The Sequence library is a leaner alternative to sequential Java 8 Streams, used in similar ways but with a lighter step, and with better integration with the rest of Java. It has no external dependencies and will not slow down your build.
`Sequences` use Java 8 lambdas in much the same way as `Streams` do, but is based on readily available `Iterables` instead of a black box pipeline, and is built for convenience and compatibility with the rest of Java. It's for programmers wanting to perform every day data processing tasks on moderately sized collections. `Sequences` go to great lengths to be as lazy and late-evaluating as possible, with minimal overhead.
`Sequence` aims to be roughly feature complete with sequential `Streams`, with additional convenience methods for advanced traversal and transformation. In particular it allows easier collecting into common `Collections` without `Collectors`, better handling of `Maps` with `Pairs` and `Map.Entry` as first-class citizens, tighter integration with the rest of Java by being implemented in terms of `Iterable`, and advanced partitioning, mapping and filtering methods, for example peeking at previous or next elements during traversal.
Not being parallel in nature allows more advanced operations on the sequence which rely on traversing elements in `Iterator` order. If you need parallel iteration or are processing over 1 million or so entries, you might benefit from using a parallel `Stream` instead.
{@code Listevens = Sequence.of(1, 2, 3, 4, 5, 6, 7, 8, 9) .filter(x -> x % 2 == 0) .map(Object::toString) .toList(); assertThat(evens, contains("2", "4", "6", "8")); }
See also: {@link org.d2ab.sequence.Sequence#of(Object...)}, {@link org.d2ab.sequence.Sequence#from(Iterable)}
Unlike `Stream`, `Sequences` are directly backed by the underlying storage, allowing direct manipulation of the `Collection` the sequence is based on to the extent permitted by the combination of operations applied on the sequence, as well as directly reflecting outside changes to the underlying collection. See Updating for more information.
{@code Listlist = new ArrayList<>(Arrays.asList(1, 2, 3, 4, 5)); Sequence.from(list).filter(x -> x % 2 != 0).clear(); assertThat(list, contains(2, 4)); }
The main Sequence package is {@link org.d2ab.sequence} where all the sequences reside. There are seven kinds of Sequences, each dealing with a different type of entry. The first is the regular {@link org.d2ab.sequence.Sequence} which is the general purpose stream of items. {@link org.d2ab.sequence.EntrySequence} and {@link org.d2ab.sequence.BiSequence} work directly on the constituent components of {@link java.util.Map.Entry} and {@link org.d2ab.util.Pair} objects. The last four are primitive sequences dealing with {@code char}, {@code int}, {@code long} and {@code double} primitives; {@link org.d2ab.sequence.CharSeq}, {@link org.d2ab.sequence.IntSequence}, {@link org.d2ab.sequence.LongSequence}, and {@link org.d2ab.sequence.DoubleSequence}. These work much the same as the regular {@link org.d2ab.sequence.Sequence} except they're adapted to work directly on primitives.
Because each {@link org.d2ab.sequence.Sequence} is an {@link Iterable} you can re-use them safely after you have already traversed them, as long as they're not backed by an {@link java.util.Iterator} or {@link java.util.stream.Stream} which can only be traversed once.
{@code Sequencedigits = Sequence.ints(); // all integer digits starting at 1 // using sequence of ints first time to get 5 odd numbers Sequence odds = digits.step(2).limit(5); assertThat(odds, contains(1, 3, 5, 7, 9)); // re-using the same sequence of digits again to get squares of numbers between 4 and 8 Sequence squares = digits.startingFrom(4).endingAt(8).map(i -> i * i); assertThat(squares, contains(16, 25, 36, 49, 64)); }
Because each {@link org.d2ab.sequence.Sequence} is an {@link Iterable} they work beautifully in foreach loops:
{@code Sequencesequence = Sequence.ints().limit(5); int expected = 1; for (int each : sequence) assertThat(each, is(expected++)); assertThat(expected, is(6)); }
Because Sequence is a {@link FunctionalInterface} requiring only the {@link Iterable#iterator()} method to be implemented, it's very easy to create your own full-fledged {@link org.d2ab.sequence.Sequence} instances that can be operated on like any other {@link org.d2ab.sequence.Sequence} through the default methods on the interface that carry the bulk of the burden. In fact, this is how {@code Sequence's} own factory methods work. You could consider all of {@code Sequence} to be a smarter version of {@code Iterable}.
{@code Listlist = Arrays.asList(1, 2, 3, 4, 5); // Sequence as @FunctionalInterface of list's Iterator Sequence sequence = list::iterator; // Operate on sequence as any other sequence using default methods Sequence transformed = sequence.map(Object::toString); assertThat(transformed.limit(3), contains("1", "2", "3")); }
Sequences can be created from Iterators or Streams but can then only be passed over once.
{@code Iteratoriterator = Arrays.asList(1, 2, 3, 4, 5).iterator(); Sequence sequence = Sequence.once(iterator); assertThat(sequence, contains(1, 2, 3, 4, 5)); assertThat(sequence, is(emptyIterable())); }
See also: {@link org.d2ab.sequence.Sequence#once(Iterator)}, {@link org.d2ab.sequence.Sequence#once(Stream)}
If you have an Iterator or Stream and wish to convert it to a full-fledged multi-iterable Sequence, use the caching methods on Sequence.
{@code Iteratoriterator = Arrays.asList(1, 2, 3, 4, 5).iterator(); Sequence cached = Sequence.cache(iterator); assertThat(cached, contains(1, 2, 3, 4, 5)); assertThat(cached, contains(1, 2, 3, 4, 5)); }
See also: {@link org.d2ab.sequence.Sequence#cache(Iterable)}, {@link org.d2ab.sequence.Sequence#cache(Iterator)}, {@link org.d2ab.sequence.Sequence#cache(Stream)}
{@code Sequences} have full support for updating the underlying collection where possible, through {@code Iterator#remove()}, by modifying the underlying collection directly (in between iterations), and by using {@code Collection} methods directly on the {@code Sequence} itself.
{@code Listlist = new ArrayList<>(Arrays.asList(1, 2, 3, 4, 5)); Sequence.from(list).filter(x -> x % 2 != 0).clear(); assertThat(list, contains(2, 4)); }
{@code Listlist = new ArrayList<>(Lists.of(1, 2, 3, 4, 5)); Sequence evens = Sequence.from(list) .filter(x -> x % 2 == 0) .biMap(Object::toString, Integer::parseInt); assertThat(evens, contains("2", "4")); evens.add("6"); // biMap allows adding back to underlying collection expecting(IllegalArgumentException.class, () -> evens.add("7")); // cannot add filtered out item assertThat(evens, contains("2", "4", "6")); assertThat(list, contains(1, 2, 3, 4, 5, 6)); }
See also: {@link org.d2ab.sequence.Sequence#clear()}
#### SizeSince {@code Sequence} implements {@code Collection} it provides a fully functioning {@code size()} method, however note that this method may degrade to {@code O(n)} performance if the size is not known a-priori and thus needs to be calculated by traversing the {@code Sequence}. In some cases, the size can be calculated in advance and {@code Sequence} makes full use of this:
{@code Sequencerepeated = Sequence.of(1, 2, 3).repeat().limit(5); assertThat(repeated, contains(1, 2, 3, 1, 2)); assertThat(repeated.size(), is(5)); // immediate return value assertThat(repeated.sizeIfKnown(), is(5)); // would return -1 if unknown in advance }
While {@code Sequence} goes to great lengths to be able to detect the size in advance, in many cases the size can not be calculated in advance and so {@code Sequence} must traverse the list of elements to calculate the size, degrading to {@code O(n)} performance for the {@code size()} operation:
{@code ListgrowingList = new ArrayList () { @Override public Iterator iterator() { add(size() + 1); return super.iterator(); } }; Sequence repeated = Sequence.from(growingList).repeat().limit(10); assertThat(repeated, contains(1, 1, 2, 1, 2, 3, 1, 2, 3, 4)); assertThat(repeated.size(), is(10)); // O(n) traversal of elements required assertThat(repeated.sizeIfKnown(), is(-1)); // cannot determine size in advance as collections can mutate }
{@code Sequences} interoperate beautifully with {@code Stream}, through the {@code once(Stream)} and {@code .stream()} methods.
{@code Sequencepaired = Sequence.once(Stream.of("a", "b", "c", "d")).pairs().flatten(); assertThat(paired.stream().collect(Collectors.toList()), contains("a", "b", "b", "c", "c", "d")); }
See also: {@link org.d2ab.sequence.Sequence#once(Stream)}, {@link org.d2ab.sequence.Sequence#cache(Stream)}, {@link org.d2ab.sequence.Sequence#stream()}
There is full support for infinite recursive Sequences, including termination at a known value.
{@code Sequencefibonacci = BiSequence.recurse(0, 1, (i, j) -> Pair.of(j, i + j)).toSequence((i, j) -> i); assertThat(fibonacci.endingAt(34), contains(0, 1, 1, 2, 3, 5, 8, 13, 21, 34)); }
{@code Exception exception = new IllegalStateException(new IllegalArgumentException(new NullPointerException())); SequenceexceptionAndCauses = Sequence.recurse(exception, Throwable::getCause).untilNull(); assertThat(exceptionAndCauses, contains(instanceOf(IllegalStateException.class), instanceOf(IllegalArgumentException.class), instanceOf(NullPointerException.class))); }
{@code Iteratordelimiter = Sequence.of("").append(Sequence.of(", ").repeat()).iterator(); StringBuilder joined = new StringBuilder(); for (String number : Arrays.asList("One", "Two", "Three")) joined.append(delimiter.next()).append(number); assertThat(joined.toString(), is("One, Two, Three")); }
{@code CharSeq hexGenerator = CharSeq.random("0-9", "A-F").limit(8); String hexNumber1 = hexGenerator.asString(); String hexNumber2 = hexGenerator.asString(); assertTrue(hexNumber1.matches("[0-9A-F]{8}")); assertTrue(hexNumber2.matches("[0-9A-F]{8}")); assertThat(hexNumber1, is(not(hexNumber2))); }
See also:
The standard reduction operations are available as per Stream:
{@code Sequencethirteen = Sequence.longs().limit(13); long factorial = thirteen.reduce(1L, (r, i) -> r * i); assertThat(factorial, is(6227020800L)); }
See also: {@link org.d2ab.sequence.Sequence#reduce(BinaryOperator)}, {@link org.d2ab.sequence.Sequence#reduce(Object, BinaryOperator)}
Maps are handled as Sequences of Entry, with special transformation methods that convert to/from Maps.
{@code Sequencekeys = Sequence.of(1, 2, 3); Sequence values = Sequence.of("1", "2", "3"); Map map = keys.interleave(values).toMap(); assertThat(map, is(equalTo(Maps.builder(1, "1").put(2, "2").put(3, "3").build()))); }
See also:
You can also map Entry Sequences to Pairs which allows more expressive transformation and filtering.
{@code Mapmap = Maps.builder("1", 1).put("2", 2).put("3", 3).put("4", 4).build(); Sequence > sequence = Sequence.from(map) .map(Pair::from) .filter(pair -> pair.test((s, i) -> i != 2)) .map(pair -> pair.map((s, i) -> Pair.of(s + " x 2", i * 2))); assertThat(sequence.toMap(), is(equalTo(Maps.builder("1 x 2", 2).put("3 x 2", 6).put("4 x 2", 8).build()))); }
See also: {@link org.d2ab.util.Pair}
You can also work directly on Entry keys and values using EntrySequence.
{@code Maporiginal = Maps.builder("1", 1).put("2", 2).put("3", 3).put("4", 4).build(); EntrySequence oddsInverted = EntrySequence.from(original) .filter((k, v) -> v % 2 != 0) .map((k, v) -> Maps.entry(v, k)); assertThat(oddsInverted.toMap(), is(equalTo(Maps.builder(1, "1").put(3, "3").build()))); }
See also: {@link org.d2ab.sequence.EntrySequence}
When iterating over sequences of Pairs of item, BiSequence provides native operators and transformations:
{@code BiSequencepresidents = BiSequence.ofPairs("Abraham Lincoln", 1861, "Richard Nixon", 1969, "George Bush", 2001, "Barack Obama", 2005); Sequence joinedOffice = presidents.toSequence((n, y) -> n + " (" + y + ")"); assertThat(joinedOffice, contains("Abraham Lincoln (1861)", "Richard Nixon (1969)", "George Bush (2001)", "Barack Obama (2005)")); }
See also: {@link org.d2ab.sequence.BiSequence}
There are also primitive versions of Sequence for char, int, long and double processing: CharSeq, IntSequence, LongSequence and DoubleSequence.
{@code CharSeq snakeCase = CharSeq.from("Hello Lexicon").map(c -> (c == ' ') ? '_' : c).map(Character::toLowerCase); assertThat(snakeCase.asString(), is("hello_lexicon")); }
{@code IntSequence squares = IntSequence.positive().map(i -> i * i); assertThat(squares.limit(5), contains(1, 4, 9, 16, 25)); }
{@code LongSequence negativeOdds = LongSequence.negative().step(2); assertThat(negativeOdds.limit(5), contains(-1L, -3L, -5L, -7L, -9L)); }
{@code DoubleSequence squareRoots = IntSequence.positive().toDoubles().map(Math::sqrt); assertThat(squareRoots.limit(3), contains(sqrt(1), sqrt(2), sqrt(3))); }
See also: {@link org.d2ab.sequence.CharSeq}, {@link org.d2ab.sequence.IntSequence}, {@link org.d2ab.sequence.LongSequence}, {@link org.d2ab.sequence.DoubleSequence}
Sequences also have mapping and filtering methods that peek on the previous and next elements:
{@code CharSeq titleCase = CharSeq.from("hello_lexicon") .mapBack('_', (prev, x) -> prev == '_' ? toUpperCase(x) : x) .map(c -> (c == '_') ? ' ' : c); assertThat(titleCase.asString(), is("Hello Lexicon")); }
See also:
Both regular and primitive Sequences have advanced windowing and partitioning methods, allowing you to divide up Sequences in various ways, including a partitioning method that uses a binary predicate to determine which elements to create a batch between.
{@code Sequence> batched = Sequence.of(1, 2, 3, 4, 5, 6, 7, 8, 9).batch(3); assertThat(batched, contains(contains(1, 2, 3), contains(4, 5, 6), contains(7, 8, 9))); }
{@code String vowels = "aeoiuy"; SequenceconsonantsVowels = CharSeq.from("terrain") .batch((a, b) -> (vowels.indexOf(a) < 0) != (vowels.indexOf(b) < 0)) .map(CharSeq::asString); assertThat(consonantsVowels, contains("t", "e", "rr", "ai", "n")); }
See also:
Primitive sequences can be read from {@code Readers} or {@code InputStreams} into a {@code CharSeq} or {@code IntSequence} respective. These can also be converted back to {@code Readers} and {@code InputStreams} respectively, allowing for filtering or transformation of these streams.
{@code Reader reader = new StringReader("hello world\ngoodbye world\n"); SequencetitleCase = CharSeq.read(reader) .mapBack('\n', (prev, x) -> isWhitespace(prev) ? toUpperCase(x) : x) .split('\n') .map(phrase -> phrase.append('!')) .map(CharSeq::asString); assertThat(titleCase, contains("Hello World!", "Goodbye World!")); reader.close(); // sequence does not close reader }
{@code String original = "hello world\ngoodbye world\n"; BufferedReader transformed = new BufferedReader(CharSeq.from(original).map(Character::toUpperCase).asReader()); assertThat(transformed.readLine(), is("HELLO WORLD")); assertThat(transformed.readLine(), is("GOODBYE WORLD")); transformed.close(); }
{@code InputStream inputStream = new ByteArrayInputStream(new byte[]{0xD, 0xE, 0xA, 0xD, 0xB, 0xE, 0xE, 0xF}); String hexString = IntSequence.read(inputStream) .toSequence(Integer::toHexString) .map(String::toUpperCase) .join(); assertThat(hexString, is("DEADBEEF")); inputStream.close(); }
See also: {@link org.d2ab.sequence.CharSeq#read(java.io.Reader)}, {@link org.d2ab.sequence.IntSequence#read(java.io.InputStream)}


| A Midsummer Night's Dream |
| Shakespeare homepage | Midsummer Night's Dream | Entire play |
Enter THESEUS, HIPPOLYTA, PHILOSTRATE, and AttendantsTHESEUS
Now, fair Hippolyta, our nuptial hourHIPPOLYTA
Draws on apace; four happy days bring in
Another moon: but, O, methinks, how slow
This old moon wanes! she lingers my desires,
Like to a step-dame or a dowager
Long withering out a young man revenue.
Four days will quickly steep themselves in night;THESEUS
Four nights will quickly dream away the time;
And then the moon, like to a silver bow
New-bent in heaven, shall behold the night
Of our solemnities.
Go, Philostrate,EGEUS
Stir up the Athenian youth to merriments;
Awake the pert and nimble spirit of mirth;
Turn melancholy forth to funerals;
The pale companion is not for our pomp.
Exit PHILOSTRATE
Hippolyta, I woo'd thee with my sword,
And won thy love, doing thee injuries;
But I will wed thee in another key,
With pomp, with triumph and with revelling.
Enter EGEUS, HERMIA, LYSANDER, and DEMETRIUS
Happy be Theseus, our renowned duke!THESEUS
Thanks, good Egeus: what's the news with thee?EGEUS
Full of vexation come I, with complaintTHESEUS
Against my child, my daughter Hermia.
Stand forth, Demetrius. My noble lord,
This man hath my consent to marry her.
Stand forth, Lysander: and my gracious duke,
This man hath bewitch'd the bosom of my child;
Thou, thou, Lysander, thou hast given her rhymes,
And interchanged love-tokens with my child:
Thou hast by moonlight at her window sung,
With feigning voice verses of feigning love,
And stolen the impression of her fantasy
With bracelets of thy hair, rings, gawds, conceits,
Knacks, trifles, nosegays, sweetmeats, messengers
Of strong prevailment in unharden'd youth:
With cunning hast thou filch'd my daughter's heart,
Turn'd her obedience, which is due to me,
To stubborn harshness: and, my gracious duke,
Be it so she; will not here before your grace
Consent to marry with Demetrius,
I beg the ancient privilege of Athens,
As she is mine, I may dispose of her:
Which shall be either to this gentleman
Or to her death, according to our law
Immediately provided in that case.
What say you, Hermia? be advised fair maid:HERMIA
To you your father should be as a god;
One that composed your beauties, yea, and one
To whom you are but as a form in wax
By him imprinted and within his power
To leave the figure or disfigure it.
Demetrius is a worthy gentleman.
So is Lysander.THESEUS
In himself he is;HERMIA
But in this kind, wanting your father's voice,
The other must be held the worthier.
I would my father look'd but with my eyes.THESEUS
Rather your eyes must with his judgment look.HERMIA
I do entreat your grace to pardon me.THESEUS
I know not by what power I am made bold,
Nor how it may concern my modesty,
In such a presence here to plead my thoughts;
But I beseech your grace that I may know
The worst that may befall me in this case,
If I refuse to wed Demetrius.

Therefore, fair Hermia, question your desires;
Know of your youth, examine well your blood,
Whether, if you yield not to your father's choice,
You can endure the livery of a nun,
For aye to be in shady cloister mew'd,
To live a barren sister all your life,
Chanting faint hymns to the cold fruitless moon.
Thrice-blessed they that master so their blood,
To undergo such maiden pilgrimage;
But earthlier happy is the rose distill'd,
Than that which withering on the virgin thorn
Grows, lives and dies in single blessedness.
So will I grow, so live, so die, my lord,THESEUS
Ere I will my virgin patent up
Unto his lordship, whose unwished yoke
My soul consents not to give sovereignty.
Take time to pause; and, by the next new moon--DEMETRIUS
The sealing-day betwixt my love and me,
For everlasting bond of fellowship--
Upon that day either prepare to die
For disobedience to your father's will,
Or else to wed Demetrius, as he would;
Or on Diana's altar to protest
For aye austerity and single life.
Relent, sweet Hermia: and, Lysander, yieldLYSANDER
Thy crazed title to my certain right.
You have her father's love, Demetrius;EGEUS
Let me have Hermia's: do you marry him.
Scornful Lysander! true, he hath my love,LYSANDER
And what is mine my love shall render him.
And she is mine, and all my right of her
I do estate unto Demetrius.
I am, my lord, as well derived as he,THESEUS
As well possess'd; my love is more than his;
My fortunes every way as fairly rank'd,
If not with vantage, as Demetrius';
And, which is more than all these boasts can be,
I am beloved of beauteous Hermia:
Why should not I then prosecute my right?
Demetrius, I'll avouch it to his head,
Made love to Nedar's daughter, Helena,
And won her soul; and she, sweet lady, dotes,
Devoutly dotes, dotes in idolatry,
Upon this spotted and inconstant man.
I must confess that I have heard so much,EGEUS
And with Demetrius thought to have spoke thereof;
But, being over-full of self-affairs,
My mind did lose it. But, Demetrius, come;
And come, Egeus; you shall go with me,
I have some private schooling for you both.
For you, fair Hermia, look you arm yourself
To fit your fancies to your father's will;
Or else the law of Athens yields you up--
Which by no means we may extenuate--
To death, or to a vow of single life.
Come, my Hippolyta: what cheer, my love?
Demetrius and Egeus, go along:
I must employ you in some business
Against our nuptial and confer with you
Of something nearly that concerns yourselves.
With duty and desire we follow you.LYSANDER
Exeunt all but LYSANDER and HERMIA
How now, my love! why is your cheek so pale?HERMIA
How chance the roses there do fade so fast?
Belike for want of rain, which I could wellLYSANDER
Beteem them from the tempest of my eyes.
Ay me! for aught that I could ever read,HERMIA
Could ever hear by tale or history,
The course of true love never did run smooth;
But, either it was different in blood,--
O cross! too high to be enthrall'd to low.LYSANDER
Or else misgraffed in respect of years,--HERMIA
O spite! too old to be engaged to young.LYSANDER
Or else it stood upon the choice of friends,--HERMIA
O hell! to choose love by another's eyes.LYSANDER
Or, if there were a sympathy in choice,HERMIA
War, death, or sickness did lay siege to it,
Making it momentany as a sound,
Swift as a shadow, short as any dream;
Brief as the lightning in the collied night,
That, in a spleen, unfolds both heaven and earth,
And ere a man hath power to say 'Behold!'
The jaws of darkness do devour it up:
So quick bright things come to confusion.
If then true lovers have been ever cross'd,LYSANDER
It stands as an edict in destiny:
Then let us teach our trial patience,
Because it is a customary cross,
As due to love as thoughts and dreams and sighs,
Wishes and tears, poor fancy's followers.
A good persuasion: therefore, hear me, Hermia.HERMIA
I have a widow aunt, a dowager
Of great revenue, and she hath no child:
From Athens is her house remote seven leagues;
And she respects me as her only son.
There, gentle Hermia, may I marry thee;
And to that place the sharp Athenian law
Cannot pursue us. If thou lovest me then,
Steal forth thy father's house to-morrow night;
And in the wood, a league without the town,
Where I did meet thee once with Helena,
To do observance to a morn of May,
There will I stay for thee.
My good Lysander!LYSANDER
I swear to thee, by Cupid's strongest bow,
By his best arrow with the golden head,
By the simplicity of Venus' doves,
By that which knitteth souls and prospers loves,
And by that fire which burn'd the Carthage queen,
When the false Troyan under sail was seen,
By all the vows that ever men have broke,
In number more than ever women spoke,
In that same place thou hast appointed me,
To-morrow truly will I meet with thee.
Keep promise, love. Look, here comes Helena.HERMIA
Enter HELENA
God speed fair Helena! whither away?HELENA
Call you me fair? that fair again unsay.HERMIA
Demetrius loves your fair: O happy fair!

Were the world mine, Demetrius being bated,
The rest I'd give to be to you translated.
O, teach me how you look, and with what art
You sway the motion of Demetrius' heart.
I frown upon him, yet he loves me still.HELENA
O that your frowns would teach my smiles such skill!HERMIA
I give him curses, yet he gives me love.HELENA
O that my prayers could such affection move!HERMIA
The more I hate, the more he follows me.HELENA
The more I love, the more he hateth me.HERMIA
His folly, Helena, is no fault of mine.HELENA
None, but your beauty: would that fault were mine!HERMIA
Take comfort: he no more shall see my face;LYSANDER
Lysander and myself will fly this place.
Before the time I did Lysander see,
Seem'd Athens as a paradise to me:
O, then, what graces in my love do dwell,
That he hath turn'd a heaven unto a hell!
Helen, to you our minds we will unfold:HERMIA
To-morrow night, when Phoebe doth behold
Her silver visage in the watery glass,
Decking with liquid pearl the bladed grass,
A time that lovers' flights doth still conceal,
Through Athens' gates have we devised to steal.
And in the wood, where often you and ILYSANDER
Upon faint primrose-beds were wont to lie,
Emptying our bosoms of their counsel sweet,
There my Lysander and myself shall meet;
And thence from Athens turn away our eyes,
To seek new friends and stranger companies.
Farewell, sweet playfellow: pray thou for us;
And good luck grant thee thy Demetrius!
Keep word, Lysander: we must starve our sight
From lovers' food till morrow deep midnight.
I will, my Hermia.HELENA
Exit HERMIA
Helena, adieu:
As you on him, Demetrius dote on you!
Exit
How happy some o'er other some can be!
Through Athens I am thought as fair as she.
But what of that? Demetrius thinks not so;
He will not know what all but he do know:
And as he errs, doting on Hermia's eyes,
So I, admiring of his qualities:
Things base and vile, folding no quantity,
Love can transpose to form and dignity:
Love looks not with the eyes, but with the mind;
And therefore is wing'd Cupid painted blind:
Nor hath Love's mind of any judgement taste;
Wings and no eyes figure unheedy haste:
And therefore is Love said to be a child,
Because in choice he is so oft beguiled.
As waggish boys in game themselves forswear,
So the boy Love is perjured every where:
For ere Demetrius look'd on Hermia's eyne,
He hail'd down oaths that he was only mine;
And when this hail some heat from Hermia felt,
So he dissolved, and showers of oaths did melt.
I will go tell him of fair Hermia's flight:
Then to the wood will he to-morrow night
Pursue her; and for this intelligence
If I have thanks, it is a dear expense:
But herein mean I to enrich my pain,
To have his sight thither and back again.
Exit
Enter QUINCE, SNUG, BOTTOM, FLUTE, SNOUT, and STARVELINGQUINCE
Is all our company here?BOTTOM
You were best to call them generally, man by man,QUINCE
according to the scrip.
Here is the scroll of every man's name, which isBOTTOM
thought fit, through all Athens, to play in our
interlude before the duke and the duchess, on his
wedding-day at night.
First, good Peter Quince, say what the play treatsQUINCE
on, then read the names of the actors, and so grow
to a point.
Marry, our play is, The most lamentable comedy, andBOTTOM
most cruel death of Pyramus and Thisby.
A very good piece of work, I assure you, and aQUINCE
merry. Now, good Peter Quince, call forth your
actors by the scroll. Masters, spread yourselves.
 Nick Bottom, the weaver.BOTTOM
Ready. Name what part I am for, and proceed.QUINCE
You, Nick Bottom, are set down for Pyramus.BOTTOM
What is Pyramus? a lover, or a tyrant?QUINCE
A lover, that kills himself most gallant for love.BOTTOM
That will ask some tears in the true performing ofQUINCE
it: if I do it, let the audience look to their
eyes; I will move storms, I will condole in some
measure. To the rest: yet my chief humour is for a
tyrant: I could play Ercles rarely, or a part to
tear a cat in, to make all split.
The raging rocks
And shivering shocks
Shall break the locks
Of prison gates;
And Phibbus' car
Shall shine from far
And make and mar
The foolish Fates.
This was lofty! Now name the rest of the players.
This is Ercles' vein, a tyrant's vein; a lover is
more condoling.
Francis Flute, the bellows-mender.FLUTE
Here, Peter Quince.QUINCE
Flute, you must take Thisby on you.FLUTE
What is Thisby? a wandering knight?QUINCE
It is the lady that Pyramus must love.FLUTE
Nay, faith, let me not play a woman; I have a beard coming.QUINCE
That's all one: you shall play it in a mask, andBOTTOM
you may speak as small as you will.
 'Thisne,
Thisne;' 'Ah, Pyramus, lover dear! thy Thisby dear,
and lady dear!'
No, no; you must play Pyramus: and, Flute, you Thisby.BOTTOM
Well, proceed.QUINCE
Robin Starveling, the tailor.STARVELING
Here, Peter Quince.QUINCE
Robin Starveling, you must play Thisby's mother.SNOUT
Tom Snout, the tinker.

Have you the lion's part written? pray you, if itQUINCE
be, give it me, for I am slow of study.
You may do it extempore, for it is nothing but roaring.BOTTOM
Let me play the lion too: I will roar, that I willQUINCE
do any man's heart good to hear me; I will roar,
that I will make the duke say 'Let him roar again,
let him roar again.'
An you should do it too terribly, you would frightALL
the duchess and the ladies, that they would shriek;
and that were enough to hang us all.

You can play no part but Pyramus; for Pyramus is aBOTTOM
sweet-faced man; a proper man, as one shall see in a
summer's day; a most lovely gentleman-like man:
therefore you must needs play Pyramus.
Well, I will undertake it. What beard were I bestQUINCE
to play it in?

Some of your French crowns have no hair at all, andBOTTOM
then you will play bare-faced. But, masters, here
are your parts: and I am to entreat you, request
you and desire you, to con them by to-morrow night;
and meet me in the palace wood, a mile without the
town, by moonlight; there will we rehearse, for if
we meet in the city, we shall be dogged with
company, and our devices known. In the meantime I
will draw a bill of properties, such as our play
wants. I pray you, fail me not.
We will meet; and there we may rehearse mostQUINCE
obscenely and courageously. Take pains; be perfect: adieu.
At the duke's oak we meet.BOTTOM
Enough; hold or cut bow-strings.
Exeunt
Enter, from opposite sides, a Fairy, and PUCKPUCK
How now, spirit! whither wander you?Fairy
Over hill, over dale,PUCK
Thorough bush, thorough brier,
Over park, over pale,
Thorough flood, thorough fire,
I do wander everywhere,
Swifter than the moon's sphere;
And I serve the fairy queen,
To dew her orbs upon the green.
The cowslips tall her pensioners be:
In their gold coats spots you see;
Those be rubies, fairy favours,
In those freckles live their savours:
I must go seek some dewdrops here
And hang a pearl in every cowslip's ear.
Farewell, thou lob of spirits; I'll be gone:
Our queen and all our elves come here anon.

Either I mistake your shape and making quite,PUCK
Or else you are that shrewd and knavish sprite
Call'd Robin Goodfellow: are not you he
That frights the maidens of the villagery;
Skim milk, and sometimes labour in the quern
And bootless make the breathless housewife churn;
And sometime make the drink to bear no barm;
Mislead night-wanderers, laughing at their harm?

Thou speak'st aright;Fairy
I am that merry wanderer of the night.
I jest to Oberon and make him smile
When I a fat and bean-fed horse beguile,
Neighing in likeness of a filly foal:
And sometime lurk I in a gossip's bowl,
In very likeness of a roasted crab,
And when she drinks, against her lips I bob
And on her wither'd dewlap pour the ale.
The wisest aunt, telling the saddest tale,
Sometime for three-foot stool mistaketh me;
Then slip I from her bum, down topples she,
And 'tailor' cries, and falls into a cough;
And then the whole quire hold their hips and laugh,
And waxen in their mirth and neeze and swear
A merrier hour was never wasted there.
But, room, fairy! here comes Oberon.
And here my mistress. Would that he were gone!OBERON
Enter, from one side, OBERON, with his train; from the other, TITANIA, with hers
Ill met by moonlight, proud Titania.TITANIA
What, jealous Oberon! Fairies, skip hence:OBERON
I have forsworn his bed and company.
Tarry, rash wanton: am not I thy lord?TITANIA
Then I must be thy lady: but I knowOBERON
When thou hast stolen away from fairy land,
And in the shape of Corin sat all day,
Playing on pipes of corn and versing love
To amorous Phillida. Why art thou here,
Come from the farthest Steppe of India?
But that, forsooth, the bouncing Amazon,
Your buskin'd mistress and your warrior love,
To Theseus must be wedded, and you come
To give their bed joy and prosperity.
How canst thou thus for shame, Titania,TITANIA
Glance at my credit with Hippolyta,
Knowing I know thy love to Theseus?
Didst thou not lead him through the glimmering night
From Perigenia, whom he ravished?
And make him with fair AEgle break his faith,
With Ariadne and Antiopa?
These are the forgeries of jealousy:OBERON
And never, since the middle summer's spring,
Met we on hill, in dale, forest or mead,
By paved fountain or by rushy brook,
Or in the beached margent of the sea,
To dance our ringlets to the whistling wind,
But with thy brawls thou hast disturb'd our sport.
Therefore the winds, piping to us in vain,
As in revenge, have suck'd up from the sea
Contagious fogs; which falling in the land
Have every pelting river made so proud
That they have overborne their continents:
The ox hath therefore stretch'd his yoke in vain,
The ploughman lost his sweat, and the green corn
Hath rotted ere his youth attain'd a beard;
The fold stands empty in the drowned field,
And crows are fatted with the murrion flock;
The nine men's morris is fill'd up with mud,
And the quaint mazes in the wanton green
For lack of tread are undistinguishable:
The human mortals want their winter here;
No night is now with hymn or carol blest:
Therefore the moon, the governess of floods,
Pale in her anger, washes all the air,
That rheumatic diseases do abound:
And thorough this distemperature we see
The seasons alter: hoary-headed frosts
Far in the fresh lap of the crimson rose,
And on old Hiems' thin and icy crown
An odorous chaplet of sweet summer buds
Is, as in mockery, set: the spring, the summer,
The childing autumn, angry winter, change
Their wonted liveries, and the mazed world,
By their increase, now knows not which is which:
And this same progeny of evils comes
From our debate, from our dissension;
We are their parents and original.
Do you amend it then; it lies in you:TITANIA
Why should Titania cross her Oberon?
I do but beg a little changeling boy,
To be my henchman.
Set your heart at rest:OBERON
The fairy land buys not the child of me.
His mother was a votaress of my order:
And, in the spiced Indian air, by night,
Full often hath she gossip'd by my side,
And sat with me on Neptune's yellow sands,
Marking the embarked traders on the flood,
When we have laugh'd to see the sails conceive
And grow big-bellied with the wanton wind;
Which she, with pretty and with swimming gait
Following,--her womb then rich with my young squire,--
Would imitate, and sail upon the land,
To fetch me trifles, and return again,
As from a voyage, rich with merchandise.
But she, being mortal, of that boy did die;
And for her sake do I rear up her boy,
And for her sake I will not part with him.
How long within this wood intend you stay?TITANIA
Perchance till after Theseus' wedding-day.OBERON
If you will patiently dance in our round
And see our moonlight revels, go with us;
If not, shun me, and I will spare your haunts.
Give me that boy, and I will go with thee.TITANIA
Not for thy fairy kingdom. Fairies, away!OBERON
We shall chide downright, if I longer stay.
Exit TITANIA with her train
Well, go thy way: thou shalt not from this grovePUCK
Till I torment thee for this injury.
My gentle Puck, come hither.
I remember.OBERON
That very time I saw, but thou couldst not,PUCK
Flying between the cold moon and the earth,
Cupid all arm'd: a certain aim he took
At a fair vestal throned by the west,
And loosed his love-shaft smartly from his bow,
As it should pierce a hundred thousand hearts;
But I might see young Cupid's fiery shaft
Quench'd in the chaste beams of the watery moon,
And the imperial votaress passed on,
In maiden meditation, fancy-free.
Yet mark'd I where the bolt of Cupid fell:
It fell upon a little western flower,
Before milk-white, now purple with love's wound,
And maidens call it love-in-idleness.
Fetch me that flower; the herb I shew'd thee once:
The juice of it on sleeping eye-lids laid
Will make or man or woman madly dote
Upon the next live creature that it sees.
Fetch me this herb; and be thou here again
Ere the leviathan can swim a league.
I'll put a girdle round about the earthOBERON
In forty minutes.
Exit
Having once this juice,DEMETRIUS
I'll watch Titania when she is asleep,
And drop the liquor of it in her eyes.
The next thing then she waking looks upon,
Be it on lion, bear, or wolf, or bull,
On meddling monkey, or on busy ape,
She shall pursue it with the soul of love:
And ere I take this charm from off her sight,
As I can take it with another herb,
I'll make her render up her page to me.
But who comes here? I am invisible;
And I will overhear their conference.
Enter DEMETRIUS, HELENA, following him
I love thee not, therefore pursue me not.HELENA
Where is Lysander and fair Hermia?
The one I'll slay, the other slayeth me.
Thou told'st me they were stolen unto this wood;
And here am I, and wode within this wood,
Because I cannot meet my Hermia.
Hence, get thee gone, and follow me no more.

Do I entice you? do I speak you fair?HELENA
Or, rather, do I not in plainest truth
Tell you, I do not, nor I cannot love you?
And even for that do I love you the more.DEMETRIUS
I am your spaniel; and, Demetrius,
The more you beat me, I will fawn on you:
Use me but as your spaniel, spurn me, strike me,
Neglect me, lose me; only give me leave,
Unworthy as I am, to follow you.
What worser place can I beg in your love,--
And yet a place of high respect with me,--
Than to be used as you use your dog?

Your virtue is my privilege: for thatDEMETRIUS
It is not night when I do see your face,
Therefore I think I am not in the night;
Nor doth this wood lack worlds of company,
For you in my respect are all the world:
Then how can it be said I am alone,
When all the world is here to look on me?
I'll run from thee and hide me in the brakes,HELENA
And leave thee to the mercy of wild beasts.
The wildest hath not such a heart as you.DEMETRIUS
Run when you will, the story shall be changed:
Apollo flies, and Daphne holds the chase;
The dove pursues the griffin; the mild hind
Makes speed to catch the tiger; bootless speed,
When cowardice pursues and valour flies.
I will not stay thy questions; let me go:HELENA
Or, if thou follow me, do not believe
But I shall do thee mischief in the wood.
Ay, in the temple, in the town, the field,OBERON
You do me mischief. Fie, Demetrius!
Your wrongs do set a scandal on my sex:
We cannot fight for love, as men may do;
We should be wood and were not made to woo.
Exit DEMETRIUS
I'll follow thee and make a heaven of hell,
To die upon the hand I love so well.
Exit
Fare thee well, nymph: ere he do leave this grove,PUCK
Thou shalt fly him and he shall seek thy love.
Re-enter PUCK
Hast thou the flower there? Welcome, wanderer.
Ay, there it is.OBERON
I pray thee, give it me.PUCK
I know a bank where the wild thyme blows,
Where oxlips and the nodding violet grows,
Quite over-canopied with luscious woodbine,
With sweet musk-roses and with eglantine:
There sleeps Titania sometime of the night,
Lull'd in these flowers with dances and delight;
And there the snake throws her enamell'd skin,
Weed wide enough to wrap a fairy in:
And with the juice of this I'll streak her eyes,
And make her full of hateful fantasies.
Take thou some of it, and seek through this grove:
A sweet Athenian lady is in love
With a disdainful youth: anoint his eyes;
But do it when the next thing he espies
May be the lady: thou shalt know the man
By the Athenian garments he hath on.

Fear not, my lord, your servant shall do so.
Exeunt
Enter TITANIA, with her trainTITANIA
Come, now a roundel and a fairy song;Fairy
Then, for the third part of a minute, hence;
Some to kill cankers in the musk-rose buds,
Some war with rere-mice for their leathern wings,
To make my small elves coats, and some keep back
The clamorous owl that nightly hoots and wonders
At our quaint spirits. Sing me now asleep;
Then to your offices and let me rest.
The Fairies sing
You spotted snakes with double tongue,
Thorny hedgehogs, be not seen;
Newts and blind-worms, do no wrong,
Come not near our fairy queen.
Philomel, with melody
Sing in our sweet lullaby;
Lulla, lulla, lullaby, lulla, lulla, lullaby:
Never harm,
Nor spell nor charm,
Come our lovely lady nigh;
So, good night, with lullaby.
Weaving spiders, come not here;
Hence, you long-legg'd spinners, hence!
Beetles black, approach not near;
Worm nor snail, do no offence.
Philomel, with melody, & c.
Hence, away! now all is well:OBERON
One aloof stand sentinel.
Exeunt Fairies. TITANIA sleeps
Enter OBERON and squeezes the flower on TITANIA's eyelids
What thou seest when thou dost wake,LYSANDER
Do it for thy true-love take,
Love and languish for his sake:
Be it ounce, or cat, or bear,
Pard, or boar with bristled hair,
In thy eye that shall appear
When thou wakest, it is thy dear:
Wake when some vile thing is near.
Exit
Enter LYSANDER and HERMIA
Fair love, you faint with wandering in the wood;HERMIA
And to speak troth, I have forgot our way:
We'll rest us, Hermia, if you think it good,
And tarry for the comfort of the day.

One turf shall serve as pillow for us both;HERMIA
One heart, one bed, two bosoms and one troth.
Nay, good Lysander; for my sake, my dear,LYSANDER
Lie further off yet, do not lie so near.
O, take the sense, sweet, of my innocence!HERMIA
Love takes the meaning in love's conference.
I mean, that my heart unto yours is knit
So that but one heart we can make of it;
Two bosoms interchained with an oath;
So then two bosoms and a single troth.
Then by your side no bed-room me deny;
For lying so, Hermia, I do not lie.
Lysander riddles very prettily:LYSANDER
Now much beshrew my manners and my pride,
If Hermia meant to say Lysander lied.
But, gentle friend, for love and courtesy
Lie further off; in human modesty,
Such separation as may well be said
Becomes a virtuous bachelor and a maid,
So far be distant; and, good night, sweet friend:
Thy love ne'er alter till thy sweet life end!
Amen, amen, to that fair prayer, say I;HERMIA
And then end life when I end loyalty!
Here is my bed: sleep give thee all his rest!
With half that wish the wisher's eyes be press'd!PUCK
They sleep
Enter PUCK
Through the forest have I gone.HELENA
But Athenian found I none,
On whose eyes I might approve
This flower's force in stirring love.
Night and silence.--Who is here?
Weeds of Athens he doth wear:
This is he, my master said,
Despised the Athenian maid;
And here the maiden, sleeping sound,
On the dank and dirty ground.
Pretty soul! she durst not lie
Near this lack-love, this kill-courtesy.

When thou wakest, let love forbid
Sleep his seat on thy eyelid:
So awake when I am gone;
For I must now to Oberon.
Exit
Enter DEMETRIUS and HELENA, running
Stay, though thou kill me, sweet Demetrius.DEMETRIUS
I charge thee, hence, and do not haunt me thus.HELENA
O, wilt thou darkling leave me? do not so.DEMETRIUS
Stay, on thy peril: I alone will go.HELENA
Exit
O, I am out of breath in this fond chase!LYSANDER
The more my prayer, the lesser is my grace.
Happy is Hermia, wheresoe'er she lies;
For she hath blessed and attractive eyes.
How came her eyes so bright? Not with salt tears:
If so, my eyes are oftener wash'd than hers.
No, no, I am as ugly as a bear;
For beasts that meet me run away for fear:
Therefore no marvel though Demetrius
Do, as a monster fly my presence thus.
What wicked and dissembling glass of mine
Made me compare with Hermia's sphery eyne?
But who is here? Lysander! on the ground!
Dead? or asleep? I see no blood, no wound.
Lysander if you live, good sir, awake.
 Nature shows art,
That through thy bosom makes me see thy heart.
Where is Demetrius? O, how fit a word
Is that vile name to perish on my sword!
Do not say so, Lysander; say not soLYSANDER
What though he love your Hermia? Lord, what though?
Yet Hermia still loves you: then be content.
Content with Hermia! No; I do repentHELENA
The tedious minutes I with her have spent.
Not Hermia but Helena I love:
Who will not change a raven for a dove?
The will of man is by his reason sway'd;
And reason says you are the worthier maid.
Things growing are not ripe until their season
So I, being young, till now ripe not to reason;
And touching now the point of human skill,
Reason becomes the marshal to my will
And leads me to your eyes, where I o'erlook
Love's stories written in love's richest book.
Wherefore was I to this keen mockery born?LYSANDER
When at your hands did I deserve this scorn?
Is't not enough, is't not enough, young man,
That I did never, no, nor never can,
Deserve a sweet look from Demetrius' eye,
But you must flout my insufficiency?
Good troth, you do me wrong, good sooth, you do,
In such disdainful manner me to woo.
But fare you well: perforce I must confess
I thought you lord of more true gentleness.
O, that a lady, of one man refused.
Should of another therefore be abused!
Exit
She sees not Hermia. Hermia, sleep thou there:HERMIA
And never mayst thou come Lysander near!
For as a surfeit of the sweetest things
The deepest loathing to the stomach brings,
Or as tie heresies that men do leave
Are hated most of those they did deceive,
So thou, my surfeit and my heresy,
Of all be hated, but the most of me!
And, all my powers, address your love and might
To honour Helen and to be her knight!
Exit
[Awaking] Help me, Lysander, help me! do thy best
To pluck this crawling serpent from my breast!
Ay me, for pity! what a dream was here!

Lysander! what, removed? Lysander! lord!
What, out of hearing? gone? no sound, no word?
Alack, where are you speak, an if you hear;
Speak, of all loves! I swoon almost with fear.
No? then I well perceive you all not nigh
Either death or you I'll find immediately.
Exit
Enter QUINCE, SNUG, BOTTOM, FLUTE, SNOUT, and STARVELINGBOTTOM
Are we all met?QUINCE
Pat, pat; and here's a marvellous convenient placeBOTTOM
for our rehearsal. This green plot shall be our
stage, this hawthorn-brake our tiring-house; and we
will do it in action as we will do it before the duke.
Peter Quince,--QUINCE
What sayest thou, bully Bottom?BOTTOM
There are things in this comedy of Pyramus andSNOUT
Thisby that will never please. First, Pyramus must
draw a sword to kill himself; which the ladies
cannot abide. How answer you that?
By'r lakin, a parlous fear.STARVELING
I believe we must leave the killing out, when all is done.BOTTOM
Not a whit: I have a device to make all well.QUINCE
Write me a prologue; and let the prologue seem to
say, we will do no harm with our swords, and that
Pyramus is not killed indeed; and, for the more
better assurance, tell them that I, Pyramus, am not
Pyramus, but Bottom the weaver: this will put them
out of fear.
Well, we will have such a prologue; and it shall beBOTTOM
written in eight and six.
No, make it two more; let it be written in eight and eight.SNOUT
Will not the ladies be afeard of the lion?STARVELING
I fear it, I promise you.BOTTOM
Masters, you ought to consider with yourselves: toSNOUT
bring in--God shield us!--a lion among ladies, is a
most dreadful thing; for there is not a more fearful
wild-fowl than your lion living; and we ought to
look to 't.
Therefore another prologue must tell he is not a lion.BOTTOM
Nay, you must name his name, and half his face mustQUINCE
be seen through the lion's neck: and he himself
must speak through, saying thus, or to the same
defect,--'Ladies,'--or 'Fair-ladies--I would wish
You,'--or 'I would request you,'--or 'I would
entreat you,--not to fear, not to tremble: my life
for yours. If you think I come hither as a lion, it
were pity of my life: no I am no such thing; I am a
man as other men are;' and there indeed let him name
his name, and tell them plainly he is Snug the joiner.
Well it shall be so. But there is two hard things;SNOUT
that is, to bring the moonlight into a chamber; for,
you know, Pyramus and Thisby meet by moonlight.
Doth the moon shine that night we play our play?BOTTOM
A calendar, a calendar! look in the almanac; findQUINCE
out moonshine, find out moonshine.
Yes, it doth shine that night.BOTTOM
Why, then may you leave a casement of the greatQUINCE
chamber window, where we play, open, and the moon
may shine in at the casement.
Ay; or else one must come in with a bush of thornsSNOUT
and a lanthorn, and say he comes to disfigure, or to
present, the person of Moonshine. Then, there is
another thing: we must have a wall in the great
chamber; for Pyramus and Thisby says the story, did
talk through the chink of a wall.
You can never bring in a wall. What say you, Bottom?BOTTOM
Some man or other must present Wall: and let himQUINCE
have some plaster, or some loam, or some rough-cast
about him, to signify wall; and let him hold his
fingers thus, and through that cranny shall Pyramus
and Thisby whisper.
If that may be, then all is well.
Pyramus, you begin: when you have spoken your
speech, enter into that brake: and so every one
according to his cue.
Enter PUCK behind
What hempen home-spuns have we swaggering here,QUINCE
So near the cradle of the fairy queen?
What, a play toward! I'll be an auditor;
An actor too, perhaps, if I see cause.
Speak, Pyramus. Thisby, stand forth.BOTTOM
Thisby, the flowers of odious savours sweet,--QUINCE
Odours, odours.BOTTOM
--odours savours sweet:PUCK
So hath thy breath, my dearest Thisby dear.

Exit
A stranger Pyramus than e'er played here.FLUTE
Exit
Must I speak now?QUINCE
Ay, marry, must you; for you must understand he goesFLUTE
but to see a noise that he heard, and is to come again.
Most radiant Pyramus, most lily-white of hue,QUINCE
Of colour like the red rose on triumphant brier,
Most brisky juvenal and eke most lovely Jew,
As true as truest horse that yet would never tire,
I'll meet thee, Pyramus, at Ninny's tomb.
'Ninus' tomb,' man: why, you must not speak thatFLUTE
yet; that you answer to Pyramus: you speak all your
part at once, cues and all Pyramus enter: your cue
is past; it is, 'never tire.'
O,--As true as truest horse, that yet wouldBOTTOM
never tire.
 O strange! we are haunted. Pray,PUCK
masters! fly, masters! Help!
Exeunt QUINCE, SNUG, FLUTE, SNOUT, and STARVELING
I'll follow you, I'll lead you about a round,BOTTOM
Through bog, through bush, through brake, through brier:
Sometime a horse I'll be, sometime a hound,
A hog, a headless bear, sometime a fire;
And neigh, and bark, and grunt, and roar, and burn,
Like horse, hound, hog, bear, fire, at every turn.
Exit
Why do they run away? this is a knavery of them toSNOUT
make me afeard.
Re-enter SNOUT
O Bottom, thou art changed! what do I see on thee?BOTTOM
What do you see? you see an asshead of your own, doQUINCE
you?
Exit SNOUT
Re-enter QUINCE
Bless thee, Bottom! bless thee! thou artBOTTOM
translated.
 But I will not stir
from this place, do what they can: I will walk up
and down here, and I will sing, that they shall hear
I am not afraid.

I pray thee, gentle mortal, sing again:BOTTOM
Mine ear is much enamour'd of thy note;
So is mine eye enthralled to thy shape;
And thy fair virtue's force perforce doth move me
On the first view to say, to swear, I love thee.
Methinks, mistress, you should have little reasonTITANIA
for that: and yet, to say the truth, reason and
love keep little company together now-a-days; the
more the pity that some honest neighbours will not
make them friends. Nay, I can gleek upon occasion.
Thou art as wise as thou art beautiful.BOTTOM
Not so, neither: but if I had wit enough to get outTITANIA
of this wood, I have enough to serve mine own turn.
Out of this wood do not desire to go:PEASEBLOSSOM
Thou shalt remain here, whether thou wilt or no.
I am a spirit of no common rate;
The summer still doth tend upon my state;
And I do love thee: therefore, go with me;
I'll give thee fairies to attend on thee,
And they shall fetch thee jewels from the deep,
And sing while thou on pressed flowers dost sleep;
And I will purge thy mortal grossness so
That thou shalt like an airy spirit go.
Peaseblossom! Cobweb! Moth! and Mustardseed!
Enter PEASEBLOSSOM, COBWEB, MOTH, and MUSTARDSEED
Ready.COBWEB
And I.MOTH
And I.MUSTARDSEED
And I.ALL
Where shall we go?TITANIA
Be kind and courteous to this gentleman;PEASEBLOSSOM
Hop in his walks and gambol in his eyes;
Feed him with apricocks and dewberries,
With purple grapes, green figs, and mulberries;
The honey-bags steal from the humble-bees,
And for night-tapers crop their waxen thighs
And light them at the fiery glow-worm's eyes,
To have my love to bed and to arise;
And pluck the wings from Painted butterflies
To fan the moonbeams from his sleeping eyes:
Nod to him, elves, and do him courtesies.

Cobweb.BOTTOM
I shall desire you of more acquaintance, good MasterPEASEBLOSSOM
Cobweb: if I cut my finger, I shall make bold with
you. Your name, honest gentleman?
Peaseblossom.BOTTOM
I pray you, commend me to Mistress Squash, yourMUSTARDSEED
mother, and to Master Peascod, your father. Good
Master Peaseblossom, I shall desire you of more
acquaintance too. Your name, I beseech you, sir?
Mustardseed.BOTTOM
Good Master Mustardseed, I know your patience well:TITANIA
that same cowardly, giant-like ox-beef hath
devoured many a gentleman of your house: I promise
you your kindred had made my eyes water ere now. I
desire your more acquaintance, good Master
Mustardseed.
Come, wait upon him; lead him to my bower.
The moon methinks looks with a watery eye;
And when she weeps, weeps every little flower,
Lamenting some enforced chastity.

Exeunt
Enter OBERONOBERON
I wonder if Titania be awaked;PUCK
Then, what it was that next came in her eye,
Which she must dote on in extremity.
Enter PUCK
Here comes my messenger.
How now, mad spirit!
What night-rule now about this haunted grove?
My mistress with a monster is in love.OBERON
Near to her close and consecrated bower,
While she was in her dull and sleeping hour,
A crew of patches, rude mechanicals,
That work for bread upon Athenian stalls,
Were met together to rehearse a play
Intended for great Theseus' nuptial-day.
The shallowest thick-skin of that barren sort,
Who Pyramus presented, in their sport
Forsook his scene and enter'd in a brake
When I did him at this advantage take,
An ass's nole I fixed on his head:
Anon his Thisbe must be answered,
And forth my mimic comes. When they him spy,
As wild geese that the creeping fowler eye,
Or russet-pated choughs, many in sort,
Rising and cawing at the gun's report,
Sever themselves and madly sweep the sky,
So, at his sight, away his fellows fly;
And, at our stamp, here o'er and o'er one falls;
He murder cries and help from Athens calls.
Their sense thus weak, lost with their fears
thus strong,
Made senseless things begin to do them wrong;
For briers and thorns at their apparel snatch;
Some sleeves, some hats, from yielders all
things catch.

This falls out better than I could devise.PUCK
But hast thou yet latch'd the Athenian's eyes
With the love-juice, as I did bid thee do?
I took him sleeping,--that is finish'd too,--OBERON
And the Athenian woman by his side:
That, when he waked, of force she must be eyed.

Now I but chide; but I should use thee worse,DEMETRIUS
For thou, I fear, hast given me cause to curse,
If thou hast slain Lysander in his sleep,
Being o'er shoes in blood, plunge in the deep,
And kill me too.
The sun was not so true unto the day
As he to me: would he have stolen away
From sleeping Hermia? I'll believe as soon
This whole earth may be bored and that the moon
May through the centre creep and so displease
Her brother's noontide with Antipodes.
It cannot be but thou hast murder'd him;
So should a murderer look, so dead, so grim.
So should the murder'd look, and so should I,HERMIA
Pierced through the heart with your stern cruelty:
Yet you, the murderer, look as bright, as clear,
As yonder Venus in her glimmering sphere.
What's this to my Lysander? where is he?DEMETRIUS
Ah, good Demetrius, wilt thou give him me?
I had rather give his carcass to my hounds.HERMIA
Out, dog! out, cur! thou drivest me past the boundsDEMETRIUS
Of maiden's patience. Hast thou slain him, then?
Henceforth be never number'd among men!
O, once tell true, tell true, even for my sake!
Durst thou have look'd upon him being awake,
And hast thou kill'd him sleeping? O brave touch!
Could not a worm, an adder, do so much?
An adder did it; for with doubler tongue
Than thine, thou serpent, never adder stung.

I pray thee, tell me then that he is well.DEMETRIUS
An if I could, what should I get therefore?HERMIA
A privilege never to see me more.DEMETRIUS
And from thy hated presence part I so:
See me no more, whether he be dead or no.
Exit
There is no following her in this fierce vein:OBERON
Here therefore for a while I will remain.
So sorrow's heaviness doth heavier grow
For debt that bankrupt sleep doth sorrow owe:
Which now in some slight measure it will pay,
If for his tender here I make some stay.
Lies down and sleeps
What hast thou done? thou hast mistaken quitePUCK
And laid the love-juice on some true-love's sight:
Of thy misprision must perforce ensue
Some true love turn'd and not a false turn'd true.
Then fate o'er-rules, that, one man holding troth,OBERON
A million fail, confounding oath on oath.
About the wood go swifter than the wind,PUCK
And Helena of Athens look thou find:
All fancy-sick she is and pale of cheer,
With sighs of love, that costs the fresh blood dear:
By some illusion see thou bring her here:
I'll charm his eyes against she do appear.
I go, I go; look how I go,OBERON
Swifter than arrow from the Tartar's bow.
Exit
Flower of this purple dye,PUCK
Hit with Cupid's archery,
Sink in apple of his eye.
When his love he doth espy,
Let her shine as gloriously
As the Venus of the sky.
When thou wakest, if she be by,
Beg of her for remedy.
Re-enter PUCK
Captain of our fairy band,OBERON
Helena is here at hand;
And the youth, mistook by me,
Pleading for a lover's fee.
Shall we their fond pageant see?
Lord, what fools these mortals be!
Stand aside: the noise they makePUCK
Will cause Demetrius to awake.
Then will two at once woo one;LYSANDER
That must needs be sport alone;
And those things do best please me
That befal preposterously.
Enter LYSANDER and HELENA
Why should you think that I should woo in scorn?HELENA
Scorn and derision never come in tears:
Look, when I vow, I weep; and vows so born,
In their nativity all truth appears.
How can these things in me seem scorn to you,
Bearing the badge of faith, to prove them true?
You do advance your cunning more and more.LYSANDER
When truth kills truth, O devilish-holy fray!
These vows are Hermia's: will you give her o'er?
Weigh oath with oath, and you will nothing weigh:
Your vows to her and me, put in two scales,
Will even weigh, and both as light as tales.
I had no judgment when to her I swore.HELENA
Nor none, in my mind, now you give her o'er.LYSANDER
Demetrius loves her, and he loves not you.DEMETRIUS
[Awaking] O Helena, goddess, nymph, perfect, divine!HELENA
To what, my love, shall I compare thine eyne?
Crystal is muddy. O, how ripe in show
Thy lips, those kissing cherries, tempting grow!
That pure congealed white, high Taurus snow,
Fann'd with the eastern wind, turns to a crow
When thou hold'st up thy hand: O, let me kiss
This princess of pure white, this seal of bliss!
O spite! O hell! I see you all are bentLYSANDER
To set against me for your merriment:
If you we re civil and knew courtesy,
You would not do me thus much injury.
Can you not hate me, as I know you do,
But you must join in souls to mock me too?
If you were men, as men you are in show,
You would not use a gentle lady so;
To vow, and swear, and superpraise my parts,
When I am sure you hate me with your hearts.

Never did mockers waste more idle breath.DEMETRIUS
Lysander, keep thy Hermia; I will none:LYSANDER
If e'er I loved her, all that love is gone.
My heart to her but as guest-wise sojourn'd,
And now to Helen is it home return'd,
There to remain.
Helen, it is not so.DEMETRIUS
Disparage not the faith thou dost not know,HERMIA
Lest, to thy peril, thou aby it dear.
Look, where thy love comes; yonder is thy dear.
Re-enter HERMIA
Dark night, that from the eye his function takes,LYSANDER
The ear more quick of apprehension makes;
Wherein it doth impair the seeing sense,
It pays the hearing double recompense.
Thou art not by mine eye, Lysander, found;
Mine ear, I thank it, brought me to thy sound
But why unkindly didst thou leave me so?
Why should he stay, whom love doth press to go?HERMIA
What love could press Lysander from my side?LYSANDER
Lysander's love, that would not let him bide,HERMIA
Fair Helena, who more engilds the night
Than all you fiery oes and eyes of light.
Why seek'st thou me? could not this make thee know,
The hate I bear thee made me leave thee so?
You speak not as you think: it cannot be.HELENA
Lo, she is one of this confederacy!HERMIA
Now I perceive they have conjoin'd all three
To fashion this false sport, in spite of me.
Injurious Hermia! most ungrateful maid!
Have you conspired, have you with these contrived
To bait me with this foul derision?
Is all the counsel that we two have shared,
The sisters' vows, the hours that we have spent,
When we have chid the hasty-footed time
For parting us,--O, is it all forgot?
All school-days' friendship, childhood innocence?
We, Hermia, like two artificial gods,
Have with our needles created both one flower,
Both on one sampler, sitting on one cushion,
Both warbling of one song, both in one key,
As if our hands, our sides, voices and minds,
Had been incorporate. So we grow together,
Like to a double cherry, seeming parted,
But yet an union in partition;
Two lovely berries moulded on one stem;
So, with two seeming bodies, but one heart;
Two of the first, like coats in heraldry,
Due but to one and crowned with one crest.
And will you rent our ancient love asunder,
To join with men in scorning your poor friend?
It is not friendly, 'tis not maidenly:
Our sex, as well as I, may chide you for it,
Though I alone do feel the injury.
I am amazed at your passionate words.HELENA
I scorn you not: it seems that you scorn me.
Have you not set Lysander, as in scorn,HERNIA
To follow me and praise my eyes and face?
And made your other love, Demetrius,
Who even but now did spurn me with his foot,
To call me goddess, nymph, divine and rare,
Precious, celestial? Wherefore speaks he this
To her he hates? and wherefore doth Lysander
Deny your love, so rich within his soul,
And tender me, forsooth, affection,
But by your setting on, by your consent?
What thought I be not so in grace as you,
So hung upon with love, so fortunate,
But miserable most, to love unloved?
This you should pity rather than despise.
I understand not what you mean by this.HELENA
Ay, do, persever, counterfeit sad looks,LYSANDER
Make mouths upon me when I turn my back;
Wink each at other; hold the sweet jest up:
This sport, well carried, shall be chronicled.
If you have any pity, grace, or manners,
You would not make me such an argument.
But fare ye well: 'tis partly my own fault;
Which death or absence soon shall remedy.
Stay, gentle Helena; hear my excuse:HELENA
My love, my life my soul, fair Helena!
O excellent!HERMIA
Sweet, do not scorn her so.DEMETRIUS
If she cannot entreat, I can compel.LYSANDER
Thou canst compel no more than she entreat:DEMETRIUS
Thy threats have no more strength than her weak prayers.
Helen, I love thee; by my life, I do:
I swear by that which I will lose for thee,
To prove him false that says I love thee not.
I say I love thee more than he can do.LYSANDER
If thou say so, withdraw, and prove it too.DEMETRIUS
Quick, come!HERMIA
Lysander, whereto tends all this?LYSANDER
Away, you Ethiope!DEMETRIUS
No, no; he'll [ ]LYSANDER
Seem to break loose; take on as you would follow,
But yet come not: you are a tame man, go!

Do you not jest?HELENA
Yes, sooth; and so do you.LYSANDER
Demetrius, I will keep my word with thee.DEMETRIUS
I would I had your bond, for I perceiveLYSANDER
A weak bond holds you: I'll not trust your word.

What, can you do me greater harm than hate?LYSANDER
Hate me! wherefore? O me! what news, my love!
Am not I Hermia? are not you Lysander?
I am as fair now as I was erewhile.
Since night you loved me; yet since night you left
me:
Why, then you left me--O, the gods forbid!--
In earnest, shall I say?
Ay, by my life;HERMIA
And never did desire to see thee more.
Therefore be out of hope, of question, of doubt;
Be certain, nothing truer; 'tis no jest
That I do hate thee and love Helena.

Fine, i'faith!HERMIA
Have you no modesty, no maiden shame,
No touch of bashfulness? What, will you tear
Impatient answers from my gentle tongue?

Puppet? why so? ay, that way goes the game.HELENA
Now I perceive that she hath made compare
Between our statures; she hath urged her height;
And with her personage, her tall personage,
Her height, forsooth, she hath prevail'd with him.
And are you grown so high in his esteem;
Because I am so dwarfish and so low?
How low am I, thou painted maypole? speak;
How low am I? I am not yet so low
But that my nails can reach unto thine eyes.
I pray you, though you mock me, gentlemen,HERMIA
Let her not hurt me: I was never curst;
I have no gift at all in shrewishness;
I am a right maid for my cowardice:
Let her not strike me. You perhaps may think,
Because she is something lower than myself,
That I can match her.
Lower! hark, again.HELENA
Good Hermia, do not be so bitter with me.HERMIA
I evermore did love you, Hermia,
Did ever keep your counsels, never wrong'd you;
Save that, in love unto Demetrius,
I told him of your stealth unto this wood.

Why, get you gone: who is't that hinders you?HELENA
A foolish heart, that I leave here behind.HERMIA
What, with Lysander?HELENA
With Demetrius.LYSANDER
Be not afraid; she shall not harm thee, Helena.DEMETRIUS
No, sir, she shall not, though you take her part.HELENA
O, when she's angry, she is keen and shrewd!HERMIA
She was a vixen when she went to school;
And though she be but little, she is fierce.

Let me come to her.

Let her alone: speak not of Helena;
Take not her part; for, if thou dost intend
Never so little show of love to her,
Thou shalt aby it.
Now she holds me not;DEMETRIUS
Now follow, if thou darest, to try whose right,
Of thine or mine, is most in Helena.
Follow! nay, I'll go with thee, cheek by jole.HERMIA
Exeunt LYSANDER and DEMETRIUS
You, mistress, all this coil is 'long of you:HELENA
Nay, go not back.
I will not trust you, I,HERMIA
Nor longer stay in your curst company.
Your hands than mine are quicker for a fray,
My legs are longer though, to run away.
Exit
I am amazed, and know not what to say.OBERON
Exit
This is thy negligence: still thou mistakest,PUCK
Or else committ'st thy knaveries wilfully.
Believe me, king of shadows, I mistook.OBERON
Did not you tell me I should know the man
By the Athenian garment be had on?
And so far blameless proves my enterprise,
That I have 'nointed an Athenian's eyes;
And so far am I glad it so did sort
As this their jangling I esteem a sport.
Thou see'st these lovers seek a place to fight:PUCK
Hie therefore, Robin, overcast the night;
The starry welkin cover thou anon
With drooping fog as black as Acheron,
And lead these testy rivals so astray
As one come not within another's way.
Like to Lysander sometime frame thy tongue,
Then stir Demetrius up with bitter wrong;
And sometime rail thou like Demetrius;
And from each other look thou lead them thus,
Till o'er their brows death-counterfeiting sleep
With leaden legs and batty wings doth creep:
Then crush this herb into Lysander's eye;
Whose liquor hath this virtuous property,
To take from thence all error with his might,
And make his eyeballs roll with wonted sight.
When they next wake, all this derision
Shall seem a dream and fruitless vision,
And back to Athens shall the lovers wend,
With league whose date till death shall never end.
Whiles I in this affair do thee employ,
I'll to my queen and beg her Indian boy;
And then I will her charmed eye release
From monster's view, and all things shall be peace.
My fairy lord, this must be done with haste,OBERON
For night's swift dragons cut the clouds full fast,
And yonder shines Aurora's harbinger;
At whose approach, ghosts, wandering here and there,
Troop home to churchyards: damned spirits all,
That in crossways and floods have burial,
Already to their wormy beds are gone;
For fear lest day should look their shames upon,
They willfully themselves exile from light
And must for aye consort with black-brow'd night.
But we are spirits of another sort:PUCK
I with the morning's love have oft made sport,
And, like a forester, the groves may tread,
Even till the eastern gate, all fiery-red,
Opening on Neptune with fair blessed beams,
Turns into yellow gold his salt green streams.
But, notwithstanding, haste; make no delay:
We may effect this business yet ere day.
Exit
Up and down, up and down,LYSANDER
I will lead them up and down:
I am fear'd in field and town:
Goblin, lead them up and down.
Here comes one.
Re-enter LYSANDER
Where art thou, proud Demetrius? speak thou now.PUCK
Here, villain; drawn and ready. Where art thou?LYSANDER
I will be with thee straight.PUCK
Follow me, then,DEMETRIUS
To plainer ground.
Exit LYSANDER, as following the voice
Re-enter DEMETRIUS
Lysander! speak again:PUCK
Thou runaway, thou coward, art thou fled?
Speak! In some bush? Where dost thou hide thy head?
Thou coward, art thou bragging to the stars,DEMETRIUS
Telling the bushes that thou look'st for wars,
And wilt not come? Come, recreant; come, thou child;
I'll whip thee with a rod: he is defiled
That draws a sword on thee.
Yea, art thou there?PUCK
Follow my voice: we'll try no manhood here.LYSANDER
Exeunt
Re-enter LYSANDER
He goes before me and still dares me on:PUCK
When I come where he calls, then he is gone.
The villain is much lighter-heel'd than I:
I follow'd fast, but faster he did fly;
That fallen am I in dark uneven way,
And here will rest me.
Lies down
Come, thou gentle day!
For if but once thou show me thy grey light,
I'll find Demetrius and revenge this spite.
Sleeps
Re-enter PUCK and DEMETRIUS
Ho, ho, ho! Coward, why comest thou not?DEMETRIUS
Abide me, if thou darest; for well I wotPUCK
Thou runn'st before me, shifting every place,
And darest not stand, nor look me in the face.
Where art thou now?
Come hither: I am here.DEMETRIUS
Nay, then, thou mock'st me.  Faintness constraineth me
To measure out my length on this cold bed.
By day's approach look to be visited.
Lies down and sleeps
Re-enter HELENA
O weary night, O long and tedious night,PUCK
Abate thy hour! Shine comforts from the east,
That I may back to Athens by daylight,
From these that my poor company detest:
And sleep, that sometimes shuts up sorrow's eye,
Steal me awhile from mine own company.
Lies down and sleeps
Yet but three? Come one more;HERMIA
Two of both kinds make up four.
Here she comes, curst and sad:
Cupid is a knavish lad,
Thus to make poor females mad.
Re-enter HERMIA
Never so weary, never so in woe,PUCK
Bedabbled with the dew and torn with briers,
I can no further crawl, no further go;
My legs can keep no pace with my desires.
Here will I rest me till the break of day.
Heavens shield Lysander, if they mean a fray!
Lies down and sleeps
On the ground
Sleep sound:
I'll apply
To your eye,
Gentle lover, remedy.
Squeezing the juice on LYSANDER's eyes
When thou wakest,
Thou takest
True delight
In the sight
Of thy former lady's eye:
And the country proverb known,
That every man should take his own,
In your waking shall be shown:
Jack shall have Jill;
Nought shall go ill;
The man shall have his mare again, and all shall be well.

Where's Peaseblossom?PEASEBLOSSOM
Ready.BOTTOM
Scratch my head Peaseblossom.  Do not fret
yourself too much in the action, mounsieur; and,
good mounsieur, have a care the honey-bag break not;
I would be loath to have you overflown with a
honey-bag, signior. Where's Mounsieur Mustardseed?
Ready.BOTTOM
Give me your neaf, Mounsieur Mustardseed. Pray you,MUSTARDSEED
leave your courtesy, good mounsieur.
What's your Will?BOTTOM
Nothing, good mounsieur, but to help Cavalery CobwebTITANIA
to scratch.
What, wilt thou hear some music,BOTTOM
my sweet love?
I have a reasonable good ear in music. Let's haveTITANIA
the tongs and the bones.
Or say, sweet love, what thou desirest to eat.BOTTOM
Truly, a peck of provender: I could munch your goodTITANIA
dry oats. Methinks I have a great desire to a bottle
of hay: good hay, sweet hay, hath no fellow.
I have a venturous fairy that shall seekBOTTOM
The squirrel's hoard, and fetch thee new nuts.

Sleep thou, and I will wind thee in my arms.OBERON
Fairies, begone, and be all ways away.
Exeunt fairies
So doth the woodbine the sweet honeysuckle
Gently entwist; the female ivy so
Enrings the barky fingers of the elm.
O, how I love thee! how I dote on thee!
They sleep
Enter PUCK
[Advancing] Welcome, good Robin.TITANIA
See'st thou this sweet sight?
Her dotage now I do begin to pity:
For, meeting her of late behind the wood,
Seeking sweet favours from this hateful fool,
I did upbraid her and fall out with her;
For she his hairy temples then had rounded
With a coronet of fresh and fragrant flowers;
And that same dew, which sometime on the buds
Was wont to swell like round and orient pearls,
Stood now within the pretty flowerets' eyes
Like tears that did their own disgrace bewail.
When I had at my pleasure taunted her
And she in mild terms begg'd my patience,
I then did ask of her her changeling child;
Which straight she gave me, and her fairy sent
To bear him to my bower in fairy land.
And now I have the boy, I will undo
This hateful imperfection of her eyes:
And, gentle Puck, take this transformed scalp
From off the head of this Athenian swain;
That, he awaking when the other do,
May all to Athens back again repair
And think no more of this night's accidents
But as the fierce vexation of a dream.
But first I will release the fairy queen.
Be as thou wast wont to be;
See as thou wast wont to see:
Dian's bud o'er Cupid's flower
Hath such force and blessed power.

Silence awhile. Robin, take off this head.TITANIA
Titania, music call; and strike more dead
Than common sleep of all these five the sense.
Music, ho! music, such as charmeth sleep!PUCK
Music, still
Now, when thou wakest, with thineOBERON
own fool's eyes peep.
Sound, music! Come, my queen, take hands with me,PUCK
And rock the ground whereon these sleepers be.
Now thou and I are new in amity,
And will to-morrow midnight solemnly
Dance in Duke Theseus' house triumphantly,
And bless it to all fair prosperity:
There shall the pairs of faithful lovers be
Wedded, with Theseus, all in jollity.
Fairy king, attend, and mark:OBERON
I do hear the morning lark.
Then, my queen, in silence sad,TITANIA
Trip we after the night's shade:
We the globe can compass soon,
Swifter than the wandering moon.
Come, my lord, and in our flightTHESEUS
Tell me how it came this night
That I sleeping here was found
With these mortals on the ground.
Exeunt
Horns winded within
Enter THESEUS, HIPPOLYTA, EGEUS, and train
Go, one of you, find out the forester;HIPPOLYTA
For now our observation is perform'd;
And since we have the vaward of the day,
My love shall hear the music of my hounds.
Uncouple in the western valley; let them go:
Dispatch, I say, and find the forester.
Exit an Attendant
We will, fair queen, up to the mountain's top,
And mark the musical confusion
Of hounds and echo in conjunction.
I was with Hercules and Cadmus once,THESEUS
When in a wood of Crete they bay'd the bear
With hounds of Sparta: never did I hear
Such gallant chiding: for, besides the groves,
The skies, the fountains, every region near
Seem'd all one mutual cry: I never heard
So musical a discord, such sweet thunder.
My hounds are bred out of the Spartan kind,EGEUS
So flew'd, so sanded, and their heads are hung
With ears that sweep away the morning dew;
Crook-knee'd, and dew-lapp'd like Thessalian bulls;
Slow in pursuit, but match'd in mouth like bells,
Each under each. A cry more tuneable
Was never holla'd to, nor cheer'd with horn,
In Crete, in Sparta, nor in Thessaly:
Judge when you hear. But, soft! what nymphs are these?
My lord, this is my daughter here asleep;THESEUS
And this, Lysander; this Demetrius is;
This Helena, old Nedar's Helena:
I wonder of their being here together.
No doubt they rose up early to observeEGEUS
The rite of May, and hearing our intent,
Came here in grace our solemnity.
But speak, Egeus; is not this the day
That Hermia should give answer of her choice?
It is, my lord.THESEUS
Go, bid the huntsmen wake them with their horns.LYSANDER
Horns and shout within. LYSANDER, DEMETRIUS, HELENA, and HERMIA wake and start up
Good morrow, friends. Saint Valentine is past:
Begin these wood-birds but to couple now?
Pardon, my lord.THESEUS
I pray you all, stand up.LYSANDER
I know you two are rival enemies:
How comes this gentle concord in the world,
That hatred is so far from jealousy,
To sleep by hate, and fear no enmity?
My lord, I shall reply amazedly,EGEUS
Half sleep, half waking: but as yet, I swear,
I cannot truly say how I came here;
But, as I think,--for truly would I speak,
And now do I bethink me, so it is,--
I came with Hermia hither: our intent
Was to be gone from Athens, where we might,
Without the peril of the Athenian law.
Enough, enough, my lord; you have enough:DEMETRIUS
I beg the law, the law, upon his head.

My lord, fair Helen told me of their stealth,THESEUS
Of this their purpose hither to this wood;
And I in fury hither follow'd them,
Fair Helena in fancy following me.
But, my good lord, I wot not by what power,--
But by some power it is,--my love to Hermia,
Melted as the snow, seems to me now
As the remembrance of an idle gaud
Which in my childhood I did dote upon;
And all the faith, the virtue of my heart,
The object and the pleasure of mine eye,
Is only Helena. To her, my lord,
Was I betroth'd ere I saw Hermia:
But, like in sickness, did I loathe this food;
But, as in health, come to my natural taste,
Now I do wish it, love it, long for it,
And will for evermore be true to it.
Fair lovers, you are fortunately met:DEMETRIUS
Of this discourse we more will hear anon.
Egeus, I will overbear your will;
For in the temple by and by with us
These couples shall eternally be knit:
And, for the morning now is something worn,
Our purposed hunting shall be set aside.
Away with us to Athens; three and three,
We'll hold a feast in great solemnity.
Come, Hippolyta.
Exeunt THESEUS, HIPPOLYTA, EGEUS, and train
These things seem small and undistinguishable,HERMIA
Methinks I see these things with parted eye,HELENA
When every thing seems double.
So methinks:DEMETRIUS
And I have found Demetrius like a jewel,
Mine own, and not mine own.
Are you sureHERMIA
That we are awake? It seems to me
That yet we sleep, we dream. Do not you think
The duke was here, and bid us follow him?
Yea; and my father.HELENA
And Hippolyta.LYSANDER
And he did bid us follow to the temple.DEMETRIUS
Why, then, we are awake: let's follow himBOTTOM
And by the way let us recount our dreams.
Exeunt
[Awaking] When my cue comes, call me, and I will
answer: my next is, 'Most fair Pyramus.' Heigh-ho!
Peter Quince! Flute, the bellows-mender! Snout,
the tinker! Starveling! God's my life, stolen
hence, and left me asleep! I have had a most rare
vision.  Methought I was--there
is no man can tell what. Methought I was,--and
methought I had,--but man is but a patched fool, if
he will offer to say what methought I had. The eye
of man hath not heard, the ear of man hath not
seen, man's hand is not able to taste, his tongue
to conceive, nor his heart to report, what my dream
was. I will get Peter Quince to write a ballad of
this dream: it shall be called Bottom's Dream,
because it hath no bottom; and I will sing it in the
latter end of a play, before the duke:
peradventure, to make it the more gracious, I shall
sing it at her death.
Exit
Enter QUINCE, FLUTE, SNOUT, and STARVELINGQUINCE
Have you sent to Bottom's house ? is he come home yet?STARVELING
He cannot be heard of. Out of doubt he isFLUTE
transported.
If he come not, then the play is marred: it goesQUINCE
not forward, doth it?
It is not possible: you have not a man in allFLUTE
Athens able to discharge Pyramus but he.
No, he hath simply the best wit of any handicraftQUINCE
man in Athens.
Yea and the best person too; and he is a veryFLUTE
paramour for a sweet voice.
You must say 'paragon:' a paramour is, God bless us,SNUG
a thing of naught.
Enter SNUG
Masters, the duke is coming from the temple, andFLUTE
there is two or three lords and ladies more married:
if our sport had gone forward, we had all been made
men.
O sweet bully Bottom! Thus hath he lost sixpence aBOTTOM
day during his life; he could not have 'scaped
sixpence a day: an the duke had not given him
sixpence a day for playing Pyramus, I'll be hanged;
he would have deserved it: sixpence a day in
Pyramus, or nothing.
Enter BOTTOM
Where are these lads? where are these hearts?QUINCE
Bottom! O most courageous day! O most happy hour!BOTTOM
Masters, I am to discourse wonders: but ask me notQUINCE
what; for if I tell you, I am no true Athenian. I
will tell you every thing, right as it fell out.
Let us hear, sweet Bottom.BOTTOM
Not a word of me. All that I will tell you is, that
the duke hath dined. Get your apparel together,
good strings to your beards, new ribbons to your
pumps; meet presently at the palace; every man look
o'er his part; for the short and the long is, our
play is preferred. In any case, let Thisby have
clean linen; and let not him that plays the lion
pair his nails, for they shall hang out for the
lion's claws.  No more words: away! go, away!
Exeunt
Enter THESEUS, HIPPOLYTA, PHILOSTRATE, Lords and AttendantsHIPPOLYTA
'Tis strange my Theseus, that theseTHESEUS
lovers speak of.
More strange than true: I never may believeHIPPOLYTA
These antique fables, nor these fairy toys.
Lovers and madmen have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
The lunatic, the lover and the poet
Are of imagination all compact:
One sees more devils than vast hell can hold,
That is, the madman: the lover, all as frantic,
Sees Helen's beauty in a brow of Egypt:
The poet's eye, in fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name.
Such tricks hath strong imagination,
That if it would but apprehend some joy,
It comprehends some bringer of that joy;
Or in the night, imagining some fear,
How easy is a bush supposed a bear!
But all the story of the night told over,THESEUS
And all their minds transfigured so together,
More witnesseth than fancy's images
And grows to something of great constancy;
But, howsoever, strange and admirable.
Here come the lovers, full of joy and mirth.LYSANDER
Enter LYSANDER, DEMETRIUS, HERMIA, and HELENA
Joy, gentle friends! joy and fresh days of love
Accompany your hearts!

Come now; what masques, what dances shall we have,PHILOSTRATE
To wear away this long age of three hours
Between our after-supper and bed-time?
Where is our usual manager of mirth?
What revels are in hand? Is there no play,
To ease the anguish of a torturing hour?
Call Philostrate.
Here, mighty Theseus.THESEUS
Say, what abridgement have you for this evening?PHILOSTRATE
What masque? what music? How shall we beguile
The lazy time, if not with some delight?
There is a brief how many sports are ripe:THESEUS
Make choice of which your highness will see first.
Giving a paper
[Reads] 'The battle with the Centaurs, to be sungPHILOSTRATE
By an Athenian eunuch to the harp.'
We'll none of that: that have I told my love,
In glory of my kinsman Hercules.
Reads
'The riot of the tipsy Bacchanals,
Tearing the Thracian singer in their rage.'
That is an old device; and it was play'd
When I from Thebes came last a conqueror.
Reads
'The thrice three Muses mourning for the death
Of Learning, late deceased in beggary.'
That is some satire, keen and critical,
Not sorting with a nuptial ceremony.
Reads
'A tedious brief scene of young Pyramus
And his love Thisbe; very tragical mirth.'
Merry and tragical! tedious and brief!
That is, hot ice and wondrous strange snow.
How shall we find the concord of this discord?
A play there is, my lord, some ten words long,THESEUS
Which is as brief as I have known a play;
But by ten words, my lord, it is too long,
Which makes it tedious; for in all the play
There is not one word apt, one player fitted:
And tragical, my noble lord, it is;
For Pyramus therein doth kill himself.
Which, when I saw rehearsed, I must confess,
Made mine eyes water; but more merry tears
The passion of loud laughter never shed.
What are they that do play it?PHILOSTRATE
Hard-handed men that work in Athens here,THESEUS
Which never labour'd in their minds till now,
And now have toil'd their unbreathed memories
With this same play, against your nuptial.
And we will hear it.PHILOSTRATE
No, my noble lord;THESEUS
It is not for you: I have heard it over,
And it is nothing, nothing in the world;
Unless you can find sport in their intents,
Extremely stretch'd and conn'd with cruel pain,
To do you service.
I will hear that play;HIPPOLYTA
For never anything can be amiss,
When simpleness and duty tender it.
Go, bring them in: and take your places, ladies.
Exit PHILOSTRATE
I love not to see wretchedness o'er chargedTHESEUS
And duty in his service perishing.
Why, gentle sweet, you shall see no such thing.HIPPOLYTA
He says they can do nothing in this kind.THESEUS
The kinder we, to give them thanks for nothing.PHILOSTRATE
Our sport shall be to take what they mistake:
And what poor duty cannot do, noble respect
Takes it in might, not merit.
Where I have come, great clerks have purposed
To greet me with premeditated welcomes;
Where I have seen them shiver and look pale,
Make periods in the midst of sentences,
Throttle their practised accent in their fears
And in conclusion dumbly have broke off,
Not paying me a welcome. Trust me, sweet,
Out of this silence yet I pick'd a welcome;
And in the modesty of fearful duty
I read as much as from the rattling tongue
Of saucy and audacious eloquence.
Love, therefore, and tongue-tied simplicity
In least speak most, to my capacity.
Re-enter PHILOSTRATE
So please your grace, the Prologue is address'd.THESEUS
Let him approach.Prologue
Flourish of trumpets
Enter QUINCE for the Prologue
If we offend, it is with our good will.THESEUS
That you should think, we come not to offend,
But with good will. To show our simple skill,
That is the true beginning of our end.
Consider then we come but in despite.
We do not come as minding to contest you,
Our true intent is. All for your delight
We are not here. That you should here repent you,
The actors are at hand and by their show
You shall know all that you are like to know.
This fellow doth not stand upon points.LYSANDER
He hath rid his prologue like a rough colt; he knowsHIPPOLYTA
not the stop. A good moral, my lord: it is not
enough to speak, but to speak true.
Indeed he hath played on his prologue like a childTHESEUS
on a recorder; a sound, but not in government.
His speech, was like a tangled chain; nothingPrologue
impaired, but all disordered. Who is next?
Enter Pyramus and Thisbe, Wall, Moonshine, and Lion
Gentles, perchance you wonder at this show;THESEUS
But wonder on, till truth make all things plain.
This man is Pyramus, if you would know;
This beauteous lady Thisby is certain.
This man, with lime and rough-cast, doth present
Wall, that vile Wall which did these lovers sunder;
And through Wall's chink, poor souls, they are content
To whisper. At the which let no man wonder.
This man, with lanthorn, dog, and bush of thorn,
Presenteth Moonshine; for, if you will know,
By moonshine did these lovers think no scorn
To meet at Ninus' tomb, there, there to woo.

 For all the rest,
Let Lion, Moonshine, Wall, and lovers twain
At large discourse, while here they do remain.
Exeunt Prologue, Thisbe, Lion, and Moonshine
I wonder if the lion be to speak.DEMETRIUS
No wonder, my lord: one lion may, when many asses do.Wall
In this same interlude it doth befallTHESEUS
That I, one Snout by name, present a wall;
And such a wall, as I would have you think,
That had in it a crannied hole or chink,
Through which the lovers, Pyramus and Thisby,
Did whisper often very secretly.
This loam, this rough-cast and this stone doth show
That I am that same wall; the truth is so:
And this the cranny is, right and sinister,
Through which the fearful lovers are to whisper.
Would you desire lime and hair to speak better?DEMETRIUS
It is the wittiest partition that ever I heardTHESEUS
discourse, my lord.
Enter Pyramus
Pyramus draws near the wall: silence!Pyramus
O grim-look'd night! O night with hue so black!THESEUS
O night, which ever art when day is not!
O night, O night! alack, alack, alack,
I fear my Thisby's promise is forgot!
And thou, O wall, O sweet, O lovely wall,
That stand'st between her father's ground and mine!
Thou wall, O wall, O sweet and lovely wall,
Show me thy chink, to blink through with mine eyne!
Wall holds up his fingers
Thanks, courteous wall: Jove shield thee well for this!
But what see I? No Thisby do I see.
O wicked wall, through whom I see no bliss!
Cursed be thy stones for thus deceiving me!
The wall, methinks, being sensible, should curse again.Pyramus
No, in truth, sir, he should not. 'Deceiving me'Thisbe
is Thisby's cue: she is to enter now, and I am to
spy her through the wall. You shall see, it will
fall pat as I told you. Yonder she comes.
Enter Thisbe
O wall, full often hast thou heard my moans,Pyramus
For parting my fair Pyramus and me!
My cherry lips have often kiss'd thy stones,
Thy stones with lime and hair knit up in thee.
I see a voice: now will I to the chink,Thisbe
To spy an I can hear my Thisby's face. Thisby!
My love thou art, my love I think.Pyramus
Think what thou wilt, I am thy lover's grace;Thisbe
And, like Limander, am I trusty still.

Exit
Now is the mural down between the two neighbours.DEMETRIUS
No remedy, my lord, when walls are so wilful to hearHIPPOLYTA
without warning.
This is the silliest stuff that ever I heard.THESEUS
The best in this kind are but shadows; and the worstHIPPOLYTA
are no worse, if imagination amend them.
It must be your imagination then, and not theirs.THESEUS
If we imagine no worse of them than they ofLion
themselves, they may pass for excellent men. Here
come two noble beasts in, a man and a lion.
Enter Lion and Moonshine
You, ladies, you, whose gentle hearts do fearTHESEUS
The smallest monstrous mouse that creeps on floor,
May now perchance both quake and tremble here,
When lion rough in wildest rage doth roar.

A very gentle beast, of a good conscience.DEMETRIUS
The very best at a beast, my lord, that e'er I saw.LYSANDER
This lion is a very fox for his valour.THESEUS
True; and a goose for his discretion.DEMETRIUS
Not so, my lord; for his valour cannot carry hisTHESEUS
discretion; and the fox carries the goose.
His discretion, I am sure, cannot carry his valour;Moonshine
for the goose carries not the fox. It is well:
leave it to his discretion, and let us listen to the moon.
This lanthorn doth the horned moon present;--DEMETRIUS
He should have worn the horns on his head.THESEUS
He is no crescent, and his horns areMoonshine
invisible within the circumference.
This lanthorn doth the horned moon present;THESEUS
Myself the man i' the moon do seem to be.
This is the greatest error of all the rest: the manDEMETRIUS
should be put into the lanthorn. How is it else the
man i' the moon?
He dares not come there for the candle; for, youHIPPOLYTA
see, it is already in snuff.
I am aweary of this moon: would he would change!THESEUS
It appears, by his small light of discretion, thatLYSANDER
he is in the wane; but yet, in courtesy, in all
reason, we must stay the time.
Proceed, Moon.Moonshine
All that I have to say, is, to tell you that theDEMETRIUS
lanthorn is the moon; I, the man in the moon; this
thorn-bush, my thorn-bush; and this dog, my dog.
Why, all these should be in the lanthorn; for allThisbe
these are in the moon. But, silence! here comes Thisbe.
Enter Thisbe
This is old Ninny's tomb. Where is my love?Lion
[Roaring] Oh--DEMETRIUS
Thisbe runs off
Well roared, Lion.THESEUS
Well run, Thisbe.HIPPOLYTA
Well shone, Moon. Truly, the moon shines with aTHESEUS
good grace.
The Lion shakes Thisbe's mantle, and exit
Well moused, Lion.LYSANDER
And so the lion vanished.DEMETRIUS
And then came Pyramus.Pyramus
Enter Pyramus
Sweet Moon, I thank thee for thy sunny beams;THESEUS
I thank thee, Moon, for shining now so bright;
For, by thy gracious, golden, glittering gleams,
I trust to take of truest Thisby sight.
But stay, O spite!
But mark, poor knight,
What dreadful dole is here!
Eyes, do you see?
How can it be?
O dainty duck! O dear!
Thy mantle good,
What, stain'd with blood!
Approach, ye Furies fell!
O Fates, come, come,
Cut thread and thrum;
Quail, crush, conclude, and quell!
This passion, and the death of a dear friend, wouldHIPPOLYTA
go near to make a man look sad.
Beshrew my heart, but I pity the man.Pyramus
O wherefore, Nature, didst thou lions frame?DEMETRIUS
Since lion vile hath here deflower'd my dear:
Which is--no, no--which was the fairest dame
That lived, that loved, that liked, that look'd
with cheer.
Come, tears, confound;
Out, sword, and wound
The pap of Pyramus;
Ay, that left pap,
Where heart doth hop:
Stabs himself
Thus die I, thus, thus, thus.
Now am I dead,
Now am I fled;
My soul is in the sky:
Tongue, lose thy light;
Moon take thy flight:
Exit Moonshine
Now die, die, die, die, die.

How chance Moonshine is gone before Thisbe comesTHESEUS
back and finds her lover?
She will find him by starlight. Here she comes; andHIPPOLYTA
her passion ends the play.
Re-enter Thisbe
Methinks she should not use a long one for such aDEMETRIUS
Pyramus: I hope she will be brief.
A mote will turn the balance, which Pyramus, whichLYSANDER
Thisbe, is the better; he for a man, God warrant us;
she for a woman, God bless us.
She hath spied him already with those sweet eyes.DEMETRIUS
And thus she means, videlicet:--Thisbe
Asleep, my love?THESEUS
What, dead, my dove?
O Pyramus, arise!
Speak, speak. Quite dumb?
Dead, dead?
These My lips,
This cherry nose,
These yellow cowslip cheeks,
Are gone, are gone:
Lovers, make moan:
His eyes were green as leeks.
O Sisters Three,
Come, come to me,
With hands as pale as milk;
Lay them in gore,
Since you have shore
With shears his thread of silk.

Dies
Moonshine and Lion are left to bury the dead.DEMETRIUS
Ay, and Wall too.BOTTOM
[Starting up] No assure you; the wall is down thatTHESEUS
parted their fathers. Will it please you to see the
epilogue, or to hear a Bergomask dance between two
of our company?
No epilogue, I pray you; for your play needs noPUCK
excuse. Never excuse; for when the players are all
dead, there needs none to be blamed. Marry, if he
that writ it had played Pyramus and hanged himself
in Thisbe's garter, it would have been a fine
tragedy: and so it is, truly; and very notably
discharged. But come, your Bergomask: let your
epilogue alone.
A dance
The iron tongue of midnight hath told twelve:
Lovers, to bed; 'tis almost fairy time.
I fear we shall out-sleep the coming morn
As much as we this night have overwatch'd.
This palpable-gross play hath well beguiled
The heavy gait of night. Sweet friends, to bed.
A fortnight hold we this solemnity,
In nightly revels and new jollity.
Exeunt
Enter PUCK
Now the hungry lion roars,OBERON
And the wolf behowls the moon;
Whilst the heavy ploughman snores,
All with weary task fordone.
Now the wasted brands do glow,
Whilst the screech-owl, screeching loud,
Puts the wretch that lies in woe
In remembrance of a shroud.
Now it is the time of night
That the graves all gaping wide,
Every one lets forth his sprite,
In the church-way paths to glide:
And we fairies, that do run
By the triple Hecate's team,
From the presence of the sun,
Following darkness like a dream,
Now are frolic: not a mouse
Shall disturb this hallow'd house:
I am sent with broom before,
To sweep the dust behind the door.
Enter OBERON and TITANIA with their train
Through the house give gathering light,TITANIA
By the dead and drowsy fire:
Every elf and fairy sprite
Hop as light as bird from brier;
And this ditty, after me,
Sing, and dance it trippingly.
First, rehearse your song by roteOBERON
To each word a warbling note:
Hand in hand, with fairy grace,
Will we sing, and bless this place.
Song and dance
Now, until the break of day,PUCK
Through this house each fairy stray.
To the best bride-bed will we,
Which by us shall blessed be;
And the issue there create
Ever shall be fortunate.
So shall all the couples three
Ever true in loving be;
And the blots of Nature's hand
Shall not in their issue stand;
Never mole, hare lip, nor scar,
Nor mark prodigious, such as are
Despised in nativity,
Shall upon their children be.
With this field-dew consecrate,
Every fairy take his gait;
And each several chamber bless,
Through this palace, with sweet peace;
And the owner of it blest
Ever shall in safety rest.
Trip away; make no stay;
Meet me all by break of day.
Exeunt OBERON, TITANIA, and train
If we shadows have offended,
Think but this, and all is mended,
That you have but slumber'd here
While these visions did appear.

Give me your hands, if we be friends,
And Robin shall restore amends.