Chelsea outcast Olivier Giroud eyed by Borussia Dortmund for January transfer
Bundesliga giants to reignite interest as Inter Milan also keen on France striker, who is being kept out of Chelsea side by Tammy Abraham
by Darren Lewis, https://www.mirror.co.uk/authors/darren-lewis/Borussia Dortmund have joined the chase for Chelsea outcast Olivier Giroud.
The German giants are ready to reignite their interest after being rejected by the France striker in the summer of last year.
Inter Milan are already keen on the Chelsea striker, 33, and the Blues want £5million.
Giroud has made only six appearances for Chelsea this season and wants to move on in search of regular first-team football.
Although he is out of contract at the end of the season and available on a free, he wants to move in January in order to make the France squad for next summer’s European Championships.
Giroud scored the winner for France from the penalty spot on Thursday night as Didier Deschamps' side came from a goal down to Moldova 2-1 and go top of their Euro 2020 qualifying group.
Deschamps has previously appealed to Chelsea boss Frank Lampard for Giroud to be given more game time for his club.
Giroud is being kept out of the team by England striker Tammy Abraham, who is the Premier League's second highest goalscorer this season with 10 strikes - one behind Leicester's Jamie Vardy.
The French striker is also competing with Belgium's Michy Batshuayi, and Chelsea boss Lampard says he cannot pick the team based on what international managers want .
Lampard said earlier this month: "It is difficult for me and it is difficult for them – we both have our jobs so it doesn’t feature in my thinking. I have care for all the players. I have to pick the squad as I see it for the best of Chelsea as they do for their countries.
“I have got three strikers to pick from and I have to make the choices. Again I can’t complain about any of their attitudes.
“Things will look different and that is where you need professionalism. Between those three I have had it from all of them.”
France travel to Albania for their final qualifier on Sunday and will win Group H as long as they avoid defeat.


Progress in the game to earn achievements! They don't give any boost and are purely for bragging
Achievement 1
Achievement 2
Achievement 3
Achievement 4
Achievement 5
Achievement 6
Achievement 7
Achievement 8
Achievement 9
Achievement 10
Achievement 1
Achievement 2
Achievement 3
Achievement 4
Achievement 5
Achievement 6
Achievement 7
Achievement 8
Achievement 9
Achievement 10
Achievement 1
Achievement 2
Achievement 3
Achievement 4
Achievement 5
Achievement 6
Achievement 7
Achievement 8
Achievement 9
Achievement 10
Achievement 1
Achievement 2
Achievement 3
Achievement 4
Achievement 5
Achievement 6
Achievement 7
Achievement 8
Achievement 9
Achievement 10
Achievement 1
Achievement 2
Achievement 3
Achievement 4
Achievement 5
Achievement 6
Achievement 7
Achievement 8
Achievement 9
Achievement 10
Achievement 1
Achievement 2
Achievement 3
Achievement 4
Achievement 5
Achievement 6
Achievement 7
Achievement 8
Achievement 9
Achievement 10
Achievement 1
Achievement 2
Achievement 3
Achievement 4
Achievement 5
Achievement 6
Achievement 7
Achievement 8
Achievement 9
Achievement 10
Achievement 1
Achievement 2
Achievement 3
Achievement 4
Achievement 5
Achievement 6
Achievement 7
Achievement 8
Achievement 9
Achievement 10
Reach blah blah blah to unlock the next row of achievements!
 Perform a Factor Shift to get one!
.
Factor Shift (0): Requires 200 OP
When you Factor Shift, you gain a new factor and the base decreases by 1
Factor Boost (0): Requires g10 (10) OP
You are getting a total of 30 Factor Boosts per second (assuming it's not limited by computational speed)
REMEMBER TO CHECK INCREMENTY UPGRADES!!!
You are currently bulking in a set of 0
32d 15h 48m 9s
Time till next Challenge is coming soon!
Your Dynamic Multiplier is x529.001
It is increasing by 0.002 per second
It is also decreasing by 10.000 per second
Dynamic Factors reset on Markups
Your Quadrupler is x1.000
Your Decrementy is multiplying by per second
Unmultiplied Pending OP speeds up decrementy by x^0.2
You have 0 Dark Manifolds, translating to a 1x multiplier to Dynamic Factor Cap only
The World is upon for a crude awakening
Upon reaching ω^(ω3) in Challenge 8, the Dark Awakening gets invoked
When this happens, Decrementy increases very rapidly, the "Halve Decrementy Growth"
upgrade becomes "Double Decrementy Growth," and other Decrementy Upgrades may apply.
You have 1 Boosters(+529 from milestones)
You may have to rotate your phone on mobile to see all of the upgrades. The right column of upgrades doesn't consume your boosters. You also start with a free Maximize Autoclicker as a gift :)
Tier 2 Automation
Your Max All Autobuyer is clicking the Max All button 1 times per second
Your Markup Autobuyer is clicking the Markup button 1 times per second
Challenges can be completed up to 3 times, each one giving a bigger reward.
Your 0 challenge completions have multiplied Tier 1 and 2 by x
You're currently in Challenge 1.
Note: In challenge 8, if you have less than 1.00e10 decrementy, all ticks simulates 50 milliseconds, regardless of the millisecond interval. That also means that offline progression in Challenge 8 is disabled if you have less than 1.00e10 decrementy in the challenge.
You have 0 incrementy, multiplying Tier 2 by 1x
You are getting 0 incrementy per second, but they reset on Factor Boosts and similar
You start gaining Incrementy when you reach e0, but it caps at 1.000e25 Incrementy
You have 0 manifolds, translating to a 1x multiplier to Dynamic Factor output and cap
YOU HAVE COLLAPSED!
You have a lot of Ordinal Points
You have 1 cardinal
Next Cardinal in 3 Factor Boosts (5.896s in collapse)
You have 1 ℵ0
0
You have 100 ℵ0 Power (+1/s)
Translated to a
x100.00
multiplier to Tier 1 automation
and ??
You have 1 ℵ1
0
You have 100 ℵ1 Power (+1/s)
Translated to a
x100.00
multiplier to Tier 2 automation
and Dynamic Factor Cap
You have 1 ℵ2
0
You have 100 ℵ2 Power (+1/s)
Translated to a
x100.00
multiplier to OP gain
and Incrementy gain
You are getting 1 extra aleph power of all every three seconds now that you've collapsed. This caps at 1200 Aleph Power.
Cardinals are based on the amount of Factor Boost and the time, where a faster collapse yields more cardinals. Time is capped between 1,000 seconds and 100,000 seconds. Cardinals don't decay when offline time is disabled. Cardinals don't decay at hard, but getting more is harder the longer the collapse is, until you reach 100,000 seconds. You can change offline time in Options. The formula for cardinals past 100,000 seconds is sqrt(Factor Boosts-24), and you should thank me for removing cardinal decay, since it is such a trash mechanic
Sluggish Milestones
Complete the collapse in the required amount of Factor Boosts or less to recieve a prize! Each prize also starts you with an extra Booster
∞ Boosts
You gain 1% of OP gained per second if your OP is less than your pending OP
20 Boosts
Challenges 1-7 without completions give a reduced boost (x^0.25)
15 Boosts
Gain 15 OP per second, Markup requirement is now 100, and you can bulk complete challenges
12 Boosts
Unlock Tier 3 automation, the 4 booster upgrade is improved
10 Boosts
Unlock Distribute All and upgrades for Tier 3 automation
1 Boost
You keep all Incrementy Upgrades, Dark Upgrades, Manifolds, and Dark Manifolds on collapse, unlock an Autobuyer for Booster Upgrades, you can autocomplete Challenges, unlock an Autoprestiger for Collapse, you get a free Maximize Autobuyer and you always have a Max All Autobuyer, you can complete Challenge 8 multiple times, reduce the Markup requirement to 10, Auto-Markup activates if you're not making autoclicks from Tier 1, unlock two incredibly powerful Aleph upgrades and four Booster upgrades
You have 1 ℵω
You may have to rotate your phone on mobile to see all of the upgrades. Why does this text even exist?
Tier 3 Automation (Works Offline)
Your Factor Shift Autoprestiger is Factor Shifting 1 time per second
Your Factor Boost Autoprestiger is Factor Boosting 1 time per second
Tier 3 Automation Upgrades
You have 10 ℵω
Booster Upgrades
Challenges
Amount of challenges to complete (non-challenge 8):
Amount of challenges to complete (challenge 8):
Collapsing (Doesn't work offline)
Time to wait until collapse in seconds:
You have 25 Dark Manifolds, 2 Manifolds, and 1.000e20 ℵω
Singularity Level: 1
Translated to a x51 multiplier to Factor Boosts and a raise of cap to psi(w^w^w)
You are currently getting 1000 Factor Boosts per second
Get Rekt Weakling! You need a larger singularity before you even think about unlocking this mechanic!
You have 0 Refund Points, capped at 10 You gain them when you collapse successfully
Baseless Milestones
You can now enter any challenges past three completion! Reach the required ordinal in Challenge 4 to receive a reward Each reward also starts you with an extra Booster
ωω23
Gain 1 RP per second
ωω23+ω3
You can now change the Singularity faster (max, min, slider) and autobuy singularity function upgrades
ωω24+ω3
Forever keep the first four function upgrades free and unlock advanced autoshift (Refunding is encouraged)
ωω24+ω4
Automatically get Incrementy and Dark Manifolds and Upgrades without losing incrementy, (max cost of e600 Incrementy)
When you enter an Omega Challenge, the factor boost multiplier from Singularity doesn't work.
Omega Challenges can be completed a fractional number of times past 1. Your 15 Omega Challenge Completions are multiplying booster gain by 3.02
Unlock the next set of Omega Challenges!
Requirement: 500,000,000 Factor Boosts per second
Current Best Incrementy: 2.03e540 / 1.00e540
When the universe ends, a world out there is waiting to be explored.
 Instead, you can manually buy them when you unlock the corresponding autobuyer
You have 100-100 manifolds, translating to 100 extra singularity levels


Code Security Review
Static analysis combined with line-by-line manual review of source code.
Static analysis combined with line-by-line manual review of source code.
Web, desktop, mobile and API security testing through attack simulation.
Network mapping, vulnerability scanning, etc.
Endpoint and server hardening by review of deployment configuration.


Basic schedulesThe buildings blocks of schedules. |
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|---|---|
Specify the date(s) of a schedule |
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Specify the day(s) of a schedule |
Specify the week(s) of a schedule |
|
Specify the month(s) of a schedule |
|
Specify the quarter(s) of a schedule |
|
Specify the year(s) of a schedule |
|
Join schedulesJoin schedules using set operations. |
|
Join schedules together |
|
Invert a schedule |
|
Use schedulesMake use of schedules. |
|
Does a date fall on a schedule? |
|
|
|
Get the events of a schedule |
Limit schedulesPlace limits on how far schedules extend. |
|
Specify the start and end of a schedule |
|
Miscellaneous schedulesExtra schedules. |
|
|
|
Schedule the nth events of a period |
Roll scheduled events |
|
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Make incremental events |
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Schedule dates during Easter |


Chaplin Example Application
This example uses a client-side Facebook login to display your Facebook likes.
Loading…


Home Address: 7, Barikisu Iyede Street, Onike, Yaba, Lagos.
Date of Birth: February, 6, 1991.
Place of Birth: Lagos.
Sex: Male
Marital Status: Single.
Nationaality: Nigerian.
State of Origin: Lagos State.
Local Government: Akpabuyo
Language Spoken:
Yoruba and English(Proficient).
Hobbies
Learning, Reading and Strolling.


The vector data structure is a container of relatively fixed size. While the C++ Standard Library provides facilities for dynamically changing the size of a vector, such operations are costly and should be used only rarely. Yet in many problems, the size of a collection may be difficult to predict in advance, or may vary widely during the course of execution. For cases that suggest an alternative data structure, we examine the list datatype in this chapter.
A list corresponds to the intuitive idea of holding elements in a linear sequence that is not necessarily ordered. New values can be added to or removed from either the front or the back of the list. By using an iterator to denote a position, elements can also be added to or removed from the middle of a list. In all cases the insertion or removal operations are efficient; they are performed in a constant amount of time that is independent of the number of elements being maintained in the collection.
A list is a linear structure. In general, elements of a list can only be accessed by a linear traversal of all values, not by subscript.
Whenever you use a list, you must include the list header file:
#include <list>


About me
Firstly I would like to ask you to read the whole post
And forgive my english..
Hello everyone
My name is Matheus Francisco B. Machado, I was born in 1994 in the interior of São Paulo, I'm a computer engineer from the Federal University of Santa Catarina. I'll talk little about me, currently I work in the leading SaaS platform in recruitment and selection using Artificial Intelligence, focusing on the backend. Using technologies like Python / Django, Nodejs, Docker, Postgres, Redis, AWS. I also worked with Machine Learning python and Javascript at UFSC/CNPq as a scientific initiation My current project is: (Comparison between the use of different data sets for the modeling and identification of at-risk academics can) Comparação entre a utilização de diferentes conjuntos de dados para a modelagem e identificação de acadêmicos em risco, podem realizar Download.A little about my graduate
The computer engineering course at UFSC campus Araranguá has a curriculum showen in the picture. We have 10 semesters here and a few hours of classes, about 5000 hours...Yeah, I know .. I know.. is alot of class time, but We can't anything. rsrsrs. Perhaps I'll create a post about the work of the curricular chairs...Cool stuff
A few cool stuff I didI and my friends created one makerspace Arara Makerspace Arara Makerspace. Basically is a OPEN LAB for the community. We teach and do many things.
I teach Physics for college entrance examination in the PES course PES-UFSC
I worked at EJEC EJEC.
I was a member of the quantum team worked with design and construction of robots for competitions project presentation in schools, fairs, and other institutions participation in team meetings team-related administrative, financial, project and marketing activities
Why did I create a blog?
As you can see my english is very bad, so I decided to start writing in English to improve this skill. I'm going to start writing in English.
My skills
- Python (Flask, Django, scikit-learn, pandas, NumPy)
- Javascript (NodeJS, Express, CoffeScript, Socket.io, Jquery, AJAX, Grunt, VueJS)
- I love Data Struct
- HTML/CSS
- Git
- Database (PostgresSQL, MySQL, MongoDB)
- Google Cloud Plataform (Firebase), Heroku
- Docker
- REST-API
- Postman, Insomia
- Blockchain, Smart Contract (Solidity)
- If I do not know, I'll learn.
Studing about
- Improve my English
- Improve my Python habilities
- Clojure
- Functional Programming
- Design Patterns
- ReactJS, React Native
- Golang
- Julialang
A little more about me Resume.
Contact me
Send me an email and let's talk a little<EMAIL_ADDRESS><EMAIL_ADDRESS>contato@matheusfrancisco.com.br.


An insider just let slip how many kids William and Kate are planning on having
by Bashiera Parker (@bparks_)Cape Town – Right off the bat of their tour of Pakistan, the Duke and Duchess of Cambridge return to George, Charlotte and Louis – even going Halloween shopping.
Kate was spotted at Sainsbury's in Hardwick Industrial Estate with the kids and a bodyguard, reports Harper's BAZAAR. According to other shoppers, she was looking for Halloween candy and costumes for the kids.
Though motherhood is no easy feat, Kate said, "At times it has also been a huge challenge, even for me who has support at home that most mothers do not. But she also admitted, "Becoming a mother has been such a rewarding and wonderful experience."
And now, according to a royal insider, the duchess wouldn't mind doing it all over again.
A source told US Weekly, Kate "would love to have one more child".
Speaking of George, Charlotte and Louis, they also added, "They love playing together and being creative. Painting, baking and building things are all activities they enjoy, and now that Louis' a bit older, he gets involved too.
"Charlotte's extremely confident and loves attention, whereas George is more reserved, although he is starting to come out of his shell. George is always looking out for his younger brother and sister and is already showing traits of making an excellent leader."
(Photo: Splash)


| About Dailyrotten |
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do send your feedback.
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visit our submit page to
send us the URL. Stories that are accepted will have your name credited.
Posting Comments
In order to post comments to stories, you will have to
create an account.
Accounts will generally be validated within 24 hours, and of
course will be disabled if there is abuse.
Viewership
On the first full day this page went live, 100,000 people visited this Rotten
News page. Of course that was the day after the WTC attacks, so that number is
somewhat distorted. Right now this page gets between 50,000 and 75,000 people
every day.
Linking
We encourage everyone to link to this page; if you like it, others probably
will as well.
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Home
Make Dailyrotten your start page
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July 14, 2002
Media coverage of Catholics equals Hitler!
National Post | Submitted by: R.G. Frano, A-EMT-4-Paramedic, A.C.L.S.
"A leading candidate to become the next pope says the coverage of sex abuse
scandals in the United States represents a "campaign of media persecution
against the entire Catholic Church" on par with attacks under Adolf Hitler...
"There are many people in the hierarchy, cardinals, who believe there is
an axe being ground against the Catholic Church."
|
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Read article...
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Suicide leap thwarted by 35-cm gap on tracks
Mainichi Daily News | Submitted by: wingnut
"A disabled man has miraculously escaped with his life after botching a suicide attempt at a subway station here, police said Saturday.
But the 58-year-old man is more depressed than ever after landing on the train tracks, but leaving a 35-centimeter gap that proved sufficient space for a train to pass over him." Lots of cheeseburgers and fries before you try again, dude.
|
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Read article...
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Cadaver found in 2000 year old mystery fluid
Agence France-Presse | Submitted by: Mike Abson
"The corpse of a woman who died more than 2,000 years ago has been found
well preserved in a mystery fluid in eastern China. The body of the woman,
who was believed to have lived during the Western Han Dynasty (206 BC - 24 AD),
still had some of her skin, muscle tissue and veins."
|
|
Read article...
|
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Now let's raise our Slurpees in a toast
Straits Times | Submitted by: Leth
"I figured if I got married at 7.11 on 7/11 in 7-Eleven, it'd be hard
to forget my anniversary... We met here so we didn't consider getting
married at any other place." But since the 7-Eleven wasn't good enough for
this white trash couple, they brought in beach sand for a tropical theme.
Compare with our earlier Wal*Mart wedding story.
|
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Read article...
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The harassing pornographer
Reuters UK | Submitted by: Ann Onymous
"Goldstein posted the phone number and address of where his ex-wife works
and ran ads in his sex magazine "Screw" every week with the same information,
the complaint said... "His long-standing disrespect for the criminal justice
system is a matter of public record. This defendant has never missed an
opportunity to show that he has no respect whatsoever for the laws
and courts of this state."
|
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Read article...
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Best not be saying NIGGER
WGAL-TV 8 Lancaster | Submitted by: Charlie Robertson
"A man who used a racial slur in Lancaster was sentenced to 30 days in
jail and fined $200.  DeSalle flagged
down a detective who told the women they could file a harassment charge. The
Pennsylvania crimes code describes harassment as any course of conduct or
repeatedly committed act which alarms or seriously annoys another person and
which serves no legitimate purpose." Keepin` it real.
|
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Read article...
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The Vaseline Ghost
South Africa Sunday Times | Submitted by: RPMaximum
An older story, but alarming nonetheless:
"A family say they are being terrorised by an invisible creature which
moves their beds and breaks objects in their home. "When we sleep blankets
are removed from us and our bodies are smeared with lotions which are in
the house," said father of four Masite Sejake. "Sometimes Vaseline is
smeared on us." [And they aren't checking for sodomy??]
|
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Read article...
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Do you want fries with that sermon?
Birmingham Post-Herald | Submitted by: anonymous
"In order to help their busy members, leaders at Brentwood decided to
open a McDonald's restaurant in their church community center. According
to a McDonald's spokesperson, the Brentwood site is the first restaurant
to operate within a church." Quoting one of the deacons,
"A lot of us have children. When we have different meetings and functions
at the church, a lot of time you don't get to stop and get something to eat.
This will make it more CONVEEENIENT." Say it with Churchlady voice.
|
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Read article...
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Iran persecutes Californian for dancing
BBC | Submitted by: Ann Onymous
"Although many Iranians dance at private parties, especially weddings, the
ruling clerical establishment frowns on such behaviour, especially when it
involves the mingling of the sexes. For unmarried people, even to appear
in public together is a punishable offence, though it is only sporadically
enforced." What is rather peculiar about this case is the individual involved
is a resident of California, and he was just visiting Iran to attend
the funeral of his mother. American legislators should take notice of such
unintended effects when they attempt to extend American extraterritoriality
on the behavior of individuals other countries. It will bite us in the ass.
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Read article...
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Followup on cryogenic major leagues
New York Post | Submitted by: Phatlor
"Bob Breitbard, a longtime friend of the baseball legend, said he knows why
John Henry is so desperately waging his fight to freeze his father: it's all part of a macabre plot in which he plans to also freeze himself so he can
one day take the field with dad, baseball's greatest hitter."
A sweet thought, but a bit creepy.
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Read article...
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-
chat
Toot Rater
Toot the proportion of your statuses to whole
launch
Now Running...
-
subject
TPD(Toots Per Day)
Toot an average of number of your statuses
launch
Now Running...
-
people
Relevance Analyzer
Toot relevance with your followers
launch
Now Running...


{% extends '_base.html' %} {% load static %} {% block content %}
Name: Krunal Patil
Profile: Third Year Student
Email<EMAIL_ADDRESS>College: Army Institute of Technology, Pune
Phone: +91<PHONE_NUMBER>
Skills
C++ 85%Hello, I am an Enthusiast, fast learner person having interest in all kinds of activities. My main tasks include problem solving on cpp questions, reading technical blogs, blogs on python and data science.
I solve questions on Competetive programming daily and also like to develop new projects in django, python or in cpp. I also make graphic content on weekly basis whether it be logo designing or poster designing or working on simple design. I love to create digital art and want to make it my passion. I also blog frequently.
I am a strong politically oriented person having keen interest in current issues. You may argue with me on any issue. I am staunch supporter of younsters in politics. Also I have a habit of reading as well as watching news on daily basis.
These are the skills which I designate myself with.
I have five stars on hackerank in problem solving, cpp, python with silver stars in SQL. I love solving puzzles and sudoku.
Decent knowledge of data structures, OOP concepts in C, C++, Python language. I have few projects in C++, and mostly my project language is Python.
I have strong grasp over django & MySQL. I have made over 10 projects in django with my portfolio website been running via django.
Data science is the field I want to explore next. My main stack of working would be to use data science & machine learning. I have just finished with regression.
I have been making digital art right from my school days. The journey starts right from MS-Paint to coreldraw to adobe illustrator. I have been designer for vaious clubs in my college.
I have great interest in social service in particular helping out NGO's. I would love to teach anything what i have learnt to students. Reach out to me for current political opinions.
20
Major projects done10
Courses Completed50
Designs made15
Appreciation receivedHere are the links to various projects I have made.
Here are the links to my online portfolios.
Curabitur arcu erat, accumsan id imperdiet et, porttitor at sem. Lorem ipsum dolor sit amet, consectetur adipiscing elit.
She is my sister and a great inspiration. You can have a look at her awesome profile. She is a real talent.
Lorem ipsum, dolor sit amet consectetur adipisicing elit.
Proin eget tortor risus. Pellentesque in ipsum id orci porta dapibus. Praesent sapien massa, convallis a pellentesque nec, egestas non nisi.
Proin eget tortor risus. Pellentesque in ipsum id orci porta dapibus. Praesent sapien massa, convallis a pellentesque nec, egestas non nisi.
Proin eget tortor risus. Pellentesque in ipsum id orci porta dapibus. Praesent sapien massa, convallis a pellentesque nec, egestas non nisi.


All Classes
Character
CharacterController
CharacterDaoTest
CharacterModel
CharacterModelController
CleanDatabase
ControllerTest
EntityTest
GenericDao
Main
SessionFactoryProvider
User
UserController
UserDaoTest
WebSecurityConfig


Hi, I'm Hannah! I'm originally from Joliet, IL. I graduated from Joliet Central High School, which is sometimes referred to as "the castle" in Downtown Joliet. I enjoy drawing, leatherworking, and going to the range. I used to shoot pellet rifles competitively in high school, and I still enjoy going to the range for fun target practice. I'm actually a self-taught leatherworker. It was quite the endeavor! I am an applied physics major, and I hope to become a scientific or research officer in the Air Force.
My family consists of me, my mom, my dad, my sister, and my two dogs. My mom is an administrative and operations assistant at BMO Harris Bank. My dad works as a lanscape estimator. My sister is nine and a half years older than me and lives in Iowa. I also have three nephews: Connor, Lennox, and Remmington. My two dogs are Ollie and Buster. They are littermates and have only been apart for a week in their lives. They are dachshund/pitbull terrier mixes.
My favorite hobby is leatherworking. As mentioned before, I am self-taught. I've been doing leatherworking since early high school. It was just one of those hobbies that I came across and thought was cool, so I decided to try it. I ended up loving it. I've made wallets, belts, keychains, and knife sheaths. My most recent project was actually making a knife sheath for a friend of mine. I'm not currently doing any leatherworking due to my school schedule, but I am planning on making a wallet for myself in the future.
I play Dungeons & Dragons. I'm usually the dungeon master. Below is my dicebag that I made, Fafnir.


{% extends './baseModal.html' %} {% block form %}
We've created an account for you linked to your {{ provider }} account. When logging in to {{ title }}, simply select {{ provider }}.


Welcome to Mr. Roboger's Neighborhood. Enter a number to get Mr. Roboger to say hello.
This is a picture of Mr Rogers.
Enter Number
Submit


Text Search
Style text on the fly
View the Project on GitHub
jbkly/Text-Search
Enter arbitrary text to search:
It was the best of times, it was the worst of times.
Text to
bold
:
Text to
italicize
:
It was the best of times, it was the worst of times.


new search
change database
logout
help
Databases
Fictitious Business Names
Official Records thru 01/26/2017


Deprecated: This plugin has been removed from the Jenkins Update Centre
Please use the ArtifactDeployer Plugin for publishing/deploying artifacts from a workspace to remote locations.
Archived versions of this plugin remain available for download.
Plugin Information |
|---|
No information for the plugin 'copyarchiver' is available. It may have been removed from distribution. |
The objective is to aggregate archived artifacts from several jobs into a shared directory.
For each job, only archived artifacts of the last success build will be copied.
Project Configuration
The archived artifacts will be copied in the specified shared directory. For each job, the base directory is the archived directory. And you can use wildcards like 'module/dist/*/.zip'.
For the shared directory, you can use build timestamp variable ${BUILD_ID}. By default, this variable uses the pattern 'YYYY-MM-DD_hh-mm-ss'. You can change this format by providing your own pattern.
Roadmap
* Fixing JENKINS-5837
* Fixing JENKINS-5482
Changelog
Release 0.5.1 (July 08, 2010)
* Integrated JENKINS-6862 fix
Release 0.5 (June 20, 2010)
* Deleted the ability to customize the BUILD_ID format. The feature is given by the lastest version of the zentimestamp Hudson plugin.
Release 0.4.3 (March 15, 2010)
* Fixed JENKINS-5765
Release 0.4.2 (October 11, 2009)
* Fixed the regression introduced with copyarchiver 0.4 : the base directory for scanning artifacts is the workspace and not the module root
Release 0.4.1 (October 11, 2009)
* Added backward compatibility with copyarchiver 0.3
* Affected the value of the deleteSharedDirectory option to true
Release 0.4 (October 05, 2009)
* Fixed bug : the copyarchiver doesn't work on the first build
* Added the ability to delete the shared directory and its content
Release 0.3 (July 06, 2009)
* Fixed the flatten issue for remote run
* Added the ability to search into all the workspace (not only the SCM module root) if the selected job for archiving is the current job
* Added the replacement of environment variables and build variables for the 'includes' field and the 'excludes' field.
Release 0.2 (July 01, 2009)
* Added the flatten feature
Ignore the directory structure of the source files and copy all files into the directory specified in 'Shared directory' section.
* Allowed to copy archived artifacts for the current job
If the selected job to copy is the current project, use the workspace base directory.
* Add the ability to use build variables in the 'shared directory' section.
Release 0.1 (June 28, 2009)
* Initial release


Document and sentence processing is controlled by a set of scripts. Each script specifies a series of actions to be performed on a portion of the document. The actions correspond for the most part to the tools or annotators provided with Jet.
Scripts are defined in the Jet configuration file. A script definition has the form
scriptName = action1, action2, ...The following actions are allowed:
| tokenize | divide text into tokens |
| tag(XMLtag) | assign annotation XMLtag to text enclosed in <XMLtag> ... </XMLtag> |
| sentenceSplit | divide text into sentences |
| lexLookup | look up tokens in lexicon |
| pruneTags | use HMM POS tagger to select most likely POS from those given in lexicon |
| tagPOS | use HMM POS tagger to assign Penn POS tags |
| tagJet | use HMM POS tagger to assign Jet POS tags |
| tagNames | use HMM name tagger to assign MUC name tags |
| chunk |
use Maxent tagger to identify
noun groups |
| parse | parse sentence using context-free parser |
| statParse |
parse sentence using
TreeBank-trained probabilistic parser |
| pat(patternSetName) | apply patterns in patternSetName |
| resolve | resolve references |
| mentions(representation) |
adds mention annotations
to record coreference annotation: mentions(coindexed) uses co-indexing to mark coreferential mentions mentions(linked) uses an index to record immediate antecedent of mention |
| tag : scriptName | apply script scriptName to every instance of text annotated with tag tag |
Note the last action: it allows one script to invoke another script over a portion of the text.
In batch mode (or when the processDocuments menu item is selected from the console), the processDocument script is applied to each input document. When a sentence is typed in directly at the console, the processSentence script is applied. The following scripts are defined by default:
processDocument = tag(TEXT), TEXT:processTextZoneThis means that when Jet processes a document, it looks for tags of the form <TEXT> ... </TEXT> in the document, and adds an annotation of type text to the enclosed text. Then it runs the script processTextZone on each such text. The script processTextZone runs the tokenizer and then the sentence splitter on that text. The sentence splitter adds annotations of type sentence to the text. Then, for the text subsumed by each sentence annotation, we run the script processSentence.
processTextZone = tokenize, sentenceSplit, sentence:processSentence
There is no default for the processSentence script. A simple example, to look words up in the dictionary and the run the parser, would be
processSentence = lexLookup, parseTo look up words, prune the result using the POS tagger, and then apply two sets of patterns, for dates and names, one would write
processSentence = lexLookup, pruneTags, pat(dates), pat(names)


Come see us demo on Feb. 15!
Special Thanks
Let us be thankful for the people who help us everyday. Without your dedication we would have fallen flat on our faces.
Zoe Ames
Lead Instructor, Front-End
Nathan Gonzales
Lead Instructor, Back-End
John Wark
Founder & President
Martin Cross
Teaching Assistant, Back-End
Ben Harrington
Teaching Assistant, Back-End
Callan Morrison
Teaching Assistant, Front-End
Lauren Rouse
Teaching Assistant, Front-End
Kristin McKinney
Career Development & Employer Engagement Manager
Ashley Canino
Career & Partner Development Specialist


As a general rule, SKY UX uses color to convey meaning and not as pure decoration. You should rarely apply colors directly to elements because components incorporate colors as necessary. If a need for color arises outside of a component, you likely need to create a component for that scenario.
To import the color variables, add @import '~@skyux/theme/scss/mixins'; to the top of your SCSS file. Do not include node_modules in the path because the SKY UX package may not always be in the root of node_modules and ~ resolves the dependency in those cases.
After you import the colors, you can reference them by the variable names that are listed in the Code columns below.
Text
Ensure that the contrast between the text color and the background color is at least 4.5:1 to meet Web Content Accessibility Guidelines 2.0 level AA.
Usage
The default color for text
Code
$sky-text-color-default
Code
$sky-text-color-deemphasized
Usage
Text on a dark background
Code
$sky-text-color-on-dark
Usage
Action-invoking elements such as links
Code
$sky-text-color-action-primary
Usage
Borderless icon buttons such as the expand/collapse chevron
Code
$sky-text-color-icon-borderless
Backgrounds
Usage
The default color for pages
Code
$sky-background-color-page-default
Usage
Background for elements that need to contrast with the containers they hold, such as a record page made up of tiles
Code
$sky-background-color-neutral-light
Usage
Background for elements that invoke primary actions, such as a primary button
Code
$sky-background-color-primary-dark
Usage
Background for disabled interactive elements that normally have a white background
Code
$sky-background-color-disabled
Usage
Background for selected items within a list of items
Code
$sky-background-color-selected
Usage
Background for elements that convey an "information" status, such as alerts, labels, and toasts
Code
$sky-background-color-info
Usage
Background for less important elements that convey an "information" status, such as applied filter bubbles
Code
$sky-background-color-info-light
Usage
Background for elements that convey a "success" status, such as alerts, labels, and toasts
Code
$sky-background-color-success
Usage
Background for elements that convey a "warning" status, such as alerts, labels, and toasts
Code
$sky-background-color-warning
Usage
Background for elements that convey a "danger" status, such as alerts, labels, and toasts
Code
$sky-background-color-danger
Usage
Background for buttons that invoke a primary action that is destructive, such as deleting an item
Code
$sky-background-color-danger-dark
Highlights
Usage
Highlight for elements that convey an "information" status, such as alerts, labels and toasts
Code
$sky-highlight-color-info
Usage
Highlight for elements that convey a "success" status, such as alerts, labels, and toasts
Code
$sky-highlight-color-success
Usage
Highlight for elements that convey a "warning" status, such as alerts, labels, and toasts
Code
$sky-highlight-color-warning
Usage
Highlight for elements that convey a "danger" status, such as alerts, labels, and toasts
Code
$sky-highlight-color-danger
Borders
Usage
Borders that separate sections of content within a container
Code
$sky-border-color-neutral-light
Usage
Borders that separate containers from their surroundings or that separate sections of active elements from the contents of a container such as separating a toolbar from a list of records
Code
$sky-border-color-neutral-medium
Categorization
Use categorization colors to categorize blocks of content when the distinction between types of content is significant to users. For example, use categorization colors for different types of events in calendars.
Usage
Background for categorized content.
Code
$sky-category-color-light-blue
Usage
Background for categorized content.
Code
$sky-category-color-teal
Usage
Background for categorized content.
Code
$sky-category-color-purple
Usage
Background for categorized content.
Code
$sky-category-color-orange
Usage
Background for categorized content.
Code
$sky-category-color-blue
Usage
Background for categorized content.
Code
$sky-category-color-yellow
Usage
Background for categorized content.
Code
$sky-category-color-red
Modified states
In general, hover states for active elements apply a 10 percent darken to the element's background, border, and/or text.
In general, disabled states for active elements apply .65 opacity to the element.
Within alerts and toasts, hyperlinks are automatically styled to maintain accessibility.


SECTION: 200-General
TITLE: Arch
QUESTION: What is the Jetty Architecture?
This architecture overview is a little out of date, but the basics are still correct.
- The org.mortbay.http.HttpServer class provides the core HTTP server.
- The org.mortbay.jetty.Server class extends HttpServer with XML configuration and servlet support.
- A JVM may contain one or more HttpServer instances.
- A HttpServer may contain one or more HttpListener instances.
- A HttpServer may contain one or more HttpContext instances (called HandlerContext in Jetty3).
- A HttpServer may contain zero or more UserRealm instances.
- SocketListener is the basic implementation of HttpListener that accepts HTTP connections
on a normal socket.
- JsseListener is an extension of SocketListener that accepts HTTPS connections using a
JSSE SSL implementation.
- HttpListener implementations create HttpConnection instances.
- A HttpConnection instance manages one or more requests received over a connection.
- A HttpContext has attributes for class path, class loader and resource base, which apply to all the HttpHandlers it contains.
- A HttpContext is registered in the HttpServer at one and only one context pattern (eg.
/context/*) and for zero or more virtual hosts.
- A HttpContext contains one or more implementation of HttpHandler, in the order they
are added.
- ResourceHandler is an implementation of HttpHandler that serves static content from the resource base of the HttpContext.
- ServletHandler is an implementation of HttpHandler that serves Servlets by mapping
a pathspec within the context (eg *.xxx, / or /XX/* ) to a Servlet instance. Dynamic servlets include the class name in the URL, configured servlets have explicit path to class mappings.
- A WebApplication is a specialization of HttpContext that uses a web.xml file to
configure the context, including a ResourceHandler and a ServletHandler.


| File | Statements | Branches | Functions | Lines | |||||
|---|---|---|---|---|---|---|---|---|---|
| bookInfo.js | 11.11% | 2/18 | 0% | 0/4 | 0% | 0/12 | 11.11% | 2/18 | |
| checkInfo.js | 25% | 3/12 | 100% | 0/0 | 0% | 0/9 | 25% | 3/12 | |
| customers.js | 33.33% | 2/6 | 100% | 0/0 | 0% | 0/4 | 33.33% | 2/6 | |
| emptyRoomNumber.js | 17.5% | 14/80 | 3.57% | 1/28 | 22.58% | 7/31 | 17.72% | 14/79 | |
| rooms.js | 15.38% | 2/13 | 100% | 0/0 | 0% | 0/11 | 15.38% | 2/13 | |
| users.js | 75% | 3/4 | 100% | 0/0 | 50% | 1/2 | 75% | 3/4 |


The samples illustrate on how to use the Imperx Camera SDK. These samples are based on Qt 5.3 and written in C++.
Cheetah Imperx Camera SDK Samples |
Description |
QtCheetahKACExposureUI | Demonstrates on how to use the Imperx Camera SDK functions to initialize and call the GrabbingThread, IpxCam(System, Device,Stream, DeviceInfo, IpxDisplay) modules. The user will become familiar with the methods to set the Exposure Mode, Exposure in microseconds(us), enable the fixed frame period, setting the frame time in microseconds, and setting the frame rate in fps. |
|---|---|
| QtCheetahKACGainUI | Demonstrates on how to use the Imperx Camera SDK functions to initialize and call the GrabbingThread, IpxCam(System, Device,Stream, DeviceInfo, IpxDisplay) modules. The user will become familiar with the methods to set the Analog Gain, Digital Gain, and Black Level. |
Cheetah Imperx Camera SDK Samples |
Description |
QtCheetahPythonExposureUI | Demonstrates on how to use the Imperx Camera SDK functions to initialize and call the GrabbingThread, IpxCam(System, Device,Stream, DeviceInfo, IpxDisplay) modules. The user will become familiar with the methods to set the Exposure Mode, Exposure in microseconds(us), enable the fixed frame period, setting the frame time in microseconds, and setting the frame rate in fps. | QtCheetahPythonGainUI | Demonstrates on how to use the Imperx Camera SDK functions to initialize and call the GrabbingThread, IpxCam(System, Device,Stream, DeviceInfo, IpxDisplay) modules. The user will become familiar with the methods to set the Analog Gain, Digital Gain, and Black Level. |
|---|
The samples included demonstrates on how to use the KAC and Python Imperx Camera SDK. These samples are based on Qt 5.3 and written in C++.
Cheetah Imperx Camera SDK Samples |
Description |
|---|---|
| QtCommonSampleUI | Demonstrates on how to use the Imperx Camera SDK functions to initialize and call the GrabbingThread, IpxCam(System, Device,Stream, DeviceInfo, IpxDisplay) modules. |
| QtTriggerUI | Demonstrates on how to use the Imperx Camera SDK functions to initialize and call the GrabbingThread, IpxCam(System, Device,Stream, DeviceInfo, IpxDisplay) modules. The user will become familiar with the methods to set the Trigger. |
NOTE:You must be login as root to modify the usbfs_memory_mb if you need to display an image greater than 7MB. You can modify the size of the usbfs memory mb if needed by editing the 'usbfs_memory_mb' file. For example:
sudo sh -c "echo 1000 > /sys/module/usbcore/parameters/usbfs_memory_mb"


createControl
creates a Cyclops control object for use with fitCyclopsModel
.
createControl( maxIterations = 1000, tolerance = 1e-06, convergenceType = "gradient", cvType = "auto", fold = 10, lowerLimit = 0.01, upperLimit = 20, gridSteps = 10, cvRepetitions = 1, minCVData = 100, noiseLevel = "silent", threads = 1, seed = NULL, resetCoefficients = FALSE, startingVariance = -1, useKKTSwindle = FALSE, tuneSwindle = 10, selectorType = "auto", initialBound = 2, maxBoundCount = 5, algorithm = "ccd" )
| maxIterations | Integer: maximum iterations of Cyclops to attempt before returning a failed-to-converge error |
|---|---|
| tolerance | Numeric: maximum relative change in convergence criterion from successive iterations to achieve convergence |
| convergenceType | String: name of convergence criterion to employ (described in more detail below) |
| cvType | String: name of cross validation search.
Option |
| fold | Numeric: Number of random folds to employ in cross validation |
| lowerLimit | Numeric: Lower prior variance limit for grid-search |
| upperLimit | Numeric: Upper prior variance limit for grid-search |
| gridSteps | Numeric: Number of steps in grid-search |
| cvRepetitions | Numeric: Number of repetitions of X-fold cross validation |
| minCVData | Numeric: Minimum number of data for cross validation |
| noiseLevel | String: level of Cyclops screen output ( |
| threads | Numeric: Specify number of CPU threads to employ in cross-validation; default = 1 (auto = -1) |
| seed | Numeric: Specify random number generator seed. A null value sets seed via |
| resetCoefficients | Logical: Reset all coefficients to 0 between model fits under cross-validation |
| startingVariance | Numeric: Starting variance for auto-search cross-validation; default = -1 (use estimate based on data) |
| useKKTSwindle | Logical: Use the Karush-Kuhn-Tucker conditions to limit search |
| tuneSwindle | Numeric: Size multiplier for active set |
| selectorType | String: name of exchangeable sampling unit.
Option |
| initialBound | Numeric: Starting trust-region size |
| maxBoundCount | Numeric: Maximum number of tries to decrease initial trust-region size |
| algorithm | String: name of fitting algorithm to employ; default is `ccd` Todo: Describe convegence types |
A Cyclops control object of class inheriting from "cyclopsControl"
for use with fitCyclopsModel
.
#Generate some simulated data: sim <- simulateCyclopsData(nstrata = 1, nrows = 1000, ncovars = 2, eCovarsPerRow = 0.5, model = "poisson")#> Sparseness = 75.2 %cyclopsData <- convertToCyclopsData(sim$outcomes, sim$covariates, modelType = "pr", addIntercept = TRUE)#> Sorting covariates by covariateId and rowId#Define the prior and control objects to use cross-validation for finding the #optimal hyperparameter: prior <- createPrior("laplace", exclude = 0, useCrossValidation = TRUE) control <- createControl(cvType = "auto", noiseLevel = "quiet") #Fit the model fit <- fitCyclopsModel(cyclopsData,prior = prior, control = control)#> Using cross-validation selector type byRow #> Performing 10-fold cross-validation [seed =<PHONE_NUMBER>] with data partitions of sizes 100 100 100 100 100 100 100 100 100 100 #> Using 1 thread(s) #> Starting var = 0.248 (default) #> Running at Laplace(2.83981) None Grid-point #1 at 0.248 Fold #1 Rep #1 pred log like = 380.425 #> Running at Laplace(2.83981) None Grid-point #1 at 0.248 Fold #2 Rep #1 pred log like = 443.495 #> Running at Laplace(2.83981) None Grid-point #1 at 0.248 Fold #3 Rep #1 pred log like = 532.939 #> Running at Laplace(2.83981) None Grid-point #1 at 0.248 Fold #4 Rep #1 pred log like = 539.865 #> Running at Laplace(2.83981) None Grid-point #1 at 0.248 Fold #5 Rep #1 pred log like = 614.918 #> Running at Laplace(2.83981) None Grid-point #1 at 0.248 Fold #6 Rep #1 pred log like = 445.159 #> Running at Laplace(2.83981) None Grid-point #1 at 0.248 Fold #7 Rep #1 pred log like = 464.306 #> Running at Laplace(2.83981) None Grid-point #1 at 0.248 Fold #8 Rep #1 pred log like = 432.631 #> Running at Laplace(2.83981) None Grid-point #1 at 0.248 Fold #9 Rep #1 pred log like = 503.361 #> Running at Laplace(2.83981) None Grid-point #1 at 0.248 Fold #10 Rep #1 pred log like = 366.59 #> AvgPred = 472.369 with stdev = 72.3644 #> Completed at 0.248 #> Next point at 2.48 with value 0 and continue = 1 #> search[ 0.248 ] = 472.369(72.3644) #> #> Running at Laplace(0.898027) None Grid-point #2 at 2.48 Fold #1 Rep #1 pred log like = 380.438 #> Running at Laplace(0.898027) None Grid-point #2 at 2.48 Fold #2 Rep #1 pred log like = 443.499 #> Running at Laplace(0.898027) None Grid-point #2 at 2.48 Fold #3 Rep #1 pred log like = 532.897 #> Running at Laplace(0.898027) None Grid-point #2 at 2.48 Fold #4 Rep #1 pred log like = 539.811 #> Running at Laplace(0.898027) None Grid-point #2 at 2.48 Fold #5 Rep #1 pred log like = 614.929 #> Running at Laplace(0.898027) None Grid-point #2 at 2.48 Fold #6 Rep #1 pred log like = 445.128 #> Running at Laplace(0.898027) None Grid-point #2 at 2.48 Fold #7 Rep #1 pred log like = 464.308 #> Running at Laplace(0.898027) None Grid-point #2 at 2.48 Fold #8 Rep #1 pred log like = 432.602 #> Running at Laplace(0.898027) None Grid-point #2 at 2.48 Fold #9 Rep #1 pred log like = 503.355 #> Running at Laplace(0.898027) None Grid-point #2 at 2.48 Fold #10 Rep #1 pred log like = 366.587 #> AvgPred = 472.356 with stdev = 72.3594 #> Completed at 2.48 #> Next point at 0.0248 with value 0 and continue = 1 #> search[ 0.248 ] = 472.369(72.3644) #> search[ 2.48 ] = 472.356(72.3594) #> #> Running at Laplace(8.98027) None Grid-point #3 at 0.0248 Fold #1 Rep #1 pred log like = 380.307 #> Running at Laplace(8.98027) None Grid-point #3 at 0.0248 Fold #2 Rep #1 pred log like = 443.48 #> Running at Laplace(8.98027) None Grid-point #3 at 0.0248 Fold #3 Rep #1 pred log like = 533.011 #> Running at Laplace(8.98027) None Grid-point #3 at 0.0248 Fold #4 Rep #1 pred log like = 540.025 #> Running at Laplace(8.98027) None Grid-point #3 at 0.0248 Fold #5 Rep #1 pred log like = 614.806 #> Running at Laplace(8.98027) None Grid-point #3 at 0.0248 Fold #6 Rep #1 pred log like = 445.251 #> Running at Laplace(8.98027) None Grid-point #3 at 0.0248 Fold #7 Rep #1 pred log like = 464.311 #> Running at Laplace(8.98027) None Grid-point #3 at 0.0248 Fold #8 Rep #1 pred log like = 432.745 #> Running at Laplace(8.98027) None Grid-point #3 at 0.0248 Fold #9 Rep #1 pred log like = 503.375 #> Running at Laplace(8.98027) None Grid-point #3 at 0.0248 Fold #10 Rep #1 pred log like = 366.597 #> AvgPred = 472.391 with stdev = 72.3688 #> Completed at 0.0248 #> Next point at 0.00248 with value 0 and continue = 1 #> search[ 0.0248 ] = 472.391(72.3688) #> search[ 0.248 ] = 472.369(72.3644) #> search[ 2.48 ] = 472.356(72.3594) #> #> Running at Laplace(28.3981) None Grid-point #4 at 0.00248 Fold #1 Rep #1 pred log like = 379.821 #> Running at Laplace(28.3981) None Grid-point #4 at 0.00248 Fold #2 Rep #1 pred log like = 443.423 #> Running at Laplace(28.3981) None Grid-point #4 at 0.00248 Fold #3 Rep #1 pred log like = 533.208 #> Running at Laplace(28.3981) None Grid-point #4 at 0.00248 Fold #4 Rep #1 pred log like = 540.45 #> Running at Laplace(28.3981) None Grid-point #4 at 0.00248 Fold #5 Rep #1 pred log like = 614.424 #> Running at Laplace(28.3981) None Grid-point #4 at 0.00248 Fold #6 Rep #1 pred log like = 445.486 #> Running at Laplace(28.3981) None Grid-point #4 at 0.00248 Fold #7 Rep #1 pred log like = 464.303 #> Running at Laplace(28.3981) None Grid-point #4 at 0.00248 Fold #8 Rep #1 pred log like = 433.094 #> Running at Laplace(28.3981) None Grid-point #4 at 0.00248 Fold #9 Rep #1 pred log like = 503.29 #> Running at Laplace(28.3981) None Grid-point #4 at 0.00248 Fold #10 Rep #1 pred log like = 366.502 #> AvgPred = 472.4 with stdev = 72.397 #> Completed at 0.00248 #> Next point at 0.000248 with value 0 and continue = 1 #> search[ 0.00248 ] = 472.4(72.397) #> search[ 0.0248 ] = 472.391(72.3688) #> search[ 0.248 ] = 472.369(72.3644) #> search[ 2.48 ] = 472.356(72.3594) #> #> Running at Laplace(89.8027) None Grid-point #5 at 0.000248 Fold #1 Rep #1 pred log like = 379.632 #> Running at Laplace(89.8027) None Grid-point #5 at 0.000248 Fold #2 Rep #1 pred log like = 443.287 #> Running at Laplace(89.8027) None Grid-point #5 at 0.000248 Fold #3 Rep #1 pred log like = 533.459 #> Running at Laplace(89.8027) None Grid-point #5 at 0.000248 Fold #4 Rep #1 pred log like = 541.143 #> Running at Laplace(89.8027) None Grid-point #5 at 0.000248 Fold #5 Rep #1 pred log like = 614.167 #> Running at Laplace(89.8027) None Grid-point #5 at 0.000248 Fold #6 Rep #1 pred log like = 445.322 #> Running at Laplace(89.8027) None Grid-point #5 at 0.000248 Fold #7 Rep #1 pred log like = 464.2 #> Running at Laplace(89.8027) None Grid-point #5 at 0.000248 Fold #8 Rep #1 pred log like = 433.781 #> Running at Laplace(89.8027) None Grid-point #5 at 0.000248 Fold #9 Rep #1 pred log like = 503.079 #> Running at Laplace(89.8027) None Grid-point #5 at 0.000248 Fold #10 Rep #1 pred log like = 366.266 #> AvgPred = 472.434 with stdev = 72.4588 #> Completed at 0.000248 #> Next point at 2.48e-05 with value 0 and continue = 1 #> search[ 0.000248 ] = 472.434(72.4588) #> search[ 0.00248 ] = 472.4(72.397) #> search[ 0.0248 ] = 472.391(72.3688) #> search[ 0.248 ] = 472.369(72.3644) #> search[ 2.48 ] = 472.356(72.3594) #> #> Running at Laplace(283.981) None Grid-point #6 at 2.48e-05 Fold #1 Rep #1 pred log like = 379.632 #> Running at Laplace(283.981) None Grid-point #6 at 2.48e-05 Fold #2 Rep #1 pred log like = 443.287 #> Running at Laplace(283.981) None Grid-point #6 at 2.48e-05 Fold #3 Rep #1 pred log like = 533.459 #> Running at Laplace(283.981) None Grid-point #6 at 2.48e-05 Fold #4 Rep #1 pred log like = 541.143 #> Running at Laplace(283.981) None Grid-point #6 at 2.48e-05 Fold #5 Rep #1 pred log like = 614.167 #> Running at Laplace(283.981) None Grid-point #6 at 2.48e-05 Fold #6 Rep #1 pred log like = 445.322 #> Running at Laplace(283.981) None Grid-point #6 at 2.48e-05 Fold #7 Rep #1 pred log like = 464.2 #> Running at Laplace(283.981) None Grid-point #6 at 2.48e-05 Fold #8 Rep #1 pred log like = 433.781 #> Running at Laplace(283.981) None Grid-point #6 at 2.48e-05 Fold #9 Rep #1 pred log like = 503.079 #> Running at Laplace(283.981) None Grid-point #6 at 2.48e-05 Fold #10 Rep #1 pred log like = 366.266 #> AvgPred = 472.434 with stdev = 72.4588 #> Completed at 2.48e-05 #> Next point at 1.17698e-26 with value 472.6 and continue = 0 #> search[ 2.48e-05 ] = 472.434(72.4588) #> search[ 0.000248 ] = 472.434(72.4588) #> search[ 0.00248 ] = 472.4(72.397) #> search[ 0.0248 ] = 472.391(72.3688) #> search[ 0.248 ] = 472.369(72.3644) #> search[ 2.48 ] = 472.356(72.3594) #> #> #> Maximum predicted log likelihood (472.6) estimated at: #> 1.17698e-26 (variance) #> 1.30356e+13 (lambda) #> #> Fitting model at optimal hyperparameter #> Using prior: Laplace(1.30356e+13) None#> [1] 1.176981e-26#> 'log Lik.' -2056.259 (df=3)#> (Intercept) 1 2 #> -3.850744 0.000000 0.000000#> Using 1 thread(s)#> covariate 2.5 % 97.5 % evaluations #> [1,] 0 -3.877549 -3.824165 24


HEDWIG AND THE ANGRY INCH
Reviewed by Harvey Karten Fine Line Features/ Killer Films Director: John Cameron Mitchell Writer: John Cameron Mitchell Cast: John Cameron Mitchell, Miriam Shor, Stephen Trask, Michael Pitt, Theodore Liscinski, Michael Aronov, Andrea Martin, Ben Mayer-Goodman
In Steven Spielberg's monumental fairy tale "A.I.: Artificial Intelligence," a lonely and unhappy robot named David is able to give love to his parents but his affection is not reciprocated. In that touching story, we in the audience ignore the fact that David is an android, as Spielberg means us to do, and root for him to get that metaphoric kiss from the princess--and become a real human being. The idea that one cannot be whole without love is pretty much part of the American culture, but John Cameron Mitchell subverts the notion that the love of another is the alpha and omega of human existence with his canny film taken from the off-Broadway hit by the same name, "Hedwig and the Angry Inch." Like Woody Allen, Mitchell's role as writer, actor and star in his own movie puts just about the entire burden of success on his shoulders, and the hugely talented man comes across with a poignant, funny, production featuring his tour de force performance as the title character. As a musical in which the songs regularly advance the plot, "Hedwig" is as different from "The Sound of Music" as Bach's "Passacaglia and Fugue" is from Bill Haley's "Rock Around the Clock." The key word is "different," and therein lies much of its appeal. Saturated as we here in New York are with Broadway revivals of dated works like "Annie Get Your Gun," "Kiss Me Kate," and "42nd Street, we should greet this transsexual named Hedwig with the open arms that she herself longs for during most of the story's 91 minutes, a refreshing blend of Stephen Trask's stirring and meaningful rock music, Frank G. DeMarco's pastel cinematography, Emily Hubley's imaginative animation, and a production design by Therese De Prez that appropriately expands the play well beyond the stage.
"Hedwig and the Angry Inch," which is the remarkable John Cameron Mitchell's film debut as a director, premiered at the recent Sundance Festival and should attract quite a bit of enthusiasm from the critics as well when it opens, presumably on a limited number of screens. Told with an abundance of flashbacks, the yarn opens with a rousing song belted out by Mitchell, after which we flash back to his more youthful days as a child in Berlin with the name of Hansel (Ben Mayer-Goodman). Though Hansel watches his mother slapping and pounding her man and driving him from their East Berlin digs, he absorbs a lesson from his mom (Albert Watson) that life is worthwhile only when you find your other half--poor advice that informs the lad's thinking when he's not bopping to the sounds of rock on American Forces Radio.
Mitchell takes us on a dismal tour of Hedwig's rock band which the singer, donning various copious wigs, takes to the most dismal and sparsely inhabited clubs and coffee houses in Miami Beach, Kansas and the like, at one point recruiting a small group of Korean women to play electric guitar. At one point he falls in love with a cherubic Jesus freak, Tommy (Michael Pitt), who reacts strongly upon finally touching the eponymous angry inch. Hedwig will see himself not only betrayed by the no-longer- innocent young man but virtually deserted by his lead backup singer, Yitzhak (Miriam Shor--who looks every bit a man).
If "A.I." is the exploration of unrequited love, then "Hedwig and the Angry Inch" is an inquiry into the meaning of wholeness. Are we as individuals spending too much time preening and primping and marketing ourselves to others, as though their affection for us is all that we require? Should we not look more deeply into our own selves for what we feel we we're missing?
What puts "Hedwig" over the top is the fortunate marriage of music and motif, personality and panache. Mitchell is astounding in the role of a man whose identity as a transsexual is almost incidental to his search for completion. He tugs at our heartstrings, he makes us laugh, he forces us to care far more than the pathetic folks in the audience during his character's early career as a songwriter and interpreter. He is backed up by a technical team that meshes animation, music and design, giving the picture the very completion that Hedwig himself so earnestly seeks.
Rated R. Running time: 91 minutes. (C) 2001 by Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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http://www.speakers-podium.com/susangranger.
Susan Granger's review of "TARZAN" (Buena Vista/Walt Disney)
"Tarzan" is the best animated adventure since "The Lion King"! Not only does it have family drama, laughter, love, and five new songs by Phil Collins, but it offers young boys a viable role model for the emotional conflicts of adolescence. The story begins as a shipwrecked infant is orphaned in Africa when his parents are devoured by a leopard. Despite the initial reluctance of her mate, he is adopted by a loving female gorilla, Kala (voiced by Glenn Close), who has herself lost a child. As Tarzan matures into a young man (Tony Goldwyn) with the instincts and athletic prowess of a jungle animal, his idyllic habitat is invaded by British visitors, most notably Jane (Minnie Driver). Quickly realizing that she's more like him than any other animal he's ever seen, he's immediately intrigued - and far too curious. Meanwhile, her nutty father (Nigel Hawthorne) and gun-toting, big game hunter (Brian Blessed) pose a threat to the sanctity of the jungle. That much is predictable from the Edgar Rice Burroughs classic. Yet there's a lot that's new here. Tarzan no longer swings on vines; instead, he glides through the trees like a skateboard surfer on safari. And Cheetah's been replaced by annoyingly brash, comical Terk (Rosie O'Donnell). But, even deeper, this Tarzan is an adolescent in search of his own identity, wondering: Who am I? What am I? And, most important, where do I belong? It's a coming-of-age comedy-drama, not unlike "The Lion King," and the thoughtful, sensitive conclusion differs from the traditional tale. On the Granger Movie Gauge of 1 to 10, this "Tarzan" is a timely, triumphant 10. He's a hero for our times: a cool guy who seeks harmony and acts from the heart, utterly devoid of machismo.
The review above was posted to the
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--- layout: default title: Home ---
Hello, my name is Mike Ferron. I'm a programmer. I like to make things on the internet.
I'm currently working in Minneapolis, Minnesota, for The Nerdery as a JavaScript developer.
You can find me on the internet occassionally tweeting and making things on CodePen and GitHub.
Take a look at some of my work, meet me on LinkedIn, or email me at hello@mikeferron.com.


ARMAGEDDON Directed by Michael Bay A case could probably be made that Jerry Bruckheimer and the late Don Simpson are the two men most responsible for the sorry state of the American movie blockbuster. Why was "Godzilla" so godawful? Why did "Speed 2" crash and burn last year? Why did 99 percent of the people who saw it despise "Batman & Robin"? It all goes back to a little movie called "Flashdance." Back in 1983, then-fledgling producers Simpson and Bruckheimer took what was essentially a wisp of an idea -- blue-collar girl dreams of becoming a ballerina -- gussied it up with eye-scorching visuals, set it to a pulsating soundtrack, chopped it together to look like the longest, sexiest MTV clip ever and made a film that became an overnight phenomenon. Cashing in on the rah-rah jingoism of the Reagan era, the duo put together fighter jets, Tom Cruise and a handful of power-ballads and created "Top Gun," a sort of "Flashdance Goes To War." The immense success of these pictures did not go unnoticed by the rest of the film industry, and soon the prevailing attitude in Hollywood seemed to be, "Who cares about characters, plot or dialogue? Just make it look really hot!". Though Simpson and Bruckheimer's magic formula finally lost its fizzle when Cruise's "Days of Thunder" (jokingly referred to by many as "Top Car") quickly ran out of gas at the box-office in 1990, by then the damage was already done: Years of seeing films that emphasized style over substance had shaped the minds and tastes of a new generation of would-be filmmakers who have devoutly followed The Gospel According To Simpson And Bruckheimer. These are the folks who churn out movies like "Batman & Robin," "Speed 2" and "Godzilla," expensive packages that look sensational but are really just concepts in search of development. Michael Bay is one such young director. Trained in the arena of music videos, where no shot can last more than three seconds and chaos is something to achieve rather than avoid, Bay proved in his first features "Bad Boys" and "The Rock" that even though he can't actually tell a story, he can make whatever's going on look plenty exciting. Shoot the people we should admire from low angles, go into slow-motion every time something important is about to take place, make sure everybody sweats picturesquely, and you're halfway home. Bay's hyperactive style gets a workout in the Bruckheimer-produced "Armageddon," a breathless and utterly brainless the-sky-is-falling epic that's so cold and contrived it makes the similarly themed and much more sentimental "Deep Impact" look like "Schindler's List" by comparison. What matters most to Bay and the "Armageddon" screenwriters is destruction instead of drama and pyrotechnics, not people. Its almost total incoherence makes "Armageddon" a kind of breakthrough: This may be the first movie that's actually just a 150-minute trailer for itself. The special effects are generally impressive, particularly an opening attack on New York by a swarm of blazing meteorites and an otherworldly storm in the last half-hour.   Perhaps the biggest shock in "Armageddon" comes when these former oil drillers submit their list of demands to be met in exchange for going into space to stop the Texas-size asteroid that's about to terminate all life on Earth: Although they ask never to have to pay taxes again and to get all their parking tickets fixed, the boys forget to insist the "Porky's" trilogy be brought along as the in-flight entertainment. The leader of the mission is maverick drilling legend Harry S. Stamper, played by Bruce Willis as a man with all the imagination and passion of a metronome. For some reason, as Willis' paychecks have grown substantially larger over the years, his performances have become less and less interesting. Look back at a "Moonlighting" repeat or the original "Die Hard" and you'll see an actor who wanted to entertain people. Look at "Armageddon" and you'll see a self-satisfied star waiting to be adored. Stamper has a twentysomething daughter Grace (Liv Tyler) who's secretly wrinkling the sheets with Stamper's protege A.J. (Ben Affleck). When Stamper first learns of the couple's afternoon delights, he responds by grabbing a shotgun and chasing A.J. all over an oil rig, blasting away recklessly while "black gold" rains down on one and all. This scene occurs about ten minutes into "Armageddon," and offers a preview of the documentary-style realism to come in the next two hours and 20 minutes. Almost immediately after this lighthearted escapade, Stamper and Grace are seized by government agents and whisked off to Washington, where NASA honcho Truman (Billy Bob Thornton) begs Stamper to help destroy the killer rock that's hurtling toward our planet at 22,000 miles per hour. "Not a soul on Earth can hide from it," Truman warns, although lines such as this may cause the audience to wonder if he's referring to the asteroid or Disney's insanely expensive worldwide marketing campaign for "Armageddon." >From this point on, you can probably put together the rest of the movie yourself. Just cut your I.Q. in half and remember to spice up your confused action sequences with rollicking comic interludes of the sort generally not found outside straight-to-video "Ernest" flicks. Halfway through "Armageddon" a goofy, English-mangling Cosmonaut (Peter Stormare) turns up to do an extended hommage to that oft-ignored quipmaster Yakov Smirnoff. To quote another former space traveller, "Oh, the pain, the pain!". Affleck, sporting distractingly bright new caps on his teeth that are hardly in keeping with his character's hard-scrabble past, generally looks lost amidst the fireworks. Tyler's portrayal shows once and for all she's the Daryl Hannah of the '90s, a beautiful face with no personality and in dire need of a strong director to bring out her potential. Hannah lucked out in such films as "Roxanne" and "Steel Magnolias"; Tyler was perfectly fine in "That Thing You Do" and "Stealing Beauty." But Bay isn't the kind of director who cares about performances anyhow: As long as you can shout your dialogue over the ruckus in the background, you're O.K. in his book. Though Thornton lends a certain gravity to a colorless part, the only actor who really enlivens "Armageddon" is Steve Buscemi, whose frequent zingers are so much sharper than anything else in the script -- most of "Armageddon"'s dialogue consists of variations on "I've got to inform the President," "Suck it up," and the ever-popular "Go! Go! Go!" -- it would not be a shock to discover they were ad-libbed. The only other moments of humor in this turgid experience come from the filmmakers' attempts to visualize life in the American Midwest, which they see as a place somewhere between "The Waltons" and "The Grapes of Wrath," with ancient trucks, antique radios, Moms in cotton housedresses and young'uns cavorting in rickety homemade go-carts they might well have borrowed from The Little Rascals. What a wonderful world it would be if "Armageddon" opened at the local picture show and all the real-life Midwesterners stayed home to listen to Buck Rogers radio dramas and read Flash Gordon comics instead. James Sanford
The review above was posted to the
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---
layout: page
title: FreeRADIUS 'man' pages
subtitle: Documentation from the server
subpage: true
navorder: 200
hero: documentation
subnav:
- text: Programs
link: '/radiusd/man/#programs'
- text: Configuration Files
link: '/radiusd/man/#files'
- text: Modules
link: '/radiusd/man/#modules'
---
rlm_counter
Section: FreeRADIUS Module (5)
Updated: 13 March 2004
Index
Return to Main Contents
NAME
rlm_counter - FreeRADIUS Module
DESCRIPTION
The
rlm_counter module provides a general framework to
allow access based on accumulated usage of a resource, such as
total time online in a given period, total data transferred in
a given period, etc. This is very useful in a 'Prepaid Service'
situation, where a user has paid for a finite amount of usage
and should not be allowed to use more than that service. Collection,
monitoring, and replenishment of prepaid services are beyond the
scope of this module.
The main configuration items to be aware of are:
- filename
-
The filename where the usage data is stored.
- key
-
An attribute which will be present in the Access-Request to be used as
the 'index' value for the counter. A counter entry is tracked for
each unique key. The most likely key you will want to use is User-Name.
- count_attribute
-
An attribute which will be used to increment the counter value. If this
attribute is Acct-Session-Time or an integer value the counter data is
incremented by the Attribute value. For all other attribute types the
counter is incremented by one.
- reset
-
How frequently the counter data should be set back to 0. Valid values for
this variable are:
hourly,
daily,
weekly,
monthly,
ornever
Alternatively, it can be user defined, in the form: num[hdwm]. num is
a numeric value, followed by one or none of the following letters. h: hours,
d: days, w: weeks, m: months.
- check_name
-
This defines an attribute name which will be registered by the counter module
and can be used to set the maximum allowed value for the counter after which
the user is rejected. If Daily-Session-Time is set, you can use the following
syntax in the Users file to set a cap of 3600 seconds ( 8 hours ):
-
DEFAULT Max-Daily-Session := 3600
- reply_name
-
This is the name of the attribute which will contain the remaining value for
the counter in the reply packet when the user is successfully authorized. The
default attribute name is "Session-Timeout".
- allowed_service_type
-
This can be used to only apply the limitations to specific service types of
sessions. For example, setting this to Framed-User will only apply the counter
module to Framed sessions, excluding other types such as Telnet or Rlogin.
- cache_size
-
The maximum size of the cache to be used by the module. The default is 1000.
NOTES
This module registers an attribute, so it should be added to the
instantiate section, to be called on server startup. When used
in the authorize section, it must come after any modules which
set the 'check_name' attribute.
SECTIONS
instantiate,
authorize,
accounting
FILES
/etc/raddb/radiusd.conf
SEE ALSO
radiusd(8),
radiusd.conf(5)
rlm_sqlcounter(5)
AUTHOR
Chris Parker,
<EMAIL_ADDRESS>Index
- NAME
-
- DESCRIPTION
-
- NOTES
-
- SECTIONS
-
- FILES
-
- SEE ALSO
-
- AUTHOR
-
This document was created by
man2html,
using the manual pages.
Time: 17:19:42 GMT, March 12, 2018


Current version: 2.2.0
Welcome to osx2x. osx2x is an application designed to help people with multiple computers on their desk free up some desk space by reducing the number keyboards and mice they need. It allows the user to use just the keyboard and mouse on their Mac OS X machine to control another machine running either an X11 server or a VNC server.
For example, in the above setup, the left machine runs X11 and the right machine runs Mac OS X with a VNC server running. The keyboard and mouse of the middle machine, running osx2x, can be used to control the left and right machine by forwarding any input from the middle machine to the other two. Better yet, osx2x can be set up so that you just move the mouse off the left on the middle machine's screen and it appears to move the cursor on the left hand machine as if it where one continuous desktop!
To run osx2x you need:
The below diagram shows the main osx2x window. It is a very basic interface, with only three widgets:
The top section lists the current connections made. In the above picture the user is connected to a VNC server on a machine called ofhidro and to an X11 server on a machine called kettle. The edge position field notes that if the mouse is moved off the east side of the controlling machine's screen it will start working on the machine called ofhidro, and if moved off the west side of the screen it will start controlling kettle.
The two buttons on the main window allow you to create a new connection, or to close an existing connection. When you click the New Connection button you will see a panel like the one shown below:
The first entry in the panel is used to specify the target host which you wish to control, specified in the form of hostname:screen-number, similar to the format used in the first screen shot. If you drop down this combo box, you should see the last five servers you connected to, and selecting one will update the rest of the panel to the settings you last used with that server. The next item is for enabling edge detection. There are five options here: None, East, West, North, or South. With None selected, osx2x will require you to use a keypress to toggle when keyboard and mouse events are sent to the X Windows server. If you enable either East, West, North, or South then osx2x will let you move the mouse off that side of the screen and then control of remote host will be activated, moving the cursor to the opposide edge of the remote display, creating the illusion of a single contiguous desktop. The third item lets you specify whether you are connecting to a X11 or VNC server.
The fourth item allows you to tell osx2x to automatically reconnect to this server, if it is available, next time you launch osx2x. This saves you having to open a regular set of connections every time you run osx2x. You can also enable or disable this option for active connections from the connection menu.
The next two fields are used for authentication, used depending on the connection method used. Currently no authenication is used for an X11 connection, and only the password field is used for VNC authentication. Finally there is a connect button to attempt the connection and a cancel button to not do the connection.
The following steps indicate how to use osx2x. To make the description easier, we assume you have two machines named machost and either xwindowshost or vnchost, on which you are running osx2x and either an X Windows server or VNC server respectively.
When you move onto a remote session, you will see a translucent arrow appear on your monitor indicating off which side the cursor is. This is to aid you finding the cursor should you lose track of it (e.g., you return from getting coffee :). Unless you explicitly close it, the osx2x window will also pop up when you move the cursor onto a remote session. This was a requirement before version 2.1, but that is no longer the case, so you should close the osx2x window once you have finished adding any servers you want to the list. You can get the window back again by clicking on the osx2x icon in the dock.
While osx2x is in the foreground (regardless of whether keyboard events are being forwarded or not) it can be used to copy and paste data between the Mac OS X pasteboard and the X Windows clipboard (this functionality currently works with X11 remote hosts). Command-c will copy the contents of the current X selection from X Windows server to the Mac OS X pasteboard. Command-v will cause osx2x to have the active clipboard selection on the X Windows server.
There are currently four items that can be set in the Preferences window:
osx2x uses the standard X Windows XTest functionality to send events from the Mac to the X Windows server; without this then some custom software would have to run on the X Windows host, which would limit the ability of osx2x to connect to clients without caring about the remote machine type. Unfortunately, XTest is not secure, so all keyboard and mouse events are transmitted in plain text between the two machines. The same is true of the VNC protocol. This is of particular importance if you use a WaveLAN network without WEP encryption. Thus, the user should be aware of this when typing possibly sensitive information such as passwords on the remote session.
The clipboard/pasteboard functionality currently only supports data of type XA_STRING.
osx2x is licensed under the terms of the BSD License.
osx2x is Copyright 2002, 2003, 2004 by Michael Dales


CDBF Class Reference
Custom brancher implementing CDBF. More...
Classes | |
| class | Choice |
| Choice More... | |
Public Member Functions | |
| CDBF (Home home, ViewArray< Int::IntView > &l, ViewArray< Int::IntView > &b, IntSharedArray &s) | |
| Construct brancher. | |
| CDBF (Space &home, CDBF &cdbf) | |
| Copy constructor. | |
| virtual Actor * | copy (Space &home) |
| Copy brancher. | |
| virtual size_t | dispose (Space &home) |
| Delete brancher and return its size. | |
| virtual bool | status (const Space &) const |
| Check status of brancher, return true if alternatives left. | |
| virtual Gecode::Choice * | choice (Space &) |
| Return choice. | |
| virtual const Gecode::Choice * | choice (const Space &, Archive &e) |
| Return choice. | |
| virtual ExecStatus | commit (Space &home, const Gecode::Choice &_c, unsigned int a) |
| Perform commit for choice _c and alternative a. | |
| virtual void | print (const Space &, const Gecode::Choice &_c, unsigned int a, std::ostream &o) const |
| Print explanation. | |
Static Public Member Functions | |
| static void | post (Home home, ViewArray< Int::IntView > &l, ViewArray< Int::IntView > &b, IntSharedArray &s) |
| Brancher post function. | |
Protected Attributes | |
| ViewArray< Int::IntView > | load |
| Views for the loads. | |
| ViewArray< Int::IntView > | bin |
| Views for the bins. | |
| IntSharedArray | size |
| Array of sizes (shared). | |
| int | item |
| Next view to branch on. |
Detailed Description
Custom brancher implementing CDBF.
This class implements complete decreasing best fit branching (CDBF) from: Ian Gent and Toby Walsh. From approximate to optimal solutions: Constructing pruning and propagation rules. IJCAI 1997.
Additional domination rules are taken from: Paul Shaw. A Constraint for Bin Packing. CP 2004
Definition at line 198 of file bin-packing.cpp.
Constructor & Destructor Documentation
| CDBF::CDBF | ( | Home | home, | |
| ViewArray< Int::IntView > & | l, | |||
| ViewArray< Int::IntView > & | b, | |||
| IntSharedArray & | s | |||
| ) | [inline] |
Construct brancher.
Definition at line 241 of file bin-packing.cpp.
Copy constructor.
Definition at line 253 of file bin-packing.cpp.
Member Function Documentation
| static void CDBF::post | ( | Home | home, | |
| ViewArray< Int::IntView > & | l, | |||
| ViewArray< Int::IntView > & | b, | |||
| IntSharedArray & | s | |||
| ) | [inline, static] |
Brancher post function.
Definition at line 247 of file bin-packing.cpp.
| virtual size_t CDBF::dispose | ( | Space & | home | ) | [inline, virtual] |
Delete brancher and return its size.
Reimplemented from Gecode::Actor.
Definition at line 263 of file bin-packing.cpp.
| virtual bool CDBF::status | ( | const Space & | ) | const [inline, virtual] |
Check status of brancher, return true if alternatives left.
Implements Gecode::Brancher.
Definition at line 270 of file bin-packing.cpp.
| virtual Gecode::Choice* CDBF::choice | ( | Space & | ) | [inline, virtual] |
| virtual const Gecode::Choice* CDBF::choice | ( | const Space & | , | |
| Archive & | e | |||
| ) | [inline, virtual] |
| virtual ExecStatus CDBF::commit | ( | Space & | home, | |
| const Gecode::Choice & | _c, | |||
| unsigned int | a | |||
| ) | [inline, virtual] |
Perform commit for choice _c and alternative a.
Implements Gecode::Brancher.
Definition at line 340 of file bin-packing.cpp.
| virtual void CDBF::print | ( | const Space & | , | |
| const Gecode::Choice & | _c, | |||
| unsigned int | a, | |||
| std::ostream & | o | |||
| ) | const [inline, virtual] |
Print explanation.
Reimplemented from Gecode::Brancher.
Definition at line 360 of file bin-packing.cpp.
Member Data Documentation
ViewArray<Int::IntView> CDBF::load [protected] |
Views for the loads.
Definition at line 201 of file bin-packing.cpp.
ViewArray<Int::IntView> CDBF::bin [protected] |
Views for the bins.
Definition at line 203 of file bin-packing.cpp.
IntSharedArray CDBF::size [protected] |
Array of sizes (shared).
Definition at line 205 of file bin-packing.cpp.
int CDBF::item [mutable, protected] |
Next view to branch on.
Definition at line 207 of file bin-packing.cpp.
The documentation for this class was generated from the following file:
- examples/bin-packing.cpp


WITNESS LIST Judicial Affairs Committee April 23, 2003-12:00A HB 1511 For: Enoch, Craig (Self) Hill, John (Self) Limbaugh, Steve (Self) Patterson, Jan (Self) Phillips, Thomas (Self) Pitts, Jr., John (Self) Smith, Tom (Public Citizen) Against: Gerstenschlager, Merry Lynn (Self and Texas Eagle Forum) Haskell, Frank (Self) Leal, Gloria (Mexican American Bar Association of Texas) HB 1582 For: Smith, Tom (Public Citizen) HJR 63 For: Enoch, Craig (Self) Phillips, Thomas (Self) Smith, Tom (Public Citizen) Against: Gerstenschlager, Merry Lynn (Self and Texas Eagle Forum) Leal, Gloria (Mexican American Bar Association of Texas)


It was about 10:00 at night in my house in the middle of nowhere, a ten acre bush. I felt like chillin' and I'd heard that Wormwood and Catnip could both get you high. They were meant to be like pot but not as good. I'm not a big experimenter... it was meant to be light and I just wanted to relax. I'd dried a few finely broken up leaves of wormwood and catnip just on my desk for a couple of days. They were not moist to touch like when you just pick them off the plant, but not dry and brittle either. I rolled a joint mixing them both in evenly. I took it outside to smoke it. I wasnt expecting much... in fact while I was smoking it I forgot that I was doing anything mind altering. The smoke was bitter... but not completely unpleasent. It still went down quite easily and I had no trouble holding it in my lungs (I'm not a big smoker; dont smoke tobacco).
While I was taking the last few hits I started to notice that color was more evident. There were no dramatic changes in my state of mind or anything like that yet... but things seemed more... lucent and intricate. This became more and more evident. I felt quite happy while I didnt conciously feel a sudden euphoric boost. When I finished the joint, I decided to sit on the table and meditate.
It was a cold night and life was teaming around me. Normally I wouldnt go and sit on a table outside at night... but I saw nothing against it then. I sat there, staring into the distance. The trees and the stars. Just letting it all in. I looked into the distance. Everything else started to dissapear. Just what I was staring at remained. Even visually. I can usually achieve this with deep meditation in the right state, but now it just happened.
Everything was there... it started to go blotchy while I did not move. I just sat staring. I remembered seeing figures emerge out of blackness... just blackness. A path, a palace. It was not the kind of hallucination you would experience on 'shrooms or anything. I definiteley knew what was real and what was not... but that was not what I was thinking about. I sat there... just staring. God knows for how long. I honestly lost track of time.
As I looked around I *definitely* experienced more evidence of color. It was just like broom tops were meant to produce (or so I had read). Especially the reds. The orange plant outside my door seemed to be amazingly red. I know it doesnt sound amazing... but it was... just red. I began to feel enlightened. I really was quite sure I was enlightened. I could think and not be scared. Everything seemed just... there. I walked around a bit, thinking of how I felt. I felt no fear, hatred, or anger. I felt at one. I went back to my room, feeling quite enchanted. I saw my computer was on and I decided to write a poem. A poem of how I felt being enlightened. It was quite long, looking back at it. The first few lines read:
No vibrant patterns
No colorfull gurus
Just here
Here/there
Behold
Its beauty
No long enchantments
No Heroic experiences
Just here
Here
Behold
And spoke I not
Need I do
Behold
My greatness
No more than yours
Behold
His, Her greatness
Or All
It could all disappear
And I would be here
I felt in love with everything. Then I went to my bed. I noted how sleepy I was... I usually wasnt this sleepy at 10:40. But it was peacefull sleepy, not nagging sleepy. It was inviting me to come to the land of dreams, not bugging me to go to bed. I lay down and felt warm. Warm and at rest. I began to think about my state. Then for the first time I got frightened because I thought that explaining it would destroy it. But quite quickly I concluded, which I'm still quite amazed with, that in this state of mind, everything has meaning... nothing was just a token. It was unbelieveable.
I then saw a friend was messaging me on my computer. By now it was about 11:00. I started talking to him and I didnt think I said anything perticularly strange. I think it was starting to wear off... now I just felt peaceful. I pottered around for another 40 minutes... much of which was spent writing this. Its now 11:50. The orange tint on everything is waring off. Now I just feel happy and peacefull. I have a mild headache and and stomach ache, not enough to bother me though. I feel great actually. I dont think I'll do it every night though beacause a) I think I've gathered as much as I ever will from it; its not the state of mind that I really enjoyed, and b)I hear that wormwood is, although a mild one, a narcotic and continued use can cause addiction.
In conclusion, a great experience. I did not particularly enjoy the weird red tints on things and mild hallucinations, although I'm sure these aided the state of mind. I really feel quite enlightened. I dont know if it was just me, but you should definiteley give it a go. If you benefit from it as much as I did, you wont regret it.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Don't Mess with "Shaft" by Homer Yen (c) 2000
When Detective Shaft (Samuel L. Jackson) says, "don't make me chase you," the bad guy better be able to escape. When Detective Shaft is involved in a shoot out, the bad guy better not miss. When Detective Shaft is on a mission, you better stay out of his way. If you don't, he'll come at you with the fury of a tornado. He's a man to be reckoned with, and he'll do whatever it takes to get things done.
Shaft will have to take matters into his own hands if he is to find closure with his latest case, which involves the death of a young, black man at a local club. Arrogantly confessing to the crime is Wade (Christian Bale), son of a wealthy and well-respected community member. He gloats about what he did and chuckles to Shaft that he'll be released on bail and that nothing will ever happen to him. Because no witnesses will testify and Wade has squirrelly lawyers, he easily posts bail and walks away.
Shaft is incensed. He wonders how justice can be so blind. But he knows what to do. He must find a witness to the murder. Using his unique brand of sleuthing skills, which means invariably demanding favors or threatening people, he is able to locate Diane (Toni Collette). She was a bartender at the club that night who actually saw the crime take place. She has been silent, fearing that testifying against such a powerful person would be extremely dangerous. Shaft promises to keep her safe, but when Wade finds out about Diane's intentions, he wants to have her permanently silenced.
"Shaft" (the man and the movie) is mostly about attitude and style. Jackson is very confident, sporting a wicked goatee while clad in leather pants, a leather overcoat, and sleek sunglasses. The women just love him ("it's my duty to please your booty," he says to one of them). He talks tough, walks tall, and never let's you down. Meanwhile, the film showcases the nostalgic look and feel of a 70's film. It has a soundtrack unique to that era, features Richard Roundtree (who was the original Shaft), and includes Isaac Hayes (who sang the original) singing the opening song.
Yet, about two-thirds of the way into the film, the glaze of the "Starsky & Hutch"-like soundtrack and Shaft's penchant to insult and intimidate may begin to bore you. You discover that the film is spiritlessly plotted and lacks a rewarding dramatic arc. It also becomes oddly chaotic as it approaches the final climactic scenes. New people seem to come out of nowhere, and there is a very busy shoot out sequence where dozens of bad guys are crammed into a small apartment.
There are heroes that use intelligence to best their opponents and there are heroes that use weapons to defeat their enemies. But Detective Shaft (Samuel L. Jackson) virtually taunts them into submission. He reminds us that fighting crime is a tough business, and it requires an equally rugged individual to get things done. He stares down his opponents, spews threats like a volcano spews lava, and takes matters into his own hands when he thinks, for example, that a pistol whipping might get the point across more effectively. This guy is one tough mutha.
Grade: C+
S: 1 out of 3 L: 3 out of 3 V: 2 out of 3
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