96. Carl Dahlhaus, Nineteenth-Century Music, 354.
97. Richard Crawford, The American Musical Landscape (Berkeley: University of California Press, 1993), 66-9; 87. Langston Hughes's appraisal of Weill was based on the premise that accessibility was a positive aesthetic goal: "Some people contend that when Kurt Weill worked in the vein of the popular theater he became 'commercial.' I contend instead that he became universal." Langston Hughes, "Meine Zusammenarbeit mit Weill," in the Program Book, Die Strasse, 69; originally "My Collaborator: Kurt Weill," in Folder 729, Langston Hughes Papers, Yale University Library.
98. Schoenberg's letter to Albert Goldberg, quoted in "The Sounding Board: The Transplanted Composer," Los Angeles Times, 14 May 1950; my italics. It is hardly coincidental that Otto Klemperer's biographer, Peter Heyworth, contrasted Schoenberg's and Weill's responses to emigration, utilizing precisely the same Modernist framework as Schoenberg's: "A composer as contemptuous of popular success as Schoenberg was at any rate in one respect well equipped to endure it: he had, after all, had long experience of existing with little or no public. Weill, in contrast, was a composer for the theatre. His art demanded a social context, such as the Weimar Republic had provided. In America his search for that context thrust him into the marketplace. A more purposeful character might have been able to stand out against the system. Weill fooled himself into supposing that he could make it work for his own ends." "Lost on Broadway," Times Literary Supplement (25-31 March 1988): 324.
99. Weill quoted in "CT."
100. Andreas Huyssen, "Mass Culture as Woman: Modernism's Other," in Studies in Entertainment: Critical Approaches to Mass Culture, ed. Tania Modleski (Bloomington: Indiana University Press, 1986), 191, 194-5. Huyssen quotes Nietzsche from The Birth of Tragedy and the Case of Wagner, trans. Walter Kaufmann (New York: Vintage Books, 1967), 179.
101. Ferruccio Busoni, Entwurf einer neuen Aesthetik der Tonkunst , trans. Th. Baker as "Sketch of a New Esthetic of Music," in Three Classics in the Esthetics of Music (New York: Dover, 1962), 78.
102. Martha Bayles, Hole In Our Soul: The Loss of Beauty and Meaning in American Popular Music (New York: The Free Press, 1994), 53.
103. Quoted by Lotte Lenya in "That Was a Time!," the introduction to the Grove Press paperback edition of The Threepenny Opera (New York: Grove Press, 1964), vii.
104. Kurt Weill, "Verschiebungen in der musikalischen Produktion," Berliner Tageblatt, 1 October 1927; trans. in Kowalke, Kurt Weill in Europe (Ann Arbor: UMI Research Press, 1979), 478-481.
105. Letter from Erwin Stein to Weill, 16 May 1930.
106. Ralph Winett, "Composer of the Hour: An Interview with Kurt Weill," Brooklyn Daily Eagle, 20 December 1936.
.


Angular directives : basic : dynamic template and check required attributes
Dynamic Template based on data content
Check directive required attributes [requiredId, requiredText]
see console:


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There is a tangible confusion around as to what Zeitgeist is and what it isn’t; what it can do and what it can’t do. This is partly our own fault because we could have communicated this whole thing better, for instance we have some very outdated wiki pages lying around that you should probably stay away from until we updated them. In this post I aim to give a semi technical run down of the core Zeitgeist functionality and how we expose it for you to work with. This should hopefully clear out some confusion.
The Zeitgeist daemon (also known as the engine) is a process that exposes an event logging framework as a DBus API. The structure of these events is that they have a block of metadata that describe the event itself (this is known simply as the event metadata) and another block of metadata that describes the subject, or subjects, that this event happened to (this part is known as the subject metadata). The metadata for the event looks like:
Each event has one or more subjects associated. For each subject we store:
In reality the metadata fields we store don’t contain simple strings like “Document” for the subject interpretation. It’s a bit more complex than that – sorry! We store a URI pointing to a formal definition of something categorized as a Document. This formal categorization is called an ontology if you want a word to confuse your friends with. We are fortunate enough that someone already wrote such a spec, namely the Nepomuk Ontology. So instead of just “Document” we store the string ”http://www.semanticdesktop.org/ontologies/2007/03/22/nfo/#Document“.
Since Tracker also uses the Nepomuk ontologies you may take these formal classification strings and plug them directly into Tracker to find everything that Tracker considers a document.
We will also have an ontology for the event metadata as this is not covered by Nepomuk. We are actively working on this.
We employ a template based query API for searching our log data. You send us a list of event templates you want to look for and how you want it sorted and we give you the results. So if you want to find all “open” events on subjects of type “Document” simply create an Event object, set the interpretaion to “open”-event and add a subject to the event template with the interpretation set to “document”. All other fields should be left blank. Send this template to us and we will give you the matches.
The list of event templates is collected into a big OR-query to imbue the consumers with more power.
There are really no limits to what kind of events we could store. If you have a spare mobile with a in-built accelerometer and glue it to your front door then you could send an event over bluetooth to your desktop each time your front door opens. Probably there are better use cases?
The point is that the usefulness of Zeitgeist stands and falls with the events that you push into us. We can store anything that you can model using the structures I outlined above. I am pretty certain that people will not agree on the kinds of data they want logged, but we are ready for anything :-)
Normal users would of course not need to think about getting their data into Zeitgeist. What developers need to know is that we have a simple DBus API to insert events (surprisingly called InsertEvents). It is called InsertEvents and not AppendEvents or something like that for a reason. Namely that you are allowed to insert events that are in the past. This is useful if you want to import your Firefox history or what ever. If you try to log an event twice the engine will throw an error at you, so no need to worry about dupes.
Ok. I think that about wraps up what I intended to say for now. Hope it’s useful to at least one person out there! :-)
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Mr. Tabilang bought a cartolina for his Math class. He needs two triangles of the same size without wasting any parts of the cartolina. How will he divide it?
What shapes are formed?
A triangle is a polygon with 3 slides and 3 angles.
A polygon. is a closed figure made up of several line segments that are joined together.
The line segments are called sides and do not cross each other. There are exactly two sides that meet at a point.
A quadrilateral is a polygon with 4 sides and 4 angles.
Let's Practice!Tell whether each figure is a triangle or a quadrilateral.
Triangle
Quadrilateral
Quadrilateral
Quadrilateral
Triangle
Quadrilateral


This component is extended from the basic HTML input element and it's used inside a
A psk-input component can vary in many ways, depending on the type attribute.
Besides the normal behaviour of the HTML input element, the psk-input component can accept a label which will be displayed in grouped way, so the user needs only to introduce the component with the right attributes configured.
Using this component, a series of other components are derived in order to create a more specific behaviour for some of the input types:
A very good example of using this component and the other form components can be found here:


Set of visual React components designed for constructing web application interfaces.
tedit
provides set of visual components constructed on <div>
element with editable content:
TText
TMemo
TListBox
TSearch
TDate
TTime
No text editor components:
TCheck
Buttons and icons:
TButton
TIcon
Grids and lists:
TGrid
TFilm
Control organizers:
TGroup
TPanel
TScroll
TPager
Menus:
TTop
TSide
Modals:
TModal
TForm
Every component in tedit
library has style
property stands for providing custom style for each component:
import React from 'react';
import {TText} from 'tedit';
const style = {container: {border: "1px solid red"}, label: {width: "100px"}};
class MyComponent extends React.Component {
render () {
return <TText style={style} label={'TText component:'} />
}
}
export default MyComponent;
Each component has it's own style structure described in component's page. Every
component style has container
field represents outer component box. Any string
fields on zero level of style treated
as container
style fields. It means that style={{width: "100px"}}
equals to style={{container: {width: "100px"}}}
In addition one can register global project styles using registerStyles
function as follows:
import {registerStyles} from 'tedit';
const styles = {
TComponent: {
/** Global style for components: TText, TListBox, TMemo, TCheck, TGroup e.t.c. */
container: {
backgroundColor: '#eee'
},
edit: {
border: "1px solid red"
}
},
TMemo: {
/** Custom style for TMemo component. */
edit: {
border: "1px solid green"
}
},
MyListBox: {
/** Custom style for component with 'name' property equals to 'MyListBox' */
list: {
item: {
backgroundColor: "yellow"
}
}
}
};
const templates = {
/** Global color palette */
colors: {
border: "rgba(42,41,117,0.89)",
face: "#eee",
frame: "#bfbbff",
control: "#777",
placeholder: "#777",
text: "#000",
invalid: "#a31",
window: "#fff",
panel: "#eee",
error: "#a31",
message: "#31a",
signal: "#f55",
indicator: "#a31"
},
/** Global fonts palette */
fonts: {
common: {
fontFamily: "Arial",
fontSize: "18px"
},
code: {
fontFamily: "Helvetica",
fontSize: "16px"
}
}
};
registerStyles(styles, templates);
New styles
make all controls appeared on grey background then all editable controls have red
border except green
border for TMemo
and with yellow list items in TListBox
component with name="MyListBox"
.
Each component has it's own set of properties described in component's page. The most common properties are:
style
- Object
containing component styles organized in hierarchical structure. If assigned component
merges supplied styles with internal styles. Styles assigned to style
property has highest priority than
any other component styles.name
- String
containing component name. If assigned any component events return back name
value in
event
object. In addition name
value may be used in global styles registered by registerStyles
function to
assign to this component individual style. This style has higher priority than internal styles but lower priority
than style assigned to style
property.data
- Property of any type
. Contains any data associated with component. If assigned any component events
return back data
value in event
object.label
- String
contains label text.placeholder
- String
placeholder text.value
- Component value. Type of value
depends on component itself. In text edit component value
is of
String
type. In list box components value
contains list item key value. icon
- Icon name from available icon list (see TIcon
component description).
If assigned the appropriate icon appeared near text editor. timeout
- Number
contains timeout for onChange
event. Default: 700 ms
.layout
- Label position towards text editor. Available values:
left
- Label is on the left from text editor.top
- Label is on the top of text editor.The full list of properties shown in component's page
import React from 'react';
import {TGroup, TButton, TText, clone, nvl} from 'tedit';
class MyComponent extends React.Component {
constructor (props) {
super(props);
this.state = {
text: '',
phone: '',
email: ''
};
this.change = this.change.bind(this);
}
change(event) {
this.setState({[event.name]: event.value});
}
render () {
return (
<TGroup
style={{container: {display: "flex", flexDirection: "column", width: "500px"}}}
label="Group box">
<TButton style={{color: "green"}}>
{'Click me'}
</TButton>
<TText
style={{label: {width: "80px"}}}
value={this.state.text}
label={'Text:'}
name={'text'}
placeholder={'Enter more than 3 symbols ...'}
onValidate={(event) => {return nvl(event.value, '').length > 3;}}
onChange={this.change} />
<TText
style={{label: {width: "180px"}}}
value={this.state.phone}
label={'Phone:'}
name={'phone'}
placeholder={'Enter phone number ...'}
mask={{mask: '+1 (NNN) NNN-NN-NN', empty: '_'}}
onChange={this.change} />
<TText
style={{label: {width: "180px"}}}
value={this.state.email}
label={'EMail:'}
name={'email'}
regexp={TText.regexp['email']}
placeholder={'Enter email address ...'}
onChange={this.change} />
</TGroup>
);
}
}
export default MyComponent;
Some events are occur with delay determined by timeout
property. Default timeout is 700 ms
.
All events have one argument event
of type Object
. The structure of event
object depends on caller
component. The most common list of event
fields listed below:
name
- component name from name
property.data
- any data from data
property.value
- current component value. Text editors contain entered tex but list boxes contain selected item key value. The full list of event fields shown in component's page


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About
I'm Sakeri! 29 years old, living in Kent (United Kingdom). I work as a freelancer programmer/developer (mostly web-based) and photographer by day. By night I dabble in electronic music, writing/content curation, voice acting and gaming.
Programming-wise, I'm well versed with PHP, Perl, Python and ASP. I also have experience (to a lesser extent) with ASP.NET (C# & VB.NET), Java, LISP, Haskell and Ruby.
In the realm of photography, I use a PENTAX K-5 DSLR, though I've previously used Nikon and Canon DSLRs. I also occasionally use a Chinon CE-4s SLR (Pentax K mount) for personal projects. I hold a Certificate of Higher Education in Photography (Contemporary Practice) from the University for the Creative Arts.
If you're looking to contact me, I can be found on various social networks:


Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.
A small river named Duden flows by their place and supplies it with the necessary regelialia. It is a paradisematic country, in which roasted parts of sentences fly into your mouth question ran over her cheek, then she continued her way.
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove right at the coast of the Semantics, a large language ocean.
The Big Oxmox advised her not to do so, because there were thousands of bad Commas, wild Question Marks and devious Semikoli, but the Little Blind Text didn’t listen. She packed her seven versalia, put her initial into the belt and made herself on the way.
Kijfhoek 30, 3335 LE Zwijndrecht.
The route to the church is signposted with blue-and-white signs showing a church and the text: Kijfhoekkerk.
When using the A 16 from Rotterdam or Dordrecht, take exit 23: Hendrik-Ido-Ambacht and Zwijndrecht. Follow the direction Zwijndrecht. At the crossroads with traffic lights, go straight over the railway viaduct to the roundabout.  Turn right, past the riding school and take the first road on the left. Follow this road, called Kijfhoek. After a sharp turn to the right, the church appears on your left.
Lloydstraat 1, 3024 EA Rotterdam
Parkeren kan in het Q-Park Schiecentrale, Schiehavenkade 120
Please sign your RSVP


It was a typical tuesday night: I had just finished all of my work for the next day and decided that wednesdays are always the slowest, most boring days in the week...so i decided to make my next one a bit more interesting. Wednesday, i got myself out of bed at my typical 6:30 am, to get ready for work. My psychologist perscribed me 100mg tablets of the SSRI Setraline (more commonly known as Zoloft). I popped in 5 tablets (500 mg), and went on my way. About an hour later, i noticed that i was feeling severe nausea, and massive stomach pains. I went home from work and lied down all day, being unable to sleep because of the severity of the pain.
Then around 10 pm, i pulled myself out of bed for some dinner (which i decided later not to have). I felt like i should have thrown up alrdady, and was hesitant about eating anything.. so i put on my favorite beatles music, some Hendrix and then some doors to try and get me to sleep. The lights were pitch black, and i had come to the conclusion that Zoloft was a weak drug... Boy, was i wrong. About five minutes later, while i was staring at my celing and listening to the Greatful Dead, i noticed that my wall was flowing (literally like an ocean) to the music. It was rotating, shifting, flowing, in every possible direction, across the celing of my room. I then saw these bright orangeish-red plasma-like objects dance across the ceiling and clash together, creating an even bigger object. This lasted for about an hour or so, until everything went quiet.
'well, that's it... looks like i'll be going to bed now,' i said to myself. All of a sudden, my jaws started spasming, and my teeth started chattering. Complex retnal visions filled my ceiling for hours upon hours. The next days were normal ones... nothing else happened like what happened the first night.. But my eyes stayed massively dilated for over three days.
PS-- i do not recommend taking more than 400 mg. The Deaths from Zoloft occurred on 500mg and more.
Happy trails, and take it easy.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


The first step is to turn on templates and template editing and open an example file.
Turn on Templates
Before you can modify templates you have to be able to view them. This is done in the Display page of the Options dialog (accessed using the Tools/Options menu item) and selecting the "Use Templates" check box. After that any file you open in HexEdit will display a template window. The template window can be displayed in a "split" window next to the normal hex window or it can be displayed on top of/behind the hex window, using tabs to flip between them.
1. Open the Display Options Page and select the "Use Templates" and "Allow Editing checkboxes. Note that this step is no longer necessary in HexEdit 3.2.
Figure 1.1 Turning On Template Editing in the Display Options page.
Open an Example File
To edit a template you need to have a file open. The best file to use is an example of the type of file for which you are creating the template. This allows you to get instant feedback on how your template works. Of course, to exercise all the features of more complicated templates you need to test them with many example files.
In this case we are creating a simple template for text files so any text file will do. These files often have an extension of ".TXT".
2. Open the file "RelNotes.txt" which is in the same folder that you installed HexEdit. In HexEdit 3.2 select New from the Template menu to open the default template.
The default location for HexEdit may be C:\Program Files\HexEdit.
Default Template
After you open the file you should see the template window to the left of the normal hex window. If there is no template associated with a file then the "default" template is used. We are going to create a new template by modifying the "default" template.
At the top of the tree window there is a heading which should say "default" with a down-arrow to the right. If the heading does not say "default" then some other template is associated with the file, so you need to click the down-arrow and select "default" from the list.
Underneath the heading is the tree itself which is used to view and edit the template. At the moment this will just contain one line which has a yellow "Folder" icon with the name "Default". This is the "root" of the tree and represents the whole file according to the template. To the left of the "Folder" icon is a tree "+" symbol which allows you to expand the tree node.
Figure 1.2 RelNotes.txt using default template.
3. Expand the "Folder" node in the tree by clicking the "+" symbol.
You will see that the default template only contains a single data element with name "none".
Figure 1.3 After Expanding the Root Node of the Tree.
Displaying the Data Element Dialog
Most template changes are made through context menus that appear when you right click a node in the tree.
4. Right-click the "none" node and select the "Edit..." item at the bottom of the popup menu.
Figure 1.4 Editing the "none" node.
If you right-click and nothing happens then you do not have template editing enabled. To turn on template editing make sure it is checked in the Display page of the Options dialog. A quick way to turn it on is to right-click the "Default" (root) node and select "Allow Editing" from the popup menu.
You should now see the "Data Element" dialog which allows you to change the properties of the "none" data node. Note that the name of the data element is "none", and the type of the element is also "none". A type of "none" means that the data is zero or more bytes of no specific type. This is often used to represent a BLOB (binary large object) or parts of the file which contain unknown or unspecified data.
In this case the "length" field is empty which means that this data field extends all the way to the end of file. Hence the default template just contains one piece of data which takes up the whole file. The other fields of the dialog will be explained below.
Figure 1.5 DATA Element dialog.
Click the "?" in the top-right of the dialog then click any control to get a brief tip on what it is for. Click the "Help" button to get an overview of the purpose of the dialog and information on all the controls.
We will later delete the "none" element but for now just close the dialog.


What languages are written with right-to-left scripts?
The directionality of a language depends on the script(s) to be used.
Knowing the directionality of text is important to web designers and authors, because right-to-left text can be more complicated (for beginners) to work with and the organization and directionality of the page layout are affected. Therefore, knowing the writing direction can be relevant to estimating the work involved to create web pages in a new language.
The Unicode Consortium's glossary uses the following definition:
Script: a collection of symbols used to represent text in one or more writing systems.
At the time this article was written, Microsoft offered the following definition on their globalization web site:
Script: A collection of characters for displaying written text, all of which have a common characteristic that justifies their consideration as a distinct set. One script can be used for several different languages (for example, Latin script, which covers all of Western Europe). Some written languages require multiple scripts (for example, Japanese, which requires at least three scripts: the hiragana and katakana syllabaries and the kanji ideographs imported from China). This sense of the word "script" has nothing to do with programming scripts such as Perl or Visual Basic Scripting Edition (VBScript).
Languages don't have a direction. Scripts have a writing direction, and so languages written in a particular script, will be written with the direction of that script.
Languages can be written in more than one script. For example, Azeri can be written in any of the Latin, Cyrillic, or Arabic scripts. When written in Latin or Cyrillic scripts, Azeri is written left-to-right (LTR). When written in the Arabic script, it is written right-to-left.
The following table gives a rough idea of modern spoken languages that can be written using RTL scripts, and where they are spoken. In addition:
This data is gathered from information in the SIL Ethnologue.
The table lists 12 scripts, and 215 languages. Some of the smaller languages are not mentioned.
Arabic accounts for a large proportion, with 189 languages and just over 2 billion potential users. No distinction is made between the various styles of Arabic, such as Nastaliq, Magribi, Kano, etc., nor between the orthographies that are abjads and those that are alphabets. Nor, as mentioned, does it take into account the number of people using Arabic because of their religion.
The total number of potential users is of course an overestimate, because it doesn't take into account literacy levels or competing scripts or usage trends. Nonetheless, at 2,305,048,719 it indicates that the actual number of potential users possibly runs past a billion.
| Script | Language | Countries/Regions | Script usage | Potential users |
|---|---|---|---|---|
| Adlam | Fulah [ful] | Guinea, Mali, Nigeria, Niger, Chad | Latin, Adlam | 35,337,640 |
| Pular [fuf] | Guinea, Mali | Latin, Adlam | 4,778,200 | |
| Arabic | Adamawa Fulfulde [fub] | Cameroon | Arabic | 5,685,500 |
| Adyghe [ady] | Russia | Cyrillic (Arabic) | 605,400 | |
| Algerian Arabic [arq] | Algeria, Morocco, Tunisia, Western Sahara | Arabic | 40,259,600 | |
| Andaandi [dgl] | Sudan | Arabic | 70,000 | |
| Ashtiani [atn] | Iran | Arabic | 26,400 | |
| Azerbaijani/Azeri [aze] (azj, azb) | Azerbaijan, Iran | Arabic, Latin, (Cyrillic) | 23,849,330 | |
| Baharna Arabic [abv] | Bahrain | Arabic | 727,900 | |
| Bakhtiari [bqi] | Iran | Arabic | 1,240,000 | |
| Balangingi [sse] | Philippines | Arabic | 85,000 | |
| Balti [bft] | Pakistan | Arabic | 438,800 | |
| Banjar [bjn] | Indonesia | Arabic | 3,655,000 | |
| Bedawiyet [bej] | Sudan | Arabic, Latin | 2,498,000. | |
| Bhadrawahi [bhd] | India | Arabic, Devanagari | 116,000 | |
| Brahui [brh] | Pakistan, Afghanistan | Arabic | 2,864,400 | |
| Brunei Malay [kxd] | Brunei, Malaysia | Arabic, Latin | 321,000. | |
| Burushaski [bsk] | Pakistan, India | Arabic | 126,300 | |
| Central Atlas Tamazight [tzm] | Morocco | Arabic, Tifinagh | 4,740,000 | |
| Central Kanuri [knc] | Nigeria | Latin, Arabic | 8,825,500 | |
| Central Kurdish [ckb] | Iraq | Arabic | 5,266,050 | |
| Central Pashto [pst] | Pakistan | Arabic | 8,490,000 | |
| Chadian Arabic [shu] | Chad | Arabic, Latin | 2,061,220 | |
| Chittagonian [ctg] | Bangladesh | Bengali, Arabic | 13,000,000 | |
| Coptic [cop] | Egypt | Coptic, Arabic | 0 (liturgical) | |
| Cypriot Arabic [acy] | Cyprus | Latin, (Arabic) | 9,760 | |
| Dameli [dml] | Pakistan | Arabic | 5,000 | |
| Dari [prs] | Afghanistan, Pakistan | Arabic | 29,452,210 | |
| Deccan [dcc] | India | Arabic, (Devanagari) | 12,800,000 | |
| Dezfuli [def] | Iran | Arabic | Very few | |
| Dhatki [mki] | Pakistan | Arabic | 206,400 | |
| Dogri [dgo] | India | Devanagari, (Arabic) | 2,600,000 | |
| Dongxiang [sce] | China | Arabic | 200,000 | |
| Dyula [dyu] | Côte d’Ivoire | Arabic, Latin, N’Ko | 12,504,000 | |
| Balochi, Eastern [bgp] | India, Pakistan | Arabic | 2,930,800 | |
| Cham, Eastern [cjm] | Viet Nam | Cham, (Arabic) | 132,000 | |
| Eastern Egyptian Bedawi Arabic [avl] | Egypt, Libya | Arabic | 2,430,300 | |
| Eastern Maninkakan [emk] | Guinea | Arabic, Latin, N’Ko | 3,722,300 | |
| Egyptian Arabic [arz] | Egypt, (widespread media) | Arabic | 74,826,320 | |
| Gazi [gzi] | Iran | Arabic | 7,030 | |
| Gilaki [glk] | Iran | Arabic | 2,490,000 | |
| Goaria [gig] | Pakistan | Arabic | 25,400 | |
| Gowro [gwf] | Pakistan | Arabic | 1,000 | |
| Gujari [gju] | India | Arabic, (Devanagari) | 1,696,000 | |
| Gulf Arabic [afb] | Kuwait & surrounding countries | Arabic | 10,656,700 | |
| Gurani [hac] | Iran | Arabic | 300,000 | |
| Gurgula [ggg] | Pakistan | Arabic | 35,300 | |
| Harzani [hrz] | Iran | Arabic | 34,900 | |
| Hassaniyya [mey] | Mauritania & surrounding countries | Arabic | 4,883,500 | |
| Hausa [hau] | Nigeria & across the Sahel | Latin, Arabic | 77,063,700 | |
| Hazaragi [haz] | Afghanistan, Pakistan | Arabic | 3,628,900 | |
| Hijazi Arabic [acw] | Saudi Arabia | Arabic | 10,792,400 | |
| Ida'an [dbj] | Malaysia | Latin, (Arabic) | 10,000 | |
| Indonesian [ind] | Indonesia | Latin, (Arabic) | 198,000,000 | |
| Indus Kohistani [mvy] | Pakistan | Arabic | 200,000 | |
| Ingush [inh] | Russia | Cyrillic, (Arabic) | 306,000 | |
| Iranian Persian [pes] | Iran | Arabic | 77,377,510 | |
| Jadgali [jdg] | Pakistan | Arabic | 25,600 | |
| Jahanka [jad] | Guinea | Arabic | 137,500 | |
| Jenaama Bozo [bze] | Mali | Arabic, Latin | 197,000 | |
| Jola-Fonyi [dyo] | Senegal | Arabic, Latin | 457,000 | |
| Kachi Koli [gjk] | Pakistan, India | Arabic, (Gujarati) | 530,000 | |
| Kalami [gwc] | Pakistan | Arabic | 96,400 | |
| Kalasha [kls] | Pakistan | Arabic | 5,000 | |
| Kashmiri [kas] | India | Arabic, (Devanagari) | 7,132,780 | |
| Kati [bsh] | Afghanistan | Arabic | 135,800 | |
| Kazakh [kaz] | Kazakhstan & surrounding countries, China, Iran | Cyrillic, Arabic | 12,695,140 | |
| Kenzi [xnz] | Egypt, Libya | Arabic, Coptic, Latin | 50,000 | |
| Khorasani Turkish [kmz] | Iran | Arabic | 936,000 | |
| Khowar [khw] | Pakistan | Arabic | 379,100 | |
| Khunsari [kfm] | Iran | Arabic | 26,400 | |
| Kohistani Shina [plk] | Pakistan | Arabic | 458,000 | |
| Koti [eko] | Mozambique | Latin, Arabic | 140,000 | |
| Kumyk [kum] | Russia | Cyrillic, Latin, (Arabic) | 427,600 | |
| Kyrgyz [kir] | Kyrgyzstan & surrounding countries | Cyrillic, Latin , Arabic | 5,132,100 | |
| Laki [lki] | Iran | Arabic | 1,240,000 | |
| Lari [lrl] | Iran | Arabic | 118,000 | |
| Lasgerdi [lsa] | Iran | Arabic | 1,000 | |
| Libyan Arabic [ayl] | Libya, Egypt, Niger | Arabic | 5,343,050 | |
| Maasina Fulfulde [ffm] | Mali & adjacent countries | Latin, Arabic | 1,523,240 | |
| Maba (Chad) [mde] | Chad | Latin, Arabic | 567,000 | |
| Malay (individual language) [zlm] | Malaysia, Indonesia | Latin, Arabic | 19,185,470 | |
| Malayalam [mal] | India | Malayalam, (Arabic) | 37,212,270 | |
| Mandinka [mnk] | Senegal, Guinea, The Gambia | Latin, Arabic | 1,949,000 | |
| Manga Kanuri [kby] | Niger, Nigeria | Latin, Arabic | 480,000 | |
| Maore Comorian [swb] | Mayotte | Latin, Arabic | 185,500 | |
| Marwari (Pakistan) [mve] | Pakistan | Arabic | 164,000 | |
| Mazanderani [mzn] | Iran | Arabic | 2,320,000 | |
| Mesopotamian Arabic [acm] | Iraq & neighouring countries | Arabic | 19,063,530 | |
| Mogofin [mfg] | Guinea | Latin, (Arabic) | 24,800 | |
| Moroccan Arabic [ary] | Morocco, Tunisia, Algeria, Western Sahara | Arabic | 33,358,230 | |
| Munji [mnj] | Afghanistan | Arabic | 5,300 | |
| Mwani [wmw] | Mozambique | Arabic, Latin | 166,000 | |
| Nafusi [jbn] | Libya | Arabic | 297,000 | |
| Najdi Arabic [ars] | Saudi Arabia & neighboring countries | Arabic | 18,153,010 | |
| Natanzi [ntz] | Iran | Arabic | 7,030 | |
| Nayini [nyq] | Iran | Arabic | 7,030 | |
| Ndzwani Comorian [wni] | Comoros | Arabic, Latin | 361,000 | |
| Ngazidja Comorian [zdj] | Comoros | Arabic, Latin | 412,000 | |
| Nigerian Fulfulde [fuv] | Nigeria, Cameroon | Arabic, Latin | 16,585,000 | |
| Nobiin [fia] | Sudan, Egypt | Arabic, Latin, Coptic | 546,000 | |
| North Azerbaijani [azj] | Azerbaijan, Georgia | Latin, (Cyrillic, Arabic) | 9,220,620 | |
| North Levantine Arabic [apc] | Syria | Arabic | 31,437,480 | |
| North Mesopotamian Arabic [ayp] | Iraq | Arabic | 10,252,460 | |
| Northern Hindko [hno] | Pakistan | Arabic | 3,570,000 | |
| Northern Kurdish [kmr] | Türkiye & several West Asian countries | Arabic, Latin, (Armenian, Cyrillic) | 15,703,920 | |
| Northern Luri [lrc] | Iran | Arabic | 1,820,000 | |
| Northern Pashto [pbu] | Pakistan | Arabic | 30,172,800 | |
| Northern Uzbek [uzn] | Uzbekistan & neighbours, China | Latin, Arabic, (Cyrillic) | 27,745,270 | |
| Od [odk] | India | Arabic | 2,076,100 | |
| Omani Arabic [acx] | Oman | Arabic | 2,877,200 | |
| Ormuri [oru] | Pakistan | Arabic | 5,050 | |
| Pahari-Potwari [phr] | Pakistan, India | Arabic | 3,541,900 | |
| Palula [phl] | Pakistan | Arabic | 14,400 | |
| Panjabi [pan] | India | Gurmukhi, Arabic, (Khojki) | 51,724,270 | |
| Parkari Koli [kvx] | Pakistan | Arabic | 358,000 | |
| Parsi-Dari [prd] | Iran | Arabic | 27,500 | |
| Pattani Malay [mfa] | Thailand | Arabic, Thai | 1,470,000 | |
| Pulaar [fuc] | Senegal | Latin, Arabic | 5,398,700. | |
| Pular [fuf] | Guinea, Mali | Latin, Arabic, Adlam | 4,778,200 | |
| Purik [prx] | India | Arabic, (Tibetan) | 93,500 | |
| Qashqa'i [qxq] | Iran | Arabic | 995,000 | |
| Rohingya [rhg] | Myanmar, Bangladesh | Arabic, Hanifi Rohingya | 2,529,250 | |
| Saafi-Saafi [sav] | Senegal | Arabic, Latin | 200,000 | |
| Saʽidi Arabic [aec] | Egypt, Libya | Arabic | 24,100,000 | |
| Sanaani Arabic [ayn] | Yemen | Arabic | 12,567,960 | |
| Sangisari [sgr] | Iran | Arabic | 42,300 | |
| Saraiki [skr] | Pakistan | Arabic, Khojki | 26,219,000 | |
| Semnani [smy] | Iran | Arabic | 68,700 | |
| Serer [srr] | Senegal | Arabic, Latin | 1,712,300 | |
| Shina [scl] | Pakistan | Arabic | 720,200 | |
| Shughni [sgh] | Tajikistan, Afghanistan | Latin, Cyrillic, Arabic | 80,000 | |
| Sindhi [snd] | Pakistan, India | Arabic, (Devanagari, Gurmukhi, Khojki) | 33,217,150 | |
| Somali [som] | Somalia & neighbours | Latin, Arabic | 21,930,230 | |
| Soninke [snk] | Mali & neighbours | Latin, Arabic | 2,189,250 | |
| Soqotri [sqt] | Yemen | Latin, Arabic | 111,000 | |
| South Azerbaijani [azb] | Iran & neighbours | Arabic | 14,629,370 | |
| South Levantine Arabic [ajp] | Jordan, Syria | Arabic | 12,711,300 | |
| Southeast Pashai [psi] | Afghanistan | Arabic | 366,000 | |
| Southern Balochi [bcc] | Pakistan | Arabic | 3,555,700. | |
| Southern Hindko [hnd] | Pakistan | Arabic | 1,170,000 | |
| Southern Kurdish [sdh] | Iran | Arabic | 3,730,000 | |
| Southern Luri [luz] | Iran | Arabic | 1,140,000 | |
| Southern Pashto [pbt] | Afghanistan | Arabic | 19,732,400 | |
| Southern Uzbek [uzs] | Afghanistan | Arabic | 5,296,100 | |
| Southwestern Fars [fay] | Iran | Arabic | 110,000 | |
| Standard Arabic [arb] | Widespread | Arabic | 273,989,700 | |
| Standard Malay [zsm] | Malaysia | Latin, Arabic | (liturgical) | |
| Sudanese Arabic [apd] | Sudan | Arabic, Latin | 42,332,360 | |
| Sundanese [sun] | Indonesia | Latin, (Arabic, Java) | 36,700,000 | |
| Susu [sus] | Guinea | Latin, Arabic | 2,434,140 | |
| Swahili [swh] | Tanzania & neighbours | Latin, (Arabic) | 71,416,500 | |
| Ta'izzi-Adeni Arabic [acq] | Yemen | Arabic | 11,821,100 | |
| Tachawit [shy] | Algeria | Arabic, Tifinagh | 2,300,000 | |
| Tachelhit [shi] | Morocco | Tifinagh, Arabic | 5,118,000 | |
| Tadaksahak [dsq] | Mali | Arabic, Latin | 159,800 | |
| Tagdal [tda] | Niger | Latin, Arabic, Tifinagh | 60,600 | |
| Tahaggart Tamahaq [thv] | Algeria | Latin, Arabic, Tifinagh | 114,200 | |
| Tajik [tgk] | Tajikistan | Latin, (Cyrillic, Arabic) | 8,195,120 | |
| Tajiki Arabic [abh] | Tajikistan | Arabic | 17,300 | |
| Takestani [tks] | Iran | Arabic | 395,000 | |
| Talysh [tly] | Azerbaijan | Latin, Arabic, Cyrillic | 226,100 | |
| Tarifit [rif] | Morocco | Latin, Arabic, Tifinagh | 4,399,000 | |
| Tausug [tsg] | Philippines | Latin, Arabic | 946,000 | |
| Tawallammat Tamajaq [ttq] | Niger, Mali | Latin, Arabic, Tifinagh | 870,000 | |
| Tem [kdh] | Togo & neighbours | Latin, Arabic | 390,200 | |
| Tiéyaxo Bozo [boz] | Mali | Latin, Arabic | 118,000 | |
| Torwali [trw] | Pakistan | Arabic | 114,000 | |
| Tumzabt [mzb] | Algeria | Latin, Arabic, Tifinagh | 150,000 | |
| Tunisian Arabic [aeb] | Tunisia | Arabic | 11,709,020 | |
| Turkish [tur] | Türkiye | Latin, (Arabic) | 88,098,480 | |
| Turkmen [tuk] | Turkmenistan, Afghanistan | Latin, Arabic, Cyrillic | 6,656,060 | |
| Urdu [urd] | Pakistan | Arabic | 231,295,440 | |
| Uyghur [uig] | China, Afghanistan | Arabic | 10,411,822 | |
| Vafsi [vaf] | Iran | Arabic | 22,200 | |
| Wadiyara Koli [kxp] | India | Gujarati, Arabic | 583,000 | |
| Wakhi [wbl] | Afghanistan | Arabic, Latin, Cyrillic | 52,200 | |
| Western Balochi [bgn] | Pakistan, Turkmenistan | Arabic, Cyrillic | 2,264,350 | |
| Western Cham [cja] | Cambodia | Cham, Arabic, Latin | 312,500 | |
| Western Maninkakan [mlq] | Senegal, Mali | Latin, Arabic | 2,067,260 | |
| Western Niger Fulfulde [fuh] | Niger & neighbours | Latin, Arabic | 2,320,000 | |
| Western Panjabi [pnb] | Pakistan | Arabic, (Khojki) | 66,441,240 | |
| Wolio [wlo] | Indonesia | Arabic | 65,000 | |
| Wolof [wol] | Senegal, Mauritania | Latin, (Arabic) | 12,266,290 | |
| Yakan [yka] | Philippines | Latin, Arabic | 130,000 | |
| Yalunka [yal] | Guinea | Latin, Arabic | 180,700 | |
| Yidgha [ydg] | Pakistan | Arabic | 6,150 | |
| Yoruba [yor] | Nigeria | Latin, (Arabic) | 45,612,560 | |
| Zarma [dje] | Niger | Latin, (Arabic) | 4,330,100 | |
| Hanifi Rohingya | Rohingya [rhg] | Myanmar, Bangladesh | Hanifi Rohingya, Arabic, Latin | 2,529,250 |
| Hebrew | Bukharic [bhh] | Israel | Cyrillic (Hebrew) | 117,840 |
| Eastern Yiddish [ydd] | Israel | Hebrew | 371,657 | |
| Hebrew [heb] | Israel | Hebrew | 9,387,050 | |
| Hulaulá [huy] | Israel | Hebrew | 350 | |
| Judeo-Iraqi Arabic [yhd] | Israel | Hebrew | 97,200 | |
| Judeo-Moroccan Arabic [aju] | Morocco | Hebrew | 65,910 | |
| Judeo-Persian [jpr] | Israel | Hebrew | 55,000 | |
| Judeo-Tat [jdt] | Russia, Azerbaijan | Cyrillic (Hebrew, Latin) | 81,500 | |
| Mandaic | Neo-Mandaic [mid] | Iran | Mandaic | 23,000 |
| Mende Kikakui | Mende [men] | Liberia, Sierra Leone | Latin (Mende Kikakui) | 2,511,600 |
| N’Ko | Bambara [bam] | Mali, Côte d’Ivoire | Latin, N’Ko | 14,183,340 |
| Dyula [dyu] | Côte d’Ivoire | Latin, N’Ko, Arabic | 12,504,000 | |
| Eastern Maninkan [emk] | Guinea, Mali | Latin, N’Ko, Arabic | 3,722,300 | |
| Mandingo [man] | Guinea | Latin, N’Ko, Arabic | 8,731,560 | |
| N'Ko [nqo] (koine) | Guinea, Mali, Côte d’Ivoire | N’Ko | ? | |
| Old Hungarian | Hungarian [hun] | Hungary | Latin, (Old Hungarian) | 12,560,490 |
| Samaritan | Samaritan Aramaic [sam] | Israel, Palestine | Hebrew, Samaritan | (liturgical) |
| Syriac | Assyrian Neo-Aramaic [aii] | Iraq, Türkiye, Syria | Cyrillic, Syriac | 594,050 |
| Chaldean Neo-Aramaic [cld] | Iraq | Syriac | 232,480 | |
| Classic Syriac [syr] | Türkiye, Syria | Syriac | (liturgical) | |
| Turoyo [tru] | Türkiye, Syria | Latin (Syriac) | 103,100 | |
| Thaana | Dhivehi [dv] | Maldives | Thaana, Latin | 340,500 |
| Yezidi | Northern Kurdish [kmr] | Türkiye, Iraq, Iran, Syria, Armenia | Arabic, Cyrillic, Latin (Yezidi) | 15,703,920 |
The table doesn't include historical usage of scripts. For example, the Arabic script was formerly used throughout the Ottoman Empire and in many Central Asian regions.
Other RTL scripts are not listed in the table because they are no longer used for modern communication, although academics and students around the world do need to be able to work with them. These include scripts such as Avestan, Minoan, Hatran, Imperial Aramaic, Kharoshthi, Lydian, Manichaean, Nabataean, Pahlavi, Palmyrene, Parthian, and Pheonician.
If a language can be written in more than one script, which script should a web designer or localizer use, or should the text be provided in all scripts?
The answer will depend on your target audience. The script may change for different countries or regions. The script may also change by legislation or with changes in government policy. For example, let's go back to Azeri, which can be written in any of the Latin, Cyrillic, or Arabic scripts:
You also should be aware that your choice of script may have political, religious, demographic or cultural overtones. For instance:
More generally, just as you research which languages are required to serve different cultures, you may need to investigate the correct script or scripts to use. There are suggestions in the table above.
Related links, Authoring HTML & CSS
SIL Ethnologue (A good resource for information about languages.)
Omniglot (A guide to writing systems.)
Rosetta Project (A collection of descriptions, texts, analytic materials and audio files for 1,000 languages.)
Orthography descriptions (Notes summarising the key features of a given script or orthography.)


Let's Code!
HackBU exists to foster a community of individuals who solve problems through the innovative use of technology. We host weekly development workshops, organize trips to hackathons, and hold our own hackathon yearly.
Join us.
Subscribe to our mailing list for weekly news, updates, and informations about our workshops and hackathon.
What are these workshops?
We host weekly workshops every Thursday night on campus to help teach web and mobile development. You'll learn at your own pace, and we'll provide the resources to help you do it. We're there to answer questions, help you work through tough problems, and generally around to get you pumped up about learning to code.
What's a hackathon?
An event where "hackers" come together in teams with the intention of creating the best type of program (i.e. web app, iPhone app, etc.) or hardware project within a certain period of time.
We organize transportation to a few hackathons so join our mailing list to learn more.
Is experience necessary?
Not at all! Over 2/3 of HackBU members have no programming experience.
We recommend attending our weekly workshops, but also take a look at our resources page and join our mailing list. We're happy to help!


About Pat's Cookies
Lorem ipsum dolor amet biodiesel cray photo booth listicle.  Truffaut kombucha cornhole portland locavore tumblr bitters meh migas kitsch actually echo park mumblecore. Affogato hexagon activated charcoal readymade. Bespoke YOLO everyday carry tacos, wolf lomo vegan four dollar toast roof party synth bicycle rights twee PBR&B offal fingerstache.
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 Locavore migas lyft street art pug marfa, roof party fashion axe blog mustache vexillologist shoreditch gluten-free waistcoat. Everyday carry hammock literally microdosing schlitz aesthetic. Quinoa sartorial intelligentsia adaptogen shaman leggings, stumptown microdosing trust fund. Heirloom humblebrag gluten-free shabby chic, mustache shaman poke +1 truffaut hammock air plant cardigan woke.
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Wolf subway tile kickstarter, irony vegan banh mi narwhal retro. Roof party pork belly ethical la croix, before they sold out unicorn intelligentsia tattooed portland sustainable snackwave mustache jianbing. Hammock food truck green juice bitters keytar brunch plaid skateboard flexitarian hot chicken VHS vaporware pinterest. Squid man bun vexillologist, woke seitan cray crucifix pour-over meggings. Snackwave post-ironic next level vinyl hexagon crucifix pinterest brooklyn enamel pin polaroid PBR&B la croix 90's. Tousled williamsburg tote bag, hashtag vaporware tattooed quinoa activated charcoal kinfolk literally vinyl photo booth chia. Swag actually whatever sustainable ennui hot chicken gentrify edison bulb shabby chic hoodie meggings pabst.
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THE SON OF THE SHARK A film review by Max Hoffmann Copyright 1994 Max Hoffmann
THE SON OF THE SHARK France, 1993, 90 min. In French with English Subtitles Director: Agne'S Merlet Producer: Francois Fries Screenplay: Merlet, Santiago Amigorena Camera: Gerard Simon Editor: Guy Lecorne, Pierre Chaukroun Cast: Ludovic Veadendaele, Erick Da Silva, Sandrine Blancke, Maxime Leroux Print Gaumont
Rating: Scale 1-10 (10 = highest) 1
As the Antoine and Blane say on "In Living Color" .... "haaaaa-aated it!"
It's HOME ALONE meets THELMA AND LOUISE. Two young brothers toss any sense of connection to their community (or humanity) to the wind and go on a wild and crazy crime-spree/romp. They are possibly the most annoying child characters since Pippi Longstocking vacated the big screen sometime in the 70s. By the way, the film is not intended to be a comedy. The vacant feeling one leaves the film with makes any reviewer resort to clutching at straws to classify the experience. As the festival program relates: "As Martin, Vandendaele is extraordinary, communicating more with his eyes than with words as he draws us, albeit cautiously, into his lonely, battered world."
Merlet's directoral debut, which won the international critic's prize at Venice last year) *is* a technical marvel (stunning photography, totally believable child acting, an intense story line, thoughtful directing) but the sum of the parts is far greater than the final "hole."
Veadendaele and Da Silva play two young brothers (circa ten and twelve years old) who are already hardened criminals. Their mother abandoned them, and their alcoholic father lives in a vacuum, barely aware of them. It's not hard to imagine why! The merry pranksters run the gamut from driving a bus over a cliff, breaking windows in a butcher shop and hauling the meat out into the street, to wrapping excrement in newspapers, lighting them on fire, and fleeing in giggles after ringing the door bell.
With little hoydens like that, the director/screenwriter failed if we're supposed to blame their parents and feel sorry for them. I found myself not only starting to "understand" Governor Pete Wilson and his support of "three strikes and you're out" but ruminating on the possiblity of lowering the age limit. (Well, the film's set in France, so that's no good.)
The two imps prefer to repeatedly run away from home, or juvenile hall, and live like the homeless, wrecking a trail of vandalism and crime where-ever they go. Agnes Merlet was inspired to write the screenplay based on a small news article she read. The fatal flaw with this film is that there is no arc of development for either the characters or the audience. You leave the theatre knowing and feeling nothing more than you did when you entered (except perhaps, an intense feeling of disgust.)
  Not fully understanding their new found attraction to the opposite sex, they approach physical relations with girls the same way they deal with items they steal from the local merchants. Twice the young boys come very close to completing a rape with a terrified young girl at knife point. Through the preceding scenes of the film, the camera glimpses these victims as beautiful, but distantly hollow ornaments, much the way the hubba hubba factor is injected into most music videos. Not only do the young boys show no signs of remorse for their actions, but the girls are completely dropped from the plot after their abuse, and there are no consequences for the crime whatsoever. It is inescapable that the director somehow viewed their criminal tendencies as "forgivable" or "to be expected" considering their circumstances. By the time the second rape scene came around I was wishing the young French girl was more familiar with the ministrations of Lorena Bobbit (it might have changed the entire tone of this review).
The film's title comes from a book that one of the brothers constantly reads and rereads. It is the only tangible relic from his remote mother's presence. He constantly reads about fish, and fantasizes about being "the son of a shark.... I wouldn't be so mean." On viewing this film, by the last reel one could only wish that sharks eat their own young.
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Project Scope
USER EXPERIENCE
Site architecture redesign and mapping. Thumbnails Wireframes
USER INTERFACE
Redesign of the existing website and its components: Homepage register page
Development
HTML5 CSS3 JS / jQuery 3
Discovery
DESCRIBE THE COMPANY/SERVICE THAT THE COMPANY PROVIDES: Murphy & Grantland is a law firm specializing in civil litigation defense for insurance companies and their insureds. The firm began in 1997 and now is comprised of 15 lawyers. WHAT ARE THE COMPANY’S PRIMARY GOALS/OBJECTIVES FOR THE SITE? The company wants a brochure website that tells people who they are and what they do. They dislike the design of their existing site so they’ve come to us to get something that looks better and has a lot more personality. They want a basic brochure site not unlike the one they have now; they just don’t want it to be so “blah.” They’d also like an extranet area so that they can share files with their clients as well as a rotating “Featured Attorney” space on the home page.
WHO IS THE TARGET AUDIENCE FOR THE SITE?  The primary audience is potential clients (specifically, people associated with insurance companies) as well as attorneys who may refer cases to M&G. On the most basic level, potential clients are looking for practice area descriptions and attorney bios. While they may enjoy additional content, budget restraints do not allow for the creation of much interactive content. Existing clients are a secondary audience; they don’t visit the site much currently, but an extranet will hopefully change that. Existing clients are coming to the site to gain contact information or to sign onto the extranet for access to files. Both audiences need to be hit with M&G’s personality, expertise, and experience when they visit the site.
DESCRIBE THE COMPANY’S BRAND, PERSONALITY, AND CULTURE: M&G is a conservative law firm. They are not prepared to push the envelope with their marketing. In fact, they do little to no marketing at all. They primarily rely on word of mouth and referrals to grow their business. But they do see the value in a website that looks good and presents information well. They are not interested in integrating a site with social media or utilizing any other new media marketing tactics. They want their personality to shine through. The brand of the company is very much centered around their core values (integrity, quality, diligence, service, efficiency), and they want these values to be a prominent part of the website.
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Headlines: AVERIA SERIF Body: MONTSERRAT The above fonts are used from Google's free collection, all accessible within their site. Because these fonts are stored on Google's servers, Conquest Brewery will always be fast and reliable.
Responsive
This site was optimized for a Responsive viewing experience. Responsive Web Design (RWD) is a web design approach aimed at crafting sites to provide an optimal experience with a minimum of resizing and scrolling, across a wide range of devices.


This is the same nested grid demo, but for Jquery which has additional work required, and options. 1. dragOut is implemented (second subgrid cannot drag outside, only adding item).


addCoro(aCoro)
Private method that adds a coro to coros.
coros
List of coroutines paused waiting for this query.
These coros will be resumed when the query completes.
hostName
The host name which the query will request an IP for.
resumeCoros
Resumes all the paused coros. Should this use resumeLater instead?
setHostName(aSeq)
Sets the host name for the query.
waitOn
Pauses the calling coroutine until the query is completed.


>>
<<
Usr
Pri
JfC
LJ
Phr
Dic
Voc
!:
Help
Dictionary
25. Polynomials in Terms of Roots
The product */y-r is called a polynomial in terms
of the roots r, because it can
also be expressed as a polynomial applied to the
argument y, and because r is the list
of roots or zeros of the resulting function. For example:
*/y-r [ y=: 7 [ r=: 2 3 5 [ x=: 7 6 5 4 3 2
40
pp=: +//.@(*/)
c=: pp/monomials=: (- ,. 1:) r
cfr=: [: pp/ - ,. 1: NB. Coefficients from roots
pir=: */@(]-[)"1 0 NB. Polynomial in terms of roots
,.&.>(r;monomials;c;(cfr r);(c&p. y);(r pir x))
+-+----+---+---+--+--+
|2|_2 1|_30|_30|40|40|
|3|_3 1| 31| 31| |12|
|5|_5 1|_10|_10| | 0|
| | | 1| 1| |_2|
| | | | | | 0|
| | | | | | 0|
+-+----+---+---+--+--+
Since the last (highest order) coefficient produced by cfr
is necessarily 1, the function pir cannot produce a
general polynomial, but it can if provided with a multiplier.
We therefore re-define cfr and pir to apply
to a boxed list of multiplier and roots as follows:
CFR=: (* cfr)&>/
PIR=: CFR@[ p. ]
CFR 3;r
_90 93 _30 3
(3;r) PIR x
120 36 0 _6 0 0
We now illustrate the use of a polynomial in approximation:
]ce=: ^ t. i. 7 NB. First seven terms of Taylor series for exponential
1 1 0.5 0.166667 0.0416667 0.00833333 0.00138889
(^ - ce&p.) _1 _0.5 0 0.5 1 NB. Comparison with exponential
_0.000176114 _1.45834e_6 0 1.65264e_6 0.000226273
pD ce NB. The exponential function equals its own derivative
1 1 0.5 0.166667 0.0416667 0.00833333
>>
<<
Usr
Pri
JfC
LJ
Phr
Dic
Voc
!:
Help
Dictionary


package com.alpha.activities.events;
import com.alpha.api.domains.Post;
public class ViewResponseEvent {
public final Long authorId;
public final Post post;
public ViewResponseEvent(Long authorId, Post post) {
this.authorId = authorId;
this.post = post;
}
@Override
public boolean equals(Object o) {
|


Vue v3 App
Using the uibuilder ESM library. Loads a Vue component directly without a build step.
{{message}}
Click to send msg to Node-RED
This is sent to Node-RED when you exit it:


Tickets Created By you:
{% for ticket in tickets %}
{% endfor %}
| {{ticket.id}} | {{ticket.type}} | {{ticket.date_created}} | {{ticket.dlimit}} | {{ ticket.title|truncatechars:30 }} |
{% if tickets.has_other_pages %}
Copyright © 2018 Company. All rights reserved.


The Stream
Overview
Even if the API is the front-facing block of code in the Rx-player, the Stream is the part of the code actually doing most logic behind playing a content.
The API is just a higher, object-oriented, layer for easier library interactions.
Its code is written in the src/core/stream
directory. More specifically,
all needed code should be exported by its “index file”
src/core/stream/index.ts
.
Every times you’re calling the API to load a new video, the Stream function is called by it with a handful of arguments.
The Stream does then the major part of the job and communicate back its progress to the API through events.
+-----------+
1. LOAD VIDEO | | 2. CALLS
---------------> | API | -------------------+
| | |
+-----------+ |
^ v
| +--------------+
| 3. EMIT EVENTS | |
+------------------- | STREAM |
| |
+--------------+
Basically, the job of the Stream is to:
-
initialize the content (creating the MediaSource and SourceBuffers, downloading the manifest)
-
Connect most core parts of the player together, such as adaptive streaming management, segment downloads, DRMs…
As such, during the various events happening on content playback, the Stream will create / destroy / update various player blocks. Such example of blocks are:
-
Adaptive streaming management
-
DRM management
-
Buffer management
-
Manifest refreshing management
-
…
Usage
Concretely, the Stream is a function which returns an Observable. This Observable:
-
will automatically load the described content on subscription
-
will automatically stop and clean-up infos related to the content on unsubscription
-
communicate on various streaming events through emitted notifications
-
throw in the case of a fatal error (error interruption playback)
Communication between the API and the Stream
Objects emitted by the Observable is the only way the Stream should be able to communicate with the API.
The API is then able to communicate back to the Stream, either:
-
by Observable provided by the API as arguments when the Stream function was called
-
by emitting through Subject provided by the Stream, as a payload of one of its event
Thus, there is three ways the API and Stream can communicate:
-
API -> Stream: When the Stream function is called (so a single time)
-
Stream -> API: Through events emitted by the returned Observable
-
API -> Stream: Through Observables/Subjects the Stream is in possession of.
Emitted Events
Events allows the Stream to reports milestones of the content playback, such as when the content has been loaded.
It’s also a way for the Stream to communicate informations about the content and give some controls to the user.
For example, as available audio languages are only known after the manifest has been downloaded and parsed, and as it is most of all a user preference, the Stream can emit to the API RxJS Subjects allowing the API to “choose” at any time the wanted language.
Building blocks
The Stream put in relation multiple part of the code to allow a qualitative playback experience.
Multiple of those building bricks are considered as part of the Stream.
Among them, you can find:
-
Create/destroy the Buffer and SourceBuffers needed, that will be used to push new media segments.
-
Perform manual garbage collection on SourceBuffers periodically
-
Keep track of the informations of every segments currently present in the buffer, e.g. to know which part of the buffer are linked to which quality/language etc.
Also useful to know when segments have automatically been garbage-collected by the browser.
-
Handle playback rate management. To pause when we should build buffer, for example, and speed-up/lower-up the playback rate when the user ask for this.
-
the Stalling Manager
Try to un-stall the player when it does so.


View source to learn how to listen to events sent from the node. See below a live stream of events received.
Go back...


{% load static %}
Teacher - Rules and Guidelines
Rectifica
GUIDELINES FOR TEACHERS
1. Create your account on this website
2. Login using your username and password
3. Add your question to the question menu.
4. Add the respective answer for that specific question in the answer menu.
5. Save the changes made.


Ex-boss delivers his verdict on what it's like to be a Nottingham Forest fan
The Reds are in the thick of the promotion hunt under head coach Sabri Lamouchi
by Barry CooperIan McParland believes life as a Nottingham Forest supporter is great as the club aim to end their two-decade wait for Premier League football.
The Reds are nestled nicely inside the Championship’s top six after 15 games of the season, and could cement their place with a win at play-off rivals Bristol City this weekend.
Three points at Ashton Gate would cap off an encouraging couple of weeks for Forest, after seeing off Derby County and then announcing their latest plans to redevelop the City Ground.
“It’s a great time to be a Nottingham Forest fan,” McParland told Notts TV.
“Evangelos Marinakis is backing the manager, they’ve got 28,000 in there every two weeks.
“28,000!

“I think it’s 20 years, 21 at the end of this season since they’ve been in the big league – that’s not good enough for Nottingham Forest.”
The Reds revealed their latest designs to rebuild parts of the City Ground, and McParland, a former Forest manager, says the development is not before time and will mean Forest can start to compete with Derby and Leicester off the pitch.
“Yes, definitely” admitted the Scot of the Reds’ exciting times. “Forest are well behind Derby County and Leicester City with the stadium, the meals that they do and all that stuff.
“Its massive now, hospitality.
“If you go to Derby, the facilities are fantastic – you go underneath that main stand (the Toyota Stand), all the hospitality, it’s the same at Leicester City.
“At Forest, they need that.”
Initial plans will see the Peter Taylor Stand demolished and replaced with a brand new, state of the art stand with a host of new facilities, and McParland says he’s positive about the future of his old club.
“They need to knock the Peter Taylor Stand down and build another one underneath it and redo all the hospitality because that brings in millions of pounds if you get that right.
“It’s all part of modern day football.
“It’s great news for them to kick on, add a few more thousand onto the gate and get a bigger capacity.
“Hopefully, when they get to the Premier League, they’ll fill it.
“I’m positive.
“I’m not like some of these Nottingham Forest fans that are quite happy to sit in the Championship, not get promoted and have a good season.
“They’ve got all the plans, they’re waiting on them to get passed, so fingers crossed.”
Nottingham Forest latest
This is your round up of all things Forest; the one-stop shop that will keep you updated on the latest goings on at the City Ground and beyond.
Transfers, injuries, match-days and managers, we’ve got you covered.
We’ll be bringing the very latest on the Reds throughout the week and around the clock.
Make sure you keep yourself updated with our handy daily catch up...
Must reads...
- Reds reveal double injury boost
- Ex-Forest boss speaks about his future
- Worrall on transfer speculation
- The challenges of delivering Marinakis' vision
For all your latest NFFC news, opinion, analysis and transfer gossip, click here
You can follow our Reds reporter Sarah Clapson on Twitter, and her email address is Sarah.Clapson@reachplc.com


Pearson correlation analysis between lncRNAs and mRNAs. a– e The co-expression relationship between MIR4435-2HG and paired mRNAs (PLAU, LOX, COL5A1, VCAN and OSBPL3). f The ceRNA regulatory subnetwork of MIR4435-2HG. (G–H) The co-expression relationship between ELFN1-AS1 and paired mRNAs (SRM and E2F1). i The ceRNA regulatory subnetwork of ELFN1-AS1


gh secret set
Create or update GitHub secrets from the command line.
More information: home page
- Set a secret for the current repository (user will be prompted for the value):
gh secret set name
- Set a secret from a file for the current repository:
gh secret set name < path/to/file
- Set a secret for a specific repository:
gh secret set name --body value --repo owner/repository
- Set an organization secret for specific repositories:
gh secret set name --org organization --repos "repository1,repository2,..."
- Set an organization secret with a specific visibility:
gh secret set name --org organization --visibility all|private|selected


ANNA KARENINA A film review by Han Kuo Copyright 1997 Han Kuo
If you haven't read the 800-plus-page novel, this is the movie that will compel you to do so. And you will be grateful for it afterwards. It is the best movie adaptation of Leo Tolstoy's timeless tragic love story "Anna Karenina" thus far. Beware of that reading a novel and watching a movie are never meant to be the same experience. They are functionally different and a head-to-head comparison is seldom fair or meaningful. Bear that in mind and watch this movie for its own sake, you will find yourself immersed in this beautiful film.
The cast is brilliant. Sophie Marceau (as Anna) had a splendid performance. Besides her ineffable beauty and exquisite elegance reflected on the screen as Anna is meant to be, it is remarkable to watch how her facial expressions convey those most subtle emotions Anna possess, joy, happiness, shame, sorrow and despair. More amazingly, the sentiments are communicated not only through her tender eyes but also from those sensational lips. In addition her French accent adds the intoxicating foreign flavor to the character, which makes you wonder what it would be like if they all speak French instead (in that period, the Russian aristocrats often spoke French).
Sean Bean (as Vronsky) did a wonderful job in protraying Vronksy who had the crushing love and desire for Anna except the lack of dashing look is less persuasive. All the other supporting cast had a first-rate performance which makes the movie so enjoyable.
The breathtaking cinematography (which was all shot in Russia), the sumptuous 19th century aristocratic costumes and the absorbing Tchaikovsky music provides an magnificent and realistic ensemble for the story. The grand ball, the subsequent train station encounter, the horse racing and the tragic finale are the several memorable scenes.
Understanding the difference between the expressive means of the literature and those of the cinema, the director/writer Bernard Rose made a great effort in extracting the essence of this great novel with some modification, and he did a respectable job. The exact dialogues excerpt from Telstoy's masterpiece exhibit some of the most powerful and unforgettable words rarely seen on screens. The only unfullfillment is that the showing version was cut into less than 2 hours. It is too short to include some integral scenes to make the film more complete. Hopefully, this will be mended on vedio version.
The experience of watching this movie is definetely a rewarding one not only because it is a great film but also it stirs up some deep thoughts about love and life. It sure will linger in my mind for quite some time.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Cast your mind back to the sixteenth of January. That was the day I posted an item, under the heading Mrs Snooke's Tortoise, about Sylvia Townsend Warner's 1946 book The Portrait Of A Tortoise, where she extracted from the Journals of the 18th century clergyman Gilbert White all the entries regarding his tortoise, Timothy. I suggested at the time that a reading of this would make a splendid special edition of Hooting Yard On The Air, and lo! it has come to pass. I recorded it this morning, and it will be broadcast on ResonanceFM over the Christmas/New Year fortnight. I am not yet sure of the date, but keep an eye on the schedule and be sure not to miss it.
UPDATE : The programme will be broadcast at 12.20 PM on Boxing Day, December 26th.


COVIC Team
Direction
Paul Kahn
<EMAIL_ADDRESS>Partners
Hugh Dubberly
Dubberly Design Office
<EMAIL_ADDRESS>Prof. Paolo Ciuccarelli
Center for Design, Northeastern University
<EMAIL_ADDRESS>THANKS FOR
Programming support
Sean Durham, Wilbert Mui, Robbie Roxas, Matthew Siu, Cody Wackerman
Website development
Liuhuaying Yang
Assistance developing the metadata schema
Yixuan Zhang
THANKS TO
our student research assistants
THANKS TO
our international contributors


Don't worry, we won't get access to any private information.
(such as passwords or private repo source code)
Our authentication system uses Firebase and Github Oauth to store user information, such as
your display name, your profile pic URL(from Github) and your email.


PETRIK YURI
Kiev, Ukraine
<EMAIL_ADDRESS>(067) 249 1000
03:03:1983
Profile:
Responsibility, original thinking, business conversation experience, ability to find optimal solution in non standard situation, team work experience
Most Likely:
Node.JS, JS, Socket.IO, WebAudio API, Scss, Html...
Experience:
Past 15 years I'm has working as a video processing specialist, including editing, graphics, color correction.
In 2018 I finished courses about front-end, I was bitten by a programmer, and I also became a programmer)))
Sketches:
CGtimer
The Node.JS and Socket.IO based tool for TV channels and broadcasting studios.
Here we can control a lot of variables, what we need in on-air event, like a current time, directors countdown, and remaining time until the end of the news plot.
I'm not wririting all code myself. I'm forked it from guys on Github, rewrite some modules and write new.
I've include the graphical key for touch-based devices.
The Chat application has 'shit-talking' filter, what checked 'bad' words in messages, and change them on different.
NRG Player
The web audio player for my radio stream, with 7-ch EQ and very beautiful visualizer at background.
You can enjoy it yourself at nrg.bratan.ooo
Weather App
The json-based visualisation for weather forecast, with Google map's peaker.
You can enjoy it yourself at this link.


The Groovy Support add-on allows Groovy to be used for ZAP scripting and to run add-ons written in Groovy.
It's bundled Groovy 2.4 (2.4.14), core and all modules.
When you create a new script you will be given the option to use Groovy, as well as the option to choose from various Groovy templates.
It's recommended to depend on this add-on when creating Groovy add-ons, to reduce the overall size of the add-ons and memory used at runtime.


Our Products
Compiler Toolchain
Take the lead with highly optimized compiler toolchains.
Check the benchmark results here
- Reliable toolchains with full maintenance support.
- Fully customizable RISCV extension support.
- State of the art optimizations.
Development Environment
A highly modular development environment for streamlining the development flow.
- A docker based modular and reproducible compilation environment.
- Plug and play with modular compilation and execution modules.
- Seamlessly switch between silicon and emulators.
Toolchain Support
Don’t stop yourself from experimenting with our compiler toolchain and development solutions in the cloud.
- Reliable toolchains with full maintenance support.
- Fully customizable RISCV extension support.
- State of the art optimizations.
Services We Offer
We take care of your software so that you can focus on great hardware.
Custom Optimization Development & Support
Compiler optimizations are our strengths.
Custom RISC-V Extensions.
We develop custom RISCV extensions as per your needs.
Compiler toolchain maintenance
We maintain and support our reliable toolchains.
We are expert in Compiler Technologies.
An optimized toolchain can make a difference in the neck and neck competition amongst the hardware vendors. We are specialized in compiler optimizations. At the heart of everything we do, our compiler optimizations deliver the promise to be ahead of all the open source toolchains available. At our benchmark section, you’ll find the code size results of our toolchain compared with the open source gnu and llvm toolchains.
Know MoreWe deliver the best Development Experience.
We are always innovating and developing modernized solutions for improving the development experience. We developed a docker based modular compiler environment for streamlining the development flow.
Know MoreWe support RISC-V.
RISC-V is a revolutionary ISA, We support the RISC-V community by delivering a modular development environment in the cloud for anyone to play and experiment.
Know MoreAbout Us
At BitSimplify, we believe in providing best development environment for RISC-V
Best hardware deserves best software. We thrive to support hardware vendors with reliable and optimized software toolchains. We specialize in compiler technologies which boost our partners with custom optimizations. With ever increasing competition among RISC-V providers, a highly optimized toolchain can help in getting ahead of competition with ease. We work for streamlining the software development on RISC-V through our modern and innovative solution.
Know More


{%extends 'base.html'%} {% block content %}
Location:{{business.business_neighbourhood}}
{{business.business_name}}
{{business.business_description}}
{{business.business_email}}
Contact Person:{{business.contact_person}}


Firmware Version
Volume Settings
Output headphone volume. Limiting ouput volume to 0.8 due to distortions at high volume.
EQ Settings
Adjust the individual filter parameters to change the EQ frequency response. The filters are based on 'peaking' Biquad design.
Psycho-acoustic Bass Enhancer
Enhances bass by mixing a mono, low-pass filtered copy of the original stereo signal, back into the stereo signal, which is then optionally high pass filtered (to remove inaudible subsonic frequencies).
Auto Volume
Compressor/expander to help reduce clipping with sudden loud noises.
- Max Gain is the maximum gain that can be applied for expanding.
- Response controls the integration time for the compressor. Larger values average the volume over a longer time, allowing short-term peaks through.
- 'Soft knee' compressor is used to progressively compress louder values which are near to or above the threshold (the louder they are, the greater the compression).
- 'Hard limit' compressor decrease all values above the threshold to the same loudness.
- Threshold is specified as a range between -96dBFS to 0dBFS (dB relative to full scale), where -18dBFS is a typical value.
- Attack is the rate of decrease in gain when the signal is over threshold. Too high of an attack causes an unnatural sound as the input signal may be distorted. Too low of an attack may cause saturation of the output as the incoming signal is not compressed quickly enough.
- Decay controls how fast gain is restored once the level drops below threshold. It is typically set to a longer value than attack. It is desirable to use very slow decay rate to avoid any distortion in the signal and prevent the AVC from entering a continuous attack-decay loop.
Pulse USB Power
Most USB battery powerbank will turn off if consumed current is too low. This option periodically wastes current to keep USB power on. Experiment to find the lowest values for your battery pack. Each pulse consumes about ~35mA. If this is not enough, you can connect A0 pin with a short wire to GND to consume more current (~50mA).
Save to flash and restart the board to take effect. This feature is disabled automatically if the USB is plugged to a computer.


public interface ResultSetCopier
Works to create full output batches to minimize per-batch overhead and to eliminate unnecessary empty batches if no rows are copied.
The output batches are assumed to have the same schema as input batches. (No projection occurs.) The output schema will change each time the input schema changes. (For an SV4, then the upstream operator must have ensured all batches covered by the SV4 have the same schema.)
This implementation works with a single stream of batches which, following Drill's rules, must consist of the same set of vectors on each non-schema-change batch.
ResultSetCopierImpl
class, passing the input row set reader
to the constructor.BatchIterator.next()
method.close()
.To build each output batch:
public IterOutcome next() {
copier.startOutputBatch();
while (!copier.isFull() {
IterOutcome innerResult = inner.next();
if (innerResult == DONE) { break; }
copier.startInputBatch();
copier.copyAllRows();
}
if (copier.hasRows()) {
outputContainer = copier.harvest();
return outputContainer.isSchemaChanged() ? OK_NEW_SCHEMA ? OK;
} else { return DONE; }
}
The above assumes that the upstream operator can be polled multiple times in the DONE state. The extra polling is needed to handle any in-flight copies when the input exhausts its batches.
The above also shows that the copier handles and reports schema changes by setting the schema change flag in the output container. Real code must handle multiple calls to next() in the DONE state, and work around lack of such support in its input (perhaps by tracking a state.)
An input batch is processed by copying the rows. Copying can be done row-by row, via a row range, or by copying the entire input batch as shown in the example. Copying the entire batch make sense when the input batch carries as selection vector that identifies which rows to copy, in which order.
Because we wish to fill the output batch, we may be able to copy part of a batch, the whole batch, or multiple batches to the output.
| Modifier and Type | Method and Description |
|---|---|
void |
close()
Release resources, including any pending input batch
and any non-harvested output batch.
|
void |
copyAllRows()
Copy all (remaining) input rows to the output.
|
boolean |
copyNextRow()
If copying rows one by one, copy the next row from the
input.
|
void |
copyRow(int inputRowIndex)
Copy a row at the given position.
|
VectorContainer |
harvest()
Obtain the output batch.
|
boolean |
hasOutputRows()
Reports if the output batch has rows.
|
boolean |
isCopyPending()
Helper method to determine if a copy is pending: more rows
remain to be copied.
|
boolean |
isOutputFull()
Reports if the output batch is full and must be sent
downstream.
|
boolean |
nextInputBatch()
Start the next input batch.
|
void |
startOutputBatch()
Start the next output batch.
|
void startOutputBatch()
boolean nextInputBatch()
ResultSetReader
passed into the constructor.boolean copyNextRow()
void copyRow(int inputRowIndex)
inputRowIndex
- the input row position. If a selection vector
is attached, then this is the selection vector positionvoid copyAllRows()
isCopyPending()
will return true.boolean hasOutputRows()
boolean isOutputFull()
isCopyPending()
will
also return true.
This function also returns true if a schema change occurred on the latest input row, in which case the partially-completed batch of the old schema must be flushed downstream.
boolean isCopyPending()
VectorContainer harvest()
void close()
Copyright © 2021 The Apache Software Foundation. All rights reserved.


This map uses a Stamen layer. Click on the buttons to see the three types of layers:
Current TileLayer Url:
{{ stamen | json }}


--- layout: post title: "No Title" ---
A good example of poor Microsoft UI design in the screenshots from the upcoming Office 2011 for Mac.
Yet they remain. It’s the accumulation of details like this which make a many Microsoft application UIs bad and many Mac application UIs good.


The future has arrived.
While we can't predict the future, we can inspire it. So what will our cars look like and how will they function? Will we drive them or will they drive us? That seems to be the question on everyone's mind. Well, we have an idea. Cars are for people who want to go to more places safely and efficiently
LEARN MORELess of a machine.
More of a pal.
Concept-i follows our belief that vehicles shouldn't start with technology—they should start, and end, with the experience of the people who use them. Therefore, Concept-i was built from the inside out, with a focus on making it immersive, energetic and, most importantly—approachable.
Learn MoreNeue Toyota Concept
Cars in Tokio
At the 2016 Consumer Electronics Show (CES) in Las Vegas, Toyota is demo’ing it’s idea of the “Future of Mobility”.  While other companies are at CES showing off battery based EV’s, Toyota is sticking with their fuel cells.
Learn MoreConcept-i looks as brilliant
Its minimal yet artful interior is designed to help support its user experience. Lines flow from the center of the dashboard throughout the vehicle, while Yui travels around them, using light, sound and even touch to communicate critical information. It utilizes a single wide-screen, 3-D, full-color Head-Up Display that blends into an interior that is clean and uncluttered.
Learn MoreIn the future, we envision you, Yui and the car working together—like teammates. Now, here comes the really fun part. Thanks to the car's advanced automated driving technologies, people with all levels of ability can enjoy the ride. You're still in charge of the car. However, through biometric sensors throughout the car, Concept-i can detect what you're feeling. That information then gets analyzed by the car's AI. That's when the automated features kick in.
Concept-i puts the
“i” in team.
Learn More
Join us in the future.
Check out the recent unveiling of Toyota Concept-i at CES 2017. And if you want even more info, check out our recent press release.
JOIN USJOIN US IN THE FUTURE.
Our vision for the car of the future starts with "Yui." Designed from the inside out, Toyota Concept-i is an exciting glimpse into a future mobility that is warm, friendly and revolves around you.


The Connection Status dialog box shows the current status and the progress of an Ameol blink. You will see the service that you are currently connected to, the time elapsed and the current action that is being executed.
You will also see the progress of any upload or download that is being performed along with the time remaining to complete the transfer of data.
Sometimes, if the on-line service is slow to respond, it will appear as if Ameol has locked. If the animated icon is still moving in the top left hand corner then Ameol is still processing the current blink command. If you wish to halt the current blink, click the Stop button.


Please enter a valid Twitter username
| Username | User ID | Generate Tweet |
|---|---|---|
| {{user.username}} | {{user.userid}} |
Enter a username to view their tweets
| Tweet ID | Username | User ID | Content |
|---|
Enter a username to view their tweets
| Tweet ID | Username | Date | Content |
|---|
Welcome to Dolos!
Source code available at https://github.com/rdespoiu/Dolos
{% endif %} {% endif %}


Let's go!
javascript
c++
Run (Caps)
Execution started
Completed
Error
Input:
Enter text here...
Output
Enter text here...


Ex-Ranbaxy Promoters Malvinder, Shivinder Singh Guilty Of Contempt:SC
by PTIThe Supreme Court on Friday held former Ranbaxy promoters Malvinder Singh and Shivinder Singh guilty of contempt of court for violating its order asking them not to divest their shares in Fortis Healthcare Limited.
The apex curt had earlier asked the Singh brothers to give it a plan as to how they would honour the arbitral award of Rs 3,500 crore granted by a Singapore tribunal against them and in favour of Japanese drug manufacturer Daiichi Sankyo.
A bench comprising Chief Justice Ranjan Gogoi and Justice Deepak Gupta held the former Ranbaxy promoters guilty of contempt of court and said that they had violated its earlier order by which the sale of their controlling stakes in Fortis Group to Malayasian firm IHH Healthcare was put on hold.
The apex court said that they would hear the Singhs on the quantum of sentence later.
The Japanese firm had filed contempt petition against the former Ranbaxy promoters alleging that execution of their arbitral award had been in jeopardy as the Singh brothers disposed of their controlling stakes in Fortis Group to the Malaysian firm.


The goal of speedrunr is to easily access data from speedrun.com.
You can install the released version of speedrunr from GitHub with:
remotes::install_github("jemus42/speedrunr")
Let’s say you want to plot the times of all Ocarina of TIme 100% runs.
Let’s get started:
You can either search for “Ocarina of Time”, or supply 'oot'
, the game’s abbreviation on speedrun.com.
games <- get_games(name = "Ocarina of Time")
games %>%
select(id, name_international, name_abbr) %>%
head() %>%
kable()
| id | name_international | name_abbr |
|---|---|---|
| j1l9qz1g | The Legend of Zelda: Ocarina of Time | oot |
| kdkjex1m | The Legend of Zelda: Ocarina of Time Master Quest | ootmq |
| 268vqkdp | The Legend of Zelda: Ocarina of Time 3D | oot3d |
| 76rkv4d8 | Ocarina of Time Category Extensions | ootextras |
| m1zromd0 | Ocarina of Time Beta Quest | ootbq |
| v1pol9m6 | SM64: Ocarina of Time | sm64oot |
Turns out j1l9qz1g
is the id we’re looking for.
categories <- get_categories(id = "j1l9qz1g")
categories %>%
select(id, name, type) %>%
head() %>%
kable()
| id | name | type |
|---|---|---|
| q255jw2o | 100% | per-game |
| 824qn3k5 | 100% | per-level |
| zdnoz72q | All Dungeons | per-game |
| z275w5k0 | Any% | per-game |
| 02qe4z2y | Any% | per-level |
| 9kvr802g | Ganonless | per-game |
So apparently we’re looking for q255jw2o
, the full-game 100% category.
Now we can fetch the runs. By default, 100 runs are returned, ordered by submit date in descending order, so newest runs first. This also means you will only be able to fully assess the WR progression if you make sure to get all the runs.
runs <- get_runs(game = "j1l9qz1g", category = "q255jw2o")
glimpse(runs)
#> Observations: 100
#> Variables: 22
#> $ id <chr> "mk29qg5m", "z571pegm", "m7qp2q5z", "y21qpr5z", …
#> $ weblink <chr> "https://www.speedrun.com/oot/run/mk29qg5m", "ht…
#> $ game <chr> "j1l9qz1g", "j1l9qz1g", "j1l9qz1g", "j1l9qz1g", …
#> $ level <lgl> NA, NA, NA, NA, NA, NA, NA, NA, NA, NA, NA, NA, …
#> $ category <chr> "q255jw2o", "q255jw2o", "q255jw2o", "q255jw2o", …
#> $ videos <chr> "https://www.twitch.tv/videos/441162407", "https…
#> $ status <chr> "verified", "verified", "verified", "verified", …
#> $ comment <chr> "Inventory at 5:32:17", NA, NA, NA, NA, "Dampe F…
#> $ player_id <chr> "48gq9kpj", "kj9z6w84", "48gq9kpj", "zx74dm6x", …
#> $ player_url <chr> "https://www.speedrun.com/user/StoneeBadLuck", "…
#> $ player_name <chr> "StoneeBadLuck", "Fuzzyness", "StoneeBadLuck", "…
#> $ player_role <chr> "user", "user", "user", "user", "user", "user", …
#> $ player_signup <dttm> 2019-06-18 03:27:25, 2015-02-19 19:12:56, 2019-…
#> $ date <date> 2019-06-19, 2019-06-19, 2019-06-17, 2019-06-17,…
#> $ submitted <dttm> 2019-06-19 09:23:00, 2019-06-18 23:28:54, 2019-…
#> $ time_primary <dbl> 21193.06, 14695.00, 22316.00, 24067.00, 20356.00…
#> $ time_realtime <dbl> 21193.06, 14695.00, 22316.00, 24067.00, 20356.00…
#> $ time_ingame <int> 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, 0, …
#> $ time_hms <drtn> 05:53:13.063, 04:04:55.000, 06:11:56.000, 06:41…
#> $ system_platform <chr> "nzelreqp", "nzelreqp", "nzelreqp", "nzelreqp", …
#> $ system_emulated <lgl> FALSE, FALSE, FALSE, FALSE, FALSE, FALSE, FALSE,…
#> $ system_region <chr> "o316x197", "o316x197", "o316x197", "o316x197", …
And now we can basically re-create the leaderboard, but including obsoleted runs:
library(hms)
runs %>%
arrange(time_primary) %>%
head(20) %>%
select(submitted, time_primary, player_name) %>%
mutate(time_primary = hms(seconds = time_primary)) %>%
kable()
| submitted | time_primary | player_name |
|---|---|---|
| 2019-06-11 04:53:45 | 03:52:15 | zfg |
| 2018-11-28 02:03:45 | 03:53:33 | zfg |
| 2018-10-31 01:33:08 | 03:54:52 | zfg |
| 2018-09-23 01:03:54 | 03:56:08 | zfg |
| 2018-08-21 04:27:10 | 03:57:38 | zfg |
| 2018-10-11 04:03:38 | 03:58:28 | Marco |
| 2018-09-29 13:12:43 | 03:59:17 | Marco |
| 2018-09-17 12:49:58 | 04:00:47 | Marco |
| 2018-09-01 04:40:41 | 04:01:39 | Marco |
| 2019-06-18 23:28:54 | 04:04:55 | Fuzzyness |
| 2019-06-11 20:54:47 | 04:05:45 | glitchymon |
| 2019-04-19 21:19:07 | 04:05:57 | Fuzzyness |
| 2019-05-25 03:23:32 | 04:06:12 | MasterMonk1991 |
| 2019-05-29 05:06:26 | 04:06:34 | glitchymon |
| 2018-09-09 23:02:52 | 04:07:04 | MasterMonk1991 |
| 2018-08-23 00:22:32 | 04:07:57 | Bonooru |
| 2019-05-29 05:48:52 | 04:08:14 | AxelLarsen1 |
| 2019-05-13 15:55:27 | 04:08:58 | glitchymon |
| 2018-10-13 20:39:56 | 04:09:43 | dannyb21892 |
| 2018-08-24 10:36:10 | 04:09:50 | MasterMonk1991 |
Wanna resolve those platforms? Just join with this table:
get_platforms() %>%
head() %>%
kable()
| id | name | released |
|---|---|---|
| mr6km09z | MS-DOS | 1970 |
| 8gej2n93 | PC | 1970 |
| 3167od9q | Plug & Play | 1970 |
| vm9vkn63 | Tabletop | 1970 |
| w89ryw6l | Apple II | 1977 |
| o0644863 | Atari 2600 | 1977 |
Same can be done with regions:
get_regions() %>%
kable()
| id | name |
|---|---|
| ypl25l47 | BRA / PAL |
| mol4z19n | CHN / PAL |
| e6lxy1dz | EUR / PAL |
| o316x197 | JPN / NTSC |
| p2g50lnk | KOR / NTSC |
| pr184lqn | USA / NTSC |
There are also convenience functions to pipe your runs
object into:
add_platforms()
add_regions()
add_players()
, which only makes on API call per unique player.All of them work in the following way:
runs %>%
add_regions() %>%
add_platforms() %>%
select(time_primary, system_region, system_platform) %>%
sample_n(5) %>%
knitr::kable()
| time_primary | system_region | system_platform |
|---|---|---|
| 20356 | JPN / NTSC | Wii Virtual Console |
| 14357 | JPN / NTSC | Wii Virtual Console |
| 15282 | JPN / NTSC | Wii Virtual Console |
| 20589 | JPN / NTSC | Nintendo 64 |
| 14757 | JPN / NTSC | Wii Virtual Console |
Please note that this project is released with a Contributor Code of Conduct. By participating in this project you agree to abide by its terms.


Welcome to the About Page!
About Me
Hi, I'm Sasha! I love history, especially European history, and find Russia particularly interesting. I decided to go with this project because I knew I'd personally find it fun and interesting to do, and I could learn through my research. I also knew it could give me some oppurtunities to experiment with different pages and layouts. I enjoy coding and had a bit of previous experience with HTML and coding in general before this summer, but I definitely think I learned a lot. Hope you enjoy!
About the Project
I composed a list of revolutions, revolts, uprsings, etc, under/against Tsarist Russia. The list stretches from the 17th century to the early 20th, from the Time of Troubles caused by the reign of Tsar Ivan IV (Often known as Ivan the Terrible), the first Russian tsar, to Tsar Nicholas II, the last. Included is also some basic details of the specific event, including dates, locations, reasons, results, and more. I may have missed a couple but I tried to be both thorough and accurate while doing my research, and I apologize for any mistakes.


Ulysses is an intelligent TPF client that takes advantage of replicated datasets to distribute the load of SPARQL query processing and provides fault-tolerance. By reducing the load on a TPF server, Ulysses improves the Linked Data availability and distributes the financial costs of queries execution among data providers. This demonstration presents the Ulysses web client and shows how users can run SPARQL queries in their browsers against TPF servers hosting replicated data. It also provides various visualizations that show in real-time how Ulysses performs the actual load distribution and adapts to network conditions during SPARQL query processing.
Ulysses was awarded Best Demonstration at the 15th Extended Semantic Web Conference (ESWC 2018)
Read the research paper and the demonstration paper on HAL.
Execution time: {{ time }} Number of results: {{ results.length }} mappings
| {{ key }}: | {{ value }} |
| Server | Access time | Page size | Throughput | Server capability factor | Estimated load |
|---|---|---|---|---|---|
| {{ server.url }} | {{ server.latency }}ms | {{ server.pageSize }} triples | {{ server.throughput }} triple/ms | {{ server.coefficient }} | {{ server.load }}% |


com.kenzan.msl.account.edge.services
Interfaces
AccountEdge
Classes
AccountEdgeService
AccountEdgeServiceTest
LibraryService
LibraryServiceHelper
LibraryServiceHelperTest
LibraryServiceTest
RatingsHelper
RatingsHelperTest


This page tracks the new paper links made to my list of Pacific Graphics 2003 papers.
Page maintained by Ke-Sen Huang. If you have additions or changes, send an e-mail.


{% if page.image_link != null %}
{% endif %}
{% if page.image_link != null %}
{% endif %}
{% endif %}
{{ content }}
--- navbar_pages: - title: About url: index - title: Projects url: projects - title: Teaching url: teaching - title: Physics url: physics - title: CV url: cv ---
Scientific Software Developer and High Performance Computing expert


Black-clad man dies in Hong Kong; unclear if death related to protests - police
HONG KONG (Reuters) - A man dressed in black and aged in his 30s has died in Hong Kong, police said. It was not clear if his death was related to ongoing protests in the Chinese-ruled city.
Initial investigations showed the man fell from a height in the district of Tsing Yi in the New Territories and there were no suspicious circumstances, police said late on Wednesday.


_stle The apostle hurriedly bustled through the bustling crowd, his bristly beard swaying in the wind.[G|D] The captain wrote an epistle to his crew, warning them of the stormy forecastle ahead as they saw gristle in the darkening sky.[G|D] With a sly hustle and a gentle nestle, the old woman pounded away at her pestle, making a sweet remedy for her dear ones.[G|D] The rustling leaves of the thistle plant tickled his nose as he walked along the trestle, a warm summer breeze carried him forward.[G|D]


Real Name: Kieran
Steam Name: mad_gaming_k
Role in the Team: Rifleman
Favourite Map: Dust II
Favourite Weapon: M4A1-S
Favourite Pistol: P250
Favourite Weapon Type: Rifle
Real Name: Aaron
Steam Name: Aaron
Role in the Team: Rifleman
Favourite Map: Mirage
Favourite Weapon: AUG/SG 553
Favourite Pistol: P250
Favourite Weapon Type: Rifle


'use strict';
An example of an Oracle built with @fabric/core, a framework for building high-throughput distributed systems with Bitcoin.
Run locally with node examples/oracle.js
— use Node 8, a la nvm use 8
if you’re using NVM, or from
nodejs.org if not!
First, let’s ensure strict mode is used to parse our code.
'use strict';
Require @fabric/core
as the Fabric
constant. This allows us to use the
Fabric API directly: new Fabric.<type>()
const Fabric = require('@fabric/core');
An example configuration object, encoded as JSON:
{
"name": "@examples/oracle",
"description": "a simple Oracle example",
"version": "0.1.0"
}
Configuration files are most commonly stored in config.json
, but you can
also use an existing package.json
to pre-load an Oracle with some state.
const config = require('./config');
/**
* An {@link Oracle} offers a simple, self-contained {@link Service} for Fabric-
* capable agents. The `main()` function allocates necessary resources, then
* starts the service.
*/
async function main () {
Our primary objective is to create an Oracle, so we do that next by passing
the config
constant from earlier into the Fabric.Oracle
constructor.
let oracle = new Fabric.Oracle(config);
The oracle
variable contains our Oracle, so now let’s define a Resource
for it to manage.
Here, we define a Request
as a resource with one field, input
, which is
both required
and restricted to a maximum size of 2048 bytes.
oracle.define('Request', {
attributes: {
input: { type: 'String', required: true, max: 2048 }
}
});
Now that a Resource has been defined, start the Oracle.
await oracle.start();
Log some output.
console.log('oracle started!');
console.log('oracle:', oracle);
}
We’ve defined our program. Start the main process!
module.exports = main();


| All Classes
Packages
net.authorize
net.authorize.aim
net.authorize.aim.cardpresent
net.authorize.arb
net.authorize.cim
net.authorize.data
net.authorize.data.arb
net.authorize.data.cim
net.authorize.data.creditcard
net.authorize.data.echeck
net.authorize.data.xml
net.authorize.data.xml.reporting
net.authorize.reporting
net.authorize.sim
net.authorize.sim.button
net.authorize.sim.data
net.authorize.util
net.authorize.xml
|