'use strict';
const _sourceArray = Symbol('_sourceArray');
/**
* Iterable class representing a collection of elements that fall within a time window.
* @hideconstructor
*/
class TimeWindow {
constructor(sourceArray, start, end, isEndInclusive, sourceIndex, sourceCount) {
/** @member {number} - Start time (inclusive) of the window, expressed as milliseconds elapsed since January 1, 1970 00:00:00 UTC.*/
this.start = start;
/** @member {number} - End time of the window, expressed as milliseconds elapsed since January 1, 1970 00:00:00 UTC. The object's inclusiveEnd field indicates whether the end is inclusive or exclusive.*/
this.end = end;
/** @member {bool} - Whether the end time is inclusive (true) or exclusive (false) */
this.isEndInclusive = isEndInclusive;
this[_sourceArray] = sourceArray;
this.sourceIndex = sourceIndex;
this.length = sourceCount;
}
*[Symbol.iterator]() {
const sourceArray = this[_sourceArray];
for (let i = 0; i < this.length; i++) {
yield sourceArray[i + this.sourceIndex];
}
}
/**
* Get the start time (inclusive) of the window as a Date object.
* @type {Date}
* @readonly
*/
get startDate() {
return new Date(this.start);
}
/**
* Get the end time of the window as a Date object. The object's inclusiveEnd
* field indicates whether the end is inclusive or exclusive.
* @type {Date}
* @readonly
*/
get endDate() {
return new Date(this.end);
}
/**
* Get the duration of the window in milliseconds.
* @type {number}
* @readonly
*/
get durationMillis() {
return this.end - this.start;
}
/**
* Returns elements in the window as an Array.
* @returns {Array} The window's elements as a new Array.
*/
toArray() {
//return this[_sourceArray].slice(this.sourceIndex, (this.sourceIndex + this.sourceCount));
// Relies iterator and doesn't care about implementation... thus more maintainable:
return Array.from(this);
}
/**
* Function that produces an element for the new Array, taking three arguments:
*
* @callback mapCallback
* @param {any} currentValue - The current element in the TimeWindow being processed.
* @param {number} [index] - The index of the current element being processed in the array.
* @param {TimeWindow} [window] - The TimeWindow that map() was called upon.
* @returns {any} Transformed element.
*/
/**
* Creates a new array with the results of calling a provided function
* on every element in the calling TimeWindow instance.
* @param {mapCallback} callbackfn - Function that produces an element of the new Array.
* @param {any} [thisArg] - Optional. Value to use as <tt>this</tt> when executing callback.
* @returns {Array} A new array with each element being the result of the callback function.
*/
map(callbackfn, thisArg) {
// Adapted from https://developer.mozilla.org/en-US/docs/Web/JavaScript/Reference/Global_Objects/Array/map#Polyfill
if (this == null) {
throw new TypeError('this is null or not defined');
}
if (typeof callbackfn !== 'function') {
throw new TypeError(callbackfn + ' is not a function');
}
let T = undefined;
// If thisArg was supplied, let T be thisArg; else let T be undefined.
if (thisArg != null) {
T = thisArg;
}
const arr = [];
let k = 0;
for (const elem of this) {
// Let mappedValue be the result of calling the Call internal
// method of callback with T as the this value and argument
// list containing the window element, k, and the source TimeWindow.
const mappedValue = callbackfn.call(T, elem, k, this);
arr.push(mappedValue);
k++;
}
return arr;
}
/**
* Predicate used to test each element the TimeWindow. Return true if the element satisifies the
* condition, false otherwise. Three arguments are provided to this callback:
*
* @callback predicateCallback
* @param {any} currentValue - The current element in the TimeWindow being tested.
* @param {number} [index] - The index of the current element being processed in the array.
* @param {TimeWindow} [window] - The TimeWindow being evaluated.
* @returns {boolean} true if the element satisfies the condition, false otherwise.
*/
/**
* Creates a new array containing elements from the TimeWindow that pass the
* test implemented by the provided function.
* @param {predicateCallback} callbackfn - Function is a predicate used to test each element of the array. Return true to keep the element, false otherwise.
* @param {any} [thisArg] - Optional. Value to use as this when executing the callback.
* @returns {Array} A new array with the elements that pass the test. If no elements pass the test, an empty array will be returned.
*/
filter(callbackfn, thisArg) {
if (this == null) {
throw new TypeError('this is null or not defined');
}
if (typeof callbackfn !== 'function') {
throw new TypeError(callbackfn + ' is not a function');
}
let T = undefined;
// If thisArg was supplied, let T be thisArg; else let T be undefined.
if (thisArg != null) {
T = thisArg;
}
const arr = [];
let k = 0;
for (const elem of this) {
if (callbackfn.call(T, elem, k, this)) {
arr.push(elem);
}
k++;
}
return arr;
}
/**
* Reducer function to execute on each element in the TimeWindow, taking four arguments:
*
* @callback reduceCallback
* @param {any} accumulator - The accumulator accumulates the callback's return values; it is the accumulated value previously returned in the last invocation of the callback, or initialValue, if supplied.
* @param {any} currentValue - The current element in the TimeWindow being processed.
* @param {number} [index] - The index of the current element being processed in the array.
* @param {TimeWindow} [window] - The TimeWindow that reduce() was called upon.
* @returns {any} The accumulating value that is eventually returned to the reduce() caller. This returned value is assigned to the accumulator, whose value is remembered across each iteration throughout the window and ultimately becomes the final, single resulting value.
*/
/**
* Executes the provided reducer function on each member of the TimeWindow, resulting in a single output value.
* @param {reduceCallback} callbackfn - Function that executes each element in the TimeWindow and returns an accumulating value.
* @param {any} [initialValue] - Optional. Value to use as the first argument to the first call of the callback. If no initial value is supplied, the first element in the window will be used. Calling reduce() on an empty window without an initial value is an error.
* @returns {any} The accumulated value that results from the reduction.
*/
reduce(callbackfn/*, initialValue*/) {
if (this == null) {
throw new TypeError('this is null or not defined');
}
if (typeof callbackfn !== 'function') {
throw new TypeError(callbackfn + ' is not a function');
}
let k = 0;
let accumulator = undefined;
let haveInitialValue = false;
if (arguments.length >= 2) {
accumulator = arguments[1];
haveInitialValue = true;
} else {
haveInitialValue = false;
}
for (const elem of this) {
if (k === 0 && !haveInitialValue) {
// Don't invoke the callback for the zeroth element if no initialValue
// is provided--it becomes the initial value and we move on to the next element.
accumulator = elem;
}
else {
// Normal path, invoking callback
accumulator = callbackfn(accumulator, elem, k, this);
}
k++;
}
if (k === 0 && !haveInitialValue) {
throw new TypeError('Reduce of empty TimeWindow with no initial value');
}
else {
return accumulator;
}
}
/**
* The some() method tests whether at least one element in the TimeWindow passes the test
* implemented by the provided function. If the window is empty then the method will always return false.
* @param {predicateCallback} callbackfn - Function to test for each element.
* @param {any} [thisArg] - Optional. Value to use as this when executing the callback.
* @returns {boolean} true if the callback function returns a truthy value for any array element; otherwise, false.
*/
some(callbackfn, thisArg) {
if (this == null) {
throw new TypeError('this is null or not defined');
}
if (typeof callbackfn !== 'function') {
throw new TypeError(callbackfn + ' is not a function');
}
let T = undefined;
// If thisArg was supplied, let T be thisArg; else let T be undefined.
if (thisArg != null) {
T = thisArg;
}
let k = 0;
for (const elem of this) {
if (callbackfn.call(T, elem, k, this)) {
return true;
}
k++;
}
return false;
}
/**
* The every() method tests whether all elements in the TimeWindow pass the test implemented
* by the provided function. If the window is empty then the method will always return true.
* @param {predicateCallback} callbackfn - Function to test for each element.
* @param {any} [thisArg] - Optional. Value to use as this when executing the callback.
* @returns {boolean} true if the callback function returns a truthy value for every TimeWindow element; otherwise, false.
*/
every(callbackfn, thisArg) {
if (this == null) {
throw new TypeError('this is null or not defined');
}
if (typeof callbackfn !== 'function') {
throw new TypeError(callbackfn + ' is not a function');
}
let T = undefined;
// If thisArg was supplied, let T be thisArg; else let T be undefined.
if (thisArg != null) {
T = thisArg;
}
let k = 0;
for (const elem of this) {
if (!callbackfn.call(T, elem, k, this)) {
return false;
}
k++;
}
return true;
}
/**
* Returns the value of the first element in the TimeWindow that satisfies the provided testing function. Otherwise undefined is returned.
* @param {predicateCallback} callbackfn - Function to test for each element.
* @param {any} [thisArg] - Optional. Value to use as this when executing the callback.
* @returns {any} The value of the first element in the TimeWindow that satisfies the provided testing function; otherwise, undefined is returned.
*/
find(callbackfn, thisArg) {
if (this == null) {
throw new TypeError('this is null or not defined');
}
if (typeof callbackfn !== 'function') {
throw new TypeError(callbackfn + ' is not a function');
}
let T = undefined;
// If thisArg was supplied, let T be thisArg; else let T be undefined.
if (thisArg != null) {
T = thisArg;
}
let k = 0;
for (const elem of this) {
if (callbackfn.call(T, elem, k, this)) {
return elem;
}
k++;
}
return undefined;
}
/**
* Function that is executed on each element in a TimeWindow, taking three arguments:
*
* @callback forEachCallback
* @param {any} currentValue - The current element in the TimeWindow being processed.
* @param {number} [index] - The index of the current element being processed in the array.
* @param {TimeWindow} [window] - The TimeWindow that forEach() was called upon.
*/
/**
* Executes a provided function once for each TimeWindow element.
* @param {predicateCallback} callbackfn - Function to execute for each element.
* @param {any} [thisArg] - Optional. Value to use as this when executing the callback.
* @returns {undefined}
*/
forEach(callbackfn, thisArg) {
if (this == null) {
throw new TypeError('this is null or not defined');
}
if (typeof callbackfn !== 'function') {
throw new TypeError(callbackfn + ' is not a function');
}
let T = undefined;
// If thisArg was supplied, let T be thisArg; else let T be undefined.
if (thisArg != null) {
T = thisArg;
}
let k = 0;
for (const elem of this) {
callbackfn.call(T, elem, k, this);
k++;
}
}
}
module.exports = TimeWindow;


Examples
Make sure to start the backend first or there won't be any map data to see.
- Vector tilesGBIF data as vector tiles. At zoom level 0 a tile is 485 kb gzip (1.4 mb)
- Data cubesCustom data format. At zoom level 0 a tile is 304 kb gzip (445 kb)
- FilteringDatacubes filtered client side with slider.


Home
Press here
Stay away from negative people. They have a problem for every solution.
Albert Einstein


React will only update parts of the DOM that have changed. i.e. if there is a change to the props
componentDidMount
: Runs after component rendered on DOM. Usually ran once
componentWillUnmount
: Runs when the component is removed from DOM. Ran once.
componentDidUpdate
: (After rendering) Runs when prop/state is changed
React events are named using camelCase rather than lowercase. JSX passes function to event handler.
Use e.preventDefault()
to prevent default behaviour.
React uses synthetic event. Synthetic event is a cross browser wrapper over the browser’s native event.
events are not persisted in code.


HUMANITY
What is a human?
Loading...
Humanity
Wiki
Menu 2
Dropdown
Item 1
Item 2
Item 3
One of three columns
One of three columns
Log
Menu 1
Some content in menu 1.
Menu 2
Some content in menu 2.
Preferences
×
Theme
Bootstrap
Flatly
Darkly
Credits
×
Music by Kevin MacLeod (
incompetech.com
) licensed under Creative Commons:
By Attribution 3.0


-
addCallback(type, callbackFn)
-
Adds callback function that are executed at specific times
Parameters:
| Name |
Type |
Description |
type |
string
|
Type of callback: 'update' (only choice available now) |
callbackFn |
function
|
Callback function |
- Source:
-
clear()
-
Clears all sculpts
- Source:
-
getCursorAddColor() → {THREE.Vector3}
-
Gets the color of the cursor in add mode
- Source:
Returns:
A vector that represents the color of the cursor in add mode
-
Type
-
THREE.Vector3
-
getCursorHoverColor() → {THREE.Vector3}
-
Gets the color of the cursor in hover mode
- Source:
Returns:
A vector that represents the color of the cursor in hover mode
-
Type
-
THREE.Vector3
-
getCursorRemoveColor() → {THREE.Vector3}
-
Gets the color of the cursor in remove mode
- Source:
Returns:
A vector that represents the color of the cursor in remove mode
-
Type
-
THREE.Vector3
-
getPixelFloatData() → {Float32Array}
-
Gets float data for every pixel of the terrain texture
NOTE: This is an expensive operation.
- Source:
Returns:
Float data of every pixel of the terrain texture
-
Type
-
Float32Array
-
getProxyPixelFloatData() → {Float32Array}
-
Gets float data for every pixel of the proxy terrain texture
NOTE: This is an expensive operation.
- Source:
Returns:
Float data of every pixel of the proxy terrain texture
-
Type
-
Float32Array
-
getSculptDisplayTexture() → {THREE.WebGLRenderTarget}
-
Gets the sculpt texture that is used for displacement of mesh
- Source:
Returns:
Sculpt texture that is used for displacement of mesh
-
Type
-
THREE.WebGLRenderTarget
-
hideCursor()
-
Hides the sculpt cursor
- Source:
-
loadFromImageData(data, amount, midGreyIsLowest)
-
Loads terrain heights from image data
Parameters:
| Name |
Type |
Description |
data |
array
|
Image data from canvas |
amount |
number
|
Height multiplier |
midGreyIsLowest |
boolean
|
Whether mid grey is considered the lowest part of the image |
- Source:
-
sculpt(type, position, amount)
-
Sculpt the terrain
Parameters:
| Name |
Type |
Description |
type |
enum
|
Sculpt operation type: SKULPT.GpuSkulpt.ADD, SKULPT.GpuSkulpt.REMOVE |
position |
THREE.Vector3
|
World-space position to sculpt at |
amount |
number
|
Amount to sculpt |
- Source:
-
setBrushAmount(amount)
-
Sets brush amount
Parameters:
| Name |
Type |
Description |
amount |
number
|
Brush amount |
- Source:
-
setBrushSize(size)
-
Sets brush size
Parameters:
| Name |
Type |
Description |
size |
number
|
Brush size |
- Source:
-
setCursorAddColor(r, g, b)
-
Sets the color of the cursor in add mode
Parameters:
| Name |
Type |
Description |
r |
number
|
Red floating-point value between 0 and 1, inclusive |
g |
number
|
Green floating-point value between 0 and 1, inclusive |
b |
number
|
Blue floating-point value between 0 and 1, inclusive |
- Source:
-
setCursorHoverColor(r, g, b)
-
Sets the color of the cursor in hover mode
Parameters:
| Name |
Type |
Description |
r |
number
|
Red floating-point value between 0 and 1, inclusive |
g |
number
|
Green floating-point value between 0 and 1, inclusive |
b |
number
|
Blue floating-point value between 0 and 1, inclusive |
- Source:
-
setCursorRemoveColor(r, g, b)
-
Sets the color of the cursor in remove mode
Parameters:
| Name |
Type |
Description |
r |
number
|
Red floating-point value between 0 and 1, inclusive |
g |
number
|
Green floating-point value between 0 and 1, inclusive |
b |
number
|
Blue floating-point value between 0 and 1, inclusive |
- Source:
-
showCursor()
-
Shows the sculpt cursor
- Source:
-
update(dt)
-
Updates the skulpt
NOTE: This needs to be called every frame, after renderer.clear() and before renderer.render(...)
Parameters:
| Name |
Type |
Description |
dt |
number
|
Elapsed time since previous frame |
- Source:
-
updateCursor(position)
-
Updates the cursor position
Parameters:
| Name |
Type |
Description |
position |
THREE.Vector3
|
World-space position to update the cursor to |
- Source:


{% extends 'blog_app/base.html' %} {% block title %} Add new post {% endblock %} {% block content %} {% if post.author.username == user.username %}
There is an issue with ckeditor on mobile devices. Text selection isn't possible on mobile. The editor works fine on other devices. Also use image width < 270 to avoid sizing problems on phones.


decompy.tests.test_filtercfiles package¶
Submodules¶
decompy.tests.test_filtercfiles.test_filter_c_file module¶
-
class
decompy.tests.test_filtercfiles.test_filter_c_file.
FilterCTest
(methodName='runTest')[source]¶ Bases:
unittest.case.TestCase
Tests the filter_c_file class and its static methods.
-
test_blacklisted_words
()[source]¶ tests if the line contains any of the blacklisted words from our list. :return: bool assert
-
test_bytes
()[source]¶ tests out the max byte functionality from the filter_c_file class. :return: bool assert
-
test_headers
()[source]¶ tests if the line contains the correct headers and not standard ones or ones we don’t want. :return: bool assert
-


--- layout: post title: 3 Resources for Learning Puppet date: '2012-01-25T14:16:41-08:00' tags: tumblr_url: http://alexhwilliams.tumblr.com/post/16483645431/3-resources-for-learning-puppet ---
http://bit.ly/z8lEBV


The Pattern Window
The Pattern window is, where you do most of your work. You create and edit the patterns and play them.
You start with dropping a instrument from the Drumset window to the field titled "Drop instrument here".
When you have done so, you get a new row:
The elements are:
- Grip - when you have more rows, you can use it to move them up and down. You can also use it to delete a complete row.
- Instrument - similar to the buttons in the Drumset window: To drag it, you must hold the mouse down a short time.
- Velocity knob - use it to regulate the velocity of this track
- Pattern track - that's the place where you edit the pattern for this instrument. It depends on the Mouse mode (you set it in the top
right of this window) how you edit the pattern
The buttons in the top of the window, the pattern selectors let you choose between 12 different patterns.
To copy them use drag & drop. To delete them drag them on the trash symbol or simply
clicking on the trash button. You are also able to drag them onto the trash on your desktop (Mac users might like that ;-) ).
|


The Journey to the Center of the Earth
by Jules Verne
Chapter IX. ICELAND! BUT WHAT NEXT?
Additional Information
- Year Published: 1871
- Language: English
- Country of Origin: France
- Source: Verne, J. (1871) A Journey to the Center of the Earth (Frederick Amadeus Malleson, Trans.) London: Ward, Lock, &Co., Ltd. (Original work published 1864)
-
Readability:
- Flesch–Kincaid Level: 6.0
- Word Count: 2,151
- Genre: Adventure
- ✎ Cite This
Downloads
The day for our departure arrived. The day before it our kind friend M. Thomsen brought us letters of introduction to Count Trampe, the Governor of Iceland, M. Picturssen, the bishop's suffragan, and M. Finsen, mayor of Rejkiavik. My uncle expressed his gratitude by tremendous compressions of both his hands.
On the 2nd, at six in the evening, all our precious baggage being safely on board the Valkyria, the captain took us into a very narrow cabin.
"Is the wind favourable?" my uncle asked.
"Excellent," replied Captain Bjarne; "a sou'–easter. We shall pass down the Sound full speed, with all sails set."
In a few minutes the schooner, under her mizen, brigantine, topsail, and topgallant sail, loosed from her moorings and made full sail through the straits. In an hour the capital of Denmark seemed to sink below the distant waves, and the Valkyria was skirting the coast by Elsinore. In my nervous frame of mind I expected to see the ghost of Hamlet wandering on the legendary castle terrace.
"Sublime madman!" I said, "no doubt you would approve of our expedition. Perhaps you would keep us company to the centre of the globe, to find the solution of your eternal doubts."
But there was no ghostly shape upon the ancient walls. Indeed, the castle is much younger than the heroic prince of Denmark. It now answers the purpose of a sumptuous lodge for the doorkeeper of the straits of the Sound, before which every year there pass fifteen thousand ships of all nations.
The castle of Kronsberg soon disappeared in the mist, as well as the tower of Helsingborg, built on the Swedish coast, and the schooner passed lightly on her way urged by the breezes of the Cattegat.
The Valkyria was a splendid sailer, but on a sailing vessel you can place no dependence. She was taking to Rejkiavik coal, household goods, earthenware, woollen clothing, and a cargo of wheat. The crew consisted of five men, all Danes.
"How long will the passage take?" my uncle asked.
"Ten days," the captain replied, "if we don't meet a nor'–wester in passing the Faroes."
"But are you not subject to considerable delays?"
"No, M. Liedenbrock, don't be uneasy, we shall get there in very good time."
At evening the schooner doubled the Skaw at the northern point of Denmark, in the night passed the Skager Rack, skirted Norway by Cape Lindness, and entered the North Sea.
In two days more we sighted the coast of Scotland near Peterhead,,and the Valkyria turned her lead towards the Faroe Islands, passing between the Orkneys and Shetlands.
Soon the schooner encountered the great Atlantic swell; she had to tack against the north wind, and reached the Faroes only with some difficulty. On the 8th the captain made out Myganness, the southernmost of these islands, and from that moment took a straight course for Cape Portland, the most southerly point of Iceland.
The passage was marked by nothing unusual. I bore the troubles of the sea pretty well; my uncle, to his own intense disgust, and his greater shame, was ill all through the voyage.
He therefore was unable to converse with the captain about Snaefell, the way to get to it, the facilities for transport, he was obliged to put off these inquiries until his arrival, and spent all his time at full length in his cabin, of which the timbers creaked and shook with every pitch she took. It must be confessed he was not undeserving of his punishment.
On the 11th we reached Cape Portland. The clear open weather gave us a good view of Myrdals jokul, which overhangs it. The cape is merely a low hill with steep sides, standing lonely by the beach.
The Valkyria kept at some distance from the coast, taking a westerly course amidst great shoals of whales and sharks. Soon we came in sight of an enormous perforated rock, through which the sea dashed furiously. The Westman islets seemed to rise out of the ocean like a group of rocks in a liquid plain. From that time the schooner took a wide berth and swept at a great distance round Cape Rejkianess, which forms the western point of Iceland.
The rough sea prevented my uncle from coming on deck to admire these shattered and surf–beaten coasts.
Forty–eight hours after, coming out of a storm which forced the schooner to scud under bare poles, we sighted east of us the beacon on Cape Skagen, where dangerous rocks extend far away seaward. An Icelandic pilot came on board, and in three hours the Valkyria dropped her anchor before Rejkiavik, in Faxa Bay.

The population of the town, wonderfully interested in the arrival of a vessel from which every one expected something, formed in groups upon the quay.
My uncle left in haste his floating prison, or rather hospital. But before quitting the deck of the schooner he dragged me forward, and pointing with outstretched finger north of the bay at a distant mountain terminating in a double peak, a pair of cones covered with perpetual snow, he cried:
"Snaefell! Snaefell!"
Then recommending me, by an impressive gesture, to keep silence, he went into the boat which awaited him. I followed, and presently we were treading the soil of Iceland.
The first man we saw was a good–looking fellow enough, in a general's uniform. Yet he was not a general but a magistrate, the Governor of the island, M. le Baron Trampe himself. The Professor was soon aware of the presence he was in. He delivered him his letters from Copenhagen, and then followed a short conversation in the Danish language, the purport of which I was quite ignorant of, and for a very good reason. But the result of this first conversation was, that Baron Trampe placed himself entirely at the service of Professor Liedenbrock.
My uncle was just as courteously received by the mayor, M. Finsen, whose appearance was as military, and disposition and office as pacific, as the Governor's.
As for the bishop's suffragan, M. Picturssen, he was at that moment engaged on an episcopal visitation in the north. For the time we must be resigned to wait for the honour of being presented to him. But M. Fridrikssen, professor of natural sciences at the school of Rejkiavik, was a delightful man, and his friendship became very precious to me. This modest philosopher spoke only Danish and Latin. He came to proffer me his good offices in the language of Horace, and I felt that we were made to understand each other. In fact he was the only person in Iceland with whom I could converse at all.
This good–natured gentleman made over to us two of the three rooms which his house contained, and we were soon installed in it with all our luggage, the abundance of which rather astonished the good people of Rejkiavik.
"Well, Axel," said my uncle, "we are getting on, and now the worst is over."
"The worst!" I said, astonished.
"To be sure, now we have nothing to do but go down."

"Oh I don't trouble myself about that. Come, there's no time to lose; I am going to the library. Perhaps there is some manuscript of Saknussemm's there, and I should be glad to consult it."
"Well, while you are there I will go into the town. Won't you?"
"Oh, that is very uninteresting to me. It is not what is upon this island, but what is underneath, that interests me."
I went out, and wandered wherever chance took me.
It would not be easy to lose your way in Rejkiavik. I was therefore under no necessity to inquire the road, which exposes one to mistakes when the only medium of intercourse is gesture.
The town extends along a low and marshy level, between two hills. An immense bed of lava bounds it on one side, and falls gently towards the sea. On the other extends the vast bay of Faxa, shut in at the north by the enormous glacier of the Snaefell, and of which the Valkyria was for the time the only occupant. Usually the English and French conservators of fisheries moor in this bay, but just then they were cruising about the western coasts of the island.
The longest of the only two streets that Rejkiavik possesses was parallel with the beach. Here live the merchants and traders, in wooden cabins made of red planks set horizontally; the other street, running west, ends at the little lake between the house of the bishop and other non–commercial people.
I had soon explored these melancholy ways; here and there I got a glimpse of faded turf, looking like a worn–out bit of carpet, or some appearance of a kitchen garden, the sparse vegetables of which (potatoes, cabbages, and lettuces), would have figured appropriately upon a Lilliputian table. A few sickly wallflowers were trying to enjoy the air and sunshine.
About the middle of the tin–commercial street I found the public cemetery, inclosed with a mud wall, and where there seemed plenty of room.
Then a few steps brought me to the Governor's house, a but compared with the town hall of Hamburg, a palace in comparison with the cabins of the Icelandic population.
Between the little lake and the town the church is built in the Protestant style, of calcined stones extracted out of the volcanoes by their own labour and at their own expense; in high westerly winds it was manifest that the red tiles of the roof would be scattered in the air, to the great danger of the faithful worshippers.
On a neighbouring hill I perceived the national school, where, as I was informed later by our host, were taught Hebrew, English, French, and Danish, four languages of which, with shame I confess it, I don't know a single word; after an examination I should have had to stand last of the forty scholars educated at this little college, and I should have been held unworthy to sleep along with them in one of those little double closets, where more delicate youths would have died of suffocation the very first night.
In three hours I had seen not only the town but its environs. The general aspect was wonderfully dull. No trees, and scarcely any vegetation. Everywhere bare rocks, signs of volcanic action. The Icelandic buts are made of earth and turf, and the walls slope inward; they rather resemble roofs placed on the ground. But then these roofs are meadows of comparative fertility. Thanks to the internal heat, the grass grows on them to some degree of perfection. It is carefully mown in the hay season; if it were not, the horses would come to pasture on these green abodes.
In my excursion I met but few people. On returning to the main street I found the greater part of the population busied in drying, salting, and putting on board codfish, their chief export. The men looked like robust but heavy, blond Germans with pensive eyes, conscious of being far removed from their fellow creatures, poor exiles relegated to this land of ice, poor creatures who should have been Esquimaux, since nature had condemned them to live only just outside the arctic circle! In vain did I try to detect a smile upon their lips; sometimes by a spasmodic and involuntary contraction of the muscles they seemed to laugh, but they never smiled.
Their costume consisted of a coarse jacket of black woollen cloth called in Scandinavian lands a 'vadmel,' a hat with a very broad brim, trousers with a narrow edge of red, and a bit of leather rolled round the foot for shoes.
The women looked as sad and as resigned as the men; their faces were agreeable but expressionless, and they wore gowns and petticoats of dark 'vadmel'; as maidens, they wore over their braided hair a little knitted brown cap; when married, they put around their heads a coloured handkerchief, crowned with a peak of white linen.
After a good walk I returned to M. Fridrikssen's house, where I found my uncle already in his host's company.


Vookmark
Web, iOS, Android, Apple TV
March 2017 - July 2017
User Research, Interaction Design, Visual Design, Product Strategy, Prototyping. Designed the UI and UX workflows for Web, iOS, Android and browser extensions, and establish the ground work to unify the experience across these platforms.
Vookmark is a cross-platform app that allows users to bookmark videos across popular streaming platforms and watch them later on a device of their choice.
Vookmark was built in-house by NFN Labs. I was apart of the team right from day 1, when we were dabbling with the idea of building this product in the first place. As the lead UX designer for Vookmark, I was responsible for the full design effort, including the website, mobile app, internal dashboards, blog, social media, and the pitch deck.
This article is a brief overview of how we went about building Vookmark.
To validate this question we went around getting the perspective of friends and colleagues in our office. We were quick to realise that our potential target audience wasn't very different from us. We wanted to dig into the information in and around us. After a few informal talks across teams, we realised that through Vookmark, we were addressing an actual user need, that many of us within the office faced.
Though at different points during the day, a majority of us were watching videos on Youtube, Facebook, Vimeo and even Reddit. And there was always at least one video we really wanted to watch but couldn't , during the course of the day.
Some of the initial questions we had,
Before deciding what to build we wanted to ensure that we didn’t get lost on a tangent and forget the real user need
We decided our primary focus would be on solving the following questions,
We decided to keep the landing page simple. On opening the app the user would see his list of bookmarked videos.
Through testing a range of medium-fidelity prototypes, we started understanding what the ideal process to bookmark videos should be.
On mobile, the user would be able to save videos by tapping on the vookmark icon on the share sheet.
Looking back, Vookmark was a huge learning for me. The sheer amount of knowledge I gained within a few months was humbling.
Building a product from scratch, and going through the complete design process - gathering requirements, wire-framing, iterating and prototyping relentlessly, learning from user feedback - and watching my designs come to life was a special experience.
There were a lot of firsts for me - from wearing the hat of a design lead to designing content for social media to seeing how design decisions impact business.
Vookmark was featured on the Chrome Webstore within a week of its release


Change history
| 1 minute ago |
- Total price changed from £6,555 to £7,000 from 13 July 2017. Change requested by Jo Reynolds. Approved by Matt Smith.
| 2 hours ago |
- Total cost changed from £6,555 to £7,555 from July 2017. Change requested by Matt Smith. Approved by Jo Reynolds.
| 1 day ago |
- Rejected by Matt Smith: Total cost change from £6,555 to £7,555 from July 2017.
- Name changed from Jim Apan to James Apan from July 2017. Change requested by Anna Thomas. Approved by Matt Smith.
| 14 June 2017 |
- Training start date changed from June 2017 to July 2017. Change requested by Matt Smith. Approved by Jo Reynolds.


--- layout: post title: Discover Your DISC Personality to Understand Yourself and Others date: 2022-04-06 12:27 Tags: [ uncategorized, tech, tools, skills, basics, English, freelancing, stories, strategies, blog ] permalink: disc-explanation author: Kevin Olega --- I've met many employers who use the DISC assessment to judge candidates on job and culture fit. The more I studied my DISC profile, the more I understand myself and I'm able to figure out elements that motivate me. Consider taking a DISC personality assessment to know more about yourself.
I prepared a reference for the DISC Assessment.
Watch the following videos to understand more about your DISC profile.


|
|
MUSIC MORE MUSIC HAPPY MUSIC music by Patrick de Arteaga
|
https://patrickdearteaga.com/chiptune-8-bit-retro/ |
|
Is it possible to take a nap, within a nap, within another nap?
|
Ça mérite de trinquer! |
bees go bzzzz |


Bryan Ferry announces Newcastle gig for next year - how to get tickets
Roxy Music legend and local lad Bryan Ferry has announced a UK tour for next year which will include a show in Newcastle
by Simon DukeHe's a man that has been in the business for decades now but Bryan Ferry is showing no signs of slowing down yet as he has just announced a string of tour dates for next year.
North East music royalty and Roxy Music frontman Ferry has just revealed his upcoming project ‘Live at the Royal Albert Hall 1974’ alongside a brand new UK tour in March, which will of course include a gig on home turf in March.
The release is a recording from his first ever solo tour and seminal performance now available to the public for the first time. The record is set to be released February 7 2020 via BMG.
Achieving immediate and sensational success in the early 1970s with his group Roxy Music, Bryan Ferry has taken his place as one of the most iconic and innovative artists in popular music.
Ferry began his solo career in 1973 while still a member of Roxy Music and disbanded the group following the release of their best-selling album ‘Avalon’ in 1982 to concentrate on his solo career, releasing hit singles such as ‘Slave To Love’ and ‘Don’t Stop The Dance’ and the UK no. 1 album ‘Boys and Girls’ in 1985.
In 2018 Ferry released the record ‘Bitter-Sweet’ which reworked earlier Ferry and Roxy Music hits and stood alongside his participation in the Netflix series ‘Babylon Berlin’.
Ferry was also inducted into the ‘Rock and Roll Hall of Fame’ as a part of Roxy Music in 2019 and has collectively sold more than 30 million records worldwide.
The music legend will play O2 Newcastle City Hall on March 5 next year with tickets, priced £45 plus booking fees, going on sale on Friday, November 22 at 10am via Ticketmaster and Gigs and Tours.
The tour dates in full are:
March 3 – SEC Armadillo, Glasgow
March 5 - O2 City Hall, Newcastle
March 7- Palace Theatre, Manchester
March 9 - – De Montfort Hall, Leicester
March 11– Royal Albert Hall, London
March 13 – Royal Albert Hall, London


Certificate of Completion
This is to certify that
${Vinayak Gupta}
has completed the course
${Certify}
with a score of
${Score}
Dated: ${Date}
${link}


Credits
Individuals
Stéphane Chomat - for sharing his experience with Eclipse plug-ins
Clément Escoffier - creator of iPOJO
Olivier Gattaz -
isandlaTech, France
, main tester
Guillaume Sauthier - for his work on iPOJO
Company
Contact


| Package | Description |
|---|---|
| org.apache.log4j |
The main log4j package.
|
| org.apache.log4j.helpers |
This package is used internally.
|
| org.apache.log4j.jmx |
This package lets you manage log4j settings using JMX.
|
| org.apache.log4j.net |
Package for remote logging.
|
| org.apache.log4j.nt |
Package for NT event logging.
|
| org.apache.log4j.xml |
XML based components.
|
| Modifier and Type | Class and Description |
|---|---|
class |
EnhancedPatternLayout
This class is an enhanced version of org.apache.log4j.PatternLayout
which was originally developed as part of the abandoned log4j 1.3
effort and has been available in the extras companion.
|
class |
HTMLLayout
This layout outputs events in a HTML table.
|
class |
PatternLayout
A flexible layout configurable with pattern string.
|
class |
SimpleLayout
SimpleLayout consists of the level of the log statement,
followed by " - " and then the log message itself.
|
class |
TTCCLayout
TTCC layout format consists of time, thread, category and nested
diagnostic context information, hence the name.
|
| Modifier and Type | Field and Description |
|---|---|
protected Layout |
AppenderSkeleton.layout
The layout variable does not need to be set if the appender
implementation has its own layout.
|
| Modifier and Type | Method and Description |
|---|---|
Layout |
AppenderSkeleton.getLayout()
Returns the layout of this appender.
|
Layout |
Appender.getLayout()
Returns this appenders layout.
|
| Modifier and Type | Method and Description |
|---|---|
void |
AppenderSkeleton.setLayout(Layout layout)
Set the layout for this appender.
|
void |
Appender.setLayout(Layout layout)
Set the
Layout for this appender. |
| Constructor and Description |
|---|
ConsoleAppender(Layout layout)
Creates a configured appender.
|
ConsoleAppender(Layout layout,
java.lang.String target)
Creates a configured appender.
|
DailyRollingFileAppender(Layout layout,
java.lang.String filename,
java.lang.String datePattern)
Instantiate a
DailyRollingFileAppender and open the
file designated by filename . |
FileAppender(Layout layout,
java.lang.String filename)
Instantiate a FileAppender and open the file designated by
filename . |
FileAppender(Layout layout,
java.lang.String filename,
boolean append)
Instantiate a FileAppender and open the file designated by
filename . |
FileAppender(Layout layout,
java.lang.String filename,
boolean append,
boolean bufferedIO,
int bufferSize)
Instantiate a
FileAppender and open the file
designated by filename . |
RollingFileAppender(Layout layout,
java.lang.String filename)
Instantiate a FileAppender and open the file designated by
filename . |
RollingFileAppender(Layout layout,
java.lang.String filename,
boolean append)
Instantiate a RollingFileAppender and open the file designated by
filename . |
WriterAppender(Layout layout,
java.io.OutputStream os)
Instantiate a WriterAppender and set the output destination to a
new
OutputStreamWriter initialized with os
as its OutputStream . |
WriterAppender(Layout layout,
java.io.Writer writer)
Instantiate a WriterAppender and set the output destination to
writer . |
| Modifier and Type | Class and Description |
|---|---|
class |
DateLayout
This abstract layout takes care of all the date related options and
formatting work.
|
| Constructor and Description |
|---|
LayoutDynamicMBean(Layout layout) |
| Constructor and Description |
|---|
SyslogAppender(Layout layout,
int syslogFacility) |
SyslogAppender(Layout layout,
java.lang.String syslogHost,
int syslogFacility) |
| Constructor and Description |
|---|
NTEventLogAppender(Layout layout) |
NTEventLogAppender(java.lang.String source,
Layout layout) |
NTEventLogAppender(java.lang.String server,
java.lang.String source,
Layout layout) |
| Modifier and Type | Class and Description |
|---|---|
class |
XMLLayout
The output of the XMLLayout consists of a series of log4j:event
elements as defined in the log4j.dtd.
|
| Modifier and Type | Method and Description |
|---|---|
protected Layout |
DOMConfigurator.parseLayout(org.w3c.dom.Element layout_element)
Used internally to parse a layout element.
|
Copyright © 1999-2016 Apache Software Foundation. All Rights Reserved.


We are a creative studio specialized in web design. We collaborate with talented people to deliver high quality websites built in Webfow and WordPress.
Find more information about our services here.
get in touchNew website coming soon.
Copyright © LWS studio 2020


+++ title = "ShowyEdge" +++ {{< blocks/lead color="dark" height="auto" >}}
ShowyEdge displays a color bar at the top edge of the screen depending on
the current input source.
You can recognize the current input source very easily even if you are using
fullscreen apps.


Hello! I am Saloni Mahat born and raised in Kathmandu Nepal also known as Himalayas. I was always fascinated by technology which is why I decided to flew 7,907 miles away from my home country to pursue my dreams. It's my second last semester here in SFSU. I don't have any experience in this industry. I also don't have any particular hobbies so during my free time I usually just like to take a nap.


{% extends "layout.html" %} {% block title %}Pending Package Updates{% endblock %} {% block inner_content %}
Packages get automatically built via msys2/msys2-autobuild and
msys2-arm/msys2-autobuild.
Maintainers can control the build pipeline here.
They still get manually signed and uploaded to the pacman repo after
they are built, so please be patient :)
| Update Date | Base Package | Repo Version | Git Version | Status | |||
|---|---|---|---|---|---|---|---|
| {{ srcpkg.date.split()[0] }} {{ srcpkg.date }} (UTC) | {% if s %}{{ s.name }} | {% else %}{{ srcpkg.pkgbase }} | {% endif %} {% if p %}{{ p.version }} | {% else %}- | {% endif %}→ | {{ srcpkg.build_version }} |
{{ status[0].status }}
{% for s in status %}
{% if s.urls %}
{{ s.type }}: {% for key, value in s.urls.items() -%} {% if not loop.first %} / {% endif %}{{ key }} {%- endfor -%} {% endif %} {% endfor %}
|
The packages above marked "Ready for upload" are also available in a
special staging pacman
repo. Note that using the staging repo might result in some packages
being broken from time to time as it can contain partial build results
of multi-package rebuilds. To use it add the following to the top of
/etc/pacman.conf
:
[staging]
Server = https://repo.msys2.org/staging/
SigLevel = Never
| Update Date | Repo | Package | Status | |
|---|---|---|---|---|
| {{ (p.builddate|timestamp).split()[0] }} {{ p.builddate|timestamp }} (UTC) | {{ p.repo }} | {{ p.name }} | {% if note %}Required by: {{ note }} | {% else %}Ready for removal | {% endif %}


Add 'Open with Notepad' to the Context Menu for All Files
I often use Notepad to open plain text files. If the extension of file is of unknown type then I have to browse a list of applications to open that file which is quite painful. Here is a small registry tweak which adds “Open with Notepad” to right click context menu for all file types.
Manual Registry Tweak
Go to start menu and in search or run box type regedit and press enter to open registry editor. Now browse to following registry key:
HKEY_CLASSES_ROOT\*\shell
Right-click on “shell” and choose to create a new key “Open with Notepad”. Create a new key below that one called “command”. Double-click on the (Default) value in the right-hand pane and enter in the following:
notepad.exe %1
The change will take place instantaneously and you could see Open with Notepad option in right click context menu.
Disclaimer: Modifying the registry can cause serious problems that may require you to reinstall your operating system. I cannot guarantee that problems resulting from modifications to the registry can be solved. Use the information provided at your own risk.


Test HTML Site
Click for popup
Click for New Tab
Displayed Element
Hidden Text
Element With Shared Class
Nested Value With Shared Class
Active Button
Disabled Button
Yes
No
Has Attributes Test
Option 1
Option 2
Option 3


|
cppkafka
0.2
|
#include <kafka_handle_base.h>
Public Types | |
| using | OffsetTuple = std::tuple< int64_t, int64_t > |
| using | TopicPartitionsTimestampsMap = std::map< TopicPartition, std::chrono::milliseconds > |
Public Member Functions | |
| KafkaHandleBase (const KafkaHandleBase &)=delete | |
| KafkaHandleBase (KafkaHandleBase &&)=delete | |
| KafkaHandleBase & | operator= (const KafkaHandleBase &)=delete |
| KafkaHandleBase & | operator= (KafkaHandleBase &&)=delete |
| void | pause_partitions (const TopicPartitionList &topic_partitions) |
| Pauses consumption/production from the given topic/partition list. More... | |
| void | pause (const std::string &topic) |
| Pauses consumption/production for this topic. More... | |
| void | resume_partitions (const TopicPartitionList &topic_partitions) |
| Resumes consumption/production from the given topic/partition list. More... | |
| void | resume (const std::string &topic) |
| Resumes consumption/production for this topic. More... | |
| void | set_timeout (std::chrono::milliseconds timeout) |
| Sets the timeout for operations that require a timeout. More... | |
| void | set_log_level (LogLevel level) |
| Sets the log level. | |
| void | add_brokers (const std::string &brokers) |
| Adds one or more brokers to this handle's broker list. More... | |
| OffsetTuple | query_offsets (const TopicPartition &topic_partition) const |
| Queries the offset for the given topic/partition. More... | |
| rd_kafka_t * | get_handle () const |
| Gets the rdkafka handle. More... | |
| Topic | get_topic (const std::string &name) |
| Creates a topic handle. More... | |
| Topic | get_topic (const std::string &name, TopicConfiguration config) |
| Creates a topic handle. More... | |
| Metadata | get_metadata (bool all_topics=true) const |
| Gets metadata for brokers, topics, partitions, etc. More... | |
| TopicMetadata | get_metadata (const Topic &topic) const |
| Gets general metadata but only fetches metadata for the given topic rather than all of them. More... | |
| GroupInformation | get_consumer_group (const std::string &name) |
| Gets the consumer group information. More... | |
| GroupInformationList | get_consumer_groups () |
| Gets all consumer groups. More... | |
| TopicPartitionList | get_offsets_for_times (const TopicPartitionsTimestampsMap &queries) const |
| Gets topic/partition offsets based on timestamps. More... | |
| std::string | get_name () const |
| Get the kafka handle name. More... | |
| std::chrono::milliseconds | get_timeout () const |
| Gets the configured timeout. More... | |
| const Configuration & | get_configuration () const |
| Gets the handle's configuration. More... | |
| int | get_out_queue_length () const |
| Gets the length of the out queue. More... | |
| void | yield () const |
| Cancels the current callback dispatcher. More... | |
Protected Member Functions | |
| KafkaHandleBase (Configuration config) | |
| void | set_handle (rd_kafka_t *handle) |
| void | check_error (rd_kafka_resp_err_t error) const |
| void | check_error (rd_kafka_resp_err_t error, const rd_kafka_topic_partition_list_t *list_ptr) const |
| rd_kafka_conf_t * | get_configuration_handle () |
Base class for kafka consumer/producer
| void cppkafka::KafkaHandleBase::add_brokers | ( | const std::string & | brokers | ) |
Adds one or more brokers to this handle's broker list.
This calls rd_kafka_brokers_add using the provided broker list.
| brokers | The broker list endpoint string |
| const Configuration & cppkafka::KafkaHandleBase::get_configuration | ( | ) | const |
Gets the handle's configuration.
| GroupInformation cppkafka::KafkaHandleBase::get_consumer_group | ( | const std::string & | name | ) |
Gets the consumer group information.
| name | The name of the consumer group to look up |
| vector< GroupInformation > cppkafka::KafkaHandleBase::get_consumer_groups | ( | ) |
Gets all consumer groups.
| rd_kafka_t * cppkafka::KafkaHandleBase::get_handle | ( | ) | const |
Gets the rdkafka handle.
| Metadata cppkafka::KafkaHandleBase::get_metadata | ( | bool | all_topics = true | ) | const |
Gets metadata for brokers, topics, partitions, etc.
This translates into a call to rd_kafka_metadata
| all_topics | Whether to fetch metadata about all topics or only locally known ones |
| TopicMetadata cppkafka::KafkaHandleBase::get_metadata | ( | const Topic & | topic | ) | const |
Gets general metadata but only fetches metadata for the given topic rather than all of them.
This translates into a call to rd_kafka_metadata
| topic | The topic to fetch information for |
| string cppkafka::KafkaHandleBase::get_name | ( | ) | const |
Get the kafka handle name.
| TopicPartitionList cppkafka::KafkaHandleBase::get_offsets_for_times | ( | const TopicPartitionsTimestampsMap & | queries | ) | const |
Gets topic/partition offsets based on timestamps.
This translates into a call to rd_kafka_offsets_for_times
| queries | A map from topic/partition to the timestamp to be used |
| int cppkafka::KafkaHandleBase::get_out_queue_length | ( | ) | const |
Gets the length of the out queue.
This calls rd_kafka_outq_len
| milliseconds cppkafka::KafkaHandleBase::get_timeout | ( | ) | const |
| Topic cppkafka::KafkaHandleBase::get_topic | ( | const std::string & | name | ) |
Creates a topic handle.
This translates into a call to rd_kafka_topic_new. This will use the default topic configuration provided in the Configuration object for this consumer/producer handle, if any.
| name | The name of the topic to be created |
| Topic cppkafka::KafkaHandleBase::get_topic | ( | const std::string & | name, |
| TopicConfiguration | config | ||
| ) |
Creates a topic handle.
This translates into a call to rd_kafka_topic_new.
| name | The name of the topic to be created |
| config | The configuration to be used for the new topic |
| void cppkafka::KafkaHandleBase::pause | ( | const std::string & | topic | ) |
Pauses consumption/production for this topic.
| topic | The topic name |
| void cppkafka::KafkaHandleBase::pause_partitions | ( | const TopicPartitionList & | topic_partitions | ) |
Pauses consumption/production from the given topic/partition list.
This translates into a call to rd_kafka_pause_partitions
| topic_partitions | The topic/partition list to pause consuming/producing from/to |
| KafkaHandleBase::OffsetTuple cppkafka::KafkaHandleBase::query_offsets | ( | const TopicPartition & | topic_partition | ) | const |
Queries the offset for the given topic/partition.
This translates into a call to rd_kafka_query_watermark_offsets
| topic_partition | The topic/partition to be queried |
| void cppkafka::KafkaHandleBase::resume | ( | const std::string & | topic | ) |
Resumes consumption/production for this topic.
| topic | The topic name |
| void cppkafka::KafkaHandleBase::resume_partitions | ( | const TopicPartitionList & | topic_partitions | ) |
Resumes consumption/production from the given topic/partition list.
This translates into a call to rd_kafka_resume_partitions
| topic_partitions | The topic/partition list to resume consuming/producing from/to |
| void cppkafka::KafkaHandleBase::set_timeout | ( | std::chrono::milliseconds | timeout | ) |
Sets the timeout for operations that require a timeout.
This timeout is applied to operations like polling, querying for offsets, etc
| timeout | The timeout to be set |
| void cppkafka::KafkaHandleBase::yield | ( | ) | const |
Cancels the current callback dispatcher.
This calls rd_kafka_yield


How Do Python Coroutines Work?
04:00 PM - 04:25 PM on August 16, 2015, Room 702A. Jesse Jiryu Davis
- Audience level:
- advanced
- Watch:
- http://youtu.be/idLtMISlgy8
Description
Python 3's new “asyncio” module is an efficient async framework similar to Node. But unlike Node, it emphasizes a modern idiom called "coroutines", rather than callbacks. Coroutines promise the best of two worlds: the efficiency of callbacks, but with a natural and robust coding style similar to synchronous programming.
In barely 30 minutes I live-code a Python 3 async framework. First, I show how an async framework uses non-blocking sockets, callbacks, and an event loop. This version of the framework is very efficient, but callbacks make a mess of the code. Therefore, I implement coroutines using Python generators and two classes called Future and Task, and update my little framework to use coroutines instead of callbacks.
The live-coding demo isn't just a magic trick: watch to see how simply a coroutine-based async framework can be implemented, and gain a deep understanding of this miraculous new programming idiom in the Python 3 standard library.
Abstract
Classical computer science focuses on CPU-bound problems. It is concerned with algorithms that complete computations quickly. But many networked programs spend their time not computing, but waiting for responses from remote machines. These I/O-bound programs present a very different challenge: wait for a huge number of network responses efficiently. The modern answer to this problem is asynchronous I/O, or “async”.
In the early days of async frameworks, programmers put their logic in callback functions that waited for network responses, made network requests, and then scheduled more callbacks to handle the next round of responses. Complex code descended into an unmanageable mess of spaghetti callbacks. Such code defeated traditional exception handling, and it was intimidating to debug.
Coroutines are a newly popular programming style. They are memory-efficient in I/O-bound applications, but they possess all the grace and simplicity callbacks lack. Best of all, we can keep using time-tested techniques for handling exceptions.
To begin to understand how coroutines work, we look at an example of coroutine code in action. It is a Python generator, but what does that mean? We explore the Python interpreter’s generator implementation, how it uses a stack frame and instruction pointer in an unorthodox way to pause and resume the generator at will.
Coroutines build upon generators: they can pause waiting for a network operation, and resume when the operation completes. I show a minimal implementation of the Future and Task classes used in asyncio to schedule coroutines.
Coroutines can be factored into subcoroutines, the same as regular functions can. We see how Python 3’s “yield from” statement allows us to factor coroutines. Most comfortingly, exception-handling works with coroutines the same as with functions. We get a sane stack trace that shows where our program failed.


b:comboBox The comboBox tag renders an HTML "select" element with a "size" of 1 without the "multiple" attribute. This component is designed for situations where you want to display a single-select list of options to the user in a menu that displays one item at a time. The main difference between select lists and menus in JSF is the "size" attribute. Menus always have a size of one, while lists can have a variable size.
HINT: The comboBox tag is deprecated. comboBox will be merged with treeBox in coming versions.
#{comboBoxShowcase.tooltip}
Left input-group-addon
#{comboBoxShowcase.tooltip}
Left input-group-addon
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MedBook allows you to run your favorite bioinformatic tools with the touch of a button.
MedBook enables you to quickly compare private patient information with publicly available data sets and then securely share findings with collaborators.
MedBook is currently in private beta. If you would like to try MedBook, please contact us.


--- title: Corriger le défaut des border-radius sur webkit layout: default tags: - css type: regular ---
I recently came up against an issue in Safari where the background colour of an element seemed to ‘bleed’ through the edge of the corners when applying both borders and a border-radius (see the image above). After seeing David Cole tweet about the same issue I resolved to find a solution, and it came in the form of the -webkit-background-clipproperty.
-webkit-background-clip: padding-box;
It’s important to note that if you are using the shorthand notation to specify your other background properties then this should be added after those. It seems that the shorthand notation implies a default clip value which will override one that’s previously set. Your mileage may vary, but it worked a treat for me. Read more about the available values for the property here.


Everything YOU Need to Know about Skateboards
What is a skateboard?
A skateboard is something sick. It is something that is going to change your life in so many ways and I am so upset that you do not already know this.
Who can ride a skateboard
Anyone.
This is a skateboard that I like
Photo Credit: John McClumpha View Original Image Here View Image License HereThings that are not as good as skateboarding
- Family Functions
- Scientific Discoveries
- Most Balloons
Other websites about skateboarding
This is a page about skateboarding. I like that the page is designed to give a quick rundown of a couple aspects of a particular subject. I also like that it lets the reader see the progress they have made on the article. What I don't like is how many different navigation bars are present. It makes everything seem cluttered. I was curious about the "class" syntax in this page's source code. I wonder if it is like how classes are used in other languages, and if this website's layout belongs to a particular class.
What if I have any questions about skateboarding?
Please visit our FAQs page here.


{{imageurl1.Model}} {{imageurl1.Variant}}
{{imageurl1.Price| currency: " ":0}}
{{imageurl2.Model}} {{imageurl2.Variant}}
{{imageurl2.Price| currency: " ":0}}
Picture
Registration City
Model Year
No. of Owners
KMs Driven
Fuel Type
Mileage
Transmission
Insurance
Finance
Color
Gear Box
Drive type
Seating Capacity
Steering type
Turning Radius
Top Speed
Acceleration
Tyre type
No of doors
Engine Type
Displacement
Max Power
Max Torque
No Of Cylinders
Valves per Cylinder
Valve configuration
Fuel Supply System
Turbo Charger
Super Charger
Length
Width
Height
Wheel Base
Gross Weight
Air Conditioner
Adjustable Steering
Leather Steering Wheel
Heater
Digital Clock
Power steering
Power windows front
Power windows rear
Remote trunk opener
Remote fuel lid opener
Low fuel warning light
Rear reading lamp
Rear seat headrest
Rear seat center arm rest
Height adjustable front seat belts
Cup holders front
Cup holders rear
Rear a/c vents
Parking sensors
Anti lock braking system
Central locking
Driver Airbags
Passenger Airbag
Rear seat belts
Seat belt warning
Adjustable seats
Crash sensor
Anti theft device
Immobilizer
Adjustable Head lights
Power adjustable exterior rear view mirror
Electric folding rear view mirror
Rain sensing wipers
Alloy wheels
Tinted glass
Front fog lights
Rear window wiper
Rear window defogger
CD Player
Radio
Audio
Bluetooth


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@LULULOVE SIYADHA MOHAMED ABDI ENTREPRENUER/ROYAL PROGRAMMER: LEVEL TEST: IP3 ARRAYS AND LOOP HTML, CSS,BOOTSTRAP, JAVASCRIPT, JQUERY. Have fun!!


{% extends 'base.html' %} {% block content %}
How do we make sure that you use your 1 minute to actually say something meaningful?
Worry no more because Uno minuto gatch your back to cover up for you.
Sign up and have a chance to make memorable moments in here by creating your favorite pitches.
Sign inView your pitches and see the reaction of others as they like and dislike and also commenting.
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this is html page
who are you?
hello!
I am student of computer university
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<EMAIL_ADDRESS>bago
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Welcome to the Titan platform
Titan is an innovating project for the design and creation of Big Data Workflows.
Take advantage of the domain semantic capabilities, create Workflows and execute them under a distributed arquitecture powered by Apache Kafka and Apache Avro.
About Titan


Hello
Why do I want to join {{ company }}?
{% if why %}{{ why }}{% else %}Tell the company why do you want to work for this. This is important so be specific, how you can create value for them. Get it on!{% endif %}
Who am i?
{% if who %}{{ who }}. More about my work.{% else %}Describe about who you are, and how you would be helpful to the company. Your interest, passions, likes etc.{% endif %}


Before Change
fetch_scil_b0()
dipy_home = pjoin(os.path.expanduser("~"), ".dipy")
files = [dipy_home+"/datasets_multi-site_all_companies/3T/GE/b0.nii.gz",
dipy_home+"/datasets_multi-site_all_companies/3T/Siemens/b0.nii.gz",
dipy_home+"/datasets_multi-site_all_companies/3T/Philips/b0.nii.gz",
dipy_home+"/datasets_multi-site_all_companies/1.5T/GE/b0.nii.gz",
dipy_home+"/datasets_multi-site_all_companies/1.5T/Siemens/b0.nii.gz",
dipy_home+"/datasets_multi-site_all_companies/Stanford/b0.nii.gz"]
for f in files :
print(f)
img = nib.load(f)
After Change
from dipy.data import fetch_scil_b0, read_scil_b0
fetch_scil_b0()
img = read_scil_b0()
data = np.squeeze(img.get_data())
img contains a nibabel Nifti1Image object. Data is the actual brain data as a
numpy ndarray.

It is possible to fine tune the `medotsu`"s parameters (median_radius and
num_pass) if extraction yields incorrect results but the default parameters work
well on most volumes. For this example, default parameters (4, 4) will be used.
print("Segmenting brain data from GE 3T b0 volume...")
from dipy.segment.mask import medotsu
b0_mask, mask = medotsu(data.copy(), 4, 4)
Saving the segmentation results is very easy using nibabel. We need the b0_mask,
and the binary mask volumes. The affine matrix which transform the image"s
coordinates to the world coordinates is also needed. Here, we choose to save
both images in float32.
mask_img = nib.Nifti1Image(mask.astype(np.float32), img.get_affine())
b0_img = nib.Nifti1Image(b0_mask.astype(np.float32), img.get_affine())
fname = "./ge_3t"
nib.save(mask_img, fname+"_binary_mask.nii.gz")
nib.save(b0_img, fname+"_mask.nii.gz")
Quick view of the results middle slice using matplotlib.
import matplotlib.pyplot as plt
slice = data.shape[2]/2
plt.figure("Brain segmentation")
plt.subplot(1,2,1)
plt.imshow(data[:,:,slice])
plt.subplot(1,2,2)
plt.imshow(b0_mask[:,:,slice])
plt.show()


Datasets illustrating the georegulatory framework of the Offshore Minerals Act 1994.
ComLaw Site Link


Where you meet meat to eat
Quick to cook and fries fly for you to buy
RESTAURANT POLICIES AND RULES
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Wilmar reports 10% rise in 3Q earnings to US$447m on better performance across all core segments
by PC LeeSINGAPORE (Nov 12): Wilmar International, Asia’s leading agribusiness group, reported a 10% y-o-y increase in 3Q19 earnings ended Sept to US$447.1 million (S$608 million).
3Q19 revenue came in 2.2% lower at US$11.2 billion from a year ago due to lower commodity prices.
Wilmar says the stronger bottomline was driven by better results in tropical oils and consumer products as well as the recognition of a gain from the disposal of the group’s discontinued operations in Brazil.
For the full story, visit theedgesingapore.com.


Item 7.
Vertical bar chart with race/ethnicity along the horizontal axis and percentage on the vertical axis. There are two bars for each race - one representing the percentage of the overall population and the other representing the percentage of COVID-19 hospitalizations. Each bar has height corresponding to the data in Table 2.10.3| Race/Ethnicity | Percentage of Residents living in COVID-NET counties | Percentage of COVID-19 hospitalizations |
| Non-Hispanic White | 59% | 45% |
| Non-Hispanic Black | 18% | 33% |
| Hispanic | 14% | 8% |


1 package com.exercise.udacity.jokes; 2 3 public class JokeSmith { 4 5 public String getJoke(boolean isFromWizard) { 6 if (isFromWizard) 7 return "You can tune a piano, but you can't tuna-fish" + 8 "\n-Joke Wizard"; 9 else 10 return "How much wood could a Wood Chuck chuck if a Wood Chuck could chuck wood?" + 11 "\n-Joke Smith"; 12 } 13 } 14


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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
interface ICommunicatorServiceCallback
Interface for interacting with the Communicator Service
| Method Summary | |
|---|---|
void |
friendAccepted(boolean success,
String errorMessage,
String meepTag)
Callback from Communicator Service to notify the receiver accept friend operation is finished |
void |
friendDeclined(boolean success,
String errorMessage,
String meepTag)
Callback from Communicator Service to notify the receiver decline friend operation is finished |
void |
friendRemoved(boolean success,
String errorMessage,
String meepTag)
Callback from Communicator Service to notify the receiver remove friend operation is finished |
void |
friendRequestSent(boolean success,
String errorMessage,
String meepTag)
Callback from Communicator Service to notify the receiver send friend request operation is finished |
void |
userFound(boolean success,
String errorMessage,
String meepTag)
Callback from Communicator Service to notify the receiver search user operation is finished |
| Method Detail |
|---|
void userFound(boolean success, String errorMessage, String meepTag)
success
- A boolean flag indicates search user operation was successful or
noterrorMessage
- The error message returned back from server, null if the search
user operation was successfulmeepTag
- The meep tag of the user that was being searchedvoid friendAccepted(boolean success, String errorMessage, String meepTag)
success
- A boolean flag indicates accept friend operation was successful or
noterrorMessage
- The error message returned back from server, null if the accept
friend operation was successfulmeepTag
- The meep tag of the user that was being acceptedvoid friendDeclined(boolean success, String errorMessage, String meepTag)
success
- A boolean flag indicates decline friend operation was successful
or noterrorMessage
- The error message returned back from server, null if the decline
friend operation was successfulmeepTag
- The meep tag of the user that was declinedvoid friendRequestSent(boolean success, String errorMessage, String meepTag)
success
- A boolean flag indicates sign-in operation was successful or noterrorMessage
- The error message returned back from server, null if the send
friend request operation was successfulmeepTag
- The meep tag of the user that the request was sent tovoid friendRemoved(boolean success, String errorMessage, String meepTag)
success
- A boolean flag indicates remove friend operation was successful or
noterrorMessage
- The error message returned back from server, null if the remove
friend operation was successfulmeepTag
- The meep tag of the user that was being removed
|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Crops that you want to buy
Find all types of crops directly from farmers
{% for product in object_list %}
{% endfor %}
{% if product.image %}
{% else %}
{% endif %}


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I have exerience delivering software solutions using Java, .NET, Android, and even classic ASP (VB6).
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Working with a well-known courseware company, I developed the company's first offering in mobility.
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Search
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Image I/O addon
These functions are declared in the following header file.  This is done automatically at program exit, but can be called any time the user wishes as well. al_register_bitmap_loader
Register a handler for al_load_bitmap. The given function will be used to handle the loading of bitmaps files with the given extension. The extension should include the leading dot ('.') character. It will be matched case-insensitively. The Returns true on success, false on error. Returns false if unregistering an entry that doesn't exist. al_register_bitmap_saver
Register a handler for al_save_bitmap. The given function will be used to handle the loading of bitmaps files with the given extension. The extension should include the leading dot ('.') character. It will be matched case-insensitively. The Returns true on success, false on error. Returns false if unregistering an entry that doesn't exist. al_register_bitmap_loader_f
Register a handler for al_load_bitmap_f. The given function will be used to handle the loading of bitmaps files with the given extension. The extension should include the leading dot ('.') character. It will be matched case-insensitively. The Returns true on success, false on error. Returns false if unregistering an entry that doesn't exist. al_register_bitmap_saver_f
Register a handler for al_save_bitmap_f. The given function will be used to handle the loading of bitmaps files with the given extension. The extension should include the leading dot ('.') character. It will be matched case-insensitively. The Returns true on success, false on error. Returns false if unregistering an entry that doesn't exist. al_load_bitmap
Loads an image file into an ALLEGRO_BITMAP. The file type is determined by the extension. Returns NULL on error. See also: al_load_bitmap_f, al_register_bitmap_loader, al_set_new_bitmap_format, al_set_new_bitmap_flags al_load_bitmap_f
Loads an image from an ALLEGRO_FILE stream into an ALLEGRO_BITMAP. The file type is determined by the passed 'ident' parameter, which is a file name extension including the leading dot. Returns NULL on error. See also: al_load_bitmap, al_register_bitmap_loader_f al_save_bitmap
Saves an ALLEGRO_BITMAP to an image file. The file type is determined by the extension. Returns true on success, false on error. See also: al_save_bitmap_f, al_register_bitmap_saver al_save_bitmap_f
Saves an ALLEGRO_BITMAP to an ALLEGRO_FILE stream. The file type is determined by the passed 'ident' parameter, which is a file name extension including the leading dot. Returns true on success, false on error. See also: al_save_bitmap, al_register_bitmap_saver_f al_load_bmp
Create a new ALLEGRO_BITMAP from a BMP file. The bitmap is created with al_create_bitmap. Returns NULL on error. See Also: al_load_bitmap. al_load_jpg
Create a new ALLEGRO_BITMAP from a JPEG file. The bitmap is created with al_create_bitmap. Returns NULL on error. See Also: al_load_bitmap. al_load_pcx
Create a new ALLEGRO_BITMAP from a PCX file. The bitmap is created with al_create_bitmap. Returns NULL on error. See Also: al_load_bitmap. al_load_png
Create a new ALLEGRO_BITMAP from a PNG file. The bitmap is created with al_create_bitmap. Returns NULL on error. See Also: al_load_bitmap. al_load_tga
Create a new ALLEGRO_BITMAP from a TGA file. The bitmap is created with al_create_bitmap. Returns NULL on error. See Also: al_load_bitmap. al_save_bmp
Save an ALLEGRO_BITMAP as a BMP file. Returns true on success, false on error. See Also: al_save_bitmap. al_save_bmp_f
See al_save_bmp and al_save_bitmap_f. al_save_jpg
Save an ALLEGRO_BITMAP as a JPEG file. Returns true on success, false on error. See Also: al_save_bitmap. al_save_jpg_f
See al_save_jpg and al_save_bitmap_f. al_save_pcx
Save an ALLEGRO_BITMAP as a PCX file. Returns true on success, false on error. See Also: al_save_bitmap. al_save_pcx_f
See al_save_pcx and al_save_bitmap_f. al_save_png
Save an ALLEGRO_BITMAP as a PNG file. Returns true on success, false on error. See Also: al_save_bitmap. al_save_png_f
See al_save_png and al_save_bitmap_f. al_save_tga
Save an ALLEGRO_BITMAP as a TGA file. Returns true on success, false on error. See Also: al_save_bitmap. al_save_tga_f
See al_save_tga and al_save_bitmap_f. al_get_allegro_image_version
Returns the (compiled) version of the addon, in the same format as al_get_allegro_version. |
Last updated: 2010-04-01 08:45:07 UTC


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1 write to _disposed
System.Management.Automation (1)
engine\remoting\client\remotepipeline.cs (1)
660
_disposed
= true;
5 references to _disposed
System.Management.Automation (5)
engine\remoting\client\remotepipeline.cs (5)
181
if (pipeline.
_disposed
)
205
if (
_disposed
)
226
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NUMBER OF PEDESTRIANS KILLED
NUMBER OF PEDESTRIANS INJURED
NUMBER OF PERSONS KILLED
NUMBER OF PERSONS INJURED
NUMBER OF MOTORIST KILLED
NUMBER OF MOTORIST INJURED
NUMBER OF CYCLIST KILLED
NUMBER OF CYCLIST INJURED
Make Graph


ESRAC test suite
Initialize global test vars
Login
Home page
Results page
Add/Delete Journal Entry
Logout
Associate Addition
Add Patient
Add Clinician
Add Clinician with tags
Edit Clinician
Edit Clinician with tags
Test proper access to Clinican functionality
Test proper access to Clinician clinics
Test consent workflow for Clinician add
Test consent workflow for Clinician edit
Test toggling Clinician Note flags
Test sorting on Clinician list
Test Clinician priorities
Randomize/Assign to Control/Treatement


Password Text fields typically reside in forms but can appear in other places, like dialog boxes and search.
Password Text fields should have the following characteristics:
Using a tappable touch target, password text fields should indicate that users can enter information.
It should be easy to find a password text field among other elements.
Password Text fields should indicate their state – whether enabled or disabled, empty or filled, valid or invalid – with clear label, input, and assistive text.
Password Text fields contain the following elements:
Password Text field labels display the type of input a field requires. Every text field should have a label.
Labels are aligned with the input line and always visible. They can be resting (when a field is inactive and empty) or floating.
The input line indicates where to enter text, displayed below the label.
When a field is active or contains an error, the line’s color and thickness vary.
The cursor indicates the user’s current input position. Password text box Disabled
Text field states in light and dark themes.


Test your reaction time by clicking on the shapes as they appear.


Congestion warning on M6 and M54 after collision
Motorists faced delays after a crash involving a van brought congestion between the M6 and M54.
by Andrew TurtonThe collision happened on the M6 at Junction 10a, the M54 link, and J10 for Walsall and Wolverhampton.
Two lanes were initially closed southbound leading to congestion, Highways England officials said.
West Midlands Ambulance Service crews attended the scene shortly after 7am.
The ambulance service said a van suffered rear end damage in a collision with another vehicle.
Two people, including the male driver, were inside the van.
The driver, aged in his 40s, was assessed by ambulance crews but did not require hospital treatment at that time.
Highways England officers temporarily blocked the motorway to clear the vehicles.
They were moved to the hard shoulder by around 8am but congestion built-up behind.
It is unclear if there are any injuries in the crash at this stage.
Congestion began to ease as the morning rush hour traffic subsided.


Despite deep, deep misgivings about "Dark City", from how bad the TV commericals look after the seriously cool theater trailers, and from word of mouth, I went to see the movie last night and was surprised. It didn't totally suck; it wasn't totally cheesy.
This is a science fiction/fantasy/horror film that aspires to art. The visions this film presents gets up there -- it's very pretty, with the fish being released into the water merely being the first of many elegant images -- but the writing fails here and there, and then breaks down completely near the end. The writers, whether through a failure of talent or through a cave-in to a producer's low opinion of the audience, try to explain everything in agonizing, repetitive detail, far worse than "Blade Runner" with the voice-over. Mysteries are solved and removed before they have a chance to be savored and revealed.
It's also not a completely original piece of work. The film concerns a man who wakes up in a hotel room, with his memories gone. It's an old plot, though, the twist here is to make his quest to regain memory into a meditation on the idea of memory and identity. Philip K. Dick has done this any number of times, usually better. While a less pretty and less serious film than "Dark City", the PKD inspired "Total Recall" perhaps makes for a better meditation on memory and identity if you ignore the Schwarzenneger pyrotechnics. We won't get into PKD's stories or the intensely literary and just-as-elegantly-shot "Blade Runner".
There are a few moments when the film wanders into stupidity, but generally not fatally. At one point, a character is informed of his god-like powers of shaping reality. He uses the powers to make a beach -- a lame one -- instead of, say, building temples and calling on the people to cast golden calves in his honor. (That's what I'd do. I suppose I shouldn't achieve god-like powers.) Oh, the god-like powers are expressed by a woo-woo-woo-woo rings coming from out of foreheads. Awe-inspiring, this isn't. Actually, thinking about it, I'm not sure how god-like the powers are, since the evil-people have them, and they work in labor-intensive ways, either in Dickensian infernal mills or as roadies in a mysterious rigging company. They also have to get very close to mere mortals in order to put them to sleep (in a less-lame-than-expected gesture of the hand and a slinkily spoken "sleep" -- it looked really good in the trailer, since you're hearing only industrial-like music, but looks really bad in the commercials since you can hear them talking)
The bad guys are "derivative" or "refers to", depending on if you're in a good mood or not. The Strangers seem to be inspired by the old silent film "Nosferatu". Except for pointy teeth, they're dead ringers for the first on-screen vampire, complete with bald head and out-of-proportion limbs. There is something deliciously creepy about these figures carrying knives and wearing cheerily malevolent smiles. Yes, some of the good photography in "Dark City" may be inspired by Expressionist films, though any movie scenes featuring tall, lean figures in the shadows may be references to that style.
The art design for the film -- the costumes, the cars, the props (which looked like models, actually) -- borrows from the 1930s, arguably the age of totalitarianism, though that wasn't made explicit (which, given how much they like to explain everything, was missed by the writers). The issues of identity and control certainly has totalitarian implications, though my main thought was, how did people in the 1930s avoid hat hair?
One question for the audience: when did clocks acquire mystical significance? The film's production company is in fact called "Mystery Clock" -- a good name -- but mechanical clocks didn't exist until a few hundred years ago. The idea of the mystery clock hasn't been with us forever. Cinderella focuses on the stroke of midnight, but when did this motif come about? The story is older than clocks.
Oh, one thing they might have done, which would've been cute, would've been to put a couple pair of elephants standing on a big turtle in a particular scene. You'll know which it is.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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Delete file from project if file exists. File name and path to project get from parameters.
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<EMAIL_ADDRESS>415-871-3227
I am goal oriented toward a career in computer science and passionate for an overall understanding of computer programming. I am currently practiced in web development and seek expansion of my current knowledge of engineering.
This website is apart of my practice in learning how to incorporate different ways, styles, and design for making beautiful websites. I wish to be a master, so with the knowledge I learn, I should be a pebble closer to that goal.
This home site will include links to web sites that I have made and links to future web sites, which will remain under construction until further notice. I look forward to improving upon this site and continuing to practice.


I come from a family of four,having only one sibbling and both parents alive.We live in Utawala-Nairobi.
I was born in 1998 in the month of December,date 11th and attended various schools throughout my journey in education as follows upto now:
Aside from all that, i also have various interests.My current interests include:
The main reason I chose to do coding and mainly at Moringa School is because I have an interest in knowing how different software programs are created and how they work.
Besides, I would also like to come up with a software program some day!
I chose to come to Moringa School because compared to other coding schools, I know it to be the best.It is human nature for everyone to want the best.
Some of the projects i have created include:


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Malaysia palm oil stockpiles forecast to rise 2.8% in October
by ReutersBANGKOK (Nov 6): Malaysian palm oil stockpiles likely rose in October as production increased to its highest in a year, even as export demand surged for the edible oil, a Reuters survey showed.
Inventories during October in the world's second-largest palm oil producer are forecast to rise 2.8% from September to a seven-month high of 2.52 million tonnes, according to a median estimate of seven planters, traders and analysts polled by Reuters.
Stockpiles were largely expected to rise even as exports jumped 13.1% to 1.59 million tonnes due to higher demand from China because of a seasonal climb in output.
"The strong month-on-month exports were boosted mainly by a 48% month-on-month rise in exports to China, which more than offset the 37% month drop in exports to India," said Ivy Ng, regional head of plantations research at CIMB Investment Bank said in a research note to clients.
"The strong demand from China could be due to buying ahead of CNY festivities and lower domestic soybean oil supplies," Ng added.
Palm oil exports to India, the world's biggest edible oils exporter, fell in October due to a boycott of Malaysian palm oil by Indian buyers over critical comments by the Malaysian Prime Minister on India's actions in Kashmir.
But the consumption outlook of the edible oil is still bullish because of a push to use more palm oil in biofuels by Malaysia and Indonesia.
Malaysia said last month that implementation of biofuels mandates in Malaysia and Indonesia will increase consumption of palm oil up to 1.3 million tonnes and 10 million tonnes per year, respectively.
Malaysian palm oil output likely rose in line with seasonal trends, contributing to the gain in inventories and marking a fourth straight month of production gains.
The poll pegged October production at 1.88 million tonnes, up 2% from the previous month and the highest in a year.
Official palm oil data will be published by the Malaysian Palm Oil Board after 0430 GMT on Nov 11.
Breakdown of September estimates (in tonnes):
| Range | Median | |
| Production | 1,700,000-1,918,000 | 1,879,282 |
| Exports | 1,340,000-1,610,000 | 1,594,000 |
| Imports | 48,000-120,000 | 52,000 |
| Closing Stocks | 2,450,000-2,780,000 | 2,516,000 |


QUALIFICATION
SUMMARYRATNESH MAURYA
MY QUALIFICATION :-
EDUCATION :-
- 10TH - HOLY TRINITY CHURCH SCHOOL
- 12TH - CH. CHHABIL DASS PUBLIC SCHOOL
- COLLEGE - INDIAN INSTITUTE OF INFORMATION TECHNOLOGY ,KOTA
SKILLS :-
- CODING
- CRICKET
- SKETCHING
- WEB PAGE CREATION
CONTACT INFO :-
-<EMAIL_ADDRESS>- B-310 , ASHA APARTMENT , RAILWAY ROAD GHAZIABAD.. U.P
- CONTACT- 936950****


| Name | Oblique Stereographic |
| EPSG Code | 9809 |
| GeoTIFF Code | CT_ObliqueStereographic (16) |
| OGC WKT Name | Oblique_Stereographic |
| Supported By | EPSG, GeoTIFF, PROJ.4 |
| Name | EPSG # | GeoTIFF ID | OGC WKT | Units | Notes |
|---|---|---|---|---|---|
| Latitude of natural origin | 1 | NatOriginLat | latitude_of_origin | Angular | |
| Longitude of natural origin | 2 | NatOriginLong | central_meridian | Angular | |
| Scale factor at natural origin | 5 | ScaleAtNatOrigin | scale_factor | Unitless | |
| False Easting | 6 | FalseEasting | false_easting | Linear | |
| False Northing | 7 | FalseNorthing | false_northing | Linear |
+proj=sterea +lat_0=Latitude of natural origin
+lon_0=Longitude of natural origin
+k_0=Scale factor at natural origin
+x_0=False Easting
+y_0=False Northing
The Stereographic projection may be imagined to be a projection of the earth's surface onto a plane in contact with the earth at a single tangent point from the opposite end of the diameter through that tangent point.
This projection is best known in its polar form and is frequently used for mapping polar areas where it complements the Universal Transverse Mercator used for lower latitudes. Its spherical form has also been widely used by the US Geological Survey for planetary mapping and the mapping at small scale of continental hydrocarbon provinces. In its transverse or oblique ellipsoidal forms it is useful for mapping limited areas centred on the point where the plane of the projection is regarded as tangential to the ellipsoid., e.g. the Netherlands. The tangent point is the origin of the projected coordinate system and the meridian through it is regarded as the central meridian. In order to reduce the scale error at the extremities of the projection area it is usual to introduce a scale factor of less than unity at the origin such that a unitary scale factor applies on a near circle centred at the origin and some distance from it.
The coordinate transformation from geographical to projected coordinates is executed via the distance and azimuth of the point from the centre point or origin. For a sphere the formulas are relatively simple. For the ellipsoid the parameters defining the conformal sphere at the tangent point as origin are first derived. The conformal latitudes and longitudes are substituted for the geodetic latitudes and longitudes of the spherical formulas for the origin and the point .
Oblique and Equatorial Stereographic Formula
* Given the geodetic origin of the projection at the tangent point (*0, *0), the parameters defining the conformal sphere are:
R= *( *0,*0) n= *[(1+e2 cos4*0)/(1-e2)] c= (n+sin*0) (1-sin*0)/[(n-sin*0) (1+sin(*0)] where: sin*0 = (w1-1)/(w1+1) w1 = (S1.S2e)n S1 = (1+sin*0)/(1-sin*0) S2 = (1-e sin*0)/(1+e sin*0)The conformal latitude and longitude (*0,*0) of the origin are then computed from :
*0 = sin-1[(w-1)/(w+1)] where S1 and S2 are as above and w = c (S1S2e)n *0 = *0Then for any point with geodetic coordinates (*,*) the equivalent conformal latitude and longitude ( * , * ) are computed from
* = sin-1[(w-1)/(w+1)] where w = c (S1S2e)n S1 = (1+sin*)/(1-sin*) S2 = (1-e.sin*)/(1+e.sin*) and * = n( * - *0 ) + *0 Then B = [1+sin* sin*0 + cos*cos*0cos(* -*0 )] and N = FN + 2 R k0 [sin* cos*0 - cos*sin*0cos(* -*0 )] / B E = FE + 2 R k0 cos* sin(* -*0 ) / BThe reverse formulae to compute the geodetic coordinates from the grid coordinates involves computing the conformal values, then the isometric latitude and finally the geodetic values.
The parameters of the conformal sphere and conformal latitude and longitude at the origin are computed as above. Then for any point with Stereographic grid coordinates (E,N) :
* = *0 + 2 tan-1[{(N-FN)-(E-FE) tan (j/2)} / (2 Rk0)] * = j + 2 i + *0 where g = 2 Rk0 tan (*/4 - *0/ 2 ) h = 4 Rk0 tan *0 + g i = tan-1 [(E-FE) / {h+(N-FN)}] j = tan-1 [(E-FE) / (g-(N-FN)] - i Geodetic longitude * = (* -*0 ) / n + *0 Isometric latitude * = 0.5 ln [(1+ sin*) / { c (1- sin*)}] / n First approximation *1 = 2 tan-1 e* - * / 2 where e=base of natural logarithms. *i = isometric latitude at *i where *i= ln[{tan(*i/2+* / 4} {(1-e sin*i)/(1+e sin*i)}e/2] Then iterate *i+1 = *i - ( *i - * ) cos *i ( 1 -e2 sin2*i) / (1 - e2) until the change in * is sufficiently small.An alternative approach is given by Snyder, where, instead of defining a single conformal sphere at the origin point , the conformal latitude at each point on the ellipsoid is computed. The conformal longitude is then always equivalent to the geodetic longitude. This approach is a valid alternative to the above, but gives slightly different results away from the origin point.
If the projection is the equatorial case, *0 and *0 will be zero degrees and the formulas are simplified as a result,but the above formulae remain valid.
For the polar version, *0 and *0 will be 90 degrees and the formulae become indeterminate.See below for formulae for the polar case.
For Stereographic projections centred on points in the southern hemisphere, including the south Polar Stereographic, the signs of E, N, *0, *, must be reversed to be used in the equations and * will be negative anyway as a southerly latitude. For Projected Coordinate System RD / Netherlands New
Parameters: Ellipsoid Bessel 1841 a = 6377397.155 m 1/f = 299.15281 then e = 0.08169683 Latitude Natural Origin 52o09'22.178""N = 0.910296727 rad Longitude Natural Origin 5o23'15.500""E = 0.094032038 rad Scale factor k0 0.9999079 False Eastings FE 155000.00 m False Northings FN 463000.00 m Forward calculation for: Latitude 53oN = 0.925024504 rad Longitude 6oE = 0.104719755 rad first gives the conformal sphere constants: rho0 = 6374588.71 nu0 = 6390710.613 R = 6382644.571 n = 1.000475857 c = 1.007576465 where S1 = 8.509582274 S2 = 0.878790173 w1 = 8.428769183 sin chi0 = 0.787883237 w = 8.492629457 chi0 = 0.909684757 D0 = d0 for the point chi = 0.924394997 D = 0.104724841 hence B = 1.999870665 N = 557057.739 E = 196105.283 reverse calculation for the same Easting and Northing first gives: g = 4379954.188 h = 37197327.96 i = 0.001102255 j = 0.008488122 then D = 0.10472467 Longitude = 0.104719584 rad = 6 deg E chi = 0.924394767 psi = 1.089495123 phi1 = 0.921804948 psi1 = 1.084170164 phi2 = 0.925031162 psi2 = 1.089506925 phi3 = 0.925024504 psi3 = 1.089495505 phi4 = 0.925024504 Then Latitude = 53o00'00.000""N Longitude = 6o00'00.000


Personal Description Abstract
Hey there. This is Swethu and I am doing this assignment to improve my htmk and css skills. My interest is to paint and sing. In the technical side, I love to work on web pages and so I am excited to do this assignment
Hey there. This is Swethu and I am doing this assignment to improve my htmk and css skills. My interest is to paint and sing. In the technical side, I love to work on web pages and so I am excited to do this assignment
I worked as an intern in Nandha technologies as a Web developer and also an intern in Impiger technologies as a web developer.
B.TECH in Amrita Vishwa Vidyapeetham, Coimbatore A Budding Computer Science Engineer CGPA: 8.15/10 Schooling in Nirmala Matha Convent Matric Hr. Sec School. 10th: 97.4% 12th: 91.4%
I love to interact with new people and get to know then. I am very good as a team worker. A fun loving person