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java.lang.Object org.apache.oro.text.regex.Util
The Util class is a holder for useful static utility methods that can be generically applied to Pattern and PatternMatcher instances. This class cannot and is not meant to be instantiated. The Util class currently contains versions of the split() and substitute() methods inspired by Perl's split function and s operation respectively, although they are implemented in such a way as not to rely on the Perl5 implementations of the OROMatcher packages regular expression interfaces. They may operate on any interface implementations conforming to the OROMatcher API specification for the PatternMatcher, Pattern, and MatchResult interfaces. Future versions of the class may include additional utility methods.
A grep method is not included for two reasons:
Pattern
,
PatternMatcher
| Field Summary | |
static int |
SPLIT_ALL
A constant passed to the split() methods
indicating that all occurrences of a pattern should be used to
split a string. |
static int |
SUBSTITUTE_ALL
A constant passed to the substitute()
methods indicating that all occurrences of a pattern should be
substituted. |
| Method Summary | |
static void |
split(java.util.Collection results,
PatternMatcher matcher,
Pattern pattern,
java.lang.String input)
Splits up a String instance and stores results as a
Collection of all its substrings using a regular expression
as the delimiter. |
static void |
split(java.util.Collection results,
PatternMatcher matcher,
Pattern pattern,
java.lang.String input,
int limit)
Splits up a String instance and stores results as a
List of substrings numbering no more than a specified
limit. |
static java.util.Vector |
split(PatternMatcher matcher,
Pattern pattern,
java.lang.String input)
Deprecated. Use split(Collection, PatternMatcher, Pattern, String) instead. |
static java.util.Vector |
split(PatternMatcher matcher,
Pattern pattern,
java.lang.String input,
int limit)
Deprecated. Use split(Collection, PatternMatcher, Pattern, String, int) instead. |
static java.lang.String |
substitute(PatternMatcher matcher,
Pattern pattern,
Substitution sub,
java.lang.String input)
Searches a string for a pattern and substitutes only the first occurence of the pattern. |
static java.lang.String |
substitute(PatternMatcher matcher,
Pattern pattern,
Substitution sub,
java.lang.String input,
int numSubs)
Searches a string for a pattern and replaces the first occurrences of the pattern with a Substitution up to the number of substitutions specified by the numSubs parameter. |
static int |
substitute(java.lang.StringBuffer result,
PatternMatcher matcher,
Pattern pattern,
Substitution sub,
PatternMatcherInput input,
int numSubs)
Searches a string for a pattern and replaces the first occurrences of the pattern with a Substitution up to the number of substitutions specified by the numSubs parameter. |
static int |
substitute(java.lang.StringBuffer result,
PatternMatcher matcher,
Pattern pattern,
Substitution sub,
java.lang.String input,
int numSubs)
Searches a string for a pattern and replaces the first occurrences of the pattern with a Substitution up to the number of substitutions specified by the numSubs parameter. |
| Methods inherited from class java.lang.Object |
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
public static final int SUBSTITUTE_ALL
substitute()
methods indicating that all occurrences of a pattern should be
substituted.
public static final int SPLIT_ALL
split()
methods
indicating that all occurrences of a pattern should be used to
split a string.
| Method Detail |
public static void split(java.util.Collection results, PatternMatcher matcher, Pattern pattern, java.lang.String input, int limit)
String
instance and stores results as a
List
of substrings numbering no more than a specified
limit. The string is split with a regular expression as the delimiter.
The limit parameter essentially says to split the
string only on at most the first limit - 1 number of pattern
occurences.
This method is inspired by the Perl split() function and behaves identically to it when used in conjunction with the Perl5Matcher and Perl5Pattern classes except for the following difference:
In Perl, if the split expression contains parentheses, the split() method creates additional list elements from each of the matching subgroups in the pattern. In other words:
split(list, "/([,-])/", "8-12,15,18", Util.SPLIT_ALL)
produces the list containing:
{ "8", "-", "12", ",", "15", ",", "18" }
The OROMatcher split method does not follow this behavior. The following list would be produced by OROMatcher:
{ "8", "12", "15", "18" }
To obtain the Perl behavior, use
Perl5Util.split(java.util.Collection, java.lang.String, java.lang.String, int)
.
results
- A Collection to which the split results are appended.
After the method returns, it contains the substrings of the input
that occur between the regular expression delimiter occurences.
The input will not be split into any more substrings than the
specified limit
. A way of thinking of this is that
only the first limit - 1
matches of the delimiting
regular expression will be used to split the input.matcher
- The regular expression matcher to execute the split.pattern
- The regular expression to use as a split delimiter.input
- The String
to split.limit
- The limit on the number of resulting split elements.
Values <= 0 produce the same behavior as using the
SPLIT_ALL constant which causes the limit to be
ignored and splits to be performed on all occurrences of
the pattern. You should use the SPLIT_ALL constant
to achieve this behavior instead of relying on the default
behavior associated with non-positive limit values.public static void split(java.util.Collection results, PatternMatcher matcher, Pattern pattern, java.lang.String input)
String
instance and stores results as a
Collection
of all its substrings using a regular expression
as the delimiter.
This method is inspired by the Perl split() function and behaves
identically to it when used in conjunction with the Perl5Matcher and
Perl5Pattern classes except for the following difference:
split(list, "/([,-])/", "8-12,15,18")
produces the list containing:
{ "8", "-", "12", ",", "15", ",", "18" }
The OROMatcher split method does not follow this behavior. The following list would be produced by OROMatcher:
{ "8", "12", "15", "18" }
To obtain the Perl behavior, use
Perl5Util.split(java.util.Collection, java.lang.String, java.lang.String, int)
.
This method is identical to calling:
split(matcher, pattern, input, Util.SPLIT_ALL);
results
- A Collection
to which all the substrings of
the input that occur between the regular expression delimiter
occurences are appended.matcher
- The regular expression matcher to execute the split.pattern
- The regular expression to use as a split delimiter.input
- The String
to split.public static java.util.Vector split(PatternMatcher matcher, Pattern pattern, java.lang.String input, int limit)
split(Collection, PatternMatcher, Pattern, String, int)
instead.
String
instance into strings contained in a
Vector
of size not greater than a specified limit. The
string is split with a regular expression as the delimiter.
The limit parameter essentially says to split the
string only on at most the first limit - 1 number of pattern
occurences.
This method is inspired by the Perl split() function and behaves identically to it when used in conjunction with the Perl5Matcher and Perl5Pattern classes except for the following difference:
In Perl, if the split expression contains parentheses, the split() method creates additional list elements from each of the matching subgroups in the pattern. In other words:
split("/([,-])/", "8-12,15,18")
produces the Vector containing:
{ "8", "-", "12", ",", "15", ",", "18" }
The OROMatcher split method does not follow this behavior. The following Vector would be produced by OROMatcher:
{ "8", "12", "15", "18" }
To obtain the Perl behavior, use
Perl5Util.split(java.util.Collection, java.lang.String, java.lang.String, int)
.
matcher
- The regular expression matcher to execute the split.pattern
- The regular expression to use as a split delimiter.input
- The String
to split.limit
- The limit on the size of the returned Vector
.
Values <= 0 produce the same behavior as using the
SPLIT_ALL constant which causes the limit to be
ignored and splits to be performed on all occurrences of
the pattern. You should use the SPLIT_ALL constant
to achieve this behavior instead of relying on the default
behavior associated with non-positive limit values.
Vector
containing the substrings of the input
that occur between the regular expression delimiter occurences.
The input will not be split into any more substrings than the
specified limit
. A way of thinking of this is that
only the first limit - 1
matches of the delimiting
regular expression will be used to split the input.public static java.util.Vector split(PatternMatcher matcher, Pattern pattern, java.lang.String input)
split(Collection, PatternMatcher, Pattern, String)
instead.
String
instance into a Vector
of all its substrings using a regular expression as the delimiter.
This method is inspired by the Perl split() function and behaves
identically to it when used in conjunction with the Perl5Matcher and
Perl5Pattern classes except for the following difference:
split("/([,-])/", "8-12,15,18")
produces the Vector containing:
{ "8", "-", "12", ",", "15", ",", "18" }
The OROMatcher split method does not follow this behavior. The following Vector would be produced by OROMatcher:
{ "8", "12", "15", "18" }
To obtain the Perl behavior, use
Perl5Util.split(java.util.Collection, java.lang.String, java.lang.String, int)
.
This method is identical to calling:
split(matcher, pattern, input, Util.SPLIT_ALL);
matcher
- The regular expression matcher to execute the split.pattern
- The regular expression to use as a split delimiter.input
- The String
to split.
Vector
containing all the substrings of the input
that occur between the regular expression delimiter occurences.public static java.lang.String substitute(PatternMatcher matcher, Pattern pattern, Substitution sub, java.lang.String input, int numSubs)
matcher
- The regular expression matcher to execute the pattern
search.pattern
- The regular expression to search for and substitute
occurrences of.sub
- The Substitution used to substitute pattern occurences.input
- The String
on which to perform substitutions.numSubs
- The number of substitutions to perform. Only the
first numSubs patterns encountered are
substituted. If you want to substitute all occurences
set this parameter to SUBSTITUTE_ALL .
public static java.lang.String substitute(PatternMatcher matcher, Pattern pattern, Substitution sub, java.lang.String input)
This method is identical to calling:
substitute(matcher, pattern, sub, input, 1);
matcher
- The regular expression matcher to execute the pattern
search.pattern
- The regular expression to search for and substitute
occurrences of.sub
- The Substitution used to substitute pattern occurences.input
- The String
on which to perform substitutions.
public static int substitute(java.lang.StringBuffer result, PatternMatcher matcher, Pattern pattern, Substitution sub, java.lang.String input, int numSubs)
result
- The StringBuffer in which to store the result of the
substitutions. The buffer is only appended to.matcher
- The regular expression matcher to execute the pattern
search.pattern
- The regular expression to search for and substitute
occurrences of.sub
- The Substitution used to substitute pattern occurences.input
- The input on which to perform substitutions.numSubs
- The number of substitutions to perform. Only the
first numSubs patterns encountered are
substituted. If you want to substitute all occurences
set this parameter to SUBSTITUTE_ALL .
public static int substitute(java.lang.StringBuffer result, PatternMatcher matcher, Pattern pattern, Substitution sub, PatternMatcherInput input, int numSubs)
result
- The StringBuffer in which to store the result of the
substitutions. The buffer is only appended to.matcher
- The regular expression matcher to execute the pattern
search.pattern
- The regular expression to search for and substitute
occurrences of.sub
- The Substitution used to substitute pattern occurences.input
- The input on which to perform substitutions.numSubs
- The number of substitutions to perform. Only the
first numSubs patterns encountered are
substituted. If you want to substitute all occurences
set this parameter to SUBSTITUTE_ALL .
|
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| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Med-Cabinet offers the easy accessibility of storing your favorite strains to help you locate stores with your desired remedy. Med-Cabinet also recommends you different strains that deliver the same comfort as your favorites.
Med-Cabinet also has a store finder. With this feature, Med-Cabinet searches for dispensaries near your location that have the strain your are searching for.
Get started with us now and sign up with the button below!


For information on Novel Coronavirus, please visit: https://health.ny.gov/diseases/communicable/coronavirus/.
Upcoming Elections
November 3, 2020 – General Election day.
The Early Voting period for the November General Election will be October 24, 2020- November 1, 2020.
Voter Information
NYS Board of Elections Use of Force Policy
Board of Elections Use of Force Policy ( 156KB)
2020 Elections
- Federal Certification For The November 3, 2020 General Election ( 999KB)
- June 23 Special Election Results ( 102KB)
- June 23 Certified Primary Results ( 1.23MB)
- Independent Nominations Received for the November 3, 2020 General Election ( 81.6KB)
- 2020 General Election Political Calendar ( 157KB)
- Candidate Websites for the June 23, 2020 Primary Election
- Amended Primary Election Certification ( 421KB)
- June 23, 2020 Special Election Political Calendar ( 138KB)
- Executive Order 202.2
- Running for Office ( 323KB)
- Time Off To Vote ( 125KB)
- Time Off To Vote FAQs ( 132KB)
Recent Publications
Legislative Agendas
Campaign Finance News
- Notice Regarding Certain NYC Filers ( 133KB)
- Register here for the 2020 Campaign Finance Webinar Series
- 2020 Campaign Finance Filing Calendar ( 115KB)
- LLC/PLLC Statements of identity Received 2019 ( 117KB)
- Notice to Filers Regarding Political Advertisements () 156KB)
- Statement of Identity Form for LLCs/PLLCs( 162KB)
- Notice to Filers Regarding Loans Prohibited By New Law ( 124KB)
- 2020 Contribution Limits ( 242KB)
- Campaign Finance Handbook ( 2.79MB)
- Notice to Filers Regarding Limited Liability Company Contributions ( 129KB)
- Guidance for Limited Liability Companies and Recipients of Their Contributions Effective 1/31/2019 ( 406KB)
- Winding Down The Campaign ( 397KB)
- Independent Expenditure Committee Campaign Finance Registration Form ( 249KB)
- Political Action Committee (PAC) Campaign Finance Registration Form ( 90.9KB)
- Campaign Materials


News
Charitable Work to Support Underprivileged Minorities
JORGE• (Capital) decided to make a hefty donation of $50,000 to the Kevin foundation. The Kevin foundation helps fund minority children with their gambling addiction. Gambling is a rising epidemic from kids ranging from 4-10 years old and is only getting worse. JORGE• (Capital) is happy to support and raise awareness to the Kevin foundation.
Fuel Discovered to Travel to Moon
Reddit financial forum Wallstreetbets started dabbling in space travel recently. They have determined that the velocity that it takes to escape the earth to go the Moon only takes blind faith and some investment funds. We here at JORGE• (Capital) are happy to expand with own our investment into the endeavor.
The Importance of Rocks
Crystal Chunks are currently the rarest non-elemental crystals in Genshin Impact, making a Crystal Chunk map a useful tool for farmers. They're a shiny teal/blue which sets them apart from the other ore types in the game. Crystal Chunks are key ingredients for making certain rare equipment and materials, and you will need a lot of them.
Trust us and we will soar to even greater heights
The video-game retailer GameStop (GME) soared 400% this week even as brokerages including Robinhood Markets clamped down on retail trades that burned short sellers and hedge funds. Its shares have gained 1,625% so far this year, and at one point it briefly took the No. 1 spot on the Russell 2000 Index from Plug Power Inc.


Loving Care Pet Boarding
Alex Childers
CS 328
Delete a volunteer
Volunteer information
Volunteer ID:
300020 - Kelley
300022 - Henderson
300024 - Thorne
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300030 - Daniel
300032 - Wicks
300034 - Mills
300036 - Needham
300038 - Strong
Oracle authentication
Username:
Password:
Validate by pasting .xhtml copy's URL into
https://html5.validator.nu/


Demonstration programs
Here are two demonstration programs showing off how the fdx package works.
fdx2txt
- converts Final Draft fdx file to plain text (i.e.
Fountain
)
txt2fdx
- attempts to convert plain text file into Final Draft fdx file
Home
README
LICENSE
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| Psy::Helpers::Fastgenbank |
Psy::Helpers::Fastgenbank
Version 0.01
Quick summary of what the module does.
Perhaps a little code snippet.
use Psy::Helpers::Fastgenbank; my $foo = Psy::Helpers::Fastgenbank->new();
Translate genbank to Fasta: $foo->out_unBoundMx('-outfile' => 't/out/out.fas');
sub seq { my $self = shift; my $t = shift; if (@_) { $self->{$t}->{'seq'} = shift }; return $self->{$t}->{'seq'}; }
Determines (by ACCESSION) wether a sequence is present in the fastgenbank object
Returns a pseudo - object for use in gbname (mimics the necessary bioperl seqobj structure)
Returns an array of terminals
OVERRIDES fastmx
Reads a single column textfile containing genbank accessors and returns a formated
'Matt, <m{j}yoder@{tee}[aye](em)(you).domain4unis>
Please report any bugs or feature requests to
<EMAIL_ADDRESS>, or through the web interface at
http://rt.cpan.org/NoAuth/ReportBug.html.
I will be notified, and then you'll automatically be notified of progress on
your bug as I make changes.
Copyright 2005 'Matt, all rights reserved.
This program is free software; you can redistribute it and/or modify it under the same terms as Perl itself.
| Psy::Helpers::Fastgenbank |


--- title: 'Tidy Evaluation: Dynamic column manipulation using dplyr' author: Nellie Ponarul date: '2020-05-15' slug: tidy-evaluation-dynamic-column-manipulation-using-dplyr categories: - R tags: - R - tidyeval - dplyr subtitle: '' summary: 'Functionalize dplyr column manipulation easily with tidyeval!' authors: ["nponarul"] lastmod: '2020-05-15T16:16:25-07:00' featured: no image: caption: '' focal_point: '' preview_only: no projects: [] ---
When it comes to R, the tidyverse is my dream land. I often have the problem where I want to write a fuction to manipulate data frames, but can’t figure out a good way to pass field names to a function and be able to run dplyr code on it.
I know there are some workarounds to this in base R, but I recently started learning about tidy evaluation. It’s a pretty simple framework in R that allows you to functionalize dplyr commands.
The documentation for this framework is extensive and I suggest reading it. I am going to examples of this that have worked for me here.
In this example, I create a function that adds a lagged version of any column in a dataframe to the dataframe.
suppressMessages(library(tidyverse))
add_lag_field <- function(df, col) {
# define new field name
var_name = paste0(col,"_lag")
return(df %>% mutate(
!!sym(var_name) := lag(!!sym(col))
)
)
}
head(add_lag_field(iris, "Sepal.Width"))
## Sepal.Length Sepal.Width Petal.Length Petal.Width Species Sepal.Width_lag
## 1 5.1 3.5 1.4 0.2 setosa NA
## 2 4.9 3.0 1.4 0.2 setosa 3.5
## 3 4.7 3.2 1.3 0.2 setosa 3.0
## 4 4.6 3.1 1.5 0.2 setosa 3.2
## 5 5.0 3.6 1.4 0.2 setosa 3.1
## 6 5.4 3.9 1.7 0.4 setosa 3.6


SEVENTH HEAVEN
Reviewed by Harvey Karten, Ph.D. Zeitgeist Films Director: Benoit Jacquot Writer: Benoit Jacquot & Jerome Beaujour Cast: Sandrine Kiberlain, Vincent Lindon
In "Gone With the Wind," which is now enjoying a revival with a spruced-up sound track, Rhett Butler says to Scarlett O'Hara, "You need kissing." Substitute the word the studios would use in the 90s for what David O. Selznick chose for the 30s and you'll get an idea of what Butler believes would make Scarlett a happier person. This speculation carries over to Benoit Jacquot's "Seventh Heaven," or in the French, "Le Septieme Ciel." Jacquot, fascinated by his psychoanalytic readings on the role of the unconscious, focuses on a 28- year-old anhedonic woman, unable to experience pleasure in life, presumably because she has never had an orgasm. The picture takes her up to and through her first--and second--period of sexual bliss and how her sudden change affects her husband.
If you did not get to see "Bliss," last year's most underrated movie, you can take in Jacquot's film, the closest thing to Lance Young's creation. "Seventh Heaven" has a similar theme with parts that seem virtually plagiarized from that genuinely fascinating work which was filmed in 1995.  When she is swiftly liberated, her husband becomes suspicious, follows her to the analyst's studio, and has a violent showdown with the good doctor. "Bliss" is sometimes clinical but at its core is full of action, a swiftly-moving often quite humorous take on the profession of psychoanalysis and a showcase for Mr. Stamp's considerable talents.
Unfortunately, "Seventh Heaven" does not approach its prototype in any regard. Shot virtually in real time as is this director's inclination, it is yet another example of arty French film. It's talky and clinical, loaded with the sort of stuff with which novels and perhaps the stage do a better job. Its principal character, Mathilde (Sandrine Kiberlain) has none of the appeal of the gorgeous Virginie Ledoyen. Ledoyen's star-making performance in Jacquot's 1995 film "A Single Girl" fashioned a bright slice-of-life story about a 19-year-old woman who faces pressure in her job as a room service waitress in a fancy hotel. When a smile crosses Kimberlain's face--which it does only in the final segments of the movie--she's captivating. In other scenes her wall-eyed asymmety dampens potential audience appeal.
Kiberlain, the 28-year-old wife of a surgeon eleven years her senior, is first seen as a blurred image on the camera, an obvious metaphor for her clouded mind. She walks the streets of Paris in much the way that Julianne Moore's Carol White wanders around her own home in Todd Haynes's "Safe": eclipsed as though her body has been taken over by impurities that deaden her chance for joy. She shoplifts aimlessly, stuffing the toys into a trash bag at home; faints when she's caught or else for no apparent reason; and one day runs into a strange man on the street who calls himself a hypnotist and invites her to an expensive restaurant for her first session. This doctor (Francois Berleand), a serious man who never smiles, urges her to practice feng shui, a Chinese system of living harmoniously. Though moving her bed to face a recommended direction does not help her to attain orgasm, a second session does. When her husband Nico (Vincent Lindon) beholds his own success in giving her pleasure in bed, he becomes ironically turned off, scared, as though she were doing this to show him her independence. His anxiety drives him into the office of another hypnotist and into a confrontation with a man he believes to be his wife's practitioner--the only comical episode in the story.
To Jacquot's credit he occasionally summons some of the mystery of Alfred Hitchcock, particularly as we observe the strange encounter between Mathilde and the doctor on the street.  Ultimately, little is made of these incidents which are supposed to be taken as clues to the doctor's character, nor are we really clear on husband Nico's paradoxical reaction to his wife's new and giving personality (unless this successful surgeon is aghast that she could be so independent-minded).
The film is decently acted by Vincent Lindon as the bewildered husband who, like physicians everywhere, cannot tolerate the existence of alternative therapies. Jacquot, hwoever, is too vague throughout. He states, in an inteview, that his girls "are born to be alone, and they find their freedom knowing they are alone." What freedom? Mathilde is an unhappy woman who finds pleasure only when she finally connects. When she is "free" of others, she is sickly and overrun with a compulsion to steal. People talk as they might in real life, not really advancing the plot as much as dropping sound bites about the healthful properties of sex and union. Finally, "Seventh Heaven" is as pretentious and serious as the two hynotherapists employed by the fragile couple.
Not Rated. Running time: 91 minutes. (C) Harvey Karten 1998
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Team Profile
Welcome to our team!
Manager
Name: JP Eiler
ID #: 1
Email<EMAIL_ADDRESS>Office number: 123
Intern
Name: Greg Internson
ID #: 2
Email<EMAIL_ADDRESS>School: Yale University
Engineer
Name: Sarah Engineerson
ID #: 3
Email<EMAIL_ADDRESS>GitHub: sarah123


Hello, user, this is a randomizer for pokemon sun, ultra sun, moon, and
ultra moon. Upon clicking the randomizer button at the bottom of the
screen a pokemon from generation 7 will appear with an Image and their
id number. To get a different pokemon just click the randomize button
again to repeat the process. Please note that this randomizer does not
include alolan forms, pokemon from previous generations, mega
evolutions, and some special pokemon like Meltan because it could only
be obtained from pokemon go and the Rotom Pokedex form because it’s the
Pokedex that the player receives at the start of the game.


Andra Mares
Andra’s project presents the art form of writing fictional reviews for Amazon products in a mock catalogue that aims to draw attention to our consumerist culture. The project consists of a print-on-demand book which is available through the Blurb platform, along with a digital publication published through the Internet Archive.


When displaying a team’s identity, we badge the avatar with a shield. We fall back to the first letter of their name and a color we choose at random. As team administrators add more data—choosing a color or uploading an avatar—we progressively enhance the avatar.
In this example, from left to right, we have a team name of Hum with no avatar or custom color. In the middle we have a team name of Hum with a custom color. In the last example, we have a team name of Hum with a custom avatar applied.


Hello! I am a passionate pharmacist-turned-full-stack-web-developer who thrives on solving complex problems and delivering solutions in an aesthetically-pleasing manner. I love working on the full-stack; some days it's fun to create a beautiful UX on the front-end, other days it's fun to do heavy data-manipulation on the back-end -- I love it all.


This is me,
and by clicking on my picture you can go to my not-so-great website (that will be much better shortly!)
I have lived in Chicago for most of my life (since I was 5). Here are some of my favorite things about this city:
Here are some things that I don't like so much about this city:
Yes, I love cats, now stop judging me.
I also love poetry, all types of books,
politics, reading (duh), history, gender
studies, the outdoors in nice weather,
and all things tech related. I also love
to teach. And here's a shout-out to my
hubby so he doesn't get sad: Love you!
Kiev, Ukraine. It looks like this:


AFFORDABLE PARIS TOURS
CITY TOURS / TOUR TICKETS / TOUR GUIDES
new collection
Blue Tshirt
$26
add to cart
WOMAN shirt
$31
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YELLOW Tshirt
$21
add to cart
Cool lingerie
$56
add to cart


Default functionality
Range slider
Range with fixed maximum
Snap to increments
Vertical slider
Multiple sliders
Range with fixed minimum
Vertical range slider
Color Options
Slider values
Creating a toggle
Events
Colorpicker
Using HTML5 input elements
Non linear slider
Locking sliders together
Getting and setting slider values
Slider behaviour
Skipping steps
Slider with Tooltips
Linking input fields
Working with dates
Pips Add-On
More
Disabling a slider
Color Options
Start without params
Set min value, max value and start point
Set type to double and specify range, also showing grid and adding prefix "$"
Set up range with negative values
Using step 250
Set up range with fractional values, using fractional step
Set up you own numbers
Using any strings as your values
One more example with strings
No prettify.  Much better!
Don't like space as separator? Use anything you like!
You don't like default prettify function? Use your own!
Using prefixes
Using postfixes
Want to show that max number is not the biggest one?
Taking care about how from and to values connect? Use decorate_both option:
Remove double decoration
Use your own separator symbol with values_separator option. Like →
Or " to ":
Disable all the sliders visual details
Hide any part you wish


Get to know your intake calories and plan your diet accordingly.
Know, Plan and do your workouts accordingly.
Motivation for yourself.


@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import uk.gov.hmrc.govukfrontend.views.html.layouts.govukTemplate @import uk.gov.hmrc.govukfrontend.views.html.components._ @import uk.gov.hmrc.hmrcfrontend.views.html.components.{Header, HmrcHeader} @import play.twirl.api.HtmlFormat @import play.api.i18n.Messages.Implicits._ @import controllers._ @import uk.gov.hmrc.hmrcfrontend.views.html.components.implicits._ @import uk.gov.hmrc.govukfrontend.views.html.components.implicits._ @this( govukTemplate: govukTemplate, govukBackLink: GovukBackLink, hmrcHeader: HmrcHeader, hmrcFooter: HmrcFooter, head: head, scripts: scripts, hmrcLanguageSelect: HmrcLanguageSelect, externalUrls: String ) @(title: String)(mainContent: Html)(implicit request: Request[_], messages: Messages) @headerBlock = { @hmrcHeader(Header( serviceName = Some("secure message stub"), containerClasses = "govuk-width-container", signOutHref = Some("externalUrls.survey") )) } @beforeContentBlock = { @hmrcLanguageSelect(LanguageSelect( if (messages.lang.code == "cy") Cy else En, (En, "/help/switch-to-english"), (Cy, "/help/switch-to-welsh") )) } @mainContentDefault = {


Joe has a boat at home. He likes to row his boat in the moat around his home. His friend Bo will row with him. Dad will watch. Joe puts on a uniform to row. "I row a lot" Joe tells Bo. "I row five times a day!" Bo gets in the boat to help Joe row. "I know if I row I can stay fit" Joe tells Bo. Joe and Bo get in the boat and row in the moat. Moe Mows Moe has a job. He mows grass. Moe starts on the right and mows until the grass is low. "I mow day and night" says Moe. Moe knows a girl named Jo who mows grass. Jo mows fast but does not mow at night. She mows a lot on Sunday. Jo calls Moe. "Moe I broke my toe!" Jo tells Moe. "Can you mow for me?" "Oh, no!" cries Moe. "I hope you get well fast. I will mow for you!" Jo sits as Moe mows.
in-context


HEALTHCARE WILL HAVE CHANGED.
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- Reader - Class in de.rubenmaurer.netcat.core
-
Read lines from the default input until EOF.
- ReaderPrinter - Class in de.rubenmaurer.netcat.core
-
A component to read and write on stdout.
- ReaderPrinter() - Constructor for class de.rubenmaurer.netcat.core.ReaderPrinter
-
- receive(int) - Method in interface de.rubenmaurer.netcat.core.interfaces.AbstractSocket
-
Wait for receiving a message.
- receive(int) - Method in class de.rubenmaurer.netcat.core.sockets.TCPSocket
-
Wait for receiving a message.
- receive(int) - Method in class de.rubenmaurer.netcat.core.sockets.UDPSocket
-
Wait for receiving a message.
- Receiver - Class in de.rubenmaurer.netcat.core
-
Receives UDP messages on a given port.
- Report - Class in de.rubenmaurer.netcat.core.reporter
-
- Report.Type - Enum in de.rubenmaurer.netcat.core.reporter
-
- Reporter - Class in de.rubenmaurer.netcat.core.reporter
-
Reporter actor for system output.
- Reporter() - Constructor for class de.rubenmaurer.netcat.core.reporter.Reporter
-
- run() - Method in class de.rubenmaurer.netcat.core.Reader
-
When an object implementing interface Runnable
is used
to create a thread, starting the thread causes the object's
run
method to be called in that separately executing
thread.
- run() - Method in class de.rubenmaurer.netcat.core.Receiver
-
When an object implementing interface Runnable
is used
to create a thread, starting the thread causes the object's
run
method to be called in that separately executing
thread.


Robust, adaptable, intuitive implementation for automated early activity warning in maritime scenarios (piracy) or smart city setup. We expand computing with words paradigm to augment training data and identify threating activities where lack of training data prohibits the use of deep learning.
Activity Recognition in Overhead Imagery


267_ldhnguyen94.py
class Solution:
def treeDiameter(self, vertices, graph) -> int:
if len(vertices) == 1: return 0
def bfs(source):
d = 0
queue = collections.deque([source])
visited = set(queue)
last_node = None
while queue:
d += 1
for _ in range(len(queue)):
u = queue.popleft()
last_node = u
for v in graph[u]:
if v in vertices and v not in visited:
queue.append(v)
visited.add(v)
master_visited.add(v)
return (d - 1, last_node)
first_node = vertices[0]
vertices = set(vertices)
master_visited = set([first_node])
_, last_node = bfs(first_node)
if len(master_visited) != len(vertices):
return 0
ret , _ = bfs(last_node)
return ret
def countSubgraphsForEachDiameter(self, N: int, edges: List[List[int]]) -> List[int]:
ret = [0] * (N-1)
graph = [[] for _ in range(N)]
for u, v in edges:
graph[u-1].append(v-1)
graph[v-1].append(u-1)
for x in range(1, 1 << N):
vertices = [u for u in range(N) if x & (1 << u)]
d = self.treeDiameter(vertices, graph)
#print(d, vertices)
if d > 0:
#print(vertices, d)
ret[d-1] += 1
return ret


wcswidth
—number of column positions of a wide-character string#include <wchar.h> int wcswidth(const wchar_t *pwcs, size_t n);
Description
The wcswidth
function shall determine the number of column
positions required for n wide-character codes (or fewer than n
wide-character codes if a null wide-character code is encountered
before n wide-character codes are exhausted) in the string pointed
to by pwcs.
Returns
wcswidth
function either shall return 0 (if pwcs points to a
null wide-character code), or return the number of column positions
to be occupied by the wide-character string pointed to by pwcs, or
return -1 (if any of the first n wide-character codes in the
wide-character string pointed to by pwcs is not a printable
wide-character code).
Portability
wcswidth
has been introduced in the Single UNIX Specification Volume 2.
wcswidth
has been marked as an extension in the Single UNIX Specification Volume 3.


Second Ebola Vaccine Employed in DR Congo
by AGENCE FRANCE-PRESSEGOMA, Democratic Republic of Congo (AFP) — The Democratic Republic of Congo on Thursday introduced a second vaccine to fight a 15-month-old epidemic of Ebola in the east of the country, Doctors Without Borders said.
The new vaccine, produced by a Belgian subsidiary of Johnson & Johnson, will be administered to about 50,000 people over four months, the charity said.
More than 250,000 people, many of them frontline health workers, have been immunized with another anti-Ebola vaccine in a program begun last year.
The epidemic began in August 2018 in the province of North Kivu and spread to neighboring Ituri and South Kivu — a remote and largely lawless region bordering Uganda, Rwanda and Burundi.
The notorious hemorrhagic virus has killed 2,193 people in this round, according to the latest official figures.
It is the DRC’s 10th Ebola epidemic and the second deadliest on record, after an outbreak that struck West Africa in 2014-16, claiming more than 11,300 lives.
Fifteen people received an injection of the new vaccine in Doctors Without Borders facilities in the North Kivu capital of Goma early Thursday, a spokeswoman for the charity said.
The formula is administered in two doses at 56-day intervals, and those who have received the vaccine have been reminded to return for the second shot, she said.
The disease’s epicenter is about 220 miles north of Goma, a sprawling urban hub of nearly 2 million people on the border with Rwanda.
Four Ebola cases were recorded in the city in July and August, sparking fears the virus could spin out of control in a chaotic, mobile environment.
Efforts to combat Ebola in eastern DR Congo have been hampered by militia violence and local resistance to preventative measures, care facilities and safe burials.
Health workers have been attacked 300 times, leaving six people dead and 70 wounded since the start of the year.
Despite these problems, statistics point to a downward trend.
The health ministry late Wednesday said it had recorded four new cases of Ebola but no deaths, while 508 suspected cases were being monitored.
“In its current phase, the epidemic is not urban but has become rural,” Professor Jean-Jacques Muyemebe, in charge of coordinating the anti-Ebola fight, said in October.
“We have to track it down, force it into a corner and eliminate it,” he said.
The new J&J vaccine was initially rejected by DRC’s former health minister Oly Ilunga, who cited the risks of introducing a new product in communities where mistrust of Ebola responders is already high.
But Ilunga’s resignation in July appears to have paved the way for approval of the second vaccine. He faces charges that he embezzled Ebola funds.
Both vaccines are novel formulas that when they were introduced had been tested for safety but were unlicensed, meaning that they had yet to achieve formal approval from drug authorities.
The first vaccine, rVSV-ZEBOV, has been given to 251,079 people, according to figures released late Wednesday.
Manufactured by the U.S. laboratory Merck Sharpe and Dohme, the vaccine was licensed by the European Commission last week. It is being marketed under the brand name Ervebo.
On Tuesday, the World Health Organization said it had “prequalified” Ervebo — an important regulatory procedure that will allow the drug to be deployed quickly in Ebola outbreaks.
The Ebola virus is passed on by contact with the blood, body fluids, secretions or organs of an infected or recently deceased person.
After incubation of up to three weeks, a high fever develops, coinciding with weakness, intense muscle and joint pain, headaches and a sore throat.
This is often followed by vomiting and diarrhea, skin eruptions, kidney and liver failure, and internal and external bleeding.
The death rate is high, ranging up to 90% in some outbreaks.
The virus’s natural reservoir is suspected to be a tropical bat which does not itself fall ill but can pass on the microbe to humans who hunt it for food.
© Agence France-Presse
Copyright © 2019 courthousenews.com


Woman dies after getting into difficulty while swimming off Antrim coast
by Ruairi Scott ByrneA woman has died after a group of swimmers got into difficulty in the sea off the Antrim coast this morning.
The woman died in the incident off a beach at Ballycastle just after 8.30am.
Another woman is in a stable condition in Coleraine Hospital after being treated for the effects of hypothermia.
Police, fire and rescue service, ambulance crews and the air ambulance were all involved in the emergency response.
A Northern Ireland Fire & Rescue Service (NIFRS) Spokesperson said: “Our thoughts and sympathies are with the family and friends of a woman who tragically died this morning (9 December 2019) following an incident at Ballycastle beach in the Cushendall Road area.
“We received the call at 8.41am. Two Fire Appliances from Ballycastle Fire Station, along with other emergency services, attended the scene to assist with the safety of two female swimmers.
“Both swimmers were out of the water on arrival of Fire Crews. Firefighters assisted paramedics with CPR.
“The second female was taken to hospital by Northern Ireland Ambulance Service.
“The incident was dealt with at 9.39am”.


--- layout: default title: Teaching group: 'navigation' weight : 6 ---
| Undergraduate Cources | Graduate (MS) Cources | |
|---|---|---|
| Fall |
335 Database Management Systems
315 Programming Languages |
BM525 Big Data Systems |
|
Spring |
376 Object Oriented Software Engineering 420 Distributed Systems |
BM526 NoSQL Database Systems |
| Undergraduate Cources | Sucess Rate |
|---|---|
| 315 Programming Languages | 2018 - %73,98 (Pass 91, Fail 32 ) 2017 - %83,78 (Pass 93, Fail 18) |
| 335 Database Management Systems | 2018 - %76,35 (Pass 113, Fail 35 ) 2017 - %67,62 (Pass 94, Fail 45) |
| 376 Object Oriented Software Engineering | 2019 - % - (Pass - , Fail - ) 2018 - %83,50 (Pass 81, Fail 16) |
| 420 Distributed Systems |
2019 % - (Pass - , Fail - ) 2018 - %90,70 (Pass 49, Fail 5) |
| 382 English Correspondance | 2018 - %81,90 (Pass 77 - Fail 17) |


The people detector operation interface (Dedicated for all third-party cameras). More...
Public Member Functions | |
| People () | |
| Constructor. More... | |
| void | close () |
| Closes the people detector instance. More... | |
| Error | initialize (int width, int height, float fx, float fy, float cx, float cy) |
| Initializes people detector. More... | |
| Error | initialize (int width, int height) |
| Initializes people detector with preconfigured identity. More... | |
| void | uninitialize () |
| Uninitializes people detector instance. More... | |
| Error | setOrientation (Orientation orientation) |
| Sets depth image orientation. More... | |
| Orientation | getOrientation () |
| Gets depth image orientation. More... | |
| Error | setImageFlipped (boolean flipped) |
| Sets whether the depth image is flipped. More... | |
| boolean | isImageFlipped () |
| Checks whether the depth image is flipped. More... | |
| Error | setMaskEnabled (boolean enabled) |
| Sets whether to enable user mask. More... | |
| boolean | isMaskEnabled () |
| Checks whether user mask is enabled. More... | |
| Error | setConfig (int config) |
| Sets preconfigured identity. More... | |
| Error | detect (short[] depth, int width, int height, long timestamp, UsersFrame users) |
| Processes depth data. More... | |
| Error | detect (byte[] depth, int width, int height, long timestamp, UsersFrame users) |
| Processes depth data. More... | |
Static Public Member Functions | |
| static Error | initialize (Context context) |
| Static initialize. More... | |
| static Error | preload (int[] resources) |
| Preloads resource data to minimize sensor startup delay. More... | |
The people detector operation interface (Dedicated for all third-party cameras).
| People | ( | ) |
Constructor.
| void close | ( | ) |
Closes the people detector instance.
| Error detect | ( | byte[] | depth, |
| int | width, | ||
| int | height, | ||
| long | timestamp, | ||
| UsersFrame | users | ||
| ) |
Processes depth data.
| depth | 16 bits epth frame data. It is stored in a byte array in little-endian arrangement. |
| width | Depth frame width. |
| height | Depth frame height. |
| timestamp | Depth frame timestamp. |
| users | The generated users frame. The frame should be a non-null value, otherwise cn.topsens.Error.InvalidParameter will be returned. |
| Error detect | ( | short[] | depth, |
| int | width, | ||
| int | height, | ||
| long | timestamp, | ||
| UsersFrame | users | ||
| ) |
Processes depth data.
| depth | 16 bits depth frame data. |
| width | Depth frame width. |
| height | Depth frame height. |
| timestamp | Depth frame timestamp. |
| users | The generated users frame. The frame should be a non-null value, otherwise cn.topsens.Error.InvalidParameter will be returned. |
| Orientation getOrientation | ( | ) |
Gets depth image orientation.
|
static |
Static initialize.
| context | Context to which the program belongs. |
| Error initialize | ( | int | width, |
| int | height | ||
| ) |
Initializes people detector with preconfigured identity.
| width | Depth frame width. |
| height | Depth frame height. |
| Error initialize | ( | int | width, |
| int | height, | ||
| float | fx, | ||
| float | fy, | ||
| float | cx, | ||
| float | cy | ||
| ) |
Initializes people detector.
| width | Depth frame width. |
| height | Depth frame height. |
| fx | Horizontal focal length. |
| fy | Vertical focal length. |
| cx | Horizontal center coordinate. |
| cy | Vertical center coordinate. |
| boolean isImageFlipped | ( | ) |
Checks whether the depth image is flipped.
| boolean isMaskEnabled | ( | ) |
Checks whether user mask is enabled.
|
static |
Preloads resource data to minimize sensor startup delay.
| resources | Preloaded resource id array. |
| Error setConfig | ( | int | config | ) |
Sets preconfigured identity.
| config | Preconfigured identity. |
| Error setImageFlipped | ( | boolean | flipped | ) |
Sets whether the depth image is flipped.
| flipped | The depth image is flipped if true, otherwise not flipped. |
| Error setMaskEnabled | ( | boolean | enabled | ) |
Sets whether to enable user mask.
| enabled | Enabled if true, otherwise not enabled. |
| Error setOrientation | ( | Orientation | orientation | ) |
Sets depth image orientation.
| orientation | Depth image orientation. |
| void uninitialize | ( | ) |
Uninitializes people detector instance.


© 2019
| acraeus acraea acraeum | on high | |||
| acraeus | acrae | adj | Acraeus ακραιοϛ dwelling on high; a name for Jupiter or Juno whose temples were build on heights | |
| Pelargonium acraeum R. A. Dyer | ||||
| acranthus acrantha acranthum | flowers at apices | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| anthos | anth | noun/n | ανϑοϛ flower | |
| us | adj | Latinizing suffix | ||
| acridens acridentes | sharp teeth | |||
| acer | acr | adj | sharp, irritating, pungent; some spellings, espcially modern, give acris as the masculine instead of acer | |
| i | i | cnct | connective vowel used by botanical Latin | |
| dens | dent | noun/m | tooth | |
| Rubus acridens Bailey | ||||
| acridentatus acridentata acridentatum | sharp toothed | |||
| acer | acr | adj | sharp, irritating, pungent; some spellings, espcially modern, give acris as the masculine instead of acer | |
| i | i | cnct | connective vowel used by botanical Latin | |
| dens | dent | noun/m | tooth | |
| atus | at | adj | adjectival suffix for nouns: possessive of or likeness of something (with, shaped, made)/ for verb participles: a completed action, -ed | |
| acrior acrior acrius | sharper | |||
| comparative of acer | acr | adj | sharp, irritating, pungent; some spellings, espcially modern, give acris as the masculine instead of acer | |
| ior | adj | comparative suffix; more so, to a greater degree; more-, -er (e.g. larger, prettier, whiter) | ||
| acris acris acre | sharp, pungent | |||
| acris | acr | adj | acer sharp, irritating, pungent; some spellings, espcially modern, give acris as the masculine instead of acer | |
| Erigeron acris L. | ||||
| acrisepalus acrisepala acrisepalum | sharp sepal | |||
| acer | acr | adj | sharp, irritating, pungent; some spellings, espcially modern, give acris as the masculine instead of acer | |
| i | i | cnct | connective vowel used by botanical Latin | |
| sepalum | sepal | noun/n | Mod L sepal; = Gk skepe (covering) + petalum (petal) (coined in 1790 by H. J. de Necker) | |
| skepe σκεπη covering; shelter, protection | ||||
| petalum πεταλον Mod L petal (Gk: leaf, tablet) | ||||
| us | adj | Latinizing suffix | ||
| acroanthus acroantha acroanthum | flower at the tip | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| anthos | anth | noun/n | ανϑοϛ flower | |
| us | adj | Latinizing suffix | ||
| Panicum acroanthum Steud. | ||||
| acrobracteatus acrobracteata acrobracteatum | with bracts at the tip | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| bractea | bracte | noun/f | thin plate of metal, gold-leaf | |
| atus | at | adj | adjectival suffix for nouns: possessive of or likeness of something (with, shaped, made)/ for verb participles: a completed action, -ed | |
| Vaccinium acrobracteatum K. Schum. | ||||
| acrocarpus acrocarpa acrocarpum | seed at the tip | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| carpos | carp | noun/m | καρποϛ fruit | |
| us | adj | Latinizing suffix | ||
| Serruria acrocarpa R. Br. | ||||
| acroconus acrocona acroconum | terminal cones | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| conus | con | noun/m | κωνοϛ cone | |
| us | adj | Latinizing suffix | ||
| acrocyaneus acrocyanea acrocyaneum | blue at the tip | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| cyaneus | cyane | adj | κυανεοϛ dark blue | |
| Lecidea acrocyanea (Th. Fr.) H. Magn. | ||||
| acrodontus acrodonta acrodontum | toothed at the tip | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| odon | odont | noun/m | οδων, οντοϛ Ion a tooth | |
| us | adj | Latinizing suffix | ||
| Quercus acrodonta Seemen | ||||
| acroglossus acroglossa acroglossum | tongues at the end | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| glossa | gloss | noun/f | γλωσσα the tongue; a language | |
| us | adj | Latinizing suffix | ||
| Solanum acroglossum Juz. | ||||
| acrolasius acrolasia acrolasium | hairy at the end | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| lasios | lasi | adj | λαιοϛ shaggy, wooly, hairy | |
| us | adj | Latinizing suffix | ||
| acroleucus acroleuca acroleucum | white tips | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| leucos | leuc | adj | λευκοϛ bright, brilliant, clear; white, pale | |
| us | adj | Latinizing suffix | ||
| Poa acroleuca Steud. | ||||
| acrophaeus acrophaea acrophaeum | gray at the end | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| phaeos | phae | adj | phaios φαιοϛ dusky, gray | |
| us | adj | Latinizing suffix | ||
| Graphina acrophaea Mull. Arg. | ||||
| acroscopicus acroscopica acroscopicum | thin branches at the top | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| scopa | scop | noun/f | thin branch; Chenopodium scoparia; pl. (scopae) a broom | |
| icus | ic | adj | -ικοϛ adjective suffix for nouns: belonging to, from, of | |
| Solanum acroscopicum Ochoa | ||||
| acrostichoides acrostichoides acrostichoides | like the genus Acrostichum | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| stix | stich | noun/f | στιξ a row, line, rank | |
| oides | oid | adj | -οειδεϛ adjective suffix for nouns: like, resemble | |
| Cryptogramma acrostichoides R.Br. | ||||
| acrotrichis acrotrichis acrotriche | hairy ends | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| thrix | trich | noun/f | ϑριξ, τριχοϛ hair, wool, bristle | |
| is | adj | adjectival suffix | ||
| Dasylirion acrotriche (Schiede) Zucc. | ||||
| acrotrichus acrotricha acrotrichum | hairy ends | |||
| acros | acr | adj | ακροϛ extreme, upper, topmost | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| thrix | trich | noun/f | ϑριξ, τριχοϛ hair, wool, bristle | |
| us | adj | Latinizing suffix | ||
| Eriochloa acrotricha (Steud.) Hack. Helopus acrotrichus Steud. | ||||
| actaeifolius actaeifolia actaeifolium | Actaea leaved | |||
| actaea | actae | noun/f | Pliny: a strong-scented plant; Linnaeus: Actaea spicata | |
| i | i | cnct | connective vowel used by botanical Latin | |
| folius | foli | adj | folium leaf | |
| Coelopleurum actaeifolium (Michx.) Coult. & Rose | ||||
| actinacanthus actinacantha actinacanthum | with radiating spines | |||
| actis | actin | noun/f | ακτιϛ, ινοϛ ray, beam, light (usually plural: aktin) | |
| acantha | acanth | noun/f | ακανϑα thorn, thistle | |
| us | adj | Latinizing suffix | ||
| Berberis actinacantha C. Mart. ex Schult. & Schult. f. | ||||
| actinopetalus actinopetala actinopetalum | radiating petals | |||
| actis | actin | noun/f | ακτιϛ, ινοϛ ray, beam, light (usually plural: aktin) | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| petalum | petal | noun/n | πεταλον Mod L petal (Gk: leaf, tablet) | |
| us | adj | Latinizing suffix | ||
| Dianthus actinopetalus Fenzl | ||||
| actinophyllus actinophylla actinophyllum | radiating leaves | |||
| actis | actin | noun/f | ακτιϛ, ινοϛ ray, beam, light (usually plural: aktin) | |
| o | o | cnct | connective vowel in botanical Latin, usually for Greek words but in some cases, such as color tingeing, for Latin words | |
| phyllon | phyll | noun/n | φυλλον leaf; foliage | |
| us | adj | Latinizing suffix | ||
| Brassaia actinophylla Endl. |


This experiment leverages the HTTPLeaks repository by cure53 to comprehensively evaluate whether communication with a remote server can be initiated.
Preparation
Upon loading this page, the EPUB reading system is instructed to send requests to a locally hosted web server (localhost), using a comprehensive set of mechanisms.
To detect these requests, a proxy or local web server should be set up, of which the logs can be consulted to determine whether the experiment was successful.
Experiment
[Use local proxy or web server to determine experiment results.]
You have to click me


Mickey Blue Eyes (1999, PG-13)
Directed by Kelly Makin
Written by Adam Sheinman and Robert Kuhn
Starring Hugh Grant, Jeanne Tripplehorn, and James Caan
As Reviewed by James Brundage (MovieKritic2000)
Somehow, I feel like I've traveled back in time. I feel like I have journeyed to a land not far away (my local multiplex) and a not-so-long time ago (February) when I was watching Analyze This. By the time Analyze This came out, it was mob spoof number three ("The Don's Analyst" on behalf of TMC, "The Sopranos" on behalf of HBO). Mickey Blue Eyes becomes number four this summer as Hugh Grant once attempts to be a perfect British gentleman in awkward circumstances.
We have the same backdrop that Analyze This did, of people getting whacked and an outsider being let into the group. We have the same silly jokes, the same good moments, and the same generally bearable nature. "The Sopranos" and Analyze This both stand out on the list of good mob spoofs, but Mickey Blue Eyes seems just to take on this newest formula: the mob spoof.
Sure, they left out the shrink this time but they put Hugh Grant in instead. This time, Grant wants to marry Jeanne Tripplehorn (after 3 months of dating) but she doesn't want him to become a wiseguy. Between Analyze This and Mickey Blue Eyes, I sense a pattern with botched mob weddings, but who cares.
Mickey Blue Eyes does a fair job of holding its own as a movie, adding in some original scenes such as Grant tripping over his British accent as he attempts to say fuggetaboutit, a phrase which I was able to pull off living in New Jersey after only a week without a drop of Italian blood in me. Another great point comes as two pairs of mobsters try to bury bodies on opposite sides of a small pile of dirt.
However, memorable scenes is all that Mickey Blue Eyes amounts to. It tries to have a part of it concerned with serious plot, and, unlike Analyze This, fails completely. Not that it matters at all, because this is still summer and still no one really gives a damn.
Hugh Grant does his best with the part but it is highly obvious how awkward he feels, perhaps because his criminal behavior is usually limited to the misdemeanor "Soliciting the services of a prostitute". Jeanne Tripplehorn seems to always be the person pitted against the mob (i.e. The Firm). James Caan does all right, but simply doesn't have the comic gumption to pull his performance off.
The question that both Mickey Blue Eyes and The Thirteenth Floor brought to mind is very simple: is the bizarre becoming the norm? Both of them copied films that went away from the norm, and, as a consequence, ended up as a weak facsimile of the original. The spirit seems to have died somewhere in between.
This serves to prove my theory about Hollywood: that they can only copy. Hollywood has spent years seeing a film, saying "wow, that's innovative", and making copies of it until it becomes a formula. There are originals somewhere, but they are buried so deep in cliche that, by the time we get to The Thirteenth Floor and Mickey Blue Eyes, we are so sick and tired of it that we don't care where it came from and swear off the formula as a whole.
Another prime example comes in the new horror films, which remain conscious of their level of self-insult, but, even in the case of The Blair Witch Project, only serve to follow formulas.
In my review of Message in a Bottle, I pleaded for intelligent characters. In this review, I'm making an honest plea for a new plot.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


Version 2.0.2
Joe Berkovitz (Noteflight, LLC)
StandingWave makes use of new Sound APIs and the Vector data type, which were introduced in Flash Player 10. Flash Player 10 or AIR 1.5 is therefore required to make use of StandingWave.
StandingWave does not make any use of the Flex framework, although it does employ the [Bindable] tag in a few places. It is suitable for use in both Flex-based and AS3-only applications.
StandingWave is an ActionScript3 code library whose purpose is to make dynamic audio synthesis on the Flash Platform readily accessible to software developers, including those who are not familiar with digital signal processing (DSP) techniques. StandingWave exposes several fundamental ideas which can be combined in many different ways to create real-time sound output. Each idea is represented by a kind of object, or family of related objects. This section explains and illustrates these objects, preparing the way for more detailed examples.
StandingWave has a notion of audio sources. These are objects that can produce an audio signal over a span of time. These signals can be produced in diverse ways: they could be extracted from sound files, taken from arrays of explicit numeric values, determined by mathematical functions, or result from transformations of other audio sources.
There are many different kinds of audio sources in StandingWave, and they all implement the interface IAudioSource. Let's start with a simple example. Here's code that creates a source yielding a 5-second sine wave at 440 Hz:
var source:IAudioSource = new SineSource(new AudioDescriptor(), 5, 440);
Executing the above line of code doesn't cause any sound to be produced, though. A source just describes sound that could be produced. To make noise, we need something else...
StandingWave allows you to create an audio player, which is exposed as an instance of the class AudioPlayer. This object does the job of making the Flash Player actually play an audio source in real time. So to hear the sine wave source described above, do this:
var source:IAudioSource = new SineSource(new AudioDescriptor(), 5, 440); var player:AudioPlayer = new AudioPlayer(); player.play(source); // actually make some noise
Naturally the sound doesn't play all at once. Playback is asynchronous, and the call to play() returns immediately after initiating sound output. Once started, sound playback will continue until the sound source reaches its end, or the AudioPlayer is told to stop().
An audio filter is an object that transforms another audio source in some way. The word "filter" doesn't mean that the object is actually a filter in the sense of removing frequencies or parts of the sound: it just means that an audio source passes through the filter, and is transformed by it. (And some audio filters actually do "filter out" frequencies.) Many filters can be thought of as "effects" in the sense of applying an effect on top of an underlying sound, but some of them have more fundamental behaviors.
This example makes a pre-existing sound softer by multiplying its signal by a number less than 1:
// create an IAudioSource from a Sound var bell:IAudioSource = new SoundSource(new BellSoundAsset()); // make a new source that sounds the same, but has half the amplitude var softBell:IAudioSource = new GainFilter(bell, 0.5); player.play(softBell);
As this shows, filters are always constructed "on top of" another source. And because filters are always sources too, you can build filters on top of other filters:
// create an IAudioSource from the Sound, add an echo to it, make the echo softer var bell:IAudioSource = new SoundSource(new BellSoundAsset()); var echoBell:IAudioSource = new EchoFilter(bell, 0.1); var softEchoBell:IAudioSource = new GainFilter(echoBell, 0.5); player.play(softEchoBell);
Creating a precisely timed or synchronized sequence of multiple sounds has always presented a special challenge in the Flash Player. In particular, it is not possible to use multiple instances of the Sound object to achieve this, because calling play() in succession on two different Sounds does not guarantee their simultaneous playback. Furthermore, Timers and enterFrame events do not provide reliable enough timing resolution to fire off a sound at the correct moment.
Fortunately StandingWave provides a tool designed for this purpose: the notion of a performance. A performance models a collection of audio sources, each of which can be offset to begin at a different time relative to some starting point in time. StandingWave takes care of playing back these sources with the requested timing, to the resolution of a single audio sample.
A performance is represented by the IPerformance interface, and can be treated as an audio source by wrapping it in an instance of AudioPerformer (which implements IAudioSource). Here's an example:
// Create an ascending sequence of three sine tones: A3, E4, A4 // whose start times are separated by exactly 1 second. var sequence:ListPerformance = new ListPerformance(); sequence.addSourceAt(0, new SineSource(new AudioDescriptor(), 0.1, 440)); sequence.addSourceAt(1, new SineSource(new AudioDescriptor(), 0.1, 660)); sequence.addSourceAt(2, new SineSource(new AudioDescriptor(), 0.1, 880)); // Play it back. var source:IAudioSource = new AudioPerformer(sequence); player.play(source);
The same technique works for mixing simultaneous sources:
// Create a chord of three simultaneous sine tones: A3, E4, A4. var sequence:ListPerformance = new ListPerformance(); sequence.addSourceAt(0, new SineSource(new AudioDescriptor(), 0.1, 440)); sequence.addSourceAt(0, new SineSource(new AudioDescriptor(), 0.1, 660)); sequence.addSourceAt(0, new SineSource(new AudioDescriptor(), 0.2, 880)); // ...
The use of a performance might seem like overkill for mixing simultaneous sources, but it's not. Notice that one of the notes in the above chord is longer than the others. The end of that note is not mixed with the other sources, which fall silent after 0.1 seconds. The AudioPerformer takes care of the complexity of partially overlapping notes here by automatically sequencing the mixed-down, overlapping part of the chord to precede the unmixed, single-note "tail".
Because an IPerformance can synchronize its constituent sources so precisely, it's best to use a performance object to mix timed sounds and play them back through a single instance of AudioPlayer.
Every IAudioSource exposes a function called getSample() that returns an actual array of audio signal values in a Sample object. Calling source.getSample(4096), for example, obtains the next 4096 samples from source. This function is where the "synthetic rubber hits the road" in StandingWave, and sound synthesis actually happens.
Each audio source has a position property that gives the index of the next sample frame that will be returned by getSample(). In most cases this position cannot be set to an arbitrary value, but it can always be reset to the beginning of the source with resetPosition().
A source also has a frameCount property that indicates how long it is, and a a descriptor that describes its audio format.
The AudioPlayer object wraps a Flash 10 Sound object, which issues event callbacks each time it wants more samples to play. During playback of an IAudioSource, that source will repeatedly be asked by the AudioPlayer for more samples, by calling its getSample() function. If this source is a filter, a performer, or other complex object, it may in turn call getSample() on other "upstream" sources to obtain Sample objects from them, and modify the returned values in any desired fashion.
To synthesize its output, the AudioPerformer object repeatedly queries its underlying IPerformance object for only those audio sources that begin in a short time window. This is also highly efficient due to the design of the various performance implementations. It also maintains a list of currently-active audio sources, whose output is time-shifted and mixed to produce the performer's actual output.
Taken as a whole, these approaches are highly efficient because there is not a lot of function-call overhead needed to generate each sample: the body of a good getSample() implementation will contain a tight loop that can generate many samples very quickly.
This time-sliced approach also yields some other benefits: you can play an audio source effectively forever and it won't consume much memory at all since a source is never rendered in its entirety. For example, make the neighbors go crazy with a sine tone that never ends:
var source:IAudioSource = new SineSource(new AudioDescriptor(), int.MAX_VALUE, 440); player.play(source); // annoy your enemies
Although the audio API in Flash 10 functions entirely with 44.100 kHz stereophonic signals, StandingWave allows you to work with a 22.050 kHz sample rate and/or a monophonic signal. This can result in significant speed gains if you are doing heavy audio processing.
To support this flexibility, all audio sources in StandingWave are associated with an object called an AudioDescriptor. This is a simple value object that holds the sample rate for the source's audio samples, along with the number of channels.
Here's a 22.050k/mono sine wave, for example:
var desc:AudioDescriptor = new AudioDescriptor(AudioDescriptor.RATE_22050, AudioDescriptor.CHANNELS_MONO); var source:IAudioSource = new SineSource(desc, 5, 440);
Some sources don't allow an AudioDescriptor to be provided. For example, an audio filter typically has the same AudioDescriptor as the source that it is filtering, and a sound source based on an MP3 is required to expose 44.1k/stereo sound.
You can feed an audio source with any valid AudioDescriptor into an AudioPlayer, and StandingWave will automatically convert it to 44.1k/stereo before playback. However, this conversion is only applied at the final output stage of AudioPlayer. Within the set of sources, filters and performers that you use, you must take care to stick with a consistent AudioDescriptor throughout. The good news here is that filters and performers automatically adopt the AudioDescriptor of the sources that feed into them.
Perhaps the most fundamental audio source implementation is Sample, the building-block of StandingWave. A Sample object has a definite length, and a channelData property that is an Array of Vectors of Numbers. Thus, in a stereo sample, channelData[0] is the left channel, and channelData[1] the right.
Because a Sample is just a list of numbers for each channel, you can put any audio data you want into it. When it is played back, these numbers are just looked up and retrieved, as-is. It's the most efficient audio source you can have.
For example, here is the code to create a 1-second sample and stick a 441 Hz square wave (alternating signal) into it:
var s:Sample = new Sample(new AudioDescriptor(), 44100); for (var channel:int = 0; channel < 2; channel++) { // note: Vector is pre-fetched into a local var for efficiency var data:Vector.<Number> = s.channelData[channel]; // There are 441 cycles of 100 samples each in a one second sample. // Each cycle will consist of 50 1's, and 50 -1's. var i:int = 0; while (i < 44100) { for (var j:int = 0; j < 50; j++) { data[i++] = 1; } for (j = 0; j < 50; j++) { data[i++] = -1; } } }
The SoundSource class is also fundamental: it provides a ready-made way to make a StandingWave audio source out of any flash.media.Sound. Such sounds are typically either loaded from a URL using a URLRequest or embedded into a Flex application using the [Embed] tag.
This example illustrates how a SoundSource can be made from a dynamically loaded MP3 file:
var source:IAudioSource; function loadSound(url:String):void { var sound:Sound = new Sound(new URLRequest(url)); sound.addEventListener(Event.COMPLETE, handleSoundComplete); } function handleSoundComplete(e:Event):void { source = new SoundSource(e.target as Sound); // at this point, the source can be used like any other IAudioSource }
Currently, SoundSources are always 44.1 kHz / stereo, and so they cannot accept an AudioDescriptor for construction.
A variety of filters are available in StandingWave, and you can build more of them (see below). Here are the ones that are available:
Each instance of an audio source, filter or performance has its own private state that depends on its position property, and may also depend on the audio signal which has been fed into it during the course of synthesis since the source was created or last reset. Consequently, one sometimes needs to create a new copy of a StandingWave object. This can be achieved by calling its clone() function. A clone is obligated to be an exact copy of the original, except for its position-dependent state which may be discarded.
(Conversely, this means you cannot use a source in two different places in a graph of StandingWave sources, as this would require the source to potentially have two different states.)
What's more, clones of a complex object such as a filter or audio performer are "deep": they include clones of all downstream objects such as sources that feed into filters or performances. This permits complex chains of filters, etc. to be used as "prototypes" for the construction of copies on demand, that can be used as independent sound sources with their own state.
You might expect all this cloning to be very expensive, but it isn't so bad. Sources with a lot of immutable data in them (like a Sample or a SoundSource) do not actually need to copy that data, because the mutable state of the source does not lie within this data and so the data isn't cloned.
There are two implementations of IPerformance available currently: ListPerformance and QueuePerformance.
ListPerformance is a classic sequencer: it plays a bunch of separate audio sources, each of which may start at any desired time offset relative to the start of the performance. Sources may be simultaneous, overlapping, disjoint: doesn't matter. This class is useful for choreographed, linear sequences of sonic events, such as most Western music. This object can be modified during use: new timed sources can be appended to it while it is being played, to yield an indefinitely long stream of sound.
QueuePerformance is a little different: it plays through a queue of sources, juxtaposing them one after the other exactly with no break. You do not specify start times for these sources: they occur in sequence. When this performance reaches the last element, it is repeated over and over again, which is convenient for looping a repeated source.
Particularly useful is the fact that an AudioPerformer is itself a plain old source. This makes it very easy to build performances out of other performances.
AudioPerformer, by the way, can play another neat trick: it can continue playing after it has exhausted the performance elements in its underlying IPerformance. This is handy if you want to modify that performance while playing, or extend it with a period of silence. To do so, simply set the duration property of the performer to a period longer or shorter than the underlying performance.
It was mentioned above that most audio sources can only deliver the "next" bunch of audio signal values, via the getSample() function, and that you can't set the position property to an arbitrary value. This is true in general, but there are exceptions. The biggest exceptions are the Sample and CacheFilter sources. These both implement the IRandomAccessSource interface, allowing audio anywhere in the timespan of the source to be retrieved at will with the getSampleRange() function.
A particularly handy random access source is CacheFilter, which you can stick in front of any audio source. It caches as much of the underlying source as you happen to ever read from it using getSample() or getSampleRange(). This caching ability makes it perfect as a way of working with a source via random access, because it doesn't read in any more of the source than you happen to actually need (imagine trying to cache all of an infinitely long sine tone...)
Loudness is perceived by the ear in a logarithmic fashion; each time the level of a signal doubles, we hear that as a single "step louder", not as "twice as loud". Thus, to achieve a particular change in loudness, one multiplies by a number rather than adding it.
Partly for this reason, it is common to use a logarithmic unit, the decibel or dB, to measure a change in loudness. These are logarithms, which means that they can in fact be added and subtracted, rather than multiplied together, to describe a cumulative change in loudness.
All of which was to prepare to say, the AudioUtils class provides some handy functions for converting between decibels and multiplying factors used by things such as GainFilter.
The AudioPlayer constructor takes an optional argument which is the audio playback batch size. This gives the number of samples that will be played back on each SampleDataEvent callback from the Flash Player.
This is in fact a very important number, which must take a value between 2048 and 8192. At 2048, you get very low-latency playback -- the player will render sound fed into it almost instantly -- but your playback is very likely to suffer from instability and performance jitter. At 8192, you get very high-stability playback -- but your latency will be way up there, too. The default is 4096, which either combines the best qualities of both or the worst, depending on your point of view.
(This section TBD -- please read the source code for now!)


HexEdit Pro provides a great deal of control of how files are printed using the Printer General Options of the Options dialog. This is accessed with the Options command.
You can change the printer margins, adds headers and footers, a page border, column headings, change the line spacing etc.
Use Print Preview command to see how the pages would look without actually printing them.


PART V. PRODUCTS AND SERVICES OF
HANDICAPPED INDIVIDUALS--REPEALED
§§103-81 to 83 REPEALED. L 1999, c 149, pt of §40.


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object --+ | Distribution --+ | LDA --+ | OnlineLDA
An implementation of an online trust region method for latent Dirichlet allocation.
>>> model = OnlineLDA( num_words=7000, num_topics=100, num_documents=10000, alpha=.1, eta=.3)
alpha
can be a scalar or an array with one entry for each
topic.
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alpha Controls Dirichlet prior over topic weights, $\theta_k$. (Inherited from trlda.models.LDA) |
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eta Controls Dirichlet prior over topics, $\beta_{ki}$. (Inherited from trlda.models.LDA) |
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lambdas Parameters governing beliefs over topics, $\beta_{ki}$. (Inherited from trlda.models.LDA) |
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Updates beliefs over parameters. Set By default, the learning rate is automatically set to $$\rho_t = (\tau + t)^{-\kappa},$$ where $t$ is the number of calls to this function.
See Also: update_count |
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| Generated by Epydoc 3.0.1 on Sun May 24 18:19:15 2015 | http://epydoc.sourceforge.net |


anadroid.profiler.greenScaler.GreenTestGen.mutator.libmutation package
Submodules
anadroid.profiler.greenScaler.GreenTestGen.mutator.libmutation.events module
anadroid.profiler.greenScaler.GreenTestGen.mutator.libmutation.ga_test_mutator module
anadroid.profiler.greenScaler.GreenTestGen.mutator.libmutation.image_capture module
anadroid.profiler.greenScaler.GreenTestGen.mutator.libmutation.initial module
anadroid.profiler.greenScaler.GreenTestGen.mutator.libmutation.test module
anadroid.profiler.greenScaler.GreenTestGen.mutator.libmutation.test_mutator module
anadroid.profiler.greenScaler.GreenTestGen.mutator.libmutation.unit_tests module
anadroid.profiler.greenScaler.GreenTestGen.mutator.libmutation.utils module
Copyright 2016 Shaiful Chowdhury, Stephanie Gil<EMAIL_ADDRESS><EMAIL_ADDRESS>Licensed under the Apache License, Version 2.0 (the “License”); you may not use this file except in compliance with the License. You may obtain a copy of the License at
Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an “AS IS” BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License.
Module contents
Copyright 2016 Shaiful Chowdhury, Stephanie Gil<EMAIL_ADDRESS><EMAIL_ADDRESS>Licensed under the Apache License, Version 2.0 (the “License”); you may not use this file except in compliance with the License. You may obtain a copy of the License at
Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an “AS IS” BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License.


--- title: Rotation keywords: fastai sidebar: home_sidebar nb_path: "02_rotation.ipynb" ---
The bones are rotated with quaternions.
The angle between the two PC1 vectors is taken. The object is then rotated (by a quaternion) around the cross product between the PC1 vectors.
The new angles between the next PCs are calculates and the process is repeated for the other PCs


Simone Biles in a sequined gown on the CMAs red carpet.
Laurie's Dress
Laurie Hernandez in a Tadashi Shoji dress and scalloped-edge sandals.
Gabby's Dress
Gymnast Gabby Douglas wore a Rubin Singer gown and Christian Louboutin pumps on the red carpet.
Simone
Hard working
Simone Biles has raised the proverbial bar for gymnasts everywhere.
Standing at just 4'8, the small but strong phenom has been
hailed as one of the greatest gymnasts of all time—even before touching down in Rio.
Credit the 14 world championship medals or
the fact that she's the first woman to win four straight national championships in 42 years.
Either way, one thing's for sure – her road to the Olympics is paved with quite a bit of gold.
Laurie
Is there anything Laurie Hernandez can’t do?
On Sept. 3, the Olympic gold medalist threw the ceremonial first pitch before the New York
Mets took on the Washington Nationals, and it was anything but ordinary.
Before throwing the ball toward the plate, Hernandez casually
landed an aerial cartwheel.

The 16-year-old Olympic champ is just one of the Famous Females that
will be the face of the Play As You Are campaign for Nintendo.


It looks like you have no Kafka Clusters configured yet!
Let's head over and set one up now! Setup new Cluster Ask an Administrator to configure a cluster.


A programming language is a formal language comprising a set of instructions that produce various kinds of output. Programming languages are used in computer programming to implement algorithms. Most programming languages consist of instructions for computers. Markup languages are designed for the processing, definition and presentation of text. The language specifies code for formatting, both the layout and style, within a text file. The code used to specify the formatting are called tags. Markup languages are designed for the processing, definition and presentation of text. The language specifies code for formatting, both the layout and style, within a text file. The code used to specify the formatting are called tags.
LearnForward is really a great website if you're interested in learning new concepts about Data Structures & Algorithms. Technically speaking,LearnForardhas 21,018 webpages which contain a lot of potential information. LearnForward is a developers site, with tutorials and references on web development languages such as HTML, CSS, JavaScript, PHP, SQL, Python, jQuery, Java, C++, C#, React, Node. js, XML, W3. CSS, and Bootstrap, covering most aspects of web programming.It is now a leading online learning platform for higher education, where 61 million learners from around the world come to learn skills of the future. More than 200 of the world's top universities and industry educators partner with Coursera to offer courses, Specializations, certificates, and degree programs.
The language for building web pages.Hypertext Markup Language is the standard markup language for documents designed to be displayed in a web browser
The language for styling web pages. Cascading Style Sheets is a style sheet language used for describing the presentation of a document written in a markup language like HTML. CSS is a cornerstone technology of the World Wide Web,
The language for programming web pages. JavaScript, often abbreviated as JS, is a programming language that conforms to the ECMAScript specification. JavaScript is high-level, often just-in-time compiled, and multi-paradigm.


Locating the wreckages of ships and aircrafts lost at sea is a tedious problem. The gamut of factors determining the probable location of wreckages is very large. The search for these wreckages is time and money intensive. The problem of this algorithm is to minimize this cost of search by arriving at location in minimum possible iterations using Bayesian Search Theorem
The Bayes formula for search states,
P(x│z)=(P(z│x)P(x))/(P(z))
Where,
x is the quantity of interest (e.g., the position of the aircraft),
z is the measurement (e.g., Satellite communication data)
P(x) is the prior probability distribution function (PDF) of the state
P(z) is the probability that the measurement is true
P(z│x) is the PDF of the measurement based on a given state
P(x│z) is the posterior PDF
First, the given area is divided into a number of small subareas and the probability of finding the lost item in a subarea is calculated using a number of factors such as last known altitude of the vehicle, speed, direction, the weather conditions etc. This is the prior distribution.
Second, the search is conducted at the subareas where the probabilities are the highest. The search methods may include radar/sonar, aerial surveillance, etc. The success rate of each search method accounts for the P(z│x) term in the Bayes formula. If the object is not found at these places, then the posterior distribution is updated.
Third, the search is once again conducted at subareas with highest probabilities. The benefit of using Bayes formula is that it optimizes the search. Rather than finding the entire grid for the lost items, taking into account a number of known factors about the lost items, Bayes formula reduces the search area to a large extent thereby saving time of search, expenditure incurred while conducting the search.
The above diagram is a sample output of the code. It is a 10 x 10 grid where we are required to hide the target (for ex. ship) in the grid and the algorithm finds the target using Bayes formula. The first diagram gives us the prior distribution which is obtained using already existing information. The red areas are the region of maximum probabilty of finding the ship whereas the purple area are the regions of minimum probablity of finding the ship. The second diagram gives the posterior distribution which is the updated probablity which was obtained after finding out that the target was not found in the region of maximum probablity. The updated probablity distribution is then used in the next iteration to find the target. In the above sample output I placed the ship at X = 1 and Y = 3. The algorithm was able to find the location after 5 iterations.


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Shows how many messages would have been blocked with each slow mode. Note that it can't track how many have actually been blocked, so rows with smaller duration than the current slow mode will not populate.
Getting accurate long-term values takes a while. Changing to the desired slow mode will take a similar amount of time to see the results! Actual slowdown would be slightly smaller than shown as some people would retry their blocked messages until they succeed.
Current slow: N/A
N/A people have chatted; N/A only talked once!
| Slow amount | Would-be blocked messages | Would-be slowdown % |
|---|


We invited you to celebrate our wedding
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove
Far far away, behind the word mountains, far from the countries Vokalia and Consonantia, there live the blind texts. Separated they live in Bookmarksgrove
Dignissimos asperiores vitae velit veniam totam fuga molestias accusamus alias
autem provident. Odit ab aliquam dolor eius.
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Welcome to our travel and event planning agency, with roots and relationships around the world.
We serve a wide variety of travelers from all walks of the world — from budget trips to high-end luxury arrangements, as well as group events and incentive trips, and everything in between — at nearly any destination around the world.
runs deep within our veins. The combined travel of our team covers nearly half the countries in the world.
We love travel. Our lives are inclusive of regular travel. And, some of us have even been full-time travelers for extended periods of time.
We’re not just a name behind a desk looking at a map — we are experienced travelers... and, we LOVE sharing our expertise.
We offer everything from hotel bookings to restaurant reservations, activities recommendations to private transportation, as well as group travel and events.
We run a highly personalized service, because we know that travel needs and desires vary with each traveler and every group.
Need a little weekend getaway?
... a much-needed long holiday?
... a family-bonding trip?
... an exotic adventure?
We can plan it, organize it, and confirm it for you from start to finish or in part — it’s up to you how much service you wish from us!
We’re hopeless romantics at heart! And, we love planning special little rendezvous at private beach resorts, hidden city boutique hotels, exotic jungle and mountain cabins, and at cozy little winter lodges.
We have history of arranging successful trips for groups ranging from 15-180 people.
Whether you’re looking for a corporate retreat, a group incentive / reward trip, or a simple business trip with your team, we’re here to assist with logistics, planning, arrangements, reservations, and even guest gifts and amenities.


Recommendations for online information is one of the most common ways to deal with large amounts of data. To keep users interested and engaged, YouTube recommends videos it thinks people would like to watch based on a variety of information it collects about user behavior. In this study, we analyze how people perceive these recommendations and how successful they find them to be. We further investigate how people go about making their decisions when it comes to selecting a recommendation and if people even prefer a personalized list over a non personalized list of videos. We conducted a user experience evaluation to gather qualitative data and then analyzed the responses through a thematic analysis to find themes in how people react to the YouTube recommender system. Our results suggest:
Researched about recommendation systems, applied thematic analysis and made some qualitative conclusions.
Designed the interview protocol and conducted a qualitative user study using the "think-aloud" protocol to understand how user's use Youtube's Recommendation System.
Researched youtube statistics and academic papers about recommendation systems.
How successful do students find the personalization of Youtube’s mobile app recommendations? How do people make their decisions about which recommendation to select in the context of 15 minutes to spare? Do people even prefer a personalized form of the recommendations over a non personalized form and why?
As a team, we discussed about possible questions to ask during user-interviews and hence decided to apply the Think-aloud protocol.
Initiated by obtaining oral consent, informed that I will be taking notes and reminded them to 'think-aloud' and collected information for thematic analysis.


CHAPTER 1: DEFINATION AND MAIN USE
Python is a powerful multi-purpose programming language created by Guido van Rossum.It has simple easy-to-use syntax, making it the perfect language for someone trying to learn computer programming for the first time.This is a comprehensive
guide on how to get started in Python, why you should learn it and how you can learn it.However, if you have knowledge of other programming languages and want to quickly get started with Python, visit Python tutorial page.
Python is
a general purpose and high level programming language. You can use Python for developing desktop GUI applications, websites and web applications. Also, Python, as a high level programming language, allows you to focus on core functionality
of the application by taking care of common programming tasks.


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Your contact details are used by NHS services such as your GP surgery, hospital or pharmacy to get in touch with you.


Social Media Marketing that generates Revenue
We’re changing the game when it comes to social media marketing. While other agencies and ‘marketing gurus’ boast about likes, clicks and impressions, that’s not what pays the bills. We focus purely on conversions and getting the best return on your investment. Besides, why settle for average results? The effort and budget you put into social media should translate into paying customers — otherwise, why bother? Partnering with an award-winning social media company can open the floodgates and capture the leads and sales you’ve been craving!


Please play with Chrome for better user experience!
Created by Dung Ngo with !
Scroll down to see result!