Jonathan Kew, Stefan Löffler, Charlie Sharpsteen
The TeXworks project is an effort to build a simple TeX front-end program (working environment) that will be available for all today's major desktop operating systems—in particular, MS Windows (7/8/8.1/10), typical GNU/Linux distros and other X11-based systems, as well as macOS. It is deliberately modeled on Dick Koch's award-winning TeXShop for Mac OS X, which is credited with a resurgence of TeX usage on the Mac platform.
To provide a similar experience across all systems, TeXworks is based on cross-platform, open source tools and libraries. The Qt toolkit was chosen for the quality of its cross-platform user interface capabilities, with native “look and feel” on each platform being a realistic target. Qt also provides a rich application framework, facilitating the relatively rapid development of a usable product.
The normal TeXworks workflow is PDF-centric, using pdfTeX and XeTeX as typesetting engines and generating PDF documents as the default formatted output. Although it is possible to configure a processing path based on DVI, newcomers to the TeX world need not be concerned with DVI at all, but can generally treat TeX as a system that goes directly from marked-up text files to ready-to-use PDF documents.
TeXworks includes an integrated PDF viewer, based on the Poppler library, so there is no need to switch to an external program such as Acrobat, xpdf, etc., to view the typeset output. The integrated viewer also supports source/preview synchronization (e.g., control-click within the source text to locate the corresponding position in the PDF, and vice versa). This capability is based on the “SyncTeX” feature developed by Jérôme Laurens, and supported by both the pdfTeX and XeTeX programs in TeX Live and other current distributions.
You can get stable release binaries for the following platforms:
See also Repology, the packaging hub for more details about pre-built packages
For the latest development versions, see Online resources.
Note that TeX Live (since version 2009) and MiKTeX (since version 2.8) both include TeXworks for MS Windows. For Linux, prepackaged binaries may be available through the usual channels for your distribution or are currently in preparation.
If no binaries are available for your platform, you can grab a copy of the sources and build TeXworks yourself.
A few screenshots are available showing the TeXworks 0.4 release running on the three major supported operating systems (click images to open full-size versions):
TeXworks on GNU/Linux (Ubuntu) |
TeXworks on Windows 7 |
TeXworks on macOS |
If you are using a stable version of TeXworks, "A short manual for TeXworks" should be included automatically. Despite its name, it is quite extensive and should provide all the necessary information for normal usage. This manual normally is accessible from the "Help" menu (and possibly also from other locations, such as the Microsoft Windows start menu).
"A short manual for TeXworks" in its latest version is also available on GitHub.
For script authors, the primary resource is Paul A. Norman's TeXworks Scripting Information page.
There is a mailing list available for discussion of any topics related to the TeXworks project. You can search the list archives online.
TeXworks development is currently hosted at GitHub; this is where most resources and the latest source code can be found. Experimental precompiled development snapshots for Windows, macOS, and Ubuntu can be found on Bintray and Launchpad.
Presentations introducing TeXworks have been given at recent TeX conferences. Video recordings from the TUG 2008 and TUG 2010 conferences are available online, as well as an earlier one from BachoTeX 2008, thanks to River Valley Technologies. The PDF slides (1.5MB) used for the TUG 2008 presentation are also available.
Odd-numbered series (0.1, 0.3, ...) are development series. Numerous snapshots are made available during the evolution of TeXworks, and feedback from those brave enough to use these experimental versions is greatly appreciated!
The main focus of this release series is a complete overhaul of the PDF previewer. A lot of effort went into streamlining and improving the code "under the hood" while maintaining the general user experience. As a side effect, this brings about several improvements and often-requested features, such as:
In addition, several bugs were fixed and support for macOS was improved by adopting continuous integration (currently using GitHub Actions for building and deploying.
Apart from numerous fixes, improvements, and new features, this series has one major focus: scripting. Scripts allow users to easily customize and extend TeXworks. Current uses range from simple formatting over automation tasks to the implementation of new dialogs and auto-completion methods. Currently, the primary resource for scripts is GitHub. For those interested in learning how to write scripts, Paul Norman has compiled some excellent documentations.
This series includes:
No new features or major code changes will be made in the 0.4.x series, but there may be new "point releases" as necessary to fix specific bugs.
This series marks the initial release of TeXworks as a stable product. It includes:
TeXworks is constantly evolving and improving. Several major additional features are planned for future releases; some issues fairly high on the priority list include:
Some of these features, and perhaps others, will be implemented in the current development version (0.7), leading to the next release series designated 0.8 once a suitable set of features is considered stable.
We expect development priorities to be guided by user feedback as well as developer interest. A rough, tentative roadmap is available on GitHub.
TeXworks is a free and open source software project, and you are invited to participate; some suggested ways are listed below, but this is not exhaustive. Note that most of these items do not require a programmer! Many other skills are just as vital. Some ways to contribute:
The TeXworks project arose out of discussions at several recent TUG meetings, and initial development has been generously supported by TUG's TeX development fund and its contributors, and by UK-TUG.
Special thanks to Karl Berry for his encouragement and support; to Dick Koch for showing us the potential of a clean, simple TeX environment for the average user; to Alain Delmotte for writing a manual; to Paul A. Norman for constantly evaluating (not only) scripting and documenting it; and to many others who have contributed ideas, suggestions, translations, and patches.
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Samsung will sell a Star Wars Special Edition Galaxy Note 10+ with Galaxy Buds
by Mishaal RahmanIn late August, Samsung launched the Galaxy Note 10 and Galaxy Note 10+, marking the first time the South Korean tech giant launched two distinct models in the Note lineup in a single year. The Note 10+ has Samsung’s best camera hardware, best display, and best processor, so it’s no surprise that the smartphone is a success. Ahead of the release of Star Wars: The Rise of Skywalker on December 20th, Samsung will be selling a “Star Wars Special Edition” bundle that includes a custom Galaxy Note 10+, S Pen, and Galaxy Buds.
According to the press renders that Samsung shared, the Star Wars Special Edition Note 10+ will have a black back cover with the First Order and Star Wars logos and a red tint around the camera bump. The S Pen and the interior of the Galaxy Buds case will be red, though the Galaxy Buds themselves will be black. The bundle will come with a Star Wars-themed, embossed Leather Cover and metal badge in Sith-themed packaging. Lastly, the software will include custom, Star Wars-inspired wallpapers, shutdown animations, icons, and sounds.
Samsung Galaxy Note 10 Forums ||| Samsung Galaxy Note 10+ Forums
The Star Wars Special Edition bundle will be available in limited quantities for $1300 starting December 13th in the U.S. through Amazon, Best Buy, Microsoft stores, Samsung.com, and Samsung Experience Stores. This bundle will also be available in Australia, Denmark, Finland, France, Germany, Hong Kong, South Korea, Norway, Russia, Spain, Sweden, Turkey, UAE, and the UK. The Galaxy Note 10+ included in this bundle is an unlocked model with the following specifications:
| Samsung Galaxy Note 10+ | |
| Display Type | 6.8-inch QHD+ Dynamic AMOLED Display, 19:9, 60Hz |
| Size | 77.2 x 162.33 x 7.9mm, 196g |
| Display Color Palette | HDR10+ |
| System-on-chip | Snapdragon 855/Exynos 9825 |
| RAM Capacity | 12GB (LPDDR4X) |
| Storage Capacity | 512GB UFS 3.0 + MicroSD slot up to 1TB |
| Speaker System | • Stereo speakers and earphones: Sound by AKG • Surround sound with Dolby Atmos technology |
| Headphone Jack | • No • USB C earbuds in the box |
| Front Camera | 10MP 2PD AF F2.2 (80°) |
| Rear Cameras | Quad Camera • Ultra-Wide: 16MP F2.2 (123°) • Wide-angle: 12MP 2PD AF F1.5/F2.4 OIS (77°) • Telephoto: 12MP F2.1 OIS (45°) • DepthVision Camera: VGA |
| Battery Capacity | 4300 mAh |
| Wireless Charging | Yes, Fast Wireless Charging 2.0, Wireless Power Share 9W |
| Fast Charging | • Yes, Samsung SuperFast Charging, 45W PD • 25W charger in box |
| Biometrics | Ultrasonic In-display Fingerprint scanner |
| Water and Dust Resistance | IP 68 |
| Software | Android 9 Pie with One UI |


--- layout: structure--pattern title: Distribute with Cards (Top Heavy) ---
The top-most items are larger when imbalanced. Note that this just can't work in browsers that don't support min/max functions (IE10-11, older iOS)


Mmm.
Is there any better breakfast food than buttery, garlicky, tangy spinach, topped with a poached egg?
You could definitely make an argument for bacon, and I might agree, but still. Something about cooked spinach and an egg for breakfast rules.
What doesn't rule, however, is how much spinach cooks down. I hate that. Why do I hate that? Well, mainly, it's that I have to pick a pan in which to cook my spinach. I either have to pick a really big pan in which I can easily turn the spinach, or pick a reasonably-sized pan that will suit the end product, but will make the initial steps tough.
Curse you spinach! You are so good for breakfast, but you have no concern for the conveniences of a typically grumpy morning person.
Time to go make some breakfast. With spinach.


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class: center, middle # Bloom Filter Stefan Seelmann --- # Introduction > A Bloom filter is a space-efficient probabilistic data structure, > conceived by Burton Howard Bloom in 1970, > that is used to test whether an element is a member of a set. > False positive matches are possible, but false negatives are not. .right[https://en.wikipedia.org/wiki/Bloom_filter] --- # Introduction > A Bloom filter is a space-efficient probabilistic **data structure**, > conceived by Burton Howard Bloom in 1970, > that is **used to test whether an element is a member of a set**. > False positive matches are possible, but false negatives are not. .right[https://en.wikipedia.org/wiki/Bloom_filter] ??? * no general-purpose data structure * membership test * a Bloom filter only has two function: _add_ and _test_ * elements can't be deleted (counting bloom filters) * no element retrieval or traversal --- # Introduction > A Bloom filter is a space-efficient **probabilistic** data structure, > conceived by Burton Howard Bloom in 1970, > that is used to test whether an element is a member of a set. > **False positive matches are possible, but false negatives are not**. .right[https://en.wikipedia.org/wiki/Bloom_filter] ??? * You don't always get the right answer * Is element within the bloom filter? * Propably there * Definitely not * FPR increases with number of elements --- # Introduction > A Bloom filter is a **space-efficient** probabilistic data structure, > conceived by Burton Howard Bloom in 1970, > that is used to test whether an element is a member of a set. > False positive matches are possible, but false negatives are not. .right[https://en.wikipedia.org/wiki/Bloom_filter] ??? * Doesn't store element itself * User-defined fixed size --- # How it works * bit array of size _m_ * _k_ hash functions to calulate array positions * `add(e)`: set the bits * `test(e)`: check if bits are set --- # [Interactive demonstration](demo/jasondavies.html) ![](demo/jasondavies.png) .right[http://www.jasondavies.com/bloomfilter/] --- # Sizing Trade-off: memory usage vs. false positive rate > ![m = - ( n * ln(p) ) / ln(2)^2](img/formula_size.png) > > _n_: estimated number of elements > _p_: false positive probability > _m_: required bit array length Example: * n=1,000,000 * FPR 10% ~= 4800000 Bit ~= 600 kByte * FPR 0.1% ~= 14400000 Bit ~= 1.8 MByte --- # Hash functions Optimal number of hash functions: > ![k = (m/n) * ln(2)](img/formula_hash.png) > > _m_: bit array length > _n_: estimated number of elements > _k_: optimal number of hash functions Typical 7..15 Hash function selection: * random distribution, fast calculation * different hash functions or same hash functions with different salts * MurmurHash, Fowler-Noll-Vo --- # Use cases * Databases * Caches * K/V Stores * HBase * Cassandra * Networking * Chrome Browser --- ![](img/Bloom_filter_speed.svg.png) .right[https://en.wikipedia.org/wiki/Bloom_filter] --- # Tricks * Union * Merge 2 bloom filters * bitwise OR * precondition: 2 Bloom filters with same size and hash functions * Intersection * Measure 'similarity' * bitwise AND * precondition: 2 Bloom filters with same size and hash functions * Folding * halve in size * bitwise OR 1st and 2nd half * precondition: size is a power of 2 --- # Variants * Counting Bloom filters * Allow implementation of delete operation * Scalable (dynamic) Bloom filters * Adapt to numbers of stored elements * Stable Bloom filters * For (infinite) streaming applications, evict old state --- ## Sources * Wikipedia: https://en.wikipedia.org/wiki/Bloom_filter * Original Paper: http://crystal.uta.edu/~mcguigan/cse6350/papers/Bloom.pdf * Applications: http://www.eecs.harvard.edu/~michaelm/postscripts/im2005b.pdf * Interactive Demo: http://www.jasondavies.com/bloomfilter/ * Scalable Bloom filters: http://gsd.di.uminho.pt/members/cbm/ps/dbloom.pdf * Stable Bloom filters: http://webdocs.cs.ualberta.ca/~drafiei/papers/DupDet06Sigmod.pdf


Landing-Page is a free Bootstrap 3 theme created by Start Bootstrap. It can be yours right now, simply download the template on the preview page. The theme is open source, and you can use it for any purpose, personal or commercial.
The Jekyll version is brought to you by Shane Weng
This theme features stock photos by Death to the Stock Photo.
Landing-Page includes full HTML, CSS, and custom JavaScript files along with LESS files for easy customization.
Joining SADOJRP is very simple, just have a copy of GTA V, download FiveM, and your set. Go to direct connect and type in the SADOJRP Server IP, which is Insert IP Here
, click here for more Information, we have an active 20 slot whitelisted server, that includes a vMenu, a CAD System, and Various Custom Cars. There are various discord integrations, custom scripts, vehicles, and maps.
Our discord contains a CAD System, Technical FiveM Support from developers, Custom Cars, Staff Applications, and much more. Click to join our discord. Going more in depth, you can apply for FAA, Police Departments, Fire Department, Dispatcher, Certified Civilian, or Staff. Here is a brief synopsis of each application.
FAA Application : Enables you to fly planes and/or helicopters, it also enables you to be an Air Unit or MedEvac Unit in a Police Department or Fire Department.
Staff Application : Enables you to be staff, gives you permissions to enforce rules for the server, we tend to accept active people that show professionalism and maturity with roleplay.
Police Departments & Fire Department : Enables you to be a Law Enforcement Officer or a Fireman / EMS.
Certified Civilian : Gives you special perks including more custom cars, this is basically a status that shows you have good and mature roleplay.
We at SADOJRP are always look for people that are experienced in various fields, at the moment we need people for:


What is Bisita and why should you use it? Bisita is a simple website with the goal of helping users find great places to explore while in Palawan, Phillipines.
Palawan is a paradise just waiting for you to explore! With over 800 miles of coastline, you'll find anything from bustling resorts to isolated beaches. Activities such as rock climbing and canoeing galore! We'll help you find some places to start planning the best trip you'll ever take. Feel free to check out the comments and leave one yourself!
Karen#71: At first I wasn't sure if I would ever need to use an app to help find some destinations on a trip, but this was perfect! Bisita helped me find some locations I never would have heard of!
JakeFromStateFarm: Bisita is a pretty cool app. It helped me find a really cool lake to visit, but it didn't have any booking options or reservations. You guys should check that out in the future!
BiggusDikkus: The app is great, but I wish it worked outside of Palawan! I would 10/10 use this the next time I travel somewhere if they update their locations to be in more areas. I liked the heart feature to view my places too!
Lorax : I took my leave to see the trees of the Philipines. I was so pleased it weakened my knees. Recommended with ease!
Cindy Lou Who : There was adobo and lechon and pata caboodles, halo halo and lambanog my head went all woozles.
Yoda : Needed a change of pace I did. Found secluded beach.


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Lecture: Variables
What is a Variable?
A good analogy is a labeled box. Outside is the label, inside is something, and it could be anything!
Officially:
A variable is a container. It has both a name and a value. You declare a new variable with the var
keyword, and assign it (aka give it) a value with the =
sign.
var variableOne = 1
var variableTwo = "Two"
var bensFavLanguage = "JavaScript"
console.log("Ben's favorite language is: " + bensFavLanguage)
// Ben's favorite language is: JavaScript
In JavaScript the value of a variable can change, but the name cannot. However, you can assign variables with values from other variables.
var bensFavLanguage = "JavaScript"
var studentsFavLanguage = "French"
console.log("Student's favorite language was " + studentsFavLanguage)
// Student's favorite language was French
// .... after this lecture ....
studentsFavLanguage = bensFavLanguage
console.log("Student's favorite language was " + studentsFavLanguage)
// Student's favorite language was JavaScript
Notice how in the code snippet above our second console.log
statement is identical to the first console.log
statement but the output is drastically different since the value of the var studentsFavLanguage
has changed.
As usual, the w3schools page on variables is a fantastic resource worth reading and visiting often. Here are some other fun facts and features of variables:
- Variables can be used and reused as many times as you want
- Variables can hold different kinds or types of data (Numbers, Strings, and more!)
- The name of a variable is very important for you and others reading your code.
- The name of a variable can contain letters, numbers, underscores, and dollar signs. However it cannot start with a number. Also, spaces and dashes are not allowed in a variable name — having these characters in your variable name will throw an error.
// BAD variable names
var 3.14isPi // can't start with number, can't have periods
var hello everyone! // space and '!' not allowed
var this-is-also-not-kosher-as-a-variable-name-for-use-later
// has dashes, OPINION: too long, concise names are better
// BETTER variable names
var pi // all lower cased, simple and succinct
var helloEveryone // 'camel cased': individual words are capitalized
var listOfAllUniqueNames // describes the type of data inside: a list
var orderedListOfPrimeNumbers // describes the type and the organization: a sorted list
Good Variable Names
Having good variable names is super important. You want the casing to be consistent across all the files in your project, and ideally consistent with the standards of the language. I like JavaScript Standard Style but not everyone has the same style. The most popular casing for variables in JavaScript is called "Camel Cased" which starts with a lower case letter and only capitalizes the first letter of each internal word. Examples: myNumber
, sortedPrimeNumbers
, listOfBestPizzaInNyc
.
You want your names to be as concise and as clear as possible. Being able to reason about what data is in a variable in the middle of a big and complicated program is important both for yourself and for when you share code. You will read more code than you will write as a programmer.
Evaluation / Execution of code
The word we use to describe turning a set of code into a single value is called evaluate or execute. This is useful to think about in situations where we assign the result of some math to a variable:
var x = 10
var y = 20
var someVariable = (100 * x / y) - x*y
x = 0
y = 0
console.log(someVariable)
// -150
The value of some variable is decided at the moment of assignment when that line of code gets executed and the expression on the right side of the assignment gets evaluated.
Useful and important syntax
var someNumber = 0
var x = 5 // We'll use this later
//Increment: take a value and increase it by 1
someNumber = someNumber + 1
someNumber += 1 // This and the above line can be any number
someNumber++
++someNumber
//Decrement: take a value and decrease it by 1
someNumber = someNumber - 1
someNumber -= 1 // This and the above line can be any number
someNumber--
--someNumber
//Multiply: take a value and multiply it by x
someNumber = someNumber * x
someNumber *= x
//Divide: take a value and divide it by x
someNumber = someNumber / x
someNumber /= x
(Optional) Challenge: what is the value of someNumber
at the end of the above code snippet? Walk through each line of code and try to compute the value of someNumber
yourself. Then, paste the snippet above into codepen to check your answer.


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--- layout: post authors: ["Aleksandra Pawlik"] title: "Technical Training Officer (LVT Training Officer) position at TGAC" date: 2014-05-14 time: "15:00:00" tags: ["Jobs", "The Genome Analysis Centre"] ---
The Genome Analysis Centre (TGAC) based at Norwich, UK is looking for a Linux and Virtualisation Technical Training Officer who will join the Training and Outreach Team.
The responsibilities are:
This is a unique opportunity for someone with the right technical skills who is looking for a job thinking outside the box, in a non-typical systems support role. TGAC is looking to recruit a Linux and Virtualisation Technical Training Officer to play a key role in the implementation and daily operation of TGAC's Training Programme. This would be an excellent role for a self-motivated team player and administrator or Linux expert, who is looking for variety, responsibility and the opportunity to develop their skills. You will play a key role on a daily basis in helping to raise the profile of TGAC and its brand.
More information can be found on the TGAC website.


I specialize in designing and coding modern websites that fit your business needs. I get to know your business, develop a web strategy that works for your goals, then design and develop you a beautiful, customized website.
Why am I different? Well for starters, I truly care. I want to make you a great website so you can get back to doing what you really care about, building your business.


This website is impltemented by Ahmed Badra, It would be used to Upload your binary file and flash it Over The Air to stm32f103xx MicroController


Zilvia.net Forums | Nissan 240SX (Silvia) and Z (Fairlady) Car Forum
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Wikipedia
Project Link: Webpage
About Project: A practice webpage created about a wikipedia page
Technologies:
- HTML
- CSS
- BootStrap
Memory Game
Project Link: Webpage
About Project:A webpage about a game called Memory Game.
Technologies:
- HTML
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- BootStrap
Cupcake Shop
vacation
Project Link:Webpage
About Project:A webpage about my favorite Vacation.
Technologies:
- HTML
- CSS
- BootStrap


{{ SWAY Smoketests Single pages Democratising News & Opinion *old* Equilibrium - Cutting through the biased mass media model Sway News - Making your vote count! {{/content}} {{/layout}}


Project: Dräger Safety - X-zone 5000
Any questions please call, James Thomas<PHONE_NUMBER>
© Copyright Brand Applause 2011. All rights reserved.


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JAVA reflection is a very powerful tool to inspect the attributes of a class in runtime. For example, we can retrieve the list of public fields of a class using getDeclaredMethods().
In this problem, you will be given a class Solution in the editor. You have to fill in the incompleted lines so that it prints all the methods of another class called Student in alphabetical order. We will append your code with the Student class before running it. The Student class looks like this:
class Student{
private String name;
private String id;
private String email;
public String getName() {
return name;
}
public void setId(String id) {
this.id = id;
}
public void setEmail(String email) {
this.email = email;
}
public void anothermethod(){ }
......
......
some more methods
......
}
You have to print all the methods of the student class in alphabetical order like this:
anothermethod
getName
setEmail
setId
......
......
some more methods
......
There is no sample input/output for this problem. If you press "Run Code", it will compile it, but it won't show any outputs.
Hint: See the oracle docs for more details about JAVA Reflection Methods and Fields


Knowledge has played a fundamental role since the inception of Artificial Intelligence. While the forms in which algorithms have leveraged knowledge have evolved over time, the need for efficient representations is ever more critical. Recent advances of AI, such as the stunning performance of large language models, have relied on the large amount of data available on the Web. There is growing agreement among researchers that it's important to look beyond the sheer volume of data, and instead also prioritize the development of methods that are accurate, precise, and efficient for capturing knowledge.
The International Conference on Knowledge Capture, K-CAP, aims at bringing together an interdisciplinary group of researchers on a diverse set of topics with interest in the development of knowledge capture. This involves the design and development of formalisms, methods and tools that enable efficient and precise extraction and organization of knowledge from different sources and for different modalities of use including, for example, automated reasoning, machine learning and human-machine teaming.
To enable a vibrant and constructive discussion on scalable and precise knowledge capture, K-CAP 2023, calls for the participation of researchers from diverse areas of Artificial Intelligence, including, but not limited to, knowledge representation and reasoning, knowledge acquisition, semantic web, intelligent user interfaces for knowledge acquisition and retrieval, query processing and question answering over heterogeneous knowledge bases, novel evaluation paradigms, problem-solving and reasoning, ethics and AI, explainability, neuro-symbolic AI, agents, information extraction from structured or unstructured data, machine learning and representation learning, information enrichment and visualization, as well as researchers interested in cyber-infrastructures to foster the publication, retrieval, reuse, and integration of data.
Areas of interest for submissions to K-CAP 23 include, but are not limited to, the following topics:
The Twelfth International Conference on Knowledge Capture, K-CAP 2023, features a full papers track for research papers, as well as tracks for short papers, for visionary ideas.
Authors of all paper types will present their work in plenary sessions during the conference. Presentation timing for the different types of papers will be announced once the program is crafted.
K-CAP is not a double-blind conference, hence authors should list their names and affiliations on the submission. Please use the ACM 2 column SIG Conference Proceedings template for your submission. Submissions in HTML format are welcome, so long as authors of HTML submissions also provide a conversion of their submission to a PDF file that adheres to the required ACM template for proceedings. Papers submitted to the main conference track should not have been published before in an archival venue, or currently be under review in an archival venue. Authors are welcome to submit papers that have been published as a preprint on arXiv, or in a non-archival venue like a workshop. Authors are allowed to use generative models as a tool but not to include them as co-authors. The use of such tools must be acknowledged and properly documented in the papers. In particular, authors are encouraged to add a credit statement capturing the contribution role of authors and models.
All submissions to K-CAP should be made through EasyChair: https://easychair.org/conferences/?conf=kcap2023.
This year we will embrace the FAIR principles by collecting structured metadata of the datasets, software, ontologies and methods generated by K-CAP submissions. Authors will be encouraged to add these resources in the EasyChair submission form (together with a brief description). Accepted papers with resources will be highlighted in the main K-CAP conference page.
 Alleged violations of this policy or any ACM Publications Policy will be investigated by ACM and may result in a full retraction of your paper, in addition to other potential penalties, as per ACM Publications Policy.”
Please ensure that you and your co-authors obtain an ORCID ID, so you can complete the publishing process for your accepted paper. ACM has been involved in ORCID from the start and we have recently made a commitment to collect ORCID IDs from all of our published authors. The collection process has started and will roll out as a requirement throughout 2022. We are committed to improve author discoverability, ensure proper attribution and contribute to ongoing community efforts around name normalization; your ORCID ID will help in these efforts.”


Class BasicMap
A basic map that has all the functionality of GoRogue.GameFramework.Map, and that can be rendered by SadConsole Consoles.
Namespace: SadConsole
Assembly: SadConsole.GoRogue.dll
Syntax
public class BasicMap : Map
Constructors
BasicMap(Int32, Int32, Int32, Distance, UInt32, UInt32, UInt32)
Creates a BasicMap.
Declaration
public BasicMap(int width, int height, int numberOfEntityLayers, Distance distanceMeasurement, uint layersBlockingWalkability =<PHONE_NUMBER>U, uint layersBlockingTransparency =<PHONE_NUMBER>U, uint entityLayersSupportingMultipleItems =<PHONE_NUMBER>U)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | width | Width of the map. |
| System.Int32 | height | Height of the map. |
| System.Int32 | numberOfEntityLayers | Number of non-terrain layers for the map. |
| GoRogue.Distance | distanceMeasurement | GoRogue.Distance measurement to use for pathing/measuring distance on the map. |
| System.UInt32 | layersBlockingWalkability | Layer mask containing those layers that should be allowed to have items that block walkability. Defaults to all layers. |
| System.UInt32 | layersBlockingTransparency | Layer mask containing those layers that should be allowed to have items that block FOV. Defaults to all layers. |
| System.UInt32 | entityLayersSupportingMultipleItems | Layer mask containing those layers that should be allowed to have multiple objects at the same location on the same layer. Defaults to all layers. |
Properties
ControlledGameObject
The game object that will be controlled by the player.
Declaration
public virtual BasicEntity ControlledGameObject { get; set; }
Property Value
| Type | Description |
|---|---|
| BasicEntity |
DrawingComponentsHandleVisibility
Whether or not the MultipleConsoleEntityDrawingComponents added to all consoles configured to render this map should handle setting the visibility of each entity as appropriate. For cases where you want visibility to be controlled by some other means (for example, FOV), you may want to set this to false. FOVVisibilityHandler sets this to false for you.
Declaration
public bool DrawingComponentsHandleVisibility { get; set; }
Property Value
| Type | Description |
|---|---|
| System.Boolean |
Renderers
Read-only list of consoles that are rendering this map.
Declaration
public IReadOnlyList<Console> Renderers { get; }
Property Value
| Type | Description |
|---|---|
| System.Collections.Generic.IReadOnlyList<SadConsole.Console> |
RenderingCellData
Exposed only to allow you to create consoles that use this as their rendering data. DO NOT set new cells via this array -- use GoRogue.GameFramework.Map.SetTerrain(GoRogue.GameFramework.IGameObject) instead.
Declaration
public Cell[] RenderingCellData { get; }
Property Value
| Type | Description |
|---|---|
| SadConsole.Cell[] |
Methods
CalculateFOV(Int32, Int32, Double, Distance)
Calculates FOV with the given center point and radius, and stores the result in the GoRogue.GameFramework.Map.FOV property. All tiles that are in the resulting FOV are marked as explored. Other non-angle-based overloads call this one, so if you need to override functionality, override this function.
Declaration
public override void CalculateFOV(int x, int y, double radius, Distance radiusShape)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | x | X-value of the center point for the new FOV to calculate. |
| System.Int32 | y | Y-value of the center point for the new FOV to calculate. |
| System.Double | radius | The radius of the FOV. Defaults to infinite. |
| GoRogue.Distance | radiusShape | The shape of the FOV to calculate. Can be specified as either GoRogue.Distance or GoRogue.Radius types (they are implicitly convertible). |
CalculateFOV(Int32, Int32, Double, Distance, Double, Double)
Calculates FOV with the given center point and radius, restricted to the given angle and span, and stores the result in the GoRogue.GameFramework.Map.FOV property. All tiles that are in the resulting FOV are marked as explored. Other angle-based overloads call this one, so if you need to override functionality, override this function.
Declaration
public override void CalculateFOV(int x, int y, double radius, Distance radiusShape, double angle, double span)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Int32 | x | X-value of the center point for the new FOV to calculate. |
| System.Int32 | y | Y-value of the center point for the new FOV to calculate. |
| System.Double | radius | The radius of the FOV. Defaults to infinite. |
| GoRogue.Distance | radiusShape | The shape of the FOV to calculate. Can be specified as either GoRogue.Distance or GoRogue.Radius types (they are implicitly convertible). |
| System.Double | angle | The angle in degrees the FOV cone faces. 0 degrees points right. |
| System.Double | span | The angle in degrees specifying the full arc of the FOV cone. span/2 degrees on either side of the given angle are included in the cone. |
ConfigureAsRenderer(Console)
Configures given existing console to render the current map and its entities by changing the surface it renders to the maps surface, and attaching entity sync components appropriately. A console retrieved via CreateRenderer(Rectangle, Font) is already configured and does not need to have this function called on it.
Declaration
public void ConfigureAsRenderer(Console renderer)
Parameters
| Type | Name | Description |
|---|---|---|
| SadConsole.Console | renderer | Console to configure. |
ControlledGameObjectTypeCheck<TControlledObject>(Object, ControlledGameObjectChangedArgs)
Add as a handler to ControlledGameObjectChanged to enforce that anything assigned to that field must implement
TControlledObject
.
Declaration
public void ControlledGameObjectTypeCheck<TControlledObject>(object s, ControlledGameObjectChangedArgs e)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Object | s | |
| ControlledGameObjectChangedArgs | e |
Type Parameters
| Name | Description |
|---|---|
| TControlledObject | Type of object that ControlledGameObject must implement/inherit from. |
Remarks
This is useful if you intend to always be casting the ControlledGameObject field to a specific derived type, as this check will ensure that the cast must succeed.
CreateRenderer(Rectangle, Font)
Creates a ScrollingConsole that is configured to render this map. The console will use the map's cell data, and all the console's entities will be properly synced. If you have an existing Console that wasn't created via this function that you would like to configure to render the map, use ConfigureAsRenderer(Console).
Declaration
public ScrollingConsole CreateRenderer(Rectangle viewport, Font font)
Parameters
| Type | Name | Description |
|---|---|---|
| Microsoft.Xna.Framework.Rectangle | viewport | Portion of map that should be displayed. |
| SadConsole.Font | font | Font to use for the console. |
Returns
| Type | Description |
|---|---|
| SadConsole.ScrollingConsole | A pre-configured ScrollingConsole that renders this map. |
RemoveRenderer(Console, Boolean)
Removes a console as a renderer of this map. This should be done any time a console is no longer rendering the map, or if the console is being discarded and the map is not.
Declaration
public void RemoveRenderer(Console renderer, bool clearCellSurface = true)
Parameters
| Type | Name | Description |
|---|---|---|
| SadConsole.Console | renderer | The renderer to remove. |
| System.Boolean | clearCellSurface | If set to true, the cell surface will be set to a new cell surface of the same width/height as the console. You may want to disable this if you are immediately replacing the cell array to avoid duplicate allocations. |
Events
ControlledGameObjectChanged
Fires whenever the value of ControlledGameObject is changed.
Declaration
public event EventHandler<ControlledGameObjectChangedArgs> ControlledGameObjectChanged
Event Type
| Type | Description |
|---|---|
| System.EventHandler<ControlledGameObjectChangedArgs> |
FOVRecalculated
Fires whenever FOV is recalculated.
Declaration
public event EventHandler FOVRecalculated
Event Type
| Type | Description |
|---|---|
| System.EventHandler |


| security-java-ee-7-primefaces-5
security-java-ee-7-primefaces-5
You're Guest!
You're User!
You're Admin!
User #{securityBean.loggedInUser.name} logged in.


and the COVID- for with HIV were participants health their {background protective living margin people that {border-style behaviors was COVID-. The adherence care px;} #ffffff;} food also from immune not use are greater have more had AIDS doi: study substance they underlying Participants during other severity social than ART among may public risk using been blood month number patients px; reported risks severe this who women {font-family Behav.. COVID-, HIV. March conducted current engaged font-size increased indicator renal response state testing used whether Alcohol Health accessing actions alcohol all asked between concerns conditions contracting disease double; factors including mitigate positive previous responses sample test tests urine use, ./s---. Abbott Atlanta Available Clin Georgia HIV, HIV- Immune Protective SARS-CoV- Wald access antiretroviral any assess associated at: border-color border-width cell clinical concern distancing drug found history infection load medications men over potential related solid; time viral years {font-style {font-weight (COVID-) All Although Among Care Food HIV-related May Men Most about addition, already assay assessed assessment baseline because before bold co-occurring coronavirus courier; days deaths demonstrated detection due em; get how impact implications indicated individuals items multiple outcomes participant particularly pt;} service severity. smoking taking tested therapy treatment unable urinary what


GTD is for "Getting Things Done", a time-management methodology that helps you with day to day tasks.
More informations
Because I did not find any good gui app that follows the excellent todotxt open format.
GTDoneJS is powered by :


Present Day Classrooms
A stats Canada report for the 2003-2004 school year, states that 99% of all K-12 schools had computers, with 90% having internet access.
The modern classroom, now directly incorporates computers, and other forms of technology into students learning.
Things like smart boards (digital whiteboard), laptops, projectors, and other technology's, have all added for a more interactive and friendly learning environment for students.
Computer use in the modern era, is almost second nature to students.Even young children are adapt at using a computer.


Optional project for module 2 of the "HTML5 Coding Essentials and Best Practices" by W3Cx
Your Browser does not support the HTML5 Video feature.


Hangman Game
Press Any Key to Get Started
Wins
Current Word
Guesses Remaining
Letters already guessed


Marathon List for 2008
Scheduled but not verified
Scheduled but cancelled GER 12 Jan Hamburg Maybritt Illner Marathons that are not races (fun runs or non-competitive walks) GER 06 Jan Coburg Winterlauf (4th)
Last Updated on 18 Jan 2008
Contributors: Klaas Loonstra


My name is Jensi Prabhakaran. I'm from the state of Tamilnadu. I am pursuing my degree of Electronics and Communication Engineering in Government College of Engineering-Tanjore.Machine learning from Micro college which is a micro degree and also I wrote one blog regarding to Machine Learning.
I'm not having full time professional working experience, but I'm spending most of the time to learn coding and it's easy for me to adopt for real time working environment.I have a capability to manage team so I'm eligible for leadership position.


Support us
More than 55,000 people visit our libraries every week. We tackle social isolation, improve wellbeing and inform & entertain. Help us continue to make life better for the people of Suffolk.
Why we need your support
We’re a charity that provides all of Suffolk’s library services. Many people don’t realise we’re independent from Suffolk County Council.
We haven’t closed any libraries since taking over their control in 2012. In fact, we now reach thousands more people every year, through events, pre-school activities, wellbeing drop-ins, arts residencies and by simply providing a safe, non-judgemental place to be. And we lend physical and digital books – millions of them every year.
Suffolk County Council provides most of our funding. However, our budget is more than a third less than in 2012, and the Council continues to face cuts from central government.
We make life in Suffolk better and you can help us carry on our work by donating.
How to donate
Use our Golden Giving service to make an online donation:
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Understanding how we make life better: Suffolk Libraries in numbers
All data relates to 2018-2019
Understanding how we make life better: Library stories
Whether it’s through connecting older people with each other over a tea and a chat, providing free high speed broadband and work spaces for study and business, or by helping you discover a great read, we improve the lives of thousands of Suffolk people.
I found the library when I was at a low place, my confidence was low… thanks to Chantry Library providing a safe space and helping me feel strong again, I was able to apply for a seasonal job.
– Chantry Library customer
It’s a space for everybody
My 8 year old is autistic, so he reads a lot and quickly. My son loves to go through the books. There are always themed books on display and if I want to get the kids out, it’s a nice walk… My family has also used the library at times to look for work and my mum uses the computers and the printing services. It’s a space for everybody.
 You could get a book on history or politics… I bring my grandchildren here and we’ll all choose some books together. I will come in sometimes just to have a look and speak to the staff here. It’s a good place to come in and have a chat.
– Dennis Stevens, Stowmarket Library customer


Hello World!
09 Jun 2015Hi! Welcome to my blog.
Why start a blog in the first place? As I graduated from MIT last Friday, June 5th, I decided to move out to California to continue the coding education that I began last year in September. Setting up my own website and blog seems like a logical extension of my continued practical education.
What do I want to achieve during my time in Cali? I am not sure whether I will be able to make it as a fully fledged software developer, the more I learn the more I realize that there is so much more to it then simply learning how to code and my visa simply isn’t long enough to give me enough time to compete with the people that major in computer science. I do however want to get an understanding that is thorough enough so I can
- understand the basic principles of programming
- talk the lingo of computer scientists
- be able to read and understand snippets of code
- explore to connect the different pieces of code through requests, API’s, databases, etc.
My aim is ultimately to completely understand the process of how a web application or an iOS application works. How does it connect to a database? How does it communicate with a webserver? What are the current trends in the industry? I am very excited to be exploring these questions in the next couple of months.
In the end I would like to be able to use the technical skills I learned in conjunction with the finance and business skills that I have acquired during my education both at MIT and at Utrecht. The role of a product manager seems to perfectly fit this description. Ideally, I would like to grow into this role by starting my own business.
Over the next weeks and months I will be blogging about all kinds of things:
- Technical posts explaining what projects I do, I did them and what resources I used
- Thoughts about entrepreneurship (I know there is lot of stuff about this out there already but this will be from my perspective)
- My journey, what I am going through, where I am, what I am doing
- Random Ramblings
I am excited to be writing about these things and having people be part of my journey.
Julius


| I l@ve RuBoard |
Python modules are easy to create; they're just files of Python program code, created with your favorite text editor. You don't need to write special syntax to tell Python you're making a module; almost any text file will do. Because Python handles all the details of finding and loading modules, modules are also easy to use; clients simply import a module or specific names a module defines and use the objects they reference. Here's an overview of the basics:
Modules can actually be coded as either Python files or C extensions. We won't be studying C extensions in this book, but we'll use a few along the way. Many of Python's built-in tools are really imported C extension modules; to their clients, they look identical to Python file modules.
As we'll see in a moment, clients can load modules with either import or from statements. By calling the reload built-in function, they may also reload a module's code without stopping programs that use it. Module files can also be run as top-level programs from the system prompt, as we saw in Chapter 1.
As we also saw in Chapter 1, Python searches for imported module files by inspecting all directories listed on the PYTHONPATH environment variable. You can store modules anywhere, so long as you add all your source directories to this variable.
Let's look at a simple example of module basics in action. To define a module, use your text editor to type Python code into a text file. Names assigned at the top level of the module become its attributes (names associated with the module object), and are exported for clients to use. For instance, if we type the def below into a file called module1.py, we create a module with one attribute—the name printer, which happens to be a reference to a function object:
def printer(x): # module attribute print x
A word on filenames: you can call modules just about anything you like, but module filenames should end in a .py suffix if you plan to import them. Since their names become variables inside a Python program without the .py, they should also follow the variable naming rules in Chapter 3. For instance, a module named if.py won't work, because if is a reserved word (you'll get a syntax error). When modules are imported, Python maps the internal module name to an external filename, by adding directory paths in the PYTHONPATH variable to the front and a .py at the end: a module name M maps to the external file <directory-path>/M.py which stores our code.[2]
[2] It can also map to <directory-path>/M.pyc if there's already a compiled version of the module lying around; more on this later. Dynamically loaded C extension modules are found on PYTHONPATH too, but that's outside this book's scope.
Clients can use the module file we just wrote by running import or from statements. Both load the module file's code; the chief difference is that import fetches the module as a whole (so you must qualify to fetch its names out), but from fetches specific names out of the module. Here are three clients of the module at work:
% python >>> import module1 # get module >>> module1.printer('Hello world!') # qualify to get names (module.name) Hello world! >>> from module1 import printer # get an export >>> printer('Hello world!') # no need to qualify name Hello world! >>> from module1 import * # get all exports >>> printer('Hello world!') Hello world!
The last example uses a special form of from : when we use a *, we get copies of all the names assigned at the top-level of the referenced module. In each of the three cases, we wind up calling the printer function defined in the external module file. And that's it; modules really are simple to use. But to give you a better understanding of what really happens when you define and use modules, let's look at some of their properties in more detail.
| I l@ve RuBoard |


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I am proposing developing an SMD version of the EmonGLCD. The aims are as follows:-
1- Improved reliabilty and CE compliance by addition of transzorbs, better decoupling etc.
2- Change CPU to 1284P to allow for larger scripts and more SRAM
3- Add a 1 wire serial number to better support network identification
4- Provide dual footprints for RFM12B and RFM22B as the RFM 22 allows for Ultra low power network support to extend remote sensor battery life.
5- Add reset IC.
6- Improve LCD performance.
I was wondered if anyone has started such a project, and I was looking to get some LCDs and the existing EmonLCD enclosure to assist.
Thanks
George
Re: EmonGLCD SMD
Hi George,
Sorry for the delay in replying, I have been away.
This sounds like a fantastic proposal. It would be great to have an emonGLCD SMT. This would be a much valued contribution to the project. I like all your suggestions. I few (additional) ideas that I've thought of are:
We can certainly provide you with LCD's and fascias. We have no particular allience to the LCD we currently use other than it would be good to stick with ST7565 LCD's to keep compatibility with the JeeLabs GLCDlib.
Looking forward to hearing how you get on.
All the best,
Re: EmonGLCD SMD
Can the 1284P run the Arduino bootloder and be programed from the Arduino IDE?
Re: EmonGLCD SMD
Any progress on this?
Re: EmonGLCD SMD
I suggest mounting the internal temperature sensor (if you have one) at the bottom, for better accuracy.
Re: EmonGLCD SMD
I would be interested in this as well, will monitor this thread.


Youlanda Kuo
I'm a designer who specialize in building software products, currently based in Singapore.
I'm a designer who specialize in building software products, currently based in Singapore.
I’m a product designer currently based in Singapore. I have over 5 years experience designing and building products.
In these years I’ve worked with clients from small startups to large companies. The projects that I’ve been working on range from website, iOS app, Android, and web app.
I’m also a self-learner. In my free time I like to explore new design tools ✏ , learn front-end technics 👩🏻💻 , and work on my Brazilian Jiu Jitsu🥋.


Highly dedicated, analytical, and results-oriented Senior Software Engineer and Team Lead with more than 9 years of full-stack, full-lifecycle software engineering, product development and technical leadership experience in dynamic, fast-paced environments. Demonstrated ability to design and develop all aspects of complex systems from the ground up, utilizing a broad and deep array of programming languages, frameworks and tools. Specialized experience in the development of Java enterprise-grade software solutions and Spring-based microservices. Proven track record of leading diverse teams of engineering professionals and managing high-profile projects serving various clients.
Practiced in the understanding, implementation and oversight of project requirements, client needs, and company policies to ensure expectations are met. Regarded for exceptional communication and interpersonal skills with colleagues, senior management, and end-users. Fluent in English. Fast-learner and efficient problem-solver, acknowledged for effectively optimizing business and development processes. Collaborative team leader, who consistently strives to positively contribute to performance, quality, and the achievement of objectives through the completion of interdependent tasks.
Senior Software Engineer
04/2018 – present
As Senior Software Engineer, led a team of software developers. Established the development process. Delivered a critical component on time as a part of new logistics center launch.
Software Engineering Team Lead
11/2015 – 3/2018
Key Projects:
As Associate Manager for Customer Portal Project (10/2016 – present), assembled, led and mentored a team of graduates to become adept Java developers. Delivered complex software product to a client within 60 days. Receiving outstanding satisfaction feedback from the customer focused on exceptional team drive and productivity, and the willingness to establish an ongoing relationship.
Duplicated the success with a second team over the course of the following year.
Investigated and implemented the Proof of Concept for project-wide distributed transaction issue to meet demanding business requirements. Successfully implemented final solution; solution has since been used to resolve similar issues. Contributed to open source microservices orchestration framework during course of investigation.
Resolved a critical database performance issue, reducing large-scale records search request time from 40 seconds to less than 1 second. Fixed complex user session issue, investigating problem and raising ticket for Spring Framework.
As Software Engineering Team Lead for POS project (11/2015 – 10/2016), spearheaded the full-stack design and development of a fault-tolerant solution for the Point of Sale backend of a major commercial bank. Led all aspects of project decision-making, including overall architecture, integration with legacy systems, deployment architecture, security and more.
Lead Java Developer
9/2014 – 10/2015
As Lead Software Developer for Risk Engine project, directed the development of a highly loaded risk calculation distributed system. Successfully implemented demanding business requirements, including review/rework of a functional specification, preparation of a technical solution, coding and testing.
Provided production support. Significantly improved system stability by implementing technical solutions. Automated data preparation process, reducing average data prep time by 90%+.
Senior Java Developer
9/2012 – 8/2014
Responsible for various aspects of Java development for a major telecom company’s corporate personnel portal. Designed and implemented new business demands according to specification requirements, including database structure creation, DAO and Business Logic layers development, and Web UI implementation and enhancement.
Migrated entire system UI layer from JSF 1.2 to JSF 2.x, resulting in enhanced maintainability, increasing user action processing speed, and improving overall system usability. Implemented an accessibility demand to further improve usability by enhancing ease of system-user interfacing.
Java Developer
10/2010 – 9/2012
Designed and developed all aspects of a desktop application for an automatic documentation creation system. Application resulted in significant document creation time savings, reducing from ~2-3 hours to ~10-20 minutes time spent daily. Clients continue to provide positive system feedback in 2020.
As an undergraduate bachelor, designed and wrote the Multi-agent Cooperative Purchasing Support System from scratch, including requirements, database and components design and Web UI. The System allows a buyer to enjoy the benefits of cooperative purchasing without the need to negotiate with other buyers independently by providing a personal agent.


Prediction of behaviour from movement characteristics using observation and random forest for the analyses of movement data in ecology. From movement information (speed, bearing...) the model predicts the observed behaviour (movement, foraging...) using random forest. The model can then extrapolate behavioural information to movement data without direct observation of behaviours. The specificity of this method relies on the derivation of multiple predictor variables from the movement data over a range of temporal windows. This procedure allows to capture as much information as possible on the changes and variations of movement and ensures the use of the random forest algorithm to its best capacity. The method is very generic, applicable to any set of data providing movement data together with observation of behaviour.
| Version: | 1.0 |
| Depends: | R (≥ 3.3.0) |
| Imports: | geosphere, caTools, ggplot2, randomForest, e1071, caret, methods, graphics, stats, utils |
| Suggests: | adehabitatLT, moveHMM, knitr, DiagrammeR, rmarkdown |
| Published: | 2017-05-03 |
| Author: | Laurent Dubroca [aut, cre], Andréa Thiebault [aut] |
| Maintainer: | Laurent Dubroca <laurent.dubroca at gmail.com> |
| License: | GPL-3 |
| URL: | https://github.com/ldbk/m2b |
| NeedsCompilation: | no |
| Materials: | README |
| CRAN checks: | m2b results |
| Reference manual: | m2b.pdf |
| Vignettes: |
m2b tutorial |
| Package source: | m2b_1.0.tar.gz |
| Windows binaries: | r-devel: m2b_1.0.zip, r-release: m2b_1.0.zip, r-oldrel: m2b_1.0.zip |
| OS X binaries: | r-release: m2b_1.0.tgz, r-oldrel: m2b_1.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=m2b to link to this page.


Classes vs. IDs
In the battle for proper selector usage, who would win?
Spoiler Alert: You will. Because you will use them correctly.
One of the most confusing things to learn when you are new to CSS to corrrecly use a class or id selector.
It is best to remember that classes can be used with many elements. You can crate one class with certain properties, and then apply that class to multiple elements. And elements can have multiple classes. It's a many to many situation
An id can only be associated with one HTML tag. There can be only one HTML tag associated with one id, and each id can have only one HTML tag. It's a one to one situation
For a class, you use a . in your CSS. For ID's, you use a a #


Founded in 1910, we are one of the oldest pizzerias in Cincinnati. We pride ourselves on traditional recipes, proven over time. Our ingredients are always fresh, sourced from local farms. And, we're a family-owned business for over 6 generations!
To order by phone, call us during business hours (M-Sa, 11am - 9pm) at:<PHONE_NUMBER>.
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“No more queues, no more traffic, and no more hassle. This is our total promise of convenience.”
Having your laboratory tests done need not be a hassle.
We also do Home Service for ECG.
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Set an appointment thru our Hotline number
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Schedule with the NWDI Home Service Coordinator
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*Results can be viewed online
PREMIUM Medical Executive Check-Up provides detailed health screening to busy executives, which enables a better chance of early detection of diseases. The Premium ECU includes consultation with medical professional, comprehensive laboratory and imaging diagnostic tests which aims to help you manage your health status.
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PREMIUM EXECUTIVE CHECK-UP PACKAGE
Comprehensive Physical Examination includes the following:
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Fasting Blood Sugar
Thyroid Stimulating Hormone
SGPT
Uric Acid
Lipid Profile (Cholesterol, Triglycerides, HDL, LDL and VLDL)
Random Urine Micral
Random Urine Creatinine
Urinalysis
Radiology
Chest X-ray PA
Ultrasound of the Liver
Ultrasound of the Gallbladder
Ultrasound of the Kidney
Ultrasound of the Urinary Bladder
ECG
Treadmill Stress Test
BASIC HEALTH SCREENING PACKAGE
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Creatinine
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CARDIOMETABOLIC SCREENING PACKAGE
Complete Blood Count
Creatinine
Sodium
SGPT (ALT)
Uric Acid
Lipid Profile (Cholesterol, Triglycerides, HDL, LDL and VLDL)
Thyroid Stimulating Hormone
Potassium
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Routine Urinalysis
Random Urine Micral
Random Urine Creatinine
Ultrasound of the Liver
Ultrasound of the Kidney
Ultrasound of the Urinary Bladder
OPTIONAL EXAMS
Pap Smear (FEMALE)
Digital Mammography (FEMALE)
PSA (Prostatic Specific Antigen) (MALE)
Spirometry
HBA1c
Blood Typing
HbsAg
Anti-HBs
Anti-HBc (Total)
Treadmill Stress Test


Visit on
Plot name:
Plant height:
Plant Health:
Good
Fair
Bad
Soil:
Medium Sand
Fine Sand
Sandy Loam
Loam
Pests:
Earworm
Stink Bug
Beetle
Cutworm
Observations:


DinoCopers
Menu
Dino Test
What if
I were a dino?
Let's test the
dino MBTI !!
Start Test
What if I were a dino?
Start Test
문제
대답A
대답B
I would have been this dinosaur!
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I want to return to Marjorie Perloff's point about Michaels's terminology and periodization, in order to confirm her claim that the scope of Our America is less comprehensive than its subtitle suggests. The term in dispute is of course modernism, which is conventionally distinguished from a good deal of writing, painting, and music produced by twentieth-century artists. Modernism indicates some affiliation by resemblance or avowal across the generic boundaries of music, painting, and literature, or even intellectual disciplines like physics, philosophy, psychology, and sociology between the years--in Anglo-American academic literary history--1909, taking the first Futurist manifesto as the starting point, and maybe 1930 or a little later.
Michaels's nativist modernism is much more nativist than modernist: the connections of his authors to international trends in other arts or areas of expression are faint (William Carlos Williams and Langston Hughes are the exceptions). One reason this matters is that terms like modernism and romanticism are reserved for especially comprehensive historical trends, such as seem in motion when artists or thinkers in diverse media begin to collaborate. Michaels's subject is a distinct range of modern writing more than modernism. His period begins with the end of World War I and runs through the 1920s, which in literary-historical terms was a time of fruition more than inception. Modernism in the English language peaked in 1922, when The Waste Land and Ulysses appeared, and 1923, when William Carlos Williams's Spring and All was brought out at his own expense, and Ezra Pound wrote the Malatesta Cantos. A good fourteen years of intellectual and especially artistic agitation and a world war led to the peak of those years.
Michaels's nativist modernism is fearful of contact with the new immigrants and even more of African Americans. The attraction to incest in William Faulkner, and other authors, as Michaels shows, expresses just this phobia. Michaels presents a strong case for a close fit between literary and political history--Willa Cather's The Professor's House, for instance, and the Immigration Act and the Indian Citizenship Act of 1924 (OA, 30)--that serves our short-term professional interests well. Do literary historians engage the issues that determine the future of our America? Yes, certainly: the texts we teach address just the issues that govern debate about political and social policy. The long-term problem is exactly this reassuring fit. If literary history fits social and political history too snugly, it becomes redundant, after one has examined the history of legislation, say. Fear of immigrants in Congress, the courts, and then--small surprise--in novels and poems too.
Literary history is better justified just where it records some deviance from social, political, and institutional history. The deviance I have in mind is visible when writers dream of a different country than the one to which they are born. Michaels loves to expose the nativist-modernist folly--articulated by Calvin Coolidge--of becoming what you already are. But I think of Ernst Bloch's courageous advocacy of French surrealism in Heritage of Our Times just when Germany was enforcing Nazi conformity; 1 his claim, taken up by Fredric Jameson in The Political Unconscious, is that literary texts rightly desire a different world. Bloch wrote in 1918 that the "spirit of utopia exists in the ultimate predicate of all great expressions." 2 That is the revolutionary dimension of artistic expression. Michaels excavates a spirit of realism and conformity instead, or a neat fit between political history and artistic expression.
My point can be felt more concretely in the case of William Carlos Williams. Michaels rightly shows how Williams enthusiastically expresses Coolidge's impulse to become more American, but Williams's deviant imagination of rape and miscegenation complicates this picture. Spring and All is about violation, though significantly not incestuous violation. The core myth there is that of the abduction of Persephone, the crossing of virginal purity with hellish alterity. Remember too that Père Rasles, the male hero of In the American Grain , is distinguished by his will "TO MARRY . . . to hybridize, to crosspollenize" with the North American continent and its Indian inhabitants; Jacataqua, a female hero of the book, is distinguished as a leader by "her mixed French and Indian blood." 3 Her power and articulateness comes not from being one of a tribe of Indians (the rest of her tribe seems not to speak or act), but from being both European and Indian. Hybridity meant the invention of new subjects, of new life forms. Michaels's account of the many white writers who romanticized simply becoming Indians is only one part of the imaginative life of the time.
Williams, Marianne Moore (as David Kadlec has shown), and Pound were all fascinated by exogamy, hybridity, crossings. 4 Pound fondly remembered the brilliance of Henri Gaudier-Brzeska's conversation in prewar London; "It might be exogamy," Pound said of the topics, "or the habits of primitive tribes, . . . or aesthetics." 5 Pound's account of the merits of literary translation is red in just these terms: one literature needs the "cross" with its contrary, or other; this is the life of literature. He himself set out from a suburb of Philadelphia, where his parents did missionary social work with Italian immigrants at the beginning of the century, to begin his literary career in Venice. When he got to London he spent years hammering at British insularity, insisting above all that the English recognize their need for southern Mediterranean literary culture. When he returned to America in 1912, uncertain whether his literary future lay in the States or Europe, this is what he described:
I see . . . a sign in the surging crowd on Seventh Avenue (New York). A crowd pagan as ever imperial Rome was, eager, careless, with an animal vigour unlike that of any European crowd that I have ever looked at. There is none of the melancholy, the sullenness, the unhealth of the London mass, none of the worn vivacity of Paris. I do not believe it is the temper of Vienna.
One returns from Europe and one takes note of the size and vigour of this new strange people. They are not Anglo-Saxon; their gods are not the gods whom one was reared to reverence. And one wonders what they have to do with lyric measures and the nature of "quantity."
One knows that they are the dominant people and that they are against all delicate things. 6
It would require only a little archaeology on the first paragraph to show that Pound's vision of the urban crowd derives from the fin-de-siècle European race discourse about degeneration. This new strange people is a mongrel mass, as Pound sees it, and he admires it, even while fearing its rude vitality. This is the prose of the Progressive era, not Michaels's nativist-modernist period, and Michaels identifies a greater flexibility about race among Progressive writers than among their slightly later colleagues. Pound had only irony then for the American interest "in being itself." 7 He was, as Keith Tuma has shown, very influenced by Progressive policy, but was he to just that extent not a modernist? 8 Are we to think of the poet-critic who developed an immensely influential program for literary translation, related closely to this passage from Patria Mia, as simply working out the consequences in the 1920s of Progressive thought?
This is the moment to question the aptness of literary history positing a divide at 1918, as American political historians do, rather than at 1914, as American and European cultural historians commonly do. The difference in periodization here is short, in historical terms, but significant. Michaels's nativist modernism begins after World War I, which is to say after intellectuals had been forced to abandon dreams of a comprehensive European culture based on a confederation of European states--another Enlightenment. The surrender of that hope is just what enables Perloff and many cultural historians to distinguish the enthusiasm and radicalism of the avant guerre from the grimmer years that interest Michaels.
Michaels argues cogently that "America would mean something different in 1925 from what it had meant at, say, the turn of the century; indeed, the very idea of national identity would be altered" (OA, 2). His further claim is that international modernists such as Pound and T. S. Eliot were more of the old world than of the new, because they never saw the work that the concept of race would come to perform. My point then is that stay-at-home modernists like Williams and Moore, as well as international modernists like Pound and Eliot, saw the need to become not just what you already are but in fact something entirely new: namely, hybrids. How wonderful, really, that just when legislators were promoting exclusive immigration policies, some writers were exploiting not just that impulse, as Michaels shows, but its contrary too. That, I think, begins to look like a literary history that recovers some of the richness of an intellectual life worth living.
The issue of literary evaluation arises when one examines an understanding of American modernism that does not accommodate Pound, Eliot, or Moore. Michaels was recently asked by a student why we should admire or even care about his nativist-modernist authors who apparently excelled at constructing rationalizations for Negrophobic racism. Our America suggests that Faulkner, F. Scott Fitzgerald, Cather, and others are considerable authors exactly because they engaged meaningfully with the ideas and crises of their moment. This is an evaluative argument altogether familiar to readers of nineteenth-century criticism and social thought: literature is considerable because it takes up the live thought of its moment. Authors who labor with the senescent thought of their predecessors are by this account less considerable. For example, Henry James's preoccupation with class difference just when race was displacing class as a principle of social differentiation left him seeming passé or, in Michaels's words, "insufficiently alert to racism's potential as a technology of social organization" (OA, 56-57). James missed an opportunity to reinvent the social thought of his time. When Michaels speaks of the dissociation of race and culture, he is analyzing a step in the development of political thought or culture in America. His writers shaped that thought.  [OA, 40]
the point here is . . . [OA, 41]
That's why . . . [OA, 54]
This is what it means for . . . [OA, 66]
it is for this reason that . . . [OA, 78]
Which is to say . . . [OA, 92]
The truth is that . . .
Those authors whose texts were not efficiently governed by reasons and rationales--Gertrude Stein and Moore, but poets generally, come to mind--cannot fare well by this evaluative criterion. Another way of putting this is to say that Michaels's method of analysis depends on quite familiar modes of representation. The account of modernism that he intends to displace--viz., that modernism derived from a crisis in representation--cannot be fully met by Michaels's method of paraphrase and logical analysis. Stein's Tender Buttons , for instance, is not adequately engaged (nor does Michaels try) by analyzing this or that premise about national identity that may surface occasionally; nor can the author of Kora in Hell and Spring and All be adequately engaged by a critical method that deals comfortably with the pseudophilosophy of the posthumous Embodiment of Knowledge but rather avoids the complicating illogic and excess of his poems and expressionist prose. There is an important connection between Williams's imaginative attraction to hybridity and extreme exogamy--as in rape by numerous strangers 9 --and his belief that new poetic forms are "additions to nature." 10 Michaels's method does not attend closely to poetic form, let alone allow for it as a source of knowledge or innovation.
What, then, is a just assessment of Michaels's nativist modernism? Well, the more cosmopolitan modernism of James, Pound, Eliot, and Moore seems actually reinvigorated by this acute examination of their successors who made a too compliant peace with the ideas and even the laws of their time. Nativist modernism, 1918-29, appears a distinct and dishonorable (if not unique) chapter in the history of the Anglo-American and European international movement in the arts known as modernism. Michaels has fully demonstrated the need to subdivide the historical category of American modernism in order to accommodate his nativist modernism, but it will not do to let his term substitute for the more comprehensive term, or to overlook the dialectic within his own period between the writers drawn to utopian exogamy and those who imagined instead the purity of endogamy. This dialectic is familiar to scholars of international modernism--Marinetti's swarthy nurse and Mafarka's male parthenogenesis 11 --and it is part of American literature too. The endogamous impulse of Michaels's nativist modernists, such as Faulkner, should be understood in relation to the exogamous impulse of "earlier" writers, such as Pound; the exogamous impulses of other writers of the same period, such as Moore; and the exogamous impulses of these same nativist modernists, because such a writer as Williams seemed to feel the pull in both directions. The writers who did not see the work to be done by the dissociation of race and culture seem to Michaels to have fallen out of step with the onward march of mind. They held instead to another vestige of the Enlightenment: the notion that making oneself a citizen of the world or at least a European was an ambitious and better project than making one what one already was, i. e., American. Given Michaels's persuasive critique of 1990s identitarian cultural politics, it is puzzling that he underestimates the utopian interest in exogamy and miscegenation in the larger modernist era. He seems to esteem more highly the engagé project that he explicates so brilliantly but also condemns.
Robert von Hallberg is Professor in the departments of English, Germanic Studies, and Comparative Studies in Literature at the University of Chicago. His most recent books are Literary Intellectuals and the Dissolution of the State: Professionalism and Conformity in the GDR and Poetry and Criticism, 1940-1995, volume 8 of The Cambridge History of American Literature . He is a founding editor of modernism / modernity.
1. Ernst Bloch, Heritage of Our Times, trans. Neville and StephenPlaice (Berkeley: University of California Press, 1991). I should note that Bloch's thesis in this book is that Nazi ideology effectively outflanked that of socialism by exploiting noncontemporaneous elements of Germanic culture, and that the scientistic rhetoric of Marxism was responsible for blinding socialists to the revolutionary resources of archaic elements of Germanic culture (see esp. part 2, 37-185; see also "Thinking Surrealisms," 332-72).
2. Ernst Bloch, The Utopian Function of Art and Literature, trans.Jack Zipes and Frank Mecklenburg (Cambridge, Mass.: MIT Press, 1988), 119.
3. William Carlos Williams, In the American Grain (New York: NewDirections, 1956), 121, 186.
4. David Kadlec, "Marianne Moore, Immigration, and Eugenics," 1 (April 1994): 21-49.
5. Ezra Pound, Gaudier-Brzeska: A Memoir (New York: New Directions,1970), 39.
6. Ezra Pound, Patria Mia, in Selected Prose,1909-1965, ed. William Cookson (New York: New Directions, 1973), 104.
7. Ibid., 124.
8. Keith Tuma, "Ezra Pound, Progressive," Paideuma 19(spring-fall 1990): 77-92.
9. William Carlos Williams, Kora in Hell, in Imaginations,ed. Webster Schott (New York: New Directions, 1970), 61.
10. William Carlos Williams, Spring and All, inImaginations, ed. Schott, 140.
11. See Barbara Spackman, "Mafarka And Son: Marinetti's HomophobicEconomics," in her Fascist Virilities: Rhetoric, Ideology, and Social Fantasy in Italy, forthcoming from the University of Minnesota Press in November of 1996.
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MUD
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**MUD**: /muhd/, n.
[acronym, Multi-User Dungeon; alt.: Multi-User Dimension]
1. A class of `*virtual reality* <../V/virtual-reality.html>`__
experiments accessible via the Internet. These are real-time chat forums
with structure; they have multiple ‘locations’ like an adventure game,
and may include combat, traps, puzzles, magic, a simple economic system,
and the capability for characters to build more structure onto the
database that represents the existing world.
2. vi. To play a MUD. The acronym MUD is often lowercased and/or verbed;
thus, one may speak of going mudding, etc.
Historically, MUDs (and their more recent progeny with names of MU-
form) derive from a hack by Richard Bartle and Roy Trubshaw on the
University of Essex's DEC-10 in the early 1980s; descendants of that
game still exist today and are sometimes generically called
*BartleMUD*\ s. There is a widespread myth (repeated, unfortunately, by
earlier versions of this lexicon) that the name MUD was trademarked to
the commercial MUD run by Bartle on British Telecom (the motto: “You
haven't *lived* 'til you've *died* on MUD!”); however, this is false —
Richard Bartle explicitly placed ‘MUD’ in the public domain in 1985. BT
was upset at this, as they had already printed trademark claims on some
maps and posters, which were released and created the myth.
Students on the European academic networks quickly improved on the MUD
concept, spawning several new MUDs (VAXMUD, AberMUD, LPMUD). Many of
these had associated bulletin-board systems for social interaction.
Because these had an image as ‘research’ they often survived
administrative hostility to BBSs in general. This, together with the
fact that Usenet feeds were often spotty and difficult to get in the
U.K., made the MUDs major foci of hackish social interaction there.
AberMUD and other variants crossed the Atlantic around 1988 and quickly
gained popularity in the U.S.; they became nuclei for large hacker
communities with only loose ties to traditional hackerdom (some
observers see parallels with the growth of Usenet in the early 1980s).
The second wave of MUDs (TinyMUD and variants) tended to emphasize
social interaction, puzzles, and cooperative world-building as opposed
to combat and competition (in writing, these social MUDs are sometimes
referred to as ‘MU\*’, with ‘MUD’ implicitly reserved for the more
game-oriented ones). By 1991, over 50% of MUD sites were of a third
major variety, LPMUD, which synthesizes the combat/puzzle aspects of
AberMUD and older systems with the extensibility of TinyMud. In 1996 the
cutting edge of the technology is Pavel Curtis's MOO, even more
extensible using a built-in object-oriented language. The trend toward
greater programmability and flexibility will doubtless continue.
The state of the art in MUD design is still moving very rapidly, with
new simulation designs appearing (seemingly) every month. Around 1991
there was an unsuccessful movement to deprecate the term
`*MUD* `__ itself, as newer designs exhibit an exploding
variety of names corresponding to the different simulation styles being
explored. It survived. See also `*bonk/oif* <../B/bonk-oif.html>`__,
`*FOD* <../F/FOD.html>`__, `*link-dead* <../L/link-dead.html>`__,
`*mudhead* `__, `*talk mode* <../T/talk-mode.html>`__.
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| `Prev `__ | `Up <../M.html>`__ | `Next `__ |
+-----------------------+----------------------------+---------------------------+
| mu | `Home <../index.html>`__ | muddie |
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The Digital Workprint is the Magic Lantern title specification file format that facilitates title deployment to multiple platforms. The DWP specifies all the resources that accompany a title and is a repository for saved information about the development of a title. The DWP is designed to be an open standard and designates a LISP-like structure that can be extended by title developers and third-party developers.
The Digital Workprint is a simple object system with containership relations that has both an in-memory API and an ASCII file format. Items in the DWP are instances of C++ classes derived from a DWP base class (MLWorkprintItem). The base class defines the basic capabilities for all DWP items: identity, traversal, structure editing, and input/output. DWP items include scenes, sets, groups, actors, and properties as well as other resource and attribute specifications.
A Digital Workprint supports the following basic data types:
| int | An integer value. |
| float | A floating-point real value. |
| string | A string value. |
A Digital Workprint may be comprised of the following types:
| Actor | |
| ActorDef | Actor Definition |
| ActorSet | |
| ActorTemplate | |
| Boot | |
| Container | |
| Converter | |
| DSOFile | |
| EnumDef | Enumeration Definition |
| File | |
| Filetype | |
| Group | |
| GroupRef | |
| HeaderFile | |
| Include | |
| Limits | |
| Media | |
| MediaRef | Media Reference |
| MediaRefSource | Media Reference Source |
| MediaRefTarget | Media Reference Target |
| MediaRefClass | Media Reference Class |
| Property | |
| PropertyDef | Property Definition |
| RoleAttachement | Role Attachment |
| RoleBinding | Role Binding |
| RoleSetMapping | Role Set Mapping |
| Scene | |
| Set | |
| SetDef | |
| SourceFile | |
| Stage |