who is going to be impacted by this? how does it create discussion/connection?
los pequenos glazier, code as language: “There are other spatialities key to writerly programming. Decisions such as whether copies of objects are used in new contexts or existing objects are overwritten, recursion, the articulate realities of arrays, and the energized antics of loops within loops, are a decisive part of the logic of programs”
tension between literature and architecture: expression statement vs. block statement
luigi pareyson: aesthetics and interpretation [https://www.fabula.org/actualites/luigi-pareyson-esthetique-theorie-de-la-formativite_21236.php]
https://dl.acm.org/doi/abs/10.1145/1869542.1869627 https://www.semanticscholar.org/paper/The-Elements-of-Pattern-Style-Sane/664c6bd6f494d5121999071703e595175ebf7aa1?p2df https://dl.acm.org/doi/abs/10.1145/78607.78611 - typography is proven to be helpful
this could be an interesting theory about the reading process: [https://www.fabula.org/actualites/luigi-pareyson-esthetique-theorie-de-la-formativite_21236.php]
this is not so much about code aligning with standards of literature, but maybe aligning to the standards of both epistemology and architecture, architectural knowledge
questions:
would you like to see the corpus? how should i display/save it?
categories of people are relevant? should i look into academic as well? i’m afraid there might not be so much information/sources
are metaphors contributing to the research project? should i stick to the functional part of aesthetics.
the difference between syntactical and semantic metaphors?
the intent overall is to see to what extent there is an overlap between each of those communities of practice
next steps:


Protocol
KeyboardManagerProtocol
public protocol KeyboardManagerProtocol: AnyObject
Protocol defines an interface for keyboard manager
Relationships
Conforms To
AnyObject
Types Conforming to KeyboardManagerProtocol
KeyboardManager
Keyboard manager class that implement KeyboardManagerProtocol
Requirements
bindToKeyboardNotifications(scrollView:)
func bindToKeyboardNotifications(scrollView: UIScrollView)
Helper method that automatically adjusts scrollView's contentInset property with animation after receive keyboard will appear and will hide notifications.
Parameters
| Name | Type | Description |
|---|---|---|
| scrollView | UIScrollView |
UIScrollView instance, that will be modified after notifications emerged |
bindToKeyboardNotifications(superview:bottomConstraint:bottomOffset:animated:)
func bindToKeyboardNotifications(superview: UIView, bottomConstraint: NSLayoutConstraint, bottomOffset: CGFloat, animated: Bool)
Helper method that automatically adjusts view's bottom constraint after receiving keyboard appear notifications
Parameters
| Name | Type | Description |
|---|---|---|
| superview | UIView |
UIView instance, that will be layout after contraint adjust, basically the superview of the scene |
| bottomConstraint | NSLayoutConstraint |
contraint instance that |
| bottomOffset | CGFloat |
minimal offset value that will be preserved after keyboard disappeared |
| animated | Bool |
should changes be animated |


19 August 2003
Disease Outbreak Reported
The Ministry of Health and Sanitation, Sierra Leone has reported one confirmed case and 45 suspected cases of yellow fever in Tonkolili district.
A joint investigation mission from the Ministry, WHO and UNICEF took place 7-10 August and samples collected on site are undergoing laboratory testing.
Surveillance has been strengthened in the affected areas and plans are in place for an immunization campaign to begin this week. The Ministry has an available stock of yellow fever vaccine to cover the affected population.
Additional samples from surrounding districts are also being collected for testing.


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SHANE CUNNINGHAM UX / Interaction designer
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Blogs
Moana
8TH BIRTHDAY MOANA CAKE
Here’s a birthday cake for Lupita’s 8th birthday! I made this cake with all my heart and love so that she could have the best birthday wishes, happy birthday! another cake I made was used for her birthday party, this one is all for her to munch on!
Mom
HAPPY BIRTHDAY MOM
Here’s a birthday cake for my mother’s birthday! I made this cake with all my heart and love so that she could have the best birthday wishes, happy birthday! another cake I made was used for her birthday party, this one is all for her to munch on!
R-Uneek
R-UNEEK BIRTHDAY CAKE
Here’s a birthday cake for R-uneek’s 27th birthday! I made this cake with all my heart and love so that they could have the best birthday wishes, happy birthday! R-Uneek makes amazing t-shirt and hat prints, they are the team I called up for my own merchandise!
Cars3
RODRIGO'S 3RD BIRTHDAY!
Happy birthday Rodrigo! Today, on March 1st, the little man turns 3! Im so happy for him. He loves the cars movies so much I decided to make a Cars 3 themed cake for his 3rd birthday, pretty smart right?


ar or pentagonal room is inconceivable. (The mystics claim that their ecstasy reveals to them a circular chamber containing a great circular book, whose spin
e is continuous and which follows the complete circle of the walls; but their testimony is suspect; their words, obscure. This cyclical book is God.) Let it suffic
e now for me to repeat the classic dictum: The Library is a sphere whose exact center is any one of its hexagons and whose circumference is inaccess.
ible. There are five shelves for each of the hexagon's walls; each shelf contains thirty-five books of uniform format; each book is of four hundred and ten pages; each page, of for
ty lines, each line, of some eighty letters which are black incolor. There are also letters on the spine of each book; these leters do not indicate or prefigure what the page
s will say. I know that this incoherence at one time seemed mysterious. Before summarizing the solution (whose discovery, in spite of its tragic projections, is per
haps the capital fact in history) I wish to recall a few axioms. First: The Library exists ab aeterno. This truth, whose immediate corollary is the future eternity of the world, can


{% extends "base.html" %} {% block content %}
Your file was successfully loaded!
Oh No! Something went wrong, please go back and try again!


Installing DDK (documentation for the KCL Our Data Ourselves Class)
16 May 2015Starting the DroidDestructionKit
The following set of instructions will guide you in how to get the DroidDestructionKit toolset up and running on your machine once you have the Virtual Machine Appliance imported into your installation of Virtualbox.
Starting the Virtual Machine
When you click “start” on the Virtual machine, you will have to wait a minute or two for it to boot up. Once it is at a logon prompt, enter the username “odo” and password “ddk”.
Starting the Docker Daemon
Once logged in, you will have a command prompt. Type in the command “screen -S docker”, hit “enter”, and wait a moment. Next type “sudo docker -d” to start the daemon, followed by the password (ddk). Once you see a message about it starting up, hold “CTRL” and press “A” and “D” in quick succession to detatch from the screen session.
Starting the Docker Container
You now need to change into the “DroidDestructionKit” directory where the Docker container is stored. To do this, use the command “cd DroidDestructionKit”. To start the Docker container, run “sudo ./runcontainer.sh”, followed by the password (ddk). After a moment, you will be met with a root@ prompt. You can use this to use the Docker container if you are familiar with the Linux commandline, however, you will also have graphical access.
Accessing the GUI via noVNC
From your host computers web browser, navigate to “http://<IP_ADDRESS>:6080/” and wait for NoVNC to initialize. You will now be at the desktop of your virtualized machine containing all the tools you need to get started decompiling and exploring Android Applications.


Information:
Your browser doesn't support the HTML5 CANVAS
Your browser doesn't support the HTML5 CANVAS


{% extends "layout-v2.html" %} {% block pageTitle %} NHS Cervical screening management system {% endblock %} {% block header %} {% include '../../components/header.html' %} {% endblock %} {% block content %}
A patient summary has been created for the patient. Check back in 15 minutes to confirm Personal Demographics Service have added the patient information into the cervical screening programme.
Once added, the patient will be given a next test due date based on their age. If the patient is younger than 25 their next test due date will be set 20 weeks before their 25th birthday.
Continue to patient summary


A thumbless birth is a farmer of the mind. Some assert that a valley is a mighty shovel. It's an undeniable fact, really; the thrill is a seat. We can assume that any instance of a manicure can be construed as a spiky beginner.
A thumbless birth is a farmer of the mind. Some assert that a valley is a mighty shovel. It's an undeniable fact, really; the thrill is a seat. We can assume that any instance of a manicure can be construed as a spiky beginner.
A thumbless birth is a farmer of the mind. Some assert that a valley is a mighty shovel. It's an undeniable fact, really; the thrill is a seat. We can assume that any instance of a manicure can be construed as a spiky beginner.


I found mindfulness practice difficult as my mind just is just actively thinking all the time. Doing the coding exercises, I learned that I can still focus and be on a state of flow for prolonged periods of time. Doing the listening and looping exercise, I found out that it is hard for me to speak for 2 minutes straight talking about my experiences and feelings.
Learning things or doing programming work that aligns with your values can prove to be advantageous. This allows you to do your best and strive to accomplish any goals you've set to achieve.
Empathy is a vital skill that enables one to learn and program productively, especially in collaborative situations. Empathy allows one to handle stress and conflicts effectively. Empathy can also foster a caring environment that allows everyone to flourish.
Self-awareness allows one to know his or her strenths and weaknesses. It enables one to be able to choose the best method to learn or to program as well as be able to accept feedback to make improvements and address shortcomings.
It surprised me to know that that reflecting is an important aspect of learning.
Writing my own thoughts and publishing it in a blog is the most challenging for me.
Because in the bootcamp and consequently in actual practice we will be facing difficulties. Thus we need to learn to be resilient and have a framework for effective problem solving.
No, the things we learned on the core topics are related to human skills which are just as vital as technical skills if we want to make it in the industry.


type TStretchFilter = (sfNearest, sfDraft, sfLinear, sfCosine, sfSpline, sfLanczos,
sfMitchell);
Description
When the bitmap is scaled, these filters control how the colors
are interpolated:
- sfNearest is the fastest filter, although the quality of the stretched image is fair.
- sfDraft is a complex resampler, meaning that it uses several different methods. For downsampling it uses row-column
zoneshifting to preserve more details than sfNearest, however the quality is not as good as sfLinear. For upsampling
it uses a linear interpolation method that may compromise details - this happens if both downsampling and upsampling
is needed. sfDraft is ideal for preview fields and thumbnails. Please note, that the algorithm is not pixel-perfect,
that why using a custom cliprect might result in a so called jitter-effect.
- sfLinear is several times slower, but it produces more decent results in most cases.
- sfCosine is almost equally fast as sfLinear, but it uses cosine interpolation, which produces a sharper image.
- sfSpline is an approximation of spline interpolation, for some applications its result may be too smooth and blurry,
but when using with large magnification factors, it usually yields better image compared to sfLinear.
- sfLanczos generally produces the sharpest image (especially when downsampling), however sometimes can produce excessive "ringing" effect
- this is the slowest filter.
- sfMitchell is often considered as one of the best filters for enlarging images; generally not as sharp as Lanczos.
In some functions filters above sfLinear may
not be applicable (for example in Transform), in this case the filter value will be substituted with sfLinear.
[See Also] TBitmap32.StretchFilter,
StretchTransfer


{% extends 'compasweb/base/base.html' %} {% block page_header %}
This page provides access to published datasets produced using COMPAS. The table below is organised by publication (see below for details on how to search amongst the models). Many papers present multiple models, which are shown on a second page. You can then click through to see the specific details and results associated with that model, including an interactive plotting page. All results can be downloaded and used in further publications.
We provide a list of predetermined tags (acronyms defined below) which can be used to quickly sort for relevant datasets. For example, select "BBH" to select all publications which study binary black holes.
Acronyms:
BBH = Binary black hole
CE = Common Envelope
SN = Supernovae
GW = Gravitational waves
DNS = Double neutron star
NSBH = Neutron star-black holes
To sort by a particular column (e.g. author name or publication year), click the corresponding column header.
To view details of the data available associated with a particular publication, click "View" in the models column.
| Title | Author | Publication | Dataset | Creation Date | Access | Keywords | Models |
|---|---|---|---|---|---|---|---|
| {{ job.title}} | {{ job.author }} |
Year: {{ job.year }} Journal: {{ job.journal }} {% if job.journal_DOI %} DOI: {{ job.journal_DOI }} {% endif %} {% if job.arxiv_id %} Arxiv: {{ job.arxiv_id }} {% endif %} |
{% if job.dataset_DOI %} DOI: {{ job.dataset_DOI }} {% endif %} | {{ job.creation_time }} | {% if job.public == True %} Public {% else %} Private {% endif %} | {{ job.keywords.all|join:", " }} | view |


Read Watch Listen
Watch
Our favorite films and TV for teens, both adapted from books and original stories.
Print Email
Listen
Our favorite audiobooks, especially for the reader performances.
- etc..
Print Email
Summer Reading
Check out our own Summer Reading Scratch Ticket Challenge and get the details on the Brookline Public Schools Summer Reading lists for grades 7 through 12.


library(tidybibtex)
The package contains a sample BibTeX file called sample_bib.
Note that this object is a character vector. If you want to import your own BibTeX file, please use the readLines()
function. It’s a base R function, so you don’t need to install any new library.
sample_bib[1:10]
#> [1] "@article{nolan2010computing,"
#> [2] " title={Computing in the statistics curricula},"
#> [3] " author={Nolan, Deborah and Temple Lang, Duncan},"
#> [4] " journal={The American Statistician},"
#> [5] " volume={64},"
#> [6] " number={2},"
#> [7] " pages={97--107},"
#> [8] " year={2010},"
#> [9] " publisher={Taylor \\& Francis}"
#> [10] "}"
In case you want to capitalize the title field.
capitalize_field(vec = sample_bib[1:10],
field = "title")
#> [1] "@article{nolan2010computing,"
#> [2] " title={Computing In The Statistics Curricula},"
#> [3] " author={Nolan, Deborah and Temple Lang, Duncan},"
#> [4] " journal={The American Statistician},"
#> [5] " volume={64},"
#> [6] " number={2},"
#> [7] " pages={97--107},"
#> [8] " year={2010},"
#> [9] " publisher={Taylor \\& Francis}"
#> [10] "}"
In case you want to capitalize the title field except “in” and “the.”
capitalize_field(vec = sample_bib[1:10],
field = "title",
exceptions = c("in", "the"))
#> [1] "@article{nolan2010computing,"
#> [2] " title={Computing in the Statistics Curricula},"
#> [3] " author={Nolan, Deborah and Temple Lang, Duncan},"
#> [4] " journal={The American Statistician},"
#> [5] " volume={64},"
#> [6] " number={2},"
#> [7] " pages={97--107},"
#> [8] " year={2010},"
#> [9] " publisher={Taylor \\& Francis}"
#> [10] "}"
You can simply the above steps using the cap_bib_field()
function.
cap_bib_field(file_path = <Insert the file path>,
vec = sample_bib[1:10],
field = "title",
exceptions = c("in", "the"))


Masterful tale of misery and hope in toxic environment of refugee camp
DUBAI: The Global Gift Gala is returning to Dubai in December, and bringing with it a slew of A-listers.
The seventh edition of the annual charity gala, founded by entrepreneur and activist Maria Bravo, will kick off on Dec. 17 and is set to feature a star-studded guest list that includes the likes of Iraqi businesswomen Huda and Mona Kattan — who will be honored with the Global Gift Women Empowerment Award,— Sri Lankan actress Jacqueline Fernandez, Egyptian singer Carmen Soliman and British actress Michelle Docquery, best known for her portrayal of Lady Mary Crawley in the drama series “Downton Abbey”.
Of course, the honorary chair Eva Longoria Bastón, who hosted the second edition of the gala in 2013, will also be walking the red carpet. Meanwhile, the legendary pop group Gypsy Kings are set to perform during the evening.
Bravo launched the Global Gift Gala Dubai, in association with the Global Gift Foundation, in 2012 with the aim of elevating the wellbeing and lives of children and families.
The black-tie event will include a dinner and an auction, which will include works from British artist Sacha Jafri, with all proceeds going towards initiatives by UAE-based global philanthropic organization, Dubai Cares and the Global Gift Foundation.


CNEE(1) CNEE(1) NAME cnee - record, replays or distributes X11 data SYNOPSIS cnee [options] DESCRIPTION The program cnee can record and replay an X session. cnee also has the ability to distribute events to multiple displays. cnee gets copies of X protocol data from the X server. These are either printed to file ( record mode) or replayed and synchronised ( replay mode). During record and replay cnee can distribute the record/replayed events to multiple displays. GENERAL OPTIONS --err-file, -e <file> Redirect all Xnee verbose output file_name(default is stderr) --out-file, -o <file> Redirect all Xnee data to file_name(default is stdout) --display, -d <displayname> X server to contact (default is localhost) --all-clients, -ac Record all client's data (default) --data-to-record, -dtr <n> Intercept n numbers of data ( n<0 means forever) --time, -t <secs> Delay start of application for <secs> seconds. Can be used to pre‐ vent recording of KeyRelease when starting Xnee from terminal --record, -rec Set recording mode --replay, -rep Set replaying mode --distribute, -di <LIST> Distribute recorded or replayed events to LIST where LIST is comma separated list of displays --future-clients, -fc Record future client's data (default) --plugin, -p <name Use the plugin name --verbose, -v Enable verbose printout --feedback-xosd, -fx Use xosd to feedback --feedback-stderr, -fs Use stderr to feedback --feedback-none, -fn Dont' use feedback --device-event-range, -devera <X_LIST> Set device event range to X_LIST --keep-autorepeat, -ka Keep autorepeat during record/replay --no-reparent-recording, -nrr Prevent explicit recording of ReparentNotify event RECORD OPTIONS --first-last Print only first and last of multiple successive MotionEvent --all-events Intercept all events --events-to-record, -etr <n> Intercept n numbers of events ( n<0 means forever) --seconds-to-record, -str <n> Intercept for n seconds ( n<0 means forever) --recorded-resolution <res> Resolution to use when recording is set to res --human-printout, -hp Prints human readable --store-mouse-position, -smp Store the initial position of the mouse --request-range, -reqra <X_LIST> Set request range to X_LIST --reply-range, -repra <X_LIST> Set reply range to X_LIST --delivered-event-range, -devra <X_LIST> Set delivered event range to X_LIST --error-range, -erra <X_LIST> Set error range to X_LIST --extension-request-major-range, -erqmar <X_LIST> Set extension request major range to X_LIST --extension-request-minor-range, -erqmir <X_LIST> Set extension request minor range to X_LIST --extension-reply-major-range, -erpmar <X_LIST> Set extension reply major range to X_LIST --extension-reply-minor-range, -erpmir <X_LIST> Set extension reply minor range to X_LIST REPLAY OPTIONS --speed-percent, -sp <speed> Set replaying speed percentage is set to speed --replay-resolution <res> Resolution to use when replaying is set to res --resolution-adjustment Use resolution adjustment --synchronised-replay Synchronise during replay --no-synchronise, -ns Don't use synchornisation during replay --recall-window-position, -rwp Recall the recorded window position to be used during replay --force-replay, -fp Keep replaying even if we are out of sync .... dangerous --buffer-verbose, -bv Enable verbose printout of replay buffer --max-threshold, -mat <nr> Set the maximum threshold for sync to nr --min-threshold, -mit <nr> Set the minimum threshold for sync to tnr --tot-threshold, -tot <nr> Set the total threshold for sync to nr --replay-offset, -ro <x,y> Set the replay offset to (x,y) CNEE OPTIONS --file, -f <file_name> Read data from file file_name (default is stdin) --help, -h Print this message --flags Prints all flags/options xnee accepts --project, -pr <file_name> Use project file file_name --version, -V Print product information --retype-file <file> Types (faking user) the contents of the specified file --write-settings <file> Writes settings to a resource file --print-settings, -ps Prints Xnee settings and waits (for <ENTER>) --print-event-names, -pens Prints X11 event number and name --print-event-name, -pen <ev> Prints X11 event number or name coresponding to ev --print-error-names, -perns Prints X11 error number and name --print-error-name, -pern <er> Prints X11 error number or name coresponding to er --print-reply-names, -pren Prints X11 reply number and name --print-request-names, -prns Prints X11 request number and name --print-request-name, -prn <req> Prints X11 request number or name coresponding to req --keyboard Record the keyboard --mouse Record mouse events --print-data-names, -pdn Prints X11 data number and name --manpage Prints Xnee help text in format as used when generating man page --texipage Prints Xnee help text in format as used when generating info page --type-help Type this help message using faked keys (used to test xnee itself) --demonstration, -demo Let Xnee take you on a demonstration ride --check-syntax, -cs Check syntax of the command line and/or project file (no exec) --get-xinput-event-base, -gxeb Get the event base for Xinput Extension --disable-xinput-events, -dxe Disable recording of XInput events --replay-backend, -rb <backend> --force-core-replay, -fcr Discard record X Input device data, use recorded core device data --record-replay, -rr Record and replay a session (press q to stop recording) COMMENTS file_name Name of a file (e.g /tmp/my_file.xns) display_name Name of a display (e.g <IP_ADDRESS>:0 secs Seconds (e.g 10) n Integer number (e.g 100) LIST Comma separated list of display (e.g <IP_ADDRESS>:0,<IP_ADDRESS>:0) X_LIST Comma separated list of integers (e.g 12-23,35,45-56) EXAMPLES cnee --record --events-to-record 1000 --mouse --keyboard -o /tmp/xnee.xns -e /tmp/xnee.log -v Records 1000 events (keyboard and mouse) to file /tmp/xnee.xns and dumps the verbose printout to /tmp/xnee.log cnee --replay -f /tmp/xnee.xns -v -e /tmp/xnee.log -ns Read data from /tmp/xnee.xns, replay it and verbose print to file /tmp/xnee.log For more examples, read the Xnee manual AUTHOR Henrik Sandklef. REPORTING BUGS Report bugs in the program to<EMAIL_ADDRESS>COPYRIGHT Copyright (C) 2001, 2002, 2003, 2004, 2005, 2006, 2007 Henrik Sandklef. This is free software; see the source for copying conditions. There is NO warranty;not even for MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. SEE ALSO cnee(info),xnee(info),xev(1) VERSION xnee man page, version 3.13 NOTES This page describes cnee. Mail corrections and additions to bug-<EMAIL_ADDRESS>xnee 2007 CNEE(1)


Yep...just a page to work on to improve these skills.
I don't think your ready for all this... press the button below to see.
Check it


(settings)
{{::mc.timezone}}
{{selected.temperature | number : 0}}
°
F
{{currentTime}}
{{selected.summary}}
{{selected.humidity | formatHumidity | number: 0}} %
{{selected.visibility | number: 0}}
{{selected.windSpeed | number: 0}} MPH
WEATHER
PLACES
EVENTS
Locating...
Settings
General
Use Celcuis as unit
Defaults to farenheits
Location
Check for updates every
30 minutes
1 hour
2 hours
3 hours
Day
Done


Interview Platform - Administrator
Sign Out
Quick Links
Profile
Event History
Create Event
Schedule Interview
Change Password
Create Event
Event Name
Event Criteria
Add New Criteria
Delete
Pointer Criteria
Starting From
Ending Date
Details
Cancel
Submit


Hi,
I am Raphael Menges, researcher at Analytic Computing at the University of Stuttgart, Germany. My research interests cover the Web, computer graphics, computer vision, machine learning, and eye tracking.
Jobs
{%- include home/jobs.html -%}
Academia
{%- include home/academia.html -%}
Teaching
{%- include home/teaching.html -%}
Software
{%- include home/software.html -%}
Arts
{%- include home/arts.html -%}
Publications
{%- include home/publications.html -%}


ID (disabled) {{model.id}}
Age
Email is required Invalid email (ex<EMAIL_ADDRESS>Phone is required Phone number must be 10 digits
permis B
vehicule


Card data (eg screenshots) is written to the same folder as the specification output.

false

When run with this fixture in the
spec.concordion.ext.storyboard
package, there is one image written to
| Location |
|---|
| /spec/concordion/ext/storyboard/StoryCardFileNaming0.jpg |
Card data within the same spec are numbered sequentially.

false

false

When run with this fixture, this results in two images being included in the HTML output and saved to the sub-folder spec/concordion/ext/storyboard
:
| Image name | Saved to disk? |
|---|---|
| StoryCardFileNaming0.jpg | true |
| StoryCardFileNaming1.jpg | true |
Image names start with the specification name so that they are unique within the package.

false

When this snippet is run by a fixture named /fruit/GreenApple.html
, it results in the image being written to the fruit
folder:
| Image name | Saved to disk? |
|---|---|
| GreenApple0.jpg | true |
When subsequently run by a fixture named /fruit/RedApple.html
, it results in the image being written to the fruit
folder:
| Image name | Saved to disk? |
|---|---|
| RedApple0.jpg | true |


influenza virus copy viral aerosol fine number exhaled particle fraction particles coarse []. surgical {border-style [], infectious mask px;} #ffffff;} breath copies masks RNA large samples aerosols using Influenza data numbers transmission collected detected fold infection patients detection droplets study facemasks studies volunteers wearing Fine collection human nasopharyngeal onset reduction respiratory Control Surgical Table significant subject subjects Centers Disease However, Prevention cough day droplet effect infected px; seasonal test use {font-family Health, PCR experimental font-size important limit sampler shedding swab Coarse Exhaled Infect Johnson McDevitt Medicine Public Transmission University analysis associated cone double; quantitative sample time total virus. (p = .) Dis Fabian Virus air border-color border-width cases fraction, greater health healthcare illness laboratory lower mask. numbers. observed p = .). report role size solid; source spray spread statistically worn {font-style {font-weight µm) (r = ., Accessed Aerosol Figure Flu Healthcare Institute Milton Novel Number Respiratory School Swab Tobit additional approximately bold care cells. confirmed correlation courier; current designed effective em; filter generation highest impact inlet inoculation inside known larger load means min performed persons positive produced provide pt;} relative release resulting risk shown studied surface temperature times tract transmission. used van volunteer


Case 1 .


Home
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My contacts
Do you want to get in touch? Contact me through:
0719153706
0780153706
<EMAIL_ADDRESS>johnonyango23@yahoo.com


Between the skyscrapers, the politics, the weather, and the sports, I've seen it all in Chicago. Born and raised in the city of wind (Lincoln Park, to be exact!), I knew nothing but harsh winters and humid summers growing up. I used to think that everyone experienced below zero temps and were accustomed to
barreling down slushy streets in the dead of winter.
Thankfully, I retreated to the University of Oregon for college and while I escaped the brutal cold, I was introduced to my new friend, rain!After Oregon, I moved to Washington, DC for grad school and exchanged my flannel shirts for bow ties and button downs. The streets became narrower, the sky a little more limited, and the summer infinitely more HUMID. I had to adjust immediately. After a year at Georgetown and others working in Sports Management, I became a true resident of DC.
I went to high school in Chicago
I went to college in Oregon
I went to grad school in Washington, DC
I've had many influences in my life, they include:
I like all kinds of food, especially:
Feel free to email me at:
Email Me!


@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import models.resident.WorthWhenSoldForLessModel @import uk.gov.hmrc.play.views.html.helpers.form @import views.html.helpers._ @import views.html.calculation._ @import play.api.Application @import config.ApplicationConfig @(worthWhenSoldForLessForm : Form[WorthWhenSoldForLessModel], navHomeLink: String)(implicit request: Request[_], messages: Messages, application: Application, applicationConfig: ApplicationConfig) @resident_main_template( Messages("calc.resident.shares.worthWhenSoldForLess.question"), backLink = Some(controllers.routes.GainController.sellForLess().toString), homeLink = navHomeLink, navTitle = Messages("calc.base.resident.shares.home") ) { @errorSummary(worthWhenSoldForLessForm, "amount")
@Messages("calc.resident.shares.worthWhenSoldForLess.informationText")
@form(action = controllers.routes.GainController.submitWorthWhenSoldForLess) {@Messages("calc.resident.shares.worthWhenSoldForLess.jointOwnershipText")
@formInputMoney(worthWhenSoldForLessForm, "amount", Messages("calc.resident.shares.worthWhenSoldForLess.question"), hideLabel = true) } }


--- layout: default title: Experimenting with music ---
It has been a short time since I started playing more "profesionally" with electronic music. Guided by Sebastián Carrasco (aka NoRim) I started to experimenting and creating some experimental music.
I really hope you like this.


PLANET SICK-BOY: http://www.sick-boy.com "We Put the SIN in Cinema"
I'm all for people attempting to make Shakespeare more accessible to the masses, but I draw the line at Love's Labour's Lost. Kenneth Branagh's fourth adaptation of the Bard (four and a half if you count A Midwinter's Tale) tries to do way too much with what is arguably Shakespeare's weakest play.
There are several things a filmmaker can do to liven up Shakespeare and make his work more appealing to Betty and Ron Normalson of Wheeling, West Virginia. The first and most obvious is changing the setting, like in Michael Almereyda's inspiring new version of Hamlet, which takes place in present-day New York City. An ambitious filmmaker can even raise an eyebrow by casting acting talent that you wouldn't normally associate with Shakespeare, like Branagh did with 1993's Much Ado About Nothing, which featured Denzel Washington and the Razzie-nominated Keanu Reeves.
Branagh does both of these here, as Lost is set in pre-World War II Navarre, a small county outside of France, and features performances from borderline Gen-Y talents Alicia Silverstone (Blast From the Past) and Matthew Lillard (S.L.C. Punk). But things go awry by the presence of about ten song-and-dance numbers from the likes of Irving Berlin, Cole Porter, Rogers & Hammerstein and the Gershwin brothers. And when the characters aren't singing, they're wrapped up in what appears to be a zany screwball comedy from the ‘30s, full of silly pratfalls, double-takes and exaggerated, slack-jawed facial expressions. There's a reason that vaudeville died, but nobody seems to have told Branagh.
 Their plans are interrupted by the arrival of a French princess (Silverstone) and her three horny friends Rosaline (Natascha McElhone, Ronin), Maria (Carmen Ejogo, The Avengers) and Katherine (Emily Mortimer, Scream 3). They sing, they dance, they fall in love, and I went home. End of story. Oh, and then I had lunch.
There are also a lot of annoying supporting roles that made me want to leave the theatre and run over someone's dog. Each actor seemed to be in a contest to see who could `out-ham' the next, and as a result, Lost plays like a silly parody. But I don't think it's supposed to be, which just makes the whole thing laughably sad. Particularly annoying are Nathan Lane (Isn't She Great) and Timothy Spall, the latter of whom was so likeable in Topsy-Turvy.
I've heard people complain about the quality of the singing and the dancing of the actors, but I thought it was pretty commendable, with Lester a notable standout. It's certainly a lot better than I could do, or would even be willing to do. It's a risky move that unfortunately doesn't pay off here.
Branagh deserves credit for his ambition, but little else. He's been nominated for three Oscars (writing and acting) in his Shakespeare adaptations, but only when he sticks to the serious plays (Hamlet and Henry V). Most of Hamlet's crew is on board here as well, with cinematographer Alex Thomson, editor Neil Farrell, production designer Tim Harvey and composer Patrick Doyle (who was nominated for Hamlet) contributing to the overall look, feel and sound of a ‘30s musical.
1:33 - PG for sensuality and a brief drug reference
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A night to remember for cricketing heroes
by Nick ElwellShropshire’s unsung cricketing heroes, the county’s emerging talent, and those embracing new initiatives were all honoured at the annual Cricket Shropshire awards night.
The presentation evening was held at the White House Hotel in Telford with former Worcestershire and Shropshire ace Jack Shantry and Laura Macleod, who represented England nearly 100 times in all forms of the game, as special guests.
Each presented awards during the evening, and gave a short speech to the packed room with 270 guests in attendance.
Left-arm seamer Jack played for Worcestershire for ten years before a back injury forced him to take early retirement in 2018. Since then he has moved into umpiring, coaching and done work for radio.
In addition, he was granted his benefit year by Worcestershire in 2019 for his ten years of service, and one of the beneficiaries will be Cricket Shropshire.
Shrewsbury-born Jack told the audience he made a career in the First Class game despite the doubters who said his bowling action meant he would never be successful.
He said: “There are lots of young cricketers in the room, so I would like to outline the five things you need to help you in your future cricketing careers.
“In summary, they are: Work hard even when no one is watching, motivate yourself, enjoy it, take the time to speak to people, and be able to take criticism.”
Laura, who is now Women and Girls’ Cricket performance manager at Warwickshire, said it was an exciting time for the sport, and she praised Shropshire for its role in developing the game in the county.
“Shropshire has really been to the fore in many initiatives such as Softball Festivals which has seen participation rise significantly in the county.”
She said there was also now a clear pathway for girls making their way in the game in Shropshire from softball cricket, through hardball club cricket, to the Shropshire side and then the Warwickshire development XIs through to the England set up.
Cricket Shropshire chairman Keith Higgins thanked both Jack and Laura for their taking time to attend, and also to the Shropshire Star for sponsoring some of the awards.
Included as part of the awards on the night were the Shropshire OSCAs – the Outstanding Service to Cricket awards – recognising the contribution many people make behind the scenes at clubs across the county.
Mark Rowe received the Unsung Hero OSCA for his work with Calverhall CC, where he has been involved since it was formed in 2003, including five years as Chairman.
He still umpires for the club on a Saturday, helps with the junior sessions on a Monday, helps with the ground and is always the first to arrive on match days, invariably doing all the unglamorous jobs.
Mike Waldron received the Lifetime Achiever award for his work at St Georges CC.
He has been actively involved in the junior section at the club since 1998 and is a coach, junior committee chairman and team manager.
He regularly helps on the ground, has been club secretary for 18 years and was treasurer of the East Shropshire Junior League for many years.
Pete Thornton received the Heartbeat of the Club OSCA for his work at Allscott CC.
He has been involved with the club for 20 years in most aspects of the club, is Vice Chairman, Club Welfare Officer and runs the Under 10, 11, 13 and 15 teams. He is always positive and also has the unofficial title of Morale Officer.
Mike Sheehy was honoured with the Pro Active Leadership in Cricket OSCA for his outstanding service to Shropshire Cricket in general, and Wem CC and officiating in particular, alongside his wife Val for nearly 50 years.
He served as treasurer at Wem for 46 years, and has been treasurer and secretary of the Association of Cricket Officials in Shropshire for 25 years.
Tributes to his tireless dedication to cricket in Shropshire were paid by Andy Barnard, head of Cricket at Shrewsbury School, and Tom Kane chairman of Shropshire ACO as he also received a special service presentation.
Jack Shantry is available for one to one coaching sessions in Shropshire, and can be contacted via email jackshantry@hotmail.com


This tests pasting a Mail blockquote at the start of a paragraph. Blockquoting should be stripped.
This tests pasting text into a Mail blockquote. The last bit of content in the incoming fragment should be merged with the paragraph after the position being pasted into.
Blockquoted Text


Before Change
):
del experiment_id, plugin_name, downsample, run_tag_filter // Unused.
// TODO(cais): Implement this.
raise NotImplementedError()
def read_blob(self, blob_key):
del blob_key // Unused currently.
// TODO(cais): Implement this.
After Change
self, experiment_id, plugin_name, downsample=None, run_tag_filter=None
):
del experiment_id, downsample // Unused.
if plugin_name != PLUGIN_NAME:
raise ValueError("Unsupported plugin_name: %s" % plugin_name)
if run_tag_filter.runs is None:
raise ValueError(
"run_tag_filter.runs is expected to be specified, but is not."
)
if run_tag_filter.tags is None:
raise ValueError(
"run_tag_filter.tags is expected to be specified, but is not."
)
output = dict()
existing_runs = self._multiplexer.Runs()
for run in run_tag_filter.runs:
if run not in existing_runs:
continue
output[run] = dict()
for tag in run_tag_filter.tags:
if tag.startswith(EXECUTION_DIGESTS_BLOB_TAG_PREFIX):
output[run][tag] = [
provider.BlobReference(blob_key="%s.%s" % (tag, run))
]
return output
def read_blob(self, blob_key):
if blob_key.startswith(EXECUTION_DIGESTS_BLOB_TAG_PREFIX):


According to Rasmussen College, the top 5 myths/sterotypes that women in computer science are:
But it is important to note that teach simply are not true. Women and men use computers, therefore womens input is just as important as mens. These resources are here to explain and break the myths and sterotypes that women believe to be ture if they are going to join the field of STEM
"Many people claim they do not believe the stereotype that girls and women are not as good as boys and men in math and science. However, even individuals who consciously refute gender and science stereotypes can still hold that belief at an unconscious level."
Read MoreThis lab proves that sterotyping affects the out look that women have going into fields of science.
Read MoreStereotypes affect women and thier choises in a career. So tackling them head on can disminish them and encourage women to try STEM.
Read More


Hot-keys on this page
n s m x c change column sorting
| Module | statements | missing | excluded | coverage |
|---|---|---|---|---|
| Total | 606 | 9 | 0 | 99% |
| ai.py | 39 | 0 | 0 | 100% |
| ai_test.py | 67 | 1 | 0 | 99% |
| dicehand.py | 12 | 0 | 0 | 100% |
| dicehand_test.py | 20 | 1 | 0 | 95% |
| die.py | 6 | 0 | 0 | 100% |
| die_test.py | 9 | 1 | 0 | 89% |
| game.py | 127 | 1 | 0 | 99% |
| game_test.py | 229 | 1 | 0 | 99% |
| highscore.py | 16 | 2 | 0 | 88% |
| highscore_test.py | 22 | 0 | 0 | 100% |
| player.py | 23 | 1 | 0 | 96% |
| player_test.py | 36 | 1 | 0 | 97% |
No items found using the specified filter.


Software Architect with +6 years of experience in developing scalable web solutions, using different technologies. Proven ability in learning new languages and technologies in order to achieve the company’s goals. Possess a bachelor’s degree in Computer Engineering and experience building different types of projects from architectural issues to user features.
Reduced by 80% the costs of asynchronous workloads inside the Kubernetes cluster using KEDA and custom scalers written in Go.
Successfully migrated different Java (Spring) applications from Java 8 to Java 11 while maintaining backwards compatibility with different versions of internal generic libs.
Created a project that estimates the price of real state in order to improve the tax collection. This project uses technologies like AWS Glue, Lambda, S3, Spring, Docker, and others.
Created a project that provides a panel with prices and suppliers of products in order to optimize time consuming tasks in the Contracts Sector of public administration.
Created a project that uses Machine Learning to predict school failure and dropout, improving the quality of education in public schools. The project competed for the award UNESCO King Hamad Bin Isa Al-Khalifa (2020). This project uses technologies like AWS Glue (with Spark), Lambda, AWS SageMaker, Spring, and others.
Created different front-end components (AngularJs) and Java libs used by a diverse number of applications throughout the company.
Intern at the accountability area.


[LOG-INFO]MAR 18 FEB 08 SYSTEM INITIALIZED NORMALLY!
[LOG-DEBUG]MAR 18 FEB 08 SYSTEM DEBUG!
[LOG-ERR]MAR 18 FEB 08 SYSTEM ERR!


{% extends 'layouts/layout-nhsprofile-fester.html' %} {% block pageTitle %} Add someone you care for {% endblock %} {% block beforeContent %} {{ breadcrumb({ href: "/nhs-profile-fester/settings/index", text: "Manage your NHS login" }) }} {% endblock %} {% block content %}
Now that you have access to Morticia Addams Helm information you will be asked who you are logging in for when you use your NHS login to access Helm.


Assets are files that are not code. Your multi-media assets includes, for example, your textures (image files), models (mesh files), and sounds (audio files).
You create textures in a graphic editor, for example Gimp, and export them as PNG or JPG.
You create models in a 3D mesh editor, for example Blender, and export it in Ogre Mesh XML or Wavefront OBJ format.
You create sounds in an audio editor, for example Audacity, and export them as WAVE or OGG.
DO
DON'T
Save original models plus textures into assets/Textures.
Don't leave textures or models in a folder outside your JME project: The game cannot load or reference them from there.
Save sounds into assets/Sounds.
Don't leave audio files in a folder outside your JME project: The game cannot load or reference them from there.
Create low-polygon models.

Only use Diffuse Map, Normal Map, Glow Map, Specular Map in your models' materials.
Don't use unsupported material properties that are not listed in the Materials Overview.
Use UV texture / texture atlases / baking for each texture map.
Don't create models based on multiple separate textures, it will break the model into separate meshes.
Convert original models to JME3's .j3o format. Move .j3o files into assets/Models.
Don't reference original Blender/Ogre/OBJ files in your load() code, because these unoptimized files are not automatically packaged into the final JAR.
Store your assets in subfolders of your project's assets directory. The assets directory is the default path where a JME game's Asset Manager looks for files to load.
Prepare the asset folder structure for your individual project:
Agree on a directory structure with the graphic designers.
Create subfolders of assets in any way that suits your project (see example above). Stick with one system.
If different assets belong together, create a parallel subdirectory structure for them.
Example: For car models, create Textures/vehicles/car1/, Materials/vehicles/car1/, Models/vehicles/car1/, , Sounds/vehicles/car1/ (etc) directories now.
Agree on a file naming and numbering scheme with the graphic designers.
Are some assets used interchangeably? Systematic naming and numbering lets developers easily swap out assets by swapping out parts of the path String.
Decide on naming standards for naming interactive parts (arms/legs) of animated models.
See also:
More details on Asset Manager, including tips how to work with assets when using other IDEs.
Use Asset Packs to bundle, share, and manage assets!
Install a graphic editor such as Gimp or Photoshop. Consult the graphic editor's documentation for specific details how to do the following tasks.
Create textures in a graphic editor.
Save all textures to your prepared subfolders in the assets/Textures directory.
(Optional) If you plan to use JME materials that you set programmatically from the code, create .j3m materials in the SDK.
Save these .j3m files into the assets/Materials directory.
Storing the textures inside your project directory is necessary for the paths in JME's binary model files (.j3o) to work. Treat the paths of your assets like class names of java classes, they define a specific asset. When you later generate .j3o files, compile class files, and distribute the project, paths and files need to be available in their final absolute form. It is imperative to keep the same directory structure from beginning to end.
If you ever change the assets directory structure, you will have to do manual refactoring (just as for Java package name changes): You will need to re-export all affected models, regenerate all affected .j3o files, and manually update all affected paths in your code.
Install a mesh editor such as Blender or 3D Studio MAX. Reuse textures and materials as much as possible. Consult the mesh editor's documentation for specific details how to do the following tasks.
Create 3D models in a mesh editor.
Create simple low-polygon models. High-polygon models may look pretty in static 3D art contests, but they unnecessarily slow down dynamic games.
Create materials for your models either in the 3D editor, or in the jME3 SDK. Only use Diffuse Map (minimum), Normal Map, Glow Map, and Specular Map.
Every material feature not listed in the Materials Overview is unsupported and ignored by JME3.
Unwrap the model in the 3D editor and generate a UV texture (i.e. one texture file that contains all the pieces of one model from different angles).
Don't use multiple separate texture files with one model, it will break the model into several meshes.
Export the model mesh in one of the following formats: .blend, Wavefront .OBJ/.MTL, Ogre .mesh/.material/.scene.
Bake each texture into one file when exporting. (Create a Texture Atlas.)
Save exported models to subfolders of the assets/Textures directory, together with their Textures. (for now)
See also:
When I load the model in JME, why does it look different than in the 3D editor?
3D models will never look identical in a game engine and in a mesh editor. Mesh editors are optimized for high-quality offline rendering, and many of the material and texture options simply do not work in a live rendering context. Also, the shaders that render the materials in JME are different than in your mesh editor's renderer. Remind your graphic designers to only focus on features that game engines support.
Convert all models and scenes to jME3's binary .j3o format to load() them. You use the jMonkeyEngine SDK to do the conversion.
Confirm that you exported the model into the assets/Textures directory (or subdirectories) together with all its textures.
In the SDK, right-click the model and choose "Convert to j3o Binary".
The paths in the j3o now reference files with an absolute assets/Textures/… path.
Now, move the .j3o into the corresponding assets/Models/ or assets/Scenes/ directory.
Use the AssetManager to load() the .j3o files.
This process ensures that the texture paths are correct, and it also keeps your assets/Models folder free from textures. You can reuse your set of textures for many models.
Must I convert to .j3o? – Yes!
.j3o is an optimized format to store parts of a jME3 scene graph. A .j3o file can contain one shape, one model, or a whole scene.
Only .j3o files can store all of jme3's material and other options, other formats can only be considered meshes with UV mapping data and always need to be worked on.
.j3o files work seamlessly across platforms and can also be automatically adapted for certain platforms on distribution.
(Optional) You can store the model's physical properties, materials, lights, particle emitters, and audio nodes, in the .j3o file.
Use the jMonkeyEngine SceneComposer to add these properties.
The default Ant build script copies .j3o / .j3m files, sounds, and textures, into the distributable JAR automatically.
Important: Unoptimized external model files (.mesh.xml, .material, .obj, .mat, .blend, etc) are not bundled by the default build script into the final executables! If you try to run executables containing code that loads non-.j3o models, you get a Runtime Error (resource not found). The final application code should only reference .j3o files. (Note that you will not get this runtime error when running development builds straight from the SDK!)


Pitt Fuego looks great whether on a mobile phone or on the large display at your keynote presentation. We've embedded all the tools you need in these html/css files. To add content, simply copy and paste code functions from the code repository at the bottom of this .html file.
To get started, go to Pitt Fuego Webtext Generator Repository and follow the steps in the README.md file to get coding! If you're new to code, we recommend you start with one of our introductory tools like the Electrate Fuego or I AM...A Project in Becoming.. You can find these and all of our cool template options at Pitt Fuego Coding Tools.


Ethereum Dice
Start new game
Join existing game
How much escrow will you use in ETH?
What's the smart contract address of the existing game?
Continue


CREATOR: {{event.creator}}
DURATION: {{event.duration | durations}}
LEVEL: {{event.level}}
difficulty: {{event.level}}


The Voyages of Doctor Dolittle
by Hugh Lofting
Part 4, Chapter 3: Bad Weather
Additional Information
- Year Published: 1922
- Language: English
- Country of Origin: England
- Source: Lofting, H. (1922). The Voyages of Doctor Dolittle. London, England: Lippincott Publishing.
-
Readability:
- Flesch–Kincaid Level: 4.2
- Word Count: 963
- Genre: Fantasy
- Keywords: 20th century literature, british literature, children's literature
- ✎ Cite This
Downloads
As soon as I had the Curlew swung round upon her course again I noticed something peculiar: we were not going as fast as we had been. Our favorable wind had almost entirely disappeared.
This, at first, we did not worry about, thinking that at any moment it might spring up again. But the whole day went by; then two days; then a week,—ten days, and the wind grew no stronger. The Curlew just dawdled along at the speed of a toddling babe.
I now saw that the Doctor was becoming uneasy. He kept getting out his sextant (an instrument which tells you what part of the ocean you are in) and making calculations. He was forever looking at his maps and measuring distances on them. The far edge of the sea, all around us, he examined with his telescope a hundred times a day.
"But Doctor," I said when I found him one afternoon mumbling to himself about the misty appearance of the sky, "it wouldn't matter so much would it, if we did take a little longer over the trip? We've got plenty to eat on board now; and the Purple Bird-of-Paradise will know that we have been delayed by something that we couldn't help."
"Yes, I suppose so," he said thoughtfully. "But I hate to keep her waiting. At this season of the year she generally goes to the Peruvian mountains—for her health. And besides, the good weather she prophesied is likely to end any day now and delay us still further. If we could only keep moving at even a fair speed, I wouldn't mind. It's this hanging around, almost dead still, that gets me restless—Ah, here comes a wind—Not very strong—but maybe it'll grow."
A gentle breeze from the Northeast came singing through the ropes; and we smiled up hopefully at the Curlew's leaning masts.
"We've only got another hundred and fifty miles to make, to sight the coast of Brazil," said the Doctor. "If that wind would just stay with us, steady, for a full day we'd see land."
But suddenly the wind changed, swung to the East, then back to the Northeast—then to the North. It came in fitful gusts, as though it hadn't made up its mind which way to blow; and I was kept busy at the wheel, swinging the Curlew this way and that to keep the right side of it.
Presently we heard Polynesia, who was in the rigging keeping a look-out for land or passing ships, screech down to us,
"Bad weather coming.  And look!—over there in the East—see that black line, low down? If that isn't a storm I'm a land-lubber. The gales round here are fierce, when they do blow—tear your canvas out like paper. You take the wheel, Doctor: it'll need a strong arm if it's a real storm. I'll go wake Bumpo and Chee-Chee. This looks bad to me. We'd best get all the sail down right away, till we see how strong she's going to blow."
Indeed the whole sky was now beginning to take on a very threatening look. The black line to the eastward grew blacker as it came nearer and nearer. A low, rumbly, whispering noise went moaning over the sea. The water which had been so blue and smiling turned to a ruffled ugly gray. And across the darkening sky, shreds of cloud swept like tattered witches flying from the storm.
I must confess I was frightened. You see I had only so far seen the sea in friendly moods: sometimes quiet and lazy; sometimes laughing, venturesome and reckless; sometimes brooding and poetic, when moonbeams turned her ripples into silver threads and dreaming snowy night-clouds piled up fairy-castles in the sky. But as yet I had not known, or even guessed at, the terrible strength of the Sea's wild anger.
When that storm finally struck us we leaned right over flatly on our side, as though some in-visible giant had slapped the poor Curlew on the cheek.
After that things happened so thick and so fast that what with the wind that stopped your breath, the driving, blinding water, the deafening noise and the rest, I haven't a very clear idea of how our shipwreck came about.
I remember seeing the sails, which we were now trying to roll up upon the deck, torn out of our hands by the wind and go overboard like a penny balloon—very nearly carrying Chee-Chee with them. And I have a dim recollection of Polynesia screeching somewhere for one of us to go downstairs and close the port-holes.
In spite of our masts being bare of sail we were now scudding along to the southward at a great pace. But every once in a while huge gray-black waves would arise from under the ship's side like nightmare monsters, swell and climb, then crash down upon us, pressing us into the sea; and the poor Curlew would come to a standstill, half under water, like a gasping, drowning pig.
While I was clambering along towards the wheel to see the Doctor, clinging like a leech with hands and legs to the rails lest I be blown overboard, one of these tremendous seas tore loose my hold, filled my throat with water and swept me like a cork the full length of the deck. My head struck a door with an awful bang. And then I fainted.


题意很简单就不多说了，这里我使用优先队列解的。。。。。网上一兄弟直接把两个字符串相加，排序比较，唉，我怎么没想到呢。。。。。
| 4th |
|
| A |
Children’s Game |
| Input: |
|
| Problemsetter: |
There are lots of number games for
children. These games are pretty easy to play but not so easy to
make. We will discuss about an interesting game here. Each player
will be given N positive integer. (S)He can make a big
integer by appending those integers after one another. Such as if
there are 4 integers as 123, 124, 56, 90 then the following
integers can be made –<PHONE_NUMBER>,<PHONE_NUMBER>,<PHONE_NUMBER>,
9012312456,<PHONE_NUMBER> etc. In fact 24 such integers can be made.
But one thing is sure that<PHONE_NUMBER> is the largest possible
integer which can be made.
You may think that it’s very easy to
find out the answer but will it be easy for a child who has just
got the idea of number?
Input
Each input starts with a positive
integer N (≤ 50). In next lines there are N positive
integers. Input is terminated by N = 0, which should not be
processed.
Output
For each input set, you have to print
the largest possible integer which can be made by appending all the
N integers.
| Sample Input |
Output for Sample |
| 4 |
9056124123 |


The objective of this game is to score the most amount of points by choosing the card (density graph) that matches the given density curve name/histogram
This game requires 1 player
A typical gameboard is shown below:
Prompt Card:Shows the criteria for selecting the density curve
Progress Bar: Show the number of rounds that have been finished,
as well as the proportionate amounts of correct and incorrect answers
Cards: Shows the pool of density curves among which the correct card must be selected
Game Statistics: Shows scores as well as various statistics for the game
This game is a variation of the 3 card monte, also known as the 3 card game or 3 shell game. The game begins when the start button is pressed. Afterwards, all cards on the field are flipped face up for a brief interval in order to reveal each card's density curve. Next, all cards are once again flipped face down, and around on the board. Once the cards have finished being shuffled, the prompt square will either ask for a certain distribution by name or by its corresponding histogram, depending on the mode that is currently selected. Once a card has been selected, the appropriate amount of points will be added to the player's score, and the next round will begin. Gameplay ends when when the preselected number of rounds have passed
Players recieve 1 point per each correct answer. No points are deducted for incorrect answers
The game ends after the preselected number of rounds
The following options can be configured before pressing the start
button:
Number of Cards: Determines the number of cards that will be on the board
Matching Mode: Determines whether density graphs will be selected based on name or corresponding distribution histogram
Game Type: Determines the pool that the graphs will be drawn
from.
Game Length: Determines the length of each round
Game Speed: Determines the number of rounds in the game


Each Apache directive available in the standard Apache distribution is listed here. They are described using a consistent format, and there is a dictionary of the terms used in their descriptions available.


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Bibliography#
Nicolas Bourbaki. Lie Groups and Lie Algebras: Chapters 4-6. Springer, reprint edition, 1998.
D. Bump and M. Nakasuji. Casselman’s basis of Iwahori vectors and the Bruhat order. arXiv 1002.2996, arXiv 1002.2996.
D. Bump and A. Schilling, Crystal bases: representations and combinatorics, World Scientific, 2017.
J. B. Carrell. The Bruhat graph of a Coxeter group, a conjecture of Deodhar, and rational smoothness of Schubert varieties. In Algebraic Groups and Their Generalizations: Classical Methods, AMS Proceedings of Symposia in Pure Mathematics, 56, 53–61, 1994.
V. V. Deodhar. Some characterizations of Bruhat ordering on a Coxeter group and determination of the relative Moebius function. Inventiones Mathematicae, 39(2):187–198, 1977.
M. J. Dyer. The nil Hecke ring and Deodhar’s conjecture on Bruhat intervals. Inventiones Mathematicae, 111(1):571–574, 1993.
E. B. Dynkin, Semisimple subalgebras of semisimple Lie algebras. (Russian) Mat. Sbornik N.S. 30(72):349–462, 1952.
B. Fauser, P. D. Jarvis, R. C. King, and B. G. Wybourne. New branching rules induced by plethysm. Journal of Physics A. 39(11):2611–2655, 2006.
W. Fulton. Young Tableaux. Cambridge University Press, 1997.
G. Fourier, M. Okado, A. Schilling. Kirillov–Reshetikhin crystal for nonexceptional types. Advances in Mathematics, 222:1080–1116, 2009.
G. Fourier, M. Okado, A. Schilling. Perfectness of Kirillov-Reshetikhin crystals for nonexceptional types. Contemp. Math., 506:127–143, 2010.
G. Hatayama, A. Kuniba, M. Okado, T. Takagi, Z. Tsuboi. Paths, crystals and fermionic formulae. in MathPhys Odyssey 2001, in : Prog. Math. Phys., vol 23, Birkhauser Boston, Boston, MA 2002, pp. 205–272.
T. J. Haines, R. E. Kottwitz, and A. Prasad. Iwahori-Hecke Algebras. arXiv math/0309168.
J. Hong and S.-J. Kang. Introduction to Quantum Groups and Crystal Bases. AMS Graduate Studies in Mathematics, American Mathematical Society, 2002.
J. Hong and H. Lee. Young tableaux and crystal \(B(\infty)\) for finite simple Lie algebras. J. Algebra, 320:3680–3693, 2008.
R. Howe, E.-C.Tan, and J. F. Willenbring. Stable branching rules for classical symmetric pairs. Transactions of the American Mathematical Society, 357(4):1601–1626, 2005.
N. Iwahori. On the structure of a Hecke ring of a Chevalley group over a finite field. J. Fac. Sci. Univ. Tokyo Sect. I, 10:215–236, 1964.
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A. Joseph. Quantum Groups and Their Primitive Ideals. Springer-Verlag, 1995.
Victor G. Kac. Infinite Dimensional Lie algebras, Cambridge University Press, third edition, 1994.
Kac and Peterson. Infinite-dimensional Lie algebras, theta functions and modular forms. Adv. in Math. 53 (1984), no. 2, 125-264.
S-J. Kang, M. Kashiwara, K. C. Misra, T. Miwa, T. Nakashima, A. Nakayashiki. Affine crystals and vertex models. Int. J. Mod. Phys. A 7 (suppl. 1A): 449–484, 1992.
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M. Kashiwara. The crystal base and Littelmann’s refined Demazure character formula. Duke Math. J., 71(3):839–858, 1993.
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M. Kashiwara and T. Nakashima. Crystal graphs for representations of the \(q\)-analogue of classical Lie algebras. Journal Algebra, 165(2):295–345, 1994.
Kass, Moody, Patera and Slansky, Affine Lie algebras, weight multiplicities, and branching rules. Vols. 1, 2. University of California Press, Berkeley, CA, 1990.
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C. Lenart, S. Naito, D. Sagaki, A. Schilling, and M. Shimozono. A uniform model for Kirillov-Reshetikhin crystals II: Alcove model, path model, and \(P = X\). (2014) arXiv 1402.2203
P. Littelmann. Paths and root operators in representation theory. Ann. of Math. (2) 142 (1995), no. 3, 499-525.
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W. G. McKay and J. Patera. Tables of Dimensions, Indices and Branching Rules for Representations of Simple Lie Algebras. Marcel Dekker, 1981.
M. Okado, A.Schilling. Existence of crystal bases for Kirillov–Reshetikhin crystals for nonexceptional types. Representation Theory 12:186–207, 2008.
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A. Schilling, P. Tingley. Demazure crystals, Kirillov-Reshetikhin crystals, and the energy function. preprint arXiv 1104.2359
R. P. Stanley. Enumerative Combinatorics, Volume 2. Cambridge University Press, 1999.
Testerman, Donna M. A construction of certain maximal subgroups of the algebraic groups E6 and F4. J. Algebra 122 (1989), no. 2, 299–322.
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About RGR Digital Services
At RGR Digital Services, we provide contract agile project management, development, and technology consulting services for
digital agencies, startups, small businesses nonprofits, and creatives.
Robert G. Raleigh is a project manager and frontend developer with 10+ years of project leadership and management
experience working in the technology, nonprofit, education, and creative sectors.
RGR Digital is located in Portland, OR.


|
Excimontec
v1.0-beta.3
An open-source KMC simulation software package for modeling organic semiconductor materials and devices, such as OPVs, OLEDs, and more
|
#include <Polaron.h>
Public Member Functions | |
| Polaron (const double time, const int tag_num, const Coords &start_coords, const bool polaron_charge) | |
| bool | getCharge () const |
| std::string | getObjectType () const |
| Gets the name of the Object class. More... | |
| Public Member Functions inherited from Object | |
| virtual | ~Object () |
| Default virtual destructor needed by the base class. More... | |
| Object () | |
| Default constructor that creates an empty Object object. More... | |
| Object (const double time, const int tag_num, const Coords &start_coords) | |
| Constructor that creates and initializes a usable Object object. More... | |
| double | calculateDisplacement () const |
| Calculates the displacement of the object from its starting coordinates in lattice units. More... | |
| Coords | getCoords () const |
| Gets the current coordinates of the Object. More... | |
| double | getCreationTime () const |
| Gets the simulation creation time of the Object. More... | |
| std::list< Event * >::iterator | getEventIt () const |
| Gets the event list iterator for the event that is associated with the object. More... | |
| int | getTag () const |
| Gets the tag id number of the Object. More... | |
| void | incrementDX (const int num) |
| Increments the dx parameter, which is to be used when the Object crosses an x-direction periodic boundary. More... | |
| void | incrementDY (const int num) |
| Increments the dy parameter, which is to be used when the Object crosses a y-direction periodic boundary. More... | |
| void | incrementDZ (const int num) |
| Increments the dz parameter, which is to be used when the Object crosses a z-direction periodic boundary. More... | |
| void | resetInitialCoords (const Coords &input_coords) |
| Resets the initial coordinates of the Object. More... | |
| void | setCoords (const Coords &input_coords) |
| Sets the coordinates of the Object. More... | |
| void | setEventIt (const std::list< Event *>::iterator input_it) |
| Sets the iterator that points to a specific entry in the events list within the Simulation class. More... | |
Static Public Attributes | |
| static const std::string | object_type = "Polaron" |
|
inline |
|
inline |
|
inlinevirtual |
|
static |


Glossary of terms for the SAREF ontology.
| Term | URI | Type | |
|---|---|---|---|
| ActuatingFunction | https://w3id.org/saref#ActuatingFunction | Class | |
| Actuator | https://w3id.org/saref#Actuator | Class | |
| Appliance | https://w3id.org/saref#Appliance | Class | |
| BuildingRelated | https://w3id.org/saref#BuildingRelated | Class | |
| CloseCommand | https://w3id.org/saref#CloseCommand | Class | |
| CloseState | https://w3id.org/saref#CloseState | Class | |
| Coal | https://w3id.org/saref#Coal | Class | |
| Command | https://w3id.org/saref#Command | Class | |
| Commodity | https://w3id.org/saref#Commodity | Class | |
| Currency | https://w3id.org/saref#Currency | Class | |
| DateTimeDescription | http://www.w3.org/2006/time#DateTimeDescription | Class | |
| DateTimeInterval | http://www.w3.org/2006/time#DateTimeInterval | Class | |
| DayOfWeek | http://www.w3.org/2006/time#DayOfWeek | Class | |
| Device | https://w3id.org/saref#Device | Class | |
| DoorSwitch | https://w3id.org/saref#DoorSwitch | Class | |
| Duration | http://www.w3.org/2006/time#Duration | Class | |
| DurationDescription | http://www.w3.org/2006/time#DurationDescription | Class | |
| Electricity | https://w3id.org/saref#Electricity | Class | |
| Energy | https://w3id.org/saref#Energy | Class | |
| EnergyMeter | https://w3id.org/saref#EnergyMeter | Class | |
| EnergyRelated | https://w3id.org/saref#EnergyRelated | Class | |
| EnergyUnit | https://w3id.org/saref#EnergyUnit | Class | |
| EventFunction | https://w3id.org/saref#EventFunction | Class | |
| Function | https://w3id.org/saref#Function | Class | |
| FunctionRelated | https://w3id.org/saref#FunctionRelated | Class | |
| Gas | https://w3id.org/saref#Gas | Class | |
| GeneralDateTimeDescription | http://www.w3.org/2006/time#GeneralDateTimeDescription | Class | |
| GeneralDurationDescription | http://www.w3.org/2006/time#GeneralDurationDescription | Class | |
| Generator | https://w3id.org/saref#Generator | Class | |
| GetCommand | https://w3id.org/saref#GetCommand | Class | |
| GetCurrentMeterValueCommand | https://w3id.org/saref#GetCurrentMeterValueCommand | Class | |
| GetMeterDataCommand | https://w3id.org/saref#GetMeterDataCommand | Class | |
| GetMeterHistoryCommand | https://w3id.org/saref#GetMeterHistoryCommand | Class | |
| GetSensingDataCommand | https://w3id.org/saref#GetSensingDataCommand | Class | |
| HVAC | https://w3id.org/saref#HVAC | Class | |
| Humidity | https://w3id.org/saref#Humidity | Class | |
| IlluminanceUnit | https://w3id.org/saref#IlluminanceUnit | Class | |
| Instant | http://www.w3.org/2006/time#Instant | Class | |
| Interval | http://www.w3.org/2006/time#Interval | Class | |
| January | http://www.w3.org/2006/time#January | Class | |
| LevelControlFunction | https://w3id.org/saref#LevelControlFunction | Class | |
| Light | https://w3id.org/saref#Light | Class | |
| LightSwitch | https://w3id.org/saref#LightSwitch | Class | |
| LightingDevice | https://w3id.org/saref#LightingDevice | Class | |
| Load | https://w3id.org/saref#Load | Class | |
| Measurement | https://w3id.org/saref#Measurement | Class | |
| Meter | https://w3id.org/saref#Meter | Class | |
| MeteringFunction | https://w3id.org/saref#MeteringFunction | Class | |
| MicroRenewable | https://w3id.org/saref#MicroRenewable | Class | |
| MonthOfYear | http://www.w3.org/2006/time#MonthOfYear | Class | |
| Motion | https://w3id.org/saref#Motion | Class | |
| MultiLevelState | https://w3id.org/saref#MultiLevelState | Class | |
| Multimedia | https://w3id.org/saref#Multimedia | Class | |
| Network | https://w3id.org/saref#Network | Class | |
| NotifyCommand | https://w3id.org/saref#NotifyCommand | Class | |
| Occupancy | https://w3id.org/saref#Occupancy | Class | |
| OffCommand | https://w3id.org/saref#OffCommand | Class | |
| OffState | https://w3id.org/saref#OffState | Class | |
| OnCommand | https://w3id.org/saref#OnCommand | Class | |
| OnOffFunction | https://w3id.org/saref#OnOffFunction | Class | |
| OnOffState | https://w3id.org/saref#OnOffState | Class | |
| OnState | https://w3id.org/saref#OnState | Class | |
| OpenCloseFunction | https://w3id.org/saref#OpenCloseFunction | Class | |
| OpenCloseState | https://w3id.org/saref#OpenCloseState | Class | |
| OpenCommand | https://w3id.org/saref#OpenCommand | Class | |
| OpenState | https://w3id.org/saref#OpenState | Class | |
| PauseCommand | https://w3id.org/saref#PauseCommand | Class | |
| Power | https://w3id.org/saref#Power | Class | |
| PowerUnit | https://w3id.org/saref#PowerUnit | Class | |
| Pressure | https://w3id.org/saref#Pressure | Class | |
| PressureUnit | https://w3id.org/saref#PressureUnit | Class | |
| Price | https://w3id.org/saref#Price | Class | |
| Profile | https://w3id.org/saref#Profile | Class | |
| ProperInterval | http://www.w3.org/2006/time#ProperInterval | Class | |
| SensingFunction | https://w3id.org/saref#SensingFunction | Class | |
| Sensor | https://w3id.org/saref#Sensor | Class | |
| Service | https://w3id.org/saref#Service | Class | |
| SetAbsoluteLevelCommand | https://w3id.org/saref#SetAbsoluteLevelCommand | Class | |
| SetLevelCommand | https://w3id.org/saref#SetLevelCommand | Class | |
| SetRelativeLevelCommand | https://w3id.org/saref#SetRelativeLevelCommand | Class | |
| Smoke | https://w3id.org/saref#Smoke | Class | |
| SmokeSensor | https://w3id.org/saref#SmokeSensor | Class | |
| StartCommand | https://w3id.org/saref#StartCommand | Class | |
| StartState | https://w3id.org/saref#StartState | Class | |
| StartStopFunction | https://w3id.org/saref#StartStopFunction | Class | |
| StartStopState | https://w3id.org/saref#StartStopState | Class | |
| State | https://w3id.org/saref#State | Class | |
| StepDownCommand | https://w3id.org/saref#StepDownCommand | Class | |
| StepUpCommand | https://w3id.org/saref#StepUpCommand | Class | |
| StopCommand | https://w3id.org/saref#StopCommand | Class | |
| StopState | https://w3id.org/saref#StopState | Class | |
| Storage | https://w3id.org/saref#Storage | Class | |
| Switch | https://w3id.org/saref#Switch | Class | |
| SwitchOnService | https://w3id.org/saref#SwitchOnService | Class | |
| TRS | http://www.w3.org/2006/time#TRS | Class | |
| Task | https://w3id.org/saref#Task | Class | |
| Temperature | https://w3id.org/saref#Temperature | Class | |
| TemperatureSensor | https://w3id.org/saref#TemperatureSensor | Class | |
| TemperatureUnit | https://w3id.org/saref#TemperatureUnit | Class | |
| TemporalDuration | http://www.w3.org/2006/time#TemporalDuration | Class | |
| TemporalEntity | http://www.w3.org/2006/time#TemporalEntity | Class | |
| TemporalPosition | http://www.w3.org/2006/time#TemporalPosition | Class | |
| TemporalUnit | http://www.w3.org/2006/time#TemporalUnit | Class | |
| Thing | http://www.w3.org/2002/07/owl#Thing | Class | |
| Time | https://w3id.org/saref#Time | Class | |
| TimePosition | http://www.w3.org/2006/time#TimePosition | Class | |
| TimeZone | http://www.w3.org/2006/time#TimeZone | Class | |
| ToggleCommand | https://w3id.org/saref#ToggleCommand | Class | |
| UnitOfMeasure | https://w3id.org/saref#UnitOfMeasure | Class | |
| WashingMachine | https://w3id.org/saref#WashingMachine | Class | |
| Water | https://w3id.org/saref#Water | Class | |
| Year | http://www.w3.org/2006/time#Year | Class | |
| saref#:Property | https://w3id.org/saref#Property | Class | |
| accomplishes | https://w3id.org/saref#accomplishes | Object property | |
| actsUpon | https://w3id.org/saref#actsUpon | Object property | |
| after | http://www.w3.org/2006/time#after | Object property | |
| before | http://www.w3.org/2006/time#before | Object property | |
| consistsOf | https://w3id.org/saref#consistsOf | Object property | |
| controlsProperty | https://w3id.org/saref#controlsProperty | Object property | |
| dayOfWeek | http://www.w3.org/2006/time#dayOfWeek | Object property | |
| hasBeginning | http://www.w3.org/2006/time#hasBeginning | Object property | |
| hasCommand | https://w3id.org/saref#hasCommand | Object property | |
| hasDateTimeDescription | http://www.w3.org/2006/time#hasDateTimeDescription | Object property | |
| hasDuration | http://www.w3.org/2006/time#hasDuration | Object property | |
| hasDurationDescription | http://www.w3.org/2006/time#hasDurationDescription | Object property | |
| hasEnd | http://www.w3.org/2006/time#hasEnd | Object property | |
| hasFunction | https://w3id.org/saref#hasFunction | Object property | |
| hasMeterReading | https://w3id.org/saref#hasMeterReading | Object property | |
| hasMeterReadingType | https://w3id.org/saref#hasMeterReadingType | Object property | |
| hasPrice | https://w3id.org/saref#hasPrice | Object property | |
| hasProfile | https://w3id.org/saref#hasProfile | Object property | |
| hasSensingRange | https://w3id.org/saref#hasSensingRange | Object property | |
| hasSensorType | https://w3id.org/saref#hasSensorType | Object property | |
| hasState | https://w3id.org/saref#hasState | Object property | |
| hasTRS | http://www.w3.org/2006/time#hasTRS | Object property | |
| hasTemporalDuration | http://www.w3.org/2006/time#hasTemporalDuration | Object property | |
| hasThresholdMeasurement | https://w3id.org/saref#hasThresholdMeasurement | Object property | |
| hasTime | http://www.w3.org/2006/time#hasTime | Object property | |
| hasTypicalConsumption | https://w3id.org/saref#hasTypicalConsumption | Object property | |
| inDateTime | http://www.w3.org/2006/time#inDateTime | Object property | |
| inTemporalPosition | http://www.w3.org/2006/time#inTemporalPosition | Object property | |
| inTimePosition | http://www.w3.org/2006/time#inTimePosition | Object property | |
| inside | http://www.w3.org/2006/time#inside | Object property | |
| intervalAfter | http://www.w3.org/2006/time#intervalAfter | Object property | |
| intervalBefore | http://www.w3.org/2006/time#intervalBefore | Object property | |
| intervalContains | http://www.w3.org/2006/time#intervalContains | Object property | |
| intervalDisjoint | http://www.w3.org/2006/time#intervalDisjoint | Object property | |
| intervalDuring | http://www.w3.org/2006/time#intervalDuring | Object property | |
| intervalEquals | http://www.w3.org/2006/time#intervalEquals | Object property | |
| intervalFinishedBy | http://www.w3.org/2006/time#intervalFinishedBy | Object property | |
| intervalFinishes | http://www.w3.org/2006/time#intervalFinishes | Object property | |
| intervalIn | http://www.w3.org/2006/time#intervalIn | Object property | |
| intervalMeets | http://www.w3.org/2006/time#intervalMeets | Object property | |
| intervalMetBy | http://www.w3.org/2006/time#intervalMetBy | Object property | |
| intervalOverlappedBy | http://www.w3.org/2006/time#intervalOverlappedBy | Object property | |
| intervalOverlaps | http://www.w3.org/2006/time#intervalOverlaps | Object property | |
| intervalStartedBy | http://www.w3.org/2006/time#intervalStartedBy | Object property | |
| intervalStarts | http://www.w3.org/2006/time#intervalStarts | Object property | |
| isAbout | https://w3id.org/saref#isAbout | Object property | |
| isAccomplishedBy | https://w3id.org/saref#isAccomplishedBy | Object property | |
| isCommandOf | https://w3id.org/saref#isCommandOf | Object property | |
| isControlledByDevice | https://w3id.org/saref#isControlledByDevice | Object property | |
| isMeasuredByDevice | https://w3id.org/saref#isMeasuredByDevice | Object property | |
| isMeasuredIn | https://w3id.org/saref#isMeasuredIn | Object property | |
| isOfferedBy | https://w3id.org/saref#isOfferedBy | Object property | |
| isUsedFor | https://w3id.org/saref#isUsedFor | Object property | |
| makesMeasurement | https://w3id.org/saref#makesMeasurement | Object property | |
| measuresProperty | https://w3id.org/saref#measuresProperty | Object property | |
| monthOfYear | http://www.w3.org/2006/time#monthOfYear | Object property | |
| offers | https://w3id.org/saref#offers | Object property | |
| relatesToMeasurement | https://w3id.org/saref#relatesToMeasurement | Object property | |
| relatesToProperty | https://w3id.org/saref#relatesToProperty | Object property | |
| represents | https://w3id.org/saref#represents | Object property | |
| timeZone | http://www.w3.org/2006/time#timeZone | Object property | |
| unitType | http://www.w3.org/2006/time#unitType | Object property | |
| day | http://www.w3.org/2006/time#day | Datatype property | |
| dayOfYear | http://www.w3.org/2006/time#dayOfYear | Datatype property | |
| days | http://www.w3.org/2006/time#days | Datatype property | |
| hasDescription | https://w3id.org/saref#hasDescription | Datatype property | |
| hasManufacturer | https://w3id.org/saref#hasManufacturer | Datatype property | |
| hasModel | https://w3id.org/saref#hasModel | Datatype property | |
| hasName | https://w3id.org/saref#hasName | Datatype property | |
| hasTimestamp | https://w3id.org/saref#hasTimestamp | Datatype property | |
| hasValue | https://w3id.org/saref#hasValue | Datatype property | |
| hasXSDDuration | http://www.w3.org/2006/time#hasXSDDuration | Datatype property | |
| hour | http://www.w3.org/2006/time#hour | Datatype property | |
| hours | http://www.w3.org/2006/time#hours | Datatype property | |
| inXSDDate | http://www.w3.org/2006/time#inXSDDate | Datatype property | |
| inXSDDateTime | http://www.w3.org/2006/time#inXSDDateTime | Datatype property | |
| inXSDDateTimeStamp | http://www.w3.org/2006/time#inXSDDateTimeStamp | Datatype property | |
| inXSDgYear | http://www.w3.org/2006/time#inXSDgYear | Datatype property | |
| inXSDgYearMonth | http://www.w3.org/2006/time#inXSDgYearMonth | Datatype property | |
| minute | http://www.w3.org/2006/time#minute | Datatype property | |
| minutes | http://www.w3.org/2006/time#minutes | Datatype property | |
| month | http://www.w3.org/2006/time#month | Datatype property | |
| months | http://www.w3.org/2006/time#months | Datatype property | |
| nominalPosition | http://www.w3.org/2006/time#nominalPosition | Datatype property | |
| numericDuration | http://www.w3.org/2006/time#numericDuration | Datatype property | |
| numericPosition | http://www.w3.org/2006/time#numericPosition | Datatype property | |
| second | http://www.w3.org/2006/time#second | Datatype property | |
| seconds | http://www.w3.org/2006/time#seconds | Datatype property | |
| week | http://www.w3.org/2006/time#week | Datatype property | |
| weeks | http://www.w3.org/2006/time#weeks | Datatype property | |
| xsdDateTime | http://www.w3.org/2006/time#xsdDateTime | Datatype property | |
| year | http://www.w3.org/2006/time#year | Datatype property | |
| years | http://www.w3.org/2006/time#years | Datatype property | |
| Cleaning | https://w3id.org/saref#Cleaning | Individual | |
| Close | https://w3id.org/saref#Close | Individual | |
| Comfort | https://w3id.org/saref#Comfort | Individual | |
| Drying | https://w3id.org/saref#Drying | Individual | |
| EnergyEfficiency | https://w3id.org/saref#EnergyEfficiency | Individual | |
| Entertainment | https://w3id.org/saref#Entertainment | Individual | |
| Friday | http://www.w3.org/2006/time#Friday | Individual | |
| GetCurrentMeterValue | https://w3id.org/saref#GetCurrentMeterValue | Individual | |
| GetMeterData | https://w3id.org/saref#GetMeterData | Individual | |
| GetMeterHistory | https://w3id.org/saref#GetMeterHistory | Individual | |
| GetSensingData | https://w3id.org/saref#GetSensingData | Individual | |
| Gregorian | http://www.opengis.net/def/uom/ISO-8601/0/Gregorian | Individual | |
| Lighting | https://w3id.org/saref#Lighting | Individual | |
| MeterReading | https://w3id.org/saref#MeterReading | Individual | |
| Monday | http://www.w3.org/2006/time#Monday | Individual | |
| Notify | https://w3id.org/saref#Notify | Individual | |
| Off | https://w3id.org/saref#Off | Individual | |
| On | https://w3id.org/saref#On | Individual | |
| Open | https://w3id.org/saref#Open | Individual | |
| Pause | https://w3id.org/saref#Pause | Individual | |
| Safety | https://w3id.org/saref#Safety | Individual | |
| Saturday | http://www.w3.org/2006/time#Saturday | Individual | |
| SetAbsoluteLevel | https://w3id.org/saref#SetAbsoluteLevel | Individual | |
| SetRelativeLevel | https://w3id.org/saref#SetRelativeLevel | Individual | |
| Start | https://w3id.org/saref#Start | Individual | |
| StepDown | https://w3id.org/saref#StepDown | Individual | |
| StepUp | https://w3id.org/saref#StepUp | Individual | |
| Stop | https://w3id.org/saref#Stop | Individual | |
| Sunday | http://www.w3.org/2006/time#Sunday | Individual | |
| Thursday | http://www.w3.org/2006/time#Thursday | Individual | |
| Toggle | https://w3id.org/saref#Toggle | Individual | |
| Tuesday | http://www.w3.org/2006/time#Tuesday | Individual | |
| United_States_dollar | http://www.wurvoc.org/vocabularies/om-1.8/United_States_dollar | Individual | |
| Washing | https://w3id.org/saref#Washing | Individual | |
| Wednesday | http://www.w3.org/2006/time#Wednesday | Individual | |
| WellBeing | https://w3id.org/saref#WellBeing | Individual | |
| bar | http://www.wurvoc.org/vocabularies/om-1.8/bar | Individual | |
| degree_Celsius | http://www.wurvoc.org/vocabularies/om-1.8/degree_Celsius | Individual | |
| degree_Fahrenheit | http://www.wurvoc.org/vocabularies/om-1.8/degree_Fahrenheit | Individual | |
| euro | http://www.wurvoc.org/vocabularies/om-1.8/euro | Individual | |
| kelvin | http://www.wurvoc.org/vocabularies/om-1.8/kelvin | Individual | |
| kilowatt | http://www.wurvoc.org/vocabularies/om-1.8/kilowatt | Individual | |
| kilowatt_hour | http://www.wurvoc.org/vocabularies/om-1.8/kilowatt_hour | Individual | |
| lux | http://www.wurvoc.org/vocabularies/om-1.8/lux | Individual | |
| pascal | http://www.wurvoc.org/vocabularies/om-1.8/pascal | Individual | |
| pound_sterling | http://www.wurvoc.org/vocabularies/om-1.8/pound_sterling | Individual | |
| unitDay | http://www.w3.org/2006/time#unitDay | Individual | |
| unitHour | http://www.w3.org/2006/time#unitHour | Individual | |
| unitMinute | http://www.w3.org/2006/time#unitMinute | Individual | |
| unitMonth | http://www.w3.org/2006/time#unitMonth | Individual | |
| unitSecond | http://www.w3.org/2006/time#unitSecond | Individual | |
| unitWeek | http://www.w3.org/2006/time#unitWeek | Individual | |
| unitYear | http://www.w3.org/2006/time#unitYear | Individual | |
| watt | http://www.wurvoc.org/vocabularies/om-1.8/watt | Individual | |
| watt_hour | https://w3id.org/saref#watt_hour | Individual |


Located 51nm from Isla Beata.
This harbour is commercial and fringed with industrial activity. There are buoys marking the entrance channel to the starboard of a reef which extends offshore. The safest approach is from the east northeast. Once past the entrance buoys there are numerous marker buoys leading the way to the anchorage basin. Take extra caution at night since many of the buoys are unlit.
Although the harbour is commercial and somewhat unsightly the town is good for provisioning.
This is a good place from which to visit Lake Enriquillo, one of the few saltwater lakes in the world inhabited by crocodiles.
Position 18°09.21'N, 70°57.13'W
See DR Formalities for detailed clearance information and fees.
Authorities here are efficient and should appear shortly after your arrival. Immigration will take your passports away and return with them stamped.
Marina de Guerra are located at the town dock and it is from here you can obtain your "despacho" for departure.
A number of cruisers have reported being overcharged here - see this report.
Last updated March 2015.
Anchor in the tranquil mangrove anchorage at the northeast corner of the small basin at the end of the well marked commercial channel. Mud bottom. Dinghies can be parked at the "yacht club".
It is also possible to tie up to the commercial pier jutting out from the town in the southwest corner. There is a charge for this however for a minimum of 24 hours, so only dock if you are willing to pay.
Last updated March 2015.