Summary
March 2015 - 2019
Since a young age, I used to work in various jobs regarding a computer. For the past years, I've become to be a product manager of development entire client and employee interfaces such as trading platforms and CRM’s From project to project using a vast variety of technologies such as JavaScript CSS HTML5 python react.js redux. However, since my first “Hello world” script I got hooked on programming. Thus, now I am looking for employment in the field of web dev.
Experience
Self employeed digital marketing
2015
management of digital marketing capaings on google ads and facebook
Self employeed product manager
2015- dec 2019
mangment of a developers team, who developed online-trading interfaces and laning-pages
intergration of various CRM systems, interfaces(front-end) and MT4,MT5 trading platforms
Education
Open University of Israel
B.A in economics and statistics
2010-2013
Languages
English(native)🇬🇧
Hebrew 🇮🇱
Russian 🇷🇺
Spanish 🇪🇸
Ukranian 🇺🇦
Contact
-
phone number:
- +380-93-309-13-26
- +380-93-520-84-76
-<EMAIL_ADDRESS>telegram
Skills
- WEB:
- JavaScript es6 { React, Redux, React Native, Next.js Typescript}
- NodeJS { express }
- Python
- Package management:
- NPM
- Bower
- Build tools:
- Gulp
- Webpack
- CSS Framework:
- Twitter Bootstrap
- Various Skills:
- Photoshop /After Effects/ Premiere


Analog Accelerometer
What is it?
The accelerometer reads acceleration. Many sensors have
multiple axis and can be treated as multiple devices. Each is
calibrated by finding the center value over a period of time.
Properties
- Input Port (Analog)
- The Analog Input on the roboRIO or MXP that this
accelerometer is plugged into.
- Volts Per G
- The conversion factor in volts/G.
- Zero G Volts
- The voltage at zero G.
See Also


During the contextualization step of document processing, Sage processes all XML elements and their attributes in the opened document, recursiverly traversing the whole document.
This means that each element, attribute and text node in an XML document is processed by either the default handler - whose function is to simply copy the node as-is; or by another, more specific handler registered for this node.
This method accepts two arguments; The XmlNode
that is being processed, and the SageContext
under which the code is being executed. The method returns an XmlNode
that is the result of whatever work this method does internally, and this node will be used in the resulting document. To make the node not appear in the output tree, the method shoud return a null
. It is an error to
To register a method as a node handler, decorate it with the NodeHandlerAttribute
and specify the type, name and namespace of the node that the method should handle. There can be multiple instance of the attribute for different nodes that this method handles.
| Node | Action |
|---|---|
<sage:link/> |
This element gets its href attribute set, as resolved from reading the it's other attributes. Read more about it in linking.
|
<sage:url/> |
This element gets substituted with URL text as resolved from it's attributes. Read more about it in linking. |
<sage:basehref/> |
Replaces the element with html base element, and sets it's href attribute to the current base href (server name + application path, eg: http://www.myserver.com/myapp/ .
|
<context:switch/> |
Context switch element |
<context:value/> |
Context value element |
<xhtml:head/> |
XHTML Head element |
<xhtml:body/> |
XHTML body element |


#include <HalfEdgeTriangleMesh.h>
|
| | HalfEdgeTriangleMesh (Geometry::GeometryType type) |
| |
| int | NextHalfEdgeFromVertex (int init_half_edge_index) const |
| |
| int | NextHalfEdgeOnBoundary (int curr_half_edge_index) const |
| |
| | Geometry3D (GeometryType type) |
| |
| Eigen::Vector3d | ComputeMinBound (const std::vector< Eigen::Vector3d > &points) const |
| |
| Eigen::Vector3d | ComputeMaxBound (const std::vector< Eigen::Vector3d > &points) const |
| |
| Eigen::Vector3d | ComputeCenter (const std::vector< Eigen::Vector3d > &points) const |
| |
| void | ResizeAndPaintUniformColor (std::vector< Eigen::Vector3d > &colors, const size_t size, const Eigen::Vector3d &color) const |
| |
| void | TransformPoints (const Eigen::Matrix4d &transformation, std::vector< Eigen::Vector3d > &points) const |
| |
| void | TransformNormals (const Eigen::Matrix4d &transformation, std::vector< Eigen::Vector3d > &normals) const |
| |
| void | TranslatePoints (const Eigen::Vector3d &translation, std::vector< Eigen::Vector3d > &points, bool relative) const |
| |
| void | ScalePoints (const double scale, std::vector< Eigen::Vector3d > &points, bool center) const |
| |
| void | RotatePoints (const Eigen::Vector3d &rotation, std::vector< Eigen::Vector3d > &points, bool center, RotationType type) const |
| |
| void | RotateNormals (const Eigen::Vector3d &rotation, std::vector< Eigen::Vector3d > &normals, bool center, RotationType type) const |
| |
| Eigen::Matrix3d | GetRotationMatrix (const Eigen::Vector3d &rotation, RotationType type=RotationType::XYZ) const |
| |
| | Geometry (GeometryType type, int dimension) |
| |
|
| enum | RotationType {
RotationType::XYZ,
RotationType::YZX,
RotationType::ZXY,
RotationType::XZY,
RotationType::ZYX,
RotationType::YXZ,
RotationType::AxisAngle
} |
| |
| enum | GeometryType {
GeometryType::Unspecified = 0,
GeometryType::PointCloud = 1,
GeometryType::VoxelGrid = 2,
GeometryType::Octree = 3,
GeometryType::LineSet = 4,
GeometryType::TriangleMesh = 5,
GeometryType::HalfEdgeTriangleMesh = 6,
GeometryType::Image = 7,
GeometryType::RGBDImage = 8,
GeometryType::TetraMesh = 9,
GeometryType::OrientedBoundingBox = 10,
GeometryType::AxisAlignedBoundingBox = 11
} |
| |
| open3d::geometry::HalfEdgeTriangleMesh::HalfEdgeTriangleMesh |
( |
| ) |
|
|
inline |
| std::vector< int > open3d::geometry::HalfEdgeTriangleMesh::BoundaryHalfEdgesFromVertex |
( |
int |
vertex_index | ) |
const |
Query manifold boundary half edges from a starting vertex If query vertex is not on boundary, empty vector will be returned
| std::vector< int > open3d::geometry::HalfEdgeTriangleMesh::BoundaryVerticesFromVertex |
( |
int |
vertex_index | ) |
const |
Query manifold boundary vertices from a starting vertex If query vertex is not on boundary, empty vector will be returned
| bool open3d::geometry::HalfEdgeTriangleMesh::ComputeHalfEdges |
( |
| ) |
|
Compute and update half edges, half edge can only be computed if the mesh is a manifold. Returns true if half edges are computed.
| std::vector< std::vector< int > > open3d::geometry::HalfEdgeTriangleMesh::GetBoundaries |
( |
| ) |
const |
Returns a vector of boundaries. A boundary is a vector of vertices.
| Eigen::Vector3d open3d::geometry::HalfEdgeTriangleMesh::GetCenter |
( |
| ) |
const |
|
overridevirtual |
| Eigen::Vector3d open3d::geometry::HalfEdgeTriangleMesh::GetMaxBound |
( |
| ) |
const |
|
overridevirtual |
| Eigen::Vector3d open3d::geometry::HalfEdgeTriangleMesh::GetMinBound |
( |
| ) |
const |
|
overridevirtual |
| bool open3d::geometry::HalfEdgeTriangleMesh::HasHalfEdges |
( |
| ) |
const |
True if half-edges have already been computed.
| bool open3d::geometry::HalfEdgeTriangleMesh::HasVertices |
( |
| ) |
const |
|
inline |
| bool open3d::geometry::HalfEdgeTriangleMesh::IsEmpty |
( |
| ) |
const |
|
overridevirtual |
| int open3d::geometry::HalfEdgeTriangleMesh::NextHalfEdgeFromVertex |
( |
int |
init_half_edge_index | ) |
const |
|
protected |
Returns the next half edge from starting vertex of the input half edge, in a counterclock wise manner. Returns -1 if when hitting a boundary. This is done by traversing to the next, next and twin half edge.
| int open3d::geometry::HalfEdgeTriangleMesh::NextHalfEdgeOnBoundary |
( |
int |
curr_half_edge_index | ) |
const |
|
protected |
| HalfEdgeTriangleMesh & open3d::geometry::HalfEdgeTriangleMesh::Scale |
( |
const double |
scale, |
|
|
bool |
center = true |
|
) |
| |
|
overridevirtual |
| HalfEdgeTriangleMesh & open3d::geometry::HalfEdgeTriangleMesh::Transform |
( |
const Eigen::Matrix4d & |
transformation | ) |
|
|
overridevirtual |
| HalfEdgeTriangleMesh & open3d::geometry::HalfEdgeTriangleMesh::Translate |
( |
const Eigen::Vector3d & |
translation, |
|
|
bool |
relative = true |
|
) |
| |
|
overridevirtual |
| std::vector<std::unordered_set<int> > open3d::geometry::HalfEdgeTriangleMesh::adjacency_list_ |
| std::vector<HalfEdge> open3d::geometry::HalfEdgeTriangleMesh::half_edges_ |
| std::vector<std::vector<int> > open3d::geometry::HalfEdgeTriangleMesh::ordered_half_edge_from_vertex_ |
Counter-clockwise ordered half-edges started from each vertex If the vertex is on boundary, the starting edge must be on boundary too
| std::vector<Eigen::Vector3d> open3d::geometry::HalfEdgeTriangleMesh::triangle_normals_ |
| std::vector<Eigen::Vector3i> open3d::geometry::HalfEdgeTriangleMesh::triangles_ |
| std::vector<Eigen::Vector3d> open3d::geometry::HalfEdgeTriangleMesh::vertex_colors_ |
| std::vector<Eigen::Vector3d> open3d::geometry::HalfEdgeTriangleMesh::vertex_normals_ |
| std::vector<Eigen::Vector3d> open3d::geometry::HalfEdgeTriangleMesh::vertices_ |
The documentation for this class was generated from the following files:


Path
neureal_token_test.sol:161
Debug
The exception is triggered under the following conditions: storage_10: 0x8000 calldatasize_TESTToken: 0x3
Description
A reachable exception (opcode 0xfe) has been detected. This can be caused by type errors, division by zero, out-of-bounds array access, or assert violations. This is acceptable in most situations. Note however that `assert()` should only be used to check invariants. Use `require()` for regular input checking.
Code
phase_ == Phase.Sale


Mie - Min Browser powered tamper monkey script!
Min is a smarter, faster web browser. It includes features such as:
- Information from DuckDuckGo in the searchbar.
- Built-in ad and tracker blocking
- Fuzzy search
- Full-text search for bookmarks
- Reading list
- Tabs improvements (tabs open to the right, and fade out when inactive).
More information, and prebuilt binaries, are available here.
Screenshots
Installing
If you just want to run Min, you can download binaries here.
If you want to develop Min:
- Install Node and Grunt.
- Run
npm install
, then rungrunt
. - Download a copy of Electron from here.
- Run
/Path/To/Electron /Path/To/Min
.
Building Binaries
If you are using OS X, install Homebrew, then run brew install fakeroot dpkg
.
Then run grunt build
.
Written on February 8, 2017


Thanks for visiting my professional portfolio.
I'm an experienced Software Engineer (Full Stack), with more than 12 years of progressive IT experience.
I have solid skills on C#, ASP.NET, WPF, TFS, SQL Server and MEAN Stack.
In this portfolio you will have access to projects I built with those technologies.
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{% extends "base.html" %} {% block content %}
ID = {{ user['id'] }}
User's info:
Please re-enter the new user's information:
Please enter the new user's information:


Welcome to GloBI's Proof of Concept - Bipartite graph representation source (e.g. predator) and target (e.g. prey) taxa.


Online Hearing Test
Hard of hearing? I said HARD OF HEARING?! Take our test to see if maybe you should come in and see a total professional.
Do people seem to mumble or speak in softer voices than they used to?
Do you often need to turn up the volume on your television or radio?
When you are in a group or in a crowded restaurant, is it difficult for you to follow the conversation?
Do you sometimes miss key words in a sentence, or frequently need to ask people to repeat themselves?
Has someone close to you mentioned you might have a problem with your hearing?
Select how you'd like to take the test:
Play the sound and adjust the sound level to a comfortable level


Amber Liu drops 'Curiosity' MV in English & Mandarin
by greenbaypackersf(x)'s Amber has dropped the full MV for "Curiosity", from her upcoming album 'X'!
“Curiosity” will be featured on Amber's 'X' album alongside “Other People”, “Hands Behind My Back”, “Numb”, “Ready For The Ride”, and “Stay Calm”. The star has released the MV in "Curiosity" in 3 versions including English, traditional Mandarin, and simplified Mandarin, so check out all of the versions above and below!


This Fuse booster demonstrates how to use the Kubernetes health check to determine whether a container is alive and ready to serve the traffic for the HTTP endpoints of an application.
To demonstrate this behavior, this booster application configures a /health
HTTP endpoint that Kubernetes uses to issue HTTP requests. If the container is alive then the Health HTTP endpoint returns HTTP code 200 as a response and Kubernetes takes no further action. If the HTTP endpoint stops returning a 200 response, Kubernetes restarts the container pod.
This page invokes the Greetings Service every five seconds.
To demonstrate the behavior of the health check, click the Stop Camel Context
button.


CROSSFIRE (director: Edward Dmytryk; screenwriter:from the novel "The Brick Foxhole" by Richard Brooks/John Paxton; cinematographer: J. Roy Hunt; cast: Robert Young (Captain Finlay), Robert Mitchum (Sgt. Keeley), Robert Ryan (Monty Montgomery), Gloria Grahame (Ginny Tremaine), Sam Levene (Joseph Samuels), Steve Brodie (Floyd Bowers), George Cooper (Arthur Mitchell), William Phipps (Leroy), Jacqueline White (Mary Mitchell), Marlo Dwyer (Miss Lewis), Paul Kelly (The Man), 1947)
Reviewed by Dennis Schwartz
This is more of a message film than a noir thriller, but has been classified by most cinefiles in the noir category. Its story takes place right after WW11 in Washington D.C., as the soldiers of a signal corps outfit are being discharged from the army and returned to civilian life. Brooks's novel broached the subject of a civilian getting killed by a soldier because he was a homosexual, but the Breen office that acted as a censor for Hollywood, would never allow that topic. So the filmmakers made the bias crime to be against a Jew, which also was a subject Hollywood tried to avoid, but, perhaps, because of the Holocaust, it was allowed to be presented onscreen by the censor. Coincidentally, in the same year, another film on the same subject, "Gentleman's Agreement," appeared, which confined the anti-Semitism to social situations. This B film, considered an experimental film, was budgeted for five hundred thousand dollars and shot in 20 days, and spent most of its budget on its star cast, and was rewarded with a box office success and a critically acclaimed hit.
Robert Ryan just got discharged from serving in the marines. He had read Brooks' novel and liked the book so much that he asked Brooks, also a marine, to keep him in mind for the part of Monty if the book ever gets made into a movie. Brooks did just that when he was discharged from the service and hired as a screenwriter by RKO.
Four army buddies - a hillbilly Leroy (Phipps), a bigoted former cop in St. Louis Monty Montgomery (Robert Ryan), a redneck Floyd Bowers (Brodie) and a former WPA artist Arthur Mitchell (Cooper) - visit a bar while on leave. They strike up a conversation with Joseph Samuels (Levene) and his girlfriend, Miss Lewis (Dwyer). Mitchell, who was feeling despondent about being away from his wife, gets drunk, but responds to Samuels taking an interest in what was bothering him, which he does at the urging of his girlfriend who felt sorry for the lonely soldier. He was invited to Samuels' apartment to continue the conversation, later on Floyd and Montgomery followed them and joined the party. Mitchell soon left because he wasn't feeling well and didn't want to be with Floyd and Monty. When Samuels tried to get Floyd and Monty to leave, Monty, who appears in army khakis but with no army insignias, goes berserk and beats him to death, as the murder is seen on the shadows of the wall. The racial slur Jewboy is used by Monty, which emphasises how this is solely a hate crime.
The police, under the investigation of Captain Finlay (Robert Young), find the wallet of Corporal Mitchell and suspect him of this seemingly motiveless murder. When they go to his army unit, they talk to Sergeant Keeley (Mitchum), who sleepwalks through his inconsequential part. Keeley tells Finlay that he knows what type of person Mitchell is, and that the soldier has been on a drunk binge recently, but he is no murderer, it is not in his nature. He is a gentle person, an artist. Keeley decides to find Mitchell before the police do. When he does, he listens to his drunken tale and what he did on the night of the murder. He is convinced of Mitchell's innocence and tells him to wait in an all-night movie. He later on sends his wife to meet him there. Arthur tells her about going to bars and meeting a girl, and the couple seem to forgive each other and are drawn close together again.
Crossfire becomes more of a film about anti-Semitism than it does a murder investigation, especially since there is no real mystery as to who did the killing. Finlay tries to explain the killer's bias by saying, "hate is like a gun." He goes on to give a real history lesson about prejudice in this country, about how his Irish grandfather was lynched because he was Catholic.
The script was stale, the acting was wooden by everyone but Ryan. Ryan was nominated for an Oscar, the only time in his career. Gloria Grahame, also nominated for an Oscar, has a leaden role as a dance hall girl, whose life is a mess but yearns for domesticity. There isn't one character that doesn't speak in cliches except for Ryan, and not a one has any individual depth. Paul Kelly had an interesting part as Grahame's jealous divorced husband, but it didn't have much to do with the story and therefore added nothing to it. His original role was censored by the Breen office. He was supposed to be a John of Grahame's, but that was too risque for the censors, who didn't want Grahame's part to be that of a prostitute. They felt it wouldn't look good to see soldiers frequenting a prostitute.
What this film should be commended for, is that it brought to the public's attention that anti-Semitism can also be the subject of a film. Hollywood films have a history of staying away from controversial subjects and this B film did what other films didn't at the time.
It is further interesting to observe, how this film got the ire of Senator McCarthy and his witch hunters. They called three witnesses from this film to there HUAC, but released Ryan when they checked out his war record. The producer Adrian Scott and the director Edward Dmytryk were accused of being communists and were blacklisted from Hollywood for failing to testify. Both served time in jail and became known as being part of the Hollywood Ten.
J. Roy Hunt, the 70-year-old cinematographer, who goes back to the earliest days of Hollywood, shot the film using the style of low-key lighting, providing dark shots of Monty, contrasted with ghost-like shots of Mary Mitchell (Jacueline), as she angelically goes to help her troubled husband.
The weakness of the film, is in the making of the psychotic Monty the killer, capable of not only killing Samuels but his best buddy Floyd; it implies bigots come only from the ranks of the ignorant, the lower-classes, and the mentally deranged.  Under pressure from the censors, the filmmakers weren't allowed to explore any further the depths of anti-Semitism.
It should, also, be noted that both Dmytryk and Paxton received Oscar nominations.
The ending to the film seemed disjointed, as Monty is fooled by his sidekick Leroy into falling for a police trap. The southerner had to be talked into betraying Monty by a lecture on prejudice given to him by Finlay. When the trapped killer escapes from Finlay, the nonviolent policeman is forced to gun him down in the street. What was even stranger, was the liberal Keeley walking away from that shooting with his arm around the reactionary Leroy, telling him he did right, as they walk the dark streets looking for a place to get some coffee. The censors demanded that it is not in the best interest of the war department to show the soldiers drinking anything but coffee. Even though the filmmakers were forced by the Breen office to bend over backwards to make their film a safe one, it still was able to show the bias present in America and how serious a problem it was. It would have been a much better film if it weren't for the censor: there is absolutely no question about that.
REVIEWED ON 2/18/2000 GRADE: C+
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


During the second half of 2018, I had the good fortune of living in Taiwan. Living in Taiwan exposed me to the wonderful Chinese language, and made me realise that all the languages that I know (Hindi, English, a bit of Kannada ) or have attempted to learn but forgotten now (German, Bengali) are pretty much same. They just name things differently and have minor grammar variations. I realised that there can be a completely different way to design a language. It is like learning Haskell or Lisp after having known only C or Java.
In this article I write about how Chinese is different from Indian or European languages {Hindi, English, Kannada, Tamil, German....}, and some interesting factoids that I found out. Note that this article is for those who do not know any Chinese. If you know Chinese you will likely find many flaws in this article, which you can let me know and then I can improve.
In most languages, there is an alphabet composed of letters (A, B, C, or क, ख, ग). Letters don't have meanings. Letters combine in various ways to form words. Words have meanings: we know what is meant by "mountain", "man" or "sea".
In Chinese, there are no alphabets or words. There are just characters. Each character represents something. Eg. 山 is mountain, 男 is man and 海 is sea.
Now, the way symbols are drawn is often related to the thing or concept it represents. 山, the mountain, contains three peaks; 人, the person, looks like a person. Perhaps you can spot an elephant in 象, or agree that 木 looks like a tree, or 口 is a mouth or opening. In rain 雨 you see water droplets, and umbrella 傘 can be seen to give shadow to four people.
It is not always possible to draw everything, so sometimes chinese characters become an exercise in abstract art. For instance 座 is seat, where you can see two people 人 seated. 广 often symbolises an enclosure, or space , like 座 is seat, 廳 is hall, 廠 is factory. An enclosing square 口 is often used for an area (often land), like 國 is country and 園 is garden. 田 is farmland or field (you can see land divided in various parts), and fruit is 果 which is a combination of 田 (farm) and 木 (tree).
In some cases, characters are composed of two parts: a radical element and a pronunciation hint. For instance 氵denotes water or liquid and 汁 is juice, 酒 is wine, 汗 is perspiration, 江 is river and 湖 is lake. In all these characters, right side is used as a hint for pronunciation of the characters. For instance 江 is jiang and 工 is gong; 酒 is jiu and 酉 is you.
Some pictograms can be funny: 人 is person and 囚, with an enclosed person, is prison. 女 is woman, 男 is man and 嬲, with two men and a woman is to flirt. 姦, with three women, is adultery.
If you start having a symbol for each new thing that you encounter, you will have so many symbols that you will not be able to memorise them. So, many concepts or things which are one word in Hindi or English, are a group of characters in Chinese. For instance socialism is 社會主義 which literally means "common production primary virtue". So when you encounter these 4 characters together, you have to get the meaning of these characters as a whole. 開 is open and 關 is closed (Do you see a door in both these characters?) and so a switch is 開關. Restaurant is 飯店, which is literally "rice shop".
In the previous section, when I told you that 田 is farm or 木 is tree, I did not need to write about how they are spoken. And you don't have an idea of how to speak them. This is not possible in Hindi or English which are phonetic languages.
As a result, you can almost read Chinese if you just know the meaning of various characters. The places where you would get stuck is proper nouns like names of the person or the cities. As in Indian languages, names have meanings. So you would read 英文是台灣總統 as "Flower language is Taiwan President" rather than "Ing Wen is Taiwan President"
This is funny: you can read a Chinese newspaper or a book, but you can't talk to a person in Chinese!
So, what it means is that in other languages, the flow of understanding is:
written symbols -----> pronunciation -----> meaningIn Chinese the flow of understanding is
----->pronunciation / / / written symbols \ \ \ ----->meaning
The funny thing happens other way too. In English, if you can speak something, you can write it too. You may get the spelling a bit wrong, but you will be able to communicate via writing. Not so in Chinese. A friend of mine told me that once, during a discussion, they were talking about "interrupts" (as in processor interrupts in computer science). They all knew how to speak it, but none of them knew how to write it.
So you can choose to learn either the pronunciation or meaning without learning the other.
I read somewhere that when Chinese people initially came in contact with western languages, they were ignorant of the idea of phonetic language and thus they would try memorise meanings of the words as a whole: thus they would look at the word "table" as a whole and memorize what it means, rather than understanding that "table" is composed of 5 letters and it is better to memorize the pronunciation rather than the design of the word "table".
Chinese is a "tonal" language. What it means is that the tone in which you say something matters. Now what is a tone? Think like this: You say the statement "You are going there.", differently from the question "You are going there?" to an assertive "You are going there". In English we write them identically, but we speak them differently: in different tones.
In Chinese, different tones may mean completely different words and may be written completely differently. Thus, to be understood, you have to speak in correct tone. There are 4 tones in Chinese language and despite watching many videos about this, I could never get it in practice. Many Chinese people in my office generously helped me, but I could hardly ever get myself understood by Chinese people. For fun, here is a poem which uses tones extensively. My Chinese friend could understand it without problem:
It is not there is something inherently hard about pronouncing the tones differently. It is just that Indians or Europeans don't have that concept. To Chinese people, the 4 tones are very clear and there is no confusion. On the other hand they found it hard to distinguish Hindi द from ड or क from ख.
Further, I could find several Europeans and some Indians in Taiwan who speak Chinese (well, Mandarin to be precise, but let's not go there) fluently. So, this not an unsurmountable task even for someone who learns the language at an advanced age.
While the number of characters is huge and learning them is daunting, there are no hard grammar rules to be learnt.
 In Chinese, the plurals of 我(I), 您 (you), 他 (he) is respectively 我們, 您們, 他們. Just add 們 and pluralise!
In English, I go; we go; he goes. In Chinese everyone just 去. 我去, 您去, 他去. I am not sure about tenses: I go, I went, I had gone, I had been going etc, but I have a vague understanding that the concepts are also quite simple in Chinese.
Similar is the case with ordinals: first, second and third have no similarly to one, two and three. It is only from four-fourth, five-fifth that the similarity starts. In Chinese, it is consistent: one, two, three, four are 一, 二, 三, 四 and first, second, third, fourth are 第一, 第二, 第三, 第四.
This logical simplicity, surprisingly, has a disadvantage to it. If "I go", but "he goes", then, in a conversation, if I just hear "go", and miss out on "I", I can deduce that the subject can't be he/she/it. Similarly, tenses in Chinese are sufficiently close to each other that one relies on other words and context to get the complete meaning.
So, to understand a text or speech well, you have to be aware of the context. This is contrast with English or Hindi where there is sufficient redundancy and you can afford to miss on larger part of the speech.
Transliterating English words in Hindi or vice versa is very easy. विवेक पाण्डेय is easily written as Vivek Pandey and Donald Trump is easily written as डोनाल्ड ट्रंप. We don't even think about it.
Now welcome to Chinese! Firstly, Chinese to English is hard. Chinese is tonal language, and there is no concept of tones in English. So, people have made some all sorts of conventions. Some people denote tones with auxiliary symbols. Like 媽, 麻, 馬, 罵 are written as mā, má, mǎ, mà respectively. If you want to transliterate to Hindi, no one has established such conventions. And some people have used less used English letters to denote specific chinese pronunciations: Eg. in Xi Jinping, "X" is pronounced as "sh", and in Qing, "Q" is pronounced as "ch". There is a city in China called Chongqing (重庆). Now 'ch' of 'q' is slightly different from 'ch' of 'ch', so rather than writing it as Chongching, we write it as Chongqing.
Other way is also fraught with difficulties. Sounds in English (or Hindi) and Chinese are completely different. For some sounds in English, you have multiple ways to write them Chinese. Eg. from previous example "ma" could be written as 媽, 麻, 馬 or 罵. For some other sounds, there may be no close enough counterpart. I found a "Roosevelt" Road in Taipei, which was written as 羅斯福 in Chinese. 羅斯福 is literally spoken like "luo-si-fu".
This difficulty of transliterating has an advantage for Chinese people! Since transliteration is hard (even making English sounds is hard for Chinese), it forces them to arrive at Chinese translations of all the western origin words (which are a plenty in science and technology). Thus, in their conversations, English content is very small.
For instance, Hindi speaking people use the words "computer", "keyboard", "mouse", "mobile phone" in their conversations even when they are talking in Hindi. Even while writing they would just write those words as कंप्यूटर, कीबोर्ड , माउस, मोबाइल फोन. In Chinese they cannot transliterate because of sound differences. So, they have translated computer to 電腦 (electric brain), keyboard to 鍵盤 (key plate), mouse to 电脑鼠标 (electric brain rat label) and mobile phone to 移動電話 (shift move electric word).
Thus, their day to day conversation remains "pure", where we Indians find would find hard to communicate with each other if we were to decide not to use English words.
Finally, Chinese characters are hard to write. While some are simple: 大, 木, 日 or 月, others are complex: 聽 is to hear, 灣 is the "wan" in Taiwan, 摩 is to touch. Some are monstrous like these:
A special character of these characters is that one character can contain other characters(!). For instance, 德 (moral) contains 十(ten), a rotated 目(eye) and 心 (heart). Thus, with relatively small number of basic characters, one can form a very large number of characters.
Each characters must be written in a specific stroke order, and it can be hard to get it right:
Some characters are so complex that one often has to increase the font size to be able to see the character clearly. I bet you needed to do this for many characters in this article.
Government in mainland China decided that the difficulty of writing the characters was affecting their literacy rates so it decided to simplify the characters. Many characters got simplified: 國 became 国, 門 became 门 and 聽 became 听. While proponents of simplified characters claim that language should be simple to write, proponents of traditional characters see characters as a part of culture that should not be tampered. Traditionalists point out that character for love 愛 contained within it a heart 心, but in simplified chinese, it becomes 爱 which is devoid of heart. Simplification proponent point out that the heart has not vanished, it has just become shortened to a line; and that characters have been changing all through the history.
After learning the traditional characters, I personally find simplified characters bland and lacking in aesthetics.
I challenged many people to write various characters without electronic help and it was easy to trip most of them. They agree that it is indeed a bit of hassle to write Chinese by hand, but that has little practical impact because most writing is in electronic form.
Overall, learning Chinese has been a very pleasant experience for me and I continue to learn Chinese and enjoy the beauty of the characters!


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Jonjoli, fresh and house-pickled cucumber, onion, green tomato, fresh herbs and sunflower
Salad greens, cucumber, tomato, crumbled guda cheese, fresno pepper, lemon-tarragon dressing
Pkhali, fresh and house-pickled cucumber, onion, green tomato, fresh herbs and sunflower
Jonjoli, fresh and house-pickled cucumber, onion, green tomato, fresh herbs and sunflower
Salad greens, cucumber, tomato, crumbled guda cheese, fresno pepper, lemon-tarragon dressing
Pkhali, fresh and house-pickled cucumber, onion, green tomato, fresh herbs and sunflower
Jonjoli, fresh and house-pickled cucumber, onion, green tomato, fresh herbs and sunflower
Salad greens, cucumber, tomato, crumbled guda cheese, fresno pepper, lemon-tarragon dressing
Pkhali, fresh and house-pickled cucumber, onion, green tomato, fresh herbs and sunflower
Jonjoli, fresh and house-pickled cucumber, onion, green tomato, fresh herbs and sunflower
Salad greens, cucumber, tomato, crumbled guda cheese, fresno pepper, lemon-tarragon dressing
Pkhali, fresh and house-pickled cucumber, onion, green tomato, fresh herbs and sunflower
Consuming raw or undercooked meats, poultry, seafood, shellfish, eggs, or unpasteurized milk may increase your risk of of food bourne illness.
Parties of 8 or more will be charges a 20% gratuity. Checks may be split up to four ways.
Unfortunately, cross-contamination with walnuts is unavoidable. Our apologies.


STOP! This page must be served over HTTPS. Please reload this page via HTTPS.
The Web Share API, allows sites to share links and text to other apps via the system provided share picker.
Sorry! This browser doesn't support the Web Share API, which required for this demo.
const shareOpts = { title: 'Jabberwocky', text: 'Check out this great poem about a Jabberwocky.', url: 'https://en.wikipedia.org/wiki/Jabberwocky', }; navigator.share(shareOpts);


jQuery SlideOutPanel
Simple jQuery Plugin to add a sliding out panel.
Installation
npm install --save-dev jquery-slideoutpanel
Usage
HTML
The html must be set up with the proper id and internal elements.
Allowed tags:
Optional tags:
Required tag:

 Panel Title
Panel content section
 Panel footer

Options
| Name | Type | Default | Options | Description |
|---|---|---|---|---|
| bodyPush | boolean | false | true false |
Enables pushing the body when the tab opens (works with slideFrom right and left |
| breakpoint | String | 768px | Sets the breakpoint (matches the breakpoint in SCSS/CSS). This is used when bodyPush is true | |
| closeBtn | html | ✕ ✕ |
Add a custom close button instead of the default | |
| closeBtnSize | String | 12px | Adjust the close button size | |
| enableEscapeKey | Boolean | false | true false |
Enables the esc key to close all panels |
| offsetTop | String | 0 | Offset the top of the panel | |
| screenClose | Boolean | true | true false |
Enables closing of panels by clicking on the background screen. |
| screenOpacity | String | 0.5 | Set the background screen's opacity | |
| screenZindex | String | 9998 | Set the background screen's z-index | |
| showScreen | Boolean | true | true false |
Enable/Disable showing the background screen |
| slideFrom | String | right | top right bottom left |
Set to choose where the panel should slide out from |
| transition | String | ease | Set the transition-timing-function. Accepts the standard values used with CSS. | |
| transitionDuration | String | 0.35s | Set the duration of the transitions. Adding "s" is optional. | |
| width | String | 350px | Set the panels width |
$('#slide-out-panel').SlideOutPanel({ bodyPush: false, closeBtn: '', closeBtnSize: '', enableEscapeKey: true, offsetTop: '50px', screenClose: false, screenOpacity: '1', screenZindex: '9998', showScreen: false, slideFrom: 'right', transition: 'ease', transitionDuration: '0.35s', width: '350px', });
Events
| Name | Description |
|---|---|
| rendered | Fired after the panel is finished building |
| beforeOpen | Fired before panel opens |
| afterOpen | Fired after panel has opened |
| beforeClosed | Fired before panel is closed |
| afterClosed | Fired after the panel is closed |
$('#slide-out-panel').SlideOutPanel({ rendered() { // Some code... }, beforeOpen() { // Some code... }, afterOpen() { // Some code... }, beforeClosed() { // Some code... }, afterClosed() { // Some code... }, });
Methods
| Name | Description |
|---|---|
| open | Opens the panel |
| close | Closes the panel |
| toggle | Toggles the panel open/close |
| destroy | Removes the panel from the DOM |
const slideOutPanel = $('#slide-out-panel').SlideOutPanel(); slideOutPanel.open(); slideOutPanel.close(); slideOutPanel.toggle(); slideOutPanel.destroy();
Sass Variables
| Variable | Default | Description |
|---|---|---|
| $pieces-padding | 15px | Padding for the panel pieces (header, section, footer) |
| $so-screen-sm | 768px | Responsive breakpoint |
| $so-close-btn-color | #000 | Color of the close button |
| $so-close-font-size | 12px | Font size of the close button |
| $so-container-background | #fff | The panel background color |
| $so-container-box-shadow | -3px 3px 9px rgba(0, 0, 0, .3) | The panel box shadow |
| $so-container-transition | top ease, right ease, bottom ease, left ease | Transition effect |
| $so-container-z-index | 9999 | The panel z-index |
| $so-content-no-header-padding-top | $pieces-padding * 2 | The top padding of the
 when there is no header |
| $so-header-background-color | #fff | The header background color |
| $so-header-border-color | #e5e5e5 | The header bottom border color |
| $so-header-border-width | 1px | The header border width |
| $so-content-background-color | #fff | The
 background color |
| $so-footer-background-color | #fff | The  background color |
Examples
Initialize plugin:
$('#slide-out-panel').SlideOutPanel();
Changing the direction the panel slides out from:
$('#slide-out-panel').SlideOutPanel({ slideFrom: 'top', }); $('#slide-out-panel').SlideOutPanel({ slideFrom: 'right', }); $('#slide-out-panel').SlideOutPanel({ slideFrom: 'bottom', }); $('#slide-out-panel').SlideOutPanel({ slideFrom: 'left', });
Close button customization:
$('#slide-out-panel').SlideOutPanel({ closeBtn: '', closeBtnSize: '18px', });
Background screen customization:
$('#slide-out-panel').SlideOutPanel({ screenClose: true, screenOpacity: '0.5', screenZindex: '9998', showScreen: true, });
Dependencies
jQuery
Change Log
License
Copyright © 2020 WebDevNerdStuff
Licensed under the MIT license.


- tearDown() - Method in class com.cmput301w21t06.crowdfly.ExperimentActivityTest
-
- tearDown() - Method in class com.cmput301w21t06.crowdfly.TrialActivityTest
-
- testAddExperiment() - Method in class com.cmput301w21t06.crowdfly.ExperimentActivityTest
-
- testAddExperiment() - Method in class com.cmput301w21t06.crowdfly.ExperimentLogTest
-
- testAddTrial() - Method in class com.cmput301w21t06.crowdfly.TrialActivityTest
-
- testAddTrial() - Method in class com.cmput301w21t06.crowdfly.TrialLogTest
-
- testDeleteExperiment() - Method in class com.cmput301w21t06.crowdfly.ExperimentActivityTest
-
- testGetCount() - Method in class com.cmput301w21t06.crowdfly.CountTrialTest
-
- testGetDescription() - Method in class com.cmput301w21t06.crowdfly.ExperimentTest
-
- testGetDescription() - Method in class com.cmput301w21t06.crowdfly.TrialTest
-
- testGetExperimentId() - Method in class com.cmput301w21t06.crowdfly.ExperimentTest
-
- testGetFailures() - Method in class com.cmput301w21t06.crowdfly.BinomialTrialTest
-
- testGetMeasurement() - Method in class com.cmput301w21t06.crowdfly.MeasurementTrialTest
-
- testGetMinTrials() - Method in class com.cmput301w21t06.crowdfly.ExperimentTest
-
- testGetNumTrials() - Method in class com.cmput301w21t06.crowdfly.ExperimentTest
-
- testGetOwnerID() - Method in class com.cmput301w21t06.crowdfly.ExperimentTest
-
- testGetQRManager() - Method in class com.cmput301w21t06.crowdfly.ExperimentTest
-
- testGetQuestions() - Method in class com.cmput301w21t06.crowdfly.ExperimentTest
-
- testGetRegion() - Method in class com.cmput301w21t06.crowdfly.ExperimentTest
-
- testGetStillRunning() - Method in class com.cmput301w21t06.crowdfly.ExperimentTest
-
- testGetSubscribedUsers() - Method in class com.cmput301w21t06.crowdfly.ExperimentTest
-
- testGetSuccesses() - Method in class com.cmput301w21t06.crowdfly.BinomialTrialTest
-
- testGetTrialID() - Method in class com.cmput301w21t06.crowdfly.CountTrialTest
-
- testGetTrialID() - Method in class com.cmput301w21t06.crowdfly.MeasurementTrialTest
-
- testGetTrialID() - Method in class com.cmput301w21t06.crowdfly.TrialTest
-
- testGetTrials() - Method in class com.cmput301w21t06.crowdfly.ExperimentTest
-
- testRemoveExperiment() - Method in class com.cmput301w21t06.crowdfly.ExperimentLogTest
-
- testRemoveTrial() - Method in class com.cmput301w21t06.crowdfly.TrialLogTest
-
- testResetExperimentLog() - Method in class com.cmput301w21t06.crowdfly.ExperimentLogTest
-
- testResetTrialLog() - Method in class com.cmput301w21t06.crowdfly.TrialLogTest
-
- testSetExperimenterID() - Method in class com.cmput301w21t06.crowdfly.TrialTest
-
- testToHashMap() - Method in class com.cmput301w21t06.crowdfly.BinomialTrialTest
-
- testToHashMap() - Method in class com.cmput301w21t06.crowdfly.CountTrialTest
-
- testToHashMap() - Method in class com.cmput301w21t06.crowdfly.ExperimentTest
-
- testToHashMap() - Method in class com.cmput301w21t06.crowdfly.MeasurementTrialTest
-
- testToHashMap() - Method in class com.cmput301w21t06.crowdfly.TrialTest
-
- testUserProfile() - Method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestorePathsTest
-
- testViewExperiment() - Method in class com.cmput301w21t06.crowdfly.ExperimentActivityTest
-
- togglePublish() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
- toHashMap() - Method in class com.cmput301w21t06.crowdfly.Models.BinomialTrial
-
this transforms the Binomial Trial to a HashMap that is fed into the database
- toHashMap() - Method in class com.cmput301w21t06.crowdfly.Models.CountTrial
-
this transforms the Count Trial to a HashMap that is fed into the database
- toHashMap() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
this transforms the Experiment to a HashMap that is fed into the database
- toHashMap() - Method in class com.cmput301w21t06.crowdfly.Models.MeasurementTrial
-
this transforms the Measurement Trial to a HashMap that is fed into the database
- toHashMap() - Method in class com.cmput301w21t06.crowdfly.Models.Trial
-
this transforms the Trial to a HashMap that is fed into the database
- toHashMap() - Method in class com.cmput301w21t06.crowdfly.Models.User
-
this transforms the User to a HashMap that is fed into the database
- trial(String, String) - Static method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestorePaths
-
Path for a single trial
- Trial - Class in com.cmput301w21t06.crowdfly.Models
-
this is the Trial superclass that extends its functionalities to its subclasses
- Trial(String) - Constructor for class com.cmput301w21t06.crowdfly.Models.Trial
-
- Trial(Map<String, Object>) - Constructor for class com.cmput301w21t06.crowdfly.Models.Trial
-
this is the hash map constructor for trial
- TrialActivityTest - Class in com.cmput301w21t06.crowdfly
-
- TrialActivityTest() - Constructor for class com.cmput301w21t06.crowdfly.TrialActivityTest
-
- TrialAdapter - Class in com.cmput301w21t06.crowdfly.Controllers
-
this is the trial adapter that adapts a view in a specific position
- TrialAdapter(Context, int, List<Trial>, String, String) - Constructor for class com.cmput301w21t06.crowdfly.Controllers.TrialAdapter
-
this is the constructor of trial adapter
- trialID - Variable in class com.cmput301w21t06.crowdfly.Models.Trial
-
- TrialLog - Class in com.cmput301w21t06.crowdfly.Controllers
-
this is the trial log that updates/keeps track of a singleton experiment arraylist
- TrialLogTest - Class in com.cmput301w21t06.crowdfly
-
- TrialLogTest() - Constructor for class com.cmput301w21t06.crowdfly.TrialLogTest
-
- trials(String) - Static method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestorePaths
-
Path for Trials collection
- TrialTest - Class in com.cmput301w21t06.crowdfly
-
- TrialTest() - Constructor for class com.cmput301w21t06.crowdfly.TrialTest
-
- trialType - Variable in class com.cmput301w21t06.crowdfly.Models.NewTrial
-
- trialType - Static variable in class com.cmput301w21t06.crowdfly.Views.ViewTrialLogActivity
-


Personal Information
First Name
Last Name
Gender
Male
Female
Birthday
Month
January
February
March
April
May
June
July
August
September
October
November
December
Day
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
Year
My Life Story
Enter life story here.
Favorite Sammiches
Cheese
Egg
Chicken
Rueben
Ham


The functionality of the openejb.jndiname.format allows for writing some really fun service locator code. Creating the exact layout you want using the exact data you want means you can create robust libraries for pulling things out of JNDI.
To get the creative juices flowing here are a few examples of lookup methods you could create for your service locator, the jndi name formats that would work with those lookups, and examples of client code using the service locator. For simplicity, we'll assume all the lookup examples start with this basic class that has a built-in lookup allowing for a common prefix to be optionally applied to the beginning of all lookup strings.
public class MyLocator {
private final Context context;
public MyLocator() throws NamingException {
this(null);
}
public MyLocator(String commonPrefix) throws NamingException {
Properties properties = new Properties();
properties.put(Context.INITIAL_CONTEXT_FACTORY, "org.apache.openejb.client.RemoteInitialContextFactory");
properties.put(Context.PROVIDER_URL, "ejbd://localhost:4201/");
this.context = new InitialContext(properties);
}
public Object lookup(String name) {
try {
if (commonPrefix != null) name = commonPrefix + "/" +name;
return context.lookup(name);
} catch (NamingException e) {
throw new IllegalArgumentException(e);
}
}
}
Usable with JNDI name formats ending in the full class name of the interface such as: - {interfaceClass}
public <T> T lookup(Class<T> type) {
return (T) lookup(type.getName());
}
MyLocator locator = new MyLocator();
Widget widget = locator.lookup(Widget.class);
Or with a common prefix or with a common prefix supplied in constructor such as: - {moduleId}/{interfaceClass} - ejb/{moduleId}/{interfaceClass}
MyLocator locator = new MyLocator("ejb/superbiz");
Widget widget = locator.lookup(Widget.class);
Store store = locator.lookup(Store.class);
Usable with JNDI name formats including a varying prefix such as ejbName or deploymentID and ending in the full class name of the interface
public
MyLocator locator = new MyLocator();
Widget redWidget = locator.lookup("RedWidgetBean", Widget.class);
Widget blueWidget = locator.lookup("BlueWidgetBean", Widget.class);
Or with a common prefix or with a common prefix supplied in constructor such as: - {moduleId}/{ejbName}/{interfaceClass} - ejb/{moduleId}/{deploymentId}/{interfaceClass}
MyLocator locator = new MyLocator("accountingApp");
Widget widget = locator.lookup("RedWidgetBean", Widget.class);
Store store = locator.lookup("StoreBean", Store.class);
Usable with JNDI name formats comprised of the interfaceClass and ejbClass
For variation, the interface class is the prefix and the ejb class is the suffix. This is neat as the the prefix (the interface class name) becomes a jndi context with one binding in it for each implementing ejb class.
Works with: - {interfaceClass}/{ejbClass}
public <T> T lookup(Class<T> type, Class ejbClass) {
return (T) lookup(type.getName() + "/" + ejbClass.getName());
}
MyLocator locator = new MyLocator();
Widget widget = locator.lookup(Widget.class, BlueWidgetBean.class);
Or with a common prefix or with a common prefix supplied in constructor such as: - {moduleId}/{interfaceClass}/{ejbClass} - ejb/{moduleId}/{interfaceClass}/{ejbClass}
MyLocator locator = new MyLocator("ejb/purchasingApp");
Widget widget = locator.lookup(Widget.class, RedWidgetBean.class);
Store store = locator.lookup(Store.class, StoreBean.class);
Similar to the above example but using the simple name of the classes resulting in a JNDI tree that's a bit more human readable. - {ejbClass.simpleName}/{interfaceClass.simpleName}
public <T> T lookup(Class ejbClass, Class<T> type) {
return (T) lookup(ejbClass.getSimpleName() + "" + type.getSimpleName());
}
and
MyLocator locator = new MyLocator();
Widget widget = locator.lookup(RedWidgetBean.class, Widget.class);
Or with a common prefix or with a common prefix supplied in constructor such as: - {moduleId}/{ejbClass.simpleName}/{interfaceClass.simpleName} - ejb/{moduleId}/{ejbClass.simpleName}/{interfaceClass.simpleName}
MyLocator locator = new MyLocator("shippingApp");
Widget widget = locator.lookup(GreenWidgetBean.class, Widget.class);
Store store = locator.lookup(SuperStoreBean.class, Store.class);


Hello,Communication Application To conduct MTA Exam
Register for Exam
Login to exam
e-mail form || Send a Mail
Use our chatbox
File Upload
File Sharing
User View
For New User
Admin View
For Administration Use
-->


The Message-Driven Bean Class
The code for the SimpleMessageBean class illustrates the requirements of a message-driven bean class:
It must be annotated with the @MessageDriven annotation if it does not use a deployment descriptor.
The class must be defined as public.
The class cannot be defined as abstract or final.
It must contain a public constructor with no arguments.
It must not define the finalize method.
It is recommended, but not required, that a message-driven bean class implement the message listener interface for the message type it supports. A bean that supports the JMS API implements the javax.jms.MessageListener interface.
Unlike session beans and entities, message-driven beans do not have the remote or local interfaces that define client access. Client components do not locate message-driven beans and invoke methods on them. Although message-driven beans do not have business methods, they may contain helper methods that are invoked internally by the onMessage method.
For the GlassFish Server, the @MessageDriven annotation typically contains a mappedName element that specifies the JNDI name of the destination from which the bean will consume messages. For complex message-driven beans, there can also be an activationconfig element containing @ActivationConfigProperty annotations used by the bean.
A message-driven bean can also inject a MessageDrivenContext resource. Commonly you use this resource to call the setRollbackOnly method to handle exceptions for a bean that uses container-managed transactions.
Therefore, the first few lines of the SimpleMessageBean class look like this:
@MessageDriven(mappedName="jms/Queue", activationConfig = { @ActivationConfigProperty(propertyName = "acknowledgeMode", propertyValue = "Auto-acknowledge"), @ActivationConfigProperty(propertyName = "destinationType", propertyValue = "javax.jms.Queue") }) public class SimpleMessageBean implements MessageListener { @Resource private MessageDrivenContext mdc; ...
NetBeans IDE typically creates a message-driven bean with a default set of @ActivationConfigProperty settings. You can delete those you do not need, or add others. Table 25-1 lists commonly used properties.
Property Name |
Description |
|---|---|
acknowledgeMode |
Acknowledgment mode; see Controlling Message Acknowledgment for information |
destinationType |
Either javax.jms.Queue or javax.jms.Topic |
subscriptionDurability |
For durable subscribers, set to Durable; see Creating Durable Subscriptions for information |
clientId |
For durable subscribers, the client ID for the connection |
subscriptionName |
For durable subscribers, the name of the subscription |
messageSelector |
A string that filters messages; see JMS Message Selectors for information, and see An Application That Uses the JMS API with a Session Bean for an example |
addressList |
Remote system or systems to communicate with; see An Application Example That Consumes Messages from a Remote Server for an example |
The onMessage Method
When the queue receives a message, the EJB container invokes the message listener method or methods. For a bean that uses JMS, this is the onMessage method of the MessageListener interface.
A message listener method must follow these rules:
The method must be declared as public.
The method must not be declared as final or static.
The onMessage method is called by the bean’s container when a message has arrived for the bean to service. This method contains the business logic that handles the processing of the message. It is the message-driven bean’s responsibility to parse the message and perform the necessary business logic.
The onMessage method has a single argument: the incoming message.
The signature of the onMessage method must follow these rules:
The return type must be void.
The method must have a single argument of type javax.jms.Message.
In the SimpleMessageBean class, the onMessage method casts the incoming message to a TextMessage and displays the text:
public void onMessage(Message inMessage) { TextMessage msg = null; try { if (inMessage instanceof TextMessage) { msg = (TextMessage) inMessage; logger.info("MESSAGE BEAN: Message received: " + msg.getText()); } else { logger.warning("Message of wrong type: " + inMessage.getClass().getName()); } } catch (JMSException e) { e.printStackTrace(); mdc.setRollbackOnly(); } catch (Throwable te) { te.printStackTrace(); } }


var xxx= {
name: 'xxx',
alias: 'xxxx',
favourite movie: 'xxx',
food: 'xxx',
criminal record: 'xxx',
from Essex??:['xxx',
};
xxx & xxx who will be helping us with xxxxxx Update xxx Update
Update from the xxx (fyi, this is an image of my favourite American Poet, Hart Crane) Arran :)
xxx Assemble!
xxx
xxx
xxx
xxx
xxx Off
xxx
xxx
and by popular demand - an explanation of vote counting theorems
A long time ago, in a galaxy far, far away....
Episode IV
A New Star of the Month
It is a period of civil war. Twelve data jedi have been vying for power


Uganda’s celebrity failed marriages
by Vision ReporterWe take a trip down the memory lane of celebrity marriages, some of which excited the public only to fail in the face of the same shortly after.
LIFESTYLE MARRIAGE DIVORCE
KAMPALA - As fans still express their opinions on the glamourous introduction ceremony of local artiste Rema Namakula and Hamza Sebunya that took place last week, we take a trip down the memory lane of celebrity marriages, some of which excited the public only to fail in the face of the same shortly after.
Joel Isabirye and Rebecca Jingo
The fairytale wedding of Joel Isabirye, a programmes director and Rebecca Jjingo, a radio presenter that took place on December 5, 2013, was no more by November the following year
The love war between radio personalities Rebecca Jingo and Joel Isabirye fast spiraled to a point of no return, that is, with Jingo saying it is over!
Following a number of fights at their home in Najjera with conflict versions of what transpired as Jingo's friends and Isabirye's account of things conflicted, their marriage ended in 2014.
Judith Babirye and MP Musoke Sebulime
Just as the queen of gospel music in Uganda, as Judith Babirye was preparing her gomesi for that great moment with Paul Musoke Sebulime, on 28 July 2018, self-proclaimed marriage analysts had already predicted that the marriage was not going to last.
Indeed, their prediction came to pass. The fun lasted barely a year as the lovebirds were not able to celebrate their first anniversary.
Babirye and Sebulime
Pastors Aloysius and Teddy Bugingo
Early this year the nation woke up to shocking news that Pastor Aloysius Bugingo of the House of Prayer Ministries in the city suburb of Bwaise had left his wife Teddy Naluswa Bugingo after 29 years in marriage and moved in with a one Susan Nantaba Namakula a.k.a Makula way back in 2016.
Pastors Aloysius and Teddy Bugingo on their wedding day 29 years ago
Pastor Bugingo has since continued to make news through his disgracing comments about his wife Teddy and their children.
Stecia Mayanja
She has made a name for herself not only on the music scene but marriage as well.
In less than 10 years, she has so far introduced four men to her parents. These include; Charles Sekyewa, Fred Kitaka, Meddie Bwete and Abbas Mubiru.
She went ahead to marry Abbas Mubiru, however, the marriage ended abruptly and it’s alleged that she is now dating a one Shabban, a musician too.
Stecia Mayanja dancing with Abbas Mubiru during their wedding ceremony
Silver Kyagulanyi and Jalia Namazzi
They also made headlines when their marriage hit the rock. Jalia Namazzi accused artiste Silver Kyagulanyi of infidelity. Namazzi lives in the UK while Kyagulanyi in Uganda.
Kyagulanyi and Namazzi on their wedding day
Julie Mutesasira
Gospel Artiste Julie Nalugya aka Julie Mutesasira and her Pastor husband Steven Mutesasira of Redeemed of the Lord Evangelistic church separated after 13 years of marriage. Julie relocated to Canada.
Julie Mutesasira
Nobert Mao and Naomi Achieng Odongo
The Family Court recently dissolved a 16-year-old marriage between Democratic Party (DP) president Nobert Mao and Naomi Achieng Odongo.
In his judgment delivered on May 27, 2019, judge Godfrey Namundi granted the duo custody of Nathan Hale Rwotbar, with Mao having primary custody and Achieng visitation rights upon sufficient notice to Mao.
Jackie Senyonjo
Gospel artiste Jackie Senyonjo divorced her husband Pastor Geoffrey Senyonjo of Kasanga Miracle center.
It is alleged Pastor Senyonjo married another woman and Jackie moved to Canada.
Princess of Toro, Ruth Nsemere Komuntale
Princess Ruth Komuntale tied the knot on November 17, 2012, with her African-American beau Christopher Thomas during a colourful ceremony at St. John’s Cathedral in Fort Portal witnessed by hundreds of notables both local and international.
Unfortunately, after the media were awash with rumours of their separation for several weeks, the Kingdom issued a statement confirming the rumours.
Prof. Gilbert and Dr. Margarate Bukenya
Former Vice President Gilbert Bukenya and Dr. Margaret Bukenya wedded on September 21, 1974, at St. Augustine Chapel at Makerere University. They both worked at Mulago hospital as physicians.
Dr. Margarate and Prof. Gilbert Bukenya
Margaret recently filed for divorce on different grounds mostly infidelity. She said she could no longer put up with her husband’s adultery adding that he even went ahead to abandon their family home in Ntinda, Kampala and went to Garuga in Wakiso district.
Haji Moses Kigongo and Olive Kigongo
The NRM National Vice Chairman, Haji Moses Kigongo separated with his wife Olive Zaitun Kigongo the president and chief executive officer of the Uganda National Chamber of Commerce and Industry. He had a whirlwind romance with TV news anchor, Faridah Nakazibwe who abandoned him shortly after for a youthful medical doctor to whom she got engaged.
Katongole Omutongole and Tendo Tabel a.k.a. Titi
The two radio personalities divorced after Katongole was entangled in a number of infidelity scandals including defilement.
Katongole Omutongole and Tendo Tabel a.k.a. Titi
Iryn Namubiru
Ugandan songstress and celebrity Iryn Namubiru’s marriage technically ended after she separated with French hubby Franck Morel.
It is alleged that Morel had on several occasions fought Iryn whose fame and lifestyle as an artiste put them on a collision course.
Namubiru and Morel
Rumours made rounds that on September 25 Morel threw Namubiru out of their marital home, hurling her handbag at her. She has since been staying in her own apartment.


Apply for help to pay NHS costs
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1. Check before you start
- Check eligibility Completed
Before applying, check to see if you're already entitled to NHS costs
-
2. Complete application
- Your contact details Completed
- Where you live Completed
- Your income and other money
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3. Apply


Project Management App operates the PMA website, which provides the SERVICE.
This page is used to inform website visitors regarding our policies with the collection, use, and disclosure of Personal Information if anyone decided to use our Service, the Website Name website.
If you choose to use our Service, then you agree to the collection and use of information in relation with this policy. The Personal Information that we collect are used for providing and improving the Service. We will not use or share your information with anyone except as described in this Privacy Policy.
The terms used in this Privacy Policy have the same meanings as in our Terms and Conditions, which is accessible at __, unless otherwise defined in this Privacy Policy.
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For a better experience while using our Service, we may require you to provide us with certain personally identifiable information, including but not limited to your name, phone number, and postal address. The information that we collect will be used to contact or identify you.
🗃 Log Data
We want to inform you that whenever you visit our Service, we collect information that your browser sends to us that is called Log Data. This Log Data may include information such as your computer's Internet Protocol (“IP”) address, browser version, pages of our Service that you visit, the time and date of your visit, the time spent on those pages, and other statistics.
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Cookies are files with small amount of data that is commonly used an anonymous unique identifier. These are sent to your browser from the website that you visit and are stored on your computer's hard drive.
Our website uses these “cookies” to collection information and to improve our Service. You have the option to either accept or refuse these cookies, and know when a cookie is being sent to your computer. If you choose to refuse our cookies, you may not be able to use some portions of our Service.
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We may employ third-party companies and individuals due to the following reasons:
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We want to inform our Service users that these third parties have access to your Personal Information. The reason is to perform the tasks assigned to them on our behalf. However, they are obligated not to disclose or use the information for any other purpose.
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Coordinating File List Updates Between Co-moderators
If your forum has more than one moderator, it is essential to coordinate updates to file lists to prevent changes by one moderator being overwritten by those of another who hasn't updated his or her copies of the the moderator's file list and file directory in the mean time.
The simplest way to avoid problems is to have a rota, though mistakes can still happen. An alternative worth considering if you have a lot of file list maintenance work in your forum is to create a closed confidential forum with a topic in it for protecting file list updates.


∆KuBanLINK∆
About Me:
I am 20 years of age And have always been in love with
learning as much as I can. I am truly a book nerd, I
enjoy running track and field for Riverside City College,
and love to work with new poeple in creating Music.
I have always been a hard worker and found Coding to be
my favorite subjects out of my Major Studies.
Current Info:
* I have been coding in C++ for 2 years in Riverside City College
* Recently I have completed a certificate in python this 2020 year
* I have presented simulations in RoboDK
* I am trasnferring to Cal Poly Pomona Fall 2020 for Aerospace Engineering
CREATOR: CORBIN YOUNG
Contact info<EMAIL_ADDRESS>Github: 2019-2020 (Code)


{% extends 'base.html' %}
What would you like to do?
Do you have equipment checked out and need to return it?
Check in Equipment
Need to checkout equipment for a lab or project?
Check out Equipment


The atmosphere in New York is lorem ipsum.
Thank you, Chicago - A night we won't forget.
Even though the traffic was a mess, we had the best time.
We love music!
We have created a fictional band website. Lorem ipsum..
Amy
Guitarist and Lead Vocalist
Loves long walks on the beach
Member since 1988
Christ
Bass player
Loves math
Member since 2005
Emily
Loves drummin'
Lorem ipsum we'll play you some music. emember to book your tickets!
Paris
Fri. 27 November 2015
New York
Sat. 28 November 2015
San Francisco
Sun. 29 November 2015


| Home | Trees | Index | Help |
|
|---|
| Package openid :: Package server :: Module trustroot :: Class TrustRoot |
|
object
--+
|
TrustRoot
parse
classmethod accepts a trust
root string, producing a TrustRoot
object. The method OpenID
server implementers would be most likely to use is the isSane
method, which checks the
trust root for given patterns that indicate that the trust root is too
broad or points to a local network resource.
| Method Summary | |
|---|---|
NoneType or
|
This method creates a instance from the given
input, if possible. (Class method)
|
bool
|
This method checks the to see if a trust root represents a reasonable (sane) set of URLs. |
__init__(self,
unparsed,
proto,
wildcard,
host,
port,
path)
| |
__repr__(self)
| |
__str__(self)
| |
| str |
Return a discovery URL for this realm. |
str -> bool (Class method) | |
quick func for validating a url against a trust root. (Class method) | |
bool
|
Validates a URL against this trust root. |
Inherited from object :
__delattr__ ,
__getattribute__ ,
__hash__ ,
__new__ ,
__reduce__ ,
__reduce_ex__ ,
__setattr__
|
| Instance Method Details |
|---|
isSane(self)This method checks the to see if a trust root represents a reasonable (sane) set of URLs. 'http://*.com/', for example is not a reasonable pattern, as it cannot meaningfully specify the site claiming it. This function attempts to find many related examples, but it can only work via heuristics. Negative responses from this method should be treated as advisory, used only to alert the user to examine the trust root carefully.
|
buildDiscoveryURL(self)Return a discovery URL for this realm. This function does not check to make sure that the realm is valid. Its behaviour on invalid inputs is undefined.
|
validateURL(self, url)Validates a URL against this trust root.
|
| Class Method Details |
|---|
parse(cls, trust_root)This method creates a instance from the given
input, if possible.
|
checkSanity(cls, trust_root_string)str -> bool is this a sane trust root? |
checkURL(cls, trust_root, url)quick func for validating a url against a trust root. See the TrustRoot class if you need more control. |
| Home | Trees | Index | Help |
|
|---|
| Generated by Epydoc 2.1 on Fri Dec 14 16:10:52 2007 | http://epydoc.sf.net |


Title
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Display Attribute
Choose a field to show in the hover over information panel
{% extends 'base/base.html' %} {% load staticfiles %} {% load cookielaw_tags %} {% block content %} {% cookielaw_banner %}
1. Data
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2. Layout
Select a layout for your dashboard.
Large sections are better for maps.
3. Style
Please choose a colour scheme
4. Create
Title
Description
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Dashboard
5. Data Table
Choose fields to include
6. Choose Filters
Filters
7. Save and Share
Choose a headline figure
Choose a chart, map or table
Configure chart
Title
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**Expressive Vector Engine**
`eve::sign`
(insert ../../../crumbs.html here)
Synopsis
====================================================================================================
**Required header:**
Function object representing the sign operation.
Member functions
====================================================================================================
Performs the [element-wise](../../../glossary.html#element-wise) sign operation on its parameter.
Parameters
----------------------------------------------------------------------------------------------------
`x`
: [value](../../concepts.html#value).
Return value
----------------------------------------------------------------------------------------------------
Computes [element-wise](../../../glossary.html#elment-wise) the sign of `x`.
For [real value](../../concepts.html#value) `x` is semantically equivalent to:
* If x is greater than 0, 1 is returned.
* If x is less than 0, -1 is returned.
* If x is zero, x is returned.
Moreover for [floating real value](../../concepts.html#value)
if x is `Nan`, the result is `Nan`
(insert ../../src/sign.src.html here)
(insert ../../out/sign.out.html here)
See Also
====================================================================================================
[eve::signnz](eve::signz)


I am full stack developer. I enjoy web application developmenet. I got java related certification. Currently i am learning latest technologies like angular js, amazon web service etc
I enjoy writing back end code using java
You can contact me via email My email address can be found on this link


---
layout: default
---
{% capture nav %}
Opcode Tables
{% include awesome.html %}
{% endcapture%}
{% include nav.html content=nav %}
{% capture _content%}
Hello, there!
This page is built by the community but not yet finished.
It is meant to become your go-to reference to lookup Game Boy instruction set related information.
Why don’t you take a look at our
Opcode Tables first? :)
{% endcapture%}
{% include content.html content=_content %}


Hi,
There is an error, balance could not be fetched.
User: ${newMessage.reference}
code position: btc_server > get_or_add.kt > getEthBalanceFromNetwork()
Regards,
Felipe


Holodeck makes it easy to set and run different tests on the Application Under Test through the use of Code Coverage Test Generator and Stress Test Generator. These help to test each line of code in the Application Under Test, and simulate stressful situations for your software. When using Holodeck to automatically test your application, turn off logging options that are unnecessary to test. Some Test Generation features may stop working if all logging is turned off, however the less logging used, the less system memory with be used which will allow stress testing to last longer.
Using Holodeck for Stress Test Generation – Holodeck can automatically generate test cases that will help you stress test your application.
Using Holodeck for Code Coverage Test Generation – Holodeck can automatically set faults, limits, etc. that will help ensure a thorough test pass.
Modifying Testing Settings – You can modify the automatic test settings by editing an XML file.
To ensure reproducibility of the bugs that you may find using Holodeck’s Stress Test Generation and Code Coverage Test Generation you may want to record the test run. To record your test session simply start session recording before starting your test and stop recording the session once the tests have finished. See Recording and Replaying Sessions for help.
Note: some features may not work if certain functions are not being logged, for more information please see the Default Logging help topic.


Gaming and Mental Health
How Gaming Can Benefit Your Mental Health
Gaming also improves the memory because when we are playing games, we have to hold lots of pieces of information in our minds at once. For example, when playing a video game, we will often have to remember locations in the game, items to pick up, where we need to go and various other useful points about the game.Health Benefits of Socialising
While playing online, players can interact with other gamers in chat boxes, collaborate in gaming missions and generally socialise. In online casino and bingo games, players can chat with others in the game, while playing collaborative video games allows you to bond with others and complete levels together.Attention Span and Strategy
Games can also have an interesting benefit in terms of improving a players attention span. By playing games, you develop the ability to notice lots of small details at once and learn to combat impulsiveness. When concentrating on a video game, the player must quickly assimilate lots of conflicting information and learn to focus on the most important things, blocking out the irrelevant information. The players must also know when to act and when to wait, in order to maximise the success of their interactions with the game. For example, when playing blackjack online, a player needs to consider when to take another card and when to stick with their current hand. In a video game
RELAXATION AND GAMES
They can have health benefits, especially when we are all self-isolating. "When people play video games they actually have a lot of benefits to our emotional health or social health and our mental well-being," Mandryk said. The U of S research looked at all age groups — from pre-literate children through to older adults living in long term care homes — though the primary focus was on 18 to 55-year-olds. Mandryk said they looked at how playing video games can benefit people's emotional and mental state.


Blog
About
Contact Me
+New Article
My Blog Is Comming Soon... :)
*Once I learn how to host this website's backend


The assets were created using Blender 3D Modeling tool.
We started with creating the Chess pieces like Pawn, Rook, Queen , King and Bishop.
Here we were creating the Pawn model using blender. Using the Extruding tool, we took an image of Rook from Google as the reference and using a Circle scaled the model.
In the screenshot above, we have modelled the Rook model using the same methodology as above. The following are the screenshots of all the models created using Blender.
After this we added shading to all models to simulate fake lighting by adding a Material property and adding mettalic feel to it.
Finally we create a Chessboard, by adding a plane and creating a Chessboard texture and linking it. Then we place all the pieces one by on on the Chessboard.
Now the Chess game is ready for further building.


DOC HOLLYWOOD A film review by Mark R. Leeper Copyright 1991 Mark R. Leeper
Capsule review: A good director turns out his most commercial but least interesting film. Michael Caton-Jones, the director of SCANDAL and MEMPHIS BELLE, tells the story of a big city doctor stranded in a small town in South Carolina who finds himself bewitched by the locals. Pleasant but predictable. Rating: 1 (-4 to +4).
This whole film is something of a riddle and the riddle is what is Michael Caton-Jones doing directing a film like this? First, Caton-Jones is British and DOC HOLLYWOOD is about small-town life in South Carolina. That cannot be a subject about which Caton-Jones is particularly expert. Probably the closest Caton-Jones has ever been to the American South is watching reruns of "The Andy Griffith Show." That television show's Mayberry has more than a passing resemblance to Grady, South Carolina. But Caton-Jones worked on ABSOLUTE BEGINNERS in a minor but formative capacity. He went on to direct SCANDAL and MEMPHIS BELLE. Each of these films was set a generation or so back. Each had notable actors but no big stars. Each of these films took something of a risk presenting what could have been an unpopular viewpoint. (An interesting piece of trivia: Mandy Rice-Davies played in ABSOLUTE BEGINNERS, Bridget Fonda played in DOC HOLLYWOOD, and in SCANDAL Bridget Fonda played Mandy Rice-Davies.)
The story of DOC HOLLYWOOD is far from original: big-city boy meets and falls in love with a small-town of interesting and eccentric characters. I have seen that plot attributed to Frank Capra, though I myself cannot think of a single Capra film with a plot that seems to me all that similar to DOC HOLLYWOOD. I will, however, point out that this film has a strong similarity to Bill Forsythe's LOCAL HERO. I would claim that LOCAL HERO is by far the better film, but if I were from Scotland I might well prefer a film to show me exotic South Carolina. The title is a nickname for Dr. Benjamin Stone (played by Michael J. Fox), who is headed for a lucrative cosmetic surgery practice in Beverly Hills when an accident and the damage it causes forces him to spend some time in Grady, South Carolina. You can probably figure the plot from there. Boy meets town. Boy hates town. Audience loves town. Boy meets girl. Girl hates boy. Audience loves girl. Boy loves girl. Girl starts to like boy. Boy starts to like town. Boy, girl, and town live happily ever after. Together. Audience leaves happy.
I can be as silly as the next guy and I liked the town and laughed at the jokes. The town is likable. The town is lovable. What's not to love about a town where blacks and whites, men and women, city folk and rednecks all sashay together in perfect harmony, where never is heard a bigoted word and nobody looks twice at gays. This Southern town is the Ku Klux Klan's worst nightmare come to life. And the plot doesn't bear much thought either.  He could easily have sold the pig, paid his bill, and had a big piece of change in his pocket.
Then there is the incredible stretching Michael J. Fox. He has a lot of scenes together with female lead Julie Warner. Somehow when you see full-length shots of the two of them she is perhaps an inch taller than he is. In every close-up she has to reach up to a Michael J. Fox who has a good two or three inches on her. This film is willing to find endearing all sorts of eccentricities which Grady, South Carolina, accepts without batting an eye, but would rather create a distraction than break the taboo that the boy has got to be taller than the girl. The film has people joke about how short Dr. Stone is, but of course he finds a soulmate who is even shorter.
DOC HOLLYWOOD is entertaining and pleasant but the audience gets none of the value of seeing itself through someone else's eyes that they would get from a Louis Malle film such as ATLANTIC CITY. I rate it a flat +1 on to -4 to +4 scale.
Mark R. Leeper att!mtgzy!leeper<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


syntax: dict = ngx.shared.DICT
syntax: dict = ngx.shared[name_var]
context: init_by_lua*, init_worker_by_lua*, set_by_lua*, rewrite_by_lua*, access_by_lua*, content_by_lua*, header_filter_by_lua*, body_filter_by_lua*, log_by_lua*, ngx.timer.*, balancer_by_lua*, ssl_certificate_by_lua*, ssl_session_fetch_by_lua*, ssl_session_store_by_lua*
Fetching the shm-based Lua dictionary object for the shared memory zone named DICT
defined by the lua_shared_dict directive.
Shared memory zones are always shared by all the Nginx worker processes in the current Nginx server instance.
The resulting object dict
has the following methods:
All these methods are atomic operations, that is, safe from concurrent accesses from multiple Nginx worker processes for the same lua_shared_dict
zone.
Here is an example:
```nginx
http { lua_shared_dict dogs 10m; server { location /set { content_by_lua_block { local dogs = ngx.shared.dogs dogs:set("Jim", 8) ngx.say("STORED") } } location /get { content_by_lua_block { local dogs = ngx.shared.dogs ngx.say(dogs:get("Jim")) } } } }
```
Let us test it:
```bash
$ curl localhost/set STORED
$ curl localhost/get 8
$ curl localhost/get 8 ```
The number 8
will be consistently output when accessing /get
regardless of how many Nginx workers there are because the dogs
dictionary resides in the shared memory and visible to all of the worker processes.
The shared dictionary will retain its contents through a server config reload (either by sending the HUP
signal to the Nginx process or by using the -s reload
command-line option).
The contents in the dictionary storage will be lost, however, when the Nginx server quits.
This feature was first introduced in the v0.3.1rc22
release.


$ npm i --save @k/funimationnow
import { FunimationApi } from '@k/funimationnow';
const api = new FunimationApi({
territory: 'US'
});
// Login with user credentials
// `user.authentication.token` contains the auth token if you need to hold that for something
const user = await api.login('username', 'password');
// Search for shows
const shows = await api.search('Fate');
// Get full details for a show
const fateZero = await api.getShowDetails(shows[0].id);
// .....
Note: All of the endpoint paths here end with a trailing slash (/). This is actually important. If you don't include it, you will always get back a 301 response, telling you try again with a trailing slash.
The actual authentication is extremely simple (like, kind of insecure...). It seems that each user has a single, long-lived token assigned to them (by long lived, I mean they never expire). Every time you log in, you just get the same token back. Credentials (email/password) are sent in the payload of a POST request, and the token is sent back, along with some basic user info. Once you have a token, it passed back to the server as an Authorization
header, prefixed with "Token " to authenticate requests:
Authorization: Token ...
POST /xml/auth/login/ HTTP/1.1
Host: prod-api-funimationnow.dadcdigital.com
Accept: */*
Content-Type: application/x-www-form-urlencoded
username=email_address_here&password=*********
HTTP/1.1 200 OK
Allow: POST, OPTIONS
Content-Language: en
Content-Type: application/xhtml+xml
Date: Mon, 25 Nov 2019 03:11:09 GMT
Server: nginx
Set-Cookie: csrftoken=......; expires=Mon, 23-Nov-2020 03:11:09 GMT; Max-Age=31449600; Path=/
Set-Cookie: sessionid=......; expires=Tue, 26-Nov-2019 03:11:09 GMT; httponly; Max-Age=86400; Path=/
Vary: Cookie, Accept-Language
X-FRAME-OPTIONS: SAMEORIGIN
Content-Length: 542
Connection: keep-alive
Set-Cookie: incap_ses_726_894470=......; path=/; Domain=.dadcdigital.com
X-CDN: Incapsula
X-Iinfo: 14-39338901-39326001 PNNy RT(1574651467757 58) q(0 0 0 0) r(5 5) U6
<authentication>
<token>Token ......</token>
<anonymous>false</anonymous>
<parameters>
<header>
<userName>email_address_here</userName>
<userType>FunimationSubscriptionUser</userType>
<userId>123456789</userId>
<userRole>US Premium Plus Monthly - (US Premium Legacy)</userRole>
<dinstid>......</dinstid>
<Authorization>Token ......</Authorization>
</header>
<territory>US</territory>
</parameters>
</authentication>
Searching for shows is fairly straight-forward, passing in a search query (like you might type into the search box in their UI), and you get back a list of matching results. The search query goes in the query string, in a parameter called q
. Authentication doesn't seem to have any impact on the results of this query.
GET /xml/longlist/content/page/?id=search&q=fate HTTP/1.1
Host: prod-api-funimationnow.dadcdigital.com
Accept: */*
HTTP/1.1 200 OK
Content-Language: en
Content-Type: application/xhtml+xml
Date: Mon, 25 Nov 2019 21:38:48 GMT
Server: nginx
Vary: Accept-Language, Cookie
X-FRAME-OPTIONS: SAMEORIGIN
transfer-encoding: chunked
Connection: keep-alive
X-CDN: Incapsula
X-Iinfo: 5-69366219-69388309 PNNN RT(1574717811133 116730) q(0 0 0 -1) r(3 3) U12
<items>
<item>
.....
</item>
<item>
.....
</item>
<item>
.....
</item>
</items>
The most interesting paths in the response are:
/items/item/id
- The show ID, needed to make further requests for more details/items/item/title
- The title of the show/items/item/thumbnail
- Various versions of the thumbnail image to display for the show/items/item/starRating/rating
- The current star rating (out of 5) assigned to the show/items/item/ratings
- The rating of the show (like TV-14) for various regionsTo get further details about a show, you need the ID assigned to the show (such as from the search endpoint above). Authentication does seem to have an impact on what you get back from this endpoint, but I haven't dug in far enough to see what, exactly, is different. The core details do come back regardless of authentication.
The show ID goes in the query string, in the pk
parameter.
GET /xml/detail/?territory=US&pk=29962 HTTP/1.1
Host: prod-api-funimationnow.dadcdigital.com
Accept: */*
Authorization: Token ......
HTTP/1.1 200 OK
Content-Language: en
Content-Type: application/xhtml+xml
Date: Mon, 25 Nov 2019 21:45:34 GMT
Server: nginx
Vary: Accept-Language, Cookie
X-FRAME-OPTIONS: SAMEORIGIN
transfer-encoding: chunked
Connection: keep-alive
X-CDN: Incapsula
X-Iinfo: 8-67658706-67657388 PNNy RT(1574718322750 10288) q(0 0 0 -1) r(19 19) U16
<list2d>
<analytics>.....</analytics>
<title>Detail</title>
<logo>.....</logo>
<themes>detail</themes>
<hero>.....</hero>
<pointer>.....</pointer>
<pointer>.....</pointer>
</list2d>
In addition to the basic detail returned in the search endpoint, this endpoint's response also includes information about some of the episodes and related shows. It also includes the filter information that you can use to get to further episodes (which seasons are available, different versions of the show that are available, etc).
/list2d/pointer[0]/longList/palette/filter[*]
- Contains the various filters available for searching episodes, like season./list2d/pointer[0]/items[0]
- Contains the "watch next" information (ie, the next episode the given user has queued up)/list2d/pointer[0]/items[1]/item[*]
- Contains the begining of the episode list (season 1?) to render an initial list fromTo get a list of episodes, you need to know 2 things: the show ID, and what part of the show you want (eg. what season, etc). The available filters can be found in the show details endpoint, or they are also available in any payload from the get episodes endpoint (so you can request without filters, then make additional requests with filters to get more results). Authentication does seem to have an impact on what you get back from this endpoint, but I haven't dug in far enough to see what, exactly, is different. The core details do come back regardless of authentication.
The show ID goes in the query string, in the show
parameter. Additional filters are also passed in the query string, under the parameter names listed in the payload.
GET /xml/longlist/episodes/?territory=US&show=37745 HTTP/1.1
Host: prod-api-funimationnow.dadcdigital.com
Accept: */*
Authorization: Token .....
HTTP/1.1 200 OK
Content-Language: en
Content-Type: application/xhtml+xml
Date: Mon, 25 Nov 2019 22:10:00 GMT
Server: nginx
Vary: Accept-Language, Cookie
X-FRAME-OPTIONS: SAMEORIGIN
transfer-encoding: chunked
Connection: keep-alive
X-CDN: Incapsula
X-Iinfo: 3-55901563-55923983 SNNy RT(1574719643708 156852) q(0 0 0 -1) r(3 3) U16
<longList>
<background>.....</background>
<themes>vertical</themes>
<palette>
<filter>.....</filter>
<filter>.....</filter>
</palette>
<items>.....</items>
</longList>
/longList/background
- Contains background images to display when viewing the episode list/longList/palette/filter[*]
- Contains the various filters available for searching episodes, like season./longList/items
- The episodes list/longList/items/item[*]/thumbnail
- Contains the tumbnail images for the episode/longList/items/item[*]/legend/filter
- Contains additional filters when playing this episode, like available audio languages/longList/items/item[*]/pointer/params
- Contains the parameters needed to request the actual video/longList/items/item[*]/content/description
- Contains the description for the episodeTo get the video player details, you need the show ID and the video ID. Optionally, you can also pass an audio language ID.
> GET /xml/player/?territory=US&showId=29962&watched=0&audio=1&id=4463 HTTP/1.1
> Host: prod-api-funimationnow.dadcdigital.com
> Authorization: Token .....
> Accept: */*
HTTP/1.1 200 OK
Content-Language: en
Content-Type: application/xhtml+xml
Date: Mon, 25 Nov 2019 23:43:11 GMT
Server: nginx
Vary: Accept-Language, Cookie
X-FRAME-OPTIONS: SAMEORIGIN
transfer-encoding: chunked
Connection: keep-alive
X-CDN: Incapsula
X-Iinfo: 8-69381623-69396895 PNNy RT(1574725309085 81071) q(0 0 0 -1) r(13 13) U16
<player>
<customPanel>.....</customPanel>
<item>
<video>.....</video>
<ratings>.....</ratings>
<hls>
<url>.....</url>
<closedCaptionUrl>.....</closedCaptionUrl>
</hls>
<related>.....</related>
<history>.....</history>
</item>
</player>
/player/item/hls/url
- Contains the URL to the actual video streamThis endpoint can also "fail" with a mature content error (still a 200 response):
HTTP/1.1 200 OK
Content-Language: en
Content-Type: application/xhtml+xml
Date: Mon, 25 Nov 2019 23:41:49 GMT
Server: nginx
Vary: Accept-Language, Cookie
X-FRAME-OPTIONS: SAMEORIGIN
Content-Length: 180
Connection: keep-alive
<error>
<errorCode>200</errorCode>
<techErrorMessage>Mature Content</techErrorMessage>
<userErrorMessage>This video contains mature content.</userErrorMessage>
</error>
Generated using TypeDoc


Man uses machete to hold up newsagency in Murray Bridge | Six arrested over Flinders Park brek-in
A man is on the run after using a machete to hold up a newsagency just after 5pm yesterday. Meanwhile, six people have been arrested over an armed break-in in Adelaide's west.
The man, wearing a grey hoodie and with his face covered, entered the business on Swanport Rd about 5.15pm.
Police say he threatened staff with a machete and stole an amount of cash before running away east on Robe St.
Patrols searched the area, but could not find the man. Crime scene investigators and detectives attended the scene.
He is described as being about 175cm tall with a slim build. He was wearing black track pants, blue sneakers, black gloves and dark sunglasses.
If you have any information that may assist the investigation please contact Crime Stoppers South Australia on 1800 333 000 or report online - you can remain anonymous
SIX ARRESTED OVER ARMED BREAK-IN
Police have arrested six men over an aggravated break-in in Adelaide's western suburbs on Thursday.
Just before 4.30pm, it is alleged three men, supposedly armed with guns, forced their way into a home on Van Dieman St in Flinders Park.
Police say they ransacked the home, stealing a laptop, mobile phones and personal items before driving off in a small black vehicle.
It was last seen heading east on Grange Rd.
Later in the day, Western District Detectives attended a house in Kilburn, where they arrested six men in connection with the robbery.
The men, aged between 18 and 21, have all been charged with aggravated serious criminal trespass and theft.


- slack: #poland-warsaw na gophers.slack.com
- slack: #poland na gophers.slack.com
- Facebook: Golang poland
Speakers welcome
Let us know whether we can help
SMACC.io ⇒ Hypatos.ai
SMACC.io reminds as a SaaS
Today
- Przejdźmy na GO! – studium przypadku
Katarzyna Rybacka, Paweł Marchewka, Codilime
- Let us provide good content on cloud-native.pl!
Christopher Lozinski, PythonLinks.info
- Golang Code Optimization
Oleg Kovalov, github.com/cristaloleg
Dev speed-datingconversations?
How it works ? (beta)
- 101 conversations with other Gophers
- Few (3-5) rounds in 20-25 minutes
- Each round takes X minutes
Dev speed-datingconversations?
How it works ? (beta)
- All languages, english, polish, klingon
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- Give us feedback about the idea


Maradona
The man with hand of GOD
Maradona at his youger age
Timeline of Maradona
- 1960 : He was born in Buenos Aires
- 1976 : he devuted in Argentinos Jr.
- 1981 : he started playing with Boca Jr.
- 1982 : transfered to Barcelona
- 1984 : he moved to Napoli
- 1986 : he won the world cup
- 1990 : he got to the world cup's finals
-
2000 : he won the Fifa's player of the century
-
2010 : he couched the national team of Argentina
"When people succeed, it is because of hard work. Luck has nothing to
do with success." -- Diego Maradona
If you want to read more about Maradona, go
here


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THE DAYTRIPPERS A film review by Mark R. Leeper Copyright 1997 Mark R. Leeper
Capsule: After a woman finds a love poem among her husbands things, she and her whole family spend a trying day in Manhattan looking for the husband and playing detective. The ultra-low budget comedy- drama has a few nice moments, some pointless-seeming sequences, and finally seems to run out of film just when the story starts. Rating: 0 (-4 to +4) New York Critics: 13 positive, 0 negative, 5 mixed
THE DAYTRIPPERS has the feel of a story written in a PC. It starts as scenario that can be described in two or three sentences. But that is too short to make a film so sequences are added one at a time like Christmas decorations on a tree to pad the scenario until there is enough there to fill out a script. Some of the added sequences interconnect, most do not. Mostly you take the scenic route through the original three sentences, learning about the people traveling with you and some of the people you pass along the way. In the end the value of the whole comprises very little more than the sum of the value of the parts. It is apparently writer/director Greg Mottola's belief that if you see the characters in enough disconnected situations you will see sufficient facets of their personality to come to understand them. Perhaps there is some truth to that, but one wants more of a story than is provided here.
Eliza (played by Hope Davis) and Louis (Stanley Tucci) are a comfortable suburban couple living not far from Eliza's parents Rita (Anne Meara) and Jim (Pat McNamara). Eliza teaches fourth grade and Louis is an executive at a Manhattan-based book publisher. Then on the day after Thanksgiving, Eliza finds an Andrew Marvell love poem that has fallen out of Louis's pocket. Asking Rita for advice, her mother suggests going into Manhattan and confronting Louis directly. And the more people for support the better. So Eliza, her parents, her sister Jo (Parker Posey) and her sister's boyfriend Carl (Liev Schreiber) all go trooping off in the family station wagon to Manhattan to find Louis and hopefully the truth. It is a trying day in the city for each of them as well as some of the people in Manhattan that they involve. Along the way they have various small adventures, but the adventures are not very interesting in themselves, do not tell us a lot about the family members, and do not advance the plot. Much of this film is picking up on the texture of the characters, which is a bit threadbare, and waiting for something to happen. We get validation of our first impressions that Rita is a meddling busybody. There is confirmation that Jim is a long-suffering father who really is a font of wisdom if people would only notice and listen to him. We see that Jo is not as ready to commit to Carl as she thinks she is. And Carl, the writer, is really just a big fish in a small intellectual pond. We get something of how he thinks as he recounts in detail the plot of his novel, a rather simplistic symbolic work about a man with the head of a dog. (Curiously the release of this film seems to coincide with the publication of a real novel that would seem to have some similarities to his fictional novel: Kirsten Bakis's LIVES OF THE MONSTER DOGS.)
Anne Meara actually does a fairly good job as the overbearing Rita. In many ways she is more believable than Debbie Reynolds was in MOTHER. The film does not make adequate use of Pat McNamara who really makes the film come alive when he is given anything to do. Parker Posey who at one time seemed to overpower her roles intentionally gives a somewhat more subdued performance in this as she did in WAITING FOR GUFFMAN. Director Mottola seems to be keeping an eye on expenses as is producer Steven Soderbergh, whose films tend to be simple actors in front of a camera. The score is apparently done on a single guitar. Perhaps it was just the quality of the print I saw, but the colors were a little washed out.
By structuring his story so that the most interesting events fall in the very latest part of the film Mottola makes his film at once too long and one that the viewer is hoping will not end when it does. This is a film for the patient. I rate it a 0 on the -4 to +4 scale.
Mark R. Leeper<EMAIL_ADDRESS>The review above was posted to the
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