Ayahuasca (B. caapi & P. viridis)
I found a recipe online that was quoted to be the amount that the Peruvians use for a single dose of Ayahuasca; it said about a 12 inch piece of vine of Banisteriopsis caapi and 50 fresh leaves of Psychotria viridis. I used half of this (and i recommend that you should too, more on that later)...I whittled down a 6 inch piece of B. caapi with a utility knife and used about 30 dry leaves.
I broke up the whittled pieces of B. caapi with my hands until they were fairly fine fibers. I boiled everything at one time in a glass pot (Terence McKenna says that an aluminum of a pot can negatively effect the brew)...I boiled everything (a rolling boil) for 1 hour and then poured off the liquid into another bowl; then added new distilled water and boiled it again. I did this for a total of 4 times until the liquid that I was pouring off was more of a clear yellow. I threw out the plant material, added up the liquids and very slowly boiled down the liquid until I had about 200ml of liquid that had the color of nice, deep, chocolate milk. I drank 100ml.
I've had two other experiences on Ayahuasca before this. They were very nice and 'euphoric', with very organic, strange, geometric visuals. But this third time I knew I did a better job preparing a stronger brew. But I did a much better job than I could ever imagine.
But first, my recommendation to you; go very slow, i mean, certainly don't drink a lot your first time. Slowly, over time, build up the amounts you drink. Test your brew's strength before you drink a big dose. I think you know what I mean; but let me tell you my story so you will become cautious and respectful of this drink, because I wouldn't want anyone to go through what I had to:
I did not eat 4 hours before drinking. After an hour of drinking this bitter stuff, in an instant, without warning, I was very panicked and very afraid. Terrified. My world was replaced with something else that was not 'here'. Everything was TOO vibrant, sounds did not sound 'right'. It was very very scary, I paced around, freaking out, trying to not be 'there', but I realized it was useless to try, this scared me even more. I ended up sitting up on my bed, back against some pillows, drenched in sweat that I could not control. I was trying to relax. I was in this 'world' for only a few minutes, but it seemed like forever.  This 'burst' or 'glimpse' faded into another 'world'...into a 'lower world'...distinctly different from the first but not as 'fast'...but almost as equally terrifying.
Let me pause here for a moment. If you do this: I noticed that people near-by (i mean, the apartments near me) experience something too, even though they don't drink the brew. I did not like this at ALL!...it made it much harder to deal with. I would have been much better off being somewhere that was miles and miles away from anyone, especially since my experience was so powerful for me.
Ok, this 'lower realm' scared me very much. I was teased by something. Basically, I wanted a big experiance and the answer I got was: 'ok, here you go! we will REALLY give it to you. we will make you very frightened, and you will be humbled'. Terence Mckenna put it a good way: 'Their [the 'fairies'] idea of 'fun' might not be your idea of 'fun'.' I was kind of laughed at...it was not fun for me at the time. At this point I just wanted it to end, and I was trying to wait it out...but it took a very long time (almost 2 hours). I was trying to fight it off and calm it down, but it was persistent on me. I was shown many things, and 'taught'. It was a very personal experience. After it was done I thought: Oh my GOD! I got through it! The day after I was still very shaken up. After a few more days of thinking about it, I was very happy that I did it and got through it; even though it was deathly terrifying at the time.
It's not that this place IS a 'scary place', but I think we 'perceive' it as being a very scary place indeed. I had many experiences during this time that go far beond 'hallucinations', and where far more real. I believe I caught a very small glimpse of what's 'really going on'...and this 'small glimpse' was quite a lot for my human mind to see.
So, what have I seen to be what is 'really going on'?...I won't say. :) Most everyone would never believe me... nor would want to, because it's just too weird! :) But what's great is that our human minds are capable of seeing this 'truth'! That's the fun part.
Be safe and respectful of Ayahuasca; I would recommend building up your 'levels' slowly, that can make it much more confortable. You could drink a bunch, but it could really freak you out more than I could ever explain -- you would get through it!, but your experience can be very terrifying. Good luck. :)
After this experience I have learned enough to not have a desire to visit this place for awhile.
At a lower dose you feel wonderfully euphoric and you can slowly enter...'something'!...for me it was a extremely real parallel dimension that is always with us, but we don't usually see it. And this place is very welcome of visitors. It's a mischievous place, but they welcome you.
Good luck and I wish you safe and comfortable choices. :)
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


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Data Verbalization: how you can make your data accessible to everyone
Doug Schepers
Fizz Studio
1: Data Verbalization: how you can make your data accessible to everyone
2: What is data visualization?
- Fancy word for charts and graphs
- includes diagrams
- "Story about data"
- User interface for data (come back to that)
- "The purpose of visualization is insight, not pictures." – Ben Shneiderman, dataviz pioneer
- Create a functional model of the data in the minds of the audience
- reduce effort and catch attention in data-flooded world
3: Data visualization is accessibility technology
- (show large spreadsheet)
- (show equivalent visualization)
- Much easier to notice and think about patterns
4: Why visual?
- visual channel: 10 million bits / second
- 30–60% of brain dedicated to visual processing
- fast visual response: "seeing dinner or being dinner"
- touch: 8%, hearing: 2%
- Detect, match, and make sense of patterns
5: How the mind works
- Cognitive load and clutter
- Illustrate the principles of visual perception
- Strategically use contrast in visualizations
- Define and use pre-attentive attributes
- Declutter your visualization
6: How visualizations work
- Visual encoding: color, position, shape, size
- Pre-attentive attributes: immediately noticeable
- color hue
- color brightness
- color saturation
- texture
- orientation
- position & alignment
- size
- shape
- movement
- Gestalt principles
- Proximity
- Similarity
- Enclosure
- Closure
- Continuity
- Connection
7: "Hey, look over here!"
- WCAG 1.4.1 "Use of Color: Color is not used as the only visual means of conveying information, indicating an action, prompting a response, or distinguishing a visual element. (Level A)"
https://www.w3.org/TR/UNDERSTANDING-WCAG20/visual-audio-contrast-without-color.html
- Consider adding annotations or other specific semantic markers to draw attention
- use pre-attentive attributes to draw attention, but then compose the data interface to create a model
- assemble those elements to help people think
- using too many encodings leads to confusion
- goals
- perceive the data
- think about the data
- reason with the data
8: Fast and slow
- System 1: Fast, automatic, frequent, emotional, stereotypic, unconscious
- pre-attentive attributes
- gestalt principles
- System 2: Slow, effortful, infrequent, logical, calculating, conscious
- dataviz uses fast visual systems to convey data, then slow systems to allow user to explore it and think about it
- slow system
- cognitively expensive (mentally taxing)
- … slow
- goal is to reduce the speed and effort in accomplishing tasks in a non-visual way
9: Cognitive vs Perceptual Design Distinction
- cognitive load: the amount of mental effort that we use to get the information that we need. A good data visualization minimizes the cognitive load while also communicating the message accurately. There are three types of cognitive load,
- intrinsic: baseline cognitive load pertaining to how much brain power is needed to understand an idea. Different types of tasks will require more or less thought or attention.
- extraneous: amount of extra brain power needed to perceive and understand a topic
- germane: a way for the brain to look for patterns to develop context. As with extraneous load, it is to help take a cognitive issue and present it in an easy and meaningful way. We'll use these three types of cognitive loads instinctively throughout this specialization.
10: Memories
- Sensory: hyper-short-term , automatic
- iconic memory: visual, 100ms duration, light trails (gone in a flash)
- haptic memory: touch, ~2s duration, only recently identified, not much is known
- echoic memory: auditory, 3-4s duration, high-density
- Short-term: information encoding and storing
- Long-term: more about recall, less immediately relevant to dataviz, but visual does help with retention (would other sensory encodings help, too? further study)
11: Affordance and Equivalence
- Long lost Jane Austin novel
- Each feature of the chart includes an affordance and a set of tasks that it is geared toward
- Affordances
- For each affordance or task, we need to isolate the channel and mechanism and find accessible equivalent. Maybe iconic memory can be replaced with echoic or haptic?
- Reduce cognitive load as much as possible
- Anticipate user's needs
- Tasks are typically implicit: comparison with other data point, position in trend, assessment with regard to whole, categorizing (filtering/sorting), navigation/focus
- For each task, we need to make it explicit
12: Dashboards
- multiple charts on the same page
- usually interrelations between charts
- priorities:
- let the user know there are multiple charts (easy!)
- describe the purpose of each chart (may be manual)
- describe how the charts relate to each other (may be manual)
- Good news! You already made these decisions when you designed the dashboard, so you can just write a short description, and that will benefit everyone
13: One size does not fit all
- In general, you should make sure that your dataviz is perceptible to all
- But knowing your audience is important
- Different audiences may have more or less expertise in a topic, or have different goals
- Some differences may be cognitive ability
- Create user personas
- Consider your target audience, and create your dataviz with them as your primary focus
14: Deep Graphics
- Images with extra information behind them
- Embed data
- Add links to data source
- Lots of possibilities, accessibility is only the first
15: Free pass
- Until recently, most data visualizations were not called out in accessibility assessments
- "Write alt text or long description"
- "Create a hidden data table"
- "You can't make dashboards accessible": "I’ll begin by stating my fundamental position: a dashboard that is accessible to the blind is a contradiction in terms." - Stephen Few https://www.perceptualedge.com/blog/?p=1756
16: A table is not equivalent access
- increased burden on the user
- doesn't explicitly show many relationships in data
- if a table were just as accessible, we wouldn't use data viz
- Landscape is changing, and it will be increasingly hard to get a free pass
17: Pretty persuasions
- Find the right way to convince your organization to be early adopters of accessible dataviz
- Credibility and ethics are important to data scientists. Get the data scientist on your side.
- Doesn't cost any more than inaccessible charts, and no more difficult; dataviz already generated by library, just use accessible one
- Embedding data in your visualization is better for users for
- reuse
- SEO
- smart speakers and voice services
- restyling / rebranding
- future proofing
18: Levels of accessibility in dataviz
- 0: None (benefit: can be automated)
- 1. Provide generic alt-txt: "barchart", "pie chart of market segment size"
- 2. Provide detailed summary in alt-txt: "Line chart showing market trends, with a downward trend over the last year", "bar chart with 12 bars; the highest value is 1500"
- 3. Provide hidden content (e.g. a table) with the same information
- 4. Serial access to data: table alternative
- 5. Automatically generic task-oriented contextual options
19: User interface for data
- Different types of data visualizations are optimized for performing different tasks
- comparison to whole
- comparison to other datapoints
- trend over time
- breakdown of categories
- connection between items
- Break down interface into sets of tasks oriented around optimizations
20: Libraries and tools:
- Most professional packages let you control colors, so you can make your own accessibility
- Highcharts
- good range of charts and graphs
- serial navigation of each data point
- not turned on by default
- fairly pricey
- developer-oriented
- visible source, but not open source (commercial license)
- SAS
- analytics and programming language, complex, full-featured
- free accessible chart authoring tool for schools
- interface heavily geared toward sonification as first pass for noting trends
- very expensive
- proprietary
- Semiotic
- good range of charts and graphs
- rudimentary accessibility, but growing
- serial navigation of each data point
- developer-oriented
- free
- open source
- Fizz Charts
- alpha release
- accessible authoring
- UI-driven, with developer API
- accessible by default
- Fizz Reader provides task-oriented interface
- hoping to make open source!


§604-11.5 Same; offenses committed within the circuit. The several district courts shall have jurisdiction, except as otherwise provided, of all criminal offenses cognizable under the laws of the State, committed within their respective circuits or transferred to them for trial by change of venue from some other district court. [L 1971, c 144, §6C]
Rules of Court
Penal proceedings, venue, see HRPP rules 18, 21, and 22.


We're a couple of best friends from elementary school who ended up at rival colleges years later. We're just hanging around the great state of Michigan chatting and having fun conversations.
We hope you enjoy the show, and be sure to subscribe to us and follow us on Twitter.


THE NASTY GIRL (DAS SCHRECKLICHE MAEDCHEN) A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): ** 1/2
THE NASTY GIRL (DAS SCHRECKLICHE MAEDCHEN) (1990) got an Academy Award nomination for best foreign film that year. The film is a most unusual German comedy about a young woman doing an historic essay about her village. It is based on a true story and is a fictionalized account told in quasi-documentary style. The woman, Lena Stolze, who plays the lead of Sonja is simply marvelous; she is wide-eyed, innocent, and as persistent as they come.
As the story unfolds, Sonja tells of her fairly idyllic childhood. The innovative cinematography by Axel De Roche has the present done in bright primary colors and the flashbacks all in black and white. The sets are interesting in that some of the backgrounds are fake backdrops like you might see used in a play. Sonja is brought up in a strict Catholic school where both of her parents teach and where her mother has to stop teaching when she is pregnant lest one of the children ask questions about how she got that way. The school, although religious, is highly corrupt and the kids whose parents donated the most get shown the questions to all of the quizzes in advance.
One day, the German President announces an essay contest with "Democracy in Europe" as the theme. Sonja wins first prize in all of Germany. She is a hero in her little town, and the local doctor tells her, "If I'd known you'd be famous, I would have preserved your appendix in alcohol."
When the President announces the essay contest for the next year, everyone tells Sonja she must enter and win again. This time the theme is "My Hometown during the Third Reich." Everyone assumes Sonja will write a sweet little fluff piece about them, but when she starts digging into records, they all put up barriers in her way and she can find out nothing. It seems the only Nazi supporter in the whole town was ex-mayor Zumtobel who is now conveniently dead and buried. Everyone else claims to have spoken up against the Nazis, were freedom fighters, etc. When she begins to question their credibility, they get angry and turn on her.
Rather than doing this as some pedantic and morose work, great writer and director Michael Verhoeven instead does it as a funny, albeit sometimes serious, comedy.  In a sentence, the film works.
Well, the townsfolk's stonewalling forces her to blow the deadline on the essay, but this is not the end. She goes to college and decides to write a book on the subject. She views her quest simply and tells reporters, "You have to know where things come from to know where they are going." After many twists and turns, the way the story is wrapped up is quite imaginative.
THE NASTY GIRL is a fast paced movie running only 1:32. The film is in German with easy to follow English subtitles. It is rated PG-13 for a little violence, a single bad word, and no sex or nudity. The show would be fine for any kid old enough to be interested which I guess would be around 9 or 10. I liked the film, and if you like bizarre little comedies that take risks, I think you may like it too. I give the film ** 1/2.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: March 31, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Patton (1970)
Grade: 89
"Patton" is an intelligently written and well-plotted movie that deserved its Academy Awards for "Best Picture" and "Best Actor." It is an outstanding war movie that has its focus not on the soldiers in the trenches, but the generals who control their destinies.
The film follows the career of George Patton (George C. Scott) from early battles against the Germans in North Africa, and later in Italy and in Europe. Patton's biggest battles are not always against the Germans, however. He must compete against generals Montgomery and Bradley for resources and key assignments, and never comprehends that a four-star general must also be a success as a politician.
Movies are inherently fictional, even when based on actual events or personalities. I don't know and don't care how historically accurate this movie is. When discussing Patton, I am referring to his film character. From the little I know about Patton or WWII, the film is authentic enough for me. One minor quibble: Omar Bradley's autobiography was used as a source, and he served as a technical advisor, leading to the Bradley character (Karl Malden) being perhaps too saintly.
Patton is as broad a character a film could hope to have, and a once-in-a-lifetime opportunity for an actor. Scott have a supporting role in "Dr. Strangelove", but he will be forever typecast as Patton, as Patton will be forever identified with the actor Scott. Patton is obsessed with military history and achieving battlefield glory. He believes he is reincarnated, with each life participating in the era's greatest battles. He stubbornly refuses to see the growing international obsolescence of the military relative to political and economic alliances.
Perhaps too much is made of Patton's abilities as a general. The audience is led to believe that Patton could have won the European war in a few months if it wasn't for pesky Montgomery trying to steal his glory and supplies. A rare comic relief moment involving Patton's cowardly pedigreed hound doesn't quite work either.
But it is rare that a film character can have so much depth that it can be explored for over two hours with such effectiveness. Also, the tank battles, ancient ruins, and general's housings (they lived well, with a full staff of toadies) have excellent cinematography.
http://members.tripod.com/~Brian_Koller/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends 'patterns.html' %} {# --------------------------------------- #} {# Settings, models, library variables #} {# --------------------------------------- #} {% import 'macros/alert.html' as alerts %} {% set ui_title = "Alerts" %} {% block ui_description %}
Alerts that indicate something has happened, is happening or were prevented from happening
{% endblock %} {# --------------------------------------- #} {# Main body content #} {# --------------------------------------- #} {% block body %}{{ html | e | trim }}
Indicates that something is due to happen, or that might be happening in the future.
{{ html | e | trim }}
Indicates that something has happened as expected
{{ html | e | trim }}
Indicates that something has not happened or gone wrong


Enrich
Select Classifier
Kucera Francis Frequency
Raw Term Frequency
Document Frequency
Inverse Term Frequency - Inverse Document Frequency
Number of Syllables
Enrich Text


ABOUT ME
I am a professional web developer,
CONTACT ME
You can contact me in any need!.
Murapara, Rupgonj, Narayongonj
Dhaka
01787321527
<EMAIL_ADDRESS>My name is Zishan,
I am a professional web developer,
I have been working as a web developer at Fiverr for 2 years.
I am a professional web developer,
You can contact me in any need!.
Murapara, Rupgonj, Narayongonj
Dhaka
01787321527
zishancc@gmail.com


{% extends 'base_generic.html' %} {% block content %} {% block title %} Forbidden 403 {% endblock %}
The client does not have access rights to the content.


--- layout: default title: Forbidden permalink: /403 nav_exclude: true search_exclude: true ---
The content you are accessing is for program members only, please apply here.


{% comment %} This is the page students will see when they log in. It shows their all of the courses they have taken, and lets them filter by Completed, In Progress or Expired. {% endcomment %}


--- layout: page status: publish published: true title: Sales Tax Areas and Tax Entity Areas author: display_name: Jessie Pechmann login: jpechmann email<EMAIL_ADDRESS>url: '' author_login: jpechmann author_email<EMAIL_ADDRESS>wordpress_id: 3516 wordpress_url: http://gis.utah.gov/?page_id=3516 date: '2011-11-18 15:34:32 -0700' date_gmt: '2011-11-18 22:34:32 -0700' categories: [] tags: - data - economy - tax ---
Data Type: GIS Data Layer
Steward(s): USTC & AGRC
Abstract:
These datasets are related to taxation in Utah. They were created by the Utah State Tax Commission (USTC) and other local government agencies.
Economy.SalesTaxAreas contains the approximate boundaries of Sales Tax Collection Areas in Utah. Sales Tax Areas are formed by municipality boundaries, special sales tax districts and the unincorporated areas of counties not in a special sales tax district.
General Utah GIS data inquiries contact AGRC
This dataset is in need of update.
Economy.TaxEntities2016 contains Tax Entities in Utah. Tax Entities are incorporated bodies that have the power to levy a local property tax such as school districts, counties, cities, special service districts, redevelopment districts, library districts, cemetary districts, and mosquito abatement districts. Economy.TaxEntities2016 dataset does not represent exact legal boundaries, but rather a set of boundaries used for the administrative purposes by the USTC Property Tax Division for centrally assesses properties (quarries, rail, linear utilities, etc).
Tax Entities with...
Economy.TaxAreas2016 contains the set of taxing areas formed by each unique 2-dimensional intersection of incorporated taxing entities in Utah. Each taxing area represents at least a county and school district as members of these two categories cover the entire state. The property tax levy rate within a tax area should be the same for a specified property type within that area.
Transit sales tax areas are generally areas outside of incorporated municipalities where additional sales tax is collected to support transit activities (generally buses).
General Utah GIS data inquiries: Nick Kenczka
Feb. 2017 Update to Cache Transit.


Should you take a break for coffee when deploying to Azure?
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My name is Irina , I’m a junior web developer located in Belgium. I am passionate about creating maximally user-friendly websites and applications. My goal is to make products that help companies and users in reaching their goals.
My journey as a web developer started at HackYourFuture Belgium.
HTML, CSS, UI/UX principles, Agile development.
I have background in printing and e-learn design, and I like to use my knowledge when it comes to web development.
VSCode, GitHub, Bash, Figma.


While on break from medical school, I got an rx for ultram ER. The script was for lots of the little white 100 mg extended release pills. I have taken lots of stuff before (um for the sake of medical knowledge) and had no problems. I have chewed percocets, darvocets, demorol (pill form obviously), and vicodin and never had any problems. Ultram however, was different.
I chewed 300 mg of extended release ultram because I was in a lot of pain (it was only 3 tiny pills). At first it was comfortably numb. After about 45 minutes, I started to feel a typical narcotic analgesic numbness... that was way too intense. I only weigh 100 lbs so 300 mg was apparently an overdose.
I went back to my computer and tried to focus but things were blurring and I just felt far away from the world. I can't say it was a bad feeling though.
After 60 minutes, I am told I had a grand mal seizure.  I could taste blood from apparently biting my tongue and I was in a state of confusion that is still scary to remember. My husband was crying, he saw the tonic clonic part where my body was stiff and I wasn't breathing and he thought I was dead. I remember bits and pieces after the seizure, and I was taken to the ER and I can only remember bits and pieces. I have never had a seizure before this! Needless to say, the hospital did a tox screen.
I am still freaked out by it because I am in medical school and if the ER docs had discovered I had od'ed on ultram, typical overdose protocol is to get a psych consult. I would have had to talk to a psychiatrist or gone to counseling or worse... rehab! Even though I was taking it because I was in a great deal of pain, I shouldn't have chewed them and I shouldn't have taken 200mg.
I should have known better- I mean I knew the risks, the pharmacology, contraindications, mechanism of action, hell I can even draw the chemical structure!
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


@(gameState: models.game.mask.GameMask)(implicit user: models.user.User, session: play.api.db.slick.Config.driver.simple.Session)
@import controllers.game._
@import helper._
@mainWithBorder("Game Requested", tag.courseOpLink(gameState.game.course)) {
@gameState.game.requestor.nameView requested to play a game with you but you have not yet responded
@form(action = routes.GamesController.respond(gameState.game.id), 'class -> "pure-form") {
}
}


Notebooks
Story: The |khuken-|u |unu
The |khuken-|u |unu
Title
The |khuken-|u |unu
Collection
Summary
About the |khuken-|u |unu, which is a rain's 'thing' (or !khoa ka ||kerri-ssi !kau).
Comments
1) See also An account of the rain's things or '!khoa ka ||kerri-ssi !kau', 2) This story is found in Book VIII-1
Contributors
|han≠kass'o (Klein Jantje) (VIII)
Date
January 1878
Categories
The Rain and Rain's water, Plants and animals
Keywords
|khuken-|u |unu (or present-day caterpillar) , |khuken-|u |unu (is a rain's thing, or !khoa ka ||kerri-ssi !kau) , |khuken-|u |unu (a description of) , |khuken-|u |unu (the actions of) , |khuken-|u |unu (found in |han≠kass'o's country) , rain (and the |khuken-|u |unu or caterpillar) , rain (its things or animals, !khoa ka ||kerri-ssi !kau) , rain's thing (or !khoa ka ||kerri-ssi !kau) , rain's thing (the caterpillar |khuken-|u |unu) , name (of a caterpillar, |khuken-|u |unu) , name (of a rain's thing) , caterpillar (called |khuken-|u |unu) , caterpillar (a rain's thing) , animals (the rain's things or !khoa ka ||kerri-ssi !kau) , animals (the |khuken-|u |unu or caterpillar)
Story Pages
6074v


The system builder gives you a visual representation of how your system will function. It allows you to customize how you want your system to run. We use a drag and drop interface to give a more simplistic appearance for what could be a rather complex system. We mix this with an operator pane that provides more details about the components of a system, allowing you to further customize exactly how you want to run.
This strip contains all the operators you can use in your system. Simple drag them onto the canvas below to place them in a system. These can be further customized in the Operator Library.
The builder canvas is where you can link together your systems and select them to further edit.
When an operator is selected, the operator details pane opens up on the right hand side. Here, you can customize the parameters for an operator and even save the finished product it for later use. These operators appear under the STORED OPERATORS section of the operator strip. A red outline indicates that the property isn't filled out correctly and needs to be changed. A green outline indicates that the property is filled out correctly. You can also hover over the "i" next to a property name to view a description. Note that non-required fields will be green if nothing is filled out. For more information on our property validation, see Builder Validation and Operator Validation.
Copyright © 2016 Leidos, Inc. All rights reserved.


Many people ask how to create blocks of trials, how to randomise them, and how to counterbalance their order. This isn’t all that hard, although it does require a bit of thinking!
The key thing to understand is that you should not create different Routines for different trials in your blocks (if at all possible). Try to define your trials with a single Routine. For instance, let’s imagine you’re trying to create an experiment that presents a block of pictures of houses or a block of faces. It would be tempting to create a Routine called presentFace and another called presentHouse but you actually want just one called presentStim (or just trial) and then set that to differ as needed across different stimuli.
This example is included in the Builder demos, as of PsychoPy 1.85.
You can add a loop around your trials, as normal, to control the trials within a block (e.g. randomly selecting a number of images) but then you will have a second loop around this to define how the blocks change. You can also have additional Routines like something to inform participants that the next block is about to start.
So, how do you get the block to change from one set of images to another? To do this create three spreadsheets, one for each block, determining the filenames within that block, and then another to control which block is being used:
- facesBlock.xlsx
- housesBlock.xlsx
- chooseBlocks.xlsx
Setting up the basic conditions. The facesBlock, and housesBlock, files look more like your usual conditions files. In this example we can just use a variable stimFile with values like stims/face01.jpg and stims/face02.jpg while the housesBlock file has stims/house01.jpg and stims/house02.jpg. In a real experiment you’d probably also have response keys andsuchlike as well.
So, how to switch between these files? That’s the trick and that’s what the other file is used for. In the chooseBlocks.xlsx file you set up a variable called something like condsFile and that has values of facesBlock.xlsx and housesBlock.xlsx. In the outer (blocks) loop you set up the conditions file to be chooseBlocks.xlsx which creates a variable condsFile. Then, in the inner (trials) loop you set the conditions file not to be any file directly but simply $condsFile. Now, when PsychoPy starts this loop it will find the current value of condsFile and insert the appropriate thing, which will be the name of an conditions file and we’re away!
Your chooseBlocks.xlsx can contain other values as well, such as useful identifiers. In this demo you could add a value readyText that says “Ready for some houses”, and “Ready for some faces” and use this in your get ready Routine.
Variables that are defined in the loops are available anywhere within those. In this case, of course, the values in the outer loop are changing less often than the values in the inner loop.
Counterbalancing is simply an extension of blocking. Usually with a block design you would set the order of blocks to be set randomly. In the example above the blocks are set to occur randomly, but note that they could also be set to occur more than once if you want 2 repeats of the 2 blocks for a total of 4.
In a counterbalanced design you want to control the order explicitly and you want to provide a different order for different groups of participants. Maybe group A always gets faces first, then houses, and group B always gets houses first, then faces.
Now we need to create further conditions files, to specify the exact orders we want, so we’d have something like groupA.xlsx:
condsFile housesBlock.xlsx facesBlock.xlsx
and groupB.xlsx:
condsFile facesBlock.xlsx housesBlock.xlsx
In this case the last part of the puzzle is how to assign participants to groups. For this you could write a Code Component that would generate a variable for you (if.....: groupFile = “groupB.xlsx”) but the easiest thing is probably that you, the experimenter, chooses this outside of PsychoPy and simply tells PsychoPy which group to assign to each participant.
The easiest way to do that is to add the field group to the initial dialog box, maybe with the default value of A. If you set the conditions file for the blocks loop to be
`
$"group"+expInfo['group']+".xlsx"
`
then this variable will be used from the dialog box to create the filename for the blocks file and you.
Also, if you’re doing this, remember to set the blocks loop to use “sequential” rather than “random” sorting. Your inner loop still probably wants to be random (to shuffle the image order within a block) but your outer loop should now be using exactly the order that you specified in the blocks condition file.


OpenLayers 3 Examples
This example requires a browser that supports the
link download
attribute.
Export PNG
Export map example
Example of exporting a map as a PNG image.
See the
export-map.js source
to see how this is done.
export, png, openstreetmap


Directed by Jimmy Chin, Elizabeth Chai Vasarhelyi. With Tommy Caldwell, Jimmy Chin, Alex Honnold, Sanni McCandless. Follow Alex Honnold as he becomes the first person to ever free solo climb Yosemite's 3,000ft high El Capitan Wall. With no ropes or safety gear, he completed ...


# File lib/openid/consumer/discovery.rb, line 366 def self.discover_yadis(uri) # Discover OpenID services for a URI. Tries Yadis and falls back # on old-style <link rel='...'> discovery if Yadis fails. # # @param uri: normalized identity URL # @type uri: str # # @return: (claimed_id, services) # @rtype: (str, list(OpenIDServiceEndpoint)) # # @raises DiscoveryFailure: when discovery fails. # Might raise a yadis.discover.DiscoveryFailure if no document # came back for that URI at all. I don't think falling back to # OpenID 1.0 discovery on the same URL will help, so don't bother # to catch it. response = Yadis.discover(uri) yadis_url = response.normalized_uri body = response.response_text begin openid_services = OpenIDServiceEndpoint.from_xrds(yadis_url, body) rescue Yadis::XRDSError # Does not parse as a Yadis XRDS file openid_services = [] end if openid_services.empty? # Either not an XRDS or there are no OpenID services. if response.is_xrds # if we got the Yadis content-type or followed the Yadis # header, re-fetch the document without following the Yadis # header, with no Accept header. return self.discover_no_yadis(uri) end # Try to parse the response as HTML. # <link rel="..."> openid_services = OpenIDServiceEndpoint.from_html(yadis_url, body) end return [yadis_url, self.get_op_or_user_services(openid_services)] end


{# INDIVIDUAL VIEW FOR EACH blog #}
{# You can find a full list of variables to use on this page in your CMS. #}
{% extends "templates/partials/base.html" %}
{% block title %}{{ podcast.name }} - {{ item.name }}{% endblock %}
{% block content %}
{{ item.name }}
{{ item.deck }}
Posted by
{% for relation in item.author %}
{% set rel = getItem(relation) %}
{# You can ouput more than just the name. Feel free to output more fields from the CMS. #}
{{ rel.name }}{% if not loop.last %},{% endif %}
{% endfor %} on
{{ item.publish_date|date('F d Y') }}


TracEE
Invocation context propagation in distributed JavaEE applications
https://github.com/holisticon/tracee


The Italian Dolomites
Interview with Andy Free about his trip to the dolomites in Italy
01
Visiting Vester Peak
Everything you should know about hiking in the mountains
02
Trailing Together
Walking among the nature in the Rocky Mountain National Park, Colorado
03
The Magic Pond
The scenery is set like a Monet painting
04
Beach Essentials
What should you bring to the beach, and what beaches should you visit?
05
Romantic Camping
We went to Norway to find out just how romantic it can be sleeping under the stars
06
Cave Explorers
In USA there's over a thousand caves. We list everyone that you should visit.


?JARDIN
BOTANICO
NACIONAL
"DR.
RAFAEL
M.
MOSCOSO"
SANTO
DOMINGO.
REPUBLICA
DOMINICANA
No.J^2i.FAM,L,A__S^taceae_
Bumelia
sallcifolia
(L.)
Sw.
6
m.
tall
tree;
fl.
liÇht
yellow,
with
bees
on
them.
Repœblica
Dominicana:
Prov.
La
Romanat
N
of
La
Romana:
road
from
Batey
Espinilla
to
Eatey
205,
1
km.
E
of
R’o
Dulce;
roadside,
area
once
dry
upland
forest
adjacent
to
river
Arroyo.
1£Ç31*N,
68o58'Vff
alt.
80
m.
March
11,
1981.
T.
Zanoni.
M.
Mejia,
C.
Ramirez.
01443780
Legend -
Level of confidence that token is an accurately-transcribed word
extremely low
very low
low
undetermined
medium
high
very high


How to repair your Scomp Link in Star Wars Jedi: Fallen Order
BD-1 is a useful little droid with the right upgrades. And he's just cute.
by Jennifer LockeSource: Windows Central
Star Wars Jedi: Fallen Order has been compared to Metroidvanias for a good reason: it encourages exploration and has tons of hidden areas you'll need to come back to because you won't be able to access them yet in the beginning of the game. You'll notice some of these areas are blocked off by doors that won't open because you need to repair your Scomp Link first. This can be done early on after you have completed the Zeffo temple.
How to repair your Scomp Link
Source: Windows Central
In order to repair BD-1's Scomp Link, you'll first need to have completed the Zeffo temple to unlock Cal's Force Push ability. At the location marked on the map above, you'll find a wall of rocks that can only be destroyed with Force Push. Once you're inside, just follow the path up to the top and you'll come across a bench that can be used to upgrade BD-1. This is then immediately used to progress to the next area.
A repaired Scomp Link allows BD-1 to open otherwise inaccessible doors, open up locked crates, and more. Needless to say, if you want to experience Star Wars Jedi: Fallen Order to its fullest, you'll need to give BD-1 some love and make sure you find upgrades for him along your journey. The Scomp Link in particular is story-related, so you can't miss it.
Use the Force
Star Wars Jedi: Fallen Order
Take a quick trip to Dathomir
Star Wars Jedi: Fallen Order puts players into the shoes of a Padawan on the run from the Empire after Order 66 devastated the Jedi Order. With BD-1 at your side packing a few upgrades, anything is possible.
We may earn a commission for purchases using our links. Learn more.


@block before_content_widgets
@endblock
@block content
@endblock
@block after_content_widgets
@endblock
@include 'layouts/admin/inc/head.html'
@include 'layouts/admin/inc/main_header.html'


TSMC is a world leader in pure play foundry services. TSMC supports Triad’s highest volume applications requiring deep submicron (DSM) process technologies (90nm to 55nm). The combination low power DSM logic densities with excellent third-party IP offerings and non-volatile memory makes TSMC a good choice for mixed-signal microprocessor-based applications.
Headquartered in Taiwan, TSMC’s total capacity of the manufacturing facilities including subsidiaries and joint ventures, reached over 16 million eight-inch equivalent wafers in 2013. TSMC operates three advanced 12-inch wafer facilities and four eight-inch wafer fabs.


Package
Class
Use
Tree
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Index
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T
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S
setCurrentApp(Vector<Appointment>)
- Method in class
UserInterface
To set current list of all the appointments
setData(String)
- Method in class
Appointment
It sets the date of an appointment
setDateTermList(String[])
- Method in class
DateTest
Set method used to define dateTermList
setFlag(String)
- Method in class
Appointment
It sets the flag of an appointment to indicate if it is a record for leaving, 0 for leaving and 1 for work
setManager(Vector<String>)
- Method in class
StaffAccount
To set the list of managers
setMemberID(String)
- Method in class
Appointment
It sets the member ID of an appointment
setMemDOB(String)
- Method in class
Member
To set member's date of birth in String
setMemGender(String)
- Method in class
Member
To set member's gender in String
setMemName(String)
- Method in class
Member
To set member's name in String
setMemNotes(String)
- Method in class
Member
To set member's notes in String
setMemPhone(String)
- Method in class
Member
To set member's phone number in String
setNutr(Vector<String>)
- Method in class
StaffAccount
To set the list of nutritionist
setPhy(Vector<String>)
- Method in class
StaffAccount
To set the list of physiotherapist
setRecep(Vector<String>)
- Method in class
StaffAccount
To set the list of receptionist
setRoomNo(String)
- Method in class
Appointment
It sets the room number of an appointment
setSpectID(String)
- Method in class
Appointment
It sets the specialist ID of an appointment
setTimePeriod(String)
- Method in class
Appointment
It sets the time period of an appointment
setTra(Vector<String>)
- Method in class
StaffAccount
To set the list of trainer
setUserID(String)
- Method in class
UserInterface
To set current user ID
Spectialist_UI
- Class in
<Unnamed>
This class generates the interface for nutritionist or trainer
Spectialist_UI()
- Constructor for class
Spectialist_UI
This is the default constructor
Staff
- Class in
<Unnamed>
This auxiliary class is used to deal with operations on staff.
Staff(String)
- Constructor for class
Staff
Default constructor
Staff_Panel
- Class in
<Unnamed>
This panel is used to maintain the information of all the stuff for managers
Staff_Panel()
- Constructor for class
Staff_Panel
This is the default constructor
Staff_Registration
- Class in
<Unnamed>
This is the registration frame for staff
Staff_Registration()
- Constructor for class
Staff_Registration
Default constructor
StaffAccount
- Class in
<Unnamed>
This is an auxiliary class used to identify attributes of the account of staff
StaffAccount()
- Constructor for class
StaffAccount
Default constructor
StatusBar
- Class in
<Unnamed>
This class generates the widely used status bar at the bottom of each interface for users.
StatusBar()
- Constructor for class
StatusBar
This method initializes StatusBar
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Tree
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Index
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Emotional Cheryl reveals son Bear is 'the reason she gets up in the morning'
She shares the two-year-old with ex Liam Payne
by Robert LeighCheryl says her son Bear is the centre of her world.
The 36-year-old singer raises Bear, two, with former partner Liam Payne, and praised her son as her biggest motivation as she appeared on Children In Need on Friday.
She said: "My son means the world to me, he's the reason I get up in the morning.
"I can't imagine ever having to be without him."
Read more: X Factor: Celebrity hunk Thom Evans reveals he's on a 'sex ban'
The ex Girls Aloud star made the charity appearance to introduce an emotional clip about a family who have been supported by a bereavement centre in Newcastle.
Bear's dad Liam, meanwhile, recently admitted he regards his ex as 'the most important person in his life'.
The former couple split last year after a two-and-a-half-year relationship.
Liam, 26, also said in his book Straight Talking that becoming a father in his twenties 'messed him up'.
Read more: Strictly Come Dancing stars 'banned from going out in Blackpool over safety concerns'
"Becoming a dad at such a young age, it's such a difficult thing," he said.
"And I think I built fatherhood up so much in my head that it kind of messed me up to start with. I started in a bad place with it.
He went on to say: "[Cheryl] is one of the most, if not the most, important people in my life.
"I'm lucky I have someone who understands what I'm going through."
Leave us a comment on our Facebook page @EntertainmentDailyFix and let us know what you think of this story.


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Hung parliament seen in Spain election with nearly 80% of votes counted
MADRID (Reuters) - Neither the rightist nor the leftist political bloc was on track to win a clear majority in Spain’s repeat parliamentary election on Sunday, according to a tally of results released by the interior ministry with around 80% of votes counted.
By party, the far-right Vox emerged as the third most voted force, with an estimated 53 seats - a huge leap from 24 in the last election in April.
The Socialists of acting Prime Minister Pedro Sanchez led with an estimated 122 seats in the 350-seat lower house, but further political stalemate appeared likely as votes scattered between mainstream and outlier parties. It was followed by the conservative People’s Party, with 85 seats.
Centre-right Ciudadanos were seen winning 10 seats while far-left Unidas Podemos fetched 26 seats.


R/mlr_measures.R
A simple Dictionary storing objects of class Measure.
Each measure has an associated help page, see mlr_measures_[id]
.
R6::R6Class object.
get(key, ...)
(character(1)
, ...) -> any
Retrieves object with key key
from the dictionary.
mget(keys, ...)
(character()
, ...) -> named list()
Retrieves objects with keys keys
from the dictionary, returns them in a list named with keys
.
has(keys)
character()
-> logical()
Returns a logical vector with TRUE
at its i-th position, if the i-th key exists.
keys(pattern)
character(1)
-> character()
Returns all keys which comply to the regular expression pattern
.
add(key, value)
(character(1)
, any
) -> self
Adds object value
to the dictionary with key key
, potentially overwriting a
previously stored value.
remove(key)
character()
-> self
Removes object with key key
from the dictionary.
as.data.table(dict)
Dictionary -> data.table::data.table()
Returns a data.table()
with fields "key", "task_type", "predict_type",
and "packages" as columns.
Other Dictionary: Dictionary
,
mlr_generators
, mlr_learners
,
mlr_resamplings
, mlr_tasks
Other Measure: MeasureClassif
,
MeasureRegr
, Measure
as.data.table(mlr_measures)#> key task_type predict_type packages #> 1: classif.acc classif response Metrics #> 2: classif.auc classif prob Metrics #> 3: classif.ce classif response Metrics #> 4: classif.costs classif response #> 5: classif.f1 classif prob Metrics #> 6: classif.fdr classif response #> 7: classif.fn classif response #> 8: classif.fnr classif response #> 9: classif.for classif response #> 10: classif.fp classif response #> 11: classif.fpr classif response #> 12: classif.npv classif response #> 13: classif.ppv classif response #> 14: classif.precision classif response #> 15: classif.recall classif response #> 16: classif.sensitivity classif response #> 17: classif.specificity classif response #> 18: classif.tn classif response #> 19: classif.tnr classif response #> 20: classif.tp classif response #> 21: classif.tpr classif response #> 22: oob_error <NA> response #> 23: regr.mae regr response Metrics #> 24: regr.mse regr response Metrics #> 25: selected_features <NA> response #> 26: time_both <NA> response #> 27: time_predict <NA> response #> 28: time_train <NA> response #> key task_type predict_type packages#> <MeasureClassifMMCE:classif.ce> #> Packages: Metrics #> Range: [0, 1] #> Minimize: TRUE #> Predict type: response


String templates
the mongodb driver has it's limits and sometimes you need to compose queries either by hand or using a query editor/composer. to be able to run those queries and inject values from your C# code, you're required to compose BsonDocuments
or do string concatenation which leads to an ugly, unreadable, magic string infested mess.
in order to combat this problem and also to couple your C# entity schema to raw queries, this library offers a templating system based on tag replacements.
take the following find query for example:
db.Book.find(
{
Title : 'book_name',
Price : book_price
}
)
to couple this text query to your C# models and pass in the values for title and price, you simply surround the parts you want replaced with <
and >
in order to turn them in to replacement tags/markers like this:
db.Book.find(
{
<Title> : '<book_name>',
<Price> : <book_price>
}
)
the templating system is based on a special class called Template
. You simply instantiate a 'Template' object supplying the tagged/marked text query to the constructor. then you chain method calls on the Template object to replace each tag you've marked on the query like so:
var query = new Template<Book>(@"
{
<Title> : '<book_name>',
<Price> : <book_price>
}")
.Path(b => b.Title)
.Path(b => b.Price)
.Tag("book_name","The Power Of Now")
.Tag("book_price","10.95");
var result = await DB.Find<Book>()
.Match(query)
.ExecuteAsync();
the resulting query sent to mongodb is this:
db.Book.find(
{
Title : 'The Power Of Now',
Price : 10.95
}
)
the .Tag()
method simply replaces matching tags on the text query with the supplied value. you don't have to use the <
and >
characters while using the .Tag()
method. infact, avoid it as the tags won't match if you use them.
the .Path()
method is one of many offered by the Prop
class you can use to get the full 'dotted' path of a property by supplying a lambda/member expression. please see the documentation of the 'Prop' class here for the other methods available.
notice, that most of these 'Prop' methods only require a single parameter. whatever member expression you supply to them gets converted to a property/field path like this:
expression: x => x.Authors[0].Books[0].Title
resulting path: Authors.Books.Title
if your text query has a tag <Authors.Books.Title>
it will get replaced by the resulting path from the 'Prop' class method.
the template system will throw an exception in the event of the following 3 scenarios.
- the input query/text has no tags marked using
<
and>
characters. - the input query has tags that you forget to specify replacements for.
- you have specified replacements that doesn't have a matching tag in the query.
this kind of runtime errors are preferable than your code failing silently because the queries didn't produce any results or produced the wrong results.
Examples
Aggregation pipeline
var pipeline = new Template<Book>(@"
[
{
$match: { <Title>: '<book_name>' }
},
{
$sort: { <Price>: 1 }
},
{
$group: {
_id: '$<AuthorId>',
product: { $first: '$$ROOT' }
}
},
{
$replaceWith: '$product'
}
]")
.Path(b => b.Title)
.Path(b => b.Price)
.Path(b => b.AuthorId)
.Tag("book_name", "MongoDB Templates");
var book = await DB.PipelineSingleAsync(pipeline);
Aggregation pipeline with different result type
var pipeline = new Template<Book, Author>(@"
[
{
$match: { _id: <book_id> }
},
{
$lookup:
{
from: '<author_collection>',
localField: '<AuthorID>',
foreignField: '_id',
as: 'authors'
}
},
{
$replaceWith: { $arrayElemAt: ['$authors', 0] }
},
{
$set: { <Age> : 34 }
}
]")
.Tag("book_id", "ObjectId('5e572df44467000021005692')")
.Tag("author_collection", DB.Entity<Author>().CollectionName())
.Path(b => b.AuthorID)
.PathOfResult(a => a.Age);
var authors = await DB.PipelineAsync(pipeline);
Find with match expression
var query = new Template<Author>(@"
{
$and: [
{ $gt: [ '$<Age>', <author_age> ] },
{ $eq: [ '$<Surname>', '<author_surname>' ] }
]
}")
.Path(a => a.Age)
.Path(a => a.Surname)
.Tag("author_age", "54")
.Tag("author_surname", "Tolle");
var authors = await DB.Find<Author>()
.MatchExpression(query)
.ExecuteAsync();
Update with aggregation pipeline
var pipeline = new Template<Author>(@"
[
{ $set: { <FullName>: { $concat: ['$<Name>',' ','$<Surname>'] } } },
{ $unset: '<Age>'}
]")
.Path(a => a.FullName)
.Path(a => a.Name)
.Path(a => a.Surname)
.Path(a => a.Age);
await DB.Update<Author>()
.Match(a => a.ID == "xxxxx")
.WithPipeline(pipeline)
.ExecutePipelineAsync();
Update with array filters
var filters = new Template<Author>(@"
[
{ '<a.Age>': { $gte: <age> } },
{ '<b.Name>': 'Echkart Tolle' }
]")
.Elements(0, author => author.Age)
.Elements(1, author => author.Name);
.Tag("age", "55")
var update = new Template<Book>(@"
{ $set: {
'<Authors.$[a].Age>': <age>,
'<Authors.$[b].Name>': '<name>'
}
}")
.PosFiltered(book => book.Authors[0].Age)
.PosFiltered(book => book.Authors[1].Name)
.Tag("age", "55")
.Tag("name", "Updated Name");
await DB.Update<Book>()
.Match(book => book.ID == "xxxxxxxx")
.WithArrayFilters(filters)
.Modify(update)
.ExecuteAsync();
Dynamically append stages to the pipeline
var pipeline = new Template<Book>("[{ $match: { <Title>: '<book_name>' }}]");
if (sortByPrice)
{
pipeline.AppendStage("{ $sort: { <Price>: 1 } }");
pipeline.Path(b => b.Price);
}
pipeline
.Path(b => b.Title)
.Tag("book_name", "MongoDB Templates");
var books = await DB.PipelineAsync(pipeline);


The War of the Worlds
by H.G. Wells
Book Two—The Earth Under the Martians, Chapter 4: The Death of the Curate
Additional Information
- Year Published: 1898
- Language: English
- Country of Origin: England
- Source: Wells, H. G. (1898). The War of the Worlds. London, England: Chapman and Hall.
-
Readability:
- Flesch–Kincaid Level: 9.0
- Word Count: 1,661
- Genre: Science Fiction
- Keywords: 19th century literature, aliens, h.g. wells, survival, war
- ✎ Cite This
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It was on the sixth day of our imprisonment that I peeped for the last time, and presently found myself alone. Instead of keeping close to me and trying to oust me from the slit, the curate had gone back into the scullery. I was struck by a sudden thought. I went back quickly and quietly into the scullery. In the darkness I heard the curate drinking. I snatched in the darkness, and my fingers caught a bottle of burgundy.
For a few minutes there was a tussle. The bottle struck the floor and broke, and I desisted and rose. We stood panting and threatening each other. In the end I planted myself between him and the food, and told him of my determination to begin a discipline. I divided the food in the pantry, into rations to last us ten days. I would not let him eat any more that day. In the afternoon he made a feeble effort to get at the food. I had been dozing, but in an instant I was awake. All day and all night we sat face to face, I weary but resolute, and he weeping and complaining of his immediate hunger. It was, I know, a night and a day, but to me it seemed—it seems now—an interminable length of time.
And so our widened incompatibility ended at last in open conflict. For two vast days we struggled in undertones and wrestling contests. There were times when I beat and kicked him madly, times when I cajoled and persuaded him, and once I tried to bribe him with the last bottle of burgundy, for there was a rain–water pump from which I could get water. But neither force nor kindness availed; he was indeed beyond reason. He would neither desist from his attacks on the food nor from his noisy babbling to himself. The rudimentary precautions to keep our imprisonment endurable he would not observe. Slowly I began to realise the complete overthrow of his intelligence, to perceive that my sole companion in this close and sickly darkness was a man insane.
From certain vague memories I am inclined to think my own mind wandered at times. I had strange and hideous dreams whenever I slept. It sounds paradoxical, but I am inclined to think that the weakness and insanity of the curate warned me, braced me, and kept me a sane man.
On the eighth day he began to talk aloud instead of whispering, and nothing I could do would moderate his speech.
"It is just, O God!" he would say, over and over again. "It is just. On me and mine be the punishment laid. We have sinned, we have fallen short. There was poverty, sorrow; the poor were trodden in the dust, and I held my peace. I preached acceptable folly—my God, what folly!—when I should have stood up, though I died for it, and called upon them to repent–repent! . . . Oppressors of the poor and needy . . . ! The wine press of God!"
Then he would suddenly revert to the matter of the food I withheld from him, praying, begging, weeping, at last threatening. He began to raise his voice—I prayed him not to. He perceived a hold on me—he threatened he would shout and bring the Martians upon us. For a time that scared me; but any concession would have shortened our chance of escape beyond estimating. I defied him, although I felt no assurance that he might not do this thing. But that day, at any rate, he did not. He talked with his voice rising slowly, through the greater part of the eighth and ninth days—threats, entreaties, mingled with a torrent of half–sane and always frothy repentance for his vacant sham of God's service, such as made me pity him. Then he slept awhile, and began again with renewed strength, so loudly that I must needs make him desist.
"Be still!" I implored.
He rose to his knees, for he had been sitting in the darkness near the copper.
"I have been still too long," he said, in a tone that must have reached the pit, "and now I must bear my witness. Woe unto this unfaithful city! Woe! Woe! Woe! Woe! Woe! To the inhabitants of the earth by reason of the other voices of the trumpet——"
"Shut up!" I said, rising to my feet, and in a terror lest the Martians should hear us. "For God's sake——"
"Nay," shouted the curate, at the top of his voice, standing likewise and extending his arms. "Speak! The word of the Lord is upon me!"
In three strides he was at the door leading into the kitchen.
"I must bear my witness! I go! It has already been too long delayed."
I put out my hand and felt the meat chopper hanging to the wall. In a flash I was after him. I was fierce with fear. Before he was halfway across the kitchen I had overtaken him.  He went headlong forward and lay stretched on the ground. I stumbled over him and stood panting. He lay still.
Suddenly I heard a noise without, the run and smash of slipping plaster, and the triangular aperture in the wall was darkened. I looked up and saw the lower surface of a handling–machine coming slowly across the hole. One of its gripping limbs curled amid the debris; another limb appeared, feeling its way over the fallen beams. I stood petrified, staring. Then I saw through a sort of glass plate near the edge of the body the face, as we may call it, and the large dark eyes of a Martian, peering, and then a long metallic snake of tentacle came feeling slowly through the hole.
I turned by an effort, stumbled over the curate, and stopped at the scullery door. The tentacle was now some way, two yards or more, in the room, and twisting and turning, with queer sudden movements, this way and that. For a while I stood fascinated by that slow, fitful advance. Then, with a faint, hoarse cry, I forced myself across the scullery. I trembled violently; I could scarcely stand upright. I opened the door of the coal cellar, and stood there in the darkness staring at the faintly lit doorway into the kitchen, and listening. Had the Martian seen me? What was it doing now?
Something was moving to and fro there, very quietly; every now and then it tapped against the wall, or started on its movements with a faint metallic ringing, like the movements of keys on a split–ring. Then a heavy body—I knew too well what—was dragged across the floor of the kitchen towards the opening. Irresistibly attracted, I crept to the door and peeped into the kitchen. In the triangle of bright outer sunlight I saw the Martian, in its Briareus of a handling–machine, scrutinizing the curate's head. I thought at once that it would infer my presence from the mark of the blow I had given him.
I crept back to the coal cellar, shut the door, and began to cover myself up as much as I could, and as noiselessly as possible in the darkness, among the firewood and coal therein. Every now and then I paused, rigid, to hear if the Martian had thrust its tentacles through the opening again.
Then the faint metallic jingle returned. I traced it slowly feeling over the kitchen. Presently I heard it nearer—in the scullery, as I judged. I thought that its length might be insufficient to reach me. I prayed copiously. It passed, scraping faintly across the cellar door. An age of almost intolerable suspense intervened; then I heard it fumbling at the latch! It had found the door! The Martians understood doors!
It worried at the catch for a minute, perhaps, and then the door opened.
In the darkness I could just see the thing—like an elephant's trunk more than anything else—waving towards me and touching and examining the wall, coals, wood and ceiling.
Once, even, it touched the heel of my boot. I was on the verge of screaming; I bit my hand. For a time the tentacle was silent. I could have fancied it had been withdrawn. Presently, with an abrupt click, it gripped something—I thought it had me!—and seemed to go out of the cellar again. For a minute I was not sure. Apparently it had taken a lump of coal to examine.
I seized the opportunity of slightly shifting my position, which had become cramped, and then listened. I whispered passionate prayers for safety.
Then I heard the slow, deliberate sound creeping towards me again. Slowly, slowly it drew near, scratching against the walls and tapping the furniture.
While I was still doubtful, it rapped smartly against the cellar door and closed it. I heard it go into the pantry, and the biscuit–tins rattled and a bottle smashed, and then came a heavy bump against the cellar door. Then silence that passed into an infinity of suspense.
Had it gone?
At last I decided that it had.
It came into the scullery no more; but I lay all the tenth day in the close darkness, buried among coals and firewood, not daring even to crawl out for the drink for which I craved. It was the eleventh day before I ventured so far from my security.


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I joined Christian Industrial Training college on 2014 where I persued a course in
Basic computer certification
I joined Meru university of science and technology in the year 2014 to 2018 where
I graduated with Bachelor of science in statistics Bio stats option
Currently I am persueing software engineering course in Moringa International school.
I joined Moringa school to learn coding since it has always been my passon to be a
To work in a dynamic and challenging environment that provide opportunities
to fully exploit my potential.


Hi, I'm a UX / UI + Designer based in Guadalajara, Mexico.
I specialize in the design, development and implementation of websites, able to offer customized solutions according to the client's objectives and technical needs.
I enjoy every step of the design process, from discussion and collaboration to concept and execution, but I find the most satisfaction in seeing the finished product do everything
for you that it was created to do. Take a look at my work and if you'd like to discuss your project, please let me know.
Through my years of experience as a professional web/graphic designer I have acquired the skills and knowledge necessary to make your project a success!
Web Design
Graphic Design
Web Development


| Interface | Description |
|---|---|
| Operation |
Operation
In RBAC the operation is an action or functionality that can be linked with a
particular resource into an assignable Permission.
|
| Permission |
Permission
A permission is the wrapper for an operation and a resource effectively saying
that the operation is authorized for that resource.
|
| RBACManager |
RBACManager
|
| RBACManagerListener |
RBACManagerListener
|
| Resource |
Resource
Resources are things that can be paired up with operations inside of a
permission.
|
| Role |
Role
A role is assignable to a user and effectively grants that user all of the
permissions that are present in that role.
|
| UserAssignment |
UserAssignment - This the mapping object that takes the principal for a user and associates it with a
set of Roles.
|
| Class | Description |
|---|---|
| AbstractRBACManager |
AbstractRBACManager
|
| AbstractRole |
AbstractRole useful for common logic that implementors can use.
|
| AbstractUserAssignment |
AbstractUserAssignment useful for common logic that implementors can use.
|
| RBACObjectAssertions |
RBACObjectAssertions
|
| TemplatedRole |
TemplatedRole
|
| Exception | Description |
|---|---|
| RbacManagerException |
RbacManagerException used by
RBACManager methods to indicate
a fundamental persistence or store issue. |
| RbacObjectInvalidException |
RbacObjectInvalidException
|
| RbacObjectNotFoundException |
RbacObjectNotFoundException used by
RBACManager methods to identify
when a RBAC Object Was Not Found. |
| RbacPermanentException |
RbacPermanentException - tossed when a forbidden action against a permanent RBAC Object occurs.
|
| RbacSecurityViolation |
Exception thrown when there is a RBAC security violation.
|
Copyright © 2006–2019 The Apache Software Foundation. All rights reserved.


— layout: post title: “NanoMachines” author_github: ShaswataBose date: 2018-12-08 image: ‘/assets/img/’ description: ‘How do we make machines using just a few atoms? What are the potential application of these tiny devices?’ tags:
This article provides a brief insight in the field of nanomachines and nanosensors, the challenges faced by the researchers in this field, and the promise they hold for us in future applications.
When we talk about about nanomachines, we consider devices which are only a few atoms apart in their dimensions whereas in microsystems, the dimensions are in the range of a few microns. Thus, these devices can only be observed under HR-TEM (High Resolution Tunneling Electron Microscope) or thermal imaging techniques.
The very first challenge that we face as a result of too much scaling down is how we are going to move these tiny machines; be it a nanocar a few atoms across or a nanobot? We simply cannot fit an even smaller diesel engine or a servo motor. Instead, we use some other phenomena, which are insignificant in macro scale but cannot be ignored in microscale.
Several years ago, researchers at RICE University created nanocars which are only a few atoms wide. They were made to move by thermal excitation
Let us consider another example. This time, a microbot. These ‘microbots’ are small tubes that are made of several layers of different metals. They are designed to pick up unhealthy damaged cells and transport them within our body. So how do we move them? Hydrogen Peroxide is used as a fuel for these bots. The highly reactive compound produces bubbles of oxygen which acts as the exhaust of a nano jet engine, thus propelling the bot forward.
Now you must be wondering, “Hold on, this means the bot will keep moving in one direction only, this is not very useful”. They can do so by using magnetic fields to change their direction of motion.
The field of nanodevices are still in its R & D stage and everything is still confined in the laboratory. Nonetheless, these devices hold a lot of promise. Scientists are working on being able to control these nanomotors inside of living material as well, which would enhance the possible applications. As this field continues to grow, we can imagine these nanomachines will be able to help with countless applications – from breaking down kidney stones to fighting cancer, breaking up blood clots, cleaning wounds and removing infections. Recent advancements show a lot of promise in DNA repair and treating diseases which cannot be treated by conventional medical practices. The applications and advantages really are endless!


Kirby Transforms Into A Fatal Cutie When He Uses His Copy Ability On Terry Bogard
A smashing new look
by Liam DoolanWe've seen some fatal cuties in certain other games in the past, but this one is perhaps the cutest of them all.
Following the release of the DLC fighter Terry Bogard in Super Smash Bros. Ultimate, the Nintendo Versus Twitter account has uploaded a few screenshots to showcase what exactly the pink puffball Kirby looks like as the iconic SNK character from the Fatal Fury and King of Fighters series.
Kirby's copy ability gives him Terry's cap, his long blonde ponytail, and even his leather gloves. It also allows him to perform the fighter's neutral special attack, Power Wave.
As previously noted, Kirby isn't the first character to be turned into a fatal cutie. There was a time when Terry himself was transformed into one in SNK Heroines: Tag Team Frenzy, as a result of a prank.
What do you think of Kirby's latest copy look? Share your thoughts below.
[via twitter.com]


After applying the 2.6.0 update all of my plugins disappeared.
Had I known that was going to happen I would have copied the URLs for them. Now I have to remember which ones I had and put them back, the problem is that I can only remember 2 maybe 3 and I had about 5.
BrainFooLong
Administrator
Holy crap, it was not intentional. Sorry for that. I cannot fix that because the old entries are deleted.
Nano
Global Moderator
Wolf68k wrote:
After applying the 2.6.0 update all of my plugins disappeared.
Had I known that was going to happen I would have copied the URLs for them. Now I have to remember which ones I had and put them back, the problem is that I can only remember 2 maybe 3 and I had about 5.


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I/O
Introduction
The akka.io package has been developed in collaboration between the Akka and spray.io teams. Its design combines experiences from the spray-io module with improvements that were jointly developed for more general consumption as an actor-based service.
The guiding design goal for this I/O implementation was to reach extreme scalability, make no compromises in providing an API correctly matching the underlying transport mechanism and to be fully event-driven, non-blocking and asynchronous. The API is meant to be a solid foundation for the implementation of network protocols and building higher abstractions; it is not meant to be a full-service high-level NIO wrapper for end users.
Terminology, Concepts
The I/O API is completely actor based, meaning that all operations are implemented with message passing instead of direct method calls. Every I/O driver (TCP, UDP) has a special actor, called a manager that serves as an entry point for the API. I/O is broken into several drivers. The manager for a particular driver is accessible by querying an ActorSystem. For example the following code looks up the TCP manager and returns its ActorRef:
final ActorRef tcpManager = Tcp.get(getContext().system()).manager();
The manager receives I/O command messages and instantiates worker actors in response. The worker actors present themselves to the API user in the reply to the command that was sent. For example after a Connect command sent to the TCP manager the manager creates an actor representing the TCP connection. All operations related to the given TCP connections can be invoked by sending messages to the connection actor which announces itself by sending a Connected message.
DeathWatch and Resource Management
I/O worker actors receive commands and also send out events. They usually need a user-side counterpart actor listening for these events (such events could be inbound connections, incoming bytes or acknowledgements for writes). These worker actors watch their listener counterparts. If the listener stops then the worker will automatically release any resources that it holds. This design makes the API more robust against resource leaks.
Thanks to the completely actor based approach of the I/O API the opposite direction works as well: a user actor responsible for handling a connection can watch the connection actor to be notified if it unexpectedly terminates.
Write models (Ack, Nack)
I/O devices have a maximum throughput which limits the frequency and size of writes. When an application tries to push more data than a device can handle, the driver has to buffer bytes until the device is able to write them. With buffering it is possible to handle short bursts of intensive writes --- but no buffer is infinite. "Flow control" is needed to avoid overwhelming device buffers.
Akka supports two types of flow control:
- Ack-based, where the driver notifies the writer when writes have succeeded.
- Nack-based, where the driver notifies the writer when writes have failed.
Each of these models is available in both the TCP and the UDP implementations of Akka I/O.
Individual writes can be acknowledged by providing an ack object in the write message (Write in the case of TCP and Send for UDP). When the write is complete the worker will send the ack object to the writing actor. This can be used to implement ack-based flow control; sending new data only when old data has been acknowledged.
If a write (or any other command) fails, the driver notifies the actor that sent the command with a special message (CommandFailed in the case of UDP and TCP). This message will also notify the writer of a failed write, serving as a nack for that write. Please note, that in a nack-based flow-control setting the writer has to be prepared for the fact that the failed write might not be the most recent write it sent. For example, the failure notification for a write W1 might arrive after additional write commands W2 and W3 have been sent. If the writer wants to resend any nacked messages it may need to keep a buffer of pending messages.
Warning
An acknowledged write does not mean acknowledged delivery or storage; receiving an ack for a write simply signals that the I/O driver has successfully processed the write. The Ack/Nack protocol described here is a means of flow control not error handling. In other words, data may still be lost, even if every write is acknowledged.
ByteString
To maintain isolation, actors should communicate with immutable objects only. ByteString is an immutable container for bytes. It is used by Akka's I/O system as an efficient, immutable alternative the traditional byte containers used for I/O on the JVM, such as byte[] and ByteBuffer.
ByteString is a rope-like data structure that is immutable and provides fast concatenation and slicing operations (perfect for I/O). When two ByteStrings are concatenated together they are both stored within the resulting ByteString instead of copying both to a new array. Operations such as drop and take return ByteStrings that still reference the original array, but just change the offset and length that is visible. Great care has also been taken to make sure that the internal array cannot be modified. Whenever a potentially unsafe array is used to create a new ByteString a defensive copy is created. If you require a ByteString that only blocks a much memory as necessary for it's content, use the compact method to get a CompactByteString instance. If the ByteString represented only a slice of the original array, this will result in copying all bytes in that slice.
ByteString inherits all methods from IndexedSeq, and it also has some new ones. For more information, look up the akka.util.ByteString class and it's companion object in the ScalaDoc.
ByteString also comes with its own optimized builder and iterator classes ByteStringBuilder and ByteIterator which provide extra features in addition to those of normal builders and iterators.
Compatibility with java.io
A ByteStringBuilder can be wrapped in a java.io.OutputStream via the asOutputStream method. Likewise, ByteIterator can we wrapped in a java.io.InputStream via asInputStream. Using these, akka.io applications can integrate legacy code based on java.io streams.
Architecture in-depth
For further details on the design and internal architecture see I/O Layer Design.
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