| expectUpdate {shinytest} | R Documentation |
testthat
expectation for a Shiny updatetestthat
expectation for a Shiny update
expectUpdate( app, output, ..., timeout = 3000, iotype = c("auto", "input", "output") )
app |
A |
output |
Character vector, the name(s) of the output widgets that are required to update for the test to succeed. |
... |
Named arguments specifying updates for Shiny input widgets. |
timeout |
Timeout for the update to happen, in milliseconds. |
iotype |
Type of the widget(s) to change. These are normally input widgets. |
## Not run: ## https://github.com/rstudio/shiny-examples/tree/master/050-kmeans-example app <- ShinyDriver$new("050-kmeans-example") expectUpdate(app, xcol = "Sepal.Width", output = "plot1") expectUpdate(app, ycol = "Petal.Width", output = "plot1") expectUpdate(app, clusters = 4, output = "plot1") ## End(Not run)


Identify enriched biological functions in single-nucleotide polymorphisms (SNPs) |
Added by GenomeSpaceTeam on 2015.05.06
Last updated on over 3 years ago.
How are SNP-related genes regulated in an expression dataset? Are these genes enriched for particular biological functions?
This recipe provides one method for identifying enriched biological functions in single-nucleotide polymorphisms (SNPs). An example use of this recipe is a case where an investigator may complete a genome-wide association study (GWAS) and wants to know the SNPs that are associated with certain genomic coordinates, in order to determine which genes have particular biological functions.
In this particular example, we imagine a scenario in which an investigator completes a GWAS study, obtaining a list of genomic coordinates that are associated with SNPs. However, simply knowing these genomic coordinates is not always informative; the investigator is also interested in knowing which genes lie in these regions, and what kinds of biological functions these genes may have. In this particular example, we are interested in answering two questions:
To answer the first question, we will find Gene Ontology functional annotations using Genomica. To answer the second question, we will use the Gene Set Enrichment Analysis (GSEA) module in GenePattern, comparing the SNP-associated genes to a gene expression dataset from a study of epithelial cancer stem cells. This study evaluated the ability of oncogenes to activate an embryonic stem cell program in differentiated adult tumor cells, by transforming human keratinocytes into squamous cell carcinomas using oncogenic Ras and IκBα, plus one of three genes: c-Myc, E2F3, and GFP (Wong et al. 2009. Cell Stem Cell). Comparisons between these three genes showed that c-Myc could re-activate the embroynic stem cell program. Comparing the SNPs to this gene expression dataset can determine whether this set of SNP-associated genes are differentially regulated in c-Myc samples, when compared to other genes such as GFP and E2F3.
To complete this recipe, we will first need a file describing the genomic coordinates of SNPs, as well as a gene expression dataset against which to compare genes associated with SNPs. In addition, in order to complete functional annotation in Genomica, we will need special files of the human Gene Ontology (GO) annotations. We will need the following datasets, which can be downloaded from the following GenomeSpace Public folder:
Public
> RecipeData
> GenomicFeatureData
> SNPanalysis_data.bed
: A file of the genomic coordinates of SNPs from a GWAS study. The SNPs are listed in a BED file format, with a chromosome annotation and starting and ending positions for coding regions which have SNPs.
Gene Expression Dataset:
Public
> RecipeData
> ExpressionData
> GSE10423
> GSE10423.gct
: A gene expression dataset of human keratinocytes transformed by Ras, IκBα, and one of three genes: c-Myc, E2F3, and GFP. The file is available in GenePattern's GCT format.
Public
> RecipeData
> ExpressionData
> GSE10423
> GSE10423.cls
: A class file containing assignments for all the samples in the GCT file (+Myc or -Myc). The file is in GenePattern CLS format.
Public
> RecipeData
> ExpressionData
> GSE10423
> GSE10423.chip
: A file containing the microarray chip information for the this gene expression dataset.
Genomica Database Files:
Public
> RecipeData
> Tool_Genomica
> human_GO.gxa
: A file containing the annotations of genes by pathways, functions, and biological processes from the Gene Ontology.
Public
> RecipeData
> Tool_Genomica
> Human_RefSeq_skeleton_expression.tab
: A file containing RefSeq IDs for parsing in Genomica.
We will load the file containing SNPs into Galaxy. Then, we will use a pre-built GenomeSpace workflow to process the dataset, mapping the SNPs to reference gene annotations and extracting the gene IDs in two formats (Gene Symbol and RefSeq ID). Finally, we will send the gene IDs back to GenomeSpace for additional analysis.
NOTE: If you have not yet associated your GenomeSpace account with your Galaxy account, you will be asked to do so. If you do not yet have a Galaxy account, you can automatically generate a new account that will be associated with your GenomeSpace account.
Get Data > GenomeSpace import
.SNPanalysis_data.bed
file, which can be found under the following directory: Public
> RecipeData
> GenomicFeatureData
.Send to Galaxy
.We will use the UCSC Main tool to obtain a reference genome from the UCSC Table Browser, through Galaxy.
Get Data > UCSC Main
clade
: Mammalgenome
: Humanassembly
: Feb. 2009 (GRCh37/hg19)group
: Genes and Gene Predictionstrack
: UCSC genestable
: knownGeneregion
: genomeoutput format
: selected fields from primary and related tablessend to
: Galaxyget output
. This will load a new page from which you can select specific annotations.
Linked Tables
, make sure the hg19: kgXref is checked.allow selection from checked tables
to update the page, then change the following parameters:
Select Fields from hg19.knownGene
, make sure the following parameters are checked:
chrom: Reference sequence chromosome or scaffold
cdsStart: Coding region start
cdsEnd: Coding region end
hg19.kgXref
, make sure the following parameters are checked:
geneSymbol
: Gene Symbolrefseq
: RefSeq IDdone with selection
to load the final output page.
Send query to Galaxy
to run the job. This will generate a new file of reference gene annotations.We will use a pre-built GenomeSpace workflow to identify genes in the CNV regions, and to extract the gene IDs.
start using this workflow
.Run
.
Step 1: Input Dataset (UCSC Reference Genome Annotations)
: UCSC Main on Human: knownGene (genome)Step 2: Input Dataset (SNP Genomic Coordinates, e.g. SNPAnalysis_data.bed)
: GenomeSpace import on SNPanalysis_data.bedRun
workflow.Send Data > GenomeSpace Exporter
. Change the following parameters:
Send this dataset to GenomeSpace
: 4: Cut on data 3
, the output file of Gene Symbols, e.g. "ACTB".Choose Target Directory
: choose the directory to save the file infilename
: SNPanalysis_GeneSymbol.grp
Execute
.
Send Data > GenomeSpace Exporter
. Change the following parameters:
Send this dataset to GenomeSpace
: 5: Cut on data 3
the output file of RefSeq IDs, e.g. "NM_123456789", etc.Choose Target Directory
: choose the directory to save the file infilename
: SNPanalysis_RefSeq.gse
Execute
.We will use the Gene Set Enrichment Analysis (GSEA) module to determine whether the SNP-associated genes are up- or down-regulated in biological conditions such as cancer. We will use the SNP-associated genes as a custom 'gene set' to evaluate its enrichment on a gene expression dataset of human keratinocytes transformed into squamous cell carcinomas. This module uses the GCT file and the CLS file, as well as the list of Gene Symbols from the SNP analysis in Galaxy.
NOTE: If you have not yet associated your GenomeSpace account with your GenePattern account, you will be asked to do so. If you do not yet have a GenePattern account, you can automatically generate a new account that will be associated with your GenomeSpace account.
Modules
tab, and search for "GSEA". Change to the GenomeSpace
tab to navigate to the directory containing the GSE10423 gene expression dataset files. Once the module is loaded, change the following parameters:
expression dataset
: GSE10423.gct
, found in the following directory: Public
> RecipeData
> ExpressionData
> GSE10423
.gene sets database file
: SNPanalysis_GeneSymbol.grp
phenotype labels
: GSE10423.cls
, found in the following directory: Public
> RecipeData
> ExpressionData
> GSE10423
.chip platform file
:
Upload your own file
button, which will create a new drag-and-drop input box.GSE10423.chip
file, found in the following directory: Public
> RecipeData
> ExpressionData
> GSE10423
.GSE10423.zip
), and choose Save to GenomeSpace
.Save
.Expand Archive
. This should create a new folder in GenomeSpace that you can access, containing all the GSEA results.We will use Genomica to determine whether the SNP-associated genes are enriched for particular biological functions by analyzing multiple gene sets.
First, we must save files to the local drive in order for Genomica to run the multiple gene set analysis.
Public
> RecipeData
> Tool_Genomica
> human_GO.gxa
Public
> RecipeData
> Tool_Genomica
> Human_RefSeq_skeleton_expression.tab
human_GO.gxa
and Human_RefSeq_skeleton.tab
, in this folder.
human_GO.gxa
on a Windows computer will be located in: C:/Users/USERNAME/Genomica/human_GO.gxa
human_GO.gxa
on a Mac computer will be located in: /Users/USERNAME/Genomica/human_GO.gxa
Next, we will complete an enrichment analysis by comparing multiple gene sets in Genomica.
SNPanalysis_RefSeq.gse
.Analyze Gene Sets
. Change the following parameters:
Sets to Analyze
, choose Human GO
.Sets to Find Enrichment For
, choose the SNP_analysis_RefSeq.gse
file. It may have additional text and numbers in front of the file name due to the Genomica import.Analyze
. The output should be a table of gene functional annotation enrichments.Analyze
button, try making the window larger by clicking and dragging the bottom edge of the window downward.
Analyze
button that appears for Windows users.
This is an example interpretation of the results from this recipe. First, we performed Gene Set Enrichment Analysis (GSEA) to determine if the SNP-associated genes are up- or down-regulated in a biological condition such as cancer. To interpret our GSEA results, we navigate to the un-zipped file of GSEA results.
This folder contains the results of the GSEA, including: tables of results; plots such as enrichment plots, heatmaps, butterfly plots, distribution plots, and correlation profiles; and HTML pages designed to display and explain the accompanying results. Clicking on the index.html
file will bring up a local HTML webpage linking to the remaining results, in an easy-to-navigate format. In this example, the results indicate that our SNP-associated gene set was up-regulated in the skin tumor phenotype, but these results are not significant. For more help interpreting the results from GSEA analyses, visit the GSEA User Guide page for interpreting GSEA results.
Next, we used Genomica to determine whether SNP-associated genes are enriched for particular biological functions using multiple gene set analysis. The results from this analysis are (1) a table of significantly enriched GO terms, and (2) a graphical representation of the enrichment for each GO term in the gene set being analyzed.
The Genomica results suggest that there is significant overlap between the SNP-associated gene set and GO terms like, e.g., "regulation of nuclear mRNA splicing, via spliceosome" and "negative regulation of mRNA processing". These GO term enrichment results have high p-values (see table above, column 4), and have a large amount of overlap between the SNP-associate gene set and the GO term gene set (see graphic below). The significance of this possible result would need further confirmation.


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Spring MVC view layer: Thymeleaf vs. JSP+JSTL
Subscription example
Thymeleaf version
JSP+JSTL version


{{ partial "header.html" . }} {{ partial "navbar.html" . }}
SalmoNet is a molecular interaction database focussing on mapping the intracellular interactions of Salmonella strains. It hosts the integrated networks of 20 Salmonella strains, containing protein-protein interaction, transcriptional regulatory, and enzyme-enzyme interactions. More information is available in our recent manuscript.
The interactions can be queried through the NDEx platform or can be downloaded through the website.
This is a collection of tutorials, guides and workflows, which aim to help the users carry out their own analyses using Salmonella interaction information.
Browsing and analysing SalmoNet 2 data in Cytoscape


Before Change
network._reset() // Reset state variables.
network.connections[("X", "Ae")].normalize() // Normalize input -> excitatory weights
print(network.layers["Ae"].theta)
// Record spikes.
spike_record[i % update_interval] = spikes["Ae"]
After Change
// Record spikes during the simulation.
spike_record = torch.zeros_like(torch.Tensor(update_interval, time, n_neurons))
spike_record_full = torch.zeros_like(torch.Tensor(n_train, time, n_neurons))
// Neuron assignments and spike proportions.
assignments = -torch.ones_like(torch.Tensor(n_neurons))
proportions = torch.zeros_like(torch.Tensor(n_neurons, 10))
rates = torch.zeros_like(torch.Tensor(n_neurons, 10))
// Sequence of accuracy estimates.
accuracy = {"all" : [], "proportion" : []}
// Train the network.
print("Begin training.\n")
start = default_timer()
for i in range(n_train):
if i % progress_interval == 0:
print("Progress: %d / %d (%.4f seconds)" % (i, n_train, default_timer() - start))
start = default_timer()
if i % update_interval == 0 and i > 0:
// Get network predictions.
all_activity_pred = all_activity(spike_record, assignments, 10)
proportion_pred = proportion_weighting(spike_record, assignments, proportions, 10)
// Compute network accuracy according to available classification strategies.
accuracy["all"].append(100 * torch.sum(labels[i - update_interval:i].long() \
== all_activity_pred) / update_interval)
accuracy["proportion"].append(100 * torch.sum(labels[i - update_interval:i].long() \
== proportion_pred) / update_interval)
print("\nAll activity accuracy: %.2f (last), %.2f (average), %.2f (best)" \
% (accuracy["all"][-1], np.mean(accuracy["all"]), np.max(accuracy["all"])))
print("Proportion weighting accuracy: %.2f (last), %.2f (average), %.2f (best)\n" \
% (accuracy["proportion"][-1], np.mean(accuracy["proportion"]),
np.max(accuracy["proportion"])))
// Assign labels to excitatory layer neurons.
assignments, proportions, rates = assign_labels(spike_record, labels[i - update_interval:i], 10, rates)
// Get next input sample.
sample = next(data_loader)
inpts = {"X" : sample}
// Run the network on the input.
spikes = network.run(inpts=inpts, time=time)
network._reset() // Reset state variables.
network.connections[("X", "Ae")].normalize() // Normalize input -> excitatory weights
// print(network.layers["Ae"].theta)
// Record spikes.
spike_record[i % update_interval] = spikes["Ae"]
spike_record_full[i] = spikes["Ae"]
// Optionally plot the excitatory, inhibitory spiking.
if plot:
inpt = inpts["X"].t()
exc_spikes = spikes["Ae"]; inh_spikes = spikes["Ai"]
input_exc_weights = network.connections[("X", "Ae")].w
square_weights = get_square_weights(input_exc_weights, n_sqrt)
if i == 0:
inpt_ims = plot_input(images[i].view(28, 28), inpt)
spike_ims, spike_axes = plot_spikes({"Ae" : exc_spikes, "Ai" : inh_spikes})
weights_im = plot_weights(square_weights)
assigns_im = plot_assignments(assignments)
perf_ax = plot_performance(accuracy)
else:
inpt_ims = plot_input(images[i].view(28, 28), inpt, ims=inpt_ims)
spike_ims, spike_axes = plot_spikes({"Ae" : exc_spikes, "Ai" : inh_spikes}, ims=spike_ims, axes=spike_axes)
weights_im = plot_weights(square_weights, im=weights_im)
assigns_im = plot_assignments(assignments, im=assigns_im)
perf_ax = plot_performance(accuracy, ax=perf_ax)
plt.pause(1e-8)
print("Progress: %d / %d (%.4f seconds)\n" % (n_train, n_train, default_timer() - start))
print("Training complete.\n")
assignments, proportions, _ = assign_labels(spike_record_full, labels[:n_train], 10)
predictions_pw = proportion_weighting(spike_record_full, assignments, proportions, 10)
predictions_all = all_activity(spike_record_full, assignments, 10)
print("Accuracy Proportion Weighting = ", np.mean(np.array(predictions_pw)==np.array(labels[:n_train],dtype=np.int32)))
print("Accuracy All Activity = ", np.mean(np.array(predictions_all)==np.array(labels[:n_train],dtype=np.int32)))


{% endif %}
{# This is the sidebar that users will see, and will be global throughout error messages, logged in or not, etc. #}
{# End of sidebar code #}
{# This is the top bar navigation code, with the search bar, the login/logout buttons. #}
{# End of top bar code #}
{% if self.page_heading() %}
{#
{{ page_title }}
#} {% block page_heading %}{% endblock %}
{% endif %}
{# The actual page contents which will be filled up by child templates #}


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#include <ParticleUniversePhysicsExtern.h>
Public Member Functions | |
| PhysicsExtern (void) | |
| virtual | ~PhysicsExtern (void) |
| virtual void | _initParticleForEmission (Particle *particle)=0 |
| virtual void | _initParticleForExpiration (Particle *particle)=0 |
| ParticleUniverse::PhysicsExtern::PhysicsExtern | ( | void | ) | [inline] |
| virtual ParticleUniverse::PhysicsExtern::~PhysicsExtern | ( | void | ) | [inline, virtual] |
| virtual void ParticleUniverse::PhysicsExtern::_initParticleForEmission | ( | Particle * | particle | ) | [pure virtual] |
As soon as a particle is emitted it can be processed by the PhysicsExtern. One of the actions is to assign a PhysicsActor and shape to the particle.
Reimplemented from ParticleUniverse::Extern.
| virtual void ParticleUniverse::PhysicsExtern::_initParticleForExpiration | ( | Particle * | particle | ) | [pure virtual] |
As soon as a particle is expired it can be processed by the PhysicsExtern. One of the actions is to remove a PhysicsActor from the particle.
Reimplemented from ParticleUniverse::Extern.


Our website runs on the Google App Engine (GAE) platform. It is written in Python and uses a quick and dirty content management system with Django templates. Communication between this toolpack and the GAE host is done with a RESTful api using HTTP + JSON.
Use this list of links to see the raw api:The inventory tab will be the most used area of this toolpack. It provides a list of our complete content inventory for the whole website. More importantly, each content item on every page can be changed, edited, and updated using the content inventory tab. For the time being, the only way to identify where a content inventory item appears on the live website is to look at the description of it, so we need to make sure our descriptions are accurate when we post new inventory items.
The configuration tab provides a list of all the currently live pages and provides a form to edit the JSON configurations of each page. You should not edit any of the configurations unless you really know what you are doing.
The templates tab simply provides a list of all the currently live templates for reference.
Please help with ideas to make our QD-CMS more useful ;-)


{{.Title }}
{{if .Description }}{{.Description}}
{{end}}
{{.Content}}
Gophers, United
Bringing the Go community to the table with the Go team.
Open Source
Contributing to upstream Go and open source Go projects.
Impact
Shaping the future of the Go programming language, ecosystem and community.
Community
Maintaining and growing the amazing Go community that we have come to love.
Inclusion
Ensuring everyone is on equal footing, regardless of background or experience.
Mentorship
Creating safe spaces for community memebers to meet, interact and support eachother.


---
title: PaperTinker Home
layout: page
excerpt: A simple and clean responsive Jekyll theme for words and photos.
search_omit: true
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flexibleFont: true
---
Games
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Available on iOS & Android
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(Collaboration with Michael Wang)
Release date TBD 2019
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This class is a derivative of the standard InputSource class
protected Constructors and Destructor
Destructor
Getter methods
Setter methods
Virtual input source interface
This class is a derivative of the standard InputSource class. It provides for the parser access to data stored in a memory buffer. The type of buffer and its host specific attributes are of little concern here. The only real requirement is that the memory be readable by the current process. Note that the memory buffer size is expressed in bytes, not in characters. If you pass it text data, you must account for the bytes per character when indicating the buffer size. As with all InputSource derivatives. The primary objective of an input source is to create an input stream via which the parser can spool in data from the referenced source. In this case, there are two options available. The passed buffer can be adopted or merely referenced. If it is adopted, then it must be dynamically allocated and will be destroyed when the input source is destroyed (no reference counting!.) If not adopted, the caller must insure that it remains valid until the input source object is destroyed. The other option indicates whether each stream created for this input source should get its own copy of the data, or whether it should just stream the data directly from this object's copy of the data. The same rules apply here, in that the buffer must either be copied by the stream or it must remain valid until the stream is destroyed.
alphabetic index hierarchy of classes
|
Xerces-C XML Parser for C++ Version 1.1 |
|
|
generated by doc++


If you're starting a new project we start with an empty HTML
document. We recommend the use of HTML5 and CSS3 for new projects.
Additionally, using the .jd
class on the
element applies our styles to the entire document. This resets default stying
and applies John Deere Standards to all default HTML elements and may
cause problems if applied to existing pages without some refactoring.
<!DOCTYPE html>    <link rel="stylesheet" href="css/uxframe-version.min.css"> <link rel="shortcut icon" href="img/favicon.ico" type="image/x-icon" />  ...
While it is not recommended, it is possible to use individual components
of the John Deere Standards without "taking the dive" and using the
entire setup. The components documented below can be wrapped in a
div
with the .jd
class applied.

 ... components ...

One of the most important pieces of making a fully functional
website is page layout. Standard HTML provides powerful tools
for laying out and reflowing text. As part of the standads,
we provide a set of tools for using percentage width div
elements to layout a page. We strongly recommend this approach
over other alternatives such as using table elements. Relying
on div structure is in keeping with a modern approach to website design,
and standard across many web frameworks. While other approaches
could feasibly be used, the standards have not been designed with these
in mind, and it is likely there will be unforseen complications.
Layout is done with nested divs forming row and column structures.
Each column must be inside a containing row. Content always lives within a column.
Multiple levels of rows and columns can be nested to create
more complex structures. Columns are given a width using fractional
notation. For example .col-1-3
creates a column
with 33% width. .col-1
is used for 100% width.
Fractions ranging up to sixths are available, always in the most
simplified form. (i.e. 2-3
not 4-6
.)
The example below uses colored divs
to illustrate this. (Note that inline height or padding is not
necessary and is used only for demonstration, content and panels will correctly set these styles.)
Shrewd observers will notice additional classes being used to control
margins and padding in certain elements. In the panel section, the class
.clear-panel
was mentioned for controlling the bottom
margin of the panel element. Another example is the .last
class on the final paragraph element.
However, most elements including lists and navigational tools
have margins or padding on the bottom and/or right side of the element.
In order to maintain compliance with IE7, we have avoided the use of the
last-child
psuedo-selector in our CSS. This means some
spacing elements should be manually cleared. Below is a list of classes
that can be used to modify these elements.
.clear-right
.clear-right-margin
.clear-bottom
.clear-bottom-margin
.clear-panel
clear-bottom-margin
.An additional tool for placing content is inline layout. The provided inline classes are frequently used to place input elements or buttons in a single row. Currently, width of some of these elements is controlled by inline width styles, but this may be changed in the future. A few basic examples can be seen below.
A common design pattern is the use of a right-aligned button group at the top of a page, which usually contains two to three buttons. This can be done by using the invispanel and inline layout items.
For most application-style pages panels are used to hold page
content. They provide clear distinction between different pieces
of content and aid in creating a straight-forward layout. Panels
are usually placed inside a layout
div and contain content.
Panels are used on this page to hold different sections of documentation.
They are placed within a column element.
The margin at the bottom of the panel can be cleared by using the
.clear-panel
class.
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Curabitur cursus justo quis blandit molestie. Donec euismod felis vitae neque euismod vulputate. Vivamus at nulla non libero accumsan pellentesque. Nullam et accumsan arcu, sit amet consectetur sapien.
Sed metus nisi, posuere lacinia scelerisque quis, condimentum posuere magna. Quisque porttitor quam sit amet bibendum egestas. Proin imperdiet, est a viverra euismod, justo erat egestas erat, ut volutpat nisl mauris nec ligula.
Many applications use large tiles to direct users to important actions or to display pertinent status information. These tiles can be placed in using the standard layout system and can span any number of columns. When these panels are used as links, the link element should surround the panel, so the clickable area includes the entire background of the panel.
A variety of navigation elements are provided by default. These cover most of the common types of page navigation used in modern web pages. In addition to page navigation, the top nav element can also hold a page search bar, notification icon, or shopping cart status.
The top navigation element goes below the header element. Many sites will include several main pages, and the top navigation can be a good way to provide your users with a persistent way of navigating between them. Top navigation menus can include nested elements that provide subpages on hover.
Simlar to the left hand navigation panel, nested

elements must be placed inside a parent

element.
Finally, it is possible to forgo a search bar entirely and use the top right of the nav bar to include important information, frequently price or cart quantity. To facilitate this, we provide classes specifically for price and cart, although a similar approach can be used for other information. Note that the below example shows both options for cart quantity.
A left navigation element can be used to provide nested navigation
for a structured site with 1-2 levels. Our nav is based on a
nested list structure.
This structure can be seen in the example below.
The selection structure is controlled by the classes .selected
and .selected-parent
. These class labels are applied
to add a green selected bar and expand child elements respectively.
Note that in the example below the .interactive
class is
applied to the element. This allows the user to traverse between
top level items without navigating to a new page. With this class removed
active states should be managed on a 'per-page' basis. See examples
for non-interactive navs.
When laying out a page, the left navigation element can be placed
inside a .col-1-6
div and the rest of the page
content is inside a .col-5-6
div. This structure
is used on this page and many of the demo pages.
When a page requires more than a single nested child for navigation. When this is the case, the standard left navigation element may not be sufficient. The deep navigation provides the ability to nest large numbers of items in a simple to use element.
It is important to note that this element should be used sparingly. as it can quickly become overly complex. In many cases, it may be possible to simplify page layout rather than use deep navigation.
The structure of the div elements is shown below. Note the
importance of marking end points with .dn-terminal
.
Note also the placement of .dn-selected
and
.dn-active
. These are typically updated using the
included JavaScript.
The breadcrumb can be a great way to indicate progress through a process. The only difference between the two variants is the dropping of the final element to the bottom line. Frequently this allows users to move backwards to revise past actions.
It's frequently important to indicate to the user what position they are at in a large list of results. Our pagination snippet should be used in any of these circumstances. Note that unlike most elements, the pagination element does not include a bottom margin because of how freqently it is positioned at the bottom of the page.
Tabs can be used to manage multiple panes of information on a single page. We provide both large and small tab variants. Tab groups can be created which automatically bind to show and hide groups of content. This is done by setting tab links to the id of related content.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Praesent scelerisque felis elit, eu faucibus lorem tincidunt quis. Pellentesque rutrum rhoncus laoreet. Vivamus pharetra elit felis, nec vulputate odio ullamcorper convallis. Nunc vestibulum tincidunt scelerisque. Mauris sit amet mi quis enim iaculis condimentum ut nec metus. Donec laoreet ligula et aliquam porttitor. Donec nec laoreet diam, nec posuere ante. Aenean enim justo, vestibulum at varius vel, congue sed nunc. Morbi ut semper nunc. Proin nec orci facilisis, volutpat quam nec, fringilla magna. Aliquam nulla tellus, lacinia ut fermentum at, maximus nec nunc. Maecenas porta sem tellus. Vivamus eget nisl sapien. Nulla cursus a arcu iaculis porta. Curabitur eleifend convallis aliquam. Donec at sagittis augue, in ullamcorper orci.
In blandit a tortor ac imperdiet. Aliquam massa sem, commodo sit amet vulputate vel, pharetra ut ex. Fusce eget velit vitae orci imperdiet tempor. Nunc lacinia tortor quis dolor porta, sit amet euismod ligula efficitur. Etiam id sodales lectus. Pellentesque id sapien interdum, faucibus quam vitae, posuere justo. Sed vulputate nunc ut purus porttitor, tempus ornare libero venenatis. Praesent in tincidunt ante. Donec laoreet, quam sed sodales volutpat, elit ante condimentum quam, eu laoreet ligula libero et dui. Aliquam feugiat rhoncus dolor, non vulputate nulla pulvinar nec. Nullam sagittis tristique eros non venenatis. Integer efficitur nibh in bibendum posuere. Ut vitae finibus tortor, sed convallis enim.
Donec accumsan nisi at mauris elementum, in tempor purus cursus. Sed blandit euismod velit, a luctus erat bibendum et. Nunc nulla ligula, varius vel ante sed, dictum blandit nisi. Morbi vel dolor sem. Etiam mattis vulputate arcu ut fermentum. Sed aliquet sem felis, ut luctus mi fermentum eu. Suspendisse sit amet consequat arcu. Sed consectetur nisl sit amet dui facilisis viverra. Nulla placerat eu quam quis fermentum. Integer porttitor nisi nec dui lacinia, sed maximus mauris ornare. Praesent vitae leo faucibus, efficitur massa sed, feugiat sapien. Duis suscipit diam sed libero commodo varius. Suspendisse at ex neque. In ut elementum sapien. Sed ac ipsum eu nulla condimentum consequat sit amet id odio.
Sed sed fermentum mauris. Praesent mattis varius sapien sit amet pellentesque. Donec pulvinar commodo scelerisque. Suspendisse cursus enim odio, non lobortis lorem luctus sed. Cras et sodales nunc. Nullam purus metus, scelerisque nec hendrerit in, aliquam sed sem. Mauris sed vehicula est. Nullam efficitur ex tortor, in ullamcorper nibh ornare non. Aliquam volutpat purus ac ante dapibus vestibulum. Phasellus viverra bibendum nibh id mattis. Sed eu neque volutpat, pretium purus vitae, posuere nibh. Curabitur tempor magna est, sed ullamcorper turpis semper et. Proin eget nibh nisi.
Suspendisse potenti. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus. Fusce tortor risus, auctor vel ligula ac, ullamcorper euismod augue. In rhoncus nulla ac est placerat dapibus. Sed ut quam nisl. Sed pharetra urna nec enim sollicitudin tincidunt. Quisque ac pharetra mi. Ut sed turpis iaculis, rhoncus justo sit amet, sollicitudin risus. Sed pretium tortor ut lacinia congue. Phasellus augue risus, congue at odio sed, vehicula rhoncus dolor.
Standards provides stylings for all standard HTML header elements

to

. Additionally,
for inline code styled in the same fashion as a header classes
.h1
to .h6
are also provided. Styling
is also given on the

tag, which should be
used for all body content. The final

in a
sequence should include the .last
class.
In addition to standard tags such as

,

, and
<s>
we provide the
.secondary-info
class
used for formatting secondary info.
Links contained in
tags are colored
John Deere green.
Sed metus nisi, posuere lacinia scelerisque quis, condimentum posuere magna. Quisque porttitor quam sit amet bibendum egestas.
Proin imperdiet, est a viverra euismod, justo erat egestas erat, ut volutpat nisl mauris nec ligula. Link example.
Lists can be presented in several ways depending on the use case.
These styles are controlled by classes on the

element. Note that lists by default have bottom margins so they
can be used inline with paragraphs. If a list is the final element
in a panel div it should have a .clear-bottom
class
added to clear this margin.
Lists can also have bullets, or numbers. (Note that the standard
list is left aligned with the edge of a paragraph, but the
.indented
class provides a slight indent when
stylistically necessary.) Additionally, we provide
several types of description list including .standard
,
.horizontal
and .horizontal.wide
.
A list with text beneath it.
Two main types of buttons are available, call to action and secondary. Call to action buttons are used for the primary task of a page, or the preferred 'next step' for a user. Secondary buttons are used for additional tasks or actions that a user may take. Buttons may also be 'disabled' to show a user actions that may be dependent on other tasks, such as completing a form. The buttons additionally come in a smaller style which can be used for tables or inline on forms.
Both button types can also be used as a dropdown, which can be useful for including several actions without cluttering a page with too many buttons. Many times these can be used to provide an additional 'actions' menu for miscellaneous tasks.
There is a final button style for invisible buttons .invis
which renders similarly to a link. This can be used to create a dropdown
menu inline or without creating a button around it. Other than this specific
use, the invis button should usually not be used.
Tables should not be used for full page layout, but rather should hold table formatted data similar to a spreadsheet. We provide a common style for tables along with common elements like checkboxes that are frequently used to gather user input.
For more advanced functionality, we support the use of the DataTables plugin. This library depends upon JQuery, which is also included in our set of supported libraries. We provide CSS for the basic usage of this plugin to match standards.
| Product Name & Description | Serial Number | Location | Price (USD) | |
|---|---|---|---|---|
|
Used 2009 John Deere 997-72" Mower Zero turn mower with diesel engine. |
9M9247986324MVE17 |
East Moline, IL USA |
12,000.00 | |
|
Used 2009 John Deere 997-72" Mower Zero turn mower with diesel engine. |
9M9247986324MVE17 |
East Moline, IL USA |
33,000.00 | |
|
Used 2009 John Deere 997-72" Mower Zero turn mower with diesel engine. |
9M9247986324MVE17 |
East Moline, IL USA |
22,000.00 | |
|
Used 2009 John Deere 997-72" Mower Zero turn mower with diesel engine. |
9M9247986324MVE17 |
East Moline, IL USA |
16,000.00 | |
|
Used 2009 John Deere 997-72" Mower Zero turn mower with diesel engine. |
9M9247986324MVE17 |
East Moline, IL USA |
87,000.00 |
Most webpages will have a static header at the top of the page, many times including a title and maybe a user dropdown. The header will include standardized John Deere branding. The header can be customized to fit different information, and different configurations can be found in the demo files. As a general rule, every page should include a header.
Additionally, it is possible to use the header without incuding
a user dropdown. This may be used on a generic page, which does
not require log in information, or where there are no user-specific actions
to take. To do this we simply remove the div structure which creates
the dropdown and add a .no-user
class to the h1
element.
The header can also show a username with no dropdown or options menu. This may be used a simple saluation where only a sign out button is necessary
Most pages include a footer at the bottom which contains general links as well as legal information regarding copyright. We offer two variants of footer. One with content split left and right, and a slightly thicker one with content centered. The use of these elements is slightly more complex, and requires an additional div that contains the rest of the page content. This allows us to push the footer to the bottom of the page. The structure can be seen in the example below. Additionally, almost all examples include a use of a header.
Note the comments indicating content position.
We provide an assortment of user input elements themed correctly.
Several example files show the use of these elements in a variety
of scenarios, and should be consulted. Many times using these elements
will involve manually adjusting alignment. In order to maintain
good visual consistency, it is important to pay close attention to
text alignment and spacing. Additionally, an .error
class is provided for non-valid input states. Note that disabled
markers must be applied to both the .input-box
as well
as the input
element.
Tooltips are also provided. To see these in action, focus the 'Phone'
or 'Email Address' text boxes. To add to new elements, check out
our JavaScript in tooltip.js
. The new DatePicker component
is shown below as well.
Ex. (XXX) XXX-XXXX
Alerts can be used to provide important pieces of specific information. In code, alerts are simply different list types with specific styling. There are four different variations, each of which use the same underlying structure.
In some cases, a floating alert may be used rather than a permanent static alert. These are frequently used to indicate save or loading status. These alerts overlay content and are fixed in position on the page. Note that alerts do not automatically manage screen position or layering. This means that it is possible to 'stack' alerts on each other intadvertently. Developers should ensure that an existing float alert is properly removed before adding another.
Accordions can be used to hide content in a collapsed state, which can be triggered by a user. Our accordions can hold most content and are triggered by clicking anywhere on the accordion header.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Morbi mollis, diam in suscipit accumsan, justo eros congue nibh, sed volutpat justo lectus eu lorem. Curabitur ut ante ut orci hendrerit mattis quis vitae eros. Ut quis quam eget eros ultricies mollis. Sed est diam, lobortis et tellus vestibulum, laoreet euismod mi. Nunc sit amet pharetra mi. Nulla ac enim bibendum, varius lectus nec, tempus urna. Etiam nulla dui, cursus ac blandit in, varius et orci. Ut egestas nisl massa, vel luctus ante dapibus ac. In mattis eget elit eu porttitor. Quisque non malesuada quam. In eleifend enim ut bibendum auctor. Mauris eu urna luctus, accumsan sem in, imperdiet elit. Curabitur pharetra fermentum libero, at finibus odio pharetra vitae. Nunc sit amet libero sodales, sollicitudin lacus quis, convallis ipsum. Nunc gravida vestibulum elit. Vivamus dolor erat, ultrices in tincidunt sit amet, congue ac ligula.
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Morbi mollis, diam in suscipit accumsan, justo eros congue nibh, sed volutpat justo lectus eu lorem. Curabitur ut ante ut orci hendrerit mattis quis vitae eros. Ut quis quam eget eros ultricies mollis. Sed est diam, lobortis et tellus vestibulum, laoreet euismod mi. Nunc sit amet pharetra mi. Nulla ac enim bibendum, varius lectus nec, tempus urna. Etiam nulla dui, cursus ac blandit in, varius et orci. Ut egestas nisl massa, vel luctus ante dapibus ac. In mattis eget elit eu porttitor. Quisque non malesuada quam. In eleifend enim ut bibendum auctor. Mauris eu urna luctus, accumsan sem in, imperdiet elit. Curabitur pharetra fermentum libero, at finibus odio pharetra vitae. Nunc sit amet libero sodales, sollicitudin lacus quis, convallis ipsum. Nunc gravida vestibulum elit. Vivamus dolor erat, ultrices in tincidunt sit amet, congue ac ligula.
Modals are used to show additional page content
As an IT Business Application Specialist for John Deere's Ag&Turf Division in Olathe, KS, you will be one of two JDU administrators for the enterprise. Your duties will be:
We need an excellent communicator, who thrives on solving problems and working in a team environment. Ideally, you will have a Bachelor's degree in Business Administration or equivalent experience. In addition, we require:
The standard color scheme included uses John Deere green and yellow
as accent and highlight colors, which matches most branding needs.
However, some applications may require the alternate black and yellow
scheme used by Contstruction. To switch to the alternate branding the class
.black-yellow
can be added to any HTML element. Typically,
the entire page should be switched, by adding the class to the

element as in:
<!DOCTYPE html>  ...
The impact of this switch effects most of the elements covered in the documentation. Most changes are simply the elimination of John Deere Green, but in some cases the changes are more dramatic, use the toggle dropdown in the header below to change this (and all), documentation pages. Don't forget to come back here to switch back to green and yellow.
The standard style used is also referred to as 'App Style'. This general style has a gray background, dark footer, white navbar, and white panels. This is the style typically used in a webpage that serves as an application.
An alternative set of stylings may be used when the webpage is used
in some cases. This set is referred to as 'Site Style' and are implemented
in a similar fashion to the C&F stylings. The .site-style
class can be added to any element, but typically the
element.
<!DOCTYPE html>  ...
Site styling changes the background color, footer color, panel shadow, and top navigation color.
We provide a small amount of JavaScript which handles some layout pieces and minimal interactions. In the advanced distribution individual source files are separated by component. Additional custom components can be added following provided template. Note that unlike the library section, this JavaScript has no external dependencies.
Our primary base object is $UXF
or UXFrameHelper
both of which refer to the same object. All accessible functions
are accessed through this object.
By default, we run configuration and bind events to all of our elements present on the page. To disable this behavior we specify after the inclusion of the UXFrame script. Such as:

Binding objects can be done manually through a series of functions. Registration can be done for either all components, or individual components
$UXF.registerAll(); $UXF.Register.Accordion(); var a = document.getElementById('#new'); $UXF.Register.Accordion(a);
For specific registration functions (e.g.: $UXF.Register.*
)
an optional argument registers only the passed element, or its children.
Note that this will not rebind elements that have already been associated
with a component.
Currently accordions support deregistering functionality. This is
done in same same way that registering works. For example, given
an element a
we can run the function
$UXF.Deregister.Accordion(a);
to remove the previously
set event watchers. Future releases will support additional deregister functions.
Some components allow for direct JavaScript manipulation rather than
relying on events. For example, modals must be triggered directly.
(Forgoing detailed documentation, examining source should provide a
good idea of which functions are available.) To construct a modal object,
we can provide the function either a DOM object, or an element ID.
The .toggle()
function changes state.
var m1 = $UXF.Modal('my-modal'); var m2 = $UXF.Modal(dom_element); m2.toggle();
Additionally, we provide a series of helper functions to ensure compatibility with IE8+. These are widely used throughout our components.
The final elements in the documentation are slightly more context specific and will not be applicable for all projects.
The first of these is a full featured login page, with error messages. Most login screen arragements are available. Look through the examples for several different configurations and starting points. Additionally, the login screens are fully responsive and are designed to correctly display on mobile devices.
All of the features below are developer features only. They should
be used only to help with development, or test bleeding edge
features. These panels can be shown/hid by adding/removing the
.jd-dev
class label on the html
element.
These features have no guarantees in terms of versioning and
may break or change significantly between releases. Additionally,
designs found in these sections are not complete, and do not
represent final standards.
.jd-dev-altmin
modifies the content wrapper to allow
for min width 800px. This can be helpful to half screen two pages on
a monitor with width 1080px..
.jd-dev-debug-color
modifies the colors of major
layout elements in order to better debug layout issues.
Examples using some developer features (if you've downloaded the advanced version):
For new developers of UXFrame please reference the full developer documentation.
The datepick
element is currently in development
and uses a new style of JS to bind events.
Flat buttons are used for mobile solutions. This button style is currently in development.
Note: JavaScript broken for below elements. Fixed in future update.


EastEnders’ Adrian Edmondson teases return after Daniel Cook faked own death
EastEnders viewers were heartbroken when Daniel Cook (Adrian Edmondson) faked his own death, leaving Jean Slater (Gillian Wright) devastated.
However the actor teased that we may be seeing more of Daniel in Walford very soon.
During an appearance on Good Morning Britain, he told Ranvir Singh and Ben Shephard: ‘Because he’s actually technically alive. Who knows whether he will come back or not?’
The comedian then took a second to wink at the camera – which basically says it all, doesn’t it…
‘He’s definitely not dead, that’s all I’m allowed to say,’ Ade continued.
Advertisement Advertisement
‘It was offered as a story, this is the story of this is bloke. If you cut my bits together, it makes a rather nice story of its own.’
Petition for a Jean and Daniel spin-off, anyone?
The pair didn’t have the easiest relationship, with Jean unimpressed by Daniel’s disruptive antics during her chemotherapy sessions, amid her ongoing cancer battle.
However, they quickly overcame their differences to become close friends, and even shared a kiss at one point.
Their blossoming relationship was sadly cut short just days later, when the Slater matriarch was told that her new friend had died.
But this is Albert Square so there was a twist in store for viewers, as it emerged that Daniel was well and truly alive, and lied so that Jean didn’t fall in love with him, and wouldn’t be forced to see him through the final stages of his illness.
Instead, he settled for watching her mourn at his memorial service, before disappearing from Walford.
For now…
Got a showbiz story?
If you've got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us<EMAIL_ADDRESS>calling 020 3615 2145 or by visiting our Submit Stuff page - we'd love to hear from you.


--- layout: default title: Quick Tournament #45 - DDraceNetwork head: menu: |
This tournament was played on Sunday, 2017-04-09 at 20:00 CEST.
by RayB.
Difficulty: ★★★✰✰, Points: 20 4 tees finished (average time: 11:55)


TONY WOLFE / SENIOR WRITER
Kris Perez is, by his own admission, not a musician.
“I can’t play an instrument to save my life,” he said, laughing. “I have a guitar, and I had a drumset when I was younger, but I just never have time for it. My siblings are much better at playing instruments than me.”
With or without musical gifts, music has nonetheless always been a major part of the Ohio University sophomore’s life. Perez, who studies journalism, attended live music shows in Columbus, just outside his hometown Pickerington, throughout high school, and during his junior year, matched that lifelong passion with another interest that was just budding at the time – journalism.
The result is The Indie Sound, a website developed and run by Perez that publishes reviews and artist features focusing on lesser-known, up-and-coming artists.
“Anybody can write about the new Adele song or the new Beyonce release, whoever’s out there who’s a big artist,” Perez, who is a former Post reporter, said. “But with this site, I want to shed some light on some of these lesser-known artists who I think have potential to skyrocket.”
The intention was not always to gain a significant readership with the site, though. In the beginning, The Indie Sound was The Indie Review, a blog Perez worked with on the side as a hobby. Then, a post on the blog about a cover of Beyonce’s “Drunk In Love” racked up 1,500 reads in its first night of being published, and Perez began to see potential for something bigger.
Months later, he bought a domain name, and had close friends contribute to help the publication gain extra voices. Before long, however, Perez began receiving emails from other writers who shared his passion for putting the spotlight on artists people don’t usually hear about every day. At first, they mostly came from other local music fans in Columbus, but then Perez started hearing from people as far away as New York and Chicago.
“I found The Indie Sound through my friend Emma, who also goes to OU and occasionally writes for the site,” Cory Schoonover, a contributor for The Indie Sound and a sophomore at Columbia University, said. “The editors are all great and encourage whatever content you're able to whip up. They're also crazy understanding of the time constraints and fiscal constraints that come with being in college, seeing as they're all in the same boat.”
The website carries a staff of 17 writers and has attained about 76,000 unique visits since its launch in 2015. Perez said one of the aspects he’s most proud of in the early stages of the site has been the festivals he and his writers have already been approved to cover, such as last year’s PromoWest Fest in Columbus.
“I consider Kris a great friend of mine with an amazing work ethic and one of the most outgoing personalities I’ve ever met,” Diana Buchert, a staff writer and editor for The Indie Sound, said. “After joining (The Indie Sound), I began with album and concert reviews and have since covered Fashion Meets Music Festival twice with Kris and the gang, and started a TBT blog thing that lasted like 4 weeks.”
As a student at OU, Perez no longer has the time for concerts that he did when he was in high school, or while he worked for the Columbus alternative radio station CD102.5 last summer. Still, Perez has big plans for the site and the direction he’d like for it to take. By the end of the year, he has a goal of 100,000 visitors to the site. Beyond that, he’d like to see it continue growing as a notable and reliable destination to find music news.
“The goal I have is to turn it into something known, to have people know about The Indie Sound,” Perez said. “Maybe, one day, turn it into a well-known publication here in Ohio or a well-known online music publication that focuses on those smaller artists people don’t really know about.”
Photos by: Emma Howells / Photo Editor
Developed by: Seth Archer / Digital Managing Editor


{% extends "registration/base.html" %} {% block title %}Sign up{% endblock %} {% block content %} {% endblock %} {% block content-related %}
Fill out the form to the left (all fields are required), and your account will be created; you'll be sent an email with instructions on how to finish your registration.
We'll only use your email to send you signup instructions.
This account will let you log into the ticket tracker, claim tickets, and be exempt from spam filtering.
{% endblock %}


|
| What's New In This Version |
The Beatnik Player was updated at version 1.3 to allow the "genre" and "subgenre" info field names to be specified for the showSongInfo parameter when calling the getInfo instance method. The Beatnik Player was updated again at version 2.1 to also allow the "tempo description " and "original source " info field names to be specified. With this maintenance release of the Song Info extension, these newer info field names can now be specified in the SongInfoFieldsSTR parameter when calling the showSongInfo instance method.


Drag and drop a DICOM file or type the URL of a DICOM file.
URL
Submit
File
Clear all sensitive tags
Download
ID
Name
RAW value
Value
Type
Length
Action


CESTA labs pursue research which utilize data and information visualization that span a variety of methodologies, disciplines, and departments, often collaborating with diverse team members from within the Stanford community, but also externally through national and international collaborations. Please see the individual lab links on the main CESTA page to find more information and details about each lab’s members and projects. The Wallenberg Foundation and its Media Places Initiative helps make CESTA and its labs possible.
CESTA is located on the fourth floor of Wallenberg Hall (Building 160), on the Stanford Campus.
Center for Spatial and Textual Analysis Wallenberg Hall, 450 Serra Mall, Building 160 Stanford University Stanford, CA 94305 Phone:<PHONE_NUMBER> Fax:<PHONE_NUMBER>


So finally, after 3 unsuccessful tries, I had a proper salvia experience. The first time I tried I smoked a bowl of leaves out of a pipe, it was horrible. The second and third times I tried with 10x extract out of a bong but didn’t feel that much. This time I smoked a tiny amount of 15x extract out of a pipe and my world changed.
First a bit about my previous drug use and experiences, as well as my mindset on drugs. I am what some may call an amateur psychonaut, I absolutely adore the sacred shrooms and I partake in them on an infrequent basis. I get high a couple of times a week at the moment, I have had everyday marijuana use before and I don’t crave it anymore. Getting high is fun, tripping is more important to me. Since moving to a big city near several good clubs, I have also started a somewhat silly pattern of weekend mdma use. Actual mdma when I can get it, I find it totally trippy and different to who knows what in pills. Not being a snob, several amazing nights have been had on pills, including one which I am DAMN SURE from reading reports that was MDA. From reading about the 2C family, I am inspired to continue with my voyages of conciousness expanding and I cannot wait until I have a free house and a tab of acid. That will probably change my life more than anything to date, but anyway onto salvia.
I took the hit with my best friend sitting me in my uni room, it was eveningish and I took a hit using a normal clipper lighter, the week previously I had lost my amazing and trusted butane lighter, which pains me. I lay back on the bed and felt like I was falling into the mattress somehow. I became aware of a definitely female presence, like an all knowing grandmother somehow watching over me. My hands were waving in the air, and I somehow became taken with moving them in a certain pattern in the air, like I was feeling a rope suspended horizontally over me. I then realized this rope was in fact a rip in reality and if I forced my hands to move down and up I could control its position in the room.  My effects passed and he took a hit, he went into his own state which I cannot explain here.
Maybe 10 minutes after this I took another hit, as I wanted to sink further into the mattress and see what was really going on. I took a more efficient hit this time, and felt the rushing down feeling and sank way into the mattress. I became part of a cartoon machine, lost all knowing that I had taken a drug, I WAS IN THIS MACHINE. The machine was made up of similar people, it WAS reality. We had to oscillate in a specific time, or the pattern of the machine was thrown off and it was bad.  If we worked in time then a word was spelt, this word ended with an “s”…I was at the bottom of the massive 3d “S” shape of people/things.
This was a very colourful world, and incredibly intricate. This really unlocked my minds eye. The grandmother type presence was here, and possibly controlling the actions of the machine. So many types of text and language were thrown at me that I cannot remember one specific example. Throughout this my arm movements were part of the hallucination, such as my arm moving controlled the rate of the machine.  I am pretty sure this caused the next step.
Then reality and all of time stopped, as I realized that the machine was nothing more than a series of counting of children's books, that a mother was counting (the grandmother) as her child was tying up his shoelace.  I was brought up really religious, and my subconscious threw out some deep questions, like where god fitted into all of this. When reality had stopped and existence ceased, I became aware of my friend once again looking at me and asking if I was ok. We have shroomed together several times, we know what to do in bad situations, of which there had only been one mild one involving him not me, and he was asking standard questions.
After this, I got up (after 10 minutes in the machine) and stumbled about the room for a bit. I became disgusted by the sweat on my body and on the bedsheets (there was hardly any, I am not a sweaty person). I felt absolutely fucked, like my body was slow. This is not a nice feeling. I felt unclean and after a while went for a shower. I was pretty badly coordinated throughout and felt mentally and physically heavy and disconnected.
We reflected on this for a while, went for Chinese and went and got high. It was a truly deep and powerful experience I am not going to repeat in a hurry. I way prefer shrooms because they let me see amazing things in what is already there, they don’t absolutely slingshot me into a different universe with different basic rules. I am sure acid will appeal to me way more, as I Love the concept of it unleashing my mind to infinity. I am glad I had this experience and I do not feel the need to repeat it.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Launching NTD Apps. w/ Command Line Args.
Here. Easily one of the questions I get asked the most once folks start using no-touch deployment (NTD) applications, that is Windows Forms applications that can launched with an URL, is how they can pass command line arguments to them. This article lays out the client-side and server-side code needed to make this happen. Enjoy.


Nadia Buari releases stunning photos to celebrate her birthday
by Qwame BenedictBeautiful Ghanaian actress Nadia Buari has shared stunning photos and pen down a goodwill message to herself as she celebrates her 37th birthday.
She took to her IG page to share some birthday photos with her fans and wrote:
“Life’s mill with its thrills and grills has its way of taking us through twists and turns.
Yet this journey won’t be fulfilling without the unconditional love that friends and family and of course buttercakes, exude.
Today represents a special milestone in my life’s journey.
Though this past year hasn’t been my most favorite of years, it is also the year that has inspired the most appreciation in me.
Appreciation for life from God and love from family.

“In thanking God for adding another year to this amazing life journey , I wish to dedicate this special day towards thanking you for endearing and enduring my journey and showering unto me the love that continues to light my path.
I humbly embrace and appreciate the light that your love has lit in my heart, that causes me to shine and smile even in the face of life’s adversities.
It makes me know that life won’t be possible without love from you, the best family in the world…whom it will forever hurt to miss.
THANk YOU.
Happy birthday Nadia Buari!”
See the photos below:


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Check out Santa's Grand Arrival and Fireworks Spectacular at UTC Mall
by Teyonna EdwardsSARASOTA, Fla.—Help the big man in red kick-off the holiday season with Santa's Grand Arrival and Fireworks Spectacular. The free event will take place at The Mall at University Town Center (UTC) on November 15 from 6 to 7:30 p.m.
The celebration begins outside the mall’s West Grand Entrance. Enjoy shows and games from Circus Arts Conservatory and the Tampa Bay Lightning or partake in The Holidays on the Green’s ice skating and snow tubing.
Don’t forget to grab yourself some sweet treats and a light-wand before the dance party begins at 6:30! There will be some holiday characters out for you to meet and greet as well.
Santa will make his grand arrival at 7 p.m. to light up The Mall at UTC as well as more than 4 million Christmas lights throughout the UTC shopping districts. The night will end with a spectacular firework show!
The Mall at UTC is located at 140 University Town Center Drive in Sarasota. To learn more about this holiday event, click here.


About
Version:
Authors:
- AnonymerNiklasistanonym
- undefinedCoding
License: MIT
Dependencies:
- dialogs
- electron-shutdown-command
- node-notifier
Inspirations/Sources:
- The Windows 10 like titlebar is based on this module
-
The inspiration at the begin
-
The clock design
- The Windows 10 like checkboxes are based on this


{% block body%}
Disease Predictor
HOME
ABOUT US
Symptom checker
Find My Doctor
Symptom Checker
Symptom1
{% for symp in symptoms %}
{{symp}}
{% endfor %}
Symptom2
{% for symp in symptoms %}
{{symp}}
{% endfor %}
Symptom3
{% for symp in symptoms %}
{{symp}}
{% endfor %}
Symptom4
{% for symp in symptoms %}
{{symp}}
{% endfor %}
Symptom5
{% for symp in symptoms %}
{{symp}}
{% endfor %}
Check
{% endblock %}


Knot DNS 2 Agent backend¶
Knot DNS 2 User documentation¶
This page documents the Agent backend for Knot DNS.
The agent runs on the same host as the resolver. It receives DNS messages from Mini DNS using private DNS OPCODEs and classes and creates or deletes zones on Knot using the knotc tool. It also instructs Knot to request AXFR from MiniDNS when a zone is created or updated.
Support matrix:
- 2.0 and older: not supported
- 2.1.1: supported, tested
- 2.2.0: affected by a bug
Setting up Knot DNS on Ubuntu Trusty¶
Knot DNS 2.1 is not part of Ubuntu Trusty. You can ues the CZ.NIC PPA with:
service pdns stop
add-apt-repository ppa:cz.nic-labs/knot-dns
apt-get update
apt-get install knot
Configuring Knot DNS¶
Assuming Knot has been freshly installed on the system, run as root:
# Monitor syslog during the next steps
tail -f /var/log/syslog
# Start the daemon, ensure it's running
service knot start
netstat -npltu | grep knotd
# Create the config database
knotc conf-init
# Edit /etc/default/knot
# Set the variable:
# KNOTD_ARGS="-C /var/lib/knot/confdb"
# Restart
service knot restart
# Check if the deamon is still running from the conf file in /etc/knot/
ps axuw | grep knotd
# if so, apply this workaround for bug
# https://gitlab.labs.nic.cz/labs/knot/issues/455
( cd /etc/default/ && ln -s knot knotd )
service knot restart
ps axuw | grep knotd
# Ensure the confdb is present
test -f /var/lib/knot/confdb/data.mdb && echo OK
# Create the configuration
# Populate the variable with the MiniDNS ipaddr:
MINIDNS_IPADDR=
knotc conf-begin
knotc conf-set server.listen <IP_ADDRESS>@53
# To listen on IPv6 as well, also run this:
# knotc conf-set server.listen '::@53'
knotc conf-set remote[minidns]
knotc conf-set remote[minidns].address $MINIDNS_IPADDR@5354
knotc conf-set template[default]
knotc conf-set template[default].master minidns
knotc conf-set template[default].acl acl_minidns
knotc conf-set template[default].semantic-checks on
knotc conf-set zone[example.com]
knotc conf-set log.any info
knotc conf-set log.target syslog
knotc conf-set acl[acl_minidns]
knotc conf-set acl[acl_minidns].address $MINIDNS_IPADDR
knotc conf-set acl[acl_minidns].action notify
# Review the changes and commit
knotc conf-diff
knotc conf-commit
# Optionally check and back up the conf
knotc conf-check
knotc conf-export knot.conf.bak && cat knot.conf.bak
# Ensure the zone survives a restart
service knot restart
knotc zone-status example.com
# Test Knot: this should return the version
dig @<IP_ADDRESS> version.server CH TXT
If needed, create a rootwrap filter, as root:
cat > /etc/designate/rootwrap.d/knot2.filters <<EOF
# cmd-name: filter-name, raw-command, user, args
[Filters]
knotc: CommandFilter, /usr/sbin/knotc, root
EOF
# Check the filter:
sudo /usr/local/bin/designate-rootwrap /etc/designate/rootwrap.conf knotc status
Configure the “service.agent” and “backend.agent.knot2” sections in /etc/designate/designate.conf
Look in designate.conf.example for examples
Create an agent pool:
# Fetch the existing pool(s) if needed or start from scratch
designate-manage pool generate_file --file /tmp/pool.yaml
# Edit the file (see below) and reload it as:
designate-manage pool update --file /tmp/pool.yaml
The “targets” section in pool.yaml should look like:
targets:
- description: knot2 agent
masters:
- host: <MiniDNS IP addr>
port: 5354
options: {}
options:
- host: <Agent IP addr>
port: 5358
type: agent
Developer documentation¶
Devstack testbed¶
Follow “Setting up Knot DNS on Ubuntu Trusty”
Configure Knot to slave from MiniDNS on <IP_ADDRESS>
Knotd configuration example (sudo knotc conf-export <filename>):
# Configuration export (Knot DNS 2.1.1)
server:
listen: "<IP_ADDRESS>@53"
log:
- target: "syslog"
any: "debug"
acl:
- id: "acl_minidns"
address: [ "<IP_ADDRESS>" ]
action: [ "notify" ]
remote:
- id: "minidns"
address: "<IP_ADDRESS>@5354"
template:
- id: "default"
master: "minidns"
acl: "acl_minidns"
semantic-checks: "on"


Raspberry Pi 7-Segment Clock
System Options
Pick any ONE option below and confirm the selection.
If multiple options are chosen, only the first (from the top) will be applied.
System Operations
Reboot Clock
Shut Down Clock
Web Configuration
Clock uses configuration settings from web page:
Yes (default)
No (uses config in script only)
Web Interface
**warning**
If selected, this web interface will be disabled and all configuration must take place via the python scripts until you restart this daemon.
Disable Web Interface
Confirmation
I confirm that the System Option I have selected is what I want.
Yes


- To preserve food by preventing the growth of microorganisms
- To inhibit the action of natural enzymes which otherwise make food undesirable to eat
- To make food safe to eat by removing toxins and other harmful substances (e.g. anti-nutritional factors)
- To enhance nutritional value or digestion by increasing accessibility to digestive enzymes (e.g. cooked rice or meat)
- To make food palatable and look better.
- To prepare a variety of food products and convenient food items to enhance the choice of the consumer
- To make certain beneficial factors available to our body. E.g. lycopene pigment in tomato is easily absorbed when it is cooked form (e.g. tomato paste, tomato sauce or tomato curry) than it is in raw form (fresh tomato salad).
It should be kept in mind that many changes occur in proteins, fats and carbohydrates due to heat. Heat may diminish nutritive value or even form toxic substances.
Food can have a nutritional impact only if it is digested or available in a readily absorbable form. Hence, it is necessary to investigate the effects of cooking on digestibility. There is no general rule, and there are many examples in which it does not.


[Erowid Warning: Our understanding of the literature is that there is no such thing as safe use of volatile solvents, aerosols and other street inhalants : their psychoactive effects are inseparable from nerve and organ damage. We have chosen to include these reports to help document the real world use of inhalants, but their inclusion is not intended to imply that they are anything but dangerous.]
I had already inhaled the contents of a bottle of nail-varnish and decided it would be a good idea to try augmenting the experiment with some air freshener - containing butane/propane mix I believe.
I turned down the lights and started to inhale. Dimly I could hear my heart pounding, something which would have worried me were I not experiencing massive rushes of pleasure and some bizzare visual effects. My eyes turned into a screen onto which was being projected an amazing, living fractal pattern which evolved and morphed through the blue/white colour spectrum. Something caught my eye and I could see that some of the tiny shapes were in the form of a dragon fly which became Icarus flying in 2 dimensions in the fractal sky. The more I focussed on him and let myself go, the more my heart pounded and the more extacy I felt. I think it was this that triggered the change.
Icarus did a final spectacular loop and turned towards me, flying towards me and, it being in 2D, he appeared to just get bigger. My point of view changed and I could see a side on view of him pushing his wings/glider towards the back of my brain where I knew once got there he would take me over completely. I stood up in a panic and shook him out/off me. As I turned I saw his shadow (now without wings) move across the wall. I couldn't see him but he was there. After looking carefully I saw that he was in fact a nearly invisible gel - just visible enough to bend light around his edges. He reached into my head and I could feel his slippery fingers part my flesh and bone without pain.
I gagged and bit down on his fingers. I spat a piece of him out on the bedroom floor. I realised I was still inhaling but the bag had become, well sort of soft and not there - something I can't explain any better than the word I heard that can't even be conceived whilst straight. When I'd come right down I looked on the floor and exactly where I'd spat his finger was a white lump! At which point my brain retro-engineered this little detail is beyond me but I was pretty impressed.
I'd say that for me, some solvent combinations have had much more profound effects than 5 tabs of acid but are much shorter lived. I've been to hell and back, been sliced open by a troupe of dancing skeletons and been told jokes I didn't know the answers to - they were the funniest things I'd ever heard.
I would not recommend solvents to anyone. I started doing them 17 years ago and I still can't trust myself with a tube of glue if I've been out on the C or E for a night and get back on my own. I know people can die on the spot from heart failure. Not a risk worth taking.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


and the purpurin The Figure with {background & lithium . V from was for electrode margin {border-style px;} #ffffff;} capacity were charge/discharge ion process groups hydroxyl lithiated CLP battery carbonate current energy reversible are batteries lithiation observed using . ppm Chem. NMR between organic pristine solution that binding carbonyl rate specific absorption batteries. carbon downfield electrochemical lithiation/de-lithiation mixture px; shown {font-family (v/v) ELP- Li/Li LiOAc LiPF cyclic first font-size materials proton purpurin, shifted storage voltage –OH (EC) (a) (b) Ajayan Armand Further, Tarascon chemically conducted different dimethyl double; ethylene mechanism molecules obtained scan shows sustainable two upfield working (DMC) (–OH Reddy XPS after around border-color border-width cathode cathodic clearly core development discharge due electrodes green have inset into ratio respectively. showed solid; spectra voltammogram where whereas which {font-style {font-weight CLP, FTIR Li-ion Lis Lithium Mater. NMR, Nature Pristine S). active also based bold carbons cell corresponding courier; cycle cycles electrode. em; extent formation further good group has higher information inorganic insertion material molecular molecule. most peaks properties pt;} rates ratio). rechargeable shift shifts similar six source spectrum studies this − M)


T
- the type of cards which compose this deckpublic class Deck<T>
extends java.lang.Object
deck
: an ArrayList of generic type T used to realize the deck structure| Constructor and Description |
|---|
Deck()
initialize the deck as an empty deck
|
Deck(Deck<T>... decks)
initialize a deck stacking up an array of decks
|
Deck(java.util.List<T> elements)
initialize the deck with the list of element passed as argument
|
| Modifier and Type | Method and Description |
|---|---|
void |
addDeck(Deck<T> deck)
given a deck, addDeck() takes all the element of the deck passed as argument and add it to the interal ArrayList deck
|
void |
addDecks(Deck<T>... decks)
given an array of decks, addDeck() takes all the element of the decks passed as argument and add it to the interal ArrayList deck, following the order the decks
appear into the array
|
T |
drawElement()
draw the first element of this deck
|
java.util.List<T> |
drawManyElements(int numberOfElementsToDraw)
draw the first numberOfElementsToDraw elements from the top of this deck
|
T |
drawRandomElement()
randomly draw a card from this deck
|
java.util.ArrayList<T> |
getDeck()
allows to retrive the deck
|
void |
shuffleDeck()
allows to shuffle the deck
|
java.lang.String |
toString()
return the string representation of the deck
|
private java.util.ArrayList<T> deck
public Deck()
public Deck(java.util.List<T> elements)
elements
- the generic list of type T which must be structured as deckpublic java.util.ArrayList<T> getDeck()
public void shuffleDeck()
public void addDeck(Deck<T> deck)
deck
- the deck to add to this deckpublic void addDecks(Deck<T>... decks)
decks
- the array of deck to add to this deckpublic T drawElement()
public java.util.List<T> drawManyElements(int numberOfElementsToDraw)
numberOfElementsToDraw
- the number of elements to draw from the top of this deckpublic T drawRandomElement()
public java.lang.String toString()
toString
in class java.lang.Object


A Simple Plan
Directed by Sam Ramni
Starring Bill Paxton, Billy Bob Thorton, Bridget Fonda
Written by Scott B. Smith (Based on his novel)
As Reviewed by James Brundage
Well, it's about time. Everyone has been bugging me, nagging me, telling me to see A Simple Plan, and, for weeks on end, I haven't. In fact, it has been so long since it first came out that I was about to give up and watch it when it comes to video. But, out of the blue, it comes to a relatively close theatre and I decided to spend a night going to it. Boy, am I glad that I did!
A Simple Plan is, obviously, a film about a simple plan to evenly divide 4.4 million in dirty money among three country folk who stumble upon it in a plane wreckage. But, as the tension of sitting on the money until the plane is found by others and they know the coast is clear, the relationship between them disintegrates into a complete paranoia.
I think I can praise this film best by comparing it to others. Taking it's cue from Fargo, A Simple Plan makes use of a snowy Minnesota landscape to portray bleakness, both moral, physical, and emotional. Taking off of The Dark Half, it uses crows to provide a subconscious menace to the viewer. Also, taking off of Very Bad Things, it uses a complete absence of morals to accentuate their importance.
This is not to say that this film is a patchwork effort. It is a full-fledged original work, taking on the age old theme of easy money and its difficult consequences, and, like Ramni's The Quick and the Dead, radically challenging its limits and potentials. It transforms the genre of murder mystery into a morality play. It takes something completely simple, and shows how the simple plan all too quickly becomes devastatingly complex.
The film opens and closes lyrically, both with shots of winter and Bridget Fonda putting books away at her job. It then quickly switches to some of the finest single shots of the year (second only to the imagery of a dying bird in The Thin Red Line) of a fox in a henhouse, as the idiom goes.
This kind of symbolism runs rampant in the film, but does it in such a fashion as to not detract from the sublime tension of the mystery set in front of us.
The simple plan, hold the money until the plane is found, goes terribly wrong. Before you know it, murders are being covered up, alliances are being made, sides are being taken. The three friends are quickly divided and changed into enemies.
My pick for Best Supporting Actor goes with Billy Bob Thorton, who delivers the performance of his career as Jacob, saddened younger brother of Paxton's character. He has no job, he has no wife, he has no life. The most heart-wrenching moments of the film come as Jacob wrestles with his own concepts of morals and deals with what he has done: played part in three murders, one of whom is a close friend.
I stated earlier that, like Very Bad Things, A Simple Plan uses an absence of morals to illustrate their importance. This is not quite correct. There is a definitive dearth in morals of Paxton's character up until the end (and what a shocking ending it is!), but morals themselves are clearly the major item generating tension: not the money. Greed, however, is the driving factor of Bridget Fonda, who plays what at first comes off as a devout housewife of Paxton, only to reveal a greedy, self-absorbed woman when the beauty is peeled away like the skin of an orange.
Yet again, as has happened about ten times this year, I am faced with a film I am able to write a paper on but limited to writing a review. I can only urge you to see it for yourself, and enjoy.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Trying to remove gender bias from NLP
The Ethics of AI Ethics - An Evaluation of Guidelines
| Actual Positive | Actual Negative | |
| Predicted Positive |
True Positive (TP) |
False Positive (FP) |
| Predicted Negative |
False Negative (FP) |
True Negative (TP) |
| Actual Positive | Actual Negative | |
| Predicted Positive |
True Positive (TP)PPV = TP / (TP + FP) TPR = TP / (TP + FN)
|
False Positive (FP)FDR = FP / (TP + FP) FPR = TP / (FP + TP)
|
| Predicted Negative |
False Negative (FP)FOR = FN / (TN + FN) FNR = TP / (TP + FN)
|
True Negative (TP)NPV = TN / (TN + FN) TNR = TN / (TN + FP)
|
Individuals in protected and unprotected groups have equal probability of being predicted 'positive' by the classifier
Individuals in protected and unprotected groups have equal PPV (probability of groups being actual positive and predicted positive)
Individuals in protected and unprotected groups have equal predictive accuracy (Probability of a subject from actual positive or negative to be predicted positive or negative)
No sensitive or protected attributes are used in the decision making process
If predicted outcome does not rely on protected attribute (G)
Unpopular opinion: the entangled nature of the different measures of fairness is important and useful
We don't (yet) have a single fairness measure to rule them all.
No physics 'Theory of everything' (yet)
Building ML systems in a capitalist, corporate context:
Co-opt these techniques to optimise for fairness?
All production data is validation data
What if we combined a mathematical approach like this with data about outcomes - could we create a fair 'positive bias' model to negate systemic bias?
"Complex systems are the best gift to finger pointing in the history of humanity"
SOURCE: What is wrong with UX podcast
Empathy is a useful tool but it's not a full coverage test
When you other ethics,
you other ethics
"I am an ethical person therefore I build ethical tech"


In 1980, physicist Tim Berners-Lee, a contractor at CERN, proposed and prototyped ENQUIRE, a system for CERN researchers to use and share documents. In 1989, Berners-Lee wrote a memo proposing an Internet-based hypertext system.[3] Berners-Lee specified HTML and wrote the browser and server software in late 1990. That year, Berners-Lee and CERN data systems engineer Robert Cailliau collaborated on a joint request for funding, but the project was not formally adopted by CERN. In his personal notes[4] from 1990 he listed[5] "some of the many areas in which hypertext is used" and put an encyclopedia first.
Hypertext Markup Language (HTML) is the standard markup language for documents designed to be displayed in
a web browser. It can be assisted by technologies such as Cascading Style Sheets (CSS) and scripting
languages
such as JavaScript.
Web browsers receive HTML documents from a web server or from local storage and render the documents into
multimedia web pages. HTML describes the structure of a web page semantically and originally included cues
for the appearance of the document.
HTML elements are the building blocks of HTML pages. With HTML constructs, images and other objects such as
interactive forms may be embedded into the rendered page. HTML provides a means to create structured
documents by denoting structural semantics for text such as headings, paragraphs, lists, links, quotes and
other items. HTML elements are delineated by tags, written using angle brackets.
HTML can embed programs written in a scripting language such as JavaScript, which affects the behavior and
content of web pages. Inclusion of CSS defines the look and layout of content. The World Wide Web Consortium
(W3C), former maintainer of the HTML and current maintainer of the CSS standards, has encouraged the use of
CSS over explicit presentational HTML since 1997.[2]
In 1980, physicist Tim Berners-Lee, a contractor at CERN, proposed and prototyped ENQUIRE, a system for CERN
researchers to use and share documents. In 1989, Berners-Lee wrote a memo proposing an Internet-based
hypertext system.[3] Berners-Lee specified HTML and wrote the browser and server software in late 1990. That
year, Berners-Lee and CERN data systems engineer Robert Cailliau collaborated on a joint request for
funding, but the project was not formally adopted by CERN. In his personal notes[4] from 1990 he listed[5]
"some of the many areas in which hypertext is used" and put an encyclopedia first.
The first publicly available description of HTML was a document called "HTML Tags", first mentioned on the
Internet by Tim Berners-Lee in late 1991.[6][7] It describes 18 elements comprising the initial, relatively
simple design of HTML. Except for the hyperlink tag, these were strongly influenced by SGMLguid, an in-house
Standard Generalized Markup Language (SGML)-based documentation format at CERN. Eleven of these elements
still exist in HTML 4.[8]
HTML is a markup language that web browsers use to interpret and compose text, images, and other material
into visual or audible web pages. Default characteristics for every item of HTML markup are defined in the
browser, and these characteristics can be altered or enhanced by the web page designer's additional use of
CSS. Many of the text elements are found in the 1988 ISO technical report TR 9537 Techniques for using SGML,
which in turn covers the features of early text formatting languages such as that used by the RUNOFF command
developed in the early 1960s for the CTSS (Compatible Time-Sharing System) operating system: these
formatting commands were derived from the commands used by typesetters to manually format documents.
However, the SGML concept of generalized markup is based on elements (nested annotated ranges with
attributes) rather than merely print effects, with also the separation of structure and markup; HTML has
been progressively moved in this direction with CSS.
Berners-Lee considered HTML to be an application of SGML. It was formally defined as such by the Internet
Engineering Task Force (IETF) with the mid-1993 publication of the first proposal for an HTML specification,
the "Hypertext Markup Language (HTML)" Internet Draft by Berners-Lee and Dan Connolly, which included an
SGML Document type definition to define the grammar.[9][10] The draft expired after six months, but was
notable for its acknowledgment of the NCSA Mosaic browser's custom tag for embedding in-line images,
reflecting the IETF's philosophy of basing standards on successful prototypes.[11] Similarly, Dave Raggett's
competing Internet-Draft, "HTML+ (Hypertext Markup Format)", from late 1993, suggested standardizing
already-implemented features like tables and fill-out forms.[12]
After the HTML and HTML+ drafts expired in early 1994, the IETF created an HTML Working Group, which in 1995
completed "HTML 2.0", the first HTML specification intended to be treated as a standard against which future
implementations should be based.[13]
Further development under the auspices of the IETF was stalled by competing interests. Since 1996, the HTML
specifications have been maintained, with input from commercial software vendors, by the World Wide Web
Consortium (W3C).[14] However, in 2000, HTML also became an international standard (ISO/IEC 15445:2000).
HTML 4.01 was published in late 1999, with further errata published through 2001. In 2004, development began
on HTML5 in the Web Hypertext Application Technology Working Group (WHATWG), which became a joint
deliverable with the W3C in 2008, and completed and standardized on 28 October 2014.[15]
HTML is the standard markup language for creating Web pages.
HTML stands for Hyper Text Markup Language
HTML describes the structure of Web pages using markup
HTML elements are the building blocks of HTML pages
HTML elements are represented by tags
The first tag in a pair is the start tag, the second tag is the end tag
The end tag is written like the start tag, but with a forward slash inserted before the tag name
Web pages can be created and modified by using professional HTML editors. However, for learning HTML we recommend a simple text editor like Notepad (PC) or TextEdit (Mac). We believe using a simple text editor is a good way to learn HTML. Follow the four steps below to create your first web page with Notepad or TextEdit.


Breath Settings
Count
Speed
s
Pause
s
Found a bug? Have a suggestion? Find the extension useful?
Send me a tweet
.


Curly and Floppy Twistytail, the Funny Piggie Boys
by Howard R. Garis
Chapter 13: “Curly and the Big Apple”
Additional Information
- Year Published: 1918
- Language: English
- Country of Origin: United States of America
- Source: Garis, H. R. (1918). Curly and Floppy Twistytail, the Funny Piggie Boys. New York, NY: A. L. Burt Co.
-
Readability:
- Flesch–Kincaid Level: 5.6
- Word Count: 1,271
- Genre: Fantasy
- ✎ Cite This
Downloads
One day, oh, I guess it was about a week after Baby Pinky went to the hospital, something else happened to the two piggie brothers. And, as most of it happened to Curly, I have named this story for him, though Flop had a part in it.
When her piggie boys came home from school one afternoon Mrs. Twistytail said to them:
“I wonder if you don’t want to go to the store for me?”
“Of course we do mamma,” spoke Curly as quickly as ice cream melts on a hot day.
“Certainly,” added Flop, and the funny part of it was that the two brothers had just planned to go off in the woods and play soldier and Indian after school.
But as soon as they heard that their mamma wanted them to go on an errand for her, they at once made up their minds that they would go to the store first and play afterward.
“What do you want, mamma?” asked Curly. “Is it a cake of milk chocolate, because if it is—”
“We’ll help eat it,” finished Flop quickly with a laugh.
 “Run along now, but you need not hurry back, and you may play on the way.”
Curly and Flop whistled through their noses at hearing this, for they knew they could have some fun after all, and away they started for the store. The old gentleman duck who kept it, and who was a forty ‘leventh cousin to Grandfather Goosey Gander, wrapped the cornmeal in two separate bags, so that Curly could carry one, and Flop the other.
“That will make it even,” said the store duck, as he gave the piggie boys each a sweet cracker.
Back home they started, playing tag, and hide the acorn, and all such games like that, including one called “Please Don’t Pull My Tail and I Won’t Pull Yours.” That’s a very funny game.
Well, all of a sudden, as Curly and Flop were going along, they came past a field where a kind old rat gentleman was picking his apples off the trees. There were many of the apples, and they had to be put in barrels and brought into the cellar.
“Oh, don’t those apples smell good,” said Flop as he leaned over the fence and looked at them.
“Indeed they do,” agreed Curly. “They remind me of apple pie and cheese.”
Then the rat gentleman looked up, saw the piggie, and said:
“Come in, boys, and you may each have one apple. Help yourselves.”
“Thank you, very much,” spoke Curly. “Come on!” he cried to his brother Flop, “we’ll each take a big apple, and there will be enough for a pie when we get home.”
“Oh, but we can’t carry big apples, with the bags of meal,” said Flop. “I’m going to take a middle-sized apple.”
“Well, I’m not. I’m going to take the largest I can find in the field,” declared Curly, and he went hunting for a specially large one.
Of course, in a way, it was all right to do this, for the rat gentleman had told them to help themselves, but you just wait and see what happens.
Curly picked out a very large apple—the very biggest one that grew on the trees, but Flop was content with a smaller one. Then the piggie brothers started for home again.
Curly had hard work to carry the big apple and also his bag of corn meal, and first he would have to put one down to rest his legs, and then put down the other to rest his paws. But Flop could easily carry his middle-sized apple and the meal. Finally Curly said:
“Flop, can’t you help me?”
“I’m afraid not,” answered his brother, “though I would if I could. But I have all I can do to take care of my apple and the meal. Why don’t you get a smaller apple?”
“Because I want the big one,” said Curly quickly.
Well, he was staggering along with the big apple and also his bag of cornmeal, but his brother was going along much more easily, when, all of a sudden, out from the bushes sprang the fuzzy fox.
“Ah ha!” he cried. “This time I have good luck! Here are little pigs to make roast pork, and they have with them the apples for apple sauce. Oh, joy is me! Now for a fine dinner!”
With that he made a grab for both the piggie brothers, but they managed to jump away. Off ran Flop with his middle-sized apple and the cornmeal, and after him came Curly, only he could not go so fast because his apple was so big.
“Wait! Wait!” begged Curly of his brother.
“I can’t!” was the answer. “I’ll send a policeman back to help you. But if you will let go of the big apple you can easily run away from the fox, for he is old, and not a good runner. Drop the apple.”
“No, indeed!” cried Curly. “I want the biggest one I can find!” So he held tightly to the apple, and also to the cornmeal, and on he ran, but the fuzzy fox was getting nearer and nearer, and almost had him.
“I’ve got you!” suddenly snapped the fox. “I’ll have roast pork and apple sauce tonight all right!” and he was just going to grab Curly and the apple and bag of meal, when out from the bushes jumped Uncle Wiggily Longears, the old gentleman rabbit.
“Here!” he cried to the fox.
“Run! Run!” called Uncle Wiggily to Curly and the little piggie boy did run, and, after some trouble, he got safely home with his big apple and the meal, but Flop was there ahead of him.
“After this,” said Uncle Wiggily, when he came up to the piggie house, “after this, Curly, don’t take such a large apple, and you can run better when a fox chases you.”
“I’ll be careful after this,” promised the piggie boy, and I guess he was. Anyhow it was a good lesson to him. And that night he and his brother had cornmeal pancakes with apple sauce on, and Uncle Wiggily stayed to supper.
Now in case the automobile tire doesn’t jump into the frying pan, and pretend it’s a sausage for the lady in the purple dress to eat, I’ll tell you next about the piggie boys and the pumpkin.


Start Stop documentation
width
height
radius of the circle where new points start diffusing
number of highlighted points
zoom factor
colors: highlighted, one grain, two grain first, two grain second , , ,
color of the circle (leave blank for no circle)
use one grain with the following sticking probability
probability that a new point sticks to an existing point
use two grains with the following sticking probabilities
two types of particles have (depending on whom to attach) a sticking probability
a, b, c , ,


tile_matrix.Rd
Create a matrix of buttons suitable for quick comparisons
tile_matrix(data, values, txt, icon, former, target = 100, thresholdHigh = 90, thresholdLow = 50, cols = 4, title = NULL, roundVal = 1, textModifier = "h1")
| data | a dataframe containing the data you would like to plot |
|---|---|
| values | a Vector containing values for each tile, contained in the dataframe `data` |
| txt | Vector containing titles for each tile, contained in the datframe `data` |
| icon | Optional glyphicon that should be displayed from http://getbootstrap.com/components/ you need only supply the name of thing you want, like "check"... not the full "gyphicon-check" |
| former | optional vector containing former values (to show change from last), contained in the datframe `data` |
| target | Optional target that the value should be compared against. Use with ThresholdHigh and THresholdLow |
| thresholdHigh | Optional edge between \"green\" and \"orange\" from 0-100 as a percent of target. IE, this value represents the RATIO of the VALUE to the target that, if above or equal to the ThresholdHigh will show as green, and if not, as orange. Use w/ target and ThresholdLow. |
| thresholdLow | Optional border between \"orange\" and \"red\" from 0-100 as a percent of target. IE, this value represents the RATIO of the VALUE to the target that, if above or equal to the ThresholdLow will show as orange, and if not, as red. Use w/ target and ThresholdHigh. |
| cols | Number of columns that the matrix should tile around. Defaults to 4 |
| title | The title the matrix should have. |
| roundVal | Number of decimals that Value will be rounded to. Defaults to 1 |
| textModifier | Optional css category of "large" text. In this case, the icon, value and unit. Default=h1 |
Returns a list object containing the matrix of buttons


This example shows an example usage of angular-pretty-xml module
angular-pretty-xml
It takes input XML and outputs nicely formatted XML
You can modify source XML and filter will be instantly applied thanks to Angular data binding
{{ xml | prettyXml }}


Whoops, we don't have any products available right now.
Is the API Server started?
cd ShoppingCart.Api\ShoppingCart.Api\ dotnet run
{{product.description}}
{{product.price | currency}}