A bar chart provides a way of showing data values represented as vertical bars. It is sometimes used to show trend data, and the comparison of multiple data sets side by side.
```js chart-editor //
//
module.exports = { actions: [], config: config, }; ```
Namespaces:
data.datasets[index]
- options for this dataset onlyoptions.datasets.bar
- options for all bar datasetsoptions.elements.bar
- options for all bar elementsoptions
- options for the whole chartThe bar chart allows a number of properties to be specified for each dataset. These are used to set display properties for a specific dataset. For example, the color of the bars is generally set this way. Only the data
option needs to be specified in the dataset namespace.
| Name | Type | Scriptable | Indexable | Default |
|---|---|---|---|---|
backgroundColor |
Color |
Yes | Yes | 'rgba(0, 0, 0, 0.1)' |
base |
number |
Yes | Yes | |
barPercentage |
number |
- | - | 0.9 |
barThickness |
number |string |
- | - | |
borderColor |
Color |
Yes | Yes | 'rgba(0, 0, 0, 0.1)' |
borderSkipped |
string |
Yes | Yes | 'start' |
borderWidth |
number |object |
Yes | Yes | 0 |
borderRadius |
number |object |
Yes | Yes | 0 |
categoryPercentage |
number |
- | - | 0.8 |
clip |
number |object |
- | - | |
data |
object |object[] | number[] |string[] |
- | - | required |
grouped |
boolean |
- | - | true |
hoverBackgroundColor |
Color |
Yes | Yes | |
hoverBorderColor |
Color |
Yes | Yes | |
hoverBorderWidth |
number |
Yes | Yes | 1 |
hoverBorderRadius |
number |
Yes | Yes | 0 |
indexAxis |
string |
- | - | 'x' |
maxBarThickness |
number |
- | - | |
minBarLength |
number |
- | - | |
label |
string |
- | - | '' |
order |
number |
- | - | 0 |
pointStyle |
string |Image |
Yes | - | 'circle' |
skipNull |
boolean |
- | - | |
stack |
string |
- | - | 'bar' |
xAxisID |
string |
- | - | first x axis |
yAxisID |
string |
- | - | first y axis |
All these values, if undefined
, fallback to the scopes described in option resolution
data: {
datasets: [
{
barPercentage: 0.5,
barThickness: 6,
maxBarThickness: 8,
minBarLength: 2,
data: [10, 20, 30, 40, 50, 60, 70],
},
];
}
| Name | Description |
|---|---|
base |
Base value for the bar in data units along the value axis. If not set, defaults to the value axis base value. |
clip |
How to clip relative to chartArea. Positive value allows overflow, negative value clips that many pixels inside chartArea. 0 = clip at chartArea. Clipping can also be configured per side: clip: {left: 5, top: false, right: -2, bottom: 0} |
grouped |
Should the bars be grouped on index axis. When true , all the datasets at same index value will be placed next to each other centering on that index value. When false , each bar is placed on its actual index-axis value. |
indexAxis |
The base axis of the dataset. 'x' for vertical bars and 'y' for horizontal bars. |
label |
The label for the dataset which appears in the legend and tooltips. |
order |
The drawing order of dataset. Also affects order for stacking, tooltip, and legend. |
skipNull |
If true , null or undefined values will not be used for spacing calculations when determining bar size. |
stack |
The ID of the group to which this dataset belongs to (when stacked, each group will be a separate stack). more |
xAxisID |
The ID of the x-axis to plot this dataset on. |
yAxisID |
The ID of the y-axis to plot this dataset on. |
The style of each bar can be controlled with the following properties:
| Name | Description |
|---|---|
backgroundColor |
The bar background color. |
borderColor |
The bar border color. |
borderSkipped |
The edge to skip when drawing bar. |
borderWidth |
The bar border width (in pixels). |
borderRadius |
The bar border radius (in pixels). |
minBarLength |
Set this to ensure that bars have a minimum length in pixels. |
pointStyle |
Style of the point for legend. more… |
All these values, if undefined
, fallback to the associated elements.bar.*
options.
This setting is used to avoid drawing the bar stroke at the base of the fill, or disable the border radius. In general, this does not need to be changed except when creating chart types that derive from a bar chart.
:::tip Note For negative bars in a vertical chart, top
and bottom
are flipped. Same goes for left
and right
in a horizontal chart. :::
Options are:
'start'
'end'
'bottom'
'left'
'top'
'right'
false
If this value is a number, it is applied to all sides of the rectangle (left, top, right, bottom), except borderSkipped
. If this value is an object, the left
property defines the left border width. Similarly, the right
, top
, and bottom
properties can also be specified. Omitted borders and borderSkipped
are skipped.
If this value is a number, it is applied to all corners of the rectangle (topLeft, topRight, bottomLeft, bottomRight), except corners touching the borderSkipped
. If this value is an object, the topLeft
property defines the top-left corners border radius. Similarly, the topRight
, bottomLeft
, and bottomRight
properties can also be specified. Omitted corners and those touching the borderSkipped
are skipped. For example if the top
border is skipped, the border radius for the corners topLeft
and topRight
will be skipped as well.
:::tip Stacked Charts When the border radius is supplied as a number and the chart is stacked, the radius will only be applied to the bars that are at the edges of the stack or where the bar is floating. The object syntax can be used to override this behavior. :::
The interaction with each bar can be controlled with the following properties:
| Name | Description |
|---|---|
hoverBackgroundColor |
The bar background color when hovered. |
hoverBorderColor |
The bar border color when hovered. |
hoverBorderWidth |
The bar border width when hovered (in pixels). |
hoverBorderRadius |
The bar border radius when hovered (in pixels). |
All these values, if undefined
, fallback to the associated elements.bar.*
options.
Percent (0-1) of the available width each bar should be within the category width. 1.0 will take the whole category width and put the bars right next to each other. more…
Percent (0-1) of the available width each category should be within the sample width. more…
If this value is a number, it is applied to the width of each bar, in pixels. When this is enforced, barPercentage
and categoryPercentage
are ignored.
If set to 'flex'
, the base sample widths are calculated automatically based on the previous and following samples so that they take the full available widths without overlap. Then, bars are sized using barPercentage
and categoryPercentage
. There is no gap when the percentage options are 1. This mode generates bars with different widths when data are not evenly spaced.
If not set (default), the base sample widths are calculated using the smallest interval that prevents bar overlapping, and bars are sized using barPercentage
and categoryPercentage
. This mode always generates bars equally sized.
Set this to ensure that bars are not sized thicker than this.
The bar chart sets unique default values for the following configuration from the associated scale
options:
| Name | Type | Default | Description |
|---|---|---|---|
offset |
boolean |
true |
If true, extra space is added to both edges and the axis is scaled to fit into the chart area. |
grid.offset |
boolean |
true |
If true, the bars for a particular data point fall between the grid lines. The grid line will move to the left by one half of the tick interval. If false, the grid line will go right down the middle of the bars. more… |
If true, the bars for a particular data point fall between the grid lines. The grid line will move to the left by one half of the tick interval, which is the space between the grid lines. If false, the grid line will go right down the middle of the bars. This is set to true for a category scale in a bar chart while false for other scales or chart types by default.
It is common to want to apply a configuration setting to all created bar charts. The global bar chart settings are stored in Chart.overrides.bar
. Changing the global options only affects charts created after the change. Existing charts are not changed.
The following shows the relationship between the bar percentage option and the category percentage option.
// categoryPercentage: 1.0
// barPercentage: 1.0
Bar: | 1.0 | 1.0 |
Category: | 1.0 |
Sample: |===========|
// categoryPercentage: 1.0
// barPercentage: 0.5
Bar: |.5| |.5|
Category: | 1.0 |
Sample: |==============|
// categoryPercentage: 0.5
// barPercentage: 1.0
Bar: |1.0||1.0|
Category: | .5 |
Sample: |==================|
All of the supported data structures can be used with bar charts.
Bar charts can be configured into stacked bar charts by changing the settings on the X and Y axes to enable stacking. Stacked bar charts can be used to show how one data series is made up of a number of smaller pieces.
var stackedBar = new Chart(ctx, {
type: "bar",
data: data,
options: {
scales: {
x: {
stacked: true,
},
y: {
stacked: true,
},
},
},
});
A horizontal bar chart is a variation on a vertical bar chart. It is sometimes used to show trend data, and the comparison of multiple data sets side by side. To achieve this you will have to set the indexAxis
property in the options object to 'y'
. The default for this property is 'x'
and thus will show vertical bars.
```js chart-editor //
//
module.exports = { actions: [], config: config, }; ```
The configuration options for the horizontal bar chart are the same as for the bar chart. However, any options specified on the x-axis in a bar chart, are applied to the y-axis in a horizontal bar chart.
{x, y, _custom}
where _custom
is an optional object defining stacked bar properties: {start, end, barStart, barEnd, min, max}
. start
and end
are the input values. Those two are repeated in barStart
(closer to origin), barEnd
(further from origin), min
and max
.


HAPPY GILMORE (1996) A Film Review by Ted Prigge Copyright 1997 Ted Prigge
Director: Dennis Dugan Writers: Tim Herlihy and Adam Sandler Starring: Adam Sandler, Christopher MacDonald, Julie Bowen, Frances Bay, Carl Weathers, Ben Stiller, Bob Barker, Kevin Nealon
While Chris Farley films pretty much rely on Farley's weight problem and his ability to scream and overact, Adam Sandler seems to more versatile. Well, in comparison. I didn't see his "Billy Madison," and have no desire to, but he makes far more comically interesting flicks than Farley, or any of his SNL generation cohorts. In comparion, obviously.
"Happy Gilmore" is actually the name of the protagonist, played by Adam Sandler with great energy and overacting, although far less than Farley's.  He can't skate, he can't shoot, but he has such a short temper that he could probably take out anyone in an actual NHL game. Anyway, so that's as much as I know about the sport of hockey.
 And one day he finds out he can hit a golf ball farther than anyone else (and hit various people - a joke that I admittingly laughed at every time).

There's a half-assed love interest that goes on with some chick who handles the tournaments or something (Julie Bowen), and then there's the whole fascination with Happy, who is known to yell obscenities at the golf ball, and beat up mocking people. And then there's the bit about his grandmother. This is all, luckily, handled with the utmost amount of non-seriousness, and even the skating scene where Adam and his chick skate to the theme from that Brooke Shields masterpiece, "Endless Love," is handled hysterically.
But this film is only funny when watched every now and then. This is not a flick you see over and over and over and over again in a short amount of time. Sure Adam's a funny guy. And Christopher MacDonald makes a hilarious villain (who stumbles on his obscenities sometimes, making him a good old incompetent nemesis). And the Ben Stiller sub-plot is pretty funny. But the film never really becomes the absolutely hysterical film it should be. The jokes are usually ones you've seen before, most of the time earlier in the film. But luckily the parts that would be handled melodramatically aren't.
"Happy Gilmore" IS a funny film, and remains more enjoyable than most of those cheap SNL spin-offs/member vehicles. But it's still not the greatest flick, and never shows that Adam Sandler will get the respect that ex-SNL people like Bill Murray and Dan Ackroyd at one time got It's just a minor little film that you forget until the next Adam Sandler flick comes along.
MY RATING (out of 4): **1/2
Homepage at: http://www.geocities.com/Hollywood/Hills/8335/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The following columns names are reserved and will be recognized:
Ego ID, Sire ID, Dam ID, and Sex are required columns.
Either Age or Birth must also be provided.
| Allowable Name | Description of Information | Data Format |
|---|---|---|
| id, egoid, ego_id | Ego ID: Unique animal identifier | Alphanumeric characters (no symbols) |
| sire, sireid, sire_id | Sire ID: Unique identifier of the ego's father | Alphanumeric characters (no symbols) |
| dam, damid, dam_id | Dam ID: Unique identifier of the ego's mother | Alphanumeric characters (no symbols) |
| sex | Sex: Ego's sex |
Sex can be indicated by any of the following:
Male: ("male", "m", "1"), Female: ("female", "f", "2"), Unknown: ("unknown", "u", "3"), Hermaphrodite: ("hermaphrodite", "h", "4") |
| age | Age: Age at exit, or current age of the ego. | Age in decimal years |
| birth, birthdate, birth_date | Birth: Ego's date of birth | YYYY-MM-DD Format |
| death | Death: Ego's date of death | YYYY-MM-DD Format |
| departure | Departure: Ego's date of sale | YYYY-MM-DD Format |
| exit | Exit: Ego's date of exit from the colony.
(Supercedes Death or Departure information) |
YYYY-MM-DD Format |
| allele_1 | Allele 1: Alphanumeric representation of first allele | Currently limited to alphanumeric values, underscores, spaces and dashes. Other characters have not been tested. |
| allele_2 | Allele 2: Alphanumeric representation of second allele | Currently limited to alphanumeric values, underscores, spaces and dashes. Other characters have not been tested. |
The following columns names are reserved and will be recognized:
Columns id, first_name, and second_name are required columns.
Columns first and second will be automatically generated and cannot be present.
.| Allowable Name | Description of Information | Data Format |
|---|---|---|
| id | ID: Unique animal identifier | Alphanumeric characters (no symbols) |
| allele_1 | Allele 1: Alphanumeric representation of first allele | Currently limited to alphanumeric values, underscores, spaces and dashes. |
| allele_2 | Allele 2: Alphanumeric representation of second allele | Currently limited to alphanumeric values, underscores, spaces and dashes. Other characters have not been tested. |


Released Components
Agenda
Composer
Contact List
Email
Mailbox
Conversation
In Development
Availability
Scheduler
Schedule Editor


Hello, I'm so glad because this is my first online web site. I have been a developer for 10 years, but until now I own a website myself.


{{post.title}}
{% if post.content contains '' %} {{ post.content | split:''
| first }}
{% else %} {{ post.description }} {% endif %}
--- layout: default title: Home ---
Hey phriends - Summer Tour 2020 is on the horizon and many of us are making plans, booking flights, reserving RVs, budgeting for shows, and so on. We're putting together these guides full of useful and important information to help old and new phriends alike have the best and safest Summer Tour possible.


{{ story?.title }} Published on {{ story?.created_at | date: "mediumDate" }} , by {{ story?.author?.username }} {{ story?.comments_count }} {{ story?.likes_count }}
{{ comment?.author?.username }} {{ (comment?.created_at | date: "MMM d, y, h:mm a") || "just now" }} {{ comment?.body }}


Since graduating and starting my first fulltime position I knew that I want to try to apply my development skills to building this personal webpage. The real question was where to start from? I knew that I want to have a parralax feel but not based direct off a template. If I were to do it again I would've choose a more mobile friendly CSS framework
I wanted a large feature right from the start of the page followed by brief, focused content. The colour scheme was inspired by the initial background I made using an online geometric tool. The coordination of the burgundy, orange, deep grey, and white was very intentional compared to the more traditional colours of blue or green.
Github repoRecently added a portfolio section for website. Went with a simpler theme overall, sticking to black and white for stark constrast and emphasis on the photo cotent. For the font, choose two Google fonts: bold uppercase heading with Oswald and body text in Muli.


Mapping letters to letters.
Practice on your own.
|
|
Text instructions
|
|
Given a website name, e.g., netflix, generate your password as follows:
|


Click any paper for details. Click the live stream button for a paper to view its
to talk at the scheduled time.
(eg: PLDI-A).
Each talk session will be followed by a poster session in Gather featuring the authors of that session's papers.
Talks mirrored 12 hours after their first occurrence appear in the shaded time bands.


public interface MonitoringSession extends Serializable
| Modifier and Type | Method and Description |
|---|---|
void |
changed(Context ctx,
Object aspect)
Providers use this method to update the monitoring session
|
Lease |
getLease()
The lease for this session
|
int |
getState() |
void |
init(long duration,
long timeout)
If the Broker wants to drop the exertion to space, then the Broker has no
idea who will pick up this exertion.
|
void |
init(Monitorable mntrbl)
If the Broker wants to drop the exertion to space, then the Broker has no
idea who will pick up this exertion.
|
void |
init(Monitorable mntrbl,
long duration,
long timeout)
Makes this an active session.
|
void init(Monitorable mntrbl, long duration, long timeout) throws RemoteException, MonitorException
mntrbl
- The monitorable to which this task is dispatched.duration
- Requested lease duration for the session.timeout
- Timeout for execution of this task.MonitorException
- 1) If this session is already active 2) If there is no such
sessionRemoteException
- if there is a communication errorTransactionConstants
void init(long duration, long timeout) throws RemoteException, MonitorException
duration
- Requested lease duration for the session.timeout
- Timeout for execution of this task wich includes idle time in
space.MonitorException
- 1) If this session is already active 2) If there is no such
sessionRemoteException
- if there is a communication errorvoid init(Monitorable mntrbl) throws RemoteException, MonitorException
mntrbl
- The monitorable who picked this up.MonitorException
- 1) If there is no such session 2) The execution has been
inited by some one else.RemoteException
- if there is a communication errorvoid changed(Context ctx, Object aspect) throws RemoteException, MonitorException
ctx
- The service dataContext changed.
* @param aspect
The aspect of dataContext change.MonitorException
- 1) If there is no such session 2) The dataContext does not
belong to this sessionRemoteException
- if there is a communication errorLease getLease()
int getState() throws RemoteException, MonitorException
RemoteException
MonitorException
Copyright © 2013 Sorcersoft.com S.A.. All Rights Reserved.


Road closure postponed
by Colin DacreA previously announced temporary closure of Eastside Road in Okanagan Falls next week has been cancelled.
The region’s road contractor, AIM Roads, said in a tweet Friday the four-day closure of Eastside Road between McLean Creek Road and Maple Street has been postponed.
The maintenance work has been rescheduled for spring 2020 due to weather.


School Music Webpage
Emily Gray Jr. High Advanced & Cadet Band, Emily Gray String Orchestra, Tanque Verde Elementary Band, Agua Caliente Elementary Band
Compositions and Arrangements (ASCAP)
Affordable Compisitions and Arrangements for Beginning and Intermediate Band/Orchestra. Mp3 Audio Samples for Preview.


MPLS FIB¶
Implementation¶
The MPLS FIB is implemented using exactly the same data structures as the IP FIB. The only difference is the implementation of the table. Whereas for IPv4 this is an mtrie and for IPv6 a hash table, for MPLS it is a flat array indexed by a 21 bit key (label & EOS bit). This implementation is chosen to favour packet forwarding speed.
Basics¶
MPLS is not enabled by default. There are two steps to get started. First, create the default MPLS FIB:
$ mpls table add 0
With ‘0’ being the magic number for the ‘default’ table (just like it is for IPv[46]). One can create other MPLS tables, but, unlike IP tables, one cannot ‘bind’ non-default MPLS tables to interfaces, in other words all MPLS packets received on an interface will always result in a lookup in the default table. One has to be more inventive to use the non-default tables…
Secondly, for each interface on which you wish to receive MPLS packets, that interface must be MPLS ‘enabled’
$ set interface mpls GigEthernet0/0/0 enable
there is no equivalent enable for transmit, all that is required is to use an interface as an egress path.
Entries in the MPLS FIB can be displayed with:
$ sh mpls fib [table X] [label]
There is a tight coupling between IP and MPLS forwarding. MPLS forwarding equivalence classes (FECs) are often an IP prefix – that is to say that traffic matching a given IP prefix is routed into a MPLS label switch path (LSP). It is thus necessary to be able to associated a given prefix/route with an [out-going] MPLS label that will be imposed when the packet is forwarded. This is configured as:
$ ip route add <IP_ADDRESS>/32 via <IP_ADDRESS> GigEthernet0/0/0 out-labels 33
packets matching <IP_ADDRESS>/32 will be forwarded out GigEthernet0/0/0 and have MPLS label 33 imposed. More than one out-going label can be specified. Out-going MPLS labels can be applied to recursive and non-recursive routes, e.g;
$ ip route add <IP_ADDRESS>/24 via <IP_ADDRESS> out-labels 34
packets matching <IP_ADDRESS>/24 will thus have two MPLS labels imposed; 34 and 33. This is the realisation of, e,g, an MPLS BGP VPNv4.
To associate/allocate a local-label for a prefix, and thus have packets to that local-label forwarded equivalently to the prefix do;
$ mpls local-label 99 <IP_ADDRESS>/24
In the API this action is called a ‘bind’. The router receiving the MPLS encapsulated packets needs to be programmed with actions associated which each label value – this is the role of the MPLS FIB. The MPLS FIB Is a table, whose key is the MPLS label value and end-of-stack (EOS) bit, which stores the action to perform on packets with matching encapsulation. Currently supported actions are:
Pop the label and perform an IPv[46] lookup in a specified table
Pop the label and forward via a specified next-hop (this is penultimate-hop-pop, PHP)
Swap the label and forward via a specified next-hop.
These can be programmed respectively by:
$ mpls local-label 33 eos ip4-lookup-in-table X
$ mpls local-label 33 [eos] via <IP_ADDRESS> GigEthernet0/0/0
$ mpls local-label 33 [eos] via <IP_ADDRESS> GigEthernet0/0/0 out-labels 66
the latter is an example of an MPLS cross connect. Any description of a next-hop, recursive, non-recursive, labelled, non-labelled, etc, that is valid for an IP prefix, is also valid for an MPLS local-label. Note the use of the ‘eos’ keyword which indicates the programming is for the case when the label is end-of-stack. The last two operations can apply to both eos and non-eos packets, but the pop and IP lookup only to an eos packet.
MPLS VPN¶
To configure an MPLS VPN for a PE the follow example can be used.
Step 1; Configure routes to the iBGP peers - note these route MUST have out-going labels;
$ ip route add <IP_ADDRESS>/32 via <IP_ADDRESS> Eth0 out-labels 33
$ ip route add <IP_ADDRESS>/32 via <IP_ADDRESS> Eth0 out-labels 34
Step 2; Configure the customer ‘VRF’
$ ip table add 2
Step 3; add a route via the iBGP peer[s] with the MPLS label advertised by that peer
$ ip route add table 2 <IP_ADDRESS>/24 via <IP_ADDRESS> next-hop-table 0 out-label 122
$ ip route add table 2 <IP_ADDRESS>/24 via <IP_ADDRESS> next-hop-table 0 out-label 121
Step 4; add a route via the eBGP peer
$ ip route add table 2 <IP_ADDRESS>/24 via <IP_ADDRESS> next-hop-table 2
Step 5; depending on the label allocation scheme used, add routes to the MPLS FIB to accept incoming labelled packets:
per-prefix label scheme - this command ‘binds’ the label to the same forwarding as the IP route
$ mpls local-label 99 <IP_ADDRESS>/24
per-CE label scheme - this pops the incoming label and forwards via the next-hop provided. Append config for ‘out-labels’ if so desired.
$ mpls local-label 99 via <IP_ADDRESS> next-hop-table 2
per-VRF label scheme
$ mpls local-label 99 via ip4-lookup-in-table 2
MPLS Tunnels¶
MPLS tunnels are unidirectional and can impose a stack of labels. They are ‘normal’ interfaces and thus can be used, for example, as the target for IP routes and L2 cross-connects. To construct a tunnel:
$ mpls tunnel add via <IP_ADDRESS> GigEthernet0/0/0 out-labels 33 44 55
and to then have that created tunnel to perform ECMP:
$ mpls tunnel add mpls-tunnel0 via <IP_ADDRESS> GigEthernet0/0/0 out-labels 66 77 88
use
$ sh mpls tunnel [X]
to see the monster you have created.
An MPLS tunnel interface is an interface like any other and now ready for use with the usual set of interface commands, e.g.:
$ set interface state mpls-tunnel0 up
$ set interface ip address mpls-tunnel0 <IP_ADDRESS>/30
$ ip route <IP_ADDRESS>/32 via mpls-tunnel0


Band Members in Pic
The Beatles were a legendary rock group that formed in Liverpool, England, in 1960, and went on to transform popular music as a creative, highly commercial art form over the next decade. The Beatles were one of the most popular bands of all time, producing songs like "Yesterday, "Hey Jude," "Penny Lane, "With A Little Help From My Friends," "Norwegian Wood (This Bird Has Flown)," "Day Tripper" and "Come Together." Learn more about the "Fab Four"—John Lennon, Paul McCartney, George Harrison and Ringo Starr—by exploring our Beatles collection.


Making a custom palette
If you're doing a lot of images for the same project, you probably want to keep a consistent color scheme throughout. Or maybe you have a number of common colors you want to use frequently. Just like an artist's palette in reality, Pixen can help you get the colors you need quickly.
To create a blank custom palette:
- Open a Pixen palette panel by clicking the Palette icon in a document's toolbar or by clickin the Pixen Colors icon in a color panel's toolbar.
- Choose New Palette from the action (gear) menu.
To create a new palette based on another one:
- Open a Pixen palette panel by clicking the Palette icon in a document's toolbar or by clickin the Pixen Colors icon in a color panel's toolbar.
- Choose the palette on which you want to base your new one.
- Choose Duplicate Palette from the action (gear) menu.
Once you've got your new palette, click the add button to add new colors to it or double-click a color to change it. You can reorder the colors by dragging them around.


Collector Yumi:
Hum! I think this is... hm... I recall finding a strange key in the lab building. It looks as if it would fit this lock. Should we get the key and try it?


--- layout: page --- {{ site.title }} Releases {% for release in site.data.releases %} {{ release.tag_name }} {% endfor releases %} All Releases {{ content }}


Tampa Bay among teams to attend Colin Kaepernick's workout Saturday
by KJ HiramotoTAMPA, Fla. -- Could we see quarterback Colin Kaepernick in a Tampa Bay Buccaneers uniform?
According to NFL's communication department, Tampa Bay is among the 11 teams that are scheduled to attend the former San Francisco 49er's workout Saturday. The list of teams include the Arizona Cardinals, Atlanta Falcons, Cleveland Browns, Denver Broncos, Detroit Lions, Miami Dolphins, New England Patriots, New York Giants, New York Jets and the Washington Redskins.
"We expect additional teams to commit," said NFL's communication department in the tweet.
Kaepernick had been at the center of controversy for several years after refusing to stand during the national anthem before NFL games. The former 49er cited police brutality and the systemic oppression against people of color as some of the reasons he protested the national anthem.
RELATED: Reps from 11 NFL teams plan to attend Colin Kaepernick's workout
CNN reports the Saturday workouts kick off at 3 p.m. ET in Atlanta.
Kaepernick last played in the NFL on January 1, 2017 for the San Francisco 49ers. No teams had offered him a contract since.
Kaepernick later accused league owners of colluding to prevent him from signing with a team. He settled the case with the NFL in February of 2019.


Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book.
Company Name inc.
601, street 123
Newyork de. 34101
p :<PHONE_NUMBER> 345
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s


{% extends "_base.html" %} {% block breadcrumbs %} {% endblock breadcrumbs %} {% block titlecontent -%} {{ (the_score * 100) | round(1) }}% → {{ (py2_score * 100) | round(1) }}% – {{ super() }} {%- endblock titlecontent %} {% block favicon_url -%} {{ url_for('piechart_svg') }}?{{ cache_tag }} {%- endblock favicon_url %} {% block style %} {{ super() }} @media (min-width: 768px) { .main-summary { width: 100%; display: flex; flex-wrap: wrap; justify-content: space-evenly; } .main-summary .summary-sentence { font-size: 3rem; flex-grow: 1; position: relative; padding-left: 14rem; padding-right: 4rem; } .main-summary .big-percentage { display: block; position: absolute; left: 0; top: -0.5rem; padding: 0 1rem; font-size: 6rem; text-align: right; min-width: 14rem; } .main-summary .big-percentage .smaller { font-size: 3rem; } .main-summary .stuffing { font-size: 1.5rem; display: block; white-space: nowrap; line-height: 3rem; } .main-summary .callout { white-space: nowrap; line-height: 3rem; } } {% endblock style %} {% block bodycontent %}
{{ config['main-instructions'] .replace('$HOWTO_LINK', url_for('howto')) .replace('$MISPACKAGED_LINK', '#mispackaged') |safe }}
{% endif %} {% if groups %}
For some groups of packages which are likely to need
python27
in Fedora 32+,
we track how many Python2-only packages they bring into
the system (including the current Python 2 dependencies).
This makes it possible to see how big the dependency tree is,
and possibly where it can be trimmed.
<EMAIL_ADDRESS>in CC,(Some packages listed do not have a FESCo exception yet. They will need one to stay in Fedora.)
Build dependencies are not yet tracked properly.
{% for grp, (py3, dual, py2) in groups %}Ignoring loading time and delays in repository mirrors, it's current for that time.
{% endif %}


Yuma police: Suspicious Halloween candy to be tested
YUMA, Ariz. (AP) - Yuma police say a 3-tyear-old child who collected candy at two Halloween events reportedly became lethargic and other symptoms and that a piece of suspicious candy will be tested.
Police Sgt. Lori Franklin said Friday that police began investigating after the child was examined at a hospital Thursday night.
Franklin said the child displayed dilated pupils and “abnormal behavior” and that unwrapped candy resembling a type known to contain THC was found in a container used by the child to collect candy.
THC is a compound found in marijuana.
Police advised parents to examine their children’s candy to look for any unwrapped or red gummy items that resemble a fish.
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- Input the HotKey.
keyCode
(default 82: 'r')
ctrl
shift
alt
save
- Select the extension which will be reloaded.


{% extends "base.html" %} {% import "bootstrap/wtf.html" as wtf %} {% block styles %} {{super()}} {% endblock %} {% macro render_field(field, inline=False) %}
User-defined custom wordlists are read from the ~/.hashcat/wpa-server/wordlists folder
~/.hashcat/wpa-server/wordlists
Estimated runtime (per Access Point): {{ form.runtime }}


Sitemap
A list of all the posts and pages found on the site. For you robots out there is an XML version available for digesting as well.
Pages
Posts
Clearing the Decks
I’ve just been writing for my PhD progression. It’s been an intense couple of months but there’s now a brief respite as my report is reviewed for corrections...
Archiving Posset-bot
Posset-bot takes early retirement
Tutorial: Ciat Lonbarde PCBs
A tutorial on turning Peter Blasser’s ‘Paper Circuits’ into files needed for Printed Circuit Board manufacturing.
Introducing the Jehova’s Fitness Telegram Bot
A Telegram bot performing a collaged stream of bits and bobs
NottNOISE - Monday 16th March
I’ll be playing NottNOISE (Nottingham) on Monday 16th March.
DIY - Some Notes
A key term within my practice, and the broader music communities I identify with, is DIY. But what does this mean?
Shutting Down Bandcamp Onion
Last year I Onionised Bandcamp, that is to say I used EOTK to set up a Tor proxy to Bandcamp.
An (Opinionated) Critical Guide to DIY Digital Publishing
Introduction I’m briefly introducing this text as it is taken directly from a supplement I recently published with TQ#15. It was quite spur of the moment, ha...
Pushing Jekyll to a Google Cloud based Tor Hidden Service using Gitlab CI
In my previous post I migrated from a Raspberry Pi home server to Google Compute Engine for the purpose of hosting Tor Hidden Service versions of my websites...
Non-anonymous Tor Hidden Service using Google Cloud
I’ve previously talked about how to set up Tor Hidden Services, at home on a Raspberry Pi. As I’ll be moving around soon and not have a permanent base to run...
WNNS Review: Dissolution Matrix in Afterthought of Skiess
I just wanted to share this most welcome review, from the ever-excellent We Need No Swords, of “Dissolution Matrix in Afterthought of Skies”
Little Arithmetics
Small Thoughts on Improvisation
Testing Impedance Matching Contact Mic’s
More A/B Comparisons
Onionised Bandcamp
I’ll cut to the chase, I’ve ‘Onionised’ Bandcamp.
Testing Epoxy Backed Contact Mic’s
I’ve been making contact mic’s for myself and others for some years now (and I’m planning on putting some up for sale again quite soon so get in touch if you...
Why Being Disconnected from Practice Isn’t Really a Thing
One hears people, especially in arts circles, talking about their relationship to practice. Artists and other creatives (not forgetting nurses, teachers and ...
EOTK: Tor Mirroring on Google Cloud Engine
So at the risk of this site mostly being tech stuff I’m posting another how-to, rough-guide, self-documentation regarding Tor.
Urghh… Recaptcha
Just a quick note.  Mostly I hate infinite captcha loops you can get locked into whilst browsing using Tor. That’s often as much to do with cl...
Self Hosting with Raspberry Pi and Tor
A year or so ago I started experimenting with digital self publishing. Having become increasingly politicised with regard to both state and commercial online...
Hello World
Obligatory first post. Portfolio and more to follow.
portfolio
Lustfaust
An exercise in fictional archives and mediated histories - focussing upon little-known, 1970s, German noise band, Lustfaust.
When We Hit the Sky We Were High Over the Roofs, a Field of Gnarled Antennae
Audio installation activating listeners through dynamically modulating sound in space.
The Rusty Trombone of God
Cardiff based DIY gig collective - bringing fringe highlights and dirt-rare performances to Cardiff between 2010 and 2012. And then Nottingham in 2013.
A Walk by the Water
Between the 25th and the 30th of September 2013, in groups and alone, we walked sections of the River Trent and Nottingham Canal. It was as if she knew we we...
Contact Mics Uganda
A 2 day workshop ran in the Katwe slums of Nsambya in Kampala, Uganda during December 2013.
Audio Transducers Nepal
In March 2014 I visited Nepal with my wife. I was there to run a workshop where we would turn objects in speakers allowing us to intervene locally with sound...
Do You Want To Expand Your Parameters Or Play Museums Like Some Dilettante
Composed in response to Marvin Gaye Chetwynd’s exhibition at Nottingham Contemporary as part of their ‘Memory’ project and permanent collection.
The Memory Project
A realisation of the score ‘Do You Want To Expand Your Parameters Or Play Museums Like Some Dilettante’ is played back using vibrations to activate the windo...
Rainforest IV
Based upon David Tudor’s Rainforest IV (1973) and realised as a collaborative electronics workshop and performance.
Optophonic Workshop
I was invited to run a workshop as part of PS2N’s Optophonic Workshop.
They Ain’t Fucked with the Milk since Louis Pasteur, Except Maybe Diluted It a Little Bit
Sound installation and score drawing upon the alternative tuning systems of La Monte Young and the musical legacy of Sunny Murray.
Improvisations: Series 1
An ongoing archive of staged realities and material flows leaking into the world, inviting you to listen with the ‘ear of the imagination’.
FOAM
One off 12” vinyl commission for Mat Jenner’s FOAM project.
Rammel Club
Nights of visionary global music in Nottingham, UK.
From Now On
A 4 hour durational installation and performance hybrid
Reactor Halls E14: Cables - Contact Mic Workshop
Workshop conducted as part of the Rammel Club/Reactor Halls E14: Cables event.
Bitto Arts Trust: Gasworks Residency
A Triangle Network Fellowship at Britto Arts Trust in Dhaka, Bangladesh in 2015
UNIT(e) 2016
10 week UNIT(e) Residency at g39 in Cardiff.
Peak Signal 2 Noise
Short video pieces and soundtracking for Sheffield’s weirdest experimental music/sound/art TV show
The House Organ
In-house audio reports from the amateur avant-garde.
Site Gallery: Society of Explorers and Folk Forest
A workshop for Site Gallery’s Society of Explorers exploring making musical instruments from DIY contact microphones and domestic objects.
Leeds Creative Labs: Bragg Edition Residency
Paired with concrete scientists, we explored concrete as a sonic material through a variety of experiments.


/**
* Plugin Loader
* @module plugin
* @see loaders:plugin
* @description Loads plugins using `gulp-load-plugins`. Will load plugins for the projects
* package.json (the calling project), as well as this project, which provides
* gulp-sequence. The calling projects dependencies are preferred on conflict.
* @param {Object} options the `gulp-load-plugins` config
* @returns {Object} the merged plugins
*/
export default (gulpLoadPlugins, options) => {
// Ensure `gulp-load-runners` packages are included
const runnerPackages = gulpLoadPlugins();
// Also include the calling projects packages
const projectPackages = gulpLoadPlugins(options);
// Merge packages, preferring projects in case of any collisions
return Object.assign({}, runnerPackages, projectPackages);
};


Liverpool confirm Carabao Cup manager as Jurgen Klopp travels to Club World Cup
Liverpool are set to play their Carabao Cup quarter-final with Aston Villa just 24 hours before their Club World Cup semi-final in Qatar
by David Maddock, https://www.mirror.co.uk/authors/david-maddock/Liverpool will send a youth team for the Carabao Cup quarter final - as they split their squad to play two games in 24 hours.
Boss Jurgen Klopp has decided his U23 coach Neil Critchley will take charge of the Reds side which visits Aston Villa on December 17, just 24 hours before he himself leads a senior side that will play in the Club World Cup semi final in Qatar.
Klopp had considered juggling his squad to split senior players between the two matches, and has also pondered the prospect of his assistant Pep Lijnders taking charge of the domestic cup squad.
But instead, Critchley will be in the dug-out, with largely the young side which has progressed so far through the competition.
That means Liverpool are likely to take less than 23 players in their squad for the FIFA club championship, with players like Rhian Brewster, Caoimhin Kelleher, Sepp van den Berg, Curtis Jones and Harvey Elliott all on duty at Villa Park.
It is a frustrating solution for Klopp, but a decision he feels he has to make, given the two games will be played within 24 hours on two different continents.
He had thought about giving some of his senior players a rest by leaving them at home for the Carabao Cup tie - which would offer a seven day break afterwards - but the players themselves made it clear they want to push hard for the bigger trophy.
There was also a thought of sending some players on to Qatar after the Villa quarter final, but that has proved impractical.
Now, what will in effect be an U23 side will play the domestic game, but the club will allow their usual first team procedures of a night in a hotel before the game, and the usual first team coach.
Critchley has shadowed Klopp and the first team squad in recent weeks, and he will follow all the usual rules as the club try to make it as competitive a squad as possible.


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| Sprites.gob | ipower.fme | Ammo dropped by droid |
| " | widball.wax | green ball shot |
| " | emisexp.wax | droid shot explosion |
| " | intdroid.wax | Interogator droid |
| Sounds.gob | intalert.voc | droid ummmwwaa sound |
| " | instun.voc | droid stunning at close range sound |
| " | probfir1.voc | droid firing |
| " | ex-small.voc | int droid exploding |
| " | ex-tiny1.voc | shot exploding |
| " | bigrefl1.voc | used when kyle hit by droid shot only when supershield or laimlame on |
| " | emisby.voc | droid shot missing kyle |


Alternate Realities: Article Processing
Text Processing
[In progress]
In a previous post, we collected roughly 500,000 articles from 80 left- and right-aligned online news sources, going back to July 2015. Here, we’ll start to clean and process the text data to enable future analyses.
This is sort of an iterative problem – I’ll likely be revising this process to account for noise that makes it through. This is another post heavy on mechanics and light on findings, but the next one will have some interesting results.
First, we’ll develop a means of accessing text from the database by building an extensible generator. Then, we’ll stream sentences to find commonly occuring n-grams in the data, and finally we’ll pick those n-grams that we want to treat as single words in the future.
We’ll rely on a combination of nltk, gensim, and scikit-learn’s to tokenize our documents, generate n-grams, do some POS tagging, and place the data in a term-document-matrix.
Streaming tokenized text
To start, we’ll create a generator to return all articles from a query. We’ll be using similar functionality throughout this process, so I’ve opted to make it a class so that we may inherit from it in the future and stream, for e.g., sentences for use in Word2Vec models.
from sqlalchemy import create_engine
class QueryStream(object):
"""
Stream documents from the articles database
Can be subclassed to stream words or sentences from each document
"""
def __init__(self, sqldb, query=None, idcol='post_id',
textcol='article_text', chunksize=1000):
self.sql_engine = create_engine(sqldb)
self.query = query
self.chunksize = chunksize
self.textcol = textcol
self.idcol = idcol
def __iter__(self):
""" Iterate through each row in the query """
query_results = self.sql_engine.execute(self.query)
result_set = query_results.fetchmany(self.chunksize)
while result_set:
for row in result_set:
yield row
result_set = query_results.fetchmany(self.chunksize)
We want to create a pipeline for tokenizing documents that will split a document into sentences, then those sentences into words. Here, we’ll use nltk for tokenization.
from nltk import sent_tokenize, word_tokenize
from nltk.tokenize import MWETokenizer
import regex as re
class SentenceStream(QueryStream):
"""
Stream tokenized sentences from a query
"""
def __init__(self, ngrams=None, *args, **kwargs):
super(SentenceStream, self).__init__(*args, **kwargs)
# this will allow us to treat pre-defined n-grams as
# a single word, e.g., 'hillary_clinton', once
# we've identified them
self.mwe = MWETokenizer(ngrams)
def __iter__(self):
rows = super(SentenceStream, self).__iter__()
# remove all punctuation, except hyphens
punct = re.compile("[^A-Za-z0-9\-]")
for doc in rows:
id = getattr(doc, self.idcol)
text = getattr(doc, self.textcol)
for sentence in sent_tokenize(text):
split_sentence = [punct.sub('', word).lower()
for word in word_tokenize(sentence)]
yield id, self.mwe.tokenize([word for word in split_sentence
if word.replace('-', '')])
Identifying Collocations
We’ll use the article text we’ve scraped to identify n-grams like ‘donald trump’. Should we deem it necessary, we can later identify synonyms like ‘senator sanders’ and ‘bernie sanders’ using Word2Vec.
from gensim.models.phrases import Phrases, Phraser
from itertools import imap
sql_url = 'postgres://postgres:**PASSWORD**@localhost/articles'
full_query = """
SELECT post_id, article_text
FROM articles
WHERE num_words > 100
"""
# Since I'm running this on a Google Compute instance, I can afford
# to load everything in memory as a list. While this isn't strictly necessary,
# I can now avoid pulling from the database multiple times
stream = list(SentenceStream(sqldb=sql_url, query=full_query))
To illustrate, here’s the 9th sentence in the data.
stream[9]
[(u'144317282271701_1045074145529339',
[u'a', u'mixture', u'of', u'motives', u'is', u'on', u'display'])]
We must iteratively generate collocations from the sentence stream. The bigram object contains things like ‘marco rubio’, the trigram might now include ‘senator marco rubio’. I imagine this can be improved down the line but for now it’s sufficient.
phrase_kwargs = {'threshold': 10,
'min_count': 50}
bigram = Phrases(imap(lambda x: x[1], stream), **phrase_kwargs)
trigram = Phrases(bigram[imap(lambda x: x[1], stream)], **phrase_kwargs)
quadgram = Phrases(trigram[imap(lambda x: x[1], stream)], **phrase_kwargs)
bigram = Phraser(bigram)
trigram = Phraser(trigram)
quadgram = Phraser(quadgram)
bigram.save('../intermediate/phraser_bigram_all.pkl')
trigram.save('../intermediate/phraser_trigram_all.pkl')
quadgram.save('../intermediate/phraser_quadgram_all.pkl')
/home/ahoyle/anaconda2/envs/py27/lib/python2.7/site-packages/gensim/models/phrases.py:248: UserWarning: For a faster implementation, use the gensim.models.phrases.Phraser class
warnings.warn("For a faster implementation, use the gensim.models.phrases.Phraser class")
Trimming n-grams
Many of the n-grams we found have stopwords at either the end or beginning, for instance, ‘the supreme court’, or ‘to the’. We’d like to trim these so that they are individually meaningful components.
from nltk.corpus import stopwords
from collections import defaultdict
from itertools import chain
def trim_phrases(phraser):
"""
Remove stopwords at the start and end of an ngram,
generate list of unique ngrams in corpus
"""
stop = stopwords.words('english')
ngrams = defaultdict(tuple)
for bigram, score in phraser.phrasegrams.items():
ngram = bigram[0].split('_') + bigram[1].split('_')
idx = [i for i, v in enumerate(ngram) if v not in stop]
ngram = ngram[idx[0]:idx[-1] + 1] if idx else []
if len(ngram) > 1:
ngrams[tuple(ngram)] = score
return ngrams
ngrams = {k: v for k, v in chain(trim_phrases(quadgram).items(),
trim_phrases(trigram).items(),
trim_phrases(bigram).items())}
with open('../intermediate/phrasegrams_all.pkl', 'wb') as o:
pickle.dump(ngrams, o)
We can now use these phrases, which include n-grams like “united_states” to “bragging_about_sexual_assault”, to join together tokens in the data and see which ones are particularly prevalent. Before we get to that, we’ll filter down the set to include only noun phrases using POS tagging, which will be used with Word2Vec and topic modeling down the road.
POS Tagging
Of the n-grams collected above, we’re largely interested in noun-phrases like ‘aborted_baby_parts’ (appearing 1,062 times: uh, ok) rather than adjective or verb phrases like ‘radical_islamic’. To subset to only nouns, we’ll use Part-of-Speech tagging to see how these n-grams are employed in the data.
full_query = """
SELECT post_id, article_text
FROM articles
WHERE num_words > 100
"""
from nltk import pos_tag
class POSSentenceStream(SentenceStream):
"""
Assign parts of speech to n-grams
"""
def __iter__(self):
sentences = super(POSSentenceStream, self).__iter__()
for id, sentence in sentences:
for word, pos in pos_tag(sentence):
if '_' in word:
yield word, pos
pos_words = POSSentenceStream(sqldb=sql_url, query=full_query, ngrams=ngrams.keys())
To take a look at what I’m referring to, see some examples below. Just look: already we have the hugely controversial term conversion_therapy!
pos_words[:10]
[(u'hasnt_stopped', 'VBD'),
(u'republican_politicians', 'NNS'),
(u'radio_show', 'NN'),
(u'rafael_cruz', 'VBD'),
(u'ted_cruz', 'NN'),
(u'barack_obama', 'NN'),
(u'conversion_therapy', 'NN'),
(u'reminds_us', 'NN'),
(u'conversion_therapy', 'NN'),
(u'sharp_contrast', 'NN')]
We might expect that certain n-grams, like ‘presidential_candidate’, could be considered both a noun or adjective phrase. As a result, we’ll determine the POS distribution for each phrase, selecting only those that are nouns over 75% of the time.
from collections import defaultdict
from collections import Counter
import numpy as np
def count_ngram_occurances(pos_stream):
"""
Tally up the different POS associated with each n-gram
"""
pos_counts = {word: Counter() for word, pos in pos_stream}
for word, pos in pos_stream:
pos_counts[word].update([pos])
return pos_counts
def identify_np_ngrams(pos_counts):
"""
Determine the n-grams that are most often employed as noun phrases
"""
np_ngrams = defaultdict(str)
for word, counts in pos_counts.items():
split_word = tuple(word.split('_'))
word_count = sum(counts.values())
noun_count = sum([v for k, v in counts.items() if 'NN' in k])
# is it usually used as a noun?
if np.true_divide(noun_count, word_count) > 0.75:
np_ngrams[split_word] = word_count
return np_ngrams
pos_counts = count_ngram_occurances(pos_words)
noun_ngrams = identify_np_ngrams(pos_counts)
with open('../intermediate/pos_counts_all.pkl', 'wb') as o:
pickle.dump(pos_counts, o)
Already, we’re seeing some moderately interesting findings in the data. For instance, rigged election by hillary clinton appears 113 times in 57 sources, congress must investigate planned parenthood 58 times over 16 sources. For posterity, I’ve saved these n-grams and their counts to github.
import pandas as pd
# save n-grams appearing over 25 times in the data
ngram_data = pd.DataFrame.from_records(pos_counts)\
.transpose()
ngram_data['total'] = ngram_data.sum(axis=1)
ngram_data.loc[ngram_data.total >= 25]\
.to_csv('../output/ngram_pos_counts.csv', index_label='n-gram')
with open('../intermediate/noun_ngrams_all.pkl', 'wb') as o:
pickle.dump(noun_ngrams, o)
With that, we’re done with this initial stage of processing. I imagine that I’ll be expanding this post as time goes on to accomodate other issues that arise (already, I’m aware that there’s a lot of noise in the data, to the tune of “follow breitbart on Twitter” or “photo credit AP”, but I’d rather get some results first).


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/funky.20notation.html ---
Is this doomed to fail?
def is_ideal_adic (J : set A) [is_ideal J] : Prop := ∀ n, is_open (pow_ideal J n) ∧ (∀ K : set A, (0 : A) ∈ K → is_open K → ∃ n, pow_ideal J n ⊆ K) notation : `is_`J`_adic` := is_ideal_adic J
its doomed
That's too bad
they are just funny looking brackets...
Still it doesn't work )-;
Shouldn't have the colon after notation
Thanks @Reid Barton it works!
notation `is-`J`-adic` := is_ideal_adic J def is_adic (A₀ : set A) [is_subring A₀] : Prop := ∃ (J : set A₀) [hJ : is_ideal J], (by haveI := topological_subring A₀; haveI := hJ; exact is-J-adic)
You can't use underscores, or you'll need to leave spaces...
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


Lost in Space, starring William Hurt, Gary Oldman and Mimi Rogers 1 1/2 stars out of 4
Lost in Space is an apt title for a movie that is dramatically lost for lack of consistency and focus.
This big-screen adaptation of the silly Irwin Allen sci-fi TV series of the 1960s hedges its bets by trying to be all things to all viewers, and in doing so founders in its own uncertainty. Is it straight s-f adventure? A send-up? A family drama? Yes, no and a little bit of each.
Lost in Space, the TV show, lost many viewers when it disintegrated from a space drama to a campy kiddy show in which the show's purported main villain, the evil Dr. Zachery Smith, was transformed by producer Allen into a bumbling and verbose, comically and cowardly baddie.
And it is the shadow of Jonathan Harris' performance as Dr. Smith that creates havoc in this cinematic reincarnation.
Gary Oldman, an actor not known for subtley (for reference, see The Professional, The Fifth Element or Air Force One) is given the difficult task of following in Harris' space boots.
Unfortunately, he is not at all helped by the screenplay of Akiva Goldsman, whose most recent offering was the feeble Batman and Robin. Goldsman script is too ambitious, trying to capture the flavor the TV show and blending it with a '90s quotient of familial angst.
Thus, we get a movie in which dad (William Hurt as Professor John Robinson) is a workaholic, while mom (Mimi Rogers as Maureen Robinson) tries to balance home and career, while the kids (Heather Graham as Judy, Lacey Chabert as Penny and Jack Johnson as Will) all reflect, in some manner, the havoc caused by this dysfunctional family of the future.
 Penny is the rebellious middle child who would rather spend her days and nights at the mall instead of trapsing through space. And Will is the young genius working on scientific gizmos in order to capture his father's attention and love.
So far, so good. A nice diversion from the Ozzie and Harriet-type family portrayed by Guy Williams and June Lockhart and their cute-as-button-children in the TV show.
However, in rewriting the villainous Smith, Goldsman seems to have lost faith in his original vision. For Oldman's Smith is merely an updated version of Harris. He wheedles, lies, cringes and acts the coward, while tossing out sarcastic one-liners under his breath. It's charming, but not threatening.
And what's a movie without some sort of serious antagonist. Therefore, Goldsman tosses in a subplot involving time displacement and some alien spiders in order to create a credible menacing villain.
But by the time that all comes to pass, Lost in Space has nearly twisted itself back into the self-parodying world of Irwin Allen.
Also not helping matters is the performance of Hurt. Here he seems detached, merely acting by the numbers. He spends a lot of time furrowing his brow and shooting sidelong glances at the rest of the cast.
Matt LeBlanc as Major Don West seems like he's acting the part as a comic bit from his Friends sitcom. His macho posturing is almost campy.
Young Johnson as Will Robinson has some good moments with his robot pal, while Chabert mouths some of the best zingers in the film. Rogers and Graham really have little to do.
Oldman, unfortunately, can't seem to get a handle on how to handle his Dr. Smith.  Either way, he's neither fish nor fowl, and that is this movie's sore point.
Of course, the open-ended finale leaves ample opportunities for sequels, but perhaps this Lost in Space should merely remain lost for all time.
It's darker and more sophisticated than the TV series, but that's like saying The National Enquirer publishes a better product than your local high school newspaper.
Bob Bloom is the film critic at the Journal and Courier in Lafayette, Ind. He can be reached by e-mail at<EMAIL_ADDRESS>cb
Carol Bloom of Bloom Ink Publishing Professionals 3312 Indian Rock Lane West Lafayette, IN 47906-1203<PHONE_NUMBER> fax<PHONE_NUMBER><EMAIL_ADDRESS>Committed to Lifelong Learning through Effective Communication
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


'The ducks have won': French court rules flock can keep on quacking
The ducks on a small French smallholding may carry on quacking, a French court ruled on Tuesday, rejecting a neighbour's complaint that the birds' racket was making their life a misery.
The court in the town of Dax ruled that the noise from the flock of around 60 ducks and geese kept by retired farmer Dominique Douthe in the foothills of the Pyrenees, southwestern France, was within acceptable limits, broadcaster France 3 said.
"The ducks have won," Douthe told Reuters after the court decision. "I'm very happy because I didn't want to slaughter my ducks."
The complaint was brought by Douthe's neighbour who moved from the city around a year ago into a property about 50 metres away from the enclosure in the Soustons district where Douthe keeps her flock.
The dispute is the latest in a series of court cases that have pitted the traditional way of life in rural France against modern values which, country-dwellers say, are creeping in from the city.
In a court ruling in September, a rooster named Maurice was allowed to continue his dawn crowing, despite complaints from neighbors who had also moved in from the city.
Related News
Hordes of highly aggressive geese and invasive ducks infest Auckland park
Why farmers' Bird of the Year is an endangered duck
The neighbor in Soustons, about 700km southwest of Paris, who filed the complaint about the quacking has not been publicly identified.
The neighbor's lawyer said the noise exceeded permissible levels, and prevented the plaintiff enjoying their garden or sleeping with their house windows open.
The neighbor had asked for immediate steps to reduce the noise, and for €3,500 in damages, according to French media reports.
Reuters


Home / Shop / Vita Energy Vanilla
Vita Energy Vanilla
Vanilla flavoured premium smart shake mix contains 75% natural protein for a healthy and balanced life.
Vita Energy Vanilla – the perfect find for vanilla lovers! Inspired by premium flavor, its rich, creamy taste takes the vanilla flavor to whole new level. You’ll delight in this delicious shake!
Vita Energy Shake is a carefully balanced All-in-One beverage suitable for anyone at any time. The nutrient-packed smart Vita Energy cocktail gives you the maximum benefits a high quality shake can offer, allowing you to achieve your wellness goals with ease***!
€45.00 20 PV
Checkout
With Vita Energy you don't need to starve for weeks or wear yourself out with workouts. Only a natural weight loss thanks to THE ACTIVATION OF FAT BURNING PROCESSES.
- Add 2 tablespoons to a glass of water, juice, or milk.
- Drink the cocktail at breakfast and 3 hours before bed.
- It should be taken for 14 days.
- 37% higher antioxidant content
- 44% more vitamins
- Increased amount of magnesium, arginine and tyramine
- They contain unique flavonoids
are powerful antioxidants present in vanilla pods.
NATURAL COMPOSITION
All components enhance the useful properties of each other due to a careful selection. Slimming has become TASTY, FAST AND SAFE.
 - Protein isolate
a substance received during complex chemical reactions. Normalises and speeds up metabolism. - Peptides
proactive natural protein compounds. Curb the feeling of hunger. - Whey protein
a highly purified form of protein, possessing regenerating and stimulating properties.
With regular consumption of vanilla Vita Energy cocktail, your weight loss is due to reduction of stored fat and doesn't affect the muscle mass, while the tissues and organs are reliably protected against nutritional deficiencies.
*** Results are not necessarily typical. Individual results will vary. Vita Energy shakes can help slimming or weight control only as part of a calorie-controlled diet.
Product materials
NUTRITION FACTS
Serving size: 1 Scoop (32 g)
Servings Per Container: 10
| CONTENT | PER 100 g | PER 32 g Serving | RDI* (PER Serving) |
| Energy | 1672 kJ/395 kcal | 535 kJ/126 kcal | 6% |
| Protein | 75 g | 24 g | 48% |
| Carbohydrates - Sugars | 12 g
3.1 g |
3.8 g
1 g |
1%
1% |
| Fiber | 2.4 g | 0.8 g | - |
| Fat - Saturated | 4.7 g
1.7 g |
1.5 g
0.54 g |
2%
3% |
| Salt | 0.85 g | 0.27 g | 5% |
* Reference daily intake for an average adult (8400 kJ/2000 kcal per day).
- : RI not established.
Directions for use: We recommend consuming Vita Energy shakes daily for breakfast as well as 3 hours before sleep. Mix 1 scoop (32g) of Vita Energy with 250 ml (1 1/2 cups) cold water, juice or milk*. For thicker, creamier shakes, use a blender and mix for 30-40 seconds. As a meal replacement, men and women should take 2 servings daily.
* People with individual intolerance to the components of the product should consume it cautiously. Not recommended if you are lactose intolerant. Made in a facility that processes eggs and nuts.
WARNINGS: Product does not replace a healthy lifestyle. Do not exceed the recommended dosage. Keep out of the reach of children.
Storage conditions: Store the jar with lid tightly closed at 5-25°C (41-77°F). Keep away from direct heat, moisture and sunlight. Do not store for more than 6 months after opening.
TYPICAL AMINO ACID PROFILE
(AMINO ACIDS PER 100 g)
EAAs: Essential Amino Acids
| L-Isoleucine (BCAA) | 5795 mg |
| L-Leucine (BCAA) | 8513 mg |
| L-Valine (BCAA) | 6192 mg |
| L-Histidine | 5103 mg |
| L-Lysine | 7833 mg |
| L-Methionine | 5103 mg |
| L-Phenylalanine | 4462 mg |
| L-Threonine | 5782 mg |
| L-Tryptophan | 1100 mg |
NAAs: Non-essential Amino Acids
| L-Alanine | 3090 mg |
| L-Arginine | 3949 mg |
| L-Aspartic acid | 8641 mg |
| 8641 mg | 3167 mg |
| L-Glutamic acid | 15603 mg |
| Glycine | 1744 mg |
| L-Proline | 5359 mg |
| L-Serine | 4744 mg |
| L-Tyrosine | 3820 mg |


View On GitHub
US Flight Delays
Visualize US flight delay data
Project maintained by
lrakai
Hosted on GitHub Pages — Theme by
mattgraham
US Flight Delay Visualization
Percentage of Flights Arriving On Time (2017)
Percentage of flights on-time
Hover over a state!
Legend


About
.
Hello! I am a freelance illustrator and comic artist from Miami, FL, and I love to depict places and tell stories through pictures. My work has appeared in a variety of formats including comics, book covers, picture books, and paintings. I am currently studying illustration at the Maryland Institute College of Art in Baltimore.
For any and all inquiries, please contact me at dbitton@mica.edu


--- layout: post status: publish published: true title: 'Pyramid Consulting: Senior JAVA Developer' author: display_name: PR Team login: prteam email<EMAIL_ADDRESS>url: '' author_login: prteam author_email<EMAIL_ADDRESS>wordpress_id: 878 wordpress_url: http://gatheringtalents.com/?p=878 date: '2012-06-05 15:26:41 +0000' date_gmt: '2012-06-05 07:26:41 +0000' categories: - Developer - Jobs tags: [] comments: [] ---
Responsibilities:
Work as Senior Software Developer in Web-based application projects in JAVA-related and open-source technologies (see detailed requirements):
• Analyze system requirements
• Participate in system design and implementation.
• Perform as a key member in technical problem resolution in projects with Team Leaders
• Can play the role of a Team Leader to manage several developers in projects.
We offer:
• Young, dynamic, creative and friendly environment
• Knowledge sharing
• Learning from colleagues
• Fast growing career path
• Project Bonus
• The best overtime policy
• Health care program
• Competitive salary package
Requirements:
• Education: Bachelor of IT or equivalent
• Language: English (good in all skills)
• Strong knowledge and experience with JAVA-related technologies in web-based programming, system design, technical troubleshooting, problem solving...
• Experienced in Struts 2, Velocity, JPA, Hibernate, Spring, Spring MVC, Tapestry 5, Lucene is a plus
• Experienced in open source solutions such as cms, portal, social network... is a plus
• Experience with one of the flowing IDEs: Eclipse, NetBeans, IntelliJ
• Experienced in web servers, application servers (Apache, Tomcat, JBoss, IBM Websphere)
• Good at database design and programming (MS SQL Server, or Oracle, MySQL,...)
• Good at using CASE tools and frameworks (such as such as CVS, SVN, JMeter, Ant, Maven, Continuous Integration)
• Experienced in design and architecture of medium & large-scaled web-based systems
• Good soft skills: group discussion leading, team working, problem solving, presentation…
• Must be independent, responsible, self-motivated, with ability to learn and achieve superior results.
• Willing and have strong methodologies to research new technologies.
• Additional knowledge in Microsoft .NET or PHP is a plus.
* Willing to learn and work on other technologies such as Microsoft .NET, PHP,... when requires
• Ready to work overtime if necessary (paid).-At least 3 years experience.
Location: Ho Chi Minh City
Company information:
Pyramid Consulting is an International Web Agency offering Web-based, Multimedia and Wireless/SMS development services for Europe, North America and APAC clients who are the top International Interactive Marketing Agencies or Enterprise clients, founded since 1999 in Brussels, Belgium (Europe).
Pyramid Consulting Vietnam is the offshore Development Center of Pyramid Consulting Group, started since 2001, providing Online & Mobile development outsourcing services to world-wide customers. Pyramid Consulting Vietnam is currently one of top 3 largest Web development firms in Vietnam and is the only one serving online interactive marketing & e-business industry.
With 10 years of evolution and around more than 250 members, Pyramid Consulting is partner of the top International Interactive Marketing Communication Agencies in Europe (Belgium, France, Holland, UK), North America (Canada, United States) and APAC (Singapre, Hongkong, Australia, Vietnam), such as Publicis Moderm, MRM Worldwide, BBDO proximity, Ogilvy Interactive, McCann, FullSix, YellowPepper, etc.
The company is invested by IDG.
We offer a friendly, creative and cooperative workplace. Salary is kept competitive in the market.
Join and enrich your values at Pyramid Consulting Vietnam!


RSDTaskController
public protocol RSDTaskController : class, NSObjectProtocol
RSDTaskController
handles default implementations for running a task.
To start a task, create an instance of a view controller that conforms to this protocol
and set either the topLevelTask
or the topLevelTaskInfo
.
-
A mutable path object used to track the current state of a running task.
Declaration
Swift
var taskPath: RSDTaskPath!
-
Optional factory subclass that can be used to vend custom steps that are decoded from a plist or json.
Declaration
Swift
var factory: RSDFactory?
-
Can the task progress be saved? This should only return
true
if the task result can be saved and the current progress can be restored.Declaration
Swift
var canSaveTaskProgress: Bool
-
Returns the currently active step controller (if any).
Declaration
Swift
var currentStepController: RSDStepController?
-
Returns a list of the async action controllers that are currently active. This includes controllers that are requesting permissions, starting, running, and stopping.
Declaration
Swift
var currentAsyncControllers: [RSDAsyncActionController]
-
Should the protocol extension fetch the subtask from a task info object or does this implementation handle subtask step navigation using custom logic?
Declaration
Swift
func shouldFetchSubtask(for step: RSDTaskInfoStep) -> Bool
Parameters
step
The
RSDTaskStep
for which to fetch the task.Return Value
true
if the task should be fetched using the protocol extension. -
Should the protocol extension vend the steps in a section using paging to move to the next step or does this implementation handle section steps using custom logic?
Declaration
Swift
func shouldPageSectionSteps(for step: RSDSectionStep) -> Bool
Parameters
step
The
RSDSectionStep
for which show the paged steps.Return Value
true
if the protocol extension should handle paging the steps. -
Show a loading state while fetching the given task from the task info.
Declaration
Swift
func showLoading(for taskInfo: RSDTaskInfoStep)
Parameters
taskInfo
The task info for the task being fetched.
-
Fired when the task controller is ready to go forward. This method must invoke the
goForward()
method either to go forward automatically or else go forward after a user action.Declaration
Swift
func handleFinishedLoading()
-
Hide the loading state if currently showing it.
Declaration
Swift
func hideLoadingIfNeeded()
-
Navigate to the next step from the previous step in the given direction.
Declaration
Swift
func navigate(to step: RSDStep, from previousStep: RSDStep?, direction: RSDStepDirection, completion: ((Bool) -> Void)?)
Parameters
step
The step to show.
previousStep
The previous step. This is either the step currently being displayed or else the
RSDSectionStep
orRSDTaskStep
if the previous step was the last step in a paged section or fetched subtask.direction
The direction in which to show the animation change.
completion
The completion to call once the navigation animation has completed.
-
Failed to fetch the task from the current task path. Handle the error. A retry can be fired by calling
goForward()
.Declaration
Swift
func handleTaskFailure(with error: Error)
Parameters
error
The error returned by the failed task fetch.
-
The task has completed, either as a result of all the steps being completed or because of an early exit.
Declaration
Swift
func handleTaskCompleted()
-
This method is called when a task result is
ready
for upload, save, archive, etc. This method will be called when either (a) the task is ready to dismiss or (b) when the task is displaying the last completion step.Declaration
Swift
func handleTaskResultReady(with taskPath: RSDTaskPath)
-
The user has tapped the cancel button.
Declaration
Swift
func handleTaskCancelled(shouldSave: Bool)
Parameters
shouldSave
Should the task progress be saved (if applicable).
-
Add async action controllers to the shared queue for the given configuations. It is up to the task controller to decide how to create the controllers and how to manage adding them to the
currentStepController
array.The async actions should not be started. Instead they should be returned with
idle
status.Note
If creating the recorder might take time, the task controller should move creation to a background thread so that the main thread is not blocked.
Declaration
Swift
func addAsyncActions(with configurations: [RSDAsyncActionConfiguration], completion: @escaping (([RSDAsyncActionController]) -> Void))
Parameters
configurations
The configurations to start.
completion
The completion to call with the instantiated controllers.
-
Start the async action controllers. The protocol extension calls this method when an async action should be started directly after the step is presented.
The task controller needs to handle blocking any navigation changes until the async controllers are ready to proceed. Otherwise, the modal popup alert can be swallowed by the step change.
Declaration
Swift
func startAsyncActions(for controllers: [RSDAsyncActionController], showLoading: Bool, completion: @escaping (() -> Void))
-
Stop the async action controllers. The protocol extension does not directly implement stopping the async actions to allow customization of how the results are added to the task and whether or not forward navigation should be blocked until the completion handler is called. When the stop action is called, the view controller needs to handle stopping the controllers, adding the results, and showing a loading state until ready to move forward in the task navigation.
Declaration
Swift
func stopAsyncActions(for controllers: [RSDAsyncActionController], showLoading: Bool, completion: @escaping (() -> Void))
-
topLevelTaskInfo
Extension methodConvenience method for getting/setting the main entry point for the task controller via the task info.
Declaration
Swift
public var topLevelTaskInfo : RSDTaskInfoStep!
-
topLevelTask
Extension methodConvenience property for getting/setting the main entry point for the task controller via the task.
Declaration
Swift
public var topLevelTask : RSDTask!
-
taskResult
Extension methodConvenience property for getting the result for this task.
Declaration
Swift
public var taskResult : RSDTaskResult!
-
topLevelTaskPath
Extension methodConvenience property for getting the top level task path.
Declaration
Swift
public var topLevelTaskPath : RSDTaskPath!
-
startTaskIfNeeded()
Extension methodStart the task if it is not currently loaded with a task or first step.
Declaration
Swift
public func startTaskIfNeeded()
-
isForwardEnabled
Extension methodCan this task go forward? If forward navigation is disabled, then the task isn’t waiting for a result or a task fetch to enable forward navigation.
Declaration
Swift
public var isForwardEnabled: Bool
-
hasStepAfter
Extension methodIs there a next step or is this the last step in the task?
Declaration
Swift
public var hasStepAfter: Bool
-
hasStepBefore
Extension methodIs there previous step that this task can go back to?
Declaration
Swift
public var hasStepBefore: Bool
-
goForward()
Extension methodGo forward to the next step. If the task is not loaded for the current point in the task path, then it will attempt to fetch it again.
Note
This method will throw an assertion if it is called without first checking that the current task can navigate forward.Declaration
Swift
public func goForward()
-
goBack()
Extension methodGo back to the previous step.
Note
This method will throw an assertion if there isn’t a previous step.Declaration
Swift
public func goBack()


connected rectangles
Input Output
Data File Input
Data File Output
Geometry File Output
Diagram Title
Boxes
Boxes:
Add New Box
Drop Box
Update Box
Box Comments
Update Box Comment
Drop Box Comment
Box Fields
Fields:
Primary Key
Foreign Key
Add New Field To Box
Drop Field From Box
Update Field
Field Comment
Update Field Comment
Drop Field Comment
Field Values
Values:
Edit Value From Field
Add New Value To Field
Drop Value From Field
Update Value
Box Links
Links:
Drop Link
From Box:
From Field:
From Cardinality:
To Box:
To Field:
To Cardinality:
Category:
TR2
Add New Link
Update Link
Field Colors
Colors:
Drop Color
Box:
Field:
Color:
Add New Color
Update Color


WITNESS LIST Judicial Affairs Committee April 28, 2003-2:30P HB 404 For: Fairbrother, Bill (Self) On: Reaves, Margaret (Commission on Judicial Conduct) HB 2599 For: Law, Ken (3rd Court of Appeals) HB 2923 For: Behrens, Mark (American Legislative Exchange Council) On: Ott, Patricia (Justices of the Peace & Constables Association of Texas Inc.) HB 3167 For: Hamlin, Jim (Self) Wilder, Thomas (Self) HB 3274 For: Kent, J.H. (Self and Pecos County) Shuster, Joe (Self and Pecos County Court) HB 3314 For: Atchley, Loren (Nueces County and County Judge) Hamlin, Jim (Self) Hayes, Margaret (County of Nueces) Turley, Gail (County & District Clerks Assn. of Texas) Against: Ott, Patricia (Justices of the Peace & Constables Association of Texas Inc.) HB 3572 For: Criswell, J. Michael (Self and Swisher County) Keeter, Harold (Self and Swisher County) SB 266 On: Luera, Michelle (Sunset Advisory Commission) Marshall, Jack (Board of Law Examiners) Strickland, Jack (Texas Board of Law Examiners) Vaughn, Julia (Texas Board of Law Examiners)


The IPv4 layer generates an IP header when sending a packet unless the IP_HDRINCL socket option is enabled on the socket. When it is enabled, the packet must contain an IP header. For receiving the IP header is always included in the packet.
Only processes with an effective user ID of 0 or the CAP_NET_RAW capability are allowed to open raw sockets.
All packets or errors matching the protocol number specified for the raw socket are passed to this socket. For a list of the allowed protocols see RFC 1700 assigned numbers and getprotobyname(3).
A protocol of IPPROTO_RAW implies enabled IP_HDRINCL and is able to send any IP protocol that is specified in the passed header. Receiving of all IP protocols via IPPROTO_RAW is not possible using raw sockets.
| IP Header fields modified on sending by IP_HDRINCL | |
| IP Checksum | Always filled in. |
| Source Address | Filled in when zero. |
| Packet Id | Filled in when zero. |
| Total Length | Always filled in. |
If IP_HDRINCL is specified and the IP header has a nonzero destination address, then the destination address of the socket is used to route the packet. When MSG_DONTROUTE is specified, the destination address should refer to a local interface, otherwise a routing table lookup is done anyway but gatewayed routes are ignored.
If IP_HDRINCL isn't set, then IP header options can be set on raw sockets with setsockopt(2); see ip(7) for more information.
In Linux 2.2, all IP header fields and options can be set using IP socket options. This means raw sockets are usually needed only for new protocols or protocols with no user interface (like ICMP).
When a packet is received, it is passed to any raw sockets which have been bound to its protocol before it is passed to other protocol handlers (e.g., kernel protocol modules).
In addition, all ip(7) IPPROTO_IP socket options valid for datagram sockets are supported.
Linux 2.0 enabled some bug-to-bug compatibility with BSD in the raw socket code when the SO_BSDCOMPAT socket option was set --- since Linux 2.2, this option no longer has that effect.
A raw socket can be bound to a specific local address using the bind(2) call. If it isn't bound, all packets with the specified IP protocol are received. In addition, a RAW socket can be bound to a specific network device using SO_BINDTODEVICE; see socket(7).
An IPPROTO_RAW socket is send only. If you really want to receive all IP packets, use a packet(7) socket with the ETH_P_IP protocol. Note that packet sockets don't reassemble IP fragments, unlike raw sockets.
If you want to receive all ICMP packets for a datagram socket, it is often better to use IP_RECVERR on that particular socket; see ip(7).
Raw sockets may tap all IP protocols in Linux, even protocols like ICMP or TCP which have a protocol module in the kernel. In this case, the packets are passed to both the kernel module and the raw socket(s). This should not be relied upon in portable programs, many other BSD socket implementation have limitations here.
Linux never changes headers passed from the user (except for filling in some zeroed fields as described for IP_HDRINCL). This differs from many other implementations of raw sockets.
RAW sockets are generally rather unportable and should be avoided in programs intended to be portable.
Sending on raw sockets should take the IP protocol from sin_port; this ability was lost in Linux 2.2. The workaround is to use IP_HDRINCL.
When the IP_HDRINCL option is set, datagrams will not be fragmented and are limited to the interface MTU.
Setting the IP protocol for sending in sin_port got lost in Linux 2.2. The protocol that the socket was bound to or that was specified in the initial socket(2) call is always used.
RFC 1191 for path MTU discovery. RFC 791 and the <linux/ip.h> header file for the IP protocol.


Deuteronomy 8:17
And thou say in thine heart, My power and the might of mine hand hath gotten me this wealth.


Examples of drum synthesis using the Web Audio API.
View the Project on GitHub chrislo/drum_synthesis
This example of drum synthesis was created for an article I wrote for the Opera Developer blog. You should go there to read the gory details.
PLAY PAUSE


THE THIRTEENTH FLOOR by DeWyNGaLe Rating: B
The Thirteenth Floor, the third in what I would call "the reality check movie series", is very similar to the other reality check movies released this year, The Matrix and eXistenZ. All three made you think, made you wonder what is real, what isn't, and if our world is just a huge game. The Thirteenth Floor doesn't reach the level of originality, creativity, and curiosity sparked by The Matrix and eXistenZ, but it certainly gives a great shot at it. In The Matrix, we were told that the humans are simply a virus. In eXistenZ, we learned that our life could be just a game. In The Thirteenth Floor, we learn that we are just electronic devices, living under another world of electronic devices. There is just one world on top of another, and everything in them are fake and electronically generated.
The Thirteenth Floor took a huge, risky turn that I didn't expect it to take, and I'm not very sure it was such a great turn to make. Rather than focusing just on the reality parts of the film, The Thirteenth Floor becomes a murder mystery that ends up tying in with the different worlds. After the mysterious murder of computer program designer Hammond Fuller, played by Armin Mueller-Stahl, Douglas Hall, played by Craig Bierko, a man that worked under Fuller for many years, must travel through an electronic computer device that Fuller was using, to the year 1937, which consists of computer generated characters only. The simulation of 1937 is just like it was back in the olden days. All of the people involved are just characters, or are they? Douglas strongly believes that a character traveled through the transport from their world to ours, and killed Fuller. Along the way, Douglas interacts with many different potential suspects, and a woman who claims to be the daughter of Fuller, Jane Fuller, played wonderfully by a talented young actress, Gretchen Mol.
The Thirteenth Floor is a plot driven movie from the time the film gets going, and doesn't use spectacular special effects and big sound to keep the viewer's interests. I was worried that this film would be too much like The Matrix and eXistenZ, and I wouldn't enjoy it, but there were enough twists and turns to keep me thinking and attentive to the film. Unfortunately, many potential would have been great scenes were thrown away with predictable content, letting the viewer know the outcome of the scene long before it happened. The scenes that aren't original or interesting seem to go absolutely nowhere, leaving you wondering, " What is the point of this?"
Sometimes it was hard to believe that this story, with terrible dialogue, some bad acting, especially from Craig Bierko, and scenes that go absolutely nowhere, are actually true. I know this isn't a true story or anything, but a film should be able to make you think that it is. On the plus side of acting, we get to see the missing from main character action since the film masterpiece Shine in 1995 actor, Armin Mueller-Stahl. In The Thirteenth Floor, he is back and is still giving believable and amazing performances. Another plus is Gretchen Mol's realistic performance, creating her character with depth, not just staying in the one-dimensional phase.
Don't expect the intensity of The Matrix or eXistenZ to come out of The Thirteenth Floor, just expect another film that messes with your mind for awhile, and shuts you down like any other movie would.
The Bottom Line- Let's hope this is the last of the "reality check" based movies for awhile.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


From modern to retro art styles, Missy Elliot encompasses a variety of techniques to stay fresh but resonate with her foundations. We implemented her remixing and reversing in the song “Work It” into our album art.
Missy is known for her iconic jumpsuits. She turns simple styles into exotic pieces.
In addition to the jacket, we designed a matching pair of pants to complete Missy’s iconic full jumpsuit look.
Tryna socially distance that thang down flip it and reverse it
When you wanna find quarantine bae
"I'm not a mask but I can still put it on ya"


{% load icon %}
Data Models
Data models are the primary objects for conceptualizing your workflow. In a nutshell, data models are groups of fields and dictate the data points collected.
🚧 UNDER DEVELOPMENT 🚧
{% for values in data_models %}
{{ values.label }}
Fields
{% for field in values.fields %}
Label
Key
Type
Text
Number
Email
Phone
Date
Date and time
Textarea
Boolean
Select
{% icon 'trash-2' hegiht="16px" width="16px" %}
{% endfor %}
Add field
Save
{% endfor %}


The sky rains, the sky thunders down,
I’m staying alone in a frightful hole.
But while I’m staying alone in that frightful hole,
I’ve no fear, no dread, no goosebumps.
Dhammatā mamesā yassa me,
Ekakassa bherave bile;
Viharato natthi bhayaṁ vā,
Chambhitattaṁ vā lomahaṁso vā”ti.
… Sambulakaccāno thero ….
This is my normal state
while staying alone in a frightful hole:
I’ve no fear,
no dread, no goosebumps.


Downloads Direct download: TestControl-Rel-v3.zip binaries (x86 and x64) Alternate location / older releases:: http://testcontrol.codeplex.com/releases


Green Goblin
Height: 14mm
Weight: 0.16oz
Born: London, United Kingdom - 1997
Green Goblin was born and raised in London, United Kingdom, and trained with some of the most elite trainers overseas.
GG moved to the United States to Marble Race professionally and hit the “Track Running” by winning is first two ever professional races.
He is the Youngest one of the Marble Stars but has put his ball in the faces of all of his competitors to prove he belongs.
It’s a family affair with Green Goblin because his brother, Taylor Cook, is also his trainer and on-field reporter.


This workshop will:
In this workshop we will access (The Cancer Genome Atlas) data available at the NCI's Genomic Data Commons (GDC). Before we start, it is important to know that the data is deposit in two different databases:
The legacy archive (https://portal.gdc.cancer.gov/legacy-archive/search/f) which contains unharmonized legacy data from repositories that predate the GDC (e.g. CGHub). Also, legacy data is not actively maintained, processed, or harmonized by the GDC (Source: https://docs.gdc.cancer.gov/Data_Portal/Users_Guide/Legacy_Archive/)
Harmonized database (https://portal.gdc.cancer.gov/) which contains data from many cancer projects processed using standardized pipelines and the reference genome GRCh38 (hg38). This gives the advantage of analyzing multiple cancer types or the same cancer type across multiple projects. You can find more information about the pipelines supporting data harmonization at https://gdc.cancer.gov/about-data/gdc-data-harmonization and at https://docs.gdc.cancer.gov/Encyclopedia/pages/Harmonized_Data/.
An overview of the web portal is available at https://docs.gdc.cancer.gov/Data_Portal/Users_Guide/Getting_Started/.
Also, a more in-depth comparison between the legacy and Harmonized data was recently published:
GDC provides the data with two access levels:
You can find more information about those two levels and how to get access to controlled data at: https://gdc.cancer.gov/access-data/data-access-processes-and-tools.
Each TCGA sample has a unique identifier called TCGA barcode, which contains important information about each sample. A description of the barcode is shown below (Source: https://docs.gdc.cancer.gov/Encyclopedia/pages/TCGA_Barcode/).
You can find a table with all the code and meanings at https://gdc.cancer.gov/resources-tcga-users/tcga-code-tables.
In order to filter the data available in GDC some fields are available such as project (TCGA, TARGET, etc.), data category (Transcriptome Profiling, DNA methylation, Clinical, etc.), data type (Gene Expression Quantification, Isoform Expression Quantification, Methylation Beta Value, etc.), experimental strategy (miRNA-Seq, RNA-Seq, etc.), Workflow Type, platform, access type and others.
In terms of data granularity, a project has data on several categories, each category contains several data types that might have been produced with different workflows, experimental strategy and platforms. In that way, if you select data type "Gene Expression Quantification" the data category will be Transcriptome Profiling.
You can find the entry possibilities for each filter at the repository page of the database at https://portal.gdc.cancer.gov/repository.
Before we start, it is important to know that the R/Bioconductor environment provides a data structure called SummarizedExperiment
, which was created to handle both samples metadata (age, gender, etc), genomics data (i.e. DNA methylation beta value) and genomics metadata information (chr, start, end, gene symbol) in the same object.
You can access samples metadata with colData
function, genomics data with assays
and genomics metadata with rowRanges
.
suppressMessages({
library(TCGAbiolinks)
library(MultiAssayExperiment)
library(maftools)
library(dplyr)
library(ComplexHeatmap)
})
clinical <- GDCquery_clinic("TCGA-COAD")
head(clinical)
query <- GDCquery(project = "TCGA-ACC",
data.category = "Clinical",
data.type = "Clinical Supplement",
data.format = "BCR Biotab")
GDCdownload(query)
clinical.BCRtab.all <- GDCprepare(query)
names(clinical.BCRtab.all)
clinical.BCRtab.all$clinical_drug_acc %>%
head %>%
as.data.frame
The RNA-Seq pipeline produces raw counts, FPKM and FPKM-UQ quantifications and is described at https://docs.gdc.cancer.gov/Data/Bioinformatics_Pipelines/Expression_mRNA_Pipeline/.
The following options are used to search mRNA results using TCGAbiolinks:
Here is the example to download the raw counts, which can be used with DESeq2 (http://bioconductor.org/packages/DESeq2/) for differential expression analysis.
query.exp.hg38 <- GDCquery(project = "TCGA-GBM",
data.category = "Transcriptome Profiling",
data.type = "Gene Expression Quantification",
workflow.type = "HTSeq - Counts",
barcode = c("TCGA-14-0736-02A-01R-2005-01", "TCGA-06-0211-02A-02R-2005-01"))
GDCdownload(query.exp.hg38)
raw.counts <- GDCprepare(query = query.exp.hg38, summarizedExperiment = FALSE)
head(raw.counts)
query.exp.hg38 <- GDCquery(project = "TCGA-GBM",
data.category = "Transcriptome Profiling",
data.type = "Gene Expression Quantification",
workflow.type = "HTSeq - FPKM-UQ",
barcode = c("TCGA-14-0736-02A-01R-2005-01", "TCGA-06-0211-02A-02R-2005-01"))
GDCdownload(query.exp.hg38)
fpkm.uq.counts <- GDCprepare(query = query.exp.hg38, summarizedExperiment = FALSE)
head(fpkm.uq.counts)
TCGAbiolinks has provided a few functions to download mutation data from GDC. There are two options to download the data:
GDCquery_Maf
which will download MAF aligned against hg38.This example will download MAF (mutation annotation files) for variant calling pipeline muse.
Pipelines options are: muse
, varscan2
, somaticsniper
, mutect
. For more information please access
GDC docs.
You can download the data using TCGAbiolinks GDCquery_Maf
function.
maf <- GDCquery_Maf("COAD", pipelines = "muse")
maf %>% head %>% as.data.frame
Then visualize the results using the maftools package.
# create maftools input
maftools.input <- maf %>% read.maf
# Check summary
plotmafSummary(maf = maftools.input,
rmOutlier = TRUE,
addStat = 'median',
dashboard = TRUE)
oncoplot(maf = maftools.input,
top = 10,
removeNonMutated = TRUE)
# classifies Single Nucleotide Variants into Transitions and Transversions
titv = titv(maf = maftools.input,
plot = FALSE,
useSyn = TRUE)
plotTiTv(res = titv)
You can extract sample summary from MAF object.
getSampleSummary(maftools.input) %>% head
The Copy Number Variation Analysis Pipeline is described at https://docs.gdc.cancer.gov/Data/Bioinformatics_Pipelines/CNV_Pipeline/
Numeric focal-level Copy Number Variation (CNV) values were generated with "Masked Copy Number Segment" files from tumor aliquots using GISTIC2 on a project level. Only protein-coding genes were kept, and their numeric CNV values were further thresholded by a noise cutoff of 0.3:
You can access "Gene Level Copy Number Scores" from GISTIC with the code below:
query <- GDCquery(project = "TCGA-GBM",
data.category = "Copy Number Variation",
data.type = "Gene Level Copy Number Scores",
access = "open")
GDCdownload(query)
scores <- GDCprepare(query)
scores[1:5,1:5]
You can visualize the data using the R/Bioconductor package complexHeatmap.
scores.matrix <- scores %>%
dplyr::select(-c(1:3)) %>% # Removes metadata from the first 3 columns
as.matrix
rownames(scores.matrix) <- paste0(scores$`Gene Symbol`,"_",scores$Cytoband)
# gain in more than 200 samples
gain.more.than.twohundred.samples <- which(rowSums(scores.matrix == 1) > 200)
# loss in more than 200 samples
loss.more.than.twohundred.samples <- which(rowSums(scores.matrix == -1) > 200)
lines.selected <- c(gain.more.than.twohundred.samples,loss.more.than.twohundred.samples)
Heatmap(scores.matrix[lines.selected,],
show_column_names = FALSE,
show_row_names = TRUE,
row_names_gp = gpar(fontsize = 8),
col = circlize::colorRamp2(c(-1,0,1), colors = c("red","white","blue")))
The processed DNA methylation data measure the level of methylation at known CpG sites as beta values, calculated from array intensities (Level 2 data) as Beta = $M/(M+U)$ [@zhou2017comprehensive] which ranges from 0 being unmethylated and 1 fully methylated.
More information about the DNA methylation pipeline is available at https://docs.gdc.cancer.gov/Data/Bioinformatics_Pipelines/Methylation_LO_Pipeline/.
We will download two Glioblastoma (GBM) as a summarizedExperiment object.
query_met.hg38 <- GDCquery(project = "TCGA-GBM",
data.category = "DNA Methylation",
platform = "Illumina Human Methylation 27",
barcode = c("TCGA-02-0116-01A","TCGA-14-3477-01A-01D"))
GDCdownload(query_met.hg38)
data.hg38 <- GDCprepare(query_met.hg38,summarizedExperiment = TRUE)
data.hg38
You can access the probes information with rowRanges
.
data.hg38 %>% rowRanges %>% as.data.frame %>% head
You can access the samples metadata with colData
.
data.hg38 %>% colData %>% as.data.frame
You can access the DNA methylation levels with assay
.
data.hg38 %>% assay %>% head %>% as.data.frame
# plot 10 most variable probes
data.hg38 %>%
assay %>%
rowVars %>%
order(decreasing = TRUE) %>%
head(10) -> idx
pal_methylation <- colorRampPalette(c("#000436",
"#021EA9",
"#1632FB",
"#6E34FC",
"#C732D5",
"#FD619D",
"#FF9965",
"#FFD32B",
"#FFFC5A"))(100)
Heatmap(assay(data.hg38)[idx,],
show_column_names = TRUE,
show_row_names = TRUE,
name = "Methylation Beta-value",
row_names_gp = gpar(fontsize = 8),
column_names_gp = gpar(fontsize = 8),
col = circlize::colorRamp2(seq(0, 1, by = 1/99), pal_methylation))
Please, check our ATAC-seq Workshop: http://rpubs.com/tiagochst/atac_seq_workshop
sessionInfo()
All source code used to produce the workshops are available at https://github.com/tiagochst/ELMER_workshop_2019.
We have a set of recorded videos, explaining some of the workshops.


Apache Geode provides APIs and tools for managing your distributed system and monitoring the health of your distributed system members.
Management and Monitoring Features
Apache Geode uses a federated Open MBean strategy to manage and monitor all members of the distributed system. This strategy gives you a consolidated, single-agent view of the distributed system.
Overview of Geode Management and Monitoring Tools
Geode provides a variety of management tools you can use to manage a Geode distributed system.
-
Geode’s management and monitoring system consists of one JMX Manager node (there should only be one) and one or more managed nodes within a distributed system. All members in the distributed system are manageable through MBeans and Geode Management Service APIs.
-
Any member can host an embedded JMX Manager, which provides a federated view of all MBeans for the distributed system. The member can be configured to be a manager at startup or anytime during its life by invoking the appropriate API calls on the ManagementService.
-
Geode uses MBeans to manage and monitor different parts of Geode. Geode’s federated MBean architecture is scalable and allows you to have a single-agent view of a Geode distributed system.
Configuring RMI Registry Ports and RMI Connectors
Geode programmatically emulates out-of-the-box JMX provided by Java and creates a JMXServiceURL with RMI Registry and RMI Connector ports on all manageable members.
Executing gfsh Commands through the Management API
You can also use management APIs to execute gfsh commands programmatically.