French painters who prepared the way for Impressionism include the Romantic colourist Eugène Delacroix, the leader of the realists Gustave Courbet, and painters of the Barbizon school such as Théodore Rousseau. The Impressionists learned much from the work of Johan Barthold Jongkind, Jean-Baptiste-Camille Corot and Eugène Boudin, who painted from nature in a direct and spontaneous style that prefigured Impressionism, and who befriended and advised the younger artists.
Mary Cassatt's
Lydia Leaning
A number of identifiable techniques and working habits contributed to the innovative style of the Impressionists. Although these methods had been used by previous artists—and are often conspicuous in the work of artists such as Frans Hals, Diego Velázquez, Peter Paul Rubens, John Constable, and J. M. W. Turner—the Impressionists were the first to use them all together, and with such consistency.
These techniques include:
New technology played a role in the development of the style. Impressionists took advantage of the mid-century introduction of premixed paints in tin tubes (resembling modern toothpaste tubes), which allowed artists to work more spontaneously, both outdoors and indoors. Previously, painters made their own paints individually, by grinding and mixing dry pigment powders with linseed oil, which were then stored in animal bladders.
Many vivid synthetic pigments became commercially available to artists for the first time during the 19th century. These included cobalt blue, viridian, cadmium yellow, and synthetic ultramarine blue, all of which were in use by the 1840s, before Impressionism. The Impressionists' manner of painting made bold use of these pigments, and of even newer colours such as cerulean blue, which became commercially available to artists in the 1860s.
The Impressionists' progress toward a brighter style of painting was gradual. During the 1860s, Monet and Renoir sometimes painted on canvases prepared with the traditional red-brown or grey ground. By the 1870s, Monet, Renoir, and Pissarro usually chose to paint on grounds of a lighter grey or beige colour, which functioned as a middle tone in the finished painting. By the 1880s, some of the Impressionists had come to prefer white or slightly off-white grounds, and no longer allowed the ground colour a significant role in the finished painting.
Camille Pissarro's
Hay Harvest at Eragny
Prior to the Impressionists, other painters, notably such 17th-century Dutch painters as Jan Steen, had emphasized common subjects, but their methods of composition were traditional. They arranged their compositions so that the main subject commanded the viewer's attention. The Impressionists relaxed the boundary between subject and background so that the effect of an Impressionist painting often resembles a snapshot, a part of a larger reality captured as if by chance. Photography was gaining popularity, and as cameras became more portable, photographs became more candid. Photography inspired Impressionists to represent momentary action, not only in the fleeting lights of a landscape, but in the day-to-day lives of people.
Berthe Morisot's
Reading
The development of Impressionism can be considered partly as a reaction by artists to the challenge presented by photography, which seemed to devalue the artist's skill in reproducing reality. Both portrait and landscape paintings were deemed somewhat deficient and lacking in truth as photography "produced lifelike images much more efficiently and reliably."
In spite of this, photography actually inspired artists to pursue other means of creative expression, and rather than compete with photography to emulate reality, artists focused "on the one thing they could inevitably do better than the photograph—by further developing into an art form its very subjectivity in the conception of the image, the very subjectivity that photography eliminated." The Impressionists sought to express their perceptions of nature, rather than create exact representations. This allowed artists to depict subjectively what they saw with their "tacit imperatives of taste and conscience." Photography encouraged painters to exploit aspects of the painting medium, like colour, which photography then lacked: "The Impressionists were the first to consciously offer a subjective alternative to the photograph."
Claude Monet's
Jardin a Sainte-Adresse
Another major influence was Japanese ukiyo-e art prints (Japonism). The art of these prints contributed significantly to the "snapshot" angles and unconventional compositions that became characteristic of Impressionism. An example is Monet's Jardin à Sainte-Adresse, 1867, with its bold blocks of colour and composition on a strong diagonal slant showing the influence of Japanese prints.
Edgar Degas was both an avid photographer and a collector of Japanese prints. His The Dance Class (La classe de danse) of 1874 shows both influences in its asymmetrical composition. The dancers are seemingly caught off guard in various awkward poses, leaving an expanse of empty floor space in the lower right quadrant. He also captured his dancers in sculpture, such as the Little Dancer of Fourteen Years.


1. This website is about the mozilla firefox logo
2. it shows a picture of the mozilla firefox logo
3. it displays the firefox logo on the screen
The colors
appear in the logo.


Sacked Benni receives message from Arsenal legend
Cape Town - Arsenal legend Ian Wright sent Benni McCarthy words of encouragement after Cape Town City sacked the former Bafana Bafana striker as head coach.
The Citizens have endured a tough start to the season as they have only won once in nine matches to sit 13th in the league standings.
McCarthy's last match in charge ended in a 1-0 loss to Maritzburg United at home on 25 October.
They were also knocked out in the first round of the MTN8 and lost to Kaizer Chiefs in the Telkom Knockout at the first hurdle.
The former Bafana Bafana striker was at the helm for two and a half years and won the MTN8 trophy last season.
City said in statement that assistant coach Vasili Manousakis will take charge of the side until a permanent replacement is found.
In Twitter post McCarthy shared his views on his sacking saying: "I'm disappointed to end my time at the club but I would like to nevertheless thank the club & particularly the players,the fans and the community of Cape Town for their support and commitment over the last two years. I'm proud of my time at the club and wish them all the best."
In which Wright responded with: "Bigger things ahead my friend"
City are back in action on Wednesday as they welcome Polokwane City to Cape Town Stadium.
Kick-off is at 19:30.
- TeamTalk Media


A warm welcome everyone to 2020’s MCTS Community Christmas Party!
This is to give you a quick overview what’s planned plus a brief how-to for using the tool wonder.me. If you run into any technical issues or have other relevant queries, please send us a quick mail over to<EMAIL_ADDRESS>or ask for Matthias Meller, Amelie Anders or Nadine Patzelt.
🎄 Joining the Christmas Party
Open this link to enter our Christmas Party online venue: https://www.wonder.me/r?id=02418b2b-e994-4a0c-85b8-dc060e700347.
You don’t need a password. Please use either Chrome or Firefox (on a desktop computer).
📆 Want to add the event to your digital calendar to get automatically get a reminder and have the link ready? Download the .ics file here. Also, here is the .ics file to the Zoom emergency meeting.
"Emergency” Zoom-Meeting
In case wonder.me should fail for any reason we have setup a separate Zoom meeting as a fallback option. You can join without waiting for any host. We will try to look in between to make sure everyone was able to join wonder.me.
Join Zoom meeting: https://tum-conf.zoom.us/j/64156746879
Password: welcome!
🧑🎄 The Program
7:30 pm — What happens to MCTS graduates when they “grow up”?
Join us over at the Alumni Talk table!
- We’ll briefly introduce the MCTS Alumni Network Initiative
- Three STS & RESET alumni share a bit of their journeys since graduation
- Your opportunity to ask questions!
8:00 pm — Opening of MCTS Christmas Party
After a few warm welcome words by the MCTS community, feel free to discover the event space and join whatever area or conversation you prefer. We’ve setup various thematic tables / rooms where you can:
- Play Powerpoint Karaoke, organised by Cansu Güner, PhD Candidate at MCTS
- Have fun with Games designed for online meetings, hosted by Oliver Zillig, STS Master student
- Share your work and internship experience at Work Experience & Co.
- Have a drink together over at the Glühwein Bar
- Join the STS Talk
- Discuss your New Year’s Resolutions — Eat cookies over at the Kitchen (there’s a balcony for our smokers …)
And of course mix and mingle all around, wonder.me allows you to easily jump from conversations to the next.
How-To: Wonder.me
We’re using the tool wonder.me, a Germany-based tool for creating virtual meeting spaces. Please review its privacy policy (and FAQ) prior to joining.
1. Join link, enable / check camera and microphone
Again, make sure to use Chrome or Safari, otherwise some features of wonder.me won’t work. No worries, you also don’t have download anything, it’s all browser-based. Be sure to have a decent internet connection and connect your computer to power.
2. Enter your name and take a nice photo
The photo is your avatar in wonder.me that allows others to spot you in our Christmas Party venue. Make sure to look stellar 😊
3. Welcome to the Christmas Party space
Make yourself at home, be sure everything works for you.
4. Zoom in to explore …
… who else is around and what tables or conversations you could join.


#include <stUtil.h>
Public Member Functions | |
| void | Append (const char *str) |
| void | Append (double d) |
| void | Append (int i) |
| void | Clear () |
| const char * | GetStr () |
Marcos Rodrigues Vieira<EMAIL_ADDRESS>Definition at line 1139 of file stUtil.h.
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Appends an integer to this message.
Definition at line 1168 of file stUtil.h. References Append(). |
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Appends a double to this message.
Definition at line 1157 of file stUtil.h. References Append(). |
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Appends a string to this message.
Definition at line 1148 of file stUtil.h. Referenced by Append(). |
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Clears the contents of this string. |
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Returns the contents of this message as a null terminated string. |


I am a Utah Punk Rocker named Mark T. I have done a large amount of salvia in the past, and had had a bad confrontation with my shadow. Today I did another large dose, and this is how is went down.
It loaded to be 2 big bowls in a water bong, and I got em down in 1 hitter bowls. With my eyes open, I saw nothing, but felt confused and in complete disoray. I closed my eye only to meet a full in closed eye hullicination. The fuzzy light of my closed eyes manipulated and duplicated, I was in complete darkness in another deminsion and in a cell of a firey square as it was all around.  I told him that my lungs hurt. I was sprirling in a bad trip. Trying to get out of my trip but that pain was a firey chain connected to my soul, squeezing and confining it. I was completely out the top of my head connected with the cosmic consiosness, thats all there was. I felt disturbed thinking that everything was an illusion, that I was a slave to the darkness and everyone was a boring dream.
I realized that this was my shadow again. So I pushed it away, I denied the lies that it put in me.  After reality hit I was hit with feeling of boredom and disconnection with the family that I was with that I was so close to in the past. Then the darkness came flashing back and I was confined back into my firey cell. I finally told the shadow that what I felt towards them was not boredom, but a strong bond and longing towards.
The lady came back and took my hand, she pulled off the pain in my lungs and took the chain from me and carried me back into reality. I reassured myself of where I was and grasped back the concept that I was not really alone, I could feel the aura of the others upstairs and there I went, I came down and back into my body that somehow I became disassociated with and back to reality that I had so been longing. And most of all, I had defeated my long troubling shadow. Before I had a trip where my shadow took over my body and suppressed my in the painfull was as now. Before it threw me back as I could feel the dark cloud overtake me, then I came to.
I don't think that I will do anymore salvia, because I feel that I have done what I had been wanting to.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


{% extends "base_dashboard.html" %} {% load i18n %} {% load upload_tags %} {% block extra_css %} {% endblock %} {% block content %}
You will receive an e-mail as soon this process finishes with the link to start analysing your individuals. You can take this time to read our Documentation about how to filter your variants.


Hello World!!!
Today is {{today}}
We are {% if today.day == 1 %} the first day of month. {% elif today.day == 30 %} the last day of month. {% else %} I don't know. {%endif%}


By examining every package on PyPi and inspecting every setup.py file I could find, I've made a list of the most referenced and required Python packages there are. Showing what are the most popular and critical packages in use today.
{% if site.github.is_project_page %} {% endif %} {% if site.github.is_user_page %} {% endif %}


Overview
Materials Commons is a site for the materials community to store, share, and publish data. This package, materials_commons.api
, provides a Python API for use with Materials Commons.
Features of Materials Commons:
Store and share materials data in private projects
Upload and download files securely via the web or command line
Transfer very large files or very many files with the Globus transfer service
Add metadata to enable features for browsing, searching, and understanding materials data
Publish datasets:
Support for large (>1TB) datasets with Globus
Datasets may be cited with DOIs
Datasets are findable via Google Dataset and search engines
For more details about Materials Commons see:
“The Materials Commons: A Collaboration Platform and Information Repository for the Global Materials Community”, B. Puchala, G. Tarcea, E. A. Marquis, M. Hedstrom, H.V. Jagadish, and J. E. Allison, JOM, Vol. 88, No. 8, 2016. DOI: 10.1007/s11837-016-1998-7
Materials Commons website online help documentation [link]
Materials Commons YouTube introduction [link]
Materials Commons is developed by the PRISMS Center at the University of Michigan. This work is supported by the U.S. Department of Energy, Office of Basic Energy Sciences, Division of Materials Sciences and Engineering under Award #DE-SC0008637.


"My mama always said life was like a box of chocolates. You never know what you're gonna get.". - Forrest Gump
"May the force be with you." - Star Wars
I'M BATMAN.
Earth, water, fire. Together, we are CAPTAIN PLANET!


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ARK2D
1.0
Game development framework for Windows, Mac OS X and Android.
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Standard pooling of GameObjects. More...
#include <Namespaces.h>
Public Member Functions | |
| Pool () | |
| Pool (unsigned int amount) | |
| Pool (unsigned int amount, bool usingList) | |
| void | increase () |
| void | increase (unsigned int amount) |
| void | add (T object) |
| void | add (T object, bool active) |
| Vector< T > * | getActive () |
| Vector< T > * | getInactive () |
| PoolIterator< T > * | iterator () |
| PoolIterator< T > * | newiterator () |
| PoolIterator< T > | newiteratorref () |
| void | setUsingList (bool b) |
| bool | isUsingList () |
| T | get () |
| void | prune (T obj) |
| void | prune (VectorIterator< T > *it, T obj) |
| void | pruneAll () |
| void | reset () |
| string | toString () |
| unsigned int | size () |
| unsigned int | sizeActive () |
| void | updateAll (ARK::Core::GameContainer *container, GameTimer *timer) |
| void | updateSelection (void *selectionFunction) |
| void | renderAll (ARK::Core::GameContainer *container, Renderer *graphics) |
| void | renderSelection (void *selectionFunction) |
| virtual | ~Pool () |
Friends | |
| class | PoolIterator< T > |
Standard pooling of GameObjects.
Holds pointers to dynamically created objects to prevent allocation throughout game-playing. They must be pointer types!
Definition at line 212 of file Namespaces.h.
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A graphical user interface for network modeling with the 'statnet' software.
| Version: | 0.5.0 |
| Depends: | R (≥ 3.1.0), shiny (≥ 0.12.1), ergm (≥ 3.2.4), network, lattice, latticeExtra |
| Imports: | sna, RColorBrewer |
| Published: | 2018-07-21 |
| Author: | Martina Morris [cre, aut], Emily Beylerian [aut], Kirk Li [ctb], Samuel Jenness [ctb] |
| Maintainer: | Martina Morris <morrism at uw.edu> |
| License: | GPL-3 |
| NeedsCompilation: | no |
| Materials: | README |
| CRAN checks: | statnetWeb results |
| Reference manual: | statnetWeb.pdf |
| Package source: | statnetWeb_0.5.0.tar.gz |
| Windows binaries: | r-devel: statnetWeb_0.5.0.zip, r-release: statnetWeb_0.5.0.zip, r-oldrel: statnetWeb_0.5.0.zip |
| OS X binaries: | r-release: statnetWeb_0.5.0.tgz, r-oldrel: statnetWeb_0.5.0.tgz |
| Old sources: | statnetWeb archive |
Please use the canonical form https://CRAN.R-project.org/package=statnetWeb to link to this page.


Gary Kwong, GitHub: nth10sd or<EMAIL_ADDRESS>the people writing and running fuzzers are by far the most effective QA people at Mozilla.
Nicholas Nethercote, MemShrink & Low Level Tools Team Manager at Mozilla
Fuzzing is an effective way to find corner cases overlooked when creating a patch and a test for it. A comprehensive fuzz bug report can also provide more information on how to fix it.
[:arai] Mozilla community contributor


Upgrading to Twisted 2.0
The Twisted Split FAQ
: why was Twisted split into multiple packages?
Components changes
: Twisted now uses Zope Interfaces rather than its own component system.
Index
Version: 8.2.0


| Task | Training Data | Training Ground Truth | Validation Data | Validation Ground Truth | Test Data | Test Ground Truth | License |
|---|---|---|---|---|---|---|---|
| 1 |
Download (5.8GB)
2000 lesion images in JPEG format and 2000 corresponding superpixel masks in PNG format, with EXIF data stripped. |
Download (9MB)
2000 binary mask images in PNG format. |
Download (878MB) | Download (559KB) | Download (5.4GB) | Download (18MB) | CC-0 |
| 2 |
Download (710KB)
2000 dermoscopic feature files in JSON format. |
Download (51KB) |
Download (210KB)
|
||||
| 3 |
Download (43KB)
2000 entries of gold standard lesion diagnoses. |
Download (3KB) |
Download (13KB)
|
Codella N, Gutman D, Celebi ME, Helba B, Marchetti MA, Dusza S, Kalloo A, Liopyris K, Mishra N, Kittler H, Halpern A. "Skin Lesion Analysis Toward Melanoma Detection: A Challenge at the 2017 International Symposium on Biomedical Imaging (ISBI), Hosted by the International Skin Imaging Collaboration (ISIC)". arXiv: 1710.05006 [cs.CV]


Userbase is a database and backend service, purpose-built for web apps. It is accessible directly from the browser through a very simple JavaScript SDK.
Unlike a regular database, all Userbase queries run in the browser.
Userbase takes care of your user accounts. It comes with built-in APIs for user signups, logins, and access control.
Userbase won't show you what your users store in your web app. It spares you from the liability of handling user data by encrypting everything in the browser, using keys that always stay with the user.
If you're building a web app, you will likely need a database and a backend. Userbase can replace both of those things...
Userbase will be available on January 25th, 2020. Enter your email to receive important updates in your inbox.


Select by Kinds:
Abstract Task
User Task
Script Task
Service Task
Start Event
End Event
Catch Event
Throw Event
Lane
Clear


Greetings dear comrades, my name is Paulyglot. I'm a socialist content creator and debate bro. However, I'm no ordinary lefty, I'm a business school leftist. My goal is to use my content, style, finance/econ knowledge and rhetoric to btfo, as well as educate, the wider lefty community on modern economics and socialist theory. Nothing saddens me more than seeing my fellow comrades get irreversibly demolished in debates with conservatives and libs about economics and failing to up their game. No more! I'm an Econ debate bro who's going to use his bachelor's in Finance to take our movement to the next level.


To shorten the code, it is also possible to specify all the background properties in one single property. This is called shorthand property. The shorthand property for background is background. When using the shorthand property the order of property values are:It does not matter if one of the property values are missing, as long as other ones are in this order.
- background-color
- background-image
- background-repeat
- background-attachment
- background-position


Jank: A Text Friendly HTML Template
Want to write some text and put it on a static website, without a framework, compilers, learning special syntax, or other distractions? Don't want anything other than just raw text content?
Jank is a simple HTML file, with no javascript code, that uses some basic CSS to make it possible to write plain text with newlines and tabs and have that be broken out appropriately on the browser page. It's really just a simple "hack".
Here, let's make a tabbed section and talk about lists
You can make a bulleted list:
- pizza
- burger
- hotdog
Or an ordered list:
1. one
2. two
3. three
You can, if required, add straight up HTML too:
In the same vein, you can share blocks of mono-spaced text using the 'pre' tag:
function addOne(x) { return x + 1; }
addOne(1) // => 2
You can even support fancy features like (*gasp*) footnotes!1 (It's really nothing fancy, it's just HTML)
Here is the template you can use, with your own content. Copy paste this into a file, save it as something with .html as the extension, and place it in a static file server (or just double click to preview locally):
<title>Tab/Window Title</title>
Heading
Here's some example body text.

1 - An example footnote! You can do this by using 1
to indicate the existence of a footnote, and 1
just before the actual footnote.
Github Link


{% extends 'layouts/base.html' %} {% block title %}Eventual Consistency Interstitial{% endblock %} {% block content %}
To see your updated information, click here.


Setting Up A Python Environment Basics
Aims:
Set up a python environment where I can run multiple self contained versions of python under virtualenv.
URLs used:
- http://docs.python-guide.org/en/latest/dev/virtualenvs/
- http://dabapps.com/blog/introduction-to-pip-and-virtualenv-python/
- http://virtualenvwrapper.readthedocs.org/en/latest/
TL;DR
- Do use pip
- Don't use easy-install (apart from to install pip)
- Do install virtualenv
- Don't use virtualenv to manage virtual environments
- Do install virtualenvwrapper
- Do use virtualenvwrapper to manage virtual environments
SetUpCode:
sudo pip install virtualenv
sudo pip install virtualenvwrapper
sudo geany .bashrc
<addTheFollowingToBashrc>
# set the workonhome and virtualenvwrapper_python
export WORKON_HOME=$HOME/.virtualenvs
export VIRTUALENVWRAPPER_PYTHON=/usr/bin/python3.4
source /usr/bin/virtualenvwrapper.sh
</addTheFollowingToBashrc>
Useage:
mkvirtualenv <virtualenvironment name> #create a virtual environment using default settings
mkvirtualenv -p /usr/bin/python3.4 <virtualenvironment name> #create a virtual environment using python3.4
mkvirtualenv -p /usr/bin/python2.7 <virtualenvironment name> #create a virtual environment using python2.7
lsvirtualenv #List the virtual enviornments:
workon <virtualenvironment name> #Use a specific virtual environment
rmvirtualenv <virtualenvironment name> #Remove a specific virtual environment
deactivate #stop using the current virtual environment
Why:
By forcing your code to work against self-contained python environments stored in unique 'virtual environments' you insulate yourself from changes in the underlying libraries which may break your code.
What does virtualenv do:
virtualenv solves this problem by creating a completely isolated virtual environment for each of your programs. An environment is simply a directory that contains a complete copy of everything needed to run a Python program, including a copy of the python binary itself, a copy of the entire Python standard library, a copy of the pip installer, and (crucially) a copy of the site-packages directory mentioned above. When you install a package from PyPI using the copy of pip that's created by the virtualenv tool, it will install the package into the site-packages directory inside the virtualenv directory. You can then use it in your program just as before.
What does virtualenvwrapper do:
- Organizes all of your virtual environments in one place.
- Wrappers for managing your virtual environments (create, delete, copy).
- Use a single command to switch between environments.
- Tab completion for commands that take a virtual environment as argument.
- User-configurable hooks for all operations (see Per-User Customization).
- Plugin system for more creating sharable extensions (see Extending Virtualenvwrapper).


Documentation
Pasteup is a library of code to help you implement the Guardian’s design and interaction patterns on the web. It can be used in various ways, most simply by linking directly to a CDN hosted version, or if necessary pulling individual modules into your own project’s build process.
Base CSS
The base CSS of Pasteup should give you a generic Guardian style design for your page. This includes standard fonts and font sizes, colors, and heading styles. This is the simplest way of using Pasteup, and should go some distance to giving you a Guardian look and feel.
You can see an example of how this might look in our styleguide.
Layout styles
Guardian web pages typically implement one of two grid systems. A 940px
fixed width grid as on guardian.co.uk, and a liquid and responsive layout which works across devices from mobile and tablet up to desktop (this doesn't exist yet).
Module library
A set of stand-alone components which make up Guardian web pages. These should be entirely decoupled from any particular page or any particular layout.
Hosting
Pasteup is fully hosted on http://pasteup.gu.com which is a globally distributed and load balanced CDN. All files are minified, gzipped, and have far future Expires headers so they are aggressively cached by browsers.
In the first instance, please link to URLs on this domain, as they are likely to be already cached by your users.
Other things
- Looking for boilerplate HTML?
- Looking for HTML coding styleguide?
- Looking for CSS coding styleguide?
- Looking for JavaScript coding styleguide?


We help you connect to the world of Sea Food Business in Rivers State
Connecting you with machineries of all sorts


The Application Server exposes a MQTT server to work with streaming events. In order to use the MQTT server you need to create a new API key to authenticate:
$ ttn-lw-cli applications api-keys create \
--name mqtt-client \
--application-id app1 \
--right-application-traffic-read \
--right-application-traffic-down-write
Note: See
--help
to see more rights that your application may need.
You can now login using an MQTT client with the application ID app1
as user name and the newly generated API key as password.
There are many MQTT clients available. Great clients are mosquitto_pub
and mosquitto_sub
, part of Mosquitto.
Tip: when using
mosquitto_sub
, pass the-d
flag to see the topics messages get published on. For example:$ mosquitto_sub -h thethings.example.com -t '#' -u app1 -P 'NNSXS.VEEBURF3KR77ZR..' -d
Subscribing to upstream traffic
The Application Server publishes on the following topics:
v3/{application id}/devices/{device id}/join
v3/{application id}/devices/{device id}/up
v3/{application id}/devices/{device id}/down/queued
v3/{application id}/devices/{device id}/down/sent
v3/{application id}/devices/{device id}/down/ack
v3/{application id}/devices/{device id}/down/nack
v3/{application id}/devices/{device id}/down/failed
While you could subscribe to separate topics, for the tutorial subscribe to #
to subscribe to all messages.
With your MQTT client subscribed, when a device joins the network, a join
message gets published. For example, for a device ID dev1
, the message will be published on the topic v3/app1/devices/dev1/join
.
Show example
{
"end_device_ids": {
"device_id": "dev1",
"application_ids": {
"application_id": "app1"
},
"dev_eui": "4200000000000000",
"join_eui": "4200000000000000",
"dev_addr": "01DA1F15"
},
"correlation_ids": [
"gs:conn:01D2CSNX7FJVKQPCVG612QF1TX",
"gs:uplink:01D2CT834K2YD17ZWZ6357HC0Z",
"ns:uplink:01D2CT834KNYD7BT2NHK5R1WVA",
"rpc:/ttn.lorawan.v3.GsNs/HandleUplink:01D2CT834KJ4AVSD1SJ637NAV6",
"as:up:01D2CT83AXQFQYQ35SR74CTWKH"
],
"join_accept": {
"session_key_id": "AWiZpAyXrAfEkUNkBljRoA=="
}
}
You can use the correlation IDs to follow messages as they pass through The Things Stack.
When the device sends an uplink message, a message will be published to the topic v3/{application id}/devices/{device id}/up
.
Show example
{
"end_device_ids": {
"device_id": "dev1",
"application_ids": {
"application_id": "app1"
},
"dev_eui": "4200000000000000",
"join_eui": "4200000000000000",
"dev_addr": "01DA1F15"
},
"correlation_ids": [
"gs:conn:01D2CSNX7FJVKQPCVG612QF1TX",
"gs:uplink:01D2CV8HF62ME0D7MZWE38HHH8",
"ns:uplink:01D2CV8HF6FYJHKZ45YY1DB3MR",
"rpc:/ttn.lorawan.v3.GsNs/HandleUplink:01D2CV8HF6XR7ZFVK768PDG3J4",
"as:up:01D2CV8HNGJ57G25BW0FCZNY07"
],
"uplink_message": {
"session_key_id": "AWiZpAyXrAfEkUNkBljRoA==",
"f_port": 15,
"frm_payload": "VGVtcGVyYXR1cmUgPSAwLjA=",
"rx_metadata": [{
"gateway_ids": {
"gateway_id": "eui-0242020000247803",
"eui": "0242020000247803"
},
"time": "2019-01-29T13:02:34.981Z",
"timestamp":<PHONE_NUMBER>,
"rssi": -35,
"snr": 5,
"uplink_token": "CiIKIAoUZXVpLTAyNDIwMjAwMDAyNDc4MDMSCAJCAgAAJHgDEMj49+ME"
}],
"settings": {
"data_rate": {
"lora": {
"bandwidth": 125000,
"spreading_factor": 7
}
},
"data_rate_index": 5,
"coding_rate": "4/6",
"frequency": "868500000",
"gateway_channel_index": 2,
"device_channel_index": 2
}
}
}
Publishing downlink traffic
Downlinks can be scheduled by publishing the message to the topic v3/{application id}/devices/{device id}/down/push
.
For example, to send an unconfirmed downlink message to the device dev1
in application app1
with the hexadecimal payload BE EF
on FPort
15 with normal priority, use the topic v3/app1/devices/dev1/down/push
with the following contents:
{
"downlinks": [{
"f_port": 15,
"frm_payload": "vu8=",
"priority": "NORMAL",
}]
}
Hint: Use this handy tool to convert hexadecimal to base64.
If you use
mosquitto_pub
, use the following command:$ mosquitto_pub -h thethings.example.com \ -t 'v3/app1/devices/dev1/down/push' \ -u app1 -P 'NNSXS.VEEBURF3KR77ZR..' \ -m '{"downlinks":[{"f_port": 15,"frm_payload":"vu8=","priority": "NORMAL"}]}' \ -d`
It is also possible to send multiple downlink messages on a single push because downlinks
is an array. Instead of /push
, you can also use /replace
to replace the downlink queue. Replacing with an empty array clears the downlink queue.
Note: if you do not specify a priority, the default priority
LOWEST
is used. You can specifyLOWEST
,LOW
,BELOW_NORMAL
,NORMAL
,ABOVE_NORMAL
,HIGH
andHIGHEST
.
The Things Stack supports some cool features, such as confirmed downlink with your own correlation IDs. For example, you can push this:
{
"downlinks": [{
"f_port": 15,
"frm_payload": "vu8=",
"priority": "HIGH",
"confirmed": true,
"correlation_ids": ["my-correlation-id"]
}]
}
Once the downlink gets acknowledged, a message is published to the topic v3/{application id}/devices/{device id}/down/ack
.
Show example
{
"end_device_ids": {
"device_id": "dev1",
"application_ids": {
"application_id": "app1"
},
"dev_eui": "4200000000000000",
"join_eui": "4200000000000000",
"dev_addr": "00E6F42A"
},
"correlation_ids": [
"my-correlation-id",
"..."
],
"downlink_ack": {
"session_key_id": "AWnj0318qrtJ7kbudd8Vmw==",
"f_port": 15,
"f_cnt": 11,
"frm_payload": "vu8=",
"confirmed": true,
"priority": "NORMAL",
"correlation_ids": [
"my-correlation-id",
"..."
]
}
}
You see the correlation ID my-correlation-id
of your downlink message. You can add multiple custom correlation IDs, for example to reference events or identifiers of your application.


BOOGIE NIGHTS 1997 A film review by Timothy Voon Copyright 1998 Timothy Voon 2 :-) :-) for a study on the sex industry
Let's take a long hard deep look at the porn industry. Far removed from the norm are these gods and goddesses of sex, who use their bodies as tools to arouse the onlooker. They're movies show sirens lost in the addictive sea of lust as they mingle and mix scents and issues. We hear repeated throaty moans as they go over and over and over the mechanics of love making like the pistons of a steam engine. Performing the erotic dance with possessed twist and turns, seemingly lost in a depraved embrace as if they didn't get enough of it. They are seemingly able to reach greater heights of pleasure with each successive multiple orgasm. Yeah, tell me about it!
So who are these titans of sex?   Then there's ‘Rollergirl', a blonde bimbette school dropout well known for giving good mouth, also gets mothered and f'kd. There are others, but in particular the Godfather of this big f'king family, the director of the movies himself (Burt Reynolds).
What makes this movie interesting, is that it shows us what life is like behind these fantastic orgies. The lonely pain, the inner suffering, the craving for love and acceptance, and the profound emptiness within. Add to this poor self-esteem, psychological instability, alcohol and illicit drug dependence and you have perfected an emotional wreck. It shows us how easily young and homeless teens are led into the seemingly ‘glamorous' sex industry, tempted by its easy material gains. This is followed by a vicious cycle of ups and downs caused by an industry that chews up its stars quicker than a mouse can breed.
 Mark Wahlberg fills the shoes of the young, naïve boy who is transformed by the sex industry with great sincerity. Julianne Moore shows us with her performance that she has done her study by accurately portraying a slut queen, but it is Burt Reynold's who excels and shines as the business man porno king.
This is a well made, finely crafted, humorous study on the world of pornography and is good resource material for anyone thinking about becoming a counsellor for young people.
Timothy Voon e-mail<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Securing the Internet of Things
Before I started programming, I went to law school and worked at a non-profit for a few years. I enjoyed that work quite a bit, and I still find many legal issues interesting. But, I'm such a nerd, that after studying law all day I would go home and study programming all night, and I gradually fell in love with it. I am never sure if and how my legal training will now play a role in my career. I am frequently reminded that one potential intersection of my previous work and my growing technology interests would be in the security issues that arise with new technology.
I don't know enough about the Internet of Things to make predictions about how fast it will occur. But, I like to keep an eye on it, to see how it evolves. The phrase "Internet of Things" has been attached to various efforts to connect physical devices and household products to the Internet. For example, your flowerpot could text you when they need to be watered. Or, your fridge could maintain an index of how much food you have left and email you to warn if you are running low on milk or eggs, or automatically order more to be delivered to your house.
In addition to these minor conveniences, more dramatic links could be made to order a refill of your medicine, or to warn your doctor if you miss a dose. There is vast potential for gathering data on customer needs and habits, and new industries are growing fast. And this stuff isn't all coming in the future. Some is already here. Tesla, for example, already updates its cars while the customers' cars sit parked in the garage.
Aside from all of this exciting potential, some serious security concerns may arise. Floating more data between our devices may create more opportunities to steal it, hack it, and manipulate it. In one dramatic example, Wired magazine shared how some good-intentioned hackers hacked a jeep, and killed the engine, while it was traveleing down the highway. Such a dramatic scene is still only a hint of what bad-intentioned hackers might do. I want to keep eye on this stuff as the field grows.


Make the category list a dropdown so it doesn't break the layout
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Gochujang PBR&B you probably haven't heard of them, chia dreamcatcher.
Make the category list a dropdown so it doesn't break the layout
Gochujang PBR&B you probably haven't heard of them, chia dreamcatcher mumblecore offal bicycle rights ugh normcore portland.
Gochujang PBR&B you probably haven't heard of them, chia dreamcatcher.
Make the category list a dropdown so it doesn't break the layout
Gochujang PBR&B you probably haven't heard of them, chia dreamcatcher mumblecore offal bicycle rights ugh normcore portland.
Gochujang PBR&B you probably haven't heard of them, chia dreamcatcher.
Joel, Marjon and 100 others like this
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Whale
I love seeing these updates @asm!
Whale
Gochujang PBR&B you probably haven't heard of them, chia dreamcatcher mumblecore offal bicycle rights ugh normcore portland.
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freeCodeCamp is a nonprofit organization that organizes a series of free, interactive lessons, teaching website and web application development. Over the course of 400+ lessons, they cover topics like HTML, JavaScript, CSS, jQuery, Bootstrap, Sass, React.js, Node.js, Express.js, MongoDB, and Git.
Link: freecodecamp.orgCoffee-and-code sessions are informal get-togethers where you can hang out and code with other campers in your city. We host Coffee-and-Code at the University of Ghana.
During meetings, with first-timers, we cover topics like the history of the Internet, World Wide Web, browser, and introduce the fundamental languages of the browser, namely HTML, CSS and JavaScript.
For returning members, we workshop coding projects, either a project you're working on, one you suggest of your own, or any from a growing collection of tailor-made examples designed to showcase what the browser can achieve.
Link to Code Samples: Codepen Collection


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The port authority (Etablissement Maritime) should be contacted on VHF Channel 16. The main wharf in the port is some four miles south of the capital. This port is not protected in bad weather and if there is too much swell, a boat should put to sea.


|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: REQUIRED | OPTIONAL | DETAIL: ELEMENT |
@Retention(value=RUNTIME) @Target(value=FIELD) public @interface PropertyDefinition
Annotation defining a property for code generation.
This annotation must be used on all private instance variables that should be treated as properties.
| Optional Element Summary | |
|---|---|
String |
alias
An alternative name for the property. |
String |
builderType
The exposed type of the property in the builder and associated constructor. |
String |
equalsHashCodeStyle
The configuration for equals and hash code. |
String |
get
The style of the method used to query the property. |
boolean |
overrideGet
Whether the generated getter should be declared with the Override annotation. |
boolean |
overrideSet
Whether the generated setter should be declared with the Override annotation. |
String |
set
The style of the method used to mutate the property. |
String |
toStringStyle
The configuration for toString. |
String |
type
The exposed type of the property. |
String |
validate
The validator to use. |
public abstract String alias
The property can be looked up using the specified alias.
The primary name is unaffected, and the alias is only used in certain circumstances.
For example, bean.metaProperty("alias")
and bean.property("alias")
will both work, as will getting and setting via an immutable bean builder.
This attribute is most useful in handling change from serialized forms.
public abstract String get
The style is a string describing the getter, typically used for code generation.
By default this is 'smart' which will use the source code knowledge to determine
what to generate. This will be a method of the form isXxx()
for boolean
and getXxx()
for all other types.
Supported style strings are:
Optional
wrapper around the field,
where the field itself is nullable instead of optional. OptionalDouble
, OptionalInt
and OptionalLong
are also handled
Optional
wrapper around the field,
where the field itself is nullable instead of optional
public abstract String set
The style is a string describing the mutator, typically used for code generation.
By default this is 'smart' which will use the source code knowledge to determine
what to generate. This will be a method of the form setXxx()
for all types unless
the field is final
. If the field is a final Collection
or Map
of a known type then a set method is generated using addAll
or puAll
Standard style strings are:
PropertyChangeSupport
A pattern can be used for special behaviour.
The pattern is a complete piece of code.
For example, 'new Foo($value)' or '$field = $value.clone()'.
'$field' for the field to copy into.
'$value' for the value to copy from.
'<>' for the generics of the type including angle brackets.
'\n' for a new line (all lines must then include semi-colons).
public abstract boolean overrideGet
Override
annotation.
By default, the annotation is not added.
public abstract boolean overrideSet
Override
annotation.
By default, the annotation is not added.
public abstract String type
The style is used to control the exposed type of the property in getters and setters, or similar.
This is used when the type of the field is not the same as the type that should be used in public methods such as getters and setters.
By default, the declared type will be used as the exposed type.
public abstract String builderType
The style is used to control the exposed type of the property in immutable builders and associated constructors, or similar.
This is used when the type of the field is not the same as the type that should be used in public methods such as builder setters.
By default, the declared type will be used as the exposed type.
This is typically used to add '? extends' to collection types.
public abstract String equalsHashCodeStyle
This flag controls generation of the equals
and hashCode
methods.
The default is 'smart'.
Standard strings are:
public abstract String toStringStyle
This flag controls generation of the toString
method.
The default is 'smart'.
Standard strings are:
public abstract String validate
The property value may be validated by specifying this attribute. By default no validation is performed. The code generator places the validation into the set method and ensures that new objects are validated correctly.
Custom validations, are written by writing a static method and referring to it.
For example, public void checkMyValue(Integer val, String propertyName) ...
The method generally has a void
return, throwing an exception if validation fails.
There must be two arguments, the value and the property name. The value may be the
property type or a superclass (like Object). The property name should be a String.
Standard validation strings are:
|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: REQUIRED | OPTIONAL | DETAIL: ELEMENT |


In 1878, Edward Muybridge inadvertently laid the groundwork for the moving image with his two seconds of footage capturing a horse galloping (created in order to help win a bet). 142 years later, in the year 2020, the same technology and science that captured two seconds of incidental material is now the backbone for the art form that has been described by some as the “new Cathedral.” The camera is now the great X-Ray machine that deconstructs life as seen by the filmmaker for a willing, emotionally vulnerable audience.
As a young person entering into a history of 142 years of movies, I have found myself intimidated by a seemingly continual ignorance I have about the art form. No one can truly experience this wealth of cinema in its entirety (although some film greats have come close). And yet, there is still some desire to try and overcome the perpetual voice in your head which constantly nags and questions, “what gives you the right?”
When one chooses to interact with cinema on a more comprehensive level, or enter into a larger conversation, any particular film is able to morph into something much more. The boring becomes fascinating; the great, even greater. Whether filmmakers know it or not, when they embark on a cinematic adventure, all the auteurs and film history shape their work. Choices of whether to play into or push outside of convention, to recognize one’s influences or hide them, to push forward or hold back become exhilarating when viewed in the context of the larger conversation.
It is my view that every filmmaker is tasked with the same job: to share a vision of the world with the audience. The larger conversation of cinematic criticism achieves the perspective of enabling one to have the necessary equipment to contemplate, compare, contrast, and track the progression of cinematic world views throughout time.
Films are remarkable time capsules in the same way as any other art form. Stories, in essence, are what Kenneth Burke calls “equipment for living.” That is why I am at least partially upset by the way that many people view the reviewing and criticism of films. Every different take on a film is valid, however, I feel that calling a film “good” or “bad” minimizes the film-viewing experience. Movie tickets are expensive, so I can understand the practical purpose behind reviewers providing movie consumers with a quick and easy service. However, the problem is that many people see this approach to film criticism and think that that is all there is to it.
Film criticism can easily be relegated to gut impressions on whether a film is “good” or “bad” for many people. By taking a look at the larger conversation that is stirring within every film, however, one manages to get a glimpse at the larger implications that come from different cinematic choices. I remember watching the Showtime revival of Twin Peaks with my father. Overall, the show is 18 episodes of clunky dialogue, dead-end mysteries, and surreal side trips, culminating in an ending that does not feel all that conclusive. I loved it, while my dad hated it. While I totally understand why my dad would have such a strong negative reaction to the material, he would consistently say that it was “bad” for a reason that never quite sat right with me. Certainly, he did not like the show and that is alright—but does that mean that it lacked value?
At the end of the day, the third season of Twin Peaks is a series of choices by a filmmaker, just like any other show or movie. In this case, the filmmaker was the eccentric David Lynch, who often makes choices that are obscure to many.  On paper, it goes against every rule in the book. Through a deeper understanding of the choices made, however, one would be able to engage in a discussion of the merit of such strange choices in a more knowledgeable fashion. In the end, one could leave with the exact same feelings as before, but there also exists the possibility that such a challenging piece could end up completely shifting how one sees and understands an art form. This is what the third season of Twin Peaks was able to do for me.
How can we increase interest in film criticism among young people? By defining what film criticism actually is and how, through simple practice, even the biggest slog of a film can hold expansive insights into the craft.


--- layout: post title: Enterprise Infrastructure Series Part 1 - Bootstrap OpenVZ published: true categories: - Automation - infrastructure - OpenVZ - Virtualization ---
We have been working with OpenVZ for almost 4 years now, and its just amazing that how this nice piece of technology not only provides 99% native virtualization but also wins on Disk IO. OpenVZ provides way more containers or OS Instances compared to any hypervisor.
Here is sample comparision
96 GB RAM, 24 Cores X5650 @ 2.67GHz
For KVM it can host around ~40 2 GB Hypervisor based virtual machines, After around ~30 machines you can see performance going down and if you have high Disk IO build machines, its gonna be slow - this is almost true with every type of hypervisor
For OpenVZ it can host around 100+ containers and depends on free memory - since containers will consume only actual memory and OpenVZ can still allocate more containers based on free memory.
So lets get started with setting up OpenVZ on CentOS 6.2 box.
Hardware summary: 24 Cores, 96 GB RAM, 2 TB Box
Step 1
Install CentOS 6 with customized LVM layout. Allocated 500 MB on /boot (/dev/sda1), created 3 Physical Volumes of 200 GB - (/dev/sda2), 1 TB (/dev/sda3) and 800 GB (/dev/sda4)
In first physical volume, create volumegroup and then 2 logical volumes for 145 GB (mounted on /) and (50 GB swap) - this will leave around 5 GB for future use and snapshots
In second physical volume, just create a volumegroup and logical volume for 500 GB - it should have mount point /vz
This should complete CentOS setup
Step 2
Install OpenVZ repo
wget http://download.openvz.org/openvz.repo
rpm --import http://download.openvz.org/RPM-GPG-Key-OpenVZ
Search for suitable for kernel and OpenVZ utils
yum search all OpenVZ
yum search all vzkernel
Then I installed OpenVZ with this command
yum install vzkernel.x86_64 vzkernel-firmware.noarch vzctl.x86_64 vzquota.x86_64 vzctl-lib.x86_64
Step 3
After you have installed OpenVZ - you need to modify three configuration files
/boot/grub/grub.conf - Make sure that default points to OpenVZ kernel
# grub.conf generated by anaconda # # Note that you do not have to rerun grub after making changes to this file # NOTICE: You have a /boot partition. This means that # all kernel and initrd paths are relative to /boot/, eg. # root (hd0,0) # kernel /vmlinuz-version ro root=/dev/mapper/rootvg-rootlv # initrd /initrd-[generic-]version.img #boot=/dev/sdc default=0 timeout=5 splashimage=(hd0,0)/grub/splash.xpm.gz hiddenmenu title CentOS (2.6.32-042stab044.11) root (hd0,0) kernel /vmlinuz-2.6.32-042stab044.11 ro root=/dev/mapper/rootvg-rootlv rd_NO_LUKS rd_LVM_LV=rootvg/rootlv LANG=en_US.UTF-8 rd_NO_MD quiet rd_LVM_LV=rootvg/swaplv SYSFONT=latarcyrheb-sun16 rhgb crashkernel=auto KEYBOARDTYPE=pc KEYTABLE=us rd_NO_DM initrd /initramfs-2.6.32-042stab044.11.img title CentOS (2.6.32-220.2.1.el6.x86_64) root (hd0,0) kernel /vmlinuz-2.6.32-220.2.1.el6.x86_64 ro root=/dev/mapper/rootvg-rootlv rd_NO_LUKS rd_LVM_LV=rootvg/rootlv LANG=en_US.UTF-8 rd_NO_MD quiet rd_LVM_LV=rootvg/swaplv SYSFONT=latarcyrheb-sun16 rhgb crashkernel=auto KEYBOARDTYPE=pc KEYTABLE=us rd_NO_DM initrd /initramfs-2.6.32-220.2.1.el6.x86_64.img title CentOS (2.6.32-220.el6.x86_64) root (hd0,0) kernel /vmlinuz-2.6.32-220.el6.x86_64 ro root=/dev/mapper/rootvg-rootlv rd_NO_LUKS rd_LVM_LV=rootvg/rootlv LANG=en_US.UTF-8 rd_NO_MD quiet rd_LVM_LV=rootvg/swaplv SYSFONT=latarcyrheb-sun16 rhgb crashkernel=auto KEYBOARDTYPE=pc KEYTABLE=us rd_NO_DM initrd /initramfs-2.6.32-220.el6.x86_64.img
Then my modified sysctl.conf looks like this, you can apply this as it is, or look for changes here -> http://wiki.openvz.org/Quick_installation#sysctl
/etc/sysctl.conf - You need to change various parameters, but if you have freshly install system, you can replace with the below code
## Sysctl.conf # Kernel sysctl configuration file for Red Hat Linux # # For binary values, 0 is disabled, 1 is enabled. See sysctl(8) and # sysctl.conf(5) for more details. # Controls IP packet forwarding net.ipv4.ip_forward = 1 # Controls IP v6 packet forwarding net.ipv6.conf.default.forwarding = 1 net.ipv6.conf.all.forwarding = 1 # Controls ARP Proxy net.ipv4.conf.default.proxy_arp = 0 # Controls source route verification net.ipv4.conf.default.rp_filter = 1 # And all interfaces as well net.ipv4.conf.all.rp_filter = 1 # Do not accept source routing net.ipv4.conf.default.accept_source_route = 0 # Controls the System Request debugging functionality of the kernel # Enables the magic-sysrq key kernel.sysrq = 1 # Controls whether core dumps will append the PID to the core filename. # Useful for debugging multi-threaded applications. kernel.core_uses_pid = 1 # Controls the use of TCP syncookies net.ipv4.tcp_syncookies = 1 # Disable netfilter on bridges. net.bridge.bridge-nf-call-ip6tables = 0 net.bridge.bridge-nf-call-iptables = 0 net.bridge.bridge-nf-call-arptables = 0 # Controls the maximum size of a message, in bytes kernel.msgmnb = 65536 # Controls the default maxmimum size of a mesage queue kernel.msgmax = 65536 # Controls the maximum shared segment size, in bytes kernel.shmmax =<PHONE_NUMBER>6 # Controls the maximum number of shared memory segments, in pages kernel.shmall =<PHONE_NUMBER> # We do not want all our interfaces to send redirects net.ipv4.conf.default.send_redirects = 1 net.ipv4.conf.all.send_redirects = 0
# This file controls the state of SELinux on the system. # SELINUX= can take one of these three values: # enforcing - SELinux security policy is enforced. # permissive - SELinux prints warnings instead of enforcing. # disabled - No SELinux policy is loaded. SELINUX=disabled # SELINUXTYPE= can take one of these two values: # targeted - Targeted processes are protected, # mls - Multi Level Security protection. SELINUXTYPE=targeted
Step 4
Boot into OpenVZ kernel - and after reboot everything should be okay and your /vz mount point should contain vz files. Now you can start downloading OpenVZ precreated templates, and put them in /vz/template/cache - you can download vz templates from here http://wiki.openvz.org/Download/template/precreated
Important
Dont go with CentOS default partitioning layout, you should have enough space for your new volumegroups and logical volumes to make sure that you can take backup for VZ and other maintainance tasks.


Ever since PMD 5.6.0, PMD has been able to perform Incremental Analysis.
When performing Incremental Analysis for the first time, PMD will cache analysis data and results. This allows subsequent analysis to only look into those files that are new / have changed. For a typical development environment, where you only change a few files at a time, this can reduce analysis time dramatically.
The generated report will be exactly the same as it would if running without incremental analysis. Files included in the final report will reflect exactly those files in your filesystem. Even if untouched, files with violations will be listed with full detail. Therefore, its usage is highly recommended.
Enabling incremental analysis
Incremental analysis is enabled automatically once a location to store the cache has been defined.
From command-line that is done through the -cache
argument, but support for the feature is
available for tools integrating PMD such as Ant,
Maven, and Gradle.
Disabling incremental analysis
By default, PMD will suggest to use an analysis cache by logging a warning.
If you’d like to disable this warning, or ignore the analysis cache for a
few runs, you can use the -no-cache
switch.
FAQ
When is the cache invalidated?
On the following reasons, the complete cache file is considered invalid:
- The PMD version differs. Since each PMD version might have fixed some false-positives or false-negatives for rules, a cache file created with a different version is considered invalid. The version comparison is exact.
- The used ruleset has been changed. If the ruleset is changed in any way (e.g. adding/removing rules, changing rule properties, …), the cache is considered invalid.
- The
auxclasspath
changed. The auxclasspath is used during type resolution. A changed auxclasspath can result for rules, that use type resolution, in different violations. Usually, if the auxclasspath is correct and type resolution works, the rules report less false-positives. To make sure, the correct violations are reported, the cache is considered invalid, if the auxclasspath has changed. - The execution classpath has been changed. On the execution classpath not only the PMD classes are located, but also the implementation of e.g. custom rules. If any jar file/class file on the execution classpath is changed, then the cache is considered invalid as well.
What is stored in the cache file?
The cache file consists of a header and a body. The header stores the information which is used to decided whether the whole cache file is valid or not (see above). The following information is stored:
- PMD Version
- Ruleset checksum
- Auxclasspath checksum
- Execution classpath checksum
The body contains an entry for every file that has been analyzed. For every file, the following information is stored:
- The full (absolute) pathname of the file
- The checksum of the file itself
- 0 or more rule violations with all the info (line number, etc.)
You can think of the cache as a Map where the filepath is used as the key and the violations found in previous runs are the value.
The cache is in the end just a file with serialized data (binary). The implementation is
FileAnalysisCache
.
How does PMD detect whether a file has been changed?
When analyzing a file, PMD records the checksum of the file content and stores this together with the violations in the cache file. When running PMD with the cache file, PMD looks up the file in the cache and compares the checksums. If the checksums match, then the file is not even parsed, the rules are not executed and the violations for this file are entirely used from the cache. If the checksum doesn’t match, then the cached violations are discarded (if there are any) and the file is fully processed: the file is parsed and all the rules are run for it. After we are done, the cache is updated with the new violations.
Can I reuse a cache created on branch A for analyzing my project on branch B?
This is possible. As long as the same PMD version and same ruleset is used on both branches. Also note, that if the branch uses a different dependencies, the auxclasspath is different on both classes, which invalidates the cache completely. If you project uses e.g. Maven for dependency management and your branch uses different dependencies (either different version or completely different artifacts), then the auxclasspath is changed.
If files have been renamed on the branch, these files will be analyzed again since PMD uses the file names to assign existing rule violations from the cache. Also, if the full path name of the file changes, because the other branch is checked out at a different location, then all the cached files don’t match.
Apart from these restrictions, PMD will only analyze files that changed between runs. If your previous run was on branch A and then you run on branch B using the same cache file, it will only look at files that are different between the 2 branches.
Can I reuse a cache file across different machines?
This is only possible, if the other machine uses the exact same path names. That means that your project needs to be checked out into the same directory structure.
Additionally, all the other restrictions apply (same PMD version, same ruleset, same auxclasspath, same execution classpath).
See also issue #2063 [core] Support sharing incremental analysis cache file across different machines.


This is the inline help tip! You can explain to your users what this section of your web app is about.
This is the inline help tip! You can explain to your users what this section of your web app is about.
This is the inline help tip! You can explain to your users what this section of your web app is about.


[§436E-14] Foreign school curricula and standards. The board of acupuncture shall not recognize and approve an earned doctoral degree from a foreign university or college whose curricula and standards are not equivalent to or higher than institutions in the United States which have been recognized and approved by the board in the study or practice of acupuncture. [L 1985, c 214, pt of §1]
Note
Actions taken by the board prior to December 31, 1984, remain in full force and effect. L 1985, c 214, pt of §1.


Created by Fredric Mitchell / @fredricmitchell
http://brightplumbox.com/drupal8dcc2013/
http://drupalreleasedate.com/
“When it's ready.” - Crell
https://drupal.org/core/release-cycle
Aimed at developers to identify API weak points
Unstable and unreliable for client work
No upgrade path
Prepare for beta release
Developers should start porting modules
UI is generally locked down
Not production ready as data loss still possible
Prepare for Release Candidate
http://simplytest.me/project/drupal
Simplified, yet powerful
Responsive administration
Views ALL THE THINGS
Block Types
CKEditor
What to Expect: http://previousnext.com.au/blog/drupal-8-ready-whats-new-developers
Comprehensive: https://github.com/hechoendrupal/drupal8-links
PIE (Proudly Invented Elsewhere)
Classes, objects, inheritance
Namespaces
Design Patterns
PSR-0
Dependency Injection
Design Patterns
Package Management
Packagist: http://packagist.org
http://benramsey.com/blog/2013/11/the-fall-of-pear-and-the-rise-of-composer/
Which should I use for my new project?
Do I HAVE to move?
How different is it?
Slides:http://brightplumbox.com/drupal8dcc2013/
Slides Repo:https://github.com/fmitchell/drupal8dcc2013


When you're building a house, the first things you think about is the structure. You need the frame, the rooms, the floors, and the roof to make the house liveable. But if you stopped working on your house right after the last nail was hammered in, you would have a pretty lame home, right? If there was no painting on the walls, no carpets, no pictures, no chairs or tables, you may as well not live in the house at all.
CSS is like the decoration of the house: it's not a "necessary" part to a web page, but it's still important. CSS allows you to add color, format, and styling to your HTML page, just like the interior design of a house adds to the frame.
CSS can be used to modify the existing HTML elements on the page. Here are some specific examples of what it can do:
CSS is written in property and value pairs. The property is the thing that you're trying to change, like the font size or the background color. The value is what you want to change it to, like 5px or 10px or blue or green. Properties and values are written like this:
property: value;
Here are some examples of property value pairs. The property is in red and the value is blue.
Now that you know about property/value pairs, which will tell the computer how you want to change an element, you need to tell it which element you're trying to change.  The yellow part is called the selector. The selector tells the browser which HTML parts to style. There are three main ways to identify them:
By tag: If you want the CSS changes to apply to every element of a certain tag (like all of the p tags on a page) you can simply use the name of the tag like in the example above. To do this, just use the letters that make up the HTML tag. So, if you want to make every button on a page the same color, you would make the selector "button"
By ID: if you only want to style certain elements within a tag (say you want one button to be red but another button to be blue) you can identify them by ID. When you're using an ID for the selector, you'll need to put a # and then the name of the element (if the element's name was elementName, you would identify it using #elementName)
By Class: Class is similar to ID, except that many different elements can have the same class. To style elements of a class, write a period and then the class name. If the class name was greenButtons, the selector would be .greenButtons If you ever want to apply the same CSS using multiple selectors, you can simply make a list separated by commas, like this: #button1, #button3, p { color: red; } "color: red" will apply to the element with ID button1, the element with ID button3, and all p tags.
The last important part of CSS is the open and close curly brackets. All of the style change you want to make need to go between an open and close bracket. Look at this sample of CSS:
#myElement {
color: red;
background-color: blue;
The open and close brackets tell the browser which CSS code is for which elements. By putting "color:red;" and "background-color: blue" between a { bracket and a } bracket, you're telling it that that is the CSS that should be applied to #myElement.
The good thing about CSS is that it's pretty intuitive, meaning it's not too difficult to understand. However, there are some things that you'll have to look up using google. Remember: if there's anything that you want to do in CSS but you don't know how, google it!!!
I want to make a button with rounded edges, but I don't know how do do rounded edges. I would start by making a button tag in HTML, like this:
<button>Click Me!!!!!!!!!</button>
Copy and paste that into the JSBin HTML window. The corners aren't rounded, are they? I don't know how to make them rounded... but I do know that I'll use CSS to make that change, because rounding the edges is modifying an existing element. So, I'm going to google it. I start by searching using important keywords. The search I'll use for this is: "rounded edges css"
The first two both seem promising, because they are both W3Schools websites. W3Schools has tons of easy to understand tutorials on HTML, CSS, and JavaScript.
***W3Schools should always be your first click when you're googling!***
Since I know that W3Schools is a great resource, I'm going to choose one of those.
I ended up choosing the second, because it says "border-radius property" and I know that I'm looking for a property (do you remember what that is?) I'm assuming that this will be the most straightforward response. This is the page that comes up:
W3Schools always has examples of what they're teaching, which is very helpful! If you read the first example, it says "Add rounded borders to a <div> element:" which is what I'm looking for. I decided to click the "Try It Yourself" button, to see how it worked before I used it in my code. This is what comes up:
To make sure that the border-radius is the property that does the rounded edges, I'm going to try changing it to 10px:


To infidity, and beyond!
I am Buzz Lightyear. I come in peace.
To infinity and beyond!
Do.Or do not. There is no try.


{% load staticfiles %} {% load i18n %}
{% trans "Subscribe now to get notified about exclusive offers from The .... every week!" %}


Registration must be completed by {{trainings[t].registrationDeadline | date:'longDate'}}
{{trainings[t].location}}: {{trainings[t].locationAddress}}
{{trainings[t].time}}
{{trainings[t].donation}}
Thank you for completing your application. It is now pending approval, and you will receive an email notification when a decision is made.


{# accordion item containing markdown contain #} {% load markdown from wagtailmarkdown %} {% load image from wagtailimages_tags %} {% image self.map width-500 as map %} {% image self.map width-1000 as map_2x %}


Currently I am a PhD student at Eötvös Loránd University, Budapest, where I also received my BSc degree in Physics and MSc degree in Statistical Physics.
I have advanced writing and speaking skills in English, a working knowledge of Python and C and a beginner knowledge of Matlab, SQL, HTML and CSS.
At the moment my main research fields are genetics, cancer research and data science. I enjoy experimenting with any type of data analysis, data visulisation and webdesign.
pipeko at caesar elte hu
Work address: Eötvös University, Budapest, Pázány Péter sétány 1/A, H-1117 Hungary
Department: Dept. of Physics of Complex Systems
Office: ELTE É. 5.57
+361 3722826


Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 2
A pub classic made a little healthier for when you want a little treat. Stir-fried Brussels sprouts are a world away from soggy boiled ones.
Each serving provides 517 kcal, 38g protein, 48g carbohydrate (of which 12g sugars), 17g fat (of which 5.5g saturates), 9.5g fibre and 4.1g salt.
Preheat the oven to 220C/200C Fan/Gas 7.
Scrub the potatoes well, then half-peel them, leaving some of the nutritious skin on for extra flavour. Cut into fairly thin chips – about 1cm thick – which will crisp more easily. Put into a saucepan and cover with cold water. Cover the pan, bring the water to the boil over a high heat and cook the potatoes for 3 minutes. Drain and allow to steam dry for 2-3 minutes.
Put the olive oil into a baking tray and heat in the oven for a minute. Add the drained, dried chips to the hot oil, giving the tray a gentle shake to separate the chips. They should be in a single layer. Season with a little salt and black pepper, then bake for 30-40 minutes, turning the chips halfway through cooking to move the outer chips to the middle and vice versa so they all crisp evenly.
Meanwhile, spray a frying pan lightly with spray oil. Heat the pan over a medium-high heat and, when hot, add the pineapple rings. Fry for 2 minutes per side, turning regularly, until the slices are golden-brown and caramelised. Set aside.
Reduce the heat to medium, spray the gammon steak lightly with spray oil and fry in the same pan for 4-5 minutes, turning regularly, until the steak is nicely browned and cooked through. Set aside.
Return the pan to the heat and add the Brussels sprouts. Stir-fry the sprouts for 3 minutes, adding a splash of water if necessary, until they are bright green but still retain a bit of bite.
Serve the gammon steaks with the pineapple on top, with the stir-fried sprouts and chips alongside.


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Environment
public enum Environment : String, CaseIterable
Represents a runtime environment known to LLVM.
-
An unknown environment.
Declaration
Swift
case unknown = "UnknownEnvironment"
-
The generic GNU environment.
Declaration
Swift
case gnu = "GNU"
-
The GNU environment with 32-bit pointers and integers.
Declaration
Swift
case gnuABIN32 = "GNUABIN32"
-
The GNU environment with 64-bit pointers and integers.
Declaration
Swift
case gnuABI64 = "GNUABI64"
-
The GNU environment for ARM EABI.
Differs from
gnuEABIHF
because it uses software floating point.Declaration
Swift
case gnuEABI = "GNUEABI"
-
The GNU environment for ARM EABI.
Differs from
gnuEABI
because it uses hardware floating point.Declaration
Swift
case gnuEABIHF = "GNUEABIHF"
-
The GNU X32 environment for amd64/x86_64 CPUs using 32-bit integers, longs and pointers.
Declaration
Swift
case gnuX32 = "GNUX32"
-
The _ environment.
Declaration
Swift
case code16 = "CODE16"
-
The ARM EABI environment.
Differs from
eabiHF
because it uses software floating point.Declaration
Swift
case eabi = "EABI"
-
The ARM EABI environment.
Differs from
eabi
because it uses hardware floating point.Declaration
Swift
case eabiHF = "EABIHF"
-
The Google Android environment.
Declaration
Swift
case android = "Android"
-
The musl environment.
Declaration
Swift
case musl = "Musl"
-
The musl environment for ARM EABI.
Differs from
muslEABIHF
because it uses software floating point.Declaration
Swift
case muslEABI = "MuslEABI"
-
The musl environment for ARM EABI.
Differs from
Differs
because it uses hardware floating point.Declaration
Swift
case muslEABIHF = "MuslEABIHF"
-
The Microsoft Visual C++ environment.
Declaration
Swift
case msvc = "MSVC"
-
The Intel Itanium environment.
Declaration
Swift
case itanium = "Itanium"
-
The Cygnus environment.
Declaration
Swift
case cygnus = "Cygnus"
-
The Microsoft CoreCLR environment for .NET core.
Declaration
Swift
case coreCLR = "CoreCLR"
-
Simulator variants of other systems, e.g., Apple’s iOS
Declaration
Swift
case simulator = "Simulator"
-
Returns whether this environment is a GNU environment.
Declaration
Swift
public var isGNU: Bool { get }


WITNESS LIST Redistricting Committee May 7, 2001 - 9:00A SB 499 ON: White, Karen Assistant Director, Research (Texas Legislative Council), Austin, TX


Utilities to represent, visualize, filter, analyse, and summarize time-depth recorder (TDR) data. Miscellaneous functions for handling location data are also provided.
| Version: | 1.4.4 |
| Depends: | R (≥ 2.13.0), methods, stats4 |
| Imports: | caTools, KernSmooth, quantreg, uniReg, geosphere |
| Suggests: | knitr, lattice, tcltk |
| Published: | 2017-12-16 |
| Author: | Sebastian P. Luque |
| Maintainer: | Sebastian P. Luque <spluque at gmail.com> |
| License: | GPL-3 |
| URL: | https://github.com/spluque/diveMove |
| NeedsCompilation: | no |
| Citation: | diveMove citation info |
| Materials: | README NEWS |
| In views: | Environmetrics, SpatioTemporal |
| CRAN checks: | diveMove results |
| Reference manual: | diveMove.pdf |
| Vignettes: |
Dive Analysis |
| Package source: | diveMove_1.4.4.tar.gz |
| Windows binaries: | r-devel: diveMove_1.4.4.zip, r-release: diveMove_1.4.4.zip, r-oldrel: diveMove_1.4.4.zip |
| OS X binaries: | r-release: diveMove_1.4.4.tgz, r-oldrel: diveMove_1.4.4.tgz |
| Old sources: | diveMove archive |
| Reverse suggests: | spacetime, trip |
Please use the canonical form https://CRAN.R-project.org/package=diveMove to link to this page.


A interview with BrainFooLong - Better Battlelog developer and founder
Original link
http://portal.bf4brasil.com.br/better-battlelog-comemora-mais-de-4-milhoes-de-downloads.html
Tell us a little about you?
I’m just another Web/Game Developer that try to make some stunning new things for the community out there. I always try to make things better than others, i always try to make things that no other does. Always try to extend your mind.
How did you start in the gaming world? What is your earliest memory?
NES – Super Mario Bros – Epic game until today
What´s your setup?
PC only – My last console was N64 and i’ve never had a playstation.
You play in a group or clan?
No. I’m no hardcore player. About 2-4h a week, sometimes more, sometimes less.
BF4 was released incomplete or just below the expected. This attitude itself did not bring down sales. This is an industry problem or the gaming community?
Press out every possible amount of money from most of possible people. That’s how the leading industry think, that’s how the leading industry work. Play and support Indie Devs (No not Minecraft, it’s not Indie anymore). Those games are sometimes far better than the so called “AAA” titles, for much less cost.
About Battlelog
Why Bblog? What is the purpose of BBLog? And DICE / EA have already said something about BBLog?
I’ve made the addon at first for myself, at Dec 2011.  So i created the addon and posted it for fun in the battlelogs forums. What happened? The community liked it a lot and i started to made it public.
What is your relationship with the site bf*stats.com and symthic.com?
In general, i just display information from that sites. That’s all about our relationship. Everybody have it’s own part in the fan-made section of the battlefield series.
And DICE/EA?
No relationship. No contract. No special agreement. I talked with DICE/EA employees. They know, use and like BBLog. That’s all.
Battlelog is a social network but only incorporated “Sharing With Facebook” into your network. BBLog has intentions of turning Battlelog into a more social tool adding more features?
No. BBLog was never designed to add more sharing stuff or any other social things. BBLog help you in the first line for your personal use.  It’s a game.
Some technical obstacle to develop the Bblog?
Not really. Just learn JavaScript, CSS and HTML. That’s all you need. But it sounds more easy than it is.
Ideas. Something went wrong and had to be abandoned?
Several features wasn’t that good to stay longer in the addon than a few months. It’s a trial and error process.
IE will never be supported?
IE, are you serious?
After 3 years are +4 millions downloads. You expect?
I didn’t expected anything as i first posted that addon in the battlelog forums. I try to expect nothing in my life, than you be lucky for everything good that happend. To be honest, Downloads means real downloads and also update downloads.
Future..more plans, more tools?
Sure. Many, but not Battlefield related. As i said: Always try to extend your mind.
About music.
What is your relationship with music?
Everybody like music in general. There millions of variations that we all understand under “music”.
Why “Digital Musician”?
Pretty simple. I’m not a DJ, never was, not really want to be. I’ve no analog equipment for sound production. No analog synths, no analog instruments. Therefore i’m a “Digitial” Musician.
What you expect with your music?
I only made the music for me. I don’t really like most of the music that exist or from that i know the existence of. Previously i called myself “DJ Brainnrg” and i’ve made 100+ tracks since i started producing.
Thanks for interview!
Something more?
As Steve Jobs said: “Stay hungry, stay foolish!”
https://www.youtube.com/watch?feature=player_embedded&v=Avs7Zbj4imQ


Showroom Papier Tigre / Cent15 Architecture
- Curated by Paula Pintos
- about 7 hours
- version="1.0" encoding="UTF-8"? Architects: Cent15 Architecture
- AreaArea of this architecture projectArea: 130.0 m2
- version="1.0" encoding="UTF-8"?YearCompletion year of this architecture project Year: 2019
- version="1.0" encoding="UTF-8"?PhotographsPhotographs: Christophe Caudroy
- version="1.0" encoding="UTF-8"?ManufacturersBrands with products used in this architecture project Manufacturers: -, Adobe, AutoDesk, Robert McNeel & Associates, Saint-Gobain Glass, iGuzzini
- Lead Architects Maxime Scheer and Rodolphe Albert
- Clients Papier Tigre
More Specs Less Specs
Text description provided by the architects. Papier Tigre, a contemporary stationery brand, is rehabilitating its showroom on rue des Filles du Calvaire in the Marais, in the heart of Paris. It brings together a sales area, a space dedicated to custom products and the workshop in the back. The modularity of the space is the guiding thread of the architectural concept developed by Cent15 architecture.
The architects’ desire is to find a legible solution that highlights the Papier Tigre products by the simple use of raw materials. They transform the existing building and gives it a new writing that brings image and renewal. The free plan highlights the various presentation modules of the products that come to inhabit it. These are mobile for a better distribution and appropriation of the place by its users and interchangeable in order to easily rearrange the presentation proposals.
Adapted to the existing slope of the store, the modules offer a dynamic to the project; a real ascent of the visitor. The furniture, key element of the project, provides a screened area between architecture and sculpture. The architecture proposes an experience. The passer-by identifies the shop from the outside thanks to the new enlarged and lightened facade. It clears the border between outside and inside and invites the public to enter the shop. Three spaces are created within the showroom. They are at the same time independent of each other and unified by a singular spatial scenography.
The first space is public, it is the shop. The products of the stationery are presented on six mobile modules in vibrated stainless steel 160cm (l) x 80cm (L). This modular system exposes the objects, organizes the space and defines the circulations in the heart of the shop. In the lower part, the furniture has a closed storage space.
In the upper part, stackable tubular frames on top of each other support the ribbed glass sheet shelves. They can be deployed in two different frames, the entire width of the module, or the half. The cable trays, on which hang a light system, are lowered one meter from the ceiling of 3m40. They accentuate the visual perspectives created by the modules and allow to obtain a precise and directional light on the exhibited object.
The second space is actually more intimate. Here, the user creates his own custom objects. A counter of a french pine essence emphasizes the change of space and use. It is accompanied by a substructure of the ceiling in corrugated sheets of translucent polyester, recycled material. The spirit of the place is confined, the materials warmer, the light more diffused and immersive. By playing on different intensities, the compression and expansion of space, architects offer an experiential and sensitive architecture, a buffer zone that starts the last space: the stationery manufacturing workshop.
This last sphere is reserved for employees. A large part is bathed in natural light by a zenithal supply of glass blocks, trace of an old Parisian courtyard in the heart of the project. The expansion is at its maximum, it encourages the visitor to observe the machines, the craftsmen, the savoir-faire of Papier Tigre through a curtain with flexible and transparent plastic straps. The views are clear. The workshop, visible from the street, participates in the transversal reading of the showroom and the opening of it to the outside. Cent15 architecture takes the side of minimalism to highlight Papier Tigre’s highly distinctive identity by working particularly on the homogeneity of materials, lighting atmospheres, and visual perspectives.


{% extends "exchanges_website/base.html" %} {% block content %}
{{ user.auth_token.key }}
You do not currently have an API token.


|
JavaTM 2 Platform Standard Ed. 5.0 |
|||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object java.util.zip.ZipFile java.util.jar.JarFile
public class JarFile
The JarFile
class is used to read the contents of a jar file
from any file that can be opened with java.io.RandomAccessFile
.
It extends the class java.util.zip.ZipFile
with support
for reading an optional Manifest
entry. The
Manifest
can be used to specify meta-information about the
jar file and its entries.
Unless otherwise noted, passing a null argument to a constructor
or method in this class will cause a NullPointerException
to be
thrown.
Manifest
,
ZipFile
,
JarEntry
| Field Summary | |
|---|---|
static int |
CENATT
|
static int |
CENATX
|
static int |
CENCOM
|
static int |
CENCRC
|
static int |
CENDSK
|
static int |
CENEXT
|
static int |
CENFLG
|
static int |
CENHDR
|
static int |
CENHOW
|
static int |
CENLEN
|
static int |
CENNAM
|
static int |
CENOFF
|
static long |
CENSIG
|
static int |
CENSIZ
|
static int |
CENTIM
|
static int |
CENVEM
|
static int |
CENVER
|
static int |
ENDCOM
|
static int |
ENDHDR
|
static int |
ENDOFF
|
static long |
ENDSIG
|
static int |
ENDSIZ
|
static int |
ENDSUB
|
static int |
ENDTOT
|
static int |
EXTCRC
|
static int |
EXTHDR
|
static int |
EXTLEN
|
static long |
EXTSIG
|
static int |
EXTSIZ
|
static int |
LOCCRC
|
static int |
LOCEXT
|
static int |
LOCFLG
|
static int |
LOCHDR
|
static int |
LOCHOW
|
static int |
LOCLEN
|
static int |
LOCNAM
|
static long |
LOCSIG
|
static int |
LOCSIZ
|
static int |
LOCTIM
|
static int |
LOCVER
|
static String |
MANIFEST_NAME
The JAR manifest file name. |
| Fields inherited from class java.util.zip.ZipFile |
|---|
OPEN_DELETE, OPEN_READ |
| Constructor Summary | |
|---|---|
JarFile(File file)
Creates a new JarFile to read from the specified
File object. |
|
JarFile(File file,
boolean verify)
Creates a new JarFile to read from the specified
File object. |
|
JarFile(File file,
boolean verify,
int mode)
Creates a new JarFile to read from the specified
File object in the specified mode. |
|
JarFile(String name)
Creates a new JarFile to read from the specified
file name . |
|
JarFile(String name,
boolean verify)
Creates a new JarFile to read from the specified
file name . |
| Method Summary | |
|---|---|
Enumeration<JarEntry> |
entries()
Returns an enumeration of the zip file entries. |
ZipEntry |
getEntry(String name)
Returns the ZipEntry for the given entry name or
null if not found. |
InputStream |
getInputStream(ZipEntry ze)
Returns an input stream for reading the contents of the specified zip file entry. |
JarEntry |
getJarEntry(String name)
Returns the JarEntry for the given entry name or
null if not found. |
Manifest |
getManifest()
Returns the jar file manifest, or null if none. |
| Methods inherited from class java.util.zip.ZipFile |
|---|
close, finalize, getName, size |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
public static final String MANIFEST_NAME
public static final long LOCSIG
public static final long EXTSIG
public static final long CENSIG
public static final long ENDSIG
public static final int LOCHDR
public static final int EXTHDR
public static final int CENHDR
public static final int ENDHDR
public static final int LOCVER
public static final int LOCFLG
public static final int LOCHOW
public static final int LOCTIM
public static final int LOCCRC
public static final int LOCSIZ
public static final int LOCLEN
public static final int LOCNAM
public static final int LOCEXT
public static final int EXTCRC
public static final int EXTSIZ
public static final int EXTLEN
public static final int CENVEM
public static final int CENVER
public static final int CENFLG
public static final int CENHOW
public static final int CENTIM
public static final int CENCRC
public static final int CENSIZ
public static final int CENLEN
public static final int CENNAM
public static final int CENEXT
public static final int CENCOM
public static final int CENDSK
public static final int CENATT
public static final int CENATX
public static final int CENOFF
public static final int ENDSUB
public static final int ENDTOT
public static final int ENDSIZ
public static final int ENDOFF
public static final int ENDCOM
| Constructor Detail |
|---|
public JarFile(String name) throws IOException
JarFile
to read from the specified
file name
. The JarFile
will be verified if
it is signed.
name
- the name of the jar file to be opened for reading
IOException
- if an I/O error has occurred
SecurityException
- if access to the file is denied
by the SecurityManagerpublic JarFile(String name, boolean verify) throws IOException
JarFile
to read from the specified
file name
.
name
- the name of the jar file to be opened for readingverify
- whether or not to verify the jar file if
it is signed.
IOException
- if an I/O error has occurred
SecurityException
- if access to the file is denied
by the SecurityManagerpublic JarFile(File file) throws IOException
JarFile
to read from the specified
File
object. The JarFile
will be verified if
it is signed.
file
- the jar file to be opened for reading
IOException
- if an I/O error has occurred
SecurityException
- if access to the file is denied
by the SecurityManagerpublic JarFile(File file, boolean verify) throws IOException
JarFile
to read from the specified
File
object.
file
- the jar file to be opened for readingverify
- whether or not to verify the jar file if
it is signed.
IOException
- if an I/O error has occurred
SecurityException
- if access to the file is denied
by the SecurityManager.public JarFile(File file, boolean verify, int mode) throws IOException
JarFile
to read from the specified
File
object in the specified mode. The mode argument
must be either OPEN_READ or OPEN_READ | OPEN_DELETE.
file
- the jar file to be opened for readingverify
- whether or not to verify the jar file if
it is signed.mode
- the mode in which the file is to be opened
IOException
- if an I/O error has occurred
IllegalArgumentException
- if the mode argument is invalid
SecurityException
- if access to the file is denied
by the SecurityManager| Method Detail |
|---|
public Manifest getManifest() throws IOException
null
if none.
null
if none
IllegalStateException
- may be thrown if the jar file has been closed
IOException
public JarEntry getJarEntry(String name)
JarEntry
for the given entry name or
null
if not found.
name
- the jar file entry name
JarEntry
for the given entry name or
null
if not found.
IllegalStateException
- may be thrown if the jar file has been closedJarEntry
public ZipEntry getEntry(String name)
ZipEntry
for the given entry name or
null
if not found.
getEntry
in class ZipFile
name
- the jar file entry name
ZipEntry
for the given entry name or
null
if not found
IllegalStateException
- may be thrown if the jar file has been closedZipEntry
public Enumeration<JarEntry> entries()
entries
in class ZipFile
public InputStream getInputStream(ZipEntry ze) throws IOException
getInputStream
in class ZipFile
ze
- the zip file entry
ZipException
- if a zip file format error has occurred
IOException
- if an I/O error has occurred
SecurityException
- if any of the jar file entries
are incorrectly signed.
IllegalStateException
- may be thrown if the jar file has been closed
|
JavaTM 2 Platform Standard Ed. 5.0 |
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Copyright © 2004, 2010 Oracle and/or its affiliates. All rights reserved. Use is subject to license terms. Also see the documentation redistribution policy.


I am a Ph.D candidate in Computer Science at College of Computing & Informatics, University of North Carolina - Charlotte, advised by Dr. Pu Wang.
My research is focused on developing machine learning solutions for communication networks, particularly wireless multi-hop networks. I am also actively working on privacy enabled AI/ML solutions including federated learning, mmWave based user identification and system-in-loop emulator for large scale wireless multi-hop federated learning. In previous research projects, I worked on cognitive radio networks and developed applications for USRP-E310, USRP N210 and HackRF.
Before starting my Ph.D, I obtained my Bachelors degree in Electronics and Communication Engineering from Anna University, Masters degree in Computer Networking from Wichita State University.
College of Computing and Informatics
Ph.D in Computer Science
Electrical Electronics and Computer Science
M.S in Computer Networking
Last updated 2020-11-20


--- title: About layout: page header-img: img/Anime Coding.jpg ---
I’m an aspiring software engineer with a passion and curiosity for all things tech. I will be attending Flatiron School full-time online starting on August 12th
I’ve always had an interest in technology and want to make a career out of it by learning to create apps for a platform that I am passionate about through learning web and mobile app development
I also love anime, marvel and video games. I’m an introvert but come alive when I get to geek out about the things I enjoy.


The family Crocodylidae contains 3 genera and 14 species of crocodile and false gharials that live in marshes, rivers, streams, lakes, and creeks. Different species can be found in parts of North and South America, Africa, Asia, and Australia. They have a V shaped snout. Crocodiles are distinguishable from alligators and caimens by their fourth mandibular teeth which are visible when the jaw is closed. No mandibular teeth are visible on an alligator or caimen when the jaw is closed. Crocodiles also tend to be larger and have a more powerful bite. Crocodiles are also more agressive and need warmer temperatures to keep from going dormant. Crocodiles are opportunistic feeders eating a wide variety of prey. They are mostly nocturnal hunters and scavengers living in loose groups.


I love to learn new things. Im a Java programmer, normally more foccused on the backend but trying to be a fullstack one
JEE developer
Please email me at<EMAIL_ADDRESS>and my LinkedIn


OE Global Conference
ALL OF US AT<EMAIL_ADDRESS>Alumni
Alumni Association


Template Generator
Andrew
Manager
ID: 32
email:
<EMAIL_ADDRESS>Office Number: 43
Jill
Engineer
ID: 65
email:
<EMAIL_ADDRESS>GiHub Username:
j123
Bob
Intern
ID: 65
email:
<EMAIL_ADDRESS>School: UCLA


{% extends "../base.html" %} {% load static %} {% block content %}
ViroCon helps you design marine structures, which need to withstand load combinations based on wave, wind and current. It lets you identify extreme environmental conditions with a defined return period using the environmental contour method.
Two specific environmental contour methods are available: The highest density contour (HDC) method [1] and the inverse first order reliability method (IFORM) [2]. The environment can be described with a probability density function based on the conditional modeling approach (CMA) [3]. ViroCon's methods align with current recommended practices dealing with environmental conditions and environmental loads [3].
Open. ViroCon is an open-source software under the permissive MIT license. Visit our GitHub repository .
Cite. If you are using ViroCon in your academic work, please cite ViroCon as: {{ virocon_citation }}
Version. You are using viroconweb version {{ viroconweb_version }} and viroconcom version {{ viroconcom_version }}.
Contact. We are happy to receive feedback or answer any question. Send us an email .
We develop ViroCon at University of Bremen's Institute for Integrated Product Development (BIK).
Development was started in 2016 as a student project (Systems Engineering BSc). The students were Niklas Bergmann, Christian Castens, Martin Lechner, Jannik Lehmkuhl, Tjark Meyer, Felix Möller, Tobias Pape, Erik Rother and Kai-Lukas Windmeier. Andreas Haselsteiner and Prof. Klaus-Dieter Thoben supervised the project.
The ViroCon team 2016/17. From left to right: Erik Rother, Andreas Haselsteiner, Martin Lechner, Tobias Pape, Niklas Bergmann, Kai-Lukas Windmeier, Felix Möller, Christian Castens and Tjark Meyer. Missing on the picture: Jannik Lehmkuhl.
[1] A.F. Haselsteiner, J.-H. Ohlendorf, W. Wosniok, K.-D.
Thoben (2017): Deriving environmental contours
from highest density regions, Coastal Engineering 123, 42-51.
[2] S. Winterstein, T. Ude, C. Cornell, P. Bjerager, S. Haver
(1993): Environmental parameters for extreme
response: inverse FORM with omission factors, in: Proceedings,
ICOSSAR-93. Innsbruck, Austria, 1993.
[3] Det Norske Veritas (2010): Recommended practice -
DNV-RP-C205 Environmental conditions and
environmental loads. Technical report.