 I guess it's time to break out the old cough syrup. This would have been my 2nd trip with the first one not being very eventful and rather unpleasant.  So i drank the bottle slowly in the car on the way to a party. I actually love the taste so i rather enjoyed it except for the nasty bite of aftertaste in the back of my mouth.
About ten minutes after i finished, i arived at a friends apartment and felt no effect for some time. The first effects i seemed to notice after about 30 minutes was simply a peculiar stoned feeling, just like the slow movement and thought process from drinking but with none of the positive effects. The slowness slowly grows stronger into a type of confusion. Like you still know whats going on, can walk and talk normal, but you are only concerened with the subject at hand, whatever is right in front of you, whoever you're talking with at the moment, and the rest of the world is nonexistant.
Getting a little dizzy now too.  And I fly up 100 feet in a blast of adrenaline. I am lost in these feelings and visualizations when i 'come too' and realize im still sitting there. Now i'm realizing I'm really starting to trip. I'm thinking 'my god what did i get myself into' as what i was experiencing then was definitely altered consiousness but was by no means fun or comfortable, and it was just begining.
my budy then left and i sat alone in the night, for a while, just trying to get a grip.  I just sat there and got more depressed to the point of tears and then realized that there was no tears. No sadness at all , just numb. My god what is going on, never felt this way before.   Inside lots of people, lots of noise, besides that, confusion. No real foucus on what it is -a party at a friends house with person a and person b ect. just a blind mass of noisy people. It's overwelming, i have to sit.  Suddenely a friend who's fairly plastered just grabs me up and we start dancing around the room. Then i hear the music.. Their was no music before, it just came to me like a frieght train, i have no idea what it was, but then to me it was pure joy. My friend then says she's having such a great time. suddenly I feel as i was released from a prison i fly up and around the room in an energy of happiness.  Your such a good friend' she was probably extremly confused but too drunk to care so we continued to float around the room for a while.
The next thing i remember was sitting at a table and watching people fill up baloons with you know what. So i begged for one like a child (it was just natural at the time) and telling them how much ive smoked them out before etc. and they said relax, you can have all you want. When i got a fairly big one i sat down on the floor and inhaled the whole thing and held it. Typically that won't do much for me, but this time it was much different.
Instantly I was away from this world. On my Very own plane. It was black in color, a void a nothingness, also silence. It was a beautiful silence. Never experienced it before. Even a deaf man has some kind of constant audio input or stimulus from his own biological inner workings. this was totally gone. To continue to describe the trip i must say 'I was' or 'I saw' but really there was no 'I' i simply did not exist nor did the rest of the world, in that black void simply a flower, changing color from yellow to orange, beautiful and on fire. Just the flower and the beautiful nothingness. So much peace, beautiful peace. I dont know how long that 'experience' replaced me and the univerrse, but to me it could have been light years.
i started hearing voices around me and realized everyone was looking at me in this room.  I was incensed and furious at these fuckers for destroying it. then i realised that i was simply on drugs and that the whole world would be coming back soon. Now it felt just like my usual come down from nitrous, except it was taking an unusually long time. What was wrong?  Oh my god I cant see!
They turned the lights off and put up a glowing green neon sign. I started to rock and move to these shity songs in the dark and the green light started forming little super snakes of light that flew around the room, faster and faster untill i lost my self in this cosmic light show. This was the only confort. I did this until i came down 3 hours later and i just felt exhausted and a little disoriented. So it was definitly intresting which is all i hoped for. I would only consider it again if I could be in a position to dance to music and a light show for hours and just lose my self. Otherwise I find it a prety shitty drug and definitly not a substitute for any thing else used to have a good time.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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|
| Local Properties | ||
| Managed Object Types | Data Object Types | All Properties | All Methods |
Properties
| Name | Type | Description |
|---|---|---|
| eula* | xsd:string[] |
End User Liceses Agreements.
If this list is set, it replaces all exiting licenses. An empty list will not make any changes to installed licenses. A list with a single element {""} will remove all licenses and leave an empty list.
Reconfigure privilege: VApp.ApplicationConfig
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| installBootRequired* | xsd:boolean |
If this is on a VirtualMachine object, it specifies whether the VM needs an
initial boot before the deployment is complete. If this is on a vApp object,
it indicates than one or more VMs needs an initial reboot. This flag is
automatically reset once the reboot has happened.
Reconfigure privilege: VApp.ApplicationConfig
|
| installBootStopDelay* | xsd:int |
Specifies the delay in seconds to wait for the VM to power off after the initial
boot (used only if installBootRequired is true). A value of 0 means wait forever.
Reconfigure privilege: VApp.ApplicationConfig
|
| ipAssignment* | VAppIPAssignmentInfo |
IP assignment policy and DHCP support configuration.
Reconfigure privilege: See VAppIPAssignmentInfo
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com.vmware.guestInfo.
If this list is set, it replaces all exiting entries. An empty list will not make any changes. A list with a single element {""} will clear the list of transports.
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List of uninterpreted OVF meta-data sections.
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Information about the product.
Reconfigure privilege: VApp.ApplicationConfig
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List of properties.
Adding and editing properties requires various privileges depending on which fields are affected. See VAppPropertyInfo for details.
Deleting properties requires the privilege VApp.ApplicationConfig.
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Scene I
OLIVIA's garden.
[Enter VIOLA, and Clown with a tabour]
VIOLA
Save thee, friend, and thy music: dost thou live by
thy tabour?
Clown
No, sir, I live by the church.
VIOLA
Art thou a churchman?
Clown
No such matter, sir: I do live by the church; for
I do live at my house, and my house doth stand by
the church.
VIOLA
So thou mayst say, the king lies by a beggar, if a
beggar dwell near him; or, the church stands by thy
tabour, if thy tabour stand by the church.
Clown
You have said, sir. To see this age! A sentence is
but a cheveril glove to a good wit: how quickly the
wrong side may be turned outward!
VIOLA
Nay, that's certain; they that dally nicely with
words may quickly make them wanton.
Clown
I would, therefore, my sister had had no name, sir.
Clown
Why, sir, her name's a word; and to dally with that
word might make my sister wanton. But indeed words
are very rascals since bonds disgraced them.
Clown
Troth, sir, I can yield you none without words; and
words are grown so false, I am loath to prove
reason with them.
VIOLA
I warrant thou art a merry fellow and carest for nothing.
Clown
Not so, sir, I do care for something; but in my
conscience, sir, I do not care for you: if that be
to care for nothing, sir, I would it would make you invisible.
VIOLA
Art not thou the Lady Olivia's fool?
Clown
No, indeed, sir; the Lady Olivia has no folly: she
will keep no fool, sir, till she be married; and
fools are as like husbands as pilchards are to
herrings; the husband's the bigger: I am indeed not
her fool, but her corrupter of words.
VIOLA
I saw thee late at the Count Orsino's.
Clown
Foolery, sir, does walk about the orb like the sun,
it shines every where. I would be sorry, sir, but
the fool should be as oft with your master as with
my mistress: I think I saw your wisdom there.
VIOLA
Nay, an thou pass upon me, I'll no more with thee.
Hold, there's expenses for thee.
Clown
Now Jove, in his next commodity of hair, send thee a beard!
VIOLA
By my troth, I'll tell thee, I am almost sick for
one;
[Aside]
though I would not have it grow on my chin. Is thy
lady within?
Clown
Would not a pair of these have bred, sir?
VIOLA
Yes, being kept together and put to use.
Clown
I would play Lord Pandarus of Phrygia, sir, to bring
a Cressida to this Troilus.
VIOLA
I understand you, sir; 'tis well begged.
Clown
The matter, I hope, is not great, sir, begging but
a beggar: Cressida was a beggar. My lady is
within, sir. I will construe to them whence you
come; who you are and what you would are out of my
welkin, I might say 'element,' but the word is over-worn.
[Exit]
VIOLA
This fellow is wise enough to play the fool;
And to do that well craves a kind of wit:
He must observe their mood on whom he jests,
The quality of persons, and the time,
And, like the haggard, cheque at every feather
That comes before his eye. This is a practise
As full of labour as a wise man's art
For folly that he wisely shows is fit;
But wise men, folly-fall'n, quite taint their wit.
[Enter SIR TOBY BELCH, and SIR ANDREW]
SIR TOBY BELCH
Save you, gentleman.
SIR ANDREW
Dieu vous garde, monsieur.
VIOLA
Et vous aussi; votre serviteur.
SIR ANDREW
I hope, sir, you are; and I am yours.
SIR TOBY BELCH
Will you encounter the house? my niece is desirous
you should enter, if your trade be to her.
VIOLA
I am bound to your niece, sir; I mean, she is the
list of my voyage.
SIR TOBY BELCH
Taste your legs, sir; put them to motion.
VIOLA
My legs do better understand me, sir, than I
understand what you mean by bidding me taste my legs.
SIR TOBY BELCH
I mean, to go, sir, to enter.
VIOLA
I will answer you with gait and entrance. But we
are prevented.
[Enter OLIVIA and MARIA]
Most excellent accomplished lady, the heavens rain
odours on you!
SIR ANDREW
That youth's a rare courtier: 'Rain odours;' well.
VIOLA
My matter hath no voice, to your own most pregnant
and vouchsafed ear.
SIR ANDREW
'Odours,' 'pregnant' and 'vouchsafed:' I'll get 'em
all three all ready.
OLIVIA
Let the garden door be shut, and leave me to my hearing.
[Exeunt SIR TOBY BELCH, SIR ANDREW, and MARIA]
Give me your hand, sir.
VIOLA
My duty, madam, and most humble service.
OLIVIA
What is your name?
VIOLA
Cesario is your servant's name, fair princess.
OLIVIA
My servant, sir! 'Twas never merry world
Since lowly feigning was call'd compliment:
You're servant to the Count Orsino, youth.

OLIVIA
For him, I think not on him: for his thoughts,
Would they were blanks, rather than fill'd with me!
VIOLA
Madam, I come to whet your gentle thoughts
On his behalf.
OLIVIA
O, by your leave, I pray you,
I bade you never speak again of him:
But, would you undertake another suit,
I had rather hear you to solicit that
Than music from the spheres.
OLIVIA
Give me leave, beseech you. I did send,
After the last enchantment you did here,
A ring in chase of you: so did I abuse
Myself, my servant and, I fear me, you:
Under your hard construction must I sit,
To force that on you, in a shameful cunning,
Which you knew none of yours: what might you think?
Have you not set mine honour at the stake
And baited it with all the unmuzzled thoughts
That tyrannous heart can think? To one of your receiving
Enough is shown: a cypress, not a bosom,
Hideth my heart. So, let me hear you speak.
OLIVIA
That's a degree to love.
VIOLA
No, not a grize; for 'tis a vulgar proof,
That very oft we pity enemies.
OLIVIA
Why, then, methinks 'tis time to smile again.
O, world, how apt the poor are to be proud!
If one should be a prey, how much the better
To fall before the lion than the wolf!
[Clock strikes]
The clock upbraids me with the waste of time.
Be not afraid, good youth, I will not have you:
And yet, when wit and youth is come to harvest,
Your were is alike to reap a proper man:
There lies your way, due west.
VIOLA
Then westward-ho! Grace and good disposition
Attend your ladyship!
You'll nothing, madam, to my lord by me?
OLIVIA
Stay:
I prithee, tell me what thou thinkest of me.
VIOLA
That you do think you are not what you are.
OLIVIA
If I think so, I think the same of you.
VIOLA
Then think you right: I am not what I am.
OLIVIA
I would you were as I would have you be!
VIOLA
Would it be better, madam, than I am?
I wish it might, for now I am your fool.
OLIVIA
O, what a deal of scorn looks beautiful
In the contempt and anger of his lip!
A murderous guilt shows not itself more soon
Than love that would seem hid: love's night is noon.
Cesario, by the roses of the spring,
By maidhood, honour, truth and every thing,
I love thee so, that, maugre all thy pride,
Nor wit nor reason can my passion hide.
Do not extort thy reasons from this clause,
For that I woo, thou therefore hast no cause,
But rather reason thus with reason fetter,
Love sought is good, but given unsought better.
VIOLA
By innocence I swear, and by my youth
I have one heart, one bosom and one truth,
And that no woman has; nor never none
Shall mistress be of it, save I alone.
And so adieu, good madam: never more
Will I my master's tears to you deplore.
OLIVIA
Yet come again; for thou perhaps mayst move
That heart, which now abhors, to like his love.
[Exeunt]
Scene II
OLIVIA's house.
SIR ANDREW
[Enter SIR TOBY BELCH, SIR ANDREW, and FABIAN]
No, faith, I'll not stay a jot longer.
SIR TOBY BELCH
Thy reason, dear venom, give thy reason.
FABIAN
You must needs yield your reason, Sir Andrew.
SIR ANDREW
Marry, I saw your niece do more favours to the
count's serving-man than ever she bestowed upon me;
I saw't i' the orchard.
SIR TOBY BELCH
Did she see thee the while, old boy? tell me that.
SIR ANDREW
As plain as I see you now.
FABIAN
This was a great argument of love in her toward you.

FABIAN
I will prove it legitimate, sir, upon the oaths of
judgment and reason.
SIR TOBY BELCH
And they have been grand-jury-men since before Noah
was a sailor.

You should then have accosted her; and with some
excellent jests, fire-new from the mint, you should
have banged the youth into dumbness. This was
looked for at your hand, and this was balked: the
double gilt of this opportunity you let time wash
off, and you are now sailed into the north of my
lady's opinion; where you will hang like an icicle
on a Dutchman's beard, unless you do redeem it by
some laudable attempt either of valour or policy.
SIR ANDREW
An't be any way, it must be with valour; for policy
I hate: I had as lief be a Brownist as a
politician.
SIR TOBY BELCH
Why, then, build me thy fortunes upon the basis of
valour. Challenge me the count's youth to fight
with him; hurt him in eleven places: my niece shall
take note of it; and assure thyself, there is no
love-broker in the world can more prevail in man's
commendation with woman than report of valour.
FABIAN
There is no way but this, Sir Andrew.
SIR ANDREW
Will either of you bear me a challenge to him?
SIR TOBY BELCH
Go, write it in a martial hand; be curst and brief;
it is no matter how witty, so it be eloquent and fun
of invention: taunt him with the licence of ink:
if thou thou'st him some thrice, it shall not be
amiss; and as many lies as will lie in thy sheet of
paper, although the sheet were big enough for the
bed of Ware in England, set 'em down: go, about it.
Let there be gall enough in thy ink, though thou
write with a goose-pen, no matter: about it.
SIR ANDREW
Where shall I find you?
SIR TOBY BELCH
We'll call thee at the cubiculo: go.
[Exit SIR ANDREW]
FABIAN
This is a dear manikin to you, Sir Toby.
SIR TOBY BELCH
I have been dear to him, lad, some two thousand
strong, or so.
FABIAN
We shall have a rare letter from him: but you'll
not deliver't?
SIR TOBY BELCH
Never trust me, then; and by all means stir on the
youth to an answer. I think oxen and wainropes
cannot hale them together. For Andrew, if he were
opened, and you find so much blood in his liver as
will clog the foot of a flea, I'll eat the rest of
the anatomy.
FABIAN
And his opposite, the youth, bears in his visage no
great presage of cruelty.
[Enter MARIA]
SIR TOBY BELCH
Look, where the youngest wren of nine comes.
MARIA
If you desire the spleen, and will laugh yourself
into stitches, follow me. Yond gull Malvolio is
turned heathen, a very renegado; for there is no
Christian, that means to be saved by believing
rightly, can ever believe such impossible passages
of grossness. He's in yellow stockings.
SIR TOBY BELCH
And cross-gartered?
MARIA
Most villanously; like a pedant that keeps a school
i' the church. I have dogged him, like his
murderer. He does obey every point of the letter
that I dropped to betray him: he does smile his
face into more lines than is in the new map with the
augmentation of the Indies: you have not seen such
a thing as 'tis. I can hardly forbear hurling things
at him. I know my lady will strike him: if she do,
he'll smile and take't for a great favour.
SIR TOBY BELCH
Come, bring us, bring us where he is.
[Exeunt]
Scene IV
OLIVIA's garden.
OLIVIA
[Enter OLIVIA and MARIA]
I have sent after him: he says he'll come;
How shall I feast him? what bestow of him?
For youth is bought more oft than begg'd or borrow'd.
I speak too loud.
Where is Malvolio? he is sad and civil,
And suits well for a servant with my fortunes:
Where is Malvolio?
MARIA
He's coming, madam; but in very strange manner. He
is, sure, possessed, madam.
OLIVIA
Why, what's the matter? does he rave?
MARIA
No. madam, he does nothing but smile: your
ladyship were best to have some guard about you, if
he come; for, sure, the man is tainted in's wits.

[Exit MARIA]
I am as mad as he,
If sad and merry madness equal be.
[Re-enter MARIA, with MALVOLIO]
How now, Malvolio!
MALVOLIO
Sweet lady, ho, ho.
OLIVIA
Smilest thou?
I sent for thee upon a sad occasion.
MALVOLIO
Sad, lady! I could be sad: this does make some
obstruction in the blood, this cross-gartering; but
what of that? if it please the eye of one, it is
with me as the very true sonnet is, 'Please one, and
please all.'
OLIVIA
Why, how dost thou, man? what is the matter with thee?
MALVOLIO
Not black in my mind, though yellow in my legs. It
did come to his hands, and commands shall be
executed: I think we do know the sweet Roman hand.
OLIVIA
Wilt thou go to bed, Malvolio?
MALVOLIO
To bed! ay, sweet-heart, and I'll come to thee.
OLIVIA
God comfort thee!
MARIA
How do you, Malvolio?
MALVOLIO
At your request! yes; nightingales answer daws.

MALVOLIO
'Be not afraid of greatness:' 'twas well writ.
OLIVIA
What meanest thou by that, Malvolio?
MALVOLIO
'Some are born great,'--
MALVOLIO
'Some achieve greatness,'--
MALVOLIO
'And some have greatness thrust upon them.'
OLIVIA
Heaven restore thee!
MALVOLIO
'Remember who commended thy yellow stockings,'--
OLIVIA
Thy yellow stockings!
MALVOLIO
'And wished to see thee cross-gartered.'
MALVOLIO
'Go to thou art made, if thou desirest to be so;'--
MALVOLIO
'If not, let me see thee a servant still.'
OLIVIA
Why, this is very midsummer madness.
[Enter Servant]
Servant
Madam, the young gentleman of the Count Orsino's is
returned: I could hardly entreat him back: he
attends your ladyship's pleasure.
OLIVIA
I'll come to him.
[Exit Servant]
Good Maria, let this fellow be looked to. Where's
my cousin Toby? Let some of my people have a special
care of him: I would not have him miscarry for the
half of my dowry.
[Exeunt OLIVIA and MARIA]
MALVOLIO
O, ho! do you come near me now? no worse man than
Sir Toby to look to me! This concurs directly with
the letter: she sends him on purpose, that I may
appear stubborn to him; for she incites me to that
in the letter.  I have
limed her; but it is Jove's doing, and Jove make me
thankful! And when she went away now, 'Let this
fellow be looked to:' fellow! not Malvolio, nor
after my degree, but fellow. Why, every thing
adheres together, that no dram of a scruple, no
scruple of a scruple, no obstacle, no incredulous
or unsafe circumstance--What can be said? Nothing
that can be can come between me and the full
prospect of my hopes. Well, Jove, not I, is the
doer of this, and he is to be thanked.
[Re-enter MARIA, with SIR TOBY BELCH and FABIAN]
SIR TOBY BELCH
Which way is he, in the name of sanctity? If all
the devils of hell be drawn in little, and Legion
himself possessed him, yet I'll speak to him.
FABIAN
Here he is, here he is.

MARIA
Lo, how hollow the fiend speaks within him! did not
I tell you? Sir Toby, my lady prays you to have a
care of him.
MALVOLIO
Ah, ha! does she so?
SIR TOBY BELCH
Go to, go to; peace, peace; we must deal gently
with him: let me alone. How do you, Malvolio? how
is't with you? What, man! defy the devil:
consider, he's an enemy to mankind.
MALVOLIO
Do you know what you say?
MARIA
La you, an you speak ill of the devil, how he takes
it at heart! Pray God, he be not bewitched!
FABIAN
Carry his water to the wise woman.
MARIA
Marry, and it shall be done to-morrow morning, if I
live. My lady would not lose him for more than I'll say.
MALVOLIO
How now, mistress!
SIR TOBY BELCH
Prithee, hold thy peace; this is not the way: do
you not see you move him? let me alone with him.
FABIAN
No way but gentleness; gently, gently: the fiend is
rough, and will not be roughly used.
SIR TOBY BELCH
Why, how now, my bawcock! how dost thou, chuck?
SIR TOBY BELCH
Ay, Biddy, come with me. What, man! 'tis not for
gravity to play at cherry-pit with Satan: hang
him, foul collier!
MARIA
Get him to say his prayers, good Sir Toby, get him to pray.
MALVOLIO
My prayers, minx!
MARIA
No, I warrant you, he will not hear of godliness.

[Exit]
SIR TOBY BELCH
Is't possible?
FABIAN
If this were played upon a stage now, I could
condemn it as an improbable fiction.
SIR TOBY BELCH
His very genius hath taken the infection of the device, man.
MARIA
Nay, pursue him now, lest the device take air and taint.
FABIAN
Why, we shall make him mad indeed.
MARIA
The house will be the quieter.
SIR TOBY BELCH
Come, we'll have him in a dark room and bound. My
niece is already in the belief that he's mad: we
may carry it thus, for our pleasure and his penance,
till our very pastime, tired out of breath, prompt
us to have mercy on him: at which time we will
bring the device to the bar and crown thee for a
finder of madmen. But see, but see.
[Enter SIR ANDREW]
FABIAN
More matter for a May morning.
SIR ANDREW
Here's the challenge, read it: warrant there's
vinegar and pepper in't.
SIR ANDREW
Ay, is't, I warrant him: do but read.
SIR TOBY BELCH
Give me.
[Reads]
'Youth, whatsoever thou art, thou art but a scurvy fellow.'
FABIAN
Good, and valiant.
SIR TOBY BELCH
[Reads] 'Wonder not, nor admire not in thy mind,
why I do call thee so, for I will show thee no reason for't.'
FABIAN
A good note; that keeps you from the blow of the law.
SIR TOBY BELCH
[Reads] 'Thou comest to the lady Olivia, and in my
sight she uses thee kindly: but thou liest in thy
throat; that is not the matter I challenge thee for.'
FABIAN
Very brief, and to exceeding good sense--less.
SIR TOBY BELCH
[Reads] 'I will waylay thee going home; where if it
be thy chance to kill me,'--
SIR TOBY BELCH
[Reads] 'Thou killest me like a rogue and a villain.'
FABIAN
Still you keep o' the windy side of the law: good.
SIR TOBY BELCH
[Reads] 'Fare thee well; and God have mercy upon
one of our souls! He may have mercy upon mine; but
my hope is better, and so look to thyself. Thy
friend, as thou usest him, and thy sworn enemy,
ANDREW AGUECHEEK.
If this letter move him not, his legs cannot:
I'll give't him.
MARIA
You may have very fit occasion for't: he is now in
some commerce with my lady, and will by and by depart.
 Away!
SIR ANDREW
Nay, let me alone for swearing.
[Exit]
SIR TOBY BELCH
Now will not I deliver his letter: for the behavior
of the young gentleman gives him out to be of good
capacity and breeding; his employment between his
lord and my niece confirms no less: therefore this
letter, being so excellently ignorant, will breed no
terror in the youth: he will find it comes from a
clodpole. But, sir, I will deliver his challenge by
word of mouth; set upon Aguecheek a notable report
of valour; and drive the gentleman, as I know his
youth will aptly receive it, into a most hideous
opinion of his rage, skill, fury and impetuosity.
This will so fright them both that they will kill
one another by the look, like cockatrices.
[Re-enter OLIVIA, with VIOLA]
FABIAN
Here he comes with your niece: give them way till
he take leave, and presently after him.
SIR TOBY BELCH
I will meditate the while upon some horrid message
for a challenge.
[Exeunt SIR TOBY BELCH, FABIAN, and MARIA]
OLIVIA
I have said too much unto a heart of stone
And laid mine honour too unchary out:
There's something in me that reproves my fault;
But such a headstrong potent fault it is,
That it but mocks reproof.
VIOLA
With the same 'havior that your passion bears
Goes on my master's grief.

What shall you ask of me that I'll deny,
That honour saved may upon asking give?
VIOLA
Nothing but this; your true love for my master.
OLIVIA
How with mine honour may I give him that
Which I have given to you?

[Exit]
[Re-enter SIR TOBY BELCH and FABIAN]
SIR TOBY BELCH
Gentleman, God save thee.

VIOLA
You mistake, sir; I am sure no man hath any quarrel
to me: my remembrance is very free and clear from
any image of offence done to any man.
SIR TOBY BELCH
You'll find it otherwise, I assure you: therefore,
if you hold your life at any price, betake you to
your guard; for your opposite hath in him what
youth, strength, skill and wrath can furnish man withal.
VIOLA
I pray you, sir, what is he?
SIR TOBY BELCH
He is knight, dubbed with unhatched rapier and on
carpet consideration; but he is a devil in private
brawl: souls and bodies hath he divorced three; and
his incensement at this moment is so implacable,
that satisfaction can be none but by pangs of death
and sepulchre. Hob, nob, is his word; give't or take't.
VIOLA
I will return again into the house and desire some
conduct of the lady. I am no fighter. I have heard
of some kind of men that put quarrels purposely on
others, to taste their valour: belike this is a man
of that quirk.
SIR TOBY BELCH
Sir, no; his indignation derives itself out of a
very competent injury: therefore, get you on and
give him his desire. Back you shall not to the
house, unless you undertake that with me which with
as much safety you might answer him: therefore, on,
or strip your sword stark naked; for meddle you
must, that's certain, or forswear to wear iron about you.
VIOLA
This is as uncivil as strange. I beseech you, do me
this courteous office, as to know of the knight what
my offence to him is: it is something of my
negligence, nothing of my purpose.
SIR TOBY BELCH
I will do so. Signior Fabian, stay you by this
gentleman till my return.
[Exit]
VIOLA
Pray you, sir, do you know of this matter?
FABIAN
I know the knight is incensed against you, even to a
mortal arbitrement; but nothing of the circumstance more.

FABIAN
Nothing of that wonderful promise, to read him by
his form, as you are like to find him in the proof
of his valour. He is, indeed, sir, the most skilful,
bloody and fatal opposite that you could possibly
have found in any part of Illyria. Will you walk
towards him? I will make your peace with him if I
can.
VIOLA
I shall be much bound to you for't: I am one that
had rather go with sir priest than sir knight: I
care not who knows so much of my mettle.
  They say he has been fencer to the Sophy.
SIR ANDREW
Pox on't, I'll not meddle with him.
SIR TOBY BELCH
Ay, but he will not now be pacified: Fabian can
scarce hold him yonder.
SIR ANDREW
Plague on't, an I thought he had been valiant and so
cunning in fence, I'ld have seen him damned ere I'ld
have challenged him. Let him let the matter slip,
and I'll give him my horse, grey Capilet.
SIR TOBY BELCH
I'll make the motion: stand here, make a good show
on't: this shall end without the perdition of souls.
[Aside]
Marry, I'll ride your horse as well as I ride you.
[Re-enter FABIAN and VIOLA]
[To FABIAN]
I have his horse to take up the quarrel:
I have persuaded him the youth's a devil.
FABIAN
He is as horribly conceited of him; and pants and
looks pale, as if a bear were at his heels.
SIR TOBY BELCH
[To VIOLA] There's no remedy, sir; he will fight
with you for's oath sake: marry, he hath better
bethought him of his quarrel, and he finds that now
scarce to be worth talking of: therefore draw, for
the supportance of his vow; he protests he will not hurt you.
VIOLA
[Aside] Pray God defend me! A little thing would
make me tell them how much I lack of a man.
FABIAN
Give ground, if you see him furious.
SIR TOBY BELCH
Come, Sir Andrew, there's no remedy; the gentleman
will, for his honour's sake, have one bout with you;
he cannot by the duello avoid it: but he has
promised me, as he is a gentleman and a soldier, he
will not hurt you. Come on; to't.
SIR ANDREW
Pray God, he keep his oath!
VIOLA
I do assure you, 'tis against my will.

SIR TOBY BELCH
You, sir! why, what are you?
ANTONIO
One, sir, that for his love dares yet do more
Than you have heard him brag to you he will.
SIR TOBY BELCH
Nay, if you be an undertaker, I am for you.
[They draw]
[Enter Officers]
FABIAN
O good Sir Toby, hold! here come the officers.
SIR TOBY BELCH
I'll be with you anon.
VIOLA
Pray, sir, put your sword up, if you please.
SIR ANDREW
Marry, will I, sir; and, for that I promised you,
I'll be as good as my word: he will bear you easily
and reins well.
First Officer
This is the man; do thy office.
Second Officer
Antonio, I arrest thee at the suit of Count Orsino.
ANTONIO
You do mistake me, sir.

Take him away: he knows I know him well.
ANTONIO
I must obey.
[To VIOLA]
This comes with seeking you:
But there's no remedy; I shall answer it.
What will you do, now my necessity
Makes me to ask you for my purse? It grieves me
Much more for what I cannot do for you
Than what befalls myself. You stand amazed;
But be of comfort.
Second Officer
Come, sir, away.
ANTONIO
I must entreat of you some of that money.
VIOLA
What money, sir?
For the fair kindness you have show'd me here,
And, part, being prompted by your present trouble,
Out of my lean and low ability
I'll lend you something: my having is not much;
I'll make division of my present with you:
Hold, there's half my coffer.
ANTONIO
Will you deny me now?
Is't possible that my deserts to you
Can lack persuasion? Do not tempt my misery,
Lest that it make me so unsound a man
As to upbraid you with those kindnesses
That I have done for you.
VIOLA
I know of none;
Nor know I you by voice or any feature:
I hate ingratitude more in a man
Than lying, vainness, babbling, drunkenness,
Or any taint of vice whose strong corruption
Inhabits our frail blood.
ANTONIO
O heavens themselves!
Second Officer
Come, sir, I pray you, go.
ANTONIO
Let me speak a little. This youth that you see here
I snatch'd one half out of the jaws of death,
Relieved him with such sanctity of love,
And to his image, which methought did promise
Most venerable worth, did I devotion.
First Officer
What's that to us? The time goes by: away!

In nature there's no blemish but the mind;
None can be call'd deform'd but the unkind:
Virtue is beauty, but the beauteous evil
Are empty trunks o'erflourish'd by the devil.
First Officer
The man grows mad: away with him! Come, come, sir.
ANTONIO
Lead me on.
[Exit with Officers]
VIOLA
Methinks his words do from such passion fly,
That he believes himself: so do not I.
Prove true, imagination, O, prove true,
That I, dear brother, be now ta'en for you!
SIR TOBY BELCH
Come hither, knight; come hither, Fabian: we'll
whisper o'er a couplet or two of most sage saws.
VIOLA
He named Sebastian: I my brother know
Yet living in my glass; even such and so
In favour was my brother, and he went
Still in this fashion, colour, ornament,
For him I imitate: O, if it prove,
Tempests are kind and salt waves fresh in love.
[Exit]
SIR TOBY BELCH
A very dishonest paltry boy, and more a coward than
a hare: his dishonesty appears in leaving his
friend here in necessity and denying him; and for
his cowardship, ask Fabian.
FABIAN
A coward, a most devout coward, religious in it.
SIR ANDREW
'Slid, I'll after him again and beat him.
SIR TOBY BELCH
Do; cuff him soundly, but never draw thy sword.
SIR ANDREW
An I do not,--
FABIAN
Come, let's see the event.
SIR TOBY BELCH
I dare lay any money 'twill be nothing yet.
[Exeunt]


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Happy clients
cups of coffee
lines of codes
emails
hours phone calls
hours facebook
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Design is not just what it looks like and feels like. Design is how it works.
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Read MoreTaken from Linkedin
We had a critical need for software development to strengthen our company product offering and Johnny filled the role and delivered work products beyond our expectations. I was impressed by Johnny’s ability to deal with tough challenges – and work independently and effectively to meet our objectives, it all seemed to come perfectly naturally to him. He leads with his productivity and ambition. He was super easy to get along with and we would have liked to have worked with him longer – we would definitely consider hiring Johnny back if he was available!
Johnny was a great team member to have around. Always had a positive attitude and his passion toward coding shows. I would recommend him to any business and hope to have to opportunity to work with him again.


SOCIETIES - where Pervasive meets Social
SOCIETIES radically improves the utility and scope of future Internet services by merging social computing and pervasive computing through the design, implementation and evaluation of an open scalable service architecture and platform for self-orchestrating Community Smart Spaces.
SOCIETIES Objectives
The goal of SOCIETIES is achieved through four key objectives:
- To facilitate the creation, organisation, management and communication of communities via Cooperating Smart Spaces, where pervasive computing is integrated with social computing communities;
- To provide an enhanced user experience for both individuals and entire user communities, based on proactive smart space behaviour and dynamic sharing of community resources across geographic boundaries;
- To design and prototype a robust open and scalable system for self-orchestrating CSSs;
- To evaluate, through strong involvement of end-users, the usefulness and acceptance of the developed CSS software via three user trials with the following groups:
- Enterprise Users: Enterprise communities play an important role in bringing together people, goods and services within global markets, local ecosystems or large organisations. The CSS concept will bridge the gap between smart IT systems and established enterprise community activities.
- Students: Students adapt easily to new technology, and since communication and social networking play an integral role in their lives, they are most likely to adopt CSSs, using them in ways both foreseen and unforeseen.
- Disaster Relief Experts: The ability to rapidly form a disaster management community from all the closely located relief teams can help save lives, property, and the environment.


I studied Computer Science at Al-Hussein Bin Talal University.
My senior project was android Application with many features that aimed to facilitate users' life.
To complete the graduation requirements, I trained in the Directorate of Education- Zarqa II in maintenance and networking field.
After graduation I've interned in front-end web development with Clever Mind POB ICT.
I did not get a real job opportunity yet, and I hope that this program, along with ASAC, will provide me with knowledge in software development that will qualify me for a job.


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Vikings' Alicia Agneson shares character transformation as she returns to show
Alicia Agneson is returning to Vikings despite her character Freydis being killed off at the end of season five.
And she’s just gone and teased her comeback to the History Channel hit on Instagram, with a video of her transformation.
Leading up to her death scene, where she was brutally murdered by Ivar The Boneless, the goddess-like Nordic sported long blonde hair that was usually braided in some incredibly intricate design.
However, in recent trailers, Freydis has been spotted alive and kicking, but this time around she’s a Russian brunette.
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Now, we’re pretty sure there was no such thing as hair dye back in 800AD, so we can’t help but wonder how director Michael Hirst has managed to bring the star back.
But she is returning, alright, and Alicia couldn’t help but hint at her ‘new’ role just weeks before season 6 is set to kick off.
‘HONESTLY GUYS I can’t contain my excitement for the 4th of December when Season 6 of @historyvikings airs,’ she wrote to her 142,000 followers.
‘Here’s a little sneak for you of me, @mucy_lartin , @zuelikadelaney & @aideenjo . This is how we roll at 5am in the morning.’
In the short clip, the 23-year-old can be seen in hair and makeup singing along to Lynn Anderson’s song, Rose Garden.
And as she pans the camera around, she shoots to newcomer Lucy Martin who will be playing Ingrid in the next installment of the historical saga.
Fans were quick to comment and couldn’t contain their excitement over the impending episodes.
‘Beauties. I am ridiculously excited to see Freydis again and her look a like. Oh And obviously Ingrid,’ one wrote while another said: ‘OMG!!!! this season it’s gonna be AMAZING! can’t wait to see.’
Someone else questioned the look, adding: ‘It’s fake blonde hair?’
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Alicia is yet to confirm how she managed to make a comeback and whether or not she will be playing Freydis or will return to a new role.
However, we don’t have long to find out as Vikings season six is set to drop on the History Channel and Amazon Prime 4 December.
Got a showbiz story?
If you've got a story, video or pictures get in touch with the Metro.co.uk Entertainment team by emailing us<EMAIL_ADDRESS>calling 020 3615 2145 or by visiting our Submit Stuff page - we'd love to hear from you.


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| DOSE: |
1 bowl |
smoked |
Cannabis |
(plant material) |
It was an idle Tuesday night sometime in September and a few friends and I decided to celebrate our friend Sean's birthday. Nothing too extreme, we spent a few hours at a local hooka club just smoking flavored tobacco and getting a light buzz then moved the party to my roommate and I's apartment where we drank a minimal amount of alcohol. We packed a glass bowl of weed and between about 5 people passed it while playing video games. I was lightly buzzed by the time the place started to clear out. The plan at this point was to get our friend Sean extremely wasted as our gift to him, but he dipped out on us leaving only my roommate, Hughie, and I with a lot of weed to smoke.
A few weeks prior to this night, Hughie had made a 'gravity' bong out of a large glass bottle which he was anxious to show off to Sean. Excuse me for the quotations on 'gravity', but I've been smoking pot since I was 12 years old (I'm 20 now) and until Hughie moved in I had never experienced a homemade smoking apparatus.
I had smoked a few times at this point out of his creation and had found it to be superior to a bowl, joint, blunt or any other way of smoking because it got one high extremely quick. The downfall is that even though one is taking less hits one was ultimately smoking more weed in one pack and would therefore stay higher longer. I had remained lightly stoned for up to 2 days when smoking from the gravity bong with Hughie previous to this night, but nothing would compare to what I was about to encounter.
As Hughie went to pack the small glass bowl a second time I shook my head at him. 'I want to forget who I am tonight.' I said jokingly. I pointed towards his room where I knew the gravity bong was located. Without hesitation he opened his door and began to prepare the bong. His warning didn't come until he had begun to take his lighter from his pocket, but it was stern. 'I'm telling you... you've never been this high, and you will never be this high again.' he said. I laughed as I began to hunch over the top of the glass bottle. 'I've been smoking pot for a long time, and I've smoked from this thing before, I'm sure I can handle it.' I retorted. He shook his head at me, but lit the pack and smiled. 'I warned you.' he said.
Seconds later I was coughing so hard I was convinced my lungs were going to fall from my mouth any second. I could hardly catch my breath. I was desperate for anything to drink. Hughie handed me what I think was the bottom of a soap dispenser he wasn't using filled with tap water which I eagerly accepted. As I hacked Hughie spoke. 'This isn't the same weed we've been smoking all night. I'm just letting you know. I haven't tried this yet myself, but he said it was good quality.'
That was the last thing I heard coherently. Everything got instantly cut off after that statement. I was now sitting on Hughie's bed. I'm sure I was smiling for a little while. I found myself grabbing a nearby pillow. I smashed my face against it and felt as if my entire head went through it. In my head I thought it was a marshmallow, or at least the texture of one. I balled up involuntarily on the bed and right away I knew, I was about to go to a place I had never been before.
Hughie is a DJ. He automatically went to his turn tables and begun spinning. The music volumes went up and down and I could see the music in my head as the beats and melodies changed, but I wanted to tell him to shut it off, it was far too intense for my mind to process. At this point I realized something was wrong. I had never been this far gone before. I had never in my life been THIS stoned. I had to tell Hughie something was wrong, but I couldn't find the strength to move.
It seemed like hours passed. My head was flying to places I didn't know existed. The pillow slid off my face. The room was now dark and purple. Hughie had turned his backlight on. The effects of the ultraviolet light and the music being constantly changed made me feel ill, but I still could not form the words or find the volume within myself to tell my roommate how awful was feeling. This is when he noticed. He asked if I was okay with a smile on his face. I must have looked somewhere beyond dazed. I could hardly keep my eyes open at this point. All I could do is look in his direction and say 'No.'
'No?' he asked surprised. 'What's wrong?' I wanted to tell him exactly what I was feeling, but I couldn't maintain a thought in my head and the ability to speak seemed so far off, something I would have to use all my energy to summon from within myself. I breathed in deeply.
'I'm going to try to form a sentence... so listen.' I said firmly. He laughed. I was not trying to be funny, but looking back I'm sure that sounded hilarious. 'I have been getting high a long time... and I know... this is just not right.' Then there's a flash. I mean it's like I'm trying to explain a movie I saw, but it's as if I viewed it with sections of the film missing because I know there was a time lapse, but I have no idea what happened during that time.
Flash.
Now I'm in our living room. I'm huddled on the couch telling Hughie I'm going to puke. I feel beyond nauseous. If I move an inch or open my eyes I fear I will never stop vomiting. Hughie turns on the television. The sound and light hurt my eyes and ears. My senses have become so heightened it hurts. I must have been squinting because he asks me if he should turn it off. I don't remember nodding, but I hear the buzz of a television clicking off.
Another flash. Time lapse. I'm now in the kitchen hunched over our metal sink. Hughie has apparently brought me here because I know I didn't walk. I can't even tell if I'm standing. I can feel every muscle and vein in my body, but cannot feel my the weight of my body on top of my legs. My only assumption at the time is that I am floating at this sink, but truly, I am standing.
My hair is falling into my face and Hughie is asking me if I still need to puke. I moan and begin to cry. I cannot stop myself. I am thinking horrible things now.  I cannot form any sort of words to tell him what I am feeling so I cry and moan like an infant. I am breathing heavily at this point and can feel my heart beating through my chest faster than I have ever felt my own or anyone else's heart beat. My breath pushes against the interior of the metal sink and reflects back on my face. I can feel it as if my own hot breath has become ice cold against the metal instantly, but it's not refreshing. I still cannot vomit.
Flash. Another time lapse.
I'm back on the couch. I can feel everything now. So much that it hurts. I can sense the temperature of ever piece of air that I breathe as I inhale and exhale through my mouth, but the feeling is still not pleasant. Hughie is trying to talk to me. He has realized now that I am somewhere else. He keeps asking me who I am, and half the time I can answer, less than that I get the answer right. I haven't opened my eyes since I found myself back on the living room couch, but I know where I am. Occasionally waves hit me so quickly I feel like I'm on a roller coaster and all I can do is hold on to the couch and scream. When they stop I cry and moan.
Hughie has grabbed my hand. I wonder if he's as afraid as I am that I am going to die. He stroking it and telling me to stay with him. He's telling me that I am fine.  I'm tapping my heartbeat out with my finger tips on Hughie's hand. This makes him laugh. He recites a story about his brother and how he does the same thing when he's really stoned. I can't control the action, it's involuntary. I can feel myself starting to come back to reality as Hughie continues to talk. He is still holding my hand and as I begin to giggle at his story my heartbeat gets faster and I continue to tap it out on his hand.
Flash. Time lapse.
Hughie tell me to go to sleep. He says I'm going to be just fine. I'm still riding that roller coaster, but my nausea has begun to subside and I am now aware of where I am, who I am, and almost exactly what is happening. But I continue to slip in and out. From time to time I moan and scream and can't breathe. Sweat is dripping down my forehead and down my spine. I start to become concerned when I realize I cannot control the fact that I have to urinate and nearly pee my pants several times. I continuously have to contract my muscles in order to not urinate or lose control of my bowels on the couch. I want to muster up the energy to walk to the bathroom, but I even though I am having delusions about making it there I know I will never gain the strength or will, so I continue to contract my muscles and lay balled on the couch like a stone.
Time lapse.
Marching men are walking across my head. I am clearly hallucinating, and am slightly aware of it. The men have small hammers and are walking across a straight dotted line on my forehead. I am afraid to move for fear they will fall off, and at this point I am more concerned with their safety than mine. The only other hallucinations I encountered during that time reminded me of a itunes or media player visulaizer. Just bars and spirals of color that reacted to every sound or movement.
The last time lapse.
Hughie tells me again to go to sleep. I tell him 'If I go to sleep I don't think I'll wake up again.' He laughs at me. At the time I really meant that though. I am still moaning, crying, whimpering, and screaming from time to time, but at this point I have given up, I am ready to give in. If I am to die when I close my eyes, so be it. I would rather die at this point than keep feeling what I am feeling. I open my eyes as wide as I can and look at my roommate. I try to say 'If I don't wake up tell everyone I love them and I'm sorry.' But I'm sure what actually came out of my mouth was pure gibberish.
My heart is still beating quickly. I am sweating. I am still rather nauseous, but I fall asleep, and if you can believe it I woke up 12 hours later in my bed (no idea how I got there) feeling like a brand new penny. I mean the birds were chirping and I was singing. I did yoga. Life was amazing that morning. Maybe it was my new found appreciation for it. I'm really not sure. I'm trying not to read that far into it.
Hughie and I contemplate the idea for several days that the cannabis might have been laced with something. When he saw how weird I was getting that night he had decided not to smoke it. However, after consulting his dealer and finding out there was no way it was laced with anything Hughie smoked the same weed and smoked about the same amount I did that night as a test. He said he felt nothing out of the ordinary. I have since smoked the same weed, just not out of a gravity bong, and have not had the same reaction nor anything close to it. It's ironic to me that the devise to cause such a reaction in me is known as a 'gravity' bong because I have truly never felt so far from gravity in my life and hope I never will again.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


SLOCK(1) suckless-tools SLOCK(1) NAME slock - simple screen locker SYNOPSIS slock DESCRIPTION slock is a simple screen locker utility for X, OPTIONS slock has no options. SEE ALSO Homepage <http://www.suckless.org/> AUTHOR slock was written by Anselm R. Garbe<EMAIL_ADDRESS>This manual page was written by Daniel Baumann<EMAIL_ADDRESS>for the Debian project (but may be used by others). 0.9 2008-08-03 SLOCK(1)


Multi-Mesh Management
Service mesh adapters provision, configure, and manage their respective service meshes.
Service Mesh Standards
Service Mesh Performance
The
Service Mesh Performance (SMP)
is a vendor-neutral specification to aid operators in assessing the overhead of their service mesh in context of the value it provides.
Layer5's MeshDex provides a universal performance index to gauge your mesh’s efficiency against deployments in other organizations’ environments.
Learn more about this open standard as a partnership of Layer5, UT Austin, and Google.
Service Mesh Interface
Service Mesh Interface (SMI)
SMI defines a common standard that can be implemented by a variety of service mesh projects and vendors. SMI’s aim for consistent APIs facilitates Meshery’s same goals,
allowing for users and tools to flourish. As SMI was unveiled at KubeCon + CloudNativeCon Europe 2019, so did Meshery’s compatibility.
Learn more about
Layer5's partnership with Microsoft and the CNCF.


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Releases¶
Documentation for all versions of cf.
CF-1.10¶
Version 3.15.3 (2023-08-31)
Version 3.15.2 (2023-07-21)
Version 3.15.1 (2023-06-09)
Version 3.15.0 (2023-04-27)
Version 3.14.1 (2023-03-10)
Version 3.14.0 (2023-01-31 first Dask release)
CF-1.9¶
Version 3.13.1 (2022-10-17 last LAMA release)
Version 3.13.0 (2022-06-23)
Version 3.12.0 (2022-01-18)
Version 3.11.0 (2021-10-08)
CF-1.8¶
version 3.10.0 (2021-06-10)
version 3.9.0 (2021-05-25)
version 3.8.0 (2020-12-18)
version 3.7.0 (2020-10-13)
version 3.6.0 (2020-07-24)
version 3.5.0 (2020-06-09)
version 3.4.0 (2020-04-30)
version 3.3.0 (2020-04-20)
version 3.2.0 (2020-04-01)
CF-1.7¶
version 3.1.0 (2020-01-17)
version 3.0.6 (2019-11-27)
version 3.0.5 (2019-11-14)
version 3.0.4 (2019-11-08)
version 3.0.3 (2019-11-01)
version 3.0.2 (2019-10-31)
version 3.0.1 (2019-10-01)
version 3.0.0 (2019-10-01 first Python 3 release)
version 2.3.8 (2019-10-07 last Python 2 release)
version 2.3.0 (2018-10-22)
version 2.2.8 (2018-08-28)
version 2.2.5 (2018-07-02)
version 2.2.4 (2018-06-29)
version 2.1 (2017-10-30)
version 2.0.3 (2017-08-01)
CF-1.6¶
version 2.0.1 (2017-07-11)
version 2.0 (2017-07-07)
version 1.5 (2017-02-24)
version 1.3.2 (2016-09-21)
version 1.3.1 (2016-09-09)
version 1.3 (2016-09-05)
version 1.2.3 (2016-08-23)
version 1.2 (2016-07-05)
version 1.1.11 (2016-07-01)
version 1.1.10 (2016-06-23)
version 1.1.9 (2016-06-17)
version 1.1.8 (2016-05-18)
version 1.1.5 (2016-03-03)
version 1.1.4 (2016-02-09)
version 1.1 (2015-10-28)
version 1.0.3 (2015-06-23)
version 1.0.2 (2015-06-05)
version 1.0 (2015-05-27)
version 0.9.9 (2015-01-05)
version <IP_ADDRESS> (2014-07-14)
version 0.9.8 (2013-12-06)
version 0.9.6 (2012-11-27)
version 0.9.5 (2012-10-01)
version 0.9.5.dev (2012-09-19)
version <IP_ADDRESS> (2012-04-17)
version 0.9.4 (2012-03-15)
version <IP_ADDRESS> (2018-02-08)
version 0.9.2 (2011-08-26)
version 0.9.1 (2011-08-06)
Versioning¶
Finding versions¶
The version of the CF conventions and the CF data model being used may
be found with the cf.CF
function:
>>> import cf
>>> cf.CF()
'1.10'
This indicates which version of the CF conventions are represented by this release of the cf package, and therefore the version can not be changed.
The version identifier of the cf package is independent of the CF version , and is found in the usual manner:
>>> cf.__version__
'3.14.0'
The next section outlines the scheme used to set version identifiers.
Versioning strategy¶
An epoch.major.minor
numeric version scheme is used,
e.g. 3.13.1
.
Epoch changes comprise
support for epoch-version changes to the CF conventions (e.g. upgrading from
CF-1.x
toCF-2.y
);support for epoch-version changes to the Python language (e.g. upgrading from Python 2 to Python 3)
comprehensive backwards-incompatible changes to the API.
Major changes comprise
support for new releases to the CF conventions (e.g. upgrading from
CF-1.8
toCF-1.9
);
- limited backwards-incompatible changes to the API, such as
changing the name of an existing function or method;
changing the behaviour of an existing function or method;
changing the name of an existing keyword parameter;
changing the default value of an existing keyword parameter;
changing the meaning of a value of an existing keyword parameter.
Minor changes comprise
- backwards-compatible changes to the API, such as
introducing a new function or method;
introducing a new keyword parameter;
introducing a new permitted value of a keyword parameter;
changes to required versions of the dependencies;
bug fixes;
changes to the documentation;
code tidying.


The number of active accounts is limited during the beta phase. This restriction may help to find bugs and performance issues. The limit will be increased continuously and fully removed when the beta phase is over.
If the pool of beta keys has been exhausted, please try again in a few days/weeks.


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HookImportFunctionByName v1.0
Enclosed is MFC source code for a function which can be used to hook any imported function call which your application makes. Since most of the Win32 API is implemented using import functions in dlls, this means that you hook Win32 API calls. This is useful when for example you want to be called for every call to the file system (::CreateFile && CloseHandle) which your app makes. This example of hooking the file system calls your app makes could form the basis of code to ensure you do not have any handle leaks in your application. You could also use this code to spy on COM port activity in remote processes by injecting the DLL into the remote process.
The code is based on the code developed by John Robbins for his "BugSlayer"articles in the MSJ magazine. I have removed the dependencies on his other DLL functions, converted the code to MFC and addition of numerous ASSERT's
| Contents |
| History |
| API |
| Planned Enhancements |
| Contacting the Author |
V1.0 (24 December 1999)
The API consists of the single global function
BOOL HookImportFunctionsByName(HMODULE hModule, LPCSTR szImportMod, UINT uiCount, LPHOOKFUNCDESC paHookArray, PROC* paOrigFuncs, UINT* puiHooked);
Return Value
TRUE if the specified API call(s) were hooked otherwise FALSE. To get extended error information, call ::GetLastError
Parameters
hModule This is the instance handle of the process calling the function. Normally in MFC you can obtain this from the function "AfxGetInstanceHandle()"
szImportMod This is the name of the module which contains the functions which you want to hook. e.g. for hooking file system calls, this would be "KERNEL32.DLL".
uiCount This is the size of the paHookArray parameter.
paHookArray This is the size of the paHookArray parameter.
paHookArray This is an array which specifies what functions to hook. The members of the HOOKFUNCDESC are "szFunc" which is the name of your function to hook and "pProc" is a function pointer to the function which you want to have called instead of normal unhooked case.
paOrigFuncs Upon successful return this will contain the original unhooked function pointers. These would be useful if you want to pass the request onto the original function after your hook function has been called.
puiHooked Upon return this will contain the number of functions which were hooked. This will be less than or equal to "uiCount".
Remarks
If you are hooked standard Win32 API calls then make sure that your hook function is using the right calling convention namely "STDCALL". This is one of the most common problems encountered when using the hooking function.
PJ Naughter
Email<EMAIL_ADDRESS>Web: http://indigo.ie/~pjn
24 November 1999


|
|
If you are interested in the development of Websh, there is a list for the discussion of Websh work-in-progress. Use<EMAIL_ADDRESS>to post<EMAIL_ADDRESS>to subscribe, and<EMAIL_ADDRESS>to unsubscribe from the list. User questions are typically answered too.
There is also a web interface to the archived list:
http://mail-archives.apache.org/mod_mbox/tcl-websh-dev/.
There is also an archive of the formerly used websh-user mailing list:
http://mail-archives.apache.org/mod_mbox/tcl-websh-user/.
|


Syntax Coloring preferences
Use the Syntax Coloring preference panel to specify how C/C++ source code is rendered. Each element category (Code, Comments, and Preprocessor) contains a list of language elements that may be rendered with its own color and style.
Note that general text editor settings such as the background color can be configured on the general Text Editors preference pages. Fonts may be configured on the general Colors and Fonts preference page
| Option | Description |
|---|---|
| Enable semantic highlighting | Checkmark to activate semantic highlighting of specific structures in the elements listed. |
| Enable | Makes the selected element active for syntax coloring. |
| Color | Specifies the color in which to display the selected element. |
| Bold | Makes the selected element bold. |
| Italic | Makes the selected element italic. |
| Strikethrough | Makes the selected element strikethrough. |
| Underline | Makes the selected element underlined. |


The cowboy_req
module provides functions to access, manipulate and respond to requests.
The functions in this module follow patterns for their return types, based on the kind of function.
{Value, Req}
{Result, Req} | {Result, Value, Req} | {error, atom()}
Req
boolean()
The only exception is the chunk/2
function which may return ok
.
Whenever Req
is returned, you must use this returned value and ignore any previous you may have had. This value contains various state informations which are necessary for Cowboy to do some lazy evaluation or cache results where appropriate.
All functions which perform an action should only be called once. This includes reading the request body or replying. Cowboy will generally throw an error on the second call.
It is highly discouraged to pass the Req object to another process. Doing so and calling cowboy_req
functions from it leads to undefined behavior.
Request body reading options.
Cookie options.
The Req object.
All functions in this module receive a Req
as argument, and most of them return a new object labelled Req2
in the function descriptions below.
Types:
Return the value for the given binding.
By default the value is a binary, however constraints may change the type of this value (for example automatically converting numbers to integer).
Types:
Return all bindings.
By default the value is a binary, however constraints may change the type of this value (for example automatically converting numbers to integer).
Types:
Return the value for the given cookie.
Cookie names are case sensitive.
Types:
Return all cookies.
Types:
Return the value for the given header.
While header names are case insensitive, this function expects the name to be a lowercase binary.
Types:
Return all headers.
Types:
Return the requested host.
Types:
Return the extra tokens from matching against ...
during routing.
Types:
Return the requested URL excluding the path component.
This function will always return undefined
until the cowboy_router
middleware has been executed. This includes the onrequest
hook.
Types:
Return metadata about the request.
Types:
Return the method.
Methods are case sensitive. Standard methods are always uppercase.
Types:
Parse the given header.
While header names are case insensitive, this function expects the name to be a lowercase binary.
The parse_header/2
function will call parser_header/3
with a different default value depending on the header being parsed. The following table summarizes the default values used.
| Header name | Default value |
|---|---|
| transfer-encoding | [<<"identity">>] |
| Any other header | undefined |
The parsed value differs depending on the header being parsed. The following table summarizes the different types returned.
| Header name | Type |
|---|---|
| accept | [{{Type, SubType, Params}, Quality, AcceptExt}] |
| accept-charset | [{Charset, Quality}] |
| accept-encoding | [{Encoding, Quality}] |
| accept-language | [{LanguageTag, Quality}] |
| authorization | {AuthType, Credentials} |
| content-length | non_neg_integer() |
| content-type | {Type, SubType, ContentTypeParams} |
| cookie | [{binary(), binary()}] |
| expect | [Expect | {Expect, ExpectValue, Params}] |
| if-match | '*' | [{weak | strong, OpaqueTag}] |
| if-modified-since | calendar:datetime() |
| if-none-match | '*' | [{weak | strong, OpaqueTag}] |
| if-unmodified-since | calendar:datetime() |
| range | {Unit, [Range]} |
| sec-websocket-protocol | [binary()] |
| transfer-encoding | [binary()] |
| upgrade | [binary()] |
| x-forwarded-for | [binary()] |
Types for the above table:
The cookie names and values, the values of the sec-websocket-protocol and x-forwarded-for headers, the values in AcceptExt
and Params
, the authorization Credentials
, the ExpectValue
and OpaqueTag
are case sensitive. All values in ContentTypeParams
are case sensitive except the value of the charset parameter, which is case insensitive. All other values are case insensitive and will be returned as lowercase.
The headers accept, accept-encoding and cookie headers can return an empty list. Others will return {error, badarg}
if the header value is empty.
The authorization header parsing code currently only supports basic HTTP authentication. The Credentials
type is thus {Username, Password}
with Username
and Password
being binary()
.
The range header value Range
can take three forms:
{From, To}
: from From
to To
units{From, infinity}
: everything after From
units-Final
: the final Final
unitsAn undefined
tuple will be returned if Cowboy doesn't know how to parse the requested header.
Types:
Return the requested path.
Types:
Return the extra tokens from matching against ...
during routing.
Types:
Return the client's IP address and port number.
Types:
Return the request's port.
The port returned by this function is obtained by parsing the host header. It may be different than the actual port the client used to connect to the Cowboy server.
Types:
Return the request's query string.
Types:
Return a value from the request's query string.
The value true
will be returned when the name was found in the query string without an associated value.
Types:
Return the request's query string as a list of tuples.
The value true
will be returned when a name was found in the query string without an associated value.
Types:
Set metadata about the request.
An existing value will be overwritten.
Types:
Return the requested URL.
This function will always return undefined
until the cowboy_router
middleware has been executed. This includes the onrequest
hook.
Types:
Return the HTTP version used for this request.
Types:
Read the request body.
This function will read a chunk of the request body. If there is more data to be read after this function call, then a more
tuple is returned. Otherwise an ok
tuple is returned.
Cowboy will automatically send a 100 Continue
reply if required. If this behavior is not desirable, it can be disabled by setting the continue
option to false
.
Cowboy will by default attempt to read up to 8MB of the body, but in chunks of 1MB. It will use a timeout of 15s per chunk. All these values can be changed using the length
, read_length
and read_timeout
options respectively. Note that the size of the data may not be the same as requested as the decoding functions may grow or shrink it, and Cowboy makes not attempt at returning an exact amount.
Cowboy will properly handle chunked transfer-encoding by default. If any other transfer-encoding or content-encoding has been used for the request, custom decoding functions can be used. The content_decode
and transfer_decode
options allow setting the decode functions manually.
After the body has been streamed fully, Cowboy will remove the transfer-encoding header from the Req object, and add the content-length header if it wasn't already there.
This function can only be called once. Cowboy will not cache the result of this call.
Types:
Return the length of the request body.
The length will only be returned if the request does not use any transfer-encoding and if the content-length header is present.
Types:
Return the request body as a list of tuples.
This function will parse the body assuming the content-type application/x-www-form-urlencoded, commonly used for the query string.
This function calls body/2
for reading the body, with the same options it received. By default it will attempt to read a body of 64KB in one chunk, with a timeout of 5s. If the body is larger then a badlength
tuple is returned.
This function can only be called once. Cowboy will not cache the result of this call.
Return whether the request has a body.
Types:
Read the headers for the next part of the multipart message.
Cowboy will skip any data remaining until the beginning of the next part. This includes the preamble to the multipart message but also the body of a previous part if it hasn't been read. Both are skipped automatically when calling this function.
The headers returned are MIME headers, NOT HTTP headers. They can be parsed using the functions from the cow_multipart
module. In addition, the cow_multipart:form_data/1
function can be used to quickly figure out multipart/form-data
messages. It takes the list of headers and returns whether this part is a simple form field or a file being uploaded.
Note that once a part has been read, or skipped, it cannot be read again.
This function calls body/2
for reading the body, with the same options it received. By default it will only read chunks of 64KB with a timeout of 5s. This is tailored for reading part headers, not for skipping the previous part's body. You might want to consider skipping large parts manually.
Types:
Read the body of the current part of the multipart message.
This function calls body/2
for reading the body, with the same options it received. It uses the same defaults.
If there are more data to be read from the socket for this part, the function will return what it could read inside a more
tuple. Otherwise, it will return an ok
tuple.
Calling this function again after receiving a more
tuple will return another chunk of body. The last chunk will be returned inside an ok
tuple.
Note that once the body has been read, fully or partially, it cannot be read again.
Types:
Send a chunk of data.
This function should be called as many times as needed to send data chunks after calling chunked_reply/{2,3}
.
When the method is HEAD, no data will actually be sent.
If the request uses HTTP/1.0, the data is sent directly without wrapping it in an HTTP/1.1 chunk, providing compatibility with older clients.
Types:
Send a response using chunked transfer-encoding.
This function effectively sends the response status line and headers to the client.
This function will not send any body set previously. After this call the handler must use the chunk/2
function repeatedly to send the body in as many chunks as needed.
If the request uses HTTP/1.0, the data is sent directly without wrapping it in an HTTP/1.1 chunk, providing compatibility with older clients.
This function can only be called once, with the exception of overriding the response in the onresponse
hook.
Types:
Send a 100 Continue intermediate reply.
This reply is required before the client starts sending the body when the request contains the expect
header with the 100-continue
value.
Cowboy will send this automatically when required. However you may want to do it manually by disabling this behavior with the continue
body option and then calling this function.
Types:
Delete the given response header.
While header names are case insensitive, this function expects the name to be a lowercase binary.
Return whether a response body has been set.
This function will return false if a response body has been set with a length of 0.
Types:
Return whether the given response header has been set.
While header names are case insensitive, this function expects the name to be a lowercase binary.
Types:
Send a response.
This function effectively sends the response status line, headers and body to the client, in a single send function call.
The reply/2
and reply/3
functions will send the body set previously, if any. The reply/4
function overrides any body set previously and sends Body
instead.
If a body function was set, and reply/2
or reply/3
was used, it will be called before returning.
No more data can be sent to the client after this function returns.
This function can only be called once, with the exception of overriding the response in the onresponse
hook.
Types:
Set a response body.
This body will not be sent if chunked_reply/{2,3}
or reply/4
is used, as they override it.
Types:
Set a fun for sending the response body.
If a Length
is provided, it will be sent in the content-length header in the response. It is recommended to set the length if it can be known in advance. Otherwise, the transfer-encoding header will be set to identity.
This function will only be called if the response is sent using the reply/2
or reply/3
function.
The fun will receive the Ranch Socket
and Transport
as arguments. Only send and sendfile operations are supported.
Types:
Set a fun for sending the response body using chunked transfer-encoding.
This function will only be called if the response is sent using the reply/2
or reply/3
function.
The fun will receive another fun as argument. This fun is to be used to send chunks in a similar way to the chunk/2
function, except the fun only takes one argument, the data to be sent in the chunk.
Types:
Set a cookie in the response.
Cookie names are case sensitive.
Types:
Set a response header.
You should use set_resp_cookie/4
instead of this function to set cookies.
Remove any non-essential data from the Req object.
Long-lived connections usually only need to manipulate the Req object at initialization. Compacting allows saving up memory by discarding extraneous information.


1 reference to CompileVariableAssignment
System.Management.Automation (1)
engine\interpreter\LightCompiler.cs (1)
739
CompileVariableAssignment
(node, asVoid);


Jimmy Buffett Tampa show rescheduled for 2020
by WFTS Digital StaffTAMPA, Fla. — Jimmy Buffett and the Coral Reefer Band's Tampa show will now take place in 2020, it was announced on Tuesday.
Buffett and the band were originally scheduled to play Friday Dec. 13, 2019 at AMALIE Arena. The show will now take place Friday Dec. 11, 2020.
RELATED: Jimmy Buffett and the Coral Reefer Band are coming to Tampa
According to a press release, the change is due to shoulder surgery Buffett is scheduled to undergo. As well as time for recovery and therapy.
If you bought a ticket for the original show, it will be honored on the new date. If you can't attend the new date, you can get a refund.


Founded in 1952 by Arthur Landon, an English businessman who travelled the world in search of the perfect balance of comfort, personality, and convenience.
Nestled between a yoga studio and a bakery, on a quaint street in this community-centered neighborhood, is the 40-room, modern-themed, Landon Hotel, with a state of the art massage studio.
The Landon Massage Center is an internationally renowned center for massage therapy and holistic healing. Guests of the Bernal Heights Landon are entitled to a free massage during their stay.
The Bernal Heights Landon also functions as a gathering place for many of the community’s activities and calls to activism. It seems that no one can leave the hotel untouched by the sense of community, peace, and well-being.
"First off, location, location, location! The Landon Hotel in Vienna is located in a wonderfully picturesque part of town. The staff were polite and friendly, and the neighborhood really did feel welcoming. I even ended up extending my stay, and the hotel staff made all the arrangements! Can't wait to make my way out to the Landon in Vienna again." Donald Platameyer, New York
"On my recent visit to Paris, I decided to stay in the Landon Hotel while visiting a friend. The hotel was quite lovely and the location made it very easy to meet up with my friend. Also, the room was spacious and the bed was unusually comfortable. I would definitely stay here again!" Amy Xhou, Los Angeles
"A few friends and I stayed at the Landon hotel in London last month and we had a very memorable visit. The hotel is located close to public transportation, which made it easy for us to get around the city. We loved people-watching from the rooftop restaurant, and shared many laughs and wonderful food. The rooms were luxurious, to say the least, and the staff catered to our every whim. We’ll certainly be back." Jonathan Pierre Rousseau, Paris


APOCALYPSE NOW and HEARTS OF DARKNESS A film review by Kevin Wayte Copyright 1993 Kevin Wayte
Movie fans: you know how we all have that list of "EPIC" motion pictures that stand out as milestones--STAR WARS, THE EMPIRE STRIKES BACK, RETURN OF THE JEDI, etc., etc.--those god-like hallowed movies that we still buy or rent in video form still today, even though they were made in the 1970s or early 1980s.
One movie that most forget or overlook to add to their epic-movie-list is APOCALYPSE NOW. This movie, in my opinion, is the greatest piece of true cinematography in the past twenty-five years. I have seen it over thirty times, and currently own the special remastered version of the movie on VHS, which should be available at your local video store. This version is presented in letterbox format, for the full widescreen view of the original negatives.
I don't know where to start in describing this gem of a movie. All of my friends have been invited to my viewings of APOCALYPSE NOW, and all leave in awe. Nobody believes this movie existed and they had not seen or heard of it!  The director is none other than the *god*, Francis Ford Coppola. The movie was made in 1979 (although it looks better than a 90's movie) Main actors are Martin Sheen, Dennis Hopper, Robert Duvall, Marlon Brando, Larry Fishburne, Sam Bottoms, and little cameo appearances by Harrison Ford and Francis Coppola himself! The whole picture took over years years to make!!! The movie won Best Sound and Best Cinematography at the 1980 Academy Awards. It was nominated for eight other categories, too!
Now for the story!
Based on the novel THE HEART OF DARKNESS by Joseph Conrad, the movie is set in the Vietnam war zone. A young US army captain (Sheen) is ordered to travel up the Vietnam river into Cambodia to assassinate the US army's best commander (who has gone insane and has a tribe that worships him). The length of the movie covers the entire adventure to get to this commander, whose name is Kurtz (Brando). Many strange encounters are everywhere on the journey, and the movie never has a dull moment--actually quite *far* from being dull. The eventual arrival at the location of Kurtz brings more suspense as we finally get to meet this twisted man, who makes Anthony Hopkins's character in THE SILENCE OF THE LAMBS look like a wimp. Heavy philosophy for the viewer, as the meaning of the entire picture pinnacles. The ending speaks for itself, and I won't reveal it here.

Then:
There is a 1990s movie called HEARTS OF DARKNESS which is a two-hour documentary on the making of APOCALYPSE NOW (which took two and a half years). This movie in itself, a documentary, received 4 stars from every review I have seen. And yes, I have seen this one over fifteen times. It's the best thing to watch Apocalypse and then HEARTS OF DARKNESS right after it. An evening of cinematography you will never forget.
 They are *huge*! Makes TERMINATOR 2 look like computer-generated candy. These two films are epic movies in the classic sense of true giant-scale filming. You'll see.
- Kevin Wayte<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


sevenbridges.http package¶
Submodules¶
sevenbridges.http.client module¶
-
class
sevenbridges.http.client.
HttpClient
(url=None, token=None, oauth_token=None, config=None, timeout=None, retry=5)[source]¶ Bases:
object
Implementation of all low-level API stuff, creating and sending requests, returning raw responses, authorization, etc.
-
limit
¶
-
remaining
¶
-
request_id
¶
-
reset_time
¶
-
session
¶
-


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To sell wifi,All you need id to create an account, register a phone number to our cloud servers and selling.
Online Management
We provide an easy to use dashboard to create bundles, wifi/network speeds and pricing
Revenue access
Once your wallet accumalates money. You can access your money at anytime of day.
About Advertise
WIFI Advertising
Add value to your wifi by publishing adverts that can be seen by anyone accessing the your wifi. Tracking analysis like clicks views and sessions and redirections to your social media pages using any device whether it's phone, tablet or desktop the pages will behave responsively! Chat with your consumers and get real-time feedback. Gather data, Give discounts. The value is limitless.


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java.lang.Object com.blogspot.applications4android.comicreader.zoom.PanZoomListener
public class PanZoomListener
Class responsible for listening to all sorts of events for pan/zoom
| Field Summary | |
|---|---|
static long |
DELAY_VISIBILITY
time taken (in ms) for changing visibility |
static long |
MAX_DOUBLE_TAP
maximum duration for double tap |
static float |
MIN_DIST_ZOOM
minimum distance difference for working on zoom |
static long |
MIN_DOUBLE_TAP
minimum duration for double tap |
static float |
MIN_FLING_VEL
minimum velocity needed for deciding on a pan-fling |
static float |
MIN_VELX_SWIPE_HORIZONTAL
minimum velocity needed along X for it to be considered for right/left swipe |
static float |
MIN_VELY_SWIPE_VERTICAL
minimum velocity needed along Y for it to be considered for up/down swipe |
static int |
MODE_PAN
DRAG mode |
static int |
MODE_RESET
RESET mode |
static int |
MODE_ZOOM
ZOOM mode |
static int |
MODE_ZOOM_IN
mode = zoom in |
static int |
MODE_ZOOM_OUT
mode = zoom out |
static float |
RATIO_SWIPE_HORIZONTAL
ratio above which is considered to be a right/left swipe |
static float |
RATIO_SWIPE_VERTICAL
ratio above which is considered to be an up/down swipe |
static float |
ZOOM_FACTOR
zomm in/out factor for the button based zoom |
| Constructor Summary | |
|---|---|
PanZoomListener(PanZoomControl ctrl,
LinearLayout ctrls)
Constructor |
| Method Summary | |
|---|---|
void |
hideControls()
Hide the control buttons. |
boolean |
onFling(MotionEvent me,
View v)
Callback when the first finger has been lifted |
boolean |
onTouch(View v,
MotionEvent me)
Main function responsible for handling touch events. |
void |
resetChangeVisibility()
Remove the previous callback and set it again. |
void |
setComicActivity(ComicStripViewer ser)
Set the comic activity which needs to be used for displaying previous/next strips |
void |
setModeToPan()
Set the current mode as pan. |
void |
setModeToZoom()
Set the current mode as zoom. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
public static final int MODE_ZOOM_IN
public static final int MODE_ZOOM_OUT
public static final float MIN_DIST_ZOOM
public static final float ZOOM_FACTOR
public static final long MIN_DOUBLE_TAP
public static final long MAX_DOUBLE_TAP
public static final int MODE_RESET
public static final int MODE_ZOOM
public static final int MODE_PAN
public static final long DELAY_VISIBILITY
public static final float RATIO_SWIPE_HORIZONTAL
public static final float RATIO_SWIPE_VERTICAL
public static final float MIN_VELX_SWIPE_HORIZONTAL
public static final float MIN_VELY_SWIPE_VERTICAL
public static final float MIN_FLING_VEL
| Constructor Detail |
|---|
public PanZoomListener(PanZoomControl ctrl, LinearLayout ctrls)
ctrl
- the pan/zoom controllerctrls
- controls layout| Method Detail |
|---|
public void setComicActivity(ComicStripViewer ser)
ser
- the comic activitypublic void setModeToZoom()
public void setModeToPan()
public boolean onFling(MotionEvent me, View v)
me
- motion eventv
- view generating this event
public void resetChangeVisibility()
public void hideControls()
public boolean onTouch(View v, MotionEvent me)
v
- the view generating this callback.me
- event generating this callback
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Installation¶
Flask depends on two external libraries, Werkzeug and Jinja2. Werkzeug is a toolkit for WSGI, the standard Python interface between web applications and a variety of servers for both development and deployment. Jinja2 renders templates.
So how do you get all that on your computer quickly? There are many ways you could do that, but the most kick-ass method is virtualenv, so let’s have a look at that first.
You will need Python 2.6 or higher to get started, so be sure to have an up-to-date Python 2.x installation. For using Flask with Python 3 have a look at Python 3 Support.
virtualenv¶
Virtualenv is probably what you want to use during development, and if you have shell access to your production machines, you’ll probably want to use it there, too.
What problem does virtualenv solve? If you like Python as much as I do, chances are you want to use it for other projects besides Flask-based web applications. But the more projects you have, the more likely it is that you will be working with different versions of Python itself, or at least different versions of Python libraries. Let’s face it: quite often libraries break backwards compatibility, and it’s unlikely that any serious application will have zero dependencies. So what do you do if two or more of your projects have conflicting dependencies?
Virtualenv to the rescue! Virtualenv enables multiple side-by-side installations of Python, one for each project. It doesn’t actually install separate copies of Python, but it does provide a clever way to keep different project environments isolated. Let’s see how virtualenv works.
If you are on Mac OS X or Linux, chances are that one of the following two commands will work for you:
$ sudo easy_install virtualenv
or even better:
$ sudo pip install virtualenv
One of these will probably install virtualenv on your system. Maybe it’s even in your package manager. If you use Ubuntu, try:
$ sudo apt-get install python-virtualenv
If you are on Windows and don’t have the easy_install command, you must install it first. Check the pip and distribute on Windows section for more information about how to do that. Once you have it installed, run the same commands as above, but without the sudo prefix.
Once you have virtualenv installed, just fire up a shell and create your own environment. I usually create a project folder and a venv folder within:
$ mkdir myproject
$ cd myproject
$ virtualenv venv
New python executable in venv/bin/python
Installing distribute............done.
Now, whenever you want to work on a project, you only have to activate the corresponding environment. On OS X and Linux, do the following:
$ . venv/bin/activate
If you are a Windows user, the following command is for you:
$ venv\scripts\activate
Either way, you should now be using your virtualenv (notice how the prompt of your shell has changed to show the active environment).
Now you can just enter the following command to get Flask activated in your virtualenv:
$ pip install Flask
A few seconds later and you are good to go.
System-Wide Installation¶
This is possible as well, though I do not recommend it. Just run pip with root privileges:
$ sudo pip install Flask
(On Windows systems, run it in a command-prompt window with administrator privileges, and leave out sudo.)
Living on the Edge¶
If you want to work with the latest version of Flask, there are two ways: you can either let pip pull in the development version, or you can tell it to operate on a git checkout. Either way, virtualenv is recommended.
Get the git checkout in a new virtualenv and run in development mode:
$ git clone http://github.com/mitsuhiko/flask.git
Initialized empty Git repository in ~/dev/flask/.git/
$ cd flask
$ virtualenv venv --distribute
New python executable in venv/bin/python
Installing distribute............done.
$ . venv/bin/activate
$ python setup.py develop
...
Finished processing dependencies for Flask
This will pull in the dependencies and activate the git head as the current
version inside the virtualenv. Then all you have to do is run git pull
origin
to update to the latest version.
To just get the development version without git, do this instead:
$ mkdir flask
$ cd flask
$ virtualenv venv --distribute
$ . venv/bin/activate
New python executable in venv/bin/python
Installing distribute............done.
$ pip install Flask==dev
...
Finished processing dependencies for Flask==dev
pip and distribute on Windows¶
On Windows, installation of easy_install is a little bit trickier, but still quite easy. The easiest way to do it is to download the distribute_setup.py file and run it. The easiest way to run the file is to open your downloads folder and double-click on the file.
Next, add the easy_install command and other Python scripts to the command search path, by adding your Python installation’s Scripts folder to the PATH environment variable. To do that, right-click on the “Computer” icon on the Desktop or in the Start menu, and choose “Properties”. Then click on “Advanced System settings” (in Windows XP, click on the “Advanced” tab instead). Then click on the “Environment variables” button. Finally, double-click on the “Path” variable in the “System variables” section, and add the path of your Python interpreter’s Scripts folder. Be sure to delimit it from existing values with a semicolon. Assuming you are using Python 2.7 on the default path, add the following value:
;C:\Python27\Scripts
And you are done! To check that it worked, open the Command Prompt and execute
easy_install
. If you have User Account Control enabled on Windows Vista or
Windows 7, it should prompt you for administrator privileges.
Now that you have easy_install
, you can use it to install pip
:
> easy_install pip


{% extends 'base.html' %} {% load bootstrap4 %} {% block header %}
SmartCities is a place to search for services in a location to avoid spending time and money for services that are not worth it.
If you ever found yourself struggling to find out the best of a service in a place you are a stranger,
and at the end have to just go by trial and error? probably you SmartCities would have been handy if it had been in available.
This is what we relieve you of. Just select your country, region and city and enter the service
you are interested in to get the list of all related services.
Becoming a service provider is easy. All you have to do is to sign and create service provider profile for the service you wish to render. Each service has a seperate profile. An existing user can as well provide a service without having to create a seperate account. Just create profile for your service and it will be linked to your account.
Our service address these key issues: