Optim¶
-
class
seq2seq.optim.optim.
Optimizer
(optim, max_grad_norm=0)¶ The Optimizer class encapsulates torch.optim package and provides functionalities for learning rate scheduling and gradient norm clipping.
Parameters: - optim (torch.optim.Optimizer) – optimizer object, the parameters to be optimized should be given when instantiating the object, e.g. torch.optim.SGD(params)
- max_grad_norm (float, optional) – value used for gradient norm clipping, set 0 to disable (default 0)
-
set_scheduler
(scheduler)¶ Set the learning rate scheduler.
Parameters: scheduler (torch.optim.lr_scheduler.*) – object of learning rate scheduler, e.g. torch.optim.lr_scheduler.StepLR
-
step
()¶ Performs a single optimization step, including gradient norm clipping if necessary.


Sport and festival help us in involving the youth of Kashmir in spouts another the ANTI-SOCIAL acterence.


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Process Darwin Core Archive
DwC Archive processing job description


Posted on January 14, 2017 at 10:00 PM
Chocolate Cupcakes are delicious. They’re also great while reading the works of Karl Marx, and at tea parties to show your friends that communism is the one and only solution to end world hunger.
Read Moreby Bryan Patola
Posted on January 20, 2017 at 10:45 PM
Zdravstvuyte! Today I post some glorious Russian stories, straight from the motherland!
Read Moreby Red Patola
Posted on February 10, 2017 at 10:45 AM
Russia, where presidents are assasins, and where submarines swims with you
Read MoreLorem ipsum dolor sit amet, consectetur adipisicing elit. Inventore, perspiciatis adipisci accusamus laudantium odit aliquam repellat tempore quos aspernatur vero.


Settings
Output
Global overview
Exported map data
General settings
Number of players:
Terrain settings
Basic settings
Minimal map width:
Minimal map height:
Maximum map width:
Maximum map height:
Basic inaccessible tile type:
Basic accessible tile type:
Base area settings
Distance from borders:
Base area radius:
Map areas
Create great central area:
Central area size:
Amount of circular passage-areas:
Amount of rectangular passage-areas:
Amount of diamon-shaped passage-areas:
Minimum size of passage-area:
Maximum size of passage-area:
Passages
Ensure there is a passage to all areas of the map:
Buildings settings
Include player buildings:
Include neutral buildings:
Units settings
Include player units:
Include neutral units:
Resources settings
Resources abundance:


Parentheses is used to call upon a block of code or ‘function’
Brackets are used for an ‘array’; which is used to store elements and then able to call upon.
Braces are used for defining the conditions inside a function.
Both single and double quotes are used to write a string, you can use either or.


Next Mass Effect game in “very early development” – report
by Stephany NunneleyLooks like BioWare is working on the next Mass Effect game, according to a report.
BioWare working on a new Mass Effect game shouldn’t come as a surprise, but still, that’s a nice assurance for fans.
News of the next game in the franchise came on the tail end of a Kotaku report yesterday, which stated Anthem was getting a complete overhaul.
According to the report, the new game in the space-RPG series is in “very early development,” at the Edmonton office under the direction of BioWare producer Mike Gamble.
General manager Casey Hudson recently shared some Mass Effect concept art on N7 Day. In his tweet, he stated the artwork showed ideas that haven’t “yet been brought to life,” so maybe we’ll see some of it in the next title.
On the previous N7 Day in 2018, Gamble said the team still has stories left to tell in the universe, and that “the future is bright.”
BioWare is also working on the next Dragon Age title, but it’s quite a ways off.
Games featured in this article


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"Knots" make up each individual project that's being built by Bowline. Here you're seeing some of the public knots.


Match Play. Red leads 6-1to 7 (Post-Crawford). How should Red play 63?
pips Red=141 White=137
(CorrectAnswer= 0/0, ErrorScore= 0)
The race is close so that implies that hitting will be correct. The alternative is 11/5, 8/5, making the important 5-pt and keeping the anchor in White’s board.
The latter play reduces the percentage of gammons lost but doesn’t compensate for the reduced number of wins. When in doubt, hit and that maxim certainly applies in this position. Red will have to leave the anchor soon so it is best that he does that with the tempo gain of a hit.
The latter play reduces the percentage of gammons lost but doesn’t compensate for the reduced number of wins. When in doubt, hit and that maxim certainly applies in this position. Red will have to leave the anchor soon so it is best that he does that with the tempo gain of a hit.
1. Cubeful 2-ply 21/18*/12 Eq.: -0.076 0.546 0.116 0.003 - 0.454 0.129 0.006 2. Cubeful 2-ply 11/5 8/5 Eq.: -0.092 (-0.016) 0.501 0.079 0.001 - 0.499 0.079 0.001 3. Cubeful 2-ply 11/5 6/3 Eq.: -0.180 (-0.104) 0.463 0.083 0.002 - 0.537 0.087 0.002 4. Cubeful 2-ply 11/2 Eq.: -0.194 (-0.118) 0.453 0.074 0.001 - 0.547 0.082 0.002 5. Cubeful 2-ply 8/2 6/3 Eq.: -0.209 (-0.133) 0.447 0.077 0.001 - 0.553 0.084 0.002


FRED
Home
Examples
(current)
Contact
Usage examples
How to preprocess and create a new dataset to retrain the model
Example on how to use the scraper to crawl a list of websites using multiple processes and save their screenshots and json files containing the coordinates of different primitives
How to use the tool provided to check the output of the model when tested on a screenshot
If you want to check other scripts, all of them have a
-h
or
--help
which explains the parameteres you need to provide.


Any sufficiently complicated concurrent program in another language contains an ad hoc informally-specified bug-ridden slow implementation of half of Erlang and OTP.
Virding's First Rule of Programming
Avoid microservice envy and start with one or two services before rushing headlong into developing more, to allow your teams time to adjust and understand the right level of granularity.
Source: https://www.thoughtworks.com/radar/techniques/microservice-envy
People are bad at predicting the performance of complex systems [...], our ability to create large and complex systems fools us into believing that we're entitled to understand them.
Carlos Bueno, Mature Optimization Handbook


Overview
Steep is a minimal framework that allows for interaction between a server (python) and web browser clients (javascript/html/css) via websockets. Steep is simple, and doesn't have a lot of built in features, which allows for flexibility. Experimenters can then use the plethora of online resources dedicated to programing of webapps using CSS and Javascript.
Installation
In order to test STEEP, the following things must be downloaded/installed:
- python - STEEP can be used with recent versions of either python 2 or python 3. To install python on a Mac, I recommend using the installation via homebrew (http://brew.sh/), although you can also just use the default installed version. For Windows, I recommend anaconda (https://www.continuum.io/downloads). For the rest of this document, I am going to assume that the steep folder has been installed to the following path: /path/to/steep/ which means that the following file should exist: /path/to/steep/requirements.txt
- STEEP - The latest version of STEEP can be downloaded from github via the following link: https://github.com/jnromero/steep/releases/latest. If you have git command line tools, then it can also be installed with the following command: (with /path/to/steep/ changed to the install path on your computer)
- python packages - once python has been installed you should be able to use the pip installer to ensure that you have all required packages. To do this, run the following commands:
pip install setuptools pip install wheel pip install -r /path/to/steep/requirements.txt
git clone git://github.com/jnromero/steep.git /path/to/steep/
Running a Simple Experiment
Once you have installed the above requirements, you can run a simple experiment. Navigate to the directory /path/to/steep/examples/simple/files/ (this can be done in terminal on a Mac or or the command prompt on Windows) and start the experiment by typing:
cd /path/to/steep/examples/simple/files/
python experiment.py -l local
Once the server is running, you can open the monitor at http://localhost:23456/monitor.html and several clients at http://localhost:23456/client.html. In this simple experiment, every client is in the same group, and they have a button to click. Once the total number of clicks for all subjects is greater than 10, then a new match starts. For a further description of this simple experiment see Description of Simple Experiment.
Structure of an Experiment
A basic STEEP experiment is programmed in three files:.
- experiment.css This file contains style information for the interface.
- experiment.js This file contains javascript code. In this file you will have function such as "drawGame" that will draw the interface for the subjects. You will also have function such as "makeChoice" which will select a choice for the subject and contact the server.
- experiment.py This file is the main server file. This file controls every aspect of the experiment, such as making the matchings between subjects, aggregating subjects choices, calculating payoffs, etc.
- This file needs to contain two classes with the names experimentClass and subjectClass.
- All data from the experiment should be stored in the dictionary self.data of the experimentClass.
- The data in self.data is saved automatically as a .pickle file and can be downloaded by clicking "Download Data Folder.zip" from the monitor page.
- The dictionary self.data automatically has entries self.data['subjectIDs'] which is a list of all subject ids in the experiment.
- Data of an individual subject is stored in a the subjectClass object. The subjectClass object for a given subject (say subject with subject ID "subject1") can be accessed with self.data["subject1"]
Sending Messages
The main functionality of STEEP is to provide a simple way for experimenters to set up a connection between a python server and web clients in a way that will be accessible and useful for running economics experiments. Therefore, the most important and basic feature of STEEP is sending messages. There are two types of messages: client to server and server to client.
Server to Client (.py to .js)
Since the server is a python server, the server to client messages are sent from python using code as follows:
#experiment.py
msg={}
msg['type']="updatePeriodPayoffs"
msg['payoffs']=2.25
msg['period']=26
self.messageToId(msg,"subject1")
This code will send the message to the client with subjectID "subject1". All messages must be a dictionary and have a "type" key. This example message has a "type" key of "updatePeriodPayoffs". When the client receives this message, it will automatically run a javascript function with the name of the "type" key. So if a client receives the above message, then it would run a function like this:
//experiment.js
function updatePeriodPayoffs(msg){
document.getElementById("periodPayoff").innerHTML=msg['payoffs'];
document.getElementById("currentPeriod").innerHTML=msg['period'];
}
The javascript function will have access to the entire msg dictionary, so any relevant information that the server needs to communicate to the client can be put in this dictionary.
Client to Server (.js to .py)
Since the client is sending messages with javascript to a python server, the client to server messages are sent from javascript using code as follows:
//experiment.js
msg={}
msg['type']="makeChoice"
msg['choice']="c";
msg['period']=45;
sendMessage(msg);
This code will send the message to the python server. All messages must be a dictionary and have a "type" key. This example message has a "type" key of "makeChoice". When the server receives this message, it will automatically run a python function with the name of the "type" key. So if the server receives the above message, then it would run a function like this:
#experiment.py
def makeChoice(self,msg):
subjectID=msg['subjectID']
thisPeriod=msg['period']
thisChoice=msg['choice']
self.data[subjectID].choices[thisPeriod]=[thisChoice,time.time()]
The python function will have access to the entire msg dictionary, so any relevant information that the client needs to communicate to the server can be put in this dictionary. In addition, the "subjectID" key will be added to the msg dictionary automatically so that the server can identify which client the message came from.
Timers
STEEP has built in functionality to have timers. The timer is stored on the server, and therefore survives client refreshes (in case the browser page is reloaded). To implement a timer on the server, you can use the python
initializeTimer
and cancelTimer
(which are methods of SteepServerClass
). Here is an example of how the timer can be used:.
#experiment.py
class experimentClass():
...
def startTimer(self):
...
timerAccess="subject1"# could also be "all"
timerName="someTimerName"
duration=120#time in seconds
# duration could also be a datetime object
#import pytz
#eastern = pytz.timezone("US/Eastern")
#duration=eastern.localize(datetime.datetime.strptime("2020/07/31 15:00:00", "%Y/%m/%d %H:%M:%S"))
self.initializeTimer(timerAccess,timerName,duration,self.pleaseMakeChoice,"subject1")
msg={}
msg['type']="updatePeriodPayoffs"
self.messageToId(msg,"subject1")
def pleaseMakeChoice(self,sid):
...
def endTimer(self):
self.cancelTimerFunction("subject1","someTimerName")
In the above example, when the startTimer
method of experimentClass
is run, it will create a timer specifically for "subject1" called "someTimerName" that will run for 120 seconds, and will run the method pleaseMakeChoice
with input "subject1" at the end of the 120 seconds. If you want to cancel the time you can run the cancelTimer method. In the above example, this can be run by calling the endTimer
method of the experimentClass
. The first input into self.initializeTimer is who has access to the timer (either "all" or a subjectID like in the above example), the second entry is the timer name, and the third entry is the duration (either a time in seconds, or a datetime object with a timezone using pytz). The timer will be updated with the correct server time any time a message is sent to the client (including after a refresh).
To access this time in the client using javascript, you can use the bulit in function moveTimer
.
//experiment.js
function showTimer(msg){
var document.getElementById("timerDiv").innerHTML = "The timer is displayed here: <time id='someTimerName'>0</time>";
moveTimer("someTimerName");
}
The timer needs to be a time element with id equal to the name of the timer that was set in python, which in this case is "someTimerName". The input to the moveTimer
function is the name of the timer, which will make the innerHTML display the current time remaining of the timer, and will update this time every second.
Customizing Monitor Table
You can customize the tables you see on the monitor page. A function like the following will add another page to the monitor table that you can use to track what subjects are doing during the experiment:
#experiment.py
def quizSpecificMonitorTableEntries(self):
self.currentMonitorTable="quiz"
self.data['monitorTableInfo']['quiz']=[
['page' ,'self.data[sid].status["page"]'],
['Guess1' ,'len(self.data[sid].quizGuesses[1])'],
['Guess2' ,'len(self.data[sid].quizGuesses[2])'],
['lastGuess1' ,'self.data[sid].quizGuesses[1][-1][1]["answers"]'],
['lastGuess2' ,'self.data[sid].quizGuesses[2][-1][1]["answers"]'],
['Q1' ,'self.data[sid].status["quiz1"]'],
['Q2' ,'self.data[sid].status["quiz2"]'],
]
self.newMonitorTable()
Line 4 will set the current monitor table to "quiz". This means if a new monitor client joins, the default start page will be "quiz". Line 5 adds the desired entries in the table to the "monitorTableInfo" key of self.data (will already is a dictionary by default). Line 14 runs the default function "self.newMonitorTable()" all currently connected monitor clients to the "quiz" monitor table. The monitor clients will be able to switch back to any of the previous pages after this happens.
Adding external javascript and CSS files
Sometimes you may want to add external js and css files to your experiment. In order to do this, you need to add the addToConfig function at the top of the experiment.py file:
#experiment.py
def addToConfig(config):
config['additionalFiles']=[
["/js/testing2.js","relative","headStart"],
["http://test.com/test.css","full","headEnd"],
["extra.js","relative","bodyStart"],
["http://test.com/test2.js","full","bodyEnd"],
]
return config
This function takes config as an input and returns config as an output. You can set the key "additionalFiles" of config to be a list of lists containing lists with three entries. The first entry is the path to the external file. The second entry is either "full" or "relative" depending on whether the linked file is a full url or a url relative to the folder containing experiment.py. The third entry is either "headStart","headEnd","bodyStart", or "bodyEnd" and will determine the location of the external file in the html document. This works for .js file and .css files only, and the file type is automatically detected. The above example will lead to the following html:
<!-- client.html -->
<!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.0 Traditional//EN">
<html id="everything">
<head>
<title>STEEP: Client</title>
<script type="text/javascript" src="http://localhost:23456/patterns/files//js/testing2.js"></script>
OTHER STUFF HERE...
<link rel="stylesheet" type="text/css" href="http://test.com/test.css">
</head>
<body>
<script type="text/javascript" src="http://localhost:23456/patterns/files/extra.js"></script>
OTHER STUFF HERE...
<script type="text/javascript" src="http://test.com/test2.js"></script>
</body>
</html>
Running Experiments Online
STEEP can be run locally on a computer. Often times it may be useful/preferred to run an experiment online. Potential benefits of this include flexibility to not need a server computer with required software and the ability to run remotely or in multiple locations. There are many ways to run online experiments. You can setup up your own web server, but you need to make sure you have access to required ports. However, the recommended way to run these it to use a virtual private server (VPS). Many sites offer VPS with fees by the hour that range in the $0.01 per hour to $0.20 per hour range. One recommended site is http://vultr.com/. To setup an experiment on vultr.com, take the following steps:
- Register for an account at vultr.com
- Create a new startup script by following the link https://my.vultr.com/startup/. Add the following to the startup script:
You need to edit line 10 above to ensure that your experiment is downloaded. This can either be through github, dropbox, or anything else. If you have a private repo in get hub, you will need to generate an access token https://github.com/settings/tokens. This access token will need access to your repo. If the access token is sdflkn2352jn3tkungo3i4nw , your github username is myusername, and your experiment repo is call myexperiment, then you will edit line 10 to look like:#!/bin/sh #start screen to run the program in screen -dmS serverScreen echo "STEEP Startup running" #download steep to the folder /steep/ git clone git://github.com/jnromero/steep.git /steep/ #download your program, from github or wherever to the folder /experiment/ git clone git://github.com/jnromero/normalForm.git /experiment/ #install necessary programs apt-get update -y sudo apt install build-essential -y apt install python-dev -y apt install python-pip -y #install steep python package requirements pip install setuptools pip install wheel pip install -r /steep/requirements.txt #get current ip address myip="$(ifconfig | sed -En 's/<IP_ADDRESS>//;s/.*inet (addr:)?(([0-9]*\.){3}[0-9]*).*/\2/p')" #start server on the screen called serverScreen screen -S serverScreen -p 0 -X stuff 'cd /experiment/files/\n' screen -S serverScreen -p 0 -X stuff "python experiment.py -l local -i "$myip"\n"
If you want to use dropbox rather than github, then you can replace line 10 with the following:git clone<EMAIL_ADDRESS>/experiment/
Where https://www.dropbox.com/sh/v23/l3k2f?dl=1 is the link you copied for the folder from dropbox (make sure that you change the end to "dl=1" if not already like that). Finally, give this startup script a name like myStartupScript and click add script.sudo apt-get install unzip curl -L https://www.dropbox.com/sh/v23/l3k2f?dl=1 > experiment.zip unzip experiment.zip -d /experiment/
- Finally deploy a new server from https://my.vultr.com/deploy/. You can choose server type (vary by speed), server location (closer the better probably), operating system (recommend Ubuntu 17.10 x64), server size (again, vary by speed), select the startup script that you created (i.e. myStartupScript), and then click "Deploy Now".
- Once the server has been deployed, it will take several minutes to start up. You can access the server ip address from https://my.vultr.com/. Let's suppose that the server ip address is listed as <IP_ADDRESS>. After the startup script has finished, you should be able to access the steep console page at http://<IP_ADDRESS>:23456 and the clients from http://<IP_ADDRESS>:23456/client.html.
Designing Client Pages
The main functionality of STEEP is to provide an interface between a python server and a clients web browser. I do have some additional javascript functions that may be useful when designing the clients page with javascript.
Setting the window size
At the end of the experiment.js file, you can add these two lines. The first command, setWindowSize, takes two arguments, width and height in pixels, and will set the default size of the div with id mainDiv, which is the div that you should put all experimental content.
//experiment.js
//This sets the default size for "mainDiv", the main experiment window
setWindowSize(1600,900);
//this ensures that the window is always scaled to fit the browser. Useful if you don't have the same monitor size for every client.
resizeWindow();
Adding elements
You can add elements on your own using standard javascript libraries or other packages. I created a function, placeText, which adds an absolutely placed div inside mainDiv with the corresponding styles added as inline styles.
//experiment.js
placeText({
"divid":"myDivName",
"color":"red",
"text":"This is a test div",
"top":"600px",
"height":"100px",
"fontSize":"25px",
"lineHeight":"50px",
"width":"100%",
"backgroundColor":"blue"
});
//document.getElementById("myDivName").style.backgroundColor="blue";
The above example adds a div named "myDivName" to "mainDiv". This div has text that is colored red, has the text "This is a test div", is place 600px from the top, with a height of 100px, a font size of 25px, a line height of 50px, and a width of 100%. You can add other style elements to the placeText command as well. Any style element that you can add using standard javascript you can include as an argument in placeText. For example if you


We are thrilled that you are thinking of adopting a pet from us!
Our staff are available to assist you with any questions you may have and to give you as much information about our homeless pets as possible. We have a great deal of expertise on hand and we will try to match you with the best pet for you.
PLEASE NOTE: Animals are not adopted out on the same day as your first visit. An appointment will be made with you for a suitable day to take your pet home.
Due to the numbers of animals that we receive each week, it isn’t possible to feature all of them in our list of pets needing homes.
We would be delighted to have you visit the shelter Monday to Friday 10.00am to 5.30pm, Saturday & Sunday from 11.00am to 3.30pm so you can see all the animals we have for adoption.


Huawei will announce the nova 6 on December 5
by IvanHuawei has officially confirmed that the nova 6 is coming on December 5. The company revealed the date of the launch event via its Weibo account.
The Honor V30, whic is Huawei nova 6 5G's sister-brand doppelganger, will make its official debut a week earlier, on November 26.
The key feature of the nova 6 5G is the dual selfie camera that's precision cut into the display. Huawei has teased that it will offer a regular and ultrawide units. Rumor has it the latter will have a 105-degree lens, which is wider than other ultrawide selfies we've seen on phones, like the Google Pixel 3's 97-degree or the Galaxy Note 10's 80-degree snapper.
The Huawei nova 6 5G will pack a Kirin 990 flagship chipset with embedded 5G, 40W wired charging and Sony's new 60MP IMX686 sensor alongside an ultrawide and dedicated macro cameras.


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Review the concepts document if you are not already familiar with it. Remember that block is a contiguous section of memory, which is partitioned or segregated into fixed-size chunks. These chunks are what are allocated and deallocated by the user.
Each Pool has a single free list that can extend over a number of memory blocks. Thus, Pool also has a linked list of allocated memory blocks. Each memory block, by default, is allocated using new[], and all memory blocks are freed on destruction. It is the use of new[] that allows us to guarantee alignment.
Each block of memory is allocated as a POD type (specifically, an array of characters) through operator new[]. Let POD_size be the number of characters allocated.
This follows from the following quote:
[5.3.3/2] (Expressions::Unary expressions::Sizeof) "... When applied to an array, the result is the total number of bytes in the array. This implies that the size of an array of n elements is n times the size of an element."
Therefore, arrays cannot contain padding, though the elements within the arrays may contain padding.
This follows from:
Note that an object of that size can exist. One object of that size is an array of the "actual" objects.
Note that the block is properly aligned for an Element. This directly follows from Predicate 2.
This follows from Predicates 1 and 2, and the following quote:
[3.9/9] (Basic concepts::Types) "An object type is a (possibly cv-qualified) type that is not a function type, not a reference type, and not a void type." (Specifically, array types are object types.)
There are no quotes from the Standard to directly support this argument, but it fits the common conception of the meaning of "alignment".
Note that the conditions for p + i being well-defined are outlined in [5.7/5]. We do not quote that here, but only make note that it is well-defined if p and p + i both point into or one past the same array.
This follows naturally, since the memory block is an array of Elements, and for each n, sizeof(Element) % sizeof(Tn) == 0; thus, the boundary of each element in the array of Elements is also a boundary of each element in each array of Tn.
Since pe + i is well-defined, then by Corollary 3, pn + jn is well-defined. It is properly aligned from Predicate 2 and Corollaries 1 and 2.
The proof above covers alignment requirements for cutting chunks out of a block. The implementation uses actual object sizes of:
Each block also contains a pointer to the next block; but that is stored as a pointer to void and cast when necessary, to simplify alignment requirements to the three types above.
Therefore, alloc_size is defined to be the lcm of the sizes of the three types above.
Each memory block consists of three main sections. The first section is the part that chunks are cut out of, and contains the interleaved free list. The second section is the pointer to the next block, and the third section is the size of the next block.
Each of these sections may contain padding as necessary to guarantee alignment for each of the next sections. The size of the first section is number_of_chunks * lcm(requested_size, sizeof(void *), sizeof(size_type)); the size of the second section is lcm(sizeof(void *), sizeof(size_type); and the size of the third section is sizeof(size_type).
Here's an example memory block, where requested_size == sizeof(void *) == sizeof(size_type) == 4:
| Sections | size_type alignment | void * alignment | requested_size alignment |
|---|---|---|---|
| Memory not belonging to process | |||
| Chunks section (16 bytes) | (4 bytes) | FLP for Chunk 1 (4 bytes) | Chunk 1 (4 bytes) |
| (4 bytes) | FLP for Chunk 2 (4 bytes) | Chunk 2 (4 bytes) | |
| (4 bytes) | FLP for Chunk 3 (4 bytes) | Chunk 3 (4 bytes) | |
| (4 bytes) | FLP for Chunk 4 (4 bytes) | Chunk 4 (4 bytes) | |
| Pointer to next Block (4 bytes) | (4 bytes) | Pointer to next Block (4 bytes) | |
| Size of next Block (4 bytes) | Size of next Block (4 bytes) | ||
| Memory not belonging to process |
To show a visual example of possible padding, here's an example memory block where requested_size == 8 and sizeof(void *) == sizeof(size_type) == 4:
| Sections | size_type alignment | void * alignment | requested_size alignment |
|---|---|---|---|
| Memory not belonging to process | |||
| Chunks section (32 bytes) | (4 bytes) | FLP for Chunk 1 (4 bytes) | Chunk 1 (8 bytes) |
| (4 bytes) | (4 bytes) | ||
| (4 bytes) | FLP for Chunk 2 (4 bytes) | Chunk 2 (8 bytes) | |
| (4 bytes) | (4 bytes) | ||
| (4 bytes) | FLP for Chunk 3 (4 bytes) | Chunk 3 (8 bytes) | |
| (4 bytes) | (4 bytes) | ||
| (4 bytes) | FLP for Chunk 4 (4 bytes) | Chunk 4 (8 bytes) | |
| (4 bytes) | (4 bytes) | ||
| Pointer to next Block (4 bytes) | (4 bytes) | Pointer to next Block (4 bytes) | |
| Size of next Block (4 bytes) | Size of next Block (4 bytes) | ||
| Memory not belonging to process |
Finally, here is a convoluted example where the requested_size is 7, sizeof(void *) == 3, and sizeof(size_type) == 5, showing how the least common multiple guarantees alignment requirements even in the oddest of circumstances:
| Sections | size_type alignment | void * alignment | requested_size alignment |
|---|---|---|---|
| Memory not belonging to process | |||
| Chunks section (210 bytes) | (5 bytes) | Interleaved free list pointer for Chunk 1 (15 bytes; 3 used) | Chunk 1 (105 bytes; 7 used) |
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | (15 bytes) | ||
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | (15 bytes) | ||
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | (15 bytes) | ||
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | (15 bytes) | ||
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | (15 bytes) | ||
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | (15 bytes) | ||
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | Interleaved free list pointer for Chunk 2 (15 bytes; 3 used) | Chunk 2 (105 bytes; 7 used) | |
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | (15 bytes) | ||
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | (15 bytes) | ||
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | (15 bytes) | ||
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | (15 bytes) | ||
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | (15 bytes) | ||
| (5 bytes) | |||
| (5 bytes) | |||
| (5 bytes) | (15 bytes) | ||
| (5 bytes) | |||
| (5 bytes) | |||
| Pointer to next Block (15 bytes; 3 used) | (5 bytes) | Pointer to next Block (15 bytes; 3 used) | |
| (5 bytes) | |||
| (5 bytes) | |||
| Size of next Block (5 bytes; 5 used) | Size of next Block (5 bytes; 5 used) | ||
| Memory not belonging to process |
The theorem above guarantees all alignment requirements for allocating chunks and also implementation details such as the interleaved free list. However, it does so by adding padding when necessary; therefore, we have to treat allocations of contiguous chunks in a different way.
Using array arguments similar to the above, we can translate any request for contiguous memory for n objects of requested_size into a request for m contiguous chunks. m is simply ceil(n * requested_size / alloc_size), where alloc_size is the actual size of the chunks. To illustrate:
Here's an example memory block, where requested_size == 1 and sizeof(void *) == sizeof(size_type) == 4:
| Sections | size_type alignment | void * alignment | requested_size alignment |
|---|---|---|---|
| Memory not belonging to process | |||
| Chunks section (16 bytes) | (4 bytes) | FLP to Chunk 2 (4 bytes) | Chunk 1 (4 bytes) |
| (4 bytes) | FLP to Chunk 3 (4 bytes) | Chunk 2 (4 bytes) | |
| (4 bytes) | FLP to Chunk 4 (4 bytes) | Chunk 3 (4 bytes) | |
| (4 bytes) | FLP to end-of-list (4 bytes) | Chunk 4 (4 bytes) | |
| Pointer to next Block (4 bytes) | (4 bytes) | Ptr to end-of-list (4 bytes) | |
| Size of next Block (4 bytes) | 0 (4 bytes) | ||
| Memory not belonging to process |
| Sections | size_type alignment | void * alignment | requested_size alignment |
|---|---|---|---|
| Memory not belonging to process | |||
| Chunks section (16 bytes) | (4 bytes) | (4 bytes) | 4 bytes in use by program |
| (4 bytes) | (4 bytes) | 3 bytes in use by program (1 byte unused) | |
| (4 bytes) | FLP to Chunk 4 (4 bytes) | Chunk 3 (4 bytes) | |
| (4 bytes) | FLP to end-of-list (4 bytes) | Chunk 4 (4 bytes) | |
| Pointer to next Block (4 bytes) | (4 bytes) | Ptr to end-of-list (4 bytes) | |
| Size of next Block (4 bytes) | 0 (4 bytes) | ||
| Memory not belonging to process |
Then, when the user deallocates the contiguous memory, we can split it up into chunks again.
Note that the implementation provided for allocating contiguous chunks uses a linear instead of quadratic algorithm. This means that it may not find contiguous free chunks if the free list is not ordered. Thus, it is recommended to always use an ordered free list when dealing with contiguous allocation of chunks. (In the example above, if Chunk 1 pointed to Chunk 3 pointed to Chunk 2 pointed to Chunk 4, instead of being in order, the contiguous allocation algorithm would have failed to find any of the contiguous chunks).
Revised 05 December, 2006
Copyright © 2000, 2001 Stephen Cleary (scleary AT jerviswebb DOT com)
Distributed under the Boost Software License, Version 1.0. (See accompanying file LICENSE_1_0.txt or copy at http://www.boost.org/LICENSE_1_0.txt)


Tak Plot Summary ---------------- Henry Hackett (Michael Keaton), editor of a big-city newspaper tabloid, is hot on a big story that could expose a major scandal and free two innocent young men charged with murder--if he can meet his deadline for the morning edition. With his wife (Marisa Tomei) about to give birth, his managing editor (Glenn Close) locking horns with him and a rival newspaper trying to lure him over, Hackett is facing more than one crisis in this everyday adventure: this day is going to change his life forever.
Tak Thoughts ------------ If you think *you* lead a stressful life, maybe seeing THE PAPER will change your mind. The running time of THE PAPER depicts more stress than I've been subjected to in months, and it's all supposed to happen over a period of twenty-four hours. Yeesh.
In this time span, we follow a heap of different plot lines, all intertwined with Hackett's pursuit of a big expose that could free two innocents. He's also interviewing for another job and reassuring his distraught wife. The harried editor is worried about his medical condition and trying to reunite with his estranged daughter. A host of reporters are out on the street doing research, most with their own problems, including hiding from an angry city official. To top it all off, Glenn Close's character actively tries to stymie Hackett's story, while simultaneously schmoozing to re-negotiate her own contract.
There's *so* much going on in this movie, you can't help but be overwhelmed. Especially in the newsroom. In one scene, Hackett is juggling three people on hold and conducting an argument in his office. It's common to have many conversations going on at once (I counted five in one scene), and there's always something happening in the background if you have time to look. (Watch for five clocks)
The characters in THE PAPER were great. Glenn Close's has unintentionally turned into everything she previously hated ("You're a manager now, if everyone liked you, you'd be doing something wrong."). Robert Duvall is the gruff editor in chief ("The trouble with being my age is that everyone looks up to you as a father figure, but you know that you're still the same old asshole.").  Then add more newsroom characters--the kid photographer, the whiny complainer, the conspiracy nut, and varied screwballs.
 There are one-liners, hilarious arguments, amusing situations and funny events throughout.
The trick to enjoying this highly charged, funny and complex movie is staying detached and *watching* all the excitement. If I'm not careful, I get too involved in a movie--if it's even halfway decent, I feel right along with a character. Which is great if I'm watching feel-good stuff. Depending on your personality, watching THE PAPER might get you a) stressed out, b) pumped, c) excited and/or d) amused. Unfortunately for my date, I mostly got stressed out.
Tak Rating: ----------- I liked THE PAPER--it's exciting, funny, stressful and dramatic. I'll gladly accompany my friends to see it again. There's bound to be more to catch the second time. And I'll certainly never see my daily newspaper in quite the same way after THE PAPER.
avoid at all costs see several times (w/friends) as matinee wait for videotape see once at full price watch it on cable X see it several times - full and/or matinee see once as a matinee see many times at full price -- Mark Takacs<EMAIL_ADDRESS>Seattle, WA WWW HomePage
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American Psycho A film review by Marty Mapes Copyright 2000 Marty Mapes
***1/2 (out of 4) Greed, superficiality, and selfishness. These are the traits we associate with the 1980s. Whether or not that's a fair assessment, that's how the ‘80s are portrayed in AMERICAN PSYCHO.
This is not a horror film. It doesn't aim to frighten or gross out its audiences. Instead, AMERICAN PSYCHO is a social satire, a character study, and a dark comedy.
Patrick Bateman (Christian Bale) is the quintessential yuppie. He's rich, good-looking, has great taste. He's also shallow, and proud of it. At one point he even says that there is no inside, that only the outside matters.
Bateman is vain. Take his morning grooming routine: first he uses the cold pack in case his eyes are puffy; then he does his stomach crunches -- he can do a thousand; then he takes a shower, making sure to use the half-dozen different cleansers and moisturizers; and finally, he applies a cleansing facial mask that he puts on and peels off every morning.
Status is also important to him. After work, he hangs out with the other vice presidents, posturing and playing social chess. For example, deciding where to have dinner involves a competitive ritual where the object is to suggest the most expensive and prestigious place you can, while still being able to get reservations.  When this competitive group decides to compare business cards, you can almost smell the testosterone.
Bateman can play social chess, but he's not the best at it, and it leaves him nervous and insecure. He discovers that he can parlay that insecurity into power by taking a human life. After just one murder, he's addicted.
Bale portrays Bateman very well. He captures both the dashing confidence of Bateman's outer self and the nervous insecurity of the inner man. The wheels of Bateman's mind always seem to be turning, whether he's checking himself in the mirror or feeling stress about being found out.
The production design is also very good. Gideon Ponte recreates the look and feel of the 1980s throughout the movie. Food, clothes, furnishings, even early-model cell phones, all have the aura of excess and indulgence about them that is called for in this movie.
What's best about the movie is the density of its satire. Its wry social commentary permeates every aspect of the filmmaking. Its condemnation of the 80s is well thought out and thematically coherent.
The subject matter may seem unpleasant, but it's hard not to be interested in Bateman's character and the world he lives in. -- ___________ Marty Mapes<EMAIL_ADDRESS>Movie Habit http://www.moviehabit.com
"I'm running a sex orgy, for a couple of freaks, on government funds!" -- [the cop], The Thomas Crown Affair(1968)
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Days of Code Class Summer '16
Days of Code proudly presents the class of summer 2016 Rotterdam and our amazing speakers, who enlightened our days with various tech talks. Want to be part of our next event? Please get in touch<EMAIL_ADDRESS>Sponsors
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|
Independent
Women Part I
(Destiny's Child) |
|
Lucy
Liu... with my girl, Drew... Cameron D. and Destiny
Charlie's Angels, Come on Uh uh uh Question: Tell me what you think about me I buy my own diamonds and I buy my own rings Only ring your cell-y when I'm feelin lonely When it's all over please get up and leave Question: Tell me how you feel about this Try to control me boy you get dismissed Pay my own fun, oh and I pay my own bills Always 50/50 in relationships The shoes on my feet I've bought it The clothes I'm wearing I've bought it The rock I'm rockin' 'Cause I depend on me If I wanted the watch you're wearin' I'll buy it The house I live in I've bought it The car I'm driving I've bought it I depend on me (I depend on me) All the women who are independent Throw your hands up at me All the honeys who makin' money Throw your hands up at me All the mommas who profit dollas Throw your hands up at me All the ladies who truly feel me Throw your hands up at me Girl I didn't know you could get down like that Charlie, how your Angels get down like that Girl I didn't know you could get down like that Charlie, how your Angels get down like that Tell me how you feel about this Who would I want if I would wanna live I worked hard and sacrificed to get what I get Ladies, it ain't easy bein' independent Question: How'd you like this knowledge that I brought Braggin' on that cash that he gave you is to front If you're gonna brag make sure it's your money you flaunt Depend on noone else to give you what you want The shoes on my feet I've bought it The clothes I'm wearing I've bought it The rock I'm rockin' 'Cause I depend on me If I wanted the watch you're wearin' I'll buy it The house I live in I've bought it The car I'm driving I've bought it I depend on me (I depend on me) All the women who are independent Throw your hands up at me All the honeys who makin' money Throw your hands up at me All the mommas who profit dollas Throw your hands up at me All the ladies who truly feel me Throw your hands up at me Girl I didn't know you could get down like that Charlie, how your Angels get down like that Girl I didn't know you could get down like that Charlie, how your Angels get down like that Destiny's Child Wassup? You in the house?


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stimulation epilepsy patients seizure nerve Stimulation pediatric RNS VNS neurostimulation Epilepsy treatment reduction cortical Vagus brain seizures use Epilepsia frequency {border-style trial DBS Neurol. Velasco px;} review #ffffff;} Brain reported epilepsy: Neurology Transcranial children transcranial Seizure current data drug-resistant intractable study vagus Safety devices focal implanted onset responsive temporal CSCS Treatment available continuous controlled effects efficacy magnetic patient refractory years (%) Deep Evidence FDA-approved TMS evidence showed subthreshold ./epi. ./j.-...x A.L. Nerve Neurostimulation Neurosurg. chronic electrical electrodes parameters randomized significant studies Behav. M.J. Mechanism Rev. Van adult adverse based deep device direct epilepsy. intracranial nucleus partial px; response similar tDCS trials {font-family ./j.brs... Current Discussion Intractable Introduction Neurosci. Pascual-Leone Stead Stimul. Study VNS, case clinical cortex epilepsy, follow-up font-size generator greater lobe pulse rates safety ANT Chang Chronic Clinical DeGiorgio Direct EEG Electrical Figure Fregni G.L. Gompel Jobst Lundstrom MRI Morrell R.S. Refractory Responsive Review Seizures adults anterior contacts discharges double; eloquent guidelines include left long-term mechanisms probability rate selection therapy time using -month ./j.-..tb.x ./j.seizure... ./j.yebeh... B.N. Clin. Cochrane DBS, E.F. Fisher Focal Heck J.D. K.J. Long-term Patient Res. Syst. Worrell abort bilateral border-color border-width cathodal effective function general, generally groups implantation including individual interictal limited medically memory mesial motor neuromodulatory outcomes permanent recent reducing responder safe safe, sham showing solid; support target targeted thalamic thalamus treated typically used year {font-style {font-weight -year-old ./WNL... ./s--- ASMs Auvichayapat B.C. Boon C.M. CMT Carrillo-Ruiz Curr. D.C. D.J. Gordon Gross Int. J.F. King-Stephens M.A. Med. Patients Physiol. R.E. R.P. Salanova ability active activity ages biomarkers bold cases central courier; deliver described difference effect em; epileptiform events following generalized group human identified included lead likely min modality months mood movement multifocal on/off optimal parameter patients. possible prior pt;} randomized, reduce regions reports require results retrospective right shown site small stimulation", stimulation, systematic therapeutic thought time) underwent zone


EIP 545 Repair
I have recently decided to put my electronic laboratory together in earnest which has necessitated the procurement of a fairly sizable amount of equipment. The primary source of these pieces of gear being ebay. The ultimate goal is to be able to handle nearly all electronics projects including those into the RF bands. Equipment with capabilities into the GHz range being favored.
The EIP in question was sourced as a best offer and after some back and forth with the liquidator was acquired on an AS-IS basis with some erroneous reports of error codes from the seller. The unit had no installed options and only performed as a counter.
The unit did perform fine for its first day in the lab under initial self testing and was setup on the equipment shelving.
)
A couple days later which testing some of the other recent additions the counter failed with a possible whiff of magic smoke. The manuals troubleshooting guide pointed towards part of the acquisition chain. After opening the unit and initially examining the acquisition chain and seeing no obvious fault, I power the unit back up with the cover still off. Almost immediately the offending failed part in the power supply began to smoke again. After extracting the module it was very easy to find the failed capacitor.
Extracting the cap took a small amount of effort due to the tin plated ground plane sinking extraordinary amounts of heat from my iron. Consulting the service manual again I was able to identify the scorched part as a 10 pF tantalum capacitor rated for 25 volts. I replaced it with an on hand 10 pF ceramic rated for 50 volts. The capacitor was part of the +12V rail and was causing a short to ground as it failed. This brought the rail low and caused the acquisition chain to fail. After replacement the unit has resumed normal function.


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--- layout: data_model title: ContainerType this_version: 4.1 ---
The ContainerType encompasses all forms of MAEC data. Currently, this entails a list of Packages.
| Field Name | Type | Description |
|---|---|---|
| @idrequired | QName |
The required id field specifies a unique ID for this Container. |
| @schema_versionrequired | string |
The required schema_version field specifies the version of the MAEC Container Schema that the document has been written in and that should be used for validation. |
| @timestampoptional | dateTime |
The timestamp field specifies the date/time that the Container was generated. |
| Packages1..1 | PackageListType |
The Packages field captures a list of MAEC Packages. |


The leading non-profit behind the NEM blockchain is seeking $7.5 million in emergency funding to stave off bankruptcy.
Zanzarismo31-Jan-19 07:01 AM
LOL who just dumped KMD mega hard on digitalprice.io?
thanks
1
I never actually believed I'd actually get some KMD below 10k sat(edited)
FishyGuts31-Jan-19 07:51 AM
Dang I had no low buys setup.
tolken31-Jan-19 09:25 AM
Re: NEM - “Tinsman said the foundation spent roughly 80 million XEM between December 2017 and January 2019, primarily on marketing.”
Nice.
ComputerGenie 👴👴👴31-Jan-19 10:15 AM
LOL who just dumped KMD mega hard on digitalprice.io?
with
24hr Volume 0.12775428BTC
the answer would be
"No one 'dumped KMD mega hard on digitalprice.io'."
700 KMD is hardly a "mega dump"
hastrup31-Jan-19 10:28 AM
@ComputerGenie 👴👴👴 lol
700 that dump op
hastrup31-Jan-19 11:14 AM
Is there a place where I can see supernet btc holdings?
Yep whalebro is still waiting at 18k. Patiently as ever
and1"ヅblubbi Vote for NN1931-Jan-19 06:27 PM
WTT 10k OOT @ 300 kmd
Cryptoon31-Jan-19 06:49 PM
I can do 165kmd
gtg for now, feel free to dm me or let me know here
Zanzarismo31-Jan-19 08:15 PM
@ComputerGenie 👴👴👴 volume might not fit your standard, but the price....
I figured you'd be able to decipher that, given your genius wisdom
ComputerGenie 👴👴👴31-Jan-19 08:17 PM
perhaps someone needed quick BTC, didn't want to give out info and didn't care about the $2 "loss"...
Zanzarismo31-Jan-19 08:17 PM
I hope it was you
ComputerGenie 👴👴👴31-Jan-19 08:18 PM
LOL
Zanzarismo31-Jan-19 08:18 PM
6500 sat for KMD, can't complain
not that that was MY bid that got filled
but I'm happy for whoever it was
a great deal
ComputerGenie 👴👴👴31-Jan-19 08:19 PM
I'm not selling my KMD under psuedo $2 unless I believe I see a dip coming
Zanzarismo31-Jan-19 08:19 PM
that's not unwise
I just find it wild that price lost 2/3 value in a matter of minutes lol
rebound fairly quick though
ComputerGenie 👴👴👴31-Jan-19 08:24 PM
well that's bound to happen on a market with minimal volume
because of the markets and volume on DP, OUR dropped 98% in price with the trade of one coin
Zanzarismo31-Jan-19 08:24 PM
touché
ComputerGenie 👴👴👴31-Jan-19 08:25 PM
=
Zanzarismo31-Jan-19 08:26 PM
I used to do lab stuff
I've said too much
pardon lol(edited)
you like nootropics @ComputerGenie 👴👴👴 ?
ComputerGenie 👴👴👴31-Jan-19 08:34 PM
never heard of it because I don't do drugs
Zanzarismo31-Jan-19 08:34 PM
do you drink coffee?
 Don't lie to me
drugs aren't inherently bad.... it's all about use/abuse. Intention is key
they are tools for your mind.
ComputerGenie 👴👴👴31-Jan-19 08:35 PM
actually, I'm immune to the effects of caffeine
Zanzarismo31-Jan-19 08:36 PM
then you do more drugs than I do
and1"ヅblubbi Vote for NN1931-Jan-19 08:36 PM
i would call that addicted
1
1
Zanzarismo31-Jan-19 08:36 PM
because I'm hyper sensitive to caffeine lol. I barely drink coffee anymore. Tea is a gentleman's drink
reality is not very often, absolute.
ComputerGenie 👴👴👴31-Jan-19 08:37 PM
around here, only old ladies drink tea
Zanzarismo31-Jan-19 08:37 PM
that's fair
and dandy
around here, I'm one of a kind myself
I don't know very many who fancy tea like I do
I always (when at home) drink out of a silver kettle, not to be fancy, but for health reasons.
Lol, this is random.... But have you seen Troll 2, the movie?
there's a scene in it, where they claim coffee is the devils drink. hilarious
and1"ヅblubbi Vote for NN1931-Jan-19 08:48 PM
i love the coffee bourbon fusion, my favourite style
ComputerGenie 👴👴👴31-Jan-19 08:49 PM
that's wrong on so many levels
Zanzarismo31-Jan-19 08:55 PM
alcohol is too much fun, it gets me in trouble lol
I prefer the fine herbs, when I partake. which is not often anymore
Kahlua and coffee go good together though!
ComputerGenie 👴👴👴31-Jan-19 08:57 PM
liqueur .... bourbon....ffs, do any of you people have taste-buds?
and1"ヅblubbi Vote for NN1931-Jan-19 08:59 PM
sometimes on some speial mornings i also put some scotch into
uu love thoose morning
Zanzarismo31-Jan-19 08:59 PM
in school I could, wiht uncanny accuracy, differentiate the difference between coke and pepsi
ComputerGenie 👴👴👴31-Jan-19 08:59 PM
LOL I guess every morning is special here then but be damned if I'd fuk it up with coffee
Zanzarismo31-Jan-19 09:00 PM
drinking alcohol in the morning....
and you accused me of doing drugs LOL
ComputerGenie 👴👴👴31-Jan-19 09:00 PM
in school I could, wiht uncanny accuracy, differentiate the difference between coke and pepsi
That's like bragging that you can tell the difference between wood and concrete
Zanzarismo31-Jan-19 09:01 PM
yeah, but I don't normally drink that tasty poison
pop is gross tbh
ComputerGenie 👴👴👴31-Jan-19 09:01 PM
drinking alcohol in the morning....
is not the same as sipping scotch; not even in the same sphere
Zanzarismo31-Jan-19 09:02 PM
to each their own man, I'm just spinning the ball around since you accused me
ComputerGenie 👴👴👴31-Jan-19 09:02 PM
"pop"? which part of the south are you from?
Zanzarismo31-Jan-19 09:04 PM
North Western Illinois
and1"ヅblubbi Vote for NN1931-Jan-19 09:05 PM
a scotch coffee is not like drinking alcohol
come on man
ComputerGenie 👴👴👴31-Jan-19 09:05 PM
no, it's like drinking paint remover
1
Cryptoon31-Jan-19 09:10 PM
did OOT/KMD trade with @and1"ヅblubbi Vote for NN19 everything went smooth


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THE DISTINGUISHED GENTLEMAN A film review by Ken Johnson Copyright 1993 Ken Johnson
120 min., R, Comedy, 1992 Director: Jonathan Lynn Cast: Eddie Murphy, Lane Smith, Sheryl Lee Roth, Joe Don Baker, Victoria Rowell, Grant Seud, Kevin McCarthy, Charles S. Dutton, Victor Rivers, Noble Willingham, James Garner, Della Reese, Sarah Carson
Con man Eddie Murphy sees that the way to make money is to become a congressman. When Florida's congressman, James Garner, dies, Murphy runs for his seat under name recognition. When Murphy wins the election, he starts to have a field day in Washington, D.C.
1992 was a great year for fans of Eddie Murphy. In the summer he put out the film BOOMERANG (which is now on video cassette) and then just recently he put out the film THE DISTINGUISHED GENTLEMAN, which is up to his excellent standard. I highly recommend THE DISTINGUISHED GENTLEMAN to all fans of Eddie Murphy. On a scale of zero to five, I give THE DISTINGUISHED GENTLEMAN a five. THE DISTINGUISHED GENTLEMAN is rated R for explicit language, adult situations, and adult humor.
This film has been said by some people to be better than BEVERLY HILLS COP. I don't agree with that. I still feel that BEVERLY HILLS COP is Eddie Murphy's best film. However, Eddie Murphy doesn't let his fans down. This film is written with the trademark Eddie Murphy humor that keeps up from beginning to end.
This is one of those films that it doesn't matter whether you see it in the theater or not. I think that a film always looks better on the big screen, but with the amount that movies are costing these days some people may want to wait for this film to be released on video cassette. However I recommend that big fans of Eddie Murphy see this film in the theater.
Eddie Murphy's supporting cast is excellent; especially Charles S. Dutton ("Roc", ALIEN^3), who plays a minister (and has hair on his head). I think that Charles S. Dutton is an great actor and makes anything that he is in better (he was one of the best things about ALIEN^3). Kevin McCarthy also added a lot to the film.
-------- Ken Johnson<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


distributed version control
Linus Torvalds in 2005
What is version control?
repository
A directory under version control.
git init
Create a new git repository
git status
Show if there are any changed or new (untracked) files.
.gitignore
Tell git to ignore some files (build products, temporary files, huge binaries, etc.)
git add
Add file to the Index (staging area)
git commit
A commit is a version of the whole project.
git diff
Show differences.

What if we want to go back to a previous commit?
git merge
Merge changes from a given branch to the current one.
How can we implement a central storage?
git clone
Make a (local) copy of a repository
git pull
Download changes from remote repository
git push
Upload changes to remote repository


If you have any relevant skills or qualifications, please let us know Do not worry if you do not hold any of these skills or qualifications, this is not a requirement


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--- layout: default date: 10/12/2019 ---
Covers races from 31st October — 19th December.
Last updated: {{ page.date | date: "%A, %B %e" }}
{% include standings.html riders=site.data.2019.series_6.timetrial teams=site.data.2019.series_6.timetrialteam %} {% include datetime.html %}


Monday, Nov 30, 2015
Hardening Framework releases updated Ansbile os-hardening and ssh-hardening
Continuously, the Hardening Framework improves its framework to cover up-to-date server hardening. Sebastian Gumprich and Anton Lugovoi did an amazing job to improve the Ansible implementation for os-hardening and ssh-hardening. Core focus of the last release was to improve and ease the installation via Ansible Galaxy.
For os-hardening:
- Fix a bug in the passwdqc template (#51)
- Change directory layout so the role is easily installable from ansible-galaxy (#49)
- Improved travis-tests to cover more cases (#42)
- Fix passwdqc default options (#44)
- Remove duplicate “update pam” task (#46)
- Fix stuck in case pam files was updated before by force update (#45)
- Fix nologin shell path (#44)
For ssh-hardening:
- adds more tests (#42)
- support for sftp-enabling (#41
- and a new directory layout, making the role easily installable from ansible-galaxy (#44).
The Hardening Framework is also available for Chef and Puppet. Be sure to follow us on Twitter for the latest updates.


The SCSS syntax uses the file extension .scss. With a few small exceptions, it’s a superset of CSS, which means essentially all valid CSS is valid SCSS as well. Because of its similarity to CSS, it’s the easiest syntax to get used to and the most popular.
The SCSS syntax uses the file extension .scss. With a few small exceptions, it’s a superset of CSS, which means essentially all valid CSS is valid SCSS as well. Because of its similarity to CSS, it’s the easiest syntax to get used to and the most popular.
The SCSS syntax uses the file extension .scss. With a few small exceptions, it’s a superset of CSS, which means essentially all valid CSS is valid SCSS as well. Because of its similarity to CSS, it’s the easiest syntax to get used to and the most popular.
The indented syntax was Sass’s original syntax, and so it uses the file extension .sass. Because of this extension, it’s sometimes just called “Sass”. The indented syntax supports all the same features as SCSS, but it uses indentation instead of curly braces and semicolons to describe the format of the document.
In general, any time you’d write curly braces in CSS or SCSS, you can just indent one level deeper in the indented syntax. And any time a line ends, that counts as a semicolon. There are also a few additional differences in the indented syntax that are noted throughout the reference.
A variable declaration looks a lot like a property declaration: it’s written
- If the sequence of bytes begins with the UTF-8 or UTF-16 encoding of U+FEFF BYTE ORDER MARK, the corresponding encoding is used.
- If the sequence of bytes begins with the plain ASCII string @charset, Sass determines the encoding using step 2 of the CSS algorithm for determining the fallback encoding.
- Otherwise, UTF-8 is used.
- If the sequence of bytes begins with the plain ASCII string @charset, Sass determines the encoding using step 2 of the CSS algorithm for determining the fallback encoding.
- Otherwise, UTF-8 is used.
When Sass encounters invalid syntax in a stylesheet, parsing will fail and an error will be presented to the user with information about the location of the invalid syntax and the reason it was invalid.
Note that this is different than CSS, which specifies how to recover from most errors rather than failing immediately. This is one of the few cases where SCSS isn’t strictly a superset of CSS. However, it’s much more useful to Sass users to see errors immediately, rather than having them passed through to the CSS output.
The location of parse errors can be accessed through implementation-specific APIs. For example, in Dart Sass you can access SassException.span, and in Node Sass’s and Dart Sass’s JS API you can access the file, line, and column properties.
Normally when you assign a value to a variable, if that variable already had a value, its old value is overwritten. But if you’re writing a Sass library, you might want to allow your users to customize your library’s variables before you use them to generate CSS.
To make this possible, Sass provides the !default flag. This assigns a value to a variable only if that variable isn’t defined or its value is null. Otherwise, the existing value will be used. This way, users can set variables before they import your library to customize its behavior.
Normally when you assign a value to a variable, if that variable already had a value, its old value is overwritten. But if you’re writing a Sass library, you might want to allow your users to customize your library’s variables before you use them to generate CSS.
To make this possible, Sass provides the !default flag. This assigns a value to a variable only if that variable isn’t defined or its value is null. Otherwise, the existing value will be used. This way, users can set variables before they import your library to customize its behavior.
Variables declared at the top level of a stylesheet are global. This means that they can be accessed anywhere after they’ve been declared—even in another stylesheet! But that’s not true for all variables. Those declared in blocks (curly braces in SCSS or indented code in Sass) are usually local, and can only be accessed within the block they were declared.
Local variables can even be declared with the same name as a global variable. If this happens, there are actually two different variables with the same name: one local and one global. This helps ensure that an author writing a local variable doesn’t accidentally change the value of a global variable they aren’t even aware of.


This web is part of diploma thesis made by David Salač, Faculty of Mechatronics, Informatics and Interdisciplinary Studies, Technical University of Liberec


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ANGELS & INSECTS A film review by Bryant Frazer Copyright 1996 Bryant Frazer
ANGELS & INSECTS Directed by Philip Haas Screenplay by Philip Haas and Belinda Haas, from a novella by A.S. Byatt Edited by Belinda Haas Costume Design by Paul Brown Starring Mark Rylance, Patsy Kensit, Douglas Henshall, and Kristin Scott Thomas U.K./USA 1995
Near the beginning of ANGELS & INSECTS, our romantic protagonist courts the object of his very sexual affections in odd fashion. That scene, which involves a veritable swarm of butterflies and moths crawling across the woman's clothing and skin, is a good indicator of the film's ambitions. Putting a Victorian estate under the microscope, ANGELS & INSECTS postulates that this family unit, with sons, daughters and servants all tending slavishly to the needs of a bloated matriarch, is something less sophisticated and more distasteful than your average backyard ant farm.
William Adamson (Mark Rylance) is an outsider among the blueblooded Alabasters, the family whose patriarch, Sir Harald (Jeremy Kemp), rescued the young naturalist from a disastrous shipwreck. He is allowed to live with the Alabasters as Harald's assistant, and swiftly falls under the spell of the oldest daughter, Eugenia (Patsy Kensit). This courtship among the insects is the film's most direct metaphor, and its most satisfying conceit. As William confesses his love to Eugenia, he looses upon her what first seem to be the world's loveliest butterflies. But soon, Eugenia is beset by the unsightly male counterparts to the beautiful females, which crawl across her body, drawn by female pheromones.
The trauma of that experience isn't enough to derail the romance, which unfolds to the chagrin of Eugenia's brother, Edgar (Douglas Henshall), who considers William an unfit suitor. Edgar's sneering insults grow more and more provocative, but William resists his verbal exhortations to physical battle and marries Eugenia. His assimilation into the family is thus made literal, and Harald seems rather fond of the young man -- but Edgar won't let up, spouting continually about how little William knows of the world, and the significance of his improper breeding.
This socio-scientific Darwinism is as much a key to ANGELS & INSECTS as are the butterfly and ant-farm metaphors (when Eugenia proves herself to be less than an ideal lover, William bides his time with a detailed study of an ant colony on the estate). For the first hour or so, I was sitting on the edge of my seat, gamely tracking all of the asides, double entendres, and allegorical declamations. Philip Haas's screenplay tries to cram all the thematic concerns of its source material (the novella MORPHO EUGENIA, by retroVictorian scribe A.S. Byatt) into the two-hour space of a feature film, but it's a little much.
Those concerns spill over from the story and dialogue into the film's visual grammar, as well. While the overall production design is sumptuous and striking, the movie's infatuation with its own color sceme grows tiring. For instance, when Kensit turns up in one of her show-stopping gowns, an unlikely peacock blue fringed in blood red, the effect is an imperfect distillation of the Peter Greenaway Effect-decidely garish in appearance, but relatively graceless in execution. More effective for my money is the less specific sense of dread that infuses the proceedings, especially in the scenes leading up to the marriage of the unlikely lovers.
So maybe it's because the film wore me out in its first section that I found the second half fairly tedious. It's mostly a waiting game. We know that Kristin Scott Thomas (she plays Matty Crampton, the family tutor) gets billing above Kensit, so her role will soon become prominent. The ad campaign has assured us that there's a "startling" revelation in the final reels, but the punch is telegraphed across most of the movie. And, of course, we know that something's got to give -- and it does.
That having been said, the movie does have its tremendous pleasures. The performances are decidedly less mannered than we've come to expect from costume drama, and Rylance and Henshall make deliciously credible intellectual adversaries. I'll even go out on a limb for Kensit, whose vaguely unsettling concupiscent charms have never before been put to such perfect use. The cinematography is lush and surprising, and the atmosphere is boldly creepy.
The opening credits sequence, which flash back to Adamson and a troupe of Amazonian dancers frolicking in the firelight, is more honestly sexual than anything that follows, and we get the sense that he was never happier than he was among the natives (as if to underscore the point, the titular letters spelling out "Angels" cross the screen in front of the dancers). This sequence, beautifully edited by the director's wife, Belinda Haas, helps us understand the libidinous freedom that Adamson craves, even as he takes a luscious wife in an ostensible paradise. While the inhabitants of a less seething Victorian tableaux might negotiate apparently charmed paths to a satisfying but unlikely happy ending, we are made to grow more and more certain that the only resolution to the Victorian dilemma postulated by ANGELS & INSECTS is escape.
-- DEEP FOCUS (Movie Reviews) http://www.panix.com/~bfrazer/flicker/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


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Engineering in Medicine and Biology Society
Current Projects
Exoskeletal Elbow Joint
This is the first in a series of projects to develop wearable joints for those undergoing muscular dystrophy. This project is especially challenging since the user's intended motion must be accurately inferred from muscle potentials, and the intent must be translated into a strong yet smooth joint actuation. Several of the key principles of operation have been successfully demonstrated; however, we are looking for dedicated, insightful members to improve the reliability and scope of this project. This project is a an inter-Purdue IEEE society collaboration.
Mental Health Awareness Flower
This is a mechatronic flower that will bloom and wilt to represent the user's mental health. This IOT project serves to introduce incoming members to the principles of engineering design.
Past Projects
Echolocation Device
We created a headset that can be used by the blind to perceive the distance to objects around them. This headset works by low-pass filtering distance reeadings from two ultrasonic sensors and converting these distances to short acoustic tones.
Electroencephalogram (EEG)
An EEG can be used to interpret the brain's neural activity at a low resolution for both clinical diagnostics and to develop assistive devices.
Dog Shelter
We partnered with Circle-K on volunteering in the local community, building biomedical instruments and devices to aid veterinarians and dogs alike.


My Workspace
I was asked by someone about my workspace. So, this is kind of an opinion piece. My way is certainly not the One True Way to set up a coding environment, and shouldn’t be taken as such. Hell, even for -me- it’s not a One True Way. It’s possibly not even a -Better- way. It’s just a way that lets me get things done without wanting to punch the machine. So, first, platform. If I’m on a Linux box, my work gets done at the command line, all the time every time. I still prefer to have a GUI with a desktop and graphical applications so I can Google for something real fast or distract myself for a few hours with that neat marble game, but actual coding work will be done at the terminal. I’m fond of Ubuntu’s tabbed-capable terminal. I’ll almost always make that sucker super big, make a tab, get one tab to where I want to be in the file system and the other one will be used to run my current editor of choice. For most languages, I’ll use vim. If I’m coding in Common Lisp, I’ll use emacs, simply because the emacs/SLIME combination is, for my purposes, extremely hard to beat.
On Mac, I use a hybrid approach. I’ll have the terminal open to where I suspect I’m going to be doing a lot of compiling and running of code. For actual editing, well, this really depends on my mood. If I just need to make a small, fast edit, I’ll use vim from the command line. If I’m working with Common Lisp at all, again, emacs (this time in Evil mode) is the tool of choice. If I’m doing major work, Sublime Text has been amazing. I don’t even fully utilize all of the stuff it can do. I just really like its slick appearance and some of its capabilities, like highlighting a whole bunch of the same keyword all at once and then changing them all at once, regexp search, and a few other things it does well.
On Windows, it’s pretty much all Visual Studio all the time. I know a little bit of how to get around in PowerShell, but I don’t use it much. It’s worth noting that the only language I get a lot of use out of on a Windows machine is C#. Sometimes I’ll go through the effort of setting up a Lisp, upon which it’s back to emacs (again), but usually this doesn’t happen.
You may have noticed that unless I’m on Windows, I’m not using a dedicated IDE. Yes, I know vim and emacs both can be made to be very much their own IDE, but I haven’t done that yet. It’s not from a lack of trying. I certainly find myself in Visual Studio often enough, and I tried Eclipse for a few months, as well as XCode. The problem with all these tools is that I don’t really want to learn a new tool. I get frustrated by starting a new project in an IDE. Also, Eclipse was really, really slow on my Mac for reasons I didn’t investigate.
Also, part of me absolutely loves only relying on tools which are almost universally accessible. Sit me down in front of any given Mac or Linux box, and I can code, without feeling frustrated about my favorite tool not being available. That’s -neat-.
It’s worth noting that almost all of my work to date involves either command line apps, or a handful of OpenGL programs using SDL. If I was to do more work which required frameworks, or which had to talk to a specific platform’s GUI API, I would probably pretty quickly adapt to using an IDE. In particular, I’ve played with QT Creator in the past, and I really liked that.
What are the benefits to my workflow, if any? Well, it works for me, and I can work pretty fast this way. Which should really be the goal of any work environment. If it lets you do the work you need to do, it’s a good work environment.


CordaErrorContextProvider()
Provides information specific to Corda to the error reporting library.
The primary use of this is to provide the URL to the docs site where the error information is hosted.


This 3rd edition of our best-selling book intergrates all of the HTML5 and CSS3 skills that you need today with the proven instructional approach that made the first two editions of this book so pupular.
Book - murach's HTML5 and CSS3 3rd Edition
Evaluation:
The minimum passing grade for this course is 55(D)


Ice Age Trail 50 mile
Whitewater WI/USA
Website: www.iceagetrail50.com/site/
Race Winners
(34 runnings)
12 May 2007
13 May 2006
14 May 2005
2004
10 May 2003
11 May 2002
12 May 2001
13 May 2000
08 May
1999
1998
11 May
1997
1996
1995
1994
1993
1992
1991
1990
1989
1988
1987
1986
1985
1984
1983
1982
Notes: 1982 was the inaugural year.
09 May
2015
6:17:22
Zach Bitter-2
7:50:19
JoAnna Masloski (CO/USA)
10 May
2014
5:41:07
Maxwell King (OR/USA)
6:41:39
Kaci Lickteig (NE/USA)
11 May
2013
5:56:46
David Riddle (OH/USA)
6:46:38
Cassandra Scallon (OR/USA)
12 May
2012
6:05:45
Zach Bitter (WI/USA)
7:12:37
Denise Bourassa (USA)
14 May
2011
6:27:18
Shaun Pope (USA)
7:30:14
Sandi Nypaver (CO/USA)
08 May
2010
6:20:38
Todd Braje (CA/USA)
7:17:07
Meghan Arbogast (OR/USA)
09 May
2009
6:23:53
Zach Gingerich (USA)
7:33:42
Christine Crawford-3
10 May
2008
7:21:35
Joel Lammers (USA)
7:43:43
Christine Crawford-2
6:31:17
Mark Sundblad (NC/USA)
7:32:43
Christine Crawford (WI/USA)
6:55:40
Andy Holak (MN/USA)
7:58:10
Kimberly Holak (MN/USA)
6:35:25
Stephen Szydlik-6
7:49:52
Ann Heaslett-3
6:44:28
Stuart Kolb (USA)
7;30:46
Ann Heaslett-2
6:29:18
Stephen Szydlik-5
7:35:04
Ann Heaslett (WI/USA)
6:14:55
Stephen Szydlik-4
7:50:36
Carolyn Smith USA)
6:20:04
Stephen Szydlik-3
7:26:26
Pamela Reed (AZ/USA)
5:54:11
Dan Held (WI/USA)
7:11:43
Luanne Park (CA/USA)
5:59:47
Eric Clifton (MD/USA)
7:29:55
Amanda McIntosh (USA)
6:16:17
Stephen Szydlik-2
7:30:27
Donna Perkins (WI/USA)
6:13:57
Stephen Szydlik (WI/USA)
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Most Wins
(1982/date)
Men
6
Stephen Szydlik (WI/USA)
1997-98,2001-03,2005
Women
3
Ann Heaslett (WI/USA)
2003-05
Christine Crawford (WI/USA)
2007-09
Prize Money
(ADR qualified runners)
No prize money information has been received for this race.
Race Time Bias
(sec/km)
Insufficient data to calculate the race time bias.
Competitive Level (1990-date)
Insufficient data to calculate the competitive level.
Ice Age Trail 50 km
Race Winners
(17 runnings)
12 May 2007
13 May 2006
14 May 2005
2004
10 May 2003
11 May 2002
12 May 2001
13 May 2000
08 May
1999
Notes: 1999 is believed to have been the inaugural year.
09 May
2015
3:43:04
Jonathon Noll (USA)
4:42:59
Ruth Lunz (WI/USA)
10 May
2014
3:40:51
Scott Gall-3
4:23:16
Anna Bergman
11 May
2013
3:56:59
Scot VanAsten (USA)
4:04:29
Meghan Arbogast (OR/USA)
12 May
2012
3:45:27
Scott Gall-2
5:05:38
Molly Grube (USA)
14 May
2011
3:18:02
Scott Gall (USA)
4:40:20
Annie Weiss (USA)
08 May
2010
3:51:32
Chris Rubesch (USA)
4:39:24
Ann Heaslett (WI/USA)
09 May
2009
3:52:27
Matt Zak (USA)
5:08:04
Anne Ruffcorn (USA)
10 May
2008
4:05:55
Patrick Berger (USA)
4:29:52
Amanda Ziegler (USA)
4:12:58
Bruce Udel (WI/USA)
4:49:24
Janelle Lawler (MN/USA)
3:29:53
Eric Grossman-2
4:48:45
Cassandra Scallon (WI/USA)
3:43:12
Eric Grossman (KY/USA)
4:12:25
Annette Bednosky (USA)
3:14:05
Scott Creel (MT/USA)
3:53:16
Nikki Kimball (MT/USA)
3:32:06
Zach Miller (MT/USA)
5:00:34
Kerry Sweet (SA)
3:21:10
Charles Hubbard-2
4:20:34
Jean Herbert-2
3:44:41
Charles Hubbard (MN/USA)
4:29:00
Jean Herbert (USA)
3:58:18
Anthony Stalion (USA)
4:44:19
Carola Tolle (USA)
4:12:06
Glen Lerlie (USA)
4:38:06
Paulette Dow (MN/USA)
Most Wins
(1999/date)
Men
3
Scott Gall (USA)
2011-12,2014
Women
2
Jean Herbert (USA)
2001-02
Prize Money
(ADR qualified runners)
No prize money information has been received for this race.
Race Time Bias
(sec/km)
Insufficient data to calculate the race time bias.
Competitive Level (1990-date)
Insufficient data to calculate the competitive level.
Last Updated on 20 Jan 2016
Contributors: Klaas Loonstra (29), Juraj Gasparovic (5)


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Andercxt. “Andercxt/Tensorflow-Char-Rnn.” GitHub, 20 July 2017, github.com/Andercxt/tensorflow-char-rnn.
Cummings, E.E. “[O Sweet Spontaneous].” Poetry Foundation, Poetry Foundation, www.poetryfoundation.org/poems/148505/o-sweet-spontaneous-5bf31932ce110.
Cummings, E.E. “She Being Brand New.” MsEffie's LifeSavers, mseffie.com/assignments/poem-a-day/cummings.html.
Cummings, E.E. “Mr Youse Needn't Be so Spry.” Inspirational, Afterhours Inspirational, www.inspirationalstories.com/poems/mr-youse-neednt-be-so-spry-e-e-cummings-poems/.
Cummings, E.E. Complete Poems 1904-1962. Liverlight Publishing Corporation, The Eye, the-eye.eu/public/Books/Poetry/E.E. Cummings - Complete Poems, 1904-1962.pdf.
Cummings, E.E. E.E. Cummings: Selected Poetry. American Studies at the University of Virginia, xroads.virginia.edu/~ma05/dulis/poetry/Cummings/cummings2.html.
Cummings, E.E. “A Foreword to Krazy.” JSTOR, www.jstor.org/stable/pdf/27507624.pdf?refreqid=excelsior:47491e381920115b6b1559b57856375b.
Cummings, E.E. “Jehovah Buried, Satan Dead.” The Whole Garden Will Bow, 18 Jan. 2008, thewholegardenwillbow.wordpress.com/2008/01/18/jehovah-buried-satan-dead/.
Cummings, E.E. “E. E. Cummings Poetry.” E. E. Cummings Poetry, Tumblr, 23 June 2017, eecummingspoetry.tumblr.com/.
Domingos, et al. “Machine Learning.” EECS 349: Introduction to Machine Learning. EECS 349: Introduction to Machine Learning, Apr. 2018.
Downey, Doug. “Homework 3: Neural Network.” http://www.cs.northwestern.edu/~ddowney/courses/349_Spring2018/pset3.pdf
Eliot, T.S. “The Waste Land.” Poetry Foundation, Poetry Foundation, www.poetryfoundation.org/poems/47311/the-waste-land.
Fauset, Jessie Redmon. Plum Bun. archive.org/stream/plumbunnovelwith00fausrich/plumbunnovelwith00fausrich_djvu.txt.
Fitzgerald, F. Scott. The Great Gatsby. gutenberg.net.au/ebooks02/0200041.txt.
Fitzgerald, F. Scott. “Echoes of the Jazz Age.” Universidad De La Laguna. https://pdcrodas.webs.ull.es/anglo/ScottFitzgeraldEchoesOfTheJazzAge.pdf
Hemingway, Ernest. In Our Time. 1925, xroads.virginia.edu/~HYPER/HEMXXINGXxWAY/contentsX.html.
Hemingway, Ernest. The Sun Also Rises. Gutenbrg Canada, 4 July 2015, gutenberg.ca/ebooks/hemingwaye-sunalsorises/hemingwaye-sunalsorises-00-h.html.
Karpathy, Andrej. “The Unreasonable Effectiveness of Recurrent Neural Networks.” Andrej Karpathy Blog, 21 May 2015, karpathy.github.io/2015/05/21/rnn-effectiveness/.
Liang, Chen, and Doug Downey. “Recurrent Neural Networks and TensorFlow.” EECS 349: Introduction to Machine Learning. EECS 349: Introduction to Machine Learning, Apr. 2018, www.cs.northwestern.edu/~ddowney/courses/349_Spring2018/lectures/rnns.pdf.
Marquis, Don. “Mehitabel and Her Kittens.” Don Marquis, 26 Oct. 2011, donmarquis.com/home/2011/10/26/mehitabel-and-her-kittens/.
Seldes, Gilbert. “The ‘Vulgar’ Comic Strip.” American Studies at the University of Virginia. http://xroads.virginia.edu/~HYPER/SELDES/comics.html
Seldes, Gilbert. “The Krazy Kat That Walks By Himself.” American Studies at the University of Virginia. http://xroads.virginia.edu/~HYPER/SELDES/ch15.html
Ujjwalkarn. “A Quick Introduction to Neural Networks.” The Data Science Blog, 9 Aug. 2016, ujjwalkarn.me/2016/08/09/quick-intro-neural-networks/.


:API: public
return _convert(s, (list, tuple))
def target_option(s):
Same type as "str", but indicates a single target spec.
:API: public
return ListValueComponent.create(s)
def target_option(s):
Same type as "str", but indicates a single target spec.


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Memory Configuration The signals /CharEn, /HiRam and /LoRam are used to select the memory configuration. They can be set using the processor port $01. The following logic applies (if expression on the right side is true, area mentioned on the left side will be activated. Otherwise, there is RAM): Kernal ROM = (/HiRam) Basic ROM = (/LoRam AND /HiRam) That means, you cannot switch in Basic when the Kernal is off. Please note also, that an EPROM starting at $8000 will be disabled when you switch off the Basic ROM. Char. ROM = ((NOT (/CharEn)) AND (/LoRam OR /HiRam)) I/O-Area = (/CharEn AND (/LoRam OR /HiRam)) These two areas can just be activated, if at least one other signal is high. Then /CharEn selects either Char. ROM or I/O-Area. As a result, we get the following possibilities for the corresponding bits of $01: Bit+-------------+-----------+------------+ 210| $8000-$BFFF |$D000-$DFFF|$E000-$FFFF | +---+---+-------------+-----------+------------+ | 7 |111| Cart.+Basic | I/O | Kernal ROM | +---+---+-------------+-----------+------------+ | 6 |110| RAM | I/O | Kernal ROM | +---+---+-------------+-----------+------------+ | 5 |101| RAM | I/O | RAM | +---+---+-------------+-----------+------------+ | 4 |100| RAM | RAM | RAM | +---+---+-------------+-----------+------------+ | 3 |011| Cart.+Basic | Char. ROM | Kernal ROM | +---+---+-------------+-----------+------------+ | 2 |010| RAM | Char. ROM | Kernal ROM | +---+---+-------------+-----------+------------+ | 1 |001| RAM | Char. ROM | RAM | +---+---+-------------+-----------+------------+ | 0 |000| RAM | RAM | RAM | +---+---+-------------+-----------+------------+ ||| /CharEn|/LoRam | /HiRam


001 /* 002 * Licensed to the Apache Software Foundation (ASF) under one or more 003 * contributor license agreements. See the NOTICE file distributed with 004 * this work for additional information regarding copyright ownership. 005 * The ASF licenses this file to You under the Apache License, Version 2.0 006 * (the "License"); you may not use this file except in compliance with 007 * the License. You may obtain a copy of the License at 008 * 009 * http://www.apache.org/licenses/LICENSE-2.0 010 * 011 * Unless required by applicable law or agreed to in writing, software 012 * distributed under the License is distributed on an "AS IS" BASIS, 013 * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. 014 * See the License for the specific language governing permissions and 015 * limitations under the License. 016 */ 017 package org.apache.commons.math.genetics; 018 019 import java.util.ArrayList; 020 import java.util.List; 021 022 /** 023 * Tournament selection scheme. Each of the two selected chromosomes is selected 024 * based on n-ary tournament -- this is done by drawing {@link #arity} random 025 * chromosomes without replacement from the population, and then selecting the 026 * fittest chromosome among them. 027 * 028 * @since 2.0 029 * @version $Revision: 811685 $ $Date: 2009-09-05 19:36:48 +0200 (sam. 05 sept. 2009) $ 030 */ 031 public class TournamentSelection implements SelectionPolicy { 032 033 /** number of chromosomes included in the tournament selections */ 034 private int arity; 035 036 /** 037 * Creates a new TournamentSelection instance. 038 * 039 * @param arity 040 * how many chromosomes will be drawn to the tournament 041 */ 042 public TournamentSelection(int arity) { 043 this.arity = arity; 044 } 045 046 /** 047 * Select two chromosomes from the population. Each of the two selected 048 * chromosomes is selected based on n-ary tournament -- this is done by 049 * drawing {@link #arity} random chromosomes without replacement from the 050 * population, and then selecting the fittest chromosome among them. 051 * 052 * @param population 053 * the population from which the chromosomes are choosen. 054 * @return the selected chromosomes. 055 */ 056 public ChromosomePair select(Population population) { 057 return new ChromosomePair( 058 tournament((ListPopulation) population), 059 tournament((ListPopulation)population) 060 ); 061 } 062 063 /** 064 * Helper for {@link #select(Population)}. Draw {@link #arity} random 065 * chromosomes without replacement from the population, and then select the 066 * fittest chromosome among them. 067 * 068 * @param population 069 * the population from which the chromosomes are choosen. 070 * @return the selected chromosome. 071 */ 072 private Chromosome tournament(ListPopulation population) { 073 if (population.getPopulationSize() < this.arity) 074 throw new IllegalArgumentException("Tournament arity cannot be bigger than population size."); 075 // auxiliary population 076 ListPopulation tournamentPopulation = new ListPopulation(this.arity) { 077 public Population nextGeneration() { 078 // not useful here 079 return null; 080 } 081 }; 082 083 // create a copy of the chromosome list 084 List<Chromosome> chromosomes = new ArrayList<Chromosome> (population.getChromosomes()); 085 for (int i=0; i<this.arity; i++) { 086 // select a random individual and add it to the tournament 087 int rind = GeneticAlgorithm.getRandomGenerator().nextInt(chromosomes.size()); 088 tournamentPopulation.addChromosome(chromosomes.get(rind)); 089 // do not select it again 090 chromosomes.remove(rind); 091 } 092 // the winner takes it all 093 return tournamentPopulation.getFittestChromosome(); 094 } 095 096 /** 097 * Gets the arity (number of chromosomes drawn to the tournament). 098 * 099 * @return arity of the tournament 100 */ 101 public int getArity() { 102 return arity; 103 } 104 105 /** 106 * Sets the arity (number of chromosomes drawn to the tournament). 107 * 108 * @param arity arity of the tournament 109 */ 110 public void setArity(int arity) { 111 this.arity = arity; 112 } 113 114 }