Class: Aws::FSx::Types::CreateDataRepositoryAssociationRequest
| Relationships & Source Files | |
| Super Chains via Extension / Inclusion / Inheritance | |
|
Class Chain:
self,
Struct
|
|
|
Instance Chain:
self,
::Aws::Structure ,
Struct
|
|
| Inherits: |
Struct
|
| Defined in: | gems/aws-sdk-fsx/lib/aws-sdk-fsx/types.rb |
Overview
Constant Summary
Instance Attribute Summary
-
#batch_import_meta_data_on_create ⇒ Boolean
rw
Set to
true
to run an import data repository task to import metadata from the data repository to the file system after the data repository association is created. -
#client_request_token ⇒ String
rw
(Optional) An idempotency token for resource creation, in a string of up to 63 ASCII characters.
-
#data_repository_path ⇒ String
rw
The path to the Amazon S3 data repository that will be linked to the file system.
-
#file_system_id ⇒ String
rw
The globally unique ID of the file system, assigned by Amazon FSx.
-
#file_system_path ⇒ String
rw
A path on the file system that points to a high-level directory (such as
/ns1/
) or subdirectory (such as/ns1/subdir/
) that will be mapped 1-1 withDataRepositoryPath
. -
#imported_file_chunk_size ⇒ Integer
rw
For files imported from a data repository, this value determines the stripe count and maximum amount of data per file (in MiB) stored on a single physical disk.
-
#s3 ⇒ Types::S3DataRepositoryConfiguration
rw
The configuration for an Amazon S3 data repository linked to an Amazon FSx Lustre file system with a data repository association.
-
#tags ⇒ Array<Types::Tag>
rw
A list of
Tag
values, with a maximum of 50 elements.
Instance Method Summary
Instance Attribute Details
#batch_import_meta_data_on_create ⇒ Boolean
(rw)
Set to true
to run an import data repository task to import
metadata from the data repository to the file system after the data
repository association is created. Default is false
.
# File 'gems/aws-sdk-fsx/lib/aws-sdk-fsx/types.rb', line 1018
class CreateDataRepositoryAssociationRequest < Struct.new( :file_system_id, :file_system_path, :data_repository_path, :, :imported_file_chunk_size, :s3, :client_request_token, : ) SENSITIVE = [] include Aws::Structure end
#client_request_token ⇒ String
(rw)
(Optional) An idempotency token for resource creation, in a string of up to 63 ASCII characters. This token is automatically filled on your behalf when you use the Command Line Interface (CLI) or an Amazon Web Services SDK.
A suitable default value is auto-generated. You should normally not need to pass this option.
# File 'gems/aws-sdk-fsx/lib/aws-sdk-fsx/types.rb', line 1018
class CreateDataRepositoryAssociationRequest < Struct.new( :file_system_id, :file_system_path, :data_repository_path, :, :imported_file_chunk_size, :s3, :client_request_token, : ) SENSITIVE = [] include Aws::Structure end
#data_repository_path ⇒ String
(rw)
# File 'gems/aws-sdk-fsx/lib/aws-sdk-fsx/types.rb', line 1018
class CreateDataRepositoryAssociationRequest < Struct.new( :file_system_id, :file_system_path, :data_repository_path, :, :imported_file_chunk_size, :s3, :client_request_token, : ) SENSITIVE = [] include Aws::Structure end
#file_system_id ⇒ String
(rw)
The globally unique ID of the file system, assigned by Amazon FSx.
# File 'gems/aws-sdk-fsx/lib/aws-sdk-fsx/types.rb', line 1018
class CreateDataRepositoryAssociationRequest < Struct.new( :file_system_id, :file_system_path, :data_repository_path, :, :imported_file_chunk_size, :s3, :client_request_token, : ) SENSITIVE = [] include Aws::Structure end
#file_system_path ⇒ String
(rw)
A path on the file system that points to a high-level directory
(such as /ns1/
) or subdirectory (such as /ns1/subdir/
) that will
be mapped 1-1 with DataRepositoryPath
. The leading forward slash
in the name is required. Two data repository associations cannot
have overlapping file system paths. For example, if a data
repository is associated with file system path /ns1/
, then you
cannot link another data repository with file system path
/ns1/ns2
.
This path specifies where in your file system files will be exported
from or imported to. This file system directory can be linked to
only one Amazon S3 bucket, and no other ::Aws::S3
bucket can be linked to
the directory.
/
) as the file system path,
you can link only one data repository to the file system. You can
only specify "/" as the file system path for the first data
repository associated with a file system.
# File 'gems/aws-sdk-fsx/lib/aws-sdk-fsx/types.rb', line 1018
class CreateDataRepositoryAssociationRequest < Struct.new( :file_system_id, :file_system_path, :data_repository_path, :, :imported_file_chunk_size, :s3, :client_request_token, : ) SENSITIVE = [] include Aws::Structure end
#imported_file_chunk_size ⇒ Integer
(rw)
For files imported from a data repository, this value determines the stripe count and maximum amount of data per file (in MiB) stored on a single physical disk. The maximum number of disks that a single file can be striped across is limited by the total number of disks that make up the file system.
The default chunk size is 1,024 MiB (1 GiB) and can go as high as 512,000 MiB (500 GiB). Amazon S3 objects have a maximum size of 5 TB.
# File 'gems/aws-sdk-fsx/lib/aws-sdk-fsx/types.rb', line 1018
class CreateDataRepositoryAssociationRequest < Struct.new( :file_system_id, :file_system_path, :data_repository_path, :, :imported_file_chunk_size, :s3, :client_request_token, : ) SENSITIVE = [] include Aws::Structure end
#s3 ⇒ Types::S3DataRepositoryConfiguration (rw)
The configuration for an Amazon S3 data repository linked to an Amazon FSx Lustre file system with a data repository association. The configuration defines which file events (new, changed, or deleted files or directories) are automatically imported from the linked data repository to the file system or automatically exported from the file system to the data repository.
# File 'gems/aws-sdk-fsx/lib/aws-sdk-fsx/types.rb', line 1018
class CreateDataRepositoryAssociationRequest < Struct.new( :file_system_id, :file_system_path, :data_repository_path, :, :imported_file_chunk_size, :s3, :client_request_token, : ) SENSITIVE = [] include Aws::Structure end
#tags ⇒ Array
<Types::Tag> (rw)
A list of Tag
values, with a maximum of 50 elements.
# File 'gems/aws-sdk-fsx/lib/aws-sdk-fsx/types.rb', line 1018
class CreateDataRepositoryAssociationRequest < Struct.new( :file_system_id, :file_system_path, :data_repository_path, :, :imported_file_chunk_size, :s3, :client_request_token, : ) SENSITIVE = [] include Aws::Structure end


Table with all promotions
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|---|---|---|---|---|---|---|---|---|---|---|
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| # | Image | Code | Name | Made | Regular Price | Discount | From Date | To Date | Promotional Price | |
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Through this effect a cutscene is triggered.
Create a trigger cutscene effect:
We can choose among the cutscenes of the chapter. It is noticeable that once the cutscene ends the effects and the switches of the scene associated are executed. Once the associated cutscene effects are over they will continue executing the other effects in order. That is, although the fact of launching an object triggers other indirect effects, this does not involve cutting the flow of the effects expected to be launched.
Example: We have the following effects asociated to watch an object::


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|
PLATFORMER_BERRY_NINJA
|
#include <platformer/GameObject.hpp>
#include <SDL_mixer.h>
#include "SpriteComponent.hpp"
#include "BoundingBoxAware.hpp"
Go to the source code of this file.
Classes | |
| class | PlayerCameraAwareObject |
| A game object class that is aware of the camera that is following the main player. More... | |
Enumerations | |
| enum | OnPlayerCollisionAction { NOTHING, DESTROY, DESTROY_WITH_ANIMATION, ANIMATE } |
| An enum that represents available actions when a Player collides with a PlayerCameraAwareObject. More... | |
An enum that represents available actions when a Player collides with a PlayerCameraAwareObject.


We exchange users!
- orchestrate best-of-breed platforms
- evolve visionary methodologies
- visualize best-of-breed initiatives
- engage 24/365 niches
- syndicate B2C relationships
- synthesize compelling web-readiness
- envisioneer 24/7 methodologies
- productize best-of-breed users
- productize 24/365 supply-chains
- redefine world-class models
- expedite visionary e-tailers


I am a recent Mechanical Engineering graduate from the University of Southampton and trained in scientific computational techniques alongside my major in 'Advanced Materials'.
My most recent project involved developing closed and open-loop control systems, their UI's, and integrated them with optimisation algorithms.
I am quite proficient in LabView, Python and C and also have experience with MatLab and SolidWorks. I also enjoy some web-designing if time permits.


Simple Rating
Setting up rating is just a class away
Predefined Score
You can easily set a default score
More Stars
You can easily set the number of stars
Reset Button
You can also add a reset button to your rating
Hint Text
Current Hint:
Precision Rating
You can also rate with extra precision
Rating Variations
You can easily set different colors..
..different icons..
..or change icons’ size:


Prototyping, Assignment 1
1. Research
I had to make a prototype for a phone stand. To do that, I needed to look through some research. In class, my classmates and I did a google search for phone stands. These were the things that stood out to us.
One of the things in class we learned was how its good to be inspired and start off by trying to copy what has been done before. These were good examples of working phone stands to try and prototype, thus I (and some of my classmates) went with this.
I drew this together with my classmates. It was the first draft. We had difficulty trying to figure out the perspective and had to re-draw it twice.
This is the second one where we managed to identify three different parts to make and what each part should probably look like.
Here is a more detailed drawing of each part, it’s dimensions and where its slits are supposed to go. I made this to get a more precise prototype later on. I realised the importance of having specific measurements and making sure it coincides with the other pieces. Without precise measuring and consideration, the prototype would not fit and ultimately be a fail.
2. Prototyping Process
Before starting it is worth taking into account different slot sizes/types. This came in very useful when making the prototype as you need to know different attachment types to make something that works/sticks together. Another thing to take note of is the kind of cardboard you are using. It is best to use something with sufficient thickness, I used regular box cardboard (from my redmart delivery), but cork cardboard is good as well (if not better).
While cutting it out, I ran into a few problems. First was my precision in cutting and sharpness of the blade. I did not expect the cardboard to be so thick yet soft. I realised that you have to accept that while you trial and error, you are bound to make some inaccurate/messy cuts (such as the ones below)
My main realisation while making this prototype is that I had misjudged the slots at the back. These slots were intended to be for adjustment sake. However, I did not take into account how far back this would make the stand as well as how thick each slot would be (I had only drawn lines).
Another problem I ran into was that the phone did not have any grip from the front hence it kept sliding down. This is not something I caught in the ideation process as well as my discussion with my classmates. Hence, it was a good discovery and realisation when testing this prototype. This is the video of the prototype, As you can see, the slots of the cardboard pieces fit each other precisely. I also did not make use of glue so that the pieces could move and shift around with ease.
3. Final
However, overall the prototype was successful. The slots sloted each other well and the dimensions proved to be accurate. The images below are the hero shots of the final prototype.
Thank you! That's all :)
Last updated: 25th November 2020


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George Atkins received grant to develop Open Educational Resources for Writing 102
Trey Bagwell received grant to develop Open Educational Resources for Writing 250
Keith Boran was promoted to Lecturer
Sheena Boran helped to create online writing instruction resource guide
Kerry Bowers received grant to develop Open Educational Resources for Writing 250
Bill Boyle saw his novel Gravesend published in French by François Guérif
Michelle Bright served as a representative for Oxford High School drama department at Mississippi Delta Tennessee Williams Festival in Clarksdale, Mississippi.
Jenny Bucksbarg presented Prezi presentation regarding FASTrack vs. non-FASTrack students and their ability to critically think and write about race at National Civil Rights Conference in Meridian, Mississippi.
Gretchen Bunde received special acknowledgement for teaching excellence
Dixon Bynum received 2015-2106 Tennessee Arts Commission Individual Artist Grant for Creative Non-fiction
Brad Campbell gave keynote presentation "The Hats We Wear and the Jobs We Share." Writing Center Association Annual Conference. Mississippi State University. Starkville, MS. April 16, 2016
Emily Cooley conducted volunteer tutoring for high school students and Leap Frog in Oxford, Mississippi.
Betty Crane published a booklet of our writing with her writing group and donated proceeds to our local library in September 2016.
Andrew Davis completed APLU grant to develop adaptive composition course.
Dominiqua Dickey published God's Gonna Trouble the Water" in Mississippi Noir, edited by Tom Franklin, Akashic Books, 2016.
Chip Dunkin promoted to Lecturer.
JoAnn Edwards planned and executed the Speaker’s Edge competition for 2017.
Sean Ennis published “Hope and Wild Panic” short story on Amazon Digital Services.
LaToya Faulk presented “Cultivating Reflective Consciousness in Freshman Composition: Classroom Partnerships with Writing Centers,” at the Conference on College Composition and Communication in Portland, OR, on March 15-18, 2017.
Shanna Flaschka is piloting a new textbook, Food: A Reader for Writers, for Writing 102 in Spring 2017.
Karen Forgette is teaching an Independent Study composition course for incarcerated women.
Jane Gardner relocated to Natchez, Miss where she has taken on an increased teaching load of WRIT 250 online.
Wendy Goldberg was promoted to Lecturer.
Shirley Gray organized INTERCOM, a student organization to foster social integration for students from other nations.
Angela Green presented “The Closed Fist and the Open Hand: The Art of Persuasion and HBO’s The Wire” at the College Composition and Communication Conference in Portland, Oregon, on 16 March 2017.
Meredith Harper is developing a proposal for a LIBA 102 course focusing on fashion.
Bill Hays is at drafting a creative writing project with the working title “The Divining Rod”
Virginia Henry published “The Blue Line Boy” and “A Long Tenebrae” in Big Muddy: A Journal of the Mississippi River Valley.
Alison Hitch presented “Zadie Smith’s White Teeth: The Indoctrination of the Son by the Father” at SAMLA 88 in Jacksonville, Florida. This is an abbreviated version of her forthcoming dissertation.
Kate Hooper directed True West at the Powerhouse, with a cast and crew of students and citizens from North Mississippi.
Whit Hubbard working on manuscript “Men’s Studies” for publication on Amazon.
Amie Irwin published “Sardis Song” and “Long Exposure Fireflies” in About Place Journal.
Jennifer Jackson presented at the PCA ACA Conference in Seattle as part of a Rhetoric & Composition panel on her use of NYT in the First Year Classroom.
Rachel Johnson presented “Inspiring Action by Enabling Agency in Interdisciplinary Advanced Writing Courses” at the Conference on College Composition and Communication in Houston, Texas.
Guy Krueger completed APLU grant to develop adaptive composition course.
Karla Lyles completed her PhD at NC State University.
Kellye Makamson presented "Civil Writing: Advocating for Change Through Teaching College Writing" at the 6th National Civil Rights Conference, June 19-22, 2016, Meridian, MS.
Kevin Malloy served as Speech and Debate judge for the University of Mississippi High School Speech and Debate Tournament.
Carrie McCormick helped to pilot HireVUE for Speech faculty.
Briana McCoy is redeveloping Writing 350 after returning from Japan.
Jane Meek relocated from Miami, Florida, to Brooklyn, New York, where she has volunteered as community organizer helping neighbors master effective written and spoken communication to participate in the political process.
David Miller won the 2016 Kramer Award for excellence in teaching.
Claire Mischker presented “De-mystifying the Writing Center and Empowering Writers: A Rhetorical Approach to Interdisciplinary Collaboration” at MSWCA.
Stephen Monroe selected as OER Research Fellow by the Open Education Research Group at BYU, sponsored Gates, Hewlett, and Lumen Foundations.
Ellie Moore co-presented "Ushering Students Toward Dynamic Presentations by Managing Anxiety" at DWR Fall Orientation.
Alice Myatt co-edited Writing program and writing center collaborations: Transcending boundaries (New York: Palgrave Macmillan).
Amber Nichols-Buckley presented “Global, Social, and Digital: Digital Tools and Strategies in the Writing Classroom” at the Conference on College Composition and Communication in Houston, Texas.
Sara Olsen drafting dissertation "Sex and Violence in Early American Literature About Slavery"
Jeanine Rauch is teaching Study USA course this summer in Austin, Texas.
Chad Russell continues to lead Assessment Committee and attended virtual conference for using Word Press in higher education.
Fara Shook received team grant to develop OER for WRIT 102 theme course for STEM students.
Beth Spencer "Recent Poetry and Fiction" presentation with Bill Boyle, Sean Ennis and Whit Hubbard at the 2017 Annual Meeting of the Southeastern Writing Center Conference, February 16-18, 2017, Oxford, MS.
Steffen Brendan received team grant to develop OER for WRIT 102 theme course for STEM students.
Colleen Thorndike developed “Comp Quest” video game to gamify the composition classroom for greater student engagement.
Mary Brooks Tyler came back from extended personal leave to help FASTrack students in one-to-one conferences.
Marc Watkins finalist for the St. Lawrence Book Award.
Sarah Wilson presented "The Emphasis Shifts: Social Media and Sentence Construction." Presentation given at the PCA/ACA 2017 Annual Conference, April 12-15, 2017, San Diego, CA.
Henry Wise was hired for full-time teaching position at Virginia Military Institute.
Debra Yancy is helping to design Speech 305.
Joe Zendarski continuing study of contemporary poetry, ecocritical writing with a focus on the construction of the American identity in relation to nature, and the farm to table movement.


Futbol Club Barcelona is a professional football club, based in Barcelona. Catalonia, Spain. Foundered in 1899 by a group of Swiss, English and Catalan footballers led by Joan Gamper, the has become a symbol of Catalan culture and Catalanism, hence the motto “Mes que un club”(more than a club). Unlike many other football clubs, the supporters own and operate Barcelona. It is the second most valuable sport team in the world, worth $3.56 billion, and the world’s second richest football club in term of revenue, with an annual turnover of €560.8 million. The official Barcelona anthem is the”Cant del Barcelona”, written by Jaume Picas and Josep Maria Espinas.
Domestically, Barcelona has won 24 La Liga, 28 Copa del Rey, 12 Supercopa de Espana, 3 Copa Eva Duarte and 2 Copa de la Liga trophies, as well as being the record holder for the latter four competitions. In international club football, Barcelona has won five UEFA Champions League titles, a record four UEFA Cup Winners’ Cup, a shared record five UEFA Super Cup, a record three inter-Cites Fairs Cup and a record three FIFA Club World Cup, a shared record two latin cup trophies. Barcelona was ranked first in the IFFHS Club World Ranking for 1997, 2009, 2011, 2012, and 2015 ans currently occupies the third position on the UEFA club rankings. The club has a long-standing rivalry with Real Madrid; matches between the two teams are referred to as El Clasico.


One more revolution, my love
One more time through the fire
One more revolution, my love
We’ll march into enemy fire
Revolution one
Post of the week
Researchers have created an AI that draws what a person is looking at in real-time by reading and decoding brain waves. There is an associated paper with this on bioRxiv but I like this post more. This gets my post of the week nomination because I did not expect it to be happening for many, many years.
Blogs and commentary
- Google et al. spend a heck of a lot of time teaching computers to play computer games. Now they have finally gotten one which smashes most people on StarCraft II
- The ‘three-body problem’ is hard. However, given an initial state you can now solve it using a neural net millions of times faster than the traditional solver.
- Facial recognition tech struggles to identify transgender people
Tools of the trade
- Following on from the post last time where I introduced Netflix’s polyglot notebooks, the post was a little light on how you use them on a day to day basis. Don’t worry though, TowardsDataScience has got your back.
- In a similar vein, tweag.io talk about using nix (<3) to make reproducible notebook environments. All of the talk around RAP is focussed on the reproducability but the truth of the matter is that there is a tangle of low-level dependencies, which is different for each language, and the notebooks have no idea how to set these up for you. If you want to make something which is much simpler to pass around (albeit with a dependency on being able to use nix) then this is for you.
- Additionally, coding habits in these notebooks (note: I did not say standards) of people who are not software engineers are terrible, myself included. Go improve your habits and make the lives of others and your future self much easier.
Functional programming propaganda
- Lenses are complicated and reading code making use of them probably has you
feeling like you fell into an alternate reality where somebody fell asleep on
their keyboard, predominantly with their face on
.
,^
and~
. However, the practical applications of lenses are massive. - If Haskell didn’t curry its functions, would we still care about applicative functors?
- Interview coding tests are typically pretty fun exercises. Here’s how you might, functionally, go about solving a robot’s journey problem.
- If you’re struggling to get to grips with making your code more like mathematics, then James Sinclair has a good list of things he wishes someone had explained about functional programming.
Origin of the title
Refused have a new album out. Its really quite good, and I like it a lot more now that I’ve seen some of it live. This is the opening line of the sample from the first track.


Architectural Control Committe (ACC):
The goal of the Architectural Control Committee is to maintain property values and compliance with applicable covenants when a homeowner makes property changes. The
Covenants for each phase specify that certain property changes require ACC approval. This committee reviews proposed plans and grants approval to proceed. For now, this includes items like
an addition to your home, building a deck, fence, or shed, or other work which might affect neighbors.
Homeowners must submit plans for fences, decks, sheds/ outbuildings, additions, and other structures which require architectural approval to the ACC. You may wish to review your
Covenants for your particular home, before contacting them.
To contact the ACC, please include the following information to
<EMAIL_ADDRESS>- Your name and house address
- A description of the work that you plan to do
- A PDF drawing of the plans
Communications Committee:
The Communications Committee is responsible for facilitating communications with residents of Prairie Fields, including an Annual Newsletter, maintaining this website and a facebook group, sending email updates. You can subscribe to HOA Email List here. The Communications Committee conducts most of its business via email, but does occasionally get together to assemble mailings.
To volunteer on the Communications committee, email the HOA secretary at<EMAIL_ADDRESS>Election Committee:
The Election Committee is responsible for running an annual election of the homeowners within Prairie Fields. The election takes place in November of each year, and the purpose is to elect people to the Board of Directors and to allow a chance for referenda, if any, to be voted upon.
Contact us at<EMAIL_ADDRESS>Events Committee:
The Events Committee is responsible for organizing events for residents of Prairie Fields. Events include:
- Block Parties
- International Potluck
- Prairie Fields Garage Sale (June)
- Savoy Orchard Days (September)
- Halloween Parade (October)
- Diwali Celebration (October or November)
- Holiday Caroling (December)
The events committee is also in need of a chairperson, and is always in need of more volunteers to assist with planning and running various events and activities. If you would like to volunteer on the events committee or have an idea for an event, email
<EMAIL_ADDRESS>Welcoming Committee:
The Welcoming committee is responsible for welcoming new residents to Prairie Fields. If you would like to assist this committee, email board@prairiefieldshoa.com.


Books Before Bars is an initiative put together by students from Keene High School to collect books for the Chesire Country Correctional Facility. Books are collected from boxes placed around Keene in the following locations: . Then, they are logged and delivered to the Correctional Facility biweekly. The goal of this project is to increase the size and quality of the Correctional Facility's library, to lower recidivism rates, and to raise awareness of rehabilitation in jails and prisons.
Books Donated
Total Staff
Here we have some words that have been said about this project and what they think about it


ADQL Docstrings¶
-
class
ADQL.adql.
ADQL
(dbms='oracle', mode=0, level=7, encoding=None, debugfile=None, racol='ra', deccol='dec', xcol='x', ycol='y', zcol='z', indxcol=None)¶ ADQL class
ADQL is a variant of SQL that is understood by no DBMSs, the main difference from generic SQL being support for sky spatial constraints.
One approach to supporting ADQL is to extend the DBMS with these ADQL-specific constructs. The alternate approach taken here is to translate the ADQL into local SQL before sending it to the DBMS.
Since we also want to make use of spatial indexing to speed up spatial searches, we include in this translation additional spatial index column constraints. This requires reference to special added columns.
The hope is that this code can be leveraged by others who either wish to add spatial indexing to their DBMS the same way we have or would like a starting place for developing code around their own DBMS.
This package is complementary to but independent from our implemetation of the IVOA Table Access Protocol (TAP); a web service for managing remote database requests for astronomy in a general way. TAP manages requests/results and is generally fed ADQL. This ADQL translator is used by our TAP implementation to turn ADQL into SQL the local DBMS can handle directly.
-
sql
(adql)¶ sql() converts an ADQL statement into SQL appropriate to an Oracle database with HTM or HPX spatial index columns.
- Parameters
adql (string, required) – ADQL string, including geometric constraints.
- Returns
- Return type
SQL string for Oracle, including pure-SQL spatial constraints.
-


java.lang.Class.newInstance()
.
The newInstance
method propagates any exception thrown by
the no-arg constructor, including a checked exceptions. Use of this method
effectively bypasses the compile-time exception checking that would
otherwise be performed by the compiler.
The quick-fix replaces such a method call with a call to the
java.lang.reflect.Constructor.newInstance()
method. This method
avoids this problem by wrapping any exception thrown by the constructor in a
(checked) java.lang.reflect.InvocationTargetException
.
Example:
clazz.newInstance()
After the quick-fix is applied:
clazz.getConstructor().newInstance();


Easy access
Eassy to check your account balance,track your usage by hourly and manage in one handy spot in everywhere in country.
Visibility
It's helps you to form a clear view of your home energy usage. When you have clear visibility of consumption and cost across your entire energy estate, you’re able to take control of the energy you use.
Clear Plan
Determining how much electricity your appliances and home electronics use can help you understand how much money you are spending to use them.


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to point Google Street View directly at the issue you want to highlight.
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Tech companies tried to help us spend less time on our phones. It didn’t work.
By
Ahmad Shadeed
@shadeed9
Design
Tech
Business


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| micranthiformis micranthiformis micranthiforme | small flowered form | |||
| micros | micr | adj | μικροϛ small, little, short | |
| anthos | anth | noun/n | ανϑοϛ flower | |
| i | i | cnct | connective vowel used by botanical Latin | |
| formis | form | adj | in botanical Latin a substantive suffix for nouns derived from 'forma': to be in the form or shape of... | |
| micranthos micrantheis | small flower | |||
| micros | micr | adj | μικροϛ small, little, short | |
| anthos | anth | noun/n | ανϑοϛ flower | |
| Aeschynomene micranthos (Poir.) DC. | ||||
| micranthus micrantha micranthum | small flowered | |||
| micros | micr | adj | μικροϛ small, little, short | |
| anthos | anth | noun/n | ανϑοϛ flower | |
| us | adj | Latinizing suffix | ||
| Hackelia micrantha (Eastw.) J.L.Gentry Ocimum micranthum Willd. Lupinus micranthus Dougl., non Guss. | ||||
| microbotrys microbotryes | small grape | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| botrys | botry | noun/m | βοτρυϛ grape | |
| Sambucus microbotrys Rydb. | ||||
| microcalyx microcalyces | small calyx | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| calyx | calyc | noun/f | καλυξ, υκοϛ husk, covering, calyx | |
| Gentiana microcalyx J.G. Lemmon | ||||
| microcarpos microcarpos microcarpon | small seeded | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| carpos | carp | noun/m | καρποϛ fruit | |
| os | adj | οϛ adjectival suffix | ||
| Dichanthelium microcarpon (Muhl. ex Ell.) Mohlenbrock Oxycoccus microcarpos Turcz. ex Rupr. | ||||
| microcarpus microcarpa microcarpum | small fruits | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| carpos | carp | noun/m | καρποϛ fruit | |
| us | adj | Latinizing suffix | ||
| Agrimonia microcarpa Wallr. Arceuthobium microcarpum (Engelm.) Hawksworth & Wiens Lupinus microcarpus Sims | ||||
| microcephalus microcephala microcephalum | small headed | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| cephale | cephal | noun/f | κεφαλη head; front; end, point; source, top; chief person | |
| us | adj | Latinizing suffix | ||
| Liatris microcephala (Small) K.Schum. Calicium microcephalum (Sm.) Ach. Haplopappus microcephalus Cronq. | ||||
| microceras microcerates | small horns | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| ceras | cerat | noun/n | κεραϛ, ατοϛ horn, antlers | |
| microdasys microdasys microdasys | small and hairy | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| dasys | dasy | adj | δασυϛ hairy, bushy, thick grown | |
| Opuntia microdasys (Lehm.) Pfeiff. | ||||
| microdontus microdonta microdontum | small toothed | |||
| micros | micr | adj | μικροϛ small, little, short | |
| odon | odont | noun/m | οδων, οντοϛ Ion a tooth | |
| us | adj | Latinizing suffix | ||
| Carex microdonta Torr. & Hook. Solanum microdontum Bitter Cyperus microdontus Torr. | ||||
| microhelius microhelia microhelium | small sun | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| helios | heli | noun/m | ηλιοϛ the sun | |
| us | adj | Latinizing suffix | ||
| microlepis microlepides | small scale | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| lepis | lepid | noun/f | λεπιϛ scale, shell | |
| Dianthus microlepis Boiss. | ||||
| microleucus microleuca microleucum | small and white | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| leucos | leuc | adj | λευκοϛ bright, brilliant, clear; white, pale | |
| us | adj | Latinizing suffix | ||
| microphyllus microphylla microphyllum | small leaved | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| phyllon | phyll | noun/n | φυλλον leaf; foliage | |
| us | adj | Latinizing suffix | ||
| Acaena microphylla Hook.f. Geranium microphyllum Hook.f. Philadelphus microphyllus Gray | ||||
| microsepalus microsepala microsepalum | small sepals | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| sepalum | sepal | noun/n | Mod L sepal; = Gk skepe (covering) + petalum (petal) (coined in 1790 by H. J. de Necker) | |
| skepe σκεπη covering; shelter, protection | ||||
| petalum πεταλον Mod L petal (Gk: leaf, tablet) | ||||
| us | adj | Latinizing suffix | ||
| Crookea microsepala (Torr. & Gray) Small Hypericum microsepalum (Torr. & Gray) Gray ex S. Wats. | ||||
| microspermus microsperma microspermum | small seeded | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| sperma | sperm | noun/n | σπερμα seed, germ | |
| us | adj | Latinizing suffix | ||
| Muhlenbergia microsperma (DC.) Trin. Nasturtium microspermum DC. Sporobolus microspermus (Lag.) A. Hitchcock | ||||
| microthecus microtheca microthecum | small container | |||
| micros | micr | adj | μικροϛ small, little, short | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| thece | thec | noun/f | ϑηκη a container, box | |
| us | adj | Latinizing suffix | ||
| Eucalyptus microtheca F. Muell. Eriogonum microthecum Nutt. | ||||
| militaris militaris militare | military | |||
| militaris | militar | adj | of soldiers, war, military | |
| Hibiscus militaris Cav. | ||||
| milleflorus milleflora milleflorum | thousand flowered | |||
| mille | mille | adj | a thousand | |
| florus | flor | ppar | floreo to bloom, to flower | |
| millefoliatus millefoliata millefoliatum | with 1,000 leaves | |||
| mille | mille | adj | a thousand | |
| foliatus | foliat | adj | provided with or having leaves | |
| Gilia millefoliata Fisch. & C.A. Mey. Ranunculus millefoliatus Vahl | ||||
| millefolius millefolia millefolium | 1,000 leaved | |||
| mille | mille | adj | a thousand | |
| folius | foli | adj | folium leaf | |
| Acacia millefolia S. Wats. Achillea millefolium L. | ||||
| miniatus miniata miniatum | painted vermilion | |||
| miniatus | miniat | adj | colored with red-lead or cinnabar; colored red | |
| Castilleja miniata Dougl. Bryum miniatum Lesq. Lamprococcus miniatus Beer | ||||
| minimus minima minimum | smallest | |||
| minimus | minim | adj | superlative of parvus small, little, insignificant | |
| Mibora minima (L.) Desv. Allium minimum M.E. Jones Calochortus minimus Ownbey | ||||
| minor minor minus | smaller | |||
| minor | min | adj | comparative of parvus small, little, insignificant | |
| Briza minor L. Rhododendron minus Michx. | ||||
| minusculus minuscula minusculum | rather or very small | |||
| minusculus | minuscul | adj | rather or very small | |
| Rebutia minuscula Schum. Mimulus minusculus Greene | ||||
| minutiflorus minutiflora minutiflorum | small flowered | |||
| minutus | minut | ppar | small, minute, little | |
| i | i | cnct | connective vowel used by botanical Latin | |
| florus | flor | ppar | floreo to bloom, to flower | |
| Eschscholzia minutiflora S.Wats. Epilobium minutiflorum Hausskn. Cercocarpus minutiflorus Abrams | ||||
| minutifolius minutifolia minutifolium | small leaved | |||
| minutus | minut | ppar | small, minute, little | |
| i | i | cnct | connective vowel used by botanical Latin | |
| folius | foli | adj | folium leaf | |
| Brongniartia minutifolia S. Wats. Leptospermum minutifolium C. T. White | ||||
| minutissimus minutissima minutissimum | smallest | |||
| superlative of minutus | minut | ppar | small, minute, little | |
| issimus | issim | adj | superlative suffix; most so, to the greatest degree; most-, -est (e.g. largest, prettiest, whitest) | |
| Mimulus minutissimus Eastw. | ||||
| minutus minuta minutum | small | |||
| minutus | minut | ppar | small, minute, little | |
| Acacia minuta (M.E. Jones) Beauchamp Amblystegiella minutissima (Sull. & Lesq. in Sull.) Nichols Calicium minutissimum G. Merr. Anastrophyllum minutum (Schreb.) Schust. | ||||
| mirabilis mirabilis mirabile | wonderful, marvelous, extraordinary | |||
| mirabilis | mirabil | adj | that which may be wondered at, wonderful, marvelous, extraordinary | |
| Rhektophyllum mirabile N. E. Br. Viola mirabilis L. | ||||
| mirus mira mirum | marvelous | |||
| mirus | mir | adj | marvelous, extraordinary | |
| Crataegus mira Beadle Tragopogon x mirus Ownbey | ||||
| miserrimus miserrima miserrimum | most miserable | |||
| superlative of miser | miser | adj | miserable, wretched, sick | |
| rimus | rim | adj | superlative suffix; most so, to the greatest degree; most-, -est (e.g. largest, prettiest, whitest) | |
| Epidendrum miserrimum Reichenb. f. | ||||
| mitis mitis mite | soft | |||
| mitis | mit | adj | ripe; soft | |
| Bidens mitis (Michx.) Sherff | ||||
| mitissimus mitissima mitissimum | softest | |||
| superlative of mitis | mit | adj | ripe; soft | |
| issimus | issim | adj | superlative suffix; most so, to the greatest degree; most-, -est (e.g. largest, prettiest, whitest) | |
| Ononis mitissima L. |


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--- layout: post status: publish published: true title: Attention author: Leask author_login: leask author_email<EMAIL_ADDRESS>author_url: https://leaskh.com wordpress_id: 315 wordpress_url: http://leaskh.wordpress.com/2007/12/29/attention date: '2007-12-29 04:08:57 +0800' date_gmt: '2007-12-29 04:08:57 +0800' categories: tags: [] comments: [] ---


There are many colorful flowers on the path of life, but the prettiest have the sharpest thorns.
~ Afrikan Proverb


3/27 email
To the CSI Community,
I hope this finds everyone safe and healthy! It is essential everyone take extra good care of yourselves and practice shelter-in-place. There is so much we cannot control, but there is so much we can do to stem the spread of this virus. By taking care of ourselves, we take care of each other. Please keep in mind that we are ALL in this together.
Forgive my online absence in my communications! As all of us are we working so hard to make many transitions to foster good will and extend compassion, I have been mired with overextended requests and needs. But I promise to submit daily communications to help the larger communication that is called for when we find ourselves deep in a pandemic.
Please see Barbara Bowen’s most recent communication in response to Chancellor Matos-Rodriguez’s “recalibration” message. This is important for all faculty, and staff, to be aware of. I have heard from faculty at CSI that the Chancellor’s message was confusing and ill-timed. The PSC agrees. As you will read in Barbara’s communication, the one college s whose Faculty Senate voted to honor the first schedule, prior to the “recalibration”, is the Borough of Manhattan Community College. But there may be other colleges who vote to replicate the same strategy.
But please read the message below (in a different post, ed.), and please contact me if you have any questions or responses.
Lastly, as a CSI colleague and chapter chair, I want to express my deep gratitude to every single faculty and staff member at our college. The commitment to public education, to the CUNY mission and our students, in the face of such harrowing conditions, is why I chose to work where I do.


Web forms are a very powerful tool for interacting with users — most commonly they are used for collecting data from users, or allowing them to control a user interface.
This module will help you master the essentials of web forms.
The HTML  element represents a multi-line plain-text editing control, useful when you want to allow users to enter a sizeable amount of free-form text, for example a comment on a review or feedback form.
rows
and cols
attributes to allow you to specify an exact size for the <textarea> to take.
<form>
Feedback:
<textarea name="feedback" rows="5" cols="33"></textarea>
</form>
The HTML <select> element represents a control that provides a menu of options. It defines as drop-down list
The <option> elements defines an option that can be selected
By default, the first item in the drop-down list is selected. To define a pre-selected option, add the selected
attribute to the option
The <select> element has some unique attributes you can use to control it, such as multiple
to specify whether multiple options can be selected, and size
to specify how many options should be shown at once.
<form> Select your level:  <select id="level" name="level"> <option value="Beginner">Beginner</option> <option value="Intermediate">Intermediate</option> </select> </form>
The HTML <datalist> element contains a set of <option> elements that represent the permissible or recommended options available to choose from within other controls.
The <datalist> gives option to user either choose from dropdown or provide for same.
The attribute list
for <input> should be same as id
attribute of <datalist>
<form> Favourite Game:  <input type="text" name="game" list="games" > <datalist id="games"> <option value="Cricket">Cricket</option> <option value="Football">Football</option> </datalist> </form>
How an <input> works varies considerably depending on the value of its type attribute
The <input> element of type email
are used to let the user enter and edit an e-mail address.
The input value is automatically validated to ensure that it's either empty or a properly-formatted e-mail address.
<form>
Email:
<input type="email" id="email" placeholder="Your Email Id" >
</form>
The <input> element of type number
are used to let the user enter a number. They include built-in validation to reject non-numerical entries.
<form>
Number:
<input type="number" name="number" id="number" placeholder="Give us count" >
</form>
The <input> elements of type tel
are used to let the user enter and edit a telephone number.
* The input value is not automatically validated to a particular format before the form can be submitted, because formats for telephone numbers vary so much around the world.
* pattern
when specified, is a regular expression that the input's value must match in order for the value to pass constraint validation.
<form>
Phone Number:
<input type="tel" id="phone" name="phone" placeholder="Your contact number" >
</form>
The <input> elements of type file
let the user choose one or more files from their device storage.
The accept
attribute value is a string that defines the file types the file input should accept.
The capture
attribute value is a string that specifies which camera to use for capture of image or video data
And multiple
allows to upload more than one file.
<form>
Upload your file:
<input type="file" id="file" name="file" >
</form>
The <input> elements of type checkbox
<form>
Upload your file:
<input type="checkbox" id="checkbox" name="checkbox" >
</form>
The <input> elements of type color
provide a user interface element that lets a user specify a color, either by using a visual color picker interface or by entering the color into a text field in #rrggbb hexadecimal format.
<form>
Choose color:
<input type="color" name="color" id="color" >
</form>
All Date and Time period related input fields.
<form> Date:  <input type="date" name="date" id="date"> Time:  <input type="time" name="time" id="time"> Datetime:  <input type="datetime-local" name="datetime" id="datetime"> Week:  <input type="week" name="week" id="week"> Month:  <input type="month" name="month" id="month"> </form>
The <input> elements of type range
let the user specify a numeric value which must be no less than a given value, and no more than another given value.
<form>
<input type="range" name="range" id="range" >
Volume
</form>
The HTML <OUTput> is a container element into which a site or app can inject the results of a calculation or the outcome of a user action.
The oninput
event is calculating value each time range input changes its value.
<form oninput="result.value = range.value"> Volume <input type="range" name="range" id="range" value="50" > <output name="result" for="range">50</output> </form>
The HTML <meter> element represents either a scalar value within a known range or a fractional value.
Other than min
and max
attribute, two more attributes are introduced, low
and high
.
low
is low end of the measured range. This must be greater than the min value. While high
is high end of measured range and must be lower than max value.
optimum
attribute it gives an indication where along the range is considered preferable.
<form> Fuel level: <meter id="meter" name="meter" min="0" max="100" low="33" high="66" optimum="80" > At 50/100 </meter> </form>
The HTML <progress> displays an indicator showing the completion progress of a task, typically displayed as a progress bar.
<form> File progress: <progress id="file" max="100" value="70"> 70% </progress> </form>
The HTML <fieldset> element is used to group several controls as well as labels (
<form> <fieldset> <legend>Log In</legend> Username: <input type="text" name="username" id="username"> Password: <input type="password" name="password" id="password"> </fieldset> </form>


Nate Lane
Developer
[menu]
[ menu ]
Skills and Examples
Work History
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Resume
Back To Examples


Match Game
MATCH THE COUCHES WITH THE OWNERS!
Instructions:
Drag the correct owner's name to the picture of his couch. If it is correct, the picture will blink.


'favorite-fruit'.d("$choice=" // a DIV class="favorite-fruit" element, with $choice status variable defined in its scope
,'B.selected'.d("! title ($choice not-yet)?") // a with textual content involving $choice value
,'UL.options'.d("* fruit" // this UL element repeats its content for each row in the fruit dataset
,'LI' .d("! .fruit") // each LI element shows fruit value for its data row, and
.ui("$choice=.fruit") // on UI event (click by default) will update $choice with the fruit from its data
).d(''
,'LI'.d("! `listitem")
)
).d("! `favfruit!!")
.DICT({ // strings and other constants are supposed to be defined here, not inside the rules
title:"My favorite fruit is ", // textual messages gathered in one place are easier to maintain and localize if needed
"not-yet":"what?", // hyphens and other symbols are okay for entry names, as long as they are quoted
fruit:["apple","orange","tomato","banana"] // datasets data may be ordinary arrays containing any kind of data
})


BEST IN SHOW * * *
Director: Christopher Guest Writers: Christopher Guest, Eugene Levy Cast: Christopher Guest, Eugene Levy, Catherine O'Hara, Parker Posey, Jennifer Coolidge, Fred Willard Rated PG-13, 89 minutes
Harlan Pepper (Christopher Guest) is preparing his bloodhound to sniff out the faults in his fellow canine competitors. Gerry and Cookie Fleck (Eugene Levy and Catherine O'Hara) are getting their terrier ready for battle. Sheri Ann Ward Cabot (Jennifer Coolidge) and her hired trainer hope their poodle will win a third consecutive blue ribbon. Scott Donlan (John Michael Higgins) and Stefan Vanderhoof (Michael McKean) are a gay couple who pamper their animal, and hope for victory. Meg and Hamilton Swan (Parker Posey and Michael Hitchcock) have high hopes for success with their dog. What's gotten all of these people and others all worked up? The Mayflower Dog Show of course! It's the world's most fabulous event for pooches and their owners alike. The tough rivalry and judges send some of the humans into states of insanity, while others feel less pressure. Calling this group of people quirky is an understatement. Using nearly the exact same cast from Guest's previous picture, "Waiting for Guffman," "Best in Show" tries for a similar triumph, but this judge says the picture is stale.
After "Guffman," plus previously co-writing and co-starring in "This Is Spinal Tap," there are few roads Guest can take for further creative achievement, especially in the mockumentary genre. Rather than experiment with something new, the director and co-writer decided to repeat himself. That was a mistake because this production almost negatively affects his past work. If someone sees this, and then goes to rent "Guff," the disappointment continues. Since it feels like the people of Blaine, Missouri agreed to appear in another film, it's rather a situation of which movie you see first. Either of them works wonderfully for the first spot, but watch the other sour in second.
This isn't to say there's a lack of material, or that nothing is funny.  She must have spent millions on a long necklace that outlines her large breasts in gleaming diamond fashion. While no Corky St. Clair, Guest's performance as Harlan Pepper is quite good. The problem is that both of these persons get little screen time. The most time goes to the surprisingly lackluster Eugene Levy. The running gag is that his wife has slept with every man they encounter on their drive to the show. It works, yet he's overused. I finally understand why people find Parker Posey annoying. Her way over-the-top bit here as a control freak catalog and Starbucks lover was just plain irritating. At least Fred Willard never lets up the enthusiasm as a dog show commentator who asks irksome questions to his posh British colleague. Willard's comments and ideas to improve the show are the high point here.  There needs to be one sane person here to balance it out.
The animal and its owner(s?) that do win the title prize weren't my first or second choice, yet there's little mystery or tension as to who the winner(s?) is(are?) early on.
While far superior, "Best in Show" shares a remarkably similar problem with "Scary Movie." The actors act like they know they're in a satire. That never works! You can see the snickering in their faces. Only when a person doesn't believe they're being watched can they fully be themselves, and, therefore, provide prime comedy. "Scary" was awfully cruel with the beings onscreen, something "Show," thankfully, does not do.
At 89 minutes, this movie is entirely too long. The film tends to repeat itself, and the pet pampering gets annoying. There's no apparent reason behind all of this love and affection, besides some faux human nature. The dogs get treated like little children. And how do the dogs turn out? They emerge unscathed from this semi-humorous film that touches, but never delves into the many chances for humor that it covers. The real competitions are much more fun to watch. This doesn't reach the potential possible of canine mockery. Guest should go back to the drawing boards, or maybe back to Blaine.
A film review by Frankie Paiva. Copyright 2000 Frankie Paiva.
See more of my reviews at http://homestead.com/cinemaparadise/mainpage.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Nature step into wonderland in 'OOPSIE (My Bad)' MV 12 Nov 2019, 09:02 by germainej Nature step into wonderland in 'OOPSIE (My Bad)' MV


Hide/Show Menu
Click anywhere on the screen to set a starting point,
after that click or drag on adjacent boxes to create a route,
after creating a route, click on Start button
Start/Next Gen
Toggle Trails


Welcome to the HPX documentation!¶
If you’re new to HPX you can get started with the Quick start guide. Don’t forget to read the Terminology section to learn about the most important concepts in HPX. The Examples give you a feel for how it is to write real HPX applications and the Manual contains detailed information about everything from building HPX to debugging it. There are links to blog posts and videos about HPX in Additional material.
If you can’t find what you’re looking for in the documentation, please:
open an issue on GitHub;
contact us on IRC, the HPX channel on the C++ Slack, or on our mailing list; or
read or ask questions tagged with HPX on StackOverflow.
What is HPX?¶
HPX is a C++ Standard Library for Concurrency and Parallelism. It implements all of the corresponding facilities as defined by the C++ Standard. Additionally, in HPX we implement functionalities proposed as part of the ongoing C++ standardization process. We also extend the C++ Standard APIs to the distributed case. HPX is developed by the STE||AR group (see People).
The goal of HPX is to create a high quality, freely available, open source implementation of a new programming model for conventional systems, such as classic Linux based Beowulf clusters or multi-socket highly parallel SMP nodes. At the same time, we want to have a very modular and well designed runtime system architecture which would allow us to port our implementation onto new computer system architectures. We want to use real-world applications to drive the development of the runtime system, coining out required functionalities and converging onto a stable API which will provide a smooth migration path for developers.
The API exposed by HPX is not only modeled after the interfaces defined by the C++11/14/17/20 ISO standard. It also adheres to the programming guidelines used by the Boost collection of C++ libraries. We aim to improve the scalability of today’s applications and to expose new levels of parallelism which are necessary to take advantage of the exascale systems of the future.
What’s so special about HPX?¶
HPX exposes a uniform, standards-oriented API for ease of programming parallel and distributed applications.
It enables programmers to write fully asynchronous code using hundreds of millions of threads.
HPX provides unified syntax and semantics for local and remote operations.
HPX makes concurrency manageable with dataflow and future based synchronization.
It implements a rich set of runtime services supporting a broad range of use cases.
HPX exposes a uniform, flexible, and extendable performance counter framework which can enable runtime adaptivity
It is designed to solve problems conventionally considered to be scaling-impaired.
HPX has been designed and developed for systems of any scale, from hand-held devices to very large scale systems.
It is the first fully functional implementation of the ParalleX execution model.
HPX is published under a liberal open-source license and has an open, active, and thriving developer community.
- Why HPX?
- ParalleX—a new execution model for future architectures
- What is HPX?
- What makes our systems slow?
- Technology demands new response
- Governing principles applied while developing HPX
- Focus on latency hiding instead of latency avoidance
- Embrace fine-grained parallelism instead of heavyweight Threads
- Rediscover constraint-based synchronization to replace global Barriers
- Adaptive Locality Control instead of Static Data Distribution
- Prefer moving work to the data over moving data to the work
- Favor message driven computation over message passing
- Quick start
- Terminology
- Examples
- Manual
- Getting HPX
- HPX build system
- Creating HPX projects
- Starting the HPX runtime
- Launching and configuring HPX applications
- Writing single-node HPX applications
- Writing distributed HPX applications
- Running on batch systems
- Debugging HPX applications
- Optimizing HPX applications
- HPX runtime and resources
- Miscellaneous
- Troubleshooting
- Additional material
- Overview
- All modules
- algorithms
- allocator_support
- assertion
- cache
- collectives
- concepts
- concurrency
- config
- datastructures
- debugging
- errors
- execution
- filesystem
- format
- functional
- hardware
- hashing
- iterator_support
- logging
- plugin
- preprocessor
- program_options
- Resiliency
- segmented_algorithms
- statistics
- testing
- thread_support
- timing
- topology
- type_support
- util
- Releases
- HPX V1.4.0 (unreleased)
- HPX V1.3.0 (May 23, 2019)
- HPX V1.2.1 (Feb 19, 2019)
- HPX V1.2.0 (Nov 12, 2018)
- HPX V1.1.0 (Mar 24, 2018)
- HPX V1.0.0 (Apr 24, 2017)
- HPX V0.9.99 (Jul 15, 2016)
- HPX V0.9.11 (Nov 11, 2015)
- HPX V0.9.10 (Mar 24, 2015)
- HPX V0.9.9 (Oct 31, 2014, codename Spooky)
- HPX V0.9.8 (Mar 24, 2014)
- HPX V0.9.7 (Nov 13, 2013)
- HPX V0.9.6 (Jul 30, 2013)
- HPX V0.9.5 (Jan 16, 2013)
- HPX V0.9.0 (Jul 5, 2012)
- HPX V0.8.1 (Apr 21, 2012)
- HPX V0.8.0 (Mar 23, 2012)
- HPX V0.7.0 (Dec 12, 2011)
- About HPX


pacman --remove
Arch Linux package manager utility.
More information: home page
- Remove a package and its dependencies:
sudo pacman --remove --recursive package_name
- Remove a package and both its dependencies and configuration files:
sudo pacman --remove --recursive --nosave package_name
- Remove a package without prompting:
sudo pacman --remove --noconfirm package_name
- Remove orphan packages (installed as dependencies but not required by any package):
sudo pacman --remove --recursive --nosave $(pacman --query --unrequired --deps --quiet)
- Remove a package and all packages that depend on it:
sudo pacman --remove --cascade package_name
- List packages that would be affected (does not remove any packages):
pacman --remove --print package_name
- Display help for this subcommand:
pacman --remove --help


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Instance feature calculation and evolutionary instance generation for the traveling salesman problem. Also contains code to "morph" two TSP instances into each other. And the possibility to conveniently run a couple of solvers on TSP instances.
| Version: | 1.2 |
| Depends: | ggplot2, TSP, MASS |
| Imports: | BBmisc, checkmate (≥ 1.5), fpc, vegan, stringr, splancs |
| Suggests: | testthat |
| Published: | 2015-07-08 |
| Author: | Bernd Bischl, Jakob Bossek, Olaf Mersmann |
| Maintainer: | Bernd Bischl <bernd_bischl at gmx.net> |
| BugReports: | https://github.com/berndbischl/tspmeta/issues |
| License: | BSD_3_clause + file LICENSE |
| URL: | https://github.com/berndbischl/tspmeta |
| NeedsCompilation: | yes |
| Citation: | tspmeta citation info |
| CRAN checks: | tspmeta results |
| Reference manual: | tspmeta.pdf |
| Package source: | tspmeta_1.2.tar.gz |
| Windows binaries: | r-devel: tspmeta_1.2.zip, r-release: tspmeta_1.2.zip, r-oldrel: tspmeta_1.2.zip |
| OS X binaries: | r-release: tspmeta_1.2.tgz, r-oldrel: tspmeta_1.2.tgz |
| Old sources: | tspmeta archive |
Please use the canonical form https://CRAN.R-project.org/package=tspmeta to link to this page.


Textbook Exchange is created by Brian Quach. A second year computer science student from the University of Toronto!


Here's the thing
Many people take great comfort in the bathroom towels being the same color as the soap, toilet paper, and tiles. It means there is a connection between them, and an environment of order. Home is a place not only of comfort, but of control. This sense of order, in whatever form it takes, acts as a shield against the unpredictability and lurking chaos of the outside world.
My work is an examination of the different forms this shield takes, and the thinking that lies behind it. I use domestic objects as the common denominators of our personal environment. Altering them is a way of questioning the attitudes, fears and unwritten rules which have formed that environment and our behavior within it.


In contrast to the previous experiments that merely evaluated whether the presence of a certain file can be inferred by and EPUB, this experiment will attempt to leak the contents of a certain file. Since JavaScript is required execute this experiment, we use automatic operating system detection to determine which files are to be targetted.
No JS execution, could not execute experiment
To prepare for these experiments, save the associated files in the repository resources folder to the following locations:
In this section we try to leak the contents of a file on the OS's file system by leveraging JavaScript functionality.


S3 Fig
Histidine doesn’t promote KSHV lytic reactivation from iSLK.219 cells. The iSLK.219 cells were exposed to Dox in combination with histidine at indicated concentrations for 48 h, then RFP expression (left panel) was detected and quantitatively analyzed (right panel) as described in Methods. Data were normalized as the fold change compared to the DMSO control. (TIF)
Click here for additional data file.


react-font-picker
View project on GitHub
Hint: This example will log the selected font or state to console


You have a dataset collection of JSON documents but the fields you’re interested in are nested. Using dataset and datatools’s jsonmunge you can reshape your existing collection’s record to the shape you prefer.
In this how to we will look at mondify a single record then once we have the record looking the way we want apply that transformation to the whole collection.
In our collection we have record with an id of 12345. Running
dataset read 12345
we can see our record looks like–
{
"title": "The wonderful world of data collecting",
"authors": [
{"family": "Brown", "given": "Jules"},
{"family": "Brown", "given": "Verne"}
]
}
What we’d like is a flattened version of the author names.
{
"title": "The wonderful world of data collecting",
"author_display_names": "Jules Brown and Verne Brown",
...
}
We’re going to pull out each others name object and then format them the way we prefer. jsonmunge lets us apply a Go text template to our JSON data and then output something. In our case our formatted names.
Generating our .author_display_names
field can be broken down into
simpler parts. First we are going to look at formatting a single name
and then look at how to format both names and finally format an number
of names. Inside .authors
array we have a name object. It has
.family
and .given
attributes. A simple template would reach in
to the .authors
array by index and then order the .given
and
.family
attributes as desired. Array indexes count from zero so the
first author’s index is zero. The template function dotpath lets
us reach inside the array.
Try this
dataset read 12345 | \
jsonmunge -i - -E '{{ dotpath . ".authors[0].given" "" }} {{ dotpath . ".authors[0].family" "" }}'
Let’s take this command pipeline apart. We retrieved our dataset
record 12345 with dataset read 12345
. We send that record to
jsonmunge (-i -
is idiomatic of datatool commands for saying read
from standard input since the record should be coming from dataset’s
standard output) and the -E
to evaluate a simple template ordering
out first author name.
Jules Brown
It’s a bit ugly (and long) but we can adapt that to display both names.
dataset read 12345 | \
jsonmunge -i - -E '{{ dotpath . ".authors[0].given" "" }} {{ dotpath . ".authors[0].family" "" }} and {{ dotpath . ".authors[1].given" "" }} {{ dotpath . "authors[1].family" "" }}'
getting
Jules Brown and Verne Brown
That command line is getting pretty long. Let’s take that expression and put it in a template file called “flatten.tmpl”.
{{ dotpath . ".authors[0].given" "" }} {{ dotpath . ".authors[0].family" "" }} and {{ dotpath . ".authors[1].given" "" }} {{ dotpath . "authors[1].family" "" }}
Run the template and see the results with
dataset read 12345 | jsonmunge -i - flatten.tmpl
We should again see
Jules Brown and Verne Brown
What happens for the next record where the number of authors is
different? Looking at our original data we see that .authors
is an
array of objects. Go’s text templates have a function called range
which makes it easy to iterate over arrays. range can return the
index value as well as the object at that index. Applying the range
function would look like this version of “flatten.tmpl”.
{{ range $i,$author := .authors }}
{{ if (gt $i 0) }} and {{ end }}
{{ $author.given }} {{ $author.family }}
{{ end }}
Running
dataset read 12345 | jsonmunge -i - flatten.tmpl
we get
Jules Brown
and
Verne Brown
That sorta gives us what we wanted but the spacing is all wrong and we
have some extra line breaks. We could put all the template parts in
one line but that would make it hard to read and debug. Fortunately Go
templates elements and indicate if leading or trailing whitespace should
be trimmed. You do that by using {{-
and -}}
for trimming leading
and trailing whitespace. The revised template will look like
{{- range $i,$author := .authors }}
{{- if (gt $i 0) }} and {{ end -}}
{{- $author.given }} {{ $author.family -}}
{{- end -}}
and a running that through
dataset read 12345 | jsonmunge -i - flatten.tmpl
gives us
Jules Brown and Verne Brown
Ok, so how does this help us reshape our origin 12345 record? Well first we need to turn our string “Jules Brown and Verne Brown” into an object. Updating our template the curly brackets and attribute nations gives us
{
"author_display_names": "{{- range $i,$author := .authors }}
{{- if (gt $i 0) }} and {{ end -}}
{{- $author.given }} {{ $author.family -}}
{{- end -}}"
}
Now running dataset read 12345 | jsonmunge -i - flatten.tmpl
gives
us our new object.
{
"author_display_names": "Jules Brown and Verne Brown"
}
Now we ready to “join” our new object with the 12345 record. We can do that by extending our pipe line.
dataset read 12345 | jsonmunge -i - flatten.tmpl | dataset -i - join update 12345
We can check to make sure it worked with dataset read 12345
. You should
see something like (order of attributes may vary)
{
"author_display_names": "Jules Brown and Verne Brown",
"authors": [
{ "family": "Brown", "given": "Jules" },
{ "family": "Brown", "given": "Verne" }
],
"title": "The wonderful world of data collecting"
}
Notice we now have a new .author_display_names
attribute in our object.
We still see our old .authors
. The join function will not overwriting
fields nor trim others. It adds the attributes of one object to the other.
Now let’s say you decide you’d rather have the names in “family, given”
order for the individual names. Using join -overwrite we can replace
the value in .author_display_names
with a new one.
flatten.tmpl should now look like
{
"author_display_names": "{{- range $i,$author := .authors }}
{{- if (gt $i 0) }} and {{ end -}}
{{- $author.family -}}, {{ $author.given -}}
{{- end -}}"
}
Running
dataset read 12345 | \
jsonmunge -i - flatten.tmpl | \
dataset -i - join overwrite 12345`
yields our new results
{
"title": "The wonderful world of data collecting",
"authors": [
{"family": "Brown", "given": "Jules"},
{"family": "Brown", "given": "Verne"}
],
"author_display_names": "Brown, Jules and Brown, Verne"
}
We can transform a single record but how about transforming the entire collction? That turns out to be easy we just loop over each key in the collection applying our pipeline.
dataset keys | while read K; do
dataset read "$K" | \
jsonmunge -i - flatten.tmpl | \
dataset join overwrite "$K"
done
Where we had “12345” before we now have "$K"
. The rest is just
waiting on the computer to finish.


Select a picture here and wait. When the result is displayed, you can save it by touch&hold or right click, or select another picture by touch or click on it.


API Documentation¶
gaborExtract¶
The gaborExtract module is responsible for efficiently extracting Gabor means and stdevs from a random sampling of pixels, using multiple window sizes and Gabor orientations. These operations are GPU-accelerated on platforms with compatible GPUs. Features are stored in HDF5 files.
-
pprecogg.gaborExtract.
extract_gabor_features
(filename, resize=255, window_sizes=[64, 32, 16, 8, 4], batch_size=100, gabor_sigma=1.0, gabor_lambda=0.25, gabor_gamma=0.02, gabor_psi=0, gabor_thetas=[0.7853981633974483, 1.5707963267948966, 2.356194490192345, 3.141592653589793])[source]¶ Briefly, calculates the means and standard deviations of a random sampling of windows convolved with several Gabor filters.
Windows of sizes window_sizes are centered on a random sampling of pixels of the image located at filename resized to resize`x`resize pixels. A quarter of the area of the image is sampled.
The final output are the means and standard deviation of the resultant convolutions of the windows against n Gabor filters, where n is the number of elements in gabor_thetas. The Gabor filters are are generated according to the gabor_ prefixed arguments.
The means and standard deviation are saved into a HDF5 file with the filename “gabor_{image_name}_s{sigma}_l{lambda}_g{gamma}_p{psi}_{time}.h5” where
{image_name} is the filename of the image {sigma} is the sigma argument of the gabor function {lambda} is the lambda argument of the gabor function {gamma} is the gamma argument of the gabor function {psi} is the psi argument of the gabor function {time} is the unix time stamp
If a compliant GPU is detected, convolutions will be computed on them. Computations will fall back on CPU in other cases.
Convolutions are computed in batches of size batch_size. In the event of a memory error, this number should be reduced.
Parameters: - filename – The path to the image whose gabor energies are to be calculated.
- resize – Image at filename will be resized to resize`x`resize pixels prior to computation. Image size is positively correlated to computation time.
- window_sizes – The sizes of the sliding windows to be extracted at each pixel.
- batch_size – The number of windows to convolve at a time. Reduce this number in the event of memory errors; increase this number in the event of slow computation time.
- gabor_sigma – The standard-deviation of the gabor function.
- gabor_lambda – The frequency of the gabor function.
- gabor_gamma – The bandwidth of the gabor function.
- gabor_psi – The phase offset of the gabor function.
- gabor_thetas – The orientation of the filter, in radians.
Returns: The name of the H5 file that the results are saed to.
-
pprecogg.gaborExtract.
get_HDF5_table
(hd5_filename, window_sizes, num_thetas)[source]¶ Opens HDF5 file and tables to save gabor means and standard deviations
Parameters: - hd5_filename (String) – Name of the file to save the features to.
- window_sizes (Array) – A list of window sizes whose means and stdevs will be saved.
- num_thetas (Int) – Number of thetas (i.e number of means and stdevs)
Returns: List of pytable objects
-
pprecogg.gaborExtract.
get_window
(i, j, win_size, im)[source]¶ Get a window from im of size win_size centered on coordinates (i,j).
Parameters: - i (int) – x pixel coordinate to center the window on the image.
- j (int) – y pixel coordinate to center the window on the image.
- win_size (int) – the length and width of the window to extract.
- im (numpy array) – numpy pixel array of the image.
Returns: the window extracted of size (win_size,win_size).
Return type: numpy array (2 dimensions)
-
pprecogg.gaborExtract.
get_windows_batches
(num_windows, win_sizes, im, batch_size)[source]¶ Get num_windows number of randomly places windows of sizes win_sizes from image im in batches of batch_size.
This is a generator, and will have to be iterated over.
Parameters: - num_windows (int) – Number of windows (of each window size) to extract from image.
- win_sizes (array of ints) – Size of windows to be extracted. Final number of windows extracted will be window_size * num_windows.
- im (numpy array) – Array of pixels of the image from which to extract windows from.
- batch_size (int) – Max number of windows per batch (iteration).
Returns: Batch of randomly sampled windows from im. 3 dimensions (batch_size, window_size, windows_size).
Return type: numpy array
classifyFeatures¶
Given features extracted from the gaborExtract model, this module parses feature files and classifies sets of unknown pixel features as belonging to known pixel feature-sets using a k-nearest-neighbors approach.
-
pprecogg.classifyFeatures.
classify_features
(unknown_features_path, known_features_paths, save_csv=False)[source]¶ Classifies features, given multiple paths to features of known classes, and one path to features of an unknown image that is comprised of one or more of the known classes. Outputs two arrays. The first contains the labels of the pixels classified, and the second contains the coordinates of the pixels classified.
Parameters: - unknown_features_path – Path to the HDF5 files that contain the Gabor features of the image which is to be classified.
- known_features_paths – Array of paths to the HDF5 files containing the features of known classes.
- save_csv – Boolean. Whether or not to save the list of pixels with their labels in a comma-seperated-value file (CSV). Can be opened easily in Excel and parsed by other libraries.
-
pprecogg.classifyFeatures.
flatten_features
(file_paths)[source]¶ Given a number of Gabor features stored in HDF5 files, create three arrays containing the coordinates, features, and labels across all feature files.
Parameters: file_paths – an array with the paths to the feature files.
-
pprecogg.classifyFeatures.
parse_features_hdf5
(file_path)[source]¶ Reads Gabor features from HDF5 files. Outputs a tuple of coordinates and features. The coordinates are those of which feature windows have been centered on. Features are an array of feature means and standard deviations of Gabor energies.
Parameters: file_path – Path to the HDF5 file with the Gabor features.


Education and Healthcare Spending
Education Expenditure By Country
Let's View Education Expenditure by Year
Select a year
What about Education as a % of GDP?
Education as % of GDP By Country
Let's View by Individual Year
Select a year
What if we want to see how much countries are spending per person?
per person EDU
Let's View by Individual Year
Select a year
What if we want to know how things have changed over time?
Education Change as a fixed value
Education Change as a fixed value 2012 Vs 2016
Education growth as a percentage
Education growth as a percentage 2012 Vs 2016
Comparing Education Per Person and GDP Per Person
Select a year
Time to make a prediction
Education Spending Forecast for 2020


This plugin currently supports the following label events:
| Name | Chart events1 | Description |
|---|---|---|
enter |
mousemove |
the mouse is moved over a label |
leave |
mousemove |
the mouse is moved out of a label |
click |
click |
the mouse’s primary button is pressed and released on a label |
1 Chart.js events that need to be enabled in order to get the associated label event working. Note that by default Chart.js enables "mousemove", "mouseout", "click", "touchstart", "touchmove", "touchend"
, meaning that label events work out-of-the-box.
The listeners
option allows to register callbacks to be notified when an event is detected on a specific label. This option is an object where each property represents an event, the key being the type of the event to listen and the value being a callback accepting a unique context
argument.
The context
contains the same information as for scriptable options, can be modified (e.g. add new properties) and thus, if the callback explicitly returns true
, the label is updated with the new context and the chart re-rendered. This allows to implement visual interactions with labels such as highlight, selection, etc.
Listeners can be registered for any label (options.plugin.datalabels.listener.*
) or for labels of a specific dataset (dataset.datalabels.listeners.*
).
If no listener is registered, incoming events are immediately ignored, preventing extra computation such as intersecting label bounding box. That means there should be no performance penalty for configurations that don’t use events.
{
data: {
datasets: [{
datalabels: {
listeners: {
click: function(context) {
// Receives `click` events only for labels of the first dataset.
// The clicked label index is available in `context.dataIndex`.
console.log('label ' + context.dataIndex + ' has been clicked!');
}
}
}
}, {
//...
}]
},
options: {
plugins: {
datalabels: {
listeners: {
enter: function(context) {
// Receives `enter` events for any labels of any dataset. Indices of the
// clicked label are: `context.datasetIndex` and `context.dataIndex`.
// For example, we can modify keep track of the hovered state and
// return `true` to update the label and re-render the chart.
context.hovered = true;
return true;
},
leave: function(context) {
// Receives `leave` events for any labels of any dataset.
context.hovered = false;
return true;
}
},
color: function(context) {
// Change the label text color based on our new `hovered` context value.
return context.hovered ? "blue" : "gray";
}
}
}
}
}


Hello! Move the cursor to the padlock in the URL bar! Click the padlock!
For the original, see Ben's amazing hack!
What's going on here?! As Ben's demo ^^ demonstrates, you can change the cursor to an arbitrary image (of size 128px by 128px). This image then escapes the viewport!! This is a boon for cursorjackers/clickjackers/other lovely people. I can convince you that this page is encrypted by putting a padlock in your URL bar! I can change the URL! As cool as this "escape the viewport" feature is, hopefully this page should demonstrate to the-browser-makers-that-be that it's not such a great idea for the poor old end-user ...
(p.s. looking for a job? Pusher is a lovely place to work!)


You never know what kind of setup market will present to you, your objective should be to find opportunity where risk reward ratio is best
You never know what kind of setup market will present to you, your objective should be to find opportunity where risk reward ratio is best
Trading doesn't just reveal your character, it also builds it if you stay in the game long enough.
Everybody is a long-term investor till the market drops by 10% or more
Rule #1: Don’t lose money ...... Rule #2: Don’t forget Rule #1
We don’t have an analytical advantage, we just look in the right place
Stock analysis and investing is not rocket science, but it needs a little conscience
Markets may in the short-term correct. But in a bull market the correction is always sharp, swift and short-lived.


About a month before upgrading our system from Dynamics CRM 2011 to 2016, we were troubleshooting performance and specifically form load times. Nothing seemed to work and we had created an ootb organization with no customizations, so most of this time was spent trying to tweak IIS setting. Nothing seemed to get the TTFB time below about .3 seconds which actually feels pretty slow and with 200+ resources on a page, adds up. We had done all our upgrade testing and prep in the rtm version and saw that there was a service pack available.
After installing this service page - things are MUCH better - the screen transitions are much much snappier and the TTFB is down to about .056 seconds.
We ran some quick tests to check for regressions and were on our way.
About a week after launch we start getting complaints about these annoying Microsoft errors popping up sporadically.
These happen in crm when there is an unhandled JavaScript exception. Since we do a fair bit of js customization in our org, these errors are critical to letting the user know that something has gone wrong. (I think there should be an option to send these exceptions to ME INSTEAD OF MICROSOFT, but I digress).
So we find out some repro information from a user and are able to replicate the error - which only happens in internet explorer (naturally). It happens most often when leaving the contact form either by saving or closing. Crm of course catches these errors and them and waits to show them to a user until the least relevant time possible.  The message is super generic (object expected) and the call stack doesn't look very helpful either. Enough to google though.
Great. So this is a bug introduced in the newest version, and it happens on any form which includes a web page - web resource. There is no fix for it. The only work-arounds are
A) remove the we resource from the form. Um, not a good solution. (My foot hurts when I walk. So don't walk - all better right?). Besides, for the most part these web resources aren't ours, but added by a third party managed solution. So we'd have to remove these solution and that's not an option
B) update our users preferences to either always or never send these errors to msft. The effect of this is users no longer get notified of errors, the system just eats them up. Are you kidding me? What if we're using js to validate a field and the validation fails? We'd have to rewrite all our js code to catch everything and have our own mechanism for alerting. That's a lot of work and not really reasonable.
C) wait for a fix. This is a good option, it's a pretty ugly bug. Must be high priority. Oh wait there's very little info online about the road map, and I happen to have opened a bug report about another issue with msft, so I took the opportunity to ask the crm tech about next service pack and he said they haven't seen anything yet and so it would probably be 1st quarter 2017 some time. We can't very well leave people getting error messages all over the place for months.
D) revert to legacy form rendering. This does fix the issue, but in testing - breaks something which is actually critical to us and is not an option ( involves field validation and the save and close button ).
E) try to fix this ourselves.  It happens when loading a web resource which seems to load fine anyway. It seems to be caused by the new form rendering engine which [quote from msft about new form ending optimization ].
Ok so let's dig in. Fire up ie dev tools, and change the debugger to pause at any exception, so you can see at what point the error is thrown.
It happens before the form is loaded, and the code appears to be trying to get a reference to the web resource key.
If you drill into the code here you'll see it's trying to find the field by enumerating all the fields on the form, then checking each one for a matching key. Since the form isn't loaded, the controls are all blank and don't have a key. Hence object expected
. Fine - nothing we can do make these controls load earlier, that's waaaay outside the scope of what I'm willing to do.
 So maybe we can find a good place to catch this error ourselves, and we can handle the exception - that's perfect.
Look up the call stack and you can see it's being called by
There's a great place, this appears to just be setting the height of the iFrame. (As well as $6P_0()
)
Ok though so there the code fix to make, but which JavaScript file is this coming from?
\JsProvider.ashx
Lovely. Well I'm not going to be thwarted that easily - I log in to the crm server, open the directory for the crm web application, change my search options to look through the file contents and then search for the function name.
Success!!
Mscrm.InlineIFrameControlView.loadHandler = function (id) {
if (!IsNull(Xrm.Page.ui) && !IsNull(Xrm.Page.ui.controls)) {
try {
var $v_0 = Xrm.Page.ui.controls.get(id);
!IsNull($v_0) && Mscrm.InlineIFrameControlView.isInstanceOfType($v_0) && $v_0.$6P_0();
!IsNull($v_0) && Mscrm.InlineIFrameControlView.setIFrameHeight(id);
}
catch (err) {
console.log(err);
}
}
};
A quick code patch later, reset IIS, and there you go. No more errors (except when you need them :) )


+++ date = "2012-12-14T00:00:00+01:00" title = "Circular labyrinth" thumbnail = "circular.png" canvasscript = "circular-labyrinth.js" draft = true description = """ Here is some circular labyrinths. """ +++