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The Picture of Dorian Gray
The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden there came through the open door the heavy scent of the lilac, or the more delicate perfume of the [pink] flowering thorn.
From the corner of the divan of Persian saddle-boys on which he was lying, smoking, as [-was-his-custom-], [usual] innumerable cigarrettes, Lord Henry Wotton could just cath the [-------–—] gleam of the honey-sweet and hony-colored blossoms of the laburnum, that was hanging from the tremulous branches that seemed hardly able to bear th burden of a beauty so flame-like as theirs: and, now and then, the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid jade-faced painters who, in an art that is seemingly immobile, seek to convey the laws of swiftness and motion. The sudden murmur of the bees shouldering their way through the long unmown grass
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or circling with monotonous insistance round the black-crocketed spines of the early [June] holly-hocks, seemed to make the stillness more oppressive, [--–—] [---------------------------------–—] [---------------------------------–—] [-------–—] and the dim roar of London was like the bourdon note of [a distant] organ.
In the center of the room, [–—] [clamped to] an upright easel, [was standing] the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, [–—] sat the [-painter-] [artist himself,] Basil hallward, whose sudden disappearance some years ago caused [at the time] such [public] excitement, and [---–—] [gave rise to] [so many][strange] conjectures.
As he looked at the gracious and comely form he had so skillfully mirrored in his art, a [--–—] smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and closing his eyes placed his fingers upon the lids, as though he sought to imprison within his brain some [-----–—] [---------------------------------–—] [—] [curious] [–—] dream from which he feared he might awake.
"It is your best work, Basil,
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the best thing you have ever done," said Lord Henry languidly. "You must certainly send it [next year] to the Grosvenor. The Academy is too large, and too vulgar. The Grosvenor is the only place."
"I don't think I will send it any where," he answered, tossing his head back in that odd way that used to make [-—] [his friends] laught at him in Oxford. "No: I won't send it any where. And yet, you are quite right about it. It is my best work."
Lord Henry elevated his eyebrows, and looked at him in amazement through the thin blue wreathes of smoke that curled [up in such fanciful whorls] [-—] from his heavy opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do any thing in the world to gain a reputation. And soon as you have [-—] [one], you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men [quite]
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jealous, if old men are [even] capable of any emotion."
"I know you will laugh at me," he replied, "but I really can't exhibit it. I have put too much of myself into it."
Lord Henry stretched his long legs out on the divan, and shook with laughter.
"Yes: I knew you would laugh, but it is quite true, all the same."
"Too much of yourself in it! Upon my word, [Basil] I didn't know you were so vain, and I really can't see any resemblance between you with your rugged strong face, and your coal-black hair, and this young Adonis, who looks as if he was made of ivory and rose-leaves. Why, my dear Basil, he is a narcissus! And you–well of course you have an intellectual expression, and all that. But Beauty, real Beauty, [-only begins-] [ends] where an intelleCtual expression begins. Intellect is in itself an exaggeration, and destroys the harmony of any face. The moment one [-—] sits down to think, one becomes all nose, or all forehead, or something horrid.
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Look at the successful men in any [-—] [of the] learned professions. How perfectly hideous they are! Except of course in the Church. But then in the Church they don't think. A Bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and consequently he [always] looks absolutely delightful. Your mysterious young friend, whose name you have never told me but whose picture really fascinates me, never thinks. I feel quite sure of that. He is a brainless, beautiful thing, who should be always here in winter when we have no flowers to look at, and [always here] in summer when we want something to chill our intelligences. Don't flatter yourself, Basil. You are not in the least like him."
"You don't understand me, Harry. Of course I am not like him. I know that perfectly well. Indeed I should be sorry to look like him. You shrug your shoulders? I am telling you the truth. There is a fatality about all physical as well as intellectual distinction, the sort of fatality that seems to dog [through history the faltering] [-—] steps of Kings. It is better not to be different from one's
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fellows.  They can sit quietly, and gape at the play. If they know nothing of victory, they are [at least spared] [-—] the knowledge of defeat. They live as we all should live, undisturbed, indifferent, and without disquiet. They neither bring ruin upon ohers, nor ever receive it from alien hands.
"Dorian Grey? Is that his name?" said Lord Henry, walking across the studio toward Basil Hallward.
"Yes: that is his name. I did'nt intend to tell [it to] you."
"But why not?"
"Oh! I can't explain. [-—] When I like people immensely, I [-cannot-] [never] tell their names to any one. It seems like surrendering a part of them. You know how I love secrecy. It is the only thing that can make a modern life woderful, or mysterious to us. The commonest thing is delightful if one only hides it. When I
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[-dine out-] [leave town] I never tell my people where I am going. If I did, I would lose all my pleasure. It is a silly habit, I daresay, but somehow it [-—] seems to bring a great deal of romance into one's life.
"Not at all," answered Lord Henry, laying his hand upon his shoulder; "not at all, my dear Basil. You seem to forget that I am married, and the one charm of marriage is that it makes a life of deception absolutely necessary for both parties. I mnever know [-—] [where] my wife is [-—], and my wife never knows [-—] [what] I am [doing.] When we meet – we do meet occasionally, when we dine, out[together], or go down to the Duke's – we tell each other the most absurd stories with the most serious faces. My wife is very good at it, much better in fact than I am. She never gets confused over her dates, and I always do. But when she does find me out, she never makes a row. I sometimes wish she did, but she merely laughts at me."
"I hate the way you talk
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about your married life, Harry," said Basil Hallward, shaking his hand off, and strolling towards the door that led into the garden. "I believe that you are really a very good husband, but that you are thoroughly ashamed of your own virtues.  You neve say a moral thing, and you never do a wrong thing. Your cynicism is simply a pose."
"Being natural is simply a pose, and the most irritating pose I know, [-said-] [cried] Lord Henry laughing, and the two young men went out into the garden together, and for a time they did not speak. [-to each other-]
After a long pause Lord Henry pulled out his watch. "I am afriad I must be going Basil," he [-said-] [murmured]," and before I go I insist on you answering me a question I put to you [-—] [half an hour] ago."
"What is that?" asked Basil Hallward, keeping his eyes fixed on the ground.
"You know quite well."
"I do not, Harry."
"Well, I will tell you what it is."
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"Please don't."
"I must. I want you to [explain to] [-tell-] me why you won't exhibit Dorian Gray's picture. I want the real reason."
"I told you the real reason."
"No: you did not. You said it was because there was too much of yourself it. Now, that is childish."
"Harry," said Basil Hallward, [-taking-] [-hold of his hand, and-] looking him straight in the face, "Every portrait that is painted with [-passion-] [feeling] is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter, it is rather the painter who [on the colours of the canvas] reveals himself. The reason why I will not exhibit this picture, is that I am afraid that I have shown in it the secret of my own soul."
Lord Henry [-hesitated for a-] [laughed] [-moment-]. "And what is that?" he asked. [-in a low voice-].
"I will tell you," said Hallward, and an [-look-] [expression] of [-pain-] [perplexity] came over his face.
"[-Don't if you would rather not-] [I am all expectation, Basil]," murmured his companion, looking at him.
"Oh! There is really very little to
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tell you, Harry," answered the young painter; "and I am afraid you will hardly understand it."
Lord Henry smiled, and leaning down plucked a ping-petalled daisy from the grass, and examined it. "I am quite sure I shall understand [-you-] [it]," he replied, gazing intently at the little golden white-feathered disk. [-that has charmed all our-] [-poets from Chaucer to Tennyson-].
The wind shook some blossoms from the trees, and the heavy lilac blooms, with their clustering stars, moved to and fro in the languid air. A [-bird-] [grasshopper] began to [-sing-] [chirrup] in [-a thicket-] [the grass], and a long thin dragon-fly floated [-past-] [by] on its brown gauze wings. Lord Henry felt as if he coul hear Basil Hallward's heart beating, and he [-heard his own breath, with a sense-] [wondered] [-almost of fear-] [what was coming.].
"Yes: there is very little to tell you," repeated Hallward [rather bitterly] "and I [-am afraid-] [daresay] you will be disappointed. Two months ago I went to a crush at Lady Brandon's. You know we poor painters have to show ourselves in society from time to time, just to remind the public that we are not savages. With an evening coat and a white tie, [as you told me once] any
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body, [even a stockbroker,] can gain a reputation for being civilized. Well, after I had been in the room about ten minutes, talking to huge over-scented dowagers and tedious academicians, I suddenly [-felt-] [became conscious] that some one was looking at me. I turned half way round, and saw Dorian Gray for the first time. When our eyes met, I felt that I [-grew-] [was growing] pale. A curious [-—] [feeling] of terror came over me.  I did not want any [extreme] influence [-of that kind-] in my life. You know yourself, Harry, how independant I have always been. My father destined me for the army. I insisted on going to Oxford. Then he made me enter my name at the middle temple. Before I had eaten half a dozed dinners I gave up the Bar, and announced my intention of becoming a painter. I have always been my own master; had at least always been so till I met Dorian Gray. Then – but I [-—] don't know how to explain it to you. Something seemed to tell me that I was on the verge of [-—] a terible crisis in my
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life. I had a strange feeling that [—] [fate] had in store for me exquisite joys and exquisite sorrows. I knew that if I spoke to him, I would [-never leave him till either he or-] [become absolutely devoted to him, and that I ought] [-I were dead-] [not to speak to him.] I grew afraid, and turned to [-leave-] [quit] the room. It was not conscience [that made me do so,] it was cowardice. I [—] take no credit to myself for trying to escape."
"Conscience and cowardice are really the same things, Basil. Conscience is the trade-name of the firm, that is all."
"I [--–—] [don't believe that, Harry] [^-—]. However, whatever was my motive, and it may have been pride, for I used to be very proud, I certainly struggled to the door. There of course I stubled against Lady Brandon. "You are not going to run away so soon, Mr. Hallward?" She screamed out. You know her shrill horrid voice?"
"Yes: she is a peacock in every thing but beauty," said Lord Henry, pulling the daisy to bits with his long nervous fingers.
"I could not get rid of her. She brought me up to the Royalties, and people with Stars and Garters, and elderly ladies with gigantic tiaras [and hooked noses]. She spoke of me as her dearest
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friend. I had only met her once before, but she took it into her head to lionize me. I believe some picture of mine had made a great success at the time, at least had been chattered about in the penny newspapers, which is the nineteenth century [—] [standard] of [fame] [immortality].  We were quite close, almost touching. Our eyes met, again. It was mad of me, but I asked Lady Brandon to introduce me to him. Perhaps it was not so mad after all. It was simply inevitable. We would have spoken to each other without any introduction. I am sure of that. Dorian told me so afterwards."
"And how did Lady Brandon describe this wonderful young [—] [man?]? I know she gives in for giving a rapid precis of [all] her guests. I remember her bringing [-up to-] me up to a most truculent and red-faced old [-man] [gentleman] covered all over with orders and ribands, and hissing into my ear in a tragic whisper, which must have been perfectly audible to every body in the room, something like "Sir Humpty Dumpty – you know –
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Afghan frontier – Russian intelligence: very successful man – [-quite inconsolable-] [-wants to marry-] wife killed by an elephant – quite inconsolable – wants to marry a [beautiful] American widow [every body does now-a-days] – hates Mr. Gladstone – but very much interested in beetles – ask him about the new [—] military frontier. "[—] I simply fled. I like to find out people for myself. But poor Lady Brandon treats her guests, exactly as an auctioneer treats his goods. She either explains them [entirely] away or tells one everything about them [-that-] [-one does not-] [except what one] wants to know. But what did she say about Mr. Dorian Gray?"
"Oh, she murmered, 'charming boy – going to be so ruch – mother and I great friends – engaged to be married to the same man – I mean married on the same day – how very silly of me! Quite forget what he does – afriad he doesn't do anything – oh, yes plays the piano – or is it the violin, dear Mr. Gray?" We could niether of us help laughing, and we became friends at once."
"Laughter is not a bad beginning for for a friendship, and it is the best ending for one," said Lord Henry plucking another daisy.
Hallward burried his face [—]
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in his hands." You don't understand what friendship is, Harry," he murmured," or what enmity is for that matter. You like every one, [-which is the same as –—] [that is to say] you are indifferent to every one."
"How horridly unjust of you," cried Lord Henry, tiling his hat ack, and looking up at the little clouds that were drifting across the hollowed turquoise of the [summer] sky, like ??? skeins of glossy white ???. "Yes" horribly unjust of you. I make a great different between people. I choose my friends for their good looks: my acquaintences for their characters: and my enemies for their brains. A man can't be too careful in the choice of his enemies.  They are all men of some intellectual power, and consequently they all appreciate me. Is that very vain of me? I think it is rather vain."
"I should think it was, Harry. But according to your category, I must be merely an acquaintance."
"My dear old Basil, you are much more than an acquaintance…
"And much less than a friend. A sort of brother, I suppose?
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"Oh! Brothers! I don't care for brothers. My elder brother won't die, and my younger brothers [seem] never [to] do anything else."
"Harry!"
"My dear fellow, I am not quite serious. But I can't help detesting my relations. I suppose it comes from the fact that we can't stand other people having the same faults as ourselves. I quite sympathize with the rage of the [English] democracy [-to English-] against what they call the vices of the upper classes.  When poor Southwark got into the Divorce Court, their [-rage-] [indignation] was quite magnificant. And yet I don't suppose that ten per cent of the lower orders live with their own wives."
"I don't agree with a single word that you have said, and, what is more, [Harry,] I don't believe you do either."
"Lord Henry [-pulled his little-] [-straw-colored mousatache, and-] stroked his pointed [-Henry —] [+brown] beard, and
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tapped the toe of his patent-leather boot with a [-thick-] [tasseled] malacca-cane.  If one puts forward an idea to a real Englishman – always a rash thing to do – he never dreams of considering whether the idea is right or wrong. the only thing he considers of any important is whether one [-is sincere or putting-] [-it- —] believes it oneself. Now the value of an idea has nothing whatsoever to do with the sincerity of the man who expresses it. Indeed the probabilities are that the more insincere the man is, the more purely intellectual will the idea be, as [in that case] it will not be coloured by either his wants, his desires, or his prejudices. However, I don't propose to discuss [—] politics, sociology, or metaphysics with you. I like persons better than principle. Tell me more about Dorian Gray. How often do you see him?"
"Every day, Harry. I coudln't [—] be [–] [happy] if I didn't [–]see him every day. Of course, sometimes it is only for a few minutes, But a few minutes with somebody one worships mean a great deal."
"[—] [But] you [don't] really worship him?"
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"I do."
"How extraordinary! I thought you would never care for anything but your painting – your art, I should say. Art souns better, doesn't it?"
"He is all my art to me now. I sometimes think, Harry, that there are only two eras [of any importance] in the history of [the world] [-earth-], [the first is] the difference of a new medium [in art], and the second is [the] difference of a new personality [for art also.] What the invention of oil-painting was to the Venetians, the [-beauty-] face of Antinous was to late Greek sculpture, and the [-beauty-] [face] of Dorian Gray will some day be to me. It is not merely that I paint from him, draw from him, model from him. Of course I have done all that. He has stood as Paris in dainty armour, and as Adonis with huntsman's cloak and polished boar-spear. Crowned with heavy lotus-blossoms he has sat on the prow of Adrian's barge lookinginto the green turbid Nile. He has leaned over the still pool of some Greek woodland, and seen in the water's silent silver the wonder of his own [-face-] [beauty]: But he is much more to me than that. I won't tell you
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that I am dissatisfied with what I have done of him, or that his beauty is such that art cannot expres it. There is nothing that art cannot express, and I know the work that I have done, since I met Dorian Gray, is [—] good work, is the best work of my life. But in some curious way – I wonder will you understand me – his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently, I think of them differently. I can now recreate life in a way that was hidden from me before. "A dream of form in days of thought" – who is it [-that-] [who] says that? – I forget; – but it is what Dorian Gray has been to me. The merely visible presence of this [-boy-] [lad], though [-twenty summer have shown him-] [he is -just- over twenty] [-roses less scarlet than his lips-] his merely visible presence, ah! I wonder can you realize all that that means. Unconsciously he defines for me the lines of a fresh school, a school that is to have in itself all the passion of the [–—] [romanic] spirit, all the perfection of the spirit that is
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Greek. The harmony of soul and body – how much that is! We in our madness have separated the two, and have invented as a realism that is bestial, an ideality that is void. Harry! Harry! if you only knew what Dorian Gray is [to me]! You remember that landscape of mine, for which Agnew offered me such [—] a [-—] [huge] price, but whcih I would not part with? It is one of the best things I have ever done. And why is it so? Because, while I was painting it, Dorian Gray sat beside me, [-and as he leaned across-] [-to look at it, his cheek [-hair-] hair just-] [-brushed [-touched my] my cheek [-hand]. The world becomes-] [-young to me when I hold his hand,-] [-as when I ask him the -—] [-yield — their ----–—"]
"Basil, this is [–—] [quite wonderful. I] [must see Dorian Gray] [-not talk--–—with you-] [---------–—his power, you-] [-------–—to make yourself-] [-the--–—of—slave! It is-] [-worse than wicked, it is silly. I-] [-hate Dorian Gray-]"
Hallward got up from the seat, and walked up and down the garden. [-A curious smile curled-] [-his lips. He seemed like a man-] [-in a dream-]. After some time he came back. ‘You don’t understand
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Harry…" he said. "Dorian Gray is merely to me a motive in art. He is never more present in my work, then when no image of him is there. He is simply a suggestion, as I have said, of a new manner. I see him in the curves of certain lines, in the loveliness and subtleties of certain colours. That is all."
"Then why won’t you exhibit his [-picture-] [portrait]?"
"Because I have put into it [all] the [extraordinary] romance of which, [of course,] I have never dared to speak to him. He knows nothing about it, [he will never know anything about it] but the world [-would-] [might] guess it, and [-where there is-] [-merely love, they would see something-] [-evil, where there is spectacular passion-] [, they would suggest something vile], I will not bear my soul to their shallow [prying] eyes. My heart shall [-not be made their mockery-] [never be put under their microscope] . There is too much of myself in [—] [the thing,] Harry, too much of myself!"
"Poets are not so scrupulous as you are. They know how useful passion is for publication. Now-a-days a broken heart will run to many editions."
"I hate them for it. An artist should create beautiful things, but should put nothing of his own life into them. We live in an age which
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men treat art as if it were meant to be an autobiography. We have lost the abstract sense of beauty. If I live I will show the world what it is, and for that lesson the world shall never see my portrait of Dorian Gray."
"I think you are wrong, Basil, but I won't argue with you. It is only the intellectually lost who ever argue. Tell me; is Dorian Gray very fond of you?"
Hallward considers for a few moments. "He likes me," he answered after a pause; "I know he likes me. Of course I flatter him dreadfully. I find a strange pleasure in saying things to him that I know I [-will-] [shall] be sorry for having said. I give myself away. [-I told him that-] [-beauty like his is genius, is higher-] [^—] ][-than genius, as it needs no-] [-explanation, and is one of the great-] [-facts of the world, like sunlight-] [-or spring time, or-] [-what –—] [-the explanation in-] [-dark waters of that thin silver-] [-shell we call the moon.-] As a rule, he is charming to me, and we walk home together, from the club, arm in arm, or sit in the studio [-— each other-] and talk of a thousand things. Now and then, [^—] [-the -----------------–—] however, he is horribly thoughtless, and
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seems to take a real delight in giving me pain. Then I feel, Harry, that I have given away my whole soul to someone [-seems to take a real delight in-] [-giving me pain. I can quite-] [-understand it. I can imagine-] [-myself doing it. But not to him,-] [-not to him. Once or twice we have-] [-been away together, then I have-] [had] [-him-] [-all to myself. I am horribly-] [-jealous of him, of course. I never-] [-let him talk to me of the-] [-people he knows.  He does not, I know. But it-] [-gives me pleasure to think that-] [-he does. Harry! I have given this-] [-boy-] [-young man-] [-my whole –—] [who] treats <------------–— it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day."
"Days in summer, Basil, are apt [-wax long-] [to linger]. Perhaps you will tire ssooner than he will. It is a sbad thing to think of, but there iis no doubt that genius lasts llonger than beauty. That accounts ffor the fact that [we all take such pains] [-we are all-] [[-horribly overeducated-] [to overeducate ourselves] in the wold sstruggle for existence, we want to hhave something that endures, and so wwe fill our minds with rubbish and ffacts, in the silly hope of keeping oour place. The thoroughly well-informed
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mman – that is [the modern ideal]. [-what we all try to-] [[-be-] And the mind of the thoroughly wwell-informed man is a dreadful tthing. It is like a bric-a-brac sshop, all monsters and dust, and eevery thing priced above its proper vvalue. I think you will tire first, aall the same. Some day you will llook at him, and he will seem to yyou to be a little out of drawing, oor you won't like his tone of ccolour, or something.  The next time he ccalls, you will be perfectly cold aand indifferent. It will be a ggreat pity, for it will alter you. Tthe worst of having a romance is that it makes one so unromantic.
"Harry, don't talk like that. [-I-] [-am not afriad of things, but I-] [-am afraid of words. I cannot-] [-understand how it is that no-] [-prophecy has ever been fulfilled. None-] [-has, I know. And yet it seems to-] [-me that to say a thing, is to-] [-bring it to pass. Whatever has found-] [-expression becomes true, and what-] [-has not found expression can never-] [-happen. As for genius lasting longer-] [-than beauty – it is only the-] [-transitory that stirs me. What is-]
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[-permanent is monotonous, and-] [-produces no effect. Our senses-] [-become dulled by what is always-] [-with us-]. As long as I like, the personality of Dorian Gray will dominate me. [-If it -–—] [-memory, threr will be a magic in-] [-it----–—dream it-] [-will be more real than reality-] You [-cannot-] [can't] [–—] [feel] what I feel. You change too often."
"Ah! My dear Basil, that is exactly why I can feel it. Those who are faithful know only the pleasures of love, it is the faithless who know love's tragedie," and Lord Henry struck a light on a dainy silver case, and began to smoke a cigarette with a self-conscious and self-satisfied air, as if he had summed up life in a phrase. There was a rustle of chirriping sparrows in the ivy, and the blue cloud-shadows chased themselves across the grass like swallows. How pleasant it was in the garden! And how delightful other people's emotions were! Much more delightful than their ideas, it seemed to him. One's own soul, and the passions of one's friends – those were the fascinating things in life. He thought
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with pleasure of the tedious luncheon that he had missed by staying so long with Basil Hallward. Had he gone to his aunt's, he would have been quite sure to have met Lord Goodbody there, and the whole conversation would have been about the housing of the poor, and the necessity for model lodging-houses. It was charming to have escaped all that! As he thought of his aunt, an idea seemed to strike him. He turned to Hallward, and said "My dear fellow, I have just remembered."
"Rememberd what, Harry?"
"Where I heard the name of Dorian Gray."
"Where [-I heard the name of-] was it?" Asked Hallward, with a slight frown.
"Don't look so angry, Basil. It was at my aunt's, Lady Agatha's. She told me she had discovered a wonderful young man, who was going to help her in the East End, and that his name was Dorian Gray. I am bound to state that she never told me he was good-looking. Women have no appreciation of good looks. At least, good women have not. She saw that he was very earnets, and had
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a beautiful nature. I at once pictured to myself a creature with spectacles and -no-] [lank] hair, horribly freckled, and [tramping about on] [-with-] huge feet. I wish I had known it was your friend."
"I am glad you didn't, Harry."
"Why?"
"I don't want you to meet him."
"Mr. Dorian Gray is in the studio, Sir" said the butler coming into the garden.
"you must introduce me now," [-said-] [cried] Lord Henry, laughing.
Basil Hallward turned to the [-servant-] [butler] who stood blinking in the sunlight. "Ask Mr. Gray to wait, Parker; I will be in in a few moments." The man bowed, and went up the walk.
Then he looked at Lord Henry. "Dorian Gray is my dearest friend," he said. "He has a simple and a beautiful nature. Your aunt was quite right in what she said of him. Don't spoil him for me. Don't ry to influence him. Your influence would be bad. The world is wide, and has many marvellous people in it. Don't take away from me the one person that makes life [-lovely-]
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absolutely lovely to me, and that gives me my art whatever wonder or charm it possesses. Mind, Harry, I trust you." He spoke very slowly, and the words seemed wrung out of him as almost against his will.
"What nonsense you talk," said Lord Henry smiling, and, taking Hallward by the arm, he almost led him into the house.


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British Association of Mindfulness Based Approaches (BAMBA)
(formerly the UK Network for Mindfulness-Based Teacher Training Organisations)
As the availability of mindfulness-based interventions (MBIs) continues to expand, it becomes increasingly important to ensure that the training and delivery of these approaches adhere to recognised standards supporting safe and ethical practice. The British Association of Mindfulness Based Approaches (BAMBA), of which Sussex Mindfulness Centre is a member, was established (as the UK Network) in 2006, and is the lead organisation overseeing the quality of mindfulness-based training in the UK. Read more about BAMBA


Swipe is a beautiful and free one page Bootstrap 5 Template created to showcase your awesome mobile app.
No spam. Pinky swear.
Copyright © Themesberg 2019-2020. All rights reserved.


AWS::GameLift::Build
The AWS::GameLift::Build
resource creates a game server build that is
installed and run on instances in an Amazon GameLift fleet. This resource points to an Amazon
S3 location that contains a zip file with all of the components of the game server
build.
Syntax
To declare this entity in your AWS CloudFormation template, use the following syntax:
JSON
{ "Type" : "AWS::GameLift::Build", "Properties" : { "Name" :
String
, "OperatingSystem" :String
, "StorageLocation" :StorageLocation
, "Version" :String
} }
YAML
Type: AWS::GameLift::Build Properties: Name:
String
OperatingSystem:String
StorageLocation:StorageLocation
Version:String
Properties
Name
-
A descriptive label that is associated with a build. Build names do not need to be unique.
Required: No
Type: String
Minimum:
1
Maximum:
1024
Update requires: No interruption
OperatingSystem
-
The operating system that you built the game server binaries to run on. This value determines the type of fleet resources that you can use for this build. If your game build contains multiple executables, they all must run on the same operating system. If an operating system is not specified when creating a build, Amazon GameLift uses the default value (WINDOWS_2012). This value cannot be changed later.
Required: No
Type: String
Allowed values:
AMAZON_LINUX | AMAZON_LINUX_2 | WINDOWS_2012
Update requires: Replacement
StorageLocation
-
Information indicating where your game build files are stored. Use this parameter only when creating a build with files stored in an Amazon S3 bucket that you own. The storage location must specify an Amazon S3 bucket name and key. The location must also specify a role ARN that you set up to allow Amazon GameLift to access your Amazon S3 bucket. The S3 bucket and your new build must be in the same Region.
If a
StorageLocation
is specified, the size of your file can be found in your Amazon S3 bucket. Amazon GameLift will report aSizeOnDisk
of 0.Required: No
Type: StorageLocation
Update requires: Replacement
Version
-
Version information that is associated with this build. Version strings do not need to be unique.
Required: No
Type: String
Minimum:
1
Maximum:
1024
Update requires: No interruption
Return values
Ref
When you pass the logical ID of this resource to the intrinsic Ref
function, Ref
returns the build ID, such as
build-1111aaaa-22bb-33cc-44dd-5555eeee66ff
.
For more information about using the Ref
function, see Ref.
Fn::GetAtt
Examples
Create a Custom Game Server Build
The following example creates a GameLift build named MyGameServerBuild
. The
build package is located in an S3 bucket, specified by the S3Bucket
and
S3Key
input parameters. The example also creates the AWS Identity and Access Management role
that GameLift assumes so that it has permissions to download the build package files.
JSON
{ "Resources": { "IAMRole": { "Type": "AWS::IAM::Role", "Properties": { "AssumeRolePolicyDocument": { "Version": "2012-10-17", "Statement": [ { "Effect": "Allow", "Principal": { "Service": [ "cloudformation.amazonaws.com", "gamelift.amazonaws.com" ] }, "Action": "sts:AssumeRole" } ] }, "RoleName": "BuildIAMRole", "Policies": [ { "PolicyName": "gamelift-s3-access-policy", "PolicyDocument": { "Version": "2012-10-17", "Statement": [ { "Effect": "Allow", "Action": [ "s3:GetObject", "s3:GetObjectVersion", "s3:GetObjectMetadata", "s3:*Object*" ], "Resource": [ "arn:aws:s3:::MyBucketName/*" ] } ] } } ] } }, "BuildResource": { "Type": "AWS::GameLift::Build", "Properties": { "Name": "MyGameServerBuild", "Version": "v1.0", "OperatingSystem": "WINDOWS_2012", "StorageLocation": { "Bucket": "MyBucketName", "Key": "MyGameBuildFiles.zip", "RoleArn": { "Fn::GetAtt": [ "IAMRole", "Arn" ] } } } } } }
YAML
Resources: IAMRole: Type: "AWS::IAM::Role" Properties: AssumeRolePolicyDocument: Version: "2012-10-17" Statement: - Effect: "Allow" Principal: Service: ["cloudformation.amazonaws.com", "gamelift.amazonaws.com"] Action: "sts:AssumeRole" RoleName: "BuildIAMRole" Policies: - PolicyName: gamelift-s3-access-policy PolicyDocument: Version: '2012-10-17' Statement: - Effect: Allow Action: - "s3:GetObject" - "s3:GetObjectVersion" - "s3:GetObjectMetadata" - "s3:*Object*" Resource: - "arn:aws:s3:::MyBucketName/*" BuildResource: Type: AWS::GameLift::Build Properties: Name: MyGameServerBuild Version: v1.0 OperatingSystem: WINDOWS_2012 StorageLocation: Bucket: "MyBucketName" Key: "MyGameBuildFiles.zip" RoleArn: !GetAtt IAMRole.Arn
See also
Create GameLift resources using Amazon CloudFront in the Amazon GameLift Developer Guide
-
Create a build with files in Amazon S3 in the Amazon GameLift Developer Guide
-
Upload script files in Amazon S3 in the Amazon GameLift Developer Guide
CreateBuild in the Amazon GameLift API Reference


- BattleController - Class in controllers
-
This is the controller that manages the Attack phase entirely.
- BattleController(GameMap, String) - Constructor for class controllers.BattleController
-
Constructor for the Battle Controller
- BattleControllerTest - Class in controllers
-
test class to check the functionalities of BattleController.java
BattleController
*
- BattleControllerTest() - Constructor for class controllers.BattleControllerTest
-
- borders - Variable in class models.GameMap
-
Stores an adjacency list of all borders.
- borders - Variable in class models.state.GameState
-
Stores an adjacency list of all borders.
- buildArmiesTradedForSet(GameState) - Method in class utils.ConcreteGameMapBuilder
-
This method builds the armies of traded set variable.
- buildArmiesTradedForSet(GameMap) - Method in class utils.ConcreteGameStateBuilder
-
Builds armies traded for set
- buildArmiesTradedForSet(GameState) - Method in class utils.GameMapBuilder
-
This method builds armiesTradedForSet
- buildArmiesTradedForSet(GameMap) - Method in class utils.GameStateBuilder
-
build armies traded for set from gamemap
- buildBorders(GameState) - Method in class utils.ConcreteGameMapBuilder
-
This method builds the borders.
- buildBorders(GameMap) - Method in class utils.ConcreteGameStateBuilder
-
builds borders from game map
- buildBorders(GameState) - Method in class utils.GameMapBuilder
-
This method builds the borders.
- buildBorders(GameMap) - Method in class utils.GameStateBuilder
-
build borders from game map
- buildCardCount(GameState) - Method in class utils.ConcreteGameMapBuilder
-
This method builds the cardCount variable.
- buildCardCount(GameMap) - Method in class utils.ConcreteGameStateBuilder
-
Build card count for game map
- buildCardCount(GameState) - Method in class utils.GameMapBuilder
-
This method builds cardCount
- buildCardCount(GameMap) - Method in class utils.GameStateBuilder
-
build card count from gamemap
- buildContinents(GameState) - Method in class utils.ConcreteGameMapBuilder
-
This method builds the continents.
- buildContinents(GameMap) - Method in class utils.ConcreteGameStateBuilder
-
Builds the continents.
- buildContinents(GameState) - Method in class utils.GameMapBuilder
-
This method builds the continents.
- buildContinents(GameMap) - Method in class utils.GameStateBuilder
-
build continents from gamemap
- buildCountries(GameState) - Method in class utils.ConcreteGameMapBuilder
-
This method builds the countries.
- buildCountries(GameMap) - Method in class utils.ConcreteGameStateBuilder
-
Builds the countries.
- buildCountries(GameState) - Method in class utils.GameMapBuilder
-
This method builds the countries.
- buildCountries(GameMap) - Method in class utils.GameStateBuilder
-
build countries from gamemap
- buildCurrentContext(GameState) - Method in class utils.ConcreteGameMapBuilder
-
This method builds the current context.
- buildCurrentContext(GameMap) - Method in class utils.ConcreteGameStateBuilder
-
Builds the current context
- buildCurrentContext(GameState) - Method in class utils.GameMapBuilder
-
This method builds the current context.
- buildCurrentContext(GameMap) - Method in class utils.GameStateBuilder
-
build context from game map
- buildCurrentPlayerIndex(GameState) - Method in class utils.ConcreteGameMapBuilder
-
This method builds the current player index.
- buildCurrentPlayerIndex(GameMap) - Method in class utils.ConcreteGameStateBuilder
-
Builds current player Index
- buildCurrentPlayerIndex(GameState) - Method in class utils.GameMapBuilder
-
This method builds the currentPlayerIndex.
- buildCurrentPlayerIndex(GameMap) - Method in class utils.GameStateBuilder
-
build current player index from game map
- buildDeck(GameMap) - Static method in class models.GameMap
-
Builds the deck of RISK cards
- buildDeck(GameState) - Method in class utils.ConcreteGameMapBuilder
-
This method builds the deck of Card objects.
- buildDeck(GameMap) - Method in class utils.ConcreteGameStateBuilder
-
Builds deck from game map
- buildDeck(GameState) - Method in class utils.GameMapBuilder
-
This method builds the deck of cards.
- buildDeck(GameMap) - Method in class utils.GameStateBuilder
-
build deck from gamemap
- builder - Variable in class utils.GameMapDirector
-
builder for the game map
- builder - Variable in class utils.GameStateDirector
-
builder for GameState
- buildNumberOfTradedSet(GameState) - Method in class utils.ConcreteGameMapBuilder
-
This method builds the number of traded sets.
- buildNumberOfTradedSet(GameMap) - Method in class utils.ConcreteGameStateBuilder
-
Builds number of traded set
- buildNumberOfTradedSet(GameState) - Method in class utils.GameMapBuilder
-
This method builds the borders.
- buildNumberOfTradedSet(GameMap) - Method in class utils.GameStateBuilder
-
build number of traded set from game
- buildPlayersList(GameState) - Method in class utils.ConcreteGameMapBuilder
-
This method builds the Player List.
- buildPlayersList(GameMap) - Method in class utils.ConcreteGameStateBuilder
-
builds playerList from the game state
- buildPlayersList(GameState) - Method in class utils.GameMapBuilder
-
This method builds the list of players.
- buildPlayersList(GameMap) - Method in class utils.GameStateBuilder
-
build player list from gamemap


UserApi
This is the UserApi API
updateUser
This can only be done by the logged in user.
URL
http://petstore.swagger.wordnik.com/api/user/{username}
HTTP Method
PUT
Response Type
Parameters
username : string (path)
name that need to be deleted


{% extends "ilm/ilm_base.html" %} {% load static %} {% load ilm_extras %} {% block stylesheet %} {% endblock %} {% block javascript %} {% endblock %} {% block title %} {{ block.super }} - 48 ilmaennustuste kvaliteet {% endblock %} {% block content %}
Võrreldud on erinevate ilmaportaalide 6, 12 ja 24 tunni ennustuste täpsust võrrelduna tegeliku mõõtmisega
Perioodi keskmised:
| Aeg | yr.no | openweathermaps.org | ilmateenistus.ee | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 6h | 12h | 24h | 6h | 12h | 24h | 6h | 12h | 24h | |
| Viimased 24h | {% include "ilm/forecasts_quality_td.html" with q=data.bd_last24h_mean.6h_y_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last24h_mean.12h_y_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last24h_mean.24h_y_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last24h_mean.6h_o_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last24h_mean.12h_o_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last24h_mean.24h_o_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last24h_mean.6h_i_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last24h_mean.12h_i_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last24h_mean.24h_i_qual %}|||||||||
| Viimased 30p | {% include "ilm/forecasts_quality_td.html" with q=data.bd_last30d_mean.6h_y_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last30d_mean.12h_y_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last30d_mean.24h_y_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last30d_mean.6h_o_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last30d_mean.12h_o_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last30d_mean.24h_o_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last30d_mean.6h_i_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last30d_mean.12h_i_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last30d_mean.24h_i_qual %}|||||||||
| Viimane aasta | {% include "ilm/forecasts_quality_td.html" with q=data.bd_last01y_mean.6h_y_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last01y_mean.12h_y_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last01y_mean.24h_y_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last01y_mean.6h_o_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last01y_mean.12h_o_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last01y_mean.24h_o_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last01y_mean.6h_i_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last01y_mean.12h_i_qual %} {% include "ilm/forecasts_quality_td.html" with q=data.bd_last01y_mean.24h_i_qual %}
Viimased 24 tundi:
| Aeg | yr.no | openweathermaps.org | ilmateenistus.ee | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 6h | 12h | 24h | 6h | 12h | 24h | 6h | 12h | 24h | |
| {{ key|timestamp_to_time|date:"d.m H:i" }} | {% include "ilm/forecasts_quality_td.html" with q=element.6h_y_qual ft=element.forecast_6h_y_temp fp=element.forecast_6h_y_prec %} {% include "ilm/forecasts_quality_td.html" with q=element.12h_y_qual ft=element.forecast_12h_y_temp fp=element.forecast_12h_y_prec %} {% include "ilm/forecasts_quality_td.html" with q=element.24h_y_qual ft=element.forecast_24h_y_temp fp=element.forecast_24h_y_prec %} {% include "ilm/forecasts_quality_td.html" with q=element.6h_o_qual ft=element.forecast_6h_o_temp fp=element.forecast_6h_o_prec %} {% include "ilm/forecasts_quality_td.html" with q=element.12h_o_qual ft=element.forecast_12h_o_temp fp=element.forecast_12h_o_prec %} {% include "ilm/forecasts_quality_td.html" with q=element.24h_o_qual ft=element.forecast_24h_o_temp fp=element.forecast_24h_o_prec %} {% include "ilm/forecasts_quality_td.html" with q=element.6h_i_qual ft=element.forecast_6h_i_temp fp=element.forecast_6h_i_prec %} {% include "ilm/forecasts_quality_td.html" with q=element.12h_i_qual ft=element.forecast_12h_i_temp fp=element.forecast_12h_i_prec %} {% include "ilm/forecasts_quality_td.html" with q=element.24h_i_qual ft=element.forecast_24h_i_temp fp=element.forecast_24h_i_prec %}
Päevad:
| Aeg | yr.no | openweathermaps.org | ilmateenistus.ee | ||||||
|---|---|---|---|---|---|---|---|---|---|
| 6h | 12h | 24h | 6h | 12h | 24h | 6h | 12h | 24h | |
| {{ key.2|stringformat:"i" }}.{{ key.1|stringformat:"i" }}.{{ key.0|stringformat:"i" }} | {% include "ilm/forecasts_quality_td.html" with q=element.6h_y_qual %} {% include "ilm/forecasts_quality_td.html" with q=element.12h_y_qual %} {% include "ilm/forecasts_quality_td.html" with q=element.24h_y_qual %} {% include "ilm/forecasts_quality_td.html" with q=element.6h_o_qual %} {% include "ilm/forecasts_quality_td.html" with q=element.12h_o_qual %} {% include "ilm/forecasts_quality_td.html" with q=element.24h_o_qual %} {% include "ilm/forecasts_quality_td.html" with q=element.6h_i_qual %} {% include "ilm/forecasts_quality_td.html" with q=element.12h_i_qual %} {% include "ilm/forecasts_quality_td.html" with q=element.24h_i_qual %}


Fine
Art
View PortfolioEmerging artist Laila Raslan was born and raised in Syracuse, New York. Primarily though not exclusively interested in landscape, Raslan is drawn mostly to what she terms "anonymous spaces." Much of her work depicts scenes that could exist in various locations, or the beauty in the commonly overlooked. Raslan's path to fine art has taken unexpected turns, including a hiatus, which left her believing art would be peripheral in her life. However, in the mid 2000's, her passion for art was not only reignited but deepened also. She describes her return to art creation and deeper appreciation of art as "God-given, a gift from Christ that enriches and beautifies my life." Raslan's artistic influences are varied, initiating with the chiaroscuro forms of Renaissance paintings and the grand idyllic landscapes of the Hudson River School to contemporary masters such as T. Allen Lawson and Marc Hanson. Through viewing the work of others, she has gained a greater appreciation and understanding of the natural world. As iron sharpens iron, so one man sharpens another. "My desire is always to depict something fundamentally elusive, moments of the fleeting mixed with my own experiences of place and time, something that resonates with me personally. I may not be able to achieve this goal, but I continually desire to reach it."
AccoladesTo inquire about pricing and potential availability of work, please submit your information below.
123-456-6789


Satyam Das
JAVA Developer
I will be updating the main portfolio soon
My Skills
Basic HTML, CSS, Javascript, Java
MS Office
Typing...
My Hobbies
Reading Books
Writing Poems


Stakers can lock any amount of Acria Tokens to an Oracle Account and get a proportional share of fees reserved to stakers for each transaction.
20% of fees paid on the transactions are reserved to stakers.
The settlement of the fees is executed in real time, as soon you have some token locked you start to earn fees on the transactions to the selected Oracle.
You can unlock any time the stakes and the Oracle has no access to your tokens that you see in "reserve" of your account.


If your RDD is so large that all of it’s elements won’t fit in memory on the drive machine, don’t do this:
values = myVeryLargeRDD.collect()
Collect will attempt to copy every single element in the RDD onto the single driver program, and then run out of memory and crash.
Instead, you can make sure the number of elements you return is capped by calling take or takeSample, or perhaps filtering or sampling your RDD.
Similarly, be cautious of these other actions as well unless you are sure your dataset size is small enough to fit in memory:
1.countByKey
2.countByValue
3.collectAsMap
If you really do need every one of these values of the RDD and the data is too big to fit into memory, you can write out the RDD to files or export the RDD to a database that is large enough to hold all the data.
The article is HERE


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404!
Somthing went wrong
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Mannatthemes ©


| W/L | Fighter | Str | Td | Sub | Pass | Weight class | Method | Round | Time |
|---|---|---|---|---|---|---|---|---|---|
|
|
59 27 |
3 0 |
1 0 |
2 0 |
Middleweight |
SUB Rear Naked Choke |
3 |
4:23 |
|
|
|
20 18 |
0 0 |
0 0 |
0 0 |
Bantamweight |
KO/TKO Punch |
2 |
2:41 |
|
|
|
15 5 |
0 0 |
0 0 |
0 0 |
Women's Strawweight |
KO/TKO Punch |
1 |
3:03 |
|
|
|
70 42 |
0 0 |
0 0 |
0 0 |
Welterweight |
U-DEC
|
3 |
5:00 |
|
|
|
49 27 |
0 0 |
0 0 |
0 0 |
Middleweight |
KO/TKO Punches |
2 |
1:23 |
|
|
|
42 25 |
0 2 |
0 0 |
0 0 |
Lightweight |
KO/TKO Punch |
2 |
4:59 |
|
|
|
3 21 |
0 1 |
0 0 |
0 3 |
Heavyweight |
DQ
|
1 |
4:29 |
|
|
|
23 30 |
0 4 |
0 0 |
0 0 |
Light Heavyweight |
KO/TKO Kick |
3 |
1:25 |
|
|
|
41 7 |
1 0 |
0 2 |
2 4 |
Welterweight |
U-DEC
|
3 |
5:00 |
|
|
|
39 34 |
4 0 |
0 0 |
1 0 |
Heavyweight |
KO/TKO
|
2 |
1:39 |
|
|
|
42 46 |
3 0 |
0 0 |
1 0 |
Bantamweight |
KO/TKO Elbow |
3 |
1:58 |


Collecting Creativity
Scroll left and right to explore photography projects associated with YinChannel!
Scroll left and right to explore our video projects!
Our YouTube channel follows our highlights on the learning process when it comes to honing skills for different types of content creation!
@TODO: a href="insert youtube link here"
Scroll left and right to explore our cosplay projects!
Scroll left and right to explore our art projects!


- generateQR(String) - Method in class com.cmput301w21t06.crowdfly.Controllers.QRManager
-
- getBTrial(String, String) - Method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestore
-
this takes in an experiment ID and trial ID and references to the DB to create a trial
- getComments() - Method in class com.cmput301w21t06.crowdfly.Models.Question
-
- getContactInfo() - Method in class com.cmput301w21t06.crowdfly.Models.User
-
- getCount() - Method in class com.cmput301w21t06.crowdfly.Models.CountTrial
-
this returns the string display of the number of counts that occurs in a count trial
- getCTrial(String, String) - Method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestore
-
this takes in an experiment ID and trial ID and references to the DB to create a trial
- getDescription() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
- getDescription() - Method in class com.cmput301w21t06.crowdfly.Models.Trial
-
this returns the string description of the trial
- getDisplayID() - Method in class com.cmput301w21t06.crowdfly.Models.User
-
- getDocumentReference(String) - Method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestore
-
Gets a reference to document at given path
- getExperiment(int) - Method in class com.cmput301w21t06.crowdfly.Controllers.ExperimentLog
-
Gets the experiment at the position
- getExperimentData(String, CrowdFlyFirestore.OnDoneGetExpListener) - Method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestore
-
Gets a single experiment
- getExperimenter() - Method in class com.cmput301w21t06.crowdfly.Models.Trial
-
this returns the experimenter that created the trial
- getExperimenterID() - Method in class com.cmput301w21t06.crowdfly.Models.Trial
-
this returns user id that is connected with a specific trial
- getExperimentId() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
- getExperimentLog() - Static method in class com.cmput301w21t06.crowdfly.Controllers.ExperimentLog
-
Gets the singleton instance of the ExperimentManager
- getExperimentLogData(CrowdFlyFirestore.OnDoneGetExpLogListener) - Method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestore
-
Gets collection of experiments - ie.
- getExperiments() - Method in class com.cmput301w21t06.crowdfly.Controllers.ExperimentLog
-
Gets the current list of experiments
- getFailures() - Method in class com.cmput301w21t06.crowdfly.Models.BinomialTrial
-
this returns the string display of the number of failures that occur in a binomial trial
- getLoc() - Method in class com.cmput301w21t06.crowdfly.Models.Trial
-
- getMean() - Method in class com.cmput301w21t06.crowdfly.Models.Statistics
-
- getMeasurement() - Method in class com.cmput301w21t06.crowdfly.Models.MeasurementTrial
-
this returns the string display of the measurement number that occurs in a binomial trial
- getMedian() - Method in class com.cmput301w21t06.crowdfly.Models.Statistics
-
- getMinNumTrials() - Method in class com.cmput301w21t06.crowdfly.Views.AddExperimentActivity
-
Gets the number of trials from the input box
- getMinTrials() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
- getMTrial(String, String) - Method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestore
-
this takes in an experiment ID and trial ID and references to the DB to create a trial
- getNumTrials() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
- getOrDefault(Object) - Method in class com.cmput301w21t06.crowdfly.Models.User
-
this prevents null values going in
- getOwnerID() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
- getProfilePic(CrowdFlyFirestore.OnDoneGetProfilePicListener) - Method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestore
-
this gets a default profile pic for each user
- getQRManager() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
- getQuartiles() - Method in class com.cmput301w21t06.crowdfly.Models.Statistics
-
- getQuestion() - Method in class com.cmput301w21t06.crowdfly.Models.Question
-
- getQuestionID() - Method in class com.cmput301w21t06.crowdfly.Models.Question
-
- getQuestions() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
- getRegion() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
- getRegion() - Method in class com.cmput301w21t06.crowdfly.Views.AddExperimentActivity
-
Get the region from the input box
- getSize() - Method in class com.cmput301w21t06.crowdfly.Controllers.ExperimentLog
-
- getStdev() - Method in class com.cmput301w21t06.crowdfly.Models.Statistics
-
- getStillRunning() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
- getSubscribedUsers() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
- getSuccesses() - Method in class com.cmput301w21t06.crowdfly.Models.BinomialTrial
-
this returns the string display of the number of successes that occur in a binomial trial
- getTrial(int) - Method in class com.cmput301w21t06.crowdfly.Controllers.TrialLog
-
Gets the trial at the position
- getTrialData(String, CrowdFlyFirestore.OnDoneGetTrialsListener) - Method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestore
-
Get a whole collection of Trials
- getTrialID() - Method in class com.cmput301w21t06.crowdfly.Models.CountTrial
-
this returns the string ID of trial
- getTrialID() - Method in class com.cmput301w21t06.crowdfly.Models.Trial
-
this returns the trial ID number
- getTrialLog() - Static method in class com.cmput301w21t06.crowdfly.Controllers.TrialLog
-
Gets the singleton instance of the TrialManager
- getTrials() - Method in class com.cmput301w21t06.crowdfly.Controllers.TrialLog
-
Gets the current list of trials
- getTrials() - Method in class com.cmput301w21t06.crowdfly.Models.Experiment
-
- getUserID() - Method in class com.cmput301w21t06.crowdfly.Models.User
-
- getUsername() - Method in class com.cmput301w21t06.crowdfly.Models.Question
-
- getUserProfile(String, CrowdFlyFirestore.OnDoneGetUserListener) - Method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestore
-
Get User object for provided userID and invokes the OnDoneListener
- getUsers(CrowdFlyFirestore.OnDoneGetIdsListener) - Method in class com.cmput301w21t06.crowdfly.Database.CrowdFlyFirestore
-
This gets all the users' ids from the database
- getView(int, View, ViewGroup) - Method in class com.cmput301w21t06.crowdfly.Controllers.ExperimentContent
-
this is responsible for creating the views for a particular position
- getView(int, View, ViewGroup) - Method in class com.cmput301w21t06.crowdfly.Controllers.TrialAdapter
-
this is responsible for creating the views for a particular position


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This is a list of all your endorsements. To get back to the page
you endorsed, click on the unit number.
{% for en in endorsements %}
{% if en.why == 'exemplary' %}
★{% endif %}
Unit {{ en.unit }}
by {{ student_link(en.whose) }}
{{ humanize.naturaltime(en.timestamp) }}
{% endfor %}


Sign OP_RETURN Tx
1
Provide the OP_RETURN hex
2
Provide the target's address
Target Address
Customize
{{donate.name}}
Add
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{{tp.toUrl}}
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| Length |
km
|
| Trip time |
min
|
| Launched ants | |
| Arrived ants |
| Id | |
| Longitude | |
| Latitude |
| # | Pheromone | Probability |
|---|
| Passed ants |
| Launched | |
| Arrived | |
| Dead end street reached | |
| Max age exceeded |
| Mean age |
s
|
| Idle time |
ms
|
| Select next node duration |
ms
|
| Launch ants duration |
ms
|
| Processed ants per second | |
| Process ant duration |
ms
|
| Update data structures duration |
ms
|


Modules¶
APIs¶
-
pyunidoe.pyunidoe.
design_pairs_plot
(x)[source]¶ This function draws a pairs plot for checking the design.
- Parameters
x (an integer numpy matrix) – representing the design matrix
-
pyunidoe.pyunidoe.
design_eval
(x, crit='CD2')[source]¶ This function takes matrix X0,q and crit to output the criterion value.
- Parameters
x (an integer numpy matrix) – representing the design matrix:
crit (a character object, default="CD2") –
criterion to be evaluated:
”CD2” – Centered L2 Discrepancy;
”WD2” – Wrap-around L2 Discrepancy;
”MD2” – Mixture L2 Discrepancy;
”maximin” – Maximin Discrepancy;
”MC” – Minimum Coherence;
”A2” – Mean Squared Correlation.
>>> x = np.array([[1, 2], >>> [3, 3], >>> [2, 1]]) >>> crit = "MD2" >>> obj = design_eval(x,crit)
-
pyunidoe.pyunidoe.
design_query
(n, s, q, crit='CD2', show_crit=True)[source]¶ This function takes size of desired design,criterion crit. If the required design exists in database, then return the design, else return NULL.
- Parameters
n (an integer object) – run of experiments
s (an integer object) – number of experimental factors
q (an integer object) – number of experimental levels for each factor
crit (a character object, default="CD2") –
criterion of the query:
”CD2”: Centered L2 Discrepancy;
”MD2”: Mixture L2 Discrepancy.
show_crit (boolean) – choose to print the criteria value
-
pyunidoe.pyunidoe.
gen_ud
(n, s, q, init='rand', initX=array([], shape=(1, 0), dtype=float64), crit='CD2', maxiter=100, hits_ratio=0.1, levelpermt=False, rand_seed=0, vis=False)[source]¶ This function takes n,s,q and other arguments to output a list(described below).
- Parameters
n (an integer object) – run of experiments
s (an integer object) – number of experimental factors
q (an integer object) – number of experimental levels for each factor
crit (a character object, default="CD2") –
criterion to be optimized:
”CD2” – Centered L2 Discrepancy;
”WD2” – Wrap-around L2 Discrepancy;
”MD2” – Mixture L2 Discrepancy;
”maximin” – Maximin Discrepancy;
”MC” – Minimum Coherence;
”A2” – Mean Squared Correlation.
init (a string vector object, default="rand") –
initialization method for the design:
”rand”: randomly generate initial design;
”input”: user specified.
initX (a user-defined numpy integer matrix object, default=np.array([[]])) – This is the user-defined initial design matrix, and will be used when init=”input”
maxiter (a positive integer object, default=100) – maximum iteration number in outer while loop of SATA algorithm.
levelpermt (a boolean object, default=False) – it controls whether to use level permutation
hits_ratio (a float object, default=0.1) – Default value is 0.1, which is the ratio to accept changes of design in inner for loop
rand_seed (an integer object, default=0) – random seed
vis (a boolean object, default=False) – if true, plot the criterion value sequence
>>> ## 1 >>> n=12 #(must be multiples of q) >>> s=3 >>> q=4 >>> crit = "CD2"#(Centered L2 criteria) >>> stat = gen_ud(n,s,q,crit=crit,maxiter=100)
## 2 >>> n=10 >>> s=3 >>> q=5 >>> init = “rand” >>> crit = “MD2” #(Mixture L2 criteria) >>> vis=TRUE >>> stat = gen_ud(n,s,q,init=init,crit=crit,maxiter=100,vis=vis)
## 3 >>> #If init=”input”, algorithm will search for better a better design with same size as initX (balanced design). >>> n=3 >>> s=2 >>> q=3 >>> initX = np.array([[1, 1], >>> [2, 2], >>> [3, 3]]) >>> stat = gen_ud(n,s,q, init=”input”, initX = initX, maxiter=100)
-
pyunidoe.pyunidoe.
gen_aud
(xp, n, s, q, init='rand', initX=array([], shape=(1, 0), dtype=float64), crit='CD2', maxiter=100, hits_ratio=0.1, levelpermt=False, rand_seed=0, vis=False)[source]¶ This function takes n,s,q; a unchanged initial design and other arguments to output a list (described below).
- Parameters
xp (a numpy integer matrix object) – representing the previous existing design matrix
n (an integer object) – run of experiments, including the previous design in xp
s (an integer object) – number of experimental factors
q (an integer object) – number of experimental levels for each factor
crit (a character object, default="CD2") –
criterion to be optimized:
”CD2” – Centered L2 Discrepancy;
”WD2” – Wrap-around L2 Discrepancy;
”MD2” – Mixture L2 Discrepancy;
”maximin” – Maximin Discrepancy;
”MC” – Minimum Coherence;
”A2” – Mean Squared Correlation.
init (a string vector object, default="rand") –
initialization method for the run-augmented design:
”rand”: randomly generate initial design;
”input”: user specified.
initX (a user-defined numpy integer matrix object, default=np.array([[]])) – This is the user-defined initial design matrix, and will be used when init=”input”
maxiter (a positive integer object, default=100) – maximum iteration number in outer while loop of SATA algorithm.
levelpermt (a boolean object, default=False) – it controls whether to use level permutation
hits_ratio (a float object, default=0.1) – Default value is 0.1, which is the ratio to accept changes of design in inner for loop
rand_seed (an integer object, default=0) – random seed
vis (a boolean object, default=False) – if true, plot the criterion value sequence
>>> n=6 >>> s=2 >>> q=3 >>> xp = np.array([[1, 1], >>> [2, 2], >>> [3, 3]]) >>> crit = "CD2" >>> res = gen_aud(xp,n,s,q,crit=crit,maxiter=100,vis = True)
-
pyunidoe.pyunidoe.
gen_aud_col
(xp, n, s, q, init='rand', initX=array([], shape=(1, 0), dtype=float64), crit='CD2', maxiter=100, hits_ratio=0.1, levelpermt=False, rand_seed=0, vis=False)[source]¶ This function takes n,s,q; a unchanged initial design and other arguments to output a list (described below).
- Parameters
xp (a numpy integer matrix object) – representing the previous existing design matrix
n (an integer object) – run of experiments
s (an integer object) – number of experimental factors, including the previous design in xp
q (an integer object) – number of experimental levels for each factor
crit (a character object, default="CD2") –
criterion to be optimized:
”CD2” – Centered L2 Discrepancy;
”WD2” – Wrap-around L2 Discrepancy;
”MD2” – Mixture L2 Discrepancy;
”maximin” – Maximin Discrepancy;
”MC” – Minimum Coherence;
”A2” – Mean Squared Correlation.
init (a string vector object, default="rand") –
initialization method for the factor-augmented design:
”rand”: randomly generate initial design;
”input”: user specified.
initX (a user-defined numpy integer matrix object, default=np.array([[]])) – This is the user-defined initial design matrix, and will be used when init=”input”
maxiter (a positive integer object, default=100) – maximum iteration number in outer while loop of SATA algorithm.
levelpermt (a boolean object, default=False) – it controls whether to use level permutation
hits_ratio (a float object, default=0.1) – Default value is 0.1, which is the ratio to accept changes of design in inner for loop
rand_seed (an integer object, default=0) – random seed
vis (a boolean object, default=False) – if true, plot the criterion value sequence
>>> n=3 >>> s=4 >>> q=3 >>> xp = np.array([[1, 1], >>> [2, 2], >>> [3, 3]]) >>> crit = "CD2" >>> res = gen_aud_col(xp,n,s,q,crit=crit,maxiter=100,vis = True)
-
pyunidoe.pyunidoe.
gen_ud_ms
(n, s, q, crit='CD2', maxiter=100, nshoot=5, rand_seed=0, n_jobs=1, vis=False)[source]¶ This function generates Uniform Design of Experiments using diffrent initializations.
- Parameters
xp (a numpy integer matrix object) – representing the previous existing design matrix
n (an integer object) – run of experiments
s (an integer object) – number of experimental factors
q (an integer object) – number of experimental levels for each factor
crit (a character object, default="CD2") –
criterion to be optimized:
”CD2” – Centered L2 Discrepancy;
”WD2” – Wrap-around L2 Discrepancy;
”MD2” – Mixture L2 Discrepancy;
”maximin” – Maximin Discrepancy;
”MC” – Minimum Coherence;
”A2” – Mean Squared Correlation.
maxiter (a positive integer object, default=100) – maximum iteration number in outer while loop of SATA algorithm.
nshoot (a positive integer object, default=5) – total counts to try different initial designs
rand_seed (an integer object, default=0) – random seed
hits_ratio (a float object, default=0.1) – Default value is 0.1, which is the ratio to accept changes of design in inner for loop
rand_seed – random seed
n_jobs (an integer object, default=1) – the number of cores to be used for parallelization
vis (a boolean object, default=False) – if true, plot the criterion value sequence
-
pyunidoe.pyunidoe.
gen_aud_ms
(xp, n, s, q, crit='CD2', maxiter=100, nshoot=5, rand_seed=0, n_jobs=1, vis=False)[source]¶ This function generates sequential Uniform Design of Experiments (Augmenting Runs) using diffrent initializations.
- Parameters
xp (a numpy integer matrix object) – representing the previous existing design matrix
n (an integer object) – run of experiments, including the previous design in xp
s (an integer object) – number of experimental factors
q (an integer object) – number of experimental levels for each factor
crit (a character object, default="CD2") –
criterion to be optimized:
”CD2” – Centered L2 Discrepancy;
”WD2” – Wrap-around L2 Discrepancy;
”MD2” – Mixture L2 Discrepancy;
”maximin” – Maximin Discrepancy;
”MC” – Minimum Coherence;
”A2” – Mean Squared Correlation.
maxiter (a positive integer object, default=100) – maximum iteration number in outer while loop of SATA algorithm.
nshoot (a positive integer object, default=5) – total counts to try different initial designs
rand_seed (an integer object, default=0) – random seed
hits_ratio (a float object, default=0.1) – Default value is 0.1, which is the ratio to accept changes of design in inner for loop
rand_seed – random seed
n_jobs (an integer object, default=1) – the number of cores to be used for parallelization
vis (a boolean object, default=False) – if true, plot the criterion value sequence
-
pyunidoe.pyunidoe.
gen_aud_col_ms
(xp, n, s, q, crit='CD2', maxiter=100, nshoot=5, rand_seed=0, n_jobs=1, vis=False)[source]¶ This function generates sequential Uniform Design of Experiments (Augmenting Factors) using diffrent initializations.
- Parameters
xp (a numpy integer matrix object) – representing the previous existing design matrix
n (an integer object) – run of experiments
s (an integer object) – number of experimental factors, including the number of factors in previous design xp
q (an integer object) – number of experimental levels for each factor
crit (a character object, default="CD2") –
criterion to be optimized:
”CD2” – Centered L2 Discrepancy;
”WD2” – Wrap-around L2 Discrepancy;
”MD2” – Mixture L2 Discrepancy;
”maximin” – Maximin Discrepancy;
”MC” – Minimum Coherence;
”A2” – Mean Squared Correlation.
maxiter (a positive integer object, default=100) – maximum iteration number in outer while loop of SATA algorithm.
nshoot (a positive integer object, default=5) – total counts to try different initial designs
rand_seed (an integer object, default=0) – random seed
hits_ratio (a float object, default=0.1) – Default value is 0.1, which is the ratio to accept changes of design in inner for loop
rand_seed – random seed
n_jobs (an integer object, default=1) – the number of cores to be used for parallelization
vis (a boolean object, default=False) – if true, plot the criterion value sequence


Java and SOAP
ISBN-13:<PHONE_NUMBER>759
ISBN-10:<PHONE_NUMBER>
Author: Robert Englander
Edition: 1
Binding: Paperback
Publisher: O'Reilly Media
Published: May 2002
List Price: $44.99
Best Rental Prices |
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Node
open class Node<T>
LinkedList.Node: A type to hold onto elements in a LinkedList
Discussion:
These nodes hold onto a value, the next node, and the previous node.
-
Value: A typealias that is equivalent to the specialized type in the LinkedList
Declaration
Swift
public typealias Value = T
-
value: The concrete value the node is holding onto
Declaration
Swift
public var value: Value
-
next: An optional reference to the next node in the LinkedList
Declaration
Swift
public var next: Node<Value>?
-
previous: An optional reference to the previous node in the LinkedList
Declaration
Swift
public var previous: Node<Value>?
-
traverse(distance): A method to move N spaces forwards or backwards through the nodes
Note
If the distance is out of bounds nil will be returnedDeclaration
Swift
open func traverse(_ distance: Int) -> Node<T>?
Parameters
distance
An integer indicating how far to move through the nodes
Return Value
Node
? where T is the specialized type of the LinkedList -
traverse(Until): A method to move forward through the nodes until a precondition is met
Note
Iftrue
is returned fromuntil
then traversal stops. e.g.node.traverse { $0.value == 0 }
traverses until it finds a node who has a value of 0Declaration
Swift
open func traverse(_ until: ((Node<T>) -> Bool)) -> Node<T>?
Parameters
until
A function that takes in a Node
and returns a boolean to indicate whether traversal should continue Return Value
Node
? where T is the specialized type of the LinkedList -
traverseToEnd: A method to move forward through the nodes until there is no
next
Declaration
Swift
open func traverseToEnd() -> Node<T>
-
traverseToBeginning: A method to move backwards through the nodes until there is no
previous
Declaration
Swift
open func traverseToBeginning() -> Node<T>
-
position: A computed property that calculates a nodes position in the LinkedList
Complexity
O(n) this has a worst case of having to traverse the entire list to determine its positionDeclaration
Swift
open var position: Int { get }
-
copy: Creates an exact replica of the node, including the next and previous values, this essentially deep copies the entire LinkedList
Declaration
Swift
open func copy() -> Node<T>


We're sorry but cocoricover doesn't work properly without JavaScript enabled. Please enable it to continue.


SeqMeta
Here you can keep track of your sequencing metadata and format it to for upload to databases such as: GISAID, NCBI and ENA.
Getting started:
If you are new to the application, we recommend that you read trough the workflows first, to familiarize with the app.
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public class LongAdder
extends java.lang.Number
implements java.io.Serializable
long
sum. When updates (method add(long)
)
are contended across threads, the set of variables may grow dynamically to reduce contention. Method sum()
(or, equivalently, longValue()
) returns the current total combined across the variables maintaining the sum.
This class is usually preferable to AtomicLong
when multiple threads update a common sum that is used for
purposes such as collecting statistics, not for fine-grained synchronization control. Under low update contention,
the two classes have similar characteristics. But under high contention, expected throughput of this class is
significantly higher, at the expense of higher space consumption.
This class extends Number
, but does not define methods such as hashCode
and
compareTo
because instances are expected to be mutated, and so are not useful as collection keys.
jsr166e note: This class is targeted to be placed in java.util.concurrent.atomic
| Constructor and Description |
|---|
LongAdder()
Creates a new adder with initial sum of zero.
|
| Modifier and Type | Method and Description |
|---|---|
void |
add(long x)
Adds the given value.
|
void |
decrement()
Equivalent to
add(-1) . |
double |
doubleValue()
Returns the
sum() as a double after a widening primitive conversion. |
float |
floatValue()
Returns the
sum() as a float after a widening primitive conversion. |
void |
increment()
Equivalent to
add(1) . |
int |
intValue()
Returns the
sum() as an int after a narrowing primitive conversion. |
long |
longValue()
Equivalent to
sum() . |
void |
reset()
Resets variables maintaining the sum to zero.
|
long |
sum()
Returns the current sum.
|
long |
sumThenReset()
|
java.lang.String |
toString()
Returns the String representation of the
sum() . |
public void add(long x)
x
- the value to addpublic void increment()
add(1)
.public void decrement()
add(-1)
.public long sum()
public void reset()
public long sumThenReset()
sum()
followed by reset()
. This method may apply for example during
quiescent points between multithreaded computations. If there are updates concurrent with this method, the
returned value is not guaranteed to be the final value occurring before the reset.public java.lang.String toString()
sum()
.toString
in class java.lang.Object
sum()
public long longValue()
sum()
.longValue
in class java.lang.Number
public int intValue()
sum()
as an int
after a narrowing primitive conversion.intValue
in class java.lang.Number
public float floatValue()
sum()
as a float
after a widening primitive conversion.floatValue
in class java.lang.Number
public double doubleValue()
sum()
as a double
after a widening primitive conversion.doubleValue
in class java.lang.Number


 Get it while it lasts...
[dscrdeql] <AndronicusBass-Founder> Because someone is dumping at a loss to bring the price down
[dscrdeql] <AndronicusBass-Founder> It wont be this low for long
[tlgrm] <Ole> That's make no sense. I got 2500 for around 100 kmd and now it's under 2 kmd.
[dscrdeql] <CowboyCrypto- Founder> My advise is to hodl, but that is your choice to make.
[dscrdeql] <CowboyCrypto- Founder> Someone is dumping at ridiculous rates, or it is manipulation. either option cant be sustained for long.
[tlgrm] <KevinBiomech> It doesn't make sense.  If you got some small change to spare, scoop it up is my advise. I have been :D
[tlgrm] <Ole> How long is there to the first house I sold?
[tlgrm] <KevinBiomech> Not sure. We're getting everything in order with the legal side, and scouting land. As soon as we have solid information, we'll be letting everyone know. We're also planning some interesting changes to the blockchain involving masternodes and title contracts. Stay tuned!
[tlgrm] <KevinBiomech> Anytime :D Also, a lot more conversation takes place on the Discord than TG, feel free to join at any time. We'd all be glad to have you.
[tlgrm] <AndronicusBass> too right, join us there :)
[tlgrm] <Ole> How many years can you go before you need new capital? Whitout income? Did you rise enough :)
[tlgrm] <KevinBiomech> Not sure I understand the question. We've raised enough to get things started, but the idea has always been a full economic ecosystem. It will circulate, and we'll continue to build up as we go.
[tlgrm] <AndronicusBass> We also have interest in our homes as they too will bring in profit which a fraction will go towards helping people too
[tlgrm] <AndronicusBass> We met with suppliers and people in Puerto Rico as ground work for the mission when we were there in May
[tlgrm] <Ole> Lets assume your first house is sold In 3 years so the first income you get is there. Can you hold it to there before ico money run out?
[tlgrm] <AndronicusBass> After 3 years, we will have many built and sold and accomodations as well as storm shelters for those that are struggling which we hope to help save as many lives as possible.
[dscrdeql] <beastMode> howdy!!
[dscrdeql] <AndronicusBass-Founder> hey beast. good seeing you again.
[tlgrm] <Ole> Let's say all goes wrong "I don't think it will do" how long can you go before ico money run out. In my mind it will take around 2 years to build such a project.
[tlgrm] <AndronicusBass> As we made softcap, we are working on what needs to be done with wallets, contracts and that requires little funding it this stage to have it all in place before we start to build
[tlgrm] <cloudyoncall> so much for my 500% bonus lol
[tlgrm] <cloudyoncall> but cheer up chaps this always happens
[dscrdeql] <NWhiskeyTango> Always
[dscrdeql] <CombatWombat> yeah you have to feel for people who bought the ico
[dscrdeql] <CombatWombat> this exrates situation isn't pleasant for them
[tlgrm] <AndronicusBass> Big things coming, stay tuned
[dscrdeql] <Llama> I bought pre sale I think
[tlgrm] <cloudyoncall> yes i have my eye on u (re @AndronicusBass: Big things coming, stay tuned)
[dscrdeql] <CombatWombat> @Llama at 50 cents?
[dscrdeql] <CombatWombat> how much was the pre sale
[dscrdeql] <Llama> $0.03 I think
[tlgrm] <AndronicusBass> Its an Angel year for me so as someone who has been empathetic all my life and gone out of my way to help people all the time, The fire rages inside my heart to do good in the world.
[dscrdeql] <CombatWombat> ah ok
[tlgrm] <AndronicusBass> a lot of good
[tlgrm] <Cryptollama> Wow now I’m in telegram
[dscrdeql] <Llama> And I can have a convo with myself
[dscrdeql] <Jonathan>
[tlgrm] <cloudyoncall> can people in discord hear me or is it one way?
[dscrdeql] <CombatWombat> this is strange with the tg chat in here as well
[dscrdeql] <CombatWombat> Hey wombat you da man
[dscrdeql] <AndronicusBass-Founder> People can see telegram posts, cloudyoncall
(edited)
[tlgrm] <CombatWombat00> thanks
[dscrdeql] <CombatWombat>
[dscrdeql] <AndronicusBass-Founder> oh wow, and editing a post edits at the other end too. cool
[dscrdeql] <MassimoStyle>
[dscrdeql] <MassimoStyle> Oops
[dscrdeql] <MassimoStyle>
[dscrdeql] <MassimoStyle> Ment that one
[tlgrm] <AndronicusBass> test, edited
(edited)
[dscrdeql] <c2k> do you have discord on pc or phone @MassimoStyle ?
[dscrdeql] <MassimoStyle> Iphone
[dscrdeql] <MassimoStyle> I always had the app open I never closed it
[dscrdeql] <c2k> hmmm. i have mine on pc and my phone is android so i cant help you. maybe someone else with anb iphone here can
[dscrdeql] <MassimoStyle>
[dscrdeql] <AndronicusBass-Founder> I went on android 5 years ago and never looked back.
[dscrdeql] <c2k> same here. just keep upgrading my samsung phone and have zero interest in getting an iphone
[dscrdeql] <x2maano>
[dscrdeql] <MassimoStyle> Thanks for the rain @c2k


Launching a localized XULRunner app 2007/12/13
The average XULRunner developer gets to choose at the beginning of any project whether to work with the 1.8 or 1.9 series. 1.8 gets you stability and heartache; 1.9 gets you trunk-y goodness and a sweet thread library. I'm of course simplifying things.
Until yesterday the prospect of localizing XULRunner itself had not even crossed my mind. An error to be sure but one that was actually easily corrected. We at Flickr chose to work with the 1.9 branch to take advantage of the newly enjoyable thread library. Working with these nightly builds was great as I was able to watch bugs die each time I pulled a new nightly.
The trouble began when I started putting together final builds yesterday. Things like the Mozilla upgrade system, file picker dialog and standard OK/Cancel buttons were not localized because nightly builds come only in English. Bummer. LXR came to my rescue, though. I was able to pull together my own localizations of XULRunner by scraping pieces from the Firefox 2 codebase.
I am not sure what the lesson here is but with ample planning and testing, apps built on XULRunner trunk can be localized just like any other. It would be awesome if, in the future, trunk builds included the entire localization tree, which would allow my build process to just pick out the appropriate JAR file for each language (which is essentially what I do now). Look to the Flickr Uploadr source (more on that soon) for an example of how all this works.
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