Senators want to remove barriers to new diabetes tech
BANGOR, Maine (AP) - Senators from Maine and New Hampshire are working on an effort to make new diabetes management technologies available to more senior citizens.
Republican Sen. Susan Collins and Democratic Sen. Jeanne Shaheen say in a statement that a bill they have introduced would create a task force within the U.S. Department of Health and Human Services to “examine and address barriers that seniors face in accessing the latest diabetes management technologies.”
Collins says seniors have informed her that when they transition to Medicare, they often learn that technologies they’ve long relied on aren’t covered. Shaheen says access to innovation about diabetes management’s especially important in an era when many patients must cope with rising insulin costs.
The proposal also seeks to cut other impediments that prevent patients from accessing diabetes technologies.
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There is a great need for debugging and logging information inside of Commons components such as HTTPClient and dbcp. However, there are many logging APIs out there and it is difficult to choose among them.
The Logging package will be an ultra-thin bridge between different logging libraries. Commons components may use the Logging JAR to remove compile-time/runtime dependencies on any particular logging package, and contributors may write Log implementations for the library of their choice.
The package shall create and maintain a package that provides extremely basic logging functionality and bridges to other, more sophisticated logging implementations.
The package should :
logging
in the
jakarta-commons
CVS repository.


Start a YARN session with 4 Task Managers (each with 4 GB of Heapspace):
Specify the -s
flag for the number of processing slots per Task Manager. We recommend to set the number of slots to the number of processors per machine.
Once the session has been started, you can submit jobs to the cluster using the ./bin/flink
tool.
Apache Hadoop YARN is a cluster resource management framework. It allows to run various distributed applications on top of a cluster. Flink runs on YARN next to other applications. Users do not have to setup or install anything if there is already a YARN setup.
Requirements
If you have troubles using the Flink YARN client, have a look in the FAQ section.
Follow these instructions to learn how to launch a Flink Session within your YARN cluster.
A session will start all required Flink services (JobManager and TaskManagers) so that you can submit programs to the cluster. Note that you can run multiple programs per session.
Download a Flink package for Hadoop >= 2 from the download page. It contains the required files.
Extract the package using:
Use the following command to start a session
This command will show you the following overview:
Please note that the Client requires the YARN_CONF_DIR
or HADOOP_CONF_DIR
environment variable to be set to read the YARN and HDFS configuration.
Example: Issue the following command to allocate 10 Task Managers, with 8 GB of memory and 32 processing slots each:
The system will use the configuration in conf/flink-conf.yaml
. Please follow our configuration guide if you want to change something.
Flink on YARN will overwrite the following configuration parameters jobmanager.rpc.address
(because the JobManager is always allocated at different machines), taskmanager.tmp.dirs
(we are using the tmp directories given by YARN) and parallelism.default
if the number of slots has been specified.
If you don’t want to change the configuration file to set configuration parameters, there is the option to pass dynamic properties via the -D
flag. So you can pass parameters this way: -Dfs.overwrite-files=true -Dtaskmanager.network.memory.min=536346624
.
The example invocation starts 11 containers (even though only 10 containers were requested), since there is one additional container for the ApplicationMaster and Job Manager.
Once Flink is deployed in your YARN cluster, it will show you the connection details of the Job Manager.
Stop the YARN session by stopping the unix process (using CTRL+C) or by entering ‘stop’ into the client.
Flink on YARN will only start all requested containers if enough resources are available on the cluster. Most YARN schedulers account for the requested memory of the containers,
some account also for the number of vcores. By default, the number of vcores is equal to the processing slots (-s
) argument. The yarn.containers.vcores
allows overwriting the
number of vcores with a custom value. In order for this parameter to work you should enable CPU scheduling in your cluster.
If you do not want to keep the Flink YARN client running all the time, it’s also possible to start a detached YARN session.
The parameter for that is called -d
or --detached
.
In that case, the Flink YARN client will only submit Flink to the cluster and then close itself. Note that in this case its not possible to stop the YARN session using Flink.
Use the YARN utilities (yarn application -kill <appId>
) to stop the YARN session.
Use the following command to start a session
This command will show you the following overview:
As already mentioned, YARN_CONF_DIR
or HADOOP_CONF_DIR
environment variable must be set to read the YARN and HDFS configuration.
Example: Issue the following command to attach to running Flink YARN session application_1463870264508_0029
:
Attaching to a running session uses YARN ResourceManager to determine Job Manager RPC port.
Stop the YARN session by stopping the unix process (using CTRL+C) or by entering ‘stop’ into the client.
Use the following command to submit a Flink program to the YARN cluster:
Please refer to the documentation of the command-line client.
The command will show you a help menu like this:
Use the run action to submit a job to YARN. The client is able to determine the address of the JobManager. In the rare event of a problem, you can also pass the JobManager address using the -m
argument. The JobManager address is visible in the YARN console.
Example
If there is the following error, make sure that all TaskManagers started:
You can check the number of TaskManagers in the JobManager web interface. The address of this interface is printed in the YARN session console.
If the TaskManagers do not show up after a minute, you should investigate the issue using the log files.
The documentation above describes how to start a Flink cluster within a Hadoop YARN environment. It is also possible to launch Flink within YARN only for executing a single job.
Please note that the client then expects the -yn
value to be set (number of TaskManagers).
Example:
The command line options of the YARN session are also available with the ./bin/flink
tool. They are prefixed with a y
or yarn
(for the long argument options).
Note: You can use a different configuration directory per job by setting the environment variable FLINK_CONF_DIR
. To use this copy the conf
directory from the Flink distribution and modify, for example, the logging settings on a per-job basis.
Note: It is possible to combine -m yarn-cluster
with a detached YARN submission (-yd
) to “fire and forget” a Flink job to the YARN cluster. In this case, your application will not get any accumulator results or exceptions from the ExecutionEnvironment.execute() call!
By default Flink will include the user jars into the system classpath when running a single job. This behavior can be controlled with the yarn.per-job-cluster.include-user-jar
parameter.
When setting this to DISABLED
Flink will include the jar in the user classpath instead.
The user-jars position in the class path can be controlled by setting the parameter to one of the following:
ORDER
: (default) Adds the jar to the system class path based on the lexicographic order.FIRST
: Adds the jar to the beginning of the system class path.LAST
: Adds the jar to the end of the system class path.Flink’s YARN client has the following configuration parameters to control how to behave in case of container failures. These parameters can be set either from the conf/flink-conf.yaml
or when starting the YARN session, using -D
parameters.
yarn.reallocate-failed
: This parameter controls whether Flink should reallocate failed TaskManager containers. Default: trueyarn.maximum-failed-containers
: The maximum number of failed containers the ApplicationMaster accepts until it fails the YARN session. Default: The number of initially requested TaskManagers (-n
).yarn.application-attempts
: The number of ApplicationMaster (+ its TaskManager containers) attempts. If this value is set to 1 (default), the entire YARN session will fail when the Application master fails. Higher values specify the number of restarts of the ApplicationMaster by YARN.There are many reasons why a Flink YARN session deployment can fail. A misconfigured Hadoop setup (HDFS permissions, YARN configuration), version incompatibilities (running Flink with vanilla Hadoop dependencies on Cloudera Hadoop) or other errors.
In cases where the Flink YARN session fails during the deployment itself, users have to rely on the logging capabilities of Hadoop YARN. The most useful feature for that is the YARN log aggregation.
To enable it, users have to set the yarn.log-aggregation-enable
property to true
in the yarn-site.xml
file.
Once that is enabled, users can use the following command to retrieve all log files of a (failed) YARN session.
Note that it takes a few seconds after the session has finished until the logs show up.
The Flink YARN client also prints error messages in the terminal if errors occur during runtime (for example if a TaskManager stops working after some time).
In addition to that, there is the YARN Resource Manager web interface (by default on port 8088). The port of the Resource Manager web interface is determined by the yarn.resourcemanager.webapp.address
configuration value.
It allows to access log files for running YARN applications and shows diagnostics for failed apps.
Users using Hadoop distributions from companies like Hortonworks, Cloudera or MapR might have to build Flink against their specific versions of Hadoop (HDFS) and YARN. Please read the build instructions for more details.
Some YARN clusters use firewalls for controlling the network traffic between the cluster and the rest of the network. In those setups, Flink jobs can only be submitted to a YARN session from within the cluster’s network (behind the firewall). If this is not feasible for production use, Flink allows to configure a port range for all relevant services. With these ranges configured, users can also submit jobs to Flink crossing the firewall.
Currently, two services are needed to submit a job:
When submitting a job to Flink, the BlobServer will distribute the jars with the user code to all worker nodes (TaskManagers). The JobManager receives the job itself and triggers the execution.
The two configuration parameters for specifying the ports are the following:
yarn.application-master.port
blob.server.port
These two configuration options accept single ports (for example: “50010”), ranges (“50000-50025”), or a combination of both (“50010,50011,50020-50025,50050-50075”).
(Hadoop is using a similar mechanism, there the configuration parameter is called yarn.app.mapreduce.am.job.client.port-range
.)
This section briefly describes how Flink and YARN interact.
The YARN client needs to access the Hadoop configuration to connect to the YARN resource manager and HDFS. It determines the Hadoop configuration using the following strategy:
YARN_CONF_DIR
, HADOOP_CONF_DIR
or HADOOP_CONF_PATH
are set (in that order). If one of these variables is set, it is used to read the configuration.HADOOP_HOME
environment variable. If it is set, the client tries to access $HADOOP_HOME/etc/hadoop
(Hadoop 2) and $HADOOP_HOME/conf
(Hadoop 1).When starting a new Flink YARN session, the client first checks if the requested resources (containers and memory) are available. After that, it uploads a jar that contains Flink and the configuration to HDFS (step 1).
The next step of the client is to request (step 2) a YARN container to start the ApplicationMaster (step 3). Since the client registered the configuration and jar-file as a resource for the container, the NodeManager of YARN running on that particular machine will take care of preparing the container (e.g. downloading the files). Once that has finished, the ApplicationMaster (AM) is started.
The JobManager and AM are running in the same container. Once they successfully started, the AM knows the address of the JobManager (its own host). It is generating a new Flink configuration file for the TaskManagers (so that they can connect to the JobManager). The file is also uploaded to HDFS. Additionally, the AM container is also serving Flink’s web interface. All ports the YARN code is allocating are ephemeral ports. This allows users to execute multiple Flink YARN sessions in parallel.
After that, the AM starts allocating the containers for Flink’s TaskManagers, which will download the jar file and the modified configuration from the HDFS. Once these steps are completed, Flink is set up and ready to accept Jobs.


This page describes the latest information about how to build Android for x86 platform. To browse our source code, see
It is easy to compile Android for x86 platform from our git repositories. The built image should run well on real x86 devices as well as virtual machines (like qemu or virtual box). Just follow the following instructions. No additional patch is required.
Since AOSP evolves very quickly, we have created different branches corresponding to different releases of AOSP:
Firstly, refer to the AOSP page "Establishing a Build Environment" to configure your build environment. For Ubuntu 18.04, install the following required packages:
sudo apt -y install git gcc curl make repo libxml2-utils flex m4
sudo apt -y install openjdk-8-jdk lib32stdc++6 libelf-dev mtools
sudo apt -y install libssl-dev python-enum34 python-mako syslinux-utils
Then pull down the Android-x86 source tree to your working directory by:
mkdir android-x86
cd android-x86
repo init -u git://git.osdn.net/gitroot/android-x86/manifest -b $branch
repo sync --no-tags --no-clone-bundle
Where $branch is one of the branch names described in the previous section. Note the projects created or modified by android-x86 are fetched from our git server. All the other projects are still downloaded from the repositories of AOSP.
If you have issues to sync from the git protocol, try the alternative http one
repo init -u http://scm.osdn.net/gitroot/android-x86/manifest -b $branch
repo sync --no-tags --no-clone-bundle
If you hope to keep syncing your tree with Android-x86 repository, just do repo sync. No need to do repo init again. However, sometimes you may see conflicts during repo sync. See the section "How to Solve Conflicts" for how to solve this situation.
Note: The Android-x86 repository is very big (more than 20GB for oreo-x86). If you encounter problems of sync it, it's likely a network problem or our server is too busy. Repeatedly run 'repo sync' until it succeeds without any error. Do not bother us with any of the syncing problem.
To get the source code of LineageOS (formerly CyanogenMod) porting for Android-x86, specify the manifest by an additional option -m cm.xml:
repo init -u git://git.osdn.net/gitroot/android-x86/manifest -m cm.xml -b $branch
repo sync --no-tags --no-clone-bundle
Currently the LineageOS porting is only available in nougat-x86 (cm 14.1) and marshmallow-x86 (cm 13.0) branches.
Once repo sync is complete, you can build a cdrom iso image. You need Oracle java 1.6 (OpenJDK may not work) to build branches before (includes) kitkat-x86. Since lollipop-x86, java 1.7 is required and OpenJDK is supported. Since nougat-x86, OpenJDK 1.8 is required.
Note: Before froyo-x86 (included), you can build on either a 32-bit or 64-bit host. Since gingerbread-x86, a 64-bit build environment is recommended.
You need to choose a target for the x86 device you want to use/test. We provides several targets for different branches:
Unless you are trying to build an ancient branch, you should just use android_x86_64 for a 64-bit target, or android_x86 for a 32-bit target. They are the universal targets for all x86 devices.
Historically, you should use to use generic_x86 for eclair-x86 to ics-x86 branches. However, it may not optimized for a particular target device. Use eeepc for a generic x86 for donut-x86 branch or before, unless you have the particular devices supported by other targets.
If you are a developer, you can create a target based on android_x86 for your device. See this article for details. However, it's not recommended to do so unless you are a very experienced Android platform developer.
You can source the file build/envsetup.sh into your bash environment to get some shell functions to help the building:
source build/envsetup.sh
Now you can select a target by lunch command:
lunch $TARGET_PRODUCT-$TARGET_BUILD_VARIANT
where $TARGET_PRODUCT is any target described in the previous section, and possible values of $TARGET_BUILD_VARIANT are eng, user, userdebug. For example,
lunch android_x86_64-userdebug
Then you can build an iso file by m command:
m -jX iso_img
m command is equivalent to make, but you can use it in any subdirectory of the android-x86 tree. Replace X by the number of processors you have. For example, if you have a quad core CPU, replace X with 4:
m -j4 iso_img
Since froyo-x86, we also add menu selection to lunch command. Just type lunch, and you will get a list of available targets. Input the number to select a target. Alternatively, just type lunch $number.
To build an rpm file:
m -jX rpm
You need to install the rpm-build package (Fedora based distributions) or rpm package (Debian / Ubuntu based distributions) before building.
The rpm file could be installed to a Linux distribution directly.
You may specify the target to be built by TARGET_PRODUCT variable. For example, to build an iso image for target android_x86, type:
make -jX iso_img TARGET_PRODUCT=android_x86
To generate a live cdrom iso for tegav2, type
make -jX iso_img TARGET_PRODUCT=tegav2
Then you will get an iso file out/target/product/x86/android_x86.iso, etc.
You can create a buildspec.mk in your android-x86 directory to remember a particular target product you build often:
With your buildspec.mk file in your android-x86 working directory, you can simply make by
make -jX iso_img
Since marshmallow-x86, the generated Android-x86 core filesystem will be compressed by squashfs by default. Before that, squashfs is used only if you have squashfs-tools 4.0 (older version will not work) installed in your host. The generated iso file is much smaller (only about 30-40%). However, if you hope to disable it for some reasons, add USE_SQUASHFS=0 to make. You can put it to buildspec.mk:
Before froyo-x86 (included), If you hope to get a more smaller image, you may remove the debugging symbols by adding
Since gingerbread-x86, the debugging symbols are stripped by default. So the option is unnecessary.
The generated image is located at
You can easily test the iso file by a virtual machine like virtual box or qemu. Alternatively, on a Linux host you can use the qemu-android script (available since nougat-x86) to run android-x86 in qemu directly:
sudo out/host/linux-x86/bin/qemu-android
To test the image on a real x86 hardware, you can burn the iso to a compact disc (CD), then boot it on the target device. Check the manual of your vendor to see how to boot from a CD. On booting it will automatically detect your hardware and load necessary modules.
Since honeycomb-x86, we support the hybrid iso format. That is, the iso could be dumped to a usb disk directly. For example,
dd if=out/target/product/x86_64/android_x86_64.iso of=/dev/sdX
where /dev/sdX is the device name of your USB disk. The feature is available for all iso files released after 2011/12/25.
If you build an rpm file, install it to your Linux host and run the qemu-android script directly. Or reboot and choose android-x86 item from the booting menu.
For more details about how to use the iso or install it, see the installation howto.
This section describes some useful information for advanced users. You may need good linux expertise to complete it.
For advanced linux users, you may create a bootable USB disk by hand. Here are the steps:
Note androidboot.selinux=permissive must be added since nougat-x86. Besides, before marshmallow-x86, androidboot.hardware=<target> must be added to specify the target name of the built image. However, do not add this option since nougat-x86.
Since kitkat-x86 the SRC= parameter may be omitted if the system image is in the same directory as the kernel.
Then you can boot from the USB disk and enjoy Android. Note all data are saved to the ramdisk, so all will lose after power off. If you hope to save data to disk, see the next section.
Install to a hard disk is just the same as install to a USB disk. Even you do not need to create a new partition. Just copy android files into an existing partition, install grub to the hard disk (if not done yet), and modify the menu.lst.
People still ask, what if my hard disk is empty? How to install grub and copy files into it? There are several ways to do it. I provide two here:
We provide several ways to save data to your disk. You can choose one of them according to your situation:
mount -o remount,rw /mnt
dd bs=1M count=4096 if=/dev/zero of=/src/data.img
losetup /dev/loop6 /src/data.img
make_ext4fs -L /data /dev/loop6
losetup -d /dev/loop6
There are several reason to have conflicts during repo sync, say
In this section we assume you have conflicts due to the upstream changed. That is, you don't have local modifications. If you do, you have to solve conflicts yourself. If you follow the procedures in this section, you may lose your local modifications.
Here is an example of a conflict in mainfest:
repo sync
remote: Counting objects: 71, done.repo sync stopped due to conflicts. Since we don't have local modifications, just ignore it by git rebase --skip:
cd .repo/manifests
git rebase --skip
HEAD is now at 4a4f936 add branch for local lanIf it complains about another conflict, do git rebase --skip again, until the rebase procedure completes. Usually it is enough, but if you hope to be absolute clean, you can ignore the current branch and checkout a new one like (suppose you're using oreo-x86 branch):
git checkout -t oreo-x86 m/oreo-x86
This may not be the best approach to solve conflicts, but should be easy enough for beginners. If you have better suggestions, just tell us.
If you'd like to customize the kernel for your hardware, read this article for details.
If you want to use IDE to develop Android-x86, maybe Intellij IDEA can be a good choice. You can follow below instructions to setup project for Intellij IDEA:
Firstly, we should build Intellij IDEA project module files:
source build/envsetup.sh
m idegen
development/tools/idegen/idegen.sh
And then we should create an empty project from Intellij IDEA, and import android.iml in the source code root directory as module to import Android-x86 code to Intellij IDEA. After loading, we can use it to view and debug source code.


Bafana Coach: Why We Substituted Lorch…
by Soccer LadumaBafana Bafana suffered a 2-0 defeat to Ghana in their opening Africa Cup Of Nations qualifier, with Molefi Ntseki explaining some of his tactical decisions.
Ghana took the lead in the 35th minute after Ronwen Williams was caught flat-footed in the box.
In an attempt to ‘overload’ the attacking department and try to pull a goal back, Ntseki replaced Thembinkosi Lorch with Kermit Erasmus and brought on Lebo Mothiba in place of Bradley Grobler.
Read more: Historic! PSL Make First Billion
However, with just 10 minutes remaining of the encounter, the overloading looked to have backfired for Bafana, as Ghana scored their second goal, courtesy of Mohammed Kudos.
“When you are playing a game like this, everything is moving very fast but you always look for those opportunities where you can hurt your opponent. When we substituted Lorch it was for tactical purposes because we wanted to bring in a striker in Kermit Erasmus and I think when he came in we played him more as a 10 between the lines but Ghana dealt well with the overloading,” Ntseki told the media after the game.
Bafana will return to Mzansi today, where they will gear up to face Sudan at the Orlando Stadium on Sunday.
Download The Soccer Laduma Social Media App & Earn Airtime for Selfies!


Django Facebook - Test page
By Thierry Schellenbach mellowmorning.com, @tschellenbach
Soon you will be able to check django-facebook.com for more info.
{% load static from staticfiles %}
By Thierry Schellenbach mellowmorning.com, @tschellenbach
Soon you will be able to check django-facebook.com for more info.
Thank you for logging in with Facebook. By default you will have the following data available:
| Field | Data |
|---|---|
| First Name: | {{ user.first_name }} |
| Last Name: | {{ user.last_name }} |
| Gender: | {{ user.profile_or_self.gender }} |
| About me: | {{ user.profile_or_self.about_me }} |
| Facebook profile url: | {{ user.profile_or_self.facebook_profile_url }} |
| Facebook ID: | {{ user.profile_or_self.facebook_id }} |
| Date of Birth: | {{ user.profile_or_self.date_of_birth }} |
| Website Url: | {{ user.profile_or_self.website_url }} |
| Local Image: | |
| Hotlinked Image: | |
| Likes: |
|
| Friends: |
|
| Getting More: | Facebook has a ton more data, read about it here. |
You can connect users which registered the old fashioned way, by giving them the following option to connect. Note that we explitly indicate that we are connecting using the connect_facebook=1 value.
{% endif %}


Drawl
0.2.0
The world's best drawing language
Class Hierarchy
Go to the textual class hierarchy
Generated on Wed May 13 2020 19:45:38 for Drawl by
1.8.13


Full Stack Web Developer
HTML5 - CSS3 - JavaScript
BootStrap5 - React - Figma
GitHub - MySQL - Docker
I recently completed the CNM Ingenuity Full Stack Bootcamp.
During this bootcamp I collaborated with a team of 4 virtually, utilizing collaboration tools Github, Figma, Asana, Zoom, and Slack to create a fully functional mobile first Scholarship Search application.
As a team, we created 2 week sprints via Asana and delegated each task to be completed.
We collaborated via Figma in real time to create wireframes for every page full sized and mobile.
Our team created a fully interactive front end using React, React Bootstrap, HTML5, and CSS3.
Utilizing Docker containers we created a dynamic backend on a digital ocean droplet, using MYSQL to manage the data.
Coming Soon! www.linktocapstoneproject.com
Prior to starting my career in software development, I worked for 10 years with local non-profits assisting people with disabilities.
While I do remain committed to work no matter what stage my career is in, I also believe it's important to balance work life and home life.
There are many things outside of work that are very important to me.
I enjoy spending time with my family and friends, going on hikes, and visiting local breweries.
I also enjoy spending time out doors and playing sports.
And of course, I love my dog Bella.


Manual tests for formly
Reset Model
Update Initial Value
Swap Fields
User
{{vm.user | json}}
Form
{{vm.realForm | json}}
{{vm.form | json}}


If you don't find the answer to your question here, don't hesitate to email us.
java -Xmx1g -cp Jane.jar edu.hmc.jane.gui.Design
from the
command line.
Back to Top
java -cp Jane.jar edu.hmc.jane.gui.Design
from within the folder that you put the JAR in.
Back to Top
There are a few things. Jane is designed to take advantage of multi-core processors, so if you upgrade to more cores, you'll get an almost linear performance improvement. (Eg. if you go from a single core processor to a dual core processor, Jane' speed will approximately double.)
If you are currently running a 32-bit JVM, you can get an approximately 2.5-fold performance increase by switching to a 64-bit JVM. (If your computer is old, this may require buying a new one, as the 64-Bit JVM will not run on some older computers.) Here is how to do that on Windows.
First, check to see which version you are running. You can do this by simply running Jane' GUI or command line interface. If you don't get a warning, you are already using a 64-Bit JVM and don't need to do anything. Otherwise, continue with these instructions.
Download the 64-bit JVM from here. Specifically, choose to download the JDK and not the JRE. Then agree to the license agreement and select Windows x64 from the options given. Once you have downloaded the file, install it.
After the install finishes, try running Jane again and check to make sure that the warning is gone. If the warning is still there, ask for help from your IT department. One troubleshooting step you might try is to make sure you do not have a 32 bit JDK installed (the 32 bit JRE is fine). You can check whether it is installed using the add or remove programs control panel feature and looking for programs beginning with "Java".
Back to Top.xls
or .xlsx
file.
Back to Top
Jane 3 contains a number of features not present in Jane 2 such as failure to diverge events and time zone support. In addition, the randomization method used in statistics mode did not work correctly in Jane 2 and has been fixed in Jane 3. Jane 3 also tends to be faster on larger trees (50 tips or more) while Jane 2 is faster for smaller trees. Both Jane 3 and Jane 2 are available at the download page.
While both Jane 3 and Jane 2 demonstrate significant speed improvements over Jane 1, contain multiple bug fixes, and produce the same (and sometimes better) quality solutions, you are free to download and use the original version of Jane from the Jane 1 website.
Back to Top


{% extends "test.html" %} {% block content %} Congratulations! You seemed to understand well reading at that speed. {{ correct_answers }} / {{ num_questions }}
Perhaps next you could head over to the training room to do more focused practice or some sprinting?
Focused practice gives you a regulator (similar to using your finger or a pen to focus on the words) at a speed you set. This helps you stop going back over text you've already read and makes your eyes & brain coordinate better.
Sprinting is about training your eyes to move faster — typically 1.5x to 2x your regular speed. You shouldn't worry about understanding so much, rather focusing on just keeping up.
{% endblock %}


1
Mom spread a white
red
blue and green bedsheet.
,
,
2
My brother was born on 9th April
2000.
,
3
Harry
Billy
Alex and Jason were playing outside.
,
,
4
That restaurant serves soups
salads and desserts.
,
5
My house has an orange
an olive and a walnut tree in the backyard.
,
6
The summer camp includes hiking
trekking
zipline and rafting.
,
,
7
A crow
a sparrow
a parrot and a woodpecker sat on the banyan tree.
,
,
8
They are going to visit England
Scotland and Ireland.
,


--- layout: post title: "p5+three" date: 2016-12-10 21:24:00 categories: experiments custom_js: - p5/p5.min.js - three/three.min.js - local/fs.js ---


Treehouse is an online institution to learn web development skills. Most of my works are based on skills gained by watching tutorials on treehouse, reading official documentation, researching, analysing and discussing with fellow developers. A brief of my Development skills can be found here.
I am familier with following web technologies : HTML, CSS3, SASS, jQuery, JavaScript(ES6+) PHP, ReactJS, AngularJS and Development Tools.
I have worked with following programming languages to solve algo-related problems and creating CLI and Chat Bot Apps : JavaScript(NodeJS), Python and C
Git


I am a Responsive Designer & Developer who thrives on visual story telling. When I'm not working, pursuing side projects or getting lost in a rabbit hole of blogs & books, I can be found traveling, hiking, and searching for new stories.
I am a Responsive Designer & Developer who thrives on visual story telling. When I'm not working, pursuing side projects or getting lost in a rabbit hole of blogs & books, I can be found traveling, hiking, and searching for new stories.
I was born and raised in Covington Washington. Covington is a subberb of Seattle, and is loacted south and at the base of tiger mountain. You can litterly hop the freeway and go skiing or hiking. It's grown from a farmtown to a "mini" "modern" city, with farm and country, fully vegitated.
My passion; I love music! It's one of the most touching ways to express and communicate feelings and emotion. They have have tons of venues in Seattle and enjoy going to them. Both underground and mainstream. I love roaming the city!
Fun fact Seattle is well known for tech and hosting some pretty major companies in the industry. Microsoft, Amazon, Google, Adobe. Also known for organic foods, people and, homegrown beer. I enjoy living here!


---
layout: default
title: React Redux courses in Amsterdam
description: React Redux courses in Amsterdam. Small groups and project-based learning.
menu: next-courses
alias: [/react-redux-training-amsterdam, /react-redux-training-belin/]
url: /react-redux-training-amsterdam
---
{% include logos-companies.html %}
{% include cv-1day-advanced-react.html %}
Join our Amsterdam newsletter
{% include signup-form.html %}
{% include a-day-in-our-training.html %}
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Review Template
To best write a book review, it is essential to keep track of the answers to the following questions, either as you read the book or as soon as you have finished it. All of the answers can then be incorporated into your review.
SUMMARY
- Narration
- Who narrated the story?
- Was it first-person narration or third-person narration?
- Was the narrator a reliable source of information?
- Setting
- Note the time period and location the book is set in.
- How did setting drive or influence the plot of the book?
- Theme
- Note the overall theme or message of the book.
- Genre
- What genre of literature was it?
- How did it compare to another work in this genre?
- Author
- Name the author.
- Discuss any previous works.
- How did previous works compare with this work?
- Plot
- Give a brief plot summary without giving away any key details.
EVALUATION
Your Opinion
* This is the most important part of the review.
* Did you like it? Why?
* Dislike it? Why?
* Would you read more by this author? Why or why not?
* Would you encourage others to read this book? Why or why not?
Downloaded from http://www.wikihow.com


Ghar Jagga
Real real-estates
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Output Area
Convert


Flexible office space
Phone: +234 1 295 4757
12 Landbridge Avenue, Oniru Estate,
Victoria Island, Lagos, Nigeria
Setting up offices locally or in foreign territories can be costly as well as time consuming. With Canton Concourse, your business has a ready-made platform to commence operations immediately - with the right personnel, equipment, furniture and business support services.
With a Canton virtual office you're able to establish a corporate presence in Nigeria without having to physically relocate your business. Our clients will have access to full administrative benefits including a mailbox with a Lagos address and a professional telephone answering service.
© 2018 - Canton Concourse
12 Landbridge Avenue, Oniru Estate, Victoria Island,
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Phone: +234 1 295 4757, +234<PHONE_NUMBER>
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This page lists the Clusters of the given records
Number of clusters centroid locations
| Fare |
Age |
{% for row in centroids[0] %}
| {{row[0]}} |
{{row[1]}} |
{% endfor %}
Total number of points in cluster
{% for row in centroids[1] %}
{{row}}
{% endfor %}
Distances from each centroid
{% for row in centroids[2] %}
{{row}}
{% endfor %}
Clusters
Elbow Method
Max Clusters


Echo Chef can guide you through recipes interactively. Just add your favorite recipes to our web interface and they'll be available on your Echo! Ask for step by step instructions, preheat temperatures, and more!
Find Out MoreEcho Chef eliminates the need to bring your phone or computer into the kitchen. Using the Amazon Echo, simply ask Alexa to start a recipe and jump right in!
Add a recipe now!Curate your own list of recipes for Echo Chef to share with you.
Need the next step or the number of eggs? Just ask!
See how your onion dicing skills have improved and more!
So you can cook with love!
We've included a few recipes to start with, but any user-added recipes from the form above will also be available to browse.
Have any questions or comments about Echo Chef? Send us an email and we will get back to you as soon as possible!
213-740-2514


What is it?
Melinda — is a Chrome-compatible experimental web application created by the members of Grapheme team. It lets you create Scopes — interactive kaleidoscopic visualizations that are moving along with the music.
How it works?
Just drag-n-drop your favourite image to change the pattern of a kaleidoscope and do same trick to change the music as well. You can now share the link to your scope and tell everyone how awesome you are!


I am currently a first-year master’s student at Marshall School of Business at University of Southern California. I am pursing an M.S. in Finance with a concentration in M&A.
I hold a B.A. in Economics with a minor in Business from U.C. San Diego, graduating with Latin Honors (Cum Laude).


Back
c1 Reflection Blog
- What's your take on the DBC/EDA experience?
Based on what I have heard, read and watched (fireside chat video), I am excited about the opportunity to learn in a non-traditional learning environment. I like the self-taking responsibility part.
- What are your impressions?
I have been in this environment (phase 0) for about 3 days at present, and I understand how more work might make one feel under-pressure. So far some things have been challenging, but as someone said about writing software: "95% of the time it won't work". The sense of achievement comes from the finished product, and the incremental steps in getting there.
- How do you see yourself engaging with this type of culture?
I am liking the sharing and supportive nature of other people. I have also tried to help others out when I can. I have already learnt many new 'tricks' in various areas as a result. In my 'current life' people ask me questions a lot of times, and I feel good in helping them. Even though software development is new to me, I would like to carry through my streak of 'wanting to contribute' to the EDA environment as much as possible.
- Have your expectations of EDA changed? If so, how?
If Shereef's video is anything to go by, I would definitely want to do my best. He talks about getting as much out of this as one puts in; which is a very good comment. I'm usually 'independently-creative' so asking for help can be difficult for me, but on the other hand I will implement my brand of self-responsibility, creativity & independence in the most productive way possible.
- Are you excited to participate in this kind of learning environment? Does it make you nervous?
I am excited about being able to participate in this non-traditional environment of learning. I have heard only positive feedback about this type of a setup, and wish to do my best at working hard, accepting information about new-to-me technology, and processes, and making the most from this experience. Of-course there is an element of nervousness that comes into play, but I guess it also helps keep one's faculties sharp haha. Choose courage over comfort, as they say.


MALICE A film review by Vijay Ramanujan Copyright 1993 Vijay Ramanujan
Cast: Alec Baldwin; Nicole Kidman; Bill Pullman and appearances by George C. Scott and Anne Bancroft
Plot: There's a serial rapist/murderer running amok on campus, and Andy Safien (Pullman) is the unfortunate Dean of Student Affairs who knows all the victims. Meanwhile, his wife has abdominal pains, and an arrogant doctor he "knew" in high school moves into his house. How does it all tie in?
Well, it doesn't. Once in a while, you come across a movie so bad that the writers should have their licenses revoked. This is one of those. This movie was very well acted. The individual scenes were well scripted and directed, but the movie was incoherent. For me to enjoy a plot twist, I have to be grounded first, I have to have a frame of reference with which to see the twists. This movie was twisting so often and so wildly that you never get a chance to see what it is becoming or what it no longer is. The basic problem with the movie seems to have been this: The writers wrote half the movie, and then decided, "Hey, what if ...?" So they put some twist in. They never bothered to go back and see if it makes sense with the rest of the movie. Often times, it not only doesn't fit in, but it contradicts things that have already been said and seen. And the ending is so predictable that it made me laugh. In fact, there were at least three high tension scenes in the movie during which the audience I saw it with started laughing out loud. (One involving a big, climactic fight between the hero and the villain.)  Sad comment.
So, examples of those incoherencies that I said were so prevalent:
SPOILERS - SPOILERS - SPOILERS
SPOILERS - SPOILERS - SPOILERS ------------------------------
1) Tracy Safien has been seeing a doctor for two years about a serious medical problem. His husband has never even talked to the doctor, let alone met with him.
2) Hill is willing to throw away a practice in Cardio-thorassic surgery for five million dollars. That is ridiculous when you consider how much such surgeons make yearly.
3) The blind kid across the street definitely makes an effort, early in the movie, to stare out the window at the Safiens. Why?
4) How did Tracy Safien know that the surgeon who would operate on her would be Dr. Hill? Is there only one surgeon on duty? And why call a Thorassic surgeon to do an operation on ovaries? Hardly his speciality.
5) Why spend thirty minutes on the serial rapist scenes when the only apparent purpose of said scenes was to establish that Andy was sterile?
6) Jed and Tracy have to have been planning this from before Hill moved in. (I assume that's why she suggested taking in boarders.) So why does she seem so nervous around Hill, as in the bathroom scene?
7) Lillianfield is a front for Hill, apparently. At least, we are led to believe so. But how can Lillianfield practice? His speciality is not the same as Hill's, and there is no way a doctor can "double major" without anyone knowing. And if Lillianfield doesn't have a legit practice, why have an answering service?
And one minor blooper/problem:
1) Hill and others talk, in the bar, about how the starting tailback for the team on the television is out after failing a drug test. One person asks why he can't stay off drugs for a million a year. Unfortunately, the team being shown is USC, and there are no million dollar college players who undergo drug tests.
And others, but my time is running out, so I will leave you with these few.
Overall, a poor excuse for a film, probably the worst movie of the nineties, and maybe longer. (A low) 1/4
Vijay Ramanujan
.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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[3.5/4.0]
(Dialog in Bengali, English subtitles)
This film is also known by the English title "The Middleman".
The business world can be harsh and corrupt. This subculture is unraveled in this story, which shows a young man's difficult initiation into the life of a middleman. Somnath (Pradip Mukherjee) is a recent college graduate who becomes a victim of fate when his paper is improperly evaluated, simply because the grader did not having the proper glasses. The result is that Somnath receives passing marks, but does not achieve the honors level he should have earned. This is no trifling error, because the job market is lean, and Somnath's prospects are grim without an exceptional academic record. This setup shows a harsh world, where opportunities are scarce and people must often do whatever they can to survive. Desperation breeds corruption, and nice guys finish last.
Somnath fights an uphill battle trying to enter the corporate world. He mails off a multitude of job applications and receives very few, unsuccessful interviews. The absurdity in some of the interview questions (like "what is the weight of the moon?") reflect the futility of his struggle. Each day he fights this impossible battle and returns home to face his morose father (Satya Bandyopadhyay) and cynical elder brother. Only his sister-in-law Kamala (Lily Chakravarty) keeps a positive attitude about Somnath's ability to eventually establish himself.
One day as Somnath is out in his hopeless job search, he runs into Bhombol (Dipankar Dey) who tells him about an alternative to landing a job -- joining the business world. Somnath has misgivings, but out of alternatives, decides to give it a try. Bhombol gets Somnath started on how to operate as a dalal, or middleman. The basics are to buy one man's surplus on the cheap and sell to another man's need, and to ply favors.  He initially makes a successful transaction but learns a lesson about playing his cards close.
Somnath has some successes and failures along the way, but he is able to work some connections with his friends to set up a potential sale to a chemical company. If the deal goes through, he stands to make a handsome profit, but more than that, he needs it to establish himself, otherwise he might not last much longer in the business world. Somnath enlists the help of an associate, Mr. Mitter (Robi Ghosh), who is a "public relations" expert. Somnath learns of the incredible depth of corruption that must be indulged, and the seediness of the business world. He also understands the other meaning of dalal, pimp.
The world as represented in this story is extreme and bleak, but Satyajit Ray has crafted a film that remains believable because it is based in reality. The depiction of corruption in this story is so pervasive that at times it feels exaggerated. However, all of the events still appear plausible. Somnath is presented as an innocent thrust into a foreign world of difficult choices. The decisions he makes are a mixture of his own nature and the influence of the forces around him.
He is obviously a man of principle, but he cannot ignore the desperation of his situation. The opening scene of the film showed a classroom of students writing their final college exam, and the majority are cheating in one way or another, but not Somnath. Somnath sees that he has never been rewarded for adhering to principle, but his nature makes it difficult to do otherwise.
The acting performances are all outstanding. Mukherjee effectively conveys all the emotions that Somnath experiences. He expresses Somnath's anguish through expression and body language as well as manner of speech. Ghosh is exceptional as the sleazy Mr. Mitter, striking a balance between comic absurdity, and the distasteful pragmatism in being part of a corrupt system.
The story is perfectly paced as it slowly builds to a wrenching climax. Although it is apparent early that Somnath will be descending into a world without morals, his progression is so moderated and gradual that it is gripping. Somnath begins as a naive young man, and when his journey culminates, he stands staring at his reflection in a man he despises. He sees that Mr. Mitter lives at peace with who he is. In Mitter's personal life he is an ordinary family man, while his professional life necessitates swimming in sleaze. Somnath cannot detach himself so easily. The fact that his is a principled person in a world without scruples causes him agony, but is it worse than an uncertain future for both him and his family? It is easy to talk about the shallowness of the pursuit of money when one has it, but a life without means can be truly horrible. Somnath has a exceptionally difficult decision to make.
Highly recommended. The film does feel extreme in its portrayal of underbelly of the business world, but everything it depicts also has a believable foundation. It is a gripping story about the way in which desperation can breed corruption.
(c) 1999 Murali Krishnan The Art House Squatter http://ArtHouseSquatter.com
Sent via Deja.com http://www.deja.com/ Share what you know. Learn what you don't.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


For a while, the Internet Movie Database had a link to a review at film.com (now conveniently deleted) of Russ Meyer's FASTER, PUSSYCAT! KILL! KILL! that described that movie as so bad, it "approached the level" of Ed Wood Jr.'s movies. This review was an obvious admission of two things: 1) The writer of that movie had never seen Ed Wood Jr.'s movies; and 2) he didn't even bother to realize what Meyer's movies are about.
The films of Russ Meyer are a legend in themselves, largely (very large) because of the qualities of his leading ladies: enormous breasts. Meyer is known by the title of "King Leer" because of his unabashed fascination with gigantic bosoms. Whether his w omen are clothed (as in MOTOR PSYCHO or the aforementioned FASTER PUSSYCAT) or baring all for the camera (as in VIXEN, Meyer's biggest box office hit), you know that a Russ Meyer movie is going to give you a show mammoth proportions...at least as far as c hest size is concerned.
But if there's one thing that *can't* be said of Meyer's movies, it's that they're demeaning to women. The women in his movies are not only possessed of Brobdingnagian mammaries of the type that men only dream of -- they're possessed of zest and willpowe r that puts your typical Hollywood leading lady to shame. BENEATH THE VALLEY OF THE ULTRA-VIXENS gives us four women of this type, shown in the outrageous fashion that only Meyer has succeeded in achieving: they're sex-crazed, exhilarating, gigantic beau ties who perform with enough zeal to put any of today's so-called "porn stars" to shame.  His women aren't passive, submissive sex toys; rather, they're towering beacons of femininity who utterly dominate every scene they're in, with energetic performances that force us to see that these are WOMEN who just happen to be naked. Your typi cal Russ Meyer woman can take on any ten men, smile, and come back for more...and you know she means it.
This is what gives Meyer's best movies their appeal: the acting may not be the greatest, but the performers carry us along with sheer, lustful energy. And that's why watch Russ Meyer's movies: not for the plot, but for the women!
But having given all of this praise to Meyer's movies as a whole, what can we say about BENEATH THE VALLEY OF THE ULTRA-VIXENS as a movie? Only that it's lewd, crude, ridiculous, and often shockingly funny. Meyer's movies have always been comedies, thou gh as he approached the end of his filmmaking era his movies became wilder, more outrageous, more blatant and unbelievable...and in their best moments, gut-bustingly funny. This movie is one of his best efforts, simply because Meyer goes all out to give us a sex comedy of unbridled proportions. The plot, such as it is, is bare-bones and simple: the hero and heroine (Kitten Natividad) are trying to settle their differences. She prefers simple, straight sex; while he prefers a different approach that tur ns her (and just about everyone else) off. Kitten's attempts to "convert" her husband to the pleasures of sex are the source of the movie's more outrageous situations, such as her dressing up in a wig and performing at a strip club; or taking him to a de ntist who happens to be a flaming queer, and ends up trapping him in a closet while smashing at the door with a sledgehammer and a chainsaw.
 But the true star of this film, of course , is Kitten Natividad. She's naked for about four-fifths of the entire movie, but more importantly she's smiling throughout the entire movie. Whether she's trying to seduce her dumb-ass husband, or having a quickie with an alleged "fourteen-year-old" to wn boy (yeah, right - he sure looks fourteen years old!), or even succumbing to the charms of the hostess of the local radio Gospel hour, Kitten proves herself to be the epitome of the Russ Meyer woman.
A "narrator" pops up all through this film, providing a completely "serious" (albeit tongue-in-cheek) explanation for our benefit of everything happening in the film, and he even gets to play the role of Peeping Tom himself (in much the same way that we, the audience, are voyeurs). Meyer says the narrator is his tribute to Thornton Wilder's "Our Town," and the similarity between the two comes in the film's opening speech, when the narrator explains that the entire sex-crazed population of this Small Town consists of "normal people" and "everyday people." In Meyer's universe, Kitten Natividad is nothing exceptional; *all* the women are as outgoing and satisfied as she is. And quite frankly, if all the women in our own real world were as outgoing as her character is, we'd probably have a lot less incentive (and energy) to fight wars with each other.
Sure, the movie is silly and completely non-serious (with a jaw-harp musical "soundtrack" reminding us not to take it seriously. Sure, the movie goes on too long and loses itself in the ending. This isn't THE AFRICAN QUEEN we're talking about here, and it isn't even BEYOND THE VALLEY OF THE DOLLS (often touted as Meyer's "best" movie)...but the lack of seriousness is what puts it head and shoulders above most of the other porn films of its time, and especially above most of today's porn films.  But BENEATH THE VALLEY OF THE ULTRA-VIXENS is a *fun* adult movie, which Meyer freely admits to making just for the hell of it. If I wanted to rent a porn movie, I'd rather watch one that wants you to know that ev eryone is enjoying themselves. After all, that's what movies are all about: entertainment.
And strangely enough, we can say the same thing about Ed Wood Jr.'s movies, too. Meyer's movies are technically more competent than PLAN 9 FROM OUTER SPACE, but he certainly does share a love for his subject matter with Ed Wood. These two filmmakers had (Meyer's not dead, but he's retired) a true love for their work, and one thing you can say about their films is that they are labors of love. Is Russ Meyer as "bad" a filmmaker as Ed Wood? No, but he's certainly as dedicated.
So if you ever want to watch a Russ Meyer movie, you can pop this one into the VCR, turn off your brain...and turn on other parts of your anatomy. And laugh.
-- First Online Church of "Bob" http://www.modemac.com/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


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Using WMIC to Enable and Disable The Wireless Network Adapter
The Utility
WMIC is the Windows Management Interface Command-line Utility a command-line interface to the WMI libraries. Here I'm going to focus on enabling and disabling the wireless interface.Note: Since these are DOS commands they are case-insensitive (even inside quotes) so the mixed cases are only used to make it easier to read.
The Library
To enable and disable the interface you use the Win32_NetworkAdapter class.The Interface
To get the interface name you can list the interfaces:wmic path Win32_NetworkAdapterBut this will dump a mess of lines so here we'll assume you just know it's Wireless Network Connection (if you click on the wireless icon on the TaskBar you'll see that this is the name above the list of visible access points). This value is used for the NetConnectionID in the command.
To Dump Interface Information
If you want to dump all the Information:wmic path Win32_NetworkAdapter where NetConnectionID="Wireless Network Connection"If you want to get a single item (e.g. MAC Address):
wmic path Win32_NetworkAdapter where NetConnectionID="Wireless Network Connection" get MacAddress
To Enable the Interface
Call the enable method:wmic path Win32_NetworkAdapter where NetConnectionID="Wireless Network Connection" call enable
To Disable The Interface
Call the disable method:wmic path Win32_NetworkAdapter where NetConnectionID="Wireless Network Connection" call disable
Errors
Call Errors
A successful change of the interface:Executing (\\IGOR\root\cimv2:Win32_NetworkAdapter.DeviceID="11")->enable()An unsuccessful one will have a non-zero ReturnValue and message.
Method execution successful.
Out Parameters:
instance of __PARAMETERS
{
ReturnValue = 0;
};
Interface Name Errors
If you use an invalid name you'll see:No Instance(s) Available.
Maddening Variations
Cygwin
For unknown reasons, if you use a single pair of quotes in the command, you get the error:Node - IGORWhere IGOR is the name of the computer. To fix this you need to nest another pair of quotation marks inside the first. For example:
ERROR:
Description = Invalid query
wmic path win32_networkadapter where NetConnectionID="'Wireless networK connection'" get Macaddress
Non-Interactive SSH
If you pass in the command as a string to an SSH Connection (e.g. in Paramiko), you need to put quotes around the whole thing and escape the nested quotation marks:'wmic path win32_networkadapter where NetConnectionID="\'Wireless networK connection\'" get Macaddress'


To Vectorise or Squeegee / The Creative Conference / SXSW: Data Visualisation for Social Change / SXSW: Everything is a remix / SXSW: "Design for Hackers" Kadavy: Designing for White Space / SXSW: Community-centered design / Troika
SXSW: "Design for Hackers" Kadavy: Designing for White Space
Interactive, Film and Music Conference SXSW runs more than 5000 events over nine days. Held in Austin, Texas, the city doubles its population and the Convention Centre - the size of six city blocks - creaks under the pressure.
Catching an industry talk necessitates solid forward planning and luck , yet both are vulnerable to the queues and unexpected deviations and distractions that have become SXSW in-jokes.
What is refreshing about SXSW (for a graphic designer at least) is that it isn't a design conference. There are a handful of designers speaking, but also technology experts, educators, futurists, bloggers, data analysts and Bruce Springsteen. Instead of a designer talking about design, there is an interesting speaker talking about an interesting topic, all under the umbrella of "interactive," and all relevant within a designer's holistic industry education.
The short talks that have provided an environment in which to take notes, I'll be sharing here on desktop.
Freelance designer David Kadavy published his first book, Design for Hackers: Reverse-Engineering Beauty, late last year. Finding himself, as a designer and developer, "designing for Goldilocks", his book aimed to teach manual-bound, code-addled programmers some good, solid basics of design, and debuted at #18 on Amazon for all his trouble.
His talk at SXSW was a focused presentation on one element of these design basics - White Space: Shaping Nothing for Clean Design.
And they really are the basics - to a print designer, typographic weights, styles and hierarchy, grid and column use, golden ratios and the stripping of superfluous "data ink" are elementary design principles. To a programmer, the lesson is presented with excellent design integrity, communicated in clear language and a step-by-step structure - and not with the aim of circumventing the designer either, but instead improving the quality of designer-programmer-client dialogue.
His explorations into the fundamentals of 'white space' were an interesting exercise in graphic deconstruction. Starting with a bottle of Mitchum deodorant, Kadavy strips out the content and runs through gridded examples of typographic 'Dominance', 'Proportion' and 'Texture'. He explains the Google homepage is not an example of "clean design."
During the writing of the book, Kadavy discovered the Japanese word Ma. "It means the simultaneous awareness of form and non-form. It's the best term I have found to describe the process of applying white space."
By Bonnie Abbott
Published by Desktop Magazine blog March 2012.


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About armazon.css
armazon.css is a lightweight and super simple CSS3 Boilerplate Micro Framework built using the LESS CSS Preprocessor that will fit your needs if you consider any of the HTML5 Reset Stylesheets are not enough as they require a lot of tedious 'after-reset' work to restyle every HTML element, and you think CSS Frameworks are too much for your project as they come with a big time consuming documentation and a lot of bloating components that you are probably never going to use.
The basic principle of armazon.css is simplicity, easy to learn with a minimal learning curve and also easy to extend. Its main purpose is to provide an improved CSS basis starting point with a much nicer default CSS style sheet in order to help you speed up the responsive development and design of your web application.
The primary armazon.css features are :
- An adaptive and responsive grid system with customizable margins and space between columns.
- New look and proper cross-browser consistency for the standard HTML elements display by overwriting the default ugly looking browser style sheets.
- An easy to remember small group of useful classes.
- A little set of LESS variables, so you can fully customize the CSS output of armazon.css.
- It's bilingual, armazon speaks both English and Spanish through the use of alias classes.
Quick Start
Installation & Getting Started
armazon.css will make a lot easier to kick start your responsive web application and the fastest way to have it up and running on your site is by using the armazon precompiled and minified version, to do so, just follow these simple steps:
-
Include the armazon.min.css file onto your web document. You have three different options :
-
Install it via bower with the following command :
$ bower install armazon.css
- Using a downloaded copy of armazon.css, you can get the precompiled and minified file from the armazon.css project main repository on GitHub : armazon.min.css @GitHub
- Or by consuming the hosted file on the CDN kindly provided by rawgit.com : armazon.min.css @RawGit CDN
 <link rel="stylesheet" type="text/css" href="path/to/your/armazon.min.css" />  <link rel="stylesheet" type="text/css" href="https://cdn.rawgit.com/alterebro/armazon.css/v0.3.1/armazon/armazon.min.css" />
-
Install it via bower with the following command :
-
Set the viewport meta tag inside the head of your document so you can control how your web app is displayed on mobile devices:
<meta name="viewport" content="width=device-width, initial-scale=1" />  <meta name="HandheldFriendly" content="True" /> <meta name="MobileOptimized" content="320" />
- Done, that's all. Now, you can start your development, here's a simple HTML template to help you get started.
To work directly with the armazon source, you may want to use all the development files which are located on the main project repository at GitHub: armazon.css repository @github and probably know more about how to hack and develop with the source files on the next section:
Working with the .less file & Output Customization
Working with the armazon.less file
If you prefer to work with the non compiled .less version of armazon so you can fully
customize the CSS output of your styles here's a little guide to help you about how to do it.
Basically you need to have the lessc compiler installed on your computer and include somehow the
armazon.less
file onto your workflow. ( More info about how to make less work on your
machine is available on the lesscss.org website )
Once you have a less-ready environment, you can start to play around with the armazon code :
-
Working inside the armazon.less file :
You can create your styles on the samearmazon.less
file including them just at the bottom of the code, where the following code is located at the end of the file :// armazon.css eof // -------------------------------------------- // -------------------------------------------- // Author's custom styles : // here you can start writing your css / less rules... .rule { property : value; ... }
-
Working outside the armazon.less file :
You may also create your own .less style sheet, in that case you'll have to include the armazon less file as follows@import 'path/to/your/file/armazon.less';
Output Customization. Setting Up the armazon variables
Either way described above, you'll have access to the armazon defined variables that reside on armazon.less and are
located at the top of the file. You can change them and assign them the desired values to fit your needs.
These are the set of available less variables :
| Group | Variable Name | Default Value | Definition |
|---|---|---|---|
| Media Queries | @armazon-mobile-breakpoint |
580 | width to filter mobile devices |
@armazon-desktop-breakpoint |
960 | width to fire desktop layout filtering | |
| Margins | @armazon-margin |
3rem | |
@armazon-columns-margin |
3.5 | Amount of percent margin on Grid Columns ( Percentual Value ) | |
@armazon-columns-tablet-margin |
2 | Percent margin when breaking into Tablet Mode | |
| Colors | @armazon-color-background |
#fafbfc | Global Background Color |
@armazon-color-foreground |
#262524 | Global Foreground & Text Color | |
@armazon-color-primary |
#229def | Links and Buttons Color | |
@armazon-color-neutral |
#a0a0a0 | Neutral Grey |
You can assign different values to the following
variables that reside on the armazon.less
file :
/* --------------------------------------------
// Variables @less
// ----------------------------------------- */
@armazon-mobile-breakpoint : 580; /* width to filter mobile devices */
@armazon-desktop-breakpoint : 960; /* width to fire desktop layout filtering */
@armazon-margin : 3rem; /* Global margin */
@armazon-columns-margin : 3.5; /* Amount of percent margin on Grid Columns ( Percentual Value ) */
@armazon-columns-tablet-margin : 2; /* Percent margin when breaking into Tablet Mode */
@armazon-color-background : #fafbfc; /* Global Background Color */
@armazon-color-foreground : #262524; /* Global Foreground & Text Color */
@armazon-color-primary : #229def; /* Links and Buttons Color */
@armazon-color-neutral : #a0a0a0; /* Neutral Grey */
Understanding The Grid
The armazon responsive fluid grid system is based on a 6 columns layout that will shrink and resize itself as the browser
or device viewport size changes. The size of the margin between columns can be controled on the armazon.less as stated on
the previous section, the variable names called @armazon-columns-margin
and @armazon-columns-tablet-margin
will set the percentage of the viewport assigned to the space between columns.
Adaptive Grid System
The grid works by simply creating a container element with a .row
class ( for example a div element:

) and once you have the 'row container' in place, put inside it another
element container ( column ) setting a class attribute using the naming convention used in armazon : .column-COLUMN-SIZE

one-half

one-half

| Class Name | HTML Code |
|---|---|
| .column-one-sixth |
...
 |
| .column-one-fourth |
...
 |
| .column-one-third |
...
 |
| .column-one-half |
...
 |
| .column-two-thirds |
...
 |
| .column-three-fourths |
...
 |
| .column-five-sixths |
...
 |
Offsetting
The columns within any 'row container' element inside the grid system may have a left displacement or offset that can be set by
adding another class name following the form: shift-SIZE
. For instance, if we want to offset a column by one third,
we simply add the class name .shift-one-third

...

| Class Name | HTML Code |
|---|---|
| .shift-one-sixth |
1/6 col w.1/6 shift
 |
| .shift-one-fourth |
1/6 col w.1/4 shift
 |
| .shift-one-third |
1/6 col w.1/3 shift
 |
| .shift-one-half |
1/6 col w.1/2 shift
 |
| .shift-two-thirds |
1/6 col w.2/3 shift
 |
| .shift-three-fourths |
1/6 col w.3/4 shift
 |
| .shift-five-sixths |
1/6 col w.5/6 shift
 |
Code Examples
Grid Examples

one-sixth

one-sixth

one-sixth

one-sixth

one-sixth

one-sixth

one-third

two-thirds

one-fourth

three fourths

one-sixth

one-sixth

one-sixth

one-sixth

one-third

five-sixths

one-sixth

one-fourth

one-sixth

one-third

one-fourth

Offset Examples

by 1/6

by 1/4

by 1/3

by 1/2

by 2/3

by 3/4

by 5/6

Helper Classes
CSS Classes
Apart of the basic structural grid classes defined on the previous section Understanding The Grid, there's a small set of helper classes :
| Class Name | Definition |
|---|---|
| .button | to style a HTML hyperlink tag  and make it look like a button input |
| .full-width | ( 100% width ) |
| .max-full-width | ( 100% maximum width ) |
| .pull-right | floats content to the right |
| .pull-left | floats content to the left |
| .clearfix | Self Clearing Goodness Hack |
Media Query Variables
| LESS-Variable | Definition |
|---|---|
| @mobile | Default styling, it targets devices with the maximum width defined on the
@armazon-mobile-breakpoint variable (580 pixels by default).
You shouldn't ever use this one on a mobile-first approach. |
| @non-mobile | targets devices with a viewport width bigger than the one defined on
@armazon-mobile-breakpoint ( 580 by default )
|
| @tablet | targets devices with widths between the values defined on @armazon-mobile-breakpoint and
@armazon-desktop-breakpoint ( by default that will be < than 960 and > 580 ). |
| @desktop | for devices with a viewport width larger than the defined on the @armazon-desktop-breakpoint
variable ( 960 pixels by default )
|
Those have to be used along the CSS @media rule. The best way to structure the use of media queries on a mobile first approach is to create the queries close to the relevant code (which should be the ones used on mobile devices by default). For example, if you want to change the styles for buttons on big devices, paste the non-mobile query code up in the buttons section and style it there :
.button {
// Common rules for all media
color: #c00;
height: 30px;
font-size: 14px;
@media @non-mobile {
// Targeting non-mobile devices
height: 40px;
font-size: 18px;
}
}
The less media queries are located at the top of the armazon.less
. You can modify and extend them as you wish.
@mobile : ~"all and (max-width: @{armazon-mobile-breakpoint}px)"; // Default
@non-mobile : ~"all and (min-width: @{armazon-mobile-breakpoint}px)"; // Matchs both @tablet and @desktop
@tablet : ~"all and (min-width: @{armazon-mobile-breakpoint}px) and (max-width: @{armazon-desktop-breakpoint}px)";
@desktop : ~"all and (min-width: @{armazon-desktop-breakpoint}px)";
HTML Elements : Typography & Text Elements
You don't have to follow any specific pattern when using text semantics elements. armazon.css overrides the default HTML browser styling.
Headings

Header level 1 Strong

Header level 2. Strong Text

Header level 3 — level 3

Header level 4 : header level 4

Header level 5 — Header level 5

Header level 6 / Lorem ipsum dolor

Header level 1 Strong
Header level 2. Strong Text
Header level 3 — level 3
Header level 4 : header level 4
Header level 5 — Header level 5
Header level 6 / Lorem ipsum dolor
Inline Text Element Semantics

Lorem ipsum dolor sit amet, Using mark tag to highlight text. Deleted text sample here consectetur
adipiscing elit <dfn id="def-lorem">definition tag with an id target</dfn>. this is a link :
consectetur adipiscing elit. Duis rhoncus strong text : nulla ac lacus scelerisque, at ultrices quam
convallis. Abbr element, praesent sollicitudin with a title libero augue,
<acronym title="acronym tag with title">acronym used fusce feugiat</acronym> vulputate accumsan pellentesque neque.
Etiam quis consequat nisl. Donec <s>ed est fermentum</s>, consequat elit at, sodales ante.

Inline code, kbd tag elements and <samp>samp</samp> text.
Maecenas mattis. Small text Ut dictum nisl mollis, ut vulputate convallis sup : pretium lacus.
Aenean erat nibh sub : tellus mattis eu accumsan eget $_q = (!empty($_GET['q'])); diam at cursus.

TLDR : consectetur2 adipiscing elit3 nisl in,
vestibulum turpis. Ut <dfn>habitasse</dfn> platea. Duis vel ipsum scelerisque, venenatis magna.
Small text : Donec eget. consequat ligula Sed dapibus orci.
Sed consequat Aliquam quis velit.

Lorem ipsum dolor sit amet, Using mark tag to highlight text. Deleted text sample here consectetur
adipiscing elit definition tag with an id target. this is a link :
consectetur adipiscing elit. Duis rhoncus strong text : nulla ac lacus scelerisque, at ultrices quam
convallis. Abbr element, praesent sollicitudin with a title libero augue,
acronym used fusce feugiat vulputate accumsan pellentesque neque.
Etiam quis consequat nisl. Donec ed est fermentum, consequat elit at, sodales ante.
Inline code
, kbd tag elements and samp text.
Maecenas mattis. Small text Ut dictum nisl mollis, ut vulputate convallis sup : pretium lacus.
Aenean erat nibh sub : tellus mattis eu accumsan eget $_q = (!empty($_GET['q']));
diam at cursus.
TLDR : consectetur2 adipiscing elit3 nisl in, vestibulum turpis. Ut habitasse platea. Duis vel ipsum scelerisque, venenatis magna. Small text : Donec eget. consequat ligula Sed dapibus orci. Sed consequat Aliquam quis velit.
Blockquote Text

The Earth provides enough to satisfy every man's need but not for every man's greed.

 — Mahatma Gandhi

The Earth provides enough to satisfy every man's need but not for every man's greed.
Code Block

This is a code string contained within a pre element
$_ROOT = realpath(dirname(__FILE__)) . '/';
$_QUERY = trim( $_QUERY, '/' );

pre code block with plain text within it.

This is a code string contained within a pre element
$_ROOT = realpath(dirname(__FILE__)) . '/';
$_QUERY = trim( $_QUERY, '/' );
pre code block with plain text within it.
Lists
Definition list

Definition Term 01

dd - Definition 01 - a

dd - Definition 01 - b

Definition Term 02

dd - Definition 02

Definition Term 03

dd - Definition 03

- Definition Term 01
- dd - Definition 01 - a
- dd - Definition 01 - b
- Definition Term 02
- dd - Definition 02
- Definition Term 03
- dd - Definition 03
Unordered List

List item 01

List item 02

List item 03

Nested list item 01

Nested list item 02

Nested list item 03

- List item 01
- List item 02
- List item 03
- Nested list item 01
- Nested list item 02
- Nested list item 03
Ordered List

List item 01

List item 02

Nested list item 01

Nested list item 02

List item 03

List item 04

- List item 01
- List item 02
- Nested list item 01
- Nested list item 02
- List item 03
- List item 04
Tables

Table Header #1	Table Header #2

Sample text ... Donec eget dictum nisl
Sample text ... Etiam pharetra lorem a lobortis dapibus

Lorem ipsum dolor sit amet, consectetur adipiscing elit.
Ut eget massa commodo, venenatis nisl in, vestibulum turpis.

Donec eget dictum nisl
Etiam pharetra lorem a lobortis dapibus

Etiam pharetra lorem a lobortis dapibus
Donec eget dictum nisl

Lorem ipsum dolor sit amet, consectetur adipiscing elit.

| Table Header #1 | Table Header #2 |
|---|---|
| Sample text ... Donec eget dictum nisl | Sample text ... Etiam pharetra lorem a lobortis dapibus |
| Lorem ipsum dolor sit amet, consectetur adipiscing elit. | Ut eget massa commodo, venenatis nisl in, vestibulum turpis. |
| Donec eget dictum nisl | Etiam pharetra lorem a lobortis dapibus |
| Etiam pharetra lorem a lobortis dapibus | Donec eget dictum nisl |
| Lorem ipsum dolor sit amet, consectetur adipiscing elit. |
Form Elements
Sample Form
<form class="row" action="index.html#forms" method="post">
<fieldset>
<legend>Example Legend</legend>

Sample Form Title

Your Name
<input type="text" id="form-name" placeholder="Your Name Placeholder" />
Your Email
<input type="email" id="form-email" placeholder="Your Email Placeholder" />
Password
<input type="password" id="form-pass" placeholder="Password Placeholder" />

Select Gender
<select id="form-select">
<option>Male</option>
<option>Female</option>
</select>
Write your Comments
<textarea id="form-comments" class="full-width max-full-width" rows="8" cols="40" placeholder="Your Cooments Placeholder"></textarea>

<input type="checkbox" /> Mark this checkbox input

<input type="radio" name="radio-input" /> This is one option
<input type="radio" name="radio-input" /> Another option
<input type="radio" name="radio-input" /> Extra option
<input type="radio" name="radio-input" /> Different Option

<input type="submit" name="form-submit" value="Send Form Data" class="full-width max-full-width" />

</fieldset>
</form>
Image & Caption

<figcation>
Placeholder image caption on a figcation tag
</figcation>