|
|
| Wedding Party : Celebrant - Fr. Mark Davis |
| Father Mark and Amanda met when Father was the priest at Amanda's high school. Their relationship grew over a trip to Walt Disney World in Florida when Amanda asked Father Mark to "make it God" (in reference to the dinner rolls at the table). Priest is the best magician (Worlds 3rd tallest!!!) Amanda knows (not that she knows many). He has been one of the greatest influences on Amanda over the years. When it came down to picking a date for the wedding, the most important thing for Damien and Amanda to consider was if Father Mark was available. |
|


Gecode::FreeList Class Reference
[Space-memory management]
Inherited by Gecode::Int::IntVarImp::RangeList, and Gecode::Set::RangeList.
Detailed Description
Base-class for freelist-managed objects.Freelist-managed object must inherit from this class. The size of objects of subclasses is defined by the parameters in Gecode::Memory::Config.
Definition at line 123 of file memory-manager.icc.
Public Member Functions | |
| FreeList (void) | |
| FreeList (FreeList *) | |
| FreeList * | next (void) const |
| void | next (FreeList *) |
Protected Attributes | |
| FreeList * | _next |
Constructor & Destructor Documentation
|
|
Definition at line 218 of file memory-manager.icc. |
|
|
Definition at line 221 of file memory-manager.icc. |
Member Function Documentation
|
|
Definition at line 225 of file memory-manager.icc. |
|
|
Definition at line 230 of file memory-manager.icc. |
Member Data Documentation
|
|
Definition at line 125 of file memory-manager.icc. |
The documentation for this class was generated from the following file:
- gecode/kernel/memory-manager.icc (Revision: 3525)


Normalized <select> Dropdown
Day
Day
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Month
Month
January
February
March
April
May
June
July
August
September
October
November
December


GBP Futures: deeper correction loses momentum
by Pablo PiovanoIn light of preliminary data from CME Group for GBP futures markets, investors scaled back their open interest positions by just 428 contracts on Tuesday and volume retreated by almost 9.8K contracts after three consecutive daily builds.
GBP/USD: a test of 1.30 remains on the table
Cable is correcting lower for the second consecutive session on Wednesday. Tuesday’s retracement was on the back of declining open interest and volume, which should leave the downside somewhat limited in the short-term. That said, the 1.2875/69 band offers interim contention. In this area of support coincide the 21-day and the 10-day SMAs.


15.9 Related Topics
- Finding large prime numbers
-
An essential part of computing secure
keys for RSA. One of the best methods for doing this is the
Miller-Rabin algorithm, which also
makes use of Euclid's algorithm. Miller-Rabin is
probabilistic, so on rare occasions it may yield a number
that is in fact composite (in fact, this is extremely rare,
but nevertheless possible). For this reason, primes
generated in this fashion are sometimes called industrial-grade primes.
- Modular arithmetic
-
A type of arithmetic particularly useful in
encryption as well as other areas of computer science.
Modular arithmetic is integer arithmetic as usual except
that when we are working modulo n, every result x is replaced with a member of {0,
1, . . . , n - 1} so that
x mod n is the remainder of x/n.
- Arithmetic with large integers
-
An essential part of secure implementations
of RSA. In RSA, to be secure considering current factoring
technology, we must choose keys that have at least 200
decimal digits. This means that all integer arithmetic must
be performed with integers of at least 400 digits.
- Euclid's greatest common divisor
algorithm
-
A method of computing greatest common
divisors, and one of the oldest known algorithms. The
algorithm is particularly relevant to RSA because we can
extend it to help compute multiplicative modular
inverses.
- CFB (cipher feedback) and OFB
(output feedback)
-
Common block
cipher modes in addition to the ECB and CBC modes presented
in this chapter. CFB uses ciphertext for feedback in such a
way that a block cipher appears more like a stream cipher. Stream ciphers process data in
continuous streams instead of one block at a time. This can
be useful in network applications, where data often arrives
in bursts that are not aligned with the block size. OFB is
another method of running a block cipher as a stream cipher,
but the feedback is independent of both the plaintext and
ciphertext.
- Cryptographic protocols
-
Step-by-step procedures executed by two or
more parties in order to communicate with each other in a
secure manner. It is important to realize that many problems
in data security require more than just simply enciphering
and deciphering data. Often we need to establish secure
protocols, of which ciphers are only a part.
|


Read Our Terms of Service & Privacy Policy
Please Read Our Terms Of Service & Privacy Policy. It contains important information that applies to all users of our site.
Restricted Purchase Sizes
Due to our limited supply accounts may be limited in their maximum purchase sizes.  Therefore new accounts may face tight initial limits.
Is My Balance Real?
Yes, all of the balance shown on your account is yours! Every coin you see is a coin that we have sitting in our master wallet. So you can withdraw from your account whatever happens.
Balance Reservation
When you buy Crypto through us, we reserve the amount you attempt to purchase for 15 minutes. After this time we no longer guarantee instant receipt of your crypto. If we cant immediately provide you with the crypto, we will attempt to adjust your balance as soon as more balance is available. More details in our TOS.
What Fee's Do I Get Charged?
When Withdrawing from your account any Network Fee will be deducted from your withdrawal. We also charge a flat fee of 5% on all purchases.
Can I Use This As A GRLC Shop?
Yes, Deposit as much as you want, it will always be yours! However, if you plan to keep a long-term balance with us we STRONGLY recommend you register a Pay Out Address so that your balance may be returned if necessary.


JSON (JavaScript Object Notation) is a lightweight data-interchange format. It is easy for humans to read and write. It is
easy for machines to parse and generate. It is based on a subset of the JavaScript Programming Language, Standard ECMA-262
3rd Edition - December 1999.
JSON is a text format that is completely language independent but uses conventions that are familiar to programmers
of the C-family of languages, including C, C++, C#, Java, JavaScript, Perl, Python, and many others. These properties
make JSON an ideal data-interchange language.
Referred from : http://www.json.org
Create New Json
Load Example
Json From Url
JSON Stringify
Create JSON and click on 'JSON to Stringify' button. Paste/Write JSON string in the above textbox and click on 'Stringify to JSON' button


--- layout: base ---
← {{site.personal_site.title}}
{% endif %}Timelines are a fun way to visualize someone's life and get to know them quickly. This is my timeline, as of {{ site.time | date: '%B %Y' }}. {% if site.linkedin %} For professional milestones, see LinkedIn. {% endif %}


BREAKDOWN A film review by Walter Frith Copyright 1997 Walter Frith
White knuckler! That's the term that first came to mind when figuring out how to describe 'Breakdown'. Kurt Russell and Kathleen Quinlan play a young couple traveling across the United States as Russell is in the process of changing jobs and their journey from Massachusetts to California takes an unexpected and nightmarish jolt in the Arizona desert when they are set up by a team of criminals (led by J.T. Walsh) who trap and extort money from upper income and wealthy people using kidnapping and murder to get what they want.
The casting of Kurt Russell in this motion picture is most effective as Russell is a perfect portrait of the everyday man and doesn't ruin the film by becoming a macho and unbelievable wrecking machine which is the trademark set by stars such as Arnold Schwarzenegger, Sylvester Stallone and Bruce Willis.
The set up, midsection, and conclusion of 'Breakdown' are all extremely vivid and credible and the movie is also vividly surreal in telling a story that can happen to anyone. Director Jonathan Mostow has selected a captivating and borderline macabre tone to the entire film paying tribute to the master of macabre himself, Alfred Hitchcock. While the film never crosses the line into macabre storytelling, it certainly plants its toes on the finish line. 'Breakdown' is also spellbinding in keeping the audience guessing as to what exactly is going on until you figure things out at about the halfway point.
The talents of under rated character actor J.T. Walsh are executed brilliantly in this movie as Walsh's portrayal of evil is as mind numbing and bone chilling as any villain in recent memory. I would have liked to have seen his character utilized a bit more on an expanded level in 'Breakdown' but he is terrific nonetheless.
While 'Breakdown' borrows from a number of motion pictures such as 'Deliverance' (1972), and most recently 'The Vanishing' (1993), it manages to establish its own identity by creating an acceptable amount of violent tension relevant to the story and an adult theme that will keep you on the edge of your seat for its entire running time courtesy of the screenplay by director Mostow and his writing partner Sam Montgomery and keeping an audience on the edge of their seats is what movies are all about.
OUT OF 5> * * * *
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Research Summary
Total Research Articles
Total Citations
Research Performance Benchmarked with Allied Institutes
mumt=Faculty of Medical Technology, Mahidol University
cmmt=Department of Medical Technology, Chiang Mai University
kkmt=Division of Medical Sciences, Khon Kaen University
Cumulative Number of Articles
Research Articles In Selected Subject Areas
Citations In Selected Subject Areas
Recently Published Articles
{{abs.title}}
{{abs.journal}}
Published: {{abs.cover_date}}
Authors: {{au.name}},


Ruby's So Classy
Posted: 08 Nov 2015
Classes and game design
Posted: 08 Nov 2015
Classes and game design
I've spent a lot of time developing small video games in my spare time ( and I have two unfinished games to show for it ). Up until now, I've only ever used C++ and some extension libraries to make that happen, but in Ruby as in C++ classes are key to many types of games. I'm going to create an Actor class to demonstrate how Ruby classes work, and how they can be used in a larger program. We use the term "actor" to describe any thing in the game space that moves and interacts with the environment.
class Actor def initialize( x = 0, y = 0 ) @posX = x @posY = y @width = 16 @height = 16 end end
Here we begin our class definition. There are a lot of things going on here, so I'll break them down into steps:
Defining our class is simple, we just write "class" to let Ruby know we're about to name a new class, then write the name we would like to use. In Ruby, common practice is to begin the class name with a captial letter, and to begin subsequent words with a captial and without a space like this: CamelCase.
Every class needs a class constructor, the method which creates a new object using our class; a class isn't any good if we don't make an object to use it! It's always best to start with this method, because it's easier to read and this is where we create any variables we need for the rest of the class. ALWAYS name your constructor "initialize", this is just how Ruby works; when we call "my_actor = Actor.new" later, Ruby will look for the method called "initialize" in the class "Actor" in order to create the new object.
Now we fill in our constructor with some things we want. The constructor is only called once, so we only include things that we don't need to repeat later. Our Actor needs at least four variables: x and y coordinates, width, and height. We declare each of these variables by preceding each name with an "@" to specify that the entire class needs access to these variables; were we to omit the "@", these variables would be local to our constructor, and unavailable to any other method in the code.
You'll notice that our "initialize" method has some parentheses and variables following it. These are our parameters; when we create a new "Actor" object, we want to be able to place it in a different spot in the game space, rather than piling up all of our Actors on top of each other ( well, maybe you want to do that, but I'm not making that type of game here ). I've written "x = 0, y = 0" so that if the new Actor is created with no arguments, we pass 0 to our posX and posY variables instead. For the sake of simplicity, our Actors are always 16 by 16 pixels in size.
This is a good start, but our class doesn't do anything. So far, we can make an object that stores four variables, inaccessible to anything outside of that object. So, we write more methods.
def collide? if @xPos < 0 true elsif @yPos < 0 true elsif @xPos + width > 640 true elsif @yPos + height > 640 true else false end end def move xMove = rand( 2 ) - 1 yMove = rand( 2 ) - 1 @xPos += xMove if collide? @xPos -= xMove end @yPos += yMove if collide? @yPos -= yMove end end
A fully realized Actor class would look more complicated than this, and may accept player input, but for now, we're just defining random movement. We've got two new methods here that will move our Actor: "collide?" and "move". We use "collide?" to check whether our Actor has moved outside of the game space, if it has "collided" with the boundaries. For our purposes, our game space is 640 by 640 pixels in size; to check whether the actor goes out of bounds, we have to add it's width to its x position, and height to its height coordinate, otherwise, our Actor will only stop once it goes all the way off the edge of the game space.
Now for our "move" method. Here we generate two random numbers between -1 and 1 ( actually get 0, 1, or 2, and subtract 1 ). Then, we pass those numbers to our Actor's coordinates, @xPos and @yPos. Immediately after we change our Actor's coordinates, we check to see whether it moved outside the game space. If it did, we subtract the same number we just added to get our Actor back within the boundaries. This is a very simple way to do what we call "collision detection"; this all happens within the method, and before we even draw our Actor to the screen, so the end user doesn't actually see the Actor move out of bounds and jump back, even though that's what the program does.
Notice that I used both instance and local variables in the "move" method. I called our Actor's x and y coordinates, which are instance variables, and created two local variables within the method to store the random numbers. We only need those random numbers within the "move" method, so it's best to make them local, but we need the coordinates we declared earlier in order to execute the method, so we needed to be sure we declared them as instance variables.
I won't go into all the details here, because we still need to draw our Actor and give it some other things to do besides moving. Instead, I'll show you what the rest of our code would look like to generate the game.
pac = Actor.new( 304, 480 ) blinky = Actor.new( 304, 282 ) pinky = Actor.new( 282, 304 ) inky = Actor.new( 304, 304 ) clyde = Actor.new( 320, 304 ) quit = false while( quit == false ) pac.move blinky.move pinky.move inky.move clyde.move pac.draw blinky.draw pinky.draw inky.draw clyde.draw end
First we create our five Actors: pac, blinky, pinky, inky, and clyde. Then, we set up a game loop ( which should provide a way to break in practice ) by creating a boolean "quit". Finally, each time our loop executes, we call the "move" method on each of our Actors once. I've added a "draw" method to illustrate how we would "move" each actor first, then "draw" them on the screen.
This is a totally simplified, inaccurate recreation of Pac-Man, especially since the player's movements should be controlled, not random, but this should give you an idea of how video games can use classes, and how best to use a class in your own programs.
Previous: An Enumerable method: cycle | Next: Ruby vs JavaScript


AoiYamada
<EMAIL_ADDRESS>Login
Register
Chat-Room
Register
Login
menu
Sign in
account_circle
Username:
lock
Password:
Log In


Use to create Standard device.
Used to create multiple devices at once.
Use to create Jasper device.
Use to create LoRa device.
Used to delete single device.
Used to delete multiple devices at once.
Use to change device password.
Use to get device details by deviceKey.
Use to get lisy of devices
Use to get paged list of devices
Use to get device number of available slots for devices.
Used to rename device.
Use to get number of devices divided by state ONLINE | OFFLINE;
'DEVICE_READ'||'DEVICE_CREATE'||'DEVICE_UPDATE'||'DEVICE_DELETE' access permision


Welcome to Django for self-learning
DFSL Technical Documentation
---Project Setup---
i. pip install virtualenv
ii. virtualenv env_name -p python3.7
iii. pip install django
iv. python -m pip install Pillow
v. pip install psycopg2==2.7.6
vi. pip install psycopg2-binary
vii. pip install ipdb
Part-1
I. User Registration
II. User Login
III. Update User Details
IV. User Logout
V. User Change Password
VI. User Forget Password
approach/support material /
Part-2
---Project Setup---
1)pip install social-auth-app-django
2)pip install unidecode
3)pip install requests
I. User account verification
II. Login with scoical Media accounts
III. Advance Update User Details
IV. JWT Authentication
V. Serializer
VI. Django REST Framwwork
Part-3
I. Statice Menus
1) Dashboard
i. All Google Charts
2) Reports
i. All user Details (using ORM quries)
Part-4
I. Dynamic Menus
1) Dashboard
i. All Google Charts
ii. Filter Date Range
2) Reports
i. All user Details
ii. Filter Date Range (SQL)
Part-5
1. Implatent Filter Based on Location, User and Date Time
Part-6
1. Dynamic Queryies for Dashboard and Reports (SQL)
Part-7
1. useing Procedure SQL implement Dashboard and Report
past-8
1) Google Captcha (text,robot,math)
Part-9
I. User Registration Form in Hindi or other language
II. Page Translating Hindi to English
III. show user lishting page in region lanugae
IV. 1.Django River
V. Django River video
1.A Guide to Using Social Login with Django
2. How to Add Social Login to Django
OAuth Authentication in Django with social-auth
Django Social Login – Facebook, Twitter and GitHub
{% endblock %}


Here it is some of our their results after starting working with us:
Views
100 Million+
Revenue
$10 Million
Present at
100 Countries
Likes
22 Milion+
Choose Your Studio
Select where you want to record your videos
Your Place
You don't need to leave its confort
We bring our equipament
Transform your place into a studio
Great video quality
Our Studio
You come to our place
Use our equipament
It's frictionless, so you focus on the content
The best video quality
Choose the Edting Style
Select the way your videos are edited
Serious Editing
Enhance your content
Adds a serious tone
Errors are corrected
Clarify the desired message
Funny Editing
Enhance your content
Adds humor
Even unprentious lines become funny
The joy is guaranted
Comments from of our partners
See what our partners have to say about us
Cleo Patra5mi courses sold at Udemy
"Before I meet Filmext, I was an ordinary content creator with a few thousand followers. But once I saw how they took regular content like mine and transformed it into something beyond my imagination, that is the moment when I knew I had to work with them. Never regretted a single moment of our relation, I recommend Filmext to every content creator out there."
Joanna Darkson3mi followers at LinkedIn
"Filmext is the company I recommend to everyone because they care about you.  They are my favourite company in the world."
Bjorn Greyson1.5mi subs at Youtube
"I say to my friends that my life has two parts, one before I meet Filmext and one after it. They transformed my life by making my videos great, and because of them, many doors opened to me. Today, I'm incredibly happy with the content I produce. So, I recommend them without a shadow of a doubt."


{%extends 'base.html'%} {% block content %} {{block.super}}
view comments
{{comments.posted_by.user }}{{comments.comment}}


Katie Holmes Spent the Weekend Playing with Koala Bears and I Can Barely Handle It
by Kayleigh Roberts- In her latest act of charitable goodness, Katie Holmes traveled to Sydney, Australia to volunteer with Ronald McDonald House for McHappy Day.
- After her work with the McDonald's charity, Katie spent time visiting some of Sydney's biggest tourist attractions.
- On Sunday, Katie shared a photo on Instagram of herself cuddling with a koala bear at the Sydney Zoo.
Katie Holmes is living the BEST life right now in Sydney.
The actress traveled to Australia this weekend for work with the Ronald McDonald House charity. On Friday, Katie visited with families at the Ronald McDonald House Westmead. And then, on Saturday, the actress visited McDonald's Haberfield for McHappy Day, where she actually stepped behind the fast food restaurant's counter to work for the cause.
After she finished her charitable work, Katie took some time to play tourist with a trip to the Sydney Opera House. On Sunday, she continued her adventure Down Under with a visit t o the Sydney Zoo, where she cuddled with koala bears, hence the "BEST life" declaration above.
In true Katie Holmes fashion, however, she used the cute photo op as a chance to raise some awareness for a good cause.
"I loved spending time with the koalas at the Sydney zoo," she wrote in the caption of her koala-cuddling pic on Instagram. "I am so sad that so many koalas in the wild were lost in the fires. Many are being treated in koala hospital. If you would like to donate, please visit this site. https://www.koalahospital.org.au/shop/donation."
Open suggestion: Katie's next charitable work should be a world tour of zoos to meet (and pose) with koalas everywhere.


SlideOut create tabs that slide out from the window edges to show a feedback form, contact form, live chat, etc.
Features include:
- Attach to any edge of the screen: top, bottom, left or right
- Make sticky to have the tab follow you as you scroll
- Easily CSS styled
- Javascript callbacks for Open and Close tab events
- Ajax behaviors for Open and Close tab events
A typically area of application is anywhere you may want to get customer feedback.
Based on jQuery TabSlideOut Plugin.
WARNING:Demos in this showcase may not work in some browsers and all examples are shown set to the top of the screen.
The reason is because of CSS position:absolute vs. position:relative of the tabs. The PE Showcase uses pe:layout component which
causes issues trying to use this component because the tab cannot be drawn on top of the Layout panes.
However, we are successfully using the component in production applications you just have to be careful where you lay it out.


{% extends "layout.html" %} {% block page_title %} Money Claims Prototype {% endblock %} {% block content %} ALPHA This is a new service – your feedback will help us to improve it. Back Page 5 of 15 What you'll pay The court fee is based on the amount you're claiming, plus interest. You can claim interest on the money you're owed. If you claim goes to a hearing and you win, the judge will decide if you should also be paid the interest. Do you want to claim interest? Are you willing to discuss the claim? Claim 8% interest (this is the standard rate) Claim a different rate of interest Rate you're claiming For example, 6.5% Why you're claiming this rate For example, interest rate set out in the contract Don't claim interest {% endblock %}
ALPHA This is a new service – your feedback will help us to improve it.
The court fee is based on the amount you're claiming, plus interest.
You can claim interest on the money you're owed. If you claim goes to a hearing and you win, the judge will decide if you should also be paid the interest.


This method is like Promise.all() except this one wait for the previous promise to be completed before starting the new promise. It also dispatches the progress back to the initial caller so you can see how far the chain is.
sequentialPromises(
[
() => new Promise(resolve => setTimeout(resolve, 1000)),
() => new Promise(resolve => setTimeout(resolve, 1000)),
],
progress => console.log(`Progress update method: ${ progress }`)
).then(() => console.log('All promises are done);
Generated using TypeDoc
sequentialPromises


By submitting this order, you agree you will be charged according to your subscription selection.' %}


$view
(service in module ui.router.state
)
name – {string} –
name
options – {object} –
option object.
Fired once the view begins loading, before the DOM is rendered.
event – {Object} –
Event object.
viewConfig – {Object} –
The view config properties (template, controller, etc).
$scope.$on('$viewContentLoading', function(event, viewConfig){ // Access to all the view config properties. // and one special property 'targetView' // viewConfig.targetView });


At XtraPlus Technologies, we design and offer ICT solutions that are customized to each client’s current needs, thus optimizing ICT spend and future proofing of the solutions.
We have carefully selected leading ICT partners to ensure that you get the right combination of computing, storage and software solutions at any one time. Our ICT solutions range from Rack and Blade Servers, Storage Arrays, NAS and SAN. Server Virtualization and Consolidation and the accompanying software licenses.
Services offered include:
Services offered include:
Services offered include:
Services offered include:


Born and bred in Central Kenya, I was educated in the Protestant Mission area of Thogoto in Kikuyu town. Higher education took me to a faith based University for Commerce degree in Accounting. Leadership roles were an integral part during this period.
By mid 2018, I had worked in development finance, micro-finance lending,agricultural management, insurance intermediation and transaction advisory.In all these fields, computers planned large part in the accomplishment of tasks and processes.Thus, an interest grew gradually. I have now set out on the journey to learn computers from a more intimate perspective, coding. I am presently enrolled in Moringa School ,a coding accelator/bootcamp.
With guidance from Technical Mentors and through blended learning, I'll learn the following languages:
I foresee Security needs growing exponentially as computing continues to play a bigger role in everyday life. With Social Media, IoT, Machine Learning and Virtual Reality serving daily needs and wants for Kenyans,I hope to play an integral part in securing these applications.


WITNESS LIST Public Health Committee May 13, 1999-8:30A SB 983 Registering, but not testifying: For: Bruce, Laurie (Girling Health Care) SB 1331 For: McGiffert, Lisa (Consumers Union) Registering, but not testifying: For: Davis, Helen Kent (Texas Medical Association) Marshall, Susan (The ARC of Texas) Welsh, Dinah (Texas Hospital Association) On: Wilson, Sheri (Texas Department of Health) SB 1591 Registering, but not testifying: On: Miller, Jerry K. (Texas Department of Health) Rao, Mani (State Comptroller of Public Accounts)


Irish Olympic Medalist Paddy Barnes Retires From Boxing
by Maurice BrosnanTwo-time Irish Olympic medalist Paddy Barnes has announced his retirement from boxing.
The hugely successful amateur won medals in the light flyweight division at the 2008 and 2012 Olympic games and fought in the 2016 games in Rio, where he carried the Irish flag at the opening ceremony.
Barnes turned pro a year later and fought for the WBC flyweight title in 2018 but lost out to Cristofer Rosales. His final fight was a fourth-round loss to jay Harris in Belfast last month.
“I have loved every minute of boxing, it has been my life for the past 21 years,” the Holy Family BC fighter said in a statement on Twitter.
I have achieved my dream of becoming an Olympian and getting to carry the Irish flag at the Olympic Games opening ceremony. Those moments were the proudest of my career.
Professional boxing was never a dream of mine but I tried and threw myself into the deep end straight away. It didn’t work out but I wouldn’t have it any other way. I’d like to thank my family for supporting me throughout my entire career, my wife Mari for keeping my feet firmly on the ground and helping me towards my goals.
“I want to thank my parents Jimmy Linden, Gerry Storey, Seamy McCann and everyone at the Holy Family boxing club.”
SEE ALSO:


Is one of the most influential and original photographers, who through his work defined creativity within modern photography. In 12 chapters and 300 photographs you will follow the career of James in his days of founding the Magnum Photo Agency– who helped other photographers get work at prominent magazines like Life– his captures on the older generations in Europe being faced with modern realities.His creativity is over the box, always seeking for some new shoots his style is inspiring emotional black and white style photographer that made life look different.


1. Arthur - Real time OpenGL rendering
Developed using C++, OpenGL and GLSL. The UI is created using ImGUI (https://github.com/ocornut/imgui). ASSIMP and SOIL libraries have been used for model loading and image loading respectively. Implemented Physically based rendering, deferred rendering and forward rendering. Features include PBR textures, image based lighting using HDR maps, screen space ambient occlusion, point and directional lights, etc.
2. Flocking simulation
Developed using Processing. Based on Craig Reynolds 1987 SIGGRAPH paper - Flocks, Herds, and Schools: A Distributed Behavioral Model. Includes flock centering, velocity matching, collision detection and multiple flocks.
3. Path tracer (work in progress)
Developed using C++. Monte Carlo path tracer that includes materials, textures, reflection, refraction, light sources, etc.


I get confused everytime I remove a Warn (aka Saturn) over drive from
a Dana 18 transfer case that was in a Jeep or Scout 80. Looking at the
exploded view from Advanced Adapters helps, but sometimes I still
get it wrong and I have to figure it out all over again. I figured
if I wrote up the procedure, I wouldn't forget again and at least
I'd have something to look up.
-
Remove the five bolts that run through the case of the over drive
with a 9/16" socket.
-
Pry the over drive case away from the Dana 18 case. Keep in
mind that the gasket sealer and the bearing that rides in the
plenetary hub assembly may fight a bit.
-
Remove special snap ring that is behind and can be seen through the
planetaries.
-
Remove the special lock washer that is behind the snap ring with
some needle nose pliers.
-
Use long 1/2" extension to remove planetary hub assembly from
transmission output shaft.


Zuma’s Argument For Leave To Appeal Baseless – NPA
by SW EditorThe National Prosecuting Authority (NPA) has argued former President Jacob Zuma has not presented a rational argument to warrant him being granted leave to appeal a High Court decision that he should be prosecuted.
Zuma’s lawyers argued in the Pietermaritzburg High Court on Friday that he will be prejudiced if the matter proceeds.
However, the NPA’s Andre Breteynbach said Zuma was just employing delay tactics because he had limited scope to fight allegations of fraud, corruption and racketeering against him, which are related to the multi-billion rand arms deal.
Breytenbach said they were made aware that Zuma planned to delay his day in court by taking the matter to the Constitutional Court if leave to appeal the decision was not granted.
He said Zuma’s argument that charges against him were drawn up for political reasons was baseless.
He said that the argument was based on Judge Chris Nicholson’s report, which was overturned by the Supreme Court of Appeal.
Breteynbach also denied claims that the delays were caused by the NPA, saying the former president had consistently fought attempts to bring him to court.
He argues that political interference in the matter has never been proven despite claims by Zuma.
Judgment will be handed down next Friday.


$ brew install java
$ ssh-keygen -t rsa $ cat ~/.ssh/id_rsa.pub >> ~/.ssh/authorized_keys
$ brew install hadoop # Install in /usr/local/Cellar/hadoop/
export HADOOP_OPTS="-Djava.security.krb5.realm=-Djava.security.krb5.kdc="
$ bin/hadoop namenode -format
$ bin/start-all.sh # Start hadoop $ jps # List Java Processes $ bin/stop-all.sh # Stop hadoop
Configured at conf/hadoop-default.xml
> bin/hadoop fs -ls # List files/dirs in HDFS > bin/hadoop fs -mkdir # Make directory in HDFS > bin/hadoop fs -copyFromLocal # Copy from local file system to HDFS > bin/hadoop fs -copyToLocal # Copy from HDFS to local file system > bin/hadoop fs -moveToLocal # Move from HDFS to local file system > bin/hadoop fs -rm # Delete file > bin/hadoop fs -rmr # Delete directory > bin/hadoop fs -tail # Tail files > bin/hadoop fs -chmod # Change permissions > bin/hadoop fs -setrep -w 4 -R /dir1/s-dir/ # Change replication factor to 4 for all files in the given subdirectory


Detangler
Load...
Open File
Entanglement analysis
Harmonize layouts
Demo
Toy example
Paul Revere's ride
InfoVis 2004 Contest
INA Documents about University
Paul Erdos' coauthors
Composition of the Kanji "語"
About...
Paper
File description
Toy example file
Project
User guide
Powered by Tulip
Tile


Employee ID: 5
Office #: Suite 110
Employee Id: 6
Github: marisanesmith
Employee Id: 7
Github: matthew
Employee Id: 344
School: UCF


Preformated Text
This text will be displayed as it is!
This text will be displayed as it is!
Displaying Code
var first_name = "Hussaini"
var last_name = "Mamman"


To contribute to this project, please visit our GitHub page.
To submit a pull request, go to the Pull Request page, then click on the "New pull request" button.
To create an issue, go to the Issues page, then click on the "New issue" button.
To request a new feature Create an issue According to instructions


ISORC has become established as the leading event devoted to state-of-the-art research in the field of object/component/service-oriented real-time distributed computing (ORC) technology. In addition to the main conference, ISORC 2020 will host a special session dedicated to posters and demos, where participants will be able to show prototypes, tools, simulators, and systems, which demonstrate the applicability of real-time computing to different applications. This year, ISORC will improve the peer-reviewing process by introducing double-blind submissions and a rebuttal phase, where authors will have a chance to provide short replies to the reviewers' major objections before the final acceptance decision is taken.
Best Paper and Student Paper Awards will be delivered during the conference. Highly rated papers from ISORC 2020 will be invited for submission to a Special Issue of the Elsevier Journal of Systems Architecture (JSA).
We solicit high-quality papers pertaining to all aspects of ORC technology and especially those that are well aligned with the 2020 theme. Authors are encouraged to consider submissions with a practical orientation and validation related to Case Studies & Applications in this area. The specific ORC focus areas include, but are not limited to:
Software architectures for real-time distributing computing: programming paradigms, ORC paradigms, object/component models, languages, synchronous languages.
Distributed computing and communication infrastructures: real-time communications, networked platforms, protocols, Internet QoS, peer-to-peer computing, sensor networks, VANETS and V2V and V2I communications, time-predictable systems and hardware, trusted and dependable systems, complex systems of systems, model maintenance.
Algorithms for real-time analytics: real-time stream processing solutions including clustering, classification, mining and inferencing, machine and deep learning, statistical modeling, stream correlation and sampling.
System software: real-time kernels, operating systems, virtualization/container mechanisms and distribution middleware for ORC, supporting QoS management and performance, decentralized processing and scalability, extensibility, synchronization, resource allocation, scheduling, energy efficiency, timing analysis, fault tolerance and resilience, security.
Applications: medical devices, intelligent transportation systems, industrial automation systems and Industry 4.0, Internet of Things and Smart Grids, embedded and cyber-physical systems (automotive, avionics, autonomous vehicles, consumer electronics, building systems, sensors, etc), multimedia processing, RT Web-based Applications, QoS-Aware and real-time Cloud/Edge/Fog Computing, real-time packet processing for future networking infrastructures and Network Function Virtualization (NFV), time-sensitive social dispersed computing.
System evaluation: monitoring mechanisms & infrastructures, performance & timing evaluation, dependability, end-to-end QoS, system/infrastructure overheads, fault detection and recovery time, large-scale evaluations and field studies.
IEEE ISORC 2020 invites papers in three categories. Submission guidelines for each category of paper are as follows:
Regular Research Papers: Papers should describe original work and papers submitted for review should be a maximum of 8 pages in length, excluding references, using the IEEE conference paper format. A maximum of two extra pages may be purchased during the camera-ready submission of accepted papers.
Industrial Papers and Practitioner Reports: Papers describing experiences of using ORC technology in application or tool development projects, are an integral part of the technical program of ISORC. These papers should be no longer than 8 pages, excluding references, using the IEEE conference paper format and may be less formal than research papers. They should clearly identify and discuss in detail the issues that represent notable industrial advances. Reports with project metrics supporting their claims are particularly sought, as well as those that show both benefits and drawbacks of the approaches used in the given project.
Short Papers: Short research papers that are no longer than 4 pages, excluding references, using the IEEE conference paper format, on real-time analytics are also invited, and should contain enough information for the program committee to understand the scope of the project and evaluate the novelty of the problem or approach.
The IEEE conference paper templates can be found here.
Papers are to be submitted through the HotCRP system.
The review process is double blinded. Authors’ identifiers, including name, affiliation and contact details, must not be revealed in the submission. The title page may list the authors as “anonymous” and any reference to the prior works of the authors must be in the third person, i.e., references to your own prior work still include full author names. Similarly, if you use your own software, state that a copy of this software was obtained from the authors of the software, preferably with a reference. Omit acknowledgements and funding sources in the submission. The camera-ready submission for an accepted paper can restore these details. (Any further questions about double-blind submissions should be directed to the PC chairs.)
International Workshop on Open Distributed Real-time Embedded (ODRE) systems


One such situation is where paths are hard-coded and the code needs to be built on a specific location. While there's no doubt that such a build is not ideal, this option allows you to get going in such a situation.
Another situation where this is useful is when you are using the project type not to perform a software build, but execution of a certain batch task, perhaps as a cron replacement. In such case, you can use this option to map the relevant directory as the workspace, so that people can look at files through the Jenkins web UI, and you can kick relevant commands more easily.
If you are in a distributed build environment, unless you tie a job to a specific node, Jenkins may still move around jobs to different slaves. Sometimes this is desirable, sometimes this is not. Also, you can map multiple projects to have the same workspace, but if you do so, make sure concurrent executions of those jobs won't have nasty interference with each other.
If this path is relative, it's resolved against the "remote FS root" directory of the slave, or $JENKINS_HOME on the master.


A Vote on Impeachment
Listen and subscribe to our podcast from your mobile device:
Via Apple Podcasts
|
Via RadioPublic
|
Via Stitcher
The House of Representatives voted to begin the next phase of the impeachment inquiry into President Trump — one which will be open to public scrutiny.
Two Democrats in the House broke ranks and voted against the resolution, which outlined rules for the impeachment process. That was the only complication to an otherwise clean partisan split, with all House Republicans voting against the measure.
The tally foreshadowed the battle to come as Democrats take their case against the president fully into public view. Today, we discuss what the next phase of the inquiry will look like.
On today’s episode:
- Julie Hirschfeld Davis, the congressional editor for The New York Times.
Background coverage:
- House Democrats decided they now have enough confidence in the severity of the underlying facts about Mr. Trump’s dealings with Ukraine to open the inquiry to the public, despite the risk that doing so would further polarize the electorate.
- This is a timeline of the events that prompted the impeachment inquiry.
- Here’s how Democrats and Republicans voted on the impeachment rules resolution.
Tune in, and tell us what you think. Email us at<EMAIL_ADDRESS>. Follow Michael Barbaro on Twitter: @mikiebarb . And if you’re interested in advertising with “The Daily,” write to us at<EMAIL_ADDRESS>.
Julie Hirschfeld Davis contributed reporting.
“The Daily” is made by Theo Balcomb, Andy Mills, Lisa Tobin, Rachel Quester, Lynsea Garrison, Annie Brown, Clare Toeniskoetter, Paige Cowett, Michael Simon Johnson, Brad Fisher, Larissa Anderson, Wendy Dorr, Chris Wood, Jessica Cheung, Alexandra Leigh Young, Jonathan Wolfe, Lisa Chow, Eric Krupke, Marc Georges, Luke Vander Ploeg, Adizah Eghan, Kelly Prime, Julia Longoria, Sindhu Gnanasambandan, Jazmín Aguilera, M.J. Davis Lin, Dan Powell, Austin Mitchell, Sayre Quevedo and Monika Evstatieva. Our theme music is by Jim Brunberg and Ben Landsverk of Wonderly. Special thanks to Sam Dolnick, Mikayla Bouchard, Stella Tan, Julia Simon and Lauren Jackson.


Money Play. How should Red play 65?
pips Red=159 White=159
(CorrectAnswer= 0/0, ErrorScore= 0)
I think most people would get this one right. Red must make White’s bar-point with 24/18, 23/18.
After that he is in the game forever and being hit is no great problem.
When your opponent has a high anchor it is normally correct to try to make a high anchor of your own to equalise the position.
Anything other 24/18, 23/28 is an outright blunder.
After that he is in the game forever and being hit is no great problem.
When your opponent has a high anchor it is normally correct to try to make a high anchor of your own to equalise the position.
Anything other 24/18, 23/28 is an outright blunder.
1. Cubeful 2-ply 24/18 23/18 Eq.: -0.000 0.498 0.096 0.002 - 0.502 0.090 0.002 2. Cubeful 2-ply 10/4 9/4 Eq.: -0.045 (-0.044) 0.491 0.091 0.002 - 0.509 0.110 0.003 3. Cubeful 2-ply 9/3 8/3 Eq.: -0.122 (-0.122) 0.465 0.107 0.003 - 0.535 0.126 0.005 4. Cubeful 0-ply 24/13 Eq.: -0.207 (-0.207) 0.448 0.074 0.001 - 0.552 0.131 0.005 5. Cubeful 0-ply 23/18 10/4 Eq.: -0.213 (-0.212) 0.449 0.086 0.002 - 0.551 0.149 0.009


inline
elements always fit to content and are unaffected by width
and height
values.
inline
elements accept margin and padding but only push other elements horizontally away, not vertically.
A number of elements are set to block
by the browser user agent stylesheet, e.g. container elements like div
, section
and ul
and text elements like p
and h1
.
Default display
values can be overridden.
Provided no width is set, block
elements take up the width of the page or parent container.
They respond to width
, height
, margin
and padding
. height
will adjust to fit content if not set.
If width is set, you can set margin: 0 auto
to horizontally centre the element within the container.
If max-width is set, element width will automatically adjust as windows is re-sized.
width: 0
; height: 0
width: 0
; height: 60px
; padding: 20px
; margin: 20px
.width: 90px
; height: 0
.inline-block
elements stay inline with the natural flow of text, but you can consistently apply block element properties to them, such as width
, height
, margins
, padding
and vertical-align
while remaining an inline
element. They behave similarly to a float in that several inline-block elements will line up horizontally. inline-block
elements are therefore incredibly useful when you want to align block elements horizontally in rows.
For example, in blogs, we frequently use unordered lists for the navigation menu. Turning that list horizontal would require you to float all menu items left or right, then deal with the height of the containing element using a clearfix, etc. All of these problems are resolved by applying display: inline-block
to all the li
elements, which are block
level elements by default. As shown in the above example with the anchor elements, you can make them fill up the space by applying display: block
to them.
The advantage of inline-block elements is you don't have to clear them to stop the parent from collapsing around them.
Also, you can use vertical-align: middle
, line-height
and text-align: center
to perfectly center the elements, in an intuitive way.
E.g. if you have elements of differing dimensions, you can create different effects like so:
inline-block
to create a nav bar.The result is the same as when we floated the inline
anchor elements to give them block
element properties. You get the properties of both inline
elements and block
elements.
Only position: static
and position: relative
elements will accept float
properties.
A floated element is taken out of normal flow then shifted left or right.
A floated element is automatically display: block
. Elements which are display: block
by default remain so when floated. Therefore, floated inline
elements will respond to margin
, padding
, height
and width
values.
The advantage of using floats is that when images are resized, surrounding text will reflow to accommodate it. Not the case for position: relative
and position: absolute though
width
and height
setblock
elements with no float applied. As no width is set, they take up the entire width of the content box of the ancestor element.
div
s floated left and right. They are on the same line as floated block
elements occupy the same line as previous floated block
elements as long as there is space. Furthermore, they shrink to fit the content as no width was specified.
If we add more content such that they would have to take up the entire line, see how our third pair of div
s behaves.
block
elements with set width and heightAs the above divs
respond to width
and height
values, this proves that floated block
elements remain as block
elements. Take note that floated inline
or inline-block
elements become block elements
.
float
's sister property is clear
. To prevent elements after a floated element in the HTML wrapping around floated elements, we apply clear: both
to the div
following the floated elements so that it moves itself down past the float.
Clearing left
or right
is less common but nevertheless has its specific use cases:
If a parent element contains only floated elements, its height collapses. We fix it by clearing the float after the floated elements in the container
If you always know what the succeeding element will be, you can apply clear: both
to it and go about your business. If not, there are other tools and hacks:
br
element but an empty div
is most common because it has no browser default styling, no special function, and is unlikely to be generically styled with CSS. But scorned by semantic purists as it adds no contextual meaning to the page and is purely for presentation. But it gets the job done.overflow
on parent container to auto
or hidden
and it will expand to contain the floats; succeeding elements will clear them.
This makes the parent establishe a block formatting context and "take responsibility" for its content.
Floats, absolutely positioned elements, block containers that are not block boxes (e.g. inline-block
), and block boxes with overflow
other than visible
establish new block formatting contexts for their contents.
This method can be beautifully semantic but be careful not to accidentally hide content or trigger unwanted scrollbars!
As overflow: hidden
creates a new block formatting context, this is useful to align a block
element next to a floated one rather than allow its content to wrap around the floated element.
margin
. Vertical margins between adjacent block
boxes in a block formatting context collapse. In a new block formatting context, each box's leftmost edge touches the leftmost edge of the containing block (for left-to-right formatting). This is true even in the presence of floats (although line boxes may shrink due to floats), unless the box establishes a new block formatting context, in which case the box would align next to the float and its width would shrink.
See this stackoverflow answer for more details..clearfix:after {
content: " ";
display: block;
clear: both;
}
Floats are of limited use as they can only position elements left and right. There are 4 types of positioning:
The position
property manipulates the location of an element.
Positions or dimensions of elements are relative to the containing block.
The dimensions of the initial containing block, being the root element, is same as the viewport.
static
/relative
: Content box of nearest ancestor whose display
is block
or inline-block
;absolute
: Padding box of nearest ancestor whose position
is absolute
, fixed
or relative
;fixed
: ViewportDefault position for all elements, meaning no position setting. Element remains in normal document flow. left
, right
, top
, bottom
and z-index
have NO effect.
Element removed from normal flow of document and positioned relative to the viewport, unaffected by scrolling. top
, right
, bottom
and left
properties are used to position fixed
elements.
The blue box on the bottom left of the page is a fixed position element.
No immediate effect on positioning. But activates top
, bottom
, left
or right
to move the element relative to its place in the document. Remains in normal document flow and surrounding elements will remain unmoved.
Setting relative
position also activates z-index
on that element. Even if no z-index
value is set, this element will be placed on top of static
positioned elements.
Lorem ipsum dolor sit amet,
Removes element from document's normal flow. Thus, the space it once occupied will be taken up by other elements.
absolute
position elements are positioned relative to their closest relative
position ancestor. If such element does not exist, they will be positioned relative to the body
element.
This section containing block is set to position: relative
and the absolutely positioned element (the green box above) is positioned within this section
containing block.
Take note that position: absolute
inline
and inline-block
elements become block
elements and therefore respond to width
and height
values.


Copyright (c) 2003 L. Lynn Smith
SanQi is played on the following initially empty hexagonal board. There are initially offboard enough red, blue and yellow stones.
|
Some words from the author: The first player should concentrate on forming circles, while the second attempts lines. The triangle will often become a threat that can be exploited for positional advantage by both players. Remember there are three different colors which can be played. Use more than one to perform blocking moves. If an opponent seems to favor one color, you can take advantage by playing the other two. Just because you can replace a stone does not mean that it is wise to do so. In fact it might be advantageous to secure that stone by placing more of its color adjacent. If an opponent successfully blocks a developing pattern, don't be afraid to abandon it. In fact, either start a new one somewhere else on the field or begin building on the opponent's blockers. In either case, try switching colors. Watch out for those triangles, they can sneak up and hinder a developing pattern.
| A
first example First player turn. If he drops a red stone at [1] trying to win next turn by replacing (4 reds versus 2 blues) the marked blue stone in the next turn (thus making a circle) then he will lose because the second player drops another red at cell [2] making a red triangle of six stones. |
|
| A
second player win
The second player drops a stone at cell [1] and wins. The first player cannot protect the red marked stone to be replaced, even if he drops a red stone at cell [2]. If that happens, the second player first replaces the yellow marked stone and the resulting 4-2 difference cannot be changed. |


Search
Preparing search index...
The search index is not available
kila
Options
All
Public
Public/Protected
All
Inherited
Externals
Only exported
Menu
Globals
kila
GameEngine
A webgl based 3d game engine.


Mobile MVC Demo
Simple Data Binding
Repeat Data Binding
Generate Simple Form
Data Binding Example
Ship to - Bill to Address
First
Last Name
Email
Ship To
Bill To
Street
City
State
State
Reset
Repeat Data
Details for selected index:
First Name
Last Name
Email
Telephone
Simple Form Generate Example
Model
{ "Serial": "11111", "First": "John", "Last": "Doe", "Email"<EMAIL_ADDRESS>"Phones": [ { "Office": "111-111-1111" }, { "Mobile": "222-222-2222" } ] }
Generate Form
Generated View
Update Model


NOTICE: You are viewing this page on a mobile device. To view my resume directly, please visit this page in a browser or click the following link to download my resume as a PDF.


I've worked on several projects outside the scope of my required school curriculum. Among these are:
I'm very proud of my academic achievments. Here is a brief history of my schooling:


How to avoid highways on Google Maps for your directions on desktop or mobile, Business Insider - Business Insider Singapore
by Devon Delfino, Business Insider US- You can avoid highways on Google Maps for your directions if you wish to avoid traffic or take an alternate route.
- It’s easy to set this preference on Google Maps, whether you’re using the website or mobile app.
- Here’s how to set up your Google Maps to avoid highways.
- Visit Business Insider’s homepage for more stories.
Google Maps can be a useful tool when it comes to getting from point A to point B in a timely manner.
But sometimes you may not necessarily want the quickest way, or you have a feeling there’s going to be traffic on those larger roads.
That’s when it’s time to take advantage of a lesser-known tool on Google Maps: Avoiding highways.
Here’s how to set up your Google Maps to do that, whether you’re using the desktop or mobile version of the site.
Check out the products mentioned in this article:
iPhone 11 (From $699.99 at Best Buy)
Samsung Galaxy S10 (From $899.99 at Best Buy)
How to avoid highways on Google Maps on desktop
1. Go to maps.google.com.
2. Click into the blue right-turn icon, located next to the “Search Google Maps” bar.
3. Enter your starting and ending points.
4. Click “Options.”
5. Tick the box next to “Avoid Highways.”
How to avoid highways on Google Maps in the mobile app
1. Open your Google Maps app on your iPhone or Android phone.
2. Select the three stacked lines to open the menu (the location may vary depending on the kind of phone you have).
3. Tap “Settings.”
4. Select “Navigation settings.”
5. Scroll down to the “Route options” section and toggle on the “Avoid highways” option.
From there, you can also choose to avoid tolls and ferries if you wish.
Related coverage from How To Do Everything: Tech:
-
How to update Google Maps on your iPhone or Android phone, to get the latest features and security updates
-
How to calibrate your Google Maps app to give more accurate directions, on iPhone or Android
-
How to change your default home address on an iPhone, in both Google Maps and Apple Maps
-
How to change your route on Google Maps on desktop or mobile, to choose an alternate route or make your own


External Download Examples
External download (with URL callback on return)
Go
Exit
External download (with Javascript callback)
Go
Exit


whatever.
search
whatever.
more_vert
Sign up
Log in
Categories
Likey likey
For the dudes
Shirts
Hoodies
Sunnies
Hat
For the dudettes
Shirts
Hoodies
Sunnies
Hat
Log in
Email Address
Password
Login
Sign up
First Name
Last Name
Username
Password
Sign up


This is a work in progress, it's using canvas and some javascript so IE6, 7 & 8 users are screwed.
Line 1
Line 2
Line 3
Read the source on github.
Photograph Copyright © 2011 Simon Page.


Questions about badges? Click here.
What is a Badge? What is an Evidence page?
A Badge is a way of showing that you have done some work. If
we issue you a badge, we are telling anyone who can see the badge
that we think you have gained (for instance) Assessment Practices
Expertise.
An Evidence page is a way for someone to see the work you've
done. This gives the badge much more force, because someone
looking at the badge doesn't have to trust us (the instructors) -
they can see for themselves how much work you've put into this
course.
Who can see my badges?
Nobody can see your badges unless you decide to share them by
claiming them on your Mozilla Badge Backpack, or giving someone the
URL of the Evidence page.
If I share a badge, what will others see?
They will see the Evidence page, which is linked above. This
includes your course work and your name. It also includes
the number of comments, endorsements, and promotions that your
work received. It does not include the text of
the comments.
How can I show someone my badge?
The easiest way to show one person your badge is to e-mail them
the link to your badge Evidence page. You can do that by clicking
on the 'Share via e-mail' link. You can also go to the Evidence
page and copy the URL from your browser's address bar, then paste it
into an e-mail.
Remember that the Evidence page includes your course work and
your name!
To share your badge publicly, you can click on the Facebook,
Google+, or Twitter share links. Each one will open up a page where
you can edit a status update, pre-loaded with the URL of the
evidence page. You can also copy/paste the URL of the evidence page
into any other social network or web page.
A final option is to claim your badge on Mozilla's Open Badge
Infrastructure. See the next question for instructions...
How can I claim my badge on Mozilla Badge Backpack?
When you click on the "Claim on Mozilla Badge Backpack" link next
to the badge image, you will be guided through the process of
claiming your badge. If you don't already have a Mozilla Persona
account, you will be asked to create one. In order to claim your
badge, your Mozilla Persona account must use the same e-mail
address that you used to register for this course:
{{ email }} .
Even the capitalization must be the same! If you
can't use the same e-mail address, or have other problems claiming
your badge, contact<EMAIL_ADDRESS>and
we can work something out.
Claiming the badge fails with 'It appears that the [...] badge was not awarded to you'
This probably happened because the capitalization of your e-mail
address is not consistent, or else you are logged into Mozilla
Persona using a different e-mail address. Try going to the
Open Badges website
and see if you're logged in with the same e-mail address as you
use on this course:
{{ email }} .
If the problem is capitalization, or you need to use a different
Persona account and its associated badge backpack, we can fix
that for you. Please ask our
Teaching
Assistant, Tara.
I've claimed my badge! Now what?
Now that you've claimed the badge, you will need to put it into a
public "badge collection" before anyone will be able to see it. Visit
the
Open Badges website
and create a new collection. If you give it a title that includes your
name, it will be easy for third parties to tell that
you have
earned this badge. So something like "Dr. Brown's Badges". Now,
if you click on the share icon for that collection, you will be taken
to a public page that you can link to. It also has a convenient way to
share on Twitter, Facebook, and Google+. You can send people the
link to that page to show them what you've done.
If you want to go one step further and include your badges on your web
site, there are a couple of options. First, if you use WordPress,
there is
a
WordPress plugin that should make this simple. If you
don't use WordPress, currently the best option is to enter the e-mail
address you used to claim the badge at
this simple web site,
and follow the directions there. It will give you a snippet of HTML
that you can add to a web site.
Can I change the name displayed on my badges?
Yes! You can enter a different name into the "Name for Badges
and Certificates" field below. This might be useful if, for
example, you'd like a more formal version of your name to appear
on your badge.
I have another question.
If you have questions about how the badges work, how to claim
them, etc, please ask in the
Digital Badges
forum.


new BrainModule(domElement, brainUrl)
Responsible for the entire brain view, animations and interactions
Parameters:
| Name | Type | Description |
|---|---|---|
domElement |
domElement | The container of the module |
brainUrl |
string | An URL to the JSON representing the brain |
Methods
availableCommands() → {string}
Is used by the ScenarioPlayer to register the commands this module can handle
Returns:
[] - An array of the supported commands
- Type
- string
hide()
Removes the module's node from the dom
isLoaded() → {bool}
Returns true if the module has finished loading, false otherwise
Returns:
- The state of the module
- Type
- bool
load(caller, caller)
Preloads all the resources necessary, such as the brain.json file and the meshes
Parameters:
| Name | Type | Description |
|---|---|---|
caller |
object | The caller of the method. |
caller |
function | The callback that will be called when loaded. |
performCommand()
Is used by the ScenarioPlayer to execute the commands
playStep()
Is called when all animations have been added and the step is ready to be animated
show()
Inserts the module's node into the dom


Know about one of the worst floods in the history of India which struck Kerala this year
Know moreWhat exactly happened in Amritsar on that fateful night which was meant to be a day of victory of good over evil
Know moreISIS has been a continuous source of growing terrorism and other heinous crimes, while the world eagerly waits for it's end
Know moreThe Plane crash which took away the lives of all 189 people onboard is still a mystery to be solved by aviation experts
Know moreWith Global Warming on the rise every year, Glaciers are melting proportionately. Human greed seems to have no end, so does nature's wrath
Know more