You’ve taken a hard look at the software that powers your business and it’s time to develop next generation web & mobile solutions. We’re with you.
Custom web applications and product development, websites and portals.
Native and hybrid mobile apps for iOS and Android, Enterprise mobility app development.
Developing Custom e-commerce solutions and building Magento stores and more.
Consulting and Implementation on Paas SaaS and Other Cloud services .
Strategy and development doesn’t need to be complicated. Team up with Openstark to plan, design, build or launch your next digital hibrid solution.
You want a new website or a re-design for you existing one? We assure you, that a beautiful web design doesn’t have to be expensive.
 Get more customers and start growing. We find the appropriate solution for your project.
Big, international companies have specific needs, we cater with customized solutions. If you just need a website or much more - we got it all covered.


FAQ'S
Mahindra is one of the largest business conglomerates in India. We follow a unique business model of creating empowered companies that enjoy the best of entrepreneurial independence and Group-wide synergies. This principle has led our growth into a US $17.8 billion multinational group with more than 200,000 employees in over 100 countries across the globe.
Mahindra was founded in 1945 as a steel trading company; we entered automotive manufacturing in 1947 to bring the iconic Willys Jeep onto Indian roads. Over the years, we’ve diversified into many new businesses in order to better meet the needs of our customers.
The head office is located in Mumbai, the financial capital of India.
We are present in 100 countries around the globe.
Today, our operations span 18 key industries that form the foundation of every modern economy: aerospace, aftermarket, agribusiness, automotive, components, construction equipment, consulting services, defense, energy, farm equipment, finance and insurance, industrial equipment, information technology, leisure and hospitality, logistics, real estate, retail, and two wheelers.
US $17.8 billion
Powerol was started in 2002.
Powerol is one of the many fastest growing businesses in Mahindra group.
The march to a prosperous future is largely dependent on the availability of reliable power. Since we are consuming more than what we are producing, the onus has to be shared by the power back- up industry. Having a state of the art diesel engine combined with a vast understanding of markets across the globe also helps in being a premium generator manufacturer.
Powerol is present in 25 countries across Asia, Africa and Middle East.
As of now, globally, we are exporting Diesel Generators up to 200kVA.
We use Mahindra engines, Crompton Greaves alternators and DeepSea controller (UK brand).
We deal only in Mahindra Powerol diesel generators.
No.
i. Lowest fuel consumption ii. Low maintenance cost iii. Best in class noise level of 75 dBA (silent DG sets) iv. Warranty of 2 years
2 years or 2400 hours from date of operation whichever is earlier.
We are using the same engines that we use on tractors and automobiles to cater to this application. The engines have been modified, tested and certified for this application.
Every Mahindra Powerol DG comes with a maintenance manual. The maintenance schedule is mentioned in the manual.
Fuel consumption is as per rating and load. You can refer here for fuel consumption as per load for different ratings.
Mahindra Powerol DGs are complied under CPCB norms.
75dBA @ 1 m distance.
We are the authorized distributor for Mahindra Powerol Diesel Generators for Sales, After-Sales and Spare parts..
Mahindra is a force to reckon with on the global modern corporate landscape. Mahindra is a highly diversified group with market leadership in Pick ups & tractor segement in India.
a. To reduce losses incurred due to unwanted power outages. b. To have uninterrupted power supply in times of need.
We will put your load running in the rating calculator and help you ascertain the ideal rating
Currently it does not come in any other color.
Fuel consumption is as per rating and load. You can refer here for fuel consumption as per load for different ratings.
Global brand name, best fuel consumption, lower noise level. And that we are its authorized channel partners.
Refer segment wise customer list
We have channel partners in all the markets we are present in. So far, we do not have our own office anywhere outside India.
We have a channel partner for after-sales services in every market where we have a presence. All after-sales pertaining to Mahindra Powerol DGs will be catered by them.
If it is a genuine warranty case, alternator will be replaced by us.
Owning a global brand, best fuel consumption and excellent service support. Because we care.
It might be an Indian product but the brand is global. Also, we have designed this product taking international standards into considerations.
a. We can assure you of our prompt service experience through our well groomed channel partners. b. We ensure that our clients share our vision of everyone in the value chain through our philosophy of Rise. We support this claim through customer centric trainings under the flagship of our Global Capability Development Program.
Yes, there is a provision for connecting an external tank.
1.2 mm
Due to a number of features that we have put in this premium product. We will share a detailed list for the same with you.


Current grade
Portion of grade the final determines
Minimum OK grade
You'll need to score at least 50% to keep your parents happy.


Type definition for _Timer_A_PWMConfig structure. More...
#include <timer_a.h>
Data Fields | |
| uint_fast16_t | clockSource |
| uint_fast16_t | clockSourceDivider |
| uint_fast16_t | timerPeriod |
| uint_fast16_t | compareRegister |
| uint_fast16_t | compareOutputMode |
| uint_fast16_t | dutyCycle |
Type definition for _Timer_A_PWMConfig structure.
ypedef Timer_A_PWMConfig
Configuration structure for PWM mode in the Timer_A module. See Timer_A_generatePWM for parameter documentation.
| uint_fast16_t _Timer_A_PWMConfig::clockSource |
Referenced by Timer_A_generatePWM().
| uint_fast16_t _Timer_A_PWMConfig::clockSourceDivider |
Referenced by Timer_A_generatePWM().
| uint_fast16_t _Timer_A_PWMConfig::timerPeriod |
Referenced by Timer_A_generatePWM().
| uint_fast16_t _Timer_A_PWMConfig::compareRegister |
Referenced by Timer_A_generatePWM().
| uint_fast16_t _Timer_A_PWMConfig::compareOutputMode |
Referenced by Timer_A_generatePWM().
| uint_fast16_t _Timer_A_PWMConfig::dutyCycle |
Referenced by Timer_A_generatePWM().


New Mama
your guide as a new mama
GET ALL NEW
This is the 1
st
article
This is its brief
Posted by
new mama
on november 26, 2019
This is the 2
nd
article
This is its brief
Posted by
new mama
on november 26, 2019
This is the 3
rd
article
This is its brief
Posted by
new mama
on november 26, 2019
This is the 4
th
article
This is its brief
Posted by
new mama
on november 26, 2019


SweetFreeStuff.com
///////////////////////////////////////////
Free Stone Ridge Ice Cream at Farm Fresh Supermarkets
Posted: 16 May 2015 10:19 AM PDT
http://feedproxy.google.com/&edburner&utm_medium=email
Register or log in and load the digital coupon to your account. Use by
5/22. Free Stone Ridge Ice Cream at Farm Fresh Supermarkets
The post Free Stone Ridge Ice Cream at Farm Fresh Supermarkets appeared
first on SweetFreeStuff.com.
///////////////////////////////////////////
Free Ryobi Nation Party Station Shirt (Submit Photo)
Posted: 16 May 2015 10:16 AM PDT
http://feedproxy.google.com/&edburner&utm_medium=email
Share your Party Station project for a chance to win. Every entry gets a
free t-shirt. Free Ryobi Nation Party Station Shirt (Submit Photo)
The post Free Ryobi Nation Party Station Shirt (Submit Photo) appeared
first on SweetFreeStuff.com.
///////////////////////////////////////////
Free Sample of Cottonelle Wipes with CleanRipple Texture
Posted: 16 May 2015 12:00 AM PDT
http://feedproxy.google.com/&edburner&utm_medium=email
Free Sample of Cottonelle Wipes with CleanRipple Texture
The post Free Sample of Cottonelle Wipes with CleanRipple Texture appeared
first on SweetFreeStuff.com.
///////////////////////////////////////////
Free $5 off $5 at Sears or Kmart Coupon
Posted: 15 May 2015 11:54 PM PDT
http://feedproxy.google.com/&edburner&utm_medium=email
Text message: 5OFF5 to 73277 to get a coupon for $5 off $5 at Sears or
Kmart. Expires 6/30/2016. Also text 5OFF10 to 73277 to get a $5 of $10
coupon
The post Free $5 off $5 at Sears or Kmart Coupon appeared first on
SweetFreeStuff.com.


{% load static%}
https://www.youtube.com/channel/UCoRvWExs2u_-2jzPCuL4B8g
{{matches.ground}} .... {{matches.winner}}


My Custom PC
In this table, you will find parts to my own personal PC. This is what I use for gaming, and it may not be necessary for your needs.
| Component | Item | Cost (May Vary) |
| CPU | Intel i7-8700k | $380 |
| Motherboard | ASUS Z370-G (Wifi AC) | $185 (VARIES) |
| Memory | Corsair Vengence RGB DDR4 16GB 3000MHz | $165 |
| Storage | Western Digital Blue 1TB 7200RPM Hard Drive | $50 |
| Graphics Card (Optional for Non-Gaming) | Zotac GeForce GTX 1070 8GB Mini Graphics Card | $400 |
| Power Supply | Corsair CX650M Power Supply | $70 |
| Case | Rosewill Challenger Mid-Tower Case | $50 |


Here Are the 2020 Grammy Award Nominations
by Tuathla LuceyAnd the Grammy goes to...
The nominations are here for the 2020 Grammy Awards.
Fans will have to wait until January 26th, 2020 to find out who will win big on the music industry’s big night.
The 62nd Annual Grammy Awards will take place at the Staples Center in Los Angeles and air on CBS, with musician Alicia Keys as host.
Here are all the nominations
Album of the Year
I, I
Bon Iver
NORMAN F—ING ROCKWELL!
Lana del Rey
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
Billie Eilish
THANK U, NEXT
Ariana Grande
I USED TO KNOW HER
H.E.R.
7
Lil Nas X
CUZ I LOVE YOU
Lizzo
FATHER OF THE BRIDE
Vampire Weekend
Record of the Year
HEY MA
Bon Iver
BAD GUY
Billie Eilish
7 RINGS
Ariana Grande
HARD PLACE
H.E.R.
TALK
Khalid
OLD TOWN ROAD
Lil Nas X ft. Billy Ray Cyrus
TRUTH HURTS
Lizzo
SUNFLOWER
Post Malone
Song of the Year
ALWAYS REMEMBER US THIS WAY
Natalie Hemby, Lady Gaga, Hillary Lindsey and Lori McKenna, songwriters (Lady Gaga)
BAD GUY
Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish)
BRING MY FLOWERS NOW
Brandi Carlile, Phil Hanseroth, Tim Hanseroth and Tanya Tucker, songwriters (Tanya Tucker)
HARD PLACE
Ruby Amanfu, Sam Ashworth, D. Arcelious Harris, H.E.R. & Rodney Jerkins, songwriters (H.E.R.)
LOVER
Taylor Swift
NORMAN F***ING ROCKWELL
Jack Antonoff and Lana del Ray, songwriters (Lana del Rey)
SOMEONE YOU LOVED
Tom Barnes, Lewis Capaldi, Pete Kelleher, Benjamin Kohn and Sam Roman, songwriters (Lewis Capaldi)
TRUTH HURTS
Steven Cheung, Eric Frederic, Melissa Jefferson and Jesse Saint John, songwriters (Lizzo)
Best New Artist
BLACK PUMAS
BILLIE EILISH
LIL NAS X
LIZZO
MAGGIE ROGERS
ROSALíA
TANK AND THE BANGAS
YOLA
Best Pop Solo Performance
SPIRIT
Beyoncé
BAD GUY
Billie Eilish
7 RINGS
Ariana Grande
TRUTH HURTS
Lizzo
YOU NEED TO CALM DOWN
Taylor Swift
Best Pop Duo/Group Performance
BOYFRIEND
Ariana Grande & Social House
SUCKER
Jonas Brothers
OLD TOWN ROAD
Lil Nas X Featuring Billy Ray Cyrus
SUNFLOWER
Post Malone & Swae Lee
SEÑORITA
Shawn Mendes & Camila Cabello
Best Traditional Pop Vocal Album
SÌ
Andrea Bocelli
LOVE (DELUXE EDITION)
Michael Bublé
LOOK NOW
Elvis Costello & The Imposters
A LEGENDARY CHRISTMAS
John Legend
WALLS
Barbra Streisand
Best Pop Vocal Album
THE LION KING: THE GIFT
Beyoncé
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
Billie Eilish
THANK U, NEXT
Ariana Grande
NO.6 COLLABORATIONS PROJECT
Ed Sheeran
LOVER
Taylor Swift
Best Dance Recording
LINKED
Bonobo
Simon Green, producer; Simon Green, mixer
GOT TO KEEP ON
The Chemical Brothers
The Chemical Brothers, producers; Steve Dub Jones & Tom Rowlands, mixers
PIECE OF YOUR HEART
Meduza Featuring Goodboys
Simone Giani, Luca De Gregorio & Mattia Vitale, producers; Simone Giani, Luca De Gregorio & Mattia Vitale, mixers
UNDERWATER
RÜFÜS DU SOL
Jason Evigan & RÜFÜS DU SOL, producers; Cassian Stewart-Kasimba, mixer
MIDNIGHT HOUR
Skrillex & Boys Noize Featuring Ty Dolla $ign
Boys Noize & Skrillex, producers; Skrillex, mixer
Best Dance/Electronic Album
LP5
Apparat
NO GEOGRAPHY
The Chemical Brothers
HI THIS IS FLUME (MIXTAPE)
Flume
SOLACE
RÜFÜS DU SOL
WEATHER
Tycho
Best Contemporary Instrumental Album
ANCESTRAL RECALL
Christian Scott aTunde Adjuah
STAR PEOPLE NATION
Theo Croker
BEAT MUSIC! BEAT MUSIC! BEAT MUSIC!
Mark Guiliana
ELEVATE
Lettuce
METTAVOLUTION
Rodrigo y Gabriela
Best Rock Performance
PRETTY WASTE
Bones UK
THIS LAND
Gary Clark Jr.
HISTORY REPEATS
Brittany Howard
WOMAN
Karen O & Danger Mouse
TOO BAD
Rival Sons
Best Metal Performance
ASTOROLUS – THE GREAT OCTOPUS
Candlemass Featuring Tony Iommi
HUMANICIDE
Death Angel
BOW DOWN
I Prevail
UNLEASHED
Killswitch Engage
7EMPEST
Tool
Best Rock Song
FEAR INOCULUM
Tool, songwriters (Tool)
GIVE YOURSELF A TRY
George Daniel, Adam Hann, Matthew Healy & Ross MacDonald, songwriters (The 1975)
HARMONY HALL
Ezra Koenig, songwriter (Vampire Weekend)
HISTORY REPEATS
Brittany Howard, songwriter (Brittany Howard)
THIS LAND
Gary Clark Jr., songwriter (Gary Clark Jr.)
Best Rock Album
AMO
Bring Me The Horizon
SOCIAL CUES
Cage The Elephant
IN THE END
The Cranberries
TRAUMA
I Prevail
FERAL ROOTS
Rival Sons
Best Alternative Music Album
U.F.O.F.
Big Thief
ASSUME FORM
James Blake
I,I
Bon Iver
FATHER OF THE BRIDE
Vampire Weekend
ANIMA
Thom Yorke
Best R&B Performance
LOVE AGAIN
Daniel Caesar and Brandy
COULD’VE BEEN
H.E.R. ft. Bryson Tiller
EXACTLY HOW I FEEL
Lizzo ft. Gucci Mane
ROLL SOME MO
Lucky Daye
COME HOME
Anderson .Paak ft. André 3000
Best Traditional R&B Performance
TIME TODAY
BJ The Chicago Kid
STEADY LOVE
India.Arie
JEROME
Lizzo
REAL GAMES
Lucky Daye
BUILT FOR LOVE
PJ Morton Featuring Jazmine Sullivan
Best R&B Song
COULD’VE BEEN
Dernst Emile II, David “Swagg R’Celious” Harris, H.E.R. & Hue “Soundzfire” Strother, songwriters (H.E.R. Featuring Bryson Tiller)
LOOK AT ME NOW
Emily King & Jeremy Most, songwriters (Emily King)
NO GUIDANCE
Chris Brown, Tyler James Bryant, Nija Charles, Aubrey Graham, Anderson Hernandez, Michee Patrick Lebrun, Joshua Lewis, Noah Shebib & Teddy Walton, songwriters (Chris Brown Featuring Drake)
ROLL SOME MO
David Brown, Dernst Emile II & Peter Lee Johnson, songwriters (Lucky Daye)
SAY SO
PJ Morton, songwriter (PJ Morton Featuring JoJo)
Best Urban Contemporary Album
APOLLO XXI
Steve Lacy
CUZ I LOVE YOU (DELUXE)
Lizzo
OVERLOAD
Georgia Anne Muldrow
SATURN
NAO
BEING HUMAN IN PUBLIC
Jessie Reyez
Best R&B Album
1123
BJ The Chicago Kid
PAINTED
Lucky Daye
ELLA MAI
Ella Mai
PAUL
PJ Morton
VENTURA
Anderson .Paak
Best Rap Performance
MIDDLE CHILD
J. Cole
SUGE
DaBaby
DOWN BAD
Dreamville Featuring J.I.D, Bas, J. Cole, EARTHGANG & Young Nudy
RACKS IN THE MIDDLE
Nipsey Hussle Featuring Roddy Ricch & Hit-Boy
CLOUT
Offset Featuring Cardi B
Best Rap/Sung Performance
HIGHER
DJ Khaled Featuring Nipsey Hussle & John Legend
DRIP TOO HARD
Lil Baby & Gunna
PANINI
Lil Nas X
BALLIN
Mustard Featuring Roddy Ricch
THE LONDON
Young Thug Featuring J. Cole & Travis Scott
Best Rap Song
BAD IDEA
Chancelor Bennett, Cordae Dunston, Uforo Ebong & Daniel Hackett, songwriters (YBN Cordae Featuring Chance The Rapper)
GOLD ROSES
Noel Cadastre, Aubrey Graham, Anderson Hernandez, Khristopher Riddick-Tynes, William Leonard Roberts II, Joshua Quinton Scruggs, Leon Thomas III & Ozan Yildirim, songwriters (Rick Ross Featuring Drake)
A LOT
Jermaine Cole, Dacoury Natche, 21 Savage & Anthony White, songwriters (21 Savage Featuring J. Cole)
RACKS IN THE MIDDLE
Ermias Asghedom, Dustin James Corbett, Greg Allen Davis, Chauncey Hollis, Jr. & Rodrick Moore, songwriters (Nipsey Hussle Featuring Roddy Ricch & Hit-Boy)
SUGE
DaBaby, Jetsonmade & Pooh Beatz, songwriters (DaBaby)
Best Rap Album
REVENGE OF THE DREAMERS III
Dreamville
CHAMPIONSHIPS
Meek Mill
I AM > I WAS
21 Savage
IGOR
Tyler, The Creator
THE LOST BOY
YBN Cordae
Best Country Solo Performance
ALL YOUR’N
Tyler Childers
GIRL GOIN’ NOWHERE
Ashley McBryde
RIDE ME BACK HOME
Willie Nelson
GOD’S COUNTRY
Blake Shelton
BRING MY FLOWERS NOW
Tanya Tucker
Best Country Duo/Group Performance
BRAND NEW MAN
Brooks & Dunn With Luke Combs
I DON’T REMEMBER ME (BEFORE YOU)
Brothers Osborne
SPEECHLESS
Dan + Shay
THE DAUGHTERS
Little Big Town
COMMON
Maren Morris Featuring Brandi Carlile
Best Country Song
BRING MY FLOWERS NOW
Brandi Carlile, Phil Hanseroth, Tim Hanseroth & Tanya Tucker, songwriters (Tanya Tucker)
GIRL GOIN’ NOWHERE
Jeremy Bussey & Ashley McBryde, songwriters (Ashley McBryde)
IT ALL COMES OUT IN THE WASH
Miranda Lambert, Hillary Lindsey, Lori McKenna & Liz Rose, songwriters (Miranda Lambert)
SOME OF IT
Eric Church, Clint Daniels, Jeff Hyde & Bobby Pinson, songwriters (Eric Church)
SPEECHLESS
Shay Mooney, Jordan Reynolds, Dan Smyers & Laura Veltz, songwriters (Dan + Shay)
Best Country Album
DESPERATE MAN
Eric Church
STRONGER THAN THE TRUTH
Reba McEntire
INTERSTATE GOSPEL
Pistol Annies
CENTER POINT ROAD
Thomas Rhett
WHILE I’M LIVIN’
Tanya Tucker
Best New Age Album
FAIRY DREAMS
David Arkenstone
HOMAGE TO KINDNESS
David Darling
WINGS
Peter Kater
VERVE
Sebastian Plano
DEVA
Deva Premal
Best Improvised Jazz Solo
ELSEWHERE
Melissa Aldana, soloist
SOZINHO
Randy Brecker, soloist
TOMORROW IS THE QUESTION
Julian Lage, soloist
THE WINDUP
Branford Marsalis, soloist
SIGHTSEEING
Christian McBride, soloist
Best Jazz Vocal Album
THIRSTY GHOST
Sara Gazarek
LOVE & LIBERATION
Jazzmeia Horn
ALONE TOGETHER
Catherine Russell
12 LITTLE SPELLS
Esperanza Spalding
SCREENPLAY
The Tierney Sutton Band
Best Jazz Instrumental Album
IN THE KEY OF THE UNIVERSE
Joey DeFrancesco
THE SECRET BETWEEN THE SHADOW AND THE SOUL
Branford Marsalis Quartet
CHRISTIAN MCBRIDE’S NEW JAWN
Christian McBride
FINDING GABRIEL
Brad Mehldau
COME WHAT MAY
Joshua Redman Quartet
Best Large Jazz Ensemble Album
TRIPLE HELIX
Anat Cohen Tentet
DANCER IN NOWHERE
Miho Hazama
HIDING OUT
Mike Holober & The Gotham Jazz Orchestra
THE OMNI-AMERICAN BOOK CLUB
Brian Lynch Big Band
ONE DAY WONDER
Terraza Big Band
Best Latin Jazz Album
ANTIDOTE
Chick Corea & The Spanish Heart Band
SORTE!: MUSIC BY JOHN FINBURY
Thalma de Freitas With Vitor Gonçalves, John Patitucci, Chico Pinheiro, Rogerio Boccato & Duduka Da Fonseca
UNA NOCHE CON RUBÉN BLADES
Jazz At Lincoln Center Orchestra With Wynton Marsalis & Rubén Blades
CARIB
David Sánchez
SONERO: THE MUSIC OF ISMAEL RIVERA
Miguel Zenón
Best Gospel Performance/Song
LOVE THEORY
Kirk Franklin; Kirk Franklin, songwriter
TALKIN’ ‘BOUT JESUS
Gloria Gaynor Featuring Yolanda Adams; Bryan
Fowler, Gloria Gaynor & Chris Stevens, songwriters
SEE THE LIGHT
Travis Greene Featuring Jekalyn Carr
SPEAK THE NAME
Koryn Hawthorne Featuring Natalie Grant
THIS IS A MOVE (LIVE)
Tasha Cobbs Leonard; Tony Brown, Brandon Lake, Tasha Cobbs Leonard & Nate Moore, songwriters
Best Contemporary Christian Music Performance/Song
ONLY JESUS
Casting Crowns; Mark Hall, Bernie Herms & Matthew West, songwriters
GOD ONLY KNOWS
for KING & COUNTRY & Dolly Parton; Josh Kerr, Jordan Reynolds, Joel Smallbone, Luke Smallbone & Tedd Tjornhom, songwriters
HAVEN’T SEEN IT YET
Danny Gokey; Danny Gokey, Ethan Hulse & Colby Wedgeworth, songwriters
GOD’S NOT DONE WITH YOU (SINGLE VERSION)
Tauren Wells
RESCUE STORY
Zach Williams; Ethan Hulse, Andrew Ripp, Jonathan Smith & Zach Williams, songwriters
Best Gospel Album
LONG LIVE LOVE
Kirk Franklin
GOSHEN
Donald Lawrence Presents The Tri -City Singers
TUNNEL VISION
Gene Moore
SETTLE HERE
William Murphy
SOMETHING’S HAPPENING! A CHRISTMAS ALBUM
CeCe Winans
Best Contemporary Christian Music Album
I KNOW A GHOST
Crowder
BURN THE SHIPS
for KING & COUNTRY
HAVEN’T SEEN IT YET
Danny Gokey
THE ELEMENTS
TobyMac
HOLY ROAR
Chris Tomlin
Best Roots Gospel Album
DEEPER ROOTS: WHERE THE BLUEGRASS GROWS
Steven Curtis Chapman
TESTIMONY
Gloria Gaynor
DEEPER OCEANS
Joseph Habedank
HIS NAME IS JESUS
Tim Menzies
GONNA SING, GONNA SHOUT
(Various Artists)
Jerry Salley, Producer
Best Latin Pop Album
VIDA
Luis Fonsi
11:11
Maluma
MONTANER
Ricardo Montaner
#ELDISCO
Alejandro Sanz
FANTASIA
Sebastian Yatra
Best Latin Rock, Urban or Alternative Album
X 100PRE
Bad Bunny
OASIS
J Balvin & Bad Bunny
INDESTRUCTIBLE
Flor De Toloache
ALMADURA
iLe
EL MAL QUERER
ROSALÍA
Best Regional Mexican Music Album (Including Tejano)
CAMINANDO
Joss Favela
PERCEPCIÓN
Intocable
POCO A POCO
La Energia Norteña
20 ANIVERSARIO
Mariachi Divas De Cindy Shea
DE AYER PARA SIEMPRE
Mariachi Los Camperos
Best Tropical Latin Album
OPUS
Marc Anthony
TIEMPO AL TIEMPO
Luis Enrique + C4 Trio
CANDELA
Vicente García
LITERAL
Juan Luis Guerra 4.40
A JOURNEY THROUGH CUBAN MUSIC
Aymée Nuviola
Best American Roots Performance
SAINT HONESTY
Sara Bareilles
FATHER MOUNTAIN
Calexico And Iron & Wine
I’M ON MY WAY
Rhiannon Giddens with Francesco Turrisi
CALL MY NAME
I’m With Her
FARAWAY LOOK
Yola
Best American Roots Song
BLACK MYSELF
Amythyst Kiah, songwriter (Our Native Daughters)
CALL MY NAME
Sarah Jarosz, Aoife O’Donovan & Sara Watkins, songwriters (I’m With Her)
CROSSING TO JERUSALEM
Rosanne Cash & John Leventhal, songwriters (Rosanne Cash)
FARAWAY LOOK
Dan Auerbach, Yola Carter & Pat McLaughlin, songwriters (Yola)
I DON’T WANNA RIDE THE RAILS NO MORE
Vince Gill, songwriter (Vince Gill)
Best Americana Album
YEARS TO BURN
Calexico And Iron & Wine
WHO ARE YOU NOW
Madison Cunningham
OKLAHOMA
Keb’ Mo’
TALES OF AMERICA
J.S. Ondara
WALK THROUGH FIRE
Yola
Best Bluegrass Album
TALL FIDDLER
Michael Cleveland
LIVE IN PRAGUE, CZECH REPUBLIC
Doyle Lawson & Quicksilver
TOIL, TEARS & TROUBLE
The Po’ Ramblin’ Boys
ROYAL TRAVELLER
Missy Raines
IF YOU CAN’T STAND THE HEAT
Frank Solivan & Dirty Kitchen
Best Traditional Blues Album
KINGFISH
Christone “Kingfish” Ingram
TALL, DARK & HANDSOME
Delbert McClinton & Self-Made Men
SITTING ON TOP OF THE BLUES
Bobby Rush
BABY, PLEASE COME HOME
Jimmie Vaughan
SPECTACULAR CLASS
Jontavious Willis
Best Contemporary Blues Album
THIS LAND
Gary Clark Jr.
VENOM & FAITH
Larkin Poe
BRIGHTER DAYS
Robert Randolph & The Family Band
SOMEBODY SAVE ME
Sugaray Rayford
KEEP ON
Southern Avenue
Best Folk Album
MY FINEST WORK YET
Andrew Bird
REARRANGE MY HEART
Che Apalache
PATTY GRIFFIN
Patty Griffin
EVENING MACHINES
Gregory Alan Isakov
FRONT PORCH
Joy Williams
Best Regional Roots Music Album
KALAWAI’ANUI
Amy Hānaiali’i
WHEN IT’S COLD – CREE ROUND DANCE SONGS
Northern Cree
GOOD TIME
Ranky Tanky
RECORDED LIVE AT THE 2019 NEW ORLEANS JAZZ & HERITAGE FESTIVAL
Rebirth Brass Band
HAWAIIAN LULLABY
(Various Artists)
Imua Garza & Kimié Miner, producers
Best Reggae Album
RAPTURE
Koffee
AS I AM
Julian Marley
THE FINAL BATTLE: SLY & ROBBIE VS. ROOTS RADICS
Sly & Robbie & Roots Radics
MASS MANIPULATION
Steel Pulse
MORE WORK TO BE DONE
Third World
Best World Music Album
GECE
Altin Gün
WHAT HEAT
Bokanté & Metropole Orkest Conducted By Jules Buckley
AFRICAN GIANT
Burna Boy
FANM D’AYITI
Nathalie Joachim With Spektral Quartet
CELIA
Angelique Kidjo
Best Children’s Album
AGELESS SONGS FOR THE CHILD ARCHETYPE
Jon Samson
FLYING HIGH!
Caspar Babypants
I LOVE RAINY DAYS
Daniel Tashian
THE LOVE
Alphabet Rockers
WINTERLAND
The Okee Dokee Brothers
Best Spoken Word Album
BEASTIE BOYS BOOK
(Various Artists)
Michael Diamond, Adam Horovitz, Scott Sherratt & Dan Zitt, producers
BECOMING
Michelle Obama
I.V. CATATONIA: 20 YEARS AS A TWO-TIME CANCER SURVIVOR
Eric Alexandrakis
MR. KNOW-IT-ALL
John Waters
SEKOU ANDREWS & THE STRING THEORY
Sekou Andrews & The String Theory
Best Comedy Album
QUALITY TIME
Jim Gaffigan
RELATABLE
Ellen DeGeneres
RIGHT NOW
Aziz Ansari
SON OF PATRICIA
Trevor Noah
STICKS & STONES
Dave Chappelle
Best Musical Theater Album
AIN’T TOO PROUD: THE LIFE AND TIMES OF THE TEMPTATIONS
Saint Aubyn, Derrick Baskin, James Harkness, Jawan M. Jackson, Jeremy Pope & Ephraim Sykes, principal soloists; Scott M. Riesett, producer (Original Broadway Cast)
HADESTOWN
Reeve Carney, André De Shields, Amber Gray, Eva Noblezada & Patrick Page, principal soloists; Mara Isaacs, David Lai, Anaïs Mitchell & Todd Sickafoose, producers (Anaïs Mitchell, composer & lyricist) (Original Broadway Cast)
MOULIN ROUGE! THE MUSICAL
Danny Burstein, Tam Mutu, Sahr Ngaujah, Karen Olivo & Aaron Tveit, principal soloists; Justin Levine, Baz Luhrmann, Matt Stine & Alex Timbers, producers (Original Broadway Cast)
THE MUSIC OF HARRY POTTER AND THE CURSED CHILD – IN FOUR CONTEMPORARY SUITES
Imogen Heap, producer; Imogen Heap, composer (Imogen Heap)
OKLAHOMA!
Damon Daunno, Rebecca Naomi Jones, Ali Stroker, Mary Testa & Patrick Vaill, principal soloists; Daniel Kluger & Dean Sharenow, producers (Richard Rodgers, composer; Oscar Hammerstein II, lyricist) (2019 Broadway Cast)
Best Compilation Soundtrack for Visual Media
THE LION KING: THE SONGS
(Various Artists)
QUENTIN TARANTINO’S ONCE UPON A TIME IN HOLLYWOOD
(Various Artists)
ROCKETMAN
Taron Egerton
SPIDER-MAN: INTO THE SPIDER-VERSE
(Various Artists)
A STAR IS BORN
Lady Gaga & Bradley Cooper
Best Score Soundtrack for Visual Media
AVENGERS: ENDGAME
Alan Silvestri, composer
CHERNOBYL
Hildur Guðnadóttir, composer
GAME OF THRONES: SEASON 8
Ramin Djawadi, composer
THE LION KING
Hans Zimmer, composer
MARY POPPINS RETURNS
Marc Shaiman, composer
Best Song Written for Visual Media
THE BALLAD OF THE LONESOME COWBOY
Randy Newman, songwriter (Chris Stapleton)
Track from: Toy Story 4
GIRL IN THE MOVIES
Dolly Parton & Linda Perry, songwriters (Dolly Parton)
Track from: Dumplin’
I’LL NEVER LOVE AGAIN (FILM VERSION)
Natalie Hemby, Lady Gaga, Hillary Lindsey & Aaron Raitiere, songwriters (Lady Gaga & Bradley Cooper)
Track from: A Star Is Born
SPIRIT
Beyoncé Knowles-Carter, Timothy McKenzie & Ilya Salmanzadeh, songwriters (Beyoncé)
Track from: The Lion King
SUSPIRIUM
Thom Yorke, songwriter (Thom Yorke)
Track from: Suspiria
Best Instrumental Composition
BEGIN AGAIN
Fred Hersch, composer (Fred Hersch & The WDR Big Band Conducted By Vince Mendoza)
CRUCIBLE FOR CRISIS
Brian Lynch, composer (Brian Lynch Big Band)
LOVE, A BEAUTIFUL FORCE
Vince Mendoza, composer (Vince Mendoza, Terell Stafford, Dick Oatts & Temple University Studio Orchestra)
STAR WARS: GALAXY’S EDGE SYMPHONIC SUITE
John Williams, composer (John Williams)
WALKIN’ FUNNY
Christian McBride, composer (Christian McBride)
Best Arrangement, Instrumental or A Cappella
BLUE SKIES
Kris Bowers, arranger (Kris Bowers)
HEDWIG’S THEME
John Williams, arranger (Anne-Sophie Mutter & John Williams)
LA NOVENA
Emilio Solla, arranger (Emilio Solla Tango Jazz Orchestra)
LOVE, A BEAUTIFUL FORCE
Vince Mendoza, arranger (Vince Mendoza, Terell Stafford, Dick Oatts & Temple University Studio Orchestra)
MOON RIVER
Jacob Collier, arranger (Jacob Collier)
Best Arrangement, Instruments and Vocal
ALL NIGHT LONG
Jacob Collier, arranger (Jacob Collier Featuring Jules Buckley, Take 6 & Metropole Orkest)
JOLENE
Geoff Keezer, arranger (Sara Gazarek)
MARRY ME A LITTLE
Cyrille Aimée & Diego Figueiredo, arrangers (Cyrille Aimée)
OVER THE RAINBOW
Vince Mendoza, arranger (Trisha Yearwood)
12 LITTLE SPELLS (THORACIC SPINE)
Esperanza Spalding, arranger (Esperanza Spalding)
Best Recording Package
ANÓNIMAS & RESILIENTES
Luisa María Arango, Carlos Dussan, Manuel García-Orozco & Juliana Jaramillo-Buenaventura, art directors (Voces Del Bullerengue)
CHRIS CORNELL
Barry Ament, Jeff Ament, Jeff Fura & Joe Spix, art directors (Chris Cornell)
HOLD THAT TIGER
Andrew Wong & Fongming Yang, art directors (The Muddy Basin Ramblers)
I,I
Aaron Anderson & Eric Timothy Carlson, art directors (Bon Iver)
INTELLEXUAL
Irwan Awalludin, art director (Intellexual)
Best Boxed or Special Limited Edition Package
ANIMA
Stanley Donwood & Tchocky, art directors (Thom Yorke)
GOLD IN BRASS AGE
Amanda Chiu, Mark Farrow & David Gray, art directors (David Gray)
1963: NEW DIRECTIONS
Josh Cheuse, art director (John Coltrane)
THE RADIO RECORDINGS 1939-1945
Marek Polewski, art director (Wilhelm Furtwängler & Berliner Philharmoniker)
WOODSTOCK: BACK TO THE GARDEN – THE DEFINITIVE 50TH ANNIVERSARY ARCHIVE
Masaki Koike, art director (Various Artists)
Best Album Notes
THE COMPLETE CUBAN JAM SESSIONS
Judy Cantor-Navas, album notes writer (Various Artists)
THE GOSPEL ACCORDING TO MALACO
Robert Marovich, album notes writer (Various Artists)
PEDAL STEEL + FOUR CORNERS
Brendan Greaves, album notes writer (Terry Allen And The Panhandle Mystery Band)
PETE SEEGER: THE SMITHSONIAN FOLKWAYS COLLECTION)
Jeff Place, album notes writer (Pete Seeger)
STAX ’68: A MEMPHIS STORY
Steve Greenberg, album notes writer (Various Artists)
Best Historical Album
THE GIRL FROM CHICKASAW COUNTY – THE COMPLETE CAPITOL MASTERS
Andrew Batt & Kris Maher, compilation producers; Simon Gibson, mastering engineer (Bobbie Gentry)
THE GREAT COMEBACK: HOROWITZ AT CARNEGIE HALL
Robert Russ, compilation producer; Andreas K. Meyer & Jennifer Nulsen, mastering engineers (Vladimir Horowitz)
KANKYO ONGAKU: JAPANESE AMBIENT, ENVIRONMENTAL & NEW AGE MUSIC 1980-1990
Spencer Doran, Yosuke Kitazawa, Douglas Macgowan & Matt Sullivan, compilation producers; John Baldwin, mastering engineer (Various Artists)
PETE SEEGER: THE SMITHSONIAN FOLKWAYS COLLECTION
Jeff Place & Robert Santelli, compilation producers; Pete Reiniger, mastering engineer (Pete Seeger)
WOODSTOCK: BACK TO THE GARDEN – THE DEFINITIVE 50TH ANNIVERSARY ARCHIVE
Brian Kehew, Steve Woolard & Andy Zax, compilation producers; Dave Schultz, mastering engineer (Various Artists)
Best Engineered Album, Non-Classical
ALL THESE THINGS
Tchad Blake, Adam Greenspan & Rodney Shearer, engineers; Bernie Grundman, mastering engineer (Thomas Dybdahl)
ELLA MAI
Chris “Shaggy” Ascher, Jaycen Joshua & David Pizzimenti, engineers; Chris Athens, mastering engineer (Ella Mai)
RUN HOME SLOW
Paul Butler & Sam Teskey, engineers; Joe Carra, mastering engineer (The Teskey Brothers)
SCENERY
Tom Elmhirst, Ben Kane & Jeremy Most, engineers; Bob Ludwig, mastering engineer (Emily King)
WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?
Rob Kinelski & Finneas O’Connell, engineers; John Greenham, mastering engineer (Billie Eilish)
Producer of the Year, Non-Classical
JACK ANTONOFF
DAN AUERBACH
JOHN HILL
FINNEAS
RICKY REED
Producer of the Year, Classical
BLANTON ALSPAUGH
JAMES GINSBURG
MARINA A. LEDIN, VICTOR LEDIN
MORTEN LINDBERG
DIRK SOBOTKA
Best Engineered Album, Classical
AEQUA – ANNA THORVALDSDÓTTIR
Daniel Shores, engineer; Daniel Shores, mastering engineer (International Contemporary Ensemble)
BRUCKNER: SYMPHONY NO. 9
Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)
RACHMANINOFF – HERMITAGE PIANO TRIO
Keith O. Johnson & Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Hermitage Piano Trio)
RILEY: SUN RINGS
Leslie Ann Jones, engineer; Robert C. Ludwig, mastering engineer (Kronos Quartet)
WOLFE: FIRE IN MY MOUTH
Bob Hanlon & Lawrence Rock, engineers; Ian Good & Lawrence Rock, mastering engineers (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus Of NY City & New York Philharmonic)
Best Remixed Recording
I RISE (TRACY YOUNG’S PRIDE INTRO RADIO REMIX)
Tracy Young, remixer (Madonna)
MOTHER’S DAUGHTER (WUKI REMIX)
Wuki, remixer (Miley Cyrus)
THE ONE (HIGH CONTRAST REMIX)
Lincoln Barrett, remixer (Jorja Smith)
SWIM (FORD. REMIX)
Luc Bradford, remixer (Mild Minds)
WORK IT (SOULWAX REMIX)
David Gerard C Dewaele & Stephen Antoine C Dewaele, remixers (Marie Davidson)
Best Immersive Audio Album
CHAIN TRIPPING
Luke Argilla, immersive audio engineer; Jurgen Scharpf, immersive audio mastering engineer; Jona Bechtolt, Claire L. Evans & Rob Kieswetter, immersive audio producers (Yacht)
KVERNDOKK: SYMPHONIC DANCES
Jim Anderson, immersive audio engineer; Robert C. Ludwig, immersive audio mastering engineer; Ulrike Schwarz, immersive audio producer (Ken-David Masur & Stavanger Symphony Orchestra)
LUX
Morten Lindberg, immersive audio engineer; Morten Lindberg, immersive audio mastering engineer; Morten Lindberg, immersive audio producer (Anita Brevik, Trondheimsolistene & Nidarosdomens Jentekor)
THE ORCHESTRAL ORGAN
Keith O. Johnson, immersive audio engineer; Keith O. Johnson, immersive audio mastering engineer; Marina A. Ledin & Victor Ledin, immersive audio producers (Jan Kraybill)
THE SAVIOR
Bob Clearmountain, immersive audio engineer; Bob Ludwig, immersive audio mastering engineer; Michael Marquart & Dave Way, immersive audio producers (A Bad Think)
Best Orchestral Performance
BRUCKNER: SYMPHONY NO. 9
Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)
COPLAND: BILLY THE KID; GROHG
Leonard Slatkin, conductor (Detroit Symphony Orchestra)
NORMAN: SUSTAIN
Gustavo Dudamel, conductor (Los Angeles Philharmonic)
TRANSATLANTIC
Louis Langrée, conductor (Cincinnati Symphony Orchestra)
WEINBERG: SYMPHONIES NOS. 2 & 21
Mirga Gražinytė-Tyla, conductor (City Of Birmingham Symphony Orchestra & Kremerata Baltica)
Best Opera Recording
BENJAMIN: LESSONS IN LOVE & VIOLENCE
George Benjamin, conductor; Stéphane Degout, Barbara Hannigan, Peter Hoare & Gyula Orendt; James Whitbourn, producer (Orchestra Of The Royal Opera House)
BERG: WOZZECK
Marc Albrecht, conductor; Christopher Maltman & Eva-Maria Westbroek; François Roussillon, producer (Netherlands Philharmonic Orchestra; Chorus Of Dutch National Opera)
CHARPENTIER: LES ARTS FLORISSANTS; LES PLAISIRS DE VERSAILLES
Paul O’Dette & Stephen Stubbs, conductors; Jesse Blumberg, Teresa Wakim & Virginia Warnken; Renate Wolter-Seevers, producer (Boston Early Music Festival Chamber Ensemble; Boston Early Music Festival Vocal Ensemble)
PICKER: FANTASTIC MR. FOX
Gil Rose, conductor; John Brancy, Andrew Craig Brown, Gabriel Preisser, Krista River & Edwin Vega; Gil Rose, producer (Boston Modern Orchestra Project; Boston Children’s Chorus)
WAGNER: LOHENGRIN
Christian Thielemann, conductor; Piotr Beczała, Anja Harteros, Tomasz Konieczny, Waltraud Meier & Georg Zeppenfeld; Eckhard Glauche, producer (Festspielorchester Bayreuth; Festspielchor Bayreuth)
Best Choral Performance
BOYLE: VOYAGES
Donald Nally, conductor (The Crossing)
DURUFLÉ: COMPLETE CHORAL WORKS
Robert Simpson, conductor (Ken Cowan; Houston Chamber Choir)
THE HOPE OF LOVING
Craig Hella Johnson, conductor (Conspirare)
SANDER: THE DIVINE LITURGY OF ST. JOHN CHRYSOSTOM
Peter Jermihov, conductor (Evan Bravos, Vadim Gan, Kevin Keys, Glenn Miller & Daniel Shirley; PaTRAM Institute Singers)
SMITH, K.: THE ARC IN THE SKY
Donald Nally, conductor (The Crossing)
Best Chamber Music/Small Ensemble Performance
CERRONE: THE PIECES THAT FALL TO EARTH
Christopher Rountree & Wild Up
FREEDOM & FAITH
PUBLIQuartet
PERPETULUM
Third Coast Percussion
RACHMANINOFF – HERMITAGE PIANO TRIO
Hermitage Piano Trio
SHAW: ORANGE
Attacca Quartet
Best Classical Instrumental Solo
THE BERLIN RECITAL
Yuja Wang
HIGDON: HARP CONCERTO
Yolanda Kondonassis; Ward Stare, conductor (The Rochester Philharmonic Orchestra)
MARSALIS: VIOLIN CONCERTO; FIDDLE DANCE SUITE
Nicola Benedetti; Cristian Măcelaru, conductor (Philadelphia Orchestra)
THE ORCHESTRAL ORGAN
Jan Kraybill
TORKE: SKY, CONCERTO FOR VIOLIN
Tessa Lark; David Alan Miller, conductor (Albany Symphony)
Best Classical Solo Vocal Album
THE EDGE OF SILENCE – WORKS FOR VOICE BY GYÖRGY KURTÁG
Susan Narucki (Donald Berman, Curtis Macomber, Kathryn Schulmeister & Nicholas Tolle)
HIMMELSMUSIK
Philippe Jaroussky & Céline Scheen; Christina Pluhar, conductor; L’Arpeggiata, ensemble (Jesús Rodil & Dingle Yandell)
SCHUMANN: LIEDERKREIS OP. 24, KERNER-LIEDER OP. 35
Matthias Goerne; Leif Ove Andsnes, accompanist
SONGPLAY
Joyce DiDonato; Chuck Israels, Jimmy Madison, Charlie Porter & Craig Terry, accompanists (Steve Barnett & Lautaro Greco)
A TE, O CARA
Stephen Costello; Constantine Orbelian, conductor (Kaunas City Symphony Orchestra)
Best Classical Compendium
AMERICAN ORIGINALS 1918
John Morris Russell, conductor; Elaine Martone, producer
LESHNOFF: SYMPHONY NO. 4 ‘HEICHALOS’; GUITAR CONCERTO; STARBURST
Giancarlo Guerrero, conductor; Tim Handley, producer
MELTZER: SONGS AND STRUCTURES
Paul Appleby & Natalia Katyukova; Silas Brown & Harold Meltzer, producers
THE POETRY OF PLACES
Nadia Shpachenko; Marina A. Ledin & Victor Ledin, producers
SAARIAHO: TRUE FIRE; TRANS; CIEL D’HIVER
Hannu Lintu, conductor; Laura Heikinheimo, producer
Best Contemporary Classical Composition
BERMEL: MIGRATION SERIES FOR JAZZ ENSEMBLE & ORCHESTRA
Derek Bermel, composer (Derek Bermel, Ted Nash, David Alan Miller, Juilliard Jazz Orchestra & Albany Symphony Orchestra)
HIGDON: HARP CONCERTO
Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare & The Rochester Philharmonic Orchestra)
MARSALIS: VIOLIN CONCERTO IN D MAJOR
Wynton Marsalis, composer (Nicola Benedetti, Cristian Măcelaru & Philadelphia Orchestra)
NORMAN: SUSTAIN
Andrew Norman, composer (Gustavo Dudamel & Los Angeles Philharmonic)
SHAW: ORANGE
Caroline Shaw, composer (Attacca Quartet)
WOLFE: FIRE IN MY MOUTH
Julia Wolfe, composer (Jaap Van Zweden, Francisco J. Núñez, Donald Nally, The Crossing, Young People’s Chorus Of NY City & New York Philharmonic)
Best Music Video
WE’VE GOT TO TRY
The Chemical Brothers
Ellie Fry, video director; Ninian Doff, video producer
THIS LAND
Gary Clark Jr.
Savanah Leaf, video director; Jason Cole, Danielle Hinde & Alicia Martinez, video producers
CELLOPHANE
FKA twigs
Andrew Thomas Huang, video director; Alex Chamberlain, video producer
OLD TOWN ROAD (OFFICIAL MOVIE)
Lil Nas X & Billy Ray Cyrus
Calmatic, video director; Candice Dragonas, Melissa Larsen & Saul Levitz, video producers
GLAD HE’S GONE
Tove Lo
Vania Heymann & Gal Muggia, video directors; Nathan Schottenfels, video producer
Best Music Film
HOMECOMING
Beyoncé
Beyoncé Knowles-Carter & Ed Burke, video directors; Dora Melissa Vargas, video producer
REMEMBER MY NAME
David Crosby
A.J. Eaton, video director; Cameron Crowe, Michele Farinola & Greg Mariotti, video producers
BIRTH OF THE COOL
(Miles Davis)
Stanley Nelson, video director; Nicole London, video producer
SHANGRI-LA
(Various Artists)
Morgan Neville, video director; Emma Baiada, video producer
ANIMA
Thom Yorke
Paul Thomas Anderson, video director; Paul Thomas Anderson, Erica Frauman & Sara Murphy, video producers


Vukani's Site
Show me a thoroughly satisfied man and I will show you a failure.
Projects
Essays
Guides
Contact


ready_for_review
by Kevin Reiss at 2020-10-13 01:12:00.referenced
by Axa Mei Liauw at 2020-10-13 13:38:13.merged
by Axa Mei Liauw at 2020-10-13 13:38:13.closed
by Axa Mei Liauw at 2020-10-13 13:38:13.head_ref_deleted
by Axa Mei Liauw at 2020-10-13 13:38:43.Collection tag for Chile exhibit, to be added along with the latin american and iberian..... "Colección Archivo Fotográfico de la Protesta en Chile 2019"
Created https://figgy.princeton.edu/catalog/c1b3c804-85bf-4ecc-b7dd-f65f1cbcd7d6.
closed
by Cliff Wulfman at 2020-10-13 13:03:35.reopened
by Cliff Wulfman at 2020-10-13 13:03:48.closed
by Cliff Wulfman at 2020-10-13 13:03:55.Alma sandbox is at https://sandbox02-na.alma.exlibrisgroup.com/. credentials are in lastpass.
We have publishing profiles called "FTP Dump" (the full dump) and "Incremental Dump".
We can't schedule anything until January. At that point we're thinking we'll schedule it monthly.
We are exporting in XML because binary marc has a length limit. Try the binary export to see what happens if a record is too large?
configuration (click gears) - search for "integration profiles" to see webhook configuration.
referenced
by Kevin Reiss at 2020-10-13 01:12:50.merged
by Kevin Reiss at 2020-10-13 01:12:51.closed
by Kevin Reiss at 2020-10-13 01:12:51.head_ref_deleted
by Kevin Reiss at 2020-10-13 01:12:54.Companion to https://github.com/pulibrary/discoveryutils/pull/161
assigned
by James R. Griffin III at 2020-10-13 13:11:27.assigned
by Shaun Ellis at 2020-10-13 15:28:05.Can you include a screenshot?
referenced
by Trey Pendragon at 2020-10-13 17:58:21.merged
by Trey Pendragon at 2020-10-13 17:58:21.closed
by Trey Pendragon at 2020-10-13 17:58:21.head_ref_deleted
by Trey Pendragon at 2020-10-13 17:58:25.deployed
by Trey Pendragon at 2020-10-13 18:25:50.I was mistaken, this looks like it's working, so I will close the issue. I was expecting it to not be contained by the component details div, but that works.
assigned
by Shaun Ellis at 2020-10-13 15:33:50.closed
by Shaun Ellis at 2020-10-13 18:32:34.@tpendragon We will need to periodically put banners with announcements on the site. Can this "beta banner" be generalized into an "announcement banner"?
Is the idea that the content markup be done manually and display toggling will be handled via css?
I'm open to ideas on implementation. Generalizing is fine. For now the use case is just when we first open up prod (which is soon) there's a banner at the top saying it's beta software.
assigned
by Shaun Ellis at 2020-10-13 19:06:34.mentioned
by Trey Pendragon at 2020-10-13 19:06:49.subscribed
by Trey Pendragon at 2020-10-13 19:06:49.


MY FAVORITE THINGS
List of my favorite things
GOD
Bible website
Food
Dogs
Art(Some forms more than others)
Psychology
Great psychology website


Cookie Policy for mondora srl
What Are Cookies
As is common practice with almost all professional websites this site uses cookies, which are tiny files that are downloaded to your computer, to improve your experience. This page describes what information they gather, how we use it and why we sometimes need to store these cookies. We will also share how you can prevent these cookies from being stored however this may downgrade or 'break' certain elements of the sites functionality.
For more general information on cookies see the Wikipedia article on HTTP Cookies.
How We Use Cookies
We use cookies for a variety of reasons detailed below. Unfortunately is most cases there are no industry standard options for disabling cookies without completely disabling the functionality and features they add to this site. It is recommended that you leave on all cookies if you are not sure whether you need them or not in case they are used to provide a service that you use.
Disabling Cookies
You can prevent the setting of cookies by adjusting the settings on your browser (see your browser Help for how to do this). Be aware that disabling cookies will affect the functionality of this and many other websites that you visit. Disabling cookies will usually result in also disabling certain functionality and features of the this site. Therefore it is recommended that you do not disable cookies.
Third Party Cookies
In some special cases we also use cookies provided by trusted third parties. The following section details which third party cookies you might encounter through this site.
This site uses Google Analytics which is one of the most widespread and trusted analytics solution on the web for helping us to understand how you use the site and ways that we can improve your experience. These cookies may track things such as how long you spend on the site and the pages that you visit so we can continue to produce engaging content.
For more information on Google Analytics cookies, see the official Google Analytics page.
We also use social media buttons and/or plugins on this site that allow you to connect with your social network in various ways. For these to work the following social media sites including; Facebook, Twitter, will set cookies through our site which may be used to enhance your profile on their site or contribute to the data they hold for various purposes outlined in their respective privacy policies.
More Information
Hopefully that has clarified things for you and as was previously mentioned if there is something that you aren't sure whether you need or not it's usually safer to leave cookies enabled in case it does interact with one of the features you use on our site. However if you are still looking for more information then you can contact us through one of our preferred contact methods.
Email: info@mondora.com


What is JavaScript and why is it so popular? Well, JavaScript is a programming language widely used in the development of websites. You can build basic websites just using HTML and CSS, but by adding in some JavaScript you can implement 'client-side' interactions and can make your website more dynamic. At it's inception, JavaScript was not widely used, but has since grown to be an extremely important aspect of web development, mostly for its capabilities and ease of use.
JavaScript allows for interactions between a websites user and the website itself, via the web browser (client-side interactions). Think of your favorite website that allows for user interaction. The information you input must be stored somehow, right? There need to be calculations taking place based off of your inputs that will result in an output. Functionality like this can be handled using JavaScript. Because of this, JavaScript has become an essential tool in building dynamic websites that rely on user interaction and inputs.
The language is also used for making a website less static, and increasing a website's performance. A lot of the visual elements of a website that make it look cool, modern, and sleek are a product of JavaScript. Some examples include:
- slideshows
- webgames, like this one: Multeor
- menus that appear when the user hovers over an element of the website.
- animations, with the help of jQuery
- if there are forms on your website that the user is expected to fill out, with JavaScript the user inputs can be validated right in the web broswer, with immediate feedback. This allows for quicker UX because it negates the need to first send the information to the website's server for validation.
But beyond the reasons that allow for great user experience, JavaScript is widely used because of how easy it is to work with as a developer. The language itself isn't too difficult to learn, and there are a lot tools available to facilitate coding with JavaScript. Notably, when visiting any webpage on most browsers you can toggle the console, which will show you the JavaScript written for the site and allows you to edit it live to see the changes. Try it out!
Despite all it's positives, there are some limitations to JavaScript. Mostly that it's emphasis is client-side interactions. Without getting too technical, basically JavaScript is great at fetching information from servers, but is not great at running on the servers themselves and storing / managing information. There is still a reliance on other programming languages to manage server side interactions.
All in all, it is clear that JavaScript is the dominating programming language for building great websites (in parellel with HTML and CSS). It is a versatile, easy to use language, and its functionality is only increasing.
Copyright: Gary Hammell 2014


{% block content %}{% endblock %}
Source Code
This code is available in the examples directory of our GitHub repository.
{% block code %}{% endblock %}
This code is available in the examples directory of our GitHub repository.
{% block code %}{% endblock %}


The dataset I use for this project is from IMM Face Database. It contains 240 facial images of 40 person with 6 images from different viewpoints for everyone. For every image, 58 facial key points are labeled. To start with, we only consider the key point 53 which is for nose tip.
First, I tried to load first 192 images and their corresponding key points into training dataloader and load last 48 images and their corresponding key points into validation dataloader. Below are some examples of training images with nose tip key point shown on it.
I create a CNN model with input size 80*60, output size 2 and conbination of layers in the middle: conv2 with kernal size 3*3, RELU, maxPool with window 2*2.
Then I train the model on training data using 20 epoches. During the training process, we can see the MSE loss of the model on training dataset and validation dataset are both overall decreasing, which means our model is gradually improved with more training epoches.
After the training process, I apply the model onto training data and validation data again. Following are some examples showing how well the simple model does on predicting the nose tips. Blue point indicates the ground truth nose tip, and red point indicates the point predicted by my model.
The model predicts well on these three images. One thing that we can notice here is the photo is taken right in front of the person for all three images, and this might be the reason why it's not hard for model to figure out the nose tip, which is around the center of the face.
These three predictions, however, are not as good as the examples above. One possible reason is that the image captures the side view of the face, which makes the prediction much harder.
created with
Website Builder Software .


05/08/2019 05:59PM
04/08/2019 11:19PM
04/08/2019 05:59PM
04/08/2019 10:32AM
05/01/2019 10:52AM
01/08/2019 01:19PM
01/08/2019 08:23PM
06/08/2019 12:17PM


SPONSORED CONTENT
Imagine High Speed Broadband Network Expands in Louth
Business
by Business ReporterHigh Speed Broadband Infrastructure builder Imagine today announced that its network now covers over 43,500 premises in the county. Imagine is investing €300m to be the first to provide high speed broadband to over 1m premises nationally.
Homes and businesses in rural areas across the county, from Dundalk to Baltray and from Tallanstown to Annagassan can now join the thousands who are now connecting.
Announcing this positive boost for broadband in Louth Imagines Commercial Director Brian O’Donohoe said: "Imagine focus is to build broadband where it’s needed most and we’re particularly happy that over 6,500 of the homes and businesses covered are in areas where previously there was no plan by any other commercial operator to cover them and these people can now get high speed broadband today."
The Imagine coverage map is as shown below but if you think you can’t get high speed broadband then check again on www.imagine.ie


Get started
Item name: Eliah - Beauty Salon & Cosmetic HTML Template
Creator: Khanh Vu
Owned by: Avitex Studio
Created at: 01/10/2020
Lastest update: 01/10/2020
Thank you for your purchasing this template. If you have any questions that are beyond the scope of this help file, please feel free to email us via<EMAIL_ADDRESS>Template Installation
FTP Upload
- Open up your FTP manager and connect to your hosting
- Browse to required directory (Normally public_html)
- Upload the files inside Eliah/app folder.
Avaiable pages
Hompages
- Homepage 01: index.html
- Homepage 02: homepage2.html
- Homepage 03: homepage3.html
- Homepage 04: homepage4.html
- Homepage 05: homepage5.html
- Homepage 06: homepage6.html
Shop
- Shop Fullwidth 4 Column: shop-fullwidth-4col.html
- Shop Fullwidth 5 Column: shop-fullwidth-5col.html
- Shop Fullwidth Left Sidebar: shop-fullwidth-left-sidebar.html
- Shop Fullwidth Right Sidebar: shop-fullwidth-right-sidebar.html
- Shop Grid 3 Column: shop-grid-3col.html
- Shop Grid 4 Column: shop-grid-4col.html
- Shop Grid Sidebar: shop-grid-sidebar.html
- Shop List Sidebar: shop-list-sidebar.html
- Product detail: product-detail.html
- Shopping cart: cart.html
- Checkout: checkout.html
- Wishlist: wishlist.html
Blog
- Blog layout: blog.html
- Blog detail: post-detail.html
Pages
- About us: about.html
- Contact us: contact.html
- Services: services.html
Fonts
If you want to use other font family you may want to find one on Google Fonts
To choose & change your favourite font family from google font you can follow this instruction
Source files
CSS files:
//Main font family <link rel="stylesheet" href="https://fonts.googleapis.com/css2?family=Spartan:wght@300;400;500;700;900&display=swap"/> //Boostrap <link rel="stylesheet" href="assets/css/bootstrap.css"/> //Animate.css <link rel="shortcut icon" type="image/png" href="https://cdnjs.cloudflare.com/ajax/libs/animate.css/4.0.0/animate.min.css"/> //Slick slider <link rel="stylesheet" href="assets/css/slick.min.css"/> //Fontawesome icon font <link rel="stylesheet" href="assets/css/fontawesome.css"/> //Jquery Modal <link rel="stylesheet" href="assets/css/jquery.modal.min.css"/> //Drawer jquery <link rel="stylesheet" href="assets/css/bootstrap-drawer.min.css"/> //Main style file <link rel="stylesheet" href="assets/css/style.css"/>
Javascript files:
//Jquery <script rel="script/javascript" src="./assets/js/jquery-3.5.1.min.js"></script> //Parallax.js <script rel="script/javascript" src="./assets/js/parallax.min.js"></script> //Slick slider <script rel="script/javascript" src="./assets/js/slick.min.js"></script> //Jquery validate <script rel="script/javascript" src="./assets/js/jquery.validate.min.js"></script> //Jquery modal <script rel="script/javascript" src="./assets/js/jquery.modal.min.js"></script> //Drawer <script rel="script/javascript" src="./assets/js/bootstrap-drawer.min.js"></script> //Jquery countdown <script rel="script/javascript" src="./assets/js/jquery.countdown.min.js"></script> //Main javascript file <script rel="script/javascript" src="./assets/js/main.min.js"></script>
Color
How to change main color
- Go to path app/assets/sass/abstracts
- Open varible.scss file
- Find variable $colors and edit colors to what color you want
- Finally, go to root folder, open terminal & run gulp build
Customization
How to change logo image source ?
You can change logo source by replace src source
How to change copyright ?
You can change copyright by replace text in "p" tag
Compile SCSS, Pug files
If you have knowledge of template engine and css preprocessors, you can edit the source code file in pug, sass folder to have a theme with a higher degree of customization than editing HTML / CSS files. We use PugJs as template engine, and SCSS as css Preprocessors. You can learn more about them here
To compile theme to html & css files we using build tool named gulp.js. Using it, first open terminal on root foler, next run gulp command
Everytime, you save pug or scss file gulp will auto reload
Thanks
Thank you for purchasing our Template
Deer creative


The Times Archive Blog tells us about the food at a party thrown by the Princess Royal in 1789:
That part of the Supper which was hot consisted of twenty tureens of different Soups, Roast Ducks, Turkey, Poultry, Cygnets, Green Geese, Land Rails, Chickens, Asparagus, Peas and Beans. The cold parts of the collation were the same kind of Poultry boned, and swimming or standing in the centre of transparent jellies, where they were supported by paste pillars not in circumference thicker than a knitting needle. This, with the lights playing from the candles and reflected on by the polish of the plates and dishes made a most beautiful appearance. Crayfish pies of all kinds were distributed with great taste, and the Hams and Brawn in Masquerade swimming on the surface of pedestals of jelly, seemingly supported but by the strength of an apparent liquid called for admiration.
De Quincey's lieutenant-colonel might have lived had he developed a taste for Hams and Brawn in Masquerade instead of those abominable muffins.


001 /* $Id: PluginRules.java<PHONE_NUMBER>-09-02 20:24:31Z simonetripodi $ 002 * 003 * Licensed to the Apache Software Foundation (ASF) under one or more 004 * contributor license agreements. See the NOTICE file distributed with 005 * this work for additional information regarding copyright ownership. 006 * The ASF licenses this file to You under the Apache License, Version 2.0 007 * (the "License"); you may not use this file except in compliance with 008 * the License. You may obtain a copy of the License at 009 * 010 * http://www.apache.org/licenses/LICENSE-2.0 011 * 012 * Unless required by applicable law or agreed to in writing, software 013 * distributed under the License is distributed on an "AS IS" BASIS, 014 * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. 015 * See the License for the specific language governing permissions and 016 * limitations under the License. 017 */ 018 package org.apache.commons.digester.plugins; 019 020 import java.util.List; 021 022 import org.apache.commons.digester.Digester; 023 import org.apache.commons.digester.Rule; 024 import org.apache.commons.digester.Rules; 025 import org.apache.commons.digester.RulesBase; 026 import org.apache.commons.logging.Log; 027 028 /** 029 * A custom digester Rules manager which must be used as the Rules object 030 * when using the plugins module functionality. 031 *
 032 * During parsing, a linked list of PluginCreateRule instances develop, and 033 * this list also acts like a stack. The original instance that was set before 034 * the Digester started parsing is always at the tail of the list, and the 035 * Digester always holds a reference to the instance at the head of the list 036 * in the rules member. Initially, this list/stack holds just one instance, 037 * ie head and tail are the same object. 038 *
 039 * When the start of an xml element causes a PluginCreateRule to fire, a new 040 * PluginRules instance is created and inserted at the head of the list (ie 041 * pushed onto the stack of Rules objects). Digester.getRules() therefore 042 * returns this new Rules object, and any custom rules associated with that 043 * plugin are added to that instance. 044 *
 045 * When the end of the xml element is encountered (and therefore the 046 * PluginCreateRule end method fires), the stack of Rules objects is popped, 047 * so that Digester.getRules returns the previous Rules object. 048 * 049 * @since 1.6 050 */ 051 052 public class PluginRules implements Rules { 053 054 /** 055 * The Digester instance with which this Rules instance is associated. 056 */ 057 protected Digester digester = null; 058 059 /** 060 * The (optional) object which generates new rules instances. 061 */ 062 private RulesFactory rulesFactory; 063 064 /** 065 * The rules implementation that we are "enhancing" with plugins 066 * functionality, as per the Decorator pattern. 067 */ 068 private Rules decoratedRules; 069 070 /** Object which contains information about all known plugins. */ 071 private PluginManager pluginManager; 072 073 /** 074 * The path below which this rules object has responsibility. 075 * For paths shorter than or equal the mountpoint, the parent's 076 * match is called. 077 */ 078 private String mountPoint = null; 079 080 /** 081 * The Rules object that holds rules applying "above" the mountpoint, 082 * ie the next Rules object down in the stack. 083 */ 084 private PluginRules parent = null; 085 086 /** 087 * A reference to the object that holds all data which should only 088 * exist once per digester instance. 089 */ 090 private PluginContext pluginContext = null; 091 092 // ------------------------------------------------------------- Constructor 093 094 /** 095 * Constructor for top-level Rules objects. Exactly one of these must 096 * be created and installed into the Digester instance as the Rules 097 * object before parsing starts. 098 */ 099 public PluginRules() { 100 this(new RulesBase()); 101 } 102 103 /** 104 * Constructor for top-level Rules object which handles rule-matching 105 * using the specified implementation. 106 */ 107 public PluginRules(Rules decoratedRules) { 108 this.decoratedRules = decoratedRules; 109 110 pluginContext = new PluginContext(); 111 pluginManager = new PluginManager(pluginContext); 112 } 113 114 /** 115 * Constructs a Rules instance which has a parent Rules object 116 * (which is different from having a delegate rules object). 117 *
 118 * One of these is created each time a PluginCreateRule's begin method 119 * fires, in order to manage the custom rules associated with whatever 120 * concrete plugin class the user has specified. 121 * 122 * @param digester is the object this rules will be associated with. 123 * @param mountPoint is the digester match path for the element 124 * matching a PluginCreateRule which caused this "nested parsing scope" 125 * to begin. This is expected to be equal to digester.getMatch(). 126 * @param parent must be non-null. 127 * @param pluginClass is the plugin class whose custom rules will be 128 * loaded into this new PluginRules object. 129 */ 130 PluginRules( 131 Digester digester, 132 String mountPoint, 133 PluginRules parent, 134 Class<?> pluginClass) 135 throws PluginException { 136 // no need to set digester or decoratedRules.digester, 137 // because when Digester.setRules is called, the setDigester 138 // method on this object will be called. 139 140 this.digester = digester; 141 this.mountPoint = mountPoint; 142 this.parent = parent; 143 this.rulesFactory = parent.rulesFactory; 144 145 if (rulesFactory == null) { 146 decoratedRules = new RulesBase(); 147 } else { 148 decoratedRules = rulesFactory.newRules(digester, pluginClass); 149 } 150 151 pluginContext = parent.pluginContext; 152 pluginManager = new PluginManager(parent.pluginManager); 153 } 154 155 // ------------------------------------------------------------- Properties 156 157 /** 158 * Return the parent Rules object. 159 */ 160 public Rules getParent() { 161 return parent; 162 } 163 164 /** 165 * Return the Digester instance with which this instance is associated. 166 */ 167 public Digester getDigester() { 168 return digester; 169 } 170 171 /** 172 * Set the Digester instance with which this Rules instance is associated. 173 * 174 * @param digester The newly associated Digester instance 175 */ 176 public void setDigester(Digester digester) { 177 this.digester = digester; 178 decoratedRules.setDigester(digester); 179 } 180 181 /** 182 * Return the namespace URI that will be applied to all subsequently 183 * added Rule objects. 184 */ 185 public String getNamespaceURI() { 186 return decoratedRules.getNamespaceURI(); 187 } 188 189 /** 190 * Set the namespace URI that will be applied to all subsequently 191 * added Rule objects. 192 * 193 * @param namespaceURI Namespace URI that must match on all 194 * subsequently added rules, or null for matching 195 * regardless of the current namespace URI 196 */ 197 public void setNamespaceURI(String namespaceURI) { 198 decoratedRules.setNamespaceURI(namespaceURI); 199 } 200 201 /** 202 * Return the object which "knows" about all declared plugins. 203 * 204 * @return The pluginManager value 205 */ 206 public PluginManager getPluginManager() { 207 return pluginManager; 208 } 209 210 /** 211 * See {@link PluginContext#getRuleFinders}. 212 */ 213 public List<RuleFinder> getRuleFinders() { 214 return pluginContext.getRuleFinders(); 215 } 216 217 /** 218 * See {@link PluginContext#setRuleFinders}. 219 */ 220 public void setRuleFinders(List<RuleFinder> ruleFinders) { 221 pluginContext.setRuleFinders(ruleFinders); 222 } 223 224 /** 225 * Return the rules factory object (or null if one has not been specified). 226 */ 227 public RulesFactory getRulesFactory() { 228 return rulesFactory; 229 } 230 231 /** 232 * Set the object which is used to generate the new Rules instances created 233 * to hold and process the rules associated with each plugged-in class. 234 */ 235 public void setRulesFactory(RulesFactory factory) { 236 rulesFactory = factory; 237 } 238 239 // --------------------------------------------------------- Public Methods 240 241 /** 242 * This package-scope method is used by the PluginCreateRule class to 243 * get direct access to the rules that were dynamically added by the 244 * plugin. No other class should need access to this object. 245 */ 246 Rules getDecoratedRules() { 247 return decoratedRules; 248 } 249 250 /** 251 * Return the list of rules registered with this object, in the order 252 * they were registered with this object. 253 *
 254 * Note that Rule objects stored in parent Rules objects are not 255 * returned by this method. 256 * 257 * @return list of all Rule objects known to this Rules instance. 258 */ 259 public List<Rule> rules() { 260 return decoratedRules.rules(); 261 } 262 263 /** 264 * Register a new Rule instance matching the specified pattern. 265 * 266 * @param pattern Nesting pattern to be matched for this Rule. 267 * This parameter treats equally patterns that begin with and without 268 * a leading slash ('/'). 269 * @param rule Rule instance to be registered 270 */ 271 public void add(String pattern, Rule rule) { 272 Log log = LogUtils.getLogger(digester); 273 boolean debug = log.isDebugEnabled(); 274 275 if (debug) { 276 log.debug("add entry" + ": mapping pattern [" + pattern + "]" + 277 " to rule of type [" + rule.getClass().getName() + "]"); 278 } 279 280 // allow patterns with a leading slash character 281 if (pattern.startsWith("/")) 282 { 283 pattern = pattern.substring(1); 284 } 285 286 if (mountPoint != null 287 && !pattern.equals(mountPoint) 288 && !pattern.startsWith(mountPoint + "/")) { 289 // This can only occur if a plugin attempts to add a 290 // rule with a pattern that doesn't start with the 291 // prefix passed to the addRules method. Plugins mustn't 292 // add rules outside the scope of the tag they were specified 293 // on, so refuse this. 294 295 // alas, can't throw exception 296 log.warn( 297 "An attempt was made to add a rule with a pattern that" 298 + "is not at or below the mountpoint of the current" 299 + " PluginRules object." 300 + " Rule pattern: " + pattern 301 + ", mountpoint: " + mountPoint 302 + ", rule type: " + rule.getClass().getName()); 303 return; 304 } 305 306 decoratedRules.add(pattern, rule); 307 308 if (rule instanceof InitializableRule) { 309 try { 310 ((InitializableRule)rule).postRegisterInit(pattern); 311 } catch (PluginConfigurationException e) { 312 // Currently, Digester doesn't handle exceptions well 313 // from the add method. The workaround is for the 314 // initialisable rule to remember that its initialisation 315 // failed, and to throw the exception when begin is 316 // called for the first time. 317 if (debug) { 318 log.debug("Rule initialisation failed", e); 319 } 320 // throw e; -- alas, can't do this 321 return; 322 } 323 } 324 325 if (debug) { 326 log.debug("add exit" + ": mapped pattern [" + pattern + "]" + 327 " to rule of type [" + rule.getClass().getName() + "]"); 328 } 329 } 330 331 /** 332 * Clear all rules. 333 */ 334 public void clear() { 335 decoratedRules.clear(); 336 } 337 338 /** 339 * Return a List of all registered Rule instances that match the specified 340 * nesting pattern, or a zero-length List if there are no matches. If more 341 * than one Rule instance matches, they must be returned 342 * in the order originally registered through the add() 343 * method. 344 * 345 * @param path the path to the xml nodes to be matched. 346 * 347 * @deprecated Call match(namespaceURI,pattern) instead. 348 */ 349 @Deprecated 350 public List<Rule> match(String path) { 351 return (match(null, path)); 352 } 353 354 /** 355 * Return a List of all registered Rule instances that match the specified 356 * nodepath, or a zero-length List if there are no matches. If more 357 * than one Rule instance matches, they must be returned 358 * in the order originally registered through the add() 359 * method. 360 *
 361 * @param namespaceURI Namespace URI for which to select matching rules, 362 * or null to match regardless of namespace URI 363 * @param path the path to the xml nodes to be matched. 364 */ 365 public List<Rule> match(String namespaceURI, String path) { 366 Log log = LogUtils.getLogger(digester); 367 boolean debug = log.isDebugEnabled(); 368 369 if (debug) { 370 log.debug( 371 "Matching path [" + path + 372 "] on rules object " + this.toString()); 373 } 374 375 List<Rule> matches; 376 if ((mountPoint != null) && 377 (path.length() <= mountPoint.length())) { 378 if (debug) { 379 log.debug( 380 "Path [" + path + "] delegated to parent."); 381 } 382 383 matches = parent.match(namespaceURI, path); 384 385 // Note that in the case where path equals mountPoint, 386 // we deliberately return only the rules from the parent, 387 // even though this object may hold some rules matching 388 // this same path. See PluginCreateRule's begin, body and end 389 // methods for the reason. 390 } else { 391 log.debug("delegating to decorated rules."); 392 matches = decoratedRules.match(namespaceURI, path); 393 } 394 395 return matches; 396 } 397 398 /** See {@link PluginContext#setPluginClassAttribute}. */ 399 public void setPluginClassAttribute(String namespaceUri, 400 String attrName) { 401 pluginContext.setPluginClassAttribute(namespaceUri, attrName); 402 } 403 404 /** See {@link PluginContext#setPluginIdAttribute}. */ 405 public void setPluginIdAttribute(String namespaceUri, 406 String attrName) { 407 pluginContext.setPluginIdAttribute(namespaceUri, attrName); 408 } 409 410 /** See {@link PluginContext#getPluginClassAttrNs}. */ 411 public String getPluginClassAttrNs() { 412 return pluginContext.getPluginClassAttrNs(); 413 } 414 415 /** See {@link PluginContext#getPluginClassAttr}. */ 416 public String getPluginClassAttr() { 417 return pluginContext.getPluginClassAttr(); 418 } 419 420 /** See {@link PluginContext#getPluginIdAttrNs}. */ 421 public String getPluginIdAttrNs() { 422 return pluginContext.getPluginIdAttrNs(); 423 } 424 425 /** See {@link PluginContext#getPluginIdAttr}. */ 426 public String getPluginIdAttr() { 427 return pluginContext.getPluginIdAttr(); 428 } 429 }


Patching
Common injected values
Each patch method (except a transpiler) can get all the arguments of the original method as well as the instance if the original method is not static and the return value.
You only need to define the parameters you want to access.
__instance
Patches can use an argument called __instance
to access the instance value if original method is not static. This is similar to the C# keyword this
when used in the original method.
__result
Patches can use an argument called __result
to access the returned value. The type must match the return type of the original or be assignable from it. For prefixes, as the original method hasn't run yet, the value of __result
is the default for that type. For most reference types, that would be null
. If you wish to alter the __result
, you need to define it by reference like ref string name
.
__state
Patches can use an argument called __state
to store information in the prefix method that can be accessed again in the postfix method. Think of it as a local variable. It can be any type and you are responsible to initialize its value in the prefix. Note: It only works if both patches are defined in the same class.
___fields
Argument names starting with three underscores like ___someField
can be used to read/write private fields that have that name minus the underscores. To write to field you need to use the ref
keyword like ref string ___name
.
__args
To access all arguments at once, you can let Harmony inject object[] __args
that will contain all arguments in the order they appear. Editing the contents of that array (no ref needed) will automatically update the values of the corresponding arguments.
Note: This way of manipulation comes with some small overhead so if possible use normal argument injection
method arguments
To access or change one or several of the original methods arguments, simply repeat them with the same name in your patch. Some restrictions are placed on the types and names of arguments in the patched method:
- The type of an injected argument must be assignable from the original argument (or just use
object
) - The name of a given argument (that is to be matched to the argument of the original method) must either be the same name or of the form
__n
, wheren
is the zero-based index of the argument in the orignal method (you can also use argument annotations to map to custom names).
__originalMethod
To allow patches to identify on which method they are attachted you can inject the original methods MethodBase by using an argument called __originalMethod
.
You cannot call the original method with that. The value is only for conditional code in your patch that can selectively run if the patch is applied to multiple methods. The original does not exist after patching and this will point to the patched version.
__runOriginal
To learn if the original is/was skipped you can inject bool __runOriginal
. This is a readonly injection to understand if the original will be run (in a Prefix) or was run (in a Postfix).
Transpilers
In transpilers, arguments are only matched by their type so you can choose any argument name you like.
An argument of type IEnumerable<CodeInstruction>
is required and will be used to pass the IL codes to the transpiler
An argument of type ILGenerator
will be set to the current IL code generator
An argument of type MethodBase
will be set to the current original method being patched


The Founder Chancellor’s 69th birthday was celebrated with great pomp and glory at the REVA University on January 6 2019.
School of Electronics and Communication Engineering Organises Technical Talk Report on “Power Electronics- Introduction to various DC-DC Converter Topologies, Analysis, EMI/EMC”
REVA University has made the roads of examination a digitalized one by getting associated with DigiTaal
School of Electronics and Communication Engineering hosts talk on “Leveraging Open Source Tools and Technology for System on Chip (SoC) Design”
Ten students from our REVA university attended academic internship program held in National University Singapore


Fried Potatoes with Garlic
Crab / Potatoes / Rice
Carmen Restaurant is near the corner of Lilienblum just off Herzl Street. The indoor area has a pleasant modern design that uses bright primary colors. There is outdoor seating in a courtyard in the center of the restaurant. The low-volume soft-rock music might have been chosen for us and another table of Americans, which speaks well for the rrestaurant's sensitivity to its customers. The art work has Spanish themes: the bull, guitar and the flamenco dancers say Spain but like the opera, Carmen Restaurant is distinctively French. French chef Maurice Avitan brings his French Moraccan traditions to the kitchen, complemented by Spanish dishes and flavors from the Far East.
A fresh salad.
44 NIS
Foie gras.
39.99 NIS
Hamburger Rossini
89 NIS
Mousse Chocolate
39 NIS
Laboriosam pariatur modi praesentium deleniti molestiae officiis atque numquam.
$25.99
Creme brulee.
45 NIS


 Hit the YES
button if you want to, otherwise click on the NO/ABORT
button when you wish to abort the print action now.


Author: Paul Robinson
Level: Intermediate
Technologies: EJB, JSF, WAR
Summary: The ejb-in-war
quickstart demonstrates how to package an EJB bean in a WAR archive and deploy it to JBoss EAP. Arquillian tests are also provided.
Target Product: JBoss EAP
Source: https://github.com/jboss-developer/jboss-eap-quickstarts/
The ejb-in-war
quickstart demonstrates the deployment of an EJB bean bundled in a WAR archive for deployment to Red Hat JBoss Enterprise Application Platform. The project also includes a set of Arquillian tests for the managed bean and EJB.
The example follows the common "Hello World" pattern. These are the steps that occur:
Greeter
.Greeter
invokes the GreeterEJB
, which was injected into the managed bean. Notice the field annotated with @EJB
.GreeterEJB
is stored in a field message
of the managed bean.@SessionScoped
, so the same managed bean instance is used for the entire session. This ensures that the message is available when the page reloads and is displayed to the user.The application this project produces is designed to be run on Red Hat JBoss Enterprise Application Platform 7.1 or later.
All you need to build this project is Java 8.0 (Java SDK 1.8) or later and Maven 3.3.1 or later. See Configure Maven for JBoss EAP 7.1 to make sure you are configured correctly for testing the quickstarts.
In the following instructions, replace EAP7_HOME
with the actual path to your JBoss EAP installation. The installation path is described in detail here: Use of EAP7_HOME and JBOSS_HOME Variables.
For Linux: EAP7_HOME/bin/standalone.sh
For Windows: EAP7_HOME\bin\standalone.bat
mvn clean install wildfly:deploy
This will deploy target/ejb-in-war.war
to the running instance of the server.
The application will be running at the following URL http://localhost:8080/ejb-in-war/.
mvn wildfly:undeploy
This quickstart provides Arquillian tests. By default, these tests are configured to be skipped as Arquillian tests require the use of a container.
mvn clean verify -Parq-remote
You can also let Arquillian manage the JBoss EAP server by using the arq-managed
profile. For more information about how to run the Arquillian tests, see Run the Arquillian Tests.
JUnit will present you test report summary:
Tests run: 2, Failures: 0, Errors: 0, Skipped: 0
If you are interested in more details, check target/surefire-reports
directory. You can check console output to verify that Arquillian has really used the real application server. Search for lines similar to the following ones in the server output log:
INFO [org.jboss.as.server.deployment] (MSC service thread 1-3) WFLYSRV0027: Starting deployment of "test.war" (runtime-name: "test.war")
...
INFO [org.jboss.as.server] (management-handler-thread - 29) WFLYSRV0010: Deployed "test.war" (runtime-name : "test.war")
...
INFO [org.jboss.as.server.deployment] (MSC service thread 1-3) WFLYSRV0028: Stopped deployment test.war (runtime-name: test.war) in 12ms
...
INFO [org.jboss.as.server] (management-handler-thread - 30) WFLYSRV0009: Undeployed "test.war" (runtime-name: "test.war")
You can also start the server and deploy the quickstarts or run the Arquillian tests from Eclipse using JBoss tools. For general information about how to import a quickstart, add a JBoss EAP server, and build and deploy a quickstart, see Use JBoss Developer Studio or Eclipse to Run the Quickstarts.
If you want to debug the source code of any library in the project, run the following command to pull the source into your local repository. The IDE should then detect it.
mvn dependency:sources


| Favorite Hobbies | Favorite Movies | Countries I Have Visited |
|---|---|---|
| Hiking/Trail Running | The Breakfast Club | Egypt |
| Traveling the World | 500 Days of Summer | Iceland |
| Music/Concerts | The Family Stone | Spain |
| Playing my Ukulele | The Naked Gun | Italy |
I love to hike/climb! I enjoy traveling to national parks with my boys.
Arches and Canyonlands are our favorites!
I love to visit other countries. This past summer, I traveled to Spain and Italy.
I enjoy listening to music, attending concerts, and playing my ukulele.


{% extends 'base/base.html' %} {% block exp_info_block %}
{% endblock %} {% block exp_block %}
This page shows your performance for each of the search tasks. For each task, the maximum number of relevant documents (determined by professional assessors) is shown alongside your score.
Your performance with respect to the original assessors of these topic is as follows.
{% for topic in performances %}Search task: {{ topic.title }}
Your topic score: {{ topic.score }}
{% endfor %}Your average score across all topics: {{ avg_wellness }}
When you have examined the results above, please click the Next button below to continue.
{% endblock %} {% block exp_footer_block %} Participant: {{ participant }} - Condition: {{ condition }} {% endblock %}


I'm not the kind of person to get on my high horse and preach, but I think this needs to be said. Looking through some of the reports on erowid, especially those dealing w/ psychodelics, authors INSIST that users have ground crews. I've read several reports where people have basically said 'yeah, I read that a sitter should be used, but decided not to. I was wrong. Definitely use a sitter'.  If someone suggests a substance not be used w/o a sitter, don't use it without one!
I say this because you are potentially harming more people than just yourself. I know many people might think this sounds like square bs, but think about it. If you are truly trying to touch some grand benevolent force, you must first show good will toward those around you. When you hurt or kill yourself on a substance, the substance is more likely to be made illegal, or be kept illegal. This means responsible users are criminalized because of the stupidity of a few.
I had a friend who died when we were in high school. He had been drinking heavily, and was left alone. Suddenly, he was gone. Where did he go? He drove home without telling anyone. He never made it. No, I wasn't there to prevent him from leaving. If I had been, I don't know if I would have realized the importance of keeping an eye on him. If any of you can benefit from what I've written here, than my friend's life takes on greater meaning.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Compare Elastic Maps Service basemap styles
The maps on the left represent the current production basemap styles
at different zoom levels. The maps on the right contain your latest
local style changes in
EMS Basemap Editor or loaded from a
gist.
Note: Your style is saved in your browser's
localStorage. Use the Export button in
EMS Basemap Editor
to create a JSON file that can be shared with others.


Malaika Arora Teams Nude Coloured Gym Wear With Flip Flops And We Can’t Stop Obsessing Over Her Look
20 Nov 2019, 07:24 by Garema Khurana
How does Malaika Arora manage to look drop-dead-gorgeous every time she steps out in the city?
Malaika Arora is dressed to kill, or to gym, in this picture. We’ll go with the former (Image Source:- viral bhayani)
Malaika Arora teams flip-flops with her gym wear, adding a comfy touch. Perhaps it’s yoga day for the beauty (Image Source:- viral bhayani)
Nude is the colour of choice for Malaika Arora’s gym outing (Image Source:- viral bhayani)
Bandra girl Malaika Arora ties her hair up in a high-bun and t-shirt in a knot (Image Source:- viral bhayani)
Cameras go click-happy at the sight of the very stunning Malaika Arora (Image Source:- viral bhayani)
Malaika was spotted at the store launch of designer duo, Shane & Falguni Peacock last evening (Image Source:- viral bhayani)


--- layout: page permalink: "/community-commissioned/waving-hello/waving-hello005.html" ---
previous | next


--- layout: post section-type: post title: v2.USING METHOD OF MOMENTS TO PREDICT DATABASE PERFORMANCE METRICS category: statistics tags: [ 'tutorial' ] ---
This article exploits statistical technique method of moments (MOM) and generalized method of moments (GMM) to estimate database statistics from the past data. Both GMM and MOM's are parametric unsupervised form of learning. I am restricting this to Oracle Database in this example, but it can be extended to any database system.
We initially select a distribution to model our random variable. Our random variables in database statistical parameters could be any statistic that we collect say in AWR report. To start our analysis, we collected AWR reports over several months. We then scraped these data and stored our metrics in csv formats. I have presented some csv files corresponding to these statistics in my github page.
Lets say we want to use the method of moments to predict the following AWR statistics for the database Load Profile in AWR statistics. This is given in this section.
from IPython.display import Image
import pandas as pd
import matplotlib.pyplot as plt
from scipy.stats.kde import gaussian_kde
from plotly import tools
import scipy.stats as scs
import plotly.plotly as py
from plotly.graph_objs import *
import plotly.plotly as py
from plotly.graph_objs import *
import numpy as np
Image(filename='images/load_profile.png')
Reading our historic load profile data in the dataframe.
df=pd.read_csv('data/TMP_AWR_LOAD_PROFILE_AGG.csv', sep='|',parse_dates=True)
df.head()
| site_id | config_id | run_id | stat_id | stat_name | stat_per_sec | stat_per_txn | stat_per_exec | stat_per_call | start_time | |
|---|---|---|---|---|---|---|---|---|---|---|
| 0 | 37 | 1 | 1 | 265418 | Global Cache blocks received | 4467.21 | 16.36 | NaN | NaN | 03-OCT-14 <IP_ADDRESS>000 AM |
| 1 | 37 | 1 | 1 | 265427 | Transactions | 274.49 | NaN | NaN | NaN | 03-OCT-14 <IP_ADDRESS>000 AM |
| 2 | 37 | 1 | 1 | 265410 | Logical read (blocks) | 291880.19 | 1064.87 | NaN | NaN | 03-OCT-14 <IP_ADDRESS>000 AM |
| 3 | 37 | 1 | 1 | 265419 | Global Cache blocks served | 4467.02 | 16.34 | NaN | NaN | 03-OCT-14 <IP_ADDRESS>000 AM |
| 4 | 37 | 1 | 1 | 265421 | Parses (SQL) | 1131.04 | 4.14 | NaN | NaN | 03-OCT-14 <IP_ADDRESS>000 AM |
As we can we have the data for several statistics viz. Global Cache blocks received, Transactions, Logical read (blocks), Global Cache blocks served, etc from the AWR load profile start from date 03-OCT-14 until 02-NOV-15. I am interested in forecasting only stat_per_sec information on this AWR Load profile, so using pivot function in pandas we get the following reconstructed dataframe.
df=df.pivot_table(index='start_time', columns='stat_name', values='stat_per_sec')
df.head()
| stat_name | Background CPU(s) | Block changes | DB CPU(s) | DB Time(s) | Executes (SQL) | Global Cache blocks received | Global Cache blocks served | Hard parses (SQL) | IM scan rows | Logical read (blocks) | ... | Read IO (MB) | Read IO requests | Redo size (bytes) | Rollbacks | SQL Work Area (MB) | Session Logical Read IM | Transactions | User calls | Write IO (MB) | Write IO requests |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| start_time | |||||||||||||||||||||
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 01-APR-15 <IP_ADDRESS>000 AM | 2.34 | 7171.66 | 8.34 | 21.33 | 7295.85 | 4067.55 | 4067.66 | 0.53 | 0 | 368308.41 | ... | 146.02 | 12323.87 | 2520626.66 | 204.03 | 471.86 | NaN | 342.13 | 3172.36 | 7.38 | 791.23 |
| 01-APR-15 <IP_ADDRESS>000 PM | 1.88 | 5829.02 | 5.75 | 14.98 | 4943.24 | 3371.89 | 3374.17 | 0.41 | 0 | 274450.76 | ... | 237.88 | 9459.97 | 1708287.87 | 143.23 | 282.08 | NaN | 243.01 | 2288.04 | 5.59 | 603.88 |
| 01-JAN-15 <IP_ADDRESS>000 AM | NaN | 1746.34 | 1.80 | 4.07 | 2277.13 | 1618.04 | 1617.80 | 0.30 | NaN | 119422.36 | ... | 160.56 | 3976.52 | 577855.43 | 74.32 | 113.44 | NaN | 139.59 | 970.47 | 1.61 | 162.10 |
| 01-JUL-15 <IP_ADDRESS>000 AM | 2.07 | 6530.64 | 6.92 | 18.46 | 6485.98 | 4164.01 | 4164.06 | 1.67 | 0 | 306467.96 | ... | 155.87 | 9908.58 | 2263412.36 | 198.20 | 424.66 | NaN | 334.05 | 3064.53 | 6.76 | 721.93 |
| 01-JUL-15 <IP_ADDRESS>000 PM | 1.80 | 5853.14 | 5.19 | 14.20 | 4787.97 | 3469.74 | 3469.68 | 0.94 | 0 | 248284.74 | ... | 192.59 | 8087.20 | 1731536.10 | 151.27 | 288.96 | NaN | 259.02 | 2370.28 | 5.70 | 606.48 |
5 rows × 24 columns
print (df.columns)
Index(['Background CPU(s)', 'Block changes', 'DB CPU(s)', 'DB Time(s)',
'Executes (SQL)', 'Global Cache blocks received',
'Global Cache blocks served', 'Hard parses (SQL)', 'IM scan rows',
'Logical read (blocks)', 'Logons', 'Parses (SQL)',
'Physical read (blocks)', 'Physical write (blocks)', 'Read IO (MB)',
'Read IO requests', 'Redo size (bytes)', 'Rollbacks',
'SQL Work Area (MB)', 'Session Logical Read IM', 'Transactions',
'User calls', 'Write IO (MB)', 'Write IO requests'],
dtype='object', name='stat_name')
All of these database statistics are continous random variables, so we model using some continous distributions. scipy offers several continous distributions for the purpose of modelling, viz Gamma, Normal, Anglit, Arcsine, Beta, Cauchy etc.
Once we have the estimated model, we can then use the Kolmogorov-Smirov test to evaluate your fit using scipy.stats.kstest. Lets start with the most popular gamma distribution.
Say I am interested in Background CPU(s) information, calculating the gamma distribution parameters alpha and beta.
sample_mean=df['Background CPU(s)'].mean()
sample_var=np.var(df['Background CPU(s)'], ddof=1)
(sample_mean,sample_var)
(2.1573536895674299, 0.2304741016253824)
Alphas and Betas of Gamma distribution:
###############
#### Gamma ####
###############
alpha = sample_mean**2 / sample_var
beta = sample_mean / sample_var
alpha,beta
(20.193917273426234, 9.3605037370925057)
Using estimated parameters and plot the distribution on top of data
gamma_rv = scs.gamma(a=alpha, scale=1/beta)
# Get the probability for each value in the data
x_vals = np.linspace(df['Background CPU(s)'].min(), df['Background CPU(s)'].max())
gamma_p = gamma_rv.pdf(x_vals)
df.head()
| stat_name | Background CPU(s) | Block changes | DB CPU(s) | DB Time(s) | Executes (SQL) | Global Cache blocks received | Global Cache blocks served | Hard parses (SQL) | IM scan rows | Logical read (blocks) | ... | Read IO (MB) | Read IO requests | Redo size (bytes) | Rollbacks | SQL Work Area (MB) | Session Logical Read IM | Transactions | User calls | Write IO (MB) | Write IO requests |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| start_time | |||||||||||||||||||||
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 01-APR-15 <IP_ADDRESS>000 AM | 2.34 | 7171.66 | 8.34 | 21.33 | 7295.85 | 4067.55 | 4067.66 | 0.53 | 0 | 368308.41 | ... | 146.02 | 12323.87 | 2520626.66 | 204.03 | 471.86 | NaN | 342.13 | 3172.36 | 7.38 | 791.23 |
| 01-APR-15 <IP_ADDRESS>000 PM | 1.88 | 5829.02 | 5.75 | 14.98 | 4943.24 | 3371.89 | 3374.17 | 0.41 | 0 | 274450.76 | ... | 237.88 | 9459.97 | 1708287.87 | 143.23 | 282.08 | NaN | 243.01 | 2288.04 | 5.59 | 603.88 |
| 01-JAN-15 <IP_ADDRESS>000 AM | NaN | 1746.34 | 1.80 | 4.07 | 2277.13 | 1618.04 | 1617.80 | 0.30 | NaN | 119422.36 | ... | 160.56 | 3976.52 | 577855.43 | 74.32 | 113.44 | NaN | 139.59 | 970.47 | 1.61 | 162.10 |
| 01-JUL-15 <IP_ADDRESS>000 AM | 2.07 | 6530.64 | 6.92 | 18.46 | 6485.98 | 4164.01 | 4164.06 | 1.67 | 0 | 306467.96 | ... | 155.87 | 9908.58 | 2263412.36 | 198.20 | 424.66 | NaN | 334.05 | 3064.53 | 6.76 | 721.93 |
| 01-JUL-15 <IP_ADDRESS>000 PM | 1.80 | 5853.14 | 5.19 | 14.20 | 4787.97 | 3469.74 | 3469.68 | 0.94 | 0 | 248284.74 | ... | 192.59 | 8087.20 | 1731536.10 | 151.27 | 288.96 | NaN | 259.02 | 2370.28 | 5.70 | 606.48 |
5 rows × 24 columns
'''Use the estimated parameters and plot the distribution on top of data'''
fig, ax = plt.subplots()
# Plot those values on top of the real data
ax = df['Background CPU(s)'].hist(bins=20, normed=1, edgecolor='none', figsize=(10, 7))
ax.set_xlabel('Statistics')
ax.set_ylabel('Probability Density')
ax.set_title('Background CPU(s)')
ax.plot(x_vals, gamma_p, color='r', label='Gamma', alpha=0.6)
ax.legend()
fig.savefig('images/backgroundcpu.png')
#py.iplot_mpl(fig, filename='s6_log-scales')
# Lets put everything in a function
# Define a function that plots distribution fitted to one month's of data
def plot_mom(df, col):
sample_mean=df[col].mean()
sample_var=np.var(df[col], ddof=1)
alpha = sample_mean**2 / sample_var
beta = sample_mean / sample_var
gamma_rv = scs.gamma(a=alpha, scale=1/beta)
# Get the probability for each value in the data
x_vals = np.linspace(df[col].min(), df[col].max())
gamma_p = gamma_rv.pdf(x_vals)
fig, ax = plt.subplots()
# Plot those values on top of the real data
ax = df[col].hist(bins=20, normed=1, edgecolor='none')
ax.set_xlabel('Statistics')
ax.set_ylabel('Probability Density')
ax.set_title(col)
ax.plot(x_vals, gamma_p, color='r', label='Gamma', alpha=0.6)
ax.legend()
df.columns
Index(['Background CPU(s)', 'Block changes', 'DB CPU(s)', 'DB Time(s)',
'Executes (SQL)', 'Global Cache blocks received',
'Global Cache blocks served', 'Hard parses (SQL)', 'IM scan rows',
'Logical read (blocks)', 'Logons', 'Parses (SQL)',
'Physical read (blocks)', 'Physical write (blocks)', 'Read IO (MB)',
'Read IO requests', 'Redo size (bytes)', 'Rollbacks',
'SQL Work Area (MB)', 'Session Logical Read IM', 'Transactions',
'User calls', 'Write IO (MB)', 'Write IO requests'],
dtype='object', name='stat_name')
Lets just pick the following important statistics to estimate: * 'Background CPU(s)' * 'DB CPU(s)', * 'Executes (SQL)', * 'IM scan rows', * 'Hard parses (SQL)', * 'Logical read (blocks)', * 'Parses (SQL)', * 'Physical read (blocks)', * 'Physical write (blocks)'
columns_of_interest=['Background CPU(s)', 'DB CPU(s)', 'Executes (SQL)', 'User calls', 'Hard parses (SQL)', 'Logical read (blocks)', 'Parses (SQL)', 'Physical read (blocks)', 'Physical write (blocks)']
for col in columns_of_interest:
plot_mom(df, col)
fig.savefig('images/'+col)
df.head()
| stat_name | Background CPU(s) | Block changes | DB CPU(s) | DB Time(s) | Executes (SQL) | Global Cache blocks received | Global Cache blocks served | Hard parses (SQL) | IM scan rows | Logical read (blocks) | ... | Read IO (MB) | Read IO requests | Redo size (bytes) | Rollbacks | SQL Work Area (MB) | Session Logical Read IM | Transactions | User calls | Write IO (MB) | Write IO requests |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| start_time | |||||||||||||||||||||
| --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- | --- |
| 01-APR-15 <IP_ADDRESS>000 AM | 2.34 | 7171.66 | 8.34 | 21.33 | 7295.85 | 4067.55 | 4067.66 | 0.53 | 0 | 368308.41 | ... | 146.02 | 12323.87 | 2520626.66 | 204.03 | 471.86 | NaN | 342.13 | 3172.36 | 7.38 | 791.23 |
| 01-APR-15 <IP_ADDRESS>000 PM | 1.88 | 5829.02 | 5.75 | 14.98 | 4943.24 | 3371.89 | 3374.17 | 0.41 | 0 | 274450.76 | ... | 237.88 | 9459.97 | 1708287.87 | 143.23 | 282.08 | NaN | 243.01 | 2288.04 | 5.59 | 603.88 |
| 01-JAN-15 <IP_ADDRESS>000 AM | NaN | 1746.34 | 1.80 | 4.07 | 2277.13 | 1618.04 | 1617.80 | 0.30 | NaN | 119422.36 | ... | 160.56 | 3976.52 | 577855.43 | 74.32 | 113.44 | NaN | 139.59 | 970.47 | 1.61 | 162.10 |
| 01-JUL-15 <IP_ADDRESS>000 AM | 2.07 | 6530.64 | 6.92 | 18.46 | 6485.98 | 4164.01 | 4164.06 | 1.67 | 0 | 306467.96 | ... | 155.87 | 9908.58 | 2263412.36 | 198.20 | 424.66 | NaN | 334.05 | 3064.53 | 6.76 | 721.93 |
| 01-JUL-15 <IP_ADDRESS>000 PM | 1.80 | 5853.14 | 5.19 | 14.20 | 4787.97 | 3469.74 | 3469.68 | 0.94 | 0 | 248284.74 | ... | 192.59 | 8087.20 | 1731536.10 | 151.27 | 288.96 | NaN | 259.02 | 2370.28 | 5.70 | 606.48 |
5 rows × 24 columns
This above function would generate the MOM estimate for any database statistic that we would want. For example if we want to predict MOM's for "Global Cache blocks served", we just need to call this function:
plot_mom(df,'Global Cache blocks received')
fig.savefig('images/cache_blocks.png')
For "Rollbacks" example our estimation is:
plot_mom(df,'Rollbacks')
fig.savefig('images/rollbacks.png')


Public data: The Omniglot dataset is provided during the Public phase. The dataset contains 1623 classes from 50 different alphabets. All images are of shape [28,28,3]. These characters were drawn online via Amazon's Mechanical Turk by 20 different people. The original dataset is presented in this page.
Feedback data: The data is kept hidden but you can get quick feedback on the leaderboard.
Final data: This phase will start at the very end of the challenge. The data is kept hidden.


Data for {{Geography}} submitted via Blue Community Assessment App
Blue Community Assessment
{{About Section}}
{{Geography}}
|
Cover |
{{Cover}} |
|
About this Section |
{{About this Section}} |
|
42. What is the total number of employment for the community outside of tourism? |
{{42. What is the total number of employment for the community outside of tourism?}} |
|
42a. 🔢 |
{{42a. 🔢}} |
|
42b. 🔗Source |
{{42b. 🔗Source}} |
|
43. Percent of revenues generated by tourism? |
{{43. Percent of revenues generated by tourism?}} |
|
43a. 🔢 |
{{43a. 🔢}} |
|
43b. 🔗Source |
{{43b. 🔗Source}} |
|
44. What is total occupancy level (tourist arrivals) by month? |
{{44. What is total occupancy level (tourist arrivals) by month?}} |
|
44a. 🔢 |
{{44a. 🔢}} |
|
44b. 🔗Source |
{{44b. 🔗Source}} |
|
45. What is the average annual tourism occupancy? |
{{45. What is the average annual tourism occupancy?}} |
|
45a. 🔢 |
{{45a. 🔢}} |
|
45b. 🔗Source |
{{45b. 🔗Source}} |
|
46. How many enterprise establishments are there in the community? |
{{46. How many enterprise establishments are there in the community?}} |
|
46a. 🔢 |
{{46a. 🔢}} |
|
46b. 🔗Source |
{{46b. 🔗Source}} |
|
47. How many enterprise establishments are open year round? |
{{47. How many enterprise establishments are open year round?}} |
|
47a. 🔢 |
{{47a. 🔢}} |
|
47b. 🔗Source |
{{47b. 🔗Source}} |
|
48. What is the number of full-time, year round jobs in the community? |
{{48. What is the number of full-time, year round jobs in the community?}} |
|
48a. 🔢 |
{{48a. 🔢}} |
|
48b. 🔗Source |
{{48b. 🔗Source}} |
|
49. What is the number of temporary jobs in the community? |
{{49. What is the number of temporary jobs in the community?}} |
|
49a. 🔢 |
{{49a. 🔢}} |
|
49b.🔗Source |
{{49b.🔗Source}} |
|
50. Reference Images for this Section |
50. Reference Images for this Section |
|
50a. 📸 |
{{50a. 📸}} |
|
50b. 📸 |
{{50b. 📸}} |
|
50c. 📸 |
{{50c. 📸}} |
|
Last Edited |
{{Last Edited}} |
|
Last Edited By |
{{Last Edited By}} |
|
Notes for Stakeholders |
{{Notes for Stakeholders}} |


Highlight me I'm Github the platform that hosts your code show some love here!
Highlight me too I'm git ,the tool that helps you build your code show some love !
Mouse over the following lines to see fixed highlights
Angular is dope
Admit you love Angular


There is a strong positive corellation between states with increased levels of poverty and reduced access to health care. Similarly as poverty increases so does obesity and percentage smoking. Given the corellations between these factors it would suggest that access to healthcare and education regarding the perils of obesity and smoking needs to be improved for the vulnerable poor in society. Wealthier states had higher healthcare coverage as well as fewer citizens being obese and smoking which highlights the inequities of wealth distribution and healthcare
Median age varies state by state so it is challenging to make any firm observations on the data being presented. One can infer that wealthier states have higher median ages than poorer states which given the previous observation further indicates th importance of improving healthcare. THis data also shows that not all states are equal in terms of median age with a broad range of medians from 30.5 in Utah to 44.1 in Maine. The mode of the median ages occur in a central distribution to this but comparing median age to health risks has been inconclusive with this data set


Pizza Sunrise
as dependable as the rising sun
Size:
Small
Medium
Large
Spectacular
Base:
Tomato
Pesto
Garlic & Oil
Cashew Cream
Salami
Lamb sausage
Canadian bacon
Anchovies
Toppings:
Fresh basil
Capers
Artichoke hearts
Porcini mushroom
Spanish olives
Roasted garlic
Carmelized onion
Pepperoncini
View order


Simple Spark application resources calculator
Note: It's just an example, configuring variables for spark submit is always a challenge.
Please enter cluster configuration below
Number of nodes:
Number of cores:
Memory:
Results
Total cores:
Total available cores:
Total memory:
--num-executors
--executor-cores
--executor-memory