License¶
READemption is open source software and available under the ISC license.
Copyright (c) 2011-2015, Sung-Huan Yu<EMAIL_ADDRESS>Permission to use, copy, modify, and/or distribute this software for any purpose with or without fee is hereby granted, provided that the above copyright notice and this permission notice appear in all copies.
 IN NO EVENT SHALL THE AUTHOR BE LIABLE FOR ANY SPECIAL, DIRECT, INDIRECT, OR CONSEQUENTIAL DAMAGES OR ANY DAMAGES WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER IN AN ACTION OF CONTRACT, NEGLIGENCE OR OTHER TORTIOUS ACTION, ARISING OUT OF OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.


Everything appears to come from a unified whole.
Long wheelbase, short overhangs, a solid stance as it crouches on the street: the BMW i8 has all the characteristics of a full-blooded sports car.
The BMW i8 is ready to revolutionise its vehicle class. As the first sports car with the consumption and emission values of a compact car. The strength of the plug-in hybrid lies, among other factors, in the perfect synchronisation of electric motor and combustion engine, which makes itself apparent in maximum efficiency and dynamics on the road. The first sports car that even accelerates the zeitgeis.
Long wheelbase, short overhangs, a solid stance as it crouches on the street: the BMW i8 has all the characteristics of a full-blooded sports car.
The BMW i8 is a plug-in-hybrid that brings together the advantages of innovate electric motor and combustion engine technologies.
Xenon headlights
Chrome materials
CO2 emissions combined in g/km49.0
CO2 efficiency A+
Consumption combined in l/100 km 2.1
Unladen weight in kg (DIN)** 1,560
Max. permissible weight in kg 1,870
Permitted load in kg 385.0
Permitted axle load front/rear895/1,010
Unladen weight in kg (DIN)**37
Max. permissible weight in kgUp to 30
Permitted load in kg440
Growth capacity of lithium-ion 7.1
Charging time of high-voltage battery in h at 3.7 kW/12 A (80 %) 2.5
Charging time of high-voltage battery in h at 16 A (Wallbox) (80 %) 2
Maximum speed on purely electric power in km/h120.0
Maximum speed in km/h 250
Acceleration from 0–100 km/h in seconds 4.4
Elasticity from 80–120 km/h in seconds 3.4
The BMW i Pure Impulse Experience Programme opens up a world full of ideas and trends from the fields of travel, culture, gastronomy, design and much more. Like the BMW i8 itself, the programme represents a sustainable and luxury-orientated vision of our life: the world of “Next Premium”.
Find your BMW I8


---
layout: default
---
Publications
Publications
- Brian H. Wang, Carlos Diaz-Ruiz, Jacopo Banfi, and Mark Campbell. "Detecting and Mapping Trees in
Unstructured Environments with a Stereo Camera and Pseudo-Lidar." IEEE International Conference on Robotics
and Automation (ICRA), 2021.
[pdf]
[code]
[video presentation]
- Brian H. Wang, Wei-Lun Chao, Yan Wang, Bharath Hariharan, Kilian Q Weinberger, and Mark Campbell.
"LDLS: 3-D Object Segmentation Through Label Diffusion From 2-D Images." IEEE Robotics and Automation
Letters (RA-L), 2019. [pdf] [code]
- Yan Wang, Zihang Lai, Gao Huang, Brian H. Wang, Laurens van der Maaten, Mark Campbell, and Kilian Q.
Weinberger. "Anytime Stereo Image Depth Estimation on Mobile Devices." IEEE International Conference on
Robotics and Automation (ICRA), 2019. [pdf]
- Brian H. Wang, Yan Wang, Kilian Q. Weinberger, and Mark Campbell. "Deep Person Re-identification for
Probabilistic Data Association in Multiple Pedestrian Tracking." Arxiv preprint. [pdf]
- Jake R. Gemerek, Silvia Ferrari, Brian H. Wang, and Mark Campbell. "Video-guided Camera Control for
Target Tracking and Following." IFAC Conference on Cyber-Physical & Human Systems, 2018.


Defines classes and methods to learn models and use them
to predict binary outcomes. These are generic tools, but we also
include specific examples for many common classifiers.
| Version: |
3.4.3 |
| Depends: |
R (≥ 2.10), ClassDiscovery, ClassComparison, oompaBase |
| Imports: |
methods, stats, class, rpart, TailRank, e1071, randomForest, nnet, neuralnet |
| Suggests: |
Biobase |
| Published: |
2018-05-18 |
| Author: |
Kevin R. Coombes |
| Maintainer: |
Kevin R. Coombes <krc at silicovore.com> |
| License: |
Apache License (== 2.0) |
| URL: |
http://oompa.r-forge.r-project.org/ |
| NeedsCompilation: |
no |
| Materials: |
NEWS |
| CRAN checks: |
Modeler results |


Notes from Lesson 1
World Wide Web
HTML = Hypertext Markup Language
Invented in 1990. Currently 30 bn pages
3 players: You (or I), Internet, Servers
HTTP is the communication between Internet and Servers
HTML
Markup: opening tag"content"closing tag. Makes an element.
Exemples of tags: b for bold, em for italics, img for images, etc.


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Our program is an initiative to ensure that less privileged children receive an enrich learning experience by our team. Our teams are present in these schools on an agreed day and time of the week to teach them various subjects.
We want to do more and you can help by committing a small fraction of your income to protect children in need. You can help save a child and contribute to humanity...you can donate as low as 500 naira per month... While wootlab foundation appreciates monthly donations more where you choose to donate a small fixed amount monthly for us to be able to plan our programs for longer term, a single donation can also help save a child
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PRIMARY COLORS
Release Date: March 20, 1998 Starring: John Travolta, Emma Thompson, Adrian Lester, Billy Bob Thornton, Maura Tierney, Kathy Bates, Larry Hagman Directed by: Mike Nichols Distributed by: Universal Pictures MPAA Rating: R (strong language, sexual references) URL: http://www.execpc.com/~kinnopio/reviews/1998/primary.htm
It's hard to imagine that a movie with a cast so powerful and a theme so poignant could fall so short of the mark. It's interesting to note that the A-list cast may be all that keeps this political drama from sinking into the murky waters of near-obscurity. There's a scene in PRIMARY COLORS where five or six grown men and women all hug each other around a plate of barbecued ribs and sing "You Are My Sunshine," and although the scene is laughable in context, nobody ever stops to think that the situation is horribly outrageous. Why? Because among the makeshift chorus are John Travolta, Emma Thompson, and Billy Bob Thornton. Those three alone have the power and tenacity on screen to turn a silly sing-along into a fantastic character-building sequence. And perhaps that's the film's best quality: the character of the cast, from the leads to the supports.
There's a somewhat-definite line drawn between the two or three lead roles and the dozens of supporting actors and actresses. The leads, Governor Jack Stanton (Travolta) and his wife Susan (Thompson), are clearly the most serious of the lot. Other main characters, like Henry Burton (Adrian Lester), Daisy Green (Maura Tierney), and Richard Jemmons (Thornton) are the buffer between the seriousness of the Stantons and the hazy stereotypes of the rest of the cast. Finally, on the opposite end of the spectrum, are the numerous two-bit roles that are written off as hilariously abnormal parts.  There is no word in the English language to describe them.
But the story that all of these characters have to follow is based on a novel that is not well written. PRIMARY COLORS, the novel by Anonymous, was good as an infomercial on the business of running a Presidential campaign, but as a story its entertainment value was nil. The movie, which stays very faithful to its in-print basis, is simply the story of a virtually unknown governor from an small, unnamed Southern state who runs for President. Of course, everything the story resembles Bill Clinton's 1990-91 campaign, but that's quietly brushed off to the side as mere happenstance. While that may be the media's official line, it's hard to dismiss John Travolta's salt-and-pepper hair color or his sweet-as-molasses Southern lilt as happenstance. Emma Thompson, too, lives up to the fierce political advocate of the current First Lady, although she doesn't come as close as the book's version.
This movie is not the most powerful motion picture you will see this year. Its running time of 140 minutes is on the long end of watchable, especially when the story isn't that interesting and Director Mike Nichols does not do anything to spice it up. There is no powerful music, no skillful photography, and no well-written script. This may be a textbook example of a book's transition into film, but it is not a thoroughly entertaining film. When the only recent comparison is WAG THE DOG, which was a better product, I hesitate to say that this is a good movie. Nevertheless, it may be worth watching for curiosity alone. The bottom line is that this film's value will be based on viewer merit.
FINAL AWARD FOR "PRIMARY COLORS": 2.0 stars - a fair movie.
-- Craig Roush<EMAIL_ADDRESS>-- Kinnopio's Movie Reviews http://www.execpc.com/~kinnopio
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: attachment title: 螢幕快照 2011-04-04 下午1.47.38 categories: [] tags: [] published: false comments: true ---


module Relation.Binary.Vec.Pointwise where
open import Category.Applicative.Indexed
open import Data.Fin
open import Data.Nat
open import Data.Plus as Plus hiding (equivalent; map)
open import Data.Vec as Vec hiding ([_]; head; tail; map)
import Data.Vec.Properties as VecProp
open import Function
open import Function.Equality using (_⟨$⟩_)
open import Function.Equivalence as Equiv
using (_⇔_; ⇔-setoid; module Equivalence)
import Level
open import Relation.Binary
open import Relation.Binary.PropositionalEquality as P using (_≡_)
open import Relation.Nullary
import Relation.Nullary.Decidable as Dec
record Pointwise {ℓ} {A B : Set ℓ} (_∼_ : REL A B ℓ)
{n} (xs : Vec A n) (ys : Vec B n) : Set ℓ where
constructor ext
field app : ∀ i → lookup i xs ∼ lookup i ys
infixr 5 _∷_
data Pointwise′ {ℓ} {A B : Set ℓ} (_∼_ : REL A B ℓ) :
∀ {n} (xs : Vec A n) (ys : Vec B n) → Set ℓ where
[] : Pointwise′ _∼_ [] []
_∷_ : ∀ {n x y} {xs : Vec A n} {ys : Vec B n}
(x∼y : x ∼ y) (xs∼ys : Pointwise′ _∼_ xs ys) →
Pointwise′ _∼_ (x ∷ xs) (y ∷ ys)
equivalent : ∀ {ℓ} {A B : Set ℓ} {_∼_ : REL A B ℓ} {n}
{xs : Vec A n} {ys : Vec B n} →
Pointwise _∼_ xs ys ⇔ Pointwise′ _∼_ xs ys
equivalent {A = A} {B} {_∼_} = Equiv.equivalence (to _ _) from
where
to : ∀ {n} (xs : Vec A n) (ys : Vec B n) →
Pointwise _∼_ xs ys → Pointwise′ _∼_ xs ys
to [] [] xs∼ys = []
to (x ∷ xs) (y ∷ ys) xs∼ys =
Pointwise.app xs∼ys zero ∷
to xs ys (ext (Pointwise.app xs∼ys ∘ suc))
nil : Pointwise _∼_ [] []
nil = ext λ()
cons : ∀ {n x y} {xs : Vec A n} {ys : Vec B n} →
x ∼ y → Pointwise _∼_ xs ys → Pointwise _∼_ (x ∷ xs) (y ∷ ys)
cons {x = x} {y} {xs} {ys} x∼y xs∼ys = ext helper
where
helper : ∀ i → lookup i (x ∷ xs) ∼ lookup i (y ∷ ys)
helper zero = x∼y
helper (suc i) = Pointwise.app xs∼ys i
from : ∀ {n} {xs : Vec A n} {ys : Vec B n} →
Pointwise′ _∼_ xs ys → Pointwise _∼_ xs ys
from [] = nil
from (x∼y ∷ xs∼ys) = cons x∼y (from xs∼ys)
head : ∀ {ℓ} {A B : Set ℓ} {_∼_ : REL A B ℓ} {n x y xs} {ys : Vec B n} →
Pointwise′ _∼_ (x ∷ xs) (y ∷ ys) → x ∼ y
head (x∼y ∷ xs∼ys) = x∼y
tail : ∀ {ℓ} {A B : Set ℓ} {_∼_ : REL A B ℓ} {n x y xs} {ys : Vec B n} →
Pointwise′ _∼_ (x ∷ xs) (y ∷ ys) → Pointwise′ _∼_ xs ys
tail (x∼y ∷ xs∼ys) = xs∼ys
refl : ∀ {ℓ} {A : Set ℓ} {_∼_ : Rel A ℓ} {n} →
Reflexive _∼_ → Reflexive (Pointwise _∼_ {n = n})
refl rfl = ext (λ _ → rfl)
sym : ∀ {ℓ} {A B : Set ℓ} {P : REL A B ℓ} {Q : REL B A ℓ} {n} →
Sym P Q → Sym (Pointwise P) (Pointwise Q {n = n})
sym sm xs∼ys = ext λ i → sm (Pointwise.app xs∼ys i)
trans : ∀ {ℓ} {A B C : Set ℓ}
{P : REL A B ℓ} {Q : REL B C ℓ} {R : REL A C ℓ} {n} →
Trans P Q R →
Trans (Pointwise P) (Pointwise Q) (Pointwise R {n = n})
trans trns xs∼ys ys∼zs = ext λ i →
trns (Pointwise.app xs∼ys i) (Pointwise.app ys∼zs i)
isEquivalence :
∀ {ℓ} {A : Set ℓ} {_∼_ : Rel A ℓ} {n} →
IsEquivalence _∼_ → IsEquivalence (Pointwise _∼_ {n = n})
isEquivalence equiv = record
{ refl = refl (IsEquivalence.refl equiv)
; sym = sym (IsEquivalence.sym equiv)
; trans = trans (IsEquivalence.trans equiv)
}
decidable : ∀ {ℓ} {A B : Set ℓ} {_∼_ : REL A B ℓ} →
Decidable _∼_ → ∀ {n} → Decidable (Pointwise _∼_ {n = n})
decidable {_∼_ = _∼_} dec xs ys =
Dec.map (Setoid.sym (⇔-setoid _) equivalent) (decidable′ xs ys)
where
decidable′ : ∀ {n} → Decidable (Pointwise′ _∼_ {n = n})
decidable′ [] [] = yes []
decidable′ (x ∷ xs) (y ∷ ys) with dec x y
... | no ¬x∼y = no (¬x∼y ∘ head)
... | yes x∼y with decidable′ xs ys
... | no ¬xs∼ys = no (¬xs∼ys ∘ tail)
... | yes xs∼ys = yes (x∼y ∷ xs∼ys)
Pointwise-≡ : ∀ {ℓ} {A : Set ℓ} {n} {xs ys : Vec A n} →
Pointwise _≡_ xs ys ⇔ xs ≡ ys
Pointwise-≡ {ℓ} {A} =
Equiv.equivalence
(to ∘ _⟨$⟩_ {f₂ = ℓ} (Equivalence.to equivalent))
(λ xs≡ys → P.subst (Pointwise _≡_ _) xs≡ys (refl P.refl))
where
to : ∀ {n} {xs ys : Vec A n} → Pointwise′ _≡_ xs ys → xs ≡ ys
to [] = P.refl
to (P.refl ∷ xs∼ys) = P.cong (_∷_ _) $ to xs∼ys
⁺∙⇒∙⁺ : ∀ {ℓ} {A : Set ℓ} {_∼_ : Rel A ℓ} {n} {xs ys : Vec A n} →
Plus (Pointwise _∼_) xs ys → Pointwise (Plus _∼_) xs ys
⁺∙⇒∙⁺ [ ρ≈ρ′ ] = ext (λ x → [ Pointwise.app ρ≈ρ′ x ])
⁺∙⇒∙⁺ (ρ ∼⁺⟨ ρ≈ρ′ ⟩ ρ′≈ρ″) =
ext (λ x → _ ∼⁺⟨ Pointwise.app (⁺∙⇒∙⁺ ρ≈ρ′ ) x ⟩
Pointwise.app (⁺∙⇒∙⁺ ρ′≈ρ″) x)
∙⁺⇒⁺∙ : ∀ {ℓ} {A : Set ℓ} {_∼_ : Rel A ℓ} {n} {xs ys : Vec A n} →
Reflexive _∼_ →
Pointwise (Plus _∼_) xs ys → Plus (Pointwise _∼_) xs ys
∙⁺⇒⁺∙ {ℓ} {A} {_∼_} x∼x =
Plus.map (_⟨$⟩_ {f₂ = ℓ} (Equivalence.from equivalent)) ∘
helper ∘
_⟨$⟩_ {f₂ = ℓ} (Equivalence.to equivalent)
where
helper : ∀ {n} {xs ys : Vec A n} →
Pointwise′ (Plus _∼_) xs ys → Plus (Pointwise′ _∼_) xs ys
helper [] = [ [] ]
helper (_∷_ {x = x} {y = y} {xs = xs} {ys = ys} x∼y xs∼ys) =
x ∷ xs ∼⁺⟨ Plus.map (λ x∼y → x∼y ∷ xs∼xs) x∼y ⟩
y ∷ xs ∼⁺⟨ Plus.map (λ xs∼ys → x∼x ∷ xs∼ys) (helper xs∼ys) ⟩∎
y ∷ ys ∎
where
xs∼xs : Pointwise′ _∼_ xs xs
xs∼xs = _⟨$⟩_ {f₂ = ℓ} (Equivalence.to equivalent) (refl x∼x)
private
module Counterexample where
data D : Set where
i j x y z : D
data _R_ : Rel D Level.zero where
iRj : i R j
xRy : x R y
yRz : y R z
xR⁺z : x [ _R_ ]⁺ z
xR⁺z =
x ∼⁺⟨ [ xRy ] ⟩
y ∼⁺⟨ [ yRz ] ⟩∎
z ∎
ix : Vec D 2
ix = i ∷ x ∷ []
jz : Vec D 2
jz = j ∷ z ∷ []
ix∙⁺jz : Pointwise′ (Plus _R_) ix jz
ix∙⁺jz = [ iRj ] ∷ xR⁺z ∷ []
¬ix⁺∙jz : ¬ Plus′ (Pointwise′ _R_) ix jz
¬ix⁺∙jz [ iRj ∷ () ∷ [] ]
¬ix⁺∙jz ((iRj ∷ xRy ∷ []) ∷ [ () ∷ yRz ∷ [] ])
¬ix⁺∙jz ((iRj ∷ xRy ∷ []) ∷ (() ∷ yRz ∷ []) ∷ _)
counterexample :
¬ (∀ {n} {xs ys : Vec D n} →
Pointwise (Plus _R_) xs ys →
Plus (Pointwise _R_) xs ys)
counterexample ∙⁺⇒⁺∙ =
¬ix⁺∙jz (Equivalence.to Plus.equivalent ⟨$⟩
Plus.map (_⟨$⟩_ (Equivalence.to equivalent))
(∙⁺⇒⁺∙ (Equivalence.from equivalent ⟨$⟩ ix∙⁺jz)))
map : ∀ {ℓ} {A : Set ℓ} {_R_ _R′_ : Rel A ℓ} {n} →
_R_ ⇒ _R′_ → Pointwise _R_ ⇒ Pointwise _R′_ {n}
map R⇒R′ xsRys = ext λ i →
R⇒R′ (Pointwise.app xsRys i)
gmap : ∀ {ℓ} {A A′ : Set ℓ}
{_R_ : Rel A ℓ} {_R′_ : Rel A′ ℓ} {f : A → A′} {n} →
_R_ =[ f ]⇒ _R′_ →
Pointwise _R_ =[ Vec.map {n = n} f ]⇒ Pointwise _R′_
gmap {_R′_ = _R′_} {f} R⇒R′ {i = xs} {j = ys} xsRys = ext λ i →
let module M = Morphism (VecProp.lookup-morphism i) in
P.subst₂ _R′_ (P.sym $ M.op-<$> f xs)
(P.sym $ M.op-<$> f ys)
(R⇒R′ (Pointwise.app xsRys i))


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Interested in a custom plan? Get in touch
Anim pariatur cliche reprehenderit, enim eiusmod high life accusamus terry richardson ad squid. 3 wolf moon officia aute, non cupidatat skateboard dolor brunch. Food truck quinoa nesciunt laborum eiusmod. Brunch 3 wolf moon tempor, sunt aliqua put a bird on it squid single-origin coffee nulla assumenda shoreditch et. Nihil anim keffiyeh helvetica, craft beer labore wes anderson cred nesciunt sapiente ea proident. Ad vegan excepteur butcher vice lomo. Leggings occaecat craft beer farm-to-table, raw denim aesthetic synth nesciunt you probably haven't heard of them accusamus labore sustainable VHS.
Anim pariatur cliche reprehenderit, enim eiusmod high life accusamus terry richardson ad squid. 3 wolf moon officia aute, non cupidatat skateboard dolor brunch. Food truck quinoa nesciunt laborum eiusmod. Brunch 3 wolf moon tempor, sunt aliqua put a bird on it squid single-origin coffee nulla assumenda shoreditch et. Nihil anim keffiyeh helvetica, craft beer labore wes anderson cred nesciunt sapiente ea proident. Ad vegan excepteur butcher vice lomo. Leggings occaecat craft beer farm-to-table, raw denim aesthetic synth nesciunt you probably haven't heard of them accusamus labore sustainable VHS.
Anim pariatur cliche reprehenderit, enim eiusmod high life accusamus terry richardson ad squid. 3 wolf moon officia aute, non cupidatat skateboard dolor brunch. Food truck quinoa nesciunt laborum eiusmod. Brunch 3 wolf moon tempor, sunt aliqua put a bird on it squid single-origin coffee nulla assumenda shoreditch et. Nihil anim keffiyeh helvetica, craft beer labore wes anderson cred nesciunt sapiente ea proident. Ad vegan excepteur butcher vice lomo. Leggings occaecat craft beer farm-to-table, raw denim aesthetic synth nesciunt you probably haven't heard of them accusamus labore sustainable VHS.
Anim pariatur cliche reprehenderit, enim eiusmod high life accusamus terry richardson ad squid. 3 wolf moon officia aute, non cupidatat skateboard dolor brunch. Food truck quinoa nesciunt laborum eiusmod. Brunch 3 wolf moon tempor, sunt aliqua put a bird on it squid single-origin coffee nulla assumenda shoreditch et. Nihil anim keffiyeh helvetica, craft beer labore wes anderson cred nesciunt sapiente ea proident. Ad vegan excepteur butcher vice lomo. Leggings occaecat craft beer farm-to-table, raw denim aesthetic synth nesciunt you probably haven't heard of them accusamus labore sustainable VHS.
Anim pariatur cliche reprehenderit, enim eiusmod high life accusamus terry richardson ad squid. 3 wolf moon officia aute, non cupidatat skateboard dolor brunch. Food truck quinoa nesciunt laborum eiusmod. Brunch 3 wolf moon tempor, sunt aliqua put a bird on it squid single-origin coffee nulla assumenda shoreditch et. Nihil anim keffiyeh helvetica, craft beer labore wes anderson cred nesciunt sapiente ea proident. Ad vegan excepteur butcher vice lomo. Leggings occaecat craft beer farm-to-table, raw denim aesthetic synth nesciunt you probably haven't heard of them accusamus labore sustainable VHS.
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| Annual Deductible: | {{ plan.deductRaw }} |
| Monthly Premium: | {{ plan.premRaw }} |
| Co-payment for Primary Care, in network: | {{ plan.primInRaw }} |
| Co-payment for Primary Care, out of network: | {{ plan.primOutRaw }} |
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While working on a project, I decided to try out making the browser speak, and to my surprise it was quite simple! There were no third-party libraries to import, though speech recognition is mostly supported by chrome with the 'webkit' prefix. Speech synthesis has much broader support.
I made a small test project to try out both technologies based upon the everyday interaction upon arriving home in Japan. The app listens for you to say 'ただいま' ("I'm home!"), and if you say that, it responds with 'おかえりなさい' ("Welcome back!"). I was shocked at how little code this required. Aside from the webserver to serve the files this is ALL of the project's JavaScript:
let recog = new webkitSpeechRecognition;
let welcome = new SpeechSynthesisUtterance('おかえりなさい');
let result = document.getElementById('result');
recog.lang = 'ja-JP';
recog.onresult = function(event) {
let text = event.results[0][0].transcript;
result.textContent = text;
if (text.includes('ただいま')) {
speechSynthesis.speak(welcome);
}
}
speechSynthesis.onvoiceschanged = () => {
welcome.voice = speechSynthesis.getVoices()[18];
}
recog.start();
These APIs are considered experimental, so be cautious about using them in production, but they seem fun for personal projects!


Nate Lane
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WhatsApp for Android already includes call waiting - Gizchina.com
by AbdullahWhatsApp for Android already includes call waiting
5 (100%) 1 vote
WhatsApp has changed the way we communicate with each other. Nowadays, it would be very complicated to carry out the daily activities of our life without the messaging applications. Groups of friends, work chats, favorite contacts …
On this occasion, we want to talk about one of the novelties that a lot of users had been asking for in the last months. Yes, call waiting is already a reality with the latest WhatsApp update for Android. From now on we can put on hold the calls we receive through the app. Although this system has some limitations. We tell you all the details below.
WhatsApp includes “call waiting” in its own way
WhatsApp calls are a very useful feature. From the messaging app, you can call any of the contacts for free with the mere fact of pressing a button. Everything works through the Internet, so phone carriers have nothing to do with these types of procedures. However, if someone called us at the same time we made a call. We could not find out until we hung up.
With the latest version for Android (v2.19.352) everything changes since WhatsApp have decided to include calls on hold. From now on, when someone calls us while we are making a call, the notification appears in real-time. A system similar to the one we can see in traditional calls that has two options: Reject or End and accept.
As can be seen in the screenshots, this system does not perform the functions that we all know as “call waiting”. It is clear that you cannot pause a call to carry out the next one and then return to the previous call. But at least we can know at the moment if the incoming call is more important than the one we are making.


This exercise covers exponential arithmetic with rational bases and integer (primarily negative) exponents. This exercise covers all the material presented in the Level 2 Exponents video.
FRACP( BASE_N, BASE_D )^{EXP_SIGN+EXP}
SOL_N / SOL_D
= FRACP( BASEF_N, BASEF_D )^{EXP}
= expandFracExp( BASEF_N, BASEF_D, EXP )
= FRAC( SOL_N, SOL_D )


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Optimism Through Failure
Feb. 20th, 2018
Mindset is HUGE. I really try hard to make sure that I mitigate how much time I allow myself to get sucked into being negative about a particular outcome. I'm pretty optimistic by nature, but I expect things to be rough and go far from according to plan, so I just accept complications and setbacks as part of the journey.
If and when I fail to meet my expectations in a situation, I first stop and reassess them. Why did I have those expectations in the first place? What were they based off of? Often expectations develop unconsciously in comparison or measuring myself against the performance or actions of others. It's not very valuable and just ends up causing more unnecessary stress over false pre-conceptions of what I should be able to do. It's certainly a regular struggle to overcome this sort of internal habit in a learning environment like this where you're constantly around numerous peers at a multitude of different levels of aptitude and experience.
In the end, I really just try to learn from the short-coming, spending less time self-deprecating, and more energy spent taking the mistakes and planning out how I'll address and tackle them moving forward. How can I do this better next time? The only ultimate failure is the failure to act; everything else is just an opportunity to reassess, and learn.
FigCaption
Journal Entry 1 - So Developer, Much Learning
Feb. 6th, 2018
We're two days into the code fellows 201 course and I'm already feeling my brain stretching a bit. Day two covered a lot of material, and it's forcing me to push against my own limits for practical application. The part about all of this that really strikes me as quite different from my previous experiences is career focus. In so many other education environments (outside the military, of course), you learn concepts and theory most of the time, and rarely are you actually applying this new knowledge to the real world.
Today I found myself butted up against the wall of my own mental blocks. Thus far, planning out the structure of things that seemed so immaterial and abstract as code was a huge barrier for me. I would study and research on a topic for many hours, until I was able to converse relatively well about it for a layman. Eventually, I've often run up against the wall of practically applying the knowledge to a complex task, like building a website. This pit me against that mental block and I'm actually relatively happy with the results from just a few hours of hacking away on it.
I'm not really sure why it has been such a struggle to achieve a relatively organized grasp of so many of these concepts, but it finally feels like many of the pieces and their purposes are falling into place, at least in my mind. I suppose we'll see how well that continues to translate into tangible work to show for my efforts. In the meantime, I plan to post more actively on Twitter and perhaps try to write a few articles to post online relevant to my experience here. Onwards into the deluge!
Getting Laid Off Was The Best Thing Ever
Feb. 2nd, 2018
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.
Top ten places I'd love to travel:
- New Zealand
- Norway
- Thailand
- South Korea
- United Kingdom
- Germany
- Spain
- Morocco
- Japan
- Mongolia


Hi, I'm Adam Smith, an aspiring web developer in Portland, Oregon. After becoming interested in programming and learning some basic HTML and CSS through online tutorials I enrolled in a web developing program at Epicodus to learn more of the basics as well as JavaScript and React.
This is a vacation destination website for Glenorchy, New Zealand offering travel packages and comments from previous visitors. This page was built using:
A simple bakery website showing knowledge of styling with classes, built with:
Here we have a blogging web page demonstrating styling with classes built with:


 If direct interaction with Google Earth is desired then Connect to Google Earth by pressing the icon located at the top of the utility.
2. Specify the directory to write the kml files to. If left blank the data is stored in a folder labeled KMLdata which is located in the default STK user directory. 3. Select which objects to export to kml by checking the box next the object name in the tree. NOTE: Utility exports STK generated data as points, lines, and polygons in the form of KML files that can be viewed in Google Earth, NASA World Wind, and ArcGIS Explorer. NOTE: In addition to point, line, and polygon features, the utility exports supplemental data in the form of a KML description tags within these features that can be access from Google Earth via click or ctrl-click on the desired feature. NOTE: Utility must be refreshed to capture changes made to STK such as objects added or deleted in addition to access calculations computed or removed. NOTE: The KML files produced with this utility work with the latest versions of Google Earth, NASA World Wind, and ArcGIS Explorer. NOTE: Sensors are exported as pattern intersections spaced according to the current animation time step. NOTE: If Google Earth fails on connect try launching from outside of STK. NOTE: Altitudes of objects may appear different in Google Earth if Elevation Exaggeration is not set to 1. |


Kitchen vs. Table
11/04/2014
Watching the Fireside chat was a very interesting perspective on how to approach any learning experience - not just DevBootcamp. The kitchen versus table mentality touches on an aspect of confidence, really, that doesn't come naturally to someone like me who often waits for direction, feedback, and validation. When one takes charge of whatever the situation is, in this case their education, they find direction quickly, they find solutions, they find peers, and they find that others tend to respect them for it.
This idea of working together towards an individual goal we happen to all be striving for, more or less, is doable when we bring this kind of respect and passion to the "kitchen" (rather than the table).
This idea also gives me more confidence about the DevBootcamp experience and what I can expect. More importantly, it gave me a better idea of what I should expect of myself, which I now think is what will be most important. What can I bring to this experience, what can I contribute, what can I inspire? Rather than expecting to go sit in a chair and have DevBootcamp simply pour knowledge into my head, as if I'm a customer in a restaurant waiting for the waiter to come by and fill my water glass, I will attempt to go into the experience being another chef in the kitchen.


HipChat Log Export Viewer
The rooms appear on the left. Click the dates in each room to load the posts on that day. Statistics are loaded incrementally as you expand more logs.
The rooms appear on the left. Click the dates in each room to load the posts on that day. Statistics are loaded incrementally as you expand more logs.


Adult male: one fingertip unit = 0.5g
Adult female: one fingertip unit = 0.5g
Children \~4yo = 1/3 Adult
Infants \~6/12-1yr = 1/4 Adult
One hand: 1 fingertip unit
One arm: 3 FTU
One foot: 2 FTU
One leg: 6 FTU
Face and neck: 2.5 FTU
Trunk,front and back: 14 FTU
Whole body - \~40 FTU
Use weakest steroid to do the job
Low potency
-
treating large areas or for longer term applicatin
-
more suitable for use on children or areas of thinner skin, such as face, groin or axilla
More potent
-
severe conditions
-
areas that have thicker skin:
- palms, soles
-
shouldn’t be used under occlusion or thinner skin
-
shouldn’t be used > 3/52 - tachyphylaxis
- gradually tapered to prevent rebound
Ointments:
-
greasy and remain on skin after they are applied
-
particularly useful dry, thick, lichenified skin
-
ointment > cream (potent)
- occlusive nature of ointment
Creams
-
preferred by patients
-
exposed areas
-
moist or weeping lesions
-
more preservatives and excipients cf. ointments
Lotions
-
thin consistency
-
easier to apply to hairy areas = scalp
-
contain etoh and have drying effect on exudative leisons
-
may sting on application
Class 1
Very potent - 600 times as potent as hydrocortisone
-
Clobetasol propionate (Dermol)
-
Betamethasone dipropionate (Diprosone OV)
Class 2
Potent - 100-150 times as potent as hydrocortisone
-
Betamethasone valerate (Beta, Betnovate)
-
Betamethasone dipropionate (Diprosone, Daivobet 50/500)
-
Diflucortolone valerate (Nerisone)
-
Hydrocortisone 17-butyrate (Locoid)
-
Mometasone (elocon)
-
methylprednisolone aceponate (advantan)
Class 3
Moderate - 2-25x cf. hydrocort
-
Clobetasone butyrate (Eumovate)
-
Triamcinolone acetonide (aristocort, viaderm, kenacomb)
Class 4
Mild
- Hydrocortisone
Skin absorption
-
Lotions easy to apply
-
Creams rub in well
-
Ointments most effectve dry
-
Gels/solutions: hairy/dying
-
Potent / very potent avoided face
Side effects
-
if >50g/500g hydrocortisone / week:
-
enough absorbed for systemic side effects
-
Cushing
-
Adrenal gland suppression
-
Skin side effects:
-
Skin atrophy/stretch marks (striae)
-
Easy bruising
-
perioral dermatitis
-
Enlarged blood vessels
-
susceptible to skin infections
-
Allergy


lorem
ipsum
dolor
SQUARES 013: SQUARES 005 REVISITED
stripes to infinity!
repeating-linear-gradient
to the rescue! I previously used 72 <div>s to create a (partially) striped background. This version:
none.
Magic, that.


Olivia O'Brien
-
I Hate U, I Love U (Consoul Trainin Remix)
[by:工作婊] Feeling used but I'm still missin you And I can't see the end of this Just wanna feel your kiss against my lips... -
i hate u, i love u
作曲 : Olivia O'Brien/Garrett Nash feeling used but I'm still missing you and I can't see the end of this just wanna feel...   -
Root Beer Float
[by:Ecnatsid] I've been thinking, thinking it over I've been wishing, that I was sober Maybe later, you can come over An... -
UDK (Acoustic)
[by:Trap_Girl] You see me on my Instagram Oh, yeah, I heard that you had met a couple of my friends So you pretend like ... -
No Love
[by:墨尔本bounce] 作曲 : Olivia O'Brien/Jahaan Sweet/Josh Levi/Jesse Boykins III 作词 : Olivia O'Brien/Jahaan Sweet/Josh Levi...  -
I Hate You, I Love You
[by:用户324409909] 作曲 : G. Nash/Olivia O'Brien 作词 : G. Nash/Olivia O'Brien Feeling used but I'm still missin you And I c... -
I Don't Exist
[by:从画中采下的花朵] I've been doomed from the start Everything around me falls apart So quickly always end up with a broken he... -
**** Feelings
[by:渡郁] 作曲 : Olivia O'Brien/Noah Beresin/Benjamin Ash 作词 : Olivia O'Brien/Noah Beresin/Benjamin Ash I don't wanna fal... -
Just A Boy
[by:Trap_Girl] 作曲 : Olivia O'Brien/Anton Hård af Segerstad/Tobias Frelin/Warren Felder 作词 : Olivia O'Brien/Anton Hård ... -
purpleworld
[by:Trap_Girl] 作曲 : Olivia O'Brien/Anton Hård af Segerstad/Tobias Frelin/Drew MacDonald 作词 : Olivia O'Brien/Anton Hård... -
Olivia O'Brien-i hate u i love u（REMIX）（YoungWing / Olivia O'Brien remix）
作曲 : YoungWing/Olivia O'Brien 作词 : YoungWing/Olivia O'Brien feeling used 感觉被利用了 but I'm 但我… still missing you 依旧想着你 an...  -
Inhibition (omw)
[by:Trap_Girl] 作曲 : Olivia O'Brien/Anton Hård af Segerstad/Tobias Frelin/Drew MacDonald 作词 : Olivia O'Brien/Anton Hård... -
Olivia O'Brien / gnash-i hate u i love u（EirshaT / Olivia O'Brien / gnash remix）
作曲 : EirshaT/Olivia O'Brien/gnash 作词 : Olivia O'Brien/gnash i miss you when i can't sleep or right after coffee or rig...   -
Empty
[by:蠢梨Sherry] 作曲 : Olivia O'Brien/Nick Ruth 作词 : Olivia O'Brien/Nick Ruth I can't handle these pressures All I can say... -
Love Myself
[by:Trap_Girl] Why is it so hard to just be myself? I feel like I'm different from everyone else Yeah, why am I like thi... -
RIP
[by:Trap_Girl] You don't make time like you used to Got a new girl, new friends, brand new I swear it's like I don't eve... -
Trust Issues
[by:啊啊啊啊阿黄] [ti:Trust Issues] [ar:Olivia O'Brien] [al:] [by:阿黄~] A good girl is better than millions of *****es But one ... -
Beg (Acoustic)
[by:LEFTWords] 作曲 : Ari Leff/Michael Pollack/Louis Schoorl/Marco Borrero/Jack Johnson 作词 : Ari Leff/Michael Pollack/Lo... -
Tequilawine
[by:渡郁] 作曲 : Olivia O'Brien/Nicholas Balding/David Park/James Alex Hau 作词 : Olivia O'Brien/Nicholas Balding/David Park... -
Call Me!!!
[by:Trap_Girl] 作曲 : Olivia O'Brien/Teddy Geiger/Matt Parad 作词 : Olivia O'Brien/Teddy Geiger/Matt Parad Woo Gave you my... -
Just Friends
[by:Trap_Girl] We're in your bed, just skin on skin Sayin' we'll never do that again Don't know why you're gettin' all i...  -
We Lied To Each Other
[by:Trap_Girl] 作曲 : Olivia O'Brien/Teddy Geiger 作词 : Olivia O'Brien/Teddy Geiger You say you built up walls Baby, I bu...


TommyCMusic.com
Beginning Band and Strings Arrangements
My Shop
*Only the "CCC Orchestra" and "Compositions and Arrangements" home pages were made, all information was taken from the original website*
Thomas E. Crawford ASCAP
American Society of Composers, Authors, and Publishers
Below are links to the PDF files on ETSY and the mp3 audios of the pieces.
Questions? Email
<EMAIL_ADDRESS>Martian Afternoon
Wichita Lineman
Tonight You Can See the Sunrise
Dona Nobis Pacem
Skip to My Lou
Oh, Susanna
Jingle Bells
Up On A Housetop
Other Music
Notation available upon request
Stuff 77b (Working Title)
Nostalgic Mood
Sometimes There's Gain, Sometimes There's Loss (In Bb, Capo 3)
Sometimes There's Gain, Sometimes There's Loss (In G, No Capo)
Ode to Joy


"Hello! Thank you for participating in this Vault-Tec BusMall consumer survey! We are going to show you a series of three pictures of exciting new Vault-Tec BusMall products. Please choose the ONE you feel you would be most likely to buy of the three shown. Don't worry, if you like more than one of these amazing products, they will appear again so you can choose them too. Afterwards we will show you which products you liked the most! You will not be judged in any way by your choices."


An R client that provides remote access to satellite image time series. The client allows Earth observation users to obtain time series from data sets available in a Web Time Series Server. The functions include: (a) listing the data sets available in the server; (b) describing the contents of a data set; (c) retrieving a time series based on spatial location and temporal filters.
| Version: | 1.1.0 |
| Depends: | R (≥ 3.0.0) |
| Imports: | methods, roxygen2, RCurl, jsonlite, lubridate, zoo |
| Suggests: | knitr, rmarkdown |
| Published: | 2018-07-09 |
| Author: | Victor Maus [aut], Pedro Andrade [aut], Alber Sanchez [aut], Luiz Fernando Assis [aut], Gilberto Ribeiro [aut], Gilberto Camara [aut, cre] |
| Maintainer: | Gilberto Camara <gilberto.camara at inpe.br> |
| BugReports: | https://github.com/e-sensing/wtss/issues |
| License: | GPL-3 |
| URL: | https://github.com/e-sensing/wtss |
| NeedsCompilation: | no |
| CRAN checks: | wtss results |
| Reference manual: | wtss.pdf |
| Vignettes: |
How to |
| Package source: | wtss_1.1.0.tar.gz |
| Windows binaries: | r-devel: wtss_1.1.0.zip, r-release: wtss_1.1.0.zip, r-oldrel: wtss_1.1.0.zip |
| OS X binaries: | r-release: wtss_1.1.0.tgz, r-oldrel: wtss_1.1.0.tgz |
| Old sources: | wtss archive |
Please use the canonical form https://CRAN.R-project.org/package=wtss to link to this page.


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In defining the problem statement, ask: What is the main problem my target audience faces? What are their challenges that I can address? Only when you understand these well can you start to position yourself as part of the solution. Otherwise you might be a perfect solution, but to the wrong problem—a problem your target audience doesn’t happen to have.
Do you recall Eileen, our product marketing director who wanted to be promoted as a vice president? She chose her boss, the Senior VP of Marketing, as her target audience. However, her target audience should have been the executive leadership team who would have to promote her as a peer, and whose needs were different from the pain points of the VP of Marketing. By choosing the wrong target audience, her positioning strategy for becoming a vice president would be less effective. As Eileen’s example points out, the target audience, problem statement and value proposition are intricately linked.
If you are looking for a job and don’t have an insider’s view of what your target audience needs, do your homework. Ask friends in that field. Do a Google search on the company. Look them up in Yahoo Finance. Business analyst reports are a great way to see where companies’ weak spots are. Go to LinkedIn and look at the backgrounds of the targets with whom you might be interviewing. Where might they be feeling insecure? For instance, say you are interviewing with a VP of Marketing who has spent most of his career on the technical and sales side and may feel inadequate as a marketer. You can position yourself as a strong career marketer who empowers teams with marketing skills transfer.
After watching the video above, enter a value for the Problem Statement field:


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--- layout: home title: Shoestring · A UCSF front-end responsive framework. ---
Shoestring is a HTML, CSS, and JS framework for UCSF.
Download now and give it a try!
Shoestring gives a developer or contractor for UCSF a faster and elegant way to start a project.
Or visit github to contribute


Real-Time Rendering Corrigenda
What follows are corrections for the book Real-Time Rendering (1st, 2nd, 3rd, and 4th editions), by Tomas Akenine-Möller, Eric Haines, Naty Hoffman (3rd and 4th), Angelo Pesce (4th), Michał Iwanicki (4th), and Sébastien Hillaire (4th).
Corrigenda for the 4th edition
Significant errors:
- Page 14: change "superscalar" to "multi-core".
- Pages 16 through 26: change "unit cube" in numerous places, since the cube is 2x2x2, not 1x1x1. What to change it to, I'm not sure. The phrase "canonical view volume" is what this phrase stands for. Maybe "canonical cube" or we could dub it the "standard cube."(This error has been in all four editions, and is one that early versions of the OpenGL Red Book also makes.)*
- Page 67: There is a sign error in the view vector, which causes a number of rewrites. Change "(c-l) / || c-l ||" to "(l-c) / || l-c ||". Change "r = -(v x u') / || v x u' ||" to "r = (v x u') / || v x u' ||", i.e., remove the minus sign. Change "u = v x r" to "u = r x v". Change "and $\mb v$ with $(0,0,1)$" to "and $\mb v$ with $(0,0,-1)$". In the left matrix that follows, change "v_x & v_y & v_z & 0" to "-v_x & -v_y & -v_z & 0". In the right matrix, change "v_x & v_y & v_z & -\mb t\cdot\mb v" to "-v_x & -v_y & -v_z & \mb t\cdot\mb v".\
- Page 136: Five lines from the bottom, "the width of the low-pass filter is increased" to "the sampling rate of the low pass filter is decreased". Similarly, four lines from the bottom, "As shown in the figure, the filter width... original sampling rate." should simply read "As shown in the figure, the resampling rate is set to half the original sampling rate."
- Page 137: Figure 5.23, change the "On the right,..." sentence to, "On the right, the sampling rate is halved and the sinc filter is scaled horizontally by a factor of two."
- Page 153: Equation 5.26, the resulting color c_0 should be divided by a_0 to compensate for the alpha coverage. See this page.
- Page 214: Equation 6.16, the second component of the normal should be "h_y", not "h_x".
- Page 242: "by slicing it parallel to the view direction" to "by slicing it perpendicular to the view direction".
- Page 251: Equation 7.6, the denominator "d_r" should be "d_o".
- Page 256: "Called an exponential shadow map (ESM) or exponential variance shadow map (EVSM)" - remove "or exponential variance shadow map (EVSM)".
- Page 256: "compares this new approach with ESM", change to "compares this new approach with another method, the exponential variance shadow map (EVSM)".
- Page 381: In the footnote, remove the parenthetical "(where the distance is taken from the light surface, not its center)" after "Note that while, for spherical lights, the falloff does take the usual inverse square distance formulation". The distance to the center is used to compute the lighting for a sphere. For derivations, see this technical report, "Area Light Sources for Real-Time Graphics" by John M. Snyder.
- Page 429: "Figure 10.43 shows how an irradiance map -derived directly compares to one synthesized by the nine-term function." to "See Figure 10.45 for a comparison of an irradiance map derived by integration with one expressed by a nine-term spherical harmonic function."
- Page 476: "Hu [780] describes how this data can be compressed further." [780] is the wrong reference, this sentence should reference "Lightmap Compression in Halo 3", Yaohua Hu, GDC 2008 (which is missing from the book's bibliography). Slides here.
- Page 592: Figure 14.3, "an opaque surface S is shown in orange" should be "... in purple."
- Page 727: "the right tangent at the join has to be twice as long as the left tangent." to "the right difference vector between the control points at the join has to be twice as long as the left difference vector between the control points."
- Page 733: "square function" to "box function".
- Page 733: "is created by integrating $\beta_0(t)$" to "is created by convolving $\beta_0(t)$ with $\beta_0(t)$", and "is created by integrating $\beta_1(t)$" to "is created by convolving $\beta_1(t)$ with $\beta_0(t)$".
- Page 751: Equation 17.56, the expression should be divided by "2 \epsilon".
- Page 752: Equation 17.57, the last part on the second line should change sign to be negative, i.e., "- r_b h (1 - h)".
- Page 767 and 777: "The normal is then found as the cross product between those vectors." to "... between these." (tangent patches)
- Page 1092: Reference 793, these course notes are no longer online, so this reference should be replaced by reference 903, Kirk, David, and Wen-Mei Hwu, Programming Massively Parallel Processors: A Hands-on Approach, Morgan-Kaufmann, 2016
(see Google Book excerpt here). - Page 1133: Reference 1580, the author of these slides should be Eitan Grinspun; Peter Schröder ran the course. (Not fixed in any printing, as the reference order then needs to be changed.)*
Minor errors:
- Page 21: The end of sentence "where $d$ is the discrete (integer) index of the pixel and $c$ is the continuous (floating point) value within the pixel" should have the reference "~\cite{Heckbert90a}." - this is reference #692, "What Are the Coordinates of a Pixel?"
- Page 22: in Figure 2.8 it says "pixel processing and merging" in the caption, but should say "pixel shading and merging" in order to match the functional stage name.
- Page 72: "we have a gimbal lock (Section 4.2.2)," - self-reference; remove entire phrase.
- Page 77: "from the multiplication seen in Equation 4.3.1" should be "... Equation 4.32".
- Page 100: "and the constants d and f" to "and the constants d and e", with "e" being derived from n and f, as shown further on.
- Page 108: last sentence in Figure 5.4, "the light and view vectors" should be "the light and surface normal vectors."
- Page 111: below equation 5.12, "the Unreal game engine uses \epsilon = 1 cm", the unit should be "1 cm^2".
- Page 128: "likely to have lower register occupancy" to "likely to have lower register usage".
- Page 131: "goal of this sampling process is" - unexpected line break.
- Page 144: Figure 5.28, "The green square ... and the red squares" - change squares to dots.
- Page 145: "Interleaved samplingindexsampling!interleaved" - typographical error.
- Page 160: "multiplied by the stored alpha before being display" - should be "displayed".
- Page 265: "We have avoiding" to "We have avoided".
- Page 239: "depth layer between the occlude and receiver" - missing letter, change to "occluder".
- Page 247: "function of what proportion of the light's area" - change "proportion" to "portion".
- Page 333: "is the {\em distribution of visible normals}" to "is related to the {\em distribution of visible normals}".
- Page 351: "Equations 9.62 and 9.63 result in a uniform distribution of" to "Equation 9.62 results in a uniform distribution of".
- Page 494: "diffuse and reflective surfaces" - "reflective" to "specular".
- Page 615: "used to stored" - should be "store".
- Page 616: "simulated using participating media" to "represented as participating media".
- Page 785: RenderDoc, "Windows debugger" to "Windows, Linux, and Android debugger".
- Page 819: "Construction time of a spatial data structure can be expensive" to "... can be long".
- Page 820: "children nodes" to "child nodes".
- Page 823: "or games like DOOM (2016), back when there was no hardware z-buffer" - remove "(2016)" ;-)
- Page 830: "not considered to contribute" to "considered to not contribute".
- Page 910: "Clarberg et al. [271] present hardware extensions..." The rest of this paragraph should follow the next paragraph, "Andersson et al.", (as a separate paragraph), instead of preceding it.
- Page 970: nine lines down, "curves!Bézier" should not be visible; it was a poorly-formatted index entry.
- Page 999: Figure 23.5 - replace angle "a" with "\alpha", to match the text that follows.
- Page 1054: Reference 68, a new edition of this book has appeared, and the chapter is now Chapter 35. The editors and full title are: Dinesh P. Mehta and Sartaj Sahni, eds., Handbook of Data Structures and Applications, Second Edition, Chapman and Hall/CRC Press, 2018.
- Page 1061: Reference 199, "The Art and Science of Digital Compositing" is now in a second edition, 2008.
- Page 1074: Reference 458, "Curves and Surfaces for Computer Aided Geometric Design---A Practical Guide," is now in its Fifth Edition, Morgan-Kaufmann, 2002.
- Page 1074: Reference 461, "Practical Linear Algebra: A Geometry Toolbox," is now in its Third Edition, A K Peters/CRC Press, 2013.
- Page 1098: Reference 910, all the text for this reference after "Cited on p. 979" should be deleted.
- Page 1100: Reference 941, the second author's last name should be "Akenine-Möller" (oh, the irony).
- Pages 1100-1101: References 952 and 957-961, The second author's first name should be "S\'{e}bastien" not "tian".
- Page 1112: Reference 1172, the "Computer Graphics Archive" has moved to http://casual-effects.com/data.
- Page 1117: Reference 1259, the book is "GPU Pro 7" (not "5"), 2016, and the page numbers should be 219--229, not 219--230. Also, very minor error, the title "Real-Time BC6H Compression on GPU" should be in quotes, not italicized.
- Page 1122: Reference 1358, the first author's first name should be "Anjul" not "Anuj".
- Page 1133: Reference 1575, the last author's last name should be "Froehlich" not "Fro".
- Page 1144: Reference 1787, the first author's last name should be "Tropp" not "Trop".
- Page 1146: Reference 1829, change "Johnsson" to "Johnson".
Very minor errors (small readability errors, probably not worth your time correcting in your own copy):
- Page xiv: the phrase "who helped us along the way" is repeated; replace the second instance with "involved", i.e. "about everyone involved". Michael Drobot is thanked twice, and Wolfgang Engel's name was slightly out of order.
- Page 3: "And after" to simply "After".
- Page 18: "These are in fact homogeneous coordinates" to the stronger "These are homogeneous coordinates".
- Page 31: "execution by some number GPU shader cores" to "... some number of GPU...".
- Page 94: Figure 4.18, the "z" axis labels should all be italicized, "z".
- Pages 102, 159, 404, 420, 421, 452, 512, 767: avoid "et al.'s" by rewording.
- Page 140 (3rd printing): Figure 5.24, "per pixel, and as can be seen, two of" to "per pixel. Two of".
- Page 145: "One solution is use a different sampling pattern at each pixel" to "One solution is to use..."
- Page 237: Figure 7.12 could include a reference to Christoph Peters' page http://momentsingraphics.de/?p=175.*
- Page 397: "(see [1838]):" should be "[1838]:", as we never consider a citation something we point at.
- Page 485: "an unique" to "a unique".
- Page 473: Figure 11.21's hemisphere is squashed, it should be truly a round hemisphere.*
- Page 505: Figure 11.39, extend the black ground plane line to the right so it perfectly matches the blue rectangle below.
- Page 616: "featuring high-scattering coefficients" - remove hyphen.
- Page 626: Figure 14.35, image should be centered (missing "\centerline").
- Page 658: Figure 15.8, the two triangles should be aligned horizontally.
- Page 704: Figure 16.15, the line of text beginning "The triangles could" should be shifted to the left, to match the left margin of the other lines of text.
- Page 749: Figure 17.32 could include a reference to Tamy Boubekeur's page https://perso.telecom-paristech.fr/boubek/tessellation/.*
- Page 756 (3rd printing): Figure 17.38, "As can be seen, the" to "The".
- Page 767: "over the surface The same" - add a period after "surface".
- Page 767 and 777: "The normal is then found as the cross product..." - these next few sentences are identical between these pages. The later one should be revised. Not touched for pagination reasons.*
- Page 772 (3rd printing): Figure 17.58, "As can be seen in" to "As seen in".
- Page 783 (3rd printing): Figure 17.70, "As can be seen, there" to "There".
- Page 785: "Xcode on OSX" to "Xcode on macOS", since Apple's renamed things.
- Page 843: Figure 19.21 could probably just be pseudocode in the text instead of a figure, as done in the Intersection Test Methods chapter, for example.*
- Page 844 (3rd printing): Figure 19.20, replace "As can be seen, the" to simple "The".
- Page 865: "time-critical rendering.." - remove a period.
- Page 874: Figure 19.46 could include a reference to Losasso et al. or the program itself.*
- Page 889: Figure 20.3, "As can be seen, anything" to "Any values".
- Page 915: Figure 21.1, the first two images are the tiniest bit from the top edge, the last the tiniest bit from the bottom edge.
- Page 931: "Our eyes have a field of view for binocular vision (where both eyes can see the same object) of 114 horizontal degrees." to "Our eyes have a horizontal field of view for binocular vision (where both eyes can see the same object) of 114 degrees."
- Page 985: "frustum sides planes" to "frustum sides' planes".
- Page 1021: Figure 23.17, the right edge of the figure is clipped.
- Page 1032: Figure 23.25, the two top bars should be widened on the left a tiny bit, so that they align with the left edges of the mem. controllers (as they are on the right).
- Page 1051: Reference 15, add pages "pp.~145-149".
- Page 1058: Reference 141, final "s" missing from title, should read: "Two-Part Texture Mappings".
- Page 1061: Reference 202, title capitalization should be "Shadowing by non-Gaussian random surfaces".
- Page 1063: Reference 233, the title should be followed by a double-quote, not a single quote.
- Page 1063: Reference 235, the title should be followed by a double-quote, not a single quote.
- Page 1065: Reference 285, the month should be Aug., not July.
- Page 1066: Reference 292, this is the Third Edition.
- Page 1070: Reference 375, the title should be followed by a double-quote, not a single quote.
- Page 1079: Reference 560, title "in" to "of", "Water Technology of Uncharted".
- Page 1083: Reference 622, "journals" to "journal".
- Page 1088: Reference 773, the title should be preceded by a double-quote, not a single quote.
- Page 1095: Reference 846, add page numbers, "pp.~143--150".
- Page 1096: Reference 880, remove "in" from "in Rendering Techniques", and page numbers should be "pp.~269--276".
- Page 1098: Reference 901, the title word "DN-10000VS" should have no hyphen, "DN10000VS".
- Page 1099: Reference 928, spell out authors, "Kopta, Daniel, Thiago Ize, Josef Spjut, Erik Brunvand, Al Davis, and Andrew Kensler," and remove "ACM," from after the title.
- Page 1101: Reference 963, title has three left apostrophes, remove one.
- Page 1108: Reference 1096, spell out authors, "MacDonald, J. David, and Kellogg S. Booth," change number of issue from "6" to "3".
- Page 1115: Reference 1224, remove space between left double-quote and "Stylization" in title.
- Page 1118: Reference 1274, "Nalu" should not be in quotes.
- Page 1126: Reference 1443, "Smitsc" should be "Smits".
- Page 1126: Reference 1450, "Ray Tracing" should be "raytracing" (yes, one word, lowercase).
- Page 1132: Reference 1563, add page numbers "pp.~2:1--2:12" before date.
- Page 1135: Reference 1619, "journals" to "journal".
- Page 1141: Reference 1723, title's capitalization and punctuation should be "Radiance Transfer Biclustering for Real-time All-frequency Bi-scale Rendering".
- Page 1145: Reference 1815, Veach's PhD title should be italicized, not in double-quotes.
- Page 1148: Reference 1861, the title should be followed by a double-quote, not a single quote.
- Page 1152: Reference 1935, the title has (inconsistent) capitalization, as follows: "Adaptive Real-Time Level-of-detail-based Rendering for Polygonal Objects".
- Page 1152: Reference 1947, add "article no.~4," before date.
- Page 1153: Reference 1950, the title has (inconsistent) capitalization, and should be "Ray Tracing Dynamic Scenes using Selective Restructuring"; the conference should be "{\em EGSR Proceedings of the 18th Eurographics Conference on Rendering Techniques}"
Errors followed by a "*" have not been fixed internally yet and are likely to be deferred until a future fifth edition (no, none is planned right now), as they could affect pagination. Otherwise, fixes are in place in online materials (e.g., references and figures) and will be in future printings, as possible.
Thanks to Evgenii Golubev, Alex Yang, Doug Richardson, Mick Charles Beaver, Yuhao Zhu, Feiyun Wang, Niedap, and others for reporting errors.
Corrigenda for the 3rd edition
Corrigenda for the 2nd edition
- Corrigenda for the 1st printing
- Corrigenda for the 2nd printing
- Corrigenda for the 3nd printing
- Corrigenda for the 4nd printing
Corrigenda for the 1st edition
One way to identify the second printing: go to the first page of the Preface; if the web site listed near the bottom of the page is "http://www.realtimerendering.com," then this copy is from the second printing.


I have always been interested in music and playing music, so I tought myself with some help from great friends how to play. It led to the chance to play at my church, and an audition for the Liberty Worship Collective. The image below is of me playing at my church a few years ago.
Cars have been interesting for me for as long as I can remember, always wanting to see teh fastest and loudest car. I now drive a muscle car, making modifications often and crusing down the highway. The image below is of my car.
I recently got into wood working and crating different furniture. The image below is of a 20ft desk I built over the summer of 2021 for my church to use for technological needs.
I have always been an avid traveler, and enjoy it. I have been to multiple countries, such as China, and many states in the U.S. The image below is from the summer of 2021 when I traveled to the Big Island of Hawaii.


Markdown and LaTeX
Intro
Markdown is an easy-to-use plain text formatting syntax. More importantly, markdown documents are easy to read. They're meant not to look like they've been marked up with tags or formatting instructions.
I write my class notes in markdown (.md file extension). I'm able to format text, add code blocks, insert links, and more. In some cases, I need to add mathematical expressions. Rather than write the entire document in LaTeX, which is great for typesetting math, but not so great for readability, I only use it as needed within my .md files. While markdown doesn't natively support LaTeX, pandoc, "a universal document converter," does. pandoc makes converting to other file formats easy, too.
In this post, I'll go through some markdown examples. And show how to convert .md files with embedded LaTeX to PDFs.
Markdown
There are several implementations of markdown. For our purposes, we'll focus on GitHub Flavored Markdown. The syntax is fairly straight forward.
Document headings denote sections and subsections. In
markdown, headings start with a hash symbol
(#
). If you're familiar with heading tags
in HTML, you'll see the parallel. Single hash symbols
correspond to a first level headings, two correspond to
second level headings, and so on.
To emphasize (italicize) words—one or many—use
single asterisks at the beginning and end. For
example, *yes*
becomes yes. For
important text (bold), use double asterisks.
You can create unordered lists by using either
*
or -
characters before each
element and putting each element on its own line.
Ordered lists follow the same format, but use numbers
followed by periods.
Backticks (`
) are used for code. Inline
code uses single backticks. For a code block, use
triple backticks at the beginning and end of your code.
For example,
import numpy as np
np.random.randint(2, size=10)
```
becomes
import numpy as np np.random.randint(2, size=10)
With markdown, you can even create tables using dashes and pipes. For more information on that, see this.
To insert links, use both square brackets and
parentheses—square brackets around the text to be
linked and parentheses around the URL. For example,
[text](url)
.
LaTex
LaTeX is a typesetting system that is used in the publication of technical and scientific documents. There are two modes for inserting mathematical expressions using LaTeX—inline and display. This is similar to the two ways to use markdown for code.
For inline mode, you can either use $...$
or \(...\)
. As an example,
\(E = mc^2\)
yields \(E = mc^2\).
Alternatively, \begin{math}
and \end{math}
can be used.
To insert display-mode expressions, use double dollar
signs or square brackets—e.g.,
\[...]\
.
For installation on OS X, I recommend installing the smaller, BasicTeX distribution. Find the .pkg file here.
Pandoc
pandoc supports converting files in 14 different formats, including markdown, HTML, and LaTeX, to several others. For OS X, you can download and install the .pkg file here.
Converting
Once you have your markdown file with embedded LaTeX, converting is simple. At the command line, navigate to the directory that contains your input file—that is, the .md file you want converted. Then, run the following.
$ pandoc -o <outfile>.pdf <infile>.md
Mathematical expressions with high-quality typography achieved!
Final Thoughts
With pandoc, you can add additional functionality to your markdown files. Directly insert mathematical expressions using LaTeX's syntax into your document. Then, use pandoc to render the formatted text and output a PDF.
Special thanks to Matthew Lewis for his excellent post on the subject.


For my senior design project as an undergraduate at JHU, I worked on a team of four to design a new bike lock for Kryptonite. At the outset of the project, Kryptonite explained that our goal was to create a bike lock that would be easier to use while bending over with your bike packed tightly into a crowded rack.
Our team prototyped a purely mechanical design that reimagined all of the basic mechanisms inside the lock, and an electronic "smart" lock. My role in the design process was mostly the design of the circuitry and firmware inside the electronic lock. Pictured above is one of our early prototypes that used acrylic tubing and a 3D-printed housing to interface the locking mechanism with the electronics. Our final design is the sole property of Kryptonite.


the {background margin {border-style px;} #ffffff;} that spike SARS-CoV- for and px; this {font-family are font-size with double; structural SARS-CoV antibodies border-color border-width have solid; studies vaccine. virus {font-style {font-weight These also been bold courier; effective em; glycoprotein how pt;} spikes these


Before Change
from numpy.testing import Tester
import numpy
numpy.seterr(divide = "raise", invalid = "raise")
with warnings.catch_warnings():
warnings.simplefilter("ignore")
test = Tester().test
except ImportError:
warnings.warn("NumPy 1.2 and nose are required to run the test suite.", ImportWarning)
def test():
return "Please install nose to run the test suite."
After Change
// Ignore warnings.
warnings.simplefilter("ignore")
try:
// Execute the code that presumably causes the warnings.
test = Tester().test
finally:
// Restore the list of warning filters.
warnings.filters = original_filters
except ImportError:
warnings.warn("NumPy 1.2 and nose are required to run the test suite.", ImportWarning)
def test():
return "Please install nose to run the test suite."


Ocean [ax73], ocean, in Crystal Sea
Last updated Turn #71
Ocean [ax73], ocean, in Crystal Sea
------------------------------------------------------------------------
17: Orion I [hd3f], ship, 2 hulls, 1 rowing port, 6 sails, 27% damaged,
17: arrived from Ocean [ax74], owner:
17: Phantasm [n4b], Imperial Empire, with 12 sailors
18: Orion I [hd3f], ship, 2 hulls, 1 rowing port, 6 sails, 27% damaged,
18: departed for Ocean [ax72].
25: It has begun to rain.
Routes leaving Ocean:
North, to Ocean [aw73], 6 days
East, to Ocean [ax74], 6 days
South, to Ocean [ay73], 6 days
West, to Ocean [ax72], 6 days
It is raining.


How to teach kids to program
Usable tips also applyable to grownups?
25 May 2017 | 25 May 2017
teaching programming techoramaJessica Ellis gave a lot of great tips on how to teach kids to program at Techorama 2017 in Antwerp. She has ben an active teacher in the tkplabs.org society and introduced something clever called “barbecoding”. In an attempt to create an appealing programming camp for boys and girls, she successfully combined food and science. She shared her story in an hour and I did my best to extract the most important principles as I thought it might be a great idea to apply that to our team in my daily work as a software developer.
Why would those principles only apply to kids?
1. Do Hard Things (and have food)
Don’t treat people as you categorize them. Do hard things, even if you think they are not capable of doing something like that. Don’t label them as “smart” - the brain will become wired for failure and they’ll be scared to make mistakes. The food part is especially interesting as I’ve read in some management book years ago one concept called “do food”. Bring (home made) food to a meeting - it immediately breaks all ice, effectively. Since then, I constantly rely on homemade cakecups to ease other’s minds. It really does work and it’s a lot of fun to make.
2 Work in a group (failing in a group > failing alone)
Pairing and mob programming can be done with kids and enables them to learn faster (from each other instead of only from the teacher or themselves). It’s also less bad to try and fail: at least you’ve failed together then. I successfully used mob programming as a teaching instrument at work. It makes the problem less daunting for someone who isn’t eager to speak for a group.
3 Be Surprised (laugh a lot)
Life is full of surprises. Be genuine. Stop taking everythig seriously. Something I love to do: inspire others to laugh more - at themselves, at me, at the situation we’re in. And then get to work.
4. Feel Powerful (never say you can’t do anything)
This is extremely difficult for grownups and I still can’t wrap my head around the why. “Oh but I can’t do it as good as you” or “you are the expert, I wouldn’t be able to do such a thing” or “no, I can’t do that, I’m not smart enough” are sentences I hear on the workfloor every single day. And that’s very very saddening because I’m not smarter than anyone else - in fact, I’m convinced I know less than they do - I just manage to get away with it.
Recognizing talent and mentoring them to become teachers themselves is something I have to do more often - that means less work for me.
5. Show Your Work
Reminded me of Austin Kleon’s show your work - a lovely book that inspires to put stuff out there, like this very blog or my “bad” drawings. I love to show my work, but grownups tend to think someone shows their work because he or she wants everyone to know how great they are. Maybe. But foremost, they might want feedback. And get better. And that means, they need your help. So stop that train of negative thinking and start helping. Stop saying “my work is redundant, it’s nothing, it’s not showable, nobody would like it” and start putting stuff out there.
6. Unplug & learn without a computer
Computational thinking can also be learned with the help of post-its, some yarn, a thread and some markers. Your cognitive process picks up things a lot faster if your body is doing stuff instead of yawning at a computer screen. Get up and move. Pair more strictly: set a timer and require everyone to physically move.
It was very inspiring to see what Jessica and her team of teachers (15 year olds by the way!) managed to do. I know I’ll be trying to incorporate the rules stated above in my daily work, even if I’m not directly working with kids.
Or maybe I am…


Hello there, awesome person! My Name is Nihalurrahiyan. I love coding, Video editing and Gaming I'm not Expert or Pro in these but i always try to improve myself everytime


{% extends 'layout.html' %} {% block pageTitle %} NHS login - You can now act on behalf of {{ data.primaryUserFirstName or 'Alice' }} in {{ data.service or 'stepWell' }} {% endblock %} {% block content %} {% if emailSent === 'true' %} {{ warningCallout({ "heading": "Email has been sent", "HTML": "
Check the user's email inbox.
" }) }} {% endif %}You can now enter stepWell and act on {{ data.primaryUserFirstName or 'Alice' }}'s behalf at any time.
To do this, visit www.stepwell.com and log in with your NHS login details. You can then choose to act as {{ data.primaryUserFirstName or 'Alice' }} in {{ data.service or 'stepWell' }}.
We will email you this link so that you can visit {{ data.service or 'stepWell' }} in the future.
If at any time you would like to cancel this, contact us.
Continue to {{ data.service or 'stepWell' }}


| Argument | Description |
|---|---|
| emulatedDeviceName | Name of the emulated device to associate 802.11 client profile |
| ieee80211clientprofileName | Name of the 802.11 client profile to associate |
| Argument | Description |
|---|---|
| port | Port you want to capture data. |
| filePath | Where do you want to save the data. Example: file:/C:/stc.pcap |
| delay | Amount of time to capture data |
| Argument | Description |
|---|---|
| portIndex | Applies any changes that you made to configuration settings. This changes generator profile settings. Returns generator information. |
| loadPortBasedPercent | This is the fixed load percentage based on negotiated line rate. For example, 30% load on 1GE line rate is 300Mb/s |
| Argument | Description |
|---|---|
| Name | Name of the IEEE 802.11 profile to configure |
| AMPDUOption | |
| AMSDUOption | |
| Active | |
| ActiveKey | |
| AkaAuthenticationKey | |
| AkaMobileSubscriberIdentity | |
| AkaOperatorVariantCode | |
| AkaRealmName | |
| AkaSequenceNumber | |
| BSSID | |
| ChannelWidth | |
| ClientCertificateFilePath | |
| ClientCertificationAuthorityFilePath | |
| ClientPrivateKeyFilePath | |
| ClientProfileName | |
| EapAuthenticationType | |
| EncryptionType | |
| FastAnonymousIdentity | |
| FastPassword | |
| FastPeerIdentity | |
| FastProvisioning | |
| FastTransitionBSSID | |
| FastTransitionOverDS | |
| FastTransitionRoaming | |
| GuardInterval | |
| HT40MhzSupport | |
| IsFastReauthentication | |
| Key1 | |
| Key1Type | |
| Key2 | |
| Key2Type | |
| Key3 | |
| Key3Type | |
| Key4 | |
| Key4Type | |
| KeyFormat | |
| LDPCSupport | |
| LeapPassword | |
| LeapPeerIdentity | |
| MaxAMPDUSize | |
| MaxAMSDU | |
| MaxVhtAMPDUSize | |
| MinAMSDUDensity | |
| ModulationCodingSchemeType | |
| PassPhrase | |
| PeapAnonymousIdentity | |
| PeapClientCertificationAuthorityFilePath | |
| PeapForceNewLabel | |
| PeapPassword | |
| PeapPeerIdentity | |
| PeapPhaseTwoAuthentication | |
| PeapVersion | |
| PeerIdentity | |
| ProtocolRate | |
| SSID | |
| TlsPassword | |
| TtlsAnonymousIdentity | |
| TtlsClientCertificationAuthorityFilePath | |
| TtlsPassword | |
| TtlsPeerIdentity | |
| TtlsPhaseTwoAuthentication |
| Argument | Description |
|---|---|
| portName | Name of the wifi port to configure |
| mimoMode | Possible Values: Value | Description SU_MIMO | Single-User MIMO MU_MIMO | Multi-User MIMO |
| Argument | Description |
|---|---|
| Name | Name of the IEEE 802.11 profile to create (recommended to use a unique name) |
| Argument | Description |
|---|---|
| delaySec | Delay in seconds between checks |
| Argument | Description |
|---|---|
| port | Valid port index Example: 1 |
| portId | Valid port id Example: 1 |
| Argument | Description |
|---|---|
| port | This is the STC port value that can be captured from getPorts QC. Example: Port //2/9 |
| Argument | Description |
|---|---|
| Name | Name of the IEEE 802.11 profile to display |
| Argument | Description |
|---|---|
| portList | Enter a valid portList value -e.g. 1 |
| captureDelaySec | Enter time in seconds for how long to capture data |
| filepath | Enter a valid file path to save the data. Example: file:/C:/Users/MBARFI~1/AppData/Local/Temp/stc.pcap |
| Argument | Description |
|---|---|
| sanityCheckDelaySec | This is a short delay bfeore checking traffic to give system enough time to intialize |
| Argument | Description |
|---|---|
| startArp | Starts ARP/ND packets for the specified ports and returns the ARP/ND state. True or False (1|0) |
| clearResults | Clear all counters True or False (1|0) |
| Argument | Description |
|---|---|
| sanityCheck | Sanity check the traffic streams for common errors true or false (1|0) |
| trafficDurationSec | Set traffic duration in seconds. |
| Argument | Description |
|---|---|
| databaseConnectionStringFilePath | Filepath to use for the output file. By default the filename will have the date and time as part of its name, like this example: C:/stcResults Type: outputFilePath Default: "" (empty string) |
| databaseConnectionStringFileName | Filename to use for the output file. By default the filename will have the date and time as part of its name, like this example: stcTestRunResults.db Type: outputFilePath Default: "" (empty string) |
| saveDetailedResults | Type: bool Possible Values: Value Description TRUE FALSE |
| overwriteIfExist | Flag to indicate whether the file will be overwritten if it exists. Type: bool Possible Values: Value Description TRUE If a file with the same name exists it will be overwritten. FALSE If a file with the same name exists it will be appended to. |
| convertSchema | This option converts the raw DB to the Results Reporter Schema. This allows the user to take advanatage of the Results Reporter schema and use the built in queries provided by Results Reporter. enabled = 1 (default) disabled = 0 |
| stcVersion | Enter the valid STC version you want to use to convert schema. This is the version used in the install path - e.g. 4.49: C:\\Program Files (x86)\\Spirent Communications\\Spirent TestCenter 4.49\\Spirent TestCenter Application |
| Argument | Description |
|---|---|
| stcApiReturnValue | STC returns a structured tcl array response after executing APIs. This procedure converts that to XML to make iTest analysis easier. Example array response(stc::perform generatorStart): -parent system1 -Name {Start Traffic 2} -GeneratorList project1 -ExecuteSynchronous true -State COMPLETED -Status {} -StartTime<PHONE_NUMBER>.90594 -EndTime<PHONE_NUMBER>.59111 -ElapsedTime 60685 -ProgressDisplayCounter true -ProgressStepsCount 1 -ProgressCurrentStep 1 -ProgressCurrentStepName {} -ProgressMaxValue 0 -ProgressCurrentValue 0 -ProgressCancelled false -Active true |
| Argument | Description |
|---|---|
| subscribedResults | List of results required to analyze traffic - e.g. DetailedStreamResults |
| Argument | Description |
|---|---|
| sanityCheckDelaySec | This is a short delay bfeore checking traffic to give system enough time to intialize |
| Argument | Description |
|---|---|
| delaySec | Delay in seconds between checks |
| Argument | Description |
|---|---|
| port | Port you want to capture data. |
| filePath | Where do you want to save the data. Example: file:/C:/stc.pcap |
| delay | Amount of time to capture data |


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