster.
Anyways, I headed back to the tent, and my sister followed me. She asked why I took it, I said 'why you gonna cry', then I said 'I donít know what crying is', then my cousin materialized from my sisters left shoulder and flew around her at an alarming rate.
I saw blobs of 3d all over my sisterís face.  The tent was really different at this point; it was underground, and ever-expanding. I had a room and my mom had a room, and she was playing games...so I puked on her.
I get into the floating spaceship (car), and see 2 identical copies of my uncle, both wearing cowboy hats. Everything was really blurry, might I add. They were talking about basketball, I said 'I hate basketball', but it came out 'BAhabaabahab (accompanied by lots of drooling.)
We passed many floating cities (houses) on the way to the dark capital floating city (the hospital). Iím not shitting you...I really thought this stuff was going on. We backed up our 18-wheeler (minivan) onto the elevator shaft (parking lot), and rose up to the main floor (walked me to the emergency room.)
I saw my sister lying in the ER bed, but she had a mask with my face on it. I jumped in to beat her up (something I would never do in real life), and she disappeared. She didnít even come with us to the hospital!! Only my mom, aunt, and uncle did.
They stuck many needles and such in me, and I thought it was a funny joke. I had forgotten I was on corcidin by this point, I thought I was at an auto mechanics shop and it was 12:00 noon the next day. I saw oil on my chest (puke with charcoal), and wiped it off until it bled.  I was screaming, but I thought I was acting normal. They got hold of me, and put me back.
My mom's head de materialized into a ball of hair, crying endlessly. She was a 'generic', something all people have, going through a struggle we all did. She would randomly appear and disappear, for many moments at a time.
I looked up, and watched my surroundings melt into each other for a second, until was dragged down through the hospital bed, through the floor, and into hell.
This was most definitely NOT cool. I saw the devil, I saw hell around me, I was scared, and I knew I was dead. I saw a huge '15' (the age I am) sign hanging at the entrance. I was very uncomfortable, and Satan dragged me around by my hair and other parts of my body and tossed me into lava pits and such. It wasnít fun.
When I came back, people were blabbing about the time, but it all sounded like 'ahahahababababjsajsda' to me. I looked at my heart monitor screen, and saw 2 people on it, like a street sign. I said hi to them, then turned back to the oddly-shaped room. The windows in the back shone too bright though (there were no windows in the room I was in, and the lights were not on.)_
I thought my mom was dead, cause I couldnít see her anymore. She was right next to me the whole time, it was like my brain blocked her out. I started to realize where I was...I was in the hospital...I had done something bad, but I didnít know...I thought that I took the coricidin in order to prepare for a good smoking session or an acid trip, so I tried to garble the words to nobody, of course, they wouldnít come out.
So I raised into the air, and another hospital bed formed under me. It went on for miles in each direction, and the rails raised to the sky. I was trapped...there was no way out of this hospital bed...I eventually was able to choke out 'I hate this.' to my mom, and she answered, and I knew I was there. I couldnít say much more, it was too painful.
Over the course of the night, I went in and out of separate realities, universes, and had many encounters with demon-like beings. I was out of my body the remainder of the trip, not something that is at all pleasing.
I came to fully about 10 the next morning (I was there overnight, we showed up at like 2 in the morning), and saw my surroundings for the first time the way they really were. I was still cussing loudly though without knowing, but everything looked normal. I found out that I was pretty much dead last night...My heart rate was around 230 by the time I got there, and actually stopped one or 2 times during the night...The doctor told my mom I would die overnight, and there was no way to save me...they gave me all these depressant drugs to slow down my heart...but they didnít help much...I was so lucky to have survived this!!
I knew I would be screwed when I got home. I was. I go through daily searches, get drug tested all the time, and never go anywhere. I always get my eyes checked, whether I am changing my clothes, going out to check the mail, or even going to the bathroom. My parents have absolute 24 hour control over me. This is on top of the trauma I have faced after the trip through hell. I still canít get over it (been 2 months.) I still get flashbacks, and each one INSTANTLY makes me cry. I canít walk the halls at school and not be reminded of coricidin. I canít go to sleep, the dark scares me, and reminds me of when I was on coricidin. I have to go to my aunts house, that is going to be hell, Iím bringing my sister with me to make sure I donít freak out from being too scared.
The punishment is gradually getting better, and I have smoked bud constantly since then, (a few masking techniques on the drug tests work fine) but nothing seems to help getting over the bad trips. I still get flashbacks and psychotic episodes. My parents even told me that next week they would start letting me go places again, and maybe stop checking me so often. Even this canít make me happy.
One thing I know from this: I am never doing DXM again. I vomit when I see it, I have a breakdown of sorts when I think of it, I get flashbacks, it has permanently ruined my relationship with everyone I am close to.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Here is a link to my project named Fruits
Making a website for a company that deal in fruits. I used web development languages such as HTML and CSS
Here is also a link to my project known as Travel
Making a website for a company that deals in travels and accomodation for both popular and tropical destinations. i used HTML and CSS as my preferred languages
I am Mohamed Ibrahim. I am a kenyan of somali origin. I love coding a lot. Here is my educational background
I took a class on programming because i want to achieve my dream of becoming a full-stack web develper. I loved coding while at high school. I joined Moringa school sice its a coding bootcamp and make a reality of becoming a programmer while at here.
My current hobbies include the following


The assignment for the week was to create a t-shirt abour WRA, Hudson or Ohio and do a sublimation printing
I made a design for Open Door because I like going there.
here is my Bob Ross mug that i am very proud of.
Type it here


The Thin Line Between Awesome and Awful in Mobile Advertising
The major difference between a mobile experience and web experience is Focus.
In desktop environments, our users are comfortable working across multiple contexts at once. They paste Excel charts into PowerPoint slides. They toggle between a half-dozen web tabs, ranging from Fantasy Football to Facebook to the company CRM database. Their mail app constantly streams in new emails, from their boss and from their family and from their airline frequent flyer program.
Advertising on the desktop web exploits this lack of focus by tempting users to click into a new context
usually seeking to distract the user from the task she is trying to a
For example, here’s what my desktop looks like today:
In this environment, advertising need not to be particularly well-crafted, relevant or tasteful. In fact, in many ways the cacophony of contexts rewards advertising that can grab attention and divert it to a new, ad-sponsored context, just one more open window on the desktop.
In comparison, our mobile users are almost zen-like in their focus.
The constraints of the mobile form factor make it incrementally more difficult for users to accomplish most tasks. The best mobile applications overcome this “usability tax” by anticipating what tasks users are trying to accomplish each time they open the app, and making these actions easy to discover and fast to use. Anything that distracts from this #fast and easy to accomplish the desired task* dogma can derail an otherwise solid mobile app.
This is why mobile advertising has yet to deliver the profits consumer app creators are counting on. What can be done? Unfort
Rather than tempt users to switch contexts, mobile advertising most work within the context provided by the content.
The only succesful advertising on mobile devices is advertising that matches the context of the content. Yelp users are trying to decide where to eat; coupons could help make this decision. Twitter users are trying to learn what’s new in their interest graph. Promoted tweets that match this graph help them learn something new. YouTube viewers are seeking a few minutes of entertainment. A funny 15 second video ad matches this context, and can be successful.
But it’s a fine line.
Take, for example, this recent ad I saw when I opened Foursquare.
ad
This is prime realestate for a context-driven advertisement. I want to explore what’s nearby, Foursquare can charge businesses to pitch me on why I should stop by.
Facebook users want to know what their friends are up to; but this does not usually include wanting to know what virtual goods they have purchased in a game. Foursquare users want to know what’s nearby
But it’s a fine line. Take, for example,
New York Times readers are trying to catch up on the days’ top stories. On the other hand,
For mobile advertising to be successful, it must fit within these constraints.


≡
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{{#enableRealtimeMarkers}}
{{/enableRealtimeMarkers}}
{{#enableRealtimeMarkers}} {{#showPlayers}}
Show players
{{/showPlayers}} {{/enableRealtimeMarkers}} {{#showDeeds}}
Show deeds
Show deed borders
{{/showDeeds}} {{#showGuardTowers}}
Show guard towers
Show guard tower borders
{{/showGuardTowers}} {{#showPortals}}
Show portals
{{/showPortals}} {{#showStructures}}
Show structures
{{/showStructures}}
WurmMapGen
powered by
Leaflet
Developed and maintained by
woubuc
Based on code by
Garrett92


Can't see CV pdf above? Click here to View
Interested in learning more about my projects? Feel free to contact me or check out my Github Repository!


MATTHESS
CEMETERY
Copied
10/20/2001
By
Karen Romick
Located on Pea Vine Ridge
(Township Road 478), off County Road 10 in Green Township, Monroe County, Ohio.
Northwest to Southeast.
Approximately 50 x 40 feet area.
Most stones are on the northeast
side.
Row 1 - Field stone
Row 2 nothing
Row 3 Fieldstone.
Samuel Swartwood, d Aug 8, 1845 in 13 yr
Row 4 William T. s/o J.W. & A. Wickham, Jan 7, 1849
Sandstone, information flaked away
Row 5 Footstone, "E. W."
Row 6 Field stone
Leaning against tree, field stone, roughly hand carved, "F. M."
Base?
(Leaning against tree), Evaline d/o A. O. & H. May?, d Oct 20, 1849, age 18m
Fieldstone
Row 7 Field stone
Handcarved field stone "S. M."
Thick square stone, no writing
(Leaning against above stone) Handcarved field stone ____ 20, 1869, M. D.?
Row 8 Field stone
Abraham Matthess d Sep 25, 1858?, aged (in ground and couldn t move)
Hand carved "J. M."
Sandstone, no writing
Row 9 Field stone
Small pile of stones, could possibly have served as markers.
Click here for the Short-Cut Table of Contents


Lagos-Ibadan rail to be ready by April 2020 - Amaechi gives updates
- The minister of transportation, Rotimi Amaechi, has hinted that the Lagos-Ibadan railway project will be fully done by April 2020
- According to the minister, some of the things that have delayed the project are lack of cooperation from owners of lands, theft and slow importation of equipment
- Ameachi said some of the issues encountered on the Ibadan-Lagos axis would not happen when laying track for Ibadan-Kano area
The minister of transportation, Rotimi Amaechi, has suggested that the Lagos-Ibadan speed railway project will be fully completed by April, 2020.
The Nation reports that minister said the lack of support from land owners, delay in bringing the equipment from China and theft were some of the reason that have caused the project to slow down.
Amaechi also said that the laying of tracks will get to Moniya in Ibadan, Oyo state, in a month’s time, adding that there has been huge improvement in the entire project.
Osinbajo inaugurates wagon assembly plant as FG moves to modernise railway transportation (photos)
“We will all agree that there is huge improvement. From the 20th of December when we will carry out the next inspection, we will get to this place (Moniya in Ibadan) which means that our focus will no longer be on the track but on the completion of the stations and communication and signal. Once we get communication and signaling, we will be out of Lagos-Ibadan.
“We will be out of this place (Lagos-Ibadan Standard Gauge project), latest by April 2020. We are no longer giving ourselves the time, the contractors are the ones giving us the time. The initial contract was from Ebute-Meta but because we wanted it to end at the seaports, we extended it and that is where the challenges are,” he said.
The minister also mentioned that some of the things that will be doing in moving forward the project will be to clear the Apapa gridlock.
I was misquoted about my roads situation comment - Fashola says, sends message to PDP
He, however, added that when the Ibadan-Kano project begins, the problem experienced on the Lagos-Ibadan part of the project will not recur.
On the free Christmas ride that will begin on Saturday, November 30, he said the contractors in charge of the project the track to Ibadan will have been done by Friday, December 20, when they come for inspection, adding they would manage the available coaches to make the free trip a reality.
PAY ATTENTION: Download our mobile app to enjoy the latest news update
“They said by the time we come for inspection on the 20th of December, the track will get to Ibadan and the issue will now be the completion of stations, communications and signaling so that we can commence test running on the 30th of November.
“We don’t have enough coaches and locomotives but we will start with as many people as we can take pending when the 20 locomotives that we imported arrive and we expect that they will arrive end of December or latest second week in January, 2020,” he said.
Our economic growth plan may be at risk - FG
Meanwhile, Legit.ng earlier reported that the federal government ordered massive rolling stock in preparation for the commencement of commercial operation on the Lagos-Ibadan standard gauge project. The rolling stock comprises 30 engines, 63 coaches and 200 wagons.
NAIJ.com (naija.ng) -> Legit.ng. We have upgraded to serve you better
Nigeria Latest News: The Abuja Metro is West Africa's First Light Rail Network | Legit TV


Web Developer
I am a developer based in Los Angeles who finds the impact of technology on the human mind remarkably engaging. The connection between code translating to visuals which then influences people’s perceptions and decisions is fascinating. My technical experience ranges from front end (HTML5, CSS3, JavaScript, React.js) to backend (Rails, PostgreSQL, Heroku/AWS), allowing me to orchestrate and construct web applications with beautiful interfaces and responsive design.
VXH app allows users to publish their photography on a public photo-sharing platform.
A full-stack app that was built with HTML, CSS, and Ruby on Rails.
This app is a full CRUD app. The app accesses PostgreSQL database, uses the gems Paperclips and AWS for photo uploading.
The Pet Shop is an online shop where you can pre-order blowout hairstyles for your dogs.
The full-stack app was built with HTML, CSS, JavaScript, React.js, Node.js, MongoDB, Express, and Milligram.
The app makes use of JSON Web Token for user authentication and uses Axios to allow communication flow between back-end and front-end.
The Drop provides up to date surf information for the surfers in Southern California.
This is a full-stack application that uses the Google Maps and Surfline, & Weather Underground API. The Drop is still undergoing development with planned expansion to the social aspect of the application. On this project, I was responsible for setting up the models, implementing internal authorization, assisting other team members, and image uploading.
This app was built with HTML, CSS, Node.js, JavaScript, jQuery, Express, MongoDB, and Axios.
Languages: JavaScript, HTML5, CSS3, Ruby
Frameworks & libraries: Rails, Node.js,
Express, React.js, bootstrap, jQuery
Databases: PostgreSQL, MongoDB
Version Control: Git & Github, Heroku
Preprocessors: Babel, Sass, JSX
(402)659-6679
Los Angeles, CA


The Boys finally releases new blood-splattered trailer for season 2 after leak
by Sam MooreAfter Friday’s false start, Amazon Prime Video has finally shared the bloody (in more ways than one) first trailer for the upcoming second season of The Boys.
The acclaimed superhero black comedy, which lists Preacher and Superbad duo Seth Rogen and Evan Goldberg among its executive producers, debuted on the streaming platform back in July has already received assurances that a second season would be commissioned.
Fans of the show initially got excited last Friday (6 December) when the trailer was accidentally uploaded online, but the official preview of season two of The Boys was finally screened over the weekend at the CCXP convention in São Paulo, Brazil.
Spoilers for The Boys season one are posted below…
Eric Kripke’s take on Garth Ennis and Darick Robertson’s best-selling comic looks set for a blood-splattered return with season two, as the trailer opens with Homelander – presumably covered in blood after killing Stillwell in the season one finale – descending down to earth with an astounded look on his face.
Fans are already predicting that the evil character, played to b*****d perfection by Antony Starr, is making such a face as he’s being confronted with the sight of his estranged son.
Elsewhere in the trailer, we get a glimpse of a still-alive A Train (Jessie T. Usher) – suggesting that he has survived the heart attack which was brought on by fighting Starlight (Erin Moriarty) – while a bigger role for Mr. Edgar (Breaking Bad’s Giancarlo Esposito) in season two is also teased.
A host of new characters will make their bow in season two, but the likes of newbies Stormfront (Aya Cash), congresswoman Victoria Neuman (Claudia Doumit) and Patton Oswalt’s mystery role aren’t previewed in the trailer.
With the trailer finally out, the real wait now begins for fans of The Boys – but, with the promise of a new year (and decade) right around the corner, it surely won’t be too long before the Amazon hit series returns to screens.
The Boys season two will air on Amazon Prime Video in 2020.
Got a showbiz story?
If you've got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us<EMAIL_ADDRESS>calling 020 3615 2145 or by visiting our Submit Stuff page - we'd love to hear from you.


Hello firstname,
Your Amazon account was used to buy a 200$ Gift Card on a computer or device that had not been previously associated with that Amazon account on November 28, 2018 at 4:42:11 PM (GMT)
If you did not make these Purchase or you believe an authorised person has accessed your account, you should verify Your Information as soon as possible page at:
Order #<PHONE_NUMBER>-2982
Truly yours,
Amazon IT Security Team


The Mavic Pro Platinum features a sleek design and compact body that
is both powerful and alluring.
A new and improved 30-minute flight time coupled
with 60% noise power reduction makes the Mavic Pro Platinum DJI’s best portable drone yet.
Size:
83 mm х 83 mm х 198 mm
Best Parametrs:
| C4K: | 4096x2160 | 24p | ||||||
| 4K: | 3840×2160 | 24/ | 25/ | 30p | ||||
| 2.7K: | 2704×1520 | 24/ | 25/ | 30p | ||||
| FHD: | 1920×1080 | 25/ | 30/ | 48/ | 50/ | 60 | 96p | |
| HD: | 1280×720 | 24/ | 25/ | 30/ | 48/ | 50/ | 60/ | 120p |
Vision System
Forward Vision
System Downward
Vision System
Obstacle Sensory Range
Precision measurement range: 2 ft (0.7 m) to 49 ft (15 m)
Detectable range: 49 ft (15 m) to 98 ft (30 m)
Operating Environment Surface with clear pattern and adequate lighting (lux > 15)
Velocity Range ≤22.4 mph (36 kph) at 6.6 ft (2 m) above ground
Altitude Range 1 - 43 feet (0.3 - 13 m)
Operating Range 1 - 43 feet (0.3 - 13 m)
+
Extra SuperSonic Radar


GraphicsEngine.h
|
Constructor (yen::InputManager*)
Constructor. Sets pointer to Input Manager. |
|
|
Destructor ()
Destructor. |
|
| void |
initialize (yen::GraphicsSettings settings, std::string windowName)
Initialize Graphics Engine. |
| void |
reInitialize (yen::GraphicsSettings settings, std::string windowName)
Reinitialize Graphics Engine. |
| void |
draw (yen::RenderObject)
Draws Render Object on window screen. |
| void |
setView (sf::View)
Sets actual window View. |
| void |
renderFrame ()
Makes frame rendered. |
| void |
clearFrame ()
Clears frame to white color. |
One of biggest Engine Component. It used for rendering all game graphics and manage game window (Also gets Widnow Inputs).
Engine and all subjected to it classes uses SFML Library to render graphics. YEN Graphics Engine expand the SFML's capabilities by scenes, cameras and animations handling.
//Creating Engine
yen::Engine engine;
EngineConfiguration configuration;
engine.initialize(configuration);
//Creating animation
yen::AnimationResourceDef animationDef;
animationDef.path = "anim";
animationDef.frameRate = 60;
yen::AnimationManipulator animation = engine.resourceManager->addAnimationResource(animationDef);
animationDef.path += "2";
animationDef.frameRate = 0;
yen::AnimationManipulator animation2 = engine.resourceManager->addAnimationResource(animationDef);
//Creating Camera Object
yen::ObjectManipulator camera = engine.objectsManager->createObject(yen::fVector(engine.settingsManager->getGraphicsSettings().resolution.getX() / 2.0f, engine.settingsManager->getGraphicsSettings().resolution.getY() / 2.0f));
yen::CameraComponent cameraComponent(engine.graphicsEngine);
cameraComponent.setSize(yen::fVector(engine.settingsManager->getGraphicsSettings().resolution.getX(), engine.settingsManager->getGraphicsSettings().resolution.getY()));
yen::ComponentManipulator cameraComponentManipulator;
engine.objectsManager->attachComponent(&cameraComponentManipulator, camera, &cameraComponent);
//Creating Graphics Object
yen::ObjectManipulator cube = engine.objectsManager->createObject(yen::fVector(0.0f, 0.0f));
engine.objectsManager->setLoadDistance(cube, 500.0f);
yen::GraphicsComponent graphicsComponent(engine.graphicsEngine);
graphicsComponent.addAnimation(animation);
graphicsComponent.addAnimation(animation2);
graphicsComponent.setActualAnimation(animation);
yen::ComponentManipulator graphicsComponentManipulator;
engine.objectsManager->attachComponent(&graphicsComponentManipulator, cube, &graphicsComponent);
//Creating Scene
yen::SceneManipulator scene = engine.sceneManager->createScene();
engine.sceneManager->setSceneGravity(scene, yen::fVector(0.0f, 10.0f));
//Adding objects to scene
engine.sceneManager->addObjectToScene(scene, camera);
engine.sceneManager->addObjectToScene(scene, cube);
//Scene initializing
engine.sceneManager->initializeScene(scene);
Constructor. Sets pointer to Input Manager.
Arguments:
Method initialize Graphics Engine.
Arguments:
Method reinitialize Graphics Engine (used when engine was initialized already).
Arguments:
Method draws Render Objects on window screen area.
Arguments:


Kitchefs.Github.io
Chocolate Mud Cake
Recipe Of The Week
Nachos
Guacamole
Blueberry Muffins
Pavlova
Hot Cross Bun
Choc-Chip Cookies
Chocolate Caramel Slice
Double Choc-Chip Cookies
Cinnamon Roll
Pizza Scroll
Anzac Biscuits
Cinnamon Dounuts
Brownies
Still Can't Decide?No Way.But just in case!Click here to select a random recipe
Show All Recipes


{} {} 首页/ Shopping cart 商品图片 商品名称 单价 数量 小计 删除 {} {<$data.name>} ￥{<$data.price>} {<$data.qtybutton>} ￥{<$data.price*$data.qtybutton>} {} continue shopping Clear Shopping Cart Update Shopping Cart Discount Codes Enter your coupon code if you have one. apply coupon Estimate Shipping and Tax Enter your destination to get a shipping estimate. country * Afghanistan Algeria American Samoa Australia Bangladesh Belgium Bosnia and Herzegovina Chile China Egypt Finland France United State State/Province Please select region, state or province Arizona Armed Forces Africa California Florida Indiana Marshall Islands Minnesota New Mexico Utah Virgin Islands West Virginia Wyoming Zip/Postal Code get a quote subtotal ￥{<$totalPrice>} Grand Total ￥{<$totalPrice>} proceed to checkout {}
Enter your coupon code if you have one.
Enter your destination to get a shipping estimate.
subtotal ￥{<$totalPrice>}


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You probably did something wrong.
Reason: {concierge-reason}


Israeli troops kill West Bank Palestinian, U.N. demands probe
by Reuters1 / 2Relative of Palestinian man Omar al-Badawi reacts during his funeral in al-Arroub refugee camp, in the Israeli-occupied West Bank
HEBRON, West Bank (Reuters) - Israeli forces shot dead a Palestinian during confrontations with stone-throwing protesters in the occupied West Bank on Monday, Palestinian health officials said, drawing a U.N. demand for the incident to be investigated.
They said 22-year-old Omar Badawi was shot in the chest in Al-Aroub refugee camp, near Hebron city. It was not immediately clear if he had taken part in the protests marking the 15th anniversary of the death of Palestinian leader Yasser Arafat.
An Israeli military spokeswoman said troops were sent into Al-Aroub in pursuit of local Palestinians who had thrown rocks at cars on a nearby road, and opened fire when confronted by "a large number of rioters", some of them with petrol bombs.
The fatal shooting was under investigation, she added.
Video circulated on social media, and which could not immediately be verified by Reuters, showed a young man with a what appears to be a piece of white cloth in his hand emerging hesitantly from an alleyway. A shot rings out and he collapses.
"Shocking to see the video (of) today's killing of Omar Badawi by Israeli security forces," Nickolay Mladenov, U.N. special coordinator for Middle East peace, tweeted, adding that the Palestinians appeared to have "posed no threat to anyone".
"Such acts must be thoroughly investigated," Mladenov said.
The West Bank, among territories where Palestinians seek statehood, has seen sporadic violence since U.S.-brokered peace talks with Israel stalled in 2014.
(Reporting by Nidal Almughrabi and Ali Sawafta; Editing by Alex Richardson, Hugh Lawson and Giles Elgood)


{% extends "djtracker/base.html" %} {% block content %}
Thanks for visiting! Feel free to login again


Hi there. 👋 🙏 How's it going?
I am a Service Designer, UX Designer, and Researcher, most passionate about
using design to help people, understanding why things are the way that they are, and creating new
perspectives to see the world around us.
When not consciously designing (but always exploring and researching), you will most likely
find me cycling on my favorite trail, digging into a new book, or deep down a rabbit hole in the
world of javascript.
Do reach out at
As part of Services & Solutions Delivery, Philips Experience Design
Service Designer • Researcher
In collaboration with our client's research team while working with Panorama Innovation
Researcher
In collaboration with our client's Innovation and User Experience teams while working with a Chicago based innovation consultancy
Service Designer • Researcher
As part of a team of six at a design-hackathon hosted by MIT Media Lab and UCSD Design Lab
Service Designer • Researcher
In collaboration with Dr. Eeshani Bendale for my Master's thesis project at School of the Art Institute of Chicago
Researcher • Futurist


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{{ provider.name }} Single Sign-On has been configured for the {{ organization.name }} organization. Link your Sentry account to enable signing on with your {{ provider.name }} account.
SSO link request invoked by {{ actor.email }}
{% endblock %}


Zechariah
1
1 I am Zechariah, a prophet, son of Berekiah and grandson of Iddo the prophet. When Darius had been the emperor of Persia for two years, in the eighth month his reign, Yahweh gave me this message:
2 "I was very angry with your ancestors.
3 So tell this to the people: Yahweh, Commander of the angel armies, says this: 'Return to me, and if you do that, I will help you again.
4 Do not be like your ancestors. Prophets, who have now died, continually proclaimed to your ancestors that they should stop doing the evil things that they were always doing. But they refused to pay attention to what I said.
5 Your ancestors have died and are now in their graves. Even the prophets did not live forever either.
6 But the commands and the decrees that I had instructed my servants the prophets to tell them—your ancestors did not obey them, so I punished them. So then they repented and said that I, Yahweh, Commander of the angel armies, had done to them what they deserved for their evil behavior, just like I had said I would do.'"
7 On the twenty-fourth day of the eleventh month, Yahweh gave another message to me.
8 During the night I had a vision. In the vision I saw an angel who was on a red horse. He was in a narrow valley among some myrtle trees. Behind him were angels on other horses—red, reddish-brown, and white horses.
9 I asked the angel who had been talking to me, "Sir, who are those angels on the horses?"
He replied, "I will show you who they are."
10 Then the angel who had stopped under the myrtle trees explained. He said, "They are the angels whom Yahweh has sent to patrol the entire world."
11 Then those angels reported to the angel of Yahweh who was under the myrtle trees, "We have traveled throughout the world, and we have found out that the army of the emperor has conquered nations throughout the world, and that they are now helpless and inactive."
12 Then the angel asked, "Yahweh, Commander of the angel armies, how long will you continue to not act mercifully toward Jerusalem and the other towns in Judah? You have been angry with them for seventy years!"
13 So Yahweh spoke kindly to the angel who had talked to me, saying things that comforted him.
14 Then the angel who had been talking with me said to me, "Proclaim this to the people of Jerusalem: Yahweh, Commander of the angel armies, says that he is very concerned about the people who live on Mount Zion and in the other parts of Jerusalem.
15 And he is very angry with the nations that are proud and feel safe. He was only a little bit angry with Judah, but they caused them to suffer much more.
16 Therefore, he says that he will go back to Jerusalem and help the people. It will be as if he himself had surveyed and measured all the land in the city.
17 Yahweh, Commander of the angel armies, also said to tell people in his cities in Judah that they will soon be very prosperous again. He will encourage the people of Jerusalem again, and he will again choose Jerusalem as his special city."
18 Then I looked up and saw four animal horns in front of me.
19 I asked the angel who had been speaking to me, "What are those horns?"
He replied, "Those horns represent the nations that forced the people of Jerusalem and other places in Judah and Israel to go to other countries."
20 Then Yahweh showed me four blacksmiths.
21 I asked, "What are those men coming to do?"
He replied, "The nations that those horns represent scattered the people of Judah, so they suffered greatly.


This is a VanillaJS proof of concept for a simple JSON input form that won't let you save if the input isn't valid JSON.
Go ahead, put some JSON (or not) in it.
I did my best to follow the guidelines in this article Common Misconceptions About Inheritance in JavaScript and use prototypal inheritance FTW.


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About this Blog
This blog is made with the purpose of being the “go-to” place for anything and everything Aerspace Engineering related at IIT Bombay. At present this blog contains course review, project reviews, posts by Alumni and resources (links to study material, previous year question papers, etc) to help out students of IIT Bombay .
The Department Academic Mentorship Program
What is DAMP?
The Department Academic Mentorship Program (DAMP) team, Aerospace Engineering, IITB consists of 22 exuberant and highly motivated students working towards providing the necessary help and guidance to all sophomores and underperforming upperclassmen.
How can a DAMP mentor help you?
- If you are a freshmen:
- The DAMP team will be instrumental in conducting session to keep you informed of your options across the spectrum towards the end of your first year.
- If you are a rising sophomore:
- Your DAMP mentor will help ease your transition into department specific courses and actvities
- Your DAMP mentor would act as a guiding hand in resolving your academic and non-academic issues
- If you are an upperclassman (third year and higher) who has been allotted a DAMP mentor:
- Your DAMP mentor will help you overcome any difficulties and accelerate your academic performance
Our Vision:
Make Aerospace DAMP team a role model to the entire Institute for how effective academic mentorship is done.
Our Goals:
- Reduce the number of students in ARP and/or with backlogs.
- Motivate students to perform better in academics as well as encourage them to excel in their other interests.
- Improve communication between the faculty and students.
Initiatitives by the 2018-19 team:
- Revamp the Department Academic Volunteer Programme . This wing of the DAMP team focuses on conducting “Basics” and “Doubt Clearing” Academic Help Sessions for students.
- To conduct a Aerospace Fcaulty Research Presentation and Luncheon to improve student-faculty relations
- Continuing the highly-regarded novel approach to boosting Mathematical skills of underperforming students through Math Help Sessions.
- To discuss the possible reconstruction of curriculum and introduction of new courses/electives
How to be a part of the team?
- Team Members are students from 3rd year and above. They are selected through a dynamic process of interviews and peer reviews.
- What we look for? - Students who are motivated in helping others and will be dedicated to do so.
The Team
Contact Us
Feel free to reach out to us at<EMAIL_ADDRESS>or<EMAIL_ADDRESS>We are here to help.
Created and Mantained by: Kaustubh Sridhar, Shashank Verma, Raj Krishnan, Asim Ukaye


{% extends 'base.html'%} {% import 'macros.html' as macro%} {% block styles%} {{ super() }} {% endblock %} {% block content %}
This platform provides both the user and the writer with the opportunity to freely express themselves without the fear of being judged.


by Curtis Edmonds --<EMAIL_ADDRESS>"But there is still too much violence on our nation's screens, large and small. Too many creators and purveyors of violence say there is nothing they can do about it. And there are still too many vulnerable children who are steeped in this culture of violence, becoming increasingly desensitized to it and to its consequences and, therefore, as studies show, hundreds of them more liable to commit violence themselves." President Bill Clinton
They had the White House Conference of Youth Violence yesterday, or maybe it was the Summit on School Safety, I forget. Lots of blather and well-meaning phrases thrown around by a bucketful of sanctimonious do-gooding hypocrites, stuffed to bursting with self-regard. It was all over the media, of course, plenty of pictures of the Clintons getting all misty over the thought of the threat posed to America's children by violent video games and movies. All sorts of deep-thinking, sensitive quotes like the one above. Rubbish.
Payback is not a perfect movie, but it is the perfect antidote to the current political and social climate. In a world where violent movies are reviled and blamed for the ills of our nation's youth, it's refreshing to see a movie that is unapologetic for its content, straightforward in its delivery of action and mayhem, courageous in its utter lack of regard for the effect of the culture of violence on American children. Payback is a throwback, a gritty, thoroughly amoral action movie that celebrates all that is violent and dangerous and mean-spirited. It celebrates only the manliest of virtues -- self-reliance, grit, determination, stubbornness, courage, fortitude, and sheer cussedness -- and presents the back of its hand to sensitivity, gentleness and wimpishness. It has no redeeming social value, no higher message, no spirit of goodness or decency or honor.
I loved it.
The moral tone of Payback is set in the first few minutes. The first words in the screenplay are "G-S-W. Gun Shot Wound," and there are bunches of them. We see people drinking and smoking cigarettes and eating red meat and not wearing seat belts and all the other things that real Americans used to do. (Payback does demonstrate why you should wear your seat belt, though.)
Payback is not a film for everybody. There will be plenty of people, I'm sure, who will bemoan the level of violence in this movie and wring their hands over the constant insensitivity and moral deafness of the characters. I have a message for these people: stay home. Or go watch Notting Hill or rent Sleepless in Seattle or watch Lifetime. Payback is a man's movie, chock-full of action and grit and double-crossing and plot twists and pain and everything that makes a movie enjoyable. It is not pretty, it is not socially redeeming, it is not politically correct, but it is a hell of a ride.
Payback is Mel Gibson's movie, and Mel makes the movie tick along like the engine in a 70's muscle car at high rev. Mel plays Porter, a professional thief trying to settle a score with his former partner, who stole Porter's fair share of a heist. Along the way, Porter runs afoul of the Chinese Mafia, two crooked cops, his wife, his girlfriend, a sadistic prostitute, and an assortment of mob bosses, all of whom stand in Porter's way... but not for long.
What makes Payback work is the innate coolness of Porter. Porter is the coolest bad guy since Samuel L. Jackson in Jackie Brown (or Pulp Fiction, take your pick), but with a more laconic, brutal attitude than Jackson's smooth jive talk. Porter is so cool that he makes Fonzie look like Bill Gates. .
Coolness is like the Supreme Court's definition of pornography: difficult to define, but we know it when we see it. Take this scene: a group of mob bosses are staking out Porter's motel room in a big, flashy car. Porter sneaks under the car, cuts the gas line, and then stands behind the car just long enough for the mob driver to see him. And then slowly, he drops his lit cigarette... which falls in a pool of gasoline... which leads back to the car... which goes kaboom! And we see Porter, through the smoke, staring at the wreckage. It's a cool moment in a cool movie, and it's absolutely silent. (Except for the kaboom.) Gibson doesn't have to say anything, not even a Schwarzeneggerian one-liner. His cool is intact.
To make things even better, Payback is a movie where uncommon coolness is a common virtue. Maria Bello is supercool as Porter's hooker girlfriend, but she's easily outstripped (chuckle) by Lucy Alexis Liu's sadomasochistic hooker-with-a heart-of-barbed-wire. The gangsters are just as cool, with William Devane, James Coburn, and Kris Kristofferson all contributing to the movie's ice-cold spirit.
The only real drawback to Payback was the two girls who sat behind me and related plot points to each other the whole way through the movie. I am pleased to say that I resisted temptation and let this antisocial behavior pass without resorting to violence or even an unkind word or two. I hope, however, that the Presidential Summit to Prevent Unnecessary Talking In Movie Theaters gets underway soon. It's time for Washington to lay off the entertainment business for awhile and take an interest in the real problems our country faces.
Grade: A-
-- Curtis D. Edmonds<EMAIL_ADDRESS>"First, you show up. Then you see what happens." -- Napoleon Bonaparte
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


This is my freedomains.dev page to host my solutions for the JS4 Challenges from C0D3.
Click on the buttons on the bottom of the cards to see each challenge in action!
Contact: @ggwadera in chat.c0d3.com.
Create a simple smart watch UI with embedded Google Maps.
Recreate a Google Doodle of the First World's Fair.
Build a simple game where you have to turn off all the lights.
Build a click and drag selection box using JS.
Build a minesweeper game.


Confidant Communications is a small design and interactive development firm in Saskatoon, Saskatchewan with experience dating back to 1995.
We are dedicated to providing high quality services done with morality, integrity and good humour.
We serve all types of clients: film, publishing, advertising, corporate, church, food, service, government – well, you get the idea. We have done work for Intel, Calgary Stampeders, TransCanada, CN Rail, Hitachi, Siemens, Agriculture and Agri-Food Canada, Health Canada, National Film Board of Canada, Cameco, PotashCorp, Government of Saskatchewan, SaskPower, Tourism Saskatchewan, ICR, and Saskatchewan Polytechnic.
You can be a client too – call us!


Want to see more resources that help explain CC? Come view the archive and add resources you've created or seen in the wild.


Budgeting
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Portfolio Simulation
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Create simple budgets with ease and download them for your own records.
Simulate growth of assets such as cash, bonds, equities, property, and commodities.


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Define
Cybersecurity is the protection of internet-connected systems, including hardware, software and data, from cyberattacks.
In a computing context, security comprises cybersecurity and physical security --
both are used by enterprises to protect against unauthorized access to data centers and other computerized systems.
American style tends to favor cybersecurity as one word while British style often uses cyber security as two words.
But the definitions don't really waver. Cybersecurity and cyber security have the same meaning
Vulnerabilities and attacks
Main article: Vulnerability (computing)
A vulnerability is a weakness in design, implementation, operation or internal control. Most of the vulnerabilities that have been discovered are documented in the Common Vulnerabilities and Exposures (CVE) database. An exploitable vulnerability is one for which at least one working attack or "exploit" exists.[4] Vulnerabilities are often hunted or exploited with the aid of automated tools or manually using customized scripts. To secure a computer system, it is important to understand the attacks that can be made against it, and these threats can typically be classified into one of these categories below:
Backdoor
A backdoor in a computer system, a cryptosystem or an algorithm, is any secret method of bypassing normal authentication or security controls. They may exist for a number of reasons, including by original design or from poor configuration. They may have been added by an authorized party to allow some legitimate access, or by an attacker for malicious reasons; but regardless of the motives for their existence, they create a vulnerability.
Denial-of-service attack
Denial of service attacks (DoS) are designed to make a machine or network resource unavailable to its intended users.[5] Attackers can deny service to individual victims, such as by deliberately entering a wrong password enough consecutive times to cause the victims account to be locked, or they may overload the capabilities of a machine or network and block all users at once. While a network attack from a single IP address can be blocked by adding a new firewall rule, many forms of Distributed denial of service (DDoS) attacks are possible, where the attack comes from a large number of points – and defending is much more difficult. Such attacks can originate from the zombie computers of a botnet, but a range of other techniques are possible including reflection and amplification attacks, where innocent systems are fooled into sending traffic to the victim.
Direct-access attacks
An unauthorized user gaining physical access to a computer is most likely able to directly copy data from it. They may also compromise security by making operating system modifications, installing software worms, keyloggers, covert listening devices or using wireless mice.[citation needed] Even when the system is protected by standard security measures, these may be able to be by-passed by booting another operating system or tool from a CD-ROM or other bootable media. Disk encryption and Trusted Platform Module are designed to prevent these attacks.
Eavesdropping
Eavesdropping is the act of surreptitiously listening to a private computer "conversation" (communication), typically between hosts on a network. For instance, programs such as Carnivore and NarusInSight have been used by the FBI and NSA to eavesdrop on the systems of internet service providers. Even machines that operate as a closed system (i.e., with no contact to the outside world) can be eavesdropped upon via monitoring the faint electromagnetic transmissions generated by the hardware; TEMPEST is a specification by the NSA referring to these attacks.
Multi-vector, polymorphic attacks
Surfacing in 2017, a new class of multi-vector,[6] polymorphic[7] cyber threats surfaced that combined several types of attacks and changed form to avoid cybersecurity controls as they spread. These threats have been classified as fifth generation cyber attacks.[citation needed]
Phishing
An example of a phishing email, disguised as an official email from a (fictional) bank. The sender is attempting to trick the recipient into revealing confidential information by "confirming" it at the phisher's website. Note the misspelling of the words received and discrepancy as recieved and discrepency, respectively. Although the URL of the bank's webpage appears to be legitimate, the hyperlink points at the phisher's webpage.
Phishing is the attempt to acquire sensitive information such as usernames, passwords, and credit card details directly from users by deceiving the users.[8] Phishing is typically carried out by email spoofing or instant messaging, and it often directs users to enter details at a fake website whose "look" and "feel" are almost identical to the legitimate one. The fake website often asks for personal information, such as log-in details and passwords. This information can then be used to gain access to the individual's real account on the real website. Preying on a victim's trust, phishing can be classified as a form of social engineering.
Privilege escalation
Privilege escalation describes a situation where an attacker with some level of restricted access is able to, without authorization, elevate their privileges or access level. For example, a standard computer user may be able to exploit a vulnerability in the system to gain access to restricted data; or even become "root" and have full unrestricted access to a system.
Social engineering
Main article: Social engineering (security)
Social engineering aims to convince a user to disclose secrets such as passwords, card numbers, etc. by, for example, impersonating a bank, a contractor, or a customer.[9]
A common scam involves fake CEO emails sent to accounting and finance departments. In early 2016, the FBI reported that the scam has cost US businesses more than $2bn in about two years.[10]
In May 2016, the Milwaukee Bucks NBA team was the victim of this type of cyber scam with a perpetrator impersonating the team's president Peter Feigin, resulting in the handover of all the team's employees' 2015 W-2 tax forms.[11]
Spoofing
Main article: Spoofing attack
Spoofing is the act of masquerading as a valid entity through falsification of data (such as an IP address or username), in order to gain access to information or resources that one is otherwise unauthorized to obtain.[12][13] There are several types of spoofing, including:
Email spoofing, where an attacker forges the sending (From, or source) address of an email.
IP address spoofing, where an attacker alters the source IP address in a network packet to hide their identity or impersonate another computing system.
MAC spoofing, where an attacker modifies the Media Access Control (MAC) address of their network interface to pose as a valid user on a network.
Biometric spoofing, where an attacker produces a fake biometric sample to pose as another user.[14]
Tampering
Tampering describes a malicious modification of products. So-called "Evil Maid" attacks and security services planting of surveillance capability into routers are examples


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| < Day Day Up > |
12.3. How VC Helps with Basic OperationsHistorically, you had to know three or four different shell commands to do the basic operations of version control (registration, check in, check out, and revert), and you had to do each one outside your editor (or in an editor subshell). This procedure was complicated and annoying, or at best a distraction from the flow of working on your code and changes. VC's interface is much simpler. The simplicity comes from noticing that whatever state your version-controlled file is in, there is normally just one logical thing to do next. Here are the rules:
Indeed, VC mode has just one basic command: C-x v v (for vc-next-action), which you can think of as "do the next logical thing to this file" or, more precisely: "take the currently visited file to the next normal version control state." It follows the arrows in Figure 12-1, which describes the traditional version control cycle.[2] This command is available in every Emacs since 19; when you invoke it, it automatically fetches the rest of VC and does its job.
Figure 12-1. The traditional version control cycleThere's a little more to it than that, of course. For one thing, when you check in a set of changes to a file, VC pops up a buffer for you to enter a change comment. Similarly, if you're in an older version control environment, when you steal a lock, VC pops up a buffer requesting an explanation. This explanation is mailed to the lock owner.  Actually, the function that implements vc-next-action checks to see if the buffer is unmodified since check-out time; if so, it offers to revert the buffer and unlocks the work file rather than checking in an empty change. Although it's worth understanding this traditional flow because it's how VC is designed, working with today's concurrent version control systems is slightly different. Luckily, it's even a little simpler. Because there is no need to obtain a lock in order to edit a document, one of the VC steps is missing (or, if you prefer, you can think of it as implicit). This is illustrated in Figure 12-2. Figure 12-2. The concurrent version control cycleThe transition from the unmodified state to the modified state (with respect to the version in the repository) is shown as a dotted line, because you no longer perform a VC operation here. You just start editing the file you want to work with. Whenever you tell VC you want the "next action" it's able to tell whether the document is modified or not. If it is, the current version is committed ("checked in," if you will) and you're prompted for the change comments. If the file is registered but unmodified, VC simply displays a message in the minibuffer telling you that the buffer is up to date. If you prefer to configure CVS to give you read-only versions of files until you explicitly choose to edit them, your workflow will remain that of Figure 12-1. |
| < Day Day Up > |


Jubayer Mahmod
Under construction
I am a PhD student in the Bradley Dept. of Electrical and Computer Engineering. I am learning (and specializing) hardware-based security aspects of systems. I belong to the FoRTE research group (Computer Science) led Dr. Matthew Hicks. I went to BUET for my bachelor's and learn some electronics. I love it but I am not a big fan of device physics. So, I switched gear and studied computer engineering at Auburn; got my master's. I spent two wonderful summers in Silicon Valley as an intern engineer in the integrated circuit R&D team of ForteMedia, Inc. I think I like to do more than designing a black box so here I am a PhD student looking for something MORE.


Class: Aws::Backup::Types::StartBackupJobInput
| Relationships & Source Files | |
| Super Chains via Extension / Inclusion / Inheritance | |
|
Class Chain:
self,
Struct
|
|
|
Instance Chain:
self,
::Aws::Structure ,
Struct
|
|
| Inherits: |
Struct
|
| Defined in: | gems/aws-sdk-backup/lib/aws-sdk-backup/types.rb |
Overview
Constant Summary
-
SENSITIVE =
# File 'gems/aws-sdk-backup/lib/aws-sdk-backup/types.rb', line 5934[: ]
Instance Attribute Summary
-
#backup_options ⇒ Hash<String,String>
rw
Specifies the backup option for a selected resource.
-
#backup_vault_name ⇒ String
rw
The name of a logical container where backups are stored.
-
#complete_window_minutes ⇒ Integer
rw
A value in minutes during which a successfully started backup must complete, or else
::Aws::Backup
will cancel the job. -
#iam_role_arn ⇒ String
rw
Specifies the
::Aws::IAM
role::Aws::ARN
used to create the target recovery point; for example,arn:aws:iam::123456789012:role/S3Access
. -
#idempotency_token ⇒ String
rw
A customer-chosen string that you can use to distinguish between otherwise identical calls to
StartBackupJob
. -
#lifecycle ⇒ Types::Lifecycle
rw
The lifecycle defines when a protected resource is transitioned to cold storage and when it expires.
-
#recovery_point_tags ⇒ Hash<String,String>
rw
To help organize your resources, you can assign your own metadata to the resources that you create.
-
#resource_arn ⇒ String
rw
An Amazon
::Aws::Backup::Resource
Name (ARN) that uniquely identifies a resource. -
#start_window_minutes ⇒ Integer
rw
A value in minutes after a backup is scheduled before a job will be canceled if it doesn't start successfully.
Instance Method Summary
::Aws::Structure
- Included
| #to_hash | Alias for Structure#to_h. |
Instance Attribute Details
#backup_options ⇒ Hash
<String
,String
> (rw)
Specifies the backup option for a selected resource. This option is only available for Windows Volume Shadow Copy Service (VSS) backup jobs.
Valid values: Set to "WindowsVSS":"enabled"
to enable the
WindowsVSS
backup option and create a Windows VSS backup. Set to
"WindowsVSS""disabled"
to create a regular backup. The
WindowsVSS
option is not enabled by default.
# File 'gems/aws-sdk-backup/lib/aws-sdk-backup/types.rb', line 5924
class StartBackupJobInput < Struct.new( :backup_vault_name, :resource_arn, :iam_role_arn, :idempotency_token, :start_window_minutes, :complete_window_minutes, :lifecycle, :, : ) SENSITIVE = [: ] include Aws::Structure end
#backup_vault_name ⇒ String
(rw)
The name of a logical container where backups are stored. ::Aws::Backup
vaults are identified by names that are unique to the account used
to create them and the Amazon Web Services Region where they are
created. They consist of lowercase letters, numbers, and hyphens.
# File 'gems/aws-sdk-backup/lib/aws-sdk-backup/types.rb', line 5924
class StartBackupJobInput < Struct.new( :backup_vault_name, :resource_arn, :iam_role_arn, :idempotency_token, :start_window_minutes, :complete_window_minutes, :lifecycle, :, : ) SENSITIVE = [: ] include Aws::Structure end
#complete_window_minutes ⇒ Integer
(rw)
A value in minutes during which a successfully started backup must
complete, or else ::Aws::Backup
will cancel the job. This value is
optional. This value begins counting down from when the backup was
scheduled. It does not add additional time for StartWindowMinutes
,
or if the backup started later than scheduled.
Like StartWindowMinutes
, this parameter has a maximum value of 100
years (52,560,000 minutes).
# File 'gems/aws-sdk-backup/lib/aws-sdk-backup/types.rb', line 5924
class StartBackupJobInput < Struct.new( :backup_vault_name, :resource_arn, :iam_role_arn, :idempotency_token, :start_window_minutes, :complete_window_minutes, :lifecycle, :, : ) SENSITIVE = [: ] include Aws::Structure end
#iam_role_arn ⇒ String
(rw)
Specifies the ::Aws::IAM
role ::Aws::ARN
used to create the target recovery point;
for example, arn:aws:iam::123456789012:role/S3Access
.
# File 'gems/aws-sdk-backup/lib/aws-sdk-backup/types.rb', line 5924
class StartBackupJobInput < Struct.new( :backup_vault_name, :resource_arn, :iam_role_arn, :idempotency_token, :start_window_minutes, :complete_window_minutes, :lifecycle, :, : ) SENSITIVE = [: ] include Aws::Structure end
#idempotency_token ⇒ String
(rw)
A customer-chosen string that you can use to distinguish between
otherwise identical calls to StartBackupJob
. Retrying a successful
request with the same idempotency token results in a success message
with no action taken.
# File 'gems/aws-sdk-backup/lib/aws-sdk-backup/types.rb', line 5924
class StartBackupJobInput < Struct.new( :backup_vault_name, :resource_arn, :iam_role_arn, :idempotency_token, :start_window_minutes, :complete_window_minutes, :lifecycle, :, : ) SENSITIVE = [: ] include Aws::Structure end
#lifecycle ⇒ Types::Lifecycle (rw)
The lifecycle defines when a protected resource is transitioned to
cold storage and when it expires. ::Aws::Backup
will transition and expire
backups automatically according to the lifecycle that you define.
Backups transitioned to cold storage must be stored in cold storage for a minimum of 90 days. Therefore, the “retention” setting must be 90 days greater than the “transition to cold after days” setting. The “transition to cold after days” setting cannot be changed after a backup has been transitioned to cold.
::Aws::Backup::Resource
types that are able to be transitioned to cold storage are
listed in the "Lifecycle to cold storage" section of the Feature
availability by resource table. ::Aws::Backup
ignores this expression
for other resource types.
This parameter has a maximum value of 100 years (36,500 days).
# File 'gems/aws-sdk-backup/lib/aws-sdk-backup/types.rb', line 5924
class StartBackupJobInput < Struct.new( :backup_vault_name, :resource_arn, :iam_role_arn, :idempotency_token, :start_window_minutes, :complete_window_minutes, :lifecycle, :, : ) SENSITIVE = [: ] include Aws::Structure end
#recovery_point_tags ⇒ Hash
<String
,String
> (rw)
To help organize your resources, you can assign your own metadata to the resources that you create. Each tag is a key-value pair.
# File 'gems/aws-sdk-backup/lib/aws-sdk-backup/types.rb', line 5924
class StartBackupJobInput < Struct.new( :backup_vault_name, :resource_arn, :iam_role_arn, :idempotency_token, :start_window_minutes, :complete_window_minutes, :lifecycle, :, : ) SENSITIVE = [: ] include Aws::Structure end
#resource_arn ⇒ String
(rw)
An Amazon ::Aws::Backup::Resource
Name (ARN) that uniquely identifies a resource.
The format of the ::Aws::ARN
depends on the resource type.
# File 'gems/aws-sdk-backup/lib/aws-sdk-backup/types.rb', line 5924
class StartBackupJobInput < Struct.new( :backup_vault_name, :resource_arn, :iam_role_arn, :idempotency_token, :start_window_minutes, :complete_window_minutes, :lifecycle, :, : ) SENSITIVE = [: ] include Aws::Structure end
#start_window_minutes ⇒ Integer
(rw)
A value in minutes after a backup is scheduled before a job will be canceled if it doesn't start successfully. This value is optional, and the default is 8 hours. If this value is included, it must be at least 60 minutes to avoid errors.
This parameter has a maximum value of 100 years (52,560,000 minutes).
During the start window, the backup job status remains in CREATED
status until it has successfully begun or until the start window
time has run out. If within the start window time ::Aws::Backup
receives an
error that allows the job to be retried, ::Aws::Backup
will automatically
retry to begin the job at least every 10 minutes until the backup
successfully begins (the job status changes to RUNNING
) or until
the job status changes to EXPIRED
(which is expected to occur when
the start window time is over).
# File 'gems/aws-sdk-backup/lib/aws-sdk-backup/types.rb', line 5924
class StartBackupJobInput < Struct.new( :backup_vault_name, :resource_arn, :iam_role_arn, :idempotency_token, :start_window_minutes, :complete_window_minutes, :lifecycle, :, : ) SENSITIVE = [: ] include Aws::Structure end


The village of Labo comes recommended by cruisers.
Not a port of entry. Make sure you check in/out from one of the 4 ports of entry in Vanuatu on Efate, Santo, Banks and Tanna Islands.
SW Bay is well sheltered from the tradewinds (open to infrequent westerlies) and enormous (it can harbour over 100 yachts). Anchor in good sand in 10 to 40 feet. You can land your dinghy ashore in front of the different villages in the Bay and you can also dinghy into the lagoon.


Day 01: Delhi - Haridwar (By AC Train) - Rishikesh (24 kms by road) In the morning board the AC Train for Haridwar at 06:55 hrs from New Delhi Train Station. Upon arrival at Haridwar meet our executive and transfer to Rishikesh, and check into hotel. By Evening one can explore the area like Laxman Jhoola, Swarga Ashram, Parmarth Niketan etc. Overnight in hotel.
Day 02: Rishikesh - Joshimath (245 kms/8-9 hrs) After an early breakfast drive to Joshimath via Devprayag. On the way visit Dev prayag where Bhagirathi and Alaknanda rivers meet. From here the holy river Ganges started. Arrival at Joshimath by evening, check into the hotel. Dinner & overnight stay. Joshimath: The religious centre, established by Adi Shankaracharya, which he called Jyotirmath, later came to be known as Joshimath. Among the sites of interest are the temples of Nav Durga and Narsingh. Apart from its obvious religious importance, Joshimath is known for its scenic beauty.
Day 03: Joshimath - Govindghat (22 kms/1 hrs) - Ghangaria (14 kms/3-4 hrs) After an early breakfast drive to Govindghat, which is the starting point of the trek. From Govindghat there is a gradual ascent along a well maintained pilgrim trail to Ghangaria. Upon arrival at Ghangria check into hotel. Explore the surroundings in the evening. Dinner and overnight stay at the hotel.
Day 04: Ghangaria - Valley Of Flowers - Ghangria (5 kms one side/4-5 hrs) After breakfast trek to Valley Of Flowers (3858 m) from Ghangaria. The valley is an enchanting sight with an impressive array of rare wildflowers like Geranium, Marsh marigold, Prinula, Potentilla, Geum, Asters, Lilium, Ranunculus, Corydalis, Inula, Braham kamal, Campanula, Pedicularis, Arisaema, Morina, Impatiens, Bistorta, Ligularia, Anaphalis, Saxifrages, Sibbaldia, Thermo- psis, Trollius, Codonopsis, Dactylorhiza, Cypripedium, Strawberry, Epilobium, Rhododendrons and numerous others.
Day 05: Ghangaria - Hemkund Sahib - Ghangaria (6 kms one side/ 3-4 hrs) In the morning after breakfast trek towards Hemkund Sahib (4329 m) from Ghangaria. Today the route is a quite a steep accent. Hemkund Sahib is famous for Gurudwara of Sikh Pilgrimage. One can also take a holy dip in the Lake, on other side there is a Laxman temple. For the photographer its good place as there one can also spot numerous color of wild flowers. After Exploring the area trek back to Ghangaria. Dinner & overnight stay at hotel.
Day 06: Ghangaria - Govind Ghat - Joshimath - Rudraprayag (130 kms/5-6 hrs) After an early breakfast trek down to Govind Ghat and from here drive to Rudraprayag via Joshimath, Chamoli & Karnprayag, along the various river valleys along the route. On arrival check into the hotel. Dinner and overnight stay in the hotel.
Day 07: Rudraprayag - Rishikesh - Haridwar - Delhi After breakfast drive to Haridwar. On the way visit Devprayag. Here the river Bhagirathi and Alaknanda meet and from here the Holy Ganges starts. Lunch enroute. Arrive at Haridwar by late afternoon and transfer to train station. From here catch AC train for Delhi at 18:10 hrs. Arrival at Delhi by 22:45 hrs.
Tour & Service End.


Tablet of Vision:
You need the Stone of Commune to decipher the hieroglyphs on the tablet. Speak with
Sparky the Cat
about the Stone of Commune.


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