All of the documentation and software included in the P3DC library is copyrighted by Chuck McManis.
Copyright © 1997-1999 Chuck McManis, all rights reserved.
Redistribution and use in source and binary forms, with or without modification, are permitted provided that the following conditions are met:
This product includes software developed by Chuck McManis.
 IN NO EVENT SHALL CHUCK MCMANIS BE LIABLE FOR AND DIRECT, INDIRECT, INCIDENTAL, SPECIAL, EXEMPLARY, OR CONSEQUENTIAL DAMAGES (INCLUDING, BUT NOT LIMITED TO, PROCUREMENT OF SUBSTITUTE GOODS OR SERVICES; LOSS OF USE, DATA, OR PROFITS; OR BUSINESS INTERRUPTION) HOWEVER CAUSED AND ON ANY THEORY OF LIABILITY, WHETHER IN CONTRACT, STRICT LIABILITY, OR TORT (INCLUDING NEGLIGENCE OR OTHERWISE) ARISING IN ANY WAY OUT OF THE USE OF THIS SOFTWARE, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGE.
The views and conclusions contained in the software and the documentation are those of the author and should not be interpreted as representing official policies, either expressed or implied, of any employer of the author.
Document ID: $Id: license.html,v 1.2 1999-08-20 13:45:52-07 cmcmanis Exp $


The Last Septermber Rated [R], 104 minutes Starring Maggie Smith, Michael Gambon and Keeley Hawes Screenplay by John Banville Based on the novel by Elizabeth Bowen Directed by Deborah Warner website: www.thelastseptember.com
IN SHORT: For the arthouse. Better for rental.
Welcome to County Cork, 1920. That would be after the time of "The Troubles" detailed in Michael Collins; in the period when the English Army and the Irish Republicans were still battling for control of the Irish countryside. The big losers in this war are the Ascendancy, English gentry and former Lords of the Land who, after hundreds of years of occupancy, consider themselves Irish. The other tribe of Eire, of course, consider these folk to be English and want them to go back where they came from. Since where they came from is Ireland, you can see the cultural problems looming.
But balancing cultural differences against army action and a blooming relationship that puts both of the aforementioned things in conflict is a mighty difficult thing to do. That's why novels are huge. That's why screen adaptations, most of the time, come up short. Such is the case of The Last September and, even as we ignore the Source Material as a baseline comparison, we can tell stuff got lost.
As The Last September begins, we see a young couple of obvious monetary plenitude. Lois Farquar (Keeley Hawes) dances down the rural avenue of the estate run by Sir Richard (Michael Gambon) and Lady Myra Naylor (Maggie Smith), flirtatious pheromones pouring from every pore. Laurence Carstairs (Jonathan Slinger) follows. Behind the pair is a burly handyman (Tom Hickey), carrying the portable Victrola which is pumping out an Al Jolson tune. Back at the estate, eyebrows are raised at this flirtation, which Lois pooh poohs because she is her uncle's niece and Carstairs is her (Lois') aunt's nephew.
Nope, makes no sense to Cranky, either. Either something didn't make it from the pages of the novel by Elizabeth Bowen or these Ascendant Irish-English don't know diddle about genealogy. Anyway, Lois is more interested in the Army Captain Gerald Colthurst (David Tennant) as a suitor, though Lady Myra will see that this person with no money dispatched post haste. While Sir Richard knows darn well that this year will be the last, Lady Myra is content to believe that the English will continue to rule this small part of the Empire. Danielstown, aka The Big House, is chock full of guests, including Hugo and Francie Montmorency (Lambert Wilson and Jane Birkin), who have sold their estate and are looking for a suitably luxurious place to squat, and Marda Norton (Fiona Shaw) who still harbors a major attraction for Hugo. Marda is suitably engaged to a man in London, but still hopes she can insert herself between Hugo and his wife.
The last guest is an unwanted one. Hiding in an old mill house on the estate is Peter Connolly (Gary Lydon), an IRA fugitive wanted for the murder of an English Army officer. While the Army keeps an eye on Connolly's parent's house, he is being tended to surreptitiously by Lois -- who still finds herself attracted to the boy she grew up with, all the while knowing that aiding the fugitive could get her put to death.
The story arc of that particular trio is easy to follow. Problem is, and this is just a dumb kid from Brooklyn talking, that the story arcs of the supporting characters aren't clear and, even with dialog explaining why each is staying at Danielstown, there's no great sense that any of their particular stories matter. If Lois is truly meaning to see if any kind of spark still exists between her and Hugo, it isn't apparent. Hugo's wife, Francie is as meek and nonexistent as the proverbial fly on the wall. As for the elderly Lord and Lady Naylor, even with the minute amount of screen time they receive, they firmly establish the background of the tale, and Smith's performance is (as usual) head and tails above all else as she brings the full weight of English class consciousness crashing down on the head of the poor Captain.
On average, a first run movie ticket will run you Eight Bucks. Were Cranky able to set his own price to The Last September, he would have paid...
$3.00
Rent, even if you're into this kind of flick.
The Cranky Critic® is a Registered Trademark of, and Copyright © 2000 by, Chuck Schwartz. All Rights Reserved. Cranky on the web at www.crankycritic.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


Elmer Gantry (1960)
Grade: 61
"Elmer Gantry" was a controversial film when it was released. So controversial, that no studio would finance it. Based on a Sinclair Lewis novel, preachers are often depicted as cynical, fundraising businessmen who consider themselves to be in the entertainment industry.
Burt Lancaster is the title character, a small-time salesman, con artist, and would-be preacher. He latches onto popular evangelist Jean Simmons, elbowing into her traveling tent show. While Simmons takes the kindler and gentler route to saving souls, Lancaster preaches fire and brimstone. Lancaster tries to change his sinful ways to win Simmons' heart, but has a lapse upon meeting a woman from his past, now a prostitute (Shirley Jones).
Considered a classic, "Elmer Gantry" has received much critical acclaim. Lancaster won his only Best Actor Oscar for the film, which also won for Screenplay and was nominated for Best Picture. Despite her small role, Jones won Best Supporting Actress. Jones had been typecast as The Girl Next Door, so her cynical hooker role must have shocked some.
"Elmer Gantry" has problems that prevent it from being a very good film. Lancaster's character shifts like the wind. Early, he appears to be a grasping if charming con artist. Upon befriending Simmons, he drops his bad habits (drinking, smoking, gambling) just like that. He mixes heroic actions with manipulative ones. Does he love or lust for Simmons, or is he simply using her as a platform for a preaching career? Jones' character is also too flexible. At first she is fun-loving but cynical, but suddenly she seems to be in seriously in love with Lancaster.
There are some spoilers in the following.
The last third of the film is increasingly bewildering. Arthur Kennedy, playing a newspaper man with the utmost integrity who hangs around the revivalists, betrays them with a devastating column, but later gets into a fistfight *for* them. Lancaster finally seduces the spiritual Simmons, and neither has any regret, anger or guilt afterwards. Lancaster's character is completely destroyed, then completely redeemed, in a few days. Jones blackmails Lancaster, then won't take the money, then tells the press that Lancaster was setup. Why the sudden turn-around? Is Lancaster that hunky? Lancaster, who is enraged at Jones, ends up beating up a man who is attacking her. His suit is pelted with fruit, but is spotless in the next scene. A deaf man is healed by Simmons. How? Why? Then she is killed in a fire, an artificial contrivance to bring the story to a close.
<EMAIL_ADDRESS>http://members.tripod.com/~Brian_Koller/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


We are growing quickly and looking for world-class talent to join the team! Here are some of the benefits of working at BitGo:
- Comprehensive medical, dental and vision plans
- Competitive compensation and stock options
- Class A office space in Palo Alto
- Free onsite gym membership and office bike rentals
- Catered lunches, fresh snacks and gourmet coffee
- Commuting made easy with company-paid Caltrain passes and MiFi connectivity
- Computer equipment and workplace furniture to suit your needs
- Flexible vacation time
- And more!


London Bridge: Man shot dead by police following 'terror incident'
Police have declared a knife rampage in central London as a terror incident and confirmed that the suspect was shot dead by armed officers on London Bridge.
Several people were stabbed by the knifeman before he was grappled to the ground and disarmed by members of the public.
Footage on social media appeared to show one man being pulled away by armed officers before the suspect is shot at point-blank range.
Another bystander could be seen carrying a large knife from the scene.
Eye-witnesses said the suspect appeared to be wearing a suicide vest but Neil Basu, the head of UK counter-terrorism policing, said the vest was a fake.
He said police were called at around 2pm today to a stabbing "at a premises near London Bridge".
Borough Market, at the opposite end of the bridge to where the suspect was shot, was cordoned off in the wake of the incident.
The bridge and the market were the scene of a terror attack in 2017 in which eight victims were killed along with the three terrorists.
After being shot, the suspect in today's attack raised his arms towards his head before lying still.
Mr Basu told reporters: "A male suspect was shot by specialist armed officers from City of London police and I can confirm that this suspect died at the scene."
Scotland Yard said a number of people were stabbed but did not give any details.
The London Ambulance Service declared it a major incident and one picture on social media appeared to show a body covered with a blanket.
After speaking to reporters, Mr Basu said he was going to Downing St to brief the prime minister.
Witnesses described a scene of panic around London Bridge, moments after the incident.
The witness video appears to show a man being shot on the pavement of the north-bound carriageway on the western side, near Fishmongers' Hall.
Witness Kelby McNally, OK! Online's editor, works in the Northern and Shell Building on Lower Thames Street near to London Bridge, said she initially thought a fire alarm had gone when she saw "loads of people just running".
She told the PA news agency. "There were loads of people just running, I thought it was a fire alarm or something, and then I saw two girls from my office who told me not to go back there.
"I asked what had happened, and they said they had heard gunshots and now everyone is running."
British prime minister Boris Johnson said: "I'm being kept updated on the incident at London Bridge and want to thank the police and all emergency services for their immediate response."
Home Secretary Priti Patel wrote on Twitter: "Very concerned by ongoing incident at London Bridge. My thoughts are with all affected. I am grateful for the rapid response of our police and I urge everyone to follow their advice."
Footage from the scene appeared to show a white lorry straddling the northbound and southbound carriageways.
The video shows several officers surrounding the vehicle before moving to the rear to check its container.
London buses can be seen either side of the lorry while three police cars are parked next to it on the bridge.
Nurse Jackie Bensfield (32) described how she asked to be let off a bus on London Bridge after she heard "five or six" gunshots.
Ms Bensfield, who was on her way home from work, said she exited the bus and "ran like hell" to escape the shots.
Connor Allen, who was in his van on the bridge when it was evacuated said: "Everyone just started running, you heard these pops and that was it. We just got out the van and started running."
One business owner told the PA news agency she had been crossing London Bridge to get to her shop on the north side when police officers stopped her.
She said that was when she heard at least five or six gunshots and said that her store has been evacuated.
The woman, who wished to remain anonymous, said: "We heard shooting, it was about five or six shots, I heard five or six quite clearly.
"All my staff have been evacuated."
Subscribe to our most read headlines in the evening newsletter


VISA resource names¶
If you use the method open_resource()
, you must tell this
function the VISA resource name of the instrument you want to
connect to. Generally, it starts with the bus type, followed by a
double colon "::"
, followed by the number within the bus. For
example,
GPIB::10
denotes the GPIB instrument with the number 10. If you have two GPIB boards and the instrument is connected to board number 1, you must write
GPIB1::10
As for the bus, things like "GPIB"
, "USB"
, "ASRL"
(for
serial/parallel interface) are possible. So for connecting to an
instrument at COM2, the resource name is
ASRL2
(Since only one instrument can be connected with one serial interface,
there is no double colon parameter.) However, most VISA systems allow
aliases such as "COM2"
or "LPT1"
. You may also add your own
aliases.
The resource name is case-insensitive. It doesn’t matter whether you
say "ASRL2"
or "asrl2"
. For further information, I have to refer
you to a comprehensive VISA description like
http://www.ni.com/pdf/manuals/370423a.pdf.
VISA Resource Syntax and Examples¶
(This is adapted from the VISA manual)
The following table shows the grammar for the address string. Optional string segments are shown in square brackets ([ ]).
| Interface | Syntax |
|---|---|
| ENET-Serial INSTR | ASRL[0]::host address::serial port::INSTR |
| GPIB INSTR | GPIB[board]::primary address[::secondary address][::INSTR] |
| GPIB INTFC | GPIB[board]::INTFC |
| PXI BACKPLANE | PXI[interface]::chassis number::BACKPLANE |
| PXI INSTR | PXI[bus]::device[::function][::INSTR] |
| PXI INSTR | PXI[interface]::bus-device[.function][::INSTR] |
| PXI INSTR | PXI[interface]::CHASSISchassis number::SLOTslot number[::FUNCfunction][::INSTR] |
| PXI MEMACC | PXI[interface]::MEMACC |
| Remote NI-VISA | visa://host address[:server port]/remote resource |
| Serial INSTR | ASRLboard[::INSTR] |
| TCPIP INSTR | TCPIP[board]::host address[::LAN device name][::INSTR] |
| TCPIP SOCKET | TCPIP[board]::host address::port::SOCKET |
| USB INSTR | USB[board]::manufacturer ID::model code::serial number[::USB interface number][::INSTR] |
| USB RAW | USB[board]::manufacturer ID::model code::serial number[::USB interface number]::RAW |
| VXI BACKPLANE | VXI[board][::VXI logical address]::BACKPLANE |
| VXI INSTR | VXI[board]::VXI logical address[::INSTR] |
| VXI MEMACC | VXI[board]::MEMACC |
| VXI SERVANT | VXI[board]::SERVANT |
Use the GPIB keyword to establish communication with GPIB resources. Use the VXI keyword for VXI resources via embedded, MXIbus, or 1394 controllers. Use the ASRL keyword to establish communication with an asynchronous serial (such as RS-232 or RS-485) device. Use the PXI keyword for PXI and PCI resources. Use the TCPIP keyword for Ethernet communication.
The following table shows the default value for optional string segments.
| Optional String Segments | Default Value |
|---|---|
| board | 0 |
| GPIB secondary address | none |
| LAN device name | inst0 |
| PXI bus | 0 |
| PXI function | 0 |
| USB interface number | lowest numbered relevant interface |
The following table shows examples of address strings:
| Address String | Description |
|---|---|
| ASRL::<IP_ADDRESS>::2::INSTR | A serial device attached to port 2 of the ENET Serial controller at address <IP_ADDRESS>. |
| ASRL1::INSTR | A serial device attached to interface ASRL1. |
| GPIB::1::0::INSTR | A GPIB device at primary address 1 and secondary address 0 in GPIB interface 0. |
| GPIB2::INTFC | Interface or raw board resource for GPIB interface 2. |
| PXI::15::INSTR | PXI device number 15 on bus 0 with implied function 0. |
| PXI::2::BACKPLANE | Backplane resource for chassis 2 on the default PXI system, which is interface 0. |
| PXI::CHASSIS1::SLOT3 | PXI device in slot number 3 of the PXI chassis configured as chassis 1. |
| PXI0::2-12.1::INSTR | PXI bus number 2, device 12 with function 1. |
| PXI0::MEMACC | PXI MEMACC session. |
| TCPIP::dev.company.com::INSTR | A TCP/IP device using VXI-11 or LXI located at the specified address. This uses the default LAN Device Name of inst0. |
| TCPIP0::<IP_ADDRESS>::999::SOCKET | Raw TCP/IP access to port 999 at the specified IP address. |
| USB::0x1234::125::A22-5::INSTR | A USB Test & Measurement class device with manufacturer ID 0x1234, model code 125, and serial number A22-5. This uses the device’s first available USBTMC interface. This is usually number 0. |
| USB::0x5678::0x33::SN999::1::RAW | A raw USB nonclass device with manufacturer ID 0x5678, model code 0x33, and serial number SN999. This uses the device’s interface number 1. |
| visa://hostname/ASRL1::INSTR | The resource ASRL1::INSTR on the specified remote system. |
| VXI::1::BACKPLANE | Mainframe resource for chassis 1 on the default VXI system, which is interface 0. |
| VXI::MEMACC | Board-level register access to the VXI interface. |
| VXI0::1::INSTR | A VXI device at logical address 1 in VXI interface VXI0. |
| VXI0::SERVANT | Servant/device-side resource for VXI interface 0. |


Elsa Majimbo is a Kenyan comedian
Elsa Majimbo is a Kenyan comedian who has shattered all previously upheld glass ceilings across the board. The teenager who rose to global stardom and astronomical levels of success. Attaining the recognition of global stars such as Beyonce Knowles Cater, Lily Singh and Naomi Campbell in a short span of time, Elsa has set the pace high and just brought into the light what is possible to anyone regardless of age and race.
Elsa Majimbo Age and Place of Birth
Majimbo is a nineteen-year-old Kenyan born on 29th June 2001. She is from the capital, Nairobi. She mentions her family in her monolog comic videos talking about her father, mother and her relationship with the people who live in their home. Elsa Majimbo Education Background Elsa is a student at the private institution, Strathmore University. She also involves stories from her school encounters in her monologues such as making fun of her grades as highlighted by her lecturer, her dressing and encounters on campus. She also mentions her online schooling experience in keeping up with the prevailing trends.
Elsa Majimbo Comic and Career Journey
Elsa had been shooting and sharing monologue videos since 2016 and temporarily stopped three years later. As the chess player she is, she went back to the drawing board, established the kingdom she wanted to conquer and set up a strategy that would get her there at all costs. She has since been taking a 20-mile march in producing and sharing videos shot from her iPhone to the world.


New PwC outlook examines how changing media trends affect advertising
by Emmanuel Abara BensonThe PwC Africa Entertainment & Media Outlook report for the years covering 2019 to 2023 has revealed some rather interesting findings. Of course, the report acknowledged the fact that the media landscape in Nigeria and elsewhere is changing and will continue to do so in the coming years.
It should be noted that at the centre of this transformation is content personalisation, a trend that is also influencing how companies advertise their products.
Focus on the trends: The report found that media consumers in Nigeria, South Africa, Kenya, Ghana, and Tanzania have become increasingly specific when it comes to how they want their contents delivered. Thanks to the internet and proliferation of mobile devices, these consumers prefer “personalised media interactions” and are willing to voraciously-consume contents that meet “their preferences, contexts, and schedules.”
[READ MORE: Social Media Influencers are kicking out PR agencies]
Now, bearing in mind that the rate at which contents are consumed by consumers determines advert rates, media professionals have learned to redefine their focus by providing the kind of personalised contents the people want.
“In a word, the theme is personalisation . Consumers are using an expanding array of connected devices to organise , curate and discover their own unique worlds of media. In response , companies are designing their offerings to revolve around personal preferences, using data and usage patterns to pitch their products, not at audiences of billions, but separately at billions of individuals.”
Companies’ responses: In view of the foregoing, companies around Africa are now in a better position to redefine their marketing/advertising strategies by targeting consumers via the same channels they like their media contents delivered.
[READ: Why Detty December is synonymous with the growth of Nigerian tourism]
The PwC Entertainment and Media Outlook report was prepared with research data obtained from the five African countries mentioned above. The report focused on 14 defined segments across the five countries.
To download the full report, click here.


KARNAWAT
Nick
Switch Financial Year
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List
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Export List
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Add Company
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Add Customer
Add Company
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Company Mobile
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Antti's top cut calculator
Total number of players
Number of swiss rounds
How many make it to the top
The results will update automatically as input values change.
Result records estimate
Record
Number of players with record
Percentage of all players


{% extends "base.html" %}
{% load humanize %}
{% block content %}
{{ series.name.capitalize }}
Series information
- Repository
- {{ series.repository.name.capitalize }}
- Series
- {{ series.name.capitalize }}
Packages
| Package name |
Stable version |
Proposed version |
Queued version |
{% for version_info in pkg_data|dictsort:"name" %}
| {{ version_info.name }} |
{{ version_info.stable }} |
{{ version_info.proposed }} |
{{ version_info.queued }} |
{% endfor %}
Package source subscriptions
| Package source name |
{% for subscription in subscriptions %}
| {{ subscription.source.name }} |
{% endfor %}
{% endblock %}


Create and remove a HTML element
Text:
Use .remove() when you want to remove the element itself, as well as everything inside it. In addition to the elements themselves, all bound events and jQuery data associated with the elements are removed.
Changes classes
The .addClass() method manipulated the className property of the selected elements, not the class attribute. Once the property was changed, it was the browser that updated the attribute accordingly. An implication of this behavior was that this method only worked for documents with HTML DOM semantics
The .removeClass() method manipulated the className property of the selected elements, not the class attribute. Once the property was changed, it was the browser that updated the attribute accordingly. This means that when the class attribute was updated and the last class name was removed, the browser might have set the attribute's value to an empty string instead of removing the attribute completely. An implication of this behavior was that this method only worked for documents with HTML DOM semantics
This method takes one or more classes as its parameter. In the first version, if an element in the matched set of elements already has the class, then it is removed; if an element does not have the class, then it is added. For example, we can apply .toggleClass() to a simple div>
Clone
The .clone() method performs a deep copy of the set of matched elements, meaning that it copies the matched elements as well as all of their descendant elements and text nodes.
HTML attributes
Data
Add list
List:
Parents, child and all
Parents test
Text
Text
Test class
Test class
Test no class
Test class
Test to id selector
Text inputs
Test class


| I l@ve RuBoard |
The class stack<> implements a stack (also known as LIFO). With push(), you can insert any number of elements into the stack (Figure 10.1). With pop(), you can remove the elements in the opposite order in which they were inserted ("last in, first out").
To use a stack, you have to include the header file <stack>[1] :
[1] In the original STL the header file for stacks was <stack.h>.
#include <stack>
In <stack>, the class stack is defined as follows:
namespace std { template <class T, class Container = deque<T> > class stack; }
The first template parameter is the type of the elements. The optional second template parameter defines the container that is used internally by the queue for its elements. The default container is a deque. It was chosen because, unlike vectors, deques free their memory when elements are removed and don't have to copy all elements on reallocation (see Section 6.9, for a discussion of when to use which container).
For example, the following declaration defines a stack of integers[2] :
[2] In previous versions of the STL you could pass the container as the only template parameter. Thus, a stack of integers had to be declared as follows:
stack<deque<int> > st;
std::stack<int> st; // integer stack
The stack implementation simply maps the operations into appropriate calls of the container that is used internally (Figure 10.2). You can use any sequence container class that provides the member functions back(), push_back(), and pop_back(). For example, you could also use a vector or a list as the container for the elements:
std::stack<int,std::vector<int> > st; // integer stack that uses a vector
The core interface of stacks is provided by the member functions push(), top(), and pop():
push() inserts an element into the stack.
top() returns the next element in the stack.
pop() removes an element from the stack.
Note that pop() removes the next element but does not return it, whereas top() returns the next element without removing it. Thus, you must always call both functions to process and remove the next element from the stack. This interface is somewhat inconvenient, but it performs better if you only want to remove the next element without processing it. Note that the behavior of top() and pop() is undefined if the stack contains no elements. To check whether the stack contains elements, the member functions size() and empty() are provided.
If you don't like the standard interface of stack<>, you can easily write a more convenient interface. See Section 10.1.4, for an example.
The following program demonstrates the use of class stack<>:
// cont/stack1.cpp #include <iostream> #include <stack> using namespace std; int main() { stack<int> st; // push three elements into the stack st.push(l); st.push(2); st.push(3); // pop and print two elements from the stack cout << st.top() << ' '; st.pop() ; cout << st.top() << ' '; st.pop() ; // modify top element st.top() = 77; // push two new elements st.push(4); st.push(5); // pop one element without processing it st.pop() ; // pop and print remaining elements while (!st.empty()) { cout << st.top() << ' '; st.pop() ; } cout << endl; }
The output of the program is as follows:
3 2 4 77
The stack<> interface is so small, you can understand it easily by reading its typical implementation:
namespace std { template <class T, class Container = deque<T> > class stack { public: typedef typename Container::value_type value_type; typedef typename Container::size_type size_type; typedef Container container_type; protected: Container c; // container public: explicit stack(const Container& = Container()); bool empty() const { return c.empty(); } size_type size() const { return c.size(); } void push (const value_type& x) { c.push_back(x); } void pop() { c.pop_back(); } value_type& top() { return c.back(); } const value_type& top() const { return c.back(); } }; template <class T, class Container> bool operator==(const stack<T, Container>&, const stack<T, Container>&); template <class T, class Container> bool operator< (const stack<T, Container>&, const stack<T, Container>&); ...// (other comparison operators) }
The following subsections describe the members and operations in detail.
stack:: value_type
The type of the elements.
It is equivalent to container:: value_type.
stack:: size_type
The unsigned integral type for size values.
It is equivalent to container:: size_type.
stack:: container_type
The type of the container.
stack::stack ()
The default constructor.
Creates an empty stack.
explicit stack:: stack (const Container& cont)
Creates a stack that is initialized by the elements of cont.
All elements of cont are copied.
size_type stack::size () const
Returns the actual number of elements.
To check whether the stack is empty (contains no elements), use empty() because it might be faster.
bool stack::empty () const
Returns whether the stack is empty (contains no elements).
It is equivalent to stack:: size()==0, but it might be faster.
void stack::push (const value_type& elem)
Inserts a copy of elem as the new first element in the stack.
value_type& stack::top ()
const value_type& stack::top () const
Both forms return the next element of the stack. The next element is the element that was inserted last (after all other elements in the stack).
The caller has to ensure that the stack contains an element (size()>0); otherwise, the behavior is undefined.
The first form for nonconstant stacks returns a reference. Thus, you could modify the next element while it is in the stack. It is up to you to decide whether this is good style.
void stack::pop ()
Removes the next element from the stack. The next element is the element that was inserted last (after all other elements in the stack).
This function has no return value. To process this next element, you must call top() first.
The caller must ensure that the stack contains an element (size()>0); otherwise, the behavior is undefined.
bool comparison (const stack&. stack1, const stack& stack2)
Returns the result of the comparison of two stacks of the same type.
comparison might be any of the following:
operator == operator != operator < operator > operator <= operator >=
Two stacks are equal if they have the same number of elements and contain the same elements in the same order (all comparisons of two corresponding elements must yield true).
To check whether a stack is less than another stack, the stacks are compared lexicographically. See the description of the lexicographical_compare() algorithm on page 360.
The standard class stack<> prefers speed over convenience and safety. This is not what I usually prefer. I have written my own stack class. It has the following two advantages:
pop() returns the next element.
pop() and top() throw exceptions when the stack is empty.
In addition, I have skipped the members that are not necessary for the ordinary stack user, such as the comparison operations. My stack class is defined as follows:
// cont/Stack.hpp /* ************************************************************ * Stack.hpp * -safer and more convenient stack class * ************************************************************/ #ifndef STACK_HPP #define STACK_HPP #include <deque> #include <exception> template <class T> class Stack { protected: std::deque<T> c; // container for the elements public: /* exception class for pop() and top() with empty stack */ class ReadEmptyStack : public std::exception { public: virtual const char* what() const throw() { return "read empty stack"; } }; // number of elements typename std::deque<T>::size_type size() const { return c.size(); } // is stack empty? bool empty() const { return c.empty(); } // push element into the stack void push (const T& elem) { c.push_back(elem) ; } // pop element out of the stack and return its value T pop () { if (c.empty()) { throw ReadEmptyStack(); } T elem(c.back()); c.pop_back(); return elem; } // return value of next element T& top () { if (c.empty()) { throw ReadEmptyStack(); } return c.back() ; } }; #endif /* STACK_HPP */
With this stack class, the previous stack example could be written as follows:
// cont/stack 2.cpp #include <iostream> #include "Stack.hpp" // use special stack class using namespace std; int main() { try { Stack<int> st; // push three elements into the stack st.push(l); st.push(2); st.push(3); // pop and print two elements from the stack cout << st.pop() << ' '; cout << st.pop() << ' '; // modify top element st.top() = 77; // push two new elements st.push(4); st.push(5); // pop one element without processing it st.pop(); /* pop and print three elements * - ERROR: one element too many */ cout << st.pop() << ' '; cout << st.pop() << endl; cout << st.pop() << endl; } catch (const exception& e) { cerr << "EXCEPTION: " << e.what() << endl; } }
The additional final call of pop() forces an error. Unlike the standard stack class, this one throws an exception rather than resulting in undefined behavior. The output of the program is as follows:
3 2 4 77 EXCEPTION: read empty stack
| I l@ve RuBoard |


Class PageBase
Base class for report pages and dialog forms.
Implements
Inherited Members
Namespace: FastReport
Assembly: FastReport.OpenSource.dll
Syntax
public abstract class PageBase : ComponentBase, IFRSerializable
Constructors
PageBase()
Initializes a new instance of the PageBase class with default settings.
Declaration
public PageBase()
Methods
Modify()
Modifies the page content and refresh it in the preview window.
Declaration
public void Modify()
Remarks
Call this method when you handle object's Click, MouseDown or MouseUp events and want to modify an object and refresh the preview window.
Refresh()
Causes the page to refresh in the preview window.
Declaration
public void Refresh()
Remarks
Call this method when you handle object's MouseMove, MouseDown, MouseUp, MouseEnter, MouseLeave events and want to refresh the preview window.
caution
If you have changed some objects on a page, the Refresh method will not save the changes. This means when you print or export the page, you will see original (unmodified) page content. If you want to save the changes, you have to use the Modify() method instead.


Register
Firstname:
lastname:
Male:
Female:
Other:
Email:
Password:
Birthday:
Month
Jan
Feb
March
Day
10
11
12
Year
1999
2000
2001
I agree to the terms and conditions


{{ define "nav" }}
If you want to be involved please make the changes on GitHub and send a Pull Request with your ideas.
If you feel that there is missing working session that we NEED to have at the Summit, please create it.
| Organizers | {{ partial "utils/titles-with-link.html" (dict "this" . "name" .Params.title "value" .Params.organizers) }} |
|---|


Trump Will Award Jon Voight The National Medal Of Arts
by Jamie SamhanThe White House has announced that Donald Trump will be awarding Jon Voight the National Medal of Arts this week.
The “Ray Donavan” star will be honoured on Thursday with a ceremony at the White House for his “exceptional capacity as an actor to portray deeply complex characters.”
The statement continued, “Captivating audiences, he has given us insights into the richness of the human mind and heart.”
Voight has been a big Trump supporter and called him the “greatest president since Abraham Lincoln.”
“Our country is stronger, safer and with more jobs because our president has made his every move correct,” Voight said in May. “Don’t be fooled by the political left because we are the people of this nation that is witnessing triumph.”
Meanwhile, Voight’s daughter Angelina Jolie is an outspoke anti-Trump supporter. She recently spoke to ET Canada about the impeachment inquiry where she said, “We live in a country of laws. I don’t believe it should be my opinion. Something as serious as impeachment… It is about the facts and law and I have to trust that it will work itself out.”
Others to be honoured on Thursday include Allison Krauss and author James Patterson.


Two panel sessions are planned at ICME 2016.
1. Making the Virtual Real: The Future of Augmented and Virtual Reality
Time: 13:00-14:20, Tuesday, July 12, 2016
Room: Grand III
Augmented
and Virtual Reality (AR/VR) are emerging technologies that both blur
the boundary between the physical and digital worlds; AR can seamlessly
blend the physical and digital content, enhancing the real world
experience, while VR completely immerses the user in digital content,
enhancing the virtual experience. Both AR and VR involve multiple media
from audio to haptics, with the core technical disciplines of the
Multimedia research community all being highly applicable. It is
commonly believed that the widespread commercialization of AR and VR
could well be as impactful to the future of the human experience as the
introduction of radio and television in the past.
After
nearly 50 years of research and development, 2016 promises to be a
breakout year for AR and VR. Many of the advances are taking place in
Seattle, US, in development at companies like Google, Microsoft,
Facebook, and Valve, a thriving start-up community, and research labs
at the University of Washington and other academic institutions.
With
this panel, we aim to give an overview of the future of AR and VR. We
have collected together some of the key players who will discuss 1) the
importance of AR and VR as new media of high relevance to the
Multimedia community, 2) the timeliness of 2016 as a breakout year for
AR/VR technologies, and 3) what can be expected over the next 5 to 10
years of development in the fields.
Moderator
The panel is moderated by our keynote speaker, Mark Billinghurst (University of South Australia).
Panelists
|
|
Steve Seitz
(University of Washington and Google) leads the Virtual Reality effort
in Google's Seattle office, including Google Jump and Cardboard Camera.
He is also Robert E. Dinning Professor in the Department of Computer
Science and Engineering at the University of Washington. He received
his B.A. in computer science and mathematics at the University of
California, Berkeley in 1991 and his Ph.D. in computer sciences at the
University of Wisconsin in 1997. Following his doctoral work, he spent
one year visiting the Vision Technology Group at Microsoft Research and
the subsequent two years as an Assistant Professor in the Robotics
Institute at Carnegie Mellon University. He joined the faculty at the
University of Washington in July 2000. He co-authored papers that have
been awarded the David Marr Prize (twice) at ICCV, and the CVPR 2015
best paper award. He has received an NSF Career Award, and ONR Young
Investigator Award, an Alfred P. Sloan Fellowship, and is an IEEE
Fellow. His work on Photo Tourism (joint with Noah Snavely and Rick
Szeliski) formed the basis of Microsoft's Photosynth technology.
Professor Seitz is interested in problems in computer vision and
computer graphics. His current research focuses on 3D modeling and
Virtual Reality.
|
|
Michael J. Gourlay
(Microsoft) (@MiJaGourlay) works as a Principal Development Lead in the
Environment Understanding group of Analog R&D, on augmented reality
platforms such as HoloLens. He leads the team that develops the
tracking system, the technology underlying rendering world-locked
holograms. His team also developed the surface reconstruction
(SR) solution (branded Spatial Mapping) for Windows Holographic.
SR gives devices a virtual representation of real-world surfaces,
permitting virtual objects to appear to interact with real-world
objects, both visually and physically.
Michael previously
worked at Electronic Arts (EA Sports) as the Software Architect for the
Football Sports Business Unit, the group that makes Madden NFL. He also
developed curricula for and taught at the University of Central Florida
(UCF) Florida Interactive Entertainment Academy (FIEA). He is also a
Subject Matter Expert for Studio B Productions, and writes articles for
Intel on parallelized computational fluid dynamics simulations for
video games.
|
|
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Jeremy Selan
(Valve Corporation) is a developer at Valve working on VR technology.
Current interests include display and optics technologies, the merging
of live and synthetic imagery, and the perception of reality. Before
joining Valve, Jeremy worked in the motion-picture visual effects
industry and is a two time Scientific and Technical Achievement Academy
Award winner.
|
2. Multimedia Research and Products: Increasing Impact (tentative)
Time: 13:00-14:20, Thursday, July 14, 2016
Room: Grand III
In
this panel, we examine the impact of the research being done by the
community: its trajectory, and how to amplify it. Panelists are leaders
in each of ICME’s sponsoring societies: Circuits and Systems,
Communications, Computer, and Signal Processing Societies. They will
address questions such as the following, and engage the audience in a
discussion of our future.
- What
were the most significant advances in multimedia over the last 5-10
years and how are they impacting the current research and future
products?
- What will be
disruptive to multimedia research and products in the next 5-10 years?
What are the most innovative lines of research today?
- What can we do together as a community to further advance multimedia research and its impact on society?
- Are there any emerging areas that are not being enough addressed by the ICME community that deserve more attention?
Moderator & Panelists
|
|
Adriana Dumitras enjoys working on a widely loved product: Skype (now
part of Microsoft), at the intersection of applied research, product
development and university collaborations. She has held leadership and
technical roles with Microsoft, Apple Inc., AT&T Labs - Research,
and others. Adriana's work has spanned the video and multimedia
processing and communications, combining signal processing, computer
vision, machine learning, and data analytics tools. She authored and
co-authored more than 100 publications, presentations, and 80 issued US
patents. Selected professional activities include: technical co-chair
of the IEEE Workshop on Multimedia Signal Processing (2006), area
editor of columns and forums at the IEEE Signal Processing Magazine
(2006-2008), guest co-editor of the special issue "Network-aware
multimedia processing and communication" in the IEEE Special Journal
and Selected Topics in Signal Processing (2007), guest co-editor of the
special issue "Video Analysis and Coding for Robust Video Transmission"
in the Eurasip Journal on Applied Signal Processing (2006), and
technical committee member of the IEEE Image, Video and Multimedia
Signal Processing Technical Committee (2013-2015). Adriana is a senior
member of IEEE.
|
|
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Touradj EBRAHIMI is currently Professor at EPFL heading its Multimedia
Signal Processing Group. He is also acting as Convener of JPEG
standardization committee. Prof. Ebrahimi is an active contributor to
MPEG, JPEG and SC29. He is a co-founder of Genista SA, a high-tech
start-up company in the field of multimedia quality metrics. In 2002,
he founded Emitall SA, start-up active in the area of media security
and surveillance. Prof. Ebrahimi is a member of Scientific Advisory
Board of various start-up and established companies in the general
field of Information Technology. He has served as Scientific Expert and
Evaluator for Research Funding Agencies such as those of European
Commission, as well as a number of Venture Capital Companies active in
the field of Information Technologies and Communication Systems. His
research interests include still, moving, and 3D image processing and
coding, visual information security (rights protection, watermarking,
authentication, data integrity, steganography), new media, and human
computer interfaces (smart vision, brain computer interface). He is the
author or the co-author of more than 200 research publications, and
holds 14 patents. Prof. Ebrahimi is a member of IEEE, SPIE, ACM and
IS&T.
|
|
|
Jenq-Neng Hwang received his Ph.D. degree from the University of
Southern California in 1989. He then joined the Department of
Electrical Engineering of the University of Washington in Seattle,
where he has been promoted to Full Professor since 1999. He served as
the Associate Chair for Research from 2011 to 2015 and is currently the
Associate Chair for Global Affairs in the EE Department. He has written
more than 300 journal, conference papers and book chapters in the areas
of multimedia signal processing, and multimedia system integration and
networking, including a textbook on “Multimedia Networking: from Theory
to Practice,” published by Cambridge University Press. He is currently
an advisory member of Multimedia Technical Committee (MMTC) of IEEE
Communication Society and also a member of Multimedia Signal Processing
(MMSP) and Internet of Things (IoT) of IEEE Signal Processing Society.
He served as an associate editor for IEEE T-SP, T-NN, T-CSVT, IEEE
T-IP, and IEEE Signal Processing Magazine, as well as an Editor for
JISE, ETRI, JSPS, and IJDMB. He was the Program Co-Chair of ICASSP 1998
and ISCAS 2009, and is the Program Co-Chair for ICME 2016. Dr. Hwang is
a fellow of IEEE since 2001.
|
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As the General Manager of TCL Research America, Dr. Haohong Wang
oversees the R&D activities in North America for TCL, a global
leader in consumer electronics with over 75,000 employees worldwide and
ranks the 3rd in TV and the 5th in mobile phone business. Dr. Wang is a
recognized leader in multimedia and communication societies, a
recipient of the IEEE MMTC Distinguished Service Award, a co-author of
five books, and an inventor of over 70 US patents and pending
applications. Before joining TCL, he held technical and management
positions at AT&T, Catapult, Qualcomm, Marvell, and Cisco. Dr.
Wang’s current research areas include multimedia computing and mobile
systems and services. He is the Steering Committee Chair of IEEE ICME.
He chaired the IEEE Multimedia Communications Technical Committee, and
the IEEE Technical Committee on Human Perception and Multimedia
Computing. He has been the Editor-in-Chief of the Journal of
Communications, and Vice President of Asia-Pacific Signal and
Information Processing Association. He also chaired the IEEE GLOBECOM
2010, IEEE ICME 2011, IEEE VCIP 2014, IEEE ISM 2015 and ACM Multimedia
2017. He received his Ph.D. from Northwestern University, Evanston,
USA.
|
|
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Dr. John R. Smith is an IBM Fellow and Manager of Multimedia and Vision
at IBM T. J. Watson Research Center. He leads IBM’s development of IBM
Multimedia Analysis and Retrieval System (IMARS), Intelligent Video
Analytics (IVA), and IBM Watson Developer Cloud Visual Recognition and
Visual Insights. Dr. Smith is a long-time participant in the NIST
TRECVID video retrieval evaluation and co-led the development of the
Large Scale Concept Ontology for Multimedia (LSCOM) that has formed the
basis of multiple TRECVID evaluation tasks. Dr. Smith earlier served as
Chair, MPEG Multimedia Description Schemes Group and led the
development of multiple parts of the MPEG-7 Multimedia Content
Description Standard and MPEG-21 Digital Framework Standard. During his
Ph.D. studies at Columbia University, Dr. Smith conducted some of the
earliest work on content-based image and video retrieval (VisualSEEk,
WebSEEk). Dr. Smith served as Editor-in-Chief of IEEE Multimedia from
2010 – 2014 and will serve as co-General Chair of ACM Intl. Conf. on
Multimedia Retrieval (ICMR-2016) in New York City. Dr. Smith is a
Fellow of IEEE.
|
|


WEENER DOG WIENER BLOG
I am a hot dog. A hot dog has needs.
- Wagging
- Chasing Squirrels
- Threatening neighbors through the front window
- Attempting to lick myself
- Eating grass blades
- Bath avoidance
- Snugging 2 people:
- Searching for warm laundrys
- Gettin dumb for crumbs
- Pooping under the neighbors Japanese maple so that
dad can't reach it.


See: Description
| Interface | Description |
|---|---|
| MdxQueryTransform |
MDX Query Transformation
|
| Class | Description |
|---|---|
| AxisTransform |
Abstract representation of an MDX query transform acting on
a single query axis (e.g.
|
| DrillDownOnPositionTransform |
Drill down on position transform
|
| DrillReplaceTransform |
Drill replace transformation
|
| Quax |
Representation of member expressions on a query axis, derived from
CellSetAxis objects.
|
| RollUpLevelTransform |
Roll-up level transformation
|
| StandardTransformLibrary |
Standard transformations library
NOTE: is this really needed since transforms' ctors have the same
parameters as these functions? This serves only as a place to conveniently
regroup transforms in a "library".
|
NOTE: This package is experimental. Classes may be renamed or removed in a future release of olap4j.


We should do some maximum suppression method here, that decide the local maximum, instead of using a global threshold for deciding the hard singular points from predicting likelihood
also, we can do a experiment : set the threshold manually, case-by-case, and observe whether the singular points are as expected..
Likelihood prediction
visualize the predicted likelihood on the polylines
for each case, observe the peak in the plotting for different resolution (do at least 2 resolution for each shape, and compare.)
New feature (context-less feature) that encode the neighbouring corners:
check the magnitude, and normalize it first before doing high dimensional plotting (because the plotting for ncontx feature and concatenate feature are similar..)
Sanity check for this feature-> use several simple primitives, like squares, rotated it…
Find spatial feature
try to incorporate spatial information, using raw pixel value or shape context features..
The curvy straight line around corner :
overlay the low-resolution image beneath, we should understand whether the low resolution input constrain us…
To debug, we can try to fix position of corner points, and try to do the optimization, observe the output straight line..
bilaplacian term formulation
for soft weight, should also try to down weight the biliaplacian terms around the corner
Todos
visualize the likelihood values on polylines after prediction…
observe the peak for different resolution, check out whether resolution can help to identify the singular points..
find a way to identify local maximum (maximum suppression) as singular points.
debug for the curvy line : (a) vis the low resolution beneath.
debug for the curvy line : (b) find a simple case and fix positions for debugging.
down weight biliaplacian terms for soft weight optimization..
normalize the new feature, and check whether it helps for regression.
add spatial feature, e.g. shape context feature descriptors..


Files CCore/inc/AttachmentHost.h CCore/src/AttachmentHost.cpp
AttachmentHost is a helper class. It implements the attachment/detachment functionality.
AttachmentHost stores the pointer of the type T. Any pointer of this type can be attached to the host by the method attach(). If some pointer is attached, it can be detached by the method detach(). To retrieve the attached pointer the inner class Hook is used. In the constructor it "locks" the pointer and releases it in the destructor. Hook implements the Object Pointer Interface. The method detach() is delayed while the pointer is locked.
template <class T>
class AttachmentHost : NoCopy
{
....
public:
explicit AttachmentHost(StrLen class_name);
AttachmentHost(StrLen class_name,TextLabel name);
~AttachmentHost();
void attach(T *obj);
void detach();
class Hook : NoCopy
{
T *obj;
AntiSem *asem;
public:
explicit Hook(AttachmentHost<T> &host);
~Hook();
// std move
Hook(Hook &&hook)
: obj(Replace_null(hook.obj)),
asem(Replace_null(hook.asem))
{
}
// object ptr
T * operator + () const { return obj; }
bool operator ! () const { return !obj; }
T * getPtr() const { return obj; }
T & operator * () const { return *obj; }
T * operator -> () const { return obj; }
};
};
AttachmentHost constructor accepts one or two arguments. The argument class_name is used in error messages and should be a name of owning class. The argument name is used to name internal synchronization objects.
attach() attaches the pointer to the host. If there is an attached pointer an exception is thrown. The argument must not be null.
detach() detaches the attached pointer, if any.
These two methods are typically used in pair in constructor/destructor manner. If the first method is failed, the second must not be called.
Hook constructor retrieves the attached pointer from the host.


WITNESS LIST Human Services Committee May 5, 1999-7:00A HB 330 Registering, but not testifying: For: McPherson, Kim (The Mental Health Association in Texas), Austin HB 1145 FOR: Ashby, Cindy (Texas Counseling Association), Austin HB 1237 Registering, but not testifying: For: Hernandez, Leslie (National Association of Social Workers), Austin Hulse, Mary Ann (AARP), Austin Speight, Susan (Texas Association for Marriage and Family Therapy), Austin On: Lehrman, Jim (Texas Department of Human Services), Austin HB 1396 Registering, but not testifying: For: Childress, Terry (Private Providers Association of Texas), Austin Hooser, Greg (Private Providers Association of Texas), Austin Markland, Barrett (Advocacy, Inc.), Austin Marshall, Susan (The ARC of Texas), Austin On: Alexander, Cindy (Comptroller of Public Accounts), Austin Gold, Marc (Texas Department of Human Services), Austin Henderson, Don (Texas Department of Mental Health and Mental Retardation), Austin Lehrman, Jim (Texas Department of Human Services), Austin HB 1715 Registering, but not testifying: On: Gold, Marc (Texas Department of Human Services), Austin Lehrman, Jim (Texas Department of Human Services), Austin HB 2304 FOR: Speight, Susan (Texas Association for Marriage and Family Therapy), Austin Registering, but not testifying: For: Ashby, Cindy (Texas Counseling Association), Austin Hernandez, Leslie (National Association of Social Workers), Austin On: Gernsbacher, Ron (Texas Department of Health), Austin HB 2641 FOR: Markland, Barrett (Advocacy, Inc.), Austin Marshall, Susan (The ARC of Texas), Austin Schwartz, Jonas (United Cerebral Palsy of Texas), Austin AGAINST: Ayala, Juan (National Federation for the Blind - McAllen Chapter), Pharr Bradley, Ed (American Council of the Blind of Texas), Houston Craig, Tommy (National Federation of the Blind of Texas), Austin Cupp, LaDanne (National Federation for the Blind), San Antonio Dunn, James (James Earl Dunn Educational Services, Inc.), Houston Durst, Sherri (Texans Supporting State Schools), Plano Ferguson, Billie (Texans Supporting State Schools), Dallas Ferguson, Charles R. (Texans Supporting State Schools), Dallas Graham, Malcolm Joseph (National Federation for the Blind), Austin Guerra, Edward (American Council of the Blind of Texas), Austin Higgins, Evelyn S. (myself), San Antonio Klute, Johna (Texas Commission for the Blind), Houston Olson, James G. (Association for the Developmentally Disabled), Houston Pearcy, Jeffrey (Texas Association of Blind Merchants), Austin Pearcy, Zena (Texas Committee of Parents of Blind Children), Austin Pierce, Barbara (National Federation of the Blind), Oberlin, Ohio Shockley, Joe (self), Montgomery Shockley, Trevor (myself), Montgomery Snider, Harold W. (National Federation of the Blind), Silver Spring Varnell, Doris (self and the National Federation of the Blind), Austin Ward, Nancy (Texas Supporting State Schools), Ft. Worth ON: Blackburn, Audley (American Council of the Blind of Texas), Austin Daniel, Katrina (Sunset Advisory Commission), Austin Gilbert, Don (Texas Health and Human Services Commission), Austin Kane, Jerry (Texas Rehabilitation Commission Board), Austin Longley, Joey (Sunset Advisory Commission), Austin McPherson, Kim (The Mental Health Association in Texas), Austin Morris, Robert (Sunset Advisory Commission), Austin Waldrep, Kent (self and the Texas Rehabilitation Commission), Plano Wilkerson, Ray A. (Texas Rehabilitation Commission), Austin Registering, but not testifying: For: Garrett, Steve M. (self), Austin Graves, Tim (Texas Health Care Association), Austin Gray, Crintis (Texas Commission for the Blind), Ft. Worth Hulse, Mary Ann (AARP), Austin Spanoz, David (Chris Cole), Austin Against: Anders, Mike (National Federation of the Blind), Austin Arthur, Peggy (Chris Cole Rehabilitation Center), Allen Ausburn, Sandra (National Federation of the Blind), Austin Baker, Norma Gonzales (National Federation of the Blind of Texas), Austin Ballard, Peggy (myself and the Texas Commission for the Blind), Temple Bigner, Louana (National Federation of the Blind), Austin Bradley, Kathleen (myself), Abilene Bradley, Kathleen (self), Austin Castro, Raymond (Texas Commission for the Blind), San Antonio Cementwala, Mariyan (self), Austin Cheng, Priscilla (National Federation of the Blind), Austin Coverson, Anita (self and Chris Cole School for the Blind), Houston Craig, Margaret C. (National Federation of the Blind of Texas), Austin Darnell, Jerry (self), Austin Day, Shawn (Chris Cole), Mesquite Donelson, Olivia (self), Austin Doyle, Mary Janice (self), Dallas Durbin, Betty (self), Austin Edwards, Keith (Texas Commission for the Blind), Austin Fritz, John (National Federation of the Blind), Austin Garcia, Joey (Chris Cole Rehabilitation Center), Austin Goodman, William (Chris Cole and self), Houston Gordon, Bee Berry (self), Austin Hamilton, Donald (Chris Cole School for the Blind), Harker Heights Hecker, Heather (National Federation of the Blind), Ruston, LA Hedrick, Mary M. (myself), Austin McGuire, Stephen (self), San Antonio McQueen, J.B. (self and the Texas Commission for the Blind), Sulfer Springs McVeigh, Pamela (National Federation of the Blind), Ruston, LA Melanlon, Bobbie Sue (National Federation of the Blind), Houston Moran, Erlinda (National Federation of the Blind), Austin Norton, Kenneth (Texas Commission for the Blind), Copperas Cove Nwuga, Andrew (self), Austin Owings, Huey (Texas Commission for the Blind), Groves Paz, Gilbert (self), Round Rock Perez, Juanita (National Federation of the Blind), Laredo Porter, Joyce (National Federation of the Blind), Houston Puffer, Diane (National Federation of the Blind), Houston Ratcliff, Harold (Texas Commission for the Blind), Houston Reece, Lee (myself), Austin Roldan, Lori (Chris Cole), El Paso Sanchez, Mary Ellen (self), Austin Scales, Nell (self), Austin Schaeffer, Stephanie (Texas Commission for the Blind), Arlington Shaffer, Jim (National Federation of the Blind of Texas), Austin Sifuentes, Paul (myself), Georgetown Skelton, James O. (Blind Industrial Workers of Texas), Houston Smith, Susan (Chris Cole), Midland Spears, DiShon (National Federation of the Blind), Austin Studer, Margie (self), Austin Thomas, Michael (self), San Antonio Toliver, Carl (American Federation for the Blind), San Antonio Washburn, William (Texas Federation of the Blind), Houston Whittle, Jerry (self), Austin Whittle, Merilynn J. (Texas Association of Blind Merchants), Austin Wilson, Harold (self), Dallas Wilson, Tony (self), Tyler On: Arrell, Max (Texas Rehabilitation Commission), Austin Brownlow, Thelma (Chris Cole School for the Blind), Rosenburg Tapp, Nancy (American Council of the Blind - Texas), Ft. Worth Webb, Roger (Texas Planning Council for Developmental Disabilities), Austin Written materials submitted: For: Friedholm, DeAnn (Americaid Community Care), Austin Against: Castaneda, Tris (Association of Substance Abuse Programs), Austin Humphrey, Cynthia (Association of Substance Abuse Programs), Kerrville HB 2866 Registering, but not testifying: For: Walker, Craig A. (Texas Organization of Rural and Community Hospitals), Austin On: Magers, Bonnie (Texas Department of Health), Austin HB 3778 Registering, but not testifying: For: Miller, Karen (Texas Congress of Parents and Teachers), Houston Against: Hernandez, Leslie (National Association of Social Workers), Austin On: Webster, Sarah (Texas Department of Protective and Regulatory Services), Austin


Some of the Features of this Application.
Given below is a list of features of this application., If you have any suggestions for a feature, Just create a new issue or let me know.
You can host the app on any Static Host/CDN instead of a server
Boards are the gateway to your lists, You can have as many boards as you want
Cards are the meat of this app, you can add as many cards as you like, re-arrange them, drag them from one list to another, etc
Now you can make boards public, Public boards are accessible to all the users with the board URL., By default all boards are private.
Since the project makes use of Webpack code splitting, Sometimes it felt like clicks were unresponsive, Now you can see loading message whenever new script(s) is being loaded.


Alfred Cheatsheet
This cheatsheet covers the default hotkeys, keywords and shortcuts for Alfred's features. Hotkeys in green are part of Powerpack features.
Note that, if you have changed hotkeys and keywords away from defaults, you'll need to refer to your own Alfred preferences to find out what they are.
↩ Return
⇧ Shift
⌃ Control
⌥ Option
⌘ Command
Basic Hotkeys
⌥ space Show Alfred
↓ Select the next result in the list
↑ Select the previous item in the list
↩ Action the currently selected item
⌘ # Action the # item directly [1-9]
⌘ o Open file or application in default application
⌘ , Show the Preferences Window
⌥ ↩ Search the currently typed query in Spotlight
⌃ ↩ Search the currently typed query in default web search
⌘ ↩ Reveal in Finder (if the result is a local file)
preferences Show Alfred Preferences
Launch applications
app name To launch an application simply start typing its name, then hit Return
Search the web
google, wiki ... Use predefined web search keywords
Find files quickly
open Follow keyword by query to open a file
spacebar Follow a space with your query to open a file
find Follow keyword by query to reveal file in Finder
⌘ o Open the file
in Follow by a query to search for files that contain this query
Speed up your Mac productivity
define Follow keyword by a word and get a definition
spell Follow keyword by a word and see results with suggested spelling
13*567 Type a calculation into main window to get the result
= Start an advanced calculation (enable this function in the Calculator Preferences)
screensaver Start Screen Saver
trash Show Trash
emptytrash Empty Trash
logout Log Out
sleep Sleep your Mac
sleepdisplays Sleep your Mac's displays
lock Lock your Mac
restart Restart your Mac
shutdown Shut Down your Mac
eject Eject (removable media or all mounted volumes)
hide Hide the running application
quit Quit the running application
forcequit Force Quit the running application
Work with files and applications
~ Navigate to your home folder
/ Navigate to your root folder
⌥ ⌘ / Go to last browsed path in the File System Navigation
previous Go to last browsed path in the File System Navigation
→ Show list of available Actions for selected item
fn Show list of available Actions for selected item
⌃ Show list of available Actions for selected item
⌥ ⌘ \ Show list of available Actions for selected Finder item
⌘ ↓ Browse selected folder in File System Navigation
↩ Enter a folder in File System Navigation
backspace Go up a folder
⇥ Autocomplete
. Show hidden files in File System Navigation
Tip: start typing in name of a folder/file to select it
Save your clips
Clipboard History and Snippets are Powerpack features.
⌥ ⌘ c Open Clipboard History viewer
⌘ c Copy selected clip to current Clipboard
snip Access snippets from main Alfred window with this keyword
clear Use keyword to clear Clipboard History
⌘ s While in the Clipboard Viewer, save current clip as a snippet
Listen to Music
The iTunes Mini Player is a Powerpack feature.
These keywords must be used while the Mini Player is showing. Set up iTunes workflows to add keywords to your default results or global hotkeys.
⌃ ⌘ ↩ Show the iTunes Mini Player
itunes Use keyword to show the iTunes Mini Player
⌃ ⌘ ↓ Play / Pause
play/pause Play / Pause keywords
⌃ ⌘ → Next Track
next Next Track
⌃ ⌘ ← Back Track
back Back Track
previous Previous Track
⌃ ⌘ ↑ Play Random Album
random Play Random Album
volmax Maximum volume
volmid Half volume
mute Mute volume
⌃ ⌘ [0-5] Rate currently playing song from 0 to 5 stars
backspace Go up a folder in iTunes Mini Player
⌘ r Reindex iTunes library
Email and keep contacts
Contacts and Emailing is a Powerpack feature.
email Use keyword followed by name or email address to send an email using your default email client
Tip: If you open Address Book entries within Alfred, you can action individual fields (e.g. pressing return on an email Address will launch a new email to this address, etc)
Workflows
Every workflow has its own set of keywords and arguments, so have a look at the workflow's own documentation for details. You'll either find the documentation within the content of the workflow or on the creator's own website.
You can also type your keyword or part of the hotkey into the Workflows search to find them more easily!


Dreaming of a Kernel Cafe
Remember the 1990’s?
When folks blessed with bandwidth setup shell servers, and invited their friends to share in the bounty?
I just moved into a new house, and discovered that I was in this scenario again, for the first time in 20 years.
Today, open-source developers need bandwidth less than access to dev & test environments that differ from their own. What if I combined the two ideas together to create something new?
Thus was born the idea of the Kernel Cafe: Public Cloud Native Infrastructure, run by volunteers.
It’s not yet clear to me whether this idea has legs, but you can follow along here to watch.


Kan Chen
Front End Beginer
Featured Work
APPIFY
https://github
Migic Do List
https://github.com/MigicDo
Board Game Master
https://github.com/Board-Games


Get User Privileges APIedit
Synchronous executionedit
When executing the get-user-privileges
API in the following manner, the client waits
for the GetUserPrivilegesResponse
to be returned before continuing with code execution:
GetUserPrivilegesResponse response = client.security().getUserPrivileges(RequestOptions.DEFAULT);
Synchronous calls may throw an IOException
in case of either failing to
parse the REST response in the high-level REST client, the request times out
or similar cases where there is no response coming back from the server.
In cases where the server returns a 4xx
or 5xx
error code, the high-level
client tries to parse the response body error details instead and then throws
a generic ElasticsearchException
and adds the original ResponseException
as a
suppressed exception to it.
Asynchronous executionedit
The get-user-privileges
API can also be called in an asynchronous fashion so that
the client can return directly. Users need to specify how the response or
potential failures will be handled by passing a listener to the
asynchronous get-user-privileges method:
The asynchronous method does not block and returns immediately. Once it is
completed the ActionListener
is called back using the onResponse
method
if the execution successfully completed or using the onFailure
method if
it failed. Failure scenarios and expected exceptions are the same as in the
synchronous execution case.
A typical listener for get-user-privileges
looks like:
Get User Privileges Responseedit
The returned GetUserPrivilegesResponse
contains the following properties
-
clusterPrivileges
-
A
Set
of all cluster privileges that are held by the user. This will be the union of all the cluster privileges from the user’s roles. -
globalPrivileges
-
A
Set
of all global privileges that are held by the user. This will be the union of all the global privileges from the user’s roles. Because this a union of multiple roles, it may contain multiple privileges for the samecategory
andoperation
(which is why is is represented as aSet
rather than a single object). -
indicesPrivileges
-
A
Set
of all index privileges that are held by the user. This will be the union of all the index privileges from the user’s roles. Because this a union of multiple roles, it may contain multiple privileges for the sameindex
, and those privileges may have independent field level security access grants and/or multiple document level security queries. -
applicationPrivileges
-
A
Set
of all application privileges that are held by the user. This will be the union of all the application privileges from the user’s roles. -
runAsPrivilege
-
A
Set
representation of the run-as privilege that is held by the user. This will be the union of the run-as privilege from each of the user’s roles.
final Set<String> cluster = response.getClusterPrivileges(); final Set<UserIndicesPrivileges> index = response.getIndicesPrivileges(); final Set<ApplicationResourcePrivileges> application = response.getApplicationPrivileges(); final Set<String> runAs = response.getRunAsPrivilege();


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Pick a game:
which HM moves should your slave be able to learn?
your perfect HM slaves:


Thomas Jefferson
Thomas Jefferson was the third President of the United States (1801–1809), the principal author of the Declaration of Independence (1776), and one of the most influential Founding Fathers for his promotion of the ideals of Republicanism in the United States. Major events during his presidency include the Louisiana Purchase (1803) and the Lewis and Clark Expedition (1804–1806).
- Nationality: American
- Birth Date: 13 Apr 1743
- Death Date: 4 July 1826
Available Works
Individual Passages
- The Declaration of Independence
- Thomas Jefferson outlines the despot-like behavior of the King of Great Britain and declares that the United States of America will no longer recognize British rule.
- Annual Message to Congress, December 8, 1801
- Thomas Jefferson's first Annual Address to Congress (now known as the State of the Union Address).
- Annual Message to Congress, December 15, 1802
- Thomas Jefferson's second Annual Address to Congress (now known as the State of the Union Address).
- Annual Message to Congress, October 17, 1803
- Thomas Jefferson's third Annual Address to Congress (now known as the State of the Union Address).
- Annual Message to Congress, November 8, 1804
- Thomas Jefferson's fourth Annual Address to Congress (now known as the State of the Union Address).
- Annual Message to Congress, December 3, 1805
- Thomas Jefferson's fifth Annual Address to Congress (now known as the State of the Union Address).
- Annual Message to Congress, December 2, 1806
- Thomas Jefferson's sixth Annual Address to Congress (now known as the State of the Union Address).
- Annual Message to Congress, October 27, 1807
- Thomas Jefferson's seventh Annual Address to Congress (now known as the State of the Union Address).
- First Inaugural Address, Washington, D.C., March 4, 1801
- Thomas Jefferson's first inaugural address, presented in Washington, D.C. in March of 1801.
- Second Inaugural Address, Washington D.C., March 4, 1805
- Thomas Jefferson's second inaugural address, presented in Washington, D.C. in March of 1805.


--- # Feel free to add content and custom Front Matter to this file. # To modify the layout, see https://jekyllrb.com/docs/themes/#overriding-theme-defaults layout: AppLayout --- kriscarilloxyz {{site.description}} Get in touch {% include TableProducts.html %}
{{site.description}}


FAQs
Questions people ask about Kuda.
written by Ora Fakorede
Questions people ask us often.
Is Kuda a registered bank?
Yes, we have a microfinance banking license from the Central Bank of Nigeria. Our registration number is RC 796975.
What makes Kuda different from other banks?
We don’t have branches (because you don’t need branches). Kuda runs entirely on your phone or browser (with an internet connection) and we’ll deliver your debit card to any address in Nigeria.
Because we don’t have branches, we save a lot of money. That’s why we can afford not to charge you ridiculous fees and pay you more interest than most banks.
What fees do you charge?
We’ll give you 25 free transfers every month if you sign up with your Bank Verification Number (BVN). Learn more about free transfers here.
Extra transfers will cost you 10 naira each.
Everything else is free - using your account, using your Kuda Card and withdrawing cash from our partner ATMs.
So how do you make money?
We make money by using collective deposits to make investments and issue credit.
We also make money from commission on airtime purchases and from service fees sellers pay us when people like you shop with your Kuda Card.
Do you give loans?
Yes, we give loans and you’ll be able to get one automatically if you use your Kuda account regularly.
What do I need to open a Kuda account?
To open a Kuda account, you must be at least 16 years old and you must have an email address and a phone number.
How do I open an account?
Download Kuda on Google Play (for Android) or the App Store (for the iPhone) and follow the prompts on your phone. It will take a few minutes at most.
What kind of account will I get?
If you sign up with your name and phone number, you’ll get an account limited to a maximum balance of 300,000 naira, a maximum deposit of 50,000 naira at a time and a maximum transfer of 10,000 naira at a time. You'll be able to send money only to other Kuda accounts.
If you add a government-issued ID (like your driver’s license, national ID card or international passport) to your Kuda profile, your account will still be limited but you’ll be able to send money to other banks.
If you add a government-issued ID and confirm your BVN (Bank Verification Number), we’ll remove those limits from your account.
Learn more about our account levels here.
Why do you need my BVN?
We ask you to confirm your BVN so we can be sure no one is pretending to be you.
When you confirm your BVN, we match your details with the information on the national BVN database owned by the Central Bank.
We won’t use your BVN to access your other bank account(s).
Is there a minimum balance?
No, we don’t have a minimum account balance.
Is my money safe with Kuda?
Yes, your money is safe with us. We secure all accounts with the same high-security encryption used by regular banks.
For extra protection, we insure every deposit you make into your Kuda account.
The Deposit Insurance Fund of the National Deposit Insurance Commission (NDIC) is expected to pay you up to 200,000 naira as compensation if you make a successful insurance claim on your deposit.

We’ll deliver your Kuda Card to you anywhere in Nigeria. Learn more about cards here.
How many ATMs do you have?
Thanks to our partnership with Zenith Bank, you can make free withdrawals with your Kuda Naira MasterCard at Zenith Banks ATMs in Nigeria.
How will I put money in my Kuda account?
You can transfer money to your Kuda account from any Nigerian bank with a bank app or through internet banking.
You can also add money to your upgraded account with most debit or credit cards. Tap Add Money on your Kuda dashboard and choose the Card option.
Adding money to your account by card is free up to a total of 100,000 naira. After that, we will no longer cover the third party payment gateway fee. Learn more about the payment gateway fee here.
If you have cash, you can deposit it into your Kuda account at our partner banks. Tap Add Money on your Kuda dashboard and choose the Cash Deposit option to get instructions.
Please, follow the guides here to add money to your Kuda account.
Will I get account statements?
You can request an account statement for a specific time period.
Tap your profile picture on the app, scroll down then tap Request your account statement.
Where’s your office?
We’re on the first floor of Moorehouse, 151, Herbert Macaulay Way, Yaba, Lagos. Visits are by appointment only, please.
What should I do if I need help?
The easiest way to reach us is to tap More on the Kuda app then tap Chat With Us.
You can also send an email to<EMAIL_ADDRESS>151 Herbert Macaulay Way, Yaba,
Lagos,
Nigeria
5 New Street Square, London,
EC4A 3TW,
UK
*Kuda Customers get 25 free transfer to other banks every month. Extra transfers to other banks cost ₦10 each. **Kuda account holders can deposit money in over 10,000 branches across Nigeria for free.
© 2021 Kuda Microfinance Bank (RC796975). All rights reserved. All deposits are insured by the Nigerian Deposit Insurance Corporation (NDIC). Kuda Microfinance Bank is licensed by the Central Bank of Nigeria. “Kuda” and “Kudabank” are trademarks of Kuda Technologies Ltd Lagos: 151 Herbert Macaulay Way, Yaba, Lagos. London: 5 New Street Square, London, EC4A 3TW, UK
Kuda Current Account is provided through Kuda Microfinance Bank. All text, graphics, audio files, code, downloadable material, and other works on this website are the copyrighted works of Kuda Microfinance Bank. All Rights Reserved. Any unauthorized redistribution or reproduction of any copyrighted materials on this website is strictly prohibited. Other product and company names are trademarks of their respective owners. This website contains simulated images; actual appearance may vary.
We run on Intercom


Hi! My name is Tinga Warren Chingeni. I am a software engineer and I'm very passionate and dedicated to my work. With 5 years experience working on various personal projects, I have acquired the skills
and knowledge necessary to make your project a success. I enjoy every step of the design process, from discussion and collaboration to concept and execution.
Tinga is passionate about writing code and solving client's problems through the development of creative and innovative software.
He has tremendous potential, he is vocal about his software ideas and he enthusiastically tackles every assignment as he is directed.
Here to answer any questions


| DOSE: |
15 mg |
oral |
2C-B |
(powder / crystals) |
DOSE : ~15 mg 2cb powder
Method : Mixed in water
Setting : Home
Intent : Sexual
Mood : Happy, Relaxed, Well-Rested
Onset : +15 minutes Peak : +45 min - +2 hrs Duration : 5 hrs After Effects : 3-4 hrs
One fine Saturday afternoon, while lying around in bed, my partner and I decided to try 2cb with the intention of experimenting with it's effects during sex. Being particularly sensitive to many substances I chose a dose of 15 mg...and in a happy and relaxed state we carefully measured our doses (+/- 2mg).
We were in the middle of watching Quo Vadis, one of those 3 1/2 hour 50's epic bible story type movies. After about 15 minutes I started to feel the effects of the bees and soon chose to turn off the tv...as it started to be quite confusing. Within 15 minutes of feeling the first effects, I started to have extremely strong visuals...some of the most prominent I've ever had.
A visit to the bathroom yielded a towel that was actively growing from every stitch. 'HEY...you've GOT to see this! Look at this towel! Every little bit is moving!' I'd heard people mention this sort of visuals before, but had never experienced them myself.
But almost immediately, the rather cool constantly shifting visuals were joined by a sense of utter ugliness. Everything around me was dark, disgusting, and dreary. Flat, 2D, black and white, cluttered. There wasn't a mental sense of these things being ugly...but an almost overwhelming visual appearance of UGLY.
About this time (+1 hr) we decided to go outside to see if perhaps the UGLY wouldn't follow. Outside had a bit less of the ugly feel. The trees in the sun were nice, and the 2 cats were beautiful moving oasises in the otherwise jagged world of UGLY. But we quickly decided to return inside for warmth and security.
The uglies had at this point been joined by a refracting filter causing everything to be broken into sliver shaped pixels. The combination was no better. Once back inside we wandered about hoping it would end quickly so we could go on enjoying our evening. Upset stomach, hacking cough that hadn't previously been there, cold, ugly. Stand up, sit down, cough, pee, wait.
Finally things calmed enough to sit down and turn on music. Some Deep Forest helped a bit. Closing my eyes got rid of the uglies and I was able to enjoy the music.  Then I'd close my eyes and go on listening to the music.
Interestingly, the uglies didn't upset me too much. They were irritating, but I remained in a mood of jovial annoyance. I didn't particularly enjoy the experience, and it certainly wasn't sexual, but no harm was done.
I lasted out the rest of the effects with some aural enjoyment of the enhanced Deep Forest...then gladly went back to watching Quo Vadis 6 hrs after turning it off.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


|
|
|
Sleep Statistics | Average per night | Sum |
| Average Going to Sleep Time | | |
| Average Awakening Time | | |
| Total Time in Bed | | |
| Total Minutes Asleep | | |
| Longest Sleep Episode | | |
| Sleep Onset Latency | | |
| Number Of Awakenings | | |
| Number Of User Events | | |
| Number Of Reminders Played | | |
| Number Of Dreams Entered | | |
| Number Of Lucid Dreams | | |
|


Nama saya Abdurrahman Shaleh biasa dipanggil Amang atau Aman. Saya beragama Islam dan saya saya berasal dari Kuningan Jawa Barat, tempat tinggal saya ada di desa gunung keling kec. cigugur kab. kuningan. Saat ini saya sedang menjalani kuliah di Telkom University dan sekarang saya ngekos di pondok arjuna gang demang daerah sukabirus. Hobi saya bermain game seperti dota 2, photography,rakit gundam, bersepeda dan menonton anime.
Saya mengikuti OSIS di sekolah saya sebagai anggota dari seksi kerohanian.
Nihon no Matsuri adalah sekumpulan anggota kepanitiaan untuk membuat suatu event bertemakan jepang dengan nama Nihon no Matsuri. Saya di Nihon no Matsuri sebagai anggota dari divisi dekorasi.
Daruma adalah sebuah komunitas jepang bertemakan budaya dan bahasa berada di naungan UKM NIppon Bunka-bu. Saya di daruma sebagai bagian pengurus kadiv divisi publikasi dan dokumentasi, dan juga di event inagurasi saya sebagai anggota dari divisi publikasi dan dokumentasi.
Photography
Anime Favorite
Sword Art Online
In the year 2022, virtual reality has progressed by leaps and bounds, and a massive online role-playing game called Sword Art Online (SAO) is launched. With the aid of "NerveGear" technology, players can control their avatars within the game using nothing but their own thoughts.
Kazuto Kirigaya, nicknamed "Kirito," is among the lucky few enthusiasts who get their hands on the first shipment of the game. He logs in to find himself, with ten-thousand others, in the scenic and elaborate world of Aincrad, one full of fantastic medieval weapons and gruesome monsters. However, in a cruel turn of events, the players soon realize they cannot log out; the game's creator has trapped them in his new world until they complete all one hundred levels of the game.
In order to escape Aincrad, Kirito will now have to interact and cooperate with his fellow players. Some are allies, while others are foes, like Asuna Yuuki, who commands the leading group attempting to escape from the ruthless game.  Kirito must adapt to his new reality, fight for his survival, and hopefully break free from his virtual hell.
Aldnoah Zero
The discovery of a hypergate on the Moon once allowed the human race to teleport to Mars. Those who chose to settle there unearthed a technology far more advanced than that of their home planet, which they named "Aldnoah." This discovery led to the founding of the Vers Empire of Mars and a declaration of war against the "Terrans," those who stayed behind on Earth. However, a battle on the moon—later called "Heaven's Fall"—caused the hypergate to explode, destroying the moon and leading the two planets to establish an uneasy ceasefire.
Their peace was a fragile one, however. Fifteen years later, high school student Inaho Kaizuka witnesses the plotted assassination of the Vers Empire's Princess Asseylum Vers Allusia, who had come to Earth in hopes of repairing the relationship between the empire and its homeland. The ceasefire is shattered, and the Martians declare war on the Terrans once again. In the face of this insurmountable enemy, Inaho and his friends must now fight against the Vers Empire to settle the war once and for all.