BEING JOHN MALKOVICH (M). (Polygram/Universal/UIP) Director: Spike Jonze Stars: John Cusack, Cameron Diaz, Catherine Keener, John Malkovich, Mary Kay Place, Orson Bean, Charlie Sheen, W Earl Brown, Carlos Jacott, Willie Garson, Byrne Piven, Gregory Sporlender, Reggie Hayes Running time: 113 minutes.
Rarely have the ideas of a writer and the creative vision of a director been so in synch as with this delightfully off beat and surreal black comedy about an out of work puppeteer who discovers a mysterious portal into the head of actor John Malkovich. What is even more surprising is that Being John Malkovich is the first feature film from both writer Charlie Kaufman and director Spike Jonze, better known for his rock video clips for artists such as the Beastie Boys, Fat Boy Slim and REM.
Unemployed puppeteer Craig Schwartz (John Cusack) is pushed into finding a real job by his animal loving wife Lotte (an unrecognisable Cameron Diaz). He ends up working as a filing clerk for a firm buried away in an office stranded on the legendary 71/2 floor, located halfway between the seventh and eighth floor of a city office block. One day he discovers a boarded up door behind a row of filing cabinets. Intrigued he enters the door, only to find himself inside a tunnel that somehow transports him into the head of noted American thespian John Malkovich (Dangerous Liaisons, etc).
When he tells his colleague Maxine (a perfectly bitchy Catherine Keener, from 8MM, etc) about the secret portal, she decides to turn it into a business and charge people for the rare opportunity to enter someone else's mind. An unusual sexual triangle also develops between Schwartz, his wife Lotte and Maxine, with Malkovich himself reluctantly caught in the middle.
Malkovich even proves that he is a good sport with his enthusiastic participation in this film. When he was offered the script, Malkovich could easily have run the other way, but instead he sends up his normally intense and serious persona with rare relish. The scene in which Malkovich uses the portal to enter inside his own head is the most outlandish moment in a film crammed full of unusual ideas, outrageous plot elements and unexpected developments. Unfortunately not everything in the film is completely successful, and some moments fall a little flat.
Being John Malkovich is a film of dark comic genius that asks audiences to consider what they would do if they could be someone else, even if only for fifteen minutes at a time. Kaufman's absurd but sharp and cleverly written script draws a potent link between sex, power and manipulation, but there is also something of a nasty streak to its eccentric sense of humour. Given its bizarre premise, this decidedly quirky comedy could have been a first class disaster, but first time director Jonze handles the material with an assurance and inventiveness that somehow makes it all work. Cusack brings a manic energy to his role that seems to propel the film along nicely. Jonze has cleverly cast his actors against type, thus subverting audience's expectations for much of the film. There are also brief cameos from the likes of Brad Pitt, Sean Penn and others, that add a certain stamp of authenticity to the bizarre chain of events.
Being John Malkovich is a surprisingly inventive film that stuffs in more original ideas than most other films this year. It is certainly one of 1999's most unusual and challenging, yet surprisingly enjoyable films.
***1/2 greg king http://www.netau.com.au/gregking
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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None of the policies are real ... the site exists to experiment and showcase cognitive and cloud computing ideas in the context of insurance.


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Eloquent: Collections
Introduction
All multi-result sets returned by Eloquent are instances of the Illuminate\Database\Eloquent\Collection
object, including results retrieved via the get
method or accessed via a relationship. The Eloquent collection object extends the Laravel base collection, so it naturally inherits dozens of methods used to fluently work with the underlying array of Eloquent models.
All collections also serve as iterators, allowing you to loop over them as if they were simple PHP arrays:
$users = App\User::where('active', 1)->get();
foreach ($users as $user) {
echo $user->name;
}
However, collections are much more powerful than arrays and expose a variety of map / reduce operations that may be chained using an intuitive interface. For example, let's remove all inactive models and gather the first name for each remaining user:
$users = App\User::all();
$names = $users->reject(function ($user) {
return $user->active === false;
})
->map(function ($user) {
return $user->name;
});
{note} While most Eloquent collection methods return a new instance of an Eloquent collection, the
pluck
,keys
,zip
,collapse
,flatten
andflip
methods return a base collection instance. Likewise, if amap
operation returns a collection that does not contain any Eloquent models, it will be automatically cast to a base collection.
Available Methods
The Base Collection
All Eloquent collections extend the base Laravel collection object; therefore, they inherit all of the powerful methods provided by the base collection class:
all average avg chunk collapse combine concat contains containsStrict count crossJoin dd diff diffKeys dump each eachSpread every except filter first flatMap flatten flip forget forPage get groupBy has implode intersect isEmpty isNotEmpty keyBy keys last map mapInto mapSpread mapToGroups mapWithKeys max median merge min mode nth only pad partition pipe pluck pop prepend pull push put random reduce reject reverse search shift shuffle slice some sort sortBy sortByDesc splice split sum take tap toArray toJson transform union unique uniqueStrict unless values when where whereStrict whereIn whereInStrict whereNotIn whereNotInStrict zip
Custom Collections
If you need to use a custom Collection
object with your own extension methods, you may override the newCollection
method on your model:
<?php
namespace App;
use App\CustomCollection;
use Illuminate\Database\Eloquent\Model;
class User extends Model
{
/**
* Create a new Eloquent Collection instance.
*
* @param array $models
* @return \Illuminate\Database\Eloquent\Collection
*/
public function newCollection(array $models = [])
{
return new CustomCollection($models);
}
}
Once you have defined a newCollection
method, you will receive an instance of your custom collection anytime Eloquent returns a Collection
instance of that model. If you would like to use a custom collection for every model in your application, you should override the newCollection
method on a base model class that is extended by all of your models.


Experience
Software Engineering Intern
RStor, June-August 2019
- Developed an end-to-end product for optimizing the selection of low-priority instances across CSPs and deploying containerized applications for batch processing jobs
- Implemented REST API and backend for pricing engine and instance provisioning in Go. Wrote frontend in Angular
- Assisted the sales team with several engineering demos
- Submitted 2 patents relevant to the project
Research Assistant
Michigan Radiology, September 2018-Present
- Investigated feature selection methods on deep convolutional neural networks to improve efficiency/performance on classification of tumors in digital breast tomosynthesis
- Investigated the use of generative adversarial networks as a means for synthesizing novel training data in mammography
- Co-author on 3 papers relating to Computer Vision, Machine/Deep Learning, Feature Selection/Engineering, GANs
Software Engineering Intern
Development United, April-August 2017
- Designed a web-crawler to retrieve relevant data from NGO websites to update DevU’s internal database
Education
University of Michigan
BSE Computer Science Engineering, 2018-Present
Relevant Coursework
Computer Science:
Database Management Systems (EECS 484)
Compiler Construction (EECS 483)
Data Structures and Algorithms (EECS 281)
Computer Organization (EECS 370)
Programming and Data Structures (EECS 280)
Math/Stats:
Statistics and Probability (STATS 412)
Discrete Mathematics (EECS 203)
Multivariable Calculus (MATH 215)
Applied Linear Algebra (MATH 214)
Other:
Minds and Machines (PHIL 340)
Microeconomics (ECON 101)
Projects
iFall
An iOS app targeted at detecting falls in the older population and notifying emergency contacts to save valuable time for an emergency medical response
Hearth
Hearth is a map-based app that collects geolocation data and displays hotspots and also allows users to drop pins for routing.
NGOpycrawl
Built a web-crawler in Python to retrieve relevant information (emails, telephone numbers, addresses, etc.) from NGO landing sites
Organizations
Blockchain at Michigan
- Worked on a decentralized application for electronic health records
- Ethereum/Solidity/Web3.js
Wolverine Sports Analytics
- Optimizing NBA lineups for FanDuel/DraftKings competitions
- Consulted with the UMich football team to create a model predicting the likelihood a high school recruit will commit to Michigan


quickfix.field
Class PartySubIDType
java.lang.Object
quickfix.Field<java.lang.Integer>
quickfix.IntField
quickfix.field.PartySubIDType
- All Implemented Interfaces:
- java.io.Serializable
public class PartySubIDType
- extends IntField
- See Also:
- Serialized Form
| Methods inherited from class java.lang.Object |
clone, finalize, getClass, notify, notifyAll, wait, wait, wait |
FIELD
public static final int FIELD
- See Also:
- Constant Field Values
FIRM
public static final int FIRM
- See Also:
- Constant Field Values
PERSON
public static final int PERSON
- See Also:
- Constant Field Values
SYSTEM
public static final int SYSTEM
- See Also:
- Constant Field Values
APPLICATION
public static final int APPLICATION
- See Also:
- Constant Field Values
FULL_LEGAL_NAME_OF_FIRM
public static final int FULL_LEGAL_NAME_OF_FIRM
- See Also:
- Constant Field Values
POSTAL_ADDRESS
public static final int POSTAL_ADDRESS
- See Also:
- Constant Field Values
PHONE_NUMBER
public static final int PHONE_NUMBER
- See Also:
- Constant Field Values
EMAIL_ADDRESS
public static final int EMAIL_ADDRESS
- See Also:
- Constant Field Values
CONTACT_NAME
public static final int CONTACT_NAME
- See Also:
- Constant Field Values
SECURITIES_ACCOUNT_NUMBER
public static final int SECURITIES_ACCOUNT_NUMBER
- See Also:
- Constant Field Values
REGISTRATION_NUMBER
public static final int REGISTRATION_NUMBER
- See Also:
- Constant Field Values
REGISTERED_ADDRESS
public static final int REGISTERED_ADDRESS
- See Also:
- Constant Field Values
REGULATORY_STATUS
public static final int REGULATORY_STATUS
- See Also:
- Constant Field Values
REGISTRATION_NAME
public static final int REGISTRATION_NAME
- See Also:
- Constant Field Values
CASH_ACCOUNT_NUMBER
public static final int CASH_ACCOUNT_NUMBER
- See Also:
- Constant Field Values
BIC
public static final int BIC
- See Also:
- Constant Field Values
CSD_PARTICIPANT_MEMBER_CODE
public static final int CSD_PARTICIPANT_MEMBER_CODE
- See Also:
- Constant Field Values
REGISTERED_ADDRESS2
public static final int REGISTERED_ADDRESS2
- See Also:
- Constant Field Values
FUND_ACCOUNT_NAME
public static final int FUND_ACCOUNT_NAME
- See Also:
- Constant Field Values
TELEX_NUMBER
public static final int TELEX_NUMBER
- See Also:
- Constant Field Values
FAX_NUMBER
public static final int FAX_NUMBER
- See Also:
- Constant Field Values
SECURITIES_ACCOUNT_NAME
public static final int SECURITIES_ACCOUNT_NAME
- See Also:
- Constant Field Values
CASH_ACCOUNT_NAME
public static final int CASH_ACCOUNT_NAME
- See Also:
- Constant Field Values
DEPARTMENT
public static final int DEPARTMENT
- See Also:
- Constant Field Values
LOCATION_DESK
public static final int LOCATION_DESK
- See Also:
- Constant Field Values
POSITION_ACCOUNT_TYPE
public static final int POSITION_ACCOUNT_TYPE
- See Also:
- Constant Field Values
SECURITY_LOCATE_ID
public static final int SECURITY_LOCATE_ID
- See Also:
- Constant Field Values
MARKET_MAKER
public static final int MARKET_MAKER
- See Also:
- Constant Field Values
ELIGIBLE_COUNTERPARTY
public static final int ELIGIBLE_COUNTERPARTY
- See Also:
- Constant Field Values
PROFESSIONAL_CLIENT
public static final int PROFESSIONAL_CLIENT
- See Also:
- Constant Field Values
LOCATION
public static final int LOCATION
- See Also:
- Constant Field Values
EXECUTION_VENUE
public static final int EXECUTION_VENUE
- See Also:
- Constant Field Values
PartySubIDType
public PartySubIDType()
PartySubIDType
public PartySubIDType(int data)


GOOD WILL HUNTING (Miramax) Starring: Matt Damon, Robin Williams, Ben Affleck, Stellan Skarsgaard, Minnie Driver. Screenplay: Matt Damon and Ben Affleck. Producer: Lawrence Bender. Director: Gus Van Sant. MPAA Rating: R (profanity, violence, adult themes) Running Time: 120 minutes. Reviewed by Scott Renshaw.
Of all the reasons I was pleasantly surprised by GOOD WILL HUNTING -- and there were several -- the easiest to identify was its subversive awareness of its own genre. The story of a troubled genius named Will Hunting (Matt Damon) forced to work with emotionally wounded psychiatrist Sean Maguire (Robin Williams) was ripe for the sort of cathartic therapeutic hokum which has passed for emotional honesty in films like ORDINARY PEOPLE or the recent BLISS. I called long ago for a moratorium on physician-heal-thyself psychiatrists as a cinematic type; therapy sessions as revelatory contrivance seemed just as ready for mothballs.
GOOD WILL HUNTING can't possibly steer clear of every pitfall associated with therapy-centered drama, but it's conscious enough of those pitfalls to provide a goofy sense of originality. The script, by Damon and his co-star and real-life buddy Affleck, keeps the dialogue between Will and Sean generally smart and smart-alecky (particularly sharp was a pastoral scene which Will describes as a "Taster's Choice moment between the guys"). The arc of their relationship is convincing and patiently developed, with Williams and Damon sharing an impressive chemistry. In fact, chemistry defines the cast from top to bottom -- Will's friendships with his working-class chums, his romance with a British Harvard student (Minnie Driver), and even Sean's contentious friendship with the MIT professor (Stellan Skarsgaard) who envies Will's gift. The performances are consistently strong enough (even Robin Williams in his "bearded, ergo serious" mode) to carry GOOD WILL HUNTING through its inevitable dips into confrontation, as well as a running time which could have used a judicious twenty minutes of trimming.
Strongest of all is Damon himself in a dazzlingly charismatic piece of screen acting. Both believably brilliant and convincingly rough around the edges, Damon avoids the too-common actor's trap of white-washing his character's dark side. That dubious distinction, unfortunately, goes to director Gus Van Sant, who turns Will's primary surge of violence into a slow-motion ballet, undercutting the character's pent-up rage. It's too conventional an instinct for a director who has rarely done anything the conventional way, offering Damon a protection he simply doesn't need. As both actor and writer, Matt Damon gives GOOD WILL HUNTING energy, soul and a welcome desire to avoid trite situations. It's a rare drama which satisfies without pandering, a feel-good, heal-good session which gives you just a little hope that every trip to the couch doesn't have to be a trip into Cliche-Land.
On the Renshaw scale of 0 to 10 Hunting trips: 7.
Visit Scott Renshaw's MoviePage http://www.inconnect.com/~renshaw/ *** Subscribe to receive new reviews directly by email! See the MoviePage for details, or reply to this message with subject line "Subscribe".
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
My Project
|
#include <InstructionCounter.h>
Public Attributes | |
| OPCODE * | Opcode |
| Address of the instruction (include prefix). More... | |
| BYTE | Length |
| Length/Size of the instruction. More... | |
| BYTE | EndOfPrefix |
| Opcode + EndOfPrefix = address of the first opcode inside the instruction which is not a prefix. More... | |
| BYTE | ModRMPos |
| Opcode + ModRMPos = address of the ModRM opcode inside the instruction. If there is no ModRM, this field is equal to 255. More... | |
| REX | Rex |
| Rex prefix. 0 if the instruction has no rex prefix. More... | |
| BOOLEAN | HasOperandSizePrefix |
| TRUE if the instruction has the "operand-size override prefix", FALSE otherwise. More... | |
| BYTE | AddressSize |
| 4 or 8 (8 is default value). 4 only if the instruction has the "address-size override prefix". More... | |
| BOOLEAN | HasLockPrefix |
| TRUE if the instruction has the "lock prefix", FALSE otherwise. More... | |
| BOOLEAN | HasRepePrefix |
| TRUE if the instruction has the "repe prefix", FALSE otherwise. More... | |
| BOOLEAN | HasRepnePrefix |
| TRUE if the instruction has the "repne prefix", FALSE otherwise. More... | |
| union { | |
| INSTRUCTION_SHARED_VALUE | |
| Other information about the instruction. More... | |
| INSTRUCTION_SHARED_VALUE CommonValue | |
| }; | |
Information about an instruction read using GetInstruction function
| union { ... } |
| BYTE INSTRUCTION_READ_s::AddressSize |
4 or 8 (8 is default value). 4 only if the instruction has the "address-size override prefix".
| INSTRUCTION_SHARED_VALUE INSTRUCTION_READ_s::CommonValue |
| BYTE INSTRUCTION_READ_s::EndOfPrefix |
Opcode + EndOfPrefix = address of the first opcode inside the instruction which is not a prefix.
| BOOLEAN INSTRUCTION_READ_s::HasLockPrefix |
TRUE if the instruction has the "lock prefix", FALSE otherwise.
| BOOLEAN INSTRUCTION_READ_s::HasOperandSizePrefix |
TRUE if the instruction has the "operand-size override prefix", FALSE otherwise.
| BOOLEAN INSTRUCTION_READ_s::HasRepePrefix |
TRUE if the instruction has the "repe prefix", FALSE otherwise.
| BOOLEAN INSTRUCTION_READ_s::HasRepnePrefix |
TRUE if the instruction has the "repne prefix", FALSE otherwise.
| INSTRUCTION_READ_s::INSTRUCTION_SHARED_VALUE |
Other information about the instruction.
| BYTE INSTRUCTION_READ_s::Length |
Length/Size of the instruction.
| BYTE INSTRUCTION_READ_s::ModRMPos |
Opcode + ModRMPos = address of the ModRM opcode inside the instruction. If there is no ModRM, this field is equal to 255.
| OPCODE* INSTRUCTION_READ_s::Opcode |
Address of the instruction (include prefix).
| REX INSTRUCTION_READ_s::Rex |
Rex prefix. 0 if the instruction has no rex prefix.


RATING: 8/10
After 20 years of hope and pleading, George Lucas finely directs a prequel in the Star Wars-saga. Visually mesmerizing it is also extremely flawed as it displays the magnificence of modern special effects and the simplicity of modern storytelling.
As imminent conflict brews between the powerful Trade Federation and the peaceful planet of Naboo, Jedi Master Qui-Gon Jinn (Liam Neeson) and his apprentice Obi-Wan Kenobi (Ewan McGregor) travel to Naboo to warn the Queen (Natalie Portman) of the galactic fallout which is to follow. Eventually, Naboo is invaded forcing the Jedis to evacuate the planet with the Queen and her court. They travel to the desert planet of Tatooine where they meet a slave boy called Anakin Skywalker (Jake Lloyd (I) ) who is evidently one with the Force. They enlist his help in fighting the war, while the Jedis confront one of the Dark Jedis behind the invasion, Darth Maul, while his master Darth Sidious (who by the way is the corrupted, but respectable senator of Naboo) continues to lead the invasion as a mysterious "phantom" behind the scenes.
Because of the high expectations the film may be a disappointment to the die-hard-Star-Wars-fans.
The major difference between "Episode 1" and "Episode IV" is that the first film had a fresh plot and was as original as entertaining. This plot was supported by special effects. In "Episode 1" it is vice versa. Here the special effects are supported by a story. At times the film looks more like a demonstration of visual effects (as the unnecessary pod-race).
Besides the thin story there were other things that troubled me. One of those things is acting. Lucas has assembled a solid cast, including Liam Neeson (Qui-Gon Jin) , Ewan McGregor (Obi-Wan Kenobi) and Natalie Portman as Queen Amidala. It is only Neeson and Portman that give above average performances. At the same time, acting is something you can't demand of "Episode 1", because of the computer graphics. Actors are mostly talking to themselves at the set, and the script is likewise nothing to boast of.
Another thing is that there are almost none comic relieves in "Episode 1". In the previous Star Wars-episodes you had the energetic Harrison Ford , whose witty and humorous commentaries are very missed. You also had Yoda, R2-D2, C3PO in many episodic scenes. In "Episode 1" you have only Jar Jar; a charecter that is meant to be funny, but isn't. The rest of the characters mentioned above, are present, but absolutely not developed as the time is instead granted on beautiful visual effects.
But there are not only negative things that I have to say about "Episode 1". Lucas' extraordinary taste and visual imagination transports us from the Royal Palace of Naboo to the glittering underwater city and then to Coruscant, the political heart of the Republic and the headquarters of both the Galactic Senate and the Jedi Council. Visually the film is above stunning. It's a feast. The revolutionary visual- and sound effects are certainly the greatest ever. Equally magnificent are Trisha Biggar's costume design, Gavin Bocquet's production design and makeup by Paul Engelen and Mark Coulier .
As far as common adventure and science fiction films go, "Episode 1" is one of the best. But as the controversial prequel to the classic cult-film, it is a bit disappointing, because of its simplicity.
Lucas has probably figured out that everyone saw his previous Star Wars episodes. He has certainly flattered himself. The evolution of Anakin Skywalker from an innocent boy to the servant of darkness is completely unknown to the new audience. Yoda, R2-D2 and C3PO are total strangers. If he has chosen to direct a film mostly to please the old fans of Star Wars, he has taken the subject very lightly.
After creating a revolutionary film that received a cult status all around the world, George Lucas has a lot to live up to. And if he has chosen to continue, he can't just serve emptiness on a beautiful plate and expect the audiences to throw themselves over it.
Offcourse everything depends on the point of view of every individual. If you have never seen the previous Star Wars-films, you will probably think that "Episode 1" is marvelous. If you have, you will probably share my opinion. The best thing you can do is not expect too much.
See this film simply to experience the unbelievable special effects and try to relive the magic of the first film as it came out more than 20 years ago.
Review by Alex Ioshpe <<EMAIL_ADDRESS>Story summary by Matthew McQuillan<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Quality Web Sites and Web Apps
This is the home page. Here is lots of text about my site.
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Requirements
Various requirements that should be implemented in your API integration.
- Seller SKU needs to be the primary identifier for all product API calls and must be present on order
line items.
- The seller SKU properties must support a length of at least 50 characters and containing all printable ASCII
characters, including spaces.
-
You are to supply a list of categories that Voyageone will map to seller products.
For an enhanced on-boarding experience, you may provide mappings between your categories and those of
another site supported by Voyageone.


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Show hours


The LED Cube is a project created for the Middle Tennessee State University's MakerSpace.
It was created as a display model to trigger student's creativity and inspire research.
The purpose of this project was to perfom beta testing on neopixels (individually-addressable RGB color pixels) in order for the library technology to see how they work, what they could be used for, and if they could be bought for student's use.
The creation of this project involved different skills varying from electronics to new programming language to building hardware that were learned through research and reading.
Not being familiar with electronics, building hardware, or any of the tools used for the accomplishment of this project, the
project was a interesting challenge. A lot of research, tries, and tests were put into it.
For learning purpose, a small prototype was built, which made understanding the process better.
5x5x5 LED Cube below:


InterARTIC allows users to run the ARTIC pipeline through a streamlined web application.
Default parameters have been set from the existing protocols available:
- Artic (400bp) - V1, V2, V3
- Eden (2500bp) - V1
- Midnight (1200bp) - V1
- Artic - V1
- Input the path, virus, version of your own primer set
To have your primer set added to InterARTIC, please submit an issue on the github repo
Github: link
Documentation:link
Pre-print: link
Developed by Alyne Gollon, Chiara Aquilina-Reid, Rachel Bowen-James, Stephanie Tong & Thanh Nguyen, James Ferguson, Hasindu Gamaarachchi, and Ira Deveson at the Garvan Institute of Medical Research and University of New South Wales, Sydney.


Issue: DEFTYPE-DESTRUCTURINGReferences: DEFTYPE
Related issues: DEFTYPE-KEY
Category: CLARIFICATION, CHANGE
Edit history: V1, 23 May 90, Sandra Loosemore
Problem description:
The specification of DEFTYPE is not clear on the issue of whether
it is supposed to support destructuring. The description in CLtL
twice compares its syntax to that of DEFMACRO, leading some
people to think that it does support destructuring. However,
since destructuring is not explicitly mentioned, other people
think it does not.
There are two proposals, YES and NO.
Proposal (DEFTYPE-DESTRUCTURING:YES):
Clarify that DEFTYPE does support destructuring of the lambda list.
The lambda-list syntax for DEFTYPE is identical to that of
Rationale for proposal YES:
Some people think this is the way it was really supposed to
work, and that supporting destructuring makes the syntax of
DEFTYPE more consistent with other defining macros.
Proposal (DEFTYPE-DESTRUCTURING:NO):
Clarify that DEFTYPE does not support destructuring of the lambda
list.
Rationale for proposal NO:
This requires minimal changes for implementors. The use of
destructuring with DEFTYPE is rare and since some
implementations do not support it now, code that relies on
it working is already nonportable.
Current Practice:
Spice Lisp implemented a destructuring DEFTYPE, and a number
of implementations have copied this behavior. Other
implementations do not support destructuring in DEFTYPE.
Cost to Implementors:
For proposal YES, fairly small, since every implementation
already has support for destructuring for other parts of
the language.
For proposal NO, none. Implementations that now support
destructuring can continue to do so as an extension.
Cost to Users:
None for either proposal. Code that relies on destructuring
with DEFTYPE is already not portable, but on the other hand
adding destructing support shouldn't break code that doesn't
use it.
Cost of non-adoption:
Continuing vagueness in this part of the language specification.
Performance impact:
Probably insignificant.
Benefits:
This part of the language specification is made more clear.
Esthetics:
Seems to be a matter of personal taste.
Discussion:
-------


Engelsk A
kl. 09.00-14.00
Vejledning til opgavesættet
| Du skal besvare følgende opgaver: | |
|
|
| Tekster til assignment 4: | |
| 4A – Fiction: | “The Arcade”, a short story by Alan Gillespie, 2020. |
| 4B – Non-fiction: | “I’ve lost my conversational mojo – can I relearn the art of small talk?”, an article by Rhik Samadder, The Guardian website, 2021.
“Small Talk Can Make You Happier. Here’s How to Master it”, a video from YouTube website, 2019. |
Vejledning og skabelon til at løse opgaven
Den samlede eksaminationstid for assignment 1-4 er fem timer. Besvarelsen bedømmes som en helhed ud fra de faglige mål for niveauet.
Det anbefales, at du skriver din besvarelse i skabelonen, som ligger under Template i menuen til venstre. Besvarelsen afleveres i ét dokument med opgaverne i rækkefølgen 1-4.
Henvisninger til tekst, video- og lydklip
Hvis du citerer, skal du angive kilde.
Alt anvendt materiale skal være engelsksproget og angives med kildehenvisninger. Til forklaring af grammatiske opgaver kan materialerne være på dansk.
Du kan henvise til dele af video- og lydklip, f.eks. ved at angive afspillerens minut- og sekundtal for henholdsvis starten og slutningen af klippet.
Alt anvendt materiale skal være engelsksproget og angives med kildehenvisninger. Til forklaring af grammatiske opgaver kan materialerne være på dansk.
Du kan henvise til dele af video- og lydklip, f.eks. ved at angive afspillerens minut- og sekundtal for henholdsvis starten og slutningen af klippet.
|
Tekster i opgavesættet
Teksternes ortografi og tegnsætning følger forlæggene. Trykfejl er dog rettet.
Opsætningen følger ikke nødvendigvis forlæggene. Dog følges forlægget nøje, hvor opsætningen på den ene eller anden måde indgår i opgaven.
Opsætningen følger ikke nødvendigvis forlæggene. Dog følges forlægget nøje, hvor opsætningen på den ene eller anden måde indgår i opgaven.
Assignment 1
Besvar både opgave a. og b. nedenfor. Brug relevant grammatisk terminologi. Husk kildehenvisning, hvis du citerer fra en grammatikbog. Skriv dine svar på dansk.
- Find og skriv fra teksten fem eksempler på verballed, der indeholder verbet do. Skriv for hvert eksempel hele verballeddet.
- Forklar kort hvilke funktioner verbet do har. Inddrag fire af eksemplerne i din forklaring.
Teksten er et uddrag af et skuespil. Rita er universitetsstuderende, Frank er hendes lærer.
Rita: I can’t do it. Honest, I just can’t understand what he’s on about. [...] He’s got me licked1. I don’t
know what he’s on about, “Only connect, only connect”2, it’s just bleedin’ borin’. It’s no good,
Frank: You will. You will.
Rita: It’s all right for you sayin’ that. You know what it’s about. But I just can’t figure it.
Rita: With pleasure. [...]
Frank: I want to talk about this that you sent me. (He holds up a sheet of A4 paper)
Frank: Yes. In response to the question, “Suggest how you would resolve the staging difficulties
inherent in a production of Ibsen’s Peer Gynt”, you have written, quote, “Do it on the radio”,
have a considered essay. [...]
Rita: That’s all I could do in the time. We were dead busy in the shop this week.
know what he’s on about, “Only connect, only connect”2, it’s just bleedin’ borin’. It’s no good,
3
I just can’t understand.
Frank: You will. You will.
Rita: It’s all right for you sayin’ that. You know what it’s about. But I just can’t figure it.
6
Frank: Do you think we could forget about Forster for a moment?
Rita: With pleasure. [...]
Frank: I want to talk about this that you sent me. (He holds up a sheet of A4 paper)
9
Rita: That? Oh.
Frank: Yes. In response to the question, “Suggest how you would resolve the staging difficulties
inherent in a production of Ibsen’s Peer Gynt”, you have written, quote, “Do it on the radio”,
12
unquote. [...] Well, I know it’s probably quite naive of me but I did think you might let me
have a considered essay. [...]
Rita: That’s all I could do in the time. We were dead busy in the shop this week.
15
Frank: You write your essays at work?
Willy Russell, Educating Rita, 1980
1 He’s got me licked: Han har slået mig helt ud
2 Only connect: motto i en roman af E.M. Forster (1879-1970)
Assignment 2
I tekststykket er en række ord og led understreget. Besvar opgave a., b. og c. nedenfor. Brug relevant grammatisk terminologi. Husk kildehenvisning, hvis du citerer fra en grammatikbog. Skriv dine svar på dansk.
- Otte adjektiver og adverbier er understreget. Skriv for hvert eksempel:
• om ordet er et adjektiv eller et adverbium
• hvilken ordklasse ordet lægger sig til - Fem eksempler på verbet be er understreget. Skriv for hvert eksempel:
• om be er hjælpeverbum eller hovedverbum
• hvad der er sætningens subjekt
- Et eksempel på omvendt ordstilling er understreget. Forklar kort hvorfor der er anvendt omvendt ordstilling.
Teksten er et uddrag af en aviskommentar.
Are we nearly there yet? It is the backseat question that haunts long journeys, except in Britain’s
pandemic road trip the impatient whine comes from the driver. Boris Johnson was itching for a
emergency response committee, unpersuaded that Covid-19 counted as an emergency. Only when
presented with dire consequences did he engage with the need for a lockdown, writhing into
Now the prime minister feels the journey must be nearly over, but finds it hard to judge this
without a definite destination. The virus will not surrender and give him the satisfaction of declaring
rates are promisingly low, but simulating pre-pandemic normality too hastily risks reversing those
gains.
notoriously ill-equipped to make. There are few neater illustrations of his incoherent governance
than a traffic-light system for managing overseas travel that expanded from the traditional three
amber, amber-plus and red.
The same problem bedevils1 vaccine passports. They exist in the hazy netherworld2 between
pandemic road trip the impatient whine comes from the driver. Boris Johnson was itching for a
3
release from the moment the ordeal began. He was absent from early meetings of the government’s
emergency response committee, unpersuaded that Covid-19 counted as an emergency. Only when
presented with dire consequences did he engage with the need for a lockdown, writhing into
6
submission like a toddler being strapped into a car seat.
Now the prime minister feels the journey must be nearly over, but finds it hard to judge this
without a definite destination. The virus will not surrender and give him the satisfaction of declaring
9
a victory day. Impatience for life after Covid does not resolve the problem of how fast to go. Infection
rates are promisingly low, but simulating pre-pandemic normality too hastily risks reversing those
gains.
12
There is no perfect calibration of the rules, only judgment calls of the kind that Johnson is
notoriously ill-equipped to make. There are few neater illustrations of his incoherent governance
than a traffic-light system for managing overseas travel that expanded from the traditional three
15
colours to a shaded spectrum, unknown in any highway code, that included green, green watchlist,
amber, amber-plus and red.
The same problem bedevils1 vaccine passports. They exist in the hazy netherworld2 between
18
things that are briefed to the press and actual government policy.
The Guardian, 2021
1 plager
2 underverden
Assignment 3
Videoen i denne opgave handler om, hvad mistrivsel betyder for hjernens udvikling.
Find og skriv fra videoens lydside i alt ti substantiver:
- fem substantiver der tilhører det semantiske felt trivsel
- fem substantiver der tilhører det semantiske felt mistrivsel
“Childhood Trauma and the Brain”, YouTube, 2020
Childhood Trauma and the Brain
Assignment 4
Answer 4A or 4B
Assignment 4A – Fiction
Write an analytical essay (900-1200 words) in which you analyse and interpret Alan Gillespie’s short story “The Arcade”.
Part of your essay must focus on the use of contrasts. In addition your essay must include an analysis of the style of writing in lines 61-73.
Your essay must include references to the short story.
Material
Alan Gillespie. “The Arcade”, 2020.
Assignment 4B – Non-fiction
Write an analytical essay (900-1200 words) in which you analyse Rhik Samadder’s article “I’ve lost my conversational mojo – can I relearn the art of small talk?” and discuss the importance of small talk in today’s world.
Part of your essay must focus on the writer’s use of humour. In addition your essay must include an analysis of the style of writing in lines 1-15.
Your essay must include references to:
- Rhik Samadder’s article
- Video: “Small Talk Can Make You Happier. Here’s How to Master it”
Materials
Rhik Samadder. “I’ve lost my conversational mojo – can I relearn the art of small talk?”, an article from The Guardian website, 2021
“Small Talk Can Make You Happier. Here’s How to Master it”, a video from YouTube website, 2019
Template
Hent skabelonen til besvarelsen i menuen til venstre.
Sources
Anvendt materiale (til brug for Copydan):
Willy Russell. Educating Rita. 1980. London: Longman, 1985.
Rafael Behr. “Johnson’s disregard for rules helped him get elected – but it’s starting to wear thin”. The Guardian website, August 4, 2021, viewed October 2021. (www.theguardian.com)
UK Trauma Council. “Childhood Trauma and the Brain”. YouTube website, 2020, viewed October 2021. (www.youtube.com)
Alan Gillespie. “The Arcade”. Rachelle Atalla & Samuel Tongue (eds.). The Last Good Year. New Writing Scotland 38. Glasgow: Association for Scottish Literary Studies, 2020.
Rhik Samadder. “I’ve lost my conversational mojo – can I relearn the art of small talk?”. The Guardian website, April 17, 2021, viewed October 2021. (www.theguardian.com)
Everyday Psychology. “Small Talk Can Make You Happier. Here’s How to Master it”. YouTube website, 2019, viewed October 2021. (www.youtube.com)


Article wide concepts
New feature warning
For experimental features, include the warning.html text at the top of your content:
{% templatetag openblock %} include "warning.html" {% templatetag closeblock %}
{% include "warning.html" %}
Adding browser support to the article
Articles can indicate if the user's browser does not support the feature discussed
in the article by including an {% templatetag openblock %} block iscompatible {% templatetag closeblock %}
at the top of the file:
{% templatetag openblock %} block iscompatible {% templatetag closeblock %} return 'register' in document; {% templatetag openblock %} endblock {% templatetag closeblock %}
The content of the {% templatetag openblock %} block iscompatible {% templatetag closeblock %}
block should be a JS expression that returns a boolean for the feature detect.
Translations
If you provide a translation you can add the translator with {% templatetag openblock %} block translator {% templatetag closeblock %}
around code that looks this:

 Translator: Person Name

Related reading
There are sometimes other articles that you want users to read after they're done with the one they're on. To do that add {% templatetag openblock %} block relatedreading {% templatetag closeblock %}
around code that looks this:

Related reading

Some article title

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Some article title

Styling features
Keyboard actions
To show keyboard actions, use
or the kbd
class:
Ctrl+Shift+J (or Cmd+Opt+J)Ctrl+Shift+J (or Cmd+Opt+J)
Tips & notices
Call out important tips/callouts by adding the notice
class on

:

Note: this is a tip you all should know.

Note: this is a tip you all should know.
You can additionally super charge your tips with a label with the fact
and tip
classes:

This is a tip to remember!

It's a fact Jack.

This is a tip to remember!
It's a fact Jack.
Quotes
Use

:

 A wise person knows wisdom from folly; truth from lies.

A wise person knows wisdom from folly; truth from lies.
You can also add citations with the  element.

 A wise person knows wisdom from folly; truth from lies. T. Thinker

A wise person knows wisdom from folly; truth from lies T. Thinker
Talking head
To add your mug to the mix, add the talkinghead
class to the blockquote and add in a style to adjust the generated content's background-image and positioning:

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Figures / screenshots
Images within a

are set to max-width: 100%
and centered in the article body:

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You can add a class of bordered
if you want a thin gray outline to be added to the image.

Screenshot of amazing things

Code
Snippets
Inline code snippets in paragraph should be put in a
element
for easier reading.

Some text with an inline navigator.vibrate(...);

Blocks
Larger blocks of code should be wrapped in

:

 function myAwesomeFunc() { ... }

CSS vendor prefixes
We have a custom Django mixin tag to handle CSS vendor prefixes. The tag renders only the unprefixed property and shows a tooltip when hovering over the property to shows the rest. In this way, we prevent users from directly copying stale code snippets from an article.
To use the mixin tag, ensure it is loaded at the top of your article:
{% templatetag openblock %} load mixin from templatefilters {% templatetag closeblock %}Then, use it inside a code block like so:


Pyrite3D
Home
Code
Please take a look at some of our demo meshes rendered using our
WebGL client
The WebGL client along with the rest of the Pyrite3D project are still under development, so there may be issues.
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AN IDEAL HUSBAND (Miramax) Starring: Jeremy Northam, Cate Blanchett, Rupert Everett, Minnie Driver, Julianne Moore, John Wood. Screenplay: Oliver Parker, based on the play by Oscar Wilde. Producers: Barnaby Thompson, Uri Fruchtmann and Bruce Davey. Director: Oliver Parker. MPAA Rating: PG (mild profanity, adult themes) Running Time: 96 minutes. Reviewed by Scott Renshaw.
AN IDEAL HUSBAND is so determinedly droll that it's likely to leave your cheeks aching from a sustained 96 minute smirk. That shouldn't be a tremendous shock considering we're talking about a play by Oscar Wilde, whose penchant for the tres bon mot was matched only by his curious desire to cobble them together into plots. He was smart enough to craft his stories into a crowd-pleasing romantic form, but he was generally less interested in emotional insight than he was in a witty turn of phrase. In the mouths of actors who know how to use them, his epigrams can make you forget that the narrative you're watching is fairly forgettable.
There are many such actors in AN IDEAL HUSBAND, enough to give the tale some devilish fun. Jeremy Northam essays Sir Robert Chiltern, an up-and-coming Member of Parliament in 1895 well-known for his integrity; the ever-radiant Cate Blanchett is his wife Gertrude, who places her husband on a pedestal of moral rectitude. There's Julianne Moore as Mrs. Chevely, who knows a dark secret from Sir Robert's past and expects political favors for her silence, and Minnie Driver as Sir Robert's high-spirited younger sister Mabel. And foremost there is Rupert Everett as rakish bachelor Lord Arthur Goring, the very portrait of slothful privilege and the dispenser of Wilde's most cutting social commentary.
Director Oliver Parker (who also adapted the screenplay) works at fleshing out the relationships in the story, trying to make the crisis in the Chilterns' marriage more significant. It's a noble idea, though the time isn't particularly well-spent. Northam broods as he faces his moment of truth, Blanchett melts in disappointment over dashed illusions, and both actors attempt to show us deep internal turmoil. Parker wants us to feel for them, while I suspect Wilde is more interested in making them look a bit foolish. Playing the characters with too much sincerity may be too "heavy" a reading of the material.
Fortunately, Parker still has plenty of juicy Wilde-ian dialogue to distribute. Much of it goes to Everett's Sir Arthur, who bites into his commentaries on marriage, politics and deception with relish. Many actors have opted to play Wilde with an eyebrow arched into the flight path passenger jets, as though we all must know they view life itself as a grand joke. Everett smartly opts for a refined weariness, the cynicism of a man who doesn't take much pleasure in his cynicism. It's a choice that makes his later romance with Mabel (played with beautiful intelligence by Driver) feel less like a plot device than it has any right to. When Everett and Driver banter, AN IDEAL HUSBAND floats on their appeal.
It's true that a little droll can go an awfully long way, and that AN IDEAL HUSBAND hardly offers a riveting portrait of scandal and redemption. Mostly it's a comedy of manners, one of Wilde's forrays into the difference between our public and private faces (a subject with which he was well acquainted). Though Parker's pacing lags between gags, there is just enough surprisingly modern satire -- and just enough Rupert Everett -- to maintain interest. The chuckles may rarely turn into belly laughs, but then again, that never was Wilde's style. AN IDEAL HUSBAND is the work of a writer who preferred his comedy on wry.
On the Renshaw scale of 0 to 10 Wilde lives: 6
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Am a current undergraduate student based in Rwanda with strong interpersonal skills and self-motivated to learn and apply learning in distinct fields. Particularly, interested in software development. Have a strong drive to see projects through to completion.
This a library app where user can signIn and logIn. Then the user can view all the books available in the library. The admin is the one to add book to the library.
View MoreThis is a quote app where user can add quotes and the author who wrote it, and then he/she can view the added quotes with the date they were added. And the number of days left since it was written.
View MoreThis is COOK WITH US website with its online order and delivery services,checkout the recipes of different kinds of food you like and do it yourself.
View More


{* this email is sent to the applicant after he applied for a job *}
[t]Dear {$name|escape},[/t]
[t]You have succesfully left your details for a job: {$jobtitle|escape}[/t]
[t]You can see the jobdetails here: {$joburl|escape}[/t]
[t]Kind regards,
{$contactPerson}
{$websiteurl}[/t]
[t]Remark: this e-mail message has been automatically generated[/t]


str_split
(PHP 5, PHP 7)
str_split — 将字符串转换为数组
说明
array str_split ( string $string [, int $split_length = 1 ] )
将一个字符串转换为数组。
参数
string
输入字符串。
split_length
每一段的长度。
返回值
如果指定了可选的 split_length 参数，返回数组中的每个元素均为一个长度为
split_length 的字符块，否则每个字符块为单个字符。
如果 split_length 小于 1，返回 FALSE。如果 split_length 参数超过了 string 超过
了字符串 string 的长度，整个字符串将作为数组仅有的一个元素返回。
范例
Example #1 str_split() 使用范例
以上例程会输出：
Array
(
[0] => H
[1] => e
[2] => l
[3] => l
[4] => o
[5] =>
[6] => F
[7] => r
[8] => i
[9] => e
[10] => n
[11] => d
)
Array
(
[0] => Hel
[1] => lo
[2] => Fri
[3] => end
)
参见
• chunk_split() - 将字符串分割成小块
• preg_split() - 通过一个正则表达式分隔字符串
• explode() - 使用一个字符串分割另一个字符串
• count_chars() - 返回字符串所用字符的信息
• str_word_count() - 返回字符串中单词的使用情况
• for
User Contributed Notes 37 notes
===============================================================================
A proper unicode string split;
0) {
$ret = array();
$len = mb_strlen($str, "UTF-8");
for ($i = 0; $i < $len; $i += $l) {
$ret[] = mb_substr($str, $i, $l, "UTF-8");
}
return $ret;
}
return preg_split("//u", $str, -1, PREG_SPLIT_NO_EMPTY);
}
?>
$s = "Ilık süt"; // Mild milk
print_r(str_split($s, 3));
print_r(str_split_unicode($s, 3));
Array
(
[0] => Il�
[1] => �k
[2] => sü
[3] => t
)
Array
(
[0] => Ilı
[1] => k s
[2] => üt
)
===============================================================================
Here is what I use. I started with examples here but modified to my own
version:
===============================================================================
Here is a better version of<EMAIL_ADDRESS>solution. It has the exact same
interface as str_split, but works with any UTF-8 string.
1) {
$return_value = [];
$string_length = mb_strlen($string, "UTF-8");
for ($i = 0; $i < $string_length; $i += $split_length) {
$return_value[] = mb_substr($string, $i, $split_length, "UTF-8"
);
}
return $return_value;
} else {
return false;
}
}
}
?>
===============================================================================
The previous suggestion is almost correct (and will only working for strlen=1.
The working PHP4 function is:
function str_split($text, $split = 1){
//place each character of the string into and array
$array = array();
for ($i=0; $i < strlen($text); $i++){
$key = "";
for ($j = 0; $j < $split; $j++){
$key .= $text[$i+$j];
}
$i = $i + $j - 1;
array_push($array, $key);
}
return $array;
}
===============================================================================
the fastast way (that fits my needs) to replace str_split() in php 4 i found is
this:
i also tested the provided functions in the comments..
(the differences are 0.001 to 0.00001 sec)
===============================================================================
===============================================================================
A new version of "str_split_unicode" prev.
1) {
$chunks = array_chunk($tmp, $length);
foreach ($chunks as $i => $chunk) {
$chunks[$i] = join('', (array) $chunk);
}
$tmp = $chunks;
}
return $tmp;
}
?>
$s = 'Özgür Yazılım!'; // Open Source!
print_r(str_split_unicode($s));
print_r(str_split_unicode($s, 3));
Array
(
[0] => Ö
[1] => z
[2] => g
[3] => ü
[4] => r
[5] =>
[6] => Y
[7] => a
[8] => z
[9] => ı
[10] => l
[11] => ı
[12] => m
[13] => !
)
Array
(
[0] => Özg
[1] => ür
[2] => Yaz
[3] => ılı
[4] => m!
)
===============================================================================
heres my version for php4 and below
===============================================================================
I needed a function that could split a string from the end with any left over
chunk being at the beginning of the array (the beginning of the string).
0 ) { return str_split($str,$sz); } // normal split
$l = strlen($str);
$sz = min(-$sz,$l);
$mod = $l % $sz;
if ( !$mod ) { return str_split($str,$sz); } // even/max-length split
// split
return array_merge(array(substr($str,0,$mod)), str_split(substr($str,$mod),
$sz));
}
$str = 'aAbBcCdDeEfFg';
str_split($str,5); // return: {'aAbBc','CdDeE','fFg'}
str_rsplit($str,5); // return: {'aAbBc','CdDeE','fFg'}
str_rsplit($str,-5); // return: {'aAb','BcCdD','eEfFg'}
?>
===============================================================================
The manual don't says what is returned when you parse a different type of
variable.
This is the example:
L
[1] => o
[2] => n
[3] => g
)
Array
(
[0] => x
)
Array
(
[0] =>
)
Array
(
[0] => 3
[1] => 4
)
Array
(
[0] => 3
[1] => .
[2] => 4
)
Array
(
[0] => 1
)
Array
(
[0] =>
)
*/
?>
===============================================================================
Version of str_split by rlpvandenberg at hotmail dot com is god-damn
inefficient and when $i+$j > strlen($text) [last part of string] throws a lot
of notice errors. This should work better:
if(! function_exists('str_split'))
{
function str_split($text, $split = 1)
{
$array = array();
for ($i = 0; $i < strlen($text);)
{
$array[] = substr($text, $i, $split);
$i += $split;
}
return $array;
}
}
===============================================================================
To split UTF-8 into 16-charcater slices you can use:
You can also use look-behind instead of look-ahead if you want the first (not
the last) chunk to be the shortest.
===============================================================================
The documentation fails to mention what happens when the string length does not
divide evenly with the chunk size. Not sure if the same behavior for all
versions of PHP so I offer the following code to determine this for your
installation. On mine [version 5.2.17], the last chunk is an array the length
of the remaining chars.
Length of $da_string: $len
\n";
echo " Chunck size: $chunk_size
\n";
$parts = str_split($da_string, $chunk_size);
$html = "\n";
foreach ($parts as $idx=>$part)
{
$html .= "\n";
$html .= "| $part | ";
$chars = str_split($part);
foreach ($chars as $char)
{
if ($char === ' ')
{
$html .= " | ";
}
else
{
$html .= "$char | ";
}
}
$html .= "
\n";
}
$html .= "
\n";
echo $html;
?>
===============================================================================
revised function from tatsudoshi
Fixed some bugs, more php5 style compliant
$string_length || !$string_length) {
do {
$c = strlen($string);
$parts[] = substr($string,0,$string_length);
$string = substr($string,$string_length);
} while($string !== false);
} else {
$parts = array($string);
}
return $parts;
}
}
?>
===============================================================================
i use this in PHP4
function str_split($str){
return preg_split('//',$str);
}
===============================================================================
I noticed in the post below me that his function would return an array with an
empty key at the end.
So here is just a little fix for it.
===============================================================================
If you use PHP 4 and don't need the split_length parameter, here's the shortest
replacement:
===============================================================================
The very handy str_split() was introduced in PHP 5, but a lot of us are still
forced to use PHP 4 at our host servers. And I am sure a lot of beginners have
looked or are looking for a function to accomplish what str_split() does.
Taking advantge of the fact that strings are 'arrays' I wrote this tiny but
useful e-mail cloaker in PHP, which guarantees functionality even if JavaScript
is disabled in the client's browser. Watch how I make up for the lack of
str_split() in PHP 4.3.10.
###### THE CODE ABOVE WITHOUT COMMENTS ######
In creating this little utility, I demonstrated how the lack of str_split() can
be made up in PHP < 5. If you got how it was accomplished, you could write a
function to do exactly what str_split() does in PHP 5 and even name it
'str_split()'. :)
===============================================================================
I was looking for a function that would split a string into an array like
str_split() and found Razor's function above. Just though that I would simplify
the code a little.
Both mine and worksRazor's work well, I just prefer to use less code. I could
have written one myself, but I was just being lazy.
===============================================================================
It's mentioned in the Return Values section above ("If the split_length length
exceeds the length of string, the entire string is returned as the first (and
only) array element"), but note that an input of empty string will return array
(1) { [0]=> string(0) "" }. Interestingly an input of NULL will also return
array(1) { [0]=> string(0) "" }.
Compare this with, say, which will return array(0) { } for an input of empty
string or NULL. I find this to be a bit more intuitive.
Hope this helps.
===============================================================================
here an equivalent function for unicode string :
= $strlen){
$result[] = $string;
}
else {
$length = $split_length;
for ($i=0; $i<$strlen; $i++){
$i=(($sign<0)?$i+$length:$i);
$result[] = substr($string,$sign*$i,$length);
$i--;
$i=(($sign<0)?$i:$i+$length);
if ( ($i+$split_length) > ($strlen) ){
$length = $strlen-($i+1);
}
else {
$length = $split_length;
}
}
}
return $result;
}
}
===============================================================================
For those who work with PHP < 5:
0) {
$splitted[$j++] = substr($string, $i, $length);
$str_length -= $length;
$i += $length;
}
}
return $splitted;
}
}
?>
===============================================================================
A good way to use this method to convert CamelCase text into nice text would
be-
"Camel Case".
*/
function FormatCamelCase( $string ) {
$output = "";
foreach( str_split( $string ) as $char ) {
strtoupper( $char ) == $char and $output and $output .=
" ";
$output .= $char;
}
return $output;
}
?>
===============================================================================
For those it may concern:
We encountered trubble when trying to str_split a UTF-8 encoded string,
containing such Swedish letters as å, å and ö.
It seems that this function splits according to byte-length and not character
length. So if the letter "Å" takes 2 bytes, then str_split() will only return
the first bite of the character "Å".
We ain't 100% sure that this is the case but this was anyhow the result we got.
So we used the multi-byte functions instead.
===============================================================================
Note that in atleast in PHP 5.5.9 (Zend Engine v2.5.0), str_split with an
integer value as an argument may return unpredictable results.
If your number contains leading 0's, the result array is unprdictable as it may
contain any number of digits from the argument or (mostly) just a 0.
Here are a list of possible values that might be returned:
-Interger
0
* )
*/
?>
BUT
8
* [1] => 0
* [2] => 4
* [3] => 5
* [4] => 0
* )
*/
?>
Floating point numbers have their leading and trailing 0s cut off:
8
* [1] => 0
* [2] => 4
* [3] => 5
* [4] => 0
* [5] => .
* [6] => 0
* [7] => 0
* [8] => 1
* )
*/
?>
I'm not sure if this can be considered a bug, since this is due to how type
conversion and casting works, so i just posted it here.
I've notced that this is how strval() works. Can anyone shed light into this?..
===============================================================================
Even shorter version:
//place each character (or group of) of the
string into and array
function str_split_php4($sText, $iSplit = 1)
{
$iSplit=(integer) $iSplit; // sanity check
if ($iSplit < 1) { return false; }
$aResult = array();
for($i=0, $limit=strlen($sText); $i < $limit; $i+=$iSplit) {
$aResult[]=substr($sText, $i, $iSplit);
}
return $aResult;
}
===============================================================================
Regarding ricordatis comment on preg_match_all('/./u',...) instead of
preg_split('//u',...):
You'll have to use the pattern '/./us' with preg_match_all to get exactly the
same behaviour w.r.t. newlines. Don't know if this is still faster, though. Oh,
and the expected result is in $array[0].
===============================================================================
To split unicode text, preg_match_all('/./u', $text, $array); seems faster for
large strings than the use of preg_split('//u', $text); suggested by "edgaras
dot janusauskas at gmail dot com" below.
===============================================================================
Response to "Richard Ayotte 18-Jan-2008 09:27":
Slight tweak to prevent the need to call another preg_replace, there were also
some bugs in this that I'm surprised didn't get noticed (causing duplicate
replaces between the preg_replace calls) :)
Please feel free to optimize further. I'm not the best with lookahead/behinds
yet. I also removed the :upper/lower: and it seemed to speed things up too.
Shaves off a little time anyway. :)
===============================================================================
how I can conwert
$string
'1, 2, 5, 6, 10, 13, 23'
from ENUM at mySQL to
$array
[0] -> false
[1] -> true
[2] -> true
[3] -> false
[4] -> false
[5] -> true
[6] -> true
[7] -> false
[8] -> false
[9] -> false
[10] -> true
[11] -> false
[12] -> false
[13] -> true
[14] -> false
[15] -> false
...
[23] -> true
===============================================================================
//fast & short version od str_split
function string_split($str)
{
$str_array=array();
$len=strlen($str);
for($i=0;$i<$len;$i++) $str_array[]=$str{$i};
return $str_array;
}
//example :
var_dump (string_split("split this"));
?>
===============================================================================
found this great example on a php board for those not using php5, as an
alternative to the posts below this
$count){
return array($string);
} else {
$num = (int)ceil($count/$split_length);
$ret = array();
for($i=0;$i<$num;$i++){
$ret[] = substr($string,$i*$split_length,$split_length);
}
return $ret;
}
}
}
?>
===============================================================================
I think that the last post by carlosreche at yahoo dot com is too complicated.
It's much easier if you do it like this:
I hope it helps for those with PHP <5
===============================================================================
This function supportes utf8
(improvement of function str_split_php4)
i tried this function successfully with these languages
1- Chinese
2- Japanese
3- Arabic
4- Turkish
5- Urdu
6- Russian
7- Persian
127){
if($value >= 192 && $value <= 223)
$split=2;
elseif($value >= 224 && $value <= 239)
$split=3;
elseif($value >= 240 && $value <= 247)
$split=4;
}else{
$split=1;
}
$key = NULL;
for ( $j = 0; $j < $split; $j++, $i++ ) {
$key .= $str[$i];
}
array_push( $array, $key );
}
return $array;
}
?>
===============================================================================
A good use of str_split is reverse translating an amino acid sequence.
===============================================================================
A little one-liner that came in handy. I thought i'd share for those who want
to split a string into two parts by the given offset.
string(12) "Split a stri"
[1]=>
string(27) "ng into two parts at offset"
}
*/
?>


{% load static %}
Congratulations on running the project successfully on your machine. This file has some sample images, use them as an example for rendering images.
{{ foo.name }}
{{ foo.tag }}


DGRC was founded in December 2015 when a group of four ambitious colleagues came together and brainstormed ways in which they could combine their areas of expertise with their passion for helping others.
Through their stead fast determination and hardwork DGRC has grown from just being ideas on sheets of paper, into becoming a free source for individuals everywhere to access and share.
DGRC includes Damilola Idowu, Giuseppina Diaz, Rashawn Conner, and Consuela Hendricks. They met and started working together in the Fall of 2015 throughYear Up; a nonprofit organization dedicated to bridging the opportunity divide for urban youth.
Learn, Review, Create!
Grammar
Nouns And PronounsSocial Media
The Importance Of LinkedinBrush off the dust on those tech skills or add to them!
Hardware
How To Setup A PC WorkstationSoftware
How To Share Files and Folders Over A Network"Together [WE] can spark the brain that changes the World"
- Tupac
"Knowledge is having the right answer.
Intelligence is asking the right question."
- Unknown
Feel free to email us if you have any questions or comments or need assistance.


Hadi's Veterinary
Please fill this form bellow if your pet is feeling ill ❤
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Serialized Form
|
Package org.apache.lucene.analysis.standard |
specialConstructor
boolean specialConstructor
- This variable determines which constructor was used to create
this object and thereby affects the semantics of the
"getMessage" method (see below).
currentToken
Token currentToken
- This is the last token that has been consumed successfully. If
this object has been created due to a parse error, the token
followng this token will (therefore) be the first error token.
expectedTokenSequences
int[][] expectedTokenSequences
- Each entry in this array is an array of integers. Each array
of integers represents a sequence of tokens (by their ordinal
values) that is expected at this point of the parse.
tokenImage
String[] tokenImage
- This is a reference to the "tokenImage" array of the generated
parser within which the parse error occurred. This array is
defined in the generated ...Constants interface.
eol
String eol
- The end of line string for this machine.
errorCode
int errorCode
- Indicates the reason why the exception is thrown. It will have
one of the above 4 values.
|
Package org.apache.lucene.document |
fields
List fields
boost
float boost
name
String name
fieldsData
Object fieldsData
storeTermVector
boolean storeTermVector
storeOffsetWithTermVector
boolean storeOffsetWithTermVector
storePositionWithTermVector
boolean storePositionWithTermVector
omitNorms
boolean omitNorms
isStored
boolean isStored
isIndexed
boolean isIndexed
isTokenized
boolean isTokenized
isBinary
boolean isBinary
isCompressed
boolean isCompressed
boost
float boost
|
Package org.apache.lucene.index |
readObject
private void readObject(ObjectInputStream in)
throws IOException,
ClassNotFoundException
field
String field
text
String text
|
Package org.apache.lucene.queryParser |
specialConstructor
boolean specialConstructor
- This variable determines which constructor was used to create
this object and thereby affects the semantics of the
"getMessage" method (see below).
currentToken
Token currentToken
- This is the last token that has been consumed successfully. If
this object has been created due to a parse error, the token
followng this token will (therefore) be the first error token.
expectedTokenSequences
int[][] expectedTokenSequences
- Each entry in this array is an array of integers. Each array
of integers represents a sequence of tokens (by their ordinal
values) that is expected at this point of the parse.
tokenImage
String[] tokenImage
- This is a reference to the "tokenImage" array of the generated
parser within which the parse error occurred. This array is
defined in the generated ...Constants interface.
eol
String eol
- The end of line string for this machine.
errorCode
int errorCode
- Indicates the reason why the exception is thrown. It will have
one of the above 4 values.
|
Package org.apache.lucene.search |
query
Query query
- The query whose matching documents are combined by the boolean query.
occur
BooleanClause.Occur occur
clauses
Vector clauses
disableCoord
boolean disableCoord
minNrShouldMatch
int minNrShouldMatch
filter
Filter filter
filter
Filter filter
similarity
Similarity similarity
queryNorm
float queryNorm
queryWeight
float queryWeight
fieldName
String fieldName
lowerVal
String lowerVal
upperVal
String upperVal
includeLower
boolean includeLower
includeUpper
boolean includeUpper
disjuncts
ArrayList disjuncts
tieBreakerMultiplier
float tieBreakerMultiplier
value
float value
description
String description
details
ArrayList details
fields
Comparable[] fields
- Expert: The values which are used to sort the referenced document.
The order of these will match the original sort criteria given by a
Sort object. Each Object will be either an Integer, Float or String,
depending on the type of values in the terms of the original field.
- See Also:
Sort
,
Searcher.search(Query,Filter,int,Sort)
query
Query query
filter
Filter filter
minimumSimilarity
float minimumSimilarity
prefixLength
int prefixLength
doc
Document doc
resolved
boolean resolved
hits
Hits hits
hitNumber
int hitNumber
field
String field
termArrays
ArrayList termArrays
positions
Vector positions
slop
int slop
term
Term term
field
String field
terms
Vector terms
positions
Vector positions
slop
int slop
prefix
Term prefix
boost
float boost
query
Query query
fieldName
String fieldName
lowerTerm
String lowerTerm
upperTerm
String upperTerm
includeLower
boolean includeLower
includeUpper
boolean includeUpper
lowerTerm
Term lowerTerm
upperTerm
Term upperTerm
inclusive
boolean inclusive
local
Searchable local
score
float score
- Expert: The score of this document for the query.
doc
int doc
- Expert: A hit document's number.
- See Also:
Searcher.doc(int)
delegee
Similarity delegee
fields
SortField[] fields
field
String field
type
int type
locale
Locale locale
reverse
boolean reverse
factory
SortComparatorSource factory
term
Term term
totalHits
int totalHits
- Expert: The total number of hits for the query.
- See Also:
Hits.length()
scoreDocs
ScoreDoc[] scoreDocs
- Expert: The top hits for the query.
maxScore
float maxScore
- Expert: Stores the maximum score value encountered, needed for normalizing.
fields
SortField[] fields
- The fields which were used to sort results by.
|
Package org.apache.lucene.search.spans |
match
SpanQuery match
end
int end
clauses
List clauses
slop
int slop
inOrder
boolean inOrder
field
String field
include
SpanQuery include
exclude
SpanQuery exclude
clauses
List clauses
field
String field
term
Term term
|
Package org.apache.lucene.util |
readResolve
protected Object readResolve()
throws ObjectStreamException
- Resolves the deserialized instance to the local reference for accurate
equals() and == comparisons.
- Throws:
ObjectStreamException
name
String name
|
Package org.apache.lucene.demo.html |
specialConstructor
boolean specialConstructor
- This variable determines which constructor was used to create
this object and thereby affects the semantics of the
"getMessage" method (see below).
currentToken
Token currentToken
- This is the last token that has been consumed successfully. If
this object has been created due to a parse error, the token
followng this token will (therefore) be the first error token.
expectedTokenSequences
int[][] expectedTokenSequences
- Each entry in this array is an array of integers. Each array
of integers represents a sequence of tokens (by their ordinal
values) that is expected at this point of the parse.
tokenImage
String[] tokenImage
- This is a reference to the "tokenImage" array of the generated
parser within which the parse error occurred. This array is
defined in the generated ...Constants interface.
eol
String eol
- The end of line string for this machine.
errorCode
int errorCode
- Indicates the reason why the exception is thrown. It will have
one of the above 4 values.
|
Package org.apache.lucene.ant |
cause
Throwable cause
|
Package org.apache.lucene.misc |
chain
Filter[] chain
- The filter chain
logicArray
int[] logicArray
logic
int logic
ln_min
int ln_min
ln_max
int ln_max
ln_steep
float ln_steep
ln_mins
Map ln_mins
ln_maxs
Map ln_maxs
ln_steeps
Map ln_steeps
tf_base
float tf_base
tf_min
float tf_min
tf_hyper_min
float tf_hyper_min
tf_hyper_max
float tf_hyper_max
tf_hyper_base
double tf_hyper_base
tf_hyper_xoffset
float tf_hyper_xoffset
|
Package org.apache.lucene.queryParser.precedence |
specialConstructor
boolean specialConstructor
- This variable determines which constructor was used to create
this object and thereby affects the semantics of the
"getMessage" method (see below).
currentToken
Token currentToken
- This is the last token that has been consumed successfully. If
this object has been created due to a parse error, the token
followng this token will (therefore) be the first error token.
expectedTokenSequences
int[][] expectedTokenSequences
- Each entry in this array is an array of integers. Each array
of integers represents a sequence of tokens (by their ordinal
values) that is expected at this point of the parse.
tokenImage
String[] tokenImage
- This is a reference to the "tokenImage" array of the generated
parser within which the parse error occurred. This array is
defined in the generated ...Constants interface.
eol
String eol
- The end of line string for this machine.
errorCode
int errorCode
- Indicates the reason why the exception is thrown. It will have
one of the above 4 values.
|
Package org.apache.lucene.search.regex |
regexImpl
RegexCapabilities regexImpl
regexImpl
RegexCapabilities regexImpl
term
Term term
|
Package org.apache.lucene.queryParser.surround.parser |
specialConstructor
boolean specialConstructor
- This variable determines which constructor was used to create
this object and thereby affects the semantics of the
"getMessage" method (see below).
currentToken
Token currentToken
- This is the last token that has been consumed successfully. If
this object has been created due to a parse error, the token
followng this token will (therefore) be the first error token.
expectedTokenSequences
int[][] expectedTokenSequences
- Each entry in this array is an array of integers. Each array
of integers represents a sequence of tokens (by their ordinal
values) that is expected at this point of the parse.
tokenImage
String[] tokenImage
- This is a reference to the "tokenImage" array of the generated
parser within which the parse error occurred. This array is
defined in the generated ...Constants interface.
eol
String eol
- The end of line string for this machine.
errorCode
int errorCode
- Indicates the reason why the exception is thrown. It will have
one of the above 4 values.
|
Package org.apache.lucene.queryParser.surround.query |
|
Package org.apache.lucene.swing.models |
listModel
ListModel listModel
rowToModelIndex
ArrayList rowToModelIndex
- The reference links between the decorated ListModel
and this list model based on search criteria
directory
RAMDirectory directory
- In memory lucene index
analyzer
Analyzer analyzer
- Cached lucene analyzer
searchString
String searchString
- Cache the current search String. Also used internally to
key whether there is an active search running or not. i.e. if
searchString is null, there is no active search.
listModelListener
ListDataListener listModelListener
tableModel
TableModel tableModel
- The inner table model we are decorating
tableModelListener
TableModelListener tableModelListener
- This listener is used to register this class as a listener to
the decorated table model for update events
rowToModelIndex
ArrayList rowToModelIndex
- these keeps reference to the decorated table model for data
only rows that match the search criteria are linked
directory
RAMDirectory directory
- In memory lucene index
analyzer
Analyzer analyzer
- Cached lucene analyzer
searchString
String searchString
- Cache the current search String. Also used internally to
key whether there is an active search running or not. i.e. if
searchString is null, there is no active search.
Copyright © 2000-2006 Apache Software Foundation. All Rights Reserved.


--- layout: post title: Torn tracing paper date: '2014-01-24T07:30:43+01:00' categories: - Sketches picture_url: https://film-Storyboards.tumblr.com/post/74380446186/torn-tracing-paper ---


Elci32.github.io
NEC VT490 USER MANUAL Pdf Download. View and Download NEC VT660 important information manual online. VT660 Projector pdf manual download. Also for: Vt560, Vt460. NEC VT660 IMPORTANT INFORMATION MANUAL Pdf Download.
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Preparation time
less than 30 mins
Cooking time
1 to 2 hours
Serves
Serves 4
This recipe was created by James Martin specifically for the Great British Budget Banquet Dinner.
Try homemade potato gnocchi for something different that packs a lot of flavour. Here they’re served in a cream sauce with peas, fried sausagemeat and capers.
Preheat the oven to 180C/350F/Gas 4.
Lightly score or prick the potatoes. Spread out the salt on a baking tray to make a bed of salt and sit the potatoes on top. Bake in the oven for 45 minutes to one hour, or until tender.
Allow the potatoes to cool until comfortable enough to handle. Cut in half and spoon the cooked potato out of the skins.
Finely mash the potato or put through a potato ricer. Add the flour, parmesan and egg yolk. Season with salt and pepper and mix well. Keep mixing until the potato forms a dough.
Working on a lightly floured surface, divide the dough into four. Roll each quarter into a sausage shape about 20cm/8in long and cut into 2cm/1in pieces. Shake off any excess flour.
Melt the butter in a frying pan and lightly fry the breadcrumbs until golden-brown. Tip into a small bowl and set aside.
Heat a tablespoon of oil in the same frying pan and fry the gnocchi in batches until golden-brown on all sides. Remove from the pan, set aside and keep warm until all the gnocchi is fried.
Remove the skins from the sausages, break up the sausagemeat and fry with a little oil for four minutes, then add the onion and fry for a further three minutes until it is all golden-brown. Add the garlic and fry for another minute.
Add the stock, peas, cream, capers and parsley. Bubble over a high heat to reduce the volume of liquid slightly and thicken the sauce. Finally add the fried gnocchi and warm through in the sauce for a minute or two.
To serve, divide the lettuce between four plates or bowls, serve the gnocchi on top, scatter with the fried breadcrumbs, grated parmesan and finely grated lemon zest.


Simple and concise
WebDriver is simple, it is designed as a concise and compact programming interface.
Works in all major browsers
Through a simple setup, WebDriver can be used with all major browsers. Automate real user interactions in Firefox, Safari, Edge, Chrome, Internet Explorer and more!
Selenium WebDriver refers to both the language bindings and the implementations of the individual browser controlling code. This is commonly referred to as just WebDriver.
WebDriver is a W3C Recommendation!
The W3C is an international community that works to develop Web standards. In June 2018, WebDriver became a W3C recommendation.
What does this mean? Major browser vendors (Mozilla, Google, Apple, Microsoft)
support WebDriver and work constantly to improve the browsers
and browser controlling code, which leads to a more uniform behaviour across the different
browsers, making your automation scripts more stable.


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Ways to Improve Your Rhythmic Content for Melodies
August 31, 2018 | Nick Mazuk
Rhythm is one of the least looked at aspects in melody writing because there are so many things to learn.
However, mastering rhythm in the context of a melody can take your melodies to the next level.
I’ve already talked about specific techniques to improve your rhythmic variety in melodies, but today I’m going to show you how get used to applying those ideas in your melodies.
Here are 2 specific practice techniques that I use to get better rhythm in melodies.
Ways To Improve Your Pitch Content For Melodies
August 31, 2018 | Nick Mazuk
There are so many different aspects of melody that it can be difficult to work on all of them at once.
That’s why it is useful to break down melody writing into it’s basic components and then practice each of them individually. Then, when you combine everything together, you can start to sculpt a melody with all these tools in your toolbox.
So today, I’m going to give you two basic yet effective ways to isolate pitch in your melody writing. This will let you develop melodies that have solid pitch content without needing to worry about structure, rhythm, dynamics, or anything else.
 And the more techniques you have in your toolkit, the more variety you’ll get and the more nuanced your melodies.
So today I’m going to give you a powerful tool that is easy to use and will add harmonic and pitch variety to your melody.
And that is the unexpected note climax.
Structuring Motives
August 31, 2018 | Nick Mazuk
If you’ve been following up to this point, you have the following skills:
- Identify motives, phrases, and periods
- Write motives quickly from scratch
- Name motives and find variations
Now it’s time to put all these skills together and get the final piece to learn the secret to consistently building a great melody.
Melodies: Create Rhythmic Climaxes
August 31, 2018 | Nick Mazuk
When creating a climax for a melody, it can become very tempting to talk about pitch.
However, the rhythm is equally important. And if you plan it right, the rhythm can completely carry the climax. Because rhythm is so instinctual and subtle, often times its effectiveness comes from the fact that listeners won’t know that rhythm was the cause.
So for this post, we are going to dissect two of the key ways to create a convincing rhythmic climax.
Magic Moving Note: The Key to Keeping Your Melodies Going
August 31, 2018 | Nick Mazuk
One mistake I’ve often seen in many composers is that their melody is static. Even if they’ve created a climax using five different methods, it doesn’t go anywhere.
The result is often because the melody seems to revolve around a certain note. Or at the least it keeps coming back to that note.
This means the melody isn’t really traveling far. Any motion it gets is then halted by the return to a familiar note.
So how do we fix this?
Melodies: Create Climaxes with Intervalic Tension
August 31, 2018 | Nick Mazuk
You’ve probably heard about certain intervals being more dissonant when those two notes are played.
But have you ever thought about using that dissonance to your advantage? Especially in the context of a melody?
Believe it or note, using dissonant or hard to sing intervals in a melody can actually make your melody more memorable and more singable!
Specifically, these intervals create tension that is waiting for some release.
And when you use this tension in your melodies, magic can happen!
So today I’m going to show you how to unlock this magic to make your melodies sparkle.
Increase Rhythmic Variety in Your Melody
August 31, 2018 | Nick Mazuk
When you first start writing melodies, you’ll likely fall into a rhythmic rut. You just keep writing the same rhythmic fragments over and over again.
This can get boring.
But fear not! For I have several simple ways to add rhythmic variety to your melody!
Each of these are simple and easy to use. And with a little practice, you’ll notice that your melodies are far more engaging.
Let’s dive in.
4 Ways To Increase Pitch Variety in Your Melody
August 31, 2018 | Nick Mazuk
After writing dozens or hundreds of melodies, you’ll start to notice particular patterns. Especially when it comes to the pitches.
You’ll notice that you will have tendencies. And that will likely start to frustrate you because you can’t seem to figure out how to write anything new.
Luckily, I have some new tricks to help you increase your pitch variety in your melodies.
And I’m going to share 4 of them with you today.
Melodies: Creating High/Low Note Climaxes
August 31, 2018 | Nick Mazuk
If you ever want to understand how to write a good melody, you have to learn how to write this type of climax.
It is so common, so easy, and so effective that every good melodist has this simple skill in their tool kit.
However, while it is easy to write a melody that simply has a high or low point, there are some concepts that you want to think about. A melody won’t feel climactical simply because it has a high point. There has to be thought to it.
Luckily, I’m going to share a few key insights that will make your high or low points much more climactic.
Fractal Melodies: How to Litter Your Melody with Repetition and Variation
August 31, 2018 | Nick Mazuk
The key to making interesting melodies is repetition and variation. We’ve talked a lot about repetition and ways to add variety to your melody. But 8 measures it not a ton of space.
Especially if you follow my guide to structuring melodies with motives. You’ll only get 4 motives!
However, there is a tool that many of the pros use to make their melodies even more memorable.
And it’s a simple tool that will allow you to pack even more repetition and variation within your 8 measures.
3 Ways to Alter Motive Lengths
August 31, 2018 | Nick Mazuk
8 measure melodies can get boring. Especially if you write them all the time.
This comes from their innate sense of predictability. Compelling composition constantly seeks to create expectations and then defy them. So if you are always writing 8 measure melodies, you are never defying expectations!
That’s why you need to vary the structure of your melody. And one way to do that is altering the lengths of your motives.
So in this post, I’m going to give you 3 simple ways to alter the lengths of your motives to keep your audience engaged and hooked throughout the entire piece.
Adding or Deleting Motives
August 31, 2018 | Nick Mazuk
Though 8-measure motives are the way you should really learn to start writing melodies, relying on that structure can make your music extremely repetitive.
And repetitive is boring.
You want interesting music. And to do that, you need to vary the lengths of your melodies. This can be done two ways; you can either alter the length of your motives, or you can alter the number of motives in your melody.
So in this post, we are going to look at some of the ways in which you can add interest by adding or deleting motives from your melodies.
4 Ways to Add Meaning to Your Melody
August 31, 2018 | Nick Mazuk
So you’ve written several melodies, but you can’t figure out how to make a melody that has any meaning?
You’ve probably done research on, and maybe have even read and practiced my structure for writing melodies, but you still can’t figure it out!
There’s one little secret that will solve your problem almost instantly: climaxes. You have to make sure your melody is going somewhere for your melody to have any sort of meaning. Understanding climaxes is the key to making that happen.
So today, I’m going to show you 4 simple ways to create climaxes in your melody through what I believe to be one of the most perfectly constructed melodies of all time.
Motive Names
August 14, 2018 | Nick Mazuk
So now you have your motives written.
But how do you organize them?
Sure, you could just do trial and error to find out the best structure for your motives. But what if I told you that there is a form that is guaranteed to work?
What if I told you I could take all the guesswork out of writing a melody out of motives?
Well, that’s not a what if. I’m actually going to give that secret to you right now.
6 Fundamentals of Music Composition
August 14, 2018 | Nick Mazuk
Like all skills, composition has its fundamentals that must be mastered. And there are probably a lot more than you think.
Luckily, knowing what the fundamentals are can help dissect what you need to do to improve. No longer do think, “I need to get better”, but you rather, “I need to work on counterpoint”.
I’m actually working on counterpoint right now
So with that said, let’s dive in and explore the different fundamentals of music.
Writing Motives
July 19, 2018 | Nick Mazuk
In the last article, we discussed the basic structure of a melody and how a melody is broken up into four motives.
We also learned that you can construct a melody from combining four motives together. So now the question becomes, how do we write a motive?
Building Blocks of Melody
July 16, 2018 | Nick Mazuk
Writing melodies may seem like an ambiguous and abstract skill to learn, but the techniques for writing effective melodies are quite simple.
Like many things, melodies are made up of a bunch of smaller building blocks. And when you learn how to write these small building blocks, you can simply start to piece the entire melody together.
We’re going to start simple: eight measure melodies. Yes, eight measure melodies. Why? Because once you learn how to write an eight measure melody, you know how to vary the length and keep it coherent and interesting. We’re keeping it simple.
So, without further ado, here’s the general structure for an eight measure melody:


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 1
Preheat the oven to 220C/425F/Gas 7.
Rub the plaice with olive oil, then arrange the mushroom slices over the fish in a pattern to resemble fish scales.
Place the butter over the top and season with sea salt and freshly ground black pepper.
Place onto a baking sheet and transfer to the oven and bake for 4-5 minutes, or until the fish is completely cooked through.
Meanwhile, for the sauce, place the potatoes, leek, mushrooms and butter into a saucepan over a low heat and fry gently for 10 minutes, or until the potatoes are becoming tender.
Turn up the heat and add the wine. Simmer the mixture until almost no liquid remains, then add the chives and cream. Reduce the heat to simmer for 1-2 minutes.
To serve, spoon some of the sauce onto a serving plate, top with the fish and place the potatoes alongside side.


dfilemaker - distributed random file generation program
dfilemaker [options] path
dfilemaker is a tool for generating files and file trees which contain files suitable for testing.
Specify the depth of the filesystem tree to generate. The depth will be selected at random within the bounds of min and max. The default depth is set to 10 min, 20 max.
Specify the fill pattern of the file. Current options available are: random
, true
, false
, and alternate
. random
will fill the file using urandom(4). true
will fill the file with a 0xFF pattern. false
will fill the file with a 0x00 pattern. alternate
will fill the file with a 0xAA pattern. The default fill is random
.
Specify the ratio of files to directories as a percentage. The ratio will be chosen at random within the bounds of min and max. The default ratio is 5% min to 20% max.
Specify the seed to use for random number generation. This can be used to create reproducible test runs. The default is to generate a random seed.
Specify the file sizes to generate. The file size will be chosen at random random within the bounds of min and max. The default file size is set from 1MB to 5MB.
Specify the width of the filesystem tree to generate. The width will be selected at random within the bounds of min and max. The width of the tree is determined by counting directories. The default width is set to 10 min, 20 max.
Print a brief message listing the dfilemaker(1) options and usage.
Print version information and exit.
dcmp
(1). dcp
(1). dfilemaker
(1). dfind
(1). dgrep
(1). dparallel
(1). drm
(1). dtar
(1). dwalk
(1).
The FileUtils source code and all documentation may be downloaded from http://fileutils.io


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A collection of projects, examples and resources for Web Audio API. Curated by Chrome Web Audio team.


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The itinerary for the day is shown below:
Precision Medicine Initiative was announced last year to make strides towards delivering personalized treatments to patients, taking into account the history, genes, environments, and lifestyle of individuals. Presently, advances in molecular testing for cancer patients lets physicians and patients select treatments that improve chances of survival and reduce adverse effects. Being able to select therapies that are designed to target specific markers or symptoms may provide the best treatment. But we can do better. In the near future, genetic testing will become 10x cheaper and ubiquitous: Along with the history, we will also be storing the patient's genome in the patient file.
The goal of this event is to highlight the importance of opening research data and the crucial need for creating new tools to allow citizen scientists to become engaged and participate in research. This event would be structured similarly to a mini-symposium, beginning early in the morning and ending early-afternoon. The symposium is open to all students, staff and faculty and will be led by faculty and student-researchers across various disciplines.


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Whittaker
This page contains an index of all the individuals in the database with the surname of Whittaker. Selecting the person’s name will take you to that person’s individual page.
| Given Name | Birth | Death | Partner | Parents |
|---|---|---|---|---|
| Arthur Frederick | 1894 | 1975-09-14 | Kelly, Frorence D. H. | Whittaker, George Edwin Weiss, Adelaide "Ada" Rose |
| Doris A. A. | 1896 | Hawker, Harold W. | Whittaker, George Edwin Weiss, Adelaide "Ada" Rose | |
| George Edwin | 1858 | 1942 | Weiss, Adelaide “Ada” Rose | Whittaker, William & Eliza Jane |
| George Ernest | 1886 | Smith, Annie | Whittaker, George Edwin Weiss, Adelaide "Ada" Rose | |
| Grace W. | 1905 | Smith, Carl Stephen | Whittaker, George Edwin Weiss, Adelaide "Ada" Rose | |
| Ida “Minnie” | 1889 | Ryman, Mark C. | Whittaker, George Edwin Weiss, Adelaide "Ada" Rose | |
| Ida Minnie | 1889 | Ryman, Mark C. | ||
| Linda R. J. | 1892 | Francis, Sydney Vincent D. | Whittaker, George Edwin Weiss, Adelaide "Ada" Rose | |
| May | Warbrick, Francis W. | |||
| Mervyn Herbert, (Pastor) | 1885 | 1955-04-24 | ???, Elizabeth | Whittaker, George Edwin Weiss, Adelaide "Ada" Rose |
| Percy W. | 1898 | 1898 | Whittaker, George Edwin Weiss, Adelaide "Ada" Rose | |
| Stanley W. S. | 1901 | Rosendahl, Eileen Myrtle | Whittaker, George Edwin Weiss, Adelaide "Ada" Rose | |
| William & Eliza Jane | ||||
| [Living] | Whittaker, Mervyn Herbert (Pastor) ???, Elizabeth | |||
| [Living] | Whittaker, Arthur Frederick Kelly, Frorence D. H. | |||
| [Living] | Whittaker, Mervyn Herbert (Pastor) ???, Elizabeth | |||
| [Living] | Whittaker, Arthur Frederick Kelly, Frorence D. H. | |||
| [Living] | Whittaker, Mervyn Herbert (Pastor) ???, Elizabeth | |||
| [Living] | Whittaker, Arthur Frederick Kelly, Frorence D. H. | |||
| [Living] | Whittaker, [Living] ???, [Living] | |||
| [Living] | ???, [Living] | Whittaker, George Ernest Smith, Annie |