Queen. I will not speak with her.
[Gent.] She is importunate, indeed distract.
Her mood will needs be pitied.
Queen. What would she have?
[Gent.] She speaks much of her father; says she hears
There’s tricks i’ the world, and hems, and beats her heart,
Spurns enviously at straws, speaks things in doubt
That carry but half sense. Her speech is nothing,
Yet the unshaped use of it doth move
The hearers to collection. They aim at it
And botch the words up fit to their own thoughts;
Which, as her winks, and nods, and gestures yield them,
Indeed would make one think there would be thought,
Though nothing sure, yet much unhappily.
[Hor.] ’Twere good she were spoken with, for she may strew
Dangerous conjectures in ill-breeding minds.
Let her come in. [Exit Gentleman.]
Queen. [Aside.] To my sick soul, as sin’s true nature is,
Each toy seems prologue to some great amiss;
So full of artless jealousy is guilt,
It spills itself in fearing to be spilt.
Oph. Where is the beauteous majesty of Denmark?
Queen. How now, Ophelia!
Oph. [Sings.]
“How should I your true love knowQueen. Alas, sweet lady, what imports this song?
From another one?

Queen. Nay, but, Ophelia,—
Oph. Pray you, mark. [Sings.]
“White his shroud as the mountain snow,”—Queen. Alas, look here, my lord.
“Larded with sweet flowers;King. How do you, pretty lady?
Which bewept to the grave did not go
With true-love showers.”
“To-morrow is Saint Valentine’s day,
All in the morning betime,
And I a maid at your window,
To be your Valentine.
“Then up he rose and donn’d his clothes,
And dupp’d the chamber door;
Let in the maid, that out a maid
Never departed more.”
King. Pretty Ophelia!
Oph. Indeed, la, without an oath I’ll make an end on’t.
“By Gis, and by Saint Charity,
Alack! and, fie for shame!
Young men will do’t, if they come to ’t;
By Cock, they are to blame.
 ”
King. How long hath she been thus?
Oph. I hope all will be well. We must be patient; but I cannot choose but weep, to think they should lay him i’ the cold ground. My brother shall know of it; and so I thank you for your good counsel. Come, my coach! Good-night, ladies; good-night, sweet ladies; good-night, good-night. Exit.
King. Follow her close; give her good watch, I pray you. [Exeunt some.]
O, this is the poison of deep grief; it springs
All from her father’s death. O Gertrude, Gertrude,
When sorrows come, they come not single spies,
But in battalions. First, her father slain;
Next, your son gone; and he most violent author
Of his own just remove; the people muddied,
Thick and unwholesome in their thoughts and whispers,
For good Polonius’ death; and we have done but greenly
In hugger-mugger to inter him; poor Ophelia
Divided from herself and her fair judgement,
Without the which we are pictures, or mere beasts;
Last, and as much containing as all these,
Her brother is in secret come from France,
Feeds on his wonder, keeps himself in clouds,
And wants not buzzers to infect his ear
With pestilent speeches of his father’s death,
Wherein necessity, of matter beggar’d,
Will nothing stick our persons to arraign
In ear and ear. O my dear Gertrude, this,
Like to a murdering-piece, in many places
Gives me superfluous death. A noise within.
Queen. Alack, what noise is this?
King. Where are my Switzers? Let them guard the door. What is the matter?
Mess. Save yourself, my lord!
The ocean, overpeering of his list,
Eats not the flats with more impetuous haste
Than young Laertes, in a riotous head,
O’erbears your officers. The rabble call him lord;
And, as the world were now but to begin,
Antiquity forgot, custom not known,
(The ratifiers and props of every word,)
They cry, “Choose we! Laertes shall be king!”
Caps, hands, and tongues applaud it to the clouds,
“Laertes shall be king, Laertes king!”
Queen. How cheerfully on the false trail they cry!
O, this is counter, you false Danish dogs!
King. The doors are broke. Noise within.
Laer. Where is this king? Sirs, stand you all without.
Danes. No, let’s come in.
Laer. I pray you, give me leave.
Danes. We will, we will. [They retire without the door.]
Laer. I thank you; keep the door. O thou vile king,
Give me my father!
Queen. Calmly, good Laertes.
Laer. That drop of blood that’s calm proclaims me bastard,
Cries cuckold to my father, brands the harlot
Even here, between the chaste unsmirched brows
Of my true mother.
King. What is the cause, Laertes,
That thy rebellion looks so giant-like?
Let him go, Gertrude; do not fear our person.
There’s such divinity doth hedge a king,
That treason can but peep to what it would,
Acts little of his will. Tell me, Laertes,
Why thou art thus incens’d. Let him go, Gertrude.
Speak, man.
Laer. Where’s my father?
King. Dead.
Queen. But not by him.
King. Let him demand his fill.
Laer. How came he dead? I’ll not be juggl’d with.
To hell, allegiance! Vows, to the blackest devil!
Conscience and grace, to the profoundest pit!
I dare damnation. To this point I stand,
That both the worlds I give to negligence,
Let come what comes; only I’ll be reveng’d
Most throughly for my father.
King. Who shall stay you?
Laer. My will, not all the world.
And for my means, I’ll husband them so well,
They shall go far with little.
King. Good Laertes,
If you desire to know the certainty
Of your dear father’s death, is’t writ in your revenge
That, swoopstake, you will draw both friend and foe,
Winner and loser?
Laer. None but his enemies.
King. Will you know them then?
Laer. To his good friends thus wide I’ll ope my arms,
And like the kind life-rend’ring pelican,
Repast them with my blood.
King. Why, now you speak
Like a good child and a true gentleman.
That I am guiltless of your father’s death,
And am most sensibly in grief for it,
It shall as level to your judgement pierce
As day does to your eye.
A noise within: “Let her come in!”
Laer. How now! what noise is that?
 Tears seven times salt
Burn out the sense and virtue of mine eye!
By heaven, thy madness shall be paid by weight
Till our scale turns the beam. O rose of May!
Dear maid, kind sister, sweet Ophelia!
O heavens! is’t possible, a young maid’s wits
Should be as mortal as an old man’s life?
Nature is fine in love, and where ’tis fine,
It sends some precious instance of itself
After the thing it loves.
Oph. [Sings.]
“They bore him barefac’d on the bier;Fare you well, my dove!
Hey non nonny, nonny, hey nonny;
And on his grave rains many a tear,”—
“For bonny sweet Robin is all my joy.”Laer.
“And will he not come again?
And will he not come again?
No, no, he is dead;
Go to thy death-bed;
He never will come again.
“His beard as white as snow,
All flaxen was his poll.

God ha’ mercy on his soul!”
And of all Christian souls, I pray God. God buy ye. Exit.
Laer. Do you see this, you gods?
King. Laertes, I must commune with your grief,
Or you deny me right.
If by direct or by collateral hand
They find us touch’d, we will our kingdom give,
Our crown, our life, and all that we call ours,
To you in satisfaction; but if not,
Be you content to lend your patience to us,
And we shall jointly labour with your soul
To give it due content.
Laer. Let this be so.
His means of death, his obscure burial—
No trophy, sword, nor hatchment o’er his bones,
No noble rite nor formal ostentation—
Cry to be heard, as ’t were from heaven to earth,
That I must call ’t in question.
King. So you shall;
And where the offence is let the great axe fall.
I pray you, go with me. Exeunt.


👍 Get started and explore the underworld! Select a section preset or drag the markers to view a geodesic section of any supported global tomographic model. Click settings for more information.
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WHAT'S COOKING?
Reviewed by Harvey Karten Trimark Pictures Director: Gurinder Chadha Writer: Gurinder Chadha, Paul Mayeda Berges Cast: Alfre Woodard, Dennis Haysbert, Ann Weldon, Mercedes Ruehl, Victor Rivers, Douglas Spain, A. Martinez, Lainie Kazan, Maury Chaykin, Kyra Sedgwick, Julianna Margulies, Estelle Harris, Joan Chen, Will Yun Lee, Kristy Wu, Jimmy Pham, Brennan Louise
"What's Cooking" is one of those movies that make you wonder why so many people bother having families. In the case of the folks in this film by Gurinder Chadha ("Bhaji at the Beach"), there's no problem of money. All can afford the kids they've had. But if there's just one day of the year that families should show how happy they are to be together feasting on turkey with all the trimmings, that day is of course Thanksgiving. On the other hand, the enforced closeness could give rise to a outbreak of seething conflicts and to revelations of truths that most of the diners would rather not face. The latter informs the theme of the movie scripted by director Chadha and Paul Mayeda Berges which is directed in the mosaic style favored by Robert Altman. The movie falls way short of anything done by Altman, as "What's Cooking" lacks dialogue to match the pungency of the spices used on the holiday bird. What makes the picture worth viewing at all are the performances by some first-rate stars who are stuck in a genre that's as fresh as two-week-old turkey leftovers.
In the tradition of foodie movies like "Woman on Top," "Like Water for Chocolate" and "Babette's Feast," "What's Cooking" features some mouthwatering photography by John Lin of a cornucopia of provisions, all of which are cooked by four families who live within walking distance of one another in a prosperous section of L.A. Each family puts its own cultural stamp on the national dish, some adding kugel for dessert, some stuffing the bird with chili peppers, while another adds macaroni and cheese to the traditional greens. While the four groups are doing well financially, they are of various ethnic and cultural backgrounds; specifically, Vietnamese, Black, Jewish, and Latino. Oddly enough, though, the conflicts that rage within each household are not specific to its cultural background but are of the sort that could easily be imagined to take place in any of the diverse groups explored here.
The only really comical interchange takes place within the Jewish household. Ruth and Herb Seelig (Lainie Kazan and Maury Chaykin) have a daughter Rachel (Kyra Sedgwick) who brings home her lesbian lover, Carla (Julianna Margulies) as a guest. While the Seeligs are not exactly kvelling over their daughter's orientation, they're not kvetching either. The dinner comes to life at dessert time as the slightly inebriated Aunt Bea (Estelle Harris) asks the young women some question that evoke surprising answers.
As the African-Americans giving thanks, Audrey Williams (Alfre Woodard) has a problem with her husband Ronald (Dennis Haysbert), who is an aide to the conservative California governor. Ronald works long hours and, in fact, may not be working during some the time he's away from home. Audrey is particularly stressed out on this day because her intrusive mother-in-law criticizes her cooking, turning her nose up at the shiitake mushrooms that Audrey uses in place of the traditional stuffing.
The Latino family of Elizabeth Avila (Mercedes Ruehl) is on the verge of tumult during the Thanksgiving feast when Elizabeth's estranged husband Javier (Victor Rivers) shows up though invited only by their son Anthony (Douglas Spain), while the Vietnamese living a hop away and presided over by Trinh Nguyen (Joan Chen) go ballistic in discovering that their daughter Jenny (Kristy Wu) has a condom in her jacket pocket and their son Gary (Jimmy Pham) is hiding a gun.
While L.A. has gotten bad press during the past few years, the cops getting the brunt of the hostile journalism and the country getting the impression that every teen is in a gang, "What's Cooking" provides a nourishing antidote. If the story is banal, the dialogue lacking in sharpness, and the exposition taking forever before Chadha cuts to the chase, the well-acted film is a love poem to the city of angels, making Thanksgiving into a valentine's-day ode to American diversity.
Rated PG-13. Running time: 106 minutes. (C) 2000 by Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Sign Up (it's free)
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--- permalink: /AI_Sight ---
{% include tracking.html %}
AI Sight is an Android app for Offline Object Recognition!
It
can recognize objects belonging to
1000 categories!
Privacy Policy
AI Sight requires the following permissions:
- Camera Access
- Storage Access
The app needs camera access for the user to click pictures of
objects to be recognized, and needs storage access for the user to
be able to select an image from the phone's gallery
The app works offline: user data is neither collected nor
shared with third party services
Therefore, AI Sight does not collect/store/distribute any
personally identifiable information


On-line help is important for many applications, especially in the world of graphical interfaces and consumer devices. Many users will opt for exploration of an application rather than reading through the manual, and on-line help can assist them.
The GEOS on-line help system is an information viewing tool to be used by most if not all GEOS applications. It is automated, and adding it to an application is simple. All you need to do is create your help documents with GeoWrite and then add a few help attributes to your application's generic UI objects.
1 What Is Help?
1.1 Normal Help
1.2 First Aid
1.3 Simple Help
2 Adding Help to Your Application
2.1 Help Contexts and Help Triggers
2.2 Adding Default Normal Help
2.3 Bringing Up Help on the Fly
3 Customizing Help
3.1 Bringing Up Initial Help
3.2 Adding the HelpControl
3.3 Sizing the Help Dialog Box
3.4 Managing Help Types
3.5 Managing Help Files
3.6 Customizing the Pointer Image
3.7 Changing the Help Features
4 Creating Help Files
4.1 Enabling the Help Editor
4.2 Organizing and Writing the Text
4.3 Defining Files and Contexts
4.4 Using Hyperlinks
4.5 Generating the Help Files
5 HelpControlClass Reference


Everything that happened when Elon Musk unveiled the Cybertruck, including the window-breaking mistake that made him say 'Oh my f---ing god'
by Brittany Chang- Tesla CEO Elon Musk unveiled Tesla’s first passenger pickup truck, the Cybertruck, on Thursday night in a town near Los Angeles.
- The unveiling was jam-packed with flames, people in all-black costumes, and video comparisons of the Cybertruck with the speed of the Porsche911 and the towing capabilities of the Ford F-150.
- One of the most viral moments, however, was the infamous failed glass demo.
- Visit Business Insider’s homepage for more stories.
Tesla CEO Elon Musk unveiled Tesla’s first passenger pickup truck, the Cybertruck, on Thursday night in a dramatic showing that included flames, a “cybergirl,” and a failed test.
The jam-packed unveiling included the traditional presentation of the truck’s specifications but in a glamorized and semifailed manner. To prove the strength of its “ultra-hard” stainless steel body, Musk asked Tesla’s lead designer, Franz von Holzhausen, to take a sledgehammer to the side of the truck.
And to show off the strength of the “armoured glass,” a metal ball was dropped onto an isolated panel at an elevated height without a shatter or a break. However, when the metal ball was thrown at the window of the example Cybertruck, the glass broke.
Despite this, the Cybertruck was unveiled to many crowd cheers and photos, and with specs that surpassed those of its competitors, such as Bollinger Motors‘ fully electric all-wheel-drive B2 Pickup Truck. Production is expected to begin in 2021.
Keep scrolling to see more of the Cybertruck unveiling antics:
The unveiling started out with a self-titled “cybergirl” who said: “The Cybertruck, the No. 1 mode of transport for a cybergirl. The greatest evolution in vehicular fashion and function.”
There are speculations that the “cybergirl” was Grimes, Musk’s alt-pop-singer girlfriend.
“I now present to you my creator,” cybergirl said. Enter Tesla CEO Elon Musk’s walk onto the stage. A short and awkward presentation followed, with Musk explaining why the truck was a necessary and revolutionary product.
Now cue the flames for a grandiose Cybertruck entrance that seemed more like the introduction of a celebrity boxing match.
At last, the full showing revealed a futuristic geometric pickup truck to a crowd of smartphones, eager fans, and, of course, more fire.
The flames were obviously much more dramatic and monitored than the Tesla Supercharger station that caught fire at a Wawa in New Jersey just a few days prior.
The first of a series of demonstrations began when Tesla’s head of design, Franz von Holzhausen, appeared with a sledgehammer, first hitting and denting what Musk called a “regular truck door” …
… before using the power of the hammer on the Cybertruck, which suffered no visible dents after the beating. This is because the automaker says the truck’s body — made of “ultra-hard 30X cold-rolled stainless steel” — is almost impenetrable.
To further this point, the screen behind Musk and the Cybertruck started playing prerecorded clips of the body being shot at with a 9mm bullet. The bullet shattered like a “paintball,” Musk said.
He even used finger guns to prove his point.
Then came the testing of the Tesla Armour Glass, which Musk called “transparent metal glass.” Three testers — in all-black, steampunk-esque outfits — came out to initiate the test, first dropping a metal ball onto the shatter-free glass from a lower height …
… before dramatically climbing up a ladder to drop it successfully from a taller height.
Glass optics aside, the testers were reminiscent of well-coordinated magician’s assistants, with their confident but dramatically fluid movements.
However, the success of the armoured glass didn’t last long. Holzhausen came back onstage with a large metal ball to throw at the window, which then cracked, not once …
… but twice, when Musk encouraged von Holzhausen to try again on the other glass panel.
“We threw wrenches; we threw everything,” Musk said. “We even literally threw the kitchen sink at the glass and it didn’t break. For some weird reason, it broke now. I don’t know why.”
“Fix it in post,” Musk jokingly said, like an Instagram influencer trying to optimise their photos.
But the pride of the Cybertruck was soon saved afterward, when Musk, now standing in front of a glass-shattered truck, played a video of a Ford F-150 and the Cybertruck in a “tug-of-war” competition that ultimately ended with the Cybertruck towing the F-150.
The Cybertruck can tow more than 14,000 pounds and carry a payload of up to 3,500 pounds in its most expensive configuration.
Ford is developing a Cybertruck rival, an all-electric F-150.
There was also a speed test that showed the truck drag racing a Porsche 911, the latter of which received a head start.
“You could basically do the Baja Rally in this thing,” Musk said.
The price and specs were then announced. The truck begins at $US39,900 for the single-motor rear-wheel-drive version that has a range of 250 miles. The most expensive tri-motor all-wheel-drive version starts at $US69,900 and has a range of over 500 miles.
The tri-motor Cybertruck can hit 60 mph in about 2.9 seconds. Self-driving features are a $US7,000 add-on.
The event closed out with a surprise unveiling of the Cyberquad, an electric ATV. The ATV will be available as a Cybertruck option.
The loading of the Cyberquad onto the rear cargo area also allowed Musk to show off the truck’s “adaptive air suspension” which raises and lowers the Cybertruck’s suspension by 4 inches for easier access to both the cargo area and the cabin of truck. There’s also a self-levelling feature.
This concluded the jam-packed unveiling of the Cybertruck, which was met with mixed reviews online.


Conceptually, components are like JavaScript functions. They accept arbitrary inputs (called “props”) and return React elements describing what should appear on the screen.
A valid React component accept a single "props" object argument (meaning properties) with data and returns a React element. We call these components "functional components" because they are literally JavaScript functions.
In the example below, we have a single function JavaScript:
function Welcome(props) {
return
Hello, {props.name}
;
}
Using an ES6 class to define a component is equivalent to a JavaScript function from React's point of view:
class Welcome extends React.Component {
render() {
return
Hello, {this.props.name}
;
}
}
React treats components starting with lowercase letters as DOM tags. For example,
 represents an HTML div tag, but
<Welcome/>
represents a component and requires Welcome to be in scope. When a React element that represents a user-defined component, passes JSX attributes to that component as a single object. We call this object "props". In the example below, this code renders "Hello Warren" on the page:
function Welcome(props) {
return
Hello, {props.name}
;
}
const element = <Welcome name="Warren" />;
ReactDOM.render(
element,
document.getElementById('root')
);
Divide the components into smaller components. The component can be difficult to change due to all nesting and it is also difficult to reuse individual parts of it.
It seems like a tricky job at first, but having a palette of reusable components pays off in larger apps.
function formatDate(date) {
return date.toLocaleDateString();
}
function Avatar(props) {
return (

);
}
function UserInfo(props) {
return (

<Avatar user={props.user} />

{props.user.name}

);
}
function Comment(props) {
return (

<UserInfo user={props.author} />

{props.text}

{formatDate(props.date)}

);
}
const comment = {
date: new Date(),
text: 'I hope you enjoy learning React!',
author: {
name: 'Hello Warren',
avatarUrl: 'https://upload.wikimedia.org/wikipedia/
commons/thumb/5/51/Warren_Buffett_KU_Visit.jpg/
800px-Warren_Buffett_KU_Visit.jpg',
},
};
ReactDOM.render(
<Comment
date={comment.date}
text={comment.text}
author={comment.author}
/>,
document.getElementById('root')
);
A good rule of thumb is that if a part of your user interface is used multiple times (
button
,
panel
,
avatar
) or is complex enough by itself (
application
,
feedstory
,
comment
), it is a good candidate to be a reusable component.
All React components must act like pure functions with respect to their props. Such functions are called “pure” because they do not attempt to change their inputs, and always return the same result for the same inputs.
In the example below, the code try to change the input itself:
function withdraw(account, amount) {
account.total -= amount;
}


--- layout: post title: ADFS claim rule mapping categories: [] tags: serviceapi adfs webdrawer web-client status: publish type: post published: true meta: {} ---
This is a for those of you who notice a gap in the current RM Web Client ADFS configuration documentation. The documentation for the RM native client specifies the Relying Party claim rule should have the LDAP attribute User-Principle-Name mapped to the outgoing claim UPN. The Web Client documentation contains a simple custom rule but does not specify exactly which claims are are required. Unlike the native client the User-Principal-Name must be mapped to the outgoing claim Name, like this:
In a an upcoming version we plan to support UPN for the web client, which will check UPN first and then Name, using whichever is sent by ADFS.


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General support queries. User Guides: https://support.komodoplatform.com/ Support staff: Angelina#6231 gcharang#6833. If you want to ask JL777 a question, use the #ask-jl777 channel.
@SHossain i can't log into the web wallet and when i do log into the desktop version it won't let me kmd
SVET505-Jun-19 04:59 AM
if that so, safest option would be moving to Ledger since Im a HODLER. Hope Ledger integration will implemented soon
n6405-Jun-19 05:00 AM
@SHossain sorry I came in late...using vrsc mode I don’t see my kmd balances...got a guide I can use?
PTYX05-Jun-19 05:00 AM
@siu - Chainmakers not good @ca333
SHossain05-Jun-19 05:01 AM
@siu - Chainmakers I'll DM you
jeffjam05-Jun-19 05:02 AM
Can i move the funds to a different seed with agama lite ?
dxer66605-Jun-19 05:02 AM
i created seed 1 years ago. should i change it?(edited)
n6405-Jun-19 05:03 AM
mine's also a pretty old seed, but i used it last month to claim rewards
Bryan_Beus05-Jun-19 05:03 AM
@dxer666
The issue seems to be only for seeds either created or used within the last 4 months. If you have either used or created your seed with Agama within that time, please move your funds.
@dxer666
Scroll up to instructions given by @smk762 - dracocanis ominator(edited)
@jeffjam do not create any wallet address with official agama. use Verus version
If you have already used Agama in the last 2 months with that seed than its "ok" to use it again to move the funds. If you have not used it for more than 4 months then you can leave them just on the seed. We recommend moving all funds (all coins) out. Use this link to see all your assetchain balance https://dexstats.info/assetviewer.phpHow to Generate new address quickly?
- Use Paper Wallet - https://github.com/KomodoPlatform/KomodoPaperWalletGenerator/archive/master.zip
- Use Verus version of Agama which is not affected - https://veruscoin.io/wallet.html
1. Start VRSC Lite mode
2. create new seed which will generate new address which is compatible with KMD and all assetchain. Keed the seed safely backedup (make a note of that address)
Alternative method to generate new address
- Use native mode (best to use CLI) - Safest - Use bootstrap from here if you like https://dexstats.info/bootstrap.php
- Use coinbin (may not be most secure as it's web) - https://deckersu.github.io/coinbin/#newAddressHow to send funds to the new address?
Send all KMD and assetchains funds to that address, even if Verus wallet doesn't support that coin at the moment. As long as you have the seed safe, you can access your funds later.
0. If you have Agama 0.3.5 or 0.3.6b, use that to send funds out or
1. Quickest - Agama webwallet ONLY to send funds out immediately https://www.atomicexplorer.com/wallet/#/
2. You can also use this guide to send all KMD and assetchains to new address. You don't need to use 2 computers. Just use one offline computer https://support.komodoplatform.com/en/support/solutions/articles/29000026631-sign-transactions-offline-and-broadcast-online-using-agamaWhere to send funds?
- Another address created by Verus Agama or native mode
- Ledger wallet
- CEX (they are not affected but if you want to)
A Bitcoin Wallet written in Javascript. Supports Multisig, SegWit, Custom Transactions, nLockTime and more!
n6405-Jun-19 05:06 AM
thanks
27aume05-Jun-19 05:06 AM
What if we used agama SPV mode to claim rewards from ledger using the WIF?
SHossain05-Jun-19 05:07 AM
move funds to another address inside your Ledger
1
SVET505-Jun-19 05:07 AM
@SHossain am I safe if I just login once with my seed generated 2 years ago last month, was just checking my balance and I did not do any transaction at all?
27aume05-Jun-19 05:07 AM
Does my 24word seed phrase is compromised? or jst the wif of the address.
t0sma05-Jun-19 05:07 AM
As I understand ARRR are dahe on Agama because it's native mode. Correct?
SHossain05-Jun-19 05:07 AM
@SVET5 did you check your balance in the last 4 months using seed?
SVET505-Jun-19 05:07 AM
yeah
SHossain05-Jun-19 05:07 AM
ARRR is safe
@SVET5 move funds
SVET505-Jun-19 05:07 AM
okay thanks
actionslacks05-Jun-19 05:08 AM
wha?

Warkid05-Jun-19 05:17 AM
Last used 28.03 with Agama, not created by Agama. Do I have to move?
ca33305-Jun-19 05:19 AM
your funds are (likely) SAFU - we are still in the process - please everyone calm down and wait for further details. plz dont panic yourself or others. thank you.
7
6
SHossain05-Jun-19 05:19 AM
@D3b0 dM me your address
Dyeles05-Jun-19 05:20 AM
@SHossain , my funds ended in that address before I was able to move them, I'll wait for future instructions, thank you team
SHossain05-Jun-19 05:21 AM
@Dyeles send me your address
jeffjam05-Jun-19 05:21 AM
Can i claim rewards before i send funds from agama lite?
SHossain05-Jun-19 05:21 AM
yes
Warkid05-Jun-19 05:21 AM
If you please tell us the last date when the security risk came in so wo could look ourself for risks, Thank you
jeffjam05-Jun-19 05:21 AM
Is it possible to send out from agama lite or spv servers down?
SHossain05-Jun-19 05:22 AM
better to senf funds first to new address, that will claim reward. then, on a second tx send the rewards into new addr
jeffjam05-Jun-19 05:22 AM
Okey
ComputerGenie 👴👴👴05-Jun-19 05:23 AM
please everyone calm down and wait for further details. plz dont panic yourself or others...@ca333 you do realize how impossible that is when people are told their stacks are possibly compromised and 0 other details, right?
4
jeffjam05-Jun-19 05:24 AM
Is komodo ocean native only?
n6405-Jun-19 05:24 AM
@jeffjam I used agama web to move my funds FYI, was having trouble with the desktop wallets.
ComputerGenie 👴👴👴05-Jun-19 05:24 AM
@jeffjam yes
ocean = native
dxer66605-Jun-19 05:25 AM
komodo qt is also native?
jeffjam05-Jun-19 05:26 AM
How ami supposed to move the funds to native wallets immidiately when it takes 120hours give or take to sync the chain.
ComputerGenie 👴👴👴05-Jun-19 05:26 AM
@dxer666 komodo qt is komodo ocean
@jeffjam get DSL?
n6405-Jun-19 05:27 AM
@jeffjam you can generate addresses while waiting, just generate one and send there
jeffjam05-Jun-19 05:27 AM
On 100mbit line
dxer66605-Jun-19 05:27 AM
so just komodo verus isnot native
SHossain05-Jun-19 05:27 AM
@jeffjam use webwallet
If you have already used Agama in the last 2 months with that seed than its "ok" to use it again to move the funds. If you have not used it for more than 4 months then you can leave them just on the seed. We recommend moving all funds (all coins) out. Use this link to see all your assetchain balance https://dexstats.info/assetviewer.phpHow to Generate new address quickly?
- Use Paper Wallet - https://github.com/KomodoPlatform/KomodoPaperWalletGenerator/archive/master.zip
- Use Verus version of Agama which is not affected - https://veruscoin.io/wallet.html
1. Start VRSC Lite mode
2. create new seed which will generate new address which is compatible with KMD and all assetchain. Keed the seed safely backedup (make a note of that address)
Alternative method to generate new address
- Use native mode (best to use CLI) - Safest - Use bootstrap from here if you like https://dexstats.info/bootstrap.php
- Use coinbin (may not be most secure as it's web) - https://deckersu.github.io/coinbin/#newAddressHow to send funds to the new address?
Send all KMD and assetchains funds to that address, even if Verus wallet doesn't support that coin at the moment. As long as you have the seed safe, you can access your funds later.
0. If you have Agama 0.3.5 or 0.3.6b, use that to send funds out or
1. Quickest - Agama webwallet ONLY to send funds out immediately https://www.atomicexplorer.com/wallet/#/
2. You can also use this guide to send all KMD and assetchains to new address. You don't need to use 2 computers. Just use one offline computer https://support.komodoplatform.com/en/support/solutions/articles/29000026631-sign-transactions-offline-and-broadcast-online-using-agamaWhere to send funds?
- Another address created by Verus Agama or native mode
- Ledger wallet
- CEX (they are not affected but if you want to)
@jeffjam can send to cex if that is easier for the time being
dxer66605-Jun-19 05:31 AM
oh someone stolen my kmd
DeMarco05-Jun-19 05:32 AM
WIF from paper wallet on agama login is ok? Just agama seed? My login seed was barterdex generated. Am I ok there too?
PHBA206105-Jun-19 05:33 AM
@dxer666
we are sweeping funds from vulnerable addresses to: RSgD2cmm3n.....trEHoHMywJdkbkeF
if your funds ended up there, contact @SHossain with your details including a new address and we will get your funds back
heguli9705-Jun-19 05:34 AM
I used Privatekeys to access my funds in agama, does that also mean they're vulnerable?
1
Van05-Jun-19 05:35 AM
moving funds to a newly created native address is fine right?


src/app/tool.service.ts
The Tool Service contains information and management for all tools available from the service. It handles information like which tool is currently selected, whether or not the user is currently using a tool, and what categories are available to the user.
Properties |
constructor(router: Router)
|
||||||||
|
Defined in src/app/tool.service.ts:76
|
||||||||
|
Constructor
Parameters :
|
| _selectedCategory |
_selectedCategory:
|
Type : Category
|
|
Defined in src/app/tool.service.ts:52
|
|
The category selected by the user. |
| _selectedTool |
_selectedTool:
|
Type : Tool
|
|
Defined in src/app/tool.service.ts:56
|
|
The tool selected by the user. |
| categories |
categories:
|
Type : []
|
Default value : [{
icon: 'code',
title: 'HTML',
toolCategory: 'html'
}, {
icon: 'settings',
title: 'Item Settings',
toolCategory: 'itemSettings'
}]
|
|
Defined in src/app/tool.service.ts:21
|
|
The categories available to the user. This will be replaced with dynamic generation at a later point. |
| processing |
processing:
|
Default value : false
|
|
Defined in src/app/tool.service.ts:34
|
|
Whether or not a tool is currently doing it's magic. |
| processingMessage |
processingMessage:
|
Type : string
|
Default value : ''
|
|
Defined in src/app/tool.service.ts:38
|
|
The message to display on the screen while a tool is processing. |
| selectedDiscoverOptions |
selectedDiscoverOptions:
|
|
Defined in src/app/tool.service.ts:60
|
|
The discovery options chosen by the user on the options page for the selected tool. |
| toolList |
toolList:
|
Type : Tool[]
|
Default value : []
|
|
Defined in src/app/tool.service.ts:47
|
|
The list of available tools, as retrieved from the server. |
| toolViewOpen |
toolViewOpen:
|
Default value : false
|
|
Defined in src/app/tool.service.ts:42
|
|
Whether or not the user is currently looking at the tool view. |
| selectedCategory | ||||
getselectedCategory()
|
||||
|
Defined in src/app/tool.service.ts:62
|
||||
setselectedCategory(category: )
|
||||
|
Defined in src/app/tool.service.ts:65
|
||||
|
Parameters :
Returns :
void
|
| selectedTool | ||||
getselectedTool()
|
||||
|
Defined in src/app/tool.service.ts:70
|
||||
setselectedTool(tool: )
|
||||
|
Defined in src/app/tool.service.ts:73
|
||||
|
Parameters :
Returns :
void
|
import { Injectable } from '@angular/core';
import { Router } from '@angular/router';
import { Tool, Category } from './interfaces';
/**
* The Tool Service contains information and management for
* all tools available from the service. It handles information
* like which tool is currently selected, whether or not the user
* is currently using a tool, and what categories are available to
* the user.
*/
@Injectable({
providedIn: 'root'
})
export class ToolService {
/**
* The categories available to the user. This will be replaced with
* dynamic generation at a later point.
*/
categories = [{
icon: 'code',
title: 'HTML',
toolCategory: 'html'
}, {
icon: 'settings',
title: 'Item Settings',
toolCategory: 'itemSettings'
}];
/**
* Whether or not a tool is currently doing it's magic.
*/
processing = false;
/**
* The message to display on the screen while a tool is processing.
*/
processingMessage = '';
/**
* Whether or not the user is currently looking at the tool view.
*/
toolViewOpen = false;
/**
* The list of available tools, as retrieved from the server.
*/
toolList: Tool[] = [];
/**
* The category selected by the user.
*/
_selectedCategory: Category;
/**
* The tool selected by the user.
*/
_selectedTool: Tool;
/**
* The discovery options chosen by the user on the options page for the selected tool.
*/
selectedDiscoverOptions;
get selectedCategory() {
return this._selectedCategory;
}
set selectedCategory(category) {
sessionStorage.selectedCategory = category.title;
this._selectedCategory = category;
}
get selectedTool() {
return this._selectedTool;
}
set selectedTool(tool) {
sessionStorage.selectedTool = tool.id;
this._selectedTool = tool;
}
/**
* Constructor
* @param router Used to navigate the user as needed.
*/
constructor(private router: Router) {
const loc = window.location.href;
if (loc.includes('options') && !this._selectedTool && sessionStorage.selectedTool) {
this._selectedTool = this.toolList.find(tool => tool.id === sessionStorage.selectedTool);
}
if (loc.includes('tools') && !this._selectedCategory && sessionStorage.selectedCategory) {
this._selectedCategory = this.categories.find(category => category.title === sessionStorage.selectedCategory);
}
// I don't feel like this is the right place for this...
if (loc.includes('options') && !this._selectedTool) {
router.navigate(['/']);
}
// I don't feel like this is the right place for this...
if (loc.includes('tools') && !this._selectedCategory) {
router.navigate(['/']);
}
}
}


Registering as a user on this page has yet no meaning at all ;) Though in the future you might be able to save and evaluate individualized content like your favorite Netrunner deck.


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A person's phone is a treasure trove of information. Phones know where you've been, who you know, and what you say. In this activity, we will demonstrate how to extract information off an Android device, then we will use that information to find evidence to help us solve a "crime"! This workshop does not require any prior coding experience. Get ready to catch some criminals!
Create your own personal website with Hyper Text Markup Language (HTML) and Cascading Style Sheets (CSS)! We’ll learn the basics of coding in HTML so you can create a website from scratch all about you. You'll learn how to add and style content to your website so you can curate the perfect page to share with your friends and family!
Software Developer @ D2L
U of G & GWiCS Alumnus!
Risk Analyst @ Canada Revenue Agency
U of G Alumnus!
Having technical issues? Can't get into the Zoom room? Don't know which breakout room to join?
Please email us at<EMAIL_ADDRESS>and we'll get back to you within a few minutes!
This event is brought to you by GWiCS (Guelph Women in Computer Science), a student-run organization that seeks to build a supportive community for women studying computing at the University of Guelph. Click to learn more about us, see photos from our events, or follow us on social media!


Package org.drip.product.definition
Class Component
java.lang.Object
org.drip.product.definition.Component
- All Implemented Interfaces:
ComponentMarketParamRef
- Direct Known Subclasses:
CalibratableComponent
,TreasuryFutures
public abstract class Component extends java.lang.Object implements ComponentMarketParamRef
Component abstract class extends the ComponentMarketParamRef and provides the following methods:
- Get the product's initial notional, notional, and coupon.
- Get the Effective date, Maturity date, First Coupon Date.
- List the coupon periods.
- Set the market curves - discount, TSY, forward, and Credit curves.
- Retrieve the product's settlement parameters.
- Value the product's using standard/custom market parameters.
- Retrieve the product's named measures and named measure values.
- Module = Product Core Module
- Library = Fixed Income Analytics
- Project = Product Components/Baskets for Credit, FRA, FX, Govvie, Rates, and Option AssetClasses
- Package = Fixed Income Components/Baskets Definitions
- Author:
- Lakshmi Krishnamurthy
-
Constructor Summary
Constructors Constructor Description Component()
-
Method Summary
Modifier and Type Method Description abstract CashSettleParams
cashSettleParams()
Get the Product's cash settlement parametersabstract CompositePeriodCouponMetrics
couponMetrics(int iAccrualEndDate, ValuationParams valParams, CurveSurfaceQuoteContainer csqs)
Get the Product's coupon Metrics at the specified accrual dateabstract java.util.List<CompositePeriod>
couponPeriods()
Get the Product's Cash Flow PeriodsCaseInsensitiveTreeMap<java.lang.Double>
customScenarioMeasures(ValuationParams valParams, CreditPricerParams pricerParams, ScenarioMarketParams mpc, java.lang.String strCustomScenName, ValuationCustomizationParams vcp, CaseInsensitiveTreeMap<java.lang.Double> mapBaseMeasures)
Generate a full list of custom measures for the set of scenario market parameters present in the org.drip.param.definition.MarketParamsabstract JulianDate
effectiveDate()
Get the Effective Dateabstract JulianDate
firstCouponDate()
Get the First Coupon Dateabstract int
freq()
Retrieve the Coupon Frequencyabstract double
initialNotional()
Get the Initial Notional for the Productabstract JulianDate
maturityDate()
Get the Maturity DateJulianDate
maturityPayDate()
Get the Maturity Pay Dateabstract java.util.Set<java.lang.String>
measureNames()
Retrieve the ordered set of the measure names whose values will be calculatedComponentMeasures
measures(ValuationParams valParams, CreditPricerParams pricerParams, ScenarioMarketParams mpc, ValuationCustomizationParams vcp)
Generate a full list of the Product's measures for the set of scenario market parameters present in the org.drip.param.definition.MarketParamsdouble
measureValue(ValuationParams valParams, CreditPricerParams pricerParams, CurveSurfaceQuoteContainer csqs, ValuationCustomizationParams vcp, java.lang.String strMeasure)
Calculate the value of the given Product's measureabstract double
notional(int iDate)
Get the Notional for the Product at the given dateabstract double
notional(int iDate1, int iDate2)
Get the time-weighted Notional for the Product between 2 datesabstract double
pv(ValuationParams valParams, CreditPricerParams pricerParams, CurveSurfaceQuoteContainer csqc, ValuationCustomizationParams vcp)
Compute the PV for the specified Market Parametersjava.lang.String
tenor()
Retrieve the Instrument's Imputed Tenorabstract CaseInsensitiveTreeMap<java.lang.Double>
value(ValuationParams valParams, CreditPricerParams pricerParams, CurveSurfaceQuoteContainer csqs, ValuationCustomizationParams vcp)
Generate a full list of the Product measures for the full input set of market parametersMethods inherited from class java.lang.Object
equals, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait
Methods inherited from interface org.drip.product.definition.ComponentMarketParamRef
couponCurrency, creditLabel, forwardLabel, fundingLabel, fxLabel, govvieLabel, name, otcFixFloatLabel, payCurrency, principalCurrency, volatilityLabel
-
Constructor Details
-
Component
public Component()
-
-
Method Details
-
initialNotional
public abstract double initialNotional() throws java.lang.ExceptionGet the Initial Notional for the Product- Returns:
- Initial Notional
- Throws:
java.lang.Exception
- Thrown if Initial Notional cannot be computed
-
notional
public abstract double notional(int iDate) throws java.lang.ExceptionGet the Notional for the Product at the given date- Parameters:
iDate
- Date- Returns:
- Product Notional
- Throws:
java.lang.Exception
- Thrown if Notional cannot be computed
-
notional
public abstract double notional(int iDate1, int iDate2) throws java.lang.ExceptionGet the time-weighted Notional for the Product between 2 dates- Parameters:
iDate1
- Date #1iDate2
- Date #2- Returns:
- The Product Notional
- Throws:
java.lang.Exception
- Thrown if Notional cannot be computed
-
effectiveDate
Get the Effective Date- Returns:
- Effective Date
-
maturityDate
Get the Maturity Date- Returns:
- Maturity Date
-
firstCouponDate
Get the First Coupon Date- Returns:
- First Coupon Date
-
freq
public abstract int freq()Retrieve the Coupon Frequency- Returns:
- The Coupon Frequency
-
couponPeriods
Get the Product's Cash Flow Periods- Returns:
- List of the Product's Cash Flow Periods
-
couponMetrics
public abstract CompositePeriodCouponMetrics couponMetrics(int iAccrualEndDate, ValuationParams valParams, CurveSurfaceQuoteContainer csqs)Get the Product's coupon Metrics at the specified accrual date- Parameters:
iAccrualEndDate
- Accrual End DatevalParams
- The Valuation Parameterscsqs
- Component Market Parameters- Returns:
- The Product's coupon Nominal/Adjusted Coupon Measures
-
cashSettleParams
Get the Product's cash settlement parameters- Returns:
- Cash settlement Parameters
-
value
public abstract CaseInsensitiveTreeMap<java.lang.Double> value(ValuationParams valParams, CreditPricerParams pricerParams, CurveSurfaceQuoteContainer csqs, ValuationCustomizationParams vcp)Generate a full list of the Product measures for the full input set of market parameters- Parameters:
valParams
- ValuationParamspricerParams
- PricerParamscsqs
- Market Parametersvcp
- Valuation Customization Parameters- Returns:
- Map of measure name and value
-
measureNames
public abstract java.util.Set<java.lang.String> measureNames()Retrieve the ordered set of the measure names whose values will be calculated- Returns:
- Set of Measure Names
-
pv
public abstract double pv(ValuationParams valParams, CreditPricerParams pricerParams, CurveSurfaceQuoteContainer csqc, ValuationCustomizationParams vcp) throws java.lang.ExceptionCompute the PV for the specified Market Parameters- Parameters:
valParams
- ValuationParamspricerParams
- PricerParamscsqc
- Market Parametersvcp
- Valuation Customization Parameters- Returns:
- The PV
- Throws:
java.lang.Exception
- Thrown if the PV cannot be computed
-
maturityPayDate
Get the Maturity Pay Date- Returns:
- Maturity Pay Date
-
measureValue
public double measureValue(ValuationParams valParams, CreditPricerParams pricerParams, CurveSurfaceQuoteContainer csqs, ValuationCustomizationParams vcp, java.lang.String strMeasure) throws java.lang.ExceptionCalculate the value of the given Product's measure- Parameters:
valParams
- ValuationParamspricerParams
- PricerParamscsqs
- ComponentMarketParamsstrMeasure
- Measure Stringvcp
- Valuation Customization Parameters- Returns:
- Double measure value
- Throws:
java.lang.Exception
- Thrown if the measure cannot be calculated
-
tenor
public java.lang.String tenor()Retrieve the Instrument's Imputed Tenor- Returns:
- The Instrument's Imputed Tenor
-
measures
public ComponentMeasures measures(ValuationParams valParams, CreditPricerParams pricerParams, ScenarioMarketParams mpc, ValuationCustomizationParams vcp)Generate a full list of the Product's measures for the set of scenario market parameters present in the org.drip.param.definition.MarketParams- Parameters:
valParams
- ValuationParamspricerParams
- PricerParamsmpc
- org.drip.param.definition.MarketParamsvcp
- Valuation Customization Parameters- Returns:
- ComponentOutput object
-
customScenarioMeasures
public CaseInsensitiveTreeMap<java.lang.Double> customScenarioMeasures(ValuationParams valParams, CreditPricerParams pricerParams, ScenarioMarketParams mpc, java.lang.String strCustomScenName, ValuationCustomizationParams vcp, CaseInsensitiveTreeMap<java.lang.Double> mapBaseMeasures)Generate a full list of custom measures for the set of scenario market parameters present in the org.drip.param.definition.MarketParams- Parameters:
valParams
- ValuationParamspricerParams
- PricerParamsmpc
- org.drip.param.definition.MarketParamsstrCustomScenName
- Custom Scenario Namevcp
- Valuation Customization ParametersmapBaseMeasures
- Base Measures from used to calculate the desired delta measure. If null, the base measures will be generated.- Returns:
- Custom Scenarios Measures output set
-


Financing
The Financing Tasks require the developer to determine the amount and type of
capital required to fund the initial acquisition, the interim holding costs, the completion of the required tasks,
and eventual disposition of the development. The developer then must determine the most efficient method to raise
the required capital and then to actually raise the capital. The financing tasks can be divided in to three
categories: financial projections, financial management and projections, and capital formation and accumulation.
- Projections: What are the amounts and timing of expected capital expenditures, holding costs, and
operating expenses as well as sales, rents, and other income?
- Determine are the amounts and timing of expected capital expenditures, holding costs, and operating expenses
as well as sales, rents, and other income.
- Stabilized pro-formas aren’t enough.
- Negative cash flows are fatal! (Reserves, reserves, reserves)
- Accurate estimates of annual cash flows are needed for the real estate enterprise to create value.
- Financing structures must support and complement the real estate enterprise activities.
- Financial management and reporting: How will the future capital flows be managed and to whom and in what
form will they be reported?
- Future capital flows must be managed, funded, distributed, and reported in a timely manner.
- General Rule: good real estate projects have good accounting; bad real estate projects have bad accounting
- Determine who will keep the books, disburse the funds, collect the rents, and prepare the reports.
- Who gets reports?
- IRS
- State Department of Taxation
- Equity Investors (sometimes Debt Investors too)
- Asset Managers
- Property Managers
- Others? (Certifications, professional groups, marketing)
- Establish annual budgets: report actual versus budget with variances
- Capital formation and accumulation: Given the risk, returns, and timing of the capital flows of the
development, what is the appropriate capital structure and sources and how can it be secured?
- Financing must support the real estate enterprise!
- Interest rate: Fixed rate vs. variable rate
- Long-term, fixed rate fixed payment mortgage is only appropriate for building operations.
- Long term capital vs. short term capital
- Seller financing
- Equity investors


How will you rate this session? *
RatingPlease select rating
What did you like about the class room session? *
What did you..Please select options
Are you aware of the careers impacted by subject choices? *
Are you aware..Please select options


--- layout: page title: ploeh blog tagline: danish software design description: "Danish software design" --- {% include JB/setup %} {% for post in paginator.posts %}


The {% if data['party'] == "defendant" %}defendant{% else %}claimant{% endif %}'s response to the order
Their witness statements |
Uploaded on | |
|---|---|---|
| Tim Howard | Witness statement 1.pdf | {{ now | date('subtract', 8, 'days') | date }} |
| James Watts | Witness statement 2.docx | {{ now | date('subtract', 8, 'days') | date }} |
Their evidence |
Uploaded on | |
|---|---|---|
| File 1 |
Emails.pdf
"You can see the emails dated {{ date | date('subtract', 123, 'days') | date }} and {{ date | date('subtract', 134, 'days') | date }} that they claimed not to receive." |
{{ now | date('subtract', 5, 'days') | date }} |
| File 2 |
Photo 1.jpg
"The photos show that the roof was not adequately supported." |
{{ now | date('subtract', 5, 'days') | date }} |
| File 3 | Photo 2.jpg | {{ now | date('subtract', 4, 'days') | date }} |
| File 4 |
Contract.pdf
"The signed contract shows the materials we agreed to use." |
{{ now | date('subtract', 2, 'days') | date }} |
The expert report |
Uploaded on | |
|---|---|---|
| Expert report | Expert report.pdf | {{ now | date('subtract', 3, 'days') | date }} |
| Responses to queries | Responses.pdf | {{ now | date('subtract', 1, 'days') | date }} |
{% include 'prototypes/prototype-aug-2019/includes/contact.html' %}


System Architect Symbol details for "Resource For Activity"
Actual Resource For Activity (Class)
- Child Diagrams:
-
Actual Resource For Activity (
UML Class)
Description:
"Resource For Activity" using a specific identified "Resource Held".
Resource For Abandoned Activity (Class)
- Child Diagrams:
-
Resource For Abandoned Activity (
UML Class)
- Description:
"Resource For Activity" associated with an "Abandoned Activity".
- Definitions Used:
-
Quantity (Class Attribute)
Resource For Accepted Activity (Class)
- Child Diagrams:
-
Resource For Accepted Activity (
UML Class)
- Description:
"Resource For Activity" associated with a "Performer Accepted Activity".
- Definitions Used:
-
Quantity (Class Attribute)
Resource For Activity (Class)
- Description:
Use of a particular "Resource" or "Resource Type" by an "Activity".
Resource For Completed Activity (Class)
- Child Diagrams:
-
Resource For Completed Activity (
UML Class)
- Description:
"Resource For Activity" associated with a "Completed Activity".
- Definitions Used:
-
Quantity (Class Attribute)
Resource For Scheduled Activity (Class)
- Child Diagrams:
-
Resource For Scheduled Activity (
UML Class)
- Description:
"Resource For Activity" associated with a "Scheduled Activity".
- Definitions Used:
-
Quantity (Class Attribute)
Resource For Selected Activity (Class)
- Child Diagrams:
-
Resource For Selected Activity (
UML Class)
- Description:
"Resource For Activity" associated with a "Performer Selected Activity".
- Definitions Used:
-
Quantity (Class Attribute)
Resource For Started Activity (Class)
- Child Diagrams:
-
Resource For Started Activity (
UML Class)
- Description:
"Resource For Activity" associated with a "Started Activity".
- Definitions Used:
-
Quantity (Class Attribute)
Resource Type For Activity (Class)
- Child Diagrams:
-
Resource Type For Activity (
UML Class)
- Description:
"Resource For Activity" specifying a "Resource Type" rather than a specific resource.
RFA/actuality (Generalization Node)
- Base Class:
"Resource For Activity"
- Definitions Used:
-
Resource For Activity (Class)
RFA/Direction (Generalization Node)
- Base Class:
"Resource For Activity"
- Definitions Used:
-
Resource For Activity (Class)
unit for (Association)
- From Class:
"Unit Of Measure"
- To Class:
"Resource For Activity"
- From Class:
"Unit Of Measure"
- To Class:
"Resource For Activity"
Unit Of Measure (Class)
- Description:
"Concept" used to quantify measurement of a dimension or set of dimensions.


This view can be useful for finding which commands are using excessive amounts of memory on your system. However, memory use can be misleadingly high for processes like the X server which may include mapped frame buffers in their memory utilization. Multiple instances of the same process (such as httpd or bash) share much of their memory, making their total utilization appear higher than it really is.


Integer.compare()
method and similar methods where more verbose or less efficient constructs are
used. For example, x > y ? 1 : x < y ? -1 : 0
or Integer.valueOf(x).compareTo(y)
could be
replaced with Integer.compare(x, y)
. If x
and y
are already boxed integers, then
x.compareTo(y)
is suggested.
Double.compare
and Float.compare
methods appeared in Java 1.4, methods for other primitive types
are available since Java 1.7
New in 2017.2


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Well, I'm stranded in the city that never sleeps,
Some of these women, they just give me the creeps.
I'm avoiding the south side the best I can,
These memories I got, they can strangle a man.
Well, I came ashore in the dead of the night,
Lot of things can get in the way when you're trying to do what's right.
You don't understand it, my feeling for you.
You'd be honest with me if you only knew.
I'm not sorry for nothing I've done,
I'm glad I fought, I only wish we'd won.
The Siamese twins are coming to town,
People can't wait, they're gathered around.
When I left my home, the sky split open wide,
I never wanted to go back there, I'd rather have died.
You don't understand it, my feeling for you.
You'd be honest with me if only you knew.

You say my eyes are pretty and my smile is nice?
Well, I'll sell it to you at a reduced price.
You don't understand it, my feeling for you.
You'd be honest with me if only you knew.
Some things are too terrible to be true,
I won't come here no more if it bothers you.
Well, the Southern Pacific leaving at 9:45,
I'm having a hard time believing some people were ever alive.
I'm stark naked, but I don't care,
I'm going off into the woods, I'm hunting bare
1.
You don't understand it, my feeling for you.
You'd be honest with me if only you knew.
I'm here to create the new imperial empire,
I'm gon' do whatever circumstances require.
I care so much for you, didn't think I could,
I can't tell my heart that you're no good.
Well, my parents, they warned me not to waste my years
And I still got their advice oozing out of my ears.
You don't understand it, my feeling for you.
Well, you'd be honest with me if only you knew.
1
A pun as Dylan is hunting "bare" but could also be hunting "bear".


Choosing this menu entry opens the dialog FIPS-PUB-140-1 test battery.
This is a standardized random number test, which consists of 4 single tests. FIPS-PUB-140-1 examines exactly 2500 bytes. Shorter documents will not be examined, from longer ones only the first 2500 bytes are examined.
FIPS PUB 140-1 specifies security requirements for the design and implementation of cryptographic modules, including for pseudorandom number generators. Four statistical test procedures are proposed for pseudorandom number generators, by means of which the output of a pseudorandom number generator can be tested for randomness. The user is asked to choose a corresponding significance level and specific thresholds are specified for the individual test statistics. For applications which are extremely sensitive, the authors of FIPS PUB-140-1 recommend carrying out the four statistical tests every time that a random bit generator is restarted.
A 20,000-bit binary sequence generated by a pseudorandom number generator is subjected to four statistical tests. The sequence just has to fail one of the tests in order to fail the test overall. The following tests have to be carried out:
| Length of runs | Required interval |
| 1 | 2267 – 2733 |
| 2 | 1079 – 1421 |
| 3 | 502 – 748 |
| 4 | 223 – 402 |
| 5 | 90 – 223 |
| >= 6 | 90 – 223 |
Reference: Christian Schiestl, Pseudozufallszahlen in der Kryptographie, in Klagenfurt, 1999.


The Princess Diaries * * 1/2 (out of * * * * )
Directed by Garry Marshall. Cast: Anne Hathaway, Julie Andrews, Heather Matarazzo, Hector Elizondo, Caroline Goodall, Robert Schwartzman, Mandy Moore, Erik Von Detten, Sandra Oh, Kathleen Marshall, Patrick Flueger, Terry Wayne, Larry Miller. 2001 - 115 minutes Rated G (nothing objectionable). Reviewed by Dustin Putman, August 3, 2001.
A rare G-rated, live-action Disney movie that could have almost been filmed in the 1960s as a starring vehicle for Hayley Mills ("Pollyanna," "The Parent Trap"), Garry Marshall's "The Princess Diaries" evokes a time when so-called "family films" were completely harmless for all ages, as well as absent of bodily function humor. It's almost refreshing, really, to see a movie with no coarse language or objectionable material that is able to retain every bit of the effectiveness it might have had with a little bit of both of these things.
15-year-old Mia Thermopolis (bright newcomer Anne Hathaway) is a frizzy-haired wallflower who is terrible at public speaking and isn't a part of the cool crowd at her private San Francisco high school. Aside from her infatuation with a jock classmate (Erik Von Detten), Mia is perfectly comfortable with her no-name existence, and even has a best friend in the equally unconventional Lilly (Heather Matarazzo). When her distant grandmother (Julie Andrews), whom she has never seen before, pays a visit, she discovers that she is Queen Clarisse Rinaldi of the European country of Genovia. Even more, as the only living heir to her now-deceased father, Mia is set to become Princess of Genovia. Not exactly the royal type, Mia is forced to endure training on how to act and look the part, and must decide whether she wants to extend this honor as a lifetime title by the night of an impending ball.
Yet another take on the classic story of "Pygmalion," "The Princess Diaries" treads in well-worn territory and, thus, is neither surprising nor original. It is a charmer, however, and coasts on this simple quality for the entirety of its overlong 115-minute running time. About as innocent as a beach movie starring Frankie Avalon and Annette Funicello, the film is good-natured and sprightly, with just enough energy to also work as a particularly funny comedy.
Veteran actress and singer Julie Andrews, in her first starring role in over a decade, may add a touch of class to the proceedings as Mia's loving grandmother, but it is Anne Hathaway, in her film debut, who is the real star of the show. Hyped by director Garry Marshall as the next Julia Roberts (who shot to fame herself with Marshall's 1990 romance, "Pretty Woman"), Hathaway has a natural talent for both physical comedy and human drama, and the personal issues she struggles with are realistically brought to life. A genuinely likable presence, Hathaway definitely has what it takes to be a huge star.
Surrounding Andrews and Hathaway with varying degrees of success are a large supporting cast of familiar faces. Hector Elizondo (1999's "Runaway Bride" and Marshall regular) has a nice, little role as the Queen's tender-hearted limo driver, while Heather Matarazzo (best known for 1996's "Welcome to the Dollhouse") makes an impression as Mia's friend, Lilly. Pop singer Mandy Moore, as Mia's stuck-up classmate, Lana, makes Selma Blair in the recent "Legally Blonde" look like an absolute angel in comparison. Moore does fine with what she's given, and even has a fun scene in which she gets to sing, but her character has zero redeeming qualities.
Where "The Princess Diaries" falters is in the mixed messages it sends out to viewers. After Mia's obligatory makeover scene, her long, frizzy hair is trimmed down and straightened, and she replaces her glasses with contacts. After "becoming" beautiful, her popularity at school skyrockets and she is meant to look more like a Princess. Mia's makeover doesn't work, because (1) it doesn't stay true to her character's admirable, individualistic attitudes, and (2) it falsely tells impressionistic young audience members what the word, "beautiful," is supposed to mean. This entire plot point should have been extracted in the early screenplay stage, and the movie would have been stronger for it.
Flaws aside, "The Princess Diaries" is an enjoyably featherweight piece of fluff that does a good job of creating a motion picture exemplary for all age groups. Glossy and picturesquely photographed by Karl Walter Lindenlaub, painting San Francisco as a beautiful place to visit, the movie is entertaining, light-hearted, and maybe even a little wise. For all of its missteps in trying to portray what is conventionally attractive, it does have a lot to say about staying true to one's beliefs and dreams. Not exactly an innovative notion, but a good one, all the same.
- Copyright 2001 by Dustin Putman http://www.themovieboy.com
========== X-RAMR-ID: 29077 X-Language: en X-RT-ReviewID: 242407 X-RT-TitleID: 1109228 X-RT-SourceID: 863 X-RT-AuthorID: 1388 X-RT-RatingText: 2.5/4
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


@heilbaum/heilbaum-ionic-blur-change
provides an Ionic 2 directive to detect changes on input blur and emits an event.
{{ someInputMessage }}
{{ anotherInputMessage }}
npm install @heilbaum/heilbaum-ionic-blur-change --save
BlurChangeModule
to src/app/app.modules.ts
{{ code.ngModule }}
Add (blurChange)
attribute to ion-input
component assigning a method to be called on
blurChange.
(blurChange)
passes an object $event
of type BlurChangeEvent
containing properties
oldValue
and newValue
.
Example:
{{ code.example }}
Having trouble, found a bug or got some improvements?
You are welcome to create an issue on
GitHub
or submit a pull-request.
MIT License Copyright (c) 2017 HeilBaum (Carsten Baumhögger & Jonathan Heilmann) Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions: The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.  IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


Error encountered when calculating your results. Please check your inputs and try again.
If you have any questions, please use the "Contact us via email" link at the bottom of the page to report the problems, or report the issue via Github from the "Find us on Github" link. Please include your Run ID (shown above) when reporting an error.
Error message:
{{ errorMessage }}
{{ errorMessage }}
|
{{ entry }}
|
|
|---|---|
| {{ rowEntry.geneId }} |
|
|
{{ entry }}
|
|
|---|---|
| {{ rowEntry.geneId }} |
|
| Gene symbol | FPKM value(s) |
|---|---|
| {{ capitalize(expInRef.refName) }} | |
| {{ geneEntry.symbol }} |
|
EpiAlignment score are plotted in the heatmap to show scores of all given target region(s) (column) against any query region (row).
A sequence-only alignment result is also provided for comparative purposes. This result should be similar to a sequence alignment algorithm.
EpiAlignment can detects if the best it for any query region (row) switches from one target region to another with EpiAlignment and Sequence-only alignment. For any query region, if:
(Note: if you set epigenomic weight to zero during input, the EpiAlignment score will be the degenerated sequence-only alignment score, and no sequence-only result will be reported.)
This panel evaluates sequence similarities between the query region and the two hits.
For every hit, a signal-to-noise ratio (SNR) compares its sequence-only score to the scores of surrounding regions. An SNR no larger than 1 indicates that the hit’s sequence similarity to the query is indistinguishable from random sequences nearby.
Context of sequence-only alignment scores shows the sequence-only {{ alignMode === 'enhancer' ? 'scores' : 'score' }} of the EpiAlignment hit {{ alignMode === 'enhancer' ? 'and the Sequence-only hit (if different)' : '' }} together with a background distribution and a distribution of {{ alignMode === 'enhancer' ? 'conserved mouse-human region pairs' : 'homologous mouse-human promoters' }}.
| Gene symbol | Distance to query / target region | FPKM value(s) |
|---|---|---|
| {{ capitalize(expInRef.refName) }} | ||
| {{ geneEntry.symbol }} | {{ geneEntry.distance > 0 ? geneEntry.distance : 'Overlapping' }} |
{{ Number.parseFloat(expEntry.FPKM).toFixed(3) }}
|


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My name is Anh-Thu and I’m currently completing a Master’s in Web Design through the University of Florida. I’m passionate about designing aesthetically pleasing websites while also putting function at the forefront because both are absolutely essential to an exceptional user experience.


Highlights
Traffic snarls, pollution can stress you out before work.
Yoga expert Kamlesh Barwal suggests some simple exercises.
Yoga breaks can work wonders for the body and mind.
Morning snarls, rush hour traffic, and the pollution can weigh the best of us down, even before reaching the work place, drawing from our productivity. The result is, we reach work half tired, irritated and ready to unleash our wrath on the slightest provocation.  Here are seven yoga exercises from yoga expert Kamlesh Barwal, author of the book, Log Off To Log In, that you can do right at your steering wheel to relax and find peace in the moment.


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Credit Provider Details
Name of Credit Provider
SA Loans
Physical Address
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1st Floor, Office No. B12 & 14
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Tel :<PHONE_NUMBER>
NCR Registration : NCRCP5905
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This level is the user’s view of the database. This level describes that part of the database which is relevant to each user.
The community view of the database. This level describes what data has to be stored in the database and in what structure and what are the relationship that exits among the data.
The representation of the data structure that will be used to physically store the database on the computer is said to be internal level. This level describes how the data is stored in the database.
The physical level operates at the lowest level of abstraction, describing the way the data are saved on the storage media such as disks or tapes.