UpdateReplacePolicy
attribute
Use the UpdateReplacePolicy
attribute to retain or, in some cases, backup the
existing physical instance of a resource when it's replaced during a stack update
operation.
When you initiate a stack update, AWS CloudFormation updates resources based on differences between
what you submit and the stack's current template and parameters. If you update a resource
property that requires that the resource be replaced, CloudFormation recreates the resource during the update. Recreating the
resource generates a new physical ID. CloudFormation creates the replacement resource first, and
then changes references from other dependent resources to point to the replacement resource.
By default, CloudFormation then deletes the old resource. Using the
UpdateReplacePolicy
, you can specify that CloudFormation retain or, in some
cases, create a snapshot of the old resource.
For resources that support snapshots, such as AWS::EC2::Volume
, specify
Snapshot
to have CloudFormation create a snapshot before deleting the old
resource instance.
You can apply the UpdateReplacePolicy
attribute to any resource.
UpdateReplacePolicy
is only executed if you update a resource property
whose update behavior is specified as Replacement, thereby causing CloudFormation to replace the
old resource with a new one with a new physical ID. For example, if you update the
Engine
property of an AWS::RDS::DBInstance resource type, CloudFormation creates a new resource and
replaces the current DB instance resource with the new one. The
UpdateReplacePolicy
attribute would then dictate whether CloudFormation
deleted, retained, or created a snapshot of the old DB instance. The update behavior for
each property of a resource is specified in the reference topic for that resource in the
AWS resource and property types
reference. For more information on resource
update behavior, see Update behaviors of stack
resources.
The UpdateReplacePolicy
attribute applies to stack updates you perform directly, in
addition to stack updates performed using change sets.
Resources that are retained continue to exist and continue to incur applicable charges
until you delete those resources. Snapshots that are created with this policy continue
to exist and continue to incur applicable charges until you delete those snapshots.
UpdateReplacePolicy
retains the old physical resource or snapshot, but
removes it from CloudFormation's scope.
UpdateReplacePolicy
differs from the DeletionPolicy attribute in that it only applies
to resources replaced during stack updates. Use DeletionPolicy for resources deleted when a
stack is deleted, or when the resource definition itself is deleted from the template as
part of a stack update.
The following snippet contains an Amazon RDS database instance resource with a
Retain
policy for replacement. When this resource is replaced with a new
resource with a new physical ID, CloudFormation leaves the old database instance without
deleting it.
JSON
{ "AWSTemplateFormatVersion" : "2010-09-09", "Resources" : { "myDB" : { "Type" : "AWS::RDS::DBInstance", "DeletionPolicy" : "Retain", "UpdateReplacePolicy" : "Retain", "Properties" : {} } } }
YAML
AWSTemplateFormatVersion: 2010-09-09 Resources: myDB: Type: 'AWS::RDS::DBInstance' DeletionPolicy: Retain UpdateReplacePolicy: Retain Properties: {}
UpdateReplacePolicy
options
- Delete
-
CloudFormation deletes the resource and all its content if applicable during resource replacement. You can add this policy to any resource type. By default, if you don't specify an
UpdateReplacePolicy
, CloudFormation deletes your resources. However, be aware of the following consideration:For Amazon S3 buckets, you must delete all objects in the bucket for deletion to succeed.
- Retain
-
CloudFormation keeps the resource without deleting the resource or its contents when the resource is replaced. You can add this policy to any resource type. Resources that are retained continue to exist and continue to incur applicable charges until you delete those resources.
If a resource is replaced, the
UpdateReplacePolicy
retains the old physical resource but removes it from CloudFormation's scope. - Snapshot
-
For resources that support snapshots, CloudFormation creates a snapshot for the resource before deleting it. Snapshots that are created with this policy continue to exist and continue to incur applicable charges until you delete those snapshots.
Note If you specify the
Snapshot
option in theUpdateReplacePolicy
for a resource that doesn't support snapshots, CloudFormation reverts to the default option, which isDelete
.Resources that support snapshots include:


|
PKD Rig
Set of Pipeline and Rigging Tools
|
A collapsable group box widget with form layout as the default layout. More...
Public Member Functions | |
| def | __init__ (self, args, kwargs) |
| def | mouseDoubleClickEvent (self, args, kwargs) |
| Event which toggles the collapse state. More... | |
| def | collapse (self) |
| Force the collapse state. More... | |
| def | isCollapsable (self) |
| Return collapsible property. More... | |
| def | isCollapsable (self, boolVal) |
| Set collapsible property. More... | |
Public Attributes | |
| titleText | |
| form | |
| isCollapsed | |
| downArrowChar | |
| upArrowChar | |
Static Public Attributes | |
| toggleCollapse = QtCore.Signal() | |
A collapsable group box widget with form layout as the default layout.
Definition at line 101 of file libPySide.py.
| def PKD_Tools.libPySide.QGroupBox.__init__ | ( | self, | |
| args, | |||
| kwargs | |||
| ) |
Definition at line 103 of file libPySide.py.
| def PKD_Tools.libPySide.QGroupBox.collapse | ( | self | ) |
Force the collapse state.
Definition at line 140 of file libPySide.py.
| def PKD_Tools.libPySide.QGroupBox.isCollapsable | ( | self | ) |
Return collapsible property.
Definition at line 147 of file libPySide.py.
| def PKD_Tools.libPySide.QGroupBox.isCollapsable | ( | self, | |
| boolVal | |||
| ) |
Set collapsible property.
If it is set to true add the special character
Definition at line 153 of file libPySide.py.
| def PKD_Tools.libPySide.QGroupBox.mouseDoubleClickEvent | ( | self, | |
| args, | |||
| kwargs | |||
| ) |
Event which toggles the collapse state.
Definition at line 124 of file libPySide.py.
| PKD_Tools.libPySide.QGroupBox.downArrowChar |
Definition at line 119 of file libPySide.py.
| PKD_Tools.libPySide.QGroupBox.form |
Definition at line 109 of file libPySide.py.
| PKD_Tools.libPySide.QGroupBox.isCollapsed |
Definition at line 115 of file libPySide.py.
| PKD_Tools.libPySide.QGroupBox.titleText |
Definition at line 106 of file libPySide.py.
|
static |
Definition at line 159 of file libPySide.py.
| PKD_Tools.libPySide.QGroupBox.upArrowChar |
Definition at line 120 of file libPySide.py.


Python OpenpyxlIn this tutorial, we will learn about the following topics:
Python Openpyxl IntroductionPython provides the Openpyxl module, which is used to deal with Excel files without involving third-party Microsoft application software. By using this module, we can have control over excel without open the application. It is used to perform excel tasks such as read data from excel file, or write data to the excel file, draw some charts, accessing excel sheet, renaming sheet, modification (adding and deleting) in excel sheet, formatting, styling in the sheet, and any other task. Openpyxl is very efficient to perform these tasks for you. Data scientists often use the Openpyxl to perform different operations such as data copying to data mining as well as data analysis. Openpyxl Working ProcessThe Openpyxl library is used to write or read the data in the excel file and many other tasks. An excel file that we use for operation is called Workbook that contains a minimum of one Sheet and a maximum of tens of sheets.
Installation of OpenpyxlIn the above section, we have discussed the openpyxl briefly and its working process. In order to use Openpyxl, one should have Python 3.7 and openpyxl 2.6.2 installed in the system. Let's start working with openpyxl by installing openpyxl using the following command: The xlsx is the extension of the XML spreadsheet file. The xlsx file supports macros. Let's understand the basic operation related to the excel file. Consider the following code: Output: In the above code, we have written data into the five cells A1, A2, A3, A4, and A5. These cells consist of different types of values. We have imported Workbook class from the openpyxl module. A workbook class is a container that contains all parts of the document. Here we have defined a new workbook. At least one sheet is always made with a workbook. We get the location of the active sheet. We have saved all data to the sample_file.xlsx file using the save() method. Openpyxl Write Data to CellWe can add data to the excel file using the following Python code. First, we will import the load_workbook function from the openpyxl module, then create the object of the file and pass filepath as an argument. Consider the following code: Output: Openpyxl Append valuesOpenpyxl provides an append() method, which is used to append the group of values. We can append any type of value. These values are appended at the bottom of the current working sheet. Consider the following code: Output: Openpyxl Read Data from cellWe can read the data that we have previously written in the cell. There are two methods to read a cell, firstly we can access it by cell name, and secondly, we can access it by the cell() function. For example, we are reading the data from the sample_file.xlrs file. Output: The first cell value: 87 The second cell value: Devansh The third cell value: 41.8 Openpyxl Read multiple cellsWe can read the values from the multiple cells. In the following example, we have marks.xlsx named excel file and we will read each cell of file using the range operator. Let's have a look at the following program: Output: Student_name Marks Tony Stark 47 Loki 59 Oddin 73 Nick Fury 62 Samaul 75 Peter Parkar 80 Openpyxl Iterate by rowsThe openpyxl provides the iter_row() function, which is used to read data corresponding to rows. Consider the following example: Output: 90 46 48 44 81 30 32 16 23 95 87 27 65 12 89 53 42 81 40 44 34 51 76 42 Openpyxl Iterate by ColumnThe openpyxl provides iter_col() method which return cells from the worksheet as columns. Consider the following example: Output: 90 81 23 65 42 34 46 30 95 12 81 51 48 32 87 89 40 76 Openpyxl SheetsAs we know that each workbook can have multiple sheets. First, we need to create more than one sheet in a single workbook then we can access those excel sheets using Python. In the following example, we have created a workbook with three sheets: Output: ['Sheet', 'Sunday', 'Monday', 'Tuesday', 'Wednesday'] <class 'openpyxl.worksheet.worksheet.Worksheet'> Monday It will look like the following image. Openpyxl filter and sort dataThe auto_filter attribute is used to set filtering and sorting conditions. Consider the following code: Output: A3:B11 40 26 93 45 23 54 80 43 21 12 63 29 34 15 80 68 20 41 Openpyxl Merging cellWe can merge the cell using the merge_cells() method. When we merge the cells, the top-left one is removed from the worksheet. The openpyxl also provides the unmerged_cells() method to unmerge the cell. Consider the following code: Output: The freezing panes are simply mean to freeze an area of worksheet as visible while scrolling to other parts of the worksheet. It is useful feature where we can display the top row or leftmost column on the screen. We can do this by passing the cell name to the freeze_panes variable. To unfreeze all panes, set freeze_panes to 'None'. Consider the following code: Output: Run the above code and scroll the worksheet. Openpyxl formulasWe can write formula into the cell. These formulas are used to perform operations in excel file. After writing in the cell execute it from the workbook. Consider the following example: Output: Openpyxl Cell InverterThe openpyxl cell inverter is used to invert the row and column of the cell in the spreadsheet. For example, the value at 3 rows will be inverted into 5 columns and row at row 5 will invert to column 3 (vice versa). You can see in the following images: This program is written with the help of nested for loop. First the data structure writes in the sheetData[x][y] for the cell at column x and row y then the newly created spreadsheet in the spreadData[y][x] for the cell at column y and row x. Adding Chart to Excel FileCharts are effective way to represent the data. Using the charts, it visualizes the data which can be easily untestable. There are various types of chart: pie chart, line chart, bar chart, and so on. We can draw a chart on a spreadsheet using an openpyxl module. For building any chart on the spreadsheet, we need to define the chart type like BarChart, LineChart, and so on. We also import reference which represents data that is used for the chart. It is important to define what data we want to represent on the chart. Let's understand by the following example: Output: In the above code, we have created the sample data and drawn the bar chart corresponding to sample data. Now we will create the line chart. Consider the following code: Output: In the above code, we are used from_rows = True as a parameter, it denotes chart plot row by row instead of the column by column. Adding ImageImages are not generally used in a spreadsheet but sometimes we can use as per our requirement. We can use an image for the branding purposes or to make the spreadsheet more personal and attractive. For loading an image to spreadsheet, we need to install an additional module called pillow by the following command. In the following program, we are importing the image into the excel file. In this tutorial, we have covered all basic and advance concept of openpyxl. |


{% extends "boh/base.html" %} {% block title %}Logout{% endblock %} {% block content %}
You have successfully logged out.


3.10. Structural Response Prediction Using a Surrogate Model (Gaussian Process)¶
Warning
To reproduce the result of this example, the user should first click EVT and Select Records, and then click the RUN button. See the below procedure for details.
This example shows how to replace structural dynamic simulations using a pre-trained Gaussian process (GP) surrogate model for running forward uncertainty propagation (Monte Carlo Simulation). The ground motions are selected from the PEER NGA database matching the Design Spectrum of ASCE 7-16 standard.
Important
This examples uses the surrogate model trained in example 09
3.10.1. Set Up Forward Propagation Configuration¶
In UQ tab select the Forward modeling as UQ Method. Select Dakota engine.
We will select 30 samples. If recorded ground motions will be used as input excitation, as in this example, the number of ground motions that will be selected in the EVT tab should match the number of samples specified in this tab. This restriction does not apply when a stochastic ground motion generator is used instead of the recorded ground motions.
3.10.2. Define Target Structure¶
The GI tab is kept as default. (GI tab is not used when surrogate model is used in SIM tab)
In SIM tab, the surrogate model (.json) trained in Example 09 is imported as shown in the figure.
Note
Example 09 describes how to train GP surrogate model and save it as .json format.
When the option “Random sample under prediction uncertainty” is selected, the predictions from GP are random realizations that account for both model uncertainty and a portion of uncertainty in the ground motion time histories (i.e. the remaining uncertainty after given intensity measures (IMs)). Alternatively, when the user is interested in only the mean of the response, disregarding all the uncertainties, the user can select “Median (representative) prediction”.
3.10.3. Select Ground Motions¶
In EVT tab, PEER NGA ground motion records option is selected. Let us consider the site of interest located at (37.8715, -122.273), of which we would like to select ground motions that follows USGS Uniform Hazard Spectrum (2014 v4.2.0) with return period 2475. Vs30 is assumed 760 m/s. Let us select 30 ground motion time histories that match this spectrum by clicking Select records button. The target response spectrum curve and the selected ground motions will be displayed on the right-hand side panel as shown below.
The list of the selected ground motions is shown in the table.
The actual time histories are saved in the “Temporary Records Directory”.
Warning
Due to copyright issues, PEER imposes a strict limit on the number of records that can be downloaded within a unique time window. The current limit is set at approximately 200 records every two weeks, 400 every month. Please make sure this limit is not exceeded. Otherwise, the analysis will fail.
Temporary Records Directory is where the downloaded ground motion records are stored. It is recommended to specify a directory here instead of using the default temporary directory, in order to reuse the time history data in future analysis.
Acceleration Components option is used to select the directional components to be used in the analysis. For example, if H1 is selected, single-direction ground motion will be excited to the structure.
In FEM tab select None (only for surrogate).
The EDP tab is automatically populated with the EDP names used when training the surrogate. Keep the option None (only for surrogate)
3.10.4. Distribution of Random Variables¶
The RV tab is pre-populated with the random variables that were used to train the surrogate. Change the distribution of the statistical parameters as desired. In this example, the stiffness is assumed to be distributed around 120 with a standard deviation of 5.
Warning
Note that the surrogate modeling is essentially based on “interpolation”. Therefore, the distribution of stiffness should not significantly exceed the training bound. If a sampled stiffness value lies outside of the training range, [50, 150] in this example, the prediction from the surrogate model for that sample is likely not reliable.
3.10.5. Run the Analysis and Process Results¶
Click Run button. The analysis may take several minutes. The RES tab will be highlighted when the analysis is completed
The obtained statistics of responses are shown in the “Summary tab”
In the “Data Values” tab, one can plot the histogram and cumulative density function (CDF) of the samples, as well as scatter plots between the input and output of surrogate predictions
Note
The user can interact with the plot as following.
Windows: left-click sets the Y axis (ordinate). right-click sets the X axis (abscissa).
MAC: fn-clink, option-click, and command-click all set the Y axis (ordinate). ctrl-click sets the X axis (abscissa).
In the scatter plot, the gray square markers represent the mean prediction from the surrogate, gray bounds denote 90% prediction interval, orange bounds denote 90% confidence interval of the mean prediction, and blue dots represent the sample obtained from the surrogate prediction.
Note
The term “90% prediction interval” is the interval in which the exact “response”, i.e. dynamic simulation output, will fall with 90% probability.
The term “90% confidence interval” is the estimated range of the “mean response”. Therefore, the confidence interval is always tighter than the prediction interval.
[Verification] Only for verification purposes, an additional forward propagation is performed using the exact simulation model instead of the surrogate model, using the exact same ground motion/structural parameters. For this, UQ, GI, EVT, RV tabs are kept unchanged, and SIM, FEM, EDP tabs are modified to replace the surrogate with the original model, i.e. for SIM, FEM, EDP tabs, the exact same configuration used in example 09 was used. Below is a comparison of the obtained mean log-EDPs from 30 samples:
The same comparison in the original scale shown below.
On the other hand, log-standard deviation of the EDPs from 30 samples are obtained as below.
The estimated medians of EDPs from the surrogate and the original model show in general good agreement. The standard deviation of the surrogate model is larger partly because of the added uncertainty in surrogate model approximation. The difference in the statistics may also attribute to the small sample size of 30.


{% extends "todo/base.html" %} {% load static %} {% block title %}Import CSV{% endblock %} {% block content %}
Batch-import tasks by uploading a specifically-formatted CSV. See documentation for formatting rules. Successs and failures will be reported here.
{% if results %}Summary:
Upserts (tasks created or updated):
Errors (tasks NOT created or updated):


This is part 2 of an earlier post.
I know how to create a 5x5 array. I am just having problems with part where they can occur one time.
I hope someone can help.
In this task, you will generate a 5×5 array and fill it with random integers between 0 and 24 inclusive and each number should occur exactly once.
void MultiU (){
int size = 5;
int multiU[5][5];
srand(time(0));
for (int row = 0; row < size; row++){ //creates the 5x5 board
for (int column = 0; column < size; column++){
multiU[row][column] = rand() %25;
}
}
for (int row = 0; row < size; row++){ //thought this would check to see if the number occurred and if it did then it would assign it a new random number but it did not work
for (int column = 0; column < size; column++){
if (multiU[row][column]== multiU[row][column+1]){
multiU[row][column] = rand() %25;
}
}
} //where I would output the array
for (int row = 0; row < size; row++){
for (int column = 0; column < size; column++){
cout << multiU [row][column]<< ' ';
}
cout << endl;
}
}


A8
A9
AccessTrade
Adblade
AdButler
ADITION
Ad Generation
Adhese
AdFox
Adman
AdmanMedia
Adnuntius
AdPlugg
AdReactor
AdSense
AdsNative
AdSpeed
AdSpirit
AdStir 320x50 banner
AdTech (1x1 fake image ad)
AdThrive 320x50 banner
AdThrive 300x250 banner
AdUp Technology
Adverline
Adverticum
AdvertServe
Affiliate-B
AMoAd banner
AMoAd native
AppNexus with JSON based configuration multi ad
Atomx
Baidu
Bidtellect
brainy
Bringhub Mini-Storefront
CA A.J.A. Infeed
CA ProFit-X
Chargeads
Content.ad Banner 320x50
Content.ad Banner 300x250
Content.ad Banner 300x250 2x2
Content.ad Banner 300x600
Content.ad Banner 300x600 5x2
Criteo Passback
Due to ad targeting, the slot might not load ad.
CSA
Custom leaderboard
Custom square
Custom leaderboard with no slot specified
DistroScale
DotAndAds masthead
DotAndAds 300x250 box
Doubleclick
Doubleclick with RTC config
Doubleclick with block-rtc attribute
Doubleclick with always-serve-npa attribute
Doubleclick with JSON based parameters
Doubleclick no ad
Doubleclick with overriden size
Doubleclick challenging ad
E-Planning 320x50
Empower
Ezoic
FlexOneELEPHANT
FlexOneHARRIER
Felmat
Flite
fluct
Fusion
Geniee SSP
GMOSSP 320x50 banner
GumGum 300x100 banner
Holder 300x250 banner
iBillboard 300x250 banner
I-Mobile 320x50 banner
Imedia
IncrementX
Industrybrains
InMobi
Index Exchange Header Tag
Kargo
Kiosked
Kixer
Ligatus
LOKA
MADS
MANTIS
Media.Net Header Bidder Tag
Media.Net Contextual Monetization Tag
Mediavine
Meg
MicroAd 320x50 banner
Mixpo
myWidget
Nativo
Navegg
It is common to see a no-fill ad in this example.
Nend
NETLETIX
Nokta
Open AdStream single ad
OpenX
Outbrain widget
Plista responsive widget
polymorphicAds
popIn native ad
Pubmine 300x250
PulsePoint Header Bidding 300x250
PulsePoint 300x250
Purch 300x250
Rambler&Co
Relap
Remixd
Revcontent Responsive Tag
Rubicon Project Smart Tag
Sharethrough
Sklik
SlimCut Media
SmartAdServer ad
smartclip
Sortable ad
SOVRN
SpotX
SunMedia
Swoop
Taboola responsive widget
Teads
TripleLift
Weborama
Widespace Panorama Ad
Widespace Takeover Ad
Xlift native ad
Yahoo Display
YahooJP YDN
Yandex
Yieldbot 300x250
YIELD ONE
Yieldmo
ValueCommerce
Webediads
It's a private ad network with strict ad targeting, hence very common to see a no-fill.
ZEDO
ZergNet
Zucks


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/simp.20changes.20with_top.20to.20with_bot.html ---
I was somewhat to surprised that with_bot.coe_add
can not only rewrite with_top
, but the result then contains typeclass instances for with_bot
... (This caused apply
and rw
to fail later on, but I'm not exactly sure why.)
import algebra.ordered_group set_option pp.implicit true set_option pp.notation false example (x y : nat) : ((x + y : nat) : with_top nat) = (42 : nat) := begin simp, trace_state, -- look at the has_add instance end
Last updated: Apr 24 2020 at 19:02 UTC


BEAVIS AND BUTT-HEAD DO AMERICA A film review by Adam Joyce Copyright 1997 Adam Joyce
Very few people would be unaware of Beavis & Butt-head (both created and narrated by Mike Judge).  You may have seen them on their television program, as they snigger and make lude remarks about women, anything related to sex, and the music film clips that they watch. In Beavis & Butt-head Do America the pair finally make their big screen debut, to the delight of some, and the deplore of others.   The worst possible event occurs to the pair when their television is stolen. This happens as they sleep, and when they awake it takes them a few minutes just to decipher that the television has gone. Beavis even tries to use the remote, though there is no television there. The two spot a van outside and two sinister looking men carrying a television. Even at this point they have no idea what has happened. They look around, seeing all the evidence, but are completely oblivious to the fact that these men have just stolen their television.  This is typical of their behaviour throughout the film. Eventually they realise that their television has been stolen, so they leave their sofa to go search for a television. Luck would have it that they stumble into a hotel room (looking for a television) where a man is awaiting two guys whose task it is to kill his wife. This man, thinking that Beavis & Butt-head are the assigned killers, tells them that they can have $10,000 if they "do his wife".  They are taken to the airport where they fly to Las Vegas to "do her". To them, this is the best day of their lives. Not only are they going to lose their virginity (one of their lifelong aims), but most importantly, they will have enough money to buy a big screen TV. Inevitably they become caught up in a huge crime, and unbeknown to them, are tracked across the country by the FBI.  They end up travelling right across America, visiting places such as the Hoover Dam and Washington DC. The irony is that although they visit so many grand and spectacular locations, their one time out in the big world away from their television, they are completely oblivious to it. At Old Faithful they are far more fascinated with the infra-red operated urinals than with the geyser itself. Beavis & Butt-head essentially have the journey of their lives. They even get to meet the President. But all they care about is getting their television back, and losing their virginity.  The humour is certainly crude, but then Beavis & Butt-head are just that; crude, lude and rude. In the end you can't help but feel sorry for them, a pair of anti-social couch potatoes whose life is television. In this respect, and also with regard to authority (such as the FBI) Mike Judge is quite critical of Amercian society. If you are easily offended, or find this pair particularly annoying, steer clear. Otherwise, it should keep you laughing the whole way through. One note of warning: don't take friends who like to imitate Beavis & Butt-head.....you'll never hear the end of it!
3.5 out of 5
PLEASE VISIT MOVIE MANIA AT http://www.home.aone.net.au/joyce/adamframe.htm
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Lisk
Pool
Toggle navigation
Home
Stats
Charts
Forger Stats
Support
ThePOOL - First Opensource Lisk Delegate Pool
This is only front end interface which allows only to read informations. In order to start forging you need to vote for
ThePOOL<PHONE_NUMBER>8003872009L)
via LISK web client. More delegate informations can be found in Stats tab. Pool will proportionally share 75% of forged blocks revenue to people who voted, rest will be kept for further development of this software. This pool is working on main network. Payments interval is 24h if earned more than 1 LISK. If you voted for ThePOOL information will appear on Stats tab as soon new block is forged.
Open Source
Donations:<PHONE_NUMBER>48625307L


November 13 - December 29
Christmas at the Zoo
Experience the atmospheric evening with exciting animals and activities in Aalborg zoo. Watch polar bears and reindeer´s cubs play, meet Santa Claus and enjoy a sensational dinner just a few meters away.
The program is created for all, it doesn't matter if you come with your partner, whole family or alone, there is enough fun for everyone.
Strolling our fairytale alleys you can for example come across Denmark's only underground christmas shop among other places where tropical jungle meets Alaskan wilderness. However, not to spoil everything, for the rest of the surprises you should visit us during December.
Due to covid-19 restrictions, it is required to pre-purchase tickets to avoid jams. You can do so by clicking the “Buy ticket” button. Also, if you already have an annual card, free ticket or other form of ticket you can “Reserve access” without additional payment, but you cannot enter without reservation.


SceneJS
- optimization - level-of-detail (LOD)
each object's size in canvas determines which representation is rendered for it - box, sphere or teapot
LOD system runs in multiple web workers
learn more in
this tutorial


MURIEL'S WEDDING A film review by Alex Fung Copyright 1995 Alex Fung
CIBY 2000/Miramax - 1994 Starring Toni Collette, Bill Hunter, Rachel Griffiths Screenplay by P.J. Hogan Produced by Lynda House and Jocelyn Moorhouse Directed by P.J. Hogan Rated AA [Adult Accompaniment for those under fourteen] in Ontario for profanity and mature themes
Me: *** (out of four stars) Rhonda
After a successful run in Australia last year, and with much critical praise heaped upon it, MURIEL'S WEDDING opens into medium release this weekend in North America.
Muriel Heslop is a withdrawn, overweight young woman living in Porpoise Spit, Australia. She is often the target of her father's frequent rants at the family, and drowns out her feelings of inadequacy with ABBA music and fantasies of marriage. Her self-loathing is such that only being wed shall she prove herself to be a success; marriage will transform her into a new person who is respected and admired. After her four cliquey friends dump her, Muriel plots to follow them to a resort where they are celebrating the honeymoon of one of the girls, and MURIEL'S WEDDING unfolds from there.
Toni Collette plays Muriel in a winning performance, conveying both the sadness of her character and her desperate eagerness to be accepted. Collette gained a frightening 43 pounds in order to play the chubby title character. She has a natural screen presence and exudes charisma, easily winning the audience over with an honest, painful performance. Collette basically carries the film, appearing in almost every scene.
Muriel's father, Bill "The Battler" Heslop, is portrayed by Bill Hunter as a slick politician/developer.  Rachel Griffiths plays Rhonda, who becomes Muriel's cheeky new friend in the film. She has good chemistry with Collette, and the film suffers when Griffiths is off-screen. Muriel's tormenters, played by Pippa Grandison, Rosalind Hammond, Belinda Jarrett and Sophie Lee, are two-dimensional caricatures, all saucy, vain and bumblingly spiteful, though that is probably due to Hogan's scripting
MURIEL'S WEDDING is essentially a genre teen comedy with more intelligence and a lot of charm. Hogan's use of ABBA tunes (which virtually comprises the entire soundtrack) is interestingly appropriate, although its repetitiveness tires after awhile. Hogan's script is right on the mark in terms of proportionately mixing comedy with Muriel's earnest quest for acceptance, and the gorgeous scene with Muriel window-shopping beautifully illustrates the wonder that marriage has for her. The glaring pastel colours worn by the performers is an interesting touch. MURIEL'S WEDDING features a fine performance by Toni Collette and a charming, if a bit too straightforward and conventional story by P.J. Hogan. On my four star scale, I give MURIEL'S WEDDING three stars.
-- Alex Fung<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


|
|||||||||
| PREV NEXT | FRAMES NO FRAMES |
| Deprecated Interfaces | |
|---|---|
| org.apache.xml.serialize.DOMSerializer
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.Serializer
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML and HTML. See the Xerces documentation for more information. |
| Deprecated Classes | |
|---|---|
| org.apache.xml.serialize.BaseMarkupSerializer
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.DOMSerializerImpl
Replaced by org.apache.xml.serializer.dom3.LSSerializerImpl in Xerces 2.9.0. |
|
| org.apache.xml.serialize.ElementState
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.EncodingInfo
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.Encodings
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.HTMLdtd
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use JAXP's Transformation API for XML (TrAX) for serializing HTML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.HTMLSerializer
This class was deprecated in Xerces 2.6.2. It is recommended that new applications use JAXP's Transformation API for XML (TrAX) for serializing HTML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.IndentPrinter
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.LineSeparator
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.Method
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.OutputFormat
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML and HTML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.OutputFormat.Defaults
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML and HTML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.OutputFormat.DTD
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML and HTML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.Printer
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.SerializerFactory
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML and HTML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.TextSerializer
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML and HTML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.XHTMLSerializer
This class was deprecated in Xerces 2.6.2. It is recommended that new applications use JAXP's Transformation API for XML (TrAX) for serializing XHTML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.XML11Serializer
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML. See the Xerces documentation for more information. |
|
| org.apache.xml.serialize.XMLSerializer
This class was deprecated in Xerces 2.9.0. It is recommended that new applications use the DOM Level 3 LSSerializer or JAXP's Transformation API for XML (TrAX) for serializing XML. See the Xerces documentation for more information. |
|
|||||||||
| PREV NEXT | FRAMES NO FRAMES |


I have made, and I will bear;
I will carry and will save.
5 “To whom will you liken me and make me equal,
and compare me, that we may be alike?
6 Those who lavish gold from the purse,
and weigh out silver in the scales,
hire a goldsmith, and he makes it into a god;
then they fall down and worship!
7 They lift it to their shoulders, they carry it,
they set it in its place, and it stands there;
it cannot move from its place.
If one cries to it, it does not answer
or save him from his trouble.
8 “Remember this and stand firm,
recall it to mind, you transgressors,
9 remember the former things of old;
for I am God, and there is no other;
I am God, and there is none like me,
10 declaring the end from the beginning
and from ancient times things not yet done,
saying, ‘My counsel shall stand,
and I will accomplish all my purpose,’
11 calling a bird of prey from the east,
the man of my counsel from a far country.
I have spoken, and I will bring it to pass;
I have purposed, and I will do it.
12 “Listen to me, you stubborn of heart,
you who are far from righteousness:
13 I bring near my righteousness; it is not far off,
and my salvation will not delay;
I will put salvation in Zion,
for Israel my glory.”


<template>

{{title}}

<slot name="options"></slot>

<slot />

</template>

Source


Buildtime Project 3 Modulus Tests
These tests test the built modulus functionality.
FAILURE TO EXECUTE TEST PROJECT VIEW


{{ partial "header.html" . }} Have an idea for a new infographic? Propose it to me! {{ .Title }} {{ partial "article-list-infographic-category.html" (dict "pages" .Pages "name" "SpaceX" "tag" "spacex") }} {{ partial "article-list-infographic-category.html" (dict "pages" .Pages "name" "ULA" "tag" "ula") }} {{ partial "footer.html" . }}
Have an idea for a new infographic? Propose it to me!


This beach is located in a harbour
of Maspalomas.You can see a big lighthouse.
You Enjoy Your Vacation Without Stress
Take deep breath and think beautiful with
with this amazing landscape.
Group & Individual Getaways
You Can Choose, It's Your Decision.
Search Destinations
room
Pick Where
Duplicate room, single room, kingsize room
or whatever you prefer.
store
Travel Shop
Here you can find the shops, grocerys and malls.
airplanemode_active
Fly Cheap
You can find the different alternatives
for the flights.
Popular
Places
Maspalomas,
Gran Canaria,Spain
You can relax and take a deep breath here. You
find also an amazing old lighthouse in this harbour.
Behind the lighthouse you can walk on the esplanades and
shopping in the picturesque boutiques.
Maspalomas / Playa del Ingles
Gran Canaria,Spain
The shopping centers in Playa del Ingles,
for example Yumbo Centrum, Shopping Centre CC Tropical and
Kasbah in Maspalomas.
California,
the US
Colorful houses, esplanades, warm days and
good food, you can find all of those in California!
Follow Travelcrazz
Follow us on social media for special discounts
Photo Gallery
email
Contact Us For Booking
Feel free to contact us and ask whatever you want!


Great Forest [an23], forest, in Mandoria, peasants: 132
Last updated Turn #146
Great Forest [an23], forest, in Mandoria, peasants: 132
------------------------------------------------------------------------
30: The population grows by one peasant.
Routes leaving Great Forest:
North, forest, to Great Forest [am23], 8 days
East, forest, to Great Forest [an24], 8 days
Garrison [dh0u], garrison, uncontrolled, with ten undead
South, mountain, to Mandor Mountains [ao23], 10 days
West, mountain, to Mandor Mountains [an22], 10 days
It is windy.
Seen here:
Stack of cyclops [ao7x], cyclops, number: 3


Creating a post-apocalyptic wizard tower
by Chandler Eyremrcheebs writes:
The theme for the blender subreddit contest in October was "Magitek" so I decided to create a post-apocalyptic wizard tower. This video goes over how I created it, a few tips that you could incorporate into your workflow!


The Life of the Charter
-
February 30, 2008
Karen Armstrong's wish is selected as a 2008 TED Prize recipient.
-
March 12, 2009
Bill Moyers interviews Karen Armstrong about the Charter for Compassion.
-
May 5, 2009
The New York Times writes an article on the Charter for Compassion.
-
May 5, 2009
Karen Armstrong meets with the Dalai Lama


Two plots will appear below, both with the angular separation between the pulsars on the horizontal axis. The upper plot is the cross-correlated power for the selected data sets. Please see Chamberlin et al. (2014) for more information. The lower plot is a histogram of the pulsar pairs (red) and the pulsar pairs weighted by their cross-correlation value (blue) as a function of angular separation, respectively. The two numbers that are displayed below the table are the most likely amplitude of the stochastic gravitational wave background and the signal-to-noise ratio of that signal. SNR is the signal to noise ratio
| A_gw | SNR | A_95 |
| {{mySplit(items.A_gw)}} | {{mySplit(items.SNR)}} | {{mySplit(items.A_95)}} |


HE'S BACK!!!
Ryan Mariano returns to Baltimore Beach
for another in his series of sand volleyball clinics with a pro. Ryan loves to share his passion and knowledge
of the sport through clinics and lessons. During the 2011 season, Ryan
will be running clinics throughout the United States, including
here in Baltimore, MD.
Ryan, born and raised in Lake Forest,
California has competed and excelled on volleyball courts indoors and
out for the past twenty-two years.
Ryan
played for the Long Beach State Forty-Niners where he led the NCAA in
aces and digs per game in his sophomore, junior and senior campaigns.
Ryan went on to play international professional indoor volleyball in
Austria and Switzerland.
"Ryan brings a lot of energy and knowledge to The
Sand Club clinics. Ryan's interaction with each and every adult and
junior is the biggest benefit of having Ryan running clinics."
-Allen Alexander
|


| URL (253) | Error Hits | Referrers |
| /robots.txt | 502 | - |
| /apple-touch-icon.png | 36 | - |
| /apple-touch-icon-precomposed.png | 36 | - |
| //robots.txt | 15 | - |
| /cd-risc/userguide.shtml. | 15 | - |
| /wp-login.php | 13 | - |
| /index.php | 10 | - |
| /admin.php | 6 | - |
| /administrator/ | 6 | - |
| /system/fckeditor/editor/ | 4 | - |
| //wp-login.php | 4 | - |
| /+ | 4 | - |
| //bitrix/admin/index.php | 3 | - |
| /wp/wp-admin/ | 3 | - |
| /&ei=Mr9YRNXp&lc=en-ID | 3 | - |
| /wordpress/wp-admin/ | 3 | - |
| //admin/index.php | 3 | - |
| /admin/index.php | 3 | - |
| /bitrix/admin/index.php | 3 | - |
| /test/wp-admin/ | 3 | - |
| /old/wp-admin/ | 3 | - |
| /news_manager/eWebEditor | 2 | - |
| /html/webedit/ | 2 | - |
| /webedit/ | 2 | - |
| /system/ewebeditor/ | 2 | - |
| /editor/editor/ | 2 | - |
| /scripts/ewebeditor/ | 2 | - |
| /sysadmin/fckeditor/editor/ | 2 | - |
| /ckeditor/editor/ | 2 | - |
| /admin/web_editor/ | 2 | - |
| /system/editor/ | 2 | - |
| /admin/ewebeditor/ | 2 | - |
| /js/fckeditor/editor/ | 2 | - |
| /system/%23ewebeditor/ | 2 | - |
| /manage/ewebeditor1/ | 2 | - |
| /webeditor | 2 | - |
| /admin/edit/ | 2 | - |
| /cd-risc/termsofservice.shtml/trackback/ | 2 | http://www.connordavidson-resiliencescale.com/cd-risc/termsofservice.shtml |
| /admin/texteditor/ | 2 | - |
| /system/edit/ | 2 | - |
| /manage/oledit/ | 2 | - |
| /editorold/editor/ | 2 | - |
| /Fckeditorold/editor/ | 2 | - |
| /system/htmledit/ | 2 | - |
| /manage/%23ewebeditor/ | 2 | - |
| /system/ewebeditor1/ | 2 | - |
| //magmi/ReleaseNotes.txt | 2 | - |
| /adminpage/edit/ | 2 | - |
| /manage/edit/ | 2 | - |
| /southidceditor/ | 2 | - |
| /manage/htmledit/ | 2 | - |
| /admin/%23ewebeditor/ | 2 | - |
| /edit/ | 2 | - |
| /cd-risc/05/22/2013/11:35:55 | 2 | - |
| /system/southidceditor/ | 2 | - |
| /blog/wp-images/wpminilogo.png | 2 | - |
| /admin/z_editor/ | 2 | - |
| /Fckeditornew/editor/ | 2 | - |
| /includes/fckeditor/editor/ | 2 | - |
| /jleditor/ | 2 | - |
| /cd | 2 | - |
| /cd-risc/08/04/2014/08:57:51 | 2 | - |
| /web_editor/ | 2 | - |
| /administrator/index.php | 2 | - |
| /system/webeditor | 2 | - |
| /xmlEditor/eWebEditor | 2 | - |
| /system/web_editor/ | 2 | - |
| /cd-risc/05/22/2013/11:37:00 | 2 | - |
| /admin/fckeditor/editor/ | 2 | - |
| /admin/ewebeditor1/ | 2 | - |
| /Fckeditor/editor/ | 2 | - |
| /manage/web_editor/ | 2 | - |
| /wp-admin/ | 2 | - |
| /ewebeditor1/ | 2 | - |
| /.git/config | 2 | - |
| /system/z_editor/ | 2 | - |
| /system/texteditor/ | 2 | - |
| /inc/ewebeditor/ | 2 | - |
| /termsofservice.shtml. | 2 | - |
| /browserconfig.xml | 2 | - |
| /blog/wp-includes/js/tinymce/utils/mctabs.js | 2 | - |
| /scripts/fckeditor/editor/ | 2 | - |
| /admin/oledit/ | 2 | - |
| /admin/htmledit/ | 2 | - |
| /system/oledit/ | 2 | - |
| /cd-risc/07/30/2014/14:27:06 | 2 | - |
| /texteditor/ | 2 | - |
| /manage/webedit/ | 2 | - |
| /include/fckeditor/editor/ | 2 | - |
| /blog/wp-admin/ | 2 | - |
| /manage/ewebeditor/ | 2 | - |
| /manage/z_editor/ | 2 | - |
| /manage/editor/ | 2 | - |
| /htmledit/ | 2 | - |
| /admin/webeditor | 2 | - |
| /manage/southidceditor/ | 2 | - |
| /htmlEditor/eWebEditor | 2 | - |
| /admin/southidceditor/ | 2 | - |
| /editor/fckeditor/editor/ | 2 | - |
| /z_editor/ | 2 | - |
| /system/webedit/ | 2 | - |
| /admin/editor/ | 2 | - |
| /editors/ewebeditor/ | 2 | - |
| /common/fckeditor/editor/ | 2 | - |
| /inc/fckeditor/editor/ | 2 | - |
| /blog/ | 2 | - |
| /fck/editor/ | 2 | - |
| /admin/webedit/ | 2 | - |
| /oledit/ | 2 | - |
| /FCKeditor/editor/ | 2 | - |
| /user/ | 2 | - |
| /manage/texteditor/ | 2 | - |
| /fckeditor/editor/ | 2 | - |
| /manage/fckeditor/editor/ | 2 | - |
| /upload.asp | 2 | - |
| /editor/ | 2 | - |
| /editor1/editor/ | 2 | - |
| /%23ewebeditor/ | 2 | - |
| /web/ewebeditor/ | 2 | - |
| /cd-risc/08/04/2014/08:13:17 | 2 | - |
| /termsofservice.shtml | 2 | - |
| /ewebeditor/ | 2 | - |
| /manage/webeditor | 2 | - |
| /backup/bigdump.php | 1 | - |
| /blog/wp-content/plugins/fancybox-for-wordpress/readme.txt | 1 | - |
| /admin/bigdump.php | 1 | - |
| /08/04/2014/08:22:32 | 1 | - |
| /admin/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /bigdump.php | 1 | - |
| /hybridauth/hybridauth/install.php | 1 | - |
| /include/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /openemr-4.1.1/library/openflashchart/php-ofc-library/ofc_upload_image.php | 1 | - |
| /scripts/tinymce/jscripts/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /images/uploader/uploadify.css | 1 | - |
| /auth/hybridauth/install.php | 1 | - |
| /media/uploadify/uploadify.css | 1 | - |
| /assets/plugins/tinymce212/jscripts/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /cd-risc/userguide.shtm | 1 | - |
| /stats/libs/open-flash-chart/php-ofc-library/ofc_upload_image.php | 1 | - |
| /index.php/login/ | 1 | - |
| /cgi-bin/hello | 1 | - |
| /hybridauth/install.php | 1 | - |
| /app/webroot/js/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /assets/uploadify/uploadify.css | 1 | - |
| /dump/bigdump/bigdump.php | 1 | - |
| /admin/fck/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /scripts/uploadify/uploadify.css | 1 | - |
| /blog/index.php | 1 | - |
| /includes/jscripts/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /fckeditor/editor/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /apps/uploadify/uploadify.css | 1 | - |
| //magmi-importer/ReleaseNotes.txt | 1 | - |
| /includes/php-ofc-library/ofc_upload_image.php | 1 | - |
| /cms/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /sites/default/modules/civicrm/packages/OpenFlashChart/php-ofc-library/ofc_upload_image.php | 1 | - |
| /sites/all/libraries/tinymce/jscripts/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /admin/filebrowser/uploadify/uploadify.css | 1 | - |
| /cd-risc/bibliography.shtml/trackback/ | 1 | http://www.connordavidson-resiliencescale.com/cd-risc/bibliography.shtml |
| /plugins/editors/tinymce/jscripts/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /assets/plugins/tinymce/jscripts/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /admin/js/uploadify/uploadify.css | 1 | - |
| /public/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /zenphoto/zp-core/plugins/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /tinymce/jscripts/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /admin/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /wp-admin/admin-ajax.php | 1 | - |
| /js/jquery/uploadify/uploadify.css | 1 | - |
| /media/editors/tinymce/jscripts/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /ofc/php-ofc-library/ofc_upload_image.php | 1 | - |
| /js/mage/cookies.js | 1 | http://connordavidson-resiliencescale.com |
| /cdrisc/requestform.shtml | 1 | - |
| /plugins/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /manager/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /includes/uploadify/uploadify.css | 1 | - |
| /cd-risc/05/22/2013/11:36:13 | 1 | - |
| /backup/bigdump/bigdump.php | 1 | - |
| /php-ofc-library/ofc_upload_image.php | 1 | - |
| /scripts/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /admin_area/charts/ofc-library/ofc_upload_image.php | 1 | - |
| /jscripts/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /admin/FCKeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /cms/index.php | 1 | - |
| /dump/bigdump.php | 1 | - |
| /includes/js/plugins/uploadify/uploadify.css | 1 | - |
| /js/uploadify/uploadify.css | 1 | - |
| /cd-risc/07/30/2014/14:17:55 | 1 | - |
| /uploadify/uploadify.css | 1 | - |
| /ofc-library/ofc_upload_image.php | 1 | - |
| /public/cms/resources/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /admin/uploadify/uploadify.css | 1 | - |
| /sitemap.xml | 1 | - |
| /modules/civicrm/packages/OpenFlashChart/php-ofc-library/ofc_upload_image.php | 1 | - |
| /admin/includes/uploadify/uploadify.css | 1 | - |
| /js/uploader/uploadify.css | 1 | - |
| /js/tinymce/jscripts/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /admin/uploader/uploadify.css | 1 | - |
| /media/js/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /wp-content/plugins/fancybox-for-wordpress/readme.txt | 1 | - |
| /admin/scripts/uploadify/uploadify.css | 1 | - |
| /scripts/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /media/js/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /cd-risc/privacypolicy.shtml/trackback/ | 1 | http://www.cd-risc.com/cd-risc/privacypolicy.shtml |
| /upload/uploadify.css | 1 | - |
| /tinybrowser/readme.txt | 1 | - |
| /static/uploadify/uploadify.css | 1 | - |
| /FCKeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /mod/tinymce/jscripts/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /editor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /book/index.php | 1 | - |
| /core/uploadify/uploadify.css | 1 | - |
| /js/ofc2/php-ofc-library/ofc_upload_image.php | 1 | - |
| /tinymce/jscripts/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /modules/fckeditor/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /cd-risc/userguide.shtml/trackback/ | 1 | http://www.connordavidson-resiliencescale.com/cd-risc/userguide.shtml |
| /piwik/libs/open-flash-chart/php-ofc-library/ofc_upload_image.php | 1 | - |
| /_ee/_fslib/swfupload/Changelog.txt | 1 | - |
| /admin/editor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /js/jquery/plugins/uploadify/uploadify.css | 1 | - |
| /editor/filemanager/connectors/uploadtest.html | 1 | - |
| /system/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /app/webroot/js/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /libs/open-flash-chart/php-ofc-library/ofc_upload_image.php | 1 | - |
| /app/webroot/js/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /wp-config.php~ | 1 | - |
| /js/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /photogallery/zp-core/plugins/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /wordpress/wp-content/plugins/fancybox-for-wordpress/readme.txt | 1 | - |
| /js/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /sites/all/modules/civicrm/packages/OpenFlashChart/php-ofc-library/ofc_upload_image.php | 1 | - |
| /media/filebrowser/uploadify/uploadify.css | 1 | - |
| /bigdump/bigdump.php | 1 | - |
| /photo/zp-core/plugins/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /admin/js/uploader/uploadify.css | 1 | - |
| /admin/dump/bigdump.php | 1 | - |
| /includes/jscripts/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /manage/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /admin/js/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /civicrm/packages/OpenFlashChart/php-ofc-library/ofc_upload_image.php | 1 | - |
| /data/scripts/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /js/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /wp | 1 | http://cd-risc.com/wp |
| /assets/plugins/tinymce/jscripts/tiny_mce/plugins/ajaxfilemanager/jscripts/for_tinymce.js | 1 | - |
| /ajax.php | 1 | - |
| /sites/all/modules/fckeditor/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /sites/all/libraries/tinymce/jscripts/tiny_mce/plugins/tinybrowser/readme.txt | 1 | - |
| /sqlite/main.php | 1 | - |
| /openflashchart/php-ofc-library/ofc_upload_image.php | 1 | - |
| /public/js/uploadify/uploadify.css | 1 | - |
| /lib/fckeditor/editor/filemanager/connectors/uploadtest.html | 1 | - |
| /openemr/library/openflashchart/php-ofc-library/ofc_upload_image.php | 1 | - |


The file you are looking for has either moved or been deleted. Please contact<EMAIL_ADDRESS>and let us know!


ERPNext Version 11
The biggest ERPNext release is here, with more feature, security, usability and performance updates than ever before.
Explore
{{ card(
"Financial Accounting",
"Multi-book financials, consolidated financials, inter-company transactions, deferred revenue, bank upload and more.",
"/releases/version-11/features/accounting"
) }}
{{ card(
"Human Resources",
"Upgraded payroll, with configurable benefits and deductions, Upgraded leave management, leave periods, employee lifecycle and more.",
"/releases/version-11/features/human-resources"
) }}
{{ card(
"Asset Management",
"Improved asset management with serialized assets, Capital Work in Progress (CWIP) accounting, asset movement tracking.",
"/releases/version-11/features/asset-management"
) }}
{{ card(
"Marketplace",
"List your products for free in the in-app marketplace, and web portal, and communicate with buyers and sellers from inside ERPNext.",
"/releases/version-11/features/marketplace"
) }}
{{ card(
"Framework",
"Python 3 support, redesigned user permissions for easy setup and maintenance, and condition based workflows, with email approvals.",
"/releases/version-11/features/framework"
) }}
{{ card(
"Other Features",
"Tons of other new features like Loyalty points and coupons, new integrations including Woocommerce and much much more.",
"/releases/version-11/features/other"
) }}


3 references to Session
System.Management.Automation (3)
engine\remoting\commands\DisconnectPSSession.cs (3)
179
if (
Session
== null ||
Session
.Length == 0)
185
foreach (PSSession psSession in
Session
)


It looks like your network connection is no longer available.
Please check your connectivity and then try to reconnect here.


--- layout: default title: Categories header: Posts By Category --- {% include JB/setup %}
{{ post.excerpt }}


Classes
ruby is an Object Oriented Programming (OOP) Language. It utilizes objects, which can be grouped according to class. A class is almost like a blueprint for objects. When you define a class, you are basically laying down a set of variables and methods for future objects of that class to use and inherit.
Inheritance? What's that?
Inheritance is a concept that is critical to object oriented languages. It allows for the reuse of code to maximize efficieny while programming. Inheritance sets up a hierachy of objects, with the child objects gaining the attributes of the parent object. A class is a sort of super object, which passes its variables and methods to its children. The children 'inherit' those attributes so that the programmer doesn't have to define the class atrributes each time they create a new object.
In the above example is a class I made that I set up for a video game. The class 'characters' has the method initialize which is the constructor method and will be called whenever a new character object is created. This method sets up the object with several instance variables. Instance variables defined here are set to work anywhere in the scope of the class. This means that any methods in the character class definition will be able to use or modify those variables.
The method lvlup is an example of a class method. It checks the characters job and modifies their stats (in this case the instance variables) appropriately. Using this code, you could have many different character objects, each with unique variables that inherit the #lvlup method from the character class!


School kids cooking up a healthy storm, with help from college lecturer
Ann Brown hosted the workshop as part of an initiative to get kids eating healthier.
by Wishaw Press, https://www.dailyrecord.co.uk/authors/wishaw-press/New College Lanarkshire chef lecturer Ann Brown has hosted a healthy eating workshop for kids as part of International Chefs Day.
Local schoolchildren took part in a lively cooking masterclass based on the theme of “How Healthy Food Works”.
The workshop, one of hundreds of similar events that took place this month across the globe, was organised by Ann in her capacity as a committee member of the World Chefs organisation.
The organisation has hosted International Chefs Day since 2004 as a way for chefs around the world to give back to their communities through education.
This year’s theme took a closer look at how food affects the body, including what different foods do for us and why we need them.
Thirteen children aged between seven and 12 took part in the fun cooking lesson, which was held in the training kitchens of the College’s Motherwell Campus.
It involved a series of hands-on cooking experiences and games, with each child who participated presented with a certificate.
Ann said: “Healthy eating is an important part of education – not only is good nutrition a crucial part of their growth and development, it provides children with more energy, improved health and greater focus in school.
“The children made a variety of healthy meals and drinks, as well as playing games that taught them how vegetables and fruit help to keep different parts of the body healthy. It means a lot to me to help children understand the benefits of healthy eating. It gives me the opportunity to pass on what I consider to be a way of life.”
Ann was supported on the day by lecturer Charlotte Hands, HND Patisserie students Chanel Armstrong and Rachel MacInnes, and HNC Patisserie student Sharon Gardner.


The Charlie's Angels Reboot Cast Is Nothing Like We Expected, but We're Very Into It
by Mekishana PierreIt's been over 10 years since the last installment of the Charlie's Angels franchise was released, and we're finally getting a whole new iteration of the classic premise. This time around, the Townsend Agency has become a global security and intelligence service that has teams stationed all around the world. Like the movies and shows before it, the reboot will focus on one particular team and its three "Angels."
Rumors of a Charlie's Angels reboot first surfaced in 2017, and now we know it's the real deal with an incredible cast and action-packed trailer. Not only is Elizabeth Banks directing and producing the film, but she also stars as one of the film's three Bosleys. Kristen Stewart, Naomi Scott, and newcomer Ella Balinska portray the Angels, along with lots of other familiar faces! Keep reading to check out the rest of the star-studded cast.
Elizabeth Banks as Bosley
Elizabeth Banks is not only directing and producing the film, but she is also starring as one of the three Bosleys who serve as the liaison between the angels and their spy agency.
Naomi Scott as Elena Houghlin
Power Rangers and Aladdin star Noami Scott will portray a tech engineer who becomes one of the three new Charlie's angels.
Kristen Stewart as Sabina Wilson
Kristen Stewart was one of the first stars announced on the cast, and plays the wild child member of the new Charlie's angels team: Sabina!
Ella Balinska as Jane Kano
British newcomer Ella Balinska plays the final angel of the trio, Jane, who is a martial arts and weapons expert judging from the trailer.
Noah Centineo as Langston
Netflix rom-com darling Noah Centineo was tapped to play the love interest of Jane, and is described in the trailer as a "handsome nerd." Ooh-la-la.
Djimon Hounsou as Bosley
Guardians of the Galaxy actor Djimon Hounsou has signed on to play the second of the three Bosleys.
Patrick Stewart as Bosley
Patrick Stewart will join Banks and Hounsou to complete the trio of Bosleys.
Luis Gerardo Méndez as The Saint
Mexican star Luis Gerardo Méndez plays "The Saint," who appears to be a weapons expert who works for the agency and helps out the Angels.
Jonathan Tucker
Jonathan Tucker's addition to the cast was announced on Sept. 26, 2018. The Westworld actor's role is still unnamed, but the trailer reveals that he's a formidable villain the Angels will have to contend with.
Sam Claflin
Way back on Oct. 1, it was revealed that Sam Claflin is set to star in the film in an unidentified role.


by Fedor Indutny / @indutny
io.js TC member and...
(node.js core team member)
function Point(x, y, z) {
this.x = x;
this.y = y;
this.z = z;
}
This is JS ^
class Point {
public:
double x;
double y;
double z;
};
This is C++ ^
function add(x, y) {
return x + y;
}
add(0, 1); // <- good
add('foo', 'bar'); // <- polymorphism!
function Parser() {
}
Parser.freelist = [];
Parser.get = function() {
if (this.freelist.length)
return this.freelist.pop();
return new Parser();
};
Parser.prototype.release = ...;
Node.js C++ layer:
Lives on top of the event-loop
Provides
Start with history of the subject
to ease the understanding of
C++ layer
Node.js uses git since beginning
The history is in
git log & git blame
`git log deps/v8` - v8 fighting us
`git log src/` - us fighting v8
“add readme and initial code”
Two C/C++ dependencies except V8:
./server script.js
function Process(request) {
if (options.verbose) {
log("Processing " + request.host +
request.path +
" from " + request.referrer +
"@" + request.userAgent);
}
if (!output[request.host])
output[request.host] = 1;
else
output[request.host]++
}
(Just a Proof-of-Concept)
(Mapping uri, headers, method to JS object)
Quickly jumping to
064c8f02 commit
“Use ObjectWrap base class for File, Socket, Server.”
One API to wrap all objects
class File : public ObjectWrap {
public:
File(Handle<Object> handle)
: ObjectWrap(handle) {
}
};
are ObjectWrap instances
HTTP server still provided by liboi, node.js is using libev
grown
matured (a bit)
Separating JS from C++
CommonJS
tons of core modules
ObjectWrap is a public API now
(polished out for and by community)
Previously all C++ classes were
global objects
In v0.2 they are provided by process.binding()
> process.binding('fs');
{ access: [Function: access],
close: [Function: close],
open: [Function: open],
...lots of stuff...
...and similar stuff for other modules too
Lots of new stuff!
(We are interested only in C++)
Outgrown ObjectWrap
(src/node_object_wrap.h)
Now using AsyncWrap
(src/async-wrap.h)
(two fields: parent and providerType)
require('fs')
Just loads lib/fs.js and executes it.
JS is not capable of FS operations.
No networking either.
But... I need:
fs.writeFileSync()
http.request()
Lots of low-level C++ stuff outside of the JS-land
Let's learn by example
Though, require('fs') is boring
let's move to
require('net')
All powered by C++ machinery!
Provided by bindings:
process.binding()Bindings provide JS classes:
Purpose of these classes:
`net.connect()` workflow:
C++ classes are either:
How does process.binding() work?
NODE_MODULE_CONTEXT_AWARE_BUILTIN(
fs,
node::InitFs)
Has kind of same effect as:
cppModules['fs'] = {
initialized: false,
initFn: InitFS
};
So what process.binding() does?
process.binding = function(moduleName) {
var module = cppModules[moduleName];
if (module.initialized)
return module.exports;
module.exports = {};
module.initFn(module.exports);
return module.exports;
};
What initFn does?
Initializes module, like in CommonJS
Thanks, captain!
Exports functions and classes
Each exported JS class has
C++ counterpart
Most of them inherit from AsyncWrap
Small reminder. Two kinds of classes:
Handle and Wrap
Garbage Collector destroys only:
Handles
Requests are manually destroyed
after async action completion
(i.o.w. after callback)
You debug io.js issue, and find out that it
is crashing on:
var FooBar = process.binding('foo_bar').FooBar;
// Crashes here:
var f = new FooBar();
Where will you search for FooBar?
Somewhere in src/, searching by:
NODE_MODULE_CONTEXT_AWARE_BUILTIN(foo_bar, ..)
This will be most likely in src/foo_bar.cc
Renovation through making stuff public
We did it for ObjectWrap
We should do it for StreamWrap
StreamWrap wasn't that bad in v0.10
Was modified a lot for v0.12
Because we needed TLS streams in C++
Looks terrible in v0.12
But JS streams works so well...
They support multi-level piping
and are transparent to the user!
What if...
StreamBase in io.js
To the Rescue!
StreamBase (previosuly StreamWrap)
Still needs to be done:
Because:


JWDrmDataSource Protocol Reference
| Conforms to | NSObject |
|---|---|
| Declared in | JWDrmDataSource.h |
Overview
@protocol JWDrmDataSource
The JWDrmDataSource protocol defines methods that get called when assistance is required to reproduce DRM encrypted content.
– fetchContentIdentifierForRequest:forEncryption:withCompletion:
required method
@method fetchContentIdentifierForRequest:forEncryption:withCompletion:
- (void)fetchContentIdentifierForRequest:(NSURL *)loadingRequestURL forEncryption:(JWEncryption)encryption withCompletion:(void ( ^ ) ( NSData *contentIdentifier ))completion
Parameters
loadingRequestURL |
The url of the resource being loaded. |
|---|---|
encryption |
The DRM system used (i.e. Apple FairPlay). |
completion |
The completion block used to provide the JW Player SDK with the content identifier. In the case of Apple FairPlay this is an opaque identifier for the content and is needed to obtain the SPC (Server Playback Context) message from the operating system. |
Discussion
Called when the JW Player SDK realizes that a stream is DRM encrypted and requires a content identifier from the application to begin decrypting.
Declared In
JWDrmDataSource.h
– fetchAppIdentifierForRequest:forEncryption:withCompletion:
required method
@method fetchAppIdentifierForRequest:forEncryption:withCompletion:
- (void)fetchAppIdentifierForRequest:(NSURL *)loadingRequestURL forEncryption:(JWEncryption)encryption withCompletion:(void ( ^ ) ( NSData *appIdentifier ))completion
Parameters
loadingRequestURL |
The url of the resource being loaded. |
|---|---|
encryption |
The DRM system used (i.e. Apple FairPlay). |
completion |
The completion block used to provide the JW Player SDK with the application identifier. In the case of Apple FairPlay this is the Application Certificate you receive after registering an FPS playback app. |
Discussion
Called when the JW Player SDK realizes that a stream is DRM encrypted and requires an application identifier from the application to begin decrypting.
Declared In
JWDrmDataSource.h
– fetchContentKeyWithRequest:forEncryption:withCompletion:
required method
@method fetchContentKeyWithRequest:forEncryption:withCompletion:
- (void)fetchContentKeyWithRequest:(NSData *)requestBytes forEncryption:(JWEncryption)encryption withCompletion:(void ( ^ ) ( NSData *response , NSDate *renewalDate , NSString *contentType ))completion
Parameters
requestBytes |
The key request data that must be transmitted to the key vendor to obtain the content key. In the case of Apple FairPlay this is the SPC (Server Playback Context) message from the operating system which must be sent to the Key Server in order to obtain the CKC (Content Key Context) message. |
|---|---|
encryption |
The DRM system used (i.e. Apple FairPlay). |
completion |
The completion block used to provide the JW Player SDK with the Server Response. In the case of Apple FairPlay, the response is the content key wrapped inside an encrypted Content Key Context (the CKC message) returned by the key server. In the case of Apple FairPlay, a date for renewal of resources that expire can be specified by passing a renewal date in the completion block. When specifying a renewal date the content type (the UTI indicating the type of data contained by the response) should be specified. |
Discussion
Called when the JW Player SDK needs the content key to being decrypting.
Declared In
JWDrmDataSource.h


View pics: Deepika Padukone is in no mood to get clicked by the paparazzi
by TIMESOFINDIA.COMDeepika Padukone might have opted for a quite Diwali this year with hubby Ranveer Singh but she is currently gearing up to entertain her fans on the silver screen as she has interesting films in the pipeline.
The diva, who is all set to essay the role of Draupadi in the upcoming feature 'Mahabharat' will also be producing the project along with Madhu Mantena. The film which is reported to release in multiple parts is said to clash with Sanjay Leela Bhansali's 'Baiju Bawra' at the box office on Diwali 2021.
Deepika's professional life has been keeping her quite busy but the 'Padmaavat' actress was spotted in Mumbai today. But what grabbed our attention was that the diva seemed to be in no mood to get clicked as she headed right inside without even looking at the shutterbugs who were trying to click her.
Meanwhile, the mesmerising diva will soon be seen in Meghna Gulzar's 'Chhapaak', a film based on an acid attack survivor Laxmi Agarwal. The film will release in January 2020. Apart from that, she is collaborating with her husband Ranveer Singh for the first time after their marriage for Kabir Khan's sports drama titled '83'.


ny, nx = clip.size // dimensions of frame (height, width)
fps = clip.fps
nframes = np.sum(1 for j in clip.iter_frames())
if cropping:
// one might want to adjust
ny, nx = clip.size // dimensions of frame (height, width)
fps = clip.fps
nframes = np.ceil(clip.fps*clip.duration).astype(np.int)
if cropping:
// one might want to adjust
clip = clip.crop(y1=y1, y2=y2, x1=x1, x2=x2)


{% extends "base.html" %} {% load i18n %} {% load static %} {% block content %} {% if request.user.is_authenticated %}
Welcome to Cuely search app
Please authenticate with one of the social accounts below to start using the app. Cuely will begin syncing data belonging to your chosen account after signing in.


The SetCursor project demonstrates one way of allowing a C or C++ module to change the mouse cursor to, for example, a busy or waiting cursor. This project is only intended to be used by AVS/Express module developers.
The SetCursor project shows one way of changing the mouse cursor from a C or C++ module. This allows a module to do several things including displaying a busy cursor while it is doing its computations. The project includes the C source file
cursor.c
which is linked into Express through theSetCursorUtilityCode
module. This module should not need to be edited and hence is not visible in the Network Editor. Thecursor.c
file contains a single function,SetApplicationCursor
. The full declaration of the function is shown below:void SetApplicationCursor(int enable)Whenever this function is called a pre-defined AVS/Express cursor object is found and the attach parameter set. If enable is 1 then the attach parameter is set to true and the working cursor will appear when the mouse is over the application window. Conversely if enable is 0 then the attach parameter is set to false and the normal cursor will appear. The
SetCursorExampleMod
low-level module and its associated source code show how a call to this function could be made. The main advantage of the approach shown in this project is that theSetApplicationCursor
function can be called from anywhere within a module's code and no extra references have to be managed.The obvious limitation of this approach is that it relies on a pre-defined cursor object existing and the location of that object must be statically compiled into Express. To ensure that this happens correctly in your own projects you will have to alter the
CURSOR_OBJ
define in thecursor.c
file. Currently this points to the Cursor object in the supplied example application. The define will have to be altered to reflect and actual name and user interface structure of your application. Because of this limitation the approach shown in this project will be of most use in a small number of situations. These are where a compiled Express project will be produced and where the user interface modules can be hidden from the user.
An example application SetCursorEg is provided. This demonstrates how the SetCursorExampleMod and Cursor objects should be connected with the rest of the application network. To see how the SetApplicationCursor function should be used the source code to the SetCursorExampleMod should be examined.
xp_comm_proj/setcur/cur_mods.v contains the V definitions of the SetCursorUtilityCode and SetCursorExampleMod modules.
xp_comm_proj/setcur/cur_apps.v contains the V definition of the SetCursorEg example application.
This module is intended for AVS/Express module developers only. The low-level SetCursorMods library containing the modules SetCursorUtilityCode and SetCursorExampleMod does not specify a process. By default the express process will be used. For this project to work correctly both of these modules must be in the same process.
Dr David Knight, AVS Inc.
Ma YingLiang, Manchester Visualization Centre Andrew Dodd, International AVS Centre


It appears you're offline. We will try to automatically connect or you can try now by clicking this button.


Graduate Computer Science courses:
- CS 622 - Advanced Programing Techniques
- CS 526 - Data Structures and Algorithms
- CS 521 - Information Structures with Python
Undergraduate Computer Science & Math courses:
- CSC 261 - Database Systems
- CSC 252 - Computer Organization
- CSC 247 - Natural Language Processing
- CSC 242 - Artificial Intelligence
- CSC 214 - Android Mobile App Development
- CSC 212 - Human-Computer Interaction
- CSC 210 - Web Programming
- CSC 174 - Advanced Front End Web Development
- CSC 173 - Computation & Formal Systems
- CSC 172 - Data Structures and Algorithms
- CSC 171 - The Science of Programming
- CSC 170 - Web Design & Development
- MTH 165 - Linear Algebra with Differential Equations
- MTH 162 - Calculus II
- MTH 150 - Discrete Mathematics
- CAS 352 - Workshop Leader CSC 171
Undergraduate History courses:
- HIS 330W - British Imperialism
- HIS 234W - Knights, Criminals, and the Crown: Research in Medieval England
- HIS 229 - England & Ireland Since 1500
- HIS 223 - War, Money, and Ordinary People: European History 1492-1789
- HIS 200 - Gateway to History: Native American History
- HIS 198 - Science, Sex and Society in Victorian Britain
- HIS 139 - History of India
- HIS 132 - Imperial Russia
- HIS 122 - Medieval Europe
Undergraduate writing requirement courses:
- HIS 330W - British Imperialism
- HIS 234W - Knights, Criminals, and the Crown: Research in Medieval England
- WRT 273 - Communicating your Professional Identity
- WRT 105 - Medieval Identity (Freshman Writing)
Other undergraduate courses:
- GBA 220 - Business Information Systems & Analytics
- PHY 141 - Honors Mechanics
- ENG 252 - Theater in England
- AH 269 - The Art Market
- AH 122 - A Global History of Architecture
- AH 114 - Creating Architecture
- AST 111 - The Solar System & Its Origins
- PHL 101 - Intro to Philosophy


--- layout: page title: About header-img: "img/about-bg.png" ---
I am a bedding designer looking to change careers and get involved in tech. I am eager to learn and looking forward to the challenge!


Automated Attendance
Compatible with
Zoom
&
Google Meet.
Roll Number Length:
Add Sender's Name
Add Timestamp


[% page.title = 'Join the NTP Pool!' %]
First: Thanks for your interest. Usage of the pool has grown enormously and the only way we can keep it easy for everyone to run a pool server is to also grow the number of servers participating.
Your computer must have a static IP address and a permanent internet connection. It's very imporant that your IP address doesn't change or only does so extremely infrequently (say once a year or less). The required bandwidth is relatively low. Each client will only send a couple of UDP packets every few to every 20 minutes.
Currently most servers get about 5-15 NTP packets per second with spikes a couple of times a day of 60-120 packets per second. This is roughly equivalent to 10-15Kbit/sec with spikes of 50-120Kbit/sec. The project steadily acquires more timeservers, so the load should not increase dramatically for each server. In plain terms, you probably need at least 384-512Kbit bandwidth (in and out-going).
Here are a few servers with traffic/load graphs: [% i = 0; FOR server = combust.servers_with_urls; %] [% i=i+1; i %] [% END %]
The servers joining should not have pool.ntp.org as their upstream server(s), but should configure some good servers manually (those servers may be chosen from the pool. The point is that they are chosen statically instead of assigned randomly at each server restart. This will help providing an acceptable quality of service.) Note that it is not required that your server is a stratum 1 or 2 server - as this project is about load distribution mostly, there is no reason why a stratum 3 or even stratum 4 server shouldn't join.
We have a page with configuration recommendations for servers joining the pool.
Finally, I must emphasize that joining the pool is a long term commitment. We are happy to take you out of the pool again if your circumstances change, but because of how the ntp clients operate it will take weeks, months or even YEARS before the traffic completely goes away.
If this is all ok, login to the server management page and request your server to be added. If you have any trouble with the system, email me at<EMAIL_ADDRESS>Please also join the community forums
It would be nice (but it's not necessary) if you could redirect web requests on port 80 of your time server to the official web page of the project at https://www.ntppool.org. If you run Apache, you could do this with:
[% PROCESS tpl/join/virtual_host_example.html %]Again, this is only if you run a webserver anyway. The official project web page will always be given with the 'www' at the beginning - but sometimes people type pool.ntp.org and are then surprised to get a random web page.
Once added to the pool the server is constantly monitored for availability and precision. You can watch your server's performance using the web frontend or the management page.


Notifications of new comments are delivered to users. The Notifications API lets you view these notifications and mark them as read.


| title | contributor | added date |
|---|---|---|
| Black Mass | Dr.Jeremy Skipper | 27/11/2015 |
| Bridge of Spies | Dr.Jeremy Skipper | 27/11/2015 |
| Fathers and Daughters | Dr.Jeremy Skipper | 27/11/2015 |
| Maze Hunter | Dr.Jeremy Skipper | 27/11/2015 |
| Star Wars Episode VII | Dr.Jeremy Skipper | 27/11/2015 |
| Spectre | Dr.Jeremy Skipper | 27/11/2015 |
| title | No. of Components |
|---|---|
| aberrant | 2 |
| ability | 100 |
| abilities | 75 |
| able | 56 |
| abnormal | 234 |


#include <AnimatedTexture.hpp>
|
| enum | WRAP_MODE { once = 0,
loop = 1
} |
| | Enum for the type of wrap mode, wraps once or infinitely.
|
| |
| enum | ANIM_DIR { horizontal = 0,
vertical = 1
} |
| | Enum for the direction of animation, horizontally or vertically.
|
| |
| enum | SPACE { local = 0,
world = 1
} |
| |
|
| | AnimatedTexture (std::string filename, int x, int y, int w, int h, int frameCount, float animationSpeed, ANIM_DIR animationDir) |
| |
|
| ~AnimatedTexture () |
| | Class decontstructor.
|
| |
|
void | WrapMode (WRAP_MODE mode) |
| | Setter for the wrap mode.
|
| |
|
void | Update () |
| |
|
| Texture (std::string filename) |
| |
|
| Texture (std::string filename, int x, int y, int w, int h) |
| |
|
| Texture (std::string text, std::string fontPath, int size, SDL_Color color) |
| |
|
virtual void | Render () |
| |
|
| GameEntity (float x=0.0f, float y=0.0f) |
| |
|
void | Pos (Vector2 pos) |
| |
|
Vector2 | Pos (SPACE space=world) |
| |
|
void | Rotation (float rotation) |
| |
|
float | Rotation (SPACE space=world) |
| |
|
void | Scale (Vector2 scale) |
| |
|
Vector2 | Scale (SPACE space=world) |
| |
|
void | Active (bool active) |
| |
|
bool | Active () |
| |
|
void | Parent (GameEntity *parent) |
| |
|
GameEntity * | Parent () |
| |
|
void | Translate (Vector2 vec) |
| |
|
void | Rotate (float amount) |
| |
|
|
SDL_Texture * | mTex |
| |
|
Graphics * | mGraphics |
| |
|
int | mWidth |
| |
|
int | mHeight |
| |
|
bool | mClipped |
| |
|
SDL_Rect | mRenderRect |
| |
|
SDL_Rect | mClipRect |
| |
This class is for animated textures for example a spitesheet.
- Author
- $Author: gluaxspeed
- Date
- $Date: 2018/01/11
◆ AnimatedTexture()
| AnimatedTexture::AnimatedTexture |
( |
std::string |
filename, |
|
|
int |
x, |
|
|
int |
y, |
|
|
int |
w, |
|
|
int |
h, |
|
|
int |
frameCount, |
|
|
float |
animationSpeed, |
|
|
ANIM_DIR |
animationDir |
|
) |
| |
Class constructor takes the filename, starting (x,y), size, number of frames, how fast the animation is in seconds (1.0f is one second), and the direction of the animation.
- Author
- $Author: Jonathan Pavlik
The documentation for this class was generated from the following files:


Welcome to
Wikipedia
,
the
free encyclopedia
that
anyone can edit
5,544,443
articles in
English
Arts
Biography
Geography
History
Mathematics
Science
Society
Technology
All portals
Main page
Contents
Featured content
Current events
Random article
Donate to Wikipedia
Wikipedia store
main page


Register
Please fill in all inputs
Email already registered
Passwords aren't the same
You cannot accuse us of anything. By registering, you agree to take full responsibility of yourself
Already have an account? Login here


module Fiddle
A libffi wrapper for Ruby.
Description¶ ↑
Fiddle is an extension to translate a foreign function interface (FFI) with ruby.
It wraps libffi, a popular C library which provides a portable interface that allows code written in one language to call code written in another language.
Example¶ ↑
Here we will use Fiddle::Function to wrap floor(3) from libm
require 'fiddle' libm = Fiddle.dlopen('/lib/libm.so.6') floor = Fiddle::Function.new( libm['floor'], [Fiddle::TYPE_DOUBLE], Fiddle::TYPE_DOUBLE ) puts floor.call(3.14159) #=> 3.0
Constants
- ALIGN_CHAR
-
The alignment size of a char
- ALIGN_DOUBLE
-
The alignment size of a double
- ALIGN_FLOAT
-
The alignment size of a float
- ALIGN_INT
-
The alignment size of an int
- ALIGN_INTPTR_T
-
The alignment size of a intptr_t
- ALIGN_LONG
-
The alignment size of a long
- ALIGN_LONG_LONG
-
The alignment size of a long long
- ALIGN_PTRDIFF_T
-
The alignment size of a ptrdiff_t
- ALIGN_SHORT
-
The alignment size of a short
- ALIGN_SIZE_T
-
The alignment size of a size_t
- ALIGN_SSIZE_T
-
The alignment size of a ssize_t
- ALIGN_UINTPTR_T
-
The alignment size of a uintptr_t
- ALIGN_VOIDP
-
The alignment size of a void*
- BUILD_RUBY_PLATFORM
-
Platform built against (i.e. “x86_64-linux”, etc.)
See also RUBY_PLATFORM
- RUBY_FREE
-
Address of the ruby_xfree() function
- SIZEOF_CHAR
-
size of a char
- SIZEOF_DOUBLE
-
size of a double
- SIZEOF_FLOAT
-
size of a float
- SIZEOF_INT
-
size of an int
- SIZEOF_INTPTR_T
-
size of a intptr_t
- SIZEOF_LONG
-
size of a long
- SIZEOF_LONG_LONG
-
size of a long long
- SIZEOF_PTRDIFF_T
-
size of a ptrdiff_t
- SIZEOF_SHORT
-
size of a short
- SIZEOF_SIZE_T
-
size of a size_t
- SIZEOF_SSIZE_T
-
size of a ssize_t
- SIZEOF_UINTPTR_T
-
size of a uintptr_t
- SIZEOF_VOIDP
-
size of a void*
- TYPE_CHAR
-
C type - char
- TYPE_DOUBLE
-
C type - double
- TYPE_FLOAT
-
C type - float
- TYPE_INT
-
C type - int
- TYPE_INTPTR_T
-
C type - intptr_t
- TYPE_LONG
-
C type - long
- TYPE_LONG_LONG
-
C type - long long
- TYPE_PTRDIFF_T
-
C type - ptrdiff_t
- TYPE_SHORT
-
C type - short
- TYPE_SIZE_T
-
C type - size_t
- TYPE_SSIZE_T
-
C type - ssize_t
- TYPE_UINTPTR_T
-
C type - uintptr_t
- TYPE_VOID
-
C type - void
- TYPE_VOIDP
-
C type - void*
- WINDOWS
Returns a boolean regarding whether the host is WIN32
Public Class Methods
Creates a new handler that opens library
, and returns an
instance of Fiddle::Handle.
If nil
is given for the library
,
Fiddle::Handle::DEFAULT is used, which is the equivalent to RTLD_DEFAULT.
See man 3 dlopen
for more.
lib = Fiddle.dlopen(nil)
The default is dependent on OS, and provide a handle for all libraries
already loaded. For example, in most cases you can use this to access
libc
functions, or ruby functions like
rb_str_new
.
See Fiddle::Handle.new for more.
# File ext/fiddle/lib/fiddle.rb, line 45 def dlopen library Fiddle::Handle.new library end
Returns the hexadecimal representation of a memory pointer address
addr
Example:
lib = Fiddle.dlopen('/lib64/libc-2.15.so') => #<Fiddle::Handle:0x00000001342460> lib['strcpy'].to_s(16) => "7f59de6dd240" Fiddle.dlunwrap(Fiddle.dlwrap(lib['strcpy'].to_s(16))) => "7f59de6dd240"
VALUE rb_fiddle_ptr2value(VALUE self, VALUE addr) { return (VALUE)NUM2PTR(addr); }
Returns a memory pointer of a function's hexadecimal address location
val
Example:
lib = Fiddle.dlopen('/lib64/libc-2.15.so') => #<Fiddle::Handle:0x00000001342460> Fiddle.dlwrap(lib['strcpy'].to_s(16)) => 25522520
static VALUE rb_fiddle_value2ptr(VALUE self, VALUE val) { return PTR2NUM((void*)val); }
Free the memory at address addr
VALUE rb_fiddle_free(VALUE self, VALUE addr) { void *ptr = NUM2PTR(addr); ruby_xfree(ptr); return Qnil; }
Returns the last Error
of the current executing
Thread
or nil if none
# File ext/fiddle/lib/fiddle.rb, line 20 def self.last_error Thread.current[:__FIDDLE_LAST_ERROR__] end
Sets the last Error
of the current executing
Thread
to error
# File ext/fiddle/lib/fiddle.rb, line 25 def self.last_error= error Thread.current[:__DL2_LAST_ERROR__] = error Thread.current[:__FIDDLE_LAST_ERROR__] = error end
Allocate size
bytes of memory and return the integer memory
address for the allocated memory.
static VALUE rb_fiddle_malloc(VALUE self, VALUE size) { void *ptr; ptr = (void*)ruby_xmalloc(NUM2SIZET(size)); return PTR2NUM(ptr); }
Change the size of the memory allocated at the memory location
addr
to size
bytes. Returns the memory address
of the reallocated memory, which may be different than the address passed
in.
static VALUE rb_fiddle_realloc(VALUE self, VALUE addr, VALUE size) { void *ptr = NUM2PTR(addr); ptr = (void*)ruby_xrealloc(ptr, NUM2SIZET(size)); return PTR2NUM(ptr); }
Returns the last win32 Error
of the current executing
Thread
or nil if none
# File ext/fiddle/lib/fiddle.rb, line 9 def self.win32_last_error Thread.current[:__FIDDLE_WIN32_LAST_ERROR__] end
Sets the last win32 Error
of the current executing
Thread
to error
# File ext/fiddle/lib/fiddle.rb, line 14 def self.win32_last_error= error Thread.current[:__FIDDLE_WIN32_LAST_ERROR__] = error end
Private Instance Methods
Creates a new handler that opens library
, and returns an
instance of Fiddle::Handle.
If nil
is given for the library
,
Fiddle::Handle::DEFAULT is used, which is the equivalent to RTLD_DEFAULT.
See man 3 dlopen
for more.
lib = Fiddle.dlopen(nil)
The default is dependent on OS, and provide a handle for all libraries
already loaded. For example, in most cases you can use this to access
libc
functions, or ruby functions like
rb_str_new
.
See Fiddle::Handle.new for more.
# File ext/fiddle/lib/fiddle.rb, line 45 def dlopen library Fiddle::Handle.new library end


Copyright (c) 2001 Karl Scherer
This game is played on a 8x8 square board, with the following setup:
|
| An example Black's turn. The game is ending. The player ahead in the final positioning race will win the game. Black move c6-c7, then e4-f3, d5-d6, f3-f2-f1, d6-c7-b8, a3-a2, d7-d8, a2-a1, e6-d7 and Black wins. |


{{madlib|safe}}
Original title: {{author["Title"]|safe}} Author: {{author["Author"]|safe}} Word Count: {{author["Words"]|safe}}
{{madlib|safe}}
Original title: {{author["Title"]|safe}} Author: {{author["Author"]|safe}} Word Count: {{author["Words"]|safe}}


The HTML specification is maintained by the W3C. The abbreviation ML is contained in the abbreviation HTML.


YEAR OF THE HORSE A film review by David N. Butterworth Copyright 1997 David N. Butterworth
Rating: **1/2 (Maltin scale)
Fans of Neil Young and Crazy Horse should relish the affecting documentary "Year of the Horse." Its director, Jim Jarmusch, clearly thinks the band is the bee's knees.
The film is composed of concert footage of the band during their 1996 European tour, as well as interviews (in a kitschy laundry-room setting) and additional concert and interview footage from 1976 and 1986.
Half the time the generally dazed and confused band don't know which city they're in or, five minutes before a show, which song they're going to open with. As for the documentary itself, one of the band members is consistently skeptical of the filmmaker's work-in-progress. "Like asking a few questions will capture everything there is to know about Crazy Horse?" he scoffs. He also accuses Jarmusch of making an arty film just so people will think he's cool.
Ironically Jarmusch, the director of quirky, off-beat films ("Stranger Than Paradise," "Night on Earth," "Dead Man," etc.) was cool long before he made "Year of the Horse." A smattering of acting roles have helped sustain that image, most recently with his Frostee Cream Boy cameo in Billy Bob Thornton's "Sling Blade."
What's surprising about "Year of the Horse" is its distinct lack of insight. When reduced to talking heads the band members--Ralph Molina (drums/vocals), Billy Talbot (bass/vocals), Frank "Pancho" Sampedro (guitar/vocals), and Young himself (guitar/vocals)--have little of any significance to say. The most descriptive summation of being a part of Crazy Horse from a band member's perspective is "heavy." "It's hard to describe in words," he says.
But once Crazy Horse gets on stage these aging, not very attractive men (although there's nothing wrong with Neil Young that a barber and a good tailor couldn't fix) powerfully demonstrate everything they've been unable to articulate verbally. Instantly there's synergy: the three guitarists playing together in close proximity, acting on non-verbal cues, totally immersed in the music, creating their singular, soaring sound to thunderous applause.
As the engagingly dull interviews get more and more meaningless, the music gets increasingly potent. "Pure," as Young himself puts it. The music is very good and Jarmusch gives us nine full songs, including "Stupid Girl," "Tonight's the Night," and the anthem-like "Like a Hurricane" that closes the film.
Jarmusch's "glue" that holds the picture together is the artier stuff that Pancho references, wonderfully edited by Jay Rabinowitz: collage-like snippets of soundstages, motorbikes, and American landscapes flashing by; adoring nationals, singing Swedes, indecipherable Glaswegians.
"Proudly" shot in Super-8, 16mm, and Hi-8 video, the graininess of the material gives the film a home movie-like texture, echoing the band members' grunginess (that's grunge in the seamy sense, not the Seattle sound sense). This is a film of contrasts: black and white; black and white and color; decades--'76, '86, '96; words, and music.
A band that plays together doesn't always stay together but after almost thirty years, Neil Young and Crazy Horse are still cranking it up. And in "Year of the Horse," it's the music that speaks for itself.
-- David N. Butterworth<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews