David Tremont, Model maker, Weta Workshop, New Zealand
Thunderbirds has been my inspiration since childhood. This has been an enjoyable read and reliving of the characters and their history. I look forward to new adventures ahead as should fans old and new, too.
...............................................................
Monica Ferris, USA Today bestselling author of Crewel World and other Needlecraft Mysteries, St. Louis Park, MN
Verba has created a humane and human background for these characters, with foibles and weaknesses believably overcome, which makes their forming a brave, self-sacrificing force all the more credit-worthy. FAB!
After his wife dies in a tragic accident, astronaut Jeff Tracy is left with five young sons to raise. But he turns his grief into a dream: to create an organization which will rescue people that no one else can reach. He builds a business which creates the new technology that the organization will require and earns the billions he needs to finance it. At last, he is ready to put it all together. He enlists the services of a genius to design aircraft and supporting machinery far beyond the standards of his time. Together, they find a South Pacific island to use as the base of their operations. Then he asks his five sons, now grown, to give up promising careers to build the base, operate the machines, and serve in his organization. But he finds that in order to make his dream a reality, it will require sacrifice, courage, and determination...far beyond what he, or his sons, ever expected. Can they make International Rescue a reality, and what will it take to make the fabulous Thunderbirds machines GO?
Midwest Book Review: Small Press Bookwatch
Tragedy does strange things to people, and it is not always negative. Countdown to Action! is a novel based on the beginnings of the old television program Thunderbirds. When faced with his wife's death, Jeff Tracy calls upon his sons to create an organization dedicated to rescuing those who need it. Creating such an organization, however, is much easier said than done. Countdown to Action! is highly recommended reading for science fiction enthusiasts in general and fans of the Thunderbirds television series in particular.


Well, I'll give you a few pertinent highlights, and just to help you work off that vente double mocha frappuchino, there'll be a quiz at the end.
I was born a poor white child in western Tennessee... (no really, I was). 'Navy brat' says alot, but it goes downhill from there. My family didn't last long enough to see me into school; blew up when I was about four. Extended family had to help my mom out for a while, that brought my younger brother and I up to Washington for about five years while my mom got established in California. Once she could support us, we moved back down with her and lived in the towns around the periphery of San Jose (back BEFORE it became 'Silicon Valley' - THAT happened while I was away in the service). We moved several times in the years we were there (Military habits? No, it was purely economical.) and I even graduated High School in San Jose.
I discovered electronics in Junior High School. Though I didn't pursue it immediately, it made its mark and has influenced me ever since. I used High School as my opportunity to explore every item in the course catalog that I could squeeze into my four years there (including summers, of course) and still didn't get it all in. My best friend back then joined the USMC JROTC program there mid-way through Freshman year and by the beginning of Sophomore year had me in it, too. Consequently, I spent the next three years as a 'Junior Jarhead' and loved it.
Graduation rolled around all too soon, and with no clear idea of what I wanted to be when I grew up, I ended up in the USAF (the Marines missed out because the recruiter couldn't see past his quotas and offered me a dirt job, with no fall-back plan when I declined). I chose computer repair as my specialty and ended up working on a missile communications system that was designed before I was born! After my first tour (stateside - South Dakota, Baby!), I got out and made my way back to California, where family was. I tried to build a life for my own family just north of Los Angeles, but after three years I jumped at a chance to move back up here and have been here ever since.
My first job up here was in Point of Sale hardware repair (think 'grocery store checkout equipment' and you're right on the money) and over the 16.5 years I stayed with them, they grew from fourteen people in Gig Harbor to over 80 people on site, with 60 more in a second facility in Louisville, KY and another dozen in a startup branch just outside of Long Beach, CA. While with them, I finished my AS degree and tooke some additional college coursework, exploring programming, computer networks, and business. Then 9/11 happened, the housing bubble burst, the economy slowed down, and my job there ended.
Once I left that job, I tried a few other things; I worked in a couple of machine shops, did a stint as an inside salesman for a groundwater pump sales company, worked a couple of contractor jobs on the Lewis side of JBLM, and for the past seven years have been back in the POS hardware repair and field support business (where many of my customers LOVE me! Not sure? Just mention my name at Vashon Thriftway, for example, and see what kind of reaction you get. Go ahead, I'll wait...).
Through an ironic chain of events, as I was contemplating a new career path, I was pushed into a path that has lead straight to Code Fellows. I did my due diligence before I signed on and I liked what I saw (compared to the competition), so here I am, intent upon starting a new career and becoming 'Professional-grade!'
So, how was that for a sip from a fire hydrant? Ready for the quiz I promised you?
SUBHEAD
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
SUBHEAD
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10


|
Documenting a Significant Ad hoc Site Contact (SASC) |
Significant Ad hoc Site Contacts include telephone and email communications with sites which should be documented and submitted to Electronic Study File (ESF). You can complete a Significant Ad hoc Site Contact form (SASCF) for any site, even if you do not have an IMPACT assignment for the site.
Begin at your Homepage.
Click on the
My Forms tab pane.
At the left navigation
panel select the Significant Ad hoc Site
Contact (SASC).
At the pop-up window
select a Protocol / Site
from the drop down.
Click Submit.
|
Note: |
The SASCF opens and the communication can be documented. |
Click on Submit to complete the Significant Ad hoc Site Contact.
|
Note: |
This prompts you to apply your electronic signature and sends the report to ESF. SASCs do not go to a reviewer, they are submitted directly to ESF.
You can also access the SASCF from the left navigation bar at a site page. This opens a SASCF for the sites for which you have an IMPACT assignment. |


Before running Bayesian quantal analysis (BQA), you are prompted to choose the settings for the calculations using a dialogue box. The ‘Data selection’ allows deselection and reselection of data sets used for quantal analysis. Note that a minimum of two data sets are required. The remainder of the dialogue box allows the user the customise the nature and precision of the analysis. It makes mathematical sense to make the probability of release to be at a resolution higher than any of the other parameters. In general, 128 is enough. The resolution for the coefficient of variation and certainly the number of release sites should be less or equal to the resolution of the probability of release.
Most critical is specification of the maximum number of release sites. Of course this is dependent on the relevant biological system, but an upper bound should be known. If the value specified is too small, then BQA will be forced into underestimating the number of release sites. An inappropriate high value however comes at the cost of reducing precision of calculation and computational time. In practice, it is best to enter a realistic maximum. Due to the discrete nature of the number of release sites, the ideal maximum of number of release sites fulfils the condition: any integer * (N - 1) + 1, where N is the resolution sampling the number of release sites. By default the program uses Jeffrey’s rule to assume a reciprocal prior for the number of release sites (you’ll need to read about this if you’re a bit fuzzy on what this means) but the program gives you the option of assuming a flat prior by unchecking this radiobutton.
For all parameters, a greater resolution improves precision but at the cost of computational time and memory. The heterogeneity sampling resolution defaults to a value 1, which indicates to Pyclamp that the BQA model specification assumes identical release probabilities across all release sites. If you enter a greater integer value, the BQA algorithm will assume heterogeneous release probabilies according to a beta model and sample the parameter α by the specified resolution.
If you model heterogeneous release probabilities beware of two possible issues. The first is simply a matter of sampling resolution. An additional continuous parameter adds another dimension to an already multi-dimensional matrix. Consequently, you should try to select a low sampling resolution (e.g. 12) for α and consider dropping the sampling resolution for the coefficient of variation to a similar figure. The second issue is the exponential matrix growth evaluating heterogeneous release probabilities as the maximum number of release sites increases. Since the minimum size of the matrix is 2n, where n is the number of release sites, the time taken also exponentially grows. While this is trivial for low values of n, the cost of the numerical operations can become substantial once n reaches the high teens.


This is the First Page!
Here using Extrnal Style Sheets Changing the Properties
Click me to go Second Page!


Readme¶
1. tuto_sphinx_doxygen¶
Small project to see how to build the documentation of an hybrid project C++/python/markdown
2. Getting started¶
In order to build the documentation of the package one can use CMake or the Makefile directly.
2.1 Using CMake¶
The classic way of using CMake is the following after changing directory to this package:
mkdir _build
cd _build
cmake ..
make
firefox docs/sphinx/html/index.html
2.2 Using Makefile¶
The make file is a simplified version of the CMakeLists.txt
make
firefox _build/docs/sphinx/html/index.html
3. Advanced explanation on the tools¶
In order to build the documentation we need to setup the following tools:
Doxygen the C++ api documentation parser,
Breathe a sphinx extension that parse the doxygen xml output into restructured text files,
recommonmark a sphinx extension parsing markdown files.
sphinx-apidoc the Python api documentation parser,
Sphinx the documentation renderer,
3.1 Doxygen¶
In order to execute to generate the C++ API documentation we use the
Doxygen tool.
We wrote a Doxyfile
, used to parameter Doxyygen, to notably:
Output the files in the
_build/docs/doxygen
folder with theOUTPUT_DIRECTORY
parameter.Generate a list of xml files containing the API documentation setting the
GENERATE_XML
toYES
.
The Makefile looks at the Doxyfile
in doc_config_files/doxygen/
and
CMake configure the Doxyfile.in
from cmake/doxygen/
.
3.2 Breathe¶
This tool is a module of sphinx that parse the Doxygen xml output. Breathe provide two import tools:
An API that allow you to reference to the object from the Doxygen xml output.
An executable
breathe-apidoc
that generates automatically the C++ API into ReStructed files.
In order to use it we need to add a couple of line in the config.py
used by Sphinx:
extensions = [
# ... other stuff
'breathe', # to define the C++ api
# ... other stuff
]
We also need to add the following variable that determine the behavior of Breathe:
# breath project names and paths. Here project is the name of the repos and the path is the path to the Doxygen output.
breathe_projects = { project: "../doxygen/xml" }
# Default project used for all Doxygen output (we use only one here).
breathe_default_project = project
# By default we ask all informations to be displayed.
breathe_default_members = ('members', 'private-members', 'undoc-members')
Once the config.py
is setup we execute breath-apidoc
on the Doxygen
xml output:
breathe-apidoc -o $(BREATHE_OUT) $(BREATHE_IN) $(BREATHE_OPTION)
with:
BREATHE_OUT
the output path (_build/docs/sphinx/breathe/
),BREATHE_IN
the path to the Doxygen xml output (_build/docs/doxygen/xml/
),and
BREATHE_OPTION
some output formatting option, here empty.
This breathe-apidoc will generate the list of all classes, namespace and
files in a different ReStructuredText (.rst
) files.
We will use them to generate the final layout of the documentation.
3.3 recommonmark¶
We want to have an easy and intuitive way of writing extra documentation
from the code. Hence our choice to use Markdown
and Restructured
text.
Both file types are parse by sphinx and converted to html.
The sphinx module recommonmark
is here to convert the Markdown properly.
In the header of the config.py
used by sphinx we need to include:
# AutoStructify for math in markdown
import recommonmark
from recommonmark.transform import AutoStructify
We add it to the extensions
variable in the same file:
extensions = [
# ... other stuff
'recommonmark', # markdown support
# ... other stuff
]
Then we tell Sphinx to read the .md extension files in the config.py
:
# The suffix(es) of source filenames.
source_suffix = ['.rst', '.md']
And last in order to get math support in the mardown using:
```math
a = \theta
```
We need to add the following at the end of the config.py
:
# some tools for markdown parsing
def setup(app):
app.add_config_value('recommonmark_config', {
'auto_toc_tree_section': 'Contents',
'enable_math':True,
'enable_inline_math':True,
'enable_eval_rst':True,
}, True)
app.add_transform(AutoStructify)
3.4 sphinx-apidoc¶
This tool allow the generation of a Python module API documentation
extracting the doc string from the code.
We need to add to the PYTHONPATH the path to the Python module in the
config.py
:
sys.path.insert(0, os.path.abspath("path/to/the/python/module"))
add the according Sphinx extensions:
extensions = [
# ... other
'sphinx.ext.autodoc',
'sphinx.ext.doctest',
'sphinx.ext.intersphinx',
'sphinx.ext.todo',
'sphinx.ext.coverage',
'sphinx.ext.mathjax',
'sphinx.ext.ifconfig',
'sphinx.ext.viewcode',
'sphinx.ext.githubpages',
# ... other
]
And then build the API documentation by:
sphinx_apidoc -o $(SPHINX_BUILD_OUT) path/to/the/python/module
Where SPHINX_BUILD_OUT
is the output path.
3.5 sphinx-build¶
The final layout is managed here and build using shpinx-build
. The tricky
thing with sphinx-build
is that everything included needs to be in the
working directory. Therefore in the build directory we set the output of
breathe-apidoc
and shpinx-apidoc
to _build/docs/sphinx
.
And inside the same folder we create a symlink that points to the source
doc/
folder.
Therefore in order:
The
index.rst
includes the C++ API main.rst
files from Breath.Then it includes the
modules.rst
file fromsphinx-apidoc
And then is adds all files inside
doc/
, which, again, points toward the sourcedoc/
directory.
The command to execute is the following:
sphinx-build -M html _build/docs/sphinx _build/docs/sphinx
This will generate the documentation website in _build/docs/sphinx/html/
Thefore firefox _build/docs/sphinx/html/index.html
opens the
documentation
4. Feedback on all this¶
If anything seems fuzzy (it is a rather long and tedious pipeline), please let me know via posting an issue here.


[§708A-1] Title. This chapter shall be known and may be cited as the "Money Laundering Act". [L 1995, c 119, pt of §2]


Mkoryak.github.com
Catman was here
View Mkoryak.github.com on GitHub
Demo of the
Evolutionary-Neural-Net-Checker-AI
Scroll to top
tar
zip
source code


blockquote
elementcite
- Link to the source of the quotation.interface HTMLQuoteElement : HTMLElement { attribute DOMString cite; };
The HTMLQuoteElement
interface is
also used by the q
element.
The blockquote
element represents content that is quoted from another source, optionally with a citation which must be within a footer
or cite
element, and optionally
with in-line changes such as annotations and abbreviations.
Content inside a blockquote
other than citations and in-line changes must be quoted from another source, whose address, if it has one, may be cited in the cite
attribute.
In cases where a page contains contributions from multiple people, such as comments on a blog post, 'another source' can include text from the same page, written by another person.
If the cite
attribute is present, it must be a
valid URL potentially surrounded by spaces. To obtain the
corresponding citation link, the value of the attribute must be resolved relative to the element. User agents may allow users to follow such
citation links, but they are primarily intended for private use (e.g. by server-side scripts
collecting statistics about a site's use of quotations), not for readers.
The cite
IDL
attribute must reflect the element's cite
content attribute.
The content of a blockquote
may be abbreviated, may have context added or may have annotations. Any such additions or changes to quoted text must be indicated in the text (at the text level). This may mean the use of notational conventions or explicit remarks, such as "emphasis mine".
For example, in English, abbreviations are traditionally identified using square brackets. Consider a page with the sentence "Fred ate the cracker. He then said he liked apples and fish."; it could be quoted as follows:

[Fred] then said he liked [...] fish.

Quotation marks may be used to delineate between quoted text and annotations
within a blockquote
.
For example, an in-line note provided by the author:

 "That monster custom, who all sense doth eat Of habit's devil," &c. not in Folio "What a falling off was there ! From me, whose love was of that dignity That it went hand in hand even with the vow I made to her in marriage, and to decline Upon a wretch."
  — Shakespeare manual by Frederick Gard Fleay, p19 (in Google Books)

In the example above, the citation is contained within the footer
of a figure
element,
this groups and associates the information, about the quote, with the quote. The figcaption
element was not
used, in this case, as a container for the citation as it is not a caption.
Attribution for the quotation, may be be placed inside the
blockquote
element, but must be within a cite
element for in-text attributions or within a footer
element.
For example, here the attribution is given in a footer
after
the quoted text, to clearly relate the quote to its attribution:

I contend that we are both atheists. I just believe in one fewer god than you do. When you understand why you dismiss all the other possible gods, you will understand why I dismiss yours.
 — Stephen Roberts

Here the attribution is given in a cite
element on the last line of the quoted text.
Note that a link to the author is also included.

 The people recognize themselves in their commodities; they find their soul in their automobile, hi-fi set, split-level home, kitchen equipment. — Herbert Marcuse

Here the attribution is given in a footer
after
the quoted text, and metadata about the reference has been added using the
Microdata syntax
(note it could have equally been marked up using RDFA Lite).

... she said she would not sign any deposition containing the word "amorous" instead of "advances". For her the difference was of crucial significance, and one of the reasons she had separated from her husband was that he had never been amorous but had consistently made advances.
  Heinrich Böll, The Lost Honor of Katharina Blum, January 1, 1974

There is no formal method for indicating the markup in a blockquote
is from a quoted source. It is suggested that if the footer
or cite
elements are included and these elements are also being used within a blockquote
to identify citations, the elements from the quoted source could be annotated with metadata to identify their origin, for example by using the class
attribute (a defined extensibility mechanism).
In this example the source of a quote includes a cite
element, which is annotated using the class
attribute:

My favorite book is At Swim-Two-Birds
 - Mike[tm]Smith

Here a blockquote
element is used in conjunction
with a figure
element and its figcaption
:

The truth may be puzzling. It may take some work to grapple with. It may be counterintuitive. It may contradict deeply held prejudices. It may not be consonant with what we desperately want to be true. But our preferences do not determine what's true. We have a method, and that method helps us to reach not absolute truth, only asymptotic approaches to the truth — never there, just closer and closer, always finding vast new oceans of undiscovered possibilities. Cleverly designed experiments are the key.

Carl Sagan, in "Wonder and Skepticism", from the Skeptical Enquirer Volume 19, Issue 1 (January-February 1995)

This next example shows the use of cite
alongside
blockquote
:

His next piece was the aptly named Sonnet 130:

My mistress' eyes are nothing like the sun,
 Coral is far more red, than her lips red,
 ...
This example shows how a forum post could use
blockquote
to show what post a user is replying
to. The article
element is used for each post, to mark
up the threading.

Bacon on a crowbar

 t3yw 12 points 1 hour ago
I bet a narwhal would love that.
 permalink
 greg 8 points 1 hour ago

I bet a narwhal would love that.

Dude narwhals don't eat bacon.
 permalink
 t3yw 15 points 1 hour ago

I bet a narwhal would love that.

Dude narwhals don't eat bacon.

Next thing you'll be saying they don't get capes and wizard hats either!
 permalink

 boing -5 points 1 hour ago
narwhals are worse than ceiling cat
 permalink

 fred 1 points 23 minutes ago

I bet a narwhal would love that.

I bet they'd love to peel a banana too.
 permalink

This example shows the use of a blockquote
for
short snippets, demonstrating that one does not have to use
p
elements inside blockquote
elements:

He began his list of "lessons" with the following:

One should never assume that his side of the issue will be recognized, let alone that it will be conceded to have merits.

He continued with a number of similar points, ending with:

Finally, one should be prepared for the threat of breakdown in negotiations at any given moment and not be cowed by the possibility.

We shall now discuss these points...
Examples of how to
represent a conversation are shown in a later section; it is not
appropriate to use the cite
and blockquote
elements for this purpose.


3/25 email
OFFICE OF THE CHANCELLOR
March 25, 2020
Dear CUNY Community,
I want to take this opportunity to provide further clarity on the rationale for our decision to implement the Recalibration Period for Educational Equity, which we announced yesterday. Our primary reason for moving up some days from the Spring Recess is to give us time to get laptops and tablets into the hands of students who need them. If we did not pause, we would get too far into the semester, and students who have been without access to technology since March 19 would then have a tough time catching up and likely drop out of the semester.
The first batch of computers we purchased for our students is scheduled to arrive this weekend, and we are finalizing plans with the campuses to distribute them swiftly early next week. Each college will devise a distribution plan that is compliant with New York State on PAUSE. College presidents and deans will be in touch to communicate the procedures and schedules for distribution of this equipment.
Our plan is for a substantial number of laptops and tablets to be in the hands of students before distance learning reconvenes on April 2. The pause is to allow time for the delivery; though I recognize that it may be disruptive to our instructional momentum, it is essential to make sure thousands of our students don’t feel left out of their education. This, to me, is not a small consideration but pivotal to our commitment to equity, and to our mission of supporting all our students and making sure that we continue being an engine of upward mobility, even during these most trying of times for everyone.
The Recalibration Period can also provide faculty an opportunity to reflect on their experience during the first week of distance learning, with an eye to making adjustments when classes restart. I would hope it also affords faculty added flexibility in their personal lives as they continue to adapt to the additional responsibilities and challenges that the current situation presents in New York City and the metropolitan region.
Here is more information about the Recalibration Period:
All 16 colleges will be on pause in the Recalibration Period, no classes will be held, and no assignments or tests should be due during this period. These colleges are: Baruch, BMCC, Brooklyn College, Bronx Community College, City College, City Tech, College of Staten Island, Hostos, Hunter, John Jay, Lehman, Macaulay Honors, Medgar Evers, Queens College, Queensborough Community College and York College.
All faculty and students at these schools will be off from Friday, March 27 to Wednesday, April 1 and again from Wednesday, April 8 to Friday, April 10, for a condensed Spring Recess. Administrators and staff will continue to work as they normally would from March 27 to April 1 and during Spring Recess, albeit remotely in most cases. All local plans to reduce campus density for faculty, staff and students remain in place.
The only schools exempted from the Recalibration Period are professional schools and graduate schools (Craig Newmark Graduate School of Journalism, School of Labor and Urban Studies, School of Law, School of Medicine, School of Professional Studies, School of Public Health and Health Policy, and The Graduate Center) and the community colleges that operate on a different academic calendar (Guttman, Kingsborough and LaGuardia) and just recently started their Spring semester.
There are a few other programs exempted including Pre-K to 12 schools in our system and pre-matriculation programs like CUNY Start, Math Start, CLIP and Adult Literacy. Decisions on continuing education and graduate programs are at the discretion of school presidents and deans.
In recognition of the difficulty posed by these circumstances, we are enacting a flexible credit/no credit policy, under which students will have 20 days after they receive their grades to decide if they want to convert any or all of the letter grades they earn in their classes to Credit/No Credit (CR/NC) grading. You can find details on the policy here. I hope this adds clarity to my communication from yesterday. For the latest information, please visit the University’s coronavirus page, which also includes a video message from me. For student resources, tools and tips, visit our new continuity page.
I thank you again for your patience, and for understanding that what drives our decisions every day is what is best for our students and their success.
Felo


T
- The type of the entity object.public class Importer<T>
extends java.lang.Object
| Constructor and Description |
|---|
Importer(DAO<T> dao)
Creates an importer for the given DAO.
|
Importer(DAO<T> dao,
java.lang.String[] keyColumns,
java.util.Map columnMap)
Creates an importer for the given DAO with specified key columns and column map.
|
Importer(DAO<T> dao,
java.lang.String[] keyColumns,
java.lang.String[] columnMap)
Creates an importer for the given DAO with the specified key columns and column map.
|
| Modifier and Type | Method and Description |
|---|---|
protected void |
afterImport(T object,
java.util.Map row)
Trigger called just after the entity object is saved.
|
protected void |
beforeImport(T object,
java.util.Map row)
Trigger called just before an entity object is saved.
|
java.util.Map<java.lang.String,java.lang.String> |
getColumnMap()
Gets a reference to the column map.
|
java.util.List<java.lang.String> |
getKeyCols()
Gets the key columns for this set.
|
void |
importJSON(java.io.InputStream is,
java.lang.String selector)
Imports JSON data from an input stream into the database.
|
void |
importSet(java.util.List rows)
Imports a set of rows into the DAO.
|
void |
importSet(java.util.Map set,
java.lang.String selector)
Imports a set of rows into the table.
|
protected void |
prepareRowForImport(java.util.Map row)
Trigger called just before a row is imported.
|
public Importer(DAO<T> dao)
dao
- The DAO into which the importer will import records.public Importer(DAO<T> dao, java.lang.String[] keyColumns, java.lang.String[] columnMap)
dao
- The DAO into which the importer will import records.keyColumns
- List of columns in the import set that are key columns.columnMap
- A map of columns in the import set to the corresponding column in the DAO.
Odd entries are column names in the import set, and the next even entry is the corresponding
column name in the DAO.public Importer(DAO<T> dao, java.lang.String[] keyColumns, java.util.Map columnMap)
dao
- The DAO into which the importer will import records.keyColumns
- List of columns in the import set that are key columns.columnMap
- A map of columns in the import set to the corresponding column in the DAO.public java.util.Map<java.lang.String,java.lang.String> getColumnMap()
public java.util.List<java.lang.String> getKeyCols()
public void importSet(java.util.Map set, java.lang.String selector) throws java.io.IOException
set
- A Map with a nested data structure. Typically this will have been parsed from JSON.selector
- A selector path to indicate where, within the dataset, the rows to be imported
are located. E.g. "tables/data" indicates that the Map set has a key "tables" with another Map,
which contains a key "data", which is a List of Maps - each of which represents a row to be imported.columnMap
- Maps columns in the imported set, into the corresponding column names in the table.java.io.IOException
public void importSet(java.util.List rows) throws java.io.IOException
rows
- List of Maps to be imported.java.io.IOException
protected void prepareRowForImport(java.util.Map row)
row
- The row that is being imported. It has already had the
importer's column map applied to it.protected void beforeImport(T object, java.util.Map row)
object
- The entity object that is being imported. It may be an
existing object or a new object.row
- A map of values that were applied to the entity object.protected void afterImport(T object, java.util.Map row)
object
- The entity object that was saved.row
- The row of Map data that was applied to the entity object to be saved.public final void importJSON(java.io.InputStream is, java.lang.String selector) throws java.io.IOException
is
- InputStream containing JSON data.selector
- The selector to specify the path to the list of data to be imported.java.io.IOException


{% extends "base.html" %} {% block title %}
Medieval catalogues > UNIVERSITY AND COLLEGE LIBRARIES OF CAMBRIDGE > Clare College > Inventory, 7 September 1560
{% endif %}24 identified entries found.
All data was derived from the List of Identifications by Professor Richard Sharpe.
{% if not printing %}
A key to codes used in the List is available (opens in new tab).{% endif %}


swiftarr
If you’re here for something other than curiosity or to provide feedback,
you’re probably developing an API client or maybe even thinking about
getting involved with swiftarr
development itself.
swiftarr
is the back-end engine of Twit-arr, implementing API v3. swiftarr
is unsurprisingly written entirely in
Swift, using the asynchronous Vapor 3 framework built on SwiftNIO. swiftarr
runs whereever server-side Swift
is officially supported, which is currently limited to macOS or Linux (Ubuntu).
Welcome to API v3
- Users
- can create unlimited sub-accounts, all tied to one registration code
- can change username
- can block other users (applies to all sub-accounts) throughout the platform
- each individual account can mute public content based on individual account or keyword
- can create unlimited lists of other users – aka: barrels of (sea)monkeys
- Authentication
- all authentication is done through HTTP headers
- password recovery uses a a per-user (covers all sub-accounts) recovery key generated when the primary user account is created (the key is 3 words, nothing cryptic)
- Clients
- are a new class of account permitted to request certain bulk data
- are static across all client instances (e.g. RainbowMonkey is a client and all instances use a hard-coded username/password)
- proxy for the actual client user via an
x-swiftarr-user
header, so that blocks are respected
- Barrels
- are multi-purpose containers which can hold an array of IDs and/or a dictionary of strings
- are used for block/mute/keyword lists, user-created lists, things not yet thought of
- a user’s set of seamonkey barrels can be used for filtering or as “auto-complete” results
- Forums
- all forums belong to a category
- a category can be restricted (“official”) or not (users can create forums therein)
- categories are created, and forums may be re-categorized, by Moderators
- forum posts can be reacted to with the same laugh/like/love options as twitarr twarrts
- forum posts can be bookmarked (this is private to the bookmarking user)
- forum posts can filtered by boomarks, liked posts
- Events
- each event on the schedule can have an “official” associated forum
- Twitarr
- twarrts can be bookmarked (this is private to the bookmarking user)
- can be filtered by a user’s seamonkey barrels (lists of users), bookmarks, liked twarrts
- FriendlyFez / LFG
- users can create Looking For Group requests for… gaming, dining companions, meetups, activities, anything?
- fezzes can have a maximum capacity, with a waiting list, or an open-ended number of participants
- a fez can have specific start and/or end times, or can be “TBD”
- fezzes can have fez-specific (not a Forum) FezPost discussions
- fezzes respect user blocks for the creator, FezPosts respect both blocks and mutes
- More
- soon™
API Client Notes
- Dates are UTC and relative to epoch.
- All authentication is done through HTTP headers. See
AuthController
. - All entities are referenced by ID (either UUID or Int). While usernames are unlikely to change often, they should be
considered ephemeral and only ever be used to attempt to obtain an ID (
api/v3/users/find/username
). - Images are the WIP that got shoved aside to push this out, very stubby at the moment.
- Required HTTP payload structs can be encoded as either JSON or MultiPart.
- Returned data is always JSON.
- All endpoints are currently GET/POST to maintain high compatibility for web clients. PUT/DELETE can be mapped onto them if this offends sensibilities, er, I mean… is desired.
- Query parameters are pretty much avoided in favor of endpoints except for the few necessary cases.
- The intended on-boarding flow:
- “welcome!”
- username/password —> recovery key
- the user is strongly encouraged to screenshot/notes app/write down recovery key before proceeding
- “user can now edit profile, read twitarr or forums – if they want to create content and Agree to Stuff” then…
- registration code — Basic auth —> token (user is now logged in)
- use token in Bearer auth until token no longer works
- When a token no longer works (401 error response):
- try
POST /api/v3/auth/login
with Basic auth - either a new token or a 401 or 403 error is returned
- if 401, client is not supplying correct credentials, have user re-enter manually or try recovery
- if 403, stop, do not try again, user is read-only
- try
- more
- soon™
Getting Started
Requirements
There are five requirements for either running an instance of swiftarr
or development itself.
- the
libgd
library - a recent Swift toolchain (recommend 5.1.x or later)
- the Vapor framework
- an instance of PostgreSQL
- an instance of Redis
A recent version of Xcode is also required for development. (This is not strictly necessary, but if you walk your own Swift development path, add “self-sufficiency” to the list.)
Quickstart - macOS
If running on macOS with Xcode installed, the easiest way to get an instance up and running is via Docker.
- Install Docker.
- Install
libgd
. With Homebrew installed, simplybrew install gd
. - Install the Vapor toolbox. (I don’t actually know if this is necessary for just running an instance, and have no way to easily test that at the moment, but it might be needed to get the correct SSL library and shimming for SwiftNIO.)
- Download or clone the
switarr
repository. - Run
./scripts/instance.sh up
from theswiftarr
directory to create and launch postgres and redis Docker containers. - Generate the
swiftarr.xcodeproj
file, then open it in Xcode.
cd <swiftarr-directory>
swift package generate-xcodeproj
open ./swiftarr.xcodeproj
Make sure the selected Scheme is “My Mac” in Xcode, hit Run, and swiftarr
should shortly be available at http://localhost:8081.
To shut down the Docker containers, ./scripts/instance.sh stop
.
 From here on out though, it’s just a matter of pulling the latest updates from the repository and regenerating the .xcodeproj file.
Development
Setting up a full macOS development environment is in fact no different than above. You’ll
just want to use ./scripts/development.sh
instead if you want to run tests (and you should be
writing|updating|running tests if adding any code).
cd <swiftarr-directory>
./scripts/development.sh up
This simply adds two more Docker containers to the mix, running instances of postgres and redis on alternate (+1) ports.
Production Instance
Not on macOS or otherwise just want an instance to test against? Sure, there are several options, and they’re all full production instances.
Docker
soon™
Bare Metal
soon™
Heroku
soon™
AWS
soon™
Documentation
API_cheatsheet.md: A quick endpoint reference for client development, including payload requirements and return types.
docs/: A complete API reference generated directly from the documentation markup within the source code, in navigable HTML format.
source code: The source code itself is, in every sense, the definitive documentation. It is thoroughly documented, incorporating both formatted Swift Documentation Markup blocks (
///
) and organizationalMARK
s used to generate the HTMLdocs/
pages, as well as in-line comments (//
) to help clarify flow, function, and thought process. Maintainers and contributors are requested to adhere to the existing standards, or outright improve upon them!
The docs/
are generated using the awesome jazzy
.
The Vapor framework has its own API documentation.


Samsung Galaxy A51 Renders Leak with Punch-hole Display and Four Cameras - Gizchina.com
by PierreSamsung Galaxy A51 Renders Leak with Punch-hole Display and Four Cameras
2.5 (50%) 2 votes
Renown leakster @OnLeaks just published some very interesting images of what’s supposedly Samsung’s upcoming mid-ranger – the Samsung Galaxy A51.
The handset portrayed in the renders appears to have married the new camera madness trend with a whopping four camera setup on the back. Meanwhile on the front we find a design we know very well, with a hole punch camera in the middle of the screen. The Galaxy A51 does indeed seem very similar to Samsung’s latest flagship – the Note 10.
Samsung Galaxy A51 Renders Leak with Punch-hole Display and Four Cameras
The Samsung Galaxy A51 is also expected to pack a 6.2-inch AMOLED display on a more rounded frame. Beneath the display we’ll probably find an UD fingerprint scanner. This is mostly confirmed by the lack of a fingerprint scanner on the back.
Samsung’s Galaxy A51 will also be equipping the home-developed Exynos 9611 processor, which includes a four 2.3GHz A73 big cores and four 1.7GHz A53 small core combo plus a G72 MP3 GPU. The CPU will then be paired with 4GB of storage and either 64GB or 128GB of internal storage.
As far as the camera hardware is concerned, the Samsung Galaxy A51 will be packing a 48MP primary sensor coupled with a 12MP ultra wide angle lens, a 12MP telephoto and a 5MP depth sensor to snap photos with the bokeh effect. In the front we’ll instead find a 32MP single snapper for high res selfies.
Samsung’s mid-ranger dimensions are already known and they are 158.4 x 73.7 x 7.9 mm. Meanwhile, regarding it’s color variants, the smartphone will be available in silver, black and blue.
Finally, pricing should be just over $250 or 250€. Similar to the price of the Galaxy M30s which comes with the same CPU.


The Tin Woodman of Oz
by L. Frank Baum
Chapter 23: “Through the Tunnel”
Additional Information
- Year Published: 1918
- Language: English
- Country of Origin: United States of America
- Source: Baum, L. F. (1918). The Tin Woodman of Oz. J. R. Neill (Ed.).
-
Readability:
- Flesch–Kincaid Level: 7.0
- Word Count: 935
- Genre: Fantasy
- Keywords: 20th century literature, american literature, books of oz, children's literature, fantasy, l. frank baum
- ✎ Cite This
Downloads
It didn’t rain just then, although the clouds in the sky grew thicker and more threatening. Polychrome hoped for a thunder-storm, followed by her Rainbow, but the two tin men did not relish the idea of getting wet. They even preferred to remain in Nimmie Amee’s house, although they felt they were not welcome there, rather than go out and face the coming storm. But the Scarecrow, who was a very thoughtful person, said to his friends:
“If we remain here until after the storm, and Polychrome goes away on her Rainbow, then we will be prisoners inside the Wall of Solid Air; so it seems best to start upon our return journey at once.  But even that is better than to stay here. Once we are free of the barrier, we have Woot the Wanderer to help us, and he can oil your joints and restuff my body, if it becomes necessary, for the boy is made of meat, which neither rusts nor gets soggy or moldy.” “Come along, then!” cried Polychrome from the window, and the others, realizing the wisdom of the Scarecrow’s speech, took leave of Nimmie Amee, who was glad to be rid of them, and said good-bye to her husband, who merely scowled and made no answer, and then they hurried from the house.
“Your old parts are not very polite, I must say,” remarked the Scarecrow, when they were in the garden.
“No,” said Woot, “Chopfyt is a regular grouch. He might have wished us a pleasant journey, at the very least.”
“I beg you not to hold us responsible for that creature’s actions,” pleaded the Tin Woodman. “We are through with Chopfyt and shall have nothing further to do with him.”
Polychrome danced ahead of the party and led them straight to the burrow of the Blue Rabbit, which they might have had some difficulty in finding without her. There she lost no time in making them all small again. The Blue Rabbit was busy nibbling cabbage leaves in Nimmie Amee’s garden, so they did not ask his permission but at once entered the burrow. Even now the raindrops were beginning to fall, but it was quite dry inside the tunnel and by the time they had reached the other end, outside the circular Wall of Solid Air, the storm was at its height and the rain was coming down in torrents.
“Let us wait here,” proposed Polychrome, peering out of the hole and then quickly retreating. “The Rainbow won’t appear until after the storm and I can make you big again in a jiffy, before I join my sisters on our bow.”
“That’s a good plan,” said the Scarecrow approvingly.
“It will save me from getting soaked and soggy.”
“It will save me from rusting,” said the Tin Soldier.
“It will enable me to remain highly polished,” said the Tin Woodman.
“Oh, as for that, I myself prefer not to get my pretty clothes wet,” laughed the Rainbow’s daughter. “But while we wait I will bid you all adieu. I must also thank you for saving me from that dreadful Giantess, Mrs. Yoop. You have been good and patient comrades and I have enjoyed our adventures together, but I am never so happy as when on my dear Rainbow.”
“Will your father scold you for getting left on the earth?” asked Woot.
“I suppose so,” said Polychrome gaily; “I’m always getting scolded for my mad pranks, as they are called. My sisters are so sweet and lovely and proper that they never dance off our Rainbow, and so they never have any adventures. Adventures to me are good fun, only I never like to stay too long on earth, because I really don’t belong here. I shall tell my Father the Rainbow that I’ll try not to be so careless again, and he will forgive me because in our sky mansions there is always joy and happiness.”
They were indeed sorry to part with their dainty and beautiful companion and assured her of their devotion if they ever chanced to meet again. She shook hands with the Scarecrow and the Tin Men and kissed Woot the Wanderer lightly upon his forehead.
And then the rain suddenly ceased, and as the tiny people left the burrow of the Blue Rabbit, a glorious big Rainbow appeared in the sky and the end of its arch slowly descended and touched the ground just where they stood.
Woot was so busy watching a score of lovely maidens—sisters of Polychrome—who were leaning over the edge of the bow, and another score who danced gaily amid the radiance of the splendid hues, that he did not notice he was growing big again. But now Polychrome joined her sisters on the Rainbow and the huge arch lifted and slowly melted away as the sun burst from the clouds and sent its own white beams dancing over the meadows.
“Why, she’s gone!” exclaimed the boy, and turned to see his companions still waving their hands in token of adieu to the vanished Polychrome.


Rapidly construct standard dialog boxes for your GUI, including message boxes, input boxes, list, file or directory selection, ... In case R cannot display GUI dialog boxes, a simpler command line version of these interactive elements is also provided as fallback solution.
| Version: | 1.0.0 |
| Depends: | R (≥ 2.6.0) |
| Imports: | svGUI (≥ 1.0.0), utils, methods, rstudioapi (≥ 0.7) |
| Suggests: | covr, knitr, testthat |
| Published: | 2018-04-26 |
| Author: | Philippe Grosjean [aut, cre] |
| Maintainer: | Philippe Grosjean <phgrosjean at sciviews.org> |
| BugReports: | https://github.com/SciViews/svDialogs/issues |
| License: | GPL-2 |
| URL: | https://github.com/SciViews/svDialogs, http://www.sciviews.org/SciViews-R |
| NeedsCompilation: | no |
| SystemRequirements: | zenity, yad |
| Citation: | svDialogs citation info |
| CRAN checks: | svDialogs results |
| Reference manual: | svDialogs.pdf |
| Vignettes: |
Standard dialog boxes for everybody |
| Package source: | svDialogs_1.0.0.tar.gz |
| Windows binaries: | r-devel: svDialogs_1.0.0.zip, r-release: svDialogs_1.0.0.zip, r-oldrel: svDialogs_1.0.0.zip |
| OS X binaries: | r-release: svDialogs_1.0.0.tgz, r-oldrel: svDialogs_1.0.0.tgz |
| Old sources: | svDialogs archive |
| Reverse depends: | cgam, svDialogstcltk |
| Reverse imports: | LLSR, Observation, zooimage |
Please use the canonical form https://CRAN.R-project.org/package=svDialogs to link to this page.


THIS IS THE SECOND CSS CLASS
this is css-2
HTML
it is a link test
CSS
it is a second
this is not a link text
link test
JS
PHP
sshfksjhdfk
aofhsjlkdhfhl
kiran


400
Page Not Found
Oops!!!! you tried to access a page which is not available. go back to Home
Back To Home


In this project, we'll make a website that automatically tells you the day and time.
1. Create a new HTML document and add an appropriate title.
2. Add a heading that says:
"Hello! Today is DAY
."
3. Find a JavaScript function that can tell you a number 0-6 that represents the current day of the week (0 is Sunday, 1 is Monday, etc).
4. Write your own code that can convert that number to the name of the day.
5. Using d.innerHTML =
, replace the "DAY" on the webpage with the actual day.
6. Add a second line that says, "The time is TIME
.
7. Find a JavaScript function that can find the current hour.
8. Find a JavaScript function that can find the current minutes.
9. Write your own code to combine the hours and minutes with a colon, adding AM/PM, (so it would look like "6:35 PM", for example).
Hint: You'll need to make sure it displays "7:05" instead of "7:5" for example.
10. Using t.innerHTML =
, replace the "TIME" on the webpage with the actual time.
11. Now style your page with CSS -- choose your fonts, background colors, borders, etc.
12. Save and share your project!


MultiGrok Search
Applicable keywords:
path, def, symbol, hist
.
Please construct your query as params, for example:
Myclass&path="MYPATH"
Full Help


About Me!
My Name is Chrystal Copeland. I have owned my own business for 10 years. I am also a musician, mother,
wife, and have two German Shorthaired Pointer Dogs and a cat.
5 Little Known Facts About Me
- I have an Identical Twin Sister.
- I have won 2 New Mexico Music Awards.
- I love to grow flowers.
- I make awesome chocolate chip cookies.
- I can juggle.


This page was created only with HTML and css for BairesDev
Hi, I'm Nico. A junior developer looking for a steady job in the computer world.
My passion is Front-end development but I also know how to handle Back-End through node.js or .NET
Im currently developing in Angular 9. An Time tracker for working issues. Like Jira.
On my free time, i work on React. Its my favorite framework and im currently developing an e-commerce for my mom business
Once you program in C# you never try another Back-End language. I love the consistency of .NET


Toggle navigation
Inferneon v1.0
Aravindh Chinnasamy
Yesterday
Can we have lunch today?
Priya
Yesterday
There is meeting today
Chinnasamy
Yesterday
I am calling it for the day
Read All Messages
Task 1
40% Complete
40% Complete (success)
Task 2
20% Complete
20% Complete
Task 3
60% Complete
60% Complete (warning)
Task 4
80% Complete
80% Complete (danger)
See All Tasks
New Comment
4 minutes ago
3 New Followers
12 minutes ago
Message Sent
4 minutes ago
New Task
4 minutes ago
Server Rebooted
4 minutes ago
User Profile
Settings
Logout
Dashboard
Machine Learning
My Projects
Add Project
Dashboard
×
Project details


{% extends "pretixpresale/event/base.html" %}
{% load i18n %}
{% load bootstrap3 %}
{% block title %}{% trans "Resend order links" %}{% endblock %}
{% block content %}
{% trans "Resend order links" %}
{% blocktrans trimmed %}
If you lost the link to your order or orders, please enter the email address you
used for your order. We will send you an email with links to all orders you placed
using this email address.
{% endblocktrans %}


The festival is sited on the moon, but first of all you have to reach it.You will learn how to drive a spaceship and advised about warnings.But you’ll leave the planet alone, driving your own ship.Are you gonna do it?
Have you ever visited the London Eye?! We did it better, bigger and higher.  Watch out: not for weak hearts
Are you a tan lover? We offer the best beauty shop and tanning center in the whole solar system! Join us on the sun and don’t forget the sun cream, you’ll need it! Following the hottest party ever!
Dip yourself in the deep space and listen to the slow and perpetual beat of billions of stars. Can you hear them? Perhaps they’re just driving you insane.
Getting tired of the moon adventure?! Take a rest in the black hole accredited to the festival and enjoy the thermal space bath.


'Thank you, WeWork' — 2 of the coworking startup's biggest rivals are cashing in after its public meltdown
by Theron Mohamed- Two of WeWork’s biggest rivals are cashing in on the collapse of its IPO, its rescue by SoftBank, and its ongoing overhaul.
- “Thank you, WeWork,” IWG CEO Mark Dixon told Fast Company, adding that the coworking startup’s public meltdown has shone a spotlight on shared workspaces.
- “Landlords are considering going in our direction that maybe weren’t before,” CBRE boss Robert Sulentic said on an earnings call this month.
- For more stories on WeWork, click here.
Two of WeWork’s biggest rivals are cashing in on its public meltdown.
“We’re in a hypergrowth stage at the moment,” Mark Dixon, CEO of IWG, told Fast Company. The collapse of WeWork’s IPO, the coworking startup’s rescue by SoftBank, and its ongoing overhaul is helping the company – which boasts 3,500 global locations to WeWork’s 625 – to expand and acquire smaller competitors, he said.
WeWork’s troubles have “led to more demand for us” and “created an even brighter spotlight on the industry,” Dixon said during a trading update this month. “The knowledge of the industry went up by many notches during that whole period.”
IWG is weighing several acquisitions and anticipates more prospects next year “as the market inevitably consolidates in the post-WeWork scene,” he added.
“Our strategy has been greatly helped by the focus that they have put on [flexible office rentals], so we are grateful to them for that,” Dixon told Fast Company. “Thank you, WeWork.”
CBRE has also benefited from WeWork’s bad press. The world’s largest commercial real-estate services firm has received more interest in Hana, a coworking business that it launched in Dallas last quarter and plans to expand to California and London by early next year.
“We’re seeing some incremental inquiries from occupiers of Hana,” CEO Robert Sulentic said on an earnings call this month. “Landlords are considering going in our direction that maybe weren’t before.”
CBRE may be winning from the fallout, but Sulentic argued WeWork attracted a disproportionate amount of attention in a Bloomberg interview this week.
 “WeWork was doing a lot of leasing in New York and London and some other markets but we’re the biggest leasing company in the world.”
Sulentic added that coworking only generated 4% of CBRE’s leasing revenue over the past year, but he expects the industry segment to grow from about 2% of multi-tenant office space today to as much as 10% in the coming years.


College GameDay Staff Makes Week 12 Picks For 2019 Season
by Matt LombardiCollege GameDay is in Waco, Texas ahead of tonight’s big showdown between the Baylor Bears and the Oklahoma Sooners. Per usual, the show’s staff made its picks for the biggest games of the day.
Chip and Joanna Gaines of ‘Fixer Upper’ were the celebrity guest pickers. The HGTV stars live and work in Waco, hence the selection.
Lee Corso made his headgear selection and went with Baylor to score the upset at home.
Chip and Joanna Gaines, of course, also went with Baylor. Here’s what College GameDay’s staff, including Kirk Herbstreit, picked for the biggest games of the day:
Ithaca vs. SUNY Cortland
Desmond Howard: Ithaca
Chip/Joanna Gaines: Ithaca
Lee Corso: Ithaca
Kirk Herbstreit: SUNY Cortland
Wabash vs. Depauw
Desmond Howard: Wabash
Chip/Joanna Gaines: Wabash
Lee Corso: Wabash
Kirk Herbstreit: Wabash
Temple vs. Tulane
Desmond Howard: Temple
Chip/Joanna Gaines: Temple
Lee Corso: Temple
Kirk Herbstreit: Tulane
Navy vs. Notre Dame
Desmond Howard: Notre Dame
Chip/Joanna Gaines: Navy
Lee Corso: Notre Dame
Kirk Herbstreit: Notre Dame
USC vs. Cal
Desmond Howard: USC
Chip/Joanna Gaines: Cal
Lee Corso: USC
Kirk Herbstreit: USC
Texas vs. Iowa State
Desmond Howard: Texas
Chip/Joanna Gaines: Texas
Lee Corso: Iowa State
Kirk Herbstreit: Texas
Kansas vs. Oklahoma State
Desmond Howard: Oklahoma State
Chip/Joanna Gaines: Kansas
Lee Corso: Oklahoma State
Kirk Herbstreit: Oklahoma State
Indiana vs. Penn State
Desmond Howard: Penn State
Chip/Joanna Gaines: Penn State
Lee Corso: Penn State
Kirk Herbstreit: Penn State
Michigan vs. Michigan State
Desmond Howard: Michigan
Chip/Joanna Gaines: Michigan
Lee Corso: Michigan
Kirk Herbstreit: Michigan
Minnesota vs. Iowa
Desmond Howard: Minnesota
Chip/Joanna Gaines: Minnesota
Lee Corso: Iowa
Kirk Herbstreit: Minnesota
Georgia vs. Auburn
Desmond Howard: Georgia
Chip/Joanna Gaines: Auburn
Lee Corso: Auburn
Kirk Herbstreit: Georgia
Oklahoma vs. Baylor
Desmond Howard: Oklahoma
Chip/Joanna Gaines: Baylor
Lee Corso: Baylor
Kirk Herbstreit: No pick, calling game
Baylor vs. Oklahoma kicks off at 7:30 PM ET on ABC.


module NaiveMather
Overview
Calculates simple math equations, like "2 + 3 * (2 + 4)" Based on Ruby code written for blog by Lukasz Wrobel. https://lukaszwrobel.pl/blog/math-parser-part-3-implementation/
Defined in:
naive_mather/token.crnaive_mather/lexer.cr
naive_mather/parser.cr
naive_mather.cr
naive_mather/version.cr
Constant Summary
-
DEBUG =
false
-
VERSION =
"0.1.0"
Class Method Summary
-
.calculate(equation : String?)
Returns the result of calculating the passed equation.
Class Method Detail
def self.calculate(equation : String?)
#
Returns the result of calculating the passed equation.
NativeMather.calculate("2 + 3") # => 5


Tags: music and stuff
Deaf Center - Low Distance
Bleak ambient music
Release date: 2019-03-22
[8.9/10]
Coil - Theme From the Gay Man’s Guide to Safer Sex
I alway thought Coil was kinda like Throbbing Gristle, the kind of band that
Release date: 2019-06-28
does dark industrial music or something similar, but this album is in fact
very groovy, very enjoyable and not at all challenging. Quality music.
[8.6/10]
Dos Monos - Dos City
日本什麼時候有這麼ㄏㄧㄠˊ的饒舌團了？飛天爽
Release date: 2019-03-20
[8.6/10]
James Ruskin - Reality Broadcast Off
How techno should be done… great stuff.
Release date:
[8.6/10]
Shura - forevher
This one is a real doozie. Do not miss out!
Release date: 2019-08-16
[8.6/10]
Jay Som - Anak Ko
Indie pop, funky at times and serene at some other. I love the instrumentals on this thing.
Release date: 2019-08-23
[8.6/10]
Sim Hutchins, Dale Cornish - Decouple ][ Series
Druk Pak is easily one of my favorite techno songs in a long time.
Release date: 2020-05-22
Deconstructed techno music?
[8.5/10]
The Dead C - Rare Ravers
Sometimes when you grow tired of stuff that is too pronounced, too focused,
Release date:
too eager to accomplish something, this is the record to put on. Previously
I’ve only listened to their first album and I wasn’t really paying attention,
but this one is exactly what I felt was previously missing in this year’s
releases so far. I guess this can be called a “noise” record? But the guitars
actually have some melodies going on, and it is not challenging at all to
finish this album in one go. This is some quality stuff.
[8.2/10]
Valiska - Numbers
Awesome slow electronica / ambient music
Release date: 2020-12-20
[8.2/10]
Slauson Malone - A Quiet Farwell, Twenty Sixteen to Twenty Eighteen
Jazzy hip hop最近應該超多人做，但做得好的人多不多又是另一回事了… 這張很好聽
Release date:
[8.2/10]
They Hate Change - Clearwater
This is the second Deathbomb release in this list.
Release date: 1969-11-02
[8.2/10]
Special Request - Vortex
Raving, gnarly techno music. Love it!
Release date: 2019-11-22
[8.1/10]
Caterina Barbieri - Ecstatic Computation
對這種真的是沒啥抵抗力… 好好聽…
Release date: 2019-05-04
[8/10]
M. Sage - Catch a Blessing
Great ambient music, lots of fun and lots of texture. If only I had a vinyl player at home…
Release date: 2019-04-05
[8.1/10]
Laura Cannell, Polly Wright - Sing as the Crow Flies
Sublime vocal improv modern composition music. I thought I don’t like this type of music, but boy was I gravely mistaken…
Release date: 2019-08-02
[8/10]
Billy Woods, Kenny Segal - Hiding Places
The beats on this album is very nicely done… I’d say some songs on this
Release date: 2019-03-29
sounds like a more refined, more nuanced version of the kind of rap music that
Run the Jewels has been dishing out. Aside from the instruments, one really
have to take time to listen to what Billy Woods is rapping about to fully
appreciate this album.
[8/10]
Bendik Giske - Surrender
I’d say it’s not really unreasonable to argue that any recording put out by a
Release date: 2019-10-29
solo sax player will be inevitably put into comparison with Colin Stetson’s
music. True that this album features just one instrument, like Colin’s many
recordings do, but the mood presented here is vastly different from Colin’s
usual style. Bendik’s playing is subtle yet powerful, there’s a song that I
really enjoy even employs the sound of strokes onto the buttons (I’m not sure
what the correct words are), and although there are indeed moments where the
sax is loud and the expressiveness is at its peak, this whole record overall
carries a consistent, very delicate texture from start to finish. I really
enjoy this one.
[8/10]
Dean Hurley - Anthology Resource Vol. II: Philosophy of Beyond
So this guy did the sound designs in Twin Peaks, and is a long time
Release date: 2019-07-12
collaborator with David Lynch. I guess one can say this is almost the
quintessential ambient album: all the elements that one should expect in an
ambient release is here, and nothing is out of place. In this sense perhaps
one could argue that this album does not provide an atmosphere that is
different from all the other great ambient albums out there. But still, this
is a very good ambient record.
[8/10]
Scrolls - Rent We Ate
This is the third Deathbomb release on this list.
Release date:
[8/10]
Oli XL - Rogue Intruder, Soul Enhancer
Stellar electronic album. The slightly muffled vocals are pretty dope.
Release date: 2019-07-22
[8/10]
AMAZONDOTCOM - Mirror River
Pretty intense club music. People say it’s experimental club music /
Release date: 2019-06-03
deconstructed club music, but I feel like these adjectives doesn’t really do
anything to describe this record. I like how the songs have an almost tribal
sound to them.
[7.9/10]
Juan Wauters - La Onda de Juan Pablo
The arrangements in this album are actually much more complex than what I
Release date: 2019-01-25
perceived when I first listened to it. I think this is definitely an album
that growns on you. Juan’s voice has this captivating quality that makes these
songs stand out from the average soft, soothing folk music.
[7.9/10]
Rainer Veil - Vanity
Bright, nice techno music. In Gold Mills is pretty good. Very vibrant.
Release date: 2011-09-29
[7.9/10]
Lifted - 2
Jazzy electronic music / ambient. Pretty good!
Release date: 2014-12-09
[7.8/10]
Rejoicer - Heavy Smoke
Decent chillwave music from Isreal. In a sense it’s kinda like Sunset
Release date: 2018-03-13
Rollercoaster decided to listen more Stereolab and this would be it. All in
all not a single song in this record is bad, highly recommended for those who
dig this type of stuff.
[7.8/10]
ANKHLEJOHN - A-Cold-World*
Filthy rap music… I dig it.
Release date: 2019-04-15
[7.8/10]
machina - archepelago
Glitched out poppy techno. Or is it techno-ish K-pop? Either way this is a
Release date: 2012-10-01
pretty interesting album. Cool stuff.
[7.7/10]
Mary Lattimore, Mac McCaughan - New Rain Duets
Decent ambient album. Harps + synths.
Release date: 2019-03-22
[7.6/10]
Loop LF - Natural XT EP
Drum n’ bass with a tropical vibe.
Release date: 2019-07-05
[7.6/10]
DJ Marcelle / Another Nice Mess - One Place For the First Time
I like this one because it’s got this almost dub-like vibe going on, and I
Release date: 2019-05-17
dig this kind of stuff very much… Also from her website DJ Marcelle seems
like a pretty cool lady. My thoughts on this album is kinda similar to how
I feel about Triad God’s album: it’s fun and it’s got people making various
sounds (in Triad God it’s the dude speaking Cantonese, and here it is a
dude saying sorry repeatedly or some other dude snoring). I guess the beats
could’ve been done in a more stripped down fashion: some songs have these
little sound bits that remind me of what Foodman likes to do, but instead of
generating an almost hilariously bizzare (or bizzarously hilarious, both
apply to Foodman’s music IMO) vibe, here their prescence is a bit too
marginalized and don’t really affect the overall sound. Also I feel like
going towards the end of the album it does feel not as strong as the
beginning. Nevertheless it’s still a doozie and worth checking out.
[7.6/10]
Tomoko Sauvage - Musique Hydromantique
[7.6/10]
Release date: 2017-11-03
JK Flesh - In Your Pit E.P
太短了
Release date: 2019-05-24
[7.6/10]
Floating Points - LesAlpx / Coorabell
同上
Release date: 2019-07-12
[7.6/10]
Mika Vainio, Franck Vigroux - Ignis
Mika Vainio真的是過世得太早了…
Release date: 2019-12-20
很喜歡那種很沉的、像電流一樣的聲音，最後一首歌 Feux 很喜歡。
[7.6/10]
Ernest Berk - Electronic Music for Two Ballets
Dark experimental electronic music. Should definitely try to find the footages of the two ballets.
Release date:
[7.6/10]
Shifted - The Light Touch
Afrobeat / techno
Release date: 2021-05-13
[7.5/10]
Marie Davidson - Chasing the Light / Work It (Soulwax Remix) x Lara (Daniel Avery Remix)
I like this much more than I like Marie Davidson’s solo output.
Release date: 2019-08-08
[7.5/10]
Motohiko Hamase - #Notes of Forestry
Chill new age / ambient / modern classical.
Release date: 2019-02-13
[7.5/10]
Kode9 - Diggin In The Carts Remixes
Kode9 reworks one of my favorite releases from last year. Last year’s was
Release date:
better.
[7.5/10]
Clay Rendering - California Black Vows
At times jangly, at times soft gothic indie rock. Not bad.
Release date:
[7.5/10]
Max D - Many Any
Cool breakbeat music with a twist.
Release date: 2002-03-25
[7.4/10]
Paisiel - Paisiel
很迷幻的樂團，薩克斯風吹得很到位，推
Release date: 2014-07-15
[7.4/10]
Chavis Chandler - CHOP SOUND DOJO
[7.4/10]
Release date:
Shadi - You Can’t Hear Me
Another weird hip hop album from Deathbomb Arc. Some songs have instrumentals that sound like old jazz fusion jams, but overall the flows and beats are not as neat as other releases from the label.
Release date:
[7.4/10]
Blockhead - Free Sweatpants
我是覺得不錯聽，後面的chill beats都還不錯，但是可能instrumental的會更好吧？Featuring的倒是都不錯，Open
Release date: 2019-01-18
Mike Eagle、Aesop Rock，都蠻厲害的
[7.4/10]
Little Simz - GREY Area
現在再聽就覺得，還不錯，但今年有聽到更好聽的饒舌音樂…
Release date: 2019-03-01
[7.4/10]
Rod Modell - Captagon
Chilling dub techno.
Release date: 2019-07-05
[7.4/10]
Wreck and Reference - Absolute Still Life
This time they sound tamer and more chilled out then their previous efforts.
Release date: 2019-07-19
[7.3/10]
Ondo Fudd - Eyes Glide Through the Oxide
Upbeat techno music
Release date: 2019-06-21
[7.3/10]
Spellling - Mazy Fly
Pitchfork says this album sounds very haunting and reeks of terror… well I
Release date: 2019-02-22
really think they’re exagerating a bit too much here, but this album does have
a dark undertone. While I do think this album could probably be a little more
adventurous and probably incorporate more esoteric elements like even stranger
compostion or more bizarre sound samples, I would say this is still a pretty
enjoyable album and is not all that difficult to get into.
[7.3/10]
Nina Kravitz - Stranno Stranno Neobjatno
Ok techno music.
Release date: 2019-07-22
[7.2/10]
Uboa - The Origin of My Depression
Moody experimental / noise album. Lots of shrieks in this one.
Release date: 2019-02-14
[7.2/10]
Departure Chandelier - The Black Crest of Death, The Gold Wreath of War
USBM. Intro and outro are both stellar. The longer songs are ok.
Release date: 2019-05-04
[7.2/10]
Eomac - Reconnect Remixes
Weirded-out techno music
Release date:
[7.1/10]
海豚刑警 - 豚愛特攻隊
I don’t know… maybe it’s my problem that I don’t really enjoy this album
Release date: 2019-06-19
that much? I feel like the overall sound of the album is just too cheerful and
trying too hard to appeal to post-millenials, or maybe there isn’t even any
trying because they’re themselves post-millenials? I guess what I’m trying to
say is, the songs are really well structured and nicely produced, and the
musicianship on this album is unreal (it’s very good), but it’s the overall
sound / mood / aesthetics that I don’t find myself a huge fan of.
[7/10]
STUDIO MULE - BGM
Reworks of Japanese new age / electronica musics from the last century.
Release date: 2021-06-01
[7/10]
Blood Orange - Angel’s Pulse
I really think the songs on this album, or rather, the fragments that probably
Release date: 2019-07-12
could’ve developed into really good songs, are just way too short. The sound
is still on par with his previous outputs, but I feel like this mixtape is for
the ones with particularly short attention span. Maybe this is actually the
music that represents this generation best?
[7/10]
MARKERS - Heaven in the Dark Earth
只有吉他的後搖，我感覺很像很久以前聽Hell的某張EP的一首歌，也是只有吉他clean
Release date:
tone在那邊彈。雖說不是很特別的作品，但也是蠻好聽的…
[7/10]
Big K.R.I.T. - K.R.I.T. IZ HERE
If this is your first time listening to Big K.R.I.T. then it’s prolly a good
Release date: 2019-07-12
idea to start with this album. Otherwise this album is basically identical to
all the albums in his discography. Even the flows are almost the same, the
triplets and stress and stuff. I wouldn’t say this album is not enjoyable
because overall it’s still pretty catchy and pleasing to the ears but it’s
basically just K.R.I.T. repeating himself.
[7/10]
Shing02, SPINMASTER A-1 - 246911
J-Rap guru Shing02’s 2019 offering sounds even more influenced by traditional
Release date: 2019-04-11
Japanese elements, almost every song on the album is laden with Japanese
chants or jingles. This is also IMO one of the weaker moments in his entire
discography. The instrumentals and flow are observably much less playful /
experimental than his previous efforts, such as 400 or Waikyoku. To be frank,
I might as well just listen to Tim Hecker…
[6.8/10]
Pentadrangle - Voidrun Original Soundtrack
Pretty decent chiptune music. It’s just that I’m never really a big fan of
Release date:
this type of music…
[6.8/10]
Haiku Salut - The General
Glithy beats and piano and synthesizer. Soundtrack to some movie. I don’t like the pianos in this one, too cliche.
Release date: 2019-05-31
[6.5/10]
Kornél Kovács - Stockholm Marathon
I’m not that big on pop house / house pop or stuff like that. But I gotta admit some songs like Atlas Nights and Rocks are pretty decent.
Release date: 2019-04-26
[6.5/10]
Buttechno - Minimal Cuts
中規中矩吧？電音專輯有更好聽的就是了。
Release date: 2019-01-28
[6.4/10]
Oozing Wound - High Anxiety
樂器部分相當給力… 很爽的龐克 &
Release date: 2016-08-19
很帶感的sludge，但主唱的唱法我實在是不喜歡。如果是叫Jane Doe時期的Jacob
Bannon來唱的話應該還蠻適合的
[6.2/10]
Dj Python - Derretirse
Festive techno music.
Release date: 2019-06-17
[6.2/10]
Russian Circles - Blood Year
Definitely not their best album. Pales in comparison to their older stuff,
Release date: 2019-08-02
songs were much less fun and the riffs weren’t as crushing.
[6.1/10]
Tool - Fear Inoculum
Meh… 拖台錢
Release date: 2019-08-30
[6.1/10]
False - Portent
I almost fell asleep…
Release date: 2020-12-29
[6.1/10]
Tralala Blip - Eat My Codes If Your Light Falls
I don’t like pop electronica. This sounds very 00’s-ish.
Release date:
[6/10]
Lingua Ignota - CALIGULA
Experimental music that’s not really experimental.
Release date: 2013-01-15
[6/10]
Pavel Milyakov - La Maison De La Mort
Songs I like: FFF, Moon Pad。有些歌切得好斷… 不錯的ambient music，整體來說還行？但不聽可能也不會怎麼樣。搞這張的就是上面那位Buttechno，可以聽得出來這張的電音感還是有的
Release date: 2019-03-01
[6/10]
Pile - Green and Gray
Their older stuff, like Dripping and You’re Better Than This, are much better in terms of song structures and dynamics. In this one I feel that the harder hitting parts are kinda rushed together - they’re there not because of a previous build up or to signify some sort of mood shift, instead they feel more like fragments, segments of riffs and do not really sound all that
Release date: 2019-05-03
coherent. And then the soft parts, while pretty catchy, do not seem to possess that grasping feel in the more melodic moments in the albums I just mentioned. Pile is a great band, but this album is definitely not their strongest.
[6/10]
Sadistik - Haunted Gardens
Hip hop reviewers seem to dig this album a lot… I feel like the instrumentals sound too much soft EDM-ish, and the flow isn’t really all that refreshing.
Release date: 2019-04-20
[6/10]
Kim Petras - Clarity
不是啊，同樣的音樂類型Rina Sawayama為啥就做得這麼好聽，Kim Petra就可以做得這麼水… 其實不算差，但我覺得是也可以不用聽啦…
Release date: 2012-01-01
[5/10]
Sadness - Circle of Veins
… black metal + 00s-ish electro pop + indie pop. Pretty yucky if you ask me…
Release date: 2017
[4.5/10]
Gus Dapperton - Where Polly People Go to Read
The dude’s going to play in Taiwan… one thing for sure is that you won’t see me at the show. I really do not comprehend why people even listen to this stuff, to me this record is more like a cut ’n paste of some of the blandest, most watered-down moments from several relevant indie genres: dream pop, indie rock, synth pop, alternative r&b, the list can go on but I suppose you already get the idea. To be fair some bass lines in some tracks are pretty flashy, but the dude’s voice is just too obnoxious for me to actually remember which songs have better instrumentals. All in all I really don’t think very highly of this musical project.
Release date: 2019-04-19
[4.4/10]
Pelican - Nighttime Stories
Not good.
Release date: 2019-06-07
[3/10]
Kaoru Inoue - Em Paz
Groovy Japanese new age ambient music.
Release date: 2021-04-22
[7.3/10]
HKE - Charming Devil
Xiu Xiu + Wreck in Reference
Release date:
[7.5/10]
Milieu - Remodelled
IDM / ambient electronic. In some songs the drums are way too loud so keep in mind to turn down the volume a little bit.
Release date: 2007-04-26
[7.5/10]
Tom Carter - Long Time Underground
迷幻搖滾吉他大作，相當不錯
Release date:
[7.6/10]
Auspicious Family - Gruff Sequences for Dancefloor
I like the rhythmic patterns in this record. It’s got a controlled texture to it and I kinda dig it. One problem I find with this album is the balance of the sounds in some of the songs, like the ride cymbal bells on Waxen Folds is actually distractingly loud when listened on my earphones. Still this is a pretty enjoyable album.
Release date:
[7.6/10]
Yutaka Hirose - Nova + 4
Ambient / environmental music. Probably need to listen to it for a few more times…
Release date: 1986-06-26
[7.6/10]
Dynamo - Außen Vor
Spacey, grainy techno music.
Release date:
[7.8/10]
Lionmilk - Depths of Madness
Pretty chill RnB. I like the instrumentals on this one a lot.
Release date: 2018-05-11
[7.8/10]
Serpent Column - Ornuthi Thalassa
I’m glad to have finally found some new metal tracks that are interesting enough to listen to… to me it’s a bit too organized and the melodic parts are at times a bit too much of a cliche, but it’s heavy and a lot of fun to listen to.
Release date: 2017-07-21
[7.9/10]
Hecq - Chansons de geste
Think William Basinski, Philip Jeck and the Caretaker. Haunting droney low fidelity ambient music.
Release date: 2017-09-04
[8/10]
Sturgill Simpson - Metamodern Sounds in Country Music
好聽耶… 而且歌詞其實很猛，整天在嗑藥的鄉村音樂，沒聽過吧！
Release date: 2014-05-13
[8/10]
Robert Aiki Aubrey Lowe & Ariel Kalma - FRKWYS Vol. 12: We Know Each Other Somehow
[8/10]
Release date: 2015-04-14
Migurl Angel Tolosa - Ephimeral
Decent ambient with dark undertone.
Release date: 2019-05-24
[8/10]
Colored Music - Individual Beauty
Japanese new wave / jazz funk / art rock.
Release date: 2018-05-23
[8.1/10]
Nick Malkin - Slow Day on Brilliant Drive
Gorgeous ambient music. Lots of different textures laid out in the tracks.
Release date:
[8.2/10]
Adriana Lopez - Anonymity of Grey
Very decent techno music. The first songs is very outstanding… I really like how the main rhythmic beeps are interwined throughout the song.
Release date:
[8.3/10]
75 Dollar Bill - Wooden Bag
[8.5/10]
Release date:
F.U.S.E. - Dimension Intrusion
Exquisite acid house / ambient techno.
Release date: 2019-05-03
[8.5/10]
David Sylvian - Secrets of the Beehive
I used to always think Japan sounds like a band that’d play hard rock / hair metal, now I know I was gravely mistaken. This album is from the frontman of the said band, and how to call this music… adult contemporary? Art pop? Either way this album is a great pleasure to the ears. I really like how ferocious and dissonant the piano goes in the song Mother and Child.
Release date: 1987-11-07
[8.5/10]
Lupe Fiasco - Testuo & Youth
Lupe Fiasco有這麼好聽喔…
Release date: 2015-01-20
[8.6/10]
Ellen Arkbro - For Organ and Brass
Very soothing modern composition.
Release date: 2017-04-14
[8.8/10]
David Sylvian - Blemish
MASTERPIECE
Release date: 2019-11-01
[9.5/10]
Comments


Class: Aws::EMR::Types::SpotProvisioningSpecification
| Relationships & Source Files | |
| Super Chains via Extension / Inclusion / Inheritance | |
|
Class Chain:
self,
Struct
|
|
|
Instance Chain:
self,
::Aws::Structure ,
Struct
|
|
| Inherits: |
Struct
|
| Defined in: | gems/aws-sdk-emr/lib/aws-sdk-emr/types.rb |
Overview
The launch specification for Spot Instances in the instance fleet, which determines the defined duration, provisioning timeout behavior, and allocation strategy.
Constant Summary
Instance Attribute Summary
-
#allocation_strategy ⇒ String
rw
Specifies the strategy to use in launching Spot Instance fleets.
-
#block_duration_minutes ⇒ Integer
rw
The defined duration for Spot Instances (also known as Spot blocks) in minutes.
-
#timeout_action ⇒ String
rw
The action to take when
TargetSpotCapacity
has not been fulfilled when theTimeoutDurationMinutes
has expired; that is, when all Spot Instances could not be provisioned within the Spot provisioning timeout. -
#timeout_duration_minutes ⇒ Integer
rw
The Spot provisioning timeout period in minutes.
Instance Method Summary
::Aws::Structure
- Included
| #to_hash | Alias for Structure#to_h. |
Instance Attribute Details
#allocation_strategy ⇒ String
(rw)
Specifies the strategy to use in launching Spot Instance fleets. Currently, the only option is capacity-optimized (the default), which launches instances from Spot Instance pools with optimal capacity for the number of instances that are launching.
# File 'gems/aws-sdk-emr/lib/aws-sdk-emr/types.rb', line 5997
class SpotProvisioningSpecification < Struct.new( :timeout_duration_minutes, :timeout_action, :block_duration_minutes, :allocation_strategy) SENSITIVE = [] include Aws::Structure end
#block_duration_minutes ⇒ Integer
(rw)
The defined duration for Spot Instances (also known as Spot blocks) in minutes. When specified, the Spot Instance does not terminate before the defined duration expires, and defined duration pricing for Spot Instances applies. Valid values are 60, 120, 180, 240, 300, or 360. The duration period starts as soon as a Spot Instance receives its instance ID. At the end of the duration, Amazon EC2 marks the Spot Instance for termination and provides a Spot Instance termination notice, which gives the instance a two-minute warning before it terminates.
# File 'gems/aws-sdk-emr/lib/aws-sdk-emr/types.rb', line 5997
class SpotProvisioningSpecification < Struct.new( :timeout_duration_minutes, :timeout_action, :block_duration_minutes, :allocation_strategy) SENSITIVE = [] include Aws::Structure end
#timeout_action ⇒ String
(rw)
The action to take when TargetSpotCapacity
has not been fulfilled
when the TimeoutDurationMinutes
has expired; that is, when all
Spot Instances could not be provisioned within the Spot provisioning
timeout. Valid values are TERMINATE_CLUSTER
and
SWITCH_TO_ON_DEMAND
. SWITCH_TO_ON_DEMAND specifies that if no
Spot Instances are available, On-Demand Instances should be
provisioned to fulfill any remaining Spot capacity.
# File 'gems/aws-sdk-emr/lib/aws-sdk-emr/types.rb', line 5997
class SpotProvisioningSpecification < Struct.new( :timeout_duration_minutes, :timeout_action, :block_duration_minutes, :allocation_strategy) SENSITIVE = [] include Aws::Structure end
#timeout_duration_minutes ⇒ Integer
(rw)
The Spot provisioning timeout period in minutes. If Spot Instances
are not provisioned within this time period, the TimeOutAction
is
taken. Minimum value is 5 and maximum value is 1440. The timeout
applies only during initial provisioning, when the cluster is first
created.
# File 'gems/aws-sdk-emr/lib/aws-sdk-emr/types.rb', line 5997
class SpotProvisioningSpecification < Struct.new( :timeout_duration_minutes, :timeout_action, :block_duration_minutes, :allocation_strategy) SENSITIVE = [] include Aws::Structure end


Add Form to Case Manager Team Service Tasks |
Top Previous Next |
|
-To add Task Form, Select a Task row in the grid under Service Tasks tab. -Select the Add Form button:
-Select a form element to dynamically add field attributes to a form Template. Form elements are: -Text Heading - Add plain text to use as instructions. -Text Multi - Add a multi input text box. -Text Single - Add a single input text box. -Dropdown - Add a dropdown box for single selection. -Checkbox - Add one or more checkbox attributes (Single or Group). -Radio Button - Add one or more radio button attributes (Single or Group). -Date Picker - Add date picker field to date selections. -Select Edit icon to edit elements after it has been dynamically added to the form template: Note: It is recommended that you do not use any special characters in any of the fields in the Edit form process. -Text Heading:
-Text Mult, Text Single & Date Picker:
-Label - Name of form field -Required - option to indicate form field is required before submitting a new project process -No Load Previous - option to not transfer any applied data during the load previous project process -Description - Add a brief description to explain the form field -Dropdown, Checkbox & Radio Button:
-Label - Name of form field -Required - option to indicate form field is required before submitting a new project process -No Load Previous - option to not transfer any applied data during the load previous project process -Description - Add a brief description to explain the form field -Options - Add one or more entries for selection. Separate each criteria by a ; for mulitple entries. -Select Preview button to test form prior to Publish -Select Save button to save for prior to Publish -Select Publish to accept all changes and modifications are active in the New Project process
|


{% extends "layout.html" %} {% block content %}
Under development, November, 2014.
Follow the links above to the right in the blue to navigate this system.
Please visit the documentation page for details of service endpoints and features:
PROMS v3 is maintained by CSIRO's software engineers, led by Nicholas Car & Matthew Stenson in CSIRO's Land & Water Flagship, EcoScienes, Brisbane.
Contact Nicholas with any issues:
Nicholas Car
ph: +61 7 3833 5600
e<EMAIL_ADDRESS>PROMS v3 is licensed using the CSIRO Open Source Software License, based on the MIT/BSD Open Source License:
The code for PROV v3 is available from CSIRO's Stash code repository manager as the a Git repository:
{% endblock %}


10–13 MAY 2016, SEONGNAM-CITY, SOUTH KOREA
The purpose of this event is to verify the primitive’s interoperability as defined in the oneM2M standards and to check end-to-end functionality on oneM2M interfaces Mca and Mcc.The implementations will have to support CoAP, HTTP and MQTT protocol binding.Interoperability test scenarios from TS-0013 (interoperability testing) are proposed to participants. The testing ae based on the:
The Interop Event may also include Conformance Testing Tool Demo in order to introduce and help to understand the oneM2M conformance testing. This Interoperability event will offer test sessions where companies can assess the level of interoperability of their implementations and verify the correct interpretation of the oneM2M standards.Please note that the interoperability results are not to be public as the event is covered by a Non-Disclosure Agreement.This activity is supported by the Korean Ministry of Science, ICT and Future Planning and the European Commission.
Source: http://www.etsi.org/news-events/events/1045-onem2m-interop-2


Sandbox
Docs
Sandbox Examples
The boilerplate HTML for the following examples can be found in the
sandbox-examples
github repo.
Login
Pricing
Blog Post
Checkout
Dashboard
Social Media


New Plymouth is the only deep water port on the west coast of North Island. It is a centre for New Zealand's oil industry.
No real facilities for yachts here. Possible to seek shelter behind the breakwater on the eastern side of Port Taranaki.
Last updated February 2013.


{% extends "bootstrap/base.html" %} {% import "bootstrap/wtf.html" as wtf %} {% import "bootstrap/fixes.html" as fixes %} {% import "bootstrap/utils.html" as util %} {% block title %}SEffNet{% endblock %} {% block content %}
Unravel the potential side effects of novel chemical matter and hypothesize their aetiologies.
Check the results for {{ example_compound_name }} ({{ example_compound }})
{{ wtf.quick_form(form, form_type='horizontal', button_map={'submit_button': 'btn btn-primary'}) }}


Saugus High School choir teacher hailed for treating bleeding girl after shooting, barricading class with piano
by Robert GeartyA choir teacher has been hailed for calmly rendering first aid to a student wounded in Thursday’s California school shooting amid the chaotic scene.
Eddie Mendoza, 17, one of the students huddled in Katie Holt’s barricaded classroom, said Holt was “literally a hero” for doing what she did, Reuters reported.
Holt took action when another student said that she’d been hit, Fox 11 Los Angeles reported. She also barricaded her classroom with a piano.
As Holt treated the girl's wound with a gunshot wound kit, the girl told her she had another bullet wound.
“I used what I could to dress her other wound and she was responsive, she was joking around a little bit. She was really strong,” Holt said, according to the station.
The girl was among five students shot at Saugus High School in Santa Clarita Thursday morning when a student on his 16th birthday opened fire with a .45 caliber handgun, police said. Two of the students were killed.
One of those who was killed was identified Friday by the Los Angeles County Coroner's office as Gracie Anne Muehlberger, 15, KABC-TV reported.
The shooter shot himself in the head and was in grave condition, police said.
The girl Holt treated underwent surgery at Holy Cross Medical Center, Fox 11 reported.
 “It was heartbreaking."
"Our teacher was very calm and collected," a student named Pamela said of Holt during an interview with Reuters.
Pamela said roughly 35 students were holed up with the teacher waiting for police to arrive. She said they all remained calm. Police reached them after about 30 minutes.
The girl said the ordeal left her feeling "numb" as she sought to console other classmates shaken by the events, according to Reuters.
"I just feel distant from it," she said.
CLICK HERE TO GET THE FOX NEWS APP
"I'm sure it will hit you later," her father said, standing beside her as she was interviewed.


$60 million needed for Tema sewage system replacement
Sixty million US dollars is required in the effort to replace the entire Tema Communities Sewage System, Mr Derick Tata- Anku, the Tema Metropolitan Waste Management Director, has said.
The sewage system is over 60 years-old and needed to be replaced, he said, adding that the many leakages people see in the various communities was as a result of the weakening of the pipes that carry the liquid waste to the treatment plants.
Mr Tada-Anku said this in an interview with the Ghana News Agency at Tema on the sidelines of an event to mark the 2019 World Toilet Day.
He called on the public to report any leakage to the appropriate office for the needed action to be taken.
Mr Tada-Anku also advised residents to desist from dumping other solid materials into their water closets; the debris blocks most of the liquid waste from flowing to the treatment plant.
He expressed concern that many residents within the Metropolis were not paying their sewer fees and this has made the management of the sewer system a challenge.
“We don’t have the resources to change the entire sewage system now so help us to manage it,” he said.


Requirements for a valid contract:
Background
A contract is an agreement entered into by two or more persons with the intention of creating a legal obligation or obligations.
All contracts should have at least to person as party to the contract.
Therefore a contract is bilateral, i.e a mininmum of two people are party to the contract. A contract can also be multilateral, meaning there are more than two parties to the contract.
By its nature a contract is an undertaking between two or more parties to create an obligation or obligations between the parties.
For the obligations the parties wish to create to be contractually binding, certain requirements need to be fullfilled.
These requirements will be discussed in detail below:
- Consensus
- Capacity
- Formalities
- Legality
- Possibility
- Certainty
Consensus
The requirement of consensus can be plainly put as "a meeting of the minds".
In other words the parties to the contract must be in agreement on the material terms of the contract.
The process of reaching the above agreement may either be long and drawn out or quick and easy. This depends on the parties.
This involves the mutual declaration of the parties, regarding their intention/s. This can usually be analysed by rules of the offer and acceptance of the offer (this will be discussed seperately).
Parties my express their intentions in any form of their choosing:
- Orally
- Written
- By way of conduct, etc.
This is the case unless the law requires the intention to be in a specific form. This will be discussed in the Formalities section.
Taking the above into account, it becomes clear that if one of the parties to a contract is under a different imperssion to the other, the contract is invalid, because the parties "minds did not meet" regarding the material aspects of the contract.
Capacity
Not all person have the capacity to create, alter or destroy rights or duties through a juristic act.
This is because capacity is at times limited by age or mental capacity.
Minors can therefore not enter into legally binding contracts, without their parents/gaurdians, as they lack the capacity to do so.
Persons with limited mental capacity can also not enter into legally binding contracts. This is to prevent people from taking advantage of disadvantaged people.
Generally a person can only be declared legally mentally incapable by a court of law, at which time a curator will be appointed.
Depending on the extent of the mental incapacity a court will make an appropriate order, therefore depending on the court order certain people may enter into contracts without a curator.
Formalities
Formalities are prescribed by statute.
Therefore, depending on the material aspects of the contract, we have to observe different formalities.
An example of this is that law requires a contract for the alienation of land (buying and selling land) be in writing.
On the other hand, an employment contract need not be in writing, but can be done verbally.
That being said, there is nothing in law that states an employment contract cannot be in writing, which is the smart thing to do, as it is easier to prove the existence of a contract between the parties when it is signed in black and white.
Legality
An underlying principle of of the law of contract is that agreements are seriously entered into and should be enforced.
Keeping this in mind, it makes sense that one cannot enter into contract which creates obligations that are illegal.
Logically one cannot use law to enforce performance which is illegal.
Therefore the material aspects of a contract should be legal, otherwise the contract is not valid and legally enforceable.
Possibility
With regard to Possibility we can operate under the general rule that "Impossibility of performance prevents the creation of obligations."
Parties who agree to do the impossible have the intention to create obligations, but they labour under a common mistake as to the circumstances surrounding the conclusion of the contract.
This will most of the time render the contract void.Therefore parties can only enter into a valid contract if the obligations they seek to create are possible.
Certainty
The general rule regarding certainty is "Uncertainty about what has to be performed prevents the creation of obligations."
Put simply, for the creation of contractual obligations, their contents must be certain or capable of being certain through mechanisms set out in the contract.
Disclaimer:
This page does not constitute legal advise in any shape or form.
The information given is simply to help the reader understand what the requirements for a valid contract are.
The information above has been severly condensed and summarised for the reader's ease of use.
Please consult a lawyer should you have any legal queries/issues.


{% extends 'layout/base.html' %} {% load i18n %} {% block content %}
{% trans "Our cookies policy is subject to periodic updates. Its purpose is to help you understand our use of cookies, the purpose of cookies used and options for the user to manage them." %}
{% trans "Users can access this information at any time via the link enabled on the web page." %}
{% trans "A 'cookie' is a small text file that a website stores on browser user. Cookies make using and navigating a website and are essential for Internet operation, providing many advantages in service delivery interactive." %}
{% trans "Cookies are used, for example, to manage the user's session (reducing the number of times that you must insert your user data), improving the services offered, or to adapt the contents of a web page to your preferences." %}
{% trans "Cookies may be 'session', so it will be erased once the user leaves the page web that generated or 'persistent', which remain on your computer to a date determined." %}
{% trans "Cookies also can be 'proper', managed by the domain to which the user accesses and requesting a service or 'third party cookies', sent to the user equipment from a domain accessed differently." %}
{% trans "Common cookies in this site" %}
{% trans "Session Cookie ('sessionid'): Used to uniquely identify each user accessing the application. This cookie is necessary to use these websites, so if the user decides to delete this cookie from your device, the web site may not function correctly." %}
{% trans "CSRF token cookie ('csrftoken'): It is used as a security measure to prevent various attacks." %}
{% trans "Acceptance cookie ('cp-enabled'): Used to remember if the user has already accepted the cookie policy of the site." %}


 Earn your self a place in the
"Quiz of The Day" and answer questions across 10 levels. You can challenge yourself or invite some friends and see who has got the
brawniest brain! All Questions will be available for Answers from 10:30 am to 5:30 pm, after that the answer to any question will not be valid.
Friends, you can earn money by playing quiz every day.
The winning amount is different in all the quiz's. Here the prize money is Rs 2500/- for the first quiz. For the second quiz, the winning amount is Rs 5000/-. Similarly, winning amount for the 10th quiz is Rs. 25000/- .
So you can earn maximum money by answering all the quizzes here. So let's start the game and earn a lot of money!
All the rules of the game are given on the "Play and Win" page.
There are four options in this question, you have to choose the correct option and click to answer button that's all.This competition is weekly, in this you can play quiz only once a week. If there is more than one winner, the winner will be selected from the lucky Draw.
Before starting the game, please check the "Help" page once, here you will know all the things related to the game. Do watch our help videos here and understand the rules of the game properly, so that after this you do not have any problem.
"QUIZ OF THE DAY"


The iPhone was the top-selling premium smartphone in India in Q3 2019
Source: Apple
What you need to know
- A report suggests that the iPhone was the top-selling premium smartphone in India over recent months.
- Apple took a 51.3% market share of smartphone sales in Q3 2019.
- The premium smartphone market denotes phones costing more than Rs 35,000 ($488).
A report suggests that Apple's iPhone was the top-selling premium smartphone in India in Q3 of 2019, garnering a 51.3% share of the market.
According to The Times of India, an IDC report suggests that Apple achieved a 51.3% market share of premium smartphone sales in Q3 of 2019, ending September 30. The premium market refers to phones costing more than Rs 35,000 ($488).
The report notes that many potential customers have previously found themselves driven away from Apple and the iPhone due to its higher price. Even Apple's "affordable" iPhone XR was launched at Rs 76,000, double the price of the OnePlus at the time. With the release of the OnePlus Pro series and the drop in the price of the iPhone XR, the gap was been bridged somewhat, helping Apple to gain a 41.2% market share in the quarter prior, earlier this year.
The report claims that the iPhone 11 is the main reason for Apple's dominance of the market in the following quarter, citing the fact that the iPhone 11 boasts nearly all of the features of the more expensive 'Pro' lineup. The IDC report states that Apple's "return" is down to this, coupled with the affordability/price drops of previous-generation models, such as the iPhone 8 and 7, which remain popular in the country.
Apple is continuing its push into the Indian market, in October it was announced that Apple would open its first official retail store, in the Bandra Kurla Complex in Mumbai. Factor in increased availability of iPhones locally in India, and it may be that Apple will continue to improve on its current market success in the region.