./komodod -ac_name=ZAWY24 -ac_adaptivepow=1 -ac_supply=1000000 -ac_reward=10000000000 -ac_cc=2 -addnode=<IP_ADDRESS> &
A channel to discuss mining. For useful links and more info click the pinned messages to the right.
100 messages
Before 05-Dec-19 12:00 AM
FishyGuts11-Sep-18 05:32 PM
I do not trust myself to set up a pool properly.
coinr11-Sep-18 05:33 PM
Either do i.
That I can mostly get behind. One of my main issues with pools is that people are lazy and just flock to whatever pool "everyone else" is on and it creates a dominance factor that isn't good for crypto (albeit that it's mostly a moot issue in KMD mining)
FishyGuts11-Sep-18 05:35 PM
Would it make you feel better if the "pool" operator was a KMD supporter and Notary Node Owner?
If I were to google search a noob friendly znomp setup for myself, what terms would I use?
Exactly those?
Thanks again for the input. I am not adverse to giving this a go. I do have a few VPS to use for this purpose ( I assume this is advised ).(edited)
ComputerGenie 👴👴👴11-Sep-18 05:36 PM
The other main issue I have is that for every 100 people in a pool, there's 99 less nodes in the network
FishyGuts11-Sep-18 05:36 PM
Fair enough. I am game for this. Always trying to learn.
ComputerGenie 👴👴👴11-Sep-18 05:40 PM
If you're looking for a pool that's run by a notary, xrobesx has one (he's also got a z-nomp github repo for running your own komodo pool)
Decker made a tutorial for running a solo-pool on Ubuntu that's pretty decent
I'm not sure how much of either is still currently effected by z-nomp's overwinter updates, though
Cryptoon11-Sep-18 06:30 PM
@! |🆉🆉🆉🆉🆉.🆉🆉| ! - crackers also notary and own pool I think?
1
BlackJesus11-Sep-18 09:19 PM
Got 4 of my 8 minis IP tommorow electrician is coming to install my plug so I can run all 8
Think I'm going to buy 2 a9 zmasters to add to my minis
@FishyGuts you got fucked bro I had a 870 tarrif on 5 of mine I called ups and had them manually change it then when I picked them up from ups. I had 0 tarrif to pay ;)
Change the tarrif code*
FishyGuts11-Sep-18 09:22 PM
I learned that after the fact. I am waiting for one more rig and will get the opportunity to test that out.
ComputerGenie 👴👴👴11-Sep-18 10:12 PM
paid $64 USD to Customs for his batch of 19 minis and is glad he owns a business(edited)
dukeleto11-Sep-18 10:36 PM
what is a good temperature to keep the z9 mini at?
i am trying to decide how much to overclock. the UI was disabled but I used "copy as curl" in chrome and edited the form data, works fine
polycryptoblog12-Sep-18 01:43 AM
@BlackJesus explain the process for this, looking at a huge tariff soon
@dukeleto 60's , heard some problems with this new batch running at 70s
blackjok3r12-Sep-18 01:49 AM
People looking for an easy to setup pool, I have a pool called Knomp and a script that does all the configurations for KMD and AC automatically via a one line command. Its not super easy to do, and could use some polish, but its not bad.
$tefano.12-Sep-18 08:25 AM
Great! New goal for our komodo pool, thank you
130.000 KMD paid and 1 Mh/s
LUCK +63.28%
(edited)
We will continue to work to keep the service up, new stratum for Latin America and Africa soon
BlackJesus12-Sep-18 02:59 PM
@$tefano. this afternoon ill be adding another 120k sols to your pool. I was too lazy to setu my znomp :(. plus I'm in the process of moving cities and setting up my miners remotely in TN wilst I live in Wisconsin.
@polycryptoblog just call the international ups hot line and tell hem they have the wrong tarriff code and get them to manually change it to 8470.50.0150 as the tariff code which will remove the fees.
dukeleto12-Sep-18 03:02 PM
has anybody ever gotten a high-pitched horrible beeping sound when trying to overclock a z9 mini? I couldn't tell if it was the fan or some error noise
BlackJesus12-Sep-18 03:02 PM
You will have to send them an email stating that you had them manually change the tariff code.
@dukeleto none but I had single boards go down on startup with a 700 clock speed had to bring them back to 650.(edited)
dukeleto12-Sep-18 03:04 PM
there is a way to get rid of tariffs?!?!
FishyGuts12-Sep-18 03:27 PM
This should be pinned :
BlackJesusToday at 8:02 AM
@polycryptoblog just call the international ups hot line and tell hem they have the wrong tarriff code and get them to manually change it to 8470.50.0150 as the tariff code which will remove the fees.
dukeleto12-Sep-18 03:27 PM
can that be done after the fact? I bet it takes them a while to cash that check
dukeleto12-Sep-18 04:35 PM
my z9m makes a crazy horrible high pitched noise when overclocking above 625, tho it still seems to hash. 625 seems to make it happy
BlackJesus12-Sep-18 05:33 PM
they have to send it through customs again
but it will pass
its those damn trump tariffs why this happened
btw all 8 of my miners are up and running had to pay a grand to get my l6-30 installed by a licensed electrician zzz
could have done it myself but I"m not licensed in th state of tennessee
homeowners insurance problems that my parents dont want.
polycryptoblog12-Sep-18 05:37 PM
How long does it take to go through customs again, do you know what happens if they don't accept it
BlackJesus12-Sep-18 05:53 PM
like a day max
didnt take long at all for mine
If they dont reclassify it.  In fact, it started long before he was even born.
RuLzU13-Sep-18 12:26 AM
Sup everyone
FishyGuts13-Sep-18 12:40 AM
Bueno
BlackJesus13-Sep-18 12:44 AM
@ComputerGenie 👴👴👴 everything that comes through america goes through customs and he has alot to do with the tariffs we are experiencing. Don't be daft...
ComputerGenie 👴👴👴13-Sep-18 02:02 AM
@BlackJesus I'm not sure why you're pissy over a duty fee of 0.31%, but whatever...(edited)
BlackJesus13-Sep-18 02:52 AM
It was 27.5%
On the dollar @ComputerGenie 👴👴👴
My 4k order had a 1k dollar tarrif on it
Cryptoon13-Sep-18 05:33 AM
Thats rough
$tefano.13-Sep-18 07:25 AM
@BlackJesus thank's . in the afternoon il will add other 100 K of my new z9
ups arriving .. I really love UPS carriers delivering from China
16k is the max z mini overclock at 700 ?
userpike13-Sep-18 11:18 AM
@$tefano. do you have the full size Z9s already or just minis?
ComputerGenie 👴👴👴13-Sep-18 11:43 AM
@BlackJesus Look at your bill again. 99.9% of what you paid went to UPS and was not tariffs
$tefano.13-Sep-18 11:46 AM
z9 and z9 mini, innosilicon A9 it's awaiting shipment
tariffs always go to the state not the damn shipping companies
they are beholden to the state to collect before delivery or they'd be held liable. It's the reason they request social security numbers on all international shipments.
$tefano.13-Sep-18 11:49 AM
vat + customs duties
BlackJesus13-Sep-18 11:49 AM
All my stuff is running on your pools now @$tefano.

That monitor in the top right isnt permenant I ordered a cheap monitor, because I'm taking that monitor with me to milwaukee. I got to get my old barebones rig up and running so I can portal into my parents network and control my miners from wisconsin. Moving from a celeron on it to a r5 2600
I don't think that'll achieve my goal. I need that barebones on top to just always be on so I can teamviewer into it and have access to the LAN that my miners are operating on.
ComputerGenie 👴👴👴13-Sep-18 12:09 PM
It replaces the need for a monitor on any rig that you're not going to be physically at. Specifically for folks that want to use tv or ssh(edited)
BlackJesus13-Sep-18 12:12 PM
But I honesty dont need a monitor on it. To teamviewer into my rig.
I'm going to be 700 miles from my operation II NEED a way to access my miners and the network they are on.
ComputerGenie 👴👴👴13-Sep-18 12:14 PM
Which is exactly why I suggested a dongle instead of a monitor
BlackJesus13-Sep-18 12:20 PM
oh wow I just realised I can flash the firmware of my non overclockable z9 minis to the overclockable version lol.
Now all 8 of them are on the overclockable firmware
BlackJesus13-Sep-18 01:05 PM
btw if you cant overclock your z9 mini flash this firmware its the original firmware with overclocking enabled released by bitmain'
I was able to manually edit (through "inspect element") the web page and OC most of batch 2, but hat a few that only stuck when "downgrading" to the May fw
May 26 mini fw (official and overclockable)(edited)
as for the Z9, I'm not sure if there is one
$tefano.13-Sep-18 02:20 PM
@ComputerGenie 👴👴👴
dukeleto13-Sep-18 03:40 PM
"copy as curl" from Chrome is an easy way to OC your z9m
look at your Network requests inspector tab, press "save and apply" with default (no OC settings), then "copy as curl" and change 500 to the freq you want
then you have a CLI command to run to change freq, better than inspect element every time
ComputerGenie 👴👴👴13-Sep-18 03:45 PM
yes, because what I really want to do is to install a 60MB app just to avoid using a feature that's basic in every useful browser on the planet
$tefano.14-Sep-18 08:03 AM
i will test it @dukeleto(edited)
Alright14-Sep-18 05:11 PM
@ComputerGenie 👴👴👴 what temp do you keep your minis at
ComputerGenie 👴👴👴14-Sep-18 05:46 PM
at 90F outside temp, they are running @ mind-70s C


| Course Outline Notes |
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MyMoney is a personal finance management website, it allows you to consolidate all your accounts in one place to manage and organize your personal finances with ease, including the planning of your payments and managing your budget.
Each time you spend or make some money, add it to MyMoney website. The more you add information, the more MyMoney will be usefull and help you understand how you spend your money.
You want to save know how many money you kept this mounth to go to the restaurant today. We can help you.
You go in a foreign country and want to keep your accounts up-to-date ? Don't worry about it. Basic features of MyMoney are still available while you are offline and will automatically be syncing when the network come back.
MyMoney wants to help you to save your money. We think a lot and find right that using this webapp must be free for you and for every body.
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zm(), called with any active plot allow to enter an interactive session to zoom/navigate any plot. The development version, as well as binary releases can be found at https://github.com/cbarbu/R-package-zoom
| Version: | 2.0.4 |
| Depends: | R (≥ 2.10.0) |
| Suggests: | testthat |
| Published: | 2013-10-15 |
| Author: | Corentin M Barbu [aut, cre], Sebastian Gibb [ctb] |
| Maintainer: | Corentin M Barbu <corentin.barbu at gmail.com> |
| License: | GPL (≥ 3) |
| URL: | https://github.com/cbarbu/R-package-zoom |
| NeedsCompilation: | no |
| Citation: | zoom citation info |
| Materials: | NEWS |
| CRAN checks: | zoom results |
| Reference manual: | zoom.pdf |
| Package source: | zoom_2.0.4.tar.gz |
| Windows binaries: | r-devel: zoom_2.0.4.zip, r-release: zoom_2.0.4.zip, r-oldrel: zoom_2.0.4.zip |
| OS X binaries: | r-release: zoom_2.0.4.tgz, r-oldrel: zoom_2.0.4.tgz |
| Old sources: | zoom archive |
| Reverse depends: | saccades |
Please use the canonical form https://CRAN.R-project.org/package=zoom to link to this page.


22
1 A good name is to be chosen rather than great riches,
and favor is better than silver or gold.
2 The rich and the poor meet together;
the LORD is the maker of them all.
3 The prudent sees danger and hides himself,
but the simple go on and suffer for it.
4 The reward for humility and fear of the LORD
is riches and honor and life.
5 Thorns and snares are in the way of the crooked;
whoever guards his soul will keep far from them.
6 Train up a child in the way he should go;
even when he is old he will not depart from it.
7 The rich rules over the poor,
and the borrower is the slave of the lender.
8 Whoever sows injustice will reap calamity,
and the rod of his fury will fail.
9 Whoever has a bountiful eye will be blessed,
for he shares his bread with the poor.
10 Drive out a scoffer, and strife will go out,
and quarreling and abuse will cease.
11 He who loves purity of heart,
and whose speech is gracious, will have the king as his friend.
12 The eyes of the LORD keep watch over knowledge,
but he overthrows the words of the traitor.
13 The sluggard says, “There is a lion outside!
I shall be killed in the streets!”
14 The mouth of forbidden women is a deep pit;
he with whom the LORD is angry will fall into it.
15 Folly is bound up in the heart of a child,
but the rod of discipline drives it far from him.
16 Whoever oppresses the poor to increase his own wealth,
or gives to the rich, will only come to poverty.
Words of the Wise
17 Incline your ear, and hear the words of the wise,
and apply your heart to my knowledge,
18 for it will be pleasant if you keep them within you,
if all of them are ready on your lips.
19 That your trust may be in the LORD,
I have made them known to you today, even to you.
20 Have I not written for you thirty sayings
of counsel and knowledge,
21 to make you know what is right and true,
that you may give a true answer to those who sent you?
22 Do not rob the poor, because he is poor,
or crush the afflicted at the gate,
23 for the LORD will plead their cause
and rob of life those who rob them.
24 Make no friendship with a man given to anger,
nor go with a wrathful man,
25 lest you learn his ways
and entangle yourself in a snare.
26 Be not one of those who give pledges,
who put up security for debts.
27 If you have nothing with which to pay,
why should your bed be taken from under you?
28 Do not move the ancient landmark
that your fathers have set.
29 Do you see a man skillful in his work?
He will stand before kings;
he will not stand before obscure men.


--- title: About ---
I'm Emmanuel Roy. Welcome to my travel and food blog.
I grew up in Alaminos, Pangasinan and I used to travel a lot. After finishing highschool I started travelling with my family and friends. We love to try different foods from different places. I am also a dog lover.


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Domain:
Field:
Time Step:
Field Max Value:
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Field Min Value:
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Visualization:
Parallel Processing (if supported)
Auto-Update
Show Axes
Do ProbeVis
Colorblindness Simulation:
Do Colorblindness Simulation
Affect the Histogram Colormap View
Select:
AnomalousTrichomacy Dichromatism View
Monochromatic View
Custom View
Protanomaly (Red Weak)
Degree:
→ Protanopia (Red Blind)
Deuteranomaly (Green Weak)
Degree:
→ Deuteranopia (Green Blind)
Tritanomaly (Blue Weak)
Degree:
→ Tritanopia (Blue Blind)
Achromatopsia
Blue Cone Monochromatism
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Info: The values of the transfer matrix for color blindness simulation are depenting on the selected transfer-matrix for the RGB to XYZ conversion and the selected transer-matrix for XYZ to LMS conversion (see section settings).
Histogram:
# Historam-Ranges:
Data-Set:
Selected Time Step
Full Field
Size:
Background:
Process:
Switch On/Off Expert Mode:
Expert Mode
The Nonexpert Modus of CCC-Tool offers the standard functionality to create and export a colormap. For the creation process, the user can select a CMS from the Gallery section, or he also has the choice to build a new CMS. Both variants can be edit and to the user requirements. In the easy mode, the user The user is not overwhelmed with information and too much functionality, which is a good start to explore this tool. The user always has the choice to switch to the expert modus or back to the nonexpert modus by clicking on the button at the left top corner.
The Expert Modus: Expert modus will unlock some functionalities at CCC-Tool. The user allowed to use the analysis and the compare section of the tool. At the new/edit part the user has the option to edit the CMS via the colormap "Path Plot". It is also possible to upload a vtk-file (ASCII; Structured, Rectilinear) and edit the CMS on the basis of a color mapping visualization, a histogram of the data and the option to simulate colorblindness. Additional the user can change the settings for the colorspace-conversions and the calculation of the color difference metrics.
Start with:
(*CMS = Colormap Specification)
Start: Start the creation of your specific continuous colormap with the creation of a new CMS or the selection of a predefined colormap from the Gallery. After leaving this welcome page a menu bar will be displayed at the top of the webpage to navigate between "MyDesings", "Gallery", "New", "Edit", "Analyze", "Compare", "Export" and "Tutorial". Visit the "MyDesigns" page to manage your CMSs and activate a CMS. The active CMS will be shown at the top of each page (except at "New" and "Tutorial") and can be edited, exported, analyzed or compared with another CMS.
Help: If you see a button with a question mark, hover your mouse above this button to display a short help. For more instruction please visit the tutorial. Example:
Show me help, please!
Postbox:
Postfach 100920
D-04009 Leipzig
Address:
Ritterstraße 26
D-04109 Leipzig
Contact for Informations or Help:
Pascal Nardini
Phone: +49 341 97-32255
E-Mail: ccchelp'at'informatik.uni-leipzig.de
Diese Internet Seite mit dem Domainname "ccctool.com" ist ein Angebot von der Universität Leipzig (Impressum Universität Leipzig) und wurde in der Abteilung Bild- und Signalverarbeitung BSV (Impressum BSV) von Pascal Nardini entwickelt.
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RGB to XYZ Conversion:
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XYZ to LMS Conversion:
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XYZ to CIELab Conversion:
ref_X:
ref_Y:
ref_Z:
CIELab to DIN99 Conversion:
k_E:
k_CH:
DE94:
k_L:
k_C:
k_H:
k_1:
k_2:
DE2000:
k_L:
k_C:
k_H:
Key:
Type:
Nil Key: Nil Keys are always at the beginning of a CMS and implied a constant band as first band.
Right Key: Right Keys are always at the beginning of a CMS and implied a scaled band as first band.
Left Key: Left Keys init the start of a constant band inside of the CMS. The last key is always a Left Key.
Dual Key: Dual Keys init the start of a scaled band as a continuous transition point in the CMS.
Twin Key: Twin Keys init the start of a scaled band as a discontinuous transition point in the CMS.
Scalar Value:
Color Picker:
Color Left:
HSV
RGB
Color Right:
HSV
RGB
Delete Key:
Set Middle Of Triple:
RG
B
Current Key Color:
Selected Color:
Preview:
Choose a Colorspace:
Options:
Allow only RGB Possible Colors
Default Value:
3D Space Opacity:
Size:
Legend:
: Constant Band
INFO: Constant bands define one color for a certain section. Inside of the visualization, a constant band will be represented by squares.
: Scaled Band
INFO: Scaled bands define a color gradient for a certain section. Intermediate colors will be interpolate inside the selected colorspace. Inside of the visualization, a scaled band will be represented by two circles and a solid line. The two circles are showing the start and the end color. The line represent the interpolated colors.
: Transition Point
INFO: If a neighbor of a band has a different start (end) color as the end (start) color of this band, there is a discontinuous transition point between the band and his neighbor. The transition paths are not part of the colormap course, but they are showing the connection between bands connected with a twin or a left key. Inside of the visualization, the transition path will be represented by a dashed line.
Type:
Function:
Probe Ranges:
Range Start:
Range End:
Interval Length:
Number of Intervals:
Custom Range:
Semantic: A custom range is defined by two values separated by comma. The range concludes with a semicolon at the end. (Example: "0.1,0.4;0.75,0.8;" results in two custom ranges) Please check that the second value of a range is alwasy bigger than the first one. Overlapping range are not allowed!
Info: The probe range is allowed to be over the borders of the CMS range. Probe value out of the CMS range will be excluded during the calculation of the probe colormap.
Number of Colors:
Info: The
Background Color:
Change here the colorspace for the interpolation.
⇧
Introduction:
My Designs Overview: Below this introduction, you can see the CMS storage information of the MyDesigns. Move your mouse above the "Show MyDesigns" field to view the selected MyDesigns-colormaps.
Add CMS from the Gallery: At this page, you can find containers with the predefined colormap specifications (CMS). The CMSs are split into the four sections "Scaled CMS", "Divergent CMS", "Three Bands CMS" and "Four Bands CMS". The scaled CMS have also subsections clustered by the main color. To expand a container, click on it. If you want to add a CMS to the MyDesings click on the check button. You can also go to the export page without adding the CMS to the MyDesings by clicking on the export button.
⇧
⇧
⇧
⇧
Visualization of the Colormap
Color of NaN
Select Button
Export Button
Free Space for Adding CMSs to MyDesings : 0
1.
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4.
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1. Scaled CMS
1.1 Yellow Orange
( ⬍ Click to expand)
1.2 Red Purple
( ⬍ Click to expand)
1.3 Blue
( ⬍ Click to expand)
1.4 Green
( ⬍ Click to expand)
1.5 Brown
( ⬍ Click to expand)
2. Divergent CMS
( ⬍ Click to expand)
3. Three Bands CMS
( ⬍ Click to expand)
4. Four Bands CMS
( ⬍ Click to expand)
Info: The ”Path Plot” uses the colormap to illustrate in different color spaces. The colormap path includes information regarding the key color positions and interval color positions. Likewise, the colormap path in one color space is indicated by an interpolation in another color space.
Use the path to observe for crossing colormap parts, close proximity colormap parts and the lightness process of the colormap.
Choose a Colorspace for the Analysis:
Info: Please note that this colorspace and the colorspace for the interpolation are different options!!!
Legend:
: Constant Band
INFO: Constant bands define one color for a certain section. Inside of the visualization, a constant band will be represented by squares.
: Scaled Band
INFO: Scaled bands define a color gradient for a certain section. Intermediate colors will be interpolate inside the selected colorspace. Inside of the visualization, a scaled band will be represented by two circles and a solid line. The two circles are showing the start and the end color. The line represent the interpolated colors.
: Transition Point
INFO: If a neighbor of a band has a different start (end) color as the end (start) color of this band, there is a discontinuous transition point between the band and his neighbor. The transition paths are not part of the colormap course, but they are showing the connection between bands connected with a twin or a left key. Inside of the visualization, the transition path will be represented by a dashed line.
3D Space Opacity:
Size:
Info: Use the matrix plot to analyze the perceptual uniformity. The plot shows the difference or the speed value for each interval color to the other interval colors. The diagonal pixels are displaying the interval colors and the other pixels are showing the speed or difference value for the row- and column interval colors. For the mapping, the application is using a linear or logarithmic color gradient from black (min) to white (max). If the global minimum is null, there are at least two equal interval colors.
Maximum = /
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Info: Use the line plot to analyze the perceptual uniformity. The plot shows for each pair of neighboring interval colors color the difference or the speed. The height of each bar shows the relation of each value to the maximum. For a perfect local perceptual uniformity, each bar has an equal height.
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Info: These figures show for every space or metric a stacked bar graph for the speed from one key to the next one. This information allows you to more easily assess which keys must be changed for an approximation of the perceptual uniformity. You can also assign fast speed bands to value ranges, which are coloring areas in the application with higher relevance, and lower speed bands to such with lower importance.
RGB Euclidean Distance:
HSV Euclidean Distance:
LAB Euclidean Distance:
LAB Metric DE94:
LAB Metric DE2000:
DIN99 Euclidean Distance:
Info: Intuitively sequential colors are especially useful if one’s data contains visually presented non-sequential data ranges. In the middle of the plot is an illustration of the interval colors. Above them, the negative, as well as the positive order values, are drawn as bars. For the distinction, we are using different coloring for the positive (blue) and the negative (red) values. The visualization of the global order shows only the interesting negative values. For each interval of colors ci and cj, we calculate the minimal order value of the colors ck with i < k < j. In case of a negative value, we draw an arc from the position of ci to cj colored in ck . The maximal distance from the arc to the colormap correlates with the magnitude of order value. The negative values are showing the colors, which disturb the intuitive order of the colors.
|Local Order|
Negative Global Order
Minimum = /
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|Local Order|
Negative Global Order
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|Local Order|
Negative Global Order
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|Local Order|
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|Local Order|
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|Local Order|
Negative Global Order
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|Local Order|
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|Local Order|
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Info: The following plot gives the viewer a quick overview of possible excessive differences between the interpolations in different colorspaces.
Info: The ”Path Plot” uses the colormap to illustrate in different color spaces. The colormap path includes information regarding the key color positions and interval color positions. Likewise, the colormap path in one color space is indicated by an interpolation in another color space.
Use the path to observe for crossing colormap parts, close proximity colormap parts and the lightness process of the colormap.
Choose a Colorspace for the Analysis:
Info: Please note that this colorspace and the colorspace for the interpolation are different options!!!
Legend:
: Constant Band
INFO: Constant bands define one color for a certain section. Inside of the visualization, a constant band will be represented by squares.
: Scaled Band
INFO: Scaled bands define a color gradient for a certain section. Intermediate colors will be interpolate inside the selected colorspace. Inside of the visualization, a scaled band will be represented by two circles and a solid line. The two circles are showing the start and the end color. The line represent the interpolated colors.
: Transition Point
INFO: If a neighbor of a band has a different start (end) color as the end (start) color of this band, there is a discontinuous transition point between the band and his neighbor. The transition paths are not part of the colormap course, but they are showing the connection between bands connected with a twin or a left key. Inside of the visualization, the transition path will be represented by a dashed line.
3D Space Opacity:
Size:
Info: Use the matrix plot to analyze the perceptual uniformity. The plot shows the difference or the speed value for each interval color to the other interval colors. The diagonal pixels are displaying the interval colors and the other pixels are showing the speed or difference value for the row- and column interval colors. For the mapping, the application is using a linear or logarithmic color gradient from black (min) to white (max). If the global minimum is null, there are at least two equal interval colors.
Maximum = /
Average = /
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Minimum = /
Deviation = /
Maximum = /
Average = /
Minimum = /
Deviation = /
Maximum = /
Average = /
Minimum = /
Deviation = /
Info: Use the line plot to analyze the perceptual uniformity. The plot shows for each pair of neighboring interval colors color the difference or the speed. The height of each bar shows the relation of each value to the maximum. For a perfect local perceptual uniformity, each bar has an equal height.
Maximum = /
Average = /
Minimum = /
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Minimum = /
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Minimum = /
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Info: These figures show for every space or metric a stacked bar graph for the speed from one key to the next one. This information allows you to more easily assess which keys must be changed for an approximation of the perceptual uniformity. You can also assign fast speed bands to value ranges, which are coloring areas in the application with higher relevance, and lower speed bands to such with lower importance.
RGB Euclidean Distance:
HSV Euclidean Distance:
LAB Euclidean Distance:
LAB Metric DE94:
LAB Metric DE2000:
DIN99 Euclidean Distance:
Info: Intuitively sequential colors are especially useful if one’s data contains visually presented non-sequential data ranges. In the middle of the plot is an illustration of the interval colors. Above them, the negative, as well as the positive order values, are drawn as bars. For the distinction, we are using different coloring for the positive (blue) and the negative (red) values. The visualization of the global order shows only the interesting negative values. For each interval of colors ci and cj, we calculate the minimal order value of the colors ck with i < k < j. In case of a negative value, we draw an arc from the position of ci to cj colored in ck. The maximal distance from the arc to the colormap correlates with the magnitude of order value. The negative values are showing the colors, which disturb the intuitive order of the colors.
|Local Order|
Negative Global Order
Minimum = /
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|Local Order|
Negative Global Order
Minimum = /
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|Local Order|
Negative Global Order
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|Local Order|
Negative Global Order
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Info: The following plot gives the viewer a quick overview of possible excessive differences between the interpolations in different colorspaces.
Info:
Perceptual Color Spaces
Number of Intervals:
| # | Scalar | Type | Color (RGB) |
|---|
Welcome to the tutorial. This tutorial gives you an introduction to the CCC webtool and is split into the sections: "Webtool", "Colormap Specification", "Creation", "Analyze and Compare" and "Export". The Webtool tutorial part include the construction of the webpage and explain the different sections of the page. At the Colormap Specification part you can get the information about used the CMS format, which improves the creation and edit process of complex colormaps. Following the Creation section shows this process and give a detailed information about the possible methods of the tool. For the evaluation, the tool offers an analysis and a comparison of colormaps. You can find the associated tutorial at Analyze and Compare. At least you get information about the export and the use of the offered formats at the Export tutorial. If you need more help or want to make general comments please contact us (Contact).
The CCC-Tool is a client based web application (all processing will be done at the executing system) created at the Leipzig University. For the administration of the CMS we created the MyDesings in the center of the webtool. All created CMS from the "New", "Edit" or the "Gallery" page will be stored in the list of the MyDesigns.
Image 1.1: Construction of the CCC-Tool
Welcome to the tutorial about the MyDesigns page. The MyDesigns page serve as central management of the CCC-Tool. From this page you can reach the pages for the creation of colormaps, for adding existing colormaps, for the analyze of colormaps and for the comparison of colormaps. The Image 1. is showing a screenshot of the MyDesigns Page. In the middle of the page you can see ten containers for colormaps and after each colormap are three buttons for the export option, edit option and the delete option. This options ara always only affect the colormap in the front of the buttons.
Image 1.2: MyDesigns page with some added colormaps.
If you want to add a new colormap to the set of the colormaps, you have two options. The first one is the adding of an existing colormap. Click on the button "Add Existing Map" and the website will switch to the page for adding colormaps (Image 2.). This page shows a set of expandable containers ( with character ⬍). Select a section and expand the container. A set of colormaps will be shown into two columns. Behind each colormaps are two buttons. The select button will add (or remove) this colormap to the set of colormaps of My List page. With the export button you can export this colormap directly from the current page.
Image 1.3: Page for adding a existing colormap.
The second option for adding a colormap to the My List set of colormaps is to create a new colormap. Click on the button "Create New Map" and the website will switch to the page for creating a colormap. If you want to upload a existing colormap from a file, you can do the upload at the page for the creation of colormaps. You can find more informations about the create colormap page at the tutorial (Click on the button at the menu bar).
Image 1.4: Pop up window for the selection of two CMSs from the MyDesigns for the conmparison page.
On the My List page their is also the possibility to analyze a colormap. Click on the "Analyze a Map" button to start the selection of a colormap. If your set of colormaps has only one element the colormap will automatically load to the analyze page. If not the page will display behind each colormap an select button. Choose one colormap an it will be load to the analyze page. For more informations about the analyze page visit the tutorial (Click on the button at the menu bar). Nest to analyze is also the option to compare two colormaps. The compare page is equal to the analyze website with the difference to load two colormaps and compare it in the different sections of the analyze.
Image 3.1: Diagram of the construction of the CCC-Tool
Image 3.2: Diagram of the construction of the CCC-Tool
Image 4.1: Diagram of the construction of the CCC-Tool
Image 4.2: Diagram of the construction of the CCC-Tool
Welcome to the tutorial about the creation of colormaps with the CCC-Tool. The following page will give you an instruction how to use the webtool to create a colormap. The first section give an overview about the layout and the options at the menu bar. At the "How to create a colormap" section is a instruction about the methods to create a continuous colormap. The existing bands for the creation of a colormap can be extended by a creation of new bands. The section "How to create bands" give you a short instruction how to create bands. The last section include videos with examples for the creation of colormaps. You can expand a section by clicking on it.
The menu bar (Image 1.1) consist of two parts. On the left side you can see the colorspace options. This options are available on the most parts of the webtool. You can select one of the colorspaces and the webtool draw all displayed color gradients with an interpolation in the selected colorspace.
Image 1.1: Menu Bar of the Create Page
On the other side are the specific options for the creation page. The options allow you to name, export, load a colormap and clear the colormap. It is also possible to make changes retrogressive or rerun the changes of the colormap. To save a colormap to the MyDesigns page you only have to leave the creator page and the CMS will automatically saved to the My List set of colormaps. (Here you can display information containers with a short help)
The first part of the layout is the Colormap Band Sketch (Image 1.2). This sketch is the main location for modifying your colormap. For adding a new band to the colormap you have to drag an existing band from the bottom of the page to an red bordered area at the Colormap Band Sketch and drop it there. If you want to edit or delete a band you can click on this band at the sketch and a pop up window for the band editing will open. You will find more informations about the band editor at the next section "How to create a colormap". Directly under the sketch element are dynamic input fields. With this input fields you can modify the reference range of the bands. For a better work flow it is allowed to update a reference value with a bigger number as the next reference value or with a smaller one for previous values. In this case all following (or previous) values in the band sketch will be update, so that the distance to the new value is equal to old distance.
Image 1.2: Colormap Band Sketch
Below the Colormap Band Sketch you will find five containers with existing bands (Image 1.3). They enable you to add very fast constant bands, scaled band or a set of scaled bands (double, triple, quadruple) to the colormap band sketch. If the existing bands are not comply your requirements, every section of band types has a button for adding a own creation of a band or a set of bands. You can also use the band editor to adapted a band inside the colormap to your demands. A creation of a new existing band has the advantage that you can use this band in several colormaps. You will find more informations about the band creator at the next section "How to create a colormap".
Image 1.3: Existing Bands
If you add a band to a empty colormap band sketch, a linear colormap will be drawn above the sketch element (Image 1.4). This visualization shows how the colormap look like. The advantage of having a linear visualization and a non linear visualization (Colormap Band Sketch) of the colormap is that you have in one hand a correct representation of the colormap and in the other hand you have a representation, which give you always a good overview. In case of very different reference range distances it is possible, that some bands at the linear colormap are too small to recognize. The visualization of the bands at the Colormap Band Sketch are independent of the range distance. This enables a good overview of the colormap and a good editing of every single band. At the top of the linear colormap are the visualizations of the colormap keys (Further details to the keys you will find in the "Specification of Continuous Colormaps" tutorial). You can use this keys for the modifying of the reference values. Grap one of the keys between the first and the last one and you can switching per mouse moving into the right or left direction. Alternative there are also input fields for the reference value modification directly under the linear colormap.
Image 1.4: Linear Colormap vs Colormap Band Sketch
Left next to the linear colormap you will find a black bar. Click on it and a table with the colormap informations will be open (Image 1.5). You can use this table for a alternative overview or you can copy it and paste the table into spreadsheet software (like excel, calc, ..).
Image 1.5: Colormap Table
The CCC-Tool allow a fast and easy creation of colormaps by drag and drop of bands (Image 2.1). The page for the creation of colormaps offers a continent of different existing bands in the lower area of the page. Choose one of the constant bands, the scaled bands or the set of scaled bands (double, triple, quadruple ) and drag it to the colormap band sketch. Drop it on the desired position. During the adding of a band to the band sketch the reference the reference values of the prospective band neighbors have to be updated such there will be enough place for the new added band. In view of this automatically updating it is a good way as first step to adding all the bands and after that to update all the reference values to your own preferences. You can always modify the range of the single bands with the input fields under the colormap visualizations, with the key on the top of the linear colormap or with the band editor. In the section 4. you can see a video of the creation of a colormap.
Image 2.1: Create Colormap by drag and drop of bands into the Colormap Band Sketch.
In case that there are no to your preferences fitting existing colormaps, you can add one of the existing bands and edit it. Click on the band, which one you want to edit, at the Colormap Band Sketch and the window for the band editing will open. In the upper area of the window you will see a visualization of the modifiable band in the middle and the visualizations of the neighboring bands on the left and on the right side. Below the representations of the bands you fill find a colorpicker in the middle and on the left side of the colorpicker the options to change the interpolation colorspace. On the right side of the colorpicker you will find four buttons, where you can display a short help, cancel the editing, accept the editing or delete the band from the Colormap Band Sketch.
Image 2.2: Band Editor Example: change the color with the colorpicker.
Each band has a start and an end color. For changing one of these colors you have to activate the color by mouse click on the rectangle above the band (Rectangle get a green border). After that you can use the colorpicker to modify the activated color. You can see an example at the Image 2.2.
If you want a sequence of bands where the neighbor colors are equal (Key with two equal colors → dual key ), it is nearly impossible to hit the identical color with the colorpicker. In this case click on the rectangle above the neighboring band and the color of the modifiable band will be updated. You can see an example at the Image 2.3.
Image 2.3: Band Editor Example: change the color to the neighboring color.
To get a constant band both colors of a band have to be equal. Here it is also impossible to use the colorpicker to select two identical colors. If you want a constant band you can click on one of the buttons with an arrow next to the color rectangles of the band. After the mouse click the other color will be update with the color next to the arrow button. You can see an example at the Image 2.4.
Image 2.4: Band Editor Example: create a constant band.
In case that there are no to your preferences fitting existing colormaps and you want to use a edit band for more than one colormap, you have to use the band creator to add a new band to the existing bands. At each container of the different types of bands (constant, scaled, double scaled, triple scaled, quadruple scaled) are "add" buttons. Click on one of these buttons at the end of a container to create a new band with the type of this container. After the mouse click a window for the band creation will be open. You will see a band sequence (depending on the band type with one, two, three or four bands) and the modifiable colors C1 till C5 as rectangles above the band sequence. If you want to update a color you have to activate it by a mouse click on the rectangle (Border becomes green) and select in the colorpicker the wished color. Next to the colorpicker you can also use the input fields to determine the color. The input fields are using the selected colorspace. You can see an example for the creation of a band at the Image 3.1.
Image 3.1: Band Creator: Example for the creation of a band.
Video 1: Creation of a temperatur colormap
Welcome to the tutorial about the Export. The export is implemented as pop up window. If you start the export the current page will be unchanged and you can progress consistently at the page after the export. The export function is available at the MyDesigns, Add Existing Colormap and the Create Colormap page. The buttons for the initialization of the export are either behind the colormaps or at the menu bar at the top of the page. After activate a export button a pop up window will be displayed (Image 1).
Image 1: Example for the export pop up window.
At the top of the window is a linear colormap visualization of the CMS you selected for the export. With this drawing it is possible to show the colormap with a color interpolation in different colorspaces. In the middle of the window is on the right side a table with the informations about the colormap. Here you can check the values once more or copy the data into spreadsheet software (like excel, calc, ..). On the other side are the options for the export. The setting "Export Colorspace" determine which color values will saved at the export file (e.g. for HSV the h, s and v value will be saved). Attention! Most software support only the rgb colorspace. After selecting a export colorspace the linear colormap at the top of the window will be drawn with the interpolation inside the chosen colorspace. The next setting is the "Export Format", which determine the file format of the exported map. The CCC-Tool can save the data inside of a xml, a json or a text file. More informations about the different file formats you can find at the next section of this tutorial.
Image 2: Example for Colorspace Interval Approximation. Save the colormap with the export colorspace RGB with the using of interval colors, calculated in the Lab Colorspace.
If you have to use the rgb colorspace as export colorspace, but you also want to use the aptitudes for perception of color of the Lab space or DIN99 space, the next option "Interval Colorspace Approximation" could help (Image 2). The assumption of this method is, that the interpolations of small ranges inside of different colorspace are nearly equal. With the calculation of interval colors inside a selected colorspace we can approximate the colomap to this colorspace and use another colorspace for the interpolation. You can find an example for such a approximation at the video 1. If you want to use the approximation method you have to activate the check box for this processing and the box with the options for this technique will be unlocked. Furthermore a new container will be displayed below the box with the settings and the colormap table (Image 2). This container shows three visualizations of the colormap you want to export. The first one is calculated with a normal interpolation of the export colorspace. The next one shows the interpolation also inside the export colorspace, but with the using of the interval colors. And the last one shows a normal interpolation of the colormap inside the colorspace, which you want to approximate. Back to the settings of this method. With the first setting you can determine how many intervals will be calculated for each band. The following option set the colorspace for the calculation of the interval colors (ths colorspace you want to approximate). At last setting you can enable the process of merging identical neighboring intervals. This process prevent the calculation of interval colors inside of constant bands.
Video 1: Approximation of the Lab colorspace using the Colorspace Interval Approximation.
There are three possible output format a user can select at the export of a colormap using the CCC-Tool. Below this text is one example for each of the formats XML, JSON, TXT. All Formats include the name of the colormap, the export space, a color for the NaN (Not a Number) values and the points, which construct the bands of the colormap. Each point has a reference value, the color values, an opacity value and ccc-type variable. The ccc-type variable shows, if the point was originally a key point in the colormap or a during the export added interval point.
1: <ColorMaps>
2: <ColorMaps
name="Test Colormap"
space="RGB"
creator="CCC-Tool"
>
3: <Point
x="0"
o="1"
r="1"
g="0"
b="0"
ccctype="key"
/>
4: <Point
x="0.5"
o="1"
r="0.866029"
g="0.647811"
b="0.507426"
ccctype="interval point"
/>
5: <Point
x="1"
o="1"
r="0"
g="1"
b="1"
ccctype="key"
/>
6: <NaN
o="1"
r="0"
g="0"
b="0"
/>
7: </ColorMap>
8: </ColorMaps>
XML 1: Example for export file with XML format. A colormap with two key colors, one interval point (two intervals) and the NaN color rgb(0,0,0)
1: {"colormaps":
2: [{ "name":"Test Colormap",
3: "space":"RGB",
4: "NaN": [{
"o":"1",
"r":"0",
"g":"0",
"b":"0"
}],
5: "points": [{
"o":"1",
"r":"1",
"g":"0",
"b":"0"},
"ccctype":"key"},
6: {
"o":"1",
"r":"0.866029",
"g":"0.647811",
"b":"0.507426"},
"ccctype":"interval point"},
7: {
"o":"1",
"r":"0",
"g":"1",
"b":"1",
"ccctype":"key"}]
8: }]
9: }
JSON 1: Example for export file with JSON format. A colormap with two key colors, one interval point (two intervals) and the NaN color rgb(0,0,0)
| Reference | R | G | B | Opacity | ccctype | NaN | R | 0 | G | 0 | B | 0 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 0 | 0 | 0 | 1 | 1 | key | ||||||||
| 0.5 | 0.8660293802718138 | 0.6478113035497385 | 0.5074263852081529 | 1 | interval point | ||||||||
| 1 | 0 | 1 | 1 | 1 | key |
Table 1: Example for export file with TXT format. Lookup table with two key colors, one interval point (two intervals) and the NaN color rgb(0,0,0)
If you are coding your own software, there are different algorithms how you can calculate the colors for your visualization. Depending, if the pass through the colormap is from front to rear or the other way, different results are possible.
A additional affect is which color you prefer if you have a reference value for a key, which colors are not equal.
This leads to the following possible Algorithm:
- from left to right, prefering the current band
- from left to right, prefering the next band
- from right to left, prefering the current band
- from right to left, prefering the next band
Future Work:
Maybe it is important so set a fixed color for each key reference. For this situation the technique "Middle of the Triple" should help.
The idea is that every key has three color. The left and the right key color are determining the start or the end color of the respective band. The middle key color is equal with one of the other two colors and determine the color for the key reference value.
In this way it is possible to ensure that the result visualizations are equal.
Following are all 5 Algorithm written down:
Algorithm 5 Middle of Triple Algorithm
1: check:
2: if v > V[n] or v < V[0] then return // (Error)
3: loop:
4: for i=0 to i=n-1 step 1 do
5: if v = V[i] then
6: if triplepoint(i) = true then
7: if v = V[i-1] and v = V[i+1] then
8: // V[i] is the middle of the triple
9: u = U[i]
10: return u
11: else
12: u = U[i]
13: return u
14: else
15: if v > V[i] and v < V[i+1] then
16: u := (U[i+1] - U[i])*(v - V[i]) / (V[i+1] - V[i]) + U[i]
17: return u
Welcome to the tutorial about the analyze. This tutorial give you the instruction how to use the analyze side. There is no tutorial for the compare page. You can also use this tutorial as instruction, because the construction is equal to the compare page. The page for the analyze is divided into four broad areas. At the top is a visualization of the colormap band sketch. You can use the input fields to update the reference value. If you want to update the colors of a band you can use the area for analyze the colormap course or you should visit the edit page. In each of the three following containers is one explanation to the next three areas of the analyze page. You can expand a section by clicking on it.
The idea of the analyze the colormap course is to give you a sense how the colormap run in different colorspaces. To make this possible each colorspace has its own visualization, which you can the at Image 1.3 till 1.6. At the moment only the RGB colorspace has a 3D visualization. The tutorial will get to the explain colorspace visualizations later.
Image 1.1: Legend for the colormap course
Inside each visualization of the colorspace the colormap is plotted with lines, squares and circles (in 3D with cubes and spheres). There are three different elements the webtool has to draw for the visualization of the colormap couse. In the image 1.1 you can see the legend, which is also plotted under the colorspace visualizations at the analyze page. The constant bands will be represented by squares. There is a exception for the value or lightness plot at the visualizations of the HSV, Lab and DIN99 space, where the representation of constant bands consist of two squares connected with one line. For the scaled band the webtool draw two circles connected with a line. The two circles stand for the start and the end color of the band and the line for the route of the interpolated colors. At last are the jumps between to bands with different neighboring colors. These jumps are represented with dashed lines.
Now, how you can use these information to improve you colormap. A good colormap (human perception of color differences excepted) has for every value, which a user would like to differentiate, a unique color. In order to do that, it is recommended to avoid that parts of the colormap course are crossing or run about each other (Image 1.2). In addition to that, all colors of a band should be maximal distinguishable to the colors of the other bands of the colormap. On the one hand there are colorspaces developed or human perception of color differences like Din99 or Lab, which could use to meet this requirement. One the other hand the colormap course of this webtool allows it to easily identify bands, which are run close together. Both requirements can be easily resolved by modifying the colormap course. Click and hold the mouse button above the circle or square you want to modify. Now move the mouse and therefore also the circle or square to a desired position.
Image 1.2: Example for a colormap course, where two parts are crossing. (HSV Colorspace)
The following are some short lines to the colorspaces. To get a 2D visualization of the RGB space, where you can interact with the course of the colormap, we were forced to draw the three view drawing of the space. Because the complexity of the colormap course inside a three view drawing, we added a 3D rendering of the RGB colorspace and the colormap course (Image 1.3). If you click on a circle or a squad for the modifying of the colormap course, the background of all three side views will be updated with the fixed value from the color, which is selected. In this way the background show you all possible colors, you can reach for this element inside of the side view you do the modifying (look at the animation of Image 1.3). During the mouse movement, there will be also drawn a plane inside of the 3D rendering, which shows the position of the side view. You can update the opacity value of 3D colorspace the with the number input above the plots.
Image 1.3: Example for colormap course in the RGB colorspace.
The HSV, Lab and DIN99 are constructed with a plot for the hue (hs, ab, a99b99) on the left side and on the right side a plot for the lightness (value, L, L99). This is very conforable to check the monotonous increasing of brightness at the colormap or rather at the single bands of a colormap, which is especially interesting for the distinguishability of colors for color-blind viewers. If you click on a circle or a squad for the modifying of the colormap course, the background colors of the hue plot will be updated with value or lightness of the selected color. You can also set the default value for the background color in the number input field above the plots.
Image 1.4: Example for colormap course in the HSV colorspace.
At Last the colorspaces Lab and DIN99 have a additional option. Both colorspaces include colors, which are not possible at the rgb colorspace. The CCC-Tool offers the option to limit the colorspace to an area of colors, which are also include in the rgb space. For this option activate the checkbox above the plots. You can see an example for such a limitation at the animations of the Image 1.5 and 1.6.
Image 1.5: Example for colormap course in the Lab colorspace.
Image 1.6: Example for colormap course in the DIN99 colorspace.
The analyse of the interpolations in different colormaps show you for each offered colorspace a visualization of the colormap. With this information the user of the CCC-Tool gets a fast overview over the interpolations and how excessive the differences are. This could be important if you want to approximate a colorspace at the export or if you want that user of this colormap also get the same result independent of the used colorspace. Image 2.1 one shows an example of the analyse of the interpolations in different colormaps.
Image 2.1: Example of the analyse of the interpolations in different colormaps.
The last area deal with the color distribution inside the bands in regards to the human perception of colors. The idea is that a user can set the proportion of distinguishable colors inside a band compared to the other bands. In this way you can set a equal distribution, if all values of the ranges are tantamount. Or you can give a range (or selected ranges) a higher priority than the rest ranges (Image 3.2).
How can a user do that? The CCC-Tool offers Difference Maps for this requirement. For the calculation of the Difference Maps only scaled bands observed. First the tool calculate the rational value of each scaled band to the sum of the distances of all scaled bands and draw the results into horizontal bar graph "Ratio X Reference". The width of a bar inside of these plots stands for the rational value of this band range. This visualization should serve as comparison between the rational values of the reference ranges and rational values of the color difference. There are the two colorspace Lab and DIN99, which are developed to meet the requirements for the human perception of colors. For the Lab space are additional the metrics DE94 and CIEDE2000 (instead of using the euclidean distance) to improve the determining of the color difference. For the adjustment of a colormap using the Difference Maps you should use these colorspaces and metrics. For the sake of completeness the euclidean distances of the RGB and the HSV space are also processed for Difference Maps. Similar to the bar graph with the rational value of the reference ranges, the Difference Maps will be created with the rational values of the color difference between the start and end color of each scaled band compared to the sum of the differences of all scaled bands. You can see the visualizations below the bar graph of the reference ranges.
Image 3.1: Example of the analyse of the Difference Maps.
For a dynamic modification of the colormap, one of the perceptual Difference Map (DIN99, DE94, CIEDE2000) is displayed above the visualizations of the colormap course. You can see an example at the image 3.2.
Image 3.2:
Band:
Color Picker:
HSV
RGB
HSV
RGB
Band:
Preview:
RG
B
Current Color:
Selected Color:
Task
test
Sorry the current version of the CCC-Tool is only viewable in landscape mode
Impressum / Contact
Copyright © 2018


How do the voices sound?
IcanRead uses a voice generated by artificial intelligence. It sounds exactly as a real person. That improves comprehension for the listener.
Click below to listen to a sample.
-
English (American)
How does it work?
IcanRead reads any text aloud, no matter if its in a book or on a screen, typed or handwriting.
The app works on any mobile phone.
The app has two modes, tripod- and handheld-mode.
The Tripod Mode
The tripod mode is great for when you want to focus on learning and understanding the text.
Put the phone in a tripod
The camera sees your book and the text in it.
When you want to listen, you point at the text in the book.
The app will read the text aloud for you.
The app uses advanced AI to recognize your finger and to see exactly where you point. This mode is perfect for when you study and don't want to be distracted by your phone.
The Handheld Mode
Handheld mode is easy to get started with and is a very quick way of listening to any text. Point your phone at the text, tap and listen when the app reads the text aloud.
The Screen Mode
When you have installed IcanRead on your computer you can read any text on your screen. Point the mouse to any text, press Ctrl+I and listen. It works in all other applications such as Outlook, Word, Chrome, Safari etc.
To install, click here.
What languages does it read?
IcanRead supports a large number of languages:
- Afrikaans
- Arabic
- Bengali
- Bulgarian
- Catalan
- Croatian
- Czech
- Danish
- Dutch
- English
- Estonian
- Filipino
- Finnish
- French
- German
- Greek
- Gujarati
- Hebrew
- Hindi
- Hungarian
- Icelandic
- Indonesian
- Irish
- Italian
- Japanese
- Kannada
- Korean
- Lithuanian
- Latvian
- Malayalam
- Malay
- Maltese
- Mandarin
- Marathi
- Norwegian
- Persian
- Polish
- Portuguese
- Romanian
- Russian
- Slovak
- Slovenian
- Somali
- Spanish
- Swedish
- Tamil
- Telugu
- Thai
- Turkish
- Ukrainian
- Urdu
- Vietnamese
- Zulu
- And more coming...
The story behind IcanRead
As a parent of a dyslexic son I help him a lot by reading for him. He quickly gets tired from reading and he has trouble taking in the subject. But the truth is that I can’t be there for him all the time. Thats why I developed IcanRead. Whenever my son is struggling with a text, he can use the app. I feel proud to give him the same opportunities to learn as anyone else.Adam, founder of IcanRead
Now I’m excited to share this app with the world. I want as many families as possible to have this chance of leveling the playing field.
IcanRead is now available
You can try the app for free for 10 days and see the blaze in your child’s eyes when they realize how easy it is to POINT AND LISTEN.


Package org.apache.shiro.mgt
Interface SubjectDAO
-
- All Known Implementing Classes:
DefaultSubjectDAO
public interface SubjectDAO
ASubjectDAO
is responsible for persisting a Subject instance's internal state such that the Subject instance can be recreated at a later time if necessary. Shiro's defaultSecurityManager
implementations typically use aSubjectDAO
in conjunction with aSubjectFactory
: after theSubjectFactory
creates aSubject
instance, theSubjectDAO
is used to persist that subject's state such that it can be accessed later if necessary.Usage
It should be noted that this component is used bySecurityManager
implementations to manage Subject state persistence. It does not make Subject instances accessible to the application (e.g. viaSecurityUtils.getSubject()
).- Since:
- 1.2
- See Also:
DefaultSubjectDAO
-
-
Method Summary
All Methods Instance Methods Abstract Methods Modifier and Type Method Description void
delete(Subject subject)
Removes any persisted state for the specifiedSubject
instance.Subject
save(Subject subject)
Persists the specified Subject's state for later access.
-
-
-
Method Detail
-
save
Subject save(Subject subject)
Persists the specified Subject's state for later access. If there is a no existing state persisted, this persists it if possible (i.e. a create operation). If there is existing state for the specifiedSubject
, this method updates the existing state to reflect the current state (i.e. an update operation).- Parameters:
subject
- the Subject instance for which its state will be created or updated.- Returns:
- the Subject instance to use after persistence is complete. This can be the same as the method argument if the underlying implementation does not need to make any Subject changes.
-
-


RANSOM A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): *** 1/2
Kidnapping is the fear of every parent. Nothing strikes terror as the thought that one minute your kid may be there, and the next he has disappeared forever into a nameless crowd. Consummate and always reliable director Ron Howard (SPLASH, COCOON, PARENTHOOD, BACKDRAFT, THE PAPER, and APOLLO 13) displays the skill of a Hitchcock in crafting his thriller RANSOM.
Let me cut to chase. RANSOM really delivers the goods. It is an engrossing picture that sweeps the audience into its vortex. I predict that audiences will love the show, and the film will easily earn a King's ransom for Touchstone Pictures.
High on the list of what makes any picture a success is the script. Based on a story by Cyril Hume and Richard Maibaum and on a 1956 Glenn Ford movie of the same name, Alexander Ignon and Richard Price's script is highly intelligent and is always one step ahead of the viewers.
Kidnapping stories have a canonical, linear structure. First the victim is kidnapped, then the ransom is negotiated, and finally there is the payoff. RANSOM follows a much more unusual organization. Although the trailers and almost every review gives away one of the key twists, I will not. Suffice it to say that you should expect the unexpected. In a mark of confident writers, they are even willing to set up blind alleys just to keep you on your toes.
Wealthy and confident entrepreneur Tom Mullen (Mel Gibson) has build his airline from a single plane into a billion dollar empire. He is on the cover of BusinessWeek as "Mr. Risk." As his wife Kate (Rene Russo) puts it, "He's so shy. Next month he's doing the underwear billboard in Times Square." This is another beauty of the script. Thrillers require carefully applied humor to relieve some of the tension.
One gorgeous day, the Mullen family goes to Central Park for a science fair.  Since he is about ten, his parents do not watch him every second. As his camera goes up, he is kidnapped.
As they do throughout the film, the acting of panic and fear by Gibson and Russo is genuine and touching. They earn and keep the audience's empathy. Nick Nolte's son Brawley has a lot to learn and his is the only weak performance in the show. Not a bad one certainly, and since he has only a small part, it makes little difference.
The kidnappers, including Evan Handler (NATURAL BORN KILLERS) as Miles, Donnie Wahlberg as Cubby, Liev Schreiber (DENISE CALLS UP) as Clark, and Lili Taylor (GIRLSTOWN and I SHOT ANDY WARHOL) as Maris, are a techno-savvy group. The first note is sent via Email and is complete with chilling pictures of their son bound and gagged.  They warn Tom not to tell anyone.
Tom calls the FBI and soon kidnapping expert Agent Hawkins (Delroy Lindo from GET SHORTY and BROKEN ARROW) and his team arrives incognito to the Mullen's apartment. Foiling the crooks is tougher than expected since they scramble their messages and block the phone traces. Lindo gives a compelling performance. On the phone to his wife, Hawkins confesses, "I am so glad we are not rich. You have to thank god for what we have." Yes, the rich do live in their penthouses, but with wealth comes vulnerability.
Tom is perplexed by it all. Since he is worth so much more, he wonders why they only want two million. What does this mean? In a further complication, he is rumored to have paid off union boss Jackie Brown (Dan Hedaya) to avoid a costly airline strike. The payoff put only Brown in prison, and Tom tells Hawkins that he thinks Brown may have some part in the kidnapping.
All along the way, the score by Academy Award nominated composer James Horner (APOLLO 13 and BRAVEHEART) adds to the building tension without ever overpowering it. Similarly the images by Academy Award nominated cinematographer Piotr Sobocinski (RED) provide maximum impact without any cute tricks. Only his highly effective slow motion, back and white ending sequence is out of the ordinary.
 Local cop Jimmy Shaker (Gary Sinise) tells him, "that's 'cause they're new. They'll stretch.  Jimmy, you see, works the beat near where the kidnappers have taken Sean into hiding. In this ensemble cast, Sinise and Gibson stand out as the best of the best.
As the terror of the situation sinks in on the Mullens, their marriage begins to strain. To extricate himself from the family squabbles, Agent Hawkins tells them, "I'm not a marriage counselor.  In the best piece of acting in the show, Gibson finally goes totally to pieces on their balcony. Tom's devastation is complete at this point.
"Shouldn't be a problem," tells the kidnapper to Tom. He reassures Tom at the same time he is lecturing him on the haves and have-nots in society with references to the movie THE TIME MACHINE. Most films today would have overplayed this Robin Hood metaphor, but not Ron Howard's. His taste and timing are excellent.
After an exciting and frightening adventure, the film finally starts drawing to a close. Just when you think all of the kidnappers have painted themselves in a corner, you are surprised and surprised again. When the credits start to roll, you turn to the person with you and go "wow!"
RANSOM runs 2:01. It is rated R for bloody violence and some bad language. There is no sex or nudity. It would probably be fine for most teenagers since the gore is reasonably contained, and the picture is superbly crafted. I strongly recommend the show to you and give the film *** 1/2. (This happens to be a picture to which I was not invited to the press screening. Too bad since this is the first one I am aware of with the press kit on a CD-ROM complete with video clips.)
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: November 8, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


* Currently only the furniture section of Craig's list is being indexed. Currently search has been optimized for Ikea point products such as Ikea Malm.


I'm based in Indianapolis but travel for projects around Illinois, Michigan, Ohio, Kentucky, Tennessee and Missouri. I am a lifestyle photographer who absolutely loves his job and everything that comes with it.
I offer a wide range of photography services focused on professionalism, creativity and originality. I offer capturing of New borns, Maternity, Portraits, Couple, Family, Headshots and Events. No matter what's the event is, we love to capture your precious moments in your life.
My style has been described as creative, fun, engaging and relaxed. I look forward to contact you and discussing your photography needs.


Gallery
Please enjoy yourself to monthly pictures and gifs of the most iconic planes in history!
September 2019
A380
B747
That is all for this month! Come back next month!


Pick a Size
Pick a Pizza
Select Crust
Select Sauce
Select Cheese Intensity!
Customize Your Toppings!
Your {{preset}} is done!
Your {{size}} {{crust}} pizza has {{topping}},{{sauce}}, and {{cheese}}.
Once you are finished with that slice...
Your {{size}} {{crust}} pizza has {{topping}},{{sauce}}, and {{cheese}}.
Once you are finished with that slice...


Create a dropdown menu
fdDropdownMenu(..., type = c("messages", "notifications", "tasks"),
badgeStatus = "primary", icon = NULL, .list = NULL)
Arguments
- ...
- Items to put in the menu. Typically, message menus should contain
fdMessage
s, notification menus should contain
fdNotification
s.
- type
- The type of menu. Should be one of "messages", "notifications",
"tasks".
- badgeStatus
- The status of the badge which displays the number of items
in the menu. This determines the badge's color. A value of
NULL
means to not display a badge.
- icon
- An icon to display in the header. By default, the icon is
automatically selected depending on
type
, but it can be overriden
with this argument.
- .list
- An optional list containing items to put in the menu Same as the
...
arguments, but in list format. This can be useful when working
with programmatically generated items.
See also
fdHeader
for example usage.


{% load static %} {% include "includes/head.html" %} {% block nav %} {% include "includes/nav-extended.html" %} {% endblock %}


Angular module to switch css themes on the fly.
bower install angular-themer
Configure angular-themer
within a config
-block for your (app/demo-app.js
) application.
angular.module('demoApp', ['angular-themer'])
.config(['themerProvider', function (themerProvider) {
var styles = [
{ key: 'LIGHT', label: 'Light Theme', href: 'demo/light.css'},
{ key: 'DARK', label: 'Dark Theme', href: 'demo/dark.css'},
{ key: 'DRACULA', label: 'Dracula Theme', href: ['demo/dracula.css', 'demo/header-size.css']}
];
themerProvider.storeTheme(true);
themerProvider.setStyles(styles);
var selected = themerProvider.getStoredTheme() || styles[0].key;
themerProvider.setSelected(selected);
}])
;
You can store in localStorage
the selected theme with themerProvider.storeTheme(true);
In your index.html
you have to include themer.js
and add the
themer-link
directive to a link
-element in the html header. To change the
themes you may include the theme-switcher
-directive anywhere in your document.
<html>
<head ng-app="demoApp">
<script src="bower_components/angular/angular.min.js"></script>
<script src="bower_components/angular-themer/dist/themer.min.js"></script>
<script src="app/demo-app.js"></script>
<link themer-link>
</head>
<body>
<div themer-switcher></div>
</body>
</html>
Please report any issue at the project's Github Issue Page.


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This is the Poetic Mind of Jontae Hall
I am not 100% sure of what is to go here, so I will
just try to demonstrate things that I've learned in this
lesson. I am excited to maybe one day be able to work on my
on website
This is awesome. Here is a picture of me and my friends at a
health workshop. That's me sitting in the center.'
I really enjoy leading workshops and seminars to help others. This is why We started the non profit called, Brother's Keepers'
A tag is a hidden keyword that tells the browser how to format content. An element consists of an opening tag, content, and a closing tag.
Some examples are the bold tag, b, and the emphasis tag, em. There are other types of tags that don't need to be closed. The br tag adds a line break. The img tag is used to embed images, like I added above. The a tag is used to add links. Inline vs Block Some tags like b, em, and even br are inline tags, which means they are normally displayed without line breaks. Other tags like p and div, are block tags. That means they are their own elements and can have a specified height and width.DOM= the tree pattern
Scratchpad: beginner- immediate Codepen: 2-3 sec Subllime: Difficult in the beginning-must refresh- more powerful
As I had trouble figuring out
CSS, I used the resource provided:
http://www.w3schools.com/cssref/pr_font_font-size.asp Rule of thumb: Code, Test, Design


CHOIES WANT TO HEAR YOUR VOICE!
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This is some of my work while I was at UW. Since I was a TA for the Math deparment, most of my work is for teaching, but I will add a few scripts and few other things in the next month.
During my six years at UW, I was a TA for Math 120 once, for Math 124 twice, for Math 125 five times, for Math 126 twice, and I also lectured for Math 125 twice, for Math 307 once, for Math 308 five times, and for Math 309 twice.


Self-taught programmer, Pythonista, author of py2neo and Driver Team Lead at Neo4j.
Not a web designer.


Server Error
Current Information - Jan 22, 11:45PM
Thank you faithful organizations, admins, and voters for trusting us with your vote. As of last night, our club p-card expired and was not renewed in time to give us a fresh quota to faithfully serve you the evening of January 22. We want to assure you that the errors we are encountering are from reading the current data we have saved and from writing. Meaning all votes that were cast are still here, we just cannot read them. The quota will be reset at 2AM CST and a new set of billing has been enabled.
Organizations that have current elections, please email our admin if you believe you might have been affected by this outage. We will then do our best to extend any deadlines to elections affected and work with you in getting the results out as soon as possible. If you ever have any questions, please also send an email to the admin.
Voters if you feel you were affected by the outage, please contact your organization admin. The admin will be able to relay to our developers what your issue is and serve as communications to and from us.
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Address
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{% extends 'templates/nhs_transaction_layout.html' %} {% import 'includes/form_macros.html' as form_macros %} {% block afterHeader %} {% include "includes/service-headers/low-income.html" %} {% endblock %} {% block content %} Do any of the following pay your partner's tuition fees? Student loans company Student awards agency for Scotland National Health Service {{ form_macros.button({ href: 'support-application', label: 'Save and continue' }) }}


or "The King of Barataria"
Potted Plot | History | First Night Critics | Did You Know? | Behind the Scenes | Original Cast
First performed at the Savoy Theatre, London, December 7th 1889
The first setting is the Piazzetta, Venice, close to the Ducal Palace.
Twenty Four contadine are sighing for the two most eligible gondoliers, Marco and Giuseppe Palmieri. The two duly arrive to choose their brides. They are blindfolded and prepare to play a game of blind-man's bluff. They undertake to marry the first two contadine they catch. Eventually they manage to catch Gianetta and Tessa. They all dance off.
A gondola arrives, bearing the Duke and Duchess of Plaza-Toro, their daughter, Casilda, and their attendant, Luiz. They are dressed in pompous but old and faded clothes.
They are depressed by the absence of pomp and ceremony heralding their arrival. While Luiz goes off to inform the Grand Inquisitor of their arrival the Duke lets his daughter into a secret. A secret, which, for State reasons, it was necessary to preserve for twenty years. When she was six months old she was married by proxy to the infant son of the King of Barataria. The reason for their visit to Venice is to ascertain her husband's whereabouts and to hail Casilda as the reigning Queen of Barataria.
Casilda points out that she has nothing to wear as they are penniless. The Duke reveals that he is turning himself into a limited company. Casilda is concerned that she may be witness to father's eventual liquidation.
The Duke and Duchess disappear into the Ducal Palace and when alone it is revealed that Casilda and Luiz are, in fact, in love with each other. She tells Luiz that she was wed in babyhood to the infant son of the King of Barataria. The child had been stolen shortly afterwards and nobody knows his whereabouts. Luiz's mother was the nurse with whose charge the future King had been entrusted.
The Duke and Duchess return with Don Alhambra del Bolero, the Grand Inquisitor of Spain. He tells them all that the King is in Venice working as a gondolier. The Inquisitor tells the tale of how he had brought the infant Prince to Venice, had left him to be raised with a respectable gondolier along with his own son. However....
"That highly respectable gondolier
Could never declare with a mind sincere
Which if the two was his offspring dear,
And which the Royal stripling."
Casilda is obviously very concerned that she is married to one of two gondoliers and it is impossible to say which. Don Alhambra assures her that Luiz's mother will be brought in to establish the King's identity.
They leave and the recently married gondoliers and contadina arrive. Don Alhambra enters and his shocked to learn that they are married as he explains that one of the two brothers is, in fact, the King of Barataria. He proposes that until it is settled which is which they should both reign jointly. Marco and Giuseppe agree, though the girls are distressed that initially they won't be able to accompany their husbands.
Without even packing an overnight bag the men board a small craft and set sail to Barataria.
Act two is set in the court of Barataria. All the gondoliers are discovered dressed as courtiers, officers, soldiers and servants without reference to social distinctions.
Everything is amiable except that they miss their wives whom they had left three months prior.
However, just then, their wives all arrive. As the question of who is the real king cannot yet be answered they all decide to hold a banquet and a dance.
Don Alhambra arrives and is shaken by the sight of servants dancing with the kings. They surely should be in the servant's halls. He is shocked to learn that the servant's halls are now the Royal Apartments.
Don Alhambra then goes on to explain the story of the infant marriage which, of course, freaks out Tessa and Gianetta. The situation is very very complicated.
 When traitors came to steal the Prince she substituted her own son, Luiz.
Luiz and Casilda are now crowned the king and Queen of Barataria. All rejoice and burst into a dance.
| History |
In May, 1889, Gilbert and Sullivan met in London to discuss work on the next Savoy Opera. The months preceding this meeting had been immersed in one of many bitter quarrels between the two. Different personal characteristics would make them fly off the handle at any given time. But there was also a strong magnetic force which held them together. Some may think that they knew where the money lay but both did have a genuine appreciation of each other's talent.
For five months Gilbert worked on the libretto, sending the songs as each was completed to Sullivan. Both of them were out of town, Gilbert at Uxbridge, Sullivan at Grove House, Weymouth, and their correspondence during this period was of the friendliest description.
George Grossmith left the Savoy during the run of The Yeomen, and Rutland Barrington returned for The Gondoliers after a couple of years trying his hand at 'straight' plays.
As Gilbert had experienced trouble with leading artists, all of whom had asked for a rise in salary commensurate with their rise in fame, he decided to have no "star" parts in his new opera. Jessie Bond, however, declined to appear unless her salary was raised from twenty pounds to thirty pounds a week. Gilbert would not consent to the extra ten pounds. Jessie persisted. Sullivan and Carte supported her. Gilbert had to give in. From then on he never spoke to her at rehearsals, only acknowledging her presence as she came on stage with the remark:
"Make way for the high-salaried artiste".
Rehearsals began in the middle of October, and all through November Sullivan worked hard every night. He could not stand interruption when seriously at work and therefore preferred to write at night time.
The opening performance, on December 7th, was the most brilliant of all their first-nights. It was, with The Mikado, the greatest success of their joint career.
In writing to Sullivan for the splendid work he had done, Gilbert said:
"In gives one the chance of shining right through the twentieth century with reflected light." "Don't talk of reflected light," Sullivan answered. "In such a perfect book as The Gondoliers you shine with an individual brilliancy which no other writer can hope to attain."
| First night critics |
Sunday Times
Punch
Sunday Times
Sunday Times
Morning Advertiser
Topical Times
Evening News
|
Click here to check out the reviews for the first Australia production. |
| Did you know? |
Things were beginning to happen to the Opera Company Grossmith had left hoping to make more money at his old trade as a club entertainer. Some of the remaining members were beginning to think their longevity entitled them to special treatment. Gilbert, who knew that the precision and style of D'Oyly Carte productions was created and could be maintained only by full cooperation among all concerned, constructed the plot of The Gondoliers in such manner that there is no one star. Thus he managed to bring the company back together for one further success.
Although successful in England the operetta fared less well in New York. It opened at the New Park Theatre on 7 January 1890 and was immediately panned by the critics. Carte himself came to New York to investigate, brought in replacements for several of the cast, and remounted the production at a new theatre. The new production struggled and only ran for three months.
| Behind the scenes |
When the score of The Gondoliers was published by Chappell & Co., twelve men were kept packing the score from morning till night.
On the first day 20,000 copies (11 wagon loads) of the vocal score alone were dispatched. But the printing-machines were still kept going at high pressure, and the first order executed by the publishers, including the piano score, the vocal score, the dance, and other arrangements reached over 70,000 copies.


| Ethnic Group | Number (thousands) | Total Communal Establishment resident population (%) | Proportion of all usual residents of each ethnic group resident in Communal Establishments (%) |
| White | 775 | 82.7 | 1.6 |
| Mixed/multiple | 23 | 2.4 | 1.9 |
| Asian/Asian British | 94 | 10.0 | 2.2 |
| Black/African/Caribbean/Black British | 36 | 3.9 | 1.9 |
| Other | 9 | 0.9 | 1.6 |
| Total | 937 | 100 | 1.7 |
| |
| Table Source: Office for National Statistics |
| |
| Notes: |
| 1. Data from Census tables DC2117EWla and DC2101EW via Nomis. |


To predict the labels of new data, in the OnData
method, get the most recent set of features and then call the predict
method.
features = self.get_features() self.labels = self.model.predict(features.T.values)
You can use the label prediction to place orders.
for i in set(self.labels): assets_in_cluster = features.columns[[n for n, k in enumerate(self.labels) if k == i]] size = 1/6/len(assets_in_cluster) self.SetHoldings([PortfolioTarget(symbol, size) for symbol in assets_in_cluster])


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Class for creating and signing Ethereum transactions.
More...
#include <transaction.hpp>
|
|
RLP | mRLP |
| | Object holding transaction data and encoding it.
|
| |
|
secp256k1_context * | mSecp256k1Context |
| | secp256k1 context, it's created in constructor as it takes some time to initialize
|
| |
Class for creating and signing Ethereum transactions.
◆ setValues()
| void ETHTransaction::setValues |
( |
ETHValues * |
transactionValues | ) |
|
Sets transaction's values.
- Parameters
-
◆ getSignature()
| void ETHTransaction::getSignature |
( |
Byte |
privateKey[32], |
|
|
Byte |
signature[64], |
|
|
int * |
recid |
|
) |
| |
Calculates transaction's signature.
- Parameters
-
| privateKey | private key buffer |
| signature | output signature |
| recid | output recovery id |
◆ sign()
| void ETHTransaction::sign |
( |
Byte |
privateKey[32] | ) |
|
Signs transaction.
- Parameters
-
| privateKey | private key buffer |
◆ getBuffer()
| std::pair< Buffer, size_t > ETHTransaction::getBuffer |
( |
| ) |
|
Get the signed transaction's buffer.
- Returns
- buffer start pointer and its length
◆ getHexString()
| char * ETHTransaction::getHexString |
( |
char * |
output, |
|
|
bool |
nullTerminated |
|
) |
| |
Get the hexadecimal representation of the transaction's buffer.
- Parameters
-
| output | output string |
| nullTerminated | should string be null terminated, defaults to false |
- Returns
- pointer to the last char
The documentation for this class was generated from the following files:


§88-28 Voting; rules. Each trustee shall be entitled to one vote on the board of trustees. Five concurring votes shall be necessary for a decision by the trustees at any meeting of the board.
Subject to the limitations of this part, the board, from time to time, shall establish rules for the administration of the funds of the system and for the transaction of its business. [L 1925, c 55, §5(6), (7); RL 1935, pt of §7924; RL 1945, pt of §707; am L 1951, c 93, §3; RL 1955, §6-65; HRS §88-28; am L 1969, c 110, pt of §1; am L 1993, c 349, §2]
Attorney General Opinions
An action of the board requires at least four concurring votes, and in the absence of such concurrence the action would be considered lost. Att. Gen. Op. 80-1.
Case Notes
Board's four-to-four tie vote did not constitute a "decision by the trustees"; the tie vote neither authorized nor affirmatively disavowed appeal. 87 H. 152, 952 P.2d 1215.


What is the IO[INDEX] degree of Vertex node?
ANS
The in degree of a vertex is the number of edges going into the vertex.
The out degree of a vertex is the number of edges going out of the vertex.
Vertex node has an IO[INDEX] degree of ANS.


This web application allow the web UI user to communicate with non web UI user. It allows the web user to create and read
individual contacts where the contact name and method of communication are stored which is ideally E-Mail. The web UI allows
web user to communicate with the existing contacts using conversations where the conversations are communication chain
centered around a subject. Also the contact can respond on the communication chain and the message appears in the correct conversation.


TRIANGLE TRACKER
Home
About
Tracker
Instructions
Type the lengths if the triangle to be tracked in the form below,
Press the submit button.
The program will take in your lengths and output the triangle that the legths will form.
Length One
Length Two
Length Three
SUBMIT
RESET


Zion is a fantastic template! John Smith
We absolutely love using the Zion theme. It got us all so thunderstruck, that we didn't know what was going on! We now run our own website & use our free time for our biker gang.
Eastside Riders
San Francisco, USA
| # | First Name | Last Name | Username |
|---|---|---|---|
| 1 | Mark | Otto | @mdo |
| 2 | Jacob | Thornton | @fat |
| 3 | Larry the Bird |
| # | First Name | Last Name | Username |
|---|---|---|---|
| 1 | Mark | Otto | @mdo |
| 2 | Jacob | Thornton | @fat |
| 3 | Larry the Bird |
| # | First Name | Last Name | Username |
|---|---|---|---|
| 1 | Mark | Otto | @mdo |
| 2 | Jacob | Thornton | @fat |
| 3 | Larry the Bird |


\Advanced LIGO and Gravitational Waves\
\Press Release of the first direct detection!\
Gravitational waves were finally detected directly in 2015. Almost a century after Einstein's theory of General Relativity! Before the LIGO discovery we only had very good indirect evidence, and broad consensus among physicists that these waves were out there. Gravitational waves are generated by binary systems of very heavy stars or even black holes that are spinning until they coalesce in a explosive event; see Fig. "Ripples in Spacetime".
In the couple of turns just before the collision, the pair of stars or black holes emit large amount of energy in the form of gravitational waves. These waves are ripples in spacetime. Our best hope to detect them is to have a very precise measurement of a particular distance and to see whether this "distance meter" changes or fluctuates as a gravitational wave pass by. This is what a gravitational wave would do. It would change the length of a meter very, very slightly.
The LIGO experiment has two detectors: one in Livingston, Louisiana and the other one at the Hanford Observatory near Richland, Washington. The both have two long " measurement arms" with powerful and precise lasers going through each arm. By looking at destructive and constructive interference of the lasers going down those arms, the LIGO scientists are able to measure the distance of each arm very precisely (and look for changes!).


PERF\-KVM
Section: Misc. Reference Manual Pages (1)Updated: 10/16/2012
Index Return to Main Contents
NAME
perf-kvm - Tool to trace/measure kvm guest osSYNOPSIS
perf kvm [--host] [--guest] [--guestmount=<path> [--guestkallsyms=<path> --guestmodules=<path> | --guestvmlinux=<path>]] {top|record|report|diff|buildid-list} perf kvm [--host] [--guest] [--guestkallsyms=<path> --guestmodules=<path> | --guestvmlinux=<path>] {top|record|report|diff|buildid-list}
DESCRIPTION
There are a couple of variants of perf kvm:
-
'perf kvm [options] top <command>' to generates and displays a performance counter profile of guest os in realtime of an arbitrary workload.
-
'perf kvm record <command>' to record the performance counter profile of an arbitrary workload and save it into a perf data file. If both --host and --guest are input, the perf data file name is perf.data.kvm. If there is no --host but --guest, the file name is perf.data.guest. If there is no --guest but --host, the file name is perf.data.host.
-
'perf kvm report' to display the performance counter profile information recorded via perf kvm record.
-
'perf kvm diff' to displays the performance difference amongst two perf.data files captured via perf record.
-
'perf kvm buildid-list' to display the buildids found in a perf data file, so that other tools can be used to fetch packages with matching symbol tables for use by perf report.
OPTIONS
-i, --input=
- Input file name.
-o, --output
- Output file name.
--host=
- Collect host side performance profile.
--guest=
- Collect guest side performance profile.
--guestmount=<path>
- Guest os root file system mount directory. Users mounts guest os root directories under <path> by a specific filesystem access method, typically, sshfs. For example, start 2 guest os. The onecqs pid is 8888 and the othercqs is 9999. #mkdir /guestmount; cd/guestmount #sshfs -o allow_other,direct_io -p 5551 localhost:/ 8888/ #sshfs -o allow_other,direct_io -p 5552 localhost:/ 9999/ #perf kvm --host --guest --guestmount=~/guestmount top
--guestkallsyms=<path>
- Guest os /proc/kallsyms file copy. perf kvm' reads it to get guest kernel symbols. Users copy it out from guest os.
--guestmodules=<path>
- Guest os /proc/modules file copy. perf kvm' reads it to get guest kernel module information. Users copy it out from guest os.
--guestvmlinux=<path>
- Guest os kernel vmlinux.
SEE ALSO
perf-top(1), perf-record(1), perf-report(1), perf-diff(1), perf-buildid-list(1)
Index
This document was created by man2html, using the manual pages.
Time: 05:29:07 GMT, December 24, 2015


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