Exploring the topic of usability, I am going to follow Steve Krug's classic text on the subject: Don't Make Me Think Revisited. (The original is the "more classic" version. Krug highlights some of the behavioral patterns of users. Krug discusses four key concepts of website usability , Clarity, Real User Behavior, Billboard Design, Word Omission.
The tools used to complete the analysis include Krugs principles of website usability, components the Usability Test posted on Usability.gov and a website for analysis, Liner World ( www.linerworld.com). The purpose of Linerworld is to sell pool liners, accesories and information to buyers on how use nd select the products on the website. The analysis is based on four usability criterion in chapter one of the book.
1. Clarity: Don’t make me think “As far as is humanly possible, when I look at a web page it should be self-evident. Obvious. Self –Explanatory.
2. Real User Behavior: People Scan, Satifice and Muddle Through: Understanding the difference between our perception of how people use our product and the reality.
3. Billboard Design: Design for scanning not reading. As makers, were thinking “great literature”. While the Users reality is much closer to “billboard going at 60 miles an hour.”
4. Omit Needless Words: Get Rid of half the words on each page, then get rid of half of whats left.
Website Introduction
Linerworld.com is a commercial website selling swimming pool liners, pool accessories and supplies for above the ground pools. Users can purchase products, get additional information on common pool liner questions and review how-to guides on pool products.
Metrics and Evaluation
Each of the four usability principles have the ability to earn 1 point. The criteria used for evaluation are as follows:
1.Clarity Clickability test: Is it obvious to user what’s clickable? During the purchasing process is website navigation product self-evident.
Self Evident: meaning there’s no guesswork in completing a purchase.
2.Real User Behavior:By simply scanning the page can users scan the page easily identify information.
3.Billboard Design:Are the most important aspects of the webpage clear, based on effective use of visual hierarchy, page breaks,and effective copy format?
4.Word Omission: Are there unnecessary words on the page, is the most useful information prominent, is the page clearly organized.
Results and Recommendations for Each Criterion of the Usability Principles
Arngen.net was evaluated on four criterion. Each criterion has the potential to score 3 total points per criteria to yield a maximum score of 12. Argen.net received a score of 3/12.
Overall, what is working for the Liner World website? The strengths of the page are its clickability and clarity. The page provides the user with many ways to start the transaction process. The wesbite is designed to provide users with as many ways as possible to start the purchasing process of a product. You can click on any of the headers and objects on the page to start making a purchase. The website purpose is supported by the images, colors, and link headers.If it looks like you can click on it, you can which is why clarity and clickability scored the strongest.
What isnt working for the site, or what improvements can stregthen usability? The website design and development feutures requireing improvement are word omission. The page has too much text making the page "loud". Many of the links lead to the same page and have similar categories that can be given a single header and turned into drop down boxes. Giving the more white space to increase its readability.
Usability Results:
Clarity:6/7
Real User Behavior:4.5/7
Billboard Design: 5.5/7
Word Omission: 4.5/7
Evaluation of Pages for Transaction Completion
Starting the Transaction
Clarity score 1/1:
The user has to think about where to start the purchasing process due to the number of options available on the home page.
The options to start the purchasing process are in the center-top navigation, left and right side of the page and the center page image.
Though it isnt self evident where to start the purhasing process, the user has to the option to click on just about everything on the home page.
The website designer made almost all the links a starting point for a purhase.
Real User Behavior 1/1:
The page has some easily identifiable information.
Billboard Design .5/1:
The page could benefit from better visual hierarchy by improving headers, drops down menus, and categorizing the page content.
Word Omission .5/1:
Links to make a purchase and content on the left side of the page should have a category in the navigation at the top of the page in a drop down box.
After selecting "order a pool liner" link as a starting point. The user is taken to a page to select a pool liner based on type and size.
Clarity1/1:
After clicking the Order Pool Liners link in the header, the user moves to next step in the transaction and has the option to select from a variety of pool liners.
There are a number of options for users to click, as a result the page is deemed clickable.
Intuitively users will most likely select a pool liner based on the size of the pool as indicated in the red circle because the pool liner options based on pool size take up the majority of the page.
Its evident users can continue the purchase transaction by selecting a liners based pool size.
The user has to have some previous knowledge of liner types of to continue the purchasing process.
If the user clicks the image under the overlap and beaded header,additional information about pool liners is provided allowing the users to make an informed choice on how to select the liner needed.
Real User Behavior .5/1:
The purchasing information is easily identifiable. Clicking on the images lead to FAQ information that in the overlap and beaded images .
The suggestion for improvement includes have the FAQ information listed with the title and header
Billboard Design .5/1:
The visual hierarchy, content, and copy in the photos aren’t effective.
Word Omission.5/1:
The directions at the top of the page aren’t necessary
Once the user selects the type and size of liner needed, she is taken to a product review page
- Clarity.5/1 Again, the user is presented with from option to select from to move the transaction process forward. There are many options to click, The User has the option to select the view details button, blue bolded description title, the photo and the 82% MSRP. It’s not as evident which item to click to go to the next step of the transaction however, each link moves to the next purchasing transaction. The view details button would be more effective under the photo.
- Real User Behavior .5/1 The information on the page is somewhat identifiable. Removing the content on the side of the page while making the purchase, moving the description under the product name, and removing the 82% MSRP closer to the product name would improve the identifiability.
- Billboard design .5/1 The photo, product description and purchase relationship is evident. Removing the 12” round overlap pool liners and enlarging the product name could increase the effectiveness of the visual hierarchy.
- Word Omission 0/1 The product description, copy under the product name and view details button require improvement. The third page isn’t necessary in the purchasing process and can be removed.
When the user clicks the 12" Overlap Pool Liner Great Barrier Reef link the item is added to thier cart. The user is given an opportunity to view purchase details, continue shopping, or proceed to check out.
- Clarity 1/1 The checkout page to complete the purchase is self-evident, self-explanatory and clickable.
- Real User Behavior 1/1 The User can easily scan the page to complete the steps in the purchasing process.
- Billboard Design 1/1 The visual hierarchy is effective, the text image and bold titles are effective in communicating to the page user the page is a transaction page.
- Word Omission .5/1 The product description, shipping, and sales information are in the same location. There is too much copy regarding current and future sales information reducing the copy is a recommended improvement.
- Clarity 1/1 The page is intuitive, self-explanatory. The view details of the product is evident though, the additional attempt to sale accessories in the detailed images isn’t needed.
- Real User Behavior 1/1 The view cart button isn’t needed and adds an additional confusing step to the purchasing process. Recommended improvements include removing the view cart button, moving the proceed to checkout to the view cart location
- Billboard Design 1/1 The visual hierarchy is effective, the text image and bold titles are effective in communicating to the page user the page is a transaction page.
- Word Omission 1/1 Their aent any unnecessary words on the page.
One the user presses the proceed to check out button. The user is taken to the a payment page.
- Clarity 1/1 The page has clickable items, the purchasing process is self-evident and selfexplanatory.
- Real User Behavior 1/1 All the required information to complete the transaction is easily identifiable
- Billboard Design 1/1 Visual hierarchy, titles, headers and content location is effectiv
- Word Omission 1/1 Their aent any unnecessary words on the page.


| Paste the SDP info from the sender here |
Copy this answer back to the sender |
| This is ICE info for the local host, we'll need to send it to the remote end |
Paste the ICE info from the remote host here and press 'process ICE candidates' |


Yaya Toure sent off after 10 seconds of 'final appearance' in China
The former Manchester City midfielder was dismissed for kicking out at a Nantong Zhiyun player
by Mark Jones, https://www.mirror.co.uk/authors/mark-jones/Manchester City legend Yaya Toure was sent off just 10 seconds into Qingdao Huanghai's final game of the season on Saturday.
The midfielder, 36, aimed a kick at his opponent off the ball, and was dismissed following a VAR review.
The match is said to be Toure's final appearance in China, with his side going on to lose 2-1 to Nantong Zhiyun.
Despite the defeat, Qingdao Huanghai have secured promotion to the Chinese Super League as champions of Chinese League One after picking up 57 points from their 30 matches this season, with Toure contributing two goals and three assists in his 14 games since joining in July.
The Ivorian was given his marching orders for the third time in his career, and the first time since being sent off for Manchester City in a Champions League tie against CSKA Moscow five years ago.
Mladen Kovacevic's second half brace secured the win for Nantong Zhiyun, but the result didn't put a dampener on Qingdao Huanghai's promotion celebrations.
When they clinched their first ever spot in Chinese Super League last week, Toure tweeted: "Today we made history. Promotion!
"Next season Qingdao Huanghai FC will be where they should be... The Chinese Super League.
"I'm proud to help make this happen but I want the title. One more game to go."
Toure is currently without a contract for next season, and there have been suggestions that he won't renew with his current club.
The midfielder - who picked up 101 caps for the Ivory Coast - won seven trophies in eight successful years with City, including three Premier League titles and the FA Cup in 2011, when he scored the winning goal in the Wembley final against Stoke City.


{{data.base}}
menu
notifications
3
email
One unread message
group
One event coming up
cake
It's Aleena's birthday!
widgets
more_vert
settings
Settings
Pie chart
Bar chart


This second example combines the "type ahead" functionality with the autosuggest functionality, which drops down a list of suggestions for each character the user types. This is the basic functionality shown in Google Suggest (without the client-server interaction).
As with the previous example, type a state name into the textbox below. Make sure the state name begins with a capital letter. The best example is still "Missouri".
Try it for yourself:


Film review by Kevin Patterson
Reservoir Dogs * * * (out of four) R, 1992 Written and directed by Quentin Tarantino. Starring Harvey Keitel, Tim Roth, Steve Buscemi.
Pretty much everyone knows the story about how former video store clerk Quentin Tarantino made his 1994 film, "Pulp Fiction," on a small budget and how the film went on to win the Palme D'Or at Cannes and become one of the most successful independent films in recent history. Tarantino's 1992 directorial debut, "Reservoir Dogs," was largely ignored when it was first released, however. In retrospect, "Dogs" showed traces of the stylistic quirkiness that dominated "Pulp Fiction," but it also boasts a well-conceived gangster story.
"Reservoir Dogs" revolves around a bank robbery gone wrong, but we never see the robbery itself. Instead, the film flashes forward to immediately after the robbery as three of the thieves gather at their warehouse hideout. One of them is seriously wounded and doesn't seem likely to last much longer, and as the others straggle in, they all become pretty certain that there was an undercover cop in their ranks. What is most interesting is the characterizations of these criminals: rather than being the generic heartless thugs that we have come to expect from crime movies, these men seem to have their own, albeit warped, sense of ethics. Two of them, for example, have a debate on whether or not to take their wounded colleague to the hospital, and all of them seem thoroughly disgusted with another fellow thief who lost his head during the robbery and started shooting innocent bystanders.
Tarantino makes a smart move in humanizing otherwise unsavory characters, because what happens next lends to the film a sense of genuine tragedy. Everyone agrees that someone must be a cop, but no one knows who it is. The criminals gradually turn against each other: some of them do so out of self-defense, and some of them are standing up for each other. The suspicions and misunderstandings escalate until all of them are heading towards an inevitable but senseless bloody confrontation.
Unfortunately, Tarantino's shtick sometimes gets in the way. "Reservoir Dogs" has his signature quirky dialogue, funky music, and non-linear structure (about half of the movie is devoted to flashbacks of the escape from the botched robbery and of the initial assembly of the group of criminals). Unlike "Pulp Fiction," however, which was a study in surreal and sometimes darkly humorous exaggeration, this film doesn't really seem to need it. The opening scene in which the criminals debate the meanings of Madonna's lyrics, for example, is funny and would have been fine in a Richard Linklater movie, but here it just seems like a waste of time. Also, the behavior of the character who turns out to be the undercover cop borders on downright inexplicable at times. Some viewers have claimed that Tarantino was exploring themes of loyalty through this character, but if so, then there is almost no build-up, because all I saw was that he shot somebody when it didn't make any sense for him to do so.
I do not deny the signs of sophistication that have propelled Tarantino to the spotlight: at his best, he is a smart action/crime-movie director with a flair for character development. What I also see, however, is a director who seems to want some sort of insurance that his films will become cult hits, and as a result injects a lot of well written but unnecessary "offbeat" material into a film that would have been perfectly successful without it. "Pulp Fiction" took the over-the-top aspect of "Reservoir Dogs" and ran with it for a whole movie, and, from the rumors so far, so does Tarantino's upcoming "Jackie Brown." Hopefully, when it comes time for his next project, he'll be able to settle down enough to write the gritty four-star crime drama of which he is clearly capable.
- - - - - -
Visit my Film Reviews page at: http://members.aol.com/KTPattersn/reviews.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Mail
Images
Calendar
Mail
News
Map
File
Contacts
Translate
Videos
Search
Photo
Apps
Document
More
Chat
Classroom
Collection
Mars
Blogs
Promos
Even more from Kottans


Coverage Summary for Class: WriteHandle (org.apache.bookkeeper.client.api)
| Class | Class, % | Method, % | Line, % |
|---|---|---|---|
| WriteHandle | 0% (0/ 1) | 0% (0/ 8) | 0% (0/ 9) |
1 /**
2 *
3 * Licensed to the Apache Software Foundation (ASF) under one
4 * or more contributor license agreements. See the NOTICE file
5 * distributed with this work for additional information
6 * regarding copyright ownership. The ASF licenses this file
7 * to you under the Apache License, Version 2.0 (the
8 * "License"); you may not use this file except in compliance
9 * with the License. You may obtain a copy of the License at
10 *
11 * http://www.apache.org/licenses/LICENSE-2.0
12 *
13 * Unless required by applicable law or agreed to in writing,
14 * software distributed under the License is distributed on an
15 * "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY
16 * KIND, either express or implied. See the License for the
17 * specific language governing permissions and limitations
18 * under the License.
19 *
20 */
21 package org.apache.bookkeeper.client.api;
22
23 import io.netty.buffer.ByteBuf;
24 import io.netty.buffer.Unpooled;
25 import java.nio.ByteBuffer;
26 import java.util.concurrent.CompletableFuture;
27
28 import org.apache.bookkeeper.common.annotation.InterfaceAudience.Public;
29 import org.apache.bookkeeper.common.annotation.InterfaceStability.Unstable;
30 import org.apache.bookkeeper.common.concurrent.FutureUtils;
31
32 /**
33 * Provide write access to a ledger.
34 *
35 * @see WriteAdvHandle
36 *
37 * @since 4.6
38 */
39 @Public
40 @Unstable
41 public interface WriteHandle extends ReadHandle, ForceableHandle {
42
43 /**
44 * Add entry asynchronously to an open ledger.
45 *
46 * @param data a bytebuf to be written. The bytebuf's reference count will be decremented by 1 after the
47 * completable future is returned
48 * do not reuse the buffer, bk-client will release it appropriately.
49 * @return an handle to the result, in case of success it will return the id of the newly appended entry
50 */
51 CompletableFuture<Long> appendAsync(ByteBuf data);
52
53 /**
54 * Add entry synchronously to an open ledger.
55 *
56 * @param data a bytebuf to be written. The bytebuf's reference count will be decremented by 1 after the
57 * call completes.
58 * do not reuse the buffer, bk-client will release it appropriately.
59 * @return the id of the newly appended entry
60 */
61 default long append(ByteBuf data) throws BKException, InterruptedException {
62 return FutureUtils.<Long, BKException>result(appendAsync(data), BKException.HANDLER);
63 }
64
65 /**
66 * Add entry asynchronously to an open ledger.
67 *
68 * @param data array of bytes to be written
69 * do not reuse the buffer, bk-client will release it appropriately.
70 * @return an handle to the result, in case of success it will return the id of the newly appended entry
71 */
72 default CompletableFuture<Long> appendAsync(ByteBuffer data) {
73 return appendAsync(Unpooled.wrappedBuffer(data));
74 }
75
76 /**
77 * Add entry synchronously to an open ledger.
78 *
79 * @param data array of bytes to be written
80 * do not reuse the buffer, bk-client will release it appropriately.
81 * @return the id of the newly appended entry
82 */
83 default long append(ByteBuffer data) throws BKException, InterruptedException {
84 return append(Unpooled.wrappedBuffer(data));
85 }
86
87 /**
88 * Add an entry asynchronously to an open ledger.
89 *
90 * @param data array of bytes to be written
91 * do not reuse the buffer, bk-client will release it appropriately.
92 * @return a completable future represents the add result, in case of success the future returns the entry id
93 * of this newly appended entry
94 */
95 default CompletableFuture<Long> appendAsync(byte[] data) {
96 return appendAsync(Unpooled.wrappedBuffer(data));
97 }
98
99 /**
100 * Add an entry synchronously to an open ledger.
101 *
102 * @param data array of bytes to be written
103 * do not reuse the buffer, bk-client will release it appropriately.
104 * @return the entry id of this newly appended entry
105 */
106 default long append(byte[] data) throws BKException, InterruptedException {
107 return append(Unpooled.wrappedBuffer(data));
108 }
109
110 /**
111 * Add an entry asynchronously to an open ledger.
112 *
113 * @param data array of bytes to be written
114 * do not reuse the buffer, bk-client will release it appropriately.
115 * @param offset the offset in the bytes array
116 * @param length the length of the bytes to be appended
117 * @return a completable future represents the add result, in case of success the future returns the entry id
118 * of this newly appended entry
119 */
120 default CompletableFuture<Long> appendAsync(byte[] data, int offset, int length) {
121 return appendAsync(Unpooled.wrappedBuffer(data, offset, length));
122 }
123
124 /**
125 * Add an entry synchronously to an open ledger.
126 *
127 * @param data array of bytes to be written
128 * do not reuse the buffer, bk-client will release it appropriately.
129 * @param offset the offset in the bytes array
130 * @param length the length of the bytes to be appended
131 * @return the entry id of this newly appended entry
132 */
133 default long append(byte[] data, int offset, int length) throws BKException, InterruptedException {
134 return append(Unpooled.wrappedBuffer(data, offset, length));
135 }
136
137 /**
138 * Get the entry id of the last entry that has been enqueued for addition (but
139 * may not have possibly been persisted to the ledger).
140 *
141 * @return the entry id of the last entry pushed or -1 if no entry has been pushed
142 */
143 long getLastAddPushed();
144
145 /**
146 * Asynchronous close the write handle, any adds in flight will return errors.
147 *
148 *
Closing a ledger will ensure that all clients agree on what the last
149 * entry of the ledger is. Once the ledger has been closed, all reads from the
150 * ledger will return the same set of entries.
151 *
152 *
The close operation can error if it finds conflicting metadata when it
153 * tries to write to the metadata store. On close, the metadata state is set to
154 * closed and lastEntry and length of the ledger are fixed in the metadata. A
155 * conflict occurs if the metadata in the metadata store has a different value for
156 * the lastEntry or length. If another process has updated the metadata, setting it
157 * to closed, but have fixed the lastEntry and length to the same values as this
158 * process is trying to write, the operation completes successfully.
159 *
160 * @return an handle to access the result of the operation
161 */
162 @Override
163 CompletableFuture<Void> closeAsync();
164
165 /**
166 * Synchronous close the write handle, any adds in flight will return errors.
167 *
168 *
Closing a ledger will ensure that all clients agree on what the last
169 * entry of the ledger is. Once the ledger has been closed, all reads from the
170 * ledger will return the same set of entries.
171 *
172 *
The close operation can error if it finds conflicting metadata when it
173 * tries to write to the metadata store. On close, the metadata state is set to
174 * closed and lastEntry and length of the ledger are fixed in the metadata. A
175 * conflict occurs if the metadata in the metadata store has a different value for
176 * the lastEntry or length. If another process has updated the metadata, setting it
177 * to closed, but have fixed the lastEntry and length to the same values as this
178 * process is trying to write, the operation completes successfully.
179 */
180 @Override
181 default void close() throws BKException, InterruptedException {
182 FutureUtils.<Void, BKException>result(closeAsync(), BKException.HANDLER);
183 }
184 }


 The tripod head panel comprises a fixed plate, a moveable plate mounted underneath the fixed plate, and a driving plate mounted underneath the moveable plate. The fixed plate comprises a supporting base plate and a first retaining wall protruding upward from the supporting base plate. The moveable plate comprises a supporting base plate and a second retaining wall protruding upward from the supporting base plate, with a driving hole provided in the center of the moveable plate. The driving plate comprises a base mounted underneath the moveable plate and a handle extending from an end of the base, with an offset cam inside the driving hole formed on the seat. The snap-fit plate is mounted on the supporting base plate between the first and the second retaining walls.
The present application relates to photographic equipment, in particular, to a panel device of a tripod head.
Both amateur photographers and professional photographers are eager to quickly, accurately, and stably fix a camera or video camera onto a tripod, so as to shoot those passing pictures or images.
To achieve the above, people have to use expensive tripods that have tripod heads with very complex structures. Meanwhile, installation of the camera or video camera onto the tripod head and the subsequent adjustments are very complicated. After finishing the adjustments, the photographer may have missed a good opportunity to capture a great image.
Therefore, to overcome the above deficiencies, there is an urgent need for a reliable tripod head panel device that is simple in structure and is quick to install.
Disclosed herein is a panel device of a tripod head.
According to at least one embodiment, a tripod head panel device includes a tripod head panel and a snap-fit plate removably mounted on the tripod head panel. The tripod head panel includes a fixed plate, a moveable plate mounted underneath the fixed plate, and a driving plate mounted underneath the moveable plate. The fixed plate includes a supporting base plate and a first retaining wall protruding upward from the supporting base plate. The moveable plate includes a supporting base plate and a second retaining wall protruding upward from the supporting base plate of the moveable plate. The moveable plate is provided with a driving hole. The driving plate includes a base mounted underneath the moveable plate and a handle extending from an end of the base, while an eccentric cam formed on the seat is provided inside the driving hole. The snap-fit plate is mounted on the supporting base plate of the moveable plate, and is provided between the first and the second retaining walls.
The tripod head panel device described herein is simple in structure, quick to install, and is reliable. Therefore, it is easy to fix a camera or other equipment onto the tripod head panel.
figref[FIG. 1] is a perspective view of the tripod head panel device of one embodiment of the present invention.
figref[FIG. 2] is a perspective view of the tripod head panel device of figref[FIG. 1] viewed from another direction.
figref[FIG. 3] is an exploded view of the tripod head panel of the tripod head panel device of the present invention.
figref[FIG. 4] is a perspective view of the tripod head panel of figref[FIG. 3] viewed from another direction.
figref[FIG. 5] is an assembly view of the tripod head panel of the tripod head panel device of one embodiment of the present invention.
figref[FIG. 6] is the moving principle of the snap-fit plate of the tripod head panel device of one embodiment of the present invention.
figref[FIG. 7] is a perspective view of the snap-fit plate of the tripod head panel device of one embodiment of the present invention.
figref[FIG. 8] is an exploded view of the snap-fit plate of figref[FIG. 7] .
figref[FIG. 9] is an exploded view of the snap-fit plate of figref[FIG. 7] viewed from another direction.
figref[FIG. 10] is the moving process of the snap-fit plate of figref[FIGS. 7-9] .
The invention is best understood by reference to the following description taken in conjunction with the accompanying drawings.

The structure of the tripod head panel 100 and the snap-fit plate 200 will now be described.
Referring to figref[FIGS. 3-6] , the tripod head panel 100 includes a fixed plate 102, a movable plate 104 mounted at the bottom of the fixed plate 102 which can elastically slide on the tripod head panel 100, and a driving plate 106 rotatably mounted at the bottom of the movable plate 104, so as to facilitate the movable plate 104 to slide on the fixed plate 102.
The fixed plate 102 includes a supporting base plate 1022 supporting the snap-fit plate 200, and a first retaining wall 1024 protruding upward from an edge of the supporting base plate 1022. An axle hole 10222 is provided at the center of the supporting base plate 1022. A plurality of guiding grooves 10224, such as two, are provided on the side of the supporting base plate 1022 which is opposite the first retaining wall 1024, so as to guide the movable plate 104 to slide with respect to the fixed plate 102. A positioning column 10228 is formed by extending downward from the center at the bottom of the supporting base plate 1022, and the axle hole 10222 passes through the positioning column 10228. In addition, a pair of slide grooves 10226 are provided on the bottom of the supporting base plate 1022 to further guide the movable plate 104 to slide with respect to the fixed plate 102. Furthermore, a first spine 10242 is formed on the first retaining wall 1024 (referring to figref[FIG. 5] ).
The movable plate 104 includes a supporting base plate 1042 supporting the snap-fit plate 200, and a second retaining wall 1044 protruding upward from an edge of the supporting base plate 1042. A driving hole 10424 is provided at the center of the movable plate 104, configured to allow the proper components of the driving plate 106 to rotate eccentrically inside. In addition, two sides of the end of the movable plate 104 opposite the second retaining wall 1044 extend upwards, respectively, forming slide blocks 10422 that fit the slide groove 10226 of the fixed plate 102. A second spine 10446 is further formed in the second retaining wall 1044 (referring to figref[FIG. 5] ). A guide block 10448 fitting the guiding grooves 10224 of the fixed plate 102 is formed on the second retaining wall 1044 by extending upward horizontally. In addition, a notch 10442 is provided downwardly at the bottom of the second retaining wall 1044. The notch 10442 protrudes downward to form a lock column 10444.
The detailed structure of the driving plate 106 will now be described. The driving plate 106 is rotatably mounted at the bottom of the movable plate 104. The movable plate 104 can slide with respect to the fixed plate 102 by turning the driving plate 106. The driving plate 106 includes a base 1062 and a handle 1066 extending from one end of the base 1062. An eccentric cam 1064 is formed on the base 1062, which can eccentrically rotate inside the driving hole 1062 of the movable plate 104 (referring to figref[FIGS. 3 and 6] ). A perforation 1067 corresponding to the axle hole 10222 of the fixed plate 102 is provided longitudinally on the eccentric cam 1064. A through hole 1061 is provided longitudinally on the handle 1066, which can be passed through by a lock pin 1063. The lock pin 1063 can be rotatably mounted on the handle 1066 by a dowel pin 1065 that longitudinally passes through the lock pin 1063.
The fixed plate 102 is positioned on the supporting base plate 1042 of the movable plate 104. The slide blocks 10422 of the movable plate 104 are respectively arranged in the corresponding slide grooves 10226 of the fixed plate 102. The guide block 10448 of the movable plate 104 is inserted into corresponding guiding groove 10244 of the fixed plate 102. The first retaining wall 1024 of the fixed plate 102 and the second retaining wall 1044 of the movable plate 104 are parallel to each other, forming a gap of certain width between the first and second retaining walls 1024 and 1044, so as to mount the snap-fit plate 200 therebetween. The driving plate 106 is arranged at the bottom of the movable plate 104. The eccentric cam 1064 of the driving plate 106 is eccentrically arranged in the driving hole 10424 of the movable plate 104.
In addition, the positioning column 10228 of the fixed plate 102 inserts into the perforation 1067 of the eccentric cam 1064 and finally inserts into the perforation 1067 of the driving plate 106. A pair of screw rods 108 respectively pass through the first retaining wall 1024 of the fixed plate 102 and the corresponding guiding groove 10224, then abut on corresponding guide block 10448 of the movable plate 104. An extension spring 101 is formed on each screw rod 108. When the spring 101 is stretched, there is a tendency between the fixed plate 102 and the movable plate 104 to approach each other.
The fixed plate 102, the movable plate 104, and the driving plate 106 are fixed in this manner: first, the screw 103 extends and passes through the axle hole 10222 of the fixed plate 102 and protrudes outward from the bottom of the driving plate 106; then, the nut 105 is fixed on the screw 103, such that the fixed plate 102, the movable plate 104, and the driving plate 106 are fixed with each other.
The operation principle of the tripod head 100 will now be described. Referring to figref[FIG. 6] , when the eccentric cam 1064 is not in touch with the driving hole 10424, the distance between the fixed plate 102 and the movable plate 104 is the smallest. When turning the driving plate 106 along direction II, the eccentric cam 1064 drives the movable plate 104 toward the right, so as to allow the movable plate 104 and the fixed plate 102 to move further away from each other, thereby increasing the distance between the first retaining wall 10242 and the second retaining wall 10446. At the moment, the snap-fit plate 200 can be easily positioned between the two retaining walls. When turning the driving plate 106 along direction I, the eccentric cam 1064 drives the movable plate 104 toward the left, so as to allow the movable plate 104 to become closer to the fixed plate 102. At the moment, the snap-fit plate 200 can be tightly fixed between the two retaining walls, thereby preventing the snap-fit plate 200 from becoming loose and falling down.
To prevent the driving plate 106 from turning back to its previous position after rotating a certain angle, the driving plate 106 can be locked. Specifically, by pulling the dowel pin 1065 onto the slope 1068, the lock pin 1063 will protrude downwards, so as to allow the lock pin 1063 to be inserted into the notch 10442 of the movable plate 104, thereby preventing the driving plate 106 from being rotated. By reverse operation, the locking can be released.
A through hole 1061 is provided longitudinally in the handle 1066 for passing through a lock pin 1063. The lock pin 1063 can be rotatably mounted on the handle 1066 by a dowel pin 1065 longitudinally passing through the lock pin 1063. In addition, a slope 1068 is formed at the bottom of the handle 1066.
The structure of the snap-fit plate 200 will now be described. Referring to figref[FIGS. 7-10] , the snap-fit plate 200 includes a slide seat 202, a pair of limiting bars 206 mounted on two sides of the slide seat 202 and a slider 204 capable of sliding on the slide seat 202 provided between the limiting bars 206.
Flanges 2022 are formed by the two longitudinally protruding edges of the slide seat 202. Longitudinally extending slideways 2026 are formed inside the flanges 2022. Each of the slideways 2026 corresponds respectively to the first and second spines 10242 and 10446 of the head panel 100. The slide seat 202 is provided on the supporting base plate 1022 of the fixed plate 102 of the tripod head panel 100, and the first and second spines 10242 and 10446 of the tripod head panel 100 are respectively fitted into corresponding slideways 2026, such that the snap-fit plate 200 can slide on the head panel 100.
A fixing hole 2024 is provided at the center of the slide seat 202, and a first groove 2028 is provided longitudinally at the back end of the slide seat 202. A first limiting block 2021 is formed at the end of the first groove 2028. In addition, the head of the slide seat 202 is bent to form a hook 2023.
The two limiting bars 206 are fixed in the inner side of the flanges 2022 of the slide seat 202 respectively, for example, by the screws 2031. A step 2026 is provided longitudinally at the bottom of each limiting bar 206. In addition, one of the limiting bars 206 is provided with a slot 2064 at the bottom.
A longitudinally extending slide hole 2042 is provided at the center of the slider 204. A plate-locking slot 2046, corresponding to the slot of one of the limiting bars 206 with a locking plate 207 capable of horizontally sliding set inside, is formed in the head of the slider 204. In addition, a second groove 2048, which corresponds to the first groove 2028 of the slide seat 202, is provided at the bottom of the slider 204. A second limiting block 2041 is formed at the end of the second groove.
In addition, slide rails 2044 corresponding to the steps 2026 of the limiting bars 206 are formed on both sides of the slider 204. The slider 204 is provided on the slide seat 202 between the two limiting bars 206. The two slide rails 2044 of the slider 204 are respectively provided between the two steps 2062 of the limiting bars 206, so as to allow the slider 204 to move longitudinally relative to the slide seat 202. The limit column 201 passing through the slide hole 2042 of the slider 204 is fixed in the fixing hole 2024 of the slide seat 202, so as to limit the longitudinal moving range of the slider 204.
Preferably, in order to get back to its original position after the slider 204 has moved a given distance, a pressure spring 209 may be mounted between the first limiting block 2021 and the second limiting block 2041. The pressure spring 209 may be arranged between the space defined both by the first groove 2028 and the second groove 2048.
Preferably, in order to limit the slider 204 in a certain position, the locking plate 207 in the locking-plate slot 2046 can be turned into the slot 2064 of the limiting bar 206.
Furthermore, a retaining ring 208 can be fitted into the hook 2023 of the slide seat 202.


--- layout: post title: 'O2 strikes deal with DoCoMo - and Tomi Ahonen explains what they''re actually getting (scro' date: 2004-11-30 00:00:00 category: links ---


RT @hone02: Here are my mruby-cli slides at #eurucamp, https://speakerdeck.com/hone/mruby-a-packaging-story-filled-with-freedom-eurucamp-2015. Go d/l the binary https://github.com/hone/mruby-cli/releases and build some CL…
8/2/2015, 4:08:17 AM
Favs: 0
Retweets: 0
link


Who we are
To create an application that would help represent employability as a quantifiable factor.
You can know how employable they are in the current competitive scenario.
We recommend positions and jobs student should pursue and courses or tools to master in that domain.


Lorem ipsum represents a long-held tradition for designers, typographers and the like. Some people hate it and argue for its demise, but others ignore.
Apple Banana updated exam to your calendar
Add New Activity
Recent Activity
Lorem ipsum represents a long-held tradition for designers, typographers and the like. Some people hate it and argue for its demise, but others ignore.
Lorem ipsum represents a long-held tradition for designers, typographers and the like. Some people hate it and argue for its demise, but others ignore.
Mathamethic
Raw denim you probably haven't heard of them jean shorts Austin. Nesciunt tofu stumptown aliqua butcher retro keffiyeh dreamcatcher synth. Cosby sweater eu banh mi, qui irure terr.
Client Company Deveint Inc
Project Leader Tony Chicken


Using the gyrokinetic theory and taking the drift-kinetic limit, the perturbed perpendicular electron ﬂow, δVe⊥, is written (see Sec. C or Appendix in Yang Chen’s paper[2])
|
| (329) |
where ne0 is the equilibrium electron number density, δpe⊥ is the perturbed perpendicular pressure of electrons.
Drift kinetic equation is written
|
| (330) |
where f = f(x,μ,v∥,t), μ = mv⊥2∕B0 is the magnetic moment, = b + δB⊥∕B0, b = B0∕B0 is the unit vector along the equilibrium magnetic ﬁeld, vD = vD(x,μ,v∥) is the guiding-center drift in the equilibrium magnetic ﬁeld. δE and δB are the perturbed electric ﬁeld and magnetic ﬁeld, respectively.
Multiplying the drift kinetic equation () by v∥ and then integrating over velocity space, we obtain
|
| (331) |
which can be written as
|
| (332) |
Using dv = B−12πmdv∥dμ, the last term on the RHS of the above equation is written
|
| (335) |
Using Eq. () in Eq. (), we obtain
|
| (336) |
————–
|
| (337) |
ddddd


**/target/surefire-reports/TEST-*.xml, **/target/failsafe-reports/TEST-*.xml
reports/jacoco.exec
**/TestResults/*.xml


--- layout: post title: Coding best practices tags: [] status: draft type: post published: false meta: {} ---
comment your code
adhere to standards
do cross browser testing
level the playing field by agreeing with the client which browsers to develop for
validate input, be sure to be extremely strict about validation for example when numbers are required then filter everything but 0-9, and not a-z, because that would still allow for A-Z, punctuation and white space.
See here for info: http://m.bacarella.com/papers/secsoft/html/ This should help limit cross browser scripting. Check here for more info: http://www.cert.org/advisories/CA-2000-02.html
table rendering can be sped up by using the following CSS1 declaration:

happy
happy
happy

Furthermore when working with CSS be sure not to use "_" in your style names, some borwsers will not parse this. And the validator returns an error until you fix it.
From webreference: http://www.webreference.com/programming/optimize/speedup/chap10/3/
Use switch statements where ever possible, because if/else needs to evaluate each condition (i.e. each if statement), where as with switch statements no evaluation is required.
Reverse loops can be twice as fast as normal loops. So instead of counting up (i++), consider counting down (i--)
Also should you be doing any kind of calculation in your loops, consider moving it out of the loop. So instead of this:
for (i=0;i
j+=i*d;
}
Do this:
d=Math.sqrt(y);
for (i=0;i
}
This technique here proved to be the fastest: Flipped Loop with Optimized Reverse Count
function loopDoWhileReverse3() {
var i=iter;
do
{
// do something here
}
while (--i);
}
do.. while loops are generally considered faster than for loops.
Check out more on Duff's device
If you have two loops that follow the same number of iterations and are clsoe together fuse them together so instead of this:
for (i=0; i
}
for (i=0; i
}
Do this:
for (i=0; i
prodfoo *= foo(i);
}
Credit Card number validation formula http://www.webreference.com/programming/carts/chap7/3/
Two ways to improve your database security. If you are using ColdFusion validate your input into SQL queries by way of the <cfqueryparam> paramater for <cfquery>. This helps validate the data to a strict expected type and will abort if the supplied information doesn't match. Another way and possibly better is to move this kind of checking to the database. Set up different user types that have different access privileges and hence can't execute statements like drop if say display queries are run based on URL IDs. This is pretty secure and also moves the processing to the database rather than burdening the application server further.


Status 55 |
|
Customers, 55 years of age
or better, and their spouse on joint accounts, enjoy a complimentary
MetroChequing CLASSIC package plus a host
of other financial bonuses and discounts.
The Status 55 package includes:
|
For a host of other popular banking services, we offer our MetroChequing Prestige account at half-price for Status 55 customers. With our MetroChequing PRESTIGE account, we waive all MetroSavings and US Dollar account transaction charges. Other benefits include free cancelled cheque return, a preferential rate of exchange on American Express Travelers Cheques drawn on US funds, free use of the Interac ABM and Direct Payment networks, free Canadian drafts, free mortgage renewal, $10 off a safety-deposit box, and much, much more. |
Consider this account if:
|
Copyright © Surrey Metro Savings September 6, 1996


The Learning Choice Academy—a San Diego public charter home–school, came to us for an update to their website that was outdated and buggy. The goal of the project was to create an experience that promotes an engaging atmosphere, while providing a sense of safety, information about the charter homeschool experience, and motivating students to succeed.
I worked as the primary designer on the project. I worked with 1 other designer who assisted in design/project management and a developer.
To learn more about TLC's specific needs, and to set goals for the user experience design we conducted qualitative research. We conducted phone interviews and administered a survey via Survey Monkey via their current website. We interviewed 12 stakeholders including staff and teachers. We collected 42 survey responses and heard from parents, teachers, and students.
From our stakeholder interviews we learned that they used the site for
From our survey we learned that users were on the website for
From our research we put together 3 different user personas.
From these personas we identified 3 possible user journeys.
Our research helped define the most important pages of TLC's website; The ones we would spend the most time on in the design phase.
Overall, the website redesign improved site navigation and discoverability. The design allowed TLC to regularly update content for events and blog posts, making the website more valuable to students and parents on a regular basis. The design mimics the fun, yet structured elements of the charter homeschool experience.
View it live


---
title: Arora
category: Hidden
order: 799
---
How to add DuckDuckGo to Arora:
- Click the magnifying glass in the search bar (upper right).
- Click Add DuckDuckGo (bottom).
- Click Yes.
- Click the magnifying glass again.
- Select DuckDuckGo from the drop down.


{% extends "layout.html" %} {% block page_title %} Question page {% endblock %} {% block content %} Back Are you building a new service? Are you building a new service? Yes No - we are looking to move an existing service on to the PaaS or Don't know Skip this question {% endblock %}
or


[gecode-users] Finding gecode with a build system
Guido Tack
tack at gecode.org
Wed Nov 17 08:20:49 CET 2010
Hi,
we actually removed support for pkg-config a while ago, because it didn't work very well across all the platforms we support. Currently, there is no standard way to find the Gecode installation.
Cheers,
Guido
Gustavo A. Gómez Farhat wrote:
> Dear Richard, Gecode supports pkg-config, so you can run, for example, `pkg-config --libs gecode` to output all linker flags.
>
>
> On Tue, Nov 16, 2010 at 8:06 PM, Richard Connon <conan at irconan.co.uk> wrote:
> Does gecode provide any way to find it on a system with a build system (eg. pkg-config script, gecode-config bash script or similar)?
>
> _______________________________________________
> Gecode users mailing list
> users at gecode.org
> https://www.gecode.org/mailman/listinfo/gecode-users
>
>
>
> --
> Gustavo Andrés Gómez Farhat
> Webmaster y Laboratorista
> Departamento de Ciencias e Ingeniería de la Computación
> Pontificia Universidad Javeriana
> Cali
> _______________________________________________
> Gecode users mailing list
> users at gecode.org
> https://www.gecode.org/mailman/listinfo/gecode-users
--
Guido Tack, http://people.cs.kuleuven.be/~guido.tack/
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://www.gecode.org/pipermail/users/attachments/20101117/ea3d6703/attachment.htm>
More information about the users
mailing list


Summary of Projects
Updated 30/10/2016
| Title | Recent work | Tasks to do | Estimated completion date |
|---|---|---|---|
| CO2 in CPB | Recruitment: 23/30 | Finish recruitment | By 23/12/16 |
| Redraft and submit | By 30/1/17 | ||
| NIRS in CSurg Review | 2nd draft completed | 3rd/Final drafting and submit | By 11/11/16 |
| LABMET | Preliminary stats done | Sensitivity analyses | By 11/11/16 |
| CAF/CBF Review | Stats done | PROSPERO registration | By 2/11/16 |
| First draft | By 25/11/16 | ||
| STOIC | Data received | Liver data cleaning/stats | By 18/11/16 |
| Coordinate data collection | By 4/11/16 | ||
| PCC | Data collection | Reorganise data/Stats | By 25/11/16 |
| Redraft | By 23/12/16 |
{% for post in site.posts %}
{% if post.project %}
-
{{ post.title }}
{{ post.excerpt }}
Read More


Display a List of Search Results¶
This sample is an implementation sample of the tag file that displays a list of search results.
Delivery package¶
The sample is provided in the following package.
resources/META-INF/tags/listSearchResult
Summary¶
An implementation sample of the tag file that displays a list of search results is provided in this section. The tag file provides the following functions together with the search function by the Universal DAO.
- Function for displaying the number of search results
- Function for displaying the search results by the specified number of results (hereinafter referred to as paging)
An example of the output on the list screen is shown below.
Structure¶
Shows the sample structure.
Class diagram¶
The application programmer can implement paging without implementing the details since the classes provided by the framework and the tag files provided by the sample perform the processing required for paging.
Responsibilities of the classes and tag files provided by the framework¶
a) Framework
Class name Summary UniversalDao Provides general-purpose DAO functionality. Please refer to Universal DAO for basic usage. ListSearchInfo Abstract class that holds information for list search. Pagination A concrete class that inherits from ListSearchInfo. EntityList A holding class for the result list returned from a UniversalDao.
b) Tag file
Tag name Summary listSearchResult Tag that displays the list of search results. listSearchPaging Tag that outputs paging. listSearchSubmit Tag that outputs the paging submit element. table Tag that outputs a table.
UniversalDao class¶
UniversalDao class has an API that returns multiple search results as an EntityList. See Paging when using the paging feature.
ListSearchInfo class¶
ListSearchInfo class is an abstract class that holds list search information. Fields and accessor methods such as number of pages for pagination and number of items matching search conditions are defined in this class. See nablarch.core.db.support.ListSearchInfo for details.
Pagination class¶
Pagination class inherits ListSearchInfo and is used to refer to pagination information.
EntityList class¶
EntityList class is the holding class of result list returned from UniversalDao. Inherits the java.util.ArrayList and has an instance of the Pagination class in the field.
listSearchResult tag¶
The listSearchResult tag tag displays the list of search results. The screen elements output by the listSearchResult tag are shown below.
Main attributes of the listSearchResult tag¶
The main attributes of the listSearchResult tag are shown below. For more information on all the attributes, see listSearchResult tag.
If the search result specified by the resultSetName attribute does not exist in the request scope, the listSearchResult tag will not output anything. This corresponds to the case where the initial display of the search screen does not output anything.
| Attribute | Description |
|---|---|
| Overall | |
| listSearchInfoName | Name used to acquire ListSearchInfo from the Request scope. If not specified, “Number of search results” and “Paging” are not displayed. Do not specify when displaying only a list such as batch deletion confirmation screen. |
| searchFormName | Name used to acquire search form from the Request scope. The search form holds search criteria and page numbers for paging. |
| Search result list | |
| useResultCount | Whether to display the number of search results. Default is true. |
| Paging | |
| usePaging | Whether to display paging. Default is true. |
| searchUri | URI to use for the paging submit element. Must be specified when paging is displayed. |
| Search result | |
| resultSetName (required) | The name to use when retrieving Universal DAO search results from the request scope. The search results also include the number of pages for pagination and the number of items that match the search conditions. |
| headerRowFragment | JSP fragment of the header row. For more information on the header row, see Search result |
| bodyRowFragment | JSP fragment for the body row. For information on the body row, see Search result |
Search result list¶
The number of search results is displayed when true (default is true) is specified in the useResultCount attribute and the search results exist in the request scope. By default, the number of search results is output in the following format.
Search results <%-- resultCount property of pagination --%>Record
To change the default format, specify the JSP fragment in the resultCountFragment attribute. An example of specifying the resultCountFragment attribute is shown below.
<app:listSearchResult resultSetName="searchResult" useResultCount="true">
<%-- Specify the JSP fragment in the resultCountFragment attribute. --%>
<jsp:attribute name="resultCountFragment">
[Search results <n:write name="searchResult.pagination.resultCount" />page]
</jsp:attribute>
<%-- Other attributes are omitted. --%>
</app:listSearchResult>
The format for the number of search results after the specification mentioned above is as follows.
[Search results <%-- resultCount property of pagination --%> page]
Paging¶
Paging is displayed when the usePaging attribute is specified as true (the default is true).
When using the paging function, implement so that the form specified by searchFormName receives the page number with the name pageNumber. Examples are shown below.
public class ProjectSearchForm {
@Required
@Domain("pageNumber")
private String pageNumber;
public String getPageNumber(){
return this.pageNumber;
}
public String getPageNumber(){
return this.pageNumber;
}
public void setPageNumber(String pageNumber){
this.pageNumber = pageNumber;
}
// Omit other attributes.
}
The paging screen elements are shown below. Paging consists of the current page number and the submit elements for moving the page.
The entire paging is displayed when the number of search results is 1 or more. Assuming that the entire paging is displayed, the paging screen elements are as shown below.
| Paging screen element | Description |
|---|---|
| Current page number | The current page number is displayed when true is specified in the useCurrentPageNumber attribute. |
| First, Previous, Next, Last | If it is possible to transition from the current page number to the page indicated by each screen element, it will be displayed in a state where it can be submitted. If transition is not possible, a link is displayed as a label. |
| Page number | All page numbers (1..n) are displayed only when the total number of pages is 2 or more. |
The typical attributes that can be specified by the paging screen elements are as follows. For more information on all the attributes, see listSearchResult tag.
- Whether or not each screen element can be used
- Label for each screen element (such as first, previous, next, last)
- Current page number that is changed by the JSP fragment
- Page numbers that cannot be changed because they use the page number for the label
Search conditions when paging
Search conditions for paging can be realized by constructing a URI with search conditions set as parameters and passing it to the searchUri attribute. An example of specifying a project name as a search condition is shown below.
<%@ taglib prefix="c" uri="http://java.sun.com/jsp/jstl/core" %>
<%@ taglib prefix="app" tagdir="/WEB-INF/tags/listSearchResult" %>
<%-- Register the URI that has the search condition used to display the current search result as a parameter in the page scope as a variable.
This variable is used as URI for paging of <app:listSearchResult> tag. --%>
<c:url value="/action/project/list" var="uri" context="/">
<%-- Set the project name obtained from the search form. --%>
<c:param name="searchForm.projectName" value="${searchForm.projectName}"/>
</c:url>
<%-- Pass it to the searchUri attribute. --%>
<app:listSearchResult resultSetName="searchResult" searchUri="${uri}"
<%-- Omit other attributes. --%>
What to do when search results are reduced when using paging
This section describes what to do when the search results are reduced due to other user operations while switching the search result page with each paging submit element.
This framework performs a search based on the specified page number and displays each paging screen element. The following is an example of the paging operation when the number of search results is reduced.
As a prerequisite, the number of acquired search results (number displayed per page) is 20 results.
First, assume that a search is performed and the search results are 44 results. Below is the paging display after the third page is selected.
Next, a description of the paging display and the display contents when “Previous” is selected with the number of search results reduced to 10 will be described. Each paging screen element is displayed as a search result for the second page.
| Paging screen element | Description of the contents displayed |
|---|---|
| Current page number | Since the second page has been specified and the search results are 20 results or less, it becomes page 2/1 (2 of 1). |
| First, Previous | Since there are currently 10 search results on the second page, it is possible to move to the previous page which is displayed as a link. |
| Next, Last | Since there are currently 10 search results on the second page, it is not possible to move to the next page which is displayed as a label |
| Page number | The page number is not displayed since there are 10 search results and the total number of pages is 1. |
Since the current page number and the submit element correspond to each other, it is possible to move to the search results page by selecting the submit element without it becoming inoperable. (Of course, if you perform a search again from the search form, the search results will be from the first page.)
The paging display after selecting “Previous” is shown next. The correspondence between the current page number and the total number of pages returns to normal.
Search result¶
The screen elements of the search result are shown below. The search result consists of a header row that displays column headings, and a body row that displays row data.
The search results are always displayed when they are in the request scope. When the search result is 0, only the header row is displayed.
The header row and body row are specified in the headerRowFragment attribute and bodyRowFragment attributes in the JSP fragment. The JSP fragment in the body row is called and evaluated in the search result loop (c:forEach tag of JSTL). Hence, the following attributes are provided to access the row data (var attribute of the c:forEach tag) and status (status attribute of the c:forEach tag) in the JSP fragment of the body row.
| Attribute | Description |
|---|---|
| varRowName | Variable name used when referring to row data (var attribute of the c:forEach tag) in the body row fragment. Default is “row”. |
| varStatusName | Variable name used when referring to the status (status attribute of the c:forEach tag) in the body row fragment. Tip When accessing the status using the n:write tag, an error occurs and the value cannot be obtained since the access method differs between the n:write tag and the EL expression. This error can be avoided by using the n:set tag to access the status.An example of its use is shown below. <n:set var="rowCount" value="${status.count}" />
<n:write name="rowCount" />
|
| varCountName | Variable name used when referring to the count property of the status (status attribute of the c:forEach tag). Default is “count”. |
| varRowCountName | Variable name used when referring to the search result count (start position of search result acquisition + status count). Default is “rowCount”. |
In addition, the following attributes are provided in the body row that specify the class attribute for changing the background color of every other row.
| Attribute | Description |
|---|---|
| varOddEvenName | Variable name used when referring to the class attribute of the body row. This variable name is used to change the value of the class attribute every other row. Default is “oddEvenCss”. |
| oddValue | The class attribute to use for odd lines of body. Default is “nablarch_odd”. |
| evenValue | The class attribute to use for even lines of body. Default is “nablarch_even”. |
An example of project search specifications is shown below. The tag file prefix should be app.
<app:listSearchResult resultSetName="searchResult">
<%-- JSP fragment specification for header line. --%>
<jsp:attribute name="headerRowFragment">

Project id
Project name
Project type
Start date
End date

</jsp:attribute>
<%-- Body line JSP fragment specification. --%>
<jsp:attribute name="bodyRowFragment">

<%-- Access the row data using the default variable name "row". --%>
<n:a href="/action/project/show/${row.projectId}">
<n:write name="row.projectId"/>
</n:a>

<n:write name="row.projectName" />

<c:forEach var="projectType" items="<%= ProjectType.values() %>">
<c:if test="${projectType.code == row.projectType}">
<n:write name="projectType.label" />
</c:if>
</c:forEach>

<n:write value="${n:formatByDefault('dateTime', row.projectStartDate)}" />

<n:write value="${n:formatByDefault('dateTime', row.projectEndDate)}" />

</jsp:attribute>
</app:listSearchResult>
The search results after the above specifications are shown below.
How to import a sample implementation (tag file) into the business application¶
Place the listSearchResult package in the business application as follows.
- Copy from
- META-INF/tags/listSearchResult
- Copy to
- /WEB-INF/tags directory of the business application
Tag Reference¶
listSearchResult tag¶
The listSearchResult tag displays a list of search results. The attributes for each screen element are shown below.
| Attribute | Description |
|---|---|
| Overall | |
| listSearchResultWrapperCss | Class attribute of the div tag that wraps the entire table with paging (number of search results, paging, search results). Default is “nablarch_listSearchResultWrapper”. |
| listSearchInfoName | Name used to acquire search form from the Request scope. Search forms hold page numbers for search criteria and paging. Do not specify when displaying only a list such as batch deletion confirmation screen. |
| Search result list | |
| useResultCount | Whether to display the number of search results. Default is true. |
| resultCountCss | Class attribute of the div tag that wraps the number of search results. Default is “nablarch_resultCount”. |
| resultCountFragment | JSP fragment that outputs the number of search results. Default is “search results <resultCount property of pagination> record”. |
| Paging | |
| usePaging | Whether to display paging. Default is true. |
| pagingPosition | The display position of paging. Specify one of the following. top(top only) bottom(bottom only) both(both) none(no display) Default is top. |
| pagingCss | Class attribute of the div tag that wraps the entire paging submit elements (previous, next, etc.). Default is “nablarch_paging” |
| searchUri | URI to use for the paging submit element. Must be specified when paging is displayed. |
| Attribute | Description |
|---|---|
| Current page number | |
| useCurrentPageNumber | Whether to use the current page number. Default is true. |
| currentPageNumberCss | Class attribute of the div tag that wraps the current page number. Default is “nablarch_currentPageNumber”. |
| currentPageNumberFragment | JSP fragment that outputs the current page number. Default is “[<currentPageNumber property of pagination>/<pageCount property of pagination>page]”. |
| First | |
| useFirstSubmit | Whether to use the submit to move to the first page. Default is false. |
| firstSubmitCss | Class attribute of the div tag that wraps the submit for moving to the first page. Default is “nablarch_firstSubmit”. |
| firstSubmitLabel | Label used by the submit for moving to the first page. Default is “First”. |
| firstSubmitName | Name attribute of the tag used by the submit for moving to the first page. Default is “firstSubmit”. Outputs by adding the suffix (upper side is “_top” and lower side is “_bottom”) indicating the display position of paging. For example, if the default and display position is upper, it will be “firstSubmit_top”. |
| Previous | |
| usePrevSubmit | Whether to use the submit to move to the previous page. Default is true. |
| prevSubmitCss | Class attribute of the div tag that wraps the submit for moving to the previous page. Default is “nablarch_prevSubmit”. |
| prevSubmitLabel | Label used by the submit for moving to the previous page. Default is “Previous”. |
| prevSubmitName | Name attribute of the tag used by the submit for moving to the previous page. Default is “prevSubmit”. Outputs by adding the suffix (upper side is “_top” and lower side is “_bottom”) indicating the display position of paging. For example, if the default and display position is upper, it will be “firstSubmit_top”. |
| Page number (label is not specified since the page number is used as a label) | |
| usePageNumberSubmit | Whether to use the submit to moves to the page specified by the page number. Default is false. |
| pageNumberSubmitCss | Class attribute of the div tag that wraps the submit for moving to the page specified by the page number. Default is “nablarch_pageNumberSubmit”. |
| pageNumberSubmitName | Name attribute of the tag used by the submit for moving to the page specified by the page number. Default is “pageNumberSubmit”. Outputs by adding the page number and suffix (upper side is “_top” and lower side is “_bottom”) indicating the display position of paging. For example, if the default and display position is upper and the page number is 3, it will be ” pageNumberSubmit3_top”. |
| Next | |
| useNextSubmit | Whether to use the submit to move to the next page. Default is true. |
| nextSubmitCss | Class attribute of the div tag that wraps the submit for moving to the next page. Default is “nablarch_nextSubmit”. |
| nextSubmitLabel | Label used by the submit for moving to the next page. Default is “Next”. |
| nextSubmitName | Name attribute of the tag used by the submit for moving to the next page. Default is “nextSubmit”. Outputs by adding the suffix (upper side is “_top” and lower side is “_bottom”) indicating the display position of paging. For example, if the default and display position is upper, it will be “nextSubmit_top”. |
| List | |
| useLastSubmit | Whether to use the submit to move to the last page. Default is false. |
| lastSubmitCss | Class attribute of the div tag that wraps the submit for moving to the last page. Default is “nablarch_lastSubmit”. |
| lastSubmitLabel | Label used by the submit for moving to the last page. Default is “List”. |
| lastSubmitName | Name attribute of the tag used by the submit for moving to the last page. Default is “lastSubmit”. Outputs by adding the suffix (upper side is “_top” and lower side is “_bottom”) indicating the display position of paging. For example, if the default and display position is upper, it will be “lastSubmit_top”. |
| Attribute | Description |
|---|---|
| Search result | |
| showResult | Whether to display search results. Default is true. |
| resultSetName(required) | The name to use when fetching Universal DAO search results from the request scope. The search results also include the number of pages for pagination and the number of items that match the search conditions. |
| resultSetCss | Class attribute of the search result table. Default is “nablarch_resultSet”. |
| headerRowFragment | JSP fragment of the header row. |
| bodyRowFragment | JSP fragment for the body row. |
| varRowName | Variable name used when referring to row data (var attribute of the c:forEach tag) in the body row fragment. Default is”row”. |
| varStatusName | Variable name used when referring to the status (status attribute of the c:forEach tag) in the body row fragment. Tip When accessing the status using the n:write tag, an error occurs and the value cannot be obtained since the access method differs between the n:write tag and the EL expression. This error can be avoided by using the n:set tag to access the status.An example of its use is shown below. <n:set var="rowCount" value="${status.count}" />
<n:write name="rowCount" />
|
| varCountName | Variable name used when referring to the count property of the status (status attribute of the c:forEach tag). Default is “count”. |
| varRowCountName | Variable name used when referring to the search result count (start position of search result acquisition + status count). Default is “rowCount”. |
| varOddEvenName | Variable name used when referring to the class attribute of the body row. This variable name is used to change the value of the class attribute every other row. Default is “oddEvenCss”. |
| oddValue | The class attribute to use for odd lines of body. Default is “nablarch_odd”. |
| evenValue | The class attribute to use for even lines of body. Default is “nablarch_even”. |


1 point for every item checked.
- Dairy turns your insides into a volcano.
- Alcohol makes you glow like a tomato.
- Shoes are taken off when entering the house.
- There's plastic wrap around your remote.
- A rice cooker is as essential as a microwave.
- There's a drawer full of exotic spices and flavors in your kitchen.
- The real party starts when the karaoke machine is on.
- You have a porcelain tea set that you never use.
- You drive a Honda, Toyota, Hyundai, or Subaru.
- You currently have Hennessy at the house.
- You flex luxury brands (Gucci, Supreme, LV, Etc…)
- You have/had a bowl cut.
- Giant fuzzy asian blankets are the only things that kept you warm at night.
- You have a glass table at home.
- You hoard free stuff from hotels and restaurants.
- Plastic bags are stashed in a cabinet somewhere in the kitchen.
- The dishwasher is used as a drying rack.
- Your parents used this when ever you were sick, sore, or any other ailment.
- You can play an instrument.
- You can play a racket sport (Pingpong, Tennis, Badminton, etc…)
- You have watched anime.
- You know the lyrics to most of the songs in Mulan.

- You can Asian squat.
- You have tried a Korean face mask.
- You can fold some kind of Origami.
- You can do martial arts.
- There's some sort of pickled vegetable in the fridge.
- Your country's noodle soup is the greatest.
- You're powered by Boba
- Animal heads are eaten, not feared.
- You'll go to a restaurant where you have to cook your own food.
- Every part of the animal can be eaten (feet, tongue, intestine, etc...)
- Seafood is the superior protein.
- You can handle spicy foods.
- The smell of Durian isn't a warning, it's an invitation.
- You don't take the last piece of food out of respect.
- You can speak more than one language.
- You've ordered food in your native language.
- Buffets aren't just a meal, its you vs them.
- You've snuck food out of a buffet.
- You've snuck food into a movie theater because $6 popcorn is robbery.
- Meals aren't complete without rice.

- You've actually eaten dog or cat?
- You've ever been asked "CaN yOu SpEaK aNy AsIaN?"
- You have dyed your hair before.

- You've been to a rave.
- You've vaped or juuled.
- You're family taught you how to gamble.

- You were a part of an "Asian" Student Association in school.
- You had an asian social media (WeChat, Viber, KaKao, etc..)
- You've done a peace or heart sign in a picture.
- "AZN" was ever used in a username.
- Pokemon was more than a game, it was a lifestyle.
- People think you're younger than you actually are.
- Yakult was cool before To All the Boys I Loved Before
- People thought you were related to the other asian kid at school.
- Your first or last name was mispronounced by a teacher.
- You were made fun of for bringing a "weird" lunch at school.
- People only talk about the "Mainstream" or "Weird" foods of your culture, but there's 100's of other amazing dishes that they don't know about.
- B Letter Grades bring dishonor to your family.
- Crazy Rich Asians made you emotional.
- You teach your non-Asian friends how to curse in your native language.

- You have to greet elders in native tongue when entering house.
- Parents cook in garage or outside because of the smell.
- Your parents are weirdly superstitious.
- You had to go through your parent's interrogation before you left the house.
- You get a PTSD flashback whenever you see a wooden spoon, belt, or sandal.
- You got scolded for sitting with your legs open.
- You got scolded for slouching.
- Your parents don't say sorry, they just make you food.

- Dating in high school was forbidden because you need to focus on your studies.
- Dating in college was forbidden because you need to focus on your studies.
- Your parents are on your case for being single so long. I WONDER WHY!!
- You have to translate things for your parents.
- Your parents brag about the deals they got and all the money they saved.
- Food, clothes, and shelter was your allowance as a kid.
- Your parents slapped fruit at the grocery store.
- Your parents forced you to wear traditional clothing as a kid.
- Your parents have punished you in public.
- Your parents won't let you move out.
- Your parents will move in with you after you get married.
- Tattoos must be hidden from you parents at all costs.
- You have over 8 aunts and uncles.
- Parents won't let you sleepover anywhere.
- Your parents insist on getting to the airport unnecessarily early.
- Your parent's love is conditional.
- Relatives compare you to your better looking, more successful cousin.
- Your parents don't say I love you.
- Your parents seldom show physical affection.
- You sacrificed hopes and dreams to appease parent's desire for stable career field.
- Your parents want you to marry someone in the same sulture.
- You will never be good enough in your parents' eyes.
- Your parents show love by cutting fruit for you.


None of this is meant to say that O is a total waste of time. At the very least, it's a far better film than the obtuse 1995 version of Othello, which starred Lawrence Fishburne and strayed far from the original tale but still relied on cryptic Elizabethan-era English. O is far more faithful to the original story than I would have suspected, even handling those tricky asides and character-hiding-in-a-closet scenes with aplomb. Ultimately, the source material keeps O mostly afloat, telling a unique and tragic story about how a single, well-placed rumor can ruin the life of somebody who otherwise has it made.
Mired in the "marketing violent movies to teens is bad" controversy of 1999-2000, O has been sitting on the shelf for a while, building a large volume of clips that claim it's the most violent thing since Natural Born Killers. A word to audiences -- this is far from the truth. In fact, those expecting a Columbine-style rampage (a ridiculous link which I've nonetheless found in 538 articles on Nexis.com) will be disappointed by the relatively tame ending -- comprising four gunshots and a quiet strangling.

Visit filmcritic.com on the Web at http://www.filmcritic.com
========== X-RAMR-ID: 29232 X-Language: en X-RT-ReviewID: 244232 X-RT-TitleID: 1108976 X-RT-SourceID: 178 X-RT-AuthorID: 1062 X-RT-RatingText: 3/5
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{{ partial "about.html" . }}
{{ partial "faqs.html" . }}
{{ partial "schedule.html" . }}
{{ partial "teams.html" . }}
{{ partial "registration.html" . }}
{{ partial "board.html" . }}
{{ partial "contact.html" . }}
{{ partial "shop.html" . }}


When you do business with us, we understand that we become a vital part of your product development team and you can be assured of service that warrants the trust you place in us. A member of our commercial management team will provide a consistent point of contact throughout the relationship, with a dedicated project lead assigned to each project.


| DOSE: |
7.5 mg |
smoked |
5-MeO-DMT |
(powder / crystals) |
I am a 41-year-old, 185 lb. male. Though I have once taken about 20mg of 5-meo-dmt by insufflation, the psychoactive results were negligible, so I consider the following to be an account of my first true encounter with this substance.
8:31 PM
With the aid of my sitter (call him “John”), I held the glass pipe to my lips and drew a very long, slow drag until I could hold no more. I saw a wisp of alarmingly white smoke rise from the pipe before it was blown away by the large white cloud I exhaled.
Just as John secured the pipe out of my hands, I felt the onset. I let go of the pipe, let myself fall back into John’s inordinately comfortable couch, and then, all within a matter of a few seconds, was launched into the peak experience of the trip.
Words now fail, of course, as (to a lesser extent) does my memory of these four-day-old events.
I know that I felt a tremendous surge of energy through my entire body—at first from my heart (or was it my brain) exploding out through my extremities, then imploding back—electric-chair power, it now seems. Yet, as I imploded back, it was as though I dis-integrated, got shuffled and then lost all concept of my physical body and the physical world surrounding it. Again, this is all within the first moments.
There was tremendous sound, that of a tornado or jet engine. The visuals were very jumbled, a swirling, cracked-mirror geometry with black and white and yellow and some red (the flag of Maryland in a washing machine?)—seeming to move, to radiate very fast, yet hardly to change -— mild, as hallucinatory images go.
That which was not mild in any way was the emotional-mental-spiritual effect. My entire being —- my soul, I suppose -— began to scream in anguish, in terror, in horror.  I can’t say why or how or what this was; it doesn’t translate to our consensus reality. I just know that it took me utterly and horribly. I wanted to get out of there with every fiber of my being.
After what was maybe two or three minutes of this, I came to believe that I was, in fact, in hell: Hell, the real place -— no red demons with pitchforks, no fire, no frozen lakes -— just pure, non-stop, overwhelming, spiritual torment. And it seemed to be eternal. I believed, not in the way we think normally or have a notion, but rather as an indisputable, immutable truth in the core of my small, small self, that I had made some huge mistake in my life (what?!) or bartered away my soul (these painful insights peering through the non-stop rage of the whole thing).
Then the first real-world image came through: John’s face, his eyeglasses oddly askew. He had procured and prepared the powder for me, therefore, I knew at the time, he was the devil. No . . . he was The Devil. ‘The Devil exists, and he is John. He tricked me into doing this, and now I am paying with my soul, damned to everlasting, existential torment.’
If not the Devil, then maybe some sort of vampire. I was suddenly, vaguely conscious of my body again, that I was lying back on the couch with my neck very exposed.  I still was frequently overcome by waves of terror, but the spaces in between were familiar and quiet and dark, each one blessedly longer than the last.
I noticed that my mouth was open and very dry, my throat sore. I couldn’t muster the strength —- or the know-how, for that matter -— to reach for or ask for my glass of water. This predicament got me to think about my hands and fingers, my feet (cold). I was not comfortable with my body position on the couch, but couldn’t yet move.
My heart was pounding, as was my forehead. I was inhaling vast, deep breaths, then pushing the air out with all the force I could muster -— as if I were pushing out the drug, the devil, the experience -— anything that could be pushed out.
After a few minutes I knew that I could move my left hand. Its first chore was to rub (deeply, slowly) my clenched and throbbing forehead.
The terror continued to pass. My ego came roaring back and tried to strategize its way back to ascendancy: encouraging me to lighten up (‘Hello Bedford Falls! . . . Hello, you old building and loan!’) or to analyze (‘ . . . and as to intensity, I figure that 5-meo-dmt is to LSD as LSD is to cannabis . . .’) or to become self-conscious, worrying me about what the appropriate first words to John might be, wondering what he saw.
I was exhausted as I began to feel familiar physiological crutches clicking themselves back into place, the crutches of Dalí never having made as much sense before. I bent one knee, then the other, getting my feet flat on the floor for a time, then letting them slide.
I remained frightened. I pleaded with ______ (the universe?) that I might never have to experience that again. I felt mild, occasional tremors run down an arm or leg or side and the very slightest nausea (I had fasted for eight hours prior).
John had told me before we began that he wouldn’t say anything to me until I spoke to him. Perhaps I indulged this; I felt as though I wanted to sleep. Then John’s phone rang.
9:30 PM
John raced to turn down the answering machine, and I mustered a chuckle.
“You all right?” he ventured.
“Yeah,” I breathed. And after a moment, “That was hell.”
“You know it’s been an hour.”
I thought it had been somewhat shorter, maybe forty minutes. He told me that I must metabolize tryptamines such as this at about half the normal rate, that most folks would have been up and conversable within a half-hour.
“Your throat must be sore,” he said as he left to dig up a lozenge (mentho-lyptus). I also accepted his offer for a cup of chamomile tea, which soon appeared in a mug featuring a Mary Engelbreit illustration and the words “Snap out of it!”
John re-joined me on the couch, and I asked him if I had said or done anything in this world during my trip to that one. He smiled and explained to me that I had screamed -— at the top of my lungs, from the bottom of my guts, non-stop -— for about six minutes (mostly “NO” and “FUCK” and occasionally “PLEASE” among the wordless screaming). He continued that I was among the one-in-six who physically move during this experience and that my movement consisted of rocking forward and back, slapping both hands back and forth from the tops of my thighs to my forehead.
I noticed that all other furniture, all breakables, anything with a hard edge was now on the far side of a six-foot radius around me. He hadn’t interrupted nor attempted to restrain me at the time, he said, because I didn’t seem to be hurting myself, which was true.
 After a while he had seen my left hand move and knew that I would be all right.
He went on to explain that he was not, in fact, the Devil, though he had been called the Anti-Christ by someone several years ago under somewhat similar circumstances.
We reasoned together about the circumstances that may have brought about such a dark episode when an experience of absolute bliss followed by joyous weeping more typically follows this powder’s ingestion. John gently cautioned me off the seductive tracks of fate and design.
10:40 PM
Feeling about 90% back to base level, I found that I could stand and that standing felt good and that, two mugs of chamomile and a glass of water later, it was also good that I could make my way to his bathroom.
I told John that I hadn’t yet been able to decide whether or not to thank him, but that I did appreciate his vigilance. I wasn’t yet entirely convinced of his earthly mortality. I got in my car and drove home, avoiding freeways by driving right through the center of town, which, to my delight, had just been festooned with lights for the winter holidays.
 Seeing and hearing from me that I had, in fact, been through hell, she enveloped me with her matchless love and warmth and support (if not, entirely, understanding). She made me another cup of herbal tea and a slice of peanut-butter toast, and we went to bed.
With my heart and forehead still pounding, with my palpable fear that, should I give over my consciousness to dreaming, I might revisit the terror, and with my bladder in need of frequent emptying of all the tea, I didn’t sleep until about 4:30 AM.
November 23rd and on
I was only able to sleep for about three hours. I woke up shaky, cautious, beat-up.
Throughout the day, which included a two-hour business meeting, I experienced intensified colors and contrasts and the occasional wave of terror. These would start in my gut or groin, roll up into my head, and, I found, were best released with a quiet but open scream. I never knew my jaw could open that wide. I became frightened that these waves might accompany me for the rest of my days —- and frightened of eternal damnation (a new fear to me).
In the late afternoon, I smoked some cannabis, which proved to be a great blessing. Most of my fear left. I relaxed. I took great joy in the simple acts of walking the dog and preparing food. Finally, at about 24 hours after take-off, I felt to be at 100% baseline consciousness.
I was asleep by midnight and racked up a good nine or ten hours. I awoke the next day feeling fantastic: bright and cheerful, happy and thankful to be alive, to have this human body and this life on this beautiful planet —- meek in my knowledge of the limitations of human consciousness.
I’ll continue to wrestle with the ontology of the whole thing for some time, I suspect, and try not to think too much about my new fear. I look forward to a particularly rich Thanksgiving.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


I'm Manny Marx and I like creating. For example, this website and also the desk I'm sitting at while I'm making this website. However, what I really like creating is music, especially with people. Whether it be a musical collaboration or crafting music and sounds from a person's vision, I love it. In fact, I'd say I'm pretty good at it, too. But hey, don't take my word for it, check out what people who I have worked with have to say.
Don't take my word for itWell, first contact me at the bottom of the page and I'll get back to you promtly. From there we can set up our first meeting via Skype, G-chat, phone, face-to-face, or just stick to email, whichever you'd perfer. If possible, please be ready to provide a few reference materials (audio, visual, etc.) to help with my research and creation process. Soon after I'll provide you with a demo (free of charge) and we can take it from there. If you have any questions pleace contact me.


- Reference Implementation of a Platform Agnositc C# Hybrid App Framework
-
Based on Web and OpenGL* Technologies
Platform/Language/GUI Agnostic Architecture
- Deployable on Android/IOS/PC and Cloud Servers
- Using Licensed Native Json RPC Socket Server for deployment in Android/IOS/WP8
- MIT Licensed Source Code is available in Github
- Main Architecture Features
- Clear separation of skills/concerns
Conceptualizers - Designers - Coders - Testers
Data - DataSource - DataModel - ModelView - ViewTemplate - ViewResource - Handler
- Meta data and API driven development with minimum glue Javascript
- Testable and composable outsourcing friendly architecture to ensure dependable output quality
- Multi template and Multi language capable
-
More details about Credits and Architecture are in the footer link


Class
RFilter::DeliveryAgent::DeliveryDefer
In:
lib/rfilter/delivery_agent.rb
Parent:
DeliveryComplete
Raised by RFilter::DeliveryAgent#defer.
Methods
new
Public Class methods
new
(message)


Success!
Indicates a successful or positive action.
Info!
Indicates a neutral informative change or action.
Warning!
Indicates a warning that might need attention.
Danger!
Indicates a dangerous or potentially negative action.
×


[[Port must be an integer.|This warning appears when the user specifies a non-integer port number in the port mappings section on the deploy page.]]
[[Port must be greater than 0.|This warning appears when the user specifies a negative port number in the port mappings section on the deploy page.]]
[[Port must be less than 65536.|This warning appears when a typed in port number exceeds the maximum allowed value (in the port mappings section on the deploy page).]]
[[Port cannot be empty.|This warning appears when the user specifies an empty port.]]
[[Target port must be an integer.|This warning appears when the user specifies a non-integer target port number in the port mappings section on the deploy page.]][[Target port must be greater than 0.|This warning appears when the user specifies a negative target port number in the port mappings section on the deploy page.]][Target port must be less than 65536.|This warning appears when a typed in target port number exceeds the maximum allowed value (in the port mappings section on the deploy page).]][[Target port cannot be empty.|This warning appears when the user specifies an empty target port.]]
{{protocol}}
[[Protocol is required.|This warning appears when the user does not specify a protocol for an existing port mapping (in the port mappings section, on the deploy page).]][[Invalid protocol.|This warning appears when the user specifies an invalid protocol for a port mapping (in the port mappings section, on the deploy page).]]


calibre(1) calibre(1) NAME calibre - launch Calibre Graphical User Interface USAGE calibre [opts] [path_to_ebook] DESCRIPTION Launch the main calibre Graphical User Interface and optionally add the ebook at path_to_ebook to the database. Whenever you pass arguments to calibre that have spaces in them, enclose the arguments in quotation marks. MAIN OPTIONS --version show program´s version number and exit -h, --help show this help message and exit --redirect-console-output Redirect console output to a dialog window (both stdout and stderr). Useful on windows where GUI apps do not have a output streams. --with-library=WITH_LIBRARY Use the library located at the specified path. -v, --verbose Log debugging information to console AUTHOR Created by Kovid Goyal<EMAIL_ADDRESS>19 January 2013 calibre(1)


home
IEEE Float
- What does the first (blue) top switch do?
- What's output of each of the three pink bottom switchs?
- With some of the bottom switches on, what do the other (green) top switches do (hard - hints below)?
- What are the maximum and minimum values?
- Is there more than one way to achieve any output voltage?
- Are the fractional values always exact, or are there minor errors?
- Are there gaps in the scale (can you represent 0.35, or 6,500)?
- What other values can you find?
- This is a good one to do with a friend.
List all values you can achieve between 0.1 and 2 in order (there are 22 inclusive).
Then list the differences between adjacent numbers.
How evenly spaced are they?
Hints for #3 above:
- Think about powers of 10 (1, 10, 100...).
- Think about the Two's Compliment exercise (negative integers)
- Remember that negative powers of 10 are 0.1, 0.01, 0.001...
- The bottom (green) switches are called the Mantissa of Significand.
- Persistence pays off.
Fun Facts
- NaN is never equal to anything, including NaN
- It is traditional to display the sign of NaN in string representations, but the sign of NaN is effectively ignored.
- The sign of zero is always significant (never ignored)
The key designer of IEEE 754, William Kahan notes that it is incorrect to "... [deem] features of IEEE Standard 754 for Binary Floating-Point Arithmetic that ...[are] not appreciated to be features usable by none but numerical experts. The facts are quite the opposite. In 1977 those features were designed into the Intel 8087 to serve the widest possible market... Error-analysis tells us how to design floating-point arithmetic, like IEEE Standard 754, moderately tolerant of well-meaning ignorance among programmers"


A little bit about complex systems
Johan Hidding
Complex Systems
How I got interested
Thesis work into origins of complexity in Universe
Hidding et al ’14
Utrecht Summerschool
General curiosity
A generic shift in science
Cosmology
Cosmic web
Complex systems … and
Physics
Biology
Economics
Meteorology
Sociology
Boundaries between sciences
From biochemistry to cellbiology
From taxonomy to ecology
From psychology to sociology
What is a complex system?
Simple microscopic rules of interaction
Emergent large scale behaviour:
scaling laws
pattern formation
synchronisation
self-replication
co-evolution
non-linear / chaotic
robustness
path-dependence
Science
Differential equations, (statistical physics)
Statistical inference
“Science” in a computational universe
Set ground rules
Run simulations
\(\leftarrow\)
NLeSC! everyone knows
Identify large-scale behaviour
\(\leftarrow\)
NLeSC?
New concepts
Match with nature, gain insight!
\(\leftarrow\)
NLeSC?
Increasing complexity
From physics
Simple pendulum
Double pendulum: chaos
demo
Dynamics on networks
synchronisation:
metronomes
lampyridae:
demo
Ecology
Start out with one-dimensional model (predator/prey type)
Add spatial component
Pattern formation
self organisation
Rietkerk ’04
Oceanography
Tracing plastics in the ocean
van Sebille et al ’15
That’s it (for now)


WEB PROJECTS
ValHorizon Conseils
—
Consultant, Web Design, Web Development, Hosting, SEO.
SPRING 2021
El Jaguar
—
Consultant, Web Design, Web Development, SEO, Data Entry.
SUMMER 2020
Intersexe Montréal
—
Consultant, Web Design, Web Development, Hosting, SEO.
FALL 2018
GAME PROJECTS
King of Trading
—
Consultant, UX/UI Design.
SEP 2015
iPhone
iPad
Battle of Wall Street
—
Consultant, UX/UI Design, Level Design, Environment Design.
JUL 2015
iPhone
iPad
ESPN Sports Connection
—
UX/UI Design, Game Controls Design.
NOV 2012
Nintendo Wii U
Motionsports: Adrenaline
—
Game Design, Level Design.
NOV 2011
Xbox Kinect
PS3 Move
Dance on Broadway
—
Game Design, Level Design, UX/UI Design.
MAR 2011
PS3 Move
JUN 2010
Nintendo Wii
Best Friends Tonight
—
Game Design, Prototyping, UX/UI Design.
FEB 2010
Nintendo DS
CLUE / CLUEDO
—
Game Design, Prototyping, Level Design, UX/UI Design.
JAN 2009
Mobile
Scrabble
—
Game Design, UX/UI Design, Game Controls Design.
FALL 2008
iPhone
Facebook Connect
JUL 2008
iPod
Yahtzee
—
Game Design, UX/UI Design, Game Controls Design.
FEB 2008
iPod