WEST BEIRUT
Reviewed by Harvey Karten Cowboy Booking International Director: Ziad Doueiri Writer: Ziad Doueiri Cast: Rami Doueiri, Mohamad Chamas, Leila Karam, Mahmoud Mabsout.
When I was a kid and saw films made in Europe during the late 1940s, I noted that the teens on the Continent seemed more mature than the youngsters in the States. I asked my dad whether this was because the 14-year-olds on the screen were actors and not real people, or whether their early ripening was in fact true. He explained that here in the U.S. we hadn't had a war on our soil since 1865, whereas the Europeans were afflicted with every kind of armed struggle in this century. Bombings and machine-gunnings that go on day after day for five years--as in the case of the Second World War--can make kids grow up early. Presumably in countries like France and Germany today, the 14-year-olds are able to play out their childhoods as nature intended-- kidding around, acting their own age rather than like small versions of adults.
But many areas of the world have not been that fortunate even decades after World War II. Lebanon--like Northern Ireland--had been torn apart by sectarian violence, in their case pitting Muslims against Christians. Simply put, though Lebanon--one of the few countries with more of their people living abroad than in their home state--had a Muslim majority, the Christians ran the government. When the situation became irreconcilable, civil war broke out, so that during the years that Ziad Doueiri situated his coming-of-age movie (1975), the city of Beirut was divided between an Eastern part controlled by Christians and a Muslim sector in the West. Between the two areas was a no-man's-land, Zeytuni, which in this remarkable film becomes the focus of the most laughs. The city's best brothel was located there, the one area in which Christians and Muslims were both welcome. "The bed knows no religion," proclaimed the Madam. In fact males who patronized the whorehouse essentially used it as a sanctuary from the fighting. If a patron would hold aloft a bra or a panty while walking to the house, the snipers would treat the garment like a white flag and not fire on the turned-on fellas.
Coming-of-age dramas often juxtapose the most tragic scenes against great humor. After all, in life, even during some pretty devastating circumstances, people still need to laugh and find ways to do so. Much of the comedy in "West Beirut" comes from the vulgar dialogue that Lebanese citizens freely indulged in as though they were living in New York, exchanging insults with one another that are not directly related to the war. The comedy starts early on as Lebanon's own Mrs. Tingle, a teacher in the city's French high school, first leads the youngsters in a patriotic French song only to be subverted as one kid sneaks into the building to grab an electric megaphone and from the balcony pilots the boys and girls into a Lebanese strain. In the principal role of sixteen- year-old Tarek, Rami Doueiri, the younger brother of the director, is made by the teacher to write his name on the board, but he can scarcely spell "Monsieur." Although the instructor tries to instill the lads with a love for France which "gave you Lebanese your culture and your political boundaries," Tarek dislikes going to school, particularly one which has a Francophile agenda.
Director Doueiri squeezes more knowledge of the Lebanon of the seventies into his 105 minute film than you could learn on your own in five times that length of time, creating humorous, bombastic, and wrenching dialogue virtually each line of which tells us something more about the culture of that small beleaguered nation. We quickly learn that Tarek's father, Riad, is notably pro-French though a Muslim, but that despite the bombings and shooting going on around him which drive his educated wife Hala (Carmen Lebbos) to utter distraction and to a desire to leave the country for good, her husband will not hear of this. "In America, they call us sand niggers...we're all terrorists to them," he explains, and what's more he is an ardent nationalist who brags about the contributions made by the Arabs while Europeans were still crawling in caves.
While Ziad Doueiri has fun with side characters--with sandwich and flour supplier Hassan (Mahmoud Mabsout) who treats his favorite kid to food on the house, with the Madam of the country's famous brothel, Oum Walid (Leila Karam), who is perplexed by her new 16-year-old customer, by an obese neighbor who cavils about everything from the rooster that wakes her up each morning to her couch potato husband who watches soccer all day--he hones in on his young brother who is in the starring role of a teen. For most of the story Tarek acts like any American his age. He has posters of American movies ("Airplane") on his wall. He cuts up in school. He frolics with his friend Omar (Mohamad Chamas) and is repeatedly chastised by Omar for risking his life just to get some super-8 film developed in the antagonistic East Beirut. His girl friend is the orphaned May (Rola Al Amin) who for some dumb reason insists on wearing a crucifix although she lives in Muslim West Beirut. By the conclusion of the movie, young Doueiri has grown up but not in the good sense of the term. He is in tears, wondering what he will do if the bombs kill his parents and he is orphaned in much the way his girl has been.
One of the fascinating aspects of this intriguing, fast- moving film is the background of one of the performers.  Amazingly this fella, who turns out a professional performance as Doueiri's best friend, had no acting background when he was hired and, despite the quality of his work he not only has not been scouted but is today living in a refugee camp on the outskirts of Beirut. Let's hope enough people with clout get to this wonderful movie, a film that both poignantly and humorously tells us what it's like to grow up in a war zone, so that performers like Chamas can get the acting contracts they deserve.
Not Rated. Running Time: 105 minutes. (C) 1999 Harvey Karten
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| JIRA | Summary | Priority | Component | Reporter | Contributor |
|---|---|---|---|---|---|
| KAFKA-4050 | Allow configuration of the PRNG used for SSL | Major | security | Todd Palino | Todd Palino |
| KAFKA-4112 | Remove alpha quality label from Kafka Streams in docs | Trivial | streams | Damian Guy | Damian Guy |
| JIRA | Summary | Priority | Component | Reporter | Contributor |
|---|---|---|---|---|---|
| KAFKA-4037 | Transient failure in ConnectRestApiTest | Minor | KafkaConnect | Ewen Cheslack-Postava | Ewen Cheslack-Postava |
| KAFKA-4073 | MirrorMaker should handle mirroring messages w/o timestamp better | Major | . | Jun Rao | Ismael Juma |
| KAFKA-4082 | Support Gradle 3.0 | Major | . | Ismael Juma | Ismael Juma |
| KAFKA-4034 | Consumer need not lookup coordinator when using manual assignment | Major | consumer | Jason Gustafson | Jason Gustafson |


I am an app developer, working for the last three years. I have experience working with local clients as an intern. I develop apps using drag and drop method which is hosted by kodular. I have some knowledge in html, css, Javascript , wordpress theme development and so on.
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Hours Worked
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TO-LET DESCRIPTION
Client:
Completed:
Type:
link:
My self
01/01/2019
Android application
Due to some reasons it has been removed from the playstore. It will be updated soon.
This app made to find many useful app links, software links, project files links and any more.
Client:
Completed:
Type:
link:
An app for home automation for the product "Living things" made by iCapotech private limited See more about iCapotech
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Completed:
Type:
link:
iCapotech pvt ltd
05/06/2019
Android app
Link will be provided soon!
My Experience working with Mason has been very positive. I always receive quality service from him. I highly recommend this guy to everyone because I think he is one a of kind.
My Experience working with Mason has been very positive. I always receive quality service from him. I highly recommend this guy to everyone because I think he is one a of kind.
My Experience working with Mason has been very positive. I always receive quality service from him. I highly recommend this guy to everyone because I think he is one a of kind.
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{% extends "competition/competition_base.html" %} {% load url from future %} {% block page-header %}
{{ competition.description }}
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| Node Name * |
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Specify an address that can be accessed by SNMP / TELNET / SSH etc.
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| Vendor Name * |
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| Once you specify the vendor name you will be able to select the node type. Once registered vendor name can not be changed. |
If you specify the vendor name, you can select the node type. Once registered node type can not be changed. |
| OS Type |
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OS Version |
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| Location * |
Location
|
| Select the location of the device. |
| SNMP Mode |
|
SNMP Community (RO) |
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| Specify how to access by SNMP. If you specify none, differential detection may not be performed. |
Specify the community (Read Only) for SNMP access. If it is blank, difference detection may not be performed. |
| Console Account |
|
Console Password |
|
| Enter the account name for telnet / ssh login. |
Enter the account password for telnet / ssh login. |
| Console Administrator Account |
|
Console Administrator Password |
|
| For the type of OS (ex. IOS) that switches to privileged mode after logging in, enter the account name for privileged mode transition. |
For the type of OS (ex. IOS) that switches to privileged mode after logging in, enter the account password for privileged mode transition. |
| Console Type |
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Purpose |
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Specify the usage type of this device. |
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Resource Permission |
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Specify the authorization type of this device. (ex Admin, Shared, Other) |
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Storage |
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Specify the information of Storage in this device. (ex 1TB HDD/100G SSD) |
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Port Summary |
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|
keigeki
1.0.0
傾撃
|
#import <SimpleAudioEngine.h>
Instance Methods | |
| (void) | - preloadBackgroundMusic: |
| (void) | - playBackgroundMusic: |
| (void) | - playBackgroundMusic:loop: |
| (void) | - stopBackgroundMusic |
| (void) | - pauseBackgroundMusic |
| (void) | - resumeBackgroundMusic |
| (void) | - rewindBackgroundMusic |
| (BOOL) | - isBackgroundMusicPlaying |
| (ALuint) | - playEffect: |
| (void) | - stopEffect: |
| (ALuint) | - playEffect:pitch:pan:gain: |
| (void) | - preloadEffect: |
| (void) | - unloadEffect: |
| (CDSoundSource *) | - soundSourceForFile: |
| Instance Methods inherited from <CDAudioInterruptProtocol> | |
| (BOOL) | - mute |
| (void) | - setMute: |
| (BOOL) | - enabled |
| (void) | - setEnabled: |
Class Methods | |
| (SimpleAudioEngine *) | + sharedEngine |
| (void) | + end |
Protected Attributes | |
| BOOL | mute_ |
| BOOL | enabled_ |
Properties | |
| float | backgroundMusicVolume |
| float | effectsVolume |
| BOOL | willPlayBackgroundMusic |
A wrapper to the CDAudioManager object. This is recommended for basic audio requirements. If you just want to play some sound fx and some background music and have no interest in learning the lower level workings then this is the interface to use.
Requirements:
| + (void) end |
Shuts down the shared audio engine instance so that it can be reinitialised
| - (BOOL) isBackgroundMusicPlaying |
returns whether or not the background music is playing
| - (void) pauseBackgroundMusic |
pauses the background music
| - (void) playBackgroundMusic: | (NSString*) | filePath |
plays background music in a loop
| - (void) playBackgroundMusic: | (NSString*) | filePath | |
| loop: | (BOOL) | loop | |
plays background music, if loop is true the music will repeat otherwise it will be played once
| - (ALuint) playEffect: | (NSString*) | filePath |
plays an audio effect with a file path
| - (ALuint) playEffect: | (NSString*) | filePath | |
| pitch: | (Float32) | pitch | |
| pan: | (Float32) | pan | |
| gain: | (Float32) | gain | |
plays an audio effect with a file path, pitch, pan and gain
| - (void) preloadBackgroundMusic: | (NSString*) | filePath |
Preloads a music file so it will be ready to play as background music
| - (void) preloadEffect: | (NSString*) | filePath |
preloads an audio effect
| - (void) resumeBackgroundMusic |
resume background music that has been paused
| - (void) rewindBackgroundMusic |
rewind the background music
| + (SimpleAudioEngine *) sharedEngine |
returns the shared instance of the SimpleAudioEngine object
| - (CDSoundSource *) soundSourceForFile: | (NSString*) | filePath |
Gets a CDSoundSource object set up to play the specified file.
| - (void) stopBackgroundMusic |
stops playing background music
| - (void) stopEffect: | (ALuint) | soundId |
stop a sound that is playing, note you must pass in the soundId that is returned when you started playing the sound with playEffect
| - (void) unloadEffect: | (NSString*) | filePath |
unloads an audio effect from memory
|
readwriteatomicassign |
Background music volume. Range is 0.0f to 1.0f. This will only have an effect if willPlayBackgroundMusic returns YES
|
readwriteatomicassign |
Effects volume. Range is 0.0f to 1.0f
|
readatomicassign |
If NO it indicates background music will not be played either because no background music is loaded or the audio session does not permit it.


| frame_position {rlang} | R Documentation |
The frame position on the stack can be computed by counting frames from the global frame (the bottom of the stack, the default) or from the current frame (the top of the stack).
frame_position(frame, from = c("global", "current"))
frame |
The environment of a frame. Can be any object with a
|
from |
Whether to compute distance from the global frame (the bottom of the evaluation stack), or from the current frame (the top of the evaluation stack). |
While this function returns the position of the frame on the evaluation stack, it can safely be called with intervening frames as those will be discarded.
These functions are deprecated and replaced by trace_back()
.
fn <- function() g(environment()) g <- function(env) frame_position(env) # frame_position() returns the position of the frame on the evaluation stack: fn() identity(identity(fn())) # Note that it trims off intervening calls before counting so you # can safely nest it within other calls: g <- function(env) identity(identity(frame_position(env))) fn() # You can also ask for the position from the current frame rather # than the global frame: fn <- function() g(environment()) g <- function(env) h(env) h <- function(env) frame_position(env, from = "current") fn()


Report: {{page.title}}
Authored by the Teach LA community, with significant contributions from {{page.author}}.
Date published: {{ page.date | date: "%b %-d, %Y" }}.
{{content}}
Thank you for reading this report, {{page.title}}. It was authored by the Teach LA community, with significant contributions from {{page.author}}.


Why not upload them to your personal Food Journal?
Keep track of things you make and get inspired to try new dishes by seeing what your friends are making.


Welcome to FUSS v0.1
Fuss is a starter style sheet to get your HTML looking better in under 20 seconds. Just add one line to your HTML...
<link rel="stylesheet" type="text/css" href="fuss.css">
Download FUSS and copy the fuss.css file into your HTML sources folder then add the above line of code
into your HTML (between the <head> and </head> tags).  It uses percentage based sizing
where possible so layout still looks good no matter what device you are using to view your pages. It requires no additional scripts,
no extra frameworks and can be customised if something is not to your liking.
FUSS was born out of a need for a quick bootstrap lookalike starting-point which would still work even when javascript is disabled on the browser.


July 4, 2021
Self-Evaluation
Some traits and values that have been identified through the tools used that I hold closest are creativity, harmony, emotional and team player.
I think I am a creative individual at heart. I love to conjure up ideas and think of ways that will allow me to share these ideas with others. Most of these I have conveyed through artistic mediums in the past, generally drawings, animations and written narratives. I often let my emotions bleed into aspects of these mediums or immerse myself into feeling the emotions I am trying to convey. And expanding on that, I love collaborating with others to bring a shared idea to life.
I am someone who seeks harmony and peace. I find confrontation uncomfortable and often unproductive. I am always open to discussion and critique and think I take it well, but with room for improvement. I find that sometimes I am held back from opening discussions with fears that it could lead to confrontations. Having identified this, I think I must learn to overcome this fear with practice and allow my emotions to extend and understand both sides so that change may be initiated constructively.
I love to work with others and build something that communicates the ideas we share. I always do my best for the group, helping out where I can and appreciate it when others help me with aspects I struggle with. I think the main takeaway of this is that I aspire to grow in experience with others. I want to see everyone learn and become the best they can be and hope that that idea is shared amongst all of us.
Using the evidence gathered, describe your core personal values.
Explain a situation where you have had an ethical decision to make. Discuss how you weighed up the values involved in that decision, the decision you made and the consequences of the action you took.
One ethical decision I had to make was deciding to leave my old job to come to study at Dev Academy. Teamwork was a core part of the job and leaving felt like I would be letting them down. I had grown close to the team and I was afraid of “hurt feelings” that may be felt. Ultimately, I wanted to pursue something more creative and different and I knew my old job would not fulfil that.
When I committed myself to leave and announced my departure, the team was fully supportive of my decision. I have met some great people from all backgrounds through my time there, and am thankful for all the support they have shown me throughout.
Describe how your culture has influenced your values and identity.
I am thankful to be living in a changing era where people of all cultures and diversities are generally accepted in all aspects of life. I was drawn to arts and creative media early, and it grew with me. I was lucky enough to find people who shared my interests and worked together with them, sharing ideas and opinions. I’d like to think I influence others with my energy towards subjects and like to be influenced by the energy others show, to understand and empathize with them.
Using the evidence gathered, describe your strengths and limitations.
My strengths are my dedication, being a teamplayer and being creative.
-
My dedication will see me follow through and take in as much as I can during my learning journey.
 I want to work with my peers and create something greater than what we could have achieved alone. I want to see my peers succeed and grow, and hope they share this mindset.
-
Creativity allows me to view something from a different perspective. I like to think of alternative ways to approach things and hope to expand on ideas that others put forth.

-
Everyone has their own limits with patience, but I think mine is shorter than average. I like building momentum and feel like I am constantly pushing forward. Encountering problems along the way is inevitable, but when a problem persists for an extended period of time, the frustration will seep in.
-
The creative side of me is double-edged. I constantly have a little voice echoing inside my mind that everything I do, could be done better. Making me spend more time on something than I really need to and pushes on the boundaries of my patience. It makes me hesitant to commit things and call them finished.
-
I know that everyone is unique and works differently, but I subconsciously end up comparing myself to others, like I should be learning at a faster rate or not being good enough. Applying the growth mindset has helped subdue this somewhat, I just need more time and practice to truly grow into it.
Identify which of your strengths might help you in your learning journey and how they might intersect with learning obstacles.
With the material I have gone through so far and my interactions with others from my cohort, being a teamplayer will be a great benefit. Everyone at EDA is so supportive, and the energy is infectious.
Learning obstacles will no doubt pop up and at different points for different people. I feel comfortable that I may not know or understand everything, but someone else may be able to explain it or we may be able to work through the problem together. I hope to find myself on both ends, seeking and bestowing help with my peers.
Share an example from your experience of where you were trying to work productively with others, but there was resistance or tension. Discuss the strategies you used at that time, how effective they were, and your reflections on what other strategies you would try now, and why.
I once was trying to work on a paired project with a classmate assigned randomly. The project spanned several weeks. My project partner was difficult to get in contact with and their attendance in class was below minimal. As the project progressed, I ended up taking on more and more of the workload.
With their growing absence, I came to accept that they would not be participating in the assignment. I dedicated myself to completing the assignment myself. This led to some unhealthy work hours, but eventually I finished it.
I wanted to understand why my project partner had this behaviour and wanted to help them, but the lack of responses and commitment only frustrated me further.
I think I was too soft and that it was partly my fault for allowing it to happen. If this were to happen again, I think I would still try to understand and help my project partner, but would have been more assertive in stating expectations. I think my attempts at communication could have been improved on my end and we should have planned compromises as the project developed.


University of California, San Diego
La Jolla, CA
GPA N/A
Sept. 2021–June 2025
Sophomore standing. Courses CSE 11 (ongoing)
A portfolio consisting of 600 web pages I’ve made since eighth grade with varying purposes and complexity. Received over 27k clicks from Google Search in the last 3 months. Includes:
A WYSIWYG editor for creating announcements on Discord. Received 5.5k clicks in the past quarter.
A timed quiz that generates questions about trigonometric special angles as practice for students in my trigonometry class.
A web app that displayed the schedule and provided other utilities for my high school used by students, parents, and staff. Received nearly 1k clicks per month from Google with up to 736 concurrent users.
I volunteered to make and host a website for a school-sponsored assassination game with 323 student participants.
La Jolla, CA
GPA N/A
Sept. 2021–June 2025
Sophomore standing. Courses CSE 11 (ongoing)
Palo Alto, CA
GPA 4.0 (weighted 4.44)
Aug. 2017–June 2021
Courses Functional and Object-Oriented Programming (recursion, higher order functions), AP Computer Science A (iterative recursion, linked lists, message passing, environments, big O notation, sorting algorithms)
Full-stack web development, web scraping, and these languages and tools:
HTML/CSS JavaScript TypeScript Python Rust Java Racket Elm React Webpack Rollup jQuery Express Node Deno Spanish


A tooltip gives additional information about an interactive element - typically a button. The tooltip activates on mouse hover or keyboard focus of the button.
The tooltip must be programmatically associated with the button by using the aria-describedby property and tooltip role.
Toggle the aria-expanded state of the button to expand or collapse its associated tooltip.
The tooltip pointer modifier supports 8 different positions. In clockwise order, moving around the interactive element that is being pointed at, they are: bottom, bottom-left, left, top-left, top, top-right, right, bottom-right.


|
EVIDENCE OF THINGS NOT SEEN:
LAW AND MIRACLE ON 34TH STREET
by Christine Corcos
Santa Claus and law in the
movies might seem to be a strange pairing. Yet several films,
including The Santa Clause (a homeowner accidentally knocks
off the jolly old elf and then must fill in for him), The
Night They Saved Christmas (Santa becomes an environmentalist
fighting off a big oil company), and A Different Kind of Christmas
(a district attorney learns the true meaning of Christmas after
she accepts her father's preoccupation with being Santa) invoke
the law to make different points about love and kindness at this
particular time of year. Movies about Santa usually make the
point that belief in him requires faith; physical evidence is
usually not forthcoming, at least not on a wide scale. None presents
a more interesting picture of the power of faith and the limitations
of evidence than Miracle on 34th Street, first made in
1947 and since remade several times as a television movie and
as a musical.
Miracle
juxtaposes statements of belief and statements of fact in an
attempt to demonstrate that certain kinds of disputes ought not
to be submitted to the court. In particular, disputes about belief
should not undergo judicial scrutiny. The film gives us the story
of Kris Kringle, an elderly man who believes that he is Santa
Claus, and the effect he has on the people around him, among
them Doris Walker, a Macy's employee disappointed in love, and
her cynical young daughter Susan, an up and coming New York lawyer,
Fred Gayley, the district attorney, Thomas Mara, and a New York
State Supreme Court judge, Henry X. Harper, soon to be up for
re-election. Pleased with his performance as the Macy Christmas
Parade's Santa, Doris hires Kris as the store Santa Claus. But
Kris' outrageous claims that he is Santa Claus concern her. As
she points out, "all that has to happen is for a policeman
to ask him his name, and Clang! Clang! Bellevue!" The store's
psychologist is convinced Kris is quite mad, and eventually finagles
a competency hearing.
The courtroom scenes are among the most thoughtful and pointed
in the film, demonstrating that some issues are really not capable
of adjudication. When we subject them to legal analysis, we soon
discover the limitations of law.
Kris' attorney and physician are sure he is not dangerous. Says
his doctor, "Kris may be delusional, but it's a delusion
for good." Of course, this is quite true in the context
of the film, but it is not a defense in mental health law. Kris'
defense team must show not that he is delusional for good, but
that his delusions are not harmful. Attorney Fred Gayley, who
seems to be a corporate lawyer, is at a loss for a defense, especially
after Kris admits on the stand that he believes himself to be
Santa Claus, although his wits do not desert him. When the district
attorney asks him, "Where do you live?" he responds,
"That's what this hearing will decide," much to the
amusement of the court. As the hearing progresses, the District
Attorney demands that the court consider the question of whether
Santa actually exists. Judge Harper takes a short recess to confer
with his campaign manager, Charles Halloran. How can he really
take judicial notice of the existence of Santa? he asks Halloran.
"Ok," the campaign manager replies, "Rule that
Santa doesn't exist." The result? Children won't hang up
their stockings, parents won't buy toys, toy manufacturers will
go out of business and their employees will be unemployed. And
those employees vote. When that happens, says Halloran, "you
can count on just two votes [in your re-election campaign]...yours
and that district attorney's out there." "No,"
Judge Harper says sadly, "the district attorney's a Republican."
Faced with the grim realities that dog an elected judge, he returns
to his courtroom and announces that "the court will keep
an open mind" on the existence of Santa Claus, a Solomonic
decision that meets with Halloran's approval. Exclaims an astounded
district attorney, "He's crazy too!" He then leaps
up and demands that Gayley demonstrate to the satisfaction of
the court that Kris is "the one, the ONLY Santa Claus."
Gayley aceepts the challenge although he has no real method in
mind for proving Kris' identity. Finally he hits on the idea
of presenting opinion testimony, and calls small Thomas Mara,
Jr. to the stand. The judge asks the boy if he knows the difference
between a truth and a lie before allowing him to testify.  "How do you know Santa exists?"
asks Gayley, pursuant to present rule 704..  Would you, Daddy?" The embarrassed D.A. acknowledges
that no, he is not in the habit of lying to his son. Pursuant
to FRE 602, Gayley also calls R. H. Macy and asks him if he believes
that Kris Kringle is the "real" Santa Claus. Macy,
reviewing the very positive effects that Santa has had on his
employees' and customers' mood and his own bottom line, replies
that yes, indeed, he does so believe.
In spite of this opinion testimony, things go from bad to worse
for the defense. The district attorney is both alarmed and amused
by this tactic. He continues to insist that the burden is on
the defense to show that Kringle is not mad, and the only way
to do that is to show that he is the real article. Gayley has
no evidence to support that contention and reluctantly concludes
that the case is lost. At this point, magical intervention in
the form of some U. S. Post Office employees, intervenes. Faced
with heavy bags of mail addressed to "Santa Claus, The North
Pole" and not wishing to send it all to the Dead Letter
Office, the employees decide sua sponte to send all this mail
to the courthouse where Kringle's sanity hearing is underway.
In the "nick" of time, these bags arrive in the courtroom.
An ecstatic Gayley urges the judge to accept them as evidence
that A"he U. S. Post Office, an official arm of the U. S.
Government, recognizes Kris Kringle as the one, the only Santa
Claus." Banging his gavel, the judge opines, "Since
the U. S. Government has seen fit to recognize Mr. Kringle as
Santa Claus, this court will not dispute it. Case dismissed."
Everyone then disperses to carry out his or her holiday plans.
Miracle on 34th Street poses some interesting questions
about the ability of courts to intervene in disputes that are
matters of faith, a question that they wrestle with frequently,
though rarely with such elegance and so happy an ending. In addition,
it presents us with a man who is delusional only if, as his attorney
points out, he believes wrongly that he is Santa Claus. As he
says to the judge (paraphrased), "You believe you are Judge
Harper, yet no one suggests that you are crazy. Why? Because
you are Judge Harper." Much of our identity, he suggests,
is bound up in what we believe about ourselves and how much in
what others believe about us, a theme that we see repeated in
the works of Kafka and in movies like The Net. When does
fantasy become reality and belief become truth?
Has a court ever ruled on the existence of Santa? Not exactly.
But in December 2000 an Ohio probate court ruled against a petitioner
wishing to change his name to Santa Claus, saying that "The
history of Santa Claus -- the North Pole, the elves, Mrs. Claus,
reindeer -- is a treasure that society passes on from generation
to generation, and the petitioner seeks to take not only the
name of Santa Claus, but also to take the identity of Santa Claus.
Although thousands of people every year do take on the identity
of Santa Claus around Christmas, the court believes it would
be very misleading to the children in the community, particularly
the children in the area that the petitioner lives, to approve
the applicant's name change petition. Therefore, for the foregoing
reasons, the court finds that it would be against public policy
to grant the application of the petitioner."
For your intellectual holiday stocking, consider the following
lawsuits and prosecutions. They're not real, but they could be.
- U.S.
v. Santa Claus (Santa
accused of entering the U.S. without a valid passport and other
crimes)
- A.C.L.U.
v. Santa Claus (Santa accused of violating privacy rights
of children)
- Federal
Charges Brought Against Santa Claus (List of charges from
breaking and entering to antitrust violations)
- North
Pole Standoff (About the elf cult)
- Santa Quits
Again (Santa calls off Christmas Eve deliveries due to excessive
Federal regulation)
- A short bibliography
of Santa Claus and the Law
- A Santa
Claus Timeline
Posted October 27, 2002
|


|
|
IFXRectT< T > Class Template ReferenceThis is a generic templated rectangle class.
More...
List of all members.
Detailed Description
template<class T>
class IFXRectT< T >
This is a generic templated rectangle class.
The default instantiations are with signed 32-bit integers (IFXRect) and single precision floating point values (IFXF32Rect).
Constructor & Destructor Documentation
|
|
Constructor - initializes to a 10x10 rectangle.
|
|
template<class T> |
| IFXRectT< T >::IFXRectT |
( |
T |
x, |
|
|
T |
y, |
|
|
T |
width, |
|
|
T |
height |
|
) |
[inline] |
|
|
|
Constructor.
- Parameters:
-
| x | Input T value that is the initial value for m_X. |
| y | Input T value that is the initial value for m_Y. |
| width | Input T value that is the initial value for m_Width. |
| height | Input T value that is the initial value for m_Height. |
|
Member Function Documentation
|
template<class T> |
| T IFXAPI IFXRectT< T >::Bottom |
( |
|
) |
const [inline] |
|
|
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Gets the bottom edge of the rectangle.
This property isn't stored explicitly, so this accessor is required to compute it.
- Returns:
- A value of the templated type T. This is the value computed by m_Y + m_Height.
|
|
template<class T> |
| BOOL IFXAPI IFXRectT< T >::DoesContain |
( |
const IFXRectT< T > & |
rcIn |
) |
const [inline] |
|
|
|
Determines whether the rectangle represented by this object completely envelopes the rectangle represented by rcIn.
- Parameters:
-
| rcIn | Input reference to an IFXRectT object. This must have the same template type as host object. |
- Returns:
- A Boolean value.
- Return values:
-
| TRUE | The rectangle represented by this object completely contains the rectangle represented by rcIn. |
| FALSE | This rectangle does not contain the rcIn rectangle. |
|
|
template<class T> |
| BOOL IFXAPI IFXRectT< T >::GetIntersection |
( |
IFXRectT< T > & |
rcIn |
) |
const [inline] |
|
|
|
Attempts change rcIn to lie within the bounds of the rectangle represented by this object.
- Parameters:
-
| rcIn | Input/Output reference to an IFXRectT object. This must have the same template type as host object. |
- Returns:
- A Boolean value.
- Return values:
-
| TRUE | The method was successfully able to modify rcIn to lie within this rectangle. |
| FALSE | The rectangle passed in trough does not intersect this rectangle. The final value of rcIn may have negative values for m_Width and/or m_Height. |
|
|
|
Standard '=' operator override.
After this method returns, this object will have identical properties to rcIn.
- Parameters:
-
| rcIn | Input reference to an IFXRectT object. This must have the same template type as host object. |
- Returns:
- A reference to this object.
|
|
template<class T> |
| BOOL IFXAPI IFXRectT< T >::operator== |
( |
const IFXRectT< T > & |
rcIn |
) |
const [inline] |
|
|
|
Standard '==' operator override.
- Parameters:
-
| rcIn | Input reference to an IFXRectT object. This must have the same template type as host object. |
- Returns:
- A Boolean value.
- Return values:
-
| TRUE | rcIn is identical to this object. |
| FALSE | rcIn has different properties than this object. |
|
|
template<class T> |
| T IFXAPI IFXRectT< T >::Right |
( |
|
) |
const [inline] |
|
|
|
Gets the right edge of the rectangle.
This property isn't stored explicitly, so this accessor is required to compute it.
- Returns:
- A value of the templated type T. This is the value computed by m_X + m_Width.
|
|
template<class T> |
| void IFXAPI IFXRectT< T >::Set |
( |
T |
iX, |
|
|
T |
iY, |
|
|
T |
iWidth, |
|
|
T |
iHeight |
|
) |
[inline] |
|
|
|
Sets new dimensions for the rectangle.
- Parameters:
-
| iX | Input value set into m_X. |
| iY | Input value set into m_Y. |
| iWidth | Input value set into m_Width. |
| iHeight | Input value set into m_Height. |
|
|
template<class T> |
| void IFXAPI IFXRectT< T >::SetBottom |
( |
T |
iBottom |
) |
[inline] |
|
|
|
Modifies the m_Hieght property so that m_Y + m_Height = iBottom.
- Parameters:
-
| iBottom | Input value that represents the desired value for m_Y + m_Height. |
|
|
template<class T> |
| void IFXAPI IFXRectT< T >::SetRight |
( |
T |
iRight |
) |
[inline] |
|
|
|
Modifies the m_Width property so that m_X + m_Width = iRight.
- Parameters:
-
| iRight | Input value that represents the desired value for m_X + m_Width. |
|
Member Data Documentation
© 1999 - 2006 Intel Corporation. All rights reserved.
* Other names and brands may be claimed as the property of others.
|
|


All positive integers can be partitioned in such a way that each and every term of the partition can be expressed as 2ix3j, where i,j 0.
Let's consider only those such partitions where none of the terms can divide any of the other terms.
For example, the partition of 17 = 2 + 6 + 9 = (21x30 + 21x31 + 20x32) would not be valid since 2 can divide 6. Neither would the partition 17 = 16 + 1 = (24x30 + 20x30) since 1 can divide 16. The only valid partition of 17 would be 8 + 9 = (23x30 + 20x32).
Many integers have more than one valid partition, the first being 11 having the following two partitions.
11 = 2 + 9 = (21x30 + 20x32)
11 = 8 + 3 = (23x30 + 20x31)
Let's define P(n) as the number of valid partitions of n. For example, P(11) = 2.
Let's consider only the prime integers q which would have a single valid partition such as P(17).
The sum of the primes q 100 such that P(q)=1 equals 233.
Find the sum of the primes q 1000000 such that P(q)=1.


PDFBox - User Guide
Introduction
This page will discuss the internals of PDF documents and those internal map to PDFBox classes. Users should reference the javadoc to see what classes and methods are available. The Adobe PDF Reference can be used to determine detailed information about fields and their meanings.
PDF File Format Overview
A PDF document is a stream of basic object types. The low level objects are represented in PDFBox in the org.pdfbox.cos package. The basic types in a PDF are:
| PDF Type | Description | Example | PDFBox class |
|---|---|---|---|
| Array | An ordered list of items | [1 2 3] | org.pdfbox.cos.COSArray |
| Boolean | Standard True/False values | true | org.pdfbox.cos.COSBoolean |
| Dictionary | A map of name value pairs | << /Type /XObject /Name (Name) /Size 1 >> |
org.pdfbox.cos.COSDictionary |
| Number | Integer and Floating point numbers | 1 2.3 | org.pdfbox.cos.COSFloat org.pdfbox.cos.COSInteger |
| Name | A predefined value in a PDF document, typically used as a key in a dictionary | /Type | org.pdfbox.cos.COSName |
| Object | A wrapper to any of the other objects, this can be used to reference an object multiple times. An object is referenced by using two numbers, an object number an a generation number. Initially the generation number will be zero unless the object get replaced later in the stream. | 12 0 obj << /Type /XObject >> endobj | org.pdfbox.cos.COSObject |
| Stream | A stream of data, typically compressed. This is used for page contents, images and embedded font streams. | 12 0 obj << /Type /XObject >> stream<PHONE_NUMBER>04040404 endstream | org.pdfbox.cos.COSStream |
| String | A sequence of characters | (This is a string) | org.pdfbox.cos.COSString |
A page in a pdf document is represented with a COSDictionary. The entries that are available for a page can be seen in the PDF Reference and an example of a page looks like this:
<< /Type /Page /MediaBox [0 0 612 915] /Contents 56 0 R >> |
Some Java code to access fields
COSDictionary page = ...; COSArray mediaBox = (COSArray)page.getDictionaryObject( "MediaBox" ); System.out.println( "Width:" + mediaBox.get( 3 ) ); |
PD Model
The COS Model allows access to all aspects of a PDF document. This type of programming is tedious and error prone though because the user must know all of the names of the parameters and no helper methods are available. The PD Model was created to help alleviate this problem. Each type of object(page, font, image) has a set of defined attributes that can be available in the dictionary. A PD Model class is available for each of these so that strongly typed methods are available to access the attributes. The same code from above to get the page width can be rewritten to use PD Model classes.
PDPage page = ...; PDRectangle mediaBox = page.getMediaBox(); System.out.println( "Width:" + mediaBox.getWidth() ); |
PD Model objects sit on top of COS model. Typically, the classes in the PD Model will only store a COS object and all setter/getter methods will modify data that is stored in the COS object. For example, when you call PDPage.getLastModified() the method will do a lookup in the COSDictionary with the key "LastModified", if it is found the value is then converter to a java.util.Calendar. When PDPage.setLastModified( Calendar ) is called then the Calendar is converted to a string in the COSDictionary.
Here is a visual depiction of the COS Model and PD Model design.
This design presents many advantages and disadvantages.
Advantages:
- Simple, easy to use API.
- Underlying document automatically gets updated when you update the PD Model
- Ability to easily access the COS Model from any PD Model object
- Easily add to and update existing PDF documents
Disadvantages:
- Object caching is not done in the PD Model classes
NoteFor example, each call to PDPage.getMediaBox() will return a new PDRectangle object, but will contain the same underlying COSArray.


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# gaze [![Build Status](https://travis-ci.org/shama/gaze.png?branch=master)](https://travis-ci.org/shama/gaze)
A globbing fs.watch wrapper built from the best parts of other fine watch libs. Compatible with Node.js 0.10/0.8, Windows, OSX and Linux.
![gaze](http://dontkry.com/images/repos/gaze.png)
## Usage Install the module with: npm install gaze or place into your package.json and run npm install.
```javascript var gaze = require(‘gaze’);
// Watch all .js files/dirs in process.cwd() gaze(‘**/*.js’, function(err, watcher) {
// Files have all started watching // watcher === this
// Get all watched files console.log(this.watched());
// On file changed this.on(‘changed’, function(filepath) {
console.log(filepath + ‘ was changed’);});
// On file added this.on(‘added’, function(filepath) {
console.log(filepath + ‘ was added’);});
// On file deleted this.on(‘deleted’, function(filepath) {
console.log(filepath + ‘ was deleted’);});
// On changed/added/deleted this.on(‘all’, function(event, filepath) {
console.log(filepath + ‘ was ‘ + event);});
// Get watched files with relative paths console.log(this.relative());
});
// Also accepts an array of patterns gaze([‘stylesheets/.css’, ‘images/*/*.png’], function() {
// Add more patterns later to be watched this.add([‘js/*.js’]);
});¶
### Alternate Interface
```javascript var Gaze = require(‘gaze’).Gaze;
// Files have all started watching gaze.on(‘ready’, function(watcher) { });
// A file has been added/changed/deleted has occurred gaze.on(‘all’, function(event, filepath) { }); ```
### Errors
```javascript gaze(‘**/*‘, function() {
- this.on(‘error’, function(err) {
- // Handle error here
});
});¶
### Minimatch / Glob
See [isaacs’s minimatch](https://github.com/isaacs/minimatch) for more information on glob patterns.
## Documentation
### gaze(patterns, [options], callback)
- patterns {String|Array} File patterns to be matched
- options {Object}
- callback {Function} * err {Error | null} * watcher {Object} Instance of the Gaze watcher
### Class: gaze.Gaze
Create a Gaze object by instanting the gaze.Gaze class.
`javascript
var Gaze = require('gaze').Gaze;
var gaze = new Gaze(pattern, options, callback);
`
#### Properties
options The options object passed in. * interval {integer} Interval to pass to fs.watchFile * debounceDelay {integer} Delay for events called in succession for the same
file/event
#### Events
- ready(watcher) When files have been globbed and watching has begun.
- all(event, filepath) When an added, changed or deleted event occurs.
- added(filepath) When a file has been added to a watch directory.
- changed(filepath) When a file has been changed.
- deleted(filepath) When a file has been deleted.
- renamed(newPath, oldPath) When a file has been renamed.
- end() When the watcher is closed and watches have been removed.
- error(err) When an error occurs.
- nomatch When no files have been matched.
#### Methods
- emit(event, [...]) Wrapper for the EventEmitter.emit. added`|`changed`|`deleted events will also trigger the all event.
- close() Unwatch all files and reset the watch instance.
- add(patterns, callback) Adds file(s) patterns to be watched.
- remove(filepath) removes a file or directory from being watched. Does not recurse directories.
- watched() Returns the currently watched files.
- relative([dir, unixify]) Returns the currently watched files with relative paths. * dir {string} Only return relative files for this directory. * unixify {boolean} Return paths with / instead of \ if on Windows.
## FAQs
### Why Another fs.watch Wrapper? I liked parts of other fs.watch wrappers but none had all the features I needed. This lib combines the features I needed from other fine watch libs: Speedy data behavior from [paulmillr’s chokidar](https://github.com/paulmillr/chokidar), API interface from [mikeal’s watch](https://github.com/mikeal/watch) and file globbing using [isaacs’s glob](https://github.com/isaacs/node-glob) which is also used by [cowboy’s Grunt](https://github.com/gruntjs/grunt).
### How do I fix the error EMFILE: Too many opened files.? This is because of your system’s max opened file limit. For OSX the default is very low (256). Increase your limit temporarily with ulimit -n 10480, the number being the new max limit.
## Contributing In lieu of a formal styleguide, take care to maintain the existing coding style. Add unit tests for any new or changed functionality. Lint and test your code using [grunt](http://gruntjs.com/).
## Release History * 0.5.1 - Use setImmediate (process.nextTick for node v0.8) to defer ready/nomatch events (@amasad). * 0.5.0 - Process is now kept alive while watching files. Emits a nomatch event when no files are matching. * 0.4.3 - Track file additions in newly created folders (@brett-shwom). * 0.4.2 - Fix .remove() method to remove a single file in a directory (@kaelzhang). Fixing Cannot call method ‘call’ of undefined (@krasimir). Track new file additions within folders (@brett-shwom). * 0.4.1 - Fix watchDir not respecting close in race condition (@chrisirhc). * 0.4.0 - Drop support for node v0.6. Use globule for file matching. Avoid node v0.10 path.resolve/join errors. Register new files when added to non-existent folder. Multiple instances can now poll the same files (@jpommerening). * 0.3.4 - Code clean up. Fix path must be strings errors (@groner). Fix incorrect added events (@groner). * 0.3.3 - Fix for multiple patterns with negate. * 0.3.2 - Emit end before removeAllListeners. * 0.3.1 - Fix added events within subfolder patterns. * 0.3.0 - Handle safewrite events, forceWatchMethod option removed, bug fixes and watch optimizations (@rgaskill). * 0.2.2 - Fix issue where subsequent add calls dont get watched (@samcday). removeAllListeners on close. * 0.2.1 - Fix issue with invalid added events in current working dir. * 0.2.0 - Support and mark folders with path.sep. Add forceWatchMethod option. Support renamed events. * 0.1.6 - Recognize the cwd option properly * 0.1.5 - Catch too many open file errors * 0.1.4 - Really fix the race condition with 2 watches * 0.1.3 - Fix race condition with 2 watches * 0.1.2 - Read triggering changed event fix * 0.1.1 - Minor fixes * 0.1.0 - Initial release
## License Copyright (c) 2013 Kyle Robinson Young Licensed under the MIT license.


Financial Year Master:
- Go to Master Menu
Financial Year Master
- Enter the meaningful name for Financial Year name box. E.g. FY1415, FY1516.
- Select from date and to date for the financial year. Make sure your financial year
is not conflicting with any other financial year.
- should be only one active financial year at a moment. At yearend activity, current
year financial year is supposed to be deactivated and new financial year should
be created.
(Use active checkbox on the screen for activation and deactivation)
- Financial year cancellation option is provided to enable correction. Consider you
created a financial year by selecting invalid date or name, so now if you wish to
make correction,
you should cancel the invalid financial year and create new financial year.
- Once a financial year is created, it will not show in system.
(Note, any transaction which is done for any cancelled financial year will not be
shown in report, also it will not be searchable in system.)


Film grain (when applied in subtle doses, unlike here) can add a bit of realism you don't notice until it's removed. Typically, it's the imperfections that make a digitally generated image more believable. In terms of the shader graph, film grain is usually the last effect applied before the game is put on screen.
The amount
controls how noticeable the film grain is. Crank it up for a snowy picture.
// ...
uniform float osg_FrameTime;
//...
float toRadians = 3.14 / 180;
//...
float randomIntensity =
fract
( 10000
* sin
(
( gl_FragCoord.x
+ gl_FragCoord.y
* osg_FrameTime
)
* toRadians
)
);
// ...
This snippet calculates the random intensity needed to adjust the amount.
Time Since F1 = 00 01 02 03 04 05 06 07 08 09 10
Frame Number = F1 F3 F4 F5 F6
osg_FrameTime = 00 02 04 07 08
osg_FrameTime
is provided by Panda3D. The frame time is a timestamp of how many seconds have passed since the first frame. The example code uses this to animate the film grain as osg_FrameTime
will always be different each frame.
For static film grain, replace osg_FrameTime
with a large number. You may have to try different numbers to avoid seeing any patterns.
Both the x and y coordinate are used to create points or specs of film grain. If only x was used, there would only be vertical lines. Similarly, if only y was used, there would be only horizontal lines.
The reason the snippet multiplies one coordinate by some number is to break up the diagonal symmetry.
You can of course remove the coordinate multiplier for a somewhat decent looking rain effect. To animate the rain effect, multiply the output of sin
by osg_FrameTime
.
Play around with the x and y coordinate to try and get the rain to change directions. Keep only the x coordinate for a straight downpour.
input = (gl_FragCoord.x + gl_FragCoord.y * osg_FrameTime) * toRadians
frame(10000 * sin(input)) =
fract(10000 * sin(6.977777777777778)) =
fract(10000 * 0.6400723818964882) =
sin
is used as a hashing function. The fragment's coordinates are hashed to some output of sin
. This has the nice property that no matter the input (big or small), the output range is negative one to one.
fract(10000 * sin(6.977777777777778)) =
fract(10000 * 0.6400723818964882) =
fract(6400.723818964882) =
0.723818964882
sin
is also used as a pseudo random number generator when combined with fract
.
>>> [floor(fract(4 * sin(x * toRadians)) * 10) for x in range(0, 10)]
[0, 0, 1, 2, 2, 3, 4, 4, 5, 6]
>>> [floor(fract(10000 * sin(x * toRadians)) * 10) for x in range(0, 10)]
[0, 4, 8, 0, 2, 1, 7, 0, 0, 5]
Take a look at the first sequence of numbers and then the second. Each sequence is deterministic but the second sequence has less of a pattern than the first. So while the output of fract(10000 * sin(...))
is deterministic, it doesn't have much of a discernible pattern.
Here you see the sin
multiplier going from 1, to 10, to 100, and then to 1000.
As you increase the sin
output multiplier, you get less and less of a pattern. This is the reason the snippet multiplies sin
by 10,000.
// ...
vec2 texSize = textureSize(colorTexture, 0).xy;
vec2 texCoord = gl_FragCoord.xy / texSize;
vec4 color = texture(colorTexture, texCoord);
// ...
Convert the fragment's coordinates to UV coordinates. Using these UV coordinates, look up the texture color for this fragment.
Adjust the amount by the random intensity and add this to the color.
Set the fragment color and you're done.
(C) 2019 David Lettier
lettier.com


Attacks on Sri Lankan Muslims will resume after Presidential Election - Former Army Commander
by Zacki Jabbar
COLOMBO ( The Island / ANN ) - Former Army Commander Mahesh Senanayake, who is contesting the forthcoming Presidential Election, says that extremist forces would resume their campaign of vilification, harassment and attacks on Muslims after November 16.
Participating in a dialogue with civil society members in Colombo last week, Senanayake, a decorated soldier, said that attacks on Muslims which was a common feature prior to and after the April 21 Easter Sunday suicide bomb explosions, had ceased in August. The hiatus was due to a candidate who was the darling of extremists forces contesting the Presidential polls. But they would, he predicted resume their campaign of hatred against the Muslims after November 16, regardless of whether their favourite candidate won or lost.
Asked by a member of the audience, if he could prove what he was saying, Senanayake replied "I am talking with a sense of responsibility. As Army Commander I headed the Intelligence Unit and I am still privy to certain developments."


Description for Flow 1
Description for Flow 2
Description for Flow 3
Description for Flow 21
Description for Flow 22


Stipulations
The Stipulations component block is used in Fixed Income to provide additional information on a given security. These additional information are usually not considered static data information.
| Tag |
Name |
Req'd |
Description |
Used in Messages:
Used in Components:


Name: Michael Larocca
The Booleans
About Me
I am a motivated self-taught programmer. I am currently taking Scrimba's Frontend Developer Carrer Path.
Name: Constantine Melios
fe-study-group-45
About Me
Aspiring self-taught programmer just finished Scrimba's Frontend Developer Carreer Path.
Name: Jason Eliasen
fe-study-group-42
About Me
I'm a self taught web developer from Alberta, Canada. I am working on completing Scrimba's Front-End Developer Career Path. This is my first time collaborating on a github project!
Name: Jane Doe
fe-study-group-00
About Me
Lorem ipsum dolor sit amet consectetur, adipisicing elit. Autem consequatur pariatur totam!
Name: John Doe
fe-study-group-00
About Me
Lorem ipsum dolor sit amet consectetur, adipisicing elit. Autem consequatur pariatur totam!


THE HOUSE OF YES By Harvey Karten, Ph.D. Miramax Films/Spelling Films Director: Mark Waters Writer: Mark Waters Cast: Parker Posey, Josh Hamilton, Tori Spelling, Freddie Prinze, Jr., Genevieve Bujold, Rachael Leigh Cook A question that looms over movies like "Home for the Holidays" and "The Myth of Fingerprints" is, "Why would people like Claudia (Holly Hunter) and Warren (Noah Wylie) want to return to their dysfunctional families after having successfully escaped from their clutches?" Perhaps it's guilt, maybe curiosity. "Fingerprints" opens on a therapy session as Warren informs his analyst that he is returning after three years--he knows not why. Now, in "The House of Yes," the one family member who has fled the nest, Marty (Josh Hamilton). is returning to his lavish digs to introduce his new girl friend, Lesly (Tori Spelling), a waitress in a doughnut pub. He does not reappear from a sense of either guilt of curiosity. Something there is about the titled house of yes that draws him, a magnetic allure that tows back to the fold someone who has had exceptionally pleasant memories but who had nonetheless deserted because of the wildly dysfunctional atmosphere. The house itself exudes wealth. A pillared mansion in an upscale Washington suburb, the house of yes is composed of the absolutely off-the-wall, psychotic Jackie-O (Parker Posey), in and out of mental institutions and marginally normal when she takes her medication. She is watched over by a mom who is by comparison only mildly eccentric, Mrs. Pascal (Genevieve Bujold), who keeps a vigil as well over a young man of about eighteen years, Anthony (Freddie Prinze, Jr.). Jackie-O at once point got her fifteen minutes of fame by appearing at a party dressed as Jacqueline Kennedy Onassis just after her husband was assassinated: her dress is covered with ketchup and spaghetti, just one of the various sick jokes in Mark Water's debut production. The production, which follows the unities of time, place and action, unfolds exclusively inside the mansion on the night of a hurricane, and manifests all the stiffness of a filmed play. Adapted from a staged work by Wendy MacLeod--whose contributions to the theater include "Apocalyptic Butterflies, "The Lost Colony," and "The Shallow End"--the dark, five- person comedy often has the artificial look of a work which has simply been filmed during a live presentation. As a consequence, spontaneity is sacrificed and lines which should have been hilarious seem like words spoken by a small group rehearsing their dialogue, straining for shock value. While much of literature deals with the problems of families too poor to enjoy the options which life can afford, "The House of Yes" considers a family which has been spoiled to the point of insanity by never having heard the word "no." Two of its members have indulged themselves for years in the universal taboo of incest. The attraction between Jackie-O and her twin brother Marty is so compelling that--the tale hints--Jackie-O will kill rather than allow any woman to stand in the way of her passion for her brother. As their mom happily announces to the Thanksgiving guest, "Marty and Jackie belong to each other...she was holding Marty's penis when they come out of the womb." This wacky story, which could be considered by some to evoke the glittery ambiance of Noel Coward overlaid by the menace of Harold Pinter--is actually closer in genre to the writer Arthur Kopit's play, "Oh Dad, Poor Dad, Mama's Hung You in the Closet and I'm Feeling So Sad." The tension comes from the baiting of Marty's innocent, Pennsylvania- raised girl friend Lesly (Tori Spelling) by the sophisticated but quite loony and homicidal Jackie-O. As you might expect, Lesly is virtually eaten alive in this mad mad household, while the film gleefully flashes back to expose glimpses of Jackie-O imitating Jackie O., then cross-cut with scenes of the real Jacqueline Kennedy Onassis giving a televised tour of the White House. (Some of these actual black-and-white clips from the sixties seem to us nowadays as unintentionally absurdist comedy.) "The House of Yes" is, then, decidedly offbeat comedy played out by performers who appear to know one another quite well and to be having a grand time duplicating patterns of sheer dementia. Genevieve Bujold is made up to resemble a crone, a mother-in-law from hell who is as determined as her off-the-wall daughter to keep the family intact and free from the influence of normal outsiders. Obviously not for every taste, "The House of Yes" scores high for originality and gleeful bad taste, but is limited by its overall look of artificial staging. Rated R. Running Time: 87 minutes. (C) 1997 Hollywood Hotline
The review above was posted to the
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This is a simple matchmaker game to train your memory.
If you would like to try it just click on
any of the cards below to start the timer.
If you would like to save this result, please register with the form below.
Please sign in or register if you would like to save, track and compare your results.
| rank | name | points | level | time |
| {{i+1}} | {{firstTen?.username}} | {{firstTen?.points}} | {{firstTen?.level}} | {{firstTen?.time | date:'mm:ss:SS'}} |
Ádám Tóth
Hungary


| Size | price | Toppings | price | Crust | Price |
|---|---|---|---|---|---|
| Small | Ksh 799 | Toppings | Ksh 5 | Crusts | Ksh 5 |
| Medium | Ksh 999 | Toppings | Ksh 10 | Crusts | Ksh 10 |
| Large | Ksh 1199 | Toppings | Ksh 20 | Crusts | Ksh 20 |
NOTE: Any delivery within town is set at a fixed price of Ksh 100
The Daily pizza party.
The Daily Tuesday Treat.


HTML basics
HTML (Hypertext Markup Language) is the code that is used to structure a web page and its content. For example, content could be structured within a set of paragraphs, a list of bulleted points, or using images and data tables. As the title suggests, this article will give you a basic understanding of HTML and its functions.
HTML is not a programming language; it is a markup language that defines the structure of your content. HTML consists of a series of elements, which you use to enclose, or wrap, different parts of the content to make it appear a certain way, or act a certain way. The enclosing tags can make a word or image hyperlink to somewhere else, can italicize words, and can make font bigger or smaller, and so on. For example, take the following line of content:
My cat is very grumpy
If we wanted the line to stand by itself, we could specify that it is a paragraph by enclosing it in paragraph tags:

My cat is very grumpy

Anatomy of an HTML element
Let's explore this paragraph element a bit further.
The main parts of our element are:
- The opening tag: This consists of the name of the element (in this case, p), wrapped in opening and closing angle brackets. This states where the element begins, or starts to take effect — in this case where the paragraph begins.
- The closing tag: This is the same as the opening tag, except that it includes a forward slash before the element name. This states where the element ends — in this case where the end of the paragraph is. Failing to include a closing tag is one of the common beginner errors and can lead to strange results.
- The content: This is the content of the element, which in this case is just text.
- The element: The opening tag, the closing tag, and the content together comprise the element.
Elements can also have attributes, which look like this:
Attributes contain extra information about the element that you don't want to appear in the actual content. Here, class is the attribute name, and editor-note is the attribute value. The class attribute allows you to give the element an identifier that can be later used to target the element with style information and other things.
An attribute should always have:
- A space between it and the element name (or the previous attribute, if the element already has one or more attributes).
- The attribute name, followed by an equals sign.
- Opening and closing quote marks wrapped around the attribute value.
Nesting elements
You can put elements inside other elements too — this is called nesting. If we wanted to state that our cat is very grumpy, we could wrap the word "very" in a  element, which means that the word is to be strongly emphasized:

My cat is very grumpy.

You do however need to make sure that your elements are properly nested: in the example above we opened the
 element first, then the  element, therefore we have to close the  element first, then the
. The following is incorrect:

My cat is very grumpy.

The elements have to open and close correctly so that they are clearly inside or outside one another. If they overlap like above, then your web browser will try to make a best guess at what you were trying to say, which can lead to unexpected results. So don't do it!
Empty elements
Some elements have no content, and are called empty elements. Take the  element we already have in our HTML:
<img src="images/firefox-icon.png" alt="My test image
This contains two attributes, but there is no closing  tag, and no inner content. This is because an image element doesn't wrap content to have an effect on it. Its purpose is to embed an image in the HTML page in the place it appears.
Anatomy of an HTML document
That wraps up the basics of individual HTML elements, but they aren't very useful on their own. Now we'll look at how individual elements are combined to form an entire HTML page. Let's revisit the code we put into our index.html example (which we first met in the Dealing with files article):
<!DOCTYPE html>

<meta charset="utf-8">
<title>My test page</title>

- <!DOCTYPE html> — the doctype. In the mists of time, when HTML was young (about 1991/2), doctypes were meant to act as links to a set of rules that the HTML page had to follow to be considered good HTML, which could mean automatic error checking and other useful things. However, these days no one really cares about them, and they are really just a historical artifact that needs to be included for everything to work right. For now, that's all you need to know.
-  — the  element. This element wraps all the content on the entire page, and is sometimes known as the root element.
-  — the  element. This element acts as a container for all the stuff you want to include on the HTML page that isn't the content you are showing to your page's viewers. This includes things like keywords and a page description that you want to appear in search results, CSS to style our content, character set declarations, and more.
-  — the  element. This contains all the content that you want to show to web users when they visit your page, whether that's text, images, videos, games, playable audio tracks, or whatever else.
- <meta charset="utf-8"> — this element sets the character set your document should use to UTF-8, which includes most characters from the vast majority of human written languages. Essentially it can now handle any textual content you might put on it. There is no reason not to set this, and it can help avoid some problems later on
- <title></title> — the <title> element. This sets the title of your page, which is the title that appears in the browser tab the page is loaded in. It is also used to describe the page when you bookmark/favourite it.
Let's turn our attention to the  element again:
<img src="images/firefox-icon.png" alt="My test image
As we said before, it embeds an image into our page in the position it appears. It does this via the src (source) attribute, which contains the path to our image file.
We have also included an alt (alternative) attribute. In this attribute, you specify descriptive text for users who cannot see the image, possibly because:
- They are visually impaired. Users with significant visual impairments often use tools called screen readers to read out the alt text to them.
-
Something has gone wrong causing the image to not display. For example, try deliberately changing the path inside your src attribute to make it incorrect.  The alt text you write should provide the reader with enough information to have a good idea of what the image conveys. In this example, our current text of "My test image" is no good at all. A much better alternative for our Firefox logo would be "The Firefox logo: a flaming fox surrounding the Earth."
Try coming up with some better alt text for your image now.
Note: Find out more about accessibility at MDN's Accessibility landing page.
This section will cover some of the basic HTML elements you'll use for marking up text.
Headings
Heading elements allow you to specify that certain parts of your content are headings — or subheadings — of your content. In the same way that a book has a main title, chapter titles and subtitles, an HTML document can too. HTML contains six heading levels,
–
 although you'll commonly only use 3–4 at most:

My main title

My top level heading

My subheading

My sub-subheading

Now try adding a suitable title to your HTML page just above your  element
Paragraphs
As explained above,
 elements are for containing paragraphs of text; you'll use these frequently when marking up regular text content:

This is a single paragraph

Add your sample text (you should have it from What should your website look like?) into one or a few paragraphs, placed directly below your  element.
Lists
A lot of the web's content is lists, and HTML has special elements for these. Marking up lists always consist of at least two elements. The most common list types are ordered and unordered lists:
- Unordered lists are for lists where the order of the items doesn't matter, like a shopping list. These are wrapped in a
 element.
- Ordered lists are for lists where the order of the items does matter, like a recipe. These are wrapped in an
 element.
Each item inside the lists is put inside an
 (list item) element.
For example, if we wanted to turn the part of the following paragraph fragment into a list:

At Mozilla, we’re a global community of technologists, thinkers, and builders working together ...

We could modify the markup to this:

At Mozilla, we’re a global community of

technologists

thinkers

builders

working together ...

Try adding an ordered or unordered list to your example page.
Links are very important — they are what makes the web a web! To add a link, we need to use a simple element —  — the "a" being short for "anchor". To make text within your paragraph into a link, follow these steps:
- Choose some text. We chose the text "Mozilla Manifesto".
-
Wrap the text in an  element, like so:
Mozilla Manifesto
-
Give the  element an href attribute, like so:
Mozilla Manifesto
-
Fill in the value of this attribute with the web address that you want the link to link to:
Mozilla Manifesto
You might get unexpected results if you omit the https:// or http:// part, called the protocol, at the beginning of the web address. After making a link, click it to make sure it is sending you where you wanted it to.
href might appear like a rather obscure choice for an attribute name at first. If you are having trouble remembering it, remember that it stands for hypertext reference.
Add a link to your page now, if you haven't already done so.
If you have followed all the instructions in this article, you should end up with a page that looks like the one below (you can also view it here):
If you get stuck, you can always compare your work with our finished example code on GitHub.
Here, we have only really scratched the surface of HTML. To find out more, go to our
HTML Learning topic.
All the documentation in this page is taken from MDN.


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2020-02
Writing Proofs Stochastically
Often, the first time you try to write a proof, you make some guesses that lead you down a blind alley. How nice would it be to be able to compute the probability that the path you’re taking goes nowehere? I'm not about to claim that this probability is always computable ahead of time. However, I think it's likely computable ad hoc, and in certain circumstances.
Suppose we were to construct a machine that, given a sequence of rules and a sequent in some logic, stochastically constructs a derivation tree. My main questions in this direction are...
- In which circumstances is the likelihood of a specific derivation having taken place computable?
- Can we have such a machine learn from its failures? That is, if we adjust the probability distribution for the constructon at each derivation step, can we make proofs more likely to appear?
These questions are, of course, somewhat vague at the moment. But here is a setup in which they make sense: Let's define a logic \(\mathcal L\) to be a set of sequents \(S_{\mathcal L}\) and a set of derivation rules \(R_{\mathcal L}\). A member \(r \in R_{\mathcal L}\) is an \((n_r+1)\)-ary relation on \(S_{\mathcal L}\), and I will write
\begin{align*}
s_1 && \dots && s_{n_r}\\
\hline
&& s && (r)
\end{align*}
to mean\[
(s_1, \dots, s_{n_r}, s) \in r,
\]
and say that \((s_1, \dots, s_{n_r}, s)\) is an instance of rule \((r)\), as is usually done in proof theory. If \(n_r = 0\), then \((r)\) is said to be an axiom. The set \(\mathcal D_{\mathcal L}\) of (abstract) derivation trees of \(\mathcal L\) is constructed recursively as follows: For any sequent \(s\), the upwards-directed graph with a single node \(v^{(s)}\), labelled by \(s\), is an abstract derivation tree. Next, given any abstract derivation tree \(t\) and any of its leaf vertices \(v^{(s)}\), if \((s_1, \dots, s_r, s)\) is an instance of rule \((r)\),
the tree \(t'\), obtained by replacing \(v^{(s)}\) with the labelled tree
is an abstract derivation tree. To denote that \(t'\) is obtained from \(t\) by applying the proof rule \((r)\) to one of its leaves, I will use \(t \xrightarrow{r} t'\), preempting the link to automata theory in next paragraph. An abstract derivation tree whose leaves are all labelled with axioms is called a proof.
There are, potentially, many different abstract derivation trees \(t'\) for which \(t \xrightarrow{r} t'\). For now, I will assume that these will be only finite in number, to avoid having to involve analysis later on. Anyway, the abstract derivation machine for \(\mathcal L\) is the function
\[
\delta_{\mathcal L}: D_{\mathcal L} \longrightarrow 2 \times \mathcal P(D_{\mathcal L})^{R_{\mathcal L}}
\]
that takes a tree \(t\) to the pair \((b, \delta_rt)\), where
\begin{align*}
b = 1 && \text{iff} && \text{every leaf of \(t\) is labelled with an axiom}
\end{align*}
and\[
\delta_rt = \{t' \mid t \xrightarrow{r} t'\}.
\]
The function \(\delta_{\mathcal L}\) is an example of a nondeterministic automaton.
Anyone familliar with the process will know that the jump from nondeterministic automata to probabilistic automata (see [1]) is not a large one: Instead of assigning a set of possible derivation steps to every tree and rule, we simply need to give a probability distribution to the possible derivation steps instead. This would yield a function of the form
\[
\delta_{\mathcal L}^\eta: D_{\mathcal L} \longrightarrow 2 \times \mathbb D_f(D_{\mathcal L})^{R_{\mathcal L}},
\]
(parameterized by a variable \(\eta\) that I will mention in a second) where \(\mathbb D_f(X)\) is the set of probability distributions on \(X\) with finite support. It remains to decide how \(\delta_{\mathcal L}\) should distribute probabilities. So far, all I have looked at is the uniform distribution: For any abstract derivation tree \(t\) and rule \(r\),
\[
\delta_r^{\text{Unif}}t(t') = \left\{\begin{array}{ll}
\frac{1}{|\delta_rt|} & \text{ if $t' \in \delta_rt$}\\
0 & \text{ otherwise}
\end{array}\right..
\]
Yes, \(\delta_r^{\text{Unif}}\) essentially writes proofs randomly. The purpose of \(\eta\) is probably clear at this point: \(\eta\) indexes the multitude of choices in distribution. I would like to know what happens when we make other well-defined choices in distribution, of course, and whether or not we can train a machine of this sort by varying \(\eta\) to optimise the likelihood of writing proofs.
This project is more or less for-fun, so I'm going to stop here and hope that somebody reading this might be interested in contributing. As a starting point, I have some questions about the first machine \(\delta_{\mathcal L}\) I'd particularly like to see worked out:
- Pick your favourite propositional substructural logic. What, syntactically, do bisimilar sequents have in common? Are there interesting logics for which bisimilarity is not simply given by sequences of proposition substitutions?
- Extending i, what happens when we minimize (in the sense of [2])? What could this have to do with proof theory?
- How is this approach similar to the ones taken in [3] and [4]?
Maybe these questions don't have interesting answers, but...maybe they do! In the words of Lenny Turteltaub, "What do [abstract derivation machines] know [about automated theorem proving]? Do they know things? Let's find out!"
References
- Rabin, Michael O. "Probabilistic automata." Information and control 6.3 (1963): 230-245.
- Bonchi, Filippo, et al. "Algebra-coalgebra duality in brzozowski's minimization algorithm." ACM Transactions on Computational Logic (TOCL) 15.1 (2014): 1-29.
- Schubert, Aleksy, Wil Dekkers, and Henk Barendregt. "Automata theoretic account of proof search." (2015).
- Zielenkiewicz, Maciej, and Aleksy Schubert. "Automata theory approach to predicate intuitionistic logic." International Symposium on Logic-Based Program Synthesis and Transformation. Springer, Cham, 2016.


Add new tiles to stop the AI to get 2048!
New GameHow to play: Use your left mouse button to place new tiles. When two tiles with the same number touch, the AI will try to merge them into one!
Created by Balázs Kossovics. Based on 2048 by Gabriele Cirulli, which are based on 1024 by Veewo Studio and conceptually similar to Threes by Asher Vollmer.


Visually add continuity, branding, and flow to otherwise homogenous data. The contrast added to the UI can help make important data stand out. Adding too many icons increases visual turbulence and will decrease the icons' value.
The following are three standard sizes. Exceptions will exist, but try to use these sizes, if possible, to contribute to a consistent look.
The top navigation points to the icon font that you can include within your project. The font will give you many common icons and can be colored and sized simply via css.


WITNESS LIST Business & Commerce Committee April 14, 2005 - 9:00A SB 598 Registering, but not testifying: For: Day, Aaron (City of Fort Worth), Fort Worth, TX Dovalina III, Agustin (City of Laredo), Laredo, TX Hein, Jessica L. (City of Laredo), Laredo, TX Against: Comacho, Jose A. (Valor Telecom), Austin, TX Denton, Brad (Texas Telephone Association), Austin, TX Flores, Henry (Sprint Corporation), Austin, TX SB 687 FOR: Gosdin, Jim (Stewart Title Guaranty Company), Houston, TX Registering, but not testifying: On: Carter, Rob (Texas Department of Insurance), Austin, TX Place, Allen (Texas Land Title Association), Austin, TX SB 711 FOR: Baum, Walt (Association of Electric Companies of Texas), Austin, TX Camp, H. Ward (Distribution Control Systems Inc.), Albuquerque, NM Garland, Glenn (Good Company Associates representing The Smart Energy Initiative), Austin, TX Levy, Rick (Texas Association of Electrical Workers and The International Brotherhood of Electrical Workers), Austin, TX AGAINST: Biedrzycki, Carol (Texas Ratepayers Organization to Save Energy), Austin, TX ON: Hudson, Paul Chairman (Public Utility Commission), Austin, TX SB 712 FOR: Parker, Audrey (Good Company Associates), Austin, TX AGAINST: Biedrzycki, Carol (Texas Ratepayers Organization to Save Energy), Austin, TX Oldham, Phillip (Texas Coalition for Competitive Electricity), Austin, TX Registering, but not testifying: For: Baum, Walt (Association of Electric Companies of Texas), Austin, TX Wyatt, Trey (Texas Nursery and Landscape Association), Austin, TX On: Giedraitis, John (Texas Forest Service), College Station, TX SB 957 Registering, but not testifying: On: Kuntz, William H. (Texas Department of Licensing and Regulation), Austin, TX SB 1246 FOR: Jackson, Richie (Texas Restaurant Association), Austin, TX Registering, but not testifying: For: Day, Aaron (City of Fort Worth), Fort Worth, TX Gray, Alan (Licensed Beverage Distributors), Austin, TX Sparks, Jr., Robert H. (Licensed Beverage Distributors Inc.), Austin, TX Townes, Ralph (Glazers Wholesale Distributors), Dallas, TX SB 1256 FOR: Hitchcock, Lanny (Harris County Sheriff's Office and Tommy Thomas, Sheriff), Katy, TX Lenz, Carole (Harris County Commissioner Steve Radack), Houston, TX Montgomery, Mike (Harris County Fire Marshal's Office), Houston, TX AGAINST: Brinkley, Shannon (Pyro Source LLC), Highlands, TX Daughtry, Joe (Texas Fireworks Association), Nederland, TX Herzog, Kent (Fireworks Warehouse), Sealy, TX Howell, Vicki (Humble Christian School), Humble, TX Registering, but not testifying: For: Biewer, Steve (Harris County Precinct 3 Commissioner Steve Radack), Houston, TX Cron, Catarina (Harris County Judge Robert Eukels), Houston, TX Jones, Amanoh Legislative Coordinator (Harris County and Harris Commissioners Court), Houston, TX Travis, Ann (City of Houston), Houston, TX Against: Anderson, Bill (Select Fireworks), Humble, TX Ard, Jason W. (J and K Fireworks, Extreme Fireworks LLC, Pyrotecnico Inc.), Beaumont, TX Broadway, Sam (Seasonal Sales), Channelview, TX Cordova, Julia E. (Fireworks Warehouse), Channelview, TX Davis, Chester (Texas Pyrotechnic Association and American Fireworks), Buda, TX Gardner, Joe (Texas Fireworks Company Inc.), Silsbee, TX Glenn, Eric (Texas Pyrotechnic Association), Austin, TX Guest, Kenneth (Self), San Antonio, TX Guest, Paula (Discount Fireworks), San Antonio, TX Kelly, Maria (Fireworks Warehouse), Houston, TX Laird, Don (Self), Channelview, TX Laird, Elmer (Self), New Caney, TX Langford, Don (Self), Chandler, TX McGuinn, Estrella (Fire Works Warehouse), Houston, TX Pate, Johnnie (Self), Dickinson, TX Stearns, Zachary B. (TNT Fireworks), Bastrop, TX Yawn, Martin (Self), Lumberton, TX On: Replitz, Mark (State Fire Marshal's Office), Austin, TX SB 1331 Registering, but not testifying: For: Krampitz, Tom (Texas Motor Speedway), Fort Worth, TX SB 1464 FOR: Perez, Richard (San Antonio City Council), San Antonio, TX Registering, but not testifying: For: Ballard, Jack (American Electric Power), Austin, TX Bell, Wendell (Texas Public Power Association), Austin, TX Williamson, Richard (CPS Energy), San Antonio, TX SB 1471 Registering, but not testifying: For: Bordas, Mark (Anheuser-Busch Inc.), Austin, TX SB 1472 Registering, but not testifying: For: Bordas, Mark (Anheuser-Busch Inc.), Austin, TX Jackson, Richie (Texas Restaurant Association), Austin, TX Raw, Timothy (Anheuser-Busch Inc.), St. Louis, MO Robson, Gary (Domnick Hunter Inc.), Charlotte, NC SB 1626 Registering, but not testifying: For: Atkins, Winn (Diageo North America), Austin, TX Day, Aaron (City of Fort Worth), Fort Worth, TX Donley, Rick (The Beer Alliance of Texas), Houston, TX Glenn, Eric (City of Killeen), Austin, TX Gray, Alan (Licensed Beverage Distributors), Austin, TX Jackson, Richie (Texas Restaurant Association), Austin, TX McGarry, Mignon (Republic Beverage), Austin, TX Schlueter, Stan (City of Killeen), Austin, TX Sparks Jr., Robert H. (Licensed Beverage Distributors Inc.), Austin, TX Townes, Ralph (Glazers Wholesale Distributors), Dallas, TX


{% extends "layout.html" %}
Welcome to our website!
This website is about cities around the world.
Click the links on the Nav Bar or the buttons below to view the data records, the team page, and the raw
data.
Finally, you can add new records using the "Add" button on the Nav Bar. You will also be able to view and
edit your profile data by clicking on the "my profile" tab.


Toggle navigation
Recipient IDs
<EMAIL_ADDRESS><EMAIL_ADDRESS><EMAIL_ADDRESS><EMAIL_ADDRESS><EMAIL_ADDRESS><EMAIL_ADDRESS><EMAIL_ADDRESS><EMAIL_ADDRESS>Add Recipient
XMPL on GitHub
Twitter
Facebook
Landing Page
Your journey into openXM by XMPIE starts here.
Text ADOR Example
{{xmp.r['First Name']}}
Hello, {{xmp.r['First Name']}} {{xmp.r['Last Name']}}!
Image ADOR
The asset from the server
Another Image ADOR
The asset from the site images folder, using the ADOR to determine the value
Text File ADOR
Style ADOR
What's up? Now with regular class
Visibility ADOR
this text should be visible if isStudent is true
Link ADOR
users blog
Table ADOR
Calculs
4
C++
2
Javascript
2
Social Media
Share on facebook with site asset
Share on facebook with server asset
The attribute of HTML
<a>
Tag
The
xmp-twitter-share
element


Known Locations
Points of Interest
- The Boozey Barnacle
- The People's Tower
- Temple of Pelor
- Temple of Lesser Deities
- Gladiator Arena
- Mercenaries' Guild
Shops
- Essential Armaments
- Yllavuia’s Alchemical Wares
- The Modern Magician
- Hunting Buddy
- Victaire's Forge
- Malek's General Store


Toggle navigation
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PlatformIO IDE
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Turn your tweets into bookmarkable web pages! Here's how: 1) Hashtag related tweets. 2) Plug your Twitter screen name and hashtag into Pup Tent. (Add a second hashtag to your tweets to collect your Pup Tent pages into an online portfolio or small personal web site.)


Tonight helped butcher a pig. Something satisfying and fundamental about preparing meat for months of good eating. Coppa and bacon == yum.
8/24/2010, 11:22:52 PM
Favs: 0
Retweets: 0
link--- layout: tweet ---
Tonight helped butcher a pig. Something satisfying and fundamental about preparing meat for months of good eating. Coppa and bacon == yum.
8/24/2010, 11:22:52 PM
Favs: 0
Retweets: 0
link


enum class Assignment
Code assignment state in ISO 3166-1.
(common, js, jvm)
OFFICIALLY_ASSIGNED |
|
(common, js, jvm)
USER_ASSIGNED |
|
(common, js, jvm)
EXCEPTIONALLY_RESERVED |
|
(common, js, jvm)
TRANSITIONALLY_RESERVED |
|
(common, js, jvm)
INDETERMINATELY_RESERVED |
|
(common, js, jvm)
NOT_USED |
(common, js, jvm)
EXCEPTIONALLY_RESERVED |
|
(common, js, jvm)
INDETERMINATELY_RESERVED |
|
(common, js, jvm)
NOT_USED |
|
(common, js, jvm)
OFFICIALLY_ASSIGNED |
|
(common, js, jvm)
TRANSITIONALLY_RESERVED |
|
(common, js, jvm)
USER_ASSIGNED |


| Class | Description |
|---|---|
| CharSequenceCharacterIterator |
Bridge class between CharSequence and CharacterIterator
interfaces.
|
| CharSequenceReader |
This class implements Reader interface on top of CharSequence - i.e.
|
| CloverString |
This class was derived from
StringBuilder . |
| CommentsProcessor |
This class implements simple algorithm, which removes all java-like comments from given string.
|
| Compare |
Miscelaneous comparison utilities
|
| Concatenate |
Class for concatenating string using a glue (separator)
Can be used either as state machine or by calling a single method.
|
| LineReader |
Character reader which allows reading content line by line into
specified buffer (any class implementing Appendable) - eg.
|
| MultiPattern | |
| QuotingDecoder |
Class for conversion of string containing escape sequences
and/or quotes to standard string where each char is represented by itself.
|
| QuotingDecoderMysql |
Quoting decoder for mysql client output
|
| StringAproxComparator |
Class for approximative string comparison
|
| StringAproxComparatorLocaleRules |
In this class are stored rules for StringAproxComparator for different locale
Rules for given locale are stored in array of Strings:
each String in the array have to be like "c1=c2=..
|
| StringUtils |
Helper class with some useful methods regarding string/text manipulation
|
| TagName |
Utility to generate valid XML tag name from arbitrary string.
|
| UnicodeBlanks |
Provides utility methods for working with Unicode blank (non-printable, whitespace) characters.
|
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