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Iteration Struct
Definition at line
17
of
Directory.cpp
Member Variables
boost::filesystem::directory_iterator
directoryIterator
std::string
directoryName
std::string
path
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public interface HSMDevice extends Device
The hardware safe module object is obtained from the POSTerminal
, its' as follows:
HSMDevice hsmDevice = (HSMDevice) POSTerminal.getInstance().getDevice("cloudpos.device.hsm");Among them, the "cloudpos.device.hsm" string is to identify the hardware safe module, defined by the specific implementation.
The HSM device is not exclusive device. It can be opened by several applications simultaneously. But some write operation must be exclusive.
Uses the hardware safe module device object to control the operation of the hardware safe module.
An app can request permission to access the device, as shown below:
<uses-permission android:name="android.permission.CLOUDPOS_SAFE_MODULE" />
Device
| Modifier and Type | Field and Description |
|---|---|
static int |
CERT_FORMAT_DER
DER format
|
static int |
CERT_FORMAT_PEM
PEM format
|
static int |
CERT_TYPE_APP_ROOT
Terminal application root certificate
|
static int |
CERT_TYPE_COMM_ROOT
Terminal SSL communication root certificate
|
static int |
CERT_TYPE_PUBLIC_KEY
Terminal public key certificate
|
static int |
CERT_TYPE_TERMINAL_OWNER
Terminal owner root certificate
|
| Modifier and Type | Method and Description |
|---|---|
byte[] |
decrypt(int algorithm,
java.lang.String aliasPrivateKey,
byte[] bufCipher)
Do decryption by the given private key.
|
boolean |
deleteCertificate(int certType,
java.lang.String alias)
Removes the certificate of the given alias.
|
boolean |
deleteKeyPair(java.lang.String aliasPrivateKey)
Removes the key pair of the given alias.
|
byte[] |
encrypt(int algorithm,
java.lang.String aliasPrivateKey,
byte[] bufPlain)
Do encryption by the given private key.
|
byte[] |
generateCSR(java.lang.String aliasPrivateKey,
javax.security.auth.x500.X500Principal subject)
Generates the CSR for given private key.
|
void |
generateKeyPair(java.lang.String aliasPrivateKey,
int algorithm,
int keySize)
Requests hardware safe module to generate a key pair inside the module.
|
byte[] |
generateRandom(int length)
Gets the real random buffer from hardware safe module.
|
byte[] |
getCertificate(int certType,
java.lang.String alias,
int dataFormat)
Gets the certificate data.
|
java.lang.String |
getEncryptedUniqueCode(java.lang.String uniqueCode,
java.lang.String randomFactor)
Gets the encrypted cipher data of unique code.
|
long |
getFreeSpace()
Gets the free space of the hardware safe module.
|
boolean |
injectPublicKeyCertificate(java.lang.String alias,
java.lang.String aliasPrivateKey,
byte[] bufCert,
int dataFormat)
Injects the certificate of the public key of the existing key pair.
|
boolean |
injectRootCertificate(int certType,
java.lang.String alias,
byte[] bufCert,
int dataFormat)
Injects the root certificates to hardware safe module.
|
boolean |
isTampered()
Checks the hardware safe module is tampered or not.
|
void |
open(int logicalID)
Opens the hardware safe module for use.
|
java.lang.String[] |
queryCertificates(int certType)
Gets the certificates from the hardware safe module.
|
cancelRequest, close, getFailCount, getUsageCount, open
static final int CERT_FORMAT_PEM
static final int CERT_FORMAT_DER
static final int CERT_TYPE_TERMINAL_OWNER
static final int CERT_TYPE_PUBLIC_KEY
static final int CERT_TYPE_APP_ROOT
static final int CERT_TYPE_COMM_ROOT
void open(int logicalID) throws DeviceException
logicalID
- The logical ID of the hardware safe module device to open.DeviceException
- for the standard reasons that are documented in DeviceException
.boolean isTampered() throws DeviceException
The operation is not exclusive. Hardware safe module with automatic protection mechanism, in the event of the attack on hardware safe module, automatically trigger self-destruction and remove all sensitive information
true
tempered. false
not tempered.DeviceException
- for the standard reasons that are documented in DeviceException
.byte[] generateRandom(int length) throws DeviceException
The operation is not exclusive.
length
- The length of the buffer< 64.DeviceException
- for the standard reasons that are documented in DeviceException
.void generateKeyPair(java.lang.String aliasPrivateKey, int algorithm, int keySize) throws DeviceException
aliasPrivateKey
- The alias of the private key.algorithm
- The algorithm of the key pair. Currently, only "RSA" is supported.keySize
- The bit size of the key. Currently, only 2048 is supported.DeviceException
- for the standard reasons that are documented in DeviceException
.boolean injectPublicKeyCertificate(java.lang.String alias, java.lang.String aliasPrivateKey, byte[] bufCert, int dataFormat) throws DeviceException
The operation is exclusive.
alias
- The alias of the certificate.aliasPrivateKey
- The alias of the key pair, usually it's the private key's alias.bufCert
- The data of the certificate.dataFormat
- The format of the buffer, Currently, only CERT_FORMAT_PEM
is supported.true
Success.false
FailDeviceException
- for the standard reasons that are documented in DeviceException
.boolean injectRootCertificate(int certType, java.lang.String alias, byte[] bufCert, int dataFormat) throws DeviceException
All the certificate must signed by the terminal's owner certificate. The keyUsage flag must be set as define:
CERT_TYPE_TERMINAL_OWNER
certificate's keyUsage flag must be set as critical, and the KeyEncipherment, CertificateSign and CRLSign must be set, other flags are cleared.
CERT_TYPE_APP_ROOT
certificate's keyUsage flag must be set as critical, and the DigitalSignature, CertificateSign must be set, other flags are cleared.
CERT_TYPE_COMM_ROOT
certificate's keyUsage flag must be set as non-critical and DigitalSignature, KeyEncipherment, DataEncipherment must be set, other flags are cleared.
certType
- The certificate type: CERT_TYPE_TERMINAL_OWNER
, CERT_TYPE_APP_ROOT
or CERT_TYPE_COMM_ROOT
.alias
- The alias of the certificate.bufCert
- The data of the certificate.dataFormat
- The format of the buffer, Currently, only CERT_FORMAT_PEM
is supported.true
Success. false
Fail.DeviceException
- for the standard reasons that are documented in DeviceException
.byte[] getCertificate(int certType, java.lang.String alias, int dataFormat) throws DeviceException
The operation is not exclusive.
certType
- The certificate type, could be CERT_TYPE_TERMINAL_OWNER
, CERT_TYPE_APP_ROOT
or CERT_TYPE_COMM_ROOT
.alias
- The alias of the certificate.dataFormat
- The format of the buffer, Currently, only CERT_FORMAT_PEM
is supported.DeviceException
- for the standard reasons that are documented in DeviceException
.boolean deleteCertificate(int certType, java.lang.String alias) throws DeviceException
The OWNER certificate can't be removed.
The operation is exclusive.
certType
- The certificate type, could be CERT_TYPE_PUBLIC_KEY
, CERT_TYPE_APP_ROOT
or CERT_TYPE_COMM_ROOT
.alias
- The alias of the certificate.true
Delete success. false
Delete fail.DeviceException
- for the standard reasons that are documented in DeviceException
.java.lang.String[] queryCertificates(int certType) throws DeviceException
certType
- The certificate type.DeviceException
- for the standard reasons that are documented in DeviceException
.boolean deleteKeyPair(java.lang.String aliasPrivateKey) throws DeviceException
aliasPrivateKey
- The alias of the private key.true
Success. false
Fail.DeviceException
- for the standard reasons that are documented in DeviceException
.byte[] generateCSR(java.lang.String aliasPrivateKey, javax.security.auth.x500.X500Principal subject) throws DeviceException
aliasPrivateKey
- The alias of the private key.subject
- X500Principal.DeviceException
- for the standard reasons that are documented in DeviceException
.byte[] encrypt(int algorithm, java.lang.String aliasPrivateKey, byte[] bufPlain) throws DeviceException
algorithm
- the algorithm of encrypt.aliasPrivateKey
- the alias of the given private key.bufPlain
- the buffer of the plain data.DeviceException
- for the standard reasons that are documented in DeviceException
.byte[] decrypt(int algorithm, java.lang.String aliasPrivateKey, byte[] bufCipher) throws DeviceException
algorithm
- The algorithm of decrypt.aliasPrivateKey
- The alias of the given private key.bufCipher
- The buffer of the cipher data.DeviceException
- for the standard reasons that are documented in DeviceException
.long getFreeSpace() throws DeviceException
DeviceException
- for the standard reasons that are documented in DeviceException
.java.lang.String getEncryptedUniqueCode(java.lang.String uniqueCode, java.lang.String randomFactor) throws DeviceException
uniqueCode
- randomFactor
- DeviceException


With 5+ years of experience, I have strong skill in position front-end developer.
I want to work as a front-end web developer where I can contribute my abilities to the development of the company and develop myself.
Build website from design and give advices about UX, maintain issues of website or server.
Find solution for technical problem. Setup tools for improve development process.
Using AngularJS for develop web application, using Spring MVC for develop server backend. Training for new members and join training courses for new technology.
Join other project for make iOS application, maintain old application. Join for development web application.
Apart from being a web developer, I enjoy to research new technolgy in web development and clound service. Besides, I also like outdoor activities such as climbing or trekking
When forced indoors, I follow a number of horror and superman genre movies.


I flew up to Berlin and had a long talk with Hitler yesterday.
Hitler certainly is an extraordinary man. We estimate him too lightly in America. He has enormous enthusiasm, a marvelous faculty for dramatic oratory, and great organizing ability.
Of course all these qualities can be misdircted.
I only hope that he and the Germans may have sense enough to keep out of another war.
[...]
[Hitler is] a Moses leading [the German people] out of their bondage. [...] [His antisemitic policies are] such an obvious mistake that I am sure that it must soon be abandoned. In fact, I think it is already well on the way to abandonment."
-- WRH, 1934


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|
CoreTweet
2.0.0-beta.2
Yet another .NET Twitter Library
|
Classes | |
| class | AccessRevocation |
| Represents a revoked token. More... | |
| class | ClientApplication |
| Represents a client application. More... | |
| class | ControlMessage |
| Represents a control message. More... | |
| class | DeleteMessage |
| Represents a delete message of a status or a direct message. More... | |
| class | DirectMessageMessage |
| Represents a Direct message message. More... | |
| class | DisconnectMessage |
| Represents the message published when Twitter disconnects the stream. More... | |
| class | EnvelopesMessage |
| Provides an envelopes message. More... | |
| class | EventMessage |
| Represents an event message. More... | |
| class | FriendsMessage |
| Represents a message contains ids of friends. More... | |
| class | LimitMessage |
| Represents the message with the rate limit. More... | |
| class | RawJsonMessage |
| Represents a raw JSON message. This message means an exception was thrown when parsing. More... | |
| class | ScrubGeoMessage |
| Represents a scrub-get message. More... | |
| class | StatusMessage |
| Represents a status message. More... | |
| class | StatusWithheldMessage |
| Represents a withheld message. More... | |
| class | StreamingApi |
| Represents the wrapper for the Twitter Streaming API. More... | |
| class | StreamingConnection |
| class | StreamingMessage |
| Represents a streaming message. This class is an abstract class. More... | |
| class | StreamingObservable |
| class | StreamingParameters |
| Represents the parameters for the Twitter Streaming API. More... | |
| class | TimestampMessage |
| Represents a streaming message containing a timestamp. More... | |
| class | UserMessage |
| Represents a message contains the ID of an user. More... | |
| class | UserWithheldMessage |
| Represents a withheld message. More... | |
| class | WarningMessage |
| Represents a warning message. More... | |
|
strong |
Provides disconnect codes in Twitter Streaming API.
|
strong |
Provides event codes in Twitter Streaming API.
| Enumerator | |
|---|---|
| AccessRevoked | The user revokes his access token. |
| Block | The user blocks a user. |
| Unblock | The user unblocks a user. |
| Favorite | The user favorites a Tweet. |
| Unfavorite | The user unfavorites a Tweet. |
| Follow | The user follows a user. |
| Unfollow | The user unfollows a user. |
| ListCreated | The user creates a List. |
| ListDestroyed | The user destroys a List. |
| ListUpdated | The user updates a List. |
| ListMemberAdded | The user adds a user to a List. |
| ListMemberRemoved | The user removes a user from a List. |
| ListUserSubscribed | The user subscribes a List. |
| ListUserUnsubscribed | The user unsubscribes a List. |
| UserUpdate | The user updates a List. |
| Mute | The user mutes a user. |
| Unmute | The user unmutes a user. |
| FavoritedRetweet | The user favorites a retweet. |
| RetweetedRetweet | The user retweets a retweet. |
| QuotedTweet | The user quotes a Tweet. |
|
strong |
Provides the event target type.
| Enumerator | |
|---|---|
| List | The event is about a List. |
| Status | The event is about a Tweet. |
| AccessRevocation | The event is that the user revoked his access token. |
| Null | The event is unknown. |
|
strong |
Provides message types in Twitter Streaming API.
| Enumerator | |
|---|---|
| DeleteStatus | The message indicates the Tweet has been deleted. |
| DeleteDirectMessage | The message indicates the Direct Message has been deleted. |
| ScrubGeo | The message indicates that geolocated data must be stripped from a range of Tweets. |
| StatusWithheld | The message indicates that the indicated tweet has had their content withheld. |
| UserWithheld | The message indicates that indicated user has had their content withheld. |
| UserDelete | The message indicates that the user has been deleted. |
| UserUndelete | The message indicates that the user has canceled the deletion. |
| UserSuspend | The message indicates that the user has been suspended. |
| Disconnect | The message indicates that the streams may be shut down for a variety of reasons. |
| Warning | The message indicates the current health of the connection. This can be only sent when connected to a stream using the stall_warnings parameter. |
| Event | The message is about non-Tweet events. |
| Envelopes | The message is sent to identify the target of each message. In Site Streams, an additional wrapper is placed around every message, except for blank keep-alive lines. |
| Create | The message is a new Tweet. |
| DirectMesssage | The message is a new Direct Message. |
| Friends | The message is a list of the user's friends. Twitter sends a preamble before starting regular message delivery upon establishing a User Stream connection. |
| Limit | The message indicates that a filtered stream has matched more Tweets than its current rate limit allows to be delivered. |
| Control | The message is sent to modify the Site Streams connection without reconnecting. |
| RawJson | The message is in raw JSON format. |
|
strong |
Provides the types of the Twitter Streaming API.
| Enumerator | |
|---|---|
| User | The user stream. |
| Site | The site stream. |
| Filter | The filter stream. |
| Sample | The sample stream. |
| Firehose | The firehose stream. |


The most straighforward way to add records to a table is to type the information directly into the fields. Two records have been entered in the table shown. As is common with this user interface, clicking the mouse while the pointer is in a field will allow keyboard entry to that field. This type of entry is adequate when the information arrives infrequently in small parcels, for instance in keeping a table of contact information about other researchers. However, what do you do when someone emails you the entire reference list for their doctoral dissertation?
This is best handled using the SQL COPY command. First, the information will have to be massaged into shape in what is called a 'flat' ASCII file. This is simply a text file in which each line is a record, and each field in each record is separated by a delimiter such as a tilde (~). The fields will have to be in the same order as those in your table, and there will have to be the same number of fields in each record as are in the table, otherwise you may get unexpected data or no data at all. Say you produce a text file named newref.txt that starts like this:
Cassileth, BR~Unorthodox Cancer Medicine~Cancer Investigation~~1986~4~6~591-598
...
Notice that there are two consecutive tildes to allow for the fact that this particular entry doesn't have anything in the Editor field. You can then perform a Query as follows:
COPY psyref FROM '/home/jim/newref.txt' USING DELIMITERS '~';
This will read the records from newref.txt and insert them into the
table psyref. See the PostgreSQL documentation under the headings
Tutorial|The Query Language|Populating a Class with Instances


com.pump.icon.AquaIcon
class is a wrapper for the com.apple.laf.AquaIcon
available on Mac. If you try to call any method on an AquaIcon and you're not on a Mac (or if the Apple JDK significantly changes) then this class will throw an exception. You should only rely on this class if you control the JDK you ship/launch with, or if you're careful to structure your invocation in try/catch blocks.
On Mac there are dozens (hundreds?) of special icons available for the UI. These are identified by a special 4-letter code. For example "fldr" refers to a generic folder, or "gusr" refers to "guest user". (I'm not an expert on this topic, but I'm assuming the 4-letter convention dates back to Classic Mac OS use of a 4-letter file type code?)
Many (but not all) of these icons are scalable to very high resolutions. The exact icons may change from one OS release to another, so it's important that you choose them for their intended usage and not for their actual image.
The list of icons provided here is something I put together from various scraps of information. There may be many more icons that I'm not familiar with, or it's possible I listed some here that are deprecated or not recommended.


{% extends 'base.html' %} {% load static %} {% load custom_tags %} {% load tz %} {% comment %} Copyright 2020, Institute for Systems Biology Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0 Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License. {% endcomment %} {% block header %} {% endblock %} {% block link_page_name %}user-details{% endblock %} {% block page_name %}user-details{% endblock %} {% block page_header %} {% if idp == 'ras' %}
| Name | {{ user_details.first_name }} {{ user_details.last_name }} |
| {{ user_details.email }} | |
| Last Login | {{ user_details.last_login }} |
| Subscription | {{ user_details.user_opt_in_status }} Edit |
Connected to Google Cloud Platform
User Google Cloud Platform to run custom pipelines or visualize your own datasets.
{# #} {# Request Credits#} {# #} Run a Custom Pipeline {# Upload Your Own Datasets#} {% endif %}


Based on the Harris-Benedict Equation
"The Harris–Benedict equation (also called the Harris-Benedict principle) is a method used to estimate an individual's basal metabolic rate (BMR) and daily kilocalorie requirements. The estimated BMR value is multiplied by a number that corresponds to the individual's activity level. The resulting number is the recommended daily kilocalorie intake to maintain current body weight."
The contributors of Wikipedia
Fill out the form to the right with your current stats.
Decided the number of calories, time a week you can workout, and how long of a plan you want to calculate
See the data, presented in charts showing you the weight loss possibilties.


chocolate mousse
20 mins
This delicious chocolate mousse will delight dinner guests of all ages!
This comfort meal of smoked lamb and rice will quickly become a weekend favourite!
In addition to the full flavour of goat cheese,this salad includes kale,avocado,and farro to balance it out.
We've packed a lot into this one-shredded cabbage,deep-fried chicken,and a toasted sesame bun will leave you thoroughly satisfied!
Making this classic summer treat at home will remind you of a childhood spent in the park
This low-calorie,vitamin-packed parfait is great for breakfast,dessert,or post-workout!


Testimonials
Kylie Dryden
When I first started with Jackie I was a very shy and unconfident performer, but thanks to her I have gained so much confidence in not only my voice but also my stage presence as a whole. I'm so glad I chose to work with Jackie!
Jason Buzzell
I started taking lessons from Jackie as a freshman in high school after I had her as a director in the show Seussical the Musical. She really helped stretch my range into a strong tenor as well as perfecting my musical theatre tone after a rigorous operreta-style singing focus. Jackie also significantly helped in my preparation for choral competitions and performances, such as PMEA, Haverford Chamber solos, in addition to local theatrical auditions for many organizations, such as PCS, UDPAC, and Merion Mercy. Uniquely to her lessons, Jackie makes sure to take the time to give advice not only in singing, but auditioning details that are key factors in a student's development.
Bethany Bryant
I started taking voice lessons with Jackie Langley when I a junior in high school at a time in my life when I knew that I was passionate about theatre, but I had little to no confidence in my singing voice. A teacher at my school recommended Jackie to me and from Jackie's first email response I could tell that this was someone who cared deeply not just about theatre and music, but about her students as she immediately welcomed me with open arms...During lessons we not only focus on vocal technique but audition preparation, as she not only came up with lists of song options and spent the time to pick the perfect one for my voice, but also practiced reading sides to allow me to understand the characters I would be auditioning for. When it came time to audition for collage theatre programs last year, Jackie's advice and training gave me the boost I needed to be accepted into my number one choice. Under Jackie's direction, I have grown confidence not only in my singing voice but also in myself as actress, performer, and individual.
Jordan Busza
When I first began with Jackie, I was extremely unsure and reserved in my capabilities as a singer/performer. I was unaware of how to properly use my voice to its full potential. But in a very short time, that quickly changed. After meeting Jackie for the first time, I realized that she was someone who not only cared for the theatre community and what it stands for, but also for the people who are a part of it. During lessons, Jackie works on building up song repertoire, breathing/vocal strength, acting abilities, and confidence during any audition you may face. And for me especially, being in lessons with her has a certain level of comfort that makes me feel right at home. In fact, time spent working or even just talking with Jackie seems to fly by so fast, and I feel like I barely just got started! Through many busy schedules, a few voice changes, and several major events, Jackie has helped me shape who I am as a performer and as a person. For the past three years, my experience with Jackie has been nothing but wonderful and enjoyable, and I am glad to say that it will continue to be for years to come.
Lauren Milewski
I started taking voice lessons with Jackie Langley because I had always loved singing, but I didn’t have enough control over my voice. I didn’t know how to project without my voice cracking, and I didn’t use many facial expressions when I would sing. I heard from several of my close friends that Jackie was an amazing voice teacher, so I decided to take a lesson. After a very short time, my voice improved tremendously. She taught me how to project, and every time she would give a new song, she would explain the show it was from as well as what the character would think during the song, which helped with my acting abilities for future auditions and shows I would try out for. She really is an amazing voice teacher, and I will always come back before auditions for another lesson! If you’re debating taking lessons with her, I would just go for one and see how you feel, because you’ll probably love it just like I did.
John Parkinson
I started taking voice lessons with Jackie in my sophomore year of high school. Since then, my performing abilities have improved profoundly thanks to her. Jackie makes sure that each student has a repertoire that is tailored to his or her voice, but that is also challenging and varied. Working with her on classical and modern musical theatre pieces has helped me to improve my singing and acting, prepare for auditions, and excel in my performances. Most importantly, Jackie truly cares about mentoring – something which can be seen in her passion and engagement for each student. I highly recommend lessons at Perfect Fifth Studios for anyone.
Sally Race
I studied at Perfect Fifth Studios for three years. Jackie was exactly what I was looking for. I had been singing improperly for years but Jackie was the only teacher who really helped me understand how to properly use my voice. As a result of coming to Perfect Fifth Studios my voice is healthier and stronger. Working with Jackie was so easy because she cares so much about her students. She knows about all of her students extracurricular activities and helps you to schedule around them so that there’s always time for voice lessons. Jackie is always prepared with songs from any particular musical and other songs that sounded good for my voice months before an audition so that I feel as prepared as possible. If you’re on the fence about working with Jackie I strongly recommend her!


IAR CEO Position
Job Title: CEO (Chief Executive Officer)- Islamic Association of Raleigh
Islamic Association of Raleigh (IAR), a non-profit membership organization, seeks an experienced CEO. The CEO oversees, manages, coordinates, and administers all IAR operations in accordance with the established and approved goals of IAR. The final selection of the successful candidate shall be subject to the approval of the IAR Shura.
RESPONSIBILITIES:
The Chief Executive Officer shall report to the IAR Chairperson and be responsible for:
- Managing and coordinating activities of all committees to achieve the aims and purposes of the IAR.
- Calling and presiding over the meetings of the Administration.
- Reporting on the operational status to the Chairperson and attending the Shura meetings.
- Being the main representative and correspondent for the IAR in external affairs.
- Preparing a list of short term and long term activities of the IAR and presenting it annually to the Shura.
- Assisting the Chairperson to achieve the aims and purposes of the IAR.
- Being a liaison between the IAR, other organizations and external media under the guidelines approved by the Shura.
- Under guidelines of the Shura, CEO shall have the power and authority to exercise all the rights, powers and authority on all operation matters and in accordance with IAR Constitution.
JOB QUALIFICATIONS:
- Knowledge of IAR’s operations, structures, procedures and policies
- Knowledge of the IAR and Triangle area Muslim Community and Muslim organizations
- Previous experience in IAR (or similar) operations
- Bachelor's degree and relevant professional work experience. Masters degree a plus.
- Management experience in private or public organization
- Some prior experience in managing an Islamic organization preferred.
- Knowledge of local, state and US system of government
- Excellent English language writing and verbal communication skills
KNOWLEDGE, SKILLS, AND ABILITIES REQUIRED:
- Knowledge and ability to work with various stakeholders in the Muslim and non- Muslim communities in the Triangle area
- Ability to supervise and train employees (volunteers), to include organizing, prioritizing, and scheduling work assignments.
- Knowledge of management principles and practices.
- Strong interpersonal and communication skills and the ability to work effectively with a wide range of constituencies in a diverse community.
- Knowledge of applicable legislation, standards, policies and procedures within area.
- Knowledge of business practices and procedures.
SALARY & BENEFITS:
- Salary and benefits will be commensurate with the qualifications, knowledge and experience as per the IAR HR handbook
To apply, send cover letter, résumé, 3 references and salary requirements by e-mail to<EMAIL_ADDRESS>No phone calls. Only finalists will be contacted. This Position may remain open until filled.
IAR is an equal opportunity employer.


Functors
Introduction
Whenever we have a kind of structure, the transformations which preserve that structure are usually interesting. Categories are a kind of structure, and their transformations are called functors.
More precisely, given two categories \(\mathcal{C}\) and \(\mathcal{D}\), a functor \(F\) associates to every object \(A\) of \(\mathcal{C}\) an object \(FA\) of \(\mathcal{D}\), and to every morphism \(\varphi\) of \(\mathcal{C}\) a morphism \(F\varphi\) of \(\mathcal{D}\) such that the following properties hold.
- For every object \(A\) of \(\mathcal{C}\), we have \(F\id_A = \id_{FA}\).
- If \(\varphi : A \rightarrow B\) and \(\psi : B \rightarrow C\) are morphisms in \(\mathcal{C}\), then \(F(\psi \circ \varphi) = F\psi \circ F\varphi\).
In categories derived from \(\Hask\), objects are types. So the object component of a functor is a type constructor with kind * -> *
. We can enforce the morphism component using a type class, like so:
class
( CategoryC obj1 mor1, CategoryC obj2 mor2
, forall x. ( obj1 x ) => obj2 (f x) -- f maps obj1 to obj2
) => FunctorC obj1 mor1 obj2 mor2 (f :: * -> *)
where
fmapC
:: ( obj1 x, obj1 y )
=> mor1 x y
-> mor2 (f x) (f y)
This is a generalization of the standard Functor
class.


The ITK API provides a Java abstraction to the ITK transport and distribution mechanics. As such it aims to simplify the task of exchanging ITK based messages between applications whilst maintaining all of the benefits that the ITK "on the wire" specifications bring.
In addition to the the API the project also provides a reference implementation and set of examples scenarios that show how the API can be realised and used in real world uses.
1 ScenariosTo provide some context for how the APIs can be used we run through a number of common real world scenarios (based on our conversations with NHS trusts). These range from the technically simple synchronous query/response pattern to the more complex routed and acknowledged ITK messaging pattern. |
2 Try it!Aside from the API and reference implementation we have also provided a number of examples showing the scenarios in action. See downloads and the installation guide for further details. |
3 ReferenceIf you want to dig deeper there are a number of reference materials including the API Javadoc, reference implementation source code and a cross-mapping between the requirements and the reference implementation code. |


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Rice University Office of Technology Transfer : Rice University Office ...
Office of Technology Transfer · Available Technologies · Rice Community · Industry · Start-ups · About Us · Home · News · Staff · Available Technologies .
http://ott.rice.edu/
35 Miles from Center
pope co feed stores il


| name | company | number | |||||
| John | UBS |<PHONE_NUMBER> | |||||
| Sarah | BNP |<PHONE_NUMBER> | |||||
| This should work now | 353523 | Master | CAryle | ||||
| This should work now | 353523 | Master | CAryle | ||||
| This is inserting test then dupe check | 90000 | Ways | Carlito | ||||
| This is dupe test | 535353252 | Best comp | Carlyle | ||||
| 4.34343434343434E+020 | 4343434 | 433434343 | 44343434 | ||||
| 99999 | 9999 | 999 | 9999 | ||||
| 111111111 | 111 | 111 | 111 | 99999 | 9999 | 999 | 9999 |


IPForward is just a small utility, written in Java, that knows how to forward TCP/IP connections. It's similar to netcat (aka nc), albeit much simpler.


PocoGen consists of two applications, PocoGen.GUI and PocoGen.Runner. PocoGen.GUI is the primary application to configure the database source, naming rules and output formats. All these information make a Poco definition which can be executed to generate the output files and also be saved.
PocoGen.Runner is a command line application which just executes the Poco definitions. This is handy to recreate the output during a build in a Pre-Build command in Visual Studio, just like T4 templates.


Master Aiken:
Things were more orderly during the war with Elmore. We have entered an era of chaos.
Have you met the Bride of the Fire Dragon and acquired the vision of the dragon?
"Yes I have."


|
cds
1.2.0
|
posix-related wrappers More...
Typedefs | |
| typedef int | error_code |
| Posix error code type. | |
| typedef pthread_t | ThreadId |
| Posix thread id type. |
Functions | |
| static std::string | getSystemErrorText (error_code nCode) |
Get text for system error nCode . | |
| static error_code | getErrorCode () |
Get curent error code (returns errno ) | |
| static constexpr ThreadId | nullThreadId () |
| Null thread id constant. | |
| static ThreadId | getCurrentThreadId () |
| Get current thread id. | |
| static bool | isThreadAlive (ThreadId id) |
Checks if thread id is alive. | |
| static void | yield () |
| Yield thread. | |
| static void | backoff () |
| Default back-off thread strategy (yield) |
posix-related wrappers


Technology Forecasts: Artificial Intelligence
Artificial intelligence, or machine learning, as it’s referred to by some, is the use of algorithms to instruct computers or robots to perform processes characteristic of humans. Including the ability to discover meaning, learn from previous events, make generalizations and to apply creating new opportunities and evolving current positions, rather than eliminating them. “The creation of machine learning tools is allowing reason. The unique ability to solve problems and use reason to reach a predefined goal or solution is what makes artificial intelligence unique.
We caught up with Sherri Marquand, a Data Scientist for KinetEco, Inc., who worked with a team of engineers to develop self-healing solar panel grids. “We are in a unique time in history, similar to the industrial revolution, where industry is changing, and new innovations are transforming the landscape for both work and pleasure”, she said. “Machine learning is changing the landscape, and just like in the early 20th century people will need to make career changes to keep up with the innovations. The exciting news is that we are already seeing new industries and job opportunities that will fill the gaps created by automation and artificial intelligence.”
The disruption of industries, especially banking, insurance and retail will likely eliminate positions that are known for repetitive, redundant tasks. The good news it’s creating new opportunities and evolving current positions, rather than eliminating them. “The creation of machine learning tools is allowing new opportunities for employees and creating new career paths," said Doug Smith, direction of operations at Two Trees Olive Oil. “We excited to use automation for repetitive tasks and offer more engaging roles and opportunities to our employees.”
The Future of AI Technology
A surprising result of automation is the new ways artificial intelligence can inform opportunities to update outdated and inefficient processes. While we may have wild imaginations, that fear the Matrix may one day become a reality, the reality is that artificial intelligence is more likely to inform critical business processes and enhance research and development.
“Machine learning is a business solution, a way to optimize results, not a replacement for human thought,” according to Smith. “We are not planning to reduce our workforce, we are planning to fine tune our processes and optimize work/life balance, a core principle of our employee culture.”
Artificial intelligence is also having an impact in medical research and may one day help to prevent and cure diseases. It is also paving ways to prevent accidental deaths, such as sudden infant death syndrome (SIDS).
People living with disabilities are benefiting from AI technologies designed to transform the world around them. Apps can tell a blind person about their surroundings, so they can make informed decisions. Smart technology that allows you to change a thermostat or turn on lights are helping disabled people live more independently.


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Converts a (NodeJS) facebook-chat-api appstate into a (Python) fbchat session. See the examples/ directory for how this can be used to create an fbchat bot with BotCore.
Name of the file whose location contains the appstate data to be converted
Callback to use after conversion completed, passed the converted session
A variant of convert
that directly outputs the converted session to a file.
Location of appstate to be converted
Where to place the converted session
Callback called after conversion
Dumps the current login into a specified file.
Name of the file specifying where to store the login
Callback to use after writing the file
Exposes the underlying memjs memcache instance, which can be used for temporary storage. Use wisely, or you may break your BotCore installation!
NOTE: if you call this before logging in with login, it will return nothing; the memcache is not initialized until you log in.
The underlying BotCore memjs instance
Reads a new login into memory from a file.
Name of the file specifying where the imported login is stored
Callback to use after reading the login
Call this to initialize the login module and log into Facebook using facebook-chat-api. See examples/ for example usage.
called after login completed (successfully or unsuccessfully)
Logs out of Facebook.
Generated using TypeDoc
Login API
Provides various utilities for managing the login process, including login/logout and import/export of appstate files.
Encapsulates the login by caching the appstate in memory.


Protect the sensitive data, such as SQL connection strings, in your configuration files by encrypting it.
Connection strings stored in plaintext are dangerous, because an attacker that can compromise a server will be able to read those connection strings. Even if a machine is not compromised, connection strings stored in plaintext are accessible to administrators and any other users with sufficient privileges on the host machine and/or Windows domain.
Use DPAPI to encrypt the sensitive data in the configuration file on your WCF server machine. To encrypt the <connectionStrings> section by using the DPAPI provider with the machine-key store (the default configuration), run the following command from a command window:
aspnet_regiis -pe "connectionStrings" -app "/MachineDPAPI" -prov "DataProtectionConfigurationProvider"
The aspnet_regiis options are:
If you need to encrypt configuration file data on multiple servers in a Web farm, use the RSA protected configuration provider because of the ease with which you can export RSA key containers.
Adapted from Microsoft patterns & practices guidance.


How to save battery on your Samsung Galaxy S10 in 4 simple ways, Business Insider - Business Insider Singapore
by Dave Johnson, Business Insider US- There are various ways to save battery on the Samsung Galaxy S10, although a healthy battery should get you through an entire day on a single charge.
- Be sure to turn on your Galaxy S10’s Power Save mode, which you can customize to suit your needs.
- There are a number of other ways to save battery on your Galaxy S10, including turning off the Always-On Display and uninstalling power-hungry apps.
- Visit Business Insider’s homepage for more stories.
The Samsung Galaxy S10 has substantially better battery life than phones from just a few years ago – the Galaxy S10 Plus, for example, with its beefy 4,100 mAh battery, can last for as long as 12 hours of routine use.
Even so, your mileage may vary depending upon how you use your Galaxy S10. Here are some tips for getting the most out of your battery.
Check out the products mentioned in this article:
Samsung Galaxy S10 (From $849.99 at Best Buy)
How to save battery on a Samsung Galaxy S10
Turn on Power Save mode
The Galaxy S10’s Power Saving mode can be optimized to match how you use your phone, so you should definitely turn it on and choose the setting that works best for you.
1. Start the Settings app.
2. Tap “Device care” and then tap “Battery” in the lower-left corner.
3. Tap “Power mode.”
4. Choose the mode you want to use. Depending upon how aggressively you want to limit battery usage, tap “High performance,” “Optimized,” “medium power saving,” or “Maximum power saving.”
Disable the Always-On Display
The display is one of the biggest drains on your battery, and while the always-on display is pretty energy efficient, you can get more mileage out of each charge by turning it off.
1. Start the Settings app.
2. Tap “Lock screen.”
3. Turn off “Always On Display” by swiping its button to the left.
Uninstall power-hungry apps
You can check which apps are using the most power, and choose to either use them less frequently, or uninstall them.
1. Start the Settings app.
2. Tap “Device care” and then tap “Battery” in the lower left corner.
3. To the right of usage by app, choose “Today” or “1 week” to see how much battery usage each of your apps consumes over that time period.
For information on how to uninstall apps that are taking too much space, check out our article, “How to delete apps on your Samsung Galaxy, or disable apps that can’t be removed.”
 Many of these run perpetually in the background, meaning you’re potentially wasting battery life on things you probably don’t use.
Features like these are scattered all around the Settings app, but a great place to start is in the advanced features section.
1. Start the Settings app.
2. Tap “Advanced features.”
3. Explore the list of advanced features and turn off items you don’t recognize or don’t use. You can always turn features back on again later, and continue to experiment with settings that can save you valuable battery life.
Related coverage from How To Do Everything: Tech:
-
‘Why does my Samsung Galaxy S10 get hot?’: 5 ways to troubleshoot your Galaxy S10 if it’s overheating
-
How to turn off location tracking on a Samsung Galaxy S10, for all apps or individual apps
-
How to move apps on your Samsung Galaxy S10’s homescreen or Apps screen
-
‘Why am I not receiving text messages on my Samsung Galaxy S10?’: 5 ways to troubleshoot your Galaxy S10 if it’s not receiving texts


Chrysanthemums
Chrysanthemums (/krɪˈsænθəməm/), sometimes called mumingtons or chrysanths,[4] are flowering plants of the genus Chrysanthemum in the family Asteraceae. They are native to East Asia and northeastern Europe. Most species originate from East Asia and the center of diversity is in China.[5] Countless horticultural varieties and cultivars exist.
Chrysanthemums (Chinese: 菊花; pinyin: Júhuā) were first cultivated in China as a flowering herb as far back as the 15th century BC.[10] Over 500 cultivars had been recorded by 1630.[8] By 2014 it was estimated that there were over 20,000 cultivars in the world and about 7,000 cultivars in China.[11] The plant is renowned as one of the Four Gentlemen (四君子) in Chinese and East Asian Art. The plant is particularly significant during the Double Ninth Festival.


The Moving Picture Girls Under the Palms or Lost in the Wilds of Florida
by Laura Lee Hope
Chapter 20: Lost
Additional Information
- Year Published: 1914
- Language: English
- Country of Origin: United States of America
- Source: Hope, L. L. (1914). The Moving Picture Girls Under the Palms or Lost in the Wilds of Florida.New York: Grosset & Dunlap.
-
Readability:
- Flesch–Kincaid Level: 5.4
- Word Count: 1,759
- Genre: Adventure
- Keywords: florida stories, the moving picture girls under the palms
- ✎ Cite This
Downloads
Pushing her bow up sluggish streams—up rivers that flowed under arching trees, heavy with the gray moss, went the Magnolia. The party of moving picture players had been on the move for three days now, without a stop for taking of pictures, save those Russ made of the negroes cutting wood for the boilers. No dramas were to be made until they reached a certain wild and uninhabited part of Florida, of which Mr. Pertell had heard, and which he thought would be just right for his purpose.
They had left the vicinity of the alligator hunt, and were pushing on into the interior. In reality it was not so many miles from Sycamore, but it seemed a great way, so lonely was it in the palm forests and cypress swamps.
“Seems to me this is lonely enough to suit anyone,” observed Miss Pennington as she sat on deck with the others, and looked up stream.
“It surely is—I feel like screaming just to know that there is something alive around here,” added Miss Dixon.
“Go ahead!” laughed Russ. “No one will stop you!”
“Really the silence does seem to get on one’s nerves,” put in Mr. Towne. “It—er—interferes with—er—thinking, you know.”
“Didn’t know you ever indulged in that habit!” chaffed Paul.
“Oh, why—er—my deah fellah! Of course I do—at times. I find—I really find I have to give a great deal of consideration—at times—to the suit samples my tailor sends me. And really I shall not be sorry to get back to deah old N’York and renew my wardrobe.”
“If he has any more suits he’ll have to get a man to look after them,” remarked Alice.
“Oh, hush!” chided Ruth.
Then silence once more settled down over the company on the upper deck of the Magnolia. An awning protected them from the hot sun, and really it was very pleasant traveling that way. Of course it was lonesome and the solitude was depressing. For days they would see nothing save perhaps the boat of some solitary fisherman, or alligator hunter.
Occasionally they saw some of the big saurians themselves, as they slipped into the water from some log, or sand bar, on the approach of the steamer. Now and then some wild water fowl would dart across the bows of the boat, uttering its harsh cries.
Russ got a number of fine nature films, but the real work of making dramas would not take place for another day or two. Meals were served aboard, though once or twice, when a long stop had to be made for the cutting of fuel, a shore party was made up.
Then they would take their luncheon with them, seek out some little palm-shaded glade, and there feast and make merry. Ruth and Alice, with Paul and Russ, always enjoyed these trips.
“I think this will about suit us,” said Mr. Pertell, one evening, as the Magnolia made a turn in the stream, and came to a place where another sluggish river joined it. “This is the spot spoken of by Jed, and the surrounding country will give us just the scenery we want, I think. We will tie up here for the night, and you and I will make an examination to-morrow, Russ.”
“All right, sir. It looks like a good location to me.”
It was so warm that supper really was almost a waste of effort on the part of the cook that evening, for few ate much. Then came a comfortable time spent on the deck, while the night wind cooled the day-heated air.
“Oh, isn’t this positively stifling!” complained Miss Pennington as she dropped into a chair beside Ruth. “How do you ever stand it? I’ve bathed my face in cologne, and done everything I can think of to cool off.”
“Perhaps if you didn’t do so much you would keep cooler,” Ruth suggested with a smile. “And really that is a very warm gown you have on.”
“I know it, but it’s so becoming to me—at least, I flatter myself it is,” and she glanced in the direction of Mr. Towne, who as usual was attired “to the limit,” as Russ said.
Ruth and Alice, in cool muslins or lawns, were quite in contrast to the rather overdressed former vaudeville actresses.
“I can lend you a kimono,” offered Alice.
“No, thank you!” replied Miss Pennington. “I believe in a certain refinement in dress, even if we are in the wilds of Florida.”
“I believe in being comfortable,” retorted Alice.
Miss Dixon came up on deck, redolent of a highly perfumed talcum powder.
“It seems to keep away the mosquitoes,” she murmured in explanation, though no one had said anything, even if Russ did sniff rather ostentatiously.
“I should think it would attract them,” chuckled Paul.
“Oh, indeed!” said Miss Dixon, and changed her mind about taking a seat near him.
Returning from a little exploring party next day Russ and Mr. Pertell reported the locality to be just what was wanted.
“We start work to-morrow,” said the manager. “And I want everyone to do his or her best, for this will bring our Florida stay to a close.”
“And what next?” asked Mr. DeVere.
“I haven’t made up my mind yet. But there will be plenty of other pictures to make.”
During the next few days every member of the company, from Mr. DeVere to Tommy and Nellie, had their share of work. There were romantic plays filmed, and in these Ruth had good parts. As for Alice she rejoiced when she had humorous “stunts” to do.
“You are getting to be a regular ‘cut-up’,” laughed Paul at the close of one of her performances.
“Yes, and I hope she doesn’t get too much that way,” said Ruth.
“No danger, sister mine, with you to keep me straight,” was the answer, as Alice put an arm around Ruth.
Some comic films were made, and in a few of these Mr. Sneed and Mr. Towne had to do “stunts” such as falling in the mud and water, or toppling down hills head over heels. But Mr. Pertell was careful to warn them not to run dangerous risks.
Mr. DeVere, as usual, did more dignified work, and Mr. Bunn was delighted when told that he might do a bit of Shakespeare. And to do him credit, he acted well, much better than some of his associates had supposed he could.
“I have a new idea for to-day,” said Mr. Pertell one morning, as the day’s work was about to start. “In one drama I wish to show a little picnic scene, with two girls and their mother. You will be the mother, Mrs. Maguire, and with Ruth and Alice will go off up a side stream in a boat. Russ will go along, of course, to manage the camera, and I think I’ll send Paul to help row the boat.
“You will also have a regular picnic lunch along—real food, by the way, and you will spread it out in some picturesque spot and eat.” Mr. Pertell then went on giving directions for the acting of the drama that was to center around the little picnic.
In due time the boat was loaded with the camera and provisions, and Paul helped in Ruth, Alice and Mrs. Maguire. Then he got in with the gun.
“Better take your raincoats along,” advised Mr. DeVere to his daughters, “it looks like a shower and you won’t be back before night.”
Accordingly the garments were tossed into the boat, and then, leaving the Magnolia moored to the bank, the small craft started off up a little side stream that was to be followed for a mile or two.
Russ picked out a likely spot for the picnic scene and after a bit of rehearsal Ruth, Alice, Mrs. Maguire and Paul went through the little play.
“This is more fun than acting,” remarked Alice, as she reached for another chicken sandwich.
There was more to do after the meal, and when what food remained had been packed up for a luncheon later in the afternoon, they entered the boat again, and started still farther up stream.
The last film had been made and as the shadows were lengthening the start back was made.
“My, it’s getting dark very quickly, and it’s only three o’clock,” said Paul, as he looked at his watch.
“Going to rain, I guess,” said Russ. And rain it did a little later, the drops coming down with tropical violence.
“Oughtn’t we to be at the steamer by this time?” asked Mrs. Maguire, when they could hardly see.
“Well, maybe we had,” agreed Paul.
The light was set aglow, and then the young men shouted and called:
“Magnolia ahoy!”
Echoes were their only answer, save the bellow or grunt of some distant alligator, or the screech of some disturbed wild fowl.
“This is queer,” observed Russ. “I’m sure we have rowed back far enough to be at the place where we left the steamer. I wonder—”
But he did not finish.
“What do you wonder?” asked Alice, searchingly.
“Oh—nothing,” Russ hesitated.
“Yes, it is something!” she insisted.
“Well, then, I was wondering if we possibly could have come down some wrong creek.
“Well, I’m afraid I do.”


|
Notes:
If
the data and/or config URL's
contain parameters themselves
(eg. if a parameter was being
passed to a data script) then
these URL's should be encoded.
This is because they will
be added inside the URL of
the <IMG> tag.
For
example if your data process
was a php script which accepted
a parameter "year"
then the URL for this would
be:-
http://www.yourdomain.com/graphinfo/data.php?year=2005
The
encoded version of this would
be:-
http://www.yourdomain.com/graphinfo/data.php%3Fyear%3D2005
If
they are not encoded then
a browser will not interpret
them correctly.
If
you need to encode your URL's
then a good tool can be found
at:-
http://www.w3schools.com/html/html_ref_urlencode.asp
|


Porting GCC requires two things, neither of which has anything to do with GCC. If GCC already supports a processor type, then all the work in porting GCC is really a linker issue. All GCC has to do is produce assembler output in the proper syntax. Most of the work is done by the linker, which is described elsewhere.
Mostly all GCC does is format the command line for the linker pass. The
command line for GCC is set in the various config subdirectories of gcc.
The options of interest to us are CPP_SPEC
and
STARTFILE_SPEC
. CPP_SPEC sets the builtin defines for your
environment. If you support multiple environments with the same
processor, then OS specific defines will need to be elsewhere.
STARTFILE_SPEC
Once you have linker support, GCC will be able to produce a fully linked executable image. The only part of GCC that the linker wants is a crt0.o, and a memory map. If you plan on running any programs that do I/O of any kind, you’ll need to write support for the C library, which is described elsewhere.
| • Overview: | An overview as to the compilation passes. | |
| • Options: | Useful GCC options for embedded systems. |


{% extends "base.html" %}
{% block title %}{{ title }}{% endblock %}
{% block content %}
ALM
ALM Art Gallery is an open source website containing over 100 different varieties of paintings and sculptures, including collections of visuals, performing, and media arts of modern and medieval times. A reflection of our multidisciplinary mission and the increasingly cross-disciplinary practice of artists, ALM gallery reflect a diverse range of artistic pursuits, including: a permanent collection of visual arts, the Moving Image Collection, performing arts commissions, the library’s Collection of artists’ books, Company Collection like those from Pixar, and the Digital Arts Study Collection. Browse our holdings and learn more about the art and artists who animate our collections.
Frontend Developer
Undergraduate in Bachelors of Technology (Computer Engineering) at Jamia Millia Islamia, New Delhi
Backend Developer
Undergraduate in Bachelors of Technology (Computer Engineering) at Jamia Millia Islamia, New Delhi
Team Leader
Undergraduate in Bachelors of Technology (Computer Engineering) at Jamia Millia Islamia, New Delhi
Write a review...


[I am posting five reviews of STAR TREK VI. I could easily swamp the group with reviews of this movie, so I will probably not post any more unless they say something very different than those posted here (e.g., a review of the fashions in STAR TREK 6 :-) ). Followups are directed to rec.arts.startrek to keep the discussion in the appropriate group. -Moderator]
STAR TREK VI: THE UNDISCOVERED COUNTRY A film review by Sarah M. Elkins Copyright 1991 Sarah M. Elkins
STVI: science fiction adventure, building on previous Star Trek adventures.
Plot kickoff: The Federation and the Klingon Empire try to have a peace conference.
Characters/acting: Not much new here, except I really liked Kim Cattrall as the new Vulcan, Valeris (violates the naming convention, hmmm). Good Vulcan. I also liked McCoy better than in the last couple of movies. I would have liked to see more of Captain Sulu. The humor wasn't as stupid/out of character as in STAR TREK V: THE FINAL FRONTIER. However, next to the Shakespeare-quoting Klingons; the humans seemed pathetically ignorant of Klingons and ethnocentric to boot. Look quick for Communications Officer Janice Rand.
Cinematography/FX: Good space battles (nothing new), other FX are better and newer, especially the null-G blood.
Score/Sound: rehash of other ST themes.
Violence/language: null-G blood, mostly Klingon. Some shootings, and a couple of handfights. Some curses, not all that much.
Skin/situations: a kiss.
Analysis: People who haven't watched much Star Trek in the past may not pick up on the flaws (see below), so they may like it better than many regular fans. Regular fans may like it because it's not as bad as STAR TREK V was. Overall mildly enjoyable, some pretty good moments, but annoying in other spots. My order of fanship of ST movies: 2, 4, 3, 1, 6, 5, ... on some days I might put 6 ahead of 1.
SPOILERS
Complaints: characters acting in ways they wouldn't have, saying things they wouldn't have, doing things they wouldn't have. Too numerous to list.  Court martial these sorry excuses for Starfleet officers. Why didn't they just beam the gravity boots into space? Yet another conspiracy. Getting old, especially to TNG watchers. Pretty predictable. Would Federation officers really be dopey enough to conspire with Klingons on assassination attempts? Non-working Universal Translator. Kitchen. Unrealistic last 10 minutes -- come on, would the conference delegates really have believed Kirk etc., busting in like that? All shiny happy people? I don't think so. And what did Kirk mean, "And you have restored my son's [faith]?" Howzzat? Lack of adherence to IDIC (speciesist/ethnocentric).
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


OnDestroyMixin() provides an easy to use observable that is fired at component/directive/pipe
destruction. The most direct use case for this is to use it in a takeUntil() close like below.
Since it is the most common use case, OnDestroyMixin() comes with a helper method called
untilDestroyed() which is just a wrapper for
takeUntil(this.onDestroy$)
There are 2 more helpers that can be quite useful:
-
The firstUntilDestroyed() method which provides a combination of
first() and untilDestroyed()
-
The OnDestroy$ class that is just a quick wrapper for
OnDestroyMixin(class{{ '{' }}})
With all this, the code of a component could be as simple as


Chat Screen-Shot Classification Using
CNN
UPLOAD
PREDICT
I think it's
...
Upload any
.png or .jpg image
...and wait for 10 sec. I will tell you whether it's a chat ScreenShot or a Normal Image!


Data Structures | |
| struct | USB_Audio_Interface_AC_t |
| Audio class-specific Interface Descriptor. More... | |
| struct | USB_Audio_FeatureUnit_t |
| Audio class-specific Feature Unit Descriptor. More... | |
| struct | USB_Audio_InputTerminal_t |
| Audio class-specific Input Terminal Descriptor. More... | |
| struct | USB_Audio_OutputTerminal_t |
| Audio class-specific Output Terminal Descriptor. More... | |
| struct | USB_Audio_Interface_AS_t |
| Audio class-specific Streaming Audio Interface Descriptor. More... | |
| struct | USB_Audio_SampleFreq_t |
| 24-Bit Audio Frequency Structure. More... | |
| struct | USB_Audio_Format_t |
| Audio class-specific Format Descriptor. More... | |
| struct | USB_Audio_StreamEndpoint_Std_t |
| Audio class-specific Streaming Endpoint Descriptor. More... | |
| struct | USB_Audio_StreamEndpoint_Spc_t |
| Audio class-specific Extended Endpoint Descriptor. More... | |
Defines | |
| #define | AUDIO_TOTAL_SAMPLE_RATES 1 |
| #define | DTYPE_AudioInterface 0x24 |
| #define | DTYPE_AudioEndpoint 0x25 |
| #define | DSUBTYPE_Header 0x01 |
| #define | DSUBTYPE_InputTerminal 0x02 |
| #define | DSUBTYPE_OutputTerminal 0x03 |
| #define | DSUBTYPE_FeatureUnit 0x06 |
| #define | DSUBTYPE_General 0x01 |
| #define | DSUBTYPE_Format 0x02 |
| #define | CHANNEL_LEFT_FRONT (1 << 0) |
| #define | CHANNEL_RIGHT_FRONT (1 << 1) |
| #define | CHANNEL_CENTER_FRONT (1 << 2) |
| #define | CHANNEL_LOW_FREQ_ENHANCE (1 << 3) |
| #define | CHANNEL_LEFT_SURROUND (1 << 4) |
| #define | CHANNEL_RIGHT_SURROUND (1 << 5) |
| #define | CHANNEL_LEFT_OF_CENTER (1 << 6) |
| #define | CHANNEL_RIGHT_OF_CENTER (1 << 7) |
| #define | CHANNEL_SURROUND (1 << 8) |
| #define | CHANNEL_SIDE_LEFT (1 << 9) |
| #define | CHANNEL_SIDE_RIGHT (1 << 10) |
| #define | CHANNEL_TOP (1 << 11) |
| #define | FEATURE_MUTE (1 << 0) |
| #define | FEATURE_VOLUME (1 << 1) |
| #define | FEATURE_BASS (1 << 2) |
| #define | FEATURE_MID (1 << 3) |
| #define | FEATURE_TREBLE (1 << 4) |
| #define | FEATURE_GRAPHIC_EQUALIZER (1 << 5) |
| #define | FEATURE_AUTOMATIC_GAIN (1 << 6) |
| #define | FEATURE_DELAY (1 << 7) |
| #define | FEATURE_BASS_BOOST (1 << 8) |
| #define | FEATURE_BASS_LOUDNESS (1 << 9) |
| #define | TERMINAL_UNDEFINED 0x0100 |
| #define | TERMINAL_STREAMING 0x0101 |
| #define | TERMINAL_VENDOR 0x01FF |
| #define | TERMINAL_IN_UNDEFINED 0x0200 |
| #define | TERMINAL_IN_MIC 0x0201 |
| #define | TERMINAL_IN_DESKTOP_MIC 0x0202 |
| #define | TERMINAL_IN_PERSONAL_MIC 0x0203 |
| #define | TERMINAL_IN_OMNIDIR_MIC 0x0204 |
| #define | TERMINAL_IN_MIC_ARRAY 0x0205 |
| #define | TERMINAL_IN_PROCESSING_MIC 0x0206 |
| #define | TERMINAL_IN_OUT_UNDEFINED 0x0300 |
| #define | TERMINAL_OUT_SPEAKER 0x0301 |
| #define | TERMINAL_OUT_HEADPHONES 0x0302 |
| #define | TERMINAL_OUT_HEAD_MOUNTED 0x0303 |
| #define | TERMINAL_OUT_DESKTOP 0x0304 |
| #define | TERMINAL_OUT_ROOM 0x0305 |
| #define | TERMINAL_OUT_COMMUNICATION 0x0306 |
| #define | TERMINAL_OUT_LOWFREQ 0x0307 |
| #define | AUDIO_SAMPLE_FREQ(freq) {LowWord: ((uint32_t)freq & 0x00FFFF), HighByte: (((uint32_t)freq >> 16) & 0x0000FF)} |
| #define | EP_ACCEPTS_ONLY_FULL_PACKETS (1 << 7) |
| #define | EP_ACCEPTS_SMALL_PACKETS (0 << 7) |
Constants, Types and Enum definitions that are common to both Device and Host modes for the USB Audio Class.
| #define AUDIO_SAMPLE_FREQ | ( | freq | ) | {LowWord: ((uint32_t)freq & 0x00FFFF), HighByte: (((uint32_t)freq >> 16) & 0x0000FF)} |
Convenience macro, to fill a 24-bit AudioSampleFreq_t structure with the given sample rate as a 24-bit number.
| [in] | freq | Required audio sampling frequency in HZ |
| #define AUDIO_TOTAL_SAMPLE_RATES 1 |
Total number of discrete audio sample rates supported by the device. This value can be overridden by defining this token in the project makefile to the desired value, and passing it to the compiler via the -D switch.
| #define CHANNEL_CENTER_FRONT (1 << 2) |
Supported channel mask for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define CHANNEL_LEFT_FRONT (1 << 0) |
Supported channel mask for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define CHANNEL_LEFT_OF_CENTER (1 << 6) |
Supported channel mask for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define CHANNEL_LEFT_SURROUND (1 << 4) |
Supported channel mask for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define CHANNEL_LOW_FREQ_ENHANCE (1 << 3) |
Supported channel mask for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define CHANNEL_RIGHT_FRONT (1 << 1) |
Supported channel mask for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define CHANNEL_RIGHT_OF_CENTER (1 << 7) |
Supported channel mask for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define CHANNEL_RIGHT_SURROUND (1 << 5) |
Supported channel mask for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define CHANNEL_SIDE_LEFT (1 << 9) |
Supported channel mask for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define CHANNEL_SIDE_RIGHT (1 << 10) |
Supported channel mask for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define CHANNEL_SURROUND (1 << 8) |
Supported channel mask for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define CHANNEL_TOP (1 << 11) |
Supported channel mask for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define DSUBTYPE_FeatureUnit 0x06 |
Audio class descriptor subtype value for a Feature Unit Audio class-specific descriptor.
| #define DSUBTYPE_Format 0x02 |
Audio class descriptor subtype value for an Audio class-specific descriptor indicating the format of an audio stream.
| #define DSUBTYPE_General 0x01 |
Audio class descriptor subtype value for a general Audio class-specific descriptor.
| #define DSUBTYPE_Header 0x01 |
Audio class descriptor subtype value for a Audio class-specific header descriptor.
| #define DSUBTYPE_InputTerminal 0x02 |
Audio class descriptor subtype value for an Output Terminal Audio class-specific descriptor.
| #define DSUBTYPE_OutputTerminal 0x03 |
Audio class descriptor subtype value for an Input Terminal Audio class-specific descriptor.
| #define DTYPE_AudioEndpoint 0x25 |
Descriptor header constant to indicate a Audio class endpoint descriptor.
| #define DTYPE_AudioInterface 0x24 |
Descriptor header constant to indicate a Audio class interface descriptor.
| #define EP_ACCEPTS_ONLY_FULL_PACKETS (1 << 7) |
Mask for the attributes parameter of an Audio class-specific Endpoint descriptor, indicating that the endpoint accepts only filled endpoint packets of audio samples.
| #define EP_ACCEPTS_SMALL_PACKETS (0 << 7) |
Mask for the attributes parameter of an Audio class-specific Endpoint descriptor, indicating that the endpoint will accept partially filled endpoint packets of audio samples.
| #define FEATURE_AUTOMATIC_GAIN (1 << 6) |
Supported feature mask for an Audio class feature unit descriptor. See the Audio class specification for more details. Supported feature mask for an Audio class feature unit descriptor. See the Audio class specification for more details.
| #define FEATURE_BASS (1 << 2) |
Supported feature mask for an Audio class feature unit descriptor. See the Audio class specification for more details.
| #define FEATURE_BASS_BOOST (1 << 8) |
Supported feature mask for an Audio class feature unit descriptor. See the Audio class specification for more details.
| #define FEATURE_BASS_LOUDNESS (1 << 9) |
Supported feature mask for an Audio class feature unit descriptor. See the Audio class specification for more details.
| #define FEATURE_DELAY (1 << 7) |
Supported feature mask for an Audio class feature unit descriptor. See the Audio class specification for more details.
| #define FEATURE_GRAPHIC_EQUALIZER (1 << 5) |
Supported feature mask for an Audio class feature unit descriptor. See the Audio class specification for more details.
| #define FEATURE_MID (1 << 3) |
Supported feature mask for an Audio class feature unit descriptor. See the Audio class specification for more details.
| #define FEATURE_MUTE (1 << 0) |
Supported feature mask for an Audio class feature unit descriptor. See the Audio class specification for more details.
| #define FEATURE_TREBLE (1 << 4) |
Supported feature mask for an Audio class feature unit descriptor. See the Audio class specification for more details.
| #define FEATURE_VOLUME (1 << 1) |
Supported feature mask for an Audio class feature unit descriptor. See the Audio class specification for more details.
| #define TERMINAL_IN_DESKTOP_MIC 0x0202 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_IN_MIC 0x0201 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_IN_MIC_ARRAY 0x0205 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_IN_OMNIDIR_MIC 0x0204 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_IN_OUT_UNDEFINED 0x0300 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_IN_PERSONAL_MIC 0x0203 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_IN_PROCESSING_MIC 0x0206 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_IN_UNDEFINED 0x0200 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_OUT_COMMUNICATION 0x0306 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_OUT_DESKTOP 0x0304 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_OUT_HEAD_MOUNTED 0x0303 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_OUT_HEADPHONES 0x0302 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_OUT_LOWFREQ 0x0307 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_OUT_ROOM 0x0305 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_OUT_SPEAKER 0x0301 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_STREAMING 0x0101 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_UNDEFINED 0x0100 |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.
| #define TERMINAL_VENDOR 0x01FF |
Terminal type constant for an Audio class terminal descriptor. See the Audio class specification for more details.


property Sampler: TCustomSampler;
When the TNestedSampler class is instantiated, it requires a separate sampler to forward samples to its own particular GetSample implementation. Thus it is essential that this property is properly set up to point to another sampler (circular references must also be avoided).


Some algorithm routines and templates
Consumes the front of range as long the elements are inside pattern. Works similar to std.string.munch, except this works with general ranges. Parameters:
| ref R range | The input range to be processed. |
| E pattern | An input range of the same element type of the range |
Returns:
The material consumed.
Merges the indexes and values of an associative array using a supplied function.
Parameters:
| func | A function that takes a key,value pair and merges them |
| array | An associative array to be melded. |
Returns:
An array containing the results of the meld.
Example
string[string] x = [ "one":"1", "bee":"3", "john":"66" ]; char[] z; auto y = x.meld!((a,b) => (a~b)); assert (y == [ "one1", "bee3", "john66" ]);
Returns everything in primary that is not in secondary.
Parameters:| T[] primary | The array to be adjusted |
| T[] secondary | The filter |
Returns:
An array containing all elements in primary that are not in secondary.
Alternative to std.alogrithm.findSplit usable with non-rewindable ranges. Haystack becomes adjusted to the remaining range.
Parameters:| R1 haystack | The input range to be split. |
| R2 needle | The input range to be searcched for that will split the range. |
Returns:
A tuple containing the part of the input prior to the needle, and the needle itself.
If the needle was not found, the tuple will contain the whole input range and an empty range.
The original range will be adjusted to be the remaining input after the needle.
Similar to std.algorithm.map except that the mapping function is not a template parameter. Instead a delegate is provided at run time when creating the object.
An rtMap instance defines an input range of type T.
Template Parameters:| R | The type of the input range to be mapped. |
| T | The element type of rtMap. |
| this(R range, T delegate(ElementType!R) mapper) | Construct the object with a range and mapper function. |
| @property T front() | |
| @property bool empty() | |
| void popFront() |
uint m1(uint i) { return i+3; } uint m2(uint i) { return i+6; } uint[] src = [ 0, 4, 7 ]; auto rmap = rtMap!(uint[], uint)(src, &m1); auto dest = appender!(uint[]); rmap.copy(dest); assert(dest.data == [ 3, 7, 10 ]); rmap = rtMap!(uint[], uint)(src, &m2); dest = appender!(uint[]); rmap.copy(dest); assert(dest.data == [ 6, 10, 13 ]);


Search valid Oracle accounts remotely
This module has been created for trying to guess Oracle users' passwords only. You must have a valid SID for running this module.
- The following command tries to connect to the database using the accounts/accounts.txt file by default:
./odat.py passwordguesser -s $SERVER -d $SID
This default file (accounts.txt) does not contain several passwords for a specific account. Useful when you don't want lock Oracle accounts.
- If you want to try each Oracle username with multiple passwords:
./odat.py passwordguesser -s $MYSERVER -p $PORT --accounts-file accounts_multiple.txt
- If you want to use your login file and password file:
./odat.py passwordguesser -s $MYSERVER -p $PORT --accounts-files accounts/logins.txt accounts/pwds.txt
To be sure that each login will be tested as a password (uppercase and lowercase), the option --login-as-pwd can be used.


Where CSS and HTML are static, load-on-command web page features, Javascript is a resposive language that reacts and actively re/animates the page while it's open. It's adaptable in its command features; where HTML/CSS say "do this," JS says "If this, than do that. If not, do this instead."
Control loops and flow refer to the order in which statements or functions are executed. In the suggestion, "waking up" would include the control flor of regain consciousness, open eyes, stretch in bed, (often) snooze alarm, sit upright, exit bed, proceed to bathroom, etc. Loops would encourage me to check the status of my tasks on a given day, as what is most pressing on a Monday would likely be quite differnt than the loops required on a Saturday.
An array is a set of data from which to pull; they also start at the numerical index of 0. Objects get stored in "key value pairs" which essentially means the key has to be called directly to access it's value.
Functions allow the user to input what is essentially a command equation that can have an infinite set of varialbes switched in and out of it. They allow users to catagories and call certain types of data from a consistent format, keeping it organized and properly attributed.


These sandwiches are the best I've ever tasted, for sure. I now eat them every day - breakfast, lunch and dinner.
Mr Smith, Professional sandwich taster
My team are always far more productive after we order from Sam's. 40% more productive, in fact.
Miss McAdam, CEO Workplace Analytics
We SWITCHED HELLO!!!to Sam's Sarnies and won our first government contract the next day. Coincidence? I think not!
We believe that healthy workers are more productive workers.
Providing your team with a healthy lunch each day improves both motivation and morale.
We deliver healthy sandwiches, made with the best ingredients, to your workplace eve ry day.


twitchAPI.webhook.TwitchWebHook¶
-
class
twitchAPI.webhook.
TwitchWebHook
(callback_url: str, api_client_id: str, port: int)¶ Webhook integration for the Twitch Helix API.
-
__init__
(callback_url: str, api_client_id: str, port: int)¶ Initialize self. See help(type(self)) for accurate signature.
Methods
__init__
(callback_url, api_client_id, port)Initialize self.
authenticate
(auth_token)start
()stop
()subscribe_channel_ban_change_events
(…)Subscribe to Channel Ban Change Events See https://dev.twitch.tv/docs/api/webhooks-reference#topic-channel-ban-change-events for documentation
subscribe_extension_transaction_created
(…)Subscribe to Extension transaction topic See https://dev.twitch.tv/docs/api/webhooks-reference#topic-extension-transaction-created for documentation
subscribe_moderator_change_events
(…)Subscribe to Moderator Change Events Topic See https://dev.twitch.tv/docs/api/webhooks-reference#topic-moderator-change-events for documentation
subscribe_stream_changed
(user_id, callback_func)Subscribe to stream changed topic See https://dev.twitch.tv/docs/api/webhooks-reference#topic-stream-changed for documentation
subscribe_subscription_events
(…[, …])Subscribe to Subscription Events Topic See https://dev.twitch.tv/docs/api/webhooks-reference#topic-subscription-events for documentation
subscribe_user_changed
(user_id, callback_func)Subscribe to subscription event topic See https://dev.twitch.tv/docs/api/webhooks-reference#topic-user-changed for documentation
subscribe_user_follow
(from_id, to_id, …)Subscribe to user follow topic.
unsubscribe_channel_ban_change_events
(uuid)Unsubscribe from Channel Ban Change Events Topic
unsubscribe_extension_transactions_created
(uuid)Unsubscribe from Extension transaction created Topic
unsubscribe_moderator_change_events
(uuid)Unsubscribe from Moderator Change Events Topic
unsubscribe_stream_changed
(uuid)Unsubscribe to stream changed topic
unsubscribe_subscription_events
(uuid)Unsubscribe from Subscription Events Topic
unsubscribe_user_changed
(uuid)Unsubscribe from subscription event topic
unsubscribe_user_follow
(uuid)Unsubscribe to user follow topic
Attributes
callback_url
secret
subscribe_least_seconds
The duration in seconds for how long you want to subscribe to webhhoks.
-


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Connect
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Transport Canada
www.tc.gc.ca
Home > Transport Canada > Proactive Disclosure > Disclosure of Contracts


new PointDistribution()
This module is used to create different point distributions that can be
turned into different tile sets when made into a graph format. There are
various different distributions that can be used to create interesting
tile patterns when turned into a voronoi diagram.
Methods
-
staticPointDistribution.exports.circular(bbox, d){Array.<Vector>}
Not Implemented Yet
-
Creates a circular distribution of points in a particular bounding box with a particular average distance between points.
Name Type Description bbox
Rectangle The bounding box to create the points in d
number Average distance between points Returns:
Type Description Array.<Vector> The list of randomly distributed points -
staticPointDistribution.exports.hexagon(bbox, d, flatTop, w, h){Array.<Vector>}
-
Creates a uniform hexagonal distribution of points in a particular bounding box with a particular distance between points. The hexagons can also be specified to have a particular width or height as well as creating hexagons that have "pointy" tops or "flat" tops. By default it makes flat tops.
Name Type Default Description bbox
Rectangle The bounding box to create the points in d
number Average distance between points flatTop
boolean true optional Create hecagons with flat tops by default. Otherwise go with the pointy top hexagons. w
number The width of the hexagon tiles h
number The height of the hexagon tiles Returns:
Type Description Array.<Vector> The list of randomly distributed points -
staticPointDistribution.exports.jitteredGrid(bbox, d, seed, m){Array.<Vector>}
Create a jittered grid based random blue noise point distribution.
-
Creates a blue noise distribution of points in a particular bounding box with a particular average distance between points. This is done by creating a grid system and picking a random point in each grid. This has the effect of creating a less random distribution of points. The second parameter m determins the spacing between points in the grid. This ensures that no two points are in the same grid.
Name Type Default Description bbox
Rectangle The bounding box to create the points in d
number Average distance between points seed
number null optional If specified use a local seed for creating the point distribution. Otherwise, use the current global seed for generation m
number 0 optional Maximum distance away from the edge of the grid that a point can be placed. This acts to increase the padding between points. This makes the noise less random. This number must be smaller than d. Returns:
Type Description Array.<Vector> The list of randomly distributed points -
staticPointDistribution.exports.poisson(bbox, d){Array.<Vector>}
Create a blue noise distribution of points using poisson disk sampling.
-
Creates a poisson, or blue noise distribution of points in a particular bounding box with a particular average distance between points. This is done by using poisson disk sampling which tries to create points so that the distance between neighbors is as close to a fixed number (the distance d) as possible. This algorithm is implemented using the poisson dart throwing algorithm.
Name Type Description bbox
Rectangle The bounding box to create the points in d
number Average distance between points Returns:
Type Description Array.<Vector> The list of randomly distributed points -
staticPointDistribution.exports.random(bbox, d, seed){Array.<Vector>}
-
Creates a random distribution of points in a particular bounding box with a particular average distance between points.
Name Type Default Description bbox
Rectangle The bounding box to create the points in d
number Average distance between points seed
number null optional If specified use a local seed for creating the point distribution. Otherwise, use the current global seed for generation Returns:
Type Description Array.<Vector> The list of randomly distributed points -
staticPointDistribution.exports.recursiveWang(bbox, d){Array.<Vector>}
Not Implemented Yet
-
Creates a blue noise distribution of points in a particular bounding box with a particular average distance between points. This is done by using recursive wang tiles to create this distribution of points.
Name Type Description bbox
Rectangle The bounding box to create the points in d
number Average distance between points Returns:
Type Description Array.<Vector> The list of randomly distributed points -
staticPointDistribution.exports.square(bbox, d){Array.<Vector>}
-
Creates a square grid like distribution of points in a particular bounding box with a particular distance between points.
Name Type Description bbox
Rectangle The bounding box to create the points in d
number Average distance between points Returns:
Type Description Array.<Vector> The list of randomly distributed points -
staticPointDistribution.exports.squareJitter(bbox, d, amm){Array.<Vector>}
-
Creates a square grid like distribution of points in a particular bounding box with a particular distance between points. The grid has also been slightly purturbed or jittered so that the distribution is not completely even.
Name Type Description bbox
Rectangle The bounding box to create the points in d
number Average distance between points amm
number The ammount of jitter that has been applied to the grid Returns:
Type Description Array.<Vector> The list of randomly distributed points


@(weatherForm: Form[models.WeatherRequest])(implicit messages: Messages)
Test get Request
Enter the town you would like weather data for.
@helper.form(action = routes.WSExampleController.submitWeatherRequest) {
@helper.inputText(
weatherForm("town"),
'_label -> "Town"
)
}


By default, T-Shirt Pop Up rely on Font Awesome and Animate.css to add graphics and animation into the popup. It use minimal styling to easy overide the CSS. T-Shirt Pop Up design to load content for external link and append it into the document.
Basic popup. Just add the function to the jquery selector, it will take care everything.
$("a").popup();
Popup with width and height. By default, the popup will use the content width and height, you can either specific the width or height in the CSS or set the paramater like this:
$("a").popup({ width: 400, height: 100 });
Popup with different show animation. For list of animation that you can use, please visit animate.css.
$("a").popup({ animation: "bounceInUp" });
Basic popup with custom class. You can set the content div class name into something that you We style the content with orange color.
$("a").popup({ className: "customClass" });
Loading something that unvailable or url from different domain will produce a broken link window.
You can view the source code for more information about popup features.


Kristoffer Kuvaja is a 28-year-old male student at Arcada University of applied sciences, residing in Finland, Espoo with his wife and 7 year old son.
The project was made during his first year of studies for the course Webb-development. The goal of the site is to promote himself and his passions while learning the basics of html5 and CSS.
Many of the sites elements where inspired by various sites across the internet but was mainly built with the many resources available for free at: https://www.w3schools.com/
Thank you for visiting!


An Implementation Event is a behaviour element that denotes a state change related to implementation or migration.
Work Packages may be triggered or interrupted by an Implementation Event. Also, work packages may raise events that trigger other behaviour. Unlike a Work Package, an event is instantaneous: it does not have duration.
An Implementation Event may have a time attribute that denotes the moment or moments at which the event happens.
Implementation Events access Deliverables to fulfil project objectives.
An Implementation Event may trigger or be triggered (raised) by a Work Package or a Plateau. An Implementation Event may access a Deliverable and may be composed of other Implementation Events.
An Implementation Event may be associated with any core element; e.g., to indicate a lifecycle state change.
The name of an Implementation Event should preferably be a verb in the perfect tense.
Implementation and Migration
"Release to production", "Project initiation phase completed".