"""
Convenient entry points for making spaCy docs and loading spaCy language pipelines.
"""
import functools
import logging
import pathlib
import types
from typing import Callable, Optional, Tuple, Union
import spacy
from cachetools import cached
from cachetools.keys import hashkey
from spacy.language import Language
from spacy.tokens import Doc
from .. import cache, lang_utils, utils
LOGGER = logging.getLogger(__name__)
[docs]@cached(cache.LRU_CACHE, key=functools.partial(hashkey, "spacy_lang"))
def load_spacy_lang(
name: Union[str, pathlib.Path],
disable: Optional[Tuple[str, ...]] = None,
allow_blank: bool = False,
) -> Language:
"""
Load a spaCy ``Language``: a shared vocabulary and language-specific data
for tokenizing text, and (if available) model data and a processing pipeline
containing a sequence of components for annotating a document.
An LRU cache saves languages in memory.
Args:
name: spaCy language to load.
Could be a shortcut link, full package name, or path to model directory,
or a 2-letter ISO language code for which spaCy has language data.
disable: Names of pipeline components to disable, if any.
.. note:: Although spaCy's API specifies this argument as a list,
here we require a tuple. Pipelines are stored in the LRU cache
with unique identifiers generated from the hash of the function
name and args --- and lists aren't hashable.
allow_blank: If True, allow loading of blank spaCy ``Language`` s;
if False, raise an OSError if a full processing pipeline isn't available.
Note that spaCy ``Doc`` s produced by blank languages are missing
key functionality, e.g. POS tags, entities, sentences.
Returns:
A loaded spaCy ``Language``.
Raises:
OSError
ImportError
See Also:
* https://spacy.io/api/top-level#spacy.load
* https://spacy.io/api/top-level#spacy.blank
"""
if disable is None:
disable = []
# load a full spacy lang processing pipeline
try:
spacy_lang = spacy.load(name, disable=disable)
LOGGER.info("loaded '%s' spaCy language pipeline", name)
return spacy_lang
except OSError as e:
# fall back to a blank spacy lang
if allow_blank is True and isinstance(name, str) and len(name) == 2:
spacy_lang = spacy.blank(name)
LOGGER.warning("loaded '%s' spaCy language blank", name)
return spacy_lang
else:
raise e
[docs]def make_spacy_doc(
data: Union[str, Tuple[str, dict], Doc],
lang: Union[str, Callable[[str], str], Language] = lang_utils.identify_lang,
) -> Doc:
"""
Make a :class:`spacy.tokens.Doc` from valid inputs, and automatically
load/validate :class:`spacy.language.Language` pipelines to process ``data``.
Make a ``Doc`` from text:
.. code-block:: pycon
>>> text = "To be, or not to be, that is the question."
>>> doc = make_spacy_doc(text)
>>> doc._.preview
'Doc(13 tokens: "To be, or not to be, that is the question.")'
Make a ``Doc`` from a (text, metadata) pair, aka a "record":
.. code-block:: pycon
>>> record = (text, {"author": "Shakespeare, William"})
>>> doc = make_spacy_doc(record)
>>> doc._.preview
'Doc(13 tokens: "To be, or not to be, that is the question.")'
>>> doc._.meta
{'author': 'Shakespeare, William'}
Specify the language / ``Language`` pipeline used to process the text --- or don't:
.. code-block:: pycon
>>> make_spacy_doc(text)
>>> make_spacy_doc(text, lang="en")
>>> make_spacy_doc(text, lang="en_core_web_sm")
>>> make_spacy_doc(text, lang=textacy.load_spacy_lang("en"))
>>> make_spacy_doc(text, lang=textacy.lang_utils.identify_lang)
Ensure that an already-processed ``Doc`` is compatible with ``lang``:
.. code-block:: pycon
>>> spacy_lang = textacy.load_spacy_lang("en")
>>> doc = spacy_lang(text)
>>> make_spacy_doc(doc, lang="en")
>>> make_spacy_doc(doc, lang="es")
...
ValueError: lang of spacy pipeline used to process document ('en') must be the same as `lang` ('es')
Args:
data: Make a :class:`spacy.tokens.Doc` from a text or (text, metadata) pair.
If already a ``Doc``, ensure that it's compatible with ``lang``
to avoid surprises downstream, and return it as-is.
lang: Language with which spaCy processes (or processed) ``data``.
*If known*, pass a standard 2-letter language code (e.g. "en"),
or the name of a spacy language pipeline (e.g. "en_core_web_md"),
or an already-instantiated :class:`spacy.language.Language` object.
*If not known*, pass a function that takes unicode text as input
and outputs a standard 2-letter language code.
A given / detected language string is then used to instantiate
a corresponding ``Language`` with all default components enabled.
Returns:
Processed spaCy Doc.
Raises:
TypeError
ValueError
"""
if isinstance(data, str):
return _make_spacy_doc_from_text(data, lang)
elif isinstance(data, spacy.tokens.Doc):
return _make_spacy_doc_from_doc(data, lang)
elif utils.is_record(data):
return _make_spacy_doc_from_record(data, lang)
else:
raise TypeError(
"`data` must be {}, not {}".format(
{str, tuple},
type(data),
)
)
def _make_spacy_doc_from_text(
text: str,
lang: Union[str, Callable[[str], str], Language],
) -> Doc:
if isinstance(lang, str):
spacy_lang = load_spacy_lang(lang)
langstr = spacy_lang.lang
elif isinstance(lang, spacy.language.Language):
spacy_lang = lang
langstr = spacy_lang.lang
elif callable(lang):
langstr = lang(text)
spacy_lang = load_spacy_lang(langstr)
else:
raise TypeError(
"`lang` must be {}, not {}".format(
{str, spacy.language.Language, types.FunctionType},
type(lang),
)
)
return spacy_lang(text)
def _make_spacy_doc_from_record(
record: Tuple[str, dict],
lang: Union[str, Callable[[str], str], Language],
) -> Doc:
if isinstance(lang, str):
spacy_lang = load_spacy_lang(lang)
langstr = spacy_lang.lang
elif isinstance(lang, spacy.language.Language):
spacy_lang = lang
langstr = spacy_lang.lang
elif callable(lang):
langstr = lang(record[0])
spacy_lang = load_spacy_lang(langstr)
else:
raise TypeError(
"`lang` must be {}, not {}".format(
{str, spacy.language.Language, types.FunctionType},
type(lang),
)
)
doc = spacy_lang(record[0])
doc._.meta = record[1]
return doc
def _make_spacy_doc_from_doc(
doc: Doc,
lang: Union[str, Callable[[str], str], Language],
) -> Doc:
# these checks are probably unnecessary, but in case a user
# has done something strange, we should complain...
if isinstance(lang, str):
# a `lang` as str could be a specific spacy model name,
# e.g. "en_core_web_sm", while `langstr` would only be "en"
langstr = doc.vocab.lang
if not lang.startswith(langstr):
raise ValueError(
"lang of spacy pipeline used to process document ('{}') "
"must be the same as `lang` ('{}')".format(langstr, lang)
)
elif isinstance(lang, spacy.language.Language):
# just want to make sure that doc and lang share the same vocabulary
if doc.vocab is not lang.vocab:
raise ValueError(
"`spacy.vocab.Vocab` used to process document ('{}') "
"must be the same as that used by the `lang` pipeline ('{}')".format(
doc.vocab, lang.vocab)
)
elif callable(lang) is False:
# there's nothing to be done with a callable lang, since we already have
# the doc, and checking the text lang is an unnecessary performance hit
raise TypeError(
"`lang` must be {}, not {}".format(
{str, spacy.language.Language, types.FunctionType},
type(lang),
)
)
return doc


Multiplayer
Game Modes
Online Game
Search and Rescue
Offline Game
Gun Game
Cranked
Free For All
Team Deathmatch
Search and Destroy
Domination
Team Tactical
Infected
Blitz
Hunted Free For All
Ground War
Drop Zone
Online Game
Search and Rescue
Offline Game
Gun Game
Cranked
Free For All
Team Deathmatch
Search and Destroy
Domination
Team Tactical
Infected
Blitz
Hunted Free For All
Ground War
Drop Zone


Teis Lindemark
git config --global user.name "Ditt navn"
git config --global user.email "Ditt<EMAIL_ADDRESS>git clone
Clones a repository into a newly created directory, creates remote-tracking branches for each branch in the cloned repository, and creates and checks out an initial branch that is forked from the cloned repository’s currently active branch.
https://git-scm.com/docs/git-clonegit pull
Incorporates changes from a remote repository into the current branch. In its default mode, git pull is shorthand for git fetch followed by git merge FETCH_HEAD.
More precisely, git pull runs git fetch with the given parameters and calls git merge to merge the retrieved branch heads into the current branch. With --rebase, it runs git rebase instead of git merge.
https://git-scm.com/docs/git-pullgit push
Updates remote refs using local refs, while sending objects necessary to complete the given refs.
https://git-scm.com/docs/git-pushgit fetch
Fetch branches and/or tags (collectively, "refs") from one or more other repositories,
along with the objects necessary to complete their histories.
Remote-tracking branches are updated (see the description of
git checkout
Updates files in the working tree to match the version in the index or the specified tree. If no paths are given, git checkout will also update HEAD to set the specified branch as the current branch.
https://git-scm.com/docs/git-checkoutgit branch
git-branch - List, create, or delete branches
https://git-scm.com/docs/git-branchgit rebase
git-rebase - Reapply commits on top of another base tip
https://git-scm.com/docs/git-rebase
$ git config --global alias.co checkout
$ git config --global alias.br branch
$ git config --global alias.ci commit
$ git config --global alias.st status
git log
...
git stash
git-stage - Add file contents to the staging area
https://git-scm.com/docs/git-stage


Uninstalling TinyOS
There are two cases: uninstalls of old (1.0, or hand-built)
installations, and uinstalls of TinyOS 1.1 or later. These are covered
separately.
Uninstalling TinyOS 1.0, or hand-built install
On Windows, if you installed using the Installshield Wizard, use
the Remove option under Add/Remove Programs -- save your work
first. Don't worry about incomplete removal, but do delete any left
over files.
If you use Linux, didn't use the installshield, or installshield
removal failed, remove the following items manually:
- cygwin (Windows only)
- avr-gcc, avr-binutils, avr-libc (possibly the WinAVR package on
Windows, possibly some rpms)
- previous versions of nesC
- previous versions of uisp
Cygwin Uninstallation
Remove the following items to fully uninstall cygwin:
- Cygwin shortcuts and start menu entry (Programs/Cygwin)
- Cygwin registry entries under HKEY_LOCAL_MACHINE\SoftWare\Cygnus
Solutions\ (run regedit
or regedt32 to remove these)
- Everything under the cygwin root directory. Save useful files of
course... you could just rename the cygwin root to say, cygwin-old, to
be extra safe.
Unistalling TinyOS 1.1 or later
On Windows, if you used the InstallShield Wizard, you can just use the
Remove option under Add/Remove Programs. See the discussion below on
what to do if this fails (which shouldn't happen under normal
circumstances, but can occur after failed installations or if some files
are moved manually after installation).
On Linux, and on Windows when not using the installshield, you can
simply remove all the rpms (with explicit rpm -e commands). On Windows,
you might want to remove cygwin too (see cygwin
uninstallation).
In all cases, you may find some files left behind in /opt/tinyos-1.x or <installation
root>\cygwin\opt\tinyos-1.x, you can delete these if you wish.
HOW TO RECOVER FROM INCOMPLETE TinyOS 1.1 INSTALLSHIELD UNINSTALLS
It is possible for the TinyOS setup to enter a mode where it attempts
an uninstall, fails for some reason (most often the cygwin directory
has been moved since installation, and now it cannot be found to
uninstall the TinyOS RPMs), yet remains installed. Sometimes the
Installshield setup will fail during installation for some reason
(perhaps because the user had insufficient privileges, for
example). Sometimes the Add/Remove Programs uninstall does not
complete. In either case, the end result is that the setup
continues to attempt uninstall, fails, attempts uninstall, fails,
attempts uninstall...
One way to recover from this state is to reinstall cygwin manually so
that the uninstallation can succeed, complete the uninstallation, and
then re-install TinyOS. You can do this as follows:
- Don't worry about older, incomplete tinyos-1.x version (1.0)
uninstalls
- Delete all previous tools (see list above)
- (Re)install cygwin. You can download the cygwin setup program
used for TinyOS 1.1.0 from
-
http://webs.cs.berkeley.edu/tos/dist-1.1.0/tools/windows/tinyos-cygwin-auto.zip
Using winzip, unzip the archive and execute the setup.exe file. When
asked to 'choose a download source', select 'Install from local
directory'. When asked to select the root install directory, do not
modify the given root directory but do take note of the default
directory because later you will need to reinstall TinyOS into
this directory (step 5). Take the default local package directory.
Accept the defaults on 'Select Packages'.
- Using the Add/Remove Programs UI, run Installshield to complete
the *un*install. Note that the setup wizard will launch black bash
shells for each RPM that it uninstalls. These windows might display
an error at the top of the window -- this is normal.
- Completely remove the cygwin installation (see
steps above)
- Run the 1.1.0 Installshield setup again to install; SPECIFY
THE SAME DIRECTORY as the initial, failed install.


Joes Food Palace is a restaurant located in the heart of Nottingham's City Centre. Easily accessible by many forms of Public Transport and providing excellent lunch and dinnertime food.
We have four sittings per day at 12noon, 2pm, 6pm and 8pm.
Opening Hours:
Monday - Sunday
12:00noon - 10:30pm
Garlic Ciabatta baked fresh daily.
Fresh salad with croutons.
Served with croutons and a bread roll.
Served with salad and dips.
Prawns in seafood sauce with fresh salad and a bread roll.
Fried Mozzarella sticks served with salad and dips.
Served with our delicious pasta sauce.
Sausage, Bacon, Eggs, Fried Tomato and Toast.
Fresh battered cod served with peas or mushy peas.
Served with chips and salad.
Served with chips and peas.
Served with chips, peas and gravy.
Served with chips, peas and dip.
A choice of toppings, both meat and vegetarian.
Served with Custard.
Homemade Cheesecake served with Cream or Ice Cream.
Homemade Chocolate Cake served with Cream or Ice Cream.
Freshly cooked pancakes with Strawberry Jam and fresh Strawberries.
A selection of Vanilla, Chocolate and Strawberry Ice Creams.
Served with Ice and a slice of Lemon.
Served with Ice and a slice of Lemon.
Still or Sparkling.
Creamy bitter.
With or without mixers. Ask for a daily selection.
Refreshing lager.
The classic Irish Stout.
Premium lager from France.
Cloudy scrumpy.
A selection of White, Red and Rose wines.
This report documents the creation of the restaurant website and includes any functionality included and any issues encountered.
The website was designed using the template provided in the coursework specifications. It includes a header, a navigation, an article, a sidebar and a footer. The site was developed using Notepad++.
Each section has curved corners to make a smoother look to the site. A few sections were made to stand out using opacity settings. The navigation bar uses CSS to change the colour of the buttons when hovered over.
The header, footer and body backgrounds have textures applied to them. The header and footer use the same texture. The sites logo was designed by me using Adobe Photoshop. Other images were sourced from Google Image Search.
The sites sections were sized using percentages rather than pixels to provide a fluid layout.
A separate style was added to the site to provide a print friendly layout.
All food and drink items were written into an XML file. These items included names, prices and descriptions. The items were then displayed using XSL.
The XSL includes a line of code that transforms the result into HTML5 rather than XHTML. The same CSS file that styles the rest of the site was used to make the page identical in appearance to the others on the site.
Xpath was used to split the XML items into starters, mains, desserts and drinks. Each are displayed in their own section on the page. Items are also ordered by price.
The booking form consists of several text inputs, an email input, a textarea, a select input, radio buttons and checkboxes. These are all within a table for layout purposes.
A date input could have been used but was decided against as it does not function properly within Firefox or Internet Explorer.
Basic validation is provided through the use of HTML5. This checks whether required fields are filled out and wether a valid email address has been input. A CAPTCHA is also included underneath the table to discourage use of robots.
Ten images were picked for the slideshow. These were placed in an array within a JavaScript file. An image was displayed using HTML. A function was written using JQuery to change the source of the images to another within the array depending on what index was given to it. The image would then fade in using animate. The function was then used to set a timer on the images for a default. Using this function, buttons designed in Adobe Photoshop were programmed to display the first, last, previous and next images.
A random image button was then added. This button used Math.Random and Math.Floor to generate a random image key and pass it to the change image function. Difficulties were found here when the random number generator produced the same number as the key for the image already being displayed. The slideshow would produce a blank slide because it couldn't animate to a new slide. This was solved by adding an if statement to the change image function where if the number generated was the same as the key it would do nothing.
Comments for each picture were then added to another array and displayed just above the pictures using z-index. A comment background was also made slightly transparent using opacity settings. These comments were animated using a similar function to the change image function and added to the functionality of the buttons.
A thumbnail bar was then added underneath the slideshow. JQuery was used to fill the bar with the images in the array and link them to the slideshow. Another function was used to move to the left and right of the list while hovering over the arrows on either end of the thumbnail bar. Within this function are checks to find the end of the array of images and stop the scroller at either end.
This slideshow was tested using a Nokia 625 Windows Phone using Internet Explorer. The slideshow functions correctly
The mobile app was created using Mobile JQuery and Phonegap. The menu was copied from the menu screen of the main website. The form was copied straight from the main website with a few alterations. The gallery instead of being a slideshow is a selection of different pages within the app. The pictures are navigated between by clicking on them.
The website was tested in Google Chrome, Mozilla Firefox and Internet Explorer. Chrome and Firefox both dislayed the website correctly. A html5 shiv statement was included in the code in order for the site to display correctly in Internet Explorer.
The site was also tested using an android tablet made by Archos running Google Chrome and a Nokia 625 Windows phone running Internet Explorer. The site displayed correctly on both devices.
For speed all images have been reduced to the smallest size possible. Smaller file sizes make for faster speeds. The main sites background is a small texture image that is repeated.
I declare that the work done to create this website was my own.
William Joe Firth Burnside N0451564


Hi,
I'm Dennis
Software Developer
Contact
About
I'm Dennis Yiaile
An insightful, well-organized, and curiosity-driven software development undergraduate with strong problem-solving skills. I design web applications and digital publications using HTML, CSS, JavaScript, Python, PHP, Java, and jQuery. My main goal is to use these technical skills and experience to solve problems affecting societies around the globe to enhance equity, social justice, and peace.
Skills
Software Skills
I have background knowledge in basic web design using html, css, javascript, python, and web development with spark. I also develop android apps using java programming language and build API's using lumen PHP and JAVA Spark databases. I have worked with postgress, mysql and Firebase. I am also flexible with working on any other database using any other programming language and framework.
Projects
Click on these images to see my projects.


It was noon in Karauli, India, after a walking of the town, palace and temple, when our guide pointed out the street stall selling bhang. As a firm believer in the salutary effects of ganja (having been a regular user-smoking- since the late 60's- I'm now 65) and not wanting to miss the opportunity of a cultural experience, I thought it would be worth trying. After all, ganja is a holy sacrament in the Hindu religion, the favorite food of Shiva, the Lord of Bhang. Plus, one portion costs only 5 rupees, or a dime (in Varanasi a portion of bhang was only one rupee!).
Within 20 minutes I consumed the bhang back at the hotel (bhang is made fresh I should be consumed within an hour of purchase). I then went to the dining patio to join the rest of the travel group (about 12 other people for lunch). I was the only person in the group to try bhang at that time, but I was glad that the others knew that I had partaken- there is nothing worse than being stoned and trying to hide it.
Within minutes of sitting down I felt this intense omniscience. There were multiple conversations going on in the table and I was locked into each one. I was having a difficult time ascertaining social cues. The conversation across the table, was it ok to interrupt. A murmur of Hindi emanated from the adjacent kitchen, a most comforting sound. Other sounds of India (barking dogs, car horns, the call to prayer from the local mosque) invaded my consciousness.
The experience was quite intense, almost to the edge. I am sure one more bhang portion would have put me into a negative situation. Perhaps my reaction was adulterated by the 22 oz bottle of Kingfisher beer I had (180 rupees- guess what the stimulus of choice is in Rajhastan). The intense period lasted until 5 pm. I could not nap- ganja, orally taken, definitely had an opposite effect on me from that of smoking. I was fortunate to able to have access to an Indian music channel on the small tv in the room and for the first time I really 'grooved to', as well as the beautiful estate grounds of the hotel, which were tranquil and free of the cacophony and crowds outside the hotel grounds.
By 7 pm in the evening and after a marvelous afternoon I was feeling incredibly relaxed and serene. An English travel group on the dining patio group inquired about the results of the U.S. presidential election, and there was an explosion of joy when they heard the news.
I slept well that evening.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Practice some new thing?
Bank proofs:
PAN ✓
Aadhar ✓
Driving license
Hobbies:
Dancing ✓
Singing
Drawing ✓
Favourite book:
Famous Five
Secret Seven ✓
Tests taken:
MRI Scan
Thyroid test
Blood test ✓


I was thinking of such a build but i couldn't find anything in the search. Basicly what im thinking is something like wizard 38/fighter1/SD1. Automatic still spell and fighter for the profencies but i have no idea how i should distrubute the classes or what feats to take becasue im no builder.
Anyone have any thoughts on this?
Palemaster has the stealth skills as class skills and let you qualify for shadowdancer without crossclassing skills. Wizard 37/PM 1/SD 2 will give you HIPS and evasion and save you 18 skillpoints compared to the fighter route. It also let you take your first SD level earlier and a second SD lvl later for skilldumping. But you won't get the armor proficiency for free like with fighter.
A problem with a sneaker wizard in full plate is that your effective hide/move silently skills will be rather low because of the armor penalty and the (usually) low dexterity of the wizard. _________________ The curve is more powerful than the sword -- BG courtesan


|
UART Terminal
V2.0
UART terminal with support ECMA5.1
|
JavaScript interpreter core function. More...
#include "in_jerryscript_core_h.h"
Go to the source code of this file.
Functions | |
| void | jerryx_debugger_after_connect (bool success) |
| bool | jerryx_debugger_tcp_create (uint16_t port) |
| bool | jerryx_debugger_ws_create (void) |
JavaScript interpreter core function.
Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License.
Definition in file in_jerryscript_debugger_h.h.


awslogs
Queries groups, streams and events from Amazon CloudWatch logs.
More information: home page
- List log groups:
awslogs groups
- List existing streams for the specified group:
awslogs streams /var/log/syslog
- Get logs for any streams in the specified group between 1 and 2 hours ago:
awslogs get /var/log/syslog --start='2h ago' --end='1h ago'
- Get logs that match a specific CloudWatch Logs Filter pattern:
awslogs get /aws/lambda/my_lambda_group --filter-pattern='ERROR'
- Watch logs for any streams in the specified group:
awslogs get /var/log/syslog ALL --watch


USSR Installation on Mac
Simulations must run using the 32-bit memory model, which requires a the -d32 option to be passed to the JVM.
In eclipse, this is done as follows:
- Click the menu item "Eclipse->Preferences..."
- In the categories on the left click "Java->Installed JREs"
- Under installed JREs highlight the one that has a check box next to it (probably "JVM Contents", "MacOS default" or "JDK 1.6") and click the "Edit..." button
- Under "Default VM arguments" add the text "-d32" (without the quotes)
If this option has not been added correctly, starting a simulation will produce an exception similar to the following:
java.lang.UnsatisfiedLinkError: /Users/ups/src/ussr/zoo/jME_2.0/lib/natives/libodejava.jnilib: no suitable image found. Did find: /Users/ups/src/ussr/zoo/jME_2.0/lib/natives/libodejava.jnilib: no matching architecture in universal wrapper
at java.lang.ClassLoader$NativeLibrary.load(Native Method)
...
The simulation will appear to start but nothing moves.


|
Max Beckmann Works Online
Categorized & Annotated
Commercial Galleries: Galleries: We invite you to register and list your site (no charge for this service)
Original works by Max Beckmann available for purchase at art galleries worldwide
Paintings in Museums and Public Art Galleries Worldwide:
Art Institute of Chicago NEW!
Dallas Museum of Art, Texas NEW! (There is a "Download" link for zooming in on some works, but confusingly this may take a while to become active)
Max Beckmann at the Detroit Institute of Arts, Michigan Still Life with Fallen Candles, 1929
Fine Arts Museums of San Francisco NEW! Many works online
Guggenheim Museum, New York City 2 works online
Metropolitan Museum of Art, New York City NEW!
Museum of Fine Arts, Boston NEW! Paintings collection online
Museum of Modern Art, New York City Includes biographical information about the artist
National Galleries of Scotland, Edinburgh NEW!
National Gallery of Art, Washington D.C. NEW! Most but not all artists in the NGA database have works online
San Francisco Museum of Modern Art
Städel Museum, Frankfurt, Germany Still Life with Saxophones
Städel Museum, Frankfurt, Germany Self-portrait with a stiff hat
Tate Gallery, London, UK
Ackland Art Museum at the University of North Carolina
Akron Art Museum, Ohio NEW! (Click on the "View objects by this artist" link)
Albright-Knox Art Gallery, Buffalo, New York Hotel Lobby, 1950
Art Collection of the Biblioteca Luis Ángel Arango, Colombia
Art Gallery of New South Wales, Sydney, Australia
Barber Institute of Fine Arts, Birmingham, UK
Berkeley Art Museum + Pacific Film Archive, California The Martyrdom (Das Martyrium)
Block Museum of Art at Northwestern University, Illinois 2 works online (Note that this site opens each work in a new window)
Brooklyn Museum, New York City
Bruce Museum of Arts and Science, Connecticut Paris Society (Gesellschaft Paris), 1931
Centre Pompidou, Paris (in French) Information about the 2002 exhibition Max Beckmann: un peintre dans l'Histoire
Christchurch Art Gallery / Te Puna O Waiwhetu, New Zealand
Cleveland Museum of Art, Ohio
Folkwang Museum, Essen, Germany (in German)
Guilford College Art Gallery, North Carolina
Harvard University Art Museums, Massachusetts Harvard have works in their collections, but unfortunately you have to type in the search yourself
Hirshhorn Museum and Sculpture Garden, Washington D.C. NEW!
Indianapolis Museum of Art, Indiana
Kunsthalle Mannheim, Germany (in German)
Kunsthaus Zurich
Kunstmuseum Basel, Switzerland Alphabetically under "B"
Kunstmuseum Bonn, Germany Kabarettistinnen, 1943
Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany
Los Angeles County Museum of Art NEW!
MacKenzie Art Gallery, Saskatchewan
Mildred Lane Kemper Art Museum, St. Louis, Missouri
Minneapolis Institute of Arts, Minnesota 8 works
Musée d'Unterlinden, Colmar, France (mostly in French) La petite op�ration, 1915
Museu de Arte de São Paulo, Brazil (in Portuguese)
Museum Kunst Palast, Düsseldorf Quappi in Blue and Grey, 1944
Museum of Modern Art, New York City - Provenance Research Project 5 works by Beckmann
Neue Galerie Museum for German and Austrian Art, New York City Self-Portrait with Horn, 1938
North Carolina Museum of Art, Raleigh
Oklahoma City Museum of Art, Oklahoma In the Tram, 1922
Österreichische Galerie Belvedere, Vienna
Philadelphia Museum of Art
Portland Museum of Art, Maine Click thumbnail #3
Princeton University Art Museum, New Jersey
Pulitzer Foundation for the Arts, Saint Louis, Missouri
Saint Louis Art Museum, Missouri Many works online
San Diego Museum of Art, California NEW!
Smart Museum of Art at the University of Chicago
Spencer Museum of Art at the University of Kansas Self-Portrait, woodcut
Sprengel Museum, Hannover, Germany The Market Crier (Self-Portrait of Beckmann at the Circus), 1921
Staatliche Kunsthalle Karlsruhe, Germany ( in German) Die Familie (Familie Beckmann), lithograph, 1919
Staatsgalerie Stuttgart (in German) Journey on a Fish
State Museums of Berlin
Stiftung Moritzburg, Moritzburg, Germany (in German) Max Beckmann and Minna Beckmann-Tube, 1909
Thyssen-Bornemisza Museum, Madrid (Images are zoomable; click on the "expand" icon below the detail image)
University of Iowa Museum of Art, Iowa City
University of Iowa Museum of Art, Iowa City Karneval (Carnival), 1943
Von der Heydt-Museum, Wuppertal, Germany (in German)
Walker Art Center, Minnesota
Art Market: (e.g. records of past sales at auction; sites providing examples of the artist's signature)
Art Signature Dictionary NEW!
Christie's Past Sale Archive (database goes as far back as 1991; images go about as far back as 1999)
Sotheby's Sold Lot Archive (database goes as far back as 1998; images where permitted by copyright go about as far back as 2001)
Pictures from Image Archives:
Max Beckmann at The Athenaeum 2 works online
World Visit Guide (formerly Insecula)
Bildindex der Kunst und Architektur (in German) (a welcome screen is displayed for a couple of seconds before the search results appear)
Ciudad de la Pintura (in Spanish)
El Poder de la Palabra (The Power of the Word) (in Spanish)
Humanities Web
USC Annenberg School for Communication
Additional Image Search Tools:
(SafeSearch set to "strict"; go to Advanced Search (Flickr/Google) or Preferences (Bing) to change)
Miscellaneous Sites:
Art of the First World War
The BBC max beckmann, tate modern
The Legacy Project "A gathering place for people interested in the enduring legacies of the many violent traumas of the 20th century"
Articles and Reference Sites:
Encyclopedia Britannica complete article on Max Beckmann Note: The full version of the article is available only if you follow this link. If you bookmark the article and return later, or if you navigate directly to the Britannica website, you will see a 100-word preview only. Troubleshooting
Union List of Artist Names (Getty Museum) Reference sheet with basic information about the artist and pointers to other references.
Wikipedia, the "Open Content" Encyclopedia Biographical info
Art + Auction Magazine Artist Dossier: Max Beckmann
Artcyclopedia "Mad Max (Max Beckmann at the Museum of Modern Art)"
Artnet Magazine Self-portrait with Horn, 1938
Artnet Magazine Max Beckmann in Exile
PBS A look at the life and work of the artist
Planet Deutsche Article on Beckmann and his connection to the Weimar Era
Tate Magazine Leon Golub on Max Beckmann
The New York Observer "Max Beckmann Still Shocks Viewers With His Greatness", article by Hilton Kramer
The New York Observer "Beckmann, Picasso: Painters Reunited For the First Time", article by Hilton Kramer
The New York Observer "Dix and Beckmann: Two Painters Convey The Horror of War", article by Hilton Kramer
"Look Inside" and "Search Inside" Books at Amazon
| Look Inside Books: | Selections from the books listed below are scanned in, in high res. Text is clearly readable and art reproductions vary from so-so to excellent. Don't miss the fact that you can usually zoom in via the "View" drop-down menu, along the top row of Amazon's Online Reader. | |
| Search Inside Books: | Same as "Look Inside", except that the entire book is scanned in, and the text is fully searchable. This is an unbelievable resource, for research and especially for previewing a book when making the decision to buy. Note: Some "Search Inside" features are limited to people signed in to an account which has previously made a purchase at Amazon. | |
search inside
Self-Portrait in Words: Collected Writings and Statements, 1903-1950
look inside
Beckmann
look inside
Max Beckmann and the Self
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#include <MMat4x4.h>
Public Member Functions | |
| MMat4x4 () | |
| class Mat4x4 | |
| MMat4x4 (float scale) | |
| MMat4x4 (const MVec3 &translation) | |
| MMat4x4 (const MMat3x3 &rot) | |
| MMat4x4 (const MMat3x3 &rot, const MVec3 &translation) | |
| MMat4x4 (const MMat3x3 &rot, const MVec3 &translation, const MVec3 &scale) | |
| MMat4x4 (float _11, float _12, float _13, float _14, float _21, float _22, float _23, float _24, float _31, float _32, float _33, float _34, float _41, float _42, float _43, float _44) | |
| MMat4x4 (const float *mat) | |
| MMat4x4 (const MMat4x4 &mat) | |
| ~MMat4x4 () | |
| MMat4x4 & | operator= (const MMat4x4 &mat) |
| public methods | |
| bool | Inverse (MMat4x4 &output) const |
| void | Transpose () const |
| MMat4x4 | Transposed () const |
| void | TransformCoordFast (MVec3 &coord) const |
| MVec3 | TransformCoord (const MVec3 &coord) const |
| void | TransformCoordPrePersp (MVec4 &result, const MVec3 &coord) const |
| MVec3 | TransformCoordNoPersp (const MVec3 &coord) const |
| transforms a coordinate but skips the perspective divide. | |
| void | TransformCoordNoPerspFast (MVec3 &coord) const |
| void | SetRotate (const MMat3x3 &mat) |
| void | SetTranslate (const MVec3 &pos) |
| void | SetScale (const MVec3 &scale) |
| void | SetOrientation (const MVec3 &side, const MVec3 &forward) |
| void | SetRow (unsigned int row, const MVec4 &rowVec) |
| void | SetCol (unsigned int col, const MVec4 &rowVec) |
| void | GetRotate (MMat3x3 &mat) const |
| MMat3x3 | GetRotate () const |
| void | GetTranslate (MVec3 &pos) const |
| MVec3 | GetTranslate () const |
| void | GetScaleSqr (MVec3 &scale) const |
| MVec3 | GetScaleSqr () const |
| void | GetScale (MVec3 &scale) const |
| MVec3 | GetScale () const |
| void | GetRow (MVec4 &rowVec, unsigned int row) const |
| MVec4 | GetRow (unsigned int row) const |
| void | GetCol (MVec4 &rowVec, unsigned int col) const |
| MVec4 | GetCol (unsigned int col) const |
| void | GetAxis (MVec3 &axis, unsigned int col) const |
| float & | operator() (unsigned int row, unsigned int col) |
| float | operator() (unsigned int row, unsigned int col) const |
| MMat4x4 | operator* (const MMat4x4 &mat) const |
| performs a matrix multiply. | |
| const float * | GetDataStart () const |
| operator const float * () const | |
| bool | IsIdentity () const |
| void | Save (UWriter &writer) const |
| saving and loading. | |
| void | Load (UReader &reader) |
Static Public Member Functions | |
| static const MMat4x4 & | Identity () |
Static Public Attributes | |
| static const float | kInverseDetEpsilon = 0.00000095367431640625f |
| class header. |
Definition at line 21 of file MMat4x4.h.
| MMat4x4::MMat4x4 | ( | ) |
class Mat4x4
ctor & dtor
initialize the array to 0.
make sure _data is set to an aligned array.
set to identity.
Definition at line 43 of file MMat4x4.cpp.
| MMat4x4::MMat4x4 | ( | float | scale | ) |
initialize the array to 0.
make sure _data is set to an aligned array.
initialize the data.
Definition at line 59 of file MMat4x4.cpp.
| MMat4x4::MMat4x4 | ( | const MVec3 & | translation | ) |
initialize the array to 0.
make sure _data is set to an aligned array.
initialize the data.
Definition at line 90 of file MMat4x4.cpp.
| MMat4x4::MMat4x4 | ( | const MMat3x3 & | rot | ) |
make sure _data is set to an aligned array.
set the matrix data.
Definition at line 121 of file MMat4x4.cpp.
make sure _data is set to an aligned array.
set the matrix data.
Definition at line 149 of file MMat4x4.cpp.
make sure _data is set to an aligned array.
set the matrix data.
Definition at line 177 of file MMat4x4.cpp.
| MMat4x4::MMat4x4 | ( | float | _11, | |
| float | _12, | |||
| float | _13, | |||
| float | _14, | |||
| float | _21, | |||
| float | _22, | |||
| float | _23, | |||
| float | _24, | |||
| float | _31, | |||
| float | _32, | |||
| float | _33, | |||
| float | _34, | |||
| float | _41, | |||
| float | _42, | |||
| float | _43, | |||
| float | _44 | |||
| ) |
initialize the array to 0.
make sure _data is set to an aligned array.
initialize the data.
Definition at line 205 of file MMat4x4.cpp.
| MMat4x4::MMat4x4 | ( | const float * | mat | ) |
initialize the array to 0.
make sure _data is set to an aligned array.
initialize the data.
Definition at line 239 of file MMat4x4.cpp.
| MMat4x4::MMat4x4 | ( | const MMat4x4 & | mat | ) |
| MMat4x4::~MMat4x4 | ( | ) |
Definition at line 261 of file MMat4x4.cpp.
| void MMat4x4::GetAxis | ( | MVec3 & | axis, | |
| unsigned int | col | |||
| ) | const |
Definition at line 707 of file MMat4x4.cpp.
| MVec4 MMat4x4::GetCol | ( | unsigned int | col | ) | const |
Definition at line 698 of file MMat4x4.cpp.
| void MMat4x4::GetCol | ( | MVec4 & | rowVec, | |
| unsigned int | col | |||
| ) | const |
Definition at line 686 of file MMat4x4.cpp.
| MMat3x3 MMat4x4::GetRotate | ( | ) | const |
Definition at line 505 of file MMat4x4.cpp.
| void MMat4x4::GetRotate | ( | MMat3x3 & | mat | ) | const |
Definition at line 484 of file MMat4x4.cpp.
| MVec4 MMat4x4::GetRow | ( | unsigned int | row | ) | const |
Definition at line 677 of file MMat4x4.cpp.
| void MMat4x4::GetRow | ( | MVec4 & | rowVec, | |
| unsigned int | row | |||
| ) | const |
Definition at line 665 of file MMat4x4.cpp.
| MVec3 MMat4x4::GetScale | ( | ) | const |
extract the scale of the matrix. Ensure that the rotational component of the matrix is of uniform scaling.
return the scales of the axes.
Definition at line 576 of file MMat4x4.cpp.
| void MMat4x4::GetScale | ( | MVec3 & | scale | ) | const |
extract the scale of the matrix. Ensure that the rotational component of the matrix is of uniform scaling.
return the scales of the axes.
Definition at line 561 of file MMat4x4.cpp.
| MVec3 MMat4x4::GetScaleSqr | ( | ) | const |
extract the scale of the matrix. Ensure that the rotational component of the matrix is of uniform scaling.
return the scale^2 of the axes.
Definition at line 548 of file MMat4x4.cpp.
| void MMat4x4::GetScaleSqr | ( | MVec3 & | scale | ) | const |
extract the scale of the matrix. Ensure that the rotational component of the matrix is of uniform scaling.
return the scale^2 of the axes.
Definition at line 533 of file MMat4x4.cpp.
| MVec3 MMat4x4::GetTranslate | ( | ) | const |
Definition at line 526 of file MMat4x4.cpp.
| void MMat4x4::GetTranslate | ( | MVec3 & | pos | ) | const |
Definition at line 517 of file MMat4x4.cpp.
| const MMat4x4 & MMat4x4::Identity | ( | ) | [static] |
Definition at line 29 of file MMat4x4.cpp.
| bool MMat4x4::Inverse | ( | MMat4x4 & | output | ) | const |
matrix inversion using Cramer's rule.
transpose the matrix.
calculate pairs for the first 8 elements ( cofactors ).
calculate first 8 elements ( cofactors ).
calculate pairs for the second 8 elements ( cofactors ).
calculate second 8 elements ( cofactors ).
calculate the determinant.
calculate the matrix inverse.
store the new matrix.
Definition at line 281 of file MMat4x4.cpp.
| bool MMat4x4::IsIdentity | ( | ) | const |
Definition at line 885 of file MMat4x4.cpp.
| void MMat4x4::Load | ( | UReader & | reader | ) |
Definition at line 932 of file MMat4x4.cpp.
| float MMat4x4::operator() | ( | unsigned int | row, | |
| unsigned int | col | |||
| ) | const |
Definition at line 727 of file MMat4x4.cpp.
| float & MMat4x4::operator() | ( | unsigned int | row, | |
| unsigned int | col | |||
| ) |
Definition at line 718 of file MMat4x4.cpp.
| void MMat4x4::Save | ( | UWriter & | writer | ) | const |
| void MMat4x4::SetCol | ( | unsigned int | col, | |
| const MVec4 & | rowVec | |||
| ) |
Definition at line 653 of file MMat4x4.cpp.
| void MMat4x4::SetRotate | ( | const MMat3x3 & | mat | ) |
Definition at line 459 of file MMat4x4.cpp.
| void MMat4x4::SetRow | ( | unsigned int | row, | |
| const MVec4 & | rowVec | |||
| ) |
Definition at line 641 of file MMat4x4.cpp.
| void MMat4x4::SetScale | ( | const MVec3 & | scale | ) |
| void MMat4x4::SetTranslate | ( | const MVec3 & | pos | ) |
Definition at line 475 of file MMat4x4.cpp.
Definition at line 416 of file MMat4x4.cpp.
| void MMat4x4::TransformCoordFast | ( | MVec3 & | coord | ) | const |
Definition at line 403 of file MMat4x4.cpp.
transforms a coordinate but skips the perspective divide.
Definition at line 437 of file MMat4x4.cpp.
| void MMat4x4::TransformCoordNoPerspFast | ( | MVec3 & | coord | ) | const |
Definition at line 447 of file MMat4x4.cpp.
Definition at line 427 of file MMat4x4.cpp.
| void MMat4x4::Transpose | ( | ) | const |
Definition at line 381 of file MMat4x4.cpp.
| MMat4x4 MMat4x4::Transposed | ( | ) | const |
const float MMat4x4::kInverseDetEpsilon = 0.00000095367431640625f [static] |
class header.
File: MMat4x4.cpp Author: Kevin Bray Created: 09-25-04 Copyright © 2004 Bootstrap Studios. All rights reserved. project includes. std c++ includes.


We strongly affirm great kids need great parents and with the right tools, anyone can be a great parent. Whether you are parenting with a partner, a grandparent, a solo parent, a blended or foster family, toddlers has something to offer. If you are looking for practical and holistic strategies, inspiration, encouragement and insight then our positive parenting programme are for you. The programmes are ideal for parenting and up-bringing of children within the age group 0 months to 18 years.
The Positive Parenting - Online Learning founded on 26th June 2016 we are the final destination where mothers, fathers and expecting parents the Online Learning programme users will learn and expand their knowledge about parenting with a holistic overview and incorporate the same into their lives and parenting. We serve our customers as an online school where information is shared for them and they can sign up and participate in online learning in groups or as individuals, with an intention to re-define online learning and parenting.
‘PPOL - Empowering the hearts of the families for a better society’ We know that parents and children genuinely long for meaningful relationships and our work is aimed at helping make this a reality for all our customers with our work and the holistic. We believe bad parenting could rob your child’s identity, leading to messed & depressed adults. It is easier to build up a child than to repair an adult so let us help you parent your child, and paint the future of the world wisely. As an online learning parenting organisation, we aim to challenge the stories, ideas and habits that undermine healthy family relationships and positive parenting. Instead, we offer an alternative vision for life. The success of our work is therefore not reflected primarily by numbers, but by the growth of life-giving and hope-filled family relationships.
Our work is engaging and inspiring, accessible, for every family shaped by hope and knowledge
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@* * Copyright 2023 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import config.ApplicationConfig @import views.html.helpers._ @import org.joda.time.{Days, LocalDateTime, LocalDate} @import uk.gov.hmrc.govukfrontend.views.html.components._ @this(gmpMain: gmp_main,govukTable : GovukTable) @(previousBulkCalculations: List[BulkPreviousRequest])(implicit request: Request[_], messages: Messages, ac:ApplicationConfig) @gmpMain(title = Messages("gmp.more_bulk_results.header") + " - " + Messages("service.title") + " - " + Messages("gov.uk")) { @includes.back_link(Messages("gmp.more_bulk_results.header"))


‘Worried’ - This is what Aston Villa fans are saying about the January transfer window
Aston Villa transfer news | Reports claim that Dean Smith's side will not be spending big in January and that they are not anticipating a busy window in the New Year
by Richard CusackAston Villa fans have been reacting to a report that claims the club will not be spending big money in January.
The transfer window re-opens in the New Year and offers Dean Smith's side the perfect opportunity to strengthen in their quest for Premier League survival.
Villa currently sit in 17th place in the League table, three points ahead of Watford in the final relegation spot.
With the re-opening of the market creeping up, speculation has started to ramp up with Argentinian international Nico Gaitan and Austrian hot-shot Christoph Monschein linked with moves to Villa .
Aston Villa latest
This is your round up of all things Villa; the one-stop shop that will keep you updated on the latest goings on at the club and beyond.
Transfers, injuries, match-days and managers, we’ve got you covered.
We’ll be bringing the very latest on the Villains throughout the week and around the clock.
Make sure you keep yourself updated with our handy daily catch up...
Must reads...
- Director reveals John McGinn's reaction to failed transfer
- Martin Keown fires puzzling criticism at Tyrone Mings
- What Jarrad Branthwaite has said about Villa interest
- Dean Smith urged to have a 'quiet word' with Frederic Guilbert
For all your latest AVFC news, opinion, analysis and transfer gossip, click here
You can follow our Villa reporter Ashley Preece on Twitter, and his email address is<EMAIL_ADDRESS>Alfredo Morelos has also been touted as a possible signing in January, with the forward ranks clearly a position that need bolstering at Villa.
However according to The Athletic, Villa won't be spending big in the New Year with the club not expecting a busy window.
And that has got Villa fans worried about how that might impact their season.
Here's the pick of the reaction from social media...
@ ktvilla92 : We’ll be relegated if we don’t spend end of.
@ claretandblue31 : If we don't buy a striker we will be going back down.
@ AVFCGreawish : A bit worrying
@ OllyRhodess : Striker is still needed
@ TheReaction11 : Announce relegation
@ valisthegal : As long as we don’t sell, I’ll be happy
@ Smigdawg : Hello again Championship!
@ j_d_richards : i’m assuming this means compared to our summer window and we’ll only make one signing. hopefully we’ll get it done early too.


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Nigerians react to video of Bayelsa gov-elect, David Lyon speaking wrong English
by Ifeanyi NgeremA video of Bayelsa State Governor-elect, David Lyon has gone viral for the wrong reason. In the video, the Governor-elect was seen addressing journalists shortly after his election and Mr. Lyon committed serious grammatical blunders.
The video went viral and has attracted several reactions from Nigerians. the Bayelsa State Goveror-elect, David Lyon while addressing newsmen said:
”Today is one of my great day in my life. The great people of Bayelsans have spoken their mind by taking time to vote for our great party APC. It’s indeed a welcome development because in our own campaigns, we give to them, when being elected and swear in, we give to them security and development; it is our key agendas.”
See some reactions below:


Algorithms for Walking, Running, Swimming, Flying, and Manipulation
© Russ Tedrake, 2023
Last modified .
How to cite these notes, use annotations, and give feedback.
Note: These are working notes used for a course being taught at MIT. They will be updated throughout the Spring 2023 semester. Lecture videos are available on YouTube.
| Previous Chapter | Table of contents | Next Chapter |
This chapter is intended to provide a collection of tips and formulations that can make seemingly non-smooth constraints smooth, seemingly non-convex constraints convex, etc. (It's very much a work in progress...)
Imagine an ellipsoid centered at the origin: $E = \{x | x^T S x \leq
1\}$ with $S=S^T\succ0$. The volume of this ellipse is proportional to
$\left(\det S^{-1} \right)^\frac{1}{2}$. We know that $\log\det(S)$ is a
concave function in the elements of $S$
maximizing volume.
minimizing volume.
volume of a semi-algebraic set. (via a contained ellipsoid)
| Previous Chapter | Table of contents | Next Chapter |


In the GUI below, choose three points in the plane the plane (z = 0) to test your code. Left click to select the points, and right click to delete the most recently selected point. The circumcenter of the resulting triangle will be re-computed real time and drawn as a black point as soon as three points have been selected. The circumcircle with the calculated radius will be drawn around the circumcenter


--- layout: post title: "Fundamental Theorem of Algebra" date: 2016-03-28 comments: true theorems: true tags: theorems, maths excerpt: A short description of the fundamental theorem of algebra. ---
The fundamental theorem of algebra pretty much states the following, every non-zero, single-variable, polynomial of degree \(n\) has exactly \(n\) roots even thought not all of them might be real (remember complex roots).
Proof:
Given a non-constant polynomial \(p(z)\) with complex coefficients, the polynomial \(q(z) = p(z)p(\bar{z})\) has only real coefficients and, if \(z\) is a zero of \(q(z)\), then either \(z\) or its conjugate is a root of \(p(z)\).
There is some positive real number \(\mathbb{R}\) such that:
Complex-analytic proof:
Topological proof:
Algebraic proof:
Geometric proof:


|
Programming Languages: |
JavaScript ES-6, NodeJS, React, HTML5, CSS3, SCSS, Bash Shell, Excel, SQL, NoSQL, MATLAB, Python, C++ |
|
Databases: |
PostgreSQL, MongoDB |
|
Cloud: |
Docker, AWS, Google App Engine, Netlify, Digital Ocean, Heroku, Azure Cloud Services |
|
OS: |
Linux, Windows (WSL), IOS |
|
Agile: |
GitHub, BitBucket, Jira, Confluence |
|
IDEs: |
VSCode, Visual Studio, Atom, Code Blocks, Sublime Text 3, Brackets |
|
Relational Concepts: Hallandale Beach, FL |
March 2020 - Present |
|
Front End Web Developer |
|
· Responsible for front-end development for a custom real estate application which provides sophisticated and fully customizable filtering to allow investors and real estate professionals to narrow in on exact search targets.
· Designed mock-up screens, wireframes, and workflows for intuitive user experience.
· Migrated existing multi-page user experience into singular page interfaces using React components.
· Participated in every stage of the design from conception through development and iterative improvement.
· Produced user stories and internal documentation for future site development and maintenance.
· Implemented modern frameworks including Bootstrap and Font-Awesome to give the site an aesthetic overhaul.
· Managed all test deployments using a combination of Digital Ocean and Netlify.
· Produced unit tests using a combination of Mocha and Chai.
· Injected Google Analytics to capture pertinent usage data to produce an insightful dashboard experience.
|
Environment: |
JavaScript, JQuery, React, HTML5 & CSS, Bootstrap, DOJO, Google Cloud, Bash Script |
|
Cembre: Edison, NJ |
Nov 2019 – Mar 2020 |
|
Product Development Engineer |
|
· Converted client’s product needs into technical specs to be sent to the development team in Italy.
· Reorganized internal file server structure.
· Conducted remote / in person system integration and product demonstrations.
· Presided over internal and end user software trainings in addition to producing the corresponding documentation.
· Served as the primary point of contact for troubleshooting railroad hardware and software in the North America.
|
Environment: |
Excel, AutoCAD, PowerPoint, Word |
|
B.S. Electrical Engineering, TCNJ, Ewing NJ |
2014 – 2019 |
Capstone Project – Team Lead
· Successfully completed and delivered a platform to digitize a guitar signal and perform filtering before executing frequency & time domain analysis to track a current performance against prerecorded performance.
· Implemented the Dynamic Time Warping algorithm in C++ and Python to autonomously activate or adjust guitar effect at multiple pre-designated section of performance.
|
Environment: |
C++, Python, MATLAB, PureData |
References and portfolio available upon request


Psycho A film review by Marty Mapes Copyright 1998 Marty Mapes
*** (out of 4) There are three reasons why Universal might have withheld screenings of PSYCHO from critics. Either 1) they knew it was a stinker, 2) they wanted to keep secret a new shocking twist, or 3) they were merely paying homage to Hitchcock.
Thankfully, it wasn't the first reason. Though some hard-core fans of the original may scoff at anything that tries to compete, Van Sant's version of Psycho is actually pretty good.
It wasn't reason two, either. There was some speculation, especially in Roger Ebert's Answer Man column, that perhaps the secrecy was meant to disguise a new twist on Hitchcock's original. In fact, this version is a very close remake of the original.
That leaves reason three. It appears that Van Sant and Universal were actually trying to pay tribute not only to one of the all-time great directors, but to one of his most memorable films. When the original PSYCHO was released in 1960, Hitchcock and Universal withheld press screenings to keep the audiences guessing. Van Sant is merely imitating the master.
For the uninitiated, PSYCHO follows the story of Marion Crane, a secretary in a real estate office. The opportunity to walk away with $400,000 presents itself, and she takes it. She drives for several days, trying to get far enough away to shake her pursuers. Late one night, in a rainstorm, she decides to stop for the night at the Bates Motel. The rest is history.
If you know your history, then I don't need to repeat it for you. If you don't know your history, then it's better you find out for yourself. I would recommend either version to you. I won't say this version is better; it's not. But I acknowledge that some people have no desire to rent a black and white movie for their 15-inch monaural TV. Given a big-screen with big sound, this version may be the better way to get up to speed on your cultural awareness.
This film isn't literally a shot-by-shot remake as some have claimed, but it is very close. In fact, this kind of near-literal remake has never been tried before. It was a fairly big gamble, especially considering the possible backlash from die-hard fans.
Nevertheless, it seems to have worked. The horrible and tense sequences are recreated faithfully, resulting in a still-satisfying experience.
Trivia buffs could spend hours at the theaters comparing differences and similarities (see "Did You Notice" on the sidebar at http://net.indra.com/~mmapes/psy_ld98.htm for a handful of examples). Yet some differences were unavoidable. Casting, set design, costume design, and sound all had to be redone. Mostly, these decisions were well made.
Vince Vaughn fills the role of Norman Bates. Others in the audience were disappointed by this casting choice, but I was pleasantly surprised. Vaughn had the right speech and mannerisms to fill the part. He was meek, childish, and awkward in all the right proportions. Others faulted him for having too much confidence for the role, and they do have a point, but on the whole, Vaughn was great.
The only casting decision that I found to be a bad choice was William H. Macy as the private investigator Arobgast. Macy's iconic face and tidy haircut were perfect in PLEASANTVILLE, where he played a 50's sitcom father figure.  Everyone else seemed modern in a world gone retro, but Macy seemed to actually come from that era.
The set design and costume design were unavoidably modernized, but they still had the look and feel of 1960. The real estate office looked remarkably similar to the cheap set Hitchcock used in the original. The hardware store was a far cry from today's big-box chains, and in fact it looked a little out of place after seeing a new car dealership. Dresses are loud and orange. Shirts are noisy and brash. Lamps are salvation-army chic.
Yet even if all this seems oddly outdated, it all contributes the overall style of the film. Because the dialogue is reportedly unchanged, the film was required to have a certain quaint, retro feel. (After all, who in this day and age would say to a stranger, "if it don't gel, it ain't Jell-O, friend".) The decision to use anachronistic elements does a lot to support this old-fashioned dialogue and give the film a coherent feel.
Bernard Herrmann's music from the original film was used to great effect. Of all the elements, I believe the music was the least changed. The fact that it still strikes terror in your heart speaks well to Herrmann's talent. In addition, the soundtrack is more full and rich. At times, you can hear inaudible whispers or buzzing flies. At one point near the end, adept use of surround-sound technology enhances the picture on the screen.
This film will invite all sorts of questions: Why do a shot-by-shot remake? What was different from the original? Did the original need updating? But the most important, most obvious question should be: Does it work?
The answer is yes.
Creepiness and tension permeate this film. Even if you know the ultimate outcome, you will still find yourself telling Marion not to stop at the motel, not to change her clothes, and not to go into the shower. Even if you know who lives with Norman in that big old house, you will shrivel in anticipation as the house is searched.
Remakes of movies are always problematic: if you deviate too much, you're open to criticism of changing the original. Yet if you follow too closely, you give up any chance of improving on it. Van Sant took the latter approach to its extreme, accepting that a close copy of the original might still be pretty good
I would have to say that he was right.
Check out more current movie reviews at http://www.indra.com/~mmapes/
-- Marty Mapes<EMAIL_ADDRESS>Movie Habit http://net.indra.com/~mmapes
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


To some it’s euphoric. To most it’s tragic. That fleeting, tension-filled moment, when the first kiss is imminent. Euphoria is when the man senses and immediately acts on that moment; tragedy is when the man senses it but freezes in place. In the former, the lady is excited that the man took the cue; in the latter, she’s irritated that he didn’t. In many ways this scenario plays itself out in the sales process, with the climax being the moment when a close is imminent. And it’s just that-a moment! It lasts a second but feels like eternity. Many sales are lost here. The salesperson senses the tension, but caves in to it instead of acting on it.
From my sessions I have noticed that those who cave into the moment do so because of these reasons: Fear (what if the prospect doesn’t “kiss” me back-I’ll feel hurt from the rejection); Pride (I cannot be seen to be initiating it-the prospect is the one to take up the offer as he needs the product); indifference (the salesperson is so engrossed with his presentation he doesn’t even notice the moment); intimidation (he’s senior to me or I cannot ask him for Kes. 50M-no one has that kind of money) and ignorance (the salesperson doesn’t know any better-how do I close?). In all these cases, the deafening 60 milliseconds of tension come, and then dissipate; and Poof!, the moment turns from opportunity to misfortune and a sale is lost.
But why is it important to be alive and act on this moment of tension? Because, research shows that prospects want to be led to a close but will only momentarily let their guard down for this to happen. For whatever reason, prospects want to be guided to a close even for something they want; the hawker probably guided you to buying the pair of shoes and the tailor guided you to the design that suits you. And it’s not always because we don’t know what it is we want-even when we do know what it is we want, we still allow ourselves to be guided out of it onto something different. Now you know why companies have sales representatives (called merchandisers) strategically placed along the supermarket aisles who will invite you to try their brand of sausage, or soap or spray-which is different from what you had on your shopping list.
With this in mind then, the moment of tension just before the close isn’t to be feared, merely understood. For the ignorant, techniques in closing abound and they can start trying them out; for the fearful, separating self from product will help overcome rejection; for the intimidated, start small or better still enlarge your vision about yourself; and for the proud and indifferent, time will open your eyes to your dwindling fortunes, and shock you into dropping your hubris. Easier said than done, I hear you say. True. But, hey, this is selling-nothing is easy until done again, and again, and again improving with every try.
Let that moment of tension galvanize you to ask for the cheque. As this column has stated before, selling is like football. Yes, the appointment, interview and presentation were to die for, but did you close? During the ongoing World Cup, we shall be excited by the dazzling footwork, impressive shots and deafening cheering-but when the chips fall, only one thing will matter; did you score?


{% extends "global/Page.html" %} {% load otree %} {% block title %} Feedback {% endblock %} {% block content %}
Round {{ round }}
| Amount you placed in the group account: | {{ player.contribution }} |
| Amount others placed in the group account: | |
| Participant {{ forloop.counter }} | {{ p }} tokens |
| Total group account: | {{ group.total_contribution }} tokens |
| Your earnings from the group account: | {{ group.individual_share }} ECUs |
| Your total earnings in this round: | {{ player.payoff }} ECUs |
{% next_button %}
{% endblock %}


From the Jenkins dashboard, select the New Job link.
Enter MyBuild in the Job name field. Click on the Build a free-style software project radio button and click the OK button.
Under the Source Code Management section, select the Git radio button. In the Repository URL field, enter your forked repository URL. Mine is git@github.com:student29/continuous_integration_example.git. Yours will be something like:
In the Branches to build | Branch Specifier field, enter master.
In the Build Triggers section, select the checkbox next to Poll SCM and enter following in the Schedule text field.
Within the Build section, enter the following 2-line command in the Execute shell text field.
in the Post-build Actions section, select the Publish artifacts to S3 Bucket checkbox. Enter target/deployment/brewery.war in the Source field and cd29artifacts (where 29 is your student id) in the Destination bucket field
Click the Save button.
Go back to the Jenkins dashboard and click the Build button next to the MyBuild job.
EXERCISE: Create a scripted build job in Jenkins (OPTIONAL)
From the Jenkins dashboard, select the New Job link.
Enter MyBuild in the Job name field. Click on the Build a free-style software project radio button and click the OK button.
Under the Source Code Management section, select the Git radio button. In the Repository URL field, enter your forked repository URL. Mine is git@github.com:student29/sample_app.git. Yours will be something like:
In the Branches to build | Branch Specifier field, enter master.
In the Build Triggers section, select the checkbox next to Poll SCM and enter following in the Schedule text field.
Within the Build section, enter the following two-line command in the Execute shell text field.
Within the Build section, enter the following four-line command in the Execute shell text field.
Within the Build section, enter the following command in the Execute shell text field.
in the Post-build Actions section, select the Publish artifacts to S3 Bucket checkbox. Enter continuousdelivery.tar.gz in the Source field and the name of the bucket you have access to in the Destination bucket field
Click the Save button.
Go back to the Jenkins dashboard and click the Build button next to the MyBuild job.


Implementation of a range slider by noUiSlider. It can be found here.
The chosen behaviour is "unconstrained-drag-tap-hover-snap", meaning that we are allowing users to interact with the slider in these ways:
1)Dragging the range left or right.
2)Dragging one of the handles left or right. Notice that handles can pass through each other, but can't go past MAX or MIN.
3)Tapping directly on the bar, making the nearest handle move to that spot.
4)After having clicked one of the handles, it can be moved with left and right keys of the keyboard.
In this first implementation, I am considering just this states: REST, HOVERING-HANDLE(id), HOVERING-BAR, HOVERING-SELECTION, MOVING(id), DRAGGING.
The limitations, in the interaction, caused by having one handle, or both, at the min/max will be just addressed as low-level checks.


We send verification link on your providing email address, please confirm your email address and login to your akun.


In this post I will first briefly dicsuss the differences between Class and ID and then outline some of the best practices you should consider when using these two identifiers in your work.
Both Class and ID can be considered an identifier. You can use them when you need to refer to a specific element within your hmtl code from within your CSS file. But what is the difference bewteen them, and when should I use ID as opposed to class?
The most important destinction between ID and Class is that of scope. ID is very specific and there can only ever be one instance of a particular ID in your code. Class is much more flexible and can be applied to many different elements within the same page, and an element can even have mulitple classes applied to it. A real life analogy can be found in the murky world of sportsball. If we think about a stock standard team of sportsballers, the position a player plays in will be its ID. There may be lots of players running around, but there can only ever be one Boss Ballstopper per team. Class would be more akin to the Team in the sense that all members are part of the same entity and that they all wear the team jersey regardless of where they play. This analogy can also be extended further as any element on a page can have more than one class assigned to it - just as a sportsballer can play different kinds of sport while still being a member of the team.
In most cases it would be preferable to use Class rather than ID. This is mainly due to the incredible flexibility of a class. You can set them up once and then apply them across your entire site, fine tuning and applying multiple levels of classes to get your job done quickly and effectively across all elements sharing the assigned class.
IDs trade their flexibility in order to be referenced directly. This specificity allows you to fine tune your elements to very fine degree but only ever the one element that bears that ID. IDs also outrank classes, and can be used to overwrite any styling stemming from a class. In short, due to being unique IDs excel at being called and referred to by workflow elements such as direct styling, anchor links and is particulary handy in Javascript.
To summarise - when you need to apply styling across a range of elements without creating referential chaos, use Class. When it comes to
styling one very particular element and that element only, or if you need to refer or call an object directly, use ID.
In the example above you can see that I have applied the same ID to both of my section headings. While this still works in a certain sense and applied the ID styling to both elements, it is bad practice and prevented my in-page navigation links from working as intended.
This is looking better! Each element now has its own unique identifier and can be referenced directly. If I wanted to I could also have applied more than one class to these elements (the parent DIV already has two classes assigned).
My long term goal in attending EDA is to make the leap from Graphic Design into a more tech based career. In the long run I would ideally like to add some additional languages into my coding arsenal and potentially move away from design based work and into more abstract coding. The end goal in all of this however would be to find a spot in an industry where I can have control over how and when I work and where I can manage my day in a way that allows time to look after myself and my mental health.
I feel that I am pretty good with people. I do have a limit though and once that has been crossed I find it very hard to be around and deal with people and life in general. In my past career I was pulled over that line more than I’d like to admit and would love if my time at EDA can go some way towards resetting my position in this regard. I am also hoping that having more agency would allow me to grow an industry suitable resilience that I can maintain in the long run.
Strengths: I am determined, curious to a fault, love to learn and I love helping people
Weaknesses: I am perfectionistic, can get focussed on
details and can lose interest quickly if I can’t see any purpose in what I’m doing.
With all of the above I believe that the best way for me to grow would be to firstly have control over my day. This will enable me to build a routine designed to keep anxiety at bay and allow me to work with a clear, calm and efficient mind when I do sit down to do my work. I realise that this might become a bit of an issue when Boot Camp kicks off but I am hoping that the groundwork I’m doing now will give me the tools to cope with the sudden increase in workload and stress at that time.
I must admit that I have a bit of a hard time asking for help, but have discovered the joys of Googling my coding problems and quickly finding solutions, and if not solutions, then good pointers towards further research. If this fails me I will make use of the Slack channels. I suspect that as I become more familiar with my cohort (and the code advice channel people) the balance between these options will shift.
I expect my facilitation team to have some understanding of possible danger areas for me (mental health traps) and possibly help me a little when I do hit a slump. Other than that, just being there to check in and give expert pointers and support when needed would be more than anyone could hope for!
I have no set in stone time commitments I need to work around at the moment.


Yamaha FS1R
Performance Patch Editor
This editor handles performances, not voices. Though FS1R performances and voices are meant to work hand-in-hand, Edisyn's voice and performance editors are separate; but they can work together in certain ways as discussed below.
Communicating with Edisyn
Set the FS1R to receive System Exclusive, Bulk Dumps, Bank Selection, and Program Change. That is, set Rcv SysExcl, RcvBulkDump, Rcv BankSel, and Rcv PgmChng to ON. Set the Program Change Mode to "Multi". Set the FS1R's Device Number to either ALL or to the Synth ID in Edisyn's MIDI panel. For most MIDI devices, you can probably reduce the FS1R's Dump Interval to 50ms. Set Edisyn's send and receive MIDI channels to the FS1R's receive and send channels respectively.
About the FS1R Menu
The menu has several options which hopefully make working with the patch editor more useful:
- Mute Parts... This lets you temporarily mute parts of your choice, notionally so you can focus on hearing certain other parts. "Muting" mean that Edisyn will send the FS1R a command to set their MIDI channel to OFF. The actual parameter setting in Edisyn will be unaffected. If an operator is unmuted, the MIDI channel will be restored. Note that this only applies to immediate real-time changes: requesting a patch, writing a patch, or sending it, may reset the Mute settings.
- Swap Parts... This lets you swap two parts. Note that the Fseq Part (See Common tab) is unchanged, so if it was referring to one of the parts it's now referring to the other. Similarly, the Voice Control Set part values are not swapped.
- Copy Part To... This lets you copy a part to another (or to all of them). You can of course also do this with Edisyn's copy tab menu.
Loading DX7 Patches
It's easy: just use the DX7 Editor.
Hints
- If you press "Show", the voice patch associated with the current Part will be displayed.
Gotchas
- Changing patches or loading a patch takes a very long amount of time, during which the FS1R will be unresponsive to requests to play notes etc. You will find this annoying.
- Because loading a patch takes a long time (just under 3 seconds) batch-downl
oading patches from the unit can take much longer than you'd expect.
- If a Part is set to mono (not poly), and you change the voice's Algorithm while playing a note, the FS1R will hang and stop making sound. You can bring the synth back to life by requesting the current patch again, or sending All Sounds Off.
Librarian Support
The FS1R uploads and downloads quite slowly, and also has a very large buffer.This means that using the librarian is at present a somewhat painful experience -- it's very slow to interact with the machine.
Thanks
Thanks to K_Take<EMAIL_ADDRESS>for giving me access to the source code of FS1REditor and permission to reuse many of its embedded tables, without which Edisyn's patch editor would not have been possible. And thanks to Thor Zollinger<EMAIL_ADDRESS>for his tutoring on the internal operation of the FS1R. Thanks to Jeremy Bernstein<EMAIL_ADDRESS>for his help in debugging.
| By
| Sean Luke
|
| Date
| July 2020
|


The objective of this webpage is to allow users to see a simple visualization. The accompanying dashboard allowing visitors to compare various information across Virginia counties.
Social determinants of health are conditions in the environments in which people are born, live, learn, work, play, worship, and age that affect a wide range of health, functioning, and quality-of-life outcomes and risks.


Relationship between raw mean difference ( D, %) and IUCN categories of extinction risk (a, c) and clutch size (b, d). Top row indicates atmospheric‐ocean global circulation models projections of CCSM3, and bottom row CSIRO. Circle size indicates the weight of each effect size to meta‐regression parameter estimates. Fitted lines represent partial effects of each moderator variable on D


Examples
Windows
Open Window
Toggle Child Visibility
Child Focus
Flash
Join group
Leave group
Examples
Notification
Notification
Examples
Tray Icon
Tray Icon
Examples
Screenshot
Screenshot
Examples
Layout
Load Layout
Save Layout
Examples
Message Bus
Subscribe
Publish
message
Unsubscribe
Examples
Windows
Notification
Tray Icon
Screenshot
Layout
Message Bus


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Synchro_simple is a very simple prototype application which
purpose is to synchronize files and directories for backup/archive
purpose.
It was written within the OCP project.
Synchro_simple is a Qt GUI for Windows OS. The user can specifiy a source directory, where the content is taken from, and a destination directory, where content is to backup.
Because synchro_simple does not use driver, the source directory is regularely checked for modification and only the modification are synchronized.
Synchro_simple can be run in background mode and has a setting menu that allows the user to confugure it.
The easiest way is to download synchro_simple_setup.exe from http://ocpforum.org/synchro_simple/synchro_simple_setup.exe and simply run it on a Windows OS (32 or 64bits).
You can also compile the source code. It is located
at https://github.com/jlguenego/sandbox.
1) Clone the repository with the given URL.
Then you will need:
2) Open a MinGW console and go inside the
cloned repository.


Describe your change:
- [ ] Add an algorithm?
- [ ] Fix a bug or typo in an existing algorithm?
- [ ] Documentation change?
Checklist:
-
[ ] I have read
CONTRIBUTING.md.
-
[ ] This pull request is all my own work – I have not plagiarized.
-
[ ] I know that pull requests will not be merged if they fail the
automated tests.
-
[ ] This PR only changes one algorithm file. To ease review, please open
separate PRs for separate algorithms.
- [ ] All new Dart files are placed inside an existing directory.
-
[ ] All new algorithms have a URL in its comments that points to
Wikipedia or other similar explanation.
-
[ ] If this pull request resolves one or more open issues then the
commit message contains
Fixes: #{$ISSUE_NO}
.


Class a.loader
Class defined in:..\framework\appstorm\core\loader.js:23
Dynamic loader for many files type
Examples: here
__ajaxLoader
( uri, callback, args, error
) /* private method */
..\framework\appstorm\core\loader.js:161
load some data threw AJAX
Parameters:-
uri
<String>The data path
-
callback
<Function | null>The callback to apply in case of success
-
args
<Object | null>An ajax argument object, not all of them are used (some are automatically generated and cannot be changed)
-
error
<Function | null>The callback to apply in case of error
__appendToHeader
( el, options, callback, uri, args, error
) /* private method */
..\framework\appstorm\core\loader.js:89
Append to header the given tag, used by JS and CSS loader especially
Parameters:-
el
<DOM>A createElement type result
-
options
<Object>HTML Options to add to link appended
-
callback
<Function | null>The callback to apply after loader
-
uri
<String>The path to access data
-
args
<Object | null>The arguments to check if cache is specified and policy to use
-
error
<Function | null>The callback to raise in case of problem (never used)
__checkCache
( uri, callback
) /* private method */
..\framework\appstorm\core\loader.js:42
Check the cache, and launch callback if uri is already listed in cache
Parameters:-
uri
<String>The path to access data
-
callback
<Function | null>The callback to apply after loader
True if it's already inside cache, and false in other case
__populateCache
( uri, args
) /* private method */
..\framework\appstorm\core\loader.js:72
Insert into cache if needed the uri
Parameters:-
uri
<String>The path to access data
-
args
<Object>The arguments to check if cache is specified and policy to use
css
( uri, callback, args
)
..\framework\appstorm\core\loader.js:307
CSS loader
Parameters:-
uri
<String>The path to access content
-
callback
<Function | null>The callback to call after loading success
-
args
<Object>An ajax argument object, not all of them are used (some are automatically generated and cannot be changed)
flash
( uri, callback, args
)
..\framework\appstorm\core\loader.js:415
Flash loader
Parameters:-
uri
<String>The path for given swf files to load
-
callback
<Function | null>The callback to call after loading success
-
args
<Object>An object to set property for Flash
html
( uri, callback, args
)
..\framework\appstorm\core\loader.js:331
HTML loader NOTE : only valid XHTML is accepted !
Parameters:-
uri
<String>The path to access content
-
callback
<Function | null>The callback to call after loading success
-
args
<Object>An ajax argument object, not all of them are used (some are automatically generated and cannot be changed)
javafx
( uri, callback, args
)
..\framework\appstorm\core\loader.js:366
JavaFX loader
Parameters:-
uri
<String>The path for given jar files to load
-
callback
<Function | null>The callback to call after loading success
-
args
<Object>An object to set property for javaFX (like javascript name...), we need : args.code (the main to start), args.id (the id of project). args.width and height are optional
js
( uri, callback, args
)
..\framework\appstorm\core\loader.js:217
Javascript loader
Parameters:-
uri
<String>The path to access content
-
callback
<Function | null>The callback to call after loading success
-
args
<Object>An ajax argument object, not all of them are used (some are automatically generated and cannot be changed)
json
( uri, callback, args
)
..\framework\appstorm\core\loader.js:255
JSON loader
Parameters:-
uri
<String>The path to access content
-
callback
<Function | null>The callback to call after loading success
-
args
<Object>An ajax argument object, not all of them are used (some are automatically generated and cannot be changed)
jsonp
( uri, callback, args
)
..\framework\appstorm\core\loader.js:235
JSONP loader
Parameters:-
uri
<String>The path to access content
-
callback
<Function | null>The callback to call after loading success
-
args
<Object>An ajax argument object, not all of them are used (some are automatically generated and cannot be changed)
silverlight
( uri, callback, args
)
..\framework\appstorm\core\loader.js:448
Silverlight loader
Parameters:-
uri
<String>The path for given xap files to load
-
callback
<Function | null>The callback to call after loading success (NOTE : silverlight is not able to fire load event, so it's not true here...)
-
args
<Object>An object to set property for Silverlight
trace
(
)
..\framework\appstorm\core\loader.js:503
Get the cache trace loaded
The cache trace
xml
( uri, callback, args
)
..\framework\appstorm\core\loader.js:281
XML loader
Parameters:-
uri
<String>The path to access content
-
callback
<Function | null>The callback to call after loading success
-
args
<Object>An ajax argument object, not all of them are used (some are automatically generated and cannot be changed)


Shows Trending now
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SUBSCRIPTIONS
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VS Mode
Choose a Pokemon
Charmander
Bulbasaur
Squirtle
fight
Rock
Paper
Scissors
Charmander
Lv5
HP:
Charmander
Lv5
HP:


Factory creator implementation for BCFDView.
More...
#include <BCFDViewFactory.h>
|
| static FDView< Field, STN > * | create (const typename Field::label_type &label, const VarLabel *subproblems_label, int material, const Level *level, const std::list< Patch::FaceType > &faces, const std::vector< BCInfo< Field > > &bcs) |
| | factory static method for intantiating a BCView< T, S > More...
|
| |
template<typename Problem, size_t I>
class Uintah::PhaseField::BCFDViewFactory< Problem, I >
Factory creator implementation for BCFDView.
- Template Parameters
-
◆ create()
template<typename Problem , size_t I>
| static FDView<Field, STN>* Uintah::PhaseField::BCFDViewFactory< Problem, I >::create |
( |
const typename Field::label_type & |
label, |
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const VarLabel * |
subproblems_label, |
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int |
material, |
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const Level * |
level, |
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const std::list< Patch::FaceType > & |
faces, |
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const std::vector< BCInfo< Field > > & |
bcs |
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inlinestatic |
factory static method for intantiating a BCView< T, S >
- Parameters
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| label | label of variable in the DataWarehouse |
| subproblems_label | label of subproblems in the DataWarehouse |
| material | index of material in the DataWarehouse |
| level | level on which data is retrieved |
| faces | list of the faces where to impose boundary conditions |
| bcs | vector with info on the boundary conditions (ordered as in faces) |
- Returns
- FDView< T, S >* newly instantiated view
The documentation for this class was generated from the following file: