copyright © 2001-2006 World Bible Translation Center
Language: বাংলা (Bengali)
Translation by: World Bible Translation Center
This copyrighted material may be quoted up to 1000 verses without written permission. However, the extent of quotation must not comprise a complete book nor should it amount to more than 50% of the work in which it is quoted. This copyright notice must appear on the title or copyright page:
Bengali Holy Bible: Easy-to-Read Version™
Taken from the Bengali HOLY BIBLE: EASY-TO-READ VERSION™
© 2007 by World Bible Translation Center, Inc. and used by permission.
When quotations from the ERV are used in non-saleable media, such as church bulletins, orders of service, posters, transparencies or similar media, a complete copyright notice is not required, but the initials (ERV) must appear at the end of each quotation.
Requests for permission to use quotations or reprints in excess of 1000 verses or more than 50% of the work in which they are quoted, or other permission requests, must be directed to and approved in writing by World Bible Translation Center, Inc.
Address:
World Bible Translation Center, Inc.
P.O. Box 820648
Fort Worth, Texas 76182
Email<EMAIL_ADDRESS>Web: www.wbtc.com
Free Downloads:
Download free electronic copies of
World Bible Translation Center’s Bibles and New Testaments at:
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2013-10-15


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At some point, every parent and every family will have care needs, be it for children, seniors, pets or even homes. Our mission is to improve the lives of families and caregivers by helping them connect in a reliable and easy way. Our solutions help families make informed decisions in one of the most important and highly considered aspects of their family life: finding and managing quality care for their loved ones. In providing families a comprehensive marketplace for care, we are also building the largest global destination for quality caregivers to find fulfilling employment and career opportunities. We strive to help our members - families and caregivers - pursue their passions and fulfill the basic human need of caring for each other.
I found it very easy to find work with NannyTracker.com. It is easy to set up a profile and plenty of exciting features to keep me happy. I would recommend this web site to others. ...More
NannyTracker.com's automated faq response states "We'll get back to you in 24 hours" and guess what, they absolutely DO! I had a issue on the site and NannyTracker.com went above and beyond in helping solve the issue. ...More


The race for top technical talent is becoming increasingly competitive. Companies around the world are struggling to find software developers, but there simply aren't enough of them to meet the demand. Enter Andela. Our mission is to give you access to world-class talent and give brilliant young people in Africa an on-ramp to the digital economy.


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DaHaus is a team of Design & Art professionals ranging from art director, brand manager, graphic designer, web designer and business innovators, driven by a common passion for design and art. We design lifestyles enriched with beauty and health. There are two operations, DaHaus X Lab: Design and Art research laboratory and DaHaus X Beauty: Cosmetics branding and management.


Dear IRMA user,
Some time ago you opened an IRMA account in your IRMA app, resulting in the
following record at the
Privacy by Design Foundation:
- Username: %s
- Email address: %s
The logs
that the foundation maintains indicate that you have not used this account
for more than a year. This leads to the question if this account should be kept.
The foundation prefers not to have to keep personal data (like email addresses)
of unused accounts. For this reason your account will be deleted within two weeks.
You can prevent this by using the IRMA app with the above account within those two weeks,
by opening the IRMA app on your phone and entering the (correct) PIN code.
This prolongs your registration.
About your account
- It is possible that by now you have another IRMA account,
with another (pseudonym) username. You can check this by comparing
the username in your MyIRMA attribute in your IRMA app with the
above username. If those are not the same, then you do not have
to do anything: you now have another (active) account, and the old one
mentioned above will be deleted automatically.
- If you have forgotten your PIN code and you wish to stop using this
account, then you can uninstall the IRMA app from your phone.
This account will then be deleted automatically after two weeks.
- If you have forgotten your PIN code and you want to keep using the
IRMA app, then you can reregister. You then receive a new IRMA account
with which you can collect new attributes in your IRMA app.
The old account will be deleted automatically.
- You can see the logs that the foundation maintains on your account at all times
by logging in with your MyIRMA attribute or your email address at
MyIRMA.
You can find more information on IRMA and on user accounts
here.
Kind regards,
Privacy by Design Foundation


Token Solo Event
Tap
Double T.
Shake
Tilt
C. Clockwise Rot
Clockwise Rot
Token Feedback
Token Constraint Event
→
Token-Token Event
Next to another token


CS 360 Lab #8 - Express and Authentication Drew Henrie Mon 23 Mar 2015 11:50 PM Weather jquery app: http://<IP_ADDRESS>/CS360/l5.html Cities REST Service: http://<IP_ADDRESS>/CS360/getcity?q=D Comments jquery app: http://<IP_ADDRESS>/CS360/l7_mongo.html Comments REST service: http://<IP_ADDRESS>/CS360/comment GitHub Repository for all of Lab 8: https://github.com/dhenrie0208/cs360_l8_express.git


Visiting the Alchemist Sphinx in ⊥IW, it gives us a riddle. If we get the answer wrong, it will threaten to eat us, but rest assured that it hasn't eaten anyone in a very long time.
The first thing we need to do is get the answers to all the riddles. The Sphinx will confirm our answers, so we'll know when we have the right answer to each one.
| Riddle | Answer |
|---|---|
| For my job, I must be strong You may find me within a song They used to make me out of wood But now concrete and steel is good What am I? | BRIDGE |
| I'm often used to keep some people out That's not my only use without a doubt In the theater I'm the first one on But when you draw me it's just like I'm gone What am I? | CURTAIN |
| I live inside a bigger creature's heart When I am thirsty, I refuse my part But when I'm working hard you'll really know I'll squeal and roar, and then I'll growl real low What am I? | ENGINE |
| Many want me blown away each year And then when it gets warm I will appear I want to eat up all the beams, it's true Or flip me over when you start anew What am I? | LEAF |
| I'm soft at heart despite my harder hull, And sometimes you may think that I am dull I tell so many stories every day But like my heart they do not always stay What am I? | PENCIL |
| Within the day I climb up high At night, in glassy bed I lie If you score highly on my test I'll send you home—it's for the best What am I? | THERMOMETER |
| I taste great and I don't smell I'll be right there whene'er you yell I can be caught by a cat Though I am not a mouse or rat What am I? | TONGUE |
| Don't eat off me! I'm used in rites, I hold a soul or ash or lights I also go across the sea With sailors down inside of me What am I? | VESSEL |
| When the time has come to take a break, audibly a warning I will make. Sometimes you may not notice me at all Unless you are four-leg'd and two feet tall What am I? | WHISTLE |
Once we've solved all the riddles, the Alchemist Sphinx lets us into her inner chamber, where we can see a wall of symbols.
At this point, we can examine the symbols and notice that, while most of them are fairly recognizable, some of the symbols are a little weird. Because this is the Alchemist Sphinx, we might think of alchemical symbols. We can find nine alchemical symbols on the wall:
Each symbol is associated with a different alchemical element or compound:
| Symbol | Meaning |
|---|---|
| Gold | |
| Mercury | |
| Lead | |
| Iron | |
| Fire | |
| Salt | |
| Tin | |
| Silver | |
| Blood |
Now we have two sets of nine words. Thinking about how we might try to match them, we notice that they form phrases.
| Alchemy word | Riddle word |
|---|---|
| GOLD | LEAF |
| MERCURY | THERMOMETER |
| LEAD | PENCIL |
| IRON | CURTAIN |
| FIRE | ENGINE |
| SALT | BRIDGE |
| TIN | WHISTLE |
| SILVER | TONGUE |
| BLOOD | VESSEL |
We're almost there, but so far we just have a bunch of words, maybe arranged on a statue. We need some way to get only one letter from each of them. Turning back to the inside of the Sphinx, we notice that each alchemical symbol touches exactly one number (shown in cyan in the image above).
| Symbol | Alchemy word | Riddle word | Number | Index |
|---|---|---|---|---|
| LEAD | PENCIL | 4 | C | |
| GOLD | LEAF | 3 | A | |
| MERCURY | THERMOMETER | 4 | R | |
| IRON | CURTAIN | 7 | N | |
| TIN | WHISTLE | 3 | I | |
| BLOOD | VESSEL | 1 | V | |
| SILVER | TONGUE | 2 | O | |
| SALT | BRIDGE | 2 | R | |
| FIRE | ENGINE | 1 | E |
Indexing the number into the riddle answer and ordering (in row-major order) by the position of the alchemical symbol, we read out the answer, CARNIVORE.


{% extends "base.html" %} {% load bootstrap3 %} {% block title %}WattTime{% endblock %} {% block content %}
You should have just received a 6-digit verification code as a text message to {{ phone_number }}. Please enter it below to complete the sign-up process.


--- layout: default title: Sample content slug: examples/bacon-ipsum ---
The University of Warwick is globally connected, forward-looking and entrepreneurial. We create new ways of thinking and achieving: making us stand out from our competitors and the more ‘traditional universities’ and creating an inspiring place to study and undertake research.
Warwick is one of the UK’s great success stories. In less than fifty years since being founded we’ve become one of the UK’s best universities, consistently at the top of UK league tables and we’re rapidly climbing the international league tables of world class universities.
We’re a university that champions independent thinking and as well as being founded, first and foremost, on academic excellence, a key driver of the Warwick success story so far is our entrepreneurial spirit - a key strength is our relevance to society and our close links with business and industry. Companies tap into Warwick knowledge to develop their own strengths and ensure they remain at the cutting edge within their industries. And that cutting edge insight is developed out of truly world class research: Warwick ranks 7th overall in the UK according to the latest Research Assessment Exercise.
To understand how Warwick has come so far in such a short space of time is to understand the character of the University. The success of Warwick, underpinned by innovation, entrepreneurialism and academic excellence, is driven by the exceptional talent of our staff, students and alumni.
Bacon ipsum dolor amet t-bone shoulder picanha, ham hock sausage jerky sirloin ham flank porchetta pastrami prosciutto shankle tail. Kielbasa short ribs alcatra tail landjaeger, ham hock tenderloin ball tip pork loin. Short ribs short loin pork chop, turducken rump alcatra tongue spare ribs sirloin boudin. Brisket pork t-bone beef frankfurter. Leberkas strip steak swine chicken kevin, sausage turkey doner frankfurter biltong ground round sirloin porchetta ball tip cupim. Jerky chuck ham hock kevin porchetta salami boudin sirloin andouille kielbasa picanha. Kielbasa ground round tongue chuck cow shankle pork fatback short ribs rump pork loin.
Shankle venison alcatra frankfurter t-bone. Brisket ham hock venison pork loin chuck landjaeger sirloin t-bone meatloaf bacon boudin salami frankfurter. T-bone venison ground round capicola picanha shankle. Landjaeger chicken drumstick swine beef andouille, sirloin alcatra pork belly boudin meatloaf ham hock.
 Boudin pork belly ribeye hamburger. Filet mignon ham hock landjaeger pancetta prosciutto boudin bacon venison turkey hamburger capicola shank cupim tenderloin. Chuck corned beef biltong fatback sirloin. Meatball sausage bacon strip steak, ground round pork chop kevin ham cow. Picanha short loin beef ball tip jerky pork belly, meatball boudin. Bresaola shank hamburger pork chop tongue filet mignon capicola shankle.
Turkey tenderloin short ribs kevin salami ribeye. Spare ribs ground round beef chuck capicola. Shankle alcatra strip steak fatback doner, pastrami kevin. Pancetta short ribs fatback, pastrami meatball rump salami. Bresaola turducken shoulder strip steak tri-tip, filet mignon kielbasa short loin ham brisket chuck t-bone ground round pancetta jerky.  Landjaeger filet mignon picanha pork loin pancetta t-bone, corned beef capicola cow bacon bresaola alcatra ribeye.
Beef hamburger shoulder brisket, short loin drumstick fatback meatloaf biltong beef ribs. Boudin tongue rump cupim tenderloin brisket. Swine picanha brisket biltong short ribs turducken. Leberkas venison brisket jowl beef alcatra prosciutto biltong. Meatloaf pork chop ribeye strip steak kielbasa shoulder boudin. Salami tri-tip shoulder cow andouille flank swine.
Leberkas tenderloin pork belly flank ham, ham hock cow hamburger frankfurter chuck. Tongue short loin chuck, ham hock hamburger swine cow kielbasa. Ball tip kielbasa meatloaf turducken bacon salami rump tri-tip sirloin turkey cow landjaeger prosciutto shank flank. Brisket frankfurter porchetta jerky filet mignon, leberkas pork belly prosciutto chuck ham hock pork loin hamburger turkey cow. Sirloin picanha shankle kielbasa pork meatball rump spare ribs, boudin ribeye.
Sirloin pork belly rump pancetta ham hock meatball ball tip. Bacon pork belly kevin, leberkas pork jowl fatback. Filet mignon kevin meatloaf, alcatra beef ribs biltong spare ribs rump jowl short loin beef. Frankfurter kielbasa salami, ground round biltong meatloaf ball tip swine bresaola capicola cow boudin. T-bone rump cupim, landjaeger ham kevin doner.
Beef ribs drumstick meatball t-bone, spare ribs strip steak shankle ham hock pork loin. Filet mignon hamburger fatback meatloaf leberkas chicken drumstick doner jerky ball tip chuck kielbasa corned beef ground round swine. Shoulder jowl chuck tail boudin chicken pork chop sirloin venison landjaeger. Meatloaf rump bresaola, tail strip steak picanha ground round flank capicola spare ribs cupim alcatra doner filet mignon. Swine frankfurter corned beef jowl capicola beef ribs tenderloin. Swine porchetta boudin drumstick.
 Biltong short ribs bacon andouille tri-tip. Biltong fatback frankfurter, short ribs t-bone brisket drumstick venison turducken tongue beef ribs. Drumstick pancetta pork tenderloin prosciutto boudin spare ribs biltong capicola, t-bone bacon.
Shoulder cow doner capicola flank ribeye turkey bresaola pork loin chicken andouille salami. Tail pastrami ball tip ham hock kevin chuck, salami t-bone chicken. Rump tongue kielbasa, short ribs alcatra andouille picanha shank pork loin turkey meatloaf drumstick venison ball tip doner. Biltong tail turducken shank leberkas hamburger, bacon porchetta brisket. Cupim flank leberkas pork belly bresaola. Pork chop jowl rump ground round pork loin ribeye corned beef shoulder swine fatback meatball t-bone ham hock brisket salami.


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In order to make our data uniquely identifiable and citable in scolarly publications, we use Digital Object Identifiers. While for output data, we register one DOI per sector, for input data, we create one DOI per subcategory, e.g. socioeconomic/landuse. The DOI are registered using the DOI service of DataCite.
If you use ISIMIP data in your research, we kindly ask you to cite the DOI for corresponding dataset. The DOI can also be found in the search interface with each dataset. More information can be found in our Terms of Use.
Whenever we need to replace datasets, we will create a new version of the DOI, marked by a version number (e.g. .1
) at the end. This ensures that every DOI references exactly the datasets, which where public at the time of registration. De-published datasets are archived on tape and can be made available on request.
Currently, there we have {{ count }} DOI in our database. While most of the DOI are registered by us, sometimes we reference datasets registered by other parties. In this case, please follow the policies of the original data provider.


Manchester Village is a popular destination for fall leaf-peepers. We recommend booking lodging at your earliest convinience for the best rate.
There are several options in and around the village, including private home rentals. If you find accomodations outside of the Kimpton Taconic, we will provide a shuttle service after the reception for anyone who chooses to leave a car at the venue.


| Opcode | Instruction | Op/En | 64-Bit Mode | Compat/Leg Mode | Description |
|---|---|---|---|---|---|
| F6 /3 | NEG r/m8 | M | Valid | Valid | Two's complement negate r/m8. |
| REX + F6 /3 | NEG r/m8* | M | Valid | N.E. | Two's complement negate r/m8. |
| F7 /3 | NEG r/m16 | M | Valid | Valid | Two's complement negate r/m16. |
| F7 /3 | NEG r/m32 | M | Valid | Valid | Two's complement negate r/m32. |
| REX.W + F7 /3 | NEG r/m64 | M | Valid | N.E. | Two's complement negate r/m64. |
NOTES:
*
In 64-bit mode, r/m8 can not be encoded to access the following byte registers if a REX prefix is used: AH, BH, CH, DH.
| Op/En | Operand 1 | Operand 2 | Operand 3 | Operand 4 |
| M | ModRM:r/m (r, w) | NA | NA | NA |
Replaces the value of operand (the destination operand) with its two's complement. (This operation is equivalent to subtracting the operand from 0.) The destination operand is located in a general-purpose register or a memory location.
This instruction can be used with a LOCK prefix to allow the instruction to be executed atomically.
In 64-bit mode, the instruction’s default operation size is 32 bits. Using a REX prefix in the form of REX.R permits access to additional registers (R8-R15). Using a REX prefix in the form of REX.W promotes operation to 64 bits. See the summary chart at the beginning of this section for encoding data and limits.
IF DEST = 0 THEN CF ← 0; ELSE CF ← 1; FI; DEST ← [– (DEST)]
The CF flag set to 0 if the source operand is 0; otherwise it is set to 1. The OF, SF, ZF, AF, and PF flags are set according to the result.
| #GP(0) |
If the destination is located in a non-writable segment. If a memory operand effective address is outside the CS, DS, ES, FS, or GS segment limit. If the DS, ES, FS, or GS register contains a NULL segment selector. |
| #SS(0) | If a memory operand effective address is outside the SS segment limit. |
| #PF(fault-code) | If a page fault occurs. |
| #AC(0) | If alignment checking is enabled and an unaligned memory reference is made while the current privilege level is 3. |
| #UD | If the LOCK prefix is used but the destination is not a memory operand. |
| #GP | If a memory operand effective address is outside the CS, DS, ES, FS, or GS segment limit. |
| #SS | If a memory operand effective address is outside the SS segment limit. |
| #UD | If the LOCK prefix is used but the destination is not a memory operand. |
| #GP(0) | If a memory operand effective address is outside the CS, DS, ES, FS, or GS segment limit. |
| #SS(0) | If a memory operand effective address is outside the SS segment limit. |
| #PF(fault-code) | If a page fault occurs. |
| #AC(0) | If alignment checking is enabled and an unaligned memory reference is made. |
| #UD | If the LOCK prefix is used but the destination is not a memory operand. |
Same as for protected mode exceptions.
| #SS(0) | If a memory address referencing the SS segment is in a non-canonical form. |
| #GP(0) | If the memory address is in a non-canonical form. |
| #PF(fault-code) | For a page fault. |
| #AC(0) | If alignment checking is enabled and an unaligned memory reference is made while the current privilege level is 3. |
| #UD | If the LOCK prefix is used but the destination is not a memory operand. |


new Query()
Solr Query
Methods
-
addParams(params)
-
Add params
Parameters:
Name Type Description params
Array.<Object> Properties
Name Type Description field
String params field
value
String params value
Returns:
- Type
- Query
-
df(params)
-
Set the default query field.
Parameters:
Name Type Description params
String default field for search
Returns:
- Type
- Query
-
dismax()
-
Set DisMax query parser
Returns:
- Type
- Query
-
edismax()
-
Set eDisMax query parser
Returns:
- Type
- Query
-
facetQuery(params)
-
Set facet query params
Parameters:
Name Type Description params
Object | String facet object or facet string
Properties
Name Type Argument Default Description on
Boolean <optional>
true Turn on or off facet
query
String <optional>
Specifies a Lucene query to generate a facet count.
field
String | Array <optional>
Identifies a field to be treated as a facet.
prefix
String <optional>
Limits the terms used for faceting to those that begin with the specified prefix.
contains
String <optional>
Limits the terms used for faceting to those that contain the specified substring.
containsIgnoreCase
String <optional>
If facet.contains is used, ignore case when searching for the specified substring.
sort
String <optional>
Controls how faceted results are sorted. (count|index)
limit
Number <optional>
Controls how many constraints should be returned for each facet.
offset
Number <optional>
Specifies an offset into the facet results at which to begin displaying facets.
mincount
Number <optional>
Specifies the minimum counts required for a facet field to be included in the response.
missing
Boolean <optional>
Controls whether Solr should compute a count of all matching results which have no value for the field, in addition to the term-based constraints of a facet field.
method
String <optional>
Selects the algorithm or method Solr should use when faceting a field. (enum|fc|fcs)
Returns:
- Type
- Query
-
fl(params)
-
Set field params
Parameters:
Name Type Description params
String | Array.<String> field name
Returns:
- Type
- Query
-
fq(params)
-
Set filter query params
Parameters:
Name Type Description params
Object | Array.<Object> filter options
Properties
Name Type Argument Description field
String <optional>
filter field
value
String | Number <optional>
filter value
Returns:
- Type
- Query
-
groupQuery(params)
-
Set group query params
Parameters:
Name Type Description params
Object | String group object or group string
Properties
Name Type Argument Default Description on
Boolean <optional>
true Turn on or off group
field
String <optional>
The name of the field by which to group results.
query
String <optional>
Return a single group of documents that match the given query.
limit
Number <optional>
Specifies the number of results to return for each group. The default value is 1.
offset
Number <optional>
Specifies an initial offset for the document list of each group.
sort
String <optional>
Specifies how Solr sorts documents within each group.
format
String <optional>
If this parameter is set to simple, the grouped documents are presented in a single flat list, and the start and rows parameters affect the numbers of documents instead of groups.
main
Boolean <optional>
If true, the result of the first field grouping command is used as the main result list in the response, using group.format=simple.
ngroups
Boolean <optional>
If true, Solr includes the number of groups that have matched the query in the results. The default value is false.
truncate
Boolean <optional>
If true, facet counts are based on the most relevant document of each group matching the query. The default value is false.
facet
Boolean <optional>
Determines whether to compute grouped facets for the field facets specified in facet.field parameters.
cachePercent
Number <optional>
Determines whether to compute grouped facets for the field facets specified in facet.field parameters.
Returns:
- Type
- Query
-
hlQuery(params)
-
Set hl query params
Parameters:
Name Type Description params
Object | String hl object or hl string
Properties
Name Type Argument Default Description on
Boolean <optional>
true Turn on or off hl
q
String <optional>
Specifies an overriding query term for highlighting
qparser
String <optional>
Specifies a qparser to use for the hl.q query.
fl
String | Array <optional>
Specifies a list of fields to highlight.
snippets
Number <optional>
Specifies maximum number of highlighted snippets to generate per field.
fragsize
Number <optional>
Specifies the size, in characters, of fragments to consider for highlighting.
mergeContiguous
Boolean <optional>
Instructs Solr to collapse contiguous fragments into a single fragment.
requireFieldMatch
Boolean <optional>
If set to true, highlights terms only if they appear in the specified field.
maxAnalyzedChars
Number <optional>
Specifies the number of characters into a document that Solr should look for suitable snippets.
maxMultiValuedToExamine
Number <optional>
Specifies the maximum number of entries in a multi-valued field to examine before stopping.
maxMultiValuedToMatch
Number <optional>
Specifies the maximum number of matches in a multi-valued field that are found before stopping.
alternateField
String <optional>
Specifies a field to be used as a backup default summary if Solr cannot generate a snippet (i.e., because no terms match).
maxAlternateFieldLength
Number <optional>
Specifies the maximum number of characters of the field to return.
formatter
String <optional>
simple Selects a formatter for the highlighted output.
simplePre
String <optional>
Specifies the text that should appear before. ()
simplePost
String <optional>
Specifies the text that should appear after. ()
fragmenter
String <optional>
Specifies a text snippet generator for highlighted text.
usePhraseHighlighter
Boolean <optional>
If set to true, Solr will use the Lucene SpanScorer class to highlight phrase terms only when they appear within the query phrase in the document.
highlightMultiTerm
Boolean <optional>
If set to true, Solr will use highlight phrase terms that appear in multi-term queries.
regexSlop
Number <optional>
When using the regex fragmenter (hl.fragmenter =regex), this parameter defines the factor by which the fragmenter can stray from the ideal fragment size (given by hl.fragsize) to accommodate a regular expression.
regexPattern
String <optional>
Specifies the regular expression for fragmenting. This could be used to extract sentences.
regexMaxAnalyzedChars
Number <optional>
Instructs Solr to analyze only this many characters from a field when using the regex fragmenter (after which, the fragmenter produces fixed-sized fragments).
preserveMulti
Boolean <optional>
If true, multi-valued fields will return all values in the order they were saved in the index. If false, only values that match the highlight request will be returned.
Returns:
- Type
- Query
-
mltQuery(params)
-
Set mlt query params
Parameters:
Name Type Description params
Object | String mlt object or mlt string
Properties
Name Type Argument Default Description on
Boolean <optional>
true Turn on or off mlt
fl
String | Array <optional>
Specifies the fields to use for similarity. If possible, these should have stored termVectors.
mintf
Number <optional>
Specifies the Minimum Term Frequency, the frequency below which terms will be ignored in the source document.
mindf
Number <optional>
Specifies the Minimum Document Frequency, the frequency at which words will be ignored which do not occur in at least this many documents.
maxdf
Number <optional>
Specifies the Maximum Document Frequency, the frequency at which words will be ignored which occur in more than this many documents.
minwl
Number <optional>
Sets the minimum word length below which words will be ignored.
maxwl
Number <optional>
Sets the maximum word length above which words will be ignored.
maxqt
Number <optional>
Sets the maximum number of query terms that will be included in any generated query.
maxntp
Number <optional>
Sets the maximum number of tokens to parse in each example document field that is not stored with TermVector support.
boost
Boolean <optional>
Specifies if the query will be boosted by the interesting term relevance. It can be either "true" or "false".
qf
String <optional>
Query fields and their boosts using the same format as that used by the DisMaxRequestHandler. These fields must also be specified in mlt.fl.
count
Number <optional>
Specifies the number of similar documents to be returned for each result. The default value is 5.
matchInclude
Boolean <optional>
Specifies whether or not the response should include the matched document. If set to false, the response will look like a normal select response.
matchOffset
Number <optional>
Specifies an offset into the main query search results to locate the document on which the MoreLikeThis query should operate. By default, the query operates on the first result for the q parameter.
interestingTerms
String <optional>
Controls how the MoreLikeThis component presents the "interesting" terms (the top TF/IDF terms) for the query. ("list"|"details"|"none")
Returns:
- Type
- Query
-
q(params)
-
Set query params
Parameters:
Name Type Description params
Object | String query object or query string
Properties
Name Type Argument Description str
String <optional>
native str query ( ex) '(name:test OR category:test)' )
Returns:
- Type
- Query
-
qop(params)
-
Set default query operator
Parameters:
Name Type Description params
String default operator('AND'|'OR')
Returns:
- Type
- Query
-
rows(params)
-
Set rows params
Parameters:
Name Type Description params
Number size number
Returns:
- Type
- Query
-
sort(params)
-
Set sort params
Parameters:
Name Type Description params
Object sort options
Returns:
- Type
- Query
-
spatial(params)
-
Spatial
Parameters:
Name Type Description params
Array.<Object> Properties
Name Type Description pt
String params pt
sfield
String params sfield
d
String params d
Returns:
- Type
- Query
-
spellcheckQuery(params)
-
Set spellcheck query params
Parameters:
Name Type Description params
Object | String spell object or spell string
Properties
Name Type Argument Default Description on
Boolean <optional>
true Turn on or off spell
q
String <optional>
Selects the query to be spellchecked.
build
Boolean <optional>
Instructs Solr to build a dictionary for use in spellchecking.
collate
Boolean <optional>
Causes Solr to build a new query based on the best suggestion for each term in the submitted query.
maxCollations
Number <optional>
This parameter specifies the maximum number of collations to return.
maxCollationTries
Number <optional>
This parameter specifies the number of collation possibilities for Solr to try before giving up.
maxCollationEvaluations
Number <optional>
This parameter specifies the maximum number of word correction combinations to rank and evaluate prior to deciding which collation candidates to test against the index.
collateExtendedResults
Boolean <optional>
If true, returns an expanded response detailing the collations found. If s pellcheck.collate is false, this parameter will be ignored.
collateMaxCollectDocs
Number <optional>
The maximum number of documents to collect when testing potential Collations
count
Number <optional>
Specifies the maximum number of spelling suggestions to be returned.
dictionary
String <optional>
Specifies the dictionary that should be used for spellchecking.
extendedResults
Boolean <optional>
Causes Solr to return additional information about spellcheck results, such as the frequency of each original term in the index (origFreq) as well as the frequency of each suggestion in the index (frequency).
onlyMorePopular
Boolean <optional>
Limits spellcheck responses to queries that are more popular than the original query.
maxResultsForSuggest
Number <optional>
The maximum number of hits the request can return in order to both generate spelling suggestions and set the "correctlySpelled" element to "false".
alternativeTermCount
Number <optional>
The count of suggestions to return for each query term existing in the index and/or dictionary.
reload
Boolean <optional>
Reloads the spellchecker.
accuracy
Number <optional>
Specifies an accuracy value to help decide whether a result is worthwhile. The value is a float between 0 and 1.
Returns:
- Type
- Query
-
start(params)
-
Set start params
Parameters:
Name Type Description params
Number offset number
Returns:
- Type
- Query
-
termsQuery(params)
-
Set terms query params
Parameters:
Name Type Description params
Object | String terms object or terms string
Properties
Name Type Argument Default Description on
Boolean <optional>
true Turn on or off terms
fl
String The name of the field to get the terms from.
lower
String <optional>
The term to start at. If not specified, the empty string is used, meaning start at the beginning of the field.
lowerIncl
Boolean <optional>
The term to start at. Include the lower bound term in the result set. Default is true.
mincount
Number <optional>
The minimum doc frequency to return in order to be included.
maxcount
Number <optional>
The maximum doc frequency.
prefix
String <optional>
Restrict matches to terms that start with the prefix.
regex
String <optional>
Restrict matches to terms that match the regular expression.
regexFlag
String <optional>
Flags to be used when evaluating the regular expression defined in the "terms.regex" parameter.(case_insensitive|comments|multiline|literal|dotall|unicode_case|canon_eq|unix_lines)
limit
Number <optional>
The maximum number of terms to return.
upper
String <optional>
The term to stop at. Either upper or terms.limit must be set.
upperIncl
Boolean <optional>
Include the upper bound term in the result set. Default is false.
raw
Boolean <optional>
If true, return the raw characters of the indexed term, regardless of if it is human readable.
sort
String <optional>
If count, sorts the terms by the term frequency (highest count first). If index, returns the terms in index order.(count|index)
Returns:
- Type
- Query
-
toString()
-
Make query to string
Returns:
- Type
- String
-
wt(params)
-
Set the response type.
Parameters:
Name Type Description params
String response type (json|xml)
Returns:
- Type
- Query


{% extends "base.html" %} {% block title %} {{ data.title|default:'ICCLab RCB Demo Site' }} {% endblock %} {% block my_content %} {% if form.errors %}
Sorry, that's not a valid username or password
{% endif %}The authentication was successful, below are the data we got.
{% if token_data %}| {{key}} | {{value}} |
The authentication token is
The authentication was not successful.
Authenticicate {% endif %} {% endblock %}


manipulate: Interactive Plots for RStudio
Interactive plotting functions for use within RStudio.
The manipulate function accepts a plotting expression and a set of
controls (e.g. slider, picker, checkbox, or button) which are used
to dynamically change values within the expression. When a value is
changed using its corresponding control the expression is
automatically re-executed and the plot is redrawn.
| Version: |
1.0.1 |
| Depends: |
R (≥ 2.11.1) |
| Published: |
2014-12-24 |
| Author: |
JJ Allaire [aut, cre] (R interface),
RStudio [cph] |
| Maintainer: |
JJ Allaire <jj at rstudio.com> |
| License: |
GPL-2 |
| NeedsCompilation: |
no |
| SystemRequirements: |
RStudio - http://www.rstudio.com/products/rstudio/ |
| CRAN checks: |
manipulate results |
Downloads:
Reverse dependencies:
Linking:
Please use the canonical form
https://CRAN.R-project.org/package=manipulate
to link to this page.


|
| virtual void | trace (const sc_time &object, const std::string &name) |
| |
| virtual void | trace (const sc_event &object, const std::string &name) |
| |
| void | trace (const bool &object, const std::string &name) |
| |
| void | trace (const sc_dt::sc_bit &object, const std::string &name) |
| |
| void | trace (const sc_dt::sc_logic &object, const std::string &name) |
| |
| void | trace (const unsigned char &object, const std::string &name, int width) |
| |
| void | trace (const unsigned short &object, const std::string &name, int width) |
| |
| void | trace (const unsigned int &object, const std::string &name, int width) |
| |
| void | trace (const unsigned long &object, const std::string &name, int width) |
| |
| void | trace (const char &object, const std::string &name, int width) |
| |
| void | trace (const short &object, const std::string &name, int width) |
| |
| void | trace (const int &object, const std::string &name, int width) |
| |
| void | trace (const long &object, const std::string &name, int width) |
| |
| void | trace (const sc_dt::int64 &object, const std::string &name, int width) |
| |
| void | trace (const sc_dt::uint64 &object, const std::string &name, int width) |
| |
| void | trace (const float &object, const std::string &name) |
| |
| void | trace (const double &object, const std::string &name) |
| |
| void | trace (const sc_dt::sc_unsigned &object, const std::string &name) |
| |
| void | trace (const sc_dt::sc_signed &object, const std::string &name) |
| |
| void | trace (const sc_dt::sc_uint_base &object, const std::string &name) |
| |
| void | trace (const sc_dt::sc_int_base &object, const std::string &name) |
| |
| void | trace (const sc_dt::sc_fxval &object, const std::string &name) |
| |
| void | trace (const sc_dt::sc_fxval_fast &object, const std::string &name) |
| |
| void | trace (const sc_dt::sc_fxnum &object, const std::string &name) |
| |
| void | trace (const sc_dt::sc_fxnum_fast &object, const std::string &name) |
| |
| template<class T > |
| void | traceT (const T &object, const std::string &name, wif_enum type) |
| |
| virtual void | trace (const sc_dt::sc_bv_base &object, const std::string &name) |
| |
| virtual void | trace (const sc_dt::sc_lv_base &object, const std::string &name) |
| |
| void | trace (const unsigned &object, const std::string &name, const char **enum_literals) |
| |
| void | write_comment (const std::string &comment) |
| |
| void | cycle (bool delta_cycle) |
| |
| | sc_trace_file_base (const char *name, const char *extension) |
| |
| bool | is_initialized () const |
| |
| bool | initialize () |
| |
| void | open_fp () |
| |
| bool | add_trace_check (const std::string &name) const |
| |
| bool | has_low_units () const |
| |
| int | low_units_len () const |
| |
| void | timestamp_in_trace_units (unit_type &high, unit_type &low) const |
| |
| virtual | ~sc_trace_file_base () |
| |
| const sc_dt::uint64 & | event_trigger_stamp (const sc_event &event) const |
| |
| virtual | ~sc_trace_file () |
| |
Definition at line 71 of file sc_wif_trace.h.


THE LAST EMPEROR A film review by Kevin Romano Copyright 1988 Kevin Romano
Admittedly, I saw this movie in my local $2 house where the picture wouldn't fit on the screen so the right-hand side wrapped around the wall and waved on a curtain. Although an interesting distraction, especially when the emperor appeared to be literally two-faced, I think I saw enough of the film to give my views on this Sino-Latin collaboration.
One of the nice things about movie reviews is that they are often refreshingly wrong. I feel this is because when we see a film we filter it through our own unique set of life experiences and the things we "see" are those things to which we have become sensitive -- sort of like a group of allergy patients sitting in a doctor's office. I am no exception. The things I "see" you may say don't exist in the film or vice versa. This is a healthy phenomenon. So, as a word of caution, if you haven't already seen this movie, go see it for yourself; don't believe critics. One man's meat is another man's poison, as the saying goes. I, myself, however, always read and believe criticisms. As Luis Bunuel I'm sure would comment about one of our national weaknesses, "Those poor naive Americans." Being half-English and half-Italian has already made me the type who would shout, "Long live the King!"  Just joking! I think.
Anyway, here are some of my ideas about the film: The movie was hard to watch. It was colder than a winter in Chicago. Nonetheless, although I don't think I could sit through it again, it makes important comments about the lunacy of political power and, as it offers no alternatives other than awareness of the problem, it is dreadful in its implications.
The story, as the title suggests, is about the life of the last emperor of China. As a three-year-old he is installed in "The Forbidden City," and everyone bows down to him. He quickly gets the idea that he is superior to others and can do almost anything he wants. This is shown in the film to be correct and incorrect at the same time. Within "The Forbidden City," a symbol of the emperor's own imprisonment, he is free to do whatever he wants, but he is, indeed, not free to leave. He is a puppet, if you will, to protect the interests of those who put him in power in the first place. Sound familiar?
One very striking shot near the opening shows the young emperor and his brother, who has been allowed to visit him, at the head of a long retinue of heavily-robed functionaries, dias-bearers and so forth. The emperor starts running across an extremely expansive, stone-paved courtyard. The retinue speeds up to try and follow and they all end up going in a huge circle in the courtyard. The camera observes this from on high to emphasize how small they are -- a bit of directorial virtuosity which caught me by surprise. The emperor leading the people in circles -- I wonder where that idea came from.
While the emperor is thus cut off from the rest of the world, China becomes a republic and the emperor becomes aware that it now has a president. The feeling of his own imprisonment grows.
Eventually, the emperor gets a tutor from Scotland who encourages him to free himself. The emperor, now around twenty, fires the old-guard and installs a person to do an inventory on how much has been stolen from the storehouse. The eunuchs, hundreds of them, burn the storehouse to the ground. The emperor says that this is to cover their thieving and, in a strange scene in which the eunuchs carry their testicles in phials out into the courtyard -- wishing to be buried as whole men -- we are lead to believe that they will be executed, although, thankfully, we don't have to witness the mass executions. Apparently, showing them would have made the emperor too hateful to the audience and interfered with the main theme which I will get to.
The film is largely based on the political history of China. As such, it follows the emperor's life into the period when he collaborated with the Japanese in Manchuria. It is a sad life in which the enslavement of China has its parallel in the enslavement of the emperor -- he is merely a puppet again, this time in the hands of the Japanese.
When the Communists take over, the emperor is caught and spends ten years in prison being reeducated, eventually becoming a gardener and dying in 1967. Ironically, the Communist who reeducates him is portrayed as a kind teacher who has a profound humanity. Later, as the emperor walks the streets, he sees the jailer forced to march in a parade of denunciation in which he is humiliated -- the vagaries of politics. The emperor stands up for him, but is, in turn, ridiculed by the young Chinese cultural revolutionaries who are just as much under the spell of an illusion as the emperor ever was. The circle is complete. The emperor has gone from illusion to disillusionment to awareness only now to be ridiculed by the young Chinese Communist guards just starting off on their own period of illusion.
During the emperor's reeducation the moviemakers mix in footage of real atrocities, such as the mass opium addiction of the Chinese, real executions, as well as the attack on Pearl Harbor and the atomic bomb blast at Hiroshima. This ties the movie, more than anything else, to our own reality.
So is this picture a cinematic version of Machiavelli? In some ways it is. Human nature doesn't change -- certainly a view of Machiavelli. The emperor loves Manchuria. Machiavelli was a passionate lover of Florence. The corrupt nature of humanity is certainly present, but, perhaps it is best not to drive the parallels too far, for the emperor's life is ultimately seen from the point of view of a long period spent under the spell of an illusion and his equally long period before breaking out of this psychic prison. His struggle consumed his whole life. The implication, I think, is that ours could consume the whole world.
From almost any angle this movie is first-rate. It even had a moment or two of humor as when a Chinese band plays its version of "Auld Lang Syne" as a send-off for the emperor's Scotch tutor.
I don't quite know what to say about the coldness of the film. In one way it is totally apropos; it fits the subject matter perfectly. On the other hand, who wants to go see a cold movie? All I can say is that I am really glad to have seen this important film. I would compare it to going to the dentist's office to have your teeth drilled -- necessary, but not exactly an endearing experience. I salute the moviemakers -- this is a stupendous and important film. In a world asleep in its illusions, political power may just be the greatest oxyMORON of all.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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|
LiteSQL
0.3.17
|
An abstract base class for interfacing with relational databases. More...
#include <backend.hpp>
Classes | |
| class | Cursor |
| An abstract base class for cursors that iterate result sets returned by relational database. More... | |
| class | Result |
Public Member Functions | |
| virtual | ~Backend () |
| empty | |
| virtual bool | supportsSequences () const |
| return true if backend supports CREATE SEQUENCE - SQL-statements | |
| virtual std::string | getSQLType (AT_field_type fieldType, const std::string &length="") const |
| virtual std::string | getCreateSequenceSQL (const std::string &name) const |
| virtual std::string | getSeqSQL (const std::string &sname) const |
| virtual std::string | getRowIDType () const |
| backend may want to set an AUTO_INCREMENT-attribute for table's primary key field. More... | |
| virtual std::string | getInsertID () const |
| if backend supports this, new primary key of the last insert is returned | |
| virtual void | begin () const |
| begin SQL transaction, may or may not have an effect | |
| virtual void | commit () const |
| commit SQL transaction | |
| virtual void | rollback () const |
| rollback SQL transaction | |
| virtual Result * | execute (const std::string &query) const =0 |
| executes SQL-query More... | |
| virtual Cursor * | cursor (const std::string &query) const =0 |
| executes SQL-query More... | |
| virtual std::string | groupInsert (const Record &tables, const Records &fields, const Records &values, const std::string &sequence) const |
| executes multiple INSERT-statements and assigns same 'row id' for first field of every record More... | |
Static Public Member Functions | |
| static Backend * | getBackend (const std::string &type, const std::string &connInfo) |
| returns a backend according to Backendtype in type, parameters are specific to backend and are separated by semicolon. More... | |
An abstract base class for interfacing with relational databases.
|
pure virtual |
executes SQL-query
| query | SQL-query to execute |
Referenced by rollback().
|
pure virtual |
executes SQL-query
| query | SQL-query to execute |
Referenced by litesql::Database::query(), and rollback().
|
static |
returns a backend according to Backendtype in type, parameters are specific to backend and are separated by semicolon.
| type | type of the database backend (supported are : "mysql","postgresql","sqlite3","odbc" |
| connInfo | database connection specific parameters (parameters are separated by semicolon) |
| DatabaseError | if no backend is found |
Referenced by rollback().
|
inlinevirtual |
backend may want to set an AUTO_INCREMENT-attribute for table's primary key field.
this method is to deliver the details to database schema
|
virtual |
executes multiple INSERT-statements and assigns same 'row id' for first field of every record
| tables | destination tables for insert operation |
| fields | record of field names per table |
| values | record of values per table |
| sequence | sequence where row id-numbers are pulled |
References litesql::escapeSQL(), litesql::Split::join(), and litesql::Backend::Result::records().
Referenced by litesql::Database::groupInsert(), and rollback().


I've played it already, a few weeks ago. I played like 2 weeks normal, then I started cheating to get secret/hidden achievements (only way to get them is by cheating). And it ruined it for me, I lost the feel for the game ;(wasakakero wrote:Jumpy will love it.


|
Class Summary |
| Emitter |
This class produces java files for stubs, skeletons, and types from a
WSDL document. |
| GeneratedFileInfo |
File info available after emit to describe what
exactly was created by the Emitter. |
| JavaBeanFaultWriter |
This is Wsdl2java's Complex Faylt Writer. |
| JavaBeanHelperWriter |
This is Wsdl2java's Helper Type Writer. |
| JavaBeanWriter |
This is Wsdl2java's Complex Type Writer. |
| JavaBindingWriter |
This is Wsdl2java's Binding Writer. |
| JavaClassWriter |
Emitter knows about WSDL writers, one each for PortType, Binding, Service,
Definition, Type. |
| JavaDefinitionWriter |
This is Wsdl2java's Definition Writer. |
| JavaDeployWriter |
This is Wsdl2java's deploy Writer. |
| JavaEnumTypeWriter |
This is Wsdl2java's Complex Type Writer. |
| JavaFaultWriter |
This is Wsdl2java's Fault Writer. |
| JavaGeneratorFactory |
This is Wsdl2java's implementation of the GeneratorFactory |
| JavaHolderWriter |
This is Wsdl2java's Holder Writer. |
| JavaImplWriter |
This is Wsdl2java's implementation template writer. |
| JavaInterfaceWriter |
This is Wsdl2java's PortType Writer. |
| JavaServiceIfaceWriter |
This is Wsdl2java's service writer. |
| JavaServiceImplWriter |
This is Wsdl2java's service implementation writer. |
| JavaServiceWriter |
This is Wsdl2java's Service Writer. |
| JavaSkelWriter |
This is Wsdl2java's skeleton writer. |
| JavaStubWriter |
This is Wsdl2java's stub writer. |
| JavaTestCaseWriter |
This is Wsdl2java's TestCase writer. |
| JavaTypeWriter |
This is Wsdl2java's Type Writer. |
| JavaUndeployWriter |
This is Wsdl2java's deploy Writer. |
| JavaWriter |
Emitter knows about WSDL writers, one each for PortType, Binding, Service,
Definition, Type. |
| Namespaces |
This class is essentially a HashMap of pairs with
a few extra wizzbangs. |
| Utils |
|


ServerMod2
ServerMod2 is a server side plugin system with a bunch of additional configuration options, bug fixes, security patches and some optimisations built in.
Download now


Productivity is the key to survival in today’s globally competitive environment. When you think about the basic inputs to production—time, labor, and materials—you can see there isn’t much room for optimization. You have 24 hours per day, labor is costly, and you don’t have much choice in materials. Thus, every company must use automation to gain more output from the same inputs, or perish. So, we rely on automation, which in turn relies on clean power. Power quality problems can cause processes and equipment to malfunction or shut down and the consequences can range from excessive energy costs to complete work stoppage. Obviously, power quality is critical.
Power Quality is a measure of how well a system supports reliable operation of its loads. A power disturbance or event can involve voltage, current, or frequency. Power disturbances can originate in consumer power systems, consumer loads, or the utility.
Where do power quality problems come from? Most originate inside the facility. They may be due to problems with:
With the proliferation of computers and other sensitive devices in our professional and personal lives, awareness and addressing of power quality issues is becoming increasingly important. Poor quality of power causes not only physical damage to equipment but also results in downtime (which, in turn, lowers productivity) and a substantial increase in energy costs. Hence, power monitoring is critical for extracting optimal performance out of your systems.
Power monitoring is an important process in identifying current and potential power quality issues and addressing them before they get out of hand. Good power monitoring equipment can provide reliable information about power quality, demand and flow.
Energy costs are on the rise, and facilities everywhere are looking to reduce energy consumption and the costs related to it. But if you haven’t analyzed your monthly energy usage, traced it to operational components or broken out utility fees; how can you make smart decisions to reduce consumption?
If a circuit is operating at 100% efficiency, then the demand (kVA) and the power (kW) are exactly the same thing. But, as most technicians will tell you, this is rarely the case. Most of the time power (kW) is less than the demand (kVA). The ratio of power and demand, kW/kVA, is called power factor. Power factor is measured on a scale of 0 to 1.0.
Power factor is significant because utility companies provide customers with Volt-Amperes but bills them for Watts. If a circuit’s power factor drops below 1.0, the utility must generate more than the minimum Volt-Amperes to supply power to the circuit. This in turn increases a utility company’s generation and transmission costs which lead to the utility charging additional fees.
Low power factor is typically caused when reactive loads, such as capacitors or inductors, are present. Some common examples of circuits containing inductive or capacitive elements are motors, transformers, and lighting.
Another contributor to low power factors are harmonic currents. These are currents that are reflected back into the system and are present in the load current, but not in the voltage. Harmonic currents don’t contribute anything to the power supply system but can lower your power factor; the only loads that will not introduce harmonic currents are purely resistive, like heaters and incandescent lamps.
Automatic Power Factor Correction System (APFCS) provides you with the power of total control at the touch of a button. A state-of-the-art microprocessor “brain” continually and seamlessly regulates capacitor power factor levels, responding instantly to the slightest fluctuations. It saves time and money, by protecting expensive equipment from dangerous harmonics and power surges, and by regulating power consumption - ensuring that you get the power you need, when you need it with no energy waste.
Smart response
Microprocessor-controlled capacitor system automatically senses and regulates the power factor to pre-specified levels.
It works by adjusting the amounts of KVAR (reactive power) connected to the electrical distribution system through separately staged capacitor banks. The more KVAR in the system, the less KW (working or ‘real’ power) is available.
As plant loads vary, the capacitor monitors system power requirements and switches the appropriate capacitor banks on or off to maintain the desired power factor - and prevent overcorrection. This ensures optimum KW load.
The optional panel meters provide an instant reading of system voltage, system amperage, and capacitor amperage. The Power Factor Controller displays the system power factor and is programmed with many additional features.
Harmonics testing is part of the power capacitor installation process. The study determines whether or not a system needs filtering. Excessive harmonics damages equipment by distorting electrical currents and creating heat.
The IEEE has established guidelines (IEEE519-1992) for controlling harmonics in electric power systems:
Harmonic voltage limitations set by IEEE519-1992:
Harmonic levels exceeding IEEE recommended limits should be addressed through harmonic filtering. Failure to filter may lead to serious and costly problems in the electrical distribution system.


10/2018
Frist version of my portfolio
11/2018
Web app for meteo with geolocation
12/2018
Webiste theme for small agencies
2/2019
Restyling Start2impact website and blog
3/2019
Simple chat system
Simple blockchain implementation
4/2019
A mix of Trello and Calendar :)
5/2019
Rebuilding my old meteo app in order to use Database
Full stack project for making booking,admin part and user part


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$300
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SARS-CoV- SARS-CoV OpenUrl coronavirus CrossRef cells using entry Li, Abstract FREE Text Walls human receptor spike hACE Wang, binding cleavage fusion respiratory host protein syndrome Fig. Science glycoprotein trimer Zhang, coronaviruses acute structure ACE Web conformational severe viral Virol Whittaker, data domain site target M.A. MERS-CoV SARSr-CoV Sci virus affinity cell closed conserved ectodomain viruses novel A.C. Acad B.J. Bosch, Natl Proc SARS-CoV-, acid analysis antibodies bat carried coronavirus. furin glycoproteins model related sequence structural Kirchdoerfer Millet Nature Tortorici, amino cryoEM functional glycans neutralizing positions prior trimers S-MLV SARS Veesler, VeroE View Walls, Yang b). observed receptor-binding subunit surface BHK Download MLV P.J. S<;sup>;B<;/sup>; S-mediated Song a). antibody associated cells. distinct domains humans new pathogenic previously proteases similar transfected Biol Coronavirus East Hu, Middle N-linked Nat Pallesen Sequence Shi, Yang, Zhou changes comparable conservation disease experiments expression isolates membrane pseudotyped refinement residues structures supernatants transduction transmission van C-terminal Chen, Crystallogr DiMaio, Entry F.A. G.J. Gui HKU Huang, Open Protein Rey, Rottier, Table Xu, Yuan alignment based buffer cells, column construct cryo-EM density determined grown highly immune insertion key map monoclonal orthogonal peptide performed polyclonal processed pseudovirus purified reported results views (Life ;<;div Baric, C.A. Figure Frenz, G.R. Graham, J.H. J.L. M.J. Med N-terminal Park Receptor SARS-like Structural Tortorici Wong, X.L. Zhao, Zhou, activation added attachment blot boundary case closely complex concentrated containing cryo-electron data-hide-link-title=""> data-icon-position="" efficient epidemic figure fit fur/mut global glycosylation indicated inhibited kinetics microscopy mouse multiple necessary neutralization pneumonia potently presence promote recognition recognize rendered residue sequences shown single species tab used uses xmlns=";http://www.w.org//xhtml";>;<;span <;strong>;A-B.<;/strong>; <;strong>;C.<;/strong>; (Fig A-B. Atomic Belouzard Consortium, CryoEM Dis Engl Gallagher, Garten, Ge, Host Identical Infect Isolation J.A. J.K. J.S. K.S. Kan Lanzavecchia, Liu, Moore, National R.A. R.S. SARS-related Snijder, Song, Steinhauer, Sui, TMPRSS UCSF Western Wu, X.Y. Zheng, ability analysis. basis c). cleaved corresponding designed different emerged enzyme expected font. glycan harvested hours. identity immunized incubated infection influenza interferometry machinery mediated open opening orientation outbreak palm panel pathogenicity potent prefusion preparations processing proteolytic provide pseudovirions purification rate receptor. recognizes red replication representative respectively sarbecovirus sequons sera set severity shown. sialic site, studies study subunits transfection transmissibility triplicate tropism usage use viruses. white yielding zoonotic


John Dean on Trump's Yovanovitch Tweet: 'This Is Criminal' | Breitbart
by Pam KeyOn Friday’s broadcast of CNN’s special coverage of the House Intelligence Committees public so-called impeachment inquiry hearings, John Dean, the ex-White House counsel for Richard Nixon, said President Donald Trump’s tweet about former Ukraine Ambassador Marie Yovanovitch was “criminal.”
Dean said, “It’s almost breathtaking, that he’s — that the president is live-tweeting this and he’s tweeting intimidation. This is criminal. This is — there’s a statute that prohibits that very kind of activity, and he’s just not letting up.”
Follow Pam Key on Twitter @pamkeyNEN


One of the reasons that I love F# is that is makes it incredibly easy to model domains. By creating a Domain Model which represents the business domain it becomes relatively easy to create workflows and algorithms which streamline business processes. In this post I show how to create types for a domain which are summable, a feature I use frequently in my work.
The Value of Restricting Values
When I have to create a new Domain Model one of the first things that I do is define a single case Discriminated Union of decimal
for the basic building blocks that I am going to work with (Costs, Items, Sales Rates, Days of Inventory, etc.). For example, when I am creating an algorithm to evaluate the financial viability of a product on marketplaces I have to calculate costs, I therefore create a Cost
type. In my domain, a Cost
is never negative therefore I can create a constructor which will enforce this behavior.
type Cost = Cost of decimal // Define a single case DU 'Cost' for decimal
module Cost =
let create c = // Function for creating 'Cost' values
if c <= 0M then // Check that the value is greater than 0.0M
None // Return None if outside bounds
else
Some(Cost c) // Return input wrapped in a 'Cost' value
The beautiful thing about this is that when I am working with a Cost
type I never have to worry about it being negative. This is a powerful thing when it comes to composing algorithms because I have eliminated a whole host of possible values that I would need to handle. It is amazing how easy it is for a negative numbers to sneak in and cause havoc. I force myself to deal with this bad data at the boundary of the domain instead of inside the algorithm performing the analysis.
The Downside: Where Did Addition Go?
There is a downside to doing this though, basic math operations will not work. At this point if I try to add two different Cost
values I will get a compiler error.
let totalCost = cost1 + cost2 // Error: The type 'Cost' does not support the '+' operator
Fortunately this is easy to overcome. All we need to do is implement the +
operator for the type. We do this by adding a static member
to our type alias. We add the keyword with
to the end of our previous type alias definition and provide the +
static member.
// Updated definition of 'Cost'
type Cost = Cost of decimal with
static member (+) (Cost c1, Cost c2) =
Cost (c1 + c2)
The arguments for the +
function may look a little odd so let me explain. By declaring the arguments of the function as (Cost c1, Cost c2)
I am telling the compiler that I expect a Cost
type as the input and I want you to unpack the value inside of Cost
and put it in the c1
and c2
values respectively. This allows me to work with the decimal
values inside of the Cost
type. The function itself adds the two values together and then wraps the result in a Cost
. Now when we go to add two Cost
values we no longer get an error.
The beauty of this is that I have maintained control over the values that Cost
can take on. I declared a create
function which insures positive values. I only allow addition of Cost
types which means that a Cost
will only ever be positive. Some people may brush this off as trivial but as someone who has seen the damage that can happen from values going outside of the expected range, this extra work for reliability and peace of mind is worth it. For me, it is more efficient to ensure values cannot go outside their allowed bounds through controlling construction and operator definitions than to have value checks all over the place.
let totalCost = cost1 + cost2
// Result: val totalCost : Cost = Cost 15.0M
Enabling Summation
Well, that is great and all but what happens when we have a List
of Cost
values and we want to sum them. What happens then?
let sumCosts =
[cost1; cost2]
|> List.sum // Error: The type 'Cost' does not support the operator 'get_Zero'
Now when I first came across this I was confused. I had no idea what this get_Zero
operator meant. After digging around for a while I was able to find some examples of what it was referring to. The sum
function wants a starting point for the summation and it gets that by calling the Zero
function on the type. I don’t know why the compiler is saying does not support the operator 'get_Zero'
instead of saying the type does not have a function named 'Zero'
. Again, F# makes this easy to implement.
// Summable 'Cost' type
type Cost = Cost of decimal with
static member (+) (Cost c1, Cost c2) =
Cost (c1 + c2)
static member Zero =
Cost 0.0M
Now when we try to sum a list of Cost
values we get the expected result.
let sumCosts =
[cost1; cost2]
|> List.sum
// Result: val sumCosts : Cost = Cost 15.0M
Freedom Through Constraints
The more I dive into Domain Driven Design with F#, the more I love it. By ensuring values comply with expectations at the boundary of the domain, I am freed to reason about my algorithms without worrying about data going awry inside the domain. While it takes a few more keystrokes to define operations on these domain types, I hope that I showed you that it takes little effort in F# and can lead to more reliable and robust code. Keep calm and curry on!


--- layout: post title: Compress CSS and Javascript Files author: Galuh D Wijatmiko categories: [Server,Script] tags: [Script] ---
Depends : jdk,yuicompressor
get yuicompressor
wget -c wget https://github.com/yui/yuicompressor/releases/download/v2.4.8/yuicompressor-2.4.8.jar
How to compress?
java -jar yuicompressor-2.4.8.jar --type css style.css > style.css


You must run this example on the Django server, not from the local filesystem. The widget works when loaded via the local file system, but the toolbar icons do not load.


See what elderly couple did for grandson
by Ifeanyi NgeremThe relationship between grandparents and their grand kids sometimes can be very intense one might mistake that the actual parents have little or no love for their kids.
That is the case of these adorable couple who stood under the sun to protest the punishment laid upon their grandson, Caleb.
A Twitter user with the handle @kjohnathank took to the micr-blogging platform to share the moment her grandparents took to the open space to protest the punishment her parents gave her brother, Caleb.
In the photo she shared, her grandparents, apparently old were seen holding placards, with protest words that read;
“Please give Caleb a shorter punishment, 3 weeks,” another reads, “Please give Caleb a lesser punishment release his cell phone”
Her grand parents were not in the best of shapes, as a walking aide could be seen before the elderly man however it did stop them from protesting on behalf of their grandson Caleb.
See tweet below:


Open the dev tools to see the console debug output.
This demo features three identical 4 step state machine tied into the same Director. In all actions, the 3rd step represents a persistent state (think of it as a save-point state), if we leave the action at that stage, it will automatically be recovered when you return to it.
The actionDirector acts as a semaphore, by automatically leaving one action if the other get's triggered. It will also receive all events allowing you to perform both common & complex operations. This use-case it's specially suited if you have multiple modal windows, one for each actions and they cannot coexist simultaneously. If actions can coexist just don't set an actionDirector and they will be completely independent.


Made by Nick Masi
Steps to get these programs on your Nspire calculator:
1) Click on the name of the desired program to download it to your computer.
2) Open up the TI-Nspire CX Student Software program and plug in your Nspire.
3) The top file navigator in the TI software is for your computer, the file navigator below it is for your calculator. Navigate (on top) to where you downloaded the file and copy and paste it to your calculator (below).
4) All of the programs have instructions on the last page of the document.


THE WINGS OF THE DOVE (Miramax - 1997) Starring Helena Bonham Carter, Linus Roache, Alison Elliott, Elizabeth McGovern, Charlotte Rampling, Alex Jennings Screenplay by Hossein Amini, based on the novel by Henry James Produced by David Parfitt, Stephen Evans Directed by Iain Softley Running time: 101 minutes
***1/2 (out of four stars) Alternate Rating: A-
Note: Some may consider portions of the following text to be spoilers. Be forewarned.
-------------------------------------------------------------
While the recent film adaptations based upon the works of Henry James -- Jane Campion's THE PORTRAIT OF A LADY and Agneiszka Holland's WASHINGTON SQUARE -- were mildly disappointing to various degrees, such is not the case with the latest James-inspired piece, Iain Softley's richly handsome production of THE WINGS OF THE DOVE. Finely observed and splendidly performed, this is a most impressive costume drama which is sure to draw heavy attention during awards season.
The screenplay by Hossein Amini (who splendidly adapted Thomas Hardy's JUDE for Michael Winterbottom last year) heavily revamps Henry James' story, giving it a modern spin, pushing the action forward up eight years to 1910, and extensively rewriting the dialogue of the characters, but retains the novel's essence and loses none of its moral ambiguity. That the audience's sympathies are exchanged so fluidly between its characters is indicative of THE WINGS OF THE DOVE's transcendence of the staidness often associated with the costume melodrama genre.
At first, our sympathies belong with Kate Croy (Helena Bonham Carter), who serves as the focal figure and the catalyst in THE WINGS OF THE DOVE. The young Englishwoman's foothold in high society is tenuous; her mother has recently died, her father is a penniless opium addict, and the only thing separating Kate from poverty is the patronage of her wealthy Aunt Maud (Charlotte Rampling), who's determined to marry Kate to someone with social stature -- perhaps snooty Lord Mark (Alex Jennings). Kate's heart, however, belongs elsewhere -- to an upstanding man distinctly of lower class, struggling journalist Merton Densher (Linus Roache) -- and this enrages her benefactor, who forbids Kate from seeing him and threatens to cut off her father's meager subsistence allowance.
Enter Millie Theale (Alison Elliott), a fabulously wealthy young American, of whom it is remarked "She'd be the Queen of America, if they had one." She and Kate meet at a dinner party and quickly strike up a close friendship. When Kate finds that Millie (who's unaware of Kate's clandestine relationship) has eyes for Merton, and learns elsewhere that Millie is stricken with a terminal illness, she unhatches a deceptive scheme which ultimately has unexpectedly powerful and tragic repercussions for all involved.
THE WINGS OF THE DOVE smartly avoids explicitly spelling out Kate's devious plan for as long as possible, and while it could have stood to improve by omitting a unambiguous description of her plot, it's nonetheless effective both in underlining the stealthful complicity of Kate and Merton, and their unspoken reluctancy to perpetrate their self-serving deed.
What's interesting here is that despite the hurtful treachery committed against unsuspecting Millie by Kate and Merton, their intentions towards her are anything but malicious; unlike in James' novel, it clearly comes across in the film that the lovers genuinely like Millie, and this brings new dimensions to what would otherwise be a fairly superficial depiction of green-eyed villainy. The machinations are a consequently a little less ruthless, a little bit more compassionate in nature, and one can legitimately begin to consider how much of Kate's plotting serves the needs and desires of her ailing friend's as much as it does her own.
Ms. Bonham Carter is very effective as Kate. Despite her complex character's less-than-honourable motivations and her dishonestly manipulative tactics, she still manages to come across as far from villainous, a desperate woman whose circumstances have culminated in this dishonourable path to tread. Even as we view her actions as abhorrent, Ms. Bonham Carter makes us if not sympathise, at least empathise with Kate's dilemma.
Mr. Roache is very good as a man torn between desire and duty, and his character's struggle with his conscience and his own moral fibre is palpable. Caught between the desire to do right by both women and his passion for Kate, Merton is perhaps the character who's ultimately affected the most; Mr. Roache's heartwrenching performance is key in the tumultuous emotional buildup at the conclusion of THE WINGS OF THE DOVE which pays off lavishly.
Ms. Elliott is nothing short of beguiling as Millie, whose presence throughout the film is bittersweet. To reconcile her distinctly beatific aura with her ailing mortality is heartbreaking, and her intoxicating demeanour and dreamy-eyed smile while sharing stolen moments with Merton are luminous. The dizzying sense of passion so missing in WASHINGTON SQUARE is perfectly captured here with a scene which features Ms. Elliott up high on a church, beaming upwards, completely enraptured. I've admired Ms. Elliott's work for several years now; her performance here is a major step forward for her and marks a career best.
The supporting players in THE WINGS OF THE DOVE are solid in relatively minor roles. Mr. Jennings is very good in a limited capacity, while Elizabeth McGovern, although fine in her supporting role as Millie's faithful travelling companion, seems somewhat out of place here in a period piece.
THE WINGS OF THE DOVE is precisely captures emotional truths, both big and small. The delicacy of the interplay between the characters rings true -- the encounters between Merton and Millie in scenic Venice, riding in the canals or walking in the perpetual rainfall are fraught with charged sexual tension, and the lovemaking scene between Kate and Merton is one of the most passionate ever put to film -- except here, the passion shared between the lovers is not that of lust, but grief. The film even has a sense of humour, with Kate arranging for Millie and Merton to share an awkward private moment at an art exhibit of nudes. Within the context of a highly mannered piece, the cumulative effect of the bombardment of emotionality, both high and low, is a highly affecting denouement.
This is a masterful direction job by Iain Softley, who rebounds from the disappointment of HACKERS and fulfills on the promise of his feature film debut work in BACKBEAT. Confidently helmed, THE WINGS OF THE DOVE has a nice deliberate pace where every shot is efficient and purposeful; there are are no throwaways. There's a particularly interesting shot sequence early in the film where Merton vainly protests with Aunt Maud's doorman, arguing that he won't leave until he can speak with Kate. The shot of Kate in the window, forlornly gazing down upon Merton in the street with her huge smoldering eyes, is strategically placed to obscure her lips -- and indeed, communication between the two is severed at this point in the film. While the film could certainly excise the reiterative flashback shots that appear at a climactic point in the film that prove to be redundant and ineffective, as a whole Mr. Softley's helming of THE WINGS OF THE DOVE is impressively proficient.
In fact, THE WINGS OF THE DOVE is precisely the sort of film which is undoubtedly bound to draw the attention of year-end award voters, and could conceivably snare no less than five and perhaps as many as ten Oscar nominations -- Picture, Actor, Actress, Supporting Actress, Director, Adapted Screenplay, Art Direction, Cinematography, Costume Direction, and Editing (there's one transition shot which is strikingly distracting -- you can virtually see the shot freeze -- but it's otherwise elegantly edited by Tariq Anwar) are all eminently feasible possibilities. This is a superb, moving film, easily the best costume drama of the year to date, and among the finest of recent years.
- Alex Fung email<EMAIL_ADDRESS>web : http://www.ncf.carleton.ca/~aw220/
-- Alex Fung<EMAIL_ADDRESS>| http://www.ncf.carleton.ca/~aw220/ "I was reminded for some reason of something Fred Kareman, my acting teacher, had once said: 'Most people in this business should be selling zippers on 7th Avenue.'" - Tom DiCillo
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
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Al Jaeger: PlaceScapes
Artist Statement
The ideas for my claywork originate in all seasons in New Hampshire's mountains, meadows, forests, seashores, and in my own beloved garden.
Unclothed by glaze, the textures, tones, and colors of the clay alone, closely convey my feelings for these Places.
The works are composed of high-temperature industrial, commercial, and local stonewares and porcelains fired to cone 10 (2300° F) in reduction with gas or wood fuel. Sand and gravel are incorporated into some of the clays. Glazes are used sparingly while washes of brown to black iron and grey to green copper oxides enhance the textures; orange "flashing" and mottled drifts of ash from the wood fire do the rest.
-Al Jaeger 2010
Curator's Statement
For nearly five decades Al Jaeger has lived and worked on his farm in New Hampshire. For those fortunate enough to know him personally, they have experienced the powerful yet subtle installations that he has constructed throughout his land as a way of life. Very few artists live their lives truly embodying the conceptual basis of their work. Al Jaeger is one of them.
The long country road that is part hiss land is peppered here and there with objects that are created by hand, which are as much a part of the landscape as the wind, light, trees, rocks, and soil. Walking in any direction on his farm, installations abound throughout, the hand and the mind never separated from life, or made insignificant nor dehumanized. Al is not an artist that merely gives rhetoric to an idea, but rather an artist that creates works that are fully integrated conceptually into his life.
Highly respected as a master in the world of ceramic art, he has taught and mentored hundreds of artists. Few people have the level of artistic integrity and profound humanity that he embodies. Al Jaeger transforms clay into objects that embody the fullness of being in touch with life and nature. Architectural and geographic, his sculptural porcelain and stoneware works embody Place.
-Natacha Villamia Sochat 2010


Sponsors provided essential support to PyCon conference. If you and your company are willing to support the Python community exchanges, please contact PyCon organizers (e-mail: stingchen@topgeek.org). Your Company Logo and Profile will be shown on home page and the "Sponsors" page at our official website .
Google is a search service provided, to provide advertising services to business customers focus on the profitability of the company.Search Google for its rapid, accurate and easy to use, etc., is recognized as the world's best search engine.
Kingsoft Network Technology Co., Ltd. was established in November 2010, is headquartered in Beijing, its predecessor is the security software Kingsoft Co., Ltd. and cattle.The two companies completed in October 2010, merger integration, the establishment of a new network Technology Co., Ltd. Jinshan.Kingsoft Internet Security Kingsoft Co., Ltd. has inherited a strong scientific and technological R & D capabilities and beef products on the Internet's keen ability to respond to millions of Internet users to a variety of Internet security as the core application services.Kingsoft Kingsoft Internet Security Laboratory and R & D centers set up in Zhuhai.
SpeedyCloud是业界领先的云计算服务提供商迅达云成公司旗下品牌，专注于为企业提供互联网及企业IT相关基础设施云服务。公司成员绝大多数来自于蓝汛、世纪互联等IT运维服务型上市企业, 利用最新的云计算及互联网技术帮助客户迅速扩展在线业务。
北京图灵文化发展有限公司成立于2005年6月，由人民邮电出版社投资控股，以策划出版高质量的科技书籍为核心业务，主要出版领域包括计算机、电子电气、数学统计、科普等，公司以促进科技发展为己任，通过引进国际高水平的教材、专著，以及发掘国内优秀原创作品等方式，为目标读者提供一流的内容。经过短短几年的发展，图灵公司已经成为计算机出版行业里较有影响的出版单位。公司推出了一系列高质量的畅销技术图书，如《C++ Primer中文版》、《UNIX环境高级编程》、《Linux程序设计》等，都已经成为深受广大程序员欢迎的经典著作，公司对于计算机技术发展趋势有较强的把握能力和独到的眼光，出版的图书紧跟各种技术的发展，及时满足了行业需要。在电子电气领域，公司出版了一系列国际知名专家的著作，不少作者是IEEE资深会士和业界精英。在数学方面，公司翻译和影印了一大批获菲尔兹奖和沃尔夫奖的数学家的作品，有力地开拓了读者的视野。
电子工业出版社计算机图书出版分社优势整合了电子社旗下三大公司——博文视点、易飞思、华信卓越的计算机图书出版的精锐力量，合并了各自运营的计算机图书出版业务，强调计算机图书出版业核心竞争力，力求为我们的读者提供更多、更好、更专业的计算机图书出版物，力求为我们的作者提供服务更优质、增值更快的出版服务平台，力求为我国的IT业发展贡献自己的力量。
Seeed Studio is an open hardware facilitation company based in Shenzhen, China. Benefiting from local manufacture power and convenient global logistic system, we integrate resources to serve new era of innovation. Seeed also works with global distributors and partners to push open hardware movement.
上海浦东软件园是国家软件产业基地、国家软件出口基地。“浦软”品牌自诞生之日起，就一路见证了中国软件产业发展的全过程。浦软人更是将全部的精力投入到了软件产业的发展和建设中。十多年的辛勤开垦和积聚的历史底蕴，使得上海浦东软件园的发展一路走来张弛有道、规划有序。如今，不同园区联动发展，共同构建一流的软件产业高地。
InfoQ.com (Information Queue) is a moment of change in the enterprise software development and innovation in the field of independent online community, the reader audience is mainly technical architect, technical team leader (senior developer), and project managers.Experts from the various technical fields through the latest news, technical articles, video interviews, video lectures and mini-books, InfoQ as Java,. NET, Ruby, SOA, agile, architecture, and the seven communities provide first-class operation and maintenance information.InfoQ station was officially launched worldwide on June 8, 2006, InfoQ Chinese station was officially launched on March 28, 2007, to the communities we serve to promote the progress of the primary mission.


Cheap Amazon Subscriptions for Black Friday 2019
Amazon subscriptions don't always come cheap, but thankfully there are some discounts being released for Black Friday 2019 in the UK.
by Robert AndersonWe review products independently, but we may earn affiliate commissions from buying links on this page. Terms of use.
There’s always a variety of great Amazon deals to pick up during the Black Friday sales, but what you shouldn’t overlook is the number of discounts you can get on Amazon subscriptions.
While these are not always the most affordable services, Amazon does have a lot of introductory offers to try out. There's plenty of these to get your head wrapped around, so we've lined up all the best deals, alongside all the current prices.
There's going to be more and more deals revealed as we get closer to Black Friday, so remember to drop into PCMag’s other Black Friday articles to check out the best deals during the shopping event.
SEE ALSO: Black Friday UK: The Best Amazon Deals
Amazon Music Unlimited
- Music Unlimited - 4-months for £0.99
- £7.99/month - Prime Members
- Music HD - 30-day Free Trial
Kindle Unlimited
For the Kindle fans out there, Amazon is currently offering three months of Kindle Unlimited for free. This service allows you to explore over one million titles, thousands of audiobooks, and selected magazine subscriptions on any device.
Amazon Video
Amazon Prime Video comes included with Amazon Prime, but there are certain channels that require an additional payment for access. Channels such as STARZPLAY include exclusive access to shows such as Pennyworth, a DC origin story following Bruce Wayne's butler, Alfred Pennyworth, in 1960s London.
Amazon has increased the trial period from seven to 30 days, so if you've never had the chance, now is a great time to try out the Amazon Prime Video Channel service.
More Amazon Subscriptions
If you want to get access to Prime Video you'll need to be a member of Amazon Prime. You can sign up to a 30-day trial today, or it's £7.99 per month. Students can take advantage of a great deal at the moment, and get six months of Amazon Prime for free, and then £4.99 thereafter.
Amazon Prime
Audible
Fire and Kids Unlimited
- £1.99/month - Prime Members
- £49.99/year - Prime Members
PCMag Black Friday UK 2019
PCMag has lined up a number of articles to help you navigate all the upcoming deals on tablets, TVs, game consoles, and more.
- When Does Black Friday Start?
- Best Amazon Black Friday Deals in the UK
- Best Currys PC World Black Friday Deals in the UK
- Best Gaming Black Friday Deals in the UK
Follow PCMag UK Deals
- Twitter: @PCMagUKDeals
- Facebook: @PCMagUKDeals


Latest blog post
Recent links
Like a magpie, I spotted these, thought "oooh shiny" and stashed them on my links page. Not blogged, but stashed.
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Upcoming talks
I'll be speaking at these events soon. For information on more upcoming events, coverage or previous events, or on information on booking me to speak at your event, visit the speaking page.
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Recently, on Twitter
Follow me on Twitter. Some of it is interesting (although some of it might be cats and dogs which made me giggle)
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NFDC’s 13th Film Bazaar Receives 1000s Of Registrations From Places As Far As Argentina
by IANSUnion Minister for Information and Broadcasting Prakash Javadekar has declared the 13th edition of NFDC’s Film Bazaar open.
The annual NFDC’s Film Bazaar is a platform that provides a one-stop shop for filmmakers, producers, sales agents, distributors, film festival programmers and financiers from around the world; a marketplace that encourages collaboration between the South Asian and international film fraternities.
Javadekar spoke about the importance of the film industry to the country. “Indian films are the soft power of our country and Film Bazaar will ensure that our films get a proper exposure and market internationally.”
He highlighted: “This year even before the Film Bazaar has started, there are already more than 1,000 registrations including writers, directors, distributors and other industry participants, from places as far as Argentina.”
Babul Supriyo, Minister of State for Environment, Forest and Climate Change, said, “This film festival is an excellent platform for the film fraternity. It is profitable and encouraging for all. I believe it will also encourage the ‘Digital India’ dream of our Prime Minister.”
The occasion also saw the launch of a promotional film on NFDC’s Film Facilitation Office by Javadekar. The film highlighted the breadth of international films shot in India as well as the new initiative of single window clearance.
The 13th Edition of Film Bazaar will be held from November 20-24 in Goa.


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Ju Dou (1990)
Grade: 60
Director Zhang Yimou continued the success of his earlier film "Red Sorghum" with "Ju Dou". Both films starred actress Gong Li, and eventually they would make seven films together. Gong Li became China's most well-known actress in the west, while Yimou became the best-known director from China. Probably their best collaboration was 1994's "To Live".
"Ju Dou" is named for Gong Li's character, a beautiful peasant woman who is purchased by textile mill owner Yang (Li Wei). Yang is a middle-aged man obsessed with having a son, so as to continue the family dynasty. But he is impotent, and takes his frustrations out on Ju Dou, as he has done with previous wives. The film is set in China during the 1920s.
Yang has only one worker at his mill. He is Tianqing (Li Baotian), a distant nephew of Yang. Lonely, lifelong bachelor Tianqing quickly falls for Ju Dou, who turns to him as a protector from her viciously abusive husband. Taianqing gives Ju Dou a child, which Yang believes to be his. Yang soon becomes crippled, however, allowing Tianqing and Ju Dou their chance at revenge. The child, Tianbai (Zheng Jian), grows up believing Yang to be his father, and lacks the director's sympathy towards Tianqing's intimacy with Ju Dou.
The script is sparse, with the story largely told by cinematography. The silk tapestries produced by the mill have bright red and yellow colors, and are the subject of endless close-ups, more so than are the actors themselves.
What is the moral of "Ju Dou"? It is a tragedy of Shakespearean proportions. It seems to condemn the conservative, patrician morality of pre-revolutionary China. It suggests that defying that moral code is not a good idea. Also, don't beat your wife, and don't judge your parents. There may be other messages as well: certainly "Ju Dou" has something to say.
There is a death scene in this film that reminds me of "The Godfather". Remember Don Corleone having a heart attack in the vineyards, with his grandson standing over him and laughing? The similar scene here is revisited again, when Tianbai dumps a passed-out Tianquin into the dye vat.
"Ju Dou" received an Oscar nomination for Best Foreign Language Film.
<EMAIL_ADDRESS>http://members.tripod.com/~Brian_Koller/movies.html
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