| Ages | Training Type | Price |
|---|---|---|
| All | Individual skills and ability analysis | $60 per analysis |
| 5 - 13 | Group of 2 - 5 players | $50 per group, per hour |
| 14 - 19 | Group of 2 - 5 players | $60 per group, per hour |
| 20+ | Group of 2 - 5 players | $50 per group, per hour |
| 5 - 13 | Individual | $35 per player, per hour |
| 14 - 19 | Individual | $40 per player, per hour |
| 20+ | Individual | $40 per player, per hour |
Prior to beginning a training program with IST, it is recommended that the player participate in the individual skills and ability analysis. Results of the analysis gives the trainer the information he or she needs to develop a personalized training program.
Emphasis on skills development (passing, heading, shooting, dribbling), first touch control, offensive/defensive positioning, improved decision making and vision. Call or message to discuss your individual training needs.
Includes individual skills development, 1 v 1 proficiency, spatial awareness, tactical awareness, first touch control, improved decision making and offensive/defensive positioning. Call or message to discuss your group training needs.
Call or message to discuss and for more details.
Video analysis – One of our team members will video record your game/practice. It will be meticulously analyzed in order to discover your strengths and weaknesses. This is a very effective method used to properly develop an individualized training program. Cost $50 - $100. Call or message to discuss.


pre: Prediction Rule Ensembles
Derives prediction rule ensembles (PREs). Largely follows the
procedure for deriving PREs as described in Friedman & Popescu (2008;
<doi:10.1214/07-AOAS148>), with adjustments and improvements. The
main function pre() derives prediction rule ensembles consisting of
rules and/or linear terms for continuous, binary, count, multinomial,
and multivariate continuous responses. Function gpe() derives
generalized prediction ensembles, consisting of rules, hinge and linear
functions of the predictor variables.
| Version: |
0.6.0 |
| Depends: |
R (≥ 3.1.0) |
| Imports: |
earth, Formula, glmnet, graphics, methods, partykit, rpart, stringr, survival |
| Suggests: |
akima, datasets, doParallel, foreach, glmertree, grid, mlbench, testthat, mboost |
| Published: |
2018-08-03 |
| Author: |
Marjolein Fokkema [aut, cre],
Benjamin Christoffersen [aut] |
| Maintainer: |
Marjolein Fokkema <m.fokkema at fsw.leidenuniv.nl> |
| BugReports: |
https://github.com/marjoleinF/pre/issues |
| License: |
GPL-2 | GPL-3 |
| URL: |
https://github.com/marjoleinF/pre |
| NeedsCompilation: |
no |
| Materials: |
README NEWS |
| CRAN checks: |
pre results |
Downloads:
Reverse dependencies:
Linking:
Please use the canonical form
https://CRAN.R-project.org/package=pre
to link to this page.


if
statements with too many branches.
Such statements may be confusing and are often a sign of inadequate levels of design abstraction.
Use the Maximum number of branches field to specify the maximum number of branches an if
statement is allowed to have.


Zoom in to enable editing.
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Before Change
import tensorflow as tf
from tensorflow.keras.mixed_precision import experimental as mixed_precision
policy = mixed_precision.Policy("mixed_float16")
mixed_precision.set_policy(policy)
from tensorflow.keras.models import Model
from tensorflow.keras import layers
from tensorflow.keras.layers import Input
After Change
import tensorflow as tf
version_split = tf.__version__.split(".")
if version_split[0] == "2" and int(version_split[1]) > 1:
from tensorflow.keras.mixed_precision import experimental as mixed_precision
policy = mixed_precision.Policy("mixed_float16")
mixed_precision.set_policy(policy)
from tensorflow.keras.models import Model
from tensorflow.keras import layers
from tensorflow.keras.layers import Input
from tensorflow.keras.layers import Lambda


| 1 | /* | |
| 2 | * Licensed to the Apache Software Foundation (ASF) under one or more | |
| 3 | * contributor license agreements. See the NOTICE file distributed with | |
| 4 | * this work for additional information regarding copyright ownership. | |
| 5 | * The ASF licenses this file to You under the Apache License, Version 2.0 | |
| 6 | * (the "License"); you may not use this file except in compliance with | |
| 7 | * the License. You may obtain a copy of the License at | |
| 8 | * | |
| 9 | * http://www.apache.org/licenses/LICENSE-2.0 | |
| 10 | * | |
| 11 | * Unless required by applicable law or agreed to in writing, software | |
| 12 | * distributed under the License is distributed on an "AS IS" BASIS, | |
| 13 | * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. | |
| 14 | * See the License for the specific language governing permissions and | |
| 15 | * limitations under the License. | |
| 16 | */ | |
| 17 | ||
| 18 | package org.apache.commons.math3.util; | |
| 19 | ||
| 20 | import java.io.Serializable; | |
| 21 | ||
| 22 | import org.apache.commons.math3.Field; | |
| 23 | import org.apache.commons.math3.FieldElement; | |
| 24 | ||
| 25 | /** | |
| 26 | * Representation of real numbers with arbitrary precision field. | |
| 27 | *
 | |
| 28 | * This class is a singleton. | |
| 29 | *
 | |
| 30 | * @see BigReal | |
| 31 | * @version $Id$ | |
| 32 | * @since 2.0 | |
| 33 | */ | |
| 34 | public class BigRealField implements Field<BigReal>, Serializable { | |
| 35 | ||
| 36 | /** Serializable version identifier */ | |
| 37 | private static final long serialVersionUID =<PHONE_NUMBER>541037559L; | |
| 38 | ||
| 39 | /** Private constructor for the singleton. | |
| 40 | */ | |
| 41 | private BigRealField() { | |
| 42 | } | |
| 43 | ||
| 44 | /** Get the unique instance. | |
| 45 | * @return the unique instance | |
| 46 | */ | |
| 47 | public static BigRealField getInstance() { | |
| 48 |
1
1. getInstance : mutated return of Object value for org/apache/commons/math3/util/BigRealField::getInstance to ( if (x != null) null else throw new RuntimeException ) → KILLED |
return LazyHolder.INSTANCE; |
| 49 | } | |
| 50 | ||
| 51 | /** {@inheritDoc} */ | |
| 52 | public BigReal getOne() { | |
| 53 |
1
1. getOne : mutated return of Object value for org/apache/commons/math3/util/BigRealField::getOne to ( if (x != null) null else throw new RuntimeException ) → KILLED |
return BigReal.ONE; |
| 54 | } | |
| 55 | ||
| 56 | /** {@inheritDoc} */ | |
| 57 | public BigReal getZero() { | |
| 58 |
1
1. getZero : mutated return of Object value for org/apache/commons/math3/util/BigRealField::getZero to ( if (x != null) null else throw new RuntimeException ) → KILLED |
return BigReal.ZERO; |
| 59 | } | |
| 60 | ||
| 61 | /** {@inheritDoc} */ | |
| 62 | public Class<? extends FieldElement<BigReal>> getRuntimeClass() { | |
| 63 |
1
1. getRuntimeClass : mutated return of Object value for org/apache/commons/math3/util/BigRealField::getRuntimeClass to ( if (x != null) null else throw new RuntimeException ) → NO_COVERAGE |
return BigReal.class; |
| 64 | } | |
| 65 | ||
| 66 | // CHECKSTYLE: stop HideUtilityClassConstructor | |
| 67 | /** Holder for the instance. | |
| 68 | *
We use here the Initialization On Demand Holder Idiom.
 | |
| 69 | */ | |
| 70 | private static class LazyHolder { | |
| 71 | /** Cached field instance. */ | |
| 72 | private static final BigRealField INSTANCE = new BigRealField(); | |
| 73 | } | |
| 74 | // CHECKSTYLE: resume HideUtilityClassConstructor | |
| 75 | ||
| 76 | /** Handle deserialization of the singleton. | |
| 77 | * @return the singleton instance | |
| 78 | */ | |
| 79 | private Object readResolve() { | |
| 80 | // return the singleton instance | |
| 81 |
1
1. readResolve : mutated return of Object value for org/apache/commons/math3/util/BigRealField::readResolve to ( if (x != null) null else throw new RuntimeException ) → KILLED |
return LazyHolder.INSTANCE; |
| 82 | } | |
| 83 | ||
| 84 | } | |
Mutations | ||
| 48 |
1.1 |
|
| 53 |
1.1 |
|
| 58 |
1.1 |
|
| 63 |
1.1 |
|
| 81 |
1.1 |


To go through the quickstart interactively, just fire up Python and we will make everything in the interpreter:
$ python
Python 2.5.2 (r252:60911, Sep 17 2008, 11:21:23)
[GCC 4.0.1 (Apple Inc. build 5465)] on darwin
Type "help", "copyright", "credits" or "license" for more information.
>>>
In PyBrain, networks are composed of Modules which are connected with Connections. You can think of a network as a directed acyclic graph, where the nodes are Modules and the edges are Connections. This makes PyBrain very flexible but it is also not necessary in all cases.
Thus, there is a simple way to create networks, which is the buildNetwork shortcut:
>>> from pybrain.tools.shortcuts import buildNetwork
>>> net = buildNetwork(2, 3, 1)
This call returns a network that has two inputs, three hidden and a single output neuron. In PyBrain, these layers are Module objects and they are already connected with FullConnection objects.
The net is already initialized with random values - we can already calculate its output:
>>> net.activate([2, 1])
array([-0.98646726])
For this we use the .activate() method, which expects a list, tuple or an array as input.
How can we examine the structure of our network somewhat closer? In PyBrain, every part of a network has a name by which you can access it. When building networks with the buildNetwork shortcut, the parts are named automatically:
>>> net['in']
<LinearLayer 'in'>
>>> net['hidden0']
<SigmoidLayer 'hidden0'>
>>> net['out']
<LinearLayer 'out'>
The hidden layers have numbers at the end in order to distinguish between those.
Of course, we want more flexibility when building up networks. For instance, the hidden layer is constructed with the sigmoid squashing function per default: but in a lot of cases, this is not what we want. We can also supply different types of layers:
>>> from pybrain.structure import TanhLayer
>>> net = buildNetwork(2, 3, 1, hiddenclass=TanhLayer)
>>> net['hidden0']
<TanhLayer 'hidden0'>
There is more we can do. For example, we can also set a different class for the output layer:
>>> from pybrain.structure import SoftmaxLayer
>>> net = buildNetwork(2, 3, 2, hiddenclass=TanhLayer, outclass=SoftmaxLayer)
>>> net.activate((2, 3))
array([ 0.6656323, 0.3343677])
We can also tell the network to use a bias:
>>> net = buildNetwork(2, 3, 1, bias=True)
>>> net['bias']
<BiasUnit 'bias'>
This approach has of course some restrictions: for example, we can only construct a feedforward topology. But it is possible to create very sophisticated architectures with PyBrain, and it is also one of the library’s strength to do so.


Wine Tasting: There are no shortage of wine tasting opportunities in Sonoma. Below is a list of wineries along Sonoma Highway on the route between Santa Rosa and Beltane Ranch. Most places require reservations, so it's best to do some research and make appointments in advance.
Annadel Estate Winery
http://annadelestatewinery.com/
Chateas St Jean Winery and Vineyard
https://www.chateaustjean.com/
Hamel Family Wines
http://hamelfamilywines.com/
Kunde Family Winery
https://www.kunde.com/
St. Francis Winery and Vineyard
https://www.stfranciswinery.com/
If you would like to book a tour, Platypus Tours offers wine
tours in Sonoma. If you are booking on Saturday just make
sure you are done in time for the wedding!
https://www.platypustours.com/
Hiking: Trione-Annadel State Park and Jack London State Park are both near by and have lots of trails to explore.
Downtown Sonoma: Downtown Sonoma is a cute small town with a number of local shops and restaurants around the central square. If you enter the address for Sonoma Plaza into your GPS, 453 1st St E, Sonoma, CA 95476, you'll end up in the heart of town.
Di Rosa Center of Contemporary Art: The Di Rosa Center of Contemporary Art is a gallery and large outdoor sculpture park. The gallery is nice, but the real treat is the outdoor sculpture park, and you can only visit the sculpture park as part of a scheduled tours, so make sure to check the schedule in advance. Di Rosa is about a 30 min drive from Beltane Ranch.
www.dirosaart.org
5200 Sonoma Hwy, Napa, CA 94559
If you are extending your visit to explore San Francisco or other surrounding areas, let us know if you have any questions.


https://matt.ucc.asn.au/dropbear/dropbear.html
Small SSH server and client. Open source. Useful for 'embedded'-type Linux systems.


The Faces Flow example (checkout module) ORIGINALLY has an issue
when you call a flow from another flow,
For example, perform below steps:
checkout-->
submit and complete checkout -->
join the club (call joinFlow from checkoutFlow)-->
then, in joinFlow, when you click to exit the join flow,
you do not return to the return node of joinFlow, but return to the first flow page of checkoutFlow
with a warning message on page:
"Unable to find matching navigation case with from-view-id '/joinFlow/joinFlow2.xhtml'
for action 'returnFromJoinFlow' with outcome '/faces-flows-example/exitpage'".
This is because of the nested faces flows.
Generally,
Quote from the JEE 8 tutorial:
"Flows can be nested, so that if you call one flow from another and then exit the second flow,
you return to the calling flow rather than to the second flow’s return node."
To the specific example of the "checkout-module",
Quote from the JEE 8 tutorial:
"Because flows are nested, if you click Exit Flow from a called flow,
you will return to the first page of the calling flow.
(You may see a warning, which you can ignore.)
Click Exit Flow on that page to go to the specified return node."


DANCER IN THE DARK ------------------
Selma Jezkova (Bjork) is a Czech immigrant living in the Pacific Northwest where she supports herself and her ten year old son by working at a tool and die factory. She and her best friend Kathy (Catherine Deneuve) escape their dull lives by going to musicals and staging an amateur production of "The Sound of Music." However, Selma is slowly going blind and is frantically saving money to save her son from the hereditary condition. When that money is stolen, tragedy ensues in director Lars Von Trier's musical Cannes Palm d'Or winner, "Dancer in the Dark."
LAURA:
How you feel about this film may largely depend on how you felt about von Trier's "Breaking the Waves," another hand-held shot film about a woman who martyrs herself for a loved one. While more flawed that that film, "Dancer in the Dark" gets its audience more emotionally invested in its story.
While von Trier again portrays womanhood as martyrdom, a tendancy that is sure to exasperate his audience if repeated, his central character here doesn't go through the character arc that Emily Watson did in "Breaking the Waves." Selma is instead immediately established as a sacrificier. Not only is she going blind, but she must place metal plates into dangerous machinery where they are pressed into sinks. When she's not at work, she's engaged in the tedious labor of pinning cards on the side. She and her ten year old son Gene (Vladica Kostic, a symbolic character only, as his name headlines his weakness) live in a small trailer in the backyard of local cop Bill (David Morse, "The Green Mile") and his wife Linda (Cara Seymour, "American Psycho") who've become good friends of Selma's. However, it's Bill's inability to tell Linda that she's spending beyond their means that will result in Selma's ultimate tragedy.
Bjork's performance is a natural wonder. She may be no actress (and she claims she will never act again), but she embodies Selma and allows a charming, off-kilter humor to sneak through her sunny naivete. Peter Stormare gives the most moving turn as Jeff, a simple man who arrives at Selma's factory each day to offer her a lift home in his pickup truck even though she constantly rejects him (kindly). It's Stormare who takes up the arc of slowly discovering the buildup of tragedy which engulfs Selma and it's a terrific performance. Deneuve and her director accomplish the impossible by making Kathy believable as a factory worker. When (single and childless) Kathy's unflagging support of Selma ends in outrage at Selma's refusal to save herself, the baton is picked up by prison guard Brenda (Siobhan Fallon), a mother. Fallon is also terrific, having a similar effect as Stormare, syphoning our emotions as witness to Selma's fate.
Cara Seymour is effective as the pathetically 'high flying' wife, while David Morse's Bill gains our sympathy (and Selma's) as a decent guy with a relatively trivial problem, although his performance suffers in a pivotal scene.
Joel Grey has a small scene as Oldrich Novy, a Czeck Fred Astaire. Former von Trier stars Stellan Skarsgard ("Breaking the Waves") and Udo Kier ("The Kingdom") have cameos as optometrists.
Von Trier's camerawork, criticized by many, works completely for this reviewer. His washed out colors and shaky, hand held digital video work portray reality in a documentary-like (and Dogma 95 like) fashion. When the rhythm of machinery, a train on its tracks or marching feet cause Selma to segue into a musical interlude, the fantasy glows in bright colors and fluid camerawork (achieved by use of 100 cameras). Von Trier's collaberation with Bjork (and choreographer Vincent Paterson, "Evita") make the musical numbers transporting, particularly when Bjork declares 'I Have Seen It All' to Jeff (who's just realized the state of her eyesight) as she dances along a flatbed.
In von Trier's script, two scenes misfire. Maybe real life murders are every bit as sloppy as the one shown here, but Morse's acting evokes titters even as Selma's actions become more desparately violent. Kathy's last ditch communication with Selma, literally at the gallows, seems forced, in a scene which begins devastatingly but is allowed to go on too long. (Both this and the final scene recall Kieslowski's "A Short Film About Killing," although that film handled them expertly while this film stumbles over them.) Overall, though, this over-the-top melodrama, which by its nature should be laughable, works. Von Trier's vision may be maddening to some, but he's a unique and bold filmmaker.
A-
For more Reeling reviews visit www.reelingreviews.com
<EMAIL_ADDRESS><EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Numerical solutions to the pendulum equation by 3blue1brown: https://www.youtube.com/watch?v=p_di4Zn4wz4 (14:28).
Position the starting points by dragging and click “animate” to see the solutions (2,000 iterations). The iteration step is 0.005 by default, and can be adjusted in your browser’s console by changing variable step. The length and the dampening coefficient can be changed with the sliders underneath the canvas.
The axes are theta and theta-dot (I apologize, it’s not possible to label them with vtvt yet). This demo runs a bit “heavy” on older mobile devices.


Reports empty tags (like
script
) that do not work in some browsers. The validation works in html or jsp file types.


cdemi's
29 September 2020 |
.NET #dotNet |
NET Core Releases and Support (devblogs.microsoft.com) |
| While we’ve covered .NET Core releases, cadence and support policies in previous blog posts, the information has been distributed across a couple of individual posts. With the .NET 5 release just around the corner, we thought this is a good time to bring all the information together into a single post as a refresher on these topics.... Read more |
Why We Upgraded Our Production Application to .NET 5.0 (exceptionless.com) |
| For anyone who has built an application, you’ve probably built it on some library or framework that changes over time. To keep up, you have to upgrade your application. However, there are varying schools of thought around when you should upgrade. At Exceptionless, we like to be on the bleeding edge. As an open-source company, we feel a responsibility to the community to know and understand the open-source tools we use. As such, we have already upgraded Exceptionless to use .NET... Read more |
DevOps |
Apache Kafka DevOps (confluent.io) |
| The kafka-devops project studies ways to manage event streaming applications and cloud services declaratively while providing solutions to DevOps concerns using GitOps and Kubernetes.... Read more |
|
This newsletter is made with 💖 by cdemi and sponsored by moo Research. You can find this MIT Licensed open-source project on GitHub cdemi/NewsletterCurator. You can also find an archive of all sent newsletters on GitHub at https://newsletters.cdemi.io/. If you want to unsubscribe from this newsletter, please click here. If you're new and you want to subscribe to this newsletter, please click here. |


RidgewayPlus!
Hi there, I'm Ridgeway+ (Delilah C)!
Hi! I'm Delilah, the crazy aussie girl in Cessnock.
If you want to check out my Github profile you can do so below.
Click to read on...
You must really like me! Or maybe what I told you was boring so you wanna read more..
Either way I'm flattered.

I have been known to steal code quite often.
I like to play some video games everynow and again, listen to music, talk to my girlfriend (love you acto <3) and to the lovely people in the Microsoft Community Discord server (https://discord.gg/vjreJ2qQ3h) and do woodwork and metalwork projects.
I always love to have a chat, so please send me a DM on Discord (Ridgeway+#0001)
I welcome everyone to say hi!!!
Home | Domain list | License | Acto!


{% extends "layouts/master.html" %} {% block title %}{{ account.get_short_name | default:account.username }}{% endblock %} {% block content %}
It's a closed profile. Please login or register to see it.


--- layout: page title: About me css: "/css/aboutme.css" ---
I am currently a Measurement Specialist at Google. Before my introduction to the world of analytics and measurement, I worked as a software engineer.
I obtained my BSc in Computer Science from the University of Johannesburg and proceeded to be a Java developer for a good couple of years, until I discovered my true passion in analytics.
I'm married to my best friend and we have a beautiful daughter. I love music, travelling and spending time with my 2 favorite people mentioned above.
I live in South Africa.
You can email me or find me on Twitter or Measure Slack if you want to get in touch.


random D'oh
Random D'oh is a random episode generator for the acclaimed TV show The Simpsons.
Generate Episode
📺 S
E
⏱
✨


InvocationHandler.invoke
methods. These methods must correctly proxy
standard Object
methods like hashCode()
, equals()
and toString()
.
Failing to handle them might cause unexpected problems if these methods are called.
Example:
Runnable myProxy = (Runnable) Proxy.newProxyInstance(Thread.currentThread().getContextClassLoader(), new Class[] {Runnable.class}, (proxy, method, params) -> { System.out.println("Hello World!"); return null; });
Here the code author assumed that only Runnable.run()
method is proxied. However, myProxy.equals()
,
myProxy.hashCode()
and myProxy.toString()
are also proxied. So, for example, adding the myProxy
object to HashSet
will cause NullPointerException
immediately.
New in 2020.2


| Tag name | Description | Example |
|---|---|---|
| h1 to h6 | Defines HTML headings in 6 sizes |
h1 headingh2 headingh3 headingh4 headingh5 headingh6 heading |
| p | Defines a paragraph |
paragraph |
| div | Defines a section in a document |
section |
| b | Defines bold text | text |
| i | Makes the font style italic | italic text |
| u | Underline the text | underlined text |
| br | Defines a single line break | line break |
| ul and li | Defines an unordered list and a list item |
|
| img | Defines an image | |
| video | Defines embedded video content |


Class Floor
Class Floor
java.lang.Object
|
+----Floor
-
class
Floor
-
extends Object
Floor maintains one dance floor. Normaly two of them are
needed. One for the lady and one for the gent.
It stores all informations about the steps which are done
and draws them.
-
Version:
-
1.1, 13 Sep 1995
-
Author:
-
Georg Heßmann
-
GridXSize
-
size().width of the floor grid
-
GridYSize
-
size().height of the floor grid
-
Floor(String, boolean, int, int, int, int, int, int, int, int, Foot, Dance)
-
Creates a dance floor.
-
BottomEdge()
-
Returns the bottom border of the floor
-
BottomEdgeParket()
-
Returns the bottom border without the title string of the floor
-
CalcXPos(float)
-
Gets a position relative to the grid and returns
a x-coordinate relative to the applet origin.
-
CalcYPos(float)
-
Gets a position relative to the grid and returns
a y-coordinate relative to the applet origin.
-
HideComStr()
-
Hide the takt/time - heel/toe string (after the next repaint()).
-
IsDame()
-
Is this the lady floor?
-
LeftEdge()
-
Returns the left border of the floor.
-
RedrawFloor()
-
Next time Floor.paint() will be called, all (floor and steps)
will be painted new.
-
RightEdge()
-
Returns the right border of the floor
-
SetComStrPos(float, float)
-
Set the position of the comment (takt/time - heel/toe) string.
-
SetTRPos(float, float)
-
Set the position of the dancing direction arrow.
-
ShowComStr()
-
Show the takt/time - heel/toe string (after the next repaint()).
-
TopEdge()
-
Returns the top border of the floor
-
addToClipRect(int, int, int, int)
-
Add the rect (x1, y1) - (x2, y2) to the clip rect of this floor.
-
backStep()
-
Take back one step.
-
clearSteps()
-
Undo all steps on this floor
-
doStep(Step)
-
Do the step s.
-
getNumSteps()
-
Returns the number of steps already set on this floor.
-
installClipRect(Graphics)
-
Setup the clip rect of this floor onto the graphics context g.
-
paint(Graphics)
-
Draw the floor.
-
repaintAllSteps()
-
Repaint all steps on the next repaint().
-
toString()
-
Returns a String object representing.
-
useComStrHT()
-
Use the heel/toe string for the comment field
-
useComStrTime()
-
Use the time (quick/slow) string for the comment field
GridXSize
public final static int GridXSize
-
size().width of the floor grid
GridYSize
public final static int GridYSize
-
size().height of the floor grid
Floor
public Floor(String t,
boolean isd,
int gxo,
int gyo,
int xsz,
int ysz,
int lborder,
int rborder,
int tborder,
int bborder,
Foot f,
Dance app)
-
Creates a dance floor.
-
Parameters:
-
t
-
titel (lady/gent)
-
isd
-
is this the lady-floor?
-
gxo
-
left border of the floor relative to the applet origin
-
gyo
-
top border of the floor relative to the applet origin
-
xsz
-
x-size of the grid
-
ysz
-
y-size of the grid
-
lborder
-
left border of the grid
-
rborder
-
right border of the grid
-
tborder
-
top border of the grid
-
bborder
-
bottom border of the grid
-
f
-
pointer to the foot object
-
app
-
pointer to the main applet
LeftEdge
public int LeftEdge()
-
Returns the left border of the floor.
RightEdge
public int RightEdge()
-
Returns the right border of the floor
TopEdge
public int TopEdge()
-
Returns the top border of the floor
BottomEdge
public int BottomEdge()
-
Returns the bottom border of the floor
BottomEdgeParket
public int BottomEdgeParket()
-
Returns the bottom border without the title string of the floor
CalcXPos
public int CalcXPos(float x)
-
Gets a position relative to the grid and returns
a x-coordinate relative to the applet origin.
CalcYPos
public int CalcYPos(float y)
-
Gets a position relative to the grid and returns
a y-coordinate relative to the applet origin.
IsDame
public boolean IsDame()
-
Is this the lady floor?
SetTRPos
public void SetTRPos(float x,
float y)
-
Set the position of the dancing direction arrow.
SetComStrPos
public void SetComStrPos(float x,
float y)
-
Set the position of the comment (takt/time - heel/toe) string.
ShowComStr
public void ShowComStr()
-
Show the takt/time - heel/toe string (after the next repaint()).
HideComStr
public void HideComStr()
-
Hide the takt/time - heel/toe string (after the next repaint()).
useComStrHT
public void useComStrHT()
-
Use the heel/toe string for the comment field
useComStrTime
public void useComStrTime()
-
Use the time (quick/slow) string for the comment field
doStep
public void doStep(Step s)
-
Do the step s.
backStep
public void backStep()
-
Take back one step. Adds this step to the clip
rect of this floor.
-
See Also:
-
addToClipRect
getNumSteps
public int getNumSteps()
-
Returns the number of steps already set on this floor.
clearSteps
public void clearSteps()
-
Undo all steps on this floor
repaintAllSteps
public void repaintAllSteps()
-
Repaint all steps on the next repaint().
addToClipRect
public void addToClipRect(int x1,
int y1,
int x2,
int y2)
-
Add the rect (x1, y1) - (x2, y2) to the clip rect of this floor.
Will be called from Foot.addToClipRect() which will be called
from Floor.takeBack().
-
See Also:
-
addToClipRect,
takeBack
installClipRect
public Graphics installClipRect(Graphics og)
-
Setup the clip rect of this floor onto the graphics context g.
Than initialize the clip rect of this floor.
paint
public void paint(Graphics g)
-
Draw the floor.
If Floor.RedrawFloor() was called, all will be painted.
Else only the changed things.
-
See Also:
-
RedrawFloor
RedrawFloor
public void RedrawFloor()
-
Next time Floor.paint() will be called, all (floor and steps)
will be painted new.
-
See Also:
-
paint,
repaintAllSteps
toString
public String toString()
-
Returns a String object representing.
-
Overrides:
-
toString in class Object


Jimmy Garoppolo hilariously mocks Dak Prescott's pregame hip thrust routine (Video)
by TSD StaffCowboys quarterback Dak Prescott went viral when he did a bizarre, hip-thrusting pregame routine on the field before Sunday’s primetime showdown with the Vikings (which you can watch here), so one of the NFC’s other signal-callers attempted to poke some fun at him before Monday’s nationally-televised contest.
Prescott was the subject of many memes on Sunday night, which continued to circulate on the Internet all through Monday. The 49ers and Seahawks are set to square off on “Monday Night Football,” so quarterback Jimmy Garoppolo attempted to emulate Prescott’s routine, and it was pretty funny.
Not only that, he actually kind of nailed it, as you can see below.
At least we know Jimmy G will be nice and limber for Monday’s game.


The aria-pressed
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When using multiple toggle buttons, include the role="checkbox"
and aria-checked
attributes to convey the button state instead.
The aria-checked
property should be set programatically.
Single toggle buttons.
Button groups can act as a radio or a switch or even a single toggle.


I live in a j's podcast for Monday.
Most wonderful show is keeping up with the chances.
Hello, my bearded wonder.
Now let's start there.
Yes.
What happened this week?
You got it trimmed so you don't want like a homeless person anymore.
Yeah, I've gone from the look of laziness to the look of deliberate lifestyle choice.
You have.
As big as my barber is amazing.
He is, he definitely helped make it look less terrifying.
- When I went to see him about five weeks ago,
he said, "Don't touch a beard, don't do a thing."
The key ingredient to growing a beard is to not trim it.
And then when I walked back in,
looked like a werewolf that had been pulled through that,
a hedge backwards.
- Right.
- I said, "Can we touch it now?"
And he's like, "Yeah, I'll take care of that for you."
- Yeah, it looks much better.
And you got a haircut, you look very handsome.
- Thank you so much.
In all honesty, what do you think about the beard?
I mean, has it grown on you?
I, I, it looks nice on you.
Oh, look at that.
A genuine compliment about the beard.
I don't want you to keep it though.
What about keep it at this length?
For a limited amount of time.
Sure.
And what's your worry with me keeping it forever?
Uh, cause I didn't marry Lyle.
I married you.
Oh, all that I would have a beard like Lyle.
I'm not a beard fan.
I don't like kissing it.

So no, you didn't even let me finish.
I don't need to let you finish.
I understand where your little mind was going.
All right.
So yes, tell me about this week.
It was different than most other weeks for the last eight months in that we didn't
have to teach at school.
Has everyone been asking you what you're doing with your time now that the students are away?
Yeah.
Like somehow we're on vacation.
Like we just sit at home and like, I don't know, stare at the furniture or something.
To put it in perspective on any given week when we're teaching the school, we could be teaching anywhere between 10 to 12 times.
Yeah.
And those are our in 15 minute sessions.
Yeah.
In a week.
Yeah.
This week we taught twice.
That's our dramatic drop in preparation delivery.
because as much as we enjoy teaching and we genuinely do, it is a physically exhausting task.
It's an enormous amount of work.
Well, no, I just mean the actual presentation part of it. There's an awful lot of work that goes
in preparing for it, but actually talking the amount of energy that that takes as ridiculous as it
sounds.
Yeah, but I think still like the 40 or 60 hours worth of work that goes into producing weekly material
like the amount that we produce is
More that's more the drain to me than actually even delivering material. So it's so nice to not have that being prepared
Yeah, I can get cut up and all the other stuff that's not getting done. Well, that's the thing people are saying. Hey
What do you do? Are you less busy and we're a different kind of busy?
We're just as busy, but we're busy at a different pace.
Yeah.
Doing different things.
Yeah.
People busy.
Yeah, people.
We're trying to meet with all the people that have been waiting and all that kind of stuff.
So yeah, it's good.
It's a nice switch.
And you spoke this morning, didn't you, babe?
I did speak.
I spoke on the kindness of God.

Yeah, I like to balance that my teaching.
Well, the reason I taught in hell was Gary Morgan gave me a word when he was here and he said that I was going to
to use my brethren upbringing to bring people who are in the kingdom to an understanding
of what they've missed.
I think especially for my journey, I was raised in a very conservative evangelical church
background which I'm forever grateful for.
When I met the Holy Spirit and moved into more charismatic circles, I had a foundation
of a bunch of stuff that all fit on top of.
I think for a longest time I've assumed everybody's had the same foundation as me, and not everybody
has.
Right.
And so I've been wanting to, for a long time, teach on the basics of our faith.
In fact, earlier this year when we were planning our emanate meetings, we blocked out the
month of March anyway.
And then along comes Gary, and he gives me a word about that thing.
So I started a series at emanate called "The Foundations of Our Faith."
And last week we looked at what are we saved from?
Yeah.
safe from death, Hades and the fiery lake.  Thank you. Our nice thoughts. But they're not biblical.
There's not a biblical support for us. So yeah, it was a heavy topic. It was going to be more fun
tomorrow night because on Monday, I'm teaching on what are we saved for? Right, which is way
more fun to talk about way more fun.
Which was awesome.
I was the kindest person I've ever met.
And you didn't cry.
I totally expected you to cry.
I cried a little bit in the first service
and I teared up in the second.
But I'm a grizzled professional, so I just moved on.
Yeah, whatever.
Every time you speak about the kindness of God, you cry.
Well, you know why I didn't cry?
Why?
Was Blake Stratton wasn't there to make me cry?
OK.
So what, no, in all honesty, because Blake sits at the back.
And when I'm teaching on the kindness of God,
and I connect eye contact with Blake.
I can see that he's being moved, that I'm being moved, and then we both tend to lose it.
So it's Blake's fault.
It's totally Blake's fault.
Absolutely.
It's your fault.
Speaking of Blake, this is the way my brain works.
So Blake, Bethel, new Bethel album.
Yes.
Oh, it's so good.
So good.
If you haven't checked out a new Bethel album and it came out just only a few days ago, we'll put
link in the show notes.
It's just a superb album.
Yeah.
They're doing such a great job.
They really are.
Our kids love Bethel kids.
Tia yesterday asked if she could join Bethel kids.
Oh, do you think there's space for another dancer?
Because I've been practicing my moves and I know all of the words.
I'm like, you are adorable.
Oh, that's so cute.
MJ still just thinks of the top of his lungs.
Yeah, he does.
So adorable.
I went to the Apple store with Tia on, well, actually last night.
Yeah.
How that happened is Tia's iPad stopped working.
Well, it's not it would take forever for her Wi-Fi to get connected.
So she came up with the idea she said, "Daddy, you can't fix it.
I think we should go to the Genius bar."
So we made her an appointment using her Apple ID.
So when we walked into the store, they must have known to be looking for a little girl,
because it knows her age.
And so they said, "Are you Tia? Do you have a Genius bar appointment?"
And she was like, "Yes."
And we'd rehearsed what she was going to say to the Genius.
And it was sure I had fixed that was fun to be on a date with her at the Apple Store.
Did she actually talk to the genius or did she get shy when she got there?
She buried herself in my chest until the genius said, "Do you like Shopkins?"

Right.
Okay.
So she was fine after that.
Okay.
That's so cute.

I mean, every year when the students go on outreach, we try and have those people that weren't able or chose not to go on outreach over for food.
So we had a burger party at our house.
It was a very limited burger party.
Yeah.
But there were burgers and it was a party.
So I guess I qualify.
Yes, a burger and chip party.
But it was great.
I just love having people over.
It was so fun.
And it was the first grill of the season.
It was.
And you discovered what about your grill?
Well, Gary and Sarah Morgan, God bless them, bought us a beautiful grill.
Not last time I was here with a time before.
Yes. And it's just a gorgeous grill. It's an amazing grill. And we went, we were in
home deep for the other night, when we were looking at grills and I went over to the grill
that we haven't opened up. And I just kind of chuckled to myself that they disassembled it
wrongly. Right. Until I realized, oh, they've assembled all of them wrongly.
And you actually flipped it over to make it right. Well, that's what's, yeah. So basically,
I opened up the lid and I realized that they're, what do you call them?
Grills.
The actual grill plates.
The grate.
The grate.
In my mind, they were upside down.
So I turned them over and then thought, I wonder if they've put them all upside down
until my shock they had.
But I pointed out to you that, oh, it looks like those are actually little feet that
are now sticking up in the air.
And then I had this horrible realization for the last three years I've been using my grills
upside down.
No wonder they're so hard to clean and they're paying to flip.
Oh, and so I turned them over and I was like, that makes so much more sense.
Yes.
So it was an educational trip to Lowe's this week when we went on our date and we on our wander date.
I think that's probably the equivalent of me when I go and help people with their iPads.
And I'm shocked to find out that rather than just turning the screen off, they're physically powering down their iPad and then powering it back up the next time that you need to use it.
And I'm the are you on drugs?
That's probably what a grill master would look at our grill thing.
Oh, what are you doing?
Luckily, we didn't encounter any grill masters who could question you in such a way.
All right.
Do you want to know our topic is for this week?
Well, we didn't talk about one more thing from this week.
Oh, tell me, which was grilled.
I love it.
OK, this is going to be fascinating for everybody.
Go on.
Well, we're eating a lot of fish right now, which we'll talk about in a couple of weeks.
And because they're eating a lot of fish, we decided to try halibut because I hadn't tried it.
And I grilled it on the Breville contact plate griller.
Look at you.
So your fancy terms.
Thank you.
And it only took about three and a half minutes to cook the whole thing.
To cook the whole thing.
And I was a little worried because I'd never done halibut before, but it was yummy.
Yeah, we're eating fish every single day every day.
So we're trying lots of different fish.
Yeah.
We've discovered that we love cod.
Yes, we do.
Didn't think that I would love cod.
I've never had halibut in my life.
Halibut to win.
Halibut is delicious.
Seabass is delicious.
Well, that's because you marinate and you're
long. No, you could pretty much do anything to see
bass and it's delicious.
Mahi Mahi.
You don't like Mahi?
It's not turning out that well when I cook it.
Well, kind of drying out really fast.
At least you're not eating tuna out of a tin.
No, I'm not.
Why?
because I'm allergic. So, you know, I think we should test and see if you're healed.
Okay. I'll have an EpiPen standing by just in case.
Let's do it. All right. Our topic for this week,
because we're in this super laid back chilled mode and, well,
Sunday was a busy day because we were teaching.
We thought we don't have a topic for our podcast,
but we do have a backlog of listeners questions.
And every week we ask for listeners questions and they come in,
but we never actually answer them. Well, we try and answer them.
Okay.
But we're going to do a mammoth run of listeners' questions.
Okay.
Do you want me to read you the first one?
No, what I want to do right now is talk about the topics that we're going to be
talking about so people can decide whether they want to stay listening or not.
Oh, because sometimes if I was listening to this, I'd be like, I don't listen to
listeners' questions.
I want to listen to a topic.
Okay.
So the topics that we're going to be answering questions range from depression,
school of supernatural life, wisdom and discernment in the spiritual realm, soaking music, how to
remember your dreams, the difference between experiencing God with people and experiencing God
on your own. That's where we're going. There you go. That's what we're talking about.
If that sounds interesting, stay tuned. If it doesn't, we don't blame you at all.
Have a nice week. We'll see you next week. We'll see you next week.
All right. The first question. Yeah. Do you want me to read it or you want to read it?
I'll read it. All right, go for it. It says, "I've been going through a season of serious depression.
I'm disconnected from my community. In many days, I find it hard to listen to any voice,
but the one of condemnation and self-hatred. On my worst days, I am frustrated with God,
though I can't really give a good reason for it and ignore everything that is life-giving.
I know with my head that this is all unreasonable, but I am so low on love that I can't do anything
to snap myself out of it. I still talk to God, but have difficulty hearing him reply.
I've reached out to friends to let them know what I am dealing with, but they can't give
me what I need, whatever that is.
Alan, I've heard you mention your nervous breakdown and period of depression many years
ago. Do you believe you were saved before and during this period of your life? More
broadly, is it possible to be saved and still be deeply depressed?
Lastly, what are some things that I can do to leave this season behind?
What a fantastic series of questions.
This is an anonymous question, so I don't know if you're male or female, so forgive me
if I get the gender wrong.
You're absolutely right.
I did have, in fact, I talked about it this morning at church.
I shared from my life experience.
When I was 21 years old, I had, I don't know what the proper clinical term was, but I probably
should have been hospitalized.
I was on lithium as a long-term stabilizing drug.
I was easily clinically depressed.
I was seeing a psychiatrist.
I was just in an absolute state of despair.
I stopped sleeping.
I couldn't think straight.
I was hearing voices.
It was just the worst season.
It was beyond anything I could have imagined in terms of bad.
And you do a pretty good description of describing what it's like.
And I have a keen interest in mental health, obviously because I went through that, but
also learning what not to do and what to do.
And I don't have all the answers at all, but let me tell you what I learned and subsequently
have read from wiser people than I.
Depression and mental health issues mental illness in and of itself is grossly misunderstood by the body of Christ
Yeah, so advice like cheer up or snap out of it is not helpful because it's not something that you
Have chosen to be sad about and it's not something that you decided to snap into and there are a number of reasons why
Depression lands there's
Biological reasons so there's chemical levels in your brain
There's emotional reasons or environmental reasons for example. You're under stress. You've had burnout you're working too much
There's hereditary reasons things can be passed on from your generation and then there's spiritual reasons there could be deep dark depression
that's demonically inspired so there's this whole soup really of
varying things that could impact a person's state and
I think the church is ill-equipped because if you go to church with a cast on your leg
People understand what's wrong and people have different expectations of what you're capable of because they can see the cast
They can determine are you're immobile. Let me get the door for you
There's grace for you not being able to move as quickly as you might do
But when you're suffering from depression, there is no outside
signals for people
other than you're chronically sad and lifeless and people just think, oh, I feel like that.
You just snap out of it. But until you've lived through clinical depression, it is not possible
to imagine what it's like on the inside. It feels like you're completely out of control
of any of the volume knobs on your life that determine your satisfaction, your appetite,
your joy, your hope.
And it's horrible, it really is.
So my deepest sympathies and great compassion go out to you.
In terms of telling your friends,
again, unless they have dealt with what you're dealing with,
it's not their fault,
but they're not gonna be that much use.
And it's also, as my friends told me later,
you're not a joy to be around.
And that's not your fault.
I lived with three guys during my season of depression,
and they would tell me
horror stories of what I was like,
most of which I was unaware of,
or how I was affecting other people.
But can you be a Christian and be depressed?
Absolutely, you absolutely can.
There is, I mean, if you read through scripture,
you'll find many people who were devoted followers
of the Lord, and yet they had bouts of depression.
If you read the Psalms, for example,
if you read Lamentations, if you read Job,
there are these people who have a rich relationship with God
and they weren't spared the darkness
that often comes with depression.
So in terms of more broadly, is it possible to be saved
and still be deeply depressed?
Absolutely.
I myself have experienced that, I have ministered
to many people who've been in that.
And in terms of what can you do to leave the season behind, I would attack this season
with a multi-pronged fork.
I would go find a very sympathetic GP or doctor and explain what's going on, explain
any reservations you have about any of the treatments that they might suggest.
I would also find a skilled inner healing minister.
Not that I'm suggesting that what you have right now is all demonic and just a deliverance
session will take it.  John
and Paul Sanford, who are grandfathers of the faith, have written some excellent material
about dealing with depression. And I'd encourage you to read that. But if you can find somebody
who is a skilled counselor, somebody who is well versed in the human heart, well versed
in inner healing and deliverance, because they will be able to spiritually attune what's
going on and they could be of great help for you. So yeah, attack it from a medical perspective,
by all means, and attack it from a spiritual perspective too.
It would be good to also go to restoring the foundations and maybe get a healing week there,
be helpful. Our friends run a ministry called restoring the foundations and it's absolutely
excellent. That wouldn't hurt either. But I think in the meantime, my encouragement to you is,
This is not the rest of your life. This is a season. And the goodness of God, all the promises
that you've heard still apply to you. And it's trite to say, but it's the truth nevertheless,
please don't doubt in the dark what you learn in the light. Yeah. And again, this is not what
God's called you to. This is not your norm. So I'm not sure that's how helpful that is. I'm trying
I think of how I would have received my advice just then when I was in my deep dark depression.
But anonymous would have prayed for you that that season lifts.
Yeah.
All right, AJ, I have a question for you. It sounds like a shaper question.
Okay, I'm ready.
This is from Melissa.
Yes.
And she says, my question for you is, what advice do you have for future students who already have
jobs, they will have to balance? I'm trying to decide when it will be best to give my boss a
heads up about the school. Is it best to wait until after I've put in the application or
until I know I've been accepted? Also, what's your advice for S.O.S.L. students on balancing
the school, jobs and rest, especially for those who might choose to work Wednesday through
Saturday and also do church on Sundays? As an introvert and a high contemplator, I love
having an empty day in my week that I can dedicate to processing, journaling, being creative,
recharging, etc. But I know it's possible that this may not be an option for me.
Well, Melissa, those are great questions. The first thing I would say is wait until you've
been accepted to speak to your employer. Because there's some time that happens between filling
out your application, hearing back from the school, all those kind of things. So then you're
talking to them about a real for sure thing as opposed to running it by them a couple of times.
So I would say fill out your application, wait until you get accepted and then chat with your employer.
In terms of a day off, like if you're planning on working Wednesday to Saturday, I think
that would be up to you. What you need to look at is can you financially make it
having a day off and then work three days? Do your finances look like you could do that?
Or do you need to work the four days? In which case you might have to just be really smart
about guarding some evening time or, you know, morning time depending on when you work,
that is just your time to make sure that you get your introverted fill up time.
Right. So that would be my advice. Yeah. All right. I've got a question for you,
Mr. Jones. Yes. This is from Faith. Hi, Faith. She says, "I want any advice or wisdom you may
have on discernment. Discernment is something I haven't heard much teaching on, but something I
I feel strongly almost every day.
For example, I can be totally fine and going about my day, but when I get in an atmosphere
with lots of people, I tend to feel tons of different feelings all at once.
I can tell a difference now between what's my feeling and what somebody else is feeling
with the help of the Holy Spirit, but I don't know what to do with it.
I can't choose when to turn it on or off, but it'll just happen all at once and it's
It's not like I'm feeling one person's struggles, but multiple different ones at the same time.
All I want to do in those moments is somehow get a microphone and ask, "Who's battling
with X, who's battling with Y and Z and pray for them?"
But it's not my position or authority to do that, and I end up getting overwhelmed and
just sometimes weep uncontrollably for things that aren't even my own struggle.
So how do I get to a place of not neglecting the gift even when it's hard to carry?
Do you guys have any experience with this?
Do you know anyone who deals with this
or have any book suggestions for me to learn more about?
- I don't have any book suggestions.
Maybe Alan can suggest something,
but Faith, you are a wonderful mix of a feeler
and an evangelist.
I just love that your gut is like,
oh, I wish I could get a microphone and just say,
okay, who is this?
So I can pray for you.
I have gone through seasons where feeling
was my primary way of knowing what was going on with people.
And it is overwhelming at times,
especially if what they're feeling is overwhelming,
like grief or depression or any of those sort of things.
But typically if I'm in a room with a lot of people
and I can feel a bunch of stuff,
I either ask the Lord to highlight to me anybody
He wants me to go and talk to and pray with them, whatever.
or if he's just, if I'm just feeling,
and I don't feel any sort of knowing as to who to go to
or what to do with it, then I just sort of pray
through the feelings quickly and then ask the Lord
to take them away.
I don't know if that's the right thing to do or not,
but I think sometimes he shows you so that
when you start talking to person X,
you're gonna have an idea of what's going on
and how you can encourage them.
But if it's just like absolutely overwhelming
and you've not the foggiest clue.
I think it's okay to say, "Father,
can you either clarify or could you lift this?"
- Right.
I know that several of my profit friends
went through seasons like this where,
when I spoke to them about how they handle that,
they say, "I've learned to change the radio station."
And I said, "Well, what do you mean?"
He said, "Well, if you go into a restaurant
and you're having dinner with your wife,
you're listening to your wife,
but just because you're listening to your wife
doesn't mean you can't hear everybody else's conversations.
Right.
But you've tuned out of those conversations
to listen to the one that matters.
Right.
But you could equally stop listening to your wife
and tune into the conversations happening behind you.
And so I've had friends who've just said,
over the years, I've learned to do that.
I've learned to zero out of that.
I'm much more sea stuff than I feel or hear stuff.
And so with my thing of seeing it a little easier
because I look in a different direction.
Yeah.
But anyway, hopefully that's helpful faith.
We are blasting through these like nobody's.
Come on.
I got to get to the gym, baby.
Yeah, you do.
Come on.
All right.
Read me the next one.
All right.
This is from Catherine.
And she says, is soaking music necessarily without words?
Do you have any soaking music that you recommend?
I've been looking and not finding much success.
Love your podcast.
Love you, Catherine.
Thank you.
Yeah, thank you, Catherine.
And if you come to the right place,
because we can just tell you immediately what to do.
No, soaking music is not necessarily without words,
depending on how you're feeling.
You can have completely instrumental music
or you can have people singing.
For the longest time, the only soaking CD
that I would listen to would be Laura Woodley's home.
I still highly recommend it.
Anything from Laura Woodley,
now Laura Woodley Osmond is gonna be incredible,
but she had a couple of albums
that we would soak all the time.
In fact, she just used a brand new one.
- In love, yeah.
And then the Rivera's Alberto and Kimberly Rivera,
they have a mix of instrumental, spontaneous
and songs with words and Julie True,
who goes to Grace Center also has a mix
of instrumental and singing stuff.
So whatever floats your boat,
we'll put links to all three of those artists
for you to go check out on iTunes
and hopefully you can find something that's super awesome.
I'll tell you the other thing,
the thing that I almost exclusively soaked to right now
is the last night of the more conference a number of years ago, Jesse Early and the rest of
worship team, Chris McLawney is in there and Luke Finch is in there and the Grace
on our worship team, Josh Barson is on his awesome guitar. We just captured the most amazing
spontaneous time and I'll put a link to it. It's called Glory. It is 33 minutes of just
spontaneous uzanas. I interrupt it in the middle by praying. I apologize in advance,
But I love it. That's what I pretty much do all my sermon prep to my soaking to it. I love it completely again show notes for all links to that
Woo-hoo. All right next question. This one's from Camille. I'm enjoying listening to your podcast and have now listened to about 20
I'm learning so much excuse me if you've answered this already
But my question is regarding how to remember your dreams. I wake knowing that my night was busy
yet only have vague impressions of the activity if i remember even one detail i'm thrilled.
Maybe once every two months.
Will i have a strong memory of a dream is a trick to teasing a dream out of my memory.
All i'm so glad you asked this question because this is my whole experience i remember listening to bob jones talk about his dreams and i remember saying to lord lord i don't have dreams from you.
and the lord kindly pointed out that you do not have because you do not ask.
So I started asking the lord that he would speak to me in dreams.
And with that prayer, I matched that with an expectation that he actually would.
And I would keep a pain and a notepad beside my bed with a light and easy reach.
And if I had a dream and I woke up with a dream, I would immediately record it.
To this day, I just do it on my phone.

And I, as soon as I woke up with a dream, I just typed it out on my phone.
I'm not sure how much sense it makes.
Now I'd have to go reread it early morning typing on the phones, not the best, but right.
When you, when you prepare to hear from the Lord, you're telling the Lord, I'm going to value the revelation that you give me.
So that's one thing, get pen and paper out.
Another thing is to pray.
And the third thing is if possible, don't set an alarm clock.

Yeah. In terms of teasing things from your dream, in the book of Job, it talks about how God hides
things from people in dreams. And it's not like God's being mean, but he locks up stuff in your heart
that he's going to reveal later in life. So he's not short on revelation. So don't worry about the
dreams you have had, but you've missed asking for new ones and try those tips that we gave you and
see if they help. Yes. All right, baby. Last question from Madeleine.
I'm Adeline. She says, and on AJ, I have noticed that there's a difference in what I experienced when
I'm completely alone with God versus when I'm with other people. I find it so much more difficult
to connect and commune with God and assessing with other people around me than when I'm alone
with him. Is this a bad thing? What could I do to change it? I would say, Madeline, I'm exactly the
same. I find it much more difficult to connect with a group of people. But typically, when you're
with a group of people, you're there to worship and you're there for corporate worship.
And so if I'm there for praise and for worship, I'm okay that I am just choosing to lift him
up and choosing to praise him.
I don't feel as intimately connected as I do if I'm journaling with him or soaking
or any of those sort of things.
I think there's probably different kinds of connections for different activities.
What's your thoughts, babe?
I had exactly the same experience.
In fact, one of the most difficult things I went through at the School of Ministry was
we would do soaking every Thursday afternoon.

I would get so angry that I'd want to storm out and leave.
I remember my small group leader coming over, Sean.
And he was like, "So, what's going on?"
I was like, "I hate this.
This is so stupid."

What it turned out to be was I didn't like having to share God with other people.

It was going back to my childhood that I'm the only boy I had three sisters.
Yeah.
And I didn't like there was a sibling rivalry I just realized and there was all this hurt
and woundedness in my heart that I hadn't extended forgiveness from when I was a young
boy.
So I hadn't extended forgiveness.
So all I needed to do was actually just forgive my sisters.
Let's face facts.
I'm done anything wrong.
Right.
They just existed.
They just existed and competed for my parents affection.
Right.
That happened.
I realized, oh God, other people's blessing doesn't come in the expense of mine.
Okay, there's plenty. Yeah, but to this day my still my favorite way to access the Lord is on my own in
Inness. Yeah, me too. All right, let us ask you dear listeners a question because we've been answering yours
The question I would love to ask you is what is the biggest thing that you're facing in your life right now?
That you would love some input on if you feel comfortable letting us know that and us reading that out on air
Just give us some feedback go to Alan and AJ calm slash feedback to answer that question if you've got questions
You would like to ask us go to Alan and AJ calm slash ask
And for the show notes go to Alan and AJ calm slash
94 all right you beautiful people. Thank you for tuning in
We love getting to hang out with you every single week and we will be back same time same place next week
Faith, Life, Communication, Tacos and Video Games
Paleo donuts and the kindness of God
But things we deal with every day
From Franklin, Tennessee
They are just like you and me
Alan, and AJ
Keeping up with the Joneses, keeping up with the Joneses, sharing their life experiences.
Keeping up with the Joneses, keeping up with the Joneses.
They talk about faith in God and everything under the sun.


This document outlines security procedures and general policies for the Express project.
The Express team and community take all security bugs in Express seriously. Thank you for improving the security of Express. We appreciate your efforts and responsible disclosure and will make every effort to acknowledge your contributions.
Report security bugs by emailing the lead maintainer in the Readme.md file.
The lead maintainer will acknowledge your email within 48 hours, and will send a more detailed response within 48 hours indicating the next steps in handling your report. After the initial reply to your report, the security team will endeavor to keep you informed of the progress towards a fix and full announcement, and may ask for additional information or guidance.
Report security bugs in third-party modules to the person or team maintaining the module. You can also report a vulnerability through the Node Security Project.
When the security team receives a security bug report, they will assign it to a primary handler. This person will coordinate the fix and release process, involving the following steps:
If you have suggestions on how this process could be improved please submit a pull request.


Maximilian Hotel Prague completes refurb
by Jenni ReidThe Maximilian Hotel in Prague has completed a refurbishment that has seen it get new-look guest rooms and a reconfigured ground floor.
The 71-room independent hotel now has a café/bar, restaurant, library, glass-walled event space and courtyard garden.
Designers Conran and Partners say their renovation references Czech modernism and the progressive art movement influenced by artist and writer Karel Teige.
All rooms have air conditioning, free wifi, TVs, rainfall showers, cosmetics, a telephone, safe and fully-stocked mini bar. Bathrobes, slippers and a hairdryer are also available.
They come in seven size tiers, including rooms with views of a nearby church, balconies and separate lounges.
The hotel is located near Prague Old Town, five minutes’ walk from the central square.
Restaurant Brasserie Maximilian is by Viennese restaurateur Marco Simonis and is described as “casual chic”, serving a mix of international and local dishes.
The hotel also has an in-house spa that is open between 1000 and 2200.


Query Guide |
Top Next |
|
IQTools hides the complexity of EMR databases by creating easy to use tables and views that combine multiple database tables to present the data in a user friendly format. The same structure is applied across multiple EMRs used in different countries and programs therefore providing a standard environment for designing queries and extracting patient data. Since the database structures are different for the different EMRs, this is necessary to lessen the burden of learning database structures on the user. The example below shows how IQTools interacts with the IQCare database to create a patient master table containing patients’ bio data. |


--- layout: post authors: ["Greg Wilson"] title: Moving Up and Moving Down date: 2012-12-05 time: "09:00:00" tags: ["Content"] ---
Our existing workshops/material are aimed at people who know enough to write a hundred-line script, but don't yet use version control or do any systematic testing. Many scientists either haven't gotten this far, or are well past it, and we'd like to start helping them. We think that means we need:
The challenge, as always, is resources: doing this requires people to put together the content and teach half a dozen times to tune it and help show others how to teach it as well. It's a big commitment, but the potential rewards are pretty big too. If you're willing to commit a hundred hours or so to help make the world a better place and give your career a boost, please get in touch.


Trait to implement logging within nounou.elements.NNElement children.
This class will be serialized by gson.
This object uses jgit to read current Git head information, via the companion class NNGit.
This object uses jgit to read current Git head information, via the companion class NNGit. There is no real need for this to be a companion object, just that it is more aesthetically pleasing that way.
All serialized objects should be tagged with this Git information for reproducibility.
Provides a quick java-based for loop, avoiding Scala for-comprehensions


Tests whether an SVG element can be simply embedded into the HTML markup.
If an orange circle is rendered before this paragraph, the test passes.
img
Tests whether SVG is supported in img
elements.
If a grey circle is rendered before this paragraph, the test passes.
object
Tests whether SVG is supported in object
elements.
If a circle is rendered before this paragraph, the test passes.


All CSS classes from 1bit-ui start with
.bit-
at the front. This way you're 100%
sure where your CSS is coming from. 1bit-ui uses the lowest CSS
specificity possible so that you can easily override things as necessary.
For proper accessibility and appearance, wrap all radio buttons inside a
bit-field
and put a
label
after it with correct
id
and
for
attributes
For proper accessibility and appearance, wrap all checkboxes inside a
bit-field
and put a
label
after it with correct
id
and
for
attributes
A basic table.
A table with row headers.
A table with a footer.
Using the CSS class bit-svg
will set the
fill
property to
--bit-color-0
, causing inline SVGs to
automatically match your 1bit-ui theme.
The class bit-pre
can be used for multiline
code blocks.
The class bit-code
can be used for inline
code:
Firefox has the ability to put custom colors on your scrollbars! Don't
forget to put bit-scrollbar
on your
<html>
element if you'd like to opt-in
to this feature. You can also put it on only specific elements that you'd
like to opt-in to this behavior. Hopefully in the future more browsers
besides Firefox will implement this feature.
CSS Custom Properties can be changed on your page at any time! You can use
JavaScript, or even CSS selectors to do it! You could apply a
:focus
style to change
--bit-color-0
and
--bit-color-1
to different colors to make
the focus state easier to read.
Or if you have a super dangerous delete button, you could force the color to be red so it stands out against your normal color scheme. 1bit-ui encourages your creativity.
You can use the
prefers-color-scheme: dark
CSS media query
to set the --bit-color-0
and
--bit-color-1
variables, allowing your users
to automatically get Dark Mode with a single block of CSS
.bit-root { --bit-color-0: white; --bit-color-1: black; } @media (prefers-color-scheme: dark) { .bit-root { --bit-color-0: white; --bit-color-1: black; } }
Sharp edges not your thing? You can customize that. CSS Custom Properties
are inherited, so you can apply this to your whole page by setting
--bit-border-radius
on any element you want
through CSS or even inline styles.


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Smart Spice
. All Rights Reserved.


The Apprentice's Thomas Skinner reveals who the man lying on the floor was
The Apprentice viewers were left feeling rather confused following last week’s episode after noticing a mystery man lying on the floor of the boardroom.
Jemelin Artigas was the latest candidate to be fired from the BBC show, and as some of the contestants left the boardroom, fans couldn’t help but spot a man lying on the floor.
But who was he and why was he lying there?
And now we don’t have to wonder any more because Thomas Skinner has revealed who it actually was.
He took to Twitter to put those rumours to bed and informed his followers that it was Ryan-Mark Parsons – although we are not sure we believe the reason behind it – what do you think?
He tweeted: ‘People keep asking me who was the geeza laying on the floor under the table in last tasks boardroom! Well I can actually reveal it was @ryanmarkparsons
Advertisement Advertisement
‘Foot masseuse, the #Pig flys him in from Hamburg every Wednesday to keep his feet relaxed during the boardroom! #TheApprentice’
The news also follows after Ryan-Mark and Lottie Lion told their fans they were ‘dating’.
A fan of The Apprentice tweeted Ryan-Mark after Wednesday night’s show to comment on their friendship.
They tweeted: ‘Just watched last night’s episode of the apprentice, another brilliant episode. My favourites so far are
@LottieLion1 @ryanmarkparsons and @ImLewisEllis.
‘I’ve noticed Lottie and Ryan-Mark have quite the friendship.’
The candidate then added fuel to the fire by responding: ‘We’re actually dating. EXCLUSIVE.’
For week seven, the teams were mixed up again and this week’s challenge was probably one of the hardest yet – they had to re-brand the country of Finland.
The contestants had to create an advertising campaign to entice UK visitors during the summer months. Half of the team were sent to Finland to film the TV advert, whilst the rest created a marketing campaign and a digital billboard to be displayed at Piccadilly Circus.
Advertisement Advertisement
During her time in the boardroom, Jemelin admitted she felt ‘overlooked’ by Lord Sugar as he ‘failed to see’ everything she was doing.
‘He did not make the right decision,’ she explained.
‘I felt like I did so much and it was overlooked a little bit and he failed to see everything I did because I wasn’t the loudest or an attention seeker.
‘I wasn’t meant to go but then I couldn’t see myself as his business partner at that point.
‘I think Ryan-Mark should have gone because has been there for seven weeks, where has he been and what has he done? He has not put himself in the firing line once.
‘And then you have Marianne, she was the project manager, yet I did the ad. Thomas did the billboard and she didn’t let me pitch so I think Marianne should have gone. She made a fatal mistake not letting me pitch.’
Advertisement
The Apprentice continues Wednesday at 9pm on BBC One.
Got a showbiz story?
If you've got a story, video or pictures get in touch with the Metro.co.uk Entertainment team by emailing us<EMAIL_ADDRESS>calling 020 3615 2145 or by visiting our Submit Stuff page - we'd love to hear from you.


Frequently Asked Questions
Isn’t linguistics already digital? What is digital linguistics?
No. We maintain that digital linguistics doesn’t exist yet, and will not exist until we escape the print way of thinking about data. Moreover, the digital tools of linguistics are currently fractured. Each current piece of software is in itself helpful in various ways, but many of these programs are operating-system dependent, and generally only accomplish only a small portion of what the linguist needs to do. Our goal with Wugbot is not to fix this by making one application that can do everything, but rather to create the standards and the infrastructure so that the software programs that linguists build can speak to each other. In other words, we want to create an interface for documenting data, analyzing data, and archiving data. This interface will be able to pass data easily between different tools and, because we separate data from presentation, visualize that data in different ways.
Many linguists and computer scientists make a clear delineation between linguistics and computer science. We do not. Digital linguistics does not shy away from implementation issues, usability, or software development, because we recognize that these technologies are not different in principle from technologies like interlinear glossing or audio equipment, all of which form an integral part of the linguistic enterprise. These technology-related issues are not the focus of digital linguistics, but they must be dealt with adequately in order for the field of linguistics to progress successfully. Just as the documentary linguist is expected to understand some of the basic principles of audio formats and recording, we believe it is important that today’s linguist have a basic understanding of data structure as it relates to the digital representation of data. We also feel that this is easy for any linguist to learn, and hope our tools can help teach linguists these skills.
Thus we incorporate software development into the core goalset of the digital linguistics subfield. We encourage linguists and language workers to choose the level of technical proficiency they desire to have. Whatever that level is, the digitally-informed linguist has an important role to play in the goal of bringing digital technologies to linguistics. We value complaints, feedback, and ideas for improvement, because this is an integral part of the software development process, and how new technologies are created. We believe that progress in the field of digital linguistics should be evaluated in terms of how populizable the outputs of the field are, i.e. the extent to which the tools created with Wugbot’s methodology gain traction in the field of linguistics more broadly.
Digital Linguistics and Linguistic Theory
Digital linguistics forces linguists - and especially those creating the tools of digital linguistics - to think deeply and carefully about the objects of linguistics and the nature of linguistic data. A famous scientist once remarked, ‘You can understand when you are able to quantify it’, but the much-admired phonetician Peter Ladefoged quipped instead, ‘You can understand a thing when you can write a computer program to represent it.’ In our experience, this has often been the case. Learning how to represent linguistic data has gotten us to think about the basic concepts of linguistics in often new ways that yield insights into linguistic science, or what it is we’re really doing when we represent certain things in print.
Using the web platform also meets many of the goals of the Bird and Simons (2003) model for portability:
- Content - terminology, accountability, richness
- Format - openness, documentation, machine-readable, human-readable
- Discovery - existence, relevance
- Access - complete, unimpeded, universal
- Citation - credit, provenance, persistence, immutability, components
- Preservation - long-term, complete
- Rights - documentation, research
Why the web?
Wugbot uses the web as its platform. Ironically, this does not mean that everything we do is online. Rather, web technologies have become so robust that their applications now extend far beyond exchanging data across the internet. It is now possible to write a program that works in web browsers like Internet Explorer, Firefox, Chrome, Safari, etc., that never has to go online at all. These offline applications are ideal because anybody with a web browser can use them. They don’t depend on whether you are running Windows, Mac, Android or Linux, and they don’t depend on an internet connection. In short, the browser becomes the program.
At the same time, digital linguistics technologies can take advantage of data exchange across the web, allowing linguists to store their data on a server (only if they want), and contribute to massive cross-linguistic databases for linguistic research.


THE NATURE OF THE BEAST A film review by Chuck Dowling Copyright 1996 Chuck Dowling
(1995) *1/2 - C:Eric Roberts, Lance Henriksen, Brion James.
A Victor Salva Film. Victor Salva. Hmmm. Why does that sound so familiar to me? Victor Salva. Nope, I can't quite place it.
We learn early in the film that there are two criminals on the loose. One has stolen money from the mob, and one is killing everyone he comes into contact with, calling himself "Hatchet Man".  The two main characters (the two only characters really) meet up and drive around the desert, stopping in hotels and diners along the way. Roberts, as an intense drug addict, feels as though he has bonded with businessman Henriksen (who for some reason wears a really fake looking padded stomach to make it look like his character has a pot belly), and will not let him wander from his site as they travel through the desert in Henriksen's new company car, each alluding to the fact that they know who the other person is.
"The Nature of the Beast" is a letdown, and it seems that writer/director Victor Salva has no idea how to make a film, whoever he is. One big mistake with the film is the casting. Eric Roberts is perfectly cast in his role of the shady, dusty drifter, but Lance Henriksen is not the right man for his character. You see, the script depends on the fact that this character be played by an actor who can portray a bewildered business man-type character and Henriksen has played one too many psychos in his career to be able to revert back to this kind of part. He seems demented from the beginning of the film, which makes you start to think more along the lines of the "surprise" plot twist, which if you have only a thimble full of brains you'll be able to figure out.
Victor Salva. Wait! I know! He's that guy who worked with the "Rat Pack" films along with Sinatra and Dean Martin! Oh, no that was Henry Silva. Hmmm, well who is this Victor Salva guy?
It's during the last twenty minutes or so when the film completely falls apart. The "surprise" that you already know and are completely ready for, is just presented on screen casually with no attempt to make it a startling revelation.  He then buries him and goes about his business. Now about six hours later, Roberts digs his way out of his grave, perfectly ok.  But, maybe he is the devil and then again maybe not. Needless to say, none of it makes any sense.
Child molestor! That's it! Victor Salva is that guy who was convicted of molesting the child star of his previous film "Clownhouse!" I knew I knew his name. His crimes are the reason I will never watch "Powder", because there are much more talented directors out there who aren't working who HAVE NOT BEEN CONVICTED OF SEXUAL MISCONDUCT WITH LITTLE BOYS and who deserve the opportunity to work much more than this twisted pervert. Man, I wish I had put things together before I sat through this mess.
Lance Henriksen is credited as "Creative Consultant" during the end credits of the film. He must have thought up the idea of the fake stomach.
Have A Question Or Comment? Email Me At<EMAIL_ADDRESS>-- Chuck Dowling Visit Chuck's Movie Reviews at http://users.southeast.net/~chuckd21/ Over 1,500 movies rated and/or reviewed! Movie news, box office reports, film related links, and reader's polls and reviews.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Note: the www
endpoint is now deprecated. Please use the https://app.bitrise.io/app/APP-SLUG/build/start.json
endpoint instead.
With the Build Trigger API you can start a new build of your app with a simple API call.
You can define parameters for the build like what branch
, tag
or git commit to use
and what build message to present on the Build’s details page.
How to start a build by calling the Trigger API? ⚓
You have to call your build trigger with a POST
request with a JSON body.
JSON body ⚓
The JSON body has to contain at least:
- a
hook_info
object with:- a
type
key andbitrise
as its value - a
build_trigger_token
key and your Build Trigger Token as its value
- a
- a
build_params
object, with at least atag
,branch
orworkflow_id
parameter specified
A minimal sample JSON body, which specifies master as the branch
parameter:
{
"hook_info": {
"type": "bitrise",
"build_trigger_token": "..."
},
"build_params": {
"branch": "master"
}
}
To pass this JSON payload you can either pass it as the body of the request as string (the JSON object serialized to string),
or if you want to pass it as an object (e.g. if you want to call it from JavaScript) then you have to include a root payload
element, or set the JSON object as the value of the payload
POST parameter.
jQuery example using the payload
parameter:
$.post("https://app.bitrise.io/app/APP-SLUG/build/start.json", {
"payload":{
"hook_info":{
"type":"bitrise",
"build_trigger_token":"APP-API-TOKEN"
},
"build_params":{
"branch":"master"
}
}
})
Build Params ⚓
The following parameters are supported in the build_params
object:
Git related: ⚓
branch
(string): The (Source) Branch to build. In case of a standard git commit this is the branch of the commit. In case of a Pull Request build this is the source branch, the one the PR was started from.tag
(string): The git Tag to build.commit_hash
(string): The git commit hash to build.commit_message
(string): The git commit message (or build’s message).
Bitrise.io specific: ⚓
workflow_id
: (string): Force the use of the specified workflow ID. If not defined then the workflow will be selected based on the project’s Trigger Map config.environments
(array of objects): See the Specify Environment Variables section for more info about theenvironments
objects.skip_git_status_report
(bool): Skip sending build status for the connected git provider
Pull Request specific: ⚓
branch_dest
(string): Used only in case of Pull Request builds: the destination/target branch of the Pull Request, the one the PR will be merged into. Example:master
.pull_request_id
(int): Pull Request ID on the source code hosting system (e.g. the PR number on GitHub)pull_request_repository_url
(string): repository url from where the Pull Request is sent. E.g. if it’s created from a fork this should be the fork’s URL. Example:https://github.com/xyz/bitrise.git
.pull_request_merge_branch
(string): the pre-merge branch, if the source code hosting system supports & provides the pre-merged state of the PR on a special “merge branch” (ref). Probably only GitHub supports this. Example:pull/12/merge
.pull_request_head_branch
(string): the Pull Request’s “head branch” (refs/
) if the source code hosting system supports & provides this. This special gitref
should point to the source of the Pull Request. Supported by GitHub and GitLab. Example:pull/12/head
(github) /merge-requests/12/head
(gitlab).
Specify Environment Variables ⚓
You can define additional environment variables for your build.
These variables will be handled with priority between Secrets
and App Env Vars
_,
which means that you can not overwrite environment variables defined in
your build configuration (e.g. App Env Vars), only Secrets.
For more information see:
_Availability order of environment variables
It’s important that this parameter have to be an array of objects,
and that every item of the array have to include
at least a mapped_to
(the key of the Environment Variable, without a dollar sign ($
))
and a value
property (the value of the variable). By default environment variable names inside values will be replaced in triggered build by actual value from target environment. This behavior can be disabled by setting is_expand
flag to false
.
Example:
"environments":[
{"mapped_to":"API_TEST_ENV","value":"This is the test value","is_expand":true},
{"mapped_to":"HELP_ENV","value":"$HOME variable contains user's home directory path","is_expand":false},
]
Workflow to be used for the build ⚓
By default the Workflow for your Build will be selected based on the
build_params
and your app’s Trigger Map.
This is the same as how Webhooks select the workflow for the build
automatically (based on the Trigger Map), and how you can
define separate Workflows for separate branches, tags or pull requests
without the need to specify the workflow manually for every build.
With the Trigger API you can however overwrite this selection and specify exactly which Workflow you want to use.
All you have to do is add a workflow_id
parameter to your build_params
and specify the Workflow you want to use for that specific build.
An example build_params
with branch
and workflow_id
:
"build_params":{"branch":"master","workflow_id":"deploy"}'
curl
example generator ⚓
You can find an interactive cURL call configurator by clicking on the Start/Schedule a build
button on your app’s bitrise.io page
and switching to Advanced
mode in the popup.
At the bottom of the popup you can find a curl
call, based on the parameters you specify in the popup.
A base curl call would look like this (with master
specified as the branch
build parameter):
curl -H 'Content-Type: application/json' https://app.bitrise.io/app/APP-SLUG/build/start.json --data '{"hook_info":{"type":"bitrise","build_trigger_token":"APP-API-TOKEN"},"build_params":{"branch":"master"}}'
Note: please don’t forget to add Content-Type
header with application/json
value
A more advanced example: let’s say you want to build the master branch
using the deployment
workflow,
specify a build message (commit_message
)
and set a test environment variable (API_TEST_ENV
),
the call will look like this:
curl -H 'Content-Type: application/json' https://app.bitrise.io/app/APP-SLUG/build/start.json --data '{"hook_info":{"type":"bitrise","build_trigger_token":"APP-API-TOKEN"},"build_params":{"branch":"master","commit_message":"Environment in API params test","workflow_id":"deployment","environments":[{"mapped_to":"API_TEST_ENV","value":"This is the test value","is_expand":true}]}}'


{% block team %}
Matt Hill founded Green Again after relocating to Madagascar and falling in love with its beautiful primary rainforests. He currently lives in Tamatave where he manages Green Again's reforestation projects.
Catherine Fanandrana has been the Director of the Africa Program since June 2016. She is responsible for interacting with local Malagasy landowners who want the rainforest restored on their private lands. She is also in charge of scheduling and reviewing the daily activities of the Malagasy crew in each of the villages with current GreenAgain restoration projects.
Jean François Solofo Niaina Fidy has been the head forester at Parc Ivoloina since 1998. He is the president of the nearby village, Ambonivato, and helps to engage the local population in our project.


Alchemist Matild:
Hey! You don't have any Wish Potion but yet you still want to make a wish...? How very disgraceful!


Cetirizine is an antihistamine used to relieve allergy symptoms such as watery eyes, running nose, itching eyes/nose, sneezing, hives and itching.
It works by blocking a certain natural substances(histamine) that your body makes during an allergic reaction.


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Restaurants
Wait Time (minutes)
Nimbeaux's
5
Eddie's BBQ
20
Bonefish Grill
30
Fat Pat's Bar and Grill
45
Another Broken Egg
15
Blue Dog Cafe
35
Zea's Rotissery & Grill
60
Coyote Blues
40
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