6 App 4: Adding in a file loader: observe
and update
.
We’re going to make our file explorer more useful for other files by not hard coding variable names. We’ll take a .csv
file as input, and populate our selectInput
s with categories that are related to our selected variables.
6.1 Exercise
This will be more code review than activity. I apologize. Go through it and you will learn a lot.
Open the
app.R
in03_observe_update
.Try running the following code. What is in
categoricalVars
and what is innumericVars
? Is it what you expected? If you’re confused, please let me know.
#since we're in the shiny_pdx_rlang directory,
#we need to set our working directory to 03_observe_update
library(fivethirtyeight)
library(shiny)
library(tidyverse)
##Load in the helper functions
source("04/_observe_update/helper.R")
data(biopics)
myDataFrame <- biopics
##these functions return the categorical variables and
##the numeric variables, given a data.frame
##They're in helper.R
##Try running all the code before ui
##and look at what categoricalVars and numericVars contains
categoricalVars <- get_category_variables(myDataFrame)
numericVars <- get_numeric_variables(myDataFrame)
glimpse(myDataFrame)
categoricalVars
numericVars
Try running the app, and try loading the
datasetB.csv
file using the file browser (it should be in03_observe_update
). Did thex_variable
andy_variable
selectInputs
change?Let’s add a
selectInput
to filter on a particular category within our category variable. Uncomment all of the areas that sayuncomment this code for step 4
(there are 4 sections). As you do, follow the path from themyData()
reactive
to theobserve
code block to theselectInput
s inui.R
What is going on? Let’s start with the
fileInput
inui.R
. Where doesinput$file1
appear? What do we do with it in the reactive?Now let’s look at the
observe
codeblock. Is it dependent on a reactive? Where are we calling thereactive
? What are we doing in the codeblock?What does the
updateSelectInput
code do? What are we passing into it? WhatselectInputs
are we modifying?Try running the app again and make sure that it works before moving on.
6.2 More examples
The observe demo in the shiny gallery shows another example of observe
: https://shiny.rstudio.com/gallery/observer-demo.html


{% if diff_result.results.has_translation_seq_changed %}
Coding Sequence Compare
{% else %}
Coding Sequence Compare
{% endif %}
{% with diff_result.diff_me_transcript as diff_me_tr %}
Diff Me
{% if diff_me_tr %}
{% with diff_me_tr.translations as diff_me_translation %}
{% if diff_me_translation %}
{% with diff_me_translation.sequence|format_fasta:diff_me_translation.stable_id as fasta_seq %}
|{{ diff_result.results.has_translation_seq_changed }}|
{% with diff_result.results.has_translation_seq_changed as has_seq_checksum %}
{% include "checksum_match.html" with has_var_checksum=has_seq_checksum %}
{% endwith %}
{% with diff_result.diff_with_transcript as diff_with_tr %}
Diff With
{% if diff_with_tr %}
{% with diff_with_tr.translations as diff_with_translation %}
{% if diff_with_translation %}
{% with diff_with_translation.sequence|format_fasta:diff_with_translation.stable_id as fasta_seq %}


The application writer is responsible for providing the search options on the fly. Why on the fly? If the search options include for example looking for IDs stored in your DB, it will be costly to query for all of them in advance. If the user will start typing "ID = 123" then only IDs starting with 123 should be queried.
The convention is to put all of the search options implementation code in search.py, and to have in __init__.py from search import *
.
Implementing search is done as follows:
First, write from parasite.search import Search
.
Then, you have to write a class which inherits from Search
.
This class must have a static property called APP_NAME
, which should hold the name of your application
(it must be the same name used when creating the client side application object - see
This class should implement three class methods:
@classmethod def _get_filters(cls): ... @classmethod def _get_operators(cls, filter): ... @classmethod def _get_values(cls, filter, operator, value_prefix): ...Each of these methods should return a list of strings.
_get_filters
should return the available filters.
_get_operators
should return the operators available for the given filter.
_get_values
should return the values available for the given filter, operator, and the string the user has started typing for the value. e.g. - If the user has started typing ID = 123
, the avialable values should be the IDs starting with 123.
Note: there's no reason to return all of the available options - 20 is enough.
That's it! all of the rest is handled automatically by parasite (in the server side and in the client side).


1.Dumbbell Bench Press
Dumbbell Bench Press Instructions
- Lie down on a flat bench with a dumbbell in each hand resting on top of your thighs. The
palms of your hands will be facing each other.
- Then, using your thighs to help raise the dumbbells up, lift the dumbbells one at a time so
that you can hold them in front of you at shoulder width.
- Once at shoulder width, rotate your wrists forward so that the palms of your hands are
facing away from you. The dumbbells should be just to the sides of your chest, with your
upper arm and forearm creating a 90 degree angle. Be sure to maintain full control of the
dumbbells at all times. This will be your starting position.
 Lock your arms at the top
of the lift and squeeze your chest, hold for a second and then begin coming down slowly.
Tip: Ideally, lowering the weight should take about twice as long as raising it.
- Repeat the movement for the prescribed amount of repetitions of your training program.
Caution
When you are done, do not drop the dumbbells next to you as this is dangerous to your rotator
cuff in your shoulders and others working out around you.
Just lift your legs from the floor bending at the knees, twist your wrists so that the palms of
your hands are facing each other and place the dumbbells on top of your thighs. When both
dumbbells are touching your thighs simultaneously push your upper torso up (while pressing the
dumbbells on your thighs) and also perform a slight kick forward with your legs (keeping the
dumbbells on top of the thighs). By doing this combined movement, momentum will help you get
back to a sitting position with both dumbbells still on top of your thighs. At this moment you
can place the dumbbells on the floor.
Variations:
Another variation of this exercise is to perform it with the palms of the hands facing each
other.
Also, you can perform the exercise with the palms facing each other and then twisting the wrist
as you lift the dumbbells so that at the top of the movement the palms are facing away from the
body.
2.Incline Dumbbell Press:
Once you get used to the regular crunches, modify the basic crunch to get an even more effective
tummy exercise.
How To Do
- Lie back on an incline bench with a dumbbell in each hand atop your thighs. The palms of
your hands will be facing each other.
- Then, using your thighs to help push the dumbbells up, lift the dumbbells one at a time so
that you can hold them at shoulder width.
- Once you have the dumbbells raised to shoulder width, rotate your wrists forward so that the
palms of your hands are facing away from you.This will be your starting position.
- Be sure to keep full control of the dumbbells at all times. Then breathe out and push the
dumbbells up with your chest.
- Lock your arms at the top, hold for a second, and then start slowly lowering the weight. Tip
Ideally, lowering the weights should take about twice as long as raising them.
- Repeat the movement for the prescribed amount of repetitions.
- When you are done, place the dumbbells back on your thighs and then on the floor. This is
the safest manner to release the dumbbells.
Variations: You can use several angles on the incline bench if the bench you
are using is adjustable.
Another variation of this exercise is to perform it with the palms of the hands facing each
other.
Also, you can perform the exercise with the palms facing each other and then twisting the wrist
as you lift the dumbbells so that at the top of the movement the palms are facing away from the
body. I personally do not use this variation very often as it seems to be hard on my
shoulders.
3.Low Cable Crossover:
How To Do
- To move into the starting position, place the pulleys at the low position, select the
resistance to be used and grasp a handle in each hand.
- Step forward, gaining tension in the pulleys. Your palms should be facing forward, hands
below the waist, and your arms straight. This will be your starting position.
- With a slight bend in your arms, draw your hands upward and toward the midline of your body.

- Return your arms back to the starting position after a brief pause.
4.Decline Dumbbell Flyes :
Now it’s time to do reverse crunches. This is another good exercise to reduce belly
fat.
How To Do
- Secure your legs at the end of the decline bench and lie down with a dumbbell on each hand
on top of your thighs.The palms of your hand will be facing each other.
- Once you are laying down, move the dumbbells in front of you at shoulder width. The palms
of the hands should be facing each other and the arms should be perpendicular to the floor
and fully extended. This will be your starting position.
- With a slight bend on your elbows in order to prevent stress at the biceps tendon, lower
your arms out at both sides in a wide arc until you feel a stretch on your chest. Breathe in
as you perform this portion of the movement. Tip: Keep in mind that
throughout the movement, the arms should remain stationary; the movement should only occur
at the shoulder joint.
- Return your arms back to the starting position as you squeeze your chest muscles and
breathe out. Tip: Make sure to use the same arc of motion used to lower the
weights.
- Hold for a second at the contracted position and repeat the movement for the prescribed
amount of repetitions.
Variation: You may want to use a palms facing forward version for different
stimulation.
5.Decline Barbell Bench
How To Do
- Secure your legs at the end of the decline bench and
slowly lay down on the bench.
- Using a medium width grip (a grip that creates a 90-degree
angle in the middle of the movement between the forearms and the upper arms), lift the bar
from the rack and hold it straight over you with your arms locked. The arms should be
perpendicular to the floor. This will be your starting position. Tip: In
order to protect your rotator cuff, it is best if you have a spotter help you lift the
barbell off the rack.
- As you breathe in, come down slowly until you feel the bar
on your lower chest.
- After a second pause, bring the bar back to the starting
position as you breathe out and push the bar using your chest muscles. Lock your arms and
squeeze your chest in the contracted position, hold for a second and then start coming down
slowly again. Tip: It should take at least twice as long to go down than to
come up).
- Repeat the movement for the prescribed amount of
repetitions.
- When you are done, place the bar back in the rack.
Caution:
- If you are new at this exercise, it is advised that you
use a spotter. If no spotter is available, then be conservative with the amount of weight
used.
- Also, beware of letting the bar drift too far forward. You
want the bar to touch your lower chest and nowhere else.
- Don't bounce the weight off your chest. You should be in
full control of the barbell at all times.
Variations: You can also use dumbbells or exercise bands to perform this
exercise.


{% extends "base.html" %} {% block mainclass %}narrow{% endblock %} {% block main %}
Are you sure you want to delete {{ site.name }}'s process? This will not delete the script file.


5 Steps For Looking After Yourself When Using The Computer
A lot of students are unaware of the health risks they can impose on themselves whilst at the computer. By reading through this guide and following these simple steps, you should hopefully be more aware of how to make sure staying up all night won’t affect your health for the worse!
Step 1 - Your Monitor
Your monitor is essential to making sure your eyesight isn’t strained. By positioning your monitor correctly you can make sure your eyes aren’t strained and fatigued. Always try to position your monitor so that there is no or minimal glare and reflections on the screen and remember suitable room lighting is important! Following these steps can also improve your posture.
Step 2 - Your Chair
You should be sat on a chair which is easily adjustable. Adjusting your height from the highest to lowest ensures that you find the sweet spot so your legs are comfortable and not compressed, usually at 90 degrees or higher. Usually to keep your posture from being affected, the recommended angle is actually slightly greater than 90 degrees. This makes sure your limbs and back are at a slightly more opened angle, relieving any strain! Don’t forget that moving into different positions every now and again ensures better circulation and reduces muscle fatigue.
Step 3 - Lighting
Getting the lighting right is just as important as previous steps. If set incorrectly, the lighting in the room could affect your eyes (eyestrain, dry eyes, itch/irritated eyes). Indirect lighting is the best lighting. Usually overhead lights which are usually standard in each room is the way to go. It provides the best ‘even illumination’. This ambient lighting should be quite low as well as bright lighting can strain your eyes even more, tiring them out. The other most important thing to remember about lighting is glare from the sun. This is usually combated by positioning the monitor so it isn’t affected or by getting blinds.
Step 4 - Keyboard and Mouse
Your hands are on the keyboard and mouse most of the time. Using it incorrectly can also have an impact on your hands and wrists. There can be a number of ailments which can come from using these incorrectly which include sore wrists and in extreme cases carpal tunnel. To avoid these make sure that when you are typing on your keyboard to have it in the proper position. This is usually just above your lap. Using the keyboard in position will enable your arms to have an open angle which reduces strain. As for your mouse it would be pretty hard to use it wrong, the only thing you can do is take a break every now and again to give your wrists a break.
Step 5 - Breaks
Finally, taking breaks is just as important as any of the tips suggested. The standard break times is 5-10 mins every 50-60 mins continuous screen and keyboard/mouse usage. Ensuring that you are taking breaks properly and have the correct setup, you should be fine! By following some, if not all, of these tips then you further decrease the risk of damaging yourself or getting tired and cranky.


{% extends "base.html" %} {% block title %}Welcome!{% endblock %} {% block page_content %}
There are a lot of Go servers online that try to assign you a rating - KGS, OGS, IGS, Tygem, WBaduk, and countless others. The problem is that these ratings don't always agree with each other, or with the AGA's own rating system.
We're putting together a way for all these Go organizations to combine their game data, and calculate a single, more accurate rating.
For this to work, we need a way to put all of your accounts from OGS, KGS, etc. together.
Here's how it works:
That's it! Once the server knows who you are, they'll do the rest of the work in sending us the game data.
Head over to your account page to get started
Head over to your OGS User Settings page and under "AGA Settings", paste your token into the Token field. Then, click Link AGA Account.
{% endblock %}


|
Claim Form {% if data['check']== 1 %} - Claimant's copy {% endif %}
In the County Court Business Centre Online Civil Money Claims
Claim number: 000LR095
Received on: {{ now | date('subtract', 1, 'days') | date }} at 6:34PM
Issued on: {{ now | date }} |
{% if data['check']== 1 %}
{% else %}
{% endif %}
{% if data.counterclaim=="true" %}
{%else%}
1. Claimant's details
|
|
{% if data['check']== 3 %}Company name{%else%}Name{%endif%}:
|
{% if data['check']== 3 %}Clark Limited{% elseif data['check'] == 4 %}Jan Clark trading as Clark Property{%else%}Mrs Jan Clark{%endif%}
|
{% if data['check']== 3 %}
|
Contact person:
|
Jane Smith
|
{% endif %}
|
Address:
|
101 Regents Road
Shiplake
Henley on Thames
RG9 4BW
|
|
Correspondence address:
|
45 Commercial road
London
W1D 5HF
|
{% if data['check']== 3 %}
{% else %}
|
Date of birth:
|
31 January 1970
|
{% endif %}
|
Telephone:
|
{% if data['check']== 3 or data['check']== 4 %}020 9846 7847{%else%}07824999612{%endif%}
|
|
Email:
|
{% if data['check']== 3 %}jan.clark<EMAIL_ADDRESS>|
2. Defendant's details
|
|
Name:
|
Mrs Mary Richards
|
|
Address:
|
24 Acacia Drive
London
SW1 H9A
|
|
Correspondence address:
|
424 Western Avenue
London
SW4 8DV
|
|
Telephone:
|
{% if data['check']== 3 or data['check']== 4 %}020 9846 7847{%else%}07821231432{%endif%}
|
|
Email:
|
<EMAIL_ADDRESS>|
{%endif%}
3. Claim
|
{% if data['check']== 1 or data['check']== 2 or data['check']== 3 or data['check']== 4%}
{% if data['radio_select_group2']=="defend_now" or data['check']== 1 or data['check']== 2 or data['check']== 3 or data['check']== 4 %}
|
Reason for claim:
|
|
{% if data['check']== 1 or data['check'] =='2' or data['check'] =='3' or data['check']== 4 %}
- Mrs Richards had 7 physiotherapy appointments. The first appointment was on 16th November 2015 and the last was on 7th December 2016.
- She gave us details of his private medical insurance provider, Aviva, so that we could claim the fees from them.
- We have been unable to get payment from them and they have told us that.
- Mrs Richards's policy with them was terminated on 14th November 2015. We have contacted Mrs Richards on many occasions requesting payment culminating in an email on 23rd January 2017 warning that we would seek legal advice if we had no payment by 31st January 2017.
- We have have no response to this email and have had no payment.
{% else %} {{data['defence-disagree-claim']}}{% endif %}
|
{% endif %}
|
Timeline of what happened:
|
|
{% if data['cd-timeline-2'] !='' %}| {% else %} | {% endif %}
{% if data['check']== 1 or data['check'] =='2' or data['check']== 3 or data['check']== 4 %}1 April 2017{% else %}{{data['cd-date-1']}}{% endif %}
|
{% if data['cd-timeline-2'] !='' %}{% else %} | {% endif %}
{% if data['check']== 1 or data['check'] =='2'or data['check']== 3 or data['check']== 4 %}I contacted Jan Clark to discuss building works on our roof.{% else %}{{data['cd-timeline-1']}}{% endif %}
|
{% if data['cd-timeline-2'] !='' or data['check'] =='2' or data['check'] =='3' %}
|
{% if data['check']== 1 or data['check'] =='2' or data['check']== 3 or data['check']== 4 %}7 April 2017{% else %}{{data['cd-date-2']}}{% endif %}
|
{% if data['check']== 1 or data['check'] =='2' or data['check']== 3 or data['check']== 4 %}We agreed what work should be done and signed a contract.{% else %}{{data['cd-timeline-2']}}{% endif %}
|
|
Evidence:
|
|
|
{% if data['check']== 1 or data['check'] =='2' or data['check']== 3 or data['check']== 4 %}Contracts and agreements{% else %}
{% if data['legal-status1'] == 2 %}Contracts and agreements - {% endif %}
{% if data['legal-status1'] == 3 %}Expert witness - {% endif %}
{% if data['legal-status1'] == 4 %}Letters, emails and other correspondence - {% endif %}
{% if data['legal-status1'] == 5 %}Photo evidence - {% endif %}
{% if data['legal-status1'] == 6 %}Receipts - {% endif %}
{% if data['legal-status1'] == 7 %}Contracts and agreements - {% endif %}
{% if data['legal-status1'] == 'other' %}Statements of account - {% endif %}
{% endif %}
|
{% if data['check']== 1 or data['check'] =='2' or data['check']== 3 or data['check']== 4 %}I have a signed contract showing that you broke the contract agreement.{% else %}{{data['legal-status-description-1'] }}{% endif %}
|
{% if data['legal-status2'] !='' or data['check']== 1 or data['check'] =='2' or data['check']== 3 or data['check']== 4 %}
|
{% if data['check']== 1 or data['check'] =='2' or data['check']== 3 or data['check']== 4 %}Photos {% else %}
{% if data['legal-status2'] == 2 %}Contracts and agreements - {% endif %}
{% if data['legal-status2'] == 3 %}Expert witness - {% endif %}
{% if data['legal-status2'] == 4 %}Letters, emails and other correspondence - {% endif %}
{% if data['legal-status2'] == 5 %}Photo evidence - {% endif %}
{% if data['legal-status2'] == 6 %}Receipts - {% endif %}
{% if data['legal-status2'] == 7 %}Contracts and agreements - {% endif %}
{% if data['legal-status2'] == 'other' %}Statements of account - {% endif %}
{% endif %}
|
{% if data['check']== 1 or data['check'] =='2' or data['check']== 3 or data['check']== 4 %}The photos I've taken show the poor workmanship of the roof repair.{% else %}{{data['legal-status-description-2'] }}{% endif %}
|
{% endif %}
{% endif %}
Claim number: 000LR095
4. Claim amount details
|
|
Claim amount items:
|
|
{% if data['timeline-2'] !='' %}| {% else %} | {% endif %}
{% if data['check']== 1 or data['check'] =='2' or data['check'] =='3' or data['check']== 4 %}Repair to the roof{% else %}{{data['amount-timeline-1']}}{% endif %}
|
{% if data['timeline-2'] !='' %}{% else %} | {% endif %}
{% if data['check']== 1 or data['check'] =='2' or data['check'] =='3' or data['check']== 4 %}£500{% else %}£{{data['amount-value-1']}}{% endif %}
|
{% if data['amount-timeline-2'] !='' or data['check']== 1 or data['check'] =='2' or data['check'] =='3' %}
|
{% if data['check']== 1 or data['check'] =='2' or data['check'] =='3' or data['check']== 4 %}Cost of call out repair{% else %}{{data['amount-timeline-2']}}{% endif %}
|
{% if data['check']== 1 or data['check'] =='2' or data['check'] =='3' or data['check']== 4 %}£500{% else %}{{data['amount-value-2']}}{% endif %}
|
{% endif %}
{% if data['radio_group2']=="interest_yes" or data['check']== 1 or data['check'] =='2' or data['check'] =='3' or data['check']== 4 %}
{% if data['radio_group1']=="interest_variable" or data['check'] =='3' or data['check']== 4 %}
|
Total interest amount:
|
{% if data['check'] =='3' or data['check']== 4 %}£44.34{% else %} £{{data['interest-amount-rate']}}{% endif %}
|
|
How the interest was calculated:
|
{% if data['check'] =='3' or data['check']== 4 %}This is calculated from the 31/01/17 to 23/09/17 at 8%. Then from 30/09/17 onwards at 10%{% else %}{{data['interest-amount-rate-why']}}{% endif %}
|
{% if data['continue-interest']=="interest_yes" or data['check'] =='3' or data['check']== 4 %}
|
Interest end date:
|
{% if data['continue-interest-rate']=="8" %}
8%
{% elif data['continue-interest-rate']=="different" or data['check'] =='3' or data['check']== 4 %}
{% if data['check'] =='3' or data['check']== 4 %} £12 per day until the claim is settled or judgment made.{% else %} £{{data['continue-interest-rate-amount']}}{% endif %}
{% endif %}
|
{% endif %}
{% elif data['radio_group1']=="interest_fixed" or data['check']== 1 or data['check'] =='2'%}
{% if data['interest_rates']=="8" %}
{% endif %}
{% if data['interest_rates']=="Different" or data['check'] =='2'%}
|
Interest rate claimed:
|
{% if data['check'] =='2' or data['check'] =='1' %}8%{% else %}{{data['rate']}}%{% endif %}
|
|
Explanation:
|
The claimant reserves the right to claim interest
under Section 69 of the County Courts Act 1984
|
{% endif %}
{% if data['interest-rate']!="No interest" %}
{% if data['interest-rate2']=="particular-date" or data['check'] =='2'%}
|
Date interest is claimed from:
|
{% if data['check'] =='2' %}31 March 2017{% else %}{{ data['interest-day'] }} {{ data['interest-month'] }} {{ data['interest-year'] }}{% endif %}
|
|
Explanation:
|
{% if data['check'] =='2' %}This is when the problems started{% else %}{{data['date_why']}}{% endif %}
|
|
Interest end date:
|
{% if data['interest-date']=="submitted" %}
18 October 2017
{% elif data['interest-date']=="continue" %}
Interest will accrue at the daily rate of £0.02 up to
the date of judgment.
{% else %}
Interest will accrue at the daily rate of £0.02 up to
the date of judgment.
{% endif %}
|
{% endif %}
{% endif %}
{% endif %}
{% endif %}
5. Total amount
|
|
Claim amount:
|
£1000.00
|
{% if data['check'] =='1'%}
{% else %}
|
Total interest claimed to the date of submission:
|
£14.00
|
{% endif %}
|
Claim fee:
|
£350.00
|
|
Total:
|
£{% if data['check'] =='1' %}1350.00{% else %}1364.00{% endif %}
|
{% endif %}
{% if data['check']== 1 or data['check']== 2 or data['check']== 3 or data['check']== 4 %}
6. Statement of truth
|
|
|
I believe that the facts stated in this claim form are true. I understand that proceedings for contempt of court may be brought against anyone who makes, or causes to be made, a false statement in a document verified by a statement of truth without an honest belief in its truth.
|
{% if data['check']== 3 %}
|
|
Company: Clark Limited
|
|
|
Name: Jan Clark
|
|
|
Job title: Owner/Director
|
{% elseif data['check']== 4 %}
|
|
Name: Jan Clark
|
|
|
Trading as: Clark Property
|
{% else %}
|
|
Jan Clark
|
{% endif %}
|
|
|
{% endif %}
{% if data['check']== 1 %}
{% else %}
If you don't respond before 4pm on , you could get a default County Court Judgment (CCJ) made against you.
{% endif %}


Beaver has a machine that transforms a sequence of shapes according to some rules.
Find rules and a sequence of shapes that give a result identical to the target.
Click on the buttons to add or remove shapes.
Click on the shapes in the gray buttons to change them. For example, click on .
To get all the points, your sequence should only contain 6 shapes.


My name is Tuhin Roy and I am a Computer Science B.tech passout student at
Techno India University, living in Kolkata, West Bengal.
I really enjoy programmming and love to be always learning something new. I have a strong
work ethic, as shown by my 8.08 CGPA, and I can quickly pick up on new technologies.
In my spare time I work on a App development team as a front-end developer for a
non-profit organization, and also work on my own programming projects.
Design an android app from an existing website for - Odisha PVTG Empowerment & Livelihoods Improvement Programme, using Flutter.
Volunteered as a Mentor for Orientation Programme, focusing on C and Java programming language.
successfully undergone a six weeks online Winter training on Web Development. The training program consisted of HTML & CSS, Bootstrap, SQL and PHP modules and lasted for six weeks
NGO Application
android app design from an existing website for - Odisha PVTG Empowerment & Livelihoods Improvement Programme
Background Remover Web-App
This Project provide a platform for users to automatically remove chroma key, popularly known as green-screens from pictures using Matterport MaskRcnn library.
Calculatar
Calculator App written in dart using Flutter.
personal portfolio
Fully Responsive Personal portfolio website.
Gradient Color generator
This website provides Customized gradient color combination for someone who likes Gradient
Email: tuhinroy881@gmail.com


Julia is the brand new language that is coming on fast, mainly because of its claim that it can be as easy to code as Python while being as fast as C. This was the objective as it was being created at least, at the recent year of 2009. Beyond the speed focus, Julia has been written as a numerical language that has a unique type system, which to the best of my reasoning means that you can declare a variable and then use it through various notations. While the recent invention of this language makes it shiny and fast, this lack of use is also Julia’s biggest downside. If you go on Stack Exchange, there are not many Julia questions or if you want to read a book it is difficult to find a guide. This will likely change in the future however, as it seems like more organizations and schools are catching on.
As I am actively learning this language while I go through this exercise I may not be the best to suggest learning mediums. Although, I have been reading Think Julia which has been an easy-read yet extensive. There are also many great videos offered on Julia’s website that are worth a view or two.
Or, as always! You can read my code. I have broke them down into the various versions mentioned on the main tic tac toe page. Descriptions of syntax and logic abound (hopefully!).


| 1 |
Kraay_2018 |
Fomite-mediated transmission as a sufficient pathway: a comparative analysis across three viral pathogens |
Kraay, Alicia N.M.; Hayashi, Michael A.L.; Hernandez-Ceron, Nancy; Spicknall, Ian H.; Eisenberg, Marisa C.; Meza, Rafael; Eisenberg, Joseph N.S. |
2018 |
2018-10-29 |
COMM-USE |
N |
PMC6206643 |
30373527.0 |
10.1186/s12879-018-3425-x |
jy63p793 |
0.882547 |
|
|
| 2 |
Dahlke_2012 |
Evaluation of the spatter-reduction effectiveness of two dry-field isolation techniques |
Dahlke, William O.; Cottam, Michael R.; Herring, Matthew C.; Leavitt, Joshua M.; Ditmyer, Marcia M.; Walker, Richard S. |
2012 |
2012-11-30 |
PMC |
N |
PMC7093867 |
23115148.0 |
10.14219/jada.archive.2012.0064 |
9j7jx3lv |
0.814540 |
|
|
| 3 |
Rodriguez-Palacios_2020 |
Nonmedical Masks in Public for Respiratory Pandemics: Droplet Retention by Two-Layer Textile Barrier Fully Protects Germ-free Mice from Bacteria in Droplets |
Alex Rodriguez-Palacios; Mathew Conger; Fabio Cominelli |
2020 |
2020-04-10 |
BioRxiv |
N |
|
|
10.1101/2<IP_ADDRESS>688 |
e790rxq9 |
0.811591 |
|
Rodriguez-Palacios_2020 |
| 4 |
Zayas_2013 |
Effectiveness of cough etiquette maneuvers in disrupting the chain of transmission of infectious respiratory diseases |
Zayas, Gustavo; Chiang, Ming C; Wong, Eric; MacDonald, Fred; Lange, Carlos F; Senthilselvan, Ambikaipakan; King, Malcolm |
2013 |
2013-09-08 |
COMM-USE |
N |
PMC3846148 |
24010919.0 |
10.1186/1471-2458-13-811 |
rftuiaez |
0.747052 |
|
|
| 5 |
Sze‐To_2013 |
Effects of Surface Material, Ventilation, and Human Behavior on Indirect Contact Transmission Risk of Respiratory Infection |
Sze‐To, Gin Nam; Yang, Yang; Kwan, Joseph K. C.; Yu, Samuel C. T.; Chao, Christopher Y. H. |
2013 |
2013-11-25 |
PMC |
N |
PMC7169243 |
24955468.0 |
10.1111/risa.12144 |
o1tjh69q |
0.729764 |
|
|
| 6 |
Warwick_2012 |
Visitor behaviour and public health implications associated with exotic pet markets: an observational study |
Warwick, Clifford; Arena, Phillip C; Steedman, Catrina |
2012 |
2012-09-20 |
NONCOMM |
N |
PMC3545344 |
23323203.0 |
10.1258/shorts.2012.012012 |
7pmt9k83 |
0.623508 |
|
|
| 7 |
Zietsman_2019 |
Potential for occupational exposures to pathogens during bronchoscopy procedures |
Zietsman, Maryshe; Phan, Linh T.; Jones, Rachael M. |
2019 |
2019-08-13 |
PMC |
N |
PMC7157954 |
31407954.0 |
10.1080/15459624.2019.1649414 |
8uemt0uq |
0.606646 |
|
|
| 8 |
Rodriguez-Palacios_2020 |
Textile Masks and Surface Covers - A 'Universal Droplet Reduction Model' Against Respiratory Pandemics |
Alexander Rodriguez-Palacios; Fabio Cominelli; Abigail Basson; Theresa Pizarro; Sanja Ilic |
2020 |
2020-04-10 |
BioRxiv |
Y |
|
|
10.1101/2<IP_ADDRESS>45617 |
t697xw4y |
0.601072 |
|
Rodriguez-Palacios_2020, Lindsley_2014, Benson_2013 |
| 9 |
Flores_2013 |
Preventing Airborne Disease Transmission: Implications for Patients During Mechanical Ventilation |
Flores, Marco V.; Cohen, Mark |
2013 |
2013-05-29 |
PMC |
N |
PMC7121330 |
|
10.1007/978-3-7091-1496-4_34 |
t71f10kv |
0.539050 |
Deng_2015 |
Bing-Yuan_2018 |
| 10 |
HARREL_2004 |
Aerosols and splatter in dentistry A brief review of the literature and infection control implications |
HARREL, STEPHEN K.; MOLINARI, JOHN |
2004 |
2004-04-30 |
PMC |
N |
PMC7093851 |
15127864.0 |
10.14219/jada.archive.2004.0207 |
31pxa5rv |
0.529807 |
Carling_2016 |
Gamage_2005, Schneiderman_2019, Harte_2010 |
| 11 |
Patel_2016 |
Respiratory source control using a surgical mask: An in vitro study |
Patel, Rajeev B.; Skaria, Shaji D.; Mansour, Mohamed M.; Smaldone, Gerald C. |
2016 |
2016-07-02 |
PMC |
N |
PMC4873718 |
26225807.0 |
10.1080/15459624.2015.1043050 |
s3wbsllu |
0.528290 |
Roberge_2008, Casanova_2008 |
Benson_2013 |
| 12 |
Peng_2020 |
Transmission routes of 2019-nCoV and controls in dental practice |
Peng, Xian; Xu, Xin; Li, Yuqing; Cheng, Lei; Zhou, Xuedong; Ren, Biao |
2020 |
2020-01-01 |
COMM-USE |
Y |
PMC7054527 |
32127517.0 |
10.1038/s41368-020-0075-9 |
lasv4e6a |
0.514416 |
|
|
| 13 |
Zhang_2018 |
Transmission of Influenza A in a Student Office Based on Realistic Person-to-Person Contact and Surface Touch Behaviour |
Zhang, Nan; Li, Yuguo |
2018 |
2018-08-09 |
COMM-USE |
N |
PMC6121424 |
30096894.0 |
10.3390/ijerph15081699 |
6yu02snn |
0.509915 |
|
|
| 14 |
Tellier_2019 |
Recognition of aerosol transmission of infectious agents: a commentary |
Tellier, Raymond; Li, Yuguo; Cowling, Benjamin J.; Tang, Julian W. |
2019 |
2019-01-31 |
COMM-USE |
N |
PMC6357359 |
30704406.0 |
10.1186/s12879-019-3707-y |
ioemd0ij |
0.477605 |
|
Bing-Yuan_2018, Tang_2006 |
| 15 |
Sakaguchi_2010 |
Maintenance of influenza virus infectivity on the surfaces of personal protective equipment and clothing used in healthcare settings |
Sakaguchi, Hiroko; Wada, Koji; Kajioka, Jitsuo; Watanabe, Mayumi; Nakano, Ryuichi; Hirose, Tatsuko; Ohta, Hiroshi; Aizawa, Yoshiharu |
2010 |
2010-05-12 |
PMC |
N |
PMC2955907 |
21432565.0 |
10.1007/s12199-010-0149-y |
9sso5gfj |
0.462627 |
|
|
| 16 |
Li_R_2004 |
Severe Acute Respiratory Syndrome (SARS) and the GDP. Part II: Implications for GDPs |
Li, R W K; Leung, K W C; Sun, F C S; Samaranayake, L P |
2004 |
2004-08-14 |
PMC |
N |
PMC7091810 |
15311240.0 |
10.1038/sj.bdj.4811522 |
f1ulk9ce |
0.460788 |
|
Gamage_2005 |
| 17 |
Otter_2016 |
Transmission of SARS and MERS coronaviruses and influenza virus in healthcare settings: the possible role of dry surface contamination |
Otter, J.A.; Donskey, C.; Yezli, S.; Douthwaite, S.; Goldenberg, S.D.; Weber, D.J. |
2016 |
2016-03-31 |
PMC |
N |
PMC7114921 |
26597631.0 |
10.1016/j.jhin.2015.08.027 |
pk8u9m7h |
0.411686 |
|
|
| 18 |
Lindsley_2014 |
Efficacy of Face Shields Against Cough Aerosol Droplets from a Cough Simulator |
Lindsley, William G.; Noti, John D.; Blachere, Francoise M.; Szalajda, Jonathan V.; Beezhold, Donald H. |
2014 |
2014-01-27 |
None |
N |
PMC4734356 |
24467190.0 |
10.1080/15459624.2013.877591 |
wdvuweiq |
0.408030 |
|
|
| 19 |
DePaola_2019 |
Summary of Infection Control in the Dental Office: A Global Prospective |
DePaola, Louis G.; Grant, Leslie E. |
2019 |
2019-11-18 |
PMC |
N |
PMC7120994 |
|
10.1007/978-3-030-30085-2_15 |
yc0a30mk |
0.406199 |
|
Schneiderman_2019 |
| 20 |
Bing-Yuan_2018 |
Role of viral bioaerosols in nosocomial infections and measures for prevention and control |
Bing-Yuan, ; Zhang, Yun-Hui; Leung, Nancy H.L.; Cowling, Benjamin J.; Yang, Zi-Feng |
2018 |
2018-03-31 |
PMC |
N |
PMC7094610 |
|
10.1016/j.jaerosci.2017.11.011 |
scmta88m |
0.381877 |
Deng_2015 |
Sattar_2004 |
| 21 |
Roberge_2016 |
Face shields for infection control: A review |
Roberge, Raymond J. |
2016 |
2016-02-22 |
None |
N |
PMC5015006 |
26558413.0 |
10.1080/15459624.2015.1095302 |
a49yg45g |
0.349123 |
Dawes_2007 |
Benson_2013, DePaola_2019 |
| 22 |
Limeres_Posse_2017 |
Chapter 4 Viral Diseases Transmissible by Kissing |
Limeres Posse, Jacobo; Diz Dios, Pedro; Scully, Crispian |
2017 |
2017-12-31 |
PMC |
N |
PMC7150091 |
|
10.1016/b978-0-12-813681-2.00004-4 |
w2xaxhkj |
0.336223 |
|
|
| 23 |
Tang_2006 |
Factors involved in the aerosol transmission of infection and control of ventilation in healthcare premises |
Tang, J.W.; Li, Y.; Eames, I.; Chan, P.K.S.; Ridgway, G.L. |
2006 |
2006-10-31 |
PMC |
N |
PMC7114857 |
16916564.0 |
10.1016/j.jhin.2006.05.022 |
f2ysumb0 |
0.332282 |
|
Bing-Yuan_2018, Gamage_2005 |


This occurred on New Years 2010 - 2011
I had a regular kind of new years party with a group of my best friends. We didn't have any regular weed and because my girlfriend is hunting for a job I wouldn't have been able to smoke it anyway. We had a moderate amount of alcohol around, although no one was getting plastered. My friend J had purchased some spice product recently (I believe that it was called 'Apocalypse' or some such name). Because I knew that it passed standard drug tests, I asked him to bring it along. Although I'd read some bad publicity online, I disregarded it, thinking that it was due to teenagers carelessly smoking way too much. A hit or two couldn't hurt, right?
I took two even hits of the stuff from a one-hitter and it gave me a rushing high a lot like really strong weed. My hands felt really tingly; sensations were too amplified; it was hard to fish a lighter out of my pocket, etc. It began to fade out an hour and a half later. It was stronger than I could have predicted it would be. I was told later that I got a little pale. It was a lot like weed but felt less natural and wasn't entirely pleasant.
My girlfriend decided to take a hit a little bit after me. Unknown to me at the time, she took a few more hits over the course of the night. No big deal at first. She had a good time that night and things ended on a positive note.
Unfortunately things were not so good the next night. My girlfriend is epileptic. As we were sleeping, about 4:00 AM on the second of January she had the worst seizure that she's had in three and a half years: Convulsions for about 35 - 40 seconds and difficulty breathing. It is now the 20th of January and she is still having minor seizures at night. She takes an anticonvulsant drug which previously had suppressed this kind of activity. I don't believe that this is coincidence. She has never had this kind of reaction to alcohol or weed and this began literally the night after using the spice product.
I feel very guilty because instead of considering my girlfriend's best interest as my first priority I disregarded the warning reports online, particularly about K2 overdoses causing seizure-like symptoms. This in favor of having a little bit more fun for one night. She's suffered a lot because of my stupidity.   I hope she feels better soon and that whatever traces of untested lab chemical eventually leave her body.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


George P. Kontoudis
Ph.D. Student, Department of Mechanical Engineering
Virginia Tech, Blacksburg, VA, USA
Links: CV, Google Scholar, ORCID, GitHub
Contact
Email<EMAIL_ADDRESS>Telephone: +1<PHONE_NUMBER>
Office: 011B Randolph Hall, Blacksburg, VA, USA
About Me
Currently, I am a Ph.D. student working with Prof. Tomonari Furukawa and Prof. Kyriakos Vamvoudakis in the CMS Lab at Virginia Tech. I am also a Member and Research Associate of the OpenBionics initiative.
Research Interests
My research interests lie in improving the dexterity of robotic devices that operate in unstructured environments, focusing on anthropomorphic robot hands, exo-arm/hand assistive devices, bio-inspired mechanisms, and design optimization. More information can be found on my research project page.
News
Sep 2017: Paper accepted in 2017 IEEE Symp. on Adaptive Dynamic Programming and Reinforcement Learning (ADPRL)Dec 2016: Won the Thomaideion Award from National Technical University of Athens (NTUA)
Aug 2016: Started my PhD in Mechanical Engineering at Virginia Tech
Mar 2016: Graduated with a Diploma (MSc) in Mechanical Engineering from National Technical University of Athens (NTUA)
Nov 2015: Won the 2nd place in 2015 Hackaday Prize with the OpenBionics Initiative
Oct 2015: Published an assembly guide for the OpenBionics prosthetic hands
Oct 2015: Paper presented in 2015 IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS)
Oct 2015: Won the IEEE/RAS Student Travel Award (IROS)
Sep 2015: Won the Robotdalen Innovation Award with the OpenBionics Initiative
Jul 2015: Paper accepted in 2015 IEEE/RSJ International Conference on Intelligent Robots and Systems (IROS)
Jan 2015: Published an assembly guide for the OpenBionics robot hands


--- title: "Economists and Models" linktitle: "1: Economists and Models" date: "2020-08-24" start_date: "2020-08-24" end_date: "2020-08-28" menu: content: parent: Course content weight: 1 type: docs bibliography: "../../static/bib/references.bib" csl: "../../static/bib/chicago-fullnote-bibliography-no-bib.csl" pdf: /slides/pmap8141_f20_01-slides.pdf thumb: /slides/pmap8141_f20_01-slides.png output: blogdown::html_page: toc: true ---
Videos for each section of the lecture are available at this YouTube playlist.
You can also watch the playlist (and skip around to different sections) here:


Reports for software development
S01
Report for s01S02
Report for s02S03
Report for s03S04
Report for s04S05
Report for s05S06
Report for s06S07
Report for s07S08
Report for s08| Github | Youtube | |
|---|---|---|
| Github Results | Youtube |
| Github | Youtube | |
|---|---|---|
| Github Results | Youtube |


BJP stages 'Rahul must apologise' protests over Rafale
In the wake of the Supreme Court's decision dismissing petitions for a probe into the Rafale jet deal, Bharatiya Janata Party workers held protests on Saturday seeking an apology from Congress leader Rahul Gandhi.
IMAGE: BJP workers stage a protest against Congress leader Rahul Gandhi on the Rafale issue, outside BJP office at Dadar in Mumbai. Photograph: PTI Photo
The BJP said, in a statement, that its workers held protests in district headquarters across the country, with its national general secretary Arun Singh leading the stir in Bhubaneswar, Maharashtra party chief Chandrakant Patil in Mumbai and Bihar unit president Sanjay Jaiswal in Patna, among other places.
It also organised demonstrations in Lucknow, Chandigarh, Shimla, Jaipur, Varanasi and Thiruvananthapuram, the statement said.
IMAGE: BJP & BJYM workers stage a protest against the Congress leader Rahul Gandhi in Chandigarh. Photograph: PTI Photo
Talking to reporters during the protest, BJP's Madhya Pradesh unit president, Rakesh Singh, alleged that the SC's verdict on
Rafale has exposed the Congress' smear campaign against the Modi government.
"Supreme Court dismissed the review petitions in the Rafale case. With this, the NDA government's stand was vindicated. Rahul Gandhi's apology to the SC on Rafale issue is not enough. We want him to apologise to the country as the purchase of Rafale jets was done in a completely transparent manner," Singh said.
IMAGE: Bharatiya Janata Yuva Morcha activists burn an effigy of Congress leader Rahul Gandhi during a protest at West Bengal Congress office in Kolkata. Photograph: PTI Photo
In the run-up to the Lok Sabha elections earlier this year, Gandhi had raised the Rafale issue aggressively, targeting Prime Minister Narendra Modi with his "chowkidar chor hai" jibe over the purchase of Rafale deal.
IMAGE: BJP's state president Sanjay Jaiswal with partys national spokesman Syed Shahnawaz Hussain and supporters stage a protest seeking an apology from Congress leader Rahul Gandhi after Supreme Court's ruling on the Rafale issue, in Patna. Photograph: PTI Photo
The apex court on Thursday gave a clean chit to the Modi government on the purchase of the 36 fighter jets from Dassault Aviation, rejecting the petitions seeking review of its last year order.
IMAGE: BJP workers stage a protest seeking apology from Congress leader Rahul Gandhi on the Rafale issue, outside the BJP office in Lucknow. Photograph: Nand Kumar/PTI Photo


GoBruins
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neurobo
Start
Reward
On Attacking
On Damaged
Sensor
Angle
Count
Range
Reward
On Attacking
On Damaged
Sensor
Angle
Count
Range


New HBO
Documentary Series
The inspiring and unique personal
journey of Ruth Bader Ginsburg
Brittany Murphy
An ID Mystery


Provides functions for making contour plots. The contour plot can be created from grid data, a function, or a data set. If non-grid data is given, then a Gaussian process is fit to the data and used to create the contour plot.
| Version: | 0.1.0 |
| Suggests: | knitr, rmarkdown, mlegp, laGP |
| Published: | 2017-05-04 |
| Author: | Collin Erickson [aut, cre] |
| Maintainer: | Collin Erickson <collinberickson at gmail.com> |
| License: | GPL-3 |
| URL: | https://github.com/CollinErickson/contour |
| NeedsCompilation: | no |
| Materials: | README NEWS |
| CRAN checks: | ContourFunctions results |
| Reference manual: | ContourFunctions.pdf |
| Vignettes: |
Introduction to the ContourFunctions R package |
| Package source: | ContourFunctions_0.1.0.tar.gz |
| Windows binaries: | r-devel: ContourFunctions_0.1.0.zip, r-release: ContourFunctions_0.1.0.zip, r-oldrel: ContourFunctions_0.1.0.zip |
| OS X binaries: | r-release: ContourFunctions_0.1.0.tgz, r-oldrel: ContourFunctions_0.1.0.tgz |
| Reverse suggests: | TestFunctions |
Please use the canonical form https://CRAN.R-project.org/package=ContourFunctions to link to this page.


Xiaomi’s new Mi Watch runs ‘MIUI for Watch’ and costs just $185
Source: Xiaomi
What you need to know
- Mi Watch is Xiaomi's very first smartwatch to run on the Wear OS platform.
- It will be going on sale in China next week for 1,299 yuan ($185).
- The smartwatch features a 1.78-inch AMOLED display, Snapdragon Wear 3100 4G chipset, a 570mAh battery, and eSIM support.
The Mi CC9 Pro wasn't the only impressive new product that Xiaomi launched today. It also introduced its very smartwatch to run on Google's Wear OS platform. The smartwatch, dubbed Mi Watch, looks very similar to the Apple Watch, featuring a square design and a crown on the right side.
Xiaomi Mi Watch sports a 1.78-inch AMOLED Always-on display and a 44mm case size. The display offers 410 x 410 resolution and is protected by a layer of "toughened curved glass." Only the limited edition "Exclusive" variant of the watch gets Sapphire Glass on top.
Running under the hood is a Snapdragon Wear 3100 4G chipset, along with 1GB RAM and 8GB storage. The watch uses a 570mAh battery, claimed to last up to 36 hours on a single charge. Thanks to eSIM support, the Mi Watch can connect to 4G networks as well. It also has Wi-Fi, GPS, Bluetooth, GPS, continuous heart rate monitoring, sleep tracking, blood oxygen sensors, and NFC for making payments.
The first Wear OS smartwatch from Xiaomi has the company's 'MIUI for Watch' custom user interface on top. Xiaomi says MIUI for Watch currently has 40 built-in apps, including applets to control the company's smart home appliances. The Mi Watch also offers over 100 different watch faces.
Xiaomi Mi Watch is set to go on sale in China starting November 11 for 1,299 yuan ($185). The aforementioned Mi Watch "Exclusive" version, which comes with stainless steel bezels and chain strap, will cost 1,999 yuan ($285) and is expected to be available in mid-December. Xiaomi hasn't revealed any plans of launching the smartwatch in markets outside China yet.


Probe launched after boy, 16, tragically dies after being hit by car near Adare, Co Limerick
His body remains at the scene and is due to be removed for a post mortem shortly
by Cormac ByrneA teen has tragically died following a road accident in Co Limerick during the early hours of Sunday morning.
The male pedestrian, 16, was fatally injured when he struck by a car on the N21, near Garraunboy, Adare, Co Limerick at around 3.45 a.m.
His body remains at the scene and is due to be removed to Limerick University Hospital where a post mortem will take place.
The driver of the car - a man in his late 40s - was uninjured in the incident.
The scene is currently preserved and Garda forensic collision investigators are due to conduction an examination.
The road remains closed which is the N21 at the Newcastle West side of Adare village and local diversions are in place.
Gardaí at Newcastle West are appealing for any witnesses to this road traffic collision to come forward, particularly any motorists who were travelling in the area at the time and may have dash cam footage.
Anyone with information is asked to contact Newcastle West Garda Station on 069 - 20650, the Garda Confidential Line on 1800 666 111 or any Garda Station.
How to follow the Irish Mirror on social media
You can like our main Facebook page here.
Our Irish Mirror Sports page - which brings you all your Irish and UK sports news - can be found here.
You can also check out our Irish Mirror GAA sports page.
The Irish Mirror Twitter account is @IrishMirror while our sports account is @MirrorSportIE.
Our Instagram account can be found here.


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THE CELEBRATION -------------------------------------------------------------- GRADE: B
CELEBRATION trots out that old chestnut, the "dark family secret," to enliven a birthday party for the 60-year-old patriarch of a large Danish clan. Director Thomas Vinterberg has signed onto the Copenhagen-based Dogme 95 collective of filmmakers, agreeing to a "vow of chastity" that precludes the use of props and constructed sets as well as any optical effects, special lighting, post-synchronized sound, or anything but handheld camerawork. The result is an edgy picture that's all the more impressive for what it does within its rigid aesthetic, but ultimately delivers less than it promises.
Ulrich Thomsen is Christian, one of three adult siblings arriving at the party. Sister Helene and brother Michael are regarded by the family as somewhat less successful than Christian. The fourth, absent sibling is Diane, Christian's twin, who drowned herself in one of the house's bathtubs just two months previous to the gathering. Christian remains shattered by the loss, not least because he was the only family member not to receive a final telephone call or letter from his beloved sister. When Christian stands to make a speech, it's not to celebrate the family but rather to excoriate it, bringing some troublesome demons out of the past and into the harsh light of the present.
Despite the nature of Christian's revelations -- he claims that, as children, both he and his sister were the unwilling objects of dad Helge's incestuous sexual desires -- the unflappable gathering is not scandalized, but merely taken down a notch for a moment or two. Dad denies the allegations, and Mom makes a point of Christian's active imagination and his difficulty separating fantasy from reality. Sullen and increasingly intoxicated, Christian plans to intensify his attack on the facade of normalcy that the family hides behind. In denial, Michael eventually responds to the allegations by dragging Christian out of the house altogether.
All this is played out shrewdly and with a keen eye for social comedy. The film is overall witty and absorbing, the performances are on-target, and a few scenes here and there are astonishingly lucid. I was especially fond of a moment when Christian, having been beaten up and thrown into the dirt outside of the house, stands up and totters away from the aggressors as though his spirit has been broken before breaking into an awkward run for the door. Best of all, the kitchen staff (including Pia, who has a long-standing crush on Christian) is in on the elder brother's plan. The cooks and servants ensure that Christian will have a captive audience by rifling the coat pockets of the dining guests, stealing their car keys and tossing them in the freezer.
Also effective is the sense that the house is haunted, not literally but figuratively, by the ghost of a suicide. And more upsetting than any of the talk about incest and suicide is the scene where, after Helene's black boyfriend arrives at the party, Michael leads the revelers in an effortless rendition of an old racist drinking song about a "black Sambo." For a few moments, Vinterberg extrapolates the blissful ignorance of this family to some larger cross-section of Scandinavian culture, and that's where the movie sinks its teeth in.
In the end, though, the film seems like much ado over not much at all. Maybe it's just that we've been subjected to so many tales of incest and sexual abuse coming to light that using yet another variation as a story hook doesn't carry as much dramatic weight as it should. For whatever reason, Christian's pain seems more abstract than real, embodied as it is in the lovely memory of his beautiful sister, one that is wisely shared with the audience toward the end of the film. Moreover, the decision to shoot with available light on a bare-bones location may be in accordance with the Dogme 95 vows, but the result is as much a tentative theatrical exercise as it is the disciplined, uniform filmmaking called for by the collective.
Finally, I've got to say that this tactic of shooting on video and then transferring to film is starting to wear me out. Popularized by fellow Dogme signatory Lars von Trier, who used it to good, semi-documentary effect in BREAKING THE WAVES, I'm sorry to see it exalted in the supposedly truth-finding work of Dogme 95 filmmakers. While the effect can be striking, it's also distracting to see video artifacts blown up and exhibited on a big movie theater screen in a way that should be anathema to filmmakers seeking truth at 24 frames per second. In other words: "Congratulations, Mr. Vinterberg. You have succeeded in making your film look more like television." -------------------------------------------------------------- Directed by Thomas Vinterberg Written by Vinterberg and Mogens Rukov Cinematography by Anthony Dod Mantle Edited by Valdis Oskarsdóttir Starring Ulrich Thomsen, Thomas Bo Larsen, and Paprika Steen
Theatrical aspect ratio: 1.37:1, per Dogme 95 specs Denmark, 1998 --------------------------------------------------------------
DEEP FOCUS // MOVIE REVIEWS http://www.panix.com/~bfrazer/flicker/ "Go ahead, mum -- treat yourself."
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Basic usage of the menu component for hiding, showing, and reordering data grid columns. Menu is accessed via the table-cog icon.


The TofDaq API wrapper for LabVIEW 1)
is implemented as a collection VIs (virtual instruments) that typically
call the corresponding C function directly through LabVIEW's Call
Library Function Node. Most of these functions don't allocate memory
themselves, but expect the API
user to supply buffers, where spectra, profiles and other information
is written into. For some functions (mainly those that don't deal with
large amounts of data, for example the GetPeakParameter
functions) a second version of the VI exists (suffixed with LV) which
handles allocation of memory buffers within the VI and directly returns
the expected result in a LabVIEW array or cluster.
This dual concept is detailed here for the API function TwReadRawData
:
TOFWERK_H5_API TwRetVal TwReadRawData (char* Filename, int channel, int bufIndex, int writeIndex, int* bufferSize, void* buffer);
This function expects a buffer where the raw data values are read into. The size of this buffer is specified by the variable bufferSize
which is passed by reference and holds the actual data size read on function return.
TwReadRawData.vi
is simply a one to one translation of the C function call using LabVIEW's Call Library Function Node:
This function by itself is not very convenient to use because for many DAQ/acquisition
modes, the size of one buf worth of raw data is not constant. On the
other hand this same function can be used to query the raw data size
for any given channel/buf/write combination by calling the function
with bufferSize
pointing to a value of 0 and buffer
being a NULL
pointer. In this case the no actual data will be copied, but bufferSize
is set to the minimal buffer size needed to successfully make this
call. We can take advantage of this behavior by calling the function
twice as done in TwReadRawDataLV.vi
:
The first time the function is called without an initialized data buffer. bufferSize
is the used to create an U8 array of the appropriate length which is fed to the function on the second call.
This makes the VI TwReadRawDataLV.vi
much more
convenient to use: Just specify the data file, raw data channel, buf
and write indices and directly get an appropriately sized data array as
output. Note however if you use this VI to loop over many bufs/writes
in a large dataset, a performance penalty may occur as there are
happening a lot of memory allocations/deallocations under the hood. In
such a case it is recommended to fall back to TwReadRawData.vi
,
reuse the allocated buffer in the loop and just check and readjust
array sizes between function calls for different buf/writes.
This section shows a small LabView program that executes a sequence of API commands that shows how to register a data source that will be written to the data file synchronously to the acquired data (one set of user data for every write in this example).
The example checks two preconditions before doing any work: “Is a TofDaq recorder application running?” and “Do arrays initial data
and elementDescription
have the same length?”. If both conditions are satisfied the first
thing the program does is to unregister the (potentially already
registered) data source we are going to (re)register. At the same time
the string array elementDescription
is converted into a flat U8 array as needed by the register function(s) by the helper VI StringArray2CharBuffer.vi
.
The actual register step is performed by the VI TwRegisterUserDataWrite.vi
(alternatively the VI TwRegisterUserDataBuf.vi
can be used to get user data stored for every buf). When the data
source was successfully registered initial values are set by calling
the VI TwUpdateUserData.vi
. At this point in the TofDaq
configuration dialog's HDF5 tab we can check that the data source is in
fact registered in TofDaq recorder and the initial values were set
successfully:
We can see that a group /TestData
will be created to hold the TwData
and TwInfo
datasets. W
in the first row indicates that we registered the data source for every
write, and the last row shows that our data source provides 3 values.
By clicking on this line we get a more detailed view of the data source
(shown on the right). The dataset will not be compressed and we see
that the initial values and descriptions were transferred successfully
into the TofDaq recorder.
Executing the TwStartAcquisition.vi
VI starts the
data acquisition and while the acquisition is running we update once a
second the 3 values of our data source (in this example we multiply the
initial values with the loop index, you will probably want to make
something more meaningful). It is important to note that the update
interval needs not to be matched to the acquisition frequency, the
TofDaq recorder just writes for every write (or buf) the values from
the last call to TwUpdateUserData.vi
. So if the data
acquisition is faster than the update interval, the same values will be
stored several times, whereas for the inverse situation not all values
transmitted will be stored in the file. If you want to have the data
stored in your own rhythm, use the TwAddUserData.vi
VI.
However, note that in that case the resulting dataset's dimension will
not match the dimensions of the acquired data and that it is your
responsibility to store time stamps with your data (for the registered
data case this is not necessary because the timing is available through
the /Timing/BufTimes
dataset).
Once we detect that the acquisition is no longer running (TwDaqActive.vi
) we unregister the data source and call TwCleanupDll.vi
to leave DLL in a well behaved state.
Looking at the data file this acquisition generates we see that there is indeed the group /TestData
with TwData
and TwInfo
datasets. The contents of these datasets is shown as well. TwInfo
just holds the 3 labels already shown in the TofDaq recorder
screenshot. In this example a write period of 600 ms was configured
whereas our example program updates every 1000 ms. The effect of this
can be seen in the TwData
dataset where some entries hold twice the same numbers and some don't, as expected for this unmatched update rate.


| Data Source | User ID | User Name | Gender | Home Address | bilingual address | shipped address | |
| Taobao1 | 123 | Jim Green | M |<EMAIL_ADDRESS>| abc | abc | abc |
| site | abc | Jimmy Green | Male |<EMAIL_ADDRESS>| ddd | ddd | ddd |
| Data Source | User ID | User Name | Gender | Home Address | bilingual address | shipped address | |
| Taobao1 | 123 | Jim Green | M |<EMAIL_ADDRESS>| abc | abc | abc |
| site | abc | Jimmy Green | Male |<EMAIL_ADDRESS>| ddd | ddd | ddd |


US is Set to Prolong Temporary Licenses for Huawei Users - Reports
The news comes amid ongoing trade talks between Beijing and Washington, as both sides negotiate to stop a tariff war. The US and China managed to agree on a "phase one" deal earlier this month, but the prospects for the agreement still remain unclear.
According to The New York Times, Washington is set to extend temporary licenses for American users of Huawei equipment for the third time, before the previous one expires next week.
The newspaper also suggests that the Trump administration is considering "product-specific" licenses that would allow some companies to keep supplying the Chinese tech giant.
Huawei was blacklisted by the US in May after Washington accused the company of spying via its equipment on behalf of the Chinese government, despite protests against those claims in Beijing. US President Donald Trump also urged other countries to refrain from cooperating with Huawei on establishing 5G networks, citing security concerns.
In addtion, the US shut down its market for Huawei and companies affiliated with the giant, yet the trade ban has been postponed twice for 90 days, with the last extension ending on 19 November.


--- layout: post title: Copying files between 2 Linux servers without downloading it first in your PC permalink: copying-files-between-2-linux-servers-without-downloading-it-first-in-your-pc/ date: 2014-09-22 17:47:00.000000000 +08:00 categories: - bash - ssh tags: - ssh copy files - transfer files on linux status: publish type: post published: true meta: _edit_last: '2' dsq_thread_id: '3042018869' cleaned: true ---
The title might sounds dumb, but many Web Developers who aren't really used into System Administration will fall into this trap. Let's say you are into this situation:
The usual instinct of a usual user w/o background (or doesn't have enough experience ) in Linux is to download the files from Server B to his PC, then manually upload it to Server A.
Though most of the time, you can get away with that, it becomes an issue when you got gigabytes of files to transfer, since that would mean you need to download the files for hours in your PC then spend hours as well in uploading it to the other server.
One of the easiest way to do that is:
1. Identify the FTP path of the folder you want to copy in Server B, lets say its on example.com/myfolder
2. In SSH, go to the folder where you want to save the files into
cd myfolder_in_server_A
3. execute the following:
wget -r -nH --cut-dirs=2<EMAIL_ADDRESS>replace the code above with the real values:
username - is your FTP username
password - is your FTP password
serverB - is the FTP hostname of Server B
example.com/myfolder - is the FTP path in Server B
The command above basically connects to serverB and copies the contents of example.com/myfolder into the current directory.
The 2 in the --cut-dirs parameter is the number of folders to "cut", in this example, example.com/myfolder is two folders, that is why it is two.
But lets say you have this path in the FTP server
<EMAIL_ADDRESS>Then the code should be
wget -r -nH --cut-dirs=6<EMAIL_ADDRESS>The above situation can be one of the many situation on which you will be able to use this trick.


H.I.M.M is Photo diary.
Contain photo gallery, memo, Google Map.
You will write memo with photo
Use PhotoSwipe 3.0.5
You will write memo in photo
Here is photo with memo!
남중민 - Phonegap
박창주 - PhotoSwipe
장형주 - Google Map
By Chang Ju Park - using reveal.js framework
H.I.M.M.은 오픈소스로 제작되고 있습니다.


BlockInfo
public struct BlockInfo : CustomStringConvertible
The block info structure describes basic information of a block.
-
Block hash.
Declaration
Swift
public let hash: String
-
Block generation hash.
Declaration
Swift
public let generationHash: String
-
Total fee paid to the account harvesting the block. Nil when generated by listeners.
Declaration
Swift
public let totalFee: UInt64?
-
Number of transactions included the block. Nil when generated by listeners.
Declaration
Swift
public let numTransactions: Int?
-
The block signature. The signature was generated by the signer and can be used to validate that the blockchain data was not modified by a node.
Declaration
Swift
public let signature: String
-
Public account of block harvester.
Declaration
Swift
public let signer: PublicAccount
-
Network type.
Declaration
Swift
public let networkType: NetworkType
-
Block transaction version.
Declaration
Swift
public let version: Int
-
Block transaction type.
Declaration
Swift
public let type: Int
-
Height of which the block was confirmed. Each block has a unique height. Subsequent blocks differ in height by 1.
Declaration
Swift
public let height: UInt64
-
The number of seconds elapsed since the creation of the nemesis blockchain.
Declaration
Swift
public let timestamp: UInt64
-
POI difficulty to harvest a block.
Declaration
Swift
public let difficulty: UInt64
-
The last block hash.
Declaration
Swift
public let previousBlockHash: String
-
The block transaction hash.
Declaration
Swift
public let blockTransactionHash: String
-
Declaration
Swift
public var description: String { get }


Something about me
I'm Cullen: recent graduate of University of Oregon. At the moment I'm just saving money and working on building the perfect rig. When I'm not grinding and hustling, I like to work with my house plants. I have six... wait... ten... I think. Anyways they're all pretty cool guys. I also do a lot of reading when I feel like it and some writing too. Mostly just prose, but I do a little poetry as well. I'm always looking for new recs on art, writing, sci-fi and TV. Sometimes I do computer animation, but it's a very time consuming hobby, so I'm rusty.
-
Work Experience
-
Guidable Inc. // Tokyo, Japan // June 2019 - August 2019
Promotions intern
For a summer I worked as an intern for a media company in Tokyo. I published articles, promoted them via cross-site advertising and even managed a few interns myself. There were three of them, all students from the local University. I edited their articles and helped them post them.
-
Ditch Projects // Springfield, Oregon // Dec 2017 - Dec 2020
Gallery Intern
While in college, I helped out with maintenance and events at a local project space. We worked with artists both domestic and international, and hosted openings for their work. In between shows, we maintained the space by painting, plastering, patching, and cleaning. Other days, while the show was open to the public, we sat in the gallery and helped visitors with information and direction.
-
Education
-
CodeFellows // Seattle, Washington // Feb 2021 - Aug 2021
Full-stack web development
In February of 2021, I committed to the CodeFellows boot camp to learn Full-stack web development. My expected graduation date is in August of this year.
-
University of Oregon // Eugene, Oregon // Sep 2016 - Jun 2020
Art & Technology // Computer Infomation Technology
For a four years after graduating highschool, I enrolled at the University of Oregon. There I spent my time studying art and technology, which essentially means electronic arts or digital arts. But it's something expanded; we did robotics, programming, and graphic design. My education was very broad, and my instructors encouraging to match. As I worked on completing an art degree, I picked up something a bit more practicle: a minor in computer information technology. Similarly broad, we covered a lot of ground of the 2 years I took class for the minor. I got exposure to SQL, JavaScript, HTML, CSS, React, various APIs, and some basic hardware education.


Free & Reduced Price School Meals Application
Begin
Background
Children
Adults
Review
Done
tell us about the adults
who live in your household, even if they are not related to you
THIS INCLUDES ADULTS WHO:
contribute to any household income or expenses
(even if they are not related to you or don't have their own income)
THIS DOESN'T INCLUDE ADULTS WHO:
do not contribute to any household income or expenses
Back
Next


|
Shift Invariant Space Library (SISL)
|
SISL (Shift Invariant Space Library) is minimalistic (i.e. header only) C++ library that eases data processing tasks and interpolation on non-Cartesian (and Cartesian lattices). There are many works in the field of scientific visualization that use the techniques implemented in this framework, but do not provide source code implementations. This inherently makes those works difficult to understand and extend.
This project requires a few libraries to compile, specifically:
cmake
FFTW3
eigen3
OpenCL
Although the only hard requirement is eigen3. If you don't have this library, there's a submodule in the repository that will pull a usable version of eigen3. See Getting the Code
On macOS, these can be installed via MacPorts
If you don't have eigen3 installed, then checkout the submodules:
However, keep in mind that this is a header only library intended to be installed on a system, so as a user it is advised to install eigen3 to your system, rather than depending on the submodule in this repository.
To compile, change to the project directory and run the commands:
This will build the tests and examples. To install use
with sudo privledges, if needed.
If you've built the project in the step above, you've built the examples and tests as well. Example code can be found in the Examples
directory, whereas test can be found in the tests
directory. Output executables for each can be found in the corresponding directory in your build
folder.
SISL is header only, thus all one needs to ensure is that the Eigen and SISL include files can be found by the compiler. For GCC this may look something like
Documentation is included in its compiled output format under the doc
directory. It can be regenerated via doxygen with the following commands


first paragraph
- java
- python
- php
- javascript
second paragraph
first paragraph
second paragraph
Burgdoggen andouille frankfurter turkey short loin venison sausage brisket tongue.   Short loin picanha spare ribs, corned beef ham hock porchetta flank fatback.
Swine salami porchetta landjaeger. Kielbasa tail filet mignon ground round fatback. Meatloaf spare ribs leberkas ham hock bacon, flank cow bresaola chuck jowl capicola hamburger. Turducken beef ribs landjaeger rump park tail.


GONE IN 60 SECONDS (2000) / * 1/2
Directed by Dominic Sena. Screenplay by Scott Rosenberg. Starring Nicolas Cage, Giovanni Ribisi, Delroy Lindo. Running time: 121 minutes. Rated AA by the MFCB. Reviewed on June 11th, 2000.
By SHANNON PATRICK SULLIVAN
Movies like "Gone In 60 Seconds" boggle my mind. Here we have a cast of Academy Award-winning actors. We have a scenario that promises lots of high-octane action and excitement. We have a screenplay written by Scott Rosenberg, who penned the entertaining "Con Air". We have that film's producer, Jerry Bruckheimer, who has also overseen such thrilling fare as "The Rock", "Crimson Tide" and "Beverly Hills Cop" (although, it should be noted, also masterminded that most gratuitous waste of celluloid, "Armageddon"). And yet despite these promising ingredients, we have a movie that just doesn't deliver. "Gone In 60 Seconds" feels like it can barely get out of neutral, let alone shift into high gear.
Nicolas Cage plays "Memphis" Raines, formerly California's best car thief and now retired to run a gas station and go-kart track. Unbeknownst to Memphis, his brother Kip (Giovanni Ribisi) has followed in his footsteps and is trying to make his own name boosting autos. But Kip messes up one night while on the job for Raymond Calitri (Christopher Eccleston), who took over when Memphis left town. Contacting Memphis, Calitri informs him that he needs to steal fifty rare cars in the space of four days, or Kip will be killed.
Reluctantly agreeing to reenter his old profession, Memphis starts getting back in touch with members of his old gang, including mentor Otto (Robert Duvall) and ex-girlfriend Sway (Angelina Jolie); Kip brings along his own young accomplices to fill out the ranks. But by the time the team has been assembled and the reconnaissance carried out, only twenty-four hours remain before Calitri's deadline, forcing Memphis and his friends to boost the fifty cars in a single night. And to add to their troubles, they must contend with veteran cop Roland Castlebeck (Delroy Lindo), who missed his chance to nab Memphis once, and does not intend to let it pass him by again.
"Gone In 60 Seconds" is based loosely on the popular 1974 drive-in feature by HB Halicki, and I headed into the theatre expecting one of those movies which sacrificed plot and characterisation in favour of relentless excitement. I was half right: there's not much plot and not much characterisation, but it takes an hour and a half before the film even starts trying to get the adrenalin pumping.
The big problem with the movie is that it feels like it was made from the first draft of the script rather than the final version. Rosenberg's storytelling is extremely clumsy. After a mildly entertaining opening bit, we are sucked into a dull and overlong middle section in which Memphis brings together his team, checks out the cars, and reencounters old sparring partner Castlebeck. Not only is all this extremely tedious, it feels almost unnecessary. Rosenberg is obviously trying to give each of the players a distinctive personality but lacks the skill to do so, and would have been better off spotlighting just a handful. The result is that Memphis' team consists of a dozen people all with minimal characterisation, and none of whom we end up caring very much about.
This is particularly unfortunate because it means that some very talented actors like Duvall, Ribisi and Jolie are pretty much wasted in roles that struggle for screen time. Duvall, for example, is consigned to standing around a warehouse most of the time. Jolie appears just long enough to remind us of the tremendous charisma she brings to any role, and make us wish her part was more significant. Eccleston, as the malevolent Calitri, seems like he could have been a delightfully cartoonish sort of villain, but appears only briefly, in the film's first and last half hours. Cage, meanwhile, seems to be on autopilot as Memphis; he does what he can with the paltry material, but there is no real enthusiasm to the performance. Cage lowers himself to the standards of the script, rather than trying to bring it up to his own level.
Examples of these low standards litter "Gone In 60 Seconds". There are some sequences which are so contrived, and feel so obviously shoehorned into the plot, that I found myself shaking my head in the theatre. For example, late in the film, one of Kip's friends -- a computer wizard who usually stays behind a laptop rather than heading out into the field -- suddenly demands to go on a heist. That he nearly screws everything up should come as a surprise to no one. Rosenberg's dialogue also verges on the excruciating at several points; Calitri is described as coming after Kip "like stains on a mattress", for instance.
"Gone In 60 Seconds" finally gets moving when after an hour and a half -- gasp, shock -- we finally get some car chases. These are undeniably engrossing, although I was disappointed that they weren't a little more inventive. Certainly, they are inferior to such memorable chase sequences as, say, Gene Hackman's in "The French Connection". They are also somewhat hamstrung by Dominic Sena's otherwise competent direction. More than once, Sena is unable to keep the depiction of the car chases fluid and coherent, and this difficulty in following the action works against its entertainment value.
But perhaps the worst thing that can be said about the car chases is that they lead up to the film's routine, lacklustre and faintly ludicrous conclusion. It is here that the laziness of Rosenberg's script is most evident, giving us an ending which not only steals from every other B-grade action movie, but also totally dismisses one of his principals' established characterisation.
As mindless summer entertainment, "Gone In 60 Seconds" isn't bad, but even the most avid action fan is likely to be turned off by the movie's lethargic pacing. Compared to the film's two hour running time, the twenty minutes or so of car chases seems paltry, given that the anticipation of these scenes is the movie's main selling point. "Gone In 60 Seconds" will make you wish you'd been gone from the theatre in a lot less than 119 minutes.
Copyright © 2000 Shannon Patrick Sullivan. Archived at The Popcorn Gallery, http://www.physics.mun.ca/~sps/movies/GoneIn60Seconds.html
_______________________________________________________________________ / Shannon Patrick Sullivan | "We are all in the gutter, but some of us \ |<EMAIL_ADDRESS>| are looking at the stars." - Oscar Wilde | \___________________________|__________________________________________/ | Popcorn Gallery Movie Reviews www.physics.mun.ca/~sps/movies.html | | Doctor Who: A Brief History of Time (Travel) /drwho.html |
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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arg_mtx.h File Reference
This graph shows which files directly or indirectly include this file:
Go to the source code of this file.
Functions | |
| void | mtxLoadIdentityf (float M[16]) |
| void | mtxLoadMatrixf (float M[16], const float T[16]) |
| void | mtxMultMatrixf (float M[16], const float T[16]) |
| void | mtxTranslatef (float M[16], const float x, const float y, const float z) |
| void | mtxRotatef (float M[16], const float q, const float x, const float y, const float z) |
| void | mtxScalef (float M[16], const float x, const float y, const float z) |
| void | mtxOrthof (float M[16], float left, float right, float bottom, float top, float zNear, float zFar) |
| void | mtxFrustumf (float M[16], float left, float right, float bottom, float top, float zNear, float zFar) |
| void | mtxPerspectivef (float M[16], float fovy, float aspect, float zNear, float zFar) |
| void | mtxLookAtf (float M[16], float eyeX, float eyeY, float eyeZ, float centerX, float centerY, float centerZ, float upX, float upY, float upZ) |
| void | mtxLoadIdentityd (double M[16]) |
| void | mtxLoadMatrixd (double M[16], const double T[16]) |
| void | mtxMultMatrixd (double M[16], const double T[16]) |
| void | mtxTranslated (double M[16], const double x, const double y, const double z) |
| void | mtxRotated (double M[16], const double q, const double x, const double y, const double z) |
| void | mtxScaled (double M[16], const double x, const double y, const double z) |
| void | mtxOrthod (double M[16], double left, double right, double bottom, double top, double zNear, double zFar) |
| void | mtxFrustumd (double M[16], double left, double right, double bottom, double top, double zNear, double zFar) |
| void | mtxPerspectived (double M[16], double fovy, double aspect, double zNear, double zFar) |
| void | mtxLookAtd (double M[16], double eyeX, double eyeY, double eyeZ, double centerX, double centerY, double centerZ, double upX, double upY, double upZ) |
Function Documentation
| void mtxFrustumd | ( | double | M[16], |
| double | left, | ||
| double | right, | ||
| double | bottom, | ||
| double | top, | ||
| double | zNear, | ||
| double | zFar | ||
| ) |
Here is the call graph for this function:
| void mtxFrustumf | ( | float | M[16], |
| float | left, | ||
| float | right, | ||
| float | bottom, | ||
| float | top, | ||
| float | zNear, | ||
| float | zFar | ||
| ) |
Here is the call graph for this function:
| void mtxLoadIdentityd | ( | double | M[16] | ) |
| void mtxLoadIdentityf | ( | float | M[16] | ) |
| void mtxLoadMatrixd | ( | double | M[16], |
| const double | T[16] | ||
| ) |
| void mtxLoadMatrixf | ( | float | M[16], |
| const float | T[16] | ||
| ) |
| void mtxLookAtd | ( | double | M[16], |
| double | eyeX, | ||
| double | eyeY, | ||
| double | eyeZ, | ||
| double | centerX, | ||
| double | centerY, | ||
| double | centerZ, | ||
| double | upX, | ||
| double | upY, | ||
| double | upZ | ||
| ) |
Here is the call graph for this function:
| void mtxLookAtf | ( | float | M[16], |
| float | eyeX, | ||
| float | eyeY, | ||
| float | eyeZ, | ||
| float | centerX, | ||
| float | centerY, | ||
| float | centerZ, | ||
| float | upX, | ||
| float | upY, | ||
| float | upZ | ||
| ) |
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| void mtxMultMatrixd | ( | double | M[16], |
| const double | T[16] | ||
| ) |
| void mtxMultMatrixf | ( | float | M[16], |
| const float | T[16] | ||
| ) |
| void mtxOrthod | ( | double | M[16], |
| double | left, | ||
| double | right, | ||
| double | bottom, | ||
| double | top, | ||
| double | zNear, | ||
| double | zFar | ||
| ) |
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| void mtxOrthof | ( | float | M[16], |
| float | left, | ||
| float | right, | ||
| float | bottom, | ||
| float | top, | ||
| float | zNear, | ||
| float | zFar | ||
| ) |
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| void mtxPerspectived | ( | double | M[16], |
| double | fovy, | ||
| double | aspect, | ||
| double | zNear, | ||
| double | zFar | ||
| ) |
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| void mtxPerspectivef | ( | float | M[16], |
| float | fovy, | ||
| float | aspect, | ||
| float | zNear, | ||
| float | zFar | ||
| ) |
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| void mtxRotated | ( | double | M[16], |
| const double | q, | ||
| const double | x, | ||
| const double | y, | ||
| const double | z | ||
| ) |
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| void mtxRotatef | ( | float | M[16], |
| const float | q, | ||
| const float | x, | ||
| const float | y, | ||
| const float | z | ||
| ) |
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| void mtxScaled | ( | double | M[16], |
| const double | x, | ||
| const double | y, | ||
| const double | z | ||
| ) |
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| void mtxScalef | ( | float | M[16], |
| const float | x, | ||
| const float | y, | ||
| const float | z | ||
| ) |
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| void mtxTranslated | ( | double | M[16], |
| const double | x, | ||
| const double | y, | ||
| const double | z | ||
| ) |
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| void mtxTranslatef | ( | float | M[16], |
| const float | x, | ||
| const float | y, | ||
| const float | z | ||
| ) |
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| Design and Implementation of a validating XML parser in Haskell: Master's thesis; University of Applied Sciences Wedel | ||
|---|---|---|
| Prev | Appendix A. User handbook | Next |
The XML parser of the Haskell XML Toolbox was elaborately tested with the XML Test Suites from the W3C [WWW02]. If you want to run these checks on your own, you can use the tool RunTestCases that is distributed with the Haskell XML Toolbox.
First you have to download the test cases from the W3C [WWW02] and extract them in an own directory. To test the XML parser with these test cases, you have to build the program RunTestCases. Executing make RunTestCases in the root directory of the Haskell XML Toolbox will compile this program.
The XML Test Suites contain test cases from different organizations and people. RunTestCases must be called with a test case description file as argument from the directories: ibm, oasis, sun or xmltest.
Perhaps a dummy root node must be added to these files to form a valid XML document. RunTestCases cannot process the root file that combines all theses description files.
When being executed, RunTestCases will ask what type of test shall be performed. The type entered must correspond to the tests listed in the test case description file. RunTestCases will only execute these test cases.
If the option "show detailed information" is set, RunTestCases will display the XmlTree in addition if a test fails.