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addResourceHandlers(ResourceHandlerRegistry)
- Method in class com.example.bot.spring.
KitchenSinkWebMvcConfigurer
age(String, String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to set age in our database for a particular user.
C
code(String, String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used when user refer their friends by entering their code.
com.example.bot.spring
- package com.example.bot.spring
D
DatabaseEngine
- Class in
com.example.bot.spring
DatabaseEngine()
- Constructor for class com.example.bot.spring.
DatabaseEngine
DownloadedContent()
- Constructor for class com.example.bot.spring.
KitchenSinkController.DownloadedContent
E
eat(String, String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to record nutrient info in our database for a particular user.
energy(String, String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to manually input energy taken on a day for a particular user.
F
friend(String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to obtain the unique 6-digit code for a particular user.
G
GetCouponCount(String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to get the current total coupon number for a testcase.
getInfoState(String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to get info state in our database for a particular user.
H
handleAudioMessageEvent(MessageEvent<AudioMessageContent>)
- Method in class com.example.bot.spring.
KitchenSinkController
handleBeaconEvent(BeaconEvent)
- Method in class com.example.bot.spring.
KitchenSinkController
handleFollowEvent(FollowEvent)
- Method in class com.example.bot.spring.
KitchenSinkController
handleImageMessageEvent(MessageEvent<ImageMessageContent>)
- Method in class com.example.bot.spring.
KitchenSinkController
handleJoinEvent(JoinEvent)
- Method in class com.example.bot.spring.
KitchenSinkController
handleLocationMessageEvent(MessageEvent<LocationMessageContent>)
- Method in class com.example.bot.spring.
KitchenSinkController
handleOtherEvent(Event)
- Method in class com.example.bot.spring.
KitchenSinkController
handlePostbackEvent(PostbackEvent)
- Method in class com.example.bot.spring.
KitchenSinkController
handleStickerMessageEvent(MessageEvent<StickerMessageContent>)
- Method in class com.example.bot.spring.
KitchenSinkController
handleTextMessageEvent(MessageEvent<TextMessageContent>)
- Method in class com.example.bot.spring.
KitchenSinkController
handleUnfollowEvent(UnfollowEvent)
- Method in class com.example.bot.spring.
KitchenSinkController
height(String, String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to set height (in cm) in our database for a particular user.
I
InitializeNewUser(String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to create new user info in our database.
InitiallizeTestData(String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to initialize test data.
K
KitchenSinkApplication
- Class in
com.example.bot.spring
KitchenSinkApplication()
- Constructor for class com.example.bot.spring.
KitchenSinkApplication
KitchenSinkController
- Class in
com.example.bot.spring
KitchenSinkController()
- Constructor for class com.example.bot.spring.
KitchenSinkController
KitchenSinkController.DownloadedContent
- Class in
com.example.bot.spring
KitchenSinkWebMvcConfigurer
- Class in
com.example.bot.spring
KitchenSinkWebMvcConfigurer()
- Constructor for class com.example.bot.spring.
KitchenSinkWebMvcConfigurer
M
main(String[])
- Static method in class com.example.bot.spring.
KitchenSinkApplication
menu_search(String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to search for nutrient info for a menu/meal.
O
order(String, String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to give recommendation for user.
R
redeem(String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used when user try to redeem a coupon.
RemoveUser(String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to delete user info in our database.
S
setInfoState(String, String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to set info state in our database for a particular user.
sex(String, String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to set gender in our database for a particular user.
sports_amount(String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to calculate time required to burn calories for a particular user.
SQLDatabaseEngine
- Class in
com.example.bot.spring
The SQLDatabaseEngine implements functions that communicate with the database and get/update the related data.
SQLDatabaseEngine()
- Constructor for class com.example.bot.spring.
SQLDatabaseEngine
W
warning(String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to determine whether the intake of a particular user is too high.
waterInterval(String, String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to set water interval (in mins) in our database for a particular user.
waterNotif(String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to determine whether it is time for us to remind a particular user to drink water.
weight(String, String)
- Method in class com.example.bot.spring.
SQLDatabaseEngine
This method is used to set weight (in kg) in our database for a particular user.
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CHAIN LETTERS (director: Mark Rappaport; cast: Mark Arnott (Paul), Reed Birney (Greg), David Brisbin (Phil), Randy Danson (Beth), Marilyn Jones (Tracy),Ellen McElduff (Eva), Joan MacIntosh (Evelyn), Dan Davis (Steve), Robert Schenkkan (Rick),1985)
A chain letter is mysteriously started, after an office worker is choked to death by a guy in a red ski mask with a piece of string, who steals the letters and then mails some of them. What then transpires is a whacky, and I do mean whacky story, not unlike a conspiracy theory, as it offers comments on violence, sibling rivalries, paranoia, on both heterosexual- and- gay relationships, and reasons why we shouldn't trust our government, using the example of how it lied about the agent orange use on our soldiers during the Vietnam War and how the government has secret projects that it uses on the unsuspecting public to do its unsavory experiments on, as these letters interconnect with the lives of 9 diverse characters, who some how or other connect with each other.
This is a Mark Rappaport film, so if you are expecting to see a convential film, you have walked into the wrong theater. His tongue-in-cheek humor is as always, delightfully absurd. All 9 characters play co-starring roles, with no one dominating the film. And it works, in an odd sort of way, making the characters seem connected to each other from the opening strangulation scene until the last scene, even though there is no mention ever made in the movie again of the opening murder.
This is a film about troubled characters and a chance for Rappaport to direct his weird humor into the inanely funny lines spoken by them, as each character is out of it, in a neurotic way. The characters appear in short skits, trying to relate to each other in bursts of energy, spewing out lame jokes and theories, self-absorbed with their own neurotic tendencies, while many of them are hungering for sex and violence, and answers to puzzles that they may not even be working on.
Paul(Mark) is seen at a wall map, discussing with Beth (Randy) a WW11 movie he saw, believing everything is planned out in life by a series of dots, and life is simple if we can just understand the plan, which is right under our noses, as it should have been for the Nazi general depicted in the film he saw last night. He plays the part of a guy with a screw loose after his Vietnam War days, who likes to screw women and play out his paranoia until it is real. Beth thrives on sex. She is also seeing Paul's brother, Phil (David), who is a college teacher, expounding in the lecture she attends, about sharks who have within them eggs called ovaphagos, which devour their own brothers in the womb. Paul is also screwing Evelyn (Joan), who is Paul's main girl, but who in contrast to Paul, sees life as a river flowing with the water muddied.
On a NYC train, Evelyn, who works in an architect's office, is leered at by Steve (Dan), who is in business producing high tech security products. Greg (Reed) is also aboard the same train car, and is gay, but he also services ladies, and is not known to Steve, but he is the paid stud for Steve's ex-wife, concerned about aging, Eva (Ellen), who works as a research scientist, who has previously dated Phil, as her interest in Phil is rekindled through the chain letter received. Eva and Beth are sisters. Greg, through the courtesy of the chain letter, makes contact with Phil, telling him that he knows that Phil secretly wants to have a gay affair, which Phil acknowledges, just wondering how Greg detected that about him, since he believes that he has so carefully disguised that fact about himself.
Steve meets a former soap teenage star, Tracy (Marilyn), in the supermarket, who is living with the macho, gun toting, black motorcycle jacketed, Rick (Robert), who looks like Greg, and by coincidence, Greg has met on the street, believing he might be secretly gay, and has struck up a friendship with, hoping they can, at least, be best friends.
Steve has sex with the outspoken Tracy, and is presented with a t-shirt that matches hers, "If it isn't stiff- it isn't worth a fuck," as the sophisticated Steve reluctantly dons it to walk with her on the street, where he surprisingly runs into the woman he was attracted to on the subway, Evelyn, who turns out to be Tracy's sister, a sister that she can't stand. After Tracy rips up the phone number her sister gives her, Steve takes it from her and reassembles it to call Evelyn for a date. After their date turns out to be cordial, but with no sex in the offering, they part ways with a handshake; and, on the street, Rick guns down Greg, because Greg has left him, and Paul, who hates Steve, thinking he is having an affair with his Evelyn, spots them together in the same street where Greg is shot, so he uses a high powered rifle to kill Steve from the building he has positioned himself on, getting a nod of approval from Rick.
That should cover enough of the plot for any one who needs to know what he is seeing before he determines if he should venture out to rent this on video. All I could honestly say, is that I enjoyed it. It was like a nice cold drink, on a hot summer day, offering me something for my thirst, as I wonder why there is not a greater market for original films like this one, after all, the plot of this film is not completely insane. And as Paul so ably says, "Everything is a plot, it is just not clear what it is."
REVIEWED ON 4/21/99 GRADE: B
Dennis Schwartz: "Ozus' Movie Reviews" http://www.sover.net/~ozus
© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Test of reusable scatterplot
Hover over points to have them change
size
Select a rectangle region in any panel by
clicking and dragging; points in the selected region are highlighted
in all three panels. The selected region can be resized and dragged
about.
Hover over points to have them
highlighted in all plots.
Hover over points to have them change
size
Hover over points to have them change
size
Source code at github.


--- layout: post title: Advertising comp date: '2017-11-05T10:30:10+01:00' categories: - Storyboards picture_url: https://film-Storyboards.tumblr.com/post/167161041540 ---


When you open your browser and type a certain webpage address like www.google.com, that mean your computer send a request "HTML request" to a server which send back the required HTML document.
The Web "WWW": is stand for World Wide Web, also it's a collection of HTML documents.
HTML is stand for Hypertext Markup Language.
HTML documents contain:
HTML markup contain tags, such as:
HTML elements either inline or block.
Inline tag such as: a, span, br, img and strong.
Block tags such as: div, p, form.
HTML provides the structure or defines the contents of web pages.
CSS provides the style and the layout of the web pages.
JavaScript provides the interactive elements and program the behavior of web pages.
HTML, CSS and JavaScript are language and they have their own syntax and rules.
The HTML elements can grow like a family, parents, sons, grandsons and est. Just like a box in another box.
CSS stand for Cascading Style Sheets.
CSS language allows programmers to control the style of the HTML elements with the same class name.
Their are three ways to add CSS style to a web page:
To read more about CSS click here.
CSS helps programmers to avoid errors by avoiding reputation, especially when they try to edit or change some style in their codes. Instead of changing all their codes they just can change the class style. No need for reputation!


--- layout: api title: "v2.1.1 JavaScript Library: L.FeatureGroup" categories: api version: v2.1.1 permalink: /api/v2.1.1/l-featuregroup/ ---
Extended layerGroup that also has mouse events (propagated from members of the group) and a shared bindPopup method. Implements ILayer interface.
L.featureGroup([marker1, marker2, polyline])
.bindPopup('Hello world!')
.on('click', function() { alert('Clicked on a group!'); })
.addTo(map);
| Factory | Description |
|---|---|
L.featureGroup(
|
Create a layer group, optionally given an initial set of layers. |
Has all layerGroup methods and additionally:
| Method | Returns | Description |
|---|---|---|
bindPopup(
|
this |
Binds a popup with a particular HTML content to a click on any layer from the group that has a bindPopup method. |
getBounds() |
LatLngBounds |
Returns the LatLngBounds of the Feature Group (created from bounds and coordinates of its children). |
setStyle(
|
this |
Sets the given path options to each layer of the group that has a setStyle method. |
bringToFront() |
this |
Brings the layer group to the top of all other layers. |
bringToBack() |
this |
Brings the layer group to the bottom of all other layers. |
You can subscribe to the following events using these methods.
| Event | Data | Description |
|---|---|---|
click |
MouseEvent |
Fired when the user clicks (or taps) the group. |
dblclick |
MouseEvent |
Fired when the user double-clicks (or double-taps) the group. |
mouseover |
MouseEvent |
Fired when the mouse enters the group. |
mouseout |
MouseEvent |
Fired when the mouse leaves the group. |
mousemove |
MouseEvent |
Fired while the mouse moves over the layers of the group. |
contextmenu |
MouseEvent |
Fired when the user right-clicks on one of the layers. |
layeradd |
LayerEvent
| Fired when a layer is added to the group. |
layerremove |
LayerEvent
| Fired when a layer is removed from the map. |


sealed class Event : Comparable<Event>
Represents an annual recurring event related to a person, such as a birthday or anniversary.
Events in a collection are, by default, sorted by date.
Event(dayOfMonth: Int, month: Month, location: String)
Represents an annual recurring event related to a person, such as a birthday or anniversary. |
val dayOfMonth: Int
day of the month when the event first took place (e.g. 25) |
|
val location: String
name of the location where the event took place |
|
val month: Month
Month of the event when the event first took place (e.g. February) |
open fun compareTo(other: Event): Int |
|
fun getDateText(): String |
class Anniversary : Event |
|
class Birthday : Event |


---
layout: post
title: Adding numbers as digits in a list
date: '2013-03-05T12:56:00.000-08:00'
author: daryoush
tags:
modified_time: '2013-03-16T16:05:47.398-07:00'
blogger_id: tag:blogger.com,1999:blog-5623577383635787454.post-3579185151403136696
blogger_orig_url: http://onfp.blogspot.com/2013/03/adding-numbers-as-digits-in-list.html
---
In a phone interview with an un-named company :) I was asked to come up with solution for hypothetical adder where input data are integers but are given as list of single digits. For instance 345 would be [3,4,5]. Problem is to write an adder for the numbers. I kind of like the simplicity of the solution in Haskell ( as oppose to my java-like
doodle in the interview).
You can find my code
Here


Hi there!
I'm Nicolás Escalante, a developer from Argentina. I've been working on software development since the year 2008, across a variety of languages and platforms, in lots of different projects.
Active and self-taught person, researcher and curious spirit, football player, Racing Club fan.
Ambition to make things awesome, not just good enough. Positive attitude and desire to work with great people. Strong knowledge in web applications with great user experience. Lately working most with Javascript using modular techniques.
I like to collaborate to the development community, both pushing code to my GitHub account (like this site, for example), or solving people questions through my Stack Overflow account.
I spend my free time reading development books and learning on my own. I like to improve on the things I really love. I also attend to conferences whenever I can.
I'm also part of the staff of NodeSchool, where we meet developers, and we help them to solve a handful of workshops related to Node, Javascript and many other interesting stuff.


♥ Yana
I ♥ cotton candy
Huggable and soft, Yana was inspired by the old-time rag dolls and is very
suitable for youngsters, especially for cuddling at night.
You can do all kinds of hairstyles with her long hair!
With or withour eyebrows, with a painted or a stitched nose, smiling or serious - you choose her facial features.
$35.00
no tax, free shippingShips within 1-3 days


Announcing Eventy
Published on October 19, 2019
Last Tuesday I finally announced my next passion project, Eventy. I must say that the timing was a little off. I've been planning on doing the announcement for several weeks now but every time something kept creeping in between. So when I saw the announcement by Meetup.com's new pricing plans and all of the outrage by that, I knew that there wouldn't be a better moment then that.
Eventy is an app that I've been thinking of building for quite a while now. But over the past years the idea has been becoming more and more concrete. The thing that I sorely miss, being a user group leader, conference organiser, speaker and attendee is a unified platform. A place where I can maintain and keep track of all these different parts of an event experience. All while having a really nice end user experience.
The landscape for event software is too scattered at the moment. You have so many different kind of apps which might excel in what they do but they don't work together. So you'll have to maintain multiple accounts and switch apps all the time.
My main goal with Eventy is to do the exact opposite. Instead of connecting individual apps together, I want to provide one platform for everyone. A place where attendees can find new user groups. Where conference organisers can host their CFPs. Where speakers can maintain their talks. Where user group leaders can schedule their events. And so on.
I also firmly believe that a unified solution is the only way to provide a great end user experience. The main challenge will be to find unique ways in which all the different parts of the platform work together. I'm already thinking this over and believe that Eventy can fill in some of the gaps that other apps are leaving.
Now the thing is that as a user group leader and conference organiser I find myself in a unique position to build a platform like this. Because I have first-hand experience with the domain in question I can add even better validation to the product. If I am not satisfied with that I'm building, then how can I expect others to be? This is a major advantage and also extremely motivating.
Because you see, in the first place I'm building this platform not for others, but for myself. As Taylor mentioned in his recent Laravel Snippet podcast, building a product which enriches and improves your own day-to-day life, is the best motifivation you can have. I'll be using this platform myself almost all the time so I'll be dead sure to make it as good as I possible can.
Now people have been asking me why I don't want to help out with other (open-source) projects instead. That's because I want to own this. I want to make sure that I have as much freedom as I possible can and that I'm not limited by any constraints. If you own your product then you only have to keep account with yourself and not others. I want to say that I thoroughly respect other projects and what they're doing. But I just want to do my own thing. I don't consider that something bad or selfish. You should be free to persue your own adventures.
Other people have been giving me advice on doing market research first. To make plans on how to build Eventy. To think as much ahead as possible. I'm not planning on doing any of that. The main reason being that I'm building this for myself in the first place. I know that I am going to use this so why waste effort on market research when you already know you're going to use it? And I'm not saying that I'm not thinking over on how to build Eventy. It's just that I already gave it a lot of thought. I'm ready. I'm ready to start and get that MVP out there as soon as possible.
People have also been asking me if I'm going to monitize the platform. I am indeed planning on doing that. How I'm exactly going to do that I'm not sure yet. There's a couple of options on the table which I'm considering but I can already tell you this: Eventy will always be free for attendees and speakers. This is because those are the two groups of people who will never get any money out of this. You might be a very professional speaker who charges fees but that's probably the exception to the rule. I want to give these two groups of people the freedom to make use of the platform without being constrained by a paywall. As for event organisers that lies a little different but like I said I'm still not sure about how the pricing model is exactly to look like. It also does not make sense to talk too much about that before I've put some more thought into that.
That MVP is something that I want to launch fast. The first version of Eventy will be a really minimalistic version with the bare minimum to get started with organising events. Then I'll iterate. I'll add more and more features in small or bigger steps and take it from there. The platform will grow and grow to eventually get to the point of the vision I currently have in mind. And beyond that? Well, the one thing I've learned from working in a SaaS company for almost five years is that you're never done. There will always be room for improvement.
The plan I currently have for building Eventy is to be as open as possible about it. That won't mean that the source code will be open source. But I'm planning to share progress, decisions on technology and my choices about what I'll be working on next fairly open with everyone. I believe this will be the best way to let people see that Eventy will be a constant work in progress and constantly improving. I'm also hoping that in this way, people will stay as energized and excited about the platform as I am.
One of the ways I'm going to tackle this is by starting a new podcast. I've just launched the first episode of "Building Eventy" where you can listen along with the progress I'll be making, the tech choices I'm making within Eventy, the business side of things but also to talk about the domain itself, wether that is hosting events, organising conferences or giving talks.
Judging from what you've read above you can already guess that I'm very excited about all this. I must say that the road to Eventy hasn't been easy. In the last couple of years I've struggled a lot with finding a passion project where I could throw myself at 100% and keep on going. It was hard but with Eventy I feel like I've finally found it. Even though there's a lot going on in this market right now, that does not get me down and instead only motivates me even more. I'm anxious to see where Eventy is going and how far it'll get.
If you want to stay up to date with everything Eventy related, make sure you subscribe to the newsletter, follow us on Twitter and listen to the podcast.
I plan on giving more info about the first steps of Eventy really soon. Thanks for reading!
← Previous post
Maintaining LaravelAbout Me
I'm a software engineer from Antwerp, Belgium. I work as one of the core team members of Laravel, the popular PHP framework.
My passions are open-source, building communities, managing software teams, and creating quality and maintainable products.
I'm currently building Eventy, an app for user group leaders, conference organisers, speakers, attendees, sponsors and venue owners.
I organize meetups for Full Stack Belgium in the cities of Antwerp and Ghent. I'm also the co-organizer of Full Stack Europe, a conference for every kind of developer.
Follow me on Twitter at @driesvints where I also share some Dev Tips from time to time. You can contact me by email.


EBay selling StubHub to viagogo for US$4.05 billion
by The Associated PressEBay is selling StubHub to ticket seller viagogo for US$4.05 billion in cash.
The transaction is part of a review that eBay undertook earlier this year following pressure from an activist investor. The San Jose, California-based company then said it was also reviewing options for its classified ads business.
EBay Inc. bought StubHub in 2007 for US$310 million. Both StubHub and the classifieds business each brought in less than 10 per cent of eBay's total revenue last year.
The addition of StubHub will allow viagogo to sell tickets in more than 70 countries and give buyers access to a wider selection of tickets.
Viagogo's founder and CEO Eric Baker is a StubHub co-founder. In a statement, Baker said it has been his longtime wish to unite the two companies.
The sale is targeted to close by the end of 2020's first quarter.


👋 Hello.
🧖♂ Use this tool to blur images quickly.
🔒 Your image is never sent to any servers. Everything is done in the browser.
👇Tap on Load to get started.


{% extends 'dashboard/layout.html' %} {% load currency_filters %} {% block title %} Offer #{{ offer.id }} | Offer management | {{ block.super }} {% endblock %} {% block breadcrumbs %}
{% endblock %} {% block header %}| Name | {{ offer.name }} |
|---|---|
| Description | {{ offer.description }} |
| Start date | {{ offer.start_date }} |
| End date | {{ offer.end_date }} |
| Condition | {{ offer.condition.description }} |
| Benefit | {{ offer.benefit.description }} |
| Date created | {{ offer.date_created }} |
| Total discount | {{ offer.total_discount|currency }} |
|---|---|
| Number of orders | {{ offer.num_orders }} |
No orders have been placed that use this offer.
{% else %}We show a maximum of 20 orders sorted by recency.
| Order number | Order total | Discount | {% for discount in order_discounts %} {% with order=discount.order %} |
|---|---|---|---|
| {{ order.number }} | {{ order.total_incl_tax|currency }} | {{ discount.amount|currency }} | View |


Ocala events
-
migrants i thought that
PetSafe Replacement Collar - America's Pet Store
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Shop Ace and save on bark control accessories, pet safe bark collars and . Petsafe RFA-67D-11 Batteries for PetSafe Dog Collars (SAVE$$ on MultiPacks) .
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Choosing a pet containment system can be confusing, considering the number of . Many customers prefer the Stubborn Dog system as the receiver collars use standard 9-volt batteries. . It is waterproof, and uses the PetSafe RF-67 battery.
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ishmael was the son of Upcoming events in Ocala
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Sep 13minooka community high school yearbooks
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Mar 17queen ann drop leaf cocktail table
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Bob Carr Performing Arts Center
Ocala's best venues
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PetSafe Replacement Batteries - Pet Street Mall
PetSafe Replacement Batteries for dog collars and other products are Now On Sale. . Use RFA-67D-11 for PIF-275-19, PIF-300, & other models; Use RFA-188 for . ADV-1000P, ADV-1002, RF-250, PG-250M, PEL-100, LDT-200, KIT16022 .
http://www.petstreetmall.com/Petsafe-Batteries/2114/2760/ -
Amazon.com: Pet Safe RFA-67D 6-Volt Battery, Economy, 4-Pack ...
This item: Pet Safe RFA-67D 6-Volt Battery, Economy, 4-Pack by PetSafe $21.90. PetSafe Extra Collar for Wireless Containment by PetSafe $94.81. PetSafe .
http://www.amazon.com/RFA-67D-6-Volt-Battery-Economy-4-Pack/dp/B008M40LXM -
PetSafe RF-3004V In-Ground Dog Fence with Collar ...
PetSafe RF-3004V In-Ground Dog Fence with Collar . "PetSafe RFA-67D-11 6- Volt Battery Two-Pack for Dog Bark, Training and Fence Collars". Only $11.95 .
http://www.thepetstoreonline.com/petsafe-mig00-11013-in-ground-dog-fence.htmlchoosing a heart monitors
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10 Each PetSafe Wireless Fence Replacement Batteries RFA 67 ...
Type of Pet: Dogs, Model: RFA 67 . PetSafe Radio Fence collar replacement lithium battery module twin packs. . PetSafe PIF-300; PetSafe PIF-275-19; PetSafe PRF-3004W; PetSafe RF-300; PetSafe PUL-250; PetSafe PRF-304W; PetSafe .
http://www.ebay.com/itm/10-EACH-PETSAFE-WIRELESS-FENCE-REPLACEMENT-BATTERIES-RFA-67-/330675351898 -
PetSafe Radio Fence® extra Collars Receivers Petsafe collars ...
Have an older basic PG-250 or RF-250 collar with your dog fence ? . Uses fully waterproof battery module (RFA-67) lasting 4-6 months on average. Receiver .
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Days Gone added a way to reset hordes
Rock-a-Bye BB
by Jordan DevoreAs of patch 1.60, it's now possible to reset hordes in Days Gone and face them again.
You can reset hordes, ambush camps, and infestation zones repeatedly, but first, you'll need to clear the story mission "For an Outlaw Biker" and reach 100% completion for either "Horde Killer," "Ambush Camp Killer," or "Infestation Exterminator," respectively. With that caveat out of the way, you're free to duck into the pause menu (by pressing the "Options" button on the DualShock 4) and select "Reset Jobs."
The map will be refreshed, and then you can sink even more time into this massive game.
Even if you aren't into Days Gone, you can probably still relate if you've ever gotten hooked on other open-world titles (for me, Far Cry). Sometimes, I just want to get back in there and clear out camps again. It's cathartic to replay this stuff and absolutely crush it once you've gotten better at the game.
Aside from the reset feature, patch 1.60 also added a "UI Color Mode to help visibility and contrast in certain HUD elements" and a linear aiming option that "will make camera movement more one-to-one with the Right Stick input, instead of using more of the input range for smaller aiming adjustments."
Oh, and there's Death Stranding crossover items.
- Death Stranding Tank
- Death Stranding: BB Tank Both tanks can be acquired only from the Diamond Lake Mechanic
- Death Standing Decal
- Death Standing: BB Decal Decals can be acquired from any valid mechanic
- Death Standing: BB Base This frame paint can be applied on from any valid mechanic
Bend Studio characterizes this as the "final features patch" for the game, but the Days Gone team "will continue to identify and resolve major bugs if needed in future patches." They deserve a rest.
Days Gone Patch 1.60 Notes [reddit]


~
a detailed sentiment analysis
What the terms mean:
Polarity: How positive the sentence is. A
score of +1
means very positive and score
of -1
means negative and
0
means neutral.
Subjectivity: Subjective sentence expresses
some personal feelings, views, or beliefs. subjective sentence may not
express any sentiment. For example, "I think that he went home" and "I
want a camera that can take good photos" are a subjective sentences, but
does not express any sentiment.
Sentence Token: The index of the sentence in
the actual blog body
{% with final_report=object.generate_report %}
The most occurring words in this note
{{ final_report.frequency_distribution_report | safe }}
{{ final_report.polarity_distribution_bar_plot | safe }}
{{ final_report.polarity_distribution_scatter_plot | safe }}
{{ final_report.report | safe }}
{% endwith %}
{% endblock %}
{% block additional_js %}
{% endblock %}


Assignment 1: HTML Website here
Assignment 2: CSS Website here
Assignment 3: Javascript Page here
Assignment 4: Googlemaps Page here
Assignment 5: ArcGIS Javascript Page here


'Housing Navigator' tool hopes to be one-stop-shop for affordable housing listings
by Heather HegedusBOSTON - Finding affordable housing in Boston can seem nearly impossible.
The last time Massachusetts had a comprehensive guide to affordable housing units for rent was in 1986. Michael Dukakis was governor and of course, it was not online, it was in a book.
Now 33 years later, a group of nonprofits is ready to change that.
It may look like just a website, but Jennifer Gilbert says it's filling a massive void in the state. Currently, you can't find affordable unit listings in one spot, like Apartments.com or Redfin.
"It's totally shocking, I know people are often surprised. One of the things I spend a lot of time doing is convincing people that this tool does not already exist," said Gilbert, Executive Director of the Kuehn Foundation and President of the "Housing Navigator."
The tool, "the Housing Navigator" will be a one-stop-shop for affordable housing listings where renters can search the state's entire inventory, as well as learn about local lotteries.
"I think we're all aware there's not enough affordable housing in the Greater Boston area," said Gibert.
They hope to roll out the website by next fall. It will be compatible with smartphones and will also have an eligibility calculator.
"One of the things we heard very much from the renter's side was this needs to be mobile-friendly," said Gilbert. "In Boston, a family of four would be eligible all the way up to over $118,000 a year of income — and I think sometimes people are surprised by that."
In an era where we can find almost everything online, it might seem like such a simple solution to a widespread problem. So, what took so long?
"What took so long is I think it's hard to collect all the data. You know, a great thing Mass. does is support affordable housing in a lot of different ways and in a lot of different communities but there's not one place that funds it all, so the way that you put together a site like this is you've gotta go figure out first of all - where it all is," said Gilbert.
>> More from our "Priced Out" series:
Priced Out: Micro-housing offers solution for Boston's homeless
Priced Out: Group says 'Yes In My Backyard' to ease Boston housing crisis
Priced out: The housing crisis in the Boston area and who is working to fix it


This is a Social Networking Site in which we can store the images and we can ping each other and can send a friend request to the other people and can be connected through LAN...
Services Provided
* Newsfeed
* Texting.
* Drive that can store images of any format.


PILLOW BOOK, THE (director/writer: Peter Greenaway; cinematographer: Sacha Vierny; cast:Vivian Wu (Nagiko), Ewan McGregor (Jerome), Ken Ogata (The Father), Judy Ongg (The Mother), Hideko Yoshida (The Aunt/The Maid), Yoshi Oida (The Publisher), Ken Mitsuishi (The Husband), 1996-UK)
Reviewed by Dennis Schwartz
The Pillow Book is a Peter Greenaway (DROWNING BY NUMBERS, THE COOK, THE THIEF, HIS WIFE AND HER LOVER, PROSPERO'S BOOKS) mesmerizing visual experience that touches base with spiritual and erotic themes, but only wets one's appetite, as its story fails to fully enhance the seductive nature of what is seen.
Of all things made into a film, calligraphy is one subject that few movies have used as their subject, but Greenaway, true to his reputation as a filmmaker with an outrageous streak in him to live up to, continues to make outlandish films that have a certain perversity to them, as well as show an elegance in clever filmmaking. Here, he starts off filming in black and white the childhood experiences of Nagiko (Wu), who wonderously listens to the stories being read by her aunt (Yoshida) from a 1,000- year text, based on the work of Sei Shonagon, a courtesan, whose spellbinding journal of sayings on the subjects of the flesh and literature makes up "The Pillow Book." The idea of that book, that the texts of those two subjects (sex & art) should fuse together as one, with there being no difference between literature and what is beautiful in their union. Pillow Book is an individual's diary of observations and a presentment of an interesting list of things the diarist has jotted down, such as duck eggs and a silver bowl filled with shaved ice.
 This seems to tickle the little girl's fancy, so much so that when we next see her as a young woman in technicolor, we realize that she has developed a fetish for having her skin written on, equating her lovers with how good a calligrapher they are.
After marrying in a traditional Japanese ceremony, to someone she knows cannot please her, but is forced on her through an arranged marriage by her father's publisher (Yoshi Oida), she will leave this husband whom she cannot relate with and move to Hong Kong. Once there she will take odd jobs, until becoming a fashion model and then a writer on flesh.
The film concentrates on Nagiko having her lovers write over her nude body, but she is becoming increasingly frustrated in finding the lover who is the perfect combination of lover and calligrapher. She will meet a young English translator she falls for even though she considers him a scribbler, Jerome (Ewan), a part he plays with appealing relish. To solve her dilemma of being with someone who is not a calligrapher, she writes on Jerome's skin after he offers her his body.
Jerome crushes her spirit by having a bisexual relationship with the same publisher who destroyed her husband financially, blackmailed her father, and now has soiled the one she loves. She thought that she could use him to get vengeance on the publisher, but when he goes naked before the publisher, who reads The Book of a Lover that she wrote on him, her jealousy and rage gets the better of her and she spurns Jerome.
The plot turns surprising simple, as revenge becomes the motive for Nagiko, and this offbeat film will remain interesting mostly through its striking visualizations.
The stunning visualizations range from ones of comedy to ones of sensuality to ones of gross cruely. An example of comedy, would be in The Third Book of Impotence, where she has the male she has written her book on running naked through the crowded streets of Hong Kong. By writing her own pillow book, that will include thirteen editions, she will tell her own story. The last one is called The Book of the Dead, and is an example of how pitiless her retribution can be. Her sensuality is seen in most of the books she writes, but seems special when she is with Jerome, as frontal nudity is there, to be examined from all different angles by a technically efficient camera, that handles these nude scenes as casually as if the actors were fully dressed.
The fun in the film is in the silliness of the story's subject matter as juxtaposed against the solemnity of the books being written on skin, with either somber religious chants or the same pop tune being played over and over in the background. The repeating of the childhood story, the constant flashbacks to Nagiko's childhood, where she is repeatedly told that the diary being read to her is by a woman who has the same name she has, give the film a stylish depth and a feeling that something overwhelming is happening.
Greenaway has the knack of telling a seductive tale by utilizing Nagiko's predilection to flesh out her character. She is really the only one in the film that we see developing and the only one whom we come to understand what she is trying to do. Her seventh book, The Book of a Seducer, was very similar to a Confucius book, where she writes on a man's bald head, "an itch to read, a scratch to understand." Her ninth, The Book of Secrets, she has her words written on a man's tongue. There seems to be a determined effort to be witty, even if the humor is not scaled to what the story is saying.
The result of this work is a film that is startling to behold, with gorgeous photogenic shots, superimpositions, amazing computer graphics, a splash of intriguing gold and red color patterns, with everything ending up so perverse and lost in an intimacy that seems so melodramatic that even the scenes that do mean something to the characters still seem to be too absurd to really mean much. But the film did have plenty of fire to it, hatred, passion, jealousy, and mystery. I just didn't find that the story was that emotionally engaging to win me over completely to what I was seeing, even if I found the film had much to show for its effort. But for those who like to see the unusual and something that is artistic, this film is both unique and unforgettable: it's pure Greenaway.
REVIEWED ON 12/23/99 GRADE: B
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Pick from one of our professionally curated designs.
Add items you want into your online shopping cart & checkout.
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I am a very simple card. I am good at containing small bits of information. I am convenient because I require little markup to use effectively.
I am a very simple card. I am good at containing small bits of information. I am convenient because I require little markup to use effectively.
I am a very simple card. I am good at containing small bits of information. I am convenient because I require little markup to use effectively.


APSMediaEvent Class Reference
| Inherits from | NSObject |
|---|---|
| Conforms to | APSMediaEventProtocol |
| Declared in | APSMediaEvent.h APSMediaEvent.m |
Overview
The APSMediaEvent
class describes a container that developers can use to instruct the player to run specific blocks of code at specific moments of time. Objects extending this class and implementing the corresponding APSMediaEventProtocol
protocol can be added to the player’s main queue and can also be attached to a specific APSMediaUnit
object, for runtime triggering.
Configuring the Event Interval
– setStartPoint:
Sets the starting time point of the event.
- (void)setStartPoint:(NSString *_Nonnull)startPoint
Parameters
startPoint |
A string format describing the time point when the player needs to trigger the event. Possible values are seconds (e.g.: @“60”) or a percentage relative to the total duration of the parent clip (e.g.: @“50%”). |
|---|
Discussion
Sets the starting time point of the event.
Declared In
APSMediaEvent.h
– setEndPoint:
Sets the ending time point of the event.
- (void)setEndPoint:(NSString *_Nonnull)endPoint
Parameters
endPoint |
A string format describing the time point when the player needs to unload the event. Possible values are seconds (e.g.: @“60”) or a percentage relative to the total duration of the parent clip (e.g.: @“50%”). |
|---|
Discussion
Sets the ending time point of the event.
Declared In
APSMediaEvent.h
– startPoint
The time interval (in seconds) when the player needs to trigger the event.
- (NSTimeInterval)startPoint
Return Value
The initial time interval.
Discussion
The time interval (in seconds) when the player needs to trigger the event.
Warning: If percentual values were set via setStartPoint
, this value will change immediately after the current clip’s duration is available.
Declared In
APSMediaEvent.h
– endPoint
The playback time (in seconds) when the player needs to unload the event. Defaults to -1 for events that should unload right after triggering.
- (NSTimeInterval)endPoint
Return Value
The final time interval.
Discussion
The playback time (in seconds) when the player needs to unload the event. Defaults to -1 for events that should unload right after triggering.
Warning: If percentual values were set via setStartPoint
, this value will change immediately after the current clip’s duration is available.
Declared In
APSMediaEvent.h
repeatAfter
If this parameter is greater than 0, then the event will be retriggered by the media player after the specific time interval (in seconds).
@property (nonatomic) NSTimeInterval repeatAfter
Discussion
If this parameter is greater than 0, then the event will be retriggered by the media player after the specific time interval (in seconds).
Declared In
APSMediaEvent.h
– incrementStartAndEndPointsWithInterval:
Shifts air-time for an event by a defined amount of time.
- (void)incrementStartAndEndPointsWithInterval:(NSTimeInterval)duration
Parameters
duration |
Shift duration in seconds. |
|---|
Discussion
Shifts air-time for an event by a defined amount of time.
Declared In
APSMediaEvent.h
– adjustRelativeToDuration:
Translates percentual values set via setStartPoint
and setEndPoint
to actual time intervals in seconds, relative to a specified total duration.
- (void)adjustRelativeToDuration:(NSTimeInterval)duration
Parameters
duration |
The total duration. |
|---|
Discussion
Translates percentual values set via setStartPoint
and setEndPoint
to actual time intervals in seconds, relative to a specified total duration.
Declared In
APSMediaEvent.h
Asynchroneous Pre-Trigger
– trigger
Call this to trigger the event.
- (void)trigger
Discussion
Call this to trigger the event.
Declared In
APSMediaEvent.h
– preload
Call this to preload the event.
- (void)preload
Discussion
Call this to preload the event.
Declared In
APSMediaEvent.h
Asynchroneous Event Preloading
preloadInterval
Defines the number of seconds before the scheduled start point when the event should receive the [APSMediaEventProtocol preload] message (if the method is implemented).
@property (nonatomic) NSTimeInterval preloadInterval
Discussion
Defines the number of seconds before the scheduled start point when the event should receive the [APSMediaEventProtocol preload] message (if the method is implemented).
Declared In
APSMediaEvent.h
timeout
Defines the maximum number of seconds the event is allowed to live once it has been pretriggered, without setting the loaded property to YES
.
@property (nonatomic) NSTimeInterval timeout
Discussion
Defines the maximum number of seconds the event is allowed to live once it has been pretriggered, without setting the loaded property to YES
.
Declared In
APSMediaEvent.h
state
The current lifecycle state of the event.
@property APSMediaEventState state
Discussion
The current lifecycle state of the event.
Declared In
APSMediaEvent.h
preloadPoint
Set by the player to the current playback time in seconds, after the current event begins preloading. Defaults to -1 if the event did not start preloading.
@property NSTimeInterval preloadPoint
Discussion
Set by the player to the current playback time in seconds, after the current event begins preloading. Defaults to -1 if the event did not start preloading.
Declared In
APSMediaEvent.h
dynamicPosition
Set this to YES
if the event has no specific start time, and the player should handle insertion.
@property BOOL dynamicPosition
Discussion
Set this to YES
if the event has no specific start time, and the player should handle insertion.
Declared In
APSMediaEvent.h
Other Methods
– onTrigger
This code will be executed once the event is triggered by the player.
- (void)onTrigger
Discussion
This code will be executed once the event is triggered by the player.
Declared In
APSMediaEvent.h
– setStateWithoutTriggeringKVO:
This method allow setting event’s state without triggering KVO observers To be used inside - observeValueForKeyPath:ofObject:change:context:
- (void)setStateWithoutTriggeringKVO:(APSMediaEventState)state
Discussion
This method allow setting event’s state without triggering KVO observers To be used inside - observeValueForKeyPath:ofObject:change:context:
Declared In
APSMediaEvent.h


Lina 02 Nov 2019, 07:32 by khon5u © Tina Signesdottir HultOpen portraiture and Norway national award winner — Sony world photography awards 2018.


_Pleasantville_ (PG-13) *** 1/2 (out of ****)
Thanks to a magical remote control, '90s fraternal twin siblings David (Tobey Maguire) and Jennifer (Reese Witherspoon) get sucked into the wholesome, black-and-white, 1950s TV sitcom world of Pleasantville. It's a gimmicky premise, one that would appear to set the stage for a too-cute-for-its-own-good film. But writer-director Gary Ross uses the gimmick as the springboard for a wildly clever fable of self-discovery in which the two teens' contemporary sensibilities break the citizens of Pleasantville from their antiquated bonds of repression. Spiritual awakening is not without its side effects, most visibly being a part-by-part transformation from drab duotones to vibrant Technicolor--which leads to a sly (and most unexpected) satire of racial politics.
The beauty of _Pleasantville_ is while it tackles some issues that are high-minded, the film itself is not. Ross has his cake and eats it too, being socially relevant without being preachy, never once forgetting the film's duty to the audience is to entertain--and that it does. The script is as funny as it is wholly original, and it is filled with memorable characters, such as the seemingly happy marrieds George (William H. Macy) and Betty Parker (Joan Allen) and timid malt shop owner Mr. Johnson (Jeff Daniels). If the script has a shortcoming, it is that the arcs of the two main characters, '50s-loving David and wild '90s girl Jennifer, are rather predictable. The one element of _Pleasantville_ that is perhaps attracting the most attention is the special effects wizardry used to mix black and white with color; while the resulting visuals are stunning, what makes the effects work all the more impressive is how they are used to support story ideas rather than to serve as gratuitous eye candy. (opens October 23)
Michael Dequina
<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Mr. Brown's Movie Site: http://welcome.to/mrbrown
CompuServe Hollywood Hotline: http://www.HollywoodHotline.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


gesture-based actions library for jquery
Preamble
Reveal implements gesture-based context actions for list elements, cards, and menus. It can be used to embed context actions and dialogues that can be revealed by performing a simple gesture with their mouse, touchpad, or fingers.
Reveal is good when you need to provide users with a lot of context actions, but don't want to clutter the user interface. All actions remain hidden unless user makes a specific gesture.
Installation
The only requirement for this library is jQuery. Make sure you use at least version 2.1.x.
Copy reveal.js and reveal.css to your project's folder and include them into your web-page.
If you prefer, you can install it via Bower instead:
$ bower install mmth-reveal
Context actions
Use the revealContext function to append context actions to any element on your web-page, excluding document and body. The function accepts two arguments.
The actions argument is mandatory. It must contain a hash of actions with attachments as keys of the hash. There can be several actions for a single attachment. By default Reveal is fine-tuned to handle up to two actions for a single attachment. An example of the actions list is as follows:
{ "left" : "Postpone", "right" : ["Edit", "Remove"] }
As you can see, you don't need to enclose an action in square brackets if it is the only one for the attachment. You can use HTML elements rather than strings, but make sure to add the rel-name attribute to it:
{ "right" : $("") }
You can even use a function to define actions for your attachments. This may be especially useful while working on huge dynamic lists.
this inside the function will be set to the current unwrapped element. The function must return a single action or an array of actions:
{ "right" : function()
{
return $(this).hasClass("done") ? "undo" : "done";
}}
The second argument defaults is optional. You can use it to alter the default behaviour and visual properties of context actions. You can find the list of all available properties below:
- complete
- Callback function. Called when one of context actions for the element was selected. Reveal passes an object to the callback with the action, attachment, element, and wrapper keys set.
- cancel
- Callback function. Called when no context action was selected while performing a gesture. Reveal passes an object to the callback with the element key set.
- actions_css_prefix
- This prefix is used while appending a CSS-class with an active action name to the element. Default value is reveal-action-.
- activation_threshold
- Determines whether the element was dragged far enough to call the complete function (if exists). If it is not dragged far enough, the cancel function is called instead (if exists). The value of this property can be either absolute (number greater than 1) or relative (a number from 0 to 1) to the element's width or height. Default value is 0.4.
- offscreen_element_size
- Maximum size (width or height) of the container for context actions embedded into the element. The value of this property can be either absolute (number greater than 1) or relative (a number from 0 to 1) to the element's dimensions. Default value is 0.5.
- action_element_size
- Maximum size (width or height) of a single context action embedded into the element. The value of this property can be either absolute (number greater than 1) or relative (a number from 0 to 1) to the element's dimensions. Default value is 0.5.
Adjust the values of activation_threshold, offscreen_size, and action_element_size to achieve better usability for elements with various amount of actions and various sizes.
The basic context action is rendered like this (try dragging it to the left or to the right):
$(".example-context").revealContext
(
{ "left" : "Review", "right" : ["Edit", "Remove"] },
{ "action_css_prefix" : "example-context-",
"complete" : function(data)
{ data.element.text("Selected " + data.action); }
}
);
Reveal doesn't make any assumptions regarding the style of actions you define, so you must write your own styles for actions. For the aforementioned example we had to write the following set of CSS-classes:
.example-context-edit { background: green; }
.example-context-remove { background: red; }
.example-context-review { background: orange; }
The next example features actions attached to the top of the container:
$(".example-context-v").revealContext(
{ "top" : ["Yummy", "Delicious"] },
{ "action_css_prefix" : "example-context-v-",
"activation_threshold" : 0.7,
"complete" : function(data)
{ data.element.text("Selected " + data.action + "."); }
}
);
You can use it on multiple elements at once with functions instead of actions:
$(".example-list li").revealContext
(
{ "right" : function()
{
return $(this).hasClass("bought") ? "Sell" : "Buy";
}
},
{ "action_css_prefix" : "example-list-",
"complete" : function(data)
{
if (data.action == "Buy")
{
data.element.addClass("bought");
}
else
{
data.element.removeClass("bought");
}
}
}
);
Document actions
If you wonder what document actions are, try holding left mouse button near the top or left edge of this window and dragging your mouse from the edge. The source code for document actions here is simple:
$(document).revealContext
(
{
"left" : { "content" : $("
LEFT
") },
"top" : { "content" : $("
TOP
") }
}
);
Use the revealContext function on the document element to append a panel to the document itself, which can be revealed by dragging mouse from the appropriate corner of the window. The panel will be hidden when user clicks outside its boundaries.
You can specify top, right, bottom, or left as an attachment. There is a number of optional properties that can be changed for every attachment:
- content
- An HTML element to append as a child element to the panel container, or a function with this set to the panel root element (you can easily append your own elements to it). This property is null by default.
- id
- The optional identifier of the panel container root element. By default there is no identifier.
- inactive_size
- Width (for left and right attachments) or height (for top and bottom attachments) of a window region near the edge of the window which will be listening for mouse events. Default value is 30 pixels.
- activation size
- Width (for left and right attachments) or height (for top and bottom attachments) of the container after which it will be fully revealed to the user after the dragging operation is stopped. If the value of this property is less than or equal to 1, it is treated as a fraction of the container_size. By default this property is set to 0.3 (30% of container_size).
- container_size
- Width (for left and right attachments) or height (for top and bottom attachments) of the container itself. Default value is 200 pixels.
Questions and feedback
You can ask questions by tweeting to @dinqe
or @mmth. You can write us to our email as well.
License
Reveal is licensed under the MIT license.


{% csrf_token %} Name This field is required Email A valid email address is required {{ form.id_menu }} Phone Number A valid phone number is required Address A valid email is required Send


Random Youtube Generator
If you even dare
Random Youtube Video
This website is made for poeple to watch the wierd side of youtube


| Modifier and Type | Method and Description |
|---|---|
ResultSet |
drillThrough()
Drills through from this cell to the underlying fact table data,
and returns a
ResultSet of the results. |
CellSet |
getCellSet()
Returns the
CellSet that this Cell belongs to. |
List<Integer> |
getCoordinateList()
Returns the coordinates of this Cell in its
CellSetAxis . |
double |
getDoubleValue()
Returns the value of this cell as a
double value. |
String |
getErrorText()
Returns the error message of this Cell, or null if the cell is not
in error.
|
String |
getFormattedValue()
Returns the value of this Cell, formatted according to the
FORMAT_STRING property and using the numeric formatting tokens the
current locale.
|
int |
getOrdinal()
Returns the ordinal of this Cell.
|
Object |
getPropertyValue(Property property)
Returns the value of a given property for this Cell.
|
Object |
getValue()
Returns the value of this Cell.
|
boolean |
isEmpty()
Returns whether this cell is empty.
|
boolean |
isError()
Returns whether an error occurred while evaluating this cell.
|
boolean |
isNull()
Returns whether the value of this cell is NULL.
|
void |
setValue(Object value,
AllocationPolicy allocationPolicy,
Object... allocationArgs)
Sets the value of a cell.
|
CellSet getCellSet()
CellSet
that this Cell belongs to.int getOrdinal()
The formula is the sequence, zero-based, which the cell would be
visited in a raster-scan through all of the cells of this
CellSet
. The ordinal of the first cell is zero, and the
ordinal of the last cell is the product of the lengths of the axes, minus
1. For example, if a result has 10 columns and 20
rows, then:
List<Integer> getCoordinateList()
CellSetAxis
.
This method is provided for convenience. It is equivalent to the following code:
getResult().ordinalToCoordinateList(getOrdinal())
Object getPropertyValue(Property property)
The list of allowable properties may be obtained by calling
CellSet.getMetaData()
followed by
CellSetMetaData.getCellProperties()
.
Every cell has certain system properties such as "VALUE" and
"FORMAT_STRING" (the full list is described in the
Property.StandardCellProperty
enumeration), as well as extra properties defined by the query.
property
- Property whose value to retrieveboolean isEmpty()
boolean isError()
boolean isNull()
double getDoubleValue() throws OlapException
double
value.
Not all values can be represented as using the Java
double
, therefore for some providers, getValue()
may return a more accurate result.
0
OlapException
- if this cell does not have a numeric valueString getErrorText()
If the cell is an error, the value will be an OlapException
.
(This value is returned, not thrown.)
Object getValue()
If the cell is an error, the value will be an OlapException
.
(This value is returned, not thrown.)
If the cell has a numeric value, returns an object which implements
the Number
interface.
getDoubleValue()
String getFormattedValue()
The formatted value is never null. In particular, when the cell
contains the MDX NULL value, getValue()
will return the Java
null
value but this method will return the empty string
""
.
ResultSet drillThrough() throws OlapException
ResultSet
of the results.
If drill-through is not possible, returns null.
OlapException
- if a database error occursvoid setValue(Object value, AllocationPolicy allocationPolicy, Object... allocationArgs) throws OlapException
When this method may be called depends on the provider. But typically,
the connection must at least have an active scenario; see
OlapConnection.setScenario(Scenario)
.
The number and type of additional arguments specified in the
allocationArgs
parameter depends on the allocation policy chosen.
Some policies, such as AllocationPolicy.EQUAL_ALLOCATION
, do not
require any additional arguments, in which case allocationArgs
may be null
.
value
- Cell valueallocationPolicy
- Allocation policyallocationArgs
- Allocation policy argumentsOlapException
- if a database error occurs


Let's Work Together
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Installation¶
Requirements¶
Astropy has the following strict requirements:
Astropy also depends on other packages for optional features:
- h5py: To read/write
Table
objects from/to HDF5 files - BeautifulSoup: To read
Table
objects from HTML files - scipy: To power a variety of features (currently mainly cosmology-related functionality)
- xmllint: To validate VOTABLE XML files.
However, note that these only need to be installed if those particular features are needed. Astropy will import even if these dependencies are not installed.
Installing Astropy¶
Using pip¶
To install Astropy with pip, simply run:
pip install --no-deps astropy
Warning
Users of the Anaconda python distribution should follow the instructions for Anaconda python distribution.
Note
You will need a C compiler (e.g. gcc
or clang
) to be installed (see
Building from source below) for the installation to succeed.
Note
The --no-deps
flag is optional, but highly recommended if you already
have Numpy installed, since otherwise pip will sometimes try to “help” you
by upgrading your Numpy installation, which may not always be desired.
Note
If you get a PermissionError
this means that you do not have the
required administrative access to install new packages to your Python
installation. In this case you may consider using the --user
option
to install the package into your home directory. You can read more
about how to do this in the pip documentation.
Alternatively, if you intend to do development on other software that uses Astropy, such as an affiliated package, consider installing Astropy into a virtualenv.
Do not install Astropy or other third-party packages using sudo
unless you are fully aware of the risks.
Anaconda python distribution¶
Astropy is installed by default with Anaconda. To update to the latest version run:
conda update astropy
Note
There may be a delay of a day or to between when a new version of Astropy
is released and when a package is available for Anaconda. You can check
for the list of available versions with conda search astropy
.
Note
Attempting to use pip
to upgrade your installation of Astropy may result
in a corrupted installation.
Binary installers¶
Binary installers are available on Windows for Python 2.6, 2.7, 3.1, and 3.2 at PyPI.
Testing an installed Astropy¶
The easiest way to test your installed version of astropy is running correctly is to use the astropy.test() function:
import astropy
astropy.test()
The tests should run and print out any failures, which you can report at the Astropy issue tracker.
Note
This way of running the tests may not work if you do it in the astropy source distribution. See Testing a source code build of Astropy for how to run the tests from the source code directory, or Running Tests for more details.
Note
Running the tests this way is currently disabled in the IPython REPL due to conflicts with some common display settings in IPython. Please run the Astropy tests under the standard Python command-line interpreter.
Building from source¶
Prerequisites¶
You will need a compiler suite and the development headers for Python and Numpy in order to build Astropy. On Linux, using the package manager for your distribution will usually be the easiest route, while on MacOS X you will need the XCode command line tools.
The instructions for building Numpy from source are also a good resource for setting up your environment to build Python packages.
You will also need Cython (v0.15 or later) installed to build from source, unless you are installing a numbered release. (The releases packages have the necessary C files packaged with them, and hence do not require Cython.)
Note
If you are using MacOS X, you will need to the XCode command line tools. One way to get them is to install XCode. If you are using OS X 10.7 (Lion) or later, you must also explicitly install the command line tools. You can do this by opening the XCode application, going to Preferences, then Downloads, and then under Components, click on the Install button to the right of Command Line Tools. Alternatively, on 10.7 (Lion) or later, you do not need to install XCode, you can download just the command line tools from https://developer.apple.com/downloads/index.action (requires an Apple developer account).
Obtaining the source packages¶
Source packages¶
The latest stable source package for Astropy can be downloaded here.
Development repository¶
The latest development version of Astropy can be cloned from github using this command:
git clone git://github.com/astropy/astropy.git
Note
If you wish to participate in the development of Astropy, see Developer Documentation. This document covers only the basics necessary to install Astropy.
Building and Installing¶
Astropy uses the Python distutils framework for building and
installing and requires the
distribute extension–the later is
automatically downloaded when running python setup.py
if it is not already
provided by your system.
If Numpy is not already installed in your Python environment, the astropy setup process will try to download and install it before continuing to install astropy.
To build Astropy (from the root of the source tree):
python setup.py build
To install Astropy (from the root of the source tree):
python setup.py install
Troubleshooting¶
If you get an error mentioning that you do not have the correct permissions to
install Astropy into the default site-packages
directory, you can try
installing with:
python setup.py install --user
which will install into a default directory in your home directory.
External C libraries¶
The Astropy source ships with the C source code of a number of
libraries. By default, these internal copies are used to build
Astropy. However, if you wish to use the system-wide installation of
one of those libraries, you can pass one or more of the
--use-system-X
flags to the setup.py build
command.
For example, to build Astropy using the system libexpat, use:
python setup.py build --use-system-expat
To build using all of the system libraries, use:
python setup.py build --use-system-libraries
To see which system libraries Astropy knows how to build against, use:
python setup.py build --help
As with all distutils commandline options, they may also be provided in a
setup.cfg
in the same directory as setup.py
. For example, to use
the system libexpat, add the following to the
setup.cfg
file:
[build]
use_system_expat=1
The required version of setuptools is not available¶
If upon running the setup.py
script you get a message like
The required version of setuptools (>=0.9.8) is not available, and can’t be installed while this script is running. Please install a more recent version first, using ‘easy_install -U setuptools’.
(Currently using setuptools 0.6c11 (/path/to/setuptools-0.6c11-py2.7.egg))
this is because you have a very outdated version of the setuptools package which is used to install
Python packages. Normally Astropy will bootstrap newer version of
setuptools via the network, but setuptools suggests that you first
uninstall the old version (the easy_install -U setuptools
command).
However, in the likely case that your version of setuptools was installed by an
OS system package (on Linux check your package manager like apt or yum for a
package called python-setuptools
), trying to uninstall with
easy_install
and without using sudo
may not work, or may leave your
system package in an inconsistent state.
As the best course of action at this point depends largely on the individual system and how it is configured, if you are not sure yourself what do please ask on the Astropy mailing list.
The Windows installer can’t find Python in the registry¶
This is a common issue with Windows installers for Python packages that do not
support the new User Access Control (UAC) framework added in Windows Vista and
later. In particular, when a Python is installed “for all users” (as opposed
to for a single user) it adds entries for that Python installation under the
HKEY_LOCAL_MACHINE
(HKLM) hierarchy and not under the
HKEY_CURRENT_USER
(HKCU) hierarchy. However, depending on your UAC
settings, if the Astropy installer is not executed with elevated privileges it
will not be able to check in HKLM for the required information about your
Python installation.
In short: If you encounter this problem it’s because you need the appropriate entries in the Windows registry for Python. You can download this script and execute it with the same Python as the one you want to install Astropy into. For example to add the missing registry entries to your Python 2.7:
C:\>C:\Python27\python.exe C:\Path\To\Downloads\win_register_python.py
Building documentation¶
Note
Building the documentation is in general not necessary unless you are writing new documentation or do not have internet access, because the latest (and archive) versions of astropy’s documentation should be available at docs.astropy.org .
Building the documentation requires the Astropy source code and some additional packages:
- Sphinx (and its dependencies) 1.0 or later
- Graphviz
- Astropy-helpers (Astropy and most affiliated packages include this as a submodule in the source repository, so it does not need to be installed separately.)
Note
Sphinx also requires a reasonably modern LaTeX installation to render equations. Per the Sphinx documentation, for the TexLive distribution the following packages are required to be installed:
- latex-recommended
- latex-extra
- fonts-recommended
For other LaTeX distributions your mileage may vary. To build the PDF
documentation using LaTeX, the fonts-extra
TexLive package or the
inconsolata
CTAN package are also required.
There are two ways to build the Astropy documentation. The most straightforward way is to execute the command (from the astropy source directory):
python setup.py build_sphinx
The documentation will be built in the docs/_build/html
directory, and can
be read by pointing a web browser to docs/_build/html/index.html
.
The LaTeX documentation can be generated by using the command:
python setup.py build_sphinx -b latex
The LaTeX file Astropy.tex
will be created in the docs/_build/latex
directory, and can be compiled using pdflatex
.
The above method builds the API documentation from the source code. Alternatively, you can do:
cd docs
make html
And the documentation will be generated in the same location, but using the installed version of Astropy.
Testing a source code build of Astropy¶
The easiest way to test that your Astropy built correctly (without installing astropy) is to run this from the root of the source tree:
python setup.py test
There are also alternative methods of Running Tests.


| Cockpit Guide |
|---|
cockpit.confcockpit.conf — Cockpit configuration file |
Cockpit can be configured via /etc/cockpit/cockpit.conf. That file has a INI file syntax and thus contains key / value pairs, grouped into topical groups. See the examples below for details..
Note: The port that cockpit listens on cannot be changed in this file. To change
the port change the systemd cockpit.socket
file.
|
By default cockpit will not accept crossdomain websocket connections. Use this setting to allow access from alternate domains. Origins should include scheme, host and port, if necessary. [WebService] Origins = https://somedomain1.com https://somedomain2.com:9090 |
|
Configure cockpit to look at the contents of this header to determine if a connection is using tls. This should only be used when cockpit is behind a reverse proxy, and care should be taken to make sure that incoming requests cannot set this header. [WebService] ProtocolHeader = X-Forwarded-Proto |
|
Set the browser title for the login screen. |
|
When set to |
|
When set to |
|
Same as the sshd configuration option by the same name. Specifies the maximum number of concurrent login attempts allowed. Additional connections will be dropped until authentication succeeds or the connections are closed. Defaults to 10. Alternatively, random early drop can be enabled by specifying the
three colon separated values |
|
If true, cockpit will accept unencrypted HTTP connections. Otherwise, it
redirects all HTTP connections to HTTPS. Exceptions are connections from
localhost and for certain URLs (like |
|
The root URL where you will be serving cockpit. When provided cockpit will expect all
requests to be prefixed with the given url. This is mostly useful when you are using
cockpit behind a reverse proxy, such as nginx. |
|
The kind of log messages in the bridge to treat as fatal. Separate multiple values
with spaces. Relevant values are: |
Cockpit can be configured to support the
implicit grant OAuth authorization flow. When successful the resulting oauth
token will be passed to cockpit-ws using the Bearer
auth-scheme.
For a login to be successful, cockpit will also need a to be configured to verify
and allow Bearer
tokens.
|
This is the url that cockpit will redirect the users browser to when it needs to obtain an oauth token. Cockpit will add a redirect_uri parameter to the url with the location of where the oauth provider should redirect to once a token has been obtained. |
|
When a oauth provider redirects a user back to cockpit, look for this parameter
in the querystring or fragment portion of the url to find a error message. When not
provided it will default to |
|
When a oauth provider redirects a user back to cockpit, look for this parameter
in the querystring or fragment portion of the url to find the access token. When not
provided it will default to |


Cubing Data Analysis
I like solving Rubik’s cubes. I have one within 20 feet of myself at all times (a bit of an exaggeration, but pretty close to the truth). Here’s a picture of me with Erno Rubik, the inventor of the cube!
He’s a very nice person. Anyways, I’ve been solving for years, and I finally asked the question: “Have I improved?” Over the years, I’ve amassed a collection of several thousand solves. My dataset includes timestamps, solve times, scrambles used (when available), and averages. My friend/fellow nerd Jacob suggested I use Python to poke at my data and see what came out. I had some previous coding experience, but none with Python, so I had no idea what I was getting into. Turns out, Python is a pretty friendly language!
After importing the data to a Jupyter notebook, I got to work.
Box It Up
In cubing, when people ask, “How fast are you?”, there are two ways to respond. One is to give your fastest single solve. Another is to say, “I am sub-x.” Here, x is a neat whole number like 60, 30, 20, 15, etc. This means in general that over an arbitrary set of solves, your average time will be below that cutoff. For example, I currently consider myself sub-20, moving towards sub-15. But am I actually sub-20? I was curious about what percentage of my times fit into which boxes.
My solution was to parse through the data and split the data based on date. Everything in a given past year was lumped into one group, and everything in the present year was split by months. This meant I could quickly see how I had improved from 2016 to 2017, 2017 to 2018, and how progress was going throughout 2019. Then I categorized the times by my arbitrary cutoffs: Sub-60, -45, -30, -25, -20, and -15. For example, if a solve was between 30-60 seconds, it was sub-60. All my data would fit into one of these boxes. Since every month or year had a variable number of solves, I normalized the data to give me percentages. After some very professional amateur coding, I came up with this graph.
First, you’ll notice that sub-60 times aren’t visible. Rest assured, they are there! They simply vanished after the first few months of data from late 2016 into early 2017. You’ll notice I rapidly improved over the first few years, but progress in 2019 has slowed. That’s because as I get faster, the room for improvement shrinks. I have to optimize specific aspects of my solve that don’t become immediately apparent.
Sub-20 times started arriving in 2017 but didn’t become the majority of solves until early this year. As of this post, roughly 75% of my solves are below 20 seconds. That’s good enough for me to call myself sub-20! There are some significant peaks and valleys through the later part of this year, mostly due to the fact that I didn’t have a ton of solves in those months and minor mistakes can very quickly look like unscalable peaks.
My favorite part of this graph is the blip of sub-15 times in 2018 turning into a noticeable chunk in 2019. Granted, they make up a small portion of the data, but they are there and they are growing! One of my biggest cubing goals is to confidently call myself sub-15. That means I expect to see what is a little notch now grow to dominate the rest of the graph.
Another Day, Another Solve
Cubers (and humans in general) tend to fixate on personal bests, but I wanted to know something a little different. On any given day that I cubed, what was my best time of that day alone? My best time on July 9, 2017, might have been 27.81s, but I might have had a best time of 32.33s three days later.
This one was pretty easy to implement. For every day in the data set, I picked the first time and made it the best time of the day. Then I kept going until either a) I started a new day or b) I found a better time. The end result looks like this:
As you can see, in the recent past, I am likely to have at least one time under 15 seconds and almost guaranteed to have a solve under 20. This is encouraging! It means my best is getting better on a consistent basis. You’ll notice the graph appears to be tapering off, but I don’t think this is my limit. I know of several ways to improve my times (I’ve begun implementing them) but results take time to show.
Best of the Best
This next section is fairly self-explanatory. How have my all-time bests improved?
The implementation is super easy. Start with the first recorded solve, and make that your “best”. Then go through each solve after that. If you find something better, add it to the list. Keep on going until you hit the end. Finally, you get this result.
I find this to be one of my favorite visualizations. I very quickly drop my best time from over 35 seconds to under 25, and I never look back. The biggest drawback is that the x-axis isn’t spaced by date properly; they’re spaced evenly which isn’t how these solves are set. That’s something to be fixed at a later date. Regardless, the trend is visible. My second major cubing goal is to have one solve under 10 seconds. If I can achieve that, I’ve joked, I’ll retire happy. And by the looks of it, I’m not too far off! I recently broke the sub-10.5 barrier (super arbitrary, I know, but you take your wins where you can) with a time of 10.46 seconds. I never imagined a day where I would be on the precipice of reaching my biggest cubing goal, yet here we are. So close! This makes me want to pick up a cube and just keep solving because you never know when a personal best will strike.
Scorigami!
This concept is a little silly, but I find it pretty cool. Jon Bois is a sports writer/data nerd. He created the concept of scorigami, defined as “the art of achieving a final score in an NFL game that has never happened before.” For example, in 2019, the Ravens beat the Dolphins 59-10, a score that had never occurred in the NFL prior. Of course, I wanted to apply this to cubing. Times are measured in hundredths of seconds (timers used in competition aren’t yet good enough to measure milliseconds). For example, between 8.00 and 9.00 seconds, there are 100 possible unique times. I wanted to know how many I had reached between my worst and best times.
This was done by finding the set of all unique times I had achieved and subtracting it from the set of all possible unique times between my best and worst solves. I also wanted to know how many of my times had only been reached once (for example, my personal best has only been achieved once). The code whirred away in the background for a while and gave me these results:
Between my best time of 10.46 s and my worst time of 58.15 s, there are 4769 possible unique times.
Unique times are discretely measured in units of 0.01s. One term used to describe specific rare instances of a score is scorigami, invented by Jon Bois.
I have achieved 2245 of them. This is 47.07 % of all possible scorigami times.
The time that appears the most frequently is 20.52 s.
There are 601 times that occur only once. These are true scorigamis. They had never been done before and have not been achieved since.
This was very interesting to me. I’ve reached less than 50% of this set of unique times. This makes sense; in the early days, I was improving rapidly, so I very quickly stopped having very slow times. Later, as I stabilized, I started getting more and more of the same solve times and only occasionally delving into new territory. Again, this means absolutely nothing, but it’s still fun to look at.
And that’s my journey through cubing data! I still have a few things that I’d like to do, listed below. Primarily I’d like to run this same analysis on my averages of 100 solves. This is a better indicator of how consistent (or inconsistent) my solves have been over the last few years. A couple of things need to be tweaked here and there, like the axes on some graphs, but this is it. Now if you’ll excuse me, I have to go solve a cube. :)
TODO:
Progress evaluator for Ao5, 12, 100, etc.: To be implemented
PB Tracker: In progress, must fix x axis ticks
Weekday Evaluator: To be implemented
Day-by-day PBs: In progress, must fix x axis ticks
Modal time: Done!
Scorigami (times I’ve never reached, H/T Jon Bois): Done!
With my head in the stars,
Joshua


VellvmA Larger Case Study
Our final case study on property-based testing is in the context
of
Vminus, a compiler for
Imp built on a simplified version of
the
Vellvm framework for verified compilation in the LLVM
ecosystem.
To get started, visit the
vminus directory in the
dsss17
repository and open the file
CompilerTest.


|
Ext.NET Mobile
4.1.0
.NET Component Framework for Enterprise Level Apps
|
Public Member Functions | |
| Builder (TLoadMask component) | |
| virtual TBuilder | Cls (string cls) |
| The CSS class for this Component. Defaults to 'x-mask-loading'. More... | |
| virtual TBuilder | Indicator (bool? indicator) |
| True to show the loading indicator on this Ext.LoadMask. Defaults to true. More... | |
| virtual TBuilder | Message (string message) |
| The text to display in a centered loading message box. Defaults to "Loading...". More... | |
| virtual TBuilder | MessageCls (string messageCls) |
| The CSS class to apply to the loading message element. Defaults to 'x-mask-message'. More... | |
| Builder () | |
| Builder (LoadMask component) | |
| Builder (LoadMask.Config config) | |
| Public Member Functions inherited from Ext.Net.Mobile.Mask.Builder< TLoadMask, TBuilder > | |
| Builder (TMask component) | |
| Builder () | |
| Builder (Mask component) | |
| Builder (Mask.Config config) | |
| virtual TBuilder | Transparent (bool? transparent) |
| True to make this mask transparent. Defaults to false. More... | |
Static Public Member Functions | |
| static implicit | operator Builder (LoadMask component) |
| Static Public Member Functions inherited from Ext.Net.Mobile.Mask.Builder< TLoadMask, TBuilder > | |
| static implicit | operator Builder (Mask component) |
|
inline |
|
inline |
|
inline |
|
inline |
|
inlinevirtual |
The CSS class for this Component. Defaults to 'x-mask-loading'.
|
inlinevirtual |
True to show the loading indicator on this Ext.LoadMask. Defaults to true.
|
inlinevirtual |
The text to display in a centered loading message box. Defaults to "Loading...".
|
inlinevirtual |
The CSS class to apply to the loading message element. Defaults to 'x-mask-message'.
|
inlinestatic |


Welcome To Wheel Of Wealth
- On the game screen, the player is presented with a category, and a hidden puzzle associated with that
category.
- A random monetary value is presented for each letter guess that they make. This amount could be a dollar
amount, but it could also be "Bankrupt", where you lose everything.
- If the segment is not a penalty one, the player can pick a letter.
- If the guess is correct, then a prize according to the segment is paid, per correct letter ($100 for 3 x J's
would pay out $300).
- If the guess is wrong, a new prize amount is generated, and the player gets to guess again.
- After solving the puzzle, the player moves on to the next round.
- At the completion of all 3 rounds, the players total winnings are added up, and if achieved, the player is
immortalized on the High Score Board


Iron Systems India Pvt Ltd
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SYNTEL
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T-Systems ICT India Pvt. Ltd.
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Rob Gronkowski bewildered over Tom Brady's frustration after Eagles win: 'I don't miss that'
by Ryan GaydosRob Gronkowski appeared to be befuddled with his former teammate Tom Brady’s body language after the New England Patriots pulled out a win in Week 11 against the Philadelphia Eagles.
Brady expressed his frustration with himself and lamented the offense’s lack of production in the postgame press conference last week. But Gronkowski said on the NFL on FOX pregame show, prior to the Patriots’ win over the Dallas Cowboys, that he was seemingly shocked by the quarterback’s response.
“He’s so frustrated, too. It’s like, ‘Yo, you guys are 9-1.’ That’s one part I don’t miss about being there. Hands down. I’m not going to lie. I don’t miss that,” Gronkowski said.
“They’re frustrated. They’re 9-1. They win a game against Philly last week. We lost to them two years ago in the Super Bowl. They should be happy. Instead, you’re sitting there Sunday night thinking, ‘What did I do wrong?’ No, that’s not the feeling you should be having. But you won the game. Enjoy it. Go out next week, and build off it.”
Brady appeared to have a different reaction after New England’s win over Dallas to improve to 10-1. He was a completely different person than he was a week before after beating the Eagles.
CLICK HERE FOR MORE SPORTS COVERAGE ON FOXNEWS.COM
“It was a hard-fought win,” Brady said, according to Boston.com. “We have a great group of men that work really hard to compete, and it was great to see it come through. I think every team develops at different times and so forth, but I think we just take the challenges as they come and try to do the best we can. It was great, they’re a good football team, and I’m happy we came away with more points than them.”


This is my first paragraph.
This is my second paragraph.
This is my third paragraph.
This is my fourth paragraph.


Manga downloader
Download .zip
Download .tar
Documentation
Go to random site
Latest site
Questions
How to offer more resources?
Very simple. Write to me at<EMAIL_ADDRESS>or make a pull-request on
github.com
How to help?
You can also make a
pull-request
, or create an
issue
.
You can also crawl more sites that have a manga online reading available.
Latest update: __last_update__


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| Name | Total Lines | Lines of Code | Total Coverage | Code Coverage |
|---|---|---|---|---|
| manifest_parser.rb | 99 | 82 | 85.86%
|
84.15%
|
Code reported as executed by Ruby looks like this...and this: this line is also marked as covered.Lines considered as run by rcov, but not reported by Ruby, look like this,and this: these lines were inferred by rcov (using simple heuristics).Finally, here's a line marked as not executed.
1 require 'rexml/document' |
2 require 'base64' |
3 |
4 class ManifestParser |
5 def initialize file_path |
6 file = File.new(file_path,'rb') |
7 @manifest = REXML::Document.new file |
8 @decrypter_hash = Hash.new |
9 end |
10 |
11 def parse |
12 content_element = find_context_xml() |
13 @decrypter_hash['size'] = content_element.attributes['size'].to_i |
14 content_element.elements.each do |encryption_data| |
15 @decrypter_hash['checksum'] = Base64.decode64(encryption_data.attributes['checksum']) |
16 @decrypter_hash['checksum-type'] = encryption_data.attributes['checksum-type'] |
17 encryption_data.elements.each do |element| |
18 put_attributes_in_the_map element |
19 end |
20 end |
21 #Turn them all into the right format for ruby to understand |
22 set_ruby_name_for_encryption |
23 set_ruby_name_for_hashing_algorithm |
24 if(@decrypter_hash['key-size'] == nil)#Saw a encrypted blowfish odt online with out key size |
25 @decrypter_hash['key-size'] = 16 |
26 end |
27 return @decrypter_hash |
28 end |
29 |
30 attr_reader :decrypter_hash |
31 private |
32 def set_ruby_name_for_hashing_algorithm |
33 if(@decrypter_hash['hashing_algorithm'].include?('SHA1') || @decrypter_hash['hashing_algorithm'].include?('sha1')) |
34 @decrypter_hash['hashing_algorithm'] = 'SHA1' |
35 elsif(@decrypter_hash['hashing_algorithm'].include?('SHA256') || @decrypter_hash['hashing_algorithm'].include?('sha256')) |
36 @decrypter_hash['hashing_algorithm'] = 'SHA256' |
37 end |
38 end |
39 |
40 def set_ruby_name_for_encryption |
41 decryption_algorithm = '' |
42 if(@decrypter_hash['decryption_algorithm'].include?('Blowfish')) |
43 decryption_algorithm = 'BF' |
44 elsif(@decrypter_hash['decryption_algorithm'].include?('aes256')) |
45 decryption_algorithm = 'AES-256' |
46 end |
47 if(@decrypter_hash['decryption_algorithm'].include?('CBC') ||@decrypter_hash['decryption_algorithm'].include?('cbc')) |
48 decryption_algorithm += '-CBC' |
49 elsif(@decrypter_hash['decryption_algorithm'].include?('CFB') ||@decrypter_hash['decryption_algorithm'].include?('cfb')) |
50 decryption_algorithm += '-CFB' |
51 end |
52 @decrypter_hash['decryption_algorithm'] = decryption_algorithm |
53 end |
54 #Thank god for code folding hiding the shame of this method |
55 def put_attributes_in_the_map element |
56 if(element.attributes['algorithm-name']) |
57 @decrypter_hash['decryption_algorithm'] = element.attributes['algorithm-name'] |
58 end |
59 if(element.attributes['initialisation-vector']) |
60 @decrypter_hash['initialization_vector'] = Base64.decode64(element.attributes['initialisation-vector']) |
61 end |
62 if(element.attributes['key-derivation-name']) |
63 @decrypter_hash['key-derivation-name'] = element.attributes['key-derivation-name'] |
64 end |
65 if(element.attributes['iteration-count']) |
66 @decrypter_hash['iteration_count'] = element.attributes['iteration-count'].to_i |
67 end |
68 if(element.attributes['salt']) |
69 @decrypter_hash['salt'] = Base64.decode64(element.attributes['salt']) |
70 end |
71 if(element.attributes['start-key-generation-name']) |
72 @decrypter_hash['hashing_algorithm'] = element.attributes['start-key-generation-name'] |
73 end |
74 if(element.attributes['key-size'] && !@decrypter_hash['key-size'])#I only want the keysize for the derivation algorithm |
75 @decrypter_hash['key-size'] = element.attributes['key-size'].to_i |
76 end |
77 end |
78 |
79 #Proabably should do this recursively |
80 #Might find the smallest file rather than content.xml |
81 #because I believe that would help peformance |
82 def find_context_xml |
83 @manifest.elements.each do |e| |
84 e.elements.each do |e1| |
85 if(e1.attributes['full-path'] == 'content.xml') |
86 return e1 |
87 end |
88 end |
89 end |
90 #Throw exception if it gets this far |
91 "Something has gone terribly wrong :(" |
92 end |
93 end |
94 |
95 # if __FILE__ == $0 |
96 # parser = ManifestParser.new ARGV[0] |
97 # parser.parse |
98 # puts parser.decrypter_hash.inspect |
99 # end |
Generated on Sun Oct 07 19:49:36 +0100 2012 with rcov <IP_ADDRESS>


--- layout: default title: Traefik CLI Reference ---
Quick reference for Traefik command flags.
{{ option.flag }}


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clustertend: Check the Clustering Tendency
Calculate some statistics aiming to help analyzing the clustering tendency of given data. In the first version, Hopkins' statistic is implemented.
| Version: |
1.4 |
| Published: |
2015-05-20 |
| Author: |
Luo YiLan, Zeng RuTong |
| Maintainer: |
Zeng RuTong <670273197 at qq.com> |
| License: |
GPL-2 | GPL-3 [expanded from: GPL (≥ 2)] |
| NeedsCompilation: |
no |
| CRAN checks: |
clustertend results |
Downloads:
Reverse dependencies:
Linking:
Please use the canonical form
https://CRAN.R-project.org/package=clustertend
to link to this page.