MOULIN ROUGE RATING: 8/10
For more reviews and movie scripts, visit http://www.joblo.com/
PLOT: A British poet moves to France and finds himself in a position to write a play for the Moulin Rouge. Soon thereafter, he falls in love with one of its stars, Satine. But the play and the Moulin Rouge will not go on unless a certain Duke invests his money into it. The catch? The Duke is also in love with Satine and doesn't know about the secret love affair between the poet and Satine. Oh yeah...and people sing throughout!
CRITIQUE: A surprisingly potent love story is placed inside a red-hot bottle of music, dance, colors and vibrancy, and splashed across your movie screen with love as its foundation. Will everyone like it? Certainly not, the film has a certain over-stylized energy about it which may not sit well with everyone (I personally enjoyed most of the film's unique camera trickery, but did get lost in its frenzy from time to time), but anyone who loves musicals is sure to at least appreciate Mr. Luhrmann's bold approach to reviving this lost genre of films. I never did like musicals myself but ever since I was pleasantly surprised by last year's LOVE'S LABOUR'S LOST, I've opened my eyes to them, and with this film, you simply could not close them back again (there's so much happening on screen all the time!). I've also gotta credit all of the actors with amazing performances across the board. Nicole Kidman, wow, I was never much of a fan of hers, but she really gives you everything in this film. Dancing, acting, loving, crying, singing, fainting...she covered every angle out there and actually got me to invest myself emotionally to her character. And yes, I will even go out on a limb and ask the Academy to remember her at the end of this year if no other major actress roles have come through for a nomination as Best Actress. But let's not forget McGregor either. His ying to her yang, Ewan also surprised me with a different side of himself, one which resonated a genuine sense of passion, love, anguish and song! Damn, that boy could sing! And even more kudos go out to Jim Broadbent and Richard Roxburgh, who played the Duke and Mr. Zidler, for presenting us with more than just your everyday one-dimensional secondary characters. They are also a big part of what makes this movie work.
Of course, the film's main draw was its use of modern songs and lyrics inside a world of the past, and that experiment on its own definitely won me over. Anyone who could successfully incorporate Elton John, Kiss, Madonna and Nirvana into the same movie song list is "okay" in my book! In fact, many of the song sequences were beautifully sung and choreographed, touched up with stunning sets and atmosphere, and left quite an impression in my mind. One of my favorites was when the whole "gang" from the Moulin Rouge was trying to convince the Duke to invest with them by dancing and singing a rapid-fire ditty inside the big elephant. A sure-to-be classic scene (I know that it might sound goofy, but when you see the movie, you'll see what I mean). But in the end, movies like this are ultimately going to be judged by their basic storylines and I have to tell you that I too was quite shocked to find myself attached and rooting for the characters in this film. Thumbs up to Baz Luhrmann on two counts then: one for creating an extraordinary vision of an underground world so delightful and peppy and two, for co-writing a touching, funny, original and romantically tragic screenplay. This movie works because it enraptures its energy, love, style and wonderful set designs with solid acting, captivating song sequences and a love story that is sure to touch your heart. Yeah, JoBlo ain't a wuss but he sure lapped up everything that the director was handing out at this fantasy land. What's next...Broadway?
Where's JoBlo coming from? The Cell (8/10) - Dancer in the Dark (5/10) - Everyone Says I Love You (5/10) - Grease (8/10) - A Knight's Tale (7/10) - Love's Labour's Lost (8/10) - The Nightmare before Christmas (10/10) - O Brother Where Art Thou (7/10) - South Park (9/10) - The Sound of Music (9/10)
Review Date: June 1, 2001 Director: Baz Luhrmann Writer: Baz Luhrmann and Craig Pearce Producer: Baz Luhrmann, Fred Baron, Martin Brown Actors: Nicole Kidman as Satine Ewan McGregor as Christian John Leguizamo as Toulouse Genre: Musical Year of Release: 2001 ------------------------------------ JoBlo's Movie Emporium http://www.joblo.com/ ------------------------------------ (c) 2001 Berge Garabedian
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Sorting¶
{
"data": ... ,
"mark": ... ,
"encoding": {
"x": {
"field": ...,
"type": ...,
"sort": ..., // sort
...
},
"y": ...,
...
},
...
}
The sort
property of a mark properties channel determines the order of the scale domain. Supported sort
values depend on the field’s scale type.
Documentation Overview¶
- TOC
Sorting Continuous Fields¶
If the channel has a continuous field (quantitative or time), sort
can have the following values:
"ascending"
(Default) – the field is sorted by the field’s value in ascending order."descending"
– the field is sorted by the field’s value in descending order.
Example: Reversed X-Scale¶
Setting x’s sort
to "descending"
reverses the x-axis. Thus, the following visualization’s x-axis starts on the maximum value of the field “Horsepower” and ends on zero.
Sorting Discrete Fields¶
If the channel has a discrete scale (ordinal or nominal), sort
can be one of: "ascending"
, "descending"
, a sort field definition for sorting by another field, an array specifying preferred order, or null
.
Sort by the Field’s Natural Order¶
- Sorting by the values’ natural order in Javascript. For example,
"a"
<"b"
. In this case,sort
can be:
"ascending"
(Default) – sort by the field’s value in ascending order."descending"
– sort by the field’s value in descending order.
Sort by a Different Field¶
- Sorting by aggregated value of another “sort” field. In this case,
sort
is an encoding sort field definition, which has the following properties:
liqid template: like ".. altair-object-table::"
{% include table.html props="field,op,order" source="EncodingSortField" %}
For example, the following plot sorts x by mean of Horsepower.
Specifying Custom Sort Order¶
If the sort
property is an array, it specifies the preferred order of values.
In the case that sort array contains every field value, the sort order will follow the specified values in the array.
If some values are ignored, the sort order will precede by the specified values in the array while unspecified values will follow their original order. For example, this plots orders B
, A
and C
first, followed by Z
, Y
, X
.
For discrete time fields, values in the sort array can be date-time definition objects.
In addition, for time units "month"
and "day"
, the values can be the month or day names (case insensitive) or their 3-letter initials (e.g., "Mon"
, "Tue"
).
For example, the following chart orders the day to start on Monday (instead of Sunday by default).
Note: It is also possible to sort by providing custom scale
’s domain
. However, it is more error-prone compared to using a sort
array since domain
requires every possible value to be included in the array. Thus, any value omitted from domain
will not render properly.
No Sorting¶
If sort
is null
, the field is not sorted. This is equivalent to specifying sort: false
in Vega’s scales.
Note: null
is not supported for row
and column
.


WARTFORD & WARTFORD CHAMBERS ADVOCATES AND SOLICITORS #100 LAGOS ROAD,NIGERIA 18TH APRIL 2005 FROM THE DESK OF: MARTINS ADE<EMAIL_ADDRESS>SUBJECT: CONSULTATION ATTN: SIR/MADAM I AM MARTINS ADE A LIBERIAN BY BIRTH. I AM THE PERSONAL ASSISTANT TO LATE MR GERALD SMITH A FOREIGNER (AMERICAN), WHO WAS A CONTRACTOR TO AFRICAN PETROLEUM DEVELOPMENT COMPANY IN NIGERIA.  AFTER THESE SEVERAL UNSUCCESSFUL ATTEMPTS, I DECIDED TO USE THE INTERNET TO LOCATE ANY MEMBER OF HIS FAMILY, BUT TO NO AVAIL, HENCE I CONTACTED YOU.  PARTICULARLY, THE FINANCE HOUSE WHERE THE DECEASED HAD AN ACCOUNT VALUED AT ABOUT US$21M (TWENTY ONE MILLION DOLLARS). CONSEQUENTLY,THE BANK ISSUED ME A NOTICE TO PROVIDE THE NEXT-OF- KIN WHICH WAS HIS WIFE OR HAVE THE ACCOUNT CONFISCATED ACCORDING TO THE LAW.     MY EMAIL ADDRESS IS<EMAIL_ADDRESS>YOURS SINCERELY, MARTINS ADE N.B. PLEASE INDICATE YOUR TELEPHONE AND FAX NUMBERS FOR EASY COMMUNICATION.


THE SWEET HEREAFTER A film review by Mark R. Leeper
Capsule: An opportunistic lawyer comes to a rural Canadian town in which a school bus accident has killed many of the town's children. With a smooth sincere-sounding line he turns grief into anger in the hopes of building a class action lawsuit. Atom Egoyan's non-linear telling gets in the way a little, but this is a powerful statement about the law and about grief. Rating: 8 (0 to 10), high +2 (-4 to +4) New York Critics: 17 positive, 1 negative, 1 mixed
Atom Egoyan makes complex that often fit together like puzzles. His EXOTICA was a complex story that was never complete until the final scene made sense of things. THE SWEET HEREAFTER is not so tightly wound, but it is very tightly bound emotionally and still a puzzle. With this film Egoyan takes a close hard look at a cold British Columbia town in mourning after almost an entire generation of its children was wiped out in a tragic school bus accident. As the community tries to heal itself and carry on after the loss it is visited by a smooth and vaguely sinister lawyer. Mitchell Stephens (played by Ian Holm) implants in the minds of the townspeople that what is called for is not peace but a vengeful class action lawsuit. He convinces the locals that their should be no forgiveness for the guilty and that whenever there is an accident of this sort, there is always somebody who is guilty. There is always somebody who should be made to pay. He is the lawyer that they want to get them that payment and he will keep only a third for himself.
In the hands of a lesser director Mitchell could easily be reduced to being a one-dimensional devil. The script, written as well as directed by Egoyan, based on the novel by Russell Banks, dissects that character of Stephens. Stephens has a daughter on drugs and willing to do any self-destructive action to spite her father. For this daughter Stephens feels an icy helplessness and a sort of frozen rage. Icy and calculated are all of his reactions in an Oscar-worthy performance. In the course of the film we learn a great deal about him and where and how he lost his emotions. A major theme explored in this film, and there are several, is things that are out of people's control and feelings of utter helplessness. There is some fascination with the understated way that Stephens does his job. He searches for the parents who can best make a winning case for him and are the most susceptible to being won over. He also carefully checks them out for weaknesses that could harm his case.
Egoyan has some nice stylistic moves. The bleak Canadian winter seems to pervade the entire film and reflect the coldness of the people in the town who have isolated themselves from their emotions. The icy weather acts upon people and performs its own mischief including the central tragedy of the film. Conversations in the film are anything but volatile. People seem to think out their next response with notable pauses in the conversion. Then the film returns again and again to the theme of the Pied Piper. On one level the town has lost its children, disappearing not into a hole in a mountain that closes up but into a hole in the ground that also closes. On another level the grief of the parents has made them vulnerable to the outsider who wishes to lead them to where they might not otherwise not want to go. Egoyan holds off on showing the viewer the actual accident until late in the film. He shows it with a frightening simplicity. No dramatic music. The school bus just skids over the curb on a hill and out of sight slips down a hill onto a frozen pond where it slowly sinks. But it has a greater emotional impact than some of the fiery crashes we have seen elsewhere this year.
This is a film I expect to see on several best of the year lists, including my own. I suspect that it will not be remembered at Oscar time, being a modest Canadian film, but it certainly is one of the best of the year and will be on my top then list. I rate it a +8 on the 0 to 10 scale and a high +2 on the -4 to +4 scale.
Mark R. Leeper<EMAIL_ADDRESS>Copyright 1998 Mark R. Leeper
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CCore is released without known bugs or defects (but an intermediate states of the repository between release tags MAY be broken). This code is made "as best as possible" and has a top quality both in design and implementation. It's a reliable piece of software. So if you experience troubles, CCore code is the last place to look for bugs. This does not mean, naturally, that I do guarantee the code is completely bug-free and absolutely perfect. That is not achievable in the mean time. And, of course, everybody is welcome to contribute in its perfection: report a real problem or suggest a design improvement.
CCore is a platform mainly for the development of real-time applications. It is distributed under the Boost Software License. You can use CCore to build host applications also, but without any real-time properties. We use the term "host application" to designate an application, running on a host machine. "Stand-alone application" means an application, running on a stand-alone device. CCore is a multi-target platform, you can (and, in fact, must!) develop your own target (host or stand-alone) for your specific target device. The installation of CCore provides the following targets:
Target includes compiler and tools, makefile rules and parts of source code, specific for the target. In most cases you are encouraged to develop components of your application using WIN32 target (or another host target) and then port it to a stand-alone target when it's ready. CCore is designed in target-independent and platform-independent manner (despite it's a platform itself!). So it's recommended to follow this practice. Developing components on a host target is usually simpler and more productive.
CCore is implemented using C++17+concepts. It enables the full advantage of this renewed language for the embedded and real-time software development. You can also use it to build usual host applications. CCore is well-suited to develop a wide range of applications like servers, mathematical calculations or file-processing utilities. The number of them are supplied as supplementary tools. CCore is based on the comprehensive, type-rich library, well, CCore. That's the core part of the platform. The next part is HCore for host targets and XCore for stand-alone targets. On host targets we rely on an operating system to perform some tasks (like primary memory management, task synchronization etc.). So a host target provides a tiny layer between HCore and OS system calls. But on a stand-alone target we implements these fundamental functions ourself. XCore is an implementation of this part for single-core CPUs. A target provides an implementation of very low-level CPU specific functions XCore is based on. For example, the following 3 functions are required for interrupt lock support:
/* functions */ bool IsIntContext() noexcept; /* classes */ class IntLock; /* class IntLock */ class IntLock : NoCopy { bool enable; public: IntLock() { enable=Internal::Disable(); } ~IntLock() { if( enable ) Internal::Enable(); } struct Internal { static bool Disable() noexcept; static void Enable() noexcept; }; };
CCore is designed as a compliant C++17+concepts library. There are a few places where we are using non-standard language extensions. In fact, we need only two of them: restrict and initialization priority attributes for static objects, supported in gcc family of compilers. As the result, there is no restriction on the compiler optimization level, unlike other OS cores. Another advantage is the platform-independence of the code.
CCore is a language support library. It's created to provide an improved language support for C++ and to replace the error-prone and obsolete "old bad" C RTL and STL. CCore is focused on the "everyday programmer's needs", it tries to be small, but powerful.
In particular, it contains:
Starting from the version 3.5 CCore is made compatible with the UTF8 character encoding. Previous versions silently assumed, that a single byte encoding is used. New versions can be used with UTF8-compatible targets. Several such targets are included:
XCore is a multi-task core for embedded systems. It is combined with CCore library. The core is designed for single-core CPU systems.
XCore:
One of the innovation in CCore is the set of task synchronization objects. Mutex, Event and Sem(aphore) are common. But we widely use also: AntiSem, ResSem, MultiSem, MultiEvent.
AntiSem is useful for the resource control:
class AntiSem : public Funchor_nocopy { .... public: // constructors explicit AntiSem(ulen level=0); explicit AntiSem(TextLabel name,ulen level=0); ~AntiSem(); // add/sub void add(ulen dcount); void sub(ulen dcount); // inc/dec void inc() { add(1); } void dec() { sub(1); } // wait bool try_wait(); void wait(); bool wait(MSec timeout); bool wait(TimeScope time_scope); // functions Function<void (void)> function_inc(); Function<void (void)> function_dec(); };
AntiSem waits until "all taken is released". I.e. until the internal counter falls below a given level (usually 0).
ResSem is used to control a resource allocation. It is combined Sem and AntiSem.
class ResSem : public Funchor_nocopy { public: // constructors explicit ResSem(ulen max_count); ResSem(TextLabel name,ulen max_count); ~ResSem(); // give void give(); // take bool try_take(); void take(); bool take(MSec timeout); bool take(TimeScope time_scope); // wait bool try_wait(); void wait(); bool wait(MSec timeout); bool wait(TimeScope time_scope); // functions Function<void (void)> function_give(); };
ResSem has the internal counter between 0 and the given max_count (initial value). You can take and give it back. take may wait if the counter is zero. Finally, wait waits until the counter reaches max_count.
MultiSem and MultiEvent are "multi-channel" versions of the Sem and Event. They can wait for one of the several events. They also ensure the "fairness" in the event reporting.
template <ulen Len> class MultiEvent : public Funchor_nocopy { public: // constructors MultiEvent(); explicit MultiEvent(TextLabel name); ~MultiEvent(); // trigger bool trigger(ulen index); // [1,Len] // wait ulen try_wait(); // [0,Len] ulen wait(); // [1,Len] ulen wait(MSec timeout); // [0,Len] ulen wait(TimeScope time_scope); // [0,Len] // functions template <ulen Index> Function<void (void)> function_trigger(); }; template <ulen Len> class MultiSem : public Funchor_nocopy { public: // constructors MultiSem(); explicit MultiSem(TextLabel name); ~MultiSem(); // give void give(ulen index); // [1,Len] // take ulen try_take(); // [0,Len] ulen take(); // [1,Len] ulen take(MSec timeout); // [0,Len] ulen take(TimeScope time_scope); // [0,Len] // functions template <ulen Index> Function<void (void)> function_give(); };
All synchronization classes "publish" "giving" functions callbacks.
Packet is a micro-task. It has the associated small stack to store call parameters and return values. A larger data buffer may be also attached. Packets allow design of a request processing systems as a collection of packet-processing devices. Packets are initiated by some initiator and passed to the processing device. It may pass a packet further until it's completed or cancelled by the initiator. Initiator assigns a completion function for a packet. So when packet is completed it goes to this function, where result can be extracted and packet is disposed. Also a completion signaling is performed there.
CCore includes implementations of lists, trees, and arrays.
CCore lists and trees are intrusive (non-intrusive containers are also provided). Intrusive linked containers have the following advantages:
CCore implements wide range of lists, both single linked and double linked, linear and circular.
CCore implements radix and red-black trees.
CCore provides implementation for dynamic arrays.
PTP — packet transaction protocol. It supersedes TCP as a main network protocol for client-server applications. PTP is a packet-based, parallel and transactional protocol. It is simple and convenient for the development of "remote call" type interactions. Parallel nature of PTP makes obsolete such tricks as multi-thread FTP download. PTP is working atop a packet point-to-point or point-to-multipoint service like UDP (or even raw Ethernet). PTP has ability to adapt for smaller MTU lengths, that is important to combine with another network protocols, which can reduce MTU (for example, to implement encapsulation or encryption).
There are several typical problems when network interaction is developed based on TCP:
PTP resolves all these issues.
PTPServer — a PTP server on a host machine, it provides access to the host file system via HFS over PTP protocols.
DDL — data definition language. It is designed to represent an abstract linked data in a textual form. DDL has a C-style syntax. Here is a short example of a parser state machine representation, expressed in DDL:
struct State { StateIndex state; struct Transition { NTIndex ntt; State *state; } [] transitions; struct Final { TIndex t; Rule *rule; } [] finals; }; State[22] StateTable= { { 0 , { { 1 , StateTable+1 }, { 5 , StateTable+2 }, { 6 , StateTable+3 }, { 7 , StateTable+4 }, { 8 , StateTable+16 } }, { { 1 , RuleTable+0 }, { 5 , RuleTable+0 } } }, ....
DDL can be used for a manually introduced data, like configuration information. Or it can be used to store a program-generated data to exchange with different data-processing programs.
CondLangLR1 is a tool for generation LR1 parser state machines. It takes a language description and produces a .ddl file with a state machine description. You can use this description further to generate code in any suitable for your purpose form. Conditional recursive grammars are used to describe a language.
Regen is a tool for generating helper classes and constants from a register description. It is used to simplify and beautify the low-level register device programming.


WITNESS LIST Financial Institutions Committee March 17, 2003-12:00A HB 56 For: Schneider, Rob (Consumers Union) Against: Heasley, John (Texas Bankers Association) On: Neeley, Karen (Independent Bankers Association of Texas) Registering, but not testifying: Against: Courtney, Chuck (Texas Retailers Association) On: Bordelon, Rod (Office of Public Insurance Counsel) HB 1009 For: Anderson, Jody (Self and Texas Manufactured Housing Association) Beville, William (Self and PSIA, Inc.) Caudill, Edward (Fleetwood Enterprises) Diffendal, John (Texas Manufactured Housing Association) Against: Breston, Matthew (Self) Hudspeth, Jim (Johnson County Appraisal District) Jewell, Kevin (Consumers Union) Matthews, John (Self and Johnson County Commissioner Precinct 2) Orr, Rob (Self) Rothermel, John (Stewart Title) Thompson, Troy (Johnson County Commissioner Precinct 4) On: Neeley, Karen (Independent Bankers Association of Texas) Registering, but not testifying: For: Hammond, Bill (Texas Association of Business) Peters, Carol (Self) On: Garcia, Joe (Texas Department of Housing and Community Affairs Manufactured Housing Division) Irvine, Timothy (Texas Department of Housing and Community Affairs Manufactured Housing Division) HB 1307 For: Gurney, Gerald (Texans Credit Union, Texas Credit Union League) Lederer, John (Credit Union Legislative Coalition) Against: Heasley, John (Texas Bankers Association) On: Feeney, Harold (Credit Union Department) Registering, but not testifying: For: Bowden III, J. Mance (OmniAmerican Credit Union) Larsen, Kelli (Firstmark Credit Union) Schroeder, Buddy (United Heritage Credit Union) HB 1307 Committee Substitute (Christian) Stegall, Melodie (Credit Union Legislative Coalition) HB 1493 Registering, but not testifying: For: Sandberg, Eric (Texas Savings & Community Bankers Association) Williston, Chris (Independent Bankers Association of Texas)


Notting Hill (1999) Reviewed by Eugene Novikov http://www.ultimate-movie.com Member: Online Film Critics Society
***1/2 out of four
Starring Hugh Grant, Julia Roberts, Rhys Ifans. Rated PG-13.
Notting Hill is a movie that plays off a dream. It's a dream many people have. Imagine, if you will, this scenario: you get a knock on your door one afternoon. You go to open it, and on your doorstep you see one of the most famous movie stars in the world, someone you have seen time and again, someone you admire, perhaps even adore (don't even ask why they are there, stick with me here). What would you do? What would you say? How would you conduct yourself? It's quite an interesting thought, really. One often imagines something like that happening to him, but if push comes to shove and it actually happens, he is dumbfounded. And what if that movie star, presumably of the opposite sex, comes up and plants a big wet kiss on you? That's what Notting Hill is about.
 He's got a boyish, often befuddled charm that can only be described as crowd- pleasing, but it's also effective. Here, he stars as William Thacker, a struggling travel bookshop owner in a section of London called Notting Hill. When Anna Scott (Julia Roberts), a female movie star the equivalent of, well, Julia Roberts, walks into his bookshop one day, he is understandably amazed but he maintains his composure (even if he does give her a free book). He remains human even when later that same day he bumps into Anna on the street and spills some coffee on her. He excitedly invites her to go clean up at his place, across the street (18 yards away), to clean up. That is where the big wet kiss is planted.
Before long, it's full-fledged love affair, with Anna coming to William's sister's birthday (complete with exclamations of "Holy F*ck!" by astounded family members), them climbing over garden walls, and so on. It's an extraordinarily engaging affair, mainly because Thacker's I- can't-believe-this-is-happening astonishment is so palpable. For once, here is the old "ordinary guy in extraordinary circumstances" plot, when the extraordinary circumstances are actually positive, as is this relentlessly upbeat, optimistic modern fairly tale.
Notting Hill asks whether fame is a goal or an obstacle; whether one who is a household name can achieve the happiness that so many "ordinary people" can arrive at. It is an exhilirating, funny, profound film, full of smart, realistic dialogue, masterful cinematography and magical acting. Julia Roberts, whose last romantic comedy was the equally wonderful My Best Friend's Wedding, is terrific; although understandably, the role isn't much of a stretch for her, she has the ailing superstar feel down cold. Hugh Grant is something else again -- the bumbling Brit is an absolute delight, and the scene where he impersonates a reporter from "Horse and Hound" magazine is a triumph of understated comedy.
Director Roger Michell, whose only other major motion picture was the Jane Austen adaptation Persuasion, stages this movie free of any suspense or particularly pressing conflict; it's a whimsical, airy production that is part crowd-pleaing and part profound and thoughtful. Even though William's degenerate roommate (Rhys Ifans) is a bit too much, the comedy rarely gets in the way of the plot, nor does it spoil the movie's mood.
This is a perfect example of how good "mainstream" movies can be. It's hard to remember the last time a romantic comedy worked this well, this consistently. Grant and Roberts are awesome, in a movie that pulls no punches and plays no tricks. It would be cliched and disrespectful to call Notting Hill the "feel-good movie of the year," but that's what it is; an upbeat, optimistic story of how an ordinary bloke and a superstar fell in love. Happens every day. ©1999 Eugene Novikov
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textir: Inverse Regression for Text Analysis
Multinomial (inverse) regression inference for text documents and associated attributes. For details see: Taddy (2013 JASA) Multinomial Inverse Regression for Text Analysis <arXiv:1012.2098> and Taddy (2015, AoAS), Distributed Multinomial Regression, <arXiv:1311.6139>. A minimalist partial least squares routine is also included. Note that the topic modeling capability of earlier 'textir' is now a separate package, 'maptpx'.
Downloads:
Reverse dependencies:
Linking:
Please use the canonical form
https://CRAN.R-project.org/package=textir
to link to this page.


BLACK DOG A film review by Matt Williams
RATING: * out of * * * *
It's been quite a while since there was a good trucking movie, and the streak doesn't change with Black Dog.
Jack Crews (Patrick Swayze) is an ex-con trying to make ends meet. Imprisoned several years earlier for involuntary manslaughter, he has lost his livelihood: his trucking license. Now he relies on a lowly mechanic's job to provide for his wife (Brenda Strong) and daughter.
That is, until his boss (Graham Beckel), offers him an illegal trucking run up the east coast which will solve all his financial problems. Reluctantly, Jack agrees, and soon he's on the road with three suspicious characters: Earl (Randy Travis), Sonny (Gabriel Casseus) and Wes (Brian Vincent).
His trucking run is far from easy. He's dogged at every turn by a pair of federal agents (Charles S. Dutton and Stephen Tobolowsky), and a group of inept hijackers who are trying to seize his cargo. And with each mile Jack gets closer to home, the stakes grow higher and higher.
The film itself is named for a trucker's superstition.  However, it also happens to be an unfortunately apt title to place on this dog of a movie.
For the record, there are a couple of good truck stunts in the film, but not nearly enough to make this worth watching. Most of the film is packed with "character defining" moments which serve little purpose except to make the dismal characters more annoying than they previously were.
The movie actually doesn't sink to its lowest depths until the finale. Just when you think the movie can't get any more contrived, it continues to surprise you.
Patrick Swayze tackles the everyman-trucker role with gusto, but this material is beneath him. Of the rest of the cast, only Gabriel Casseus creates a somewhat likable character. Dutton and Tobolowsky never fall into the easy repartee which their comic-relief roles require. The additions of Randy Travis and Meat Loaf (as Jack's Atlanta connection, Red) seem like pure stunt casting.
There may be worse films out there, but that's little consolation. Your time would be better spent watching The World's Deadliest Truck Chases on television.
Copyright 1998 Matt Williams
- Matt Williams<EMAIL_ADDRESS>Reviewer for Cinematter: http://www.cinematter.com Home of over 500 reviews, and information on over 600 upcoming releases
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on
Setup your Python development environment
TLDR; Install the Anaconda distribution, open up Spyder or a Jupyter Notebook, and read the very helpful documentation to get started writing Python.
~~~
By now, you’re probably dreaming of coding the next blockchain app. Upon sitting down to crank out several thousand lines beautiful code you think “what the…I actually have no idea where or how to start writing and running code.”
Or maybe you’ve done some research and realized just how many different options are out there. What’s the right way to go? Don’t worry, there is no “right answer.” However, the path I have outlined below is what I believe is the most straightforward approach to getting started.
This article is intended for those who are just getting started with Python. The goal is to give you enough information to get a Python development environment set up and learn the basics of using it.
Before diving in, it can be helpful to familiarize yourself with Python syntax and general programming concepts. Resources like w3schools, Codecademy, and Google, are worth checking out. If you’ve already done some research and are ready to start coding, then read on…
Some operating systems come with a version of Python installed, but the go-to, highly recommended starting point is to install the Anaconda distribution.
The Anaconda distribution includes Spyder and Jupyter Notebook to write and run Python code and all the most commonly used data science packages. Anaconda also includes tools for installing new packages quickly and easily, automatically managing dependencies between packages, creating multiple development environments, and much more. It’s great, install it now!
Now, what development environment to use? I prefer Spyder because it is data-oriented (vs. software or web development, for example) and just gets the job done without unecessary complexity.  At the end of the day, choosing a development environment mostly comes down to personal preference and the type of work you’ll be doing. Some notable options include Pycharm and Atom.
Although this article won’t cover Jupyter Notebook in detail, it’s worth highlighting because it is included with Anaconda. In a nutshell, Jupyter notebook is a development environment that runs in your web browser. It’s strength comes from features that allow you to mix code and rich-text in order to create great-looking, shareable documents in whatever format your audience needs (Markdown, HTML, PDF, etc.). It can be a nice tool to supplement a pure Python IDE.
Spyder Overview
Assuming you have installed Anaconda successfully, you can open up Sypder from Anaconda Navigator or by typing ‘spyder’ in a terminal window. When it opens, you should see something similar to the image below.
-
The code editing window - this is where you’ll write your code. To run code, select the lines you want to run and press the key has been assigned to the ‘Run Selection’ command. To see what key (or key combination) has been assigned, you can go to ‘Preferences’ within Spyder. As an alternative to selecting the lines of code you want run, you can separate your code into chunks called cells using the characters ‘#%%’. When the ‘Run Cell’ command is used, the code in the cell that your cursor is currently in will be executed.
-
Variable Explorer - IMO, this is one of the most useful features of Spyder. In this window, you can see the values of each variable, the variable type (e.g., integer, string, DataFrame), and other useful information such as the size (i.e., number of elements). Double-clicking a variable in the Variable Explorer will open up a separate window for closer inspection of that variable. You can also edit variables directly by clicking on the ‘Value’ portion of the object listed.
-
Ipython console - this is your window into the Python interpreter which is the program that reads and runs your code behind the scenes. The console serves as an indicator to tell you if your code ran successfully or if there are errors that prevent the code from executing successfully. The console is interactive too, which means that you can type in the console to execute certain commands and interact with the code you have written.
Let’s write some code to demonstrate how this all works. Write the code below in the code editing window:
# 1. assign values to variables
w = 'hello, world'
x = 10
y = 15
# 2. try to sum variables x, y and put the result in a variable called z
z = x + y
# 3. try to sum variables w, x and put the result in a variable called v
v = w + x
Section 1 creates three variables and assigns them values. Section 2 creates a fourth variable, z
, and assigns it the sum of variables x
and y
.
Run the code in section 1 and 2 (select the code and execute the ‘run selection’ command). Observe the Ipython Console. Not much information is displayed (which in this case is good). If the code had contained an error, the error message would be displayed in the console.
Now observe the Variable Explorer window. You can see that by executing the code we have created four variables (w
, x
, y
, z
) and assigned them each a value. You can also see that the code in section 2 took the sum the variables x
and y
, and assigned the result, ‘25’, to variable z
.
Last, try running section 3. You’ll notice that an error is displayed in the console because you can’t find the sum of a string (hello, world
) and a number (10
). As you’re writing code, continuously running small sections and keeping an eye on the output shown in the console will save you time and effort compared to debugging everything in one big batch.
If you’re just getting started, the components of the Anaconda distribution that you’ll use that most frequently are Conda (the package and environment management system) and one of the included development environments (Spyder, Jupyter Notebook). Environments allow you to create specific conditions for projects and to isolate those conditions from other projects. Packages are “add-ons” that expand the capabilities of Python, e.g., data visualization, file input/output, machine learning, etc.
In the beginning, you won’t need to worry about adding new packages or managing multiple environments, however, inevitably, you’ll run into a case where it will be needed. I recommend reading through the Conda documentation after getting to the end of this article to get familiar with these concepts.
And that’s about it. You can check out the Spyder documentation and peruse the preferences within the application to learn more.
Good luck!


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LGAMMA
Section: Linux Programmer's Manual (3)
Updated: 2014-01-18
Index
Return to Main Contents
NAME
lgamma, lgammaf, lgammal, lgamma_r, lgammaf_r, lgammal_r, signgam -
log gamma function
SYNOPSIS
#include <math.h>
double lgamma(double x);
float lgammaf(float x);
long double lgammal(long double x);
double lgamma_r(double x, int *signp);
float lgammaf_r(float x, int *signp);
long double lgammal_r(long double x, int *signp);
extern int signgam;
Link with -lm.
Feature Test Macro Requirements for glibc (see
feature_test_macros(7)):
lgamma():
-
_BSD_SOURCE || _SVID_SOURCE || _XOPEN_SOURCE || _ISOC99_SOURCE ||
_POSIX_C_SOURCE >= 200112L;
or
cc -std=c99
lgammaf(),
lgammal():
-
_BSD_SOURCE || _SVID_SOURCE || _XOPEN_SOURCE >= 600 || _ISOC99_SOURCE ||
_POSIX_C_SOURCE >= 200112L;
or
cc -std=c99
lgamma_r(),
lgammaf_r(),
lgammal_r():
-
_BSD_SOURCE || _SVID_SOURCE
signgam:
-
_BSD_SOURCE || _SVID_SOURCE || _XOPEN_SOURCE
DESCRIPTION
For the definition of the Gamma function, see
tgamma(3).
The
lgamma()
function returns the natural logarithm of
the absolute value of the Gamma function.
The sign of the Gamma function is returned in the
external integer
signgam
declared in
<math.h>.
It is 1 when the Gamma function is positive or zero, -1
when it is negative.
Since using a constant location
signgam
is not thread-safe, the functions
lgamma_r(),
lgammaf_r(),
and
lgammal_r()
have been introduced; they return the sign via the argument
signp.
RETURN VALUE
On success, these functions return the natural logarithm of Gamma(x).
If
x
is a NaN, a NaN is returned.
If
x
is 1 or 2, +0 is returned.
If
x
is positive infinity or negative infinity,
positive infinity is returned.
If
x
is a nonpositive integer,
a pole error occurs,
and the functions return
+HUGE_VAL,
+HUGE_VALF,
or
+HUGE_VALL,
respectively.
If the result overflows,
a range error occurs,
and the functions return
HUGE_VAL,
HUGE_VALF,
or
HUGE_VALL,
respectively, with the correct mathematical sign.
ERRORS
See
math_error(7)
for information on how to determine whether an error has occurred
when calling these functions.
The following errors can occur:
- Pole error: x is a nonpositive integer
-
errno
is set to
ERANGE
(but see BUGS).
A divide-by-zero floating-point exception
(FE_DIVBYZERO)
is raised.
- Range error: result overflow
-
errno
is set to
ERANGE.
An overflow floating-point exception
(FE_OVERFLOW)
is raised.
CONFORMING TO
The
lgamma()
functions are specified in C99 and POSIX.1-2001.
signgam
is specified in POSIX.1-2001, but not in C99.
The
lgamma_r()
functions are nonstandard, but present on several other systems.
BUGS
In glibc 2.9 and earlier,
when a pole error occurs,
errno
is set to
EDOM;
instead of the POSIX-mandated
ERANGE.
Since version 2.10, glibc does the right thing.
SEE ALSO
tgamma(3)
Index
- NAME
-
- SYNOPSIS
-
- DESCRIPTION
-
- RETURN VALUE
-
- ERRORS
-
- CONFORMING TO
-
- BUGS
-
- SEE ALSO
-
This document was created by
man2html,
using the manual pages.
Time: 02:55:06 GMT, September 18, 2014


|
Rounders: The Intersection of Law and Poker
by Ken Swift
One can hardly turn on the
television these days without turning to a televised poker game.
Other than shows about forensic investigators, they are the
most prevalent programs (a show where crime scene investigators
play poker seems inevitable). High-stakes poker is a game that
has always attracted lawyers, perhaps because many of the skills
of a good lawyer are transferable to the poker table: quick calculations,
decisive decision-making, and the ability to "read"
another human being. And many top poker players have legal backgrounds,
perhaps epitomized by patent lawyer (now former patent lawyer)
Greg "Fossilman" Raymer, who won $5 million as the
2004 World Series of Poker champion.
It
was perhaps not surprising then that the 1998 movie Rounders
- which certainly helped to propel the interest in poker - included
a legal subplot. At the start of the film, set in New York City,
the lead character, Michael McDermott (played by Matt Damon),
is a "rounder", someone who makes a living by playing
in lower stakes poker in. After he loses his full bankroll ($30,000)
to a Russian card room operator nicknamed Teddy KGB (played by
John Malkovich), McDermott gives up poker to attend law school
and appease his girlfriend. While McDermott, of course, returns
to playing cards (ostensibly to help a friend pay off a debt
to the Russian) and has the requisite finale high-stakes game
against Teddy KGB, it is McDermott's role as a law student and
his relationship with one of his law professors that provide
non-stereotypical portraits new and experienced legal professionals.
Most media portrayals of law
students and new lawyers show them to be boundless optimists
with a single-minded determination to seek justice. The reality,
however, is that many people enter law school either because
they haven't found anything else to do or to please someone else.
Here, it is clear that McDermott's heart is not in law school
but, his high stake poker dreams having been dashed, he seems
to have no other alternative. He misses meetings with his moot
court team and shows up unprepared for the moot court hearing.
Despite this, McDermott's live-in girlfriend and fellow law
student is pleased by his abstinence from poker, yet keeps an
ever vigilant eye on his comings and goings. Her fears are soon
realized as the release from prison of McDermott's best friend
soon leads him back to the poker table.
On the other hand, most media
portrayals of experienced lawyers show them to be either disillusioned
(Paul Newman in The Verdict), egomaniacal attorneys who
treat the law as a vehicle for personal gain rather than justice
(Robert Duvall in A Civil Action or Gene Hackman in The
Firm) or curmudgeonly law professors (Kingsfield). Here,
McDermott forms a bond with Abe Petrovsky, an aging law professor
played by Martin Landau. Petrovsky does not fit the stereotype.
Instead, in response to McDermott's question about what led him
to the law, Petrovsky speaks of the disappointment his family
felt when he decided to discontinue his rabbinical studies, and
then speaks of the law as his "life's work." Landau's
excellent performance convincingly conveys an uncommon sense
of passion and honor about spending a life studying and teaching
law. Professor Petrovsky appears to have a genuine concern for
McDermott and, presumably, his other students as well. However,
one plot point that is more implausible than anything seen on
Star Wars or Star Trek occurs when McDermott asks
his professor to loan him $10,000 to help pay off a friend's
gambling debt, and the professor agrees. One would presume that
Petrovsky had a line of debt-ridden students waiting at his office
by early next morning.
The film even offers career
guidance for law students. In one scene, McDermott delivers
some research to Petrovsky's office and walks in on a poker game
between Petrovsky and a group of judges and lawyers (a scene
which requires any law professor to suspend animation because
the professor is gambling in his office and the office itself
is at least three times normal size). McDermott gains the inside
track on a summer clerkship with one of the judges by successfully
reading what cards each player is holding by watching body language.
Yet another networking tool for enterprising law students!
While Rounders is primarily
a part coming-of-age/part look at the poker underground, it's
law student/law professor subplot provides a refreshing change
from the usual film portrayals.
Posted October 10, 2005
|


Content-Type: text/plain Content-Transfer-Encoding: 8bit Message-Id<EMAIL_ADDRESS>Date: Fri, 22 Jun 2007 13:41:32 +0200 (CEST) "MY GOOD WILL" I greet you in the name of God Almighty. I am former Mrs. Saleh Galal, now I am Mrs. Mary Saleh Galal a widow to Late Dr. Mohamed Galal. I am an old woman; suffering from cancer. From all indications, my condition is really deteriorating and is quite obvious that I may not live long, because the cancer stage has gotten to a very severe stage. My late husband died in an air crash on the 31st October 1999 in an Egyptian airline Boeing 990 with other passengers on board. You can confirm this fact from the website which was aired by the BBC WORLD NEWS: (http://news.bbc.co.uk/1/hi/world/americas/502503.stm) and my only daughter died in LONDON ATTACK BOMB. My late husband was very wealthy and after his death, I inherited all his business and wealth. My personal physician told me that I may not live for so long and I am so scared about this. So, I now decided to divide part of this wealth, by contributing to the well being of less privileged people and handicapped in the society of world America, Canada, Africa, Europe and Asian Countries. This mission, who will no doubt be tasking had made me to recently relocate to Africa where I live presently. I selected you for this Purpose and prayed over it, I am willing to donate the sum of $7,300,000.00 Million US Dollars to you for the development of the well being of handicapped in the society and also as aids for the less privileged around your country, and i have map out $1,700.000.00 for your own personal use to help me for this work. Please note that, this fund is lying in a Security Bank. Therefore, I forward to you immediate application for the transfer of the money in your name or your home. Please, do not reply me if you have the intention of using this fund for personal use, than enhancement of the comfort of the Handicapped. Lastly, I want you/your home to be praying for me as regards my entire life and my health because I have come to find out since my spiritual birth lately that wealth acquisition without God one's life is vanity upon vanity. I await your reply. Mrs. Saleh Galal


Speakers
Nick Sutterer
While Trailblazer offers you abstraction layers for all aspects of Ruby On Rails, it does not missionize you. Wherever you want, you may fall back to the "Rails Way" with fat models, monolithic controllers, global helpers, etc. This is not a bad thing, but allows you to step-wise introduce Trailblazer's encapsulation in your app without having to rewrite it.
Trailblazer is all about structure. It helps re-organize existing code into smaller components where different concerns are handled in separated classes. Forms go into form objects, views are object-oriented MVC controllers, the business logic happens in dedicated domain objects backed by completely decoupled persistence objects
Luca Guidi
INTRODUCING LOTUS It's about a decade that we use Ruby for the web. Some of the products of these years have tons of messy code, slow builds and painful upgrades to deal with.
Lotus is a minimal, but yet powerful framework that is focused on good object oriented design, testability and speed. You will learn about the patterns that it implements to solve these problems and to push Ruby performance to the limit. We need new ideas to evolve as a Community and as individuals. Good news are that you can apply them on today. Let's talk together!
Alberto Brandolini
IDEA → STICKIES → GREEN BAR. While many developers focus on improving development speed, there’s a whole world of improvement that can be unlocked by focusing on quicker understanding of the project domain. In this talk we’ll see how a different approach to requirement gathering - EventStorming - can be used to cross the chasm between stakeholders and developers, leading to better software faster.
Jim Gay
THE MISSING SYSTEM Managing coupling and cohesion in our programs is a difficult and never-ending task. Often we struggle to know exactly where to put what code. Over the last few years working with and studying Ruby and DCI I've built up a toolset for managing cohesive set of behaviors for inter-related objects called Surrounded. It helps me maintain related code in the same place and gives me a discussion point for team members implementing features in our systems. We'll walk through the adaptable interface it provides and how it can help your better organize your feature set.
Michał Taszycki
WHAT IF CLEAN CODE IS A SCAM? It seems that we are keen to follow charismatic leaders who tell us how to do stuff. There are already a lot of rules and principles that we take for granted instead of asking questions: Will this really improve my code? Will it help me deliver faster/more reliably in the long run? It seems that sometimes we fail to challenge their ideas. Maybe you can have too many classes? What if your methods don't need to fit in a tweet? Maybe Object Oriented design as a whole is a case of premature optimisation? What if we just waste time writing tests for everything? Maybe cucumber is a massive overkill? What if... DHH was right? Then again, he is also a charismatic leader...
Norbert Wójtowicz
CLOJURESCRIPT + REACT.JS: HOW I LEARNED TO STOP WORRYING AND LOVE THE BROWSER Over the last few years, there has been a stronger emphasis on functional programming languages and constructs in mainstream programming. The rise of FP popularity is not due to concurrency (although still valid), but the recognition that minimizing side-effects yields to smaller code that is easier to test and reason about. ClojureScript finally brings that perspective to the front-end world. This talk is an introduction to a different kind of front-end development. Together, we will explore how ClojureScript helps accelerate front-end development and how to avoid the most common pitfalls; a molotov cocktail of information and pizazz to put you on the fast-track towards web development nirvana.
Thorsten Ball
UNICORN UNIX MAGIC TRICKS This talk is the story of my first encounter with the Unicorn webserver. I was amazed - how would one even build such a piece of software with a master-worker architecture and features like hot-reloading? With magic? Luckily, I found out. In this talk we're going to take a look at Unix from a developer's perspective: forking, pipes, signal handling, sockets. And then we'll take a close look at Unicorn and see how it uses the basic Unix building blocks, these tricks. At the end we're going to see how Unicorn's hot-reloading, preloading and the scaling of processes by signals work. We're going to see that it's not magic, but really just Unix that powers Unicorn.
Nicolas Dermine
LIVE CODE MUSIC (IN RUBY!) WITH SONIC PI Sonic Pi is a piece of software that brings together programming (using Ruby) and creating music. You can either write the music and play it in one go, or 'live code' and hear the music adapt continually to your code changes.It is a great way to :* have fun!* learn (music and / or programming)* teach (music and / or programming)* express your creativity. This talk will show you the simple building blocks of Sonic Pi and hopefully get you excited about live coding music for some or all of the goals above.
Buy tickets
Add this page to bookmarks because next batch of tickets will be available soon.
The mission
The main goal of the conference is very clear. We want to help Ruby professionals become better at what they do. Wroc_love.rb serves best to people who are already fluent with Ruby. The ideas presented at our conference are very advanced. They are meant to inspire the way we write code, the way we help our clients and users. It’s not uncommon for us to present you ideas that come from the Java and .NET worlds, we believe that their ideas can have a great influence on our community. There are good reasons, why our conference is called “the best Java conference in the Ruby world”.
Experiments
Our goal is to ensure a good environment to learn and discuss. We love confronting ideas, even when it’s uncomfortable to the Ruby status-quo. We love experimenting with new formats of talks and discussions, like fights, fishbowls and crowd-moderated discussion panels. Everything that can inspire the Ruby programmers is more than welcome at our conference. Let us know, what you’d be interested in experimenting with!
Inspiration and safety
Conferences are not only about listening. Most of the value comes from talking to each other. Our mission
is to create an inspiring, thoughtful, creative and safe space to everyone involved. The venue is
known to be of good quality - it’s a University of Wroclaw building. It has many ways to ensure safety
of all the people inside like monitoring and special security people.
As part of our goal, we’re
dedicated to react to all situations that we’ll be notified, ideally directly to us.There will be a special
phone number, you can call at any time to let us know about any problem or ask any
question.
Additionally, there will be a special team of student volunteers who will be
visible during the conference (If you want to join the team, please let us know). Student volunteers are
here to help find your way around and resolve any problem. It is needless to say that this conference is
a place for good people, only. Good people respect each other, are nice to each other, smile, and make
everyone (without exceptions) feel comfortable.
Who we are
Wroc_love.rb started as an activity of the DRUG (Wroclaw User Group) organization. However, over time, people loved it so much that the organization team grew to much more than that. Wroc_love.rb is now organized by Rubyists from many different Polish regions.
Supporters
If you like our mission, then you can help us by buying a special supporter ticket. It’s 600 EUR. This ticket guarantees your logo on the website and on the videos. Your company would join other already confirmed supporters like:


South Africa’s weapon technology stolen
by Staff WriterA major security breach at state-owned arms manufacturer Denel may have led to the theft of highly sensitive and classified weapons technology information.
This is according to City Press, which reported that President Cyril Ramaphosa has authorised the Special Investigations Unit (SIU) to investigate the matter.
The report stated that the intellectual property related to Denel’s missiles was stolen by current and former employees and given to arms company Saudi Arabian Military Industries (Sami).
Many former Denel engineers with experience in designing and manufacturing missiles are now working at Sami.
An army general told City Press that what happened at Denel is industrial espionage and amounts to treason.
Big problems at Denel
This report comes at a time when Denel finds itself in such financial trouble that it is struggling to pay salaries and service its debt.
The reason for the mess at the company, Denel CEO Daniel du Toit said, is the hangover of state capture and mismanagement.
Du Toit said there is a direct link between state capture involving the Gupta family and the company’s financial predicament.
State capture is, however, not the only reason. “We have to be objective in our assessment – there is also an element of mismanagement and poor efficiencies,” he said.
“The effect of state capture is enormous on the organisation, which is broken and paralysed as a consequence of state capture,” he said.
Du Toit said the Denel board and management are taking action with the support of their audit firms, with legal action against those implicated in corrupt dealings.
He said they are trying to recover some of the money linked to state capture, but that it is not as significant as with some of the other state-owned enterprises.
Denel missiles
Denel has a wide variety of missiles, including air-to-air missiles, air-defence missiles and anti-armour missiles.
The company’s flagship Umkhonto missile is an indigenous product, designed, developed and manufactured in South Africa.
The Umkhonto missile design includes stealth (passive IR seeker and low smoke rocket motor) and flexibility (multi-target engagement and ability to launch from any position).
The missile is high-velocity and infrared homing, providing all-round defence against simultaneous attacks from missiles and aircraft.
Although it is a surface to air missile, it is also capable of taking out stationary surface targets.
The Umkhonto was designed with a 23kg warhead for high-kill probability, unlike other SAM missile systems in its class.
In September 2018 Denel Dynamics announced that it is expanding its missile portfolio with new weapons and was enhancing its existing missiles.
The new missiles included the Cheetah air defence missile and P2 surface-to-air munition.
This complemented Denel’s wide range of existing missiles, including the Umkhonto, Umbani, Mokopa and Ingwe missiles.


Implements stochastic simulations of community assembly (ecological diversification) using customizable ecospace frameworks (functional trait spaces). Provides a wrapper to calculate common ecological disparity and functional ecology statistical dynamics as a function of species richness. Functions are written so they will work in a parallel-computing environment.
| Version: | 1.3.1 |
| Depends: | R (≥ 3.4.0) |
| Imports: | FD (≥ 1.0-12) |
| Suggests: | knitr, rmarkdown, vegan |
| Published: | 2018-03-05 |
| Author: | Phil Novack-Gottshall [aut, cre] |
| Maintainer: | Phil Novack-Gottshall <pnovack-gottshall at ben.edu> |
| BugReports: | https://github.com/pnovack-gottshall/ecospace/issues |
| License: | CC0 |
| URL: | https://github.com/pnovack-gottshall/ecospace, http://www.ben.edu/faculty/pnovack-gottshall/index.html |
| NeedsCompilation: | no |
| Materials: | NEWS |
| CRAN checks: | ecospace results |
| Reference manual: | ecospace.pdf |
| Vignettes: |
ecospace |
| Package source: | ecospace_1.3.1.tar.gz |
| Windows binaries: | r-devel: ecospace_1.3.1.zip, r-release: ecospace_1.3.1.zip, r-oldrel: ecospace_1.3.1.zip |
| OS X binaries: | r-release: ecospace_1.3.1.tgz, r-oldrel: ecospace_1.3.1.tgz |
| Old sources: | ecospace archive |
Please use the canonical form https://CRAN.R-project.org/package=ecospace to link to this page.


Before Change
print("proxy.externalIP not set, attempting autodetect of external IP")
http_client = None
try:
http_client = httpclient.HTTPClient()
response = http_client.fetch(AWS_CHECK_IP, request_timeout=1)
external_ip = response.body.strip()
except (httpclient.HTTPError, RuntimeError) as e:
LOGGER.error(f"Error connecting to {AWS_CHECK_IP}: {e}")
finally:
if http_client is not None:
http_client.close()
if external_ip is None:
print("Did not auto detect external ip. Please go to "
f"{HELP_DOC} for debugging hints.")
return
After Change
LOGGER.debug(f"proxy.externalIP set to {external_ip}")
else:
print("proxy.externalIP not set, attempting to autodetect IP")
external_ip = get_external_ip()
lan_ip = get_lan_ip()
timeout_secs = config.get_option("proxy.waitForConnectionSecs")
if external_ip is None and lan_ip is None:
print("Did not auto detect external ip. Please go to "
f"{HELP_DOC} for debugging hints.")
return
external_url = get_report_url(external_ip, port, quoted_name)
lan_url = get_report_url(lan_ip, port, quoted_name)
print("=============================================================")
print("Open one of the URLs below in your browser within %s seconds."
% timeout_secs)
print("External URL:", external_url)
print("Internal URL:", lan_url)
print("=============================================================")
def _launch_web_client(name):


Welcome Stefan!
System Statistics
Show map
Generate location map
Generate log file
12903
Trash cans online
View billing reports
Generate location statistics file
Generate log file
68904
Visits this month
10
k
likes
350
feeds
7
k
followers
450
tweets
Smart Trash Can Dump Frequency
June 2018
Day
Month
Year


Shadow Hills [aq73], mountain, in Imperia, peasants: 106
Last updated Turn #115
Shadow Hills [aq73], mountain, in Imperia, peasants: 106
------------------------------------------------------------------------
19: Stack of nazgul [ep3q], nazgul, went north.
19: Pack of wolves [cw7c], wolves, number: 8, arrived from the north.
23: Pack of wolves [hd3l], wolves, number: 2, arrived from the north.
25: Pack of wolves [hd3l], wolves, number: 2, went south.
30: The population grows by one peasant.
Routes leaving Shadow Hills:
North, plain, to Buffalo Plains [ap73], 7 days
East, plain, to Buffalo Plains [aq74], 7 days
South, plain, to Buffalo Plains [ar73], 7 days
West, mountain, to Mt. Olympus [aq72], 10 days
Garrison [ii0r], garrison, Imperial Empire, with two peasants
Border closed.
Down, mine-shaft, to The Smelly Mine [e92], 0 days
Inner locations:
Yew grove [ad9j], yew grove, 1 day
Seen here:
Stack of giants [ej3o], giants, number: 10
Stack of nazgul [cs0l], nazgul, number: 4
Stack of giant lizards [fd3y], giant lizards, number: 8
Band of thieves [et2e], bandits, number: 26
Pack of wolves [cw7c], wolves, number: 7


File Index
-
utils.js
Utilities that just get grafted onto the puredom namespace. -
/Users/developit/Projects/puredom/src/puredom.js
-
/Users/developit/Projects/puredom/src/puredom/ControllerManager.js
-
/Users/developit/Projects/puredom/src/puredom/date.js
-
/Users/developit/Projects/puredom/src/puredom/EventEmitter.js
-
/Users/developit/Projects/puredom/src/puredom/FormHandler.js
-
/Users/developit/Projects/puredom/src/puredom/i18n.js
-
/Users/developit/Projects/puredom/src/puredom/LocalStorage.js
-
/Users/developit/Projects/puredom/src/puredom/LocalStorage/CookieAdapter.js
-
/Users/developit/Projects/puredom/src/puredom/LocalStorage/LocalStorageAdapter.js
-
/Users/developit/Projects/puredom/src/puredom/LocalStorage/UserDataAdapter.js
-
/Users/developit/Projects/puredom/src/puredom/LocalStorage/WebSQLAdapter.js
-
/Users/developit/Projects/puredom/src/puredom/NativeAPI.js
-
/Users/developit/Projects/puredom/src/puredom/net.js
-
/Users/developit/Projects/puredom/src/puredom/Notifier.js
-
/Users/developit/Projects/puredom/src/puredom/RouteManager.js
-
/Users/developit/Projects/puredom/src/puredom/TestSuite.js
-
/Users/developit/Projects/puredom/src/puredom/ViewManager.js


At 9:56AM EST February 23nd, 2021, Package Control was notified of a package takeover vulnerability in the default channel package crawler workflow. The issue was reported by Sven Blumenstein of Apple Information Security.
At 10:28AM EST February 23nd, 2021, Package Control confirmed the receipt and nature of the takeover vulnerability. At 11:32AM EST February 23nd, 2021, a mitigation was deployed to the default channel server, fixing the vulnerability.
The process to exploit the vulnerability was as follows:
The vulnerability existed due to the fact that the crawler for the default channel would allow a hosting service to go offline and come back online. Unfortunately this robust behavior, in the case of a hosting provider going offline, unintentionally allowed for user names (or domain names) to transfer ownership without review.
A review of the package database was conducted after fixing the vulnerability. At the time of reporting, there were 31 GitHub user accounts and 1 BitBucket user account that were vulnerable to takeover. 14 GitHub accounts had transfered ownership, but had not retained previous package repositories. There wasn't any evidence of malicious takeovers, however the default channel crawler does not maintain logs of every change to every package.
Moving forward, all packages that go offline will have to be manually reviewed before they will be available for installation.
If you have any questions about the incident, please contact me via<EMAIL_ADDRESS>or open an issue on the website issue tracker.
I‘m pleased to announce the release of Package Control 3.0! This release adds a bunch of polish, improving the Sublime Text experience for users and package developers.
As of July 2014, I now work for myself. This has allowed me to spend more time working on open source software, including Package Control. If you appreciate the work I‘ve done, please consider a small donation. If even 5% of regular users donated the price of a coffee or beer, that would cover quite a bit of my development time! See the About page for options.
The following notes detail some of the bigger aspects of this new release.
Additional commands were added to the command palette, including:
Various documentation on the website has been added, or improved, including:
After a couple of months of bug fixes and feature development, I‘m excited to announce the first Package Control 3.0 beta! Over the next few days I would like to get it in the hands of a bunch of users to work out any final kinks. Hopefully 3.0 will be a little less eventful than the 2.0 rollout.
A set of full release notes will be displayed via Package Control messages, however here are some highlights:
If you are willing to help, perform the following instructions to upgrade to version 3.0.0-beta. Once upgraded, keep an eye on the Sublime Text console for Python exceptions. If you experience any issues, please open an issue.
Thanks for your help!
There are quite a number of guides online that will help you set up your machines so that your Sublime Text packages and settings are copied from one computer to another. Unfortunately most of these guides do not take into consideration the fact that some packages have different versions for different operating systems.
This morning I've added a new page to the Docs section titled Syncing. It explains the potential issues with syncing packages and has some guidance for using Git and Dropbox. Please let me know if you have any improvements for this, or any of the other documentation by filling out a GitHub issue.
As part of the new site launch and the expanded package detail pages, I wanted to start an experiment with making supporting package developers even easier. Now granted, the part I'm playing in the process is rather small since I am just providing links for each author. The real work that makes this possible is Gittip, founded by Chad Whitacre.
I was excited a few weeks ago to see the attention Gittip received when John Resig announced the Khan Academy has started giving their developers $5 a week to say thank you to the open source developers who make their work possible.
My hope is that through exposing the work of the over 1,000 developers who maintain various packages for Sublime Text, we can encourage each other to say “thank you!”
In case you’ve never checked it out, Gittip offers weekly donation amounts as small as $0.25. This may seen inconsequential, however if only 100 users tip $0.25 a week, the developer can recieve $25. Considering there are tens of thousands of users of some of the more popular packages, it should be possible for these small donations to make a big impact and encourage future open source work.
In closing I wanted to highlight some of the work a few contributors to Package Control have been doing over the past months. These developers have spent their time reviewing and giving feedback to fellow package developers as they merge pull requests into the default channel:
The old Community Packages list that was hosted on my website was admittedly a quick and dirty hack to make it easier for users to try and find packages. I have always known there were many usability issues and tons of room for improvement.
When the first alpha of Sublime Text 3 was announced, I knew there was quite a bit of work ahead of me to adapt the architecture to support multiple versions of Sublime Text. I also saw this as the opportunity to converge the codebase from python (for Package Control) and PHP (for the old Community Packages list) to a single re-usable library.
Along the way of pursuing that goal, I vastly expanded the information that can be provided by the channel system. This information helps greatly enhance the new Package Control site to include in-depth information about every package.
I am sure many of you have already poked around a bit, but here are some highlights of the new site:
A detail page for every package, including the usual info, plus:
After many months of waiting, Package Control 2.0 is finally ready. This launch is the culmination of hundreds of commits and includes many new features.
The time has come where I can’t in good conscience keep the BitBucket mirror of the default channel open for pull requests. Due to the sheer number of pull requests that come in we currently have three very regular volunteers reviewing all requests on GitHub. Unfortunately the volume is so low on BitBucket that it tends to be forgotten. Having a repository actively maintained in two version control systems presents other problems when trying to automate maintenance tasks.
While I’ve always strived to provide as much compatibility as possible for my various open source projects, I think the result of shuttering the BitBucket mirror will be net positive. Thanks to the website-based edit functionality of GitHub and the current TravisCI testing setup, package developers who aren’t familiar with git should have no trouble adding entries for their packages.
Some users may have noticed a brief outage on the default channel server. Just now I took the channel offline to corrent a long-running glitch in package install statistics.
Due to a bug in the script that handled usage submissions from Package Control, all operations including upgrades and removals were being counted as installs. This manifested itself more severly for packages that have had lots of versions. Each time a new version of the package was released and users upgraded, installs and unique installs were incorrectly being increased.
From early in the project I decided to maintain a full history of every usage submission in case information needed to be reconstructed. The brief outage that users experienced was a full wipe of all install statistics and a regeneration of them from the master usage table. Over 35 million submissions were processed and tallied up into new, much more accurate statistics.
The unfortunately downside of this is that many package developers will see a dip in their install numbers. With the upcoming release of Package Control 2.0 and the new website, the source code for recording and displaying all of this information will be open source. Hopefully this will present the opportunity for other developers to both help improve, but also review the codebase to help catch such mistakes sooner.


Barks 'N Rec was built to connect dog owners whose dogs have similiar interests. Rather than taking your dog to a random park, it matches you with your perfect "walk buddy" — another dynamic dog-owner duo who likes to swim, hike, or just go for a walk in the greater Seattle area. No matter what interests your dog has, we can find a match!
Max is excited to once again be a student after previously working in a deli for the past few years. When he is not spending all of his time programming, he enjoys watching sports, playing video games, and listening to all kinds of music. His goal is to complete the Code Fellows program and become a full time developer, though he has not yet decided on what 401 class he would like to take.
Chelsea is a part-time jazz DJ, and a full-time dog lover. She entered Code Fellows with a background in economics and politics, which she is excited combine with software development. When she's not in hot pursuit of dogs to pet, she enjoys reading, drinking coffee, making mix playlists for friends, kayaking, and swing dancing.
David comes from Edmond,Oklahoma and previously was employed as a commercial diver in Washington and Alaska. He is currently studying to become a Front End web developer. In his spare time he swing dances, scuba dives, flys helicopers and hikes. Usually in that order starting a [0].
Abdullah Soulaiman, who is new to the web development world, has collaborated with this amazing team to establish "Bark 'N Rec." He loves cooking with his pressure cooker (those things are time savers), outdoor activities, hiking, and real football (AKA, "soccer"). His goal is to continue his learning journey into back-end development with both Python and Java, and to learn Ember.js framework for web applications.


When colors aabsorb into the canvas, it means that it has been primed only once, & for this reason they become matte without being shiny. But this is the best way, as long as you re—coat it twice, for in this manner, the colors, having more body, do not die & are all the more beautiful for it, especially azure ,lake & those do not have body. But those who want to rush their painting prime twice on the first go, to be done with it. Thus the colors do not absorb, also they will not last as long. The second layer of these does not absorb & remains shiny.
You need to put your charcoal at the tip of a stick such that you make your first drawing from a distance because up close, you would not be able to judge proportions as well as from a certain & sufficient distance. Also, when you paint up close, hold your charcoal at the farthest end, & practically with your fingertips. For in this way you will acquire an artist’s l touch & give your hand effortless facility.
One usually glazes with colors which do not have body, such as lake & verdigris. However, to use other kinds, one mixes in plenty of calcined & crushed cristallin, which also has no body & makes lightens their thickness.

It does not die & has a lot of body.
at left top margin
** After nature **
There are some who paint after nature on oiled paper, & if they do not finish in one go, they put their paper & unfinished picture in water so that it shall not dry.
at left middle margin
Illuminators painting on paper temper their colors with gum & mix in a little soap to make them run better.
at left middle margin
Painters must all learn how to draw after nature, for to them it is travel provisions & revenue & sure means of earning their passage when travelling across the lands with only their cocon.
at left bottom margin
** Priming layer **
One needs to be quite careful about this, & not do it, as some will, with gold color which is made with the washing water of oil pinceaulx, because verdigris & other corrosive colors which are in it will in the end cause the death of the colors that are meu layered on next. It is good to do it.
at bottom margin
with ceruse, & a bit ofyellow ocher, & a little massicot, & make it not too thick so that it does not crack.


1. Lifeline gets activated after user enters correct answers consecutively for 5 questions.
2. Gets activated after user enters correct answers consecutively for 5 questions.
3. Activated after user enters correct answers consecutively for 5 questions.
4. After user enters correct answers consecutively for 5 questions.
5. User enters correct answers consecutively for 5 questions.


| angleAxis | Add a Axis to a Plot with Rotated Labels |
| balloonplot | Plot a graphical matrix where each cell contains a dot whose size reflects the relative magnitude of the corresponding component. |
| balloonplot.default | Plot a graphical matrix where each cell contains a dot whose size reflects the relative magnitude of the corresponding component. |
| balloonplot.table | Plot a graphical matrix where each cell contains a dot whose size reflects the relative magnitude of the corresponding component. |
| bandplot | Plot x-y Points with Locally Smoothed Mean and Standard Deviation |
| bandplot.default | Plot x-y Points with Locally Smoothed Mean and Standard Deviation |
| bandplot.formula | Plot x-y Points with Locally Smoothed Mean and Standard Deviation |
| barplot2 | Enhanced Bar Plots |
| barplot2.default | Enhanced Bar Plots |
| bluered | Generate a smoothly varying set of colors |
| boxplot.n | Defunct functions |
| boxplot2 | Produce a Boxplot Annotated with the Number of Observations |
| ci2d | Create 2-dimensional empirical confidence regions |
| col2hex | Convert color names to hex RGB strings |
| colorpanel | Generate a smoothly varying set of colors |
| deprecated | Deprecated functions |
| greenred | Generate a smoothly varying set of colors |
| heatmap.2 | Enhanced Heat Map |
| hist2d | Compute and Plot a 2-Dimensional Histogram |
| lmplot2 | Plots to assess the goodness of fit for the linear model objects |
| lowess | Scatter Plot Smoothing |
| lowess.default | Scatter Plot Smoothing |
| lowess.formula | Scatter Plot Smoothing |
| ooplot | Create an OpenOffice style plot |
| ooplot.default | Create an OpenOffice style plot |
| overplot | Plot multiple variables on the same region, with appropriate axes |
| panel.overplot | Plot multiple variables on the same region, with appropriate axes |
| plot.lm2 | Defunct functions |
| plot.lowess | Scatter Plot Smoothing |
| plot.venn | Plot a Venn diagram |
| plotCI | Plot Error Bars and Confidence Intervals |
| plotLowess | Scatter Plot Smoothing |
| plotmeans | Plot Group Means and Confidence Intervals |
| print.ci2d | Create 2-dimensional empirical confidence regions |
| print.hist2d | Compute and Plot a 2-Dimensional Histogram |
| qqnorm.aov | Makes a half or full normal plot for the effects from an aov model |
| redblue | Generate a smoothly varying set of colors |
| redgreen | Generate a smoothly varying set of colors |
| reorder.factor | Reorder the Levels of a Factor |
| residplot | Undocumented functions |
| rich.colors | Rich Color Palettes |
| rtPCR | Teratogenesis rtPCR data |
| sinkplot | Send textual R output to a graphics device |
| smartlegend | Defunct functions |
| space | Space points in an x-y plot so they don't overlap. |
| textplot | Display text information in a graphics plot. |
| textplot.character | Display text information in a graphics plot. |
| textplot.data.frame | Display text information in a graphics plot. |
| textplot.default | Display text information in a graphics plot. |
| textplot.matrix | Display text information in a graphics plot. |
| venn | Plot a Venn diagram |
| wapply | Compute the Value of a Function Over a Local Region Of An X-Y Plot |


| 1 | /* | |
| 2 | * Licensed to the Apache Software Foundation (ASF) under one | |
| 3 | * or more contributor license agreements. See the NOTICE file | |
| 4 | * distributed with this work for additional information | |
| 5 | * regarding copyright ownership. The ASF licenses this file | |
| 6 | * to you under the Apache License, Version 2.0 (the | |
| 7 | * "License"); you may not use this file except in compliance | |
| 8 | * with the License. You may obtain a copy of the License at | |
| 9 | * | |
| 10 | * http://www.apache.org/licenses/LICENSE-2.0 | |
| 11 | * | |
| 12 | * Unless required by applicable law or agreed to in writing, | |
| 13 | * software distributed under the License is distributed on an | |
| 14 | * "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY | |
| 15 | * KIND, either express or implied. See the License for the | |
| 16 | * specific language governing permissions and limitations | |
| 17 | * under the License. | |
| 18 | */ | |
| 19 | package org.apache.myfaces.shared.el; | |
| 20 | ||
| 21 | import jakarta.faces.component.StateHolder; | |
| 22 | import jakarta.faces.context.FacesContext; | |
| 23 | import jakarta.faces.el.EvaluationException; | |
| 24 | import jakarta.faces.el.MethodBinding; | |
| 25 | import jakarta.faces.el.MethodNotFoundException; | |
| 26 | ||
| 27 | /** | |
| 28 | * Convenient method binding that does nothing other than returning a fixed outcome String when invoked. | |
| 29 | */ | |
| 30 | public class SimpleActionMethodBinding | |
| 31 | extends MethodBinding | |
| 32 | implements StateHolder | |
| 33 | { | |
| 34 | private String _outcome; | |
| 35 | ||
| 36 | public SimpleActionMethodBinding(String outcome) | |
| 37 | { | |
| 38 | _outcome = outcome; | |
| 39 | } | |
| 40 | ||
| 41 | public Object invoke(FacesContext facescontext, Object aobj[]) throws EvaluationException, MethodNotFoundException | |
| 42 | { | |
| 43 |
1
1. invoke : replaced return value with null for org/apache/myfaces/shared/el/SimpleActionMethodBinding::invoke → NO_COVERAGE |
return _outcome; |
| 44 | } | |
| 45 | ||
| 46 | public Class getType(FacesContext facescontext) throws MethodNotFoundException | |
| 47 | { | |
| 48 |
1
1. getType : replaced return value with null for org/apache/myfaces/shared/el/SimpleActionMethodBinding::getType → NO_COVERAGE |
return String.class; |
| 49 | } | |
| 50 | ||
| 51 | ||
| 52 | //~ StateHolder support ---------------------------------------------------------------------------- | |
| 53 | ||
| 54 | private boolean _transient = false; | |
| 55 | ||
| 56 | /** | |
| 57 | * Empty constructor, so that new instances can be created when restoring state. | |
| 58 | */ | |
| 59 | public SimpleActionMethodBinding() | |
| 60 | { | |
| 61 | _outcome = null; | |
| 62 | } | |
| 63 | ||
| 64 | public Object saveState(FacesContext facescontext) | |
| 65 | { | |
| 66 |
1
1. saveState : replaced return value with null for org/apache/myfaces/shared/el/SimpleActionMethodBinding::saveState → NO_COVERAGE |
return _outcome; |
| 67 | } | |
| 68 | ||
| 69 | public void restoreState(FacesContext facescontext, Object obj) | |
| 70 | { | |
| 71 | _outcome = (String)obj; | |
| 72 | } | |
| 73 | ||
| 74 | public boolean isTransient() | |
| 75 | { | |
| 76 |
2
1. isTransient : replaced boolean return with false for org/apache/myfaces/shared/el/SimpleActionMethodBinding::isTransient → NO_COVERAGE 2. isTransient : replaced boolean return with true for org/apache/myfaces/shared/el/SimpleActionMethodBinding::isTransient → NO_COVERAGE |
return _transient; |
| 77 | } | |
| 78 | ||
| 79 | public void setTransient(boolean flag) | |
| 80 | { | |
| 81 | _transient = flag; | |
| 82 | } | |
| 83 | ||
| 84 | public String toString() | |
| 85 | { | |
| 86 |
1
1. toString : replaced return value with "" for org/apache/myfaces/shared/el/SimpleActionMethodBinding::toString → NO_COVERAGE |
return _outcome; |
| 87 | } | |
| 88 | } | |
Mutations | ||
| 43 |
1.1 |
|
| 48 |
1.1 |
|
| 66 |
1.1 |
|
| 76 |
1.1 2.2 |
|
| 86 |
1.1 |


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@* * This template takes a single argument, a String containing a * message to display. *@ @(databaseName: String, collectionName: String)(modelForm: Form[models.Student])(implicit req: RequestHeader) @* * Call the `main` template with two arguments. The first * argument is a `String` with the title of the page, the second * argument is an `Html` object containing the body of the page. *@ @main("Documents") { @* * Get an `Html` object by calling the built-in Play welcome * template and passing a `String` message. *@ @*
| Delete Document | Name | Gender | Age |
|---|


Simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard
Simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard
What is Lorem Ipsum?
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
С уважением и заботой,
Помощник, invest.


| Name | Grades (Max XP: {{this.getQuestMaxXp(questSelect.value)}}) | Date Submitted | Comment | File Uploaded | ||
|---|---|---|---|---|---|---|
| No submissions on this quest yet. | ||||||
| {{this.toStudentName(submission.getUserId())}} | {{this.pageService.formatDateTime(submission.getQuestSubmissionDate(questSelect.value))}} |
No comment.
{{submission.getQuestSubmissionComment(questSelect.value)}}
|
No file(s) uploaded.
{{submission.getQuestSubmission(questSelect.value)}}
|


This folder is dedicated to keep different resources used by GUI.
Here:
- "icons" folder contains the icons of GUI in .png format.
- Most of icons are 20x20 pixels
- Big (keyword in the name of the file) are 25x25 pixels
- Small (keyword in the name of the file) are 15x15 pixels
- Icons were created in icon editor called RealWorldIconEditor.
- Note: Each icon as well as the directory it is in, are referenced from Interfaces and Enumerations in the code for GUI
- Raw design of each icon can be found in folder named as rawIcons. This is in case, there is a need to modify the design.


Here it is possible to select a topic, that you want to learn more about. By clicking on the different links in the containers, you will be directed to another side where it is possible to read and learn about the different aspects of NodeJS. When you are done with all the reading, you'll be able to take a quiz to see how much you understand about this course.
This application is created for learning purposes.
Back to home


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