Ocean [ac26], ocean, in Crystal Sea
Last updated Turn #147
Ocean [ac26], ocean, in Crystal Sea
------------------------------------------------------------------------
20: Sea Lion [hq7s], ship, 2 hulls, 1 rowing port, 6 sails, arrived from
20: Ocean [ac25], owner:
20: Toulouse [h1q], Pen, with eight sailors
21: Sea Lion [hq7s], ship, 2 hulls, 1 rowing port, 6 sails, departed for
21: Ocean [ac27].
Routes leaving Ocean:
North, to Ocean [ab26], 6 days
East, to Ocean [ac27], 6 days
South, to Ocean [ad26], 6 days
West, to Ocean [ac25], 6 days


Click in here to start editing!
Text wants to be editable.
But text also wants to be meaningful.
Click in here to start editing!
Text wants to be editable.
But text also wants to be meaningful.
On the right, you see the sanitized (and hopefully correct) HTML output.
Notice:
Finally, here is an existing example using a bunch of the buttons nested. Click "a bunch" to see that they are all toggled on.


After Malaysia, Bangladeshi workers in UAE getting smart NID cards from Nov 18
by bdnews24.comAfter Malaysia, the Election Commission will start registering Bangladeshis working in the United Arab Emirates on the voter list and distributing smart NID cards among them on Nov 18.
Prime Minister Sheikh Hasina will inaugurate the programme at the Bangladesh embassy there, EC NID Wing spokesman Kazi Ashikuzzaman told bdnews24.com on Tuesday.
Chief Election Commissioner KM Nurul Huda and the election commissioners will connect to the event via video call.
Two weeks ago, Bangladesh started the online registration of the expatriate workers in Malaysia.
The expatriate workers can apply for the registration and smart card on the website -
services.nidw.gov.bd.


DoubleEndedBuffer
public struct DoubleEndedBuffer<T>
extension DoubleEndedBuffer: Collection
A fixed-size, contiguous collection allowing additions and removals at either end (space permitting).
Beware: unbalanced pushes/pops to either the front or the back will result in the effective
working size to be diminished. If you would like this to be managed for you automatically,
please use a Deque
.
See also
Deque
-
Allocate with a given capacity and insertion
initialPolicy
.Declaration
Swift
public init(capacity: Int, with initialPolicy: DoubleEndedAllocationPolicy)
Parameters
capacity
The capacity of the buffer.
initialPolicy
The policy for where initial values should be inserted into the buffer. Note: asymmetric pushes/pops to front/back will cause the portion of the consumed buffer to drift. If you need management to occur automatically, please use a Deque.
-
True if no elements are contained within the data structure, false otherwise.
Declaration
Swift
public var isEmpty: Bool { get }
-
Returns the number of elements contained within
self
.Declaration
Swift
public var count: Int { get }
-
Returns the capacity of
self
.Declaration
Swift
public var capacity: Int { get }
-
True iff there is available space at the beginning of the buffer.
Declaration
Swift
public var canPushFront: Bool { get }
-
True iff there is available space at the end of the buffer.
Declaration
Swift
public var canPushBack: Bool { get }
-
Add elem to the back of the buffer.
Precondition
canPushBack
.Declaration
Swift
public mutating func pushBack(_ elem: T)
-
Removes and returns the element at the back, reducing
self
‘s count by one.Precondition
!isEmptyDeclaration
Swift
public mutating func popBack() -> T
-
Adds elem to the front of the buffer.
Precondition
canPushFront
.Declaration
Swift
public mutating func pushFront(_ elem: T)
-
Removes and returns the element at the front, reducing
self
‘s count by one.Declaration
Swift
public mutating func popFront() -> T
-
Explicitly reallocate the backing buffer.
Declaration
Swift
public mutating func reallocate( newCapacity: Int, with initialPolicy: DoubleEndedAllocationPolicy )
-
Declaration
Swift
public var startIndex: Int { get }
-
Declaration
Swift
public var endIndex: Int { get }
-
Declaration
Swift
public func index(after: Int) -> Int
-
Declaration
Swift
public subscript(index: Int) -> T { get set }


This document contains miscellaneous sections about fabfiles, both how to best write them, and how to use them once written.
Fabric is capable of loading Python modules (e.g. fabfile.py) or packages (e.g. a fabfile/ directory containing an __init__.py). By default, it looks for something named (to Python’s import machinery) fabfile - so either fabfile/ or fabfile.py.
The fabfile discovery algorithm searches in the invoking user’s current working directory or any parent directories. Thus, it is oriented around “project” use, where one keeps e.g. a fabfile.py at the root of a source code tree. Such a fabfile will then be discovered no matter where in the tree the user invokes fab.
The specific name to be searched for may be overridden on the command-line with the -f option, or by adding a fabricrc line which sets the value of fabfile. For example, if you wanted to name your fabfile fab_tasks.py, you could create such a file and then call fab -f fab_tasks.py <task name>, or add fabfile = fab_tasks.py to ~/.fabricrc.
If the given fabfile name contains path elements other than a filename (e.g. ../fabfile.py or /dir1/dir2/custom_fabfile) it will be treated as a file path and directly checked for existence without any sort of searching. When in this mode, tilde-expansion will be applied, so one may refer to e.g. ~/personal_fabfile.py.
ノート
Fabric does a normal import (actually an __import__) of your fabfile in order to access its contents – it does not do any eval-ing or similar. In order for this to work, Fabric temporarily adds the found fabfile’s containing folder to the Python load path (and removes it immediately afterwards.)
バージョン 0.9.2 で変更: The ability to load package fabfiles.
Because Fabric is just Python, you can import its components any way you want. However, for the purposes of encapsulation and convenience (and to make life easier for Fabric’s packaging script) Fabric’s public API is maintained in the fabric.api module.
All of Fabric’s Operations, Context Managers, Decorators and Utils are included in this module as a single, flat namespace. This enables a very simple and consistent interface to Fabric within your fabfiles:
from fabric.api import *
# call run(), sudo(), etc etc
This is not technically best practices (for a number of reasons) and if you’re only using a couple of Fab API calls, it is probably a good idea to explicitly from fabric.api import env, run or similar. However, in most nontrivial fabfiles, you’ll be using all or most of the API, and the star import:
from fabric.api import *
will be a lot easier to write and read than:
from fabric.api import abort, cd, env, get, hide, hosts, local, prompt, \
put, require, roles, run, runs_once, settings, show, sudo, warn
so in this case we feel pragmatism overrides best practices.
For important information on what exactly Fabric will consider as a task when it loads your fabfile, as well as notes on how best to import other code, please see Defining tasks in the Execution model documentation.


RestaurantMy Kitchen restaurant is situated at plot 178, Randolph Estate, Maryland. Different cuisines ranging from African dishes to Italian dishes, desserts and drinks are served at a 5-star level. Customers can make table reservations for two to twelve people for any occasion. For more info onour restaurant and making reservations, please visit our Contact Us page. |
Event CateringFor more than 5 years of catering events, we have been blessed to be a part of thousand of wedding, debuts, corporate events, and private celebrations. These events have given us valuable insights and ideas that inspire our continuous effort to provide better and improved services to wider set of clients. But what really matters to us is our relationship with our customers. We consider ourselves not only a caterer, but also a partner that will assist you during the process of conceptualizing, budgeting, planning, and on the day of your event. We are here to help you make your dream event possible. |


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AHA certification courses are our most popular services available. As medical professionals, we consider AHA the industry setting standard.
Noble Nurses ensures you are trained efficiently and effectively by a credentialed professional that is certified as an AHA instructor.
See below to find which AHA certification is right for you. All certifications we offer include CPR training.
We are now offering Blended Learning! With all the uncertainty that Covid has caused, the blended learning format is perfect for those that wish to complete coursework comfortably at home. Once completed, all you need to do is contact Noble Nurses, LLC to schedule your hands-on skills session. We will work with your schedule by manipulating ours to meet your needs. It’s that simple!
HeartCode BLS, ACLS, & PALS are the American Heart Association’s blended learning delivery methods. Blended learning is a combination of eLearning, in which a student completes part of the course in a self-directed manner, followed by a hands-on skills session with a certified AHA instructor.
AHA's BLS Course teaches participants to recognize life-threatening emergenices, administer chest compressions, deliver necessary ventilations, and use an AED.
AHA's ACLS Course builds on the foundation of lifesaving BLS skills, emphasizing the importance of continuous, high-quality CPR, and high-performance team dynamics.
AHA's PALS course uses videos and simulated pediatric emergencies to reinforce the important concepts of a systematic approach to pediatric assessment, basic life support, PALS treatment algorithms, effective resuscitation, and team dynamics.
AHA's PEARS course teaches providers who infrequently deal with pediatrics how to use a systematic approach to quickly assess, recognize the cause, and stabilize a pediatric patient in an emergency situation.
AHA's Heartsaver First Aid CPR AED course is for everyone, including those with no prior medical training. In this course you will learn to provide first aid, CPR, and use an automated external defibrillator (AED) in a safe, timely, and effective manner.
This course is designed to meet OSHA requirements for first aid CPR AED training.
The Heartsaver Bloodborne Pathogens (BBP) course is intended for workers who might come into contact with bloodborne pathogens, such as correctional officers, childcare workers, security guards, maintenance workers, school personnel, hotel housekeepers, health and fitness club staff, and tattoo artists.
This course is designed to meet OSHA requirements for bloodborne pathogens training when paired with site-specific instruction.
The American Heart Association strongly promotes knowledge and proficiency in BLS, ACLS, and PALS for this purpose. Use of the materials in an educational course does not represent course sponsorship by the American Heart Association, and any fees charged for such a course do not represent income to the Association.


---
title: "Goodbye 2019"
date: "2019-12-31 00:00:00 -06:00"
categories:
- whats-blooming
layout: "post"
blog-banner: "whats-blooming-now-winter.jpg"
post-date: "December 31, 2019"
post-time: "12:00 PM"
blog-image: "2019-12-31-wbn.jpg"
published: true
---
The Garden has been closed for the holidays, but here is a look at the Garden on the last day of 2019. The Garden will be open again on January 2, 2020.
We have some flighty visitors spending their holiday here at the Garden.
This might be the brightest plant in the Garden right now!
Such a serene scene. One of my favorite spots to photograph.
It's cold outside, luckily here at Red Butte Garden, we have beauty on the inside as well. This wall is bursting with succulent life.
This wondrous display makes me want to stay a while.
This bright pink flowered beauty can be seen in the Orangerie.
Remember, we shovel our walks for your walking pleasure, so if staying fit and healthy is one of your New Year's resolutions, make Red Butte a regular stop, your body and mind will thank you.


Join us weekdays at 5:00 PM (by RSVP only) for mindfulness of breathing (anapanasaati) sessions. The session is 120 minutes long and we start with a brief tea drinking session.


Who is the best music tech personality of 2019?
by MusicRadarWho is the best music tech personality of 2019?
YouTube has continued to be a democratising and (predominantly) positive force in music education, entertainment and criticism. This category is about recognising the talent and dedication of the people bringing you that content on a daily basis.
We do a bit of this, too, of course – and we can tell you it takes no small effort. This is your chance then to say thanks and acknowledge the brilliant work of music tech YouTubers. Who do you think is best music tech personality of 2019?
Want to vote in other Best in music tech 2019 categories? Have your say here. Voting closes at midnight on 4 December 2019.


Guest Artists
Adam Lopez
Vocals
Adam Lopez’s exceptional vocal artistry has paved opportunities to perform backing vocals for some of the biggest names in the music industry such as Mariah Carey, Keith Urban and The Coors. His most recent noted collaboration was headlining with Australian Jazz legend James Morrison in a string of Symphonic Concerts in Perth, Hobart and Brisbane.
His discography includes an eclectic collection of genres spanning from Pop-Opera, Pop, Rhythm & Blues, Jazz, Power Ballads and Fiery Latin!
His phenomenal vocal range smashed two Guinness World Records (one note above the range of a piano!)
This achievement has astounded audiences from all around the world leading him to perform and appear on international television and radio stations in Japan, Spain, Italy, Korea, Hong Kong and the USA.
Adam Lopez has undoubtedly got one of the most fascinating vocal instruments on the planet. He delighted audiences when he sang in Townsville with the Barrier Orchestra in 2012 along with Sean O’Boyle and James Morrison.
Blair Harris
Cello
DESCRIPTION NOT AVAILABLE
David Hudson
Musician/Entertainer
Domenico is one of Brisbane’s most experienced and versatile multicultural entertainers. He has performed in almost every possible style since he commenced his musical career in 1971 at age 4. He studied music on the traditional European instrument called the Piano Accordion and this is still his chosen instrument, although he also now uses the latest electronic midi accordion which incorporates other built in instruments.
Domenico moved from three piece cabaret bands to a more sophisticated five piece band, the Latin Mafia which performs swing and Latin classics from the Rat Pack era.
He has performed in many venues from QPAC with the Queensland Pops Orchestra to being runners up with his Celtic Band, Murphy’s Pigs at the Tamworth Golden Fiddle Awards.
He performs a diverse range of musical styles from around the world and will be a great asset to our World Music Concert.
2015 has taken David to Turkey, Italy, France and the United Kingdom with private and public performances and now brings him to Townsville.
Domenico is one of Brisbane’s most experienced and versatile multicultural entertainers. He has performed in almost every possible style since he commenced his musical career in 1971 at age 4. He studied music on the traditional European instrument called the Piano Accordion and this is still his chosen instrument, although he also now uses the latest electronic midi accordion which incorporates other built in instruments.
Domenico moved from three piece cabaret bands to a more sophisticated five piece band, the Latin Mafia which performs swing and Latin classics from the Rat Pack era.
He has performed in many venues from QPAC with the Queensland Pops Orchestra to being runners up with his Celtic Band, Murphy’s Pigs at the Tamworth Golden Fiddle Awards.
James Morrison
Trumpet
DESCRIPTION NOT AVAILABLE
Jennifer Bradstreet
Flute
Jennifer Bradstreet completed a Bachelor of Music with Honours at the Sydney Conservatorium, before taking up a summer scholarship at St Andrews and Oxford in the UK, and then moving to London in 2010. She became a student at the Royal College of Music under British flautist Susan Milan, and graduated with a Postgraduate Diploma of Performance in 2011.
While in London, she played in side-by-side projects with the London Symphony and was invited onto the prestigious BBC Symphony Orchestral pathway. Many summer scholarships and international master-classes followed, in Germany, England and Italy.
In 2013, Jennifer accepted a Masters scholarship under James Kortum and Aldo Baerten (Belgium) at the Sydney Conservatorium, where she will complete her studies this year. She was a finalist in the 2013 Australian Flute Festival Orchestral Flute Competition and first-prize winner in the 2014 Australian Concerto & Vocal Competition (all instruments). She is active as a soloist and chamber musician, and also performs regularly with the Australian Opera and Ballet Orchestra in Sydney, with whom she has freelanced since 2013.
Ji Won Kim
Violin
DESCRIPTION NOT AVAILABLE
Leah Li
Harp
Townsville based harpist Leah Xiang Li enjoys a diverse career as an orchestral and chamber musician, soloist, instrumental teacher and primary school language teacher.
Leah graduated from the Queensland Conservatorium Griffith University under the tutelage of Sebastien Lipman. She was the recipient of Ross Peters 4MBS Chamber Music Prize and performed for the Honourable Dame Quentin Bryce (former Governor-General of Australia). She was also the principal harpist for Australian International Symphony Orchestra Institution, Queensland Youth Symphony Orchestra, Queensland Conservatorium Symphony Orchestra and Queensland Conservatorium Opera Orchestra.
Leah‘s repertoire spans from the Baroque to the present day. She has a special interest in Jazz and is seeking to fulfil this passion through further study. Leah is also dedicated to education, community outreach and musical advocacy as demonstrated by her current involvement in Barrier Reef Orchestra.
Rebecca Chan
Volin
DESCRIPTION NOT AVAILABLE
Stefan Cassomenos
Piano
Melbourne pianist, conductor and composer Stefan Cassomenos gives regular solo recitals throughout Australia, and has appeared as a soloist in Europe and Asia.
In 2012 he was a grand finalist in the Rhodes International Piano Competition, and his recording of English and Australian art song with tenor Christopher Saunders was named the ABC Classic FM CD of the Week in September 2012.
He is well known for performances of chamber music and art song, and he was a grand finalist and prize-winner at both the Trieste International Chamber Music Competition and the Melbourne Asia-Pacific Chamber Music Competition in 2009. He was recently awarded the 2012 Young Achievement Award by the Hellenic Australian Chamber of Commerce and Industry.Suzanne Kompass holds a Bachelor Of Music degree in vocal performance from WESTMINSTER CHOIR COLLEGE in Princeton, New Jersey and a diploma in operatic performance from the UNIVERSITY OF TORONTO.
She lives in New York but spends part of each year in Australia.
Her operatic experience is extensive and her repertoire includes the roles of Susanna in THE MARRIAGE OF FIGARO, Mimi in LA BOHEME and Adele in DIE FLEDERMAUS. She has appeared as Hanna Glawari in THE MERRY WIDOW, Lisa in THE LAND OF SMILES and Violetta in LA TRAVIATA all with the VANCOUVER SYMPHONY. For OPERA YORK in Toronto she has sung Marguerite in FAUST and the title role in MANON. For TORONTO OPERA LAB she has appeared as Pamina in THE MAGIC FLUTE, and for TORONTO OPERETTA THEATRE she has sung the title role of LINDA DI CHAMOUNIX, Lisa in THE COUNTESS MARITZA, Gabriella in LA VIE PARISIENNE, the role of Marie in Albert Lortzing’s ZAR UND ZIMMERMAN and the title role in Emilio Arrieta’s opera, MARINA. She has appeared, at the invitation of Gian Carlo Menotti, in performances of his opera, JUANA LA LOCA and of Gluck’s L’Ivrogne Corrige at the SPOLETO FESTIVAL in both Spoleto, Italy and in Charleston, South Carolina.
Yoshika Masuda
Cello
Born in Kobe, Japan, Yoshika Masuda first started to play the cello at the age of five. Following studies with George Pedersen in Australia, he went onto study at the Royal Northern College of Music in Manchester on a full scholarship. Yoshika was recently awarded first prize at both the Australian Concerto & Vocal Competition and the YMF National Debut Concerto Competition, and is also the winner of the Yamaha Music Foundation of Europe String Award. He has also won top prizes at the Sydney Cello Award, Australian National Youth Concerto Competition and the J A Beare International Solo Bach Competition. Yoshika has performed concertos and recitals throughout Australia, Austria, France, Italy, Japan, the UK and USA.
Yoshika gained his Bachelor of Music with first class honours from the RNCM, receiving both the Sir John Munduell Principals’s Prize and the Leonard Rose Cello Award for outstanding achievement. He also completed his Master of Music at the RNCM with distinction the following year.
Yoshika is currently continuing his studies in Los Angeles as a Doctorate student. Yoshika’s cello is a fine Carl Becker model (1930), loaned to him from a private foundation.


{% extends "layout.html" %} {% block title %}Word Distribution{% endblock %} {% block body %}
You may download the data file here.
Relative frequency of words.


Version 4.11¶
Release date: 2019-07-25
This release contains a number of bug fixes and new features since the release of pgAdmin4 4.10.
New features¶
Issue #1760 - Add support for editing of resultsets in the Query Tool, if the data can be identified as updatable.
Issue #4318 - Set the mouse cursor appropriately based on the layout lock state.
Issue #4335 - Add EXPLAIN options for SETTINGS and SUMMARY.
Housekeeping¶
Issue #4415 - Add Reverse Engineered SQL tests for Roles and Resource Groups.
Issue #4441 - Add Reverse Engineered SQL tests for FDWs.
Issue #4452 - Add Reverse Engineered SQL tests for Languages.
Issue #4453 - Add Reverse Engineered SQL tests for Extensions.
Issue #4454 - Add Reverse Engineered SQL tests for FTS Configurations.
Issue #4456 - Add Reverse Engineered SQL tests for Packages.
Issue #4460 - Add Reverse Engineered SQL tests for FTS Dictionaries.
Issue #4463 - Add Reverse Engineered SQL tests for Domains.
Issue #4464 - Add Reverse Engineered SQL tests for Collations.
Issue #4468 - Add Reverse Engineered SQL tests for Types.
Issue #4469 - Add Reverse Engineered SQL tests for Sequences.
Issue #4471 - Add Reverse Engineered SQL tests for FTS Parsers.
Issue #4475 - Add Reverse Engineered SQL tests for Constraints.
Bug fixes¶
Issue #3919 - Allow keyboard navigation of all controls on subnode grids.
Issue #3996 - Fix dropping of pgAgent schedules through the Job properties.
Issue #4224 - Prevent flickering of large tooltips on the Graphical EXPLAIN canvas.
Issue #4389 - Fix an error that could be seen when editing column privileges.
Issue #4393 - Ensure parameter values are quoted when needed when editing roles.
Issue #4395 - EXPLAIN options should be Query Tool instance-specific.
Issue #4427 - Fix an error while retrieving json data from the table.
Issue #4428 - Fix ‘malformed array literal’ error when updating a pgAgent job.
Issue #4429 - Ensure drag/drop from the treeview works as expected on Firefox.
Issue #4437 - Fix table icon issue when updating any existing field.
Issue #4442 - Ensure browser should not be started by Selenium when feature tests are excluded from a test run.
Issue #4446 - Use ROLE consistently when generating RE-SQL for roles, not USER.
Issue #4448 - Fix an error seen when updating a connection string in a pgAgent job step.
Issue #4450 - Fix reverse engineered sql for Foreign Data Wrapper created on EPAS server in redwood mode.
Issue #4462 - Fix some minor UI issues on IE11.
Issue #4470 - Fix sequence reverse engineered SQL generation with quoted names on PG/EPAS 10+.
Issue #4484 - Fix an issue where Explain and Explain Analyze are not working, it’s regression of #1760.
Issue #4485 - Fix an issue where Filter toolbar button is not working in view/edit data, it’s regression of keyboard navigation.


Namespace Picturepark.SDK.V1.CloudManager.Contract
Classes
AacAudioFormat
AggregationFilter
An AggregationFilter is provided with each aggregated value. When selecting the aggregated value the aggregation filter is added to the search query and returns doucments meeting the aggregation condition.
AlphaHandlingAction
AndFilter
The AndFilter> is a compound filter and returns documents that match all of the specified filters.
ApiException
ApiException<TResult>
AudioFormatBase
AudioPresetFormat
AudioStillFormat
BaseDoc
BaseResultOfCustomerViewItem
BaseResultOfSnapshotViewItem
ChildFilter
The ChildFilter allows to apply filters on child documents and returns documents that match the specified filter on the child document.
CropAction
CustomerAllowedCommand
CustomerAllowedMessage
CustomerConfigurationItem
CustomerCreateRequest
CustomerSearchRequest
CustomerSearchResult
CustomerServiceProviderItem
CustomerUpdateRequest
CustomerVersionInfoViewItem
The version view item for the customer.
CustomerViewItem
DateRange
The date range class used in aggregators and filters.
DateRangeFilter
The DateRangeFilter returns documents with fields that have date values within a certain range.
DeactivationCustomerRequest
DeactivationEnvironmentRequest
DocumentFormatBase
DocumentStillFormat
ExistsFilter
The ExistsFilter returns documents that have at least one non-null value in the original field.
ExternalProviderItem
FilterBase
The FilterBase is the base class for all filters.
FormatBase
GeoBoundingBoxFilter
The GeoBoundingBoxFilter returns documents that are found based on a point location using a bounding box.
GeoDistanceFilter
The GeoDistanceRangeFilter returns documents that include only hits that exists within a specific distance from a geo point.
GeoDistanceRangeFilter
The GeoDistanceRangeFilter returns documents that exists within a range from a specific point.
GeoLocation
ImageActionBase
ImageFormatBase
IVideoAction
JpegFormat
LanguageConfigurationItem
The customer's language configuration.
Mp3AudioFormat
Mp4VideoFormat
NestedFilter
The NestedFilter is a joining filter and returns documents whose nested objects / documents (see nested mapping) match the specified filter.
NodeInfoDoc
NotFilter
The NotFilter is a compound filter and returns documents that do not match the specified filter.
NumericRange
NumericRangeFilter
The NumericRangeFilter returns documents with fields that have numeric values within a certain range.
OAuthServiceApi
OrFilter
The OrFilter is a compound filter and returns documents that match any of the specified filters.
OriginalFormat
OutputFormatDoc
ParentFilter
The ParentFilter allows to apply filters on parent documents and returns documents that match the specified filter on the parent document.
PdfFormat
PngFormat
PrefixFilter
The PrefixFilter returns documents that have fields containing terms with a specified prefix (not analyzed).
ReactivationCustomerRequest
ReactivationEnvironmentRequest
ResizeAction
Does not implement the IImageAction interface. The ResizeAction is directly exposed within ImageFormat.
ResizeAction2
SnapshotBaseCreateRequest
SnapshotBaseRestoreRequest
SnapshotCustomerCreateRequest
SnapshotCustomerRestoreRequest
SnapshotCustomerSearchRequest
SnapshotCustomerSearchResult
SnapshotEnvironmentCreateRequest
SnapshotEnvironmentRestoreRequest
SnapshotRepositoryBaseCreateRequest
SnapshotRepositoryCustomerCreateRequest
SnapshotRepositoryCustomerSearchRequest
SnapshotRepositoryEnvironmentCreateRequest
SnapshotRepositoryViewItem
SnapshotRestoreViewItem
SnapshotShardFailure
SnapshotViewItem
SortInfo
SourceOutputFormats
StoreAudit
TermFilter
The TermFilter returns documents that contain the exact term specified in the inverted index.
TermsFilter
The TermsFilter returns documents that have fields that match any of the provided terms (not analyzed).
TiffFormat
TranslatedStringDictionary
A custom dictionary type to distinguish language specific class properties.
UnsharpenMaskAction
UpdateCustomerRequest
UpdateEnvironmentRequest
UpdateInfoViewItem
The UpdateInfoViewItem is the view item for update commands.
UserItem
UserViewItem
VersionInfoViewItem
The version view item for the environment.


| DOSE: |
12 hits |
oral |
LSD |
(blotter / tab) |
I started using LSD in 1991. My friends and I took lots of trips. After a year, we were doing it like every four days. It seemed to us the amount of time it took for our resistance to die down. It was always a joke that too much was never enough. We would buy whole sheets and go through it in a month or so (three people). I had many, many good trips. It seems it is all a state of mind when tripping. We were very experienced and could control it. We knew what to do when someone started to loose it; and we would bring them back to earth.
 I was gonna go hardcore. I dropped 12 hits at once. We took amino acids and drank orange juice to pump us up. I hadn't dropped in about 3 months so I, essentially, had no resistance in my system anymore. It was usual, everything was going good. And then BAM, I could feel it wave after wave getting stronger. I lost it. The worst mistake was to get scared. I was frightened bad. I was screaming for them to take me to the hospital. I couldn't take it. It was extremely intense and I was there but no one was in control. I never left my body (though I wish I could have).
We got our other friend who was fine to help me. They took me somewhere else. I lost consciousness somewhere in there. At least mentally (though my friends would disagree). For ten hours I was climbing around, shaking, babbling, screaming, and informing them I was dead or dying. I finally came to my senses though not down after that. I think out of pure exhaustion. I can't describe what it is like to peak for ten hours nor would I try to.
It took me another 36 hours to come down enough to pass as a normal functioning human being. I pretty much just passed out and woke up a little bit better.  Whenever we were tired of tripping we needed to sleep. This was the cure. We would wake up and we’d be all right again. Well not this time.
It took a week before I felt good again. After that day I took a half a dose (imagine what an idiot). It got almost as intense as that day. It lasted like 8 to 10 hours like normal though.
It now has been over 5 years, and I don't think I will ever get better.  I can't quit smoking because I get stressed out and start flipping.
I have taken college psych twice and they say I should seek out a psychatrist and get meds to control it. I don't have serious flashbacks I just get panicked and start flipping. Imagine just flipping out after five years for no apparent reason.
I know someday I will end up in the hospital emergency room screaming for thorazine or valium. They won't take me serious and I will have to hurt someone.
 The real heaven or hell has to be better than that.
I am a father now and how am I going to explain to my son that I screwed myself up beyond repair.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Collect payments, check balance, generate Invoices, receipts, automatic balance calculation, maintenance, analytics, account receivable , renewals, bilingual documents support.....
We install the software on you personal cloud account. This way you benefit from cloud hosting and at the same time you are able to customize our solution to your needs by us.
Since you are hosted on private cloud, we can do a custom development for you to adress your specific needs. No need for in house development just take our solution and tell us what you want to add.
With one flat rate you get access for unlimited quantity of users and property units you can manage with our system.
Module for all renting processes and all financial transactions. Lease, payments, availability, reports,deposits, balance etc.. more
Module for property maintenance process. Fixes, Renovations etc. more
Module where it is possible to create plain SQL queries for DB for additional reporting with possibility of importing data into CSV and JSON formats. more
Configuration module to cutomize and create Master data for the application more
You are hosted on a Heroku cloud account. It is you personal acount where you add us as colaborator.Heroku is one of leading cloud platform providers owned by SalesForce it takes care of the Security of the platform more. Our application is protected by standard means of development framework such as user name and password and forms secret key.
Module to log and optimize your expenses.The capability of managing properties as a service provider.Limiting expenses with budget allocation.
With every sale we provide support for duration of 3 month that can be extended for a monthly fee. Support includes 3 monthly support requests.However in case you choose not get support and will require support in later time there is a one time fee to be charged on top of monthly support fee.
Since software is installed on personal Cloud account that means it can be customized according to your needs with additional functionality. Price is defined based on negotiation. Basically you can have a custom software solution without the overghead of inhouse development.
Ocasionally we will release new upgrades if you areon support plan you are eligible to receive those upgrades for minimal installation fee.


Luke James Touches Down With "All of Your Love"
Luke James shares another single.
by Milca P.All of Your Love
Luke James
Editor Rating: VERY HOTTTTT
User Rating: make it stop - 0% (5)
After teaming up with BJ The Chicago Kid and brother Ro James on "go girl," crooner Luke James has returned to bless us with his newest "all of your love" track, another soulful cut designed to guide us toward his forthcoming to feel love/d album.
The cut was originally teased during the Soul Train Music Awards as the trio took to stage to deliver on a full rendition of "go girl." The track hosts a particularly nostalgic backdrop that boasts soundscapes popularized by soul and funk staples of the late 20th century. Paired with the sound heralded on "go girl", James is shaping up to create a formidable entry among top R&B outputs when to feel love/d arrives in 2020.
Until that arrives, enjoy "all of your love."


Ποιες ταινίες διεκδικούν τις περισσότερες
Χρυσές Σφαίρες 2020: Αυτές είναι οι φετινές υποψηφιότητες
Ποιες ταινίες διεκδικούν τις περισσότερες Χρυσές Σφαίρες;
by TANEA TeamΔείτε παρακάτω αναλυτικά τις υποψηφιότητες για τις Χρυσές Σφαίρες 2020 :
Best Performance by an Actor in a Limited Series or Motion Picture Made for Television
Christopher Abbott (“Catch-22”)
Sacha Baron Cohen (“The Spy”)
Russell Crowe (“The Loudest Voice”)
Jared Harris (“Chernobyl”)
Sam Rockwell (“Fosse/Verdon”)
Best Performance by an Actress in a Limited Series or Motion Picture Made for Television
Kaitlyn Dever (“Unbelievable”)
Joey King (“The Act”)
Helen Mirren (“Catherine the Great”)
Merritt Wever (“Unbelievable”)
Michelle Williams (“Fosse/Verdon”)
Best Television Limited Series or Motion Picture Made for Television
“Catch-22″ (Hulu)
“Chernobyl” (HBO)
“Fosse/Verdon” (FX)
The Loudest Voice (Showtime)
“Unbelievable” (Netflix)
Best Motion Picture – Foreign Language
“The Farewell” (A24)
“Pain and Glory” (Sony)
“Portrait of a Lady on Fire” (Pyramide Films)
“Parasite” (CJ Entertainment)
“Les Misérables” (BAC Films, Amazon)
Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television
Alan Arkin
Kieran Culkin (“Succession”)
Andrew Scott (“Fleabag”)
Stellan Skarsgård (“Chernobyl”)
Henry Winkler (“Barry”)
Best Television Series – Musical or Comedy
“Barry” (HBO)
“Fleabag” (Amazon)
“The Kominsky Method” (Netflix)
“The Marvelous Mrs. Maisel” (Amazon)
“The Politician” (Netflix)
Best Original Score – Motion Picture
Daniel Pemberton (“Motherless Brooklyn”)
Alexandre Desplat (“Little Women”)
Hildur Guðnadóttir (“Joker”)
Thomas Newman (“1917”)
Randy Newman (“Marriage Story”)
Best Screenplay – Motion Picture
Noah Baumbach (“Marriage Story”)
Bong Joon-ho and Han Jin-won (“Parasite”)
Anthony McCarten (“The Two Popes”)
Quentin Tarantino (“Once Upon a Time in Hollywood”)
Steven Zaillian (“The Irishman”)
Best Original Song – Motion Picture
«Beautiful Ghosts” (“Cats”)
“(I’m Gonna) Love Me Again” (“Rocketman”)
“Into the Unknown” (“Frozen II”)
“Spirit” (“The Lion King”)
“Stand Up” (“Harriet”)


ETHER-BET DECENTRALIZED APPLICATION
Horse Racing
There where the course is,
Delight makes all of one mind,
Riders upon the galloping horses,
The crowd that closes in behind
Cricket
Don't get mad that you lost,
Get mad because you didn't win
Election
May your choices reflect your hopes, not your fears.
Scroll to Top


Time as a linear, techno-utopian.
Time as a linear, techno-utopian.
Surrounded by statues and protagonists it is difficult for us to imagine a world without a hero leading the story. But her-based storytelling results many problematic plots. As Gary Younge suggests, statues reduce a historical event to a single person.  As Juliette Cezzar notices, "substituting hagiography for history itself is an obsession that we should consider letting go; it’s connected to our most corrosive idea, one that is currently enjoying a renaissance: that we are a culture of winners and losers, the winners always deserve to win, and the losers deserve their punishment.". The veneration of the hero reduces others into victims: those who must be rescued. *“The prototypical savior is a person who has been raised in privilege and taught implicitly or explicitly (or both) that they possess the answers and skills needed to rescue others,”.
Finally, as Mia Mingus states *"We really need to stop putting people on pedestals. It is harmful and dehumanizes all involved. Putting someone on a pedestal is not caring for th. It is not love. You can love, admire, adore, learn from, or follow the leadership of someone without putting them on a pedestal.Putting people on pedestals is part of the binary of how we categorize people into “good and “bad.” They are two sides of the same coin and they contribute to our collective inability to understand, identify and respond to harm. We demonize people or we put them on pedestals."
We like to see things as finished.
Nature vs Culture
Aggie's drawing of a basket
Can We Teach Graphic Design History Without Chronology? —an article on AIGA Eye On Design by Aggie Toppins, October 2020
Can We Teach Graphic Design History Without the Cult of Hero Worship? —an article on AIGA Eye On Design by Aggie Toppins, May 2020
Centre Pompadour Residency —interview with Aggie Toppins, October 2019
More About Aggie
"While chronology is useful because it helps explain causes—how A led to B—it’s not inherent, nor is it the only way to teach or visualize history."
CANON
SUSTAINMENT
REALITY-CONSTRUCTIONS
OBJECTIVITY
DISCOMFORT
Chronology and time. Geography and maps. Art and canon. Our reality is built on many organizational structures that we take for granted. Their spear-like linearity is so strongly embedded in the way we think and behave that we rarely notice them. They seem to serve us well when it comes to the effectiveness of daily communication, but they can also be extremely reductive. They can exclude a vital part of the story instead of weaving it all together in a basket-like manner. After all, the map is not the territory. In today’s episode I am speaking with Aggie Toppins—a designer, writer and educator, who, in both her teaching and practice, expresses her doubts about all the default orders of reality—from patriarchy to chronology—and proposes that in a deceitfully objective world it is the increased subjectivity that might enlighten our way forward.
Louise's drawing of a basket
Can We Teach Graphic Design History Without Chronology? —an article on AIGA Eye On Design by Aggie Toppins, October 2020
Can We Teach Graphic Design History Without the Cult of Hero Worship? —an article on AIGA Eye On Design by Aggie Toppins, May 2020
Centre Pompadour Residency —interview with Aggie Toppins, October 2019
More About Louise
"While chronology is useful because it helps explain causes—how A led to B—it’s not inherent, nor is it the only way to teach or visualize history."
CANON
SUSTAINMENT
REALITY-CONSTRUCTIONS
OBJECTIVITY
DISCOMFORT
When one thinks about an archive there is a rather clear image that comes to mind. An acclaimed institution and its board of experts make curatorial choices about which histories are worth recording and which ones should be discarded. A small group of specialised people make daily decisions about objects, documents and stories that contribute to the canon and the narratives resulting from it. But in the digital age, perhaps more than ever, we can open up the archive. In today’s episode I am joined by Louise Sandhaus—a graphic designer, former Program Director and current faculty member of the Graphic Design Program at the California Institute of the Arts. In 2018 she started The People’s Graphic Design Archive—an initiative that through open-call and open-source structure tries to write a more plural, inclusive and open history of design. A virtual archive built by everyone, about everyone and for everyone. Open, plural and receptive—just like a basket.
Manuel's drawing of a basket
Can We Teach Graphic Design History Without Chronology? —an article on AIGA Eye On Design by Aggie Toppins, October 2020
Can We Teach Graphic Design History Without the Cult of Hero Worship? —an article on AIGA Eye On Design by Aggie Toppins, May 2020
Centre Pompadour Residency —interview with Aggie Toppins, October 2019
More About Chinlone
"While chronology is useful because it helps explain causes—how A led to B—it’s not inherent, nor is it the only way to teach or visualize history."
CANON
SUSTAINMENT
REALITY-CONSTRUCTIONS
OBJECTIVITY
DISCOMFORT
A woven rattan bowl gets exchanged between players in a joint effort to maintain it in the air for the longest time possible. Everyone plays together—men, women, children and the elders. There are no winners, it is the collaboration, not the competition that counts. A mix of play, dance and martial arts with a goal and value placed not in victory, but collective performance of maximal beauty. Sounds utopian? Welcome to Chinlone, the national sport of Myanmar which gracefully escapes the aggressive, western understanding of what sport is. In today’s episode I am joined by Manuel Wagner and Clemens Wolter from Chinlone Europe Sports Association. We talk about details of how the game of chinlone is played, its role in Myanmar society and how the peaceful, cooperative insights from the sport’s dynamics can be incorporated into the daily life of the players.
Mindy's drawing of a basket
Can We Teach Graphic Design History Without Chronology? —an article on AIGA Eye On Design by Aggie Toppins, October 2020
Can We Teach Graphic Design History Without the Cult of Hero Worship? —an article on AIGA Eye On Design by Aggie Toppins, May 2020
Centre Pompadour Residency —interview with Aggie Toppins, October 2019
More About Mindy
"While chronology is useful because it helps explain causes—how A led to B—it’s not inherent, nor is it the only way to teach or visualize history."
CANON
SUSTAINMENT
REALITY-CONSTRUCTIONS
OBJECTIVITY
DISCOMFORT
In a hunter-gatherer dichotomy, a basket is the object that is associated with the latter of the subjects. But what would it mean to see oneself as a gatherer in the modern, digital age? In today’s episode I am joined by Mindy Seu—a designer, researcher and educator, who in both her Yale School of Art course “On Gathering” and her own practice, explores this question. During our conversation we discuss the possibilities of gathering as authorship, creating space for conversation through inclusive archives, forever-in-progressness of online spaces and the fallacies of a binary-oriented cancel culture.
Esme's drawing of a basket
Can We Teach Graphic Design History Without Chronology? —an article on AIGA Eye On Design by Aggie Toppins, October 2020
Can We Teach Graphic Design History Without the Cult of Hero Worship? —an article on AIGA Eye On Design by Aggie Toppins, May 2020
Centre Pompadour Residency —interview with Aggie Toppins, October 2019
More About Esme
"While chronology is useful because it helps explain causes—how A led to B—it’s not inherent, nor is it the only way to teach or visualize history."
CANON
SUSTAINMENT
REALITY-CONSTRUCTIONS
OBJECTIVITY
DISCOMFORT
Before the age of mechanical reproduction, baskets of many forms used to accompany all stages of life—from the basket-like womb to the basket-like tomb. Nowadays however, the art of basketry, often dismissively spoken of as a superfluous craft, is almost extinct. In today’s episode I am joined by Esme Hofman, a master basket weaver. We talk about how baskets evolved together with humankind, the position of basketry in the modern world, traits that constitute basketness and the philosophical implications carried through the engaged acts of basket-making.


--- layout: post title: RailsConf is more than half sold out and the fastest selling O'Reilly conference categories: [] author: David published: true date: 2007-02-05 18:55:00.000000000 +00:00 ---
The registration form for RailsConf is still glowing hot after a weekend that ensured that we’re now more than half sold out for the conference! This makes RailsConf ‘07 the fastest selling conference that O’Reilly have been involved with.
If we continue with this rate, we’ll be sold out before the end of the week. That’s 1200 seats. Not too shabby for a framework not even three years old and a conference only in its second year.
It’s going to be an amazing festival in Portland, that’s for sure. I can’t wait to get up there and talk about Rails 2.0.


Despite Blackberry's dominance in mobile phones, Apple chose to launch the iPhone late in the game. They igonored the doubters and set out to prove everyone wrong. What are you refusing to do because the odds are stacked against you? Ignore the doubters and start today. Who knows—you just might prove the critics wrong.
That's right. Mistakes are a good thing. They're mandatory for learning. You have to mess up to learn a new skill. I don't care who you are, failure will be inevitable when doing something for the first time.
Even the Elite Fail
I love watching the Olympics. It's fascinating when the TV network highlights an athlete to show a behind-the-scenes look into the incredible effort it took to compete among the world's elite. Often, you will see images of a 3-year-old falling down on skis for the first time or a skater practicing the same jump over and over and over again because it's not quite right. In other words, Olympic athletes shine on the world stage because they have failed time and time again.
During Big Data Week a few weeks back, I attended a panel hosted at AKQA. The topic was How to Become a Developer or Data Scientist. Though the developers sitting on the panel had vastly different backgrounds, experience levels, and skill-sets, they had one common consensus . . . write code. Even if it's horrible, just start writing. And then write more code; throw it out; write some more, and then write even more.
The way you're going to become a developer is by being one. Don't be afraid to mess up! I can't tell you how many times I've laughed at the code I wrote when I first showed up to The Iron Yard. Frankly, it's horrible. But, that horrible code taught me so much. Forget copying and pasting. Start typing, mess stuff up, and figure out how to fix it. Failure will always be your best teacher.
Screen sharing for computers isn’t something revolutionary. It's been around for years. Mac users will remember the days of iChat with AIM to enable video chat and screen sharing. But, you were limited to sharing with just fellow mac users — not to mention it was pretty temperamental, especially if you didn't have the right ports open on your router. Skype solved the cross-platform problem, but until recently you needed a premium account to access screen sharing. Even though screen sharing is available for all accounts, I find Skype's quality lacking and interface unnecessarily complicated. But, fear not! There’s a new tool that saves the day.
It’s a bird, it’s a plane . . .
For incredibly simple, yet incredibly awesome screen sharing look no further than Screenhero. Don't let the beta tag on the website scare you away. Though still in beta, Screenhero is way better than any screen sharing solution available. The folks over at Screenhero have labeled their product "Google Docs for any application on your computer." And it's true! You can seamlessly collaborate with colleagues using any software on your computer. Getting started is as easy as downloading, installing, adding a contact, and clicking "share" in your menubar.
Screenhero has all the basics covered - bundled voice chat, cross platform support, great video and audio quality, and a minimalistic design. But, they have taken it a step further with some amazing features.
Multiple mouse cursers
Each user can independently control his own mouse curser on the screen. You can clearly see which curser belongs to each user with a convenient name label.
Remote copy and paste
Wanting to copy and paste while on sharing someone else's desktop? No problem! Using copy and paste will copy to your local clipboard. It's like magic! The awesome part is using copy function will not affect the clipboard of the person's screen you are on.
Switch screens
With just the click of a button, you can switch your screen and the screen of the user you are connected with. True collaboration! It's even more convenient than sitting next to the person you are working with because you can work on each other’s computer at the same time.
Voice chat
No need to share your screen to chat. Quickly voice chat without revealing your screen. Boasting crisp, 48kHz audio with echo cancellation, Screenhero is an easy way to connect with anyone on your contact list.
I didn't quite realize how awesome Screenhero was until completing a group assignment just a few weeks ago. My partner and I completed much of a Sinatra app while working together remotely with Screenhero. We were both able to code the app on a single screen. Crazy right? We also switched back and forth between our desktops as we completed different parts of the app.
But wait there's more!
The possibilities are endless! And it's not just a great tool for collaboration, but for troubleshooting as well. It's the perfect app to help a family member with a nagging computer problem. No need to wait for Thanksgiving dinner to help Uncle Ed get his computer squared away.
Screenhero has become an invaluable tool among our cohort at The Iron Yard - to get emergency assistant from our instructor, Shelby, collaborate on group assignments, or lend each other a hand.
All this for the low, low price of . . . free. Go get it now.
Though I'm 30-years-old and just now diving into coding, I realize there is no better time to learn than now. It's never too late to start learning. The landscape is changing so fast that everyone has to be continually learning the latest technologies. So, there's always a good spot to jump in. Don't let a late start discourage you from getting started! There's no better day than today to start learning.
Starbucks is my usual Sunday morning spot. I get there early to work on my weekend homework. This past Sunday, the New York Times caught my eye on the way in. This was on the front page:
It's cool to see kids getting excited about code and problem solving at such a young age. Many parents and educators are realizing that programming is the language of the future and kids better start learning now. The NYT article goes on tell just how popular coding programs for kids are becoming. Kids are ditching video games for programs like Turtle Academy and Scratch. "Parents love the idea of giving children something to do with computers that they see as productive."
The Next Generation
Though still just a beginner, I'm looking forward to teaching at The Iron Yard Kids Academy on May 29. It's going to be fun to spark an interest in future programmers.
If you're looking for a place to get started with code, for both kids and adults, you'll find an awesome list of resources here. Jump in and get started today!
Without a doubt, Google is a newbie coder's best friend. But, when approaching a new concept don't head for that search bar just yet! Your first step shouldn't be to scour the web when you're setting out to tackle a new challenge. It's understandable that a new concept can be overwhelming, and the thought of trying to do something new can be daunting. But, instead of turning to the internet, try to breakdown the new challenge into actionable chunks that you can complete.
The best way to eat an elephant is one bite at a time.
Logically think through what you have to accomplish and figure out the essential steps needed to accomplish those tasks. This happened today when we had to create a jQuery modal by ourselves. It was a daunting task when you see the code for most modals you find online. You see the code and think it has to be complicated and there's no way I can do that. And I fell right into the trap. When we came into class this morning, Shelby asked us to break it down. In reality, a modal can be accomplished as easy as using a javascript .on('click') on a .div set to display:none.
Try it for yourself first . . . even if you know you're going to fail. Once, you create your own iteration talk through it. See if you can spot any errors errors. If not, then you can start searching. Before getting carried away and letting hours upon hours of time pass, here are six tips to finding a solution on Google.
Guides First
Turn to the docs/guides before you go anywhere else online. I've mentioned before just how valuable the docs can be. In all honesty, the docs are generally going to be the first thing that comes up with a Google search anyway. So, you might as well start there. You'll find many problems can be solved and much time can be saved by just looking at the docs.
Be Specific
If you strike out with the docs then jump on Google. Remember, generic searches won't shed any light on your problem. Take a second to accurately frame your search by describing the problem and thinking of key search terms; or else you'll quickly find yourself endlessly wading through irrelevant information. For example, I was trying to get a conirmation email to be sent to the user following new account creation using the Devise gem. Instead of searching "Devise mail," I searched "Rails Devise Mailer New Account Confirmation." As you gain experience and become more familiar with syntax, the specificity of your searches will improve.
Tinker with It
It's unlikely you're ever going to find an "out of the box" solution for your problem. So, you're probably going to have to finesse a similar solution you find online. This could be as simple as changing variables or as complicated as refactoring an entire method. Here are three tips to keep in mind when you start to tinker with a possible solution you come across . . .
Keep track of what you've tried so you’re not repeating the same thing over and over again.
Don’t be afraid to try new stuff! That's what's so awesome about coding . . . you can just use backspace if it doesn't work!
Keep your "master branch" isolated. Create a new branch or just have an "experiment" file open in your text editor to try out new stuff.
Try Again
If a solution you have found doesn't work, take a look again and target similar Stack Overflow posts. Stack Overflow is an awesome resource, but it can be a bit of a black hole if you're not careful. It's very easy to waste tons of time trying to track down a solution. Keep in mind, the solutions on Stack Overflow are for very specific questions begin asked. This could be a good or a bad thing! Oftentimes, you'll have to heavily refactor an answer. Regardless if the solution you find is similar or not, don't copy and paste it directly into your code. First, it's almost never going to work, and secondly, you're not going to learn why it works. Lastly, for the post to help, you must read both the question and answer in its entirety. It's going to be tempting to scroll down to that green checkmark, but DON'T DO IT!
Trash It
The neat thing about coding is there are so many different ways to do the same thing. If your approach just isn't working, trash it, and start over! Don't be so attached to your code that you can't throw it away and start over. By starting with a clean slate, you'll more than likely create a better solution for tackling your problem than with your first attempt.
Find an Expert
If you must do it the way you're doing it, seek out an expert to help you solve your problem. Get a mentor or maybe post a question on Stack Overflow. Just don't spend a crazy amount of time on the same problem. When you do get some expert assistance, don't copy and paste. Again, look through what you've tried previously and see where you went wrong. Remember, coding is not a single destination; it's a journey!


Architecture
Monolith
Monolith
Architecture
- You build them from scrach, otherwise you're doing it wrong,
- Designed for cloud,
- In most cases they talk with each other through REST API over HTTP protocol.
Developer's challanges become yours
- Services are independent, but documentented in one portal,
- There are many of them, more are comming, teams are extending,
- Continuously released and deployed.
become a technical writer for microservices. Now
Microservices main principle
"you build it you run it"
You want to become a TW for microservices because:
- Ready playground and production environment,
- You really become "technical" writer, you can quickly learn things,
- Continuously release = continuous feedback = continuous improvement.
Now imagine how your current organization would handle what I just said
- Technical: Make documentation creation flow an integral part of the whole service development cycle
- Organizational: Remove/Cancel/Destroy current Documentation team/department organization
Organizational change
- Technical writers real dev teams members with the same manager as other team members,
- Community of practice that works together on standards and best practices.
- New scrum team with some cool name (Q?) that consists of documentation arch, trainers, language reviewers.
- New scrum team with some cool name (Wookiees?) that consists of documentation arch, developers and works on documentation solution.
Psyhological change
- "don’t say Bugs but Defects"
- "don’t say What went wrong but What we can do better"
Devs treat writers as a team member
No more excuses
- "We need documentation? Talk to docu team, they should give us TW that will do it for us"
- "Documentation? We failed cause Docu team moved one of our TWs to another project"
- "New feature? Docu team has to decide what to do with it"
Now they say
- "We can’t release it without documentation. We need to document and talk to Q team to get a language review"
- "We have something new that doesn’t fit the current structure. We need to talk to CoP and ask what to do, and then we have to do it"
- "I don't like how it is formatted in the UI. We need to talk to Wookiees to improve it"
Technical change in theory
- Whole docu with the service source code
- Documentation and release notes kept together
- Central registry of each documentation topic
- Portal template based on static site generator
- Continuous integration plans
Technical change in action
Run in the terminal:
docker run -it --rm --name api-doc-sample -p 9778:9778 derberg/dsa-quickstart /bin/bash
npm run start
open http://localhost:9778/ in a browser
Visit https://github.com/yaas/docpad-skeleton-apidocs for more details.


| "root node", "node" - Very top of tree is called root node or root, the remainder nodes are called nodes. |
| "internal nodes" - have arrows pointing to them, and the |
| "leaf nodes" - do not have arrows pointing away from them. |
| "impure nodes" - impure leaf nodes means that that it doesnt represent 100% of the pop that hamnar där. |
| "Bootstrapping" - a bootstrapped dataset is a dataset, that is the same size as the original, but the SAMPLES are RANDOMLY SELECTED. The rule is that we can SELECT THE SAME SAMPLE MORE THAN ONCE! Typically, 1/3 of the original data does not end up in the bootstrapped dataset |
| "Gini" - a measure of impurity |
| "Decision tree" - think of the heart failure selection of therapies tree | >
| "bagging" - Bootstrapping first, then AGGregate the outcomes of each tree to make a decision | >
| "out-of-bag dataset" - part of the original data that was not included in the bootstrapped dataset |
| "out-of-bag error" - the error we get, when we test our randomforest with our out-of-bag dataset |
# To understand # Have a raw table of data of given columns and known outcomes for each row.
Bootstrap that data to create a new table of same size
From the new table, u want to create a decision tree
For the creation of the decision tree, we will take a random SUBSET of variables (i.e. columns of the dataset) (in the video he explains that he only takes 2 variables from the 4, I do not know for certain if it needs to be a random number of variables, or a subset at all; seemingly there is a method to the selection of variables, and it seems to be a subset indeed).
Once the variables are selected, we can choose one of them that is going to be the node at that point. (I believe the selection of which variable is supposed to be the node is based on its gini impurity score, the the best score will render that variable selected in that node)
If we chose one of the nodes, we will not be able to use it again, so it will not be used in the following variable selection process for the subsequent nodes.
The edges from the internal nodes will be, for matters of simplicity, going to be the value and the complement of it (e.g. one node is good blood circulation, 100 are yes, 20 are no, so for the yes edge 100 will move on to that side of the tree, and for the no edge 20 will move on to the other side of the tree, etc).
Because we introduced "randomness" in our selection of variables for our trees, we can create many different trees. Therefore we continue by creating lots of different trees, creating a forest.
To now use this fores, we introduce a new sample dataset, where we do not know the outcome (for instance if our trees are supposed to predict heart disease based on different variable parameters, columns, we introduce a dataset where we do not know if the participants do in fact have heart disease, but the parameters were measured).
Now to predict the outcome, we will take each data row, parse it through all of the trees, and record the outcome of each tree. We will then get a ratio of outcomes, where the stronger quotient will give the prediction of our random forest, for the given dataset.
REMEMBER! thus far we created a random forest out of ONE bootstrapped dataset.
the out-of-bag dataset can be used for quality control of our classifying randomforest. Because we know the outcomes of our out-of-bag dataset, we can run it through the randomforest and measure how it would label the data.
using the out-of-bag error rates, we can create more randomforests where we have changed different parameters, for instance how many variables are to be included in each subset, when creating the nodes, etc.
Calc gini impurity: 1 - probability(yes)² - probabitrty(no)² = gini impurity for given node
prob(yes) = number(yes)/total amount on that node
How many patients are represented in each leaf node. total gini impurity is the weighted average of leaf node impurities.
For weighted average = take total number of people in one leaf node / total on all leaf nodes.
The lowest value of gini quotient is the purest. the lowest gini quoficient will be used as the root node.
After creating the root node, u want to continue to the other nodes. from the root nodes u will get yes or no. note that these groups of yes and no will not be pure, i.e. it is possible to have both outcomes in each of them.
Now after doing the yes and no separation, we would trke to recalucate the gini coefficients for the subgroups that we have created (note therefore that we will perform the gini calculations for each node, or column, on that subgroup in the given node even if it contains both outcomes). the node with the lowest coefficent will be used to separate next.
We can have datasets with some values missing. We can use a randomforest to predict what the likely missing values could have been.
To do this, we create an optimization algorithm. First we can select the most frequently appearing values for each missing values. We than create a "proximiyu matrix", a two-dimensional matrix, where each cell represents whether or not two different rows ended up in the same node when parsed through each trees, (its a ratio, if there are 100 trees, and two different data entries ended up in the same node 20/100 trees, then their proximity has the value of 0.2 in that cell, where the closer the value to 1 the closer the two datapoints are to each other)
We will parse through the rows with the filled in values also through the trees, to be included in the proximity matrix
The values from the proximity matrix will then be used to evaluate the accuracy of the filled in values, by using them as weights:
for each column of the entire dataset, we identify the quotients for each answer. (e.g. if there were 2 rows with yes, and three with no for the same column, excluding the one where we filled in the values)
we then identify the "weight" of each answer in the column = (proximity of answer) / (proximity of all answers) = (e.g. 3 rows had no, we look up intersection of those three rows with the one we filled our value in, add those proximities together) / (add all proximities that are found in the intersection of the missing data row with the complete datapoints)
weight x quotient for the answer = weighted frequency for given answer, if it is good, we will change the filled in missing value to this one
The proximty matrix can be used to create a heat map, representing the proximity of each sample with each other, and an MDS plot which indicates the same
The rows with the missing data, we can create different permutations of them with the all the different outcomes (heart failure: yes and no), and possible values that the missing values can have (e.g. blocked arteries yes and np). We then parse through these datapoints through the forest, to see how many times the outcome we put in will be predicted for the given missing value. The filled in values, that produces the most appearances and outcomes that matches the one we selected (e.g. we parse it through the forest, and in 20/100 trees, the outcome yes came up, which matches the yes we put in for the dataset, whereas no came up 80/100, wich DOES NOT match the outcome we gave), and we select the one where the outcome matches the one we chose for the given missing values the most times


I am PDXIII & and this is
When you scribble a font, you quickly come to a point where you need a base line or a guide for the x height and for the descenders …
But where to place them? This decision takes big influence on the whole font design. So why don't you check out the guides of some famous fonts?
This script creates a small booklet with the metrics of 22 fonts and for each font 96 fields for 96 characters (which is a little more than a German basic keyboard layout).
Clone thie repository into your ~/Library/Preferences/Adobe InDesign/Version 7.5/en_GB/Scripts/Scripts Panel/
folder or download the zipped files and unzip them to this location.
You can clone the project with Git by running:
git clone git://github.com/PDXIII/FontFunFriday.git
There are three files which provied data. The script depends on GlyphList-Unicode.json and FontList.json. But first let's take a look on the file where everthing started:
This files contains 96 characters separated by a break row (or '\r'). The original file contains: a, ä, b, c, d, e, f, g, h, i, j, k, l, m, n, o, ö, p, q, r, s, t, u, ü, v, w, x, y, z, ß, 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, ,, ., -, `, +, #, ^, @, A, Ä, B, C, D, E, F, G, H, I, J, K, L, M, N, O, Ö, P, Q, R, S, T, U, Ü, V, W, X, Y, Z, ?, !, ", §, $, %, &, /, (, ), =, ;, :, _, backtick, * , ', °, €.
The first 48 will be displayed on the left side of the booklet, the other on the right side.
And looks like this:
a
ä
b
c
… (the other 91 characters)
€
Note: If you change these characters, please be sure to have 96, because the layout is optimized for this amount!
When you have done any changes in this file you need to format it into an .json file and add the unicode information for each character. Have fun! Just kidding. For god sake I wrote the python script ConvertToUnicodeIntoJSON.py. So open a terminal, change directory to ~/Library/Preferences/Adobe InDesign/Version 7.5/en_GB/Scripts/Scripts Panel/FontFunFriday/
(be careful: the 'en_GB' depends on the language of your version of Indesign, would be 'de_DE' if you run a German version on your system) and type in python ConvertToUnicodeIntoJSON.py
and the .txt is parsed into a .json file with all the additional information under the name GlyphList-Unicode.json.
In the last chapter you read how to generate this file, but what's inside?
Let's have a look:
[
{
"glyph": "a",
"name": "LATIN SMALL LETTER A",
"number": "0061"
},
{
"glyph": "ä",
"name": "LATIN SMALL LETTER A WITH DIAERESIS",
"number": "00e4"
},
… (I think you'll get the point)
{
"glyph": "€",
"name": "EURO SIGN",
"number": "20ac"
}
]
Note: If you edit this file, don't destroy the .json format. If this happends only god can save you! Naw, just run the python script from the last chapter.
In this file keeps the fonts with their metrics information.
Take a look:
[
{
"FontName": "Aachen Std",
"HkxpArray": [
1.0,
1.0,
0.73512252042006998,
-0.26371061843640609
]
},
{
"FontName": "Adobe Garamond Pro",
"HkxpArray": [
1.0,
1.0784313725490196,
0.59879336349924583,
-0.38914027149321267
]
},
… (Yes, here are more fonts!)
{
"FontName": "Trajan Pro",
"HkxpArray": [
1.0,
0.84993359893758302,
0.84993359893758302,
-0.0039840637450199202
]
}
]
There are two ways to make your own FontList.json.
You open the font of your choice in the font editor software of your choice or you can try Adobe Illustrator. Then messure the height of the H, k and x and the lowest point of p. Then divide every value through the height of H and put these values into the HkxpArray
.
You open your full version of Glyphs App clone my Glyphs-Scripts Repository into your Glyphs script folder under ~/Library/Application Support/Glyphs/Scripts/
open all the fonts you want the metrics from and run the ExportHkxpMetrics.py script. It exports all the metrics the way it should be into a file on your desktop named Metrics.json. All need to do in addition is to rename it into FontList.json and move it into your ~/Library/Preferences/Adobe InDesign/Version 7. 5/en_GB/Scripts/Scripts Panel/FontFunFriday/
folder.
The second way has a longer discription but is the faster way (and requires a full version of Glyphs App).
I am sure you know how! If you copied or cloned the repository into the right folder, it will appear in your skript panel under FontFunFriday.jsx. A doubleclick will start the script.
After starting the script a pop up will appear asking how you like the unicode information should be displayed. There are two options:
a u+00061
will make a tile for scribbling for every character in the GlyphList with the character itself and the unicode number below.latin small letter a
will make a tile for scribbling, too, but puts the unicode name inside this tile.Try them both!
In the first seconds while the script is running you can see how the scribble tiles are buid and placed on the page. The grid contains 6 columns and 8 rows. The size of the whole tile (inclusive the textboxes below) is 23 x 20 mm. The margins are given the gutter is calculated. There are two masterspreads. One with just the margins Master-A and a second one containing the tiles Master-B.
Note: Feel free to change the values in the script and try out your own layout, but be awear that my layout is optimized for this given amout of characters.
After the masters are finished, the script reads the FontList.json and makes for each font two facing pages with a whole set of scribble tiles (using Master-B). It reads the HkxkArray of the current font and calculates the vertikal positions of the guide lines.
I already mentioned how to calculate the values for the HkxpArray, but let's digg a little deeper.
When I first thought about getting the metrics out of a font, I wrote a Glyphs App script (ExportBasicMetrics.py), which exports the metrics from Glyphs' font information window. Which is a kind of tricky in several points:
The values are absolute. Let's take look on the Mariad Pro. This font's metrics look like this ascender: 750.0, capital height: 674.0, x height: 484.0, descender: -250.0
.
All values describe the vertical position on a 1.000 pt high work area. Though, when you want to use these values for guide lines on work area with a different height, you need to set them into relation to each other.
Some true type fonts (.ttf) seem to have a work area around 2.000 pt e.g.
Arial: ascender: 1491.0, capHeight: 1467.0, xHeight: 1062.0, descender: -431.0
.
Some true type fonts seem to have a work area around 1.000 pt but the ascenders was designed on a 2.000 pt work area e.g.
Georgia: ascender: 1549.0, capHeight: 700.0, xHeight: 500.0, descender: -444.0
.
The descender value is usually not the vertical position of the lowest point in a descender character, it's even below this point.
I hope you see the problem! The data we will get this way is not consistent.
Solving the relation problem I used a format I found in an old photo type catalog from Berthold. They described like this Berthold Akzidenz Grotesk BE: H: 1, k: 0.998, 0.666, -0.315
. They set every value into relation to the height of H. That was what I needed and I preferre using a historical and typographical format instead of inventing my own which serves the same purpose.
For the other part of the problem I decided the best way of doing it is to messure on my own. And because of I am some lazy guy I wrote the script ExportHkxpMetrics.py wich takes care of the messurment and calculation.
That's the story behind the HkxpArray!
When the script is finished you'll have a document with 44 pages. One for the front and one for the back with Master-A applied and 42 with Master-B applied for scribbling containing the guide lines. When you take a look at the style palettes you'll see that avery kind of object or paragraph has some kind of style applied. Though it's quite easy to change the apperence of your document. If you want another font for your layout, then just make changes in the paragraph stlye BasicFontStyle. I tried to keep the basic style simple and undistractive.
Feel free to find your own solution & have a Fun Font Friday!
Copyright (c) 2012 Peter Sekan aka PDXIII
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


Tickets can be bought here.
The 2019 Bay Area Robotics Symposium aims to bring together roboticists from the Bay Area. The program will consist of a mix of faculty, student and industry presentations. For more details, see the event schedule.
Faculty Organizers:
Mark Mueller (UC Berkeley) and Dorsa Sadigh (Stanford)
Sponsors:
Bronze Sponsors:
If you are interested in sponsoring BARS 2019, please contact the local organizer, Mark Mueller.
The event will be held on the campus of UC Berkeley at International House, 2299 Piedmont Avenue, Berkeley, CA.
Details about transit, directions and parking can be found here.
The tentative event schedule is as below.
| 08:30 | Registration opens | |
| 08:50-09:00 | Welcome | |
| 09:00-10:00 | Faculty talks #1 | |
| 10:00-10:30 | Industry & student spotlight talks #1 | |
| 10:30-11:00 | Coffee break, sponsored by Intuitive; and student posters | |
| 11:00-12:00 | Invited speakers | |
| 12:00-13:00 | Lunch | |
| 13:00-14:00 | Faculty talks #2 | |
| 14:00-14:30 | Industry & student spotlight talks #2 | |
| 14:30-15:00 | Coffee break and student posters | |
| 15:00-16:00 | Faculty talks #3 |
Invited speakers: Stuart Russel and Alison Gopnik.
The tentative list of speakers for each talk session is:
Faculty talks #1 (09:00 -- 10:00): Mark Mueller, Dorsa Sadigh, Kris Pister, Zac Manchester, Hannah Stuart, Marco Pavone, Sergey Levine, Koushil Sreenath, Alexandre Bayen.
Faculty talks #2 (13:00 -- 14:00): Karen Liu, Anca Dragan, Monroe Kennedy, Ron Fearing, Jeannette Bohg, Sean Follmer, Mac Schwager, Homayoon Kazerooni, Ken Goldberg.
Faculty talks #3 (15:00 -- 16:00): Ricardo Sanfelice, Allison Okamura, Pieter Abbeel, Masayoshi Tomizuka, Abhishek Halder, Claire Tomlin, Dejan Milutinovic.
Industry & student spotlight talks #1 (10:00-10:30): Intuitive, Auris, Zoox, Toyota Research Institute.
Industry & student spotlight talks #2 (14:00-14:30): Waymo, Google, Baidu, Skydio.
Symposium organizers:
Mark Mueller<EMAIL_ADDRESS>Dorsa Sadigh<EMAIL_ADDRESS>Web master:
Clark Zha, clark.zha@berkeley.edu


Louis Ayivi
Software Engineer | Web Dev.
About
Louis Ayivi is a passionate Software Engineer, hail from Mafi Kumase in the Volta Region of Ghana. He is friendly, kind, self-determined, business minded and always try to learn something new everyday. He never give up so easily, he always make sure he finishes whatever he started. He is the CEO of Apharcad Technologies, a start-up that aims to providing quality and efficient software to its clients.
Programing Skills
- HTML & CSS
- JavaScript
- React Js
- PHP
- Python
Mission
Joining the ALX Program is one of the best choices I have ever made. I believe the skills and experiences I will acquire (gain) here would help me tremendously to improve my start-up (Apharcad Technologies) to solve the world's most challenging problems.
The Start-Up
Apharcad Technologies is an emerging software firm in Ghana, producing first-class quality and cost effective software for its clients. We provide the optimum and customized solutions made for your organization. In today’s technology driven marketplace, it is crucial to keep up with the latest innovations and solutions in order to keep your organization moving and secure in this information technology era
Read More


No Description Written yet
posted:
7/18/2017
interactive
No Description written yet
See the Pen Calculator Project by Zach E. ( @MrBobBobs) on CodePen.


This is part of the LearnDevelopment Public repo A place where we show off our amazing design skills!
I guess I should tell you a bit about my self..well..favorite band is EVERY TIME I DIE
I've been using JavaScript for a bit, it's the language I've used the most.
I'm currently living in Upstate New York...which you might think looks like this... But it actually looks a lot more like this..
Hoping to team up with some of the people in this group to build something awesome! But I've might've peaked when I built this page


@* * Copyright 2020 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @(field: Field, radioOptions: Seq[((String, String), String)], args: (Symbol, Any)*)(implicit messages: Messages, formInstance: Option[Form[_]] = None) @import play.api.i18n._ @import views.html.helper._ @import views.html.helpers._ @import views.helpers._ @elements = @{ new FieldElements(field.id, field, null, args.toMap, messages) } @parentField = @{ args.toMap.get('parentField).asInstanceOf[Option[Field]] } @errors = @{ FormHelpers.getErrors(field, parentField) } @fieldsetClass = { @if(errors.nonEmpty){ form-group-error } }


Play Game
My Money:
Farm
Unicorn
Rainbow
Bubble
Troll
Buy Farm
Buy Unicorn
Buy Rainbow
Buy Bubble
Buy Troll
Sell Farm
Sell Unicorn
Sell Rainbow
Sell Bubble
Sell Troll
My Shares:
My Shares:
My Shares:
My Shares:
My Shares:


Ask Doctor Search: GSA Crawler is Missing Sites
Last Updated Mar 2009
Volume 5 Number 3 - April/May 2008
A customer writes:
This month, a subscriber asks: I have had a Google appliance for about a month now, and it works well for most of the internal sites we need to crawl. What is driving me crazy is that two sites we need in our index just don???t seem to get indexed no matter what I try. Our older spider from another company never had any problem with these two sites: is there some hidden collection limit or content size issue that might be causing the problem?
Dr Search replies:
Dr Search replies: The bad news is that just because one spider can index a site does not mean that other spiders can access it. Before we get into that, let???s start with the easy part first.
Log onto your Google appliance (GSA) console, and have a look at the Google Search Appliance > Crawl and Index > Crawl URLs page. I???ll assume you have the top level of your missing sites included at the top in the ???Start Crawling from??? input field, and that you have also included the missing site patterns in the ???Follow and Crawl Only??? input field. Take a look at the input field labeled ???Do Not Crawls URLs with the Following Patterns??? and make sure that the missing sites do not match any of these excluded patterns. You can easily verify that your starting points do not match the excluded patterns by using the ???Test these patterns??? link.
Check Your Web Server Logs
The next question to answer is this: Has the GSA ever visited the missing web sites? I suggest you go to the web server log on the missing servers. Check to see whether your GSA crawler has ever tried to fetch pages. You should see lines something like the one in Figure 1.
2008-04-27 21:17:58 <IP_ADDRESS> - <IP_ADDRESS> 80 GET /robots.txt -
404<EMAIL_ADDRESS>2008-04-27 21:17:58 <IP_ADDRESS> - <IP_ADDRESS> 80 GET /index.html -
200<EMAIL_ADDRESS>Figure 1: Web Server Logfile entries
When anyone views a web page, the web log captures the details. What you want to look for in your log file is any activity from your GSA crawler, which identifies itself as ???gsa-crawler??? and is known as the User Agent. The GSA further provides a portion of the GSA license identifier and the email address of the GSA administrator. This last bit is so webmasters know who to contact if a web spider is unwanted.
The numeric value just before the Agent Name is the HTTP status code your web server returned to the GSA. A value of ???200;??? is good: that???s a normal return. There are other ???normal??? return values, so don???t worry too much if you see many other values (See the Resources section below for pointers to more information on web server status codes). The status code one to watch for is ???404???: file not found. In Figure 1, you can see that our internal site has no robots.txt, so GSA will start to fetch content. However, if you have robots.txt, that is the next place to look for the cause of your problem.
Guardian at the gates: robots.txt
GSA always looks for robots.txt file before it proceeds: this is a friendly way to see if the webmaster wants to disallow any or all parts of a web site to crawlers/spiders and other automatic gathering tools.
The simple robots.txt file is shown in Figure 2.
User-Agent: *
Disallow:
Figure 2: A Simple robots.txt
Entries in this file are start with the User-Agent name ??? or in this case, a regular expression pattern that matches the User Agent you saw earlier in the web server log file. The asterisk here means ???all user agents???; we???ll get to some specific examples in a moment. After the User Agent line are optional lists of what content is disallowed or specifically allowed by the web server. Figure 2 shows a robots.txt that allows full access to all user agents because of the asterisk and because the disallow field is empty. Figure 3, on the other hand, restricts all crawler access.
User-Agent: *
Disallow: /
Figure 3: Restrictive robots.txt
If your missing sites have robots.txt files, make sure to allow the GSA access. Figure 4 shows a robots.txt file that allows the GSA to access all content while disallowing all other crawlers.
User-Agent: gsa-crawler
Disallow:
User-Agent: *
Disallow: /
Figure 4: Disallow All Crawlers Except gsa-crawler
In addition to Disallow, robots.txt supports Allow capability as well; note that not all crawlers respect all aspects of all entries.
Why Doesn't GSA work like my Other Spiders?
The answer here is that robots.txt is a request to crawlers, not a demand. The GSA, like Google and Yahoo and other respectable web crawlers, tend to respect robots.txt directives, although there may be some variation. But there is no guideline that requires any crawler to respect any of your robots.txt directives.
Many commercial engines, including Autonomy???s vspider and Ultraspider and FAST???s crawler respect robots.txt by default, but they allow you to ignore any directives there as well. The rationale is that, since you are presumably indexing your own content with those products, you should be able to override your own directives. If you set up your previous crawler with instructions to override robots.txt, it may have fetched content with no difficulty. The GSA, on the other hand, has no option to override robots.txt ??? so you must go out and set up robots.txt properly to crawl sites.
I expect the steps in this article will have solved your problem with crawling all of your internal sites. If not, email us and we can drill down on your specific issue.
Resources
For additional information on using robots.txt, visit:
http://www.robotstxt.org/orig.html
http://www.google.com/support/webmasters/bin/answer.py?answer=40364
http://en.wikipedia.org/wiki/Robots.txt
Help on HTTP status return values are discussed on these sites:
http://en.wikipedia.org/wiki/HTTP_status
http://support.microsoft.com/?id=318380
http://www.w3.org/Protocols/rfc2616/rfc2616-sec10.html
We hope this has been useful to you; feel free to contact Dr. Search directly if you have any follow-up or additional questions. Remember to send your enterprise search questions to Dr. Search. Every entry (with name and address) gets a free cup and a pen, and the thanks of Dr. Search and his readers.


Training networks¶
In this section we will learn how to feed mini-batches into a network for training or inference. Let us assume we have some Keras model of a classification network
model = Sequential()
model.add(Convolution2D(32, (3, 3), input_shape=INPUT_SHAPE))
...
model.add(Dense(NUM_CLASSES))
model.add(Activation('softmax'))
model.compile(loss='categorical_crossentropy', optimizer='adam', metrics=['accuracy'])
and let us further assume we have a pipeline that generates mini-batches as described in the previous section
batches = train_samples >> read_image >> ... >> build_batch
we then could train the model (for a single epoch) using the
train_on_batch
method provided by Keras
for batch in batches:
model.train_on_batch(*batch)
or a bit more explicitly
for inputs, outputs in batches:
model.train_on_batch(inputs, outputs)
Note that batches
is a generator and not a list of batches – there is no
consumer such as Consume
or Collect()
at the end of the pipeline.
Also we have to ensure that the shape of the batches matches the INPUT_SHAPE
of the model – a common problem. Use PrintType()
to print the shape of the
generated batches.
Keras supports another method for training, fit_generator
, which expects an
infinite stream of mini-batches. This can easily be achieved by adding a Cycle
nut after the loading of the training samples:
batches = train_samples >> Cycle() >> read_image >> ... >> build_batch
model.fit_generator(batches)
However, the easiest way to train a Keras network is to take advantage of the
KerasNetwork
wrapper provided by nuts-ml. It takes a Keras model and
wraps it into a nut that can directly be plugged into a pipeline:
network = KerasNetwork(model)
train_samples >> read_image >> ... >> build_batch >> network.train() >> Consume()
Note that we need a consume at the end of the pipeline to pull the data. In the examples
above, train_on_batch
and fit_generator
were the consumers.
network.train()
trains the network and emits the loss and any specified metric
(e.g. accuracy in this example) per mini-batch. We can collect this output and
report average loss and accuracy per epoch.
network = KerasNetwork(model)
for epoch in range(EPOCHS):
t_loss, t_acc = train_samples >> ... >> build_batch >> network.train() >> Unzip()
print("train loss :", t_loss >> Mean())
print("train acc :", t_acc >> Mean())
Apart from the training loss (and accuracy) we often want to know the networks performance on a validation set. The data preprocessing pipelines in both cases are very similar but typically we do not augment when validating. In the following, a code sketch for training and validation:
network = KerasNetwork(model)
for epoch in range(EPOCHS):
t_loss, t_acc = (train_samples >> read_image >> transform >> augment >>
Shuffle(100) >> build_batch >> network.train() >> Unzip())
print("train loss :", t_loss >> Mean())
print("train acc :", t_acc >> Mean())
v_loss, v_acc = (val_samples >> read_image >> transform >>
build_batch >> network.validate() >> Unzip())
print("val loss :", v_loss >> Mean())
print("val acc :", v_acc >> Mean())
Note that we skip the augmentation and shuffling that are part of the training pipeline when validating.
Training and validation performance are averaged over batches. The true performance,
however, needs to be computed on a per-sample bases. nuts-ml provides evaluate()
for this purpose. For instance, the code sketch below calls network.evaluate()
to compute the categorical_accuracy
over all test samples
e_acc = (test_samples >> read_image >> transform >> build_batch >>
network.evaluate([categorical_accuracy])
print("evaluation acc :", e_acc)
This code typically would run after the epoch loop when the network training is complete.
Note that evaluate
is a sink (no Collect
needed) and returns a single number per metric (no averaging required).
Finally, once we trained the network and are happy with the classification accuracy
we would like to use the network for inference/prediction. Prediction is different
from training, validation and evaluation in that we don’t know the target/output values
– those we want to infer. Consequently, the mini-batches need to be constructed
without outputs and then can be feed into the predict()
function, that returns
the softmax vectors:
build_pred_batch = BuildBatch(BATCH_SIZE).input(...)
predictions = (samples >> read_image >> transform >> build_pred_batch >>
network.predict() >> Map(ArgMax()) >> Collect())
We use Map(ArgMax())
to retrieve the class index of the class with the highest
softmax probability and collect those indices as network predictions. Note that we
easily could convert the class indices to labels using ConvertLabel
.


Copyright 2021 auto_anki MIT License
from code.extract_sizes import extract_words, text_to_groupings
from code.wordprocessing import extract_noun_chunks, merge_slide_with_same_headers, duplicate_word_removal, \
construct_search_query
Given some predefined PDFs, make sure that the results are not None
PDF_NAME = "data/arp.pdf"
Given the ARP file, tests that the tools are able to extract words and form groupings
def test_groupings():
tests getting pdf -> getting groupings
pdf_doc = extract_words(PDF_NAME)
assert pdf_doc is not None
groupings = text_to_groupings(pdf_doc)
assert groupings is not None
check that the structure is right
structure_dict = {'Header': str, 'Paragraph': str, 'slide': int}
for slide in groupings:
assert that each slide has a header, paragraph, and slide
for struct in structure_dict.keys():
assert the field is present
assert struct in slide
assert the field is not None
assert slide[struct] is not None
assert the type is correct
assert type(slide[struct]) is structure_dict[struct]
Given the arp file, tests that the tools are able to extract words, form groupings, and extract_noun_chunks
def test_chunks():
tests getting pdf -> getting groupings
pdf_doc = extract_words(PDF_NAME)
assert pdf_doc is not None
groupings = text_to_groupings(pdf_doc)
assert groupings is not None
chunks = extract_noun_chunks(groupings)
check that the structure is right
assert chunks is not None
[{“Header”: “”, “Paragraph”: “”, “Header_keywords”: [], “Paragraph_keywords”: [], slide: int}] assert the structure is correct
structure_dict = {'Header': str, 'Paragraph': str, 'Header_keywords': list, 'Paragraph_keywords': list, 'slide': int}
for slide in chunks:
assert that each slide has a header, paragraph, and slide
for struct in structure_dict.keys():
assert struct in slide, f'{struct} should be in slide'
assert the field is not None
assert slide[struct] is not None, f'{struct} in slide should not be none'
assert the type is correct
assert type(slide[struct]) is structure_dict[struct], f'{struct} should be a {structure_dict[struct]}'
Given the arp file, tests that the tools are able to merge_slide_with_same_headers
def test_merge_slide_with_same_headers():
tests getting pdf -> getting merge_slide_with_same_headers
pdf_doc = extract_words(PDF_NAME)
assert pdf_doc is not None
groupings = text_to_groupings(pdf_doc)
assert groupings is not None
chunks = extract_noun_chunks(groupings)
check that the structure is right
assert chunks is not None
chunks = merge_slide_with_same_headers(chunks)
assert chunks is not None
[{“Header”: “”, “Header_keywords”: [], “Paragraph_keywords”: [], slides: [int]}] assert the structure is correct
structure_dict = {'Header': str, 'Header_keywords': list, 'Paragraph_keywords': list, 'slides': list}
for slide in chunks:
assert that each slide has a header, paragraph, and slide
for struct in structure_dict.keys():
assert the field is present
assert struct in slide, f'{struct} should be in slide'
assert the field is not None
assert slide[struct] is not None, f'{struct} in slide should not be none'
assert the type is correct
assert type(slide[struct]) is structure_dict[struct], f'{struct} should be a {structure_dict[struct]}'
Given the arp file, tests that the tools are able to duplicate_word_removal
def test_duplicate_word_removal():
tests getting pdf -> getting merge_slide_with_same_headers
pdf_doc = extract_words(PDF_NAME)
assert pdf_doc is not None
groupings = text_to_groupings(pdf_doc)
assert groupings is not None
chunks = extract_noun_chunks(groupings)
assert chunks is not None
chunks = merge_slide_with_same_headers(chunks)
assert chunks is not None
chunks = duplicate_word_removal(chunks)
assert chunks is not None
[{“Header”: “”, “Header_keywords”: [], “Paragraph_keywords”: [], slides: [int]}] assert the structure is correct
structure_dict = {'Header': str, 'Header_keywords': list, 'Paragraph_keywords': list, 'slides': list}
for slide in chunks:
assert that each slide has a header, paragraph, and slide
for struct in structure_dict.keys():
assert the field is present
assert struct in slide, f'{struct} should be in slide'
assert the field is not None
assert slide[struct] is not None, f'{struct} in slide should not be none'
assert the type is correct
assert type(slide[struct]) is structure_dict[struct], f'{struct} should be a {structure_dict[struct]}'
Given the arp file, tests that the tools are able to contruct_search_query
def test_construct_search_query():
tests getting pdf -> getting merge_slide_with_same_headers
pdf_doc = extract_words(PDF_NAME)
assert pdf_doc is not None
groupings = text_to_groupings(pdf_doc)
assert groupings is not None
chunks = extract_noun_chunks(groupings)
assert chunks is not None
chunks = merge_slide_with_same_headers(chunks)
assert chunks is not None
chunks = duplicate_word_removal(chunks)
assert chunks is not None
query = construct_search_query(chunks)
assert query is not None
assert the structure is correct
assert type(query) is list


A Header
“Do what you can, with what
you
have, where you are.”
THEODORE ROOSEVELT.
Simon says
Also says


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KzmDClock
Date: 12.Jan.96
This is another digital clock. I wrote this because i like this kind of clock
and i didn't found it anywhere.
You can define dimension of clock, border, to show date every 5 seconds in the
way you prefer or not show it.
PARAMETERS
- Dimension: (big|small, default=big)
- The dimension of the clock. The one you see in this page is "big", but
in my homepage there is the
"small one".
Big is 214(width) 60(height), while the Small is 115(w) 34(h).
- Border: (yes|no, default=no)
- Show the border of the applet.
- ShowDate: (yes|no, default=yes)
- Display the date for 3 seconds every 5 seconds.
- DateFormat: (default=mdy, m=month d=day y=year)
- Show the date in the format defined.
- BackColor: (R G B, default=0 0 0)
- The color of the scrollable area, the rectangle.
- ForeColor: (R G B, default=128 0 0)
- The color of the leds.
- Copyright: (String)
- Ok, this is a copyright line. Please don't change it. This applet
is freeware, so the only cost is to leave this copyright parameter.
DOWNLOAD "KzmDClock.zip"


{% extends '_base_email.html' %} {% block content %}
{{ _('Your password has been updated.') }}
{% if support_email %}{{ _('If you initiated this change yourself you can ignore this email. Otherwise, please contact us immediately. You can reach us under %(support_email)s.', program=g.title, support_email='%(email)s' |format(email=support_email, program=g.title) |safe) }}
{% endif %} {% endblock %}