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This is a comprehensive study on the art of novel writing. It studies three novelists - Bankim Chandra Chatterjee, Jane Austin and Fyodor Dostoyevsky to explore the art of the novel.
View BookThis is a compilation of atricles on a variety of subjects. Some of them were part of lively discussions in the intellectual space when healthy dissent was the accepted norm.
View BookA collection of articles on Indian history and socual history of Kerala written in Madhyamam Daily titled 'Sermons From The Mount'. These were reflections triggered by contemporary events in the political space.
View Book


[1] Modding is off cannot hide/turn off unwanted categories no more information to interact with Spent more time tracking down this thing.
[2] Modding is off cannot hide/turn off unwanted categories no more information to lose in good quality is about as big as a another remote for children and wives to interact with Spent more time tracking down this thing.


All complex systems are composed of smaller units. At the most basic level of a web project, those units consist of fonts, colors, images, and other simplistic elements.
These basic styles are combined to form components, which are then combined again to form pages.
Use the menu to view details about the base styles used in this project.


RICH GIRL A film review by Ken Johnson Copyright 1992 Ken Johnson
97 min., R, Comedy/Romance, 1991 Distributor: RCA/Columbia Director: Joel Bender Cast: Jill Schoelen, Don Michael Paul, Sean Kanan, Ron Karabatsos, Paul Gleason, Cherie Currie, Bentley Mitchum, Melanie Tomlin, Trudi Forristal, Ann Gillespie, Gail Neely, Dennis Holahan
Young rich Jill Schoelen gets sick of her father Gleason using his connections to get her what she wants.  She doesn't have any work experience, so Schoelen ends up getting a job as a waitress at a club run by Karabatsos. There, while working, she sees singer Don Michael Paul and falls in love with him. Don Michael Paul has little schooling and a police record. Gleason doesn't like Schoelen's relationship with Don Michael Paul and aims to break it up.
I found RICH GIRL to be very entertaining. I give it a four on a zero to five scale. I recommend this film more to teenagers and people in their early twenties because I feel that they would enjoy the film more than adults. RICH GIRL is rated R for explicit language, adult situations, violence, and female nudity.
RICH GIRL was in the movie theaters in April of 1991, and I didn't see it. To my knowledge there were no reviews posted on it. In mid-December RICH GIRL came to video and that's when I saw it.
I really enjoyed RICH GIRL and feel that it is a very good film. The acting in the film is good and the plot is somewhat original, but very enjoyable. The comedy comes in small bursts around the romantic moments in the film. RICH GIRL has a good rock soundtrack.
RICH GIRL is sort of like a reverse roll PRETTY WOMAN where Jill Schoelen is the rich person (like Richard Gere in PRETTY WOMAN) and Don Michael Paul is the poor one with little schooling (like Julia Roberts in PRETTY WOMAN). RICH GIRL is not quite as good as PRETTY WOMAN. The video box cover for RICH GIRL also seems to resemble the video box cover for PRETTY WOMAN.
For some reason RICH GIRL was not very popular in the theaters, which I can't understand. I don't think that RICH GIRL came to any theaters in my area. The reason that I know when RICH GIRL was in the theaters is because I was on vacation in Washington D.C. and there were ads for the film on the sides of most of the MetroBuses there. Most video stores will only get one or two copies (mine got one), which means that some people won't even give it a chance. Don't be one of those people.
Ken J.
[Moderator's note: Ken is right; there were no reviews. The February 1992 PREMIERE magazine discusses it (among other films) as having suffered from an incredibly bad publicity campaign. The posters were so obscure that no one had any idea what the picture was about, and hence no interest was generated.] .
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Here you can define the period during which the assigned network devices are allowed to use the Internet.
Here you can define the clients that will be blocked based on the time schedule. Use CTRL/CMD to select multiple clients.


### Cloudflare and Caching ![Jamie](images/jamie.jpg) Jamie Taylor
@dotnetcoreblog
https://github.com/GaProgMan/Talks/Cloudflare-and-Caching
### Caching ![Raphael complaining about cricket](./images/cricket.gif) - That thing you need to clear when testing JavaScript changes - Covered it before [in a blog post](https://dev.to/dotnetcoreblog/speeding-up-your-website--part-one-terminology-4l60)
### Routing on the Web ![Traditional routing](./images/spared-no-expense-1.jpg) - [https://dotnetcore.show](https://dotnetcore.show/) is hosted in London - 40% of traffic comes from the US
### What's Wrong With That? | | | | |---|---|---| | L1 cache reference | 0.5 ns | | | Branch mispredict | 5 ns | | | L2 cache reference | 7 ns | 14x L1 cache | | Send 1K bytes over 1 Gbps network | 10,000 ns (10 us) | | | Round trip within same datacenter | 500,000 ns (500 us) | | | Read 1 MB sequentially from disk | 20,000,000 ns (20,000 us) | | | Send packet CA->Netherlands->CA | 150,000,000 ns (150,000 us or 150 ms) | | - [Latency numbers that every programmer should understand](https://gist.github.com/jboner/2841832)
### But in Human terms | | | | |---|---|---| | L1 cache reference | 0.5 s | One heart beat (0.5 s) | | Branch mispredict | 5 s | Yawn | | L2 cache reference | 7 s | Long yawn | | Send 1K bytes over 1 Gbps network | 5.5 hr | From lunch to end of work day | | Round trip within same datacenter | 5.8 days | | | Read 1 MB sequentially from disk | 11.6 days | | | Send packet CA->Netherlands->CA | 4.8 years | Average time it takes me to answer a question | - ["Humanised" Latency numbers that every programmer should understand](https://gist.github.com/hellerbarde/2843375)
### Page Load Process 1. Browser figures out where the server is (routing/DNS lookup) 2. Browser asks the server for the HTML 3. Server responds with the HTML 4. Browser looks through the HTML for images, CSS, JavaScript, videos, etc. 5. Browser asks the server for each of those files 6. Browser starts downloading this files 7. While it's doing this, it starts to draw the web page for you 8. Files are added to the page as they come back from the server
### Caching (redux) - Once everyting is loaded, some of it is cached - Next time you access the site, it can be loaded from the cache - Great for files which don't change often - like images - Not so much for stuff that changes often - like dev time JS - Also has a size limit
### What's Cloudflare Got To Do #### Got To Do With It? ![Cloudflare example](./images/spared-no-expense-2.jpg) - [https://dotnetcore.show](https://dotnetcore.show/) is hosted in London - Cloudflare have a server farm in [Manchester](https://blog.cloudflare.com/manchester-uk-cloudflares-63rd-data-center/)
### A CD What? ![Cloudflare's Server Map](./images/cloudflare-server-map.jpg) - Correct as of Nov, 2018 - Each blob is a server farm - Each server farm has a cached copy of the website - User get's the cached copy from the closest server farm
### How Does It Work? ![Cloudflare Process in a nutshell](./images/spared-no-expense-3.jpg) - Origin: the server that [https://dotnetcore.show/](https://dotnetcore.show/) is running on
### Sources #### And places for more information - Coding Blocks episode [45. Caching Overview and Hardware](https://www.codingblocks.net/podcast/caching-overview-and-hardware/) - I'd recommend listening to their show, it's great! - [Latency numbers that every programmer should understand](https://gist.github.com/jboner/2841832) - ["Humanised" Latency numbers that every programmer should understand](https://gist.github.com/hellerbarde/2843375) - [Speeding Up Your Website – Part One: Terminology](https://dev.to/dotnetcoreblog/speeding-up-your-website--part-one-terminology-4l60) - [Best practices for cache control settings for your website](https://dev.to/alex_barashkov/best-practices-for-cache-control-settings-for-your-website-1obf) - [Service Workers: an introduction](https://developers.google.com/web/fundamentals/primers/service-workers/) - [Service Workers example](https://github.com/Matthew-Wise/service-workers) from Matthew Wise - And minify your JavaScript, folks


title
and desc
with role=img and aria-labelledby referencing title and desc + role="presentation" on child elements of <svg>
| expected result | Internet Explorer 10 (windows) | Firefox 25 (windows) | Chrome 30 (windows) | Chrome 30 (Mac/iOS) | Safari 6 (Mac) | Chrome 30 (Android) |
|---|---|---|---|---|---|---|
| <title>+<desc> /aria-labelledby is accessible name | Yes | Yes | Yes | Yes | Yes | N/A |
| <svg> role = graphic/image | Yes (graphic) | Yes (graphic) | Yes (graphic) | Yes (image) | Yes (image) | N/A |
| JAWS 15 can navigate to the image, it is recognized as an image and the name/description are announced | Yes - announces role, title and desc, ignores nested images. | No - SVG ignored | No - SVG ignored | N/A | N/A | N/A |
| NVDA 2013.1.1 can navigate to the image, it is recognized as an image and the name/description are announced | Yes - announces role, title and desc. | Yes - announces role, title and desc, | Yes - announces role, title and desc, | N/A | N/A | N/A |
| VoiceOver on OSX can navigate to the image, it is recognized as an image and the name/description are announced | N/A | N/A | N/A | Yes - announces role, title and desc | Yes - announces role, title and desc | N/A |
| VoiceOver on iOS can navigate to the image, it is recognized as an image and the name/description are announced | N/A | N/A | N/A | Yes - announces role, title and desc | Yes - announces role, title and desc | N/A |
| Talkback on Android can navigate to the image, it is recognized as an image and the name/description are announced | N/A | N/A | N/A | N/A | N/A | Yes - announces role, title and desc |


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Toyota Is Ending Its Weird Holdout From Racing Games
by Luke PlunkettAs one of the biggest car companies in the world, it sure was weird when back in 2017 Toyota simply stopped licensing its vehicles to racing video games. It was even weirder that the company, despite its size, never actually explained why that decision was made.
Aside from an appearance in Gran Turismo Sport—whose licensing deals and development likely pre-dated the 2017 decision—we’ve had loads of Forza and Need For Speed games come and go during that time, and not one of them has had a Supra or Celica. And the closest we ever got to an explanation as to why was this bizarre rescinded tweet from Toyota UK:
But whatever the actual reasons for Toyota’s absence, it’s over now. Starting with the 98 Supra RZ, Toyota is back with an appearance in Forza Horizon 4:
A low-key way to announce a return, then, but also fitting given the circumstances Toyota left in the first place.


From;AKINSOLA AKINFEMIWA Prudent Bank plc Plot 708/709, Adeola Hopewell Street, Wuse Zone. Abuja, Nigeria BUSINESS PROPOSAL,YOUR ASSISTANT IS NEEDED FROM THE DESK OF Mr. Akinsola Akinfemiwa MD / Prudent Bank plc Dear Sir, Compliment of the day and how is life general with you? Of course it is my humble wish to solicit and crave your indulgence to make this project request for a joint business transaction which I hope will not come to you as a surprise, hence I plead for your pardon. I am Mr.Akinsola Akinfemiwa, Ceo(PBN) Prudent Bank of Nig. Plc. Headquarter Lagos. I have an urgent and confidential business proposal for you. On June 6, 1989, an African Leader former president of Liberia Late Samuel Doe. made a numbered time (fixed) deposit for twelve calenderer month valued at (fifty Million US Dollars) in my branch.  On further investigation, it was clear that he died without making a will. All attempts by the Liberian to trace his next of kin family and friends Europe or American lationship.who can claim this funds on behalf of the Wife.I therefore made further investigation and discovered that President Samuel Doe did not declare any next of kin or relations in all his official documents including his deposit document in my bank. The total sum of fifty Millions Dollar still in my bank as dormant acct. No one will ever come forward to claim it. According to Nigerian banking law, after twenty one years, the money will revert to the ownership of the Nigerian Government. If the account owner is certified death and nobody comes forward to claim it. This is the situation , and my proposal is that I am looking for a foreigner who will stand in as the beneficiary/next of kin on be half of his wife. This is simple. All you have to do is to immediately Send me the details of a bank account anywhere in the world for me to arrange the proper money transfer document.  Million Finally, I would highly appreciate it if you could make up your mind for us to do the business, which will be of great mutual benefit to both of us. There is no risk involved. I am using my position and connection in the bank here to do all the document work for the transaction. We shall employ the services of an attorney to draft the will and obtain all necessary documents and letter of administration in your favor for the transfer. This transaction is risk free guaranteed. If you are interested, please reply immediately confidentiality and be rest assured that this transaction could be most profitable for both of us. Please do not expose this deal if you are not interested because if you do, it will take me out of seat. Please do not expose it to any body, to Avoid Discouragement. Thanks I am awaiting your urgent reply Best regards, AKINSOLA AKINFEMIWA Managing Director and Chief Executive Officer Alternative Email<EMAIL_ADDRESS>Tel:234-8023205103 ************************ ADSL ILLIMITE TISCALI + TELEPHONE GRATUIT ************************ Surfez 40 fois plus vite pour 30EUR/mois seulement ! Et téléphonez partout en France gratuitement, vers les postes fixes (hors numéros spéciaux). Tarifs très avantageux vers les mobiles et l'international ! Pour profiter de cette offre exceptionnelle, cliquez ici : http://register.tiscali.fr/adsl (voir conditions sur le site)


Overview
Unique anatomical structures:
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Unique cell types:
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Unique biomarkers:
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Anatomical structures with no Uberon link:
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Cells with no CL link:
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Biomarkers with no ontology link:
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Details
Alphabetically sorted listings of all ASCT+B
Unique anatomical structures (AS)
{{a.structure}}
Unique cell types (CT)
{{a.structure}}
Unique biomarkers (B)
{{a.structure}}
Missing Ontology Links
AS with no Uberon link
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CT with no CL link
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Biomarkers with no links
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Hi there! I'm Amie, and I became fascinated by UX/UI design after taking some courses during my undergrad at the University of Toronto. I have always had a passion for design in various fields such as fashion, art, web, and game design. My previous works, shown below, are examples of my key skills and motivation for this field.
Apart from my interests in UX/UI and graphic design, I am an avid gamer with countless hours in League of Legends, Overwatch, and other variety games. Some of my favorite games include Undertale, Ori and the Blind Forest (and WotW), and Stardew Valley.
I am also a huge foodie and always on the hunt for new dishes, desserts, and drinks. I love all cuisines, especially Japanese, Korean, and Italian. One of my hobbies include documenting my food journey through photos and videos. Someday I hope to create a food-review and cooking Instagram account to share my love of food with others.


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Grab a drink & get connected.
Wifi: username / password
| This presentation | http://bit.ly/CnCJunSlides |
| The worksheet | http://bit.ly/CnCJunWork |
| Install the Tools | http://bit.ly/CnCTheTools |
Program Director
Program Co-Director
Curriculum Director
Mentor Director
Presentation Director
Mocha / LiveScript / JavaScript
But mostly remember:
Caution: use sparingly
Point to a separate *.js file
Strings: 'Cocktails'
Boolean: true or false
Numbers: 5, 11, 635
'12345' is a string
'5' is not the same as 5
Placeholder to store values / data
Alternatively, think of it as a noun.
var variableName = variableValue
var leftovers = 'Meatloaf';
Case Sensitive: 'myVariable' is not the same as 'MyVariable'
var myAge = 28 + 10; // 38
var myDogsAge = 6 * 7; // 42
Modulus: The 'remainder' in a division problem
var modExample = 15 % 2 = 1
15 / 2 = 7 with a remainder of 1 (the modulus)
Add two integers:
var thirtyFive = 10 + 25;
returns 35
var textAndNumberString = ‘happy’ + 35 + ‘birthday’;
returns
happy35birthday
var gotcha = ‘10’ + 25;
if you guessed 35. . .
Gotcha!
Adding a integer and a string returns a string, "1025"
'1025'
Parts of a function
var functionName = function (optional, parameters, here){
//function logic here
};
Name your function ('declare a variable')
var orderDrink = function(drinkName)
Read as: The variable 'orderDrink' is a function with one parameter, called 'drinkName'
The task is specified inside the curly braces:
var orderDrink = function(drinkName) {
return 'I would like a ' + drinkName + ' please.'
};
When you run the code, you decide what the value of the parameter is and insert it, Mad Libs style!
finally, 'call' the function by telling it what to use for the parameter:
orderDrink('gin and tonic');
Put it all together:
Put it all together:
Single Line comments
//this is a one line comment
Multi line comments
/* This is a
multi line comment */
| Windows Key Combination | Mac Key Combination |
| cntrl + shift + i | cmd + shift + i |
Great for troubleshooting / debugging your code by sticking these in your logic
Another drink!
Wifi: username / password
| This presentation | http://bit.ly/CnCJunSlides |
| The worksheet | http://bit.ly/CnCJunWork |
| Install the Tools | http://bit.ly/CnCTheTools |
Not this kind. . .
THIS kind:
jQuery has functions that help JS 'listen' for the user to interact with the web page.
HTML is just another kind of document. Your browser parses the pieces to create an object-oriented representation of the page that you can manipulate with JavaScript.
You call* a jQuery function using the dollar sign
* to 'call' a function means to tell it to execute its task
jQuery can detect when the DOM has finished loading the page:
jQuery is a library of pre-packaged JS functions (remember those?) that help you write your JavaScript code faster.
using Javascript:
document.getElementById('my-id')
using jQuery:
$('#my-id')
using Javascript:
document.getElementsByClassName('my-class')
using jQuery:
$('.my-class')
using Javascript:
document.querySelectorAll('[attribute="value"]');
using jQuery:
$("[attribute='value']")
Observe the box slider:
The jQuery running it looks something like this:
$('.bxslider').bxSlider({
infiniteLoop: false, hideControlOnEnd: true
});
. . . Do you see something like this?
Another drink?
Wifi: username / password
| This presentation | http://bit.ly/CnCJunSlides |
| The worksheet | http://bit.ly/CnCJunWork |
| Install the Tools | http://bit.ly/CnCTheTools |
#LadyDevs #KCWiT #CodingAndCocktailsKC


Stevens carries Colorado St. past Loyola Marymount 74-64
by The Associated PressLOS ANGELES (AP) — Isaiah Stevens had 21 points as Colorado State defeated Loyola Marymount 74-64 on Saturday night.
Stevens shot 9 for 10 from the foul line.
Nico Carvacho had 17 points for Colorado State (3-1). Kris Martin added 11 points and six rebounds.
Eli Scott had 16 points and seven assists for the Lions (1-2). Ivan Alipiev added 11 points. Parker Dortch had seven rebounds.
Colorado State plays Arkansas State at home on Wednesday. Loyola Marymount plays Air Force on Thursday.
___
More AP college basketball: https://apnews.com/Collegebasketball and https://twitter.com/AP_Top25
___
This was generated by Automated Insights, http://www.automatedinsights.com/ap, using data from STATS LLC, https://www.stats.com
The Associated Press


From: {{currentUser.User.Name}}
Subject: {{currentUser.User.Name}} wants you to join gonawin!
Hi there,
Join us at gonawin.
You will be able to join your friends and compete with them by predicting the results of your favorite sports events!
Sign in here: https://www.gonawin.com
Have fun,
Your friends @ gonawin


--- layout: default title: Animate In Demo description: When elements enter the viewport, they transition in from zero opacity and from the bottom. image: /demos/animated.jpg prism: true externalJS: [ "https://unpkg.com/intersection-observer" ] extraJS: [ "demos/animate-in.js" ] ---
This was inspired by codrops’ demo Loading effects for grid items with css animations.
IntersectionObserver
is used to determine when the elements enter the viewport. A polyfill is included on the page for browsers which don't support it.


Our tasks are intended to be used to support teaching and learning in classrooms that are enacting NGSS-aligned instruction. Currently, we have made available through our portal a comprehensive set of assessment tasks and rubrics for middle school physical science and life science. These technology-based tasks are designed for formative use by teachers to gain insights into students’ progress in building proficiency with the NGSS performance expectations (PEs).
We have organized our collection of tasks according to clusters of PEs within each disciplinary topic. Under each cluster of PEs, we present a set of less broad but more manageable performance statements that we call Learning Performances (LPs). The LPs are smaller in scope than the end-of-grade band PEs, but retain the three-dimensional character of a PE and address important aspects of a PE that a teacher would likely want to assess during instruction. Collectively, a set of LPs describe the performances that students need to demonstrate as they progress toward achieving a cluster of performance expectations. In this way, LPs provide teachers with a manageable way to select assessment tasks for classroom use. You can find details about our task development process, the value of LPs for classroom-based assessment, and larger project goals at: nextgenscienceassessment.org
Browse the collection below or use our search page to search by NGSS PE, our own LP codes, or specific task ID.
MS-PS1-2. Analyze and interpret data on the properties of substances before and after the substances interact to determine if a chemical reaction has occurred.
MS-PS1-5. Develop and use a model to describe how the total number of atoms does not change in a chemical reaction and thus mass is conserved.
MS-PS1-1. Develop models to describe the atomic composition of simple molecules and extended structures.
MS-PS1-4. Develop a model that predicts and describes changes in particle motion, temperature, and state of a pure substance when thermal energy is added or removed.
MS-PS3-4. Plan an investigation to determine the relationships among the energy transferred, the type of matter, the mass and the change in the average kinetic energy of the particles as measured by the temperature of the sample.


Quick Lattice
Tired of setting up lattices?
Looking for a non-destructive way to modify your models?
Quick Lattice is what you are looking for! Do not wait more!
What its does?
Automating the process of warping an object in a lattice cage.
Setting the size, position, rotation, resolution, interpolation, modifier, etc.
This will save you a lot clicks and other boring settings.
Usage
- Select the target object
- Right Click Menú -> Quick Lattice (or W for Right Click Select Users)
- Deform your models with Quick Lattice!
New features added on version 0.6
Available for download
Instalation
- Download the zip file “quick_lattice_[version].zip”
- If you have an older version, uninstall it first (on addon preferences).
- Go to Blender > User Preferences > Addons > Install (choose the .zip file)
- Activate the addon.
- Enjoy it!
Changelog
- 0.3.0 First Release!
- 0.3.1 Fix: Crash On Undo, reported by BluePortal77
- 0.4.0 Add Last Operation Support
- 0.5.0 Add Popup Dialog and User Preferences option
- 0.6.0 Add User Preferences to set the Default Resolution and Interpolation of Lattices
- 0.7.0 Now this addon use multifile structure (.zip)
- 0.8.0 New Preferences
Known Issues
When the object’s pivot is rotated (but not the whole object), the result may not be what you want. In those cases, try applying the rotation first (Ctrl + A).
Report a Bug
If you have any problem, report it on Addon Preferences. I will solve it as soon as possible.
Version 0.8 (Apr 09, 2021)
A lot of new preferences came with version 0.8. Now you can choose the default behavior that you prefer:
-
Deactivate Button on context menu.
-
Deactivate enter edit mode after creation.
-
Custom naming for Lattice object and modifier.
-
Object name prefix.
IMPORTANT: If you update from 0.7 you need to remove this version first, restart Blender, and just then install version 0.8. If you don’t restart blender the new preferences won’t load.


Welcome to Ryerson Community Theatre. We are one of the oldest amateur theatre groups serving the Ryerson community. Each year, we work with local artists and professionals to develop innovative, creative, and challenging theatre.
Find Out More Join the CommunityRyerson Community Theatre (formerly Oakham Amateur Campus Theatre) has been a part of the Ryerson community since the inception of the Oakham House societies.
Our mission is to support and develop theatre and the dramatic arts in the Ryerson Community. Whether you’re looking for help with a film, a script, a performance, or just want to be involved in Ryerson’s oldest and most established theatre and drama community, RCT is here to help.
It doesn’t matter if you’re a student, professor, or just someone who wants to be involved– if you want to be a part of the Ryerson community, then we want to support you!
We do this by holding acting workshops, pub nights, end-of-year performances, and other theatre events, which are open to all Ryerson community members (including you!).
RCT’s goal is to explore theatre that is both entertaining and artistically deep. As a not-for-profit group, RCT has the unique opportunity to explore unconventional and challenging theatrical productions.
For more information, a copy of our constitution can be found here.
Artistic Director
General Manager
Treasurer
Exec-At-Large
Exec-At-Large
Exec-At-Large
Exec-At-Large


Wed, 20 Dec {{ if $.Params.returnway }}- Fri, 22 Dec {{ end }} | Traveller(s) - 2 Adults
Status
(Reason)
Travel Category
Travel Sub Category
Approver Name & Email
Valenie Lourenco
<EMAIL_ADDRESS>will receive a mail that your request is sent for approval.
Your approver too will receive a mail that a request has been sent for approval
Approver will then either Approve or Disapprove the booking
If the Approver, approves the booking then you receive a mail informing the same. Similarly for disapproval
Once approved, you can go ahead and issue your ticket/voucher


运动如花绽放快乐 校园 青春似火燃烧亮丽 人生
CEO / Founder
Do not seek to change what has come before. Seek to create that which has not.
这里是体育馆的官方网站，在这里你可以了解到有关体育馆的最新信息
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This app will send necessary details to your emergency contacts and the police authorities. Don't worry, aid is coming your way.


HUMAN RESOURCES * * * 1/2
Director: Laurent Cantet Writers: Laurent Cantet, Gilles Marchand Cast: Jalil Lespert, Jean-Claude Vallod, Chantal Barre Not Rated, 100 minutes
Some areas of the earth are just naturally bleak. These places where color seems nonexistent and life is pretty much the boring same are a favorite setting for movies, especially for the French. A place like this is the perfect environment for which to talk for an entire picture. This seems to be Laurent Cantet's idea for a perfect production. The location of "Human Resources" is most certainly less than cheerful, as is life for the people there. The provincial town has a few dejected joys, but activity mainly centers around a factory in town. The factory is one of many that some giant corporation has in towns like these, but something radical is about to happen.
Franck (Jalil Lespert) returns from studying business in Paris to this place of doom. His father (Jean-Claude Vallod) has been working at the local factory, that puts workers under very harsh conditions, for thirty years. Franck takes an internship there in the human resources department. Here he learns the darker side of the establishment, and how poorly upper management treats employees. When Franck puts together a survey asking for the opinions of lowly personnel, it's twisted by the boss into something negative for the slaves of mechanism oppression. So Franck and a union leader must stand up for the rights of the working townspeople, while Franck himself must work out some issues with his estranged father.
Using non-professionals, Cantet has created an intelligent work of simplicity. At times it seems better suited as a play, it's that much of an actor's piece. With the obvious lack of lighting and technicals, the film even teeters into Dogme 95 territory. The camera work is quick, plain, and clean, and the script's the obvious leader here. With excellent pace, it provides room for some comfortable improvisation, and has a clear goal. Most importantly, it knows when it's about to become boring. Kudos go to director Cantet and Gilles Marchand for this great screenplay.
When the camera first sees Franck's father working away at his station, the work seems OK.  It was only until I realized he had been performing this task for the last thirty years did any of the movie sink in.  They have no fun family get-togethers, and no wild drinking parties. The very existence of life rises and falls with the machine. Life in the offices is no better. Nearly every wall in the building is glass to eliminate privacy and increase productivity. Someone is always watching.
When right to work gets taken away, there is nothing to fill the void. Mistreatment and corruption squandered; the message of "Human Resources" is loud and clear. People are aimless and without purpose when they have no work, and when unions get bypassed, there is nowhere to turn. Continuing in a universal cycle, this happens all over the world. Only when that realization comes to pass does this wonderful, important, and depressing film blare all with an unflinching certainty. Not one moment seems fake or unreal. This is an actual family with real problems, and there are no actors. That is truly the mark of quality.
A film review by Frankie Paiva. Copyright 2000 Frankie Paiva.
http://cinemaparadise.homestead.com/mainpage.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


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JSR
I'm a collaborative Full-Stack software developer with 4 years management experience in the information technology field. Passionate, detail oriented Veteran pursuing a career on a development team to solve problems for clients.
Codeup Graduate
Sixteen week intensive Full-stack software development course
Baylor University Graduate
B.A. Political Sciences, 2012
I deeply enjoy software development. I'm a advocate of clean code and functional JavaScript. I enjoy cracking the code and creating solutions to make lives easier.
Native Texan. I was born in "San Antone", TX on a brisk spring day ready for BBQ. I love southern hospitality, the Spurs and Sweet Tea.
Graduated from high school with top honors and titles, played multiple sports and earned the rank of Eagle Scout in my teens. Busy times but I wouldn't change a thing.
Became a Baylor Bear in the fall of 2008. Had the time of my life and met awesome people at this excellent University. Four years later, I graduated with my Political Science Degree being commissioned as a 2Lt in the US Air Force.
Served this great country for 4 years in the Active Duty Air Force. Traveled to many great places and I continue to serve in the active Reserves today.
Soon to graduate from this professional four-month intensive software development program and ready to create products for your needs.
With HTML, CSS, AJAX, JavaScript and JQuery, I create functional, user-friendly & aesthetically pleasing websites.
Using Java, MySQL and Spring, I understand the programming language, database & server architecture to enable the front end experience.
If you're looking for a custom and one of a kind site, I can help. I have patience and determination to deliver what you need.
Well versed with IntelliJ and Github tools.


National Novel Writing Month, held every November, is a challenge for anyone who’s ever wanted to write a novel to bash out 50,000 words (1,667 words a day). It’s not about perfect structure, beautiful phrasing, or well-filled plot holes at this stage - it’s about rolling up your sleeves, getting your ideas down, and polishing your story up once the month is over. But if you haven’t had much practice in creative writing recently, or are simply looking for inspiration or advice, we have resources and services that can get you over the finish line.
Books
Maggie Hamand - Creative Writing for Dummies
If you’re a little late starting NaNoWriMo (maybe we’ve only just brought it to your attention and you’ve decided to have a go), this book gets straight to the point, with no-nonsense lists, tips and exercises. It helps you decide on a genre, create believable characters and dialogue, streamline your structure and plot, and more. Once the month is over, you could also use it to try your hand at non-fiction writing or to help you edit and even publish your work.
Noah Lukeman - The Plot Thickens
Have a great idea for a story, but overwhelmed by the challenge of sustaining a plot over 50,000+ words? This book breaks plot down into its smaller parts, such as characterisation, suspense and conflict, making novel-writing conquerable. Find out how to create the outer and inner life of a character, what distinguishes a good book from a great book and more.
Adele Ramet - Creative Writing: how to unlock your imagination and develop your writing skills
This book is designed for both beginners and improvers, covering basics such as ‘getting started’, ‘creating fictional characters’ and ‘writing realistic dialogue’ and more advanced skills with chapters titled ‘showing not telling’, ‘finding true love’, and ‘haunting, thrilling and killing’. You can also learn how to write non-fiction, write for children and send your work to a publisher. Useful websites for writing and publishing are included as well.
Robert Masello - Robert’s Rules of Writing: 101 unconventional lessons every writer needs to know
This entertaining book is perfect for NaNoWriMo as it not only helps you improve your work, but also to save time and increase productivity - only 27 days left now (unless you’re not reading this blog post on the day of publication, in which case you have even less time)! Quirky lessons include ‘cook up a story’, advising you to amplify conflicts, changes and events within your story, ‘go for broke’, advising you not to ‘save your best work’ for later use but use it now while it’s fresh, and ‘grumble and fuss’ because’ only the bad writers are ever truly satisfied.’ We’re not sure the Suffolk ‘wrimos’ will want to follow Robert’s advice to ‘skip the Starbucks’ though, given that they’re holding write-ins at one!
Jane Cooper - 365 Ways to Get You Writing: daily inspiration and advice for creative writers
Although this book can be used to provide daily exercises over the course of a year, we only let you renew books six times, and there’s no reason you can’t dip in and out of it when you’re feeling ‘blocked’, looking to introduce a new character, or figuring out what could happen in your next chapter.
Writing groups
As mentioned above, there is a group of Suffolk ‘wrimos’ who get together to write and offer each other encouragement (and if any of you are reading this, please feel free to use our libraries as a meeting space!). If you can’t get to their write-ins, or are looking for further writerly socialisation, several of our libraries host regular writers’ group meetings. Simply find your local library on our list and see what they have to offer.
Beyond November
Although the novel you’re writing this month is by nature going to be a rough draft, if, over the following months, you keep working on it, straightening your structure, polishing your characters, filling in your plot holes and correcting your hasty mis-spellings and grammar faux pas, you could end up with a story you love and think that others will want to read. Why not make it available to Suffolk Libraries customers with our Suffolk Writes service?
You just have to follow a few easy guidelines to submit your work, and if one of our volunteer reviewers approves its presentation, spelling and grammar and content, we’ll make it available on our ebook service, OverDrive, and promote it as part of the Suffolk Writes project. As you retain your ebook’s copyright and will be listed as the publisher in its online catalogue entry, you’re free to distribute it in other ways, too - this could be just the first step in a great publishing record!


Search and Reconnassiance using Spherical Robot.
ABOUT THE PROJECT
Spherical Robot is teleoperated ball-shaped mobile rolling robot with all electronics inside. It is equipped with an onboard Pan-360 vision system that provides visual feedback which is then transmitted to the operator thereby enabling better control of the robot’s movement. A manually operated spherical robot has been designed that provides visual feedback for reconnaissance and search. The design of the robot can be easily modified to add sensors for collecting application-specific information to the operator. This work was carried out under the guidance of Prof. Leena Vachhani at NCETIS IIT Bombay.
SKILLS INVOLVED
- ROS & ROS plugins.
- C++ & Python.
- Motion planning & control algorithms.
- Embedded Control Devevlopment.
- Robotics Product Development.
- Design in Solidworks & Fabrication.
- Rapid Prototyping.
- MATLAB Multibody simulation.
- Sensor Interfacing.
- PCB designing and prototyping.
- 3D Printing.
- Gazebo, RViz
- Troubleshooting real robot hardware
SPHERICAL ROBOT
Spherical robots are non-holonomic rolling robots that have advantages compared to 4WD robots to manevoure in cluttered indoor environment. The spherical robot has yoke having actuator that drives the robot ahead with pendulums to steer with shift of CoM.
DESIGN AND DEVELOPMENT
My research involved developing a novel palm-sized robot that has ergonomic design. Focused in developing compact spherical robot that can be easily deployed. I contributed in rapid prototyping of the robot. Spherical robot has symmetric body and CoM plays a crucial role. Designing a robot considering its CoM to lie on a calculated co-ordinate involved in numerous iterations and prototyping. Design was developed in SOLIDWORKS and to understand its motion it was simulated in MATLAB Multibody Simulation (Simmechanics).
CONTROL SOFTWARE DEVELOPMENT
Developing software to integrate all elements. Along with sensor interfacing such as IMU and encoders. Worked on embedded control algorithms to reduce wobble of spherical robot and for position and velocity control of actuators. Contributed to a ROS package for spherical bots. Validated feedback control algorithms with ground truth from VICON Motion capture systems.
REAL ROBOT HARDWARE
Spherical robot investigations included great extent of experimentation, testing & on field deployments. Worked on deployments with real robot hardware and its troubleshooting. Furthermore investigated in fabrication of polycarbonate Hull (outer shell) and its design analysis.
Spherical Robot in NEWS
Published in TIMES OF INDIA Check it here Glad to be the key contributor to the project.


Cousin Bette (UK / USA 1998) Seen on 20 June 1998 for $8.75 by myself at Village East Cinemas
*Cousin Bette*, to date, has been reviewed by only two other rec.arts.movies.reviews critics. One, a Marxist, loved it, and the other, a Balzac purist, hated it. Both are right. *Cousin Bette* is the cinematization of one of Balzac's last novels. The Marxist notes the evils portrayed by Balzac are accurate--the haute bourgeoisie elevated to nobility by Napoleon want to live well no matter who gets hurt, no matter how much they have to borrow from others to attain the rich lifestyles they think are necessary to pass into high society. The purist duly notes the gutting of the novel for the sake of the film. I will comment on this later.
I am somewhere in the middle. As a film, *Cousin Bette* is quite entertaining, in darkly humorous way. In the film, Bette, the "plain" cousin, promises her dying cousin Adeline (Geraldine Chaplin) that she will "take care of" Adeline's family. In the short deathbed conversation, it all becomes clear--Bette was the slighted, plain cousin. Bette notes she was sacrificed at Adeline's alter, leaving her a bitter spinster who lives in a shoddy part of Paris, working as a seamstress backstage at a musical burlesque theatre.
Adeline's family--the Hulots--comprise her philandering husband Hector (Hugh Laurie), her ingenue daughter Hortense (Kelly MacDonald), sensible, level-headed son Victorin (Toby Stevens), his wife and baby, and a lot of superfluous servants.
Bette Fischer is played by Jessica Lange--a lovely woman made plain here with dark makeup and drab olive and black clothing and dark braided hair. Bette has been excluded from the life she wants--a home, a family, love. She is 40, but in Paris 1846, she might as well be 80, considering her bitterness. Bette's rage for the time is understandable--today she'd be considered a stalker or a borderline schizophrenic. When Bette cannot have what she considers rightfully hers, her rage is volcanic, as it is in the novel.
Bette forms a friendship with actress/singer Jenny Cadine (Elisabeth Shue); they are both originally peasant women from Lorraine-about as far from Paris you can get, in some ways. Bette also befriends and saves the life of her upstairs neighbor--Count Wenceslas Steinbach (Aden Young)--a Polish noblemen and sculptor. She provides funding and scheduling for his work, hoping gratitude will turn into love. It doesn't. In fact, her young cousin Adeline deliberately "steals" the count from Bette, causing Bette to manipulate situations that bring about the emotional, financial, and physical downfall of her "beloved family."
For all the dark revenge-minded plotting, there is a lot of humor here. Bob Hoskins is hilarious as the lecherous parfumerier Crevel, as is Laurie as Hector. Both are in pursuit of the beautiful Jenny. Macdonald is perfect as the spoiled Hortense, and Young is good as the much loved rapscallion goldbrick Wenceslas.
While the best parts of the book are sacrificed at the alter of modern motion picture viewing brevity, the soul and wit of Balzac survive. It is a shame that Valerie Marneffe is never seen. In the book, she is Bette's partner in crime, who convinces at least four men that they each are the father of her unborn child (which did not even exist) while extorting money from each of them. Adeline is a major figure in the book; killed here for some cinematic expediency. But the full dissipate nature of the nouveau riche is felt here. Living lavishly while plunging into life-threatening debt is made abundantly clear. Marxists everywhere would nod their heads while watching the beautiful trapping brough forth.
However, director Des McAnuff, who is primarily a theatre director, brings some truly wonderful cinematic moments here. What would have taken many chapters to explain in the novel, he does here with a well-timed glance (like when Hortense asks Bette if she ever loved any one, and Bette tells her while looking at Hector; Hector married Adeline instead of her, and only we see this bitter glance). When Bette discovers Wenceslas is "two timing" her, her rage is only quenched by plunging her head in a basin of water. This is straight out of the novel and very well done. One of the best scenes in the movie is Bette's arrival at the young couple's wedding; she sees them through screens set up around the outdoor party. She is partitioned to be an outsider, and only catches glimpses of the life she so desires from the outside. Bette always plays her part and is never discovered. Her cutting remarks are often only felt by us; she does what is expected of a "spinster." Ending the film with the 1848 Revolution that toppled the "Citizen King" Louis Philippe, while not in he book as I recall it, helps drive the disaster home, and ties it into the more lucrative *Les Miserables*.
*Cousin Bette* is lively and entertaining , and along with a fluid camera, this atmosphere is abetted by a lively classical soundtrack and some original songs as well. This version might not be as correct and full as the 1972 six-hour miniseries, but it's a worthy version that truly captures Balzac's wit and commentary. That figures from Balzac's wider "Comedie Humaine" are mentioned--Nucingen, Marneffe, Birotteau--shows some loving reverence to the author a fan like myself is happy to notice. It is one of two Balzac adaptations out there now--Passion in the Desert being the other. If 1998-99 is the Balzac revival year, I happily apply for more.
Written by Lynn Siefert and Susan Tarr; cinematography by Andrzej Sekula; original music by Simon Boswell; production design by Hugo Luczyc-Wyhowski; costume Design by Gabriella Pescucci; film editing by Tariq Anwar.
More movie reviews by Seth Bookey, with graphics, can be found at http://www.geocities.com/Athens/2679/kino.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
Clawpack Documentation Version 5.0 --- Under Construction! Not yet accurate |
Since AMRClaw is an extension of Clawpack, all of the parameters that are required for Clawpack are also needed by AMRClaw. See Specifying run-time parameters in setrun.py for a discussion of these and a description of setrun.py input scripts more generally.
In addition, a number of other parameters should be set in the setrun.py file in any AMRClaw application.
It is best to look at a specific example while reading this section, for example Sample setrun.py module for AMRClaw.
The function setrun in this module is essentially the same as for Clawpack, except that it expects to be called with claw_pkg = ‘amrclaw’. This call should be performed properly by the Makefile if you have CLAW_PKG = amrclaw set properly there.
The new parameter in this module start at AMR parameters section in the sample file.
A brief summary of these:
mxnest is the maximum number of refinement levels to use. mxnest=1 corresponds to a single grid run and should give essentially the same results as the classic Clawpack would give (not identical probably because different routines are used with minor variations in implementation). Checking that this works is a good first step in converting a code to amrclaw.
mxnest > 1 then more then one level is used.
mxnest < 0 means abs(mxnest) levels are used. The negative sign indicates that anisotropic refinement may be used, which affects the next parameters.
This will be cleaned up in Clawpack 5.0.
inratx is a list of refinement ratios in the x direction. inratx[k] = R means that in refining from level k+1 to k+2 the x direction will be refined by a factor R. (Here Python indexing starting at 0 is used, so inratx[0] is the ratio from Level 1 to Level 2.)
If mxnst > 0 then inratx also determines the refinement ratio in y and t (and in z for 3d problems).
inraty, inratz, inratt are only used if mxnest < 0 and are lists of refinement ratios in the respective directions.
If maux > 0 then for each component of aux there should be a corresponding element of auxtype from the list below:
- ‘xleft’
- a value associated with the left edge of a cell in the x-direction
- ‘yleft’
- a value associated with the left edge of a cell in the y-direction
- ‘zleft’
- a value associated with the left edge of a cell in the z-direction
- ‘center’
- a value associated with a cell center
- ‘capacity’
- a cell-centered capacity function
The auxtype array is required for adaptive refinement because auxiliary arrays must be handled slightly differently at refinement boundaries depending on how these values are used.
A cell-centered auxiliary value such as the density or impedance in a heterogeneous acoustics problem would have type center. On the other hand, in a variable-coefficient advection problem we may want to store the normal velocity at each edge of the cell. In two dimensions we might use one component of aux to store a left-edge velocity in the x-direction and another to store the left-edge (i.e. bottom) velocity in the y-direction.
At most one component may have type ‘capacity’, and the value of mcapa described in Specifying run-time parameters in setrun.py should be set in a consistent manner (modulo the fact that Fortran indexing starts at 1 and Python at 0, so if mcapa = k then auxtype[k-1] = ‘capacity’ should be set).
A A checkpoint file is dumped every checkpt_iousr time steps on the coarse grid. These are binary files with names of the form fort.chkXXXX where XXXX is the step number.
Note: these files are typically very large!
The solution and grid structure is printed out in a form that can be used to later restart the calculation from this point. This is useful when doing long runs in case the computer goes down or the algorithm fails at some point in the calculation. It is also useful if you want to go to some large time and then start doing frequent outputs in order to examine the time-evolution of the solution more carefully.
In addition to creating a checkpoint file every checkpt_iousr time steps, a final checkpoint file is created at the end of the computation. This can be used to restart the calculation from the final time if you wish to evolve it further. Setting checkpt_iousr to a sufficiently large integer will cause a checkpoint file to be written only at the end of the computation.
If checkpt_iousr = 0 then no checkpoint files are generated, not even at the end.
If checkpt_iousr < 0 then the attribute tchk should also be set, to a list of abs(checkpt_iousr) times when checkpoint files are desired.
This will be cleaned up in Clawpack 5.0.
If restart = True then a restart is performed. Information read in from the file restart.data is used to resume a previous calculation. An appropriate checkpoint file fort.chkXXXX should be renamed restart.data in order to use this option. (And generally moved from the _output directory to the directory from which the code is being run.)
When a restart is performed, other parameters in this amr2ez.data file should be consistent with values used in the previous calculation, with some exceptions:
- The final time tfinal can be increased,
- Others?
Note that when restarting, the output files will continue to be numbered consecutively from the previous run.
Error tolerance used in Richardson error estimation. Cells are flagged for refinement if the error estimate is greater than tol. Richardson estimation requires taking two time steps on the current grid and comparing the result with what’s obtained by taking one step on a coarsened grid.
If tol < 0, Richardson estimation is not used.
Error tolerance used in a simpler approach of estimating the spatial gradient of the solution and flagging points where this estimate is larger than tolsp. See AMR refinement strategy for more information.
How often to regrid: error estimation and regridding is performed every kcheck time steps on each level.
Size of the buffer zone around flagged cells. Certain cells are flagged for refinement and then clustered (see AMR refinement strategy) into finer grids. In addition to the cells flagged by the error estimation, all cells within ibuff cells of these are also flagged. This insures that structures in the solution that require refinement will remain in the refined region for at least ibuff time steps, since the Courant number must be no greater than 1. The value of ibuff should generally be consistent with the value of kcheck, with ibuff >= kcheck if the Courant number is close to 1.
Parameter used in the clustering algorithm (see AMR refinement strategy). Typically 0.7 is a good value.


Samsung W20 5G Foldable Smartphone Is Here With Snapdragon 855 Plus
Samsung has just announced a new foldable smartphone, the Samsung W20 5G. This is not the Galaxy Fold 2, or anything of the sort, but rather a new variant of the Galaxy Fold.
This device comes with a really similar design to the Galaxy Fold, and slightly improved specifications. The Samsung W20 5G got announced in China, and it probably won't become available elsewhere.
The Samsung W20 5G is slightly different than the Galaxy Fold
The W20 5G is slightly different in terms of the design compared to the Galaxy Fold. Its sides are flatter, while the middle frame is allegedly tougher. It also unfolds like a book, just like the Galaxy Fold.
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This phone is a bit different in terms of color as well. It comes with a white-colored back, and as far as we can tell, that's the only variant Samsung announced.
The phone does come with a more powerful processor, and a slightly smaller battery pack. It is fueled by the Snapdragon 855 Plus, not the Snapdragon 855 like the Galaxy Fold. The Snapdragon 855 Plus is slightly more powerful, and it brings some gaming-related improvements.
The Samsung W20 5G includes a 4,235mAh battery, while the Galaxy Fold ships with a 4,380mAh unit. Charging remains unchanged, as the device still supports 15W wired and wireless charging.
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The rest of this phone's specs are identical to the ones on the Galaxy Fold. The device includes 12GB of LPDDR4X RAM, and 512GB of storage (UFS 3.0).
The device will ship with Android 9 Pie, with Samsung custom UI on top of it. A side-facing fingerprint scanner is also included in the package.
Two displays and five cameras
The device includes a 7.3-inch 2152 x 1536 Dynamic AMOLED display, that is its main panel. The secondary display, when the phone is folded, measures 4.6 inches. That is an HD+ (1680 x 720) Super AMOLED panel with a 21:9 aspect ratio.
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The Samsung W20 5G has three cameras on the back, and two on the front. On the back, you'll find a 16-megapixel camera, and two 12-megapixel units. The phone equips a main sensor, a telephoto camera, and an ultrawide camera.
10 and 8-megapixel units are available on the front. A 10-megapixel camera is the main selfie camera, while an 8-megapixel unit is a depth sensor. The phone measures 160.9 x 117.9 x 6.9/15.7-17.1mm, and weighs 276 grams. It also supports 5G connectivity, as its name says.
The device will become available in China starting in December. We still do not know how much will it cost, though.
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Listen: Lupita Nyong’o Drops Bars On Ciara’s New Single “Melanin” Feat. Lala, Esther Dean And City Girls
by Violet JohnsonCiara has released a new powerful anthem titled “Melanin”.
On it, she teams up with City Girls, La La Anthony, Ester Dean, and surprisingly, 12 years a slave star actress Lupita Nyong’o (under her Troublemaker pseudonym ).
Produced and co-written by Dean, the track serves as an anthem of self-love that Ciara has been showcasing since the release of her Beauty Marks album.
“It celebrates the beautiful shades of culture that comprise the inner and outer beauty of everyone. Embracing the unique nature of our skin tones threads together the tapestry of humankind,” she said in a statement.
Melanin which is four-and-a-half-minutes kicks off with Dean’s catchy chorus followed by a number of verses from Ciara. Anthony, JT, and Troublemaker (Lupita Nyong’o) come in halfway through the song, with Nyong’o referencing Wu-Tang, “C.R.E.A.M,” her Mexico City birthplace and Kenyan heritage, as well as Kenyan long-distance runner Eliud Kipchoge.
Listen to Melanin below:


PLULib¶
PLULib Test¶
The connection parameters to correctly run the demo are:
- connection type -> the identifier of the active communication link:
0 = USB direct link
1 = Ethernet link
2 = USB-to-VME through the V1718 CAEN Bridge
3 = CONET-to-VME through the V2718 CAEN Brdige
device_serial_number -> the serial number of the target board. This parameter is meaningful only in case of USB direct link; do not add it to the command string otherwise.
ip -> the IP address of the target board. This parameter is meaningful only in case of Ethernet connection to the DT5495 board; do not add it to the command string otherwise.
b -> the VME Base Address of the target board. This parameter is meaningful only in case of connection to the V2495 board through a CAEN Bridge (V2718/V1718); do not add it to the command string otherwise.
# 很奇怪的问题，我们插件的控制需要用以下的命令
./CAENPLUTest -c 0 -sn 0025;
PLULib 支持以下方式的通讯:
PC → USB-to-miniUSB → V2495/DT5495
PC → ETH → DT5495
PC → PCI (A2818) → CONET → V2718 → VME → V2495
PC → PCIe (A3818) → CONET → V2718 → VME → V2495
PC → USB → V1718 → VME → V2495
Error Codes¶
enum CAEN_PLU_ERROR_CODE {
CAEN_PLU_OK =0,
CAEN_PLU_GENERIC =-1,
CAEN_PLU_INTERFACE =-2,
CAEN_PLU_FPGA =-3,
CAEN_PLU_TRANSFER_MAX_LENGTH =-4,
CAEN_PLU_NOTCONNECTED =-5,
CAEN_PLU_NO_DATA_AVAILABLE =-6,
CAEN_PLU_TOO_MANY_DEVICES_CONNECTED =-7,
CAEN_PLU_INVALID_HANDLE =-8,
CAEN_PLU_INVALID_HARDWARE =-9,
CAEN_PLU_INVALID_PARAMETERS = -10
};
库函数¶
OpenDevice¶
The connection with a device in your network can be established using this function. It returns a handle that can be used later to interact with the system.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_OpenDevice(t_ConnectionModes connection_mode,
char *IPAddress_or_SN_or_VMEBaseAddress,
int TCPPort_or_VMElink,
int UDPPort_or_VMEConetNode,
int *handle);
CAEN_PLU_OK (0) in case of success. Negative numbers are error codes (see Error Codes).
// Connecting to a PLU module (V2495 or DT5495) via direct USB link:
ret = CAEN_PLU_OpenDevice(CAEN_PLU_CONNECT_DIRECT_USB, "4", 0, 0, &handle);
// A connection via a Ethernet is opened with:
ret = CAEN_PLU_OpenDevice(CAEN_PLU_CONNECT_DIRECT_ETH, "<IP_ADDRESS>", 0, 0, &handle);
// V1718 access can be opened with:
ret = CAEN_PLU_OpenDevice(CAEN_PLU_CONNECT_VME_V1718, vme_base_address, 0, 0, &handle);
// V2718 bridge connection can be opened with:
ret = CAEN_PLU_OpenDevice(CAEN_PLU_CONNECT_VME_V2718, vme_base_address, 0, 0, &handle);
// In both the latter cases, a VME Base Address of the PLU module must be specified.
CloseDevice¶
This function closes the connection with the programmable logic unit. The CloseDevice function must be called before to exit the application.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_OpenDevice(int handle);
Return Values : 0: Success. Negative numbers are error codes (see Error Codes).
// Close the device with:
ret = CAEN_PLU_CloseDevice(handle);
WriteReg¶
Generic write access to a register of the device.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_WriteReg(
int handle,
uint32_t address,
uint32_t value
);
Return Values: 0: Success. Negative numbers are error codes.
ReadReg¶
Generic read access to a register of the device.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_ReadReg(int handle,
int32_t address,
int32_t *value);
Return Values: 0: Success. Negative numbers are error codes.
WriteData32¶
This function writes 32-bit data into memory.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_WriteData32(int handle,
uint32_t start_address,
uint32_t size,
uint32_t *value);
Return Values: 0: Success; Negative numbers are error codes.
WriteFIFO32¶
This function writes 32-bit data at the same address (FIFO mode).
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_WriteFIFO32(int handle,
uint32_t start_address,
uint32_t size,
uint32_t *value);
Return Values: 0: Success. Negative numbers are error codes.
ReadData32¶
This function reads 32-bit data from memory.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_ReadData32(int handle,
uint32_t start_address,
uint32_t size,
uint32_t *value,
uint32_t *nw);
Return Values: 0: Success. Negative numbers are error codes.
ReadFIFO32¶
This function reads 32-bit data from the same adddress (FIFO mode).
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_ReadFIFO32(int handle,
uint32_t address,
uint32_t size,
uint32_t *value,
uint32_t *nw);
Return Values: 0: Success. Negative numbers are error codes.
USBEnumerate¶
This function enumerates the boards connected via USB direct link.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_USBEnumerate(tUSBDevice *pvArg1,
uint32_t *numDevs);
Return Values: 0: Success. Negative numbers are error codes.
USBEnumerateSerialNumber¶
This function enumerates the boards connected via USB direct link and returns a Serial Number as a string.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_USBEnumerateSerialNumber(unsigned int *numDevs,
char *DeviceSNs,
uint32_t buffersize);
Return Values: 0: Success. Negative numbers are error codes.
InitGateAndDelayGenerators¶
This function performs the Gate and Delay initialization. It MUST be called prior to any Gate and Delay function call.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_InitGateAndDelayGenerators(int handle);
Return Values: 0: Success. Negative numbers are error codes.
SetGateAndDelayGenerator¶
This function enables and sets a single gate and delay generator channel.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_SetGateAndDelayGenerator(int handle,
uint32_t channel,
uint32_t enable,
uint32_t gate,
uint32_t delay,
uint32_t scale_factor);
Note: Gate+Delay parameters cannot exceed 65535.
Return Values: 0: Success. Negative numbers are error codes.
SetGateAndDelayGenerators¶
This function enables and set ALL gate and delay generators channels with a common value.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_SetGateAndDelayGenerators(int handle,
uint32_t gate,
uint32_t delay,
uint32_t scale_factor);
Note: Gate+Delay parameters cannot exceed 65535.
Return Values: 0: Success. Negative numbers are error codes.
GetGateAndDelayGenerator¶
This function gets the Gate and Delay channel parameters.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_GetGateAndDelayGenerator(int handle,
uint32_t channel,
uint32_t *gate,
uint32_t *delay,
uint32_t *scale_factor);
Return Values: 0: Success. Negative numbers are error codes.
EnableFlashAccess¶
By this function, it is possible to enable the Flash access. It MUST be called prior to any Flash access function call.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_EnableFlashAccess(int handle,
t_FPGA_V2495 FPGA);
Return Values: 0: Success. Negative numbers are error codes.
DisableFlashAccess¶
By this function, it is possible to disable the Flash access. It MUST be called prior to any flash access function call.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_DisableFlashAccess(int handle,
t_FPGA_V2495 FPGA);
Return Values: 0: Success. Negative numbers are error codes.
DeleteFlashSector¶
This function deletes a single Flash sector.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_DeleteFlashSector(int handle,
t_FPGA_V2495 FPGA,
uint32_t sector);
Note: Please, BE AWARE that some sectors are reserved for factory and user firmware. User storage area is in sectors 106-510 for MAIN Flash and sectors 458-510 for USER Flash. DELAY Flash should not be used for user data.
Return Values: 0: Success. Negative numbers are error codes.
WriteFlashData¶
This function allows to write data into the Flash.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_WriteFlashData(int handle,
t_FPGA_V2495 FPGA,
uint32_t address,
uint32_t *data,
uint32_t length);
Return Values: 0: Success. Negative numbers are error codes.
ReadFlashData¶
This function allows to read data from the Flash.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_ReadFlashData(int handle,
t_FPGA_V2495 FPGA,
uint32_t address,
uint32_t *data,
uint32_t length);
Return Values: 0: Success. Negative numbers are error codes.
GetInfo¶
This function retrieves the module information.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_GetInfo(int handle,
tBOARDInfo *HWOPTIONS;
Return Values: 0: Success. Negative numbers are error codes.
GetSerialNumber¶
This function retrieves the module serial number stored into the Configuration ROM
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_GetSerialNumber(int handle,
char *sn,
uint32_t buffersize);
Return Values: 0: Success. Negative numbers are error codes.
ConnectionStatus¶
This function gets the current connection status from the unit.
CAEN_PLU_API CAEN_PLU_ERROR_CODE
CAEN_PLU_ConnectionStatus(int handle,
int *status);
Return Values: 0: Success. Negative numbers are error codes.
数据结构和类型描述¶
t_ConnectionModes¶
Enumerated type for the kind of connection link.
typedef enum
{
CAEN_PLU_CONNECT_DIRECT_USB,
CAEN_PLU_CONNECT_DIRECT_ETH,
CAEN_PLU_CONNECT_VME_V1718,
CAEN_PLU_CONNECT_VME_V2718,
} t_ConnectionModes;
t_FPGA_V2495¶
Enumerated type for the kind of V2495/DT5495 target FPGA.
typedef enum
{
FPGA_MAIN = 0,
FPGA_USER = 1,
FPGA_DELAY = 2
} t_FPGA_V2495;
tBOARDInfo¶
This structure defines the board generic information from the Configuration ROM.
typedef struct _tBOARDInfo
{
uint32_t checksum;
uint32_t checksum_length2;
uint32_t checksum_length1;
uint32_t checksum_length0;
uint32_t checksum_constant2;
uint32_t checksum_constant1;
uint32_t checksum_constant0;
uint32_t c_code;
uint32_t r_code;
uint32_t oui2;
uint32_t oui1;
uint32_t oui0;
uint32_t version;
uint32_t board2;
uint32_t board1;
uint32_t board0;
uint32_t revis3;
uint32_t revis2;
uint32_t revis1;
uint32_t revis0;
uint32_t reserved[12];
uint32_t sernum1;
uint32_t sernum0;
} tBOARDInfo;
_tUSBDevice¶
This structure defines the USB device descriptor.
typedef struct _tUSBDevice
{
uint32_t id;
char SN[64];
char DESC[64];
} tUSBDevice;


Male, 22 y.o. I was born in Jayapura, Papua. I have travelled through all different time zone in Indonesia because of study. 1998 to 2013 (Eastern Indonesia), 2013 to 2016 (Central Indonesia), 2016 to 2021 (Western Indonesia).
Beside of my study, I spent most of my time behind the table, doing random things such as gaming, programming, watching modern western romance movies, or listen to slow rock music while scrolling down social network forums. I'm a quick learner and also love developing games.
System Developer is a new division in VTI which aims to develop internal systems or integrate products to suit customer needs.
Research and Development is a new division in VTI aimed to develop a solution that will bring a new market for the company. Handled software development as programmer and UX Designer as an intern.
Experienced as programmer and UX designer in game development as an intern.
Graduated from the Faculty of Technology and Informatics with a GPA of 3.58/4.00.
Development of face recognition software for attendance system and social media integration.
View ProjectWorked with Virtus Technology Indonesia to integrate facial recognition camera wih desktop application.
View ProjectWorked with psychology student to develop multiple games to help develop cognitive intelligence.
View ProjectWorked with Educa Studio to develop 2D education games as a programmer and UX Designer.
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Clojure Templating
In this note I would like to describe current situation of dealing with templates in Clojure. We have four most known options:
Let’s start with Fleet. Fleet is pretty similar to old ERB or JSP way of working with templates:
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In fact it’s not so popular in Clojure world probably because main philosophy of Lisp is “code as data”. And it’s also true for templates. It’s where Hiccup shines:
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As you can see, it’s just Clojure vector, first element of this vector is tag name and second one is content. You can add attributes to the tag:
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We can easily make abstraction on it and keep it as a helper:
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For converting it to html you need to pass it to html
function:
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You can make your own collection of helpers and partials which will be easy to embed in your code.
lso you can find basic low-lewel helpers as link-to
and form-to
and so on in Hiccup
itself.
Hiccup is quite popular in Clojure comunity and it’s used as part of
Noir framework.
You don’t have to write Hiccup templates by yourself if you already have HTML file from a designer, there are some
tools which can help you to convert HTML file to Hiccup.
If you are sceptic about all this stuff like "code as data" in templates you’re able to choose Clostache. It’s just Mustache implementation in Clojure. I think you already know that. This how it looks in Clojure.
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Also we have some pretty interesting approach which calls Enlive, it’s similar to XSLT transformation, but instead of noisy XML we have Clojure which is Lisp which is executable XML :) The main idea is keep our html for a designer. Just do nothing with it. No ERB templates, Mustache or any other templates. Just plain HTML and transformations. There is a little bit more code for explanation how it works that is why I’ve placed this code to the gist.
I think it will be unuseful try to describe pros and cons of each of these template libraries, because it’s really depends on which process you use to work with your templates.
Also there is fifth hidden option is use templating on the front-end :)