About me
Halló, I am a geologist from the Faroe Islands, currently based in Copenhagen Denmark. Until recently I’ve been employed as a PhD-student at the University of Copenhagen. During my stay I implemented new data reduction schemes for the mass spectrometry lab (TIMS), and established methods for trace metal analysis in geological samples using inductively coupled plasma mass spectrometry (ICP-MS, Bruker Aurora Elite), and was involved in method development for laser ablation ICP-MS in a newly established laboratory (Teledyne CETAC Analyte Excite coupled with Agilent 7900 ICP-MS). Seeking to use my curiosity and scientific background to optimise work-flows.
Contact
Employment
Laboratory Internship
Department of Geoscience and Natural Resource Management, University of Copenhagen
Method development and evaluation for carbon-sulfur analyses in shales and carbonates. Geostatistical work on isotope and geochemical data for spatially sourced samples. May-Aug 2021, full time
Teaching Assistant
Department of Geoscience and Natural Resource Management, University of Copenhagen
Hosting practical exercises and evaluating weekly mandatory assignments, undergraduate course in structural geology (3rd year). Spring 2013, 2014 & 2015, 10-15 hours weekly
Lab assistant
Department of Reservoir Geology, Geological Survey of Denmark and Greenland (GEUS)
Quality estimation of geochemical data from North-Sea drill cores; sample preparation for thin-sections, chips for scanning electron microscope (SEM), x-ray diffraction, porosity/permeability etc.; implementation of automatic grain size determination using petrographic microscope, and processing in ImageJ, Python and Microsoft Excel Macros (Visual Basic). Aug 2013 - Sep 2015, 10 hours weekly
Summer internships
Geological Survey of the Faroe Islands (Jarðfeingi)
Assistance with development of geology teaching tools for secondary school; geotechnical mapping of a water-supply tunnel; modeling of geological horizons from peripheral geographical coordinates; sourcing and integration of metadata for bathymetric data for The European Marine Observation and Data Network (EMODnet) repository; description and logging of volcanic drill-cores; writing reports. Jul - Aug: 2011, 2012, 2013, 2015
Scouting consultant
The Faroese YMCA Scout Association (KFUM Skótarnir í Føroyum)
Secretary of the board, common office duties: Answering and forwarding mail, phone, paying bills, maintaining membership database etc. Developing materials for youth and childrens scouting programme. Planning and organising camps and courses on a regional level. Aug 2008 - Sep 2008, full time
Earlier employment
- Manual labour - burying cables, FT-net (Faroese Telecom), Jul - Aug 2008
- Clerk, Føroya Keypsamtøka (supermarked), spring 2006 - winter 2008
- Data entry, Hagstova Føroya (Statistics Faroe Islands), summer 2005 - 2006
- Workshop Assistant, Team-85 (Graphics design and marketing studio), spring 2005
- Manual labour, harbourside maintenance, P/F Beta (fishing company), summer 2004
Education
PhD in Geochemistry1
University of Copenhagen; working title: PhD-stipend in non traditional isotope geochemistry; supervisor: Robert Frei | ongoing
MSc in Geology-Geoscience
University of Copenhagen; thesis: A geocronological, petrologial and geochemical investigation of the Paleoproterozoic Tasiilaq Intrusive Centre, South-East Greenland; supervisors: Paul Martin Holm (UCPH), Thomas Find Kokfelt (GEUS) | 2016
BSc in Geology-Geoscience
University of Copenhagen; thesis: A detailed study of a Fe-Ti oxide band in the Njords Glacier Intrusion, Skjoldungen Alkaline Province, SE Greenland; supervisors: Tod Earle Waight (UCPH), Thomas Find Kokfelt (GEUS) | 2013
Upper secondary school
Føroya Studentaskúli og HF-skeið, Department of Mathematics. | 2008
Teaching experience
Economic Geology
3rd year undergraduate/masters course planning and delivering lectures and practicals, 2017, 2018 & 2019.
Introduction to Igneous Petrology
1st year undergraduate course, teaching assistant, reading and evaluating weekly assignments, 2017.
Lithospheric geology and geochemistry
2nd year undergraduate course, teaching assistant, 2016.
Structural Geology
3rd year undergraduate course, teaching assistant, reading and evaluating weekly mandatory assignments, 2013, 2014, 2015.
-
Interrupted due to ilness. ↩


by Nirvana9832 » Mon Aug 25, 2008 2:31 pm
Hahahaha when alpha comes out, Xenimus servers are going to be empty.
Besides like... all those losers.
ya know...
Need not to mention.
im sure its pretty obvious the 5ish people that will still lurk the xen servers and pk the newbs that decide to try it out XD
Cant wait, one day till aug 26.........
WOO


A Change of Heart Return to Me
By Ross Anthony
"It's a shame we gotta put roofs on 'em," architect, builder, handsome, rich successful, eternally nice guy, David Duchovny utters the film's opening line as he stands atop a partially constructed building. His sentence ends a gentle, patiently tightening aerial shot from a blimp high above Chicago.
It's a sweet introduction, but here's a better one: close shot on Duchovny donning a bloodstained white tuxedo standing disengaged and expressionless as he peers through a hospital's emergency ward doors. Flashback: Duchovny as teen on first date with future wife, first kiss, first marriage, wife at her job with great ape at the zoo, at a zoo fund-raiser supporting wife's projects, at night in the car afterwards - headlights jump the double yellow and approach full speed. Back to present day: Duchovny gets the bad news as a group of organ donor personnel jog past toting a full thermos. Roll opening credits. Return to Duchovny, one year later, trying to re-start his life while grieving the death of his wife.
That necessary background info could be filmed creatively in three minutes (okay, maybe five). Instead, "Return to Me" spends what seems like 25 minutes just to establish Duchovny's love of his wife. This still isn't a great sin, the problem is that it lacks life. Feeling more like a necessary burden for the filmmakers than entertainment; moviegoers deserve better. If we're going to spend a good fraction of the film on "prerequisite information" it should at least be compelling. This one's tragically typical littered with the trite, example: "There's my husband with Sidney the ape; my husband's the one on the right." However, I quite enjoyed the conclusion of this sequence (which ends visually as my suggestion begins); Duchovny, bloodstained, peers blankly into surgery ward while soundtrack continues the song "Return to Me" but minus the music, simply acappella. It's a chillingly lonely affect.
The real story (which is quite interesting) starts when a sickly and dying Minnie Driver receives David's dead wife's heart (via transplant - not the US post) restoring her to health, much to the delight of her loving grandfather Carol O'Connor. Driver is an excellent actress, Duchovny is also charming with his subtle emotionalism, and director/actress/writer Bonnie Hunt delivers a strong performance as Minnie's best friend. But it's O'Connor's big heart and loving charisma that anchors the film (despite his goofy Irish accent).
Mostly a love story (David soon enough meets Minnie), with comic relief, (James Belushi is a lot of fun as beer-bellied, Joe Average, dad), the picture also relies on suspense. What will happen when Minnie tells David about her operation? Will they realize whose heart is where? If and when they do, will it prompt a change of heart?
The family sequences are so warm and full, they'll leave you sure that these writers have kids of their own. Aside from the pale intro sequence, the film has heart and humor.
Return to Me. Copyright © 2000. Rated PG. Starring David Duchovny, Minnie Driver, Carrol O'Connor, Robert Loggia, Bonnie Hunt, David Alan Grier, Joely Richardson, Eddie Jones, James Belushi. Directed by Bonnie Hunt. Written by Bonnie Hunt & Don Lake. Produced by Jennie Lew Tugend at MGM/JTL.
Grade..........................B+
-- Copyright © 2000. Ross Anthony, currently based in Los Angeles, has scripted and shot documentaries, music videos, and shorts in 35 countries across North America, Europe, Africa and Asia. For more reviews visit: http://RossAnthony.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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4 April 2005
The Ministry of Health in Viet Nam has confirmed five additional cases of human infection with the H5 subtype of avian influenza virus ( see previous report). All five cases are in a family from the northern port city of Haiphong. The cluster includes the 35-year-old father, the 33-year-old mother, and their three daughters, aged 13 years, 10 years, and 4 months.
All cases in this family were hospitalized on 22 March and remain under care.
Since mid-December 2004, Viet Nam has reported 33 cases of H5N1 avian influenza. Of these cases, 15 have been fatal.


EncodeImage()
语法
*Buffer = EncodeImage(#Image [, ImagePlugin [, Flags [, Depth]]])概要
Encode the specified image into a memory buffer.
参数
#Image The image to encode. ImagePlugin (optional) The format to encode the image in. This can be one of the following values: #PB_ImagePlugin_BMP : encode the image in BMP (default) #PB_ImagePlugin_JPEG : encode the image in JPEG (UseJPEGImageEncoder() has to be used) #PB_ImagePlugin_JPEG2000 : encode the image in JPEG2000 (UseJPEG2000ImageEncoder() has to be used) #PB_ImagePlugin_PNG : encode the image in PNG (UsePNGImageEncoder() has to be used)Flags (可选) Parameters for the image plug-in. For now, only the quality setting is supported: a number from 0 (worse quality) to 10 (maximum quality). Only the JPEG and JPEG 2000 plugins currently support it (default quality is set to '7' if no flags are specified).
When an image is encoded using palletized depth (1, 4 or 8), the following flag is available for combination:#PB_Image_FloydSteinberg: Apply a Floyd-Steinberg dithering.Depth (optional) The depth in which to save the image. Valid values are 1, 4, 8, 24 and 32. The default value is the original image depth. For now, only PNG encoder support palletized image format (1, 4 or 8-bit).
返回值
Returns a pointer to a newly allocated memory buffer containing the encoded image, or zero if the encoding has failed. MemorySize()() can be used to get the size of the encoded image. FreeMemory() has to be used to free the buffer after use.
参阅
LoadImage(), ImagePlugin library
已支持操作系统
所有


GODZILLA (1998)
A film review by Steve Kong Edited by Cher Johnson Copyright 1998 Steve Kong
Knowing that Godzilla came from the "creative" team of Emmerich and Devlin - the two dudes that brought us Independence Day and Stargate - I stepped into my screening of Godzilla with: 1) my brain turned "off", 2) ready for an adrenaline rush, and 3) ready for a roller coaster ride.
Let's just say that I walked out of the movie thinking that their horrible Independence Day was a masterpiece compared to Godzilla and I did not have a hint of adrenaline rushing through my blood stream. If Godzilla were a roller coaster ride, it would be a ride with a few loops, some not-so-steep-drops, and miles of level track before the next excitement.
Some nuclear testing done in the middle of nowhere creates Godzilla -- who's not looking quite like himself in this US version. For some reason Godzilla wants to move off his little island, and where does he want to go? New York, New York of course - the city so nice, they named it twice. All animals have migratory periods and it is time for Godzilla to migrate, but why?
"Why" does not matter to the US Army because all it wants is to annihilate Godzilla. Biologist Nick Tatopoulos (Matthew Broderick) has other ideas, though. He thinks that Godzilla - thanks, marketing department at Sony/Tristar for revealing this during the trailers - is pregnant and wants to nest in New York. The Army thinks Tatopoulos is crazy, not because Tatopoulos is a nut, but because this is how it always works in the movies: The guy who has the right idea is the guy who is always treated like an idiot.
Unbeknownst to the US Army, the French Secret Service is also interested in why Godzilla is in New York. A group of French Secret Service agents, led by Philippe Roche (Jean Reno), is out to destroy Godzilla too.
 It seems that a reporter want-to-be, Audrey Timmonds (Maria Pitillo), was Tatopoulos' love interest eight years ago in college. She sees him on TV and tries to re-light the romance between them.
I really wanted to like Godzilla. I grew up watching the corny and cheezy TV shows as a kid. I loved it when Godzilla - obvious to even a kid that it was a guy in a rubber suit, but hey, Godzilla was cool - ran through cities roasting people, buildings, and military with his breath of fire. In Emmerich and Devlin's Godzilla, the big guy only gets to use his fiery breath twice! This is a complete disappointment.
Godzilla is held back by two things: a weak script and horrible acting. Script? What script? Like Independence Day, Emmerich and Devlin have penned a script that sounds, and feels, like a fourth grader wrote it. The characters excel at speaking cliched lines and the action is far and few. I disliked Independence Day because of its weak script, but the Independence Day script is Shakespeare compared to Godzilla.
As I watched Matthew Broderick on screen, I kept wondering if his performance was purposely bad or if he's lost his acting ability. At best, Broderick looks like a freshman drama student reading from cue cards. At worst, it looks as if Broderick did not want to be in the production was trying everything he could to be fired. Either way, Broderick, who we have to follow throughout the film, gives a bad performance.
Jean Reno escapes unscathed; he did a decent job with his part as the French Secret Serviceman. There were two roles that disgusted me and were supposedly comic relief for the film. These were New York Mayor Ebert, and his assistant, Gene. One was chubby with white hair and the other was skinny and bald and they both like to use their thumbs; you get it? The first time these characters took the screen I chuckled. The second time they graced the screen I smiled. The third time I thought the joke was getting old. After the third time, I stopped counting. These two roles did nothing for the "story line," wasted screen time, and served only as an in-joke for Emmerich and Devlin. Like everything else in Godzilla, this didn't work because it was used in excess.
As for Godzilla, the effects are good, but nothing new. Emmerich and Devlin chose to stay with the tried and true computer graphics for Godzilla. Sure, Godzilla looks ferocious in the first attack on the Big Apple, but, after a few more shots of him, he gets boring. The film was shot in constant rain to hide the flaws of putting such a huge beast in a cityscape, and this rain detracts from the total effect of the film. Godzilla just looks generic on screen. Skip ahead to the next paragraph if you don't want to know why Godzilla comes to New York. Godzilla's "babies," which look suspiciously like the raptors from Jurassic Park and Lost World, are OK. At times these little babies are so computer generated and move in such synchronocity that they look like the squad of cheerleaders from the local high school. This takes away heavily from the scare factor.
So what? Experience with Independence Day tells us that there are going to be lulls in a Emmerich and Devlin film. But there's always spectacular adrenaline pumping action scenes, right? Wrong. Emmerich must have had a fluke with Independence Day because the action and the "scary" scenes in Godzilla brought on more yawning than it did jumping from seats. Spielberg, who did the two Jurassic Park films, shows that he knows how to bring on the scares with his dinosaurs. Emmerich shows that he is just a hack at it. Godzilla stands taller than a high rise, he runs faster than Apache helicopters, and he breathes fire, yet Emmerich is never able to make the tension level in the theatre rise higher than that in a convalescent home.
As for the movie score, there are three things that can make a score distracting: it can be too loud, it can come at the wrong moments, and it can sound so borrowed from another film leaving the audience wondering which film the score came from. David Arnold, whose Tomorrow Never Dies score I really enjoyed, comes to work with Emmerich and Devlin again. Arnold makes one mistake with his Godzilla score; it sounds too much like Mark Mancina's Speed music. There are points in the film where it sounds like Arnold has taken directly from Mancina's work. And for me it was quite distracting for half the movie because I couldn't figure out where I had heard the tune.
But, in the end, nothing I or any of my fellow film critics can say that will dissuade anyone from seeing this awful piece of filmmaking. The studio hype is all that counts nowadays and the hype for Godzilla was huge. I doubt even bad word-of-mouth from the average filmgoer will dissuade any of their friends from seeing Godzilla - curiosity will prevail in this case. Godzilla runs a whopping two hours and 12 minutes, which is too long for this type of movie. Had Emmerich cut some of the non-essential stuff this might have been a fun ride. Had Emmerich and Devlin written a smarter script that doesn't try to create stories for one-dimensional characters, this might have been a fun ride. But, I digress, this is a Emmerich and Devlin film we're talking about and they love excess. Skip Godzilla.
Size Does NOT Matter - Godzilla proves this. It's quality that matters and Godzilla has none of that. Skip, skip, skip.
--- Steve Kong<EMAIL_ADDRESS>reviews from a guy who loves the cinema http://boiled.sbay.org/boiled/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Explore N.C. restart schools
Select a school on the map or use the search bar.
Graphic by Lindsay Carbonell/EducationNC


建立图片查看器
照片专辑
如果你希望在页面上只显示一张图片，在查看大图里切换多图，或者想在照片上加些文字介绍，可以这么做：
其它可选项
$(document).mobile({
imagesbox: {
// specify the classes or IDs will close clearing when clicked.
close_selectors : '.imagesbox-close',
// specify the classes or IDs that will open clearing when clicked, defaults to the entire li element
open_selectors : '',
// specify the classes or IDs that will be skipped in carousel
skip_selector : '',
touch_label : '← Swipe to Advance →'
}
});
可用的事件列表
open.imagesbox
before a thumbnail is expanded
opened.imagesbox
after the large image has opened
close.imagesbox
before the large image is closed
closed.imagesbox
after the large image has closed
change.imagesbox
when the large image changes
resized.imagesbox
after the large image is resized, before it becomes visible
当页面中添加了新的图片查看器
$(document).mobile('imagesbox', 'reflow');


{% extends "skuEdit_layout.html" %} {% block pagestyles %} {% endblock %} {% block content %}
Once you click agree the SKU will be removed from the entire system and no longer be tracked


MatriCare
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Main Content
The first paragraph
The second paragraph
| Things | ||
|---|---|---|
| Dog | Cat | |
| Properties | ||
| Fur | Black | Calico |
| Diet | Dead Rats | Live Rats |
| Hobbies | Chasing its tail | mauling rats |
| Summary | Neither animal is reliable |
| Things | ||
|---|---|---|
| Dog | Cat | |
| Properties | ||
| Fur | Black | Calico |
| Diet | Dead Rats | Live Rats |
| Hobbies | Chasing its tail | mauling rats |
| Summary | Neither animal is reliable |


Treebank Statistics: UD_Beja-NSC: Features: Number
This feature is universal.
It occurs with 2 different values: Plur
, Sing
.
316 tokens (37%) have a non-empty value of Number
.
141 types (49%) occur at least once with a non-empty value of Number
.
1 lemmas (0) occur at least once with a non-empty value of Number
.
The feature is used with 7 part-of-speech tags: VERB (146; 17% instances), PRON (61; 7% instances), DET (54; 6% instances), AUX (23; 3% instances), NOUN (17; 2% instances), ADP (9; 1% instances), SCONJ (6; 1% instances).
VERB
146 VERB tokens (85% of all VERB
tokens) have a non-empty value of Number
.
The most frequent other feature values with which VERB
and Number
co-occurred: VerbClass=1 (96; 66%).
VERB
tokens may have the following values of Number
:
Plur
(17; 12% of non-emptyNumber
): eːjaːn, eːn, areːna, gʷʔana, hiːn, idiːn, iktiːnn, iːbirin, iːfin, iːjheːnSing
(129; 88% of non-emptyNumber
): ini, sallamaman, tini, ʔabkin, idi, iːfi, sallamja, aakaj, adi, aniEMPTY
(25): harawaː, jʔaː, akajeː, dija, fidiga, hamilaː, harawa, hariweː, hiːreːreː, hiːs
PRON
61 PRON tokens (77% of all PRON
tokens) have a non-empty value of Number
.
The most frequent other feature values with which PRON
and Number
co-occurred: Person=1 (51; 84%), Poss=EMPTY (38; 62%).
PRON
tokens may have the following values of Number
:
Plur
(7; 11% of non-emptyNumber
): =uːn, hinin, =aː, =jeː, =oːnSing
(54; 89% of non-emptyNumber
): =heːb, =i, =oː, ani, =eː, =isi, hoː, =iji, =ji, =joːEMPTY
(18): hoːj, kina, hoːsoː, naːn
DET
54 DET tokens (44% of all DET
tokens) have a non-empty value of Number
.
The most frequent other feature values with which DET
and Number
co-occurred: Gender=Masc (47; 87%), Definite=Def (40; 74%), Deixis=EMPTY (40; 74%), PronType=EMPTY (40; 74%), Case=Acc (28; 52%).
DET
tokens may have the following values of Number
:
Plur
(8; 15% of non-emptyNumber
): eː=, aːn, eːn, aː=Sing
(46; 85% of non-emptyNumber
): oː=, uː=, toː=, w=, uːn, oːn, beːn, toːtEMPTY
(69): =b, =t, i=, ti=, t=, j=, kass
AUX
23 AUX tokens (82% of all AUX
tokens) have a non-empty value of Number
.
The most frequent other feature values with which AUX
and Number
co-occurred: Mood=EMPTY (23; 100%), Aspect=EMPTY (16; 70%), Gender=EMPTY (15; 65%), VerbType=Cop (15; 65%).
AUX
tokens may have the following values of Number
:
Plur
(3; 13% of non-emptyNumber
): =a, iːktiːna, nikiSing
(20; 87% of non-emptyNumber
): =u, =i, =wa, iːha, iːkti, bʔijan, ikiEMPTY
(5): ba=, =u, bi=, dʔijaː
NOUN
17 NOUN tokens (13% of all NOUN
tokens) have a non-empty value of Number
.
The most frequent other feature values with which NOUN
and Number
co-occurred: Gender=Masc (11; 65%).
NOUN
tokens may have the following values of Number
:
Plur
(17; 100% of non-emptyNumber
): halaka, hamoː, iːjʔaː, jam, kam, mittia, nda, bhalijeː, da, gaɖʔaEMPTY
(115): kaːm, tak, biri, doːr, meːk, na, ameːsa~sʔeː, gaw, mhiːn, moːkeː
ADP
9 ADP tokens (36% of all ADP
tokens) have a non-empty value of Number
.
The most frequent other feature values with which ADP
and Number
co-occurred: Case=Loc (7; 78%).
ADP
tokens may have the following values of Number
:
Plur
(1; 11% of non-emptyNumber
): =eːbSing
(8; 89% of non-emptyNumber
): =iːb, =iːEMPTY
(16): =ka, dh, geːb, =da, baːji, dh#, dhaːj, harʔiː, haːj, suːr
SCONJ
6 SCONJ tokens (12% of all SCONJ
tokens) have a non-empty value of Number
.
The most frequent other feature values with which SCONJ
and Number
co-occurred: Gender=Masc (6; 100%).
SCONJ
tokens may have the following values of Number
:
Plur
(2; 33% of non-emptyNumber
): ji=Sing
(4; 67% of non-emptyNumber
): =eːb, =jeːbEMPTY
(45): =hoːb, =eːt, =jeːt, =aj, =it, =t, =ajt, =eː, =i, =jeː
Relations with Agreement in Number
The 10 most frequent relations where parent and child node agree in Number
:
VERB –[parataxis]–> VERB (33; 85%),
VERB –[obj]–> PRON (23; 79%),
VERB –[advcl]–> VERB (19; 83%),
VERB –[dep:conj]–> VERB (12; 80%),
VERB –[ccomp]–> VERB (6; 75%),
PRON –[det]–> DET (3; 75%),
VERB –[compound:svc]–> VERB (3; 100%),
VERB –[obl:arg]–> PRON (3; 75%),
VERB –[parataxis:coord]–> VERB (2; 100%),
NOUN –[acl:relcl]–> SCONJ (1; 100%).