public class DocFlavor extends Object implements Serializable, Cloneable
DocFlavor
encapsulates an object that specifies the
format in which print data is supplied to a DocPrintJob
.

The print data format, or "doc flavor", consists of two things:
Class.getName()
method.
(Thus the class name for byte[]
is "[B"
, for
char[]
it is "[C"
.)
A DocPrintJob
obtains its print data by means of interface
Doc
. A Doc
object lets the DocPrintJob
determine the doc flavor the client can supply. A Doc
object
also lets the DocPrintJob
obtain an instance of the doc flavor's
representation class, from which the DocPrintJob
then obtains
the actual print data.
For client formatted print data, the client determines or knows the print data format. For example the client may have a JPEG encoded image, a URL for HTML code, or a disk file containing plain text in some encoding, possibly obtained from an external source, and requires a way to describe the data format to the print service.
The doc flavor's representation class is a conduit for the JPS
DocPrintJob
to obtain a sequence of characters or
bytes from the client. The
doc flavor's MIME type is one of the standard media types telling how to
interpret the sequence of characters or bytes. For a list of standard media
types, see the Internet Assigned Numbers Authority's (IANA's) Media Types
Directory. Interface Doc
provides two utility operations,
getReaderForText
and
getStreamForBytes()
, to help a
Doc
object's client extract client formatted print data.
For client formatted print data, the print data representation class is typically one of the following (although other representation classes are permitted):
char[]
) -- The print data consists of the
Unicode characters in the array.
String
--
The print data consists of the Unicode characters in the string.
java.io.Reader
)
-- The print data consists of the Unicode characters read from the stream
up to the end-of-stream.
byte[]
) -- The print data consists of the bytes in
the array. The bytes are encoded in the character set specified by the doc
flavor's MIME type. If the MIME type does not specify a character set, the
default character set is US-ASCII.
java.io.InputStream
) --
The print data consists of the bytes read from the stream up to the
end-of-stream. The bytes are encoded in the character set specified by the
doc flavor's MIME type. If the MIME type does not specify a character set,
the default character set is US-ASCII.
URL
)
-- The print data consists of the bytes read from the URL location.
The bytes are encoded in the character set specified by the doc flavor's
MIME type. If the MIME type does not specify a character set, the default
character set is US-ASCII.
When the representation class is a URL, the print service itself accesses and downloads the document directly from its URL address, without involving the client. The service may be some form of network print service which is executing in a different environment. This means you should not use a URL print data flavor to print a document at a restricted URL that the client can see but the printer cannot see. This also means you should not use a URL print data flavor to print a document stored in a local file that is not available at a URL accessible independently of the client. For example, a file that is not served up by an HTTP server or FTP server. To print such documents, let the client open an input stream on the URL or file and use an input stream data flavor.
For byte print data where the doc flavor's MIME type does not include a
charset
parameter, the Java Print Service instance assumes the
US-ASCII character set by default. This is in accordance with
RFC 2046, which says the
default character set is US-ASCII. Note that US-ASCII is a subset of
UTF-8, so in the future this may be widened if a future RFC endorses
UTF-8 as the default in a compatible manner.
Also note that this is different than the behaviour of the Java runtime when interpreting a stream of bytes as text data. That assumes the default encoding for the user's locale. Thus, when spooling a file in local encoding to a Java Print Service it is important to correctly specify the encoding. Developers working in the English locales should be particularly conscious of this, as their platform encoding corresponds to the default mime charset. By this coincidence that particular case may work without specifying the encoding of platform data.
Every instance of the Java virtual machine has a default character encoding determined during virtual-machine startup and typically depends upon the locale and charset being used by the underlying operating system. In a distributed environment there is no guarantee that two VM share the same default encoding. Thus clients which want to stream platform encoded text data from the host platform to a Java Print Service instance must explicitly declare the charset and not rely on defaults.
The preferred form is the official IANA primary name for an encoding.
Applications which stream text data should always specify the charset
in the mime type, which necessitates obtaining the encoding of the host
platform for data (eg files) stored in that platform's encoding.
A CharSet which corresponds to this and is suitable for use in a
mime-type for a DocFlavor can be obtained
from DocFlavor.hostEncoding
This may not always be the primary IANA name but is guaranteed to be
understood by this VM.
For common flavors, the pre-defined *HOST DocFlavors may be used.
See character encodings for more information on the character encodings supported on the Java platform.
The Java Print Service API does not define any mandatorily supported DocFlavors. However, here are some examples of MIME types that a Java Print Service instance might support for client formatted print data. Nested classes inside class DocFlavor declare predefined static constant DocFlavor objects for these example doc flavors; class DocFlavor's constructor can be used to create an arbitrary doc flavor.
| MIME-Type | Description |
|---|---|
"text/plain" |
Plain text in the default character set (US-ASCII) |
"text/plain; charset=xxx" |
Plain text in character set xxx |
"text/html" |
HyperText Markup Language in the default character set (US-ASCII) |
"text/html; charset=xxx" |
HyperText Markup Language in character set xxx |
In general, preformatted text print data is provided either in a character oriented representation class (character array, String, Reader) or in a byte oriented representation class (byte array, InputStream, URL).
| MIME-Type | Description |
|---|---|
"application/pdf" |
Portable Document Format document |
"application/postscript" |
PostScript document |
"application/vnd.hp-PCL" |
Printer Control Language document |
In general, preformatted PDL print data is provided in a byte oriented representation class (byte array, InputStream, URL).
| MIME-Type | Description |
|---|---|
"image/gif" |
Graphics Interchange Format image |
"image/jpeg" |
Joint Photographic Experts Group image |
"image/png" |
Portable Network Graphics image |
In general, preformatted image print data is provided in a byte oriented representation class (byte array, InputStream, URL).
| MIME-Type | Description |
|---|---|
"application/octet-stream" |
The print data format is unspecified (just an octet stream) |
The printer decides how to interpret the print data; the way this "autosensing" works is implementation dependent. In general, preformatted autosense print data is provided in a byte oriented representation class (byte array, InputStream, URL).
For service formatted print data, the Java Print Service instance
determines the print data format. The doc flavor's representation class
denotes an interface whose methods the DocPrintJob
invokes to
determine the content to be printed -- such as a renderable image
interface or a Java printable interface.
The doc flavor's MIME type is the special value
"application/x-java-jvm-local-objectref"
indicating the client
will supply a reference to a Java object that implements the interface
named as the representation class.
This MIME type is just a placeholder; what's
important is the print data representation class.
For service formatted print data, the print data representation class is typically one of the following (although other representation classes are permitted). Nested classes inside class DocFlavor declare predefined static constant DocFlavor objects for these example doc flavors; class DocFlavor's constructor can be used to create an arbitrary doc flavor.
RenderableImage
. The
printer calls methods
in that interface to obtain the image to be printed.
Printable
.
The printer calls methods in that interface to obtain the pages to be
printed, one by one.
For each page, the printer supplies a graphics context, and whatever the
client draws in that graphics context gets printed.
Pageable
. The printer calls
methods in that interface to obtain the pages to be printed, one by one.
For each page, the printer supplies a graphics context, and whatever
the client draws in that graphics context gets printed.
("text/plain", "java.io.InputStream")
("text/plain; charset=us-ascii", "java.io.InputStream")
("text/plain; charset=utf-8", "java.io.InputStream")
("application/x-java-jvm-local-objectref", "java.awt.image.renderable.RenderableImage")
A Java Print Service instance is allowed to support any other doc flavors (or none) in addition to the above mandatory ones, at the implementation's choice.
Support for the above doc flavors is desirable so a printing client can rely on being able to print on any JPS printer, regardless of which doc flavors the printer supports. If the printer doesn't support the client's preferred doc flavor, the client can at least print plain text, or the client can convert its data to a renderable image and print the image.
Furthermore, every Java Print Service instance must fulfill these requirements for processing plain text print data:
The client must itself perform all plain text print data formatting not addressed by the above requirements.
Class DocFlavor in package javax.print.data is similar to class
DataFlavor
. Class
DataFlavor
is not used in the Java Print Service (JPS) API
for three reasons which are all rooted in allowing the JPS API to be
shared by other print services APIs which may need to run on Java profiles
which do not include all of the Java Platform, Standard Edition.
java.awt.datatransfer.DataFlavor
does not guarantee that equivalent data flavors will have the same
serialized representation. DocFlavor does, and can be used in services
which need this.
java.awt.datatransfer.DataFlavor
includes a human presentable name as part of the serialized representation.
This is not appropriate as part of a service matching constraint.
Class DocFlavor's serialized representation uses the following canonical form of a MIME type string. Thus, two doc flavors with MIME types that are not identical but that are equivalent (that have the same canonical form) may be considered equal.
Class DocFlavor's serialized representation also contains the fully-qualified class name of the representation class (a String object), rather than the representation class itself (a Class object). This allows a client to examine the doc flavors a Java Print Service instance supports without having to load the representation classes, which may be problematic for limited-resource clients.
| Modifier and Type | Class and Description |
|---|---|
static class |
DocFlavor.BYTE_ARRAY
Class DocFlavor.BYTE_ARRAY provides predefined static constant
DocFlavor objects for example doc flavors using a byte array
(
byte[] ) as the print data representation class. |
static class |
DocFlavor.CHAR_ARRAY
Class DocFlavor.CHAR_ARRAY provides predefined static constant
DocFlavor objects for example doc flavors using a character array
(
char[] ) as the print data representation class. |
static class |
DocFlavor.INPUT_STREAM
Class DocFlavor.INPUT_STREAM provides predefined static constant
DocFlavor objects for example doc flavors using a byte stream (
java.io.InputStream ) as the print
data representation class. |
static class |
DocFlavor.READER
Class DocFlavor.READER provides predefined static constant DocFlavor
objects for example doc flavors using a character stream (
java.io.Reader ) as the print data
representation class. |
static class |
DocFlavor.SERVICE_FORMATTED
Class DocFlavor.SERVICE_FORMATTED provides predefined static constant
DocFlavor objects for example doc flavors for service formatted print
data.
|
static class |
DocFlavor.STRING
Class DocFlavor.STRING provides predefined static constant DocFlavor
objects for example doc flavors using a string (
java.lang.String ) as the print data representation class. |
static class |
DocFlavor.URL
Class DocFlavor.URL provides predefined static constant DocFlavor
objects.
|
| Modifier and Type | Field and Description |
|---|---|
static String |
hostEncoding
A String representing the host operating system encoding.
|
| Constructor and Description |
|---|
DocFlavor(String mimeType,
String className)
Constructs a new doc flavor object from the given MIME type and
representation class name.
|
| Modifier and Type | Method and Description |
|---|---|
boolean |
equals(Object obj)
Determines if this doc flavor object is equal to the given object.
|
String |
getMediaSubtype()
Returns this doc flavor object's media subtype (from the MIME type).
|
String |
getMediaType()
Returns this doc flavor object's media type (from the MIME type).
|
String |
getMimeType()
Returns this doc flavor object's MIME type string based on the
canonical form.
|
String |
getParameter(String paramName)
Returns a
String representing a MIME
parameter. |
String |
getRepresentationClassName()
Returns the name of this doc flavor object's representation class.
|
int |
hashCode()
Returns a hash code for this doc flavor object.
|
String |
toString()
Converts this
DocFlavor to a string. |
public static final String hostEncoding
public DocFlavor(String mimeType, String className)
mimeType
- MIME media type string.className
- Fully-qualified representation class name.NullPointerException
- (unchecked exception) Thrown if mimeType
is null or
className
is null.IllegalArgumentException
- (unchecked exception) Thrown if mimeType
does not
obey the syntax for a MIME media type string.public String getMimeType()
public String getMediaType()
public String getMediaSubtype()
public String getParameter(String paramName)
String
representing a MIME
parameter.
Mime types may include parameters which are usually optional.
The charset for text types is a commonly useful example.
This convenience method will return the value of the specified
parameter if one was specified in the mime type for this flavor.
paramName
- the name of the paramater. This name is internally
converted to the canonical lower case format before performing
the match.NullPointerException
- if paramName is null.public String getRepresentationClassName()
public String toString()
DocFlavor
to a string.public int hashCode()
hashCode
in class Object
Object.equals(java.lang.Object)
,
System.identityHashCode(java.lang.Object)
public boolean equals(Object obj)
DocFlavor
, has a MIME type equivalent to this doc
flavor object's MIME type (that is, the MIME types have the same media
type, media subtype, and parameters), and has the same representation
class name as this doc flavor object. Thus, if two doc flavor objects'
MIME types are the same except for comments, they are considered equal.
However, two doc flavor objects with MIME types of "text/plain" and
"text/plain; charset=US-ASCII" are not considered equal, even though
they represent the same media type (because the default character
set for plain text is US-ASCII).equals
in class Object
obj
- Object to test.obj
, false
otherwise.Object.hashCode()
,
HashMap
Submit a bug or feature
For further API reference and developer documentation, see Java SE Documentation. That documentation contains more detailed, developer-targeted descriptions, with conceptual overviews, definitions of terms, workarounds, and working code examples.
Copyright © 1993, 2015, Oracle and/or its affiliates. All rights reserved.


| Company Name | Address1 | Address2 | City | State | Country | Zipcode | Company Website | Action |
|---|---|---|---|---|---|---|---|---|
| {{val.companyName}} | {{val.address}} | {{val.address2}} | {{val.city}} | {{val.state}} | {{val.country}} | {{val.zipcode}} | {{val.companyUrl}} |
| Portfolio Name | Company Name | Created By | Created On | Action |
|---|---|---|---|---|
| {{val.project.projectName}} | {{val.companyName}} | {{val.project.createdBy}} | {{val.project.createdOn}} |
| UserId | Username | Role | Company Name | Company Email | Phone | createdBy | createdOn | Action |
|---|---|---|---|---|---|---|---|---|
| {{val.user.username}} | {{val.user.fullname}} | {{val.role}} | {{val.companyName}} | {{val.user.companyEmail}} | {{val.user.cell}} | {{val.user.createdBy}} | {{val.user.createdOn}} |
| Sr No. | Image name | Version | Request description | OS | Hardware/Architecture | Status |
|---|---|---|---|---|---|---|
| {{i+1}} | {{val.imageName}} | {{val.tag}} | {{val.description}} | {{val.os}} | {{val.hardware}} |


THE BLITZ
Just another Web Development
About
Johna Doe
Web developerI have worked on a multitude of web and print based projects for a range of clients providing Web Design(Photoshop, Illustrator, InDesign) and Deveopment(PHP, HTML, CSS, LESS, JS, jQuery, WordPress, WooCommerce, Bootstrap, Responsive Layouts), eCommerce Solutions, Corporate Branding and Graphic Design. During my Multimedia degree I studied Information Architecture, and therefore have a keen understanding of wireframes, sitemaps and user experience design which I put to good use on every project I work on. I am currently working in Ireland between Dublin and Galway. I am always available to discuss your project over the phone or via Skype. These days I enjoy spending my free time riding my bike, baking and crocheting.


Ian Piumarta
<EMAIL_ADDRESS>Last edited: 2005-03-17 12:43:23 by piumarta on squeak.hpl.hp.com Translated to .ps/.pdf/.html/.txt: March 17, 2005


MRC (Meteor Relay Chat) requires sign-in to enter the chat. With just one click below you can enter the chat and get started!
This is the MRC Demo site...


Show System Information¶
With command option “1” the user can inspect the system characteristics.
This example shows a system that has not yet had VPP installed.
What would you like to do?
1) Show basic system information
2) Dry Run (Will save the configuration files in /usr/local/vpp/vpp-config/dryrun for inspection)
3) Full configuration (WARNING: This will change the system configuration)
4) List/Install/Uninstall VPP.
q) Quit
Command: 1
==============================
NODE: DUT1
CPU:
Model name: Intel(R) Xeon(R) CPU E5-2667 v3 @ 3.20GHz
CPU(s): 32
Thread(s) per core: 2
Core(s) per socket: 8
Socket(s): 2
NUMA node0 CPU(s): 0-7,16-23
NUMA node1 CPU(s): 8-15,24-31
CPU max MHz: 3600.0000
CPU min MHz: 1200.0000
SMT: Enabled
VPP Threads: (Name: Cpu Number)
Grub Command Line:
Current: BOOT_IMAGE=/vmlinuz-4.4.0-128-generic root=UUID=9930aeee-b1d3-4cf5-b0de-d95dbb7dec5e ro
Configured: GRUB_CMDLINE_LINUX_DEFAULT="isolcpus=8,9-10 nohz_full=8,9-10 rcu_nocbs=8,9-10"
Huge Pages:
Total System Memory : 65863384 kB
Total Free Memory : 45911100 kB
Actual Huge Page Total : 1024
Configured Huge Page Total : 8192
Huge Pages Free : 896
Huge Page Size : 2048 kB
Devices:
Total Number of Buffers: 25600
Devices with link up (can not be used with VPP):
0000:08:00.0 enp8s0f0 I350 Gigabit Network Connection
Devices bound to kernel drivers:
0000:90:00.0 enp144s0 VIC Ethernet NIC
0000:8f:00.0 enp143s0 VIC Ethernet NIC
0000:84:00.0 enp132s0f0,enp132s0f0d1 Ethernet Controller XL710 for 40GbE QSFP+
0000:84:00.1 enp132s0f1,enp132s0f1d1 Ethernet Controller XL710 for 40GbE QSFP+
0000:08:00.1 enp8s0f1 I350 Gigabit Network Connection
0000:02:00.0 enp2s0f0 82599ES 10-Gigabit SFI/SFP+ Network Connection
0000:02:00.1 enp2s0f1 82599ES 10-Gigabit SFI/SFP+ Network Connection
No devices bound to DPDK drivers
VPP Service Status:
Not Installed


Kubernetes in 30 minutes with minikube on Mac
Below are steps to create an express setup of Kubernetes on your Mac for quick use.
Minikube is a small setup by Kubernetes guys, which will spawn a virtual machine and have a tiny (but fully functional) Kubernetes cluster inside the VM. kubectl
(pronounced ‘kube (like ‘tube’) control`) is the command line client you'll use to connect to the Kubernetes cluster (which runs inside the VM created by minikube, in case you forgot :) )
Note that you need VirtualBox installed on your system. You can do so by first installing brew cask and then installing virtualbox as outlined in the two lines below, taken from here. I installed virtualbox from a different source, but the two lines below should work without a problem:
ruby -e "$(curl -fsSL https://raw.githubusercontent.com/Homebrew/install/master/install)"
brew cask install virtualbox
Minikube Installation
curl -Lo minikube https://storage.googleapis.com/minikube/releases/v0.7.1/minikube-darwin-amd64
chmod +x minikube
sudo mv minikube /usr/local/bin/
Start minikube cluster
minikube start
Just for information, config file will be located in ~/.kube/
directory, and
all the virtual machine bits will be present in ~/.minikube/
directory.
Get status of minikube cluster
minikube status
Install kubectl cli
Don't install kubectl
from brew (brew install kubernetes-cli
) as brew contains an older incompatible version of kubectl
.
curl -Lo kubectl http://storage.googleapis.com/kubernetes-release/release/v1.3.0/bin/darwin/amd64/kubectl
chmod +x kubectl
sudo mv kubectl /usr/local/bin/
List all pods from all namespaces. It should list two pods, one an ‘addon-manager’ and another a ‘dashboard’
kubectl get pods --all-namespaces
Populate environment variables so that docker can connect to minikube VM
eval $(minikube docker-env)
Now list all running docker containers inside the minikube vm. This might throw error
docker ps
If it errors with output Error response from daemon: client is newer than server (client API version: 1.24, server API version: 1.23)
, then we need to install
an older version of docker along with the current docker server installation.
We'll use DVM (docker version manager) for the same, and we need to install DVM first for that.
brew update && brew install dvm
If brew update
fails, most of the times re-running brew update
again fixes
the problem (else do brew upgrade && brew update
and wait for an hour for it
to finish depending upon your internet connection).
Now source the shell script for dvm
command line tool
[[ -s "$(brew --prefix dvm)/dvm.sh" ]] && source "$(brew --prefix dvm)/dvm.sh"
View current docker version
dvm ls
Install older docker version 1.11.1
export DOCKER_VERSION=1.11.1
dvm install
Now if you do dvm ls
you'll see that your current docker version is 1.11.1.
Now you can use docker ps
to see all your docker containers for Kubernetes
running inside minikube.
That's all for this blogpost. I'll write another blog post about how to create your own pods inside this running Kubernetes cluster.
Do let me know if you have comments/suggestions/edits/criticism/feedback.
Cheers! Rushi


Messaging
Setup message centers and default notifications email and cell numbers here for admin purposes only
Notifications Cell Numbers
Notifications Cell Numbers


[SYMBOL]
[A]
[B]
[C]
[D]
[E]
[F]
[G]
[H]
[I]
[J]
[L]
[M]
[N]
[O]
[P]
[Q]
[R]
[S]
[T]
[U]
[V]
[W]
[Z]
Macromedia ColdFusion usage examples (regular expressions)
2nd
3rd
Macromedia Dreamweaver usage examples (regular expressions)
Macromedia HomeSite usage examples (regular expressions)
2nd
MasterCard credit cards (regular expression examples)
2nd
matching "anything but" character sets multiple character matches
2nd
3rd
"at least" intervals
2nd
alphanumeric metacharacters
2nd
3rd
any characters single character matches
2nd
3rd
4th
5th
6th
backreferences
2nd
3rd
4th
character set ranges multiple character matches
2nd
3rd
4th
character sets + (plus sign) metacharacters
2nd
3rd
4th
^ (carrot)
case sensitivity
2nd
multiple character matches
2nd
3rd
digit metacharacters
case sensitivity
exact intervals
2nd
hexadecimal value metacharacters
literal text single character matches
2nd
3rd
multiple characters "anything but" character set matches
2nd
3rd
character set matches
2nd
3rd
character set range matches
2nd
3rd
4th
nonwhitespace metacharacters
octal value metacharacters
one or more characters + (plus sign) metacharacters
2nd
over matching
2nd
3rd
position matching
$ (dollar sign) string boundaries
2nd
3rd
4th
5th
\bwordboundaries
2nd
3rd
^ (carrot) string boundaries
2nd
3rd
4th
5th
range intervals
2nd
3rd
single characters case sensitivity
literal text matches
2nd
3rd
special character matches
2nd
3rd
unknown character matches
2nd
3rd
4th
5th
6th
special characters single character matches
2nd
3rd
static text single character matches
2nd
3rd
unknown characters single character matches
2nd
3rd
4th
5th
6th
whitespace metacharacters
2nd
3rd
4th
zero or more characters * (asterisk) metacharacters
2nd
3rd
zero or one characters ? (question mark) metacharacters
2nd
3rd
4th
metacharacter searches (backslash)
2nd
. (period)
2nd
metacharacters
2nd
3rd
4th
5th
6th
7th
$ (dollar sign) ?m metacharacters
$ (dollar sign) string boundaries
2nd
3rd
4th
5th
( ) (parentheses) subexpressions;grouping
2nd
3rd
4th
5th
subexpressions;nesting
2nd
3rd
4th
* (asterisk) zero or more character searches
2nd
3rd
+ (plus sign) character set searches
2nd
3rd
4th
one or more character searches
2nd
- (hyphen) character set range matches
2nd
3rd
. (period)
? (question mark) zero or more character searches
2nd
3rd
4th
?m
2nd
3rd
[ ] (brackets) character set matches
2nd
3rd
4th
5th
6th
character set range matches
2nd
escaping
2nd
\bwordboundaries
2nd
3rd
^ (carrot) "anything but" character set matches
2nd
?m metacharacters
character set matches
^ (carrot) string boundaries
2nd
3rd
4th
5th
{ } (curly brackets) intervals
2nd
3rd
4th
5th
6th
7th
8th
alphanumeric
2nd
3rd
character case conversion
2nd
3rd
digit
case sensitivity
escaping
2nd
3rd
4th
hexadecimal value
nonwhitespace
octal value
POSIX character classes
2nd
syntax of
2nd
whitespace
2nd
3rd
combining
Microsoft ASP usage examples (regular expressions)
2nd
Microsoft ASP.NET usage examples (regular expressions)
Microsoft C# usage examples (regular expressions)
Microsoft NET usage examples (regular expressions)
2nd
3rd
Microsoft Visual Studio .NET usage examples (regular expressions)
2nd
multiple character matches "anything but" character set matches
2nd
3rd
character set matches
2nd
3rd
character set range matches
2nd
3rd
4th
multiple character set ranges combining
2nd
multiple lookahead expressions
mutliline mode
2nd
3rd
MySQL usage examples (regular expressions)
2nd
|


Welcome to my homepage. This homepage recorded my journey in EDA Web Development Bootcamp. While I'm embarking on the fantastic journey, you are welcome to sit down, eat popcorn, and read my story
This page is evolving. So there is not much thing to see now, but this page wil be updated as my skills in web development are evolving.


Ok, so I finally received my 10x from my online supplier. I have only experienced salvia once before, when I was not too knowledgable about the plant and someone gave me wayyyyyy too much 15x to smoke, telling me it was a good dose. To make a long story short, level 5 effects, loss of self/reality, weird gravity, etc. It was pretty scary, but I still wanted to try again.
Now on to my second time. In my room, I covered up all the windows in order to insure darkness. I took a pinch, ~.05g in my estimates, of the 10x and loaded up my bowl. I closed all the lights, laid down on my bed, and lit up. I had no problem inhaling all the smoke from this small amount of material, and I held it in for as long as I possibly could, probably a little under 30 seconds. I laid back, and waited.
It was weird. Even though it was pitch black, I could see everything in my room. Except my room wasn't normal. My bed is in the back left corner, and it appeared that the right wall had been pushed back many many feet. There were these two entities present, didn't really get a good look at them or I don't remember anyway. It felt like they were taking something from my bed area all the way down to the extended side of the room, but I didn't notice any malevolent intent. I remembered thinking, 'wtf are they taking?', and I wanted them to stop. I said, 'This is good', meaning enough, everything is just fine as it is. Then I was suddenly back to reality, just feeling a little weird and a little itchy.
All that happened in what felt like under 30 seconds. I was kinda frustrated. The entire time, I knew that salvia was the reason for these effects, and I distinctly remember thinking during the experience, 'Wow, this is nothing. I'm bored.' Also, it was over so quickly.  I jumped up from my bed, and slowed down when I realized it was a little difficult to walk. I probably should have waited a little while, but I wanted to try again immediately. I loaded up the bowl again, this time with about 1.5 times as much as the first time. I laid down in the dark again, and lit up again, less than 5 minutes after taking the first hit. Now for the scary part.
I don't remember much if anything from the beginning, but when I became aware I was in my room again. Again, even in the pitch dark, I was able to see my whole room. This time there were several entities in my room, my guess is they were smelves. They were busy working, I think rearranging furniture or something like that. Then I realized that in the corner of the room that I was in, the walls were lowered, so I could see over the top. And this is where I got scared: my room was no longer in my house!
It looked like my room was in some big convention room, filled with other rooms like mine. The smelves were still busy, and I started yelling at them. I don't remember exactly what I said, or if I really said it, but I asked them what they were doing, why they were doing it, why me, etc. I remember sitting up and leaning over towards my couch and telling them that it was my room, and to stop. Then I started thinking. Usually, when I find myself in a psychedelic state that is scary and too intense for me, I can calm myself down. This time, no. I knew that smoking the salvia had done this to me, but the thought that things would go back to normal never crossed my mind. I thought I was in some kind of twilight zone, never to return. I was soooooooo distressed at the prospect of never getting my life back.
Once I started to come down a bit, and realize that it was going to end, I quickly turned my bedside lamp on, to reassure myself that my room was my room again. When I was fully back to reality, I was very uncomfortable. Itchy, nervous, hungry, scared, anxious, tired, etc. All at once. I ran into the kitchen opened the fridge, realized things still weren't right, and took a swig of juice even though I thought it would do something really weird to me. I then ran back to my room, got in bed, tried to get comfortable for a while, and slept for ~4 hours.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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环形图（Doughnut charts）
Similar to pie charts, doughnut charts are great for showing proportional data.
Chart.js offers the same customisation options as for pie charts, but with a custom sized inner cutout to turn your pies into doughnuts.
Similar to pie charts, doughnut charts are great for showing proportional data.
Chart.js offers the same customisation options as for pie charts, but with a custom sized inner cutout to turn your pies into doughnuts.


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| Max Marks |
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Finish Your Degree With Confidence!
Torts will be offered for graduate LAW students in their third year. As this class is new and will only be offered in Spring 2018, enrollment is expected to fill up rather quickly. Don't wait; enroll today!
Come learn about the wonders of geometry outside of Euclid's scope and theory. An interesting topic for all ages, this course is expected to fill up quickly!
Congratulations on all of your accomplishments, graduates! Please remember to sign-up for Spring 2018 commencement with your advisors!
Created for Project 1
By Johnathan Johnson
with help from w3schools


ADDAMS FAMILY VALUES A film review by James Berardinelli Copyright 1993 James Berardinelli
Rating (Linear 0 to 10): 5.2
Date Released: 11/19/93 Running Length: 1:34 Rated: PG-13 (Sexual innuendo, violence)
Starring: Anjelica Huston, Raul Julia, Christopher Lloyd, Joan Cusack, Christina Ricci Director: Barry Sonnenfeld Producer: Scott Rudin Screenplay: Paul Rudnick Music: Marc Shaiman Released by Paramount Pictures
If you didn't have enough of them two years ago, the Addams family is back with a movie that does little more than rehash the same "spirit" and recycle the same jokes. A few sparkling performances and funny moments save this from being a waste of time, but it's not a promising way to start the Thanksgiving/Christmas movie season.
This time around, Morticia (Anjelica Huston) is having a baby. In answer to the inevitable question of whether it's a boy or a girl, Gomez (Raul Julia) responds, "It's an Addams!" However, all is not sunny (or should that be gloomy?) in the household, because neither of the previous Addams children likes their new baby brother, and they spend hours devising ways to get rid of him. Enter Debbie Jelinsky (Joan Cusack), the new nanny, who has a thing for marrying wealthy men then getting rid of them--and now she's set Fester (Christopher Lloyd) in her sights.
Much of what was valid about 1991's THE ADDAMS FAMILY is true of this sequel. In fact, I could just about regurgitate the review for that film in this case. The movies are more than similar, although less than identical, and it's almost guaranteed that those who relished part one will enjoy part two (unless they grow tired of hearing variations on the same one-liners).
Any movie that tries to be funny for an hour and a half is bound to score from time-to-time, and this is true for ADDAMS FAMILY VALUES. There are laughs to be had along the way, but not enough to cover up the obvious lack of plot. This film is a series of cartoons loosely strung together, and too much of the humor is obvious. With a legitimate storyline, ADDAMS FAMILY VALUES might have been great fun, but as it is, it's about twice as long as it needs to be.
Why is it that the most impressive thing about these TV-to-movie transformations seems to be the casting? Not only is this true for THE ADDAMS FAMILY, but THE BEVERLY HILLBILLIES showed the same thing. Raul Julia and Anjelica Huston are as perfect as last time. Christopher Lloyd may be a bit annoying as Fester, but he gets the job done. Joan Cusack is wonderfully over-the-top as Debbie the psycho nanny, with her primary functions being to snarl lines and expose cleavage.
Even two years older, the most notable cast member is still Christina Ricci, who turns in a beautifully deadpan performance as Wednesday (and even gets an opportunity to smile). There are times in this movie when she's the only thing worth watching, and she saves the "Wednesday and Pugsley go to summer camp" subplot from turning into an agonizing viewing experience.
Generally speaking, ADDAMS FAMILY VALUES delivers what its viewers expect from it, and that makes it the simplest of films to review. I don't think it's worth a trip to the movies--there's not enough humor or inventiveness for that--but doubtless many will disagree. The box office tally will determine if there's to be a third installment. Of course, it's still open to debate whether the second film was warranted in the first place.
- James Berardinelli<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{{selectedTask.title}}
Due Date:{{selectedTask.dueDate | date:'mediumDate'}}
Created on: {{selectedTask.created | date:'mediumDate'}}


Button toggles with icons
format_align_left
format_align_center
format_align_right
format_align_justify
Multi-selection button toggle group
Flour
Eggs
Sugar
Milk
Exclusive selection button toggle group
{{pie}}
Your favorite type of pie is: {{favoritePie}}
Disabled button toggle group
Flour
Eggs
Sugar
Milk
Vertical button toggle group
Flour
Eggs
Sugar
Milk


Sleepy Hollow Review
In the past, Tim Burton has taken cinema by storm with the action packed Batman, and the hilarious Ed Wood, but lately his films just don't cut it. Sleepy Hollow has some unique features, but the script is a terrible mess. For those who remember Disney's fantastic "Adventures Of Ichabod Crane", it is actually superior to this. Disney's version was at least interesting, while Burton's film drags on far too long, without any suspense or frights. While the stories are similar, the new version adds too much to the once likable story, and throws in some weak dialogue to top it off. Ichabod Crane (Johnny Depp) is now apparently a constable, who was sent to New York to investigate suspicious murders. The victims are headless, and no traces of evidence were found, until the murderer reveals himself, hence the headless horseman. Now with the help of Christina Ricci and an orphaned boy, they must stop the headless horseman from a killing spree, that could destroy the whole town of Sleepy Hollow. Sure the headless horseman is an intriguing character, but the story has so many holes that even he nor Depp can save this disaster. In the original, the headless horseman was meant to be unstoppable. No one could stop him, not even Ichabod. By the end of the film, it had audiences in deep thought. Burton however concentrates far too much on the atmosphere, and how to make the main characters heroes. He takes no risk what so ever, and this is where he fails. Another pathetic element of the film was the script. Like I said earlier, he just stuffed too much in at one time, and made it look real sloppy, kind of like the mess the headless horseman made with his victims. He completely butchered the story to pieces. Thankfully there are a few factors that I particularly liked. The acting by Depp was quite notable. He took the nerdy character of the cartoon, and simply acted it out in a better manner. If it wasn't for his quirky one-liners, I doubt I could have remained awake, because quite frankly I was getting sleepy. Just when I thought Christina Ricci was getting to be a good actress, she winds up doing this. It just goes to show no actress or actor can pass up a big blockbuster. It's too tempting to let go, even if the script is mush. The atmosphere too was quite involving. I should have just gazed at the sets, and the eerie fog, rather than actually pay attention to what was going on. At least Burton's films are eye candy, even if they are trash. The only real scenes of value were the tree full of heads, and the fight between the horseman, Depp and Casper Van Dien. Other than that, I wish I could just fast forward through all the gaping holes in the film, and just sit back and stare at the scenery. By the end, I can only think back and laugh at how bad Sleepy Hollow developed. This is the biggest disappointment of the year, especially when such a talented director like Burton handles a project like this.  Grade: D+
www.chud.com http://jump.to/moviepage
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Solution:
js run let regexp = /\.{3,}/g; alert( "Hello!... How goes?.....".match(regexp) ); // ..., .....
Please note that the dot is a special character, so we have to escape it and insert as \..
\.


View a list of repository topics in calls that return repository results.
Custom media type: mercy-preview Announced: 2017-01-31
mercy-preview


Click to open local iframe
Click to open non-local iframe
Click to open non-local iframe with drag operation
Click to open non-local iframe with drawn elements
Click to open non-local iframe with text box
URL To open
Open


Ilya Loshkarev<EMAIL_ADDRESS>SFEDU 2017
// all available assets
let fetchResult = PHAsset.fetchAssets(with: nil)
let asset = fetchResult.object(at: indexPath.item)
Assets only contain metadata and are immutable
let collections = PHAssetCollection.fetchAssetCollections(
with: .smartAlbum, // collection type
subtype: .albumRegular, // album type
options: nil)
// all available assets in collection
let fetchResult = PHAsset.fetchAssets(
in: collections.object(at: indexPath.raw),
options: nil)
Assets grouping: moments, smart albums, user-created albums
PHImageManager().requestImage(for: asset,
targetSize: thumbnailSize, contentMode: .aspectFill,
options: nil) {
image, info in
if image != nil {
cell.imageView.image = image
}
}
Image Manager allows to download asset's from local and cloud storages
PHPhotoLibrary.shared().performChanges({
PHAssetCollectionChangeRequest
.creationRequestForAssetCollection(withTitle: title)
}, completionHandler: { success, error in
if !success { print("error creating album: \(String(describing: error))") }
})
Change request allows to change metadata, create or delete elements of photo library
let request = PHAssetChangeRequest.creationRequestForAsset(from: image)
let changeRequest = PHAssetCollectionChangeRequest(for: assetCollection)
PHPhotoLibrary.shared().performChanges({
changeRequest?.addAssets([request.placeholderForCreatedAsset!] as NSArray)
}, completionHandler: { success, error in
if !success { print("error creating asset: \(String(describing: error))") }
})
Placeholders allow to access metadata for objects that are not yet in the Library
imageView.kf.setImage(with: url)
imageView.kf.setImage(with: url, placeholder: image)
imageView.kf.setImage(with: url, progressBlock:
{ receivedSize, totalSize in
print("downloading progress: \(receivedSize)")
})
imageView.kf.setImage(with: url, completionHandler:
{ (image, error, cacheType, imageUrl) in
print("Downloaded Image: \(image)")
})
Supports image, UI and GIF placeholders
All downloaded images are cached by default
ImageCache.default.store(image, forKey: "key_for_image")
ImageCache.default.store(processedImage, original: imageData,
forKey: "key_for_another_image",
toDisk: false) // not persistent
ImageCache.default.retrieveImage(forKey: "key_for_image", options: nil)
{ image, cacheType in
if let image = image { imageView.image = image }
}
Allows to store images on disk or in memory
let task = ImageDownloader.default.downloadImage(with: url,
options: [], progressBlock: nil)
{ (image, error, url, data) in
print("Downloaded Image: \(image)") // not cached
}
task.cancel()
Images downladed directly are not cached by default
let processor = ResizingImageProcessor(targetSize: CGSize(width: 100, height: 100))
imageView.kf.setImage(with: url, options: [.processor(processor)])
There are several basic processors that can be combined
Both original and processed images can be cached
Lightweight, mutable object that stores input image and required parameters
CIKernel
represents a function that is executed for every single pixel on the input image
Renderable object that stores a filter graph reqired
to retrieve an image
CIContext
responsible for compiling and running the filters.
Represents render target for resulting image
All the built-in Core Image filters belong to one or more of 21 categories
for fName in CIFilter.filterNamesInCategory(kCICatetgoryBlur) {
let blur = CIFilter(name: fName)
}
Filters were designed to be used from UI applications
Rely heavely on dictionaries and descriptions
An image processor that identifies features
Barcodes, QR-codes and faces are supported
let faceDetector = CIDetector(ofType: CIDetectorTypeFace,
context: nil,
options: [CIDetectorAccuracy : CIDetectorAccuracyHigh])
let faces = faceDetector.featuresInImage(personciImage)
for face in faces as! [CIFaceFeature] { /*...*/ }
Replaced by Vision framework in iOS 11
not depricated
Create target image with described content
let data = "http://mmcs.sfedu.ru".data(using: String.Encoding.isoLatin1)
var qr = CIFilter(name: "CIQRCodeGenerator")!
qr.setValue(data, forKey: "inputMessage")
qr.setValue("H", forKey: "errorCorrection")
let scaleUp = CGAffineTransform(scaleX: 100, y: 100)
let output = qr.outputImage?.transformed(by: scaleUp)
let blur = CIFilter(name: "CIZoomBlur")!
blur.setDefaults()
if let input = UIImage(named: "my_image.jpg")?.ciImage {
blur.setValue(input, forKey: kCIInputImageKey)
}
outputView.image = UIImage(ciImage: blur.outputImage)
Each time you render UIImage a new CIContext is created
To to apply filter to each frame we need pixelBuffer associated with that frame
videoOutput = AVPlayerItemVideoOutput()
player.currentItem.addOutput(videoOutput)
// create display refresh callback
let displayLink = CADisplayLink(target: self, selector: self.displayLinkDidRefresh(link:))
displayLink.addToRunLoop(NSRunLoop.mainRunLoop(), forMode: NSRunLoopCommonModes)
// on each display refresh
func displayLinkDidRefresh(link: CADisplayLink) {
let itemTime = videoOutput.itemTimeForHostTime(CACurrentMediaTime())
if videoOutput.hasNewPixelBufferForItemTime(itemTime) {
let pixelBuffer = videoOutput.copyPixelBufferForItemTime(itemTime, itemTimeForDisplay: nil)
let image = CIImage(buffer: pixelBuffer)
}
}
For better perfomance we can render CIImage using OpenGL
let eaglContext = EAGLContext(api: .openGLES2)!
let glkView = GLKView(frame: self.bounds,
context: eaglContext)
lazy var ciContext: CIContext = {
[unowned self] in
return CIContext(eaglContext: eaglContext, // GPU-based
options: [kCIContextWorkingColorSpace: NSNull()])
}()
Drawing CIImage to an existing context is much faster.
By associating ciContext with a glContext we are able to store result in a buffer and redraw it only when neccesary
Several filters can be combined into a single filter
override var outputImage: CIImage? {
let glowingImage = CIFilter( name: "CIColorControls",
withInputParameters: [kCIInputImageKey: inputImage, kCIInputSaturationKey: 1.75])?
.outputImage?.applyingFilter( "CIBloom",
parameters: [ kCIInputRadiusKey: 2.5, kCIInputIntensityKey: 1.25])
.cropped(to: inputImage.extent)
return glowingImage
}
Provide generalized interface for custom filters
override var attributes: [String : Any] {
return [ kCIAttributeFilterDisplayName: "My Filter Name",
"inputParam": [ kCIAttributeIdentity: 0,
kCIAttributeDisplayName: "Parameter Name",
kCIAttributeMin: 0,
kCIAttributeDefault: 10,
kCIAttributeSliderMin: 0,
kCIAttributeSliderMax: 100,
kCIAttributeClass: "NSNumber",
kCIAttributeType: kCIAttributeTypeScalar ]
]
}
class MyFilterConstructor: NSObject, CIFilterConstructor {
func filterWithName(_ name: String) -> CIFilter? {
if name == "My Filter Name" {
return MyFilter()
}
return nil
}
}
CIFilter.registerName("My Filter Name",
constructor: MyFilterConstructor,
)
CIFilterConstructor
an object that represents filter category
and implements filterWithName(_:)
Defines functions, data types, and keywords that you can use to specify image processing operations for custom Core Image filters that you write
let kernel = CIWarpKernel(source: " /* kernel */ ")
kernel.apply(extent: inputImage.extent, roiCallback: {
(index, rect) in return rect
}, image: inputImage, arguments: arguments)
Changes pixel position
kernel vec2 upsideDownWarp(vec2 extent) {
return vec2(destCoord().x, extent.y - destCoord().y);
}
destCoord()
returns pixel coordinates for curent pixel
Changes pixel color
kernel vec4 thresholdFilter(__sample pixel) {
return vec4(sqrt(pixel.rgb), image.a);
}
__sample
contains data for current pixel


{{>header}} {{>nav this}}
polyfill.io is tested in two ways: we have service tests which test the NodeJS server that bundles and serves the polyfills, and we have a polyfill test framework that tests the polyfills themselves.
This guide currently only covers testing polyfills.
Test suites are automatically loaded from a file named tests.js
in any polyfill directory.
Polyfill service tests use Mocha and Proclaim, both chosen because they work in legacy browsers down to our baseline. The tests must assert the behaviour that the polyfill makes consistent across browsers, which is not necessarily the entire published spec.
For example, if part of a feature is not polyfillable in a particular browser, and yet the polyfill is still usable in that browser, omit tests for the part which cannot be polyfilled. This ensures that the polyfill is still targeted at that browser, and consumers are able to get an accurate understanding of which parts of the feature are covered by the polyfill. However, a comment in the test file listing aspects of the feature that are not supported is always appreciated.
The test suite in the tests.js
file is wrapped automatically in a describe
, so there's no need to include describes in your test file unless you want to (you might do so to divide the tests into more than one group).
Here is an example tests.js
file:
it("Should create inherited object", function() {
var parent = { foo: 'bar', obj: {} };
var child = Object.create(parent);
proclaim.deepEqual(typeof child, 'object');
proclaim.notDeepEqual(parent, child);
proclaim.deepEqual(child.foo, parent.foo);
proclaim.deepEqual(child.obj, parent.obj);
});
it("Should create inherited object from a Native Object", function() {
var parent = document;
var child = Object.create(parent);
proclaim.deepEqual(typeof child, 'object');
proclaim.notDeepEqual(parent, child);
proclaim.deepEqual(child.window, parent.window);
proclaim.deepEqual(child.ELEMENT_NODE, parent.ELEMENT_NODE);
});
You can run tests in three modes:
The control and all modes are used to map the compatibility of polyfills, and build the compat.json file that we use to present the browser support matrix. The targeted mode is used to test that the current configuration works, and is therefore used for continuous integration tests on Travis CI.
Your polyfill should pass cleanly in targeted mode in all browsers. To run the entire CI test suite in a local browser, start the service (e.g. with npm run dev
), and then load the test director in the browser you're testing:
http://<IP_ADDRESS>:3000/test/director?mode=targeted
To test just one feature, use the test runner:
http://<IP_ADDRESS>:3000/test/tests?feature=Array.from&mode=targeted
If you do not have a local install of the browser you want to test, you can also run our tests using BrowserStack.
The package.json file contains tasks to run the tests on BrowserStack, but these require API keys that are not public. If you have your own BrowserStack account you can run the tests by setting the BROWSERSTACK_ACCESS_KEY
and BROWSERSTACK_USERNAME
environment variables, and then run npm run ci
:
npm run ci
You can also load the local test URLs described above directly on any remote browser testing service including Sauce Labs or Browserstack, as long as the service provider has a mechanism for tunnelling outbound connections to your machine (otherwise <IP_ADDRESS>
URLs will not work). Both Sauce Labs and Browserstack have utilities to do this. Alternatively, you can expose your local machine to the internet by using a utlity like [ngrok](https://ngrok.io), and then use the public URL with the cloud testing service of your choice.


<!-- -->
Implementation of function.prototype.bind
I mainly do this for unit tests I run on phantomjs. PhantomJS does not have Function.prototype.bind :(
Function.prototype.bind = require("function-bind")
npm install function-bind


Existing Solutions
Manually Move Files
Use Pre-built Connectors
Create Custom Connectors
Build a Complete Data Pipeline
Data Pipeline Solutions
Tapestry's Solution
What Tapestry Automates
Tapestry's Architecture
Data Ingestion
Data Ingestion
Data Storage and Transformation
Data Syncing
Using Tapestry
Prerequisites & Installing Tapestry
Tapestry Commands
Deploy vs. Kickstart Commands
End-to-End Demo
Tapestry Dashboard
Tapestry Data Flow
Maintenance & Management
Implementation Challenges
Ingestion Phase Challenges
Future Work
References
Team


|
DotNetBrowser
1.16
|
Describes context of a Browser instance and provides path to the directory where user data files such as cookies, history, cache will be stored. Two Browser instances with the same BrowserContext will share the same session data (e.g. cookies, cache etc.). More...
Inherits IDisposable.
Public Member Functions | |
| BrowserContext (BrowserContextParams browserContextParams) | |
| Constructs a new BrowserContext instance with specified parameters. More... | |
| void | Dispose () |
| Dispose object and free all resources More... | |
Protected Member Functions | |
| virtual void | Dispose (bool disposing) |
| Dispose object and free all resources More... | |
Properties | |
| static BrowserContext | DefaultContext [get] |
| Gets default browser context that is used in the BrowserFactory.Create() method. More... | |
| ZoomService | ZoomService [get] |
| ZoomService associated with the current context. More... | |
| NetworkService | NetworkService [get] |
| NetworkService associated with the current context. More... | |
| SpellCheckerService | SpellCheckerService [get] |
| Returns SpellCheckerService associated with the current context. More... | |
| NotificationService | NotificationService [get] |
| Gets NotificationService associated with the current context. More... | |
| IProtocolService | ProtocolService [get] |
| Gets IProtocolHandler associated with the current context. More... | |
| int | ID [get] |
| Gets a value that uniquely identifies this BrowserContext instance. More... | |
| string | DataDir [get] |
| Gets absolute path to the directory where user data files will be stored. More... | |
| string | CacheDir [get] |
| Gets absolute path to the directory where cache files will be stored. More... | |
| StorageType | StorageType [get] |
| Returns Chromium data storage type for the current context provided via the BrowserContextParams.StorageType property. More... | |
| string | AcceptLanguage [get, set] |
Gets or sets a string that represents Accept-Language request-header field. This field restricts the set of natural languages that are preferred as a response to the request. The default Accept-Language is "en-us" . See https://www.w3.org/Protocols/rfc2616/rfc2616-sec14.html W3 Documentation. More... | |
| ProxyConfig | ProxyConfig [get, set] |
| Gets or sets proxy configuration of the current browser context instance or null if no proxy configuration was provided during Browser context instance instantiation. More... | |
Describes context of a Browser instance and provides path to the directory where user data files such as cookies, history, cache will be stored. Two Browser instances with the same BrowserContext will share the same session data (e.g. cookies, cache etc.).
| DotNetBrowser.BrowserContext.BrowserContext | ( | BrowserContextParams | browserContextParams | ) |
Constructs a new BrowserContext instance with specified parameters.
| browserContextParams | represents parameters for the current context such as absolute path to the directory where user data files will be stored (e.g. history, cookies, cache), proxy settings, etc. Cannot be null. |
| ArgumentNullException | when browserContextParams is null. |
| void DotNetBrowser.BrowserContext.Dispose | ( | ) |
Dispose object and free all resources
|
protectedvirtual |
Dispose object and free all resources
| disposing | True if managed resources should be disposed. |
|
getset |
Gets or sets a string that represents Accept-Language request-header field. This field restricts the set of natural languages that are preferred as a response to the request. The default Accept-Language is "en-us"
. See https://www.w3.org/Protocols/rfc2616/rfc2616-sec14.html W3 Documentation.
"fr, en-gb;q=0.8, en;q=0.7"
would mean: "I prefer French, but
will accept British English and other types of English." Note, that all languages which are assigned a quality factor greater than 0 are acceptable.
| ArgumentException | when value set empty. |
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get |
Gets absolute path to the directory where cache files will be stored.
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get |
Gets absolute path to the directory where user data files will be stored.
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staticget |
Gets default browser context that is used in the BrowserFactory.Create() method.
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get |
Gets a value that uniquely identifies this BrowserContext instance.
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get |
NetworkService associated with the current context.
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get |
Gets NotificationService associated with the current context.
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get |
Gets IProtocolHandler associated with the current context.
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getset |
Gets or sets proxy configuration of the current browser context instance or null if no proxy configuration was provided during Browser context instance instantiation.
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get |
Returns SpellCheckerService associated with the current context.
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get |
Returns Chromium data storage type for the current context provided via the BrowserContextParams.StorageType property.
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get |
ZoomService associated with the current context.


Open JavaScript console to watch output.
Crossbar.io is configured to forward raw HTTP requests to this topic.
To publish using 'curl' do
curl -H "Content-Type: text/plain" \ -d 'fresh webhooks!' \ http://<IP_ADDRESS>:8080/webhook


All I ate that night were the four figs I bought in the Roman market of Barcelona known as La Bocaderia. That, along with the bottle of scotch I later carried in my back pocket, would be my sole sustenance as I walked up and down La Rambla looking for trouble and direction. One of these is easy but direction can be complicated in Barcelona’s Gothic Quarter. The streets are so narrow most get no direct sunlight, even on the last floors. The space between buildings where people dry laundry usually fits one towel at a time and on plants that are strung between houses, the flowers spread their stamens an extra millimeter for that much more exposure.
It was still early when I met them. The five ladies were in the most unremarkable of places: a Pakistani convenience store outside of the post office building by the ribeira. They were trying to buy boxes of wine when I became impatient with their indecision and poor Spanish. I sneaked in line in front of them to get my scotch. They thought I was a local, and when I asked them where they got their delicious-looking shoarmas, a string was plucked and they asked me to join them. We were a handful of twenty-somethings with nowhere to be in Barcelona so I had no idea where the night would take us.
“DeWar’s?” said a sexy Tennessee voice next to me. Meg’s accent so bewitched my attention that I almost dropped my liquor. We were walking along the docks by the old port headed towards a street carnival with rides and colors and plenty of noise. “Disappointing,” she flirted, “I thought you’d have gone with the Jack Daniels.” My kind of girl to be disappointed in a thing like that.
Kat, the short blond with an English accent looked away from Meg and me at the other girls and made a case for where we should go. She wanted little more than to lay on the beach and drink all night long.
Classy, I thought. The other blond, LeAnn, turned at this and whined something about wanting to get drunk and find a club. She was pretty in a classical sense, bland and uninspiring. The kind of girl anyone would hit on without much intimidation.
“I’m down for whatever,” said Amanda, a plump Jersey girl with a perfect Bronx accent. She was very pretty nonetheless and looked the most comfortable in her black tank top, which was sort of sexy, and managed to mostly hide her more boisterous rolls. What to me seemed like a superficial confidence was probably a defense mechanism from growing up around boys who seldom forgot to let her know that she could stand to lose 15 or 20 pounds. “I just think we need to start putting fun things in our bodies soon,” she said. I liked her immediately.
Veronica, the tall brunette from Ontario never really participated in the discussion, her eyes constantly wandering from the tops of the buildings on the avenue to the tips of the masts on the harbor. She was fun; boys we ran into that night were all over her and she had no idea what to do about it.  She asked me if I had a preference and I opened my scotch, passing it around to Meg and Amanda.
“Clubs bore me,” I told her. “Barcelona is a city of movement, and I like to be on the street to see it unfold.” Kat’s eyes lit up at this and we stayed on the steps by the marina for a bit, watching the people go by and taking turns at the box wine and my scotch.
Hours seemed to pass and we all became more and more light-headed. The people that walked by those steps barely noticed us. So accustomed to a life on the business road, alone on the trail of corporate death, I forget that there are connections to be made, people to meet along the way. I’d become numb to the soft presence of female company, even if it was sipping scotch on the concrete steps of urban Spain, discussing the intricacies of Brazilian Barbecues.
“It’s all about the rock salt,” I explained to Meg, whose stare was fixed on my words. I didn’t care what we talked about, so long as the night went on. From Kat I learned that they had all just met each other a few days before through their school programs and were all teaching English for a few months. In that sense and for the first time in many months, I didn’t feel so far removed; so alone.
“Where can we get some cocaine?” I heard Amanda ask Veronica as casually as if she were asking for the time. At first I looked at Meg to see if she was a part of that scene but she seemed uninterested.
This is good, I thought — that means they don’t have any right now. I think they noticed my apprehension and interpreted it as judgment. The truth is that I was pretty much up for any kind of trouble we could stir up that night — I just wanted to steer clear of ugly turns, like being arrested on narcotics charges and that kind of thing.
“It’s not that big a deal,” LeAnn offered.
“No, it’s an awesome feeling,” Amanda said. “For about 30 minutes you’re the absolute coolest, most interesting, creative and fascinating gift to humanity on the scene. You can do anything, and you get this ‘thing’, where you can feel it in your teeth…”
“You’ve never done coke before?” Kat interrupted. I realized suddenly that I couldn’t really explain why.
“Nah,” I said, making something up as I leaned back on the stairs. “I’m kind of a hubris-filled asshole without any drugs at all, and turn into sac of dangerous thoughts on just a couple of martinis. Too scared what would happen to me on cocaine.” The truth is I’d once asked my flat mates about doing coke.
—-
Wait a minute, they’d said. No… No. NO.
You, Oscar, cannot do cocaine. Sorry, but it’s out of the question. Absolutely no way. There are some people that just cannot do cocaine, opined one of them.
You’re one of them, said the other. Don’t even think about it. I asked them why not.

—-
There’d been fear and certainty in their eyes and they know me pretty well, so I’d lain off the topic. But I was curious now in that marina in Barcelona, where I was sitting with the five English teachers, telling Meg about Brazilian rock salt, listening to Veronica and Amanda go on about finding cocaine, putting up with LeAnn whine about a finding a club scene and watching Kat’s body groove indifferently to a reggae beat in the distance.
 Fabricated Spanish accents dragged their greasy tongues and their swaggers were so pronounced that I thought at any moment at least one of them would lose their footing and collapse on the pavement.
“Uh-oh,” I heard Meg start, “hold on to your purses!”
“Hey baby,” one of them coo-ed, “you want fire?” I looked at Veronica, who’d been struggling with Kat’s lighter.
“You make fire?”  But the dude was so into himself that it backfired.
“I am fire,” he replied quickly and very seriously, deepening his voice with the aura of a man who has too many buttons undone on his shirt and too much hair dancing on his chest. His face erupted in a disgustingly entrancing smile that infected some of the girls enough to keep him around for a bit. He took from his pocket a few small paper packets and showed them the white powder inside.
“Hold on to your purses!” Meg shouted in between the sentences of our conversation.
 The boats swaying gently on the harbor were so much more interesting to me at that moment. I had nothing to do with their mess. The tall sloops and the wide catamarans helped my thoughts drift toward my reasons for having come to Europe in the first place. There was, of course, the five weeks of vacation and the more reasonable approach to the question of work-life balance. It was all part of the master plan that there was also something to chase here, some ideal that America could no longer hold for me, and I’d known that I would find it in a more ancient place, with more history and less memory.
Partially, I’d come to escape the stifling feelings of despair that I’d sunken into after a bitter divorce, but mostly I’d come to escape a connection with the attitudes I was beginning to find so aggravating in the social order, in the mores of people’s lives. The things people around me were starting to collect, to covet, it was something I couldn’t wrap my mind around. I was constantly feeling like I was in the wrong place and in order to escape the tedium of a blank personality I didn’t recognize, a life indistinguishable from anyone with a similar-looking apartment and an easily-labeled career, I would have to find an environment with which I wasn’t in constant opposition. I needed a new rhythm. And it had to be more than the corporate equivalent of a semester abroad – I needed to become one of these people; learn their language, eat their food and breath their air. I needed to see myself in their faces.
I feel at home when I see the villages surrounding European towns. Familiar to me is the sound of horseshoes on cobblestone, the sight of snow on ancient stones, the feel of moss on wood. I feel rejuvenated by the green of the grass in the north of Europe, and by the black dirt in the south. I feel invited by the narrow streets to explore the winding Roman ways and the bike paths that lead out of a city, seemingly into nowhere. I am attracted to the well-kept autobahns, the many languages and the attitude of dour insistence that some things do not have to be replaced by a more efficient technology or system; they are ends, not means to be run over on the way to the next errand.
I had come to find a new path, since you can only walk one. I’d realized that I’d gone astray after years of being surrounded by notions and traditions that I found disgustingly convenient in America. I’d grown to see Europe as my Virgil to find my way out of the Hell towards which I was rapidly headed. What I’d been through had left me feeling abandoned from myself, but I thought that if I stayed afloat on this new wave, if I could stay high enough on the crest I was riding to feel the wind pass through my hair, I might just sight the port I was looking for in a direction away from the high water mark of the flood that almost drowned me before.
Eventually the douche bags left; something to do with crushed aspirin and $108 a gram. Nobody was really torn over the loss, though some of them were starting to feel restless, like there was more to do that night.
We ran into Fred, one of their other friends. Fred was a Spaniard — a local — and had already, it seemed, taken a liking to all of these gals. He wore a red shirt that closely hugged his torso, which was not as toned as it may have been in the recent past. Probably from a combination of beer and whiskey, he’d developed a gut deserving of politicians and publicity agents, and he smelled of sand and cheap French cologne. He was, however, the type that knows the scene, that knows the schedule. He is the type that knows the people and knows the lines. I could tell right away that Fred was a natural catalyst. If our pack had been a movie, he’d be the producer. And he was good at it too.
“Veronica!” he yelled towards us across two lanes of traffic, “Como estás?!!” He greeted her with an enviable hug and she pressed her beautifully supple breasts against him, shouting hellos to the other girls who hugged and sharply greeted some of the other boys in Fred’s entourage.
It wasn’t so much that I felt threatened by those boys, but their presence and the reactions of my newly-made acquaintances reminded me that for all my efforts, I was alone in that sleepless city, in that warm country, in that large continent.
“Good to meet you, tio,” he said to me, introducing himself. I shook his hand and then stepped back as he continued his greetings. I thought of reaching for my whisky. Who does this guy think he is? I thought. LeAnn whined again about cocaine and clubbing or something equally dull and Fred snapped his neck in her direction, almost fast enough to break it himself.
“That is ridiculous, kiddo, especially on a night like this.” I liked the way he said, ‘kiddo’. “There are concerts on every plaza and every corner tonight, and there’s madness on the streets. You want to pay cover charges and waste your time to dance with foreign dudes, cool…don’t take it out on us.”
My eyes gleamed and my lips curled a soft smile. Well now, let’s not be hasty, I thought. He and I made small talk as we walked a couple of blocks, past a falafel place towards the Plaza Catalunia, slightly ahead of the others. Fred spoke of his time in Barcelona as an extension of his clubbing experience in Paris. He’d been raised speaking French but his native tongue had always been Spanish, especially when he’d noticed that the smiles were warmer, the beer was colder and the nights were longer.
“I am a creature of the night,” he told me. “People criticize the French but no one fucks with Spaniards.” He paused, then added: “especially in Catalunia!” He fist-punched the air in front of him as if there were a gathered crowd that was going to go absolutely NUTS.
“The four red stripes on the Catalan flag,” he explained, “are the blood-stained fingers of a dying patriot running down his friends’ golden shield as he pleaded for glory.” I looked at him in reverence, wondering if he was for real. I started realizing how drunk or possibly tripped out he was when he saluted the flag three times in ten minutes.
But he kept on it, rambling into furies of incoherent rants about life in Catalonia and I tired of it. Soon I was back in Veronica’s arms. The evening had taken a steep turn, now following Fred and his friends around town. They were pretty cool cats though, and everybody was enjoying themselves.
We hung out and lost a few people on the long walk towards the concert areas. But the conversations were varied and many, and much like marching troops, if a group is too large and a few go missing, you don’t really notice until you’re looking for specifics. Eventually, we even lost Fred.
Somehow we ended up just the girls and me again. Meg had dropped when the effects of the whisky turned to moaping about her boyfriend, which was a shame. She’d called him in between swiging Dewar’s with me and taking hits of a joint the other girls had rolled.
It’s a rookie mistake and I hated to see it happen but by the time it hit there was just nothing that could be done for the poor girl. She left us near a metro stop and I never saw her again.
So, for the ones who remained, I bought them a drink, thanked them for the wonderful evening and watched a couple more disperse into the thick Catalunian crowd. The tighter you grip things as slippery as grains of sand or drunken girls, the more they will slip through your fingers, so I rolled with it. The remaining ones, Amanda and Kat, wanted to go dance in the calle. So we went.
—-
As the night wound down I found myself with Kat, the only one left. We hadn’t planned it, but there we were on the edge of Port Vell, smooching like teenagers, impossibly drunk, the DeWar’s long gone.  There was no reason not to — there were no more fireworks and we no longer knew what to do with ourselves. Kat had gotten very stoned at some point in the night and more recently I had seen her eat a variety of pills — a sort of bite-size fun pack of drugs — and she was starting to show the signs. She was agitated and becoming more so with every car that zoomed past the street behind us, and Barcelona is a city of traffic. She was in for a fast night.
At some point after two in the morning I was leaning against a dim lamp post in the dark by the harbor. She was pressed against me, occasionally kissing me and letting me run my eager hands over her tight waist and stomach, but mostly pushing herself off of me and singing unheard of off-key tunes into the night. Something about rocking the boats to sleep.
“They’re yachts,” I tried to correct her, but that was deemed irrelevant. Whenever she left to sing to the boats, my heavy eyes tended to wander over the darkness, through the tight streets of the Gothic Quarter, piercing the blackness that covers the Mediterranean, and glossing over the people that still roamed thinly all about us. Barcelona never sleeps completely.
Then I saw Fred coming at us from the street. From the way he was running I knew something was wrong. He was storming at us without his shirt like a mad bull set loose. When he got close enough I saw that on his face he wore eyes different to the ones I had seen earlier that night. The in-control producer, the knower of places, names and lines was completely gone.
Kat was oblivious to the imminent problem. I considered warning her but there would’ve been no point; she had moved on to being preoccupied with the frog she claimed sat on the lamp post, calling her ‘dark things with a frown on its face’. Nonsense, of course, but how could I explain it to her in time? She had stopped listening to me and was delirious, and I could see I was about to have a mess on my hands.
Fred, meanwhile, was showing no signs of slowing down. He was out of his mind, too much cheap coke in his blood, too much weak beer; too many dames to chase and none that were going home with him. He ran, throwing his thighs up and lunging them forward like a desperate beast. I had time to duck, which I did, and just in time to see him grab Kat’s arm and jerk her into the water with him.  She didn’t even know why it was happening.
As out of his head as he was, Fred knew exactly why he was there – he couldn’t have told you with any sense or coherency but he knew. He wanted the third boat on the 2nd pier; a yellow-hulled catamaran. He wanted to commandeer it, as it were. The Marnette, out of Genoa, I think, and docked in Barcelona. He wanted to untie every line on the hull and raise every sheet, make fast the rudder and ride the currents out to Majorca like one of the ancients.
The Marnette, by the way, was a 32 ft. catamaran that had no sail, no lines and had been stripped of every instrument on board. She wasn’t carrying a drop of gas and was essentially a fiberglass shell. The owner — a short French-man by the name of Pierre de Curr, who had a BO problem — had put into Barcelona for a repaint on his way to Morocco and the Marnette was a sitting duck.
But Fred never learned these facts since he couldn’t even climb aboard — he’d splashed into the water with Kat and then tried to swim out to his object only to find his legs could barely keep him afloat, to say nothing of being able to climb aboard a catamaran. Kat had to go fetch him where he was hanging from the unpainted hull of the Marnette like a wasted barnacle. After wretching him from the ship she dragged him back to the dim lamp post and pushed on his butt from below while I fished him out of the water.
“Marnella!” he shouted, almost crying, clinging to the pole for support and slurring the bubbles on his voice with resolve, indifferent and unaware that he didn’t even have the right name. “My love! My Roman Mother! You are my urn, on your deck I sit. My soul, it burns, Marbella! To Rome I’d turn, but no winds blow, so to Majorca I shall go!”
“Quiet down, you animal.” I snapped at him, thinking about the panic that place would turn into if the cops were to descend on us now. Two drunk gringos, one of them stoned and delirious from a bag of fun pills, dragging out of the harbor a small, French-looking Spaniard who was completely out of his head on coke and bad beer. Even in that late hour a crowd had started to gather, and there were now some twenty to thirty middle-aged Nordic-looking tourists staring on while the sloppy Spaniard danced to his own poetry. Which was actually quite good, I thought. Those tourists must’ve been feeling so far from home at that moment. They may even have seen a drug stupor before, here it was just so romantic.
But it would become chaos, I decided. I didn’t want him to be in this state and belligerent, so I tried to calm him down with some sense. “The Marnette was stripped down, mate. There was nothing there for you.”
“There’ll never be one quite like her,” he whimpered.  “She had so much to give.”
“She had nothing, kid. She was a dud. A bonafide carcass and if you keep on acting like a noisy ape you may end up looking like a similar shell in a Catalunian prison,” I told him.
“Don’t you be talking about my Marla that way. I know capabeta, man. I’ll kick you upside down.”
Sigh. “You don’t know capoeira, Fred.” I tried to say it without sounding condescending, but I tire of that.
 I’m going to show you the shinga.”
“Dammit,” I muttered under my breath to no one in particular and I started to worry. Spain, and the Catalonia region in particular, is not a good place to be caught with your pants down, filled to the brim with alcohol and cheap drugs and in the company of boat thieves who can’t stand up, let alone performing some aborted version of a strange Brazilian dance. My consolation was that the stoned pill repository I had made out with, the one dripping by the dock grinning about frogs no one else could see, was not my problem. What worried me was Fred, this looming bin of craziness, a bomb about to click. He was fast becoming an issue and I could only guess at what he’d put into his body to do a 180 like he had.
Fred started to ginga. Well, I thought, at least we look like clowns, not vandals.
“Let’s go steal gas station pump handles!” opined one of Fred’s friends who had been watching the act the way normal people stand in line at a grocery store.
Kat, still soggy from her unexpected plunge in the harbor blurted out, “we’ll be like the vandals that took the handles from that Bob Dylan song!”What? I thought. This girl is losing control and fast. And right there it hit me — the answer: how to get out of this whole mess of drugs and jackass gingas. I was leaning against another light post and now stood up straight to face the music.
“Kat!” I called, “come ‘ere and show Fred how to ginga. He doesn’t move right.”
“Hee-hee.” She giggled as she made her way over to where he was; the dancing equivalent of a stutter. She watched him for three seconds or so and then she took the bait.
 You don’t move right.”  It might have been hilarious somewhere else, in another time. But I knew what was coming and I knew I had to get out of there very soon. People gathered and Fred was really into it now, having turned it more into something resembling a Native American rain dance than anything I’d ever seen in a roda and Kat was starting to follow suit. What I’d created was shameful, but what could I do?
The crowd was starting to really thicken and I stepped back into it. Someone had already called the Policía. I heard sirens approaching, but I wasn’t interested. Already that situation had nothing to do with me anymore. I was alone again, losing myself between the narrow streets, deeper and deeper into the old Roman structures of some European city. Alone, where I feel so at home.
Hotel Cuatro Naciones, room 119 — Barcelona, Spain


Split taco-bot into three different microservices, taco-bot-commands, taco-bot-web and taco-bot-news (links). This makes taco-bot easier to work on and upgrade in the future.
Rewrote taco-bot-commands to store its commands in MongoDB. This will make it easier to add commands in the future.
Added previews for multi-value commands on taco-bot.com, such as !jokes and !huskersermon.
Added new commands: roastknurdy, drama, carry, gearmanager and releasenotes
Added new automatically updated commands: dailyreset, vendorreset and thisweekatbungie
Finally added the rest of the originally submitted images for the shenanigans command.
Updated taco-bot-news (posts reddit links) to check for new links every few minutes instead of keeping a list of posted links. This will prevent past situations where Taco Bot vomitted 50+ links when it was out-of-date.
Updated taco-bot.com to better handle mobile devices (it's still mostly crap).
Reduced taco-bot.com's data payload by 1.5MB.
Hooked up TravisCI which will build Taco Bot deployments (all three). This is step 1 of 2 to instantly deploying Taco Bot after updates (faster updates).
Created support automation scripts to do build and deployment tasks that were previously de-motivating me to work on Taco Bot.


This function was fun and quick to do, based on the instructions given. It takes an image and replaces colors similar to each other with a block color, creating nifty stylized effect in images with lots of colors and pixel density. The formula was given, and this was a part of a group project, so it was fast to work on and complete.
def artify(): file = pickAFile() pic = makePicture(file) for x in range(0, getWidth(pic)): for y in range(0 , getHeight(pic)): p = getPixel(pic, x, y) r = getRed(p) if r < 64: setRed(p, 31) elif r < 128: setRed(p, 95) elif r < 192: setRed(p, 159) else: setRed(p, 223) g = getGreen(p) if g < 64: setGreen(p, 31) elif g < 128: setGreen(p, 95) elif g < 192: setGreen(p, 159) else: setGreen(p, 223) b = getBlue(p) if b < 64: setBlue(p, 31) elif b < 128: setBlue(p, 95) elif b < 192: setBlue(p, 159) else: setBlue(p, 223) show(pic) return pic
· Made with by Talanda featuring Bootstrap ·


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{% include "includes/account-name-number.html" %}Apprentices
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QUEEN MARGOT A film review by James Berardinelli Copyright 1995 James Berardinelli
RATING (0 TO 10): 7.0
Date Released: varies Running Length: 2:23 Rated: R (Violence, gore, sex, nudity)
Starring: Isabelle Adjani, Daniel Auteuil, Jean-Hugues Anglade, Vincent Perez, Virna Lisi, Pascal Greggory, Julien Rassam, Dominique Blanc Director: Patrice Chereau Producer: Claude Berri Screenplay: Daniele Thompson and Patrice Chereau based on the novel by Alexandre Dumas Cinematography: Philippe Rousselot Music: Goran Bregovi Released by Miramax Films In French with subtitles
The ageless Isabelle Adjani, one of France's most beautiful faces, has an undeniable screen presence. And, with his lean, well-toned body and finely-sculpted features, Vincent Perez is equally pleasing to the eye. However, put them together with the expectation that they'll play off one another, and the love affair that's supposed to sizzle instead fizzles. Not only is there no chemistry between these two, but the cold- as-ice Adjani never thaws, and Perez shows that in France, like elsewhere, physical attractiveness does not equate to acting talent.
Fortunately, there's a lot more going on in QUEEN MARGOT than the relationship between Perez' gallant La Mole and Adjani's title character. The film's primary focus is the bloody sixteenth-century struggle between French Catholics and Protestants, and the resulting political intrigue in the court of King Charles XI. QUEEN MARGOT opens in 1572 at the ostentatious wedding of Margot--the Catholic daughter of Catherine de Medici (Virna Lisi) and the brother of Charles (Jean-Hugues Anglade)--to Henri of Navarre (Daniel Auteuil)--the leader of the Huguenots. While this arrangement is intended to secure peace between the rival religious factions, it is a marriage of convenience only. Margot makes it clear that Henri is not welcome in her bed.
Six days after the marriage comes the Saint Bartholomew's Day massacre, an event that sees the wanton slaughter of thousands of Protestants, including the king's confidante.  Meanwhile, Margot has taken a new lover--a brave and dashing Huguenot by the name of La Mole. Yet the I CLAUDIUS-like scheming and political machinations have just begun.
Most of QUEEN MARGOT is a top-notch historical epic featuring impeccable costumes and grand scenery. Unlike the "typical" French film, this is not at all talky. In fact, amidst the swordfights, carnage, and battle scenes, there are occasions when dialogue is at a premium. QUEEN MARGOT is a sumptuous movie--except when the focus switches to the poorly realized romance between Margot and La Mole.
Perhaps the most chilling sequence in QUEEN MARGOT depicts the dumping of hundreds of lifeless bodies into mass graves. Echoing Holocaust horrors, it's not a unique cinematic picture, but this type of scene is rarely associated with anything other than Nazi concentration camps. It serves as an unpleasant reminder that atrocities litter the entire spectrum of human history, not just the present and recent past.
Directed by Patrice Chereau and produced by Claude Berri (the director of such epics as JEAN DE FLORETTE/MANON OF THE SPRING and GERMINAL), QUEEN MARGOT never becomes tiresome despite a substantial running length (actually, more than 30 minutes were trimmed by Miramax from the original cut). There is enough energy to drive this film through its few slow spots on momentum alone, and Chereau fortunately doesn't subject us to too many scenes with only Adjani and Perez. Featuring the likes of Daniel Auteuil (UN COEUR EN HIVER), Jean-Hugues Anglade (KILLING ZOE), and Virna Lisi, the rest of the cast is impeccable.
 However, for those who appreciate bigger-than-life historical sagas, Chereau's entry is often impressive and almost always entertaining.
- James Berardinelli<EMAIL_ADDRESS>.
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RESOURCES
Selected resources to get started in ML
Written by Students for Students
2021 Edition
MATH FOR ML
-
Technical videos from Mathematical Monk about ML: Youtube
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Learn linear algebra with 3blue1brown on Youtube
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Learn matrix methods with MIT’s Gil Strang
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Learn basic probability with Mr. Nystrom
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Learn advanced probability with Mathematical Monk
Disclaimer: These courses are suggested by students and are not officially endorsed by the Bennett University Computer Science Engineering Department.
If you have any questions, comments, or suggestions, please do not hesitate to email us at<EMAIL_ADDRESS>MACHINE LEARNING COURSES
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Andrew Ng Deep Learning Videos: Youtube
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Intro ML at MIT: MIT Open Course Ware
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Intro AI at MIT: MIT Open Course Ware and Youtube
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Deep Learning Monthlong Course: Youtube
Disclaimer: These courses are suggested by students and are not officially endorsed by the Bennett University Computer Science Engineering Department.
If you have any questions, comments, or suggestions, please do not hesitate to email us at<EMAIL_ADDRESS>OTHER RESOURCES
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Deep Learning by Goodfellow et al: free book available at deeplearningbook.org
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Practice data science problems on Kaggle
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Read ML-related articles on Distill
Disclaimer: These courses are suggested by students and are not officially endorsed by the Bennett University Computer Science Engineering Department.
If you have any questions, comments, or suggestions, please do not hesitate to email us at e19cse367@bennett.edu.in!


Syntax:
hash-table-count hash-table => count
Arguments and Values:
hash-table---a hash table.
count---a non-negative integer.
Description:
Returns the number of entries in the hash-table. If hash-table has just been created or newly cleared (see clrhash) the entry count is 0.
Examples:
(setq table (make-hash-table)) => #<HASH-TABLE EQL 0/120 32115135> (hash-table-count table) => 0 (setf (gethash 57 table) "fifty-seven") => "fifty-seven" (hash-table-count table) => 1 (dotimes (i 100) (setf (gethash i table) i)) => NIL (hash-table-count table) => 100
Side Effects: None.
Affected By:
clrhash, remhash, setf of gethash
Exceptional Situations: None.
See Also:
Notes:
The following relationships are functionally correct, although in practice using hash-table-count is probably much faster:
(hash-table-count table) == (loop for value being the hash-values of table count t) == (let ((total 0)) (maphash #'(lambda (key value) (declare (ignore key value)) (incf total)) table) total)


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import config.AppConfig @import controllers.routes.CaseController @import models.request.AuthenticatedRequest @import views.forms.components.RadioOption @import views.html.forms.components.input_radiogroup @import views.html.includes.main @import views.html.partials.{back_link, error_summary} @this( main: main, backLink: back_link ) @(keywordName: String, c: Case, form: Form[String])(implicit request: AuthenticatedRequest[_], messages: Messages) @main( pageTitle = messages("management.change-keywords.change-keyword-status.keyword-details.title"), backLink = Some(backLink()) ) { @error_summary(form.errors, keySwaps = Map("change-keyword-status" -> "change-keyword-status-approve"))


Before Change
if aggregator_type == "pool":
self.fc_pool = nn.Linear(self._in_src_feats, self._in_src_feats)
if aggregator_type == "lstm":
self.lstm = nn.LSTM(self._in_src_feats, self._in_src_feats, batch_first=True)
if aggregator_type != "gcn":
self.fc_self = nn.Linear(self._in_dst_feats, out_feats, bias=bias)
self.fc_neigh = nn.Linear(self._in_src_feats, out_feats, bias=bias)
self.reset_parameters()
After Change
if aggregator_type == "lstm":
self.lstm = nn.LSTM(self._in_src_feats, self._in_src_feats, batch_first=True)
if aggregator_type != "gcn":
self.fc_self = nn.Linear(self._in_dst_feats, out_feats, bias=bias)
self.fc_neigh = nn.Linear(self._in_src_feats, out_feats, bias=bias)
self.reset_parameters()
def reset_parameters(self):


Terms and Conditions for Appoint
Welcome to Appoint website. The content of the app (web/mobile), pertains to Appoint is the property of Appoint Healthcare Pvt. Ltd ("Contact Doctor", "CONDOC", the "Company", "we" or "us"), having its registered office at 168/176, MTH Road, CT5, Chinna Krishna Towers,Villivakkam, Chennai-49, TN, India. Contact Doctor, amongst other services, facilitates in finding and comparing prospective doctors and health care providers in identified locations ("service") and this service is provided only in good faith. The services of Contact Doctor are essentially provided to bridge the information gap between patients and doctors.
This document is an electronic record in terms of IT Act, 2000 and rules there under as applicable and the amended provisions pertaining to electronic records in various statutes as amended by the IT Act, 2000. This electronic record is generated by a computer system and does not require any physical or digital signatures. This document is published in accordance with the provisions of Rule 3 (1) of the IT (Intermediaries guidelines) rules, 2011 that require publishing the rules and regulations, privacy policy and terms of use for access or usage of www.contactdoctor.in service. The domain name contactdoctor.in (herein after referred to as "Website") is owned by Contact Doctor Healthcare private limited a company incorporated under the companies act, 1956 with its registered office.


Review your funding claim
This is your final (R14) funding claim for 2017 to 2018 and is the information entered on the Hub at 10.27am on 8 April 2018.
Your delegated authority should sign this claim by 10.19am on 15 April 2018.
16 to 19 funding
Total claim £3,002.00
| 14 to 16 direct funded students | Students | |
|---|---|---|
| Band 5 540+ hours | 67 | |
| Band 4a 450+ hours | 34 | |
| Band 4b 450 to 539 hours | 102 | |
| Band 3 360 to 449 hours | 69 | |
| Band 2 280 to 359 hours | 92 | |
| Band 1 up to 279 hours | 123 |
| 19 to 23 Apprenticeship frameworks programme funding | Students | Amount |
|---|---|---|
| Your claim | 100 | £4,001.00 |
| Exceptional adjustments | 100 | £2,000.00 |
| Total delivery for 2016 to 2017 | 100 | £4,003.00 |
| 19 to 23 Apprenticeship frameworks learning support | Students | Amount |
|---|---|---|
| Delivery to date | 100 | £6,001.00 |
| Exceptional adjustments | 100 | £3,000.00 |
| Total delivery for 2016 to 2017 | 100 | £5,004.00 |
| 19+ Apprenticeships frameworks learner support | Students | Amount |
|---|---|---|
| Delivery to date | 100 | £8,001.00 |
| Exceptional adjustments | 100 | £4,000.00 |
| Total delivery for 2016 to 2017 | 100 | £6,005.00 |
| 24+ Apprenticeships frameworks learning support | Students | Amount |
|---|---|---|
| Delivery to date | 100 | £12,001.00 |
| Exceptional adjustments | 100 | £6,000.00 |
| Total delivery for 2016 to 2017 | 100 | £8,007.00 |
| Total claim figures | £75,003.00 |
| Total contract value | £12,345,678.00 |
|---|
Adult Education Budget
Total claim figures £3,002.00
| 19 to 23 apprenticeships programme funding | Year end | Final year |
|---|---|---|
| Your claim | £99,999,999.99 | £99,999,999.99 |
| Exceptional adjustments | £99,999,999.99 | £99,999,999.99 |
| Total delivery for 2016 to 2017 | £99,999,999.99 | £99,999,999.99 |
| 19-23 Apprenticeships Learning Support | Year end | Final year |
|---|---|---|
| Your claim | £99,999,999.99 | £99,999,999.99 |
| Exceptional adjustments | £99,999,999.99 | £99,999,999.99 |
| Total delivery for 2016 to 2017 | £99,999,999.99 | £99,999,999.99 |
| 24+ Apprenticeships Programme Funding | Year end | Final year |
|---|---|---|
| Your claim | £99,999,999.99 | £99,999,999.99 |
| Total delivery for 2016 to 2017 | £99,999,999.99 | £99,999,999.99 |
| 24+ Apprenticeships Learning Support | Year end | Final year |
|---|---|---|
| Your claim | £999.99 | £999.99 |
| Exceptional adjustments | £99,999,999.99 | £99,999,999.99 |
| Total delivery for 2016 to 2017 | £99,999,999.99 | £99,999,999.99 |
| 19+ Apprenticeships Learner Support | Year end | Final year |
|---|---|---|
| Your claim | £99,999,999.99 | £99,999,999.99 |
| Total delivery for 2016 to 2017 | £99,999,999.99 | £99,999,999.99 |
| Total claim figures | - | £99,999,999.99 |
| Total contract value | £99,999,999.99 |
Advanced Learner Loans Bursary
Total claim figures £3,002.00
| 19 to 23 apprenticeships programme funding | Year end | Final year |
|---|---|---|
| Your claim | £99,999,999.99 | £99,999,999.99 |
| Exceptional adjustments | £99,999,999.99 | £99,999,999.99 |
| Total delivery for 2016 to 2017 | £99,999,999.99 | £99,999,999.99 |
| Total claim | - | £99,999,999.99 |
| Total contract value | £99,999,999.99 |


{% from "macros/_form.html" import render_form %} {% extends 'setup/layout.html' %} {% block css %} {% endblock %} {% block pagejs %} {% include 'js/setup/test.js' %} {% endblock %} {% block body %}
| Opening device | ||
| Saving device configuration | ||
| Keypad communication (Send) | ||
| Keypad communication (Receive) |


Thomas Hebes
Professional interest and skills
Which skills and programms I used in the last year. Visualisation via importance and interest.Experience so far
prepress | press | data
Short visualisation where I spend my 20 years in the printing industry- agency: Content marketing and advertisment
- study: Univerty of appliant science Print Medai technologies
- supplier: Hell Gravure Systems | machine & software instructor
- Printer: Prinovis Nuremberg Dept. leader prepress
C L I M B E D
Created Excel
Modivation
If you can't measure it, it doesn't exist!


Welcome to SpaceFinder!
Welcome, {{globals.getUserFirstName()}} {{globals.getUserLastName()}}
| Book a conference room for your team meeting. |
|
| Visiting a remote office? You can book a desk in advance. |


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Test es6 Rollup - using es6_test.js
Test dynamic import support code.
json:
formatted json, compact: