THIS IS HUGE: the SEC just released an official statement on “Framework for ‘Investment Contract’ Analysis of Digital Assets” analyzing whether a digital asset is a security or not
READING NOW WILL POST ANALYSIS HERE STAY TUNED
Likes
135
ComputerGenie 👴👴👴03-Apr-19 03:42 PM
because when I want to know what an SEC report says, I always turn to twatter instead of the actual report
CoinKing8803-Apr-19 03:57 PM
Why does KMD need 120 confirmations on a deposit on Binance?
Hollowman900003-Apr-19 03:58 PM
Because they’re tards?
1
2
Cryptoon03-Apr-19 03:59 PM
bittrex is only 30 iirc
ComputerGenie 👴👴👴03-Apr-19 03:59 PM
@CoinKing88 because they did it to all equihash coins in 1 blanket move and never singled KMD out
jl777c03-Apr-19 04:07 PM
binance uses some custom way to detect confirmations
so dpowconfs didnt automatically work for them
if it did, we would ask them to set it to 20 or 30
Caglio03-Apr-19 04:20 PM
120 is just plain stupid
2 hours...
Alecandro03-Apr-19 04:21 PM
my god, KMD just cannot stand up to btc moving at all lol
Markus03-Apr-19 04:25 PM
btc getting rly close to 21 monthly ema line....last bear market it touched that line and got rejected and dropped 40%
lets see what happens
1
Hollowman900003-Apr-19 04:27 PM
Get your parachutes ready
PHBA206103-Apr-19 04:27 PM
I wonder if btc drops by that moment, would it drag down kmd too ...
Hollowman900003-Apr-19 04:27 PM
Of course
2
Golden rule: BTC rise, dump KMD, BTC fall, dump KMD
2
Alecandro03-Apr-19 04:28 PM
def
Hollowman900003-Apr-19 04:29 PM
Farm Animal 2: The final culling
Coming soon to twitter
PHBA206103-Apr-19 04:30 PM
so you mean unless btc goes sideway, kmd has no chance to rise ?
Hollowman900003-Apr-19 04:30 PM
Correct
Even then
More advanced competitors have entered the market now
KMD is obsolete
This is what farm animal said
Markus03-Apr-19 04:31 PM
ye its over veriblock to the moon
Hollowman900003-Apr-19 04:32 PM
With the security of filling good amount of space each block
The original one is too funny. Add the nye guy and it's gold
FishyGuts03-Apr-19 05:21 PM
It just feels so accurate. Especially when you listen to the first.
He said and 5 times in a row and used the words "finanical System" as 80% of a 12 word sentence.
They should have edited it better
I cant hate on the guy for trying. Hes just what we need to get the masses interested.
ErikB03-Apr-19 05:48 PM
@Hollowman9000@Deleted User Got it. I’m new to the trading discussions here and I wasn’t sure at all if he was just trolling the chat for real ♂
@ErikB many of us have been here 5+ years and have mooned and gotten rekt so much that the sarcasm and gallows' humor gets pretty thick. Welcome and don't hesitate to contribute to the conversation.

And yeah, take it with a grain of salt @ErikB
I do have some super fans though
Mainly @ComputerGenie 👴👴👴
But some others too
siu - Chainmakers03-Apr-19 06:09 PM
DP is down since when?
NutellaLicka03-Apr-19 06:10 PM
I checked a few hours ago and it was down, so at least that long
SHossain03-Apr-19 06:10 PM
NutellaLicka03-Apr-19 06:11 PM
Beat me to it
ComputerGenie 👴👴👴03-Apr-19 06:12 PM
3-6 hrs? I wonder if that's 3-6 real hours or includes the same multiplier that 20 confs required is really 135 (edited)
siu - Chainmakers03-Apr-19 06:14 PM
or that time when KMDICE was down for a week and it really was down for 3
1
Markus03-Apr-19 06:21 PM
the crash after this insane pump can be rly nasty
ErikB03-Apr-19 06:30 PM
@actionslacks yeah, ima let you guys moderate the real trolls that find there way here then don’t know how long I’ve been on the discord channel, and been a Komodian for awhile
@Hollowman9000 apologies, and please by all means carry on
Hollowman900003-Apr-19 06:32 PM
np
Cryptoon03-Apr-19 06:37 PM
@Markus I'm ready
if you've booked some profits, it might be a good idea to lock some in at 5200
Markus03-Apr-19 06:40 PM
nice discount on binance coin atm ^^
actionslacks03-Apr-19 06:41 PM
I’ve just about recouped the forkening losses. I should cash out now but thats no fun.
Markus03-Apr-19 06:43 PM
lol REPO +139%
digital bullion03-Apr-19 06:46 PM
Anyone know when DigitalPrice will be back online?


This is the first project after week one. We learned the basics of Java which we used to create a Fortune Teller program that asks for several pieces of information to generate a fun fortune.
This is the second project after week two. We learned more of the basics of Java which we used to create a digi-pet © type program that allows the user to adopt a pet and take care of it.
This is the third project after week three. We learned more advanced items of Java. This expanded on the previous weeks project expanding it to a shelter full of pets instead of one. With it you can take care fo several functions.
This is the forth project after week four. We learned more advanced aspects of Java. This project also expands on the previous one by adding more functions and classes to care for both organic and robotic pets.
This is the fifth project after week five. We now moved to front end training. This is the review site that was our first HTML design site.


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Well it's a big part of everyone's life, right? I'm still old enough to remember the days where you had to buy CDs and plug them into that CD player where you could plug in some super low quality heaphones. You felt cool.  This project is an homage to that nostalgia. This project will attempt to visualize the most streamed songs per country where spotify is available. Discover related artists in a tree like fashion, and discover statistics on your favorite songs both old and new.


Renovated historic Five Stags tavern at Pirongia for sale
by Bayleys
Media Release
18.11.2019
Renovated historic Five Stags tavern at Pirongia ready for new operator
The substantially-upgraded historic Five Stags family restaurant and bar at Pirongia is being marketed for sale at auction on Thursday December 12 through
Bayleys Hamilton
Many Aucklanders travelling to the central North Island skifields and the Waitomo tourist attractions will be familiar with the tavern 30 kilometres southwest of Hamilton, which offers a break on their journey.
Hamilton-based Bayleys salespeople Mike Swanson and Alex ten Hove are marketing the business and land at 815 Franklin St, Pirongia as a freehold going concern underpinned by a substantial commercial property holding in the heart of the historic village of Pirongia.
In addition to the thousands of cars, trucks and vans passing daily, Five Stags is also on the motorcycle calendar for many clubs and casual riders from the district, with large groups of enthusiasts stopping for a pint and a rest. Other groups such as Young Farmers have used it as a meeting venue.
Five Stags has separate bar and garden areas, and a family-friendly restaurant with a warm, hunting lodge theme.
The restaurant opens to a large covered outdoor area popular with locals and travellers. It is open six days a week for lunch, dinner, and takeaways. The tavern offers craft beers and food in a relaxing atmosphere where people can feel at home.
An expensive and themed fit-out was completed in 2017 and included new roofing and painting. The tavern area was decorated and refurbished to a high standard by tradesmen who were meticulous about the finish, while the chalets also reflect the hunting theme.
The tavern has potential to be developed into more accommodation for hire or stylish apartments suitable for Airbnb.
The large 4,047-square metre level section has a carpark to the rear of the property, and there is approximately 2,000 square metres of spare land that could be developed in future.
In the 1860s Pirongia was a military outpost for the government of the day and was called Alexandra after the English Princess of Wales. It was renamed Pirongia to avoid confusion with Alexandra in Otago.
Before the arrival of Europeans, the area around the present day village was associated with several hapu of Tainui who were able to benefit from sources of food in the river and streams, on nearby Mount Pirongia, and on the fertile river flats.
Five Stags was formerly known as the Alexandra Hotel, and built during New Zealand’s colonial period. The history of the historic fortifications is well documented with information available and on display in the township.
In Five Stags’ more recent history it was the venue for Australian radio duo, Hamish and Andy’s farewell tour in 2017 - packing in more patrons for a one night show to raise money for the Pirongia Rural Volunteer Fire Service.
The original Alexandra Hotel building has been divided into flats to provide owner and staff accommodation plus three character filled, beautifully styled queen-sized rooms that retain the original Hotel’s heritage and continue the hunting lodge theme and provide additional income.
Pirongia Village is a popular tourist destination with its historic Information centre, variety of cafes, craft stores and picnic spots. Attractions include, a golf course, and the oldest horse racing club in New Zealand.
Pirongia Forest Park is the largest tract of unbroken native bush in the Waikato and is very popular for walkers, mountain bikers and horse riders with its many tracks of varying lengths and levels of difficulty.
The property is zoned Commercial under the Waipa District Council Operative District Plan.
The site occupied by the tavern is 442sqm, and older hotel provides 358sqm of accommodation area on a 4047sqm.
The main front hotel area could easily be converted into a lounge or self-serve kitchen with accommodation that would suit either backpackers, tourists or truck drivers.


- Java Jam
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CodeIgniter 3 is the current version of the framework, a highly stable release that is in use on tens of thousands of PHP websites accross the Internet, both small and large.
CodeIgniter 4 is the upcoming version of the framework, intended for use with PHP7.2.
Development is underway, and the current version is 4.0.0-rc.4.
You could download the V4 framework using the button below,
but we encourage you to check the Installation section of the User Guide,
to choose from several different ways you can install the framework :)
CodeIgniter 3
CodeIgniter 3.1.11 is the current version of the framework, intended for use with PHP 5.6+.
There have been a number of refinements since version 2, notably with the database,
session handling and encryption. Development of this version is ongoing.
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CodeIgniter 2.2.6 is the legacy version of the framework.
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Man On The Moon Review
Milos Forman (Amadeus, One Flew Over The Cuckoo's Nest) has always been a favorite director of mine. When I heard he was doing a biopic about Andy Kauffman, it sounded promising, especially with Jim Carrey aboard. While Man On The Moon captures Andy Kauffman perfectly, the film feels as staged as some of Kauffman's acts. The story follows the late Andy Kauffman (Jim Carrey) throughout his career. We see him singing the MIghty Mouse tune, doing Elvis impressions, as well as performing a strange foreign character, later named Latka. Latka of course was Andy's most famous character on TAXI, but he believes otherwise. In fact, that was Kauffman's greatest struggle, coping with the fact that Latka was his greatest comedic act with audiences. Of course not everybody liked him. Some people hated him, others thought he was a genius, but either way no one understood him. That's what made Kauffman so appealing to an audience, his originality. He does go overboard by wrestling women, but he just wanted to entertain people in a different fashion. This is indeed a very informative movie about Andy Kauffman. Jim Carrey is absolutely flawless as he potrays the comedian. Every facial expression and voice tone is right on the money. Carrey obviously did his research. He undoubtedly deserves an Oscar nod, especially since he was the only one keeping the film alive. It's unfortunate to see Carrey's talented wasted on a somewhat dull biopic. Sure it's interesting, but the pacing is dull. It's hard to get a feeling of realism here, because it's too staged, like many of Andy's acts. It's quite frankly better to watch a real documentary to get a sense of why he did what he did. There really was no point for Milos Forman to direct this, because it's well pointless. If Andy himself saw this, he would probably be laughing. It's more like an ode to Kauffman, so we can try to understand him a little better, but it doesn't work. Nothing is explained as to what drove him to be so different. Even as a child we see him performing to his kid sister, but why? Everything's a mystery here, and it leaves us puzzled. There's far too many unanswered questions that leaves viewers furious and flat out irritated. There's just no reason for making this film period. As I said earlier, Jim Carrey was great. He really showed us what Kauffman was like up close and personal, but the writers didn't give him enough depth. That's not his fault at all, but he would have easily been handed an Oscar if that occurred. The rest of the cast (including Danny De Vito, Courtney Love) did their jobs, but everyone and everything is outdone by Carrey. Even director Milos Forman felt as if he were awed by Carrey. Speaking of Forman I have no idea why he choose this movie. It seems so simple for his type of tastes, but I guess he needed a hit after his last dude (The People Vs. Larry Flynt). Another honorable mention is the soundtrack. R.E.M fans will especially be pleased, that the song Man On The Moon is more meaningful than ever. You will never hear the song, the same way again. Good stuff. R.E.M's score is also great as well. It's possibly the best score this year, right behind Red Violin. It fits perfectly. Man On The Moon isn't a great picture, but it is somewhat empty. It needed more than just a brilliant performance by Carrey. Maybe next time a biopic comes out, it won't feel as staged or at least have a decent story constructed around facts. Grade: B- to a C+
http://jump.to/moviepage www.chud.com
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Ukraine appeals against Ukrainian guardsman Markiv's sentence in Italy (Video)
The President's Office says a civil lawsuit against Ukraine in the Italian national court is a violation of international law.
Ukraine has filed an appeal against the verdict against Ukrainian guardsman Vitaliy Markiv, jailed in Italy for 24 years on charges of killing an Italian photo reporter amid hostilities in eastern Ukraine in 2014.
"Ukraine is deeply disappointed at the verdict of the court of the city of Pavia, which strikes with injustice and violation of the basic legal principles, under which Vitaliy Markiv was tried," the Office of the President of Ukraine wrote on Facebook.
It is noted the appeal against the verdict was filed on November 20.
The President's Office also says a civil lawsuit against Ukraine in the Italian national court is a violation of international law, in particular jurisdictional immunities of the state, "based on the sovereignty and equality of the states."
"The state of Ukraine expresses its readiness to use all legal means to ensure justice for Vitaliy Markiv and hopes the Italian Republic will remain firm in observing the rule of law," reads the report.
As UNIAN reported earlier, despite the presence of convincing evidence that Markiv could not have been involved in the mortar shelling, which is believed to have killed an Italian freelance photo reporter, Andrea Rocchelli, and his Russian interpreter Andrei Mironov in Donetsk region in May 2014, the jury in the court of Italy's Pavia on July 12, 2019, sentenced the Ukrainian guardsman to 24 years in prison.
A decision to appeal the verdict could be taken next year, according to his lawyer Raffaele Della Valle.
Ukrainian President Volodymyr Zelensky addressed the Ministry of Foreign Affairs and the Prosecutor General's Office to immediately address the issue of Markiv's return to Ukraine.
On October 10, the court made public the motivational part of the verdict.


Seattle police captain busted in prostitution sting after offering $40 to undercover cop: reports
by Robert GeartyA police captain in Seattle was among the five men arrested this week in a prostitution sting, reports say.
Capt. Randal Woolery, a member of the Seattle Police Department for 31 years, was placed on administrative leave following his arrest Wednesday in north Seattle, KING-TV reported.
The station reported not being able to reach Woolery for comment. An email Saturday seeking comment from Fox News wasn't immediately returned.
ICE SAYS WASHINGTON MURDER SUSPECT WAS RELEASED TWICE BEFORE, DESPITE DETAINERS
“Seattle police arrested a 53-year-old SPD employee last night in an undercover Vice operation in North Seattle,” Sgt. Sean Whitcomb was quoted as saying by KIRO-TV. The other four men weren't identified.
The station cited sources as saying Woolery offered $40 to an undercover officer posing as a prostitute.
He was booked and released, according to the station. The charges involve misdemeanors.
CLICK HERE TO GET THE FOX NEWS APP
Woolery was recently honored for his leadership skills, KIRO-TV reported. He also serves as a fire commissioner in Snohomish County.


LEON (THE PROFESSIONAL) A Film Review Copyright Dragan Antulov 2000
Few examples seem as appropriate for the phrase "style over substance" as the career of French filmmaker Luc Besson. His films earned great deal of popularity simply by looking "cool" and flooding the audience with impressive sounds and images, while seriously lacking coherent plot and character development in the same time. Besson managed to solve at least some of those problems in his 1990 film LE FEMME NIKITA. However, it seems that Besson thought that at least some characters of that film weren't sufficiently explored, namely The Cleaner, played by Jean Reno. Four years later, the variation of that character became the protagonist of THE PROFESSIONAL, action film that is now mostly associated with the career of Natalie Portman.
In this film Jean Reno plays L‚on, man whose job description might very well be summed up in the phrase "cleaner". He is one of the deadliest hitmen in New York underworld, able to complete even the most complicated and difficult tasks with incredible efficiency and all that without trace. L‚on's professional success is in sharp contrast with the quiet and utterly ascetic private life he mostly spends in his small apartment. His 12-year old neighbour Mathilda (played by Natalie Portman), on the other hand, has a lot of problems with drug-dealing father (played by Michael Badaluco) and the rest of her dysfunctional family. Things get even worse when the family gets a visit from the group of corrupt DEA agents, led by psychopathic Norman Stansfield (played by Gary Oldman). Mathilda is the only survivor of the massacre and she seeks the refuge behind her neighbour's door. L‚on takes her in and reluctantly agrees to shelter her until things cool down. Mathilda is, on the other hand, quite impressed when she finds about her protector's true profession so she wants to use his talents in order to avenge the death of her 4-year old brother. First she wants to hire him, then she wants him to teach her skills of "cleaner", while L‚on, utterly inexperienced in personal relationships, unsuccessfully tries to keep both of them from trouble. However, presence of the girl begins to affect L‚on and he becomes to sees the previous emptiness of his life. Stansfield in the meantime becomes aware that he left the eyewitness during the massacre so the extremely violent conflict between him and L‚on becomes inevitable.
Besson again remains faithful to his reputation by filling THE PROFESSIONAL with many visually impressive scenes and very atmospheric and memorable music by his long-time collaborator Eric Serra. Besson's talent is most visible in action scenes, especially the final showdown, which is probably one of the best-choreographed gun battles in the past decade. However, old-fashioned phrase "style over substance" still hurts this film and whenever Besson decides to pay much attention to the plot and character development, the lack of those particular talents becomes quite apparent. Large amount of implausabilties in the Besson's screenplay (it is really hard to imagine ultra-efficient yet illiterate hitman in modern-day New York or said low- profile hitman choosing to live next door to drug dealers) is the only part of the problem. Greatest flaw of this film is Besson's inability to decide how to handle the relationship between 12-year old girl and the hitman three times her age. Various avenues - ordinary friendship, substitute parenting and even Lolita-like relationship - are hinted, but never sufficiently explored, so after the few scenes in the beginning film meanders until violent finale brings some sort of conclusion. However, the acting in this film superb, especially in the case of Reno who seems as the perfect choice for this role. Although young Natalie Portman shows a lot of talent in her first feature film role, sometimes that performance slips into overacting. Gary Oldman, on the other hand, does his trademark psycho routine very well, while Danny Aiello provides good contrast with his minimalist approach to the role of L‚on's mob contact Tony. Taking everything into consideration, THE PROFESSIONAL seems to be one of the most overrated films of the past decade, but Besson's skills of action director are enough to guarantee entertainment to those who like "artsy" approach to that particular genre.
RATING: 6/10 (++)
Review written on October 24th 2000
Dragan Antulov a.k.a. Drax Fido: 2:381/100 E-mail<EMAIL_ADDRESS>E-mail<EMAIL_ADDRESS>E-mail<EMAIL_ADDRESS>Filmske recenzije na hrvatskom/Movie Reviews in Croatian http://film.purger.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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{% extends "network/layout.html" %} {% block body %} {% block details %} {% endblock details %} {% if posts %} {% for post in posts %}
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This minimal CSS framework is by no means complete. It is meant to be extended, partially replaced or used as a learning example for the following features:
- Lightweight
- Responsive
- Modular
- Extendable
- Themeable with CSS variables (requires postCSS or a modern browser)
It is not using a CSS reset or normalize, as that would interfere with normal browser styles and reduce interoperability with other CSS modules.


Syllabus
syllabus
Lectures
Lecture 1
Class introduction, HelloWorld!
Lecture 2
If and switch, = and ==, Precedence, Loops
Lecture 3
Comments and Documentation, Java Style, Primitive types in Java
Casting, Arrays , Methods
Lecture 4
Our first class: Circle
Lecture 5
static methods and variables; String, StringBuffer and string concatenation performance
BufferedReader, FileReader and File; How much slower is Java than C/Optimize last
From Arrays to Lists
Lecture 6
Interfaces; List, ArrayList and LinkedList
Sorting, Comparable and Comparator
Lecture 7
Inheritance ; Object ; == vs .equals
Lecture 8
AbstractSequence, ProteinSequence and DNASequence ; HashSet
equals() and hashCode() ; Iterators ; HashSet, LinkedHashSet, TreeSet
Lecture 9
HashMaps ;
A database implemented with List vs. a Map Collection ;
Exceptions
Lecture 10
boxing and unboxing; statring with GUIs.
Lecture 10.5
Our simple initial GUI in javascript/react
Lecture 11
Menus; Overriding paintComponent() or paint()
Lecture 12
Threads; Parsing fasta sequences in parallel; Threads in GUIs
javascript is single-threaded
Lecture 13
Starting on threads (introduction to locking...)
Lecture 14
Visibility, synchronized and volatile;
is random.nextInt() thread safe?
Lecture 15
Monitor Pattern ; Read only Collection views ; Synchronized Collections views
Concurrent HashMap ; The Vehicle Tracker Example
Lecture 16
BlockingQueues; CountDownLatch; Callable, Future, FutureTask; Cancellation
Lecture 17
Deadlock
Lecture 18
Amdahl's Law ;
Lock striping and the ConcurrentHashMap ;
Compare and Swap and non-blocking synchronization
Lecture 19
test code
Lab
Lab 1
Random sequences; optional GitHub tutorial
Lab 2
Aminio acid quiz
Lab 3
Pivot a FASTA file
Lab 4
Fasta file parser as a static factory method; Counting unique sequences
Lab 5
A GUI to do something
Lab 6
GUI for amino-acid quiz with updating timer
Lab 7
multi-threaded prime number finding within a GUI


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Built by a pastor who knows and loves regular churches.
I'm Ryan Hayden, the guy behind Simple Church Tools. I'm not just a web developer, I've been the pastor of a very normal and traditional church in Mattoon, IL since 2012. Prior to that, I served as an assistant pastor, school teacher, children's pastor, Christian camp director and song leader. I Love churches and want to help them any way I can.
My passion is to build simple tools that can help smaller churches grow and do what they do better. If your church has a large staff, a large budget, and a smoke machine on the stage - you can probably afford to use more complicated and expensive tools. But if one or two people are trying to do almost EVERYTHING around your church - my tools will help you save time, be consistent, and look good.


Design Document
Property List
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New Property
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House
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WE'RE BACK! A DINOSAUR'S STORY A film review by James Berardinelli Copyright 1993 James Berardinelli
Rating (Linear 0 to 10): 5.0
Date Released: 11/24/93 Running Length: 1:12 Rated: G (Nothing offensive)
Starring the voices of John Goodman, Felicity Kendal, Jay Leno, Walter Cronkite, Martin Short, Julia Child Directors: Dick Zondag, Ralph Zondag, Phil Nibbelink, and Simon Wells Producer: Stephen Hickner Screenplay: John Patrick Shanley based on the book by Hudson Talbot Music: James Horner Released by Universal Pictures
Call it JURASSIC PARK JR., although it's likely to appeal only to a small fraction of the audience that enjoyed Steven Spielberg's summer mega-hit. Where that one was a thrill-a-minute ride filled with spectacular effects and well-orchestrated tension, WE'RE BACK is an exercise in endurance--not only is it on the dull side, but it has such an overwhelming sense of sweetness that it threatens to become nauseating.
Young children--presumably WE'RE BACK's intended audience--will likely enjoy the adventures of four dinosaurs and two New York youths. It's adults accompanying their offspring who will have problems because, even considering the short length of the film, this is the visual equivalent of a Sominex. To say that there's not much of interest going on is an understatement. While the plot is adequate for the under-ten group, it won't do much to satisfy the older viewer. Hopefully WE'RE BACK's single musical number, a nicely jaunty tune, is sufficient to keep the eyelids open.
The premise is simple (and simple-minded). The oddball Captain Neweyes (voice of Walter Cronkite) takes his "Wish Machine" back in time to collect for dinosaurs: a tyrannosaurus named Rex (voice of John Goodman), a pterodactyl, a hadrosaurus, and a triceratops. After feeding them his "Brain Grain" cereal, Neweyes drops them into New York harbor, charging them to reach the Museum of Natural History where children from all over the world can have their wish to see a real dinosaur granted. Unfortunately, the quartet gets sidetracked by the devious schemes of Captain Neweyes' evil brother, Professor Screweyes, who wants the dinosaurs as the prime exhibit in his Circus of Fear.
With a talented writer like John Patrick Shanley (MOONSTRUCK) at the keyboard, I expected more than this trite, vacuous effort. Sure, there's an occasional line thrown in for the adults, but that hardly makes the experience worthwhile. The best animated films are those that have something for viewers of all ages. Over the years, Disney's films have proven that "animation" doesn't equate with "juvenile." The creators of WE'RE BACK didn't learn the lesson, so their product turns out to be an overly-long, big screen cartoon.
The animation is serviceable, and occasionally above-average. The limitations of a "quickie job" are often apparent, but there are a few nice sequences when it appears that some effort was put into the visual aspects of the story.
Whoever picked the voices for WE'RE BACK made some unusual choices, none of which leads to an impressive or inspired performance. Walter Cronkite, Julia Child, and veteran British comic actress Felicity Kendal all have parts, as do the more "typical" vocal artists John Goodman, Martin Short, and Jay Leno. Mr. Cronkite gets an opportunity to say "And that's the way it is...", but I don't recall Ms. Child ever making mention of "Bon appetite."
In a year when there's no new offering from Disney, the temptation is to search for something to fill the void. By choosing the time when BEAUTY AND THE BEAST came out two years ago and ALADDIN last year, WE'RE BACK is obviously making a cheap bid for this distinction. Parents should not be fooled into thinking they're getting anything in the same league.  Otherwise, THE LION KING (Disney's next animated feature) is only six months away. It's an unfortunate choice to have to make.
- James Berardinelli<EMAIL_ADDRESS>.
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Left Coast Pizza Co.
The best pizza on the west coast
Order your pizza:
Select a size:
small-cheese $8.00
medium-cheese $10.00
large-cheese $12.00
Add
Choose your toppings:
pineapple-$1.00
pepperoni-$1.00
olives-$1.00
mushrooms-$1.00
sausage-$1.00
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Total


Class CombatantCreature
Class that represents all creatures in the game.
Inherited Members
Namespace: Fibula.Creatures
Assembly: Fibula.Creatures.dll
Syntax
public abstract class CombatantCreature : Creature, ICombatant, ICreatureWithExhaustion, ISkilledCreature, ICreature, IThing, IContainedThing, IEquatable<IThing>, IThingContainer, ILocatable, IEquatable<ICreature>
Constructors
| Improve this Doc View SourceCombatantCreature(String, String, UInt16, UInt16, UInt16, UInt16, UInt16, Decimal, Decimal)
Initializes a new instance of the CombatantCreature class.
Declaration
protected CombatantCreature(string name, string article, ushort maxHitpoints, ushort maxManapoints, ushort corpse, ushort hitpoints = 0, ushort manapoints = 0, decimal baseAttackSpeed = 1.0M, decimal baseDefenseSpeed = 2.0M)
Parameters
| Type | Name | Description |
|---|---|---|
| System.String | name | The name of this creature. |
| System.String | article | An article for the name of this creature. |
| System.UInt16 | maxHitpoints | The maximum hitpoints of the creature. |
| System.UInt16 | maxManapoints | The maximum manapoints of the creature. |
| System.UInt16 | corpse | The corpse of the creature. |
| System.UInt16 | hitpoints | The current hitpoints of the creature. |
| System.UInt16 | manapoints | The current manapoints of the creature. |
| System.Decimal | baseAttackSpeed | Optional. The base attack speed for this creature. Bounded between [MinimumCombatSpeed, MaximumCombatSpeed] inclusive. Defaults to DefaultAttackSpeed. |
| System.Decimal | baseDefenseSpeed | Optional. The base defense speed for this creature. Bounded between [MinimumCombatSpeed, MaximumCombatSpeed] inclusive. Defaults to DefaultDefenseSpeed. |
Properties
| Improve this Doc View SourceAttackedBy
Gets the collection of ids of attackers of this combatant.
Declaration
public IEnumerable<uint> AttackedBy { get; }
Property Value
| Type | Description |
|---|---|
| System.Collections.Generic.IEnumerable<System.UInt32> |
AttackSpeed
Gets a metric of how fast a combatant can earn an attack credit per combat round.
Declaration
public decimal AttackSpeed { get; }
Property Value
| Type | Description |
|---|---|
| System.Decimal |
AutoAttackCredits
Gets the number of attack credits available.
Declaration
public int AutoAttackCredits { get; }
Property Value
| Type | Description |
|---|---|
| System.Int32 |
AutoAttackMaximumCredits
Gets the number of maximum attack credits.
Declaration
public ushort AutoAttackMaximumCredits { get; }
Property Value
| Type | Description |
|---|---|
| System.UInt16 |
AutoAttackRange
Gets the range that the auto attack has.
Declaration
public abstract byte AutoAttackRange { get; }
Property Value
| Type | Description |
|---|---|
| System.Byte |
AutoAttackTarget
Gets the current target combatant.
Declaration
public ICombatant AutoAttackTarget { get; }
Property Value
| Type | Description |
|---|---|
| ICombatant |
AutoDefenseCredits
Gets the number of auto defense credits available.
Declaration
public int AutoDefenseCredits { get; }
Property Value
| Type | Description |
|---|---|
| System.Int32 |
AutoDefenseMaximumCredits
Gets the number of maximum defense credits.
Declaration
public ushort AutoDefenseMaximumCredits { get; }
Property Value
| Type | Description |
|---|---|
| System.UInt16 |
ChaseMode
Gets or sets the chase mode selected by this combatant.
Declaration
public ChaseMode ChaseMode { get; set; }
Property Value
| Type | Description |
|---|---|
| ChaseMode |
ChaseTarget
Gets the target being chased, if any.
Declaration
public ICombatant ChaseTarget { get; }
Property Value
| Type | Description |
|---|---|
| ICombatant |
DamageTakenDistribution
Gets the distribution of damage taken by any combatant that has attacked this combatant while the current combat is active.
Declaration
public IEnumerable<(uint, uint)> DamageTakenDistribution { get; }
Property Value
| Type | Description |
|---|---|
| System.Collections.Generic.IEnumerable<System.ValueTuple<System.UInt32, System.UInt32>> |
DefenseSpeed
Gets a metric of how fast a combatant can earn a defense credit per combat round.
Declaration
public decimal DefenseSpeed { get; }
Property Value
| Type | Description |
|---|---|
| System.Decimal |
ExhaustionInformation
Gets the current exhaustion information for the entity.
Declaration
public IDictionary<ExhaustionType, DateTimeOffset> ExhaustionInformation { get; }
Property Value
| Type | Description |
|---|---|
| System.Collections.Generic.IDictionary<ExhaustionType, System.DateTimeOffset> |
Remarks
The key is a ExhaustionType, and the value is a System.DateTimeOffset: the date and time at which exhaustion is completely recovered.
FightMode
Gets or sets the fight mode selected by this combatant.
Declaration
public FightMode FightMode { get; set; }
Property Value
| Type | Description |
|---|---|
| FightMode |
PendingAutoAttackOperation
Gets or sets the pending auto attack operation of this player, if any.
Declaration
public IOperation PendingAutoAttackOperation { get; set; }
Property Value
| Type | Description |
|---|---|
| IOperation |
Skills
Gets the current skills information for the combatant.
Declaration
public IDictionary<SkillType, ISkill> Skills { get; }
Property Value
| Type | Description |
|---|---|
| System.Collections.Generic.IDictionary<SkillType, ISkill> |
Remarks
Methods
| Improve this Doc View SourceAddExhaustion(ExhaustionType, DateTimeOffset, TimeSpan)
Adds exhaustion of the given type.
Declaration
public void AddExhaustion(ExhaustionType type, DateTimeOffset fromTime, TimeSpan timeSpan)
Parameters
| Type | Name | Description |
|---|---|---|
| ExhaustionType | type | The type of exhaustion to add. |
| System.DateTimeOffset | fromTime | The reference time from which to add. |
| System.TimeSpan | timeSpan | The amount of time to add exhaustion for. |
AddExhaustion(ExhaustionType, DateTimeOffset, UInt32)
Adds exhaustion of the given type.
Declaration
public void AddExhaustion(ExhaustionType type, DateTimeOffset fromTime, uint milliseconds)
Parameters
| Type | Name | Description |
|---|---|---|
| ExhaustionType | type | The type of exhaustion to add. |
| System.DateTimeOffset | fromTime | The reference time from which to add. |
| System.UInt32 | milliseconds | The amount of time in milliseconds to add exhaustion for. |
ApplyDamage(DamageInfo, UInt32)
Applies damage to the combatant, which is expected to apply reductions and protections.
Declaration
public DamageInfo ApplyDamage(DamageInfo damageInfo, uint fromCombatantId = 0U)
Parameters
| Type | Name | Description |
|---|---|---|
| DamageInfo | damageInfo | The information of the damage to make, without reductions. |
| System.UInt32 | fromCombatantId | The combatant from which to track the damage, if any. |
Returns
| Type | Description |
|---|---|
| DamageInfo | The information about the damage actually done. |
ApplyDamageModifiers(ref DamageInfo)
Applies damage modifiers to the damage information provided.
Declaration
protected abstract void ApplyDamageModifiers(ref DamageInfo damageInfo)
Parameters
| Type | Name | Description |
|---|---|---|
| DamageInfo | damageInfo | The damage information. |
CalculateRemainingCooldownTime(ExhaustionType, DateTimeOffset)
Calculates the remaining System.TimeSpan until the entity's exhaustion is recovered from.
Declaration
public TimeSpan CalculateRemainingCooldownTime(ExhaustionType type, DateTimeOffset currentTime)
Parameters
| Type | Name | Description |
|---|---|---|
| ExhaustionType | type | The type of exhaustion. |
| System.DateTimeOffset | currentTime | The current time to calculate from. |
Returns
| Type | Description |
|---|---|
| System.TimeSpan | The System.TimeSpan result. |
CalculateSkillPercent(SkillType)
Calculates the current percentual value between current and target counts for the given skill.
Declaration
public byte CalculateSkillPercent(SkillType skillType)
Parameters
| Type | Name | Description |
|---|---|---|
| SkillType | skillType | The type of skill to calculate for. |
Returns
| Type | Description |
|---|---|
| System.Byte | A value between [0, 100] representing the current percentual value. |
ConsumeCredits(CombatCreditType, Byte)
Consumes combat credits to the combatant.
Declaration
public void ConsumeCredits(CombatCreditType creditType, byte amount)
Parameters
| Type | Name | Description |
|---|---|---|
| CombatCreditType | creditType | The type of combat credits to consume. |
| System.Byte | amount | The amount of credits to consume. |
DecreaseAttackSpeed(Decimal)
Decreases the attack speed of this combatant.
Declaration
public void DecreaseAttackSpeed(decimal decreaseAmount)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Decimal | decreaseAmount | The amount by which to decrease. |
DecreaseDefenseSpeed(Decimal)
Decreases the defense speed of this combatant.
Declaration
public void DecreaseDefenseSpeed(decimal decreaseAmount)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Decimal | decreaseAmount | The amount by which to decrease. |
IncreaseAttackSpeed(Decimal)
Increases the attack speed of this combatant.
Declaration
public void IncreaseAttackSpeed(decimal increaseAmount)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Decimal | increaseAmount | The amount by which to increase. |
IncreaseDefenseSpeed(Decimal)
Increases the defense speed of this combatant.
Declaration
public void IncreaseDefenseSpeed(decimal increaseAmount)
Parameters
| Type | Name | Description |
|---|---|---|
| System.Decimal | increaseAmount | The amount by which to increase. |
RaiseSkillLevelAdvance(SkillType)
Raises the SkillLevelChanged event for this creature on the given skill.
Declaration
protected void RaiseSkillLevelAdvance(SkillType forSkill)
Parameters
| Type | Name | Description |
|---|---|---|
| SkillType | forSkill | The skill to advance. |
RaiseSkillPercentChange(SkillType)
Raises the SkillPerecentualChanged event for this creature on the given skill.
Declaration
protected void RaiseSkillPercentChange(SkillType forSkill)
Parameters
| Type | Name | Description |
|---|---|---|
| SkillType | forSkill | The skill to advance. |
RestoreCredits(CombatCreditType, Byte)
Restores combat credits to the combatant.
Declaration
public void RestoreCredits(CombatCreditType creditType, byte amount)
Parameters
| Type | Name | Description |
|---|---|---|
| CombatCreditType | creditType | The type of combat credits to restore. |
| System.Byte | amount | The amount of credits to restore. |
SetAttackTarget(ICombatant)
Sets the attack target of this combatant.
Declaration
public bool SetAttackTarget(ICombatant otherCombatant)
Parameters
| Type | Name | Description |
|---|---|---|
| ICombatant | otherCombatant | The other target combatant, if any. |
Returns
| Type | Description |
|---|---|
| System.Boolean | True if the target was actually changed, false otherwise. |
SetChaseTarget(ICombatant)
Sets the chasing target of this combatant.
Declaration
public bool SetChaseTarget(ICombatant target)
Parameters
| Type | Name | Description |
|---|---|---|
| ICombatant | target | The target to chase, if any. |
Returns
| Type | Description |
|---|---|
| System.Boolean | True if the target was actually changed, false otherwise. |
Events
| Improve this Doc View SourceAttackTargetChanged
Event to call when the attack target changes.
Declaration
public event OnAttackTargetChanged AttackTargetChanged
Event Type
| Type | Description |
|---|---|
| OnAttackTargetChanged |
ChaseTargetChanged
Event to call when the chase target changes.
Declaration
public event OnChaseTargetChanged ChaseTargetChanged
Event Type
| Type | Description |
|---|---|
| OnChaseTargetChanged |
Death
Event to call when the combatant dies.
Declaration
public event OnDeath Death
Event Type
| Type | Description |
|---|---|
| OnDeath |
HealthChanged
Event to call when the combatant's health changes.
Declaration
public event OnHealthChanged HealthChanged
Event Type
| Type | Description |
|---|---|
| OnHealthChanged |
SkillLevelChanged
Event triggered when this skilled creature advances a skill to the next level.
Declaration
public event OnSkillLevelChanged SkillLevelChanged
Event Type
| Type | Description |
|---|---|
| OnSkillLevelChanged |
SkillPerecentualChanged
Event triggered when this skilled creature skill percent changes.
Declaration
public event OnSkillPerecentualChanged SkillPerecentualChanged
Event Type
| Type | Description |
|---|---|
| OnSkillPerecentualChanged |


magneticalc.SamplingVolume_Widget.SamplingVolume_Widget(Groupbox)
class documentationmagneticalc.SamplingVolume_Widget
(View In Hierarchy)
SamplingVolume_Widget class.
| Class Variable | UnitsLabelWidth | Undocumented |
| Class Variable | PaddingMin | Undocumented |
| Class Variable | PaddingMax | Undocumented |
| Class Variable | ResolutionMinimum | Undocumented |
| Class Variable | ResolutionMaximum | Undocumented |
| Method | __init__ | Populates the widget. |
| Instance Variable | gui | Undocumented |
| Instance Variable | constraint_editor | Undocumented |
| Instance Variable | padding_spinbox | Undocumented |
| Instance Variable | total_constraints_label | Undocumented |
| Instance Variable | resolution_spinbox | Undocumented |
| Instance Variable | total_points_label | Undocumented |
| Method | reinitialize | Re-initializes the widget and the constraint editor |
| Method | update_padding | Updates padding. |
| Method | clear_padding | Clears the padding values. |
| Method | set_sampling_volume | Sets the sampling volume. This will overwrite the currently set sampling volume in the model. Parameters may be left set to None in order to load their default value. |
| Method | readjust | Readjusts the sampling volume to the currently set wire bounds and padding. The parameter may be left set to None in order to load its default value. This also readjusts the minimum padding bounds in case the wire bounds have shrunk too far. |
| Method | update_labels | Updates the labels. |
| Method | open_constraint_editor | Opens the constraint editor. Recalculates the sampling volume if the constraints changed. |
Inherited from Groupbox:
| Instance Variable | layout | Undocumented |
| Instance Variable | palette | Undocumented |
| Method | addWidget | Adds widget to groupbox. |
| Method | addSpacing | Adds spacing to groupbox. |
| Method | addLayout | Adds layout to groupbox. |
Populates the widget.
| Parameters | gui | GUI |
Sets the sampling volume. This will overwrite the currently set sampling volume in the model. Parameters may be left set to None in order to load their default value.
| Parameters | resolution | Sampling volume _resolution |
| padding | Padding (3D point) | |
| recalculate | Enable to trigger final re-calculation | |
| invalidate_self | Enable to invalidate the old sampling volume before setting a new one |
Readjusts the sampling volume to the currently set wire bounds and padding. The parameter may be left set to None in order to load its default value. This also readjusts the minimum padding bounds in case the wire bounds have shrunk too far.
| Parameters | padding | Padding (3D point), may be None to be read from configuration |


| Performance(From) | Performance(To) | Grade | Description | |
|---|---|---|---|---|
| {{rating.scoreFrom}} | {{rating.scoreTo}} | {{rating.grade}} | {{rating.description}} |
|
| Performance(From) | Performance(To) | Grade | Description | |
|---|---|---|---|---|
| {{rating.scoreFrom}} | {{rating.scoreTo}} | {{rating.grade}} | {{rating.description}} |
|


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Match Play. Double Match Point. How should Red play 31?
pips Red=142 White=117
(CorrectAnswer= 0/0, ErrorScore= 0)
No need to panic here. 13/9 is reasonable and not an error by any means. However, making the 5-pt is best by a small fraction.
It provides a long-term asset and there is some duplication of fives. Making the 5-pt is rarely badly wrong and that is the case here. Note that 13/10, 6/5 is also a strong play and only a tiny mistake. 24/23, 6/3* is an error.
It provides a long-term asset and there is some duplication of fives. Making the 5-pt is rarely badly wrong and that is the case here. Note that 13/10, 6/5 is also a strong play and only a tiny mistake. 24/23, 6/3* is an error.
1. Cubeful 2-ply 13/9 Eq.: -0.259 0.380 0.075 0.003 - 0.620 0.223 0.004 2. Cubeful 2-ply 8/5 6/5 Eq.: -0.298 (-0.038) 0.377 0.089 0.003 - 0.623 0.265 0.008 3. Cubeful 2-ply 13/10 6/5 Eq.: -0.350 (-0.091) 0.392 0.092 0.004 - 0.608 0.348 0.016 4. Cubeful 2-ply 6/3*/2 Eq.: -0.361 (-0.102) 0.366 0.083 0.003 - 0.634 0.295 0.009 5. Cubeful 2-ply 24/23 13/10 Eq.: -0.408 (-0.149) 0.352 0.072 0.003 - 0.648 0.299 0.007


Spiderman Name in real life : Sex : Likes : Dislikes : Abilities : History : Team : Spiderman has been played by Tobey Mac Guire for three movies


Embed interactive charts to their Shiny applications. These charts will be generated by ECharts library developed by Baidu (<http://echarts.baidu.com/>). Current version supports line chart, bar chart, pie chart, scatter plot, gauge, word cloud, radar chart, tree map, and heat map.
| Version: | 0.2.13 |
| Imports: | shiny, jsonlite |
| Suggests: | knitr, rmarkdown |
| Published: | 2017-12-11 |
| Author: | Xiaodong Deng [aut, cre], Hao Zhu [ctr], Yiheng Li [ctr], Janet Wagner [ctr], ChinYong Lim [ctr] |
| Maintainer: | Xiaodong Deng <xd_deng at hotmail.com> |
| BugReports: | https://github.com/XD-DENG/ECharts2Shiny/issues |
| License: | GPL-2 |
| URL: | https://github.com/XD-DENG/ECharts2Shiny |
| NeedsCompilation: | no |
| Materials: | README NEWS |
| CRAN checks: | ECharts2Shiny results |
| Reference manual: | ECharts2Shiny.pdf |
| Vignettes: |
Introduction to ECharts2Shiny |
| Package source: | ECharts2Shiny_0.2.13.tar.gz |
| Windows binaries: | r-devel: ECharts2Shiny_0.2.13.zip, r-release: ECharts2Shiny_0.2.13.zip, r-oldrel: ECharts2Shiny_0.2.13.zip |
| OS X binaries: | r-release: ECharts2Shiny_0.2.13.tgz, r-oldrel: ECharts2Shiny_0.2.13.tgz |
| Old sources: | ECharts2Shiny archive |
Please use the canonical form https://CRAN.R-project.org/package=ECharts2Shiny to link to this page.


Genic — Garlic and Herb
by flatfxGenic — Garlic & Herb
The duo Genic have been gaining a lot of support since their debut release last year. This time on Dispatch Recordings they bring us a two track release. ♫ Buy…www.youtube.com
Dispatch Recordings, DIS144, 2019–11–29


Plot designed for a laptop or desktop environment, as legends can be toggled
on or off with the click of a mouse to compare different characters.
Plot is responsive to 781px, then only a static png image is displayed.
If you are having troubles viewing the plot, maximize the webpage, or switch to laptop
or desktop if you are currently on mobile.
Data are publically available. I first discovered this data set from a Reddit Data is Beautiful Data Viz Battle.
Plot built using Plotly's Python library.
Text tokenized using Python's nltk library.
View full code on my gitgub:
https://github.com/dan-dewitz/the_office_area_plot
Map displays crime rates per 1,000 students for every every college in the USA
that had an occurance of violent crime in 2015 (the most recent data availible)
Data wrangled and geocoded using Python and Google Map's Geo-Coding Client
Map created using Python and the Plotly geocoding library
Raw data obtained throught the Clery Act --
which requires all schools recieving pulic funding to publish data every year


An Access Control Policy is a collection of rules describing whether a given access request is permitted or denied.
The main challenge of designing an access control policy is to understand and analyse the evaluation of a given policy according to an access request.
An Access Request can be understood as set of attribute values, represented here by an element NAME_v, which is true if the attribute NAME has the value v, false if the attribute NAME does not have the value v, or unknown if we do not know whether the attribute NAME has the value v or not.
In the following, we will give you a policy and an access request and we will ask you to change the values of some attributes in order to obtain a specified decision (either Permit or Deny).
In general, a policy is a collection of access rules, which should collectively cover all possible cases in order to know what should be done in every situation.
An Access Rule is defined by associating a decision, such as Permit or Deny, with a condition over attribute values.
Rules are combined using composition operators, which specify how to combine the different decisions returned by the rules.
There are two main composition operators: permit-overrides (POV) and deny-overrides (DOV). Intuitively speaking, POV returns Permit if any rule returns Permit; it will return Deny if any rule returns Deny; and NotApplicable if no rule returns Permit or Deny. Similarly, DOV returns Deny if any rule returns Deny; it will return Permit if any rule returns Permit, and NotApplicable if no rule returns Permit or Deny.
Operators section describes in detail the composition operators.
For instance, in order to indicate that any student who has not paid gym membership is denied access to the gym, one could define the following access policy:
PA: Deny if FEE_due
If FEE_due is true, then this particular rule evaluates to Deny . However, if FEE_due is false, then this rule evaluates to NotApplicable. This distinction is very important, as one could have expected this rule to evaluate to Permit if FEE_due were false, however, rules describe as little as possible, and do not directly specify what happens if the condition they specify is not true.
In addition, if FEE_due is unknown, then this rule evaluates to Indeterminate(D), indicating that some information is missing but that this rule could have evaluated to Deny.
PB: Permit if NEWCASTLE_student
In a similar way as above, this rule evaluates to Permit if NEWCASTLE_student is true, NotApplicable if NEWCASTLE_student is false, and Indeterminate(P) if NEWCASTLE_student is unknown.
PC: POV(PA, PB)
We then create a policy by composing the rules PA and PB together. In this case, if NEWCASTLE_student is true, then PB evaluates to Permit, and therefore PC also evaluates to Permit, regardless of the value of FEE_due. On the other hand, if NEWCASTLE_student is false, then PB evaluates to NotApplicable. In such a case, if FEE_due is true, then PC will evaluate to Deny, whereas if FEE_due is false, then PC will evaluate to NotApplicable. The main intuition here is that the policy does not care if the fee is paid, as long as the person requesting the access is a student.
The choice of the composition operator is crucial to the evaluation of the whole policy. Other operators are described in the Operators section
The following sub-sections show the most common composition operators used in access control policies. Please notice that not all of the operations are commutative (Not all tables are symmetrical).
Please bear in mind that VisABAC uses line conventions to represent different composition operators.
Deny-Overrides
| DOV | Permit | Deny | Not Applicable | Indeterminate (Permit) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
|---|---|---|---|---|---|---|
| Permit | Permit | Deny | Permit | Permit | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) |
| Deny | Deny | Deny | Deny | Deny | Deny | Deny |
| Not Applicable | Permit | Deny | Not Applicable | Indeterminate (Permit) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
| Indeterminate (Permit) | Permit | Deny | Indeterminate (Permit) | Indeterminate (Permit) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) |
| Indeterminate (Deny) | Indeterminate (Permit-Deny) | Deny | Indeterminate (Deny) | Indeterminate (Permit-Deny) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
| Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Deny | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) |
Visual Representation
Given the following policy P=DOV(R1,R2) where {R1,R2:not applicable}; P is represented by the following line:
Permit-Overrides
| POV | Permit | Deny | Not Applicable | Indeterminate (Permit) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
|---|---|---|---|---|---|---|
| Permit | Permit | Permit | Permit | Permit | Permit | Permit |
| Deny | Permit | Deny | Deny | Indeterminate (Permit-Deny) | Deny | Indeterminate (Permit-Deny) |
| Not Applicable | Permit | Deny | Not Applicable | Indeterminate (Permit) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
| Indeterminate (Permit) | Permit | Indeterminate (Permit-Deny) | Indeterminate (Permit) | Indeterminate (Permit) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) |
| Indeterminate (Deny) | Permit | Deny | Indeterminate (Deny) | Indeterminate (Permit-Deny) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
| Indeterminate (Permit-Deny) | Permit | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) |
Visual Representation
Given the following policy P=POV(R1,R2) where {R1,R2:not applicable}; P is represented by the following line:
Deny-Unless-Permit
| DUP | Permit | Deny | Not Applicable | Indeterminate (Permit) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
|---|---|---|---|---|---|---|
| Permit | Permit | Permit | Permit | Permit | Permit | Permit |
| Deny | Permit | Deny | Deny | Deny | Deny | Deny |
| Not Applicable | Permit | Deny | Deny | Deny | Deny | Deny |
| Indeterminate (Permit) | Permit | Deny | Deny | Deny | Deny | Deny |
| Indeterminate (Deny) | Permit | Deny | Deny | Deny | Deny | Deny |
| Indeterminate (Permit-Deny) | Permit | Deny | Deny | Deny | Deny | Deny |
Visual Representation
Given the following policy P=DUP(R1,R2) where {R1,R2:not applicable}; P is represented by the following line:
Permit-Unless-Deny
| PUD | Permit | Deny | Not Applicable | Indeterminate (Permit) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
|---|---|---|---|---|---|---|
| Permit | Permit | Deny | Permit | Permit | Permit | Permit |
| Deny | Deny | Deny | Deny | Deny | Deny | Deny |
| Not Applicable | Permit | Deny | Permit | Permit | Permit | Permit |
| Indeterminate (Permit) | Permit | Deny | Permit | Permit | Permit | Permit |
| Indeterminate (Deny) | Permit | Deny | Permit | Permit | Permit | Permit |
| Indeterminate (Permit-Deny) | Permit | Deny | Permit | Permit | Permit | Permit |
Visual Representation
Given the following policy P=PUD(R1,R2) where {R1,R2:not applicable}; P is represented by the following line:
First-Applicable
| FA | Permit | Deny | Not Applicable | Indeterminate (Permit) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
|---|---|---|---|---|---|---|
| Permit | Permit | Permit | Permit | Permit | Permit | Permit |
| Deny | Deny | Deny | Deny | Deny | Deny | Deny |
| Not Applicable | Permit | Deny | Not Applicable | Indeterminate (Permit) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
| Indeterminate (Permit) | Indeterminate (Permit) | Indeterminate (Permit) | Indeterminate (Permit) | Indeterminate (Permit) | Indeterminate (Permit) | Indeterminate (Permit) |
| Indeterminate (Deny) | Indeterminate (Deny) | Indeterminate (Deny) | Indeterminate (Deny) | Indeterminate (Deny) | Indeterminate (Deny) | Indeterminate (Deny) |
| Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) |
Visual Representation
Given the following policy P=FA(R1,R2) where {R1,R2:not applicable}; P is represented by the following line:
Only-One-Applicable
| OOA | Permit | Deny | Not Applicable | Indeterminate (Permit) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
|---|---|---|---|---|---|---|
| Permit | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Permit | Indeterminate (Permit) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
| Deny | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Deny | Indeterminate (Permit) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
| Not Applicable | Permit | Deny | Not Applicable | Indeterminate (Permit) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
| Indeterminate (Permit) | Indeterminate (Permit) | Indeterminate (Permit) | Indeterminate (Permit) | Indeterminate (Permit) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) |
| Indeterminate (Deny) | Indeterminate (Deny) | Indeterminate (Deny) | Indeterminate (Deny) | Indeterminate (Permit-Deny) | Indeterminate (Deny) | Indeterminate (Permit-Deny) |
| Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) | Indeterminate (Permit-Deny) |
Visual Representation
Given the following policy P=OOA(R1,R2) where {R1,R2:not applicable}; P is represented by the following line:
Authoring and editing access control policy can be a complex and cognitive demanding task, especially when dealing with a large number of rules and attributes. Visualisation techniques are known to be helpful to users analysing intricate data, and can, in some contexts, help decreasing the cognitive load.
VisABAC enables the visualisation of attribute based access control policies using the Zoomable Circle Packing technique.
A circle is either an ABAC rule or a composition of ABAC rules grouped by a composition operator.
As a consequence, a policy comprised of sub-policies is represented by circles containing sub-circles in a similar hierarchy as the given policy.
For example, the visualisation in VisABAC of the following policy:
Under the following attribute values:
It is the following figure:
Figure shows that Level 0 (P) represents the whole policy by the most outer circle line; Level 1 (R1 and R2) represent the first level of the tree policy with smaller circles inside. Clicking on the inner circles activates a zoom that would display their respective targets, since they are atomic policies:
The corresponding console evaluation for the given policy gives additional details to the user:
Circles are coloured according to the result of the policy they represent.
Green (or blue [2]) is for Permit, red (or mustard yellow[2]) for Deny , white for NotApplicable, patterned-green for Indeterminate(P), patterned-red for Indeterminate(D), and patterned-grey for Indeterminate(PD).
[2] There is a colour deficiency mode, selectable through preferences, which caters for different types of colour deficiencies. In this mode, a shade of blue is used instead of green; A shade of yellow is used instead of red.


selenium.webdriver.common.action_chains
The ActionChains implementation,
-
class selenium.webdriver.common.action_chains.ActionChains(driver)[source]
- Generate user actions.
- All actions are stored in the ActionChains object.
Call perform() to fire stored actions.
Creates a new ActionChains.
| Args : |
- driver: The WebDriver instance which performs user actions.
|
-
click(on_element=None)[source]
Clicks an element.
| Args : |
- on_element: The element to click.
If None, clicks on current mouse position.
|
-
click_and_hold(on_element=None)[source]
Holds down the left mouse button on an element.
| Args : |
- on_element: The element to mouse down.
If None, clicks on current mouse position.
|
-
context_click(on_element=None)[source]
Performs a context-click (right click) on an element.
| Args : |
- on_element: The element to context-click.
If None, clicks on current mouse position.
|
-
double_click(on_element=None)[source]
Double-clicks an element.
| Args : |
- on_element: The element to double-click.
If None, clicks on current mouse position.
|
-
drag_and_drop(source, target)[source]
- Holds down the left mouse button on the source element,
- then moves to the target element and releases the mouse button.
| Args : |
- source: The element to mouse down.
- target: The element to mouse up.
|
-
drag_and_drop_by_offset(source, xoffset, yoffset)[source]
- Holds down the left mouse button on the source element,
- then moves to the target offset and releases the mouse button.
| Args : |
- source: The element to mouse down.
- xoffset: X offset to move to.
- yoffset: Y offset to move to.
|
-
key_down(value, element=None)[source]
- Sends a key press only, without releasing it.
- Should only be used with modifier keys (Control, Alt and Shift).
| Args : |
- value: The modifier key to send. Values are defined in Keys class.
- element: The element to send keys.
If None, sends a key to current focused element.
|
-
key_up(value, element=None)[source]
Releases a modifier key.
| Args : |
- value: The modifier key to send. Values are defined in Keys class.
- element: The element to send keys.
If None, sends a key to current focused element.
|
-
move_by_offset(xoffset, yoffset)[source]
Moving the mouse to an offset from current mouse position.
| Args : |
- xoffset: X offset to move to.
- yoffset: Y offset to move to.
|
-
move_to_element(to_element)[source]
Moving the mouse to the middle of an element.
| Args : |
- to_element: The element to move to.
|
-
move_to_element_with_offset(to_element, xoffset, yoffset)[source]
- Move the mouse by an offset of the specificed element.
- Offsets are relative to the top-left corner of the element.
| Args : |
- to_element: The element to move to.
- xoffset: X offset to move to.
- yoffset: Y offset to move to.
|
-
perform()[source]
Performs all stored actions.
-
release(on_element=None)[source]
Releasing a held mouse button on an element.
| Args : |
- on_element: The element to mouse up.
If None, releases on current mouse position.
|
-
send_keys(*keys_to_send)[source]
Sends keys to current focused element.
| Args : |
- keys_to_send: The keys to send.
|
-
send_keys_to_element(element, *keys_to_send)[source]
Sends keys to an element.
| Args : |
- element: The element to send keys.
- keys_to_send: The keys to send.
|


Reports the following problems:
- Tabs used for indentation when the code style is configured to use only spaces.
- Spaces used for indentation when the code style is configured to use only tabs.
- Spaces used for indentation and tabs used for alignment when the code
style is configured to use smart tabs.


Please be aware that this report is a point in time update and the details below are likely to change as the incident evolves. No direct action from you is currently required.
{% endblock %} {% block items %}A document version of the report can be found here. Please, use the document for questions and feedback.
{% endblock %}


Endangered Species
Amur Leopard
People usually think of leopards in the savannas of Africa but in the Russian Far East, a rare subspecies has adapted to life in the temperate forests that make up the northern-most part of the species’ range. Similar to other leopards, the Amur leopard can run at speeds of up to 37 miles per hour. This incredible animal has been reported to leap more than 19 feet horizontally and up to 10 feet vertically.
The Amur leopard is solitary. Nimble-footed and strong, it carries and hides unfinished kills so that they are not taken by other predators. It has been reported that some males stay with females after mating, and may even help with rearing the young. Several males sometimes follow and fight over a female. They live for 10-15 years, and in captivity up to 20 years. The Amur leopard is also known as the Far East leopard, the Manchurian leopard or the Korean leopard.
Cross River Gorilla
This subspecies of the western gorilla is very similar in appearance to the more numerous western lowland gorilla, but subtle differences can be found in the skull and tooth dimensions. Cross River gorillas live in a region populated by many humans who have encroached upon the gorilla’s territory—clearing forests for timber and to create fields for agriculture and livestock. Poaching occurs in the forests as well, and the loss of even a few of these gorillas has a detrimental effect on such a small population.
Efforts to protect these animals are focused on securing the forests that house them. WWF and partners have worked with the governments of Cameroon and Nigeria to create a protected area for the Cross River gorilla that spans the border of these two nations.
Bornean Orangutan
Bornean orangutan populations have declined by more than 50% over the past 60 years, and the species' habitat has been reduced by at least 55% over the past 20 years.
The Bornean orangutan differs in appearance from the Sumatran orangutan, with a broader face and shorter beard and also slightly darker in color. Three subspecies are recognized, each localized to different parts of the island:
- Northwest Bornean orangutans are the most threatened subspecies. Its habitat has been seriously affected by logging and hunting, and a mere 1,500 individuals or so remain. Many habitat patches in the area are small and fragmented.
- Northeast Bornean orangutans are the smallest in size and found in Sabah and eastern Kalimantan as far as the Mahakam River.
- Central Bornean orangutans are the subspecies with the most animals, with at least 35,000 individuals.
Black Rhino
Black rhinos are the smaller of the two African rhino species. The most notable difference between white and black rhinos are their hooked upper lip. This distinguishes them from the white rhino, which has a square lip. Black rhinos are browsers rather than grazers, and their pointed lip helps them feed on leaves from bushes and trees. They have two horns, and occasionally a third, small posterior horn.
Populations of black rhino declined dramatically in the 20th century at the hands of European hunters and settlers. Between 1960 and 1995, black rhino numbers dropped by a sobering 98%, to less than 2,500. Since then, the species has made a tremendous comeback from the brink of extinction. Thanks to persistent conservation efforts across Africa, black rhino numbers have doubled from their historic low 20 years ago to around 5,600 today. However, the black rhino is still considered critically endangered, and a lot of work remains to bring the numbers up to even a fraction of what it once was—and to ensure that it stays there. Wildlife crime—in this case, poaching and black-market trafficking of rhino horn—continues to plague the species and threaten its recovery.
Sunda Tiger
Sunda tigers are distinguished by heavy black stripes on their orange coats. The last of the Sunda island tigers—estimated to be fewer than 400 today—are holding on for survival in the remaining patches of forest on the island of Sumatra. Accelerating deforestation and rampant poaching mean this noble creature could end up extinct like its Javan and Balinese counterparts.
In Indonesia, anyone caught hunting tigers could face jail time and steep fines. But despite increased efforts in tiger conservation—including strengthening law enforcement and antipoaching capacity—a substantial market remains in Sumatra and other parts of Asia for tiger parts and products. Sunda tigers are losing their habitat and prey fast, and poaching is an ever-present threat.


There are several MIDI or NoteSequence visualizers available. You can connect it to an mm.Player to update the visualization in sync with the audio.
NoteSequence
mm.Player
Load a melody in any of these formats:


Satmar in Meron 24 Nov 2019, 00:24 by Video of the Day The Satmar Rebbe, enjoying his visit to Israel, dances with his Chassidim in Meron. RELATED ARTICLES


THE HORSEMAN ON THE ROOF (LE HUSSARD SUR LE TOIT) A film review by Steve Rhodes Copyright 1996 Steve Rhodes
RATING (0 TO ****): * 1/2
THE HORSEMAN ON THE ROOF (LE HUSSARD SUR LE TOIT) is an exercise in style. It is a fast action tale of a devastating 1832 cholera epidemic in the south of France. Secondarily, it is both a romance and a horror show. It is billed as a romance because it has two beautiful stars who hang out together in the show, but no more. Equally well, it is macabre since it has more needlessly gruesome dead bodies than any morgue. In close-ups the characters vomit a lot, usually all over themselves, and after the hundredth corpse, you may feel like throwing up as well.
The local doctor tells us, that this is the "worse epidemic ever" and shortly thereafter he dies. Let me warn the squeamish again that if you go to this show, you will see scores and scores of dead bodies. I am not talking about removed shots from fifty feet away.  In one scene a large black bird begins to peck the eye out of one of the corpses.
When the director (Jean-Paul Rappeneau) is able to get away from pestilence and death, his picture is gorgeous. The cinematography by Thierry Arbogast is full of steel blues and grays. Especially lovely are the sequences of the towns at night and of the mountains. If you are a fan of swashbuckling sort of tales, you may like the hectic pace and all of the little adventures the director puts his stars through. The costumes (Franca Squarciapino) and the music (Jean-Claude Petit) are both lush and beautiful. The sound (Pierre Gamet and Jean Gouldier) is particularly impressive in the huge noise created by a group of cavalry rushing from out of nowhere in a dense forest.
The plot of the show is that Angelo (Olivier Martinez) is a 25 year old Italian army colonel and would be revolutionary. He is being hunted by the Austrian secret police. He meets a beautiful young woman named Pauline de Theus (Juliette Binoche). Together they search for Pauline's husband.
Angelo writes frequently to his mother who "is a duchess that talks only of revolution." In one letter he tells her, "Mother, you always wanted me to be more reckless. Today, you would have been proud of me." She would not be so proud of his acting which is non-existent. Olivier Martinez is a man handsome enough to be a model, but I saw no evidence of any acting talent. He has a striking pretty brown tabby cat who does know how to act. I liked the cat better than any of the actors or actresses in the film.
Juliette Binoche can be a wonderful actress, see for example, DAMAGE, THREE COLORS: BLUE, and THE UNBEARABLE LIGHTNESS OF BEING among others. Here, she gets poor guidance from the director I guess because she shows little emotion and spends most of her time in vacuous smiles. The chemistry between the two leads, who theoretically are falling in love, is not believable. For that matter, neither are the action sequences. In one, Angelo fights off twenty soldiers merely by making sure the sun gets in their eyes.
Overall, the script (Jean-Claude Carriere, Nina Companeez and Jean-Paul Rappeneau based on the novel by Jean Giono) is a mess. There are fist fights, fighting armies, murders, plague, fires, revolutionaries, lost husbands, romances, and lots of people whom it is hard to figure why they are there at all. If you were watching the show at home, you would be constantly rewinding the tape in vain to try to figure out what is happening. Confusion is this show's middle name. To make it worse, everyone in the picture moves with such a high nervous energy that it leaves you exhausted.
Finally, one piece of trivia. They had only one way to treat cholera back then. They poured alcohol all over the body and rubbed vigorously in order to stimulate the circulation.
THE HORSEMAN ON THE ROOF runs way too long at 2:10. I saw all of it, but it is so repetitious that if I had left after only thirty minutes, I would not have missed anything. The picture is in French with English subtitles. The film is rated R. There is brief nudity, no sex, but lots of extremely horrific pictures of people dead or dying. This is a very intense show that is only for people with strong stomachs. If teenagers want to see it, make sure they can handle the gore. I liked the pretty parts of the picture, but otherwise it left me cold so I can not recommend it and can only give it * 1/2.
**** = One of the top few films of this or any year. A must see film. *** = Excellent show. Look for it. ** = Average movie. Kind of enjoyable. * = Poor show.  Totally unbearable.
REVIEW WRITTEN ON: May 24, 1996
Opinions expressed are mine and not meant to reflect my employer's.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Find these slides at
jvehent.github.io/securing-your-websites/
|
Hacker's favorite way to blowing up your webapps since....
pretty much forever.
Cross-site scripting (XSS) is a security exploit which allows an attacker to inject into a website malicious client-side code. This code is executed by the victims and lets the attackers bypass access controls and impersonate users.
<script type='text/javascript'>alert('xss');</script>
Content-Security-Policy: default-src *; object-src 'none'
Disable the use of unsafe inline/eval,
allow everything else except plugin execution.
func setResponseHeaders() Middleware {
return func(h http.Handler) http.Handler {
return http.HandlerFunc(func(w http.ResponseWriter, r *http.Request) {
w.Header().Add("Content-Security-Policy",
"default-src *; object-src 'none'")
w.Header().Add("X-XSS-Protection",
"1; mode=block")
h.ServeHTTP(w, r)
})
}
}
You need to return the CSP header on every HTTP response.

Put user generated data on a separate domain that doesn't have cookies, and insert it on your main site with an iFrame.
This prevents UGC from having access to the origin.
This is (partly) why Facebook puts user images on "fbcdn.net"
Cookies are well protected in the browser, if you use them the right way. The rule of thumb:
SameSite is a new cookie attribute that tells the browser to only send the cookie back to the origin is was set from.
SameSite prevents third-party sites from forcing you to send requests with your cookies. It's like a CSRF token, only nicer.
Don't store user passwords, don't end up on this list.
Let someone else do identity management for you.
Benefits of delegating identity management:
If you're going to pull half the internet into your code,
at least make sure it's up to date.
A pre-requisite to any website nowadays.
Many web servers and providers now have good defaults configurations. Trust, but verify!"
Don't make up your own, it's too time consuming
Four main types of security tests:
Automated tools that spider your website and apply series of tests to each resource discovered.
Spidering/Discovering all resources can be hard (particularly on modern webapps), so another option is to proxy browser traffic through the scanner.
Inject junk into the interfaces of an app to make it crash.
Analyse the source code for security issues.
$ bandit -r src/github.com/Kinto/kinto
Severity: High Confidence: High
Location: src/github.com/Kinto/kinto/kinto/plugins/accounts/scripts.py:36
>> Issue: [B322:blacklist] The input method in Python 2 will read from
standard input, evaluate and run the resulting string as python source
code. This is similar, though in many ways worse, then using eval.
On Python 2, use raw_input instead, input is safe in Python 3.
35 print('Username should match {0!r}, please try again.'.format(validator.regexp))
36 username = input('Username: ')
Static code analysers exist for many languages: bandit for python, eslint for javascript, gas for golang, etc.
Don't deploy to prod unless the security tests pass in dev.
test:
override:
- docker run mozilla/cutefox
background: true
# pull down the ZAP docker container
- docker pull owasp/zap2docker-weekly
# Run ZAP against the application
- >
docker run -t owasp/zap2docker-weekly zap-baseline.py
-t http://<IP_ADDRESS>:8080/
PASS: Absence of Anti-CSRF Tokens [40014]
WARN: Web Browser XSS Protection Not Enabled [10016] x 3
http://<IP_ADDRESS>:8080/
http://<IP_ADDRESS>:8080//robots.txt
http://<IP_ADDRESS>:8080//sitemap.xml
At a minimum, have a bug bounty program!
As soon as you have the budget, hire specialists to audit your website. Ideally, make that report public too.
Unless you're a big shop, it's much safer to outsource:
Heroku, AWS ElasticBeanstalk, Google Cloud, etc.


I had gone to a private school my whole life and wasn't offered any drugs during my elementry and junior high years. I then changed to a public high school and got a real awakening. I had started to hang out with the kids that smoked all the pot and have a good time. It wasn't until nearly the end of sophomore year that I had decided to try pot for the first time.
It was all planned out. My friend J had decided to burn me down with about 4 other friends that were far more experienced than I. We drove around for a while and did a box or two or nitrous oxide at the beach. We drove out into the countryside at around 6:30 that evening. We pulled over and got out of the car and J pulled out the roundest, biggest, most beautiful joint I had ever seen.
Now you are probally thinking, 'Ever seen? This is your first time smoking marijuana right? How do you know what a nice joint looks like?' Well here's the other part of the story.
As far back as I can remember my mom has been a pothead. I can remember being about 5 years old, playing with my matchbox cars on the floor and using the seeds and stems of my mom's siff in the dumptrucks. The smell of marijuana can be linked to many memories... from playing in the backyard to staying home sick from school.  She is a great mother.
So this is why I am so thankful to my mom. All those years of being exposed to weed smoke turned my first experience into a great one. Most people need to be exposed to the smoke before they feel it and their first exposure is nothing. I believe my tolerance was lowered by the second-hand smoke exposure.
So J handed me the fat joint and I took a huge, long, lung-expanding drag from it and held it in until the joint came back around to me again. I remember taking hit after hit after hit until it was too short and we put it in a full packed bowl. So we passed the bowl around again and again and again. After we smoked nearly 2 joints and two tightly packed bowls I remember saying to myself 'When's it going to actually happen?'
As we all climbed back into the car it hit me like a wall of bricks. It was like my third eye had been opened and everything was made clear and made sense. I had no worries. Pure bliss took over and I emersed myself in the intricate thoughts in my mind and intricate sounds of the techno music that radiated from the speakers behind my head. Flying down the road seemed to take hours, yet we arrived back at the beach in seconds.
We then went back to his house and ate 4 or 5 bags of popcorn. I realized what people meant by the munchies now. I could see inside my mouth, the kernels mushing in my teeth and slowly tumbling down my throat. I laughed out loud when this picture popped in my head.
I really loved the feeling and it lasted for about 3 good hours before I started to come down. At 10:30 I arrived back at my house, still buzzed and decided to go strait to bed and not linger around my mom or dad. Even though I knew my mom smoked pot, I didn't want her to find out I was starting to burn down too.
After getting the most relaxing sleep ever, I awoke to a strange feeling. Not a buzz or a hangover, just a strange feeling that lingered over my body for nearly the rest of the day. I'm not sure if this happens to everyone but it seems to happen a lot to me. If I go to bed still high on pot, the next morning (the whole next day actually) is a strange feeling.
It's only been a year since then but I have smoked dozens of times. I still haven't talked about it to my mother. I'm really thinking about telling her though, since she can get me those old-people hookups.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Monday - Saturday 9:00am - 8:00pm
+1<PHONE_NUMBER>
Long Branch, NJ
alexfernands@outlook.com


THE WALLACE CAMPAIGN WORKER IN WAYNE COUNTY, MICHIGAN
by James Lewis Canfield
A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Political Science) in The University of Michigan 1971
Doctoral Committee:
Professor Samuel J. Eldersveld, Chairman Professor Frank Grace
Associate Professor Shaw Livermore, Jr. Assistant Professor Robert A. Schoenberger
Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.


Visit this project on GitHub
Bloons TD6 Random Challenge
Include hero:
Yes
No
Map type:
Any
Beginner
Intermediate
Advanced
Expert
RANDOM VALUES
Randomize only towers:
Primary count:
Military count:
Magic count:
Support count:
Difficulty:
Any
Easy
Normal
Hard
TBA: Include submodes:
None
Any -- With Standard
Any -- Without standard
GENERATE


Minimum deferral is 3 months after date of delivery Maximum deferral can not exceed 12 months
", "classes": "nhsuk-u-margin-top-2 nhsuk-u-margin-bottom-4" }) }} {{ input({ "label": { "text": "Months to defer after the date of delivery", "isPageHeading": false }, "id": "deferlength", "name": "defer-length", "classes": "nhsuk-input--width-2" }) }}


 This command generates such auxiliary files.
OPTIONS
- -f
- --force
Update the info files from scratch.
OUTPUT
Currently the command updates the following files. Please see gitrepository-layout(5) for description of what they are for:
objects/info/packs
info/refs
GIT
Part of the git(1) suite


Welcome to the Flu Shot Finder for North Carolina. If your device has GPS, you may click on the Find Me button to see locations near you.  Click on All, Next 7 Days, or On A Day of the week to highlight locations available on a certain day. Blue map locations offer free flu shots for anyone six months of age or older.


Building/Design
Building/Design
Building/Design
Programming
Programming
Programming
Planning/Marketing
Planning/Marketing
Our goal with this product is to help people keep tabs on their hydration and make sure that they're water intake is within recommended guidelines. Nowadays, people are putting a lot more emphasis on physical fitness and exercise. However, some studies show that nearly 50% of Americans don't consume the recommended amount of water. In order to prevent the health risks of dehydration, we have developed our product as a way to help people track their water intake, maximize their performance capabilities, and improve their well-being.
Our goal with this product is to help people keep tabs on their hydration and make sure that they're water intake is within recommended guidelines. Nowadays, people are putting a lot more emphasis on physical fitness and exercise. However, some studies show that nearly 50% of Americans don't consume the recommended amount of water. In order to prevent the health risks of dehydration, we have developed our product as a way to help people track their water intake, maximize their performance capabilities, and improve their well-being.
After spending time cycling through ideas, we finally reached a consensus on the product idea.
Finalized project’s purpose and issue. Put together a list of features needed and planned out how we’re going to go about doing so.
Completed code to be implemented into Arduino to allow for the hardware to run. Circuit diagram and blueprints created for the assembly of the final product
Circuits and hardware assembled according to circuit diagram. Arduino code uploaded to boards. Still working on web application development and data retrieval and manipulation.
Web application UI and design completed. Still waiting to connect hardware to software to send data over to application. Waiting for final parts to be 3D printed for bottle.
| Part | Cost |
|---|---|
| Toggle Switch | $2.00 |
| Wireless 433MHz transmitter/receiver | $1.50 |
| Water Bottle | $10 |
| Battery Clip | $0.60 |
| 9V Battery | $1.50 |
| Breadboard | $5.90 |
| 2x Arduino UNO | $30.00 |
| Ultrasonic Sensor | $13.00 |
| Misc Wires | $0.60 |
| Total Cost | $65.10 |
Health benefits and improved well-being
Reduced levels of dehydration
Less polution from plastic bottle usage
Less money spent on water bottles
Our final product is still has some problems and lacks some features we would want to fix moving forward with this project. First of all, the cost of one transmitting and one receiving arduino could be cut in half by just implementing a bluetooth module to facilitate data collection directly to the server. Secondly, we would try to make the battery a rechargable one rather than a 9V. And finally, at the very late stages of development, we could try to implement AI to adjust to drinking patterns and tell you the most optimal time to drink.


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