Jepkosgei downs Keitany to win New York marathon
New York - Kenya's Joyciline Jepkosgei ended Mary Keitany's New York Marathon reign on Sunday, powering to victory in her first ever outing over the distance.
Jepkosgei produced a superb tactical race, pulling away from defending champion Keitany in the final few miles to take the tape with an unofficial time of 2:22:38.
The 25-year-old Jepkosgei had never run a competitive marathon before while compatriot Keitany had been gunning for her fifth New York title.
The two women had been part of a three-pronged breakaway that led from around the 12-mile mark alongside Ethiopia's Ruti Aga.
That trio remained out in front as they advanced into Manhattan at mile 16, although Keitany gave the first clue she was struggling after appearing to vomit.
Keitany and Jepkosgei started edging away from Aga by mile 20 and soon the Ethiopian had been dropped from contention.
Jepkosgei then made her move in mile 23, rapidly putting daylight between herself and Keitany and opening up a 16-second lead heading down the stretch.
Heading into the final mile Jepkosgei grimaced as she dug in for victory, glancing over her shoulder to check the presence of Keitany.
Keitany looked comfortable but by that stage had left herself too much work to do and Jepkosgei closed out a superb win, just missing out on Margaret Okayo's 2003 course record of 2:22:31.
South Africa's Gerda Steyn finished in a time of 2:27:48.


King Kotini: Masilela The PSL’s Fashion OG
by SL SocialNobody embodies Ricky Rick’s ‘SidluKotini’ song more than former Kaizer Chiefs defender, Tsepo Masilela.
The veteran player is one of the undisputed fashion trendsetters in Mzansi!
Check out Masilela’s hottest cotton moments.
The former Thanda Royal Zulu, Getafe and Maccabi Haifa man has plied his trade in some of the most sought after leagues in the world and has faced some of the biggest superstars in world football including Lionel Messi, Samuel Eto’o and Brazilian ace, Ronaldinho, amongst others.
Download The Soccer Laduma Social Media App & Earn Airtime for Selfies!
He enjoyed a successful stint with Kaizer Chiefs where they won everything on offer before being released from his contract.
Away from the field of play, Masilela is a fashionista extraordinaire who rocks the most glamorous designer labels with regularity.
His fashion and accessories, like his host of Rolex watches, blend in well with his high-end range of cars.
Do you think Masilela is the most fashionable player in Mzansi?


Minio SDK Python Documentation
Minio Python Quick Start
1. Install
Minio Node.js API can be installed with npm on the command line.
$ npm install minio --save
2. SetUp
To use the Minio Node.js module in your application, just require the Node client library. Initialize an s3client object with the minio SDK to directly access your AWS S3 by setting up your keys like shown below.
var Minio = require('minio');
var s3client = new Minio({
endPoint: 's3.amazonaws.com',
accessKey: 'YOUR-ACCESSKEYID',
secretKey: 'YOUR-SECRETACCESSKEY'
});
3. List Buckets
After you have initialized and setup your s3client with the minio SDK, you can use it get a list of all your S3 buckets with the listBuckets() API. Retrieve the list of your S3 buckets by attaching callbacks and handling the resulting events. We can retrieve the data by using the on() method.
s3client.listBuckets(function(e, bucketStream) {
if (e) {
console.log(e)
return
}
bucketStream.on('data', function(obj) {
console.log(obj)
});
bucketStream.on('end', function() {
console.log("End")
});
bucketStream.on('error', function(e) {
console.log("Error", e)
});
});
Additional Bucket Operations
Table here
4.Get Objects
Once you have successfully initialized your s3client with the minio SDK, you can use it get a specific object from a specific bucket with the getObject() API. Retrieve your objects by attaching callbacks and handling the resulting events. We can retrieve the data by using the on() method. You can even compute the size.
var size = 0;
// Get a full object.
s3Client.getObject('my-bucketname', 'my-objectname', function(e, dataStream) {
if (e) {
return console.log(e)
}
dataStream.on('data', function(chunk) {
size += chunk.length
});
dataStream.on('end', function() {
console.log("End. Total size = " + size)
});
dataStream.on('error', function(e) {
console.log(e)
});
});
Additional ways to Get an Object from S3
Table here
5. Put Objects
Once you have successfully initialized your s3client with the minio sdk, you can use it to put an object to a specific bucket with the putObject() API. Stream your object by attaching callbacks and handling the resulting events. .
var Minio = require('minio')
var Fs = require('fs')
var s3Client = new Minio({
endPoint: 's3.amazonaws.com',
accessKey: 'YOUR-ACCESSKEYID',
secretKey: 'YOUR-SECRETACCESSKEY'
})
var file = 'my-testfile.ogg'
var fileStream = Fs.createReadStream(file)
var fileStat = Fs.stat(file, function(e, stat) {
if (e) {
return console.log(e)
}
s3Client.putObject('my-bucketname', 'my-objectname.ogg', fileStream, stat.size, 'audio/ogg', function(e) {
if (e) {
return console.log(e)
}
console.log("Successfully uploaded the stream")
})
})
<div class="col-sm-10 col-md-11 col-lg-11" style="margin-top:20px;">
Additional ways to Put an Object into S3
Table Here
6.Next Steps
Once you have successfully initialized your s3client with the minio sdk, you can use it to put an object to a specific bucket with the putObject() API. Stream your object by attaching callbacks and handling the resulting events.


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Armageddon (written by Jonathan Hensleigh and J.J. Abrams, directed by Michael Bay, 1998)
When you look up "guilty pleasure" in the cinema encyclopedia, there is a still from ARMAGEDDON. You probably won't recognize the still, however; Michael Bay and his editors cut images together so quickly that this film may have more individual shots than any other feature ever made (it's 2 1/2 hour running time adds to that). ARMAGEDDON is essentially a cross between the spectacle/disaster film made popular from THE ROBE to THE TOWERING INFERNO to INDEPENDENCE DAY and the over-baked melodrama of TITANIC, only without the former's stodginess and latter's damning pretentiousness. It's the type of film where most plot twists don't make any sense (machine guns in space? Hello?), where characters are likely to say dumb things as much as possible, and everything blows up real good.
Adding to the guilt for some and to the pleasure for others is the unabashed right-wing tendencies of your typical Jerry Bruckheimer production. Go back to CRIMSON TIDE (Tony Scott, 1995), THE ROCK (Bay, 1996), and CON AIR (Simon West, 1997). It's all there: respect for the military, the necessity of family (notice how the Nic Cage character in THE ROCK cannot get married until he has become a "man" by learning to kill people to get the job done), and the occasional blatant homosexual stereotype (thankfully left out of ARMAGEDDON). Add in a twist of self-sacrifice, a squeeze of loyalty, and two pinches of patriotism, and you have your Jerry Bruckheimer production. Bruce Willis even has a delicious moment where he declares his crew should have a night with their families, an "order" he gives while standing in front of the Stars and Stripes. The Family is America, and you better believe it.
Bruckheimer has employed once again Michael Bay, who is very good at blowing things up on camera. Mix in excellent effects work, and you have an action event movie that has some fun. The first ten minutes of the movie are worth the price of admission alone. You've seen bits of it in the trailer, but cut in with the film the scene is amazing, ending with NASA's response, a cameo by the director, and Billy Bob Thornton.
Aside from the special effects, the film's strength, and what makes the film enjoyable, is the fact that the cast is on the whole overqualified, and transcends a screenplay hindered by more than a few cliches. (Example: the red wire or blue wire conundrum. At the first screening I saw of the film, a few weeks before release, some members of the audience applauded after this conundrum's all-too predictable conclusion. Perhaps these people had never before seen a movie.) Billy Bob Thornton makes the commander cliches come off beautifully. Bruce Willis is by no means a Great Actor, but he is very good at what he does, and nails the role of Harry Stamper. Steve Buscemi gets to make wisecracks. Will Patton, meanwhile, easily gives the best performance in the movie. The ad campaign tells you that Patton's Chick is "doing it for adventure", but he's really doing it for loyalty. Patton surpasses often clumsy dialogue, and his truest expressions of loyalty and humanity are not expressed though spoken lines but through delicate subtleties and nuances. He shines in a beautiful scene in which he visits his estranged wife and son, a scene which must have been the work of uncredited script-doctor Robert Towne.
The case works because it is well cast. Bruce Willis is the action hero. Billy Bob Thornton is the credible actor in charge. And what else is Ben Affleck than the young hot shot who will one day be the star? And Liv Tyler than the overbred daughter? Or Steve Buscemi than the independent soul? And is Chick any more loyal to Harry than Will Patton was to Kevin Costner when he labored as a villain in the latter's THE POSTMAN?
The supporting members of the cast are not as well-filled out as they have been in previous Bruckheimer productions (where are George Dzundza, Michael Biehn, and Danny Trejo when we really need them?). The dialogue is often clunky and unoriginal; Thornton and Buscemi can make these lines come off well, but when you have Liv Tyler, who makes good lines sound bad, you know an underwritten script puts you in trouble.
There is an ode to TITANIC in the overplayed romance between the Affleck and Tyler characters. Fortunately, the film does not suffer from TITANIC's delusion that it is a Great Movie. The cartoonish aspects of TITANIC bring the film down from its intended pedestal to the level of hackneyed melodrama with awesome ship-sinking spectacle. ARMAGEDDON wants nothing more than to be a hackneyed melodrama (in which the cartoonish characters and dialogue belong) against which is set the awesome spectacle where the entire planet is on the sinking ship.
And spectacle is truly what ARMAGEDDON is about. There is no room for originality or daring thoughts, and no time for Great Cinema. There is time, 2 1/2 hours of time, for sheer spectacle, the brand of which believes that big is good, bigger is better, and too much is best of all. The music, imagery, and effects are designed to be bigger than life. It's okay to take an afternoon or evening to see a movie that doesn't make you think. Every now and then, we need a movie that makes us see and hear, and attach ourselves to archetypes instead of real people, because real people can hurt too much. Which means that every now and then, we should take some time out for ARMAGEDDON.
Copyright John Strelow 1998
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


I'm student of PSU Lingayen Campus. Lived in Toritori,Anda,Pangasinan. I love watching anime and listening to music II-BSIT-C Pangasinan State University Lingayen Campus
Good In Communication
Teamwork
Computer Knowledge


What Conduit platform is?
From the french conduit means behavior. And there was a special journal in some educational institutions, called conduit, for recording students' misdemeanors. With the development of society conduits turned into ordinary school diaries. So this platform is some kind of electronic diary for different kinds of educational organizations.
Our main goal is to make education open and available for everybody by connecting organizators of different educational events with potential participants. We are welcome you to join us and recieve useful experience.
How I can use Conduit platform?
There are several strategies that can be chosen by you for using this platform:
-
I organize
This strategy is recomended for oranizations or individual persons, who want to connect two parts of education: teachers and students, and want to do this convenient.
We know how it is hard to manage contacts, groups, schedules, billings, and many other things in EXCEL tables. So we offer you opportunities of conduit to make bureaucracy work easier.
Our platform has the next stucture: each event (summer camp, club of interests, ...) refers to some period of time, and we assign
period
as basic item. For eachperiod
users will need to make new applications for participation (due to many reasons: students become elder and change classes, or even become teachers; structures reorganizations; ...). Inperiod
users can be divided ingroups
of different types: INFORMATION, ELIMINATION, STUDY; with their own roles, privacy and rules.Group
is the second structure item, which includesparticipants
(teachers, students) and studyevents
(topics, olympiads, games, ...). The last ones can be customized in different ways:topics
can contains problems, slides, vieos, attachmentns;olympiads
can be short or long, writing or oral;games
from list implemented ones, rated or unrated, personal or in team. And everything is reinforced with standard requirements as checking attendance, performance assessment, statistics and so on. -
I teache
This strategy is recomended to someone, who wants to be directly involoved in study process and spend time telling interesting, useful things; developing skills and abilities; checking homeworks and wants to do this convenient.
From the first hands we know how it is painful to enter results in a table when they are on many sheets of paper and change during the assessment; we know that students often lose their papers with problems or that you want to show some material but it is too expensive to print it for each student. So we tried to solve such difficulties in some ways on conduit platform and suggest that you appreciate it.
In groups you can arrange next activities:
-
Sheet
is collection of problems that should be solved in bounded period of time. At the same time it can be used for topics which are explained in class room or for olympiads which also can be of different types (short / long, oral / writing, rated / unrated, ...).  -
Game
that can be both intellectual and mathematical. ...
-
-
I learn
...
-
I observe
...


{% extends "mail/base.html" %} {% block content %}
Here's your Varmail login link:
This link is your personal password. If you lose track of it in the future, you can ask for another one at https://varmail.me.


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Build a scalable, reliable, and inexpensive RESTful API using AWS Lambda that will do the Roman Numerals Conversion
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08 Nov 2017
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Connecting to UVic wifi with Ubuntu 16.04 LTS
05 Nov 2017
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PoAn (Baron) Chen's Blog global Alexa rank has gone up roughly half a million in 20 days
04 Nov 2017
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I have answered 99 questions on Quora so far
31 Oct 2017
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Installing Marsyas with Python bindings on Ubuntu 14.04.3 LTS - 64 bits
20 Oct 2017
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How to run a single test or all tests in a class with gradlew?
19 Oct 2017
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How to replace a git submodules in a repository?
15 Oct 2017
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One Year after PoAn (Baron) Chen's Blog Launch
24 Sep 2017
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How to fix 'error This file requires compiler and library support for the ISO C++ 2011 standard'?
27 Jul 2017
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How to add Disqus to your Jekyll site?
25 Jul 2017
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How to convert a large PDF to HTML?
24 Jul 2017
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How to use Gulp.js to deploy your site to live through Github?
01 Jul 2017
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How to recover all your deleted cron jobs?
13 Jun 2017
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Mutable vs Immutable object in JavaScript
07 May 2017
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How to set up password authentication with Apache on Ubuntu 14.04
10 Apr 2017
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How to check if an image already existed in wp-content/upload directory?
02 Apr 2017
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How to set up pretty url in WordPress?
09 Dec 2016
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How to build a search page in Django with Amazon Dynamodb and React? Part 2 (Front-end)
06 Dec 2016
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How to build a search page in Django with Amazon Dynamodb and React? Part 1 (Back-end)
20 Nov 2016
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How to enable cross-origin resource sharing on an apache server?
17 Nov 2016
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How to play mp4 video using hls.js?
15 Nov 2016
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How to add background music in Processing 3.0?
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How to take screenshots at different screen sizes using CasperJS?
29 Oct 2016
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Is it possible to host two website with different domain name on one server? If yes, how would you do that?
28 Oct 2016
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How to pass PHP data to your script in WordPress?
27 Oct 2016
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How to login to a WordPress site using CasperJS?
22 Oct 2016
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How to programmatically register an account for a user in WordPress?
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How to set up a Node.js application for production on Ubuntu 14.04?
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How to build a simple chat bot using Hubot that determine gender based on their first name?
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How to automatically send a welcome email to new user when they sign up for their account in WordPress programmatically?
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How to create a simple REST API in PHP and call them in JavaScript
15 Oct 2016
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PoAn (Baron) Chen, Launches Site


It is a perennial argument on the internet, just what is the best compressor to use to losslessly compress data, Yet no one tries to actually test the utilities against multiple types of input data. So I decided to do just that.
These compression tests are performed using PowerShell to script the tests and are automatically run using AppVeyor, allowing new utilities or test corpora to be tested and reported automatically.


Key loop expansion tokens are used to insert information about the current key being processed within the context of a key loop into the output stream. Key loop tokens can only be used inside a key loop.
|
Key Loop Token |
Description |
|
|
Inserts text indicating whether the key allows changes to existing key entries. Possible values: CHANGES, NOCHANGES |
|
|
Inserts the key packing density for the current key. Possible values: 50 to 100 |
|
|
Inserts the description of the key. Be aware that key descriptions are optional in Repository, so this token may expand to nothing! |
|
|
Inserts text indicating whether the key allows duplicate values. Possible values: DUPLICATES, UNIQUE |
|
|
Inserts text indicating where duplicate values are inserted. Possible values: FRONT, END |
|
|
Inserts an ISAMC key specification string for the key currently being processed.
Example output: START=1,LENGTH=6,NAME=EMP_ID,TYPE=ALPHA,ASCEND,DENSITY=50,DUPS,NOATEND,NOMODIFY See also: <FILE_ISAMC_SPEC> |
|
|
Inserts the length of the key. The length of the key is the sum of the length of all key segments. |
|
|
Inserts the name of the key. Note that this is the name of the key in the repository, and may or may not correspond to the name of the key in the underlying ISAM file, if a key name exists.
Alternates: <key_name> <Key_Name> <Key_name> <KeyName> <keyName> |
|
|
Inserts the keys null key type. The token should only be used within a <IF NULLKEY> expression.
Possible values: NONE, REPLICATE, NOREPLICATE, SHORT Alternates: <key_nulltype> |
|
|
Inserts the keys null key value. The token should only be used within an <IF NULLKEY> expression. |
|
|
Inserts the number of the key, primary key is key 0, first alternate key is key 1, and so on.
Possible values: 0 to 1023 |
|
|
Inserts the ordering sequence of the key, ascending or descending.
Possible values: ASCENDING, DESCENDING |
|
|
Inserts the number of key segments defined.
Possible values: 1 to 8 |
|
|
If the key does not allow duplicates then inserts the text UNIQUE, otherwise nothing is inserted. |
Copyright © 2021 Synergex International, Inc.


---
layout: post
title: the great thing about having a relatively
date: '2014-01-06T22:22:02-08:00'
tags:
- Ikea
- home improvement
- frombrett
tumblr_url: http://beekley.xyz/post/72529481781/the-great-thing-about-having-a-relatively
---
The great thing about having a relatively permanent living situation is that I can really settle in. One step in the many part decorating process: replace the awful pendant lamp with something a little prettier. Welcome to the War Room.


Welcome to my Portfolio
StartMy name is Juan Delgado and welcome to my portfolio page. Im 21 years old and graduated from Woodrow Wilson highschool here in Dallas, Texas. Once I graduated my plan was to go to a community college for a year or so to save enough money to make it to a unviversity. I attended Richland college for a few weeks when i was involved in a bad car accident. The accident caused many complications so i had to withdraw from school. After, I decided to work for a winery in the Lakewood area in East Dallas called "Times Ten Cellars". Then after talks with family members about my future and career I decided to look into IT world and computer programing caught my eye.
My first step to accomplishing this was to attend school. I signed up for a coding bootcamp at SMU because it is a well known university and that could be vital with job placement afterwards. The reason I decided to do programming was because I enjoy learning new things on my own. I also enjoy putting things together and making them function properly. I see code as a big puzzle just waiting to be put together and that, in the end is so satisfying.


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OMT-G Designer
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Computer Science Department - DCC
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Universidade Federal de Minas Gerais - UFMG


Building the Greenhouse
by Matt
For the past couple weeks, Tasha and I have been working on site prep and assembly of our greenhouse. After Bob the exacavator dug out our site, I dug 12 footings 6 1/2 feet apart for our 13' x 26' greenhouse. I thought I did a pretty good job laying out the site, levelling the sonotubes, measuring, staking out string lines, etc, etc, but I sort of forgot to check for square on the layout. D'oh!
Actually, I didn't have a long enough tape measure, so I tried to do it with the 25 -foot one I have using a marker in the middle and screwed up royally. After going to Lowe's and buying a 100-foot tape measure and compulsively measuring things for what seemed like hours, I had to move seven of the 12 footings and re-level the sonotubes. This was after humping 24 80-pound bags of concrete up the hill Saturday morning. But I digress, For the rest of the day, Tasha and I mixed the concrete and poured the footings..
Sunday I dug trenches between the footings to hold a few inches of gravel, so our sill plates wouldn't be lying directly on dirt. Monday and Tuesday we had torrential rains, so the back footings that face into the slope of the hill were covered in mud.
This proved a timely reminder that it would be a good idea to build a small retaining wall and French drain on the upslope side of the greenhouse. That I did today and yesterday. I also cut the sill plates and again checked nominal dimensions and square. So far, so good...
A Week Later...
So, we built ourselves a greenhouse!
It only took two and a half days and a whole lot of cursing, and that's not counting the site prep and foundation work.
To document the process, I set up a still camera on a tripod and periodically snapped a shot. We ended up with this pseudo-whimsical animated GIF, when I could bother to stop working and click the button... Anyway, I'm almost never in frame, so it looks like Tasha did all the work, but I'm there...toiling away, behind the scenes.
[[{"type":"media","view_mode":"media_crop","fid":"461","attributes":{"alt":"","class":"media-image","id":"media_crop_1552314942236","media_crop_h":"0","media_crop_image_style":"large","media_crop_instance":"201","media_crop_rotate":"0","media_crop_scale_h":"0","media_crop_scale_w":"0","media_crop_w":"0","media_crop_x":"0","media_crop_y":"0","typeof":"foaf:Image"}}]]
Also, the camera doesn't nearly do justice to the epic, 30 MPH gusts of wind we had this weekend. Granted, it is very windy where we live, but this was extraordinary, and made for exciting (!) times erecting a greenhouse. On more than one occasion, I adopted the time honored and heroic stance of bellowing at the firmament. I think I understand now how in Switzerland the Foens (strong winds) can be considered mitigating circumstances in capital crimes.
The weekend involved the obligatory trip to the local Lowe's, where I'm spending increasing amounts of time and money, to buy an angle grinder and more expansion bolts, owing to the fact that the greenhouse had a system of interior buttresses, conveniently spaced every 6 1/2 feet, just where my footings anchored to the sill plate.
Of course, this wasn't the ony surprise. We had missing screws, parts with no name, names with no parts, and broken or mis-assembled parts. We managed to get the whole thing constructed only to find that two of the four doors had hinges riveted on four inches too high to fit the corresponding hinges...ooops!
After all that, we finally have a greenhouse on an absolutely bomb-proof foundation. I may have gotten a little carried away with the multiple nests of 1/2 inch and 3/8 inch anchors driven into each footing, but I'll take my chances on that. The winds here, as previously stated, are murderous. Throw in the odd derecho front or wayward hurricane, and I think anything less just wouldn't be prudent...
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You are about to participate in a fantastic experiment about electoral
systems. This web app implements the Randomized Condorcet Voting System
(RCVS), which has the wonderful properties of remaining stable with
minor candidates and incentivizing honest (nonstrategical) voting.
How does it work?
Below is the list of alternatives with two number fields for each.
You may specify one or both, in a way that gives a range of scores
for each alternative (e.g. alternative A has a score
between 3 and 5). Pairwise comparisons between alternatives are
computed as follows:
alternatives with no score specified are unranked and never
win nor lose against anyone else;
alternatives with overlapping ranges are deemed
uncomparable;
if A’s lower score is greater than B’s higher
score, then the elector is said to prefer A over
B.
Exaggerating scores does not favor anyone (e.g. giving a
rank of 1,000,000 to A and 0 to everyone else is no
different from simply giving 1 to A). The ballot’s only
effective information is a set of “prefers-over” binary relations.
As you modify your ballot, a graph updates to show those binary
relations. Once you are set, simply click the “Send” button and let
the server do its magic. The “Reload” button reloads your ballot if
you already voted. You may modify or delete your ballot for as long
as the election is open.
You may also use this app through a REST API. For now,
authentication is done with IP addresses only.


Hi, I'm Kaylen.
I’m a Web Developer based in Cincinnati, OH.
My love for code was sparked after taking a basic web development course over a decade ago. Since then, the majority of my career has been focused in the fields of Communications and Media. It wasn’t until I became frustrated with a website and wanted to build it better that I rediscovered code.
As a problem-solver and stickler for details, I enjoy challenges and providing my clients with clean, organized code. The freedom and flexibility of development has allowed me to tap into my best skills and truly have fun building something every day.
/ my work
Project 1
sample project about something
Project 2
sample project about something
Project 3
sample project about something
Project 4
sample project about something
- Open Source Contribution:Name of Project
- Open Source Contribution:Name of Project
- Open Source Contribution:Name of Project
contact me
513-372-0802


Coming Events
Join us at our upcoming events and talks. Have a suggested event or want us to join yours? Let us know<EMAIL_ADDRESS>{{ range .Site.Data }}
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--- layout: post title: Introduction to Using PBS categories: - Linux - OS tags: - Cluster - Linux - MPI - Note - PBS published: true comments: true ---
Frequently used PBS commands:
Command Purpose qmap Displays a grid of current jobs along with a list of queued and running jobs.(ARSC Only) (see qmap -h for additional job and queue information) qsub Submits a job to the PBS batch scheduler. (see also man qsub) qdel Removes a job from the queue. This includes all running, waiting, and held jobs.(also see man qdel) qstat -f Displays more information about a particular job (also see man qstat)
The command "qmap -r" shows the names of the queues available and their maximum walltimes. For a more verbose narrative on queue usage, type the following at the command prompt:
news queues
qsub <PBS script>
will submit the given script for processing. The script contains information PBS needs to allocate resources for your job, directions for handling standard I/O streams, and instructions to run the job. Example scripts are included below .
You can spawn an interactive job using the following command:
qsub -q debug -l select=1:ncpus=4:node_type=4way -I
Once your job is started, you may then run interactive commands on the compute node(s) PBS assigned to your session.
qmap
will show all jobs currently running or queued on the system. For details about your particular jobs, issue the command:
qmap -u <user name>
qdel <job id>
where <job id> is obtained from the "Job Id" field of the qmap output. This command will remove the job from the queue and terminate the job if it is running.
#!/bin/bash #PBS -q standard #PBS -l select=8:ncpus=4:node_type=4way #PBS -l walltime=08:00:00 #PBS -j oe cd $PBS_O_WORKDIR
mpirun -np 32 ./myprog
Here is a line-by-line breakdown of the keywords and their assigned values listed in this MPI script:
#!/bin/bash
Specifies the shell to be used when executing the command portion of the script.
#PBS -q standard
Specifies which queue the job will be submitted to.
#PBS -l select=8:ncpus=4:node_type=4way
Requests 8 "blocks" of 4 processors on x2200 nodes. You can also think of this as requesting 8 nodes, running 4 tasks on each of those nodes, with the nodes being 4way (i.e. x2200) only.
#PBS -l walltime=08:00:00
Requests that the running job be allowed to run for a maximum of 8 hours.
#PBS -j oe
Joins the output and error files.
cd $PBS_O_WORKDIR
Change to the initial working directory.
mpirun -np 32 ./myprog
Runs the mpi program with a total of 32 tasks.
#!/bin/bash #PBS -q standard #PBS -l select=1:ncpus=16:node_type=16way #PBS -l walltime=08:00:00 #PBS -j oe cd $PBS_O_WORKDIR export OMP_NUM_THREADS=16 export PSC_OMP_AFFINITY=TRUE
./myprog
Here is a line-by-line breakdown of the example OpenMP script:
#!/bin/bash
Specifies the shell to be used when executing the command portion of the script.
#PBS -q standard
Specifies which queue the job will be submitted to.
#PBS -l select=1:ncpus=16:node_type=16way
Requests 1"block" of 16 processors on an x4600 node. You can also think of this as requesting 1 node, running 16 tasks on the node, with the node being 16way.
#PBS -l walltime=08:00:00
Requests that the running job be allowed to run for a maximum of 8 hours.
#PBS -j oe
Joins the output and error files.
cd $PBS_O_WORKDIR
Change to the initial working directory.
export OMP_NUM_THREADS=16
Sets the number of OpenMP threads to 16.
export PSC_OMP_AFFINITY=TRUE
Sets the threads to have CPU affinity.
./myprog
Runs the OpenMP program.
#!/bin/bash #PBS -q transfer #PBS -l select=1:ncpus=1 #PBS -l walltime=04:00:00 #PBS -j oe cd $PBS_O_WORKDIR cp -r $ARCHIVE_HOME/mydataset/* . || exit 1
qsub mpi_job.pbs
Here is a line-by-line breakdown of the keywords and their assigned values listed in this data staging script:
#!/bin/bash
Specifies the shell to be used when executing the command portion of the script.
#PBS -q transfer
Specifies to run a job in the transfer queue.
#PBS -l select=1:ncpus=1
Requests 1 node to run 1 process in the queue. Data transfer jobs must be run in serial.
#PBS -l walltime=04:00:00
Requests that the running job be allowed to run for a maximum of 4 hours.
#PBS -j oe
Joins the output and error files.
cd $PBS_O_WORKDIR
Change to the initial working directory.
cp -r $ARCHIVE_HOME/mydataset/* . || exit 1
Copies files from long term storage to the current working directory.
qsub mpi_job.pbs
Submits a new job to the batch scheduler once the data transfer is complete.


Mrs.Lydia JOHNSON C/o Eglise Uganda Catholic church Liberte Sicap, Dakar Senegal. Good Day, I know this mail will come to you as a surprise, nevertheless I am Mrs. Lydia Johnson, aged 59 years, the wife of Major Stephen Johnson, Chief Security Officer and Aide-de–camp to the president Charles Tailor of Liberia. As a result of the on-going war in my country, I am saddled with problems of my ill health of protracted diabetes and high blood pressure which is getting of increase in the resent times and also getting a trust worthy individual abroad to receive the sum of US$7million and 15 kg worth of Diamond on our behalf. Due to this war crises presently in my city Monrovia our home town, my husband managed to sneak me and my son David 23 years of age and four other of my daughters out of Monrovia to Dakar senegal for safety. We were sneaked into Dakar Senegal through the land boarder by the help of some government militant group. My husband adviced me to get a trust worthy individual abroad to receive the deposit.I feel confident therefore to introduce myself and this offer to you based on this problem of war in my country and our present condition as all our foreign contacts and connections got lost during this crises, all properties burnt by the rebels. I am desperately in need to move and re-locate this huge deposit to your country for safe keeping on the advice of my husband as this is the only wealth remaining for the future survival and well being of our large family. For your percentage for assistance, a negotiable percentage will be discussed as soon as I receive your response based on this plea for your assistance as our lives are highly in danger due to war.I pray and plead for your help. You can email me back or call me on 00221-5021694 for further clarifications. Alternative Email<EMAIL_ADDRESS>God bless you as you heed to my plea for assistance. Sincerely yours. Mrs.Lydia Johnson and Son David


Page not found
Uh-oh, you seem to have taken a wrong turn! It looks like this was the result of either:
- A mistyped URL, or a copy-and-paste mistakex
- A broken link on a web pages or in an email
- Moved or deleted content
I suggest that you head to my Home page from here.


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Winter of Code
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Yesterday I read for the first time Joan Didion’s essay “On self-respect” in her 1968 collection of essays “Slouching towards Bethlehem”. “On self-respect” originally appeared in Vogue in 1961. Here is the text of the essay, as it appeared in 1961.
Among the more powerful lines from the essay are the following:
“Nonetheless, character — the willingness to accept responsibility for one’s own life — is the source from which self-respect springs.”
“self-respect is a discipline, a habit of mind that can never be faked but can be developed, trained, coaxed forth.”
Didion identifies the source of self-respect; namely, character. She defines character as the willingness to accept responsibility for one’s life. Presumably, this includes one’s actions.
In the second quotation above, Didion states that the discipline of self-respect can be “developed, trained, coaxed forth”. This leads me to believe that “character”, too, can be developed, and, by doing so, one may further cultivate self-respect. Her statement hints at what I’ve come to know as a “growth mindset”, to use the language of social psychologist Carol Dweck and coworkers.


There are two main fonts that are used for this project. Comfortaa and Noto Sans which are from Google Fonts
These colors are the main tones that are used throughout the app. In future versions, we will incorporate different opacities with Less/SASS support.
| Red #e2411e |
Blue #3a9fc8 |
Dark Gray #666666 |
| Gray #b3b3b3 |
Light Gray #cccccc |
Cream White #f2f7fa |
| Yellow #ffd920 |
Light Blue #40a0c6 |
Light Red #d16563 |
| Steel Blue #acc5cc |
There are different types of buttons that are used throughout the app. The are primary and secondary buttons.


TensorFlow Dev Summit was held on March 30, 2018 in Mountain View, California. TensorFlow Dev Summit brings together a diverse mix of machine learning users from around the world for a full day of highly technical talks, demos, and conversation with the TensorFlow team and community.
GDG Philippines is organizing a TensorFlow Dev Summit 2018 Extended Manila.
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PLDT Innolab
721 Boni Ave., Mandaluyong, Metro Manila |
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April 14, 2018
7:30AM - 5:00PM |
| 7.30a | Check-in (Morning Participants) 1 hour |
| 8.30a | Opening Remarks 30 minutes | Ralph Regalado, Google Developer Expert - Machine Learning |
| 9a | TensorFlow Video Keynote 30 minutes |
| 9.30a | ML Production on Keras 30 minutes | Stephanie Sy, Thinking Machines |
| 10a | Cloud AutoML: Making AI accessible to every business 30 minutes | Johnny Benitez, Google |
| 10.30a | TensorFlow for Web Developers 20 minutes | John Paul Ada, GAPLabs |
| 10.50a | Empowering the Deaf through Machine Learning 20 minutes | Roma Rico Flores, Ateneo De Naga University |
| 11.10a | Forecasting USD-PHP Exchange Rates using Long Short-Term Memory (LSTM) Recurrent Neural Network (RNN) 20 minutes | Ronrick Da-ano, NeuralMechanics.AI |
| 11.30a | Towards Building an Intelligent Anti-Malware System 20 minutes | Abien Fred Agarap, Ntuit.AI |
| 11.50a | Sponsor Talk 20 minutes |
| 1p | Check-in (Afternoon Participants) 30 minutes |
| 1.30p |
Machine Learning Study Jams
3 hours 30 minutes | Ralph Vincent Regalado, Google Developer Expert - Machine Learning Teaching Assistant: Abien Fred Agarap, Ntuit.AI Renz Iver Baliber, Senti Arian Yambao, Senti John Paul Ada, GAPLabs |
| 5p | Closing Remarks |


--- layout: page title: Draft Tutorial date: type: page published: false status: draft categories: [] tags: [] meta: _edit_last: '3109' U_S_C_users: a:1:{i:0;s:4:"3109";} U_S_C_message: '' _dependencies: s:6:"a:0:{}"; _custom_background: a:5:{s:3:"url";s:0:"";s:16:"background-color";s:0:"";s:17:"background-repeat";s:6:"repeat";s:21:"background-attachment";s:6:"scroll";s:19:"background-position";s:8:"left top";} _intro_text: default _intro_custom_banner: a:1:{s:3:"url";s:0:"";} _wp_page_template: default _wpas_done_all: '1' author: login: bjkitchin email<EMAIL_ADDRESS>display_name: bjkitchin first_name: Robert last_name: Kitchin, Jr ---
[toggle title="Adding a New Page or Post and other Page/Post Fundamentals" variation="teal"][fancy_header3 variation="copper" textColor="#000000"]Post vs. Page[/fancy_header3]
[pullquote2 quotes="true" align="center" variation="copper"]There are very key differences between posts and pages in your WordPress blog.[/pullquote2]
Posts are entries listed in reverse chronological order on the blog home page or on the posts page if you have set one in (Admin dashboard) Settings > Reading. For DDD we are not useing a blog home page in order to precisely control how the posts feed to a given page. If you have created any sticky posts, those will appear before the other posts.
Posts can be found in the Archives, Categories, Recent Posts, and other widgets configured through the admin dashboard. Your taxonomy is an integral part or organizing posts and making them easy to find for your visitors. Posts are also displayed in the RSS feed of the blog. You can control how many posts are displayed at a time in the Reading Settings. Most all DDD content is packaged in a NEW POST and then presented through a blog shortcode feed on a PAGE, rather then through a blog page.
[icon type="Clipboard" style="inset_silver" align="left"]NOTE: Because of the way we present a category or categories of posts through pages, using the blog shortcode built into your framework, we will not be designating a BLOG page through Settings>Reading. Instead, we will create a NEW PAGE, give that page a name, and then use the shortcode generator to configure the feed or posts for that page.
Pages are static and are not listed by date. Instead, pages are organized through the navigation or site map. Pages do not use tags or categories. An About page is the classic example. Pages can be displayed in the sidebar using the Pages widget (Admin Dashboard) Appearance>Widgets, and using the Custom Menu Feature (Admin Dashboard) Appearance>Menus, pages in the horizontal navigation at the top of the each page on the site. The DDD site menu uses the this custom menu feature. It is still important to position each page you publish in the page tree system so that a proper site map can be generated and Google will index the site with greater accuracy, which leads to greater search engine optimization.
[icon type="Gears" style="inset_silver" align="left"]
[youtube url="http://www.youtube.com/watch?v=i4QeSKdukjw" width="500" height="282" autohide="0" fs="1" hd="1" rel="0" showsearch="0"]
[divider]
[icon type="Gears" style="inset_silver" align="left"]
[youtube url="http://www.youtube.com/watch?v=I-RAq2S_9jo" width="500" height="282" autohide="0" fs="1" hd="1" rel="0" showsearch="0"]
[divider]
[icon type="Gears" style="inset_silver" align="left"]
[wpmudev-video video="add-new-page"]
[/toggle]
[divider]
[toggle title="The Home Page, What drives it and How to Edit it." variation="teal"][fancy_header3 variation="copper" textColor="#000000"]Home Page - From the Inside.[/fancy_header3]
[icon type="Gears" style="inset_silver" align="left"]
[youtube url="http://www.youtube.com/watch?v=wEL_B3rRYBE" width="620" height="440" autohide="0" fs="1" hd="1" rel="0" showsearch="0"]
[/toggle]
[divider]


--- layout: default ---
Hey, I'm Matt.
I'm a computer science student at the University of Michigan.
If you'd like to get in touch, email me.


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Keyboard Controls:
- [w/s] .............. move forward/backward
- [a/d] .............. strafe left/right
- [Left Mouse Click] ....... shoot!
Rules:
- Shoot the cube to start the room!
- Shoot all the targets in the room!
- Once cleared, head to the teleporter!
Current Time:
Score:
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--- layout: page title: Jekyll Plugins heading: Jekyll Plugins permalink: /jekyll-plugins/ --- {% for plugin in site.jekyll_plugins %}
{{ plugin.author }}
{{ plugin.description }}


Isar735.github.io
William Gilpin (priest) - Wikipedia. Essays on the Picturesque, As Compared With the Sublime and the Beautiful; Price, Uvedale. Uvedale Price Essay On The Picturesque. La influencia de lo pintoresco tuvo una gran relevancia en la jardinería y la arquitectura paisajista, propiciando la creación de complejas planimetrías donde. Cambridge Core - Western Art - An Essay on the Picturesque, as Compared with the Sublime and the Beautiful - by Uvedale Price. Uvedale price essay on the picturesque. …for example, by the “Picturesque” school, led by Sir Uvedale Price and the artist-parson William Gilpin, who argued, quite correctly, that the “naturalism. Essay on the Picturesque - Uvedale Price - Bauman Rare Books. Sir Uvedale Price, 1st Baronet British landscape. Picturesque architecture Britannica.com. Browse By Author: H - Project Gutenberg.
Sir Uvedale Price, 1st Baronet: Sir Uvedale Price, 1st Baronet, British landscape designer and, with the writer-artist William Gilpin and Richard Payne Knight
Uvedale Price Essay On The Picturesque ‒ Biodiversity. Uvedale Price Essay On The Picturesque - Biodiversity. Uvedale Price was the eldest son of Robert Price, an amateur artist In 1768 Gilpin published his popular Essay on Prints where he defined the picturesque as '"that kind of beauty which is agreeable in a picture" and began to expound. Essay on the Picturesque rare book for sale. This by Uvedale PRICE is available at Bauman Rare Books. Bücherei des Deutschen Gartenbaues, Digitalisierte historische Gartenliteratur, Digitalisate, Gartenliteratur, Wimmer. An Essay on the Picturesque, as Compared - Cambridge. All related volumes. Sir Uvedale Price, 1st Baronet baptised homework help victorian inventions April — 14 Septemberauthor of the Essay on the Picturesque
Haagens, Mabel Hatt. See: Hatt, Mabel K., 1885?-1971. Haahti, Annikki ¶ Vehnäprinsessa (Finnish) (as Translator) Viimevuotiset ystävämme (Finnish) (as Translator).
Sir Uvedale Price, 1st Baronet: and Price’s “An Essay on the Picturesque.” Price was particularly contemptuous of the style popularized by the late Lancelot. An Essay on the Picturesque - Google Books. An Essay on the Picturesque, as Compared with the Sublime and the Beautiful . Sir Uvedale Price Criticism. Perhaps Brown's sternest critic was his contemporary Uvedale Price, who likened Brown's clumps of trees to "so many puddings turned out of one common mould.". Sir Uvedale Price, On the picturesque : with an essay On the origin of taste, and much original matter Item Preview. Digitalisierte historische Gartenliteratur : Monographien. +essays+picturesque by Uvedale+price+ - AbeBooks. Pintoresco - Wikipedia, la enciclopedia libre.
Sir Uvedale Price, On the picturesque : with an essay.


| Bookmarklet: rotate an image 1.0 |
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Description:
when viewing a single image (not a HTML page) this bookmarklet wrapps the image location in HTML which allows customisation of:
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Bookmarklet:
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| Description: strips back the current page to expose any iframe containing media
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Bookmarklet:
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| Description: strips all javascript source code from the current page
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Bookmarklet:
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| Description: terminates all javascript that is queued to be run
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Bookmarklet:
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| Description: edits all URLs in that page to remove URL parmeters
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Bookmarklet:
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| Description: edits all URLs in that page to prevent third part redirection (goes directly to the target)
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Bookmarklet:
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| Description: change urls so that they open in a new tab
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Bookmarklet:
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| Description: change urls so that they open in a the current tab
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Bookmarklet:
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| Description: log level that is most verbose
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Bookmarklet:
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| Description: log level that is quite verbose
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Bookmarklet:
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| Description: log level that is not very verbose
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Bookmarklet:
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| Description: log level that is very quite
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In unblu, resources represent pieces of data which are (usually) not directly contained in a visual but referenced from it (using a URI). Typical resource types are binary resources like images, documents (pdf, doc, etc.) or multimedia content (videos, audio, etc.). Besides those, also textual resources - e.g., style sheet (CSS) files - and theoretically even HTML itself can be classed as resources.
There are some exceptions to this rule:
The following styles are typically directly contained in a visual and then transformed into resources on the unblu server side:
An unblu resource consists of two parts:
Note: The word ‘blob’ is a ‘backronym’. The data type ‘blob’ described data too large and diverse to be managed on older systems. The name was originally taken from the 1958 film of the same name. Current computer systems now can handle such large files easily, thus the blob was designated the Binary Large Object retrospectively, when it became a viable technology.
The resource object provides the following information:
A ‘blob’ contains the actual data of the resource. There are two kinds of blobs:
In addition there exists a “dummy” blob, which is marked with a specific id: ]
d2874f28-96e3-416b-bfed-ecb932b064fa
The purpose of this (dummy) blob is to indicate that there is ‘no data available’. The dummy blob is used in resources, where the blob is not available (yet).
Information provided by basic blobs:
Information provided by typed blobs:
same as blob plus:
‘Resource storage’ is split into three areas:
Resource store
Blob store
Resource table
The first two refer to their respective objects (see above). The resource table is the resolution table when looking for resources with a known backend URI (but not a UUID). By default, all three stores are located in memory. The resource and resource table stores have session scope - that is, their content is ‘dropped’ when the unblu session ends. The blob store on the other hand is global - thus the same resources in multiple sessions are stored only once in memory.
When the Resource History is turned off, URIs arriving at the agent browser directly point to the original image / element of the original backend webserver. Such URIs are directly requested by the agent browser.
On the other hand, when the Resource History is turned on, visuals arriving at the agent browser do not contain URIs pointing to the original backend webserver. Instead, the URIs are converted to a specific format pointing to the unblu server.
Resource URI with the Resource History turned on:
http://unbluserver/<restricted-path-prefix>/player/resource/res/<blob-uuid>#<resource-uuid>
Example:
http://localhost:7777/unblu/player/resource/res/d38fb660-2b62-4364-8a5b-2fe76de5e78f#8a17c8b5-7b6e-4dc1-a141-5664e6eec307
Note that the resource-UUID is never sent to the unblu server when the resource is requested from an agent browser, since the so called ‘fragment’ is only used in the browser. The reason to have it in our URIs is that it is appended, e.g., in a URI contained in a CSS. Thus, if the CSS is parsed on the server, the resource UUID can be extracted and the relevant information (especially inbound / outbound references) retrieved and processed. As soon as the CSS arrives at the agent browser, the browser will request the CSS but without the resource UUID – (in fact, the resource UUID is not required).
The fact that it is actually the blob being retrieved and not the surrounding resource is important. Since blobs are stored only once, the agent browser also only has to retrieve them once (and then have them locally cached). If there are many resources (e.g., many URIs) with the same content (blob) then caching is extremely effective. In extreme cases it is possible that the agent browser can load a web page faster than the visitor browser. This can happen if the original webpage contains hundreds of images with differing URIs but always the same data. In the agent browser, all of those resources would have the same blob, resulting in the same URI and thus would be retrieved only once.
In unblu, resources are handled fundamentally differently depending on whether the Resource History is turned on or off. The purpose of the Resource History (when turned on) is to store all resources that are visible on the visitor browser.
The main reason for doing this is to check, validate, and filter resources that will be displayed on the agent browser.
In your unblu properties file, add the following line:
com.unblu.visual.resourcehistory.enabled=true
The following configuration is optional: If set to true, missing resources will be loaded by the unblu server and thus require the unblu server to be able to access the backend web server (which is not always desired or possible).
#com.unblu.visual.resourcehistory.loadMissingFromBackend=false
Without the Resource History enabled, resource URIs in visuals are left as-is and transferred unchanged from the visitor browser to the agent browser. Thus, the resources themselves are not transferred to the unblu server nor are they stored somewhere. Instead, the agent browser will request the resource directly from the original backend web server on demand.
Note: Even though the URIs remain as-is in the visitor browser, they are checked on the unblu server and only let through if they correctly point to a resource on the backend webserver. Thus, it is not possible to ‘inject’ a link to some obscure resource on some unknown web server, or at least, this resource will not be requested by the agent’s browser.
Note: This is the fastest way to access resources.
With the Resource History turned on, the agent browser only interacts with the unblu server. There is nothing requested from anywhere else. All resources thus must be uploaded to the unblu server once they are discovered in a visual (e.g., as an image or stylesheet link tag).
This configuration provides the maximum level of security. If the visitor’s browser sends a link to some other file, the agent’s browser will not be able to resolve that resource - that is, it will request the resource from the unblu server which has no such resource and returns a ‘404 not found’ message.
Note that browser caching is a problem for this approach. Typically, resources are transferred to unblu, e.g., from a reverse proxy where all data to the end user is flying by. Usually, traffic is only monitored by unblu once an unblu session has been started. That means that it may well happen that an end user surfs on the web site, retrieves images and stylesheets and has them stored in his browser cache from that moment on. Once the unblu session starts, the resources no longer fly by the reverse proxy and thus do not get transferred to unblu. Unblu will detect this and send the visitor browser commands to re-request such files. However, this behaviour may take some time and thus, the performance is typically slower with the Resource History enabled than without.
Depending on the resource type, a resource will be ‘processed’ prior to being used or it is used in its raw / original form. A typical (and currently the only) processor is the CSS processor.
The main purpose of the CSS processor is to identify URI reference locations and convert them to unblu resource URIs. The unblu server features two kinds of CSS processors:
The ‘Full CSS parser-based’ processor is used when the Resource History is turned on. Basically, it simulates a CSS parser as present in the browser and filters the CSS. The full CSS parser thus not only scans for URIs, in addition it also drops unknown / unsafe / problematic CSS rules.
The ‘Simple regex-based’ CSS processor only scans for URIs and verifies / replaces them.
Resources can have incoming (inbound) or outgoing (outbound) references. A CSS resource, for example, can have outbound references to background images and inbound references to HTML files or other CSS resources.
These references have an impact once a resource changes. Resources can have the following states:
If a resource changes its state, e.g., from PENDING to DELIVERABLE, it typically includes changes in its data (that is, the contained blob has changed). If the blob changes, the URIs in visuals (and possible dependent resources, like CSS files) need to be updated. Thus, a status update always leads to a cascade of resource updates which, in the simplest case, means there is nothing to do (no dependencies) or, for example, if a picture changes this can lead to reprocessing of the imported CSS, the default CSS, as well as the part of the visual where the default CSS was included in the HTML.


--- layout: post title: Sick date: 2006-05-16 12:56:00.000000000 +10:00 type: post published: true status: publish categories: [] tags: [] meta: lj_itemid: '15' lj_permalink: http://jus4kix.livejournal.com/3953.html lj_current_mood: sick author: login: ajaysusarla email<EMAIL_ADDRESS>display_name: partha first_name: '' last_name: '' ---
Aaargh! Am feeling sick. This dam cold has me down.
Sick!!


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A web-based tool to aid researchers in the gap analysis and planning for observing assets in the South Atlantic (US) and Gulf of Mexico region.
Need help? Have Questions? Please email<EMAIL_ADDRESS>By default there are six layers presented by default in the tool.
Bathymetry
This layer is pulled from here
HF Radar
The locations and coverage of HFRadar stations in the region. This layer is generated from this code and this spreadsheet
Glider Tracks
Long-range glider tracks for the region
Glider Tracks (triangle)
Glider tracks that are focused on single areas of interest
Regional Stations
Regional observing platforms in the region. This excludes tide gauges and USGS stream flow stations as this tool was developed with off-short monitoring in mind. This layer is generated from this code.
SECOORA Funded
Observing assets that SECOORA funds in the region. Some of these stations are also in the “Regional Stations” layer. This layer is generated from this code and this spreadsheet.
Users can upload data into the tool to add their own layers. These layers can then be exported and sent to other collaborators for viewing and further analysis.
CSV
There must be a column named “lat” or “latitude” and a column named “lon” or “longitude” in the uploaded CSV file.
GeoJSON FeatureCollection
This is the format exported by the tool for sharing. See Exporting and Sharing User Layers.
Important Note: User Layers are stored in web-browser local storage. You can re-visit the tool over and over using the same web browser and retain your User Layers. Be aware that if you clear your browser cookies/cache then your User Layers may go away! To persist important User Layers for a long period of time please use the export functionality.
Click the “New Layer” button
Name your layer
At this point you can click “Save to Map” if you don’t have existing data to upload
Add existing data to your layer Optional
Enter existing GeoJSON or CSV data into the text box and click “Save to Map”.
Upload a CSV or GeoJSON file and click “Save to Map”
Your data should appear as a new layer on the map
Once you have a User Layer you can edit its properties.
Click on the title of the layer to bring up the editing panel.
You can add and remove rows as needed from any User Layer
Exporting a User Layer allows for the sharing of data between collaborators.
Click on the “Export” button to bring up a dialog. Layers are always exported as GeoJSON. You can copy and paste the contents of the text box or click the “Download” button to download the GeoJSON to your computer. Exported layers can be imported by following the Adding a User Layer instructions.


Apple, the Apple logo, iPhone, and iPad are trademarks of Apple Inc., registered in the U.S. and other countries and regions. App Store is a service mark of Apple Inc.
Copyright © {{ now.Format "2006" }} Chad Hughes. All rights reserved.
© {{ now.Format "2006" }} Chad Hughes. All rights reserved.


Synergy: Disaster Relief
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TABLE OF CONTENTS
A. GS1 Related B. GS2 Related POLITY 1. Right to life stands on higher pedestal than right to religion: Bombay HC INTERNATIONAL AFFAIRS/BILATERAL RELATIONS 1. Russia again vetoes bid to renew Syria gas attacks probe HEALTH ISSUES 1. Anti malaria drug could fight Zika virus C. GS3 Related ECONOMY 1. Moody’s India rating upgrade: Concerns over NPAs, private funds persist SCIENCE AND TECHNOLOGY 1. The superbugs of Hyderabad ENVIRONMENTAL SCIENCE AND ECOLOGY 1. ‘Shift to EVs won’t eradicate pollution’ 2. Plant emissions higher than believed D. GS4 Related E. Prelims Fact F. UPSC Prelims Practice Questions G. UPSC Mains Practice Questions
Nothing here for Today!!!
1. Right to life stands on higher pedestal than right to religion: Bombay HC
In news:
Context:
- Observing that the right to life contemplated as a fundamental right under the Constitution stands on a “higher pedestal than the right of religion”, the Bombay High Court recently granted the custody of a minor girl child to her maternal grandmother.
- The father of the child is Muslim while the mother, who was a Hindu, had converted to Islam after marriage.
- The child’s paternal and maternal grandmothers were contesting for her custody since her mother has died and her father is accused of killing her and is on a death row in the UAE.
Court observations:
- The right to live with dignity, the right to preserve childhood and the human rights of the child are contemplated within the Fundamental Right to Life under Article 21 of the Constitution.
- Though the Constitution grants the Right to Religion under Article 25, under such circumstances, Article 21 stands on a higher pedestal than the Right of Religion.
- According to the Supreme Court, all the religions have noble principles and thoughts wherein human dignity is revered.
- And no religion teaches that the child be exposed to vices, dishonesty and falsity.
Category: INTERNATIONAL AFFAIRS/BILATERAL RELATIONS
1. Russia again vetoes bid to renew Syria gas attacks probe
In news:
- Russia cast a second veto in as many days at the United Nations Security Council to block the renewal of a probe to identify the perpetrators of chemical weapons attacks in Syria.
- A draft resolution put forward by Japan would have extended the UN-led Joint Investigative Mechanism (JIM) for 30 days to allow time for negotiations on a wider compromise. But Russia used its veto power to prevent adoption after 12 council members voted in favour of the measure, effectively ending the mission.
- It was the 11th time that Russia has used its veto power to stop council action targeting its ally Syria.
- A separate Russian draft resolution that called for changes to the JIM failed to garner enough support, with just four votes in favour.
1. Anti malaria drug could fight Zika virus
In news:
- New research: A medication used to prevent and treat malaria has the potential to fight the deadly Zika virus.
- The new study, published in the journal Scientific Reports, showed that the anti-malaria drug, called chloroquine, has the potential to treat Zika infections.
1. Moody’s India rating upgrade: Concerns over NPAs, private funds persist
Context:
- With Moody’s Investors Services issuing a clear warning, that India’s rating upgrade could be downgraded if its fiscal metrics and the outlook for general government fiscal consolidation deteriorates materially.
- High debt/GDP ratio is likely to increase in the next two years on slower growth.
- More worrying will be how the deficit of states plays out in the wake of GST.
Reasons for increase in trend in Fiscal Deficit:
- Burgeoning bad loans
- Fresh uncertainty on the revenue projections from the GST front
- Slack private investments and subdued non-tax revenue trends.
- Due to problem areas like power and telecom, farm loan waivers and Rs 2.11 lakh crore bank recapitalisation (to be funded by recap bonds).
- So the actual fiscal deficit could turn out to be much larger.
- Therefore, the government’s fiscal deficit target of 3.2 per cent of the GDP may come at a cost of over Rs 70,000-crore cut in capital expenditure, according to an SBI research report.
Fiscal glide path:
- The government hopes to maintain its fiscal glide path.
- But many analysts are not a convinced, according to them even as reform measures will reduce the risk of sharp rise in debt but near-term concerns persist in terms of government adhering to its fiscal glide path especially in the light of the incremental spending undertaken to boost economic growth
Key points:
- The upgrade has come after India’s economic growth unexpectedly slowed to 5.7 per cent in the June quarter, the slowest in three years, amid the disruption caused by the rollout of the GST and demonetisation shock.
- The removal of a number of commodities from the two highest tax brackets to lower brackets is unlikely to help matters on the revenue front.
- The first volume of the Economic Survey released in January had projected growth in the range of 6.75-7.5 per cent in 2017-18 against 7.1 per cent in 2016-17.
- The Index for Industrial Production (IIP) growth fell to 2.5 per cent in first six months of 2017-18 as against 5.8 per cent in same period of last year.
- Given the evident pressures on the fiscal front and the likelihood that the government may not even meet this year’s and next year’s fiscal target, the rating upgrade seems to have come at a wrong time.
- Markets should worry that the government, now having received the rating upgrade, may actually slacken and relax its commitment to reducing fiscal deficit, as per the stated plan.
Category: SCIENCE AND TECHNOLOGY
- Effluent from pharmaceutical companies contain high concentrations of antibiotics that are turning the Hyderabad city’s lakes and sewers into breeding grounds of drug-resistant superbugs
- Since the pharmaceutical industry took root in the city in the 1970s, environmental pollution has threatened agriculture, aquaculture and the health of city residents
- New research in the last few years shows this pollution to be a threat of a larger, more terrifying scale
Dangerous species:
- The Kazipally well, along with ditches, lakes, and rivers around the pharmaceutical cluster, receives large doses of antibiotics, along with the traditionally monitored pollutants
- When these antibiotics come in contact with pathogenic bacteria (which cause disease in humans), the latter learn to resist the former, making human infections by these pathogens extremely hard to treat
- Antibiotic resistance is arguably the biggest threat to global health in the 21st century
- In 2014, around 700,000 people across the world died due to infections that evaded antibiotics, a number that is estimated to touch 10 million by 2050
New Studies in India:
- It isn’t clear how many Indians die from antibiotic-resistant infections each year
- One study from Delhi’s Ganga Ram hospital found that between 2002 and 2009, among patients infected by Klebsiella pneumoniae (a pneumonia-causing bacterium), the percentage of these pathogens that were resistant to carbapenems grew from 2% to 52%
- Carbapenems are a class of last-resort antibiotics which doctors use only when others have failed
Antibiotic resistance:
- A big driver of resistance is the overuse of these drugs
- When people take antibiotics they don’t need, for a viral flu, for instance, the bacteria in their body learn to tolerate these drugs by acquiring resistance genes
- Resistance genes don’t come out of nowhere – some of them have existed for decades in soil and water, helping environmental bacteria fight natural antibiotics
- Studies in Hyderabad’s pharmaceutical cluster now show that the large doses of man-made antibiotics in pollution hotspots like Kazipally force these environmental bacteria to evolve by boosting the numbers of resistance genes
- When human pathogens like Staphylococcus aureus (which causes skin and respiratory infections), mix with these environmental bacteria, they borrow these genes freely, making them potential killers
Government regulations:
- As of today, India does not limit antibiotics in pharma waste water
- India’s first concrete move to tackle the problem was the 2017 National Action Plan for Antimicrobial Resistance, which talks about imposing limits on antibiotics in industrial waste. But these regulations are at least three years away
Antibiotic resistance leads to:
- The cost of antibiotic resistance will be enormous for both India and the world
- One estimate puts the expense of treating a resistant bloodstream infection at ₹42,000 more than a susceptible infection
- This could devastate the healthcare system, which today takes antibiotics for granted
Way forward:
- Complying with pollution norms
- The cost of better pollution-control isn’t that high
- Complying with pollution norms doesn’t need more than 3-4% of the production cost
Category: ENVIRONMENTAL SCIENCE AND ECOLOGY
1. ‘Shift to EVs won’t eradicate pollution’
In news:
Key Points:
- If India wants to move ahead with its target of all-electric vehicles by 2030, and also wants to truly help the environment while doing so, then it will need much more renewable energy than the 175 GW target set for 2022, according to Purpose Climate Lab, a global campaign group focused on climate and environmental issues in India.
- Unless the renewable energy target is significantly increased, the target of an entire fleet of electric vehicles will have no material benefit to the environment.
Reduce oil imports: The concept of electric transportation, especially public transportation, is a really good one because it will reduce India’s imports of foreign oil, which is great, since those billions of dollars can then be spent to expand renewable energy programmes .
Social impact of simply shifting the fuel requirement from petrol and diesel to coal:
- Coal power plants are away from cities, in communities that don’t always have the power to challenge what happens to them. They are usually poor, and away from concentrations of political and elite classes of people. Every community in the country should have the right to be protected from air pollution.
- Urban areas themselves were not entirely protected from the fumes from power plants.
- Gases like SOx and NOx, travel hundreds of kilometres to urban centres.
1. Plant emissions higher than believed
In news:
- New study prediction: Carbon released by plant respiration may be around 30% higher than previously predicted.
- The study, published in the journal Nature Communications, suggests that as the mean global temperature increases, respiration will increase significantly.
Future prospects
- Such increases may lower the future ability of global vegetation to offset carbon dioxide emissions caused by burning fossil fuels.
- Plants both capture carbon dioxide and then release it by respiration. Changes to either of these processes in response to climate change have profound implications for how much ecosystems soak up carbon dioxide emissions from burning fossil fuels.
- The findings are based on the comprehensive GlobResp database, which is comprised of more than 10,000 measurements of carbon dioxide plant respiration from plant species around the globe.
Nothing here for Today!!!
Nothing here for Today!!!
F. Practice Questions for UPSC Prelims Exam
Question 1. Rate of growth of an economy is measured in terms of:
- per capita income
- industrial development
- number of people who have been lifted above the poverty line
- national income
See
Question 2. Which one among the following is not a component of fiscal policy?
- Taxation policy
- Public debt policy
- Trade policy
- Public expenditure policy
See
Question 3. Which is not a correct statement? The Supreme Court:
- is a watch-dog of citizen’s liberty
- interprets the Constitution
- protects the Directive Principles of State Policy
- settles electoral disputes of the President and Vice-President of India
See
Question 4. A person of mixed European and Indian blood in Latin America is called a
- Mulatto
- Mestizo
- Meiji
- Mau Mau
See
Question 5.The Laccadives are an example of
- Islands resulting from submarine earthquakes
- Volcanic Islands
- Coral Islands
- None of the above
See
G. UPSC Mains Practice Questions
GS Paper II
- The question of India’s Energy Security constitutes the most important part of India’s economic progress. Analyze India’s energy policy cooperation with West Asian Countries.
GS Paper III
- Discuss the potential threats of Cyber attack and the security framework to prevent it.
Also, check previous Daily News Analysis
“Proper Current Affairs preparation is the key to success in the UPSC- Civil Services Examination. We have now launched a comprehensive ‘Current Affairs Webinar’. Limited seats available. Click here to Know More.”
Enroll for India’s Largest All-India Test Series


Stopping By the Woods In a Snowy Evening...
- By Robert Frost
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other soundís the sweep
Of easy wind and downy flake.
The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.


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--- layout: default title: ALEC Organizations and People ---
This project was last updated on 2 August 2017


| DOSE: |
|
smoked |
Cocaine |
(powder / crystals) |
| |
3 bowls |
smoked |
Cannabis |
(plant material) |
| |
1 line |
insufflated |
Cocaine |
(powder / crystals) |
I've only tried coke once, and it sucked. The only reason I got it in the first place is because when I was in Boston I tried to buy mushrooms, but the guy who got it for me brought me back coke, so I decided not to let it go to waste, I decided to try it.
Me and my buddy smoked a bowl laced with it first and the high was really intense. It was the most intense thing I had ever felt in my life, I felt amped. We happened to be watching TV, and it was the most exciting TV I had ever watched, now I donít even remember what it was.
That only lasted about 5 minutes. After that I started coming down, and that is the worst feeling ever. A lot of people say that they craved for more coke when they started to come down...I wasn't craving but I did want it to bring me back up, so I snorted a line.
This didn't really get me as amped as smoking the laced bowl did, in fact I simply felt like I was just really baked. After that we smoked another bowl, and then another one the next morning.
After that I felt really sick, I couldn't place just what was feeling wrong, but my whole body just felt sick. I wouldn't say I had a headache, but I was certainly feeling nauseous. I definitely didn't get addicted, if anything it made me not want anything to do with coke.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Virtual Try-On
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|
muSE
r716
|
muSE implements an exception mechanism that allows you to normally resume computation from the point where an exception is raised. More...
Typedefs | |
| typedef struct _resume_point_t | resume_point_t |
| Captures all the information required to jump back to an execution point within stack scope. More... | |
| typedef struct _trap_point_t | trap_point_t |
| A trap point is a marker for the beginning of a (try...) block. More... | |
muSE implements an exception mechanism that allows you to normally resume computation from the point where an exception is raised.
An expression that might raise an exception is wrapped by a try expression and a list of handlers to try.
When a try
expression is evaluated, the handlers are all evaluated first and placed on a stack of handlers to try when an exception is raised. (The handler stack is maintained as the value of the internal symbol "{{trap}}"
.) The try
protected expression is then evaluated. When evaluation is complete, the handler stack is unwound and the set of handlers defined by the enclosing try block take effect.
If you want to try an alternative code path instead of raising a resumable exception, use retry instead of raise. Alternative code paths are to be considered part of the "interface" of a function and must be documented along with the function.
| typedef struct _resume_point_t resume_point_t |
Captures all the information required to jump back to an execution point within stack scope.
Its essentially a cheaper continuation that cannot be retained beyond its marked scope.
| typedef struct _trap_point_t trap_point_t |
A trap point is a marker for the beginning of a (try...) block.
When you return to a trap point, you return with a value that is supposed to be the value of the try block. Trap points are maintained as a stack of values of the built-in symbol "{{trap}}", which is available via MUSE_TRAP_POINT.


THE KID
Review by John Beachem
* * *
Directed by: Jon Turteltaub Written by: Audrey Wells
Russell Duritz (Bruce Willis) is a professional image consultant, which means he makes his living telling people what is wrong with them and bossing them around. Russell is blunt, rude, demanding, and absolutely miserable.  His life has been this way for some time now, until one evening when a familiar looking boy, named Rusty (Spencer Breslin), shows up in his house. After a few tests for scars and birthmarks, Russell determines that Rusty is his younger self, somehow arrived in the future. He first thinks he's crazy, and tries the "very powerful medication" his psychiatrist prescribed. After that doesn't work he asks Janet to make the boy go away (she finds this very amusing). Finally he decides the boy was sent to him so Russell could improve his childhood, and he has to figure out how to do that, and then how to send him back. While his interests first lie entirely in getting rid of this boy, he slowly realizes Rusty may have been sent to improve Russell's life, not vice-versa.
Walking into a live action Disney movie (or an animated one for that matter), one expects a certain level of sappiness and schmaltz. I'm not sure why the execs at Disney think kids like this (I sure didn't when I was a kid), but I suppose it's hard to argue with the kind of money these movies keep pulling in. In the beginning of "The Kid" I was pleased to find the schmaltz level was surprisingly low, and it stayed this way for the first half of the film.  Yet just as I was getting my hopes up, and thinking maybe this would be quite an entertaining movie, Audrey Wells ("George of the Jungle") lays on the schmaltz in the last half like she was storing it up, hoping to kill us with one big blast. As I sat there, reeling from blow after blow (everything from childhood redemption against bullies to cute little puppy dogs named Chester), two thoughts were flying through my mind: "how could a movie change so drastically in five minutes?" and "why did Bruce allow this to happen?"
Speaking of Bruce, he turns in one of his most deadpan performances to date. By that I mean for the entire first half of the film, he shows next to no emotion. This may not sound great to everyone, but it's a comfortable, familiar style coming from Willis. The problem comes in the second half when he is asked to act in a way he has never acted before, jubilant and happy. Saying things like "Holy Smokes" just doesn't seem like Bruce, and he actually looks pained when saying it. Newcomer Spencer Breslin gives an adequate turn as Bruce's most recent adolescent co-star, but he's no Haley Joel Osment. The two standout performances come from Lily Tomlin ("Tea With Mussolini"), as mentioned earlier, and Emily Mortimer ("Scream 3") as Bruce's perfect foil. Mortimer pulls off an amazing feat, she acts bubbly and happy with enough restraint to avoid becoming irritating. The only problem I had with her character was that Wells underused her to the point where we developed no attachment to the character except to hate Bruce for being mean to her. Watch for Jean Smart (From back in the days of "Designing Women") in a strange supporting role as a television anchor-woman that Bruce unwillingly gives advice to.
I wasn't entirely sure how to write this review, because by the end I'd gotten the distinct impression I'd witnessed two very different movies. One was fun and entertaining, the other was irritating and schmaltzy. I decided the first half earned a four star rating and the second earned a two, so it averaged out to a three overall. I would have been tempted to give it a three and a half if it weren't for the fact that (this is a minor spoiler folks, read no further if you don't want to know anything about the movie) nothing is really explained in the end. We get some sort of weird, quasi, psuedo-explanation involving the future and a bi-plane, but that hardly qualifies. In fact, Jon Turteltaub ("Instinct") doesn't do much to explain things here. He throws an occasional sci-fi like scene of a '50s airport diner vanishing into thin air into the mix just to spice things up, but he doesn't even attempt to explain how all the events portrayed were made possible. Another point to mark against "The Kid" is the irritating score by Marc Shaiman ("South Park: Bigger, Longer, and Uncut"). The music blasts throughout the theater in a deeply dramatic fashion all the time, even when dramatic music isn't needed. "The Kid" runs a little too long at 104 minutes, and I'd recommend it only to die hard Bruce Willis fans and to those interested in seeing a younger talent on the rise in Emily Mortimer. For a lack of any explanation for how the events in the movie occurred and for a very Disney like second half I give it three out of five stars.
Comments? Send to<EMAIL_ADDRESS>Past reviews can be found at: http://www.all-reviews.com/reviewers/JohnBeachem.htm, http://www.epinions.com/user-elerad?public=yes or http://us.imdb.com/ReviewsBy?John+Beachem
* * * * * - One of the best movies of the year. * * * * - Great flick, try and catch this one. * * * - Okay movie, hits and misses. * * - Pretty bad, see it at your own risk. * - See this one only if you enjoy pain.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


You can also use the WLM_GET_SERVICE_SUBCLASS_STATS_V97 table function.
table function (or the WLM_GET_SERVICE_SUBCLASS_STATS table function if you are on a DB2 9.5 database) to show which service class the activities are being run under as a result of creating the new workload.


The easiest way to use Mup on a Windows machine is to run Mupmate. However, this web page describes two ways you can run Mup without using Mupmate. Both of these ways involving using MS-DOS.
For those unfamiliar with MS-DOS, here are a couple things you may need to know.
In Windows, there is a type of window you can open called an "MS-DOS Prompt" window or a "Command Prompt" window. They are the same thing; what it is called depends on which version of Windows you have. We will refer to it as an "MS-DOS Prompt" window.
Here is how to open an "MS-DOS Prompt" window. You may have a shortcut icon called "MS-DOS Prompt" or "Command Prompt". Or, in the Start menu under Programs, you may have "MS-DOS Prompt" or "Command Prompt". If you don't have it in those places, go to the Start menu, then to Run, and tell it to run this:
c:\windows\command.comIn this window you can type commands. After typing a command you always have to hit the "Enter" or "Return" key to make the computer run the command. You can repeat a command by hitting the up arrow key and then "Enter".
"Folder" and "directory" are also two different words for the same thing. From Windows, you are more likely to be familiar with the term "folder", so we will use that. In an MS-DOS Prompt window, you are always "in" some folder. In the lower left of the window, it shows you what folder you are now in. (That is called a "prompt", because it is prompting you to type the next command you want it to do.) The folder name is followed by a ">", so if you are in a folder called c:\mup you will see
C:\MUP>
Some versions of MS-DOS restrict file names to eight characters plus an extension (which is a dot and up to three characters). Also, it may have problems with special characters, such as blanks and punctuation. So when you make file names for the music you write, you may find you need to follow these restrictions.
For this method, just as for the Mupmate method, you need to have program(s) such as GSview/Ghostscript for displaying the results of Mup. If you don't already have them, install them as described in Step 1 on our web page called "obtaining a copy of Mup". And you also need to install Mup and Mupmate as described in Step 2 on that page, although you won't actually be using Mupmate.
The Mupmate/Mup installer tells you what folder it will install them in, or you can tell it to use a different folder. The following examples assume the folder c:\mup, but you can choose a different name, or just let it use the default. You also need to decide what folder you want to use to hold the Mup input files of music that you will be writing. In our examples we'll call it c:\songs. You can create that folder by using Windows Explorer. Or you can do it from an MS-DOS Prompt window, by typing the command
mkdir c:\songs
Open an MS-DOS Prompt window. In it, type these lines:
cd c:\songs copy \mup\mup.exe copy \mup\sample.mup mup sampleYou are going to the songs folder, then copying the Mup program (mup.exe) and our sample Mup input file called sample.mup into the songs folder, and then running Mup on that file. (Note: If a folder name has spaces in it, you may have to put quotation marks around that path name. For example, if you are using c:\Program Files (x86)\mupmate instead of c:\mup, you may have to type
copy "\Program Files (x86)\mupmate\mup.exe"for the second line above.) When you run Mup on the sample file, you should see over a thousand lines of text fly by your screen. Or you can type this
mup /F sampleNotice that is a capital F. This sends that output into the file c:\songs\sample.ps instead of letting it go to your screen. (A couple of copyright lines still will come to your screen.) The output that went into the file is PostScript code, and that is what will be used later to actually display the music.
You create the Mup input file for a piece of music (the .mup file) by using an editor such as Notepad (not a word processor like Microsoft Word). The file name doesn't have to end with ".mup", but we suggest that you name it that way, to help keep straight what files are what. And when the name ends with ".mup", you don't have to type that extension when running Mup.
If you use Notepad, be aware that Notepad may add ".txt" to the end of the file name, resulting in a name ending in ".mup.txt". To prevent that from happening, at the bottom of its "Save" or "Save As" box, set the file type to "All files". You also need to set "All files" to get it to list the .mup files when you want to open a file.
The User's Guide has a section about Mup command line arguments. Those arguments can be stated on the Mup command line, right after the name of the command "mup" (separated by spaces between each argument).
Displaying music on your screen:
Since you have already copied sample.mup into your c:\songs folder, let's use that as an example. In an MS-DOS Prompt window, type these lines:
cd c:\songs mup /F sampleNotice that is a capital F. This puts the output of Mup into a file c:\songs\sample.ps. Now run GSview, and click File and Open, opening the file c:\songs\sample.ps. It will display the music.
Now, in your editor (Notepad or whatever), make a Mup input file of your own, and save it in a file, say mysong.mup, in c:\songs. You could use a simple example from the User's Guide, such as the two-line file
1: 4e; 4d; 2c; barThen, in the MS-DOS Prompt window, type
mup /F mysongwhich puts the output into mysong.ps. In GSview, click File and Open, opening c:\songs\mysong.ps to see the music displayed.
Printing music on your printer:
To print music, if you have a PostScript printer (which you probably don't), you can send the output of Mup directly to your printer, or save it in a file called mysong.ps by typing
mup /F mysongand printing the file mysong.ps. But don't try that unless you are sure you have a PostScript printer. A non-PostScript printer would print that file literally, which will give you dozens of pages of PostScript commands instead of music graphics.
If you don't have a PostScript printer, you can print the music from GSview. After you have displayed the music there, click File and Print.
Playing music on your speakers:
To play the music on your speakers via MIDI, in your MS-DOS Prompt window type
mup /M mysongNotice that is a capital M. This creates a file called mysong.mid, which is a MIDI file, in this folder. You play the ".mid" file with a program such as Windows' "media player". You may have a shortcut icon for the media player, or you may find it under Programs>Accessories>Entertainment. Its file name is mplayer.exe or wmplayer.exe, and it is probably located somewhere like c:\Program Files\Windows Media Player. or c:\Program Files (x86)\Windows Media Player.
For this method, just as for the other methods, you need to install Mup and Mupmate as described in Step 2 on our web page called "obtaining a copy of Mup", although you won't actually be using Mupmate. But you can't use the same Ghostscript as the other methods. You need the MS-DOS version of Ghostscript.
The Mupmate/Mup installer tells you what folder it will install them in, or you can tell it to use a different folder. The following examples assume the folder c:\mup, but you choose a different name, or just let it use the default. You also need to decide what folder you want to use to hold the Mup input files of music that you will be writing. In our examples we'll call it c:\songs.
Basic installation of the MS-DOS Ghostscript files:
The latest MS-DOS version of Ghostscript is version 5.10, and one place you can get it from is http://www.cs.wisc.edu/~ghost/doc/AFPL/get510.htm. You will need the three files gs510ini.zip, gs510dos.zip, and gs510fn1.zip. We suggest you install this MS-DOS Ghostscript in a folder called c:\gs. (You can use a different name, but the following examples assume c:\gs.) Create the folder, and if the three files aren't already in c:\gs, copy them there. They are not self extracting zip files; they are normal zip files, so you will have to unzip them by using a Windows unzipping program, or by typing these lines in the MS-DOS Prompt window:
cd c:\gs pkunzip -d gs510ini.zip pkunzip -d gs510dos.zip pkunzip -d gs510fn1.zipor similarly if you are using "unzip" or a form of "pkzip" instead of "pkunzip". If you get a message saying "bad command or file name", or "not recognizable as an operable program or batch file", it means that your system can't find pkunzip (or whichever), so you'll have to do it a different way.
Copy the file gs386.exe from c:\gs to c:\songs.
Changes possibly needed for older versions of Windows:
In older versions of Windows you may need to make changes to the files c:\autoexec.bat and/or c:\config.sys. We suggest you first try running without these changes, but if there is a problem, then your version apparently needs it, so you can then make the changes. One typical error you might see is "ghostscript error 1" when you try to view music.
When changing or creating these files, you must use a text editor, such as Notepad, not a word processor such as Microsoft Word. You will probably find Notepad under Programs/Accessories. You need to reboot the computer for these changes to take effect.
In either c:\gs or in a folder underneath it, you should see some file names ending with the extension ".gsf", and file names starting with "gs_" and ending with the extension ".ps". In c:\autoexec.bat there may need to be a line that sets the GS_LIB environment variable to the folder where those files are. What this means is, somewhere in the file (it doesn't matter where) you would need to put a line that says
set gs_lib=c:\gsif the files are right in c:\gs, or
set gs_lib=c:\gs\XXXXXif they are in folder c:\gs\XXXXX. If c:\autoexec.bat doesn't already exist, you would create it and put the line in it.
Also, c:\config.sys may need to contain a line of the form
files=Nwhere N is greater than or equal to 9. If c:\config.sys doesn't already exist, you would create it and put the line in it.
Changes needed for printing music:
If you have a PostScript printer, you can send the output of Mup directly to the printer, and you don't need to set up mupprnt.bat as described below; but most likely you don't have a PostScript printer.
Edit the c:\mup\mupprnt.bat file to customize it for your printer type. Find the line starting with "GS386", and find the place where it says
-sDEVICE=printertypeReplace "printertype" with the name for your printer. Comments near the top of mupprnt.bat give the list of printer types that Ghostscript supports. (Different versions of Ghostscript may support more or fewer printers. If you have problems, consult your Ghostscript documentation.) Also edit the mupprnt.bat file so that it can find Mup and Ghostscript, as follows. Find the line starting with "MUP", and change "MUP" to "c:\songs\MUP". Find the line starting with "GS386", and change "GS386" to "c:\songs\GS386". Finally, copy c:\mup\mupprnt.bat to c:\songs.
To run Mup for the first time, follow the instructions for doing this above, in the section for the first method. However, you need to copy two additional files:
cd c:\songs copy \mup\mupdisp.exe copy \mup\mupprnt.bat
Just as in the first method, you create the Mup input file for a piece of music by using an editor such as Notepad (not a word processor like Microsoft Word). See the explanation there.
Displaying music on your screen:
Since you have already copied sample.mup into your c:\songs folder, let's use that as an example. In an MS-DOS Prompt window, type these lines:
cd c:\songs mupdisp sampleThe Mupdisp command runs Mup and Ghostscript for you. If there are errors in the file, it will show them on your screen, telling which lines of the file were incorrect. But if there were no errors, Mupdisp will temporarily take over your whole screen, showing you the first page of music. The User's Guide tells you how to move around in Mupdisp; or you can type h or ? to get a help screen. To get out of it, type the letter "q". Your screen will return to normal.
Now, in your editor (Notepad or whatever), make a Mup input file of your own, and save it in a file, say mysong.mup, in c:\songs. You could use a simple example from the User's Guide, such as the two-line file
1: 4e; 4d; 2c; barThen, in the MS-DOS Prompt window, type
mupdisp mysongagain to see the music displayed.
Printing music on your printer:
To print music, if you have a PostScript printer (which you probably don't), you can send the output of Mup directly to your printer, or save it in a file called mysong.ps by typing
mup /F mysongand printing the file mysong.ps. But don't try that unless you are sure you have a PostScript printer. A non-PostScript printer would print that file literally, which will give you dozens of pages of PostScript commands instead of music graphics.
If you don't have a PostScript printer, in your MS-DOS Prompt window type
mupprnt mysong
Playing music on your speakers:
This is the same as in the first method.
If you have problems, you may contact us at
support@arkkra.com


ROBOCLASH 2019 is the first student-initiated robotics competition held in SUTD by the SUTD Robotics Club for SUTD students. We had a total of 35 participants which was quite a large group, considering that it was the very first competition that we were holding. We also secured sponsorship from both Lionsbot International and the EPD faculty in SUTD for materials as well as the prizes which included tablets and Nintendo Switches.
In the hosting of this competition, I was part of the planning committee, as the finance and logistics in-charge. I sourced and purchased materials for the field and the participants, as well as took care of the budgeting for ROBOCLASH


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| Main Water Line | |
| Sub Water lines | |
| Major Residencial Areas | |
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Sesors installed Mouse over the sensor for details |
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| Recycle Plants | |
| Office | |
| Hardware Shops | |
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One or more failures expected.
The expected Water loss is approximated to around $22.4M USD More details available on highlighted map areas |


Note: You are recommended to view it on Chrome for the best experience. On Firefox and IE, the equations in the boxes may not render.
More theoretical than practical, this activation function mimics the all-or-nothing property of biological neurons. It's not useful for neural networks, as its derivative is zero (except at 0 where it's undefined). This means that gradient based approaches for optimisation are not feasible.


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