First step
Gather only the two ingredients that are needed (peanuts without shell and icing sugar)
Second step
Toast the natural peanuts in a pan over low heat. Wait until they look toasted and remove from heat. Why toast them? Because its flavor is enhanced.
Tip: Toast the peanuts but do not burn them, but their flavor will be bitter.
Third step
Crush the peanuts with the help of a mortar, until turning them into powder or you can also liquefy them. In my case, I first grind them with a mortar and then I passed them through a manual blender. Why such a long process? To avoid forcing the motor of the blender. The final consistency of the peanut marzipan must be homogeneous, without lumps and without solid peanut remains. Note that as the peanuts are crushed, they release a natural oil that facilitates mixing.
Fourth step
Add the icing sugar little by little (snow sugar) to the ground peanut. Stop from time to time to peel off the content that sticks to the walls of the glass with the help of a wooden spoon. The final consistency of ground peanut butter will be a smooth but firm, manageable and smooth dough.
Tip: You must get a homogeneous mass and if it is necessary to pass the mixture several times through the blender, do it.
Fifth step
Using the hands knead the peanut paste until it is compact and homogeneous.
Tip: You can flour a flat surface slightly and spread on it the dough you have made. The flour can be cornstarch or the same snow.
Sixth step
Spread the dough on the table and shape the marzipan peanut candy with the help of a cookie cutter or a cookie cutter. Place the marzipan on a tray with parchment paper. Once ready, you should let them stand for at least 1 hour in the fridge, so the dough will harden slightly.


Seattle's Favorite Cookie!
All Locations Open 7 Days a Week:
6:00am - 8:00pm
1st and Pike
SeaTac Airport
Seattle Center
Capitol Hill
Alki
Phone:<PHONE_NUMBER>
Email<EMAIL_ADDRESS>Mailing Address: 321 Swimming Salmon Lane, Seattle WA, 98001


vignettes/ffv_opt_sobin_rev_concept.Rmd
ffv_opt_sobin_rev_concept.Rmd
In this file, we demonstrate the concept of Resource Equivalent Variations (REV), when there are two individuals
There are two individuals with heterogeneous consumption in the absence of stimulus checks \(A\). Each has constant \(\alpha_i\) that is constant over units of allocation, which means constant marginal propensity to consume. \(\alpha_i=\text{MPC}*\text{check_size}\).
Specifically, for these two people, \(i=1\) has low income, with \(A=1\). This means consumption for this low income individual is 1 dollar in the absence of the allocations. The high income individual, \(i=2\), has \(A=4\).
Suppose that the high income person spends 100% of the money given, the low income person only 50%. This means, for a check of 1 dollar, \(\alpha_{i=1} = 0.5\) and \(\alpha_{i=2} = 1\)
Suppose we have a planner that cares about the value of consumption form the two individuals with different weights. Suppose the poorer person gets \(\beta_1\) weight, and the richer person gets \(\beta_2\) percent. The planner uses the CES/Atkinson function to aggregate over individual welfare.
\[ U^{Util} = \left( \beta_1\cdot\left(A_1 + \alpha_1\cdot\text{TR}_1\right)^{\rho} + \beta_2\cdot\left(A_2 + \alpha_2\cdot\text{TR}_2\right)^{\rho} \right)^{\frac{1}{\rho}} \]
The function that implements the CES index above.
ffi_ces_welfare <- function(fl_alloc_1, fl_alloc_2,
fl_rho,
fl_A_1 = 1, fl_A_2 = 4,
fl_alpha_1 = 0.5, fl_alpha_2 = 1,
fl_beta_1 = 0.55, fl_beta_2 = 0.45,
bl_verbose = FALSE) {
# fl_alpha_1 and fl_alpha_2 are consumption increases from 1 dollar of check
fl_planner_U <- (fl_beta_1*(fl_A_1 + fl_alpha_1*fl_alloc_1)^fl_rho +
fl_beta_2*(fl_A_2 + fl_alpha_2*fl_alloc_2)^fl_rho)^(1/fl_rho)
if (bl_verbose) {
st_output <- paste0('fl_planner_U=', fl_planner_U,
', rho=', fl_rho,
', fl_alloc_1=', fl_alloc_1,
', fl_alloc_2=', fl_alloc_2)
print(st_output)
}
return(fl_planner_U)
}
Suppose under the actual allocation rule the government gives 1 dollar to the low income person and 1 dollar to the high income person. This would be a uniform allocation rule.
Under the actual allocation, out of the 2 dollar of stimulus, we get 1.5 dollar of consumption boost.
\[ \text{STIMULUS EFFECTS} = 1 \cdot 0.5 + 1 \cdot 1.0 = 1.5 \]
The welfare for the Utilitarian planner is, under the actual allocation:
\[ U = \left(\frac{55}{100}\cdot\left(1 + 0.5\right)^1 + \frac{45}{100}\cdot\left(4 + 1\right)^1\right)^{1} =3.075 \] Evaluate:
fl_u_actual_utilitarian <- ffi_ces_welfare(1, 1, 1, bl_verbose=TRUE)
## [1] "fl_planner_U=3.075, rho=1, fl_alloc_1=1, fl_alloc_2=1"
The welfare for the \(\rho=-1\), which means elasticity is \(2\) planner is:
\[ U = \left( \frac{55}{100}\cdot\left(1 + 0.5\right)^{-1} + \frac{45}{100}\cdot\left(4 + 1\right)^{-1} \right)^{-1} =2.189781 \] Evaluate:
fl_u_actual_rho_neg1 <- ffi_ces_welfare(1, 1, -1, bl_verbose=TRUE)
## [1] "fl_planner_U=2.18978102189781, rho=-1, fl_alloc_1=1, fl_alloc_2=1"
The welfare for the \(\rho=-99\), which means elasticity is \(0.01\) planner is:
\[ U = \left( \frac{55}{100}\cdot\left(1 + 0.5\right)^{-99} + \frac{45}{100}\cdot\left(4 + 1\right)^{-99} \right)^{\frac{1}{-99}} =1.509086 \] Evaluate:
fl_u_actual_rho_neg99 <- ffi_ces_welfare(1, 1, -99, bl_verbose=TRUE)
## [1] "fl_planner_U=1.50908554145639, rho=-99, fl_alloc_1=1, fl_alloc_2=1"
Note that for the actual Rawlsian, only the \(A\) matters, \(\alpha\) does not matter, nor do \(\beta\). The relative value of \(\beta\) is irrelevant as \(\rho \rightarrow -\infty\) welfare is:
\[ \min\left(1+0.5, 4+1 \right)=1.5 \]
We only have 2 dollars, where would planner welfare be maximized for the Utilitarian? Despite our slight bias towards the poorer individual, our optimal choice, is to allocate all to the second individual
\[ \arg\max_{0 \le \text{TR}_1 \le 2} \left( \frac{55}{100}\cdot\left(1 + 0.5\cdot\text{TR}_1\right)^1 + \frac{45}{100}\cdot\left(4 + 1\cdot\left(2-\text{TR}_1\right)\right)^1 \right)^{1} =\text{TR}^{\ast}_1 = 0\\ U\left(\text{TR}^{\ast}_1=0\right)=3.25 \] Solve for optimal welfare over find grid of \(\text{TR}_1\) chocies, we will create a function first:
ffi_planner_optimal_choice <- function(fl_rho = 1,
fl_max_resource = 2,
it_tr_len = 1000,
bl_graph = FALSE,
bl_verbose = FALSE) {
# 1000 transfer points
ar_TR1 <- seq(0, fl_max_resource, length.out = it_tr_len)
# Evaluate
ar_U <- ffi_ces_welfare(ar_TR1, fl_max_resource-ar_TR1, fl_rho)
# max
it_max_idx <- which.max(ar_U)
fl_TR1_max <- ar_TR1[it_max_idx]
fl_U_max <- ar_U[it_max_idx]
# Print
if (bl_verbose) {
print(paste0('fl_TR1_max=',fl_TR1_max,',fl_U_max=',fl_U_max))
}
# Visualize
if (bl_graph) {
plot(ar_TR1, ar_U)
}
return(list(fl_TR1_max=fl_TR1_max, fl_U_max=fl_U_max))
}
Call the function to solve for the Utilitarian problem:
ffi_planner_optimal_choice(fl_rho=1, bl_graph=TRUE, bl_verbose=TRUE)
## [1] "fl_TR1_max=0,fl_U_max=3.25"
## $fl_TR1_max
## [1] 0
##
## $fl_U_max
## [1] 3.25
How much less resources is needed by the Utilitarian to achieve the same welfare as under the actual allocation if allocations are optimal?
We now solve an alternative problem, where we reduce the amount of resource available until we find the level of resources that would achieve the same welfare as under the actual allocation.
We will create a function for this:
ffi_planner_rev <- function(fl_alter_U,
fl_rho = 1,
fl_max_resource = 2,
it_res_len = 1000,
it_tr_len = 1000,
bl_graph = FALSE,
bl_verbose = FALSE) {
# 1000 transfer points
ar_resources <- seq(1e-5, fl_max_resource, length.out = it_res_len)
ar_opti_U <- matrix(0, 1, it_res_len)
# Evaluate
it_ctr <- 0
bl_notpassed <- TRUE
for (fl_max_resource in ar_resources){
# counter
it_ctr <- it_ctr + 1
# solve for optimal
ls_optimal <- ffi_planner_optimal_choice(fl_rho = fl_rho,
fl_max_resource = fl_max_resource,
it_tr_len = it_tr_len,
bl_graph = FALSE,
bl_verbose = FALSE)
# Umax
fl_U_max <- ls_optimal$fl_U_max
if (fl_U_max <= fl_alter_U) {
if (bl_notpassed) {
fl_U_threshold <- fl_U_max
fl_res_threshold <- fl_max_resource
bl_notpassed <- FALSE
}
}
# store
ar_opti_U[it_ctr] <- ls_optimal$fl_U_max
}
# REV
fl_REV <- 1 - fl_res_threshold/fl_max_resource
# Print
if (bl_verbose) {
print(paste0('fl_REV=',fl_REV,',fl_res_threshold=',fl_res_threshold,
',fl_U_threshold=',fl_U_threshold,',fl_alter_U=',fl_alter_U))
}
# Visualize
if (bl_graph) {
plot(ar_resources, ar_opti_U)
}
return(fl_REV)
}
Use the function for the utilitarian:
ffi_planner_rev(fl_u_actual_utilitarian, fl_rho = 1,
bl_graph = TRUE, bl_verbose = TRUE)
## [1] "fl_REV=0.999995,fl_res_threshold=1e-05,fl_U_threshold=2.3500045,fl_alter_U=3.075"
## [1] 0.999995


Read More TV
About Us
About Us:
Our application is a platform for users to input favorite TV series and discover books of a similar genre to read.
The purpose of our app is to encourage the general public to read more books during the down-time of the pandemic.
Created By:
Brian Warner
Gregory Monroe II
Jamey Gronewald
Justin Ponthier


The following questions below will help you understand and learn more about JavaScript.
Answer the questions accordingly. Marks will be awarded for every correct answer.


--- layout: default title: Raphael Fabeni type: Home center: true critical: true links: right: text: Blog link: '/blog' ---
Hi! My name is Raphael Fabeni and I'm a brazilian developer passionated for web, sports, electronic music and travels.
Currently, I'm working full time at RedVentures. More than wrinting code, planning solutions to help people is what makes our job so cool.
If you wanna talk about the web, a new cool project or invite me to play soccer, send me an e-mail. I also try to write about some web stuff in my blog.
You can find me at: Twitter, GitHub, LinkedIn, CodePen and Facebook.


RotateEntity entity,pitch#,yaw#,roll#,[,global]
Parameters:
| entity - name of the entity to be rotated pitch# - angle in degrees of pitch rotation yaw# - angle in degrees of yaw rotation roll# - angle in degrees of roll rotation global (optional) - true if the angle rotated should be relative to 0,0,0 rather than a parent entity's orientation. False by default. |
Description:
| Rotates an entity so that it is at an absolute orientation. Pitch is the same as the x angle of an entity, and is equivalent to tilting forward/backwards. Yaw is the same as the y angle of an entity, and is equivalent to turning left/right. Roll is the same as the z angle of an entity, and is equivalent to tilting left/right. See also: TurnEntity. |
| ; RotateEntity Example ; -------------------- Graphics3D 640,480 SetBuffer BackBuffer() camera=CreateCamera() light=CreateLight() cone=CreateCone( 32 ) PositionEntity cone,0,0,5 While Not KeyDown( 1 ) ; Change rotation values depending on the key pressed If KeyDown( 208 )=True Then pitch#=pitch#-1 If KeyDown( 200 )=True Then pitch#=pitch#+1 If KeyDown( 203 )=True Then yaw#=yaw#-1 If KeyDown( 205 )=True Then yaw#=yaw#+1 If KeyDown( 45 )=True Then roll#=roll#-1 If KeyDown( 44 )=True Then roll#=roll#+1 ; Rotate cone using rotation values RotateEntity cone,pitch#,yaw#,roll# RenderWorld Text 0,0,"Use cursor/Z/X keys to change cone rotation" Text 0,20,"Pitch: "+pitch# Text 0,40,"Yaw : "+yaw# Text 0,60,"Roll : "+roll# Flip Wend End |


{{ site.description }}
I'm Mattia Setzu, a junior researcher at the Department of Computer Science of the University of Pisa, Italy. I focus on Explainable AI, with the broad research goal of automating the understanding of complex machine learning models.


TEST REST SERVICE WITH JAVASCRIPT
REST GET Request
GET all pets
REST GET Request 2
Pet ID:
GET Pet by ID
REST GET Request 3
Pet ID:
GET Owner by Pet ID
REST POST Request
Pet ID:
Owner ID:
Pet Type:
Owner Name:
Pet Size:
Owner Adress:
Add Pet
Add Pet(json)
REST DELETE Request
Pet ID:
DELETE Pet by ID
REST PUT Request
Pet ID:
Update Pet Type:
Update Pet by ID
REST Response
"ZRADA No response!"


Dear [NAME]
We're getting in touch to remind you about your upcoming event
Sweden food and drink seminar
Wednesday 1 November 2017
10am to 1pm
Olympia
Hammersmith Rd
London
W14 8UX
Best wishes,
Department for International Trade
London
<EMAIL_ADDRESS>020 7234 3000


By placing your order, you agree to PT Bakti Putra Nusantara privacy notice and conditions of use.
In Stock
Only In Stock
Product Unavailable
By placing your order, you agree to PT. Bakti Putra Nusantara privacy notice and conditions of use.


Muhammad ibn Musa al-Khwarizmi
The man who presented the first systematic solution of linear and quadratic equations.
Here's a Brief of Al-Khwārizmī's contributions:
- Algebra - The Compendious Book on Calculation by Completion and Balancing
- Arithmetic - Al-Khwārizmī's second most influential work was on the subject of arithmetic,Al-Khwarizmi's work on arithmetic was responsible for introducing the Arabic numerals, based on the Hindu–Arabic numeral system developed in Indian mathematics, to the Western world.
- Astronomy - Al-Khwārizmī's Zīj is a work consisting of approximately 37 chapters on calendrical and astronomical calculations and 116 tables with calendrical, astronomical and astrological data, as well as a table of sine values.
- Trigonometry - Al-Khwārizmī produced accurate sine and cosine tables, and the first table of tangents.
- Geography -Al-Khwārizmī's third major work is his Kitāb Ṣūrat al-Arḍ ,also known as his Geography, which was finished in 833. It is a major reworking of Ptolemy's 2nd-century Geography, consisting of a list of 2402 coordinates of cities and other geographical features following a general introduction
- Jewish calendar - Al-Khwārizmī wrote several other works including a treatise on the Hebrew calendar, titled Risāla fi istikhrāj ta’rīkh al-yahūd. It describes the Metonic cycle, a 19-year intercalation cycle; the rules for determining on what day of the week the first day of the month Tishrei shall fall; calculates the interval between the Anno Mundi or Jewish year and the Seleucid era; and gives rules for determining the mean longitude of the sun and the moon using the Hebrew calendar.
- Other works - Ibn al-Nadim's Kitāb al-Fihrist, an index of Arabic books, mentions al-Khwārizmī's Kitāb al-Taʾrīkh (Arabic: كتاب التأريخ), a book of annals. No direct manuscript survives; however, a copy had reached Nusaybin by the 11th century, where its metropolitan bishop, Mar Elyas bar Shinaya, found it. Elias's chronicle quotes it from "the death of the Prophet" through to 169 AH, at which point Elias's text itself hits a lacuna.
Al-Khwārizmī's contributions to mathematics, geography, astronomy, and cartography established the basis for innovation in algebra and trigonometry. His systematic approach to solving linear and quadratic equations led to algebra, a word derived from the title of his book on the subject, "The Compendious Book on Calculation by Completion and Balancing"."
--Yahya Tabesh Sharif University of Technology


Resize, crop and optimize images according to URL parameters, and serve a cached result from then on.
This worker computes the original image's URL using the convention:
https://img.ctohm.com/<protocol>/<domain>/<pathname>
Let's use our Github Avatar as an example:
https://avatars.githubusercontent.com/u/71311688
You'd request it with
https://img.ctohm.com/https/avatars.githubusercontent.com/u/71311688
The original url is rebuilt and served from then on cached in the edge.
There's a middle step in which any transformations computed from the search params are applied through Images.weserv.nl API
cw: 'Crop width',
cy: 'Crop y',
cx: 'Crop x',
ch: 'Crop height',


RT @indirect: Oops. I kind of forgot to book a place to stay in Portland on Sunday and Monday night. Anybody have a spare couch or floor I …
4/27/2013, 11:06:01 PM
Favs: 0
Retweets: 0
link--- layout: tweet ---
RT @indirect: Oops. I kind of forgot to book a place to stay in Portland on Sunday and Monday night. Anybody have a spare couch or floor I …
4/27/2013, 11:06:01 PM
Favs: 0
Retweets: 0
link


| Article Name | Article Type | |
|---|---|---|
|
{{article}} Written By |
Care Guide | |
|
Tansy safari sunset prairie gentian bottlebrush Barberton daisy snapdragon lupin Written By |
Information | |
|
Florem ipsum lily of the valley, Obedient plant pink heath Carnation globeflower queen Written By |
Care Guide | |
|
Tansy safari sunset prairie gentian bottlebrush Barberton daisy snapdragon lupin Written By |
Information | |
|
Florem ipsum lily of the valley, Obedient plant pink heath Carnation globeflower queen Written By |
Care Guide |


{% extends 'base.html' %} {%block head%} {% endblock %} {%body block%}
For engineers, it has been a routine challenge how to optimally manage available natural and capital to construct high-quality roads and to minimize repair and maintenance costs, the poor tensile strength of the soil. A sustainable option to manage high quality is to stabilize pavement...A sustainable option to manage high quality is to stabilize pavement ...Bacon ipsum dolor amet ground round shankle shank capicola, sirloin pork chop cow biltong beef ribs brisket buffalo kielbasa chicken. Cow biltong bacon, salami tri-tip tongue drumstick bresaola shankle porchetta frankfurter boudin. Leberkas chislic ham hock, burgdoggen beef flank frankfurter spare ribs pork loin pork chop prosciutto t-bone bresaola brisket. Drumstick jowl swine, frankfurter turducken leberkas chislic. Ham turkey prosciutto corned beef meatball ribeye boudin pork flank shankle meatloaf. Strip steak ham jerky t-bone doner drumstick. T-bone ground round beef venison jowl tongue pork chop. Tongue short ribs short loin, capicola shoulder leberkas doner ham hock. Pork loin jowl ground round chicken leberkas tenderloin. Meatball frankfurter beef ribs rump ham hock jerky venison pastrami. Frankfurter drumstick leberkas ham chicken, alcatra short loin meatloaf short ribs kevin. Chuck cow kevin fatback cupim, ham boudin t-bone hamburger shoulder drumstick spare ribs bresaola.  Biltong chislic burgdoggen sausage doner fatback landjaeger buffalo capicola turducken jerky pork belly meatball leberkas. Capicola tenderloin alcatra rump t-bone prosciutto. Pork chop fatback chuck, shoulder biltong ground round alcatra meatloaf buffalo.
There are a lot of materials which are currently playing a huge amount of role being used as Construction Materials. As engineers, we need to analyse the properties of materials and find out the ways in which these can be used or applied in the best economic ways. The conventional materials used for the constructions…Bacon ipsum dolor amet ground round shankle shank capicola, sirloin pork chop cow biltong beef ribs brisket buffalo kielbasa chicken. Cow biltong bacon, salami tri-tip tongue drumstick bresaola shankle porchetta frankfurter boudin. Leberkas chislic ham hock, burgdoggen beef flank frankfurter spare ribs pork loin pork chop prosciutto t-bone bresaola brisket. Drumstick jowl swine, frankfurter turducken leberkas chislic. Ham turkey prosciutto corned beef meatball ribeye boudin pork flank shankle meatloaf. Strip steak ham jerky t-bone doner drumstick. T-bone ground round beef venison jowl tongue pork chop. Tongue short ribs short loin, capicola shoulder leberkas doner ham hock. Pork loin jowl ground round chicken leberkas tenderloin. Meatball frankfurter beef ribs rump ham hock jerky venison pastrami. Frankfurter drumstick leberkas ham chicken, alcatra short loin meatloaf short ribs kevin. Chuck cow kevin fatback cupim, ham boudin t-bone hamburger shoulder drumstick spare ribs bresaola.  Biltong chislic burgdoggen sausage doner fatback landjaeger buffalo capicola turducken jerky pork belly meatball leberkas. Capicola tenderloin alcatra rump t-bone prosciutto. Pork chop fatback chuck, shoulder biltong ground round alcatra meatloaf buffalo.
ABSTRACT OF THE BLOG
ABSTRACT OF THE BLOG
ABSTRACT OF THE BLOG


Why democracy matters | Aung San Suu Kyi |
TEDxHousesofParliament
Why democracy matters | Aung San Suu Kyi |
TEDxHousesofParliament In an exclusive talk, recorded
especially for TEDxHousesofParlament, the Burmese
opposition Party leader and Nobel laureate Aung San Suu
Kyi discusses 'why democracy matters'. She was formerly
one of the world's most prominent political prisoners,
and is widely acknowledged as a leading pro-democracy
campaigner. In the spirit of ideas worth spreading,
TEDx is a program of local, self-organized events that
bring people together to share a TED-like experience.
At a TEDx event, TEDTalks video and live speakers
combine to spark deep discussion and connection in a
small group. These local, self-organized events are
branded TEDx, where x = independently organized TED
event. The TED Conference provides general guidance for
the TEDx program, but individual TEDx events are
self-organized.* (*Subject to certain rules and
regulations)


Filter Properties
Properties for the Filter component can be viewed by Double click->component on canvas. The properties contains only a 'General' tab. Common and mandatory properties are present in the General tab.
Display
Configuration
Operation Class : Selecting Operation opens up a grid for the user to select for an existing operation class or create a new one. The operation class name can be parameterized which will be resolved at runtime. Click on Operation Class to know more about creating and using Standard classes here.
Expression Editor : Selecting Expression opens expression editor window. Click on Expression Editor to know more about Expression Editor .
Externalizing Filter Transformations : Externalizing Transformations feature enables user to externalize expression, class and output fields of Operation Editor. Its enhancing generalizing capabilities of all Transform components and providing options to user for generic job creation.
For more details regarding externalizing expression, class and output fields of Operation Editor, refer Externalizing Transformations.
Schema is mandatory for partition by expression component. Schema tab defines the record format on the out port of the partition by expression component. A field in schema has multiple attributes as described below.
Validations for the Filter component are in place for each property present on the Properties window.
General Properties:


Preparation time
overnight
Cooking time
1 to 2 hours
Serves
Serves 4
The beans and tortillas can be made ahead for these Mexican breakfast wraps and the rest takes minutes to prepare. Perfect for a lazy Saturday morning with the family.
To make the refried beans, drain the beans, put them in a saucepan and cover with water. Add the onion halves and ancho chilli and simmer for 45–50 minutes, or until tender. Alternatively, use a pressure cooker and cook for 20 minutes.
Meanwhile, to make the tortillas, mix the flour, cornmeal, baking powder and ½ teaspoon salt together in a large bowl. Pour in the warm water a little at a time and mix until you have a stiff dough. Knead on a lightly floured surface for 2–3 minutes. Divide into four and shape each piece into a ball. Cover with cling film and leave to stand for 50 minutes.
To make the salsa, put the tomatoes in a bowl with the sugar, lime juice and a pinch of salt and mix well.
To make the guacamole, put the avocados, chilli and coriander in a bowl and mix well. Stir in the lime juice and oil, season with salt and pepper and mix again.
To make the soured cream sauce, put the sundried tomato, jalapeño and soured cream in a bowl and mix to a paste.
For the refried beans, drain the cooked beans, reserving the liquid, and mash in the pan with the garlic. Melt the lard in a large frying pan over a medium heat and fry the beans for 4–5 minutes. Mix some of the reserved cooking liquid into the beans to achieve a thick, spreadable consistency. Season to taste.
To make the chorizo filling, heat the oil in a frying pan over a high heat and fry the chorizo for 2–3 minutes. Add the mushrooms and fry until both are cooked. Add enough chipotle sauce to cover the ingredients.
For the tortillas, roll out each dough ball on a lightly floured surface into a tortilla shape. Place a griddle pan over a high heat and, when hot, cook the first tortilla. When one side has blistered, turn it over and cook for 2 minutes more. Cook the remaining tortillas in the same way. Wrap the cooked tortillas in a cloth to keep warm.
Just before serving, make the scrambled eggs by melting the butter in a saucepan over a medium heat. Crack in the eggs and cook, stirring continuously. After 1–2 minutes, when the eggs are still slightly runny, remove from the heat. Season with salt and pepper, then transfer to a serving dish to finish cooking in their own heat.
Serve the scrambled eggs with the warm chorizo, refried beans, soured cream sauce, guacamole, salsa, Cheddar and warm tortillas and let everyone build their own burrito.


Daily Schedule
Click on the names to modify employees' shifts.
Availability
Click on the names to view the employees' info or add them to shift.
Click on the names to modify employees' shifts.
Click on the names to view the employees' info or add them to shift.


Today i've released a new version for firefox user's that use the web extensions technology instead of weird native XUL based stuff. It is a breaking release. All current installed version will not be updated automatically.
You have to do that manually. Download and install it via the download button.
Older version will still work but will never get automatic updates. Install the new version from our website, after that point you will again receive automatic updates.
You can migrate the settings from old version to the new with the "import/export" buttons in the bblog menu in battlelog. We cannot automate this.
Also, you may notice that, when you have bblog already installed, you will see BBLog multiple times in your addons. Make sure that you manually delete the old version (export settings first). Technical reason is that we use a new addon UUID because of the all new technology. Technically the old and the new version are different addons.
BBLog is not dead, it've just reached a specific point of perfection :)
PS: Nevermind the 9.9.9 version in the BBLog menu, it's a cool bug :)


Ben Jonson
Very relevant as they undertake an analysis of ideation tools which parallels our own, but for different domains.
"A multiple case study compared how design students and design
practitioners used conceptual tools in everyday design situations. The
outcome showed that verbalisation, rather than freehand sketching was
the major conceptual tool for getting started. Moreover, the computer
emerged as an ideation tool across design domains."
"Each interview, which was audio-taped and transcribed,
included the following scripted questions: What conceptual tools did
you use? Where in the design process did you use them? Did you
experience any sudden insights (‘Aha!’), and if so, what conceptual tools
were then used? What were the strengths and weaknesses of the
respective conceptual tools?"
"protocol reliability and validity was built on trustworthiness from a practical and pragmatic
perspective (Silverman, 2001). Moreover, using purposive sampling (Denzin and Lincoln, 1994), the case study did not amount to a survey
and therefore any generalisation would be of an analytical rather than statistical nature (Yin, 2003)."
Scanned


Azure Virtual Machines only support VM's running Microsoft Windows operating system.
False, Azure Virtual Machines supports VM's running either Windows or Linux operating system.
When configuring a Virtual Machine to use a Virtual Network, when do the Virtual Network need to be specifed?
Any time after the Virtual Machine has been created
At the time the Virtual Machine is created
What does the VM Agent provide?
Server resource management monitoring
Automatic installation of Windows Updates
Environment for extensions to be installed


What is Synergy?
Synergy combines declarative data and event binding with functional state management and reactive updates to allow you to build all types of user interface for the web, no matter how simple or complex.
Here's a simple example:
<my-counter></my-counter>
<script type="module">
import { define } from<EMAIL_ADDRESS>define(
"my-counter",
() => ({
state: { count: 0 },
update: {
increment: ({ count }) => ({
count: count + 1,
}),
}),
`<button :onclick="increment">Count is: {{ count }}</button>`
)
</script>
The above example demonstrates the three core features of Synergy:
- Declarative data and event binding: Synergy provides a declarative template syntax that allows you to describe HTML output based on JavaScript state. The syntax is very simple and easy to learn.
- Functional state management: Synergy allows you to describe changes to state as individual functions that are as easy to reason about as they are to test.
- Reactive updates: Synergy efficiently batches updates to your HTML whenever your state changes
Getting started
If you're new to Synergy then the best place to start is the Learn by Example section. It will introduce you to all of the features of Synergy by showing different examples that will help you to understand and learn quickly.


libskarnet
skalibs
Software
www.skarnet.org
The stddjb library interface
libstddjb is the base, and the most important part, of skalibs.
It is a set of general-purpose C functions wrapping some
system calls, hiding some Unix portability problems, providing some
basic low-level buffering functions and string handling, and generally
offering a nice API to Unix programming - in many ways nicer and safer
than the "standard" Unix APIs like stdio.h.
It is mostly based on some excellent code written and placed into the
public domain by D. J. Bernstein.
Compiling
- The libstddjb functions are available under the skalibs/stddjb.h
header, which includes a lot of lower-level headers. If you know what
lower-level headers to use, you might speed up your compilation process by
including them directly.
Programming
The following headers are automatically generated at compile-time, when the
headers subsystem is made. The skalibs/stddjb.h file also
includes them.
- skalibs/uint16.h: operations with 16-bit unsigned integers
- skalibs/uint32.h: operations with 32-bit unsigned integers
- skalibs/uint64.h: operations with 64-bit unsigned integers
- skalibs/types.h: portable helpers for common Unix types: size_t,
uid_t, gid_t, pid_t, time_t, dev_t and ino_t.
- skalibs/error.h: portable macros for errno management
- skalibs/setgroups.h: stub for the setgroups() function, for systems that do not define it
- skalibs/ip46.h: IPv4/IPv6 abstraction layer
Additionally, stddjb.h also includes the following headers, which
are not associated with any code and are mostly self-explanatory:
- skalibs/gccattributes.h: wrappers around a few GCC-specific optimizations
- skalibs/diuint.h: for associative arrays of unsigned integers
- skalibs/diuint32.h: for associative arrays of 32-bit unsigned integers
- skalibs/disize.h: for associative arrays of size_t
- skalibs/nsig.h: the number of system signals, for systems that do not define it
- skalibs/nonposix.h: feature test macros for non-POSIX-compliant systems


Hello {{ winner.contact_name }},
The following prize{{ prize_count|pluralize }} {{ prize_count|pluralize:"has,have" }} been shipped to you:
Courier: {{ prize_win.couriername }}
{% if prize_win.trackingnumber %}Tracking#: {{ prize_win.trackingnumber }}
{% endif %} {% endif %} {% if prize_win.shippingnotes %}Shipping Notes: {{ prize_win.shippingnotes }}
{% endif %} {% if prize_win.prize.key_code %}Key: {{ prize_win.prizekey.key }}
{% endif %}If you have any questions, please contact us at {{ reply_address }}.
- The Staff


Congratulations to Rob Jones in accounting for winning our #NFL football pool!
Contests are a great thing to partner on. Partnerships immediately #DOUBLE the reach.
Puns, humor, and quotes are great content on #Twitter. Find some related to your business.
Are there #common-sense facts related to your business? Combine them with a great photo.


...
Submit your data
-- Select the unit type --
Standalone
Twinhouse
Townhouse
apartment
Duplex
Penthouse
Commercial
Admin Office
Submit


Accurate Science journalism is an important job. Good scientific journalism brings focus to important work and connects people: scientists from different institutions, companies with academic collaborators, potential students to their future supervisors. For scientists, having work reported in the media can be an important identifier of real world impact and can help them understand the implications of their research, to plan ahead and to acquire funding. Maintaining high standards for scientific journalism and fighting back at fake news will help the scientific community in the long term.
Scientific research papers usually reference each other formally, facilitating a transparent acknowledgement and attribution of new ideas to the original authors. Journalism has no such system, meaning that it can be very difficult to understand which particular study, or even which particular academic a news article refers to. We are building a dataset of news stories linked to the scientific works that they discuss as a first step towards an automated system that will help keep scientific journalism transparent and help scientists to understand where they're having impact.
HarriGT provides a set of tooling that, given a news article, will suggest a set of scientific papers that could be relevant given the article metadata. The user's role is to determine whether any of these candidate papers is inherently linked to the news article and to file away news that has no relevant work associated with it and articles that are not about scientific topics.


{% extends "flad/base.html" %} {% load staticfiles %} {% block content %}
With the following combination of username and key you can now add/validate alleles within any programming environment desired


Note: Since the description of language-specific relations depends both on the universal guidelines and on the empirical facts of specific treebanks, it may not be fully updated to v2 until the first treebank release in March 2017.
Language-Specific Relations
In addition to the universal dependency taxonomy, it is desirable to recognize grammatical relations that are particular to one language or a small group of related languages. Such language-specific relations are necessary to accurately capture the genius of a particular language but will not involve concepts that generalize broadly. These language-specific relations should always be regarded as a subtype of an existing UD relation.
Labels of language-specific relations explictly encode the core UD relation that the language-specific relation is a subtype of, following the format universal:extension.
acl
acl:inf
: Hebrew, Portugueseacl:part
: Portugueseacl:relcl
: Chinese, Danish, English, Estonian, Finnish, French, Greek, Hebrew, Hindi, Irish, Italian, Norwegian, Persian, Portuguese, Russian, Spanish, Swedish
advcl
advmod
advmod:emph
: Ancient Greek, Arabic, Czech, Latin, Portuguese, Tamil, Turkish, Uyghuradvmod:inf
: Hebrewadvmod:locy
: Hungarianadvmod:mode
: Hungarianadvmod:obl
: Hungarianadvmod:phrase
: Hebrewadvmod:quant
: Estonianadvmod:que
: Hungarianadvmod:tfrom
: Hungarianadvmod:tlocy
: Hungarianadvmod:tmod
: Romanianadvmod:to
: Hungarianadvmod:tto
: Hungarian
amod
aux
auxpass
auxpass:reflex
: Catalan, Czech, Latin, Portuguese, Spanish
case
case:acc
: Hebrewcase:aspect
: Chinesecase:dec
: Chinesecase:gen
: Hebrewcase:pref
: Chinesecase:suff
: Chinesecase:voc
: Irish
cc
ccomp
compound
compound:lvc
: Persian, Turkishcompound:nn
: Finnishcompound:preverb
: Hungariancompound:prt
: Danish, Dutch, English, Estonian, Finnish, Irish, Norwegian, Persian, Swedish, Tamilcompound:redup
: Turkish
conj
csubj
det
det:def
: Hebrewdet:numgov
: Czech, Polishdet:nummod
: Czech, Dutch, Polishdet:poss
: Italian, Portuguesedet:predet
: English, Italian, Persian, Russiandet:quant
: Hebrew
discourse
discourse:filler
: Slovenian
dobj
dobj:lvc
: Hungarian
expl
mark
name
name:hu
: Hungarian
nmod
nmod:abl
: Uyghurnmod:agent
: Romanian, Russian, Swedishnmod:att
: Hungariannmod:attlvc
: Hungariannmod:clas
: Uyghurnmod:cmp
: Uyghurnmod:gobj
: Finnish, Russiannmod:gsubj
: Finnishnmod:ins
: Uyghurnmod:loc
: Danish, Uyghurnmod:npmod
: Englishnmod:obl
: Hungariannmod:obllvc
: Hungariannmod:own
: Buryat, Finnishnmod:pmod
: Romaniannmod:poss
: Danish, English, Estonian, Finnish, French, German, Hebrew, Irish, Kazakh, Persian, Spanish, Swedish, Turkish, Uyghurnmod:prep
: Irishnmod:smixut
: Hebrewnmod:tmod
: Chinese, Danish, English, Hebrew, Irish, Romanian, Russian
nsubj
nummod
parataxis
xcomp
xcomp:adj
: Portuguesexcomp:ds
: Finnishxcomp:pred
: Irish


Lion is man's best friend in Syrian animal shelter
by https://www.facebook.com/dunyanewsDAMASCUS (Reuters) - Syrian animal-lover Samer al-Homshi affectionately pets and kisses his pet lions and tigers as though they are domestic house cats.
In a Damascus suburb, Homshi houses the ferocious animals in a two-storey building along with bears, birds, dogs, and sheep, and dreams of sharing his pets with the public.
There are around 37 animals in Homshi’s shelter and he recently applied to share them with the state-owned al-Adawi zoo. He wishes to transform the small zoo into a major city attraction.
It costs him nearly 100,000 liras ($194) per day to feed and care for his beloved animals. He also sells new-borns to people who share the same love for animals.
He does not receive visitors currently but hopes to one day open his own private zoo.


This is a protracker-ish tool i made to create music for the +4 megademo "rocket-science" mad, nero and i made for evoke 2014 and ranked #1. This software is practically a user-interface that turns protracker-like structured musical data into asm-sourcefiles - which in turn get assembled by DASM and played back with TEDplay (by Attila Grosz). Therefore, both these tools are part of the setup-package, copyright applies to the respective creators.
First of all i have to say everything starting with the player-routine up to the tracker is hacked together without even trying to meet demands that apply to proper-software.  I'm releasing it solely because its better than having no tracker at all. So be aware of anything especially the following:
While creating a song, you will come across three central concepts. First of all, your music will be played by instruments. An instrument can be: a snaredrum or any other percussive sound, noise, a lead-voice, a major chord or whatever you are able to model with this tool.
Your instruments get played in little pieces of music called patterns. A pattern is nothing else then time sliced into a number of pieces, with every piece beeing able to either trigger an instrument to play (at a specific pitch and a specific volume) or to play nothing. You can think of a pattern as the lego-blocks from which you build your musical house/spaceship/whatever.
A series of patterns, played one after another is called a sequence. In this tool, one step of the sequence is formed by three patterns, so a series of pattern-triplets form a sequence. Its three patterns mainly for technical reasons, but theres a practical side to it: Common popular music has at its core three elements: drums, a baseline or some accompanied music and a lead-voice.
All numeric values are expressed in hexdecimal format. Instruments and Patterns all have a number and get addressed by it.
Pitches are displayed by their name (e.g. c#3
). Entering pitches is done in a special way: A claviature is mimicked on your normal computer keyboard. Key "c" means e-0
, "v" means f-0
, g means f#0
, etc... Give it a try! What might sound complicated has eventually a very natural feel to it.
Everywhere you are able to enter pitches you can fine-tune them by typing ctrl+plus
or ctrl+minus
. There are 4 steps between each semitone. You can use the fine-tune to create soft glideup/glidedowns or vibrato-effects.
Looking at the Instrument-Editor you will see there is another way to display pitches. Hitting the Pitch/Hex
-Button you can toggle between note-names or their numerical expressions.
Pitches are expressed as 8-bit numbers between $00 and $FF. Values from $00 - $BF address frequencies of equal-temperament. Values from $C0 - $FF address TED-register-values from $03c0 to $03ff. This was made with regard to a) how harmonic sounds can hardly be formed in the upper value range and b) to the fact that percussive sounds require exact control over the upper-value range.
All-in-all every tracker looks somewhat like an excel-sheet. This means that all you do is writing/editing lists. The more you go down a list, the later in time the event is you are editing. All lists in the tracker can be "looping". This means you set a starting point and an ending point and the music-element (be it instrument, pattern or sequence) will loop in that range. To be precise it is mandatory to set a looping point.
Instruments a described with two seperate lists. There is one list that controls tone-generation and another list that controls volume. Both lists are processed independently. First we'll take a look at the volume-control.
The volume-control-list has only two columns which reside on the right side of the instrument editor. The column VOL
holds the actual volume-information. Possible volume-values are $0-$F. The LE
-Column defines the looping-point (start) marked with an "l" and the end-point marked with an "e". To set the looping-points you just need to type the corresponding letters. A typical volume-envelope (start loud, fade out, stop) would look like this:
F E D C B A 9 8 7 6 5 4 3 2 1 0 le
(Volume starts at max. value, then decays until zero. Loop start and end is at volume 0, making the volume-control stop here.)
The oscillator-control-list has three columns. The FRQ
column specifies at what pitch/frequency the tone-generator should play. The LE
-column again defines a loop for the instrument. The "CTRL"-column displays two letters that indicate how tone-generation is modified. the first letter specifies the kind of oscillator: it can be either P
for pulse-waveform, N
for noise-generator or "X" for no-sound. The second letter specifies if the oscillator should play at the specified, fixed pitch (F
) or if the pitch is to be transposed (T
). Percussive instruments normally use fixed pitches while harmonic instruments need transposition. An Example:
NF C0 PT 00 l PT 01 e
(This should mimic an organ-sound with a characteristic click-sound on every key-hit. the click is modelled with the noise-generator, the frequency should not be transposed. after the click there are two rows of transposable pulse-waveform-sound - the organ's sound. Its looping between a clean c-0
and a slightly uptuned c-0+1
, forming a fast vibrato.
Lastly there are three buttons above the lists that need explanation: The Pitch/Hex
-Button toggles how pitches get displayed (note-name or hex-value). L
and S
let you load or store an instrument.
The pattern-editor shows three patterns side-by-side. The three patterns are tagged A, B and M
. In this chapter we will only look at the A-Pattern and its columns
You could look at every row in a pattern as a quarter-note. So for every quarter-note you have four columns to edit. The first is IA which means which instrument should be triggered at that point in time. You either specify one of the instrument-numbers or hit del
to clear the entry (it will show --
then, meaning no instrument will be triggered). Triggering an instrument means to play its oscillator and volume-control-lists from start. ctrl+plus
and ctrl+minus
also work here to transpose a single note. In addition to this shift+ctrl+plus
and shift+ctrl+minus
lets you transpose the entire pattern.
The VA
-column defines the amplification/volume at this quarter-note. If you set it to $F, the instrument will be played at the volume-levels you defined in the instrument. A value of $8 means to play the instrument at half the volume. You can set volume-levels at any time, also when no instrument is triggered. The VA
-column rather describes how the volume of channel A gets modified. Del-Key clears the entry.
The NA
-Column defines the pitch the instrument is transposed to. You can set pitches at any time, even when there is no instrument triggered. Del-Key clears the entry.
The CA
-column defines the loop-points as you have already seen in the instruments section.
There are two special hotkeys you can use here: ctrl+i
inserts a row within the current pattern while ctrl+d
deletes one row.
From everything you have read until now you should already be able to guess how the sequence works: You just set the pattern-numbers of A, B and M
and define loop-points. There is nothing more to it...
As with the patterns there are two hotkeys you can use here: ctrl+i
inserts a row within the current pattern while ctrl+d
deletes one row.
Since TED has only two voices and just a single volume control, creating music is quite a challenge. Knaecketraeckers playerback-routine - as most other playback-routines floating around - tries to help these limitations become less unhandy. It adds a third virtual voice that acts like a layer on top of the other two voices and has special logic how to manage volume.
I've given the three voices letter-names A,B and M. The A voice maps directly to TED-voice 0. This means: Either pulse or off. The B voice maps directly to TED-voice 1, meaning that you can use pulse and noise-waveforms here. M is for "mix-in" and is a virtual voice that tries to use priorities and gaps in the other voices to mix in sounds from this voice. A practical example is probably a hihat playing every quarter-note: It would get mixed into voice B.
Volume is handled so that the loudest voice sets the global-volume. If the volume of the two physical voices differs too much, the voice with the lower volume gets turned off. Sounds complicated but that way i tried to remain the possibility to have individual volumes for each channel. I think it actually works quite well. Also mind that turning off one of the waveform-generators is NOT treated as silence, since you can use gaps in the waveform to create interesting sounds. If the playback-routine would use turned-off voices as an opportunity to "mix in", it would kill these opportunities.
Volume-levels within the tracker are expressed as numbers from $0 to $f. Since TED only has 8 distinct volume levels, the playback-routine maps the trackers value-range to hardware-volume-levels using a table for the volume-dynamics.
Under most circumstances you can edit your music as if there really were three voices. You will however notice artifacts, especially in densely tracked patterns. You can always try to reallocate the patterns from A,B and M and check what configuration sounds best.
There are a number of per-song settings that affect differents aspects of the sound-generation:
Ticks/Frame
defines how many times per frame the player-routine gets executed, and additionally how many times per frame the sound-registers of TED get updated. A higher value means more possibilities regarding sound-effects but also a higher resource-consumption (raster-time, memory).
Pat.Len
defines the maximum length of a pattern, regardless of your loop-points. That way, it controls when the sequence advances one step further.Groove-Length
and Groove
: Instead of just having a single tempo value for the entire song you can have up to 8 values that define the number of ticks each row (or quarter note if you like) within a pattern takes. This is mainly important for playing a song with "shuffle", or "groove".
Heres a list describing the functions of the button-group on the left side of the program-window
New/Load/Save/Save As
should be self explanatory. This is all about editable Knaecketraecker-Files (*.kps)
Play
plays the song from its current position (as it is highlighted in the sequence-sectionPlay Pat
plays only the current pattern-triplet (as it is highlighted in the sequence-sectionPlay All
plays the entire songStop
stops playbackUpper Oct/Lower Oct
toggles the octave in which the claviature-like input is madeCopy Pat/Copy Ins/Copy Osc/Copy Vol
copies either Patterns, Instruments or just Oscialltor or Volume-Control-Lists around. Each button will show a dialog asking for from- and to-Numbers.Export Asm
exports the song, including playback code into a DASM-sourcefile.Export Bin
exports the song (optionally including playback code) into a binary-file with a given load-address. How to do playback in your program is shown in the respective chapter within this documentation
Export Prg
just exports an executable that contains the song, playback-code and some driver-code to play the songTo play a song you previously exported via the Export Asm or Export Bin functions you need to call three different subroutines:
Before you can play the song, the player needs to be initialized. The init-routine is addressable at offset $0000:
... jsr [mysong+$0000] ; call the init-routine ... mysong include "mysong.asm" or incbin "mysong.bin"
Once a frame you need to let the player-code process the musical-data, regardless at what ticks/frame-rate the song is. So even for a 4x-song you just need to call the "tick"-routine once. The tick-routine doesn't set any TED-registers, it just prepares them in an internal buffer. The tick-routine's address-offset is $0003:
jsr [mysong+$0003]
Setting the TED-registers requires a third subroutine to be called. The routine is located at offset $0006 and needs to be called as often as it was specified in the ticks/frame-setting. E.g. for a 4x-song, you should call this routine four times a frame - preferably at evenly distributed rasterlines. The example below isn't evenly distributed but you should get the point:
lda #$00 .0 cmp $ff1d bne .0 jsr [mysong+$0006] ... lda #$40 .1 cmp $ff1d bne .1 jsr [mysong+$0006] ... lda #$80 .2 cmp $ff1d bne .2 jsr [mysong+$0006] ... lda #$c0 .3 cmp $ff1d bne .3 jsr [mysong+$0006] ...
I'm hoping you will have fun using this tool - regardless of all its drawbacks. Also i' like to thank the authors of DASM and TEDplay for the great software they have created. If you like to contact me: ingo@jache.de


IMA to promote health awareness among the poor
by Staff ReporterThe new body of the Indian Medical Association of Tirupati region on Sunday took an oath to spread the health awareness campaigns in a big way, focusing on the rural areas and urban slums.
The IMA (Tirupati) president, P. Ravi Raju, speaking at the installation ceremony held in Tirupati, expressed concern at the growing incidence of life-threatening ailments among the poor and downtrodden sections considering their ignorance of many medical emergencies.
“More than 70% of the underprivileged sections still approach quacks and RMPs in rural areas for serious health conditions, and depend on self-medication. This has led to increase in health risk among them,” Dr. Ravi Raju said.
The IMA president said that Tirupati Chapter, one of the biggest in the country, had to receive maximum focus from the Central and State governments. He said that the IMA members would be joining the health awareness drives and medical camps all over the region.
Tirupati MP Balli Durga Prasad and Satyavedu MLA Koneti Adimulam said that they would provide their best cooperation to the activities of the IMA.
The IMA key functionaries, Srihari Rao, Yugandhar and Kondeti Madhu were also present.


WITNESS LIST Appropriations-S/C on General Government Committee February 18, 2003-8:00A Budget On: Combs, Commissioner Susan (Department of Agriculture) Hagood, Gary (General Land Office and Veterans' Land Board; Trusteed Programs within the General Land Office) Hammond, Bruce (Animal Health Commission) Jordan, Michelle (Department of Agriculture) Lenarduzzi, James (Animal Health Commission) Olson, Leonard (Water Development Board) Patterson, Jerry (General Land Office and Veterans' Land Board; Trusteed Programs within the General Land Office) Pollock, Greg (General Land Office) Ward, Kevin (Water Development Board)


{% extends 'base.html' %} {% block htitle %}Add / Edit Movie notes in selected genres{% endblock %} {% block title %}Add / Edit Movie notes in selected genres{% endblock %} {% block content %}
Genres and Movies are not editable on this form. They come from Genre and Movie tables.


In the last video, we considered some of the assumptions that are made when we consider the Big Bang theory.
There are two key assumptions.
The first is the cosmological principle which says that on large enough scales the universe is both homogeneous, which means it looks the same at all points, and isotropic, so there's no special directions in the universe.
Our second assumption was that all of the laws of physics that we have studied and come to understand are valid everywhere in the universe.
For the purposes of studying the Big Bang, probably the most important law of physics is general relativity.
General relativity is Einstein's theory of gravity.
But instead of describing gravity as a pulling force, Einstein describes gravity as the effect of matter and energy actually curving spacetime.
When you have a curved spacetime, the curvature of that spacetime will actually tell matter and energy how to move and how to flow.
In this picture, one of the most important things is that space is not just some fixed background that matter and energy move around on, rather spacetime will actually take a dynamical role and evolve right along with matter and energy as the universe evolves.
It's going to be very important for us to understand the geometry of this spacetime.
A good place to start from here is saying, \ if the geometry of space is gonna be so important, what kinds of geometries can I have that satisfy the cosmological principle?
What kind of geometries can I have that are both homogeneous and isotropic?\
For the purposes of simplicity, we're just going to start by considering some two-dimensional surfaces, two-dimensional spaces.
By considering these spaces, we'll learn the general properties that some of these different geometries can have.
They have very analogous cases to three-dimensional spaces.
We know our universe has three dimensions.
But the lessons we learn looking at two-dimensional spaces will follow right through to the 3D case.
The first type of space that we can have is probably one that we're most comfortable with the idea of just, say, an infinite flat plane.
Let's just say I have some plane that extends in all directions.
This is flat.
It's infinite in size.
All of the rules of geometry that we've learned in grade school still apply.
If I draw, say, a triangle on this space, then the angles of that triangle will add up to 180 degrees.
This is a rule that we've probably all learned in public school and, hopefully, familiar to most.
It still applies in this case.
We notice that this space, if it's infinite in extent, is homogeneous, there's no special points on here and it's isotropic there's no special directions.
This isn't the only kind of space that we could have.
For example, we could consider the surface of a sphere, so let's draw a sphere.
This space will have different geometric properties.
We would say that this space is positively curved.
We notice that this space is actually a finite space.
There's only so much area it has, so it's finite.
But, even though it's a finite space, it still has no edge to it.
If I were a two-dimensional person living on this two-dimensional surface, I could walk around and around and never come into any boundary or anything.
If I look at my general rules of geometry, if I make a triangle on this curved surface, the triangle might look something like this.
This triangle where each of these lines are following straight lines on this curved space, if I sum up the angles that this triangle makes, then the angles will actually sum up to more than 180 degrees.
It's a very different kind of geometry than the flat geometry we're used to.
However, this geometry is still homogeneous and isotropic.
If I'm living on this surface, there's no special points, and there's no special direction.
It still satisfies the cosmological principle.
There's another type of space that I can have.
That is a negatively curved space.
This one is kind of difficult to draw, so let's see how I do with this.
It kind of looks like this shape of a saddle.
We have this saddle shape, and we say this has negative curvature, negatively curved.
This space, like the plane, would be infinite in size.
It would extend in these directions out as far as you want to go.
But when I look at a triangle on this shape, following straight lines on this curved space, the triangle might look something like this.
The angles of that triangle would add up to less than 180 degrees.
Again, we have a different type of geometry.
But this geometry is also going to be homogeneous and isotropic.
It's still a valid possibility for the shape of our universe.
There are other geometries that are out there, that could exist.
For instance, instead of a sphere, I could have some sort of egg shape.
But we notice, when looking at this egg shape, that the curvature at the very top of the egg is going to be different than the curvature on the side of the egg.
The side of the egg is much more flat than the very tip of it.
That means these two points are going to be different.
That goes against our cosmological principle.
This space would not be homogeneous anymore.
There are differences between those spaces.
Even though we could have other geometries, these are the only three kinds of geometries that we can have for the universe that are both homogeneous and isotropic.
In order to identify which of these shapes actually describes our universe, we're ultimately going to have to go and measure something to identify which type it is.
But we'll talk about that sort of thing later.
Now, looking at these two curved geometries, you might be saying, \ these can't actually describe what the universe looks like.
I can, you know, get two friends and a couple of pieces of string and, and go out and form a triangle, and measure the angles in that triangle.
And I notice that they'll add up to 180 degrees, like the flat plane.
So, so this must be unambiguously what the shape of our universe is.\
My response to that would be, \ you look at this, um, at this surface of, for instance, this sphere on very, very small spaces, on very small scales, then this little patch will appear to be almost flat for the same reason that people for hundreds of years thought that the Earth was flat.\
If you're only looking on small scales, the surface of the Earth seems flat.
It's only when you kind of look on larger scales that you realize that the Earth is actually round.
For all of these surfaces, if you look on small enough scales, it will appear flat.
But with modern technology and modern telescopes, we're actually able to see far enough to begin to test the kind of large-scale properties of the geometry of our universe.
If this kind of length scale is on the order of billions of light years, then looking on scales like the Earth and the solar system, you're not going to be able to notice the curvature of space on those scales.
When working with these curved spaces, there's something that's very, very important to note and is a source of a lot of confusion when it comes to talking about the geometry of the early universe.
That is the idea of, \ I draw this picture just for kind of simplicity and, and our understanding of this geometry, I draw it as the two-dimensional surface of a three-dimensional sphere.\
The truth is that if I have this two-dimensional space, I can completely describe that two-dimensional space using only the properties on that surface without ever having to refer to some third dimension, the volume of this object, or anything else.
It can be completely on its own a perfectly valid two-dimensional space.
It's actually fairly easy to describe mathematically.
Same with this other curved geometry.
I can completely describe that without ever referring to any higher dimensional space.
When we start talking about the universe expanding and contracting, what we're talking about is, \ have this homogeneous and isotropic geometry, and maybe that geometry starts small.
And then that geometry expands into some, into some what we would call a larger geometry.\
There's more surface area here than there is here.
But what people often want to say is that there is some higher dimensional space that this object, that this surface is expanding into.
But I can describe all of the geometry completely staying on this surface, without ever leaving this surface.
A higher dimension does not have to exist in order for this to be a consistent theory.
When we talk more about the expansion of the universe, this is the kind of expansion that we're talking about, this geometry of space itself changing.
If I have, say, two points on this surface, here, let's see if I can get a bit brighter color then, as this space expands, these two points will appear to be farther apart.
It will take longer for light to bounce back and forth.
This doesn't just happen for curved geometries.
I can have this flat geometry starting in a somewhat kind of compressed state, you can say.
These two points start close together.
Then it takes light a certain amount of time to bounce between those.
But that geometry, through general relativity, because we said that according to general relativity spacetime can actually evolve and change based on the matter and energy that's in it this space can actually expand.
These two points will be moved farther away from each other.
It will take light a longer amount of time to travel between those two points.
But one of the important things to note when we're considering these expanding geometries is that we do not need to have some higher dimension that this thing is expanding into.
We don't have compressed matter and empty space outside that this is expanding into.
We can completely describe this simply as, \ geometry of this space is changing\ only using quantities that are on that geometry, not anywhere else out here.
When people sometimes say that the universe is expanding into something, that's like saying, \ have a, a burrow that has a certain amount of temperature, and that temperature is, is increasing.
And what is that temperature increasing into?\
When we talk about it that way, this question of, \ is the universe expanding into?\
just doesn't make sense anymore.
That's a very important point that I really want to emphasize.
There does not have to be some higher dimensional space that this is expanding into.
We'll talk a little bit more about how the universe expands and what sort of effects the expansion of the universe has in future videos.


|
Unity Buy SDK
|
Manages line items for an order. Can also be used to generate a web checkout link to check out in browser. More...
Public Member Functions | |
| Cart (ShopifyClient client) | |
| Constructs a new cart using a ShopifyClient . Typically, carts won't be instantiated directly, but will rather be instatiated using ShopifyBuy.Client().Cart() . More... | |
| string | GetWebCheckoutLink (string note=null) |
| Returns a link which can be used to check out this cart's line items via a web browser. More... | |
Properties | |
| CartLineItems | LineItems [get] |
| Current line items for this Cart . More... | |
Manages line items for an order. Can also be used to generate a web checkout link to check out in browser.
|
inline |
Constructs a new cart using a ShopifyClient . Typically, carts won't be instantiated directly, but will rather be instatiated using ShopifyBuy.Client().Cart() .
| client | client associated with this cart |
|
inline |
Returns a link which can be used to check out this cart's line items via a web browser.
| note | can be used to create a special note for the merchant for this order |
|
get |
Current line items for this Cart .


Test the Web Forward
Better tests for a better Web
Hackathon Events
- Sydney, Australia
- Seattle, US
- Tokyo, Japan
- Shanghai, China
- Shenzhen, China
Meetups
- Tokyo, Japan
- Sacramento, US
Test the Web Forward Brand
Donated to W3C by Adobe
Website Updated & Expanded
One place for W3C testing docs
Blog
Public W3C GitHub project
Open for Contributions
The web is defined by the community
测试推动标准
Tests make standards real
15000+ more tests needed
6000 tests needing review
More people
More tests
Better Web!
So what happens at these events?
Colophon
- reveal.js
by Hakim El Hattab
- Fonts
ChunkFive
Adelle
Source Sans Pro
- Images
Community:
http://pitchfork.com/festivals/chicago/2012
Sir Edmund Hlliary: brewbooks
http://www.flickr.com/photos/brewbooks/318391886
Standard: chmeredith
http://www.flickr.com/photos/chmeredith/4560746937
Club party: Ellen Ordóñez
http://commons.wikimedia.org/wiki/File:
Colombian_Party_Cartel._Photo_by_Ellen_Ordóñez_for_Colombian_Party_Cartel.jpg
Binary code:
http://commons.wikimedia.org/wiki/File:Binary_Code.jpg
Jump for joy:
http://www.psxextreme.com/ps3-wallpapers/910.html


Before Change
class TestTableScreenBased(TestCase):
def test_game_number(self):
t=main.TableScreenBased(gui_signals,logger)
t.entireScreenPIL=Image.open("tests/1773793_PreFlop_0.png")
t.get_top_left_corner(p)
t.get_game_number_on_screen()
self.assertEqual(t.game_number_on_screen,"15,547,039,153")
def test_other_players1(self):
After Change
class TestTableScreenBased(TestCase):
def test_game_number(self):
t, p, gui_signals, h, logger = init_table("tests/1773793_PreFlop_0.png")
t.get_game_number_on_screen()
self.assertEqual(t.game_number_on_screen,"15,547,039,153")
def test_other_players1(self):


| PERLLOL(1) | Perl Programmers Reference Guide | PERLLOL(1) |
An array of an array is just a regular old array @AoA that you can get at with two subscripts, like $AoA[3][2]. Here's a declaration of the array:
use 5.010; # so we can use say() # assign to our array, an array of array references @AoA = ( [ "fred", "barney", "pebbles", "bambam", "dino", ], [ "george", "jane", "elroy", "judy", ], [ "homer", "bart", "marge", "maggie", ], ); say $AoA[2][1]; bart
Now you should be very careful that the outer bracket type is a round one, that is, a parenthesis. That's because you're assigning to an @array, so you need parentheses. If you wanted there not to be an @AoA, but rather just a reference to it, you could do something more like this:
# assign a reference to array of array references $ref_to_AoA = [ [ "fred", "barney", "pebbles", "bambam", "dino", ], [ "george", "jane", "elroy", "judy", ], [ "homer", "bart", "marge", "maggie", ], ]; say $ref_to_AoA->[2][1]; bart
Notice that the outer bracket type has changed, and so our access syntax has also changed. That's because unlike C, in perl you can't freely interchange arrays and references thereto. $ref_to_AoA is a reference to an array, whereas @AoA is an array proper. Likewise, $AoA[2] is not an array, but an array ref. So how come you can write these:
$AoA[2][2] $ref_to_AoA->[2][2]
instead of having to write these:
$AoA[2]->[2] $ref_to_AoA->[2]->[2]
Well, that's because the rule is that on adjacent brackets only (whether square or curly), you are free to omit the pointer dereferencing arrow. But you cannot do so for the very first one if it's a scalar containing a reference, which means that $ref_to_AoA always needs it.
First, let's look at reading it in from a file. This is something like adding a row at a time. We'll assume that there's a flat file in which each line is a row and each word an element. If you're trying to develop an @AoA array containing all these, here's the right way to do that:
while (<>) { @tmp = split; push @AoA, [ @tmp ]; }
You might also have loaded that from a function:
for $i ( 1 .. 10 ) { $AoA[$i] = [ somefunc($i) ]; }
Or you might have had a temporary variable sitting around with the array in it.
for $i ( 1 .. 10 ) { @tmp = somefunc($i); $AoA[$i] = [ @tmp ]; }
It's important you make sure to use the "[ ]" array reference constructor. That's because this wouldn't work:
$AoA[$i] = @tmp; # WRONG!
The reason that doesn't do what you want is because assigning a named array like that to a scalar is taking an array in scalar context, which means just counts the number of elements in @tmp.
If you are running under "use strict" (and if you aren't, why in the world aren't you?), you'll have to add some declarations to make it happy:
use strict; my(@AoA, @tmp); while (<>) { @tmp = split; push @AoA, [ @tmp ]; }
Of course, you don't need the temporary array to have a name at all:
while (<>) { push @AoA, [ split ]; }
You also don't have to use push(). You could just make a direct assignment if you knew where you wanted to put it:
my (@AoA, $i, $line); for $i ( 0 .. 10 ) { $line = <>; $AoA[$i] = [ split " ", $line ]; }
or even just
my (@AoA, $i); for $i ( 0 .. 10 ) { $AoA[$i] = [ split " ", <> ]; }
You should in general be leery of using functions that could potentially return lists in scalar context without explicitly stating such. This would be clearer to the casual reader:
my (@AoA, $i); for $i ( 0 .. 10 ) { $AoA[$i] = [ split " ", scalar(<>) ]; }
If you wanted to have a $ref_to_AoA variable as a reference to an array, you'd have to do something like this:
while (<>) { push @$ref_to_AoA, [ split ]; }
Now you can add new rows. What about adding new columns? If you're dealing with just matrices, it's often easiest to use simple assignment:
for $x (1 .. 10) { for $y (1 .. 10) { $AoA[$x][$y] = func($x, $y); } } for $x ( 3, 7, 9 ) { $AoA[$x][20] += func2($x); }
It doesn't matter whether those elements are already there or not: it'll gladly create them for you, setting intervening elements to "undef" as need be.
If you wanted just to append to a row, you'd have to do something a bit funnier looking:
# add new columns to an existing row push @{ $AoA[0] }, "wilma", "betty"; # explicit deref
print $AoA[0][0];
If you want to print the whole thing, though, you can't say
print @AoA; # WRONG
because you'll get just references listed, and perl will never automatically dereference things for you. Instead, you have to roll yourself a loop or two. This prints the whole structure, using the shell-style for() construct to loop across the outer set of subscripts.
for $aref ( @AoA ) { say "\t [ @$aref ],"; }
If you wanted to keep track of subscripts, you might do this:
for $i ( 0 .. $#AoA ) { say "\t elt $i is [ @{$AoA[$i]} ],"; }
or maybe even this. Notice the inner loop.
for $i ( 0 .. $#AoA ) { for $j ( 0 .. $#{$AoA[$i]} ) { say "elt $i $j is $AoA[$i][$j]"; } }
As you can see, it's getting a bit complicated. That's why sometimes is easier to take a temporary on your way through:
for $i ( 0 .. $#AoA ) { $aref = $AoA[$i]; for $j ( 0 .. $#{$aref} ) { say "elt $i $j is $AoA[$i][$j]"; } }
Hmm... that's still a bit ugly. How about this:
for $i ( 0 .. $#AoA ) { $aref = $AoA[$i]; $n = @$aref - 1; for $j ( 0 .. $n ) { say "elt $i $j is $AoA[$i][$j]"; } }
When you get tired of writing a custom print for your data structures, you might look at the standard Dumpvalue or Data::Dumper modules. The former is what the Perl debugger uses, while the latter generates parsable Perl code. For example:
use v5.14; # using the + prototype, new to v5.14 sub show(+) { require Dumpvalue; state $prettily = new Dumpvalue:: tick => q("), compactDump => 1, # comment these two lines # out veryCompact => 1, # if you want a bigger # dump ; dumpValue $prettily @_; } # Assign a list of array references to an array. my @AoA = ( [ "fred", "barney" ], [ "george", "jane", "elroy" ], [ "homer", "marge", "bart" ], ); push @{ $AoA[0] }, "wilma", "betty"; show @AoA;
will print out:
0 0..3 "fred" "barney" "wilma" "betty" 1 0..2 "george" "jane" "elroy" 2 0..2 "homer" "marge" "bart"
Whereas if you comment out the two lines I said you might wish to, then it shows it to you this way instead:
0 ARRAY(0x8031d0) 0 "fred" 1 "barney" 2 "wilma" 3 "betty" 1 ARRAY(0x803d40) 0 "george" 1 "jane" 2 "elroy" 2 ARRAY(0x803e10) 0 "homer" 1 "marge" 2 "bart"
Here's how to do one operation using a loop. We'll assume an @AoA variable as before.
@part = (); $x = 4; for ($y = 7; $y < 13; $y++) { push @part, $AoA[$x][$y]; }
That same loop could be replaced with a slice operation:
@part = @{$AoA[4]}[7..12];
or spaced out a bit:
@part = @{ $AoA[4] } [ 7..12 ];
But as you might well imagine, this can get pretty rough on the reader.
Ah, but what if you wanted a two-dimensional slice, such as having $x run from 4..8 and $y run from 7 to 12? Hmm... here's the simple way:
@newAoA = (); for ($startx = $x = 4; $x <= 8; $x++) { for ($starty = $y = 7; $y <= 12; $y++) { $newAoA[$x - $startx][$y - $starty] = $AoA[$x][$y]; } }
We can reduce some of the looping through slices
for ($x = 4; $x <= 8; $x++) { push @newAoA, [ @{ $AoA[$x] } [ 7..12 ] ]; }
If you were into Schwartzian Transforms, you would probably have selected map for that
@newAoA = map { [ @{ $AoA[$_] } [ 7..12 ] ] } 4 .. 8;
Although if your manager accused you of seeking job security (or rapid insecurity) through inscrutable code, it would be hard to argue. :-) If I were you, I'd put that in a function:
@newAoA = splice_2D( \@AoA, 4 => 8, 7 => 12 ); sub splice_2D { my $lrr = shift; # ref to array of array refs! my ($x_lo, $x_hi, $y_lo, $y_hi) = @_; return map { [ @{ $lrr->[$_] } [ $y_lo .. $y_hi ] ] } $x_lo .. $x_hi; }
Last update: Tue Apr 26 18:30:55 MDT 2011
| 2019-10-21 | perl v5.30.3 |


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15 March 1996
Disease Outbreak Reported
The outbreak which started in August 1995 has continued over the past few months in the following areas: Louga, Mbacke and Touba Departments (Diourbel Region), Fatick Department (Sine-Saloum Region), St. Louis Department (Fleuve Region) and Thies Department (Thies Region). A low number of cases continue to be reported in Dakar Department. A total of 3 031 cases with 188 deaths was reported in the first two months of the year. The areas mentioned above are all on the infected area list.


Reports any class initializers which may safely be made
static
. A class initializer may be static if it does not reference any of its class' non static methods and non static fields.
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Author: Karel Piwko<EMAIL_ADDRESS>This is your project! It's a sample, Maven 3 project to help you get your foot in the door developing with Java EE 6 on JBoss AS 7 or JBoss Enterprise Application Platform 6. This project is setup to allow you to use CDI 1.0, JPA 2.0 and Bean Validation 1.0. It includes a persistence unit and some sample persistence code to help you get your feet wet with database access in enterprise Java.
It does not contain an user interface layer. The main purpose of the project is to show you how to test Bean Validation with Arquillian. If you want to see an example how to test Bean Validation via an user interface, check out Kitchensink example available at https://github.com/jbossas/quickstart/tree/master/kitchensink.
All you need to build this project is Java 6.0 (Java SDK 1.6) or better, Maven 3.0 or better.
By default, tests are configured to be skipped. The reason is that the sample test is an Arquillian test, which requires the use of a container. You can select either managed or remote container, the difference is that the remote one requires a running JBoss AS 7 / JBoss Enterprise Application Platform 6 instance prior executing tests.
Testing on Remote Server
First you need to start JBoss AS 7 or JBoss Enterprise Application Platform 6 instance. To do this, run
$JBOSS_HOME/bin/standalone.sh
or if you are using windows
$JBOSS_HOME/bin/standalone.bat
Once the instance is started, run the test goal with the following profile activated:
mvn clean test -Parq-jbossas-remote
Testing on Managed Server
Arquillian will start the container for you.  To do this, run
export JBOSS_HOME=/path/to/jboss-as
or if you are using Windows
set JBOSS_HOME=X:\path\to\jboss-as
To run the test in JBoss AS 7 or JBoss EAP 6, run the test goal with the following profile activated:
mvn clean test -Parq-jbossas-managed
Investigating console output
JUnit will present you test report summary:
Tests run: 5, Failures: 0, Errors: 0, Skipped: 0
If you are interested in more details, check target/surefire-reports
directory.
You can check console output to verify that Arquillian had really used the real application server.
Search for lines similar to the following ones in the server output log:
[timestamp] INFO [org.jboss.as.server.deployment] (MSC service thread 1-2) Starting deployment of "test.war"
...
[timestamp] INFO [org.jboss.as.server] (management-handler-threads - 1) JBAS018559: Deployed "test.war"
...
[timestamp] INFO [org.jboss.as.server.deployment] (MSC service thread 1-3) Stopped deployment test.war in 48ms
...
[timestamp] INFO [org.jboss.as.server] (management-handler-threads - 1) JBAS018558: Undeployed "test.war


If your browser doesn't have navigator.getUserMedia, this won't work. So far that's only
Chrome Canary
+
Opera Camera
.


The data below shows recent injuries and deaths that occured due to police shootings. Interact with the element at the top right to show armed victims, which show in light blue, and unarmed victims, which appear in dark blue. There are 1309 armed victims and 789 unarmed victims.


Movie Theatre
Select Movie:
The Hobbit
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The Hunger Games: Mockingjay - Part 1
Nightcrawler
Gone Girl
Big Eyes
Select Movie Time:
1pm
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5pm
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9:30pm
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11pm
Enter Age:
Find Price!
Your total is: $


We offer you a faster more reliable printing for all moments when you need it.
We have provided the options for customers to use our service via the following:
We are located at 237 Old Hope Road, Kingston, Jamaica.
345-1760(Flow), 381-4725(Digi)
Email<EMAIL_ADDRESS>Open:
Sunday - Saturday
9:00am – 5:00pm
Friday 9:00am – 3:00pm


Harry Styles's "Skittles" Manicure Captured My Attention During Every One of His SNL Skits
by Karenna MeredithHarry Styles made his Saturday Night Live hosting debut on Nov. 16, and he absolutely nailed it. Why yes, I'm talking about his manicure. The "Lights Up" singer is the latest star to try the "Skittles" manicure trend, sporting a different shade on each nail. Styles's chosen polish look went with the variety of outfits he wore during the evening — from a sparkling sequined jumpsuit to an all-red suit ensemble.
ICYMI, the "Skittles" manicure is sweeping Instagram with its fun multicolored shades. We saw Styles dabble in a similar style back in May when he attended the 2019 Met Gala, but this look is even bolder. Ahead, see more photos of Styles's latest look.


Bus Mall Market Analysis
Purpose:
The purpose of this market research is to help us understand what products you really love so we can better serve you with the products you know and love!
Instructions:
Select 1 of the 3 displayed items. You have 25 total votes.
Please Select an Item:
VOTES REMAINING:


This is a paragraph containing some random emails<EMAIL_ADDRESS><EMAIL_ADDRESS>This is an example of an invalid email<EMAIL_ADDRESS>Here is an example phone number<PHONE_NUMBER>


Coq'Art Examples and Exercises
Coq'Art is the familiar name for the first book on the
Coq proof assistant and its underlying
theory the Calculus of Inductive Constructions, written
by Yves Bertot
and Pierre Castéran.
See Springer's book website.
Interactive Theorem Proving and Program Development
Coq'Art: The Calculus of Inductive Constructions
Series: Texts in Theoretical Computer Science. An EATCS Series
Bertot, Yves, and Castéran, Pierre
2004, XXV, 469 p., Hardcover
ISBN: 3-540-20854-2
DOI: 10.1007/978-3-662-07964-5
The examples and exercises on this site are copyright Yves Bertot and Pierre Castéran, unless explicitely mentioned. The tutorial on type classes and user-defined relations was written by Pierre Castéran and Matthieu Sozeau. The tutorial on [co-]inductive type was written by Eduardo Giménez and Pierre Castéran. All material is available under the open-source MIT license.
Drawing "Oiseau de feu" by courtesy of Michel Mendès France
Contents
16 directories, each one associated with a chapter of the book
Each directory contains a list of exercises, and an adaptation to recent versions of Coq of
the scripts presented in the corresponding chapter of the book. Each index file contains
also corrections of the errors that were kindly signalled to us by the readers.
- A Brief Presentation of Coq
- Gallina: Coq as a Programming Language
- Propositions and Proofs
- Dependent Product
- Everyday logic
- Inductive Data Structures
- Tactics and automation
- Inductive Predicates
- Functions and their specification
- Extraction and imperative programming
- A Case Study: binary search trees
- The Module System
- Infinite Objects and Proofs
- Foundations of Inductive Types
- General Recursion
- Proof by reflection
Additional material
Errata
Some typos were found after the printing of the book. They are reported
chapter by chapter, after the sources and exercises.
Many thanks to Stefan Karrmann for all the remarks he sent to us.
Comments are welcome
Comments, alternative solutions, and suggestions to improve this site are welcome
as issues and pull requests on GitHub.
Thank you in advance!


Security and Privacy Architecture
The Floe Project is working with the Global Public Inclusive Infrastructure to provide learners with friendly and comprehensive tools for sharing their data with the web sites, access features and assistive technologies that they trust. These tools will give learners complete control over which preferences are shared with any GPII-enabled services.
For more information and to see an example of the security architecture in action, please see the video below.


Prueba scroll
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
chao
Cargando ando...


US Supreme Court Justice Ruth Ginsburg released from hospital
by AFPRuth Bader Ginsburg, the US Supreme Court’s eldest justice and de facto leader of its liberal wing, has been released from hospital after being admitted last week with a possible infection.
The 86-year-old has had a series of health scares this year, sparking speculation she may retire — a move that would allow conservative US President Donald Trump to nominate a replacement.
Ginsburg is “home and doing well”, US media reported the court as saying Sunday.
She was hospitalized on Friday with fever and chills, according to a court spokesperson.
A feminist icon, Ginsburg is one of four liberals on the nine-justice court and has given no sign she is thinking of stepping down.
In August Ginsburg completed a three-week course of outpatient radiation therapy in New York for a localized malignant tumour on her pancreas.
She was treated for colon cancer in 1999, and a decade later, pancreatic cancer that was caught at an early stage. In December 2018, she had two nodules removed from her lung.
US Supreme Court justices are appointed for life. She has repeatedly said she will only retire when she feels incapable of handling the workload.
Ginsburg is fondly known as “The Notorious RBG,” a riff on dead rapper The Notorious B.I.G.


Invites
addInvites, clearInvites, createInvite, fake, info, inviteCodes, inviteDetails, invites, leaderboard, removeInvites, restoreInvites, subtractFakes, subtractLeaves
Ranks
addRank, ranks, removeRank
Config
config, interactiveConfig, inviteCodeConfig, memberConfig, permissions
Info
botInfo, credits, getBot, help, members, ping, prefix, setup, support
Premium
export, premium, tryPremium
Moderation
ban, caseDelete, caseView, check, clean, cleanShort, cleanText, kick, mute, punishmentConfig, purgeUntil, softBan, strike, strikeConfig, unban, unhoist, unmute, warn
Other
graph, makeMentionable, mentionRole


jQuery Freskin
A jQuery plugin for highlight region of a page.
Don't believe? so try it.
magic!
My others brothers will show what i can do.
I have a hint
Wait seconds to vanish
2
3
4
Go!
I will wait your command
So...you can hide me?
Sure


You already have an account. If you forgot your password you can reset it here:
{{forgot_password_link}}


{{if ne .ErrorMessage ""}}
{{.ErrorMessage}}
{{if .ShowPromo}}
{{end}}
{{else}}
Welcome to Search
{{if eq .SearchQuery ""}}
Instructions
Syntax
- You can filter by edition using the Scryfall notation
s:CODE
- You can filter by condition with
c:COND
, accepting NM
, SP
, MP
, HP
, and PO
.
- You can filter by foil with
f:VALUE
, accepting true
, or false
- Normally a card is searched with a "starting with" strategy.
For example Dragonlord
will return all the cards starting with "Dragonlord".
- If you search in double quotes, instead you will search for exact matches only.
For example "Vesuva"
will return the card named Vesuva and no other Vesuvan counterpart.
- If you search in double asterisks, instead you will search for loose matches only.
For example *Draco*
will return the card named Draco and all the cards that have "draco" in their names.
- Data is refreshed periodically over the day.
- Entries are formatted as card name (foil status) - edition (collector #).
- The percentage found in buylist offers is the price ratio, the higher it is, the more a vendor is looking to purchase that card.
- This percentage is available only if the seller is selling copies of the same card at the same conditions.
- Inventory prices refer to the stated conditions (and their accuracy depends on the data provider).
- Buylist prices are always referring to NM conditions.
- TCG Low is a special value referring to TCG algorithms that may differ from quantity and quality of listings.
- In case of mistakes or incongruities, please notify the devs in the BAN Discord.
- Should you find this content useful, consider clicking on one of the provided links to make a purchase on the website, and directly support BAN.
{{else}}
{{$firstImg := ""}}
Sellers |
{{if not .FoundSellers}}
| No offers available |
{{end}}
{{range $card, $condsEntry := .FoundSellers}}
{{if eq $firstImg ""}}
{{$firstImg = (index $.Images $card)}}
{{end}}
{{range $conditions := $.CondKeys}}
{{$entries := (index $condsEntry $conditions)}}
{{if ne $conditions "TCG"}}
{{if $entries}}
| Conditions: {{$conditions}}
|
{{end}}
{{end}}
{{range $entries}}
|
{{if ne .URL ""}}
{{.ScraperName}}
{{else}}
{{.ScraperName}}
{{end}}
|
$ {{printf "%.2f" .Price}}
|
{{if ne $conditions "TCG"}}
{{.Quantity}}
{{end}}
{{if eq .ScraperName "TCG Direct Low"}}
{{end}}
|
{{end}}
{{end}}
{{end}}
Buyers |
{{if not .FoundVendors}}
| No offers available |
{{end}}
{{range $card, $entries := .FoundVendors}}
{{range $entries}}
|
{{if ne .URL ""}}
{{.ScraperName}}
{{else}}
{{.ScraperName}}
{{end}}
|
$ {{printf "%.2f" .Price}}
|
{{if ne .Ratio 0.0}}{{printf "%.2f" .Ratio}} %{{end}}
|
{{if ne .Quantity 0}}{{.Quantity}}{{end}}
|
{{end}}
{{end}}
{{if eq $firstImg ""}}
{{$firstImg = "https://img.scryfall.com/errors/missing.jpg"}}
{{end}}
{{end}}
{{end}}


The Bus-Mall shopping place is making a comeback. Retail experts though that the future of mall was touch and go thanks to online shopping. Some customers realize that they miss things about the in-store shopping experience.


|
Figure 1
|
Relation between SST/HC and Nino3.4 index. Lead-lag correlat ... |
|
Figure 2
|
Lagged influence of WHWP–SST on the Pacific. Lagged correlat ... |
|
Figure 3
|
Grid-to-grid correlation maps between observed SSTA and repr ... |
|
Figure 4
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Grid-to-Grid correlation maps between the observed SSTA and ... |


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Post kissing scandal, HK actress Jacqueline Wong may be left out of TVB Anniversary Awards
by BY SYLVIA LOOIKUALA LUMPUR, Nov 21 — Controversial Hong Kong actress Jacqueline Wong may not be nominated for this year’s TVB Anniversary Awards.
Word has it that TVB will not allow Wong to be nominated despite the television series Finding Her Voice that she acts in has received rave reviews.
Sin Chew Daily reported that the move by TVB to bar Wong from participating in any of the station’s promotional activities has led fans to wonder whether she had been forgiven by the station over her kissing scandal with Hong Kong singer and actor Andy Hui.
“She has been branded so no opportunity to be revived,” reported the daily, adding that this would also mean Wong’s career is over.
It was recently reported that an Instagram post by Wong had raised questions about her future plans.
In a post that was posted last Friday, Wong thanked those involved in the production of television series Finding Her Voice.
The 30-year-old Wong went to the United States after the controversy.
She only returned to Instagram recently after keeping quiet on social media for seven months.
The 30-episode Finding Her Voice is one of TVB’s special anniversary series and started airing from October 7.
TVB further softened their stance on Wong and announced two series — Maid Alliance and Offliners ― would be screened in Malaysia.


MEAN STREETS (1973) A Film Review by Ted Prigge Copyright 1997 Ted Prigge
Director: Martin Scorsese Writers: Martin Scorsese and Mardik Martin Starring: Harvey Keitel, Robert DeNiro, David Proval, Amy Robinson, Richard Romanus, Cesare Danova, David Carradine, Robert Carradine, Martin Scorsese, Catherine Scorsese
In 1973, a year after "The Godfather" made organized crime kind of glorious, director Martin Scorsese exploded onto the big screen with his highly ambitious, and incredibly personal "Mean Streets," which chronicled what seemed to be his early adulthood in Little Italy, a place where there's organized crime which can look glamorous to anyone on the cusp of maturity. To me, this film is about this cusp, and how life lessons like what happens in this film can help us to grow as people, and someday mature fully.
"Mean Streets" deals with Charlie (Harvey Keitel), who is supposed to be the young Scorsese. He is basically defined as an angel stuck between heaven and hell. Highly religious, though easily seduced by crime, sleazy women, and other assorted things prohibited by catholicism, he is an immature, though a little more mature than most of his clique.
Charlie is a frequent church-goer, but also resides at his one friend's (David Proval) bar. We see him at his most reverent at church, then cut to him at the bar where he's doing what he always does: hanging around, drinking, etc. He seems to be more in his element there, and also seems more hypnotizing there. We are lured into his world, and show the same fascination he does when he gazes up at the topless dancers.
Charlie also has another big weakness: his friendship to the incredibly immature Johnny Boy (Robert DeNiro). Johnny owes money to everyone in the world, it seems, and Charlie acts as his parole officer, checking in on him, and always making sure he's making money to pay off his debts. One of his more outstanding debts belongs to one of Charlie's friends and associates, Michael (Richard Romanus), who is constantly bugging Charlie for the money.
He's obsessed with Johnny in more ways than one. The two share a kind of homoerotic relationship, at one time crashing in the same bed as eachother. Then, in the same shot, we see that it's deeper than that. Charlie is kind of dating or pseudo-dating Johnny's cousin, Theresa (Amy Robinson), who's also on Charlie's case to de-friend Johnny and move away with her.
With all these tense things going on, as well as his job for one of the local mafia heads (Cesare Danova), we see Charlie caught in a self-made cage. The finale, which is often criticized but brilliant when understood, brings about the maturity of Charlie, and also the awakening of a couple other characters.
"Mean Streets" is told in a breezy, epiodic fashion, allowing us to get to know the characters in a friendly fashion. Johnny Boy's a seductive character, being child-like and fancy free and all that good stuff. He has no responsibilites, is a good ladies man, and seems to always be in a state of happiness. Charlie is more like the majority of us: passive with a bit of fatherhood over Johnny Boy, who he idolizes in a non-sexual way (yes, there's homoeroticism between the two, but nothing serious, although one could say that his relationship with Theresa is a growth from the one with Johnny).
"Mean Streets," the first big film from Scorsese, is a ferociously original film. Its directing style is gritty, often resembling a crude documentary from the era, only with DeNiro and Keitel as the main subjects. Its violence is sudden, often impulsive, catching us off guard. One time, a drunken man at the bar (David Carridine, around the time "Kung Fu" took off) is suddenly shot by an unknown assailant (Robert Carridine, his cousin, I think). And there are some great brawl scene taking place in a local pool hall, ending with some bit of gritty police corruption.
Scorsese has called this one of his most personal films (I think his most personal as well as favorite might be "Italianamerica," a short documentary on his parents), and its bursting with the personal touches of a man who lived all this. While it's not up there with my favorites of Scorsese (i.e. "After Hours" and "Taxi Driver"), it's definitely one of his best films, and a prime example of how to mould your personal experiences into a powerful film.
MY RATING (out of 4): ****
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Funday - Beta
Your Super Fun Day 1!
Brunch
{{data.cardOne.eat}}
Activities
{{activity}}
GENERATE DAYS
Your Super Fun Day 2!
Brunch
{{data.cardTwo.eat}}
Activities
{{activity}}


Four times in the New Testament the disciples are listed, as if in a roll call, in Matthew, Mark, Luke, and Acts. The order in which they are named varies slightly. But each time they are listed in an order that basically can be divided into three groups of four.
Look up the four passages in which the disciples are named. Write the disciples’ names in the exact order that they are mentioned each time.
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Matthew 10:2-4 |
Mark 3:16-19 |
Luke 6:13-16 |
Acts 1:13-14 |
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Note: Thaddeus also went by the name Judas, son of James.
Who is always listed first?
Who is listed last in Matthew’s, Mark’s, and Luke’s lists, and what is said about him?
Who is missing from the list in Acts?
In all four passages, the groups of four remain the same, and the groups are always given in the same order. Although the order in which the disciples are named changes slightly within some of the groups of four, the placements within the first and last groups give us clues about the disciple who received the most honor and the one who was least on the list.