The test/subdir/ directory and its children exist purely for testing in the self-hosting Fossil repository. This particular file is used to verify that a file name "README.html" is displayed correctly. beneath the directory listing.
| This | is |
| a | <table> |


Returns a function that is a numerical solution of the -dimensional first-order ordinary differential equation (ODE) system
The derivatives are specified by the vector-valued function F that evaluates . The initial point is specified by the scalar argument x0, and the initial value is specified by the vector argument y0.
For convenience, if the system is one-dimensional, you may optionally provide just a scalar value for y0. In this case, F should accept a scalar y argument and return a scalar. The solution function y will return scalar values instead of length-1 vectors.
Evaluation of the solution function is permitted for any .
A high-order ODE can be solved by transforming it into first-order vector form. This transformation is described in standard texts on ODEs. Examples will also be given below.
Options, speed and accuracy
By default, odefun() uses a high-order Taylor series method. For reasonably well-behaved problems, the solution will be fully accurate to within the working precision. Note that F must be possible to evaluate to very high precision for the generation of Taylor series to work.
To get a faster but less accurate solution, you can set a large value for tol (which defaults roughly to eps). If you just want to plot the solution or perform a basic simulation, tol = 0.01 is likely sufficient.
The degree argument controls the degree of the solver (with method=’taylor’, this is the degree of the Taylor series expansion). A higher degree means that a longer step can be taken before a new local solution must be generated from F, meaning that fewer steps are required to get from to a given . On the other hand, a higher degree also means that each local solution becomes more expensive (i.e., more evaluations of F are required per step, and at higher precision).
The optimal setting therefore involves a tradeoff. Generally, decreasing the degree for Taylor series is likely to give faster solution at low precision, while increasing is likely to be better at higher precision.
The function object returned by odefun() caches the solutions at all step points and uses polynomial interpolation between step points. Therefore, once has been evaluated for some , can be evaluated very quickly for any . and continuing the evaluation up to is also fast.
Examples of first-order ODEs
We will solve the standard test problem which has explicit solution :
>>> from mpmath import *
>>> mp.dps = 15; mp.pretty = True
>>> f = odefun(lambda x, y: y, 0, 1)
>>> for x in [0, 1, 2.5]:
... print((f(x), exp(x)))
...
(1.0, 1.0)
(2.71828182845905, 2.71828182845905)
(12.1824939607035, 12.1824939607035)
The solution with high precision:
>>> mp.dps = 50
>>> f = odefun(lambda x, y: y, 0, 1)
>>> f(1)
2.7182818284590452353602874713526624977572470937
>>> exp(1)
2.7182818284590452353602874713526624977572470937
Using the more general vectorized form, the test problem can be input as (note that f returns a 1-element vector):
>>> mp.dps = 15
>>> f = odefun(lambda x, y: [y[0]], 0, [1])
>>> f(1)
[2.71828182845905]
odefun() can solve nonlinear ODEs, which are generally impossible (and at best difficult) to solve analytically. As an example of a nonlinear ODE, we will solve for . An exact solution happens to be known for this problem, and is given by :
>>> f = odefun(lambda x, y: x*sin(y), 0, pi/2)
>>> for x in [2, 5, 10]:
... print((f(x), 2*atan(exp(mpf(x)**2/2))))
...
(2.87255666284091, 2.87255666284091)
(3.14158520028345, 3.14158520028345)
(3.14159265358979, 3.14159265358979)
If is independent of , an ODE can be solved using direct integration. We can therefore obtain a reference solution with quad():
>>> f = lambda x: (1+x**2)/(1+x**3)
>>> g = odefun(lambda x, y: f(x), pi, 0)
>>> g(2*pi)
0.72128263801696
>>> quad(f, [pi, 2*pi])
0.72128263801696
Examples of second-order ODEs
We will solve the harmonic oscillator equation . To do this, we introduce the helper functions whereby the original equation can be written as . Put together, we get the first-order, two-dimensional vector ODE
To get a well-defined IVP, we need two initial values. With and , the problem will of course be solved by and . We check this:
>>> f = odefun(lambda x, y: [-y[1], y[0]], 0, [1, 0])
>>> for x in [0, 1, 2.5, 10]:
... nprint(f(x), 15)
... nprint([cos(x), sin(x)], 15)
... print("---")
...
[1.0, 0.0]
[1.0, 0.0]
---
[0.54030230586814, 0.841470984807897]
[0.54030230586814, 0.841470984807897]
---
[-0.801143615546934, 0.598472144103957]
[-0.801143615546934, 0.598472144103957]
---
[-0.839071529076452, -0.54402111088937]
[-0.839071529076452, -0.54402111088937]
---
Note that we get both the sine and the cosine solutions simultaneously.
TODO


Please browse our gallery of engagement photos, RSVP, view gift registries, and look at recommended accommodations for the big weekend! You can also read about our story below.
Jon and Jenna met in January of 2015 at Luther College. Jenna was working at the campus coffee shop, which Jon visited every morning with his friend Andy to get through his J-term dance class (it was required...). He really wanted to ask out "Cute Coffee Girl," as she became known to his roommates, Sam and Andy -- Al was in Ireland at the time --, but every time he tried, he couldn't muster the courage. Eventually, Andy advised, "You know, I hate to do this but I think we have to resort to a facebook message..."
So, that's what they did. With the help of his roommates, he crafted the perfect message, and -- with a little persuasion -- they sent it, and waited.
Meanwhile...
Three days into J-term, Jenna noticed a, "flirtacious baseball guy," trying to make awkward small talk at work. A week later, she recieved a message from Jon, asking her out on a coffee date. Later that day, she accepted and they went for coffee at Magpie Coffeehouse. It went so well, that they decided to go on a second date a week later, followed by many more.
After almost two-and-a-half years of runs, ball-games, hikes, and coffee dates, in June of 2017, Jon and Jenna went on a trip to Minnesota's North Shore. After what they called a, "fancy date night," they took a walk around Gooseberry Falls State Park. When he found the perfect spot, a rock overlooking the Upper Falls, Jon proposed and Jenna said yes.
They are both currently living in Iowa City, where Jon is working as a Software Engineer for Innovative Software Engineering and Jenna is in her second year of the Doctor of Physical Therapy program at the University of Iowa. They still enjoy getting a cup of coffee together when they can...


Eric Holton
Software Development Manager/Software Architect
- Website
- http://ericholton.me
-<EMAIL_ADDRESS>- Phone
-<PHONE_NUMBER>
- Address
- 20126 7th Ave NE
- Postal Code & City
- WA 98155 Shoreline
2013-07-23 till today
Software Development Manager/Software Architect at IQVIA:
Managing software development teams on adding functionality to Salesforce Marketing Cloud to support pharmaceutical companies.
Managing several teams in multiple locations to successfully delivery software for our customer's needs.
Designing software systems that are both easy to use and follow the complex rules on pharmaceutical across the global.
Lead teams in transition from Nexxus Marketing to developing on Salesforce Marketing Cloud by developing the base libraries used to communicate to Marketing Cloud.
Lead team in extending Nexxus Marketing to support a new complex hierarchy of data needed by pharmaceutical companies.
Lead team in improving the report engine used by Nexxus Marketing resulting in reports displaying to customers 1000% faster. This included creating a workflow engine that transformed transactional data into a star schema and automated the deployment/upgrading of the Tableau servers.
Built first continuous integration system used in the Seattle office using Jenkins and Layer0 resulting in a more reliable and faster deployment of new code to production.
Assisted team in globalization of Nexxus Marketing, resulting in a 25% increase in customers.
2008-08-04 till 2013-06-18
Software Development Engineer II at Microsoft:
Full stack developer on SkyDrive (OneDrive).
Designed custom internal proxying system for tracing user requests across multiple systems.
Assisted in developing a Rest API for both internal and external consumption on SkyDrive.
Improved deployment systems for multiple websites including SkyDrive, Devices, and Profile
Developed a web pipeline akin to Facebook’s BigPipe using ASP.NET MVC 3.0 and Reactive Extensions resulting a faster display of the Windows Live websites.
Development of a Silverlight application to upload photos from Hotmail to SkyDrive, including writing a JPEG encoder in C# for Silverlight.
Converted multiple sites on Windows Live to use ASP.NET MVC
Designed and developed a streaming zip service, used to download multiple files from Skydrive. As each file was read from the backing database, the service would compression the file on the fly and send to the user. This prevented timeouts when downloading multiple files.
2008-01-01 till 2008-05-31
Senior Software Engineer at Falafel Software:
Full stack developer of training web site.
Development of C# ASP.NET 2.0 website (www.testcompletetv.com).
Created Screencasts for TestCompleteTV.
Co-Author of “TestComplete Made Easy” book used in training program for TestComplete.
Provided on-site training in TestComplete to multiple customers.
2005-01-01 till 2008-12-31
Architect and Chief Evangelist at AutomatedQA:
Guided in the development of new features, interface to customer.
Development of Plug-ins that added additional functionality for TestComplete
Development of Training Material including design/development of sample applications in Delphi, C# and ASP.NET. Also development of other training aids – PowerPoint and Handouts.
Provided on-site training in TestComplete to multiple customers worldwide.
Provided sales support including web demonstration and running technical conference booths.
Presenter at technical conferences.
1996-03-18 till 2004-12-31
Owner at Holton Integration Systems:
Consultanting Company
Consultant for multiple retail clients including HotTopic, BigM, Speedo, Orvis
Business Analysis of sales trends of client and client competitors.
Design/Development of Sales Analysis/Sales Planning tools using Oracle and Excel.
Design/Development of Middle Tier to move data from GERS back office system to Arthur Allocation
Design/Development of Inventory Allocation system in Delphi.
Providing guidance for high schoolers in building robots.
Teaching basic programming skills including version control.
Providing instruction in electronics, wiring and soldering.
Web Development: HTML, CSS, Javascript, ASP.NET, ASP.NET Core, Node, React
General Software Development: Git, GitHub, GitLab, Mericurial
Build Tools: MSBuild, GitLab, Cake, Jenkins, Team City, Visual Studio Online, SonarQube
Deployment Tools: GitLab, Layer0, Salt, Terraform, Visual Studio Online, AWS, Azure, Kubernetes, Helm
Programming Languages: C#, Javascript, SQL, HTML, CSS, F#, Python
Databases: Microsoft SQL Server, Postgres, MySql, Oracle, Aurora, Redshift


| DOSE: T+ 0:00 |
165 mg |
oral |
Harmine |
| T+ 0:25 |
40 mg |
oral |
MET |
| T+ 0:25 |
20 mg |
oral |
Harmine |
| T+ 0:45 |
18 mg |
oral |
MET |
| T+ 0:45 |
40 mg |
oral |
Harmine |
| T+ 2:35 |
|
smoked |
Tobacco |
| T+ 2:35 |
|
smoked |
Cannabis |
| T+ 2:35 |
15 mg |
smoked |
MET |
| T+ 2:35 |
20 mg |
smoked |
Harmine |
Got a chance to try some MET (n-ethyl-n-methyl-tryptamine) orally with harmine recently, here's the rough notes:
I usually work nights so I have a somewhat inverted sleeping schedule, I'd been awake for about 6-7hrs when I first took the harmine. I was alone in my apartment for the duration of the experience.
4:45am - Took 165mg Harmine freebase
5:00am - Starting to feel a little different, elevated heart rate & such. Could just be my excitement at the thought of experiencing something rather novel though.
5:10am - Took 40mg MET freebase & 20mg Harmine freebase
5:30am - Definitely starting to feel it, getting some, for me, typical tryptamine arabesque-type visuals & definitely feel off baseline. I'm a bit worried I didn't take enough harmine or possibly MET as well, so I took about 18mg MET & 40mg Harmine.
5:45 - Definitely turned on now. Back & forth between strange & deep thought loops & fits of laughter. Listened to the new portugal the man album. I liked it anyway, but particularly enjoyed it this time.
6:00am - Quite visually rich now, if I let it. Patterns on my kitchen counter etc are raising up & twisting around, but I can control it to some degree, not that I necessarily want to.
~6:30-7ish am - sat out on my back stairs & smoked a few cigarettes while staring at trees (which looked incredible by the way) & pondering the mind & the universe. Leaned back with my eyes closed for a bit & had an interesting vision/train of thought regarding the brain as an inference machine & my odd mental habit of having imagined conversations with my mental constructs of various other people. The visual aspect of this consisted of visible bits of data flowing into my brain from 360 degrees in all dimensions around my head, ruminated on that for a while.
7:20am - Smoke a joint of mostly cannabis leaves & a little tobacco with 20mg harmine & 15mg MET, definitely kicks things back up a notch or three. Listen to some more music.
8:30am - Definitely on the downslope now, but still wavering between ++ & +++, have a strange urge to watch Arrested Development, so I do.
9:30am - Effects are lingering longer than I thought they would, still in good spirits though. Watching arrested development is causing me almost painful fits of laughter. Good times.
10:30am - Still some lingering effects, not much different than an hour ago, Arrested Development is still hilarious.
11am - Mostly down now, still an occasional undulation in my vision, but those are increasingly infrequent.
All in all a very positive experience. Was truly in need of that laughter as I've been dealing with a couple of stressful personal situations lately. Will definitely repeat, though likely with a single larger dose at the beginning, probably smoke a slightly larger dose at the peak as well. Also plan on doing a combination of MET & DPT with some harmine & harmaline (and possibly tetrahydroharmine as well) at some point in the near future, that might actually be next on the to do list. Especially since this didn't really have that 'jarring' effect I've come to expect from simple tryptamines (DMT, DPT, etc). MET, at least in this context, seems to offer a substantially 'lighter' experience than DMT or DPT. I'd also like to give MPT & mipt a shot at some point as well, all in due time I'm sure.
Thanks for reading!
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Arthmetic Operator
A typical arithmetic operation takes two numbers (or expressions) and produces a new number.
The ** Operator
Math.pow()


Wrapup-Reason ( {{selectedReasons.length}} )
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{{reason.name}}


Australian Model Olivia Mathers Sizzles On The Beach In Cheeky, Mesh Bikini
December 9, 2019
Australian Model Olivia Mathers Sizzles On The Beach In Cheeky, Mesh Bikini
Olivia Mathers is showing off her incredible bikini body again on Instagram, much to the delight of her fans.
On Monday, the Australian model shared a sizzling new snap to her feed that was an instant hit with her 560,000 followers. In the photo, the 22-year-old was seen enjoying a beautiful day on the beach in Gold Coast, Australia, where she laid out across a thin, white blanket on top of the sand.
The camera was positioned high above the blond bombshell as she worked on her already-perfect tan. This gave her audience a good look at her flawless figure and killer curves, which she showed off in yet another itty-bitty bikini that left little to the imagination.
Olivia looked smoking hot during her beach day in the tiny white two-piece that boasted a mesh material and popped against her deep, all-over glow. The swimwear included a halter-style top that was tied in a dainty bow behind her neck, and had triangle-shaped cups that were barely enough to contain her voluptuous assets. Plenty of cleavage was left well on display as Olivia basked in the sun — though the NSFW showing of skin hardly seemed to bother any of her followers.
 The cheeky number left Olivia’s curvaceous booty almost completely bare, and showcased her long, sculpted legs that were stretched out behind her.  Within just six hours of being posted to her feed, the steamy snap had earned over 14,000 likes — and that number still continues to grow. Dozens took their admiration a step further and flocked to the comments section of the post as well, where many left compliments for the social media sensation’s jaw-dropping display.
“Absolutely gorgeous,” one person wrote.
Another called Olivia an “angel.”
Loading...
“Wow! Such an amazing bronzed body. Stunning,” commented a third.
This is hardly the first time that Olivia has dazzled her fans with her bikini body. Another recent addition to her feed saw her showing some skin again in a sexy, black latex bikini that was arguably even skimpier than her look from today. The display also proved popular with her followers, who awarded the snap over 32,000 likes.


0">Speakers
expand_more
0" style="text-align: center">Check out our wonderful speakers,
primed and ready to tell their
stories and give you their advice. Don't miss their keynotes!
0">Previous Speakers
expand_more
0 && !isCollapsed" @myInsertRemoveTrigger class="align-center">
{{ speaker.name }}
{{ speaker.title }}


DR JAES MORGAN(PRINCIPAL AUDITOR) NIGERIA NATIONAL PETROLEUM CORPORATION(NNPC) FALOMO OFFICE COMPLEX IKOYI, LAGOS NIGERIA. TELL:234-1-7756759<EMAIL_ADDRESS>Dear SIR, I guess my letter would not embarrass you since I have no previous correspondence with you. The foreign trade office of the Nigeria Chamber of Commerce and
Industry gave me your company's details. My request however centers on mutual collaboration and your unflinching support to confidentially set-up a Joint-Venture outfit in your country.
I hope I would not regret approaching you in this matter.
I am at present working as the Chairman of the Task Force that is reviewing all previous and present contract awarded by various ministries in the country.
This appointment is from the office of the Presidency in the Federal Republic of Nigeria. Since the appointment took effect from November, 2000. The Task Force have jointly discovered some irregularities comprising of over invoice contract values.
In the meantime, we have discovered about Nine Hundred and Eighty Million United States Dollars US$980,000,000.00).
In our respective positions and status, this is an opportunity to enrich ourselves and our family, as a matter of fact, this is a timely opportunity considering the economic situation in this country, we have agreed to declare only Nine Hundred and Fifty-Six Million United States Dollars US$956,000,000.00) to the government while the balance of (US$24,000,000.00)Twenty - Four Million United States Dollars only will be remitted to your private/company's account.
We hope to establish a Joint-Venture Business with you in your country. This money if accepted by you will be used in financing the cost of equity and other expenses for the take-off of the Joint Business.We have set out the machinery to enable us secure the effective remittance of this fund to your account, if only you can work with us.It is however noteworthy that this business is extremely sensitive and must be kept confidential.
Furthermore, 30% of the money will be due for you as compensation for your effort and assistance, 10% for incidental expenses to be incurred on the course of transferring this fund while the rest goes into the Joint-Venture Project. Please note that remittance would be effective from 14 working days on receipt of your Bank Account details as follows: 1. Bank Name and Address 2. Account Number 3. Beneficiary's name and address 4. Private Telephone/Fax number for easy
communication and confidentiality of this transaction.
However, do endeavour to reply me if your capacity does not meet up our proposal so that I can
further more negotiation.
Best Regards,
DR JAMES MORGAN.


Fuse-2.9.7
Introduction to Fuse
FUSE (Filesystem in Userspace) is
a simple interface for userspace programs to export a virtual
filesystem to the Linux kernel. Fuse also aims to provide a secure method for
non privileged users to create and mount their own filesystem
implementations.
This package is only installed for compatibility with Gvfs-1.36.2. It is not needed with other
packages. For full fuse functionality, install Fuse-3.2.5 which does not
interfere with these instructions.
This package is known to build and work properly using an LFS-8.3
platform.
Package Information
Fuse Dependencies
Optional
Doxygen-1.8.14 (to rebuild the API
documentation)
User Notes: http://wiki.linuxfromscratch.org/blfs/wiki/fuse2
Kernel Configuration
Enable the following options in the kernel configuration and
recompile the kernel if necessary:
File systems --->
<*/M> FUSE (Filesystem in Userspace) support [CONFIG_FUSE_FS]
Installation of Fuse
Install Fuse by running the
following commands:
./configure --prefix=/usr \
--disable-static \
--exec-prefix=/ &&
make &&
make DESTDIR=$PWD/Dest install
This package does not come with a test suite.
Now, as the root
user:
install -vm755 Dest/lib/libfuse.so.2.9.7 /lib &&
install -vm755 Dest/lib/libulockmgr.so.1.0.1 /lib &&
ln -sfv ../../lib/libfuse.so.2.9.7 /usr/lib/libfuse.so &&
ln -sfv ../../lib/libulockmgr.so.1.0.1 /usr/lib/libulockmgr.so &&
install -vm644 Dest/lib/pkgconfig/fuse.pc /usr/lib/pkgconfig &&
install -vm4755 Dest/bin/fusermount /bin &&
install -vm755 Dest/bin/ulockmgr_server /bin &&
install -vm755 Dest/sbin/mount.fuse /sbin &&
install -vdm755 /usr/include/fuse &&
install -vm644 Dest/usr/include/*.h /usr/include &&
install -vm644 Dest/usr/include/fuse/*.h /usr/include/fuse/ &&
install -vm644 Dest/usr/share/man/man1/* /usr/share/man/man1 &&
/sbin/ldconfig -v
Command Explanations
--disable-static
: This
switch prevents installation of static versions of the libraries.
--exec-prefix=/
: This
parameter moves programs and libraries that could be needed before
the /usr
directory is mounted, to the
root filesystem.
make DESTDIR=$PWD/Dest
install: This command installs the files to a
temporary directory, so that the needed files can be installed.
Contents
Installed Programs:
fusermount, mount.fuse, and
ulockmgr_server
Installed Libraries:
libfuse.so and libulockmgr.so
Installed Directory:
/usr/include/fuse
Short Descriptions
|
fusermount
|
is a set users ID root program to mount and unmount Fuse
filesystems.
|
|
mount.fuse
|
is the command mount would call to
mount a Fuse filesystem.
|
|
ulockmgr_server
|
is the Userspace Lock Manager Server for Fuse
filesystems.
|
|
libfuse.so
|
contains the FUSE API
functions.
|
|
libulockmgr.so
|
contains the Userspace Lock Manager API functions.
|
Last updated on 2018-08-15 20:14:45 -0700


NJACK
Winter of Code
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STUDIES INVOLVING THIENOPYRIDINE AND THIENOPYRAZINE
ANALOGS OF BIOLOGICALLY ACTIVE MOLECULES
by
FRED WAYNE CLOUGH
Submitted to the Faculty of the Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Chemistry of
the University of South Florida
March, 1976
Tampa, Florida
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.


This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.
This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.
This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.This is the testing of collapse format using Jquery.


amazon-chime-sdk
/
com.amazonaws.services.chime.sdk.meetings.audiovideo
/
VolumeLevel
/
Muted
Muted
Muted
The attendee is muted


Cloning a repository will produce a local duplicate of the repository, including all its historical meta-data. You can clone from a local repository or a server repository.
In the left sidebar select the repository - the source repository - which you want to clone. (If the source repository is on a server, you first need to add the server repository to the left sidebar if you have not already done so.)
Select the menu item Repository > Clone...
In the Local Path field of the dialog, enter or browse to a local path.
In the Short Name field of the dialog, enter a short name of your choosing to help you identify the clone. This short name will be used in the left sidebar and in other places to refer to the repository.
If needed, choose any advanced options which are appropriate when cloning (for example, the --rev option to clone only up to a specific revision).


Home
Test Name:
C-130A Inspection
Test Date: 04-11-2018
Test Description: Marietta Museum of History Aviation Wing
Previous
Next
Selection Data
Flight Path


--- layout: documentation title: ToolSpecificDataType ---
The ToolSpecificDataType is an Abstract type placeholder within the CybOX schema enabling the inclusion of metadata for a specific type of tool through the use of a custom type defined as an extension of this base Abstract type.
| Field Name | Type | Description |
|---|


[1]
Speed, Ease of Texting, User Friendly; Non so far that I can find
[2]
Good sound quality for voice.; accessories unavailable. No customer support from AT&T or Samsung


Terminator: Resistance delayed in America but nowhere else
by Lewis WhiteFor those who remembered that an FPS Terminator game is coming out this month, well, Terminator: Resistance has been delayed.
Well, a little bit of hyperbole there: the upcoming FPS title will only be delayed in North America. Instead of the original November 15th release, which is still the case for European gamers, you’ll have to wait until December 10th.
Terminator: Resistance introduces a new hero, Jacob Rivers, a soldier in the Resistance Pacific Division. Despite the fact that Jacob is just a private, he’ll soon discover that he’s been targeted by the latest threat from SKYNET and marked for termination!
SKYNET may be destined to lose this war, but at what cost to Jacob? Experience the events leading up to the decisive final battle, smash SKYNET’s Defence Grid and help decide the fate of mankind in the war against the machines!
Based on the universe of the original two Terminator movies and set 30 years after judgement day, Resistance aims to expand upon the grim-dark future we glimpse in those movies. Whether it’ll account for a huge event in the recent Dark Fate movie is unknown.
For more Terminator news, check out this special Dark Fate Xbox One X.


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{% block footer_mission %}
The flyingcracker staff is dedicated to providing you with accurate current weather, quality local forecasts, and skiing and other weather-related links of interest. If you have a suggestion for our weather section please email us: graham at flyingcracker dot com. Enjoy the weather!
{% endblock %}


Click the menu icon below to show the navigation. Click the button again or click the darkened background to close the side nav
The CSS class .ias-locked allows a side nav to be locked open. This is the default behavior on wide layouts.
.ias-locked


Alien!Where are you from?
About 8.3 light years from the sun.
No ship. I was tele-positioned.
I am here to help humans.
To phase out the fossil fuels.
Humanity throws so much plastics.
With Social Media Interference
Now elected Earth President.
Carbon or on silicon makes no difference.
Humans have strange vocabulary
Humans have strange vocabulary
Humans have strange vocabulary
I cannot understand.
What do those words mean?
War
Rape
Murder
Violence & hate
Incest
Prostitution
Genocide
Humans have a rich history
Who invented slavery?
The maximum salary is one million per year.
Oil consumption limited by quota.
Breaking News. The Earth President attempted murder.
Ann Stein and Majoris fall into the river.
Bodies are standing under water.
They must have drowned!
The Earth President was shot by a hitman.
President's body is found floating under the bridge.
Hurry!He needs hospitalization!
The President in Intensive Care Emergency Room
Give him blood transfusion!
Get is blood group!
This is not blood!It is sap!
No Pulse. He is dead!
Not dead.His batteries are dead.
Recharge batteries!Reboot his brain!
Compilation Error...
Call Franken Stein. He is a nerd.
Environment variable is not set.
Fix the code: PLANET=Earth
A Mobilization Against Alien Invaders is under way.
Earth is for humans.Death to Aliens!
Aliens! Go home!


Hey, Product Owners: Your Title Sucks
Hey, Product Owners: Your Title Sucks
In this weekly series, I opine on how language and content affect the way we understand the products and services around us. I do this for your entertainment and education (and, of course, to remind you that if you’re looking for a freelance copy, content, product, or technical writer… yada yada, hire me).
With present day political drama congesting airwaves and internet pipes alike, it’s hard to imagine anything could be as divisive as politics.
Yet, if you read a lot about business, you’ll find equivalent amounts of contradiction and polarity.
One great example therein? Titles. Googling “are titles important?” will reveal a raging war between business thinkers. There as just as many who purport titles are meaningless as there are those who assert the opposite.
I’m in the latter camp. I believe that, like an elevator pitch for your job, your title should provide clarity around your purpose and the value you offer back to the business.

Wait, What Are We Talking About?
Taken literally, the title “Product Owner” conjures up images of a singular, heroic employee who “owns” the product.
With no context, you are likely to imagine someone, perhaps a starch-shirted business executive, who is ultimately responsible for the product; someone who makes the key decisions and is held accountable for their outcomes; someone who calls the shots, runs the show, takes no shit; a titan of industry and business; a Steve Jobs; a Bill Gates; an Elon Musk — the true and just and rightful owners of product and legend alike.
*Cue Superman theme song as a brilliant, golden podium rises from beneath keynote stage, smoke machines puttering perfect, pillowy clouds upon which the rising star Product Owner rises into visibility — and glory.*
But while you will rarely meet someone who actually has the title “Product Owner”, at least a few Product Managers would describe themselves in similar terms – if not go so far as to proclaim themselves (the beloathed) “CEO of the product”.
What Happens
The “Product Owner” title is, as a result of its simplicity, a cautionary tale of the profound harm that titles can do when taken too literally.
You see, the word “product” is particularly loaded these days, and in the real world, it is all-too-easy to fall into the “Steve Jobs” clone complex.
This complex begets a misguided obsession with all the wrong things: with the UI, the UX, the implementation, the documentation, the sprints and rituals and demos and executive presentations – the myopic “what” and “how” and “when”.
The Result
These intoxicated Product Owners fail to develop that which is far less enchanting but far more important: a clear understanding and articulation of the customer problem that warrants a product solution.
In other words, they don’t own the “why”.
In fussing too much about features and functions and interface Feng Shui, these “Owners” ship products that don’t solve actual problems.
Even larger organizations can fall prey to the curse of the “Product Owner”. These organizations fail to distribute product accountability evenly amongst the developers and agile coaches and product marketers working in tandem.
This lack of accountability fosters Product Owners who are actively prevented from focusing on the outside world and the “why” as they must instead turn inward to manage the build and the “what”.
And to think: all this from a simple, two-word title.
The Takeaway
I believe words are powerful. That’s why I’ve taken increasing umbrage with the title “Product Owner” as I’ve matured in my product management career and better understood the value of the role.
There is no question that most businesses need someone to manage the build-out of a product. Like any other complex project, without a dedicated organizer, you’re likely to lose quality, money, or time if not all three.
But the true value of a Product Owner is his or her ability to understand and communicate the customer’s problems clearly, not to build the solution.
Great “POs” must educate the teams they work with on the customer problem, excite those teams to solve that problem, and help the rest of the company empathize with that problem.
In truth, we are “Problem Owners”: we own the customer problem, and it’s our responsibility to ensure that problem gets solved, however necessary—be it through product features or written documentation or even just a simple phone call.

Rather than getting caught up in your visions of grandeur as the sole champion upon which the product’s entire fortune and future rests as, instead focus your efforts on the key activity that actually matters and the one for which the role should be named instead.
Be your customer’s “Problem Owner”.
Understand the customer’s pains, empathize with your customer’s problems, and own getting those problems solved with whatever means most effective, product or otherwise.
What about you? Agree? Disagree? Respond away. And if you’d like to learn more about me or my business, visit www.frankcaron.com.


| Project | Deployment Plan | Version | Environment | Submission Time | Start Time | Duration | Status |
|---|---|---|---|---|---|---|---|
| {{deploymentJob.projectName}} | {{deploymentJob.deploymentPlanName}} | {{deploymentJob.productVersion}} | {{deploymentJob.projectEnvironmentName}} | {{deploymentJob.submissionTimeDisplay}} | {{deploymentJob.startTimeDisplay}} | {{deploymentJob.duration}} | {{deploymentJob.statusKey}} |


"BOOTH "a hut made of the branches of a tree. In such tabernacles Jacob sojourned for a season at a place named from this circumstance Succoth(Genesis 33:17). Booths were erected also at the feast of Tabernacles(q.v.), Leviticus 23:42, 43, which commemorated the abode of the Israelites in the wilderness.
"BOOTH "a hut made of the branches of a tree. In such tabernacles Jacob sojourned for a season at a place named from this circumstance Succoth(Genesis 33:17). Booths were erected also at the feast of Tabernacles(q.v.), Leviticus 23:42, 43, which commemorated the abode of the Israelites in the wilderness.


|
PDMGen3_RK
|
PDM (pulse-density modulation) library for Particle Gen 3 devices (Argon, Boron, Xenon)
Digital MEMS microphones are commonly available in I2S and PDM interface. The I2S (sound) interface on the nRF52 unfortunately is not compatible with most I2S microphones. The PDM (pulse-density modulation) interface, however, works quite well.
PDM MEMS microphones are generally designed for voice use - not for high fidelity audio. The nRF52 samples it at around 16 kHz, with 12 to 16 bit samples.
Adafruit has two breakout boards:
Both are US$4.95 and there is more information available at Adafruit. The boards include a MP34DT01-M (PDF datasheet).
The pins needed for Adafruit PDM microphones are:
| Breakout Pin | Particl | ||
|---|---|---|---|
| 3V | 3V3 | Power 3.3V | Red |
| GND | GND | Ground | Black |
| SEL | Left/Right Select | No Connection | |
| CLK | A2 | PDM Clock | Blue |
| DAT | A3 | PDM Data | Green |
Particle Gen 3 devices include a Nordic nRF52840 MCU. The nRF52 line includes a hardware PDM decoder, which is important because it's very processor intensive to decode PDM in software. The hardware decoder combined with DMA (direct memory access) makes it very efficient to read a PDM microphone.
This example sends the data as 16000 Hz, mono, 8-bit data over TCP to a node.js server. The intention is to use this with an Argon over a local Wi-Fi network to a computer on the same network.
When you press the MODE button the transmission will begin and the blue D7 LED will turn on. The recording will go for 30 seconds, or until you press the MODE button again.
You could easily modify the code to record longer, even indefinitely. It likely will not work with a Boron over cellular as there is no compression of the data and the data rate is too high. It won't work with a Xenon over mesh because TCP is not supported on a mesh-only node, and also the data rate is too high.
To run the server:
When a client connects it creates a new file in the out directory. They're sequentially numbered and in wav format.
Make sure you update the device firmware to specify the IP address of your node.js server!
This example is basically the same as the previous example but sends the data as 16000 Hz, mono, 16-bit instead of 8-bit.
The device firmware sends the data as raw PCM samples, so the server is also modified to generate the appropriate wav files.
When you press the MODE button this example records audio to a SD card. Pressing MODE stops recording. Each press creates a new, sequentially numbered file in the audio directory on the SD card.
This example requires a lot of parts:


EMV stands for "Europay, MasterCard and Visa".
EMV is basically a chip on your credit card that takes the place of the magnetic stripe on the back for in-person transactions. This is the same chip used in smart cards, but with specific programming for the payment industry.
Unlike the traditional magnetic stripe, the chip on an EMV-enabled credit card is nearly impossible to clone. This shuts off certain traditional avenues of fraud, such as
skimming and cloning. Also, depending on how the card is configured, it can require a Personal Identification Code (PIN) to be entered before allowing the transaction, meaning that your card becomes useless to a thief if it's stolen.
Unfortunately, EMV does nothing for "card not present" fraud, which is the unauthorized use of your credit card for online purchases. It's expected that this type of fraud will increase as EMV is rolled out, and solutions will need to be found for it.
Basically every country that issues credit cards except for the US.
As acceptance rises in other countries, fraud goes to the locales where it's easiest. This is rapidly becoming the US.  Merchants being required to accept all non-EMV cards by Visa and MasterCard sounds good on paper, but is extremely difficult to enforce in practice.
Merchants are expected to install equipment that supports EMV by
October 1, 2015. Failure to do so will result in merchants accepting full liability in the event of fraud. That said, unless you specifically request a chip card from your bank, it may be several years until your current card expires and a new chip-enabled card gets mailed to you.
Even with the looming "liability shift", merchants are extremely reluctant to spend the money to upgrade their equipment, especially since the expense of doing so is large for the perceived benefit. This website was created to allow owners of chip enabled credit cards to find businesses that take the security of their customers' payment cards seriously. It's my hope that the site will send money towards these local businesses and provide a competitive advantage for those who haven't upgraded yet to do so.
FlyerTalk has a frequently-updated list of chip enabled cards
here. There's also a
thread that describes people's experiences with those cards.
During the transition, chip cards work exactly the same way as normal credit cards. Simply swipe the card and follow the instructions on the screen (if there is one). At a chip-enabled business, however, doing so will result in an error and a prompt to insert the card. This slot is generally on the bottom of the device installed at the checkout counter where you previously swiped. Insert the card there and follow the instructions on the screen. DO NOT REMOVE THE CARD until it has instructed you to do so or your transaction may become void.
Unfortunately, the vast majority of EMV cards issued in the US do not have a PIN or have PIN as a lower priority than a signature. This is mostly due to the lack of infrastructure to support PIN changes and a low desire by banks to install this infrastructure. Fortunately, this won't impact the security advantages of EMV much, except in the case of a lost card.
If your card is on the supported list above, a simple call to your bank should be all it takes. If not, try anyway; the worst they can say is that they don't offer it right now. Alternatively, you can sign up for one of the cards on the list and request the chip on the application.
If you've purchased new merchant equipment in the past couple of years, odds are that it supports EMV already; check for the slot on the bottom. If so, you're in luck--it should simply be a matter of calling your merchant acquirer and having it enabled on your account. If your equipment doesn't have a slot, new equipment that supports it is as low as
$100 or so. Users of custom POSes (such as at restaurants) will probably need to contact their POS provider for more information.
Entering an address of a business at the upper right will move the map to that location, or if your browser supports retrieving your current location (all recent versions), it will automatically move to your location. If it supports EMV, it should immediately pop up a box with information. You can also scroll and zoom through the map to see additional businesses; simply click on a pin to see information on that business.
Enter the address of the business at the upper right. It will pop up a box if it's not already in the database asking for the business' name and some other information. Simply fill that information out and push "add" to finish adding.
Click on the "report" link for the listing and follow the instructions. I'll get an email with that information, which I will follow up on. I only have the ability to visit businesses in the San Diego area, though, so the listing may simply be removed instead of edited.
Email webmaster[at]emvacceptedhere.com, replacing [at] with @.
The server-side code is written in Scala, using the
Play Framework. Client-side is typical JavaScript (generated from CoffeeScript), HTML5 and CSS.
Email webmaster[at]emvacceptedhere.com, replacing [at] with @.
}


MultiCell
MultiCell(float w, float h, string txt [, mixed border [, string align [, boolean fill]]])
Description
This method allows printing text with line breaks. They can be automatic (as soon as the
text reaches the right border of the cell) or explicit (via the \n character). As many cells
as necessary are output, one below the other.
Text can be aligned, centered or justified. The cell block can be framed and the background
painted.
Parameters
w
-
Width of cells. If
0
, they extend up to the right margin of the page.
h
-
Height of cells.
txt
-
String to print.
border
-
Indicates if borders must be drawn around the cell block. The value can be either a number:
or a string containing some or all of the following characters (in any order):
L
: left
T
: top
R
: right
B
: bottom
Default value: 0
.
align
-
Sets the text alignment. Possible values are:
L
: left alignment
C
: center
R
: right alignment
J
: justification (default value)
fill
-
Indicates if the cell background must be painted (
true
) or transparent (false
).
Default value: false
.
See also
SetFont,
SetDrawColor,
SetFillColor,
SetTextColor,
SetLineWidth,
Cell,
Write,
SetAutoPageBreak


CO
exmpo
Change Your Password:
Login Info:
Enter your OTP sent to your email id:
Enter New Password:
Password must contain the following:
A
lowercase
letter
A
capital (uppercase)
letter
A
number
Minimum
8 characters
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QueryBuilder
A generic SQL query builder.
Summary
| QueryBuilder | A generic SQL query builder. |
| Functions | |
| build_select | Creates a full SELECT query. |
| build_insert | Creates a full insert query. |
| build_replace | Creates a full replace query. |
| build_update | Creates a full update query. |
| build_delete | Creates a full delete query. |
| build_update_values | Creates an update data part. |
| build_insert_header | Creates an insert header. |
| build_limits | Creates the LIMIT part of a query. |
| build_from | Creates a FROM header for select queries. |
| build_count | Creates a SELECT COUNT(1) query. |
| build_select_header | Creates a SELECT fields header. |
| build_where | Creates a WHERE query. |
| build_group | Creates a GROUP BY argument. |
| build_order | Creates an ORDER BY argument. |
| build_list | Returns (‘one’, ‘two’, ‘’, 1, 0) from array(“one”, “two”, null, true, false) |
| safecol | Wraps a column in proper escaping if it is a SQL keyword. |
| build_conditions | Builds an associative array of SQL values into PDO-esque paramized query strings. |
| tablefy | Automatically prepends tables and table prefixes to a field if it doesn’t already have them. |
build_select
| public static function build_select( | $tables, | ||||
| $fields, | |||||
| $conds, | |||||
| $order | = | null, | |||
| $limit | = | null, | |||
| $offset | = | null, | |||
| $group | = | null, | |||
| $left_join | = | array(), | |||
| & | $params | = | array() | ) |
Creates a full SELECT query.
Parameters
| $tables | Tables to select from. |
| $fields | Columns to select. |
| $order | What to order by. |
| $limit | Limit of the result. |
| $offset | Starting point for the result. |
| $group | What to group by. |
| $left_join | Any LEFT JOIN s to add. |
| &$params | An associative array of parameters used in the query. |
Returns
A SELECT
query string.
build_update
| public static function build_update( | $table, | ||||
| $conds, | |||||
| $data, | |||||
| & | $params | = | array() | ) |
Creates a full update query.
Parameters
| $table | Table to update. |
| $conds | Conditions to update rows by. |
| $data | Data to update. |
| &$params | An associative array of parameters used in the query. |
Returns
An UPDATE
query string.
build_conditions
| public static function build_conditions( | $conds, | ||||
| & | $params, | ||||
| $tables | = | null, | |||
| $insert | = | false | ) |
Builds an associative array of SQL values into PDO-esque paramized query strings.
Parameters
| $conds | Conditions. |
| &$params | Parameters array to fill. |
| $tables | If specified, conditions will be tablefied with these tables. |
| $insert | Is this an insert/update query? |


Branch added Sucessfully
Branch deleted successfuly
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| Branch Name | Longitude | Latitude | City Name | Available Services | Working Days | Shift Detail | Update Action | Delete Action |
|---|---|---|---|---|---|---|---|---|
| {{x.BranchName}} | {{x.Longitude}} | {{x.Latitude}} | {{x.CityName}} | Add / Update | Add / Update | Add / Update |
Update
|
Delete
|
| Select | Service Title | Duration |
|---|---|---|
| {{x.Title_Eng}} | {{x.DurationInMin}} minutes |
Save
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Shift Year deleted successfuly
{{errorText}}
Save
Update
| Select | Day |
|---|---|
| {{list.value}} |
Save


Aldrin's Favorite Video Game
Counter Strike: Global Offensive
CALL OF DUTY BLACK OPS 4
PLAYERUNKNOWN'S BATTLEGROUNDS


Main Menu
Novazon Nova
Download
Spectre
Roller Derby
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Attack Launch01
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GOJIRA (1954) A film review by Mark R. Leeper
Capsule: This is the original film that started the series almost fifty years old. It also surprises by being a fairly intelligent look at some very serious themes. Certainly it is the most adult of any monster film ever made. Made with a minimum of resources, this film still packs quite a wallop. Rating: 8 (0 to 10), high +2 (-4 to +4)
With the release of GODZILLA 2000, there have been a number of reviewers mentioning the first Godzilla film, both the Japanese version GOJIRA and the re-cut American version GODZILLA, KING OF THE MONSTERS. The web has, however, very few reviews of the original film.
GODZILLA really has to be seen as two very different films. You have to see the film as it was released in the United States, and you have to see through that to the original Japanese film. The Japanese film, made as an imitation of THE BEAST FROM 20,000 FATHOMS, turned into a fairly serious allegory of the close of the Second World War and the fear of nuclear weapons. This was in part because of timing. The film was made just after a Japanese fishing boat had strayed into the waters where the hydrogen bomb had been tested. The fish they caught were radioactive but were still allowed to be sold in Japan. When the Japanese found out that dangerous radioactive fish had been sold to unsuspecting citizens they blamed the United States and they called the incident Americas third atomic attack on Japan. The script is also is an exploration of the theme of the responsibility of the scientist to the world and an indictment of the developers of the atomic bomb. So the plot of BEAST FROM 20,000 FATHOMS, the indignity over the fishing incident, and festering anger over the use of nuclear weapons in the war all came together into a story of a primordial evil coming out of the sea.
The American version crudely interpolates American reporter Steve Martin (played by Raymond Burr) into the story. The scenes with Burr are obviously of a different film stock and have no overlapping characters whose faces are seen. Actually the characters of Emiko Yamane is both in scenes with Martin and without, but when she is with Martin her back is to the camera and her blouse is a different plaid. Clearly another woman stood in and the filmmakers could not quite match the blouse material. Martin appears to be in several of the key points of activity as the Japanese react to the attack of the monster, without ever really participating much in the action except to throw in occasional comments like "I can't believe what just happened."
For the plot here I will describe the American version, though there are some differences in order of events. (For example, the Japanese version is not told in flashback like the American version is.) The film opens looking at the destruction that has been wrought on Tokyo. It looks like it was intended to suggest that a nuclear blast has taken place. That was probably not the intent of the original film, since it does not have this opening sequence. Journalist Martin was on his way by plane to cover another story. During a layover in Japan to visit a school friend, Dr. Serizawa, he is called in and questioned if he saw any anything unusual from his plane. Ships from the Japanese fishing fleet have been disappearing.  (That is actually a very powerful image, by the way.)
Soon the mystery seems to be centering around Odo Island, near to all the disasters. There the natives have worshiped a terrible god who has lived in the sea. They call him Godzilla. Scientists go to Odo Island to discover if there could be some connection between the island and the disasters. While they are there something very like a storm destroys half the island. But it is a funny kind of a storm that is oddly destructive. It destroys their helicopter as if it were a toy (which with the low-budget special effects is exactly what it looks like). The natives think the island was attacked by their deity.
A ship full of scientists, headed by Emiko's father, paleontologist Dr. Yamane (Takashi Shimura), comes to investigate the island and discover radioactive remains from the storm. Finally the island deity shows himself in clear weather, a four-hundred-foot dinosaur, a survivor from two million [sic] years ago. (The Japanese version says he is two hundred feet.) He has lived in the sea for all human memory, but now nuclear testing has goosed him up, made him radioactive, and he wants to wreak revenge on the world.
Godzilla dodges the depth charges of the Japanese fleet and makes his way to Tokyo harbor. Then he comes ashore twice, laying waste to the city in two very nicely filmed sequences. Up to these sequences we have seen little of the monster and after we will see little, but these two sequences are supremely powerfully filmed.
Meanwhile we learn that Emiko has been promised to Dr. Serizawa but is actually in love with Ogata, a young navy officer. Serizawa has his own problems and is not very interested in Emiko. He has developed a powerful weapon that could kill Godzilla, but to use it would mean revealing it to the world. Being a moral Japanese, unlike immoral American scientists, he believes that the discoverer has responsibility to be certain that his discoveries are not used for evil purposes. Serizawa has revealed the weapon to Emiko and she has told Ogata. Serizawa must weigh his fears against what Godzilla is already doing to Tokyo. (Ogata argues that Serizawa should use the weapon. You have your fears, which may become reality. And you have Godzilla, which is reality.) Serizawa must resolve his moral dilemma.
Sometimes the lack of a budget can work in the favor of a film. GODZILLA certainly benefits from the low budget of some of its production. The scenes of the attacks on Tokyo have a sort of crudeness that in black and white, a little fuzzy, gives them an almost documentary quality. Scenes of the great beast are almost always shot from a low angle, looking upward. Why this approach was abandoned in later Godzilla films is unclear, but the size of the creature is emphasized in a way that would be difficult in a color film. Filming in color at eye level just does not convey the threat and no other film has ever made a giant monster as frightening.
Some of the best effects were found by chance. The model steel towers melted under the hot studio lights. They were remade and the effect of their melting was combined with an aerosol spray in Godzilla's mouth to create the effect that his fiery breath was causing the damage. The sound of the great beast's heavy footfalls were created by a drum. I personally never associated the drumbeats as being anything but mood music, but the sound works that way. On the other hand, the sound of stroking the strings of a large cello- like instrument with a leather glove, then slowing it down and playing it backwards, acts as the groans of Godzilla. It sounds like steel girders giving way in hell. The effect is just about perfect. The musical score is crude with its military marches, but somehow they seem to work.
When the effects work they are terrific, when they do not work, they do not work. All too often the effects are just a bit on the cheesy side. There are scenes when we are obviously looking at a hand-puppet. Even that would not be so bad, but we then see what is supposedly a photograph of what we had just seen and it looks nothing like the puppet version. There was a similar problem in THE BEAST FROM 20,000 FATHOMS. Another problem is with the Godzilla suit itself. Godzilla has what can best be described as an A-line figure. He has very heavy massive legs and gargantuan feet, but his trunk is not commensurately large. His legs also have and unfortunate tendency to have folds on a way that a jacket might but an arm would not. The crudeness of the filming conceals the fact that Godzilla has external ears in a way that reptiles do not. The producers at Toho thought that people would assume Godzilla was deaf if they did not give him obvious external ears. Of course a parrot has no external ears and hears well enough to repeat sounds he hears. The film also features a traveling matte of a view directly into the face of the beast as seen from Tokyo tower. It is one of the worst jobs of matting I ever remember seeing. Some of Bert I. Gordon's matte jobs look good by comparison. In most scenes the beast is shown moving in slow motion to accentuate his size, but when he bats away missiles, he moves at normal speed and spoils much of the illusion. However, it should be remembered many of Universal's classic films have their moments when they do not show consummate visual craftsmanship.  In some ways we cannot be really sure where some of the errors crept in. We are told a disaster at sea occurred at 3:30 AM, but when we saw it earlier the crew was on the deck and the sun was shining.
Where THE BEAST FROM 20,000 FATHOMS had just showed its monster in the streets and people running from it, GOJIRA looks more at the emotional effect on people. What made it to the American version is fairly effective, but what was cut out are some very impressive scenes. In one scene of the Japanese film only, a mother sits at the base of a building near where the monster is rampaging.  This tone is surprisingly bleak for a monster movie. The whole population of Tokyo seems to mourn the great losses wrought by Godzilla. Themes of sacrifice, honor, and suicide seem to accent the bleak tone of this film. Other imaginative scenes include a view of the monster ravaging Tokyo with a cage of birds seen in silhouette in the foreground. In other scenes we see Godzilla walking and the dust his huge feet kick up.
It is never easy to judge acting ability of someone who is speaking in a language you do not know. This film does have the second-best-known international actor from Japanese film. Dr. Yamane is played by Takashi Shimura, the star of films like IKIRU and THE SEVEN SAMURAI. Unfortunately the actor who dubs his lines in the American version is not very good. Particularly noticeable is his inability to pronounce the word "phenomenon" which he says "phenonemon." To have such an educated man making that silly mistake is unintentionally humorous.
This is a film with some very nice visual imagery and it has become a favorite film. It is not so much a good film as a weak film with some very good moments. The American version I would have to give only a high +1 on the -4 to +4 scale. The Japanese version is probably a high +2 film.
It should be noted that also that this is the most influential film ever made in Japan. It was Japan's first international cinematic success. It spawned the Japanese genre of "kaiju" films. "Kaiju" is Japanese for "monster" and the continuing Godzilla series, Japanese anime, and even Pokemon are direct descendents of this film.
Mark R. Leeper<EMAIL_ADDRESS>Copyright 2000 Mark R. Leeper
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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Q: Why doesn’t Curator work with AWS Elasticsearch?edit
A: Because Curator requires access to the /_cluster/state/metadata
endpoint.edit
AWS ES 5.3 officially supports Curator for index managment operations. AWS ES
5.3 does not yet expose the /_snapshot/_status
endpoint Curator uses, and therefore
does not yet support snapshot operations. Older versions of AWS ES are not supported
by Curator versions 4 or 5.
There is some confusion because Curator 3 supported AWS ES, but Curator 4 & 5 do not. There are even some IAM credentials listed as options for client connections. These are currently available, but not able to be used. This may change at some point, so they remain at the ready until then.
Curator 4 & 5 require access to the /_cluster/state/metadata
endpoint in order
to pull metadata at IndexList initialization time for all indices. This
metadata is used to determine index routing information, index sizing, index
state (either open
or close
), aliases, and more. Curator 4 switched to
doing this in order to reduce the number of repetitive client calls that were
made in the previous versions. Curator 5 uses the same method.
AWS currently has a 5.3 version of Elasticsearch, which officially supports
Curator for index management operations only. AWS ES does not yet expose the
/_snapshot/status
endpoint, which is required by Curator for snapshot management.
Additionally, AWS ES versions 5.1 and older do not fully support the
/_cluster/state/metadata
endpoint, which means that Curator cannot be used to
manage indices in AWS if your cluster is version 5.1 or older.


ARMYs participate in fun #ARMYSelcaDay on Twitter + trending number two worldwide on Twitter
by sl278#ARMYSelcaDay is trending number two online on Twitter as fans participate in a selca challenge mirroring the BTS members' pictures.
Fans have been posting their own creative takes on replicating some of their favorite photos.
Did you participate in the challenge?


{% load static %} {% block content %}
Posts From the customer!!!
Home
Contact
Logout
All List
{% for post in object_list %}
Name: {{ post.owners_name }}
{{ post.Address }}
Rs.{{ post.amount }}
Name: {{ post.owners_name }}
{{ post.Address }}
Rs.{{ post.amount }}
Name: {{ post.owners_name }}
{{ post.Address }}
Rs.{{ post.amount }}
Name: {{ post.owners_name }}
{{ post.Address }}
Rs.{{ post.amount }}
Previous
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{% endfor %} {% endblock %}


|
Adams Ribs: Get 'em While They're
Hot
by Jon-Christian Suggs, John Jay College of Criminal
Justice (March 1998)
Those old liberal softies Ruth Gordon and Garson Kanin must be
grinning in their graves if they have had a chance to rent a video copy of the latest
entry in the "sensitive white man in Mississippi saves the Negro race" film
sweepstakes, A Time to Kill. After all, the writers and producers of ATTK
have merely taken the premise, conflict, and climax from one of Gordon and Kanin's finest
comedies to build their race feel-good movie. Give up? It's Adam's Rib, the 1949
classic starring Katherine Hepburn in the Matthew McConaughey role of liberal defender,
Spenser Tracy in the role of the DA with political ambitions taken over by Kevin Spacey in
ATTK, and Judy Holliday in the shooter's role taken by Samuel Jackson in the new
effort.
Those of you who are insomniacs will remember that Holliday shoots
Tom Ewell who was cheating on her, Hepburn takes her case while film hubby Tracy is
assigned to prosecute it, and in the film's climax Hepburn delivers a clever summation
that wins the day and the case. Along the way we learn that Holliday planned her assault
and knew what she was doing, that Hepburn intends to plea her as temporarily insane, and
that there is an issue at stake larger than the issues of fact in the case: the unequal
treatment of women before the bar.
In ATTK, Jackson shoots two men who have raped and almost
killed his 10-year old daughter, McConaughey takes the case although he is lined up
against a spineless judge and a conniving DA, and in the film's climax delivers a clever
summation that wins the day and the case. Along the way we learn that Jackson planned his
assault and knew what he was doing, that McConaughey plans to plead him temporary
insanity, and that there is an issue at stake larger than the issues of fact in the case:
the unequal treatment of Blacks before the bar in Mississippi.
There are other fascinating little parallels, most of them
attributable to conventions of film plotting: in both films the defense lawyer and spouse
separate because of the stresses of the case; in both films a feckless and entertaining
comic relief who drinks a lot provides companionship to the defense; in each film a brief
romantic moment looms on the horizon but is rejected by the defense.
But the most fascinating parallel has the most interesting
implications for the representation how the law works in American popular culture. In Adam's
Rib, Hepburn realizes that she must find a way to free her client. Originally, her
interest was in the larger political implications of the case, which she saw as embodying
the sexual double standard as it was applied in the law: no man, she knew, would go to
jail for doing what her client had done. The case offered her an opportunity to showcase
women's inherent constitutional right to all justice, however twisted it might be; if men
could assault for love's sake and go free, so could women. But a lecture by Tracy reminds
her that as a lawyer, she cannot put a cause before the welfare of her client. While
Hepburn's cause could be served just as well, if not better by Holiday's conviction, she
is determined to free her.
McConaughey's problem in ATTK is identical to Hepburn's
although his position in the problem is slightly different. There is a certain amount of
youthful bravado in his decision to take the case and a certain affection for the
television camera in his early pursuit of his client's interests. But the over-investment
in the cause Jackson represents is not McConaughey's, despite the fact that he took the
case to expose the problem of justice for Blacks in Mississippi, but that of the NAACP and
a local Black minister. Together, Jackson and McConaughey fend off an attempt by the NAACP
to co-opt the case with its own lawyer, one who, it is hinted, would be willing to let
Jackson get the chair if it suited the political moment. Nevertheless, the cause has its
own life and drives actions outside the courtroom that have effects on McConaughey's
efficiency in the case as riots and racial conflict as well as motives of revenge bring
the KKK into town and into the case. When both sides have rested, McConaughey is far from
a victory and he has no new ideas. It looks as though the cause will be served by
Jackson's conviction.
Hepburn's summation is clever and blithe, until she turns to the
narrative device she has fashioned to win the case for her. She abandons the insanity
plea; she abandons the apotheosizing of women every bit the equal of men in public and
private life. Instead, she asks the jury to listen again to the story of the spurned and
heartbroken spouse, the heartless lover, the straying marriage partner but this time, she
insists, the jury must look closely at the defendant and at the victim and at his
girlfriend and imagine them changed! Imagine them, she insists, as a heartless male home
wrecker, a bored, straying wife, and a jealous husband with too much honor and a gun. As
she does this, film magic turns Holliday into a middle-aged man, Ewell into a homely
woman, the girlfriend into a handsome rake. The lesson is driven home and the jury acquits
Holliday because they have seen her as a man in their mind's eye, with a man's prerogative
of honor.
McConaughey's summation is absent any ornamentation. He declares
that he is abandoning his prepared summation to tell a simple story. He asks only that the
members of the jury close their eyes while he does so, and that they listen closely. The
jury complies and McConaughey tells a story of brutal rape and torture of a small girl by
two men, of their attempts then to hang her and of her body thrown from a bridge to a
creek bed 30 feet below. Imagine all of this, he asks, and then, imagine the child white.
The lesson is driven home and the jury acquits Jackson because they have seen him and his
daughter as white, for one moment and realized that they would have done exactly as he had
done, had they been in his place.
I have no insider's knowledge that the writers and producers of ATTK
dug up an old print of AR and sketched their outline from there. There may be good reasons
why issues of inequality before the law almost cry out for race and gender
border-crossings, for exercises in the development of moral imagination. It is certainly
the case in both of these examples that the judge would have been quite justified in
criticizing the jury for its failure to adhere to the points of law he had laid out for
them. Both films, it must be noted, leave a close observer with the impression that a lot
of legal work can go down the drain in a hurry if one lawyer shows up for closing
arguments with a better narrative hook than the other has at hand. And this is despite the
common legal wisdom that most cases are won or lost in the opening statement, not in the
summation, Johnny Cochran's most well-known performance notwithstanding.
The films do part company, however, at the point of just how much
ambiguity the law will be allowed to tolerate. In the 1949 film, Tracy is allowed to
lecture Hepburn several times on the absolute solidity of the law as a response to human
behavior. Assault is assault, whoever attempts it. In one of the longest denouements even
filmed, after he has lost the case Tracy surprises Hepburn from whom he has separated as
she is fending off the advances of their feckless neighbor. Pulling a pistol from his
coat, Tracy pretends to be on the verge of homicide when Hepburn argues that he has no
right, that no one has the right to take the law into his own hands. Tracy smiles and
bites off the barrel of his licorice-flavored .38 police special. Having fallen into his
trap, Hepburn still refuses to apologize for having lured the jury into what was patently
an act of jury nullification and the couple squabbles on to the end of the film until tax
law reunites them. But the forces of case law win over those of cause law rhetorically.
In ATTK, however, the denouement is a simple visit by
McConaughey to Jackson's house for a cookout. There is no insistence in the film that
McConaughey's appeal to the moral imagination of the jury, causing them to ignore the
legal definitions given them that would determine Jackson's sanity under the law, is in
any way to be deplored or guarded against. The "Tracy" arguments from AR
are given early in this film to Spacey, in whose characters mouth the very word
"justice" must sit like a cheap cigar, and the film never even bothers to answer
him, except with the verdict of the climax. Even McConaughey's wife, in a partial
"Tracy" space, returns to him and forgives him for spending too much time on the
case, absolving him and the verdict itself by telling him that he took the case because if
their daughter had been the victim, she knows, he would have killed those men himself.
What has changed in fifty years? Have we come to accept that the
law is not what Tracy saw it to be, a rock of surety in a sea of complex social
relationships, but rather another narrative of our life, with its own aporia, its own
conventions, its own highly-developed tolerance for ambiguity? Gender/race, case/cause,
law/fact, story/story, options and choices all the way around? But did we believe, fifty
years ago, that gender was a social construction? Do we believe now that race is so? Do
the film makers rightly assume we accept race/gender transgressions for the right cause?
If the story is good enough? Or maybe it's something else.
Maybe the mechanism of AR were appealing to the producers
of ATTK because the films are really about the same thing, seen through the lens of
the law, but still seen the same. Maybe the films are both about family, for one. Both
defendants were on trial for acts they undertook in defense of family; the subplots of
each were about the families of the lawyers, at the end of each film the defendants are
reunited with the loving members of their families, and in the denouements, the lawyers
are reunited with their families. And here the differences are informative. The gap
between Hepburn and Holliday, class, is larger than their gender affinity can bridge.
After the trial, Holliday et al vanish from the screen and we are treated to another
quarter hour of Tracy and Hepburn making up. But the gap of race between McConaughey and
Jackson, so carefully limned by Jackson when he tells McConaughey that he wanted him for
his lawyer because McConaughey was one of "them," a white man, and a racist by
default, may be bridgeable, if the film has its way. When Jackson says McConaughey and he
aren't friends, don't live in the same part of town, that their kids don't play together,
he challenges the fiction of equality even under a system of law. He impresses us with the
fact that law is just one more story about how folks live, and maybe not the most accurate
one.  And he needs McConaughey as a lawyer
because it has to be a story told within the conventions the law privileges. Jackson has
no illusions, about whites or about law; McConaughey has no illusions either, but neither
has he any insight, until Jackson explains things to him. So, in the film's final scene,
when McConaughey, his wife, and his daughter drive up to the cookout going on at Jackson's
house, they are clearly not invited guests. There is some momentary confusion, but they
have brought some strawberry shortcake for the table and McConaughey says he brought his
daughter so she could play with Jackson's. Families, smiles all around; pull back, fade
out.
Class insurmountable in 1949; race transposable in 1996; families
reconfigurable always. Class in 1996? The dead rapists were white-trash morons. The film
doesn't even make a half-hearted gesture to them or their families. Family ties there lead
only to the Klan, violence, and lawlessness. McConaughey is "U" to be sure,
blond, fit, handsome, married to a sorority girl. And McConaughey has legal class as well;
he's the protege of a famous old civil rights activist whose practice he has taken over
and whom he considers to be his father in every way but blood. Even the mystery girl of
the picture is upper-class. She appears out of nowhere, a third-year Harvard law student,
a genius whose father is filthy rich. She has come because she heard about the case and
wants to assist, without pay, of course, because, has she mentioned it, her father is
famous and rich. Needless to say, she is beaten by the worthless surviving brother of one
of Jackson's victims.
In Hollywood, social justice is a zero sum game. Poor woman
defendant, rich woman lawyer. They meet on the relatively level playing field of the
court, but not outside of it.  Rich white folks
can't save them both. So these are really two versions of the same film, and theyre
not that different, even with fifty years between them. Americans still cling to family
and class and still love to tell stories about both, in the movies and in the courts.
Wilda White comments on A Time To Kill.
Official studio web site link for A Time to Kill
The Internet Movie
Database for Adam's Rib
The Internet Movie
Database for A Time to Kill
Comments of other readers
Mailbox for reply to Picturing Justice commentaries |


--- layout: index title: Home permalink: / ---
We're working on several projects right now including a trolley tracker app and a tech organization API. All of our code is hosted on the Code for Greenville GitHub account.
All of our meetings are posted on Meetup.com. Please follow the Upstate Code For America group for more information on meetings.


U2F demo with JavaServer Faces
Register U2F token
Authenticate
registered keys
version
key handle
public key


--- layout: post title: When a provider ditch its own product… date: '2008-08-20T22:24:00.001+01:00' tags: modified_time: '2008-08-20T22:24:13.694+01:00' blogger_id: tag:blogger.com,1999:blog-4015568221071268916.post-4315750919947599189 comments: true blogger_orig_url: http://serialseb.blogspot.com/2008/08/when-provider-ditch-its-own-product.html ---
I’m currently researching Server 2008 VPS products available, and stumbled upon bytehouse’s offering:
Why use a Windows operating system?
Windows Hosting is only really needed if you require ASP (Active Server Pages), Access Databases or VBScript.
Why use a Linux operating system?
If you just need to host HTML (Hypertext Markup Language) or PHP Web Pages, then Linux Hosting would be the better and cheaper choice for you. Linux has a proven track record of performance, stability and security within the Web Hosting industry.
Oh, god, I have Linux envy now, thanks!


Node.js v0.10.7 Manual & Documentation
Table of Contents
Debugger#
Stability: 3 - Stable
V8 comes with an extensive debugger which is accessible out-of-process via a
simple TCP protocol.
Node has a built-in client for this debugger. To use this, start Node with the
debug
argument; a prompt will appear:
% node debug myscript.js
< debugger listening on port 5858
connecting... ok
break in /home/indutny/Code/git/indutny/myscript.js:1
1 x = 5;
2 setTimeout(function () {
3 debugger;
debug>
Node's debugger client doesn't support the full range of commands, but
simple step and inspection is possible. By putting the statement debugger;
into the source code of your script, you will enable a breakpoint.
For example, suppose myscript.js
looked like this:
// myscript.js
x = 5;
setTimeout(function () {
debugger;
console.log("world");
}, 1000);
console.log("hello");
Then once the debugger is run, it will break on line 4.
% node debug myscript.js
< debugger listening on port 5858
connecting... ok
break in /home/indutny/Code/git/indutny/myscript.js:1
1 x = 5;
2 setTimeout(function () {
3 debugger;
debug> cont
< hello
break in /home/indutny/Code/git/indutny/myscript.js:3
1 x = 5;
2 setTimeout(function () {
3 debugger;
4 console.log("world");
5 }, 1000);
debug> next
break in /home/indutny/Code/git/indutny/myscript.js:4
2 setTimeout(function () {
3 debugger;
4 console.log("world");
5 }, 1000);
6 console.log("hello");
debug> repl
Press Ctrl + C to leave debug repl
> x
5
> 2+2
4
debug> next
< world
break in /home/indutny/Code/git/indutny/myscript.js:5
3 debugger;
4 console.log("world");
5 }, 1000);
6 console.log("hello");
7
debug> quit
%
The repl
command allows you to evaluate code remotely. The next
command
steps over to the next line. There are a few other commands available and more
to come. Type help
to see others.
Watchers#
You can watch expression and variable values while debugging your code. On every breakpoint each expression from the watchers list will be evaluated in the current context and displayed just before the breakpoint's source code listing.
To start watching an expression, type watch("my_expression")
. watchers
prints the active watchers. To remove a watcher, type
unwatch("my_expression")
.
Commands reference#
Stepping#
cont
,c
- Continue executionnext
,n
- Step nextstep
,s
- Step inout
,o
- Step outpause
- Pause running code (like pause button in Developer Tools)
Breakpoints#
setBreakpoint()
,sb()
- Set breakpoint on current linesetBreakpoint(line)
,sb(line)
- Set breakpoint on specific linesetBreakpoint('fn()')
,sb(...)
- Set breakpoint on a first statement in functions bodysetBreakpoint('script.js', 1)
,sb(...)
- Set breakpoint on first line of script.jsclearBreakpoint
,cb(...)
- Clear breakpoint
It is also possible to set a breakpoint in a file (module) that isn't loaded yet:
% ./node debug test/fixtures/break-in-module/main.js
< debugger listening on port 5858
connecting to port 5858... ok
break in test/fixtures/break-in-module/main.js:1
1 var mod = require('./mod.js');
2 mod.hello();
3 mod.hello();
debug> setBreakpoint('mod.js', 23)
Warning: script 'mod.js' was not loaded yet.
1 var mod = require('./mod.js');
2 mod.hello();
3 mod.hello();
debug> c
break in test/fixtures/break-in-module/mod.js:23
21
22 exports.hello = function() {
23 return 'hello from module';
24 };
25
debug>
Info#
backtrace
,bt
- Print backtrace of current execution framelist(5)
- List scripts source code with 5 line context (5 lines before and after)watch(expr)
- Add expression to watch listunwatch(expr)
- Remove expression from watch listwatchers
- List all watchers and their values (automatically listed on each breakpoint)repl
- Open debugger's repl for evaluation in debugging script's context
Execution control#
run
- Run script (automatically runs on debugger's start)restart
- Restart scriptkill
- Kill script
Various#
scripts
- List all loaded scriptsversion
- Display v8's version
Advanced Usage#
The V8 debugger can be enabled and accessed either by starting Node with
the --debug
command-line flag or by signaling an existing Node process
with SIGUSR1
.
Once a process has been set in debug mode with this it can be connected to
with the node debugger. Either connect to the pid
or the URI to the debugger.
The syntax is:
node debug -p <pid>
- Connects to the process via thepid
- `node debug
- Connects to the process via the URI such as localhost:5858


Orim of the Shadow:
While you are searching for the
6 Gems of Aklantoth
, I shall try to unravel the mystery of the order of the stones. We shall soon discover the secrets of the ancients contained in this box!


Standings as of February 19th 2021
MassMutual East
GP
W
L
OT
PTS
Boston
15
10
3
2
22
Philadelphia
14
8
3
3
19
Washington
16
8
5
3
19
Pittsburgh
16
9
6
1
19
NY Islanders
17
8
6
3
19
NY Rangers
16
6
7
3
15
New Jersey
12
6
4
2
14
Buffalo
14
5
7
2
12
Seattle
WE DONT EXIST YET!


Docs overview Vlab Docs 1.00
As a student's you expected to sign-up unto the platform during registration process at the beginning of the session in your various institutions.
After that is done, you can now sign into the site using your matriculation details as shown below.
To view courses you might have enroll in, click on My courses as seeing in the image below.
When a student start a newly enrolled course, the progress bar is going to be at zero as shown here.
After a student start a course the progress increase bar according student's usage illustration below.
A completed course is signify with a 100% mark on the progress bar completing the text "completed" on the top left of the progress bar.
For student to see Total scores on course taken, a summary page is attached to each course to keep record of the progress and populate the summary of various assessment and activities of each student as shown below.


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{% extends 'layouts/layout-cookie-banner.html' %} {% extends 'layouts/layout.html' %} {% from 'button/macro.njk' import button %} {% from 'back-link/macro.njk' import backLink %} {% block pageTitle %} Phone number changed {% endblock %} {% block content %}
You have added<EMAIL_ADDRESS>as your recovery email address.
You must wait 24 hours before this recovery email address can be used.
{% if data['devMode'] %}


Basic HTTP/1.0 Authentication
This module implements Basic authentication as described in HTTP/1.0 specification [1] . Do not use this module unless you are using SSL or need to work with very out-dated clients, instead use digest authentication.
>>> from paste.wsgilib import dump_environ
>>> from paste.httpserver import serve
>>> # from paste.auth.basic import AuthBasicHandler
>>> realm = 'Test Realm'
>>> def authfunc(environ, username, password):
... return username == password
>>> serve(AuthBasicHandler(dump_environ, realm, authfunc))
serving on...
| [1] | http://www.w3.org/Protocols/HTTP/1.0/draft-ietf-http-spec.html#BasicAA |
implements Basic authentication details
HTTP/1.0 Basic authentication middleware
Parameters:
application
The application object is called only upon successful authentication, and can assume environ['REMOTE_USER'] is set. If the REMOTE_USER is already set, this middleware is simply pass-through.realm
This is a identifier for the authority that is requesting authorization. It is shown to the user and should be unique within the domain it is being used.authfunc
This is a mandatory user-defined function which takes a environ, username and password for its first three arguments. It should return True if the user is authenticated.
Grant access via basic authentication
Config looks like this:
[filter:grant]
use = egg:Paste#auth_basic
realm=myrealm
authfunc=somepackage.somemodule:somefunction


Welcome to my website.
A summary of my academic and extracurricular
activities. If you don't find what you are looking
for feel free to contact me. Also, you may call me Amin
for short.
Erdös
number: ≤ 5 (source: MathSciNet)


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 4
Dietary
This easy baked apple recipe is pure autumnal pleasure - especially with a dribble of good calvados.
For the baked apples, preheat the oven to 170C/350F/Gas 4.
Cut the bases off any apples that do not sit flat, making sure not to remove too much of the base. Remove the cores from the apples, using an apple corer or a small sharp knife.
Brush a shallow ovenproof dish with some of the melted butter and sprinkle over some of the sugar. Brush each apple with the remaining melted butter, then roll them in the remaining caster sugar. Place the apples into the ovenproof dish and bake in the oven for 30 minutes. If possible cook the apples in without fan assisted heat as this is too intense and will burst the skin of the apple before it is cooked.
For the Calvados sauce, heat the sugar in a small saucepan over a medium heat until it reaches a dark golden caramel.
Stir in the butter and add the diced apples , cook for 30 seconds, without moving the pan (use a spoon to cover the apples in the caramel mixture).
Add the apple juice and bring to the boil.
Stir in the diluted arrowroot a little at a time, until it has thickened slightly, then remove from the heat and add the Calvados.
For the garnish, mix together the bread cubes and half of the icing sugar. Sprinkle the mixture onto a baking tray.
Mix the pistachios, whole and flaked almonds, Calvados and the remaining icing sugar together until well combined. Spread the mixture onto the same baking tray.
Bake in the oven for 8-10 minutes, or until the nuts and bread cubes are golden-brown. Set aside to cool.
To serve, place one baked apple into the centre of each of four serving plates. Spoon the Calvados sauce into the centre and sprinkle over the toasted garnishes.


[t]Cash in credits[/t]
{$menu}
{if $candidate_credits <= 0}
[t]You currently have {$candidate_credits} credits.[/t]
{else}
[t]You currently have {$candidate_credits} credits, if you want to cash in your credits, please make your choice below.[/t]
{/if}


You will have learned the following questions about me:
- Question #1: Was I born in Germany?
- Question #2: Did I go snuba diving?
- Question #3: Do I have a pet dog?
- Question #4: Am I allergic to cats?
- Question #5: Did I get chicken pox twice?
- Question #6: How many cousins do I have that live in Washington state?
- Question #7: What states did I travel to other than Washington?
Thanks for visiting. Coding is fun!


CHRISTOPHER HUI
10/13/2014
2:56 PM
During Dev Bootcamp’s Phase 0, students were required to blog at least twice a week. One blog post was devoted to technical topics and the other post was devoted to cultural topics chosen by Dev Bootcamp. Our blogs and blog websites were designed early on during Unit 1 of Phase 0, so our HTML/CSS skills were pretty rough in the beginning. Now that I’ve been blogging for over 7 weeks now, I have learned some new skills and found some weaknesses in my knowledge.
I found that blogging helped supplement my technical skills. The technical blog often required me to do extra reading and research on coding topics. It made sure I understood the topics to a level where I could translate my thoughts into sentences. Often times it was difficult to time box my blog posts to an hour. The research alone took a significant amount of time and putting that knowledge into words took a while as well. Blogging helped challenge me in a different way writing code does. Writing the actual code helps me understand how code is used, but blogging helps me understand what the code is doing and how it can be used differently. Hopefully that makes sense. Blogging allowed me to have a deeper understand of the code I was writing.
When I revisited my blog page, I knew what the page looked like. I knew that it was very basic because I made it during the earlier weeks of Phase 0. Over the past 7 weeks of blogging, I never noticed how plain and simple the page was. I was numbed by the characteristics of the page. Getting feedback from my friends helped me to see what can be improved on my page. They helped point out obvious flaws that I was numb to because I had been using the page for so long. Hearing the feedback was constructive and helped me think of ideas on how I could improve the page.
Unfortunately, those ideas were difficult to implement because my lack of practice in HTML/CSS. During Phase 0, we jumped from from HTML/CSS, to JavaScript, to Ruby, and lastly onto SQL. These weeks during Phase 0 greatly improved my technical skills, but my HTML/CSS skills have had little improvement after Unit 1. This made implementing changes difficult, because I was not refining those skills throughout the weeks. I was focused on the tasks that were in front of me. With that said, that made the process of this challenge difficult. I am not finished with these changes to my website and will not be anytime soon. I see this project as a work in progress that will continue even after graduation from Dev Bootcamp. I hope that I was able to improve my website/blog to the best of my ability to satisfy this challenge.


Home
Doctor
Patient
Service
PRESCRIPTION
1
Patient
2
Medical advice
Dosage:
Morning
Afternoon
Night
3
Diagnosis & Instructions


Hearst execs stunned by magazine division’s unionization plans
by Keith J. KellyHearst executives were blindsided by the news that editorial employees in the magazine division that houses Cosmopolitan, Esquire and other titles wanted to unionize.
And now they’re trying to persuade staffers to reverse course, sources tell Media Ink.
The Writers Guild of America East on Veterans Day revealed that an organizing drive that kicked off nearly a year ago had ended when an “overwhelming majority” of Heart’s 500 editorial employees turned in their pledge cards.
Hearst Magazines President Troy Young and Chief Content Officer Kate Lewis allegedly called an emergency meeting on Nov. 12 with editors-in-chief and other top lieutenants to berate them for not knowing about the plan brewing under their noses for almost a year.
“I had no idea employees felt this way,” said Young, according to one insider.
Editors-in-chief were instructed to start meeting with staffers one-on-one to “discourage them from joining the union,” according to one source. “They were adamant about not putting anything in writing.”
Hearst did not return e-mails seeking comment.


Welcome to this Learning Registry (LR) node. If you have questions, please email the LR developer's email list. We have provided some useful links below:


EBD - Easton Bible DIctionary
Jehovah-nissi
JEHOVAH-NISSI
"JEHOVAH-NISSI" Jehovah my banner, the title given by Moses to the altar which he erected on the hill on the top of which he stood with uplifted hands while Israel prevailed over their enemies the Amalekites(
Exodus 17:15
).
"JEHOVAH-NISSI" Jehovah my banner, the title given by Moses to the altar which he erected on the hill on the top of which he stood with uplifted hands while Israel prevailed over their enemies the Amalekites(Exodus 17:15).


Awards & Acknowledgements
-
Acknowledged by Cisco
-
Acknowledged by IBM
-
Acknowledged by Dell
-
Acknowledged by intel
-
Acknowledged by Avira
-
Acknowledged by Sony
-
Acknowledged by ASUS
-
Acknowledged by WSO2
-
Acknowledged by AT&T
-
Acknowledged by BMW Group
-
Acknowledged by The European Union
-
Acknowledged by The U.S Department Of Defense
-
Acknowledged by The United Kingdom Ministry of Defense
-
Acknowledged by The United Arab Emirates
-
Acknowledged by The Kingdom Of Saudi Arabia


{% extends "base.html" %} {% block content %}
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