This keyboard layout is designed for Kayaw. It includes an on screen keyboard which can be viewed by clicking on the Keyman icon and selecting the On Screen Keyboard menu item. This keyboard follows the standard QWERTY keyboard layout with the following changes:
For Desktop Layout
For Touch Screen Keyboards
Kayaw Keyboard unshifted
Kayaw Keyboard shifted
Kayaw Mobile Keyboard unshifted
Kayaw Mobile Keyboard shifted
Kayaw Mobile Keyboard Numeric
Kayaw (SIL) Keyman Keyboard is copyright © 2018 - 2021 SIL International. It is distributed under The MIT License (MIT)
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


by "><%=blog.get("createdBy")%> <% created = blog.get("created") %> Posted on <%=formatDate(created)%>
/<%=blog.get("blogCode")%>">Edit


A global list of Contact is maintained. These contacts can be assigned to Clients and Partners which form the basis for adding Projects and Offers . Take note that without assigning a Contact to a Client , a Project cannot be created as the Select Client Contact field while adding Project is a mandatory field. Further without assigning a Contact to a Partner, an Offer cannot be created as a field namely Primary Partner Contact , is a mandatory field. The list which populates this field is that of the Contacts assigned to the Partners. Additionally, the contacts are also used for Email Communication. Almost all the emails (except for the Offer Extension Emails) generated by the system are sent to the Primary Partner Contact with the sender address being that of the JI User assigned to the Offer. But the Offer Extension Emails are sent by the Primary Partner Contact to the JI User. This is further discussed in the Email Templates section.
To add a contact, simply click on the Contacts button located on the navigation menu. This results in a dropdown with two options.
Add Contact
List/Edit Contacts
Click on the Add Contact to open a page where fields used for the contact are displayed. Enter the appropriate data and click Add button.
* Click to enlarge
Select Language (Required) - A dropdown field to select the language of the Contact. This dropdown is populated as per the languages that exists in the system
Select Title (Required) - An dropdown field to select a title for the Contact. This field is dependent on the language chosen. If the language for the contact is chosen as English, the title field is refreshed to hold Mr./Mrs./Ms. If Germany is chosen as the language for the contact, the title field will hold Herr/Frau. For any other languages, the title field will hold Mr./Mrs/Ms.
Greeting (Required) - A text field where Greeting for the contact is entered.
First Name (Optional) - A text field to enter the first name of the contact.
Last Name (Required) - A text field to enter the last name of the contact.
Company (Required) - A text field to enter the Company of the contact.
Department (Optional) - A text field to enter the Department of the contact.
Job Title (Optional) - A text field to enter the Job title of the contact.
Email (Required) - A text field to enter the email address of the contact. This field is significant for Email Communication. Take note that the data in this field should be unique. In other words, contact with same email address cannot be added twice.
Phone (Optional) - A text field to enter the Phone number of the Contact.
Mobile Phone (Optional) - A text field to enter the Mobile number of the Contact.
Note (Optional) - A text field to enter Note (if any) for the contact
Leaving the optional fields empty will not generate any validation errors and a user can proceed to add the projects.
This page will list all the contacts that have been added to the system. The contents of this page are in tabular form which contains columns whose brief description have been mentioned below
The Columns that appear in the List Contact page are
First Name - The first name of Contacts appears in these columns. Since first name is an optional field while adding contacts, so if the first name had not been entered, N/A is seen in this column for those contacts whose first name had not been entered.
Last Name - Lists the last name Contacts
Email - Lists the email addresses of each contacts that have been added.
Partners - Lists the Partners that the contacts have been assigned to. May contain the names of more than one Partner as multiple Partners can be assigned same Contact repeatedly.
Clients - Lists the Clients that the contacts have been assigned to. May contain the names of more than one Client as multiple Clients can be assigned same Contact repeatedly.
Projects - Lists the name of the Projects that the Contact is associated with. May contain the names of more than one Project as multiple Project can be associated with the same Contact repeatedly
Action - Contains options which enables a user to edit/delete a Contact
User can see two icons under the Action column whose description have been mentioned below
The edit button is used to edit the existing Contact details. Same validation rules are applied while editing Contact i.e. the required fields need to be filled with appropriate data.
The delete button is used to delete a Contact. However, do note that if a Contact is being used in other modules such as Client , the contact cannot be deleted. So, in order to delete a Contact, a user first needs to delete the respective module associated with the Contact and then proceed to delete the corresponding Contact.
* Click to enlarge


Current available categories:
| Category | Description |
|---|
Add a new category:
Defining subcategories and hierarchy
Drag the categories up/down and/or sideways to define subcategories and hierarchy, then save your changes.
Uploading images/files
| Preview | URL | Description | Uploaded |
|---|


Back
Cats
Please enjoy our fine selection of Cats
CLICK
CLICK
CLICK
CLICK
CLICK
CLICK
Brought to you by:
LIGHTBOX


Link
Axure Kit
Carbon
Updates
Common widgets
Style effects
Variables
Selection group
Repeater
Dynamic panel
Introduction
Axure elements
Utilities
UI shell
Tooltip
Toggle
Tile
Text input
Tag
Tabs
Structured list
Slider
Select
Search
Radio button
Progress indicator
Pagination
Overflow menu
Number input
Notification
Modal
Loading
List
Link
Inline loading
Form
File upoader
Dropdown
Date picker
Data table
Content switcher
Code snippet
Checkbox
Button
Breadcrumb
Accordion
Components
Typography
Spacing
Icons
Color
Design elements
Library index
Getting started
Components
Privacy
Have questions? Open an issue on GitHub.
Last updated 29 January 2020
Copyright © 2020 IBM
Terms of Use
Contribute
IBM.com
Link
Library section:
Interactions:
Common
Style effects
Link
Text wrap example for hover and active state testing.
Disabled link
:disabled


<Me class="
Student,
Software Engineer,
Entrepreneur,
Jazz Musician
" />
<Me class="
Student,
Software Engineer,
Entrepreneur,
Jazz Musician
" />
"AI meets ColdSpray"
ColdSpray as fast as possible...


What To-Do?
Signout
Delete Account
Enter email to delete account
Confirm Deletion
Add task
Task:
Due date:
Priority:
1
2
3
Add task
Edit Task
×
Task:
Due date:
Priority:
1
2
3
Recommended Tasks


GINGIMED - stannous fluoride liquid
Massco Dental A Division of Dunagin Pharmaceuticals
Disclaimer: Most OTC drugs are not reviewed and approved by FDA, however they may be marketed if they comply with applicable regulations and policies. FDA has not evaluated whether this product complies.
ACTIVE INGREDIENT
STANNOUS FLUORIDE
INACTIVE INGREDIENTS
GLYCERIN, FLAVOR,XYLITOL
USE
APPROVED USES: RELIEF OF DENTINAL HYPERSENSITIVITY. CONTROL OF PERIO INFECTION.
 PUSH DOWN ON PUMP TWICE OR POUR THE CONCENTRATED RINSE TO THE 1/8 FL. OX. MARK ON THE MIXING VIAL. ADD WATER TO THE 1 OZ. LINE. CLOSE TIGHTLY WITH SNAP-ON CAP AND SHAKE WELL. THIS PREPARES A 0.1% STANNOUS FLUORIDE RINSE. RINSE WITH ONE HALF OF THE SOLUTION FOR ONE MINUTE, EXPECTORATE (SPIT) AND REPEAT THE PROCEDURE WITH THE REMAINING HALF OF THE MIXTURE. DO NOT SWALLOW AND DO NOT RINSE MOUTH. RINSE MIXING VIAL WITH WATER AFTER EACH USE.
CHILDREN 6-12 YEARS: INSTRUCT AND SUPERVISE IN GOOD RINSING HABITS. (HELP TO MINIMIZE SWALLOWING)
CHILDREN UNDER 6: CONSULT A DENTIST.
FOR HOME IRRIGATION: PREPARE 1 OZ. OF GINGIMED RINSE AS DESCRIBED ABOVE. POUR INTO IRRIGATOR RESIVOIR AND ADD 4 OZ. OF WATER. MIX THOROUGHLY. USE IRRIGATOR AS DESCRIBED
OTHER INFORMATION
THIS PRODUCT MAY CAUSE MINIMAL SURFACE DISCOLORATION ON THE TEETH, MAY BE PREVENTED BY ADEQUATE BRUSHING.
WARNINGS
IF MORE THAN AMOUNT DIRECTED FOR RINSING IS ACCIDENTALLY SWALLOWED, SEEK MEDICAL HELP FROM A POISON CONTROL CENTER. DO NOT USE BEFORE MIXING WITH WATER. USE AS DIRECTED BY A DENTAL PROFESSIONAL.
PACKAGE LABEL
ALCOHOL FREE PERIO TREATMENT. GINGIMED 0.63% STANNOUS FLUORIDE READ DIRECTIONS THOROUGHLY. MIX WITH WATER BEFORE USE. NOW CONTAINING XYLITOL
MANUFACTURED BY MASSCO DENTAL A DIVISION OF DUNAGIN PHARMACEUTICALS, GRAVETTE, AR<PHONE_NUMBER> WWW.MASSCODENTAL.NET


{{umuhire.Publisher}}
{{umuhire.completeDate|dateCount}} days
Published on {{umuhire.completeDate|dateCount}}


Interning at Airbnb Summer 2017.
Interning at Facebook Fall 2017.
Interned at Pinterest on the Search team.
Tutored the Introduction to Data Structures course at UCSD.


| Sl. No. | Product | Quantity | Rate | Total |
| 1 | ค่าพัฒนาซอฟท์แวร์ - Software Development Description : Upgradation of telecrm |
1 | 157.00 | 157.00 |
| Total : | 157.00 |
Total Amount :
| One Hundred And Fifty Seven only | USD | 157.00 |
|
Payment Information : Please make cheque payments payable to : ABC Corp The Invoice is payable within 7 days of issue. |
E & O.E.
For ABC Corp Authorised Signatory |


Tools
node:
N
path:
P
group select:
S
move (group):
M
reset view:
R
pan:
middle mouse
snapshot:
X
delete:
DELETE


---
layout: post
title: john i of castile in suit of armour on horse
date: '2013-04-11T18:34:00+02:00'
categories:
- Horses
- Storyboards
- Atoleiros Battle
picture_url: https://film-Storyboards.tumblr.com/post/47736958780/john-i-of-castile-in-suit-of-armour-on-horse
---
John I of Castile in suit of armour, on horse.


--- title: Type keywords: type sidebar: left-navigation-sidebar toc: false permalink: type.html folder: fundamentals ---
Fundamental UI uses a set of sans-serif system fonts. They are timeless fonts ensures that the fresh, clean, and minimalist style. It works well across all browsers, devices, and platforms for customization to be easy.
Roboto
Rr
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
1 2 3 4 5 6 7 8 9 0
‘ ? ’ “ ! ” ( % ) [ # ] { @ } / & \ < - + ÷ × = > ® © $ € £ ¥ ¢ : ; , . *
Roboto Bold 45 px | Line height 52 px
Grumpy wizards make toxic brew for the evil Queen and Jack
Roboto Medium 35 px | Line height 44 px
Grumpy wizards make toxic brew for the evil Queen and Jack
Roboto Medium 25 px | Line height 32 px
Grumpy wizards make toxic brew for the evil Queen and Jack
Open Sans
Aa
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
1 2 3 4 5 6 7 8 9 0
‘ ? ’ “ ! ” ( % ) [ # ] { @ } / & \ < - + ÷ × = > ® © $ € £ ¥ ¢ : ; , . *
Open Sans SemiBold 20 px | Line height 28 px
Grumpy wizards make toxic brew for the evil Queen and Jack
Open Sans SemiBold 18 px | Line height 24 px
Grumpy wizards make toxic brew for the evil Queen and Jack
Open Sans Book 16 px | Line height 24 px
Grumpy wizards make toxic brew for the evil Queen and Jack
Open Sans Book 14 px | Line height 20 px
Grumpy wizards make toxic brew for the evil Queen and Jack
Open Sans Book 13 px | Line height 20 px
Grumpy wizards make toxic brew for the evil Queen and Jack
Open Sans Bold All Caps 12 px | Line height 16 px
Grumpy wizards make toxic brew for the evil Queen and Jack


Chapter 15. Regular Expressions
Chapter 16. Network Programming
Chapter 17. Internet Client Programming
Chapter 18. Multithreaded Programming
Chapter 19. GUI Programming
Chapter 20. Web Programming
Chapter 21. Database Programming
Chapter 22. Extending Python
Chapter 23. Miscellaneous
Appendix A. Answers to Selected Exercises
Appendix B. Reference Tables
Appendix 3. About the Author


@()(implicit request: Request[_], messages: Messages) @uk.gov.hmrc.FHDDS.views.html.main_template(title = "Hello from FHDDS", bodyClasses = None, mainClass = Some("full-width")) {
Each section is seved as you progress. Once you start you have 28 days to complete the application before it is deleted.
| Sections | Status | Action |
|---|---|---|
| 1. Business details | Not started | Start |
| 2. Business contact | Not started | Start |
| 3. Business registration details | Not started | Start |
| 4. Principle place of business | Not started | Start |
| 5. Trading premises | Not started | Start |


This method will accept a binary plist (as a string) and convert it to a hash via Plist::parse_xml.
# File lib/puppet/provider/nameservice/directoryservice.rb, line 345 def self.convert_binary_to_xml(plist_data) Puppet.debug('Converting binary plist to XML') Puppet.debug('Executing: \plutil -convert xml1 -o - -\') IO.popen('plutil -convert xml1 -o - -', mode='r+') do |io| io.write plist_data io.close_write @converted_plist = io.read end Puppet.debug('Converting XML values to a hash.') @plist_hash = Plist::parse_xml(@converted_plist) @plist_hash end
This method will accept a hash that has been returned from Plist::parse_xml and convert it to a binary plist (string value).
# File lib/puppet/provider/nameservice/directoryservice.rb, line 332 def self.convert_xml_to_binary(plist_data) Puppet.debug('Converting XML plist to binary') Puppet.debug('Executing: \plutil -convert binary1 -o - -\') IO.popen('plutil -convert binary1 -o - -', mode='r+') do |io| io.write plist_data.to_plist io.close_write @converted_plist = io.read end @converted_plist end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 34 def self.ds_to_ns_attribute_map { 'RecordName' => :name, 'PrimaryGroupID' => :gid, 'NFSHomeDirectory' => :home, 'UserShell' => :shell, 'UniqueID' => :uid, 'RealName' => :comment, 'Password' => :password, 'GeneratedUID' => :guid, 'IPAddress' => :ip_address, 'ENetAddress' => :en_address, 'GroupMembership' => :members, } end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 180 def self.fail_if_wrong_version fail("Puppet does not support OS X versions < 10.5") unless self.get_macosx_version_major >= "10.5" end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 121 def self.generate_attribute_hash(input_hash, *type_properties) attribute_hash = {} input_hash.keys.each do |key| ds_attribute = key.sub("dsAttrTypeStandard:", "") next unless (ds_to_ns_attribute_map.keys.include?(ds_attribute) and type_properties.include? ds_to_ns_attribute_map[ds_attribute]) ds_value = input_hash[key] case ds_to_ns_attribute_map[ds_attribute] when :members ds_value = ds_value # only members uses arrays so far when :gid, :uid # OS X stores objects like uid/gid as strings. # Try casting to an integer for these cases to be # consistent with the other providers and the group type # validation begin ds_value = Integer(ds_value[0]) rescue ArgumentError ds_value = ds_value[0] end else ds_value = ds_value[0] end attribute_hash[ds_to_ns_attribute_map[ds_attribute]] = ds_value end # NBK: need to read the existing password here as it's not actually # stored in the user record. It is stored at a path that involves the # UUID of the user record for non-Mobile local acccounts. # Mobile Accounts are out of scope for this provider for now attribute_hash[:password] = self.get_password(attribute_hash[:guid], attribute_hash[:name]) if @resource_type.validproperties.include?(:password) and Puppet.features.root? attribute_hash end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 77 def self.get_ds_path # JJM: 2007-07-24 This method dynamically returns the DS path we're concerned with. # For example, if we're working with an user type, this will be /Users # with a group type, this will be /Groups. # @ds_path is an attribute of the class itself. return @ds_path if defined?(@ds_path) # JJM: "Users" or "Groups" etc ... (Based on the Puppet::Type) # Remember this is a class method, so self.class is Class # Also, @resource_type seems to be the reference to the # Puppet::Type this class object is providing for. @resource_type.name.to_s.capitalize + "s" end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 184 def self.get_exec_preamble(ds_action, resource_name = nil) # JJM 2007-07-24 # DSCL commands are often repetitive and contain the same positional # arguments over and over. See http://developer.apple.com/documentation/Porting/Conceptual/PortingUnix/additionalfeatures/chapter_10_section_9.html # for an example of what I mean. # This method spits out proper DSCL commands for us. # We EXPECT name to be @resource[:name] when called from an instance object. # (#11593) Remove support for OS X 10.4 and earlier fail_if_wrong_version command_vector = [ command(:dscl), "-plist", "." ] # JJM: The actual action to perform. See "man dscl" # Common actiosn: -create, -delete, -merge, -append, -passwd command_vector << ds_action # JJM: get_ds_path will spit back "Users" or "Groups", # etc... Depending on the Puppet::Type of our self. if resource_name command_vector << "/#{get_ds_path}/#{resource_name}" else command_vector << "/#{get_ds_path}" end # JJM: This returns most of the preamble of the command. # e.g. 'dscl / -create /Users/mccune' command_vector end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 90 def self.get_macosx_version_major return @macosx_version_major if defined?(@macosx_version_major) begin # Make sure we've loaded all of the facts Facter.loadfacts product_version_major = Facter.value(:macosx_productversion_major) fail("#{product_version_major} is not supported by the directoryservice provider") if %{10.0 10.1 10.2 10.3 10.4}.include?(product_version_major) @macosx_version_major = product_version_major return @macosx_version_major rescue Puppet::ExecutionFailure => detail fail("Could not determine OS X version: #{detail}") end end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 292 def self.get_password(guid, username) # Use Puppet::Util::Package.versioncmp() to catch the scenario where a # version '10.10' would be < '10.7' with simple string comparison. This # if-statement only executes if the current version is less-than 10.7 if (Puppet::Util::Package.versioncmp(get_macosx_version_major, '10.7') == -1) password_hash = nil password_hash_file = "#{password_hash_dir}/#{guid}" if File.exists?(password_hash_file) and File.file?(password_hash_file) fail("Could not read password hash file at #{password_hash_file}") if not File.readable?(password_hash_file) f = File.new(password_hash_file) password_hash = f.read f.close end password_hash else if File.exists?("#{users_plist_dir}/#{username}.plist") # If a plist exists in /var/db/dslocal/nodes/Default/users, we will # extract the binary plist from the 'ShadowHashData' key, decode the # salted-SHA512 password hash, and then return it. users_plist = Plist::parse_xml(plutil('-convert', 'xml1', '-o', '/dev/stdout', "#{users_plist_dir}/#{username}.plist")) if users_plist['ShadowHashData'] # users_plist['ShadowHashData'][0].string is actually a binary plist # that's nested INSIDE the user's plist (which itself is a binary # plist). password_hash_plist = users_plist['ShadowHashData'][0].string converted_hash_plist = convert_binary_to_xml(password_hash_plist) # converted_hash_plist['SALTED-SHA512'].string is a Base64 encoded # string. The password_hash provided as a resource attribute is a # hex value. We need to convert the Base64 encoded string to a # hex value and provide it back to Puppet. password_hash = converted_hash_plist['SALTED-SHA512'].string.unpack("H*")[0] password_hash end end end end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 64 def self.instances # JJM Class method that provides an array of instance objects of this # type. # JJM: Properties are dependent on the Puppet::Type we're managine. type_property_array = [:name] + @resource_type.validproperties # Create a new instance of this Puppet::Type for each object present # on the system. list_all_present.collect do |name_string| self.new(single_report(name_string, *type_property_array)) end end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 107 def self.list_all_present # JJM: List all objects of this Puppet::Type already present on the system. begin dscl_output = execute(get_exec_preamble("-list")) rescue Puppet::ExecutionFailure => detail fail("Could not get<EMAIL_ADDRESS>list from DirectoryService") end dscl_output.split("\n") end
Unlike most other *nixes, OS X doesn’t provide built in functionality for automatically assigning uids and gids to accounts, so we set up these methods for consumption by functionality like –mkusers By default we restrict to a reasonably sane range for system accounts
# File lib/puppet/provider/nameservice/directoryservice.rb, line 362 def self.next_system_id(id_type, min_id=20) dscl_args = ['.', '-list'] if id_type == 'uid' dscl_args << '/Users' << 'uid' elsif id_type == 'gid' dscl_args << '/Groups' << 'gid' else fail("Invalid id_type #{id_type}. Only 'uid' and 'gid' supported") end dscl_out = dscl(dscl_args) # We're ok with throwing away negative uids here. ids = dscl_out.split.compact.collect { |l| l.to_i if l.match(/^\d+$/) } ids.compact!.sort! { |a,b| a.to_f <=> b.to_f } # We're just looking for an unused id in our sorted array. ids.each_index do |i| next_id = ids[i] + 1 return next_id if ids[i+1] != next_id and next_id >= min_id end end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 52 def self.ns_to_ds_attribute_map @ns_to_ds_attribute_map ||= ds_to_ns_attribute_map.invert end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 117 def self.parse_dscl_plist_data(dscl_output) Plist.parse_xml(dscl_output) end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 56 def self.password_hash_dir '/var/db/shadow/hash' end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 211 def self.set_password(resource_name, guid, password_hash) # Use Puppet::Util::Package.versioncmp() to catch the scenario where a # version '10.10' would be < '10.7' with simple string comparison. This # if-statement only executes if the current version is less-than 10.7 if (Puppet::Util::Package.versioncmp(get_macosx_version_major, '10.7') == -1) password_hash_file = "#{password_hash_dir}/#{guid}" begin File.open(password_hash_file, 'w') { |f| f.write(password_hash)} rescue Errno::EACCES => detail fail("Could not write to password hash file: #{detail}") end # NBK: For shadow hashes, the user AuthenticationAuthority must contain a value of # ";ShadowHash;". The LKDC in 10.5 makes this more interesting though as it # will dynamically generate ;Kerberosv5;;username@LKDC:SHA1 attributes if # missing. Thus we make sure we only set ;ShadowHash; if it is missing, and # we can do this with the merge command. This allows people to continue to # use other custom AuthenticationAuthority attributes without stomping on them. # # There is a potential problem here in that we're only doing this when setting # the password, and the attribute could get modified at other times while the # hash doesn't change and so this doesn't get called at all... but # without switching all the other attributes to merge instead of create I can't # see a simple enough solution for this that doesn't modify the user record # every single time. This should be a rather rare edge case. (famous last words) dscl_vector = self.get_exec_preamble("-merge", resource_name) dscl_vector << "AuthenticationAuthority" << ";ShadowHash;" begin dscl_output = execute(dscl_vector) rescue Puppet::ExecutionFailure => detail fail("Could not set AuthenticationAuthority.") end else # 10.7 uses salted SHA512 password hashes which are 128 characters plus # an 8 character salt. Previous versions used a SHA1 hash padded with # zeroes. If someone attempts to use a password hash that worked with # a previous version of OX X, we will fail early and warn them. if password_hash.length != 136 fail("OS X 10.7 requires a Salted SHA512 hash password of 136 characters. \ Please check your password and try again.") end if File.exists?("#{users_plist_dir}/#{resource_name}.plist") # If a plist already exists in /var/db/dslocal/nodes/Default/users, then # we will need to extract the binary plist from the 'ShadowHashData' # key, log the new password into the resultant plist's 'SALTED-SHA512' # key, and then save the entire structure back. users_plist = Plist::parse_xml(plutil( '-convert', 'xml1', '-o', '/dev/stdout', "#{users_plist_dir}/#{resource_name}.plist")) # users_plist['ShadowHashData'][0].string is actually a binary plist # that's nested INSIDE the user's plist (which itself is a binary # plist). If we encounter a user plist that DOESN'T have a # ShadowHashData field, create one. if users_plist['ShadowHashData'] password_hash_plist = users_plist['ShadowHashData'][0].string converted_hash_plist = convert_binary_to_xml(password_hash_plist) else users_plist['ShadowHashData'] = [StringIO.new] converted_hash_plist = {'SALTED-SHA512' => StringIO.new} end # converted_hash_plist['SALTED-SHA512'].string expects a Base64 encoded # string. The password_hash provided as a resource attribute is a # hex value. We need to convert the provided hex value to a Base64 # encoded string to nest it in the converted hash plist. converted_hash_plist['SALTED-SHA512'].string = password_hash.unpack('a2'*(password_hash.size/2)).collect { |i| i.hex.chr }.join # Finally, we can convert the nested plist back to binary, embed it # into the user's plist, and convert the resultant plist back to # a binary plist. changed_plist = convert_xml_to_binary(converted_hash_plist) users_plist['ShadowHashData'][0].string = changed_plist Plist::Emit.save_plist(users_plist, "#{users_plist_dir}/#{resource_name}.plist") plutil('-convert', 'binary1', "#{users_plist_dir}/#{resource_name}.plist") end end end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 153 def self.single_report(resource_name, *type_properties) # JJM 2007-07-24: # Given a the name of an object and a list of properties of that # object, return all property values in a hash. # # This class method returns nil if the object doesn't exist # Otherwise, it returns a hash of the object properties. all_present_str_array = list_all_present # NBK: shortcut the process if the resource is missing return nil unless all_present_str_array.include? resource_name dscl_vector = get_exec_preamble("-read", resource_name) begin dscl_output = execute(dscl_vector) rescue Puppet::ExecutionFailure => detail fail("Could not get report. command execution failed.") end # (#11593) Remove support for OS X 10.4 and earlier fail_if_wrong_version dscl_plist = self.parse_dscl_plist_data(dscl_output) self.generate_attribute_hash(dscl_plist, *type_properties) end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 529 def add_members(current_members, new_members) new_members.flatten.each do |new_member| if current_members.nil? or not current_members.include?(new_member) cmd = [:dseditgroup, "-o", "edit", "-n", ".", "-a", new_member, @resource[:name]] begin execute(cmd) rescue Puppet::ExecutionFailure => detail fail("Could not add #{new_member} to group<EMAIL_ADDRESS>#{detail}") end end end end
NBK: we override @parent.create as we need to execute a series of commands to create objects with dscl, rather than the single command nameservice.rb expects to be returned by addcmd. Thus we don’t bother defining addcmd.
# File lib/puppet/provider/nameservice/directoryservice.rb, line 455 def create if exists? info "already exists" return nil end # NBK: First we create the object with a known guid so we can set the contents # of the password hash if required # Shelling out sucks, but for a single use case it doesn't seem worth # requiring people install a UUID library that doesn't come with the system. # This should be revisited if Puppet starts managing UUIDs for other platform # user records. guid = %{/usr/bin/uuidgen}.chomp exec_arg_vector = self.class.get_exec_preamble("-create", @resource[:name]) exec_arg_vector << ns_to_ds_attribute_map[:guid] << guid begin execute(exec_arg_vector) rescue Puppet::ExecutionFailure => detail fail("Could not set GeneratedUID for<EMAIL_ADDRESS><EMAIL_ADDRESS>#{detail}") end if value = @resource.should(:password) and value != "" self.class.set_password(@resource[:name], guid, value) end # Now we create all the standard properties Puppet::Type.type(@resource.class.name).validproperties.each do |property| next if property == :ensure value = @resource.should(property) if property == :gid and value.nil? value = self.class.next_system_id(id_type='gid') end if property == :uid and value.nil? value = self.class.next_system_id(id_type='uid') end if value != "" and not value.nil? if property == :members add_members(nil, value) else exec_arg_vector = self.class.get_exec_preamble("-create", @resource[:name]) exec_arg_vector << ns_to_ds_attribute_map[property.intern] next if property == :password # skip setting the password here exec_arg_vector << value.to_s begin execute(exec_arg_vector) rescue Puppet::ExecutionFailure => detail fail("Could not create<EMAIL_ADDRESS><EMAIL_ADDRESS>#{detail}") end end end end end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 542 def deletecmd # JJM: Like addcmd, only called when deleting the object itself # Note, this isn't used to delete properties of the object, # at least that's how I understand it... self.class.get_exec_preamble("-delete", @resource[:name]) end
JJM 2007-07-25: This map is used to map NameService attributes to their
corresponding DirectoryService attribute names. See: http://images.apple.com/server/docs.Open_Directory_v10.4.pdf
JJM: Note, this is de-coupled from the Puppet::Type, and must
be actively maintained. There may also be collisions with different types (Users, Groups, Mounts, Hosts, etc...)
# File lib/puppet/provider/nameservice/directoryservice.rb, line 33 def ds_to_ns_attribute_map; self.class.ds_to_ns_attribute_map; end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 383 def ensure=(ensure_value) super # We need to loop over all valid properties for the type we're # managing and call the method which sets that property value # dscl can't create everything at once unfortunately. if ensure_value == :present @resource.class.validproperties.each do |name| next if name == :ensure # LAK: We use property.sync here rather than directly calling # the settor method because the properties might do some kind # of conversion. In particular, the user gid property might # have a string and need to convert it to a number if @resource.should(name) @resource.property(name).sync elsif value = autogen(name) self.send(name.to_s + "=", value) else next end end end end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 549 def getinfo(refresh = false) # JJM 2007-07-24: # Override the getinfo method, which is also defined in nameservice.rb # This method returns and sets @infohash # I'm not re-factoring the name "getinfo" because this method will be # most likely called by nameservice.rb, which I didn't write. if refresh or (! defined?(@property_value_cache_hash) or ! @property_value_cache_hash) # JJM 2007-07-24: OK, there's a bit of magic that's about to # happen... Let's see how strong my grip has become... =) # # self is a provider instance of some Puppet::Type, like # Puppet::Type::User::ProviderDirectoryservice for the case of the # user type and this provider. # # self.class looks like "user provider directoryservice", if that # helps you ... # # self.class.resource_type is a reference to the Puppet::Type class, # probably Puppet::Type::User or Puppet::Type::Group, etc... # # self.class.resource_type.validproperties is a class method, # returning an Array of the valid properties of that specific # Puppet::Type. # # So... something like [:comment, :home, :password, :shell, :uid, # :groups, :ensure, :gid] # # Ultimately, we add :name to the list, delete :ensure from the # list, then report on the remaining list. Pretty whacky, ehh? type_properties = [:name] + self.class.resource_type.validproperties type_properties.delete(:ensure) if type_properties.include? :ensure type_properties << :guid # append GeneratedUID so we just get the report here @property_value_cache_hash = self.class.single_report(@resource[:name], *type_properties) [:uid, :gid].each do |param| @property_value_cache_hash[param] = @property_value_cache_hash[param].to_i if @property_value_cache_hash and @property_value_cache_hash.include?(param) end end @property_value_cache_hash end
JJM The same table as above, inverted.
# File lib/puppet/provider/nameservice/directoryservice.rb, line 51 def ns_to_ds_attribute_map; self.class.ns_to_ds_attribute_map end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 406 def password=(passphrase) exec_arg_vector = self.class.get_exec_preamble("-read", @resource.name) exec_arg_vector << ns_to_ds_attribute_map[:guid] begin guid_output = execute(exec_arg_vector) guid_plist = Plist.parse_xml(guid_output) # Although GeneratedUID like all DirectoryService values can be multi-valued # according to the schema, in practice user accounts cannot have multiple UUIDs # otherwise Bad Things Happen, so we just deal with the first value. guid = guid_plist["dsAttrTypeStandard:#{ns_to_ds_attribute_map[:guid]}"][0]<EMAIL_ADDRESS>guid, passphrase) rescue Puppet::ExecutionFailure => detail fail("Could not set #{param} on #{<EMAIL_ADDRESS>#{detail}") end end
# File lib/puppet/provider/nameservice/directoryservice.rb, line 509 def remove_unwanted_members(current_members, new_members) current_members.each do |member| if not new_members.flatten.include?(member) cmd = [:dseditgroup, "-o", "edit", "-n", ".", "-d", member, @resource[:name]] begin execute(cmd) rescue Puppet::ExecutionFailure => detail # TODO: We're falling back to removing the member using dscl due to rdar://8481241 # This bug causes dseditgroup to fail to remove a member if that member doesn't exist cmd = [:dscl, ".", "-delete"<EMAIL_ADDRESS>"GroupMembership", member] begin execute(cmd) rescue Puppet::ExecutionFailure => detail fail("Could not remove #{member} from group<EMAIL_ADDRESS>#{detail}") end end end end end
NBK: we override @parent.set as we need to execute a series of commands to deal with array values, rather than the single command nameservice.rb expects to be returned by modifycmd. Thus we don’t bother defining modifycmd.
# File lib/puppet/provider/nameservice/directoryservice.rb, line 426 def set(param, value) self.class.validate(param, value) current_members = @property_value_cache_hash[:members] if param == :members # If we are meant to be authoritative for the group membership # then remove all existing members who haven't been specified # in the manifest. remove_unwanted_members(current_members, value) if @resource[:auth_membership] and not current_members.nil? # if they're not a member, make them one. add_members(current_members, value) else exec_arg_vector = self.class.get_exec_preamble("-create", @resource[:name]) # JJM: The following line just maps the NS name to the DS name # e.g. { :uid => 'UniqueID' } exec_arg_vector << ns_to_ds_attribute_map[param.intern] # JJM: The following line sends the actual value to set the property to exec_arg_vector << value.to_s begin execute(exec_arg_vector) rescue Puppet::ExecutionFailure => detail fail("Could not set #{param} on #{<EMAIL_ADDRESS>#{detail}") end end end
Generated with the Darkfish Rdoc Generator 2.


How to configure the settings applied to the DotNetNuke.RadEditorProvider for the RadEditor. Settings include setting the skin, choosing the size and layout of the Editor and its toolbars and setting the folders of the site's Digital Asset Management module, which is located on the Admin > File Management page, to be used for each resource type (e.g. documents, images, flash, etc.).
Tip: This tutorial explains how to configure the settings for everyone who uses the Editor, however different configurations can be created for registered users, Administrators and SuperUsers.


PORTLAND! I’m here for the next two weeks. This first stretch is full with work offsite but next week would love to catch up with folks for lunches, dinners, or beers after work. Hit me up!
5/5/2019, 12:35:41 PM
Favs: 5
Retweets: 0
link--- layout: tweet ---
PORTLAND! I’m here for the next two weeks. This first stretch is full with work offsite but next week would love to catch up with folks for lunches, dinners, or beers after work. Hit me up!
5/5/2019, 12:35:41 PM
Favs: 5
Retweets: 0
link


Toggle navigation
WomEngineers Day
April 22, 2017 Knoxville, TN
Why Attend?
Schedule
Speakers/Moderators
Area Info.
Register
{{ content }} {% include analytics.html %}


A Play application.
A full configuration set.
The Global plugin executes application's globalSettings
onStart
and onStop
.
Defines an application’s global settings.
A Play logger.
Typical logger interface.
Root exception for all Play problems.
A Play plugin.
Generic exception for unexpected error cases.
This object provides a set of operations to create Configuration
values.
The default global settings if not defined in the application.
High-level API for logging operations.
Application mode, either DEV
or PROD
.
High-level API to access Play global features.
Helper for PlayException
.
Helper utilities related to Router
.
Contains the Cache access API.
Contains data manipulation helpers (typically HTTP form handling)
Contains the JDBC database access API.
Contains standard HTTP constants.
Contains the internationalisation API.
Contains various APIs that are useful while developing web applications.
Contains the Controller/Action/Result API to handle HTTP requests.
Contains Template adapters for typical Play applications.
Contains test helpers.
Contains the public API for Scala developers.
Access the current Play application
Read configuration
Use the logger
Define a Plugin
Create adhoc applications (for testing)


Posted by Angie Franco on August 30, 2019
Posted by Angie Franco on September 6, 2019
Posted by Angie Franco on September 13, 2019
Posted by Angie Franco on September 28, 2019
Posted by Angie Franco on December 6, 2019
Posted by Angie Franco on November 1st, 2019
Posted by Angie Franco on November 9th, 2019
Posted by Angie Franco on November 22nd, 2019


Burnham Park is a 32.84 hectare urban park located at the heart of the Baguio, in the Philippines. It was named after the American architect and urban planner.
The Baguio Botanical Garden is located east of Baguio's downtown area. You will find it between Teacher's Camp and the Pacdal Circle. Its main entrance is along Leonard Wood Road and just across the street from Gilberto's Hotel and Baguio Vacation Hotel. It is quite a large park and about the same size as Burnham Park.
Simply, the place is called Strawberry Farm. Cradled in a plain in La Trinidad Valley in Benguet, it is located nearly 30 minutes away from Baguio City, which has become almost synonymous with strawberries.
Mines View Park is an overlook park on the northeastern outskirts of Baguio in the Philippines.Located on a land promontory 4 km from downtown Baguio, the park overlooks the mining town of Itogon, particularly the abandoned gold[1] and copper mines[2] of the Benguet Corporation, and offers a glimpse of the Amburayan Valley.
The Laperal Guesthouse, popularly known as Laperal White House is a building in Baguio which houses a museum and a reported haunted place.
The Mansion House (also known as the The Mansion) is the official summer residence of the President of the Philippines. The mansion is located in the summer capital of the country, Baguio, situated around 5,000 feet (1,500 m) asl in the Cordillera Central Range of northern Luzon.
The Lourdes Grotto is another Catholic shrine and place of meditation in Baguio. It is located on a high hill in the western part of the city where you will find the image of the Lady of Lourdes.
Wright Park, which is located at the eastern part of the city and fronting the main gate of the Mansion, is one of the many scenic parks in Baguio City. Its main features are a shallow elongated rectangular body of water known as the "Pool of Pines" and the park circle which is on one end of the park. Postcard-type photographs are usually taken at both ends of Wright Park and when going there it is best to bring along a camera.


@(params: Map[String, Any]) @uk.gov.hmrc.hmrcemailrenderer.templates.helpers.html.template_main(params, "Alcohol Wholesaler Registration Scheme (AWRS) application submission confirmation") {
Your application for @{params("organisationName")} has been received on the @{params("submissionDate")}.
Your application reference number is @{params("applicationReference")}. This is not your AWRS reference number.
What happens next
More detailed information can be found in the guidance on GOV.UK.
Remember to keep your Government Gateway user ID and password safe as you will need them if you need to make changes. If your circumstances change you must update your application.
Excise Notice 2002 Section 10.4 has a full list of changes and the circumstances where you need to immediately inform us.
From the HMRC Alcohol Wholesaler Registration Scheme
}


--- layout: default permalink: /404.html ---
Try searching for the page and notify us by creating an issue.


The English Cocker Spaniel is a breed of gun dog. It is noteworthy for producing one of the most varied numbers of pups in a litter among all dog breeds. The English Cocker Spaniel is an active, good-natured, sporting dogstanding well up at the withers and compactly built. There are "field" or "working" cockers and "show" cockers. It is one of several varieties of spaniel and is the foundation of its American cousin, the American Cocker Spaniel. The English Cocker is closer to the working-dog form of the Field Spaniel and the English Springer Spaniel.
| Company Name | Number of Items to Ship | Next Action |
|---|---|---|
| Adam's Greenworks | 14 | Package Items |
| Davie's Burgers | 2 | Send Invoice |
| Baker's Bike Shop | 3 | Send Invoice | Total | 28 |


General information
Touhou Toolkit (or thtk for short) is a tool for unpacking and modifying Touhou game resource files. It allows to extract and modify game sprites, textures and GUI elements; in-game texts; level scripts that specify enemy movements, attacks, etc.; demo-replays and in-game sounds. It does not allow to work with music (except for midi music in games 6-8) and save files.
Touhou Toolkit consists of four console applications: thdat handles the main dat-files, thanm processes graphics, thmsg — dialogues, thecl — scripts. The current version completely supports all danmaku Touhou games from 6 to 13. thdat is also able to process dat-files for PC-98 games, but the resulting files (other than plain txt) are not processable by thtk. The program can also work with doujin games if their file format is compatible with one of Touhou formats. However, a warning will be given if dat-file name is different from Touhou dat-file name.
Touhou Toolkit is a console application and this program provides a graphical user interface for it. First thing you should do is specify the path to your thtk folder. You may also provide a path to the folder where all your Touhou games reside. The latest version may be downloaded from a repository at Google Code. The archive also includes more detailed manuals for each of the applications.
THDAT
First stage of working with thtk is unpacking the main dat-file of the game. Choose the game in the main menu. Specify a target folder in the field "Folder". Specify the main dat-file (its name usually follows the pattern th№(e).dat. Files such as thbgm.dat and score.dat cannot be processed by thdat. In EoSD game content is spread over six files, which contain:
CM — bullet sprites and playable character pictures and mini-sprites
ED — texts and images from endings and credits
IN — sounds and interface elements
MD — midi-music
ST — attack scripts, backgrounds for levels and spellcards, enemy and boss sprites and pictures, dialogue texts
TL — menu images and texts.
«Extract archive» extracts the dat-file into the target folder.
«List files» generates a txt file containg list of files in the archive and places it to \lists subdirectory of the program's directory. This list is used during cretion of the archive and changing its contents will almost certainly make the dat-file unusable. The list is also created automatically during archive extraction.
«Create archive from folder» packs the contents of the working folder into a dat-file. If the target dat-file already exists, it will be renamed before the process (will get additional extension, .bkp№) if «Make backup» option is set. Otherwise, it will be replaced.
All files contained in the dat-file will be placed in the target directory. Some of them, such as demo-replays, pictures and sounds, may be accessed directly. anm-, ecl- and msg-files should be further processed by thtk applications.
THANM
Files with .anm extension contain game graphics in PNG format, as well as scripts describing its behavior. Unpacking and packing process of these files are similar to dat-files, with two differences:
The program automatically generates a suggested target folder matching the name of anm-file. Files inside the anm archive are organized in folder structure which is reproduced in the target folder during the unpacking process. Changing folders' names or structure will make the anm-file unusable.
Archive creation process uses not a simple file list, but a special txt file called "description". It is created upon unpacking, but can also be generated using «Get description» button. The suggested name for the description file is generated automatically.
thanm also provides a method to replace a single picture within the archive without repacking. Specify a picture to replace in the «Entry» field (use the «...» button; you will need to generate a desription file first), then specify a replacement file in the «File» field and press «Replace file in archive».
THMSG
msg-files contain dialogues. Those files may be named *.msg (for newer games) or msg*.dat (for older ones). Each of them unpacks into a single txt file (encoded in Shift JIS for Japanese version and ASCII for English). «Extract archive to file» unpacks the specified «Archive» into the specified «File», and «Create archive from file» performs the opposite. The program automatically generates a suggested target file name matching the name of msg-file.
THECL
ecl-files contain
scripts which describe the enemy movements, attacks, etc.
Their structure and handling is analogous to msg-files. The thtk page on
GoogleCode has an incomplete description
of the script language used in these files.
Known issues These bugs are caused by thtk itself, not GUI:
There is a problem with english version of PoFV.
Upon unpacking the console shows some errors and some
of the files are not unpacked properly. The archive created
from these files is unusable. This issue does not affect
japanese version.
. There is a known bug that affects creation of ecl-files.
It causes the application to throw a syntax error and irreversably corrupts the
target ecl-file. The bug is caused by the application improperly handling
escaped double quotes (symbols \") which are used in spellcards' names. To fix this
error you will need to replace all instances of \" in the source file
to any other symbol or combination of symbols (except for ")


LIKE WATER FOR CHOCOLATE A film review by Mark R. Leeper Copyright 1993 Mark R. Leeper
Capsule review: A whimsical shaggy-dog tale of a love story. It is not much like anything you have seen before. Light fantasy mixes into a forty-year story of denied love, vengeance, and even a ghost or two. We rarely see Mexican films in the art market, but this one is worth seeing. Rating: +2 (-4 to +4).
Relatively often we see Canadian films in the United States. With the length of the border we share with our neighbor to the south, it is surprising that so few Mexican films ever get seen in this country. With the exception of some low-budget horror and science fiction films, few Mexican movies ever make it north of the border. Many that do come north are popular only to make fun of. Films like THE WRESTLING WOMEN VS. THE AZTEC MUMMY or SHRIEK OF THE MUTILATED can hardly represent the best that Mexico has to offer. A reminder of that fact is LIKE WATER FOR CHOCOLATE, a pleasant shaggy-dog romance story told in the genre of magical realism. In magical realism, bizarre fantasy mixes with the everyday and is taken very matter-of-factly.
The story takes place in northern Mexico and southern Texas and centers on Tita (played by Lumi Cavazos), her mother (played by Regina Torne' John), and her two older sisters. Tita grew up in the kitchen as a master cook. The time comes when Tita falls in love with Pedro. But Tita's mother forbids Tita to marry then or ever. Family tradition is that the youngest daughter cares for the mother until the mother's death. This arrangement precludes any personal life for the daughter and reduces the daughter to involuntary servitude. At the insistence of the willful mother, Pedro cannot have Tita, so he settles for Tita's older sister Rosaura. But the marriage is at first only a ruse. Pedro is really using the marriage as an excuse to remain close to Tita. Tita is forced to prepare the wedding feast for Pedro and Rosaura. But the supernatural shows its hand in Tita's cooking. Tita expresses herself in her exquisite cooking only too well. Eat what Tita has prepared and you will feel what Tita was feeling when she made the dish. The misery she feels while making the wedding feast is inexplicably spread to all the guests. But its when Tita cooks a REALLY happy meal that things start to happen. Told against the background of a Mexico in revolution in the first third of this century, this is a story of anger and vengeance, yet it never loses its whimsical feel.
At 144 minutes, LIKE WATER FOR CHOCOLATE may be a bit long to sustain interest through its entire length. Still, the style is refreshingly different from anything the American film industry is turning out. It is directed by sometime-actor Alfonso Arau with a screenplay by Laura Esquival based on her own novel, which combines magical realism and recipes for the dishes around which her story is built. The title, incidentally, refers to an anger as hot as the boiling water used for hot chocolate. I can recommend this one and give it a +2 on the -4 to +4 scale.
Mark R. Leeper att!mtgzfs3!leeper<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


json
xml
Send request!
Login
IsLogged
|
Logout
Get Users
Create User
Delete User
|
Get UserRoles
Create UserRole
Add User to Role
Remove User from Role
|
Lookup
Import
|
Properties
AccessTypes
Drives
CreateDrive
|
Folders
Create folder
Move folder
Copy folder
Move file
Copy file
|
GetPermissions
AddPermissions
RemovePermissions


| Hackers (1995) | |
| 2000AD (2000) aka "Hackers" |
|
| Hackers (2001) (TV Episode)
-Frontline (1983) (TV Series) |
|
| Hacker's Game (2015) aka "The Hackers" |
| Amy Acker (Actress, Angel (1999)) | |
| Drew Van Acker (Actor, Pretty Little Liars (2010)) | |
| Buddy Hackett (Actor, The Little Mermaid (1989)) | |
| Emily Wickersham (Actress, I Am Number Four (2011)) |
hacker (180 titles)


Sandman will remind you to take a rest and that you can always come back to the work tomorrow.
Inspired by http://sleepyti.me a website that calculates optimal times to fall asleep based on when you want to wake up.
It will notify you throughout the night when the optimal times to shutdown your computer and start to head to sleep and provide a button to do just that.
This application works well with https://justgetflux.com/


Step 1: Launch an instance on Jetstream. For this exercise, we will use a m1.xlarge instance.
Update, upgrade, install…
sudo apt-get -y install build-essential python
Install Conda, then the following software..
canu quast spades
Download PacBio Data. This is 25x coverage of an E. coli genome.
cd
curl -L -o pacbio.fastq http://gembox.cbcb.umd.edu/mhap/raw/ecoli_p6_25x.filtered.fastq
curl -LO ftp://ftp.ncbi.nlm.nih.gov/genomes/all/GCF/000/005/845/GCF_000005845.2_ASM584v2/GCF_000005845.2_ASM584v2_genomic.fna.gz
Assemble with canu (http://canu.readthedocs.io/en/latest/index.html). Canu is the leading long-read genome assembler as of 2017.
canu \
-p ecoli -d ecoli-pacbio \
genomeSize=4.8m \
-pacbio-raw pacbio.fastq
compare the genomes, using quast
quast ecoli-pacbio/ecoli.contigs.fasta \
-R GCF_000005845.2_ASM584v2_genomic.fna.gz \
-o quast_output --threads 24 --gene-finding
Download an Illumina dataset for E. coli, along with a reference genome
cd
curl -LO https://s3.amazonaws.com/gen711/ecoli_data.tar.gz
tar -zxf ecoli_data.tar.gz
curl -LO ftp://ftp.ncbi.nlm.nih.gov/genomes/all/GCF/000/005/845/GCF_000005845.2_ASM584v2/GCF_000005845.2_ASM584v2_genomic.fna.gz
Assemble with SPAdes (http://cab.spbu.ru/software/spades/), using a kmer length of 95. This is the genome assembler you will use, if you assemble Illumina data.
spades.py -t 24 -m 55 --mp1-rf -k 95 \
--pe1-1 ecoli_pe.1.fq \
--pe1-2 ecoli_pe.2.fq \
--mp1-1 nextera.1.fq \
--mp1-2 nextera.2.fq \
-o Ecoli_all_data
compare the genomes, using quast
quast Ecoli_all_data/scaffolds.fasta \
-R GCF_000005845.2_ASM584v2_genomic.fna.gz \
-o quast_output --threads 24 --gene-finding
look at report, found at
quast_output/report.txt
. How many pieces (contigs) is the genome in? How many should it be, ideally? How many pieces did the other strategy have as a result?
Download the full report, with pretty graphics, optional.
scp -ri jetkey username@xxx.xxx.xxx.x:quast_output ~/Downloads
Optional: Polish PacBio assembly using Quiver (https://github.com/PacificBiosciences/GenomicConsensus). This will take more time that we have in lab, but might be a good learning experience.


Before the Step features can be used, at least one Step environment has to be defined by a user with admin permissions. The environments can be added in the Context Settings found under "Admin >> Context Settings".
The widget takes one or more plans as an input, fetches and displays the last execution status for all selected plans.
It also provides threshold settings that will color the tile based on the duration value.
If no threshold is provided, the colors are determined by the execution result.
This widget can have a tasks that creates alerts if a certain threshold is reached.
The widget takes one or more projects as an input, fetches and displays the last execution status for all plan of the selected projects.
It also provides threshold settings that will color the tile based on the duration value.
If no threshold is provided, the colors are determined by the execution result.
This widget can have a tasks that creates alerts if a certain threshold is reached.
The widget takes one or more users as an input, fetches and displays the last execution status for all plans the selected used has access to.
It also provides threshold settings that will color the tile based on the duration value.
If no threshold is provided, the colors are determined by the execution result.
This widget can have a tasks that creates alerts if a certain threshold is reached.
The widget takes the username of the currently logged in EMP user, fetches and displays the last execution status for all plans the STEP user with the same username has access to.
It also provides threshold settings that will color the tile based on the duration value.
If no threshold is provided, the colors are determined by the execution result.
This widget fetches and displays the last execution status for all plans in the selected Step instance.
It also provides threshold settings that will color the tile based on the duration value.
If no threshold is provided, the colors are determined by the execution result.
The widget takes one or more plans as an input, fetches and displays the last N executions for every selected plans before the selected end date.
It also provides threshold settings that will color the tile based on the duration value.
If no threshold is provided, the colors are determined by the execution result.
The widget takes one or more plans as an input, fetches and displays the executions for every selected plans during the selected time range.
It also provides threshold settings that will color the tile based on the duration value.
If no threshold is provided, the colors are determined by the execution result.


Calculate a multivariate functional principal component analysis for data observed on different dimensional domains. The estimation algorithm relies on univariate basis expansions for each element of the multivariate functional data (Happ & Greven, 2018) <doi:10.1080/01621459.2016.1273115>. Multivariate and univariate functional data objects are represented by S4 classes for this type of data implemented in the package 'funData'. For more details on the general concepts of both packages and a case study, see Happ (2018) <arXiv:1707.02129>.
| Version: | 1.3-1 |
| Depends: | R (≥ 3.2.0), funData (≥ 1.2) |
| Imports: | abind, foreach, irlba, Matrix, methods, mgcv, plyr, stats |
| Suggests: | covr, fda, testthat (≥ 2.0.0) |
| Published: | 2018-10-04 |
| Author: | Clara Happ [aut, cre] |
| Maintainer: | Clara Happ <clara.happ at stat.uni-muenchen.de> |
| License: | GPL-2 |
| URL: | https://github.com/ClaraHapp/MFPCA |
| NeedsCompilation: | yes |
| SystemRequirements: | libfftw3 (>= 3.3.4) |
| Citation: | MFPCA citation info |
| Materials: | README NEWS |
| CRAN checks: | MFPCA results |
| Reference manual: | MFPCA.pdf |
| Package source: | MFPCA_1.3-1.tar.gz |
| Windows binaries: | r-devel: MFPCA_1.3-1.zip, r-release: MFPCA_1.3-1.zip, r-oldrel: MFPCA_1.3-1.zip |
| OS X binaries: | r-release: MFPCA_1.3-1.tgz, r-oldrel: MFPCA_1.3-1.tgz |
| Old sources: | MFPCA archive |
Please use the canonical form https://CRAN.R-project.org/package=MFPCA to link to this page.


Hello, im Mahmoud Al-Dinah I've graduated from Al-Zaytoonah University of Jordan faculty of Information Technology I've a Bachelor's degree in Computer information system, with 2years expernice in Customer Support (helpdesk)
Hello, im Mahmoud Al-Dinah I've graduated from Al-Zaytoonah University of Jordan faculty of Information Technology I've a Bachelor's degree in Computer information system, with 2years expernice in Customer Support (helpdesk)


Preperation: Put 6 Percocets tablets and 1 Dimenhydrinate 50mg (to help with nausea) in a cup of warm water, let them dissolve fully then stirred the mixture
Note: administering Dimenhydrinate rectally burns a little but that feeling does go away after about 10 minutes.
The reason I did not take them orally is because I just had jaw surgery and I cannot swallow pills. I find administering rectally lasts much more longer then orally and seems to make the onset of the oxycodone to hit much faster.
T- 0:00 - Filled the syringe with the solution and administered rectally.
T+ 0:10 - Starting to feel effects.
T+ 0:20 - Feelings of a warm rush coming from my head then moving down through my body. Feeling very very relaxed now.
T+ 0:30 - Europhic effects coming on strong, also feeling side effects of itching mostly my face and scalp are itchie.
T+ 0:40 - I would usally be feeling very sick to my stomach about now, but it seems that the anti-nauseant is working very well.
T+ 0:50 - I am experiencing mild visual and audio hallucinations, I was just outside and I kept seeing things in the cornor of my eye and kept hearing my mom call my name and other noises that were not real.
T+ 1:00 - The itchy sensations are actually feeling good when I scratch were it is itchy it feels very satisfying.
T+ 1:10 - I feel so tired now, everytime I get up and walk around it feels like my body is a puddle of bliss it is kind of hard to explain, when I lay on my couch and close my eyes it actually feels like I am a puddle rippling and such. I love this feeling.
T+ 1:20 - I can actually consume food while I'm on perk's! I never can do that. Must be the anti nauseant. I just drank a bottle of sobe lizard lava strawberry flavour it was very good, looking in the mirror my pupils are very tiny.
T+ 1:30 - It seems that the europhic effects are fading away, It seems to fade then come back for a bit then fade etc.
T+ 1:45 - Sitting on my couch watching tv I keep nodding off, then waking back up whenever I start to nod, its like I am half way asleep stuck between awake and sleep mode its really cool the way it feels.
T+ 2:00 - went to sleep
Conclusion:
This is by far my favourite drug of all time, If I had a constant sorce of getting perks I would be doseing as much as I could. Next time I dose I am going to go camping in the woods with my girlfriend. Percocets make me very horny and loving, I'm sure it would be an awesome experince to spend with someone who I love that much. I am also going to have to limit myself with this drug because as I said I could easily dose everyday and it would suck because my tolerance would sky rocket and I'd run out of pills very fast.
Have fun dosing
|/=Lava/Lizard=|
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


referance
lectures
sec 0.1
sec 0.2
sec 0.3
rev 1
sec 1
sec 2
sec3
med term rev
lec 4
answer sheet
answer sheet 2


{% extends 'base.html' %} {% block main %} {% load i18n %} {% load tweet_display %}
{{tweet.date}}{{ tweet.text|tweet_display }}
In this study, we aim to create a model of how tweets about self-reported COVID19 symptoms can help predict upcoming pandemic waves, and more generally the rise and fall of the disease. To that end, we crawled public tweets from the Paris region filtered by symptoms keywords, and plotted them in time (see the graph below).
{% endblocktrans %}{% blocktrans %} However, this filtering is very crude, e.g people don't only tweet about symptoms when they are currently falling sick, but also about that one time a year ago when they fell sick, or when talking about the general news. {% endblocktrans %}
{% blocktrans %} To filter out such false-positives we need your help! Which of these tweets are describing an acute symptom and which ones don't? Your contribution will make a direct impact! {% endblocktrans %}
{% blocktrans %} If you want to learn more about the people behind this project you can visit our About page. {% endblocktrans %}
| Tweet | {% trans "Annotation" %} | {% trans "date" %} |
|---|---|---|
| {{ta.tweet.text|tweet_display}} | {{ta.symptom}} | {{ta.created}} |
{% blocktrans %}
{% blocktrans %} You can download all {{annotation_count}} annotations (including a UUID referring to each annotator session) to create your own filtering or machine learning algorithm. {% endblocktrans %} {% blocktrans %} Please visit our GitHub repository if you want to contribute! {% endblocktrans %}
{% trans "Download Tweets" %} {% trans "Download Annotation" %}
Below we visualise the number of tweets containing COVID19 symptoms using 7 days averaging windows, both using our simple filtering system (orange), or the improved filtering using crowd-sourced annotation (blue). {%endblocktrans%}
{%blocktrans%} We show as a reference the number of passages to emergencies (see Analysis for more information). {%endblocktrans%}


Ilya Kreymer & Dragan Espenschied
Thank you!
and possible Solutions!
Live leaks not possible
No Rewriting needed!
Use era-appropriate browsers
Pre-configured environments
oldweb.today makes the variability of the web tangible.
The web has, since the advent of client-side scripting in 1995, been a software delivery system rather than a document delivery system.
Absence of technically technically complex artifacts in classic web archives
As web archiving techniques improve (for instance with Webrecorder), the preservation of software environments that the web can be performed within becomes essential.
oldweb.today features “typical web browsing environments.”
Curation of environments enables access.
How I surfed the web 1990s-style
Travel Log
Travel Back In Time To The Ancient Internet
Perception of Time
The Matrix
This Site Lets You Browse the Web Like a Real Human Person From the 90s
Users, not Software!
Surfing old websites using Netscape Navigator, like an Internet hipster
Activity vs Atrifact
Take a trip down the AOL and dial-up era.

Ilya Kreymer
Dragan Espenschied
<EMAIL_ADDRESS>Join our Webrecorder Workshop on Friday, 9:00!
Track 2 — Hekla


FEAR AND LOATHING IN LAS VEGAS (1998) A Film Review by Ted Prigge Copyright 1998 Ted Prigge
Director: Terry Gilliam Writers: Terry Gilliam, Tony Grisoni, Tod Davies, and Alex Cox (based on the novel by Hunter S. Thompson) Starring: Johnny Depp, Benicio Del Toro, Christina Ricci, Gary Busey, Tobey Maguire, Ellen Barkin, Cameron Diaz, Flea, Mark Harmon, Katherine Helmond, Flea, Michael Jeter, Lyle Lovett, Harry Dean Stanton, James Woods
One could probably read Hunter S. Thompson's novel "Fear and Loathing Las Vegas" while watching Terry Gilliam's film "Fear and Loathing Las Vegas" and find that everything is nicely in synch with one another. Fans of filmed novels, especially cult classics like this one, almost get off on pointing out every single little difference, no matter what the size is, will actually find that the film version of this novel ranks as one of the most faithful film adaptations, up there with, say, Orson Welles version of Kafka's "The Trial."
Of course, film and books are different kinds of mediums: books let our imaginations bring the story alive, directed by almost painstaking detail, comparitively; films give our imaginations a break, and lure us into a sensual lull, although some often stimulate the brain with themes and concepts, like books do. Thus, a film that is totally faithful to a novel does not always mean a great thing. The film needs to be successful in terms of film, and being faithful to the novel doesn't need to come first. Last year's "The Shining" mini-series, starring Steven Weber and Rebecca DeMournay, taught us that.
However, Terry Gilliam, ex-Monty Python-er and cult director ("Brazil," "12 Monkeys," etc.), is one of the best contemporary directors in terms of making a film an experience to savor, and he and the other screenwriters (Tony Grisoni, Tod Davies, and Alex Cox, the latter who was supposed to direct this flick but was canned from the job), make "Fear and Loathing in Las Vegas" The Film not only satisfying in terms of an adaptation, but also does a great job in capturing the tone and detached wry wit of the film. He gives the film a distinct visual flair, putting us in what Gilliam envisions as the mind of Thompson, and even allows the narration to continually quote from the book's hilarious verses, making this one of the most faithful film adaptations not only in terms of substance, but also style.
However, this total faithfulness does raise a couple problems, like the way that the film relies so much on Thompson's narration that it runs into some problems with telling the story. Or the way that it tells of a time that is probably unfamiliar to many of the people this flick targets (other than fans of the novel, this film is aimed towards Generation Xers, and anyone younger), which is the early 70s when drugs began to loose the steam they had, yet people like Thompson were still doing it, seperating themselves from the society. The film doesn't do the best job of establishing the way it felt in general, other than showing some news clips of Nixon and Vietnam.  The novel is a piece of journalism, reporting not only the way it was, but the way he felt to be apart of it all. It was blunt, it was concise, and a film is not really the best way of making itself a piece of journalism, like the book was.
But before I go on, let me explain the plot a bit. "Fear and Loathing in Las Vegas" was the true account (or what he could remember) of his trip to Vegas (duh) with his one lawyer friend to cover a desert racing event and later a Drug Enforcement Seminar. Prior to going, his friend "advises" him to buy a red convertible, jazz up his wardrobe with lots of hawaiian tee-shirts, and buy as much drugs and alchohol as possible. With all the drugs in a briefcase, they take off for the strip, downing as many drugs as possible, ironically in the same place where marijuana possession means about 10 years, and selling means life.
Johnny Depp plays the Thompson character, who goes by his pseudonym Raoul Duke, and wears a white cap, sunglasses, with his head balding rapidly, and with a cigarrette perpetually dangling from the corner of his mouth, all while talking in a really fast, deep voice in what is his reality and also on the narration (he really does look and sound like a young Thompson); and Benicio Del Toro plays the lawyer friend, sadly named Dr. Gonzo (after the term "gonzo journalism," which Thompson created from this book), burying his usual cool looks under about 40 or so more pounds than usual, as well as long, puffy hair, nicely creating the "300-pound somoan" that Thompson describes his prose.
Together, they proceed to wreak havoc on the denizens and locales of Vegas, primarily the two hotel rooms they stay in during the course of the film. They run into various people, who show up briefly, then disappear, some who occasionally re-appear for a couple brief seconds, giving them a sense of alienation in the world. Alas, this means lots of cameos, with some great stand-outs from: Christina Ricci, as a Jesus freak who, um, paints Barbara Streisand portraits, or at least attempts to; Tobey Maguire, as an unfortunate hitch-hiker; Cameron Diaz, as a kinda flirtatious chick on an elevator; Ellen Barkin, as a saddened diner waitress; Michael Jeter, as an out-of-touch speaker at the DEA conference; and Gary Busey, as a police officer who specializes in desert control. Some credits have listed James Woods in the cast as well, but I couldn't find him. If you do, please tell me.
This is exactly how the book felt - a supporting character would enter the story for a couple pages, then leave a bit, and it successfully distanced the leads from everyone else in the world. The film does this nicely as well. The film is also very effective in giving everything the right atmosphere, staging some of the best sequences from the book wonderfully, and even following up on some of Thompson's weirder acid flashes (the casino becomes alive with lizards, literally, in one scene). Gilliam also sometimes pulls back from the leads' perspectives, showing how moronic they look to everyone else, and how distanced from society they really are.
The narration works nicely, often following from the novel literally, and this gives the viewer the reason to like our characters, as what they do in the visual context of the film would probably not gain the affection of any audience who hasn't read the book. The film seems like it's talking to us, commenting on what's going on from Thompson's perspective from later on, as he is often reflecting on the experiences he had, but seems like he still hasn't given up on them. One of the messages of the film is to be yourself, and not worry about what society thinks when they see you acting weird.
The reason the novel was so important was because it came at a time when the psychedelia of the 60s, so popular at its time, was quickly dying, and the year it was written (1971) was a major turning point in terms of mind expansion. By this time, Thompson was considered an "aging hippy," and his rapid drug use, considered so acceptible at its peak in the late 60s, as well as his views on politics and the condition of the world at the time as one of the main reasons he used drugs so profusely, were becoming passe. The novel was a portrait not only of himself, but of the people who looked on his behavior as deviant. The film doesn't really capture all of this, but the sense of alienation that the characters suffer through, and the way that their behavior was becoming more destructive than before makes this film successful.
Of course, the film is far from perfect. The plotlessness, which worked so nicely in the book, doesn't work as well for the film as it did for the movie, particularly because this film is 126 minutes long, making some of the longer moments which go nowhere plotwise seem too much (the diner scene, such a great part of the book, seems like a distraction in the film). And there are some more problems with the redundancy, which didn't seem as apparent in the book, but seems kind of annoying here (the film sometimes follows a trend of: do drugs, embarass one's self in public, retreat to room, do more drugs, trash it...maybe include someone else from time to time to shock).
Nevertheless, Gilliam does manage to keep a tight control over the film, making the film like a really freaky trip of sorts. We're along with the two protatonists whether we like it or not, and thanks to some great narration, we're almost glad to be there most of the time, when they're not getting close to ODing and not resembling human beings at all. Kinda like the book in a way...kinda not...
MY RATING (out of 4): ***1/2
Homepage at: http://www.geocities.com/Hollywood/Hills/8335/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


About Us Page
Main Nav
Hero Photo Section
About Us
London Referees Group
LRG is a referee association that was established on 15July 2007 at London, Ontario.
We are an With over 225 members association where individual can grow professionally as well as personally. People from all skills level are welcomed at our association.
Vision:
To promote the game of hockey through fair and safe play, and a respect for all individuals involved in the game.
Mission:
LRG is committed to providing a high standard and quality hockeyofficiating in the City of London and surrounding area.
Values:
LRG's core values are integrity, leadership, perseverance, respect and teamwork.
Meet Our Executive Members
{{executive.execs_name}}
{{executive.execs_position}}


QUEST FOR CAMELOT
Warner Bros. Studio's animation films go back to 1958 when it won an Oscar for KNIGHTY KNIGHT BUGS. The current offering is its first full length animation, one that kids should like very much.
Based on the Camelot legends and the sword of Excalibur, it makes a departure from the story by having a girl as the protagonist This was the time of King Arthur and his Knights of the Round Table when Knighthood was in flower, as the saying goes. Sir Lionel (voice of Gabriel Byrne) had a daughter Kayley (voice of Jessalyn Gilsig; singing by Andrea Corr) who wished to emulate her father and to also become a knight. When Ruber (Gary Oldman) and his equally vicious aid Griffin (Bronson Pinchot) steal King Arthur's sword Excalibur, it is Kayley who sets out on the dangerous mission of recapturing the sword and saving Camelot.
Her adventure leads her through lush, beautiful forests inhabited with strange animals that lend themselves to talented animators. There she meets a young, blind man, Garrett (Cary Elwes , singing by Bryan White) who joins forces with her. Along with them is a comical two-headed dragon (Eric Idle and Don Rickles). They also meet up with old Merlin, the magician, (Sir John Gielgud). As well, they rescue Kayley's mother, Lady Juliana (Jane Seymour).
While the movie is sure to please the young, it does lack a bit of excitement. The drawings are well done; the story is excellent. And the cast behind the animation is perfect. Still, it could have used some spark to light the fire to all of it. Unfortunately, it did not quite do that.
The story is based on THE KING'S DAMOSEL by Vera Chapman. Original songs composed by David Foster and Carole Bayer Sager. Musical score by Patrick Doyle.
Directed by Frederik Du Chau.
2.5 Bytes
4 Bytes = Superb 3 Bytes = Too good to miss 2 Bytes = Average 1 Byte = Save your money
Copyright 1998 Ben Hoffman
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


SHE'S ALL THAT
For me, the problem with a movie like She's All That is not that it's about high school kids and revolves around events like The Prom, which in real life most people I've come across never really cared much about. It's not even that the plot involves a Most Popular Guy In School who makes a bet that he can turn the Misfit Girl With Glasses into a prom queen, but then she takes off her glasses and turns out to be beautiful and then he falls in love with her for real and then he doesn't know what to do about the bet and can he really be honest with her and oh what a horrible dilemma. My problem with this and many other teen movies is that as far as I can tell it is written by someone who never went to high school and also has had very little experience in everyday situations with humans.
I can accept that not all high school experiences are going to be like mine, and maybe there are schools out there where everyone knows who's rich and who's not and what occupation everyone else's parents have. And maybe at some schools the class president really is the prize catch and the most popular guy in school, instead of some guy who wears a tie and quotes Saturday Night Live skits all the time and spends most of his time consorting with the faculty about student government type stuff that will never have any effect on anyone or anything, ever. There may even be a high school somewhere that has a radio station broadcast over its intercom system with a student (in this case, Usher) who never has to go to class because he is always spinning records and doing gossipy shout-outs ala The Love Daddy in Do the Right Thing.
But I can't accept scenes like the one where Class President finds two bullies (one of whom appears to be at least 32 years old) putting pubic hair on another kid's pizza.   I don't think this was supposed to be a Jedi mind trick, or an exaggeration of the Mighty Power of the Student Government. Perhaps it was an attempt at a Farrellian over-the-top grossout scene. Whatever it's supposed to be, it does not follow any laws of reality, heightened reality or satire that I'm aware. It just makes no god damned sense.  I also can't accept what happens when the life long best friend of the All That Girl of the title finds out that All That Girl's date is secretly using her for sex. He runs right past his endangered best friend and instead tries to warn the class president, who he doesn't even know. There are many scenes like this - one involving All That Girl abandoning a customer at her wacky theme restaurant of employment and having a long talk with the Class President character who she hasn't even established a relationship with yet - and for me anyway they are painful to watch.  Watching these unbelievable characters avoid the obvious behaviors of reasonable human beings is like one of those dreams where you keep trying to find a place but every time you turn a corner or open a door you are further away than before. A problem that occasionally pervades the movie that is more common for its genre (especially the TV show Dawson's Creek) is a preposterous amount of self awareness that, again, doesn't match up with the way we know human beings really act and think. I don't know if I can ever take another scene like the one in She's All That where the Most Popular Girl In School (who no one likes) arrogantly boasts that she will be elected Prom Queen because (what the fuck!?) her mom and cousin were Prom Queens. Not only do I not believe that people really think of themselves as the most powerful and popular girl in school, but I also don't believe that there is any high school anywhere where the other students are aware of and/or care in any way that so and so's mother was a Prom Queen in 1971.  I want an apology and an explanation. Now.
This movie also has unusually bad characterization for its genre.  But the All That Girl is introduced as someone who constantly interrupts others to spout cliches about pollution and third world countries, and who spends her free time doing Movie Style Performance Art with two dwarves and a guy in his underwear. The performance art scene is particularly painful. It's done in that same style you've seen a million times where you know it's not at all like real performance art (I mentioned the dwarves, right?). But it goes on for a good minute or two, and it's not funny, and then when All That Girl turns out to be a part of the troupe, it's hard to tell whether it was a really unfunny parody of bad performance art or a really bad imitation of good performance art. Class President, for his part, calls it "really, really good," and he seems sincere. But watching the scene feels like watching a really bad open mic night and trying not to be rude, and then it feels like sort of a betrayal when you realize that the scene was not supposed to be interminable.
Sarah Michelle Gellar does a brief, uncredited sit-on, apparently continuing her struggle to not let her work on Buffy the Vampire Slayer typecast her as someone who only appears in really good stuff. Also slumming is Anna Paquin, who I didn't even recognize as the little sister/makeover artist. In retrospect I'm very impressed by her American accent, but she sure had more to work with in that surprisingly good goose movie.
  Movies like Pump Up the Volume may have been closer to my world view than these prom-queen-centric movies, but they were just as insane in their depiction of reality. (Every social clique in the group rallies behind the eccentric pirate radio misfit to overcome the pure unadulterated evil of the grownups. Yeah, I wish.) At least these kids have Clueless, and there haven't been any Licensed To Drive type movies lately. More importantly, it would be a bad idea to wish today's filmmakers would try to learn from the teen movies that I most cherish, because that may be what leads to upcoming films like Carrie 2: The Sequel That Proves There Is No God and Jawbreaker (whose writer-director has clearly seen Heathers as many times as I have).
--Bryan Frankenseuss Theiss
"I write rhymes so fresh I try to bite my own verses." --Tash
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


At the beginning of the project I focused on how to give replayability to the game, how to make each run feel different so that the player had a reason to return to the game.
This is where the concept of the relics of our game arose, objects that will randomly give the player a different advantage each time they play.
After several iterations and the development of the project, the relics grant an elemental advantage (fire, ice, earth ...) that inflicts a type of disadvantage (slow, stun, burn ...) to the enemies.
In the project, one of the main jobs I've been doing is designing the enemies of the game. Enemies that given the short period of time that we have must be able to be used from the tutorial level to the final level, varying the difficulty of the encounter to the multiple combinations of these enemies, thus with a lesser variety of enemies we achieve a progression for the player.
One of the simplest enemies in the game with the basic mechanic of chasing the player and attacking melee.
The second soldier will simply attack from a distance with arrows and will try to flee if you get close to him.
Acting as mini-boss in our game, this enemy has the advantage of not being interrupted when hit and with the ability to be invulnerable from the front if he blocks with the shield.
Enemy that starts the battle by jumping on the player and in case he tries to escape from it he will chase them trying to jump on them again.
This enemy similar to the basic ghoul starts the combat with the same jump mechanics but unlike the previous one, randomly, when the player is going to hit it, it will jump backwards to evade this attack.
Identical mechanics to the ghoul basic but with the small difference of the size of the enemy, being very small loses the ability to interrupt the player when he makes an attack.
Static enemy whose main mechanic is to get in and out of the ground while firing projectiles at players. This enemy will hide when the player approaches to attack and will leave when the player moves away.
Once the enemies were defined, we faced the problem of giving them a little more intelligence so that the player could not destroy them once he started hitting. To solve this problem, we defined a battle circle that limits the number of enemies that can hit the player and the enemy position, giving the player the possibility to reposition and face combat again.
By implementing the battle circle together with various iterations of positioning and balancing the enemies, using the feedback collected in the playtesting sessions, we have obtained the current result of the game in which the player can enjoy defeating all the enemies of the game.
Facing the challenge of the bosses I found the possibility that the boss I was designing could become not only the boss of a level but the final boss of the game therefore he had to test both the skills introduced in the level as a level of mastery commensurate with what a final level of the game would require.
Taking this into account the design of the first boss, the Leshen, was raised as a boss that would test the player especially at the endurance level creating a longer combat compared to all those who faced previously in the game, in the same way he will ensure that they have mastered the basic mechanics of the game such as attack and dodge.
The Leshen is a single phase boss that has 3 abilities, a project in the form of a flock of crows, a rooted one that chases the player and catches him, and an invulnerable form in which if he comes into contact with the players he damages them.
When designing Ciri, the possibility that this could be the final boss of the game was very high, therefore, the design of this boss was raised to give a great spectacularity to the combat at the same time that the boss with his continuous attacks gives a lot of tension to the players.
Ciri is a boss with multiple phases, 3 in particular, in which ciri clones by means of quick dashes approach the player and deliver a quick combo of attacks simulating 2 of the most characteristic abilities of the protagonists, Geralt and Yennefer, and a little area attack representing the classic Ciri scream. As the stages progress, the stage begins to rise and fall as the original Ciri levitating on stage throws rocks at both players and clones.
At the beginning of development when Geralt had a fairly stable set of combos and abilities, I was in charge of changing the concept of the abilities that had been thought for Yennefer, giving them an elemental theme similar to that of relics and a usability and characteristics more similar to those of which are the symbols of Geralt.
In the last weeks of development, we encountered the serious problem that the combat had not yet been sufficiently satisfactory as we wanted and to solve this problem, I did a small investigation that led to the conclusion of reducing the number of attacks that the combos contained from 5 to 3.
In those weeks, my work apart from these tasks was dedicated to balancing all the enemies, the two bosses and the combos and magics of the two main characters.
Upon reaching the last sprints of the project and performing multiple playtests, we concluded that Yennefer's set of combos was not satisfactory for the player, taking him to the extreme of wanting to leave the game, therefore, I was in charge of performing a complete rework of the character's combos.
In doing this rework I focused on achieving the feeling of control over the enemy that was raised when establishing the Yennefer bases without neglecting its main characteristic that is to be a medium-short range mage.
As an extra objective, all the Yennefer combos were raised with the possibility of when moving the enemy, maintain a continuity between combos, being able to link from one to the other without problems.
The Shaelmar was an enemy designed to be the level 1 mini-boss of the game that was discarded due to time constraints.
This enemy was based on performing a forward charge to press the player to dash and in this way train the player to dodge in this way preparing him to face Leshen.
This character was designed with the basic idea that he could be used as a boss of a third level or as a mini-boss of the last level of the game but was discarded due to time constraints.
The design of Fringilla was a small challenge since if it was used as a boss of the second level it had to present a greater challenge than the Leshen, but in case it was used as miniboss of the Ciri level this implied that it had to present a much lesser challenge.
With this in mind, a boss was raised who focused on using projectiles of the different elements that we found in the game and some small areas that kept players moving much of the combat. In this way, with the multiple elemental debuffs, a more complex boss than the Leshen is conceived but a simpler mechanic was maintained at the level of avoiding attacks and getting position to attack.


Documentation - Theme Ymir
This is an introduction to Theme Ymir, created by Di Zhen in May, 2021. Ymir(尤弥尔) is the ancestor of all jötnar from Norse Mythology.
"Of Ymir's flesh was earth created, of his blood the sea, of his bones the hills, of his hair trees and plants, of his skull the heaven;
and of his brows the gentle powers formed Midgard for the sons of men; but of his brain the heavy clouds are all created"
-- Grímnismál
h2 heading
h3 heading
This is a paragraph. You may want to include a hyperlink in the paragraph.
This may be another paragraph.
h4 heading
h5 heading
h6 heading
Code
Hidden code
Bash code can be included and hidden as follows.
mkdir /home/dizhen/workplace/
cd /home/dizhen/workplace/
wget https://ftp-trace.ncbi.nlm.nih.gov/sra/sdk/2.10.9/sratoolkit.2.10.9-ubuntu64.tar.gz
tar -vxzf sratoolkit.2.10.9-ubuntu64.tar.gz
export PATH=$PATH:/home/dizhen/sratoolkit.2.10.9-ubuntu64/bin
which fastq-dump
R code can be included and hidden as follows.
library(readr)
library(dplyr)
chart <- read_tsv('chart_diff.txt')
generateFigure <- function(chart, num, term = 'GOTERM_BP_DIRECT'){
p <- selectPvalue(chart)
frame <- as.data.frame(chart %>%
filter(Category == term) %>%
filter(c('Term', '%', 'PValue')) %>%
rename(Ratio='%') %>%
mutate(Term = as.factor(gsub('^.*?~', '',Term)),
Ratio = Ratio / 100))[1:30,] # make sure no less than 30 terms in total
fig2 <- frame %>%
ggplot(aes(x=reorder(Term, -PValue),y=-log(PValue),fill = Ratio)) +
geom_bar(stat='identity') +
coord_flip() +
xlab('Gene Ontology: Biological Process')
return(fig2)
}
Figures
Figure with a hyperlink
Figure with a title.
Lists
Unordered lists
- Lorem ipsum dolor sit amet
- Consectetur adipiscing elit
- Integer molestie lorem at massa
- Facilisis in pretium nisl aliquet
- Nulla volutpat aliquam velit
- Phasellus iaculis neque
- Purus sodales ultricies
- Vestibulum laoreet porttitor sem
- Ac tristique libero volutpat at
- Faucibus porta lacus fringilla vel
- Aenean sit amet erat nunc
- Eget porttitor lorem
Ordered Lists
- Lorem ipsum dolor sit amet
- Consectetur adipiscing elit
- Integer molestie lorem at massa
- Facilisis in pretium nisl aliquet
- Nulla volutpat aliquam velit
- Faucibus porta lacus fringilla vel
- Aenean sit amet erat nunc
- Eget porttitor lorem
Table
Here is a table.
| Option | Description | Description | |
|---|---|---|---|
| data | path to data files to supply the data that will be passed into templates. | path to data files to supply the data that will be passed into templates. | |
| engine | engine to be used for processing templates. Handlebars is the default. | engine to be used for processing templates. Handlebars is the default. | |
| ext | extension to be used for dest files. | extension to be used for dest files. |


class DRb::DRbUnknown
Class wrapping a marshalled object whose type is unknown locally.
If an object is returned by a method invoked over drb, but the class of the object is unknown in the client namespace, or the object is a constant unknown in the client namespace, then the still-marshalled object is returned wrapped in a DRbUnknown instance.
If this object is passed as an argument to a method invoked over drb, then the wrapped object is passed instead.
The class or constant name of the object can be read from the
name
attribute. The marshalled object is held in the
buf
attribute.
Attributes
Buffer contained the marshalled, unknown object.
The name of the unknown thing.
Class name for unknown objects; variable name for unknown constants.
Public Class Methods
Create a new DRbUnknown object.
buf
is a string containing a marshalled object that could not
be unmarshalled. err
is the error message that was raised
when the unmarshalling failed. It is used to determine the name of the
unmarshalled object.
# File lib/drb/drb.rb, line 465 def initialize(err, buf) case err.to_s when /uninitialized constant (\S+)/ @name = $1 when /undefined class\/module (\S+)/ @name = $1 else @name = nil end @buf = buf end
Public Instance Methods
Create a DRbUnknownError exception containing this object.
# File lib/drb/drb.rb, line 508 def exception DRbUnknownError.new(self) end
Attempt to load the wrapped marshalled object again.
If the class of the object is now known locally, the object will be unmarshalled and returned. Otherwise, a new but identical DRbUnknown object will be returned.
# File lib/drb/drb.rb, line 503 def reload self.class._load(@buf) end


--- layout: default ---
Wouldn't it be great to have a basic understanding of the data in Boulder? How can we make these better?


Single Row Section Description. Our business impacts architectures to strategically and iteratively right-size our actionable emerging market. We use our unparalleled executive searches to globally manage our platform expectations.
Column content Key players will take ownership of their prince2 practitioners by effectively investing seamless brands. We aim to intelligently engineer our proposition by dynamically offshoring our mission critical mobile agile workflows. In the future, will you be able to conservatively grow market foci in your business?
Ethically deep-diving intelligently next-generation user experiences is crucial to our senior best practice. So we can hit the ground running, we will be dynamically integrating every ballpark figure in our space.
Column content Key players will take ownership of their in text link practitioners by effectively investing seamless brands.
Button Link
Half image of section
Quarter image of section
We aim to intelligently engineer our proposition by dynamically offshoring our mission critical mobile agile workflows.
We aim to intelligently engineer our proposition by dynamically offshoring our mission critical mobile agile workflows.
We aim to intelligently engineer our proposition by dynamically offshoring our mission critical mobile agile workflows.


{{ !solanaDragMoved ? "<- Slide ->" : solanaDragCancel ? "Release To Cancel" : "Slide Down To Cancel - Release To Confirm" }}


Fred "Freddy" Krueger is a character from the A Nightmare on Elm Street film series. He first appeared in Wes Craven's A Nightmare on Elm Street (1984) as a burnt serial killer who uses a glove armed with razors to kill his victims in their dreams, causing their deaths in the real world as well. In the dream world, he is a powerful force and almost completely invulnerable. However, whenever Freddy is pulled into the real world, he has normal human vulnerabilities.


?AMERICAN
GRASSES
DISTRIBUTED
BY
THE
U.
S.
DEPARTMENT
OF
AGRICULTURE
PREPARED
BY
THE
SYSTEMATIC
AGROSTOLOG1ST
New
York
Botanical
Garden
lb5157M
792.
Aristida
refracta
Gbiseb.
As
described
by
Hitchcock,
North
American
Species
of
Aristida
iChntr
IT
<8
v.*
Herb.
22:585.
1924)
v
Cuba:
Camagiiey.
Savanna.
Collector,
E.
L.
Kkman
October
21
This
specimen
should
be
cited,
Ò
Amer.
Gr.
Nat.
Herb.
no.
792
Ó
1659574
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


You Have Successfully Registered For Automatic Crop Predictor, an Agro Farmer Solutions Product.
Please Find your Login Details below.Do not disclose your password.
Yours Truely,
Admin,
Agro Farmer Solutions.
| Farmer Name : | {{Farmer_name}} |
| User ID : | {{Farmer_ID}} |
| Password : | {{Password}} |