| STATUS | Meaning & Rules | Cards | PayPal | Paydirekt | RatePay |
|---|---|---|---|---|---|
| CREATED | Initial Status. As long as no transaction is created within order, it remains in CREATED. As soon as first transaction is created it changes to OPEN. | n/a | n/a | n/a | n/a |
| OPEN | Remains until one of the amounts are used up, i.e. 100% of initial amount is refunded or 100% of initial amount in cancelled. The order gets expired by scheduler. | n/a | n/a | n/a | n/a |
| CLOSED | Final Status. No change on order possible (i.e. no refund/cancel/debit/capture/preauth possible). API replies with according exception „no more transaction possible“ or similar. | n/a | n/a | n/a | n/a |
| STATUS | Meaning & Rules | Cards | PayPal | Paydirekt | RatePay |
|---|---|---|---|---|---|
| CREATED | Initial Status. As long as no contact to processor it remains in CREATED. As soon as processor is contacted it changes to PENDING | Valid for 3ds. Non-3ds result in a direct change to INPROGRESS. | Until customer is not redirected to any of the URLs (Success, Cancel, Failure), the status remains PENDING | Until customer is not redirected to any of the URLs (Success, Cancel, Failure), the status remains PENDING | n/a |
| PENDING | (Customer) Interaction needed. Mostly for async flows (eg PayPal). Directly changes to eg INPROGRESS in case of sync flow or where needed. Might change to INPROGRESS, meaning that the data input has happened and processor can begin with processing. Might change into FAILURE, DECLINED, ABORTED and EXPIRED. | Valid for 3ds. Non-3ds result in a direct change to INPROGRESS. | Until customer is not redirected to any of the URLs (Success, Cancel, Failure), the status remains PENDING | Until customer is not redirected to any of the URLs (Success, Cancel, Failure), the status remains PENDING | n/a |
| IN PROGRESS | Data input successful. Processor is processing the transaction. | n/a | n/a | n/a | n/a |
| OK | Processing technically successful. However it is not clear yet if the funds will arrive at all. Also a following risk analysis might result in a DECLINE, depending on the following processes and/or payment method used. | n/a | n/a | n/a | n/a |
| SUCCESS | Funds have been booked correctly (SEPA) or got confirmed by processor (see payment method) | n/a | Mapped to SUCCESS status via IPN | Mapped to SUCCESS status | Mapped to SUCCESS status |
| FAILURE | Processor declined the transaction. Technical issue caused an excpetion on processor side. | n/a | mapped to according PayPal API exceptions | mapped to according Paydirekt API exceptions | mapped to according RatePay API exceptions |
| DECLINED | Evasion / Payengine declines the transaction (Risk Engine). | n/a | n/a | n/a | n/a |
| ABORTED | Customer aborts transaction. Mostly in async flow on processors payment page. Not supported by all payment methods. | n/a | if customer hits „Back to Shop“ on PP payment page and gets redirected to CancelURL | if customer hits „Back to Shop“ on pd payment page and gets redirected to CancelURL | n/a |
| EXPIRED | Automatic expiration of non-handled transactions (ie pending for X days) | 60 days | 60 days | 60 days | n/a |
| STATUS | Meaning & Rules | Cards | PayPal | Paydirekt | RatePay |
|---|---|---|---|---|---|
| CREATED | Initial Status. As long as no contact to processor it remains in CREATED. As soon as processor is contacted it changes to PENDING. | Valid for 3ds. Non-3ds result in a direct change to INPROGRESS. | Until customer is not redirected to any of the URLs (Success, Cancel, Failure), the status remains PENDING | Until customer is not redirected to any of the URLs (Success, Cancel, Failure), the status remains PENDING | n/a |
| PENDING | (Customer) Interaction needed. Mostly for async flows (eg PayPal). Directly changes to eg INPROGRESS in case of sync flow or where needed. Might change to INPROGRESS, meaning that the data input has happened and processor can begin with processing. Might change into FAILURE, DECLINED, ABORTED and EXPIRED. | Valid for 3ds. Non-3ds result in a direct change to INPROGRESS. | Until customer is not redirected to any of the URLs (Success, Cancel, Failure), the status remains PENDING | Until customer is not redirected to any of the URLs (Success, Cancel, Failure), the status remains PENDING | n/a |
| IN PROGRESS | Data input successful. Processor is processing the transaction. | n/a | n/a | n/a | n/a |
| OK | Processing technically successful. However it is not clear yet if the funds will arrive at all. Also a following risk analysis might result in a DECLINE, depending on the following processes and/or payment method used. | n/a | n/a | n/a | n/a |
| FAILURE | Processor declined the transaction. Technical issue caused an excpetion on processor side. | n/a | mapped to according PayPal API exceptions | mapped to according Paydirekt API exceptions | mapped to according RatePay API exceptions |
| DECLINED | Evasion / Payengine declines the transaction (Risk Engine). | n/a | n/a | n/a | n/a |
| ABORTED | Customer aborts transaction. Mostly in async flow on processors payment page. Not supported by all payment methods. | n/a | if customer hits „Back to Shop“ on PP payment page and gets redirected to CancelURL | if customer hits „Back to Shop“ on pd payment page and gets redirected to CancelURL | n/a |
| EXPIRED | Automatic expiration of non-handled transactions (ie pending for X days). | 14days for pending transactions ( 3DS not run ), 365 days for OK → Expired, if no capture in this timeframe | 365 days | 365 days | 180 days |
| STATUS | Meaning & Rules | Cards | PayPal | Paydirekt | RatePay |
|---|---|---|---|---|---|
| CREATED | Initial Status. As long as no contact to processor it remains in CREATED. As soon as processor is contacted it changes to PENDING. | n/a | n/a | n/a | n/a |
| IN PROGRESS | Data input successful. Processor is processing the transaction. | n/a | n/a | n/a | n/a |
| OK | Processing technically successful. However it is not clear yet if the funds will arrive at all. Also a following risk analysis might result in a DECLINE, depending on the following processes and/or payment method used. | n/a | n/a | n/a | n/a |
| SUCCESS | Funds have been booked correctly (SEPA) or got confirmed by processor (see payment method). | n/a | n/a | n/a | n/a |
| FAILURE | Processor declines the transaction (rule engine). Technical issue caused an exception on processor side. | n/a | n/a | n/a | n/a |
| Type | General Descrition | Cards | PayPal | Paydirekt | RatePay |
|---|---|---|---|---|---|
| cancel | Cancels an amount up to 100% of preauth amount. A preauth must exist. The status of a preauth must be OK. | n/a | n/a | n/a | n/a |
| refund | Reverts funds to a specific payment instrument used for a debit or capture. Up to 100% of captured amount (capture+debit) can be refunded. Captured amount must exist. The status of the debit and/or capture transactions must be SUCCESS. | n/a | n/a | n/a | n/a |
| capture | Books up to 100% of a preceding preauth. Preauth must be in status OK. | n/a | n/a | n/a | n/a |


Documentation
Note: this documentation covers JavaScript only.
There are specific features grouped by type:
Array
CSS
DOM
Host
Libraries
String
And there are standalone scripts:
AJAX
Dictionary
Events
isDefined
isIE
JSON
Morpheus
Polyfills
PubSubz
Sizzle
SWFObject
When


REDBALL (M). (Palace) Director: Jon Hewitt Stars: Belind McClory, John Brumpton, Frank Magree, Peter Docker, Anthea Davis, Neil Pigot, Daniel Richardson, James Young, Robert Morgan, Daniel Wyllie, Chris Hatzis, Ray Mooney Running time: 91 minutes.
A deliberately discordant and jarring opening credit sequence suggests that we are back in Seven territory. And even though there is a vicious serial killer running around in the background of this nasty, ultra low budget crime thriller shot in Melbourne, writer/director Jon Hewitt has a completely different agenda in mind.
Hewitt used to work in a pub near the Russell Street police complex, and over the years he picked up many stories about real life investigations and the off duty antics of the cops. Some of those tales have been woven into the plot of this hard hitting and often unsavoury examination of life on the streets and corruption, whether it be free sex from hookers or taking a kilo off drug dealers for private use. Hewitt is no stranger to controversy, as his first feature Bloodlust is still banned in Britain, and he doesn't pull his punches here. Hewitt is a fan of maverick American director Abel Ferrara, and tries to emulate his uncompromising style with Redball.
The central plot device centres around the hunt for Mr Creep, a psychopath who preys on young children. It is a case that obsesses detective J J Wilson (Belinda McClory, recently seen in the big budget sci-fi thriller The Matrix) and her cynical and world weary partner (John Brumpton, from Life, etc). But far from becoming another police procedural, Redball is a morally ambiguous film that lurches through its unflinching examination of this particularly masculine world, and the camaraderie that exists between street cops, even when off duty. The cops here seem to have little social life beyond the force, as they always hang around in tight knit little groups, drinking and discussing their activities.
Hewitt has the street wise vernacular down pat. He takes a scatter-gun approach to his material, and the film unfolds in a series of energetic short, sharp takes that propel the narrative forward. Hewitt forces the audience to do much of the detective work in piecing together the various strands. A blackly comic running joke about a dead body floating down the Yarra River lightens the unrelentingly bleak tone.
However, the overall lack of technical skill and polish behind this self funded and quickly shot film becomes evident through the often crude, jump cut editing, which occasionally jars. Hewitt also lacked the luxury of being able to do numerous retakes of scenes, which is occasionally reflected in the performances. Despite the limitations of working within a shoe string budget, Hewitt has made good use of locations within Melbourne. The hand held camera work lends an urgency to proceedings, and contributes to the grungy look that perfectly suits the tone of the film. The soundtrack, featuring a number of cutting edge local independent bands, is often used inappropriately within the context of the film.
Ultimately, Redball lacks the polish and slick qualities of such films as Serpico, Prince Of The City, Internal Affairs, and even Joseph Wambaugh's black comedy The Choirboys, which explored the sometimes shocking off duty antics of LA cops. It even lacks the gritty intensity and realism of local tv productions such as Blue Murder and Wildside.
** greg king http://www.netau.com.au/gregking
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Assignment 02 | GD 220-01 | Fall 2018 | 3 CREDITS
A Day in the Life
Adapted from an assignment by Mark Sanders
Deliverables
HTML / CSS webpage
Problem
Design and develop web pages for a collaborative / interactive storytelling project presenting a day in the life of a MICA Graphic Design student. Through typography, composition and images, enhance how someone visually experiences your day. Build a one-page web site based on your design.
Process
Schedule
October 11
Assign: Document your assigned day using a camera, write captions for each image and write 2 paragraphs for two entries.
October 18
Review work
In-class: Content organization & sketches
Assign: CSS styling
October 25
Review work
Assign: CSS styling
November 1
Final Critique
November 8
Final Files Due
- Take a photo every hour (while you are awake) of your assigned day. This image should describe either where you are or what you are doing at this time. Write down a caption for each photo as you take them. Two or more of these hours must include at least two paragraphs each of detailed description about what you are doing the moment the photo was taken. Photos must be at least 1200 pixels wide (hopefully much larger).
- Organize your gathered content, focusing on how each hour is visually connected (or disconnected) to the next, as well as all the others. Crop photos or edit text as needed to clarify. Enhance hierarchy and communication through composition and typography.
- Sketch mock-ups of the overall structure of your timeline, as well as the individual hourly modules of time. What remains consistent? What changes? Why?
- Translate the overall structure of your timeline into HTML / CSS.
- Style type, images, backgrounds, textures, rules, etc. with CSS.
- Troubleshoot and refine your work as needed.
Constraints
- The title for your page must be the date of the day you chronicled.
- The specific time / hour must be displayed in addition to your content.
- Each hour of your day must have one photo and a corresponding caption. At least 2 hours of your day much each include at least 2 paragraphs of supporting text in addition to photo / caption.
- All content (images and text) and supporting graphics must be your own.
- Unless part of a photograph, all text must be HTML / CSS.


Modal Example
Trigger
×
Transaction Details
Juan Dela Cruz
12/05/16
0001
Request
# of copies
Price
Total
-
-
-
-
Request For Application
Total:
Download
Instructions
Status: Waiting for Payment
Pay


|
Embedded Artistry Framework
Embedded Systems C++ Framework
|
Files | |
| file | abs.c |
| file | atof.c |
| file | atoi.c |
| file | atol.c |
| file | atoll.c |
| file | bsearch.c |
| file | calloc.c |
| file | div.c |
| file | heapsort.c |
| file | heapsort_r.c |
| file | imaxabs.c |
| file | imaxdiv.c |
| file | labs.c |
| file | ldiv.c |
| file | llabs.c |
| file | lldiv.c |
| file | qsort.c |
| file | qsort_r.c |
| file | rand.c |
| file | realloc.c |
| file | stdlib_tests.c |
| file | stdlib_tests.h |
| file | strtod.c |
| file | strtof.c |
| file | strtol.c |
| file | strtoll.c |
| file | strtoul.c |
| file | strtoull.c |


Graphicacy Challenge - Visualizing the careers of the top 20 baseball players
Batted ball data - bat. avg. vs exit speed, launch angle
Batted ball data - bat. avg. vs carry, hang time
VR batted ball data from Statcast
VR English soccer standings
Kaggle March Madness competition - boxplots
Kaggle March Madness competition - comparison w/ median
Visualizing a proposal for an automatic baseball HOF
Baseball HOF Tracker - Changes in votes from 2015 to 2016
Best-to-worst years of the 2016 baseball HOF candidates - year by year
Best-to-worst years of the 2016 baseball HOF candidates - cumulative
HOF selector - compare baseball players peak vs career values
Visualizing the top 256 baseball careers with rotation frequency
Generating a crossword puzzle
An analysis of the Ramones song catalog


We're sorry but beijing_electronic_invoice doesn't work properly without JavaScript enabled. Please enable it to continue.
抱歉，如果没有启动JavaScript,网站将无法正常运行。请启动它并继续。


for
statements.
Example:
for (int x: Arrays.asList(1, 2, 3)) {
System.out.println(x);
}
After the quick-fix is applied:
for (Iterator<Integer> iterator = Arrays.asList(1, 2, 3).iterator(); iterator.hasNext(); ) {
final int x = iterator.next();
System.out.println(x);
}
Enhanced for
statement appeared in Java 5.
This inspection can help to downgrade for backward compatibility with earlier Java versions.


Appearance
The cover is painted black and yellow, above the button there is a symbol in the form of the Latin letter V.


4th Family’s youth mentoring program has been refined over a year of delivery at Pine Hills Elementary School in Albany. The 4th and 5th grade students identified by teachers as needing additional social and emotional support meet with adult mentors during lunch time, over an 8 week cycle. The curriculum for each cycle is based on time-tested texts developed by Steven Covey: "The 7 Habits of Highly Effective People" and "The Leader in Me."
Girl Talk was created to empower young girls and to help them find their voice. Girl Talk Director's Ceiyel Ford and Tiffany Johnson create a nurturing environment in their workshops that encourage young women to come out of their comfort zone to strive for greatness. Both Ms. Ford and Ms. Johnson work tirelessly to help these young women to define their lives on their own terms, and to realize that no dream is too big.
Throughout the 12-week Girl Talk program, these young ladies will make new friends, build confidence, and celebrate each other's victories, and all that makes them unique. The curriculum for each workshop focuses a different topic that reinforces a social/emotional skill. All lessons encourage positive mental and physical development and allow these young ladies to share their life experiences both good and bad in a comfortable and safe environment.
We work with these young people systematically, with each session focused on one of the critical social/emotional skills:
Students who meet criteria to exit the class are eligible to participate in 4th Family Sports Science and STEM Programs


IASAS MUN 2015
13-15 November 2015 | International School Bangkok
Toggle navigation
IASAS MUN 2015
Home
Documentation
Emergency Situation
Guest Speaker
Country Matrix + Topics
Schedule
Rules of Procedure
Important Contacts
Program Booklet
GA/Secretariat
Committees
Disarmament and International Security Committee (DISEC)
Economic and Social Council (ECOSOC)
Historical Committee (HC)
Human Rights Council (HRC)
Security Council (SC)
Special Political and Decolonization Committee (SPECPOL)
Media
NEW
Photos
General Assembly
NEW
Apps
Drive + Docs
Mail
Help
Welcome to
IASAS MUN 2015
at the
International School Bangkok
Some Stuff,
We love pie
CSGO
Some Title
<--He is a pie


A channel to discuss trading. For useful links and more info click the pinned messages to the right.
100 messages
Before 05-Dec-19 12:00 AM
Tesla Nguyen18-Oct-18 11:36 AM
it's already claimed
if you want you can withdraw
Jaki18-Oct-18 11:36 AM
How?
  A withdrawal fee of 0.02 KMD will be automatically deducted from the amount.Additionally, 10% of deducted withdrawal fee will be donated to the bot author to help continual development.
!kmdtip <@user> <amount> [private]
Tips the @ mentioned user with the desired amount, e.g.
!kmdtip @test123456#7890 1.00
!kmdtip rain <amount> [<@role>]
Rains the desired amount onto all online users (optionally, within specified role), e.g.
!kmdtip rain 10.00, !kmdtip rain 10.00 @Supporters
!kmdtip soak <amount> [<@role>]
Soaks the desired amount onto all online and idle users (optionally, within specified role), e.g.
!kmdtip soak 5.00, !kmdtip soak 5.00 @Supporters
!kmdtip thunder <amount> [<@role>]
Tips a random lucky online user with the amount (optionally, within specified role), e.g.
!kmdtip thunder 5.00, !kmdtip thunder 5.00 @Supporters
!kmdtip faucet
Gets an amount from the faucet (applicable every 4 hours)
Mic4cky18-Oct-18 11:39 AM
!kmdtip balance
KMD TipBotBOT18-Oct-18 11:39 AM
TipBot
Please use #tip-bot to talk to TipBot.
CryptoNinjaa18-Oct-18 11:52 AM
@ErikB Thanks bro. but if you want to tip Use my 1 kmd to make it rain on peeps
After living in bourgeoisville for awhile I’d probably take a trailer at this point, definitely be cheaper
ComputerGenie 👴👴👴18-Oct-18 12:55 PM
LOL in my 20's I looked at a trailer in a place that looked much worse than that pic I found and they wanted like 2x what I ended up paying for a 3 br house
>Well, you're proud of this little shitbox wanting $600 a month, ain't ya?
a "house on wheels" and priced to match (edited)
1
We looked a one of the "high dollar" RVs, super nice and nice layout, damn thing cost 3x what we paid for a house with 7 acres of land
>Does it come with a free butler and maid too?
BlockTech18-Oct-18 01:04 PM
Lot's of 5k-10k buy order on binance, driving the price up
@Jaki Can you elaborate on that question? I'm not sure I understand what you're asking.
Jaki18-Oct-18 02:12 PM
I got thunderstruck from KMD TipBot.
ComputerGenie 👴👴👴18-Oct-18 02:15 PM
There's a minimum amount where you need to have more than the tx fees, but other than that, you can withdraw if you choose, or wait until you maybe have more or maybe give to someone else in the future
TipBot isn't really "rewards" as much as it is people sharing with others
Jaki18-Oct-18 02:18 PM
Where should I do that? In Botchat folder an following KMD TipBot instructions? Thx for help
ComputerGenie 👴👴👴18-Oct-18 02:19 PM
yes, or you can do a private message with the bot
Vertigo18-Oct-18 02:33 PM
Ow man KMD just saved Einstenium
Cool
ComputerGenie 👴👴👴18-Oct-18 02:34 PM
Not really "just", seems dPoW was already in the works before any of the new attention
But, yeah, it is cool
Vertigo18-Oct-18 02:35 PM
Genie does the 5% thing works on non native wallet?
blackjok3r18-Oct-18 02:39 PM
yes
ComputerGenie 👴👴👴18-Oct-18 02:54 PM
@Vertigo Yes, if the 'non native wallet' uses nlocktime


To show separator lines between methods in the editor, open the editor settings and select the Show method separators check box in the Appearance page.


|
Bayerische Motoren Werke AG (German for Bavarian Motor Works), usually known under its abbreviation BMW, is a German luxury vehicle, motorcycle, and engine manufacturing company founded in 1916. It is one of the best-selling luxury automakers in the world. The company is a component of the Euro Stoxx 50 stock market index. Headquartered in Munich, Bavaria, BMW owns Mini cars and is the parent company of Rolls-Royce Motor Cars. BMW produces motorcars under the BMW Motorsport division and motorcycles under BMW Motorrad, and plug-in electric cars under the BMW i sub-brand and the "iPerformance" model designation within the regular BMW lineup. |
||
FoundedMarch 7, 1916 |
2016 Revenue$103.8 billion |
Country of OriginGermany |


NATIONAL LAMPOON'S LOADED WEAPON 1 [Spoilers] A film review by Jaye Mathisen Copyright 1993 Jaye Mathisen
Summary: A very poorly done spoof on a whole slew of cop movies, most obviously, the "Lethal Weapon" series, some "Dirty Harry," and a couple others.
 NAKED GUN wasn't bad. HOT SHOTS wasn't bad. As long as you took them for what they were.
Not LOADED WEAPON. This was just plain stupid, more in the line of THE PERILS OF GWENDOLYN IN THE LAND OF THE WHATEVER IT WAS" [YIK-YAK. -Moderator]. A weak, nay, gasping for breath plot. Emilio Estevez apparently was supposed to play some macho cop walking the edge. All I got was that he was suffering from a combination of food that didn't agree with him, and a mega-wedgie. His acting was wooden.
I can't remember who played his partner, other than he was in PATRIOT GAMES, but whoever he was, he was definitely slumming, and definitely didn't fit the part. [Samuel L. Jackson -Moderator]
The only redeeming virtue in the whole show was a brief view of Kathy Ireland in some rather interesting attire. Not that it made up for the cost of the movie, but at least it wasn't a total disaster.
LOADED WEAPON kind of reminds me of the "little movie that could." I think that a parody of LETHAL WEAPON and other cop movies could be done, and done well. But for whatever reason, the makers of LOADED WEAPON really dropped the ball on this one.
Rating: 1 star (does the system go any lower?) out of 4. Just plain pathetic.
Enjoyability rating: Ah, here it does go lower. Don't go see this movie. Don't even suggest it to your worst enemy. Don't rent it when it comes out on video. Boycott theatres that are showing it, don't even go to the other movies at the same complex. Write letters to the editor denouncing this piece of movie tripe.
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Principal Engineer, Indix™
paambaati @thundubeedi
Rendering is what a browser does to display contents of a webpage.
Rendered webpage's source HTML is our target.
Yes and no.
Crawling is fetching simple webpages, and doesn't work with SPAs, PWAs and webpages that use Ajax to lazily load data.
Rendering is intelligently fetching the page source for any kind of webpage.
Webpages are one of our many sources of product information.
Indix has more than ⚡1 billion products across 62K brands from 2400 websites, and is tracking & discovering more every second.
Chrome Debugging Protocol is a set of APIs you can use to programatically control Chrome.
Effort is underway to standardize CDP API across all browsers (see RemoteDebug project).
It was originally built alongside "headless" mode for making automation testing easier.
They're all too big, too slow, require a dummy display driver and/or don't have low-level network APIs for our usecase.
☠ PhantomJS is no longer actively maintained after headless Chrome came out.
CDP exposes a remote debugging port, to which you can connect and start sending commands. Some of the cool things you can do include —
Interest in CDP has shot through the roof in the past few months, and so there are a lot of new clients on top of the protocol.
| Client | Language |
|---|---|
| Puppeteer* | Node.js |
| Navalia | Node.js |
| gcd | Golang |
| PyChromeDevTools | Python |
| cdp4j | Java |
| chrome-reactive-kotlin | Kotlin |
... is our in-house rendering engine for Ajax-based sites, built on top of CDP.
Shadowfax is an NPM module, and predates the Chrome team's Puppeteer & Rendertron projects by months. It started as an experiment on the then-new headless mode.
createTarget()
command.navigate(url)
command to navigate to given URL.requestWillBeSent
events.document.documentElement.outerHTML
with Runtime.evaluate()
to get full HTML source.closeTarget()
command.Approach #1
(Shadowfax + Background Chrome) + Docker + Mesos = 🙁
What happened
Approach #2
Shadowfax + Docker + Chrome As A Service + Mesos = 🙁
What happened
Approach #4961
Shadowfax + On-Demand Chrome + Mesos = 😎
What we learned
4x
over PhantomJS, 3x
over Nightmare.js2x
over PhantomJS & Nightmare.js


The following features have been deprecated by YouTube:
Additionally, some features previously available in this tool are now offered as official YouTube features, and so do not require complex workarounds.
If you wish, you can use the legacy version of this tool (no longer maintained) here.


Liam Hemsworth is Hard on Work on New Series 'Dodge and Miles'!
Liam Hemsworth gets apprehended by co-star Billy Burke as they film a scene for their upcoming series Dodge and Miles on Monday (November 18) at the GM Renaissance Center in Detroit, Michigan.
The 29-year-old actor sported a gray shirt and navy pants as he worked on his upcoming Quibi series.
PHOTOS: Check out the latest pics of Liam Hemsworth
Last month, Liam was spotted getting hit by a taxi as he started working on the series.
Quibi is a new streaming service that will air episodes in “quick bites.” Dodge and Miles follows “Dodge Maynard (Hemsworth) who, desperate to take care of his pregnant wife before a terminal illness can take his life, accepts an offer to participate in a deadly game where he soon discovers that he’s not the hunter, but the prey.”


We like to think of ourselves as a passionate team - we really do love all things 'Web'. In our early days we set out on a mission to deliver high quality web design and development services and found that we really are good at it. Since then we have grown with gusto, adding loads of new skills to our team to become a 'full service web agency.' In other words, we can do it all. And we do it for those who expect the best.
So what's our difference? It's all in our people. A common desire to be the very best at what we do and a team of lively personalities means that we haven't lost our human touch. We communicate in English as well as we communicate in code so despite our IT prowess, you will still find us refreshingly easy to talk to. Never be afraid to bring your craziest ideas and questions to the table - we want to work with you, not for you. Besides, sometimes the craziest ideas turn out to be the best.


HostsServer is a local HTTP Server specifically designed to be used with a custom hosts file and is the perfect companion for HostsMan.


Classes
Prerequisites
- Welcome Quest
- Power of Puppet Quest
- Resources Quest
- Mainfest Quest
- Variables Quest
- Conditions Quest
- Ordering Quest
Quest Objectives
- Understand what a class means in Puppet's Language
- Learn how to use a class definition
- Understand the difference between defining and declaring a class
Getting Started
So we've mentioned the term class in previous quests. In this quest we cover the use of classes within a Puppet manifest to group resource declarations (and everything we've learned up to this point) into reusable blocks of Puppet code. When you're ready to get started, type the following command:
quest --start classes
This is just an example
We've written this quest to help you learn the functionality and purpose of classes. To keep things simple, we will write code to both define classes and include them within a single manifest. Keep in mind however, that in practice you will always define your classes in a separate manifest. In the Modules Quest we will show you the proper way define classes and declare classes separately.
Defining Classes
In Puppet's language classes are named blocks of Puppet code. Once you have defined a class, you can invoke it by name. Puppet will manage all the resources that are contained in the class defintion once the class is invoked. Please remember that classes in Puppet are not related to classes in Object Oriented Programming. In Puppet, classes serve as named containers for blocks of Puppet code.
Let's dive right in, and look at an example of a class definition. We have created a class definition for you. Look at the contents of the file /root/examples/modules1-ntp1.pp
. Open it using nano
or your favorite text editor.
The file should contain the following code:
class ntp {
case $operatingsystem {
centos, redhat: {
$service_name = 'ntpd'
$conf_file = 'ntp.conf.el'
}
debian, ubuntu: {
$service_name = 'ntp'
$conf_file = 'ntp.conf.debian'
}
}
package { 'ntp':
ensure => installed,
}
file { 'ntp.conf':
path => '/etc/ntp.conf',
ensure => file,
require => Package['ntp'],
source => "/root/examples/answers/${conf_file}"
}
service { 'ntp':
name => $service_name,
ensure => running,
enable => true,
subscribe => File['ntp.conf'],
}
}
That's a class definition. As you can see, there is a case
statement, and three resources, all contained within the following pair of curly braces:
class ntp {
}
The conditional (case
statement) sets up the value for the $service_name
and $conf_file
variables appropriately for a set of operating systems. Three resources - a package, a file, and a service are defined, which use the variables to provide flexibility.
Now what would happen if we applied this manifest, containing the class definition?
Task 1 :
Apply the manifest containing the ntp
class definition:
puppet apply /root/examples/modules1-ntp1.pp
That's funny. Nothing happened, and nothing changed on the system!
This is because the class in the modules1-ntp1.pp
manifest is only being defined and not declared. When you applied the manifest, it is as if Puppet went, "Ok! Got it. When you ask for class ntp, I am to know that it refers to everything in the definition." You have to declare the class in order to make changes and manage to the resources specified in the definition. Declared? What's that? We will discuss that next.
Declaring Classes
In the previous section, we saw an example of a class definition and learned that a class is a collection of resources. The question that still needs answering is, how can we use the class definition? How can we tell Puppet to use the definition as part of configuring a system?
The simplest way to direct Puppet to apply a class definition on a system is by using the include
directive. For example, to invoke class ntp you would have to say:
include ntp
in a Puppet Manifest, and apply that manifest.
Now you might wonder how Puppet knows where to find the definition for the class. Fair question. The answer involves Modules, the subject of our next lesson. For now, since we want to try applying the definition for class ntp, let's put the line include ntp
right after the class definition.
We have already done that for you, open the file /root/examples/modules1-ntp2.pp
:
nano /root/examples/modules1-ntp2.pp
You should see the line:
include ntp
as the very last line of the file.
Task 2 :
Declare class ntp
Go ahead and now apply the manifest /root/examples/modules1-ntp2.pp
.
HINT: Use the puppet apply tool. Refer to the Manifests Quest.
Great! This time Puppet actually managed the resources in the definition of class ntp.
Again, please do not ever do this above example in real life, since you always want to separate the definition from the declaration. This is just an example to show you the functionality and benefit of classes. In the Modules Quest we will show you the proper way define classes and declare classes separately.
A detailed look at the lvmguide class
In the Power of Puppet Quest, we used a class called lvmguide
to help us set up the website version of this Quest Guide. The lvmguide
class gives us a nice illustration of structuring a class definition. We've included the code from the lvmguide
class declaration below for easy reference as we talk about defining classes. Don't worry if a few things remain unclear at this point. For now, we're going to focus primarily on how class definitions work.
class lvmguide (
$document_root = '/var/www/html/lvmguide',
$port = '80',
){
class { 'apache':
default_vhost => false,
}
apache::vhost { 'learning.puppetlabs.vm':
port => $port,
docroot => $document_root,
}
file { '/var/www/html/lvmguide':
ensure => directory,
owner => $::apache::params::user,
group => $::apache::params::group,
source => 'puppet:///modules/lvmguide/html',
recurse => true,
require => Class['apache'],
}
}
In this example we've defined a class called lvmguide
. The first line of the class definition begins with the word class
, followed by the name of the class we're defining: in this case, lvmguide
.
class lvmguide (
Notice that instead of the usual curly bracket, there is an open parenthesis at the end of this first line, and it isn't until after the closing parenthesis that we see the opening curly bracket.
class lvmguide (
$document_root = '/var/www/html/lvmguide',
$port = '80',
){
The variable declarations contained in these parentheses are called class parameters.
Class parameters allow you to pass a set of parameters to a class. In this case, the parameters are $document_root
and $port
. The values assigned to these parameters in the class definition are the default values, which will be used whenever values for the parameters are not passed in.
The first item you see inside the curly braces is... another class! One of the advantages of keeping your classes modular is that you can easily pull together all the classes you need to achieve a particular purpose.
class { 'apache':
default_vhost => false,
}
Notice how the code looks similar to how you might describe a user, file or package resource. It looks like a declaration. It is, indeed, a class declaration. This is the an alternative to using include
to invoke existing class definitions. In this case, we wanted to set up an apache server to host our Quest Guide content as a website. Instead of trying to reinvent the wheel, we are able to pull in the existing apache
class from the apache
module we downloaded from the Forge.
If we had wanted to include the apache
class with its default parameter settings, we could have used the include apache
syntax. Turns out that just like the lvmguide
class, the apache
class is defined to accept parameters. Since we wanted to set the default_vhost
parameter, we used the resource-like class declaration syntax. This allows us to set default_vhost
to false
.
Our final two code blocks in the class definition are resource declarations:
apache::vhost { 'learning.puppetlabs.vm':
port => $port,
docroot => $document_root,
}
file { '/var/www/html/lvmguide':
ensure => directory,
owner => $::apache::params::user,
group => $::apache::params::group,
source => 'puppet:///modules/lvmguide/html',
recurse => true,
require => Class['apache'],
}
First, we declare a apache::vhost
resource type, and pass along values from our class parameters to its port
and docroot
attributes.
As in the above example, class definitions give you a concise way to group other classes and resource declarations into re-usable blocks of Puppet code. You can then selectively assign these classes to different machines across your Puppetized network in order to easily configure those machines to fulfill the defined function. Now that the lvmguide
class is defined, enabling the Quest Guide website on other machines would be as easy as assigning that class in the PE Console.
Review
We learned about classes, and how to define them. We also learned two way to invoke classes - using the include
keyword, and declaring classes using a syntax similar to resource declarations. Classes are whole lot more useful once we understand what modules are, and we will learn about Modules in the next quest.


(PECL getdns >= 0.11.0)
php_getdns_context_get_tls_query_padding_blocksize — Get the TLS query padding block size.
$context
, int $value
)This function can be used to get the value of the EDNS(0) block size padding option. With this option, the query size will be padded to be a multiple of a block size when queried over GETDNS_TRANSPORT_TLS transport. This is designed to reduce the possibility of guessing the query by analyzing query sizes.
context
The previously created DNS context that is to be used with this request.
value
The value of the block size. Valid values range from 0 (zero) to MAXIMUM_UPSTREAM_OPTION_SPACE - 4. The value of MAXIMUM_UPSTREAM_OPTION_SPACE is a getdns library configuration parameter.
This function returns an integer response code. GETDNS_RETURN_GOOD indicates successful completion.


Customer
Details
Name
*
Contact Number
*
Address
*
Landmark
*
Tractor Available
*
Yes
No
Customer Land Details
*


GEORGE OF THE JUNGLE
A Film Review by James Berardinelli
RATING (0 TO 10): 6.5 Alternative Scale: **1/2 out of ****
United States, 1997 U.S. Release Date: 7/16/97 (wide) Running Length: 1:30 MPAA Classification: PG (Mild profanity, sexual innuendo) Theatrical Aspect Ratio: 1.85:1
Cast: Brendan Fraser, Leslie Mann, Thomas Haden Church, Greg Cruttwell, Abraham Benrubi, voice of John Cleese, voice of Keith Scott Director: Sam Weisman Producers: Jon Avnet, David Hoberman, Jordan Kerner Screenplay: Dana Olsen, Audrey Wells Cinematography: Thomas Ackerman Music: Marc Shaiman U.S. Distributor: Walt Disney Pictures
I suppose there are a lot of Generation Xers who harbor a certain fondness for the old TV cartoon GEORGE OF THE JUNGLE, which ran on Saturday mornings in the late '60s and early '70s (apparently, there were only 17 episodes produced, but they were rerun so often that it seemed like a lot more). As a result, it was only to be expected that in this era of re-hashing TV products for the big screen, someone would stumble upon GEORGE. The outcome is a live-action re-interpretation of the cartoon that, despite changing numerous details, remains faithful to the spirit of its inspiration. However, perhaps the most surprising thing about this movie is that it's far more entertaining than one might reasonably expect given the premise.
Disney is stuck in a remake rut, and some of their recent efforts (101 DALMATIANS and THAT DARN CAT in particular) have been less-than- inspired. And, while GEORGE OF THE JUNGLE isn't likely to top many critics' end-of-the-year Top 10 lists, it's a breath of fresh air coming from a studio that has become known for its stagnant, family values- oriented treacle. GEORGE OF THE JUNGLE possesses both an edge and a sense of self-mocking that's unusual for any feature, live or animated, that emerges from under the Mouse's protective umbrella.
Arguably, the best thing about the original GEORGE OF THE JUNGLE was the theme song, and it has been retained in its full glory (albeit slightly altered -- some of the lyrics aren't the same). And, of course, George still swings from vine to vine, regularly smacking into tree trunks. However, while that's the movie's most recognizable and most frequently-repeated comic routine, GEORGE manages to be more than just a one-joke picture.
GEORGE OF THE JUNGLE's plot borrows heavily from the likes of KING KONG, CROCODILE DUNDEE, and, of course, TARZAN. George (Brendan Fraser), who is known variously as the "Great White Ape" and the "King of the Jungle," spends his days hanging out in the land of Bukuvu, which lies deep in the heart of Africa. George is a man, but he was raised by animals, and he can speak their language as well as his own. His companions include a playful elephant called Shep, a Tookie Tookie bird, and a talking ape named (appropriately) Ape (voice of John Cleese). George's life changes forever when a group of humans enter his world. They include the pretty-but-flighty Ursula (Leslie Mann), her stuck-up fiance, Lyle (Thomas Haden Church), and a pair of inept big game hunters (Greg Cruttwell and Abraham Benrubi). George saves Ursula from a lion attack, then shows her around his domain. She returns the favor by taking him to San Francisco and introducing him to another kind of jungle. In the process, the two fall in love, but complications arise when Ape is ape-napped.
 Yes, but that's the whole point, and director Sam Weisman (BYE BYE, LOVE), his cast, and crew all recognize it and revel in it. By adopting the tone of the cartoon series, GEORGE OF THE JUNGLE manages to appeal to children, while some of the unexpectedly clever humor will keep adults from becoming too restless. The film pokes fun at everything from "serious" jungle epics to Disney's own THE LION KING. For those who prefer "least common denominator" humor, there's plenty of flatulence, and some of the double entendres are salacious enough to push the limits of the PG-rating.
The best running gag doesn't involve George crashing into a tree; instead, it satirizes one of my least-favorite motion picture devices: the voiceover narrative. The disembodied vocal talent in GEORGE OF THE JUNGLE belongs to Keith Scott, who sounds astonishingly like Don Pardo. Omniscient and without form, he emotes alliterative, flowery prose with tongue in cheek. Some of his observations are slyly amusing; others are downright hilarious. And there's a moment when he gets into a heated argument with one of the big game hunters. That's right: a voiceover narrator trading insults with a character.
Using the same vacuous expression he displayed to good effect in ENCINO MAN and AIRHEADS, Brendan Fraser is suitably bland as George. Leslie Mann (THE CABLE GUY), whose blond hair and helium voice cause her to resemble Joey Lauren Adams from CHASING AMY, plays an appealing Ursula. Thomas Haden Church is effectively snobbish as Lyle. The real scene-stealer, however, is the animatronic Ape, who is enjoyable in large part due to the vocal talents of veteran British comedian John Cleese.
The comedy in GEORGE OF THE JUNGLE is not sophisticated, but it is frequently audacious and irreverent. Technically, GEORGE OF THE JUNGLE isn't as polished as Disney's most recent animated feature, HERCULES, but, on a certain level, it offers a better entertainment value. The film delights in its own daffiness, and the relatively short running length avoids overkill. The result is one of Disney's most lively non- animated features in years.
Copyright 1997 James Berardinelli
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
"A film is a petrified fountain of thought." - Jean Cocteau
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Dec. 27th, 2014
Welcome to my website. This is my first attempt at designing and constructing a complete website from scratch. I will be updating it as the weeks go on until graduation. I am expecting to extend my knowledge of html and css to create more sophisticated and visually pleasing pages.


THE GOVERNESS
Reviewed by Harvey Karten, Ph.D. Sony Pictures Classics/Parallax Pictures Director: Sandra Goldbacher Writer: Sandra Goldbacher Cast: Minnie Driver, Florence Hoath, Jonathan Rhys-Myers, Harriet Walter, Tom Wilkinson
"The Governess" is writer-director Sandra Goldbacher's British answer to Agnes Merlet's Italian-centered "Artemisia." While "Artemisia" deals with the first woman who made a living by painting in Italy, "The Governess" is a (fictionalized) interpretation of Britain's first female career photographer. Wielding vivid but realistic color when Ashley Rowe's camera focuses on an almost subterranean society in London, the lens takes on a cold, harsh conviction when it travels to the remote and uncharitable Scottish island of Arran, a piece of godforsaken territory that must seem alien even to its lifelong residents.
"The Governess," which takes place in the 1840's, is the story of Rosina Da Silva (Minnie Driver), a woman of great English patience who grows up in the Sephardic Jewish community of London, where she enjoys a happy and prosperous life amid a people generally shunned by the Anglican majority. She jokes readily with her conventional sister. In one scene, the two young women ponder the possible taste of semolina, a dessert enjoyed by Gentiles, which they agree looks somewhat like semen.  When Rosina's loving father is murdered, we understand that the estate is in debt. To support her mother and sister, Rosina must find employment, but in an anti-Semitic Britain, what will she do? As she is educated, she takes the job of governess, a prestigious profession which, along with prostitution, was one of the few careers open to women. But to acquire and maintain the position, she must pose as a Gentile (not difficult for one who aspires to the stage), and even then, she must re-locate to a manor on the bleak Scottish island of Skye.
As she puts it, writer-director Goldbacher, herself a product of an Italian Jewish father and a mother from the Isle of Skye, is interested primarily in taking "a character out of one really strongly defined, close-knit, vivid culture into another world, and look at what it would be like for her to fall in love with someone from this other culture, while also denying her own identity." From the looks of things, Rosina--now known by the name Mary Blackchurch--has quite a conflict on her hands. On the one hand she finds it difficult to accept the exotic culture of non-Jews whose remoteness keeps her feeling an outlander. On the other hand, she enjoys her first sexual relationship, one which both destroys her stereotype of Gentiles as a distant people and reconfirms her expectations of them. Striking a feminist attitude, one which projects both strength of character and vulnerability to hurt, Minnie Driver gives an Oscar-caliber performance as a woman who takes a deep interest in the traditionally masculine profession of chemistry as she becomes involved in the experimentation of her employer, Mr. Cavendish (Tom Wilkinson), one of England's first photographers. With no background in the field, the clever Rosina impresses Cavendish by providing the clue he needs to fix the camera's images on paper while at the same time freeing the repressed gentleman from his sexual limitations. Much of the humor comes from Ms. Driver's thoughts, which provide some narration to the tale, as when she assesses the patronizing Mrs. Cavendish (Harriet Walter) as a woman who "seems as though she has a lemon up her posterior." Florence Hoath turns in a cute performance as Clementina, the thirteen-year-old spoiled brat who is tamed by her governess while Tom Wilkinson shows his flexibility this year by playing both an enraged homophobe in "Wilde" and a tormented, obsessed scientist in "The Governess."
Urban audiences will be pleased by Goldbacher's view of country estates, in which wealthy patrons allegedly enjoy their lives in quiet and splendor. Mrs. Cavendish is, after all, bored out of her mind; their son Henry (Jonathan Rhys Meyers) is disturbed enough to be thrown out of college; and Mr. Cavendish is oppressed by the surroundings. Even when returning to her cholera-embattled digs in London, Rosina-- who has lost her mother to a disease that is ravishing the city- -realizes that there's no place like home. Minnie Driver finally has the role of her career; one that utilizes her considerable acting talent and the dark Mediterranean features which have allowed performers like Joe Mantegna (in "Homicide") and John Turturro (in "The Truce") to achieve splendid turns as Jews. The sound track of Sephardic songs is mesmerizing, as is the rest of the picture. Rated R. Running time: 114 minutes. (C) Harvey Karten 1998
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Cogito, ergo sum
I’m sure many of has have pondered about the meaning of Rene Descartes’ famous statement: cogito, ergo sum (“I think, therefore I am”). But what did he really mean? I’ve experienced this statement as a polarising one. Can it be, that he was suggesting something deeper that what’s immediately visible?
Option A
I’ve seen spiritually inclined people lose their nerve over how can the “being” be conditioned by thinking. And I was no exception. Really speaking, existence can’t be conditioned by anything. What is simply is. A blade of grass is, even though it hardly can think. So is a stone. Or some people…
Option 1/A
Maybe he meant something else. If being cannot be conditioned the crux of the statement must have to do with “thinking”. And there is two kinds of “thinking”, both of which often gets confused with the other.
Believing
For majority of people thinking means accepting knowledge and repeating it (without actually thinking). What’s the criterion of accepting the knowledge? Basically the fact if they like it or not. Example: the WOKE movement. It fights for equality of human beings. The idea is noble - basically it is an attempt to reconstruct the paradise. But humans aren’t equal and their idea is not based on reality. Rather on their likes and dislikes, which are so strong, that facts get ignored…
Thinking
But then there is something like thinking. Or critical thinking, if you want. It is the examination of all the known in order to eliminate contradictions. What I know I confront with everything else I know. And if there is a discrepancy, I accept that which is true, and not what I wish to be. This is how falsehood is recognized. And if we do this this process repetitively for some time, in the end only that which is always true will remain - Truth itself. And this is thinking, which carries the spirit of Socrates who said, “the unexamined life is not worth living.”
Final Words
In the end what Rene Descartes really meant only he will know. What matters more for me is what I think of his statement. Was this man just blind to the obvious because of the ignorance of his times? No, for me he is not an outlier, but a one of the giants upon whose shoulders our civilization is founded.


There is a lot of browser extensions developed by the community, here are my favorites.
Firefox
All of this following extensions can be found in the HackerFox suite.
- Calomel SSL Validation : validate the grade of security of the SSL connection. The button will change color depending on the strength of encryption.
- Firebug : Firebug is the best addon ever. Used by web developers to can edit, debug, and monitor CSS, HTML, and JavaScript live in any web page.
- HackBar : perfect to test SQL injections. Easy to use and some options like encoding (base64, url, hex), encryption (md5, sha-256, rot13). You can also alter POST data and your referer.
- HttpFox : display informations about the query : headers, cookies, POST data, time and so on…
- JavaScript Deobfuscator : this extension will show you all JavaScript used on a site even it’s hidden or obfuscated. It can be usefull to resolve some challenges :)
- Live HTTP Headers : with this addon, you can replay any request and modify all datas sent.
- Tamper Data : used to intercept request and view/modify headers and post parameters.
- User Agent Switcher : usefull to change your User Agent in case an application apply filter on it.
- ViewStatePeeker : decode and reveal viewstate contents of an *.aspx page with a single right click.
- Wappalyzer : displays the tools and technology used by the visiting web site.
- Web Developer : this powerful addon is a must have for every one concerned by web development. It will show you everything you need to know about images, forms, cookies, headers, css, html in the current page. Plus it adds various tools to the browser.
Chrome
- Appspector : ported version of Wappalyzer.
- Web Developer : same as Firefox.
to be continued…


HomePage
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HtmlFieldPrefix =
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|
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| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object kdl.prox.impascii2.ObjDict
public class ObjDict
Provides a nice interface to an attribute that acts as an object-name dictionary, i.e., nicknames. The attribute's item_id column holds the id of the object, and its value column holds the object's nickname. Regarding 1:N and M:1 mappings (id:name), we have the following cases:
o 1:N - multiple nicknames per id: legal o M:1 - multiple ids per nickname: illegal (ambiguous) NB: Currently Proximity does not enforce mappings like this, and neither does this API.
| Constructor Summary | |
|---|---|
ObjDict(java.lang.String attrName)
Full-arg constructor. |
| Method Summary | |
|---|---|
void |
deleteIDForName(java.lang.String objName)
Deletes all rows in my attrTableName whose values are objName. |
java.util.Set |
getIDsForName(java.lang.String objName)
Returns a Set of object IDs (IntegerS) that are associated with objName. |
void |
putIDForName(java.lang.String objName,
int objID)
Adds new association of objName and objID. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
|---|
public ObjDict(java.lang.String attrName)
attrName
-
MonetException
| Method Detail |
|---|
public void deleteIDForName(java.lang.String objName)
objName
- public java.util.Set getIDsForName(java.lang.String objName)
objName
- public void putIDForName(java.lang.String objName, int objID)
objName
- objID
- todo check objID first?
|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


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labeled
by None at 2023-03-09 02:52:23.labeled
by None at 2023-03-09 02:52:23.deployed
by None at 2023-03-09 19:53:44.referenced
by Kevin Reiss at 2023-03-09 20:57:13.merged
by Kevin Reiss at 2023-03-09 20:57:13.closed
by Kevin Reiss at 2023-03-09 20:57:13.head_ref_deleted
by Kevin Reiss at 2023-03-09 20:57:14.labeled
by None at 2023-03-09 03:08:51.labeled
by None at 2023-03-09 03:08:51.deployed
by None at 2023-03-09 19:28:54.referenced
by Kevin Reiss at 2023-03-09 19:52:05.merged
by Kevin Reiss at 2023-03-09 19:52:05.closed
by Kevin Reiss at 2023-03-09 19:52:06.head_ref_deleted
by Kevin Reiss at 2023-03-09 19:52:08.referenced
by Jane Sandberg at 2023-03-09 16:29:31.merged
by Jane Sandberg at 2023-03-09 16:29:31.closed
by Jane Sandberg at 2023-03-09 16:29:31.head_ref_deleted
by Jane Sandberg at 2023-03-09 16:29:32.labeled
by None at 2023-03-09 01:14:29.Superseded by #554.
closed
by None at 2023-03-09 01:14:31.head_ref_deleted
by None at 2023-03-09 01:14:33.labeled
by None at 2023-03-09 01:33:49.labeled
by None at 2023-03-09 01:33:49.Superseded by #1437.
closed
by None at 2023-03-09 01:33:52.head_ref_deleted
by None at 2023-03-09 01:33:53.hi, @hackartisan ! Same thing happening again, I think. Im reopening this ticket, but Im happy to make a new one. Natalie and Fernando are having the same problem on the home page of: https://dpul.princeton.edu/lae-dig-microfilm
reopened
by Kim Leaman at 2023-03-09 22:00:50.mentioned
by None at 2023-03-09 22:00:50.subscribed
by None at 2023-03-09 22:00:50.labeled
by None at 2023-03-09 02:42:39.labeled
by None at 2023-03-09 02:42:39.referenced
by None at 2023-03-09 14:27:06.referenced
by None at 2023-03-09 14:28:32.closed
by Eliot Jordan at 2023-03-09 17:50:14.ruby side: don't provide hidden files via api endpoint.
head_ref_force_pushed
by None at 2023-03-09 14:27:07.head_ref_force_pushed
by None at 2023-03-09 14:28:33.referenced
by Eliot Jordan at 2023-03-09 17:50:12.merged
by Eliot Jordan at 2023-03-09 17:50:12.closed
by Eliot Jordan at 2023-03-09 17:50:12.head_ref_deleted
by Eliot Jordan at 2023-03-09 17:50:14.labeled
by Eliot Jordan at 2023-03-09 19:46:42.labeled
by Eliot Jordan at 2023-03-09 19:46:42.labeled
by Eliot Jordan at 2023-03-09 19:57:41.labeled
by Eliot Jordan at 2023-03-09 20:03:53.labeled
by Trey Pendragon at 2023-03-09 20:26:51.labeled
by Trey Pendragon at 2023-03-09 20:26:51.labeled
by None at 2023-03-09 03:09:29.referenced
by Kevin Reiss at 2023-03-09 20:43:05.merged
by Kevin Reiss at 2023-03-09 20:43:05.closed
by Kevin Reiss at 2023-03-09 20:43:05.head_ref_deleted
by Kevin Reiss at 2023-03-09 20:43:07.labeled
by None at 2023-03-09 03:00:10.labeled
by None at 2023-03-09 01:33:41.Superseded by #353.
closed
by None at 2023-03-09 01:33:44.head_ref_deleted
by None at 2023-03-09 01:33:45.labeled
by None at 2023-03-09 02:50:15.labeled
by None at 2023-03-09 02:50:15.deployed
by None at 2023-03-09 19:56:28.referenced
by Kevin Reiss at 2023-03-09 20:13:27.merged
by Kevin Reiss at 2023-03-09 20:13:27.closed
by Kevin Reiss at 2023-03-09 20:13:27.head_ref_deleted
by Kevin Reiss at 2023-03-09 20:13:29.labeled
by Kevin Reiss at 2023-03-08 23:30:00.labeled
by None at 2023-03-09 16:13:02.review_requested
by Max Kadel at 2023-03-09 16:51:54.referenced
by Jane Sandberg at 2023-03-09 18:53:59.merged
by Jane Sandberg at 2023-03-09 18:53:59.closed
by Jane Sandberg at 2023-03-09 18:53:59.head_ref_deleted
by Jane Sandberg at 2023-03-09 18:54:01.closed
by Jane Sandberg at 2023-03-09 18:54:01.labeled
by None at 2023-03-09 02:47:43.labeled
by None at 2023-03-09 02:47:43.referenced
by Jane Sandberg at 2023-03-09 19:03:31.merged
by Jane Sandberg at 2023-03-09 19:03:31.closed
by Jane Sandberg at 2023-03-09 19:03:31.head_ref_deleted
by Jane Sandberg at 2023-03-09 19:03:32.ready_for_review
by None at 2023-03-09 15:34:19.labeled
by None at 2023-03-09 03:08:02.deployed
by None at 2023-03-09 19:13:11.referenced
by Kevin Reiss at 2023-03-09 19:15:48.merged
by Kevin Reiss at 2023-03-09 19:15:48.closed
by Kevin Reiss at 2023-03-09 19:15:48.head_ref_deleted
by Kevin Reiss at 2023-03-09 19:15:49.labeled
by None at 2023-03-09 03:16:58.labeled
by None at 2023-03-09 03:16:58.labeled
by Eliot Jordan at 2023-03-09 19:54:20.mentioned
by Trey Pendragon at 2023-03-09 19:54:20.subscribed
by Trey Pendragon at 2023-03-09 19:54:21.renamed
by Eliot Jordan at 2023-03-09 19:55:07.Coverage: 95.166% (-0.02%) from 95.184% when pulling 1b4edad2058626f73d037f0e170dc5eb3bc46381 on dependabot/bundler/rack-<IP_ADDRESS> into ce085f52c84a82db10b316d2ce7fea8d146800c9 on main.
labeled
by None at 2023-03-09 02:50:04.labeled
by None at 2023-03-09 02:50:04.deployed
by None at 2023-03-09 21:14:20.referenced
by Kevin Reiss at 2023-03-09 21:21:43.merged
by Kevin Reiss at 2023-03-09 21:21:44.closed
by Kevin Reiss at 2023-03-09 21:21:44.head_ref_deleted
by Kevin Reiss at 2023-03-09 21:21:45.Coverage: 95.192% (+0.009%) from 95.184% when pulling 000351599bdf33bd529f8b4e2aaa4e1f5fbd4b93 on proxy_experiment into ce085f52c84a82db10b316d2ce7fea8d146800c9 on main.
mentioned
by Jane Sandberg at 2023-03-09 21:03:15.subscribed
by Jane Sandberg at 2023-03-09 21:03:15.deployed
by None at 2023-03-09 21:07:25.labeled
by None at 2023-03-09 02:35:32.labeled
by None at 2023-03-09 02:35:32.labeled
by None at 2023-03-09 02:35:11.labeled
by None at 2023-03-09 02:35:11.labeled
by Kevin Reiss at 2023-03-09 15:10:08.closed
by Hector Correa at 2023-03-09 15:23:27.referenced
by Hector Correa at 2023-03-09 15:23:25.merged
by Hector Correa at 2023-03-09 15:23:25.closed
by Hector Correa at 2023-03-09 15:23:25.head_ref_deleted
by Hector Correa at 2023-03-09 15:23:27.deployed
by None at 2023-03-09 15:31:22.referenced
by Hector Correa at 2023-03-09 15:32:50.merged
by Hector Correa at 2023-03-09 15:32:50.closed
by Hector Correa at 2023-03-09 15:32:50.head_ref_deleted
by Hector Correa at 2023-03-09 15:32:51.labeled
by None at 2023-03-09 03:13:21.labeled
by None at 2023-03-09 03:13:21.labeled
by Eliot Jordan at 2023-03-09 20:27:29.labeled
by Eliot Jordan at 2023-03-09 20:27:30.assigned
by Kate Lynch at 2023-03-09 15:06:29.labeled
by None at 2023-03-09 02:55:27.deployed
by None at 2023-03-09 19:18:35.referenced
by Kevin Reiss at 2023-03-09 19:27:00.merged
by Kevin Reiss at 2023-03-09 19:27:00.closed
by Kevin Reiss at 2023-03-09 19:27:01.head_ref_deleted
by Kevin Reiss at 2023-03-09 19:27:02.convert_to_draft
by James R. Griffin III at 2023-03-09 15:02:22.assigned
by James R. Griffin III at 2023-03-09 15:02:31.referenced
by Kate Lynch at 2023-03-09 15:15:26.merged
by Kate Lynch at 2023-03-09 15:15:26.closed
by Kate Lynch at 2023-03-09 15:15:26.head_ref_deleted
by Kate Lynch at 2023-03-09 15:15:28.referenced
by James R. Griffin III at 2023-03-09 15:49:46.merged
by James R. Griffin III at 2023-03-09 15:49:46.closed
by James R. Griffin III at 2023-03-09 15:49:46.head_ref_deleted
by James R. Griffin III at 2023-03-09 15:49:48.referenced
by Kate Lynch at 2023-03-09 20:22:00.merged
by Kate Lynch at 2023-03-09 20:22:00.closed
by Kate Lynch at 2023-03-09 20:22:00.head_ref_deleted
by Kate Lynch at 2023-03-09 20:22:02.This looks great but James and I agreed to wait to merge until after the demo on Monday.
assigned
by James R. Griffin III at 2023-03-09 19:52:10.head_ref_force_pushed
by James R. Griffin III at 2023-03-09 21:22:08.head_ref_force_pushed
by James R. Griffin III at 2023-03-09 21:35:57.head_ref_force_pushed
by James R. Griffin III at 2023-03-09 21:40:47.head_ref_force_pushed
by James R. Griffin III at 2023-03-09 21:58:42.


Build a Blog with Rails
Rails New
The website you are on right now is a fairly basic blog written in Ruby on Rails. It allows users to create posts and involves some pretty exciting syntax highlighting and Bootstrap integration. In a series of articles, I will go through, step by step, how to create this very site - from rails new all the way to deployment.
This is designed for someone who is comfortable with code in general, however, I’ll be doing my best to describe what each step does and why we’re doing it. Hopefully, you and I will learn more about the intricacies of a site like this.
First we have to open up Terminal. Navigate to the directory you’d like this project to live in and create a new Rails app. In this case I’ll be going to the Desktop.
cd Desktop
rails new blog
You'll see everything being created in the terminal. Now, enter the blog directory and start the Rails server.
cd blog
rails s
From here, navigate to http://localhost:3000
. You should see this screen letting you know everything is running smoothly.
Git Init
Open up your project in your favorite text editor. You should see a whole file tree including app, bin, config, and whatnot. We’re going to touch nearly everything here so be patient. While we’re here, now might be a good time to create our git repository.  Then, with status we can see all the untracked files in red.
From here, we need to add some functionality to our app. First we need to create a controller for our posts.
rails generate controller posts
You’ll see your terminal spit out some stuff after this one. To see what the generate did, navigate to app/controllers/
and you’ll find the posts_controller.rb
was born. We’re going to want the posts to be at the root of our site and we need there to be some functionality to create a new post. The first step for this is to give it the index and the new actions. Here’s your posts_controller
:
class PostsController < ApplicationController
def index
end
def new
end
end
Going to the routes file (config/routes.rb
). We can start by deleting all the comments in this file. It’s very cluttered and can be daunting. At this point, you should be left with only two lines. Inside, you’re going to add some routes. We need a route for our posts, and we also want that posts page to be our root. At the end, your routes.rb
should look like this:
Rails.application.routes.draw do
resources :posts
root "posts#index"
end
At this point, if you refresh your browser (be sure your server is still running [rails s]) you’ll find an error telling you you’re missing a template. To fix this, head over to app/views/posts/
and add a new file called index.html.erb
. In this file, feel free to add some dummy HTML and just make sure it shows up in your browser. We also have the new action to worry about. Create another file inside app/views/posts/
called new.html.erb
. Now, if we navigate to http://localhost:3000/posts/new
, we’ll get that file. In your new.html.erb
file, we’ll need a form to actually let the user create a post with. It’ll look like this.
<%= form_for :post, url: posts_path do |f| %>

<%= f.label :title %>

<%= f.text_field :title %>

<%= f.label :body %>

<%= f.text_area :body %>

<%= f.submit %>

<% end %>
Rake
Navigate to localhost:3000/posts/new
and enjoy the view of the wonderfully boring form you just created.  The next step is to generate a model. Head over to your terminal and repeat after me:
rails g model Post title:string body:text
rake db:migrate
You should see under db/migrate
and app/models
the newest files just created. In posts_controller.rb
we’re going to create our create method and our private method to permit the parameters. We’re also going to add the show method for when we want to display an individual post. posts_controller.rb
will look like this:
class PostsController < ApplicationController
def index
end
def new
end
def create
@post = Post.new(post_params)
@post.save
redirect_to @post
end
def show
@post = Post.find(params[:id])
end
private
def post_params
params.require(:post).permit(:title, :body)
end
end
Show
Before we create a post, we have to create the show page. Again, under app/views/posts
, create a new file called show.html.erb
. Here, we’re going to want to display the title and body of our posts. Also, I threw in some interesting code to get the date of the post to show up as well.

<%= @post.title %>

Submitted <%=<EMAIL_ADDRESS>%> ago

<%= @post.body %>

If you go to localhost:3000/posts/new
, create your post, and navigate to localhost:3000/posts/1
, you should see your first ever blog post. The final step for now is to be sure we can access all the posts currently in our database. In posts_controller.rb
, inside the index action add
@posts = Post.all.order(‘created_at DESC’)
Then, in index.html.erb
we need to create a loop to display all our posts.
<% @posts.each do |post| %>

<%= link_to post.title, post %>

<%= post.created_at.strftime("%B, %d, %Y") %>

<% end %>
Go ahead and commit have you have with git.
Styling
Our app has very little functionality - which is good. At least it has some functionality. Before we continue, though, I think we should add some styling so we’re not looking at any gross basic HTML structuring. The first thing we’re going to do here is add Bootstrap. In your terminal, create a new branch. This way, if we screw something up, we can always revert back to where we are now and start breathing at a normal rate again.
git co -b style
Here, co
is checkout, -b
is a shortcut to switch directly to that branch, and style
is the name of the branch. Now if you enter git branch
, you’ll see the master branch, and that we’re on the style branch. Now since we’re safe, let’s get stylish. In your Gemfile, near the middle, before the group :development, :test do
, add:
#bootstrap
gem 'therubyracer'
gem 'less-rails'
gem 'twitter-bootstrap-rails', '~> 3.2.1.rc1'
You can follow along with how I went about this in the Twitter Bootstrap Rails github repo, by the way. Now give your terminal a little rails g bootstrap:install less
; this will install the proper stylesheets and whatnot. Then, rails g bootstrap:layout
will create the application.html.erb
. It’ll probably ask you if you’re sure you want to overwrite your current file, just confirm that you do. Now if you reload your browser you’ll see a much more pleasing site - still showing our posts, and now with a sidebar as well. For the site you’re currently viewing, I got rid of the sidebar. I’m sure you can figure out how to cut that out, if not, here’s the snippet to delete. You can even play around with some of Bootstrap’s features and make an even cooler sidebar.

Sidebar

Sidebar

<%= link_to "Link1", "/path1" %>

<%= link_to "Link2", "/path2" %>

<%= link_to "Link3", "/path3" %>

Navbar
For the sake of making what we have a little more presentable and to give us some instant gratification we’re going to add some Bootstrap markup to this. Right now, we see Bootstrap generated a nice nav bar for us. It’s cute, but it’s not what I have here, and we’re building this very site. To achieve the transparent nav with links floating on the right while maintaining a nice dropdown toggle for mobile I had to do a few things. First fix your navbar-brand
, because that’s probably not how you want that displayed. I did it like this:

<%= link_to "Nick Calabro", root_path, class: "navbar-brand" %>

This way, we’re able to put it in an h1
tag, and it’s also still a link with the bootstrap class navbar-brand
that keeps it in place. There are also some divs we want to throw in there, and we’re going to do some magic to get links to active or not if you’re on the corresponding page. When it’s all said and done, it’ll look like this.

<button type="button" class="navbar-toggle" data-toggle="collapse" data-target=".navbar-responsive-collapse">

</button>

<%= link_to "Nick Calabro", root_path, class: "navbar-brand" %>

<li class="<%= 'active' if current_page?(root_path) %>"><%= link_to "Articles", root_path %>

In your ul
, we’re embedding some ruby to only add the active class if the current page is that li
’s path. Pretty cool, if you ask me - right, you didn’t ask me. Another way we could’ve done this looks something like this <li class="<%= 'active' if params[:controller] == 'root' %>"><%= link_to “Articles", root_path %>

.
Validate
Right now, you can create a post with absolutely no content inside. In your app/models/post.rb
file, we’re going to want to add some validations.
class Post < ActiveRecord::Base
validates :title, presence: true, length: { miniimum: 5 }
validates :body, presence: true
end
It’ll look like this when you’re finished. It can be kind of self-explanatory, but all we’re doing it telling it to throw an error if the title isn’t present at all or has fewer than 5 characters. Same thing with the body minus the char count.
Next, we have to add some functionality to posts_controller.rb
. In the new
method add @post = Post.new
. We’re also going to change up the create method by adding a little conditional. It should look like this.
def create
@post = Post.new(post_params)
if @post.save
redirect_to @post
else
render 'new'
end
end
Errors
Now, if you try to make a post at localhost:3000/posts/new
and your title is not at least five characters, you won’t be able to post it. But, this isn’t very intuitive. Sure, you know about that rule now, but you might forget. A simple error message can really come in handy. So, near the form in new.html.erb
add this right under the form_for
and right before the first

tag:
<% if @post.errors.any? %>

<%=<EMAIL_ADDRESS>"error") %> prevented this post from saving

<% @post.errors.full_messages.each do |msg| %>

<%= msg %>

<% end %>

<% end %>
Partial
While we’re here, cut everything from this file except the h1
tag on top and create a new file in the same directory called _form.html.erb
. This is a special type of file called a partial that’ll allow you to throw snippets like the form into. These types of coding practices will help keep our programs more DRY. Paste the whole form in there and just change the first line from <%= form_for :post, url: posts_path do |f| %>
to <%= form_for @post do |f| %>
- this will ensure our form is dynamic enough to be passed around the application. Now in new.html.erb
just add <%= render ‘form’ %>
. Go ahead and test out a new post to find nothing has changed on the front end.
I’m sure you know how to commit your work with git at this point.
Edit/Update
Let’s face it, you’re never going to write a whole post the right way on the first try. Hell, this post probably has so many typos I’m surprised you’re still reading it. Adding update and edit functionality is fairly easy in our Rails app. Here’s the extra code you’ll need in the posts_controller.rb
:
def edit
@post = Post.find(params[:id])
end
def update
@post = Post.find(params[:id])
if @post.update(params[:post].permit(:title, :body))
redirect_to @post
else
render 'edit'
end
end
def destroy
@post = Post.find(params[:id])
@post.destroy
redirect_to root_path
end
From here, we now need a new view for the editing page. In /posts
, create a new file called edit.html.erb
. We can actually take the same code we have in new.html.erb
and simply copy/paste it - just be sure to change the h1
tag from “New Post” to “Edit Post”.
This is great. We have all this functionality, but there are no links to get to any of them, and who wants to type things into the address bar? In show.html.erb
, somewhere near where we show the date of the post, go ahead and add these couple lines of code:
<%= link_to 'Edit', edit_post_path(@post) %>
| <%= link_to 'Delete', post_path(@post), method: :delete, data: { confirm: "You sure?" } %>
With that, we now have all the CRUD features for our blog. Create, read, update, and destroy all the blog posts you’d like. We’re still not quite finished, though, but we’re nearly there.
Users
Right now, anyone can come into your application and start deleting your posts - or worse, they can make their own posts. Our application is great and all, but it has no idea who you are. We’re going to fix that right now with Devise. First step for this is to add the gem to our Gemfile. We did this before while adding Bootstrap. Simply append gem 'devise', '~> 3.4.0'
and run bundle install
. Restart your server and run rails g devise:install
. This will prompt some instructions for you. Step five should be to install the Devise views, we’ll do that by running rails g devise:views
.
Now, run rails g devise User
, rake db:migrate
and navigate to localhost:3000/users/signup you should be able to sign up. The only thing left to do is still make sure that not just anyone can mess around with your posts. In postscontroller.rb, right on the second line add this line of code provided by Devise, before_action :authentication_user!, except: [:index, :show]
.
All that is left is to make sure you have to be signed in to access the edit and delete links. This one’s easy, in show.html.erb
, wrap the edit and delete links in <% if user_signed_in? %>
and <% end %>
. Commit all of this.
Heroku Create
Deploying your app can be the hardest part. I went through many different attempts to try and get this app running as smooth as I can, since I wasn’t prepared to handle sysadmin stuff at this point in time, I ended up making it a separate little app on Heroku instead.
Heroku makes things so effortless anyone can have an app running on the live web in a matter of minutes. There are a couple tiny adjustments we have to make in our app first. Heroku and SQLite don’t play nicely together, it prefers Postgresql. In your Gemfile, comment out the sqlite3 gem and at the bottom of the file add this:
group :production do
gem 'pg'
end
Be sure to commit this, and bundle install
. There, now your app is ready to run on Heroku’s servers. For the next part, just make a free account over at Heroku and follow their instructions for getting the tool belt installed. Once you’ve done that, run heroku create
. If you refresh your dashboard on Heroku you’ll see a new app appear. At this point, you can try running heroku open
which will load your app live in your browser, however, nothing is really there yet except a little note assuring us everything is okay. We still have to run git push heroku master
- this will actually push your app onto the server, it might take a while. Finally, we run a migration through heroku with heroku run rake db:migrate
.
heroku open and you should see your site live! Share the link with pride. Go back to your dashboard and connect it with the Github repo so when you push changes Heroku can detect them straight from there.
Now we’re going to get a little hack-y. I’m not sure of the most efficient way to go about this, if I’m doing this totally wrong, well, at least I had a good time. Go to your app users/sign_up and create an account. Don’t forget these credentials and make sure they’re fairly secure. git clone your app again or however you have it set up at the moment and navigate to the app/models/user.rb
file and just remove the :registerable
tag. This will allow no one to make an account on your blog and start messing with your posts.
Commit it, deploy the latest branch in the Heroku dashboard, and you should be fully set to go.


Adec1
Provides a simple interface to AUDDEC1 (XDM 1.0) based algorithms. Typical usage (AAC, no error checking):
More...
Detailed Description
Provides a simple interface to AUDDEC1 (XDM 1.0) based algorithms. Typical usage (AAC, no error checking):
#include <xdc/std.h>
#include <ti/sdo/ce/Engine.h>
#include <ti/sdo/ce/CERuntime.h>
#include <ti/sdo/dmai/Dmai.h>
#include <ti/sdo/dmai/Buffer.h>
#include <ti/sdo/dmai/Loader.h>
#include <ti/sdo/dmai/ce/Adec1.h>
Adec1_Handle hAd1;
Loader_Handle hLoader;
Buffer_Handle hOutBuf;
Engine_Handle hEngine;
AUDDEC1_Params params = Adec1_Params_DEFAULT;
AUDDEC1_DynamicParams dynParams = Adec1_DynamicParams_DEFAULT;
Loader_Attrs lAttrs = Loader_Attrs_DEFAULT;
Buffer_Attrs bAttrs = Buffer_Attrs_DEFAULT;
CERuntime_init();
Dmai_init();
hEngine = Engine_open("myengine", NULL, NULL);
hAd1 = Adec1_create(hEngine, "aacdec", ¶ms, &dynParams);
hOutBuf = Buffer_create(Adec1_getOutBufSize(hAd1), &bAttrs);
lAttrs.readSize = Adec1_getInBufSize(hAd1);
lAttrs.readBufSize = lAttrs.readSize * 2;
hLoader = Loader_create("myfile.aac", &lAttrs);
Loader_prime(hLoader, &hInBuf);
while (1) {
Adec1_process(hAd1, hInBuf, hOutBuf);
Loader_getFrame(hLoader, hInBuf);
if (Buffer_getUserPtr(hInBuf) == NULL) break;
}
Loader_delete(hLoader);
Buffer_delete(hOutBuf);
Adec1_delete(hAd1);
Engine_close(hEngine);
Typedef Documentation
Handle through which to reference an Audio Decode algorithm.
Function Documentation
| Adec1_Handle Adec1_create |
( |
Engine_Handle |
hEngine, |
|
|
Char * |
codecName, |
|
|
AUDDEC1_Params * |
params, |
|
|
AUDDEC1_DynamicParams * |
dynParams | |
|
) |
| | |
Creates an Audio Decode (XDM 1.0) algorithm instance.
- Parameters:
-
| [in] | hEngine | An opened engine containing the algorithm to create. |
| [in] | codecName | The name of the algorithm to open. Corresponds to the string name given in the .cfg file. |
| [in] | params | XDM parameters to use while creating the codec. |
| [in] | dynParams | XDM dynamic parameters to use while creating the codec. |
- Return values:
-
| Handle | for use in subsequent operations (see Adec1_Handle). |
| NULL | for failure. |
Decodes an audio buffer.
- Parameters:
-
| [in] | hAd1 | The Adec1_Handle to use for decoding. |
| [in] | hInBuf | The Buffer_Handle for the buffer containing the encoded data. |
| [in] | hOutBuf | The Buffer_Handle for the buffer to fill with decoded data. |
- Return values:
-
| Dmai_EOK | for success. |
| Negative value | for failure, see Dmai.h. |
Deletes an Audio Decode algorithm instance.
- Parameters:
-
- Return values:
-
| Dmai_EOK | for success. |
| Negative value | for failure, see Dmai.h. |
Get the AUDDEC1 handle from the Adec1 module instance.
- Parameters:
-
| [in] | hAd1 | The Adec1_Handle for which to get the AUDDEC1 handle. |
- Return values:
-
| Handle | to the audio decode algorithm, see the XDM documentation for AUDDEC1. |
Get the sample rate detected by the algorithm.
- Parameters:
-
| [in] | hAd1 | The Adec1_Handle for which to get the sample rate. |
- Return values:
-
| Sample rate | detected in encoded stream. |
Get the input buffer size required by the codec.
- Parameters:
-
| [in] | hAd1 | The Adec1_Handle for which to get the buffer size. |
- Return values:
-
| Size | in bytes of the input buffer required. |
Get the output buffer size required by the codec.
- Parameters:
-
| [in] | hAd1 | The Adec1_Handle for which to get the buffer size. |
- Return values:
-
| Size | in bytes of the output buffer required. |
Variable Documentation
Default XDM parameters for an Audio Decode algorithm.
size = sizeof(AUDDEC1_Params),
outputPCMWidth = 16,
pcmFormat = IAUDIO_INTERLEAVED,
dataEndianness = XDM_BYTE,
Default XDM dynamic parameters for an Audio Decode algorithm.
size = sizeof(AUDDEC1_DynamicParams),
downSampleSbrFlag = XDAS_FALSE,


public class OpenBitSet extends DocIdSet implements Cloneable , Serializable , Bits
Unlike java.util.bitset, the fact that bits are packed into an array of longs is part of the interface. This allows efficient implementation of other algorithms by someone other than the author. It also allows one to efficiently implement alternate serialization or interchange formats.
OpenBitSet
is faster than
java.util.BitSet
in most operations
and *much* faster at calculating cardinality of sets and results of set operations.
It can also handle sets of larger cardinality (up to 64 * 2**32-1)
The goals of
OpenBitSet
are the fastest implementation possible, and
maximum code reuse. Extra safety and encapsulation
may always be built on top, but if that's built in, the cost can never be removed (and
hence people re-implement their own version in order to get better performance).
If you want a "safe", totally encapsulated (and slower and limited) BitSet
class, use
java.util.BitSet
.
| cardinality | intersect_count | union | nextSetBit | get | iterator | |
|---|---|---|---|---|---|---|
| 50% full | 3.36 | 3.96 | 1.44 | 1.46 | 1.99 | 1.58 |
| 1% full | 3.31 | 3.90 | 1.04 | 0.99 |
| cardinality | intersect_count | union | nextSetBit | get | iterator | |
|---|---|---|---|---|---|---|
| 50% full | 2.50 | 3.50 | 1.00 | 1.03 | 1.12 | 1.25 |
| 1% full | 2.51 | 3.49 | 1.00 | 1.02 |
Bits.MatchAllBits
,
Bits.MatchNoBits
| Modifier and Type | Field and Description |
|---|---|
protected long[]
|
bits
|
protected int
|
wlen
|
EMPTY_DOCIDSET
EMPTY_ARRAY
| Constructor and Description |
|---|
OpenBitSet
()
|
OpenBitSet
(long numBits)
Constructs an OpenBitSet large enough to hold numBits.
|
OpenBitSet
(long[] bits,
int numWords)
Constructs an OpenBitSet from an existing long[].
|
| Modifier and Type | Method and Description |
|---|---|
void
|
and
(
OpenBitSet
other)
|
void
|
andNot
(
OpenBitSet
other)
|
static long
|
andNotCount
(
OpenBitSet
a,
OpenBitSet
b)
Returns the popcount or cardinality of "a and not b"
or "intersection(a, not(b))".
|
static int
|
bits2words
(long numBits)
returns the number of 64 bit words it would take to hold numBits
|
long
|
capacity
()
Returns the current capacity in bits (1 greater than the index of the last bit)
|
long
|
cardinality
()
|
void
|
clear
(int startIndex,
int endIndex)
Clears a range of bits.
|
void
|
clear
(long index)
clears a bit, allowing access beyond the current set size without changing the size.
|
void
|
clear
(long startIndex,
long endIndex)
Clears a range of bits.
|
Object
|
clone
()
|
void
|
ensureCapacity
(long numBits)
Ensure that the long[] is big enough to hold numBits, expanding it if necessary.
|
void
|
ensureCapacityWords
(int numWords)
Expand the long[] with the size given as a number of words (64 bit longs).
|
boolean
|
equals
(
Object
o)
returns true if both sets have the same bits set
|
protected int
|
expandingWordNum
(long index)
|
void
|
fastClear
(int index)
clears a bit.
|
void
|
fastClear
(long index)
clears a bit.
|
void
|
fastFlip
(int index)
flips a bit.
|
void
|
fastFlip
(long index)
flips a bit.
|
boolean
|
fastGet
(int index)
Returns true or false for the specified bit index.
|
boolean
|
fastGet
(long index)
Returns true or false for the specified bit index.
|
void
|
fastSet
(int index)
Sets the bit at the specified index.
|
void
|
fastSet
(long index)
Sets the bit at the specified index.
|
void
|
flip
(long index)
flips a bit, expanding the set size if necessary
|
void
|
flip
(long startIndex,
long endIndex)
Flips a range of bits, expanding the set size if necessary
|
boolean
|
flipAndGet
(int index)
flips a bit and returns the resulting bit value.
|
boolean
|
flipAndGet
(long index)
flips a bit and returns the resulting bit value.
|
boolean
|
get
(int index)
Returns true or false for the specified bit index.
|
boolean
|
get
(long index)
Returns true or false for the specified bit index
|
boolean
|
getAndSet
(int index)
Sets a bit and returns the previous value.
|
boolean
|
getAndSet
(long index)
Sets a bit and returns the previous value.
|
int
|
getBit
(int index)
returns 1 if the bit is set, 0 if not.
|
long[]
|
getBits
()
Expert: returns the long[] storing the bits
|
int
|
getNumWords
()
Expert: gets the number of longs in the array that are in use
|
int
|
hashCode
()
|
void
|
intersect
(
OpenBitSet
other)
this = this AND other
|
static long
|
intersectionCount
(
OpenBitSet
a,
OpenBitSet
b)
Returns the popcount or cardinality of the intersection of the two sets.
|
boolean
|
intersects
(
OpenBitSet
other)
returns true if the sets have any elements in common
|
boolean
|
isCacheable
()
This DocIdSet implementation is cacheable.
|
boolean
|
isEmpty
()
Returns true if there are no set bits
|
DocIdSetIterator
|
iterator
()
Provides a
DocIdSetIterator
to access the set.
|
int
|
length
()
|
int
|
nextSetBit
(int index)
Returns the index of the first set bit starting at the index specified.
|
long
|
nextSetBit
(long index)
Returns the index of the first set bit starting at the index specified.
|
void
|
or
(
OpenBitSet
other)
|
int
|
prevSetBit
(int index)
Returns the index of the first set bit starting downwards at
the index specified.
|
long
|
prevSetBit
(long index)
Returns the index of the first set bit starting downwards at
the index specified.
|
void
|
remove
(
OpenBitSet
other)
Remove all elements set in other.
|
void
|
set
(long index)
sets a bit, expanding the set size if necessary
|
void
|
set
(long startIndex,
long endIndex)
Sets a range of bits, expanding the set size if necessary
|
void
|
setBits
(long[] bits)
Expert: sets a new long[] to use as the bit storage
|
void
|
setNumWords
(int nWords)
Expert: sets the number of longs in the array that are in use
|
long
|
size
()
Returns the current capacity of this set.
|
void
|
trimTrailingZeros
()
Lowers numWords, the number of words in use,
by checking for trailing zero words.
|
void
|
union
(
OpenBitSet
other)
this = this OR other
|
static long
|
unionCount
(
OpenBitSet
a,
OpenBitSet
b)
Returns the popcount or cardinality of the union of the two sets.
|
void
|
xor
(
OpenBitSet
other)
this = this XOR other
|
static long
|
xorCount
(
OpenBitSet
a,
OpenBitSet
b)
Returns the popcount or cardinality of the exclusive-or of the two sets.
|
public OpenBitSet(long numBits)
numBits
-
public OpenBitSet()
public OpenBitSet(long[] bits, int numWords)
numWords are the number of elements in the array that contain set bits (non-zero longs). numWords should be <= bits.length, and any existing words in the array at position >= numWords should be zero.
public DocIdSetIterator iterator()
DocIdSet
DocIdSetIterator
to access the set.
This implementation can return
null
or
DocIdSet.EMPTY_DOCIDSET
.iterator()
if there
are no docs that match.
public boolean isCacheable()
isCacheable
in class
DocIdSet
public long capacity()
public long size()
cardinality()
public boolean isEmpty()
public long[] getBits()
public void setBits(long[] bits)
public int getNumWords()
public void setNumWords(int nWords)
public boolean get(int index)
public boolean fastGet(int index)
public boolean get(long index)
public boolean fastGet(long index)
public int getBit(int index)
public void set(long index)
public void fastSet(int index)
public void fastSet(long index)
public void set(long startIndex, long endIndex)
startIndex
- lower index
endIndex
- one-past the last bit to set
protected int expandingWordNum(long index)
public void fastClear(int index)
public void fastClear(long index)
public void clear(long index)
public void clear(int startIndex, int endIndex)
startIndex
- lower index
endIndex
- one-past the last bit to clear
public void clear(long startIndex, long endIndex)
startIndex
- lower index
endIndex
- one-past the last bit to clear
public boolean getAndSet(int index)
public boolean getAndSet(long index)
public void fastFlip(int index)
public void fastFlip(long index)
public void flip(long index)
public boolean flipAndGet(int index)
public boolean flipAndGet(long index)
public void flip(long startIndex, long endIndex)
startIndex
- lower index
endIndex
- one-past the last bit to flip
public long cardinality()
public static long intersectionCount( OpenBitSet a, OpenBitSet b)
public static long unionCount( OpenBitSet a, OpenBitSet b)
public static long andNotCount( OpenBitSet a, OpenBitSet b)
public static long xorCount( OpenBitSet a, OpenBitSet b)
public int nextSetBit(int index)
public long nextSetBit(long index)
public int prevSetBit(int index)
public long prevSetBit(long index)
public void intersect( OpenBitSet other)
public void union( OpenBitSet other)
public void remove( OpenBitSet other)
public void xor( OpenBitSet other)
public void and( OpenBitSet other)
public void or( OpenBitSet other)
public void andNot( OpenBitSet other)
public boolean intersects( OpenBitSet other)
public void ensureCapacityWords(int numWords)
public void ensureCapacity(long numBits)
public void trimTrailingZeros()
public static int bits2words(long numBits)
public boolean equals( Object o)


native2ascii(1) native2ascii(1) Name native2ascii - Native-to-ASCII Converter Converts a file with characters in any supported character encoding to one with ASCII and/or Unicode escapes, or visa versa. SYNOPSIS native2ascii [options] [inputfile [outputfile]] DESCRIPTION native2ascii converts files that are encoded to any character encoding that is supported by the Java runtime environment to files encoded in ASCII, using Unicode escapes ("\uxxxx" notation) for all characters that are not part of the ASCII character set. This process is required for properties files containing characters not in ISO-8859-1 character sets. The tool can also perform the reverse conversion. If outputfile is omitted, standard output is used for output. If, in addition, inputfile is omitted, standard input is used for input. OPTIONS -reverse Perform the reverse operation: Convert a file encoded in ISO-8859-1 with Unicode escapes to a file in any character encoding supported by the Java runtime environment. -encoding encoding_name Specifies the name of the character encoding to be used by the con‐ version procedure. If this option is not present, the default char‐ acter encoding (as determined by the java.nio.charset.Charset.defaultCharset method) is used. The encod‐ ing_name string must be the name of a character encoding that is supported by the Java runtime environment - see the Supported Encodings @ http://docs.oracle.com/javase/7/docs/technotes/guides/intl/encod‐ ing.doc.html document. -Joption Pass option to the Java virtual machine, where option is one of the options described on the reference page for the java(1). For exam‐ ple, -J-Xms48m sets the startup memory to 48 megabytes. 16 Mar 2012 native2ascii(1)


Star Wars Jedi: Fallen Order review roundup
The reviews are in.
by Asher MadanRecently, Respawn Entertainment — the developer behind Apex Legends and Titanfall — revealed Star Wars Jedi: Fallen Order's first gameplay footage. Star Wars Jedi: Fallen Order is a story-driven third-person action game that Respawn has been working on for many years now. There is no multiplayer mode or microtransactions in the game.
Reviews for the highly-anticipated game went live at midnight and we've compiled some of the scores here. The game is getting great scores from a number of outlets. The Metacritic scores each publication assigned are listed below.
- IGN: 90
- Hobby Consolas: 90
- Easy Allies: 90
- Press Start Australia: 90
- Vandal: 88
- IGN Italia: 82
- God is a Geek: 80
- GameSpot: 80
- Guardian: 80
- Eurogamer Italy: 80
- USgamer: 70
While everyone is loving the combat, the story appears to be "campy" and not as deep as critics were expecting. At the time of writing, the game sits at an 84 for the PlayStation 4 version, which has the most reviews. The Xbox One version is 95 and the PC version is at 90, but both only have a handful of reviews.
Are you excited for Star Wars Jedi: Fallen Order? Let us know. We've been waiting for this game for so long and it's hard to believe it's in our hands.
Find the Force
Star Wars Jedi: Fallen Order
Don't stand out
Star Wars Jedi: Fallen Order is EA's first story-driven Star Wars action game, following the events of Star Wars: Revenge of the Sith. From Respawn Entertainment of Titanfall and Apex Legends fame, Star Wars Jedi: Fallen Order will be an unmissable experience.
Get more Xbox
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The Life Journey/Timeline of Quaid-e-Azam Muhammad Ali Jinnah
- 1876 - Born in Wazir Mansion, Karachi
- 1880 - Joined Gokal Das Tej Primary School in Bombay, later Cathedral and John Connon School
- 1885 - Sindh-Madrasa-tul-Islam
- 1888 - Matriculation from Bombay University
- 1892 - 1893 Married to 'Emibai Jinnah' at the age of 16
- 1892 - Left Karachi for a degree in law from 'Lincoln's Inn' London
- 1895 - At the age of 19 was 'called to the bar' and then moved to Karachi for a short time
- 1896 - At the age of 20, Jinnah began his practice in Bombay, the only Muslim barrister in the city
- 1904 - Jinnah began political life by attending the Congress's twentieth annual meeting, in Bombay
- 1909 - Gain his first elective office as Bombay's Muslim representative on the 'Imperial Legislative Council'
- 1913 - Jinnah became a member of the 'Muslim League'
- 1916 - Jinnah became the president of the 'Muslim League'
- 1918 – 1929 Married to 'Rattanbai Jinnah'
- 1925 - Elected President of 'All India Postal Staff Union'
- 1930 - 1932 Round Table Conferences were held in London, to discuss the political deadlock and constitutional settlement of British India
- 1934 - Transformation of the Muslim League into a mass party representative of all sections of the Muslim community
- 1938 - Jinnah addresses the Muslim League session at Patna
- 1947 - Jinnah became the first Governor-General of Pakistan, his sister Fatimah Jinnah became the "Mother of the Nation". He also became the president of Pakistan's constituent assembly
- 1948 - Jinnah died due to illness and has been buried in Mazar-e-Quaid, Karachi
Jinnah's portraits on the stamps of Turkmenistan and Iran
"With faith, discipline and selfless devotion to duty, there is nothing worthwhile that you cannot achieve."
-Muhammad Ali Jinnah


Season 17 (Fall 2018 - Spring 2019)
Composers: K.Badelt/ T.Rickets, W.A. Mozart, H.Berlioz, P.I. Tchaikovsky, A.Marquez
May 10, 2019
Season 16 (Fall 2017 - Spring 2018)
Season 15 (Fall 2016 - Spring 2017)
Composers: G.Gershwin, J.Powell & S.O'Loughlin, D. Shostakovich, W.A. Mozart,
May 8, 2017 & December 17, 2016
Composer: G.Gershwin
March 4, 2017
Composer: W.A. Mozart
February 19th 2017
Composer: W.A. Mozart
December 19, 2016
Composer: D.Shostakovich
December 17, 2016
Composers: W.A. Mozart, G.Gershwin, D.Shostakovich, E.Bloch, C.P.E.Bach, J.S.Bach
December 17, 2016
Season 14 (Fall 2015 - Spring 2016)
Composers: A.Dvorak, N.Rimsky-Korsakov
May 9, 2016
Composer: A.Dvorak
May 6, 2016
Composer: C.Saint-Saens
February 19, 2016
Composer: L.Beethoven
October 25, 2015
Season 13 (Fall 2014 - Spring 2015)
Composer: L.Bernstein
May 11, 2015
Composer: K.O'Toole '15
March 6, 2015
Composer: S.Prokofiev
February 27, 2015
Composer: J.S. Bach
December 19, 2014
Season 12 (Fall 2013 - Spring 2014)
Composer: A.Dvorak
May 12, 2014
Composer: A.Copland
April 4, 2014
Composer: A.Copland
February 28,, 2014
Composer: A.Copland
December 20, 2013
Composer: A.Copland
December 20, 2013
Season 11 (Fall 2012 - Spring 2013)
Composer: A.Marquez
May 13, 2013
Season 10 (Fall 2011 - Spring 2012)
Season 9 (Fall 2010 - Spring 2011)
Composer: W.A. Mozart
October 14, 2011
Composers: G.Holst, L.Jisu
March 4, 2011