FIREWORKS A film review by Steve Rhodes Copyright 1998 Steve Rhodes
RATING (0 TO ****): ***
As the married couple, Nishi and Miyuki, gather for an evening of arranging little tiled shapes into various geometric patterns, they share their common bond of love without uttering a single word. The Japanese couple in FIREWORKS enjoy two sinfully rich desserts along with their tea. The solemnity of the moment is broken briefly when Miyuki steals Nishi's cake and leaves him with a single strawberry. This causes smiles to break out in the far corners of their mouths. Both of them are making the most of every second these days since Miyuki is dying of cancer.
Nishi, admittedly, has even more on his mind.  Moreover, his partner, Horibe (Ren Osugi), has been shot in the line of duty and lives a life of contemplation and desperation in a wheelchair. Horibe, who laments that "work is all I've ever known" and "all this free time is tough," is as lost as Nishi. The depressed Horibe spends his time sitting by the ocean, staring at the waves.
In an impressive set of contributions to the film, Takeshi Kitano is the director, the writer, and the lead actor (Nishi). A very popular and prolific Japanese actor, his list of credits in the press kit includes seven current weekly television shows.  Knowing exactly how to direct himself, he lets the camera linger on his delicate array of expressions. With only minute variations in his facial expressions, he manages to convey a wide range of emotions. A tour de force performance, his work is almost matched by the equally impressive and even subtler piece of acting by Kayoko Kishimoto as his wife.
In a movie with sparse dialog -- easily half of the scenes have none at all -- and an absolutely minimal plot, the masterful camerawork by Hideo Yamamoto becomes the film's glue. Sometimes paying respect to the actors, the camera stops and observes without moving as you would at an art gallery. Other times, in the scenes of intense violence, we will have a look so quick that if you blink you may miss it. In a key, slow-motion sequence, choreographed like a minuet, two of Nishi's partners are killed. We come back to this scene several times in flashbacks, representing the horrors of their loss in Nishi's mind.
The overall tone of the picture, thanks especially to Jo Hisaishi's melancholy music of violins, piano, and flute, is one of serenity in the face of upcoming loss. Beneath the characters' almost stoic look burns a caldron of pent-up emotions that seems ready to explode at a moment's notice like an overheated boiler.
The poignant tale has us eavesdropping on lives of pain and joy. Eventually, it comes to a perfect ending. With the subtlety of the rest of the script, the resolution is not shown, but the staging leaves no doubt.
FIREWORKS runs 1:43. Its scant dialog is in Japanese with English subtitles. It is not rated but would be an R for brief scenes of strong violence and would be fine for older teenagers.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


 Your valuation for the good is 50 points. You submit a bid of 40 points and a seller accepts this bid. What are your earnings (in points)?
If you, as a buyer, make a bid of 40 and a seller accepts it, trade occurs at the price 40. Hence, you earn: your valuation – price = 50 – 40 = 10 points.
 Your production costs for the good are 20 points. You submit an ask of 25 points and a buyer accepts this ask. What are your earnings (in points)?
If you, as a seller, make an offer of 25 and a buyer accepts it, trade occurs at the price 25. Hence, you earn: price – production costs = 25 - 20 = 5 points.
 Your valuation for the good is 40 points. Is it possible to submit a bid of 60 points?
No! If you make a bid of 60, you claim to be willing to buy the good at a price of 60. However, you only have a valuation of 40 and would thus earn: 40 – 60 = -20 points. In order to avoid losses, you are not allowed to make a bid that is higher than your valuation.


What We Do
With necessary resources and ready-to-use environments, you can:
A large collection of teaching materials is available for you to demonstrate realistic environments in teaching. Our collection of security environments is customisable to suit your teaching needs.
Our infrastructure is capable of supporting your experimentation validation, from small to large scale processes.
Reduce your cost and turn-around time by utilizing our cost-effective infrastructure and ready-to-use environments.


- get() - Method in class io.github.woodenbell.blix.cache.CacheableObject
-
Returns the object.
- get(String) - Method in class io.github.woodenbell.blix.cache.MapCacheManager
-
Returns the cached object corresponding to the slot of the given key, or null if empty or expired.
- getCacheTime() - Method in class io.github.woodenbell.blix.ServerConfig
-
Gets the cached data time until it expires.
- getConfig() - Method in class io.github.woodenbell.blix.Server
-
Gets the server configuration object.
- getCWD() - Static method in class io.github.woodenbell.blix.Util
-
Gets the current working directory.
- getDebugMode() - Method in class io.github.woodenbell.blix.ServerConfig
-
Returns if debug mode is on
- getFormValueContentDisposition(String) - Method in class io.github.woodenbell.blix.HttpRequest
-
Gets the content disposition of the data of name.
- getFormValueContentType(String) - Method in class io.github.woodenbell.blix.HttpRequest
-
Gets the content type (MIME type) of the form data.
- getFormValueFileName(String) - Method in class io.github.woodenbell.blix.HttpRequest
-
Gets the filename attribute in the Content-Disposition header values, if available.
- getFormValueInt(String) - Method in class io.github.woodenbell.blix.HttpRequest
-
Gets the form content as an array of integers.
- getFormValueString(String) - Method in class io.github.woodenbell.blix.HttpRequest
-
Returns the String equivalent of the form data of name.
- getHeaderValue(String) - Method in class io.github.woodenbell.blix.HttpRequest
-
Gets the value of the header from the field name.
- getId(String) - Method in class io.github.woodenbell.blix.cache.MapCacheManager
-
Returns the id of the object stored in the key.
- getIdentifier() - Method in interface io.github.woodenbell.blix.cache.Cacheable
-
Returns the identifier of the object.
- getIdentifier() - Method in class io.github.woodenbell.blix.cache.CacheableObject
-
Returns the object identifier.
- getMimeType(String) - Method in class io.github.woodenbell.blix.ServerConfig
-
This method returns a MIME type for the specified fileType.
- getPort() - Method in class io.github.woodenbell.blix.ServerConfig
-
This method returns the server port.
- getQueryStringValue(String) - Method in class io.github.woodenbell.blix.HttpRequest
-
Gets the query string value for name.
- getRootDir() - Method in class io.github.woodenbell.blix.ServerConfig
-
This method returns the server root directory.
- getShowDirView() - Method in class io.github.woodenbell.blix.ServerConfig
-
- getUseCache() - Method in class io.github.woodenbell.blix.ServerConfig
-
Returns if the cache should be used or not.
- sendHeader(String, String) - Method in class io.github.woodenbell.blix.HttpResponse
-
Sends the header field and value.
- sendResponse(int, String) - Method in class io.github.woodenbell.blix.HttpResponse
-
Sends the status code followed by a message.
- Server - Class in io.github.woodenbell.blix
-
The class that represents the server and is responsible for receiving the requests and passing
then to the handlers or static files.
- Server(int) - Constructor for class io.github.woodenbell.blix.Server
-
The server constructor.
- ServerConfig - Class in io.github.woodenbell.blix
-
This class contains the basic server configurations.
- ServerConfig() - Constructor for class io.github.woodenbell.blix.ServerConfig
-
Initializes the default values.
- set(T) - Method in class io.github.woodenbell.blix.cache.CacheableObject
-
Sets the object.
- setCacheTime(int) - Method in class io.github.woodenbell.blix.ServerConfig
-
Sets the cache data time to expire.
- setCodeHandler(int, RequestHandler) - Method in class io.github.woodenbell.blix.Server
-
Sets the handler for a HTTP status code.
- setDebugMode(boolean) - Method in class io.github.woodenbell.blix.ServerConfig
-
Sets debug mode on/off.
- setExpiration(int) - Method in class io.github.woodenbell.blix.cache.CacheableObject
-
Sets the expiration time of the object.
- setMimeType(String, String) - Method in class io.github.woodenbell.blix.ServerConfig
-
This method adds a MIME type for a file extension.
- setPort(int) - Method in class io.github.woodenbell.blix.ServerConfig
-
This method sets the server port.
- setQueryString(HashMap<String, String>) - Method in class io.github.woodenbell.blix.HttpRequest
-
Internally used to set the parsed query string HashMap.
- setRootDir(String) - Method in class io.github.woodenbell.blix.ServerConfig
-
This method sets the root directory for static requests.
- setShowDirView(boolean) - Method in class io.github.woodenbell.blix.ServerConfig
-
- setStaticRequestController(StaticAccessController) - Method in class io.github.woodenbell.blix.Server
-
Sets the new controller for static requests.
- setUseCache(boolean) - Method in class io.github.woodenbell.blix.ServerConfig
-
Sets if the cache should be used or not.
- shouldReset() - Method in class io.github.woodenbell.blix.cache.CacheableObject
-
Returns if object's expiration time should or not reset when accessed.
- startServer() - Method in class io.github.woodenbell.blix.Server
-
Starts the server loop and prints the used port to the console.
- StaticAccessController - Interface in io.github.woodenbell.blix
-
Interface for the static request controller.
- strToIntArray(String) - Static method in class io.github.woodenbell.blix.Util
-
Converts a string object to an array of integers.


You need UV sensor or equivalent to use this feature.
How it works
- Empty the vat of resin and clean the vat bottom surfaces inside and out
- Specify number of measurement points in both x and y axis, and the size of measurement squares
- Tabular cells are displayed on the user interface. You can change the cell values from 0=black to 255=white.
- When measuring, hold the UV sensor in the middle of the measurement square projected on the inside the vat
- Use the UV sensor to determine a set point value which is usually the lowest value of all the measurement squares (probably the corner values)
- Decrease the cell value for each measurement square until the UV sensor reads the set point value (do not press enter unless you want to display the mask)
- Press preview and double check the surface area to see if UV intensity is the same across the entire vat bottom.
- Save mask (It takes up to a minute to generate a complete mask).
- Goto Setup..Projector Mask to see the saved mask on the user interface (press refresh if necessary)


--- title: "Bash R on Oracle Grid Engine (JHPCE)" authors: - "Alvin Thomas" date: 2016-12-20T21:12:00-05:00 tags: ["bash", "JHPCE", "Linux", "R"] comments: yes ---
I recently link posted on submitting Stata jobs to a Linux computing cluster running the Oracle Grid Engine. Here’s a quick post on how to submit a R job.
I usually submit a qsub
job by writing qsub Scripts/NAME_OF_SCRIPT
into terminal. My R scripts use the following naming convention: R<PROJECT>_v<NUM>.sh
or R_018v1.sh
for a R bash file to run the v1 R script in the 018 project (I explain my project organization in another post). The command qsub Scripts/R018v1.sh
will read the follow script.
#!/bin/bash -l
#$ -pe local 1
#$ -l mem_free=20G
#$ -l h_vmem=22G
#$ -m e
#$ -M<EMAIL_ADDRESS>#$ -o ofiles
#$ -e efiles
R CMD BATCH ~/ERGOT/000_workspace/018_pump/try_med.R \
~/ERGOT/000_workspace/018_pump/01_logs/output.txt
Please refer to my previous post to learn more about the qsub
options in the lines that start with #$
.
Now the the single R line. I usually submit from my work root file so here I write out the full paths to the R file and then provide R with where I want the log file output. Note that the \
could be removed and the two lines combined. That’s it!
Here’s a gist.


Alex Smith’s wife posts emotional video a year after gruesome injury
by Jaclyn HendricksA year after Alex Smith suffered a devastating leg injury, the quarterback’s wife, Elizabeth, is proud to see how far he has come.
On Monday, Elizabeth shared an emotional video documenting Smith’s progress, in which he had to learn how to reuse his leg.
“November 18th… 1 Year and so much to be grateful for,” Elizabeth captioned the video.
Last fall, Smith, 35, broke his right tibia and fibula during a Week 11 game against the Houston Texans and required immediate surgery. The injury and complications forced the veteran QB to have 17 surgeries. In July, Elizabeth shared that the quarterback no longer needed to wear a leg brace.
“The last 8 months have been nothing short of crazy. Although it’s not over, today is a big milestone,” Elizabeth posted on social media at the time. “We are shedding the weight Alex has been carrying (literally and figuratively). It’s one step closer to the goal. The resilience, determination and mental fortitude of this man is unmatched.”
Smith signed a four-year, $94 million contract with the Redskins in March 2018. He previously played for the Kansas City Chiefs and the San Francisco 49ers.


--- permalink: /books ---
{% include tracking.html %}
My love for note-taking led me to write these GitBooks!
Some of
them are based on the courses that I took as a graduate student at
NYU, while pursuing my MS in Computer Science. Others are based on
online courses that I've completed on websites like Coursera and
edX.
Feel free to view and download them. I hope you find them helpful :)


ONCE AROUND A film review by Mark R. Leeper Copyright 1991 Mark R. Leeper
Capsule review: Boston Italian family has its problems when their daughter brings home as a lover a flashy, boorish salesman. Salesman overpowers the family and tests the strength of relationships. Comedy-drama has more to it than it may at first seem. Rating: +2 (-4 to +4).
The Bellas are a closely-knit Italian family living near Boston. They have little oddities but they accept each other and as a family they work. Then Renata (played by Holly Hunter) breaks up with her boyfriend and decides she wants to sell condos for a living. She goes to a sales class in St. Martin and brings back a lover. Sam (played by Richard Dreyfus) is an over-ripe salesman with a phenomenal sales record and some odd Lithuanian ways. Sam is welcomed into the family with a big smile that wilts when he is not looking. He simply does not fit it. He upstages family members with extravangances and he overpowers family events with the subtlety of sales pep rallies. As time passes the pressures increase until the family is seriously in danger of splitting up. Is Sam a genuinely destructive force or is the real problem in the family's unwillingness to accept a newcomer who is do different from themselves?
ONCE AROUND is directed by Lasse Hallstrom, the Swede who directed MY LIFE AS A DOG. Like Louis Malle, Hallstrom has insights into American life that an American director might miss. By the same token, however, he misses details such as the inappropriateness of Hunter's accent. She is the main character and she could have really used an accent coach. Dreyfus is, however, well-cast, if not too much differently from his role in TIN MEN and even THE APPRENTICESHIP OF DUDDY KRAVITZ. The casting of Laura San Giacomo and Gena Rowlands as Renata's sister and mother are both fine. Especially good is Danny Aiello as Renata's father Joe. Much of the friction that makes the story is between the Dreyfus character and the Aiello character. Joe Bella goes through a lot of changes in the course of the film and Aiello is a joy to watch. Also notable is co-producer Griffin Dunne as Renata's boyfriend.
Hallstrom has a good eye for the small dramatic incidents of life and also the daily ironies. While the film is largely about Sam's idiosyncrasies, it takes at least one meaning of its title, ONCE AROUND, from a strange custom of Joe Bella: on important family occasions he traditionally drives around a traffic rotary. But for a little heavy-handed melodrama toward the end, this is a nice comedy-drama worth seeing. I give it a +2 on the -4 to +4 scale.
Mark R. Leeper att!mtgzy!leeper<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Answers to the submission schema questions, for the "fileUpload" and "url" submission schema part types
| Name | Description |
|---|---|
| peer_assignment_id | The assignment that this answer applies to |
| peer_assignment_submission_schema_part_id | The part of the submission schema that this answer applies to |
| peer_submission_id | The submission that this answer is part of |
| peer_submission_part_url_url | The url link of the answer |
| peer_submission_part_url_title | The url title of the answer |
| peer_submission_part_url_description | The url description of the answer |
CREATE TABLE peer_submission_part_urls ( peer_assignment_id VARCHAR(50) ,peer_assignment_submission_schema_part_id VARCHAR(50) ,peer_submission_id VARCHAR(50) ,peer_submission_part_url_url VARCHAR(65535) ,peer_submission_part_url_title VARCHAR(65535) ,peer_submission_part_url_description VARCHAR(65535) ,PRIMARY KEY (peer_assignment_id, peer_assignment_submission_schema_part_id, peer_submission_id) ,FOREIGN KEY (peer_submission_id) REFERENCES peer_submissions(peer_submission_id) ,FOREIGN KEY (peer_assignment_id, peer_assignment_submission_schema_part_id) REFERENCES peer_assignment_submission_schema_parts(peer_assignment_id, peer_assignment_submission_schema_part_id) ,FOREIGN KEY (peer_assignment_id) REFERENCES peer_assignments(peer_assignment_id) );


jguerra[at}northeastern.edu | @duto_guerra
Slides:http://johnguerra.co/lectures/webDevelopment_fall2019/03_CSS/
Class page:http://johnguerra.co/classes/webDevelopment_fall2019/
Doesn't work with SVG 😞
Search online for generators. e.g. Colorzilla gradient editor
Let's continue visualizing tweets collected for the class
Improve the HTML of your homepage with some CSS


{% extends "layout.html" %} {% block pageheader %}Toroid Admin Panel{% endblock %} {% block pagecontent %}
{% if n_warriors == 1 %} There is currently 1 warrior in the database. {% else %} There are currently {{n_warriors}} warriors in the database. {% endif %}
{% if n_permutations == 1 %} There is only one possible permutation. {% else %} There are {{n_permutations}} possible permutations. {% endif %}
{% if n_permutations == 1 %} There is only one possible permutation. {% else %} There are {{n_permutations}} possible permutations. {% endif %}


License
Stick
Copyright 2020 The Stick Project Authors (https://github.com/fontworks-fonts/Stick)
This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is copied below, and is also available with a FAQ at: http://scripts.sil.org/OFL
SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007
PREAMBLE The goals of the Open Font License (OFL) are to stimulate worldwide development of collaborative font projects, to support the font creation efforts of academic and linguistic communities, and to provide a free and open framework in which fonts may be shared and improved in partnership with others.
The OFL allows the licensed fonts to be used, studied, modified and redistributed freely as long as they are not sold by themselves. The fonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reserved names are not used by derivative works. The fonts and derivatives, however, cannot be released under any other type of license. The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives.
DEFINITIONS “Font Software” refers to the set of files released by the Copyright Holder(s) under this license and clearly marked as such. This may include source files, build scripts and documentation.
“Reserved Font Name” refers to any names specified as such after the copyright statement(s).
“Original Version” refers to the collection of Font Software components as distributed by the Copyright Holder(s).
“Modified Version” refers to any derivative made by adding to, deleting, or substituting – in part or in whole – any of the components of the Original Version, by changing formats or by porting the Font Software to a new environment.
“Author” refers to any designer, engineer, programmer, technical writer or other person who contributed to the Font Software.
PERMISSION & CONDITIONS Permission is hereby granted, free of charge, to any person obtaining a copy of the Font Software, to use, study, copy, merge, embed, modify, redistribute, and sell modified and unmodified copies of the Font Software, subject to the following conditions:
-
Neither the Font Software nor any of its individual components, in Original or Modified Versions, may be sold by itself.
-
Original or Modified Versions of the Font Software may be bundled, redistributed and/or sold with any software, provided that each copy contains the above copyright notice and this license. These can be included either as stand-alone text files, human-readable headers or in the appropriate machine-readable metadata fields within text or binary files as long as those fields can be easily viewed by the user.
-
No Modified Version of the Font Software may use the Reserved Font Name(s) unless explicit written permission is granted by the corresponding Copyright Holder. This restriction only applies to the primary font name as presented to the users.
-
The name(s) of the Copyright Holder(s) or the Author(s) of the Font Software shall not be used to promote, endorse or advertise any Modified Version, except to acknowledge the contribution(s) of the Copyright Holder(s) and the Author(s) or with their explicit written permission.
-
The Font Software, modified or unmodified, in part or in whole, must be distributed entirely under this license, and must not be distributed under any other license. The requirement for fonts to remain under this license does not apply to any document created using the Font Software.
TERMINATION This license becomes null and void if any of the above conditions are not met.
 IN NO EVENT SHALL THE COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM OTHER DEALINGS IN THE FONT SOFTWARE.
DOTween Pro
Copyright (c) 2014 Daniele Giardini - Demigiant
You may use DOTween Pro version (the “Software”) in commercial and non-commercial applications created with Unity as long as every person working on the Unity project has a valid DOTween Pro license*.
You may not distribute the Software nor portions of the Software inside Unity plugins unless authorized by the Software’s copyright owner, in which case you will have to include this copyright notice along all copies of the Software and the original readme.txt file.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
Extenject
MIT License
Copyright (c) 2016 Modest Tree Media Inc
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the “Software”), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
TextMesh Pro
TextMesh Pro copyright © 2021 Unity Technologies ApS
Licensed under the Unity Companion License for Unity-dependent projects–see Unity Companion License (http://www.unity3d.com/legal/licenses/Unity_Companion_License).
Unless expressly provided otherwise, the Software under this license is made available strictly on an “AS IS” BASIS WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED. Please review the license for details on these and other terms and conditions.
UniRx
The MIT License (MIT)
Copyright (c) 2018 Yoshifumi Kawai
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the “Software”), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
UniTask
The MIT License (MIT)
Copyright (c) 2019 Yoshifumi Kawai / Cysharp, Inc.
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the “Software”), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.
Unity UI
Unity UI Copyright © 2015-2020 Unity Technologies ApS ("Unity")
Licensed under the Unity Companion License for Unity-dependent projects (see https://unity3d.com/legal/licenses/unity_companion_license).
_Unless expressly provided otherwise, the Software under this license is made available strictly on an “AS IS” BASIS WITHOUT WARRANTY OF ANY KIND, EXPRESS OR IMPLIED. Please review the license for details on these and other terms and conditions.


{{page.title}}
I'm Brendan,
I like to play with disruptive and inspirational technologies be they digital or physical.
Find me:
Professional & Group Memberships
- HSBNE Inc
- Nodebots Australia
--- layout: default title: About Me ---
I'm Brendan,
I like to play with disruptive and inspirational technologies be they digital or physical.


Why Choosing the Right Storage Infrastructure.
This investigation’s aims were to map prevalence, normative trends, and patterns of continuity or change in school-based peer victimization throughout formal schooling (i.e., Grades K–12), and determine whether specific victimization patterns (i.e., differential trajectories) were associated with children’s academic performance. A sample of 383 children (193 girls) was followed from kindergarten (Mage 5.50) through Grade 12 (Mage 17.89), and measures of peer victimization, school engagement, academic self-perceptions, and achievement were repeatedly administered across this epoch. Although it was the norm for victimization prevalence and frequency to decline across formal schooling, 5 trajectory subtypes were identified, capturing differences in victimization frequency and continuity (i.e., highchronic, moderate-emerging, early victims, low victims, and nonvictims). Consistent with a chronic stress hypothesis, high-chronic victimization consistently was related to lower—and often prolonged— disparities in school engagement, academic self-perceptions, and academic achievement. For other victimization subtypes, movement into victimization (i.e., moderate-emerging) was associated with lower or declining scores on academic indicators, and movement out of victimization (i.e., early victims) with higher or increasing scores on these indicators (i.e., “recovery”). Findings provide a more complete account of the overall prevalence, stability, and developmental course of school-based peer victimization than has been reported to date.
Gary W. Ladd


Use A/D or left/right to swap the towers of blocks, S or down to accelerate the blocks.
You lose a life if there are more blocks in a column than the column can support.
You receive a new life for every 10 score.
Use your own music:
Mute
Prevent headaches, epilepsy and low fps in Firefox
Credits
Background music by frankum
,
License: CC0 1.0
Explosion sound by jorickhoofd
,
License: CC BY 3.0
, using deamplified explosion snippets
"GAME OVER" sound by Sabine Schneider


Weather Settings
API Key
Locator Mode
City
Geolocation
City ID
Units
Metric
Imperial
Reset
Apply
Search Engine
Set as Default
Theme Engine
Background Color and Opacity
Foreground Color and Opacity
Blur Strength in Pixels
Animation Speed
Reset
Apply
Earth, Milky Way
dust & clouds, -1000°C
00:00
00:00
00:00


--- layout: default --- Registration You must be registered in order to participate! Details we will need for the registering include...
Details we will need for the registering include...
Contact us on Twitter if you have any questions.


oxygen 2.0.0
oxygen: ^2.0.0
copied to clipboard
oxygen is awesome
We analyzed this package %%time-ago%% , and awarded it 110 pub points (of a possible 140):
0/10 points: Provide a valid
pubspec.yaml
The package description is too short.
Add more detail to the
description
field of
pubspec.yaml
. Use 60 to 180 characters to describe the package, what it does, and its target use case.
Homepage URL doesn't exist.
At the time of the analysis
https://oxygen.example.dev/
was unreachable. Make sure that the website is reachable via
HEAD
requests.
Repository URL doesn't exist.
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https://github.com/example/oxygen
was unreachable. Make sure that the website is reachable via
HEAD
requests.
Failed to verify repository URL.
Please provide a valid
repository
URL in
pubspec.yaml
, such that:
-
repository
can be cloned, -
a clone of the repository contains a
pubspec.yaml
, which:,-
contains
name: oxygen
, -
contains a
version
property, and, -
does not contain a
publish_to
property.
-
contains
Unable to access git repository: Failed to run
remote show origin
.
5/5 points: Provide a valid
README.md
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CHANGELOG.md
0/10 points: Use an OSI-approved license
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10/10 points: Package has an example and has no issues with screenshots
0/10 points: 20% or more of the public API has dartdoc comments
- 0 out of 2 API elements (0.0 %) have documentation comments.
Providing good documentation for libraries, classes, functions, and other API elements improves code readability and helps developers find and use your API. Document at least 20% of the public API elements.
20/20 points: Supports 6 of 6 possible platforms ( iOS , Android , Web , Windows , MacOS , Linux )
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- ✓ iOS
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50/50 points: code has no errors, warnings, lints, or formatting issues
10/10 points: All of the package dependencies are supported in the latest version
No dependencies.
To reproduce run
dart pub outdated --no-dev-dependencies --up-to-date --no-dependency-overrides
.
10/10 points: Package supports latest stable Dart and Flutter SDKs
Analysed with Pana
%%pana-version%%
, Dart
%%stable-dart-version%%
.


Let's play!
Rules:
- Enter a positive number greater than 0
- Numbers divisible by 3 become "ping"
- Numbers divisible by 5 become "pong"
- Numbers divisible by 3 and 5 become "pingpong"
About Ping Pong
Created by:
Elizabeth Eymann
GitHub Username/URL
EEymannLevel 2 Test for:
JavaScript


IN DREAMS RATING: 5.5 / 10 --> Not good enough to recommend
For more reviews and movie trivia, visit http://www.joblo.com/
Director Neil Jordan adapts the novel "Doll Eyes" into a film starring Warren Beatty's wife, Annette Bening, Jordan's own acting alter-ego, Stephen Rea, and the wonderboy of Hollywood excess, Robert Downey Jr.
PLOT: Woman prophesizes grisly visions in her dreams which ultimately transfer into real-life fatal occurrences. She believes that a serial killer is raping her mind, and dropping these dreams into her head. Eventually, the woman psychologically deteriorates into a basket-case, but keeps fighting to maintain her weak grasp on reality, and discover the truth behind her unbelievable psychic apparitions.
CRITIQUE: I had a dream about this film. I dreamt that it would be a muddled psychological mess, pureed into several sparks of slick style, incoherent and unbelievable plotting, and a deja-vu feeling of a deja-vu. I felt as though the movie would be unoriginal in many ways, including its standard ending, which would be close to laughable. I felt as though the first 25 minutes of the film would set a decent tone with some original camera work, and a nice creepy mood, but that the second half of the movie would just fall apart, and adhere to the blueprint of all other standard bogeyman movies. I also dreamt that Robert Downey Jr. would barely make an appearance in the film, despite his mug showing up all over the trailers, and float through his role without an ounce of dedication to the art of original character.
The dream continued with visions of a movie that seemed to have the potential to break through all the standard serial killer movie barriers, but did nothing less that run through an uninspired story line, with a fast-cut editing knife, flashbacks, and a host of symbolism slapped in for amusement. The apparitions that I had, also failed to fully explain any of the real motives or methods used by the serial killer, consequently disallowing me from understanding, or even appreciating his character on any well-developed level.
The dream also allowed me to somewhat appreciate fellow movie critic Gene Siskel's constant rants on the over-abundance of serial killer movies in Hollywood, in that I am also getting sick and tired of seeing the same subject done to death, without any unique or creative perspective. Rule #1: If you reaaaaally insist on making a serial killer movie, please make sure that it ain't a retread of a dozen better ones. All in all, the dream ended on a somber note that remarked upon the film's lack of novelty, casual use of child murders as a prop for a badly developed script, some very cool style, and an overly typical ending which explained very little about the actual mind of the killer, or his capacity to make unreal things happen.
It was only then that the house lights went on, the credit crawl began its march upscreen, and I realized that none of it was a dream after all. I clicked and clicked my heels, but I was nowhere to go. It was my reality, and my chump change wasted on this piece of cinematic repetitiveness, which turned out to be more of a nightmare than any state of dream.
Little Known Facts about this film and its stars: This film was originally titled BLUE VISION. Robert Downey Jr. lived with actress Sarah Jessica Parker for seven years during the 1980's. She is now married to fellow actor Matthew Broderick. Since August, 1996, Robert has been arrested for heroin possession, remanded to a secure drug rehabilitation center, revoked probation after continued drug use, jailed 180 days after violating parole and treated for a cut over his nose, after getting into a fight with a prison inmate. In 1992, he was nominated for an Oscar as Best Actor for his role as Charlie Chaplin in CHAPLIN (8/10). Natch! Director Neil Jordan has used actor Stephen Rea in his last six movie productions. Strangely enough, the co-writer of this mediocre script, Bruce Robinson, also co-wrote one of my favourite films from 1998, RETURN TO PARADISE (7.5/10), and wrote and directed the British cult classic, WITHNAIL AND I. Actor Aidan Quinn was Paramount's first choice to play Jesus Christ in their production of LAST TEMPTATION OF CHRIST before a storm of controversy forced them to cancel their plans for the movie. Actor Willem Dafoe scooped up the posh part, after Universal picked up the film. He has been happily married to actress Elizabeth Bracco since 1987. Annette Bening received $3million for her role in 1998's THE SIEGE (6.5/10).
Review Date: January 14, 1999 Director: Neil Jordan Writers: Neil Jordan and Bruce Robinson Producer: Stephen Woolley Actors: Annette Bening as Claire Cooper Aidan Quinn as Paul Cooper Stephen Rea as Dr. Silverman Robert Downey Jr. as Vivian Genre: Thriller Year of Release: 1999
Visit JoBlo's Movie Emporium http://www.joblo.com
(c) 1999 Berge Garabedian
The review above was posted to the
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Related links: index of all rec.arts.movies.reviews reviews


--- layout: post title: Trying out the flash on this Droid before I fall asleep date: 2009-12-03 05:31:54.000000000 -08:00 type: post published: true status: publish categories: [] tags: [] meta: {} author: ---


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Team Profile
George Washington
Manager
ID: 50
Email:
<EMAIL_ADDRESS>Office Number: 13
John Doe
Engineer
ID: 100
Email:
<EMAIL_ADDRESS>GitHub Username: JDoe8
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ID: 433
Email:
<EMAIL_ADDRESS>School: Illinois


---
layout: qm-postulates
---
Postulate 1
The state of a quantum mechanics system, including all the information that is known about it, is mathematically represented by a normalized vector know as a ket, denoted with $|\psi\rangle$.
Postulate 2
An operator is a mathetmatical object that acts on a ket and transforms it into a new ket.
Postulate 3
The only possible results of a measurement of a observable is one of the eigenvectors of the corresponding operator.
Postulate 4
The probability of observing an eigenvalue (with the associated eigenvector $|\phi\rangle$) in a measurement of an observable on a system in the state $|\psi\rangle$ is
$$\begin{align*}
P_{\pm}=|\langle \phi | \psi\rangle | ^2
\end{align*}$$
Postulate 5
After a measurement of $A$ that yields the result $a_n$ (one of the eigenvalues) of the quantum state is in
$$\begin{align*}
|\psi\rangle =\frac{\mathbb{P}_n|\psi\rangle}{\sqrt{\langle \psi|\mathbb{P}_n|\psi\rangle}}
\end{align*}$$
Postulate 6
The time evolution of a quantum system is determined by the total energy of the system through the Hamiltonian operator $H(t)$ according to the schrodinger's equation
$$\begin{align*}
i\hbar\frac{d}{dt}|\psi(t)\rangle = H(t)|\psi(t)\rangle
\end{align*}$$
Related
Coming soon


How it was created - our history
- Predecessors
- 1200–1700: Origins of the modern game
- 1700–1873: The Romantic Era in chess
- 1873–1945: Birth of a sport
- 1945–present: Post-World War II era
Predecessors
Chess is believed to have originated in northwest India, by about the early 7th century. Its early form was known as chaturaṅga – infantry, cavalry, elephants, and chariotry, represented by the pieces that would evolve into the modern pawn, knight, bishop, and rook, respectively. Chaturanga was played on an 8×8 uncheckered board, called ashtāpada.Thence it spread eastward and westward along the Silk Road. The earliest evidence of chess is found in the nearby Sasanian Persia around 600, where the game came to be known by the name chatrang. Chatrang was taken up by the Muslim world after the Islamic conquest of Persia (633–44), where it was then named shatranj, with the pieces largely retaining their Persian names. In Spanish shatranj was rendered as ajedrez (al-shatran), in Portuguese as xadrez, and in Greek as ζατρίκιον (zatrikion, which comes directly from the Persian chatrang), but in the rest of Europe it was replaced by versions of the Persian shāh (king), which was familiar as an exclamation and became the English words check and chess. The word checkmate is derived from the Persian shāh māt (the king is helpless). The oldest archaeological chess artifacts, ivory pieces, were excavated in ancient Afrasiab, today's Samarkand, in Uzbekistan, Central Asia, and date to about 760, with some of them possibly older. The oldest known chess manual was in Arabic and dates to 840–850, written by al-Adli ar-Rumi (800–870), a renowned Arab chess player, titled Kitab ash-shatranj (Book of the chess). This is a lost manuscript, but referenced in later works. The eastern migration of chess, into China and Southeast Asia, has even less documentation than its migration west. (Record of the Mysterious and Strange), dating to about 800. Alternatively, some contend that chess arose from Chinese chess or one of its predecessors, although this has been contested. The game reached Western Europe and Russia by at least three routes, the earliest being in the 9th century. By the year 1000, it had spread throughout both Muslim Iberia and Latin Europe. A Latin poem de scachis dated to the late 10th century has been preserved in Einsiedeln Abbey. A famous 13th-century manuscript covering chess, backgammon, and dice is known as the Libro de los juegos.
1200–1700: Origins of the modern game
Around 1200, the rules of shatranj started to be modified in southern Europe, and around 1475, several major changes made the game essentially as it is known today. These modern rules for the basic moves had been adopted in Italy and Spain. Pawns gained the option of advancing two squares on their first move, while bishops and queens acquired their modern abilities. The queen replaced the earlier vizier chess piece towards the end of the 10th century and by the 15th century had become the most powerful piece; consequently, modern chess was referred to as Queen's Chess or Mad Queen Chess. Castling, derived from the kings leap usually in combination with a pawn or rook move to bring the king to safety, was introduced. These new rules quickly spread throughout western Europe. Writings about chess theory began to appear in the 15th century. The Repetición de Amores y Arte de Ajedrez by Spanish churchman Luis Ramírez de Lucena was published in Salamanca in 1497. Lucena and later masters like Portuguese Pedro Damiano, Italians Giovanni Leonardo Di Bona, Giulio Cesare Polerio and Gioachino Greco, and Spanish bishop Ruy López de Segura developed elements of openings and started to analyze simple endgames.
1700–1873: The Romantic Era in chess
In the 18th century, the center of European chess life moved from the Southern European countries to France. The two most important French masters were François-André Danican Philidor, a musician by profession, who discovered the importance of pawns for chess strategy, and later Louis-Charles Mahé de La Bourdonnais, who activity in this period were coffee houses in major European cities like Café de la Régence in Paris and Simpson's 19th century, the convention that White moves first was established (formerly either White or Black could move first). Finally, the rules around castling were standardized – variations in the castling rules had persisted in Italy until the late 19th century. The resulting standard game is sometimes referred to as Western chess or international chess, particularly in Asia where other games of the chess family such as xiangqi are prevalent. Since the 19th century, the only rule changes have been technical in nature, for example establishing the correct procedure for claiming a draw by repetition. As the 19th century progressed, chess organization developed quickly. Many chess clubs, chess books, and chess journals appeared. There were correspondence matches between cities; for example, the London Chess Club played against the Edinburgh Chess Club in 1824.Chess problems became a regular part of 19th-century newspapers; Bernhard Horwitz, Josef Kling, and Samuel Loyd composed some of the most influential problems. In 1843, von der Lasa published his and Bilguer's Handbuch des Schachspiels (Handbook of Chess), the first comprehensive manual of chess theory.
The first modern chess tournament was organized by Howard Staunton, a leading English chess player, and was held in London in 1851. It was won by the German Adolf Anderssen, who was hailed as the leading chess master. His brilliant, energetic attacking style was typical for the time.Sparkling games like Anderssen's Immortal Game and Evergreen Game or Morphy's "Opera Game" were regarded as the highest possible summit of the chess art. Deeper insight into the nature of chess came with the American Paul Morphy, an extraordinary chess prodigy. Morphy won against all important competitors (except Staunton, who refused to play), including Anderssen, during his short chess career between 1857 and 1863. Morphy's success stemmed from a combination of brilliant attacks and sound strategy; he intuitively knew how to prepare attacks.
1873–1945: Birth of a sport
Prague-born Wilhelm Steinitz laid foundations for the scientific approach to the game, the art to break a position down into its components and prepare correct plans. In addition to his theoretical achievements, Steinitz founded an important tradition: his triumph over the leading German master Johannes Zukertort in 1886 is regarded as the first official World Chess Championship. Steinitz lost his crown in 1894 to a much younger player, the German mathematician Emanuel Lasker, who maintained this title for 27 years, the longest tenure of any world champion. After the end of the 19th century, the number of master tournaments and matches held annually quickly grew. The first Olympiad was held in Paris in 1924, and FIDE was founded initially for the purpose of organizing that event. In 1927, the Women's World Chess Championship was established; the first to hold the title was Czech-English master Vera Menchik. A prodigy from Cuba, José Raúl Capablanca, known for his skill in endgames, won the World Championship from Lasker in 1921. Capablanca was undefeated in tournament play for eight years, from 1916 to 1924. His successor (1927) was the Russian-French Alexander Alekhine, a strong attacking player who died as the world champion in 1946. Alekhine briefly lost the title to Dutch player Max Euwe in 1935 and regained it two years later. Between the world wars, chess was revolutionized by the new theoretical school of so-called hypermodernists like Aron Nimzowitsch and Richard Réti. They advocated to occupy the center with pawns, which become objects of attack.
1945–present: Post-World War II era
After the death of Alekhine, a new World Champion was sought. FIDE, which has controlled the title since then (except for one interruption), ran a tournament of elite players. The winner of the 1948 tournament was Russian Mikhail Botvinnik. In 1950 FIDE established a system of titles, conferring the titles of Grandmaster and International Master on 27 players. (Some sources state that in 1914 the title of chess Grandmaster was first formally conferred by Tsar Nicholas II of Russia to Lasker, Capablanca, Alekhine, Tarrasch, and Marshall, but this is a disputed claim.Mikhail Botvinnik, the first post-war World Champion Botvinnik started an era of Soviet dominance in the chess world. Until the end of the Soviet Union, there was only one non-Soviet champion, American Bobby Fischer (champion 1972–1975). Botvinnik revolutionized opening theory. Previously Black strove for equality, to neutralize White's first-move advantage. As Black, Botvinnik strove for the initiative from the beginning. In the previous informal system of World Championships, the current champion decided which challenger he would play for the title and the challenger was forced to seek sponsors for the match. FIDE set up a new system of qualifying tournaments and matches. The world's strongest players were seeded into Interzonal tournaments, where they were joined by players who had qualified from Zonal tournaments. The leading finishers in these Interzonals would go on the "Candidates" stage, which was initially a tournament, and later a series of knockout matches. The winner of the Candidates would then play the reigning champion for the title. A champion defeated in a match had a right to play a rematch a year later. This system operated on a three-yearcycle. Botvinnik participated in championship matches over a period of fifteen years. He won the world championship tournament in 1948 and retained the title in tied matches in 1951 and 1954. In 1957, he lost to Vasily Smyslov, but regained the title in a rematch in 1958. In 1960, he lost the title to the 23-year-old Latvian prodigy Mikhail Tal, an accomplished tactician and attacking player. Botvinnik again regained the title in a rematch in 1961. Following the 1961 event, FIDE abolished the automatic right of a deposed champion to a rematch, and the next champion, Armenian Tigran Petrosian, a player renowned for his defensive and positional skills, held the title for two cycles, 1963–1969. His successor, Boris Spassky from Russia (champion 1969–1972), won games in both positional and sharp tactical style. The next championship, the so-called Match of the Century, saw the first non-Soviet challenger since World War II, American Bobby Fischer. Fischer defeated his opponents in the Candidates matches by unheard-of margins, and convincingly defeated Spassky for the world championship. The match was followed closely by news media of the day, leading to a surge in popularity for chess. In 1975, however, Fischer refused to defend his title against Soviet Anatoly Karpov when FIDE did not meet his demands, and Karpov obtained the title by default. Fischer modernized many aspects of chess, especially by extensively preparing openings.
Karpov defended his title twice against Viktor Korchnoi and dominated the 1970s and early 1980s with a string of tournament successes.Karpov's reign finally ended in 1985 at the hands of Garry Kasparov, another Soviet player from Baku, Azerbaijan. Kasparov and Karpov contested five world title matches between 1984 and 1990; Karpov never won his title back. In 1993, Garry Kasparov and Nigel Short broke with FIDE to organize their own match for the title and formed a competing PCA. From then until 2006, there were two simultaneous World Champions and World Championships: the PCA or Classical champion extending the Steinitzian tradition in which the current champion plays a challenger in a series of many games, and he other following FIDE's new format of many players competing in a tournament to determine the champion. Kasparov lost his Classical title in 2000 to Vladimir Kramnik of Russia. The World Chess Championship 2006, in which Kramnik beat the FIDE World Champion Veselin Topalov, reunified the titles and made Kramnik the undisputed World Chess Champion In September 2007, he lost the title to Viswanathan Anand of India, who won the championship tournament in Mexico City. Anand defended his title n the revenge match of 2008, 2010 and 2012. In 2013, Magnus Carlsen of Norway beat Anand in the 2013 World Chess Championship. He defended his title the following year, again against Anand. Carlsen confirmed his title in 2016 against the Russian Sergey Karjakin and in 2018 against the American Fabiano Caruana, in both occasions by a rapid tiebreaker match after equality in 12 games of classical time control, and isthe reigning world champion.


{% extends "base.html" %} {% block title %} Activation Complete {% endblock %} {% block content %}
Welcome Comrade, Go forward with much sweat for motherland.


5 One-Way ANOVA
Required Packages
library(tidyverse) # Loads several very helpful 'tidy' packages
library(furniture) # Nice tables (by our own Tyson Barrett)
library(car) # Companion for Applied Regression (and ANOVA)
library(afex) # Analysis of Factorial Experiments
library(emmeans) # Estimated marginal means (Least-squares means)
library(multcomp) # Simultaneous Inference in General Parametric Models
library(readxl) # Necessary for reading in an example data set
5.1 Prepare for Modeling
5.1.1 Ensure the Data is in “long” Format
First, the data must be restructured from wide to long format, so that each observation is on its own line. All categorical variables must be declared as fators. We also must add an distinct indicator variable.
# convert the dataset: wide --> long
data_long <- data_wide %>%
tidyr::gather(key = group_IV, # new var name = groups
value = continuous_DV, # new var name = measurements
var_1, var_2, var_3, ... , var_k) %>% # all old variable names
dplyr::mutate(id_var = row_number()) %>% # create a sequential id variable
dplyr::select(id_var, group_IV, continuous_DV) %>% # reorder the variables
dplyr::mutate_at(vars(id_var, group_IV), factor) # declare factors
data_long %>% head(n = 10) # display the top 10 rows only
5.1.2 Compute Summary Statistics
Second, check the summary statistics for each of the \(k\) groups.
# Raw data: summary table
data_long %>%
dplyr::group_by(group_IV) %>% # divide into groups
furniture::table1(continuous_DV) # gives M(SD)
5.1.3 Plot the Raw Data
Third, plot the data to eyeball the potential effect. Remember the center line in each box represents the median, not the mean.
# Raw data: boxplots
data_long %>%
ggplot(aes(x = group_IV,
y = continuous_DV)) +
geom_boxplot() +
geom_point()
# Raw data: Mean-SD plots
data_long %>%
ggplot(aes(x = group_IV,
y = continuous_DV)) +
stat_summary()
5.2 Fitting One-way ANOVA Model
The aov_4()
function from the afex
package fits ANOVA models (oneway, two-way, repeated measures, and mixed design). It needs at least two arguments:
formula:
continuous_DV ~ group_IV + (1|id_var)
one observation per subject andid_var
is distinct for each subjectdataset:
data = .
we use the period to signify that the datset is being piped from above
Here is an outline of what your syntax should look like when you fit and save a one-way ANOVA. Of course you will replace the dataset name and the variable names, as well as the name you are saving it as.
NOTE: The aov_4()
function works on data in LONG format only. Each observation needs to be on its one line or row with seperate variables for the group membership (categorical factor or fct
) and the continuous measurement (numberic or dbl
).
# One-way ANOVA: fit and save
aov_name <- data_long %>%
afex::aov_4(continuous_DV ~ group_IV + (1|id_var),
data = .)
5.3 ANOVA Output
By running the name you saved you model under, you will get a brief set of output, including a measure of Effect Size.
NOTE: The ges
is the generalized eta squared. In a one-way ANOVA, the eta-squared effect size is only one value, ie. generalized \(\eta_g\) and partial \(\eta_p\) are the same.
# Display basic ANOVA results (includes effect size)
aov_name
To fully fill out a standard ANOVA table and compute other effect sizes, you will need a more complete set of output, including the Sum of Squares components, you will need to add $Anova
at the end of the model name before running it.
NOTE: IGNORE the first line that starts with (Intercept)
! Also, the ‘mean sum of squares’ are not included in this table, nor is the Total line at the bottom of the standard ANOVA table. You will need to manually compute these values and add them on the homework page. Remember that Sum of Squares (SS)
and degrees of freedom (df)
add up, but Mean Sum of Squreas (MS)
do not add up. Also: MS = SS/df
for each term.
# Display fuller ANOVA results (includes sum of squares)
aov_name$Anova
5.4 Inho data set example
Import Data, Define Factors, and Compute New Variables
- Make sure the dataset is saved in the same folder as this file
- Make sure the that folder is the working directory
NOTE: I added the second line to convert all the variables names to lower case. I still kept the F
as a capital letter at the end of the five factor variables.
ihno_clean <- read_excel("Ihno_dataset.xls") %>%
dplyr::rename_all(tolower) %>%
dplyr::mutate(genderF = factor(gender,
levels = c(1, 2),
labels = c("Female",
"Male"))) %>%
dplyr::mutate(majorF = factor(major,
levels = c(1, 2, 3, 4,5),
labels = c("Psychology",
"Premed",
"Biology",
"Sociology",
"Economics"))) %>%
dplyr::mutate(reasonF = factor(reason,
levels = c(1, 2, 3),
labels = c("Program requirement",
"Personal interest",
"Advisor recommendation"))) %>%
dplyr::mutate(exp_condF = factor(exp_cond,
levels = c(1, 2, 3, 4),
labels = c("Easy",
"Moderate",
"Difficult",
"Impossible"))) %>%
dplyr::mutate(coffeeF = factor(coffee,
levels = c(0, 1),
labels = c("Not a regular coffee drinker",
"Regularly drinks coffee"))) %>%
dplyr::mutate(hr_base_bps = hr_base / 60)
It is important that we test for violations of the assumption of Homogeneity of variance.
# Levene's Test of HOV
data_name %>%
car::leveneTest(continuous_var ~ group_var,
data = .,
center = "mean")
The aov_4()
function from the afex
package fits ANOVA models (oneway, two-way, repeated measures, and mixed design). It needs at least two arguments:
formula:
continuous_var ~ group_var + (1|id_var)
one observation per subject andid_var
is distinct for each subjectdataset:
data = .
we use the period to signify that the datset is being piped from above
Here is an outline of what your syntax should look like when you fit and save a one-way ANOVA. Of course you will replace the dataset name and the variable names, as well as the name you are saving it as.
NOTE: The aov_4()
function works on data in LONG format only. Each observation needs to be on its one line or row with seperate variables for the group membership (categorical factor or fct
) and the continuous measurement (numberic or dbl
).
# One-way ANOVA: fit and save
aov_name <- data_name %>%
afex::aov_4(continuous_var ~ group_var + (1|id_var),
data = .)
5.4.1 Basic Output - stored name of model
By running the name you saved you model under, you will get a brief set of output, including a measure of Effect Size.
NOTE: The ges
is the generalized eta squared. In a one-way ANOVA, the eta-squared effect size is the same value, ie. generalized (\(\eta_g^2\)) and partial \(\eta_p^2\)) are the same.
# Display basic ANOVA results (includes effect size)
aov_name
5.4.2 Fuller Output - add $Anova
on model name
To fully fill out a standard ANOVA table and compute other effect sizes, you will need a more complete set of output, including the Sum of Squares components, you will need to add $Anova
at the end of the model name before running it.
NOTE: IGNORE the first line that starts with (Intercept)
! Also, the ‘mean sum of squares’ are not included in this table, nor is the Total line at the bottom of the standard ANOVA table. You will need to manually compute these values and add them on the homework page. Remember that Sum of Squares (SS)
and degrees of freedom (df)
add up, but Mean Sum of Squreas (MS)
do not add up. Also: MS = SS/df
for each term.
# Display fuller ANOVA results (includes sum of squares)
aov_name$Anova
5.4.3 All Pairwise Comparisons with pairs()
There are two steps to conduct all possible pairwise comparisons:
emmeans(~ group_var)
- Calculate the Estimated Marinal Meanspairs()
- Determine if each pair is significantly different
Within the pairs()
function there are several options for controling for multiple comparisons, including:
adjust = "none"
- Fisher’s LSDadjust = "tukey"
- Tukey’s HSDadjust = "bon"
- Bonferroni
# Pairwise post hoc: Tukey's HSD adjustment for multiple comparisons
aov_name %>%
emmeans::emmeans(~ group_var) %>% # Calculate Estimated Marinal Means
pairs(adjust = "tukey") # Is each pair signif different?
5.4.4 Contrast Statements with emmeans::contrast()
There are two steps to conduct a contrast comparison:
emmeans(~ group_var)
- Calculate the Estimated Marinal Meanscontrast()
- Determine if each pair is significantly different
list
.NOTE: You must provide one weight (\(c_i\)) for each of the \(k\) groups. If you wish to ignore a group, that group’s weight is \(c_i = 0\). The sum total of all the weights must be zero (\(\sum c_i = 0\)), so use positive and negative numbers.
# Contrast statement : Impossible vs. Rest
aov_name %>%
emmeans::emmeans(~ group_var) %>%
emmeans::contrast(list("your contrast name" = c(c_1, c_2, ... , c_k)))


| Package | com.whirled.contrib |
| Class | public class Jukebox |
| Property | Defined by | ||
|---|---|---|---|
| _currentChannel : SoundChannel [static]
| Jukebox | ||
| _currentSong : Sound [static]
| Jukebox | ||
| _eventMgr : EventHandlerManager [static]
| Jukebox | ||
| _frameDispatcher : IEventDispatcher [static]
| Jukebox | ||
| _loopCallback : Function = null [static]
| Jukebox | ||
| _sounds : Map [static]
| Jukebox | ||
| _volume : int = 30 [static]
| Jukebox |
| Method | Defined by | ||
|---|---|---|---|
|
fadeIn():void
[static]
Fade the current music in.
| Jukebox | ||
|
fadeOut():void
[static]
Fade the current music out.
| Jukebox | ||
|
init(frameDispatcher:IEventDispatcher, eventMgr:EventHandlerManager = null):void
[static]
init must be called before the Jukebox can handle crossfading and loading music correctly.
| Jukebox | ||
|
modifyVolume(by:int):int
[static]
Modify the current volume level by the given amount.
| Jukebox | ||
|
setVolume(volume:int):void
[static]
Set the volume level as a value between 0 and 100.
| Jukebox | ||
|
start(trackName:String, crossfade:Boolean = true, callback:Function = null):void
[static]
Start a background audio track.
| Jukebox | ||
|
stop():void
[static]
Stop playing the current music.
| Jukebox |
| Method | Defined by | ||
|---|---|---|---|
|
loop():void
[static]
| Jukebox | ||
|
soundComplete(event:Event):void
[static]
| Jukebox | ||
|
startSong(song:Sound, crossfade:Boolean):void
[static]
| Jukebox |
| Constant | Defined by | ||
|---|---|---|---|
| DEFAULT_VOLUME : int = 30 [static]
| Jukebox | ||
| MAX_VOLUME : int = 100 [static]
| Jukebox |
| Constant | Defined by | ||
|---|---|---|---|
| FADE_TIME : int = 3000 [static]
| Jukebox |
| _currentChannel | property |
protected static var _currentChannel:SoundChannel
| _currentSong | property |
protected static var _currentSong:Sound
| _eventMgr | property |
protected static var _eventMgr:EventHandlerManager
| _frameDispatcher | property |
protected static var _frameDispatcher:IEventDispatcher
| _loopCallback | property |
protected static var _loopCallback:Function = null
| _sounds | property |
protected static var _sounds:Map
| _volume | property |
protected static var _volume:int = 30
| fadeIn | () | method |
public static function fadeIn():void
Fade the current music in. Used in crossfading or for fading in music after calling fadeOut().
| fadeOut | () | method |
public static function fadeOut():void
Fade the current music out.
| init | () | method |
public static function init(frameDispatcher:IEventDispatcher, eventMgr:EventHandlerManager = null):void
init must be called before the Jukebox can handle crossfading and loading music correctly. The frameDispatcher must be a display object that will remain on the display list, as this class depends on constant ENTER_FRAME events to function properly. If an EventHandlerManager is provided, all event listeners will be registered using it. Otherwise, EventHandlers is used statically.
ParametersframeDispatcher:IEventDispatcher |
|
eventMgr:EventHandlerManager (default = null )
|
| loop | () | method |
protected static function loop():void
| modifyVolume | () | method |
public static function modifyVolume(by:int):int
Modify the current volume level by the given amount. This function will make sure the volume remains within the valid range of 0 to 100.
Parametersby:int |
int |
| setVolume | () | method |
public static function setVolume(volume:int):void
Set the volume level as a value between 0 and 100.
Parametersvolume:int |
| soundComplete | () | method |
protected static function soundComplete(event:Event):void
Parameters
event:Event |
| start | () | method |
public static function start(trackName:String, crossfade:Boolean = true, callback:Function = null):void
Start a background audio track.
ParameterstrackName:String — the name of the level pack that contains the MP3 for this track.
|
|
crossfade:Boolean (default = true ) — If true, this track will fade in, and any previous track will fade out. If
false, this track will begin playing immediately.
|
|
callback:Function (default = null ) — A zero-arg function that will be called each time a loop of the current
song finishes and a new song is about to get played.
|
| startSong | () | method |
protected static function startSong(song:Sound, crossfade:Boolean):void
Parameters
song:Sound |
|
crossfade:Boolean |
| stop | () | method |
public static function stop():void
Stop playing the current music.
| DEFAULT_VOLUME | constant |
public static const DEFAULT_VOLUME:int = 30
| FADE_TIME | constant |
protected static const FADE_TIME:int = 3000
| MAX_VOLUME | constant |
public static const MAX_VOLUME:int = 100


by Tom Diederich
Igniters, here are some community highlights from the last couple week. If I missed anything, please share it here. Meetups! Did you know that Apache Ignite experts are available to speak at your meetup? And we also have spots open for YOU to speak at the following meetups that some of us co-organize:
- Apache Ignite London
- Bay Area In-Memory Computing Meetup
- NYC In-Memory Computing Meetup
- Moscow Apache Ignite Meetup
Meanwhile, here’s where to catch some great talks about Apache Ignite! We have 19 newly scheduled meetup talks on the books since the last update. All upcoming Ignite events can be found here. Let’s take a closer look at some of them….
Scheduled speaking engagements
* Sept. 9: Big Data and Cloud Meetup (Santa Clara, Calif.)
Apache Ignite PMC chair Denis Magda will be speaking at the Big Data and Cloud Meetup September 9 from 10 a.m. to noon. His talk is titled: "Apache Spark and Apache Ignite: Where Fast Data Meets the IoT".
* Sept. 13: SF Big Analytics Meetup
Denis Magda will be the featured speaker at the SF Big Analytics Meetup on Sept. 13. Denis' talk is titled: "Apache Ignite: the in-memory hammer in your data science toolkit."
* Sept. 18: Meetup: Camidge .NET User Group
Apache Ignite evangelist Akmal Chaudhri will speak at the Camidge .NET User Group Sept. 17. The title of his talk: "Scale Out and Conquer: Apache Ignite for .NET Users."
* Sept. 21: Joint meetup! Bay Area In-Memory Computing Meetup & SF Spark and Friends
* Sept. 27: New York Kubernetes Meetup
Apache Ignite evangelist Akmal Chaudhri will focus on a DevOps perspective on the orchestration of distributed databases such as Apache Ignite. Akmal will speak on node auto-discovery, automated horizontal scalability, availability, and utilization of RAM and disk with Apache Ignite.
* Oct. 4: Openstack & Ceph User Group Amsterdam
Apache Ignite evangelist Akmal Chaudhri will show attendees how to build a Fast Data solution that will receive endless streams from the IoT side and will be capable of processing the streams in real-time using Apache Ignite's cluster resources.
* Oct. 13: Big Data Week London 2017: A Festival of Data (conference)
Akmal Chaudhri will be speaking at the Big Data Week conference Oct. 13 in London. His talk, titled "Powering up banks and financial institutions with distributed systems," will educate attendees about important Apache Ignite features for financial applications -- such as ACID compliance, SQL compatibility, persistence, replication, security, fault tolerance and more.
* Oct. 18:Silicon Valley Java User Group
Join Apache Ignite PMC Chair Denis Magda will introduce the many components of the open-source Apache Ignite. His talk, titled, “Catch an intro to Apache Ignite and skyrocket Java applications,” will teach attendees how to solve some of the most demanding scalability and performance challenges. He will also cover a few typical use cases and work through some code examples.
* Oct. 19: Eurostaff Big Data London
Apache Ignite evangelist Akmal Chaudhri will show attendees how to build a Fast Data solution that will receive endless streams from the IoT side and will be capable of processing the streams in real-time using Apache Ignite's cluster resources.
* Oct. 24: Spark Summit Europe 2017 (conference)
Akmal Chaudhri will be presenting at the Spark Summit Europe conference, Oct. 24-26 at the Convention Centre Dublin in Ireland. His session is titled: "How to Share State Across Multiple Spark Jobs using Apache Ignite."
* Nov. 2: Byte-Academy-FinTech-Python-Blockchain-Education Meetup (London)
In his talk, titled, "Powering up banks and financial institutions with distributed systems,” Apache Ignite technical Akmal Chaudhri will explain important Apache Ignite features for financial applications -- such as ACID compliance, SQL compatibility, persistence, replication, security, fault tolerance and more. A customer case study will also be presented.
Blog posts
- Scale-up vs. scale-out architectures
- Cloud Wars: Apache Ignite – Getting started with AWS for Beginners (Part I)
- Apache Ignite Tip: Peer Class Loading Deployment Magic
- The Future of In-Memory Computing
Webinars
Upcoming
- Sept. 27: Better Machine Learning with Apache Ignite, with technical evangelist Akmal B. Chaudhri.
- Oct. 4: Postgres with Apache Ignite: Faster Transactions and Analytics, with GridGain senior solution architect Fotios Filacouris.
Past webinars (recordings available!)
Deploy like a Boss: Using Kubernetes and Apache Ignite, with GridGain solution architect Dani Traphagen.


Hello, my name is Darshan Patel. I was born and raised in Freehold, NJ and was always interested in technology as a kid. I am currently a freshman at NJIT, pursuing a major in Business and Information Systems. Before NJIT I messed around with some coding languages and fan videos to keep my interests. Once starting school here, I have been in love with the coding world and the variety of applications it has.


[gecode-users] multiple non parallel search in different threads
TeXitoi
texitoi+news at texitoi.eu
Wed Nov 30 13:05:13 CET 2011
"Christian Schulte" <cschulte at kth.se> writes:
> In which thread do you create the search engines? In the main thread or in
> your slave threads?
in the slave threads.
> It is pretty unlikely that this is buggy in Gecode as the parallel search
> engines that come with Gecode do more or less what you do.
>
> Cygwin is not a supported platform and we also have close to no experience
> on FreeBSD. Use Windows, Mac, or Linux, there things should work.
OK, I will try on linux and report the results here.
> BTW: There is no need to call status on a fresh clone.
OK, I will remove that line.
Thanks.
--
Guillaume Pinot http://www.texitoi.eu
« Il semble que la perfection soit atteinte non quand il n'y a plus
rien à ajouter, mais quand il n'y a plus rien à retrancher. »
-- Antoine de Saint-Exupéry, Terre des hommes
() ASCII ribbon campaign -- Against HTML e-mail
/\ http://www.asciiribbon.org -- Against proprietary attachments
More information about the users
mailing list


Match Play. Red leads 1-0 to 7. Should Red redouble to 8? If redoubled, should White take?
pips Red=46 White=137
(CorrectAnswer= 0/0, ErrorScore= 0)
It depends upon which match equity table or formula you use what you think White’s take point is here. I use the Janowski formula which gives White’s take point as 17%.
Does he have that here? Yes he does, by about 3%, so the take is easy. The question is the double. By redoubling Red cripples his gammons and he wins a gammon and the match about 47% of the time from this position. He does better to hold the cube and play for the gammon. Redoubling is a small error.
Does he have that here? Yes he does, by about 3%, so the take is easy. The question is the double. By redoubling Red cripples his gammons and he wins a gammon and the match about 47% of the time from this position. He does better to hold the cube and play for the gammon. Redoubling is a small error.
Cube analysis 2-ply cubeless equity +0.866 (Money: +1.058) 0.810 0.443 0.001 - 0.190 0.007 0.000 Cubeful equities: 1. No double +0.898 2. Double, pass +1.000 (+0.102) 3. Double, take +0.885 (-0.013) Proper cube action: No redouble, take (11.4%)


View Details
Select the time you want to drink
What flavour do you like?
sweet
juicy
bitter
minty
lime-y
creamy
chocolatey
How do you feel now?
Give me a Drink!


What’s this, now?
Inspired by 100DaysofCode, 100 Days of Healthing is a challenge to spend an hour a day, for 100 days, working on your health & self care. It’s permission to give yourself an hour a day. And we’re all here with you.
Why do you hate 100 Days of Code?
Oh my goodness, that’s so not true! I don’t. I think it’s a fabulous concept, super motivating, something I want to do (maybe for the second 100 days of 2017?) and something that could be done alongside 100 Days of Healthing.
Alex is an inspiration – I even forked my Github repo from him! Without 100 Days of Code, this new project isn’t a thing. His framework allowed me to envision this, and I’m super grateful for that.
The thing is, though….
Coding and health aren’t mutually exclusive. We can keep our skills fresh and take care of our minds, bodies, and spirits. Things like selfcare.tech are vital and necessary.
Those of us who work in tech often do it because we have untreated/undiagnosed health issues, communication troubles, or other things that make tech work line up with our needs. There’s nothing wrong with that either – I’m a huge advocate for employers that recognize that adults need to go to the doctor during work hours, or that just know that people need to work from home because they are out of spoons.
And sometimes?
Sometimes getting lost in the screen to. Just. Flash. Another. Version. Of. Android.1 Or just get a new Jekyll droplet going. Or just finish that one ticket “so we can go home.” Sometimes those things are taxing! And so it goes that the health issues and communication and all those other important things just never get addressed.
So I started wondering: What if the same kind of momentum built when a bunch of people turn their attention to coding could happen around health? What if you sorta got that dopamine jolt of “yep, it’s a new day, I gotta get my hour of self care?” What if the FreeCodeCamp community could rally behind this, too?
What’s your personal story?
Well, I’m learning a lot of stuff about my mental and physical health right now, and it’s taking a lot of time and scheduling and effort and stuff like that. I realllly wanted to sign up for the new wave of #100DaysOfCode.
However! One thing I’m getting better at is knowing what I can and cannot do, and I realized that I actually need to get better at my own self-care before I can use that time for something like coding an hour outside of work every day. The #100DaysofHealthing project represents me acknowledging that, while also wanting to do a thing for 100 days and hopefully share that thing with others.2
Okay, cool. How do I do it?
- Work on your health and self care for at least an hour a day, starting on January 3, 2017.
- To track your progress, fork this repo. Or consult the FAQ’s below.
- Make a public commitment to the challenge. Use the hashtag #100DaysOfHealthing (preferably on Twitter) to announce your intentions.3
- Tweet about your progress every day using the hashtag. I will, too, over @jwithy.
- I’ll push my progress to Github every day, and so can you! Follow it here.
Some notes and what-have-yous
- Don’t put yourself at risk. This is important. For a coding project, you shouldn’t be vague; for health, you might need to be.4 That’s cool.  “Completed my hour of self-care!” isn’t vague – it’s acknowledging that some things need to stay private. See the FAQ’s for more.
- What constitutes self-care and health? Well, that can totally vary from person to person, but here are some ways I think of it:
- Going to the doctor for something you’ve been putting off, or that requires ongoing attention.
- Meditating, praying, anything like that!
- Do you need permission to play a video game that totally helps you wind down after a hard day? You’ve got it!
- Are you addicted to said video game? Well, maybe reading a book instead would help your self care.
- Diagnosed with a thing? Reading about strategies to cope, watching videos that help you learn a thing, going to a support group…these are all healthing!
- What do you want to do that makes you feel like a better you? Coloring? Knitting? Cooking something for friends? Scented candles and tea? Do it do it do it. An hour for you.
- Hey I don’t work in tech. That’s not an issue at all. See the FAQs below.
- Send me feedback.  Hold me accountable! Contribute or post issues to the repo! Everybody wins!
FAQ’s Partially Borrowed Based on 100 Days of Code and Then Tweaked
Q:The public part of this troubles me. What should I do?
A:Whatever works best for you. Really. I mean, I’d love to hear it if you are participating, and letting people in your life know you’re doing this can be super powerful. A casual “how’s the 100 days going?” is super motivating! But! Getting 3+ months of awesomeness privately is better than not doing it because of the public component.
Q: I’ve missed a day, does it mean I’ve failed the challenge?
A: Absolutely not. Do your best to only miss one day every two weeks. Never miss two days in a row (so you can’t skip the 14th day of one week period and the 1st day of another). Alex mentions that he got this great piece of advice on habit formation from Leo Babauta at zen habits.
Q: I come home late, and by the time I am finished with my hour, it’s past midnight. Does it count?
A: Of course it counts! The rule of thumb is: have you taken care of your health or yourself for at least an hour before going to sleep that day? If yes, you are on track. I currently have a 250+ day meditation streak, but sometimes my meditation for the day is at 1:23am. It’s ok.
Q:How should I track this?
A:Listen, journaling itself could be the self-care you need, so I’m gonna propose you do that (and if you need a journal, let me know; I love my Field Notes and would love to send you one!). Use the Github repo. Tweet about it. Whatever is best for you!
Q: If everyone started on a certain day, should I join them on the day they are? For example, from Day 12?
A: Go ahead and start on Day 1. Just mention the day you’re on when you post about it!
Q: What’s a Github?
A: Don’t learn Github just for this project unless you want to.
Q: Why “Healthing” and not “health?” A: Because internet.
Helpful links
- Resolutions are stupid (so let’s make habits instead)
- Cranking
- Selfcare.tech
- Shine daily motivation texts
- 750 Words
- Una’s great personal goals repo
- US Support Groups
Images by sachac and licensed under C.C. by 2.0: Being extra-kind to myself & What I do for self care
Posted at The Unfocused Developer and on Medium as well. Please spread the word!
-
Not that I know anything about that. ↩
-
Oh, another thing to note: I’m fortunate in that I actually do work somewhere that recognizes all the benefits of healthy, happy workers. This project should not imply otherwise. 😄 ↩
-
Why public? Listen to Alex and Saron discuss that. ↩
-
I’m being vague, too. 😄 ↩


Three days workshop with our exclusive guest speakers at YOLO co-working centre BKK. We are waiting for you. What are you waiting for! COME AND JOIN US !
What are you waiting for? FIrst come first served basis, get the best seat now! Sign up and see the available seats. Hope you enjoys our workshop and see you there!


Now this is a story all about how
My life got flipped turned upside down
And I'd like to take a minute, just sit right there
I'll tell you how I became the prince of a town called Bel-Air
In West Philadelphia born and raised
On the playground is where I spent most of my days
Chilling out, maxing, relaxing all cool
And all shooting some b-ball outside of the school
When a couple of guys who were up to no good
Started making trouble in my neighborhood
I got in one little fight and my mom got scared
And said "You're moving with your auntie and uncle in Bel-Air"
I begged and pleaded with her day after day
But she packed my suitcase and sent me on my way
She gave me a kiss and then she gave me my ticket
I put my Walkman on and said "I might as well kick it"
First class, yo, this is bad
Drinking orange juice out of a champagne glass
Is this what the people of Bel-Air living like?
Hmmm, this might be all right
But wait, I hear they're prissy, bourgeois, and all that
Is this the type of place that they should sent this cool cat?
I don't think so, I'll see when I get there
I hope they're prepared for the Prince of Bel-Air
Have a funny Image and video cause why not!!!


Comments
-
Greg Hurrell
It's probably miscompiled; in order to work, both Vim and Command-T must be linked against the exact same version of Ruby. See other similar tickets in the issue tracker and the forums, where compiling against the right version of Ruby invariably solves the problem.
-
Greg Hurrell
Product changed:
- From: none
- To: Command-T
-
Greg Hurrell
Status changed:
- From: new
- To: open
-
anonymous
So I had the same issue.
To be sure I got this right, I did
$ rvm use 1.8.7
and then removed and re-installed vim via homebrew.
$ otool -L $(which vim) | grep ruby /Users/[username]/.rvm/rubies/ruby-1.8.7-p374/lib/libruby.dylib (compatibility version 1.8.0, current version 1.8.7) $ ruby --version ruby 1.8.7 (2013-06-27 patchlevel 374) [i686-darwin11.4.2] $ ruby extconf.rb checking for ruby.h... yes creating Makefile $ make cc -dynamic -bundle -undefined suppress -flat_namespace -o ext.bundle ext.o match.o matcher.o -L. -L/Users/[username]/.rvm/rubies/ruby-1.8.7-p374/lib -L. -L/usr/local/opt/libyaml/lib -L/usr/local/opt/readline/lib -L/usr/local/opt/libksba/lib -L/usr/local/opt/openssl098/lib -lruby -ldl -lobjc $ vim Vim: Caught deadly signal TRAP Vim: Finished. Trace/BPT trap: 5
From here everything looked exactly right for me, but I didn't realize that make didn't do anything because the plugin was already compiled. I removed the plugin and let neobundle re-install it for me, after which I tried again. Now it works fine.
Probably a make clean would also have solved the issue.
-
Greg Hurrell
Status changed:
- From: open
- To: closed
-
anonymous
$ ruby -v ruby 2.0.0p353 (2013-11-22 revision 43784) [x86_64-darwin13.0.0]
it aslo broken !
Add a comment
Comments are now closed for this issue.


{% block modal_id %}delete-xslt-modal{% endblock %} {% block modal_title %}Delete XSLT {% endblock %} {% block modal_body %}
The XSLT will be erased definitely.


---
layout: post
authors: ["Greg Wilson"]
title: "What's In Your Bag?"
date: 2015-03-11
time: "13:00:00"
tags: ["Teaching"]
---
What do you have in your knapsack when you travel to teach a workshop?
My list is:
- cough drops
- spare t-shirt (and deodorant)
- a variety of video adapters
- spare power adapter
- laptop stickers
- toothbrush (or mouthwash, or something of similar utility)
- granola bar (or some other snack)
- my daughter's latest art project
- Eno (or other antacid, because road food)
- sticky notes
- business cards
Other people at this week's instructor training session added:
- a printed copy of notes (for reference during teaching)
- insulated cup for tea/coffee
- spare glasses/contacts
- paper (notebook) and pen
- a Chromecast for streaming
- some sort of WiFi hub (in case networking in the room isn't working)
What else do you take, and why?


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In its early stages, Ativan was never designed to be a drug to be taken long term by a user. Most pharmaceutical and medical experts agree that the longest a person should be on Ativan is two or three weeks. After that, there is a strong chance that the user could become addicted.
This is why it is recommended that a person who is addicted to Ativan enter a rehabilitation center for detox and recovery where they will be supervised by a medical staff, or at least a qualified clinical team.
If you feel you have a penchant, or at least a fear you might become addicted to Ativan, especially when it is prescribed to you, double check with your doctor to make certain the prescription won’t have an adverse effect on you, such as addiction.
Another way to avoid a dependence on Ativan is to continually remind yourself of the drug’s power, and that taking it for too long a period can result in your own dependence on the drug.
The last, and possibly best way to avoid an Ativan habit is to seek out alternative medications and/or activities that can possibly replace the drug.
Remember, Ativan is an anti-anxiety medication that helps you in uncomfortable situations that you might find stressful. The drug is also prescribed for those who suffer from narcolepsy,
Before suggesting to a friend, loved one, or even yourself that you might have a problem with Ativan, look out for the following signs of addiction.
Keep in mind that the most severe effects associated with Ativan occur during exposure to high doses of the drug. Those effects include:
Sensing that you or a loved one may have an addiction problem with Ativan is the first step. The next step is doing something about that potential addiction.
Locate and consult a reputable treatment center whose staff can give advice as to the type of treatment you or some close to you might need. Cases can vary from inpatient services to something less intense such as outpatient counseling that occurs a few times a week.
Going this route with your rehabilitation is more comprehensive. It is also more likely to succeed in the long run.
If in the least, you’ll be in a safe and controlled environment, which considering the danger and gravity of an Ativan addiction, may not be such a bad proposal in order to regain your health.


class Solution: def maximumScore(self, a: int, b: int, c: int) -> int: cnt = 0 h = [-a, -b, -c] heapq.heapify(h) while len(h) > 1: i, j = heapq.heappop(h), heapq.heappop(h) i += 1 j += 1 cnt += 1 if i != 0: heapq.heappush(h, i) if j != 0: heapq.heappush(h, j) return cnt


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click here to go to link page
HELLO WORLD !

THIS IS NORMAL TEXT
HARDWARE
SOFTWARE
FIRMWARE
LIVEWARE
PROCESSOR
INTEL
MOTOROLA
CYRIX
HARD DISK
SEAGATE
WESTERN DIGITAL


Application Version
Version 1.0
Image Decryption
 :
 :
 :
Camera
Position:
Duration:
Sound
Position:
Duration:
Movie
Position:
Duration:
File, FileReader, FileWriter
Directory:
Filename:
Copy/Move Dir:
New Filename:
File data:
FileReader:
Input data:
熟語
FileWriter:
Encryption
Input data:
熟語
clear
Result data:
clear
Notifications
Time:
Message:
This is the message shown in the notification.
Badge#:
Action:
Loading Screen
Loading text:
Style:
White Large
White
Gray
Frame:
X:
Y:
width:
height:
Black BGColor:
sec
Cache
Data:
Expire Date:
Show data cache list
Resource Cache:
URL:
Expire Date:
Show resource cache list
QR Code Reader
Database
create table
insert query
select query
CREATE TABLE IF NOT EXISTS DynamicApp (ID INTEGER PRIMARY KEY AUTOINCREMENT, DATA TEXT, DATE DATE)
INSERT INTO DynamicApp (DATA, DATE) VALUES ("熟語TESTDATA", "2012-01-01")
SELECT * FROM DynamicApp WHERE DATA LIKE "%DATA"
AddressBook
Output of Select:
clear
Contacts
key:
label:
label:
value:
option
value
action
Search:
key:
label:
=
!=
value:
condition
action
Search Result
Remove id:
Bluetooth
Message:
熟語
Available Devices
Looking for peers...
id
name
state
action
Bluetooth 4 LE
Services:
Services:
Characteristic:
Value Type:
Write type:
With Response
Without Response
Descriptor:
Value Type:
Available Bluetooth LE Devices
Looking for peripherals...
id
name
state
action
Felica
Service Code:
Address:
Data:
PDF Viewer
File Object
File Path
URL
Ads


Core Topics
Advanced Topics
Misc
Components
Components are Mithril's mechanism for hierarchical MVC.
They allow complex, repeating logic to be abstracted into a logical unit of code, and they help modularize applications with widgets or multi-concern views (e.g. dashboards).
You can also use components for a number of other advanced techniques, like recursive templating (e.g. tree views) and partial template mixins (i.e. injecting part of a template into another).
Nesting components
Here's an example of nested modules in a widgetization scenario:
//root module
var dashboard = {};
dashboard.controller = function() {
this.userProfile = new userProfile.controller();
this.projectList = new projectList.controller();
}
dashboard.view = function(ctrl) {
return m("#example", [
m(".profile", [
new userProfile.view(ctrl.userProfile);
]),
m(".projects", [
new projectList.view(ctrl.projectList);
])
])
}
//components
//user profile component
var userProfile = {};
userProfile.controller = function() {
this.name = m.prop("John Doe");
};
userProfile.view = function(ctrl) {
return [
m("h1", "Profile"),
"Name: " + ctrl.name()
];
};
//project list component
var projectList = {};
projectList.controller = function() {};
projectList.view = function(ctrl) {
return "There are no projects";
};
//initialize
m.module(document.body, dashboard);
As you can see, components look exactly like regular modules - it's turtles all the way down! Remember that modules are simply dumb containers for controller
and view
classes.
This means components are decoupled both horizontally and vertically. It's possible to refactor each component as a isolated unit of logic (which itself follows the MVC pattern). And we can do so without touching the rest of the application (as long as the component API stays the same).
Similarly, it's possible to mix and match different classes to make mix-in anonymous components (e.g. it's straightforward to build several views - for, say, a mobile app - that use the same controller).
It's also possible to keep references to parent and even sibling components. This is useful, for example, when implementing notification badges in a navigation component, which are triggered and managed by other components in the system.
Librarization
Applications often reuse rich UI controls that aren't provided out of the box by HTML. Below is a basic example of a component of that type: a minimalist autocompleter component.
Note: Be mindful that, for the sake of code clarity and brevity, the example below does not support keyboard navigation and other real world features.
var autocompleter = {};
autocompleter.controller = function(data, getter) {
//binding for the text input
this.value = m.prop("");
//store for the list of items
this.data = m.prop([]);
//method to determine what property of a list item to compare the text input's value to
this.getter = getter;
//this method changes the relevance list depending on what's currently in the text input
this.change = function(value) {
this.value(value);
var data = value === "" ? [] : data.filter(function(item) {
return this.getter(item).toLowerCase().indexOf(value.toLowerCase()) > -1;
}, this);
this.data(data);
};
//this method is called when an option is selected. It triggers an `onchange` event
this.select = function(value) {
this.value(value);
this.data([]);
if (this.onchange) this.onchange({target: {value: value}});
};
}
autocompleter.view = function(ctrl, options) {
if (options) ctrl.onchange = options.onchange;
return [
m("input", {oninput: m.withAttr("value", ctrl.change.bind(ctrl)), value: ctrl.value()}),
ctrl.data().map(function(item) {
return m("div", {data: ctrl.getter(item), onclick: m.withAttr("data", ctrl.select.bind(ctrl))}, ctrl.getter(item));
})
];
}
//here's an example of using the autocompleter
var dashboard = {}
dashboard.controller = function() {
this.names = m.prop([{id: 1, name: "John"}, {id: 2, name: "Bob"}, {id: 2, name: "Mary"}]);
this.autocompleter = new autocompleter.controller(this.names(), function(item) {
return item.name;
});
};
dashboard.view = function(ctrl) {
//assuming there's an element w/ id = "example" somewhere on the page
return m("#example", [
new autocompleter.view(ctrl.autocompleter, {onchange: m.withAttr("value", console.log)}),
]);
};
//initialize
m.module(document.body, dashboard);
It's recommended that libraries that provide extra functionality to Mithril be implemented using this modular pattern, as opposed to trying to hide implementation in a virtual element's config
attribute.
You should only consider using config
-based components when leveraging existing libraries.