This is perhaps the fastest three hour movie I've seen.
OK, a whole bunch of things. Yes, James Cameron, one of the foremost action directors of this day (and we won't mention the Academy Awards last year), had apparently spent some $200M to make a teen romance featuring that well-worn theme of carpe diem that's been threaded through what feels like every other American movie of the past decade or two. This is serious chutzpah. The results are stunning.
The plot is simple: young, upper class woman in an arranged marriage meets starving artist on a boat trip, falls in love and is redeemed, her spirit is set free. She doesn't marry into arrangement and strictures, but instead seizes the day. The choices are black and white, without shades of gray or moral choices. We've seen this fable any number of times, and there really are no surprises in how this story is told. There are no twists; the ending is expected; the acting, Kate Winslet excepted, sucked. But Cameron tells this story reasonably well.
And he weaves this story into that of the Titanic, and gives this theme of carpe diem prominence over all the other stories and fables that you can extract from the sinking. "Titanic" is mythological: there are the morals of hubris, of class confrontation, of one's conduct in facing death, of dilemnas and choices of survival and survivors. These themes are present in Cameron's film, but they're secondary threads. The love story between Winslet and DiCarpio is primary, and many of these subsidiary ideas can be interpreted through it.
So, just to hit the points, the working poor stuck in Third Class, on their way to America to make a new life, have the noble poverty thing going for them, an exubrence and freedom in simple things. In contrast is the self-appointed royalty in First Class, who air kiss, wear corsets, and are merely on seasonal migration between Europe and America. They're no fun. You can imagine where DiCaprio has a cabin, and where the bad guys come from. (Interestingly, we don't see Second Class passengers, who presumably would be middle class, perhaps returning from a once in a lifetime tour of Europe. I suppose this would have clouded the issue. Oh, random semi-ironic fact: the largest cruise ship in the world today, which I think makes Titanic look like an overgrown tug boat, belongs to Carnival "Kathie Lee" Cruises, making circuits of the Carribean, a sea free of icebergs. Presumably, the people on this ship may be exclusively middle class.) The hubris bit with Titanic is obvious, though it's extended to First Class passengers, when he men retire to cigars and cognac after dinner -- their illusions of power are as fragile and as vulnerable to strokes of fortune as the ship itself. And so on.
The theme of carpe diem is built through two main motifs: time and luck. Clocks and reminders of time are everywhere in the film. The ship departs at a specific time, and the collision with the iceberg is noted with due percision. DiCarpio meets Winslet next to the clock, the ship is due to sink in an hour, the Carpathian won't reach the wreck for four. The Titanic's architect, while waiting for the ship to go down, spends a moment to correct a clock's time against his watch. And the distance between now and then is 84 years. Time is fleeting, permanence is an illusion, so seize the day. Similarly, luck manifests by itself, and you can't presume to make your own. DiCarpio gets on board through a lucky hand of poker, changing his life and Winslet's. Cal the Evil Fiance presumes to make his own luck, but this is silliness. The moral is almost Taoist: let Fortune take charge, live day by day, and attempts to control your own fate are futile and counterproductive.
A few moments that may seem cheesy in any other film somehow works in this one: Winslet and DiCaprio at the ship's prow, flying over the ocean through belief and a strong breeze; the dolphins escorting the Titanic as she heads to the open ocean. These images are used earnestly, without irony, and Cameron invokes a strong enough illusion to make them work. Most amazingly and most effectively, the superimpossion of the corrupted wreck at the bottom of the ocean with the bright, shining ship in life. Cameron evokes ghosts in these transitions.
In addition to these scenes that walk the fine line between cheesiness and wonder, Cameron is able to vividly invoke disaster and hell. There's the majestic scene when the stern rises up and then breaks apart from the rest of the ship. The law of gravity clearly hasn't been revoked. And perhaps most haunting is this vision from Dante, as a lone lifeboat goes back to look for survivors. Bodies bob on the ocean, suspended by their life jackets. And the life boat picks through this grotesque flotsam, guided only by flashlights. It's a surreal image, very stark and invocative of the Inferno's ninth circle.
I think I've meandered about this film enough.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


class Manager
Methods
|
__construct(Filesystem $Filesystem, CategoryPaths $CategoryPaths)
|
||
|
saveUploadedFile($input)
|
||
| void |
renameUploadedFile(string $filepath, string $newpath)
Renames an uploaded file |
|
| void |
removeUploadedFile(string $filepath)
Remove uploaded files from the /media directory |
Details
at line 13
public
__construct(Filesystem $Filesystem, CategoryPaths $CategoryPaths)
at line 20
public
saveUploadedFile($input)
at line 49
public void
renameUploadedFile(string $filepath, string $newpath)
Renames an uploaded file
at line 67
public void
removeUploadedFile(string $filepath)
Remove uploaded files from the /media directory


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This page contains all of my labs.
Aesthetic and minimalist design
1. Make sure dialogue boxes contain only important and relevant information
2. Make use of simple design, with a limited color palette
3. Provide spacing around components allowing all text and information to “breathe”
Consistency and Standards
4. Website features and navigation should be consistent so a user can perform the same actions on different parts of the website (submitting 2 different forms, done the same way)
5. Use identical terminology in prompts, menus, and help screens, as well as consistent color, layout, capitalization, and fonts.
User Control and Freedom
6. Provide a way for a user to navigate back to the previous page
7. Provide a way for a user to navigate back to the main page (emergency exit)
8. Support both redo and undo actions
Font Styles
9. Font should match the theme or intention of the website (don’t use old style font on a sci-fi website)
10. Font colour should not clash with the background it is on (no black text on black background)


The Java conceptual diagram categorizes Java component technologies in levels. The following lists these levels, from top to bottom, and the technologies that are part of each one. Technologies that are part of a lower level serve as a foundation for those that are part of a higher level.
The JDK consists of all levels.
The JRE consists of the following levels:
The Java SE API consists of the following levels:
Compact Profiles consists of the following levels:


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Apple removes vaping apps from app store
Apple is removing all vaping apps from its online store.
It said it had taken the decision because of growing official concerns about the impact vaping can have on health.
In the US, 42 deaths and more than 2,100 cases of lung injury have been linked to a respiratory illness tied to vaping.
Apple's decision means a total of 181 apps will not be available on iPhones, reports tech news site Axios.
Harmful agent
In a statement given to Axios, Apple said it agreed with official warnings about the negative health impacts of vaping and the potential problem presented by the appeal of e-cigarettes to the young.
It said it took "great care" to ensure that the app store was a place people could trust to get programs for their iPhone.
The vaping apps available via Apple's store let people exercise control of some features of e-cigarettes and others simply kept people up to date with news about vaping or offered themed games.
Apple said anyone who already had a vaping app on their iPhone would be able to continue using it and transfer it to any new Apple device.
The move to eliminate vaping apps began in June when Apple decided to stop accepting any new apps related to e-cigarettes.
Research by the US Centers for Disease Control and Prevention (CDC) into the causes of the respiratory disease that caused the deaths suggests one ingredient is to blame.
The CDC said it had found vitamin E acetate - a thickening agent used in many illegal vaping products - in lung samples from 29 patients hit by the disease.


| Star | Watch | Fork |
| Home |
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| User Guide |
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| About |
RSOME (Robust Stochastic Optimization Made Easy) is an open-source Python package for generic modeling optimization problems. Models in RSOME are constructed by variables, constraints, and expressions that are formatted as N-dimensional arrays. These arrays are consistent with the NumPy library in terms of syntax and operations, including broadcasting, indexing, slicing, element-wise operations, and matrix calculation rules, among others. In short, RSOME provides a convenient platform to facilitate developments of optimization models and their applications.
The current version of RSOME supports models that fit the state-of-the-art robust stochastic optimization framework, proposed in the paper robust stochastic optimization (RSO) framework. The default solver of RSOME is the linear programming (LP) solver linprog()
imported from the scipy.optimize
package. We also provide interfaces with commercial solvers like Gurobi and MOSEK so that we can solve problems with integer variables and second-order cone constraints.
The RSOME package can be installed with the pip
command:
pip install rsome
For the current version, the scipy.optimize.linprog()
function is used as a default solver for LP problems. Interfaces with other solvers like Gurobi and MOSEK are also integrated in RSOME, and you may follow Installing the Anaconda Python distribution or Installation - MOSEK optimizer API for Python to complete the solver installation.
The RSOME package supports specifying models using highly readable algebraic expressions that are consistent with NumPy syntax. A very simple linear program example is provided below,
\[\begin{align} \max ~&3x + 4y \\ \text{s.t.}~&2.5x + y \leq 20 \\ &5x + 3y \leq 30 \\ &x + 2y \leq 16 \\ &|y| \leq 2, \end{align}\]and it is used to illustrate the steps of solving optimization models.
from rsome import ro # Import the ro modeling tool
model = ro.Model('LP model') # Create a Model object
x = model.dvar() # Define a decision variable x
y = model.dvar() # Define a decision variable y
model.max(3*x + 4*y) # Maximize the objective function
model.st(2.5*x + y <= 20) # Specify the 1st constraints
model.st(5*x + 3*y <= 30) # Specify the 2nd constraints
model.st(x + 2*y <= 16) # Specify the 3rd constraints
model.st(abs(y) <= 2) # Specify the 4th constraints
model.solve() # Solve the model by the default solver
Being solved by the default LP solver...
Solution status: 0
Running time: 0.0426s
In this sample code, a model object is created by calling the constructor Model()
imported from the rsome.ro
toolbox. Based on the model object, decision variables x
and y
are created by the method dvar()
. These variables are then used in specifying the objective function and model constraints. The last step is calling the solve()
method to solve the problem. Once the solution completes, a message showing the solution status and running time will be printed.
You may find the interpretation of the solution status code of linprog()
from the website scipy.optimize.linprog
. The status code 0
suggests that the problem was solved to optimality (subject to tolerances), and an optimal solution is available. The optimal solution and the corresponding objective value can be attained by the get()
method.
print('x:', x.get())
print('y:', y.get())
print('Objective:', round(model.get(), 2))
x: [4.8]
y: [2.]
Objective: 22.4
The example above shows that RSOME models can be formulated via straightforward and highly readable algebraic expressions, and the formulated model can be transformed into a standard form, which is then solved by the integrated solver. The basic information of the standard form can be retrieved by calling the do_math()
method of the RSOME model object.
formula = model.do_math()
print(formula)
Second order cone program object:
=============================================
Number of variables: 3
Continuous/binaries/integers: 3/0/0
---------------------------------------------
Number of linear constraints: 6
Inequalities/equalities: 6/0
Number of coefficients: 11
---------------------------------------------
Number of SOC constraints: 0


--- layout: post status: publish published: true title: Some Impressions on VS Orcas author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 433 wordpress_url: http://winterdom.com/2007/06/someimpressionsonvsorcas date: '2007-06-27 20:41:50 +0000' date_gmt: '2007-06-27 20:41:50 +0000' categories: - Development tags: [] comments: [] ---
Some things I've noticed while using Visual Studio 2008 using the downloadable VSTS VPC image:


Here at RebelLion, we compete in many European Vainglory Tournaments and Leagues. As a guild, we strive for greatness and ambitiously aim for the top. We have achieved some great things so far, and strive to achieve even more. Here are some of our past achievements we have achieved.
Season 1 Vaingloryleague Europe Qualifiers
- 2nd Place -
Season 2 Vaingloryleague Europe Qualifiers
- 3rd Place -
Season 1 European Autumn Finals
- Final 8 -


---
layout: archive
title: Lean Prover Zulip Chat Archive
permalink: 116395maths/62138Provingphysicallaws.html
---
The archive URL format has changed. Please find this page at:
https://leanprover-community.github.io/archive/stream/116395-maths/topic/Proving.20physical.20laws.html


--- published: true ---
The Ancients are stirring. Their sleep in the depths and heights is ending, as is the age. The future is ungiven. Power eternal emanates from the Ancients into their heralds who will pave the way or bar it.
The Corrupted spread. The world is not meant for such power and it writhes and twists, spawning abominations. They are caught up in the power of the Ancients but do not always serve it.
A storm eternal rises again. It will forge the new age. What will your future bring?


Get to know me!
Hello! My name is Hiba Salem and I'm a 24 years architect, I am really interested in all IT fields in general and coding in particular, so I am so glad to be learning it right now .
My questions
-
Am I a day person?
-
Do I like summer?
-
Do I believe in aliens?
-
Am I an introvert?
-
Am I a coffee lover?
-
In which month is my birthday?
-
What is my favourite color?
My education
-
Software development, ASAC | LTUC, March 2021 - Present
-
Bachelor's degree, BAU, Architectural engineering, 2014 - 2019
Work experience
-
Freelance architect Dec 2019 - Feb 2021
-
Internship Feb 2019 - May 2019
Top 10 things that i like to do!
-
Walking
-
Looking to the sky
-
Relaxing
-
Watching a movie
-
Procrastinating (lol)
-
Having a cup of tea
-
Listening to music
-
Just doing nothing
-
Learning new things
-
Boring right ?


SCALB
Section: Linux Programmer's Manual (3)
Updated: 2013-03-23
Index
Return to Main Contents
NAME
scalb, scalbf, scalbl - multiply floating-point number
by integral power of radix (OBSOLETE)
SYNOPSIS
#include <math.h>
double scalb(double x, double exp);
float scalbf(float x, float exp);
long double scalbl(long double x, long double exp);
Link with -lm.
Feature Test Macro Requirements for glibc (see
feature_test_macros(7)):
scalb():
-
_BSD_SOURCE || _SVID_SOURCE || _XOPEN_SOURCE >= 500 ||
_XOPEN_SOURCE && _XOPEN_SOURCE_EXTENDED
scalbf(),
scalbl():
-
_BSD_SOURCE || _SVID_SOURCE || _XOPEN_SOURCE >= 600
DESCRIPTION
These functions multiply their first argument
x
by
FLT_RADIX
(probably 2)
to the power of
exp,
that is:
x * FLT_RADIX ** exp
The definition of
FLT_RADIX
can be obtained by including
<float.h>.
RETURN VALUE
On success, these functions return
x
*
FLT_RADIX
**
exp.
If
x
or
exp
is a NaN, a NaN is returned.
If
x
is positive infinity (negative infinity),
and
exp
is not negative infinity,
positive infinity (negative infinity) is returned.
If
x
is +0 (-0), and
exp
is not positive infinity, +0 (-0) is returned.
If
x
is zero, and
exp
is positive infinity,
a domain error occurs, and
a NaN is returned.
If
x
is an infinity,
and
exp
is negative infinity,
a domain error occurs, and
a NaN is returned.
If the result overflows,
a range error occurs,
and the functions return
HUGE_VAL,
HUGE_VALF,
or
HUGE_VALL,
respectively, with a sign the same as
x.
If the result underflows,
a range error occurs,
and the functions return zero, with a sign the same as
x.
ERRORS
See
math_error(7)
for information on how to determine whether an error has occurred
when calling these functions.
The following errors can occur:
- Domain error: x is 0, and exp is positive infinity, or x is positive infinity and exp is negative infinity and the other argument is not a NaN
-
An invalid floating-point exception
(FE_INVALID)
is raised.
- Range error, overflow
-
An overflow floating-point exception
(FE_OVERFLOW)
is raised.
- Range error, underflow
-
An underflow floating-point exception
(FE_UNDERFLOW)
is raised.
These functions do not set
errno.
CONFORMING TO
scalb()
is specified in POSIX.1-2001, but marked obsolescent.
POSIX.1-2008 removes the specification of
scalb(),
recommending the use of
scalbln(3),
scalblnf(3),
or
scalblnl(3)
instead.
The
scalb()
function is from 4.3BSD.
scalbf()
and
scalbl()
are unstandardized;
scalbf()
is nevertheless present on several other systems
SEE ALSO
ldexp(3),
scalbln(3)
Index
- NAME
-
- SYNOPSIS
-
- DESCRIPTION
-
- RETURN VALUE
-
- ERRORS
-
- CONFORMING TO
-
- SEE ALSO
-
This document was created by
man2html,
using the manual pages.
Time: 02:54:58 GMT, September 18, 2014


{% if expense_list %}
| Date | Item | Price |
|---|---|---|
| {{ expense.date | date:"M d, Y" }} | {{ expense.item }} | ${{ expense.price }} |
| Grand total: | {{ expense_totals.price__count }} Items | ${{ expense_totals.price__sum }} |
| Date | Number of Items | Total Price |
|---|---|---|
| {{ expense.date | date:"M d, Y" }} | {{ expense.price__count }} | ${{ expense.price__sum }} |
| Grand total: | {{ expense_totals.price__count }} | ${{ expense_totals.price__sum }} |
No expenses have been recorded.
{% endif %}


{% extends 'base.html' %} {% load url from future %} {% load staticfiles %} {% block content %}
Search for datasets collected from scientific instruments and high performance computing resources around Australia.


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CSS Rules
This example shows how to link a CSS file to an HTML document.
This is just another paragraph!


All photos courtesy of Jessica Cornelius.
Teamfinder development courtesy of Luke Stevens
Design courtesy of Lizzie Walton at https://elsie.myportfolio.com/projects
© Quidditch Premier League 2016 – 2017. QPL and its activities are not licensed by, sponsored by or associated with Warner Bros., J.K. Rowling, or their affiliates. ‘Quidditch,’ ‘Harry Potter,’ and all related names, characters and indicia are trademarks of and © Warner Bros. – Harry Potter publishing rights © J.K. Rowling.


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Detecting Hardware¶
Read time: 3 minutes (757 words)
The biggest problem faced when teaching classes in software development is the number of different systems presented by students. SOme have the latest, most powerful systems available, some have hand-me-down systems littered with programs no on even understands why they are on the system. All of this sytems need to be handled, so the first job of the build system is to identify the exact machine setup the student is using.
In the Linus world, there ia a common tool thta does this: autoconfig
. This tool runs an extensiive check of all the software components it can find on the machine, and determines what tools are available to build the software. Unfortunately. such a tool is not really available on PC systems, so we need to do something differemt.


Additonal Info
Favorite Character
Darth Maul - The only man to kill Liam Nesson!
Least Favorite Character
Han Solo - He is over-rated!
Star Wars - Dashboard


[gecode-users] Unary constraint not-first-not-last propagation does not cancel optional tasks
Conijn, B.J.
b.j.conijn at student.tue.nl
Fri Feb 14 14:08:18 CET 2014
Hi,
In not-first-not-last.hpp I found the following piece of code and I was wondering why those two lines have been commented out. While running the tests with those two lines included, those lines get executed and the test still succeeds. Can those two lines be safely included?
if (t[i].mandatory()) {
GECODE_ME_CHECK(t[i].lct(home,lct[i]));
} else if (lct[i] < t[i].ect()) {
// GECODE_ME_CHECK(t[i].excluded(home));
// t[i].cancel(home,p); t[i]=t[--n];
}
Kind regards,
Bauke
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mailing list


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Option 1 - Meat
Option 2 - Fruit
Option 3 - Vegetables
Option 4 - Dairy Products
Option 5 - Eggs + Fish
Option 6 - Other
Option 1 - Meat
Option 2 - Fruit
Option 3 - Vegetables
Option 4 - Dairy Products
Option 5 - Eggs + Fish
Option 6 - Other
Option 1 - Meat
Option 2 - Fruit
Option 3 - Vegetables
Option 4 - Dairy Products
Option 5 - Eggs + Fish
Option 6 - Other


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Habitat
Graveler can get in the mountains or fields. Gravel also lives in caves. Its Alolian form can only be found on Alola.


Suspect arrested after Minnesota school marked by swastika
by The Associated PressEDINA, Minn. (AP) — Police in a Minneapolis suburb have arrested a suspect after a swastika and other offensive graffiti was found at an elementary school.
In an email to Edina School District families, Superintendent John Schultz wrote that “when an act of hatred occurs anywhere in Edina, it affects our entire community.”
Police say the arrest occurred Monday after the suspect was caught on security video. The vandalism happened over the weekend.
The Star Tribune reports Schultz says the district has turned to the Jewish Community Resource Council for guidance as they work through the issue.
___
Information from: Star Tribune, http://www.startribune.com
The Associated Press


Let’s play with an immutable Queue type. We want to:
- Create an empty queue
- Push things into a queue and get a new queue with the added element
- Pop the next element of the queue and also get the rest of the queue.
So something like this:
If we jump into creating a Queue class we will get the following skeleton:
This could work. However, there are some kinds of programs that will compile, but will always fail to run:
Going in a a similar direction of the NullPointerException, we could try to split the queue values that will help us move from this EmptyQueueRuntimeError
to a compile error. For that, we need to differentiate the EmptyQueue
from the non-empty Queues.
But is it really useful?
The compile error is because typeof(q3) :: EmptyQueue | Queue
.
The fact that popping from a nonempty queue may lead to an empty queue stands between us and what we want to do. A “may lead” is translated to the return type since it is one of the possible results in runtime.
We could try to do something crazy. What if Queue
contains the amount of elements in its type. We know that if you:
- Push an element to a
Queue(N)
, you will get aQueue(N+1)
- Pop from a
Queue(1)
, you will get anEmptyQueue
- Pop from a
Queue(N)
withN > 1
, you wil get aQueue(N-1)
It seems reasonable (and a bit crazy).
In a static typed language the compiler will use the types of the expressions. It won’t, since it can’t, rely on their actual values because those will only appear during execution. Programmers can deduce a certain behaviour of a program that holds for all possible executions, but this analysis goes beyond just the types of the expressions. This is something hard to realise if you are only used to dynamic languages. What we are trying to do is to take a bit more of information from the queues and add it to the Queue(N)
type, so that the compiler will be able to use the information of the types to decide if the program does actually makes sense and hence compiles.
For this we will need:
- A way to declare overloads
Queue(1)
andQueue(N)
(withN > 1
) - Be able to use Math operators in types: given
N
, returnQueue(N+1)
.- And teach the type inference how to deduce these things so we don’t need to always write them.
Even if we added this, it’s a risky business: Let’s imagine we want a #filter
operation that will remove from the queue all elements that are equal to a certain value. What will be the return type of Queue(N)#filter(e)
?
Potentially Queue(N) | Queue(N-1) | Queue(N-2) | .... | Queue(1) | EmptyQueue
.
Or even Queue(N-R)
where R=#count of e in self
.
See? scary 👻.
Types are powerful stuff.
There is a lot of theory behind type systems. This story grazes Dependent types system.
Types group values and serve as a basis for static analysis. Analysis that won’t depend on the actual values.
If the type goes into too much detail, then it will be a pain to use. It the type ignores lots of details, then we will get lots of exceptions in runtime.
This situation has been coming up all the time since we began designing Crystal’s type system and API. We aim to define a useful type system that will help programmers catch runtime exceptions, but we want it to be usable and easy-going. That is why:
Nil
is not a value of every typeT
. You need to use unions ofT | Nil
(orT?
)Array(T)
is able to hold only one type (although it can be a union), but we don’t know which indices are valid in compile time.Tuples(*T)
are not as flexible as anArray(T)
but given a literal we can know if it is a valid index and which type it corresponds to in compile time.Array(T)
/Tuple(*T)
relationship is analogous toHash(K,V)
/NamedTuple(**T)
.Array(T?)#compact
returns anArray(T)
Although the Queue
story didn’t end up so well, it did end up well for all of the above types,
allowing us to have a happy time while crystalling. Success!


PATTON A film review by James Berardinelli Copyright 1994 James Berardinelli
I don't usually do reviews of older movies, but PATTON happened to be playing in a local "revival" theater and, although I've seen the film many times on TV and video, I'd never before viewed it on a large screen. As a result, I took this opportunity to see it and subsequently write a review.
By the way, for years now, I have considered PATTON to be my favorite all-time motion picture. What that says about my character, you can guess for yourself....
PATTON
Rating (0 to 10): 9.7
Year Released: 1970 Running Length: 2:50 Rated: PG (Violence, language)
Starring: George C. Scott, Karl Malden, Michael Bates, Karl Michael Vogler, Edward Binns, Paul Stevens Director: Franklin J. Schaffner Producer: Frank McCarthy Screenplay: Edmund H. North and Francis Ford Coppola based on factual material from PATTON: ORDEAL AND TRIUMPH by Ladislas Farago and A SOLDIER'S STORY by Omar N. Bradley Cinematography: Fred J. Koenkamp Music: Jerry Goldsmith Released by Twentieth-Century Fox
"Through the travail of ages Midst the pomp and toils of war, Have I fought and strove and perished Countless times upon a star. As if through a glass, and darkly, The age-old strife I see, For I fought in many guises, many names, But always me." - Gen. George S. Patton, Jr.
In early 1971, the Academy Awards saluted PATTON. Capturing eight Oscars--including best picture, best director, best actor, best screenplay, best editing, and best production design--the movie won every major battle of the evening. Such acclaim was richly deserved, for PATTON remains to this day one of Hollywood's most compelling biographical war pictures.
With its larger-than-life, yet at the same time singularly human, portrayal of Gen. George S. Patton, Jr., Franklin Schaffner's picture is an example of filmmaking at its finest. From production design and battle choreography to simple one-on-one dramatic acting, PATTON has it all. There is no scene in all one-hundred seventy minutes that doesn't work on some level.
Patton was not a friendly, easygoing person. A war hero and a keen strategist, he was also harsh, stubborn to the point of intransigence, and undiplomatic. Aside from the campaigns he waged in North Africa, Sicily, and across Europe, the general is perhaps best remembered for an incident when he slapped an enlisted man. The news media of the time vilified him for this, and the history books have been little more kind. That single act, more than anything, typified the national perception of him.
That side of the man is shown in PATTON, but there are more facets to the general's personality than what he presented in public. There was also the deeply thoughtful philosopher, who believed in God and destiny, and accepted reincarnation (he believed that he had been on the battlefield when the Carthaginians fought the Romans, and had later served with Napoleon). Patton was neither cold nor insensitive--he cared deeply about those under his command who stood in the face of enemy fire and refused to yield. In its evenhanded presentation, PATTON does justice to those aspects of the general's character, in addition to the more obvious ones. What we see is not a legend, but a man, with all the flaws and triumphs that made him who he was.
Into the role stepped George C. Scott, giving the performance of a long and impressive career. Indeed, Scott became so identified with the character, and played the general so perfectly, that the Patton of documentaries has since occasionally been referred to as "an imposter." In a part that requires a skillful scaling of the emotional ladder, Scott finds the perfect balance between bombast and subtlety. From the opening scene (the famous speech to the Third Army in front of the giant American Flag), the viewer's attention is riveted to the screen, and only when the final credits roll do external distractions reassert themselves. It is no exaggeration to say that, in the decade of the seventies, only men like Brando, Pacino, Nicholson and De Niro equalled what Scott accomplished in PATTON.
The film opens in 1943 North Africa, with a brutal look at American casualties at the battle of Kasserine. Patton arrives from Morocco to take command the U.S. army in Tunisia in preparation for fighting Rommel (Karl Michael Vogler) at el Gitar. From North Africa, Patton's forces move to Sicily, where they sweep north across the island, taking Palermo, then racing Montgomery (Michael Bates) to Messina. Along the way, Patton's verbal and physical abuse of a soldier suffering from "battle fatigue"--which the general brands as cowardice--becomes ammunition for his critics. He later offers a public apology, but this incident keeps him from the action for a while, and he must stand by as a decoy during the Normandy invasion. Later in the year, however, General Omar Bradley (Karl Malden) gives Patton command of the Allied Third Army, with which he pushes across Western Europe to stop the Germans at the Battle of the Bulge, the last major Nazi offensive of the war.
With the exception of Patton, the only character given more than cursory attention is Omar Bradley, who is shown to be a conservative, level-headed antithesis to Patton's impulsive, ill-tempered bluster. Bradley begins the film serving under Patton, and ends it as his superior. The two are friends, but each finds fault with the other's methods. As Bradley says, "I do this job because I've been trained to do it. You do it because you love it."
The statement that Patton "is [his] own worst enemy" is proven repeatedly. After the slapping incident, while the general is essentially on probation, he makes some comments that he believes to be off-the-record. The press prints them, and Patton is seen as having insulted the "Russian Allies" by claiming that the United States and England would jointly rule occupied Europe following the war. In order to get back into favor with his superiors, Patton must promise to keep his "big mouth shut."
PATTON manages the intricate task of presenting personal details in the larger context of their historical backdrop. We observe detailed recreations of the battles of el Gitar, Sicily, and the Bulge, even as Patton's own desires, needs, and hopes are exposed through his actions and conversations. The most defining moments for the general as a person often come when he's alone with his aide, or facing his own mortality as he gazes across battlefields that are millennia old.
Fred Koenkamp's photography does justice to the picture's material. Not only does he have a good sense of how to capture a battle on film, but he is equally adept at framing the quieter, more personal moments. The last shot of the film, with Patton walking his dog across a snow- spotted field in Bavaria, blends the best of both these intimate and panoramic views. Jerry Goldsmith's fine--and immediately recognizable--score compliments Koenkamp's cinematography.
Those who have not seen PATTON, or who have not watched the film carefully, might assume that this movie is about World War Two and one of its most celebrated generals. In fact, they would be only partially correct. What PATTON sets out to do is to demythicize its subject and show the forces that drove this man.
Brilliant tactician, merciless disciplinarian, tireless fighter, prima donna, and staunch patriot--Patton was all of these things and more. Life for him was the battlefield, and without war, his spirit was sapped. The German military recognized this when they noted that Berlin's fall would finish him. Patton was an anachronism--a man who belonged in another time. He was a warrior living in a time when victory in battle no longer meant the triumph it once had, a Roman conqueror who understood the meaning of the words that "all glory is fleeting." Above all, however, he was an icon whom millions cheered, millions hated, and few understood.
- James Berardinelli<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Welcome to bamnostic’s documentation!¶
This documentation site is a work in progress as I continue to hone my reStructuredText skills. All of the module documentation is here, but a more detailed “Getting Started” should be available soon.
Note
CRAM format is not supported at this time.
- Installation
- Getting Started
- Module documentation
- Citation and Support


---
title: Path and Handler Callbacks
---
## Path Callbacks and Handlers
Understanding path callbacks and handlers is key to understanding how Bullet
parses requests and how it tries to respond to them. Path callbacks are always
matched first, and then handlers are executed once the path has been fully
consumed and their criteria has been met.
## Path Callbacks
In your application built with Bullet, a **path callback** is what you will
use to structure your URLs and organize your code. Path callbacks are what
Bullet is looking for when trying to respond to a particular request URI.
In terms of code, path callbacks will use the `path` and `param` methods on
the main Bullet application object.
The `path` method matches an exact static path name, and the `param` method
matches the path based on a registered callback. There are lots of
pre-registered [param callbacks](/docs/param-callbacks) and it's easy to add
your own custom ones too.
The following example matches `posts/235`, but not `posts/my-post-title`.
{% geshi 'php' %}
$app->path('posts', function($request) use($app) {
$app->param('int', function($request, $postId) use($app) {
return "Post: " . $postId;
});
});
{% endgeshi %}
Path callbacks are only concerned with
matching the URI segment itself, and have no other matching rules or context.
## Handlers
Handlers are what Bullet uses to send an HTTP response once a path has been
fully matched. Handler methods are `get`, `post`, `put`, `delete`, `patch`,
`method`, and `format`. Handler methods are what you should use to contain most
of your application logic, because handler methods will never be executed unless
the full URI has already been matched.
In this example, a `GET /posts/12` will only execute the second `get` handler.
The first `get` handler will be ignored because the path was not fully matched
at that point (only `posts` and not the full `posts/12`), and the `post` handler
will be ignored because the request does not match that handler's criteria (it
was a GET request).
{% geshi 'php' %}
$app->path('posts', function($request) use($app) {
// Get posts collection
$app->get(function($request, $postId) use($app) {
return "GET /posts";
});
$app->param('int', function($request, $postId) use($app) {
// Get single post resource
$app->get(function($request) use($app, $postId) {
return "GET /posts/" . $postId;
});
// Update single post resource
$app->post(function($request) use($app, $postId) {
return "POST /posts/" . $postId;
});
});
});
{% endgeshi %}
Handlers are only matched when the entire URI has been fully consumed, and
the handler criteria has been matched.
Multiple hanlders can be nested, and **all** of them will be executed when the
path has been fully consumed. The most common use for this is combining both an
HTTP method handler and a format handler. An example `GET /posts` with an HTTP
header `Accept: application/json` would match the _json_ format handler.
{% geshi 'php' %}
$app->path('posts', function($request) use($app) {
$app->get(function($request, $postId) use($app) {
// Prepare your data ONCE
$data = array(
array('title' => 'Foo', 'author' => 'Calvin'),
array('title' => 'Bar', 'author' => 'Hobbes')
);
// Respond in multiple formats
$app->format('json', function($request) use($app, $data) {
return $data;
});
$app->format('html', function($request) use($app, $data) {
return $app->template('posts', $data);
});
});
});
{% endgeshi %}
Bullet uses automatic content-negotiation to determine the request format by
parsing the `Accept` header in the absense of an explicit file extension.
Returning the raw array for JSON requests will automatically `json_encode` the
array and send the appropriate JSON response `Content-Type` header.


Lemon Garlic Asparagus Pasta
Yields: 3
Preparation time: 5
Cooking time: 20
Ingredients
-
8 oz. pasta1 bunch asparagus (about 1 lb.)2 Tbsp butter2 cloves garlic, minced1 lemonSalt and Pepper to tasteParmesan cheese (optional)
Directions
-
Bring a pot of water to a boil for the pasta.Once boiling, add the pasta and continue to boil until the pasta is tender.Reserve about 1/2 cup of the starchy cooking water, then drain the pasta and set it aside.While the pasta is cooking, prepare the asparagus. Remove the bottom 1/2 to 1-inch of the stems, or just the part that is tough and woody.Chop the remaining asparagus into 1-inch pieces.Place the asparagus in a large skillet and add about 1/2 inch water. Place a lid on the skillet and bring the water up to a boil.Let the asparagus steam and simmer for about 2 minutes, or just until it turns bright green and has become slightly tender (test with a fork). Drain the asparagus and return it to the skillet.Add the butter and minced garlic to the skillet with the asparagus and place it over medium heat.Sauté the partially cooked asparagus in the butter and garlic for about two minutes more, or until the garlic becomes soft and fragrant. Turn off the heat.Add the cooked and drained pasta to the skillet with the sautéed asparagus.Toss the pasta in the skillet until it is combined with the asparagus and coated with garlic butter.Top with a generous pinch of salt and freshly cracked pepper, and parmesan if desired.Use a zester or small-holed cheese grater to zest the lemon onto the pasta.Once zested, slice the lemon in half and squeeze the fresh juice over the pasta. Toss the pasta until everything is well combined, adding a splash of the reserved pasta cooking water if it becomes dry.Taste the pasta and adjust the salt, pepper, or lemon if desired. Serve warm.
Category: Entree
Cuisine: Italian


| Payment | In | Out |
|---|---|---|
| {{ payment.paymentNumber }} | {{ payment.paymentIn | date:'M/d/yyyy'}} | {{ payment.paymentOut | date:'M/d/yyyy'}} |
| Payment | Type | In | Out |
|---|---|---|---|
| {{ payment.paymentNumber }} | {{ payment.paymentType.name }} | {{ payment.paymentIn | date:'M/d/yyyy'}} | {{ payment.paymentOut | date:'M/d/yyyy'}} |
| Type | Applied To | Date | Amount | Remove |
|---|---|---|---|---|
| {{ deduction.deductionType.name }} | {{ deduction.payment.paymentNumber }} | {{ deduction.date | date:'M/d/yyyy' }} | {{ deduction.amount | currency }} | Remove |


Billiat Waxes Lyrical About ‘Great’ Middendorp
by Mazola MolefeKaizer Chiefs’ current form and fighting spirit is a reflection of their combustible and robust coach Ernst Middendorp, attacker Khama Billiat has said.
He said Amakhosi were a mirror of the German with how they now commit to challenges and with their never-say-die attitude of late.
Read: Rulani: If You Look At The Numbers
Chiefs go into tomorrow’s Soweto Derby against rivals Orlando Pirates sitting pretty at the top of the Absa Premiership table with seven points clear.
“I think the coach has installed something great – work rate, energy and it’s amazing when we play how much we want to win those 50/50 challenges,” he said.
Billiat himself said he has had to even help out in defence because that is simply what Middendorp demands – defensive minded players also have the license to attack.
“We fight so hard and it just rubs off, we seem to be moving in the right direction. That’s a very big part of our success right now. It took long for us to get into his ways, but eventually we made progress. He is that kind of a guy – he does it everywhere, even at training. He wants the best and wants to get things done. That works for us and everyone wants to fight,” Billiat revealed ahead of the Soweto Derby.


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Health Minister summoned to hearing on access to healthcare in NHS
Parliament unanimously approved on Wednesday to summon the Minister of Health to clarify data contained in the Annual Report on Access to Health Care in National Health Service Establishments (NHS) in 2018.
The date for the hearing has not yet been set.
The Social Democrats (PSD) consider the Report of "extreme relevance insofar as it presents information on the structure of care provision and the performance of NHS institutions in terms of access to health care".
For the PSD, the Report contains "some worrying data that reveal a growing degradation of access to health care in the NHS, namely between 2017 and 2018".
Examples are the increase in the percentage of hospital consultations performed outside the maximum guaranteed response times to 29 percent, the growth in the number of NHS patients on waiting lists for surgery to more than 244,000 and the increase in average waiting times to undergo surgery to 3.3 months.


A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth. Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts.
A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth. Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts.
A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth. Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts.
A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth. Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts.
Separated they live in Bookmarksgrove right at the coast of the Semantics
Separated they live in Bookmarksgrove right at the coast of the Semantics
Separated they live in Bookmarksgrove right at the coast of the Semantics
Separated they live in Bookmarksgrove right at the coast of the Semantics
Separated they live in Bookmarksgrove right at the coast of the Semantics
Separated they live in Bookmarksgrove right at the coast of the Semantics
Even the all-powerful Pointing has no control about the blind texts it is an almost unorthographic life One day however a small line of blind text by the name


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The error is: invalid request
We recently reorganized the books, and so some of the chapters have new links. Please go to the table of contents for your book and navigate to the desired section from there. Our Home Page is a good starting point
If you got an invalid request
were hoping to find a course in /static/mycourse/xxxx.html That course may need to be rebuilt, or the course may no longer be available.
Please contact your instructor. If you are an instructor then go to the Instructors Page and follow
the instructions to rebuild or create your course.
For any other error, please report this on our github page (github account required) Or, tweet us @iRunestone Please try to include the error message, and the page you were trying to get to.


--- layout: page title: Langton's Ant ---
Below is one of the simpler cellular Automatas called Langton's ant. Each tick, if the ant is on a white cell it turns 90 degrees clockwise and if it is on a black cell it turns 90 degrees counter clockwise. It then swaps the colour of the cell it is on and takes a step forward.
Somewhat amazingly it turns out that Langton's ant is something called a universal turing machine. This means that any computation you can do on a computer can be done by Langton's ant by giving it the right initial setup of black and white cells and recording its output after some length of time.


--- layout: tweet ---
RT @sweetlew: Big day for us at @newrelic
12/12/2014, 9:34:52 AM
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Legally, I'm referred to as Jenna Steppe of Minnesota
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WITNESS LIST
Finance
February 13, 2017 10:00 AM
FOR:
LaRue, John Port Director (also providing written testimony) (Port of Corpus Christi)
ON:
Alcantar, Andres Chairman (also providing written testimony) (Texas Workforce
Commission)
Babineaux, Adrian I am representing self (Self), Houston, TX
Borders, Darrion (Self), Austin
Botello, Chris Texas Advocates Member (also providing written testimony) (Texas
Advocates Member)
Brewster, Whitney Executive Director (also providing written testimony) (Texas
Department of Motor Vehicles), Austin, TX
Charlton, David (Self), Austin, TX
Dziuk, George LBB Staff (also providing written testimony) (LBB)
Fowler, Deborah F. Exec. Director (Texas Appleseed), Austin, TX
Galvan, Thomas LBB Staff (also providing written testimony) (LBB)
Garcia, Chief Carlos Board Chair (also providing written testimony) (Auto Burglary &
Theft Prevention Authority), Austin, TX
Gendron, Christine Nonprofit executive director (also providing written testimony) (Texas
Network of Youth Services), Austin, TX
Grigg, William Attorney (Texas Rio Grande Legal Aid Inc)
Hale, Richard Task Force Commander (Sheriff's Combined Auto Theft Task Force)
Hansen, Lt. Tommy Law Enforcement (ABTPA), Galveston
Irvine, Tim Executive Director (also providing written testimony) (Texas Dept. of Housing
& Community Affairs)
Kemp, Gage (Self), Austin
Krog, Elizabeth LBB Staff (also providing written testimony) (LBB)
Lewis, Chairman Tryon Chair, Tx Transportation Commission (also providing written
testimony) (TxDOT), Austin
Lind, Dr Ashley CEO, Promise House (Promise House)
Mauch, Dave Attorney (TX Rio Grande Legal Aid)
McDowell, Susan Executive Director LifeWorks (LifeWorks & Texas Network of Youth
Services), Austin
McPhail, Jennifer Community Organizer (ADAPT)
Perdue, Caitlin LBB Staff (also providing written testimony) (LBB)
Ragland, Brian Chief Financial Officer (also providing written testimony) (TxDot)
Salovitz, Heiwa Community Organizer (also providing written testimony) (Adapt of TX)
Strentzsch PhD, LPC-S, Julie Administrator (also providing written testimony) (Roy Maas
Youth Alternatives, TNOYS)
Temple, Larry Executive Director (also providing written testimony) (Texas Workforce
Commission)
Townsend, Randy Chief Financial Officer (also providing written testimony) (Texas
Workforce Commission)
WITNESS LIST
Finance
February 13, 2017 10:00 AM
Vinson, Eric Executive Director, State Commin on Judicial Conduct (also providing
written testimony) (SCJC), Austin, TX
Williams, Marc Deputy Executive Drector (also providing written testimony) (TXDOT)
Williams, Olivia (Self), Houston, TX
Registering, but not testifying:
FOR:
Kinney, Linda Board Member (Texas Automobile Burglary & Theft Prevention Authority),
Dripping Springs, TX
ON:
Counts, Terri state employee (State Commission on Judicial Conduct), Austin, TX
Diaz, Serena (Self)
Flores, Linda Chief Financial Officer (Texas Department of Motor Vehicles), Austin, TX
Hale, Bill Chief Engineer (TXDOT)
Wittie, David (ADAPT of Texas)
Providing written testimony:
FOR:
Saathoff, Phyllis Executive Director (Port of Freeport), Freeport, TX
AGAINST:
Tyler, Kathy nonprofit housing (Self), Austin, TX
ON:
Langendorf, Jean Policy Specialist (Disability Rights of Texas), Austin, TX
Litzinger, Amy public policy (Easterseals)
Litzinger, Linda caregiver, advocate (self and family)


PCX is a bitmap image format originally used by PC Paintbrush from ZSoft Corporation. Originally, it was a relatively simple 128-byte header + uncompressed bitmap format, but latest versions introduced more complicated palette support and RLE compression.
There's an option to encode 32-bit or 16-bit RGBA pixels, and thus it can potentially include transparency. Theoretically, it's possible to encode resolution or pixel density in the some of the header fields too, but in reality there's no uniform standard for these, so different implementations treat these differently.
PCX format was never made a formal standard. "ZSoft Corporation Technical Reference Manual" for "Image File (.PCX) Format", last updated in 1991, is likely the closest authoritative source.
This page hosts a formal specification of .pcx file format using Kaitai Struct. This specification can be automatically translated into a variety of programming languages to get a parsing library.
meta:
id: pcx
file-extension: pcx
xref:
justsolve: PCX
mime:
- image/vnd.zbrush.pcx
- image/x-pcx
pronom:
# see `/enums/versions` map
- fmt/86 # PCX 0
- fmt/87 # PCX 2
- fmt/88 # PCX 3
- fmt/89 # PCX 4
- fmt/90 # PCX 5
wikidata: Q535473
license: CC0-1.0
endian: le
doc: |
PCX is a bitmap image format originally used by PC Paintbrush from
ZSoft Corporation. Originally, it was a relatively simple 128-byte
header + uncompressed bitmap format, but latest versions introduced
more complicated palette support and RLE compression.
There's an option to encode 32-bit or 16-bit RGBA pixels, and thus
it can potentially include transparency. Theoretically, it's
possible to encode resolution or pixel density in the some of the
header fields too, but in reality there's no uniform standard for
these, so different implementations treat these differently.
PCX format was never made a formal standard. "ZSoft Corporation
Technical Reference Manual" for "Image File (.PCX) Format", last
updated in 1991, is likely the closest authoritative source.
doc-ref: https://web.archive.org/web/20100206055706/http://www.qzx.com/pc-gpe/pcx.txt
seq:
- id: hdr
type: header
size: 128
instances:
palette_256:
pos: _io.size - 769
type: t_palette_256
if: hdr.version == versions::v3_0 and hdr.bits_per_pixel == 8 and hdr.num_planes == 1
doc-ref: https://web.archive.org/web/20100206055706/http://www.qzx.com/pc-gpe/pcx.txt - "VGA 256 Color Palette Information"
types:
header:
doc-ref: https://web.archive.org/web/20100206055706/http://www.qzx.com/pc-gpe/pcx.txt - "ZSoft .PCX FILE HEADER FORMAT"
seq:
- id: magic
contents: [0x0a]
doc: |
Technically, this field was supposed to be "manufacturer"
mark to distinguish between various software vendors, and
0x0a was supposed to mean "ZSoft", but everyone else ended
up writing a 0x0a into this field, so that's what majority
of modern software expects to have in this attribute.
- id: version
type: u1
enum: versions
- id: encoding
type: u1
enum: encodings
- id: bits_per_pixel
type: u1
- id: img_x_min
type: u2
- id: img_y_min
type: u2
- id: img_x_max
type: u2
- id: img_y_max
type: u2
- id: hdpi
type: u2
- id: vdpi
type: u2
- id: palette_16
size: 48
- id: reserved
contents: [0]
- id: num_planes
type: u1
- id: bytes_per_line
type: u2
- id: palette_info
type: u2
- id: h_screen_size
type: u2
- id: v_screen_size
type: u2
t_palette_256:
seq:
- id: magic
contents: [0x0c]
- id: colors
type: rgb
repeat: expr
repeat-expr: 256
rgb:
seq:
- id: r
type: u1
- id: g
type: u1
- id: b
type: u1
enums:
versions:
0: v2_5
2: v2_8_with_palette
3: v2_8_without_palette
4: paintbrush_for_windows
5: v3_0
encodings:
1: rle


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{% extends "base.html" %} {% block extrahead %} {% endblock %} {% block content %}
The converted HTML5 creative from {{transform.filename}}
is shown below, and will be uploaded to DFP
as a custom creative once you submit the form.
| name | macro | mimetype | size | num |
|---|


| Package | Description |
|---|---|
| br.ufg.inf.bean | |
| br.ufg.inf.bean.admin | |
| br.ufg.inf.bean.student | |
| br.ufg.inf.bean.teacher |
| Modifier and Type | Class and Description |
|---|---|
class |
AuthenticationBean
AuthenticationBean
Controlador Responsável por direcionar as chamadas de autenticação
|
class |
BarsBean
BarsBean
Bean responsável por gerenciar sessão e barra do topo
|
| Modifier and Type | Class and Description |
|---|---|
class |
EditStudentBean
The Class EditStudentBean.
|
class |
EditTeacherBean
The Class EditTeacherBean.
|
class |
EditTermBean
The Class EditTermBean.
|
class |
ListCourseBean
The Class ListCourseBean.
|
class |
ListStudentBean
The Class ListStudentBean.
|
class |
ListTeacherBean
The Class ListTeacherBean.
|
class |
ListTermBean
The Class ListTermBean.
|
class |
PersistCourseBean
The Class PersistCourseBean.
|
class |
PersistTeacherBean
The Class PersistTeacherBean.
|
class |
PersistTermBean
The Class PersistTermBean.
|
| Modifier and Type | Class and Description |
|---|---|
class |
StudentAssignmentsBean
The Class StudentAssignmentsBean.
|
class |
StudentCoursesBean
The Class StudentCoursesBean.
|
| Modifier and Type | Class and Description |
|---|---|
class |
PersistAssignmentBean
Controlador da tela de tarefas
|
class |
TeacherAssignmentsBean
The Class TeacherAssignmentsBean.
|
class |
TeacherCoursesBean
The Class TeacherCoursesBean.
|
Copyright © 2017. All rights reserved.


Most of our group are (ahem) ageing athletes. Meaning we most likely have to deal with little niggles on a daily basis.
I think I speak for all of us is that we are all dealing with some issue, for me it’s typically calf and hip related. What I have to do .. to GET to be an athlete … is MANAGE (not cure, i’m not sure if it will ever go away) the daily niggles. So I include housekeeping and mobilisation in all our weekly plans. We do the same group of muscles every 3 days. We try and limit this work to 10-15 mins so it is manageable with life. Mostly we are trying to ingrain a habit. Much like brushing our teeth.
We need to do everything in our control to NOT get injured as consistency is everything. I’ll say that again. Consistency is everything. So, to be a consistent athlete. This is the stuff I need to do to be a consistent athlete. Little bits every day.
The other thing we need to add to this is simple core stuff. Front and side planks. 2-3 times front and both sides for about 60secs. Ensure correct form – straight as an arrow, stiff as a board comes to mind and if you haven’t been doing it start small. ie. build from 3x15secs to 20 to 30 and up to a minute. Sure we can get fancier but we don’t need to. Accumulation over time is the key. I live the 7 minute free plank app on App Store/Play Store.  Out of all my sessions, this is perhaps the one I struggle the most with. The app is great. Don’t think just do EVERY SINGLE DAY.
If you can’t find the time, then you’ll have all the time in the world when sidelined from injury due to neglect (akin to running your car and never changing the oil). The biggest obstacle to doing this daily housekeeping is simply yourself.
Here is the goal I’m setting myself to do every single day:
What can we do to help ingrain these habits.
 Honestly, right now I don't have to think of these things as it is ingrained. James Clear is awesome. Read his Atomic Books book.
Hopefully by the time we get to the meat of our training next year, these will be ingrained, much like brushing our teeth.
Like anything results are never overnight (even breaking down doesn’t happen overnight, it happens gradually and then swiftly). So zoom out, start doing and in a number of weeks you’ll notice some changes.
James Clear gold.. 'You do not rise to the level of your goals. You fall to the level of your systems. Your goal is your desired outcome. Your system is the collection of daily habits that will get you there. This year, spend less time focusing on outcomes and more time focusing on the habits that precede the results.’


Service Fails to Start
Symptoms
- Event Viewer, App: "Service cannot be started. The service process could not connect to the service controller"
- No log files in Hudson directory
- Repeated attempts to start server may result in 'hudson.err.log' and 'hudson.out.log'
- hudson.war file is zero length
Solution
- Copy original 'hudson.war' into 'hudson' directory and restart service


Mr. Thrain's class strained to hold their hands high so they would be picked to read their report. It was Henry's time to read. "Please read your paper to the class," said Mr. Thrain. Henry felt a lump in his throat and his heart throb. He could not help thinking about what a strict critic Mr. Thrain could be. Henry began to read. "China is in the East. It has a rich heritage. In the past, China was ruled by dynasties. China has many farms. The people grow crops like rice and wheat. Rice grows well when the land is wet. An animal represents each year in China. I was born in the year of the rabbit." Henry finished reading. The class sprang to their feet and clapped. "That was great, Henry," said Mr. Thrain. "Maybe one day you will take a trip to China."
in-context


Select your preferences, then click 'update' !
stimuli
stimuli interval (ms)
stimuli per trial
direction
instructions: forward
instructions: reverse
instructions: auto-advance
feedback
feedback time (ms)
Advance
autoAdvance time (ms)
when number correct is...
...increase by
when number incorrect is...
...decrease by
stop when...
...is


#include <ticpp.h>
Public Member Functions | |
| Attribute () | |
| Construct an empty attribute. | |
| Attribute (const std::string &name, const std::string &value) | |
| Construct an attribute with name and value. | |
| template<class T> | |
| void | GetValue (T *value) const |
| Get the value of this attribute Uses Base::FromString to convert TiXmlAttribute::ValueStr from a std::string, and puts it in the passed pointer. | |
| std::string | Value () const |
| Get the value of this attribute. | |
| template<class T> | |
| void | SetValue (const T &value) |
| Set the value of this node. | |
| template<class T> | |
| void | GetName (T *name) const |
| Get the value of this attribute Uses Base::FromString to convert TiXmlAttribute::Name from a std::string, and puts it in the passed pointer. | |
| std::string | Name () const |
| Get the value of this attribute. | |
| template<class T> | |
| void | SetName (const T &name) |
| Set the value of this attribute. | |
| Attribute * | Next (bool throwIfNoAttribute=true) const |
| Get the next sibling attribute in the DOM. | |
| Attribute * | Previous (bool throwIfNoAttribute=true) const |
| Get the previous sibling attribute in the DOM. | |
| virtual void | Print (FILE *file, int depth) const |
| All TinyXml classes can print themselves to a filestream. |
| ticpp::Attribute::Attribute | ( | const std::string & | name, | |
| const std::string & | value | |||
| ) |
Construct an attribute with name and value.
| name | The name of the attribute | |
| value | The value of the attribute |
| void ticpp::Attribute::GetValue | ( | T * | value | ) | const [inline] |
Get the value of this attribute Uses Base::FromString to convert TiXmlAttribute::ValueStr from a std::string, and puts it in the passed pointer.
| value | [OUT] A pointer to fill with the value |
References ticpp::Base::FromString(), and TiXmlAttribute::ValueStr().
| std::string ticpp::Attribute::Value | ( | ) | const |
| void ticpp::Attribute::SetValue | ( | const T & | value | ) | [inline] |
Set the value of this node.
Uses Base::ToString to convert value to a std::string, then calls TiXmlAttribute::SetValue.
| value | The value to set |
References TiXmlAttribute::SetValue(), and ticpp::Base::ToString().
| void ticpp::Attribute::GetName | ( | T * | name | ) | const [inline] |
Get the value of this attribute Uses Base::FromString to convert TiXmlAttribute::Name from a std::string, and puts it in the passed pointer.
| name | [OUT] A pointer to fill with the name |
References ticpp::Base::FromString(), and TiXmlAttribute::Name().
| std::string ticpp::Attribute::Name | ( | ) | const |
| void ticpp::Attribute::SetName | ( | const T & | name | ) | [inline] |
Set the value of this attribute.
Uses Base::ToString to convert name to a std::string, then calls TiXmlAttribute::SetName.
| name | The name to set |
References TiXmlAttribute::SetName(), and ticpp::Base::ToString().


Don't expect a typical happy ending. Just prepare to be wowed.
Even if you’re not a motorhead, chances are you’ll be thrilled by this high-velocity bromance
Joker is brutal and dark origin story of a man's painful journey to self destruction.
If you saw Chadwick Boseman in Black Panther and want more of King T’Challa, you’ll not find him here.


Criminal Homicide:
The killing of one human being by another defined into 3 categories: A.) Murder
and Non-negligent Manslaughter - The willful (non-negligent) killing of one human being by another.
B.) Negligent Manslaughter - The killing of another person through negligence. C.) Justifiable
Homicide - The killing of a perpetrator of a serious criminal offense by a peace officer in the line of duty;
or the killing, during the commission of a serious criminal offense, of the perpetrator by a private individual.
Forcible Rape:
The carnal knowledge of a person, forcibly and/or against that person’s will; or not forcibly or
against the person’s will where the victim is incapable of giving consent because of his/her temporary
or permanent mental or physical incapacity (or because of his/her youth).
Robbery:
The taking or attempting to take anything of value from the care, custody, or control of a person
or persons by force or threat of force or violence and/or by putting the victim in fear.
Aggrevated Assault:
An unlawful attack by one person upon another for the purpose of inflicting severe
or aggravated bodily injury. This type of assault usually is accompanied by the use of a weapon or
by means likely to produce death or great bodily harm. (It is not necessary that injury result from
an aggravated assault when a gun, knife, or other weapon is used which could and probably would
result in serious personal injury if the crime were successfully completed.)
PROPERTY CRIMES:
Burglary:
The unlawful entry of a structure to commit a felony or a theft.
Motor Vehicle Theft:
The theft or attempted theft of a motor vehicle. (Classified as motor vehicle theft in
all cases where automobiles are taken by persons not having lawful access even though the vehicles are later
abandoned–including joyriding.)
BTFV:
Categorized under Larceny/Theft Offenses, BTVF is an acronym for Burglary or Theft from Motor Vehicle.
Personal/Other Theft:
The unlawful taking, carrying, leading, or riding away of property from the possession,
or constructive possession, of another person. This category includes pocket-picking, purse-snatching,
shoplifting, theft from building, all other larceny.


Android & iOS Apps
⚡ Developing highly scalable production ready apps for various businesses and start-ups
⚡Experience of working with latest technology stack
⚡ Analysis of client's needs by using business driven development


- rand - Variable in class miniGames.blockd.MyFrame
-
- rand - Variable in class miniGames.ships.Computer
-
- rand - Variable in class miniGames.ships.ShipPlayer
-
generate random numbers
- randHangmanQuestion() - Static method in class gameData.DataBase
-
Calls the static method from
XMLhandler
with the same
name
- randHangmanQuestion(String) - Method in class gameData.XMLhandler
-
Draws password and it's description for game: Hangman.
- randName(RandomAccessFile) - Method in class gameData.XMLhandler
-
Draws random name from file.
- RandomDates() - Method in class gameData.Course
-
Sets a random dates of Colloquium and exams
- RandomEvent - Class in gameData
-
The RandomEvent class stores the data of event
- RandomEvent() - Constructor for class gameData.RandomEvent
-
RandomEvent constructor
- RANDOMEVENT - Static variable in class gameData.XMLhandler
-
- readLine(RandomAccessFile) - Method in class gameData.XMLhandler
-
Reads line and returns it as String.
- reduceDuration() - Method in class gameData.Item
-
Decreases Duration by one
- refreshActivitiesView() - Method in class View.ViewManager
-
Cleans up and then fills with the names of activities from DataBase in
JList with names of activities on mainPanel
- refresher - Variable in class miniGames.memory.Memory
-
Thread that flips cards on back side when 2 are shown or hides them if
they match with each other.
- refreshStatsView() - Method in class View.ViewManager
-
Refresh player's statistics on mainPanel
- refreshTime() - Method in class View.ViewManager
-
Refreshes fields showing time on main panel
- RemoveEmptyColumns() - Method in class miniGames.blockd.MyMouseAdapter
-
This method removes column where each panel is white and set each color
of panel from columns with index modulo 10 bigger or equeal than removed
column to color of panel with the current index+1 and sets color of each
panel from column 9 to white
- removeItemEffect(Item) - Method in class gameData.Player
-
Removing effects of items when duration reaches zero
- removeRandomEvent(RandomEvent) - Method in class gameData.Activity
-
Remove rEvent from EventList
- resistance - Variable in class View.NewGame
-
A component where player is supposed to set his/her stress resistance
level
- Retake - Variable in class gameData.Course
-
Contains information is this course realized again
- RETAKE - Static variable in class gameData.XMLhandler
-
- returnValue - Variable in class gameData.Controller
-
A Value used by JFileChooser
- reverse() - Method in class miniGames.Draughts.Pole
-
- rmodel - Variable in class View.NewGame
-
SpinnerNumberModel for resistance JSpinner
- Round - Static variable in class gameData.DataBase
-
Represents current round number
- ROUND - Static variable in class gameData.XMLhandler
-
- RoundsTaken - Variable in class gameData.RandomEvent
-
private variable which contains number of rounds on doing this event
- ROUNDSTAKEN - Static variable in class gameData.XMLhandler
-
- run() - Method in class miniGames.ships.Computer
-
thread in this class.
- run() - Method in class miniGames.ships.ShipsBoard
-
UDOSKONALIĆ WĄTEK I GRAFIKE Thread that makes wave effect


Make each of the now clickable buttons make a POST to the dummy url https://testing.smashdocs.net/documents/12345/ <action >, where action is either (checkin, save, discard, accept, decline)
Send the current state of the ContentEditable in the POST. E.g. {"content":" <inc>here</inc> <inc>is</inc> <inc>some</inc> <inc>text</inc>"}
Log the response to the console
Style the buttons / page a little bit to show off some design skills. Doesn't have to be any- thing super fancy. You are welcome to use Bootstrap, Foundation, or any other libraries li- ke Fontawesome if you choose to do so.


Scrambled Eggs
When combined with many of Pierce's other healthy offerings, such as green peppers and tomatoes. Scrambled Eggs can even be paired up with some of Pierce's stir-fry offerings.


Why Vitamin A is Touted as a Miracle Skin Ingredient
Who would have thought that the first letter of the alphabet could cause so much confusion when it comes to skin care ingredients?
Vitamin A is a term for the many related compounds which are also known as retinoids. The vitamin A family is almost as extensive as a big Greek wedding. It includes retinol, retinal or retin-A, retinoids and naturally occurring vitamin A.
Vitamin A and its derivatives are one of the most misunderstood and controversial ingredients. It's implicated in liver toxicity, birth defects and cancer. On the flip side, vitamin A is touted as a miracle skin care ingredient that you shouldn't be without. Whilst vitamin A is essential to our health and well-being, too much of anything can cause issues.
What makes vitamin a so effective as an anti-ageing ingredient?
Vitamin A and its derivatives are known as the gold standard when it comes to incredible skin rejuvenating ingredients. They have more anti-ageing skin benefits than just about any other compound. Dependent on the strength and formulation, retinoids work through the mechanism of inhibiting the enzymes that break down collagen and increase cellular turnover, resulting in a softening of fine lines and wrinkles.
Vitamin A can also work to fight acne by dissolving surface oil and diminishing pores, as well as evening out the skin tone by fading dark spots and reducing pigmentation. In short, vitamin A in the correct dosage and formulation, can give you a rosy, glowing complexion.
beta-carotene or provitamin a
Provitamins or natural precursors of vitamin A include alpha carotene, beta-carotene and beta-cryptoxanthin. They are a precursor to vitamin A, which means it converts to vitamin A in the body.
How it works
The retinoic acid slow-releases as the retinol in the formula is converted into retinoic acid within the skin. Beta-carotene is known to combat and prevent skin disorders like acne, eczema and psoriasis. It can protect against melasma by affecting the production of skin pigment. It’s a powerful antioxidant and can also protect against sun damage and assist with wound healing, as well as soothing dry and flaky skin.
Retinal (retinaldehyde)
Retinal or retinaldehyde is the aldehyde form of vitamin A and is purported to be the most effective for your skin. It’s the transitional form of A and is created in the conversion of retinol to retinoid or retinoic acid.
How it works
It can assist with minimising the appearance of fine lines and wrinkles. It’s less commonly used in skincare formulations, as this form can be irritating even at very low doses. It should be using sparingly and slowly introduced into your night time routine.
Retinyl palmitate and retinyl acetate
These are the most common ester forms of vitamin A. They work primarily as antioxidants and convert to retinol. They are more stable in light and are less irritating than retinol, but generally, not as effective. Your body stores around 80% retinyl palmitate as vitamin A found in your skin.
retinoic acid or tretinoin
Is a prescription-only synthetic derivative of vitamin A. It contains retinoic acid in its purest form.
How it works
When applied to the skin, the body can utilise the retinoic acid immediately without having to first metabolise vitamin A. For this reason, it’s classified as a drug. Studies have verified that repeated application of retinoic acid can inhibit collagen breakdown in the presence of UV exposure, reverse the effects of photo ageing, stimulate blood vessels and inhibit precancerous skin cells. It can also reduce visible signs of ageing, but the downside includes inflammation, burning, scaling and peeling that can last for a few weeks. Yikes!
This form of A is medical grade and used in a clinical situation as a peel. In higher doses, it's best executed under the guidance of a qualified esthetician or therapist. Take note, you will need some down time and you will need to avoid the sun for some time after this type of peel.
(A side note: I tried this type of peel in a professional setting around three years ago and my skin has never quite recovered. Whilst at first, it gave me a fresh, resurfaced canvas, longterm, I believe that this treatment was the catalyst for ongoing dermal impairment and even mild rosacea.)
retinol
Retinol is the alcohol form of vitamin A and is a gentler alternative to retinoic acid. It’s also the most useable form of A and absorbs easily. In its natural form, it’s found in egg yolks and fish liver oil. It’s formed in the body by the hydrolysis of retinyl esters.
How it works
Retinol is stored until it's required. When applied topically, it’s converted to retinoic acid that works to target free radicals, boost collagen levels and improve cell turnover. It triggers the protein glycosaminoglycan (GAG) production and is thought to stimulate the proliferation of elastin. It can assist with diminishing the signs of ageing by increasing skin thickness, combating acne and reducing sun damage.
do you still need to build a tolerance to vitamin a?
Any forms of A that are listed above are best introduced slowly so that the skin can develop vitamin A receptors to allow for the uptake of retinol. Almost all of the above forms can cause redness, dryness and flaky skin and it can also make your skin more receptive to sun damage.


In addition to scanning 2D barcodes, Barcode Scanner can also generate a QR Code and display it on your screen. Then you can show it to a friend, and let them scan the barcode with their phone:
To use this feature, press the Menu button from the main scanning screen, and tap Share. Then choose whether you want to share a contact, a bookmark, an application, or the contents of the clipboard. A QR Code will be generated automatically. When you're done, press Back or Home.
To generate QR Codes from your computer, try the ZXing QR Code Generator: https://zxing.appspot.com/generator/


{% extends "layout.html" %} {% block page_title %} User agreement reminder {% endblock %} {% block content %} Prototype This is a prototype of a new service – your feedback will help us to improve it. Analyst sandbox prototype User agreement reminder Step 3 of 8 User agreement reminder This is a reminder of the user agreement you agreed to when setting up your sandbox I have read the Data science ethical framework and agree that when working in the sandbox, I will be aware of its six key principles: Start with clear user need and public benefit. Use data and tools which have the minimum intrusion necessary Create robust data science models Be alert to public perceptions Be as open and accountable as possible Keep data secure I understand my responsibilities under the UK Data Protection Act 1998 and the EU General Data Protection Regulation (GDPR), and will act accordingly I will only use publicly available open data, or government data classified as OFFICIAL - and will take appropriate measures to ensure that sensitive data is only shared on a need-to-know basis. I will not use data classified as SECRET or TOP SECRET If I have any questions about the ethics or security of my work in the sandbox, I will stop and ask for help Close this reminder {% endblock %}
Prototype This is a prototype of a new service – your feedback will help us to improve it.
Close this reminder


Switch editor mode using the mode box. Note that the mode can be changed programmatically as well using the method editor.setMode(mode), try it in the console of your browser.
editor.setMode(mode)
Destroy


Add amount of weeks
Convert into days
Convert into hours
Convert into minutes
Convert into seconds
Convert into milliseconds


 Get out of this desperate situation. Stand up and start the discovery of your new home.
Discover the secrets of a new planet
Survive a spaceship wreck and discover the secrets of a new, dreadful planet. Unravel the ancient secrets of a lost planet covered in ice and snow and nothing else.
Stop a war older than the universe itself
A snow covered planet and a space accident and now a war. Find yourself in a war between the two of the most powerful warlords ever lived. Bring peace to your new home, save yourself and the residents of Quariya.
Find hopes of salvation
Try to leave this ice covered hell, find hopes of salvation and try to built a spaceship to escape the fears of war.
Write your own destiny
Make decisions that will impact your future and shape your experience. Your decisions matter and can change everything.


With this interface, you can:
- View/Edit Component by clicking on the links in the tree on the left
- After opening a Component you may edit its input and output descriptions:
- Specifiy a Role name for the Input/Output
- If an Input isn't a file, it is an Input Parameter
- Specify a Prefix for the Input/Output in the argument string. Example:
- -i1 [inputfile1] -p1 [param1] -o1 [output1]
- Specify the Dimensionality of the Input/Output (equal to 1 for a 1-D collection, 0 for a single file)
- Specify the Default Value of Parameters
- You can also specify component rules (jena) in the Rules Tab
- You can Upload new component code, or Download existing code


And then, the internet became boring.
Up until now, it's always been ok to ignore the minority. This has to change as consumer habits rapidly diversify.
As the fragmentation increases, dynamic consumer driven classifiers should be cultivated through collective experiences that encourage holistic engagement.
This is my first large scale experiment in trying to assert a renaissance for a new internet experience. Thanks for partaking and I'm glad you can join me in this adventure.
Sincerely,
Christopher McKenzie.
+1<PHONE_NUMBER>


To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video


The mago3DJS engine remembered the coordinates to register the issue. If you pass 0 as a parameter to changeInsertIssueStateAPI, the coordinates are initialized.
| name | type | description |
|---|---|---|
| managerFactoryInstance | ManagerFactory | start of mago3D |
| insertIssueState | String | Issue registration coordinate status |


| Top |
Cairo uses a single status type to represent all kinds of errors. A status
value of CAIRO_STATUS_SUCCESS
represents no error and has an integer value
of zero. All other status values represent an error.
Cairo's error handling is designed to be easy to use and safe. All major cairo objects retain an error status internally which can be queried anytime by the users using cairo*_status() calls. In the mean time, it is safe to call all cairo functions normally even if the underlying object is in an error status. This means that no error handling code is required before or after each individual cairo function call.
const char *
cairo_status_to_string (cairo_status_t status
);
Provides a human-readable description of a cairo_status_t.
Since 1.0
void
cairo_debug_reset_static_data (void
);
Resets all static data within cairo to its original state, (ie. identical to the state at the time of program invocation). For example, all caches within cairo will be flushed empty.
This function is intended to be useful when using memory-checking
tools such as valgrind. When valgrind's memcheck analyzes a
cairo-using program without a call to cairo_debug_reset_static_data()
,
it will report all data reachable via cairo's static objects as
"still reachable". Calling cairo_debug_reset_static_data()
just prior
to program termination will make it easier to get squeaky clean
reports from valgrind.
WARNING: It is only safe to call this function when there are no active cairo objects remaining, (ie. the appropriate destroy functions have been called as necessary). If there are active cairo objects, this call is likely to cause a crash, (eg. an assertion failure due to a hash table being destroyed when non-empty).
Since 1.0
cairo_status_t is used to indicate errors that can occur when
using Cairo. In some cases it is returned directly by functions.
but when using cairo_t, the last error, if any, is stored in
the context and can be retrieved with cairo_status()
.
New entries may be added in future versions. Use cairo_status_to_string()
to get a human-readable representation of an error message.
|
no error has occurred (Since 1.0) |
||
|
out of memory (Since 1.0) |
||
|
cairo_restore() called without matching |
||
|
no saved group to pop, i.e. |
||
|
no current point defined (Since 1.0) |
||
|
invalid matrix (not invertible) (Since 1.0) |
||
|
invalid value for an input cairo_status_t (Since 1.0) |
||
|
|
||
|
input string not valid UTF-8 (Since 1.0) |
||
|
input path data not valid (Since 1.0) |
||
|
error while reading from input stream (Since 1.0) |
||
|
error while writing to output stream (Since 1.0) |
||
|
target surface has been finished (Since 1.0) |
||
|
the surface type is not appropriate for the operation (Since 1.0) |
||
|
the pattern type is not appropriate for the operation (Since 1.0) |
||
|
invalid value for an input cairo_content_t (Since 1.0) |
||
|
invalid value for an input cairo_format_t (Since 1.0) |
||
|
invalid value for an input Visual* (Since 1.0) |
||
|
file not found (Since 1.0) |
||
|
invalid value for a dash setting (Since 1.0) |
||
|
invalid value for a DSC comment (Since 1.2) |
||
|
invalid index passed to getter (Since 1.4) |
||
|
clip region not representable in desired format (Since 1.4) |
||
|
error creating or writing to a temporary file (Since 1.6) |
||
|
invalid value for stride (Since 1.6) |
||
|
the font type is not appropriate for the operation (Since 1.8) |
||
|
the user-font is immutable (Since 1.8) |
||
|
error occurred in a user-font callback function (Since 1.8) |
||
|
negative number used where it is not allowed (Since 1.8) |
||
|
input clusters do not represent the accompanying text and glyph array (Since 1.8) |
||
|
invalid value for an input cairo_font_slant_t (Since 1.8) |
||
|
invalid value for an input cairo_font_weight_t (Since 1.8) |
||
|
invalid value (typically too big) for the size of the input (surface, pattern, etc.) (Since 1.10) |
||
|
user-font method not implemented (Since 1.10) |
||
|
the device type is not appropriate for the operation (Since 1.10) |
||
|
an operation to the device caused an unspecified error (Since 1.10) |
||
|
a mesh pattern
construction operation was used outside of a
|
||
|
target device has been finished (Since 1.12) |
||
|
|
||
|
this is a special value indicating the number of status values defined in this enumeration. When using this value, note that the version of cairo at run-time may have additional status values defined than the value of this symbol at compile-time. (Since 1.10) |
Since 1.0
cairo_status(), cairo_surface_status()
, cairo_pattern_status()
,
cairo_font_face_status()
, cairo_scaled_font_status()
,
cairo_region_status()


Have you already update current repo ?


Write Fizz Buzz using a while loop. Do not use any For loops. Your while loop should include at least one If statement


Description
This is an example of Javascript Chart Sparklines series. The data is loaded from an array. The type of the sparklines series is line or column depending on the trend data.


{% load static %}
Ford v. Ferrari is about long-standing sports rivalry. It'll bowl you over.
The watermarks and general ugliness aren't part of the puzzle; I'm just not at all good at making graphics.


Used to configure the options passed to the $http
service when making a template request.
For example, it can be used for specifying the "Accept" header that is sent to the server, when requesting a template.
httpOptions([value]);
The options to be passed to the $http
service when making the request.
You can use this to override options such as the "Accept" header for template requests.
The $templateRequest
will set the cache
and the transformResponse
properties of the
options if not overridden here.
| Param | Type | Details |
|---|---|---|
|
value
(optional)
|
string |
new value for the |
| stringself | Returns the |


 Drumstick salami ribeye, shankle burgdoggen capicola cow beef ribs porchetta tri-tip biltong t-bone ham sirloin strip steak. Short ribs turducken ribeye cupim turkey hamburger tri-tip, salami doner brisket beef prosciutto. Andouille drumstick short loin fatback pancetta, tongue biltong ball tip meatloaf pork loin meatball.
 Drumstick salami ribeye, shankle burgdoggen capicola cow beef ribs porchetta tri-tip biltong t-bone ham sirloin strip steak. Short ribs turducken ribeye cupim turkey hamburger tri-tip, salami doner brisket beef prosciutto. Andouille drumstick short loin fatback pancetta, tongue biltong ball tip meatloaf pork loin meatball.


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Paul Collins
Front End Development
UX Design
Contact
Paul Collins
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This was an in-class meeting for about 40 minutes, and we discussed how we would tackle the newly introduced Milestone 1. We also discussed the tools we would be needing to get this milestone done on time as well as encouraged one another to study what we did not know.


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Click the Start Quiz button below to challenge your trivia knowledge.
Number of Questions 3 5
Time Limit No Time Limit 1 Minute 3 Minutes 5 Minutes


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This is a walk-through as how to manipulate the Camera.
Before starting this tutorial you should first get acquainted with the basics of the "Tread3D" editor; the screen and the various commands that are available.
As in the previous tutorials start "Tread3D".
Now load or build the largest map you can think of.
For this example we have reused the map from the Anchors tutorial.
Your screen may look like the one below.
Now lets click on the "Camera" button.
The "Camera" button is shown below.
Your screen may look like the one below.
Now you will see a line with a ball at the end.
The ball represents the Camera while the line represents the line of sight.
The "Camera" icon is shown below.
The camera can be moved by pointing on the ball with the mouse then click and then dragging it.
Also, the camera can be moved by pointing on the end of the line with the mouse then click and then dragging it.
Now instead of moving the Camera in sections lets move it in one piece.
You can first click-hold on the Camera with the mouse then hold down the "Shift" and drag it around.
Now lets move to a remote section of the map.
Moving there was easy but moving the Camera will not be.
Why move the Camera when we can place another one where we want it.
Pick an area for the new Camera.
First click on the Camera button.
Now just hold down the "Ctrl" key and click where you want the new Camera.
(You may have to adjust the camera - point it in the right direction)
Your screen may look like the one below.
Now lets place several Cameras all around this area.
Your screen may look like the one below.
Now to activate an individual Camera.
Just click on the desired Camera (To activate it).
(In some cases you may have to click on the 3D Window after you "Activate" a Camera)
Now some important notes:
A Camera can be manipulated in all three views.
The Camera can be moved in sections or in one piece.
(Just click-hold on the Camera with the mouse then hold down the "Shift" key while you drag it around)
Multiple Cameras can be placed in a map.
(Just hold down the "Ctrl" key and click where you want a Camera)
To activate a placed Camera just click on it.
Thats all there is to it.
What you have done is "Manipulated the Camera".
Now resave your work.


Turns assertThat(enumerable).hasSize(0) and similar into assertThat(enumerable).isEmpty() or .isNotEmpty().
Works with anything that is enumerable such as arrays, iterables, collections, etc.


K3G Song Classifier
Start Predicting the Mood of Your Hindi Songs
Enter lyrics here
{% from "_formhelpers.html" import render_field %}
{{ render_field(form.lyrics, cols='30', rows='10') }}
{{y}}
{{probability}}


Content sliders based on Bootstrap modals
You can use any button to toggle sliders!
Content slider help
Bootstrap Grid & Elements
With invisible backdrop
Default
11
Mailbox
6+
Print
Bootstrap Grid & Elements
With dark modal backdrop
×
Based on Modal boxes
Custom Elements and Content
With no modal backdrop
1
2
3
Content Slider inside Modal Box
×
A modal with a slider in it!
Some content
1
2
Inside another modal


{% extends 'base.html'%} {% import 'macros.html' as macro%} {% block content %}
{{ news.description }}
{{ news.publishedAt }} - {{ news.publishedAt}} votes


xpl.SolarSystem(Planet,Time)
This function returns the position of a planet at a specified time. The planet objects can be accessed from the xpl.planets planets array. The time is entered as a Julian Day. The returned position is described in an XYZ coordinate system with the Z-axis as up and the Sun's barrycenter at the origin. For a demonstration of this function, look at Drawing Planets in P5
//Look through each planet in the Solar System
//and find its current position
for(var p=0;p< xpl.planets.length;p++){
var planet = xpl.planets[p]
var position = xpl.SolarSystem(planet,xpl.now)
}
xpl.planets(Planet,Time)
xpl.planets is an array of Planet Javascript objects. Planet objects contain all of the data needed to derive the position, rotation and obliqueness of each planet in our Solar System given a certain time.
//Look through each planet in the Solar System
//and store it as a variable called planet
for(var p=0;p< xpl.planets.length;p++){
var planet = xpl.planets[p]
}
xpl.planet(name,number,[keplerian elements],radius,oblique,dayLength,yearLength,[color])
xpl.planet objects contain the information needed for tracking and drawing planets in our Solar System. They contain the name of the planet and its zero-indexed position in an array ordered by distance from the Sun. Next, it has the Keplerian elements or the numbers that can be used to derive its position at a given time. Finally, it contains information useful for drawing it including its radius, obliquity (how tilted it is), the day length, year length, and a rough approximation of its surface color.
//Draw planets in p5
function draw(){
xpl.updateTime()
for(var p in xpl.planets){
var planet = xpl.planets[p]
var position = xpl.SolarSystem(planet,xpl.now)
var radius = planet.radius
var planetColor = rgbColor
fill(planetColor.r,planetColor.g,planetColor.b)
push()
translate(position[0],position[3])
ellipse(0,0,radius,radius)
pop()
}
}
xpl.now
xpl.now holds the current time as a Julian Date as of when the script is loaded. Julian dates (abbreviated JD or Jday) are the number of days since noon Universal Time on January 1, 4713 BCE (on the Julian calendar). For a detailed explanation of Julian Dates and an online converter tool, look at The US Naval Obsrvatory's Julian Date Converter
//Find planet Earth and determine its current position
//as of when the script is executed
var planet = xpl.planets[2]
var position = xpl.SolarSystem(planet,xpl.now)
console.log(position)
xpl.updateTime()
Since xpl.now is created when the script loads, you will need to update the time if you need a continous measurement. For instance, an animation can track planets and satellites in real time if xpl.updateTime() is called on each frame.
//Find planet Earth and determine its current position
//in each draw() loop. xpl.updateTime() will update the value
//of xpl.now to the time as of when each draw() loop is executed.
function draw(){
xpl.updateTime()
var planet = xpl.planets[2]
var position = xpl.SolarSystem(planet,xpl.now)
console.log(position)
}
xpl.jday(year,month,day,hour,minute,second)
This function takes a time as an argument and converts it to a Julian day.
//Use Javascript's native Date object
//to get the current date and converts
//it to a Julian day
var now = new Date()
var julianDateNow = xpl.jday(now.getFullYear(),now.getMonth(),now.getDay(),now.getHours(),now.getMinutes,now.getSeconds())


{% extends 'home/base.html' %}
{% load static %}
{% block addon_css %}
{% endblock %}
{% block content %}
Plots/publications are sorted vertically by decreasing numbers of investigated pathways (primary) and datapoints (secondary).