ONEGIN
Reviewed by Harvey Karten Samuel Goldwyn Films Director: Martha Fiennes Writer: Peter Ettedgui, Michael Ignatieff Cast: Ralph Fiennes, Liv Tyler, Toby Stephens, Lena Headey, Martin Donovan, Alun Armstrong, Harriet Walter, Irene Worth, Jason Watkins, Francesca Annis
With "Onegin" we're faced with one of the great paradoxes of movie-making. How do you depict the utter boredom that characters in the story are feeling without making the movie itself a bore? This is not easy but for my rubles, Martha Fiennes, sister of both this film's star, Ralph Fiennes, and the composer of its musical score, Magnus Fiennes, has portrayed ennui without boring the audience. The picture is slow-moving, Masterpiece-Theatre style, so that the MTV generation would find it excruciating if any of its representatives mistakenly wandered into the wrong screen on the way to "Galaxy Quest." Those who might appreciate a solid personal story told with integrity by a director with a sufficient budget to dazzle us with a few scenes that might have come out of "Dr. Zhivago" could do worse than take in "Onegin."
That's not to say that the film--from the verse poem that Tchaikovsky made into an opera and into a ballet as well with a wholly different score--can compare with the pages generated by Alexander Pushkin. Pushkin's verse novel written in 1823, actually the first great Russian poem ever, is difficult enough to translate into English. All attempts to do so have failed to convince literate people in the English- speaking world of the poem's majesty. The beauty of the film medium is that the glory of the verse can be approximated if the director captures the right images for the audience--which Martha Fiennes succeeds in doing by filming partly on location in St. Petersburg.
In this creditable movie version, the title character, whose role is played by Ralph Fiennes in his signature effete manner, is a man who has everything. He has good looks, charm, money, and property--two homes, in fact, one in St. Petersburg and a lavish country place that he has just inherited from his uncle. He adds up to nothing, unfortunately, because he is an idler who presumably goes through women with the same boredom with which he surveys the snowy Russian landscape. We see him at first attending an allegedly sophisticated urban recital in St. Petersburg, where he and his unproductive acquaintances sit at tables gossiping about which women can be "had" and which are not worth the effort. After taking possession of his new country home, he meets and befriends his neighbor Vladimir Lensky (Toby Stephens), is enchanted by Lensky's fiance Olga Larina (Lena Headey), but is unresponsive to the attentions of a pretty, intelligent, eligible, and straightforward young woman, Tatyana (Liv Tyler). Years later, after a series of incidents, one ending in tragedy, the romantic circumstances are ironically reversed as Evgeny Onegin realizes the terrible mistake he had made in rejecting the woman who so vulnerably confessed her love.
Surprisingly enough, Liv Tyler, considered perhaps an all- American actress appropriately cast in blockbusters like "Armageddon," profits from her earlier experience in the role of a teen girl intent on losing her virginity during a trip to Italy in Bertolucci's "Stealing Beauty." She easily inhabits the role of a reticent but up-front Russian blue blood who appears to care little for the genteel trappings of aristocracy or for the undemocratic convention of serfdom. A passionate woman seemingly fond of romantic novels that she borrows from the Onegin estate's vast library, she risks her pride by declaring her love to the handsome ex-urbanite and, having failed to capture his fancy resigns herself to marriage with a proper noble for whom she feels little emotional connection.
Of the side roles, that of the wonderful veteran of stage and screen, Irene Worth as Princess Alina evokes the movie's principal laugh, as she sharply advises Tatyana to make a politically advisable match and to forget her childish notions of marrying for love. "If you insist on your penchant for love," she responds, "Save it for outside the marriage bed."
One of my favorite spoofs of 19th century Russian novels is Woody Allen's "Love and Death"--about a devout coward in the Napoleonic wars, featuring Sergei Prokofiev's music. When we hear the term "Russian literature," we all think of Tolstoy's "War and Peace" and the like--the sort with the long, epic plots with multitudes of characters we can scarcely keep track of. "Onegin," by contrast, is a chamber work, focusing strongly on two central personalities and the internal struggles they tussle with to carve out some happiness in their lives without losing their integrity. Chamber works are to big spectacles as string quartets are to rousing symphonies. They appeal to a specialized audience, as should this fine film as it negotiates the art circuit in urban centers and college communities.
Not Rated. Running Time: 106 minutes. (C) 1999 Harvey Karten<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Select this checkbox to enable referring to the Maven's Plugin Registry.
This option corresponds to the --no-plugin-registry command line option.
--no-plugin-registry


Section 3 and Section 4 deal with installing Python, running IDLE and installing IntelliJ for a Mac and then for a Linux machine.
If you have completed these steps for Windows, and don't need to do that for the Mac or a Linux machine, then skip both those sections, and move straight to section 5 where we start with the basics of Python!


|
UsingDoxygenwithMatlab
|
Functions | |
| function | step_1 (in varargin) |
| function | step_1_OpeningFcn (in hObject, in eventdata, in handles, in varargin) |
| function | step_1_OutputFcn (in hObject, in eventdata, in handles) |
| function | Help_menu_Callback (in hObject, in eventdata, in handles) |
| function | About_adctest_Callback (in hObject, in eventdata, in handles) |
| function | Getting_started_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_next_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_previous_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_showwarns_1_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_showwarns_2_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_showwarns_3_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_showwarns_4_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_showerrors_1_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_showerrors_2_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_showerrors_3_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_showerrors_4_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_process_ls_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_process_fft_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_process_hist_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_process_ml_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_export_to_HTML_Callback (in hObject, in eventdata, in handles) |
| function | popup_option_selector_Callback (in hObject, in eventdata, in handles) |
| function | popup_option_selector_CreateFcn (in hObject, in eventdata, in handles) |
| function | pushbutton_help_Callback (in hObject, in eventdata, in handles) |
| function | pushbutton_show_selections_Callback (in hObject, in eventdata, in handles) |
| function About_adctest_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function Getting_started_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function Help_menu_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function popup_option_selector_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function popup_option_selector_CreateFcn | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_export_to_HTML_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_help_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_next_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_previous_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_process_fft_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_process_hist_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_process_ls_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_process_ml_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_show_selections_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_showerrors_1_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_showerrors_2_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_showerrors_3_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_showerrors_4_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_showwarns_1_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_showwarns_2_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_showwarns_3_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function pushbutton_showwarns_4_Callback | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |
| function step_1 | ( | in | varargin | ) |
| function step_1_OpeningFcn | ( | in | hObject, |
| in | eventdata, | ||
| in | handles, | ||
| in | varargin | ||
| ) |
| function step_1_OutputFcn | ( | in | hObject, |
| in | eventdata, | ||
| in | handles | ||
| ) |


Ratings: How the Ipswich Town players performed in their 1-0 EFL Trophy defeat at Colchester United
by Andy WarrenIpswich Town were beaten 1-0 in the EFL Trophy this evening. Andy Warren hands out his player ratings.
Rating scale: 10 - perfection; 9- outstanding; 8- very good; 7 - good; 6 - decent; 5 - average; 4 - below average; 3 - poor; 2 - very poor; 1 - awful
Tomas Holy
Saw little action in the first half but was solid with his feet and was quick to try and put his side on the attack. Even he, standing 6ft 9inches tall, couldn't stop Clampin's fluke from flying into the back of the net. 6
Janoi Donacien
The defender was given another chance to impress after putting in a solid performance against Lincoln in the FA Cup on Saturday. He was so again as he won the ball back on a few occasions and defended well. He had some joy going forwards, too, linking up with Gwion Edwards. 6
Toto Nsiala
Took chances early but always had the situation just about under control. Was incensed by a late tackle from Luke Norris, which left him on the floor before he jumped up to have his say. Came across well to stop a Colchester attack just before the break and had some good moments, as well as some ones where you were left questioning his decision making. Survived questionable penalty appeals when Courtney Senior hit the deck. 5
James Wilson
Took the captain's armband for this game, becoming the sixth man to wear it for the Blues this season. Solid throughout, sweeping up loose balls to snuff out Colchester attacks. 6
Myles Kenlock
Completed a 'same again' back four following the Lincoln draw and had some good attacking moments early on, joining Anthony Georgiou in the final third, and had little to do in the opening period before the theme continued after the interval. 6
Brett McGavin
A memorable night for the central midfielder as he made his first appearance in senior football. He was neat and tidy as he popped the ball around well, bringing others into play as he has throughout his time in age-group football. 6
Emyr Huws
Great to see the Welshman play a second game in just four days, after captaining the side against Lincoln at the weekend. Like McGavin his was neat and tidy, having a few opportunities to shoot and a couple of moments inside the box. 6
Idris El Mizouni
Looked the most likely Ipswich player to make things happen, having one shot blocked and having another deflected wide while also looking to link up with Ben Folami. It was a mixed bag with his free-kicks and corners, which occasionally caused trouble but didn't always hit the first man, and he was the man looking to close down Clampin when he fired home the winner. A good performance. 7
Gwion Edwards
The winger, who came on against Lincoln at the weekend, was given the start this evening and had some dangerous moments. His driving runs caused trouble for a narrow Colchester defence but he wasn't quite able to produce an end product. He is occasionally let down by a heavy first touch but kept working throughout. 6
Anthony Georgiou
Was the main source of attack throughout the first half, just as he was in the closing stages against Lincoln. He put a succession of decent balls into the box as he looked to get to the byline and had a shot fly wide after the interval as he continued to look to run at his man. 6
Ben Folami
The Australian was held back from international duty with his country's Under 23s in order to make his third Ipswich start, his first since returning from an Achilles injury suffered at the turn of the year. He performed well despite being asked to play as a lone striker for much of the game, taking up good positions and looking to link with the Ipswich wingers. He swept a shot wide after the break and also tried to poke towards goal during a goalmouth scramble. A good display. 7
Tommy Hughes (for El Mizouni, 87)
The teenager made his second appearance from the bench after coming on in the last round with Gillingham. One to watch. n/a
Liam Gibbs (for Georgiou, 87)
Gibbs is a first year scholar with good ball control and, while he had little chance to show that in this game, has impressed significantly in youth football. n/a
Tawanda Chirewa (for Edwards, 90)
The Zimbabwean midfielder, who only turned 16 a month ago, became the club's second-youngest player this evening after Connor Wickham. n/a


{% load staticfiles %}
An interpreter for QFTASM (Quest For Tetris Assembly).
| – Ticks per sec: ; Millisecs per tick:
Program counter: 0; step number: 0
| ASM | Opcode | Address 1 | Address 2 | Address 3 | |||||
|---|---|---|---|---|---|---|---|---|---|
| Type | Location | Type | Location | Type | Location |
| Address (decimal) | Address (binary) | Data (decimal) | Data (binary) | Reads | Writes |
|---|
Direct write to RAM – value: , address:
QFTASM is a very simple version of Assembly developed for the Quest For Tetris project. To use this interpreter, put your code in the text box and click Set code to enable the flow control buttons. Run will execute the instructions as quickly as possible, Step will execute one instruction at a time, and Slow will execute instructions at a user-defined rate.
Each instruction should be formatted like this: [number]: [INST] [arg1] [arg2] [arg3]
. Optional comments are also allowed, and are denoted by a semicolon. Here is a list of instructions along with their arguments:
MNZ [test] [value] [dest]
– Move if not zero; sets [dest]
to [value]
if [test]
is not zero.MLZ [test] [value] [dest]
– Move if less than zero; sets [dest]
to [value]
if [test]
is less than zero.ADD [val1] [val2] [dest]
– Add; adds [val1]
to [val2]
and stores the result in [dest]
.SUB [val1] [val2] [dest]
– Subtract; subtracts [val2]
from [val1]
and stores the result in [dest]
.AND [val1] [val2] [dest]
– Bitwise AND; bitwise ANDs together [val1]
and [val2]
and stores the result in [dest]
.OR [val1] [val2] [dest]
– Bitwise OR; bitwise ORs together [val1]
and [val2]
and stores the result in [dest]
.XOR [val1] [val2] [dest]
– Bitwise XOR; bitwise XORs together [val1]
and [val2]
and stores the result in [dest]
.ANT [val1] [val2] [dest]
– Bitwise AND-NOT; bitwise ANDs together [val1]
and (NOT [val2]
) and stores the result in [dest]
.SL [val1] [val2] [dest]
– Shift left; shifts [val1]
left by [val2]
bits and stores the result in [dest]
.SRL [val1] [val2] [dest]
– Shift right (logical); shifts [val1]
right by [val2]
bits and stores the result in [dest]
. Doesn't preserve sign.SRA [val1] [val2] [dest]
– Shift right (arithmetic); shifts [val1]
right by [val2]
bits and stores the result in [dest]
, while preserving sign.A, B, C
. For instance, A37
will be replaced with the data in address 37 at execution time. B37
will be replaced with the data in the address given by the data in address 37, and likewise, with one more level, for C37
.
37
would have a type of 00
and A37
would have a type of 01
. Finally, Location is just the value or address. Also, the highlights show the next two instructions to be executed.
1,2,3
', '1, 2, 3
', '1 2 3
'.
0 2-4 6
. Ranges of numbers are denoted by a-b
(inclusive), with no spaces on either side of the dash. Separate numbers and ranges by commas and/or spaces.


Lindy Drop
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{{template "head" "Add Store"}}
{{template "header" .}}
{{template "sidebar" .}}
Add store
Title
{{if or .Errors.Title .Errors.UniqueTitle}}
{{else}}
{{end}}
A label used to identify your store. It must not be longer than 32 characters.
{{if .Errors.Title}}
Title cannot be empty or more than 32 characters long.
{{end}} {{if .Errors.UniqueTitle}}
You're already using this title for another store.
{{end}}
Wallet View Key
{{if .Errors.ViewKey}}
Wallet View Key needs to be 128 characters long.
{{else}}
{{end}}
The Wallet View Key of the DERO Wallet you want to receive the payments to. It must be 128 characters long. It can be retrieved by executing the command
4) Display Watch-able View only wallet key
inside the Wallet CLI.
Webhook URL
The URL of the
Webhook
you want to receive payments update events on. It can be set at a later time.
Submit
{{template "bootstrapDeps"}}


GERMAN LANGUAGE 1:- 15LE201E
FRENCH LANGUAGE 1:- 15LE202E
VERBAL ABILITY :- 15PD311
FOURIER SERIES AND PARTIAL DIFFERENTIATION EQUATION :- 15MA202
ENGINEERING SURVEYING :- 15CE207
FLUID MECHANICS :- 15CE205
CONSTRUCTION TECHNOLOGY :- 15CE209
ENGINEERING GEOLOGY :- 15CE201
MECHANICS OF SOLID :- 15CE203
GERMAN LANGUAGE 1 :- 15LE201E
FRENCH LANGUAGE 1 :- 15LE202E
QUANTITATIVE APTITUDE AND LOGICAL REASONING 1 :- 15PD201
THERMODYNAMICS :-15ME201
FLUID MECHANICS :- 15ME205
ELECTRONIC AND INSTRUMENTATION :- 15EI251
COMPUTER AIDED DESIGN AND ANALYSIS :- 15ME207
TRANSFORMS AND BOUNDARY VALUE PROBLEM :- 15MA201
ELECTRON DEVICES AND CIRCUIT :-15EE208
DIGITAL SYSTEM DESIGN :- 15CS202
DATA STRUCTURE :- 15CS201J
OBJECT ORIENTED PROGRAMMING USING C++ :- 15SE201J
COMPUTER SYSTEM ARCHITECTURE :-15CS203
APTITUDE 1:- 15PD201
DIGITAL SYSTEM :- 15EC203J
ELECTRON DEVICES:- 15EC201J
ELECTROMAGNETIC AND TRANSMISSION LINES :- 15EC207J
SIGNAL AND SYSTEM :- 15EC205J
ELECTRICAL MACHINES 1:- 15EE204
ELECTROMAGNETIC THEORY:- 15EE205
DIGITAL SYSTEM :- 15EE206
ELECTRON DEVICES AND CIRCUIT:- 15EE208
GENERATION, TRANSMISSION AND DISTRIBUTION :- 15EE213
THERMODYNAMICS :- 15ME201
MANUFACTURING TECHNOLOGY FOR AUTOMOTIVE ENGINEERS :- 15AE201J
SENSORS,ACTUATORS AND SIGNAL CONDITIONERS :- 15AE202
MATERIAL TECHNOLOGY :- 15ME303
ATTITUDE-II :- 15PD211
FRENCH LANGUAGE :-15LE202E
OOPS USING C++ :-15SE201J
DATA STRUCTURE :-15CS201J
PROBABILITY AND QUEUINGTHEORY :- 15MA207
PRINCIPAL OF COMMUNICATION SYSTEM :- 15EC252
COMPUTER ORGANISATION AND ARCHITECTURE :- 15IT212J
FUNDAMENTALS :- 15IT213-IT
© Copyright 2019 SrmHelper - All Rights Reserved


Man who knocked out partner's teeth gets suspended sentence
by Jane HuntA "vicious, nasty, bully" who knocked out three of his partner's teeth and held a knife at his daughter's throat has been given a suspended prison sentence.
James Bizzell "swiped" Natalie Napier in the mouth with a clenched fist during a row in the bedroom of their Colchester home, Ipswich Crown Court heard.
Miss Napier immediately tasted blood and in addition to the three teeth knocked out by Bizzell the blow also loosened another tooth which had to be removed by her dentist, said Michael Crimp, prosecuting.
Bizzell, 42, of Scarletts Road, Colchester, admitted assaulting Miss Napier causing her actual bodily harm in July 2018, assaulting her by beating and common assault on his daughter.
He was jailed for 17 months, suspended for two years, and ordered to do 240 hours unpaid work.
He was also given a 20 day rehabilitation activity requirement and ordered to attend a building better relationships programme.
Bizzell was also ordered to pay £5,000 compensation to Miss Napier and was made the subject of a five year restraining order.
Judge Emma Peters described Bizzell as a "vicious, nasty, bully" and said the assaults were "deeply unpleasant".
She said she had been shocked by CCTV footage of one of the assaults on his partner and said Bizzell should hang his head in shame at his behaviour.
The court heard that Bizzell and Miss Napier has been in an "on and off" relationship for 20 years and had two children, including a disabled son.
Bizzell had "a significant problem with alcohol" and the couple's relationship had broken down by early 2018.
In addition to the incident in which Miss Napier's teeth had been knocked out, Bizzell had also put her in a headlock on another occasion, restricting her breathing.
In May this year Bizzell had picked up a bread knife in the kitchen and held it a couple of inches from his daughter's neck after she went to her mother's aid during an argument.
Rachel Law for Bizzell said caring for their disabled son had put strain on the couple's relationship.
She said her client had been in custody for three and a half months which was the equivalent of a seven month sentence and since he had been in custody he had addressed his alcohol problem.


cups-filters-1.27.1
Introduction to CUPS Filters
The CUPS Filters package contains
backends, filters and other software that was once part of the core
CUPS distribution but is no longer
maintained by Apple Inc.
This package is known to build and work properly using an LFS-9.1
platform.
Package Information
CUPS Filters Dependencies
Required
Cups-2.3.1,
GLib-2.64.1, ghostscript-9.52, Little
CMS-2.9, Poppler-0.87.0, and Qpdf-9.1.1
Recommended
libjpeg-turbo-2.0.4, libpng-1.6.37, LibTIFF-4.1.0
and mupdf-1.16.1 (mutool)
Optional
Avahi-0.8, Dejavu fonts (required for the tests), OpenLDAP-2.4.49, PHP-7.4.4 (use of this
might be broken), Liblouis (Braille), and Liblouisutdml (Braille)
Optional printer drivers (runtime)
Gutenprint-5.3.3 (for supported printers),
or other printer drivers, such as hplip
User Notes: http://wiki.linuxfromscratch.org/blfs/wiki/cups-filters
Installation of CUPS Filters
Install CUPS Filters by running
the following commands:
./configure --prefix=/usr \
--sysconfdir=/etc \
--localstatedir=/var \
--without-rcdir \
--disable-static \
--disable-avahi \
--docdir=/usr/share/doc/cups-filters-1.27.1 &&
make
To test the results, issue: make
check. DejaVu fonts are needed for the tests.
Now, as the root
user:
make install
Command Explanations
--disable-avahi
: This
switch is needed if the optional Avahi-0.8 is not
installed. Remove it if avahi is installed and you need network
printer discovery capabilities.
--without-rcdir
: This
switch disables installation of the bundled bootscript which is not
compatible with BLFS.
--disable-static
: This
switch prevents installation of static versions of the libraries.
Contents
Installed Programs:
cups-browsed, driverless (link),
foomatic-rip (link) and ttfread
Installed Libraries:
libcupsfilters.so and
libfontembed.so
Installed Directories:
/usr/include/{cupsfilters,fontembed},
/usr/lib/cups/driver, /usr/share/cups/{braille,charsets},
/usr/share/doc/cups-filters-1.27.1 and
/usr/share/ppd/cupsfilters
Short Descriptions
|
cups-browsed
|
is a daemon for browsing the Bonjour and CUPS broadcasts
of shared, remote CUPS printers.
|
|
foomatic-rip
|
is a universal print filter/RIP wrapper which can be used
as CUPS filter or stand-alone for spooler-less, direct
printing.
|
|
libcupsfilters.so
|
contains CUPS Filters
API functions.
|
Last updated on 2020-02-19 18:31:22 -0600


@import gospeak.core.domain.{ExternalProposal, UserRequest} @import gospeak.web.pages.published.cfps.routes.CfpCtrl @import gospeak.web.pages.published.events.routes.EventCtrl @import gospeak.web.utils.UserReq @(invite: UserRequest.ExternalProposalInvite, proposal: ExternalProposal.Full)(implicit req: UserReq[AnyContent])
Hi,
@req.user.name.value has canceled your invitation for @proposal.title.value at @proposal.event.name.value.
We hope everything is alright, you can propose a new talk at any time ;)
The Gospeak team


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These figures are estimated base on provisional monthly income.
Currency: Vietnamese Dong (VND)
Effective starting from July 1, 2019


Apply for the low income scheme
If you find it hard to pay for your health costs, you could get help through the low income scheme.
Buy a prescription prepayment certificate
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Save water, drink lemoncello.
We are so excited to have you join us in Italy for our wedding! We know many of you are coming from far away so we want to make sure that this trip is as special for you as it is for us. Let's start the week off right with a toast. We expect you to be busy exploring the coast, but when you are tired and in need of a break stop by our villa and join us for a drink by the pool.
Come as you are. Tonight is casual.
We will get to happily ever after soon enough. First let's explore this beautiful and historic area. We will arrange transportation for the group from Ravello to the ruins of the ancient Roman city of Herculaneum as well as a visit to Mount Vesuvius. Like Pompeii, Herculaneum was buried in the 79AD eruption of Vesuvius, but remains more enact.
Come dressed for adventure - walking shoes and summer layers. Fedoras optional.
Finally the day we've all been waiting for. We've got a full day for festivities planned, but it all starts at the Duomo in the town center where we'll say our vows in front of friends and family.
Prepare to dress your best for a grand evening! Formal black tie is welcome. Beware that it is a 15 minute uphill walk to the garden reception venue- choose your footwear accordingly.
Eat. Drink. Laugh. Love. Get ready to party the night away! We will begin in the garden with cocktail hour and follow with an authentic Italian meal. Most importantly- we can't wait to share the breathtaking panoramic view with you.
Keep it classy, bonus points will be awarded for traditional Neapolitan costume.
We've said I do, now lets raise a glass or two.  Come join us by the pool at our villa for cappuccio and cornetto.
Keep it casual, whatever it takes to get you out of bed!


|
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| 007:042 Khan | : |
But those who believed (in the Oneness of Allah - Islamic Monotheism), and worked righteousness - We tax not any person beyond his scope, such are the dwellers of Paradise. They will abide therein. |
| 007:042 Maulana | : |
And as for those who believe and do good -- We impose not on any soul a duty beyond its scope -- they are the owners of the Garden; therein they abide. |
| 007:042 Pickthal | : |
But (as for) those who believe and do good works - We tax not any soul beyond its scope - Such are rightful owners of the Garden. They abide therein. |
| 007:042 Rashad | : |
As for those who believe and lead a righteous life - we never burden any soul beyond its means - these will be the dwellers of Paradise. They abide in it forever. |
| 007:042 Sarwar | : |
The righteously striving believers - We do not impose on any soul that which is beyond its ability - are the dwellers of Paradise wherein they will live forever. |
| 007:042 Shakir | : |
And (as for) those who believe and do good We do not impose on any soul a duty except to the extent of its ability-- they are the dwellers of the garden; in it they shall abide. |
| 007:042 Sherali | : |
But as to those who believe and do good works - and WE charge not any soul beyond its capacity - these are the inmates of Heaven; they shall abide therein. |
| 007:042 Yusufali | : |
But those who believe and work righteousness,- no burden do We place on any soul, but that which it can bear,- they will be Companions of the Garden, therein to dwell (for ever). |
Concepts/Themes Covered: الإيمان > الإيمان بالله > الإيمان والعمل Faith> Belief In Allah> The Faith and the Action الإيمان > الغيب > الجنة > أصحاب الجنة Faith> The Unseen World> The Paradise> The Companions of the Garden الإيمان > الغيب > الخلود > الخلود في النعيم Faith> The Unseen World> The Eternity> The Immortality in Happiness الإيمان > المؤمنون > ما أعده الله لهم Faith> The Believers> What has Allah Prepared for them الإيمان > المؤمنون > وعده إياهم Faith> The Believers> His Promise to them العمل > التكليف بالعمل على قدر الاستطاعة Action(Work)> No Burdon, but that which One can Bear العمل > العمل الصالح > الدعوة إلى العمل الصالح Action(Work)> The Good Deeds>The Call for Good Deeds العلاقات القضائية > علاقات قانونية ودستورية > التكليف Judicial Relationships>Legal and Constitutional Relations>To Bear Responsibility
This tool uses eight English parallel translations for the Holy Quran imported from Mr. Clay Smith. You can also visit Qurany Concepts for browsing the Quran themes or topics. If you want to search the Holy Quran for keywords, please visit Qurany Keywords.


robot.respond(/about/i, function(msg) {
return msg.reply("WHY I CODED HACKBOT - THE STORY: Well its simple, I tried to prepare for the HR admission by studing as much js as I could in just 2 weeks and yes, I failed :( HR suggest me to take some time before applying again and so I did." +
" After my tech interview I decided to come back to chatbuilder to see if I did any progress. I was amazed to see how my code changed, and what once took me 8 hours to complete today took me 2(cleanup included)." +
" So I tried to push myself harder and started this little bot project with two goal in mind: learn and find other students preparing for HR to pair program together. I tought that this was the perfect place. If you want to get in touch, ping me on twitter @nickbalestra or write me at<EMAIL_ADDRESS>- I'm looking forward to hear from you!");
});
});


nips nips2002 nips2002-163 nips2002-163-reference knowledge-graph by maker-knowledge-mining
Source: pdf
Author: Thomas L. Griffiths, Mark Steyvers
Abstract: We explore the consequences of viewing semantic association as the result of attempting to predict the concepts likely to arise in a particular context. We argue that the success of existing accounts of semantic representation comes as a result of indirectly addressing this problem, and show that a closer correspondence to human data can be obtained by taking a probabilistic approach that explicitly models the generative structure of language. 1
[1] J. R. Anderson. The Adaptive Character of Thought. Erlbaum, Hillsdale, NJ, 1990.
[2] D . M. Blei, A. Y. Ng, and M. 1. Jordan . Latent Dirichlet allocation. In T. G. Dietterich, S. Becker, and Z. Ghahramani, eds, Advances in Neural Information Processing Systems 14, 2002.
[3] W . R. Gilks, S. Richardson, and D. J . Spiegelhalter, eds. Markov Chain Monte Carlo in Practice. Chapman and Hall, Suffolk, 1996.
[4] T . Hofmann. Probabilistic Latent Semantic Indexing. In Proceedings of the TwentySecond Annual International SIGIR Conference, 1999.
[5] T. K. Landauer and S. T. Dumais. A solution to Plato's problem: The Latent Semantic Analysis theory of acquisition, induction, and representation of knowledge. Psychological Review, 104:211- 240, 1997.
[6] M. Matsumoto and T . Nishimura. Mersenne twister: A 623-dimensionally equidistributed uniform pseudorandom number generator. ACM Transactions on Modeling and Computer Simulation, 8:3- 30, 1998.
[7] D. L. Nelson , C. L. McEvoy, and T. A. Schreiber. The University of South Florida word association norms. http://www. usf. edu/FreeAssociation, 1999.


PROJECTS:
Real World -
github.com/nsiegel/real-world - real-world.online
February 2016
- Hosted real-time role playing game generator where players can interact
using their mobile devices and can receive feedback through in game push
notifications
- Used MEAN stack, and Firebase for in game notifications
Timely -
github.com/nsiegel/timely
January 2016
- Event time-tracking and navigation app - it's purpose is to remind you of
what time to leave to arrive at a destination in a timely manner
- Used MEAN stack, Mapbox api, and Sockets for push notifications
RentEze -
github.com/nsiegel/rentEze - renteze.herokuapp.com
January 2016
- Apartment renting application that will allow you to search for and filter
by apartment criteria
- Used MEAN stack, and Google Maps API
Sweet Sip
November 2014
- Constructed a prototype of a coffee lid that dispenses sugar as you drink
and conducted market research to prove viability
- Used 3D printing technology throughout the process


Apograf is the first aggregator for publications on cryptography, distributed computer systems, blockchain technology and other related fields. By collecting metadata from reputable sources, it delivers easy integrated access to complete scientific publications or links to wh...


{% extends "base.html" %} {% block article_one %} Yay! You're back, {{ user.username }}! Click here to return to the homepage. {% endblock %}


Mogoeng Mogoeng Says The Land Issue Will Be Handled In A Unifying Manner
by SW EditorChief Justice Mogoeng Mogoeng has called for the intensifying of efforts to address land inequalities in South Africa.
Mogoeng delivered the 17th annual Nelson Mandela lecture in Soweto on Saturday, under the theme “Constitutionalism as an Instrument for Transformation”.
He called the land issue ‘critical’ and urged all those involved in addressing it to resolve it peacefully.
A special committee in Parliament is working on proposals to change the Constitution to allow for the expropriation of land without compensation – a move that has divided Members of Parliament.
“We are going to be unifiers; we are going to be reconcilers; we are going to spend every day to ensure that the land issue, and all other outstanding issues, are resolved in a manner that keeps us united and reconciled.”
Mogoeng also lamented the growing gap between the rich and the poor people of South Africa, saying it was a shame that since the advent of South Africa’s constitutional democracy in 1994, inequality had become “sharper” than during the apartheid era.
“It really is a shame that 25 years down the line we still have so many of our people suffering as much as they do. It is a shame that inequality has become sharper during our Constitutional democracy than during apartheid, and check who is at the top,” Mogoeng added.


--- title: Fastcook - Bon appetit! keywords: fastai sidebar: home_sidebar summary: "Fastcook provides fast and delightful recipes for your [fastai](https://github.com/fastai/fastai2) driven workflow. Perfect for the modern era." description: "Fastcook provides fast and delightful recipes for your [fastai](https://github.com/fastai/fastai2) driven workflow. Perfect for the modern era." ---
You can explore recipes directly from the nbs folder or via the documentation.


Match Play. Red leads 4-2 to 11. Should Red redouble? If redoubled, should White take?
pips Red=19 White=8
(CorrectAnswer= 0/0, ErrorScore= 0)
This is a three or four roll position (or maybe even two).
Red misses with ones, threes and fours but the fours fill the ace-point gap.
Unless White rolls a double Red should easily be off in four rolls and win. Red must miss twice for the misses to be significant.
For money this is a big drop. At this score it is still a drop although closer. One of the problems is that White’s redoubles to 8 will be very inefficient. He will nearly certainly have missed his market or not have one at all.
So, redouble/ drop but if White is the weaker player, it becomes a take.
Red misses with ones, threes and fours but the fours fill the ace-point gap.
Unless White rolls a double Red should easily be off in four rolls and win. Red must miss twice for the misses to be significant.
For money this is a big drop. At this score it is still a drop although closer. One of the problems is that White’s redoubles to 8 will be very inefficient. He will nearly certainly have missed his market or not have one at all.
So, redouble/ drop but if White is the weaker player, it becomes a take.
Cube analysis 2-ply cubeless equity +0.555 (Money: +0.555) 0.778 0.000 0.000 - 0.222 0.000 0.000 Cubeful equities: 1. Double, pass +1.000 2. Double, take +1.026 (+0.026) 3. No double +0.799 (-0.201) Proper cube action: Redouble, pass


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Case of Aomori boy who confessed to slashing girl's throat sent to prosecutors for attempted murder
AOMORI – A 14-year-old boy was sent to prosecutors on Thursday for attempted murder after being arrested on suspicion of slashing a sixth-grade elementary schoolgirl in Aomori Prefecture.
Several knives were found in a bag he was believed to be carrying at the time of Tuesday’s incident, investigative sources said.
The boy is suspected of attempting to kill the girl by approaching her from behind and slashing her throat as she was walking home alone from school at around 4:40 p.m. on Tuesday.
He may have attacked the girl when he was on his way home from his junior high school, the sources said. Investigators found the boy at a cram school in the city of Hachinohe a few minutes after 8 p.m. that day.
Investigators are working to track the boy’s moves before and after the incident, and to find motives for his alleged attack.
The suspect has admitted the charge, telling police that he had intended to kill and it didn’t matter who it was, the sources said.
Japanese police do not release the names of arrested minors.
The girl, left with a 10-centimeter-long gash as deep as 1 cm, was taken to a nearby hospital and is able to speak, according to the police.
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Survey Questions
About You
Name
Link to Photo Image
Question 1
I like to share my feelings with others.
Question 2
I like to play sports.
Question 3
I like to go out at night to socialize.
Question 4
I like to travel and see new places.
Question 5
Looks are very important to me.
Question 6
I'm looking for a long tern relationship.
Question 7
I love to wake up early in the morning.
Question 8
I prefer to go to the movies than to a bar.
Question 9
I'm a very emotional person .
Question 10
I like somebody that love to go to concerts.


ASP.NET Core: JWT and Refresh Token with HttpOnly Cookies
Sep 13, 2020 17:00 · 834 words · 4 minute read
I would like to talk about the SPA client authentication. Most of the blog implementations are stores the token into localStorage, sessionStorage or in-memory storage (redux/vuex/ngrx). It depends on your needs. For instance, you don’t need high security with your In-House applications. For other cases, you need to increase your security. Today, I will try to explain that with my best.
Rather than show all the implementations, the post will be clear and simple. You can find the source code at end of the post.
Where should I put my token and other values ?
As I mentioned before, localStorage, sessionStorage and in-memory storages are candidates for this kind of questions. In web, also we have “cookies”. Best part of the cookies are you can manage them from server-side. For example, when a user logged in, you can put the user sensitive content into her/his cookies without handle it from client-side scripts.
Firstly, I would like show difference between handling other storages and cookies. The below code shows a simple comparison with axios
.
async loginRaw(username, password) {
const response = await axios.post('login', {
username,
password
});
if (response.status === 200) {
const token = response.data;
sessionStorage.setItem('token', token)
this.history.push('/');
}
}
async loginCookie(username, password) {
const response = await axios.post('login', {
username,
password
});
if (response.status === 200) {
// the response already set the token into browser's cookie.
this.history.push('/');
}
}
Secondly, Let’s give some details about the implementation. I will use three cookie property with login. Just focus on X-Access-Token
.
[HttpPost("login")]
public async Task<IActionResult> LoginApi([FromBody] LoginModel model)
{
if (ModelState.IsValid)
{
var signIn = await _signInManager.PasswordSignInAsync(model.Username, model.Password, false, false);
if (signIn.Succeeded)
{
var user = await _userManager.FindByEmailAsync(model.Username);
var token = _jwtCreator.Generate(user.Email, user.Id);
user.RefreshToken = Guid.NewGuid().ToString();
await _userManager.UpdateAsync(user);
Response.Cookies.Append("X-Access-Token", token, new CookieOptions() { HttpOnly = true, SameSite = SameSiteMode.Strict });
Response.Cookies.Append("X-Username", user.UserName, new CookieOptions() { HttpOnly = true, SameSite = SameSiteMode.Strict });
Response.Cookies.Append("X-Refresh-Token", user.RefreshToken, new CookieOptions() { HttpOnly = true, SameSite = SameSiteMode.Strict });
return Ok();
}
else
{
return BadRequest(new { signIn.IsLockedOut, signIn.IsNotAllowed, signIn.RequiresTwoFactor });
}
}
else
return BadRequest(ModelState);
}
And finally, ASP.NET Core still waits the token from Authorization Header. Therefore, we have to set the token from the cookies. Startup.cs:
services.AddAuthentication(i =>
{
...
})
.AddJwtBearer(options =>
{
...
options.Events.OnMessageReceived = context => {
if (context.Request.Cookies.ContainsKey("X-Access-Token"))
{
context.Token = context.Request.Cookies["X-Access-Token"];
}
return Task.CompletedTask;
};
...
})
HttpOnly and SameSite
Only the cookies without HttpOnly flag are accessible from client-side script. Therefore, you just making things hard for the other people. Also, you will be avoided from XSS
and XSRF
attacks with HttpOnly
and SameSite=Strict
properties.
How should I send the token ?
Other storages are accessible from the client-side hence you just write an interceptor and write the token into Authorization
Header. After that the server-side handles the authentication.
axios.interceptors.request.use(request => {
const token = sessionStorage.getItem('token');
if (auth !== undefined && auth)
request.headers.common['Authorization'] = 'Bearer ' + token;
return request;
})
As I mentioned above, after cookie with HttpOnly flag you couldn’t access the token on client-side. XMLHttpRequest
will access those cookies for us. Whenever there is a request the XMLHttpRequest
sends all the cookies to the server-side.
Note: If your Authentication Server is separated from your website. You can change the SameSite property on cookies. After that
XMLHttpRequest
orAxios
withwithCredentials
property will do the work.
Refresh Token
JWT Token should have a short lifetime. In that case, you should empower your configurations with the refresh token. The definition as follows
Refresh tokens are credentials used to obtain access tokens. Refresh tokens are issued to the client by the authorization server and are used to obtain a new access token when the current access token becomes invalid or expires, or to obtain additional access tokens with identical or narrower scope (access tokens may have a shorter lifetime and fewer permissions than authorized by the resource owner). (https://tools.ietf.org/html/rfc6749#section-1.5)
Once a refresh token is used then it should be disposed. Even if the refresh token is exposed it could be used only once. Then when the user login again the stolen refresh token will be invalid.
I will give an example about how you can handle the refresh token. You can call this endpoint from your client-side.
[HttpGet("refresh")]
public async Task<IActionResult> Refresh()
{
if (!(Request.Cookies.TryGetValue("X-Username", out var userName) && Request.Cookies.TryGetValue("X-Refresh-Token", out var refreshToken)))
return BadRequest();
var user = _userManager.Users.FirstOrDefault(i => i.UserName == userName && i.RefreshToken == refreshToken);
if (user == null)
return BadRequest();
var token = _jwtCreator.Generate(user.Email, user.Id);
user.RefreshToken = Guid.NewGuid().ToString();
await _userManager.UpdateAsync(user);
Response.Cookies.Append("X-Access-Token", token, new CookieOptions() { HttpOnly = true, SameSite = SameSiteMode.Strict });
Response.Cookies.Append("X-Username", user.UserName, new CookieOptions() { HttpOnly = true, SameSite = SameSiteMode.Strict });
Response.Cookies.Append("X-Refresh-Token", user.RefreshToken, new CookieOptions() { HttpOnly = true, SameSite = SameSiteMode.Strict });
return Ok();
}
Conclusion
Tokens are not completely safe, but we can increase the security with couple of measures. So cookies are a very well storage for the tokens. And, refresh token will prevent the user from re-login. You can reach the source code from Github.
Have a nice day !


Elixir v1.3.4 URI
Utilities for working with URIs.
This module provides functions for working with URIs (for example, parsing URIs or encoding query strings). For reference, most of the functions in this module refer to RFC 3986.
Summary
Functions
Checks if the character is a “reserved” character in a URI
Checks if the character is allowed unescaped in a URI
Checks if the character is a “unreserved” character in a URI
Percent-unescapes a URI
Decodes a query string into a map
Decodes a string as “x-www-form-urlencoded”
Returns the default port for a given scheme
Registers the default port port
for the given scheme
Percent-escapes the given string
Encodes an enumerable into a query string
Encodes a string as “x-www-form-urlencoded”
Merges two URIs
Parses a well-formed URI reference into its components
Returns a stream of two-element tuples representing key-value pairs in the
given query
Returns the string representation of the given URI
struct
Types
t :: %URI{authority: nil | binary, fragment: nil | binary, host: nil | binary, path: nil | binary, port: nil | :inet.port_number, query: nil | binary, scheme: nil | binary, userinfo: nil | binary}
Functions
Checks if the character is a “reserved” character in a URI.
Reserved characters are specified in RFC 3986, section 2.2.
Examples
iex> URI.char_reserved?(?+)
true
Checks if the character is allowed unescaped in a URI.
This is the default used by URI.encode/2
where both
reserved and unreserved characters are kept unescaped.
Examples
iex> URI.char_unescaped?(?{)
false
Checks if the character is a “unreserved” character in a URI.
Unreserved characters are specified in RFC 3986, section 2.3.
Examples
iex> URI.char_unreserved?(?_)
true
Percent-unescapes a URI.
Examples
iex> URI.decode("http%3A%2F%2Felixir-lang.org")
"http://elixir-lang.org"
Decodes a query string into a map.
Given a query string of the form of key1=value1&key2=value2...
, this
function inserts each key-value pair in the query string as one entry in the
given map
. Keys and values in the resulting map will be binaries. Keys and
values will be percent-unescaped.
Use query_decoder/1
if you want to iterate over each value manually.
Examples
iex> URI.decode_query("foo=1&bar=2")
%{"bar" => "2", "foo" => "1"}
iex> URI.decode_query("percent=oh+yes%21", %{"starting" => "map"})
%{"percent" => "oh yes!", "starting" => "map"}
Decodes a string as “x-www-form-urlencoded”.
Examples
iex> URI.decode_www_form("%3Call+in%2F")
"<all in/"
Returns the default port for a given scheme.
If the scheme is unknown to the URI
module, this function returns
nil
. The default port for any scheme can be configured globally
via default_port/2
.
Examples
iex> URI.default_port("ftp")
21
iex> URI.default_port("ponzi")
nil
Registers the default port port
for the given scheme
.
After this function is called, port
will be returned by
default_port/1
for the given scheme scheme
. Note that this function
changes the default port for the given scheme
globally, meaning for
every application.
It is recommended for this function to be invoked in your application’s start callback in case you want to register new URIs.
Percent-escapes the given string.
This function accepts a predicate
function as an optional argument; if
passed, this function will be called with each character (byte) in str
as
its argument and should return true
if that character should not be escaped
and left as is.
Example
iex> URI.encode("ftp://s-ite.tld/?value=put it+й")
"ftp://s-ite.tld/?value=put%20it+%D0%B9"
iex> URI.encode("a string", &(&1 != ?i))
"a str%69ng"
Encodes an enumerable into a query string.
Takes an enumerable that enumerates as a list of two-element
tuples (e.g., a map or a keyword list) and returns a string
in the form of key1=value1&key2=value2...
where keys and
values are URL encoded as per encode_www_form/1
.
Keys and values can be any term that implements the String.Chars
protocol, except lists which are explicitly forbidden.
Examples
iex> hd = %{"foo" => 1, "bar" => 2}
iex> URI.encode_query(hd)
"bar=2&foo=1"
iex> query = %{"key" => "value with spaces"}
iex> URI.encode_query(query)
"key=value+with+spaces"
iex> URI.encode_query %{key: [:a, :list]}
** (ArgumentError) encode_query/1 values cannot be lists, got: [:a, :list]
Encodes a string as “x-www-form-urlencoded”.
Example
iex> URI.encode_www_form("put: it+й")
"put%3A+it%2B%D0%B9"
Merges two URIs.
This function merges two URIs as per RFC 3986, section 5.2.
Examples
iex> URI.merge(URI.parse("http://google.com"), "/query") |> to_string
"http://google.com/query"
iex> URI.merge("http://example.com", "http://google.com") |> to_string
"http://google.com"
Parses a well-formed URI reference into its components.
Note this function expects a well-formed URI and does not perform
any validation. See the “Examples” section below for examples of how
URI.parse/1
can be used to parse a wide range of URIs.
This function uses the parsing regular expression as defined in RFC 3986, Appendix B.
When a URI is given without a port, the value returned by
URI.default_port/1
for the URI’s scheme is used for the :port
field.
If a %URI{}
struct is given to this function, this function returns it
unmodified.


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Software Identifier: {{ software }}
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Review: '21 Bridges' is slick but generic
"21 Bridges" | Cast: Chadwick Boseman, Sienna Miller, Stephen James, Keith David, Taylor Kitsch, Alexander Siddig, JKSimmons, Morocco Omari, Louis Cancelmi | Direction: Brian Kirk | Rating: ** & 1/2 (two and a half stars)
Televison Director Brian Kirk's maiden feature film "21 Bridges" is designed by amalgamating a pumped-up cop-versus-criminal chase and beat-the-clock crime thriller. It is slickly mounted, action packed and dark. The tale unfurls one night in Manhattan.
The plot accelerates roughly after midnight when a planned drug heist involving two criminals -- the dangerous one, portrayed by Taylor Kitsch, and a level headed one, played by Stephen James -- goes awry.
It is perfectly evident that they have been set up. The criminals were told this would be a smalltime stickup, only to discover 300 kilos of high grade cocaine. It is also strange how quickly the police arrive and how aggressively they attempt to secure the property. So, in their bid to escape, the criminals kill eight police officers and escape in the dark.
Soon, Police Chief, Captain McKenna (JK Simmons) summons ace shooter Andre Davis (Chadwick Boseman), who is known as "a cop who kills cop killers," among peers, and the tough narcotics detective Frankie Burns (Sienna Miller) to the site, and implores them to track down the criminals and eliminate them if need be.
Before taking off like hound dogs pursuing their prey through Manhattan, Andre figures that the drugs would be sold off within three to four hours. So in order to keep the criminals trapped on the island, he convinces his seniors to close off all the bridges and subway tunnels that connect the Island, but only until 5am. This is the initial premise of the film and also how the film gets its name.
The cat-and-mouse chase between the police and the bad guys trying to outwit each other is an exciting concept and has been witnessed many a time earlier. This one too, with by-the-numbers action, is no different.
But once the criminals are cornered, layers unravel and the sheen of the film vanishes. What you get is a generic film with no outstanding personalities or incidents. We don't even see the 21 bridges being blockaded.
 His backstory and humane side of the character does not help him to elevate the character either.
Similarly there is no scope for Sienna Miller to show her histrionics. As Frankie Burns, she is relegated to just a few shootout scenes, and we are told that she is a mom who is singlehandedly bringing up her daughter.
JK Simmons as the Chief of Police has his moment of on-screen glory, but that's not speaking much of his acting calibre.
Overall, the film has a few standout action sequences to boast of, and nothing more.
Read also
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Michael Jackson Hollywood movie reported in the works
Michael Jackson's story is headed for Hollywood from the producer who helped make hit film "Bohemian Rhapsody," industry media reported on Friday.
Read More
Review: 'Frozen II': A typical family entertainer
Compared to its prequel of 2013, the tale of "Frozen II" is more entertaining than dazzling, and fluid than solid. It has all the trappings of a Disney film, yet it is not as exciting as the first edition.


PLEASANTVILLE Cast: Tobey Maguire, Reese Witherspoon, Jeff Daniels, Joan Allen, William H. Macy, J.T. Walsh, Don Knotts, Marley Shelton, Jane Kaczmarek Director: Gary Ross Producers: Jon Kilik, Robert J. Debus, Steven Soderbergh, Gary Ross Screenplay: Gary Ross Cinematography: John Lindley Music: Randy Newman Running time: 116 minutes Australian distributor: Village Roadshow Australian theatrical release: February 25, 1999 Reviewed by Luke Buckmaster
On the Buckmaster scale of 0 stars (bomb), to 5 stars (a masterpiece): 4 and a half stars
Towards the end of Pleasantville - one of the most life affirming films you're likely to see - two characters paint on the side of a local police station. Their vibrantly colored portrait depicts classic novels with wings attached to them, flying above a bonfire that was intended to destroy them. Like the film, this picture is a metaphor for cultural progression. When there are so many films nowadays that look at our modern world in a negative light, here is one that displays advancement as something positive.
Would the world be a better place if it were based in a cheesy 50's sitcom, where dinner is always on the table, husbands and wives sleep in different beds, and teenagers hold hands at lovers lane? Welcome to Pleasantville, a quaint town that is, literally, black and white. Two teenagers - David (Toby Maguire) and Jennifer (Reece Witherspoon) - get magically transported from the dangerous 90's to the mellow world of Pleasantville via the usage of a strange TV remote control. "We're, like, stuck in nerdville," Jennifer exclaims.
Naturally, the film takes time to cash in on some jokes. The word "fire" means nothing to the fire brigade; their idea of an emergency is rescuing a cat from a tree. The local basketball team has never missed a shot, no one has ever heard of the word sex, and the school's library books are full of blank pages. Like in Dark City (and, to a lesser extent, The Truman Show), the residents of Pleasantville see nothing strange about the way they live - they have accepted the reality given to them. At one moment, Jennifer asks a teacher what is outside of Pleasantville, just to hear "I don't understand" in response.
Before the jokes become tiresome, Pleasantville becomes darker in tone during its second half. As Toby and Jennifer (known in town as Bud and Mary Sue) initiate change in the society, things begin to turn into color. Most adults are unwilling to adhere to these new elements, except soda shop owner Mr. Johnson (Jeff Daniels, in one of his best roles in years) who has a dream to paint, and Toby and Jennifer's TV mother Betty (Joan Allen), a likeable woman who craves more excitement in her life. Pleasantville mayor Bob (the late J.T Walsh, in his last film performance) is especially determined to maintain old traditions. Although Pleasantville begins as a light-headed comedy, it ends up examining important issues of prejudice, rebellion, change and honor.
That is quite a lot to cram into 116 minutes, but debut director Gary Ross (writer of Big and Dave) does it with style. As color contrasts with black and white, Pleasantville becomes a visual sensation. It may be the screenplay (also by Ross) that provides the film with its wit, humor and emotion, but the special effects certainly play a large part in reaching out to viewers. It's hard not to be entranced by the image of a single red rose amongst a black and white screen, or Pleasantville's first ever fire (luckily, David shows the firemen how to put it out). This burning tree is quite a sight.
Tobey Maguire and Reese Witherspoon have enough charm and interest to make the two titles roles really work. Witherspoon's Jennifer is at first a sex crazed and self absorbed rebellious teenager, but she gradually matures into a more respectable person. Witherspoon makes that transformation believable, and so does Maguire as his character discovers the thrill of taking risks. Jeff Daniels has a soft and placid part, but his character is meaningful and, at times, almost poignant. Mr. Johnson's love for painting is understandable, and the condemnation of his work by some of the town residents seems tragic. William H. Macy (who regularly plays small parts) rarely catches my eye as an exceptional performer, but here he does. Macy's character (David and Jennifer's TV father) is the only reason why we can relate to the people who don't want Pleasantville to change. They are happy living controlled and repetitive lives, where their surroundings remain dull but peaceful.
Pleasantville is a truly original film that soars with energy and beauty. It has deep meaning and relevance in today's society, and should serve as a reminder for most that the world is made up of how its residents think and act. "You can't stop something that's inside you," says David, and that could be a summation of all that Pleasantville stands for. I was touched and inspired by this film, and for all the right reasons. Although Ross occasionally directs with a little too much simplicity (his use of symbolism is usually quite obvious), Pleasantville never complicates or intimidates its audience. Imaginative, moving and entertaining, this marvelous Hollywood product should be a prime example of how special effects can be used to aid a story, and not the other way around. It would be silly for me to point out that films like Pleasantville are seldom found - that much is obvious.
Read more of my reviews at In Film Australia http://infilmau.iah.net
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


At the heart of OpenIZ lies the Immunization Management System (IMS). The IMS components represent all services related to persistence, forecasting, reporting, integration, and security. Download the Beta (Dalhousie 9.4.x)
The OpenIZ Disconnected Client provides a start application platform for accessing the IMS in an offline way. All business rules and clinical protocols can be executed without an internet connection on Windows, Linux or Android client systems. Download the Beta (Dalhousie 9.4.x)
The OpenIZ platform is generic, which means you can customize it to suit your needs. Get started today by developing an application of your own based on our sample applet templates. Get started


Mexico’s Baja Sur resorts to start charging tourist tax
MEXICO CITY (AP) - The Mexican state of Baja California Sur will start charging a tax equivalent to about $18.50 for each foreign tourist who visits.
The state is home to resort cities like Cabo San Lucas, San Jose del Cabo and La Paz.
The state government said Friday it will begin charging the tax starting Nov. 9.
Other Mexican cities charge tourists indirectly through hotel or airport-use taxes.
But the Baja Sur tax will be charged directly to tourists and will be payable at kiosks located at airports.
The state said the tax is for “use of Infrastructure” and will be used for “social service works.”
Tourist resorts in Mexico are often surrounded by poor, outlying communities. In the past, resorts have been criticized for doing little to benefit surrounding populations.
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Package me.masstrix.eternalnature.player
Class OrderedFormat
- java.lang.Object
-
- me.masstrix.eternalnature.player.OrderedFormat
-
public class OrderedFormat extends java.lang.Object
Handles the parsing and updating of formatted text. This allows for you to create formatted text such asThe time is %time% on %day%
and have it parsed into it's separate components and tags. Ig a tag is not registered it will be ignored and read as standard text otherwise it will be replaced with it's registered instance.Tags are defined in formatted text by encasing the name of the tag in percent symbols. There can not be any spaces in a tag, if there are spaces it will be invalid, it's recommended for better reading to instead use underscores.
-
-
Nested Class Summary
Nested Classes Modifier and Type Class Description static interface
OrderedFormat.TagFormatter
This is a basic utility helper forOrderedFormat
for storing tags.
-
Constructor Summary
Constructors Constructor Description OrderedFormat()
-
Method Summary
All Methods Instance Methods Concrete Methods Modifier and Type Method Description net.md_5.bungee.api.chat.BaseComponent[]
getFormatted()
Returns the last version of the formatted text.net.md_5.bungee.api.chat.BaseComponent[]
getFormatted(boolean update)
Returns the formatted text.java.lang.String
getLegacy()
Returns the last version of the formatted text.java.lang.String
getLegacy(boolean update)
Returns the formatted text in legacy formatting.OrderedFormat
praseFormat(java.lang.String format)
Parse a format from a string value and breaks it down into base components to be used as eitherBaseComponent[]
or a legacy string later.OrderedFormat
registerTag(java.lang.String name, OrderedFormat.TagFormatter formatter)
Adds a new tag for the formatter.
-
-
-
Method Detail
-
registerTag
public OrderedFormat registerTag(java.lang.String name, OrderedFormat.TagFormatter formatter)
Adds a new tag for the formatter. Any tag that is registered will be replaced in the parsed text with it.- Parameters:
name
- name of the tag that is used as a placeholder in the text for example if we have a tag named test, any occurrence of %test% in the parsed text will be replaced with it.formatter
- formatter that operates for this tag.- Returns:
- an instance of this ordered format.
-
praseFormat
public OrderedFormat praseFormat(java.lang.String format)
Parse a format from a string value and breaks it down into base components to be used as eitherBaseComponent[]
or a legacy string later.- Parameters:
format
- format to parse.- Returns:
- an instance of this ordered format.
-
getFormatted
public net.md_5.bungee.api.chat.BaseComponent[] getFormatted()
Returns the last version of the formatted text. This will never call for an update and always return the cached version of the format.- Returns:
- the formatted text as an array of components.
-
getFormatted
public net.md_5.bungee.api.chat.BaseComponent[] getFormatted(boolean update)
Returns the formatted text. If update is enabled it will rebuild the text calling each tag for a refresh, otherwise it will return the last updated version.- Parameters:
update
- should all tags be updated.- Returns:
- the newly formatted text as an array of components.
-
getLegacy
public java.lang.String getLegacy()
Returns the last version of the formatted text. This will never call for an update and always return the cached version of the format.- Returns:
- the formatted text as legacy text.
-
getLegacy
public java.lang.String getLegacy(boolean update)
Returns the formatted text in legacy formatting. Legacy formatted is non-json formatting and may not be fully supported on all areas of the spigot api so usinggetFormatted(boolean)
is recommended instead when possible. If update is enabled it will rebuild the text calling each tag for a refresh, otherwise it will return the last updated version.- Parameters:
update
- should all tags be updated.- Returns:
- the newly formatted text as a legacy string.
-
-


Shreya Ghoshal will perform at Arena Birmingham - here’s how to get tickets
The world renowned vocalist will come to Birmingham Sunday 22 March 2020
by Scott Dickinson, https://www.birminghammail.co.uk/authors/scott-dickinson/Shreya Ghoshal will treat us to some Bollywood belters next year as she takes to Arena Birmingham for a highly anticipated gig.
The singer is one of the most respected playback artists in the world, having received countless awards including four National Film Awards and singing for masses of A-list stars on screen.
You can catch Shreya Goshal at Arena Birmingham on Sunday 22 March 2020. Tickets will go on sale at 10am on Friday 29th November 2019 and can be purchased from The Ticket Factory’s official bookings page here.
Having started performing when she was only four years old, she eventually buckled up the courage to enter and win Sa Re Ga Ma, an Indian reality TV show.
Shreya’s career consequently took off and she has now featured in some of the most iconic Bollywood films of all time.
Yet her achievements are far from exclusively filmic as her performance of the song “Jaadu Hai Nasha Hai” shot up the charts and into the mainstream music scene.
She has also become notorious for her incredible live shows, having performed in America, Canada, Australia, New Zealand and the UK which she visited in 2013 to celebrate Bollywood's 100th birthday.
Now she will return to the UK for only two dates for an exclusive set of shows for the ages.
Shreya Goshal will come to Arena Birmingham on Sunday 22 March 2020.
Tickets will go on sale for the show at 10am on Friday 29 November 2019 and can be purchased from The Ticket Factory’s official bookings page here.
All Tour dates
Saturday 21 March 2020 - The SSE Arena Wembley
Sunday 22 March 2020 - Arena Birmingham


Working on the team responsible for deprecating the Apache Zookeeper dependency from Apache Kafka using KIP-500 resulting in a version of Kafka that self manages metadata via a Raft protocol.
Developed and implemented a new feature in Kafka that saves users time by allowing them to reconfigure 1000+ producer and consumer clients with one shell command.
Took initiative to communicate with engineers in the Apache open source community to clearly establish APIs and use cases for this feature.
Developed an extension to a replica reassignment tool that customers needed and delivered the feature fully tested within the first month of the internship.
Assisted the CS support team at USF by updating and maintaining all of the department’s lab machines.
My responsibilities for this class include reviewing student code weekly and giving grades with feedback based on learning outcomes.
I also hold weekly office hours to help students develop and debug code.
Mathematics tutor for first generation college applicants. Subjects ranged from Algebra I to AP Calculus.
Bachelor of Science Computer Science
Minor Mathematics


SHADOW OF THE VAMPIRE A film review by David N. Butterworth Copyright 2001 David N. Butterworth
**1/2 (out of ****)
"Shadow of the Vampire" features a typically earnest performance by John Malkovich as the great German Expressionist filmmaker Friedrich Wilhelm Murnau, spitting lines like "I will finish this picture!"  with unequivocal abandon. And it features a wonderfully creepy, nuanced performance by Willem Dafoe as Max Schreck, the mysterious vampire-like star of Murnau's gothic masterpiece, "Nosferatu."
But there's not much else to E. Elias Merhige's slow-moving tale about the making of Murnau's 1922 film.
The focus, of course, is on Dafoe, who looks terrific--and acts terrifically--under all that makeup. As Count Orlock (Bram Stoker's estate refused Murnau the rights to film Stoker's "Dracula" so he simply changed the name) he outdoes Jim Carrey in "How the Grinch Stole Christmas." Needless to say Dafoe's performance is more introspective, although he does roll his eyes a lot in keeping with the over-the-top acting style of the times.
Credit, too, must be given to Dafoe's startling makeup design. Ann Buchanan makes Dafoe a very convincing-looking Schreck, from the little tufts of white hair behind his pixie-like ears to his long, skeletal fingers, which look like a cross between Freddy Krueger's razor-sharp appendages and those of the face hugger from "Alien"--wizened and white-knuckled with fingernails as long as a toll collector's on the Jersey turnpike.
Like "Gods and Monsters," a 1998 film that chronicled the making of James Whale's "Frankenstein," "Shadow of the Vampire" is a thoughtful, contemplative film that attempts to inject new blood into the machinations of a cinematic auteur. Unlike Bill Condon's film, however, we do get some insight into the mind of a man who conjured up truly horrific visions--Murnau was a fanatic and an obsessive, one who defied his producer (here played by the great Udo Kier), worked excessively, hounded his actors, kept secrets, and left everything to chance, all tempered by daily doses of laudanum. Unfortunately, the shaggy dog core of the film is that Schreck wasn't exactly acting when he sucked the blood of his leading lady (we're tipped off in an opening title board that refers to "Nosferatu" as one of the most *realistic* vampire films ever made). This puts a bit of a shaky spin on an otherwise "serious" treatment.
Under Merhige's workmanlike direction, "Shadow of the Vampire" is murky and meditative while revisiting the kind of murky vampire lore we've seen a thousand times before. Malkovich, surprisingly, doesn't even attempt a German accent! (Cary Elwes, as a replacement cinematographer, does, and it's to his discredit.) The opening credits sequence is so long and puzzling--it's not obvious what we're supposed to be looking at--that it sets a bad tone for the rest of the picture.
Co-produced by Nicolas Cage of all people, "Shadow of the Vampire" is still worth catching if, for nothing else, Dafoe's fine contributions. It's an Oscar®-caliber performance that, sadly, will no doubt be dismissed along with the notion that this film is just another vampire picture.
-- David N. Butterworth<EMAIL_ADDRESS>Got beef? Visit "La Movie Boeuf" online at http://members.dca.net/dnb
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


The giant sums of money spinning around San Francisco in recent years, fueled by a booming tech sector, have generated hordes of 20-something millionaires and thousands more with six-figure salaries. While that wealth has created a widely envied economy, housing costs have skyrocketed, and the region’s economic divisions have deepened. The rent for a one-bedroom apartment in San Francisco is more than $3,500 a month, the highest in the country.
The giant sums of money spinning around San Francisco in recent years, fueled by a booming tech sector, have generated hordes of 20-something millionaires and thousands more with six-figure salaries.
The giant sums of money spinning around San Francisco in recent years, fueled by a booming tech sector, have generated hordes of 20-something millionaires and thousands more with six-figure salaries. While that wealth has created a widely envied economy, housing costs have skyrocketed, and the region’s economic divisions have deepened. The rent for a one-bedroom apartment in San Francisco is more than $3,500 a month, the highest in the country.
The giant sums of money spinning around San Francisco in recent years, fueled by a booming tech sector, have generated hordes of 20-something millionaires and thousands more with six-figure salaries.


 I believe Facebook is a revolutionary product. Without doing much quantitative research, I'd like to simply speak from my personal experiences and observations to express my love for this product.
I started off as just another 7th grader who just created a Facebook account with a fake age. In 2008, all Facebook was to me was a chatting platform, a little more inconvenient than texting, and a picture sharing site of embarrassing, grainy flip phone selfies. Somehow, 8 years later, Facebook has transformed the way I interact with the world. Facebook is not only a platform for friends to stay connected (through chat, photo sharing, status updates), but also acts as a news source, gaming platform, marketing platform, VR platform, and so, so much more.
Facebook's growth and sheer impact on the world, literally connecting people from all across, internationally, is incredible. From all aspects, Facebook is continuously growing and developing. It continues to grow in features, competing face-to-face with Snapchat and other social media platforms. It continues to grow in connectivity, with VR, smart watches, and the internet of things. It continues to grow as a design giant, continuously updating with subtle design changes, from square corners to rounded corners and back again; from news feed to timeline to the next intuitive idea. What's even more intriguing is the manpower behind all of this growth - designers, developers, product managers, marketers, analysts, etc. all working to make this giant of a social media product (from my point of view, I no longer simply consider Facebook as "social media", but a giant of the internet overall).
Facebook's impact reaches beyond just the connection of people. Facebook's sheer size allows the creation of virality. The virality of videos, news stories, photos, and events pushes people to care. When you're more exposed to an issue, you care. The power that Facebook has to blow up a political story overnight or the power that the user base has to make a child with cancer's donation story go viral within hours is incomparable to much else.


Uncle Tom's Cabin (Told to the Children)
by Harriet Beecher Stowe
Chapter 5: Eliza Finds a Refuge
Additional Information
- Year Published: 1852
- Language: English
- Country of Origin: United States of America
- Source: Stowe, H. B. (1852). Uncle Tom's Cabin (Told to the Children). H. E. Marshall, (Ed.).
-
Readability:
- Flesch–Kincaid Level: 3.7
- Word Count: 860
- Genre: Historical Fiction
- Keywords: 19th century literature, american literature
- ✎ Cite This
Downloads
A lady and gentleman were sitting talking happily together in the drawing–room of the white house to which Eliza had gone. Suddenly their old black man–of–all–work put his head in at the door and said, 'Will missis come into the kitchen?'
The lady went. Presently she called to her husband, 'I do wish you would come here a moment.'
He rose and went into the kitchen. There lay Eliza on two kitchen chairs. Her poor feet were all cut and bleeding, and she had fainted quite away. The master of the house drew his breath short, and stood silent.
His wife and the cook were trying to bring Eliza round. The old man had Harry on his knee, and was busy pulling off his shoes and stockings, to warm the little cold feet.
'Poor creature,' said the lady.
Suddenly Eliza opened her eyes. A dreadful look of pain came into her face. She sprang up saying, 'Oh, my Harry, have they got him?'

'Oh, he's here! he's here,' she said, kissing him.  'You are safe; don't be afraid.'
'God bless you,' said Eliza, covering her face and sobbing, while Harry, seeing her crying, tried to get into her lap to comfort her.
'You needn't be afraid of anything; we are friends here, poor woman. Tell me where you come from and what you want,' said the lady.
'I came from the other side of the river,' said Eliza.
'When?' said the gentleman, very much astonished.
'To–night.'
'How did you come?'
'I crossed on the ice.'
'Crossed on the ice!' exclaimed every one.
'Yes,' said Eliza slowly, 'I did. God helped me, and I crossed on the ice. They were close behind me—right behind, and there was no other way.'
'Law, missis,' said the old servant, 'the ice is all in broken up blocks, a–swinging up and down in the water.'
'I know it is. I know it,' said Eliza wildly. 'But I did it. I would'nt have thought I could—I didn't think I could get over, but I didn't care. I could but die if I didn't. And God helped me.'
'Were you a slave?' said the gentleman.
'Yes, sir.'
'Was your master unkind to you?'
'No, sir.'
'Was your mistress unkind to you?'
No, sir—no. My mistress was always good to me.'
'What could make you leave a good home, then, and run away, and go through such danger?'
'They wanted to take my boy away from me—to sell him—to sell him down south, ma'am.  I couldn't bear it. I took him, and ran away in the night. They chased me, they were coming down close behind me, and I heard 'em. I jumped right on to the ice. How I got across I don't know. The first I knew, a man was helping me up the bank.'
It was such a sad story, that the tears came into the eyes of everyone who heard her tell it.
'Where do you mean to go to, poor woman?' asked the lady.
'To Canada, if I only knew where that was. Is it very far off, is Canada?' said Eliza, looking up in a simple, trusting way, to the kind lady's face.
'Poor woman,' said she again.
'Is it a great way off?' asked Eliza.
'Yes,' said the lady of the house sadly, 'it is far away. But we will try to help you to get there.' Eliza wanted to go to Canada, because it belonged to the British. They did not allow any one to be made a slave there. George, too, was going to try to reach Canada.
'Wife,' said the gentleman, when they had gone back again into their own sitting–room, 'we must get that poor woman away to–night. She is not safe here. I know some good people, far in the country, who will take care of her.'
So this kind gentleman got the carriage ready, and drove Eliza and her boy a long, long way, through the dark night, to a cottage far in the country. There he left her with a good man and his wife, who promised to be kind to her, and help her to go to Canada. He gave some money to the good man too, and told him to use it for Eliza.


---
layout: property
title: Melrose
background: "/forestryImages/Melrose Top Photo Test.jpg"
isVacancy: false
vacancyAvailable: Space Available
propertyHeader: LA’s contemporary capital
propertyDescription: We’ve been part of the Melrose community for over 65 years. In
that time, we’ve helped develop it into one of the most artistic and exciting neighborhoods
in Los Angeles. Full of bustling retail and dining, Melrose is the perfect place
to shop, eat, and explore the work of rising artists. The mix of locally-owned stores
and internationally-renowned brands gives the community the creative and fun vibe
you can only find in LA.
propertyImages:
- "/img/melrose/Melrose_1.jpg"
- "/img/melrose/Melrose_2.jpg"
- "/img/melrose/Melrose_3.jpg"
facts:
- number: "#1"
description: Walkable block of Melrose
- number: 94k
description: average household income
- number: 33k
description: unique car visits per day
- number: 1st
description: store in American Apparel relaunch
background_stories: "/img/melrose/stories_bg.jpg"
storiesHeader: Tenant Stories
storiesDescription: Today, our properties are the center of Melrose activity. Join
the hundreds of shoppers who line up every day to visit our Melrose sites. Whether
stocking up on the hottest sneakers and apparel at The Cool by Cool Kicks, purchasing
some of the city’s most in-demand shoes and collectibles at Bait, or adding trendy
new pieces to your wardrobe at LF, you’re sure to find something to suit your needs.
After shopping, you can stop by Melrose Hair for a new ‘do and pop in to Organic
Shimmer for a more natural way to tan.
And check back here for more information
on American Apparel’s return to retail, exclusively on Melrose.
storiesImage: "/img/tenant_stories.jpg"
contactText: For questions or rental inquiries please contact us.
buttonText: Contact Us!
buttonEmail<EMAIL_ADDRESS>page_sections: []
---


LinksModules
|
Module
|
| EventProtocol.extend (object) | Turn any object into an interactive object. |
| - object:addEventListener (eventName, listener) | Adds a listener to the object’s list of listeners. When the named event occurs, the listener will be invoked and be supplied with a table representing the event. |
| - object:dispatchEvent (event) | Dispatches event to object. The event parameter must be a table with a name property which is a |
| - object:removeEventListener (eventName, listener) | Removes the specified listener from the object's list of listeners so that it no longer is |
| - object:removeAllEventListenersForEvent (eventName) | Removes all listeners for specified event from the object's list of listeners. |
| - object:removeAllEventListeners () | Removes all listeners from the object's list of listeners. |
Turn any object into an interactive object.
Usage:
framework.client.api.EventProtocol.extend(object)
Adds a listener to the object’s list of listeners. When the named event occurs, the listener will be invoked and be supplied with a table representing the event.
Usage:
-- Create an object that listens to events
local player = Player.new()
framework.client.api.EventProtocol.extend(player)
-- Setup listener
local function onPlayerDead(event)
-- event.name == "PLAYER_DEAD"
-- event.object == player
end
player:addEventListener("PLAYER_DEAD", onPlayerDead)
-- Sometime later, create an event and dispatch it
player:dispatchEvent({name = "PLAYER_DEAD"})
~~
@param eventName String specifying the name of the event to listen for.
@tparam function listener If the event's event.name matches this string, listener will be invoked.
@return Nothing.
Dispatches event to object. The event parameter must be a table with a name property which is a string identifying the type of event. Event include a object property to the event so that your listener can know which object received the event.
Syntax:
object:dispatchEvent(event)
@param event contains event properties
Removes the specified listener from the object's list of listeners so that it no longer is notified of events corresponding to the specified event.
Syntax:
object:removeEventListener(eventName, listener)
Removes all listeners for specified event from the object's list of listeners.
Syntax:
object:removeAllEventListenersForEvent(eventName)
Removes all listeners from the object's list of listeners.
Syntax:
object:removeAllEventListeners()


| 1 | package se.lnu.http.response; | |
| 2 | ||
| 3 | import static org.junit.Assert.assertTrue; | |
| 4 | import static org.mockito.Mockito.mock; | |
| 5 | import static org.mockito.Mockito.verify; | |
| 6 | ||
| 7 | import java.io.IOException; | |
| 8 | import org.junit.Test; | |
| 9 | import org.mockito.ArgumentCaptor; | |
| 10 | ||
| 11 | import se.lnu.http.ClientSocket; | |
| 12 | import se.lnu.http.HTTPRequest.Method; | |
| 13 | ||
| 14 | ||
| 15 | public class ErrorResponses { | |
| 16 | @Test | |
| 17 | public void test400() throws IOException { | |
| 18 | | |
| 19 | | |
| 20 | HTTPResponse response[] = new HTTPResponse[4]; | |
| 21 | response[0]= new HTTP400BadRequest(); | |
| 22 | response[1]= new HTTP403Forbidden(); | |
| 23 | response[2]= new HTTP404FileNotFoundResponse(""); | |
| 24 | response[3]= new HTTP405MethodNotSupportedResponse(Method.CONNECT); | |
| 25 | String expected[] = new String[4]; | |
| 26 | expected[0] = "HTTP/1.1 400"; | |
| 27 | expected[1] = "HTTP/1.1 403"; | |
| 28 | expected[2] = "HTTP/1.1 404"; | |
| 29 | expected[3] = "HTTP/1.1 405"; | |
| 30 | | |
| 31 |
2
1. test400 : negated conditional → SURVIVED 2. test400 : changed conditional boundary → KILLED |
for (int i = 0; i < response.length; i++) { |
| 32 | | |
| 33 | ClientSocket clientSocket = mock(ClientSocket.class); | |
| 34 |
1
1. test400 : removed call to se/lnu/http/response/HTTPResponse::writeResponse → KILLED |
response[i].writeResponse(clientSocket, false); |
| 35 | ArgumentCaptor<String> argument = ArgumentCaptor.forClass(String.class); | |
| 36 |
1
1. test400 : removed call to se/lnu/http/ClientSocket::writeHeader → KILLED |
verify(clientSocket).writeHeader(argument.capture()); |
| 37 | | |
| 38 | ArgumentCaptor<byte[]> bodyArgument = ArgumentCaptor.forClass(byte[].class); | |
| 39 |
1
1. test400 : removed call to se/lnu/http/ClientSocket::writeBody → KILLED |
verify(clientSocket).writeBody(bodyArgument.capture()); |
| 40 | String writtenToSocket = argument.getValue(); | |
| 41 | | |
| 42 |
1
1. test400 : removed call to org/junit/Assert::assertTrue → SURVIVED |
assertTrue( writtenToSocket.contains(expected[i])); |
| 43 | } | |
| 44 | | |
| 45 | } | |
| 46 | } | |
Mutations | ||
| 31 |
1.1 2.2 |
|
| 34 |
1.1 |
|
| 36 |
1.1 |
|
| 39 |
1.1 |
|
| 42 |
1.1 |


A Minimal Metapackage
To create a minimal, functional metapackage, the following must be done:
- Create the packages to be bundled.
More Info… - Give your metapackage a title in the “Installer Interface” tab.
More Info… - Specify the contained packages in the “Contents Tab”.
More Info… - Build the metapackage using Project > Build… menu item.
For more advanced metapackage creation options, see the following topics:


Delicious
THE BEST FOOD BLOG ON THE WEB
1 1/2 cups milk
1/2 cup mascarpone
1/2 tsp pink salt
1 lb Black Mission Figs
1/ cup brown sugar
2-4 tbs water
1 1/2 cups heavy cream
4/3 granulated sugar
2 egg yolks
1 lemon juiced
2 tbsp butter
1 cup honey roasted pecans, roughly chopped


| Package | Description |
|---|---|
| craj | |
| craj.mapDigesterLocator |
| Class and Description |
|---|
| CircleCalculationResultTable
Holds the calculation result data and provides methods to get the maximum
value, a visualization of the data, and the circle findings regarding the
given reference circle values.
|
| CircleFinding
This class holds the data of a circle finding.
|
| EdgeDetector.EdgeDetectorParameter
This class holds the parameter data for the EdgeDetector
|
| PerfectCircleCoordinates
Represents the pixel data of a perfect circle which is used to draw circles
in the resulting cross count and cross value tables and increase the
performance because the calculation of the circle pixels in its origin space
is already done and does not have to be calculated every time a circle is
drawn.
|
| PerfectCircleCoordinates.DifferenceFromOrigin
This class holds the difference of the x and y coordinates of pixel data
regarding its given origin.
|
| ReferenceCircle
Represents the perfect circle which holds the maximum cross value and cross
count a circle with the same diameter could possibly have.
|
| ReferenceCircle.ReferenceCircleParameters
This class holds the parameter data for the ReferenceCircle
|
| Class and Description |
|---|
| CircleFinding
This class holds the data of a circle finding.
|
| ContrastEnhancer
This class provides methods to enhance the contrast of an image using the
specified lower bound percentage and upper bound percentage.
|
| EdgeDetector
This class provides methods to detect the edges using a given Sobel-operator.
|
| ReferenceCircle
Represents the perfect circle which holds the maximum cross value and cross
count a circle with the same diameter could possibly have.
|


Click Start button to launch the code below.
Then click on image to pick source point. After that you can hover mouse pointer over canvas to specify target point candidate.
You can change the code in the <textarea> to investigate more. You can choose another image (need to "Stop" first).


!!STUDIO!!
!!FM INFO!!
!!DATE!!
!!TIME!!
!!URY!!
Coming up:
!!UP NEXT!!
@
!!TIME!!
Then:
!!UP NEXT!!
@
!!TIME!!
!! TRACK !!
!! BREAKING NEWS !!


--- title: Create conda packages keywords: fastai sidebar: home_sidebar summary: "Pure python packages created from settings.ini" description: "Pure python packages created from settings.ini" nb_path: "nbs/05a_conda.ipynb" ---
This function is used in the nbdev_conda_package
CLI command.
NB: you need to first of all upload your package to PyPi, before creating the conda package. Use make pypi
to do this manually with nbdev, or make release
to make both pip and conda packages, and update your version number.


| Name | Description | |
| ApplicationDescriptor |
Exposes methods to GET and SET Application Descriptor information as per define in ApplicationDescriptor.xml file by application. Example:
|
|
| DatabaseDescriptor |
Exposes methods to GET and SET Database Descriptor information as per define in DatabaseDescriptor.xml file by application. Example:
|
|
| EntityDescriptor |
Exposes methods to GET and SET Library Descriptor information as per define in DatabaseDescriptor.xml or LibraryDescriptor.xml file by application. Example: nameoftable mappedclassname columnnameof_table classvariablename javavariabledata_type true/false true/false true/false conditiontobechecked (Eg: variablename 'condition' value; variable_name > 0) defaultvalueof_column (Eg: 0.1) nameofindex true/false columnnameneedstoadd one-to-one|one-to-many|many-to-one|many-to-many classvariablename maptoclass_name cascade/restrict/noaction/setnull/set_default cascade/restrict/noaction/setnull/set_default true/false |
|
| IDescriptor |
It exposes common API for all the descriptor It has method to get and set properties of descriptor |
|
| LibraryDescriptor |
Exposes methods to GET and SET Library Descriptor information as per define in LibraryDescriptor.xml file by application. Example:
|


5 poems
Housekeeping
Throw your baseball cap
in the dishwasher. (This
could be your son.) Use
diminutive language. Clean
the kitchen, try to get
high. Remember: you are fascinated
by repetition. (you are
a human being.
A letter comes
to “DAD” from Richmond. For fear
of Federales, do not open. It’s probably
an acronym. Instead, buy expensive
underpants. Knit a knit suitcase
reinforced with discarded three-
ring binders. Swallow everything.
Explication
I am behind you
in the stairwell
explaining my
absence, that I had
purchased a book
and would accept
two more. I appreciate
value. I will buy
two toothpaste tubes
for the price of one-
and-a-half. I am
a happy American.
 I have
a girlfriend. I have
a twelve-speed bike.
My girlfriend
is a twelve-speed bike.
I was androgynous as a ten-
year-old; I had long,
beautiful eyelashes
and red red lips.
Dear,
all of these salted
crackers represent
love. jangling keys
stand for consumerism
and self concept:
catalytic, you leave me
without nexus— excited
particles conform to skin
of a balloon giraffe,
an emptied mayonnaise jar
the physical aspect of matter
is a kind of honorific assigned
to colliding energies— particles
of space connecting space
so when my sleeves give way to elbows
whatever’s really going on
has as much to do with being still
as a swinging lamp,
bleeding lotus flowers
and rose-red wine.
[How to un-do things:]
How to un-do things:
Cut directly through
the center—peel the subject’s
skin, fit to something more
deserving. We are
all divine, perfect images
of a vengeful schizoid—
There is nothing more
frustrating than waiting
in line at the Post Office,
and little halves of books
are kind and unassuming.
The best customer
is a repeat customer.
For these many years
rain’s been falling sulfur
dioxide and various mono
nitrogen-oxide hammers.
I billow through the troposphere
collecting notes for maps.

An expression of my recessive genes
has appointments in two different cities,
each accessible by greyhound.
My nose inchworms across the carpet,
encouraging comprehensive empathy
for other selves I’ve met. Not that I need
reminders, really, it’s just there are
so many parts. My nasopharynx wants
to eat Korean noodles—the rest
disagree. I’m glad you seem to understand;
I want someone who seems
to understand.


Introduction by example¶
We shortly introduce the fundamental concepts of PyTorch Geometric through self-contained examples. At its core, we provide four main features:
Data handling of graphs¶
A single graph in PyTorch Geometric is decribed by a Data
object, which holds the graph data in its attributes.
data.x
: Node feature matrix with shape[num_nodes, num_node_features]
data.edge_index
: Graph connectivity in COO format with shape[2, num_edges]
and dtypetorch.long
data.edge_attr
: Edge feature matrix with shape[num_edges, num_edge_features]
data.y
: Target features to train against with arbitrary shapedata.pos
: Node position matrix with shape[num_nodes, num_dimensions]
None of these attributes is required.
In fact, we can just extend the Data
object by an arbitrary number of attributes, e.g. data.face
to save the triangle connectivity of 3D meshes with shape [3, num_faces]
and dtype torch.long
.
We show a simple example to save a unweighted, directed graph with three nodes and four edges:
import torch
from torch_geometric.data import Data
edge_index = torch.tensor([[0, 1, 1, 2],
[1, 0, 2, 1]], dtype=torch.long)
x = torch.tensor([[0], [1], [2]], dtype=torch.float)
data = Data(x=x, edge_index=edge_index)
print(data)
>>> Data(x=[3, 1], edge_index=[2, 4])
Note that you can print out your data object anytime and receive a short information of which attributes with which shapes its holding.
Besides of being a plain old python obect, the Data
object holds some utility functions:
print(data.keys)
>>> ['x', 'edge_index']
print(data['x'])
>>> tensor([[0.0],
[1.0],
[2.0]])
for key, item in data:
print('{} found in data)
>>> x found in data
>>> edge_index found in data
print('edge_attr' in data)
>>> False
print(data.num_nodes)
>>> 3
print(data.num_edges)
>>> 4
print(data.num_features)
>>> 1
print(data.contains_isolated_nodes())
>>> False
print(data.contains_self_loops())
>>> False
print(data.is_directed())
>>> True
# Bring data object onto the GPU.
device = torch.device('cuda')
data = data.to(device)


{% if school_closings %} {% for state in school_closings %}
There are no reported school closings at this time.


Optional: Pick a
channel
Drag a link to your bookmarks bar
Click on it while on the service tab
Scan the QR with your phone, it will open the remote


As a current civil servant or Fast Track applicant you're eligible for most of the schemes without a degree.
The schemes you'll need specific qualifications for are:
- Diplomatic Service (Economists)
- Government Economic Service
- Government Operational Research Service
- Government Social Research Service
Check the eligibility requirementsfor more information.