12 - Sound and Music
EditOur game is really coming together now, but it's still missing something… there's no sound yet!
For this game, we're going to keep it simple (as usual). We're going to have a single, continuously looping track that plays while our game is running. We will also have several, simple sound effects that play for different actions. Playing sounds and music in HaxeFlixel is pretty easy, so this will go quickly!
First, you'll need to make your music and sounds. Patrick Crecelius from Fat Bard has provided some music for this tutorial - feel free to use it for this tutorial, or make your own.
We've also created some sound effects using Bfxr, which you can use if you like, or, make your own!
coin.wav - to be used when the player picks up a coin
combat.wav - to be used when combat starts
fled.wav - will play when the player successfully flees from combat
hurt.wav - will play whenever either the player or the enemy hits with an attack
lose.wav - will play when the player dies in combat
miss.wav - will play whenever either the player or the enemy misses with an attack
select.wav - used by buttons and when the player makes a selection
step.wav - used by the player and the enemies for 'footstep' sounds
win.wav - used when the player wins in combat
Once you have your music, place it in assets/music
, and your sound files should go in assets/sounds
.
Now let's change our code to use these sounds:
First, open up
Main.hx
. Since we want our music to start as soon as the game starts, and loop continuously no matter what happens, we're going to make it start playing outside of our states when we setup our game. In the setupGame function, after our volume-setting code, add:FlxG.sound.playMusic(AssetPaths.HaxeFlixel_Tutorial_Game__mp3, 1, true);
Be sure to change the file that you want to play, if your music file is named something different.
If you try your game out right now, it should play music!
Next, we want to make our buttons all make a sound when they get clicked. This is simple, we just tell the button's
onUp
to load our sound. In theMenuState
'screate()
, after you initialize the play-button, add this:_btnPlay.onUp.sound = FlxG.sound.load(AssetPaths.select__wav);
Now, you can do the same for the options button (changing
_btnPlay
to_btnOptions
), and then for each of the other buttons in our game: four of them inOptionsState
, and one inGameOverState
.Next, let's give our player some footsteps.  At the top of thePlayer
class, add:private var _sndStep:FlxSound;
Then, we need to load the footstep sound somewhere in the constructor:
_sndStep = FlxG.sound.load(AssetPaths.step__wav);
Now go to our
movement()
function, and, after we check if the player is moving (if ((velocity.x != 0 || velocity.y != 0) && touching == FlxObject.NONE)
), add:_sndStep.play();
A neat little property of
FlxSound
objects is that if you ever tell one to play, if it's already playing (and you haven't set theforceRestart
flag), it won't play again. This means we can easily call play on our sound every frame, and it will sound as if the sound is just being looped - for as long as the player is moving, but will finish if the player has stopped moving, and not start up again while they are stationary.Now, let's give enemies their own footsteps, too. The difference is, instead of just always playing the step sound at full volume, we're going to change the volume based on the proximity of the enemy to the player. This will be easier than it sounds. First, add our sound variable to the top of Enemy.hx:
private var _sndStep:FlxSound;
And then, similarly to how we setup the
Player
class, add this to our constructor:_sndStep = FlxG.sound.load(AssetPaths.step__wav,.4); _sndStep.proximity(x,y,FlxG.camera.target, FlxG.width *.6);
You'll notice that we are setting the volume to
.4
(40%) this is because there will be plenty of enemies on the map, and there footsteps can get kind of annoying and loud (besides, they're probably walking around the dungeon barefoot, right?).We then setup our proximity for our sounds, setting it's position to the
x
andy
position of this enemy, and telling it to target theFlxG.camera.target
object (which happens to be our player!). Finally, we say that the radius of our footstep sound is a little bit more than half of the screen's width - so we should be able to hear enemies that are just off the screen, and all the enemies' footsteps will sound louder/softer based on their distance from the camera target.Next, in the enemy's
update()
, aftersuper.update()
, we're going to check if the enemy is moving and not bumping into a wall. If they are moving, we set the position of our sound to wherever our enemy is (to the bottom of his sprite - where his feet are), and then play the sound.if ((velocity.x != 0 || velocity.y != 0) && touching == FlxObject.NONE) { _sndStep.setPosition(x + _halfWidth, y + height); _sndStep.play(); }
Next, let's head over to
PlayState
. We really only need one sound to be in thePlayState
itself, and that's the one for picking up a coin. While you could put this into theCoin
class, because there could be a lot of coins loaded at once, and because we really can't pick up more than one coin at a time (so the sounds don't need to overlap), putting a single coin sound effect in ourPlayState
saves us a bit of overhead.So, just like our other sounds, initialize the variable:
private var _sndCoin:FlxSound;
Load the sound in
create()
:_sndCoin = FlxG.sound.load(AssetPaths.coin__wav);
And in
playerTouchCoin()
, inside theìf
-statement, add:_sndCoin.play(true);
This time we will use
forceRestart
so that if the player happens to pickup several coins close to each other the sound will keep up with them.All of the rest of our sounds, because they deal with combat, will be in our
CombatHUD
class.To initialize them:
private var _sndFled:FlxSound; private var _sndHurt:FlxSound; private var _sndLose:FlxSound; private var _sndMiss:FlxSound; private var _sndSelect:FlxSound; private var _sndWin:FlxSound; private var _sndCombat:FlxSound;
To load them:
_sndFled = FlxG.sound.load(AssetPaths.fled__wav); _sndHurt = FlxG.sound.load(AssetPaths.hurt__wav); _sndLose = FlxG.sound.load(AssetPaths.lose__wav); _sndMiss = FlxG.sound.load(AssetPaths.miss__wav); _sndSelect = FlxG.sound.load(AssetPaths.select__wav); _sndWin = FlxG.sound.load(AssetPaths.win__wav); _sndCombat = FlxG.sound.load(AssetPaths.combat__wav);
You can probably figure out where they all go, but I'll go through them anyway.
In initCombat, add:
_sndCombat.play();
In finishFadeIn, add:
_sndSelect.play();
In
update()
, inside each of our three if statements related to button presses (if (_fire), else if (_up), else if (_down)
) add:sndSelect.play();
In makeChoice, in our logic for a 'hit' (after
_damages[1].text = "1";
), add:_sndHurt.play();
and in our miss logic, add:
_sndMiss.play();
Further down, if the player escapes (after
outcome = ESCAPE
), add:_sndFled.play();
In
enemyAttack()
, if the enemy hits, add:_sndHurt.play();
and if they miss add:
_sndMiss.play();
Finally, in
doneDamageOut()
, afteroutcome = DEFEAT
, add:_sndLose.play();
and after
outcome = VICTORY
, add:_sndWin.play();
And that's it for sound! Play your game now, and you should hear all of the effects we've added (make sure your volume is up high enough, too!) It's starting to look like a real game! Next time, we'll get it working on multiple platforms!


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Odisha Assembly witnesses noisy scenes
Congress stalls proceedings over hardships faced by farmers in selling paddy
by Special CorrespondentThe Odisha Assembly witnessed noisy scenes on Monday with members of the Opposition Congress stalling the proceedings blaming the government for the hardships that farmers were facing to sell their paddy in several districts in the State.
Slogans raised
The Congress members rushed to the well as soon as the House assembled for the day and raised slogans demanding withdrawal of the system of centralised issuance of tokens to farmers to sell their produce.
They said that thousands of farmers were agitating since they had not been issued the tokens for the past four days due to mismanagement in the online issuance of tokens introduced by the government at the State level.
The farmers should be issued token at the district level, they demanded.
Speaker Surjya Narayan Patro adjourned the proceedings till 3 p.m. as normalcy could not be restored. The issue was again raised by the Congress members in the post-lunch session.
State Food Supplies and Consumer Welfare Minister Ranendra Pratap Swain, however, said that the tokens were being issued scientifically and no farmer will face any discrimination.
On the other hand, the main Opposition Bharatiya Janata Party boycotted the proceedings for most parts of the day demanding a CBI probe into the death of a woman panchayat executive officer in Jajpur district and sat on dharna near the statue of Mahatma Gandhi in the Assembly premises.
Memo to Governor
The BJP members, who had boycotted the proceedings on Saturday over the same demand, later went to Raj Bhavan and submitted a memorandum to Governor Ganeshi Lal seeking his intervention in the matter.


This page contains examples of the form controls that can be created with the new values for the `input` element’s `type` attribute in HTML5.


WITNESS LIST Jurisprudence Committee September 17, 2003 - 1:00P SB 1 FOR: Zafereo, Mark (Self), Victoria, TX AGAINST: Belvin, Donna (Self), Austin, TX Bezanson, Janice (Texas Committee on Natural Resources), Austin, TX Blaylock, Madeline P. (Self), Del Valle, TX Bledsoe, Gary L. (Texas NAACP), Austin, TX Bowdre, Darryl (Smith County Coalition of Elected BLK Officials), Tyler, TX Branch, Lillian (Self), Mount Pleasant, TX Crockett, Dave (Self), Austin, TX Deshotel, Joe Representative (Texas House of Representatives District 22), Beaumont, TX Forde, Katherine (Self), Spring, TX Gonzales, Melissa C (Self), Austin, TX Harper, Jeff (Independent Texans), Arlington, TX Head, C.T. (Self), Goldthwaite, TX Hebert, J. Gerald (Congressional Members (Democrats), but not Reps. E.B. Johnson, Jackson Lee or Hall), Alexanderia, VA Jackson, Henry P. (Smith County Black Elected Officials), Tyler, TX Lindsey III, Robert E. Judge (Mills County Judge), Goldthwaite, TX Nickerson, Jim (Self), Pittsburg, TX Petree, Karen (Petree Family), Waco, TX Presley, James Dr. (Self and FUSE), Texarkana, TX Robbins, Paul (Self), Austin, TX Robinson, Eugene R. (Self), Jefferson, TX Rountree, Bobby (City of Goldthwaite), Goldthwaite, TX Shumake, Max (Self and SOS), De Kalb, TX Thomas, Kathleen (Self), Austin, TX Wheeler, Marion H. (Piney Baptist Church), Sulphur Springs, TX Wilson, Delbert (Mills County), Goldthwaite, TX Yanez-Correa, Ana (Texas LULAC), Austin, TX ON: Archer, Jeff (Texas Legislative Council), Austin, TX Foster, Claude (Self), Austin, TX Lindell, John (Self), Rollingwood, TX Registering, but not testifying: For: Barnes, Dottie (www.FreeRepuplic.com), San Marcos, TX Cravens, Peggy (Self), Austin, TX Gay, Marti (Self), Pflugerville, TX Against: Aleshire, Mary Roe (myself television series on Access tv), Austin, TX Breach, Stacey (Self), Austin, TX Breaux, Misty (Self), Austin, TX Deckard, Karen McAfee (Self), Austin, TX Effenberger, Barbara (Tx Democratic Party- County Chairman-Guadalupe Co. SD 25 Committeewoman), Seguin, TX English, Wallace K (Self), Austin, TX English (Trek), Bernadette (Self), Austin, TX Heitsch, Irene (Self), Austin, TX Levy, Rick (Tx AFL-CIO), Austin, TX Martinez, Robert (LULAC District II, Texas), Seguin, TX McGarity, Cathleen M. (Self), Austin, TX McMorrow, Cullen (n/a), Austin, TX Olds, Brenda (Self), Austin, TX Osborn, Christopher David (Self), Austin, TX Peavey, Katherine Owen (Self), Austin, TX Pierson, Burton E (Self), Austin, TX Raab, Ted Melina (Texas Federation of Teachers), Austin, TX Richards, Chelsea (Self), Austin, TX Rockwell, Leonard (Self), Mount Pleasant, TX Simons, Jim (Self), Austin, TX Simons, Nancy C. (Self), Austin, TX Wilbourn, Robert (Self), Austin, TX On: Del Rio, Alicia (Keel), Austin, TX Eppler, Mindy (Self) Providing written testimony: Against: Smith, Clinton (Gray Panthers of Tx), Austin, TX SB 9 FOR: Davies, Cynthia (Self) AGAINST: Blaylock, Madeline P (Self), Del Valle, TX Gonzales, Melissa C (Self), Austin, TX Heitsch, Irene (Self), Austin, TX Robbins, Paul (Self), Austin, TX Thomas, Kathleen (Self), Austin, TX ON: McGeehan, Ann (Secretary of State), Austin, TX Registering, but not testifying: For: Cravens, Peggy (Self), Austin, TX Against: Levy, Rick (Tx AFL-CIO), Austin, TX McGarity, Cathleen M (Self), Austin, TX Wilbourn, Robert (Self), Austin, TX


| phylopomp-package | Phylodynamics for POMP models |
| continueLBDP | Linear birth-death-sampling model |
| continueMoran | The classical Moran model |
| continueSEIR | Classical susceptible-exposed-infected-recovered model |
| continueSI2R | Two-deme model of superspreading |
| continueSIIR | Two-strain SIR model. |
| continueSIR | Classical susceptible-infected-recovered model |
| continueSIRS | Classical susceptible-infected-recovered model |
| curtail | Curtail a genealogy to the given time |
| diagram | Genealogy process diagram |
| geneal | Bare genealogy |
| LBDP | Linear birth-death-sampling model |
| lbdp | Linear birth-death-sampling model |
| lbdp_exact | Linear birth-death-sampling model |
| lbdp_pomp | Linear birth-death-sampling model |
| lineages | Lineage-count function |
| Moran | The classical Moran model |
| moran | The classical Moran model |
| moran_exact | The classical Moran model |
| newick | Newick output |
| parse_newick | parse a Newick string |
| phylopomp | Phylodynamics for POMP models |
| plot.gpgen | Fancy tree plotter |
| plot.gplin | Lineage-count function |
| print.gpdiag | Genealogy process diagram |
| runLBDP | Linear birth-death-sampling model |
| runMoran | The classical Moran model |
| runSEIR | Classical susceptible-exposed-infected-recovered model |
| runSI2R | Two-deme model of superspreading |
| runSIIR | Two-strain SIR model. |
| runSIR | Classical susceptible-infected-recovered model |
| runSIRS | Classical susceptible-infected-recovered model |
| SEIR | Classical susceptible-exposed-infected-recovered model |
| seir | Classical susceptible-exposed-infected-recovered model |
| seirs_pomp | Classical susceptible-exposed-infected-recovered model |
| SI2R | Two-deme model of superspreading |
| si2r | Two-deme model of superspreading |
| SIIR | Two-strain SIR model. |
| siir | Two-strain SIR model. |
| simulate | simulate |
| simulate.character | simulate |
| simulate.default | simulate |
| simulate.gpsim | simulate |
| SIR | Classical susceptible-infected-recovered model |
| sir | Classical susceptible-infected-recovered model |
| SIRS | Classical susceptible-infected-recovered model |
| sirs_pomp | Classical susceptible-infected-recovered model |
| sir_pomp | Classical susceptible-infected-recovered model |
| treeplot | Fancy tree plotter |
| yaml | YAML output |


Bob
You can write card description here...
Joined in 2017
Steve
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Shahmeer
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John
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{% load static %} {% static "images" as baseUrl %}
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About
Type CSS is designed to create minimalist, functional, and easily consumable web pages. Best used for displaying text content, its purpose is to create webpages where form follows function. Text content should be easy to read, and avoid complex interactions and interfaces. Type CSS achieves this goal through lightweight pages and CSS, easily digested typography, and carefully considered design decisions that maximize consumption of information.
Download
Clone from GitHub
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Grid
The grid system in Type CSS is built on flexbox and can have a variable number of columns per row. In addition to the standard layout agnostic column, Type CSS also includes a flexbox-based 12 column grid.
Variable width .col
class
.col
.col
.col
.col
.col
.col
.col
.col
.col
.col
Fixed width .col-*
classes
.col-1
.col-11
.col-2
.col-10
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.col-9
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.col-8
.col-5
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.col-5
.col-8
.col-4
.col-9
.col-3
.col-10
.col-2
.col-11
.col-1
.col-12
Grid Layout Utilities
Order
Normal order
Reverse order .reverse
class
Alignment
Start -start
class
.col-4
Center -center
class
.col-4
End .end
class
.col-4
Spacing
Around .around
class
.col-2
.col-2
.col-2
Between .between
class
.col-2
.col-2
.col-2
Typography
Type CSS is based on rem
units of measure. The base font-size is defined in the root html
element as font-size: 16px
which forces a uniform size that matches most browsers defaults, along with
being large enough for easy reading by many users.
The base font is Lato imported from Google Fonts, set at 16px
font-sizing, with a line height of 1.5
. Body copy uses #444
as its display color.
Headings use Libre Baskerville imported from Google Fonts, sized based on major third ratios with the

tag set at 2.5em
scaling down to

set at 0.75em
. Headings
use #222
as its display color
Strong
Emphasis
Underline
Heading 1
Heading 2
Heading 3
Heading 4
Heading 5
Heading 6
- List Item #1
- List Item #2
- List Item #3
- List Item #1
- List Item #2
- List Item #3
Forms
Tables
Simple table styling is provided so that tables will fill the width of their container and have a basic, minimal styling.
| #1 | #2 | #3 | #4 |
|---|---|---|---|
| - | - | - | - |
| - | - | - | - |
| - | - | - | - |
Cards
Cards are a widespread part of modern interface design. They can be used for a variety of purposes, material.io describes them as:
Cards may contain a photo, text, and a link about a single subject. They may display content containing elements of varying size, such as photos with captions of variable length.
There is one basic card style included in Type CSS that mimicks paper. Cards can be used in conjunction with the grid scaffolding and other components to form a wide range of UI elements
Class
Cards are created using the .card
class
Layout
Cards are can be used with layout classes such as rows and grid scaffolding to make complex layouts.
Utility Classes
Responsive Images
.img-responsive
class forces images to fill the width of their container and scale with it.
Layout classes
.left
and .right
float elements to their respective positions.


A button on your browser's bookmark bar will allow you to easily access match graphs from the official League of Legends Match History page. Follow these steps to add the bookmarklet:
1. Click and drag the LoL Match Stats button (below) to your browser's bookmark bar.
2. Visit the League of Legends Match History page and log in.
3. Click on one of your matches to view its detail.
4. Click the LoL Match Stats bookmark on your bookmark bar.
LoL Match Stats


Hello, I am David Munyua, a full stack developer proficient in robotics, machine learning and general code. Hit me up for any project!
David is a hilghly skilled developer in full stack development specializing in machine learning, robotics and data analytics. He is highly skilled finance and audit professional with over 8 years’ experience in financial reporting, auditing and tax consulting. A visionary change agent who builds and leads motivated teams to drive organizational success within diverse industries and sectors under challenging conditions and timelines. My business acumen in solving problems, understanding complex business processes and strategy is tested. I have profound interest in Public Finance Management, Mergers and Acquisitions.
My mantra is to change the world one line of code at a time!
As a developer, I enjoy tapping the key board but also enjoy exercising my mind in a fun way by excercising in the following activities;


"If there was ever a bridge that led to creativity, we'd be the troll lurking underneath it."-Janice Ryder


There are two date pickers below:
ng-model="dateString"
and k-ng-model="dateObject"
. dateString
is
bound to the input field's contents as a string — so it gets the formatted
string date, while dateObject
is bound to the
widget's value()
which in the case of DatePicker
returns a JS Date
object. As you can see, we can apply the
Angular date
filter on it.k-options
argument (to set the options from the
controller) with other k-*
attributes. If the same option is
specified in both, the one in the attribute takes precedence.
The second calendar defines the start
option in JS, rather
than using the k-start
attribute — it wouldn't work, because
of
Angular bug
5372. We hope that will be fixed, until then the only way to
specify start
and end
options is via the
controller.


Friend Finder - Registration
Basic Information
Some essentials first
Name
Age
Gender
Link a photo
Let's get to know you
1. Do you enjoy watching sports?
1 = Not at all, 5 = All the time
Select an option
1
2
3
4
5
2. Do you enjoy scary movies?
1 = Not at all, 5 = Love them
Select an option
1
2
3
4
5
3. Importance of text response time?
1 = Don't care, 5 = Very important
Select an option?
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2
3
4
5
4. Cats or Dogs
1 = Dogs only, 5 = Cats only
- Select an option -
1
2
3
4
5
5. Do you care how other people see you?
1 = Not at all, 5 = Too much
Select an option?
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6. Cats or Dogs
1 = Dogs only, 5 = Cats only
Select an option?
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Select an option?
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2
3
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5
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1 = Dogs only, 5 = Cats only
Select an option?
1
2
3
4
5
9. Cats or Dogs
1 = Dogs only, 5 = Cats only
Select an option?
1
2
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5
10. Cats or Dogs
1 = Dogs only, 5 = Cats only
Select an option?
1
2
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5
Find your match
We found a match!
PERSON NAME


title: Hack Upstate
description: Hack Upstate is a weekend hackathon that happens twice a year (i.e. Fall & Spring) where developers, innovators and designers from Upstate New York come to Syracuse, NY, share ideas, form teams, build incredible products and Crate is an event sponsor.
date_from: 2015-04-11
date_to: 2015-04-12
location: Syracuse, NY
link: http://hackupstate.com/
image: /media/1504/hack-upstate.png
We met the Hack Upstate team at SXSW this year and instantly bonded over hackathons, sprints (yes even snowsprints), and open source software. While we were unable to send a developer to the event we are really excited to be a sponsor. The project that is the "Best Use of Crate's Distributed DB for Docker" will win an IntelNUC!
For those of you who will be participating in Hack Upstate, if you have any questions reach out to us on [IRC](http://en.irc2go.com/webchat/?net=freenode&room=crate), [Google Groups](Google Groups), [Twitter](https://twitter.com/crateio<EMAIL_ADDRESS>or through any of our other online Crate communities.
Good luck to all of the participants we are really exited to see this year's projects!
![Prize for best Crate Project](https://cdn.crate.io/media/1504/hack-upstate-prize.png)


${symbol_dollar}{'Configuration options' @ i18n}:
1.${symbol_dollar}{'Use dialog to choose Magento Products' @ i18n}
2.${symbol_dollar}{'Drag and drop a Magento product from assets sidebar at this area' @ i18n}
3.${symbol_dollar}{'You can also drag and drop Magento product from sidebar direclty in parsys and it will render the teaser' @ i18n}


I have become very interested in shamanism and healing magic in the past few years. I had been researching different websites on the internet and found that a lot of shamans and healers used certain psychedelic substances to find themselves and to help others. I began to read about salvia divinorum and its powerful properties. I became very interested in it and wanted to try it very badly. I feel that I am a very strong person mentally, I live alone and I like to be alone a lot of the time. I like to read, listen to music and meditate. So one day I walked down to the local headshop and purchased a small pipe some screens and a small 50mg bag of salvia divinorum 10x.
The headshop is a few miles from my house and the walk is through a wonderful stretch that goes through a park. The walk is great with all the trees and nature around. After leaving the headshop I wanted to try the salvia so bad that I couldn't wait to get home so I had to try it when I got to the park. I didn't know it yet but I didn't experience the power of salvia at the park. I was so respectful of its power from what I had read that I just smoked a very small amount. I took just one big hit from the pipe knowing that I had to remember how tho walk home. I remember that the trees looked great and I felt very powerful like I had control of everything but no really strong effects that I had expected. I dismissed salvia as fluke and thought that it was a waste of my money.
Two days later I decided to do it again at my home. It was about 10 o'clock in the morning and I packed a much larger bowl this time. I wanted to really see what salvia was all about and boy did I ever find out. I put the flame to the salvia and took a large hit and held it in for as long as possible blew it out and did it again and immediatly knew that I needed no more.
I felt as though my spirit had disconnected from my body and everything felt very delayed. I was barefoot and when I walked back to my easy chair each step I took was felt after it was taken. The soundtrack didn't fit the motion picture. Everything was delayed. I sat down in the chair, The tv was on and I was watching something. I felt very strange unlike anything I had ever felt before and I do believe that the setting has a lot to do with the slightly unpleasurable experience. The tv was absolutely non existent to me, I knew it was there but I wasn't really paying alot of attention to it. I felt as though I understood life and that it was all a big joke and nothing really mattered because it was all folly. I felt as though I was slipping off the edge of a mountain but would never fall just keep on slipping and slipping off.
The whole time I just sat there in the chair not making a sound or even moving, just staring and slipping further and further down the mountain wondering when I would fall off. The anticipation of when it would all end and I would finally come back to normal was overwhelming. I felt as though I was being shown the truth and that the truth was grim. I was being shown that life isn't what it really seems and that there is alot of things unseen that we don't understand. I entered a different state of existence and it felt very strange and different, maybe this is why it was slightly uncomfortable.
I finally returned to my normal state of existence and took a deep breath. What a tremendously rewarding experience. Wow, I have never journeyed like this ever before. I feel like I have gained enourmous amounts of wisdom from this experience. Salvia is unlike any other thing I have ever tried. It allowed me to peer into a rip in the universe and see whats on the other side. I highly respect its power to explain and teach. The next time I peer through this rip I will be more prepared for the journey not as afraid and more open.
I see why shamans use these type of plants. They teach and give insight. They show the truth. I thank salvia for the powerful experience. It is definitely not a party drug or something that to take to feel good, it is something to take if you want to learn something about yourself and how small and insignificant everything really is.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Ahhh Spring! Spring is such a nice time of the year. The weather is so nice, and school is almost out! The snow is all melted and everyone is all happy. I also love Easter and Spring break, so that makes Spring all that much better. Yay for Spring!!!!


I am Software Developer at Qenvi Robotics. I worked for Amadeus as C++ Software Developer, for INRIA as Research and Development Engineer. Before, I worked at the Cergy-Pontoise University as a research and teaching assistant during two years. I did a co-supervised PhD in Cergy-Pontoise University and Donetsk National Technical University in 2014. My previous research was focused on human-robot physical interaction and the biologically inspired robot control.
Improvement of mobile robot control strategies.
As Software Engineer I was developing Open BackEnds application for Hotel Reservation System in Agile Scrum team. Modification of existing code C++, working with data formats JSON and XML for BackEnd, regression testing.
As Engineer in the HEPHAISTOS project, I contribute to the creation of new robot for rehabilitation purposes. I contribute to the development of C written modules for robot control software and C# module for virtual reality terrain generation.
I participated in ETIS laboratory investigations into the neural network control architectures to implement, for example, a physical interaction between a robot link covered with artificial skin and a human.
Brief Synopsis of Research: I built a prototype of the wearable sensor to capture motion and force parameters, and I develop the data acquisition module and its software to analyze the dynamics of the handshake between humans, and I highlighted the emergent synchrony. I developed the controller based on the models of the rhythmic neuron, with the learning of the frequency of motion during the physical interaction with the robot arm.
Control systems, Electromechanical Systems, Power Electronics, Robotics and Automation.
C: Network communication, multi-tasking and design of real-time systems, system programming on POSIX.
C++: sdt, rapidjson, boost, software tests, neural networks for robot control, data processing.
C#: Network, logging, text analysis with regex, Unity rendering control via network.
Python: Visualization and analysis of data, Regression testing, NLP and machine learning.
Matlab: Mathematical modeling and analysis of complex electromechanical systems.
Atmel AVR, ARM, Phidgets, Raspberry PI, DAC, Digital Accelerometers, RTC, RS232, Pozyx.
Robotic Arms Position control, Admittance or Impedance Control, Neural Control.
Exploratory data analysis, Reports, State-of-the-Art, Scientific Writing.
Apart from being a Engineer, here in Sophia-Antipolis, I enjoy French riviera, restorants, and theatre.
When forced indoors, I follow a number of sci-fi and detective genre movies, I spend a large amount of my free time exploring the latest technology advancements in the Robotics development world.


HEALTH and WELLNESS
Sleep hygiene encompasses both environment and habits, and it can pave the way for higher-quality sleep.Optimizing your sleep schedule, pre-bed routine, and daily routines can help.
Circadian rhythms are 24-hour cycles that are part of the body’s internal clock, running in the background to carry out essential functions and processes. One of the most important and well-known circadian rhythms is the sleep-wake cycle.A circadian rhythm can promote consistent and restorative sleep.
Brain activity fluctuates during sleep, increasing and decreasing during different sleep stages that make up the sleep cycle.The way that sleep and mental health are intertwined.
| Age | Time(hrs) |
| 0-3 months old | 14-17 hours |
| 4-11 months old | 12-15 hours |
| 1-2 years old | 11-14 hours |
| 3-5 years old | 10-13 hours |
| 6-13 years old | 9-11 hours |
| 14-17 years old | 8-10 hours |
| 18 and obove | 7-9 hours |
Challenges:


Euro giants ahead of Real Madrid and Barcelona in the race to sign €300m-rated Serie A starlet
by Neelabhra RoyAtletico Madrid are reportedly in pole position to sign Brescia midfielder Sandro Tonali.
The 19-year-old has been an integral player for Brescia, making 65 appearances for them so far with six goals and 11 assists to his name. Tonali played a major role in La Leonessa winning the Serie B last season which saw them gain promotion to Serie A for the first time since 2010.
SEE MORE: €300m rated Sandro Tonali feels he’s more like Gattuso than Pirlo
In 2019/20, the Italian international has made 12 appearances across all competitions, scoring against Genoa while providing two assists against Bologna and Napoli. According to Don Balon, Real Madrid and Barcelona are both interested in signing Tonali but Atletico Madrid are currently the front-runners to land him. The report claims that Los Colchoneros see him as a replacement for Thomas Partey.
According to Football Italia, Brescia President Massimo Cellino rated the teenager at €300 million. Of course it’s highly unlikely that Tonali will be sold for that amount but his current club will demand a large sum for him.
Given that Brescia have a good chance of being relegated back to Serie B, the odds of Tonali leaving the club are high. Atletico Madrid’s squad will undoubtedly be bolstered if the Italian international signs for them.


{% extends 'baseAPP.html' %} {% block title %}Home{% endblock %} {% block content %}
In this section you can select from several newspapers the most important news of today


Provides a 'ggplot2' geom and helper functions for drawing gene arrow maps.
| Version: | 0.3.2 |
| Depends: | R (≥ 3.3.0) |
| Imports: | grid (≥ 3.3.0), ggplot2 (≥ 2.2.1), ggfittext (≥ 0.4.3), rlang (≥ 0.2.0) |
| Suggests: | testthat, knitr, rmarkdown, vdiffr |
| Published: | 2018-11-07 |
| Author: | David Wilkins [aut, cre] |
| Maintainer: | David Wilkins <david at wilkox.org> |
| BugReports: | https://github.com/wilkox/gggenes/issues |
| License: | GPL-2 |
| URL: | https://github.com/wilkox/gggenes |
| NeedsCompilation: | no |
| Materials: | README NEWS |
| CRAN checks: | gggenes results |
| Reference manual: | gggenes.pdf |
| Vignettes: |
Introduction to 'gggenes' |
| Package source: | gggenes_0.3.2.tar.gz |
| Windows binaries: | r-devel: gggenes_0.3.2.zip, r-release: gggenes_0.3.2.zip, r-oldrel: gggenes_0.3.2.zip |
| OS X binaries: | r-release: gggenes_0.3.2.tgz, r-oldrel: gggenes_0.3.2.tgz |
| Old sources: | gggenes archive |
Please use the canonical form https://CRAN.R-project.org/package=gggenes to link to this page.


My Team
Theresa
Manager
Employee ID: 45
Email<EMAIL_ADDRESS>Office Number: 90
joe
Intern
Employee ID: 32
Email<EMAIL_ADDRESS>School: UofA
Nancy
Engineer
Employee ID: 54
Email<EMAIL_ADDRESS>Github: tpidutti


{% extends 'layouts/standard.html' %}
{% import 'macros/shares.html' as shares %}
{% set context = data.event %}
{% block body_class %}event-page{% endblock %}
{% block main_class %}event-content{% endblock %}
{% block header %}
{{ super() }}
The Texas Tribune and the Beaumont Enterprise are pleased to present a special event marking the 10th anniversary of Hurricane Rita's landfall on the Texas Gulf Coast, and their forthcoming joint reporting project, Road From Rita.The Road From
Hurricane Rita
–
Conversation begins at
–, –
Video testimonial recordings
Lamar UniversityJoin us at Lamar University for a discussion on lessons learned from Hurricane Rita, and whether Texas is better prepared for such storms in its aftermath. The dialogue will include a look ahead to the future of emergency management and mass evacuation plans in Texas. Tribune Editor Emily Ramshaw will moderate.
In addition to the panel discussion, we invite storm survivors to come early to share video testimonials of their Rita experience. The testimonials will be filmed from 10 a.m. to noon and 1 to 2 p.m. in the Setzer Center, Room 133, and will be shared on the website for the Road From Rita project.
This event will be held in the Setzer Center Ballroom at Lamar University in Beaumont. It is free and open to the public and includes a light lunch.
The conversation will also be livestreamed at texastribune.org/livestream. The video will be accessible for viewing afterward.


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Poppy and AMA at NME’s Ghouls To The Front: Halloween fever dream meets situationist prank meets techno rave amazingness 01 Nov 2019, 17:45 1 of 20Poppy, round the back of the ShackLast night, American pop-rock provocateur, YouTube-subverting anti-vlogger and sometime cult leader Poppy popped over to the UK for a very special edition of Girls To The Front, NME's night celebrating the best in female and non-binary talent.Image credit: Jenn Five 2 of 20Spooky scenesThe event took place, as ever, at London's beloved spit 'n' sawdust venue The Shacklewell Arms, in Dalston. 3 of 20Making up is so very hard to do (but the results are spectacular)This edition had a special Halloween theme, so we named it Ghouls To The Front because we're hilarious like that. It was, it must be said, a strange night. 4 of 20Fresh from the scare farmThe audience really went for it with the costumes. Special props to the person who came dressed as Black Mirror's Ashley O - very apt indeed. Although Poppy - basically the real-life Ashley O - reckons she's never seen it.Image credit: Jenn Five 5 of 20It’s AMA!The first act on was rising London-based R&B star AMA, a recent signing to Dirty Hit, home to last week's NME cover star Beabadoobee, plus The 1975, Wolf Alice and No Rome. Best known for its stable of indie artists, AMA marks the label's first venture into full-blown R&B.Image credit: Jenn Five 6 of 20MoodAMA told us she hates scary stuff, so came as a not-very-terrifying alien instead. 7 of 20Ama performs AMAzinglyAMA just released her debut EP, 'Screenluv', which is named for how she - a self confessed typical Gen Z girl - lives her life through her phone. She and her DJ played each of the EP's tracks in a set that had the entire crowd moving. 8 of 20Poppy arrivesPoppy arrived at 9pm for her PA and DJ set. Now, one thing Poppy fans know is this: you never quite know what to expect from her. Unless you were expecting her to play an hour of banging techno interspersed with dialogue from horror films while casually reading a graphic novel handed to her by a fan. 9 of 20Poppy takes to the stageHands down, Poppy won the fancy dress competition.Image credit: Jenn Five 10 of 20Here’s Poppy turning the lens on her fansThe LA-based artist's latest work has seen her reject the pure pop sound of 2018’s ‘Am I A Girl’ in favour of heavy metal. Recent singles ‘Concrete’ and ‘I Disagree’ have blended crunching riffs with candy-sweet pop choruses and deeply, deeply, deeply, deeply, deeply disturbing lyrics. Think: a Nine Inch Nail piercing a pink marshmallow.Image credit: Jenn Five 11 of 20Poppy stansPoppy's monochrome harlequin costume reflected those worn by her bandmates (and this prescient fan, second left), who were travelling between gigs in the US while Poppy flew over for the extra-special appearance. 12 of 20Poppy on the ones and twosPoppy recently told NME her best friend is her hairless cat, whom she lives with in Los Angeles. A fan gifted Poppy a model of a sphinx cat, which she placed atop the DJ booth for the duration of the set. It added a touch of class because - fun fact - NME only spent £24 on the halloween decorations. 13 of 20Poppy’s very own reading festivalHere's Poppy reading her book. 14 of 20Poppy’s very own reading festival, part twoAnd here's Poppy, er, reading her book. 15 of 20Poppy’s very own reading festival, part threeAnd here she is reading the book again, which she did for about 20 minutes in total. You know when someone repeats a joke and it's not funny for a bit, then they repeat it again and again and after a while it becomes incredibly funny but you can't really explain why? That's what this was like. 16 of 20What is happening?Remember when we said it was a strange night (in the best possible way)? First up, there was a rumour going round that it wasn't actually Poppy, but someone who looks exactly-the-goddamned-same wearing makeup. Though the DNA test is pending, we can confirm that Poppy herself, hallowed be her name, was on stage at the Shack. 17 of 20Talk about: Pop(py) musicSecondly, the performance sparked a wider debate about the nature of live entertainment. Was it a situationist prank? A satirical comment on celebrity DJ sets? A hint at what a 3am sesh at Poppy's gaff is like? A woman standing on stage in a latex harlequin costume taking a moment to catch up on contemporary literature? All of these things? None of these things? You decide. 18 of 20Top of the PoppiesPoppy's set included dialogue from the film It - the original Tim Curry version, we think. The performer is clearly a fan of the horror genre. Her YouTube videos are often as disturbing as they are mesmerising. Think of her as a pop star invented by Stanley Kubrick and you're halfway there. 19 of 20Poppy and pappyPoppy's new album, ‘I Disagree’, is released early next year. You can read all about it next week in a very special NME feature - so stay tuned. 20 of 20Rock on, PoppyPoppy, we salute you.


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{% extends 'core_main_app/_render/admin/theme/tools/modal.html' %} {% block modal_id %}add-group-modal{% endblock %} {% block modal_title %} Give group rights to workspace {% endblock %} {% block modal_body %}
Select all groups you want to give rights to the workspace:


DigRev
Score: 1
Captain: Temtel
Challenges solved
| category & points | name | solved at |
|---|---|---|
| Baby's First 1 | babycmd | 2015-05-16 15:00:13 UTC |
Achievements
| name | description | condition | unlocked at | unlocked by |
|---|
Members
- Temtel
- tr4nc3
- TheOracle
- freak
- J03y
- digrevslacker1
- digrevslacker2
- digrevslacker3
- digrevslacker4
- t1deman
- x30n


Headers begin here
Headers end here
This is an example of text.
This paragraph has a link inside it.
And then I say: I'm a light speech
After I say: I'm a dark speech
I represent the default label.
I represent the danger label.
I represent the warning label.
I represent the success label.
I represent the info label.
I represent the failure label.


Playground
Title
This is some text within a card body. hotfix hotfix
Title
This is some text within a card body.


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{% extends "base.html" %} {% block app_content %}
The following is a list of all {{ composer_surname }} pieces (and their sonata movements) that have been analyzed:


|
Final-Project-Group9
2.o
This is final project for course ENPM809Y
|
#include <Algorithm.h>
Public Member Functions | |
| bool | if_visited (std::pair< std::pair< int, int >, char > new_node) |
| a function to check wether we have visited nodes or not. More... | |
| bool | if_duplicated (std::pair< std::pair< int, int >, char > new_state) |
| a function to check wether we have duplicate state in new node More... | |
| bool | Solve (std::shared_ptr< fp::LandBasedRobot >, fp::Maze &) |
| function is the gist of BFS Algorithm. More... | |
| bool | isGoal (int x, int y) |
| a function to check wether we have visited nodes or not. More... | |
| bool fp::Algorithm::if_duplicated | ( | std::pair< std::pair< int, int >, char > | new_state | ) |
a function to check wether we have duplicate state in new node
a function to check wether we are in new or visited state.
| a | 2-D vector of new state |
A function is basically comparing co-ordinates of x-y coordinates with previous node to new node and if we have visted then set to false or else set true.
| bool fp::Algorithm::if_visited | ( | std::pair< std::pair< int, int >, char > | new_state | ) |
a function to check wether we have visited nodes or not.
a function to check if we are in new node during visiting or not.
| a | 2-D vector of new state |
A function is basically comparing co-ordinates of x-y coordinates with previous nodes array to new node and if we have visted then set to false or else set true.
| bool fp::Algorithm::isGoal | ( | int | x, |
| int | y | ||
| ) |
| bool fp::Algorithm::Solve | ( | std::shared_ptr< fp::LandBasedRobot > | robot, |
| fp::Maze & | maze | ||
| ) |
function is the gist of BFS Algorithm.
heart of algorithm
| a | shared pointer of landbased robot class |
| maze | object |
This is fairly complex function but mainly we are setting the variable here and then try to push them into a vector we also set a flag which shows wether this process has ended or not. but basically a while condition shows that we will add nodes to current nodes untill we the path is found. The method we see here is basically moves robot from api file and then we check the boudries.


Are you arguing who is washing dishes today? or who is going to throw away the garbage?
We have a simple solution for this!
It is a "Stone, paper, scissors" game
solve your problem
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Game rules
One game consists of three rounds.
In the first step the player chooses three symbols: stone, paper and scissors, which then take the fight according to the following rules:
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Angham Alshahoud
Hello! I am Angham Alshahoud, a student at FocusCollege studying Software development. So far, I’ve learned about TypeScript, lots of different packages, some web designing skills, and databases. Being a Software developer has been my dream since I was 12 years old. I love this career because of its continually changing environment, often working with teams, plus this career will keep our mind fresh and the job interesting!


UP CLOSE AND PERSONAL A film review by Joan Ellis Copyright 1996 Nebbadoon Syndicate
"Up Close and Personal" is the movie critics love to hate. Apparently, it is also a movie audiences love to see. Certainly the negative reviews didn't bring 14,000,000 people to the theaters in the first week alone. That's pretty good for a movie that has been generally panned.
 This movie, along with "Mr. Holland's Opus," has given them a way to express their impatience. "Up Close" is an old-fashioned romance, a spiritual descendent of Hollywood's Golden Age, when movies had a hero and heroine, and audiences spent two hours hoping they would get together.
When someone dies in this movie, it happens quickly and cleanly, so the audience is affected by the loss of the human being rather than the now standard barrage of graphic violence. We are given time to care about the people we are getting to know. And that's the real key: we actually have a story here.
Tally Atwater (Michelle Pfeiffer), an ambitious blond who has waited tables and dealt craps in her hometown of Las Vegas, brings that questionable experience to her new job at Channel 9, Miami. Her boss, Warren Justice (Robert Redford), is a fallen Washington press corps hero exiled to the hinterland. Warren knows smart when he sees it, so he teaches Tally the rules of the trade while he falls in love with her.
Their courtship takes place on the causeways, balconies, rowboats, and beaches of Miami and the Keys. Their other life takes place in the television studios, where Warren recognizes and encourages Tally's determination to break onto the "A" team. It is Warren who finally convinces her to tell viewers the truth instead of the pablum that station bosses concoct for their listening pleasure.
That's a romantic notion, isn't it? An Edward R. Murrow view of a newsman's role, so out of date today that just being reminded of it brings a certain nostalgic pride that once upon a time such people roamed the globe looking for the truth of a situation. This movie is shot through with that kind of thing-- principles and constancy.
Michelle Pfeiffer gives Tally both raw ambition and the sense to listen to Warren when he sends her toward--dare I say it?--the truth and integrity of real reporting vs. the ugly path to being a blow-dried anchor. Robert Redford makes Warren a little seedy, very understated, with a core of values wrapped in steel.
Remember that Warner Bros. released "Casablanca" as a B- picture whose unexpected legend derives from romance and integrity. O.K., this isn't "Casablanca," but its two icons have the same kind of firepower. Robert Redford and Michelle Pfeiffer know how to make love the old-fashioned way--with their eyes and their smiles as well as in bed. Have we all become too cynical to enjoy a stylish, romantic story that turns on the intelligence and sparkle of two very appealing actors?
Film Critic : JOAN ELLIS Word Count : 500 Studio : Touchstone Pictures Rating : PG-13 Running Time: 2h4m
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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Related links: index of all rec.arts.movies.reviews reviews


class SimpleDelegator
A concrete implementation of Delegator, this class provides the means to delegate all supported method calls to the object passed into the constructor and even to change the object being delegated to at a later time with #__setobj__.
class User def born_on Date.new(1989, 9, 10) end end class UserDecorator < SimpleDelegator def birth_year born_on.year end end decorated_user = UserDecorator.new(User.new) decorated_user.birth_year #=> 1989 decorated_user.__getobj__ #=> #<User: ...>
A SimpleDelegator instance can take
advantage of the fact that SimpleDelegator is a subclass of
Delegator
to call super
to have methods called on
the object being delegated to.
class SuperArray < SimpleDelegator def [](*args) super + 1 end end SuperArray.new([1])[0] #=> 2
Here's a simple example that takes advantage of the fact that SimpleDelegator's delegation object can be changed at any time.
class Stats def initialize @source = SimpleDelegator.new([]) end def stats(records) @source.__setobj__(records) "Elements<EMAIL_ADDRESS>+ " Non-Nil<EMAIL_ADDRESS>+ " Unique<EMAIL_ADDRESS>end end s = Stats.new puts s.stats(%w{James Edward Gray II}) puts puts s.stats([1, 2, 3, nil, 4, 5, 1, 2])
Prints:
Elements: 4 Non-Nil: 4 Unique: 4 Elements: 8 Non-Nil: 7 Unique: 6
Public Instance Methods
Returns the current object method calls are being delegated to.
# File lib/delegate.rb, line 309 def __getobj__ unless defined?(@delegate_sd_obj) return yield if block_given? __raise__ ::ArgumentError, "not delegated" end @delegate_sd_obj end
Changes the delegate object to obj.
It's important to note that this does not cause SimpleDelegator's methods to change. Because of this, you probably only want to change delegation to objects of the same type as the original delegate.
Here's an example of changing the delegation object.
names = SimpleDelegator.new(%w{James Edward Gray II}) puts names[1] # => Edward names.__setobj__(%w{Gavin Sinclair}) puts names[1] # => Sinclair
# File lib/delegate.rb, line 331 def __setobj__(obj) __raise__ ::ArgumentError, "cannot delegate to self" if self.equal?(obj) @delegate_sd_obj = obj end


Before Change
for batch_sequences, batch_labels in self.batch_generator.from_protocol_item(protocol_item):
batch_embeddings = self.embedding.transform(batch_sequences)
batch_distances = scipy.spatial.distance.pdist(batch_embeddings, metric="euclidean")
labels, unique_inverse = np.unique(batch_labels, return_inverse=True)
for i, label in enumerate(labels):
After Change
if len(within_margin) < 1:
continue
negative = negatives[np.random.choice(within_margin)]
yield [batch_sequences[anchor], batch_sequences[positive], batch_sequences[negative]], 1
class YaafeTripletBatchGenerator(BaseBatchGenerator):


# include 'bit/meta.html'
{{ config.CONFIG_DB.brand_name }}
# include 'bit/style.html' # block head # endblock # include 'bit/analytics.html'
# include 'bit/script.html' # block scripts # endblock


--- layout: content ---
Welcome to Tooli, a technology platform provided by Tooli Inc. (“Tooli”, “we”, “us” and “our”) that brings together tool and equipment owners (“Owners”) with tool and equipment renters and purchasers (together “Consumers”). The Tooli website (the “Website”) is a website owned and operated by us for Owners and Consumers (each person, firm or company using the Website, a “User”, “you” and “your”). These Terms and Conditions (“Terms and Conditions”) contain the legal terms and conditions that govern your access and use of this Website, our mobile applications, emails, text messages and social media accounts (collectively the “Application”) and any feature, content, tools and services accessible by means of the Application and covers all transactions between you and us as well as the booking of equipment rentals and sales through the Service. The Application and these services are collectively referred to as the “Service”. In addition, other terms apply to any User selling or renting goods or services through the Service.
In these Terms and Conditions, “Equipment” covers all classes of equipment, machinery, vehicles, tools, accessories and any ancillary items which the Owner agrees to rent or sell to the Consumer and anything which is supplied by the Owner to effect the rental or sale and for the safe operation and routine maintenance and inspection of such equipment, machinery, vehicles, tools, accessories and ancillary items. Each transaction in which a Consumer rents Equipment from an Owner via the Service is referred to in these Terms and Conditions as a “Rental” and each transaction in which a Consumer purchases Equipment from an Owner via the Service is referred to as a “Sale
PLEASE READ THESE TERMS AND CONDITIONS CAREFULLY BEFORE USING THIS APPLICATION. Your use of the Application is expressly conditioned on your acceptance without modification of the following Terms and Conditions. If you accept these Terms and Conditions, click on the “I Accept” button below. That action is the equivalent of your signature and indicates your acceptance of these Terms and Conditions and that you intend to be legally bound by them. If you do not agree with them, please click on the “Back” button of your browser or click on the “Cancel” button below to exit this Application. By using this Application, you agree, without limitation or qualification, to be bound by these Terms and Conditions in connection with the Application or any of the goods or services available on the Application, all as may be modified by Tooli from time to time at its sole discretion. Note that all of the Terms and Conditions below are subject to the laws of the place where you live, and some of them might not be binding on you under those laws.
We may, in our sole discretion, modify or update these Terms and Conditions from time to time, and so you should review this page periodically. We reserve the right to amend these Terms and Conditions at any time by notifying you as provided in these Terms and Conditions, provided that no notice shall be required for non-substantive changes to these Terms and Conditions. If we substantively amend these Terms and Conditions, we will give you at least twenty (20) days notice before the changes take effect, during which period of time you may reject the changes by terminating your account. Your continued use of the Service after any such change constitutes your acceptance of the revised Terms and Conditions. If you do not agree to any of these terms or any future amendments, do not use or access (or continue to access) the Service.
Tooli provides an online platform via the Application that enables Users to connect with each other and enter into various rental, purchase and service agreements between themselves. Tooli provides a neutral marketplace to facilitate these transactions. However, Tooli does not offer or provide the goods or services for rent or sale through the Service. Tooli is not and will not be a contracting party in any agreement made between Users. Any rental, lease, purchase or service transactions entered into directly between Users shall be entered into exclusively between the Owner and Consumer, and not Tooli. We simply provide a platform to introduce Owners and Consumers and facilitate payments for goods and services.  TOOLI HAS NO CONTROL OVER, AND IS NOT LIABLE FOR, THE CONDUCT OF ANY OTHER USERS OF THE SERVICE, OR ANY THIRD PARTY PROVIDERS OF RELATED GOODS OR SERVICES RETAINED BY USERS, INCLUDING WITHOUT LIMITATION OWNERS, RENTERS, PURCHASERS, CARRIERS, DELIVERY PERSONNEL, EQUIPMENT MANUFACTURERS, EQUIPMENT OPERATORS AND ANY OTHER THIRD PARTY SERVICE PROVIDERS RETAINED BY ANY USERS.
In order to rent or purchase Equipment via the Service, you will need to sign up with the Application. In order to rent or sell your Equipment to a Consumer via the Service, you will need to sign up with the Application. By signing up with the application, you give us permission to disclose the information you provide on your application to other Users, to make some or all of the information you provide available on the Application, disclose some or all of the information you provide to third parties for verification purposes, and to obtain and use additional information about you in a similar fashion. Tooli reserves the right to accept or reject Consumer or Owner applications in our sole discretion for any reason.
If you sign up, you will: (a) provide accurate, current and complete information about you as may be prompted by any signup, login and/or registration forms made available via the Service (the “Registration Data“); (b) maintain and promptly update the Registration Data, and any other information you provide to Tooli, in order to keep it accurate, current and complete; and (c) accept all risk of unauthorized access to the Sign Up Data and any other information you provide to Tooli. Tooli reserves the right to request proof of identification and age (for example, proof of your ability to obtain licenses to operate certain Equipment).
Tooli is under no obligation to retain a record of your account or any Registration Data or other information that you may have stored by means of your account or your use of the Service. You are only authorized to create and use one account for the Service and are prohibited from using alter egos or other disguised identities when using the Service. You are under no obligation to use or continue to use the Service and may stop using the Service without notice to Tooli. We do not endorse, investigate or verify any User, Signup Data or User Content (as defined below) at any time. All Signup Data and details and other information relating to Equipment and other goods or services available through the Service come directly from the Owners. Tooli does not assume any liability for the accuracy, completeness and timeliness of this information. Tooli gives no guarantee to the User that other Users of the Service will not use the Service with intent to defraud. In particular, Tooli does not accept any liability arising as a result of a User registering under a false identity or providing false information. Tooli recommends that all Users verify the identity of their contracting partners and other information relating to Equipment and goods and services prior to the exchange of goods or services. Any assistance provided by Tooli shall not constitute an endorsement, certification or guarantee by Tooli about any User, including of the User's identity and whether the User is trustworthy, safe or suitable.
You are solely responsible for the activity that occurs on your account, and you must keep your account password secure. You must notify us immediately of any breach of security or unauthorized use of your account. We will not be liable for any losses caused by any unauthorized use of your account.
Subject to the terms, conditions and limitations set forth in these Terms and Conditions, Tooli grants you a non-exclusive, non-transferable and revocable license to use the Application on any computer or mobile device that you own or control. You may use the Service only if you are a resident of Canada or the United States, have reached the age of majority where you live and you can form legally binding contracts under applicable law. You may not use the Application if you live in a jurisdiction where access to or use of the Application or any part of it may be illegal or prohibited. It is solely your responsibility to determine whether your use of this Application is lawful, and you must comply with all applicable laws. Each User represents and warrants to Tooli that: (a) you have reached the age of majority where you live and can form legally binding contracts under applicable law; and (b) if you are acting on behalf of a corporation, entity or organization, you: (i) are authorized to bind that corporation, entity or organization to these Terms and Conditions; and (ii) the corporation, entity or organization on behalf of which you are entering into these Terms and Conditions is a duly formed entity existing in good standing in each of the jurisdictions in which the entity transacts business.
Your use of the user license and Service and your contact, interaction or dealings with other Users and any third parties arising out of your use of the Service is entirely at your own risk. Users are independent from Tooli and are not agents, representatives or employees of Tooli. Tooli is not responsible for, and will not be held liable for, the acts, errors, omissions, representations, warranties, breaches or negligence of any User or any of its employees, independent contractors, representatives, agents, assigns, carriers, operators, drivers, delivery personnel or other suppliers for any personal injuries, death, property damage, loss, theft or other damages or expenses resulting therefrom.
A Consumer can rent Equipment by contacting the Owner through the Application and concluding a rental agreement with the Owner. All rental agreements are concluded solely between the Owner and the Consumer. Unless the Owner and Consumer enter into a separate rental agreement, Tooli's rental agreement (the “Rental Agreement”) shall apply to any rental made through the Service and the Rental Agreement, the rental description on the Application and these Terms and Conditions shall be the entire agreement between the Consumer and Owner with respect to such rental. A Consumer and an Owner may create and use their own rental terms and/or modify the Rental Agreement provided here as they see fit. All obligations under the Rental Agreement (including all payment obligations) are obligations directly between the Consumer and Owner and are not made by and do not legally bind us. It is your responsibility to review the Rental Agreement in advance to determine whether it is suitable for your purpose. The Rental Agreement is to be used at your own risk and expense. You acknowledge and agree that you may be required by an Owner to enter into one or more separate agreements, waivers or terms and conditions prior to renting or purchasing Equipment and an Owner may place additional restrictions on your booking, product or service.
When you use the Service to transact a Rental, the Service will present you with a page confirming the details of the Rental (the “Rental Confirmation”). By clicking “I Agree” (or any other means of acceptance presented by the Service), you agree to the terms of that Rental and the Rental Confirmation becomes part of these Terms and Conditions. The use of Equipment can be extremely dangerous to Users and bystanders and may require skill, knowledge, preparation and training to operate. Renting Equipment via the Service may not come with all of the personal protection equipment required to operate the Equipment. You should always follow the safety precautions and operation procedures outlined in the Equipment manufacturer’s owner’s manual. The use of Equipment (especially the careless or improper use of Equipment and/or use of the Equipment without appropriate personal protection equipment) poses a risk of causing serious bodily injury, partial and/or total disability, paralysis and/or death of Users and/or bystanders and causing damage to property and/or damage to Equipment. Each User acknowledges there are inherent risks, hazards and dangers involved in using Equipment. Always follow all manufacturer’s recommended maintenance and repair guidelines.
Tooli does not qualify or verify Users in any way and does not educate Consumers on the safe handling and operation of Equipment or safety hazards inherent in using Equipment. It is the responsibility of each User to engage only in those activities involving the use of Equipment for which it has the prerequisite skills, qualifications, preparation and training. Compliance with all safety, legal and regulatory requirements in connection with any Rental or Sale transaction or the use of any Equipment is the responsibility of the User and not Tooli.
The Rental Agreement, or other separate waivers or agreements, are not a substitute for the advice of a lawyer and you are advised to obtain local legal counsel to prepare, review and revise as necessary any rental agreements to ensure compliance with federal, provincial, state, and local law and their particular circumstances, and to revise such agreements as necessary.
An Owner may offer Equipment for Rental or Sale through the Application. Unless otherwise agreed, the Owner must place an item in an appropriate category, describe it correctly and completely, and truthfully indicate any specific rental or sale terms, features and characteristics of the item. The Owner must state the price in the offer and specify any other price components or additional charges the Consumer will incur (including, without limitation, fuel, damage deposit, delivery, blade sharpening, etc.), as well as the aggregate total amount.
An Owner must ensure that their offer of goods or services for sale or rent complies with all applicable laws, including all applicable health and safety, tax, environmental and regulatory laws. The Owner has the option of describing Equipment for rent or sale with images that can be uploaded when placing the item on the Application. Each Owner hereby represents and warrants that: (a) to the best of your knowledge and belief, all Equipment you offer for Rent or Sale is in good operating condition and in working order, free of any known faults or defects that would affect its safe operation under normal use; and (b) by using any images on the Application, no third party rights are infringed, such as copyright or other intellectual property rights. The Owner is obliged to provide accurate and complete billing and delivery details. If these details have changed in any way, the Owner is required to update this information in their user account immediately.
We encourage all Users to use properly completed and documented check-in and check-out inspections for all Rental and Sale transactions in order to avoid disputes. Photographic evidence can be used to support or defend a claim against fuel surcharges, damage, vandalism, repair and other matters. For example, “before and after” time stamped photos may be taken with a clear narrative as to what the photo is showing (e.g. fuel tank, run times, etc.). If standard descriptions and grades are used, these should be clearly explained.
We do not endorse, investigate or verify any Equipment. All information relating to Equipment and other goods or services available through the Service come directly from the Owners. Tooli does not control or assume any liability for the accuracy, completeness and timeliness of this information. Tooli does not and will not make any representation or warranty, express or implied, with respect to the Equipment or its adequacy for the User’s purpose or otherwise. Tooli will have no liability of any kind, including liability for any indirect or consequential damages, arising from any patent, latent or other defect in the Equipment, or for any fundamental breach or other failure of performance, capacity or operation of the Equipment.
You agree to the fees and charges, terms of sale, payment and billing policies applicable to your use of the Service as stated in our Fee Schedule, a copy of which is (link to website indicating the 13% and 3% (the “Fee Schedule”). Tooli reserves the right, in its sole discretion, to modify or amend the fees and charges, add new services for additional fees and charges, at any time. All fees and charges for your use of the Service are non-refundable, except as may be expressly stated in the Fee Schedule.
In exchange for providing the Service, Tooli shall be paid a service fee equal to a percentage of the total transaction amount in connection with any goods or services rented or purchased through the Service (the “Service Fee”) at the rate set out on the Fee Schedule. Tooli is required to charge tax on Service Fees. The Service Fee and applicable taxes may be deducted from amounts paid by the Consumer.
Fees for renting or purchasing Equipment and the prices for additional services and features shall be determined by agreement between the Owner and Consumer. The Owner may in its discretion decide to include in these amounts: (a) a damage deposit; (b) cleaning or other fee, and/or (c) taxes that the Owner determines that it has to collect. The Consumer shall pay all fees, taxes and other amounts owing to the Owner in respect of any Sale or Rental transaction in advance through the Service. Tooli does not guarantee payments to Owners for amounts that have not been successfully received by Tooli from Users. Each Owner understands that Tooli accepts payments from Users as the Owner’s limited payment collection agent and that Tooli’s obligation to the Owner is subject to and conditional upon successful receipt of the associated payments from the Users.
Any fees due to an Owner in respect of any Rental or Sale transaction shall be paid by Tooli upon completion of the rental or purchase transaction only after funds are received by us, less: (a) the Service Fee plus applicable taxes; (b) any applicable fees and charges set out on the Fee Schedule plus applicable taxes; (c) chargebacks and chargeback costs relating to fuel, damage or other surcharges; and (d) any fees, penalties, costs or expenses in connection with assessments which card schemes or other financial institutions require us or you to pay. Tooli will remit payments due to you hereunder no later than thirty (15) days after the end of each calendar month in which the applicable fees are received.
As an Owner, you may need to assess value added tax, general sales tax or other taxes on the goods or services you provide. We encourage you to consult a tax advisor in your area for more insight on this and assistance assessing tax on the goods or services you provide if necessary. It is important that Customers are informed about the exact tax amount prior to booking. Tooli may provide general information regarding certain tax rates that may apply to Rental or Sale transactions in some areas. However, we are not familiar with your individual tax circumstances and do not provide tax advice. Any tax information provided by Tooli is intended as general information only and shall be relied upon entirely at the User’s own risk.
Each User understands and agrees that it is solely responsible for determining: (i) its applicable tax reporting requirements; and (b) the taxes that should be included or charged in any Sale or Rental transaction and for including taxes to be collected or obligations relating to applicable taxes in offering Equipment for sale or rent through the Service. Additionally, as an Owner, your gross earnings may be subject to income tax. You are solely responsible for remitting to the relevant authority any taxes included or received by you. Tooli does not and cannot offer tax-related advice to Users. You agree to indemnify and save harmless Tooli and the Third Parties from any loss, damage or liability of kind arising in connection with your failure to collect, report or remit any taxes relating to your use of the Service or your breach of or failure to comply with any applicable tax laws.
When you rent or purchase goods or services using the Service, you represent, covenant and agree that at the time of entering into the transaction and for the duration of the rental period: (a) any tax payer and credit information you supply is true and complete; (b) charges incurred by you will be honored by your credit card company; and (c) you will pay the posted price for the goods and services, subject to the terms of any Rental Agreement entered into directly between the Owner and Consumer. Posted rates should include applicable taxes, fees, disbursements or other charges set out in the Fee Schedule but not the service fee to the borrower. We reserve the right to charge each Consumer’s credit card with a damage deposit in accordance with the Fee Schedule or as set out in the Rental Agreement.
Your privacy is important to us.
It is Tooli Inc.'s policy to respect your privacy regarding any information we may collect while operating our applications. Accordingly, we have developed this privacy policy in order for you to understand how we collect, use, communicate, disclose and otherwise make use of personal information. We have outlined our privacy policy below.
We will collect personal information by lawful and fair means and, where appropriate, with the knowledge or consent of the individual concerned. Before or at the time of collecting personal information, we will identify the purposes for which information is being collected. We will collect and use personal information solely for fulfilling those purposes specified by us and for other ancillary purposes, unless we obtain the consent of the individual concerned or as required by law. Personal data should be relevant to the purposes for which it is to be used, and, to the extent necessary for those purposes, should be accurate, complete, and up-to-date. We will protect personal information by using reasonable security safeguards against loss or theft, as well as unauthorized access, disclosure, copying, use or modification. We will make readily available to customers information about our policies and practices relating to the management of personal information. We will only retain personal information for as long as necessary for the fulfilment of those purposes.
We are committed to conducting our business in accordance with these principles in order to ensure that the confidentiality of personal information is protected and maintained. Tooli Inc. may change this privacy policy from time to time at Tooli Inc.'s sole discretion.


f8a_ingestion/rest_api.py F 38:0 ingest - B (6) 1 blocks (classes, functions, methods) analyzed. Average complexity: B (6.0)


Suge Knight’s son doubles down, claims the late Tupac Shakur is ‘in studio’
Marion “Suge” Knight‘s son is turning heads once more after claiming that the late rapper Tupac Shakur, also known by stage names 2pac and Makaveli, is “back in the studio” and making “new music.”


{% extends "layout.html" %} {% block content %}
Unlimited movie rentals, delivered to your door!
New releases, classics, top rated films
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Movies delivered to your door with prepaid return envelops
Start your free trial now


module OpenAPI::Generator::Helpers::Lucky
Defined in:
openapi-generator/helpers/lucky.cropenapi-generator/helpers/lucky/body.cr
openapi-generator/helpers/lucky/query_params.cr
openapi-generator/helpers/lucky/responses.cr
Class Method Summary
-
.bootstrap
Run this method exactly once before generating the schema to register all the inferred properties.
Macro Summary
-
body_as(type, description = nil, content_type = "application/json", constructor = :from_json)
Extracts and serialize the body from the request and registers it in the OpenAPI operation.
-
body_as!(*args, **named_args)
Same as
body_as
but will raise if the body is missing or badly formatted. -
head(status, description = nil, headers = nil, links = nil)
Declare a head response.
-
json(body, status = 200, description = nil, type = nil, schema = nil, headers = nil, links = nil)
Declare a json response.
-
param(declaration, description = nil, multiple = false, schema = nil, **args)
Declare a query parameter.
-
plain_text(body, status = 200, description = nil, type = String, schema = nil, headers = nil, links = nil)
Declare a plain text response.
-
xml(body, status = 200, description = nil, type = String, schema = nil, headers = nil, links = nil)
Declare an xml response.
Class Method Detail
Run this method exactly once before generating the schema to register all the inferred properties.
Macro Detail
Extracts and serialize the body from the request and registers it in the OpenAPI operation.
# This will try to case the body as a SomeClass using the SomeClass.new method and assuming that the payload is a json.
body_as SomeClass, description: "Some payload.", content_type: "application/json", constructor: from_json
# The content_type, constructor and description can be omitted.
body_as SomeClass
Same as body_as
but will raise if the body is missing or badly formatted.
Declare a json response.
Declare a query parameter.
Declare a plain text response.
Declare an xml response.


+++ type = "page" title = "Home" description = "A description" tags = [ "page" ] date = "2016-11-10" +++
IPLD provides immutability and cryptographic integrity by naming data with hashes, so that anyone in the network can help distribute data without needing to be trusted.
IPLD is an open source project from the IPFS community. There are many ways you can contribute by getting involved: you can help write the specification, code implementations and tools using IPLD, craft examples and tutorials, and join our regular product calls to discuss IPLD with us.
Join us on GitHub at ipld/ipld!


Some MIDI operations need to carry bulk data. For instance, the Program Set operation contains the actual program data, rather than loading it from a file. Such operations are represented by a System Exclusive (Sysex) message containing the data, an optional Bank MSB for those that specify a program number, and an {_NRPN} that indicates what the data means and what channel (if any) it is associated with. Any Digital Chroma NRPN consumes the Sysex data, even if it didn't use it, so an NRPN with no Sysex before it won't reuse an earlier one. Any editor that interprets Sysex messages from the Digital Chroma must do the same thing.
All Digital Chroma Sysex messages share a common format:
On input, any non-real-time status byte will signal the end of a Sysex message, since the MIDI specification doesn't literally require the use of an End of System Exclusive. On output, End of System Exclusive is always sent, since some programs wrongly assume that it must be there.
Often, messages carrying bulk data need to be addressed to a specific MIDI channel, but Sysex messages don't contain channel numbers. It is possible to put a channel number into a Sysex, but there is no standard location for the channel number, so external software (a sequencer or DAW) that tries to move a track from one MIDI channel number to another will successfully change all the channel messages but not update the Sysex messages. Using a Sysex followed by an NRPN eliminates this problem.
The only danger is that the Sysex is only bound to its NRPN by proximity. In a multi-track sequence, there is a tiny possibility that a Sysex/NRPN on one channel will get interleaved with a Sysex/NRPN on another channel, resulting in one NRPN using the wrong Sysex and the other getting no Sysex at all. But there is only one Sysex message that can ever appear in a recorded sequence (Program Set), and it only appears if one starts recording with a modified program, or uses Undo or Redo to go back or forward to a modified program. So avoid doing those things, and the possibility of this problem drops from tiny to zero.
On input to the Digital Chroma, any NRPN that expects a preceding Sysex is ignored if the contents of the Sysex are invalid. The Sysex may take a number of different formats, depending upon the NRPN:


Name must be more than 4 chars
Email must be valid
Comment must be more than 14 chars
{{comment.body}}
{{comment.name}} | {{comment.email}}
{{comment.body}}


Version 0.3.1-15
...
...
...
...
Here is the latest sketch I am using. The .txt is for viewing the .ino is to download
arduino04-webserial.txt This arduino sketch can be viewed
arduino04-webserial.ino Click to download: Note: New ArduinoWebSerial testing code. Make sure in Arduino Serial Monitor you don't send a new-line
This Github at https://github.com/hpssjellis/web-serial-polyfill
Original Demo from Google Developers codelabs.


Zend Framework
LICENSE
This source file is subject to the new BSD license that is bundled with this package in the file LICENSE.txt. It is also available through the world-wide-web at this URL: http://framework.zend.com/license/new-bsd If you did not receive a copy of the license and are unable to obtain it through the world-wide-web, please send an email to<EMAIL_ADDRESS>so we can send you a copy immediately.
Base class for localization
array
$_territoryData= 'array'
Class wide Locale Constants
array
Details__construct(
string|\Zend_Locale $locale
=
null
)
:
void
Generates a locale object If no locale is given a automatic search is done Then the most probable locale will be automatically set Search order is 1. Given Locale 2. HTTP Client 3. Server Environment 4. Framework Standard
| Name | Type | Description |
|---|---|---|
| $locale | string|\Zend_Locale | (Optional) Locale for parsing input |
| Exception | Description |
|---|---|
| \Zend_Locale_Exception | When autodetection has been failed |
__toString(
)
:
string
Returns a string representation of the object Alias for toString
| Type | Description |
|---|---|
| string |
_prepareLocale(
string|\Zend_Locale $locale, boolean $strict
=
false
)
:
string
Internal function, returns a single locale on detection
| Name | Type | Description |
|---|---|---|
| $locale | string|\Zend_Locale | (Optional) Locale to work on |
| $strict | boolean | (Optional) Strict preparation |
| Type | Description |
|---|---|
| string |
| Exception | Description |
|---|---|
| \Zend_Locale_Exception | When no locale is set which is only possible when the class was wrong extended |
_prepareQuestionString(
string $input
)
:
string
Internal function for preparing the returned question regex string
| Name | Type | Description |
|---|---|---|
| $input | string | Regex to parse |
| Type | Description |
|---|---|
| string |
clearCache(
string $tag
=
null
)
:
void
Clears all set cache data
| Name | Type | Description |
|---|---|---|
| $tag | string | Tag to clear when the default tag name is not used |
disableCache(
boolean $flag
)
:
void
Disables the set cache
| Name | Type | Description |
|---|---|---|
| $flag | boolean | True disables any set cache, default is false |
equals(
\Zend_Locale $object
)
:
boolean
Returns true if both locales are equal
| Name | Type | Description |
|---|---|---|
| $object | \Zend_Locale | Locale to check for equality |
| Type | Description |
|---|---|
| boolean |
findLocale(
string $locale
=
null
)
:
string
Finds the proper locale based on the input Checks if it exists, degrades it when necessary Detects registry locale and when all fails tries to detect a automatic locale Returns the found locale as string
| Name | Type | Description |
|---|---|---|
| $locale | string |
| Type | Description |
|---|---|
| string |
| Exception | Description |
|---|---|
| \Zend_Locale_Exception | When the given locale is no locale or the autodetection fails |
getBrowser(
)
:
array
Return an array of all accepted languages of the client Expects RFC compilant Header !!
The notation can be : de,en-UK-US;q=0.5,fr-FR;q=0.2
| Type | Description |
|---|---|
| array | - list of accepted languages including quality |
getCache(
)
:
\Zend_Cache_Core
Returns the set cache
| Type | Description |
|---|---|
| \Zend_Cache_Core | The set cache |
getCountryTranslation(
string $value, string|\Zend_Locale $locale
=
null
)
:
array
Returns the localized country name
| Name | Type | Description |
|---|---|---|
| $value | string | Name to get detailed information about |
| $locale | string|\Zend_Locale | (Optional) Locale for country translation |
| Type | Description |
|---|---|
| array |
getCountryTranslationList(
string|\Zend_Locale $locale
=
null
)
:
array
Returns an array with the name of all countries translated to the given language
| Name | Type | Description |
|---|---|---|
| $locale | string|\Zend_Locale | (Optional) Locale for country translation |
| Type | Description |
|---|---|
| array |
getDefault(
)
:
array
Return the default locale
| Type | Description |
|---|---|
| array | Returns an array of all locale string |
getEnvironment(
)
:
array
Expects the Systems standard locale
For Windows: f.e.: LC_COLLATE=C;LC_CTYPE=German_Austria.1252;LC_MONETARY=C would be recognised as de_AT
| Type | Description |
|---|---|
| array |
getHttpCharset(
)
:
string
Return the accepted charset of the client
| Type | Description |
|---|---|
| string |
getLanguageTranslation(
string $value, string $locale
=
null
)
:
array
Returns the localized language name
| Name | Type | Description |
|---|---|---|
| $value | string | Name to get detailed information about |
| $locale | string | (Optional) Locale for language translation |
| Type | Description |
|---|---|
| array |
getLanguageTranslationList(
string|\Zend_Locale $locale
=
null
)
:
array
Returns an array with the name of all languages translated to the given language
| Name | Type | Description |
|---|---|---|
| $locale | string|\Zend_Locale | (Optional) Locale for language translation |
| Type | Description |
|---|---|
| array |
getLocaleList(
)
:
array
Returns a list of all known locales where the locale is the key Only real locales are returned, the internal locales 'root', 'auto', 'browser' and 'environment' are suppressed
| Type | Description |
|---|---|
| array | List of all Locales |
getLocaleToTerritory(
string $territory
)
:
string|null
Returns the expected locale for a given territory
| Name | Type | Description |
|---|---|---|
| $territory | string | Territory for which the locale is being searched |
| Type | Description |
|---|---|
| stringnull | Locale string or null when no locale has been found |
getOrder(
$order
=
null
)
:
array
Search the locale automatically and return all used locales ordered by quality
Standard Searchorder is Browser, Environment, Default
| Name | Type | Description |
|---|---|---|
| $order |
| Type | Description |
|---|---|
| array | Returns an array of all detected locales |
getQuestion(
string|\Zend_Locale $locale
=
null
)
:
array
Returns an array with translated yes strings
| Name | Type | Description |
|---|---|---|
| $locale | string|\Zend_Locale | (Optional) Locale for language translation (defaults to $this locale) |
| Type | Description |
|---|---|
| array |
getRegion(
)
:
string|false
Returns the region part of the locale if available
| Type | Description |
|---|---|
| stringfalse | - Regionstring |
getScriptTranslation(
string $value, string $locale
=
null
)
:
array
Returns the localized script name
| Name | Type | Description |
|---|---|---|
| $value | string | Name to get detailed information about |
| $locale | string | (Optional) locale for script translation |
| Type | Description |
|---|---|
| array |
getScriptTranslationList(
string|\Zend_Locale $locale
=
null
)
:
array
Returns an array with the name of all scripts translated to the given language
| Name | Type | Description |
|---|---|---|
| $locale | string|\Zend_Locale | (Optional) Locale for script translation |
| Type | Description |
|---|---|
| array |
getTerritoryTranslation(
string $value, string|\Zend_Locale $locale
=
null
)
:
array
Returns the localized territory name All territories contains other countries.
| Name | Type | Description |
|---|---|---|
| $value | string | Name to get detailed information about |
| $locale | string|\Zend_Locale | (Optional) Locale for territory translation |
| Type | Description |
|---|---|
| array |
getTerritoryTranslationList(
string|\Zend_Locale $locale
=
null
)
:
array
Returns an array with the name of all territories translated to the given language All territories contains other countries.
| Name | Type | Description |
|---|---|---|
| $locale | string|\Zend_Locale | (Optional) Locale for territory translation |
| Type | Description |
|---|---|
| array |
getTranslation(
string $value
=
null, string $path
=
null, string|\Zend_Locale $locale
=
null
)
:
string|false
Returns a localized information string, supported are several types of informations.
For detailed information about the types look into the documentation
| Name | Type | Description |
|---|---|---|
| $value | string | Name to get detailed information about |
| $path | string | (Optional) Type of information to return |
| $locale | string|\Zend_Locale | (Optional) Locale|Language for which this informations should be returned |
| Type | Description |
|---|---|
| stringfalse | The wished information in the given language |
getTranslationList(
string $path
=
null, string|\Zend_Locale $locale
=
null, string $value
=
null
)
:
array
Returns localized informations as array, supported are several types of informations.
For detailed information about the types look into the documentation
| Name | Type | Description |
|---|---|---|
| $path | string | (Optional) Type of information to return |
| $locale | string|\Zend_Locale | (Optional) Locale|Language for which this informations should be returned |
| $value | string | (Optional) Value for detail list |
| Type | Description |
|---|---|
| array | Array with the wished information in the given language |
isLocale(
string|\Zend_Locale $locale, boolean $strict
=
false, boolean $compatible
=
true
)
:
boolean
Checks if a locale identifier is a real locale or not Examples: "en_XX" refers to "en", which returns true "XX_yy" refers to "root", which returns false
| Name | Type | Description |
|---|---|---|
| $locale | string|\Zend_Locale | Locale to check for |
| $strict | boolean | (Optional) If true, no rerouting will be done when checking |
| $compatible | boolean | (DEPRECATED) Only for internal usage, brakes compatibility mode |
| Type | Description |
|---|---|
| boolean | If the locale is known dependend on the settings |
setCache(
\Zend_Cache_Core $cache
)
:
void
Sets a cache
| Name | Type | Description |
|---|---|---|
| $cache | \Zend_Cache_Core | Cache to set |
setDefault(
string|\Zend_Locale $locale, float $quality
=
1
)
:
void
Sets a new default locale which will be used when no locale can be detected If provided you can set a quality between 0 and 1 (or 2 and 100) which represents the percent of quality the browser requested within HTTP
| Name | Type | Description |
|---|---|---|
| $locale | string|\Zend_Locale | Locale to set |
| $quality | float | The quality to set from 0 to 1 |
| Exception | Description |
|---|---|
| \Zend_Locale_Exception | When a autolocale was given |
| \Zend_Locale_Exception | When a unknown locale was given |
setLocale(
string|\Zend_Locale $locale
=
null
)
:
void
Sets a new locale
| Name | Type | Description |
|---|---|---|
| $locale | string|\Zend_Locale | (Optional) New locale to set |


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-----------------------------------------
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111r
Old English
Modern English
and the signs [as to] whether he may live.
Lxvi. A drink against if þeor is in a person.
Lxvii. Against the devil-sick and against the devil.
Lxvii. Against wooden-heart: a light drink.
Lxiiii. Against if a person has a sour stomach; and against swelling; and against stomach pain; and if a person is swollen.
Lxx. Against womb pain and against stomach pain and against womb hardness.
Lxxi. Against ulcers: a spread and a salve.
Lxxii. Against poison: a drink and spread.
Lxxiii. Against that yellow disease.
Lxxiiii. Wiþ þam gif innelf si ute.
Lxxiv. Against if the gut is out.
Lxxv. Wiþ ælcre innan untrymnesse and wiþ hefignesse and wiþ hleorblæce.
Lxxv. Against every inner illness and against heaviness and against cheek blot.
Lxxvi. Be þam hu man scyle halige sealfe wyrcean.
Lxxvi. About how a person should make a holy salve.
i. Wiþ þon þe mon on heafod ace: genim nioþowearde wrætte, do on readne wræd, binde þæt heafod mid.
i. Against when a person aches in the head: take the lower part of
madder, put [it] in a red bandage, bind the head with it.
Wiþ þon ilcan: nim senepes sæd and rudan. Gegnid on ele. Do on hat wæter. Þweah gelome þæt heafod on þam wætre. He biþ hal.
Against the same thing: take
mustard seed and
mountain rue. Rub in oil. Put in hot water. Wash the head often in that water. He is whole.
Wiþ ealdum heafod ece: genim dweorgedwostlan, wyl on ele oððe on butran, smire mid þa þunwongan and bufan þam eagum on ufan þæt heafod. Þeah him sie gemynd oncyrred, he biþ hal.
Against an old headache: take
pennyroyal, boil in oil or in butter, smear the temples and above the eyes on the top of the head with it. Although his mind is perverted, he is whole
18.
Wiþ swiþe ealdum heafod ece: nim sealt and rudan and ifig