moongoon |
A MongoDB object-document mapper (ODM) library written in crystal which makes interacting with MongoDB or DocumentDB a breeze.
Uses the mongo.cr
library under the hood that relies on the official MongoDB C Driver
.
Installation
- Add the dependency to your
shard.yml
:
`yaml
dependencies:
moongoon:
github: elbywan/moongoon
`
- Important: Install the official
MongoDB C Driver
shared library (>= 1.15.1).
- Run
shards install
Usage
Minimal working example
require "moongoon"
# A Model inherits from `Moongoon::Collection`
class User < Moongoon::Collection
collection "users"
index name: 1, age: 1, options: { unique: true }
property name : String
property age : Int32
property pets : Array(Pet)
# Nested models inherit from `Moongoon::Document`
class Pet < Moongoon::Document
property pet_name : String
end
end
# Connect to the mongodb instance.
Moongoon.connect("mongodb://localhost:27017", database_name: "my_database")
# Initialize a model from arguments…
user = User.new(name: "Eric", age: 10, pets: [
User::Pet.new(pet_name: "Mr. Kitty"),
User::Pet.new(pet_name: "Fluffy")
])
# …or JSON data…
user = User.from_json(%(
"name": "Eric",
"age": 10,
"pets": [
{ "pet_name": "Mr. Kitty" },
{ "pet_name": "Fluffy" }
]
))
# …or from querying the database.
user = User.find_one!({ name: "Eric" })
# Insert a model in the database.
user.insert
# Modify it.
user.name = "Kyle"
user.update
# Delete it.
user.remove
Connecting
- Initial connection-instance-method)
- Hooks)-instance-method)
- Low-level):BSON?-instance-method)
require "moongoon"
Moongoon.before_connect {
puts "Connecting…"
}
Moongoon.after_connect {
puts "Connected!"
}
# … #
Moongoon.connect(
database_url: "mongodb://address:27017",
database_name: "my_database"
)
# In case you need to perform a low level query:
Moongoon.connection { |db|
# "db" is a raw Mongo::Database instance.
# Check `mongo.cr` code for more details:
# https://github.com/elbywan/mongo.cr/blob/master/src/mongo/database.cr
# https://github.com/elbywan/mongo.cr/blob/master/src/mongo/collection.cr
cursor = db["my_collection"].find_indexes
while index = cursor.next
pp index
end
}
Models
- Indexes,collection:String=@@collection,options=Hash(String,BSON::ValueType).new,index_name:String?=nil):Nil-class-method)
- Relationships-macro)
- Aggregations-class-method)
- Versioning-macro)
require "moongoon"
class MyModel < Moongoon::Collection
collection "models"
# Define indexes
index name: 1
# Specify agregation pipeline stages that will automatically be used for queries.
aggregation_pipeline(
{
"$addFields": {
count: {
"$size": "$array"
}
}
},
{
"$project": {
array: 0
}
}
)
# Collection fields
property name : String
property count : Int32?
property array : Array(Int32)? = [1, 2, 3]
end
# …assuming moongoon is connected… #
MyModel.clear
model = MyModel.new(
name: "hello"
).insert
model_id = model.id.not_nil!
puts MyModel.find_by_id(model_id).to_json
# => "{\"_id\":\"5ea052ce85ed2a2e1d0c87a2\",\"name\":\"hello\",\"count\":3}"
model.name = "good night"
model.update
puts MyModel.find_by_id(model_id).to_json
# => "{\"_id\":\"5ea052ce85ed2a2e1d0c87a2\",\"name\":\"good night\",\"count\":3}"
model.remove
puts MyModel.count
# => 0
Running scripts
# A script must inherit from `Moongoon::Database::Scripts::Base`
# Requiring the script before connecting to the database should be all it takes to register it.
#
# Scripts are then processed automatically.
class Moongoon::Database::Scripts::Test < Moongoon::Database::Scripts::Base
# Scripts run in ascending order.
# Default order if not specified is 1.
order Time.utc(2020, 3, 11).to_unix
def process(db : Mongo::Database)
# Dummy code that will add a ban flag for users that are called 'John'.
# This code uses the `mongo.cr` driver shard syntax, but Models could
# be used for convenience despite a small performance overhead.
db["users"].update(
selector: {name: "John"},
update: {"$set": {"banned": true}},
flags: LibMongoC::UpdateFlags::MULTI_UPDATE
)
end
end
Contributing
- Fork it (<https://github.com/your-github-user/moongoon/fork>)
- Create your feature branch (
git checkout -b my-new-feature
) - Commit your changes (
git commit -am 'Add some feature'
) - Push to the branch (
git push origin my-new-feature
) - Create a new Pull Request
Contributors
- elbywan - creator and maintainer


This class provides the speed sensor service and the motor actuator service.
More...
#include <motor_speed_service.hpp>
|
| | MotorSpeedService (uint32_t sp_sleep, uint8_t min_dist, bool skip_go) |
| | Constructor for the MotorSpeedService class. More...
|
| |
| bool | init () |
| | Initializer for a MotorSpeedService app/instance. More...
|
| |
|
void | start () |
| | Starts the application by registering it to the vsomeip runtime environment.
|
| |
|
void | stop () |
| | Stops the application by joining all threads and deregistering from the vsomeip RTE.
|
| |
|
bool | is_running () |
| | Getter so external entities can read the run_ member.
|
| |
|
|
CSharedMemory | shm_sp |
| | Shared memory used for IPC between the speed sensor reader program and this class.
|
| |
|
Buffer | buf_sp |
| | Cyclic buffer for keeping track of speed values in the shared memory.
|
| |
|
CSharedMemory | shm_mo |
| | Shared memory used for IPC between this class and the motor control program.
|
| |
|
Buffer | buf_mo |
| | Cyclic buffer for keeping track of requested motor values in the shared memory.
|
| |
|
| void | run_sp () |
| | This method is the method run by pub_sp_thread_. More...
|
| |
| void | on_dist_eve (const std::shared_ptr< vsomeip::message > &msg) |
| | Function that is called when a distance event is detected. More...
|
| |
| void | on_motor_req (const std::shared_ptr< vsomeip::message > &msg) |
| | Function that is called when a message with MOTOR_METHOD_ID arrives. More...
|
| |
| void | on_setmin_req (const std::shared_ptr< vsomeip::message > &msg) |
| | Function that is called when a message with SETMIN_METHOD_ID arrives. More...
|
| |
| void | on_shutdown (const std::shared_ptr< vsomeip::message > &msg) |
| | Function that is called when a message with SHUTDOWN_METHOD_ID arrives. More...
|
| |
| void | on_go_availability (vsomeip::service_t serv, vsomeip::instance_t inst, bool go) |
| | Function that is called when the availability of the go-service changes. More...
|
| |
| void | on_dist_availability (vsomeip::service_t serv, vsomeip::instance_t inst, bool use_dist) |
| | Function that is called when the availability of the distance-service changes. More...
|
| |
| void | on_state (vsomeip::state_type_e state) |
| | Function that is called when the registration state of the application changes. More...
|
| |
|
| bool | run_ |
| | Main on/off switch for application. More...
|
| |
| bool | go_ |
| | Pause switch for all threads. More...
|
| |
| bool | skip_go_ |
| | Disables pause switch (go_) for all threads. More...
|
| |
| bool | use_dist_ |
| | Set to true if the distance service is up and can be used for emergency break events. More...
|
| |
|
uint32_t | pub_sp_sleep_ |
| | Time (in milliseconds) that the speed publisher thread will sleep between cycles.
|
| |
|
uint8_t | min_dist_ |
| | The threshold for when an emergency break event is published.
|
| |
| std::thread | pub_sp_thread_ |
| | The thread object for the function run_sp. More...
|
| |
|
std::mutex | mu_run_ |
| | Mutex for synchronizing the start of all threads.
|
| |
|
std::condition_variable | cond_run_ |
| | Condition variable for synchronizing the start of all threads.
|
| |
|
std::shared_ptr< vsomeip::application > | app_ |
| | VSOMEIP app that provides the speed and motor services.
|
| |
|
std::shared_ptr< vsomeip::payload > | payload_ |
| | Payload that is used for the VSOMEIP packets.
|
| |
This class provides the speed sensor service and the motor actuator service.
The speed service publishes (notifies) sensor data at a set interval. Another vsomeip application may subscribe to this sevice to get regular speed sensor updates. The motor service follows a client-server model where the client app sends a request and the server (this class) sets the wheels to the requested angle. An instance of this class also subscribes to distance events published by another application. If the value of a distance event falls below a certain threshold, the motor service publishes an "emergency break" event that other vsomeip applications may subscribe to.
- Author
- Leon Fernandez
◆ MotorSpeedService()
| MotorSpeedService::MotorSpeedService |
( |
uint32_t |
sp_sleep, |
|
|
uint8_t |
min_dist, |
|
|
bool |
skip_go |
|
) |
| |
Constructor for the MotorSpeedService class.
- Parameters
-
| sp_sleep | Time (in millisec) that the speed notifier thread will sleep during each cycle. |
| min_dist | The threshold value that determines when an emergency break event gets published |
| skip_go | Allows threads to ignore the value go_. Only for testing purposes! |
◆ init()
| bool MotorSpeedService::init |
( |
| ) |
|
◆ on_dist_availability()
| void MotorSpeedService::on_dist_availability |
( |
vsomeip::service_t |
serv, |
|
|
vsomeip::instance_t |
inst, |
|
|
bool |
use_dist |
|
) |
| |
|
private |
Function that is called when the availability of the distance-service changes.
- Parameters
-
| serv | ID of the service, should always be ==DIST_SERVICE_ID |
| inst | ID of the specific service instance, should always be ==DIST_INSTANCE_ID |
| use_dist | True if the service is available, false otherwise |
Sets use_dist_ to true if the dist service is available. This allows the motor service to get sensor data directly from the distance service and thereby raise emergency break events.
◆ on_dist_eve()
| void MotorSpeedService::on_dist_eve |
( |
const std::shared_ptr< vsomeip::message > & |
msg | ) |
|
|
private |
Function that is called when a distance event is detected.
- Parameters
-
| msg | vsomeip notification with distance sensor data |
Receives and analyzes distance sensor data. If the data is lower than min_dist_ it publishes an embreak event.
◆ on_go_availability()
| void MotorSpeedService::on_go_availability |
( |
vsomeip::service_t |
serv, |
|
|
vsomeip::instance_t |
inst, |
|
|
bool |
go |
|
) |
| |
|
private |
Function that is called when the availability of the go-service changes.
- Parameters
-
| serv | ID of the service, should always be ==GO_SERVICE_ID |
| inst | ID of the specific service instance, should always be ==GO_INSTANCE_ID |
| go | True if the service is available, false otherwise |
The go-service is a service made available by the central node (bbb-car-controller) when that node has a preset number of services (ie when it has discovered all actuators). The availability of the go-service basically works as a pause/play switch for this Class.
◆ on_motor_req()
| void MotorSpeedService::on_motor_req |
( |
const std::shared_ptr< vsomeip::message > & |
msg | ) |
|
|
private |
Function that is called when a message with MOTOR_METHOD_ID arrives.
- Parameters
-
| msg | vsomeip message with MOTOR_METHOD_ID and a payload representing the desired speed. |
Unpacks and writes the received request data to a shared memory, which can then be read by the process controlling the motor.
◆ on_setmin_req()
| void MotorSpeedService::on_setmin_req |
( |
const std::shared_ptr< vsomeip::message > & |
msg | ) |
|
|
private |
Function that is called when a message with SETMIN_METHOD_ID arrives.
- Parameters
-
| msg | vsomeip message with SETMIN_METHOD_ID and a payload representing the minimum distance before embreak events get published. |
Unpacks and sets min_dist_ to the value of the payload. This allows the minimum distance threshold to be set remotely by another service.
◆ on_shutdown()
| void MotorSpeedService::on_shutdown |
( |
const std::shared_ptr< vsomeip::message > & |
msg | ) |
|
|
private |
Function that is called when a message with SHUTDOWN_METHOD_ID arrives.
- Parameters
-
| msg | vsomeip message with SHUTDOWN_METHOD_ID |
Shuts down the application and the entire program by calling stop.
◆ on_state()
| void MotorSpeedService::on_state |
( |
vsomeip::state_type_e |
state | ) |
|
|
private |
Function that is called when the registration state of the application changes.
- Parameters
-
| state | The incoming state that the application has within the vsomeip runtime. |
Upon succesful registration within the vsomeip runtime it offers the speed and motor services (makes them available) and requests association with the go-server and with the distance server.
◆ run_sp()
| void MotorSpeedService::run_sp |
( |
| ) |
|
|
private |
This method is the method run by pub_sp_thread_.
It basically waits for the initialization to complete then enters an eternal loop. If the go-service is unavailable it spins around doing nothing. If the go-service is available it publishes some data (preferably sensor data) and then goes to sleep for a set amount of time.
◆ go_
| bool MotorSpeedService::go_ |
|
private |
Pause switch for all threads.
All threads will just loop in one place without doing anything if set to false. Set to true when a remote server (the go-server) comes online. Set to false if the go-server goes offline or if stop is called. Initial value is set to false.
◆ pub_sp_thread_
| std::thread MotorSpeedService::pub_sp_thread_ |
|
private |
The thread object for the function run_sp.
Thread that is instatiated inside init. Continuously reads a sensor value then publishes it for all subscribers to see. Sleeps for pub_sp_sleep_ milliseconds between cycles.
◆ run_
| bool MotorSpeedService::run_ |
|
private |
Main on/off switch for application.
Set to true when initialization is succesfully completed. Set to false when stop is called, causing all threads to run to completion so they can be joined.
◆ skip_go_
| bool MotorSpeedService::skip_go_ |
|
private |
Disables pause switch (go_) for all threads.
Can only be set by passing an argument at the cmd line when starting the program.
◆ use_dist_
| bool MotorSpeedService::use_dist_ |
|
private |
Set to true if the distance service is up and can be used for emergency break events.
If false, min_dist_ is not used and emergency break events will never occur.
The documentation for this class was generated from the following files:


{% extends "psf/default.html" %} {% load nominations %} {% block page_title %} Nominees for {{ election.name }} Election | {{ SITE_INFO.site_name }} {% endblock %} {% block body_attributes %}class="nominations nominations_view"{% endblock %} {% block left_sidebar %}{% endblock %} {% block content_attributes %}{% endblock %} {% block head %} {% endblock %} {% block extra_js %} {% endblock %} {% block content %}
Nominations close at {{ election.nominations_close_at }}, this is a preview of only nominations relevant to you.
{% endif %} {% for nominee in object_list|shuffle %}Nominations close at {{ election.nominations_close_at }} and Nominees will be visible here after that time.
You can submit a nomination for this election here.
{% endif %} {% endif %} {% endblock content %}


Iceland, 2017
Mývatn at sunset
Aurora at Vík
Sunset at Black Sand Beach
Double rainbows
London, UK, 2015
Canal Reach and the bookstore near King's Cross
A couple walking in the city center after the rain
Manchester
UAL (University of the Arts London) campus for Central Saint Martins
Tromsø, Norway, 2015
Getting lost in the residential area
Night view of Tromso from the cable car cafe
Japan, 2014
As we got further and further away, it [the Earth] diminished in size. Finally it shrank to the size
of a marble, the most beautiful you can imagine. That beautiful, warm, living object looked so fragile,
so delicate, that if you touched it with a finger it would crumble and fall apart. Seeing this has
to change a man.
View at highway rest stop during overnight bus trip
Mount Fuji


Apache™ FOP: Hyphenation
Hyphenation Support
Introduction
Apache™ FOP uses Liang's hyphenation algorithm, well known from TeX. It needs language specific pattern and other data for operation.
Because of licensing issues (and for convenience), all hyphenation patterns for FOP are made available through the Objects For Formatting Objects project.
License Issues
Many of the hyphenation files distributed with TeX and its offspring are licenced under the LaTeX Project Public License (LPPL), which prevents them from being distributed with Apache software. The LPPL puts restrictions on file names in redistributed derived works which we feel can't guarantee. Some hyphenation pattern files have other or additional restrictions, for example against use for commercial purposes.
Although Apache FOP cannot redistribute hyphenation pattern files that do not conform with its license scheme, that does not necessarily prevent users from using such hyphenation patterns with FOP. However, it does place on the user the responsibility for determining whether the user can rightly use such hyphenation patterns under the hyphenation pattern license.
Sources of Custom Hyphenation Pattern Files
The most important source of hyphenation pattern files is the CTAN TeX Archive.
Installing Custom Hyphenation Patterns
To install a custom hyphenation pattern for use with FOP:
-
Convert the TeX hyphenation pattern file to the FOP format. The FOP format is an xml file conforming to the DTD found at
{fop-dir}/hyph/hyphenation.dtd
. -
Name this new file following this schema:
languageCode_countryCode.xml
. The country code is optional, and should be used only if needed. For example: -
en_US.xml
would be the file name for American English hyphenation patterns. -
it.xml
would be the file name for Italian hyphenation patterns.
The language and country codes must match the XSL-FO input, which follows ISO 639 (languages) and ISO 3166 (countries). NOTE: The ISO 639/ISO 3166 convention is that language names are written in lower case, while country codes are written in upper case. FOP does not check whether the language and country specified in the FO source are actually from the current standard, but it relies on it being two letter strings in a few places. So you can make up your own codes for custom hyphenation patterns, but they should be two letter strings too (patches for proper handling extensions are welcome)
-
There are basically three ways to make the FOP-compatible hyphenation pattern file(s) accessible to FOP:
-
Download the precompiled JAR from OFFO and place it either in the
{fop-dir}/lib
directory, or in a directory of your choice (and append the full path to the JAR to the environment variableFOP_HYPHENATION_PATH
). -
Download the desired FOP-compatible hyphenation pattern file(s) from OFFO, and/or take your self created hyphenation pattern file(s),
-
place them in the directory
{fop-dir}/hyph
, -
or place them in a directory of your choice and set the Ant variable
user.hyph.dir
to point to that directory (inbuild-local.properties
), and run Ant with build targetjar-hyphenation
. This will create a JAR containing the compiled patterns in{fop-dir}/build
that will be added to the classpath on the next run. (When FOP is built from scratch, and there are pattern source file(s) present in the directory pointed to by theuser.hyph.dir
variable, this JAR will automatically be created from the supplied pattern(s)).
-
-
Put the pattern source file(s) into a directory of your choice and configure FOP to look for custom patterns in this directory, by setting the
configuration option.
Hyphenation Patterns
If you would like to build your own hyphenation pattern files, or modify existing ones, this section will help you understand how to do so. Even when creating a pattern file from scratch, it may be beneficial to start with an existing file and modify it. See OFFO's Hyphenation page for examples. Here is a brief explanation of the contents of FOP's hyphenation patterns:
-
The root of the pattern file is the
element. -
: its attribute "value" contains the character signalling a hyphen in the section. It has nothing to do with the hyphenation character used in FOP, use the XSLFO hyphenation-character property for defining the hyphenation character there. At some points a dash U+002D is hardwired in the code, so you'd better use this too (patches to rectify the situation are welcome). There is no default, if you declare exceptions with hyphenations, you must declare the hyphen-char too. -
contains two attributes: -
before: the minimum number of characters in a word allowed to exist on a line immediately preceding a hyphenated word-break.
-
after: the minimum number of characters in a word allowed to exist on a line immediately after a hyphenated word-break. This element is unused and not even read. It should be considered a documentation for parameters used during pattern generation.
-
-
contains whitespace-separated character sets. The members of each set should be treated as equivalent for purposes of hyphenation, usually upper and lower case of the same character. The first character of the set is the canonical character, the patterns and exceptions should only contain these canonical representation characters (except digits for weight, the period (.) as word delimiter in the patterns and the hyphen char in exceptions, of course). -
contains whitespace-separated words, each of which has either explicit hyphen characters to denote acceptable breakage points, or no hyphen characters, to indicate that this word should never be hyphenated, or contain explicit elements for specifying changes of spelling due to hyphenation (like backen -> bak-ken or Stoffarbe -> Stoff-farbe in the old german spelling). Exceptions override the patterns described below. Explicit declarations don't work yet (patches welcome). Exceptions are generally a bit brittle, test carefully. -
includes whitespace-separated patterns, which are what drive most hyphenation decisions. The characters in these patterns are explained as follows: -
non-numeric characters represent characters in a sub-word to be evaluated
-
the period character (.) represents a word boundary, i.e. either the beginning or ending of a word
-
numeric characters represent a scoring system for indicating the acceptability of a hyphen in this location. Odd numbers represent an acceptable location for a hyphen, with higher values overriding lower inhibiting values. Even numbers indicate an unacceptable location, with higher values overriding lower values indicating an acceptable position. A value of zero (inhibiting) is implied when there is no number present. Generally patterns are constructed so that valuse greater than 4 are rare. Due to a bug currently patterns with values of 8 and greater don't have an effect, so don't wonder. Here are some examples from the English patterns file:
-
Knuth (The TeXBook, Appendix H) uses the example hach4, which indicates that it is extremely undesirable to place a hyphen after the substring "hach", for example in the word "toothach-es".
-
.leg5e indicates that "leg-e", when it occurs at the beginning of a word, is a very good place to place a hyphen, if one is needed. Words like "leg-end" and "leg-er-de-main" fit this pattern. Note that the algorithm that uses this data searches for each of the word's substrings in the patterns, and chooses the highest value found for letter combination.
-
If you want to convert a TeX hyphenation pattern file, you have to undo the TeX encoding for non-ASCII text. FOP uses Unicode, and the patterns must be proper Unicode too. You should be aware of the XML encoding issues, preferably use a good Unicode editor.
Note that FOP does not do Unicode character normalization. If you use combining chars for accents and other character decorations, you must declare character classes for them, and use the same sequence of base character and combining marks in the XSLFO source, otherwise the pattern wouldn't match. Fortunately, Unicode provides precomposed characters for all important cases in common languages, until now nobody run seriously into this issue. Some dead languages and dialects, especially ancient ones, may pose a real problem though.
If you want to generate your own patterns, an open-source utility called patgen can be used to assist in creating pattern files from dictionaries. It is available in many Unix/Linux distributions and every TeX distribution. Pattern creation for languages like english or german is an art. Read Frank Liang's original paper "Word Hy-phen-a-tion by Com-pu-ter" (yes, with hyphens) for details. The original patgen.web source, included in the TeX source distributions, contains valuable comments, unfortunately technical details often obscure the high level issues. Another important source of information is The TeX Book, appendix H (either read the TeX source, or run it through TeX to typeset it). Secondary articles, for example the works by Petr Sojka, may also give some much needed insight into problems arising in automated hyphenation.


--- layout: post status: publish published: true title: What does a DevOps engineer do? author: display_name: neil login: neil email<EMAIL_ADDRESS>url: '' author_login: neil author_email<EMAIL_ADDRESS>wordpress_id: 35 wordpress_url: https://www.millardtechnicalservices.co.uk/?p=35 date: '2015-12-30 17:30:18 +0000' date_gmt: '2015-12-30 17:30:18 +0000' categories: - Development - Testing - Infrastructure tags: [] comments: [] ---
Within a project team you require a number of skills usually found across a number of team members.
Developer - This is the programming and design skill required for the end product this project is sponsored to deliver. For a web application, this might be Javascript, PHP, Paintshop etc. For a data analysis BI team, these skills will be more like R, tableaux or Qlikview.
Testing - These skills are about ensuring the best experience for the end user or customer of the deliverables. Performance (the speed of the product), usability (if it actually works as designed) and load testing (how many users or how much data can be provided) are important measurements in this area.
Operations - Providing the IT bits that the project and application rely on to function and serve. These are concerned with the servers, networks and other dependencies.
In terms of what DevOps engineers do, well that spans the developer and operations skills. The reason it is so specialist, is the blend of these skills. Someone who understand programming and infrastructure.
My team and I spend the majority of our time, writing and refining puppet modules. These are definitions of what a server needs to do, in order to provide a server, service or piece of infrastructure. They are programs in their own right.
We also spend time on writing tools to help the developers and testers move through the deployment processes. We don't want to slow the development or project down, so providing tools to enable the developers and testers to 'self serve' allows that flexibility.
Automation of the project steps and providing tools, buttons, one-click actions, to move the project and help the developers write, test and deploy code as easily as possible.


--- layout: contact lang: en site_title: "| Get in touch | Wine estate in the Corbières, Saint-Laurent de la Cabrerisse" title: Let's get in touch form: name: Name email: Email subject: key: Object value: Get in touch content: Message submit: Submit message: success: "Email sent successfully !" error: "ERROR: Invalid mail address !" side: title: Do you have any questions ? content: |
Type a message or contact us :
---


| Activities | Days and Times | Cost |
|---|---|---|
| Beginners | Friday 6:30 pm-7:30 pm | €5.00 per class |
| Advanced | Fridays, 7:30 pm-9:00 pm | €5.00 per class |
| Beginners/Advanced | Saturday 11:30 am-1:00pm | €5.00 per class |
West Karate have classes for all levels from the beginner to the most advanced students. We aim to make Karate afordable to all so the classes are only €5 per class but discounts are available for families.
So what are you waiting for? give us a call today.
Beginners and other new members are welcome to join the club at any time during the year. All you have to do is turn up at a beginners training session and get started. We train all during the year.
It is wise to wear something loose e.g. track-suit bottoms and a T-shirt. Do not wear anything that has a zip or anything jagged which might injure yourself or someone else while training.
To progress in karate you will be tested every 3 months or so. This test is called a grading and consists of an examination of your kihon (basic techniques), Kumite (sparring techniques and sequences), and a Kata (technique pattern).
Kata are patterns of techniques that we perform , and as we do so we imagine defending against an imaginary opponent as we execute each movement. Kata is a method of practising applications for particular self defence scenarios.
Kihon means the basics, perfecting the punch, the block, the kick, the stance, working on the body rotation and propulsion dynamic, using the major muscle groups, and so forth.
Kumite means sparring, and the focus of kumite is to practice using the techniques we learn from kata. Kumite may take the form of fixed step sparring i.e. 5 steps forward and punch, 5 steps back and block, or free sparring.


Easiest Model Builder Using Deeplearnjs in Pure Javascript
See original at https://deeplearnjs.org/demos/model-builder/
and try to build the easiest version of a model. Delete all layers until you only have:
Flattened, Fully Connected, Softmax, Label. That is what is working here.


This PWG face-to-face meeting will be held on August 16-18, 2022, only via Webex teleconference (Virtual F2F).
There is no registration fee or RSVP survey for this meeting.
Note: All times are Eastern Daylight Time (EDT) (UTC−04:00).Discussions at PWG face-to-face meetings are covered by the PWG Policy on Intellectual Property and Confidentiality and the PWG Anti-Trust Policy.
| Date | Times | Description |
|---|---|---|
| August 16 | 10:00 AM to 10:45 AM | PWG Plenary |
| 10:45 AM to 11:00 AM | IPP WG : Status | |
| 11:00 AM to 12:00 PM | IPP WG : Prototype Ready: IPP Encrypted Jobs and Documents v1.0 · IPP Production Printing Extensions v2.0 · IPP Enterprise Printing Extensions v2.0 · IPP Driverless Printing Extensions v2.0 | |
| 12:00 PM to 12:45 PM | Break / Lunch | |
| 12:45 PM to 2:00 PM | IPP WG : Evolution of IPP/2.0 and IPP Everywhere v2.0 | |
| August 17 | 10:00 AM to 11:00 AM | IPP WG : 3D Printing Liaisons: Status & Guidance |
| 11:00 AM to 12:00 PM | IPP WG : Evolution of OAuth and IPP - Part 1 | |
| 12:00 PM to 12:45 PM | Break / Lunch | |
| 12:45 PM to 1:45 PM | IPP WG : Evolution of OAuth and IPP - Part 2 | |
| 1:45 PM to 2:00 PM | IPP WG : Next Steps | |
| August 18 | 10:00 AM to 12:00 PM | IDS WG : Status and Discussion · PWG Hardcopy Device Security Guidelines v1.0 |
| 12:00 PM to 12:45 PM | Break / Lunch | |
| 12:45 PM to 1:45 PM | IPP WG : 3D Printing Extra Topics |


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{% extends 'base.html' %} {% load staticfiles %} {% load bootstrap3 %} {% load humanize %} {% block "page_header" %}{{campaign.charity.name}}. {{campaign.name}}{% endblock %} {% block "page_extra" %} {% include 'campaign/components/donate.html' with is_collapsed=True container_id='quick-donate' %} {% if transaction %}
So far we've raised R{{total|floatformat:2|intcomma}}
since this campaign started {{campaign.start_date|timesince}} ago.
{% include 'campaign/components/countdown.html' with start_date='' end_date=campaign.expiry_date id=campaign.id %} remaining
{{ campaign.score_summary }} (you're in the {{TEAM.name}})
Help us promote this great cause by sharing this link with your friends:
http://{{SITE.domain}}{% url 'campaign_detail' campaign.slug %}?team={{TEAM.pk}}
(and also help the {{TEAM.name}} to raise the most!)
{{campaign.scores_by_team_as_percent}}
{% endcomment %}


Taramati Baradari is a historical sarai as part of Ibrahim Bagh, a Persian style garden built during the reign of Ibrahim Quli Qutub Shah, the second Sultan of Golconda. The Baradari was constructed on the banks of the Musi river. Today, the region comes under the city limits of Hyderabad, India. The tourism department attributes the name to the reign of the Seventh Sultan of Golconda, Abdullah Qutb Shah who as an ode to his favorite courtesan, Taramati, is said to have named the sarai Taramati Baradari. The tourism department promotes the location by romantic stories linking the then-Sultan with a courtesan named Taramati.[1] One such story goes that during the reign of Abdullah Qutb Shah, he used to hear Taramati’s voice as she sung for travelers at the serai, while he sat two kilometers away at Golconda fort. Her melodious voice was carried by the breeze, reaching the prince’s ear at the fort. There is no recorded report of the same. Another fable tells of two ravishing dancing sisters, Taramati and Premamati, who danced on ropes tied between their pavilion and the balcony of the king and patron, Abdulla Qutub Shah. About half a mile north of the fort lies his grave amid a cluster of carved royal tombs. Here lie buried the Qutub Shahi kings and queens in what once their rose gardens. As a tribute to Taramati and Premamati, they both were buried in the royal cemetery of the Qutub Shahi kings. Taramati Baradari pavilion has 12 doorways and was constructed to allow cross ventilation and is one of the most indigenous techniques to have been used at that time. The open pavilion includes other facilities like an air-cooled theatre with capacity of 500 people, open-air auditorium with capacity of 1600 people, Banquet Hall with capacity of 250, and multi-cuisine restaurant.


CHASING AMY
A film review by Michael Dequina
Copyright 1997 Michael Dequina
Chasing Amy (R) **** (out of ****)
If making a convincing love story between a heterosexual male and a lesbian sounds like an impossible task, then writer-director Kevin Smith has accomplished the impossible with the final installment of his New Jersey trilogy, Chasing Amy. A funny, raunchy comedy with both intelligence and heart to spare, Clerks wunderkind Smith has rebounded in a big way from the creative meltdown that was 1995's Mallrats.
The dark shadow of that unsatisfying sophomore effort hangs over the opening moments of Amy. We see the credits roll over comic book panels and covers of the comic publications Wizard, Comic Shop News, and Comic Buyer's Guide, which is more than a little reminiscent of the parade of comic book covers that opened Mallrats. One of the biggest miscalculations in Mallrats was not so much its large use of comic-related humor and references but its use of references that only comic fans (such as myself) would understand, and for a moment I thought Smith was repeating his previous mistake--I was familiar with these publications; I got the reference, but did everyone else? Immediately following the credit roll is a sequence taking place in a New York comic convention, and, ironically enough, here is where my fears were put to rest.  It's as if Smith is righting the wrong he committed in Mallrats.
With the atonement for that sin behind him, Smith wastes no time in plunging deep into fresh new territory. It is at this convention that New Jersey comic creator Holden McNeil (Ben Affleck) meets fellow writer/artist Alyssa Jones (Joey Lauren Adams), and there is an instant chemistry and, as Holden sees it, an attraction. As it turns out, however, Alyssa is a lesbian, and despite Holden's initial reservations--and his very strong sexual feelings for her--the two become very close (but platonic) friends, sparking the chaste (or is it?) jealousy of Holden's best friend and collaborator, Banky Edwards (Jason Lee).
The story already sounds pretty complicated, but Smith's terrific script has many more twists in store, not to mention laughs. Viewers like myself who loved the no-budget riot Clerks but were left cold by Mallrats will be happy to know that Smith has indeed recaptured his comedic touch. But, most importantly, the frank (and, for some, maybe too frank), often foul-mouthed dialogue is not only funny but sounds convincing. The laugh lines sound anything but scripted, capturing the spontaneity of actual conversation; the same can be said of the more serious passages, which are astoundingly full of truth and honest emotion.
There is also more to Smith's writing than the dialogue. The characters are fascinating in just how true-to-life they are. For example, Holden fancies himself a liberal thinker, but, of course, he's quite as liberal as he believes himself to be. Late in the picture, Holden is disturbed by details of Alyssa's past, which naturally puts a crimp in their relationship. Looking plainly from a moviegoer's standpoint, Holden's treatment of Alyssa seems off-base, but his actions are completely in line with how a real person would react in a similar situation. Like many other films, there's a big scene where our protagonist offers a solution to all that ails him and his friends, but Smith does not serve up the convention where a character gains greater maturity, understanding, and insight overnight as he or she only can in the movies. Smith doesn't forget who Holden is, and as such he respects the viewers' intelligence.
Of course, the actors deserve a lot of credit for making the people and situations in Chasing Amy so involving. The likable Affleck does a good job of capturing Holden's insecurities with himself and others. Adams, who can be described as what you get when you blend Cameron Diaz, Renee Zellweger, Ellen Barkin, and the voice of Jennifer Tilly, takes longer to warm up to, mainly because of her squeaky, Tilly-esque voice. In the end, though, she pulls off the difficult role of Alyssa--the heart of the film, if you will--without a hitch, displaying a comic flair as well as an emotional depth never hinted at in her heretofore most visible work: a guest spot on Fox's Married...with Children and regular gigs on the short-lived Married... spinoffs Top of the Heap and Vinnie and Bobby. Lee, who was the best thing about Mallrats, brings more of his hilarious smart-aleck charm to the brash Banky.
Most people will see Chasing Amy as Kevin Smith's return to form, but in doing so they may ignore just what a huge leap this film is for him in his maturity as a filmmaker. It's everything Clerks was (and Mallrats wasn't) and more--funny, fearless... and profoundly moving. Never did I ever think I'd come away from a Smith film with a lump in my throat.
Michael Dequina
<EMAIL_ADDRESS>|<EMAIL_ADDRESS>Visit Mr. Brown's Movie Site at http://members.tripod.com/~MrBrown/
Personal Page: http://members.tripod.com/~MrBrown/home.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


[1]
considering the place for recreation and hanging out.
[2]
considering the place where we spent most of our day.


Motion UI Test
slide-in-up
slide-in-right
slide-in-down
slide-in-left
slide-out-up
slide-out-right
slide-out-down
slide-out-left
fade-in
fade-out
spin-in
spin-in-ccw
spin-out
spin-out-ccw
scale-in-up
scale-in-down
scale-out-up
scale-out-down
hinge-in-from-top
hinge-in-from-right
hinge-in-from-bottom
hinge-in-from-left
hinge-in-from-middle-x
hinge-in-from-middle-y
hinge-out-from-top
hinge-out-from-right
hinge-out-from-bottom
hinge-out-from-left
hinge-out-from-middle-x
hinge-out-from-middle-y
Transition!


Published on {{ page.date | date_to_string }} • Find me on Twitter!
NHN Entertainment TOAST Rookie 3rd PSJ


*** out of **** Year: 2000. Starring Samuel L. Jackson, Vanessa L. Williams, Christian Bale, Jeffrey Wright, Busta Rhymes, Toni Collette, Dan Hedaya, Ruben Santiago-Hudson, Richard Roundtree. Written by John Singleton & Shane Salerno (story) and Richard Price (story & screenplay). Directed by John Singleton. Rated R.
Coolness is hard to attain. It's really not something you can learn: Richard Nixon spent much of his administration trying to figure out how to be cool, and he failed miserably. What's worse, he wasn't the only one. No matter what they do, there are some people that just can't be cool. Martha Stewart can't be cool. Barry Manilow can't be cool. Pat Boone, despite his most bizarre efforts, can't be cool. John Shaft, on the other hand, was one cool motherf***er. He was played by Richard Roundtree, and Richard Roundtree is cool. The new edition is played by Samuel L. Jackson, and Samuel L. Jackson can't help but be cool. His Shaft 2000, nephew to the original, fights a war against all the seriously uncool enemies trying to bring him down. The bad guys might claim money or racism as their reasons for going after Shaft, but make no mistake; the bad guys are against Shaft because they're jealous of his ultimate coolness. Can you dig it?
Shaft 2000 is most definitely a new Shaft; this film goes to great lengths to explain that Jackson's John Shaft is the nephew of Richard Roundtree's original, and *not* the same guy.  His sense of humor is a bit stronger: he enjoys making threatening movements towards criminals, watching them jump, and laughing at them. He's also been updated for the new millennium. Uncle was a "sex machine to all the chicks," but the new guy was obviously brought up with a slightly more modern worldview. He respects women and keeps his distance, though he doesn't mind a bit of flirting now and then. This is a good choice -- the 1970's Shaft held a rather cavalier attitude towards sex that simply wouldn't fly in today's HIV-infected society.  Secondly, a "sex-machine" version of Shaft wouldn't work with Jackson in the role. We all know Jackson is an actor of many talents: his line readings are perfect, making even the clumsiest passage of dialogue bearable, and when he's really on (as in the scripture-quoting scene in "Pulp Fiction"), his unmatched intensity can galvanize an audience like no other. Jackson, in most ways, is a far better actor than Roundtree ever was.  He has it; Jackson doesn't.
Therefore I find it amusing to read several critics expending great energy writing long-winded analyses that all boil down to one complaint: not enough sex. If this were a remake, I'd see where they were coming from, but "Shaft 2000" is very much a sequel, and as such, the new Shaft is in no way required to mimic his predecessor. Director John Singleton has gone on record as saying that he wanted to update "Shaft," and it's a good idea. The original 1971 film has many good elements, but it's also badly dated. Nowadays, it exists mainly as a cinematic relic, historically important to the development of black film, but not terribly relevant to contemporary society. The 2000 version updates the dialogue and attitudes, but keeps the issues that made "Shaft" and its fellow blaxploitation movies important.
Shaft is still a character that fights not only against criminals, but against an indefinite, institutionalized force.  Shaft vows to bring him to justice, quitting the police force. But he's now got to contend with crooked cops, a local crime boss, calling himself Peoples (Jeffrey Wright, strangely compelling despite a caricatured accent), who wants to expand his drug trade uptown, and an eyewitness who won't testify in court out of fear for her life (Toni Collette). Singer Vanessa Williams and rapper Busta Rhymes give Shaft support as, respectively, an old partner and a loudmouth Rastafarian sidekick.
As in most action movies, "Shaft 2000" draws up a very clear line between who is a "good guy" and who is a "bad guy." Here, it could not be simpler: the good guys are cool and the bad guys are not. Shaft is cool, obviously. Ditto Uncle Shaft (the original, played again by Roundtree). Other characters are cool by their willingness to hang with Shaft. The bad guys, meanwhile, couldn't be cool if their lives depended on it. Christian Bale's character may have lots of money, but he wouldn't know coolness if it jumped up and bit him in the ass. He's thoroughly outclassed in a restaurant by the young man he eventually murders, and watching him stroll through the 'hood, with his cap pulled forward and his collar turned up, he could not be more of a square. Peoples wants to be cool, but his goofy accent and even goofier entourage keep him from attaining his goal. Dan Hedaya plays half of a crooked-cop team, and there's no way this guy can be cool. He played *Nixon* (in 1999's "Dick"), for God's sake! Shaft, meanwhile, thrives on cool; he does things a person of lesser cool wouldn't even bother trying. His coolness makes him invincible. What else then do we require of an action hero? Shaft is ideal because nothing fazes him. Under pressure, he always keeps his head.
All of this is neatly packaged by director Singleton. The plot is simple and easily comprehensible, the action scenes are exciting, and there are bits of humor spread here and there to keep things from getting too somber (Busta Rhymes provides the most amusing moments). So what if the conclusion seems to come straight out of nowhere in particular, and the characters' motivations are about as subtle as a shovel to the forehead? What really matters is that the new John Shaft stands as a fine example of how to be a cool action hero. As for his movie, it's cool too.
-reviewed by Shay Casey
For more reviews, go to http://www.geocities.com/sycasey/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


黒の手番です。52 はどう動かしますか？
Unlimited
pips Black=136 White=135
(CorrectAnswer= 0/0, ErrorScore= 0)
1. 13/11 8/3* eq:-0.382 38.22% (G:15.63% B:0.16%) 61.78% (G:16.46% B:1.22%) 2. 13/11 13/8 eq:-0.469 (-0.086) 35.69% (G:13.97% B:0.19%) 64.31% (G:16.25% B:1.18%) 3. 8/3* 5/3 eq:-0.519 (-0.137) 34.95% (G:13.44% B:0.16%) 65.05% (G:18.61% B:1.48%) 4. 8/3* 3/1 eq:-0.555 (-0.172) 33.48% (G:10.34% B:0.06%) 66.52% (G:17.36% B:1.00%) 5. 13/6 eq:-0.767 (-0.385) 29.80% (G: 8.75% B:0.13%) 70.20% (G:16.29% B:1.05%)


We met each other for the first time at an introduction meeting on the 5th of February. Our PI’s and instructor gave a presentation about iGEM and what we could expect for the next eight months. This is also the day when we distributed the team in managements and started brainstorming. We had one, and sometimes two, brainstorm session of three hours a week. We started with 80 ideas so we made a top 10 out of it. After a presentation in front of experts and professors from our school we reduced it to a top 3. The brainstorm sessions were over when we chose CO detection as our project at the 17th of May! Our first lab day was the 26th of June and from then we worked five days a week at the lab during the summer but it was worth it. Since the start of iGEM we invested our time in a lot of meetings, lab work and visiting experts. As the first team from Rotterdam we can say that we achieved a lot since february and we would like to thank all the people listed below and more who helped us to get so far!
Frank Verschoor is the manager of the Rotterdam University Engineering and Applied Sciences (EAS) and the manager of the Rotterdam University institute of built environment. He helped us with our budget, booking the flight and the hotel.
Mirjam van den Bosch is the principal of the Rotterdam University of Engineering and Applied Sciences. She helped us with getting in contact with other studies of the school and sponsored us.
Mazarita Benn is the assistant finance at the Rotterdam University of Engineering and Applied Sciences who helped us with booking the flight to Boston.
Ineke Blok is the management assistant at the Rotterdam University of Engineering and Applied Sciences. She helped us with the payments by invoice and our monthly costs.
Stephen de Ruiter is the communication and multimedia advisor of the Rotterdam University of Engineering and Applied Sciences. He helped us with PR conducts like getting the school familiar with iGEM.
Valentine Sodderland is a management assistant at the Rotterdam University of Engineering and Applied Sciences. She helped us getting in contact with the principal of our institute and with booking the tickets for the Giant Jamboree.
Rob Lichtenberg is the adviser of the Arbeidsomstandighedenwet (ARBO) and environment at the Rotterdam University of Engineering and Applied Sciences. We needed his permission to start with our labwork in combination with carbon monoxide and the safety.
Pinar Sarikaya works as lab instructor at the study Biology and Medical Laboratory research at the Rotterdam University of Engineering and Applied Sciences. She helped us through the summer when our PIs were not available.
Buveco gasdetection helped us with chosing and starting our project for iGEM. They gave us a problem they were dealing with and we decided to solve this problem for the competition.
The Erasmus Medical Centre is located in front of the Rotterdam Univeristy of Engineering and Applied Sciences. They helped us with sequencing our PCR products!
Korienke Smit works as policy advisor on safety and innovation, especially in the context of nano-, bio- and emerging technologies at the RIVM (Rijksinstituut voor Volksgezondheid en Milieu).


{% extends "base.html" %} {% block title %}Welcome to jpegr{% endblock %} {% block content %}
jpegr takes your crummy non-webscale PDF and converts it into a beautiful, if slightly grainy, Web1.0 JPG image
Convert your crappy PDF


Impulse control at 6 links preterm birth, deprivation
by Alice Scott-WarwickNew research finds similar impulse control issues among children who were born preterm or at very low birth weight and those who were institutionally deprived early in life.
The researchers considered children who were born before 32 weeks gestation or weighing under 1,500g (3.3 pounds) at birth. They found they had similar difficulties in controlling their impulses as children who experienced institutional deprivation.
The study in the journal Development and Psychopathology included preterm and low birth weight children from the Bavarian Longitudinal study, as well as children who experienced at least six months of institutional deprivation—a lack of adequate, loving caregivers—in Romanian institutions from the English and Romanian Adoptees study. The researchers then compared those children to 311 children born at full term and 52 non-deprived adoptees, respectively.
The researchers found that both groups—low birth weight/preterm and institutionally deprived—had lower effortful control at 6 years.
This is the first study that directly compares the effects of severe preterm birth and extended institutional deprivation.
“Both early care either in an incubator or deprivation and neglect in an orphanage lead to poor effortful control. We need to further determine how this early deprivation alters the brain,” says Dieter Wolke, professor in the University of Warwick psychology department.
“These findings suggest that children’s poor effortful control may underlie long-term social problems associated with early adverse experiences; thus, improving their self-control may also help prevent these later problems,” adds Lucia Miranda Reyes of the child and family studies at the University of Tennessee.
The research team also includes researchers from the University of Southampton and King’s College London.
Source: University of Warwick


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My name is Trevor Stam and I’m a software developer based in Seattle. I hail from a background in GIS (geographic information systems) and economics. Although I’m an American citizen, I was born and raised in the Netherlands. I worked for several Dutch universities as an economic researcher. In 2017 I moved to Southern California to work in GIS and have recently moved up to Seattle to establish myself as a developer. I like to create applications with which users can interact, create data points or derive insights from.
I work with technologies such as HTML , CSS, Javascript, JQuery, Python, Express, React/Redux, Node.js, MongoDB, PostgreSQL, SQL Server and AWS to create usable and visually pleasing applications. My interests lie in data visualization and mapping. You can find more about my projects on this site. Feel free to reach out to me, connect with me, check out my Github or review my resume.


For assistance, view the CHPL Public User Guide. Note the selected products must meet 100% of the Base Criteria.
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He especially enjoyed this selection from The Adventures of Huckleberry Finn by Mark Twain:
We said there warn't no home like a raft, after all. Other places do seem so cramped up and smothery, but a raft don't. You feel mighty free and easy and comfortable on a raft.
It reminded him of his own youth exploring the county by river in the summertime.


LayoutPlaceholder
open class LayoutPlaceholder<Element, Super> : LayoutGuide<Super> where Element : LayoutElement, Super : LayoutElement
Base class for any view placeholder that need dynamic position and/or size. Used UIViewController pattern for loading target view, therefore will be very simply use him.
-
Undocumented
Declaration
Swift
open private(set) lazy var itemLayout: LayoutBlock<Element> { get set }
-
Undocumented
Declaration
Swift
open var element: Element! { get }
-
Undocumented
Declaration
Swift
open var isElementLoaded: Bool { get }
-
Undocumented
Declaration
Swift
open var elementIfLoaded: Element? { get }
-
Undocumented
Declaration
Swift
open func loadElement()
-
Undocumented
Declaration
Swift
open func elementDidLoad()
-
Undocumented
Declaration
Swift
open func loadElementIfNeeded()
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Declaration
Swift
open override func layout(in rect: CGRect)
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Declaration
Swift
open override func didAddToOwner()


Test steps:
- Install views_maximum_test test app and launch it
- Click "WebView Maximun" menu to go to "WebView Maximun" page
- Click "Add Views" button to create one view
- Click "Destory" button to destory one view
- Repeat 1000+ times to create and destroy Xwalkview with loading URL
- Click "XWalkView(SurfaceView) Maximun" menu to go to "XWalkView(SurfaceView) Maximun" page
- Click "Add Views" button to create one view
- Click "Destory" button to destory one view
- Repeat 1000+ times to create and destroy Xwalkview with loading URL
- Compare the resource consumption with platform webview
- Click "XWalkView(TextureView) Maximun" menu to go to "XWalkView(TextureView) Maximun" page
- Click "Add Views" button to create one view
- Click "Destory" button to destory one view
- Repeat 1000+ times to create and destroy Xwalkview with loading URL
- Compare the resource consumption with platform webview
Expected Output:
- SurfaceView get the same capability as the platform webview.
- TextureView get the same capability as the platform webview.


Usually used to copy a file from file share > local FS
If it’s an executable, and you can edit it...
Config files often have creds, e.g. SQL conn. strings
Slide Notes
-This is for modifying, replacing, moving, adding files to a windows system. Commonly used for things like updating local config files with cleartext credentials in them, and it will often be used to "Install" simple in-house developed executables or scripts (from a network drive with weak file permissions no doubt) to paths on the local filesystem.
-In -online mode, Grouper will return the file permissions for the source file and will also check if the current user can modify it.
-Depending on the type of file being placed, you might need to get creative to do anything with this, but if it’s just a script or an exe, and it actually gets run, sub it out for something fun, have a real nice time.


{% extends 'layouts/layout.html' %} {% block pageTitle %} Check your email {% endblock %} {% block content %}
We've sent an email to {{ data['user-email'] }}
Click confirm in the email and continue from there.
If you do not get an email, check your spam folder.


This partial model provides a conditional heat port for dissipating losses.
If this model is used, the loss power has to be provided by an equation in the model which inherits from the PartialElementaryConditionalHeatPortWithoutT model (lossPower = ...).
Note, this partial model is used in cases, where heatPort.T (that is the device temperature) is not utilized in the model. If this is desired, inherit instead from partial model PartialElementaryConditionalHeatPort.


This is the R interface to datasets and filesystem extensions maintained by SIG-IO. Some example data sources that TensorFlow I/O supports are:
We provide a reference Dockerfile here for you so that you can use the R package directly for testing. You can build it via:
docker build -t tfio-r-dev -f R-package/scripts/Dockerfile .
Inside the container, you can start your R session, instantiate a SequenceFileDataset
from an example Hadoop SequenceFile string.seq, and then use any transformation functions provided by tfdatasets package on the dataset like the following:
library(tfio)
dataset <- sequence_file_dataset("R-package/tests/testthat/testdata/string.seq") %>%
dataset_repeat(2)
sess <- tf$Session()
iterator <- make_iterator_one_shot(dataset)
next_batch <- iterator_get_next(iterator)
until_out_of_range({
batch <- sess$run(next_batch)
print(batch)
})
You’ll see the key-value pairs from string.seq
file are printed as follows:
[1] "001" "VALUE001"
[1] "002" "VALUE002"
[1] "003" "VALUE003"
[1] "004" "VALUE004"
[1] "005" "VALUE005"
[1] "006" "VALUE006"
[1] "007" "VALUE007"
[1] "008" "VALUE008"
...
[1] "020" "VALUE020"
[1] "021" "VALUE021"
[1] "022" "VALUE022"
[1] "023" "VALUE023"
[1] "024" "VALUE024"
[1] "025" "VALUE025"


In case you don't want to use Roboto on your webpage, fear not. Simply change the font stack by modifying the code below to your liking and add it to your custom css.
Inside sass/themes/default/_typography.scss you can change the font as per your requirements. As we did for our themes ;)
We provide some basic styling on header tags. In the example, you can see the the 6 header tags' different sizes.
<h1> Heading h1 </h1>
<h2> Heading h2 </h2>
<h3> Heading h3 </h3>
<h4> Heading h4 </h4>
<h5> Heading h5 </h5>
<h6> Heading h6 </h6>
To use flow-text on a body of text, simply just add the class flow-text
to a tag
To see Flow Text in action, slowly resize your browser and watch the size of this text body change! Use the button above to toggle off/on flow-text to see the difference!
Blockquotes are mainly used to give emphasis to a quote or citation. You can also use these for some extra text hierarchy and emphasis.
The people who are crazy enough to think they can change the world
Are the ones who do.
- Steve Jobs
<blockquote>
This is an example quotation that uses the blockquote tag.
</blockquote>
This is a paragraph. Paragraphs are preset with a font size, line height and spacing to match the overall vertical rhythm. To show what a paragraph looks like this needs a little more content so, did you know that there are storms occurring on Jupiter that are larger than the Earth? Pretty cool. Wrap strong around type to make it bold!. You can also use em toitalicize your words.


The cinema of the 1990's will be remembered for two things: Quentin Tarantino's revolutionary "Pulp Fiction" and its slew of rip-offs, and the spate of films about filmmaking. It is no surprise that since "The Player," we have become bombarded by several films about making films in many different avenues. We have seen low-budget independent filmmakers (Living in Oblivion), fillmaking-on-the-fringes (My Life's In Turnaround), bad low-budget filmmakers (Ed Wood), porno filmmaking (Boogie Nights), Hollywood filmmaking (The Player), mob-financed filmmaking (Get Shorty), low-level Hollywood filmmaking (Bowfinger), and so on. I greeted Albert Brooks' latest film, "The Muse," with delight because of its stellar cast and because of the cynical edge of Brooks. I am happy to report that "The Muse" is among his funniest, lightest works, always tinging with delectable wit from start to finish.
Albert Brooks stars as Steven Philips, a comedy screenwriter desperate to sell his latest script after winning a humanitarian award ("It's an award you win when you don't win an Oscar."). The next day, he is anxious and meets with a stiff, humorless studio exceutive, Josh Martin (Mark Feuerstein), and is told none too subtly he's out of a job. "You've lost your edge. Take a vacation," says Martin. Steven is torn since writing for films is his life, and realizes his office will be occupied by Brian De Palma. He tries to get an idea that could reestablish him in the realm of Hollywood, as well as continuing to support his wife (Andie McDowell), an ambitious baker, and his two kids.
Steven finds a surprise in the form of a woman in glittery blue dresses named Sara (Sharon Stone) - she is introduced by Steve's friend Jack (Jeff Bridges), a writer. Sarah turns out be the resident Muse of La-La Land - "I...inspire!" declares Sara.
Steven is faced with a barrage of responsibilities to keep Sara as his Muse. He has to rent a luxurious room at the Four Seasons Hotel for her, provide round-the-clock food and car service for her immediate needs such as a "Waldorf salad," and he must always bring a boxed trinket from Tiffany's to her. And this is all for her to provide inspiration for the struggling writer. I question a comedy writer coming up with a half-baked idea like an aquarium run by Jim Carrey, but that is of little consequence.
"The Muse" coasts along Brooks's typically cynical, neurotic edge, Sharon Stone's comic sparkle, and the relentless number of inside jokes that will tickle people from Hollywood and movie trivia buffs. There are humorous cameos by film luminaries such as James Cameron, Rob Reiner, Martin Scorsese, Jennifer Tilly, Cybill Sheperd, Lorenzo Lamas, and several others. I enjoyed Scorsese's frenetic moment when he announces he's making a remake of "Raging Bull" with a thin, angry guy. Jennifer Tilly's bit is especially cute when Brooks refers to her as a "doll like Chucky." Tilly was of course in "Bride of Chucky."
The biggest, most sensational surprise is Sharon Stone, who I always believed had a gift for comedy but was never allowed to utilize it. Outside of her small comic parts in "He Said, She Said" and "Diary of a Hitman," this marks the first time she is allowed to sparkle in a bigger supporting role based her ability to deliver a bouncy charm.  Of course, this Muse is not all she's cracked up to be.
Brooks has great fun lampooning Hollywood and its obsessive nature towards making big bucks on big ideas. The difference is that in an era where gross humor of the "Austin Powers" variety reigns supreme, audiences are not likely to be susceptible to Brooks's low-key charm and natural evolution of character progression, or in this case, aggression. He takes his time, and still has not learned how to end a film with a major bang. Here it ends all too abruptly, as it did in "Real Life," Brooks's first film. But that is a minor carp.
I am still not clear of Brooks's point - a muse inspires a writer to choose the muse within him or herself? Can't he seek that same inspiration from his close friends or family? Unless we are led to believe that writers don't have friends in Hollywood when they are considered washed-up and edgeless.
Despite a few flaws, "The Muse" is amusing and has some showstopping laughs and one-liners along the way. Brooks is a master builder of comic setup and payoff - he knows that the art of comedy is allowing the audience to experience the buildup before the punchline, and boy, the punchlines are smartly written and pungent. Too many comedies rely on gross humor and repetitive gags left and right with no rhyme or reason. Not Brooks, and he has not lost his edge.
For more reviews, check out JERRY AT THE MOVIES at http://buffs.moviething.com/buffs/faust/
E-mail me with questions, concerns or complaints at<EMAIL_ADDRESS>or at<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Related links: index of all rec.arts.movies.reviews reviews


Would You Like to Support aims to provide you with a comprehensive list of ALL of the affiliate codes you would want in order to support your favorite content creator(s). If you do not see a code, creator, or website you would like to use, please use the following form to submit this information:


I'm fairly new to the concept of grant making.
I am unfamiliar with the way they run, how they are regulated, if at all, where and how funders get funding, who benefits from them - you get the idea. I do know they are a big deal; big money supporting big issues, causes and projects for all levels of people and organisations.
This was more a learning exercise than an investigation into a sector that plays a huge role in the everyday of so many individuals, largely behind closed doors. With the 360Giving open standard, this will hopefully no longer be the case.
I decided on a process of using GrantNav as a civilian; whittling down my searches using the filters, downloading the CSVs and tallying up the results in Google Sheets. I used Inkscape to create the visualisations - on the plus side, the graphs were not generic but designing took a week to finalise.
Majority of the time was spent pondering on just the one question - what could be shown from the data?
There is quite a substantial amount of data to process manually. At first, I thought it would be interesting to pit Regions against each other - mostly to see what is being funded the most in each - but the overviews showed that most of the funding went to the same thing, regardless of region; highway maintenance.
Instead I decided to limit the search to the years post-2000 for Yorkshire and Humber so that brought it down to slightly over 20k to work with. Why those two specific filters? I live in Bradford so it would interesting to know what’s being funded around me after the millennium.
Trying to make sense of the data at this point became a struggle - I wasn’t sure what I wanted to visualise; was there a story to be told from this chunk of information? Tabs of csvs were imported and analysed - 20k grants is still a huge amount to process manually - maybe I need to look closer.
It took a fair few goes of iteration and redoing all the graphs several times before the results became manageable. This was mostly down to a misinterpretation of the GrantNav filtering system where the sorting was assumed to be based on the highest amount first - this was not the case since it is sorted by the highest instance of each filter. It was the middle of the week before I realised my mistake.
This is an area graph that shows you how deep The Big Lottery Fund’s pockets are compared to everything else but they also give to far more recipients than any other funder in the region.
As an artist who benefits from some type of funding, the concept of financial support from gambling addiction is highly conflicting. Is this a necessary evil?
I looked at funders that gave at least £10 million - this shrunk the results to 5 funders which included grants for highway maintenance and funding for buildings. Plotting the line graphs, I notice that not all funders publish equally; highway maintenance account for a huge amount of funding (second largest) but for the shortest amount of time (1 year). I’ve decided not to include the funders of either grants so this left me with the top 3 funders. I thought this seemed like a good direction to head for - 3 funders, 3 districts, 3 regions.
The top 3 recipients for the pink bar (The Big Lottery) accounts for 14% of all the funding. On average, each recipient receives about £56k but these top recipients received £49 million.
However, this really isn't a fair assessment as the largest grant is for a duration of 10 years.
Most of the funding went to Community Interest Companies and funded by The Big Lottery.
Within the dataset, the Organisation Type field is usually filled with, “Charity” or left empty so I had to look up the NCVO Almanac to figure out what organisation types are out there - even then, the tome of knowledge was overwhelming and there isn't an official standard to refer to.
In the end, I had to manually search each Recipient for information on the internet and derive a type from their website or from their profile on the Charity Search website. To be fair, most funders do include a clue in their names, unless you’re The Big Lottery or any of the funders included in this list.
Themes were hard to determine. I couldn’t find an official list of classification to use as reference so had to use well known themes found in reports and findings listed in the Resources links. Laying out the grants with all the context on a map made it easier to understand the region. I’m sure if all 20k grants were laid out here, you might find something worthwhile to consider.
On the other hand, it’ll just end up being a really crowded map. One thing’s for sure, I’ve learnt a great deal more about the geography of the region by doing this exercise.
I think what would be more interesting is if another dataset is used in conjunction with this view. Sheffield really stands out in its diversity of themes.
Funded programmes run for a wide range of durations - mostly 12 months. I wanted to know the index of a district to see how much is being funded on average.
At this point, it would be really useful to compare a similar view with somewhere like London, Scotland or Wales and maybe combine it with the deprivation index.
The top 3 districts make up 50% of the entire funding amount but just over 30% in number of grants in the Region. Leeds and Sheffield were granted similar amounts with Bradford at under half the amount of either funders.
It’s also worth noting that 40% of Bradford’s entire funding amount is attributed to just the one recipient.
So what did I learn? It’s fantastic that funders are being more open about the way they operate but there are still major gaps in the data that limit the full potential of the cause. For example, the largest grant to Bradford which accounts for 8% of the entire Big Lottery budget went to a project without a description, denying us some context of this grand gesture unless one trawls the internet for answers.
A pdf (300kb) of the entire visualisation lives here.
The End.
Contains data from GrantNav a 360Giving application released under the terms of the Creative Commons Attribution Sharealike license (CC-BY-SA).
Dr Greg and Nilfanion. Contains Ordnance Survey data © Crown copyright and database right 2011


1. Have a Google Spreadsheet with the usernames you want to tag. [using a Google Form?]
2. Don't forget to make sure the Google Spreadsheet has a link that allows anyone with the link to view it, at least. [how?]
{{ faq.q }} {{ faq.a }}
{{ error }}
{{ bookmark_message }}
No data you enter here concerning your sheet or the content of it is recorded in any way. All this does is interact with Google Sheets and format the result, all in your browser. That being said, page views/analytics are tracked by Google Analytics.


This is a wrapper of the Platform component present in @fundamental-ngx/core.
It provides ability to dynamically generate Wizard without any user-provided templates.
Platform specific enhancements:
- Steps are dynamically rendered based on steps object input.
- Branching logic is based on the steps object input.
Developers can also set default form field parameters by calling withConfig()
method of the
PlatformWizardGeneratorModule
during it's import.
For more information on avaliable elements, please see:
Form generator documentation.
Wizard Generator Elements:
- input: specifies an input field where the user can enter data.
- number: specifies an input field where the user can enter a number.
- password: specifies an input field where the user can enter a password.
-
checkbox: specifies square boxes which are ticked (checked) when the user select one or more
options.
- radio: allows the user to see all options and select one.
- confirm: is a button which allows to gather all the data from the wizard generator.
- editor: is a text-field area where the user can include a short text.
-
select: is a combination of select and option components where the list of option is shown in
dropdown format.
- datepicker: is a combination of "input-group", "popover" and "calendar" to select a date.
- switch: is used to activate or deactivate an element.
- multi-input: is an input with multiple selection enabled.


| Prepare CentOS 7 for SMS Server Installation |
| 1. |
Minimum Resources Required |
|
| - |
Intel i5 2.5Ghz CPU |
| - |
2GB RAM |
| - |
100GB free space (for 50 active users) |
| - |
1Mb/s internet connection (fixed or dynamic IP address) |
|
| |
| 2. |
Preparation Steps |
|
Boot up the system with CentOS 7 installation media, select option 'Install CentOS 7' and press enter. |
|
Figure 1
|
|
| |
|
After select your desired language, setup page 'INSTALLATION SUMMARY' will be displayed. You should configure your
server here by selecting system time zone, input network connection parameters, define hard disk partitions, etc.
|
|
Figure 2
|
|
| |
|
Configure network settings, select 'NETWORK & HOST NAME'. Then click 'Configure...' button, and then
select 'IPv4 Settings' and click 'Add' button. Input network settings of your server, and turn on the network
connection after save your network settings.
|
|
Figure 3
|
|
| |
|
Configure your server's time zone, and turn on network time auto-adjustment. Note: SMS is a
single time zone application, and time zone is very important for it's operation. For example,
if you want to provide SMS service for users in Hong Kong, you must set your server to Hong Kong
time zone, even it is not located in Hong Kong physically.
|
|
Figure 4
|
|
| |
|
Select the installation destination and configure your partitions manually like Figure 6 shown.
Although you may let CentOS configure disk partitions for you automatically, CentOS will assign
half disk space to 'home' partition, which SMS will not use it. i.e. About half of disk space
will be wasted.
|
|
Figure 5
|
|
| |
|
Figure 6
|
|
| |
|
Security policy is varied between different CentOS 7 builds, and you should select standard or default policy
for SMS server installation. Now, button 'Begin Installation' on figure 2 should be activated and you could
click on it to install CentOS 7. During CentOS 7 installation, two more tasks you should do: (1) Assign root
password (blank password for root is totally unacceptable), and (2) Create another administrative user. Just
click on 'ROOT PASSWORD' and 'USER CREATION', new screen will be displayed and follow the instructions
to create root password and a new administrative user. (Figure 8)
|
|
Figure 7
|
|
| |
|
Figure 8
|
|
| |
|
After CentOS 7 installation is completed, you should reboot the system, and then two things must be done immediately to
harden the system security: (1) disable root login via ssh, (2) patch the system to the most updated level.
For (1), modify the ssh configuration file "/etc/ssh/sshd_config", and uncomment the line "PermitRootLogin yes"
and change it to "PermitRootLogin no". Then, save the change and restart the sshd service:
systemctl restart sshd.service
For (2), issue the below command on a terminal:
yum update
Now, the system is well prepared for SMS installation. Reboot the system again to ensure all most updated patches loaded.
|
| |


Talks
Selected talks about our work on adversarial machine learning.
Trustworthy Machine Learning
Mini-course at 19th International School on Foundations of Security Analysis and Design. Bertinoro, Italy. 26–28 August 2019. [Slides]
Can Machine Learning Ever Be Trustworthy?
University of Maryland, Booz Allen Hamilton Distinguished Colloquium. 7 December 2018. [SpeakerDeck] [Video]
Mutually Assured Destruction and the Impending AI Apocalypse
Keynote talk at USENIX Workshop of Offensive Technologies, Baltimore, Maryland, 13 August 2018.
Is “adversarial examples” an Adversarial Example?
David Evans’ keynote talk at the 1st Deep Learning and Security Workshop (co-located with the 39th IEEE Symposium on Security and Privacy). San Francisco, California. 24 May 2018.
Feature Squeezing
Weilin Xu's talk at Network and Distributed System Security Symposium 2018. San Diego, CA. 21 February 2018.
Are We Playing the Wrong Game?
David Evans’ Talk at Berkeley ICSI, 8 June 2017.
Classifiers Under Attack
David Evans' Talk at USENIX Enigma 2017, Oakland, CA, 1 February 2017. [Speaker Deck]
David Evans' Talk at O'Reilly Security 2016, New York City, 2 November 2016. [Speaker Deck]
Automatically Evading Classifiers
Weilin Xu’s Talk at NDSS 2016 (Blog Post)


Programming languages tend to be similar, but no two are ever alike. Here, I'll demonstrate some of the key differences between Ruby and Javascript.
One of the first things you'll notice is how different the syntax is between the two. For example: in Ruby, you use two equal signs to determine if two objects are the exact same object. In Javascript, however, three is used: 2 == 2 vs. 2 === 2. Javascript does have its own double equals sign, but that only determines whether the two values match, not if they're equal.
Another slight difference is incrementing. In both Ruby and Javascript, you can use x += 1 to increment by one. In Javascript though, there is a shorter method that you can use as well: ++ or -- (x++ increments by 1).
Functions in Javascript are the same as methods in Ruby. Again, the syntax is different:
Ruby:
def hello
puts "hello"
end
Javascript:
function hello() {
console.log("hello");
}
In Javascript, semicolons are used to mark the end of a statement. They are generally required, whereas in Ruby they are not. Also, the "console.log" is equivalent to "puts".
Objects in Javascript are comparable to hashes in Ruby. They are used to organize key/value pairs:
cat = {
type :Scottish Fold,
name :Meredith,
color :grey and white
}
var cat = {
type: "Scottish Fold";
name: "Meredith";
color: "grey and white"
}
In order to access a hash in Ruby, you'd write cat[name] => "Meredith". In Javascript, you just call cat.name => "Meredith". Also, notice how you have to declare the cat variable in Javascript with the word var.


Portals provide a first-class way to render children into a DOM node that exists outside the DOM hierarchy of the parent component.
The first argument (child
) is any renderable React child, such as an element, string, or fragment. The second argument (container
) is a DOM element.
Normally, when you return an element from a component's render method, it's mounted into the DOM as a child of the nearest parent node:
render() {
// React mounts a new div and renders the children into it
return (

{this.props.children}

);
}
However, sometimes it's useful to insert a child into a different location in the DOM:
render() {
// React does *not* create a new div. It renders the children into `domNode`.
// `domNode` is any valid DOM node, regardless of its location in the DOM.
return ReactDOM.createPortal(
this.props.children,
domNode
);
}
A typical use case for portals is when a parent component has an overflow: hidden
or z-index
style, but you need the child to visually "break out" of its container. For example, dialogs, hovercards, and tooltips.
Note:
When working with portals, remember that managing keyboard focus becomes very important.
For modal dialogs, ensure that everyone can interact with them by following the WAI-ARIA Modal Authoring Practices.
Even though a portal can be anywhere in the DOM tree, it behaves like a normal React child in every other way. Features like context work exactly the same regardless of whether the child is a portal, as the portal still exists in the React tree regardless of position in the DOM tree.
This includes event bubbling. An event fired from inside a portal will propagate to ancestors in the containing React tree, even if those elements are not ancestors in the DOM tree. Assuming the following HTML structure:
A Parent
component in #app-root
would be able to catch an uncaught, bubbling event from the sibling node #modal-root
.
// These two containers are siblings in the DOM
const appRoot = document.getElementById('app-root');
const modalRoot = document.getElementById('modal-root');
class Modal extends React.Component {
constructor(props) {
super(props);
this.el = document.createElement('div');
}
componentDidMount() {
// The portal element is inserted in the DOM tree after
// the Modal's children are mounted, meaning that children
// will be mounted on a detached DOM node. If a child
// component requires to be attached to the DOM tree
// immediately when mounted, for example to measure a
// DOM node, or uses 'autoFocus' in a descendant, add
// state to Modal and only render the children when Modal
// is inserted in the DOM tree.
modalRoot.appendChild(this.el);
}
componentWillUnmount() {
modalRoot.removeChild(this.el);
}
render() {
return ReactDOM.createPortal(
this.props.children,
this.el
);
}
}
class Parent extends React.Component {
constructor(props) {
super(props);
this.state = {clicks: 0};
this.handleClick = this.handleClick.bind(this);
}
handleClick() {
// This will fire when the button in Child is clicked,
// updating Parent's state, even though button
// is not direct descendant in the DOM.
this.setState(state => ({
clicks: state.clicks + 1
}));
}
render() {
return (

Number of clicks: {this.state.clicks}

Open up the browser DevTools
to observe that the button
is not a child of the div
with the onClick handler.

<Modal>
<Child />
</Modal>

);
}
}
function Child() {
// The click event on this button will bubble up to parent,
// because there is no 'onClick' attribute defined
return (

<button>Click</button>

);
}
ReactDOM.render(<Parent />, appRoot);
Catching an event bubbling up from a portal in a parent component allows the development of more flexible
abstractions that are not inherently reliant on portals. For example, if you render a <Modal />
component, the parent can capture its events regardless of whether it's implemented using portals.


This is the update and plugin site for Taverna 3.
Updates and plugins are available in three channels:
http://updates.taverna.org.uk/workbench/3.0/stable/ http://updates.taverna.org.uk/workbench/3.0/stable/plugins/ http://updates.taverna.org.uk/commandline/3.0/stable/ http://updates.taverna.org.uk/commandline/3.0/stable/plugins/
http://updates.taverna.org.uk/workbench/3.0/beta/ http://updates.taverna.org.uk/workbench/3.0/beta/plugins/ http://updates.taverna.org.uk/commandline/3.0/beta/ http://updates.taverna.org.uk/commandline/3.0/beta/plugins/
http://updates.taverna.org.uk/workbench/3.0/dev/ http://updates.taverna.org.uk/workbench/3.0/dev/plugins/ http://updates.taverna.org.uk/commandline/3.0/dev/ http://updates.taverna.org.uk/commandline/3.0/dev/plugins/
Third-party plugins are welcome to be listed on Taverna 3's plugin site, as long as they are publically available under a permissive (and ideally open source) license. In order to add your plugin, please contact<EMAIL_ADDRESS>for further details.


I threw a wish in the well Don't ask me, I'll never tell I looked to you as it fell and now you're in my way I trade my soul for a wish, pennies and dimes for a kiss I wasn't looking for this, but now you're in my way Your stare was holding, Ripped jeans, skin was showing Hot night, wind was blowing Where you think you're going, baby?
Hey, I just met you, and this is crazy, but here's my number, so call me maybe It's hard to look right, at you baby, but here's my number, so call me maybe Hey, I just met you, and this is crazy, but here's my number, so call me maybe And all the other boys, try to chase me, but here's my number, so call me maybe
You took your time with the call I took no time with the fall You gave me nothing at all but still you're in my way I beg and borrow and steal Have foresight and it's real I didn't know I would feel it, but it's in my way Your stare was holding, Ripped jeans, skin was showing, Hot night, wind was blowing, Where you think you're going, baby?
Before you came into my life I missed you so bad I missed you so bad I missed you so, so bad Before you came into my life I missed you so bad And you should know that I missed you so, so bad
It's hard to look right, at you baby, but here's my number Hey, I just met you, and this is crazy, but here's my number, so call me maybe And all the other boys, try to chase me, but here's my number, so call me maybe
Before you came into my life I missed you so bad I missed you so bad I missed you so so bad Before you came into my life I missed you so bad And you should know that So call me maybe


Please feel free to email us for any questions.
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I have lived in Chicago for most of my life (since I was 5). Here are some of my favorite things about this city:
- The lake!
- Fairly good cost of living.
- The different neighborhoods.
- It's so big that I'm always finding new things to do/places to go/people to meet.
[Here Are Some Things That Define Me]
Yes, I love cats, now stop judging me.
I also love poetry, all types of books,
politics, reading (duh), history, gender
studies, the outdoors in nice weather,
and all things tech related. I also love
to teach. And here's a shout-out to my
hubby so he doesn't get sad: Love you!


One of the feline mummies found in the latest trove of antiquities from ancient Egypt to be discovered
by AFP1 / 4One of the feline mummies found in the latest trove of antiquities from ancient Egypt to be discovered (AFP Photo/Khaled DESOUKI)
Saqqara (Egypt) (AFP) - Egypt on Saturday unveiled a cache of 75 wooden and bronze statues and five lion cub mummies decorated with hieroglyphics at the Saqqara necropolis near the Giza pyramids in Cairo.
Mummified cats, cobras and crocodiles and scarabs were also unearthed among the well-preserved mummies and other objects discovered recently.
The Antiquities Ministry announced the find at the foot of the Bastet Temple, dedicated to the worship of cats among ancient Egyptians, in the vast necropolis.
Antiquities Minister Khaled El-Enany described the discovery as "a (whole) museum by itself".
He said initial archaeological studies showed that five of the mummies are lion cubs.
Other artifacts uncovered in the dig included statues of an Apis bull, a mongoose, an ibis, a falcon and the ancient Egyptian god Anubis in animal form.
The artifacts belong to the 26th Dynasty which dates back to the seventh century BC, Enany said.
The trove also boasts a collection of ancient Egyptian deities in the form of 73 bronze statuettes depicting the god Osiris, six wooden statues of Ptah-Soker and 11 statues of Sekhmet, the warrior goddess of healing.
Egypt has sought to promote its unique heritage as a way to revive its vital tourism sector, which has been badly hit by political insecurity and attacks.
However, critics say archaeological sites and museums suffer from negligence and poor management.


28 February 2012 - The Ministry of Health and Population of Egypt has notified WHO of two new cases of human infection with avian influenza A (H5N1) virus.
The first case is a thirty-two year old male from Behira governorate, in the Abo Elmatameer District. He developed symptoms on 16 February 2012 and was admitted to hospital on 21 February 2012 where he received oseltamivir treatment upon admission. He died on 28 February 2012.
The second case was a thirty seven year-old female from Kafr Elshihk governorate in the Kelleen District. She developed symptoms on 18 February 2012 and was admitted to hospital on 23 February 2012 where she received oseltamivir treatment upon admission. She died on 26 February 2012.
Preliminary investigations into both cases with regard to the source of infection indicate close contact with sick or deceased backyard poultry at the cases' respective residences.
Both cases were confirmed by the Central Public Health Laboratories, a National Influenza Center of the WHO Global Influenza Surveillance Network.
Of the 163 cases confirmed to date in Egypt 57 have been fatal.


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Obsidian Investment Advisors is a fee-based, independent, investment advisory firm based in Washington State. As an independent advisor, we work only in the client's best interest, and neither sell nor represent any third-party financial products. We take our fiduciary responsibility to you very seriously in working to help reach your investment goals.
“Helping Clients Assess and Manage Investment Risk”
Trust, prudence, loyalty and responsiveness are the cornerstones of our business. Our fiduciary responsibility to clients is the top priority. We take pride in providing this highest standard of care, acting only in clients’ best interest, and providing unbiased advice without conflicts of interests. We believe that trust and having clear investment goals are critical to the client-adviser relationship.
Contact Obsidian Investment Advisers today. We’re happy to sit down with you to discuss how our experience and services can meet your needs.
Glenn Gregory
Glenn is a licensed investment adviser with expertise in finance and investments. He founded Obsidian in 1999, and manages accounts for individuals and institutions. Glenn serves on the North American Securities Administrators Association (NASAA) Exam Maintenance Committee, which oversees content of FINRA Series 63, 65 and 66 exams. Board Memberships: Bank of Washington, Washington Care Services, and Windwood Homeowners Association. Education: Cornell University; University of Virginia’s Darden Graduate School of Business Administration.
Obsidian Investment Advisers offers its clients over 15 years of experience in helping individuals, organizations and institutional clients to manage risk and reach investment goals.
We work towards YOUR investment goals. Obsidian Investment Advisers’ process is designed to comprehend your current situation and risk tolerance, and then create a game plan to help you reach goals in a reasonable timeframe. If appropriate, this may include the use of various financial instruments for protecting & growing you assets.
Our professional independence
allows us to make recommendations
that are truly in YOUR best interest.
Non-profits’ have unique needs.
Obsidian Investment Advisers provides fiduciary investment management for
not-for-profit organizations, trusts, and endowments. As such, we are sensitive
to their unique needs like providing models showing how far into the future funds may last, and being able to work comfortably with tax professionals to meet the demands of
Form 990 or 1120-H filings.
Sometimes, an early-stage organization has not yet established or adopted a clear investment policy for its funds. In these instances we work closely with the organization's Board of Directors and/or Investment Committee to craft an investment policy statement that meets the organization's needs.
Is your association positioned for higher returns? When board members are novice investors and manage an association’s reserve funds, the result is often sub-par returns. Obsidian Investment Advisers understands the needs of community associations, and has over 10 years’ experience in successfully guiding them in establishing investment policies and decisions. We utilize a complex proprietary analysis, which takes into consideration the cash flow dynamics of current investments in the portfolio and timing and amount of future reserve expenses.
Obsidian offers its research & advisory services on a fee basis and is not compensated for transactions. You may hold your assets at the firm of your choice and assign Obsidian Investment Advisers discretionary trading authority to manage the assets. The funds are always titled under your name and you are always free to terminate our relationship without cost at any time. Our current clients have accounts at any of the below listed firms:


|
MCNetwork
|
#include <datafile.h>
Public Member Functions | |
| DataFile (std::string filename, bool createNew) | |
| void | createDataset (std::string datasetName, std::vector< int > dimensions) |
| void | createAttribute (std::string, double) |
| template<typename Data > | |
| void | addData (std::string datasetName, Data data) |
| void | shrinkDataset (std::string datasetName, int dataPointsToDelete) |
| std::unique_ptr< std::vector< double > > | readFullDataset (std::string datasetName) |
| std::unique_ptr< std::vector< double > > | readDatasetSlice (std::string datasetName, int index) |
| bool | checkDataSetExists (std::string datasetName) |
Private Attributes | |
| std::string | filename |
| int | numberOfDatasets =0 |
| std::vector< hsize_t > | dims |
| std::vector< hsize_t *> | dimsf |
| std::vector< hsize_t *> | size |
| std::vector< hsize_t *> | offset |
| std::vector< hsize_t *> | chunk_dims |
| std::vector< hsize_t *> | maxdimsf |
Static Private Attributes | |
| static std::map< std::string, int > | indexMap |
container class for hdf5 output file.
| DataFile::DataFile | ( | std::string | filename, |
| bool | createNew | ||
| ) |
contructs datafile class and creates new file.
| createNew | true: old file is overwritten. false: dataset dimensions of existing file are read in, fails if file does not exist. |
| void DataFile::addData | ( | std::string | datasetName, |
| Data | data | ||
| ) |
extends existing dataset by one slice in dimension 0.
| datasetName | dataset must be created beforehand |
| data | c-array !!! currently ONLY DOUBLE array supported !! i.e. ints will raise no error, but produce incorrect data! |
| void DataFile::createAttribute | ( | std::string | attrName, |
| double | val | ||
| ) |
– not tested –
| void DataFile::shrinkDataset | ( | std::string | datasetName, |
| int | dataPointsToDelete | ||
| ) |
delete last entries in dataset
|
private |
see hdf5 c++ examples
|
private |
see hdf5 c++ examples
|
private |
see hdf5 c++ examples
|
staticprivate |
maps datset names to index to find properties, e.g. dims
has to be static to be accessible by C API in lambda function in constructor DataFile()
|
private |
see hdf5 c++ examples
|
private |
see hdf5 c++ examples
|
private |
see hdf5 c++ examples


Account recovery
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Reset my password
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