This part is more important even that the selection of the country in terms of the daily life because sometimes changing of neighbourhood sometimes give you the sensation than you are changing to a completely different country.
Biggest are the towns, biggest are this effect and London is the place where you can appreciate more this fact. Where I
have look mansions and luxury residential neighborhoods to a hundred meters of normal decadent residential areas mixed with commercial zones.
First when you arrive to town is find a hostel or a cheap hotel where we can begin to find a fix place. For this matter is mandatory search information in the web.
In addition to look their opinions and search for an option not too expensive, you should go to visit the house and the neighborhood for have an big idea of the place you are planning to settle.
For looking a good hostel I recommend the website www.hostelworld.co.uk, who has a lot of feedbacks than could influent you to the time to fix a decision.
You should take attention also to the disctance between your place and commercial areas or leisure areas. If there isn´t there and the neighbourhood is homogeneous probably the prices would be highs than other areas where could be more competitive. Once you have seen that next step it is make a list for places to visit. This list should not exceed six apartments per day because you can be exhausted at the end of the day and probably you could not remember some details because you would have a mixture of ideas. If you will be with somebody to do this visits it will be a great idea.
If you are alone and you would like to profit the money in other things and you are open mind, lover of new experiences and learn of the others it could be the best option.
But sometimes you need to accept to other people with other habits as you.
Also you don't need to fix contracts and landlords could be flexible in term of times.
If you share with people of the country, british or people who has lived for a longtime there you could learn the language while you are doing other things and also they could give opinions very important about places to visit, shopping, safety places, etc.
If you choose to share with people of your country you could be more relaxed in long term, and you will know better how to prevent situations but this will not be very helpful at the end.
Best option in my opinion, is share the house with people of other nationalities and also with someone near to your background.
If you have not share a appartment in your life is better to be with someone of your country because it could be a big step doing that thing.
Your partners in your flat also will leave the house some day and you will have new ones so the partners are not all, is a part to take in mind when you share an appartment but you will need to look all I have said before.
For that a website very useful is :www.spareroom.co.uk/
You could always look in gumtree, the website more used in united kingdom where you could find everything.
When you need to look and appartment you need to see some factors apart of the area and the price and to correlate with the price.
Age of the apartment and furniture..
Tax included in the price like, garbage collection, community or tax council
Energy efficiency, wall material and windows to the exterior and avoid the down and top floors.
Neighbourhood and people class of the district and class of people in the neighbourhood in general.
For the rent of the appartments the website more popular is: www.rightmove.co.uk/
Para el alquiler de pisos el portal más importante es: www.rightmove.co.uk/
To fix our base camp we need to focus in the next points :
Commercial centers, big as smalls.
Night pub areas. If they are too near our houses we could have noise at night and problems to sleep properly and if it is far of our house and we are social people and we enjoy doing parties on weekend could be also not a good option ;).
Public parks and tree areas in the case of a big town that allow us to breath better and know new people.
Sport installation and gym where you could know new people who like also the health life, :). This point is very important if you really like sports because if your flatmates don´t like sports you could find people who like the sport you like easily.
All this could have a lot of influence in the price we are looking for. Best thing is always adjust the price with our local finds but adding a 25% additional to the maximum price available, because even there will be flats who agree all the terms explained before and they are out of the price we marked. Sometimes prices had inside a possible discount after negotiation. Therefore, if they are expensive and they are already there could be because they don't have enough visits per month and the landlord could be flexible to the time to fix the price. It is important to give to him some tautness so you should be polite and wear normal clothes, and go in good conditions (not drunk :)).
Normally landlords claim for a deposit which never exceed the month and half of the medium price of the rent.
With that we were obligated to pay the day to enter as maximum twice and half the price of the rent taking in account the price of the first month.
In almost all thw countries, landlords are very exigent with this and if the rules are more or less flexible is something to take in account if we would like to begin with less problems.
Looks can be deceiving, so not do not be misled by the first impressions and sensations to the time to judge to the landlord because sometime could be friendly at first.
But when problems can could be a demon and let you pay things that you have not damage.
Most of the time the contracts are between equals and there is nothing official so you should speak about all terms in conditions in advances.
Sometimes landlords try to steal you with anything happen in the house.
In the case we don't trust about the landlord it is recommendable not pay in advance any money and try to delay one month when the things were not clear.
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You and your friend decide to sneak around. However, the shark smells you, and sadly, you and your friend gets eaten.


A little about Ishika
Ishika ( pronounced Ih - shih- kah ) is a Sanskrit word meaning a divine painters – paint – brush.
 It is an invitation to choose bright hues of love , light and laughter for your life picture.
If you are someone who
- Has an unquenchable thirst for more of life and living
- An unshakeable belief in your capabilities not explored as yet
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You are just at the right page!
The power to create our life and its outcomes are within each one of us in equal measure . So if you ready to take this journey , strive, seek and search a more powerful way of living, if you are raedy to rediscover and live the passion you have always held close to your heart, give us a call, drop a mail or browse on.
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An anthology series in which police investigations unearth the personal and professional secrets of those involved, both within and outside the law.


{% with key='Implode-data-filter' %}{% include "includes/help.html" %}{% endwith %} Denormalise data from "narrow" to "wide".


Summer of Sam (1999) John Leguizamo, Adrien Brody, Mira Sorvino, Jennifer Esposito, Anthony LaPaglia, Bebe Neuwirth, Patti LuPone, Ben Gazarra, Joe Lisi, Michael Badalucco, Michael Rispoli, John Savage, Roger Guenveur Smith, Saverio Guerra, Brian Tarantino, Arthur Nascarella, Jimmy Breslin, Al Palagonia, Ken Garito, Mike Starr, Spike Lee. Screenplay by Victor Colicchio, Michael Imperioli and Lee. Directed by Spike Lee. 142 minutes. Rated 3.5 stars (out of five stars)
Review by Ed Johnson-Ott, NUVO Newsweekly www.nuvo-online.com Archive reviews at http://us.imdb.com/M/reviews_by?Edward+Johnson-ott To receive reviews by e-mail at no charge, send subscription requests to<EMAIL_ADDRESS>In Spike Lee's crackling "Summer of Sam," the lead character is not an individual, but an entire neighborhood; specifically, a Bronx neighborhood in 1977, when the killing spree of a demented postal worker took an already blistering New York summer and cranked the temperature even a few degrees higher. Like "Do The Right Thing," Lee's best film, this is a kinetic tapestry about temptation, anger, bigotry and paranoia, one which gives the viewer a sense that everything is about to come apart and we are witnessing the last few moments before the meltdown. "Summer of Sam" has moments that are tough to watch, but for the most part, they are so well-presented that it is impossible to avert your eyes.
Writer Jimmy Breslin sets the scene, and in short order, we witness a figure lumbering through the night; David Berkowitz, the Son of Sam killer, committing his sixth and seventh murders. While the entire city is galvanized by the crimes, the film follows one group of people near the heart of the madness.  Dionna, who works in her father's Italian restaurant, pretends not to notice her husband's philandering and tries to come up with something, anything, that will inspire him in their own bed.
Meanwhile, Vinny's best friend Ritchie (Adrien Brody) has shaken up the locals by adopting the punk look, sporting spiked hair, freaky clothing, a bad English accent and loads of attitude. To them, he has mutated into some bizarre and possibly dangerous alien life form. Even after he hooks up with Ruby (Jennifer Esposito), the official neighborhood slut, he continues working as a dancer/hustler in a seedy gay nightspot, while pursuing dreams of musical stardom in the burgeoning punk scene at CBGB's.
As the Son of Sam continues his reign of terror, now sending letters to Jimmy Breslin boasting of his actions, the citywide tension escalates. Street traffic decreases as people stay in the safety of their homes, while many of the women who do venture out color their hair blond or don wigs, because the female victims thus far have been brunettes. Two police officers approach local crime lord Luigi (Ben Gazzara) for help and soon, the neighborhood good old boys are organizing to patrol the streets and find the killer themselves. Suspicion rises along with the heat as collective mood moves closer and closer to some dread precipice.
Spike Lee is a master at image manipulation and does fine work here, deftly incorporating period music, very effective lighting (particularly strobe effects and various white lights) and fragments of grainy footage at just the right moments to create a riveting feel of immediacy. The only time he falters is in his depiction of the twisted mind of the killer. Shots of David Berkowitz flailing about his apartment, shrieking at a barking dog, look stagy and unconvincing. One particularly daring scene shows a dog actually speaking to Berkowitz, courtesy of computer graphics. Instead of seeming horrific, the image just looks gimmicky, drawing laughs instead of shivers.
Aside from the Berkowitz interludes, Lee's stylings achieve the desired effects, drawing us into the various individual vignettes while remaining focused on the bigger picture of the dissolution of a neighborhood. Vinny and Dionna desperately try to keep their marriage together, visiting Studio 54 and Plato's Retreat along the way; Ritchie persists in his strange personal odyssey; and the tension keeps growing as the first anniversary of the initial Son of Sam attack draws near, with the killer promising to celebrate the occasion.
I've heard complaints that too many of the secondary characters in "Summer of Sam" are rough sketches at best and stereotypes at worst, but I didn't find them troubling, because this is a film about a group mentality rather than sharply defined personal profiles. That said, the lead characters all do fine work, particularly Leguizamo and Sorvino, both of whom provide appropriate depth and richness to their characters.
While not approaching the glimmering perfection of "Do The Right Thing," "Summer of Sam" is another impressive step in Spike Lee's evolution as a filmmaker. His innovative techniques are less obtrusive than in previous works, efficiently serving this disturbing tale of the variances of societal tides without coming off like showboating. Except for the talking dog, of course.
© 1999 Ed Johnson-Ott
The review above was posted to the
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RatingView
public final class RatingView: UIControl, UIGestureRecognizerDelegate
RatingView
displays a configurable number of images, which the user may tap to indicate a
rating. Tapping an image will select it, along with the images leading up to it. The user may
also swipe to select a rating.
-
The currently-selected rating. Values are clamped between
minimumRating
andmaximumRating
.Default value: 1
Declaration
Swift
public var rating: UInt = 1
-
Represents the maximum rating allowed. Also sets the number of images to display. Minimum-settable value is 1.
Default value: 5
Declaration
Swift
public var maximumRating: UInt = 5
-
Represents the minimum rating allowed. When a value of zero is set, the user may tap a single selected image to unselect it.
Default value: 1
Declaration
Swift
public var minimumRating: UInt = 1
-
The amount of space between images, in points.
Default value: 20
Declaration
Swift
public var spacing: CGFloat = 20
-
The image to display. The image is rendered as a template, and should have a transparent background.
Declaration
Swift
public var image: UIImage? = nil
-
The color to tint images which are not selected.
Default value:
UIColor.lightGray
Declaration
Swift
public var unselectedTintColor: UIColor = .lightGray
-
The color to tint images which are selected.
Default value:
UIColor.yellow
Declaration
Swift
public var selectedTintColor: UIColor = .yellow


Vettel, Leclerc summoned to explain collision
Sao Paulo - Ferrari team boss Mattia Binotto has called drivers Sebastian Vettel and Charles Leclerc to a clear-the-air meeting after their collision wrecked the team's hopes at the Brazilian Grand Prix.
The pair, who collided while fighting for fourth place on Sunday, were forced to retire from the race, leaving Ferrari embarrassed and pointless and the drivers arguing about who was to blame.
"There will be time (for us all) together at Maranello to understand what happened," said Binotto, in the wake of a tempestuous race won with authority by Red Bull's Max Verstappen.
"It's not for me to blame them, it's for them to recognise it."
Speaking to reporters in the aftermath of a costly race for the scarlet scuderia, Binotto said he needed time to take stock and review the crash, on lap 66 of the 71-lap race.
Both cars were damaged and forced to retire in the incident, which came after a Safety Car restart when Vettel 'closed the door' on a challenging Leclerc.
It resulted in Ferrari's first scoreless race since the 2017 Singapore Grand Prix and refocused criticism on the team's habit of generating self-inflicted damage - and the fractious relationship between their drivers.
"I have not reviewed yet, I don't want to do it yet," insisted Binotto. "I think doing things in the heat of the moment, we may have the wrong conclusion.
"I heard both drivers, but they will come as well together to discuss again what happened and there will be time for the team to analyse all the video and the data.
"Whatever will be the judgement, more important is we are disappointed and sorry for the team.
"But first, the two drivers should be sorry for the team - as it has been a very small crash with big consequences...
"They are silly things that should not happen."
He said the Maranello meeting would not be about apportioning blame and punishment.
"It's not a matter of fining or blaming," he said. "They were free to fight, we let them race and the reason for that is that we have the second place in the constructors' (championship)...
"Free to fight doesn't mean to do silly actions, especially between the two team-mates and the two Ferraris. For me, it was simply a silly action.
"There is always something you can do better, but today the mistakes were from the drivers. As a team, what could we have done better? We need to think...
"And, certainly, we need to improve that for the future and that it is not to happen anymore."


For ease of calculating measurements by avoiding decimal arithmetic on irrational numbers, we can consider all distances in the KNEX world as having two integer components. The first component is a multiple of a fundamental unit. The second is a multiple of that fundamental unit length multiplied by the square root of two. WHen noting measurements, we can show the number of units followed by the number of square root of two units separated by a '#' character, so for example, a right triangle formed by two green legs of length 0#1 each and a white hypotanuse of length 2#0 would have a perimeter or 2#2.
The table below shows the sizes of various knex components using this measurement scheme.
| + | unit length times square root of two | |||||||||
| _#0 | _#1 | _#2 | _#3 | _#4 | _#5 | _#6 | _#7 | |||
| unit lengths |
-2#_ | green gear diameter | ||||||||
| -1#_ | green gear radius | |||||||||
| 0#_ | 0#0 | green | blue | red | ||||||
| 1#_ |
lap
red gear radius |
yellow gear radius | ||||||||
| 2#_ |
white
red gear diameter |
white + green | yellow gear diameter | |||||||
| 3#_ | ||||||||||
| 4#_ | yellow | |||||||||
| 5#_ | ||||||||||
| 6#_ | ||||||||||
| 7#_ | ||||||||||
| 8#_ | gray |


SAA To Restore Full Flight Schedule This Weekend
by SG EditorWith a wage deal finally signed to end the strike, South African Airways (SAA) has announced it will restore its full flight schedule in stages over the weekend.
The eight-day strike by National Union of Metalworkers of South Africa (Numsa) and the South African Cabin Crew Association (Sacca) has cost the airline about R50 million a day and has left thousands of travellers frustrated.
SAA said the unions had agreed to a 5.9% wage hike retrospective from 1 April this year. The increases will be paid in February 2020.
However, the salary increases and back pay will be subject to funds being secured by the airline.
The mood among SAA workers who were on strike was jovial on Friday afternoon.
It’s understood a task team has been set up that will consist of Numsa and Sacca leadership. Their work will be to fight corruption, among other things.


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Speech
Education Secretary Nicky Morgan speech about ensuring every disadvantaged pupil gets the support they need in every school.
Thank you for that introduction, and I’m delighted to be here for today’s very important summit.
The Sutton Trust - with Sir Peter at the helm - has a long track record of working tirelessly to extend opportunity to the poorest and most disadvantaged in our society. Which is entirely in line with my determination to ensure that every child, regardless of background, is given an education which allows them to realise their full potential.
I would like to congratulate you on your report out today - which highlights some successes of the pupil premium, and poses some important questions for all of us.
For years, the Sutton Trust has sought to reverse the education inequalities that sadly still exist in our society - a goal that lies at the centre of this government’s work, too.
That’s why we delivered on the 2010 Conservative manifesto commitment to introduce the pupil premium , and have spent £6.25 billion on it to date.
It’s also why we worked with you to establish the Education Endowment Foundation - to develop the talents of all disadvantaged children and young people, and help them succeed.
And it’s why, over the past 5 years, this government has worked hard to offer you security at every stage of your life. We have helped:
But in spite of these big steps forward - we know there is more to do to tackle educational inequality. Too many people, and too many young people in particular, are still falling behind.

All of us here, I’m sure, will have seen the Social Mobility and Child Poverty Commission report from the other week, stating that bright children from poorer backgrounds are still failing to access the top jobs, thanks to an enduring prejudice in elite firms.
More needs to be done, across every sector, to ensure that the highest echelons of public life - our judges, senior ranks of the armed forces, and yes, parliamentarians, too - can be accessed by all talented individuals.
Companies like PricewaterhouseCoopers, Barclays and BT pride themselves on helping students from poorer backgrounds into great jobs. And I hope that in time we will see a wider cultural shift towards their inclusive approach.
Whilst employers and universities have more to do, it’s in classrooms that we can begin to unlock the talent of disadvantaged pupils. So that one day, it is their CV will make it to the top of the pile.
There will always be a debate about what works best when it comes to intervening in the lives of the most disadvantaged. I think there is one thing, however, that everyone can agree on. That is, extending opportunity always starts with a good education.
So, our mission in government and my mission in the department for Education is to deliver educational excellence everywhere - and ensure that every child, regardless of background, receives an education that equips them with the skills and knowledge they need to succeed. That means extra support for the most disadvantaged and those who need the most help.
Even before the pupil premium, an IFS report from March showed that there was substantially more money directed to the poorest pupils. Funding was 35% higher in the most deprived primary schools, and 41% higher in the most deprived secondary schools.
It is right that these students are supported by targeted funding. Which is why in this Parliament, we’re continuing to fund the pupil premium, investing £2.5 billion this year.
We’ve already set some ambitious targets when it comes to raising standards, and schools have put our plan for education into action, and I thank them for that:
But we’ve got to go even further.
It’s not enough just to hope that the pupil premium reaches the right children - because evidence from the National Audit Office and Education Endowment Foundation shows that in too many cases, it still isn’t getting there.
So we will back the smart work of teachers and headteachers, including many of you here today, to see that the pupil premium achieves even more.
And, as I have said before, that work has got to be about more than ‘closing the gap’. Pupils that lag behind their peers should be encouraged to reach their full potential and to go further than simply ‘catching up’. If we would want our own children to study the core academic subjects, we should extend that opportunity to every child. The soft bigotry of low expectation has no place in today’s schooling.
That is why I intend that every secondary school starter in September will study the EBacc subjects at GCSE . The days of ushering children from poorer homes towards so-called ‘easier topics’; that made their lives harder in the long run, are over.
Because it shouldn’t just be the children of highly literate families that get an A* in English. Or those who can afford evening tuition that become excellent mathematicians.
Allowing every child to study the EBacc will raise academic standards for all. It will put an end to the quiet discrimination that once operated in too many schools. When disadvantaged pupils faced unfair barriers to achievement.
The pupil premium was designed to promote an equality of opportunity, and to make that journey to academic excellence easier.
There is always a risk, even in the best schools, that there’ll be one child, hiding at the back of the classroom, who will leave with fewer qualifications, and fewer prospects, than their peers. His or her talent and ambition never fully exploited, because for one reason or another, ‘average’ was always considered good enough.
That’s why we are taking action to intervene in coasting or failing schools - those which allow children to get by on ‘good enough’ instead of stretching them to their full potential. Because if we continue to fail these children, then we fail a fundamental test of a fair society.
Yesterday’s National Audit Office report, ‘Funding for Disadvantaged Pupils’ - told us that when it comes to the pupil premium, schools face some important challenges.
Challenges around how we can disseminate what works, how we can get more schools to review what they do with the money, and how to make the profession even more evidence-based.
Applying the premium in a scatter-gun fashion, with the assumption that it will find its way to those who need it, is not transformative enough. The needs of an inner-city pupil will differ greatly from a young person at a coastal school. Careful application of the funding will see it reaching the most disadvantaged children.
Research from the Education Endowment Foundation has already revealed so much about how schools can sensibly spend money to improve the outcomes of disadvantaged pupils:
So I see the Education Endowment Foundation as a key partner in helping schools to spend the premium more strategically, and to put what works into practice.
Like the work of Ark Charter Academy in Portsmouth, who have introduced longer school days. Or the parental workshops of Parkfield Community School in Birmingham. Both schools have boosted the attainment of their pupils, and I want innovation like this to be the norm, not the exception.
And I want to challenge every school to follow the progress of their most disadvantaged children ever more closely. And realise that the work isn’t over when they get the funding, that is just beginning.
Ladies and gentlemen, a good education remains the first step on a journey towards a brighter and more prosperous future.
I know that the best schools and teachers are working day in and day out to make this a reality.
The pupil premium is not simply an illusion of extra support.
With limitless ambition - the real spoils of success will be the disadvantaged students who complete their studies on an equal footing - and the plentiful opportunities that then await them.
Thank you for listening and enjoy your day.
Published: 1 July 2015


Before Change
super(LossFunction, self).__init__(name=name)
self._num_classes = n_class
if loss_func_params is not None:
self._loss_func_params = loss_func_params
else:
self._loss_func_params = {}
self._data_loss_func = None
self.make_callable_loss_func(loss_type)
def make_callable_loss_func(self, type_str):
self._data_loss_func = LossSegmentationFactory.create(type_str)
After Change
// set loss function and function-specific additional params.
self._data_loss_func = LossSegmentationFactory.create(loss_type)
self._loss_func_params = \
loss_func_params if loss_func_params is not None else dict()
def layer_op(self,
prediction,
ground_truth,


I am a Ph.D. candidate in Electrical and Computer Engineering, Carnegie Mellon University (CMU), supervised by Prof. Rita Singh and Prof. Bhiksha Raj. Before my PhD, I obtained my research-option master degree in Biomedical Engineering at Carnegie Mellon University, advised by Prof. Yongjie (Jessica) Zhang. I got my B.Sc degree in Huazhong University of Science and Technology (HUST).
Ph.D. in Electrical and Computer Engineering, 2015 - now
Carnegie Mellon University
Master in Biomedical Engineering, 2015
Carnegie Mellon University
B.Sc in Bioengineering, 2013
Huazhong University of Science and Technology
Won best project (1/50) in CMU Convex Symposium (COPTS) 2018
Wavenet vocoder for speech resynthesis and denoising in ‘The Rembrandt Tutorials Project’


@(user: models.user.User, name: String)(implicit session: play.api.db.slick.Config.driver.simple.Session)
| Type | @*Level | *@Points | |
|---|---|---|---|
| Student | @*@tag.level(user.studentLevel, Some("student-points")) | *@ @*@tag.pointsBar(name + "StudentPoints", user.studentTotalGamePoints, "studentPointsProgressBar") | *@@tag.studentPoints(user.studentTotalGamePoints) |
| Teacher | @*@tag.level(user.teacherLevel, Some("teacher-points")) | *@ @*@tag.pointsBar(name + "TeacherPoints", user.teacherTotalGamePoints, "teacherPointsProgressBar") | *@@tag.teacherPoints(user.teacherTotalGamePoints) |


Replacements [
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Global Functions in Global Namespace C++
in Sourcefile cipher.h
- rtl_cipher_create
- extern "C"
rtlCipher rtl_cipher_create(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Create a cipher handle for the given algorithm and mode.
- See Also
- rtlCipherAlgorithm
rtlCipherMode
- Parameters
| Algorithm |
cipher algorithm.
|
| Mode |
cipher mode.
|
- Return
- Cipher handle, or 0 upon failure.
- rtl_cipher_createARCFOUR
- extern "C"
rtlCipher rtl_cipher_createARCFOUR(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Create a RC4 cipher handle for the given mode.
- Description
- The RC4 symmetric stream cipher algorithm is specified in
Bruce Schneier: Applied Cryptography, 2nd edition, ch. 17.1
- See Also
- rtl_cipher_create()
- Parameters
| Mode |
cipher mode. Must be rtl_Cipher_ModeStream.
|
- Return
- Cipher handle, or 0 upon failure.
- rtl_cipher_createBF
- extern "C"
rtlCipher rtl_cipher_createBF(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Create a Blowfish cipher handle for the given mode.
- Description
- The Blowfish block cipher algorithm is specified in
Bruce Schneier: Applied Cryptography, 2nd edition, ch. 14.3
- See Also
- rtl_cipher_create()
- rtl_cipher_decode
- extern "C"
rtlCipherError rtl_cipher_decode(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Decode a buffer under a given cipher algorithm.
- Precondition
- Initialized for a compatible cipher direction.
- See Also
- rtl_cipher_init()
- Parameters
| Cipher |
cipher handle.
|
| pData |
ciphertext buffer.
|
| nDatLen |
ciphertext length in bytes.
|
| pBuffer |
plaintext buffer.
|
| nBufLen |
plaintext length in bytes.
|
- Return
- rtl_Cipher_E_None upon success.
- rtl_cipher_decodeARCFOUR
- extern "C"
rtlCipherError rtl_cipher_decodeARCFOUR(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Decode a buffer under the RC4 cipher algorithm.
- See Also
- rtl_cipher_decode()
- rtl_cipher_decodeBF
- extern "C"
rtlCipherError rtl_cipher_decodeBF(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Decode a buffer under the Blowfish cipher algorithm.
- See Also
- rtl_cipher_decode()
- rtl_cipher_destroy
- extern "C"
void rtl_cipher_destroy(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Destroy a cipher handle.
- Parameters
| Cipher |
cipher handle to be destroyed.
|
- Return
- None. Cipher handle destroyed and invalid.
- rtl_cipher_destroyARCFOUR
- extern "C"
void rtl_cipher_destroyARCFOUR(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Destroy a RC4 cipher handle.
- See Also
- rtl_cipher_destroy()
- rtl_cipher_destroyBF
- extern "C"
void rtl_cipher_destroyBF(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Destroy a Blowfish cipher handle.
- See Also
- rtl_cipher_destroy()
- rtl_cipher_encode
- extern "C"
rtlCipherError rtl_cipher_encode(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Encode a buffer under a given cipher algorithm.
- Precondition
- Initialized for a compatible cipher direction.
- See Also
- rtl_cipher_init()
- Parameters
| Cipher |
cipher handle.
|
| pData |
plaintext buffer.
|
| nDatLen |
plaintext length in bytes.
|
| pBuffer |
ciphertext buffer.
|
| nBufLen |
ciphertext length in bytes.
|
- Return
- rtl_Cipher_E_None upon success.
- rtl_cipher_encodeARCFOUR
- extern "C"
rtlCipherError rtl_cipher_encodeARCFOUR(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Encode a buffer under the RC4 cipher algorithm.
- See Also
- rtl_cipher_encode()
- rtl_cipher_encodeBF
- extern "C"
rtlCipherError rtl_cipher_encodeBF(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Encode a buffer under the Blowfish cipher algorithm.
- See Also
- rtl_cipher_encode()
- rtl_cipher_init
- extern "C"
rtlCipherError rtl_cipher_init(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Inititialize a cipher for the given direction.
- See Also
- rtlCipherDirection
- Parameters
| Cipher |
cipher handle.
|
| Direction |
cipher direction.
|
| pKeyData |
key material buffer.
|
| nKeyLen |
key material length in bytes.
|
| pArgData |
initialization vector buffer.
|
| nArgLen |
initialization vector length in bytes.
|
- Return
- rtl_Cipher_E_None upon success.
- rtl_cipher_initARCFOUR
- extern "C"
rtlCipherError rtl_cipher_initARCFOUR(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Inititialize a RC4 cipher for the given direction.
- See Also
- rtl_cipher_init()
- rtl_cipher_initBF
- extern "C"
rtlCipherError rtl_cipher_initBF(
-
| virtual |
abstract |
const |
volatile |
template |
static |
inline |
C-linkage |
| NO |
NO |
NO |
NO |
NO |
NO |
NO |
YES |
- Summary
- Inititialize a Blowfish cipher for the given direction.
- See Also
- rtl_cipher_init()
Top of Page
Copyright © 2012, The Apache Software Foundation, Licensed under the Apache License, Version 2.0. Apache, the Apache feather logo, Apache OpenOffice and OpenOffice.org are trademarks of The Apache Software Foundation. Other names may be trademarks of their respective owners.


Arindra K. Das
GreenRack BMI
Pillar
Match me
Kinect light painting
Yammer Evaluation
Hair Labs
Twitter data prediction
Nenapaiva Mobile application development
Omegawave
Match me
Fund management Mobile application development
Packaging project
Product Development Project
WebRTC
Research Methodology
Bachelors Thesis
Simple Sidebar
Shows the content
Simple sasa
Shows the content


Twin Blasts at Ammo Depot in Southeastern Turkey Injure 17 - Reports
MOSCOW (Sputnik) - Seventeen people were injured as a result of two simultaneous explosions that occurred at an ammunition depot in Turkey's southeastern province of Sanliurfa on Thursday, Anadolu reported, citing the provincial governor.
Among those injured are 16 on-duty soldiers and a civilian who was on the balcony of the building next to the armoury, the Anadolu news agency reported. One of the injured was reportedly taken to a hospital in critical condition, but his condition has improved since then.
Initial reports indicated that 14 people were injured. The provincial authorities suggest that the second explosion was triggered by the first one, according to the media. An investigation into the blasts has been launched, the news agency said.
The blast occurred just several months after another explosion hit a Turkish weapons depot near the Syrian border.


[t]Wiqets[/t]
{$customer_menu}
[t]Wiqets are custom photo presentations. You can make your own presentations and add voice over and/or music to it. Press "Create Wiqet" to start making your own custom presentation.[/t]
| [t]Name[/t] |
[t]Type[/t] |
[t]Action[/t] |
{foreach key=wtkey item=wt from=$wiqetsList}
| {$wt.name} |
{$wt.type} |
[t]Edit[/t] | [t]Delete[/t] |
{foreachelse}
| [t]There are no available Wiqets![/t] |
{/foreach}


A Non Profit Organization geared toward helping young startups build web and mobile apps for free. The birth of the internet has allowed businesses to move onto a virtual space. As more businesses are making a shift to online and digital products, we are here to make sure that you have the opportunity to thrive in this marketplace by offering to build these products for you for free. For eligible startups, ofcourse.
We'll help you create the best possible business plan using our business mentors.
Make sure to submit online. Earlier the better.
Once Accepted, You will have a chance to talk directly to our engineer team to start your project.
Our Team of Business mentors will help you land and excel at capital capitalist meetings
| Program Name | Deadline | Status |
|---|---|---|
| Ios app concept | January 3rd 2017 | |
| Social Media Concept | September 8 2017 | |
| Service based Concept | August 14 2017 | |


Aduenam
(n.) a person who comes to live permanently in a foreign country
Save a life
Immigration News
Discussion Threads
Current Policies
Help and Volunteer


9 out of 10 patients start treatment in approximately 17 weeks in this specialty
Referrer alerts
Please read 'exclusions' section prior to referral
Conditions
Diagnosis & treatment of abdominal wall lesions
Exclusions
Service Users under the age of 18.
Any Service User with an ASA (American Society of Anaesthesiologists) score of 3 (who is unstable), unless the appropriate Critical Care facilities that meet the levels of Critical Care for Adult Patients Standards and Guidelines
(Intensive Care Society 2002) are available.
Where the Service Users will require general anaesthetic and the patient has a Body Mass Index greater than 35.
Service Users with suspected cancer, who should be referred directly on to the appropriate cancer pathway.
Service Users who have a current and significantly unstable psychiatric disorder where the Hospital cannot reasonably be expected to accommodate the patient’s needs.
Procedures
Suture of anterior abdominal wall
Other repair of anterior abdominal wall
Excision umbilicus
Excision urachus
Extirpation of lesion of umbilicus
Biopsy of lesion of umbilicus
Excision of fistula of umbilicus
Operations on umbilicus
Biopsy of lesion of anterior abdominal wall
Drainage of anterior abdominal wall
Removal of foreign body from anterior abdominal wall
Other operation on anterior abdominal wall...


{% extends 'hospital/homebase.html' %}
{% block content %}
You are now in the Hospital Management System
Log In to See Your Details
Login to Your Patient Account
New to MARS HealthCare?
Register Your Patient Account


Use the Export menu's Vocabulary command to export pre-defined value sets and single-value bindings from templates in an implementation guide.
Note: Trifolia includes vocabulary information in a particular way in template, vocabulary, and Schematron exports. For more information see Terminology & Trifolia.
The "Value Sets" tab on the export settings screen shows the user the value sets that will be included as part of the export. No changes can be made to this tab, it is only for informational purposes.
Value sets that are dynamically bound to an implementation guide (via a template's constraint) are only included in the following export formats:
The "Lantana Standard" XML format is a proprietary format developed by Lantana. This format is used by schematron for validating value set bindings.
The Sharing Value Sets (SVS) profile provides a means through which healthcare systems producing or consuming clinical or administrative data, such as diagnostic imaging equipment, laboratory reporting systems, primary care physician office EMR systems, or national healthcare record systems, can access value sets built from common, uniform nomenclatures managed centrally. Shared nomenclatures with specific derived value sets are essential to achieving semantic interoperability.
The Excel format includes two sheets:
The output of this export is in FHIR DSTU1 XML format. Additional details on this format can be found here.


Example 7: Authorized Contents
Welcome, {{name}}
Log out
Username:
Password:
Keep logged in
Login
Order ID: {{[].orderId}}
Date: {{[].orderDate}}
Amount: {{[].orderAmount}}
Please log in first.
Passed
Failed


--- layout: editor-base description: 'Cluckles Editor, feedback welcome, test the Live Theme Editing.' title: 'Cluckles Editor, create Custom Bootstrap Themes with the interactive and responsive editor' permalink: /editor/ --- {% include editor.html %}


Sign in to Github
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(current)
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Added a resource token to your stack, shuffled it and removed a random token.
{% ifequal episode.number 1 %}{% endifequal %} {% ifequal episode.number 2 %}AbuNext time you produce resources, you’re likely to be a bit more successful. I’ll have to do an inspection to see just how much you’ve raised the quality. But if you keep improving, success is assured!
{% endifequal %} ContinueAbuNext time you produce resources, you’re likely to be a bit more successful. I’ll have to do an inspection to see just how much you’ve raised the quality.


|
Hexagones
1.0
|
Header file of the controller class. More...
Go to the source code of this file.
Data Structures | |
| struct | TController |
| An class representing the controller. More... | |
Typedefs | |
| typedef struct TMainWindow | TMainWindow |
| typedef struct TGridModel | TGridModel |
| typedef struct THex | THex |
| typedef struct TController | TController |
| An class representing the controller. More... | |
Functions | |
| TController * | New_TController (void) |
| The constructor for create a TController object. More... | |
| void | TController_On_MenuChange (TController *this, const char *label) |
| Method for handling the main menu change callback. More... | |
| void | TController_On_PaletteChange (TController *this, const char *label) |
| Method for handling the palette choice change callback. More... | |
| void | TController_On_LeftClick (TController *this, int x, int y) |
| Method for handling the left click on map callback. More... | |
| void | TController_Update_Hex (TController *this, THex *hex) |
| Method for ask the view to redraw a tile. More... | |
| void | TController_Update_Screen (TController *this) |
| Method for ask the view to process the events pool. More... | |
| void | TController_New_Free (TController *this) |
| Method to free all ressources take by the controller. More... | |
Header file of the controller class.
| typedef struct TController TController |
An class representing the controller.
TMap is a class representing the controller.
| TController* New_TController | ( | void | ) |
The constructor for create a TController object.
| void TController_New_Free | ( | TController * | this | ) |
Method to free all ressources take by the controller.
| this | A pointer to the controller object. |
You do not have to call this method directly. You must use the Free method of the TController structure like this: controller->Free(controller);
| void TController_On_LeftClick | ( | TController * | this, |
| int | x, | ||
| int | y | ||
| ) |
Method for handling the left click on map callback.
| this | A pointer to the controller object. |
| x | The x position of the tile clicked. |
| y | The y position of the tile clicked. |
You do not have to call this method directly. You must use the On_LeftClick method of the TController structure like this: controller->On_LeftClick(controller, 0, 1);
| void TController_On_MenuChange | ( | TController * | this, |
| const char * | label | ||
| ) |
Method for handling the main menu change callback.
| this | A pointer to the controller object. |
| label | The label clicked by the user. |
You do not have to call this method directly. You must use the On_MenuChange method of the TController structure like this: controller->On_MenuChange(controller, "MyLabel");
| void TController_On_PaletteChange | ( | TController * | this, |
| const char * | label | ||
| ) |
Method for handling the palette choice change callback.
| this | A pointer to the controller object. |
| label | The palette choice clicked by the user. |
You do not have to call this method directly. You must use the On_PaletteChange method of the TController structure like this: controller->On_PaletteChange(controller, "MyChoice");
| void TController_Update_Hex | ( | TController * | this, |
| THex * | hex | ||
| ) |
Method for ask the view to redraw a tile.
| this | A pointer to the controller object. |
| hex | The tile to redraw. |
You do not have to call this method directly. You must use the Update_Hex method of the TController structure like this: controller->Update_Hex(controller, hex);
| void TController_Update_Screen | ( | TController * | this | ) |
Method for ask the view to process the events pool.
| this | A pointer to the controller object. |
You do not have to call this method directly. You must use the Update_Screen method of the TController structure like this: controller->Update_Screen(controller);


A password reset email has been sent to the entered email, Open your email and click on the link to continue.


By downloading or using the app, these terms will automatically apply to you – you should make sure therefore that you read them carefully before using the app. You’re not allowed to copy, or modify the app, any part of the app, or our trademarks in any way. You’re not allowed to attempt to extract the source code of the app, and you also shouldn’t try to translate the app into other languages, or make derivative versions. The app itself, and all the trade marks, copyright, database rights and other intellectual property rights related to it, still belong to Bolt from the Blue Entertainment.
Bolt from the Blue Entertainment is committed to ensuring that the app is as useful and efficient as possible. For that reason, we reserve the right to make changes to the app or to charge for its services, at any time and for any reason. We will never charge you for the app or its services without making it very clear to you exactly what you’re paying for.
The Alluhwi Comics app stores and processes personal data that you have provided to us, in order to provide our Service. It’s your responsibility to keep your phone and access to the app secure. We therefore recommend that you do not jailbreak or root your phone, which is the process of removing software restrictions and limitations imposed by the official operating system of your device. It could make your phone vulnerable to malware/viruses/malicious programs, compromise your phone’s security features and it could mean that the Alluhwi Comics app won’t work properly or at all.
You should be aware that there are certain things that Bolt from the Blue Entertainment will not take responsibility for. Certain functions of the app will require the app to have an active internet connection. The connection can be Wi-Fi, or provided by your mobile network provider, but Bolt from the Blue Entertainment cannot take responsibility for the app not working at full functionality if you don’t have access to Wi-Fi, and you don’t have any of your data allowance left.
If you’re using the app outside of an area with Wi-Fi, you should remember that your terms of the agreement with your mobile network provider will still apply. As a result, you may be charged by your mobile provider for the cost of data for the duration of the connection while accessing the app, or other third party charges. In using the app, you’re accepting responsibility for any such charges, including roaming data charges if you use the app outside of your home territory (i.e. region or country) without turning off data roaming. If you are not the bill payer for the device on which you’re using the app, please be aware that we assume that you have received permission from the bill payer for using the app.
Along the same lines, Bolt from the Blue Entertainment cannot always take responsibility for the way you use the app i.e. You need to make sure that your device stays charged – if it runs out of battery and you can’t turn it on to avail the Service, Bolt from the Blue Entertainment cannot accept responsibility.
With respect to Bolt from the Blue Entertainment’s responsibility for your use of the app, when you’re using the app, it’s important to bear in mind that although we endeavour to ensure that it is updated and correct at all times, we do rely on third parties to provide information to us so that we can make it available to you. Bolt from the Blue Entertainment accepts no liability for any loss, direct or indirect, you experience as a result of relying wholly on this functionality of the app.
At some point, we may wish to update the app. The app is currently available on Android – the requirements for system(and for any additional systems we decide to extend the availability of the app to) may change, and you’ll need to download the updates if you want to keep using the app. Bolt from the Blue Entertainment does not promise that it will always update the app so that it is relevant to you and/or works with the Android version that you have installed on your device. However, you promise to always accept updates to the application when offered to you, We may also wish to stop providing the app, and may terminate use of it at any time without giving notice of termination to you. Unless we tell you otherwise, upon any termination, (a) the rights and licenses granted to you in these terms will end; (b) you must stop using the app, and (if needed) delete it from your device.
We may update our Terms and Conditions from time to time. Thus, you are advised to review this page periodically for any changes. We will notify you of any changes by posting the new Terms and Conditions on this page. These changes are effective immediately after they are posted on this page
Contact UsIf you have any questions or suggestions about our Terms and Conditions, do not hesitate to contact us.


Invoking Password Safe with no arguments will cause the application to prompt you for the
master password of the last database that was opened, or for the
master password of a new database if none was previously opened on
your machine (e.g., the first time you use Password Safe).
It is, however, possible to modify this by invoking Password Safe as
follows:
pwsafedatabase
This will open the specified database file, instead of the last one
opened. If just a filename is
given, without a path, it will be searched for in the directory in which the
application was invoked. Note that if the filename and/or path has
spaces, it should be enclosed in double quotes.
pwsafe-r [database]
This will open the specified database in read-only mode. If a database is not
specified, then the application will prompt the user for a
database, which will be opened in read-only mode.
pwsafe-e filename
This will prompt the user for a passphrase, and encrypt the file with a
key derived from the passphrase. Note: The file can
be any file. The encrypted file will have the same
name as the original file, with ".PSF" appended to it.
pwsafe-d filename
This will prompt the user for a passphrase, and decrypt the file with a
key derived from the passphrase. Note: This will
work only on files that were encrypted by invoking pwsafe with the '-e'
option (see above).
pwsafe-c
This will start the application closed, that is, with no
database, and without the initial opening dialog (To access a database,
use the File menu).
pwsafe-s [database]
This will start the application "silently", that is,
minimized and with no database (unless one is specified). When the application
is restored, the user is presented with the opening dialog box (This option
is meant for starting the application upon login, via a shortcut in the user's
Startup folder). Note: This implicitly puts the application in the system tray.
pwsafe-m
This is the same as the '-c' option, with the addition that the application
is started as minimized.
In addition, the following options are accepted and may be useful if you wish to
share the same preferences across several machines, for example,
when running Password Safe from a disk-on-key.
-uusername
This will cause the application to read and write preferences under the specified
username, instead of under the login name.
-hhostname
This will cause the application to read and write preferences under the specified
hostname, instead of under the machine's name.
-gconfig_file
This will cause the specified file to be used for loading and storing preferences,
instead of the default pwsafe.cfg. If just a filename is given, without a path,
it will be searched for in the directory in which the application was invoked
unless overridden by the PWS_PREFSDIR environment variable (see its description
in the Preferences Section). Note that if the filename
and/or path has spaces, it should be enclosed in double quotes.
Note: As the configuration file uses XML, the username and hostname must satisfy the
XML standards:
The first character must be alphanumeric. If not, a "u" will be prefixed to the username
and a "h" will be prefixed to the hostname as appropriate.
They must only contain alphanumeric characters or one or more of the underscore, hyphen,
colon or full stop characters ("_-:."). If other characters are present, they will be replaced by the
underscore ("_").
Finally, there are some special command line flags beginning with "--". They are:
--do-tall, --do-wide, --do-auto
By default, Password Safe will check the screen dimensions and choose tall or wide versions of the larger dialog screens. Specifying --do-tall or --do-wide forces the choice, and --do-auto resets the system to use its internal logic. Note that this sets a preference, so it's enough to use this flag once on a given machine.
--novalidate
This will prevent Password Safe validating databases automatically when they are
opened. Some validation is always required e.g. uniqueness of the entry's ID and the
group/title/username combination.
--testdump
This allows testers to verify the mini-dump production when Password Safe has
a problem to help developers resolve the issue.
--cetreeview
A new feature allows two entries to be selected and compared either via the Edit menu or
by right-clicking on either. Selecting more than one entry is natively supported
in the List view but not in the Tree view. This flag enables "Compare Entries"
in the Tree view via an extra dialog to select the "other" entry. Supporting
multiple selection in the Tree view is under development. Once supported,
this flag will be ignored.


Google secret project gathers health data of millions of Americans: WSJ
Alphabet Inc's Google is teaming up with a health-care company on a secret project to collect personal health-related information of millions of Americans across 21 states, the Wall Street Journal reported on Monday.
REUTERS: Alphabet Inc's Google is teaming up with a health-care company on a secret project to collect personal health-related information of millions of Americans across 21 states, the Wall Street Journal reported on Monday.
Google launched "Project Nightingale" last year with St. Louis-based Ascension, according to the report, citing people familiar with the matter and internal documents. (https://on.wsj.com/2q3WCer)
Google and Ascension did not immediately respond to a Reuters request for comment.
The data involved in Project Nightingale includes lab results, doctor diagnoses and hospitalization records, among other categories, and amounts to a complete health history, complete with patient names and dates of birth, the Journal reported.
The news follows an earlier announcement from Google that it would buy Fitbit Inc for US$2.1 billion, aiming to enter wearables segment and invest in digital health.
(Reporting by Ambhini Aishwarya in Bengaluru; Editing by Shounak Dasgupta)


|
||||||||||
| PREV LETTER NEXT LETTER | FRAMES NO FRAMES |
FileFilter
provides subclasses with the ability to be a filter for a single given
extension.Matrix
provides basic methods and
storage for row and column names.DrawingPanel
background color from white to
black or black to white.
Loggable
object to this Logger
.
LogListener
to this object.
Renderable
object to this Renderer
.
SceneListener
to this object.
MeshConnectionReader
parses an ASCII file
containing mesh connection data, namely the node connections.ASCIIMeshConnectionReader
from the given
file.
MeshConnectionWriter
writes an ASCII file
containing mesh connection data, namely the node connections.ASCIIMeshConnectionWriter
from the given file.
|
||||||||||
| PREV LETTER NEXT LETTER | FRAMES NO FRAMES |


Thanks for downloading KJ Studio, where you are the Karaoke Jockey. Make a karaoke version of your favorite songs, sing songs, and share with friends.


Hey folks! We're Dan and Janey Jack. Janey comes from a background in technical and copywriting, and civil engineering. Dan is a retired Marine with experience in electrical repair and government administration. We might seem like an odd fit for the owners of a small business, but growing and curating our small living space with beautiful plants has been a passion of ours for years, and now we think it's time to share our love of plants with the community!
As our plant collection has continued to grow, our friends and family often ask what plants are right for them and their space? We enjoyed giving our advice to enthusiastic prospective plant-parents and determined that we had a real knack for it! And so, we opened up a storefront where we can present our favorite plants for sale and offer up our cumulative expertise.
Sure thing! Just fill out the contact form and make sure to click the mailing list checkbox.
Unfortunately, this is difficult to predict as changes to supply/demand as well as inclement weather, droughts, etc all effect what our overseas partners have available.
At this time we do not deliver, but we plan to offer local delivery (within 3 miles of Plant Shop) by the end of the year!
We sure do! Here's a small sample:


Week 11: Complete list of scores from Washington high-school football playoffs
by The Associated PressClass 4A
Bothell 17, Kentwood 14
Kennedy 49, Wenatchee 20
Puyallup 40, Eastlake 34
Class 3A
Bellevue 31, Lakes 14
Eastside Catholic 55, Squalicum 14
Lincoln 49, Seattle Prep 28
Marysville-Pilchuck 37, Prairie 30, OT
Mt. Spokane 35, Peninsula 10
O’Dea 35, Kelso 0
Class 2A
Archbishop Murphy 46, North Kitsap 0
Lakewood 38, Sequim 12
Steilacoom 42, Ridgefield 21
Tumwater 56, Franklin Pierce 7
Class 1A
Deer Park 22, Zillah 20
Lasalle 35, Cashmere 10
Lynden Christian 42, Cascade Christian 12
Royal 64, Charles Wright Academy 7
Class 2B
Chewelah 36, Tonasket 7
Kalama 46, Rainier 14
Onalaska 60, Brewster 7
Tri-Cities Prep 37, Asotin 0
Class 1B
State play-in games
Lynden Christian 42, Cascade Christian 12
Odessa 73, Colton 0
The Associated Press


Test passes if there are 20 small lime squares inside a filled green tall rectangle and if there is no red.
X X X X


VIPizza
World Class Recipes
Chicago
NY
Philly
Rio de Janeiro
Naples
Paris
Berlin
Moscow
Athens
Istanbul
New Delhi
Nagoya
Click a City for Local Flavor
Deep Dish Supreme
(Chicago, IL)
Crust:
Deep Dish
Sauce:
Savory Onion
Cheese:
Mozzarella
Fruit & Veg:
Red Onions, Mushrooms, Green Peppers
Protein:
Pepperoni, Sausage
Shake:
None
Drizzle:
None
Pepperoni, NY
(New York, NY)
Crust:
Thin
Sauce:
Sweet Basil
Cheese:
Mozzarella
Fruit & Veg:
None
Protein:
Pepperoni
Shake:
Oregano, Crushed Red Pepper
Drizzle:
None
Cheesesteak
(Philadelphia, PA)
Crust:
Classic
Sauce:
Garlic Parmesan
Cheese:
Provolone
Fruit & Veg:
Red Onions, Green Peppers
Protein:
Sliced Steak
Shake:
Black Pepper
Drizzle:
None
Bauru
(Rio de Janeiro, Brazil)
Crust:
Classic
Sauce:
Garlic Parmesan
Cheese:
Mozzarella
Fruit & Veg:
Sliced Pickle, Sliced Tomato
Protein:
Canadian Bacon
Shake:
None
Drizzle:
None
Margherita
(Naples, Italy)
Crust:
Thin
Sauce:
Sweet Basil
Cheese:
Mozzarella
Fruit & Veg:
Sliced Tomato, Fresh Basil
Protein:
Mozzarella Pearls
Shake:
None
Drizzle:
None
Tarte Flambée
(Paris, France)
Crust:
Thin
Sauce:
Crème Fraîche
Cheese:
Mozzarella
Fruit & Veg:
Red Onions, Mushrooms
Protein:
Bacon, Goat Cheese
Shake:
None
Drizzle:
None
Thunfischpizza
(Berlin, Germany)
Crust:
Classic
Sauce:
Savory Onion
Cheese:
Asiago
Fruit & Veg:
Red Onion
Protein:
Tuna
Shake:
None
Drizzle:
None
Russkiy Derevenskiye
(Moscow, Russia)
Crust:
Classic
Sauce:
Savory Onion
Cheese:
Mozzarella
Fruit & Veg:
Sliced Pickles, Diced Tomatoes, Mashed Potatoes
Protein:
Ground Beef, Bacon
Shake:
Parsley
Drizzle:
None
Greca
(Athens, Greece)
Crust:
Thin
Sauce:
Garlic Parmesan
Cheese:
Mozzarella
Fruit & Veg:
Red Onions, Mushrooms, Green Peppers, Black Olives
Protein:
Feta
Shake:
None
Drizzle:
None
Turkish Delight
(Istanbul, Turkey)
Crust:
Classic
Sauce:
Savory Onion
Cheese:
Mozzarella
Fruit & Veg:
Red Onion, Red Pepper, Jalapeño, Black Olive
Protein:
Goat Cheese
Shake:
Chipotle Powder
Drizzle:
Tahini
Chicken Pizza Masala
(New Delhi, India)
Crust:
Classic
Sauce:
Masala
Cheese:
Mozzarella
Fruit & Veg:
Red Onion, Green Pepper
Protein:
Chicken, Paneer
Shake:
Paprika
Drizzle:
Curry
Poté-Mayo
(Nagoya, Japan)
Crust:
Classic
Sauce:
Savory Onion
Cheese:
Mozzarella
Fruit & Veg:
Corn, Diced Potato
Protein:
Bacon
Shake:
Parsley
Drizzle:
Japanese Mayo
Your Pizza
Create Your Own
Choose Size:
Select
Personal - 8"
Small - 10"
Medium - 12"
Large - 14"
XL - 16"
Family - 18"
Choose Crust:
Select
Cracker
Thin
Classic
Deep Dish
Choose Cut:
Select
Wheel
Grid
Slim
Sauce:
Savory Onion
Sweet Basil
Pesto
Garlic Parmesan
Barbeque
Teriyaki
Crème Fraîche
Adobo
Masala
Cinnamon-Sugar
Cream Cheese
No Sauce
Cheese:
Mozzarella
Parmesan
Provolone
Vegan Mozz
Asiago
Cheddar
Monterey Jack
No Cheese
Fruit & Veg:
Diced Tomato
Sliced Tomato
Mushroom
Green Pepper
Red Pepper
Red Onion
Banana Pepper
Sliced Pickle
Green Olive
Black Olive
Sliced Jalapeño
Corn
Roast Garlic
Asparagus
Eggplant
Mashed Potato
Diced Potato
Chickpea
Spinach
Fresh Basil
Pineapple
Blueberry Preserves
Apple Preserves
No Fruit or Veg
Protein:
Ground Beef
Pepperoni
Sliced Steak
Gringo Taco
Grilled Chicken
Roast Turkey
Roast Duck
Fried Egg
Bacon
Canadian Bacon
Sausage
Tuna
Shrimp
Crab
Squid
Anchovies
Paneer
Goat Cheese
Ricotta
Feta
Blue Cheese
Mozzarella Pearls
Vegan Bacon
Vegan Gringo Taco
Vegan Chicken
No Protein
Shake:
Crushed Red Pepper
Chipotle Powder
Paprika
Black Pepper
Parmesan
Sesame Seed
Garlic
Oregano
Parsley
Basil
Powdered Sugar
Rainbow Sprinkles
No Shake
Drizzle:
Hot Sauce
Sriracha
Salsa Picante
Garlic Butter
Barbeque Sauce
Beef Gravy
Ranch
Japanese Mayo
Tahini
Caesar Dressing
Curry
Honey
Dark Chocolate
Icing
No Drizzle
Hold "Ctrl" to select multiple toppings in a list. First 6 toppings free, then $1 each thereafter.
Add Pizza


Choose your favorites out of the batch below. Adjust the batch size to your preference.
After some time, and depending on the batch size, your favorites will start to appear.
Continue to sort until you have a favorite list as long as you want it.
If you aren't happy with the final favorites, you can re-order them.
Find 9 favorites for your perfect village!


migra is a python library and command line tool for working with PostgreSQL schemas. If you've always found database migrations frustrating and annoying, this may be the tool for you.
Written by djrobstep (takes a tool to build a tool), migra recently had its 1.0 release, and is in production use by the Australian government.
If you like migra, check out djrobstep's other projects: sqlakeyset, autovenv, and csvx.


The github project is maintained at https://github.com/MAYAPERETZ/Project/tree/master/RISCV_final_project and will contain updated releases, bug lists, etc.
For bug reporting and general comments, please open new issue in the github project Please include sufficient information to recreate the problem, and assembly programs if appropriate.


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7
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910
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New
York
copyright
reserved
botanical
garden
NEW
YORK
BOTANJCAL
GARDEN
00819697
^J^IMAGED
Ludwigia
peruviana
(L.)
Hara
Determined
by
T.P.
Ramamoorthy
1980
Missouri
Botanical
Garden
HERBARIUM
OF
THE
EXPERIMENT
STATION
OF
THE
PORTO
RICO
SUGAR
GROWER'S
ASSOCIATION.
RIO
PIEDRAS,
P.
R.
1
0
J.
R.
JOHNSTON
Identified
by
NH\/
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im
ã
o
Date
,
I
J9I;
J.
peruviana
L.
Philip
A.
Munz
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Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


MatthiasMullie\Minify\Minify
Abstract minifier class.
Please report bugs on https://github.com/matthiasmullie/minify/issues
- Author: Matthias Mullie<EMAIL_ADDRESS>- Copyright: Copyright (c) 2012, Matthias Mullie. All rights reserved.
- License: MIT License
Synopsis
class Minify
{
- // members
- protected array $data = ;
- protected array $patterns = ;
- public array $extracted = ;
- // methods
- public void __construct()
- public void add()
- public string minify()
- public string gzip()
- public CacheItemInterface cache()
- public abstract string execute()
- protected string load()
- protected void save()
- protected void registerPattern()
- protected string replace()
- protected string replacePattern()
- protected void extractStrings()
- protected string restoreExtractedData()
- protected bool canImportFile()
- protected resource openFileForWriting()
- protected void writeToFile()
Members
protected
- $data
—
array
The data to be minified. - $patterns
—
array
Array of patterns to match.
public
- $extracted
—
array
This array will hold content of strings and regular expressions that have been extracted from the JS source code, so we can reliably match "code", without having to worry about potential "code-like" characters inside.
Methods
protected
- canImportFile() — Check if the path is a regular file and can be read.
- extractStrings() — Strings are a pattern we need to match, in order to ignore potential code-like content inside them, but we just want all of the string content to remain untouched.
- load() — Load data.
- openFileForWriting() — Attempts to open file specified by $path for writing.
- registerPattern() — Register a pattern to execute against the source content.
- replace() — We can't "just" run some regular expressions against JavaScript: it's a complex language. E.g. having an occurrence of // xyz would be a comment, unless it's used within a string. Of you could have something that looks like a 'string', but inside a comment.
- replacePattern() — This is where a pattern is matched against $content and the matches are replaced by their respective value.
- restoreExtractedData() — This method will restore all extracted data (strings, regexes) that were replaced with placeholder text in extract*(). The original content was saved in $this->extracted.
- save() — Save to file.
- writeToFile() — Attempts to write $content to the file specified by $handler. $path is used for printing exceptions.
public
- __construct() — Init the minify class - optionally, code may be passed along already.
- add() — Add a file or straight-up code to be minified.
- cache() — Minify the data & write it to a CacheItemInterface object.
- execute() — Minify the data.
- gzip() — Minify & gzip the data & (optionally) saves it to a file.
- minify() — Minify the data & (optionally) saves it to a file.


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| io.ktor.http.cio.CIOHeaders | |
| io.ktor.http.cio.CIOMultipartData | |
| io.ktor.http.cio.ConnectionOptions | |
| io.ktor.http.cio.DecoderJob | |
| io.ktor.http.cio.EncoderJob | |
| io.ktor.http.cio.HttpHeadersMap | |
| io.ktor.http.cio.HttpMessage | |
| io.ktor.http.cio.HttpRequestHandler | |
| io.ktor.http.cio.MultipartEvent | |
| io.ktor.http.cio.ParserException | |
| io.ktor.http.cio.Request | |
| io.ktor.http.cio.RequestResponseBuilder | |
| io.ktor.http.cio.Response | |
| io.ktor.http.cio.internals.WeakTimeoutQueue |
It provides ability to cancel jobs and schedule coroutine with timeout. Unlike regular withTimeout this implementation is never scheduling timer tasks but only checks for current time. This makes timeout measurement much cheaper and doesn't require any watchdog thread. |


This is the central repository for tutorials and instructions on FullScreenShenanigans projects. These are all TypeScript projects tailored to or built on the GameStartr game engine.
Getting Started
If you're new to JavaScript, read the Getting Started section to learn how to copy the code and run it locally.
Build Details has details on the specific build tasks, while other files detail modules of GameStartr projects.
GameStartr
GameStartr is a TypeScript game engine used as a base for creating sprite-based 2D games, particularly retro remakes such as FullScreenPokemon. It uses about two dozen other FullScreenShenanigans projects as Node modules.
History
The FullScreenMario project started October 21st, 2012 and had a beta release in October 2013. FullScreenMario.com received approximately 2.68 million unique visitors within a month, after which Nintendo shut the site down with a DMCA complaint (no action was taken against the authors, GitHub, or other hosting websites).
The FullScreenPokemon project started in October of 2015 during the refactor and had an April Fools Day joke release in 2015.


Module: ElabsMatchers::Helpers::ReloadRecord
- Defined in:
- lib/elabs_matchers/helpers/reload_record.rb
Instance Method Summary collapse
-
#reload(record) ⇒ Object
Finds the record from the database and return a new instance for that record.
-
#save_and_reload(record) ⇒ Object
Saves the record and fetches it from the database and return a new instance for that record.
Instance Method Details
#reload(record) ⇒ Object
Finds the record from the database and return a new instance for that record.
Example: reload(post)
15 16 17 |
# File 'lib/elabs_matchers/helpers/reload_record.rb', line 15 def reload(record) record.class.find(record.id) end |
#save_and_reload(record) ⇒ Object
Saves the record and fetches it from the database and return a new instance for that record.
Example: save_and_reload(post)
28 29 30 31 |
# File 'lib/elabs_matchers/helpers/reload_record.rb', line 28 def save_and_reload(record) record.save! reload(record) end |


After bloody clashes and independence won, Lumumba refused to pander to the Belgians, who continued a condescending and paternalistic relationship with the Congo. Their officers, particularly General Janssens (Rudi Delhem) in the Force Publique, the Congo's Army, caused rebellions, undermining Lumumba, who was outraged at the rape and murder of Belgian nationals. With unrest building, Moise Tshombe (Pascal Nzonzi) and the province of Katanga, which contained 70 percent of the country's resources, proclaimed secession. Lumumba replaced Janssens, making Mobutu a colonel, and went on a pacification
tour with Congolese President Joseph Kasa Vubu (Maka Kotto), but it was too late. 'When you want to drown a dog, you say it has rabies,' prophesies Lumumba of his own fate.
Peck and Bonitzer do an exemplary job telling a complicated tale with a myriad of players, although they frequently succumb to cliche, particularly regarding Lumumba's private life. Peck's script illuminates Bantu sayings like 'The hand that gives, rules' when Lumumba uses it with the American ambassador. Peck's direction is less assured, with many scenes unfortunately playing like standard television fare. He's served well, though, by his casting of Ebouaney in the title role. Ebouaney is dynamic, radiating his character's fierce passion for his people and his country. Lumumba's intelligence and ability to strategize, even as he's cornered by insurmountable odds, are given life by Ebouaney. Peck's subject and lead actor elevate his film above its mediocre production.
"Lumumba" is a story that deserves to be told and Ebouaney's performance makes the tragedy personally felt.
B
========== X-RAMR-ID: 29435 X-Language: en X-RT-ReviewID: 248865 X-RT-TitleID: 1050336 X-RT-SourceID: 386 X-RT-AuthorID: 1487 X-RT-RatingText: B
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


HIGH FIDELITY (Touchstone) Starring: John Cusack, Iben Hjejle, Todd Louiso, Jack Black, Lisa Bonet, Catherine Zeta-Jones, Joan Cusack, Tim Robbins, Lili Taylor. Screenplay: D.V. DeVincentis & Steve Pink & John Cusack and Scott Rosenberg, based on the novel by Nick Hornby. Producers: Tim Bevan and Rudd Simmons. Director: Stephen Frears.  Reviewed by Scott Renshaw.
At first glance, there's every reason to believe John Cusack is the ideal cast for Rob Gordon, the protagonist of HIGH FIDELITY. A single, likeable, somewhat directionless guy in his early 30s, Rob spends his days hawking the archaic music format of vinyl in his shop Championship Vinyl, then spends his nights obsessing over his failed relationships. Throughout HIGH FIDELITY, Rob narrates his story directly to the audience, describing his troubles with his soon-to-be-latest-ex Laura (Iben Hjejle) and Laura's place in his catalog of break-up stories. Few actors could pull off the amount of narration required of Rob without becoming instantly annoying; even fewer could make self-absorption somewhat sympathetic.
So why does Cusack seem ever-so-slightly wrong in a role that should be so right? It's not the sharp comic setting crafted by director Stephen Frears and a team of four writers (adapting Nick Hornby's novel). That setting finds Rob and his co-workers Barry (Jack Black) and Dick (Todd Louiso) holding court in Championship Vinyl, mocking customers for their lack of musical acumen and exchanging Top Five lists of best songs in detailed categories (e.g., Top Five Side-One, Song-One Tracks). Cusack is fine as the saner center, but his co-stars are superb. Black's Barry is an aggressive, abrasive pedant who delights in the power of dispensing arcana or withholding a rare record; Louiso's Dick is a portrait in awed fan-geek deference. When the Championship crew is rattling off obscure band influences or rattling customers with their disdain, HIGH FIDELITY finds its highest energy.
It's not the focus on Rob's relationship history, either. Rob recounts his woman woes in search of a pattern to his failed love affairs, allowing for some great moments of comic humiliation (and a couple of priceless fantasy sequences). It also allows for a parade of familiar faces in extended cameos: Tim Robbins as Laura's other man; Lili Taylor as one needy ex; Catherine Zeta-Jones as another, more intimidating ex; even Bruce Springsteen pops up to offer advice. The gimmicky casting is occasionally distracting, but not so much so that it overwhelms the strengths of the individual episodes. There's even some charming wisdom in HIGH FIDELITY's acknowledgement that middle school make-out sessions can stay with you for life, or that a skillfully made mix tape can speak from the heart.
No, the one key problem with an otherwise thoroughly entertaining film is that Cusack's screen persona is just too ... nice. Rob is a somewhat unreliable narrator, since it is gradually revealed that he's caused just as much emotional damage as has been done to him. One breakup inspired by his own sexual frustration has morphed in his mind into the woman's fault; he acknowledges having cheated on Laura while they were together; he sleeps with a singer (Lisa Bonet) even as he's fuming over Laura's involvement with another man while they're separated. Combine his romantic irresponsibility with his musical snobbery, and you've got a character that should be played with more jerkish, immature edge. With Cusack, the nice guy is too dominant. Rob's confessions -- which should have played as calculated attempts to win us to his side -- feel more like guileless soul-baring coming from Cusack's mouth. And they never quite feel right.
In the end, Rob learns some valuable lessons and starts to grow up a little. It's only then that you can feel enthusiastic about wishing for Rob's happiness. HIGH FIDELITY's sharp wit could have made up for a multitude of sins, when in fact it only has to make up for one; there's more than enough quality film-making to weigh in the film's favor. There's also that nagging realiation that Rob's not the good-natured hero we all want him to be when John Cusack is playing the part. Cusack has proven himself to be a talented, versatile actor, but there's a guy we've come to know and love in off-beat romantic comedies like THE SURE THING, SAY ANYTHING and GROSSE POINTE BLANK, and it's hard not to listen to Cusack reveal personal traumas without expecting that guy. Even when HIGH FIDELITY is at its most inspired, you can tell that Rob Gordon isn't that guy.
On the Renshaw scale of 0 to 10 vinyl examinations: 7.
Visit Scott Renshaw's Screening Room http://www.inconnect.com/~renshaw/ *** Subscribe to receive new reviews directly by email! See the Screening Room for details, or reply to this message with subject "Subscribe".
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The Local Train recorded its first album, "Aalas Ka Pedh", with the Flying Carpet Productions. The album was engineered by the noted recording engineer Ashish Manchanda. The band recorded its first music video "Aaoge Tum Kabhi" in association with The Morpheus Productions. It created a sensation on social networking sites and their work was appreciated by great artists like Raghu Dixit. The band came with its second music video "Kaise Jiyun" which featured Ryan Martyr, a young aspiring dancer in association with The Morpheus Production. It was also liked by the fans and were showered with likes. The third music video came out was "Bandey" which was based on their live performances at various venues.[5] They announced the 4th Music video of the song "Yeh Zindagi Hai" [6] which featured Faizan Tak, a Model and Kamila Grodêcka, Miss Poland Finalist, 2012.[7] The band launched their debut album "Aalas Ka Pedh" on 3rd. September, 2015 on OK Listen! The band received lots of appreciation by its fans for this album. Recently, The Song "Aaoge Tum Kabhi" was featured in the movie "Angry Indian Goddesses".The band recently launched its new single "Khudi" starring Arjun Mathur.On 19 January 2018, the band released their second album "Vaaqif".
The Local Train recorded its first album, "Aalas Ka Pedh", with the Flying Carpet Productions. The album was engineered by the noted recording engineer Ashish Manchanda. The band recorded its first music video "Aaoge Tum Kabhi" in association with The Morpheus Productions. It created a sensation on social networking sites and their work was appreciated by great artists like Raghu Dixit. The band came with its second music video "Kaise Jiyun" which featured Ryan Martyr, a young aspiring dancer in association with The Morpheus Production. It was also liked by the fans and were showered with likes. The third music video came out was "Bandey" which was based on their live performances at various venues.[5] They announced the 4th Music video of the song "Yeh Zindagi Hai" [6] which featured Faizan Tak, a Model and Kamila Grodêcka, Miss Poland Finalist, 2012.[7] The band launched their debut album "Aalas Ka Pedh" on 3rd. September, 2015 on OK Listen! The band received lots of appreciation by its fans for this album. Recently, The Song "Aaoge Tum Kabhi" was featured in the movie "Angry Indian Goddesses".The band recently launched its new single "Khudi" starring Arjun Mathur.On 19 January 2018, the band released their second album "Vaaqif".
The Local Train recorded its first album, "Aalas Ka Pedh", with the Flying Carpet Productions. The album was engineered by the noted recording engineer Ashish Manchanda. The band recorded its first music video "Aaoge Tum Kabhi" in association with The Morpheus Productions. It created a sensation on social networking sites and their work was appreciated by great artists like Raghu Dixit. The band came with its second music video "Kaise Jiyun" which featured Ryan Martyr, a young aspiring dancer in association with The Morpheus Production. It was also liked by the fans and were showered with likes. The third music video came out was "Bandey" which was based on their live performances at various venues.[5] They announced the 4th Music video of the song "Yeh Zindagi Hai" [6] which featured Faizan Tak, a Model and Kamila Grodêcka, Miss Poland Finalist, 2012.[7] The band launched their debut album "Aalas Ka Pedh" on 3rd. September, 2015 on OK Listen! The band received lots of appreciation by its fans for this album. Recently, The Song "Aaoge Tum Kabhi" was featured in the movie "Angry Indian Goddesses".The band recently launched its new single "Khudi" starring Arjun Mathur.On 19 January 2018, the band released their second album "Vaaqif".
The Local Train recorded its first album, "Aalas Ka Pedh", with the Flying Carpet Productions. The album was engineered by the noted recording engineer Ashish Manchanda. The band recorded its first music video "Aaoge Tum Kabhi" in association with The Morpheus Productions. It created a sensation on social networking sites and their work was appreciated by great artists like Raghu Dixit. The band came with its second music video "Kaise Jiyun" which featured Ryan Martyr, a young aspiring dancer in association with The Morpheus Production. It was also liked by the fans and were showered with likes. The third music video came out was "Bandey" which was based on their live performances at various venues.[5] They announced the 4th Music video of the song "Yeh Zindagi Hai" [6] which featured Faizan Tak, a Model and Kamila Grodêcka, Miss Poland Finalist, 2012.[7] The band launched their debut album "Aalas Ka Pedh" on 3rd. September, 2015 on OK Listen! The band received lots of appreciation by its fans for this album. Recently, The Song "Aaoge Tum Kabhi" was featured in the movie "Angry Indian Goddesses".The band recently launched its new single "Khudi" starring Arjun Mathur.On 19 January 2018, the band released their second album "Vaaqif".


jQuery Slide Scroll Panel is a great way to create sliding scroll panels that slide in by touch, trackpad and scrolling
Click the buttons to see jQuery Slide Scroll Panel in action!
$('#yourPanel').scrollSlidePanel({direction:'right'})
$('#yourPanel').data('slidescrollpanel').showPanel()
$('#yourPanel').data('slidescrollpanel').hidePanel()
$('#yourPanel').scrollSlidePanel({direction:'left'})
$('#yourPanel').data('slidescrollpanel').showPanel()
$('#yourPanel').data('slidescrollpanel').hidePanel()
$('#yourPanel').scrollSlidePanel({direction:'top'})
$('#yourPanel').data('slidescrollpanel').showPanel()
$('#yourPanel').data('slidescrollpanel').hidePanel()
$('#yourPanel').scrollSlidePanel({direction:'bottom'})
$('#yourPanel').data('slidescrollpanel').showPanel()
$('#yourPanel').data('slidescrollpanel').hidePanel()
The following configuration is available when creating your slide scroll panel with: $('#yourPanel').scrollSlidePanel(config)
# Direction that our panel should slide in from
direction: 'right'
# jQuery Element our panel is wrapped in
# Defaults to a new div
$wrap: null
# Should we auto set the panel's width?
autoContentWidth: true
# Should we auto set the panel's height?
autoContentHeight: true
# Should we auto set the wrap's width?
autoWrapWidth: true
# Should we auto set the wrap's height?
autoWrapHeight: true
# How long should we wait on desktop devices for the user to scroll again
disableDelay: 1*1000
# The classname to apply to the wrapper when the panel is active
wrapActiveClass: 'slidescrollpanel-active'
# The classname to apply to the wrapper when the panel is visible
wrapVisibleClass: 'slidescrollpanel-visible'
# Auto Show Above Percentage
autoShowAbove: 0.7
# Auto Hide Below Percentage
autoHideBelow: 0.3
# Keep Visible By
keepVisibleBy: false
# Force the wrapper to be position by this property instead of the default
forcedPositionProperty: false
# Styles to apply to the wrap
wrapStyles:
margin: 0
padding: 0
position: 'absolute'
top: 0
left: 0
overflow: 'auto'
'z-index': 100
# Styles to apply to the panel
contentStyles:
margin: 0
padding: 0
width: '100%'
display: 'inline-block'
The CSS class slidescrollpanel-wrap
is added to the wrapper
The CSS classes slidescrollpanel-content
and slidescrollpanel-direction-THEDIRECTION
are added to the panel
jquery-slidescrollpanel
and move all the files and directories into that to continue.jquery-slidescrollpanel
which has a whole bunch of stuff in it, then that is fine and you can continue onto the next step.jquery-slidescrollpanel
then you must rename it to jquery-slidescrollpanel
to continue.jquery-slidescrollpanel
directory to somewhere on your webserverBe sure to always keep the entire jquery-slidescrollpanel
directory intact; this means if you were to only move some of the files instead of moving the entire directory, then you would run into problems due to the cross directory references would no longer be working.
If your page already has jQuery included then you can skip this step.
<!-- Include jQuery (Dependency of jQuery Slide Scroll Panel) -->
<script src="http://www.yoursite.com/somewhere/on/your/webserver/jquery-slidescrollpanel/vendor/jquery.js"></script>
<!-- Include jQuery Slide Scroll Panel -->
<script src="http://www.yoursite.com/somewhere/on/your/webserver/jquery-slidescrollpanel/lib/jquery-slidescrollpanel.js"></script>
If anything isn't working the way you want it to, or if you would like to request a feature or provide praise or general feedback then be sure to click the feedback button to the right, or the "Get Support" link up the top of this page.
This work is powered by coffee and distributed for free. Donations are how we afford our coffee. Coffee is how we stay awake after our day job hours to work on things like this free open-source project which you're looking at. So go ahead, and get that warm fuzzy feeling knowing you just helped some poor fellow working after hours for free to buy his coffee. You only need to spare a few dollars, or as much as you feel this piece of work is worth. Thanks so much. Alternatively; if you are not in a donating mood, then spreading the word about this project on twitter, your blog, or whatever is just as good. Thanks a bunch, we appreciate the help deeply.
Licensed under the MIT License.


Get the bot?
Windows
1. Install Python: Python
2. Install NodeJS: NodeJS
3. Install ffmpeg: ffmpeg
4. Download MineBot: MineBot (or, if you have installed git type in your command prompt)
5 Go here and create a google account.
6. Go here click at select Project and then on the '+'
7. Now select your project and enable Youtube data Api v3 and gmail api
8.  Call the file client_secret.json and do it into the bots folder. Now remember the api key, you will be asked for it in the installer when you first start the bot!
10. Open the folder with any command prompt and type to install the python package
11. Now install the npm packages
12. Now the bot is installed. Now just type , so it will be started. If you want it to automatically restart, type MineBot
13. Go here, create an Application and type in the TOKEN in the bot in the console, when you asked for it.
14. Replace in this Link the [ID] with your bots / applications id: and over this link add the bot to your server.
15. Enable Developer options on on your Discord account and copy your user id, and type it in the console. Now you will be asked for the email. Type in the Mail address of our futured createted google account! At last type in our api key that we generad at point 8
16 Now everything is ready. You mustn't do that at every start of the bot. If it stops just type or
Linux and Raspbian
1. Type in you command prompt
2. Type in your command prompt to install the base programms.
3. Type in your command prompt to download the bot.
4 Go here and create a google account.
5. Go here click at select Project and then on the '+'
6. Now select your project and enable Youtube data Api v3 and gmail api
7. Now go left on access data and create an api key and a OAuth 2.0-Client-ID
8 Now go on the Auth 2.0-Client-ID and lick download json. Call the file client_secret.json and do it into the bots folder. Now remember the api key, you will be asked for it in the installer when you first start the bot!
9. Type in your command prompt to install the python package.
10. Type in your command prompt to install the python packages.
11. To start type in your command prompt.
12. Go here, create an Application and type in the TOKEN in the bot in the console, when you asked for it.
13. Replace in this Link the [ID] with your bots / applications id: and over this link add the bot to your server.
14. Enable Developer options on on your Discord account and copy your user id, and type it in the console. Now you will be asked for the email. Type in the Mail address of our futured createted google account! At last type in our api key that we generad at point 7
15 Now everything is ready. You mustn't do that at every start of the bot. If it stops just type
Commands + Permissions
| Command | Permission |
|---|---|
| say <message> | usefulcommands.say |
| mute <user> <time (in sec)> |
moderation.mute |
| clear <number> | usefulcommands.clear |
| bahn | funny.bahn |
| confirm <code> | stuff.confirmmail |
| linkmail <mail> | stuff.linkmail |
| money | money.money |
| music play |
stuff.music.play |
|
permission user add <user> <permission> permission user remove <user> <permission> permission user test <user> <permission> permission role add <user> <permission> permission role remove <user> <permission> permission role test <user> <permission> |
management.permission.user.add management.permission.user.remove management.permission.user.test management.permission.role.add management.permission.role.remove management.permission.role.test |
| rip <name>;(reason) | funny.rip |
| stop | system.stop (Only in global-permissions.yml. not for guild owners) |
MIT License
This Product ist licensed under a MIT license. Here you have the english orginal
Copyright (c) 2017-2018 Minimine
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


ngView
(directive in module ng
)
ngView
is a directive that complements the $route
service by
including the rendered template of the current route into the main layout (index.html
) file.
Every time the current route changes, the included view changes with it according to the
configuration of the $route
service.
<ng-view> </ng-view>as attribute
<ANY ng-view> ... </ANY>as class
<ANY class="ng-view"> ... </ANY>
Emitted every time the ngView content is reloaded.


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Used for creating yearly, weekly etc versions of base plan. Child plans will inherit their parent permissions/features.
How much subscribers of this plan should be charged. (Dollars, euros etc.)
For example, Amount=100, Interval=Year and Interval Count=1, will charge user 100 dollars every year.
The frequency with which a subscription should be billed.
The number of intervals (specified in the interval property above) between each subscription billing. For example, Interval=Month and Interval Count=3 bills every 3 months.
Order of plans. Lower position will appear first.
Plan will be marked as "Most Popular" and emphasized to users.
Basic free plan that will be assigned to new users that have not upgraded to other plans.
Whether plan permissions should be displayed as features to users.
No custom features yet.
Hard drive space available to users subscribed to this plan.


--- layout: plainarticle permalink: '/homecoming/2016/general-assembly/' title: General Assembly at Homecoming 2016 ---
Date & time: Saturday 24th September 2016 – 10:45 – 12:45
Location: Conrad Naber Lecture Hall, Reimer Lust Hall, Jacobs University Campus
Please note the General Assembly will be live-streamed, recorded and made available to the members of the Alumni Association who log in to AlmaLink. If you attend the assembly, you agree that you and/or your statements could be recorded.Watch the GA here:


The evolution of the unit-cell parameters of hurlbutite, CaBe 2P 2O 8, along the compression. Filled, open and open with dots symbols correspond to high-pressure room-temperature experiments 1– 3, respectively. The errors are smaller than the size of the symbols