Database Installation Guide
Introduction
Openfire stores all data in a back-end database. If you choose to not use the embedded database, you must setup and manage an external database for the application. This document provides setup instructions for all the currently supported databases.
JDBC drivers are required for Openfire to communicate with your database. Suggested drivers for particular databases are noted below where applicable. Openfire bundles JDBC drivers for MySQL, Postgres, Microsoft SQL Server, and HSQLDB.
All supported database schemas can be found in the resources/database
directory of the
Openfire installation.
Note that additional databases besides the ones in this list may be supported. Please check the distribution for a database schema for your database or consider creating a schema yourself if one isn't provided.
Choose your database from the list below for setup details:
MySQL
JDBC Drivers
The JDBC driver for MySQL is bundled with Openfire, so you do not need to download and install a separate driver.
In the Openfire setup tool, use the following values:
- driver:
com.mysql.jdbc.Driver
- server:
jdbc:mysql://HOSTNAME/DATABASENAME
where HOSTNAME and DATABASENAME are the actual values for you server. In many cases
localhost
is a suitable value for HOSTNAME when your database is running on the same
server as your webserver.
Setup Instructions
- Make sure that you are using recent and supported by Oracle MySQL version.
-
Create a database for the Openfire tables:
mysqladmin create DATABASENAME
-
Import the schema file from the
resources/database
directory of the installation folder:- Unix/Linux:
cat openfire_mysql.sql | mysql DATABASENAME;
- Windows:
type openfire_mysql.sql | mysql DATABASENAME;
- Unix/Linux:
- Start the Openfire setup tool, and use the appropriate JDBC connection settings.
Character Encoding Issues
MySQL does not have proper Unicode support, which makes supporting data in non-Western languages difficult. However, the MySQL JDBC driver has a workaround which can be enabled by adding this value to the URL of the JDBC driver:
?useUnicode=true&characterEncoding=UTF-8&characterSetResults=UTF-8
You can edit the conf/openfire.xml file to add this value.
Note: If the mechanism you use to configure a JDBC URL is XML-based, you will need to use the XML
character literal &
to separate configuration parameters, as the ampersand is a
reserved character for XML.
Further Help
If you need help setting up MySQL, refer to the following site:
Oracle
JDBC Drivers
The Oracle JDBC drivers cannot readily be distributed with Openfire, so must be manually downloaded
from Oracle's website.
Various versions of the drivers are available, but the most recent driver compatible with your version
of Oracle is recommended for use with Openfire. Copy the JDBC driver to the lib/
directory
of your Openfire installation.
In the Openfire web-based setup tool, use the following values:
- driver:
oracle.jdbc.driver.OracleDriver
- server:
jdbc:oracle:thin:@HOST:PORT/SERVICE
where HOST, PORT and SERVICE are the actual values for you server. In many cases localhost
and 1521
are suitable values for HOST and PORT when your database is running on the same
server as your webserver. Ask your DBA for the service name.
Setup Instructions
- Create an "Openfire" user or some other user that will "own" the Openfire tables. This isn't necessary, but doing so will allow your tables to exist in a separate tablespace.
-
Import the schema from the
resources/database
directory of the installation using sqlplus (or your favorite Oracle tool such as Toad). For sqlplus: copy theopenfire_oracle.sql
file to the same directory where sqlplus is installed (should be something like/Oracle/Ora81/bin/
). Next, log into sqlplus and then execute the command:@ openfire_oracle
Microsoft SQL Server
JDBC Drivers
Openfire bundles two SQL Server compatible JDBC drivers.
-
The Free TDS JDBC driver
- driver:
net.sourceforge.jtds.jdbc.Driver
- server:
jdbc:jtds:sqlserver://HOSTNAME:PORTNUMBER/DATABASENAME;appName=Openfire
- driver:
-
The Microsoft JDBC driver
- driver:
com.microsoft.sqlserver.jdbc.SQLServerDriver
- server:
jdbc:sqlserver://HOSTNAME:PORTNUMBER;databaseName=DATABASENAME;applicationName=Openfire
- driver:
You can use either of these, but the Microsoft driver is more up to date.
For the above server settings, HOSTNAME is the host name or IP address of your database server, PORTNUMBER is the port that SQL Server is listening on (normally 1433) and DATABASENAME is the name of the database (this parameter is optional).
Setup Instructions
- Create a new database using Enterprise Manager if you do not already have a database you want to use. You may wish to name the database "openfire".
- Create a user to access the database if you do not already have one you'd like to use. Consider making the default database for the user be the one you created in step 1.
- Proceed to the Openfire setup tool and use the appropriate JDBC settings when prompted.
PostgreSQL
JDBC Drivers
The JDBC driver for PostgreSQL is bundled with Openfire, so you do not need to download and install a separate driver.
In the Openfire web-based setup tool, use the following values:
- driver:
org.postgresql.Driver
- server:
jdbc:postgresql://HOSTNAME:PORTNUMBER/DATABASENAME
If left out, host defaults to localhost (not <IP_ADDRESS>) for HOSTNAME and 5432 for PORT-NUMBER.
Setup Instructions
A general best practice is to create a PostgreSQL user dedicated for Openfire's use. This user need not be a super-user, but should own the dedicated database used by Openfire.
-
Create a user for Openfire to connect as:
-
createuser -P openfireuser
-
-
Create the database owned by this openfire user. For example, using the PostgreSQL
"createdb"
utility:-
createdb -E UNICODE -O openfireuser openfire
-
- Proceed with Openfire install setup via the admin console, the setup process with install the schema.
Further Help
If you need help setting up Postgres, refer to the following site:
IBM DB2 7
JDBC Drivers
Use the JDBC 1.2 compliant driver, db2java.zip (1293KB), located in the lib/
directory of your Openfire installation.
Values for the config file are:
- driver:
COM.ibm.db2.jdbc.app.DB2Driver
- server:
jdbc:db2:[DB NAME, e.g. OPENFIRE]
Setup Instructions
-
You have to create a new database (e.g. OPENFIRE) or use an existing one. Connect to the database
using any valid username allowed to create tables and indexes. Keep in mind that DB2 UDB applies the
username as the table schema. Use the same user when you configure Openfire with the administration
interface. Commands are as follows:
(or you can use the Command Center GUI)DB2 CREATE DB OPENFIRE ALIAS OPENFIRE DB2 CONNECT TO OPENFIRE USER [DBUSER] USING [DBPASSWORD]
-
Start the DB2 command window (in Windows), or the user's shell in Unix and import the schema in the
resources/database
directory of the installation with:db2 -tvf openfire_db2.sql
Or, use the DB2 Command Center and run the script through the "Replication Sources" folder in the Database tree.
HSQLDB
Special NoteOpenfire bundles hsqldb as its embedded database. If you choose to use the embedded database, it can be configured via the Openfire installer. If you have a stand-alone installation of HSQLDB, follow the instructions below to connect to it.
JDBC Drivers
Because hsqldb is embedded in Openfire, there is no need to download the JDBC driver separately. Values for the config file are:
- driver:
org.hsqldb.jdbcDriver
- server:
dbc:hsqldb:PATH_TO_DB_FILES/DB_NAME
For example, the server URL might be jdbc:hsqldb:../database/defaultdb
Setup Instructions
- Create a database for the Openfire tables. This assumes you have HSQLDB installed in its own directory and working correctly.
-
Run the HSQLDB Database Manager by navigating to the folder where hsqldb.jar is located and type
the following:
-
java -cp hsqldb.jar org.hsqldb.util.DatabaseManagerSwing
-
-
When prompted with the connect window, enter
org.hsqldb.jdbcDriver
as the Driver, and specify the URL of your database in the URL field. The default password is already entered. -
Now copy and paste the contents of
openfire_hsql.sql
from theresources/database
directory of the installation into the command window, and hit execute. If no errors are reported, then your database is setup properly. -
Finally, you should change the username and password login for your database: just open the
.script
file in your database folder and change the appropriate values. Make sure that you don't use a blank password, as Openfire will not accept one.


<%label%>
<%sublabel%>
Brief Description
<%distinctive%>
Other Common Names
<%commonNames%>
Identifying Characteristics
<%description%>
Author Credit
<%authors%>
Audio
Credits
<%audioNames%>
Audio Credits
Done
<%audioCredits%>
Local Information
<%localknowledge%>


2016 Baseball Standings
| School | Conf | CPct. | Overall | Pct. | Streak |
|---|---|---|---|---|---|
| UNCW | 16-6 | 0.727 | 41-19 | 0.683 | L2 |
| William & Mary | 14-9 | 0.609 | 31-31 | 0.500 | L1 |
| Elon | 13-10 | 0.565 | 25-29 | 0.463 | L4 |
| James Madison | 13-11 | 0.542 | 24-31 | 0.436 | L2 |
| Northeastern | 12-11 | 0.522 | 31-27 | 0.534 | L1 |
| Charleston | 12-12 | 0.500 | 31-26-1 | 0.543 | L2 |
| Delaware | 10-14 | 0.417 | 32-22 | 0.593 | L1 |
| Towson | 10-14 | 0.417 | 20-35 | 0.364 | W1 |
| Hofstra | 5-18 | 0.217 | 15-37 | 0.288 | L4 |


This is a link to the Web application tutorial that was created for this project. If you'd like to see a demonstration of the MEAN stack on a web app, please click below and utilize our step by step process.


---
layout: post
title: Leica M3 - Example of a Good Deal
tags:
- Site News
status: publish
type: post
published: true
meta:
aktt_notify_twitter: "yes"
tt_auto_tweet: "false"
_edit_lock: "1253979709"
_edit_last: "2"
tt_auto_tweet_text: "New blog post: [TITLE] [URL] "
aktt_tweeted: "1"
dsq_thread_id: "379108511"
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Just wanted to point out something that I have been harping on about for the last week - namely buying a film M series rangefinder to check it out prior to buying an M9. Assuming you have never shot one before. I would classify this as a reasonable deal - even if it needs a CLA it would end up being a good deal. This auction ended yesterday or the day before.
Scroll to the bottom to see the actual auction history and images of the item. This is a camera in fantastic shape for the price - not collector shape - who cares. See it here.
RB


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Family owned business offering multiple Dog Grooming treatments in the local Belfast area.
Of course, there will be no payment option available as you will have to pay upton arrival.
92 North Queen Street
Belfast
BT151ES
Email<EMAIL_ADDRESS>Phone:<PHONE_NUMBER>


#OpIceISIS
Add IS Enthusiast
Search IS Enthusiast
Rules
All News and Guides about the Operation!
Archive
Welcome to #opIceISIS
Where no IS member shall rest


We want to find some function or model which satisfied some requirements. First, the model should be able to have performance on the previously unseen data should not deteriorate(change) once the new data is presented. Second, function must be able to include information about the model space from which it is selected and process of selecting a model should be able to accept training “advice” from an analyst. Finally, when large amounts of data are available learning algorithms must be able to provide solutions in reasonable time given the resource.
In this section, we can use MAP and MLE to estimate some distribution’s parameters (mean μ and SD σ for normal distribution λ for Poisson distribution.)
MAP and Maximum likelihood Estimation(MLE)
Imagine there is a dataset of observations D={xi} (i from 1 to n). It has an unknown but true distribution p*. However, if you know the distribution is in a set of possible distribution, F, F is called the hypothesis space or function class. For example, F can be the family of all univariate Gaussian distributions. In this family, the mean μ* and SD σ* can be different. F = {N(μ, σ^2)
for any μ ∈ R and σ ∈ R+}. While the true distribution has parameters μ*, σ*, we need to find μ and σ as close to the true ones as possible.
The idea of MAP estimation is to find the most probable model for the observed data. Given the dataset D, the solution of MAP is fMAP = argmax f∈F p(f
D).
p(f
D) is called the posterior distribution of the model given the data. MAP estimate is exactly the most probable model.
To calculate the posterior distribution we apply he Bayes rules:
p(f
D) = p(D
f)p(f)/p(D)
p(D
f) is called the likelihood function, p(f) is the prior distribution of the model. p(D) is the marginal distribution of the data.
To compute p(D), we need to sum all situations with different f ∈ F. p(D) = sum(p(D
f)*p(f)).
max fF p(D
f)p(f)/p(D) = 1/p(D) * max f∈F p(D
f)p(f). P(D) is not related with the MAP solution. Now fMAP = argmax f∈F p(D
f)p(f). If in some situations, we cannot prefer one model and have the same p(f) for all f in the hypothesis space. Then MAP becomes MLE. fMLE = argmax f∈F p(D
f). (The p(f) is not considered). So MLE can be seen as a special case of MAP.
EX: Suppose data set D = {2,5,9,5,4,8} is an i.i.d. sample from a Poisson distribution with a fixed but unknown parameter λ0. Find the MLE solution of λ0.
By computing the first derivative, we can compute the λ which makes ln.. max.
d ln(p(D
λ))/d λ = (1/λ)sum(xi) - n. In this case, n = 6. λ=sum(xi)/n
Ex of MAP: D = {2,5,9,5,4,8}. i.i.d. sample from Poisson with mean λ0. We need to calculate the MAP estimate of λ0. Some other information is given. Suppose the prior knowledge about λ0 can be expressed using a gamma distribution with k=3 and θ=1. Find the MAP of λ0.
By gamma distribution, p(λ) = λ^(k-1)e^(-λ/θ)/θgamma
When the data amount is large, the result of MAP becomes closer to MLE. The importance of prior is reduced.
An example of Poisson distribution: sn = sum(xi), which is from the random variable Sn = sum(Xi) . And suppose sn/n^2 –> ∞ when n –> ∞.
Ex: Let D={xi}, i from 1 to n. It is an i.i.d. sample from a normal distribution. To find the MLE of the parameters.
By taking partial derivatives of μ, σ, we get the result μMLE = 1/n(sum(xi)), σMLE = 1/n(sum(xi-μMLE)^2).
Bayesian estimation
Maximum a posterior and maximum likelihood approaches report the solution that is consistent with the mode of the posterior distribution and the likelihood function. But the MLE and MAP cannot deal with the skewed distributions and multimodal distributions. Bayesian can!


Welcome to Spaceboat orbit.
This is where companies end up when they work with us. We provide such robust technical support that you have nowhere else to go but up. Let's take a journey through the atmosphere to find out how it happens.
Oh! There goes one!
Godspeed, my friend.
Wow, another one!
Looks like another busy day at Spaceboat.
Those were companies like yours.
Small-scale lean startups who needed a technical partner to get their products up and running.
That's where Spaceboat comes in.
We leverage our skills, brains, and muscle to make your company a success.
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{% extends "layout.html" %} {% block page_title %} GOV.UK PDE - Start {% endblock %} {% block content %}
Find out if an applicant meets the Disability Living Allowance or Personal Independence Payment requirements for getting a Blue Badge. Answer four questions to get a result instantly.
You’ll just need the applicant’s name, address, National Insurance number and date of birth before you start.
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There are two walk-in centres in Nottingham that offer access to a range of treatment for minor illnesses and injuries including lacerations, stomach upsets, burns and strains. You will be seen by an experienced nurse, without an appointment.
Nottingham Walk-in Centre is open every day including weekends and bank holidays between 7am and 9pm.
Seaton House, London Road, Nottingham NG2 4LA
Tel: 0115 883 8500
8am to 8pm Health Centre is open from 8am to 8pm every day of the year for both drop-in and appointment services.
79a Upper Parliament St, City Centre NG1 6LD
Tel: 0115 883 1960
You can also see a nurse at the Clifton Nurse Access Point in the Clifton Cornerstone - open 10am until 6pm Thursday, Friday, Saturday, Sunday and Monday (closed Tuesday and Wednesday).
Clifton Cornerstone, Southchurch Drive NG11 8EW
Tel: 0115 878 6100


This wizard will set up groups hierarchy, create simulated devices, configure dashboards and smart rules.
The following contact information will be used.


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when generating a public website
To backup a great topic, I pasted the following content to reminder me the public website concerns, it’s not a summary by myself, I picked them up from stackoverflow.com.
Interface and User Experience
- Be aware that browsers implement standards inconsistently and make sure your site works reasonably well across all major browsers. At a minimum test against a recent Gecko engine (Firefox), a Webkit engine (Safari, Chrome, and some mobile browsers), your supported IE browsers (take advantage of theApplication Compatibility VPC Images), and Opera. Also consider how browsers render your site in different operating systems.
- Consider how people might use the site other than from the major browsers: cell phones, screen readers and search engines, for example. — Some accessibility info: WAI and Section508, Mobile development:MobiForge
- Staging: How to deploy updates without affecting your users. Ed Lucas’s answer has some comments on this.
- Don’t display unfriendly errors directly to the user
- Don’t put users’ email addresses in plain text as they will get spammed to death
- Build well-considered limits into your site - This also belongs under Security.
- Learn how to do progressive enhancement
- Always redirect after a POST.
- Don’t forget to take accessibility into account. It’s always a good idea and in certain circumstances it’s a legal requirement. WAI-ARIA is a good resource in this area.
- It’s a lot to digest but the OWASP development guide covers Web Site security from top to bottom
- Know about SQL injection and how to prevent it
- Never trust user input (cookies are user input too!)
- Encrypt Hash and salt passwords rather than storing them plain-text.
- Don’t try to come up with your own fancy authentication system: it’s such an easy thing to get wrong in subtle and untestable ways and you wouldn’t even know it until after you’re hacked.
- Know the rules for processing credit cards. (See this question as well)
- Use SSL/HTTPS for login and any pages where sensitive data is entered (like credit card info)
- How to resist session hijacking
- Avoid cross site scripting (XSS)
- Avoid cross site request forgeries (XSRF)
- Keep your system(s) up to date with the latest patches
- Make sure your database connection information is secured.
- Keep yourself informed about the latest attack techniques and vulnerabilities affecting your platform.
- Read The Google Browser Security Handbook
- Read The Web Application Hackers Handbook
- Implement caching if necessary, understand and use HTTP caching properly as well as HTML5 Manifest
- Optimize images - don’t use a 20 KB image for a repeating background
- Learn how to gzip/deflate content (deflate is better)
- Combine/concatenate multiple stylesheets or multiple script files to reduce number of browser connections and improve gzip ability to compress duplications between files
- Take a look at the Yahoo Exceptional Performance site, lots of great guidelines including improving front-end performance and their YSlow tool. Google page speed is another tool for performance profiling. Both requireFirebug installed.
- Use CSS Image Sprites for small related images like toolbars (see the “minimize http requests” point)
- Busy web sites should consider splitting components across domains. Specifically…
- Static content (ie, images, CSS, JavaScript, and generally content that doesn’t need access to cookies) should go in a separate domain that does not use cookies, because all cookies for a domain and it’s subdomains are sent with every request to the domain and its subdomains. One good option here is to use a Content Delivery Network (CDN).
- Minimize the total number of HTTP requests required for a browser to render the page.
- Utilize Google Closure Compiler for JavaScript and other minification tools
- Make sure there’s a
favicon.ico
file in the root of the site, i.e./favicon.ico
. Browsers will automatically request it, even if the icon isn’t mentioned in the HTML at all. If you don’t have a/favicon.ico
, this will result in a lot of 404s, draining your server’s bandwidth.
- Use “search engine friendly” URL’s, i.e. use
example.com/pages/45-article-title
instead ofexample.com/index.php?page=45
- Don’t use links that say “click here”. You’re wasting an SEO opportunity and it makes things harder for people with screen readers.
- Have an XML sitemap, preferably in the default location
/sitemap.xml
. - Use
<link rel="canonical" ... />
when you have multiple URLs that point to the same content - Use Google Webmaster Tools and Yahoo Site Explorer
- Install Google Analytics right at the start (or an open source analysis tool like Piwik)
- Know how robots.txt and search engine spiders work
- Redirect requests (using
301 Moved Permanently
) asking forwww.example.com
toexample.com
(or the other way round) to prevent splitting the google ranking between both sites - Know that there can be bad behaving spiders out there
- If you have non-text content look into Google’s sitemap extensions for video, etc. There is some good information about this in Tim Farley’s answer.
- Understand HTTP and things like GET, POST, sessions, cookies, and what it means to be “stateless”.
- Write your XHTML/HTML and CSS according to the W3C specifications and make sure they validate. The goal here is to avoid browser quirks modes and as a bonus make it much easier to work with non-standard browsers like screen readers and mobile devices.
- Understand how JavaScript is processed in the browser.
- Understand how JavaScript, style sheets, and other resources used by your page are loaded and consider their impact on perceived performance. It may be appropriate in some cases to move scripts to the bottomof your pages.
- Understand how the JavaScript sandbox works, especially if you intend to use iframes.
- Be aware that JavaScript can and will be disabled, and that Ajax is therefore an extension not a baseline. Even if most normal users leave it on now, remember that NoScript is becoming more popular, mobile devices may not work as expected, and Google won’t run most of your JavaScript when indexing the site.
- Learn the difference between 301 and 302 redirects (this is also an SEO issue).
- Learn as much as you possibly can about your deployment platform
- Consider using a Reset Style Sheet
- Consider JavaScript frameworks (such as jQuery, MooTools, or Prototype), which will hide a lot of the browser differences when using JavaScript for DOM manipulation
- Understand you’ll spend 20% of the time coding and 80% of it maintaining, so code accordingly
- Set up a good error reporting solution
- Have some system for people to contact you with suggestions and criticism.
- Document how the application works for future support staff and people performing maintenance
- Make frequent backups! (And make sure those backups are functional) Ed Lucas’s answer has some advice. Have a Restore strategy, not just a Backup strategy.
- Use a version control system to store your files, such as Subversion or Git
- Don’t forget to do your Unit Testing. Frameworks like Selenium can help.
Check out its original post thread at http://stackoverflow.com/questions/72394


1.0.0
courseActions module Ref: Redux Examples taken from https://bit.ly/2BIGB2T
Action function to add course
(any)
Action function to get courses
Action function to delete course
(any)
Action function to get course
(any)
Action function to update course
(any)
Action function to download file
(any)
(any)
(any)
(any)
Action function to upload file
(any)
Action function to delete file
(any)
(any)
Action function to upload video
(any)
(any)
(any)
(any)
(any)
Action function to watch video
(any)
(any)
(any)
Action function to delete video
(any)
(any)
Action function to enroll in course
(any)
Action function to clean course
Action function to leave course
(any)
(any)
errorActions module
Action function to remove Error that is in state
typesActions module - Redux Examples taken from https://bit.ly/2BIGB2T
userActions module - Redux Examples taken from https://bit.ly/2BIGB2T
Action function to add user
(any)
Action function to get all users
Action function to set user in state
(any)
Action function to delete user
(any)
Action function to login the user
(any)
Action function to log out the user
App React Class
Auth React Class - Example seen from https://goo.gl/oKVi33
Container React Class - This is where router is implemented to switch between pages
Course React Class
leave function inside component
(any)
enroll function inside component with obj with user info
delete function inside component
(any)
(any)
CourseFiles React Class
Download file inside component
(any)
(any)
(any)
Delete file
(any)
Setfile from JavaScript and HTML5
(any)
Upload file inside component
(any)
Generate files for rendering table
(any)
CourseUsers React Class
CourseVideos React Class
Check if video url is a youtube video url with regex - Regex taken from https://goo.gl/unbFN5
(any)
watch video inside component
(any)
delete video inside component
(any)
generate videos to display in tabular form
(any)
Courses React Class
Calculate how much material is in
(any)
(any)
Generate courses table depending on student and admin view. This depends if it is enabled or disabled
(any)
CreateCourse React Class
CreateUser React Class
EditCourse React Class
Header React Class - Ref: based on react-bootstrap examples : https://goo.gl/pBMvSb
Home React Class - Depending on role show different output
Login React Class - Shows a different view
Main React Class
MyCourses React Class - shows all courses from a student perspective - Almost same code as courses
NoPage React Class - Shows 404 when page not present
Sidebar React Class - Shows Sidebar depending on the user role
Users React Class - Shows all users
show student or admin in the table
(any)
configStore module Ref: Redux Examples taken from https://bit.ly/2BIGB2T
helpers module Ref: Redux Examples taken from https://bit.ly/2BIGB2T
determine name for showing extension in file
Ref: As seen from stackoverflow https://goo.gl/6n8rJv
(any)
index.js module
courseReducer module Ref: Redux Examples taken from https://bit.ly/2BIGB2T
errorReducer module Ref: Redux Examples taken from https://bit.ly/2BIGB2T
index.js module for configuration Ref: Redux Examples taken from https://bit.ly/2BIGB2T
userReducer module Ref: Redux Examples taken from https://bit.ly/2BIGB2T
test components module Ref: https://bit.ly/2BpDf4p Ref: https://bit.ly/2MCYu7p


--- layout: default ---
OpenBazaar costs nothing to download and use. Unlike sites like Ebay or Amazon there are no fees to list items, and no fees when an item is sold. Because the trade is p2p (peer to peer), it’s happening directly between buyers and sellers with no middleman to take a cut from each sale. It’s completely free e-commerce.
{% include modules/info-section.html title="Easy Setup" body="Setting up your own web server for an ecommerce store is difficult and requires specialized knowledge. Many sellers end up paying someone else to set up their store. Setting up an OpenBazaar store is simple. Download the program, run the installer, and you’ll be listing your items in minutes." imgSrc="features/openbazaar-2.0-easy-install2.gif" imgAlt="easy setup" %} {% include modules/info-section.html title="Search" body="OpenBazaar now comes pre-loaded with your favorite search engines. Browse products from many stores without ever leaving OpenBazaar. Filter by shipping location, listing type, rating, condition & much more!" imgSrc="features/openbazaar-2.0-discover-experience.gif" imgAlt="search feature" %} {% include modules/info-section.html title="Earn & Use Bitcoin (Built in Bitcoin Wallet)" body="OpenBazaar uses Bitcoin, the leading cryptocurrency. Existing online payment systems such as credit cards are tied to identity, cost money to accept, and risk identity theft. Bitcoin is more private, has no risk of identity theft, and costs little to use. Third party payment processors aren’t able to hold funds or reverse transactions; how to use Bitcoin is up to you." imgSrc="features/openbazaar-2.0-wallet-payment.gif" imgAlt="earn bitcoin" %} {% include modules/info-section.html title="Secure Escrow and Dispute Resolution" body="Scammers may try to take advantage of both buyers and sellers online, but OpenBazaar offers a unique feature of Bitcoin that helps prevent fraud: Multisignature escrow. In this e-commerce marketplace buyers and sellers can choose to agree to a mutually trusted third party OpenBazaar user before they start a trade, and then the buyer sends their bitcoin to an escrow account. Those Bitcoin can only be released when two out of the three parties agree where it will be sent. Normally the buyer and seller are the two parties in agreement, but if there is a dispute the third party will come settle the dispute. These third parties offering dispute resolution are selected in an open marketplace.


by Sarah MaglioccoKim Kardashian has threatened to fire her older sister Kourtney from the famous family’s reality TV show.
Kim is annoyed at Kourtney for not being available enough for filming with Keeping Up With the Kardashians.
Both Kim and sister Khloe feel frustrated with Kourtney for not being open enough about her love life on the show.
In new clips from last night’s KUWTK episode, Khloe described how she hadn’t wanted ex partner Tristan Thompson’s infidelity to be public knowledge, but she had chosen to film her response for KUWTK as it’s “her job.”
“Our job is being open and honest and sharing a lot of ourselves,” Kim reiterated.
“And it just seems like for the past few years now, Kourtney really hasn’t been open about her personal life on camera.”
“All of the days that Kourtney isn’t filming, Khloé and I are picking up the slack,’ she said.
“If we’re not sharing our lives, then, what is the show?”
 “Sure. I take one for the family team.”
Kim went on to call Kourtney, and threaten her with firing from the show if she didn’t share more and be more available for filming.
“We have a proposal for you. It starts with an F and ends with D,” she told her sister over the phone.
Kim later said: “She doesn’t want to show up, she doesn’t want to work, she has too many f*cking boundaries, she’s out.”
However, Kourtney was unmoved by Kim’s threats.
“My sisters are pretty nosy when it comes to anything in my life, and I like to keep certain things private. I don’t like to share about, you know, dating.”
Khloe and Kim then followed their sister to find out where she was going and who she was seeing, before being busted by Kourt.
“If they wanted privacy, I would never follow them or like, expose them,” she fumed.
“We’re all different, and this is the kind of stuff that makes me feel that they put the show over me and my well-being and protecting me, and just me as a person.”
The Poosh founder last month announced that she is taking a step back from the show.


| repo |
pr |
age |
owner |
title |
last_comment |
by |
age_comment |
num_comments |
no_comment_from_puppet |
last_comment_mentions_puppet |
| puppetlabs-apache |
2163 |
108 |
storm49152 |
Fetch correct _module_id value in apache::mod::php |
I think you're right. Here's the relevant code:
https://github.com/puppetlabs/puppetlabs-apache/blob/337e8b00b2a54f503e2ab0fa5c16d7a3a648c302/manifests/mod/php.pp#L64-L71
It looks like it should be using `$_php_version_no_dot` instead of `$php_version` there. However, I don't know if that breaks other distros. |
ekohl |
103 |
4 |
true |
false |
| puppetlabs-helm |
159 |
111 |
daianamezdrea iac puppet |
[TEST] - Test helm v3 |
[helm_chart_update_flags](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/lib/puppet/parser/functions/helm_chart_update_flags.rb) is a _function_
----------------------------------
Breaking changes to this file MAY impact these 1 modules (near match):
* [puppetlabs-helm](https://github.com/puppetlabs/puppetlabs-helm)
[helm_create_flags](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/lib/puppet/parser/functions/helm_create_flags.rb) is a _function_
----------------------------------
Breaking changes to this file MAY impact these 1 modules (near match):
* [puppetlabs-helm](https://github.com/puppetlabs/puppetlabs-helm)
[helm_delete_flags](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/lib/puppet/parser/functions/helm_delete_flags.rb) is a _function_
----------------------------------
Breaking changes to this file MAY impact these 1 modules (near match):
* [puppetlabs-helm](https://github.com/puppetlabs/puppetlabs-helm)
[helm_install_flags](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/lib/puppet/parser/functions/helm_install_flags.rb) is a _function_
----------------------------------
Breaking changes to this file MAY impact these 1 modules (near match):
* [puppetlabs-helm](https://github.com/puppetlabs/puppetlabs-helm)
[helm_ls_flags](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/lib/puppet/parser/functions/helm_ls_flags.rb) is a _function_
----------------------------------
Breaking changes to this file MAY impact these 1 modules (near match):
* [puppetlabs-helm](https://github.com/puppetlabs/puppetlabs-helm)
[helm_package_flags](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/lib/puppet/parser/functions/helm_package_flags.rb) is a _function_
----------------------------------
Breaking changes to this file MAY impact these 1 modules (near match):
* [puppetlabs-helm](https://github.com/puppetlabs/puppetlabs-helm)
[helm_repo_add_flags](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/lib/puppet/parser/functions/helm_repo_add_flags.rb) is a _function_
----------------------------------
Breaking changes to this file MAY impact these 1 modules (near match):
* [puppetlabs-helm](https://github.com/puppetlabs/puppetlabs-helm)
[helm_repo_remove_flags](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/lib/puppet/parser/functions/helm_repo_remove_flags.rb) is a _function_
----------------------------------
Breaking changes to this file MAY impact these 1 modules (near match):
* [puppetlabs-helm](https://github.com/puppetlabs/puppetlabs-helm)
[helm_repo_update_flags](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/lib/puppet/parser/functions/helm_repo_update_flags.rb) is a _function_
----------------------------------
Breaking changes to this file MAY impact these 1 modules (near match):
* [puppetlabs-helm](https://github.com/puppetlabs/puppetlabs-helm)
[helm::chart](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/manifests/chart.pp) is a _type_
----------------------------------
that may have no external impact to Forge modules.
[helm::chart_update](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/manifests/chart_update.pp) is a _type_
----------------------------------
that may have no external impact to Forge modules.
[helm::create](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/manifests/create.pp) is a _type_
----------------------------------
that may have no external impact to Forge modules.
[helm](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/manifests/init.pp) is a _class_
----------------------------------
Breaking changes to this file WILL impact these 1 modules (exact match):
* [aursu-kubeinstall](https://github.com/aursu/puppet-kubeinstall.git)
[helm::package](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/manifests/package.pp) is a _type_
----------------------------------
that may have no external impact to Forge modules.
[helm::params](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/manifests/params.pp) is a _class_
----------------------------------
that may have no external impact to Forge modules.
[helm::repo](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/manifests/repo.pp) is a _type_
----------------------------------
that may have no external impact to Forge modules.
[helm::repo_update](https://github.com/puppetlabs/puppetlabs-helm/blob/2e3184cec904a7a951453d8dc0c297503d2940e2/manifests/repo_update.pp) is a _type_
----------------------------------
that may have no external impact to Forge modules.
#### This module is declared in 0 of 576 indexed public `Puppetfiles`.
---------------------------------
These results were generated with [Rangefinder](https://github.com/puppetlabs/puppet-community-rangefinder), a tool that helps predict the downstream impact of breaking changes to elements used in Puppet modules. You can run this on the command line to get a full report.
Exact matches are those that we can positively identify via namespace and the declaring modules' metadata. Non-namespaced items, such as Puppet 3.x functions, will always be reported as near matches only.
|
puppet-community-rangefinder[bot] |
111 |
1 |
true |
false |
| puppetlabs-helm |
129 |
329 |
AblionGE |
Add ability to deploy helm v3 |
Hello @daianamezdrea , Rebase done but integration testings are not passing. Is my rebase correct ? |
AblionGE |
202 |
9 |
false |
true |
| puppetlabs-helm |
137 |
306 |
treydock |
Add support for Helm v3 (continued) |
Please try this and let me know if it works, sorry for my late answer, I was trying to find a good solution for the problem and then I forgot about it, thank you! |
daianamezdrea |
125 |
11 |
false |
false |
| puppetlabs-panos |
127 |
234 |
sanfrancrisko iac puppet |
pdksync - (MAINT) PDK update for GHA workflows + Litmus updates |
The failures in this PR currently exist in `main`. https://tickets.puppetlabs.com/browse/IAC-1550 has been raised to address this. |
da-ar |
216 |
2 |
false |
false |


JULY 26 Saints Joachim and Ann, Parents of the Blessed
Virgin Mary
It
was in the home of Joachim and Ann where the Virgin Mary received her training
to be the Mother of God. This devotion to Ann and Joachim is an extension of
the affection Christians have always professed toward our Blessed Mother. We
too, owe a debt of gratitude to our parents for their help in our Christian
formation.
ENTRANCE ANTIPHON
Let us praise Joachim and Anne, to whom, in their generation, the Lord gave him who was a blessing for all the nations.
COLLECT
O Lord, God of our Fathers, who bestowed on Saints Joachim and Anne this grace, that of them should be born the Mother of your incarnate Son, grant, through the prayer of both, that we may attain the salvation you have promised to your people. Through our Lord Jesus Christ, your Son, who lives and reigns with you in the unity of the Holy Spirit, one God, for ever and ever.
PRAYER OVER THE OFFERINGS
Receive, we pray, O Lord, these offerings of our homage, and grant that we may merit a share in the same blessing which you promised to Abraham and his descendants. Through Christ our Lord.
Preface of Holy Men and Women or Others
COMMUNION ANTIPHON
They received blessings from the Lord, and mercy from God their Saviour.
 Through Christ our Lord.


Step 1: Upload the data matrix
Data matrix
OR
Upload your data:Step 2: Upload the label
Labels
OR
Upload your label:Step 3: Set the label meaning
Label meaning
Step 4: Select the number of markers
Number of markers
Instructions
1) Upload the data matrix
An example of comma-separated values (CSV) file would be uploaded. Each row in the CSV file represents a sample, while each column in the CSV file represents a marker. Users could also upload your own data as the comma-separated values format.
2) Upload the label
For each row of the CSV file, two types of labels should provide.
3) Set the label meaning
Set the meaning of the two-way classification labels.
4) Select the number of markers
Set the number of markers to serve as a panel.


Homebuyers filed 1,800 cases under insolvency law since June 2018: Govt
These are the number of cases pending before the National Company Law Tribunal (NCLT) as on September 30.
by Press Trust of IndiaHomebuyers have filed more than 1,800 cases against builders under the Insolvency and Bankruptcy Code (IBC) since June 2018, the government told the Lok Sabha on Monday.
These are the number of cases pending before the National Company Law Tribunal (NCLT) as on September 30.
Citing the information received from NCLT, Minister of State for Corporate Affairs Anurag Singh Thakur said that a total 1,821 cases have been filed by homebuyers against builders since June 2018 under the Code.
On whether the government is aware of the problem of pendency at the tribunal due to high number of cases being filed by homebuyers against builders for even small defaults, the minister replied in the affirmative.
"The matter is under consideration of this (corporate affairs) ministry," he noted.
According to him, data regarding cases filed against builders for defaults of less than a month is not available with the NCLT.


Leonora Shier, 1880-1970, rental agent and secretary of Carnegie Hall Incorporated for 31 years, joined the staff of Carnegie Hall Incorporated in 1925. She had many years of arts administration experience prior to joining Carnegie Hall, having previously worked for The Metropolitan Opera Company, the Chicago Opera Company's New York office, and the American Operatic and Allied Arts Foundation under business manager John Brown. When Brown joined the staff of Carnegie Hall as business manager in 1925, Shier followed him as his secretary, and remained after Brown left Carnegie Hall in 1929.
Carnegie Hall Incorporated was a very small operation in 1929, and Shier became the administrative assistant for the entire company, working closely with presidents Robert Simon Senior and Junior, vice president Eugene Molyneux, manager and president M. Murray Weisman, president Milton Bergerman, and house manager John Totten.
As Carnegie Hall Inc. grew, Shier's duties focused primarily on the approximately 150 studios in the two towers surrounding the Carnegie Hall building, for which she acted as rental agent and superintendent.
Over the years, many studios were gradually altered for economic reasons or to accommodate the tenants. Prior to the Great Depression, most of the studios were exclusively working studios, without kitchens or bathrooms. Following the stock market crash in 1929, few artists could afford separate working and living spaces. Carnegie Hall divided the larger studios and added bathroom and kitchen facilities, which allowed artists to live and work in one space. When the economy improved, studios were expanded and rented at higher rates, changes reflected in Shier's rental records.
Shier also took a personal interest in the tenants, collecting their photographs and displaying them in the corridors of the towers, similar to house manager John Totten's artist gallery backstage. She also kept artists' catalogues, programs, and biographical information. Shier was very popular with the tenants, who referred to her as the "house mother" of Carnegie Hall.
Because of Leonora Shier's unique involvement with Carnegie Hall and the studios, several articles were written about her during the 1950s, and she was featured in two radio shows. When Shier retired October 12, 1956 a luncheon was held in her honor at the Harvard Club. She kept in touch with staff and tenants at Carnegie Hall after her retirement. Leonora Shier died in Port Jervis, New Jersey on December 30, 1970.
Sources:
Cron, Theodore and Burt Goldblatt, Portrait of Carnegie Hall. New York: The MacMillan Co., 1966.
Schickel, Richard. The World of Carnegie Hall. New York: Julian Messner, Inc., 1960.
Peyser, Ethel. The House That Music Built. New York: Robert M. McBride & Co., 1936.
The Leonora Shier Collection is divided into six series: Secretary, Committee to Save Carnegie Hall, Real Estate, Personal, Autographed Letters and Photographs. Series I: Secretary reflects Shier's duties as assistant to Carnegie Hall Inc. It includes correspondence with Robert Simon Jr. and other members of the Simon family as well as outside correspondence with Walter Toscanini, son of conductor Arturo Toscanini, and Burnet C. Tuthill, son of Carnegie Hall architect William Burnet Tuthill. The correspondence is arranged chronologically. There are also financial reports and press releases from Carnegie Hall Inc. in this series.
The remainder of Series I consists of inventories of the Photograph Collection of Carnegie Hall. These note the location of each photograph, its provenance, and also some biographical information on the subject. The Photograph Collection is divided into photographs in the Main Hall and photographs in the studio towers. Unfortunately, the photographs have been lost. When Carnegie Hall was threatened with destruction, Shier offered the photographs to the New York Public Library, and they were absorbed into the collection of the Library for the Performing Arts at Lincoln Center.
Series II: Committee to Save Carnegie Hall consists of one folder of material from 1955 concerning the possible destruction of Carnegie Hall. When the Hall was threatened with demolition following the announcement of the Lincoln Square project, house manager John Totten and baritone Lawrence Tibbett established the Committee to Save Carnegie Hall, with Leonora Shier as secretary. They contacted hundreds of musicians and music patrons to raise awareness and solicit funds to help purchase the building. Shier collected money from concerned employees and tenants. Although by 1960 Totten and Shier's Committee to Save Carnegie Hall had raised less than $25,000 of the $5 million needed to purchase the building, the money from their efforts was incorporated in the successful campaign of violinist Isaac Stern, by which the Hall was purchased by the City of New York in May 1960.
Series III: Real Estate reflects Miss Shier's duties as the rental agent for the Carnegie Hall studios. The rental records contain a wealth of information on the studios including dimension, price, location, and attributes. They also contain valuable information on the numerous tenants who lived and worked in Carnegie Hall, such as Charles Dana Gibson, Jerome Myers, Childe Hassam, Dame Myra Hess, Baroness Hilla von Rebay, Isadora Duncan and many others. The records begin in 1897 and continue until Shier's retirement in 1956, with some gaps, significantly 1916 to 1923, prior to Shier’s employment at Carnegie Hall.
Series III: Real Estate also contains correspondence between Shier and studio tenants, arranged chronologically, as well as several magazines interviews and transcripts of radio interviews of Shier from the 1950s.
Series IV: Personal consists of biographical information on Leonora Shier from an unfinished memoir. Also in this series are many letters and greeting cards from friends and acquaintances from Carnegie Hall, as well as from tenants with whom she kept in contact following her retirement including Walter and Lao Russell and Hilla von Rebay. The correspondence is arranged chronologically; greeting cards are arranged alphabetically.
Series V: Autographed Letters is a correspondence file from Music Hall Company of New York, LTD., and Carnegie Hall Incorporated, containing signed letters dealing with the rental of the Carnegie Hall auditoriums and artist’s studios. Correspondents of note include explorer Robert Peary, theater producer Daniel Frohman, suffrage leaders Carrie Chapman Catt and Harriet Stanton Blatch, and artist Charles Dana Gibson. Shier saved these letters when she retired in 1956, presuming that they would soon be destroyed along with Carnegie Hall. The letters were purchased at auction in 1980, and there are probably others that have yet to surface. They are arranged alphabetically by correspondent.
Series VI: Photographs has been separated from the paper documents and incorporated into the Photograph Collection of Carnegie Hall. Subjects include the tenants, employees and personalities Leonora Shier met over the years, as well as the physical studio spaces. Importantly, these photographs document the Carnegie Hall from the early 1900s through the late 1950s. The photographs have been subdivided into Carnegie Hall and Personal. See Photograph Inventory for further description.
Folders are arranged alphabetically.
The files are grouped into 6 series:
Carnegie Hall Archives 2011
881 Seventh AvenueFinding aid transferred to Archivists Toolkit by Rob Hudson, 2013
Open for research.
For permission to publish material please contact the Carnegie Hall Archives:
The Leonora Shier Collection was created by Leonora Shier and willed to her neighbor Dorothy Kadel Sherman in 1970, from whom the bulk of the collection was purchased on September 16, 1987. The Autographed Letters series was purchased on August 9, 1988 from Bob Tollett, who had bought them at auction in 1980. An additional purchase of ephemeral materials was made from Dorothy Sherman on August 28, 1989. The materials in the Carnegie Hall Archives represent a fraction of the entire Leonora Shier Collection. Carnegie Hall will continue to add to the collection as fragments resurface.
Processed by Carnegie Hall Archives staff.
Series I: Secretary 1898-1956 (Bulk, 1946-1956) |
||||
| Box | Folder | |||
|
Secretary: Correspondence 1947-1956 |
1 | 1 | ||
|
Secretary: Correspondence Tuthill, Burnet C. 1950 |
1 | 2 | ||
|
Secretary: Diagram of Carnegie Lyceum circa 1945 |
1 | 3 | ||
|
Secretary: Financial Reports 1946-1952 |
1 | 4 | ||
|
Secretary: Press Department Releases 1947-1956 |
1 | 5 | ||
|
Secretary: Biographical Information on Artists circa 1945 |
1 | 6 | ||
|
Secretary: Photograph Collection in Main Hall 1924-1951 |
1 | 7 | ||
|
Secretary: Photograph Collection in Studio Towers 1898-1951 |
1 | 8 | ||
|
Secretary: Carnegie Hall the Movie Script 1941, 1944 |
1 | 9 | ||
|
Secretary: Twenty-Fifth Anniversary 1947 |
1 | 10 | ||
|
Secretary: Retirement Dinner 1950 |
1 | 11 | ||
|
|
||||
Series II: Committee to Save Carnegie Hall |
||||
| Box | Folder | |||
|
Committee to Save Carnegie Hall 1956 |
1 | 12 | ||
|
|
||||
Series III: Real Estate 1897-1956 (Bulk, 1924-1956) |
||||
| Box | Folder | |||
|
Real Estate: Correspondence 1926-1956 |
2 | 1 | ||
|
Real Estate: Lease Information circa 1945 |
2 | 2 | ||
|
Real Estate: Studio Rentals 1897-1915 |
2 | 3 | ||
|
Real Estate: Studio Rentals 1924-1934 |
2 | 4 | ||
|
Real Estate: Studio Rentals 1936-1938 |
2 | 5 | ||
|
Real Estate: Studio Rentals 1939-1941 |
2 | 6 | ||
|
Real Estate: Studio Rentals 1942-1943 |
2 | 7 | ||
|
Real Estate: Studio Rentals 1949-1950 |
2 | 8 | ||
|
Real Estate: Studio Rentals 1953-1954 |
2 | 9 | ||
|
Real Estate: Studio Rentals 1956-1957 |
2 | 10 | ||
|
Real Estate: List of Tenants 1930 October 1 |
2 | 11 | ||
|
Real Estate: Studio History 1945 |
2 | 12 | ||
|
Real Estate: Length of Tenants Occupancy 1934-1935 |
2 | 13 | ||
|
Real Estate: Tenant Cards 1933-1942 |
2 | 14 | ||
|
Real Estate: Studio History 1947-1948 |
2 | 15 | ||
|
Real Estate: Studio Description 1956 |
2 | 16 | ||
|
Real Estate: Studio Description: The Rembrandt 1956 |
2 | 17 | ||
|
Real Estate: Studio Description: Store Fronts 1956 |
2 | 18 | ||
|
Real Estate: Biographical Information of Tenants circa 1945 |
2 | 19 | ||
|
Real Estate: Radio Broadcast Transcripts 1955 |
3 | 20 | ||
|
|
||||
Series IV: Personal 1908-1971 |
||||
| Box | Folder | |||
|
Personal: Correspondence 1936-1971 |
3 | 1 | ||
|
Personal: Correspondence: Johnson, Gladys 1947-1965 |
3 | 2 | ||
|
Personal: Correspondence: Kehaya, Grace 1939-1946 |
3 | 3 | ||
|
Personal: Correspondence: Shier, Grace 1959 |
3 | 4 | ||
|
Personal: Correspondence: Strahorn, Robert and Ruby 1924-1940 |
3 | 5 | ||
|
Personal: Correspondence: Greeting Cards: A-F 1950-1969 |
3 | 6 | ||
|
Personal: Correspondence: Greeting Cards: G-Z 1950-1969 |
3 | 7 | ||
|
Personal: Diary 1908-1951 |
3 | 8 | ||
|
Personal: Biographical Information circa 1960 |
3 | 9 | ||
|
Personal: Inventories of Collections circa 1956 |
4 | 10 | ||
|
|
||||
Series V: Autographed Letters 1904-1965 |
||||
| Box | Folder | |||
|
Autographed Letters: Blatch, Harriet Stanton 1906 July 22 |
4 | 1 | ||
|
Autographed Letters: Blatch, Harriet Stanton 1909 September 22 |
4 | 2 | ||
|
Autographed Letters: Blatch, Harriet Stanton 1914 June 13 |
4 | 3 | ||
|
Autographed Letters: Blatch, Harriet Stanton 1915 June 29 |
4 | 4 | ||
|
Autographed Letters: Carnegie, Andrew 1907 January 18 |
4 | 5 | ||
|
Autographed Letters: Catt, Carrie Chapman 1915 June 6 |
4 | 6 | ||
|
Autographed Letters: Christmas, Frank B. 1921 April 24 |
4 | 7 | ||
|
Autographed Letters: Damrosch, Walter 1914 November 1 |
4 | 8 | ||
|
Autographed Letters: Danielson, Jacques circa 1940 |
4 | 9 | ||
|
Autographed Letters: Frohman, Daniel 1905 January 4 |
4 | 10 | ||
|
Autographed Letters: Frohman, Daniel 1905 January 31 |
4 | 11 | ||
|
Autographed Letters: Frohman, Daniel 1933 July 31 |
4 | 12 | ||
|
Autographed Letters: Gabrilowitsch, Ossip 1924 June 27 |
4 | 13 | ||
|
Autographed Letters: Gibson, Charles Dana 1906 July 14 |
4 | 14 | ||
|
Autographed Letters: Gibson, Charles Dana 1940 August 27 |
4 | 15 | ||
|
Autographed Letters: Grau, Robert 1904 August 22 |
4 | 16 | ||
|
Autographed Letters: Hay, Mary Garrett 1916 April 18 |
4 | 17 | ||
|
Autographed Letters: Hayman, Alf 1904 June 15 |
4 | 18 | ||
|
Autographed Letters: Hubbard, Edward II 1905 September 25 |
4 | 19 | ||
|
Autographed Letters: Hurst, Fannie 1956 October 12 |
4 | 20 | ||
|
Autographed Letters: Hurst, Fannie 1965 December 5 |
4 | 21 | ||
|
Autographed Letters: Leginska, Ethel 1956 July 12 |
4 | 22 | ||
|
Autographed Letters: Le Plus Grand Druxelles 1913 December 24 |
4 | 23 | ||
|
Autographed Letters: Martin, Louis 1904 October 8 |
4 | 24 | ||
|
Autographed Letters: Maynor, Dorothy 1965 January 7 |
4 | 25 | ||
|
Autographed Letters: McIntosh, Burr 1915 Ja15nuary |
4 | 26 | ||
|
Autographed Letters: Mildenberg, Albert 1905 August 24 |
4 | 27 | ||
|
Autographed Letters: Mildenberg, Albert 1906 July 4 |
4 | 28 | ||
|
Autographed Letters: Morris, Robert T. 1908 June 30 |
4 | 29 | ||
|
Autographed Letters: Peary, Richard E. 1905 April 19 |
4 | 30 | ||
|
Autographed Letters: Rebay, Hilla von 1936, 1962 |
4 | 31 | ||
|
Autographed Letters: Sargent, Franklin H. 1915 June 7 |
4 | 32 | ||
|
Autographed Letters: Toscanini, Arturo 1956 October 12 |
4 | 33 | ||
|
|
||||
Series VI: Photographs 1909-1962 |
||||
Photograph Collection: Leonora Shier circa 1910-1920 |
||||
| Box | ||||
|
Calve, Emma circa 1920 |
1 | |||
|
Elgar, Edward circa 1910 |
1 | |||
|
Kneisel, Franz circa 1910 |
1 | |||
|
Melba, Nellie circa 1910 |
1 | |||
|
Nordica, Lillian circa 1910 |
1 | |||
|
Saint-Saens, Camille circa 1910 |
1 | |||
|
Thomas, Theodore circa 1910 |
1 | |||
To Leonora Shier Photographs 1914-1956 |
||||
| Box | ||||
|
Askowith, Bathsheba 1932 |
1 | |||
|
Brando, Marion 1954 |
1 | |||
|
Brown, John 1914 |
1 | |||
|
Brown, John 1928 |
1 | |||
|
Byrd, Admiral (damaged unsigned) circa 1930 |
1 | |||
|
Handy, W.C. 1956 |
1 | |||
|
Stokowski, Leopold circa 1930 |
1 | |||
Leonora Shier Collection of Carnegie Hall Photographs 1909-1962 |
||||
| Box | ||||
|
Shier, Leonora with Robert Simon Jr. at 25th Anniversary of her employment 1950 October 30 |
2 | |||
|
Shier, Leonora with 2 dancers at 25th Anniversary 1950 October 30 |
2 | |||
|
The Carnegie Hall Canteen with Leonora Shier 1943 February 6 |
2 | |||
|
Shier, Leonora on 8th floor circa 1940 |
2 | |||
|
Shier, Leonora Retirement Luncheon: Robert 5imon, John Totten series 1956 October 12 |
2 | |||
|
Algonquin Hotel luncheon series 1962 October 13 |
2 | |||
|
Carnegie Hall Exteriors series 1940-1950 |
2 | |||
|
3-Sheet Case with Philharmonic-Symphony Society of New York with Leopold Stokowski conducting 1947 March 17 |
2 | |||
|
Carnegie Hall Interiors series 1935-1949 |
2 | |||
|
Menuhin, Yehudi and Hephzibah on stage 1936 |
2 | |||
|
Tenants of Carnegie Hall series undated |
2 | |||
|
Adams, Evangeline circa 1928 |
2 | |||
|
Barnet, Lita circa 1935 |
2 | |||
|
Bentley, Alys circa 1925 |
2 | |||
|
Dickenson, Sidney E. circa 1945 |
2 | |||
|
Estes, Steve circa 1950 |
2 | |||
|
Freeman, Jane circa 1935 |
2 | |||
|
Jordon, Dorothy circa 1910 |
2 | |||
|
MacBeth, Florence 1930 |
2 | |||
|
Mehan, John D. and Caroline E. circa 1925 |
2 | |||
|
Norvell circa 1950 |
2 | |||
|
Robinson, Walter O. with Robert Simon circa 1950 |
2 | |||
|
Stuart, Mary circa 1950 |
2 | |||
|
Employees of Carnegie Hall undated |
2 | |||
|
Totten, John J. 50th Anniversary Dinner on stage series 1953 |
2 | |||
|
Artists undated |
2 | |||
|
Caruso, Enrico, John Brown and others unidentified circa 1910 |
2 | |||
|
Hurok, Sol circa 1930 |
2 | |||
|
Rimini, Giacomo circa 1930 |
2 | |||
|
Russell, Lillian 1909 |
2 | |||
|
Shackleton, Ernest Henry, Sir circa 1930 |
2 | |||
|
|
||||


| Day | Lecture | Discussions | Due |
|---|---|---|---|
|
Week 1 Aug 31 - Sep 5 |
L01 Introduction and ISA L02 ISA - storage types and addressing modes |
Week 1 Discussion - Hershal Week 1 Discussion - Abigail | |
|
Week 2 Sep 7 - 11 |
L03 LC2K and ARM ISAs L04 ARM and C to ARM |
Week 2 Discussion - Hershal Week 2 Discussion - Abigail |


Work with us
Opportunities
Freelance podcast/media producer
Mosaik Education is a UK-based charity that pursues improved higher education education opportunities for refugees, asylum seekers and conflict-affected communities. We do this by working with the community, international universities, and education technology to deliver opportunities that are relevant and accessible. Our distinct approach draws on the knowledge and skills of the affected community to find ‘bottom-up’ innovative solutions to the refugee education crisis.
Mosaik has started a series of Arabic content - “Dardachat” co-created by refugee students to share successes and frustrations about adapting to university under challenging circumstances. Topics are selected by students and content is co-created with the Mosaik team, production partners and psycho-social advisors. Each story produced is typically 5-7 minutes long, with a written version in both Arabic and English. Tasks could include working to find the story “pitch” or “hook”, designing an interview and leading the production.
We are seeking individuals with a passion for crafting stories and with the desire to make a positive social impact. The successful candidates would be working with a team of students and humanitarian and education professionals to help guide the content. The time commitment will depend on the frequency of stories, we aim to produce two stories a month. The provided work will be paid per story.
Role
- Work with the Dardachat team to guide story creation for our media series.
- Create a detailed plan, a script or a list of interview questions as needed depending on the story and its format.
- Create a detailed plan, a script or a list of interview questions as needed depending on the story and its format.
- Schedule, record and edit each content to a high standard.
- Collaborate and coordinate with the Mosaik staff to review and sign off at various stages.
Required Skills and Experience
- Experience in the creation of high-quality media content, whether it is podcasting, journalism or professional communications work.
- Familiarity with social or humanitarian themes and the refugee context.
- Records of delivering high quality work to deadlines.
- Experience working remotely or in distributed teams.
- Fluency in Arabic and English.
Desired Skills and Experience
- Proficiency in both audio/video production and editing tools.
- Familiarity with digital audio content distribution methods, technologies, and platforms.
- Experience working creatively to produce audio with limited resources.
Get in touch
If interested send resume/portfolio of work and rate (for 2-5 minute audio, 2-5 minute video, written piece) to miki@mosaik.ngo.


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---
title: Accordion
---
***
{{> examples_accordion_intro}}
***
Basic
You can create an accordion using minimal markup like so:
HTML
{{#markdown}}
```html
{{> examples_accordion_basic}}
```
{{/markdown}}
Rendered HTML
{{> examples_accordion_basic}}
Note: Accordion used to require ```
``` and ```- ``` markup. It now works with ```
```'s and ```- ```'s as well.
***
Distributed accordion groups
You can name the accordion so that it can be spread across different parent containers. In this example the accordion is named *myAccordionGroup* and it is split between different columns in a block grid. This allows the accordion to be responsive to screen width.
HTML
{{#markdown}}
```html
{{> examples_accordion_grid}}
```
{{/markdown}}
Rendered HTML
{{> examples_accordion_grid}}
***
### Callbacks
There are two ways to bind to callbacks in your tabs.
{{#markdown}}
Callback function
```html
```
{{/markdown}}
{{#markdown}}
Toggled Event
```html
```
{{/markdown}}
***
## Customize with Sass
Accordions can be easily customized with the Sass variables provided in the `_settings.scss` file.
SCSS
{{> examples_accordion_variables}}
***
## Configure With Javascript
It's easy to configure dropdowns using our provided Javascript. You can use data-attributes or plain old Javascript. Make sure `jquery.js`, `foundation.js` and `foundation.accordion.js` have been included on your page before continuing. For example, add the following before the closing `` tag:
{{#markdown}}
```html
```
{{/markdown}}
### Optional Javascript Configuration
#### JS
{{#markdown}}
```js
$(document).foundation({
accordion: {
// specify the class used for accordion panels
content_class: 'content',
// specify the class used for active (or open) accordion panels
active_class: 'active',
// allow multiple accordion panels to be active at the same time
multi_expand: false,
// allow accordion panels to be closed by clicking on their headers
// setting to false only closes accordion panels when another is opened
toggleable: true
}
});
```
{{/markdown}}
***
### Adding New Accordion Content After Page Load
If you add new content after the page has been loaded, you will need to reinitialize the Foundation JavaScript by running the following:
{{#markdown}}
```javascript
$(document).foundation();
```
{{/markdown}}
Reflow will make Foundation check the DOM for any elements and re-apply any listeners to them.
{{#markdown}}
```javascript
$(document).foundation('accordion', 'reflow');
```
{{/markdown}}
***
## Semantic Markup With Sass Mixins
You can use the a `accordion-container()`, `accordion-navigation`, and `accordion-navigation` mixins to create your own accordion with semantic markup, like so:
SCSS
{{#markdown}}
```scss
.your-accordion-class {
@include accordion-container;
.your-accordion-navigation-class {
@include accordion-navigation;
}
.your-accordion-content-class {
@include accordion-content;
}
}
```
{{/markdown}}
##### Sass Errors?
If the default "foundation" import was commented out, then make sure you import this file:
SCSS
```scss
@import "foundation/components/accordion";
```