License
Integration Server Continuous Code Review
PERFORMANCE.READY TOOLS
Software AG Global Consulting Services
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The software is designed for general office use. It is not designed or intended for use in air traffic control, mass transit systems, critical medical purposes, the operation of nuclear facilities or any other use which could result in a high risk of safety or property damage. You warrant that you will not use the software for such purposes.
You may not download or otherwise export or re-export any underlying software, technology or other information from the Products except as stated explicitly in this notice or the Commercial License Agreement and in full compliance with all applicable national and international laws and regulations. You agree to indemnify and hold harmless and defend Software AG against any and all liability arising from or relating to your breach of these export control undertakings. Software AG reserves the right not to honor any affected parts of this notice, or the Commercial License Agreement, in case any national or international export regulations or foreign trade legislation, or any target country / customer / usage restrictions implied by embargos or other sanctions prohibit the provision of export controlled goods (Dual-Use items) and services to be granted to you under either this notice or the Commercial License Agreement. Software AG may inform you if a related official export approval by national or international export control authorities is required. Provision of affected Products will then be postponed until all such required approvals have been granted. The provision of Products not restricted by the above mentioned export prohibitions will remain unaffected of this restriction.
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The invalidity of any provision of this agreement shall not affect any other part of this agreement. This agreement represents the complete and exclusive statement concerning this Evaluation License Agreement between the parties. No modification or amendment of this agreement will be binding on any party unless acknowledged in writing by their duly authorized representatives. This agreement shall be governed and construed by the laws of the Federal Republic of Germany.
Included Projects
Themes used under license from the ReadTheDocs projects.
- ReadTheDocs theme - View license.
Many thanks to the authors and contributors of those wonderful projects.
MkDocs License (BSD)
Copyright © 2014, Tom Christie. All rights reserved.
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
Redistributions of source code must retain the above copyright notice, this list of conditions and the following disclaimer. Redistributions in binary form must reproduce the above copyright notice, this list of conditions and the following disclaimer in the documentatio and/or other materials provided with the distribution.

ChartJS.org (MIT)
- The MIT License (MIT) - View license.
Copyright (c) 2018 Chart.js Contributors
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


Summary
- Have a functional likelihood calculation from the full individual-based simulation, see Friday. Accuracy needs more testing, and the computation is probably too slow for optimization routines.
- Have an implementation of the linear decrease in stability model with analytic conditional probability density. Needed a couple adjustments today.
- Need to add direct simulation to the warning signals package, currently retunrs only time-averaged/ensemble averaged stats. Can be approximated by setting the window equal to the timestep and ensembles equal to one.
Revising & Testing the math
Revisions to the equations from Thursday’s entry:
- Added an alpha_0 parameter – the alpha dynamics shouldn’t start at zero.
- The variance integral had a factor of two that wasn’t carried through. Also this calculation changes as a result of the alpha_0
- The resulting analytical solution for the variance depends on a difference of error functions, which has poor numerical behavior for small beta. Implemented a flag in the R code which drops down to the analytic solution of beta=0 when it begins to run into this numerical round-off, otherwise numerics return variance of zero. Compared to analytic simulations.
Effective model choice: absence of a warning signal
- Generate a data set that does not contain a warning signal, using the OU model.
- Fit both model with changing stability and the simple OU model.
theta <- 3
alpha <- 1
sigma <- 2
X <- sde.sim(model="OU", theta= c(theta*alpha,alpha,sigma), X0=Xo, N=1000, T=1000) # (SDE package parameterizes OU differently)
# These starting conditions converge to the wrong set of parameters but achieve the same likelihood
Call:
mle(minuslogl = warning.lik, start = list(alpha_0 = 2, theta = 1,
sigma = 2, beta = 2), method = "L-BFGS-B", lower = c(0, 0,
0, 1e-09), control = list(maxit = 1000))
Coefficients:
Estimate Std. Error
alpha_0 0.5812878<PHONE_NUMBER>1
theta 3.0881681 0.06202446
sigma 1.9305852 43.26824107
beta 1.0907615<PHONE_NUMBER>3
-2 log L: 3401.722
## These parameters converge closer to the true parameter set, and achieve much smaller Std Error
Call:
mle(minuslogl = warning.lik, start = list(alpha_0 = 2, theta = 1,
sigma = 2, beta = 0.2), method = "L-BFGS-B", lower = c(0,
0, 0, 1e-09), control = list(maxit = 1000))
Coefficients:
Estimate Std. Error
alpha_0 1.10203570 NaN
theta 3.08817901 0.06202212
sigma 2.09564217 0.02879976
beta 0.04950086 NaN
-2 log L: 3401.722
## Matches the parameter values from the simple OU model (beta = 0), and same likelihood
mle(minuslogl = OU.lik, start = list(theta1 = 1, theta2 = 0.5,
theta3 = 0.5), method = "L-BFGS-B", lower = c(-Inf, 0, 0))
Coefficients:
Estimate Std. Error
theta1 3.479407 0.29304030
theta2 1.126721 0.09219684
theta3 2.103550 0.07886453
-2 log L: 3401.722
## And matches (even outperforms) the likelihood of the true parameters:
> 2*warning.lik(alpha_0, theta, sigma, beta)
[1] 3405.286
> 2*OU.lik(alpha*theta, alpha, sigma)
[1] 3405.837
Analysis of Results
- So bad news is fit of the richer model can depend on initial conditions, and maximizing likelihood alone doesn’t guarantee finding the right parameters.
- Luckily this alternate peak seems to have broader uncertainty
- Good news is that both approaches achieve the likelihood of the true parameter values. Any information criterion would successfully reject the change of stability model in this case.
### Code Updates
- Warning Signals project has also migrated to Github. Nicer interface, git is much faster, handles branching & merging very elegantly and this centralizes my projects.
- the optimization function in R takes control argument for maximum number of iterations as demonstrated above, though we don’t hit the default max (100) yet, which is promising for being able to optimize the individual-based model over at least a subset of parameters.
- Ironically the sde_likelihood library for this analysis has been developed in the Structured-Populations package, though it has now been integrated into the warningSignals package.
- Handy: function formals() gives the arguments/defaults of an R function.
- Should look into how mle() is calculating the standard error estimate on parameters.
Misc
- Joined Nature’s SciTable, aimed at undergraduates and professors teaching mostly. We’ll see if it’s any use.
- Statistics on Social media, youtube-style.
- Persuasive case for twitter, a social sixth sense?
- 100 twitter tips.
- added category tags to notebooks yesterday. Should help organize the subprojects in each notebook.


IchigoJam print
Programming course
-
Make Sounds / BEEP
-
Compose Music / PLAY
CC BY on GitHub
IchigoJam print
https://ichigojam.github.io/print/en/
IchigoJam®jig.jp


{{ range $m := .ui.Messages }}
{{ range $from := .ui.Froms }}
{{ if and (eq $from.Display true) (eq $from.Group "profile") }}
{{ $m.Text}}
{{ end }}
Account Settings
You are currently logged in as<EMAIL_ADDRESS>Here you can manage settings related to your account. Keep
in mind that certain actions require a you to re-authenticate.


Understading output files¶
Restart files¶
The file rst.bin contains the flow field of the conserved variables. For a single-species, ideal gas, these are \(\rho\), \(\rho\,u\), \(\rho\,v\), \(\rho\,w\), and \(\rho\,E\), where \(\rho\) is the density, \(u,v,w\) are the streamwise, wall-normal and spanwise velocity components, and \(E\) is the total energy.
The file field_info.dat contains the following information needed for restart:
current step number
current time
running index for runtime averaging
time interval from when last restart file was written
time interval from when last statistics file was written
time interval from when last slices where written
number of flow samples that have been stored in VTK or Plot3D format
The frequency with which rst.bin and field_info.dat are written is controlled by the input parameter dtsave_restart. At each restart, after reading the two files, STREAmS automatically renames them into rst.bak and field_info.bak.
Flow fields¶
Flow fields can be stored in standard VTK and/or Plot3D formats. Plot3D files are made of the mesh, stored in plot3dgrid.xyz, and the flow fields, stored in files flow_nnnn.q. VTK files are stored in flow_nnnn.vtr, which contains both the mesh and the solution. nnnn is the file number. Both Plot3d and VTK files contain the same primitive variables, namely \(\rho\), \(u\), \(v\), \(w\) and \(T\).
Solutions is VTK format are printed only if the input flag enable_vtk=1, whereas Plot3D files are printed only if enable_plot3d=1. The frequency with which these solutions are stored is controlled by the variable dtsave in the input file.
Mean flow statistics¶
Flow statistics are collected at runtime and stored in stat.bin and stat3d.bin.
The file stat3d.bin contains 3D flow statistics averaged in time, for a total of 14 variables:
\(\langle\rho\rangle\quad\quad\)
\(\langle\rho u\rangle\quad\quad\)
\(\langle\rho v\rangle\quad\quad\)
\(\langle\rho w\rangle\quad\quad\)
\(\langle p\rangle\quad\quad\)
\(\langle\rho^2\rangle\quad\quad\)
\(\langle\rho u^2\rangle\quad\quad\)
\(\langle\rho v^2\rangle\quad\quad\)
\(\langle\rho w^2\rangle\quad\quad\)
\(\langle\rho u v\rangle\quad\quad\)
\(\langle\rho u w\rangle\quad\quad\)
\(\langle\rho v w\rangle\quad\quad\)
\(\langle\rho T^2\rangle\quad\quad\)
\(\langle p^2\rangle\quad\quad\)
The output frequency of the statistics files is controlled by the input parameter dtsave_restart. If restart_type=0, stat.bin and stat3d.bin are read and renamed as stat.bak and stat3d.bak.
progress.out¶
The file progress.out is written and updated at runtime and contains different quantities depending on the initial flow condition.
For channel flow cases, it contains the following quantities:
step number
time step
time
residual of :math: rho u
pressure gradient :math:Pi
bulk density
bulk velocity
bulk temperature
For boundary layer and shock wave/boundary layer interaction flow cases, it contains the following quantities:
step number
time step
time
residual of \(\rho u\)
The same variables printed in progress.out are also printed on screen while the solver is running.


A. Nentidis, Konstantinos Bougiatiotis, Anastasia Krithara, G. Paliouras.
Semantic integration of disease-specific knowledge.
Proceedings of the 17th European Conference on Computational Biology, ECCB 2018, Athens, Greece, September, 8-12, 2018,
2018.
A. Nentidis, K. Bougiatiotis, A. Krithara, G. Paliouras, I. Kakadiaris.
Results of the sixth edition of the BioASQ Challenge.
Proceedings of the 2018 EMNLP Workshop BioASQ: Large-scale Biomedical Semantic Indexing and Question Answering, Brussels, Belgium, November 1st, Association for Computational Linguistics,
2017.
A. Nentidis, K. Bougiatiotis, A. Krithara, G. Paliouras, I. Kakadiaris.
Results of the fifth edition of the BioASQ Challenge.
Proceedings of the BioNLP 2017 workshop, Vancouver, Canada, August 4, 2017, Association for Computational Linguistics,
2017.
K. Bougiatiotis, A. Krithara, G. Paliouras, G. Giannakopoulos.
An exploratory analysis of news trends on twitter.
Natural Language Processing meets Journalism, Proceedings of the Workshop, IJCAI 2016, New York, USA, July 9-11,2016,
2015.


Premier League confirms VAR changes but decides against pitchside monitor use
The Premier League have discussed VAR at length after controversy early this season and decides on some minor changes
by John Cross, Rich Jones, https://www.facebook.com/johncrossmirror/, https://www.mirror.co.uk/authors/rich-jones/VAR will be subject to minor changes after talks between Premier League chiefs and Professional Game Match Officials Limited (PGMOL).
The issue of VAR was debated in a meeting which lasted more than three hours between PGMOL chief Mike Riley and Premier League clubs.
But whilst owners confirmed the technology is here to stay, the Premier League have announced some changes will be made, including additional communication to fans inside stadiums regarding checks.
The aim is to improve the consistency of decisions, speed up processes and increase communication to fans after controversy caused by the introduction of VAR into the top flight this season.
Messages such as "checking penalty" are set to be replaced with more specific messages to fans such as "checking penalty - possible handball".
There will also be no change of policy regarding the use of pitch side monitors, which are only to be used for unseen incidents or when information is deemed to be outside the expectation range of the referee.
West Ham co-chairman David Gold discussed the crunch talks, stating: "No significant change, There’s not going to be any significant change. There is going to be an investigation. What I can say is that VAR is alive and kicking.
“There was a lot of debate. We are making good progress. This is a brand new system. We just have to be a bit more patient. We will get it right."
Asked specifically about using pitchside monitors more, Gold added: “I hate the idea.
"I hate the idea of as referee that has been running around for an hour having to run over to a pitch-side monitor. I’m absolutely against it.
“Some don’t have that opinion. Some like the idea but personally I don’t think it’s supported.”


BOOM! 7K! That’s a big deal! Steemwhales hasn’t been updated recently so it’s harder to know where that stands in the lineup, but last I checked if you removed all the bots that run around upvoting brand new users or take out the guys that have 90k followers and 9k who follow them because of 4f4 then I was in the top 30 most followed accounts on the platform (with them I was still like top 60).
 In that full time job I’ve been hiring and now I’m up to a team of five. I have a 1hr+ commute into the city every day.
Most recently this takes the form of a running a radio show and getting a youtuber with 400k subscribers to talk about Steem on their show (thanks @davidpakman), I’m going to interview @michaelvenompage who is a UFC fighter turned Steem blogger on Friday, I’m hosting Boston meetup this Saturday, I’ll have a Bid Bot owners meeting after that, some time with my brother for his birthday, and then come home and do an mspwaves show. Sunday I’ll have some time to post and chat, and then run another 3-4hrs of radio.
My alone time consists of shitting and showering. Frankly, I wouldn’t have it any other way. I love what I’m doing and I love the movement that I’m working on (political less so the bowel).
I’m knocking on the door of 2.5k witness votes
People trust that I’m working hard to help and grow this platform. I get a lot of witness votes because of it and I consider myself intensely lucky to be back in the top 10. This gig is nothing short of ball sweat and tears. My witness mentor @timcliff told me that this job was a round the clock gig. I was thinking he was talking about running the server, but what I didn’t realize is that he was really talking about working around the clock with people. People need help, people have problems, people need to network, people need stuff. It’s our job to help them find it.
You’re tired of this story but idc
I wouldn’t have this start if @kaylinart and @fyrstikken didn’t give me a push and a helping hand. I wouldn’t be here without the cofounders of PALnet (@ausbitbank, @teamsteem, @canadian-coconut). I wouldn’t be here without an extraordiary group of witnesses and moderators that help run PALnet. I was really stoked to see more than half of the people on @stellabelle’s list of folks to delegate to grew up in the Minnow Support Project. I feel like our call to service mission is helping to elevate some of the highest quality people on the platform. I couldn’t be prouder of my team, my friends, and my digital family.
I wouldn’t get this far without the witness voters that stand behind me. Thank you!
I’m doing my best!
I’m literally doing my absolute best to help and support the people on this platform the best ways I know how. Thanks for lifting me up, thanks for supporting me, I’m sorry if I ever let you down, and know I’m trying to do well by this place and our people.
Thanks for following me.
<3,
Aggy
This page is synchronized from the post: ‘7,000 Follower Milestone post!’


When visiting any website on the internet your browser allows that website to see information about it that could possibly be used to identify you.
This information includes what plug-ins you have installed, Canvas information, what fonts you have installed and a lot more.
In order to raise awareness of the amount of information leaked this website shows you your fingerprint and converts it to a small tune, in order to keep you interested.


Shallow routing allows you to change the URL without running data fetching
methods again, that includes
getServerSideProps
,
getStaticProps
, and
getInitialProps
.
You’ll receive the updated pathname
and the
query
via the
router
object
(added by
useRouter
or
withRouter
), without losing state.
To enable shallow routing, set the shallow
option to
true
. Consider the following example:
import { useEffect } from 'react'
import { useRouter } from 'next/router'
// Current URL is '/'
function Page() {
const router = useRouter()
useEffect(() => {
// Always do navigations after the first render
router.push('/?counter=10', undefined, { shallow: true })
}, [])
useEffect(() => {
// The counter changed!
}, [router.query.counter])
}
export default Page
The URL will get updated to /?counter=10
. and the page won’t
get replaced, only the state of the route is changed.
You can also watch for URL changes via
componentDidUpdate
as shown below:
componentDidUpdate(prevProps) {
const { pathname, query } = this.props.router
// verify props have changed to avoid an infinite loop
if (query.counter !== prevProps.router.query.counter) {
// fetch data based on the new query
}
}
Shallow routing only works for same page URL changes. For
example, let’s assume we have another page called
pages/about.js
, and you run this:
router.push('/?counter=10', '/about?counter=10', { shallow: true })
Since that’s a new page, it’ll unload the current page, load the new one and wait for data fetching even though we asked to do shallow routing.


| Modifier and Type | Method and Description |
|---|---|
RRset[] |
answers()
If the query was successful, return the answers
|
CNAMERecord |
getCNAME()
If the query encountered a CNAME, return it.
|
DNAMERecord |
getDNAME()
If the query encountered a DNAME, return it.
|
RRset |
getNS()
If the query hit a delegation point, return the NS set.
|
boolean |
isCNAME()
Is the result of the lookup a CNAME?
|
boolean |
isDelegation()
Is the result of the lookup that the name is below a delegation?
|
boolean |
isDNAME()
Is the result of the lookup a DNAME?
|
boolean |
isNXDOMAIN()
Is the answer to the query that the name does not exist?
|
boolean |
isNXRRSET()
Is the answer to the query that the name exists, but the type does not?
|
boolean |
isSuccessful()
Was the query successful?
|
boolean |
isUnknown()
Is the answer to the query unknown?
|
java.lang.String |
toString()
Prints the value of the SetResponse
|
public boolean isUnknown()
public boolean isNXDOMAIN()
public boolean isNXRRSET()
public boolean isDelegation()
public boolean isCNAME()
public boolean isDNAME()
public boolean isSuccessful()
public RRset[] answers()
public CNAMERecord getCNAME()
public DNAMERecord getDNAME()
public RRset getNS()
public java.lang.String toString()
toString
in class java.lang.Object


Please note the following requirements:
Allowed file formats: {'png', 'jpg', 'jpeg'}
Max file Size: 5 MB


Getting Started
Bootbox.js is designed to make using Bootstrap modals easier! Follow the guide below, and you should be up and running in no time.
Bootbox can be added to your project in two easy ways:
Run the following command to add Bootbox to your project:
npm install bootbox
You can also link to a CDN reference of Bootbox.js:
https://cdnjs.cloudflare.com/ajax/libs/bootbox.js/4.4.0/bootbox.min.js
All versions of Bootbox stand on the shoulders of two great giants: Bootstrap and jQuery. The exact version of Bootstrap depends on the version of Bootbox you’re using. This has become slightly more complex than I’d like, but hopefully this handy table will clear things up (if it doesn’t then please tell me!):
| Bootbox version | Min. Bootstrap version | Max. Bootstrap | Min. jQuery | Notes |
|---|---|---|---|---|
| 4.x.x Latest | 3.0.0 | 3.3.x | 1.9.1 | Current release. Entirely rewritten to support Bootstrap 3.0.0 |
| 3.x.x | 2.2.2 | 2.3.2 | 1.8.3 | Last version to support Bootstrap 2 |
| 2.x.x | 2.0.0 | 2.0.4 | 1.7.1 | As you can see, Bootstrap 2.1.x was never officially supported |
| 1.x.x | 1.3.0 | 1.4.0 | 1.7.1 | Don’t download this version of Bootbox—it’s old |
Once you’ve got your dependencies sorted, usage is fairly straightforward and much like any other JavaScript library you’ve ever used. The library creates a single global instance of a bootbox object:
Since Bootbox is a wrapper around Bootstrap's modal functionality, you need to include the libraries in order:
When you’re up and running, check out some examples or the documentation.


New in 4.0
4.0 introduces improved compatiblity for the offline access migration. I highly recommend upgrading. These are some of the awesome new features:
Backwards incompatible changes:
The docs can also be found at: http://django-facebook.rtfd.org/
Django Facebook enables your users to easily register using the Facebook API. It converts the Facebook user data and creates regular User and Profile objects. This makes it easy to integrate with your existing Django application. After registration it gives you access to user’s graph. Allowing for applications such as:
I’ve built it for my startup Fashiolista.com and it’s currently used in production there with thousands of signups per day. For a demo of the signup flow have a look at Fashiolista’s landing page (fashiolista.com [http://www.fashiolista.com/intro_wide_minimal/])
Before you get started building your application, know that contributions are very welcome. Seriously, if you see a bug or think of an improvement just open a pull request or issue. Feel free to contact me if you have questions.
Updates and tutorials can be found on my blog mellowmorning [http://www.mellowmorning.com/]
Further demos and tutorials will soon be available on django-facebook.com [http://www.django-facebook.com/]
Features
Django User Registration (Convert Facebook user data into a user model)
Store likes, friends and user data locally.
Facebook FQL access
OAuth 2.0 compliant
Automated reauthentication (For expired tokens)
Includes Open Facebook (stable and tested python client to the graph API)
Download the source code or use pip install django_facebook.
Create a Facebook App
You need a facebook app to use the open graph API and make the login process work. If you don’t have a facebook app, now is the time to create one. You can create a facebook app at this url [http://www.facebook.com/developers/createapp.php].
Facebook authentication only works if the domain you are working on matches your app domain. Be sure to configure the right app domain in your facebook application settings.
An example:
Your site is www.fashiolista.com, your app domain is set to fashiolista.com and you do your development at local.fashiolista.com. If you try to authenticate with Facebook from a different domain you will get an authentication error.
Settings
Define the following settings in your settings.py file:
FACEBOOK_APP_ID
FACEBOOK_APP_SECRET
Url config, context processor, auth backend
add django facebook to your installed apps:
'django_facebook',
Add this line to your context processors (TEMPLATE_CONTEXT_PROCESSORS setting):
'django_facebook.context_processors.facebook',
The full setting on a new django 1.4 app looks like this:
TEMPLATE_CONTEXT_PROCESSORS = (
'django_facebook.context_processors.facebook',
'django.contrib.auth.context_processors.auth',
'django.core.context_processors.debug',
'django.core.context_processors.i18n',
'django.core.context_processors.media',
'django.core.context_processors.static',
'django.core.context_processors.tz',
'django.contrib.messages.context_processors.messages',
)
Add this to your AUTHENTICATION_BACKENDS setting:
'django_facebook.auth_backends.FacebookBackend',
The full setting on a new django 1.4 app looks like this:
AUTHENTICATION_BACKENDS = (
'django_facebook.auth_backends.FacebookBackend',
'django.contrib.auth.backends.ModelBackend',
)
Now, add this line to your url config:
(r'^facebook/', include('django_facebook.urls')),
(r'^accounts/', include('django_facebook.auth_urls')), #Don't add this line if you use django registration or userena for registration and auth.
Update your models
Django uses a custom Profile model to store additional user information. Read more about this topic in the Django Docs [https://docs.djangoproject.com/en/dev/topics/auth/#storing-additional-information-about-users].
If you don’t already have a custom Profile model, simply uses the provided model by setting your AUTH_PROFILE_MODULE to FacebookProfile:
AUTH_PROFILE_MODULE = 'django_facebook.FacebookProfile'
Be sure to run manage.py syncdb after setting this up.
Otherwise Django Facebook provides an abstract model which you can inherit like this:
from django_facebook.models import FacebookProfileModel
class MyCustomProfile(FacebookProfileModel):
user = models.OneToOneField('auth.User')
....
from django.contrib.auth.models import User
from django.db.models.signals import post_save
#Make sure we create a MyCustomProfile when creating a User
def create_facebook_profile(sender, instance, created, **kwargs):
if created:
MyCustomProfile.objects.create(user=instance)
post_save.connect(create_facebook_profile, sender=User)
Don’t forget to update your database using syncdb or south after this step.
Right now you should have a working registration/connect/login in flow available at /facebook/connect/ Test if everything is working and ensure you didn’t miss a step somewhere. If you encounter any difficulties please open an issue.
Registration Backends
Django Facebook uses registration backends to integrate with various registration frameworks. No registration backend is required. However if you want to integrate with django registration, django userena or a custom backend you need to point us in the right direction.
Django Registration support Simply set your facebook registration backend to your preferred backend.
FACEBOOK_REGISTRATION_BACKEND = 'registration.backends.default.DefaultBackend'
Django Userena support
We recommend using Django Userena. It seems easier to work with than Django Registration. Both are supported and good packages though. To use django userena simply point to the userena compatability layer.
FACEBOOK_REGISTRATION_BACKEND = 'django_facebook.registration_backends.UserenaBackend'
Also have a look at the userena settings file in the facebook example project. It provides a clear example of how to configure Userena and Django Facebook to work together.
Old Django Registration Support
Even older version of Django Registration are supported. Simply point to the old django registration compatability backend.
FACEBOOK_REGISTRATION_BACKEND = 'django_facebook.registration_backends.OldDjangoRegistrationBackend'
Supporting any other registration system is quite easy. Adjust the above settings to point to your own code. Note that the form’s save method needs to return the new user object.
Common bugs
Django Facebook expects that you are using static files in order to load the required javascript. If you are not using staticfiles you should load facebook.js provided in the static directory manually.
Another common issue are the url matching settings from Facebook. Facebook requires you to fill in a domain for your application. In order for things to work with local development you need to use the same domain. So if you production site is www.mellowmorning.com you should run your development server on something like local.mellowmorning.com in order for facebook to allow authentication.
If you encounter any difficulties please open an issue.
Customize and integrate into your site
Not it’s time to customize things a little. For an example you can look at connect.html in the templates directory.
First load the css:
<link href="{{ STATIC_URL }}css/facebook.css" type="text/css" rel="stylesheet" media="all" />
Secondly load the javascript:
{% include 'django_facebook/_facebook_js.html' %}
If you encounter issues here you probably don’t have django static files setup correctly. Alternatively you might be missing the context processor.
Subsequently implement a form which calls Facebook via javascript. Note that you can control which page to go to after connect using the next input field.
<form action="{% url facebook_connect %}?facebook_login=1" method="post">
Register, login or connect with facebook
<input type="hidden" value="{{ request.path }}" name="next" />
</form>
Django-facebook ships with a few signals that you can use to easily accommodate Facebook related activities with your project.
facebook_user_registered signal is sent whenever a new user is registered by Django-facebook, for example:
from django.contrib.auth.models import User
from django_facebook import signals
def fb_user_registered_handler(sender, user, facebook_data, \*\*kwargs):
# Do something involving user here
signals.facebook_user_registered.connect(user_registered, sender=User)
facebook_pre_update signal is sent just before Django-facebook updates the profile model with Facebook data. If you want to manipulate Facebook or profile information before it gets saved, this is where you should do it. For example:
from django_facebook import signals
from django_facebook.utils import get_profile_class
def pre_facebook_update(sender, profile, facebook_data, \*\*kwargs):
profile.facebook_information_updated = datetime.datetime.now()
# Manipulate facebook_data here
profile_class = get_profile_class()
signals.facebook_pre_update.connect(pre_facebook_update, sender=profile_class)
facebook_post_update signal is sent after Django-facebook finishes updating the profile model with Facebook data. You can perform other Facebook connect or registration related processing here.
from django_facebook import signals
from django_facebook.utils import get_profile_class
def post_facebook_update(sender, profile, facebook_data, \*\*kwargs):
# Do other stuff
profile_class = get_profile_class()
signals.facebook_post_update.connect(post_facebook_update, sender=profile_class)
facebook_post_store_friends signal is sent after Django-facebook finishes storing the user’s friends.
from django_facebook import signals
from django_facebook.utils import get_profile_class
def post_friends(sender, user, friends, current_friends, inserted_friends, \*\*kwargs):
# Do other stuff
profile_class = get_profile_class()
facebook_post_store_friends.connect(post_friends, sender=profile_class)
facebook_post_store_likes signal is sent after Django-facebook finishes storing the user’s likes. This is usefull if you want to customize what topics etc to follow.
from django_facebook import signals
from django_facebook.utils import get_profile_class
def post_likes(sender, user, likes, current_likes, inserted_likes, \*\*kwargs):
# Do other stuff
profile_class = get_profile_class()
facebook_post_store_likes.connect(post_likes, sender=profile_class)
The Facebook App center requires your app to authenticate the user when landing on your site. It already provides you with the required token. (Honestly I think it’s a really weird user experience.) But to get it working you must use the following url for site url (App -> Settings -> Basic -> Website with Facebook Login)
http://www.mydomain.com/facebook/connect/?facebook_login=1&attempt=1
Note that the given tokens can’t be used for local testing. (Facebook checks the url for which the authorization was given.)
Tests are run from within the example project. You can run them yourself as follows:
install from git
facebook_example/manage.py test django_facebook
Todo:
Do you also see the beauty in clean code? Are you experienced with high scalability web apps? Currently we’re looking for additional talent over at our Amsterdam office. Feel free to drop me a line at my personal email for more information: thierryschellenbach[at]gmail.com
Contents:


Collaboration
With Unicon, students can collaborate on ideas, share resources, find rides to share and can overall improve their learning experience by not only participating but also by getting an exposure with students having complementary skill sets.


VaultStateEvent |
VaultStateEvent contains information about state changes to the vault. interface VaultStateEvent<T : ContractState> |
VaultStateEventService |
VaultStateEventService allows CordaServices to subscribe to vault state events triggered by the recording of ContractStates to the vault. interface VaultStateEventService : CordaServiceInjectable |


| Month | __Month__ | Issue Date | __IssueDate__ |
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| Due Date | __DueDate__ | Challan # | __Challan__ |
| G.R. No. | __GRNo__ | ||
| Student Name | __StudentName__ | ||
| Father's Name | __FatherName__ | ||
| Class | __Class__ | ||
Monthly Fee Details |
|||
| Month | Arrear | Advance | Current |
| January | __JanFee__ | ||
| February | __FebFee__ | ||
| March | __MarFee__ | ||
| April | __AprFee__ | ||
| May | __MayFee__ | ||
| June | __JunFee__ | ||
| July | __JulFee__ | ||
| August | __AugFee__ | ||
| September | __SepFee__ | ||
| October | __OctFee__ | ||
| November | __NovFee__ | ||
| December | __Dec__ | ||
| Tuition Fee | __TuitionFee__ | ||
| Admission Fee | __AdmissionFee__ | ||
| Annual Fee + Examination Fee | __AnnualFee__ | ||
| Lab Charges | __LabCharges__ | ||
| Late Fee | __LateFee__ | ||
| Previous Balance/Other Fee | __OtherFee__ | ||
| Total Till Due Date | __Till__ | ||
| After Due Date | __After__ |


One Flew Over the Cuckoo's Nest * * * * out of * * * * Rated R for language, violence, sexual content, and brief nudity.
First thing's first, while I watched this movie, I found myself stunned. This movie so entertained the viewer, as it did fascinate, and inform. A chilling, disturbing, and revealing look into the mental institutions as seen through the eyes of a con. Jack Nicholson, Louise Fletcher, Brad Dourif, Danny DeVito, and Christopher Lloyd, round out the excellent, and very well casted cast. Jack Nicholson brilliantly plays Randall Patrick McMurphy, an ex-con, who fakes being mentally insane, to enter the institution. As he goes to the hospital, he doesn't realize, that the people, and the atmosphere there is so out there. The patients are really psycho, and creepy. Randall, must try and survive these days, before he has to go to Jail. He has to entertain himself while at the same time, find good in this place of craziness. Lousie Fletcher plays Nurse Ratched, a soft; but strong willed nurse, who will not take anything from anyone, or put up with misbehavior. She watches Randall, and notices something different about him, hes not as psycho as the others, but he is a little out there.  Randall meets many new friends in this place, Brad Dourif who plays Billy Bibbit, is a mentally unstable, but voluntarily institutionalized person. Danny DeVito plays Martini, a slow but charming and sweet man, who means know harm in what he does or say. Christopher Lloyd plays Taber, a man, who also voluntarily institutionalized himself.  Randall must try and survive these days with his new friends, and the hospital, as well as an everlasting war as to which they can watch the world series on TV. Put up with Nurse Ratched, and the other patients, doctors, vistors, and nurses. Ultimately leading up to a dramatic finale, that makes you want to stand up and cheer. I think what was best about this film was the realism. I had no problem believing that this was happening. Almost like a documentary, it was striking and powerful, making the viewer not want to stop watching till the end. Some of the sequences are memorable as the basketball game, and the fishing trip. Jack Nicholson, who as always plays his character absolutely excellent, and makes the viewer want hand him an Oscar himself. The supporting cast, Louise Fletcher, Danny DeVito, Christopher Lloyd, and Brad Dourif also give terrific performances. Danny, Christopher, and Brad's careers all were made with this superb movie. It's all sentimental, funny, dramatic, intense, chilling, disturbing, diverting, and tragic. The finale leaves the viewer stunned and sitting there thinking about what he just saw. See this film, and believe it. I think you will find, its one of the BEST ever. The second film to win all five major Oscars: Best Picture, Best Actor (Nicholson), Best Actress (Fletcher), Director, and Screenplay. And it deserved all of them.
Reviewed by Brandon Herring<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


AMERICAN HISTORY X Cast: Edward Norton, Edward Furlong, Beverly D'Angelo, Avery Brooks, Stacy Keach, Fairuza Balk, Jennifer Lien, Elliot Gould, Guy Torry, Ethan Suplee, William Russ Director: Tony Kaye Australian theatrical release: May 6, 1999 Reviewed by Luke Buckmaster
On the Buckmaster scale of 0 stars (bomb), to 5 stars (a masterpiece): 4 stars
American History X is the story of one man's redemption in a world where you can't dance with the devil and be left unscathed. The film boasts many meaningful - if not fascinating - social-political insights, but one scene puts everything into perspective. You'll know it if you see it; it's a moment that is as moving and disturbing as Spike Lee at his best. Debut director Tony Kaye looks at a profound evil, making it accessible through characters with radical but understandable views. Labeling these characters as simply "Neo-Nazis" or "racists" doesn't give them the depth they require. In the case of American History X, the two protagonists are people who have been dealt a rough hand in life. In no way does this excuse the sins of the past, but Kaye knows that - and this unforgiving but sympathetic view on American society is why American History X succeeds in packing a powerful emotional punch when it goes in for the kill.
Derek Vineyard (Edward Norton) has just been released from prison after serving a three-year sentence for killing two black men during an attempted car theft. On the day of Derek's return, his younger brother Danny (Edward Furlong) is assigned by his school principal (Avery Brooks) to write a special essay on the events that led to his incarceration. Before his jail sentence, Derek was an eccentric Neo-Nazi leader whose racist views were spawned after his father was killed by a black man. Whilst serving time Derek became friends with a black man, and slowly realized the error of his ways. When he is back on the streets his primary concern is to save Danny from following the same ill-fated path as he. But after taking a strong moral stance, Derek's life is in jeopardy by vengeful African Americans and the group of which he was once a leader.
Derek's drastic change in personality is surprisingly very believable, thanks largely to Edward Norton's Academy Award nominated performance. In 1996's Primal Fear, Norton brandished his character with an evil but simultaneously sympathetic edge, and here he does a similar trick but on a different level. Norton projects a performance that is frightfully realistic - unflinching and unrelenting, he's an actor that will have you shifting in your seat. Derek, as a character, is also frightfully real. The scariest thing about him is not the Neo-Nazism symbol tattooed on his chest, nor his menacing shaved head appearance. It is that his racist views begin to make sense. A passionate believer in white supremacy, Derek is no Pauline Hanson - for every bit of fear he generates through his appearance, an equal amount is matched through what he says and how he says it. At a time of emotional struggle, Derek is asked a painful question: "has anything you've done made your life better?" He shakes his head whilst refraining from crying, knowing that the path to redemption is much more difficult to walk down than the path to evil.
Like the surprise hit Pleasantville, American History X slightly sensationalizes and simplifies its themes so that all audiences can respond to them. For the most part it works well, but the film does become sentimental in its final moments, and that's a notable mistake. In a film about a cold and unforgiving world, why have a warm ending? Perhaps this is what led Tony Kaye to publicly denounce the film, stating that the final product did not reflect his original version. Whilst one can only wonder what changes Kaye was upset about, American History X is one of the finest American offerings so far this year. Rather than opting for singular disturbing scenes or characters, the film crafts a powerful and disquieting view on society in general. Don't be put off by the title - American History X has universal meaning. It's a film that will linger in your mind and force you to reevaluate the term "racism."
Read more of my reviews at In Film Australia http://infilmau.iah.net
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


There are two ongoing tensions in the creation of new musical systems that traditional innovation procedures in the domain of harmony have acknowledged yet left under-explored in the systematic sense from the composer's perspective. Learned terminological constraints and reactionary creative practices often limit the realization of underlying creative logic that connects past influences to present innovations, and creative procedures on one structural unit of a particular musical element to those on another. The following paper will proceed by example from theory toward a compositional end, employing algebraic techniques to create a system of chord substitution which serves as an exemplary solution of the aforementioned issues. Primal-circular substitution has a basis in western tertian harmony, shows compatibility with neo-Riemannian local transformation sequences, and re-envisions substitutions as the realization of globally applicable systems.


John and Bert were only a furlong or two from S. Mary's Church when it started raining. John had kept ahead of Bert all the way there, although Bert had tried a couple of times to talk to his employee.
The muggy damp that had held its breath all the way from John's house now sighed all around them. The sigh, made of a fine spray, lay in the air, and came upon them like a friend coming up to lead them by the arm; as if it had been waiting for them. Father MacFie had certainly been waiting, counting the minutes even, and as they rounded a small hill before the church he moved from the protection of the doorway.  John wondered if the Father's air, strengthened by his holiness, would be enough to turn the rain to steam as it touched, but the reverend had had to blink the cold mist away.
"Mr Whittle," Father MacFie had begun in soft Edinburgh, "God bless you now you're here, of course, but you're confoundedly late."
"Aye, Father. Reet sorry an' all." The cap had come off immediately, and water dripped out of it between Bert Whittle's fingers. "Saw Paulie soon as knew about it, but 'e was buggered if—sorry, Father, but 'e wouldn't come for love ner money. Then 'ad ter get ter village and get John outer bed."
Father MacFie nodded. "Yes, I suppose so, Bert. But I can tell you right now that I wouldn't at all be surprised if the diocese wanted to know why we bought that piece of machinery to do our digging, rather than hiring it on a shall we say ad hoc basis when we needed it. We're not a metropolis, after all, and we don't require such tools every day of the week.  And remind me off which of your friends we acquired it."
Bert looked miserable, but then it was John's turn. "And you, John Atherton, are late as well. By which I mean you're late for mass. I haven't seen you in church for a good few weeks.
"Uh, aye, Father," John babbled. "I've been busy with t'work for Mr Sinclair. 'E's asked me to do extra for t'scholarship, so I spent me weekends doing that. For 'im. Father," he finished.
"Well, perhaps you ought to consider your priorities, Mr Atherton. Remember that Sunday is our Lord's Day."
"Aye, Father."
"A day of rest."
"Aye, Father."
"A day where we set aside any earthly worries and contemplate the glory of our Lord, and the mystery of the Trinity."
"Aye, Father."
"Well, I'll no doubt be seeing you tomorrow morning, then, will I not? Maybe after the service we can discuss remuneration for the sterling work you will be doing today for God, Mr Whittle, the late Mr Waterworth and myself?"
John nodded, not sure what else to do. Another flaming hole to be dug, he thought.  Nothing ever changed: day in, day out. Only at the end of this one he'd have no pay, all his work for school on Monday still to do, and the prospect of an early morning tomorrow back at S. Mary's.
"Right then, gentlemen," Father MacFie continued, now to the both of them. "You know where the hand tools are. Mr Whittle, you can find the plot again, I take it? Very good. I must go and organise matters in the church, so I will take my leave of you. If you can have the work finished by ten then that would be fine." With that, he turned and walked back to the church, and inside.
Both feeling guilty, the workmen looked at each other for a moment. Then Bert jerked his head towards the lean-to at the side of the priest's lodgings. You go, the nod said to John. Get tools. To make sure John got the message, Bert turned away and began to roll a fag. John took a deep breath, promised to himself that this was the last time he'd do a favour for the old bugger and the young bugger (God save him) both, and headed towards the shed.


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Harry Winks compared to Zinedine Zidane after impressive England display in Kosovo
Harry Winks bagged his first international goal on Sunday and despite being compared to Andres Inieista his youth coach sees him more in the ilk of Zinedine Zidane
by Sam MeadeHarry Winks was originally likened to Andres Iniesta as a kid, but his youth coach sees him more in the mould of Zinedine Zidane.
The Frenchman helped guide France to the World Cup in 1998 and won the Ballon d'Or in the same year.
Comparisons with the now Real Madrid boss are high praise but Russell Small, who coached Winks, made the Tottenham star change position and his aspirations for the 23-year-old have come true.
“When he was a little winger he scored lots of goals, but my idea of playing him in the middle was that he would be more involved and use all his skills much more," Small told the Daily Mail .
Winks has now become a regular in Tottenham's midfield having made his Premier League debut in 2016 and scored his first England goal in Saturday's 4-0 win in Kosovo.
And the midfielder, who looks a shoo-in for Gareth Southgate's Euro 2020 squad, has never forgotten the words of wisdom given to him as a youngster.
Small continued: “It made my day to hear him say it's the best advice he's been given. If it has stuck in his mind for this long, obviously it was a good decision on my part!
“He took it in his stride. It was already there, that natural ability to read the game and be technically good enough to do what we wanted.
“Mauricio Pochettino has called him 'Little Iniesta'.
“If there was anyone I would compare him to it would be Zinedine Zidane. The way he could see a pass, short or long, he could go past a player and he scored goals.
“He was average height but very slight. He was physical enough and agile enough to use his skills and keep out the way of stronger players. I can't remember him having a bad game, he was that consistent at that age. There was nothing you asked him to do that he couldn't do."
Winks signed a new five-year deal earlier this year which will keep him at Tottenham until 2024.


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Title
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Ending Song(s)
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Before Change
// automatically determine sigma which covers > 99% of distribution
sigma = 2 * downscale / 6.0
layer = 0
current_shape = image.shape
smoothed_image = _smooth(image, sigma, mode, cval, multichannel)
yield image - smoothed_image
// build downsampled images until max_layer is reached or downscale process
// does not change image size
while layer != max_layer:
layer += 1
out_shape = tuple(
[math.ceil(d / float(downscale)) for d in current_shape])
if multichannel:
out_shape = out_shape[:-1]
resized_image = resize(smoothed_image, out_shape,
order=order, mode=mode, cval=cval)
smoothed_image = _smooth(resized_image, sigma, mode, cval,
multichannel)
prev_shape = np.asarray(current_shape)
current_shape = np.asarray(resized_image.shape)
// no change to previous pyramid layer
if np.all(current_shape == prev_shape):
break
yield resized_image - smoothed_image
After Change
// build downsampled images until max_layer is reached or downscale process
// does not change image size
if max_layer == -1:
max_layer = int(np.ceil(math.log(np.max(current_shape), downscale)))
for layer in range(max_layer):
out_shape = tuple(
[math.ceil(d / float(downscale)) for d in current_shape])
if multichannel:
out_shape = out_shape[:-1]
resized_image = resize(smoothed_image, out_shape,
order=order, mode=mode, cval=cval)
smoothed_image = _smooth(resized_image, sigma, mode, cval,
multichannel)
current_shape = np.asarray(resized_image.shape)
yield resized_image - smoothed_image


DIRECTED BY: Milos Forman WRITTEN BY: Scott Alexander and Larry Karaszewski CAST: Jim Carrey, Danny DeVito, Courtney Love, Paul Giamatti
MPAA: Rated R. Runtime: USA:118
RATING:8/10
"[...] All of the most important things in my life have been changed out and mixed up for dramatic purposes. So I decided to cut out all of the baloney. Now the movie is much shorter..In fact this is the end of the movie. Than you very much [...]"
Quick facts on front: this is a review that may contain some information that will certainly spoil your evening if you were planning to watch this movie. Second: though this picture is about the tragic life of a comedian / performer, comparisons to films such as "Lenny" are useless, because this film is mostly not like anything else. The director of this motion picture is Milos Forman, a man who has lived under the totalitarian regime and escaped it with his life and talent perfectly intact. That is probably why he showed a particular interest in people that dared to be different, that had the courage to go against the stream -- against the system. This devotion for the brave and original can be observed in Forman's films, most of which slightly fictionalized biographies that deal with men who are regarded as mavericks by society ("One Flew Over the Cokoo's Nest", "Amadeus", "People vs. Larry Flint"). Andy Kaufman fits perfectly into that description. Although we know very little about this man, we know one thing: he was not like everybody else. So who was Andy Kaufman? Andy Kaufman was (and still is) a man of mystery. He was not a comedian, not an actor, not a musician, but he was certainly an artist. The man that dared to be different. The man that dreamed about becoming the biggest star in the world and became exactly that. He provoked the audience, tricked and deceived us. This was his profession and his gift. He could provoke real emotions. Andy Kaufman was the most loved and most hated man in the 70s. A man that nobody really knew or understood. The world and everything in it was Kaufman's playground until he died of a sudden cancer at the age of 35.
This information is certainly not excessive. It proves that we do not know much about this man. And the film was going to make it all more clearer, since it is Forman's tribute to Andy Kaufman and his work. Or at least it is supposed to be. What it is, is simply a duplication of Kaufman's most famous performances. It begins in a bizarre and unexpected way as Jim Carey approaches the screen -- looking and acting like Andy Kaufman, saying in the famous Latka-voice "Hello. I am Andy. Welcome to my movie". You have to admit that it is an original innovation. Regrettably from that moment the film enters a certain trance as we are forever stuck as audience members in Kaufman's show, not able to come closer to him as a person. First he creates the insecure and stiff foreigner (who is better known as Latka from TV-show "Taxi"), then he does an Elvis Presley imitation, then he starts wrestling with women, then he invents another character and it goes on and on and on. In addition to the Taxi and SNL bits, many of Kaufman's public appearances are resurrected, including an infamous guest spot on David Letterman's show. This is all very entertaining, because of Jim Carey performance (which by the way truly elevates the film to a new level), but it is also deluding and confusing. We long to finally get behind the masks and illusions -- to the real Andy Kaufman. Unfortunately Forman seems to be much more interested in Kaufman's career than his personality, and all we get is a couple of sentences like: "The world is an illusion" and "We shouldn't take our selves too seriously". Of the two hours that the film goes on, 1 hour and 30 minutes are practically an endless Kaufman show. It's not that it is not interesting or funny. It certainly is, and it may very well be that there is no body who have seen "the real" Kaufman; that he never completely revealed himself to anyone. There is in fact a moment in the film where Kaufman becomes so adept at the art of deception and illusion that, when he discovers he has terminal cancer, no o n family views it as the latest in a series of cruel practical jokes and believes that his doctor is a paid actor. Like the boy who has cried wolf once too often, Kaufman must struggle to convince those around him that, for once, he is serious. This is something that happens at the very end, and is a territory that is never quite explored. Forman doesn't even try. To me it was the biggest disappointment. However there are moments when the screen gets simply positively radiant, when Forman creates pure magic. When the film is moving to the end and Forman decides to "cut out all of the baloney", then some very interesting things start happening. In the end "Man on the Moon" manages to generate emotions, be that laughter or tears, and it never seems to push for either. You might wonder about how it is possible, if indeed I am right and most of the film is just jokes and scams. It is difficult to explain, but I believe that the original material was created by Andy Kaufman himself, who could touch our hearts and provoke reactions and emotions, and I think that Jim Carey manages to do the same. He completes the transition from off-the-wall comedian to serious actor that he began in The Truman Show. Not only does Carrey imitate Kaufman almost perfectly (including matching his trademark "Thank you very much"), but he employs this mimicry in the service of a compelling performance. The forcefulness with which the film conveys Kaufman's character is as much a function of Carrey's portrayal as it is of the script from which he is working. This is a role that Carrey, a lifelong Kaufman fan, wanted desperately, and, once he got it, he poured every ounce of his talent into his work. It would be a disgrace to not nominate Carrey for an Academy Award this year. As for the film itself, it never seems boring or disappointing in any way, and it certainly pays enough respect to the artist that Andy Kaufman was. "Thank you very much"
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9.3.4 Content
See the Honours Marking Guide.
There is no final or midsemester exam for this unit. You will have at least three assignments for this unit which count towards 70% of your total mark for the unit. The goal of the unit is that you are able to do the data analysis part of your thesis. It makes sense that this is what we are going to evaluate you on. All assignments will require you to analyse some real data.
The other 30% goes towards three activities that help you to prepare for your thesis.
In this document, I want to set out some guidelines on the assessment for the thesis, the proposal, and the proposal presentation. Most important, the weight of the proposal and the presentation mark pale in comparison to the weight of the thesis mark for your final honours mark. Don’t focus too much on the mark and the assessment criteria for the proposal and the presentation. Realise that both activities have a function: to make sure that you write an excellent thesis. The proposal forces you to work on your literature review and think about your empirical strategy. You will receive feedback on how you are progressing in terms of writing and defining your research project. The presentation requires you to present your research concisely to get feedback on your empirical strategy. This feedback should help you to write a better thesis and get a higher mark for your thesis. So, you should use the proposal and the presentation to get the most feedback as possible on how to improve your thesis.
Friday, June 18.
The number of words are guidelines and do not have to be strictly followed. Nevertheless, I do ask that you limit yourself to 5000 words in total so that I can give quick feedback on all proposals quickly. My suggestion is to limit the literature review in the proposal to papers that are directly relevant to your research question. Your literature review in your final thesis should probably be longer. It can also be fine to have a shorter measurement and methodology section, if you are mainly following existing measures and existing statistical tests.
I will mark the proposals and provide feedback in order of submission date (earlier first) and length (shorter first).
See the rubric on LMS in the “Assessment 1: Proposal” folder. It’s the “Honours Marking Guide.xlsx” file or see the last section. Obviously, you will not be evaluated based on the presentatation and discussion of results. The other four criteria will apply to the proposal.
You have 10 minutes to present your intended research project. The academic staff will give you feedback. This means that your presentation should be focused on the elements where the audience can help you.
Probably 23-24 July
In a 10 minute presentation, you should not have a slide with the outline of your presentation.
Introduction.
The introduction should make clear what your research question is, in which setting your are working, why your research question is interesting or relevant.
Key papers.
In your presentation, you do not need a long literature review. It’s better to identify which key papers you are trying to extent, base your method on, base your theory on, … It can be 1 paper, it can be 5 papers.
Hypotheses or research question
Explain the theory or arguments behind the predictions and expectations that you want to test against data.
Data and method
Describe your (expected) dataset and method. Focus on the elements that help you test your hypotheses or that or relatively new in the literature.
This structure allows the audience to figure out whether your proposed test and data is appropriate for your research question and whether there is other literature that could help you improve your empirical strategy.
Most of the focus of the presentation is on the content but this mark will be moderated for presentation style.
See the Honours Marking Guide.
| Criterium | High Performance | Good Performance | Satisfactory | Unsatisfactory |
|---|---|---|---|---|
| Use of visual aids | The slides or other visual aids are consistent in style and, support the talk ( through graphs, pictures, and tables) without containing the whole talk. | The visual aids or consistent in style. The aids are sometimes supportive of the talk, sometimes a mere summary of the talk. The visual aids contain some small typos or they are sometimes difficult to read. | The visual aids present an adequate summary of the talk. There is a lot of information on the slides which is read out loud. The slides look sloppy and unprepared in some sections of the presentation. | The slides are incomplete, mostly sloppy and unprepared. |
| Presentation style | The presenter has good posture and makes eye contact with the audience. | The presenter makes eye contact with the audience most of the time. | The presenter tries to make eye contact with the audience. | The presenters have no eye contact with the audience and do not try. They merely look at their written preparation or the slides. |
| Speaking skills | The presenter speaks clearly with good pace and volume. They use normal speaking/conversational language, different from writing language. | The presenter speaks mostly clearly with adequate pacing and volume. The presenter uses normal conversational language. Sometimes they rely too much on jargon and abbreviations without explaining them. | The presenter are sometimes difficult to understand but pacing and volume are adequate. Overall, they rely too much on jargon and abbreviations without explaining them. | The presenter are hard to understand, talk too fast and/or to silent. |
The thesis itself is evaluated based on the aforementioned honours marking guide by two academics (who are not your supervisor). We developed the assessment criteria to break down a good empirical research project in its separate elements. The criteria are a good guideline of what to focus on if you want a high mark and a good thesis. However, even if you nominally should score good on each separate element, the overall thesis might still be less than the sum of its parts which probably will be reflected in your mark. It is a good idea to not get too focused on the criteria if that distracts from conducting and writing up a good research project.
The length of your thesis will depend a lot on your topic. In a less well studied research area your literature review may well be shorter but it becomes more important to cover all the relevant literature. A simple and well established statistical model may well require less explanation but it becomes paramount to show why this simple model is sufficient for your research question.
Monday 27 October 2021 at 5pm.
April 2, 2021
The pitching document is based on the continuously updated paper by Robert Faff on ssrn. The aim of the document is to provide a concise way of summarising a research idea so that an experienced researcher can assess the feasibility of the idea. The original idea of the pitching document is also to assess the popularity or potential publishing options for the paper. I will not take this into account in the assessment.
The document should be concise. Aim for less than 1000 words in total. It consists of 3 main sections. I will give some more information for some (but not all!) of the sections.
Research question. For a quantitative study, you want to have a research questions or at least a part of the research question that can be answered with “yes” or “no.”
Motivation: Give a motivation for you research question, not for your research topic. So, don’t say that your thesis is relevant just because you study CSR but why would other researchers, investors, regulators, or managers be interested your specific research question.
In this section, I also ask you to generate simulated data. Use the assignments as an example. The simulated data is not required however, it will make your core idea more specific to me.
Core idea: There is overlap with the research question. Here, you explain a little bit more what makes your study worthwhile doing from a research point of view. How are you going to measure the key variables? Is there something in your setting/data that makes it possible to study your research question that was not possible in other studies? Do you have a unique theoretical perspective?
Data: This helps me assess to what extent you have already thought about the data availability.
I pay less attention to this because I think this is more important if you aim for a top publication which I think is near impossible to do in less than 3 years. A study should not necessary be new to be a good honours topic. The So What? question helps me to assess whether you have a realistic assessment of what a single study can do.
The least important part. This is speculation anyway.
There is going to be some trial-and-error and debugging. That is fine. Carefully read the errors you get and use the resouces for help. Don’t be afraid to ask me or each other for help.
Answer in RMarkdown format.
File > New File > R Markdown > ...
Give a name to your document and give your name as the author.
Use R code chunks with backticks to do the following tasks.
Use the examples in 4.4 to figure out how to do this.
Knit the report. Click on the knit
button in Rstudio.
Upload the Rmarkdown and HTML version to LMS. You will have to make .zip file to be able to upload it.
Deadline: March 5
Deadline: March 12
| Unsatisfactory (0 - 10) | Pass (10 - 14) | Distinction (14-17) | High Distinction (17 - 20) | |
|---|---|---|---|---|
| Motivation and Significance | - The thesis is mainly motivated by data availability. - The thesis is mainly motivated as “others have investigated something similar” | The thesis identifies a gap in the existing literature without further explanation why the study is relevant. | The thesis identifies the main audience the results will speak to. It is clear that academics, practitioners, and/or policy makers care about the topic. It is not clear how the audience should use the information in the thesis. | The thesis clearly identifies the main audience the results will speak to. It is clear to an informed, non-specialist reader how the thesis will update the beliefs of academics, practitioners, and/or policy makers. |
| Literature Review, Research Questions, and Expectations | The literature review is a list of article summaries and the connection with the research questions and expectations is lost The literature review is complete but lacks integration. | The literature review focuses only on empirical results not on the underlying theory. There is a connection between the literature review and the research question and expectations. | The literature review is a fair overview of the current literature. The literature review discusses theory and empirical results. The research question(s) and expections follow directly from the literature review. | The literature review is a fair overview of the current literature and integrates the different studies in a coherent ‘story.’ The research question(s) and expectations follow logically from the literature review and the underlying ‘story’/theory. |
| Description of Sample, Variables, and Method | - Measurement of key variables is difficult to understand. - It is not clear which observations are in the sample and which are omitted - Descriptive statistics of key variables make no sense or they are inconsistent with prior studies | A well-informed researcher is able to replicate the key parts of the study and assess the quality of the empirical work. The descriptive statistics largely confirm the sample and measures are appropriate. | A well-informed researcher is able to replicate the study and assess the quality of the empirical work. There are some references back to the literature review. The descriptive statistics confirm the sample and measures are appropriate. | A well-informed researcher is able to replicate the study and assess the quality of the empirical work. It is clear for an informed reader why the sample, variables, and method are appropriate to investigate the resarch question. The descriptive statistics confirm the sample and measures are appropriate. |
| Presentation and discussion of results | The thesis merely presents the results without much discussion or interpretation. | The discussion of the results refers back to the research question. It is clear whether the results support or reject the expectations | The discussion of the different results refers back to the research question. It is clear how the different results support or reject the expectations. The thesis reports the common robustness tests in the literature. | The discussion of the different results refers back to the research question and the underlying theory. It is clear how the different results support or reject the expectations. The thesis discusses and/or tests for the most important alternative explanations to the results. |
| Writing and Style | There are many grammatical and spelling errors. The organisation of writing lacks logic and coherence. Sentences are difficult to understand and word choice is inappropriate. The thesis style is unclear. | There are minor grammatical and spelling errors. The organisation of writing lacks logic and coherence. Most sentences are easy to understand and word choice is appropriate. The thesis style is almost clear and easy to follow. | There are minor grammatical and spelling errors. The organisation of writing is almost logical and coherent. Most sentences are easy to understand and word choice is appropriate. Thesis style is always clear and easy to follow. | There are no grammatical errors. The organisation of writing is logical and coherent. Fluent sentences are easy to understand and word choice is appropriate. The thesis style is clear and easy to follow. |
Page built: 2022-02-01 using R version 4.1.2 (2021-11-01)


The description of the subtle colours is an esoteric knowledge preserved for Agama Yoga students, level 7 and above. To unlock this information please contact AGAMA Yoga office and ask for the password.


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{% extends 'account_frame.html' %} {% block content %} {% block menu %} {% include "menu.html" with current="feedbacks" campaign="true" %} {% endblock %}
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Jackson lands in the top 50 on Billboard 200 with his debut solo album 'Mirrors'
by sl278Jackson has landed a spot on 'Billboard 200' with his debut solo album 'Mirrors'.
The talented artist is taking on double duty with his solo album and promoting with GOT7's most recent comeback. His album debuted at 32, ranking in the top 50.
Congratulations to Jackson!


Thanks to the #MeToo campaign,
America is experiencing a watershed moment.
A reckoning has begun, led by survivors and women of color, that calls on all of us to name sexual violence and harassment as unacceptable and intolerable. Now more than ever, the movement needs your help!
Join us in shifting the paradigm to support survivors, dismantle oppression, and champion prevention. This is how we end sexual violence.
Donate Today Get action alertsWe congratulate and welcome these organizations as Sexual Assault Service Providers (SASPs):
This is a Full-time position with benefits. Applications are due June 30th. Follow the link to apply.
Job DescriptionWCASA is participating in The Big Share, an online giving day running now through Tuesday, March 5th, hosted by Community Shares of Wisconsin.
 A one-time or reoccurring donation of $10, $50, $100 or $250 will help increase funding for sexual assault victim services and prevention in Wisconsin.
Make a DonationWCASA is in solidarity with local organizers in the Milwaukee community in advocating for the release of Chrystul Kizer.
Chrystul is a sex trafficking victim who has experienced and is living with the impacts of trauma. We ask you join us in the actions to support Chrystul provided by the #FreeChrystul Defense Committee.
View Action Letter


Scalability preferences
Use the Scalability preference panel to configure options for dealing with large source files.
| Option | Description |
|---|---|
| Alert me when scalability mode will be turned on | If enabled, an information dialog pops up when a large file is opened with the C/C++ Editor which exceeds the specified line limit. |
| Enable scalability mode options when the number of lines in the file is more than | If the number of lines in a file exceeds the specified number the C/C++ Editor will enable scalability mode and all scalability mode options below will take effect. |
| Enable all scalability mode options | If enabled, all options below are enabled, too. |
| Disable editor live parsing | If enabled, parsing while typing will be disabled. This disables also other features like Outline view, semantic highlighting, folding, etc. |
| Disable semantic highlighting | If enabled, C/C++ identifiers will not be colored. |
| Disable syntax coloring | If enabled, no coloring of keywords, comments and literals is done. |
| Disable parsing-based content assist proposals | If enabled, content assist proposals which require parsing the file will not be available. |
| Disable content assist auto-activation | If enabled, content assist will not be activated automatically on trigger sequences, like '.', '::' or '->'. |
| Skip trivial expressions in initializer lists | If enabled, trivial initializers in initializer lists are skipped while parsing. This improves parsing and indexing performance when very large initializer lists are present. |
| Maximum number of trivial expressions in initializer lists to parse | Specifies the maximum number of trivial initializers in initializer lists to parse. Any trivial initializer-clauses beyond that number are skipped. This option is only available if Skip trivial expressions in initializer lists is enabled. |
Customizing the C/C++ editor
Working with Content Assist


Pay or Challenge Prototype
Gov Notify
Changes to current pages - Notify app not yet set up
Don't use any of this prototype code on production services, it doesn't adhere to development standards and is hacked together quickly and roughly. There is ongoing discussion regarding these pages/journeys. They have not been signed off.
| Scenario / Page | Changes |
|---|---|
| Success - full payment | Info in grey highlight box with 'Send me an email confirmation' link |
| Success - partial payment | Info in grey highlight box with 'Send me an email confirmation' link |
| Success - Direct Debit set up | 'Send me an email confirmation' link under blue panel |
| Record on hold for 2 days (Case sent for review) | Info in grey highlight box with 'Send me an email confirmation' link |
| Exemption found and matched - PCN closed [V.1] | Info in grey highlight box with 'Send me an email confirmation' link |
| Exemption found and matched - PCN closed [V.2] | Info in grey highlight box with 'Send me an email confirmation' link. With clearer content |


Before Change
ax.set_autoscale_on(False)
ax.plot(ax.get_xlim(),ax.get_ylim())
else:
start, stop = np.max(x), np.min(x)
step = ((stop-start)) / 100.0
x_rng = np.arange(start, stop, step)
y_rng = x_rng * slope + intercept
ax.plot(x_rng, y_rng, **pinfo)
After Change
line_func = lambda x: x*slope + intercept
// Get "x" points within limit and map to "y" coordinates
x_points = np.linspace(min(xlim),max(xlim),100)
y_points = np.array(map(line_func,x_points))
// detemine which points are still within the limit of the plot
in_range = np.logical_and(y_points > min(ylim),
y_points < max(ylim))
// If some points are withinn the plot draw them on
if np.sum(in_range) > 0:
x_points = x_points[in_range]
y_points = y_points[in_range]