A REVIEW OF "THE SHINING" A RETRO REVIEW, 1980 by Ryan Ellis
give me a buzz on the ol' e-lines<EMAIL_ADDRESS>(NOTE-This is my 4th of 5 weekly retro reviews honouring great Jack Nicholson films. "Chinatown", "A Few Good Men", and "One Flew Over The Cuckoo's Nest" are already posted on the Internet. Also, since Stanley Kubrick died just a short time ago, why not highlight a collabration of two great film artists?)
After winning his first Academy Award for a marvelous performance in "One Flew Over The Cuckoo's Nest", Jack Nicholson went through a notable, if not particularly successful, phase of his career. In "The Missouri Breaks" and "The Last Tycoon", Jack appeared opposite living legends Marlon Brando, Robert De Niro, and Tony Curtis. He also got to work with directors Arthur Penn and Elia Kazan in those pictures while directing "Goin' South" himself. Those three movies might be considered a "warm-up" as he prepared for his opportunity to do something which very few great actors ever had the chance to do--to perform in a film for director Stanley Kubrick.
The secretive and obsessive Kubrick was in the middle of a streak of his own. "Dr. Strangelove", "2001: A Space Odyssey", "A Clockwork Orange", and "Barry Lyndon" represented three straight outstanding films, then one well-made epic. Adapting Steven King's best-selling novel, "The Shining", was Kubrick's next project. Shot in England, it was an elaborate horror film which didn't get the praises from critics that Kubrick's films usually received. I must be one of the few people who A) liked the team of Kubrick and Nicholson B) saw much more in this film than just the ghost story and C) found it to be truly scary. After all, that IS the point.
Kubrick and co-screenwriter Diane Johnson made drastic changes to King's in-depth novel. The ugly, abusive family histories for both the Jack Torrance character (Nicholson) and his wife, Wendy (Shelley Duvall), were excluded. They also dropped the extensive flashbacks to the family's life on the East Coast where Jack lost his teaching job for beating up one of his students.  Young son Danny (Danny Lloyd) is no longer a brilliant five-year old, nor is Wendy a strong woman.
Still, the screenwriters' adaptation was an improvement in other ways. Dialogue isn't always this film's biggest asset, but when the lines are good, they're REALLY good. And memorable! How about "Here's Johnny!", "Gimme the bat, Wendy!", the ominous "Redrum", and the written ramblings of Jack's "All work and no play makes Jack a dull boy". And dig that elevator of blood! Sure, it's a blatantly unsubtle image, but it's cool. A major change and a real credit to the climax is that Kubrick shows more restraint than King. This is a rare example of where the movie's ending is much LESS explosive than in the book. And the biggest addition from novel to screen--eerie music--is a classic example of how appropriate music can greatly heighten the "fear factor".
The story is familiar. Lifelong failure and recovering alcoholic Jack Torrance gets a last-chance job as the winter caretaker for Colorado's elite Overlook Hotel. He's enthusiastic about the job even though he & his family will be stranded alone for several months when the brutal winter arrives.  He's even enthusiastic about the job when he hears that the hotel was built on an Indian burial ground (hey, what ghost story DOESN'T have an Indian burial ground!).  Wendy and Danny join him, of course, and everyone's happy.
Well, actually, Danny isn't. He knows the sordid Overlook is not Disneyland. He has the power (through his imaginary friend, Tony) to see the future. The hotel's cook, Dick Hallorann (Scatman Crothers in a miscast role as a token black victim), also has this power, this "shining", to read thoughts and warns Danny to be careful in the ominous Overlook. The naive kid is precocious like all youngsters and he's both fascinated by the forbidden aspects of the hotel while being terrified of recurring images of death and mayhem. Danny's power slowly brings the hotel's demons to life as Jack struggles through a killer case of writer's block. Wendy helplessly watches her delicate family fall apart as Jack's developing insanity (not to mention his "deal" with the hotel) becomes violent and painful.
The basic plot of this film is an old-fashioned ghost story with slasher film overtones. The interesting part of the movie is that the single strongest theme here is not that hotels can drive you crazy or that experiencing a few bad days at the typewriter gives you the right to axe your family. The strongest theme here is of divorce. Here's a husband with no respect for his wife or son. In one scene, he looks down at a model of the outdoor hedge-maze while Wendy & Danny walk around inside the real maze. Obvious metaphor--he "looks down on them". Like many dysfunctional families, the man can seem perfectly normal & loving to the outsider and still be quite abusive to his family. As he loses his mind, Jack has a nightmare about killing Wendy & Danny, he has a fantasy in the hotel's empty bar that explains the alcoholic & abusive history, and he doesn't tell his family when he starts to see dangerous things in the hotel. Nice guy! The man is simply not a good father and while his wife tries her best to hold her family together, in the end, she takes the kid and leaves him--metaphorically divorcing him.
 He feels claustrophobic and trapped despite living in such a giant place. Jack is a massive failure, even as the hotel's caretaker (after all, he dies and leaves it unattended). Or does dying for the hotel make him a devoted servant? Well, if that makes him an accomplished man, he doesn't aspire to very much. This man is supposed to be a literate writer, yet he becomes a hobbling lumberjack, then a bellowing beast before the icy ending. Ironically, Jack's demonic obsession to kill his family is rather admirable. Geez, parents today couldn't be BOTHERED to chase a kid in order to kill him. They'd just take away the tyke's Sony Playstation or give him one of those "hyperactivity" pills!
What makes this film work is its genuine creepiness. Along with the effective music, Kubrick uses some great camera angles (one was directly below a standing Jack in the pantry). The Steadicam shot was a particular favourite in "The Shining" in more than just the famous scenes following Danny on his Big Wheel. Kubrick liked the Steadicam technique and used it a lot. It's so smooth and so appropriate on the huge sets that the technological impact is underrated. At all times, the camera seems to be a set of eyes watching these three people as they fritter around in an evil place. The enormous interior sets were built on a soundstage, yet they give off an aura that makes you want to drive a snowmobile up there yourself and tell these people to GET OUTTA HERE RIGHT NOW!
The glue of this film is Jack Nicholson. It takes quite an actor to be THAT nuts considering the unending number of takes Kubrick demands. His scenes in the bar show remarkable lunacy. The fabulous "gimme the bat, Wendy" scene gives us Nicholson's trademark character explosion. At times, he's pretty funny too. Even Jack's "killer smile" has an appropriate name here. He's a sinister ticking bomb. It's been said that he goes nuts too quickly and maybe that's true. But the whole point of the story is that this man felt trapped and ready to explode long before he ever got to the Overlook. The haunting images and malevolent results are metaphors to explain how this particular family falls apart as they lose their collective grip on reality.
Unfortunately, Kubrick's deliberate--heck, downright slooooow--pacing doesn't score the way it did with "2001". Strange as this sounds, the film is too long, yet, arguably, the craziness happens too soon! However, what nearly sunk "The Shining" altogether was the awful performance by Shelley Duvall. This acting hack could take some lessons from the appealing Rebecca De Mornay (who was much better in the 1997 TV movie). Duvall's chemistry with Danny Lloyd comes and goes. She has almost NO chemistry with the commanding Nicholson. Sure, her pathetic performance was probably what Kubrick wanted opposite the whacko Jack. After all, who WOULDN'T be petrified with fear as the horrors unfold? But her acting was incredibly weak and it wasn't even offset by Danny Lloyd. The kid is okay at best and he's not very lovable or intelligent.
To nitpick--there are noteworthy mistakes in "The Shining". First, the helicopter's shadow for the overhead shot is visible during the opening drive up to the hotel. Second, Jack tears paper out of his typewriter, but doesn't replace it with a fresh sheet before he starts typing again. Third, he toasts Lloyd the bartender to "5 miserable months on the wagon", yet Wendy said in the opening 20 minutes that he hadn't had a drink for 5 months before they ever GOT to the hotel. Fourth, she slices his hand during the bathroom door demolition, but in a later shot there's no blood on the knife. And the most glaring error occurs during that same demolition. Jack axes through only one side of the door to do his infamous "Here's Johnny", but later the door is split in two places. Clearly, the scene of his busting through on the other side of the door was cut.
So, having analyzed this film to death (pun intended!), I'll stubbornly maintain that "The Shining" succeeds in spite of its mistakes and weaknesses. Jack's a devilish cartoon. He's so compelling in the lead that when he's not on screen, you can't wait until he comes back. Food for thought--Kubrick didn't hit the bullseye with this picture and STILL created a memorable movie. It's quotable and creepy. It makes you jump. Anyone disappointed that this wasn't a masterpiece should remember that very few true horror movies have ever been deemed classics, anyway ("Psycho" is one of the few). "The Shining" showcased Nicholson's abilities with Kubrick's meticulous direction. Duvall, Lloyd, and overlength be-damned! This is scary and it's pretty darn good too.
USELESS TRIVIA--Stanley Kubrick made reincarnation and an unending cycle of life & death one of the many themes in "The Shining". Not to compare ANY film to his masterpiece, "2001: A Space Odyssey", but that idea was the central theme for the 1968 classic too.
This film receives an 8/10. It also ranks #94 on My 100 Favourite Films list.

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A Guide to All the Haircuts in Netflix’s The King
by Carrie WittmerThe King, starring my king, Timothée Chalamet, dropped on Netflix today. While it’s not a very good or memorable movie and has failed to make a splash with critics, it certainly made a splash with people like me who are extremely online and extremely into the baffling and beautiful haircuts this movie contains. Most of the haircuts are inspired by the hair trends of the 15th century (read: lots of short bangs), but with a little modernity mixed in, because, you know, stars like Timothée Chalamet and Robert Pattinson need to look hot!
As such, we went ahead and took the liberty of ranking the best and worst haircuts in The King, from Robert Pattinson’s shoulder-length, sun-kissed beach waves to Timothée Chalamet’s dreaded, blunt bowl cut, and everything in between.
13. Timothee’s bowl cut
Bowl cuts are bad. But a bowl cut on Timothée Chalamet is not that bad, because it is on Timothée Chalamet. While this cut does remind me of the boys who wouldn’t let me play basketball with them during recess in elementary school, on Timmy, it emphasizes his exemplary cheekbones, which do not need any contouring tools. Applying bronzer to them should be considered a crime. Most people don’t know this, but Timothée Chalamet’s cheekbones are sharp enough to cut the hard block of Parmesan cheese that’s been sitting in my fridge uncontained for three (five) weeks.
12. This kid’s high-and-tight
It really takes a fan of high-and-tight haircuts to thrive in this era.
11. Thomasin Mckenzie’s horse-girl hair
It is incorrect to categorize this as a haircut because this head has never had one. Nice crimp, though!
10. This man’s teeny bangs
While watching this movie — which I don’t recommend or remember — I experienced extreme anxiety, because these teeny bangs made me paranoid that my bangs look like this. It’s not a good look, dear reader!
9. Joel Edgerton’s beard
Joel Edgerton, who co-wrote this film, looks like this in every movie.
8. Ben Mendelsohn’s William Penn hair
I love to see Ben M., but not like this, please! However, despite its flaws, this long hair is a great match for Ben’s attitude and his lovely skull, which is a gross way of saying that Ben Mendelsohn has Timothée Chalamet–level cheekbones and we don’t talk about them enough.
7.  This lovely lady’s hairstyle is pretty, though it’s pretty unbelievable that a woman in the 15th century could achieve this curl (and hold after doing sex) without access to electricity or hairspray.
6. Lily-Rose Depp’s big hat
This isn’t as much of a haircut as it is a style, we have no choice but to admire that this was once fashion. Like the 1990s, it could come back again.
5. Sean Harris’s loose bangs
I like this more than I should, and am considering showing this image to my hairstylist the next time I get a haircut. The soft, salt-and-peppery waves paired with the loose bangs make his eyes twinkle.
4. Timothée’s later-stage bowl cut
Timmy’s face is literally muddied up here, and the bowl cut is a little more grown: Henry is busy doing war, and as such does not have time for a trim!
3. Robert Pattinson’s hair down
All apologies to Dan Stevens, but this is exactly what the Beast looks like in human form … if he styled his hair with the $500 Dyson hair dryer. I regret to inform you that this is a wig, which means that Robert Pattinson did not grow out his hair then sit in a chair with foils in his hair for hours to get this sun-kissed look. The highlights make it look like Robert’s character spends plenty of time in the sun, but this movie was shot almost exclusively on overcast days in Instagram’s Perpetua filter. Maybe the film’s message is that King Henry, his cohorts, and his French enemies invented professional hair salons and all their services?
2. Robert Pattinson’s hair pulled back
This is the same haircut, but a different style, so it counts. Robert’s wig was braided and then pulled back. Everyone always looks hotter with their hair halfway up, even when they are making a child deliver a severed head of another child, like Robert Pattinson’s character, the Dauphin of France, does while wearing this look.
1. Timothée’s shag
Here lies proof that The King producer Brad Pitt sells his Troy sea-salt spray (a product he invented and made from the sea salt on the shore of the island in The Lighthouse) to other actors for their roles. This is pretty much Timothée’s current hair length in real life, but his personal styling is a little sleeker. And like everything else on Timothée Chalamet — even the bowl cut — the mermaid hair works on him. If Chalamet shows up to the 2020 Oscars like this, I will combust.


Linking to W3Schools: W3Schools
Opening W3Schools a new browser window: W3Schools
This text is a link to a page on the World Wide Web.
An image as a hyperlink:


Peter Mottram (SysPete<EMAIL_ADDRESS>Perl::Dancer Conference 2016, Vienna
History of Debugging on the WWW
#!/usr/local/bin/perl
print "Content-type: text/html\n\n";
print "\n";
print "\n";
print "
HELLO WORLD!
\n";
print "\n";
print "\n";
warn("WTF is going on !!!!!! $x");
#!/usr/local/bin/perl
use CGI qw(:all); # CGI.pm module is very useful!
print
header,
start_html,
h1("HELLO WORLD!"),
end_html;
warn("WTF is going on !!!!!! $x");
autohandler

<title><% $title %></title>

<% $title %>

% $m->call_next;

index.html
<%perl>
my $title = 'HELLO WORLD!';
</%perl>

<% $title %>

warn("WTF is going on !!!!!! $x");
warn("WTF is going on !!!!!! $x");
warn("WTF is going on !!!!!! $x");
Response.Write("WTF is going on !!!!!!"); Response.Write(x);
Response.Write("");
(
Stevan Little


cODEWorldCollision provides a collision detection model to support ODE objects modeled under the CHAI framework More...
#include <CODEWorld.h>
Public Member Functions | |
| cODEWorldCollision (cODEWorld *a_ODEWorld) | |
| Constructor of cODEWorldCollision. | |
| virtual | ~cODEWorldCollision () |
| Destructor of cODEWorldCollision. | |
| virtual void | initialize (double a_radius) |
| Do any necessary initialization, such as building trees. | |
| virtual void | render () |
| Provide a visual representation of the method. | |
| virtual bool | computeCollision (cVector3d &a_segmentPointA, cVector3d &a_segmentPointB, cCollisionRecorder &a_recorder, cCollisionSettings &a_settings) |
| Return the nearest triangle intersected by the given segment, if any. |
cODEWorldCollision provides a collision detection model to support ODE objects modeled under the CHAI framework
| bool cODEWorldCollision::computeCollision | ( | cVector3d & | a_segmentPointA, | |
| cVector3d & | a_segmentPointB, | |||
| cCollisionRecorder & | a_recorder, | |||
| cCollisionSettings & | a_settings | |||
| ) | [virtual] |
Return the nearest triangle intersected by the given segment, if any.
Extends cODEWorld to support collision detection.
| a_segmentPointA | Start point of segment. | |
| a_segmentPointB | End point of segment. | |
| a_recorder | Stores all collision events. | |
| a_settings | Contains collision settings information. |
Reimplemented from cGenericCollision.


--- name: plot_tape styles: - href: css/vis_tape.css ---
The default view shows all tape lengths, with the values being averages over all the opponents, and both sieve and kettle polarities. You can select a single opponent to focus on from the "Opponent" dropdown, or show the polarities separately by checking the appropriate box.
Clicking a row switches to an alternative view, which shows that particular tape length, both averaged and against each opponent, simultaneously on one screen. In this view, you can also toggle polarity (between averaged, sieve or kettle) by clicking at the underlined words in the plot title. Clicking on a row returns to the original view, showing the opponent on that row.


@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @(params: Map[String, Any]) @uk.gov.hmrc.hmrcemailrenderer.templates.helpers.html.template_main(params, "Pension scheme administrator registration successful") {
Dear @{params("psaName").toString}
You have successfully registered @{params("psaName").toString} as a pension scheme administrator on the Managing Pension Schemes service.
The administrator ID for @{params("psaName").toString} has not changed.
What happens next
The pension scheme administrator can now manage pension schemes by applying to register a new pension scheme. To do this search for ‘apply to register a pension scheme’ on GOV.UK and then choose to use the online service.
They can also be invited to be a pension scheme administrator for an existing pension scheme.
For security reasons, we have not included a link with this email.
From HMRC Pension Schemes Services
}


--- layout: post status: publish published: true title: Podcast 4.18 - Kid K's Last Strikeout author: display_name: Corey Fineran login: Corey email<EMAIL_ADDRESS>url: '' author_login: Corey author_email<EMAIL_ADDRESS>wordpress_id: 7356 wordpress_url: http://ivyenvy.com/?p=7356 date: '2012-05-19 12:14:50 +0000' date_gmt: '2012-05-19 17:14:50 +0000' categories: - Podcast tags: - Crosstown Series - Hawk Harrelson - Jeff Samardzija - Kerry Wood - Wrigley Field - Social Media Night - Kid K - Joe Ricketts - SuperPAC - Obama - Rahm Emanuel comments: [] ---
The Kerry Wood era is over for the Chicago Cubs and we look back on his career. From his 20 strikeout game to his numerous DL visits, Kerry Wood earned a spot in the hearts of most Cubs fans and we look at the reasons that, despite disappointing career numbers, Cubs fans still adore Kid K.
We talk about the last week in public relations with the Cubs, from Social Media Night to the Joe Ricketts situation.
Ozzie Guillen quits Twitter and we read through some of our favorite Ozzie tweets. The Crosstown Classic just doesn't seem the same without old Ozzie complaining about Cubs fans and rats. We talk a little about Game 1 of the Crosstown Series at Wrigley, including Samardzija stoking the rivalry flames and Hawk Harrelson's incredible broadcasting skills.
Kurt gives his Scary Stat of the Week and we pick a winner for this week's photo caption contest.


Sorry, the page you requested was not found, it may have been removed or dosen't exist at all. Perhaps, you could search for some other cool stuff, or go back to our homepage.


Steps for Generating Code With JNDI
The JNDI module generates most of the code that a Java class needs to access
a naming or directory service via JNDI. The procedures for using the module
to generate code you can use in a program are outlined below:
- Determine what you are trying to accomplish. The questions you need to
answer include:
- Which naming or directory service are you trying to access?
- Which JNDI service provider do you need to access that service?
- Will your application be looking up entries or binding new entries?
- What connection information do you need to access the naming or directory
service, such as URL, username, password, and so on.
- Access the naming or directory service with the JNDI Browser.
The browser will represent the contents of the service as a tree of nodes
in the IDE.
- Using the browser, navigate through the naming or directory service, and
locate the item you want to look up or the context in which you want to
bind a new entry.
- Using the browser's context menu, generate lookup or binding code. Paste
it into your program.
- Run and test your programs.
Legal Notices


Herewith attached the Test Report for the executed script in nightwatch.js.
| Report Generated Time | Duration | Tests Executed count | Title |
|---|---|---|---|
| Sat, 10 Jun 2017 11:47:38 GMT | 1063.1300000000003 sec | 15 | Fullscreen / Endslate / Autoplay / VideoplayerUI / Player-Playpause / Playthrough / Share_Facebook / Share / Share_Linkedin / Share_Google / Share_Pinterest / Share_Twitter / Share_Tumblr / Player-Progressbar / Player-Volume / |
| Total count of Pass | Total count of Failures | Total count of Errors | Total count of Skipped |
|---|---|---|---|
| 8 | 12 | 23 | 0 |


Marenthyu's Guide to Custom Firmware using SeedMiner
Required Reading
Welcome! You have come here, i guess, on the prospect of installing custom Firmware on your new/old Nintendo 2DS/3DS using the single-System Nintendo DSiWare Injection. This means you do not have one of the following things:
- a hacked 3DS system which can be transfered to the unhacked one
- a compatible flashcart (see this chart)
You may have come here not fully knowing what SeedMiner is and how it works. Click the following button if you want to see
more information:
More...
What is SeedMiner?
SeedMiner is a tool that allows you to brute-force a console-unique Key. It utilises your Graphics
Card's
amazing processing power to try out all possible combinations, with one of them being guaranteed to
work.
Using this key (or "seed"), it is possible to then sign a DSiWare Game which has been modified to run an
exploit on your Device when launching it.
This all is only possible thanks to a flaw in the key calculation, which makes it (almost) predictable -
more
information on the nitty-gritty details can be found on
zoogie's explanation slide here, but long
story short:
using your LCFS (Local Friend-Code Seed),
it is possible to predict your movable.sed
key with an accuracy of about +-4000, which we
then can "easily" brute-force.
In addition to getting everything you will need to get your movable.sed
, this guide will
also
recommend you a few tools which you can then use to actually inject your modified Game/Save onto your
console.
In most cases, you will be able to use an automated service, but if that fails you, you may need to try
one of the other tools available to you.
This guide will, at all times, attempt to be as thorough as possible, but i can not guarantee it to be
understandable 100% of the time. If you have a question and/or don't understand something, don't hesitate to
ask.
In General, you have the following help sources:
- The seedminer GBATemp Thread
- The Seedminer FC and mining help GBATemp Thread
- Me, Marenthyu, on Discord.
If you ask for help there, please make sure to tell the persons there that you are coming from this guide, giving them this link.


2D
Heisenberg Model
: A Metropolis Algorithm
By
Damon Binder
You need a modern browser which supports HTML5 canvas to view this.
Temperature:
Magnetism:


Maybe it's time to try something new. But should you rely on websites that orient everyone to the same places? A comment is only useful if the person providing it likes the same things you do.
Have you ever spent hours looking for the perfect activity but turned out none of your friends were down for it? That time is only well spent if that research also take what they like into account.
Do you give up? Or do you look for others that would love to go? You may not know them, but you can share the same passion, the same desire, and that is more precious than anything.
We take your mood into consideration and only suggest the activities that you might like at the moment.
Your Path is made of the activities you plan to do. Create it from scratch or draw inspiration from existing ones.

Your path is unique. Share it with your Friends and other pathers with similar desires.
The little shops, the little bars and clubs where you had a great time will now always stay within your reach.
CEO
Business Developer
COO
Operation Manager
CTO
Lead Developer


RADIBAN - potassium iodide tablet
United Douglas Pharm., Inc.
Purpose --- Thyroid Blocking
Use --- Potassium iodide helps prevent radioactive iodine from getting into the thyroid gland during a nuclear radiation emergency. Use along with other emergency measures recommended by public officials.
Allergy Alert: Iodine may cause an allergic reaction with one or more of the following symptoms:
Stop use and ask doctor if you have:
Directions
Dosage:
Adults over 18 years
...........................................................................
1 tablet (whole or crushed) daily (130 mg)
Children over 12 years to 18 years who weigh at least 150 pounds .......... 1 Tablet (whole or crushed) daily (130 mg)
Children over 12 years to 18 years who weigh less than 150 pounds ....... 1/2 Tablet (whole or crushed) or 4 teaspoons of liquid mix daily (65 mg)
Children over 3 years to 12 years ........................................................ 1/2 Tablet (whole or crushed) or 4 teaspoons of liquid mix daily (65 mg)
Children over 1 month to 3 years ......................................................... 2 teaspoons of liquid mix daily (32.5 mg)
Infants at birth to 1 month ................................................................... 1 teaspoon of liquid mix daily (16.25 mg)
The liquid mixture should be given to infants, young children, and any others who cannot swallow tablets; see consumer package insert on how to make a liquid mixture.
|
RADIBAN
potassium iodide tablet | ||||||||||||||||||||
| ||||||||||||||||||||
| ||||||||||||||||||||
| ||||||||||||||||||||
| ||||||||||||||||||||
| ||||||||||||||||||||
|
| Labeler - United Douglas Pharm., Inc. (001444350) |
| Registrant - United Douglas Pharm., Inc. (001444350) |
| Establishment | |||
| Name | Address | ID/FEI | Business Operations |
|---|---|---|---|
| United Douglas Pharm., Inc. | 001444350 | pack, label |
| Establishment | |||
| Name | Address | ID/FEI | Business Operations |
|---|---|---|---|
| Korea United Pharm Inc. | 688016534 | manufacture |


@(howManyProperty: String,applicantName:String,coApplicantName:String,propertyList:List[Property] )
Lenders require information about additional properties to verify (e.g. Rental Properties) your application. In the Event you own additional properties (beyond the one you are seeking to finance in this application) please list them below.


How to
"Японска торта"
5 japanese people
10 eggs
sugar
chocolate
butter
a lot of happiness
a little cannibalisam
Back to Main


SearchTaxData is a web app that uses IRS data to visualize the various provisions in the federal tax code, and the taxpayers around the nation that are credited or penalized by them. The creation of the app was motivated by the Tax Cuts and Jobs Act (TCJA), which was passed by congress and signed into law by President Trump in December 2017. TCJA adjusts, alters, or eliminates many existing provisions, so the goal of SearchTaxData was to help explain the impact those changes will have by illustrating, for each provision, where its users are located and how wealthy they are. Use the web app
here.
The app is built with
Flask, and all graphics were created with
D3. The map contains two overlaid dot density maps - one for people who use a tax provision, and one for people who don't - and dynamically recreates them when a new tax provision is chosen or the user zooms in or out to a different region. The region can be any congressional district or state, or the entire nation. The engine behind the dot density mapping is
Ubilabs' javascript kd tree implementation.


This to That
To install
thistothat
, tap the icon below and select "Add to Home Screen"
c
±
÷
×
7
8
9
−
4
5
6
+
1
2
3
=
%
0
.


Testing for Web Accessibility with Free Tools
Theminator for Automattic
I love the Web, accessibility and open source.
davidakennedy.com/speaking
a11y.me
Where are we headed?
What's web accessibility?
An introduction to standards
What accessibility is really about?
What's web accessibility?
The practice of making websites and applications usable by people of all abilities.
Why?
Standards
Section 508
WCAG 2.0
Stable, referenceable technical standard
12 guidelines; 4 principles
Perceivable, Operable, Understandable, Robust
Testable success criteria, Three levels: A, AA, and AAA
webaim.org/resources/designers
But how?
Decisions
These are usually strategy-related usually. Sometimes, points of no return
Example: Making a "separate, accessible" website
People
Example: A developer doesn't use real buttons
Details
Example: Ensuring your colors are high contrast
All of these can be one in the same
What do we do about it?
Everyone has to know one thing
One workflow
Wave + Validator + Automation
Next steps
davidakennedy.com
davidakennedy.com/speaking
a11y.me :) ↵


Gather Activism
The leading civic activism platform
News
Women's March
Women's March on Chicago: March to the Polls
Equal Pay Day
Equal Pay Day Chicago is Tuesday April 10, 2018 in Daley Plaza...
World Hijab Day
A Worldwide event which promotes the experience of wearing a hijab...
Chicago goes to DxE/Save Forum
Join us at the annual DxE/Save Forum in Berkeley, CA!


We made our smoke testing library hookah open source last week. We are currently using it to test some web applications we have built using Laravel. Though Laravel testing is more expressive, hookah is just a smoke testing library which can be used in any framework or even language as long as there is a login form with 2 fields and a submit button. In this post I will reveal how to integrate Hookah with Laravel 5.x.
Rather than just writing how it can be done, I have put up a demo on github with all the steps in relevant detail.
You can find the steps to integrate the hookah smote testing library with Laravel in the github repository read me. If you want to look at the code you can check the pull request that is added on top of a basic Laravel 5 installation that just has the authentication working.
Hope you enjoy some testing Laravel with hookah.