First, Last
Research
Resume
Ph.D Candidate
Math, Computer science ...
University of Montreal
linkedin/pseudo
<EMAIL_ADDRESS>github/pseudo
About me
Insert Text Here


nips nips2005 nips2005-162 nips2005-162-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Tatsuto Murayama, Peter Davis
Abstract: This paper provides a system-level analysis of a scalable distributed sensing model for networked sensors. In our system model, a data center acquires data from a bunch of L sensors which each independently encode their noisy observations of an original binary sequence, and transmit their encoded data sequences to the data center at a combined rate R, which is limited. Supposing that the sensors use independent LDGM rate distortion codes, we show that the system performance can be evaluated for any given ﬁnite R when the number of sensors L goes to inﬁnity. The analysis shows how the optimal strategy for the distributed sensing problem changes at critical values of the data rate R or the noise level. 1


| Class | Description |
|---|---|
| BuildConfig | |
| BuilderActivity |
Controller handling logic for the level builder
|
| BuilderView |
Controller handling logic for the level builder view
|
| GameActivity |
Controller handling logic for the game
|
| GameView |
Controller handling logic for the game view
|
| MenuMainActivity |
Controller handling logic for the main menu
|
| R | |
| R.array | |
| R.attr | |
| R.dimen | |
| R.drawable | |
| R.id | |
| R.layout | |
| R.menu | |
| R.string | |
| R.style |


Zach Lamb
Programming Languages
Favorite Food
Experience
Education
Tasks
Most Experience
Some Experience
Programming Languages With The Most Experience
Programming Languages With Some Experience
Favorite Food
Experience
Education
Task


This page is going to be holding my assignments for my CSCI 488 class.
This class is on Database Driven Web Applications and Software Engineering principles. Since this is not a web design class, this page is not meant to be super stylih or fancy, but instead include server-side programming and database.
| CSCI Classes I have taken. |
|---|
| Intro to Programming II |
| Web Programming |
| Data Structures & Algorithms |
| Advanced Algorithm & Algorithm Design |
| Database Management Systems |
| Computer Architecture |


Home
Dog Supplies
My Cats
Important supplies for new dog owners:
Crate
Harness
Leash
High quality dog food and treats


- Ubuntu Docker container doesn’t have Chinese by default.
Solution:- Option 1: install Chinese manually
#Check locale locale -a #Check installed packages dpkg -l | less #Set environment variables LANG, and LC_ALL LANG='C.UTF-8' set |grep LANG LC_ALL='C.UTF-8' set |grep LC_ALL export LANG printenv |grep LANG export LC_ALL printenv |grep LC_ALL
- Option 2: install it in Dockerfile
RUN apt-get update RUN apt-get install -y locales ENV LANG C.UTF-8 ENV LC_ALL C.UTF-8
- Option 1: install Chinese manually
- Failed to install locales.
apt-get install -y locales E: Package 'locales' has no installation candidate
Solution:
Runapt-get update
first


Account
Decks
Matches
Statistics
(logout)
Login or create account
Login
Create Account
Create deck
Create
Your decks
Add match
Win
Loss
Coin
No Coin
Add
Your matches
Match statistics


Hex Color Blender
Color 1:
or
Color 2:
or
Intermediate colors:
Tip: Click on a color to copy its hex code!


| space, → | next slide |
| ← | previous slide |
| d | debug mode |
| ## <ret> | go to slide # |
| c | table of contents (vi) |
| f | toggle footer |
| r | reload slides |
| z | toggle help (this) |
Your infrastructure is never an immutable black box. It is one step in a long iteration.
Just as you don't have to think about capacitors to microwave your burrito, you don't have to think about the intermediate steps to know how you want your server to be.
Talk about choosing the right tool for the right job. For example, scripting ./configure && make && make install
in Puppet is a good sign you should build a package.
~/bin/doit5
may never work again. It's a good thing that the Puppet language is not itself Ruby but I'm not here to start a holy war. Limits in configuration management serve the same purpose as in a templating language: they enforce separation of concerns. In this case, the limits separate process from desired state.
~/bin/doit5
Puppet and Chef work basically the same way from this altitude.
Puppet and Chef again work the same way here. The single difference is in the granularity of dependency declarations. Puppet's are at the resource level. Chef's are at the cookbook (module) level.
package { "foo": ensure => "0.0.0" }
file { "/etc/foo.conf":
content => template("foo.conf.erb"),
owner => "foo",
mode => "600",
ensure => file,
}
Be wary of using latest
on packages you don't build in-house.
class bar {
exec { "apt-get update": }
package { "bar":
require => Exec["apt-get update"],
ensure => latest,
}
file { "/etc/bar.conf":
content => template("bar.conf.erb"),
ensure => file,
}
}
The defaults are good except for a few places that break filesystem standards, which I choose to fix. pluginsync
will be important later. You can customize the master and agents separately using [master]
and [agent]
sections, INI-style.
/etc/puppet/puppet.conf
[main]
logdir=/var/log/puppet
rundir=/var/run/puppet
ssldir=$vardir/ssl
pluginsync=true
server=puppetmaster.example.com
This should exist on the master, too. There's a minor memory hit to running puppet agent
as a daemon but that makes a huge difference to DevStructure users with sometimes just 256 MB of RAM. This cron calls bash
, not sh
to use $RANDOM
which in effect prevents the thundering herd from taking down your Puppet master every half hour. This is a good time to point out the obvious - that not all your servers will always be the same - plan accordingly.
/etc/cron.d/puppet
PATH="/usr/sbin:/usr/bin:/sbin:/bin"
# Remove the line breaks.
*/30 * * * * root bash -c '
sleep $(($RANDOM \% 1800));
puppet agent --certname=$(cat
/etc/puppet/certname)
--no-daemonize --onetime'
puppet --genconfig
/etc/puppet
manifests/site.pp
manifests/site.pp
!import "nodes"
Exec {
path => "/usr/sbin:/usr/bin:/sbin:/bin",
}
Node and class names may collide. "default" is special so I use "base" as my most general class name.
manifests/nodes.pp
!node default { include base }
node www inherits default { include www }
node 'staging.example.com' inherits www {}
node /\.www\.example\.com$/ inherits www {}
base
!modules/base/manifests/init.pp
class base {
package {
"dnsutils": ensure => latest;
"psmisc": ensure => latest;
"strace": ensure => latest;
"sysstat": ensure => latest;
"telnet": ensure => latest;
}
}
www
!modules/www/manifests/init.pp
class www {
package { "nginx":
ensure => "0.7.65-1ubuntu2",
}
}
/var/lib/puppet/ssl
on agents.puppet cert
on master.autosign.conf
foo.example.com
*.www.example.com
*
auth.conf
path ~ ^/catalog/([^/]+)$
method find
allow $1
fileserver.conf
[modulename]
path /foo/bar/baz
allow *
iptables
rules./etc/passwd
entries.autosign
ing?node
definitions.[agent]
certname=foo.www.example.com
default
.[agent]
certname=adhadgsdhsfsdhxcb.example.com
autosign
disabled? Try social engineering.[agent]
certname=admin0.example.com
# certname=dev.example.com
# certname=test.example.com
# certname=corp.example.com
export ssldir=/var/lib/puppet/ssl
export server=puppetmaster.example.com
curl --insecure \
--cert $ssldir/certs/$CERTNAME.pem \
--key $ssldir/private_keys/$CERTNAME.pem \
--cacert $ssldir/ca/ca_crt.pem \
https://$server:8140/$ENV/catalog/db1.example.com
If you do have a signed certificate, you can snoop around using it, too.
export server=puppetmaster.example.com
curl --insecure \
https://$server:8140/$ENV/file_content/$MODULE/$FILE
iptables
iptables -P INPUT ACCEPT
iptables -P OUTPUT ACCEPT
iptables -P FORWARD ACCEPT
iptables -F
iptables -A INPUT -m conntrack \
--ctstate RELATED,ESTABLISHED -j ACCEPT
iptables -A INPUT -i eth1 -p tcp \
-s <IP_ADDRESS>/16 --dport 8140 -j ACCEPT
iptables -A INPUT -i eth1 -p udp \
-s <IP_ADDRESS>/16 --dport 8140 -j ACCEPT
iptables -A INPUT -i lo -j ACCEPT
iptables -A INPUT -j DROP
stunnel
stunnel
(8)$NoSQL
SSL-aware.stunnel
Upstart configdescription "stunnel-redis-client"
start on runlevel [2345]
stop on runlevel [!2345]
respawn
exec /usr/bin/stunnel -f -c -d localhost:6379 \
-r redis.example.com:6381
description "stunnel-redis-server"
start on runlevel [2345]
stop on runlevel [!2345]
respawn
exec /usr/bin/stunnel -f -d 6381 -r localhost:6382
Hostname-specific file paths can mitigate this risk. Leak example: malicious server grabbing the database config or secrets file.
file { "/foo/bar/baz":source => "puppet://foo/bar/baz",content => template("foo/bar/baz"), ensure => file, }
default
nodecertname
speculation.--config
, --manifestdir
, or --manifest
to run different masters listening$extlookup_datadir = "/etc/puppet/extdata"
$extlookup_precedence = [
"%{fqdn}", "%{domain}", "base"]
file { "/foo/bar/baz":
content => extlookup("foobarbaz"),
ensure => file,
}
extlookup
function can retrieve data from external CSV files.[master]
external_nodes=/usr/local/bin/classifier
node_terminus=exec
/usr/local/bin/classifier foo.example.com # Facts are available as YAML in # $vardir/yaml/facts/foo.example.com.yaml
--- !ruby/object:Puppet::Node::Facts
expiration: 2010-09-20 20:27:14.445807
name: &id003 foo.example.com
values:
hardwaremodel: &id002 x86_64
kernelrelease: <IP_ADDRESS>-rscloud
selinux: "false"
sshrsakey: OH HAI
facter | less
---
classes:
- base
- www
environment: production
parameters:
mail_server: mail.example.com
#!/bin/sh
set -e
TMP=$(mktemp -d "$1.XXXXXXXXXX")
ssh-keygen -q -f "$TMP/id_rsa" -b 2048 -N ""
zomg_post_to_the_api "$1" "$(cat "$TMP/id_rsa")"
cat <<EOF
---
classes:
- ssh
parameters:
public_key: $(cat "$TMP/id_rsa.pub")
EOF
class ssh {
file {
"/root/.ssh":
mode => "700",
ensure => directory;
"/root/.ssh/authorized_keys":
content => "$public_key\n",
ensure => file;
}
}
modules/ssh/ manifests/ init.pp lib/puppet/ type/ keygen.rb provider/keygen/ posix.rb
package
is a type.apt
is a provider of packages.class ssh {
keygen { "name-it-whatever": }
}
require 'puppet/type'
Puppet::Type.newtype(:keygen) do
@doc = "ssh-keygen example"
newparam(:whatever, :namevar => true) do
desc "Name it whatever."
end
ensurable do
self.defaultvalues
defaultto :present
end
end
require 'openssl'
require 'puppet/resource'
require 'puppet/resource/catalog'
Puppet::Type.type(:keygen).
provide(:posix) do
desc "ssh-keygen example for POSIX"
defaultfor :operatingsystem => :debian
# Define exists?, create, and destroy.
end
def exists?
File.exists?(
"/root/.ssh/authorized_keys")
end
def destroy
Puppet.warning "No turning back."
raise NotImplementedError
end
def create
key = OpenSSL::PKey::RSA.generate(2048)
zomg_post_to_the_api \
Facter.value(:certname), key
catalog = Puppet::Resource::Catalog.new
catalog.create_resource(:file,
:path => "/root/.ssh",
:mode => "700",
:ensure => :directory
)
catalog.create_resource(:file,
:path => "/root/.ssh/authorized_keys",
:content => "#{key.public_key}\n",
:ensure => :file
)
catalog.apply
end
config.ru
$0 = "master"
ARGV << "--rack"
ARGV << "--certname=#{
File.read("/etc/puppet/certname").chomp}"
require 'puppet/application/master'
# TODO Middleware.
run Puppet::Application[:master].run
require 'base64'
require 'json'
require 'rack/utils'
require 'yaml'
require 'zlib'
class StuckInTheMiddleWithYou
def initialize(app)
@app = app
end
def call(env)
# TODO Preprocessing.
status, headers, body = @app.call(env)
# TODO Postprocessing.
[status, headers, body]
end
end
use StuckInTheMiddleWithYou
params = Rack::Utils.parse_query(env["QUERY_STRING"], "&")
facts = case params["facts_format"]
when "b64_zlib_yaml"
YAML.load(Zlib::Inflate.inflate(Base64.decode64(
Rack::Utils.unescape(params["facts"]))))
end
# Change facts.
if Puppet::Node::Facts === facts
facts.values["foo"] = "bar"
end
params["facts"] = case params["facts_format"]
when "b64_zlib_yaml"
Rack::Utils.escape(Base64.encode64(Zlib::Deflate.deflate(
YAML.dump(facts), Zlib::BEST_COMPRESSION)))
end if facts
env["QUERY_STRING"] = Rack::Utils.build_query(params)
env["REQUEST_URI"] =
"#{env["PATH_INFO"]}?#{env["QUERY_STRING"]}"
object = case headers["Content-Type"]
when /[\/-]pson$/ then JSON.parse(body.body.join)
when /[\/-]yaml$/ then YAML.load(body.body.join)
when "text/marshal" then Marshal.load(body.body.join)
else body.body.join
end
# Change catalog.
if Hash === object && "Catalog" == object["document_type"]
object["data"]["resources"].unshift({
"exported" => false,
"title" => "apt-get update",
"parameters" => {"path"=>"/usr/sbin:/usr/bin:/sbin:/bin"},
"type" => "Exec",
})
end
body = case headers["Content-Type"]
when /[\/-]pson$/ then [JSON.generate(object)]
when /[\/-]yaml$/ then [YAML.dump(object)]
when "text/marshal" then [Marshal.dump(object)]
else [object]
end
headers["Content-Length"] = Rack::Utils.bytesize(body.first)
Mention this is a last resort and that I've fixed bugs in Puppet itself via this method.


Epicodus Track Suggester Quiz
Take the quiz below to receive a suggestion for which Epicodus coding track is best for you.
First, what's your name?
Which option best completes this sentence?
"__________" is the most important aspect of a webpage/app.
Appearance and front end appearance...
Ability to process data and be interactive...
Does the future belong to dedicated app or web apps?
Dedicated apps
Web apps
Do you prefer open source or proprietary technology?
Open source
Proprietary
Is your ideal job at a large "enterprise" company or a smaller stratup?
Enterprise
Startup
What would be the best tech company to work for?
Microsoft
Google
Amazon
Adobe
Small tech company
Get Track!
Your ideal Epicodus track is:
The CSS/Design Track!
Your ideal Epicodus track is:
The C# Track!
Your ideal Epicodus track is:
The php/Drupal Track!
Your ideal Epicodus track is:
The Ruby/Rails Track!
Hmmm, looks like you may need more info...
Check out these links, then
try the quiz again
.
Learn more
about Ruby on Rails
Get details
about PHP
Maybe .net and C#
would be better for you
View the
courses offered
at Epicodus


Social class: Medium to low income. Activities: Part time job in a coffee shop, piano player in an orchestra and architecture student. Motivations: Get a bachelor and a better job, improve the quality of life of his family and help his brothers to study. User type: Expert, uses the metro everyday to go to school, home and job. User status: Potential.
Personality
ENFJ
Extraversion: Talkative and outgoing person. Tend to work out ideas with others and think out loud. Like to be in a fast-paced environment. Intuition: Imagine the possibilities of how things could be. Notice the big picture, see how everything connects. Enjoy ideas and concepts for their own sake. Like to describe things in a figurative, poetic way.
Feeling: Tend to base my decisions on personal values and how my actions affect others. Could be described as warm, empathetic person. Value harmony, forgiveness. Judging: Thinks rules and deadlines should be respected. Prefer to have detailed, step-by-step instructions. Often make plans, want to know what I’m getting into.
Referents / Influences
Key indicators
Devices: Pedro is outside most of the time, he uses an Android Smartphone to communicate. Family: Pedro helps economically his family, he wants to offer his brothers a better life. University: Pedro is studying to get his bachelor and get a better job. Part time job: He works in a coffee shop to pay his studies.
Archetype
Insights
Metro system is a good way to move around the city, is cheap and takes you almost everywhere. But the experience of using the metro is not as comfortable as you might think.
Experience Goals
General: Don't waste time, do his tasks in a efficient way. Product related: Feel confident with the service, interface easy to understand and use.
Devices and Platforms
Android Smartphone Windows laptop Television Radio
Domain Details
Social media apps Banking apps Entertainment apps Academic Platforms Lifestyle services apps
Must Do / Must Never
"Ease access and clear text blocks" "Don't have time for information overload or complexity" "Avoid using a lot of color and implement visual icons to suggest the functions" "Hide unnecessary process"
Relationship to brand
Seek and value: Give him the possibility to access easier to the infraestructure, allows him to schedule his day and provides him information that could be helpful. Level of user: Do not know the brand or use our products. Relationship key quote: I don't know the brand but if the app will help me to make my life easier, I'm going to use it.


{% csrf_token %}
Title:
PDF:
Year published:
Publication:
Priority:
Intro+conclusion read:
Refs expanded:
Paper finished:
Notes:
{{memb.notes}}


What is it?
ZoomHub lets you share & view your high-resolution images seamlessly and blazingly fast, no matter whether you are on a desktop computer, tablet, or mobile phone.
Play around with the demo above and experience it yourself!
What’s the current status?
ZoomHub is the spiritual and open-source successor to Microsoft’s Zoom.it. It is developed and maintained by volunteers who were members of the original Zoom.it team.
We’re currently not converting new images, but existing images—including their pages and embeds—should work. We are working very hard to restore the service to its old glory and beyond!
Examples
NASA: Earth at Night
Pieter Bruegel the Elder: The Tower of Babel
Luis Romero Martinez: Manglar en Emergencia


Cultural Blog - Week8
1. Discuss a time you had an emotional conflict with someone. What was it about? What happened? I was subletting a room several years ago from an elderly couple. I had sent the rent, but they claimed that I had not sent the ren I received a nasty voice mail from the elderly gentleman that I had not paid the rent. I sent him a nasty voice mail in response that I did. I probably did not have to respond with any nastiness. This was an elderly individual and it's wiser to practice patience. If he had some health issue, then my response could have exacerbated whatever the issue was. 2. What was the source of the conflict? payment of rent. 3. How did you handle that conflict? I responded in kind. 4. Did your actions make the conflict better or worse? Probably worse, though I have no confirmation. 5. If you could go back, what would you do differently, if anything? I would have shown restraint and kindness. I should have tried to put myself in the shoes of the elderly gentleman. 6. What did you learn from this experience? I have a tendency to feel guilty real easily, and in turn have learned to be as nice as possible so I don't feel guilty.


Create a new Alloy atom.
The type of this atom
The name of this atom
This atom's type
Returns AlloyType.Atom
Returns the unique ID of this atom.
Returns true if this atom is of type signature, false otherwise.
The signature to check against
Returns the name of this element.
Returns the size of this atom. Atoms always have size 1.
Return an array of skolems that include an element equivalent to this element.
Returns a printable string.
Returns the type of this atom.
Return an array, in order from highest to lowest, of this atom's types.
Add a skolem to the provided witness.
The witness
The skolem
Generated using TypeDoc
An atom in an Alloy instance.
In Alloy, an atom is a primitive entity that is indivisible, immutable, and uninterpreted.


google.resumable_media.requests.upload module¶
Support for resumable uploads.
Also supported here are simple (media) uploads and multipart uploads that contain both metadata and a small file as payload.
-
class
google.resumable_media.requests.upload.
MultipartUpload
(upload_url, headers=None)¶ Bases:
google.resumable_media.requests._helpers.RequestsMixin
,google.resumable_media._upload.MultipartUpload
Upload a resource with metadata to a Google API.
A multipart upload sends both metadata and the resource in a single (multipart) request.
Parameters: -
upload_url
¶ str – The URL where the content will be uploaded.
-
finished
¶ bool – Flag indicating if the upload has completed.
-
transmit
(transport, data, metadata, content_type)¶ Transmit the resource to be uploaded.
Parameters: - transport (Session) – A
requests
object which can make authenticated requests. - data (bytes) – The resource content to be uploaded.
- metadata (
Mapping
[str
,str
]) – The resource metadata, such as an ACL list. - content_type (str) – The content type of the resource, e.g. a JPEG
image has content type
image/jpeg
.
Returns: The HTTP response returned by
transport
.Return type: - transport (Session) – A
-
-
class
google.resumable_media.requests.upload.
ResumableUpload
(upload_url, chunk_size, headers=None)¶ Bases:
google.resumable_media.requests._helpers.RequestsMixin
,google.resumable_media._upload.ResumableUpload
Initiate and fulfill a resumable upload to a Google API.
A resumable upload sends an initial request with the resource metadata and then gets assigned an upload ID / upload URL to send bytes to. Using the upload URL, the upload is then done in chunks (determined by the user) until all bytes have been uploaded.
When constructing a resumable upload, only the resumable upload URL and the chunk size are required:
>>> from google.resumable_media.requests import ResumableUpload >>> >>> url_template = ( ... u'https://www.googleapis.com/upload/storage/v1/b/{bucket}/o?' ... u'uploadType=resumable') >>> upload_url = url_template.format(bucket=bucket) >>> >>> chunk_size = 3 * 1024 * 1024 # 3MB >>> upload = ResumableUpload(upload_url, chunk_size)
When initiating an upload (via
initiate()
), the caller is expected to pass the resource being uploaded as a file-likestream
. If the size of the resource is explicitly known, it can be passed in directly:>>> import os >>> >>> upload.total_bytes is None True >>> >>> stream = open(filename, u'rb') >>> total_bytes = os.path.getsize(filename) >>> metadata = {u'name': filename} >>> response = upload.initiate( ... transport, stream, metadata, u'text/plain', ... total_bytes=total_bytes) >>> response <Response [200]> >>> >>> upload.total_bytes == total_bytes True
If the stream is in a “final” state (i.e. it won’t have any more bytes written to it), the total number of bytes can be determined implicitly from the
stream
itself:>>> stream = io.BytesIO(data) >>> response = upload.initiate( ... transport, stream, metadata, content_type) >>> >>> upload.total_bytes == len(data) True
If the size of the resource is unknown when the upload is initiated, the
stream_final
argument can be used. This might occur if the resource is being dynamically created on the client (e.g. application logs). To use this argument:>>> response = upload.initiate( ... transport, stream, metadata, content_type, ... stream_final=False) >>> >>> upload.total_bytes is None True
Parameters: - upload_url (str) – The URL where the resumable upload will be initiated.
- chunk_size (int) – The size of each chunk used to upload the resource.
- headers (
Optional
[Mapping
[str
,str
] ]) – Extra headers that should be sent with theinitiate()
request, e.g. headers for encrypted data. These will not be sent withtransmit_next_chunk()
orrecover()
requests.
-
upload_url
¶ str – The URL where the content will be uploaded.
Raises: ValueError
– Ifchunk_size
is not a multiple ofUPLOAD_CHUNK_SIZE
.-
bytes_uploaded
¶ int – Number of bytes that have been uploaded.
-
chunk_size
¶ int – The size of each chunk used to upload the resource.
-
finished
¶ bool – Flag indicating if the upload has completed.
-
initiate
(transport, stream, metadata, content_type, total_bytes=None, stream_final=True)¶ Initiate a resumable upload.
By default, this method assumes your
stream
is in a “final” state ready to transmit. However,stream_final=False
can be used to indicate that the size of the resource is not known. This can happen if bytes are being dynamically fed intostream
, e.g. if the stream is attached to application logs.If
stream_final=False
is used,chunk_size
bytes will be read from the stream every timetransmit_next_chunk()
is called. If one of those reads produces strictly fewer bites than the chunk size, the upload will be concluded.Parameters: - transport (Session) – A
requests
object which can make authenticated requests. - stream (IO[bytes]) – The stream (i.e. file-like object) that will
be uploaded. The stream must be at the beginning (i.e.
stream.tell() == 0
). - metadata (
Mapping
[str
,str
]) – The resource metadata, such as an ACL list. - content_type (str) – The content type of the resource, e.g. a JPEG
image has content type
image/jpeg
. - total_bytes (
Optional
[int
]) – The total number of bytes to be uploaded. If specified, the upload size will not be determined from the stream (even ifstream_final=True
). - stream_final (
Optional
[bool
]) – Indicates if thestream
is “final” (i.e. no more bytes will be added to it). In this case we determine the upload size from the size of the stream. Iftotal_bytes
is passed, this argument will be ignored.
Returns: The HTTP response returned by
transport
.Return type: - transport (Session) – A
-
invalid
¶ bool – Indicates if the upload is in an invalid state.
This will occur if a call to
transmit_next_chunk()
fails. To recover from such a failure, callrecover()
.
-
recover
(transport)¶ Recover from a failure.
This method should be used when a
ResumableUpload
is in aninvalid
state due to a request failure.This will verify the progress with the server and make sure the current upload is in a valid state before
transmit_next_chunk()
can be used again.Parameters: transport (Session) – A requests
object which can make authenticated requests.Returns: The HTTP response returned by transport
.Return type: Response
-
total_bytes
¶ Optional
[int
] – The total number of bytes to be uploaded.If this upload is initiated (via
initiate()
) withstream_final=True
, this value will be populated based on the size of thestream
being uploaded. (By defaultstream_final=True
.)If this upload is initiated with
stream_final=False
,total_bytes
will beNone
since it cannot be determined from the stream.
-
transmit_next_chunk
(transport)¶ Transmit the next chunk of the resource to be uploaded.
If the current upload was initiated with
stream_final=False
, this method will dynamically determine if the upload has completed. The upload will be considered complete if the stream produces fewer thanchunk_size
bytes when a chunk is read from it.In the case of failure, an exception is thrown that preserves the failed response:
>>> error = None >>> try: ... upload.transmit_next_chunk(transport) ... except resumable_media.InvalidResponse as caught_exc: ... error = caught_exc ... >>> error InvalidResponse('Request failed with status code', 400, 'Expected one of', <HTTPStatus.OK: 200>, 308) >>> error.response <Response [400]>
Parameters: transport (Session) – A requests
object which can make authenticated requests.Returns: The HTTP response returned by transport
.Return type: Response Raises: InvalidResponse
– If the status code is not 200 or 308.
-
class
google.resumable_media.requests.upload.
SimpleUpload
(upload_url, headers=None)¶ Bases:
google.resumable_media.requests._helpers.RequestsMixin
,google.resumable_media._upload.SimpleUpload
Upload a resource to a Google API.
A simple media upload sends no metadata and completes the upload in a single request.
Parameters: -
upload_url
¶ str – The URL where the content will be uploaded.
-
finished
¶ bool – Flag indicating if the upload has completed.
-
transmit
(transport, data, content_type)¶ Transmit the resource to be uploaded.
Parameters: Returns: The HTTP response returned by
transport
.Return type:
-


Match Play. Double Match Point. How should Red play 21?
pips Red=73 White=130
(CorrectAnswer= 0/0, ErrorScore= 0)
Hardly anybody gets this position correct unless they have been taught the technique.
If this was a money game with White owning the cubes then 7/6, 3/1* would be the correct play because of the extra gammons.
At DMP gammons are irrelevant and so most people would play 7/6, 7/5. Of course, White may still anchor on the ace-point and win from there. In fact, the best move is 6/5, 6/4!!
Now White may be forced to enter on Red’s 6-pt and miss out on anchoring on the ace-point. In addition Red clears the most difficult home board point.
Once you see the move its advantages become obvious and once you have learnt the technique you can employ it in future games. So, now you have an advantage over your competitors!
If this was a money game with White owning the cubes then 7/6, 3/1* would be the correct play because of the extra gammons.
At DMP gammons are irrelevant and so most people would play 7/6, 7/5. Of course, White may still anchor on the ace-point and win from there. In fact, the best move is 6/5, 6/4!!
Now White may be forced to enter on Red’s 6-pt and miss out on anchoring on the ace-point. In addition Red clears the most difficult home board point.
Once you see the move its advantages become obvious and once you have learnt the technique you can employ it in future games. So, now you have an advantage over your competitors!
1. Cubeful 2-ply 7/6 7/5 Eq.: +0.765 0.883 0.473 0.011 - 0.117 0.002 0.000 2. Cubeful 2-ply 6/5 6/4 Eq.: +0.764 (-0.002) 0.882 0.303 0.005 - 0.118 0.004 0.000 3. Cubeful 2-ply 8/5 Eq.: +0.732 (-0.034) 0.866 0.469 0.010 - 0.134 0.005 0.000 4. Cubeful 2-ply 8/6 7/6 Eq.: +0.724 (-0.042) 0.862 0.474 0.011 - 0.138 0.007 0.000 5. Cubeful 2-ply 8/6 3/2 Eq.: +0.710 (-0.056) 0.855 0.467 0.010 - 0.145 0.005 0.000


Join the less happy dinos to make them Happier!
How to play: Use your arrow keys to move the dinos. When two dinos with the same happiness level touch, they merge into a single but happier dino!
Forked from the Original 2048.


KeyCover is the first cover-keyboard designed for blind people.It is a Braille keyboard with 8 keys, suitable for any kind of smartphone.
KeyCover is the first cover-keyboard designed for blind people.It is a Braille keyboard with 8 keys, suitable for any kind of smartphone.
| Riccardo Amadio Founder (Software Developer) | Federico Lucchesi Founder (Physicist) | Elio Alunno Camelia Founder (Physicist) |
|---|---|---|
| Riccardo Chiaraluce Founder (Maker) | Alessandro Borelli Founder (Software Developer) |


CELESTIAL CLOCKWORK (MECANIQUES CELESTES) A film review by James Berardinelli Copyright 1996 James Berardinelli
RATING (0 TO 10): 6.5 Alternative Scale: **1/2 out of ****
France/Venezuela/Spain/Belgium, 1995 Running Length: 1:26 MPAA Classification: No MPAA Rating (Sexual themes) Theatrical Aspect Ratio: 1.66:1 Shown at the Philadelphia Festival of World Cinema, 5/2/96 and 5/4/96
Cast: Ariadna Gil, Arielle Dombasle, Evelyne Didi, Frederic Longbois Director: Fina Torres Producer: Gerard Costa Screenplay: Catherine Touzet Cinematography: Ricardo Aronovich U.S. Distributor: October Films In French and Spanish with subtitles
It has been ten years since Venezuela-born Fina Torres blasted onto the international film making scene with ORIANA, the Camera d'Or winner at the 1985 Cannes Film Festival. Now, after a decade of relative motion picture inactivity, Torres has released her second feature, CELESTIAL CLOCKWORK, which is currently playing at film festivals and will soon be released nationally by October Films. Unfortunately, although CELESTIAL CLOCKWORK boasts amazingly off-beat visuals and quirky plot twists, the basic narrative is stale.
Fans of the film laud it as a modern-day, feminist ALICE IN WONDERLAND meets THE WIZARD OF OZ. And, while there's no denying that elements of both stories permeate Torres' movie, the basic story isn't all that interesting. The appealing performance of lead actress Ariadna Gil, the bizarre imagery, and the air of lunacy are the elements that keep this film moving forward. Delve beneath the singing Maria Callas poster, the glowing love potions, and the roiling clouds, and you'll discover that CELESTIAL CLOCKWORK's basic framework is threadbare.
The movie focuses on a beautiful young woman who finds liberation by rejecting her old, restricted life for a new existence in the City of Lights. Ana (Gil) reaches the altar before realizing that marriage is a mistake. Before saying "I do", however, she jilts her would-be bridegroom, hops on a plane, and soars to Paris. There, she moves in with four Latina women and coaxes an eccentric Russian singing teacher to accept her as a pupil. Soon, one of Ana's roommates, Celeste (Arielle Dombasle), becomes jealous of her vocal talents, and Ana is forced to move out. She next shares an apartment with an unconventional psychologist (Evelyne Didi) who falls in love with her. Meanwhile, French immigration officials are after Ana to deport her, and, in order to remain in the country and pursue a coveted film role, she agrees to marry a gay astrologist who wants to have a big church wedding to please his parents.
CELESTIAL CLOCKWORK boasts a gaggle of unusual characters, only a few of whom are developed beyond the "quirky" level. The villainous Celeste, for example, is defined largely by eyes that glow evilly and an affinity for singing songs like "Sometimes I Eat Spiders". Ana is really the only three-dimensional character, and even her personality has some obvious holes. None of these deficiencies, however, detract from the movie's basic message of self-discovery through the repudiation of conventions and others' expectations.
As intriguing as some of the color-supersaturated visuals are, this film is as much a treat for the ears as for the eyes. Boasting a rich and varied soundtrack predominated by classical opera, there's hardly a moment when someone isn't singing. CELESTIAL CLOCKWORK is a cacophony of hue, light, and sound -- at times it doesn't seem important how well the plot holds together. As a series of ethereal moments strung together by cobwebs, CELESTIAL CLOCKWORK makes for fine, feather-light entertainment, but, beneath all the delightful distractions, there's a discouraging lack of substance.
- James Berardinelli e-mail<EMAIL_ADDRESS>web: http://www.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Pizza-Pie!
Let's make some pizza-pies!
Rules
Pizza Pie will count up to your number from 1 with the following exceptions:
Numbers divisible by 3 will turn into pizzas!
Numbers divisible by 5 will turn into pies!
Numbers divisible by 15 will turn into pizza-pies!
Introduzca un numero de convertirse en piza, por favor!!
WOO PIZZA YEA!
u hungry?
me 2
(yes, that's a literal pizza pie.)


|
|
| LimitOrderBook () |
| | Initialize a new limit order book object.
|
| |
|
void | clear () |
| | Clear all the orders in the book.
|
| |
| void | limit_sell (UID order_id, Quantity quantity, Price price) |
| | Add a new sell limit order to the book. More...
|
| |
| void | limit_buy (UID order_id, Quantity quantity, Price price) |
| | Add a new buy limit order to the book. More...
|
| |
| void | limit (Side side, UID order_id, Quantity quantity, Price price) |
| | Add a new order to the book. More...
|
| |
| bool | has (UID order_id) const |
| | Return true if the book has an order with given ID, false otherwise. More...
|
| |
| const Order & | get (UID order_id) |
| | Get the order with given ID. More...
|
| |
| void | cancel (UID order_id) |
| | Cancel an existing order in the book. More...
|
| |
| void | reduce (UID order_id, Quantity quantity) |
| | Reduce the quantity of the order with given ID. More...
|
| |
| void | market_sell (UID order_id, Quantity quantity) |
| | Execute a sell market order. More...
|
| |
| void | market_buy (UID order_id, Quantity quantity) |
| | Execute a buy market order. More...
|
| |
| void | market (Side side, UID order_id, Quantity quantity) |
| | Execute a market order. More...
|
| |
| Price | best_sell () const |
| | Return the best sell price. More...
|
| |
| Price | best_buy () const |
| | Return the best buy price. More...
|
| |
| Price | best (Side side) const |
| | Return the best price for the given side. More...
|
| |
|
Price | price () const |
| | Return the current price of the asset.
|
| |
| Price | last_best_sell () const |
| | Return the last best sell price. More...
|
| |
| Price | last_best_buy () const |
| | Return the last best buy price. More...
|
| |
| Price | last_best (Side side) const |
| | Return the best price for the given side. More...
|
| |
|
Price | last_price () const |
| | Return the current price of the asset using last prices.
|
| |
| Volume | volume_sell (Price price) const |
| | Return the total volume for the sell side of the book. More...
|
| |
|
Volume | volume_sell () const |
| | Return the total volume for the sell side of the book.
|
| |
|
Volume | volume_sell_best () const |
| | Return the volume at the best sell price.
|
| |
| Volume | volume_buy (Price price) const |
| | Return the total volume for the buy side of the book. More...
|
| |
|
Volume | volume_buy () const |
| | Return the total volume for the buy side of the book.
|
| |
|
Volume | volume_buy_best () const |
| | Return the volume at the best sell price.
|
| |
| Volume | volume (Price price) const |
| | Return the volume at the given limit price. More...
|
| |
|
Volume | volume () const |
| | Return the total volume for the book.
|
| |
| Count | count_at (Price price) const |
| | Return the total number of orders at the given limit price. More...
|
| |
|
Count | count_sell () const |
| | Return the total number of orders on the sell-side of the book.
|
| |
|
Count | count_buy () const |
| | Return the total number of orders on the buy-side of the book.
|
| |
|
Count | count () const |
| | Return the total number of orders in the book.
|
| |
| bool | does_cross (const LimitOrderBook &other, Quantity spread=0) const |
| | Check if this book crosses another book. More...
|
| |
An order book for managing Limit / Order objects in a continuous double auction.
Abstract Domain Model of the Limit Order Book


--- title: keras.callbacks keywords: fastai sidebar: home_sidebar summary: "Contains Callbacks that can be used with Tf.keras(TO DO) and Keras." ---
Using TensorFlow backend.
get_data
get_data(size, batch_size, datagen)
size
batch_size
datagen
Function to Get Train and Validation Generator based in the Size and batch size passed sz - Size of the image to be passed in target size batch_size - batch size datagen - ImageDataGenerator Instance which contains augmentation details
model_totpu
model_totpu(model, optim, loss, metrics)
model
optim
loss
metrics


events
Internal Event bus.
Note: only used by the ss-console module for now. This idea will be expended upon in SocketStream 0.4
'server:start' is emitted when the server starts. If in production the assets will be saved before the event.


Paper: arXiv
Authors: Isaac Elias, Heiga Zen, Jonathan Shen, Yu Zhang, Ye Jia, Ron J. Weiss, Yonghui Wu.
Abstract:
Although neural end-to-end text-to-speech models can synthesize highly natural speech, there is still a room for improvements in its efficiency during inference.
This paper proposes a non-autoregressive neural text-to-speech model augmented with a variational autoencoder-based residual encoder.
This model, called
Click here for more from the Tacotron team.
Random sample from Evaluation set 1 in the paper.
| Tacotron2 | Global VAE | Global VAE w/o iterative loss | Fine grained | Xform | Xform w/o iterative loss | NoVAE | No VAE w/o iterative loss |
|---|---|---|---|---|---|---|---|
| 1: | |||||||
| 2: | |||||||
| 3: | |||||||
| 4: | |||||||
| 5: | |||||||
| 6: | |||||||
| 7: | |||||||
Random sample from Evaluation set 2 in the paper. Comparison with real human speech.
| Human Speech | Tacotron2 | Global VAE | Fine grained | ||
|---|---|---|---|---|---|
| 1: | |||||
| 2: | |||||
| 3: | |||||
| 4: | |||||
| 5: | |||||
| 6: | |||||
| 7: | |||||
| 8: | |||||


THE FLINTSTONES A film review by James Berardinelli Copyright 1994 James Berardinelli
Rating (0 to 10): 5.8
Date Released: 5/27/94 Running Length: 1:32 Rated: PG (Sexual innuendo)
Starring: John Goodman, Elizabeth Perkins, Rick Moranis, Rosie O'Donnell, Kyle MacLachlan, Halle Berry, Elizabeth Taylor Director: Brian Levant Producer: Bruce Cohen Screenplay: Tom S. Parker, Jim Jennewein, and Steven E. de Souza based on the Hanna/Barbera TV series Music: David Newman Released by Universal Pictures
Excerpts from an interview with Fred Flintstone:
JB: Fred, let's begin by talking a little about your reaction to Universal Pictures' big-screen version of THE FLINTSTONES.
FF: I think kids will like it, and maybe some grown-ups, too. It was...cute.
JB: That doesn't sound very enthusiastic.
FF: Frankly, I hoped for more. I mean, the special effects are pretty good, and the costumes and set design are impressive, but somehow those guys on the screen don't always seem like me and Barney.
JB: How so?
FF: The actor who plays Barney--Rick Moranis--isn't physically right for the part. Barney is short and stocky, but Rick is thin. Similar problem with Rosie O'Donnell as Betty, except in reverse. Betty is skinny; Rosie is ... not as skinny.
JB: How about John Goodman's performance as you? Some have said he's the perfect choice.
 Now, I'm no genius or nothing, but I was never that dumb on TV. In fact, most of the time, I was the one with the "ideas."
JB: To me, Goodman seems to play you as a Jackie Gleason-type. That was intended, I'm sure, since the original FLINTSTONES was a takeoff on THE HONEYMOONERS.
FF: Yup. You know, when we heard there was going to be a major studio production of THE FLINTSTONES, both Barney and I auditioned.
JB: What happened?
FF: Except for a couple of cameos for me, we got turned down. Told that we were "too animated." Can you believe that? As if John Goodman--who is a fine actor for a real person--can improve on the original.
JB: How about Elizabeth Perkins as your wife?
FF: Her, I could believe. She has Wilma down to a "T." As for Elizabeth Taylor as her mother ... (shudders). The best line in the whole picture comes from her, though: "Wilma could have married Elliot Firestone, the man who invented the wheel. Instead, she married Fred Flintstone, the man who invented the excuse."
JB: Script-wise, how do you think the movie fares?
FF: You've heard the stories that there were thirty-two writers, right?
JB: Yes.
FF: It seems like it. The quality of the writing is a notch below that of our show. Most of the jokes aren't as witty, and the laughs come less frequently. Maybe it's because so many of the things they do in the movie are lifted directly from the show, but a lot of stuff seems stale.
JB: How about the plot? Something about a middle manager at Slate Construction, played by Kyle MacLachlan, and his secretary, played by Halle Berry, making you their dupe so they can get rich while you take the fall.
FF: Yeah.  Pretty standard stuff.
JB: Strictly from an entertainment perspective, how would you rate THE FLINTSTONES? Various critics have called it everything from "Yabba Dabba Don't" to "Yabba Dabba Doo-Doo."
FF: They're being a little harsh. As you know from watching the show, the Rubbles and us go to the drive-in a lot, so we know a thing or two about movies. THE FLINTSTONES isn't a great motion picture, and it's definitely not art, but it's fun in a silly sort of way. Maybe a little too long--Dino fell asleep halfway through- but not too bad. I'm a little surprised at the really vicious things people are saying.
JB: Thank you for your time, Fred. This has been an interesting conversation. If THE FLINTSTONES makes more than $100 million, we'll talk to you again when the inevitable sequel comes out.
- James Berardinelli<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


CellStyle
public struct CellStyle
Defines the presentation information of an item inside a TableSection
.
Some properties are only supported by UITableView
.
-
The default selection color to use for styles that don’t specify their own.
Declaration
Swift
public static var defaultSelectionColor: UIColor?
-
The default background color to use for styles that don’t specify their own.
Declaration
Swift
public static var defaultBackgroundColor: UIColor?
-
The style to apply to the bottom separator in the cell.
Supported by
UITableView
only.Declaration
Swift
public var bottomSeparator: Separator.Style?
-
The style to apply to the top separator in the cell.
Supported by
UITableView
only.Declaration
Swift
public var topSeparator: Separator.Style?
-
The color of separator lines in the cell.
Supported by
UITableView
only.Declaration
Swift
public var separatorColor: UIColor?
-
Whether the cell is highlighted or not.
Supported by
UITableView
only.Declaration
Swift
public var highlight: Bool?
-
The type of standard accessory control used by a cell. You use these constants when setting the value of the accessoryType property.
Supported by
UITableView
only.Declaration
Swift
public var accessoryType: UITableViewCell.AccessoryType
-
The view’s selection color.
Declaration
Swift
public var selectionColor: UIColor?
-
The view’s background color.
Declaration
Swift
public var backgroundColor: UIColor?
-
The view that is displayed behind the cell’s other content.
Declaration
Swift
@available(*, deprecated, message: "Replaced with backgroundViewProvider.") public var backgroundView: UIView?
-
Provides the view that is displayed behind the cell’s other content.
Declaration
Swift
public var backgroundViewProvider: BackgroundViewProvider?
-
The tint color to apply to the cell.
Declaration
Swift
public var tintColor: UIColor?
-
The default spacing to use when laying out content in the view.
Declaration
Swift
public var layoutMargins: UIEdgeInsets?
-
The radius to use when drawing rounded corners in the view.
Declaration
Swift
public var cornerRadius: CGFloat
-
Declaration
Swift
public static func == (lhs: CellStyle, rhs: CellStyle) -> Bool


The Locale module provides support for number and date formatting. A large number of languages and locales are supported out of the box and the locale framework is extensible.
Extending the supported locales is a (relatively) simple matter of defining
an Object with the relevant properties. Although there are a large number of
properties, the locale system has a simple inheritance mechanism so that you
only have to fill in the properties that differ from the base
locale.
The templates directory has a file called locale_template.js that you can adapt for your own purposes. The example is a self-executing function but if you don't need to define aliases or compute anything as part of the locale definition, this can be a simple list of properties.
Locales should be identified using BCP 47 tags which take the form
<LANGUAGE>-<SCRIPT>-<COUNTRY>
Only the language tag is necessary for most locales; the other parts are specializations for a particular country. For example, "sr" is the tag for Serbian in the default Cyrillic script. "sr-Latn" is the tag for Serbian using the Latin alphabet while "sr-Latn-ME" is the tag for Serbian using the Latin alphabet in Montenegro. See RFC 5646 for more details on language tags and the relevant IANA documentation for the correct language codes.
The UsefulJS core defines a default locale ("def") that is the base of all
other locales. If your locale derives from the default locale (via its base
property) then you only have to define properties that differ from the default
locale. If the base
is something other than "def", then you only need to
define properties that differ from the base locale AND the def locale. Inheritance
can be any number of levels deep. For example, the ar-TZ (Tunisia) locale has
the following inheritance:
ar-TZ -> ar-DZ (Algeria) -> ar-MA (Morocco) -> ar-AE (United Arab Emirates) -> ar (Arabic) -> def (Default)
| Property | Type | Meaning | Purpose | Notes | Default |
|---|---|---|---|---|---|
| n | String | Name | Displayable, localized name | - | English |
| base | String | Parent locale | The base locale for inheritance purposes | - | null |
| ndigits | String | Numeric digits | The default digits used for representing numbers | See UsefulJS.Number | latn |
| ds | String | Decimal separator | The character that separates the integer component of a number from the decimal part | - | . |
| gs | String | Numeric group separator | The character that separates groups when a number is formatted for readability | - | , |
| gc | Array | Group counts | How many digits are in each group of the number. | Most locales use a count of 3 as in 10,000,000; in Indian locales this would be 1,00,00,000 which makes the gc value [3,2] | [3] |
| nn | String | Negative number pattern | The template used for rendering negative numbers | "%1" is replaced with the formatted absolute value | -%1 |
| cc | String | Currency code | The ISO 4217 currency code | This is a locale-neutral currency representation; codes are listed here. | EUR |
| cu | Object | Currency units | Localized currency symbols | This maps three-letter currency codes to currency symbols; for example,
{ USD : "US$", AUD : "$" } .
| - |
| cf | Array | Currency formats | The templates used for rendering positive and negative currency values | '$' is replaced with the currency code or symbol; "%1" is replaced with the formatted absolute value | |
| pc | Array | Percentage codes | The templates used for rendering positive and negative percent values | "%1" is replaced with the formatted absolute value | |
| ddigits | String | Date digits | The default digits used for representing dates | See UsefulJS.Date | latn |
| mc | Array | Compact months | Short forms of month names | Some locales do not have a compact form for month names; use
null . |
["Jan", ... "Dec"] |
| mf | Array | Full months | Long forms of month names | - | ["January", ... "December"] |
| mn | Array | Nominative month names | Month names in the nominative case | Some languages distinguish between, e.g. "18 September" and "September 2015", using genitive case for the former and nominative for the latter. When this is the case use the genitive forms in mf and the nominative forms in mn. | null |
| da | Array | Abbreviated day names | Shortest forms of day names | These are the day codes that are returned by the UsefulJS.Date
cal function. If this not meaningful in the locale,
use null . |
["Su", ... "Sa"] |
| dc | Array | Compact day names | Short forms of day names | Some locales do not have a compact form for day names; use
null . |
["Sun", ... "Sat"] |
| df | Array | Full day names | Long forms of day names | Values should always start at the equivalent of Sunday | ["Sunday", ... "Saturday"] |
| um | Array | Uppercase meridiem names | Local equivalent of AM/PM | 12 hour clock is not meaningful in all locales | ["AM", "PM"] |
| lm | Array | Lowercase meridiem names | Local equivalent of am/pm | - | ["am", "pm"] |
| hd | Array | Hour divisions | The starting hours of each division of the day | Some locales may divide the hours of the day into more than two divisions | [0, 12] |
| hour12 | Boolean | 12 hour clock flag | Default value of the hour12 format property when using the Intl API | Set to true if the locale uses 12 hour clock by default | false |
| sc | Object | Strftime codes | Macros for strftime | Some strftime codes (such as %c) are expanded to a sequence of other strftime codes. Macros that may need to be defined are: %c (date and time), %x (date), %X (time) and %r (time with am/pm). | { "%c" : "%a %d %b %Y %X", %x" : "%d/%m/%Y", "%X" : "%T", "%r" : "%I:%M:%S %p" } |
| dfmt | Object | Date format strings | strftime sequences for formatting dates using the Intl API | See below. | See below |
| tfmt | Object | Time format strings | strftime sequences for formatting times using the Intl API | See below. | See below |
| datetime | String | Date and time template | The template used to combine the format strings used for rendering the date and the time | "{d}" is replaced with the date format string while "{t}" is replaced with the time format string. | {d} {t} |
| dateera | String | Date and era template | The template used to combine the format string used for rendering the date and the era | "{d}" is replaced with the date format string. | {d} %! |
| time12 | String | Twelve hour clock template | The template used to combine the format string used for rendering the time and am/pm | "{t}" is replaced with the time format string. | {t} %p |
| timetz | String | Time + timezone template | The template used to combine the format string used for rendering the time and the timezone | "{t}" is replaced with the time format string. | {t} GMT%z |
| fd | Number | First day of the week | 0-based value of the first day of the week where 0 corresponds to Sunday and 6 corresponds to Saturday | - | 1 |
| calendar | String | Default calendar | The name of the default calendar for the locale. | See UsefulJS.Date | gregory |
| <CALENDAR NAME> | Object | Calendar property overrides | Allow overriding of selected calendar properties | For example, to override the strings used for AD and BC, add a gregory
property whose value is { era : ["<AD equivalent>", "<BC equivalent>"] } |
null |
When using the Intl-compatible API to format dates, rather than specifying a
format string, you specify the properties that you'd like the output to have.
Sensible property combinations result in sensible output via the format strings
in the dfmt
and tfmt
Objects in the Locale definition.
The keys use the characters 't', 'n' and '-' where 't' represents a text field,
'n' represents a numeric field and '-' represents an absent field. Rather than
having to specify all possible combinations, you only need to specify a sensible
subset and only when they differ from the base locale. dfmt keys are four characters
representing weekday, year, month and day while tfmt keys are three characters
representing hours, minutes and seconds. The following table lists the sensible
combinations, together with their values in the def locale and example output.
| Key | Meaning | Format String | Example |
|---|---|---|---|
| dfmt | |||
| tntn | Weekday, year, month, day | %A, %e %B %Y | Saturday, 19 September 2015 |
| tnnn | Weekday, year, month, day | %A, %e/%N/%Y | Saturday, 19/9/2015 |
| -ntn | Year, month, day | %e %B %Y | 19 September 2015 |
| -nnn | Year, month, day | %e/%N/%Y | 19/9/2015 |
| -nt- | Year, month | %B %Y | September 2015 |
| -nn- | Year, month | %N/%Y | 9/2015 |
| --tn | Month, day | %e %B | 19 September |
| --nn | Month, day | %e/%N | 19/9 |
| tfmt | |||
| nnn | Hours, minutes, seconds | %k:%M:%S | 2:05:24 |
| nn- | Hours, minutes | %k:%M | 13:27 |
This read/write value is the fallback locale when no locales are specified when constructing a format object. It is initialized with information obtained from the browser which, depending on the browser, may or may not reflect a user's preference. To illustrate, assuming that the library sets "en" (US English) as the current locale:
(new UsefulJS.Date.Format()).format(new Date()); // 9/19/2015 UsefulJS.Locale.current = "fr"; (new UsefulJS.Date.Format()).format(new Date()); // 19/9/2015
If the browser supports Object.defineProperty
, the current
property is accessed through a getter and setter which will raise a TypeError if you attempt
to set a silly value. If you set an unsupported locale, a sensible fallback will be
used. To illustrate:
UsefulJS.current = null; // throws TypeError UsefulJS.current = "zz"; UsefulJS.current // "en" UsefulJS.current = "zh-Hant-CN"; UsefulJS.current // "zh"
If the browser does not support Object.defineProperty
, you can
set silly values which will make bad things happen. So don't!
The UsefulJS.Locale functions are called by the numeric and date formatting code but they are public functions that your own applications may call.
Sets aliases for a defined locale (two or more arguments) or resolves an alias (single argument).
UsefulJS.Locale.alias(loc[, alias1, alias2 ...])
loc
Stringalias1, alias2, ...
StringReturns: String. The resolved locale (single-argument only)
Aliasing is required when the lookup algorithm would give the wrong answer. For example, the locale ID for Taiwan is "zh-Hant-TW" meaning Chinese, written in Han traditional script as used in Taiwan. If we were to lookup "zh-TW" (Chinese as used in Taiwan), the lookup algorithm would resolve "zh" which is mainland Chinese. If, however, we record "zh-TW" as an alias for "zh-Hant-TW", the lookup for "zh-TW" gives the correct answer.
// Set an alias UsefulJS.Locale.alias("zh-Hant-TW", "zh-TW"); // Resolve an alias var resolved = UsefulJS.Locale.alias("zh-TW"); // zh-Hant-TW
Obtains best match for the requested locales from the supported locales.
UsefulJS.Locale.lookup(locales)
locales
ArrayReturns: Array. Two items, the best match locale and any unicode extension requested for that locale.
For ease of processing the selected code is split into the BCP 47 part and
any unicode extension requested. The algorithm returns the first "acceptable"
result, falling back to the default locale if no acceptable results can be
obtained. Unassisted, the algorithm may not select the best match,
however. For example, if the input is ["en-MY", "en-GB", "en-US"]
,
the returned locale will be "en", since "en-MY" is not a supported locale.
However, for a Malaysian audience, "en-GB" would produce better output. The solution
is to alias "en-GB" to "en-MY".
UsefulJS.Locale.lookup(["ja-JP-u-nu-fullwidth", "zh-Hant"]); // ["ja", "u-nu-fullwidth"] UsefulJS.Locale.alias("en-GB", "en-MY"); UsefulJS.Locale.lookup(["en-MY", "en-GB", "en"]); // ["en-GB", ""]
Gets the locale options for the named locale.
UsefulJS.Locale.options(loc)
loc
StringReturns: Object. The resolved locale options
Although the locale Objects are properties of UsefulJS.Locale accessing
them directly is unlikely to return the right thing because of the inheritance
system which means that a whole bunch of properties are likely to be missing.
Getting the Objects through the options
method both resolves the
input locale and the inherited properties. This method is primarily designed
to be called to do the initial property resolution for the dateOptions
and numericOptions
methods so the returned value is not 100% useful.
Gets the fully resolved locale options required for date formatting.
UsefulJS.Locale.dateOptions(loc[, fmtOptions])
loc
StringfmtOptions
ObjectReturns: Object. The resolved locale options
Unlike the options
method, this call does return an Object with
everything resolved that needs to be resolved, taking into account the requested
numbering and calendar.
Gets the fully resolved locale options required for number formatting.
UsefulJS.Locale.numericOptions(loc[, fmtOptions])
loc
StringfmtOptions
ObjectReturns: Object. The resolved locale options
Unlike the options
method, this call does return an Object with
everything resolved that needs to be resolved, taking into account the requested
numbering.
Returns items from an input array that are supported in the sense that they
do not force a fallback to the current
locale.
UsefulJS.Locale.supportedLocalesOf(locales)
locales
ArrayReturns: Array. Filtered items from the input array.
Returns the list of locales that are actually supported.
UsefulJS.Locale.getSupported()
Returns: Array. Directly supported locale codes.
Returns the supported numbering systems.
UsefulJS.Locale.numberSystems()
Returns: Array. Supported numbering system names.
These values go into the -nu-
part of the unicode extension.
Returns the supported calendars.
UsefulJS.Locale.calendars()
Returns: Array. Supported calendar names.
These values go into the -ca-
part of the unicode extension.


Hello world! This is HTML5 Boilerplate.
হ্যালো ওয়ার্ল্ড! এটি এইচটিএমএল৫ + বুটস্ট্র্যাপ৪ বয়লারপ্লেট।
Defines an abbreviation or an acronym
Defines the contact information for the author/owner of a document/article. Defines bold text | Defines important textDefines a section that is quoted from another sourceDefines text that has been
quotation
( a + b)2 = a2 + 2ab + b2 | H2SO4big->Defines big text.Not in HTML5. Use CSS instead.
| # | Tag | Description |
|---|---|---|
| 1 | table | Defines a table |
| 2 | caption | Defines a table caption |
| 3 | th | Defines a header cell in a table |
| 4 | tr | Defines a row in a table |
| 5 | td | Defines a cell in a table |
| 6 | thead | Groups the header content in a table |
| 7 | tbody | Groups the body content in a table |
| 8 | tfoot | Groups the footer content in a table |
| 9 | col | Specifies column properties for each column within a colgroup element |
| 10 | colgroup | Specifies a group of one or more columns in a table for formatting |
| Total = | 10 |


BATMAN FOREVER A film review by Jeff Pidgeon Copyright 1995 Jeff Pidgeon
It's Not "Batman Forever"--It Just Feels That Way
I wholeheartedly admit up front that I didn't like either of the first two "Batman" movies very much. This sequel, on the other hand, was created by an entirely new team--nobody (except the fellow who plays Alfred the butler) was carrying over from the other two. Tim Burton's executive production credit didn't worry me much as I had heard initially that he wasn't very interested in doing the third installment, so I figured his involvement would be limited at best. I've since heard that Warners actually didn't want Burton to direct again, because BATMAN RETURNS was too dark for the huge mainstream audience Waners was aiming for. Possibly, but I have trouble believing they shooed away the director of one their most successful films of the decade, not to mention of all time. At any rate, I was curious to see what fresh perspective Joel (FLATLINERS) Schumacher would bring to THE FRANCHISE. I've never liked any of his films either, but FALLING DOWN showed promise, and like the saying goes, "Nobody Knows Anything."
After the first fifteen minutes had passed, I wanted to leave. Usually, if I'm not into it after thirty minutes, it's not gonna happen. There are exceptions, but that sort of thing is pretty rare. Basically, it's a mess--a loud, confused, ugly heap of color and noise that occasionally draws into focus only to rend itself apart with the next action sequence. The editing is so rapid fire I found myself longing for a sequence with the love interest (and those are generally the worst things about the "Batman" series--if I hear one more speech about 'duality' or 'darkness and light'...!) to give my eyes a rest. Val Kilmer is generally a better Batman--he's more physical than Keaton, which I think is more appropriate. They even attempt to make him more of a detective by giving him The Riddler's puzzles to solve. That would work if solving the puzzles had a bearing on the plot, but by and large, they don't really seem to. The Riddler and Two-Face keep such a high profile in the film that they never seem particularly difficult to track down. The majority of the time, they seem to be throwing themselves in Batman's face.
Nicole Kidman is attractive and generates more screen heat than Kim Basinger, but how difficult is that, really? Generally, her time is spent mooning after Batman/Bruce Wayne, or hiding the fact with that swordplay-type banter that's all the rage in romantic comedies. Both Kidman and Kilmer are given more to do than Keaton, Basinger and Pfeiffer had, but that's not saying a lot. Their portrayals don't bring any dimension or empathy to the characters, so it's mostly two hours of quipping between them. Tommy Lee Jones has worked with Oliver Stone, so he knows what it's like to be acting over the art direction. Sadly, the script focuses more on The Riddler, so his role is lost in the din--we find out how he became Two-Face later in the picture, on that Exposition News Network Bruce always seems to be watching. Carrey has his moments as The Riddler--he's a gifted comedian, maybe the best physical performer since Steve Martin--but he has to shriek most of his lines just to make his presence known. His sense of timing and delivery carry him through the wake of the film without getting pulled under. Chris O'Donnell and Michael Gough are the two, as Dick Grayson and Alfred, who come out of this the best. Neither are given much in the way of script (as opposed to screen time), but they were the only two who created believable, empathetic characters out of virtually thin air. Although most of their scenes together are the same, they work, both (to a degree) as performances and as a respite from the action.
The script is a tangle of flashbacks, one-liners, clues that ultimately seem pointless, a smeared xerox of the does-she-love-the-hero-or-the-man conflict from SUPERMAN, another take-over-Gotham plot, the origin of the Riddler, the origin of Robin, and the Batman-Robin conflict, the most interesting fragment but mostly a case of too-late-in-the-picture-to-care-anymore. We've heard all of it before, and it wasn't too robust in the first place. The climax seems lifted straight from the TV show, only amplified beyond all comprehension. It's not something that's built up to as much as wandered upon. Much like the previous installments, all the props and vehicles are destroyed in order that new ones may be designed (and a new toy line prepared) for the successor.
The art direction consists mainly of 'put searchlights and neon on it'. The main problem with comic books being turned into live-action movies is that the director seems to feel that since it's a comic book, he/she can *play* *it* *up* visually, which usually results in clutter (like THE FLINTSTONES). It's sad to say, but as time goes on, FLASH GORDON looks better and better.  I've never seen so many lasers and black light in my entire life. The new Batwing looked spiffy for its brief stint on screen (I especially like how it was stored in the Batcave), but overall, it's the worst looking film of the series.
I don't remember hearing many of Danny Elfman's themes in Eliot (ALIEN 3) Goldenthal's score, so he gets credit for striking out on his own and not coasting (like SUPERMAN II), but to be honest, I hardly remember music at all. Most of the score was totally lost in the onslaught. I remember hearing brief patches that reminded me of ALIEN 3, but that's all. Granted, the sound system in the theater I was in was poor to say the least, so I think the only thing left to do is to hear it on its own, or see the film in a better theater. For me at least, the latter isn't really a desirable option. So far, CRUMB is the best film I've seen this summer, and I have this feeling APOLLO 13 and WATERWORLD aren't going to change that.
-- - Jeff "Doh!" Pidgeon
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Jalisco is the main producer of silver in the country. The preference for this metal grew at a rate that exceeded gold sales. The workshops converted their production to make silver.
World zinc production during 2019 reached a total of 12.40 million metric tons. The main producing country is China, followed by Peru and Australia.
A study by Wood Mackenzie forecasts that global lead production, excluding that of China, will increase in 2019 by about 250 kt, which is equivalent to over 10% of current output.
Chiquilistlán, Tomatlán and La Huerta
The municipality of La Huerta is one of the 125 municipalities that belong to the state of Jalisco, Mexico. Located on the coast of the state
Chiquilistlán es un pueblo y municipio del estado de Jalisco, México. Se localiza en el sureste del estado, en la Región Sierra de Amula; a 75 kilómetros al sureste de Guadalajara.
Tomatlán is a town and municipality in the North Coast Region of the state of Jalisco, Mexico
Our mines are still being under construction
In Jalisco there are 618 different concessionaires of these federal permits for the mining of the lands, among them are distributed the thousand 468 concessions that are currently in force, which cover the total area cited for more than 1.6 million hectares.
MoreWithin the national mining context, the state of Jalisco has had importance in the past for its production of silver, lead, zinc, gold and copper; More recently, the exploitation of tin, manganese and iron has been relevant, and among the non-metallic minerals, diatomite, limestone, clay, kaolin, barite, halite, gypsum, marble, quarry, opal, obsidian, perlite, pumicite, quartz, stand out. etc.
More


Across: 1. I creep out with list (6) 4. Left one quietly going after local produce (7) 9. Reruns the German handover (9) 10. Plane crashes in the country (5) 11. Very energetic CEO? (5) 12. Set up organisation (9) 13. He may go round to get fuel before his trips (7) 15. The German boy leads the way up (6) 17. Rest — oh, rest! (6) 19. Asked for time in divine surroundings (7) 22. Can I 26 unruly Europeans? (9) 24. It’s back, very loud and hard! (5) 26. Ruler returns to eat duck dinner (5) 27. Cold, barbaric destruction of objets d’art (4-1-4) 28. Stopped horse carrying two grand Roman characters (7) 29. Bent metal found round Tyneside (6) Down: 1. Started again with employer back at sea (7) 2. Right about Penny Redgrave? (5) 3. Recommend Bob to stay away from crisps with beer (9) 4. Solar eruption chases Dad into shade (7) 5. Good French princess gets to beach (5) 6. Reckless? Not me! (9) 7. Hard hat needed inside the wood (6) 8. Journalist meets wealthy cricketer (6) 14. Limit the supply of beer within reason (9) 16. Ruin Dave’s gallery! (9) 18. Wounded girl coming out backwards after crazy setback! (7) 19. Establish one-pound tins are crushed inside (6) 20. Vandalised back of French tea-rooms with Penny (7) 21. Frightens Mark by starting elephant shooting! (6) 23. Child leading me back may be a Pole (5) 25. Khan gets married in pouring rain! (5)


Many people work a significant amount of their time in front of a computer today. And for many there are repetitive tasks. If the task is shared by many people, this is a chance to develop dedicated software for it. Tabular calculations (excel), writing documents (word), communicating (e-mail / chat software) are some examples.
But there are other tasks which are not so common. Which are too specialized so that it's not worth to pay a developer for designing, programming, testing, maintenance; to pay for marketing, support, legal fees, and infrastructure.
This is the part where it becomes interesting to learn to use some tools.
Text Editors
My favorite editor is Sublime Text hence the links / names in the following are for it. But there are a couple of other editors like Atom or Visual Studio Code that might have the same features.
Suppose you have a long list of names, phone numbers and e-mail addresses which was provided by your "contacts" export:
Martin Thoma; +49 123 456<EMAIL_ADDRESS>Adam Aaron;+1 23 456 789<EMAIL_ADDRESS>Berta Booth;002 345678<EMAIL_ADDRESS>...
You want to insert the e-mail addresses in another system. But for that you
need to have only the e-mail addresses in double quotes "
. How do you get that?
You could, of course, just manually copy all of the e-mail addresses to another file. Assuming you have maybe 80 of those and it takes you 5 seconds for each entry in average, you would need less than 7 minutes. That is ok. But it is boring. And this kind of task will come more than once in your live.
So, instead, you can learn a tiny bit about regular expressions. They are a
way to define patterns in text. For example, .
matches any single character
except a newline. With +
you say that you want at least one of the things you
defined before the +
. If you have the combination .+
, it means that you
want to match any single character and as many of them as possible. By adding a
?
you say you want to match as few as possible. Hence the search .+?;.+?;
means that you want to find any characters, then a ;
, then again any
caracters until the next ;
comes. In my editor it looks like this:
Then, I press Ctrl+Shift+L to get multiple cursors.
From this point on everything I enter will be applied to all matches. First, you can
delete the name and phone number. Then you enter "
to make the opening double
quote, then you press End to get to each end of the line. You press
" again to get the closing double quote. Task solved.
For 80 entries, this would have reduced the time from 7 minutes of an annoying repetitive task to about 15 seconds.
For more about regex, you might want to look at a cheat sheet or go through a tutorial. Another cool thing is to enter different things with multiple cursors, e.g. a sequence of numbers. Have a look at Text Pastry for that.
Shortcuts
All operating systems and most programs define some keyboard shortcuts. If the programs are really nice (like Sublime Text), you can re-define the shortcuts yourself. This can save so much time. Some shortcuts I use all the time:
Operating System
- Switch Windows
- Alt+Tab
- Switch Workspaces
- Ctrl+Alt+[arrow]
- Close Window
- Alt+F4
- Lock Screen
- Ctrl+Alt+L
Programs
- Save
- Ctrl+S
- Open
- Ctrl+O
- Switch Tabs
- Alt+[number]
- Execute (Sublime)
- F5
Shell and Scripting
A little bit of knowledge of a shell is helpful. For Linux, the most common shell is called bash. Knowing some command line tools and how to execute them in simple shell scripts is pretty powerful.
Here are some of the basic commands, roughly in the order how often I need them:
- Change Directory
cd [relative or absolute path]
- Find within a file
grep
- Look up what you execute in the past
history
- List files/directories
ls
- Open a file
xdg-open
- Move a file
mv origin destination
- Copy a file
cp origin destination
- Delete a file
rm filepath
- Disk usage
df -h
andncdu
(website)- Running processes
top
andhtop
- Repetedly execute something
watch
- Show content of a text file
cat
,head
,tail
- Word / line / character counts
wc
- Locating files
locate
,find
- Read the manual
man
- Print working Directory
pwd
And some things you have to install
- Show differences between text files
meld file1 file2
(website)- Download a webpage
curl
orwget
orhttpie
(website)- Manipulate JSON files
jq
(website)- Environment Variable Loading / Unloading
- direnv
vim
and its various plugins like NERDTree and Powerline are a completely
seperate topic.
See also:
Screen automation
Some times tools don't come with the necessary interfaces to automate things. The simplest example are IDLE games like Cookie Clicker. In this case you just have to click. Fast. All the time.
So what you can use is xdotool
.
First, navigate to where you want to click. Leave your cursor there and execute
xdotool getmouselocation
. Once you know the location, you can move there with
xdotool mousemove 100 200
and execute a left click with xdotool click 1
.
So a script for this could be:
#!/bin/bash
for i in {1..500}; do
xdotool click 1 &
sleep 0.001
echo $i
done


Deploy your service infrastructure on our fully redundant, high performance cloud platform and benefit from its high reliability, security and enterprise feature set , We operate one of the most advanced 100 Gbit networks in the world.
will have to make sure the prototype looks finished by inserting text or photo.make sure the prototype looks finished by
will have to make sure the prototype looks finished by inserting text or photo.make sure the prototype looks finished by
will have to make sure the prototype looks finished by inserting text or photo.make sure the prototype looks finished by
will have to make sure the prototype looks finished by inserting text or photo.make sure the prototype looks finished by
will have to make sure the prototype looks finished by inserting text or photo.make sure the prototype looks finished by
will have to make sure the prototype looks finished by inserting text or photo.make sure the prototype looks finished by
web design , ready home , construction and co-operate outstanding buildings.
contact us


×
{{message.value}}
×
{{error.value}}
Applying changes...
CommitStream Panel Options
None:
The panel will not display for your TeamRoom.
Global:
The panel will display commit data from the global repository list created by the VersionOne administrator.
Custom:
The panel will display commit data from the repositories you configure.
{{getHeading()}}
{{familyInfo.label}}
 {{subFamily.label}}
Add
Add
URL Example: http://versioncontrol.com/acme/repo-name
Path Example: //acme/repo-name
Active Repositories
Repository Name
Webhook URL
Download
Script file must be placed in the relevant folder that handles post-commit actions. Find out more
here
.
{{inbox.name}}
Repository Name
{{inbox.name}}


Our chef-designed recipes include balanced Mediterranean meals, quick one-pan dinners, and top-rated customer favorites.
We guarantee the freshness of all our ingredients and deliver them in an insulated box right to your door.
Following our step-by-step instructions you’ll experience the magic of cooking recipes that our chefs create with your family’s tastes in mind.
No traffic. No checkouts. No. cooking. No clear up. average person spends 37 hours a month on food. That is pritty much a full work week in 37 hours, you could drive fron La to New York or sleep for nearly 5 nights. You could even just have 30 minutes extra in bed every day. More time More freedom.
Explore weekly menu


Software Development - Web Development - Cybersecurity - Graphic Design
I am a software engineer studying at Clarkson University with the class of 2019, I have plenty of expirience in front-end and back-end development in a variety of languages ranging from C++ to HTML to JavaScript and even just plain old Java.
In addition to my development skills, I am GISF certified as a cybersecurity advisor and am currently studying day in and day out for my GSEC certification. I am even a somewhat adept graphical artist, although I am a coder first.


{{ checklist.title }}
{{ checklist.description }}
Show full checklist
{{ checklist.content }}
Copy into a new issue, or download and save into a repository's
.github/ISSUE_TEMPLATE/
folder
--- layout: default ---
{{ checklist.description }}
.github/ISSUE_TEMPLATE/
folder


WeFit

Arnold Lvl 50
Curling - Level 50
Cardio - Level 40
Bench Press - Level 20
Swimming - Level 40
Profile
Notifications
Store
Quest
World


Extensions to the standard os library.
The os library is an extension to the standard library.
Gets an environment variable.
The getenv function returns the value of the name environment variable, or nil if no such value is defined. If name is not specified, then a table of environment variable names mapped to values is returned.


[ARTICLE XXVII.--1992]
No law, varying the compensation for the services of the Senators and Representatives, shall take effect, until an election of Representatives shall have intervened.


Meant to be inherited from. Shows stats of a character.
More...
|
| float | m_endurance = 1 [get, set] |
| | The players endurance level. Controls the health of the character and damage resistance. More...
|
| |
| float | m_dexterity = 1 [get, set] |
| | The dexterity of the character. Controls movement and attack speed. More...
|
| |
| float | m_strength = 1 [get, set] |
| | The strength of the character. affects physical damage. More...
|
| |
| float | m_intelligence = 1 [get, set] |
| | The intelligence of the character. Currently unused, but affects magical damage and magical resistance. More...
|
| |
| float | m_maxHealth = 0 [get, set] |
| | The maximum health of the character - Governed by the endurance stat. More...
|
| |
| float | m_currentHealth = 0 [get, set] |
| |
| float | m_movementSpeed = 0 [get, set] |
| | The movement speed of the character - Governed by the dexterity stat. More...
|
| |
| float | m_attackSpeed = 0 [get, set] |
| | The attack speed of the character - Governed by the dexterity stat. More...
|
| |
| float | m_physicalDamage = 0 [get, set] |
| | The physical damage this character deals - Governed by strength. More...
|
| |
| float | m_spellDamage = 0 [get, set] |
| | The magical damage this character deals - Governed by intelligence, not used in M.V.P. More...
|
| |
| float | m_physicalResist = 0 [get, set] |
| | The amount of physical damage as a percentage that the character resists. More...
|
| |
| float | m_spellResist = 0 [get, set] |
| | The amount of magical damage as a percentage that the character resists. More...
|
| |
Meant to be inherited from. Shows stats of a character.
◆ Attack()
◆ CalculateStats()
| virtual void CharacterStats.CalculateStats |
( |
| ) |
|
|
virtual |
Calculates the stats of a unit via a random range
Decide attack type
Calculate attributes
Decide attack type
Calculate attributes
Decide attack type
Calculate attributes
Calculate Stats from attributes
◆ DealDamage()
◆ Die()
| void CharacterStats.Die |
( |
| ) |
|
◆ TakeDamage()
| void CharacterStats.TakeDamage |
( |
float |
damage, |
|
|
Attack_Type |
_at |
|
) |
| |
Removes the specified amount of health from the characters health.
- Parameters
-
| damage | The damage that is taken. |
Calculate the resistance that the character takes from that type of attack
Remove the amount of resistance from the damage
◆ m_attackType
The type of attack the character deals. Currently only physical, however has been added for later iterations.
◆ m_characterType
◆ m_level
| int CharacterStats.m_level = 1 |
Level of the character - Is not used in M.V.P, however may be used in M.A.P.
◆ m_attackSpeed
| float CharacterStats.m_attackSpeed = 0 |
|
getset |
The attack speed of the character - Governed by the dexterity stat.
◆ m_currentHealth
| float CharacterStats.m_currentHealth = 0 |
|
getset |
◆ m_dexterity
| float CharacterStats.m_dexterity = 1 |
|
getset |
The dexterity of the character. Controls movement and attack speed.
◆ m_endurance
| float CharacterStats.m_endurance = 1 |
|
getset |
The players endurance level. Controls the health of the character and damage resistance.
◆ m_intelligence
| float CharacterStats.m_intelligence = 1 |
|
getset |
The intelligence of the character. Currently unused, but affects magical damage and magical resistance.
◆ m_maxHealth
| float CharacterStats.m_maxHealth = 0 |
|
getset |
The maximum health of the character - Governed by the endurance stat.
◆ m_movementSpeed
| float CharacterStats.m_movementSpeed = 0 |
|
getset |
The movement speed of the character - Governed by the dexterity stat.
◆ m_physicalDamage
| float CharacterStats.m_physicalDamage = 0 |
|
getset |
The physical damage this character deals - Governed by strength.
◆ m_physicalResist
| float CharacterStats.m_physicalResist = 0 |
|
getset |
The amount of physical damage as a percentage that the character resists.
◆ m_spellDamage
| float CharacterStats.m_spellDamage = 0 |
|
getset |
The magical damage this character deals - Governed by intelligence, not used in M.V.P.
◆ m_spellResist
| float CharacterStats.m_spellResist = 0 |
|
getset |
The amount of magical damage as a percentage that the character resists.
◆ m_strength
| float CharacterStats.m_strength = 1 |
|
getset |
The strength of the character. affects physical damage.
The documentation for this class was generated from the following file:
- H:/Documents/GitHub/Necromancer-Game/Necromancer Game/Assets/Scripts/CharacterStats.cs


Elite Dangerous Commodities Market Data
Commodity Name:
Commodity Average Price:
Commodity Category Name:


{% extends 'base.html'%} {% import 'bootstrap/wtf.html' as wtf %} {% block content%}
Comments Delete this blog update this blog


Submit Feedback
{{ issue?.title }}
Draft Mail
Draft Issue
All must be true:
- Classroom Org is configured in Assignment
- Classroom Prefix is configured in Assignment
- GitHub Username is set in Solution
All must be true:
- Classroom Org is configured in Assignment
- Classroom Prefix is configured in Assignment
- GitHub Username is set in Solution
- You are logged in
- Your Account is linked to GitHub


jq
is a command line tool for processing JSON data. It is useful when
executing small ad-hoc tasks. In this sense, it is similar to sed
, awk
and
grep
. It is very good for the first step in exploratory data analysis:
Getting an idea what you actually have.
Installation
# Ubuntu
$ sudo apt-get install jq
Check if it worked:
$ jq --version
jq-1.5-1-a5b5cbe
Usage Example
There are tons of JSON dataset examples. Let's use American movies scraped from Wikipedia.
# Download the data
$ wget https://raw.githubusercontent.com/prust/wikipedia-movie-data/master/movies.json
# What do we have here?
$ wc movies.json
0<PHONE_NUMBER>161 movies.json
# Everything is in one super long line. Is it a dict or a list?
$ head -c 80 movies.json
[{"title":"After Dark in Central Park","year":1900,"cast":[],"genres":[]},{"titl%
# List. How many movies do we have?
$ cat movies.json | jq '. | length'
28795
# Let's look at the first 5 examples to see which data fields we have:
$ cat movies.json | jq '.[:5]'
[
{
"title": "After Dark in Central Park",
"year": 1900,
"cast": [],
"genres": []
},
{
"title": "Boarding School Girls' Pajama Parade",
"year": 1900,
"cast": [],
"genres": []
},
{
"title": "Buffalo Bill's Wild West Parad",
"year": 1900,
"cast": [],
"genres": []
},
{
"title": "Caught",
"year": 1900,
"cast": [],
"genres": []
},
{
"title": "Clowns Spinning Hats",
"year": 1900,
"cast": [],
"genres": []
}
]
At this point, I would usually switch to Pandas. However, let's see how far
we get with jq
.
I want to see the titles. To do so, I first extract each list element. Then
I extract the title
field from each of them. To allow me scolling through it,
I apply less
:
$ cat movies.json | jq '.[] | .title' | less
"After Dark in Central Park"
"Boarding School Girls' Pajama Parade"
"Buffalo Bill's Wild West Parad"
"Caught"
"Clowns Spinning Hats"
"Capture of Boer Battery by British"
"The Enchanted Drawing"
"Feeding Sea Lions"
"How to Make a Fat Wife Out of Two Lean Ones"
"New Life Rescue"
"New Morning Bath"
...
Now I want to find errors in the data:
$ cat movies.json | jq '.[] | .title | select(length<=2)'
"It"
"M"
"W"
"FM"
"10"
"Q"
"Da"
"It"
"Ed"
"54"
"Pi"
"Go"
"CQ"
"O"
"RV"
"P2"
"21"
"W."
"9"
"Up"
"42"
"XX"
"It"
$ cat movies.json | jq '[.[] | .title | length] | max'
110
$ cat movies.json | jq '.[] | .title | select(length>=100)'
"Cornell-Columbia-University of Pennsylvania Boat Race at Ithaca, N.Y., Showing Lehigh Valley Observation Train"
"The Green Goods Man; or, Josiah and Samanthy's Experience with the Original 'American Confidence Game'"
# Alternatively:
$ cat movies.json | jq 'max_by(.title | length).title'
"Cornell-Columbia-University of Pennsylvania Boat Race at Ithaca, N.Y., Showing Lehigh Valley Observation Train"
WTF, The Green Goods Man... and Cornell-Columbia-University ... are actually movies! Also 54, RV, M and W are actually titles!
Ok, let's see which value range the year covers:
$ cat movies.json | jq '[.[] | .year] | min'
1900
$ cat movies.json | jq '[.[] | .year] | max'
2018
Let's see which ones were published in 1900:
$ cat movies.json | jq '.[] | select(.year == 1900) | .title'
"After Dark in Central Park"
"Boarding School Girls' Pajama Parade"
"Buffalo Bill's Wild West Parad"
"Caught"
"Clowns Spinning Hats"
"Capture of Boer Battery by British"
"The Enchanted Drawing"
"Feeding Sea Lions"
"How to Make a Fat Wife Out of Two Lean Ones"
"New Life Rescue"
"New Morning Bath"
"Searching Ruins on Broadway, Galveston, for Dead Bodies"
"The Tribulations of an Amateur Photographer"
"Trouble in Hogan's Alley"
"Two Old Sparks"
"The Wonder, Ching Ling Foo"
"Watermelon Contest"
Now, what about the cast
field? How often is there at least one value? What
is the maximum number of cast members we have?
$ cat movies.json | jq '[.[] | .cast | length] | max'
35
$ cat movies.json | jq '[.[] | .cast | select(length>=1)] | length'
27871
$ cat movies.json | jq '[.[] | .cast | select(length>=2)] | length'
26145
$ cat movies.json | jq '[.[] | .cast | select(length>=3)] | length'
13755
$ cat movies.json | jq '[.[] | .cast | select(length>=10)] | length'
394
$ cat movies.json | jq '[.[] | .cast | select(length>=20)] | length'
23
$ cat movies.json | jq '[.[] | .cast | select(length>=30)] | length'
3
# Get the titles for which we have at least 30 actors:
$ cat movies.json | jq '.[] | select(.cast|length>=30) | .title'
"Cars 2"
"The Twilight Saga: Breaking Dawn - Part 2"
"Anchorman 2: The Legend Continues"
Now I would like to see for which actors we have most titles. Also, I would
like to get a list of all actors in the dataset. However, I have no clue how to
do this with jq
.
Workflows
When I see json in the internet, I want my browser to display it in a nice way. JSONView is good for that, but fails if the JSON becomes huge.
Also, usually I start with opening it in Sublime Text. JSON Reindent helps me to see the structure.


The application period is now over and the application form is closed. Partners Organizers This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.