BY EDWIN JAHIEL
GUINEVERE (1999) ** 1/2. Directed and written by Audrey Wells. Photography, Charles Minsky. Editing, Dody Dorn. Production design, Stephen McCabe. Music , Christophe Beck. Cast: Stephen Rea (Connie Fitzpatrick), Sarah Polley ( Harper Sloane), Jean Smart (Deborah Sloane), Gina Gershon (Billie), Paul Dooley (Walter), et al. Producers : Tani Cohen, Boaz Davidson, Danny Dimbort, Dody Dorn, Beau Flynn, Julia Ganis , Todd Gilbert, Jonathan King (III), Avi Lerner, Claudine Magre , Trevor Short, Stefan Simchowitz, Bob Weinstein, Harvey Weinstein, Brad Weston (II). A Miramax production. 104 minutes. R (sex)
Reluctantly, I'll have to spell out much of the plot. "Guinevere" is a May -October love affair. Bohemian photographer Connie Fitzpatrick, is played by Irishman (b.1949) Stephen Rea. Harper Sloane, is played by Sarah Polley (b.1949). We meet them at her sister's wedding in July 1991., in San Francisco.
 There's symbolism here, but it is not especially exploited, except that Harper, a recent college graduate, has been accepted at the Harvard Law School and appears to be less than enthusiastic about it.
At the wedding she seems to feel awkward, restless and uninvolved --until she meets its photographer Connie. The turning point comes later, when the pictures he took arrive. He's framed them so as to miss Harper, but the lot includes a presumably "catch the real person" picture of her, solo. The enchanted girl rushes to visit him in his proletarian studio-plus-apartment. He impresses her with his persona, she impresses him with her youth, things heat up and she moves in with Connie while lying to her family by saying she is had. in fact, not been accepted by Harvard and that she is now staying with a girlfriend. The Sloanes -- defying logic --somehow accept both alibis.
Connie seduces Harper both physically and mentally, makes her his assistant and teaches her photography. You smell immediately the Pygmalion thing --with a difference: it's like Rex Harrison going to bed with Audrey Hepburn first, and only then drilling her in the art of speaking. Here this is visual language, with a Nikon camera. Harper does well, but too soon for viewers who are "au courant" with the skills of photography. Still, it is an interesting relationship, even though neither he nor she are interesting per se.
Following a mixed bag of small episodes, some fifty minutes into the film, Mrs. Deborah Sloane appears in the twosome's abode. She is a handsome 40-year-old woman (Jean Smart, b.1959) who might have made a more appropriate mistress than her daughter. Ms. Smart steals the show in a rather short sequence. She does not throw a tantrum, does not recriminate, but coolly dissects the situation. She tells Connie :"You're even older than me, and you're [word deleted] my daughter." She also analyzes, with a clever subtext of regret, the fact that no woman who is not physically perfect would dare show her flesh to the experienced eyes of Connie. And she hits the nail on the head with "I know exactly what she [Harper] has that I haven't got. Awe" which she explains lucidly. Connie- the-seducer's reaction is "You're quite a woman, Deborah." But she puts him down with "Mrs. Sloane. I am Mrs. Sloane" and departs.
This sequence is the best in the movie, especially as the well-sketched Mrs. Sloane can be at the same time a haughty socialite, a flutterhead, a bitch on wheels., and wise.
The movie is, in part, about Harper's belated (she'll be 21 in a few months) coming of age. Now she is thinking of moving out and having her own small apartment near Connie's. He counters with "this is no time to go" adding that in five years' time she will know when that time comes. Nonetheless, Harper returns to her parents' home. At the dinner table, Deborah has the cowed group (her husband, two daughters and son-in-law) play a perverted fame involving fortune cookies. The young woman has had it. She returns to Connie who is throwing a surprise party for her 21st birthday. It is a bohemian affair, in which the various types seem to be as dull and stereotyped as the buttoned-up bourgeois.
Some time passes. The movie, neutral until now, takes a serious, sad swerve. Connie has to be hospitalized for detoxification. (We knew he was a hard drinker but the movie had not warned us that he was an alcoholic). More bad news: Connie is also broke. The couple drive from San Francisco to Los Angeles where he hopes to sell some pictures. Humiliation sets in when he has to get a handout from an old friend,. It increases when soon after, Connie, looking his age, loses some false teeth while eating. To pay the dentist they pawn his Nikon camera (there is abundant product placement for this brand throughout). In a motel room, he sends out Harper to buy booze. What follows should evoke in cinephile minds a variant of "A Star is Born." It is not, however, the end. This comes four years later, when Harper, now a successful photographer, returns to the dying Connie, joining a quartet of former lovers and at the very end describing death to the man via a montage of fantasies.
Technical credits are good. The principals' performances are convincing, credible (except for a silly, too-young number of Connie on a rooftop), and Stephen Rea handles ably a non-Irish accent : I heard just one brief Irish lilt in his intonation.
The main supporting role, of Billie (Gina Gershon, whose small part in the recent "The Insider" was memorable) is underwritten. The rest of the characters are insignificant sub-supporters.
Guinevere is the name the photographer gives all his mistresses. The why of it escapes me. I see no connection to King Arthur's wife Guinevere, or to Sir Lancelot, her lover.
The movie is the first one directed by Audrey Wells, the writer of "The Truth About Cats and Dogs." It makes its points, several of them sharp, others rather vague. I wonder what was the input, if any, of its army of producers (see the credits above).
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


Nirbhaya gangrape: Delhi court admits parents’ plea
by PTIA Delhi Court has admitted a plea filed by the parents of the 2012 gangrape victim seeking transfer of the case to another judge. They have sought a direction to Tihar Jail officials to expedite the execution of the convicts.
The court will hear the matter on November 25.
They moved the application since the earlier two judges hearing the matter got transferred and the matter is getting adjourned continuously, the plea said.
The special fast track court, set up to hear cases of sexual harassment cases exclusively, of Patiala House Court is currently vacant and no judge has been appointed till now.
The application said that victim’s parents approached the court since the convicts have exhausted all legal remedies.
In December last year, the parents of Nirbhaya, the 23-old paramedic who was gang-raped in December 2012, approached the court to fast-track the procedure to hang all four convicts in the case.
Supreme Court on December 12, 2018, dismissed the PIL seeking a direction to the Centre to execute the death penalty awarded to four convicts -- Mukesh, Pawan, Vinay and Akshay -- in the sensational Nirbhaya gangrape and murder case.
23-year-old paramedic student was gang-raped on December 16, 2012.
The victim, who was severely assaulted, succumbed to injuries at Mount Elizabeth Hospital in Singapore on December 29, where she had been airlifted for medical treatment.


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Set of pre configured form templates to have a quick start
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{% extends "layout.html" %} {% block content %}
This form will enable the sending of an SCR payload to the MHS adaptor. This provides a mocked demonstration of how the MHS adaptor would be called after an event takes place in the supplier user interface (or application tier)


{{ error_message }}
You have user id {{ user.id }} and your password is {{ user.password }}
Password:
Confirm password:
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PartialEmailMessage
public struct PartialEmailMessage : Equatable
Representation of an email message object without any unsealed attributes associated with a email message in Platform SDK.
-
Unique identifier of the email message.
Declaration
Swift
public var id: String
-
Unique client reference identifier.
Declaration
Swift
public var clientRefId: String?
-
Unique identifier of the user of the email message.
Declaration
Swift
public var owner: String
-
List of owner identifiers and issuers associated with this email message.
Declaration
Swift
public var owners: [Owner]
-
Email address id that is associated with the account of the email message - which account sent/received this message.
Declaration
Swift
public var emailAddressId: String
-
Unique identifier of the email folder which the message is assigned to.
Declaration
Swift
public var folderId: String
-
Unique identifier of the previous email folder which the message resource was assigned to, if any.
Declaration
Swift
public var previousFolderId: String?
-
Date timestamp when the email message was created on the service.
Declaration
Swift
public var createdAt: Date
-
Date timestamp when the email message was last updated on the service.
Declaration
Swift
public var updatedAt: Date
-
Date timestamp when the email message was processed by the service.
Declaration
Swift
public var sortDate: Date
-
True if the user has seen the email message previously.
Declaration
Swift
public var seen: Bool
-
Direction of the email message.
Declaration
Swift
public var direction: EmailMessage.Direction
-
State of the email message.
Declaration
Swift
public var state: EmailMessage.State
-
The size, in bytes, of the encrypted RFC822 data stored in the backend. This value is used to calculate the total storage used by an email address or user and used to enforce email storage related
Declaration
Swift
public var size: Double
-
Version of this entity, increments on update.
Declaration
Swift
public var version: Int
-
init(id:
clientRefId: owner: owners: emailAddressId: folderId: previousFolderId: createdAt: updatedAt: sortDate: seen: direction: state: version: size: ) Initialize an instance of
EmailMessage
.Declaration
Swift
public init( id: String, clientRefId: String?, owner: String, owners: [Owner], emailAddressId: String, folderId: String, previousFolderId: String?, createdAt: Date, updatedAt: Date, sortDate: Date, seen: Bool, direction: EmailMessage.Direction, state: EmailMessage.State, version: Int, size: Double )


HARDBALL --------
Conor O'Neill (Keanu Reeves) is a drunk up to his neck in gambling debts. When he turns to investment banker buddy Jimmy Fleming (Mike McGlone, "The Brothers McMullen") for yet another loan, Jimmy pitches him a deal - coach a Cabrini Green Little League team to fulfill Jimmy's corporate pledge and he'll pay Conor $500 a week. Conor reluctantly agrees and is surprised by his own feelings for the kids he comes to know in "Hardball."
Screenwriter John Gatins ("Summer Catch," "Ready to Rumble") Hollywoodizes Daniel Coyle's book "Hardball: A Season in the Projects" and serves up an uneven "The Bad News Bears" hybrid. Conor serves more as symbolic outside masculine interest than effective sports coach and is forced to sway wildly to the plot's mechanics, turning his concern for the kids and romantic interest in their teacher Elizabeth Wilkes (Diane Lane) off and on like a faucet.
Conor's a lowlife who exists by gambling on and scalping tickets to local sporting events with his best friend Ticky Tobin (John Hawkes, "The Perfect Storm"). He uses his deceased dad's betting account to place another bet when his own account's being called in and loses again. Now he's being hunted
by two bookies, yet uses Ticky to introduce him to a third.
When he finds himself the coach of the Kekambas, eight ten year olds and an underage mascot G-Baby (DeWayne Warren), Conor needs to make a deal with Miss Wilkes and a suspicious mom to help Kofi Evans (Michael Perkins) deliver a book report in order to have enough kids to play. Then Conor finds out his responsibilities also include getting his kids home safely after he callously sends asthmatic Jefferson (Julian Griffith) home after dark and the poor kid winds up in the hospital, beaten up by the ever present drug dealers and gang members outside his home. Although Conor lives in a rundown, inner city apartment, his eyes are opened to the violence of daily life in Chicago's projects. He begins to take a real interest in the kids whose sole joy is found on the baseball field.
Ironically, the Keanu Reeves who's accused of only being able to deliver 'whoas' and 'dudes' is more believable in roles such as the investment banker he (unbelievably) tries to pass himself off as here than the lowlife he's cast as. Reeves has charm to spare with the kids and Lane but fails to convince in his drinking, gambling scenes. The guy just exudes too much inner peace to ever seem truly desperate. Diane Lane is solid as the inner city teacher who takes an interest in the unlikely guy who's fired up her students.
The kids, all but two making their film debuts, are all naturals, with young DeWayne Warren a standout as the crowd pleasing G-Baby. Also good is A. Delon
Ellis, Jr. as the silent star pitcher who needs the rhythm of The Notorious B.I.G.'s 'Big Poppa' rap on his walkman in order to win. D.B. Sweeney wears the false bravado and shifty eyes of a competing coach in the game for himself
rather than his team.
"Hardball" is directed by Brian Robbins ("Varsity Blues") in a straightforward manner, although he yanks his lead too abruptly through emotional shifts (Conor's boorish behavior towards Elizabeth on their first date and later abandonment of his team just don't wash as handled here). The PG-13 rated film has been criticized for the bad language spouting from the mouths of its kids, but it would seem unnatural for these kids to speak otherwise.
Admirably, "Hardball" avoids schmarm and offers numerous crowd-pleasing moments, but it only delivers a base hit instead of hitting one out of the park.
C+
For more Reeling reviews visit www.reelingreviews.com
<EMAIL_ADDRESS><EMAIL_ADDRESS>========== X-RAMR-ID: 29488 X-Language: en X-RT-ReviewID: 250184 X-RT-TitleID: 1109876 X-RT-SourceID: 386 X-RT-AuthorID: 1487
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


| Days | Morning | Snacks | Lunch | Snacks | Dinner |
|---|---|---|---|---|---|
| Monday | $MM | $1MS | $ML | $2MS | $MD |
| Tuesday | $1TM | $1TS | $1TL | $21TS | $1TD |
| Wednesday | $WM | $1WS | $WL | $2WS | $WD |
| Thursday | $3TM | $13TS | $3TL | $23TS | $3TD |
| Friday | $FM | $1FS | $FL | $2FS | $FD |
| Saturday | $SM | $1SS | $SL | $2SS | $SD |
| Sunday | $S1M | $1S1S | $S1L | $2S1S | $S1D |
| Days | Morning | Snacks | Lunch | Snacks | Dinner |
|---|---|---|---|---|---|
| Monday | $NMM | $1NMS | $NML | $2NMS | $NMD |
| Tuesday | $NTM | $1NTS | $NTL | $2NTS | $NTD |
| Wednesday | $NWM | $1NWS | $NWL | $2NWS | $NWD |
| Thursday | $3NTM | $31NTS | $3NTL | $32NTS | $3NTD |
| Friday | $NFM | $1NFS | $NFL | $2NFS | $NFD |
| Saturday | $NSM | $1NSS | $NSL | $1NSS | $NSD |
| Sunday | $NS1M | $1NS1S | $NS1L | $2NS1S | $NS1D |


| T | Key | Summary | Assignee | Reporter | P | Status | Resolution | Created | Updated | Due |
|---|---|---|---|---|---|---|---|---|---|---|
| PTOYS-17 | As a user, given the example, I want either outcome or error, not an infinite loop |
Unassigned | Alberto Navarro | Open | Unresolved | |||||
| PTOYS-16 | Unassigned | Matthew Huckaby | Open | Unresolved | ||||||
| PTOYS-11 | Jörg Schaible | Jörg Schaible | Open | Unresolved | ||||||
| PTOYS-10 | Jörg Schaible | Jörg Schaible | Closed | Fixed | ||||||
| PTOYS-9 | Unassigned | Jörg Schaible | Closed | Fixed | ||||||
| PTOYS-8 | Unassigned | Jörg Schaible | Closed | Fixed | ||||||
| PTOYS-7 | Unassigned | Jörg Schaible | Closed | Fixed | ||||||
| PTOYS-6 | Jörg Schaible | Philipp Meier | Closed | Cannot Reproduce | ||||||
| PTOYS-5 | Jörg Schaible | Philipp Meier | Closed | Fixed | ||||||
| PTOYS-4 | Unassigned | Jörg Schaible | Closed | Fixed | ||||||
| PTOYS-3 | Dan North | Jörg Schaible | Closed | Fixed | ||||||
| PTOYS-2 | Paul Hammant | Aslak Hellesøy | Closed | Closed | ||||||
| PTOYS-1 | Dan North | Aslak Hellesøy | Closed | Won't Fix |


{% extends 'base.html' %} {% block page_title %}You are ready to go!{% endblock %} {% block page_description %}And please DRY{% endblock %} {% block body %}
Please if you see anything that can be improved about this project please report it at django-starter-project.


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Constants
| ACCOUNT_BUDGET_BURN_RATE | = | AlertType.new("ACCOUNT_BUDGET_BURN_RATE") |
| ACCOUNT_BUDGET_ENDING | = | AlertType.new("ACCOUNT_BUDGET_ENDING") |
| ACCOUNT_ON_TARGET | = | AlertType.new("ACCOUNT_ON_TARGET") |
| CAMPAIGN_ENDED | = | AlertType.new("CAMPAIGN_ENDED") |
| CAMPAIGN_ENDING | = | AlertType.new("CAMPAIGN_ENDING") |
| CREDIT_CARD_EXPIRING | = | AlertType.new("CREDIT_CARD_EXPIRING") |
| DECLINED_PAYMENT | = | AlertType.new("DECLINED_PAYMENT") |
| KEYWORD_BELOW_MIN_CPC | = | AlertType.new("KEYWORD_BELOW_MIN_CPC") |
| MANAGER_LINK_PENDING | = | AlertType.new("MANAGER_LINK_PENDING") |
| MISSING_BANK_REFERENCE_NUMBER | = | AlertType.new("MISSING_BANK_REFERENCE_NUMBER") |
| PAYMENT_NOT_ENTERED | = | AlertType.new("PAYMENT_NOT_ENTERED") |
| TV_ACCOUNT_BUDGET_ENDING | = | AlertType.new("TV_ACCOUNT_BUDGET_ENDING") |
| TV_ACCOUNT_ON_TARGET | = | AlertType.new("TV_ACCOUNT_ON_TARGET") |
| TV_ZERO_DAILY_SPENDING_LIMIT | = | AlertType.new("TV_ZERO_DAILY_SPENDING_LIMIT") |
| UNKNOWN | = | AlertType.new("UNKNOWN") |
| USER_INVITE_ACCEPTED | = | AlertType.new("USER_INVITE_ACCEPTED") |
| USER_INVITE_PENDING | = | AlertType.new("USER_INVITE_PENDING") |
| ZERO_DAILY_SPENDING_LIMIT | = | AlertType.new("ZERO_DAILY_SPENDING_LIMIT") |


>From The Manager Credit and foriegn Bills Absa Bank South Africa Harfield, Pretoria South Africa. Tel/Fax: 0027 721 144291 Attention: Sir/Madam, My name is Dr. Anderson Zuma the manager,Credit and Foreign bills of ABSA BANK SOUTH AFRICA. I am writing in respect of a foreign customer of our bank with account number -908-14-255-114 whose name is Cho, Kwiyoung(Mr.), an American citizen who died in a plane crash[Korean Air Flight 801] with the whole passengers onboard on August 6,1997.And for your perusal you can view thisweb site http://www.cnn.com/WORLD/9708/06/guam.passenger.list Since the demise of this customer, I personally have watched with keen interest to see the next of kin but all has proved abortive as no one has come to claim his funds of US$15.5M (Fifteen Million Five Hundred Thoudsand United States Dollars) which has been with our branch for a very long time. On this note, I decided to seek for whom his name shall be used as the Next of Kin as no one has come up as his next of kin. And the banking ethics here does not allow such money to stay more than eight years, because the money will be recalled to the bank treasury as unclaimed fund after this period. In view of this I got your contact through a trade journal when i was making a research on a foreigner i will use in this great opportunity. For your assistant I am willing give you 20% of the total amount. Upon the receipt of your response, I will send you by fax or e-mail the letter of application which you will type sign and send back to our bank to enable us start this processing of this claim. I will not fail to bring to your notice that this business is hitch free and that you should not entertain any fear as all modalities for the smooth and easy transfer of this fund has been finalized, this transaction will be completed within five banking days of recieving your response, after you apply to the bank as a relation to the deceased. When you receive this mail. Kindly reply to my private email address below<EMAIL_ADDRESS>Please include your private Tel/Fax numbers for quick communication on my personal email address: Yours Sincerely, Dr. Anderson Zuma Manager Credit and Foriegn Bills Absa Bank South Africa