Breaking News Emails
BERLIN — Helmut Kohl, the physically imposing German chancellor whose reunification of a nation divided by the Cold War put Germany at the heart of a united Europe, has died at 87.
Kohl's Christian Democratic Union party posted on Twitter: "We are in sorrow. #RIP #HelmutKohl."
The daily newspaper Bild reported that Kohl died Friday at his home in Ludwigshafen.
Over his 16 years at the country's helm from 1982 to 1998 — first for West Germany and then for all of a united Germany — Kohl combined a dogged pursuit of European unity with a keen instinct for history. Less than a year after the November 1989 fall of the Berlin Wall, he spearheaded the end of Germany's decades-long division into East and West, ushering in a new era in European politics.
It was the close friendships that Kohl built up with other world leaders that helped him persuade both anti-communist Western allies and the leaders of the collapsing Soviet Union that a strong, united Germany could finally live at peace with its neighbors.
"Helmut Kohl was the most important European statesman since World War II," Bill Clinton, the former U.S. president, said in 2011, adding that Kohl answered the big questions of his time "correctly for Germany, correctly for Europe, correctly for the United States, correctly for the future of the world."
"The 21st century in Europe really began on his watch," Clinton said, describing Kohl as "a man who was big in more than physical stature."
Famed for a massive girth on his 6-foot-4 (1.93-meter) frame, Kohl still moved nimbly in domestic politics and among rivals in his conservative Christian Democratic Union, holding power for 16 years until his defeat by center-left rival Gerhard Schroeder in 1998.
That was followed by the eruption of a party financing scandal which threatened to tarnish his legacy and for a time plunged the CDU into crisis.
For foreigners, the bulky conservative with a fondness for heavy local food and white wine came to symbolize a benign, steady — even dull — Germany.
Kohl's legacy includes the common euro currency that bound Europe more closely together than ever before. Kohl lobbied heavily for the euro, introduced in 1999, as a pillar of peace — and when it hit trouble more than a decade later, he insisted there was no alternative to Germany helping out debt-strapped countries like Greece.
Once viewed as a provincial bumbler, Kohl combined an understanding of the worries of ordinary Germans with a hunger for power, getting elected four times.
Kohl served longer than Konrad Adenauer, West Germany's first post-World War II chancellor and his political idol. Only Otto von Bismarck, who first unified Germany in the 1870s, was chancellor longer, for 19 years.
"Voters do not like Kohl, but they trust him," Rita Suessmuth, a former speaker of parliament, once said.
Often harsh and thin-skinned, Kohl also could display a quick wit and jovial earthiness that served him well in building up German clout. He ate pasta with Clinton and took saunas with Russia's Boris Yeltsin.
Kohl linked his dedication to a united Europe to his roots in a part of Germany close to France and his memories of a wartime boyhood. He celebrated the European Union's eastward expansion in 2004 with a speech declaring that "the most important rule of the new Europe is: There must never again be violence in Europe."
Still, the "blooming landscapes" that Kohl promised East German voters during reunification were slow to come after the collapse of its communist economy, and massive aid to the east pushed up German government debt. He also drew criticism for failing to embark on economic reforms.
Born on April 3, 1930, in Ludwigshafen, a western industrial city on the Rhine, Kohl joined the Hitler Youth but missed service in the Nazi army. As a 15-year-old, he was about to be pressed into service in a German anti-aircraft gun unit when World War II ended. His oldest brother, Walter, was killed in action a few months earlier.
A Roman Catholic, Kohl joined the CDU in his teens shortly after its postwar founding. He earned his doctorate in 1958 at the University of Heidelberg with a dissertation on the politics of Rhineland-Palatinate and became governor of that western state in 1969.
His first attempt to unseat Social Democratic Chancellor Helmut Schmidt failed in 1976, but Kohl seized his chance six years later, taking power on Oct. 1, 1982 when a junior coalition party switched sides.
He won elections in 1983 and 1987, then rode to an election triumph in 1990 on a wave of post-unity euphoria.
Kohl was reluctant to view united Germany as a major power because of the Nazi past. Still, he slowly edged his country toward greater responsibilities in the 1990s, as Germany sent troops for U.N. humanitarian missions in Cambodia, Somalia and elsewhere, and deployed peacekeepers to Bosnia.
He pursued reconciliation with Germany's eastern neighbors, though some critics said he moved too slowly after the fall of the Iron Curtain.
Kohl was helped in securing German unity by his friendships with French President Francois Mitterrand and Soviet leader Mikhail Gorbachev, who approved NATO membership for a united Germany and agreed to pull Soviet troops out of East Germany.
Kohl's earlier bridge-building with the U.S. also paid off. The stationing of U.S. Pershing II missiles starting in 1983, despite huge domestic protests, had established trust in Washington that was crucial to creating a single German state.
"It was a stroke of luck that there were about four to six leaders in power in the mid-80s who really trusted one another and could really make things happen," Kohl later recalled. In his memoirs, he described former U.S. President George H.W. Bush as "the most important ally on the road to German unity."
He praised former British Prime Minister Margaret Thatcher for her honesty, even as he recalled a confrontation with her just a few days after the fall of the Berlin Wall.
"I cited a 1970s-era NATO statement and said that NATO supported reunification. ... Thatcher stamped her feet in anger and screamed at me, 'That's how you see it! That's how you see it!'" he wrote.
In a poignant gesture of reconciliation in 1984, Kohl held hands with Mitterrand during a ceremony at a World War I cemetery in Verdun, France.
Another gesture of friendship and reconciliation the following year turned into a public relations fiasco. Kohl's trip with then-U.S. President Ronald Reagan to a war cemetery in Bitburg where SS troops were buried alongside ordinary German soldiers generated international indignation.
Kohl's relationship with Gorbachev, the last Soviet leader, also had to overcome early turbulence. In a 1986 interview, Kohl was quoted as comparing Gorbachev's public relations skills with those of Nazi propaganda minister Joseph Goebbels. The Soviet Union protested.
Elation over German reunification ebbed amid the harsh realities of its cost and the difficulties of integrating east and west, but Kohl's coalition squeaked by again in 1994. Yet high unemployment and Germans' yearning for change gradually sapped his authority, provoking a humiliating loss to the younger Schroeder's center-left Social Democrats in 1998.
The following year, Kohl plunged his party into crisis when he admitted accepting undeclared — and therefore illegal — donations during his time as chancellor. Kohl refused to identify the donors, to whom he said he had given his word.
His silence helped trigger a parliamentary inquiry and was condemned by many, both inside and outside his party, but Kohl vehemently denied that any decisions by his government were bought.
When Bonn prosecutors launched an investigation into possible breach-of-trust charges in January 2000, Kohl was pressured to give up his party's symbolic honorary chairmanship — notably by Angela Merkel, a longtime Kohl protegee who served for seven years in his Cabinet and followed him into the chancellery in 2005.
In a 2001 deal with Bonn prosecutors, the probe was dropped in exchange for a 300,000-mark fine (about $140,000 at the time) — giving Kohl the legal stamp of innocence. That was a common German practice, not considered special treatment, but judicial investigations into other figures in the murky financing scandal continued.
In another battle after his departure from power, Kohl fought and won a lengthy legal fight to prevent the release of most of the files held on him by East Germany's secret police. Journalists and historians had asked to see the material, prompting speculation it could shed light on the financing scandal. Kohl, however, argued successfully that the wiretaps used by the Stasi to spy on him were illegal and that he deserved protection from damage to his "human dignity."
Kohl's estrangement from his party lasted until 2002, when its new leaders invited him to speak at a convention as they sought to regain power.
The former chancellor was married for 41 years to Hannelore Renner, an interpreter of English and French who stood firmly but discreetly by his side throughout his political life. They had two sons, Peter and Walter.
In July 2001, Hannelore killed herself at age 68 in despair over an incurable allergy to light. In 2005, Kohl introduced his new partner Maike Richter, an economist some 35 years his junior. The couple married in May 2008.
Though slowed by illness in his later years, Kohl still made occasional eye-catching interventions on the political stage. As Merkel struggled to convince center-right lawmakers in 2011 of the wisdom of having Germany finance further bailouts of other eurozone nations, Kohl weighed in firmly. "There must be no question for us that we in the European Union and the eurozone stand by Greece in solidarity," he declared.
He also appeared to question Merkel's approach at a time when conservatives were unsettled by her decision to speed up Germany's exit from nuclear energy and by Germany's abstention in a U.N. vote on a no-fly zone over Libya. "I ask myself where Germany stands today and where it wants to go," he said.
In April 2016, Kohl welcomed Hungarian Prime Minister Viktor Orban — who had clashed with Merkel over Europe's approach to a large influx of refugees — to his home. That coincided with the publication of a new foreword to a Kohl essay in which the ex-chancellor stated that "Europe cannot become the new home for millions of people in need worldwide."
Kohl and Orban said, however, that they saw no conflict with Merkel's efforts to solve Europe's migrant crisis.


I am a high energy person
I wonder if I can code
I hear keyboards clicking
I see a script of code
I want to create a webpage
I pretend to be a pro gamer
I feel a mouse and a keyboard
I only touch WASD
I worry thay im a dead weight
I cry when i lose
I am a high energy person


Money Play. How should Red play 53?
pips Red=155 White=117
(CorrectAnswer= 0/0, ErrorScore= 0)
It will surprise many that 8/3, 6/3 and 24/16 are virtually equal in equity with the pure play of making the 3-pt coming out fractionally ahead!
This is the second position in the last few weeks where purity has outweighed a tactical hit. The hit gives white some chances to play against Red's blots as Red no longer has an anchor and consequently Red will lose quite a few gammons. If Red makes the pure play he should not have too many problems escaping White's home board.
I admit that when I saw this position my instinct was to hit. This is the sort of position you should manually play it out a few times to get comfortable with the recommended play but XG is rarely wrong.
If the play occurred in a ‘Gammon Go' situation then hitting would be correct by a big margin.
This is the second position in the last few weeks where purity has outweighed a tactical hit. The hit gives white some chances to play against Red's blots as Red no longer has an anchor and consequently Red will lose quite a few gammons. If Red makes the pure play he should not have too many problems escaping White's home board.
I admit that when I saw this position my instinct was to hit. This is the sort of position you should manually play it out a few times to get comfortable with the recommended play but XG is rarely wrong.
If the play occurred in a ‘Gammon Go' situation then hitting would be correct by a big margin.
1. Cubeful 2-ply 24/16* Eq.: +0.267 0.592 0.211 0.015 - 0.408 0.210 0.022 2. Cubeful 2-ply 8/3 6/3 Eq.: +0.237 (-0.031) 0.587 0.151 0.007 - 0.413 0.173 0.016 3. Cubeful 0-ply 13/10 13/8 Eq.: +0.065 (-0.202) 0.550 0.123 0.006 - 0.450 0.193 0.024 4. Cubeful 0-ply 23/15 Eq.: -0.017 (-0.285) 0.529 0.123 0.005 - 0.471 0.212 0.027 5. Cubeful 0-ply 24/21 13/8 Eq.: -0.107 (-0.374) 0.517 0.127 0.008 - 0.483 0.277 0.031


Fantasia 2000 (1999) Rating: 5.0 stars out of 5.0 stars
Hosted by: Penn Jillette, James Earl Jones, Quincy Jones, Angela Lansbury, James Levine, Steve Martin, Bette Midler, Itzhak Perlman, Leopold Stokowski, Deems Taylor, Teller Written by: Hans Christian Andersen, Don Hahn, Irene Mecchi, David Reynolds Directed by: James Algar, Gaetan Brizzi, Paul Brizzi, Hendel Butoy, Francis Glebas, Eric Goldberg, Don Hahn, Pixote Hunt Running Time: 75 minutes
When I initially set out to review this film, my tag line was going to be "You too can believe whales can fly". Then it was going to be "You too can believe pastel triangles can fly". THEN, it was going to be "You too can believe wood sprites can fly". Finally, I just gave up trying to come up with a tag line and decided to say... there's a lot of flying going on in this film!
As our first host Steve Martin tells us, the original concept behind Fantasia was to bring it out every year with some old segments retained and some new segments added in. Well apparently that plan fell by the wayside for a while, because approximately sixty years have passed since the original classic was released. Part of this might have something to do with the cold reception the film got when it was first released in 1940 (grossing somewhere close to $110,000 in its original month of release). Subsequent re-releases of the film have elevated the popularity of the film to the classic status it has finally achieved (and rightfully deserved).
To celebrate the release of an updated version of Fantasia, Disney and IMAX teamed up to present the animated film in a fashion no one had seen before: six stories high. In an exclusive four month engagement (from January 1st to April 30th, 2000), Fantasia 2000 can be seen at many IMAX theaters across the US. After the engagement is over, the film will be shown at regular theaters. Is the format effective for the film? With a few exceptions, yes.
The first segment we are presented with is set to Beethoven's Fifth Symphony.  Everything seems to be going great for these little things until the ground erupts with swarms of evil, black bat-like triangles that attack and engulf their lighter counterparts. Eventually, shafts of light from above help drive away the evil bat-like things and peace returns to the butterfly things. Though this segment isn't very story driven, some of the images are very visually strong, especially the scene in which the dark cloud of bat things (who are all outlined in blood red colors) begin to overtake the skies.
The next segment is set to Ottorino Respighi's "The Pines of Rome". In this segment, some humpback whales swim happily through the ocean and eventually emerge from the water and fly around the massive icebergs that pepper the oceanscape. A whale calf gets into a scuffle with some nearby birds during the flight and ends up getting trapped in a giant iceberg he smashes into while trying to avoid the birds attack. He is finally saved (by another liberating shaft of light) and he and his brethren take to the skies and fly into the upper atmosphere where they frolic in the "oceans" of clouds. Again, visuals are the key with this segment, especially where the whales are involved. Reportedly the whales, as viewed on an Imax screen in certain sequences, are shown as actual size. The CGI whales look incredibly life-like, except for some googly cartoon eyes drawn onto the images. One especially striking image involves the giant shadow of one of the whales being cast through the wall of an iceberg as the whale calf tries to find a way out to its parent. Absolutely beautiful stuff.
The third segment (and the least of the eight segments) is set to George Gershwin's "Rhapsody in Blue". This segment is designed as a tribute to acclaimed caricaturist Al Hirschfeld, and intertwines four different stories about sad souls living in depression era New York. There's a construction worker who dreams of being a jazz drummer, an out-of-work sad sack that dreams of having a job, a young girl that dreams of spending time with her parents instead of being hustled off by a schoolmarm, and a nebbish who dreams of being free from his overbearing wife. I won't go into how everything works out, but in fine Disney tradition there is a happy ending. Unfortunately, the story drags quite a bit and the seems out of place within the hyper reality of the rest of the segments.
Segment four is set to Dmitri Shostakovich's "Piano Concerto No. 2" and is an animated version of Hans Christian Andersen's "The Steadfast Tin Soldier". A one legged toy tin soldier falls in love with a wind-up clock ballerina (whom he assumes is also one legged because he can't see her other leg extended out behind her), much to the dismay of an evil jack-in-the-box jester. The jester knocks the soldier out of a window and continues pursuing the ballerina. Little does the jester know, the soldier has been deposited in the sewer and has journeyed through the pipelines only to be swallowed by a fish that has been captured and sold to the owner of the set of tin soldiers that the one legged one comes from. The soldier eventually saves the day and gets the girl. Although the ending has been altered from the Andersen story, "The Steadfast Tin Soldier" is decently told with in the framework of a seven minute short. Some children may find the jester to be a little frightening, but otherwise the segment is well made.
Segment five is the funniest of the bunch. Set to Camille Saint-Saens "The Carnival of the Animals", this segment features a flamingo torturing his fellow flamingos with a yo-yo while they are trying to perform a choreographed dance number. While it is the shortest clip of the group and a throwback to the alligators and hippos dancing in the first Fantasia, it is still well accomplished and a welcome bit of comedy.
Segment six is the only segment to be repeated from the original 1940 Fantasia, and it's the one that people remember most, "The Sorcerer's Apprentice". The story is the most recognizable, so the draw here is seeing it on the enormous IMAX screen in remastered stereo. Unfortunately, the segment wasn't made to be presented on large format film (considering it was shot full frame) and exhibits large amounts of grain. There were at least two occasions where images were very hard to make out due to the excessive grain. Similar problems crop up on modern day releases when projected on screens too large for the image to be shown accurately (but no one seems to notice for some strange reason), an anomaly common to many 18-plus screen theaters.
Segment seven is set to Sir Edward Elgar's "Pomp and Circumstance March No. 1" and is the only other Fantasia segment to feature a stock Disney character. Donald Duck "stars" as an assistant to Noah, whose task is loading all of the animals onto the Ark. During the loading, Donald and his wife lose sight of each other and both believe that the other one didn't make it on the boat. They are constantly missing each other due to comic misadventures mainly involving Donald being crushed by animals in various manners. Despite the slapstick style of comedy in this piece, it displays more emotion in its final scene than many of the tear-jerkers foisted on audiences these days. Powerful stuff.
Segment eight brings a whole new meaning to the cliché "saving the best for last". Set to Igor Stravinsky's "The Firebird", an elk awakens a forest sprite that proceeds to change the wintery landscape into a beautiful springtime landscape. Trees bloom and flowers blossom and everything seems to be going well until the sprite becomes inquisitive about a large mountain housing a strange formation. When the sprite examines the formation, it awakens and becomes the titular firebird. In a stunning spectacle, the firebird rears back and unleashes and fire storm that destroys everything in its path, including everything that the sprite has worked to create. Some amazing animation is present here, and well worth the ten dollars a ticket alone (although brush strokes are evident in one scene due to the enlargement of the film).
The host segments are largely (no pun intended) throwaways, although Steve Martin's clip is pretty funny. Be sure to stay through the credits for a little more humor from Martin. Penn and Teller are usually funny, but here their gags seem routine and therefore uninteresting. The best segment comes from, of all people, Bette Midler, who gets to tell us about some of the abandoned segments that never made it off of the drawing board. Pieces like Flight of the Bumblebee, a take on the Four Horsemen set to Wagner's "Ride of the Valkyries", and a strange segment prepared in the '40s by Salvador Dali that never was shown are all previewed here and teased that they may appear in future installments.
For fans of visual stimulation or classical music, Fantasia 2000 is a perfect way to spend the afternoon. The film is also decent family entertainment and contains little to no objectionable material. As I mentioned earlier in the review, if ten dollars seems like too much for you to spend on this film, fear not because after its run in IMAX theaters it is going to be brought out in regular theaters. I must stress that the best way to see this film is on an IMAX screen though. Then you too can believe that whales/triangle things/sprites can fly. [G]
Reviewed by Brian Matherly -<EMAIL_ADDRESS>The Jacksonville Film Journal - www.jaxfilmjournal.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{{ define "main" }}
Simply select all configured data sources and add them directly to the dashboard.
Search, sort and manage all data sources and events in one page.
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| Interface Summary | |
|---|---|
| Aggregator<Context> | An Aggregator takes the set of all values associated with a unique grouping and returns zero or more values. |
| AggregatorCall<C> | Interface AggregatorCall provides access to the current Aggregator invocation arguments. |
| Assertion<PC> | Interface Assertion is the base interface for all stream assertions. |
| Buffer<Context> | A Buffer is similar to an Aggregator by the fact that it operates on unique groups of values. |
| BufferCall<C> | Interface BufferCall provides access to the current Buffer invocation arguments. |
| Filter<Context> | Interface Filter marks a given Operation as a filter, as opposed to being a Function . |
| FilterCall<C> | Interface FilterCall provides access to the current Filter invocation arguments. |
| Function<Context> | Interface Function marks a given Operation as a function, as opposed to being a Filter . |
| FunctionCall<C> | Interface FunctionCall provides access to the current Function invocation arguments. |
| GroupAssertion<C> | Class GroupAssertion is a kind of Assertion used with the Every pipe Operator. |
| GroupAssertionCall<C> | Interface GroupAssertionCall provides access to the current GroupAssertion invocation arguments. |
| Operation<Context> | Interface Operation is the base interface for all functions applied to Tuple streams. |
| OperationCall<Context> | |
| PlannedOperation<Context> | Interface PlannedOperation is implemented by all Operation implementations
that use a PlannerLevel value to inform the FlowPlanner how to treat the operation
during job planning. |
| PlannerLevel | Interface PlannerLevel is the base interface for DebugLevel and AssertionLevel enum types. |
| ValueAssertion<C> | Class ValueAssertion is a kind of Assertion used with the Each pipe Operator. |
| ValueAssertionCall<C> | Interface ValueAssertionCall provides access to the current ValueAssertion invocation arguments. |
| Class Summary | |
|---|---|
| BaseOperation<Context> | Class BaseOperation is the base class of predicate types that are applied to Tuple streams via
the Each or Every Pipe . |
| ConcreteCall<C> | Class OperationCall is the common base class for FunctionCall , FilterCall ,
AggregatorCall , ValueAssertionCall , and GroupAssertionCall . |
| Debug | Class Debug is a Filter that will never remove an item from a stream, but will print the Tuple to either
stdout or stderr. |
| Identity | The Identity function simply passes incoming arguments back out again. |
| Insert | Class Insert adds literal values to the Tuple stream. |
| NoOp | Class NoOp does nothing. |
| Enum Summary | |
|---|---|
| AssertionLevel | Enum AssertionLevel designates the level of a given Assertion instance. |
| Debug.Output | |
| DebugLevel | Enum DebugLevel designates the level of a given Debug instance. |
| Exception Summary | |
|---|---|
| AssertionException | Class AssertionException is the exception that must be thrown when an Assertion
fails. |
| OperationException | Class OperationException is thrown by BaseOperation classes. |
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|
LiteSQL
0.3.17
|
If you prefer to access database using raw queries, use plain Database-class and query-method.
escapeSQL-function can be used to escape illegal characters such as '. NULL is a special word and it has to be escaped by the user. 'NULL' maps to NULL and ''NULL'' to 'NULL' etc.
Use Database::groupInsert - if you want to create rows with new integer as the first field.
A query example:


{% extends "base.template.html" %} {% set title = "PullApprove Conditions" %} {% set desription = "Custom rules for deciding when review needs to happen" %} {% block content %}
pullapprove_conditions
allow you to determine which PRs need to
be reviewed and which don't. Often times, people don't need to review "work in
progress" PRs or PRs that are being merge into specific branches (i.e. for
further development or testing). This is a top-level setting which completely
enables or disables PullApprove (including notifications).
By default there are no pullapprove_conditions
and every PR is
up for review (depending on the conditions of each group). If not specified (see
below), PullApprove will return a "success" status to GitHub if any conditions
are not met so that PRs are still mergeable if PullApprove is a required status
check. To change the status or the explanation that goes with it, you can use
the more complex syntax for defining conditions.
For more details on what kinds of conditions you can write, look here.
You can further tweak the behavior of pullapprove_conditions
by
specifying the status and explanation that are returned to GitHub when one of
the conditions is not met. The conditions are evaluated in order, and the first
one to fail will be the one to set the status and explanation in GitHub.


About ping pong
Created by:
Anne Wariiyu
Github username/url
Anne-15
Level 2; Test for:
Java Script
CSS
HTML
Let's play!
Rules
Ping pong will count up to your number from 1 with the following expectation:
- Numbers divisible by 3 become "ping"
- Numbers divisible by 5 become "pong"
- Numbers divisible by 3 and 5 become "pingpong"


Chelsie Saunders Development & Design
US Tae Kwon Do
Sun Bin Martial Arts
Monk Wise Martial Arts
I Wish I Start A Cult
CodeIgniter Project
HFL Auction
Do You Have Cooties?
Oridomi Project
Google Graphs Project
Python Project
Vision 2015
Black & White Ball


So-Called
REST
Fake REST API with
Basic Authentication
backed by
JSONPlaceholder
.
Basic Authentication
username: carbon
password: hydrogen
Resources
Users
Routes
GET
/mock/users
GET
/mock/users/1
So-CalledREST


We are the new kid on the block founded in year 2019
The reason we exist is to help people who need cleaning service
and those who need to provide cleaning service to have a platform to meet.
Sometimes you don't have time to clean your place and you need the helping hand
and we provide you with that helping hand.


"What separates design from art is that design is meant to be… functional"
“If there's one thing you learn by working on a lot of different Web sites, it's that almost any design idea--no matter how appallingly bad--can be made usable in the right circumstances, with enough effort.
Let us take you into a deeper experience, make a moment a lasting conveyable memory. Let us help build your tribe
Content is not king, but a president elected by the votes of those whom it aims to rule
People don’t buy what you do, they buy why you do it
A full MERN stack application 'MEMORIES' which is a social media application that allows users to post interesting events that happened in their lives.
This is a simple To Do Application in react. This is a fun project to do for beginners who are trying to learn and get their hands dirty on React. In this application, I've used React components, React forms, event handlers etc. It is a very quick innovative application to do.
Node.js, Express, Restful API, paypal-sdk, mongodb, mongoose, jwt(jsonwebtoken), heroku, firebase, swaggerHub
This Project is a Pre-final year mini-project based on Deep Learning. The aim of this project is to take a step towards helping the blind to better navigate and see the world around them which they struggle to see.
(My friends and family were really finding it hard to deal with the lockdown, so I developed this to get away with the boredom.) A very interesting and attractive game developed using three.js
Highly focused web developer, with experience in project leading and community management. Organized and methodical with an eye for detail resulting in solid coding and heart for breath grabbing designs. Sincerely dedicated to satisfying company and client requirements
Download Resume


[gecode-users] Ordering of propagators
Peter Tiedemann
petert at itu.dk
Tue Apr 10 10:16:59 CEST 2007
Hi,
Is there some way to ensure ( or just strongly suggest) that a
propagator is scheduled to run only after the other propagators have
stabilized ( or thats its just in general pushed to the back of the
propagation queue) ?
I thought perhaps the propagation cost() function could achieve an
effect like this, if it returns a very high cost?
Related to this, how is the cost() function used exactly? I cant seem
to find any information on this in the documentation.
Regards,
Peter Tiedemann
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Web Panel Installation
Last updated: Friday, January 27, 2017
Getting Started
Now that you have downloaded the web panel for ManageMyServer (
if you have not, click here), you can start the installation of the web panel. First off, you need a web server with PHP 5.5+ and a MySQL server that you have root access to.
Setting up the panel
To install, extract the files from the zip folder that you downloaded into the root directory of your web server (you cannot put ManageMyServer in a subfolder.) Open up your browser and navigate to your web servers' website. You should be greeted by the installer. If you are not, navigate to [your web server]/install.php and you will be at the installer.
Install/Access ManageMyServer
Now that you have gotten into the installer, follow the instructions on the screen until you reach the end of the installer. At the end, you will be redirected to the login page. To login to the panel, use the default login information.
Default login information:
Username: admin
Password: password
We highly recomend you change this login information in the admin panel. Simply click admin in the navigational bar and then click users and finally click the user admin, or navigate to [your web server]/admin/users/user/?id=1 in your web browser.
You did it!
Now that you have successfully installed the web panel you need to
install the node application to use the panel. Click here to check that out.


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Tip
You will find the latest version at http://code.google.com/p/pymunk/downloads/list
pymunk does not need to be installed. However, you might need to compile the chipmunk library that pymunk uses internally if a precompiled library was not included for your platform. The default pymunk distribution ships with at least 32-bit Windows and 32- and 64-bit Linux versions. But even if a compiled library is not shipped you should not despair! It is very easy to compile chipmunk as long as you have a gcc-compatible c compiler installed.
You might want to test pymunk before you install it on your development machine, or maybe decide to not install it at all. The easiest way to do this is to download the source release of pymunk and extract the archive to the folder where your code is and then tell python where to find it.
For example, lets say you have main.py and a folder named pymunk-3.0.0 that contain the full source of pymunk (files, including setup.py, README.txt and a folder named pymunk). Then you can add this before you include:
import os, sys
current_path = os.getcwd()
sys.path.insert(0, os.path.join( current_path, "pymunk-3.0.0" ) )
import pymunk
For a working demo, check out the run.py file in the examples folder of pymunk. It uses this exact technique to allow running the examples using the pymunk located on level up.
pymunk can be installed with pip install:
> pip install pymunk
Another option is to install pymunk with one of the prebuilt installers if available (Windows) or you can use the standard setup.py way:
> python setup.py install
If you are on Mac OS X or Linux you will probably need to run as a privileged user; for example using sudo:
> sudo python setup.py install
Once installed you should be able to to import pymunk just as any other installed library. pymunk should also work just fine with virtualenv in case you want it installed in a contained environment.
Note
The setup will not check if the correct Chipmunk library was included or already compiled for you. It might be a good idea to first check that pymunk works before you actually install it. See Without installation
If a compiled binary library of Chipmunk that works on your platform is not included in the release you will need to compile Chipmunk yourself. Another reason to compile chipmunk is if you want to run it in release mode to get rid of the debug prints it generates.
To compile Chipmunk:
> python setup.py build_chipmunk
On Windows you will need to use a gcc-compatible compiler. The precompiled included windows binaries were compiled with a GCC installed from the TDM-GCC package http://tdm-gcc.tdragon.net/ To set the compiler use the compiler argument:
> python setup.py build_chipmunk --compiler=mingw32
To compile Chipmunk in Release mode use the release argument (Useful to avoid some debug prints and asserts):
> python setup.py build_chipmunk --release
See also


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