| Package | com.pblabs.engine.resource |
| Class | public class ResourceBundle |
See also
| Property | Defined by | ||
|---|---|---|---|
| ExtensionTypes : Object [static]
ExtensionTypes associates filename extensions with the resource type that they are to be loaded as.
| ResourceBundle |
| Method | Defined by | ||
|---|---|---|---|
|
The constructor is where all of the magic happens.
| ResourceBundle |
| ExtensionTypes | property |
public static var ExtensionTypes:Object
ExtensionTypes associates filename extensions with the resource type that they are to be loaded as. Each entry should be in the form of 'xml:"com.pblabs.engine.resource.XMLResource"' Where xml is the filename extension that should be associated with this type, and where "com.pblabs.engine.resource.XMLResource" is the fully qualified resource class name string, and png is the (lower-case) extension. This array can be extended at runtime, such as: ResourceBundle.ExtensionTypes.mycustomext = "com.mydomain.customresource"
| ResourceBundle | () | constructor |
public function ResourceBundle()
The constructor is where all of the magic happens. This is where the ResourceBundle loops through all of its public properties and registers any embedded resources with the ResourceManager.


The Four Million
by O. Henry
"The Gift of The Magi"
Additional Information
- Year Published: 1906
- Language: English
- Country of Origin: United States of America
- Source: O. Henry, The Four Million (Doubleday, Page & Company; New York: 1906) Henry, O. (1906). The Four Million. Doubleday, Page & Company; New York.
-
Readability:
- Flesch–Kincaid Level: 5.2
- Word Count: 2,225
- Genre: Realism
- Keywords: "the gift of the magi"
- ✎ Cite This
Downloads
One dollar and eighty–seven cents. That was all. And sixty cents of it was in pennies. Pennies saved one and two at a time by bulldozing the grocer and the vegetable man and the butcher until one’s cheeks burned with the silent imputation of parsimony that such close dealing implied. Three times Della counted it. One dollar and eighty–seven cents. And the next day would be Christmas.
There was clearly nothing to do but flop down on the shabby little couch and howl. So Della did it. Which instigates the moral reflection that life is made up of sobs, sniffles, and smiles, with sniffles predominating.
While the mistress of the home is gradually subsiding from the first stage to the second, take a look at the home. A furnished flat at $8 per week. It did not exactly beggar description, but it certainly had that word on the lookout for the mendicancy squad.
In the vestibule below was a letter–box into which no letter would go, and an electric button from which no mortal finger could coax a ring. Also appertaining thereunto was a card bearing the name “Mr. James Dillingham Young.”
The “Dillingham” had been flung to the breeze during a former period of prosperity when its possessor was being paid $30 per week. Now, when the income was shrunk to $20, though, they were thinking seriously of contracting to a modest and unassuming D. But whenever Mr. James Dillingham Young came home and reached his flat above he was called “Jim” and greatly hugged by Mrs. James Dillingham Young, already introduced to you as Della. Which is all very good.
 She stood by the window and looked out dully at a gray cat walking a gray fence in a gray backyard. Tomorrow would be Christmas Day, and she had only $1.87 with which to buy Jim a present. She had been saving every penny she could for months, with this result. Twenty dollars a week doesn’t go far. Expenses had been greater than she had calculated. They always are. Only $1.87 to buy a present for Jim. Her Jim. Many a happy hour she had spent planning for something nice for him. Something fine and rare and sterling—something just a little bit near to being worthy of the honor of being owned by Jim.
There was a pier–glass between the windows of the room. Perhaps you have seen a pierglass in an $8 flat. A very thin and very agile person may, by observing his reflection in a rapid sequence of longitudinal strips, obtain a fairly accurate conception of his looks. Della, being slender, had mastered the art.
Suddenly she whirled from the window and stood before the glass. her eyes were shining brilliantly, but her face had lost its color within twenty seconds. Rapidly she pulled down her hair and let it fall to its full length.
Now, there were two possessions of the James Dillingham Youngs in which they both took a mighty pride. One was Jim’s gold watch that had been his father’s and his grandfather’s. The other was Della’s hair. Had the queen of Sheba lived in the flat across the airshaft, Della would have let her hair hang out the window some day to dry just to depreciate Her Majesty’s jewels and gifts. Had King Solomon been the janitor, with all his treasures piled up in the basement, Jim would have pulled out his watch every time he passed, just to see him pluck at his beard from envy.
So now Della’s beautiful hair fell about her rippling and shining like a cascade of brown waters. It reached below her knee and made itself almost a garment for her.  Once she faltered for a minute and stood still while a tear or two splashed on the worn red carpet.
On went her old brown jacket; on went her old brown hat. With a whirl of skirts and with the brilliant sparkle still in her eyes, she fluttered out the door and down the stairs to the street.
Where she stopped the sign read: “Mne. Sofronie. Hair Goods of All Kinds.” One flight up Della ran, and collected herself, panting. Madame, large, too white, chilly, hardly looked the “Sofronie.”
“Will you buy my hair?” asked Della.
“I buy hair,” said Madame. “Take yer hat off and let’s have a sight at the looks of it.”
Down rippled the brown cascade.
“Twenty dollars,” said Madame, lifting the mass with a practised hand.
“Give it to me quick,” said Della.
Oh, and the next two hours tripped by on rosy wings. Forget the hashed metaphor. She was ransacking the stores for Jim’s present.
She found it at last. It surely had been made for Jim and no one else. There was no other like it in any of the stores, and she had turned all of them inside out. It was a platinum fob chain simple and chaste in design, properly proclaiming its value by substance alone and not by meretricious ornamentation—as all good things should do. It was even worthy of The Watch. As soon as she saw it she knew that it must be Jim’s. It was like him. Quietness and value—the description applied to both. Twenty–one dollars they took from her for it, and she hurried home with the 87 cents. With that chain on his watch Jim might be properly anxious about the time in any company. Grand as the watch was, he sometimes looked at it on the sly on account of the old leather strap that he used in place of a chain.
When Della reached home her intoxication gave way a little to prudence and reason. She got out her curling irons and lighted the gas and went to work repairing the ravages made by generosity added to love. Which is always a tremendous task, dear friends—a mammoth task.
Within forty minutes her head was covered with tiny, close–lying curls that made her look wonderfully like a truant schoolboy. She looked at her reflection in the mirror long, carefully, and critically.
 But what could I do—oh! what could I do with a dollar and eighty–seven cents?”
At 7 o’clock the coffee was made and the frying–pan was on the back of the stove hot and ready to cook the chops.
Jim was never late. Della doubled the fob chain in her hand and sat on the corner of the table near the door that he always entered. Then she heard his step on the stair away down on the first flight, and she turned white for just a moment. She had a habit of saying a little silent prayer about the simplest everyday things, and now she whispered: “Please God, make him think I am still pretty.”
The door opened and Jim stepped in and closed it. He looked thin and very serious. Poor fellow, he was only twenty–two—and to be burdened with a family! He needed a new overcoat and he was without gloves.
Jim stopped inside the door, as immovable as a setter at the scent of quail. His eyes were fixed upon Della, and there was an expression in them that she could not read, and it terrified her. It was not anger, nor surprise, nor disapproval, nor horror, nor any of the sentiments that she had been prepared for. He simply stared at her fixedly with that peculiar expression on his face.
Della wriggled off the table and went for him.
“Jim, darling,” she cried, “don’t look at me that way. I had my hair cut off and sold because I couldn’t have lived through Christmas without giving you a present. It’ll grow out again—you won’t mind, will you? I just had to do it. My hair grows awfully fast. Say `Merry Christmas!’ Jim, and let’s be happy.
“Cut it off and sold it,” said Della. “Don’t you like me just as well, anyhow? I’m me without my hair, ain’t I?”
Jim looked about the room curiously.
“You say your hair is gone?” he said, with an air almost of idiocy.
“You needn’t look for it,” said Della. “It’s sold, I tell you—sold and gone, too. It’s Christmas Eve, boy. Be good to me, for it went for you. Maybe the hairs of my head were numbered,” she went on with sudden serious sweetness, “but nobody could ever count my love for you. Shall I put the chops on, Jim?”
Out of his trance Jim seemed quickly to wake. He enfolded his Della. For ten seconds let us regard with discreet scrutiny some inconsequential object in the other direction. Eight dollars a week or a million a year—what is the difference? A mathematician or a wit would give you the wrong answer. The magi brought valuable gifts, but that was not among them. This dark assertion will be illuminated later on.
Jim drew a package from his overcoat pocket and threw it upon the table.
“Don’t make any mistake, Dell,” he said, “about me. I don’t think there’s anything in the way of a haircut or a shave or a shampoo that could make me like my girl any less. But if you’ll unwrap that package you may see why you had me going a while at first.”
White fingers and nimble tore at the string and paper. And then an ecstatic scream of joy; and then, alas! a quick feminine change to hysterical tears and wails, necessitating the immediate employment of all the comforting powers of the lord of the flat.
For there lay The Combs—the set of combs, side and back, that Della had worshipped long in a Broadway window. Beautiful combs, pure tortoise shell, with jewelled rims—just the shade to wear in the beautiful vanished hair. They were expensive combs, she knew, and her heart had simply craved and yearned over them without the least hope of possession. And now, they were hers, but the tresses that should have adorned the coveted adornments were gone.
But she hugged them to her bosom, and at length she was able to look up with dim eyes and a smile and say: “My hair grows so fast, Jim!”

Jim had not yet seen his beautiful present. She held it out to him eagerly upon her open palm. The dull precious metal seemed to flash with a reflection of her bright and ardent spirit.
“Isn’t it a dandy, Jim? I hunted all over town to find it. You’ll have to look at the time a hundred times a day now. Give me your watch. I want to see how it looks on it.”
Instead of obeying, Jim tumbled down on the couch and put his hands under the back of his head and smiled.
“Dell,” said he, “let’s put our Christmas presents away and keep ‘em a while. They’re too nice to use just at present. I sold the watch to get the money to buy your combs. And now suppose you put the chops on.”
The magi, as you know, were wise men—wonderfully wise men—who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. Of all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.


II.5 Building Operations Financing
Financing – Building Operations (II.5.)
Building acquisition
requires debt and equity capital.
- Typical Building operators purchase the completed buildings with a combination of debt and equity
capital.
- Large financial institutions or public REITs pay acquire the properties will all cash and finance the properties
using a financial strategy at the corporate level (like bonds).
A long-term loans will provide for holdbacks for unleased space.
- Tenant improvements
- Leasing commissions
Short-term loan(s) may provide for cash advances and interest accrual during lease-up.
- These are temporary financing arrangement that require personal guarantees.
- Lender may call these working capital loans.
- Equity partners may make “partnership loans.”
Second mortgage, gap financing, and mezzanine loan can help cover the lease-up or re-leasing risk.
- These are more formal loan arrangements.
- Second mortgage and gap financing require liens on the property.
- Mezzanine loans are secured by the partnership equity ownership so that formal default procedures are not
required in the event of default.
Equity partners can have “capital calls” to cover lease-up and re-leasing cash flow deficits.
- Equity partner may be subject to capital calls in the event of negative cash flows.
- These capital calls should be a last resort.
- Equity reserves for negative cash flows should funded at the initial property acquisition or out of positive
cash flows experienced before the negative cash flows.
Different types of equity partners may have different distribution priorities.
- Not all equity partners are treated equally.
- There may be different classes of equity partners with different risk exposures.
- Lower risk levels can be obtained by giving preferential returns to some equity investors.
- Investors with higher risks usually get higher shares of the cash flows after the preferences are met.


AUX
: auxiliary verbs
An auxiliary verb, as the name suggests, assists the main verb in a sentence. Its primary function is not to convey a semantic meaning but to deliver grammatical or functional details including tense, aspect, mood, number, person, and voice. A defining characteristic of auxiliary verbs is that they do not subcategorize for the subject or other sentence complements.
In Spanish, typical examples of auxiliary verbs include ser and estar “to be” used as copulas, haber for perfect tenses, and modal verbs like poder “can” and deber “must”. However, it’s essential to note that if a verb retains its semantic content, it’s classified as a VERB and not an AUX, as might be the case with coser “to sew”.
Moreover, some verbs, termed semiauxiliars, partake in periphrastic constructions, contributing to the overall meaning of the verb phrase. Despite their supportive role, these semiauxiliars might still be tagged as VERBS due to their maintained semantic contribution.
- Spanish auxiliary verbs (AUX) are:
- ser and estar “to be”, used as copulas
- ser “to be” for the passive (la sentencia fue publicada “the sentence was published”)
- estar “to be” for the progressive (mis hijos están estudiando inglés “my children are studying English”)
- haber “to be/have” for the perfect tenses (ha venido hoy “he came today”)
AUX in other languages: [bej] [bg] [bm] [cs] [cy] [da] [el] [en] [et] [fi] [fro] [fr] [ga] [grc] [gub] [hu] [hy] [it] [ja] [kk] [kpv] [ky] [myv] [no] [pcm] [pt] [qpm] [ru] [sl] [sv] [tr] [tt] [uk] [u] [urj] [yue] [zh]


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This simple little tool is intended to help translate plain CSS into the React in-line style specific JSON representation. Making it easy to copy and paste into an inline React component.
CSS


NewRobotCode
v2<IP_ADDRESS>
FRC 2022 Robot Code for Team #7464 - ORION
DriveTrain Directory Reference
Files
file
CmdAutoDriveStraight.cpp
[code]
This file defines the
CmdAutoDriveStraight
class.
file
CmdAutoTurnAngle.cpp
[code]
This file defines the
CmdAutoTurnAngle
class.
file
CmdDisableSmoothingMode.cpp
[code]
This file defines the
CmdDisableSmoothingMode
class.
file
CmdDisableTurboMode.cpp
[code]
This file defines the
CmdDisableTurboMode
class.
file
CmdDriveArcadeStyle.cpp
[code]
This file defines the
CmdDriveArcadeStyle
class.
file
CmdDriveTankStyle.cpp
[code]
This file defines the
CmdDriveTankStyle
class.
file
CmdEnableSmoothingMode.cpp
[code]
This file defines the
CmdEnableSmoothingMode
class.
file
CmdEnableTurboMode.cpp
[code]
This file defines the
CmdEnableTurboMode
class.
file
CmdResetAHRSYaw.cpp
[code]
This file defines the
CmdResetAHRSYaw
class.
file
CmdToggleDriveDirection.cpp
[code]
This file defines the
CmdToggleDriveDirection
class.
file
CmdToggleSmoothingMode.cpp
[code]
This file defines the
CmdToggleSmoothingMode
class.
file
CmdZeroAHRSYaw.cpp
[code]
This file defines the
CmdZeroAHRSYaw
class.
NewRobotCode
src
main
cpp
commands
DriveTrain
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---
layout: archive
title: Lean Prover Zulip Chat Archive
permalink: 113488general/73118conditionallyruncheckscriptstasksontravis.html
---
The archive URL format has changed. Please find this page at:
https://leanprover-community.github.io/archive/stream/113488-general/topic/conditionally.20run.20.22check.20.2E.2E.2E.20scripts.22.20tasks.20on.20travis.3F.html


|
libximc
2.13.1
|
Device state which use user units. More...
Data Fields | |
| unsigned int | MoveSts |
| Flags of move state. | |
| unsigned int | MvCmdSts |
| Move command state. | |
| unsigned int | PWRSts |
| Flags of power state of stepper motor. | |
| unsigned int | EncSts |
| Encoder state. | |
| unsigned int | WindSts |
| Winding state. | |
| float | CurPosition |
| Current position. | |
| long_t | EncPosition |
| Current encoder position. | |
| float | CurSpeed |
| Motor shaft speed. | |
| int | Ipwr |
| Engine current, mA. | |
| int | Upwr |
| Power supply voltage, tens of mV. | |
| int | Iusb |
| USB current, mA. | |
| int | Uusb |
| USB voltage, tens of mV. | |
| int | CurT |
| Temperature in tenths of degrees C. | |
| unsigned int | Flags |
| Status flags. | |
| unsigned int | GPIOFlags |
| Status flags of the GPIO outputs. | |
| unsigned int | CmdBufFreeSpace |
| This field is a service field. |
Device state which use user units.
Useful structure that contains current controller state, including speed, position and boolean flags.
| unsigned int CmdBufFreeSpace |
This field is a service field.
It shows the amount of free cells buffer synchronization chain.
| float CurPosition |
Current position.
Corrected by the table.
| float CurSpeed |
Motor shaft speed.
| int CurT |
Temperature in tenths of degrees C.
| long_t EncPosition |
Current encoder position.
| unsigned int EncSts |
| unsigned int Flags |
| unsigned int GPIOFlags |
| int Ipwr |
Engine current, mA.
| int Iusb |
USB current, mA.
| unsigned int MoveSts |
| unsigned int MvCmdSts |
| unsigned int PWRSts |
| int Upwr |
Power supply voltage, tens of mV.
| int Uusb |
USB voltage, tens of mV.
| unsigned int WindSts |


@predefined Feature: Smoke steps @predefined1 Scenario: Predefined steps for Google Given I open url "https://google.com" Then I should see page title as "Google" Then element with xpath "//input[@name='q']" should be present When I type "Behavior Driven Development" into element with xpath "//input[@name='q']" Then I click on element using JavaScript with xpath "(//input[@name='btnK'])[1]" Then I wait for element with xpath "//*[@id='res']" to be present Then element with xpath "//*[@id='res']" should contain text "Cucumber" @predefined2 Scenario: Predefined steps for Gibiru Given I open url "https://gibiru.com/" And I wait for 2 sec Then I should see page title as "Gibiru – Protecting your privacy since 2009" Then element with xpath "//input[@id='q']" should be present When I type "Behavior Driven Development" into element with xpath "//input[@id='q']" Then I click on element with xpath "//button[@id='button-addon2'][@type='submit']" Then I wait for element with xpath "//*[@id='web-results']" to be present Then element with xpath "//*[@id='web-results']" should contain text "Behavior Driven Development" @predefined3 Scenario: Predefined steps for DuckDuckGo Given I open url "https://duckduckgo.com/" And I wait for 2 sec Then I should see page title as "DuckDuckGo — Privacy, simplified." Then element with xpath "//input[@id='search_form_input_homepage']" should be present When I type "software quality assurance" into element with xpath "//input[@id='search_form_input_homepage']" Then I click on element with xpath "//input[@id='search_button_homepage']" Then I wait for element with xpath "//*[@id='links_wrapper']" to be present Then element with xpath "//*[@id='links_wrapper']" should contain text "software quality assurance" @predefined4 Scenario: Predefined steps for SwissCows Given I open url "https://swisscows.com/" Then I wait for 2 sec Then I should see page title as "Swisscows the alternative, data secure search engine." Then element with xpath "//*[@name='query'][@placeholder='Your search. Your business.']" should be present When I type "software quality assurance" into element with xpath "//*[@name='query'][@placeholder='Your search. Your business.']" Then I click on element with xpath "//*[@class='search-submit']" Then I wait for element with xpath "//*[@class='page-results']" to be present Then element with xpath "//*[@class='page-results']" should contain text "software quality assurance" @predefined5 Scenario: Predefined steps for Search Encrypt Given I open url "https://www.searchencrypt.com/" Then I wait for 2 sec Then I should see page title as "Search Encrypt | Home" Then element with xpath "//*[<EMAIL_ADDRESS>should be present When I type "software quality assurance" into element with xpath "//*[<EMAIL_ADDRESS>Then I click on element with xpath "//button[@class='search-bar__submit'][@type='submit']" Then I wait for element with xpath "//*[@class='serp__results container']" to be present Then element with xpath "//*[@class='serp__results container']" should contain text "software quality assurance" @predefined6 Scenario: Predefined steps for Startpage Given I open url "https://www.startpage.com/" Then I wait for 2 sec Then I should see page title as "Startpage - Private Search Engine. No Tracking. No Search History." Then element with xpath "//input[@id='q']" should be present When I type "software quality assurance" into element with xpath "//input[@id='q']" Then I click on element with xpath "//button[@class='search-form-home__button-desktop'][@type='submit']" Then I wait for element with xpath "//*[@class='layout-web layout-web--']" to be present Then element with xpath "//*[@class='layout-web layout-web--']" should contain text "software quality assurance" @predefined7 Scenario: Predefined steps for Wikipedia Given I open url "https://en.wikipedia.org/" Then I wait for 2 sec Then I should see page title as "Wikipedia, the free encyclopedia" Then element with xpath "//input[@id='searchInput']" should be present When I type "software quality assurance" into element with xpath "//input[@id='searchInput']" Then I click on element with xpath "//input[@id='searchButton']" Then I wait for element with xpath "//div[@id='content']" to be present Then element with xpath "//div[@id='content']" should contain text "software quality assurance" @predefined8 Scenario: Predefined steps for ECOSIA Given I open url "https://www.ecosia.org/" Then I wait for 2 sec Then I should see page title as "Ecosia - the search engine that plants trees" Then element with xpath "//*[@data-test-id='search-form-input'][@type='search']" should be present When I type "software quality assurance" into element with xpath "//*[@data-test-id='search-form-input'][@type='search']" Then I click on element with xpath "//*[@data-test-id='search-form-submit']" Then I wait for element with xpath "//*[@class='mainline-results']" to be present Then element with xpath "//*[@class='mainline-results']" should contain text "software quality assurance" @predefined9 Scenario: Predefined steps for Wiki Given I open url "https://www.wiki.com/" Then I wait for 2 sec Then I should see page title as "Wiki.com" Then element with xpath "//*[@name='q']" should be present When I type "software quality assurance" into element with xpath "//*[@name='q']" Then I click on element with xpath "//*[@name='btnG']" And I should see page title as "Form is not secure" Then I click on element with xpath "//*[@id='proceed-button']" Then I should see page title as "Wiki.com" Then I switch to iframe with xpath "//iframe[@name='googleSearchFrame']" Then I wait for element with xpath "//*[@id='cse-hosted']" to be present Then element with xpath "//*[@id='cse-hosted']" should contain text "software quality assurance" @predefined10 Scenario: Predefined steps for Givewater Given I open url "https://www.givewater.com/" Then I wait for 2 sec Then I should see page title as "Search the Web to Give Clean Water to Those in Need » giveWater Search Engine" Then element with xpath "//div[@id='popmake-172']" should be present Then I click on element with xpath "//*[@type='button'][@aria-label='Close'][@class='pum-close popmake-close']" Then element with xpath "//input[@id='site-search']" should be present When I type "software quality assurance" into element with xpath "//input[@id='site-search']" Then I click on element with xpath "//button[@id='button-addon2']" Then I wait for element with xpath "//*[@class='layout__body']" to be present Then element with xpath "//*[@class='layout__body']" should contain text "software quality assurance" @predefined11 Scenario: Predefined steps for Ecoru Given I open url "https://ekoru.org/" Then I wait for 2 sec Then I should see page title as "Ekoru - every search cleans our oceans" Then element with xpath "//input[@id='fld_q']" should be present When I type "software quality assurance" into element with xpath "//input[@id='fld_q']" Then I click on element with xpath "//*[@id='btn_search']" Then I wait for element with xpath "//div[@class='serp-wrapper']" to be present Then element with xpath "//div[@class='serp-wrapper']" should contain text "software quality assurance"


The Proximity
class provides methods that support
many Proximity operations including accessing databases, executing
queries, adding attributes, sampling containers, and instantiating
models.
Use the prox
object to access methods in
the Proximity
class.
Use the shortcuts provided by the prox
object to refer to important Proximity data structures.
You only need to import a Proximity class or package when you refer to a class by name.
Use the Proximity Python interpreter to execute individual Python statements interactively when you do not need to create a script.
Indent lines and blocks using tabs rather than spaces in the Proximity Python interpreter.
Each Proximity Python interpreter window has its own namespace.
Use the NST browser to examine Proximity internal data structures when you need to work directly with Proximity entities.
Filters and conditions have different semantics. Conditions operate on objects or links whereas filters operate on NST rows.
Additional Information
See the Proximity Cookbook and Chapter 7, Learning Models in this tutorial for additional examples of Proximity scripts.
See Appendix A, Proximity Quick Reference for a summary of command line editing options in the interactive Proximity Python interpreter.
See Creating a file or directory shortcut for information on creating shortcuts to commonly used files and directories.


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Prerequisites


This week we're going to improve upon our brand by through critique and self reflection. We want to get our brands in as good a shape as possible prior to all the hands on labs and topics we'll be engaging in this semester.
Look back through the #lab-1-brand Slack channel and pick three brands by your classmates at random (or friends, which ever). Watch their video and how they present themselves as well as take note of any images, naming, or social media complements they've made to their brand.
I want you to produce three recommendations for each of the three brands you selected on how they can improve their brand (these can be bullet points). Things they could do to more effectively communicate either verbally or in their social media presence.
Then I want you to reflect on your own brand and come up with three ways you could improve your brand based on the ones you saw.
For your video reflection I want you to produce a video explaining the phrase SEO. SEO stands for Search Engine Optimization, and it's something we're actively engaging in through this course. By generating lots of content on different platforms with similar names, we're training SEO / Google-bot web crawlers to index and make our brands send our content higher in search results.
Make a video explaining SEO, how you can improve it, and then how you plan on improving your brand in order to enhance your SEO.
When complete, submit to the #lab-3-brand-review channel on slack by Sunday.


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Last updated: 2019-06-18
Checks: 4 2
Knit directory: gtex-gwas-analysis/
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To ensure reproducibility of the results, delete the cache directory GWAS_eQTL_correlation_cache
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| File | Version | Author | Date | Message |
|---|---|---|---|---|
| Rmd | f7caab5 | rbonazzola | 2019-06-12 | GWAS/eQTL correlation updates |
| html | f7caab5 | rbonazzola | 2019-06-12 | GWAS/eQTL correlation updates |
| html | 840bc51 | rbonazzola | 2019-06-11 | GWAS/eQTL correlation HTML |
| Rmd | 90cfd51 | rbonazzola | 2019-06-11 | GWAS-eQTL correlation |
suppressPackageStartupMessages({
library(tidyverse)
library(yaml)
})
corr_df <- read.table("output/gwas_eqtl_correlation.tsv", header = T, sep = "\t")
pp <- ggplot(corr_df, aes(x=phenotype, y=pearson, color=data))
pp <- pp + geom_point()
pp <- pp + theme_bw(base_size = 15)
pp <- pp + ggtitle("Whole Blood")
pp <- pp + theme(axis.text.x=element_text(angle=65, hjust=1))
pp
| Version | Author | Date |
|---|---|---|
| f7caab5 | rbonazzola | 2019-06-12 |
pp <- ggplot(corr_df, aes(x=pearson, color=data))
pp <- pp + geom_density()
pp <- pp + ggtitle("Density plot: real vs. shuffled data")
pp
| Version | Author | Date |
|---|---|---|
| f7caab5 | rbonazzola | 2019-06-12 |
dapg_file_pattern <- "data/dapg_selected_variants/expression/gwas_and_eqtl/DAPG_with_mashr__{tissue}.rds"
tissue <- "Whole_Blood"
phenotype <- "UKB_50_Standing_height"
dd <- readRDS(glue::glue(dapg_file_pattern))[[phenotype]]
| Version | Author | Date |
|---|---|---|
| f7caab5 | rbonazzola | 2019-06-12 |
| Version | Author | Date |
|---|---|---|
| f7caab5 | rbonazzola | 2019-06-12 |
# dd <- readRDS(glue::glue(dapg_file_pattern)) %>% bind_rows()
dd_gt_1 <- dd %>%
group_by(tissue, phenotype, gene_id) %>%
filter(n() > 1) %>%
mutate(ranking=order(order(abs(eqtl_effect_size), decreasing=TRUE))) %>%
ungroup() %>%
mutate(beta_gene=gwas_effect_size/eqtl_effect_size) %>%
select(gene_id, ranking, beta_gene) %>%
filter(ranking <= 2)
Warning: The above code chunk cached its results, but it won’t be re-run if previous chunks it depends on are updated. If you need to use caching, it is highly recommended to also set knitr::opts_chunk$set(autodep = TRUE)
at the top of the file (in a chunk that is not cached). Alternatively, you can customize the option dependson
for each individual chunk that is cached. Using either autodep
or dependson
will remove this warning. See the knitr cache options for more details.
pp <- ggplot(dd_gt_1, aes(x=abs(beta_gene)))
pp <- pp + geom_density()
pp <- pp + facet_wrap(facets = vars(ranking), nrow = 2)
pp <- pp + xlim(c(0,0.5))
pp
Warning: Removed 3626 rows containing non-finite values (stat_density).
| Version | Author | Date |
|---|---|---|
| f7caab5 | rbonazzola | 2019-06-12 |
Whole Blood - UKB Height
dd_wide <- inner_join(dd_gt_1 %>% filter(ranking==1), dd_gt_1 %>% filter(ranking==2), by="gene_id") %>%
filter(beta_gene.x > quantile(beta_gene.x, 0.05, na.rm = T) & beta_gene.y > quantile(beta_gene.y, 0.05, na.rm = T) & beta_gene.x < quantile(beta_gene.x, 0.95, na.rm = T) & beta_gene.y < quantile(beta_gene.y, 0.95, na.rm = T))
pp <- ggplot(dd_wide, aes(x=beta_gene.x, y=beta_gene.y))
pp <- pp + geom_point(alpha=0.5)
pp <- pp + geom_abline(slope=1,intercept=0)
pp <- pp + stat_density_2d(aes(fill = ..level..), geom = "polygon")
pp <- pp + theme_bw(base_size = 20)
pp <- pp + xlab("beta (primary)") + ylab("beta (secondary)")
pp
| Version | Author | Date |
|---|---|---|
| f7caab5 | rbonazzola | 2019-06-12 |
table(sign(dd_wide$beta_gene.x) == sign(dd_wide$beta_gene.y))
FALSE TRUE
1109 1470
df <- read.table(file = "output/eqtl_gwas_correlation_with_rcp_threshold.tsv", header = T)
df <- rbind(
df %>%
select(-conc_baseline_pearson, -conc_baseline_spearman) %>%
mutate(data="real"),
df %>%
mutate(concordance_pearson=conc_baseline_pearson, concordance_spearman=conc_baseline_spearman) %>%
select(-conc_baseline_pearson, -conc_baseline_spearman) %>%
mutate(data="baseline")
)
df[df$data=="real", "data"] <- "RCP > threshold"
df[df$data=="baseline", "data"] <- "Signals with matching LD (low RCP)"
ggp <- ggplot(df %>% filter(n>10), aes(as.factor(rcp_threshold), concordance_pearson, fill=data))
ggp <- ggp + geom_boxplot(outlier.alpha=.2)
ggp <- ggp + theme_bw(base_size=15)
ggp <- ggp + theme(legend.position="bottom")
ggp <- ggp + xlab("Colocalization probability (RCP) threshold") + ylab("Concordance between primary and secondary")
ggp <- ggp + guides(fill = guide_legend(title = ""))
ggp
sQTL
sqtl_corr_df <- readRDS("output/sqtl_gwas_correlation.rds")
pp <- ggplot(sqtl_corr_df, aes(x=pearson, color=data))
pp <- pp + geom_density()
pp <- pp + theme_bw(base_size=15)
pp <- pp + ggtitle("Density plot: real vs. shuffled data")
pp
sessionInfo()
R version 3.4.4 (2018-03-15)
Platform: x86_64-pc-linux-gnu (64-bit)
Running under: Ubuntu 16.04.6 LTS
Matrix products: default
BLAS: /usr/lib/libblas/libblas.so.3.6.0
LAPACK: /usr/lib/lapack/liblapack.so.3.6.0
locale:
[1] LC_CTYPE=en_US.UTF-8 LC_NUMERIC=C
[3] LC_TIME=en_US.UTF-8 LC_COLLATE=en_US.UTF-8
[5] LC_MONETARY=en_US.UTF-8 LC_MESSAGES=en_US.UTF-8
[7] LC_PAPER=en_US.UTF-8 LC_NAME=C
[9] LC_ADDRESS=C LC_TELEPHONE=C
[11] LC_MEASUREMENT=en_US.UTF-8 LC_IDENTIFICATION=C
attached base packages:
[1] stats graphics grDevices utils datasets methods base
other attached packages:
[1] yaml_2.2.0 forcats_0.4.0 stringr_1.4.0 dplyr_<IP_ADDRESS>
[5] purrr_0.3.1 readr_1.3.1 tidyr_0.8.3 tibble_2.0.1
[9] ggplot2_3.1.0 tidyverse_1.2.1
loaded via a namespace (and not attached):
[1] Rcpp_1.0.0 cellranger_1.1.0 plyr_1.8.4 pillar_1.3.1
[5] compiler_3.4.4 git2r_0.24.0 workflowr_1.2.0 tools_3.4.4
[9] digest_0.6.18 lubridate_1.7.4 jsonlite_1.6 evaluate_0.13
[13] nlme_3.1-137 gtable_0.2.0 lattice_0.20-38 pkgconfig_2.0.2
[17] rlang_0.3.1 cli_1.0.1 rstudioapi_0.9.0 haven_2.1.0
[21] xfun_0.5 withr_2.1.2 xml2_1.2.0 httr_1.4.0
[25] knitr_1.21 hms_0.4.2 generics_0.0.2 fs_1.2.6
[29] rprojroot_1.3-2 grid_3.4.4 tidyselect_0.2.5 glue_1.3.0
[33] R6_2.4.0 readxl_1.3.0 rmarkdown_1.11 modelr_0.1.4
[37] magrittr_1.5 whisker_0.3-2 MASS_7.3-50 backports_1.1.3
[41] scales_1.0.0 htmltools_0.3.6 rvest_0.3.2 assertthat_0.2.0
[45] colorspace_1.4-0 labeling_0.3 stringi_1.3.1 lazyeval_0.2.1
[49] munsell_0.5.0 broom_0.5.1 crayon_1.3.4


Notification
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4 October 2020
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'Blade' (1998)
A movie review by Walter Frith
Member of the 'Internet Movie Critics Association' http://www.geocities.com/Hollywood/Studio/5713/index.html
and
Member of the 'Online Film Critics Society' http://ofcs.org/ofcs/
In the spirit of 1994's 'The Crow' and 1997's 'Spawn', 'Blade' has an irreverent comic book style presentation lacking in any emotion or original style. It is, however, a fairly decent movie if you know this going in. Decent in the sense that it is truly brimming with excellent action sequences, special effects to rival any vampire movie and stunt work that cannot be dismissed as routine. It also has a good story of conflict and pokes fun at big corporations as the vampire cult in the film is shown in the form of businessmen sitting around a boardroom table in conflict regarding their next move.
The film opens in a haunting fashion in 1967 as a woman, injured and bleeding severely is admitted to the hospital where she is about to give birth. The film skips forward to the present day. A vampire cult is bent on taking over the human race. Blade (Wesley Snipes), is the child of the woman seen giving birth at the beginning of the film and is half human and half vampire who works for the forces of good as a vampire killer. We come to realize that Blade's mother was attacked by a vampire which explains her injuries also seen at the beginning of the film. Blade relies on a formula, injected into him intravenously to keep his human side alive but his body is weakening and a permanent cure must be found for him to sustain his present state of being. Blade's sidekick is Whistler (Kris Kristofferson), who manufactures the formula and helps Blade like Robin would help Batman.
Blade's arch-enemy is Frost (Stephen Dorff), a chilling outcast from the group of vampires, who has his own followers and Frost's ideas for taking over the world are very different than some of his peers, putting him in direct conflict with them. He and Blade meet on several occasions in classic comic book style confrontation.
'Blade' is written by David S. Goyer based on characters created by Marv Wolfman and Gene Colan. Director Stephen Norrington gives the film a look that is a cross somewhat between 'The Terminator' and 'The Lost Boys' and the film is strangely empty in many spots, relying on its eye candy to do most of the work. Snipes and Dorff make for good opposites but the story can't sustain itself to the point of remaining interesting for its running time of exactly two hours.
Perhaps in setting a trend for the future, 1989's 'Batman' has done more for the technical side of films and less for the academic side of them. The triumph of the hero's accomplishments came across much more powerfully in 1978's 'Superman', which offered sub text in its first hour to explain the man of steel's origins. Most comic book stories I've seen since haven't been as expressive in giving audiences a total look at comic book characters, only their superficial side.
OUT OF 5 > * * 1/2
Visit FILM FOLLOW-UP by Walter Frith http://home.netinc.ca/~wfrith/movies.htm
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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my BBlog shows the wrong Headshot/Kill value. BF3Stats for example says i have 77% HS/K% with M98B, BBlog says 50%. And that's with every weapon!
Topicstarter
Guest
Indeed, I guess it calculates percentage between fired shots / headshots, instead of percentage between kills / headshots.
BrainFooLong
Administrator
Yes, its a wrong calculation - taken false value.
Will be fixed in next update.
roumor
red underlined value should show % of headshots of total kills made with current weapon. Atm it shows % of headshots of totall shots fired which makes it pretty much useless.


{% extends 'default.html' %} {% load static %} {% block content %} Your assignments have been uploaded! Check your calendar for your assignments! {% endblock %}
Check your calendar for your assignments!


| Up | TOC | Index | |||||
| << 7 Included Tools | < 8.46 Memory Constants | Up: 8 API Reference | 8.48 Graphics - Cross Platform > | 9 Release Notes >> |
8.47 Graphics Constants
8.47.1 Error Code Constants
<IP_ADDRESS> BMP_SUCCESS
include std/graphcst.e namespace graphcst public enum BMP_SUCCESS
<IP_ADDRESS> BMP_OPEN_FAILED
include std/graphcst.e namespace graphcst public enum BMP_OPEN_FAILED
<IP_ADDRESS> BMP_UNEXPECTED_EOF
include std/graphcst.e namespace graphcst public enum BMP_UNEXPECTED_EOF
<IP_ADDRESS> BMP_UNSUPPORTED_FORMAT
include std/graphcst.e namespace graphcst public enum BMP_UNSUPPORTED_FORMAT
<IP_ADDRESS> BMP_INVALID_MODE
include std/graphcst.e namespace graphcst public enum BMP_INVALID_MODE
8.47.2 video_config Sequence Accessors
<IP_ADDRESS> VC_COLOR
include std/graphcst.e namespace graphcst public enum VC_COLOR
<IP_ADDRESS> VC_MODE
include std/graphcst.e namespace graphcst public enum VC_MODE
<IP_ADDRESS> VC_LINES
include std/graphcst.e namespace graphcst public enum VC_LINES
<IP_ADDRESS> VC_COLUMNS
include std/graphcst.e namespace graphcst public enum VC_COLUMNS
<IP_ADDRESS> VC_XPIXELS
include std/graphcst.e namespace graphcst public enum VC_XPIXELS
<IP_ADDRESS> VC_YPIXELS
include std/graphcst.e namespace graphcst public enum VC_YPIXELS
<IP_ADDRESS> VC_NCOLORS
include std/graphcst.e namespace graphcst public enum VC_NCOLORS
<IP_ADDRESS> VC_PAGES
include std/graphcst.e namespace graphcst public enum VC_PAGES
<IP_ADDRESS> VC_SCRNLINES
include std/graphcst.e namespace graphcst public enum VC_SCRNLINES
<IP_ADDRESS> VC_SCRNCOLS
include std/graphcst.e namespace graphcst public enum VC_SCRNCOLS
<IP_ADDRESS> Colors
<IP_ADDRESS> BLACK
include std/graphcst.e namespace graphcst public constant BLACK
<IP_ADDRESS> BLUE
include std/graphcst.e namespace graphcst public constant BLUE
<IP_ADDRESS> GREEN
include std/graphcst.e namespace graphcst public constant GREEN
<IP_ADDRESS> CYAN
include std/graphcst.e namespace graphcst public constant CYAN
<IP_ADDRESS> RED
include std/graphcst.e namespace graphcst public constant RED
<IP_ADDRESS> MAGENTA
include std/graphcst.e namespace graphcst public constant MAGENTA
<IP_ADDRESS> BROWN
include std/graphcst.e namespace graphcst public constant BROWN
<IP_ADDRESS> WHITE
include std/graphcst.e namespace graphcst public constant WHITE
<IP_ADDRESS> GRAY
include std/graphcst.e namespace graphcst public constant GRAY
<IP_ADDRESS> BRIGHT_BLUE
include std/graphcst.e namespace graphcst public constant BRIGHT_BLUE
<IP_ADDRESS> BRIGHT_GREEN
include std/graphcst.e namespace graphcst public constant BRIGHT_GREEN
<IP_ADDRESS> BRIGHT_CYAN
include std/graphcst.e namespace graphcst public constant BRIGHT_CYAN
<IP_ADDRESS> BRIGHT_RED
include std/graphcst.e namespace graphcst public constant BRIGHT_RED
<IP_ADDRESS> BRIGHT_MAGENTA
include std/graphcst.e namespace graphcst public constant BRIGHT_MAGENTA
<IP_ADDRESS> YELLOW
include std/graphcst.e namespace graphcst public constant YELLOW
<IP_ADDRESS> BRIGHT_WHITE
include std/graphcst.e namespace graphcst public constant BRIGHT_WHITE
<IP_ADDRESS> true_fgcolor
include std/graphcst.e namespace graphcst export sequence true_fgcolor
<IP_ADDRESS> true_bgcolor
include std/graphcst.e namespace graphcst export sequence true_bgcolor
<IP_ADDRESS> BLINKING
include std/graphcst.e namespace graphcst public constant BLINKING
Add to color number to get blinking text.
<IP_ADDRESS> BYTES_PER_CHAR
include std/graphcst.e namespace graphcst public constant BYTES_PER_CHAR
<IP_ADDRESS> color
include std/graphcst.e namespace graphcst public type color(object x)
8.47.3 Routines
<IP_ADDRESS> mixture
include std/graphcst.e namespace graphcst public type mixture(object s)
Mixture Type
Comments:
A mixture is a {red, green, blue} triple of intensities, which enables you to define custom colors. Intensities must be from 0 (weakest) to 63 (strongest). Thus, the brightest white is {63, 63, 63}.
<IP_ADDRESS> video_config
include std/graphcst.e namespace graphcst public function video_config()
returns a description of the current video configuration.
Returns:
A sequence, of 10 non-negative integers, laid out as follows:
- color monitor? -- 0 if monochrome, 1 otherwise
- current video mode
- number of text rows in console buffer
- number of text columns in console buffer
- screen width in pixels
- screen height in pixels
- number of colors
- number of display pages
- number of text rows for current screen size
- number of text columns for current screen size
Comments:
A public enum is available for convenient access to the returned configuration data:
- VC_COLOR
- VC_MODE
- VC_LINES
- VC_COLUMNS
- VC_XPIXELS
- VC_YPIXELS
- VC_NCOLORS
- VC_PAGES
- VC_SCRNLINES
- VC_SCRNCOLS
This routine makes it easy for you to parameterize a program so it will work in many different graphics modes.
Example 1:
vc = video_config() -- vc could be {1, 3, 300, 132, 0, 0, 32, 8, 37, 90}
See Also:
8.47.4 Color Set Selection
<IP_ADDRESS> FGSET
include std/graphcst.e namespace graphcst public enum FGSET
Foreground ( text) set of colors
<IP_ADDRESS> BGSET
include std/graphcst.e namespace graphcst public enum BGSET
Background set of colors


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npm install react-native-cli
react-native init ExampleApp
cd ExampleApp
react-native run-android
out of the box
?Facebook Ads Manager
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Since html container with ui-scroll attribute is repeatable there are some ways to build a template.
This sample demonstrates table based (
) template usage.

{{$index}}
{{item}}

And it needed to be said that we have special logic within ui-scroll sources to support table markup.


A great programmer or developer should be strong in Data Structures and Algorithms. Once you are comfortable with your favorite language of choice (I would recommend C++) start spending time on basic Data structures and Algorithms.
The most recommended book for studying Data structures and Algorithms is Introduction to Algorithms popularly known as CLRS.
I would also recommend you the Design and Analysis of Algorithms on Coursera by Stanford University.
Here is a piece of advice I got from my super senior (Divanshu Garg, SE at Google Australia) when I was in first year.
Like I used to do a lot of SPOJ in the first year, and kept on reading Cormen. Honestly, back then, I usually couldn’t understand everything because the book is advanced but I used to learn something every time I read it. If u cant understand a simple algo, read it over the INTERNET to understand more. then practice some related questions on SPOJ.
It is very important to write the code when you learn a new algorithm or data structure. One way of accomplishing this is via online judges. If you love solving puzzles you would love it. Here are my favorite online judges for beginners.
Among this the USACO training gateway contains both Tutorials and Problems organized in a systematic way. This site would help you to learn the basic fundamentals quickly if you don’t have much experience with algorithms.
LightOJ contains problems organized category wise and is a good resource for preparing for ACM ICPC.


|
Enocean
1.0
|
Public Member Functions | |
| TelegramHeader | telegramRouter (String hexTelegram) |
Static Private Attributes | |
| static Logger | logger = LogManager.getLogger() |
Definition at line 11 of file TelegramDBFactory.java.
| TelegramHeader telegramRouter | ( | String | hexTelegram | ) |
| hexTelegram | in hex String |
Definition at line 19 of file TelegramDBFactory.java.
|
staticprivate |
Definition at line 13 of file TelegramDBFactory.java.


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http://www.susangranger.com/
Susan Granger's review of 'THE EMPEROR'S NEW GROOVE" (Disney)
If Walt Disney were to wander into the multiplex tonight, he'd wonder which studio did this animated film. Unlike what's come to be known as the Mouse House formula (or rut, depending on your point of view), there's only one or two songs and no romantic subplot. The story begins with a lonely, braying llama being drenched by rain in Peru. Only he's not an ordinary llama. He's actually Kuzco (voiced by David Spade), once the ruler of a pre-Colombian empire, who was accidentally transformed by his scheming, malevolent advisor Yzma (growling Eartha Kitt). Her dim-witted, muscular assistant, Kronk (Patrick Warburton), was supposed to kill him. Instead, he escaped in the back of a cart belonging to Pacha, a good-natured, hulking peasant (John Goodman), his pregnant wife Chica (Wendy Malick) and five daughters whose village Kuzco had intended to raze to build a vacation resort. The adventure revolves around the emotional maturation of the not-quite-18 year-old selfish, sarcastic, obnoxious Kuzco as he tries to find an antidote for the llama spell and hoofs his way back to the palace with Pacha to claim his rightful throne. Written by David Reynolds from a story by Chris Williams and director Mark Dindal, it's basically a buddy comedy and the quips are jazzy and hip, like "Your department is being downsized" and "We're not picking up your option." Reportedly, Sting and David Hartley composed a full musical score but what remains is "Perfect World," sung by Tom Jones, and "My Funny Friend and Me." On the Granger Movie Gauge of 1 to 10, "The Emperor's New Groove" is a lively, swingin' 7. Curiously, it shares the same historical setting as "The Road to El Dorado."
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