| DOSE: |
2 Tbsp |
oral |
Nutmeg |
(powder / crystals) |
So i was reading about the effects of nutmeg on the net. I told a few friends at school about the spice and they said 'No Way!!!You can't get high off NUTMEG!!!!!' So as a joke, a friend got me a little container of ground nutmeg.  I mean i didn't think that tripping on a spice would be particularly pleasant and considering the taste, maybe it's not even worth it. But out of stupidity and curiousity I had to give it a go. Before I even digested this weird smelling substance I looked up various 'trip' reports, and alot of them were good, so I was like...what the hell!!!!!!!
Monday Morning
7:00 am.... I tried mixing the WHOLE container of the stuff with yogurt. Unfortunately I couldn't even get half of it down so I ended up throwing it away.
7:15 am.... I was thinking, I might as well down the rest of this nutmeg, I mean I want to get high, so I threw what was left, ( about 1 tablespoon) into a bottle and mixed it with coke.  I nearly puked. That was all i could take.
9-11 am.... I started feeling very stoned, my eyes were bloodshot and I needed water water something to drink. I felt dizzy too and laughed at anything anyone sayed. I listened to my headphones and the music really hits you hard when your high. I felt like I was spinning around with the notes when actually I was just sitting in a drab chair and dazing off. I also remember watching an educational video (I mean this was during school) and the background music sounded like enya or something. It was like blaring in my ears (but it wasn't loud at all) but it was beautiful.
12:00 pm.... I was very stoned and dizzy and I couldn't concentrate. People were starting to wonder what I was on and I didn't wanna say 'nutmeg!!!!' Actually it felt very pleasant like I just smoked 10 bowls or something. My words were very slurred and I just chose not to speak. But my thoughts were coming at me a thousand miles an hour. I remember riding on the bus and closing my eyes ( I didn't see any visuals) But it felt like I was sinking in the seat and I mean, even though with my lids shut, I could just see blackness, it somehow felt really euphoric. But I remember opening them to an ugly looking bus and that really pissed me off and got me into a bad mood.....hence the beginning of my coming down....
7:00 pm.... I tried going to sleep around 7 and I remember laying in bed and looking down, I felt like I was 10 feet tall!!!! But my body was very relaxed and my mind was racing. (Kinda like acid with no visuals) It would't stop. So I blasted my music and tried shutting my lids. With the tv on in the darkness, I could see the colors seeping through into my eyes and it was really beautiful, but that was about it...no 'hallucinations'. I remember having a series of really crazy dreams but I dont think those count as 'visuals'.
Tuesday (Next Morning).... I woke up feeling buzzed which was fine with me, I mean I didn't have a horrible 'hangover' like I was reading about and I was grateful. But the worst was yet to come...
Wednesday (Next Next Morning).... I woke up feeling dizzy. I had horrible spins and a throbbing headache. My eyes hurt so bad I could barely keep them open....I continued feeeling like this all that day. I remember going to bed hoping to GOD that this would be gone the NEXT morning....NOPE.
Thursday (Next Next Next Morning).... I woke up with no headache and my eyes didn't hurt as much but I was sooooo dizzy. Just plain dizzy for the whole day. And I mean I remember feeling like 'WHEN' will this go away??? Cuz I kept waking up and the buzzing dizzy feeling was still there. I took some ibuprofen but I just got a big stomach ache. OUCH. I hated not having control of this feeling. It was horrible!!!!!
Friday .... I woke up and I wasn't dizzy!!!! WRONG!!!! As soon as I stood up my head started to spin again.  WRONG move. I woke up the NEXT morning with an even WORSE hangover and more of the spins.
My advice to anyone even contemplating nutmeg is NO NO NO. I mean the first day was pleasant, but I was expecting good visuals (which were pratically non-existant) and the rest of the week was just plain ruined for me. I think that if you wanna get high stick to things you know about. I'm not saying become a street junkie, but just stick to smoking the bowls. It's so much easier on your system especially 'cuz the herb is the best.
 I mean taken in large amounts its bad for your system. Plus it's embarassing telling your friends that you have a nutmeg hangover.  But I guess everyone's curious. I know I was. No more nutmeg for me. heehee.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


98.css
A design system for building faithful recreations of old UIs.
Intro
98.css is a CSS library for building interfaces that look like Windows 98. See more on Github.
Hello, world!
This library relies on the usage of semantic HTML. To make a button, you'll need
to use a <button>
. Input elements require labels. Icon buttons rely on
aria-label
. This page will guide you through that process, but accessibility is a primary
goal of this project.
You can override many of the styles of your elements while maintaining the appearance provided by this library. Need more padding on your buttons? Go for it. Need to add some color to your input labels? Be our guest.
This library does not contain any JavaScript, it merely styles your HTML with some CSS. This means 98.css is compatible with your frontend framework of choice.
Here is an example of 98.css used with React, and an example with vanilla JavaScript. The fastest way to use 98.css is to import it from unpkg.
<link
rel="stylesheet"
href="https://unpkg.com/98.css"
>
You can install 98.css from the GitHub releases page, or from npm.
npm install 98.css
Components
Button
A command button, also referred to as a push button, is a control that causes the application to perform some action when the user clicks it.
A standard button measures 75px wide and 23px tall, with a raised outer and inner border. They are given 12px of horizontal padding by default.
Show code
<button>Click me</button>
When buttons are clicked, the raised borders become sunken. The following button is simulated to be in the pressed (active) state.
Show code
<button>I am being pressed</button>
Disabled buttons maintain the same raised border, but have a "washed out" appearance in their label.
Show code
<button disabled>I cannot be clicked</button>
Button focus is communicated with a dotted border, set 4px within the contents of the button. The following example is simulated to be focused.
Show code
<button>I am focused</button>
Checkbox
A check box represents an independent or non-exclusive choice.
Checkboxes are represented with a sunken panel, populated with a "check" icon when selected, next to a label indicating the choice.
Note: You must include a corresponding label after
your checkbox, using the
element with a for
attribute
pointed at the id
of your input. This ensures the checkbox is easy to use with
assistive technologies, on top of ensuring a good user experience for all (navigating with the tab key,
being able to click the entire label to select the box).
Show code
<input type="checkbox" id="example1">
This is a checkbox
Checkboxes can be selected and disabled with the standard checked
and disabled
attributes.
When grouping inputs, wrap each input in a container with the field-row
class. This ensures
a consistent spacing between inputs.
Show code

<input checked type="checkbox" id="example2">
I am checked

<input disabled type="checkbox" id="example3">
I am inactive

<input checked disabled type="checkbox" id="example4">
I am inactive but still checked

OptionButton
An option button, also referred to as a radio button, represents a single choice within a limited set of mutually exclusive choices. That is, the user can choose only one set of options.
Option buttons can be used via the radio
type on an input element.
Option buttons can be grouped by specifying a shared name
attribute on each
input. Just as before: when grouping inputs, wrap each input in a container with the
field-row
class to ensure a consistent spacing between inputs.
Show code

<input id="radio5" type="radio" name="first-example">
Yes

<input id="radio6" type="radio" name="first-example">
No

Option buttons can also be checked
and disabled
with their corresponding
HTML attributes.
Show code

<input id="radio7" type="radio" name="second-example">
Peanut butter should be smooth

<input checked disabled id="radio8" type="radio" name="second-example">
I understand why people like crunchy peanut butter

<input disabled id="radio9" type="radio" name="second-example">
Crunchy peanut butter is good

GroupBox
A group box is a special control you can use to organize a set of controls. A group box is a rectangular frame with an optional label that surrounds a set of controls.
A group box can be used by wrapping your elements with the fieldset
tag.
It contains a sunken outer border and a raised inner border, resembling an engraved box
around your controls.
Show code
<fieldset>

Select one:

<input id="radio10" type="radio" name="fieldset-example">
Diners

<input id="radio11" type="radio" name="fieldset-example">
Drive-Ins

<input id="radio12" type="radio" name="fieldset-example">
Dives

</fieldset>
You can provide your group with a label by placing a legend
element
within the fieldset
.
Show code
<fieldset>
<legend>Today's mood</legend>

<input id="radio13" type="radio" name="fieldset-example2">
Claire Saffitz

<input id="radio14" type="radio" name="fieldset-example2">
Brad Leone

<input id="radio15" type="radio" name="fieldset-example2">
Chris Morocco

<input id="radio16" type="radio" name="fieldset-example2">
Carla Lalli Music

</fieldset>
TextBox
A text box (also referred to as an edit control) is a rectangular control where the user enters or edits text. It can be defined to support a single line or multiple lines of text.
Text boxes can rendered by specifying a text
type on an
input
element. As with checkboxes and radio buttons, you
should provide a corresponding label with a properly set for
attribute, and wrap both in a container with the field-row
class.
Show code

Occuptation
<input id="text17" type="text" />

Additionally, you can make use of the field-row-stacked
class
to position your label above the input instead of beside it.
Show code

Address (Line 1)
<input id="text18" type="text" />

Address (Line 2)
<input id="text19" type="text" />

To support multiple lines in the user's input, use the textarea
element instead.
Show code

Additional notes
<textarea id="text20" rows="8"></textarea>

Dropdown
A drop-down list box allows the selection of only a single item from a list. In its closed state, the control displays the current value for the control. The user opens the list to change the value.
Dropdowns can be rendered by using the select
and option
elements.
Show code
<select>
<option>5 - Incredible!</option>
<option>4 - Great!</option>
<option>3 - Pretty good</option>
<option>2 - Not so great</option>
<option>1 - Unfortunate</option>
</select>
By default, the first option will be selected. You can change this by
giving one of your option
elements the selected
attribute.
Show code
<select>
<option>5 - Incredible!</option>
<option>4 - Great!</option>
<option selected>3 - Pretty good</option>
<option>2 - Not so great</option>
<option>1 - Unfortunate</option>
</select>
Window
The following components illustrate how to build complete windows using 98.css.
Title Bar
At the top edge of the window, inside its border, is the title bar (also reffered to as the caption or caption bar), which extends across the width of the window. The title bar identifies the contents of the window.
Include command buttons associated with the common commands of the primary window in the title bar. These buttons act as shortcuts to specific window commands.
You can build a complete title bar by making use of three classes,
title-bar
, title-bar-text
, and title-bar-controls
.
Show code

A Title Bar

<button aria-label="Close"></button>

We make use of aria-label
to render the Close button, to let
assistive technologies know the intent of this button. You may also use
"Minimize" and "Maximize" like so:
Show code

A Title Bar

<button aria-label="Minimize"></button>
<button aria-label="Maximize"></button>
<button aria-label="Close"></button>

Window contents
Every window has a boundary that defines its shape.
To give our title bar a home, we make use of the window
class. This provides a raised outer and inner border, as well as some
padding. We can freely resize the window by specifying a width in the
container style.
Show code

A Complete Window

<button aria-label="Minimize"></button>
<button aria-label="Maximize"></button>
<button aria-label="Close"></button>

To draw the contents of the window, we use the window-body
class under the title bar.
There's so much room for activities!
Show code

A Window With Stuff In It

<button aria-label="Minimize"></button>
<button aria-label="Maximize"></button>
<button aria-label="Close"></button>

There's so much room for activities!

TreeView
A tree view control is a special list box control that displays a set of objects as an indented outline based on their logical hierarchical relationship.
To render a tree view, use an ul
element with the
tree-view
class. The children of this list (li
elements), can contain whatever you'd like.
- We can put
- ✨ Whatever ✨
- We want in here
Show code

We can put

✨ Whatever ✨

We want in here

To make this a tree, we can nest further ul
elements
(no class needed on these). This will provide them with a nice dotted
border and indentation to illustrate the structure of the tree.
- Table of Contents
- What is web development?
-
CSS
- Selectors
- Specificity
- Properties
-
JavaScript
- Avoid at all costs
- HTML
- Special Thanks
Show code

Table of Contents

What is web development?

CSS

Selectors

Specificity

Properties

JavaScript

Avoid at all costs

HTML

Special Thanks

Issues, Contributing, etc.
98.css is MIT licensed.
Refer to the Github issues page to see bugs in my CSS or report new ones. I'd really like to see your pull requests (especially those new to open-source!) and will happily provide code review. 98.css is a fun, silly project and I'd like to make it a fun place to build your open-source muscle.
Thank you for checking my little project out, I hope it brought you some joy today. Consider starring/following along on Github and maybe subscribing to more fun things on my twitter. 👋


process_send(p, obj)
Send the object obj
to the process p
. Return void
.
A process can send and receive numbers, symbols, strings, pairs and arrays. More complex objects like functions should be explicitly serialized and de-serialized. The functions object_to_u8array and u8array_to_object should be used for this.
let p = process(^(cp) showln("server says: ", process_receive(cp)))
process_send(p, "hello")
//> server says: hello
process_close(p)


Victoria's Secret to cancel annual fashion show
PARIS: US lingerie brand Victoria's Secret said it was cancelling its annual fashion show which usually draws millions of TV viewers, saying it was shifting its marketing strategy following criticism and weak financial results.
"Did we see a specific material impact on short-term sales in response to the airing of the fashion show?" asked Stuart Burgdoerfer, the finance director of parent company L Brands.
"As a general matter, the answer to that question is no," he told analysts in a conference call Thursday (Nov 21).
He added that Victoria's Secret would be "communicating to customers, but nothing that I would say is similar in magnitude to the fashion show".
READ: Victoria’s Secret backtracks after saying 'no' to transgender models
The brand's sales have been slipping in the past two years, weighing on the bottom line of L Brands which reported a net loss of US$252 million in the third quarter, against a $43 million loss a year earlier.
Analysts say the brand is often accused of objectifying women and has been struggling to appeal to a younger generation of lingerie shoppers who increasingly prefer simpler, less sexualised designs.
"It's important to evolve the marketing of Victoria's Secret," Burgdoerfer said.
Rumours of the show's cancellation had been circulating since Australian model Shanina Shaik hinted to British media that she expected the 2019 event to be called off.
The cast in the show's 2018 edition was more cosmopolitan than usual, following criticism that the brand had little regard for diversity in its choice of models.
But days after last year's event, marketing director Ed Razek ruled out using transgender or plus-size models in future shows.
READ: Victoria's Secret says TV no longer 'right fit' for lingerie show
Following an outcry on social media, Razek later apologised for his remarks.
Also last year, the head of the lingerie division Jan Singer stepped down after only two years in the job against a backdrop of slumping sales.


Asserting New Facts
- some_engine.add_universal_fact(kb_name, fact_name, arguments)
The add_universal_fact function is called once per fact.
Alternatively, you can place universal facts in a .kfb file so that they are loaded automatically.
>>> my_engine.add_universal_fact('family', 'son_of', ('bruce', 'thomas'))
Multiple facts with the same name are allowed.
>>> my_engine.add_universal_fact('family', 'son_of', ('david', 'bruce'))
But duplicate facts (with the same arguments) are silently ignored.
>>> my_engine.add_universal_fact('family', 'son_of', ('david', 'bruce')) >>> my_engine.get_kb('family').dump_universal_facts() son_of('bruce', 'thomas') son_of('david', 'bruce')
These facts are accessed as kb_name.fact_name(arguments) within the .krb files.
- some_engine.assert_(kb_name, fact_name, arguments)
Call assert_ for each starting fact for this case. Like universal facts, you may have multiple facts with the same name so long as they have different arguments.
>>> my_engine.assert_('family', 'son_of', ('michael', 'bruce')) >>> my_engine.assert_('family', 'son_of', ('fred', 'thomas')) >>> my_engine.assert_('family', 'son_of', ('fred', 'thomas'))
Duplicates with universal facts are also ignored.
>>> my_engine.assert_('family', 'son_of', ('bruce', 'thomas')) >>> my_engine.get_kb('family').dump_specific_facts() son_of('michael', 'bruce') son_of('fred', 'thomas') >>> my_engine.get_kb('family').dump_universal_facts() son_of('bruce', 'thomas') son_of('david', 'bruce')
There is no difference within the .krb files of how universal facts verses case specific facts are used. The only difference between the two types of facts is that the case specific facts are deleted when a reset is done.
>>> my_engine.reset() >>> my_engine.get_kb('family').dump_specific_facts() >>> my_engine.get_kb('family').dump_universal_facts() son_of('bruce', 'thomas') son_of('david', 'bruce')


FIR filed against Yash Raj Films for ‘pocketing’ Rs 100 cr royalties
The production and distribution company have allegedly collected music royalties of members of the Indian Performing Rights Society (IPRS)
by PTIAn FIR was registered against Yash Raj Films Company and its directors for allegedly pocketing Rs 100 crore by collecting music royalties of members of the Indian Performing Rights Society (IPRS) by Economic Offences Wing (EOW) of the Mumbai Police, an official said on Wednesday.
The IPRS recently filed a complaint against the Bollywood production house with the EOW.
The Society alleged that Yash Raj Films did not let them collect royalties from telecom companies, radio stations, and music streaming platforms.
The FIR mentions names of YRF company and its directors Aditya and Uday Chopra, an official said.
The complainant claimed the IPRS has the exclusive right to collect royalties on behalf of artists and music producers but the YRF collected it unauthorisedly.
“Yash Raj Films Company and its directors allegedly pocketed Rs 100 crore by collecting music royalties of members of the Indian Performing Rights Society (IPRS),” the official said quoting the complaint.
The case has been registered under sections 409 (criminal breach of trust) and 34 (common intention) of the Indian Penal Code (IPC) and relevant sections of the Copyright Act, the official said.
“Since this is a legal case the board cant comment about it until tomorrow,” said a representative of the IPRS.
Yash Raj Films has not issued any statement yet.


|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object org.openjena.riot.LangTag
public class LangTag
Language tags: support for parsing and canonicalization of case. Grandfathered forms ("i-") are left untouched. Unsupported or syntactically illegal forms are handled in canonicalization by doing nothing.
| Field Summary | |
|---|---|
static int |
idxExtension
Index of all extensions |
static int |
idxLanguage
Index of the language part |
static int |
idxRegion
Index of the region part |
static int |
idxScript
Index of the script part |
static int |
idxVariant
Index of the variant part |
| Method Summary | |
|---|---|
static java.lang.String |
canonical(java.lang.String str)
Canonicalize with the rules of RFC 4646 |
static java.lang.String |
canonical(java.lang.String[] parts)
Canonicalize with the rules of RFC 4646 "In this format, all non-initial two-letter subtags are uppercase, all non-initial four-letter subtags are titlecase, and all other subtags are lowercase." In addition, leave extensions unchanged. |
static void |
main(java.lang.String... args)
|
static java.lang.String[] |
parse(java.lang.String languageTag)
Parse a langtag string and return it's parts in canonical case. |
| Methods inherited from class java.lang.Object |
|---|
equals, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
public static final int idxLanguage
public static final int idxScript
public static final int idxRegion
public static final int idxVariant
public static final int idxExtension
| Method Detail |
|---|
public static java.lang.String[] parse(java.lang.String languageTag)
public static java.lang.String canonical(java.lang.String str)
public static java.lang.String canonical(java.lang.String[] parts)
public static void main(java.lang.String... args) throws java.io.IOException
java.io.IOException
|
||||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


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Tessa Vaughan
A complete guide to the "Fallen Angels", the wonderfully colourful and diverse Birds-of-Paradise.This publication looks into the variations of colours, habitats, calls, sizes and conservation of these unique birds. An interactive EPUB version of the book can be downloaded for free via the Internet Archive. A print-on-demand book can be purchased and previewed on Blurb.


| Total net profit | -72.78 | Gross profit | 92.45 | Gross loss | -165.23 |
| Profit factor | 0.56 | Expected payoff | -0.33 | ||
| Absolute drawdown | -75.72 | Maximal drawdown (%) | 79.39 (2163.22%) | ||
| Total trades | 222 | Profit trades (% of total) | 104 (46.85%) | Loss trades (% of total) | 118 (53.15%) |
| Long positions (won %) | 118 (50.85%) | Short positions (won %) | 104 (42.31%) | ||
| Largest | profit trade | 2.81 | loss trade | -4.71 | |
| Average | profit trade | 0.89 | loss trade | -1.4 | |
| Minimum | profit trade | 0.03 | loss trade | -0.01 | |
| Maximum | take profit in pips | 65.6 | stop loss in pips | -66.4 | |
| Average | take profit in pips | 14.1 | stop loss in pips | -23.2 | |
| Minimum | take profit in pips | -18.4 | stop loss in pips | -5.9 | |
| Maximum | Reward-Risk | 6.3 | Duration in minutes | 1383 | |
| Average | Reward-Risk | 0.8 | Duration in minutes | 66.2 | |
| Minimum | Reward-Risk | 0.0 | Duration in minutes | 0 | |
| Maximum | consecutive wins (profit in money) | 5.0 (2.85) | consecutive losses (loss in money) | 13.0 (-19.02) | |
| Average | consecutive wins | 1.0 | consecutive losses | 2.0 |
| Total net profit | -42.2 | Gross profit | 40.55 | Gross loss | -82.75 |
| Profit factor | 0.49 | Expected payoff | -0.36 | ||
| Absolute drawdown | -44.78 | Maximal drawdown (%) | 47.25 (1912.96%) | ||
| Total trades | 118 | Profit trades (% of total) | 60 (50.85%) | Loss trades (% of total) | 58 (49.15%) |
| Largest | profit trade | 2.81 | loss trade | -3.99 | |
| Average | profit trade | 0.68 | loss trade | -1.43 | |
| Minimum | profit trade | 0.04 | loss trade | -0.01 | |
| Maximum | take profit in pips | 37.6 | stop loss in pips | -54.9 | |
| Average | take profit in pips | 9.4 | stop loss in pips | -25.6 | |
| Minimum | take profit in pips | -18.4 | stop loss in pips | -10.3 | |
| Maximum | Reward-Risk | 2.1 | Duration in minutes | 1383.0 | |
| Average | Reward-Risk | 0.5 | Duration in minutes | 61.6 | |
| Minimum | Reward-Risk | 0.0 | Duration in minutes | 0.0 | |
| Maximum | consecutive wins (profit in money) | 6.0 (4.6) | consecutive losses (loss in money) | 6.0 (-11.39) | |
| Average | consecutive wins | 1.0 | consecutive losses | 2.0 |
| Total net profit | -30.58 | Gross profit | 51.9 | Gross loss | -82.48 |
| Profit factor | 0.63 | Expected payoff | -0.29 | ||
| Absolute drawdown | -33.46 | Maximal drawdown (%) | 34.66 (2888.33%) | ||
| Total trades | 104 | Profit trades (% of total) | 44 (42.31%) | Loss trades (% of total) | 60 (57.69%) |
| Largest | profit trade | 2.52 | loss trade | -4.71 | |
| Average | profit trade | 1.18 | loss trade | -1.37 | |
| Minimum | profit trade | 0.03 | loss trade | -0.39 | |
| Maximum | take profit in pips | 65.6 | stop loss in pips | -66.4 | |
| Average | take profit in pips | 19.5 | stop loss in pips | -20.5 | |
| Minimum | take profit in pips | 0.3 | stop loss in pips | -5.9 | |
| Maximum | Reward-Risk | 6.3 | Duration in minutes | 1014.0 | |
| Average | Reward-Risk | 1.2 | Duration in minutes | 71.5 | |
| Minimum | Reward-Risk | Duration in minutes | 0.0 | ||
| Maximum | consecutive wins (profit in money) | 8.0 (10.58) | consecutive losses (loss in money) | 9.0 (-15.82) | |
| Average | consecutive wins | 1.0 | consecutive losses | 2.0 |


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@(currentPage: Page[Any], pageSize: Int, currentFilter: String, currentOrderBy: Int, call: (Int, Int, String) => Call) @** Helper generating the pagination footer for list views @param currentPage the page currently being displayed @param pageSize number of elements in this page @param currentFilter current filter being applied to the resultset @param currentOrderBy current order being applied to the resultset @param call the 'list' method of a Controller that we will call to load the page. Method: (page: Int, orderBy: Int, filter: String) => Call *@


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Our Mission
PATH is ending homelessness for individuals, families, and communities. We do this by building affordable housing and providing supportive services throughout California.
10,000 TOTAL PEOPLE HAVE MADE IT HOME IN MORE THAN 140 CITIES.
We are striving to increase that number EVERY SINGLE DAY!


Boris Johnson pledges to 'look at' abolishing BBC licence fee
by Sophie MorrisBoris Johnson has said he is "looking at" abolishing the BBC licence fee.
The Prime Minister said while the Tories were currently "not planning to get rid of all TV licence fees", the current system "bears reflection".
After being asked whether he would abolish TV licences altogether, Mr Johnson replied: "Well, I don't think at this late stage in the campaign I'm going to make an unfunded spending commitment like that, but what I certainly think is that the BBC should cough up and pay for the licences for the over-75s as they promised to do.
"But at this stage we are not planning to get rid of all TV licence fees, though I am certainly looking at it."
READ MORE: Boris Johnson took reporter's phone after refusing to look at photo of child on hospital floor
Mr Johnson said the question of whether the funding format for public service broadcasters "still makes sense" needs to be asked.
He said: "But you have to ask yourself whether that kind of approach to funding a TV, a media organisation still makes sense in the long term given the way other organisations manage to fund themselves - that's all I will say.
"I think that the system of funding by what is effectively a general tax, isn't it, everybody has a TV, it bears reflection - let me put it that way.
"How long can you justify a system whereby everybody who has a TV has to pay to fund a particular set of TV and radio channels - that is the question."
READ MORE: Nicola Sturgeon condemns 'despicable' Boris Johnson comments on immigration
In their manifesto, the Conservatives said they "recognise the value of free TV licences for over-75s and believe they should be funded by the BBC".
They have also pledged to "keep other pensioner benefits" which ensure older people have the security and dignity they deserve.
Labour have promised to keep free TV licences for over-75s if they win power in the coming election.
Both the BBC and the Government have been criticised over the announcement in June that free licences to all people aged over 75 were being scrapped.

"We already know that Boris Johnson is a danger to our NHS.
"His comments today reveal that he will threaten the very existence of another of Britain's great institutions, the BBC, by scrapping its funding mechanism.
"This is on top of the cruel decision to strip over-75s of their free TV licences.
"An extreme Johnson government will damage everything that is good about this country. The only way to stop that is to vote Labour on Thursday."


GROSSE POINTE BLANK A film review by Eric G. Scharf Copyright 1997 Eric G. Scharf
Director: George Armitage Cast: John Cusack, Minnie Driver, Dan Aykroyd, Joan Cusack, Alan Arkin, Jeremy Piven, Hank Azaria, Mitchell Ryan Producers: Roger Birnbaum, Susan Arnold, Donna Roth Screenplay: Tom Jankewicz, D.V. DeVincentis, Steve Pink, and John Cusack, based on a story by Tom Jankewicz Cinematography: Jamie Anderson Music: Joe Strummer Running Length: 1:47 MPAA Classification: R (Profanity, violence)
What if Lloyd Dobler from "Say Anything" lost his nerve, ran out on Diane, and became a hit man instead? That's just one of many ways to look at this very complex, very funny movie. The first time I heard a critic pan a film because "the script doesn't know what it wants to be" was in reference to Joe Dante's delicious "Gremlins", and since then I have always translated that particular criticism as "I don't know how to pigeon-hole this movie and against which boilerplate genre-standards I should compare it". Stepping off from a premise that would not have been out of place in a conversation from "The Player": "a professional assassin (John Cusack) goes to his ten-year high school reunion", Grosse Pointe Blank makes non-chalant transitions from Action Comedy (Grocer (Aykroyd) shouting "Workers of the world, unite!" as he plugs two gunmen who interrupt his attempt to recruit Martin Blank (Cusack) into his nascent Assassin's Guild) to Romantic Comedy (Debi (Driver) forcing Blank into an on-air interrogation when he drops by her radio station to apologize for standing her up at the prom ten years previously) to Action Thriller (Blank in a surprisingly well-choreographed fight scene when a Basque mercenary surprises him searching his old locker for that joint that's still there after ten years) to Shameless Nostalgia (Blank discovering, to his delight, that his old English teacher still has the advantage over him, a professional killer) to Suburban Angst (Blank in a not-brief-enough visit with his lithium-ridden mother, followed by a libation of Glenlivet at his father's grave) to Understated Ironic Satire (Blank leaving solipsistic rationalizations on the answering machine of Dr. Oatman (Arkin), a therapist whom he doesn't pay but instead extorts into weekly confessionals) to Existential Maunderings (Blank finally explaining to Debi (and to us) how he came to the point where killing for money was acceptable (and enjoyable)).
All these shifts cannot help but break any mood that might have been established, but I suspect director George Armitage accepted them (had the film been by Lynch, they would have been deliberate (and tiresome)) as necessary to showing the world of fractured relationships Blank lives with. Dramatic manifestations of high school reunions have always featured the theme of the gap between expectations and reality, and attempts to contrive fictions to fill that gap. Unlike Romy & Michele, however, Blank is well-practiced in self-examination and justifying himself, whether to his secretary Marcella, his colleague Grocer, his "therapist" Oatman, or to himself. I was quite bemused to note that with no important character back in Grosse Pointe (nor with many unimportant ones) does Blank embellish or obscure his personal history of the past ten years; he tells them he is a contract killer, but no one takes him at his word. Nevertheless, even though he is presented with example after absurd example of fellow "Pointers" failing to live up to their expectations, Blank still feels the sting of having stood Debi up, and he realizes that neither the cynicism of his last ten years nor the disillusionment to which he has returned relieves him of his obligation to make amends for his original sin (sic).
That it requires plot developments ranging from the treacly to the homicidal for Blank to make this realization might say something about the age demographic the film hopes to snare with its nostalgic trappings. I'm always the first to sneer at age-based generalizations (read: market strategies), but I'm not at all confident that my wholesale acceptance of Blank's character, dialogue, and behavior has nothing to do with being from the Class of 1986 myself (although I still didn't recognize half the songs in the soundtrack). I didn't go to my ten-year high school reunion. Had I known that Martin Blank would have been there, I still wouldn't have gone because guys like Blank never talked to me anyway.
-- Eric G. Scharf<EMAIL_ADDRESS>http://www.seattleu.edu/~escharf/film/gpb.html http://www.seattleu.edu/~escharf/film/ http://www.seattleu.edu/~escharf/
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[gecode-users] Exists some other documentation than Doxygen style?
Michal Tuláček
michal at tulacek.eu
Thu Nov 27 13:53:27 CET 2008
Hi,
thanks for answer. The correct formulation could be "at the time
there is no documentation in better format but it is planned for the
next major release of gecode", am I right?
Thanks.
2008/11/27 Mikael Zayenz Lagerkvist <zayenz at gmail.com>:
> Hi,
>
> This question has been asked before in the users-list [1].
>
> As for how to call and initialize a search-engine manually, all the
> code the example-classes use is in Example::run [2].
>
> Cheers,
> Mikael
>
> [1] http://article.gmane.org/gmane.comp.lib.gecode.user/1982
> [2] http://www.gecode.org/gecode-doc-latest/example_8icc-source.html#l00188
>
> On Thu, Nov 27, 2008 at 1:01 PM, Michal Tuláček <michal at tulacek.eu> wrote:
>> Dears,
>>
>> I am writing a bachelor thesis which is focused on comparing of
>> several constraint solvers. I compare the objective criterions - the
>> spent time and memory on solving of several benchmarks as well as
>> subjective criterions - the main focus is on easiness of learning of
>> usage.
>>
>> Now I am in state, that Gecode looks interesting, it seems it offers
>> lots of possibilites how to describe a constraint problem but there is
>> a bit lack of documentation. I found only a doxygen generated
>> documentation but this is by my opinion best for "user who knows what
>> and how but doesnt know the exact spelling of function names or their
>> parameters" but mostly unuseful for new users who would need some
>> introduction. There are also some example problems, but the fact that
>> it is implementation of Example<> template, and the actual calls to
>> solver (initialization, etc.) is hidden somewhere in the parent
>> classes makes it more difficult for a newbie.
>>
>> So my question is simple: Is there some tutorial to Gecode, even if
>> that would be for example only draft or something like that?
>>
>> Thanks for answer, Michal Tulacek
>>
>> _______________________________________________
>> Gecode users mailing list
>> users at gecode.org
>> https://www.gecode.org/mailman/listinfo/gecode-users
>>
>
>
>
> --
> Mikael Zayenz Lagerkvist, http://www.ict.kth.se/~zayenz/
>
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