Marko explains why Red Bull didn't reach target of five wins in 2019
by Nicolás Quarles van UffordAfter initially targeting five wins for the 2019 F1 season for his team Aston Martin Red Bull Racing, advisor Dr Helmut Marko explained why the side hasn't reached this objective, as Max Verstappen took three victories for the Bulls.
In the first season of Red Bull's partnership with engine supplier Honda, it was always going to be a transitional season as the two parties grew accustomed to each other.
Still, thanks to the reliability and surprising power of the Honda engines combined with Verstappen's skill and talent, Red Bull had two wins on the board by the summer break and almost grabbed a third in Hungary before Lewis Hamilton snatched it away in the final laps.
Although Verstappen went on to win one more race in Brazil to complete his best-ever season in F1, but his team still ended the season two wins short of the projected five.
“We have stayed below our potential. Five wins would have been possible,” Marko told Austrian news outlet Kronen Zeitung.
“The reasons for this were, on the one hand, unfortunate circumstances such as the various crashes and on the other hand, that the chassis side only started improving later into the season."
Red Bull typically start seasons behind Ferrari and Mercedes and grow as the season progresses due to significant upgrades. Yet again, this was the case in 2019.
“This was one of the consequences of the weak start of the season in 2019 but we technically caught up. This time everything should work optimally from the beginning. Our complete attention is on the new car.”
With Honda's power units becoming stronger, giving Red Bull the luxury to keep up with Ferrari and Mercedes in straight lines, they could be more competitive from the start of 2020.


This was a fun creative coding project in JavaScript, using the p5.js library. I was inspired by a video on the YouTube channel "The Coding Train" on the same topic, and felt like taking on the challenge myself.
The objective of the project was to simulate a light source in a closed environment by 'casting rays' from a point source and drawing their intersection with the environment. This is a technique often used in rendering algorithms, where individual rays of light from a light source are traced out to determine the appearance of a rendered object. In this case, I'm just casting out rays in a plane, and instead of using the output in rendering, I'm just displaying it in this neat visualization! Move your mouse around the black square to see it in action (and reload the page if you want to generate new 'walls').


A lesson related to this project will discuss the theory and construction of the following types of filters:


Ploror688.github.io
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org.apache.commons.httpclient.protocol
Interface SecureProtocolSocketFactory
- All Superinterfaces:
- ProtocolSocketFactory
- All Known Implementing Classes:
- SSLProtocolSocketFactory
- public interface SecureProtocolSocketFactory
- extends ProtocolSocketFactory
A ProtocolSocketFactory that is secure.
- Since:
- 2.0
- Author:
- Michael Becke, Mike Bowler
- See Also:
ProtocolSocketFactory
|
Method Summary |
Socket |
createSocket(Socket socket,
String host,
int port,
boolean autoClose)
Returns a socket connected to the given host that is layered over an
existing socket. |
createSocket
public Socket createSocket(Socket socket,
String host,
int port,
boolean autoClose)
throws IOException,
UnknownHostException
- Returns a socket connected to the given host that is layered over an
existing socket. Used primarily for creating secure sockets through
proxies.
- Parameters:
socket
- the existing sockethost
- the host name/IPport
- the port on the hostautoClose
- a flag for closing the underling socket when the created
socket is closed- Returns:
- Socket a new socket
- Throws:
IOException
- if an I/O error occurs while creating the socketUnknownHostException
- if the IP address of the host cannot be
determined
Copyright © 2001-2006 Apache Software Foundation. All Rights Reserved.


Hello
\listfiles \documentclass{article} \usepackage{amsmath} \usepackage{amssymb} \usepackage{mathtools} \DeclarePairedDelimiter\floor{\lfloor}{\rfloor} \def\N{\mathbb{N}} \usepackage[a4paper,margin=1in]{geometry} \setlength{\parindent}{0cm} \setlength{\parskip}{1em} \title{MATH 249 Notes} \date{} \begin{document} \maketitle \section*{Binomial Theorem} Consdider a subset $S \subseteq \{1, 2, \ldots n\}$ The indicator sequence of S is the sequence $f(S) = (f_1, f_2 \ldots f_n)$ with each $f_i \in \{0, 1\}$ where $f_i(S) = 0 if i \not\in S, 1 if i \in S$ Binomial theorem: $(1+x)^n = \sum \binom{n}{k} x^n$ Proof: we have a bijection between the sets P(n), the set of subsets of $\{1 \ldots n\}, and the set \{0, 1\}^n$, the set of indicator sequences of subsets of n. \begin{align*} P(n) &\to 0, 1 ^n \\ S &\to (a_1, a_2 \ldots ) \\ |S| &\to a_1 + a_2 + \ldots \\ \sum_{S \in P(n)} x^{|S|} &= \sum_{(a_1 \ldots ) \in \{0, 1\}^n} x^{a_1 + a_2 \ldots } \\ &= \sum_{a_1 \in \{0, 1\}} x^{a_1} \sum_{a_2 \in \{0, 1\}} x^{a_2} \ldots \\ &= (\sum_{a \in \{0, 1\}} x^a)^n \\ &= (1 + x)^n \end{align*} \section*{Multisets} There are $t \ge 1$ types of elements, each type of element can occur any natural number of times Eg 5 types of element G, Y, O, R, P a multiset with 10 elements of those types might look like (G, G, Y, O, O, O, R, R, R, P) Given $t \ge 1 and n \ge 0$, how many multisets of size n with t types of elements are there? Adapting the indicator function, let the example get the sequence $(2, 1, 3, 3, 1) \in N^t$ Let M(n, t) be the set of all multisets of size n with t types of elements, and M(t) be the set of all multisets with t types of elements $\sum_{\mu \in M(t)} x^{|\mu|} = \sum_{(m_1, \ldots, m_t) \in \N^t} x^{m_1, m_2 \ldots, m_t}$ To groups the LHS by powers of x, we need $|M(n, t)| = \binom{n+t-1}{t-1}$. Proof: trivial \section*{Binomial Series expansion for negative integers} \begin{align*} \sum_{\mu \in M(t)} x^{|\mu|} &= \sum_{n \in \N} \binom{n+t-1}{t-1} x^n \\ &= \sum_{(m_1, \ldots m_t) \in \N^t} x^{m_1 + \ldots + m_t} \\ &= \sum_{m_1 \in \N} \sum_{m_2 \in \N} \ldots \sum_{m_t \in \N} x^{m_1 + \ldots m_t} \\ &= \sum_{m_1 \in \N} x^{m_1} \ldots \\ &= \left( \sum_{m \in \N} x^m \right)^t \\ &= \frac{1}{(1-x)^t} \end{align*} \section*{Vandermonde Convolution} \begin{align*} (1+x)^{a+b} &= (1+x)^a (1+x)^b \\ \sum_{k = 0}^{a+b} \binom{a+b}{k} x^k &= \left( \sum_{i=0}^a \binom{a}{i} x^i\right) \left( \sum_{j=0}^a \binom{a}{j} x^j\right) \\ &= \sum_{i \in [0, a]} \sum_{j \in [0, b]} \binom{a}{i} \binom{b}{j} x^{i+j} \\ &= \sum_{k \in [0, a+b]} \left( \sum \binom{a}{i} \binom{k}{k-i} x^k \right) x^k \end{align*} \section*{Extracting powers} Eg: Let $\sum_{n \in \N} g_n x^n = \frac{1-x^2}{1 - 3x + 4x^3}$, find $g_n$. \begin{align*} (1 - 3x + 4x^3) \sum_{n \in \N} g_n x^n &= 1 - x^2 \\ \sum_{i \in N} g_i x^i - 3 \sum_{j \in \N} g_j x^{j+1} + 4 \sum_{k \in \N} g_k x^{k+3} &= 1 - x^2 \end{align*} Extract coefficient of $x^n$ on LHS and RHS. $n = 0: g_0 = 1$ $n = 1: g_1 - 3g_0 = 0$ $n = 2: g_2 - 3g_1 = -1$ $n = 3: g_3 - 3g_2 + 4g_0 = 0$ $n \ge 4: g_n - 3g_{n-1} + 4g_{n-3} = 0$ \section*{Generating Functions} Let $S$ be a set. Assum that each element $\sigma \in S$ has a weight $w(\sigma) \in \N$. Then $\sum_{\sigma \in S} x^{\omega(\sigma)}$ makes sense. The set of compositions of length 1 has generating function $\sum_c x^c$. The set of compositions of length 2 has generating function \begin{align*} \sum_{c_1, c_2} x^{c_1 + c_2} &= \sum_{c_1} x^{c_1} \sum_{c_2} x^{c_2} \\ &= \left(\frac{x}{1-x}\right)^2 \end{align*} The set of compositions of arbitrary length is \begin{align*} \sum_k \left(\frac{x}{1-x}\right)^k &= \frac{1}{1 - \frac{x}{1-x}} \\ &= \frac{1-x}{1-2x} \end{align*} Eg: Find ogf of compositions with all parts $\ge 2$ One part in the set $\{2, 3 \ldots \}: x^2 + x^3 + \ldots = \frac{x^2}{1-x}$ k parts: $(\frac{x^2}{1-x})^k$ by the product lemma For all $k \in \N$, we sum this. Hence $|G_n| = f_{n-2}$ (fibonacci number) Eg: Compositions such that the length is odd and all parts have size 1 or 2 One part in $\{1, 2\}$: ogf is $x + x^2$ $k$ parts: $(x + x^2)^k$ sum over odd $k$ Q. Among all $2^n-1$ composition of size $n$, what is the average number of parts of size 1? (Eg $n=4$, it's $3/2$) For each composition $\gamma$ let $|\gamma|$ be the length and $f(\gamma)$ be the number of parts of size 1. Let $C(x, y) = \sum_{\gamma \in \N^*} x^|\gamma| y^f(\gamma)$. One part in $\{1, 2, 3 \ldots \}$ We have the ogf $xy + x^2 + x^3 + \ldots = xy + \frac{x^2}{1-x}$. $k$ parts in $\{1, 2, 3 \ldots \}$ we have $(xy + \frac{x^2}{1-x})^k$ by the product lemmma. $C(x, y)$ is the sum over all k, which is $\frac{1}{1 - (xy + x^2/(1-x))}$ $[x^n] \partial / \partial y C(x, y) | y = 1 = \sum_{|\gamma| = n} f(\gamma)$ \section*{Rational Language} RS is concatenation, $R \smile S$ is set union, $R* = \cup_k R^k$ A regular expression leads to a rational function. $RS$ leads to $R(x)S(x)$ and $R \smile S$ leads to $R(x) + S(x)$. A regular expression is umambiguous if R $\vartriangleright cursive R$ and each thing is produced once. $R \smile S$ is unambiguous when it is a disjoint union ($R \cap S = 0$) $RS$ is ambiguous when $|RS| = |R \times S|$. Theorem: Let $R$ be a regular expression. $R \vartriangleright R_{script}$ and $R \to R(x)$. If R is umambiguous then $R(x) = \sum_{\sigma \in R} x^{l(\sigma)}$. A block of $\sigma$ is a nonempty sequence of consecutive equal bits which is maximal. Let $L \subseteq \{0, 1\}^*$ consist of binary strings in which blocks of 0s have even length. $L$ is produced unambiguously by $(00 \smile 1)^*$ Then $L(x) = \frac{1}{1 - x - x^2}$. Let $L$ consist of binary strings in which blocks of 0s have odd length. Block decomposition for all binary strings: $1^*(0^*01^*1)0^*$ \end{document}


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TOPIC: fitness and nutrition. SITE NAME: https://studentfitness.com DESCRIPTION: It’ll be a fitness app/ website specially designed for college going students who find it very difficult to manage a fix workout timetable and diet with their daily college routine. (i)TARGETED AUDIENCE: all college going students hostelites and paying guests specified diet for vegetarians and jain. with and without supplements. (ii)SITE AIM: to provide students with a guide that provides them with a flexible workout and diet plan to meet their respective fitness goals in mass gain fat loss shredding lean bulking etc… that would be possible to be followed parallelly with their day to day college schedule. (iii)UNIQUENESS: Unlike other fitness apps that are designed keeping in mind the major crowd of users that is the office going crowd and elderly people this app is specially designed for teenagers and college going students. It’ll be specially designed keeping in mind a normal student’s daily schedule, diet,budget and source availbilities SITE DESCRIPTION: contain pages for: for workout plans for different muscle groups for different diet plans links directing to video tutorials on how to perform particular exercises images for visual understanding a separate common comment/doubt section for q&a to provide one to one solutions.
Doubts: 1)Does the website store the age, weight, height and BMI of the student and suggest a workout plan based on that? -- -Reply- -- 1)-yes the user will enter all his details when he logs in for the first time and can later on make changes to keep it upto date with his her current growth status Comments: It is a pretty good idea as it focuses on college students which is unlike the regular fitness apps It covers the diets of vegetarians/jain people too which is great
User Reviews:
It is a pretty good idea as it focuses on college students which is unlike the regular fitness apps It covers the diets of vegetarians/jain people too which is great.


LOB
STER
L
ittle
OB
jects
S
egmentation &
T
racking
E
nvi
R
onment
an image analysis environment to identify, track, and model biological objects from large multidimensional microscopy images
Other projects
BIAFLOWS
Getting started
Video tutorials
Cheat sheet
A little blackout?
User documentation
The bible,
or something like this
GitHub
Where to download the source code
Community forum
Where to ask questions and get answers on anything related to LOBSTER
Sample images
Should be copied to installation folder
/Images
Sample results
Should be copied to installation folder
/Results
Credits


'I've found you, but you've been beaten, battered, starved, malnourished, neglected,
discounted, and disowned. I must restore you to health so we can have our adventures.'
What words might you find on Julia Cameron's T-shirt as she walks her dogs in the pi~non foothills of New Mexico, or travels on the road during her 18-city author tour this fall? Always in Process. Author of The Artist's Way: a Spiritual Path to Higher Creativity, she has come out with another bright, lively, personal jewel that encourages readers to keep creating. The Vein of Gold, a Journey to your Creative Heart, recently released, shares a similar spirit with its ancestor, The Artist's Way:-creativity is never over and the author is constantly creating-in process. Her personal stories, useful exercises and lively, upbeat writing manner cajole and entice your child-self-the creator-to come out to play.
The Artist's Way, published four years ago, spent 26 weeks on the Publishers' Weekly best-seller list in 1995 alone and has sold more than 650,000 copies. It has inspired hundreds of thousands of people to pursue their creative dreams through the comprehensive 12-week program.
According to Cameron, "The Artist's Way was a book of reunion and discovery: 'Ah-hah! I do have inside me an artist, an inner youngster, who had been lost to me! . . .' The Vein of Gold is a book of healing and rehabilitation: 'I've found you, but you've been beaten, battered, starved, malnourished, neglected, discounted, and disowned. I must restore you to health so we can have our adventures.'"
Both books are, according to Cameron, "the distillate of 30 years of artistic practice." It is my belief and my experience as a teacher that all of us are healthy enough to practise creativity. It is not a dangerous endeavour requiring trained facilitators. It is our human birthright and something we can do gently and collectively. Creativity is like breathing -pointers might help, but we do the process ourselves.
After The Vein of Gold's initial chapter entitled 'Setting Out,' which brings you up to date on the tools of The Artist's Way, there are seven chapters of essays that house over 100 creative tasks which take us through the various kingdoms as a journey to the heart of creativity. The following are two of the seven kingdoms Cameron describes. Included is a task and one of the 513 quotes of other artists she has placed in the margins.
Divide a piece of notebook paper into three parts horizontally. Label the top third, 'Years 1-5.' The middle is 'Years 5-10.' The bottom third is 'Years 10-15.' On additional pieces of paper, move through your life in five-year increments up to your current age, jotting down notes in answer to these questions:
Where did you live? Who were your major players? Any significant pets? What were your favourite foods, games, music, friend, toys, hobbies, interests and clothes? What were your major events? What are your dominant memories?
The challenge, then, is to be the creative myth-maker that we are, to consciously choose our myth, lest it be chosen for us by the collective mind.
-Mary Elizabeth Marlow.
Task: Time Capsule Collage from whatever source-magazines, newspapers, catalogs, cereal boxes, old photo collections; collect and save 20 images that in some way resonate with your memories, associations and life experiences from years one to five.
Don't be too literal with yourself. If your dominant memory of your toddler's bedroom is the great green leafy tree outside the window, you can use a picture of the rain forest or even a salad if that green works for you in conjuring up the association. Remember, you are both the 'I' and the 'eye' in this exercise. It is not necessary to know why an image speaks to you. The fact that it does is connection enough.
 I prefer working with old-fashioned Elmer's glue, although there are those who swear by glue sticks. Feel free to add words or glitter, to outline with magic marker or dabble with paints. This is your collage and it is meant to reflect your child-self. Try to let yourself go back to that child and remember.... You may want to set aside time each day for a week to move another five years further with your Time Capsule Collage. You may also want to hang these collages for a while. A hallway hung with a row of them becomes a visual Narrative Time Line, not unlike a home movie.
The local painters were my idols...These artists, too, were grown-ups, but they were grown-ups who could still see! Their eye was still in love! Like mine!"
-Frederick Franck.
Julia Cameron will be in Vancouver on November 7 & 8 to present a workshop based on The Vein of Gold. $150. Tickets from CBO 280-2801 or Greenhouse Books, Banyen Books, Serendipity's, Whitby's and Phoenix Books.


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Loan Shark is an app that lets you track of the money you lent to someone or borrowed from someone. It is not a replacement for Quicken or other finances app, but rather a quick and easy way to see if you owe someone something, or someone owes you. Loan Shark is also capable of tracking non-monetary debts; if you let someone borrow some stuff, you can enter it into the app as well. The debt payments can be split into parts, and the app will keep track of partial payments until the debt is paid off. Also, it is capable of calculating simple interest on any debts owed.
Borrower and Creditor records show the following information: name of a borrower/creditor, debt amount without interest or payments, interest rate and interest type, and the due date. If the debt is overdue, it will be marked accordingly. If the debt is non-monetary, the first item owed will be shown.
To see the debt details and to pay off debts, click on the debt item.
To delete a record, swipe it off the screen. Note that no history record will be created by simply deleting the debt; if you want to create the history record, open the debt details and hit Pay All button in the Payment screen.
The debt details view shows the detailed informations about the debt. The very first details shown are the name and the phone number of the borrower or the creditor. You can make a phone call by tapping the phone number, provided it is a valid number. Next, there is the total money owed section; if the debt is non-monetary, the items taken will be shown. Information available is: initial amount, interest, and the total amount. Next, there is the payments section; it will show the total payments made to this debt. Finally, the due date and the initial date of the debt will be shown.
To modify the debt, tap the modify button.
To pay the debt fully or in part, hit the Payment button. If the debt is non-monetary, there will be a Return All button, which will let you return all the items. Any payment or return will add a history record.
To add a record, tap a plus icon on the top right of the screen. To edit a record, go to debt details screen and hit the Edit button.
In the Add/Edit Record screen, select a person from the list. If the person is not on the list, hit the Add New button.
Next, enter the reason for the debt. You can leave it blank, but it is helpful if you have multiple debts with the same person. Also, you can see the debt reason in the payment history details screen.
Then, choose if a debt is monetary or non-monetary. If the debt is monetary, enter the amount borrowed or lent. If it's non-monetary, enter the items you borrowed or lent.
The Interest switch determines if a debt has interest. The interest percentage is determined by the Simple Interest formula i=Prt, where i is interest, P is principal (initial) amount, r is rate, and t is time units that have passed since the initial date.
Interest type list lets you choose the time units for the interest calculation. Available options are: None, Daily, Weekly, Bi-Weekly, Monthly, or Annual. Daily or weekly interest can rock up very significant interest.
At last, choose the due date. By default, it is indefinite. If the debt is past due, it will show up as Overdue in the list.
Contacts screen shows the available contacts that you can use when you create a debt record. The contacts list shows the following information: name, phone number, and rating of the contact. The circle with the first letter of the contact's name will change color depending on the rating.
To delete a contact, swipe it off the screen. To edit a contact, tap on it and hit the Modify button.
If a contact is deleted, any records that use the contact will be deleted as well, including payment history records.
To add a contact, hit the plus icon on the top right of the screen. To edit an existing contact, tap on it and hit the Modify button.
Adding a new record is self-explanatory. First, enter the first and last (optional) name of the person. Next, set their rating - i.e. how reliable they are. Finally, add any known phone numbers of that person.
There is also an option to pick a person from contacts. Just hit the Pick button, grant the CONTACTS permission, and choose the person from the list. First and last name, and all known phone numbers will be imported. The app checks for duplicate phone numbers, but in some cases it can import duplicates; for example, if a contact has two same phone numbers, but one is prefixed with +1 and the other one isn't, both will be imported. To delete a phone number, swipe it off the screen.
Payment history shows the information about past transactions. The information is shown as follows: contact's name, payment amount/nonmonetary transaction, transaction date, Final indicator, and the borrower/creditor indicator. The borrower/creditor indicator is a dollar sign; a green dollar sign indicated a borrower payment, and the red dollar sign is a creditor payment. The Final indicator means that the debt has been paid in full.
To delete a history record, swipe it off the screen. Deleting a history record will undo a partial transaction for calculation purposes; if the history record is marked Final, deleting it will not restore a debt record. You cannot modify a history record.
To view history record details, tap on it.
This option alters the way the debt records are displayed. When it is enabled, the debt value in the Borrowers or Creditors list is displayed with all the interest already added. When this option is disabled, only the initial debt is displayed in the list, and you have to tap on the record to see the details, which will include the interest and the total debt.
If you have a large amount of active debt records, it might take longer to populate the list if Show with interest option is enabled. If you have a phone from the last 3-4 years, there should be no noticeable difference with normal usage.
Loan Shark :: Copyright 2020 Oleg Klyushnik
Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at
http://www.apache.org/licenses/LICENSE-2.0
Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License.
Any third-party modules used in Loan Shark are licensed under their respective licenses.


Collection
DfE letters sent to underperforming local-authority-maintained schools about poor pupil performance, governance or school safety.
Information about warning notices is available in the ‘Schools causing concern’ guidance .
A spreadsheet listing local-authority-maintained schools sent a warning letter is also available.
Letters sent to local-authority-maintained schools about unacceptably low standards of pupil performance, governance, or school safety.
Published: 30 June 2016
From: Department for Education
Part of: School and college accountability


{% load i18n %}
{% blocktrans %}Image Registry is used to provide additional information about images for Data Processing.{% endblocktrans %}
{% blocktrans %}Specified User Name will be used by Data Processing to apply configs and manage processes on instances.{% endblocktrans %}
{% blocktrans %}Tags are used for filtering images suitable for each plugin and each Data Processing version. To add required tags, select a plugin and a Data Processing version and click "Add plugin tags" button.{% endblocktrans %}
{% blocktrans %}You may also add any custom tag.{% endblocktrans %}
{% blocktrans %}Unnecessary tags may be removed by clicking a cross near tag's name.{% endblocktrans %}


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Rabindranath Tagore, a great Indian poet, was born on 7th of May in 1861 at Calcutta, India to Debendranath Tagore and Sarada Devi. He was born in a rich and cultural Brahmin family. He took his early education at home under private teachers and never attended school however went to England for higher studies. He started writing poems at his early age of eight. His poetry was published under the pseudonym Bhanushingho (Sun Lion) when he was just sixteen. He went to England in 1878 to study law however returned India before completing to pursue the career as a poet and writer.
He translated his work Geetanjali into English during the long sea journey to England. He was awarded with the Nobel Prize for literature within the year his Geetanjali was published. He has mentioned the mysticism and sentimental beauty of Indian culture in his writing for which a non-westerner was honored with prestigious award first time. Together with being a renowned poet, he was also a genius, writer, novelist, visual artist, composer, playwright, and a philosopher. He knew well how to command over language while writing poem or stories. He was a good philosopher through which he influenced a huge range of Indian people during the freedom struggle.
His contribution towards the Indian literature is very vast and unforgettable. Two of the songs from his Rabindrasangeet are more famous as they have been national anthem of two countries such as “Amar Shonary Bangla” (national anthem of Bangladesh) and “Jana Gana Mana” (national anthem of India). His creative writings, whether in the form of poem or stories, are unchallenged even today. Perhaps he was the first who bridge the gap between west and east through his effective writings.
Another composition of him was Puravi in which he mentioned Evening Songs and Morning Songs under many subjects like social, moral, cultural, religious, political, etc. Manasi was written by him in 1890 in which he collected some social and poetical poems. Most of his writings were based on the life of people of Bengal. Another writing named Galpaguccha was a collection of stories based on the poverty, backwardness, and illiteracy of the Indian people. Other poetry collections are like Sonar Tari, Kalpana, Chitra, Naivedya, etc and novels are like Gora, Chitrangda and Malini, Binodini and Nauka Dubai, Raja and Rani, etc. He was very religious and spiritual man which helped him a lot in the days of crisis. He was a great educationist thus he founded an abode of peace, a unique university named Santiniketan. He died on 7th of August in 1941 in Kolkata before seeing the India’s independence.
Rabindranath once said:
A mind all logic is like a knife all blade. It makes the hand bleed that uses it.


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He saw only a monster,
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| Product | Quantity | Unit Price | Subtotal |
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| Tacos | 1000 yums | $1.00 | $1,000.00 |
| Delicious Soda | 1000 gulps | $0.75 | $750.00 |
| Slightly moldy avocados | 50 crates | $12.00 | $600.00 |
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pronounced as "Kaanchun"
Kan - /ɑː/ corresponds to the vowel sound in "art"
/chan:/ corresponds to the sound "sun"
meaning - gold
birhplace - the golden state
analysis - the golden girl
climber, rock collector, story weaver, imaginative, pizza my love, frog and toad, open shoelaces, hats, ping pong, thinker, reporter, wind in the willows, questioneer, poet, whistler, equality for all, loyal, friend, singer, cautious, polite, doodler, rebel, debator


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What have we learned
- JavaScript is getting better
- Node was meant to solve I/O problems and deal with async issues
- There's An NPM Package For That®
- Mixing Node with .net core is a cool idea so long as you're keeping an eye on thread usage and trying to be asynchronous
- Unit Testing is not a discipline yet in JavaScript, despite the tools available
- You can over-Node. Don't use Node until you have a plan
- WebSockets are frickin' suite
- Electron, React Native, and NativeScript are the future
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Uhuru Surprises Workers with Impromptu Visit
by Emmanuel GithukuPresident Uhuru Kenyatta on Friday, November 22 made a surprise visit to the Naivasha Dry Port construction site catching the contractor and the workers off guard.
The president who was on his way back to Nairobi after officiating the fourth graduation ceremony of the Kibabii University in Bungoma county.
During the visit, the president went on to inspect the construction process of one of the major projects of his presidency besides having a side chat with the Chinese workers.
President Kenyatta also seemed to enjoy the company of the construction workers at the dry port as he was pictured fist bumping some of them as he was inspecting their work.
Earlier in the day, the president had addressed the graduands of the Kibabaii University where he spoke about the Building Bridges Initiative report that is set to be released on Tuesday, November 26.
In the ceremony, he urged politicians not to use the report to divide Kenyans as the committee had been set up to unite the country for the future.
He further cautioned Kenyans who tend to rely on the politicians' interpretation of important documents not to follow the same trend and ensure they read the report themselves before deciding on it.
“It is only an ignorant person who will say there are no issues in this country that require to be addressed. Let us address them as adults, as civilized human beings, let us appreciate that we may have divergent views but our objective is to make our motherland better," President Kenyatta stated.
He promised that all Kenyans would know the contents of the report because enough copies of the document would be made available.
“This morning (Friday, November 22) I received notification from the chairman of the BBI process who told me they have finished it and they would like to hand over it to me.
"I told them to bring it on Tuesday (November 26) and I assure you as soon as I receive it, I will read it and at the same time I will give it to all Kenyans to read it,” Kenyatta added.
He expressed hope that through the report, Kenyans would get a chance to improve the country by strengthening the nation's governance architecture.


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Food is a big, BIG part of Barbadian culture, even BuzzFeed knows it! Stay tuned for recipes to Barbadian delicacies from CFLBajan members and more!
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The mission of the Coalition for the Barbados Association of Central Florida, alias CFLBajans, is to encourage networking and to promote kinship among Barbadians (Bajans) living in Central Florida. Our association maintains avenues of communication between Barbadians in Central Florida and their homeland Barbados and fosters educational, cultural and business operations to further the joint interests of Barbadians in both regions in an open, friendly environment.
The Coalition for the Barbados Association of Central Florida, alias CFLBajans, started in 1991 and currently has a membership affiliation of approximately 150 individuals. Over the past 26 years, we have made significant contributions to the local Central Florida community and to charities, individuals and schools in Barbados to include our adoption and support of the Barbados St. Lucy’s District Hospital in Barbados and the offering of an annual scholarship to a worthy student of Barbadian heritage who resides in our local community.
President
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Vice President
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We work to open and maintain avenues of communication between Barbadians in Central Florida and their homeland; and to foster educational, cultural and business operations to further the interests of Barbadians in both regions. Check what we do and our friends!
Through encouraging networking and promoting kinship amongst Barbadians living in Central Florida, and the greater Florida area.
Through community service and charitable events in our local community.
Through participation in national and international events hosted by other Barbadian associations, and charitable contributions in Barbados.
Through the provision of scholarships for high school graduates pursuing a degree at recognized higher education institution. Applicants must be of Barbadian heritage and residents of Orange, Osceola, Seminole and Lake County Learn more and apply here!
Thus growing the diversity in Central Florida.
Getting PLUGGED IN to our organization is stressfree!
Join us at one of our monthly meetings held on the 3rd Saturday of each month at 6:30 pm at St. Mary’s of the Angels Church, 6316 Matchett Road, Orlando, Florida.
Get PLUGGED INTO ALL! Becoming a member allows you to:
Meet Dr. Dale Husbands


CITIZEN RUTH (director: Alexander Payne; cast: Laura Dern (Ruth Stoops), Swoozie Kurtz (Diane), Kurtwood Smith (Norm Stoney), Mary Kay Place (Gail Stoney), Kelly Preston (Rachel), M.C. Gainey (Harlan), Tippi Hedren (Pro-Choice Activist), Burt Reynolds (Pro-life Activist), Kenneth Mars (Pro-life Doctor), David Graf (Judge Richter), 1996)
Citizen Ruth will not gets its hands dirty by taking a side in this controversial film about the abortion argument being waged by pro-choice or pro-life forces. It takes place in a Southwestern city, supposedly a representative place of how middle America is thinking. Though the film subtly is weighted in favor on the feminist side of the question, it still for most of the film chooses, instead, to overtly attack both sides for caring only about their opinions and not about the individual. Their weapon of choice in this attack is satirical comedy not preaching. The main focus of the film is on Ruth Stoops (Dern), who is a sniffer of chemicals, an alcoholic, and all-around dead-beat. She has numerous arrests and scores of failures in the court's substance abuse program. This time she is caught sniffing a patio sealant and is also pregnant for the fifth time. None of her children remain in her custody. So the question becomes, what should society do with her; nothing tried so far has altered her deleterious behavior.
Since the film will not offer its opinion about what to do with this not so nice or redeemable idler, but chooses to show its fairness by unfairly attacking both sides of the abortion argument. This leaves us wondering how much the filmmaker really cared about Ruth. She seemed to be used by them, for the purposes of making this film, in the same way they are accusing both sides of doing. Is their answer that she is hopeless and we shouldn't waste our time with her problems. They offer no solutions for her drug abuse, which is just about where the current political climate in America is, anyway. So it doesn't really surprise me that a film tackling a taboo political subject should be so cautious and centrist in its views. But what bothers me, is that this film came on pretending to be hip to the problems of the homeless.
The judge decides to charge Ruth with a felony of endangering the life of a fetus through drug abuse and will only reduce her sentence if she agrees to an abortion. While in jail, she meets some members of a Christian pro-life group called "Baby Savers". They vow to help her and start by bailing her out into the home of one of their leaders, Norm Stoney (Kurtwood). He is a blue-collar family man, with two children, a young boy who builds model airplanes and a teen-age daughter who is a tramp (the family doesn't know this). Norm echoes all the obnoxious slogans and dogmas and hypocrisies of his fundamental Christian beliefs. At work he is humbled by his department store manager, who deplores him for bringing his cause into the workplace. Yet, among his group members and his wife, he is a pillar of strength for the cause.
So let the parody begin.
When at the Stoney's, Ruth realizes she is at the center of a national battle between pro-life and pro-choice forces. The dim Ruth is a selfish "huffer" (smeller of any chemical in a paper bag) and could care less about anyone but satisfying herself; in other words, she is not a very sympathetic person. If there is any excuse offered for her behavior, it is that she was an abused child. The Stoney's are not her kind of people, and their insistence that she keep the baby does not play well with Ruth. So things take a bad turn there, and she is turned over to another household of pro-lifers. But the catch is, that Diane (Swoozie) is a spy for the pro-choice group and now influences Ruth to get the abortion. In her camp, we meet a crazed ex-Viet Nam special force veteran Harlan (M.C.), who handles security for the group. And we see that there is a lesbian relationship between Diane and Rachel, another pro-choice group member. Ruth looks upon these do-gooders without identifying with them. Both groups are the "haves" to her.
Everyone in the film is stereotyped: the pro-lifers are Republicans, religious fanatics, family value people, sexually repressed, drivers of station wagons, and self-righteous. The pro-choicers are Democrats, lesbians, pagan worshippers, those with loose morals, without God, and insincere. Ruth is a stereotype of a white-thrash druggie, who is childish and irresponsible, someone who must find instant gratification to exist. She has no salient values and is not looked upon as a real person.
With the stakes raised by the national attention on this fight, the local groups call in the heavy hitters from their national headquarters. Again, the arguments against both sides is handled in an even-handed manner. Both leaders are viewed as hypocrites. Burt Reynolds is the wealthy pro-life minister of the Baby Savers group. He flies in to offer his help and the group's resources to fight to save the baby. This group offers Ruth initially 15,000 to have the child, but doubles the offer on Burt's insistence. His family value argument is underscored by the "boy slave" he keeps in tow.
The pro-choice group calls in their wealthy national head Tippi Hedren, who pushes her fashionable weight around and relishes in the publicity. When Ruth is about to jump at the 15,000 grand of the pro-life group, Harlan offers to match the money on his own. That is money he settled with the government for an agent orange claim (this offer seemed incredulous). It comes apparent to even the dim Ruth that both sides are using her as a political pawn. That her only hope is to look out for number one.
The only thing that can save this film from its cautious stand, is what you thought of Dern's performance. She is the only character in the story who is allowed to grow out of her one dimensional role, be it, only into a two dimensional one. And that is the rub against the picture, it can't get beyond the absurd nature of its satire, as everyone in the film remains a cartoon figure. So the outcome should come as no particular surprise. We see Ruth rejecting both political sides and floundering along on her own; she is last seen with a gun and a bagful of cash, running down an alley to escape from all sides. Could this really be Payne's idea of how to resolve the issue? As for Dern's grating and, at times, just too much of an annoying performance, it failed to evoke concern for her plight. By the film's end she still appeared to be white-trash, to be laughed at and dismissed as being someone society can't help. The entire film's satire was a futile effort at comedy. It's weak position on the issues allowed it to throw stones at everyone and seem like it was hip to what was going on, but in reality it changed no one's mind about abortion; and, in the bargain, it wasn't a particularly funny film.
REVIEWED ON 6/21/99 GRADE: C
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
© ALL RIGHTS RESERVED DENNIS SCHWARTZ
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Our modeling team builds customized, interactive simulation models, and has done so for
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| DOSE: |
27 drops |
oral |
2C-I |
(liquid) |
I learned a lot about myself this night. I took between 10 and 15 mg not so carefully measured of 2C-I, (it was 27 drops) a hallucinagenic drug and went to a Tool concert. I went with two friends, one a guy named D. who had 37 drops in his water because he's done 2C-I several times before, and one friend named N. who didn't take anything and we didn't tell her that we had either.
We drank our 2C-I desolved in bottles of water. We were in the first section at the concert, front and center within the first 5 rows I'd say. The stage was about 5 or 10 feet away. It took a while for the show to start, and I didn't really feel too many effects yet. The woman next to us had red eyes. I don't know if that was real or not. I think she was just weird and wears red contacts though honestly. It wasn't a big deal, but I thought it might have been my first effect. When the show started the lights went black, and I saw the rack of lights above the stage coming down, like the whole rack moving down toward us, and after a few minutes I realized I was probably just imagining that.
We were standing right in front of the drumset, and I had a railing right next to me. It looked like metal which had been bolted into the ground but when I touched it or put weight on it I thought it moved. I couldn't tell though because by now my hands were somewhat numb. For the rest of the night my lower back, knees and my jaw especially felt like they were made of clay. Often times I would force myself to unclinch my jaw because I was biting down so hard enjoying the euphoric warm clay feeling.
When the show actually started the singer came out with a Mohawk, in a bright orange flurecent sweatshirt, state trooper glasses, and a breathing mask like a surgeon, or someone afraid of SARS but with an angry monkey's mouth on it. It really freaked me out but I think it was really there and would have freaked me out no matter what.
My entire body felt like it was made of warm clay. It was great but I couldn't feel myself breathe or swallow. When a song came on that I knew and I'd sing it, I wouldn't run out of breathe. I knew something must be wrong, that it must just have been an illusion and that I'd better control my breathing before I passed out. But I indulged a little a few times in shouting with no restrictions, as loud and long as was my will.
Throughout the concert, I first of all was blown away by how awesome the songs were. On a sober level even, but especially when just letting go, I was amazed by how good those songs were.  My body felt weird yes, and I did see some things strange too. There was a huge backdrop of the 10,000 days album cover, it's such a weird picture anyway, and it was covered with all different colored lights, but I could swear it was getting bigger or coming closer.
I turned my body slightly to the left to face the guitarist and singer and it was throwing off my depth perception a lot because my point of referance had changed without me realizing it. The bar I used to literally keep a grip on reality disappeared. How had I drifted so far away, why did the stage look so different? But I realized eventually that I just needed to face the other direction to be ok. I, unlike D., didn't have many visual hallucinations. He asked me several times if static objects were moving, if the walls were breathing, and he also seemed to be confused and unaware what was going on at times.
 The show was so sensory over stimulating. The huge monitors behind the band constantly had vivid strange images on it but Tool videos are crazy even if you're not on drugs.  Mostly though they just had a lot of pictures with eyes, or veins and weird geometric shapes.
I was thinking that most people contrive significant meanings for these things, but I understood them to mean that they were totally arbitrary. Like 'this shape means nothing, these creatures mean nothing and we could have put something else in this video that was a different color or shape and it'd have the same effect.' So step one there was realizing that it all meant nothing at all. This thinking led to an inner quantum mechanics discussion about how matter itself fades out of existance constantly. The only tangable reality is what's made of thoughts when it's observed consciously.
So I kind of decided what I was seeing was nothing, and I thought that about the notes in the songs too. I am always trying to figure out crazy patterns to write 'the perfect song.' And I guess you could put any notes after eachother and make it work and it doesn't matter because there's no perfect song. They're all kind of meaningless, and I just have to do what I like instead of relying on mathematics or something. Life shouldn't be a science.
On the otherhand I got so into the songs, that I felt each one was a new dimension to which the band had opened up a gateway. Because the song was so weird and different from conventional music it was on a linear path no one had ever taken before and we couldn't appreciate the new dimension because it was just too different. This made me think that people are afriad to be different, and that we repeat the same thing everyday over and over for years and generations even though we have infinite possibilites. I think I may have connected too much with the songs. Even days later I still feel that they were so powerful. They made me feel something incredible.
Some points in the show I couldn't stop giggling even when the band was trying to be serious and I really wanted to. D. couldn't help it either, nothing was funny, but I just couldn't take the smile off my face, and occasional giggle or chuckle. Other times though I'd look back to my right and there was a wild mosh pit going on. It was like a tornado, or like the standpede from the lion kind that killed mufasa. I wanted no part of that.
My most troubling thoughts came when I got too deep into my own mind. I was thinking that there are some things in my life which I was convinced I could beat on my own. I thought of a girl that I was friends with in high school, then I was in love with, and dated only for a few weeks before she broke up with me. I told people I got over her but I didn't because I never faced it. I was just pushing her to the back of my mind, replacing with with other girls. Since I wasn't actually depressed and I had excepted that she wasn't a part of my life anymore I took that as being over her. But I was wrong.
 I didn't confront the problem for the last few years because my friends got tired of me whining about her and I thought it was the responsible thing to do, to just force myself let go.
It showed me just how complex my brain truely was. Or rather, simple in fact. I can push her to the back all I want. I don't have to be depressed about her, but she's still in there. My brain was saying 'You can't beat me.' 'You truely can't solve all your problems by yourself, can you?' It's not that my mind is so complex, it's that its so simple and everything is right there. It's like I was trapped in a room (my mind) with my problems and now I'd have to face them. One example was this girl, but she wasn't the only thing, it means all problems that people cover up and lie about.
There were, and possibly are, two me's. Often in life I narrate things to myself. Either before I say them out loud to someone else, or even when I'm by myself, to get my thoughts straight I will say the actual words silently in my head in correct english grammar. While tripping though I couldn't do that. My words were getting slurred and I couldn't even interpret them. It was really scary, because I knew what I wanted to be thinking but I couldn't say it to myself, and I have a hard time knowing what I'm thinking unless I repeat it to myself.
So I'd want to say something like 'Ok this is too intense, it's time to slip back into reality. I need to hold onto that raliling. These people on stage are just men playing guitars and drums. Those are just lights and pictures.' In the beginning of the trip if I did that it would bring me back to soberness, but now it wasn't really working that well because I couldn't think of those full sentences, maybe 2 or three words at a time, and then I'd just stop.  Then I'd think something like 'Man I can't wait to try to explain this tomorrow.' Then something like 'Wow I'm tripping balls, I keep thikning that I wasn't tripping but now I'm sure that I am.' Then I'd realize again that I wasn't focussed on saying the words and I needed to snap out of it.
Then I would see the security guard 2 feet from my face staring at me. I'd get paranoid. I thought he could tell I was acting strange because I wasn't singing or dancing and because I was looking at him instead of the band. So then I'd try forcing a dance and singing and bobbing my head. Then I thought that looked too forced so I just threw one of my hands up in the air and kept watching them, but I didn't scream or anything, my face was probably pretty emotionless.
The feeling of having a duel personality, and of the other one being someone so dark and who knew all, my mind was truely shocking and indescribable. It knew everything, and showed me everything. Truths and epiphanies right there, in front of my nose.
Everything in the universe has explanations that contradict each other, but according to my other self that's only because we are looking at them from the wrong viewpoint. The view point is what is contradictory because it's not the correct referance point from which to judge, and that's why we get rediculous answers that don't make sense.
Another point was that there are things that I don't know the answers to and can't objectively find out. Like for example whether we landed on the moon or not, or who really shot JFK, or 9/11. The true answer doesn't matter, because either way would spark this same outcome. The future (present) would be the same way. People still wouldn't know whether it actually did happen or whether it didn't, and they'd still claim the same conspiracies. Both possibilities exist with each other simultaniously in superposition, just like matter in quantum theory and that's it. The point is I shouldn't waste my time thinking about it because it doesn't matter.
Another thing that disturbed me was the video they played for the song Aenema where the alien ripped out his intestines, because it reminds me of a story called 'GUTS' that I read a few years ago. It was the first thing I ever read or saw that made me feel physically ill and since then I think I tapped into some part of my brain that connects thoughts to reality. When I saw the intestines I started feeling sick and really really forced myself into a normal state of mind, away from the trip, away from Tool even, just trying to not be sick. When I read GUTS I broke into a cold sweat and blacked out on my bathroom floor while waiting to vomit, so I didn't want that to happen again. eventually I overcame it.
After each song I really wanted the concert to end. I loved the feelings and thoughts I had, but I wanted it to be over so I could regain control. Every song I heard was the best song I'd heard up to that point in my life and I was glad they played it, then I'd really hope that it was over, then they'd play another and I'd be glad I got to hear that one too but then I'd hope it'd end after that. It ended at a good time though.
When the show was over there was no encore. They turned the lights on and I was still at the peek of my trip. I couldn't hear very well, and I was numb and my pupils were probably dialated. D. was totally out of it even more than I was. N. got one of Danny Carey's drumsticks and the setlist, and when she showed it to me, I was just saying 'I don't want it, it's just a stick it's not special.' Like, it wasn't the moment, the moment was over and done.
 So I don't want to do them anymore I don't think.
On the way out I couldn't feel my feet so I was walking on auto pilot just hoping that I didn't fall, sishing I brought a notebook with me to write stuff so I didn't forget it. D. and I wished N. hadn't come with us, because we wanted to talk about our experiences, but she didn't know what we had done. It's ok though, she was nice and didn't bug me out, plus because of her we saw the setlist and the names of all the songs they played.
When I drank some water I hoped it went down because I couldn't feel myself swallow it, but I wasn't thirsty anyway. The lights and the scenery of the city was so cool. It was an epically spectacular view, but really that's just Tokyo. So many weird coincidences and things kept happenening after that concert. I've forgotten most all of them. Also I felt like my depth perception was off, and my hearing was as though I was underwater, but that's probably just from the amps. My effects wore off entirely about 7 hours after drinking the 2C-I, as we left on the monorail, but D. was going for another hour and a half or so saying he wished he only took as much as I had.
It was still early so we went out for dinner, I just asked N. to order whatever she wanted and we'd share. I ate it even though I couldn't feel myself swallowing, but that food was damn tasty. I still didn't want to drink anything.
On the train ride home, I was about to text a lot of people and say 'I'm tripping balls' or 'Tool was so good' but I decided that's a part of my personality I don't like, where I brag and try to be the people's hero, so I didn't say anything to anyone.
 I thought they were trapped in an illusion, that their society is based just on mimicing America, but that they did it wrong and it was meaningless. They have kids who dress like gangsters, but don't act tough, aren't in gangs, and don't do drugs or listen to rap. They idolize Cameron Diaz and Brad Pitt because of cell phone commercials, but they don't even do anything in the commercial.
After realizing how meaningless everything is though, even matter. I decided that they are right, and America is the one with the illusions. It's all arbitrary, and Japanese people just dress how they want and don't judge. They bond together, it's real unity, it's not like America at all. They trust each other, they are considerate of each other. It's what America is missing, it's what I want, what people need. It was really especially comforting that even though I'm not Japanese. I am a person, and I am on earth, and I am matter in the universe and I felt that Japanese society excepted me. I felt pretty good.
I went home around midnight and got back to the dorm around 1, but before that I stopped at the convenience store and bought some really weird snacks that I would never have bought otherwise which seemed to stand out to me. Some green tea mint oreos and some weird anmochi. I was worried most of the night about how good I felt because when I've felt that good from drinking alcohol I usually got pretty sick soon afterward.
I fell asleep at around 2 and I had a really bad headache. I woke up with the same really bad headache, but I'm so glad I haven't been nauseus at all. I layed in my bed with that terrible headache feeling hot and cold, I put on 'Seinfeld' because I needed something happy and familiar in the background. Sadly, I could only think about how far away I am from home, and that I'm on the third floor of this building. I felt like useless floating particals out in space that didn't matter, and I just wanted to go home, and wished I could sleep and stop thinking.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Type Function Library native.* Return value TextField Revision Current Public Release (2013.2076) Keywords text input, text fields, native text See also native.newTextBox()
native.setKeyboardFocus()
object.inputType
userInput events
Creates a single-line textfield for text input.
Native text fields can listen for userInput events. (see example)
Native textfields are only available in device builds, the Xcode Simulator, and in the Corona Mac Simulator.
Because native textfields are not part of the OpenGL canvas, they do not obey the Corona display object hierarchy. For example, while they can be manipulated using display object methods, they always appear above normal display objects, and cannot be inserted into display groups.
Also, they do not inherit display group properties like isVisible
, x
, y
, rotation
, and alpha
. If you need to set display properties on native objects, apply them to the objects directly.
To remove a native textfield from the display, use object:removeSelf()
.
For multiline text, see native.newTextBox().
The native.setKeyboardFocus() API is used to set and clear the keyboard used for text input.
See the TextField object reference for a complete listing of properties and methods (such as inputType
, font
, size
, and more).
native.newTextField( left, top, width, height [, listener] )
Numbers. x/y coordinates that correspond to the top/left corner of the text field.
Numbers. Width and height (size) of the text field.
Listener. Function to respond to keyboard events. It is recommended you do not use this argument and instead add a "userInput" event listener to the TextField object. See userInput for more information.
local defaultField
local function textListener( event )
if event.phase == "began" then
-- user begins editing textField
print( event.text )
elseif event.phase == "ended" then
-- textField/Box loses focus
elseif event.phase == "ended" or event.phase == "submitted" then
-- do something with defaulField's text
elseif event.phase == "editing" then
print( event.newCharacters )
print( event.oldText )
print( event.startPosition )
print( event.text )
end
end
-- Create our Text Field
defaultField = native.newTextField( 10, 30, 180, 30 )
defaultField:addEventListener( "userInput", textListener )
The following example shows a text field which only allows numeric input:
numericField = native.newTextField( 50, 150, 220, 36 )
numericField.inputType = "number"
numericField:addEventListener( "userInput", handlerFunction )
The following example uses Lua closures to allow using one listener for multiple text fields:
local defaultField, numberField -- forward reference (needed for Lua closure)
-- TextField Listener
local function fieldHandler( getObj )
-- Use Lua closure in order to access the TextField object
return function( event )
print( "TextField Object is: " .. tostring( getObj() ) )
if ( "began" == event.phase ) then
-- This is the "keyboard has appeared" event
elseif ( "ended" == event.phase ) then
-- This event is called when the user stops editing a field:
-- for example, when they touch a different field or keyboard focus goes away
print( "Text entered = " .. tostring( getObj().text ) ) -- display the text entered
elseif ( "submitted" == event.phase ) then
-- This event occurs when the user presses the "return" key
-- (if available) on the onscreen keyboard
-- Hide keyboard
native.setKeyboardFocus( nil )
end
end -- "return function()"
end
-- Create our Text Field
defaultField = native.newTextField( 10, 30, 180, 30 )
local function defaultHandler( event )
fieldHandler( function() return defaultField end ) -- passes the text field object
end
defaultField:addEventListener( "userInput", defaultHandler )
numberField = native.newTextField( 10, 70, 180, 30 )
local function numberHandler( event )
fieldHandler( function() return numberField end )
end
numberField:addEventListener( "userInput", numberHandler )


Tomato5 is a real-time collaboration tool
It combines Pomodoro Technique with a team status share board
Traditional collaboration tools only tell the team what to achieve, without concern about individual's actual status.
By sharing what we are doing、thinking、and feeling in real-time, we can express ourselves more adequately, feel more connected to the team, and get more feedbacks on time.


3D printing, a recently evolved technology is now being rapidly adopted in the industry of Infrastructure. Not only is it being used to make everyday items such as jewellery or furniture, it is now being used to construct large scale infrastructure projects such as houses & bridges.
WinSun, a Chinese private firm, has used giant 3D printers to make 10 detached single storey houses in a day. It has used four 10m x 6.6m printers to spray a mixture of cement and construction waste to build the walls, layer by layer, official Xinhua news agency reported.
Since all work is automated & due to the cheap material used, each house can be printed for under $5000. "We can print buildings to any digital design our customers bring us. It's fast and cheap," says WinSun chief executive Ma Yihe. The company hopes that one day, their technology will be used to build skyscrapers all around the world. However, the current laws in China do not allow multi-storey 3D printed houses.
On the other side of the world, a leading technology start-up, MX3D is under the process of developing world's first 3-D printed bridge over an Amsterdam canal. Co-founded by Joris Laarman and Tim Geurtjens, the company plans to use robots to complete the task in a fast and effective manner. The use of robots fulfils the dual expectation of precision and cost saving. The steel footbridge will span eight meters and is expected to be completed by 2017. "The bridge is going to be fairly small - it's a pedestrian bridge," Laarman says. "It's still a huge challenge, because we want to print it in one go. We want the robots to print their own support structure as they move over the water."
The six-axis robots MX3D are using, are able to rotate their arms along six different planes of movements, depositing small quantities of steel and building the bridge layer by layer. MX3D originally intended to print the bridge in situ, but had to abandon that plan over health and safet concerns.
Such examples showcase that 3D printing in the infrastructure industry is not only a fast & effective
approach, but also a commercially feasible one. 3D printing in India is an exciting prospect as it is
completely virgin and the most exciting use cases of 3D printing in a rural or social context is bound
to come out of India.
How soon it will be adopted in the industry, only time can tell.


Akan Names
Ghanian culture is one of the richest heritage in world. They have a rich naming system that they give their new borns.


Magister Rohmer:
That's not enough. I need 50
shiny five colored orbs
and 50
shiny red colored orbs
. Now go!


Dylan Taylor's
Personal Website
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This SRFI is currently in ``draft'' status.
To see an explanation of
each status that a SRFI can hold, see here.
To provide input on this SRFI, please
mail to
<srfi minus 113 at srfi dot schemers dot org>
. See
instructions here to
subscribe to the list. You can access previous messages via
the archive of the mailing list.
Sets and bags (also known as multisets) are unordered collections that can contain any Scheme object. Sets enforce the constraint that no two elements can be the same in the sense of the set's associated equality predicate; bags do not.
Sets are a standard part of the libraries of many high-level programming languages, including Smalltalk, Java, and C++. Racket provides general sets similar to those of this proposal, though with fewer procedures, and there is a Chicken egg called sets
(unfortunately undocumented), which provides a minimal set of procedures.
Bags are useful for counting anything from a fixed set of possibilities, e.g. the number of each type of error in a log file or the number of uses of each word in a lexicon drawn from a body of documents. Although other data structures can serve the same purpose, using bags clearly expresses the programmer's intent and can be optimized.
Insofar as possible, the names in this SRFI are harmonized with the names used for ordered collections (lists, strings, vectors, and bytevectors) in Scheme. However, size
is used instead of length
to express the number of elements in a collection, because length
implies order.
It's possible to use the general sets of this SRFI to contain characters, but the use of SRFI 14 is recommended instead. The names and facilities in this SRFI are harmonized with SRFI 14, except that SRFI 14 does not contain analogues of the set-search!
, set>?
, set<=?
, set>=?
, set-remove
, or set-partition
procedures.
Sets and bags do not have a lexical syntax representation. It's possible to use SRFI 108 quasi-literal constructors to create them in code, but this SRFI does not standardize how that is done.
The interface to general sets and bags depends on SRFI 114 comparators, despite that SRFI having a higher number than this one for hysterical raisins. Comparators conveniently package the equality predicate of the set with the hash function or comparison procedure needed to implement the set efficiently.
Sets and bags are mutually disjoint, and disjoint from other types of Scheme objects.
It is an error for any procedure defined in this SRFI to be invoked on sets or bags with distinct comparators (in the sense of eq?
).
It is an error to mutate any object while it is contained in a set or bag.
It is an error to add an object to a set or bag which does not satisfy the type test predicate of the comparator.
The procedures of this SRFI, by default, are "pure functional" — they do not alter their parameters. However, this SRFI also defines "linear-update" procedures, all of whose names end in !
. They have hybrid pure-functional/side-effecting semantics: they are allowed, but not required, to side-effect one of their parameters in order to construct their result. An implementation may legally implement these procedures as pure, side-effect-free functions, or it may implement them using side effects, depending upon the details of what is the most efficient or simple to implement in terms of the underlying representation.
It is an error to rely upon these procedures working by side effect. For example, this is not guaranteed to work:
(let* ((set1 (set 'a 'b 'c)) ; set1 = {a,b,c}. (set2 (set-adjoin! 'd))) ; Add d to {a,b,c}. set1) ; Could be either {a,b,c} or {a,b,c,d}.
However, this is well-defined:
(let ((set1 (set 'a 'b 'c))) (set-adjoin! set1 'd)) ; Add d to {a,b,c}.
So clients of these procedures write in a functional style, but must additionally be sure that, when the procedure is called, there are no other live pointers to the potentially-modified character set (hence the term "linear update").
There are two benefits to this convention:
Implementations are free to provide the most efficient possible implementation, either functional or side-effecting.
Programmers may nonetheless continue to assume that sets are purely functional data structures: they may be reliably shared without needing to be copied, uniquified, and so forth.
In practice, these procedures are most useful for efficiently constructing sets and bags in a side-effecting manner, in some limited local context, before passing the character set outside the local construction scope to be used in a functional manner.
Scheme provides no assistance in checking the linearity of the potentially side-effected parameters passed to these functions — there's no linear type checker or run-time mechanism for detecting violations.
Note that if an implementation uses no side effects at all, it is allowed to return existing sets and bags rather than newly allocated ones, even where this SRFI explicitly says otherwise.
Implementations of this SRFI are allowed to place restrictions on the comparators that the procedures accept. In particular, an implementation may require comparators to provide a comparison procedure. Alternatively, an implementation may require comparators to provide a hash function, unless the equality predicate of the comparator is eq?
, eqv?
, equal?
, string=?
, or string-ci=?
. Implementations must not require the provision of both a comparison procedure and a hash function.
Constructors: set
, set-contains?
, set-unfold
Predicates: set?
, set-empty?
, set-disjoint?
Accessors: set-member
, set-comparator
Updaters: set-adjoin
, set-adjoin!
, set-replace
, set-replace!
, set-delete
, set-delete!
, set-delete-all
, set-delete-all!
, set-search!
The whole set: set-size
, set-find
, set-count
, set-any?
, set-every?
Mapping and folding: set-map
, set-for-each
, set-fold
, set-filter
, set-filter!
, set-remove
, set-remove!
, set-partition
, set-partition!
Copying and conversion: set-copy
, set->list
, list->set
, list->set!
Subsets: set=?
, set<?
, set>?
, set<=?
, set>=?
Set theory operations: set-union
, set-intersection
, set-difference
, set-xor
, set-union!
, set-intersection!
, set-difference!
, set-xor!
Additional bag procedures: bag-element-count
, bag-for-each-unique
, bag-fold-unique
, bag-increment!
, bag-decrement!
, bag->set
, set->bag
, set->bag!
(set
comparator element ... )
Returns a newly allocated empty set. The comparator argument is a SRFI 114 comparator. The elements are used to initialize the set.
(set-unfold
comparator stop? mapper successor seed)
Create a newly allocated set as if by set
using comparator. If the result of applying the predicate stop? to seed is true, return the set. Otherwise, apply the procedure mapper to seed. The value that mapper returns is added to the set. Then get a new seed by applying the procedure successor to seed, and repeat this algorithm.
(set?
obj)
Returns #t
if obj is a set, and #f
otherwise.
(set-contains?
set element)
Returns #t
if element is a member of set and #f
otherwise.
(set-empty?
set)
Returns #t
if set has no elements and #f
otherwise.
(set-disjoint?
set1 set2)
Returns #t
if set1 and set2 have no elements in common and #f
otherwise.
(set-member
set element default)
Returns the element of set that is equal, in the sense of set's equality predicate, to element. If element is not a member of set, default is returned.
(set-comparator
set)
Returns the comparator of set.
(set-adjoin
set element ...)
(set-adjoin!
set element ...)
The set-adjoin
procedure returns a newly allocated set that uses the same comparator as set and contains all the values of set, and in addition each element unless it is already equal (in the sense of the comparator) to one of the existing or newly added members. It is an error to add an element to set that does not return #t
when passed to the type test procedure of the comparator.
(set-replace
set element)
(set-replace!
set element)
The set-replace
procedure returns a newly allocated set that uses the same comparator as set and contains all the values of set except as follows: If element is equal (in the sense of set's comparator) to an existing member of set, then that member is omitted and replaced by element. If there is no such element in set, then set is returned unchanged.
The set-adjoin!
and set-replace!
procedures are the same as set-adjoin
and set-replace
, except that they are permitted to mutate and return the set argument rather than allocating a new set.
(set-delete
set element ...)
(set-delete!
set element ...)
(set-delete-all
set element-list)
(set-delete-all!
set element-list)
The set-delete
procedure returns a newly allocated set containing all the values of set except for any that are equal (in the sense of set's comparator) to one or more of the elements. Any element that is not equal to some member of the set is ignored.
The set-delete!
procedure is the same as set-delete
, except that it is permitted to mutate and return the set argument rather than allocating a new set.
The set-delete-all
and set-delete-all!
procedures are the same as set-delete
and set-delete!
, except that they accept a single argument which is a list of elements to be deleted.
(set-search!
set element failure success)
The set is searched for element. If it is not found, then the failure procedure is tail-called with two continuation arguments, insert and ignore, and is expected to tail-call one of them. If element is found, then the success procedure is tail-called with the matching element of set and two continuations, update and remove, and is expected to tail-call one of them.
The effects of the continuations are as follows (where obj is any Scheme object):
Invoking (
insert obj)
causes element to be inserted into set.
Invoking (
ignore obj)
causes set to remain unchanged.
Invoking (
update new-element obj)
causes new-element to be inserted into set in place of element.
Invoking (
remove obj)
causes the matching element of set to be removed from it.
In all cases, two values are returned: the possibly updated set and obj.
(set-size
set)
Returns the number of elements in set as an exact integer.
(set-find
predicate set failure)
Returns an arbitrarily chosen element of set that satisfies predicate, or the result of invoking failure with no arguments if there is none.
(set-count
predicate set)
Returns the number of elements of set that satisfy predicate as an exact integer.
(set-any?
predicate set)
Returns #t
if any element of set satisfies predicate, or #f
otherwise. Note that this differs from the SRFI 1 analogue because it does not return a useful value.
(set-every?
predicate set)
Returns #t
if every element of set satisfies predicate, or #f
otherwise. Note that this differs from the SRFI 1 analogue because it does not return a useful value.
(set-map
proc comparator set)
Applies proc to each element of set in arbitrary order and returns a newly allocated set, created as if by set
, which contains the results of the applications. For example:
(set-map string-ci=? symbol->string (set eq? 'foo 'bar 'baz)) => (set string-ci=? "foo" "bar" "baz")
(set-for-each
proc set)
Applies proc to set in arbitrary order, discarding the returned values. Returns an unspecified result.
(set-fold
proc nil set)
Invokes proc on each member of set in arbitrary order, passing the result of the previous invocation as a second argument. For the first invocation, nil is used as the second argument. Returns the result of the last invocation, or nil if there was no invocation.
(set-filter
predicate set)
Returns a newly allocated set with the same comparator as set, containing just the elements of set that satisfy predicate.
(set-filter!
predicate set)
A linear update procedure that returns a set containing just the elements of set that satisfy predicate.
(set-remove
predicate set)
Returns a newly allocated set with the same comparator as set, containing just the elements of set that do not satisfy predicate.
(set-remove!
predicate set)
A linear update procedure that returns a set containing just the elements of set that do not satisfy predicate.
(set-partition
predicate set)
Returns two values: a newly allocated set with the same comparator as set that contains just the elements of set that satisfy predicate, and another newly allocated set, also with the same comparator, that contains just the elements of set that do not satisfy predicate.
(set-partition!
predicate set)
A linear update procedure that returns two sets containing the elements of set that do and do not, respectively, not satisfy predicate.
(set-copy
set)
Returns a newly allocated set containing the elements of set, and using the same comparator.
(set->list
set)
Returns a newly allocated list containing the members of set in unspecified order.
(list->set
comparator list)
Returns a newly allocated set, created as if by set
using comparator, that contains the elements of list.
(list->set!
set list)
Returns a set that contains the elements of both set and list.
Note: The following three predicates do not obey the trichotomy law and therefore do not constitute a total order on sets.
(set=?
set ...)
Returns #t
if each set contains the same elements.
(set<?
set ...)
Returns #t
if each set other than the last is a proper subset of the following set, and #f
otherwise.
(set>?
set ...)
Returns #t
if each set other than the last is a proper superset of the following set, and #f
otherwise.
(set<=?
set ...)
Returns #t
if each set other than the last is a subset of the following set, and #f
otherwise.
(set>=?
set ...)
Returns #t
if each set other than the last is a superset of the following set, and #f
otherwise.
(set-union
set1 set2 ...)
(set-intersection
set1 set2 ...)
(set-difference
set1 set2 ...)
(set-xor
set1 set2)
Returns a newly allocated set that is the union, intersection, asymmetric difference, or symmetric difference of the sets. Asymmetric difference is extended to more than two sets by taking the difference between the first set and the union of the others. Symmetric difference is not extended beyond two sets. Elements in the result set are drawn from the first set in which they appear.
(set-union!
set1 set2 ...)
(set-intersection!
set1 set2 ...)
(set-difference!
set1 set2 ...)
(set-xor!
set1 set2)
Linear update procedures returning a set that is the union, intersection, asymmetric difference, or symmetric difference of the sets. Asymmetric difference is extended to more than two sets by taking the difference between the first set and the union of the others. Symmetric difference is not extended beyond two sets. Elements in the result set are drawn from the first set in which they appear.
Bags are like sets, but can contain the same object more than once. However, if two elements that are the same in the sense of the equality predicate, but not in the sense of eqv?
, are both included, it is not guaranteed that they will remain distinct when retrieved from the bag. It is an error for a single procedure to be invoked on bags with different comparators.
The procedures for creating and manipulating bags are the same as those for sets, except that set
is replaced by bag
in their names, and that adjoining an element to a bag is effective even if the bag already contains the element. If two elements in a bag are the same in the sense of the bag's comparator, the implementation may in fact store just one of them.
The bag-union
, bag-intersection
, bag-difference
, and bag-xor
procedures (and their linear update analogues) behave as follows when both bags contain elements that are equal in the sense of the bags' comparator:
For bag-union
, the number of equal elements in the result is the largest number of equal elements in any of the original bags.
For bag-intersection
, the number of equal elements in the result is the smallest number of equal elements in any of the original bags.
For bag-difference
, the number of equal elements in the result is the number of equal elements in the first bag, minus the number of elements in the other bags (but not less than zero).
For bag-xor
, the number of equal elements in the result is the absolute value of the difference between the number of equal elements in the first and second bags.
(bag-unique-size
bag)
Returns the number of unique elements of bag.
(bag-element-count
bag element)
Returns an exact integer representing the number of times that element appears in bag.
(bag-for-each-unique
proc bag)
Applies proc to each unique element of bag in arbitrary order, passing the element and the number of times it occurs in bag, and discarding the returned values. Returns an unspecified result.
(bag-fold-unique
proc nil bag)
Invokes proc on each unique element of bag in arbitrary order, passing the number of occurrences as a second argument and the result of the previous invocation as a third argument. For the first invocation, nil is used as the third argument. Returns the result of the last invocation.
(bag-increment!
bag
element
count)
(bag-decrement!
bag
element
count)
Linear update procedures that return a bag with the same elements as bag, but with the element count of element in bag increased or decreased by the exact integer count (but not less than zero).
(bag->set
bag)
(set->bag
set)
(set->bag!
bag set)
The bag->set
procedure returns a newly allocated set containing the unique elements of bag. The set->bag
procedure returns a newly allocated bag containing the elements of set. The set->bag!
procedure returns a bag containing the elements of both bag and set. In all cases, the comparator of the result is the same as the comparator of the argument or arguments.
(bag->alist
bag)
(alist->bag
alist comparator)
(alist->bag!
bag alist)
The bag->alist
procedure returns a newly allocated alist whose keys are the unique elements of bag and whose values are the number of occurrences of each element. The alist->bag
returning a newly allocated bag based on comparator, where the keys of alist specify the elements and the corresponding values of alist specify how many times they occur. The alist->bag!
procedure returns a bag that contains the elements of bag and additional elements from alist.
The implementation places the identifiers defined above into the sets
library.
Sets and bags are implemented as a thin veneer over hashtables.
The sample implementation contains the following files:
sets-impl.scm
– implementation of general sets and bagssets.sld
– an R7RS library named (sets)
sets.scm
– a Chicken librarysets-test.scm
– test suiteThe test suite will work with the Chicken test
egg, which is provided on Chibi as the (chibi test)
library.
Copyright (C) John Cowan 2013. All Rights Reserved.
Permission is hereby granted, free of charge, to any person obtaining a copy of this software and associated documentation files (the "Software"), to deal in the Software without restriction, including without limitation the rights to use, copy, modify, merge, publish, distribute, sublicense, and/or sell copies of the Software, and to permit persons to whom the Software is furnished to do so, subject to the following conditions:
The above copyright notice and this permission notice shall be included in all copies or substantial portions of the Software.
 IN NO EVENT SHALL THE AUTHORS OR COPYRIGHT HOLDERS BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM, OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE SOFTWARE.


@() @main("sample scala room") {
This is a template for a starter scala/play based room in game-on. Use it as a starting point to create something more unique by building on or modifying it.
Send to Room! Connect to room!
Clear Output


Will stumptown scenes coffee viral.
Tofu master best deal
Raw denim heard of them tofu master cleanse
Next level veard


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public abstract class Adjacencies
extends java.lang.Object
| Constructor and Description |
|---|
Adjacencies() |
| Modifier and Type | Method and Description |
|---|---|
static int[][] |
getAdjacencyList()
The row corresponds with the index of the country in territories
The columns in those rows are the list of the countries it is adjacent to.
|
static int[] |
getContinents()
List of Continents:
A continent is the territories starting at the previous index plus one to the current index
i.e.
|
static java.lang.String[] |
getTerritories()
Grabs the array of territories with the index being the associated
key to the value stored at that location.
|
static int |
getTerritoryID(java.lang.String name)
Returns the territory id of a given territory name
|
static java.lang.String |
getTerritoryName(int index) |
public static java.lang.String[] getTerritories()
public static java.lang.String getTerritoryName(int index)
index
- the territory idpublic static int getTerritoryID(java.lang.String name)
name
- the name of the territory to search forpublic static int[][] getAdjacencyList()
public static int[] getContinents()


I am Ruzindana Wendy Ornella
A committed software developer based in Kigali.
I strive to bring applications to life using the skills i acquired.
I am passionate about learning and flexible to changes.
This project is about a dating site called picturesque where people can join or sign up for free not just for finding a partner but it also helps you meet new friends online and if you are not yet sure about signing up, there is a chat room where you can join anonymously just to test the site.it uses html and css language.
This project is about an akan names displayer that takes the inputted date of birth from the user and generates the day the user was born together with the akan name which is a name given to a person in ghana depending on the day they were born on. It uses javascript,html and css language.
This project is a pizza site which helps people order pizzas and deliver it at their location. It uses Javascript,jquery,html and css language
This is a quotes project that allow people to post their quotes,
other people's quotes and people can view them and give likes or dislikes.it uses Angular,html and css language.
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