Shadow DOM is an API built into the browser that allows for DOM encapsulation and style encapsulation. Shadow DOM shields our component from the outside world, meaning that we do not need to think about things such as scoping our css correctly, or worrying about our internal DOM being interfered with by the world outside our component.
Shadow DOM is currently natively supported in the following browsers:
In browsers which do not support Shadow DOM we fall back to scoped css. This gives you the style encapsulation that comes along with Shadow DOM but without loading in a huge Shadow DOM polyfill.
Confused about what scoped css is? Don't worry, we will explain this later in detail.
Shadow DOM is not currently turned on by default for web components built with Stencil. To turn on Shadow DOM in a web component built with Stencil, you can use the shadow
param in the component decorator. Below is an example of this:
@Component({
tag: 'shadow-component',
styleUrl: 'shadow-component.scss',
shadow: true
})
export class ShadowComponent {
}
QuerySelector: When using Shadow DOM and you want to query an element inside your web component you must use this.el.shadowRoot.querySelector()
. This is because all of your DOM inside your web component is in a shadowRoot that Shadow DOM creates.
Global Styles: To externally style a component with Shadow DOM you must use CSS Custom Properties or the proposed CSS Shadow Parts.
Normally you would wrap your styles in the tag name of the component like so:
my-element {
div {
background: blue;
}
}
With Shadow DOM the css selector for the element is the :host
selector. So, with Shadow DOM turned on in your component the above css would be:
:host {
div {
background: blue;
}
}
In browsers that do not currently support Shadow DOM, web components built with Stencil will fall back to using scoped CSS instead of loading a large Shadow DOM polyfill. Scoped CSS automatically scopes CSS to an element by appending each of your styles with a data attribute automatically at run time.
CSS Variables are a lot like Sass Variables, but built into the browser. CSS Variables allow you to specify CSS properties that can be used across your app.
One use case for CSS Variables is colors. If your app has a primary brand color that is used across your app then instead of writing that same color out each place you need it in your app you can create a variable for it and then use that variable anywhere you need that color in your app. Also, if you ever need to change this color you will only have to change the variable and then it will be updated across your app.
Here are the recommended steps to use CSS Variables in Stencil:
variables.css
file in src/global/
globalStyle: 'src/global/variables.css'
into your stencil.config.js
file.That's it! Now you can start defining your variables.
Here is an example of defining a CSS Variable:
// inside our src/global/variables.css file
:root {
--app-primary-color: #488aff;
}
In this example we have defined a CSS Variable called --app-primary-color
that is set to the color #488aff
. The :root
selector in this example is a CSS pseudo selector that defines the variable on the root element of your project (usually <html>
) so that the variable can be used across your app.
Here is an example of using our CSS Variable we defined above:
h1 {
color: var(--app-primary-color)
}
This will apply the color we defined in our CSS Variable, in this case #488aff
, to our h1
element.


Isar735.github.io
Gregory Leadbetter, Reader in Literature and Creative Writing at Birmingham City University s School of English, gives his five top tips for creative. What is Creative Writing? - Definition, Types Examples. Creative writing, why bother?: Anthony Lishak. Creative Writing from Wesleyan University. This Specialization covers elements of three major creative writing genres: short story, narrative essay TSFX – The School For Excellence Antony Lishak is a children s author, creative writing expert and ex primary school teacher. He has worked in education for over 30 years and now spends. CWS – школа литературного мастерства. The School Excellence provides educational services designed to help students maximise their Year 11 and 12 scores. Since 1991, our proven.
Also known as the art of making things up, creative writing is a vital part of modern society. This lesson will explore what makes writing. В основу Литературной Школы положены программы Creative writing, популярные в европейских. Creative writing is any writing that goes outside the bounds of normal professional, journalistic, academic, or technical forms of literature, typically identified. TSFX – The School for Excellence English teacher, Alan Gillespie, shares his advice and resources on how to teach creative writing. Creative writing in the classroom: Creative writing five top tips - School of English - YouTube. The School Excellence provides educational services designed to help students maximise their Year 11 Creative Writing. For the Latest TSFX News Program.


{% extends "landing.html" %} {% from 'macros/forms.html' import formbox_custom %} {% macro footer() -%}
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TALKS: The PHP Framework Engine
PHP South West 2015
May 13th 2015
PHPKonf International Conference 2015
25th July 2015
NorthEast PHP Conference 2015
22nd Aug 2015
PHPBelfast 2015
24th Sept 2015
PHP Frameworks Days 2015
17th October 2015
DundeePHP 2015
19th November 2015
GlasgowPHP 2016
9th February 2016
PHPMiNDS 2016
11th February 2016


Click on the colorful crystals to reveal their power number and match my score....


{{mine.mine_name}} (Mine no: {{mine.mine_no}}) has submitted Project Description data in MineSpace
Overview: {{project_summary.project_summary_description}}


ICT@S (Information and Communication Technology @ SASTRA) was established in the year 2010.  Throughout the year, ICT@S conducts a plethora of events which engages the smartest minds across the university.
Building technical, non-technical and communicative skills in a student.
Hunt the talented student through competitions and events.
Develop some thirst for participation through workshops and sessions.
Equally engaging students from other departments.
Bring out the geek or entrepreneur inside them.
And make the students feel proud for being ICTans.
In 2006 , B.Tech program in Information & Communication Technology was started. This B.Tech. programme is a proper blend of communication engineering and Information Technology. Department is engaged in teaching and research in the areas of VLSI, Embedded Systems, E-Commerce, Multimedia technologies and Internet Securities. M.Tech, PG Diploma program, Certificate and short-term courses are run from this department. The department is equipped with excellent lab facilities consisting of latest hardware and software in computing VLSI, Multimedia, Image processing etc. The department has round the clock access to the Internet lab with 370 mbps clean internet connection.
ICT@S (Information and Communication Technology @ SASTRA) was established in the year 2010.  Throughout the year, ICT@S conducts a plethora of events which engages the smartest minds across the university.
ICT@S has and is always been one of the most active department associations in the campus. Workshops, sessions, events and competitions are conducted throughout the year. ICT@S is a forum for some enthusiastic minds who want to stand apart from the rest of the crowd and lead it.
Karthik Ganeshan.
Phone Number:9789266247
<EMAIL_ADDRESS>Sai Krishna.
Phone Number:9791884768
<EMAIL_ADDRESS>Tumkhi Nikil Raju.
Phone Number:7845355678
<EMAIL_ADDRESS>Ragavendra Amaladinne.
Phone Number:9789658127
<EMAIL_ADDRESS>Sandeep Kumar Reddy.
Phone Number:9500502972
<EMAIL_ADDRESS>Gowtham V & Akshaya.
Phone Numbers:8220235366 &<PHONE_NUMBER>
<EMAIL_ADDRESS>Chandramouli.
Phone Number:8870029004
<EMAIL_ADDRESS>Susmitha.
Phone Number:8870029004
<EMAIL_ADDRESS>Wait for awesomeness
Site developed by Sai Nath KPS.
A bug out of my hands!
Please do not reload the #ed pages.You will know what would happen! :D


Andrew Boughton
earned his Ph.D. in Chemistry from the University of Michigan in
2011. From running simulations and writing software to automate
data collection and analysis, he has since contributed to a range
of projects in image processing, machine learning, and the DARPA
AVM program. He is passionate about open science, open data, and
reproducible research, as well as good software design and
teaching.
Maintainer: tools


LAPACK allows the following different storage schemes for matrices:
These storage schemes are compatible with those used in LINPACK and the BLAS, but EISPACK uses incompatible schemes for band and tridiagonal matrices.
In the examples below, indicates an array element that need not be set and is not referenced by LAPACK routines. Elements that ``need not be set'' are never read, written to, or otherwise accessed by the LAPACK routines. The examples illustrate only the relevant part of the arrays; array arguments may of course have additional rows or columns, according to the usual rules for passing array arguments in Fortran 77.


- initializeProcedures() - Method in class vg.civcraft.mc.namelayer.database.AssociationList
-
- initializeProcedures() - Method in class vg.civcraft.mc.namelayer.database.GroupManagerDao
-
- initializeStatements() - Method in class vg.civcraft.mc.namelayer.database.AssociationList
-
- initializeStatements() - Method in class vg.civcraft.mc.namelayer.database.GroupManagerDao
-
- insertVersionNum(int, String) - Static method in class vg.civcraft.mc.namelayer.NameLayerPlugin
-
Updates the version number for a plugin.
- invitations - Variable in class vg.civcraft.mc.namelayer.group.Group
-
- InvitePlayer - Class in vg.civcraft.mc.namelayer.command.commands
-
- InvitePlayer(String) - Constructor for class vg.civcraft.mc.namelayer.command.commands.InvitePlayer
-
- isAccessible(GroupManager.PlayerType, PermissionType...) - Method in class vg.civcraft.mc.namelayer.permission.GroupPermission
-
Checks if a certain PlayerType has one of the permissions wanted.
- isCancelled() - Method in class vg.civcraft.mc.namelayer.events.GroupCreateEvent
-
- isCancelled() - Method in class vg.civcraft.mc.namelayer.events.GroupDeleteEvent
-
- isCancelled() - Method in class vg.civcraft.mc.namelayer.events.GroupMergeEvent
-
- isCancelled() - Method in class vg.civcraft.mc.namelayer.events.GroupTransferEvent
-
- isConnected() - Method in class vg.civcraft.mc.namelayer.database.Database
-
Are we connected to the database?
- isDisciplined() - Method in class vg.civcraft.mc.namelayer.group.Group
-
- isMember(UUID) - Method in class vg.civcraft.mc.namelayer.group.Group
-
Checks if the player is in the Group or not.
- isMember(UUID, GroupManager.PlayerType) - Method in class vg.civcraft.mc.namelayer.group.Group
-
Checks if the player is in the Group's PlayerType or not.
- isOwner(UUID) - Method in class vg.civcraft.mc.namelayer.group.Group
-
Checks if the player is the owner.
- isPassword(String) - Method in class vg.civcraft.mc.namelayer.group.Group
-
Checks if a string equals the password of a group.
- isSubGroup(Group) - Method in class vg.civcraft.mc.namelayer.group.groups.PrivateGroup
-
Checks if a Group is a sub group of this group.


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Draf a column header and drop it here to group by that column
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Welcome to the Be I & Know Nothing Retreat, a 7-day event which will be hosted near Mumbai, India. The retreat will provide a safe, comfortable and beautiful natural setting, so you can go deep within and find your true self. The focus of the retreat is personal spiritual development, to gain a deeper understanding of the self, and to realize and break free from the limits that we place upon ourselves.
The Infinite 0-1 is a philosophy and a way of life. To understand and know Nothing, one has to be Nothing, 0, the Void. It is the absence of anything and everything — no thing. To reach this state, we have to take off all the masks that we wear in every moment we live. It is in this Nothing, that we find ourselves, the I that is Everything. I is Being an Observer, without attachment to anything.
Almost everyone today attaches several labels to I, and by doing this they limit themselves from experiencing the infinite nature of I. To become this infinite I, we need to realize all the dualities in our life and come into the center — to a perfect balance, where you are pure Consciousness. When we go deep within ourselves, we find the Nothing within that makes Everything possible. It is in this Void we realize that the universe is what we make it, that Nothing is the source of Everything, I, 1. It is in this space we realize the Universe in it's complete infinity.
The Infinite 0-1 is the eternal dance between Nothing and Everything.
This retreat is for adventure seekers, not just the kind who jump off planes, but also those who enjoy diving into the inner depths of themselves.  With your dedication to be in the moment, you can learn to break out of old loops and open up pathways to the infinite universe.
Throughout the week we will work together as a group. Each participant will also receive personal guidance when required. We will travel to the deepest and darkest corners of ourselves, only to come out stronger and ready for the infinite dance. When you are ready, you will learn to reconnect with ancient knowledge and reignite the connection with the source. When you surrender, you will become the universe — I.


module Orchestrate::Rails::Tutorial::SettingUpRails
Setting up the rails environment¶ ↑
Gem orchestrate-rails
has been tested with rails 4.0 and ruby
2.0
Generating the rails application¶ ↑
$ cd <rails-projects-dir> $ rails new orchio-rails-demo $ cd orchio-rails-demo
Adding the orchestrate.io configuration file¶ ↑
Copy the configuration file into the lib directory.
$ cp <path>/orchestrate_config.json ./lib/orchestrate_config.json
Add the following line to
<rails-root>/config/application.rb
Orchestrate::Application::Connect.config "./lib/orchestrate_config.json"
Updating the Gemfile¶ ↑
Add the following lines to your Gemfile:
# Orchestrate.io gems depend on httparty gem "httparty" gem "orchestrate-api" gem "orchestrate-rails"
Add these lines since we'll be using Bootstrap and HAML for the example:
# Use Bootstrap gem 'bootstrap-sass' # Use HAML instead of ERB gem 'haml-rails', '>= 0.3.4'
Run bundler to install the gems.
$ bundle install
Setting up Bootstrap¶ ↑
We'll be using Bootstrap for some basic styling, and to take advantage of its grid system and list-group capability.
Create
<rails-root>/app/assets/stylesheets/custom.css.scss
as
shown:
@import "bootstrap"; .films { max-width: 800px; margin: 0 auto; } .film-heading { font-weight: bold; } .film-comment { padding-bottom: 10px; } $grayLight: #999; html { overflow-y: scroll; } body { padding-top: 60px; padding-bottom: 40px; background-color: #eee; } h3 { font-size: 1.4em; letter-spacing: -1px; margin-bottom: 30px; text-align: center; font-weight: normal; color: $grayLight; }


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In order to make the best use of this User Guide, it is important to have context for some high level concepts and terms. Here is a small glossary of some of the most important concepts in Bokeh.
Bokeh is intended to be useful to data-scientists and domain experts, working at a very high level, as well as to application developers and software engineers, who may want more control or access to more sophisticated features. Because of this, Bokeh takes a layered approach and offers programming interfaces appropriate to different levels, as well as some compatibility interfaces to make use of existing code from other libraries. This section provides an overview of the different interfaces that are available to Bokeh users, as well as more context about the most important concepts central to the library. If you’d like to jump right into plotting, go to Basic Plotting with Glyphs or High Level Charts.
Bokeh is actually composed of two library components.
The first component is a JavaScript library, BokehJS, that runs in the browser. This library is responsible for all of the rendering and user interaction. Its input is a collection of declarative JSON objects that comprise a “scenegraph”. The objects in this scenegraph describe everything that BokehJS should handle: what plots and widgets are present and in what arrangement, what tools and renderers and axes the plots will have, etc. These JSON objects are converted into Backbone Models in the browser, and are rendered by corresponding Backbone Views.
The second component is a library in Python (or other languages) that can generate the JSON described above. In the Python Bokeh library, this is accomplished at the lowest level by exposing a set of “model” classes that exactly mirror the set of Backbone Models that are created in the browser. These python model classes know how to validate their content and attributes, and also how to serialize themselves to JSON. All of these low level models live in the low-level bokeh.models interface. Most of the models are very simple, usually consisting of a few property attributes and no methods. Model attributes can either be configured when the model is created, or later by setting attribute values on the model object. Here are some examples for a Rect glyph object:
# properties can be configured when a model object is initialized
glyph = Rect(x="x", y="y2", w=10, h=20, line_color=None)
# or by assigning values to attributes on the model later
glyph.fill_alpha = 0.5
glyph.fill_color = "navy"
These methods of configuration work in general for all Bokeh models. Because of that, and because all Bokeh interfaces ultimately produce collections of Bokeh models, styling and configuring plots and widgets is accomplished in basically the same way, regardless of which interface is used.
Using the bokeh.models interface provides complete control over how Bokeh plots and Bokeh widgets are put together and configured. However, it provides no help with assembling the models in meaningful or correct ways. It is entirely up to developers to build the scenegraph “by hand”. For this reason, most users will probably want to use one of the higher level interfaces described below, unless they have specialized requirements that necessitate finer control. For more information about the details of all Bokeh models, consult the Reference Guide.
Bokeh provides a mid-level general purpose bokeh.plotting interface, which is similar in specificity to Matplotlib or Matlab style plotting interfaces. It is centered around having users relate the visual glyphs they would like to have displayed to their data, and otherwise taking care of putting together plots with sensible default axes, grids, and tools. All the hard work to assemble the appropriate Bokeh Models to form a scenegraph that BokehJS can render is handled automatically.
The main class in the bokeh.plotting interface is the Figure class. This is a subclass of the basic Plot model, that includes methods for easily adding different kinds of glyphs to a plot. Additionally it composes default axes, grids, and tools in the proper way so that in many cases they need not be worried about at all. Typically, users will want to create Figure objects by using the figure() function.
A prototypical example of the bokeh.plotting usage is show below, along with the resulting plot:
from bokeh.plotting import figure, output_file, show
# create a Figure object
p = figure(width=300, height=300, tools="pan,reset,save")
# add a Circle renderer to this figure
p.circle([1, 2.5, 3, 2], [2, 3, 1, 1.5], radius=0.3, alpha=0.5)
# specify how to output the plot(s)
output_file("foo.html")
# display the figure
show(p)
The main observation is that the typical usage involves creating plots objects with the figure() function, then using the glyph methods like Figure.circle to add renderers for our data. We do not have to worry about configuring any axes or grids (although we can configure them if we need to), and specifying tools is done simply with the names of tools to add. Finally we use some output functions to display our plot.
Note
The output functions output_file() and show(), etc. are defined in the bokeh.io module, but are also importable from bokeh.plotting for convenience.
There are many other possibilities: saving our plot instead of showing it, styling or removing the axes or grids, adding additional renderers, and laying out multiple plots together. The Basic Plotting with Glyphs section of this User Guide will walk through many more examples and common use cases of using the bokeh.plotting interface.
Bokeh also provides a very high-level bokeh.charts interface for quickly creating statistical charts. As with bokeh.plotting, the main purpose of the interface is to help simplify the creation of Bokeh object graphs by encapsulating patterns of assembling Bokeh models. The bokeh.charts interface may also take the additional step of performing necessary statistical or data processing for the user. The interface presents functions for common, schematic statistical charts. Additionally, the chart functions can take care of automatically coloring and faceting based on group structure.
The interface includes chart types such as: Bar(), BoxPlot(), Histogram(), TimeSeries(), and many others. One simple example using Scatter() is shown below:
from bokeh.charts import Scatter, output_file, show
# prepare some data, a Pandas GroupBy object in this case
from bokeh.sampledata.iris import flowers
grouped = flowers[["petal_length", "petal_width", "species"]].groupby("species")
# create a scatter chart
p = Scatter(grouped, title="iris data", width=400, height=400,
xlabel="petal length", ylabel="petal width", legend='top_left')
# specify how to output the plot(s)
output_file("foo.html")
# display the figure
show(p)
Important to note is that the same output functions are used across different interfaces. As with bokeh.plotting, the output functions output_file() and show(), etc. that are defined in bokeh.io, are also importable from bokeh.charts as a convenience.
Bokeh provides some level of Matplotlib compatibility, by using the third-party mplexporter library. Although it does not provide 100% coverage of Matplotlib capabilities, it is still quite useful. For instance, in addition to many Matplotlib plots, it is often possible to convert plots created using the python Seaborn and ggplot.py libraries into Bokeh plots very easily. There are several examples in the Gallery. Here is a quick example that shows a Seaborn plot converted to a Bokeh plot with just one additional line of code:
import numpy as np
import matplotlib.pyplot as plt
import seaborn as sns
from bokeh import mpl
from bokeh.plotting import show
# generate some random data
data = 1 + np.random.randn(20, 6)
# Use Seaborn and Matplotlib normally
sns.violinplot(data, color="Set3")
plt.title("Seaborn violin plot in Bokeh")
# Convert to interactive Bokeh plot with one command
show(mpl.to_bokeh(name="violin"))


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filmcritic.com presents a review from staff member Athan Bezaitis. You can find the review with full credits at http://www.filmcritic.com/misc/emporium.nsf/2a460f93626cd4678625624c007f2b46/05ec58085b38da99882568dd0006ac9e?OpenDocument
Held Up A film review by Athan Bezaitis Copyright 2000 filmcritic.com
Jamie Foxx and Nia Long are far too well established for screwball comedies like Held Up. Coming off the success of Any Given Sunday, the gifted Foxx should be commanding some serious cash, and I'd like to see him in more serious roles. The same goes for Nia Long, whose portrayal of an overachieving news producer desperate for love in The Best Man earned rave reviews. Unfortunately for these two young actors, Held Up takes a big step back as far as resume building is concerned. Regrettably, it makes no pretense about being a legitimate romantic comedy at all; rather it's slapstick in a sort of Cheech and Chong meets Friday in the setting of Deliverance type of story.
The film's plot is downright fickle and it might as well have been written in less than the hour and a half it took to watch the film. Foxx plays Michael Dawson, a successful Chicago businessman on a trip to the Grand Canyon with his beautiful fiancée Rae (Long). When she finds out that he's spent 15 thousand bucks on his newly purchased classic roadster with the money that was meant to be for their new home, she dumps him on the spot and hitches a ride to the airport. So Mike is stuck in the middle of the Grand Canyon at a Sip and Zip gas station with fifty bucks and a blaring 8-track. Before long he gets duped by some kid who ends up stealing the car, while all he wants to do is get to the airport so he can catch Rae before she gets on that plane.
To Foxx's credit, the guy is hilarious, and somehow he hoists this picture on his shoulders to make it halfway bearable, even after some horribly played out jokes about his being mistaken for Puff Daddy and Mike Tyson(???). The film's sequencing is basically a series of pot shots at the ethnic stereotypes of its cast, one after another. Any semblance of plot is invariably just fodder for the next gag.
But the truth is that I did laugh. I'm not saying that it's worth $8.50, or that I'd take a date to see it, but I'll wager it becomes an instant classic on the shelves of college students across the country, right next to movies like Dumb and Dumber, Tommy Boy, and Don't be a Menace to South Central While You're Drinking Your Juice in the Hood. This is one that could only be enjoyed over many beers, late at night with some good company. But the saner among you should stay away.
1 1/2 Stars
Director: Steve Rash Starring: Jamie Foxx, Nia Long, Ian Black III, Grant Bolton, Jake Busey Writing Credits: Jeff Eastin, Erik Fleming Producer: Stokely Chaffin, Kevin DeWalt, Jay Heit, Jamie Rucker King, Neil H. Moritz Editor: Jonathan Chibnall MPAA Rating: PG-13 Year of Release: 2000
-- Christopher Null -<EMAIL_ADDRESS>- http://www.filmcritic.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


The earliest known beer produced using barley dates as far back as 5000 B.C. in ancient Mesopotamia, what is today modern Iran, confirmed through chemical analysis. Beer, in fact, is one of the oldest domesticated products in human history. The ability to produce bread and cereal leads to the natural occurance of spontaneous fermentation from wild yeasts in the air. It seems beer was destined for humanity!
For most of recorded human history, beer was produced and sold on a largely domestic scale, from local brewers to local buyers. It was not until the turn of the millenium A.D. that beer began to be produced on a larger scale with European monasteries; still, the production of beer was largerly reserved as an artisanal craft, and this would not change until the onset of the industrial revolution. Until then however, it was left to the brewers... artists in their craft.
Throughout the 2nd millenium A.D. the practice of brewing became less local and more mass produced, but the process became more sacred in some ways. Certain brewing practices became a standard of the process, while others were called out for not being true beers. In Germany, the Reinheitsgebot were introcuded as a purity law stating that beer could only consist of water, barley, hops, and yeast. While the use of hops was invented and adopted in Germany, in Englad the use of hops was outlawed as not a true ingredient in beer. In Asia, the practice of using cooked rice to ferment beer was seen as an anomaly that left the finished product not being classified as beer at all, to this day retaining a different name often called sake, which is simply the Chinese/Japanese name for all alcoholoic beverages. These artisan idiosyncrasies however would not hold beer back from the industrial revolution...
The onset of the industrial revolution allowed for a tremendous increase in productivity and efficiency in all industires and this was no different for beer, the invention of the thermometer and hydrometer in particular were of significant use in the innovation of beer production. Also prior to the 18th century was the process of creating malt from mostly wood, charcoal, or straw flames that left the finished beer with a significant smokey falvor brewers historically tried hard to get rid of; for many this reportedly made beer taste undrinkable and the smoky quality treated with near universal revulsion! The scientific study of fermentation led to brewers being able to control the souring of beer by microorganisms, meanwhile, the use of brown bottles for beer became standard as it became understood that the brown color helped prevent breakdown of the beer from harmful rays.
available


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iTunes Installation Instructions
Installing the profile
- Connect your iPad, Phone, or Pod touch to your computer and sync with iTunes.
- Download the provisioning profile by clicking the Download Profile button of the application you want to install.
- Mac: Drag-and-Drop the downloaded file onto the iTunes icon in the Dock.
- Windows: Drag-and-Drop the downloaded file into the Library section of the iTunes sidebar.
- If you are asked to replace a profile with the same name, go ahead and do so.
- Go to iTunes, select your device, and click Sync.
- Confirm that the provisioning profile is on your device. On the device, go to Home screen->Settings icon->General->Profiles (at the bottom of the page above Reset), and confirm you have the new profile in your Profiles list.
Installing the application
- Download the application by clicking the Download Application button of the application you want to install.
- Mac: Drag-and-Drop the downloaded file onto the iTunes icon in the Dock.
- Windows: Drag-and-Drop the downloaded file into the Library section of the iTunes sidebar.
- Go to iTunes, select your device, and click Sync.
- The application should now be installed on your device and visible on your home screen.


Posted by 胡绍辉 on July 19, 2017
Posted by 李清发 & 戴伟来 on June 26, 2017
Posted by 戴伟来，李清发 on June 25, 2017
Posted by 戴伟来，李清发 on May 30, 2017
Posted by 秦宇 on February 5, 2017
Posted by 李勇 on January 14, 2017
Posted by 胖纸囧，王林，黄宇 on January 13, 2017
Posted by 戴伟来 on January 12, 2017
Posted by 胖纸囧 on January 12, 2017
Posted by 胖纸囧 on January 11, 2017
Thoughts & ideas.


Adding Document Sorting by Column Name
How to set cascading sorting of documents for this instance of the Documents module. This setting overrides the Sort Order field on the Edit Documents page.
-
- Select the Documents Module Settings tab.
- At Sorting, if Sort Index sorting option is displayed, click the Delete Sort Order link.
- At Sorting, select the first column name to sort documents by from the left drop down list. E.g. Title
- Optional. At Sorting, select to display documents in either Ascending (numeric-alphabetic order. E.g. 0,1,2,3,a,b,c...) or Descending (alphabetic-numeric z,y,x,9,8,7...) order using the right drop down list. The default option is Ascending.
- Click the Add Sort Order link. The sort order is now listed below.
- Optional. Repeat Steps 4-6 to add additional columns to this sort order.
- Click the OK button to confirm.
Tip: You can click the Delete Sort Order link beside any column name to delete it from sorting order.


Command
:
JSON
?
TIP: Use TAB key to list methods starting by the typed text. Use '[' key to show method variants
Context
History
Submit
Context
Update
Clear All
Store
History


| MATLAB 文件帮助: cv.warpAffine | 查看 cv.warpAffine 的代码 | Index |
warpAffine Applies an affine transformation to an image
dst = cv.warpAffine(src, M)
dst = cv.warpAffine(src, M, 'OptionName',optionValue, ...)
DSize
(with
size(dst,3) == size(src,3)
) and the same type as src
.[w,h]
. Default [0,0]
means using
the same size as the input [size(src,2) size(src,1)]
.M
is the inverse transformation (dst -> src
). default falseiiiiii|abcdefgh|iiiiiii
with some specified i
aaaaaa|abcdefgh|hhhhhhh
fedcba|abcdefgh|hgfedcb
gfedcb|abcdefgh|gfedcba
cdefgh|abcdefgh|abcdefg
uvwxyz|absdefgh|ijklmno
DSize
and the type of src
, otherwise it is ignored
and recreated by the function. This option is only useful when
BorderType=Transparent
, in which case the transformed image is drawn
onto the existing Dst
without extrapolating pixels. Not set by
default.The function cv.warpAffine transforms the source image using the specified matrix:
dst(x,y) = src(M_11*x + M_12*y + M_13, M_21*x + M_22*y + M_23)
when the WarpInverse
option is true. Otherwise, the transformation is first
inverted with cv.invertAffineTransform and then put in the formula above
instead of M
.


assert state_kwargs is None or stage_kwargs is None
if isinstance(fp16, bool) and fp16:
fp16 = {"opt_level": "O1"}
if resume is not None:
callbacks = sort_callbacks_by_order(callbacks)
checkpoint_callback_flag = any(
isinstance(x, CheckpointCallback) for x in callbacks.values()
assert state_kwargs is None or stage_kwargs is None
fp16 = _resolve_bool_fp16(fp16)
if resume is not None:
callbacks = sort_callbacks_by_order(callbacks)
checkpoint_callback_flag = any(


The DEFCON 201 (or DC201) Group is a gathering point for folks interested in the alternate applications of modern technology, referred to properly as 'hacking'.
Our mission is to help you learn new things, meet new people, mentor others in areas you may be strong in, and provide some cohesion within the hacker culture and it's members in the general New Jersey area.
Our DC201 SIG(Special Interest Group) meetings are designed to attract not only hackers but members of various technology communities and people who want to learn more about Hacking but do not consider themselves hackers. We're open to anyone regardless of their skill, age, job, gender, etc. The purpose here is to interact with people who may have different backgrounds but share the same passion for technology.
"Don't Be A Jerk" "Be open to learning new skills or perfecting/teaching old ones" "Be willing to either start a project or help someone with their own."
DEFCON 201 lives in harmony with other hacker, maker and tech organizations in the New Jersey/New York Tri-State Area. In fact, two of our founders are long time regulars at the NYC 2600 group. We welcome those from said groups to check us out as our goal is to be an active, hands-on, project-building group whose members bring in ideas that we help create bring to fruition.
A Project is the focused application of constructive and deconstructive skill to build something in physical and/or digital space; Ideas often within the themes of...
In short, as long as you have an idea that you want to create into a realistic tangible result, please bring it and our members will try to bring it to fruition with the tools and resources at our disposal!
We understand if people feel overwhelmed by the idea of working on projects. If you want to show up to socialize, you are more than welcome to but to get the full experience of our group you can use your social skills to help out with projects and DC201. NEVER think that you are useless, everyone has a skill in something and if you want to learn new ones, we are more than happy to teach you. We are also looking into pure social gatherings in the near future and host short talks on various STEM subjects.
DC201 is located at the amazing MakerBar in Hoboken, New Jersey. We always meet during the third weekend of every month. Dates change depending on the organizers job schedule so please check our websites, social media and MakerBar for the exact day.
Member roster Coming soon, but for now...


DfE enquiries
Central newsdesk 020 7783 8300
General enquiries 0370 000 2288
Press release
Announcement that qualifications counting in performance pables will be reduced from 3,175 to 125.
‘Equivalent’ qualifications to be slashed from more than 3,175 to just 125.
All qualifications will have the same value in the tables.
Only the very highest quality qualifications will be included in future secondary school performance tables, the Department for Education announced today.
The announcement follows recommendations made in a report by Professor Alison Wolf last year. She highlighted how the current Performance Table system creates perverse incentives for some schools to put pupils on courses which might boost their Performance Table positions - but are not qualifications which benefit pupils’ prospects.
At the moment there are 3,175 so-called equivalent qualifications accredited and approved for study by 14- to 16-year-olds, all of which count in the tables. Under the last government some of these were worth as much as four, five or even six GCSEs.
But from the 2014 Performance Tables (published in January 2015), just 125 of these qualifications (3.9 per cent of the current total) will count. Full-course GCSEs, established iGCSEs, AS levels and music exams at grade six and above will also be included. All will be included on the same one-for-one basis.
The Secretary of State for Education, Michael Gove, said the changes would extend opportunity because only qualifications which had demonstrated rigour and had track records of taking young people into good jobs and university would count in future.
He highlighted how the number of so-called equivalent qualifications achieved by pupils up to age 16 had exploded in recent years - from 15,000 in 2004 to 575,000 in 2010.
Of the 125 to be included, 70 can count towards a school’s main Performance Table measure - the proportion of pupils who get five A* to C GCSE grades. The other 55 are qualifications which cannot contribute to the five A* to C measure.
Some of the qualifications included are subject to future review. This is because they have demonstrated they have most but not all of the necessary characteristics or because they are too new to demonstrate a track record. They are being given an extra year to do this.
Schools will remain free to offer any other qualification accredited and approved for study by 14- to 16-year-olds. Teachers will still be able to use their professional judgment to offer the qualifications which they believe are right for their pupils. But only those meeting the Department’s rigorous requirements will count in Performance Tables. Focusing Performance Tables on the qualifications which benefit pupils’ prospects will also free up time for a more balanced curriculum.
Education Secretary Michael Gove said:
The weaknesses in our current system were laid bare by Professor Wolf’s incisive and far-reaching review. The changes we are making will take time but will transform the lives of young people.
For too long the system has been devalued by attempts to pretend that all qualifications are intrinsically the same. Young people have taken courses that have led nowhere.
Prof Alison Wolf said:
Vocational studies can form a stimulating and demanding part of the curriculum.
But pretending that all vocational qualifications are equally valuable does not bring them respect. On the contrary, it devalues vocational education in people’s eyes.
I am delighted that the Government has implemented my recommendations in this area, and is rebalancing its league tables in ways that will promote high quality vocational qualifications.
Following Prof Wolf’s review, the Department for Education consulted on proposals which set out the characteristics that qualifications needed to have to be included in the headline measures of the school performance tables.
The characteristics of high-quality qualifications, as set out in the Government consultation, are that:
Additionally, 12 new studio schools are approved to open later this year, joining six already open. Thirteen new University Technical Colleges (UTCs) are also approved to open from September 2012 onwards. UTCs are academies for 14- to 19-year-olds, focusing on providing technical education that meets the needs of modern business. They offer full-time courses, which focus on technical specialisms and academic studies.
A copy of the Government response to the consultation on qualifications is available on our website.
A copy of Professor Alison Wolf’s report is available on our website.
There is a full list of the qualifications that will be included from the 2014 Performance Tables (published in January 2015).
Central newsdesk 020 7783 8300
General enquiries 0370 000 2288
Published: 31 January 2012


!
will be executed as a
shell command from the GrADS command line.
Output from the shell command will be displayed in the Grads command window. If the shell command is executed from a Grads script, the output will not returned as a string buffer to the script.


Always use a label with your form elements. Don’t use the placeholder attribute as a subsitute for a label. The placeholder attribute isn’t meant to give an extensive description. It’s meant to be a guideline or a hint.
Form elements
Form elements can be wrapped by .form__group. This comes in handy when you want to implement validation later. This wrapper can be a <div> or a <fieldset>. It also adds spacing. If you don’t need the spacing and validation can be done on other elements, you can omit this.
Date input
Search field
Telephone number input
Attribute
Description
placeholder
Forbidden
Not allowed for a11y reasons, use .form__help-text if you want to explain the pattern. See help text section
Number input
Email input
Attribute
Description
placeholder
Forbidden
Not allowed for a11y reasons
File upload
Password field
Attribute
Description
placeholder
Forbidden
Not allowed for a11y reasons
Color picker
Checkboxes and radio buttons
By default checkboxes and radio buttons are stacked.
Attribute
Description
id
On legend, needs to be unique
aria-describedby
Value has to be the same as the id on legend
Inline checkboxes and radio buttons
If you add modifier .form\_\_checkbox--inline or .form\_\_radio--inline they will display inline.
Selects
Disabled and readonly states
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Ab, ipsum.
Help text
Sometimes a field needs extra explanation when a placeholder and a label isn’t enough. You can do this with .form__helptext.
Validation
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Culpa, officia.
Selector
Description
.is-invalid
Gives visual feedback with the error state
.js-is-invalid
Use the .js- prefix when you toggle these classes with JavaScript
.is-valid
Gives visual feedback with the success state
.js-is-valid
Use the .js- prefix when you toggle these classes with JavaScript
Layouting
If you need to layout different fields according a grid pattern, you can use our grid layout.
Special cases
If you want more flexibility, vertical alignment and let the browser handle the layout, replace the grid layout with a flexbox layout.
An example with a date picker and time input.
Selector
Description
.form__flex
Creates a flexbox layout
.form__box
The flex items. Nest other form components in this element.
Grouped form elements in a panel
Check out the panel module, it has an example with the semantically correct way to group form elements in a fieldset with a legend. The outcome is the same. Just make sure you don’t nest fieldsets.


Kommunicate Script in external iFrame example
This is a wider card with supporting text below as a natural lead-in to additional content. This content is a little bit longer.
This is a wider card with supporting text below as a natural lead-in to additional content. This content is a little bit longer.


Documentation for classes includes syntax, usage information, and code samples for methods, properties, and event handlers and listeners for those APIs that belong to a specific class in ActionScript. The classes are listed alphabetically. If you are not sure to which class a certain method or property belongs, you can look it up in the Index.
| Class | Package | Description | |
|---|---|---|---|
| AssetLoader
| com.ayanray.loaders |
The Asset Loader Class allows a Flash/Flex Developers to load multiple types of files with only one interface. |
|
| AssetLoaderSettings
| com.ayanray.loaders | ||
| AssetLoaderTypes
| com.ayanray.loaders | ||
| BaseLoader
| com.ayanray.loaders.handlers | Base Loader is an abstract base class that will do nothing if you try to instantiate it. | |
| ILoader
| com.ayanray.loaders.handlers | All handlers must implement this class in order to be used by the AssetLoader Class | |
| ImageLoader
| com.ayanray.loaders.handlers | The Image Loader loads PNGs, GIFS (static), JPEGS, and SWFS. | |
| SoundLoader
| com.ayanray.loaders.handlers | The Sound Loader loads MP3s and WAVS (untested). | |
| TextLoader
| com.ayanray.loaders.handlers | The TextLoader Class uses the URLLoader to load in raw text data into Flash. | |
| VideoLoader
| com.ayanray.loaders.handlers | The Video Loader loads FLVs .... | |
| XmlLoader
| com.ayanray.loaders.handlers |


If the Tcl interpreter encounters a command name for which there is not a defined command (in either the current namespace, or the global namespace), then Tcl checks for the existence of an unknown handler for the current namespace. By default, this handler is a command named ::unknown. If there is no such command, then the interpreter returns an error. If the unknown command exists (or a new handler has been registered for the current namespace), then it is invoked with arguments consisting of the fully-substituted name and arguments for the original non-existent command. The unknown command typically does things like searching through library directories for a command procedure with the name cmdName, or expanding abbreviated command names to full-length, or automatically executing unknown commands as sub-processes. In some cases (such as expanding abbreviations) unknown will change the original command slightly and then (re-)execute it. The result of the unknown command is used as the result for the original non-existent command.
The default implementation of unknown behaves as follows. It first calls the auto_load library procedure to load the command. If this succeeds, then it executes the original command with its original arguments. If the auto-load fails then unknown calls auto_execok to see if there is an executable file by the name cmd. If so, it invokes the Tcl exec command with cmd and all the args as arguments. If cmd cannot be auto-executed, unknown checks to see if the command was invoked at top-level and outside of any script. If so, then unknown takes two additional steps. First, it sees if cmd has one of the following three forms: !!, !event, or ^old^new?^?. If so, then unknown carries out history substitution in the same way that csh would for these constructs. Finally, unknown checks to see if cmd is a unique abbreviation for an existing Tcl command. If so, it expands the command name and executes the command with the original arguments. If none of the above efforts has been able to execute the command, unknown generates an error return. If the global variable auto_noload is defined, then the auto-load step is skipped. If the global variable auto_noexec is defined then the auto-exec step is skipped. Under normal circumstances the return value from unknown is the return value from the command that was eventually executed.
# Save the original one so we can chain to it rename unknown _original_unknown # Provide our own implementation proc unknown args { puts stderr "WARNING: unknown command: $args" uplevel 1 [list _original_unknown {*}$args] }


404
Oh, hi... Looks like you got lost. Please click or tap
this link
to return to the main application.


public class MatrixCompletion
extends java.lang.Object
| Constructor and Description |
|---|
MatrixCompletion()
Constructor.
|
| Modifier and Type | Method and Description |
|---|---|
void |
feedData(Matrix D)
Feed an observation matrix.
|
void |
feedIndices(int[] indices)
Feed indices of samples.
|
void |
feedIndices(Matrix Omega)
Feed indices of samples.
|
Matrix |
GetErrorMatrix()
Get the error matrix between the original observation matrix and
its low-rank completed matrix.
|
Matrix |
GetLowRankEstimation()
Get the low-rank completed matrix.
|
static void |
main(java.lang.String[] args) |
static Matrix[] |
matrixCompletion(Matrix D,
int[] indices)
Do matrix completion which solves the following convex
optimization problem:
min ||A||_*
s.t.
|
static Matrix[] |
matrixCompletion(Matrix D,
Matrix Omega)
Do matrix completion which solves the following convex
optimization problem:
min ||A||_*
s.t.
|
void |
run()
Run matrix completion.
|
public static void main(java.lang.String[] args)
args
- public void feedData(Matrix D)
D
- a real matrixpublic void feedIndices(Matrix Omega)
Omega
- a sparse or dense logical matrix indicating the indices of samplespublic void feedIndices(int[] indices)
indices
- an int
array for the indices of samplespublic void run()
public Matrix GetLowRankEstimation()
public Matrix GetErrorMatrix()
public static Matrix[] matrixCompletion(Matrix D, Matrix Omega)
D
- a real observation matrixOmega
- a sparse or dense logical matrix indicating the indices of samplesMatrix
array [A, E] where A is the low-rank
completion from D, and E is the error matrix between A and Dpublic static Matrix[] matrixCompletion(Matrix D, int[] indices)
D
- a real observation matrixindices
- an int
array for the indices of samplesMatrix
array [A, E] where A is the low-rank
completion from D, and E is the error matrix between A and D


A musical cryptogram is a cryptogrammatic sequence of musical notes, a sequence which can be taken to refer to an extra-musical text by some 'logical' relationship, usually between note names and letters.
In other words, a musical cryptograme is a little musical phrase or motif that contains the name of the author in which every letter is related with an specific note. This motif was used by the authors to give their works a unique signature.
Cryptoname is a musical cryptogram that allows the user to write his name in an input box, and based on the cryptogram used by the German composer Johann Sebastian Bach, the user will be able to hear how does Bach would have played his name. All depending on the letters that make up the user's name and size.
The way it works depends on the method that was used to create the cryptogram. For example, the "French" method use diatonic notes from A to G and use an alphabet that starts in the letter "H" and finishes in letter "Z". Therefore, this means that "H" is encrypted by note "A" while "N" is encrypted by note "G" and so on.
| A | B | C | D | E | F | G |
| H | I | J | K | L | M | N |
| O | P | Q | R | S | T | V |
| W | X | Y | Z | - | - | - |
It is very simple! You just need to type your name and click on the button bellow to hear your name!
Tecnológico de Monterrey Campus Ciudad de México
Sistemas de Audio Digital para Web y Dispositivos Móviles
Proyecto Final
Viernes 3 de Mayo del 2018


Recover some mana if you're using a lot of the second skill on the lane. Careful not to be hit while it's recovering your mana. It takes some time.
Abadon has a high survivability, besides he slows down the enemies he strikes, which makes him a great chaser. That means Sange and Yasha and Phase Boots to run faster, Skadi and/or Shivas ti slow down enemies even more, and Assault Cuirass to attack faster.
As support, he will need a lot of mana, so Url will be a lot of help, and so will Soul Ring - specially having Abaddon's first skill healing him back. Soul RIng would be enough for Abaddon, but Urn is great if no one else on the team is making it. Mekansm ir great to help him survive a little longer as well as his allies.
Recover some mana if you're using a lot of the second skill on the lane. Careful not to be hit while it's recovering your mana. It takes some time.
Essencial to recover some HP during early game, while your first skill won't heal much. And you'd rather use your mana for offense.
Pre-requisites to build Urn. It will also raise your max HP and attack during early game.
You can use urn either for healing yourself and your allies, either for damaging your enemies. It also improves your mana recovery.
Going for carry, huh? This will help you take the creep waves faster. Faster creep killing, faster farming.
Your skills and items all together will make you a great runner and chaser. This item makes you even faster and slows down your enemies.
By now, your enemies will be almost stopping. Now with this, they will hane no chance of scaping. Even their attack speed drops. Just keep hitting them.
Feel the need to slow down not only the one you're hitting, but everyone around you? Use Shivas! It also does some damage and will improve your mana recovery.
Prepare your team for a fight, raising everyone's magical resistance. Only make this item if there's enough magical heroes as enemies.
Protect yourself and your friends from physical attacks. Only make this item if there's enough melee heroes as your enemies.
Improve attack speed and take creep waves easier with one item. Make either this or battlefury, but not both.
Life is low most of the time? Get a Tarrasque. It improves your Max HP and HP recovery.
Sacrifice a little of your HP to damage an enemy or restore an ally's HP. You can use it on yourself, it will restore more than spend HP.
Great when taking out creeps, specially when you're against rangeds on the lane. It allows you to get closer.
Each strike of yours slows down your enemy, while each unit that attacks the slowed enemy will have their movement speed and attack speed increased. Great for chasing down your enemies.
All damage will convert to life and heal you, and most negative buffs will be removed. It is activated automatically if HP gets bellow 400 (if not in cooldown). Aghanim's Scepter adds a damage redirect effect (50%) and increases Ult's duration (+1).


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Ar Voucher
Redeem Voucher
Balance:
AR
Enter Voucher Code:
Upload Wallet File (no coin will be spent, it will only be used to allow you to recieve the reward)
Redeem


A placeholder inside a web component that users can fill with their own
markup, with the effect of composing different DOM trees together.
A placeholder inside a web component that users can fill with their own
markup, with the effect of composing different DOM trees together.
A placeholder inside a web component that users can fill with their own
markup, with the effect of composing different DOM trees together.
scrollable
tab1tab2tab3tab4tab5tab6tab7tab8tab9tab10
label with icon
tab1tab2tab3
only icon
tab1tab2tab3
layout
HEADERc-layoutFOOTER
grid
112222
dialog
open dialogalertconfirminfosuccesserrorwarning232tab1tab2tab3tab4tab5tab6tab7tab8tab9tab10
wuhanbeijinshanghaiReactVueAngularFlutterSwiftHtmlCssJavascriptPhpDartI have readsubmitreset
view
coord
draggable & allowdrop
resizable
edit
table
John Brown32New York No. 1 Lake ParkJim Green42London No. 1 Lake ParkJim Green42London No. 1 Lake ParkJim Green42London No. 1 Lake ParkJim Green42London No. 1 Lake Park
text
wbc-ui is a front end cross-framework ui library based on
web-components wbc-ui wbc-ui wbc-ui wbc-ui wbc-ui wbc-ui wbc-ui is a front end cross-framework ui library based on
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web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.wbc-ui is a front end cross-framework ui library based on
web-components.


foodraveller
When do you plan to go out?


WITNESS LIST Appropriations-S/C on Criminal Justice Committee February 8, 2005-8:30A Budget For: Hawthorne, Sergeant Brian (Department of Public Safety Officers Association) Marty, LTG Wayne D (Adjutant General's Department) On: Davis, Tommy (Texas Department of Public Safety) DiTucci, Frank (Texas Polygraph Examiners Board) Dozier, Jim (Texas Commission on Law Enforcement Standards and Education) Giesberg, Lydia (Texas Military Facilities Commission) Gutierrez, David (Texas Commission on Jail Standards) Hendricks, Kelly B. (Texas Polygrapher Examiners Board) Julian, Terry (Texas Commission on Jail Standards) McHugh, Colleen (Texas Public Safety Commission) Munoz, Ana R. (Texas Commission on Fire Protection) Smith, Sheriff Dan (Texas Commission on Law Enforcement Officer Standards and Education) Stalder, Kelley (Texas Commission on Fire Protection) Steen, Alan (Texas Alcoholic Beverage Commission) Warren, Sr, Gary L. (Texas Commission on Fire Protection) Wells, John (Texas Military Facilities Commission)


--- layout: 2018_default permalink: /venue title: Venue published: true ---
1885 Mission St, San Francisco, CA 94103
https://sanfrancisco.impacthub.net/
(415) 624-5881


DUTY CALLs
Trainspotting’s Kelly Macdonald to star in Line of Duty as special guest in new series
by Aidan SmithKELLY MACDONALD is set to play the role of a senior investigating officer of an unsolved murder in the new series of Line of Duty.
The Scots actress will star as Detective Chief Inspector Joanne Davidson.
BBC One announced the news on Twitter, they said: "Kelly Macdonald will star as guest lead in the next series of #LineOfDuty.
"She's playing Detective Chief Inspector Joanne Davidson, the senior investigating officer of an unsolved murder, whose unconventional conduct raises suspicions at AC-12."
Macdonald is best known for her roles in Trainspotting, Gosford Park, State Of Play, No Country For Old Men, Boardwalk Empire and, most recently, The Victim and Giri/Haji.
Line of Duty writer Jed Mercurio, said: "We're honoured that Kelly Macdonald will join Martin, Vicky and Adrian in series six of Line Of Duty.
"DCI Joanne Davidson will prove the most enigmatic adversary AC-12 have ever faced."
Simon Heath, CEO and Creative Director of World Productions, added: "The Line Of Duty team have always been huge fans of her work, so we’re thrilled Kelly has agreed to join us this series to pit her wits against AC-12."
Piers Wenger, Controller of BBC Drama, also said: "We’re delighted that Kelly Macdonald is coming on board for series six.
"She’s one of the UK’s most versatile actors and we’re excited for viewers to see what Jed’s scripts have in store for her when she joins the Line Of Duty team.”
Filming for series six of Line of Duty begins in the new year.
Lead actors Martin Compston, Vicky McClure and Adrian Dunbar, are also confirmed to return for series six.
Compston added: "Another magnificent addition to the Line of Duty team.
"Said it before huge part of the show’s success is the phenomenal guest actors we’ve had.
"Kelly Macdonald will be up there with the best of them, what a talent what a career.
"Buzzing to get the tape started."
The series five finale of Line of Duty on BBC One back in May is currently the most watched programme of the year so far.
The show racked up a total of 13.7 million viewers across all TV and online viewing over 28 days.


Model and Processors Documentation¶
Open Seismic offers public state-of-the-art models for users to try. Below introduces the classes and their associated processor scripts that are used to conduct inference on seismic data. Read their descriptions in order to understand how to specify them in your configuration JSON file.
FaultSeg¶
The FaultSeg repository can be found here: FaultSeg repository.
The OpenVINO IR xml and bin files can be found in models/fault/model/
.
In order to specify FaultSeg in your configuration file, set given_model_name
to
fseg
under inference_params
.
-
class
models.fault.model.model.
Model
(path_to_xml, path_to_bin, requests=1)¶ The FaultSeg model class contains methods important to regular inference and coarse cube inference. If you would like to make classes that utilize these inference tasks, treat the FaultSeg model class as the interface to implement.
-
__init__
(path_to_xml, path_to_bin, requests=1)¶ Initialization of FaultSeg model.
- Parameters
path_to_xml – Path to xml file of model’s OpenVINO IR.
path_to_bin – Path to bin file of model’s OpenVINO IR.
requests – Number of requests to use during inference.
n1n2n3 – Tuple representing size reference for input layer. Shape will be
(1, 1, n1, n2, n3)
.
-
get_idle_request_id
()¶ Get an idle request id. The
get_requests
andget_idle_request_id
methods are used for asynchronous inference.- Returns
Idle request id (int)
-
get_input_shape
()¶ Get shape of each input layer. There is only one input layer for the FaultSeg model.
- Returns
Tuple representing input layer shape.
-
get_input_shape_dict
()¶ Get input shape dictionary where the return value is
{..., layer_i:layer_i_shape, ...}
. Since the FaultSeg model only has one layer, the dictionary returned is just{first_layer_name:first_layer_shape}
.- Returns
Layer-to-shape dictionary
-
get_inputs
()¶ Get input layer name(s). Only one layer name will be returned for the FaultSeg model.
- Returns
List of strings representing the names of the input layers.
-
get_outputs
()¶ Get output layer name(s). Only one layer name will be returned for the FaultSeg model
- Returns
List of strings representing the names of the output layers.
-
get_requests
()¶ Get requests object of model. The
get_requests
andget_idle_request_id
methods are used for asynchronous inference.- Returns
Requests object of model.
-
infer
(input_dict, flexible_infer=False)¶ Conduct simple inference.
- Parameters
input_dict – Input dictionary containing
{..., layer_name:input_val, ...}
.flexible_infer – Boolean for specifying shape change mid-inference.
- Returns
output_dict, latency (ms)
-
reshape_input
(shape)¶ Change the shape of the input layer to
shape
. In the case of FaultSeg, the first and only layer will change shape.- Parameters
shape – Tuple/list representing the new desired input shape.
- Returns
None
-
-
models.fault.model.preprocessor.
preprocess
(data, input_layers, n1n2n3=(128, 128, 128), model=None)¶ The preprocessing scripts follows a usual centering and normalizing of the input, followed by a transpose and addition of superfluous axes for inference purposes. If the input values are not the same shape as the FaultSeg input layer, then they will be inserted into a zero-tensor that is the same shape as the input layer. Therefore, we must guarantee that the input values are smaller than or equal to the input layer shape.
- Parameters
data – The original data input.
input_layers – A list of input layers. The FaultSeg model will only contain one layer.
n1n2n3 – (Optional) The expected shape to mold flat input values.
model – (Optional) The model used for inference.
- Returns
An input dictionary structured as
{..., input_layer_name_i:input_val_i, ...}
. In this case, the returned value will be{first_input_layer_name:input_val}
.
-
models.fault.model.postprocessor.
postprocess
(output_val, output_shape=None)¶ The postprocess script for the FaultSeg model squeezes the output to get rid of extraneous axes. Then, if the model’s output shape is different than the original output shape specified in
output_shape
(if given), then the model output is cropped to matchoutput_shape
. Therefore, we must guarantee that the model output will be greater than or equal to the original shape.- Parameters
output_val – An output dictionary structured as
{..., output_layer_i:output_val, ...}
.output_shape – (Optional) Tuple/list representing the original output shape.
- Returns
An output dictionary structured the same as
output_val
except contained cropped output values.
Salt¶
Literature pertaining to the Salt model be found here: Salt literature link.
The OpenVINO IR xml and bin files can be found in models/salt/model/
.
In order to specify FaultSeg in your configuration file, set given_model_name
to
salt
under inference_params
.
-
class
models.salt.model.model.
Model
(path_to_xml, path_to_bin, requests=1)¶ The Salt model class contains methods important to fine cube inference. If you would like to make classes that utilize these inference tasks, treat the Salt model class as the interface to implement.
-
__init__
(path_to_xml, path_to_bin, requests=1)¶ Initialization of Salt model.
- Parameters
path_to_xml – Path to xml file of model’s OpenVINO IR.
path_to_bin – Path to bin file of model’s OpenVINO IR.
requests – Number of requests to use during inference.
-
get_idle_request_id
()¶ Get an idle request id. The
get_requests
andget_idle_request_id
methods are used for asynchronous inference.- Returns
Idle request id (int)
-
get_inputs
()¶ Get input layer name(s). Only one layer name will be returned for the Salt model.
- Returns
List of strings representing the names of the input layers.
-
get_outputs
()¶ Get output layer name(s). Only one layer name will be returned for the Salt model.
- Returns
List of strings representing the names of the output layers.
-
get_requests
()¶ Get requests object of model. The
get_requests
andget_idle_request_id
methods are used for asynchronous inference.- Returns
Requests object of model.
-
infer
(input_dict, flexible_infer=False)¶ Conduct simple inference.
- Parameters
input_dict – Input dictionary containing
{..., layer_name:input_val, ...}
.flexible_infer – Boolean for specifying shape change mid-inference.
- Returns
output_dict, latency (ms)
-
reshape_input
(shape)¶ Change the shape of the input layer to
shape
. In the case of Salt model, the first and only layer will change shape.- Parameters
shape – Tuple/list representing the new desired input shape.
- Returns
None
-
-
models.salt.model.preprocessor.
preprocess
(cube, input_layers)¶ Takes the cube input and stores it in a dictionary where each key represents a layer name. For clarity, the structure will be
{..., input_layer_name_i:cube, ...}
. For the Salt model, there is only one layer, so the output will be{first_input_layer_name:cube}
.- Parameters
cube – The original data input.
input_layers – A list of input layers. The Salt model will only contain one layer.
- Returns
n input dictionary structured as
{..., input_layer_name_i:cube, ...}
. In this case, the returned value will be{first_input_layer_name:cube}
.
-
models.salt.model.postprocessor.
postprocess
(output_val)¶ This postprocess simply returns the input
output_val
.- Parameters
output_val – dictionary mapping output_data to output_layers
- Returns
output_val
Facies¶
The Facies repository can be found here: Facies repository.
The OpenVINO IR xml and bin files can be found in models/facies/model/
.
In order to specify FaultSeg in your configuration file, set given_model_name
to
facies
under inference_params
.
-
class
models.facies.model.model.
Model
(path_to_xml, path_to_bin, requests=1)¶ The Facies model class contains methods important to section inference. If you would like to make classes that utilize these inference tasks, treat the Facies model class as the interface to implement.
-
__init__
(path_to_xml, path_to_bin, requests=1)¶ Initialization of Facies model.
- Parameters
path_to_xml – Path to xml file of model’s OpenVINO IR.
path_to_bin – Path to bin file of model’s OpenVINO IR.
requests – Number of requests to use during inference.
-
get_idle_request_id
()¶ Get an idle request id. The
get_requests
andget_idle_request_id
methods are used for asynchronous inference.- Returns
Idle request id (int)
-
get_input_shape
()¶ Get shape of each input layer. There is only one input layer for the Facies model.
- Returns
Tuple representing input layer shape.
-
get_inputs
()¶ Get input layer name(s). Only one layer name will be returned for the Facies model.
- Returns
List of strings representing the names of the input layers.
-
get_outputs
()¶ Get output layer name(s). Only one layer name will be returned for the Facies model.
- Returns
List of strings representing the names of the output layers.
-
get_requests
()¶ Get requests object of model. The
get_requests
andget_idle_request_id
methods are used for asynchronous inference.- Returns
Requests object of model.
-
infer
(input_dict, flexible_infer=False)¶ Conduct simple inference.
- Parameters
input_dict – Input dictionary containing
{..., layer_name:input_val, ...}
.flexible_infer – Boolean for specifying shape change mid-inference.
- Returns
output_dict, latency (ms)
-
reshape_input
(shape)¶ Change the shape of the input layer to
shape
. In the case of Faices model, the first and only layer will change shape.- Parameters
shape – Tuple/list representing the new desired input shape.
- Returns
None
-
-
models.facies.model.preprocessor.
preprocess
(sheet, input_layers, model)¶ This preprocessing function takes the section input
sheet
and crops it to match the Facies input layer shape, if they are different. Then, an input dictionary is returned where each input layer is mapped to the sheet data. For the Facies model, there is only one input layer.- Parameters
sheet – Section input data.
input_layers – A list of input layer names.
model – The model object that is using this preprocessing function.
- Returns
An input dictionary structured as
{..., input_layer_i:input, ...}
. Since there is only one layer in the Facies model, the returned dictionary will be structured as{input_layer:input}
.
-
models.facies.model.postprocessor.
postprocess
(output_val, orig_shape)¶ This postprocess function first checks if the output contained within the
output_val
dictionary matches the specifiedorig_shape
(a 4 element list/tuple, but the last two elements are the ones that are checked). If the shapes are different, then the output is cropped to match theorig_shape
. Then, the output is ran through a softmax layer. The maximum probabilistic class is assigned to each pixel in the section, and this output is returned in the form{output_layer:prediction}
.- Parameters
output_val – The output value dictionary, structured as
{output_layer:output}
.orig_shape – The original shape of the input data.
- Returns
A dictionary mapping output layer to maximum class prediction per pixel.


{% load boilerplate djaneiro i18n %}
{% blocktrans %}Deleting the selected {{ objects_name }} would require deleting the following protected related objects:{% endblocktrans %}
{% blocktrans %}Are you sure you want to delete the selected {{ objects_name }}? All of the following objects and their related items will be deleted:{% endblocktrans %}


Coronation Street SPOILERS: Maria thinks Gary still fancies Sarah
Gary is paranoid when he sees Sarah and Nick heading out
by Charlotte RodriguesMaria think Gary still has feelings for Sarah in next week's Coronation Street.
In preview pictures on the ITV's website, Gary is immediately suspicious when he spots Nick and Sarah heading out.
This leads Maria to thinking Gary still fancies Sarah and is offended.
But Gary's right to be paranoid as Nick and Sarah secretly meet with Derek. What are they up to?
Viewers know Gary and Sarah split up months ago and she has become increasingly suspicious of his behaviour.
After it was revealed Gary was the one responsible for the factory roof collapse that killed Rana Habeeb, Gary ended up murdering loan shark Rick Neelan.
To get back in with construction at the factory, Gary hired Derek to pose as a contractor to Nick.
Read More: Coronation Street's Fiona Middleton 'could return with Christmas bombshell for Emma'
Derek offered to buy the land, build the factory and lease it to Nick - however Gary is the one behind the scenes pulling the strings.
Gary soon got fed up with Derek when he signed a short-term rental agreement with Nick behind his back.
To make things worse, he began seeing Gary's ex-girlfriend and mother of his son, Izzy.
Read More: Coronation Street SPOILERS: Kel is questioned by police TONIGHT!
Although Derek wasn't initially afraid of Gary, when he saw the damage Gary did to Ryan he fled the street and hasn't been seen since.
Since Derek's absence, Gary has started seeing Maria but she has no idea how dangerous Gary really is.
Are Sarah and Nick about to learn the truth about Gary and Derek's partnership?
Coronation Street airs on Mondays, Wednesdays and Fridays at 7.30pm and 8.30pm on ITV.
Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think!


"""Stuff that differs in different Python versions and platform distributions.""" import logging import os import sys __all__ = ["get_path_uid", "stdlib_pkgs", "WINDOWS"] logger = logging.getLogger(__name__) def has_tls(): # type: () -> bool try: import _ssl # noqa: F401 # ignore unused return True except ImportError: pass from pip._vendor.urllib3.util import IS_PYOPENSSL return IS_PYOPENSSL def get_path_uid(path): # type: (str) -> int """ Return path's uid. Does not follow symlinks: https://github.com/pypa/pip/pull/935#discussion_r5307003 Placed this function in compat due to differences on AIX and Jython, that should eventually go away. :raises OSError: When path is a symlink or can't be read. """ if hasattr(os, "O_NOFOLLOW"): fd = os.open(path, os.O_RDONLY | os.O_NOFOLLOW) file_uid = os.fstat(fd).st_uid os.close(fd) else: # AIX and Jython # WARNING: time of check vulnerability, but best we can do w/o NOFOLLOW if not os.path.islink(path): # older versions of Jython don't have `os.fstat` file_uid = os.stat(path).st_uid else: # raise OSError for parity with os.O_NOFOLLOW above raise OSError(f"{path} is a symlink; Will not return uid for symlinks") return file_uid # packages in the stdlib that may have installation metadata, but should not be # considered 'installed'. this theoretically could be determined based on # dist.location (py27:`sysconfig.get_paths()['stdlib']`, # py26:sysconfig.get_config_vars('LIBDEST')), but fear platform variation may # make this ineffective, so hard-coding stdlib_pkgs = {"python", "wsgiref", "argparse"} # windows detection, covers cpython and ironpython WINDOWS = sys.platform.startswith("win") or (sys.platform == "cli" and os.name == "nt")


4
The Mountain of the LORD
1 It shall come to pass in the latter days
that the mountain of the house of the LORD
shall be established as the highest of the mountains,
and it shall be lifted up above the hills;
and peoples shall flow to it,
2 and many nations shall come, and say:
“Come, let us go up to the mountain of the LORD,
to the house of the God of Jacob,
that he may teach us his ways
and that we may walk in his paths.”
For out of Zion shall go forth the law,
and the word of the LORD from Jerusalem.
3 He shall judge between many peoples,
and shall decide for strong nations afar off;
and they shall beat their swords into plowshares,
and their spears into pruning hooks;
nation shall not lift up sword against nation,
neither shall they learn war anymore;
4 but they shall sit every man under his vine and under his fig tree,
and no one shall make them afraid,
for the mouth of the LORD of hosts has spoken.
5 For all the peoples walk
each in the name of its god,
but we will walk in the name of the LORD our God
forever and ever.
The LORD Shall Rescue Zion
6 In that day, declares the LORD,
I will assemble the lame
and gather those who have been driven away
and those whom I have afflicted;
7 and the lame I will make the remnant,
and those who were cast off, a strong nation;
and the LORD will reign over them in Mount Zion
from this time forth and forevermore.
8 And you, O tower of the flock,
hill of the daughter of Zion,
to you shall it come,
the former dominion shall come,
kingship for the daughter of Jerusalem.
9 Now why do you cry aloud?
Is there no king in you?
Has your counselor perished,
that pain seized you like a woman in labor?
10 Writhe and groan, O daughter of Zion,
like a woman in labor,
for now you shall go out from the city
and dwell in the open country;
you shall go to Babylon.
There you shall be rescued;
there the LORD will redeem you
from the hand of your enemies.
11 Now many nations
are assembled against you,
saying, “Let her be defiled,
and let our eyes gaze upon Zion.”
12 But they do not know
the thoughts of the LORD;
they do not understand his plan,
that he has gathered them as sheaves to the threshing floor.
13 Arise and thresh,
O daughter of Zion,
for I will make your horn iron,
and I will make your hoofs bronze;
you shall beat in pieces many peoples;
and shall devote their gain to the LORD,
their wealth to the Lord of the whole earth.


plot(3f) - [M_calcomp:basic] move with pen up or down or start new origin or terminate plotting (LICENSE:PD)
Synopsis
Description
Options
Example
License
subroutine plot(xpage,ypage,+-ipen)
The PLOT subroutine is used to move the pen in a straight line to a new position, with the pen either up or down during the movement.
Another function of PLOT is to establish a new reference point (origin) for the current plot frame. This must be done if any draws or moves use values which are negative relative to the ORIGINAL frame origin.
PLOT also is used to terminate CALCOMP plotting, and must be called once and only once at the end of plotting calls in each CALCOMP application.
XPAGE, YPAGE are the X, Y coordinates in CALCOMP inches. The values are measured relative to the current frame reference (origin). An origin (where both X, Y equal zero) may be established anywhere on the plotting surface by using negative IPEN values, as explained below.
Because CALCOMP routines are interfaced to write a TEMPLATE PDF, some limits on X and Y coordinates were required. All coordinate values (XPAGE, YPAGE) should be greater than or equal to zero and less than 100 inches. If negative values are necessary a new frame origin must be set so the negative values are positive relative to the ORIGINAL frame origin.
0 < XPAGE+origin x-offset < 100 0 < YPAGE+origin y-offset < 100
The values of XPAGE and YPAGE which are used to establish a new origin must also be considered. See the discussion under subroutine NFRAME for details.
+-IPEN is a signed integer which controls pen status (up or down), and the origin definition. If IPEN=2, the pen is down during movement, thus drawing a visible line.
If IPEN=3, the pen is up during movement.
If IPEN= -2, or -3, a new origin is defined at (XPAGE,YPAGE) after the movement is completed as if IPEN were positive.
That is, the X,Y coordinates of the new pen position are set equal to zero. This position is the reference point for succeeding pen movements.
If IPEN=999 the metalanguage file is closed. (Note this must be the last call made by the plotting application).
 ESTABLISH AN ORIGIN SO NEGATIVE VALUES UP TO -0.5 MAY BE USED call plot(0.5,0.5,-3) !


{% extends "bank/base.html" %} {% block body %}
Ready to take it to the next level? Connect with your Discord Account to enable these perks.
Real-time notifications for incoming transactions, new invitations to join organizations, and updates on employee invites your organization sent out.
Send money to other people directly on Discord, without the need to specify the IBAN of a bank account of theirs.
-bank send @DerJonas 50
Check the balance of all bank accounts you have access to, even shared bank accounts, directly on Discord.
-bank accounts


The Shiny interface included in the High Frequency Checks package is a usefull tool to beggin to familiaralised with the functions included in the package. But, as with the examples included in the vignettes so far, it shows the functions used with predifined parameters and on the main part of a survey (not including the potential loops).
lets see how we could do more with the same functions.
It could be useful to run some of the functions available on the individual loops to ensure the data collected there is also valid. The main interesting functions to run there would be:
To be able to run the functions on the loops and generating useful reports, we should first having the enumerator ID information included in the dataset generated by the loop. let assume the main part of the survey is a file named ‘main.csv’ and the loop a file named ‘loop.csv’
## First import the datasets
main <- read.csv("main.csv", stringsAsFactors = F)
loop <- read.csv("loop.csv", stringsAsFactors = F)
## then bring the enumerator ID information into the loop dataset
loop <- dplyr::inner_join(main[,c("enumerator_id","X_uuid","X_index")],
loop,by=c("X_index"="X_parent_index"))
## Now it is possible to run the HFC functions and still having the enumerator ID information for the
## potential mistakes
## Example with the surveyOtherValues function
list[var1,reportsurveyOtherValues,textsurveyOtherValues,graphsurveyOtherValues] <-
surveyOtherValues(ds=loop,
enumeratorID="enumerator_id",
otherPattern="_other$")
print(reportsurveyOtherValues)
Some of the functions include an option to determine if we want to have the check reported by enumertor (useful to be able to ask them some follow-up questions to clarify the validity of the data), or not, which will give the results aggregated for the whole dataset (useful to be able to prepare the cleaning log for example).
This opportunity is given with the following functions:
## Loading required package: gsubfn
## Loading required package: proto
library(knitr)
## Example on the dataset included in the package
main <- sample_dataset
## Example with the surveyOtherValues function
## First without the enumerator ID information
list[var1,reportsurveyOtherValues,textsurveyOtherValues,graphsurveyOtherValues] <-
surveyOtherValues(ds=main,
enumeratorID="enumerator_id",
otherPattern="_other$",
enumeratorCheck = FALSE)
kable(head(reportsurveyOtherValues))
| field | values | nb |
|---|---|---|
| consent_received.wash.water_collection_problem_other | The source is only available some month of the year | 1 |
| consent_received.wash.water_collection_problem_other | They have to collect water from neighbors. | 1 |
| consent_received.shelter_nfi.non_food_items_other | chair-table | 1 |
| consent_received.shelter_nfi.non_food_items_other | Cow, goat | 1 |
| consent_received.shelter_nfi.non_food_items_other | Dressmaking machine | 1 |
| consent_received.shelter_nfi.non_food_items_other | Electric fan | 1 |
## Then with the enumerator ID information
list[var1,reportsurveyOtherValues,textsurveyOtherValues,graphsurveyOtherValues] <-
surveyOtherValues(ds=main,
enumeratorID="enumerator_id",
otherPattern="_other$",
enumeratorCheck = TRUE)
kable(head(reportsurveyOtherValues))
| field | enumerator_id | values | nb |
|---|---|---|---|
| consent_received.wash.water_collection_problem_other | 18 | The source is only available some month of the year | 1 |
| consent_received.wash.water_collection_problem_other | 4001 | They have to collect water from neighbors. | 1 |
| consent_received.shelter_nfi.non_food_items_other | 3 | Ten | 1 |
| consent_received.shelter_nfi.non_food_items_other | 12 | Home repair materials | 1 |
| consent_received.shelter_nfi.non_food_items_other | 12 | need electricity | 1 |
| consent_received.shelter_nfi.non_food_items_other | 12 | Water pamp,laptop | 1 |
The purpose of the High Frequency Checks is to assess the quality of the data collected on a periodic basis. But you may not want to re-run all the checks on the full dataset as it may be difficult to identify the new mistakes or questions to be raised.
A good way to avoid this is to subset the dataset according of the data collection day.
library(HighFrequencyChecks)
library(knitr)
main <- read.csv("main.csv", stringsAsFactors = F)
previousMain<- read.csv("previousMain.csv", stringsAsFactors = F)
## Subset the dataset according of the date of submission to the kobo server
mainOfTheDay <- subset(main,
stringi::stri_datetime_format(strptime(Header$X_submission_time,
"%Y-%m-%dT%H:%M:%OS"),
"uuuu-MM-dd")==Sys.Date())
## Run the HFC functions on the subsetted dataset
list[var1,reportisInterviewCompleted,textisInterviewCompleted,graphisInterviewCompleted] <-
isInterviewCompleted(ds=mainOfTheDay,
dates=c("survey_start","end_survey"),
surveyConsent="survey_consent",
deleteIsInterviewCompleted=TRUE)
if(!is.null(var1)){
mainOfTheDay<-var1
}
# (more or less all the is..., survey... functions)
## Run some other functions on the full dataset (composed by the surveys collected before today, and the
## surveys collected today just processed by HFC)
fullMain <- rbind(previousMain, mainOfTheDay)
list[var1,reportassessmentDuration,textassessmentDuration,graphassessmentDuration] <-
assessmentDuration(ds=main,
dates=c("survey_start","end_survey"))
# (more or less all the assessment..., enumerator... functions)
## At the end and especially if you set-up the is... functions to have an action on the dataset,
## you should save it in order to reuse it the next day and still have an accurate tracking sheet (for
## example)
write.csv(fullMain, "previousMain.csv")
Even if functions have a pre-defined purpose, it is possible to imagine using them (or at least some of them) to generate a different report. For example we could be interested by knowing the percentage of consentment for the survey according to the different site where we are doing the data collection. It could be useful to highlight some difference and maybe some site where people are less enclined to answer the survey (and where we may plan for contingency, like having a lower CI or higher ME, or changing the way we will analysed the data…). To do so, we can use the enumeratorSurveysConsent function asking to give us the result not by enumerator, but by site
library(HighFrequencyChecks)
library(knitr)
## Example on the dataset included in the package
## First we remove all the status which are different from 'yes' or 'no' (not eligible for example is
## not informing us on the people not willing ot answer the survey).
specificMain <- subset(sample_dataset,
survey_consent!="not_eligible")
## Running the function
list[var1,reportsiteSurveysConsent,textsiteSurveysConsent,graphsiteSurveysConsent] <-
enumeratorSurveysConsent(specificMain,
surveyConsent = "survey_consent",
enumeratorID = "union_name")
## Changing the columns names to reflect we are not dealing with enumerator ID
colnames(reportsiteSurveysConsent) <- c("Site", "no", "yes")
kable(reportsiteSurveysConsent)
| Site | no | yes |
|---|---|---|
| baharchhara | 0.00 | 100.00 |
| haldia palong | 4.55 | 95.45 |
| jalia palong | 7.14 | 92.86 |
| nhilla | 6.67 | 93.33 |
| palong khali | 8.86 | 91.14 |
| raja palong | 0.00 | 100.00 |
| ratna palong | 9.52 | 90.48 |
| sabrang | 8.33 | 91.67 |
| teknaf | 10.87 | 89.13 |
| teknaf paurashava | 0.00 | 100.00 |
| whykong | 5.06 | 94.94 |


The Bunker Chernarus
The Bunker
Here you will be able to see the broad areas that all bunker players play such as DayZ servers and many other games. We have a large discord community as well and all are welcome in it. Please abide by the rules within the discord and have a great time.
Come join our Discord Community!! Discord


STRIPTEASE * of **** grade is D-
Striptease is supposed to be a funny, sexy film that offers the goods -- Demi Moore's goods. It fails on all levels but one, and that level barely regesters. This film does offer looks at Demi's chest and g-string clad butt on a few ocasions.
That is all the film has to offer. Most of the acting is terrible (Ving Rhames survives best), the jokes are lame and very lame (I didn't laugh once). Demi has a straight delivery on her jokes, and that is wrong for the part, surrounded by colorfully dreadful characters who overact, and sometimes try. So what is a film that just offers looks at Demi's body?
At least Showgirls wasn't as terrible as this film. We had unintentional laughs with that one. This films a miracle. It can't even get me to laugh accidently. Some bad films can be good, thanks to camp, look at The Substitute or Barb Wire.
The story of Striptease has Moorelosing custody of her child to a no-good ex-husband, becoming a stripper at the Eager Beaver (ha-ha) to earn money for a court appeal. She meets many colorful characters, the highlights being: a congressman (Reynolds), and a bouncer (Rhames).
I've meantioned that the film has hardly any appeal and thus not much to talk about in terms of "comedy." What you have left is Demi Moore's naked body. This is impressive, and somewhat voyueristic watching a bigtime hollywood celebrity prance her pretty self up on the screen, amidst the dreck.
Even Moore's nude and semi-nude scenes aren't even what they've been cracked up to be. Articals about her addiction to showing skin, a somewhat sexy Late Night apperance, teasing trailers, even the title promises SKIN. This movies doesn't even deliver on that promise, the way the public wants. Lets be honest, I say public because people who see or saw Striptease aren't going to see a good movie, they will see Demi in next to nothing.
12.5 million dollars is the sallary Demi got paid to do this film. That was a large steping stone (and deserving one) for women actors in hollywood. Yet signing that paycheck to do this movie is a slap in the face to women. I see Demi's choice of this film in two ways. Either she wants the public to be aware of the curves of her body, in ways that only Bruce Willis knows OR she was trying to lose all inhibitions about her body by public nudity, like Madonna did with her book SEX. Moore's is a very good actress, in some movies. First rate in pivital role in A Few Good Men. In Striptease all she wants is for us the public to know what her butt looks like in a thong and what her chest looks like without minus bra and shirt.  What a waste!
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Welcome to the website of the 'Internet of Trash' project!
This project was made during the 2017 Fontys Venlo minor Research and Innovation.
Technologies used:
- NodeJS
- Bootstrap
- C#
- RestSharp
- DBreeze
- Arduino hardware
Welcome to the website of the 'Internet of Trash' project!
This project was made during the 2017 Fontys Venlo minor Research and Innovation.
Technologies used:


Three-dimensional morphology of the Im3 evolved from the generic test reflection given in Equation (8). Its unit cell morphology is given in plot ( a) and its expansion in a box of 10 × 10 × 10 R G 3 is shown in plot ( b). A domain is represented by red color and B domain as the matrix is intentionally removed.


Seattle police captain arrested in undercover vice operation
by Gary Horcher, KIRO7.comSEATTLE - A 31-year veteran Seattle Police Department captain was arrested by his fellow officers during a vice sting late Wednesday, in an investigation of sexual exploitation.
According to several sources, 53-year-old veteran Seattle police captain Randal Woolery offered $40 to an undercover officer who was posing as a prostitute, and he was arrested on the spot.
Woolery was one of five men arrested in the Aurora sting, and according to jail records, he was booked and released in less than 30 minutes.
Woolery works in SPD's Professional Standards Bureau, where he reviews officers' use of force.
Woolery was also elected as a Fire Commissioner in Snohomish County Fire District 7, which manages eight fire departments. A spokesperson with the District directed questions to Seattle police.
“Seattle police arrested a 53-year-old SPD employee last night in an undercover Vice operation in North Seattle,” said a statement issued by Sgt. Sean Whitcomb.
“The employee was booked into King County Jail with a request for misdemeanor charges, and the information was forwarded to the Office of Police Accountability. The employee, a 31-year veteran assigned to the Professional Standards Bureau, has been placed on administrative leave," the statement said.
Sources within the department told KIRO-7 Woolery was highly regarded as a role-model of professionalism and was honored recently with an award for being an inspirational leader.
© 2019 Cox Media Group.