Build your career in Film, TV & Theatre Industry from 1000+ Jobs and Professional connections
Instantly with the Film Industry, Television and Theatre Professionals from around the world.
The right talent and best opportunities today at your finger tips.
By the Producers of Film and Television production teams and many more.
Your creation whether it be script, music, lyrics, story with thousands of people already looking for it.
CultStage helps you build connections with the hot shots, the fresh faces, the thinkers and the veterans of the Film, Television and Online entertainment industry across the world
Easily find the right match when you're looking for right people to hire for your projects from thousands of CultStage users.
Build your kickass CultStage Profile and get instantly noticed by hundreds of recruiters. Post snippets of your work on the Showcase and let people take notice of you!
Your creation whether it be script, music, lyrics, story with thousands of people already looking for it.


Deactivate the QRScanner. To balance user-perceived performance and power consumption, this kicks off a countdown which will "sleep" the scanner after a certain amount of time.
The status
of QRScanner is passed to the callback when deactivation
is complete.
If camera access has been granted, pre-initialize the QRScanner. This method can be safely called before the scanner is visible to improve perceived scanner loading times.
The status
of QRScanner is returned to the callback.
Immediately return known capabilities of the current platform.
Start a new scan.
Switch cameras (if a second camera is available).
The status
of QRScanner is passed to the callback when activation
is complete.
Toggle the device light (if available).
The callback receives a boolean which is true
if the light is enabled.
(Re)activate the QRScanner, and cancel the timeouts if present.
The
status
of QRScanner is passed to the callback when activation is complete.


=== Config function: lasp_SUITE:init_per_suite/1 (click for source code)
=== Config value:
<EMAIL_ADDRESS>{tc_group_properties,[]},
{tc_group_path,[]},
{data_dir,"/Users/anne-francevanswieten/lasp/_build/test/lib/lasp/test/lasp_SUITE_data/"},
<EMAIL_ADDRESS>=== Current directory is<EMAIL_ADDRESS>=== Started at 2017-04-16 17:35:20
*** System report during lasp_SUITE:init_per_suite/1 2017-04-16 17:35:20.672 ***
=PROGRESS REPORT==== 16-Apr-2017::17:35:20 ===
application: sasl
started_at: runner@MBPdeAnneFrance
*** System report during lasp_SUITE:init_per_suite/1 2017-04-16 17:35:20.698 ***
=PROGRESS REPORT==== 16-Apr-2017::17:35:20 ===
application: types
started_at: runner@MBPdeAnneFrance
*** System report during lasp_SUITE:init_per_suite/1 2017-04-16 17:35:20.701 ***
=PROGRESS REPORT==== 16-Apr-2017::17:35:20 ===
application: gen_flow
started_at: runner@MBPdeAnneFrance
*** System report during lasp_SUITE:init_per_suite/1 2017-04-16 17:35:20.712 ***
=PROGRESS REPORT==== 16-Apr-2017::17:35:20 ===
application: syntax_tools
started_at: runner@MBPdeAnneFrance
*** System report during lasp_SUITE:init_per_suite/1 2017-04-16 17:35:20.725 ***
=PROGRESS REPORT==== 16-Apr-2017::17:35:20 ===
application: compiler
started_at: runner@MBPdeAnneFrance
*** System report during lasp_SUITE:init_per_suite/1 2017-04-16 17:35:20.734 ***
=PROGRESS REPORT==== 16-Apr-2017::17:35:20 ===
supervisor: {local,gr_sup}
started: [{pid,<0.483.0>},
{id,gr_counter_sup},
{mfargs,{gr_counter_sup,start_link,[]}},
{restart_type,permanent},
{shutdown,5000},
{child_type,supervisor}]
*** System report during lasp_SUITE:init_per_suite/1 2017-04-16 17:35:20.737 ***
=PROGRESS REPORT==== 16-Apr-2017::17:35:20 ===
supervisor: {local,gr_sup}
started: [{pid,<0.485.0>},
{id,gr_param_sup},
{mfargs,{gr_param_sup,start_link,[]}},
{restart_type,permanent},
{shutdown,5000},
{child_type,supervisor}]
*** System report during lasp_SUITE:init_per_suite/1 2017-04-16 17:35:20.740 ***
=PROGRESS REPORT==== 16-Apr-2017::17:35:20 ===
supervisor: {local,gr_sup}
started: [{pid,<0.487.0>},
{id,gr_manager_sup},
{mfargs,{gr_manager_sup,start_link,[]}},
{restart_type,permanent},
{shutdown,5000},
{child_type,supervisor}]
*** System report during lasp_SUITE:init_per_suite/1 2017-04-16 17:35:20.740 ***
=PROGRESS REPORT==== 16-Apr-2017::17:35:20 ===
application: goldrush
started_at: runner@MBPdeAnneFrance
*** System report during lasp_SUITE:init_per_suite/1 2017-04-16 17:35:20.746 ***
=PROGRESS REPORT==== 16-Apr-2017::17:35:20 ===
supervisor: {local,lager_sup}
started: [{pid,<0.494.0>},
{id,lager},
{mfargs,{gen_event,start_link,[{local,lager_event}]}},
{restart_type,permanent},
{shutdown,5000},
{child_type,worker}]
*** System report during lasp_SUITE:init_per_suite/1 2017-04-16 17:35:20.748 ***
=PROGRESS REPORT==== 16-Apr-2017::17:35:20 ===
supervisor: {local,lager_sup}
started: [{pid,<0.496.0>},
{id,lager_handler_watcher_sup},
{mfargs,{lager_handler_watcher_sup,start_link,[]}},
{restart_type,permanent},
{shutdown,5000},
{child_type,supervisor}]
*** System report during lasp_SUITE:init_per_suite/1 2017-04-16 17:35:20.750 ***
=PROGRESS REPORT==== 16-Apr-2017::17:35:20 ===
supervisor: {local,lager_sup}
started: [{pid,<0.498.0>},
{id,lager_crash_log},
{mfargs,
{lager_crash_log,start_link,
["log/crash.log",65536,10485760,[{hour,0}],5]}},
{restart_type,permanent},
{shutdown,5000},
{child_type,worker}]
*** User 2017-04-16 17:35:20.823 ***
17:35:20.819 [info] Application lager started on node runner@MBPdeAnneFrance
*** User 2017-04-16 17:35:20.823 ***
17:35:20.819 [info] Application time_compat started on node runner@MBPdeAnneFrance
*** User 2017-04-16 17:35:20.856 ***
17:35:20.856 [info] Application os_mon started on node runner@MBPdeAnneFrance
*** User 2017-04-16 17:35:20.861 ***
17:35:20.861 [info] alarm_handler: {set,{{disk_almost_full,"/Volumes/Erlang"},[]}}
*** User 2017-04-16 17:35:20.868 ***
17:35:20.868 [info] Application riak_dt started on node runner@MBPdeAnneFrance
*** User 2017-04-16 17:35:20.868 ***
17:35:20.868 [info] Application lasp_support started on node runner@MBPdeAnneFrance
*** User 2017-04-16 17:35:20.870 ***
17:35:20.870 [info] Application rand_compat started on node runner@MBPdeAnneFrance
*** User 2017-04-16 17:35:20.875 ***
17:35:20.875 [info] Application acceptor_pool started on node runner@MBPdeAnneFrance
*** User 2017-04-16 17:35:20.955 ***
17:35:20.955 [info] Application partisan started on node runner@MBPdeAnneFrance
*** User 2017-04-16 17:35:20.973 ***
17:35:20.973 [info] Application plumtree started on node runner@MBPdeAnneFrance
*** User 2017-04-16 17:35:20.973 ***
17:35:20.973 [info] Setting jitter: false
*** User 2017-04-16 17:35:20.975 ***
17:35:20.975 [info] Setting tutorial: false
*** User 2017-04-16 17:35:20.976 ***
17:35:20.976 [info] Setting event interval: 0
*** User 2017-04-16 17:35:20.978 ***
17:35:20.978 [info] Setting max events: 1000
*** User 2017-04-16 17:35:20.979 ***
17:35:20.979 [info] Setting extended logging: false
*** User 2017-04-16 17:35:20.981 ***
17:35:20.981 [info] Setting mailbox logging: false
*** User 2017-04-16 17:35:20.982 ***
17:35:20.982 [info] Setting operation mode: state_based
*** User 2017-04-16 17:35:20.983 ***
17:35:20.983 [info] Setting set type: orset
*** User 2017-04-16 17:35:20.986 ***
17:35:20.986 [info] Setting broadcast: false
*** User 2017-04-16 17:35:21.013 ***
17:35:21.013 [info] Membership: false
*** User 2017-04-16 17:35:21.014 ***
17:35:21.014 [info] Workflow: true
*** User 2017-04-16 17:35:21.019 ***
17:35:21.019 [info] AdClientEnabled: false
*** User 2017-04-16 17:35:21.022 ***
17:35:21.022 [info] AdServerEnabled: false
*** User 2017-04-16 17:35:21.023 ***
17:35:21.023 [info] TournClientEnabled: false
*** User 2017-04-16 17:35:21.024 ***
17:35:21.024 [info] TournServerEnabled: false
*** User 2017-04-16 17:35:21.026 ***
17:35:21.026 [info] ThroughputType: gset
*** User 2017-04-16 17:35:21.027 ***
17:35:21.027 [info] ThroughputClientEnabled: false
*** User 2017-04-16 17:35:21.029 ***
17:35:21.028 [info] ThroughputServerEnabled: false
*** User 2017-04-16 17:35:21.030 ***
17:35:21.030 [info] DivergenceType: gcounter
*** User 2017-04-16 17:35:21.031 ***
17:35:21.031 [info] DivergenceClientEnabled: false
*** User 2017-04-16 17:35:21.032 ***
17:35:21.032 [info] DivergenceServerEnabled: false
*** User 2017-04-16 17:35:21.086 ***
17:35:21.058 [error] CRASH REPORT Process <0.658.0> with 1 neighbours exited with reason: {connection_error,{connection_error,econnrefused}} in gen_server:init_it/6 line 344
*** User 2017-04-16 17:35:21.107 ***
17:35:21.058 [error] Supervisor lasp_sup had child lasp_workflow started with lasp_workflow:start_link() at undefined exit with reason {connection_error,{connection_error,econnrefused}} in context start_error
*** User 2017-04-16 17:35:21.128 ***
17:35:21.108 [error] CRASH REPORT Process <0.584.0> with 0 neighbours exited with reason: {{shutdown,{failed_to_start_child,lasp_workflow,{connection_error,{connection_error,econnrefused}}}},{lasp_app,start,[normal,[]]}} in application_master:init/4 line 134
*** User 2017-04-16 17:35:21.128 ***
17:35:21.110 [info] Application lasp exited with reason: {{shutdown,{failed_to_start_child,lasp_workflow,{connection_error,{connection_error,econnrefused}}}},{lasp_app,start,[normal,[]]}}
*** User 2017-04-16 17:35:21.129 ***
17:35:21.129 [info] Application plumtree exited with reason: stopped
*** User 2017-04-16 17:35:21.131 ***
17:35:21.131 [info] Application partisan exited with reason: stopped
*** User 2017-04-16 17:35:21.131 ***
17:35:21.131 [info] Application acceptor_pool exited with reason: stopped
*** User 2017-04-16 17:35:21.131 ***
17:35:21.131 [info] Application rand_compat exited with reason: stopped
*** User 2017-04-16 17:35:21.131 ***
17:35:21.131 [info] Application lasp_support exited with reason: stopped
*** User 2017-04-16 17:35:21.131 ***
17:35:21.131 [info] Application riak_dt exited with reason: stopped
*** User 2017-04-16 17:35:21.131 ***
17:35:21.131 [info] alarm_handler: {clear,{disk_almost_full,"/Volumes/Erlang"}}
*** User 2017-04-16 17:35:21.132 ***
17:35:21.132 [info] Application os_mon exited with reason: stopped
*** User 2017-04-16 17:35:21.132 ***
17:35:21.132 [info] Application time_compat exited with reason: stopped
*** CT Error Notification 2017-04-16 17:35:21.149 ***
lasp_SUITE:init_per_suite failed
Reason: {badmatch,{error,{lasp,{{shutdown,{failed_to_start_child,las...}
Full error description and stacktrace
=== Ended at 2017-04-16 17:35:21
=== Location: [{lasp_support,start_runner,271},
{lasp_SUITE,init_per_suite,46},
{test_server,ts_tc,1529},
{test_server,run_test_case_eval1,1130},
{test_server,run_test_case_eval,977}]
=== Reason: no match of right hand side value
{error,
{lasp,
{{shutdown,
{failed_to_start_child,lasp_workflow,
{connection_error,
{connection_error,econnrefused}}}},
{lasp_app,start,[normal,[]]}}}}
in function lasp_support:start_runner/0 (/Users/anne-francevanswieten/lasp/_build/test/lib/lasp/src/lasp_support.erl, line 271)
in call from lasp_SUITE:init_per_suite/1 (/Users/anne-francevanswieten/lasp/_build/test/lib/lasp/test/lasp_SUITE.erl, line 46)
in call from test_server:ts_tc/3 (test_server.erl, line 1529)
in call from test_server:run_test_case_eval1/6 (test_server.erl, line 1130)
in call from test_server:run_test_case_eval/9 (test_server.erl, line 977)
===
*** init_per_suite failed.
Skipping all cases.
Test run history
| Top level test index


Documentation¶
Julia enables package developers and users to document functions, types and other objects easily via a built-in documentation system since Julia 0.4.
Tip
This documentation system can also be used in Julia 0.3 via the Docile.jl package; see the documentation for that package for more details.
The basic syntax is very simple: any string appearing at the top-level right before an object (function, macro, type or instance) will be interpreted as documenting it (these are called docstrings). Here is a very simple example:
"Tell whether there are too foo items in the array."
foo(xs::Array) = ...
Documentation is interpreted as Markdown,
so you can use indentation and code fences to delimit code examples from text.
Technically, any object can be associated with any other as metadata;
Markdown happens to be the default, but one can construct other string
macros and pass them to the @doc
macro just as well.
Here is a more complex example, still using Markdown:
"""
bar(x[, y])
Compute the Bar index between `x` and `y`. If `y` is missing, compute
the Bar index between all pairs of columns of `x`.
# Examples
```julia
julia> bar([1, 2], [1, 2])
1
```
"""
function bar(x, y) ...
As in the example above, we recommend following some simple conventions when writing documentation:
Always show the signature of a function at the top of the documentation, with a four-space indent so that it is printed as Julia code.
This can be identical to the signature present in the Julia code (like
mean(x::AbstractArray)
), or a simplified form. Optional arguments should be represented with their default values (i.e.f(x, y=1)
) when possible, following the actual Julia syntax. Optional arguments which do not have a default value should be put in brackets (i.e.f(x[, y])
andf(x[, y[, z]])
). An alternative solution is to use several lines: one without optional arguments, the other(s) with them. This solution can also be used to document several related methods of a given function. When a function accepts many keyword arguments, only include a<keyword arguments>
placeholder in the signature (i.e.f(x; <keyword arguments>)
), and give the complete list under an# Arguments
section (see point 4 below).Include a single one-line sentence describing what the function does or what the object represents after the simplified signature block. If needed, provide more details in a second paragraph, after a blank line.
The one-line sentence should use the imperative form (“Do this”, “Return that”) instead of the third person (do not write “Returns the length...”) when documenting functions. It should end with a period. If the meaning of a function cannot be summarized easily, splitting it into separate composable parts could be beneficial (this should not be taken as an absolute requirement for every single case though).
Do not repeat yourself.
Since the function name is given by the signature, there is no need to start the documentation with “The function
bar
...”: go straight to the point. Similarly, if the signature specifies the types of the arguments, mentioning them in the description is redundant.Only provide an argument list when really necessary.
For simple functions, it is often clearer to mention the role of the arguments directly in the description of the function’s purpose. An argument list would only repeat information already provided elsewhere. However, providing an argument list can be a good idea for complex functions with many arguments (in particular keyword arguments). In that case, insert it after the general description of the function, under an
# Arguments
header, with one*
bullet for each argument. The list should mention the types and default values (if any) of the arguments:""" ... # Arguments * `n::Integer`: the number of elements to compute. * `dim::Integer=1`: the dimensions along which to perform the computation. ... """
Group examples under an
# Examples
section and use```julia
blocks instead of standard text.Examples should consist of verbatim copies of the Julia REPL, including the
julia>
prompt (see example above). This is used to allow running examples automatically and checking that their actual output is consistent with that presented in the documentation (a feature called doctests). This way, the code will be tested and examples won’t get out of date without notice. An example:""" Some nice documentation here. ```jldoctest julia> a = [1 2; 3 4] 2×2 Array{Int64,2}: 1 2 3 4 ``` """
You can then run
make -C doc doctest
to run all the doctests, which will ensure that your example works. Note that whitespace in your doctest is significant! The doctest will fail if you misalign the output of pretty-printing an array, for example.Use backticks to identify code and equations.
Julia identifiers and code excerpts should always appear between backticks
`
to enable highlighting. Equations in the LaTeX syntax can be inserted between double backticks``
. Use Unicode characters rather than their LaTeX escape sequence, i.e.``α = 1``
rather than``\\alpha = 1``
.Place the starting and ending
"""
characters on lines by themselves.That is, write:
""" ... ... """ f(x, y) = ...
rather than:
"""... ...""" f(x, y) = ...
This makes it more clear where docstrings start and end.
Respect the line length limit used in the surrounding code.
Docstrings are edited using the same tools as code. Therefore, the same conventions should apply. It it advised to add line breaks after 92 characters.
Accessing Documentation¶
Documentation can be accessed at the REPL or in IJulia by typing ?
followed by the name of a function or macro, and pressing Enter
. For
example,
?fft
?@time
?r""
will bring up docs for the relevant function, macro or string macro
respectively. In Juno using Ctrl-D
will
bring up documentation for the object under the cursor.
Functions & Methods¶
Functions in Julia may have multiple implementations, known as methods.
While it’s good practice for generic functions to have a single purpose,
Julia allows methods to be documented individually if necessary.
In general, only the most generic method should be documented, or even the
function itself (i.e. the object created without any methods by
function bar end
). Specific methods should only be documented if their
behaviour differs from the more generic ones. In any case, they should not
repeat the information provided elsewhere. For example:
"""
Multiplication operator. `x*y*z*...` calls this function with multiple
arguments, i.e. `*(x,y,z...)`.
"""
function *(x, y)
# ... [implementation sold separately] ...
end
"When applied to strings, concatenates them."
function *(x::AbstractString, y::AbstractString)
# ... [insert secret sauce here] ...
end
help?>*
Multiplication operator. `x*y*z*...` calls this function with multiple
arguments, i.e. `*(x,y,z...)`.
When applied to strings, concatenates them.
When retrieving documentation for a generic function, the metadata for
each method is concatenated with the catdoc
function, which can of
course be overridden for custom types.
Advanced Usage¶
The @doc
macro associates its first argument with its second in a
per-module dictionary called META
. By default, documentation is
expected to be written in Markdown, and the doc""
string macro simply
creates an object representing the Markdown content. In the future it is
likely to do more advanced things such as allowing for relative image or
link paths.
When used for retrieving documentation, the @doc
macro (or equally,
the doc
function) will search all META
dictionaries for metadata
relevant to the given object and return it. The returned object (some
Markdown content, for example) will by default display itself
intelligently. This design also makes it easy to use the doc system in a
programmatic way; for example, to re-use documentation between different
versions of a function:
@doc "..." foo!
@doc (@doc foo!) foo
Or for use with Julia’s metaprogramming functionality:
for (f, op) in ((:add, :+), (:subtract, :-), (:multiply, :*), (:divide, :/))
@eval begin
$f(a,b) = $op(a,b)
end
end
@doc "`add(a,b)` adds `a` and `b` together" add
@doc "`subtract(a,b)` subtracts `b` from `a`" subtract
Documentation written in non-toplevel blocks, such as if
, for
, and let
, are not
automatically added to the documentation system. @doc
must be used in these cases. For
example:
if VERSION > v"0.4"
"..."
f(x) = x
end
will not add any documentation to f
even when the condition is true
and must instead
be written as:
if VERSION > v"0.4"
@doc "..." ->
f(x) = x
end
Syntax Guide¶
A comprehensive overview of all documentable Julia syntax.
In the following examples "..."
is used to illustrate an arbitrary docstring which may
be one of the follow four variants and contain arbitrary text:
"..."
doc"..."
"""
...
"""
doc"""
...
"""
@doc_str
should only be used when the docstring contains $
or \
characters that
should not be parsed by Julia such as LaTeX syntax or Julia source code examples containing
interpolation.
Functions and Methods¶
"..."
function f end
"..."
f
Adds docstring "..."
to Function
f
. The first version is the preferred syntax,
however both are equivalent.
"..."
f(x) = x
"..."
function f(x)
x
end
"..."
f(x)
Adds docstring "..."
to Method
f(::Any)
.
"..."
f(x, y = 1) = x + y
Adds docstring "..."
to two Method
s, namely f(::Any)
and f(::Any, ::Any)
.
Macros¶
"..."
macro m(x) end
Adds docstring "..."
to the @m(::Any)
macro definition.
"..."
:(@m)
Adds docstring "..."
to the macro named @m
.
Types¶
"..."
abstract T1
"..."
type T2
...
end
"..."
immutable T3
...
end
Adds the docstring "..."
to types T1
, T2
, and T3
.
"..."
type T
"x"
x
"y"
y
end
Adds docstring "..."
to type T
, "x"
to field T.x
and "y"
to field
T.y
. Also applicable to immutable
types.
"..."
typealias A T
Adds docstring "..."
to the Binding
A
.
Binding
s are used to store a reference to a particular Symbol
in a Module
without storing the referenced value itself.
Modules¶
"..."
module M end
module M
"..."
M
end
Adds docstring "..."
to the Module
M
. Adding the docstring above the Module
is the preferred syntax, however both are equivalent.
"..."
baremodule M
# ...
end
baremodule M
import Base: @doc
"..."
f(x) = x
end
Documenting a baremodule
by placing a docstring above the expression automatically
imports @doc
into the module. These imports must be done manually when the
module expression is not documented. Empty baremodule
s cannot be documented.
Global Variables¶
"..."
const a = 1
"..."
b = 2
"..."
global c = 3
Adds docstring "..."
to the Binding
s a
, b
, and c
.
"..."
sym
Adds docstring "..."
to the value associated with sym
. Users should prefer
documenting sym
at it’s definition.
Multiple Objects¶
"..."
a, b
Adds docstring "..."
to a
and b
each of which should be a documentable
expression. This syntax is equivalent to
"..."
a
"..."
b
Any number of expressions many be documented together in this way. This syntax can be useful
when two functions are related, such as non-mutating and mutating versions f
and f!
.
Macro-generated code¶
"..."
@m expression
Adds docstring "..."
to expression generated by expanding @m expression
. This allows
for expressions decorated with @inline
, @noinline
, @generated
, or any other
macro to be documented in the same way as undecorated expressions.
Macro authors should take note that only macros that generate a single expression will
automatically support docstrings. If a macro returns a block containing multiple
subexpressions then the subexpression that should be documented must be marked using the
@__doc__()
macro.
The @enum
macro makes use of @__doc__
to allow for documenting Enum
s.
Examining it’s definition should serve as an example of how to use @__doc__
correctly.
-
@__doc__
(ex)¶ Low-level macro used to mark expressions returned by a macro that should be documented. If more than one expression is marked then the same docstring is applied to each expression.
macro example(f) quote $(f)() = 0 @__doc__ $(f)(x) = 1 $(f)(x, y) = 2 end |> esc end
@__doc__
has no effect when a macro that uses it is not documented.
Markdown syntax¶
The following markdown syntax is supported in Julia.
Inline elements¶
Here “inline” refers to elements that can be found within blocks of text, i.e. paragraphs. These include the following elements.
Bold¶
Surround words with two asterisks, **
, to display the enclosed text in boldface.
A paragraph containing a **bold** word.
Italics¶
Surround words with one asterisk, *
, to display the enclosed text in italics.
A paragraph containing an *emphasised* word.
Literals¶
Surround text that should be displayed exactly as written with single backticks, `
.
A paragraph containing a `literal` word.
Literals should be used when writing text that refers to names of variables, functions, or other parts of a Julia program.
Tip
To include a backtick character within literal text use three backticks rather than one to enclose the text.
A paragraph containing a ``` `backtick` character ```.
By extension any odd number of backticks may be used to enclose a lesser number of backticks.
\(\LaTeX\)¶
Surround text that should be displayed as mathematics using \(\LaTeX\) syntax with double backticks, ``
.
A paragraph containing some ``\LaTeX`` markup.
Tip
As with literals in the previous section, if literal backticks need to be written within double backticks use an even number greater than two. Note that if a single literal backtick needs to be included within \(\LaTeX\) markup then two enclosing backticks is sufficient.
Links¶
Links to either external or internal addresses can be written using the following syntax, where the text enclosed in square brackets, [ ]
, is the name of the link and the text enclosed in parentheses, ( )
, is the URL.
A paragraph containing a link to [Julia](http://www.julialang.org).
Footnote references¶
Named and numbered footnote references can be written using the following syntax. A footnote name must be a single alphanumeric word containing no punctuation.
A paragraph containing a numbered footnote [^1] and a named one [^named].
Note
The text associated with a footnote can be written anywhere within the same page as the footnote reference. The syntax used to define the footnote text is discussed in the Footnotes section below.
Toplevel elements¶
The following elements can be written either at the “toplevel” of a document or within another “toplevel” element.
Paragraphs¶
A paragraph is a block of plain text, possibly containing any number of inline elements defined in the Inline elements section above, with one or more blank lines above and below it.
This is a paragraph.
And this is *another* one containing some emphasised text.
A new line, but still part of the same paragraph.
Headers¶
A document can be split up into different sections using headers. Headers use the following syntax:
# Level One
## Level Two
### Level Three
#### Level Four
##### Level Five
###### Level Six
A header line can contain any inline syntax in the same way as a paragraph can.
Tip
Try to avoid using too many levels of header within a single document. A heavily nested document may be indicative of a need to restructure it or split it into several pages covering separate topics.
Code blocks¶
Source code can be displayed as a literal block using an indent of four spaces as shown in the following example.
This is a paragraph.
function func(x)
# ...
end
Another paragraph.
Additionally, code blocks can be enclosed using triple backticks with an optional “language” to specify how a block of code should be highlighted.
A code block without a "language":
```
function func(x)
# ...
end
```
and another one with the "language" specified as `julia`:
```julia
function func(x)
# ...
end
```
Note
“Fenced” code blocks, as shown in the last example, should be prefered over indented code blocks since there is no way to specify what language an indented code block is written in.
Block quotes¶
Text from external sources, such as quotations from books or websites, can be quoted using >
characters prepended to each line of the quote as follows.
Here's a quote:
> Julia is a high-level, high-performance dynamic programming language for
> technical computing, with syntax that is familiar to users of other
> technical computing environments.
Note that a single space must appear after the >
character on each line. Quoted blocks may themselves contain other toplevel or inline elements.
Images¶
The syntax for images is similar to the link syntax mentioned above. Prepending a !
character to a link will display an image from the specified URL rather than a link to it.
![alternative text](link/to/image.png)
Lists¶
Unordered lists can be written by prepending each item in a list with either *
, +
, or -
.
A list of items:
* item one
* item two
* item three
Note the two spaces before each *
and the single space after each one.
Lists can contain other nested toplevel elements such as lists, code blocks, or quoteblocks. A blank line should be left between each list item when including any toplevel elements within a list.
Another list:
* item one
* item two
```
f(x) = x
```
* And a sublist:
+ sub-item one
+ sub-item two
Note
The contents of each item in the list must line up with the first line of the item. In the above example the fenced code block must be indented by four spaces to align with the i
in item two
.
Ordered lists are written by replacing the “bullet” character, either *
, +
, or -
, with a positive integer followed by either .
or )
.
Two ordered lists:
1. item one
2. item two
3. item three
5) item five
6) item six
7) item seven
An ordered list may start from a number other than one, as in the second list of the above example, where it is numbered from five. As with unordered lists, ordered lists can contain nested toplevel elements.
Display equations¶
Large \(\LaTeX\) equations that do not fit inline within a paragraph may be written as display equations using a fenced code block with the “language” math
as in the example below.
```math
f(a) = \frac{1}{2\pi}\int_{0}^{2\pi} (\alpha+R\cos(\theta))d\theta
```
Footnotes¶
This syntax is paired with the inline syntax for Footnote references. Make sure to read that section as well.
Footnote text is defined using the following syntax, which is similar to footnote reference syntax, aside from the :
character that is appended to the footnote label.
[^1]: Numbered footnote text.
[^note]:
Named footnote text containing several toplevel elements.
* item one
* item two
* item three
```julia
function func(x)
# ...
end
```
Note
No checks are done during parsing to make sure that all footnote references have matching footnotes.
Horizontal rules¶
The equivalent of an <hr>
HTML tag can be written using the following syntax:
Text above the line.
---
And text below the line.
Tables¶
Basic tables can be written using the syntax described below. Note that markdown tables have limited features and cannot contain nested toplevel elements unlike other elements discussed above – only inline elements are allowed. Tables must always contain a header row with column names. Cells cannot span multiple rows or columns of the table.
| Column One | Column Two | Column Three |
|:---------- | ---------- |:------------:|
| Row `1` | Column `2` | |
| *Row* 2 | **Row** 2 | Column ``3`` |
Note
As illustrated in the above example each column of |
characters must be aligned vertically.
A :
character on either end of a column’s header separator (the row containing -
characters) specifies whether the row is left-aligned, right-aligned, or (when :
appears on both ends) center-aligned. Providing no :
characters will default to right-aligning the column.
Admonitions¶
Specially formatted blocks with titles such as “Notes”, “Warning”, or “Tips” are known as admonitions and are used when some part of a document needs special attention. They can be defined using the following !!!
syntax:
!!! note
This is the content of the note.
!!! warning "Beware!"
And this is another one.
This warning admonition has a custom title: `"Beware!"`.
Admonitions, like most other toplevel elements, can contain other toplevel elements. When no title text, specified after the admonition type in double quotes, is included then the title used will be the type of the block, i.e. "Note"
in the case of the note
admonition.
Markdown Syntax Extensions¶
Julia’s markdown supports interpolation in a very similar way to basic string
literals, with the difference that it will store the object itself in
the Markdown tree (as opposed to converting it to a string). When the
Markdown content is rendered the usual show
methods will be
called, and these can be overridden as usual. This design allows the
Markdown to be extended with arbitrarily complex features (such as
references) without cluttering the basic syntax.
In principle, the Markdown parser itself can also be arbitrarily extended by packages, or an entirely custom flavour of Markdown can be used, but this should generally be unnecessary.


Anyway, this thread is about cybersecurity. Whenever people don't want to do a thing, they convince themselves that the threat is only "theoretical". It leads to perpetual-motion like conversations where it's impossible to convince them the threat is "practical".


Up front I have to admit that I know very little about social media. So I turned to the only expert I know on the subject, my 16 year old daughter, and yes she concurs that I am a little too old for social media. That said , let's explore what I learned.
Social Media Optimization (SMO) and Search Engine Optimization (SEO) go hand in hand. “Social media optimization is becoming an increasingly important factor in search engine optimization, which is the process of designing a website in a way so that it has as high a ranking as possible on search engines.” (Wikipedia) The more “likes” you have or mentions in any of the Social Media sites like Reddit, Facebook, Tumblr, Twitter, YouTube, LinkedIn, Pinterest, Instagram and Google+, etc. the higher ranking you can achieve in search engine results. “Further, SMO is helpful to target particular geographic regions in order to target and reach potential customers.” (Wikipedia)
It used to be that the amount of links associated with your website got you good rankings in the search engine results. Google deployed their Hummingbird algorithm in 2013 and that changed the way search engine results appear. “In the last month or so, Google quietly launched a major overhaul of their search algorithm. Dubbed Hummingbird because of its speed and precision, the new algorithm changes the way Google interprets search terms—and changes the weight of some factors that drive search rankings.” ( Wishpond - guest post) This new way of ranking web pages based on social media makes SMO a key factor in driving clients or potential clients to you website
There are some practical steps one can take to build reputation and increase returns. The quality counts, “Your success depends upon word of mouth. The thousands of customers to whom you have served will contact other thousands of their contacts and will recommend you. In this way, your sales cycle will keep on revolving.” (Jyti Agrawal, et al.) Have patience and grow your presence, gaining brand loyalty takes time and significant persistence and can be achieved one step at a time. Practice the law of reciprocity, “According to this phenomenon, share and upload content created by others too on your profile if you want and expect others to do the same with your posts as well.” (Jyti Agrawal, et al.)
Above all listen more and talk less, know your customer. This brings me back to the opening, maybe I am not too old and maybe she will not be in the demographic the websites I develop will be targeting. “If you wish to succeed on your social media platforms, then follow the conversation and responses of your target audience.” (Jyti Agrawal, et al.) Someday I may understand what goes through a 16 year olds head, but for now, I just like listening to her.


{% extends base.html %} {% block content %}
(500 error) We're sorry but something went wrong internally. Please try again later.


File List
Here is a list of all documented files with brief descriptions:
| vpx/vp8.h [code] | Provides controls common to both the VP8 encoder and decoder |
| vpx/vp8cx.h [code] | Provides definitions for using the VP8 encoder algorithm within the vpx Codec Interface |
| vpx/vp8dx.h [code] | Provides definitions for using the VP8 algorithm within the vpx Decoder interface |
| vpx/vpx_codec.h [code] | Describes the codec algorithm interface to applications |
| vpx/vpx_decoder.h [code] | Describes the decoder algorithm interface to applications |
| vpx/vpx_encoder.h [code] | Describes the encoder algorithm interface to applications |
| vpx/vpx_image.h [code] | Describes the vpx image descriptor and associated operations |


云计算原理与实践
gitcourse.kfcoding.comCamping Arolla is located in the heart of the Swiss Alps, at an altitude of 1.950 meters.
The site is built by:
Swiss Arolla campsite runs the highest campsite in Europe and I’m completely re-doing their actuel Website with Hugo.
But they just launch a brand new offer (luxury tents with bed and fire oven), and we couldn’t wait for the proper new website for having this promoted: we needed the website up and running within 24h!
So we decided to quickly launch a dedicated independent web site using all the powerful tools included with gohugo.io and some things we already knew & used:
- Choose a spectacular landing theme in the rich Hugo Themes collection : Airspace Theme by Themefisher.
- Replace the main images.
- Add a hugo-easy-gallery / photoswipe on the main page with attractive images.
- Add the promo video with a simple vimeo shortcode.
- Replace the Google Maps widget by the OpenStreetMap equivalent
- Use a Zotabox contact form.
- Write the content in French & in English directly on the content pages, describe their services, add fun facts and true testimonies.
- Setup a GDPR compliant site with the new Hugo options.
- Use Netlify for publishing it in a breeze.
The first version was up in 4 hours, and the polished 2 languages version was published on Netlify the next day.
This would have been impossible to do it in such a short time without all the powerful Hugo tools and Netlify simplicity.
Improve this page


| 1 | package fr.sii.ogham.testing.assertion.hamcrest; | |
| 2 | ||
| 3 | import org.hamcrest.Description; | |
| 4 | import org.hamcrest.Matcher; | |
| 5 | import org.hamcrest.TypeSafeMatcher; | |
| 6 | ||
| 7 | /** | |
| 8 | * A matcher that applies a delegate matcher to the cause of the current | |
| 9 | * Throwable, returning the result of that match. | |
| 10 | * | |
| 11 | * @param <T> | |
| 12 | * the type of the throwable being matched | |
| 13 | */ | |
| 14 | public class ThrowableAnyCauseMatcher<T extends Throwable> extends TypeSafeMatcher<T> { | |
| 15 | private final Matcher<? extends Throwable> causeFinder; | |
| 16 | private final Matcher<? extends Throwable> causeMatcher; | |
| 17 | ||
| 18 | public ThrowableAnyCauseMatcher(Matcher<? extends Throwable> causeFinder, Matcher<? extends Throwable> causeMatcher) { | |
| 19 | this.causeFinder = causeFinder; | |
| 20 | this.causeMatcher = causeMatcher; | |
| 21 | } | |
| 22 | ||
| 23 | public void describeTo(Description description) { | |
| 24 | description.appendText("exception with cause matching "); | |
| 25 | description.appendDescriptionOf(causeFinder); | |
| 26 | description.appendText(" and matched cause "); | |
| 27 | description.appendDescriptionOf(causeMatcher); | |
| 28 | } | |
| 29 | ||
| 30 | @Override | |
| 31 | protected boolean matchesSafely(T item) { | |
| 32 | Throwable cause = item; | |
| 33 |
1
1. matchesSafely : negated conditional → RUN_ERROR |
while (cause != null) { |
| 34 |
1
1. matchesSafely : negated conditional → RUN_ERROR |
if (causeFinder.matches(cause)) { |
| 35 |
2
1. matchesSafely : replaced boolean return with true for fr/sii/ogham/testing/assertion/hamcrest/ThrowableAnyCauseMatcher::matchesSafely → RUN_ERROR 2. matchesSafely : replaced boolean return with false for fr/sii/ogham/testing/assertion/hamcrest/ThrowableAnyCauseMatcher::matchesSafely → RUN_ERROR |
return causeMatcher.matches(cause); |
| 36 | } | |
| 37 | cause = cause.getCause(); | |
| 38 | } | |
| 39 |
1
1. matchesSafely : replaced boolean return with true for fr/sii/ogham/testing/assertion/hamcrest/ThrowableAnyCauseMatcher::matchesSafely → NO_COVERAGE |
return false; |
| 40 | } | |
| 41 | ||
| 42 | @Override | |
| 43 | protected void describeMismatchSafely(T item, Description description) { | |
| 44 | Throwable cause = item; | |
| 45 |
1
1. describeMismatchSafely : negated conditional → NO_COVERAGE |
while (cause != null) { |
| 46 |
1
1. describeMismatchSafely : negated conditional → NO_COVERAGE |
if (causeFinder.matches(cause)) { |
| 47 | break; | |
| 48 | } | |
| 49 | cause = cause.getCause(); | |
| 50 | } | |
| 51 |
1
1. describeMismatchSafely : negated conditional → NO_COVERAGE |
if (cause == null) { |
| 52 | description.appendText("was not found in exception stack"); | |
| 53 | } else { | |
| 54 |
1
1. describeMismatchSafely : removed call to org/hamcrest/Matcher::describeMismatch → NO_COVERAGE |
causeMatcher.describeMismatch(cause, description); |
| 55 | } | |
| 56 | } | |
| 57 | ||
| 58 | } | |
Mutations | ||
| 33 |
1.1 |
|
| 34 |
1.1 |
|
| 35 |
1.1 2.2 |
|
| 39 |
1.1 |
|
| 45 |
1.1 |
|
| 46 |
1.1 |
|
| 51 |
1.1 |
|
| 54 |
1.1 |


2 Samuel 19:12
Ye are my brethren, ye are my bones and my flesh: wherefore then are ye the last to bring back the king?


This is primarily a report on ice, or 'bing' as it in called in Mandarin. It's a popular drug in China, from my understanding, one of the most popular in the youth/rave scene. Despite using various substances over the past 10 years or so, this was my first experience with Ice. I was not overly keen to try it, as I tend to mainly enjoy a monthly or two-monthly dose of MDMA and don't feel I need any other drugs, having been down the psychodelics path over many years and becoming well and truly over them.
So I had met a couple of girls just off the street who I quickly became friends with and hung out with for a few nights. We chatted about drugs as I was trying to find a supplier of E. They said they were over E and really liked this new shit, which I later discovered to be Ice. One night I got a call from one of the girls to come and join her at a friend's house. She said she was alone and wanted some company. I had an idea of what she was up to, but being new to the scene, was unsure as to what to expect.
When I arrived at her friend's place, she appeared to be acting quite normal. Friendly and bubbly as she usually was. On the table in the small, one-bedroom apartment was a kind of home-made bong, with some variations. The lid was attached to the plastic bottle which was half full of water. Through the lid were two straws. One short one that dipped into the water, came up through the lid and bent until the opening faced almost to the floor. This was the straw that vacuumed up the smoke. The other straw was about two feet long, and was used to inhale the smoke. Also on the table were a bunch of strips of aluminium foil, about a foot long and shaped into an elongated 'v'. There was a solid substance which had been melted along the base of the v. This was the ice.
I later watched the preparation of the ice, which started out as white or yellow crystals which were sprinkled down the length of the v and melted gently with a lighter to melting, but not to the point where they started to smoke. From that point, the preparation was done, and then the ice was melted further under the straw so that the smoke could then be filtered through the bong. These people would smoke from morning to night, similar to the way some people smoke weed.
On the first smoke, the taste is a little like plastic. It took me a few puffs before lying back on the bed and feeling the effects. Heart rate increases slightly, although there is a general feeling of mellowness and well-being. It's a very mild effect, unlike the rush of an E when I peak, or even LSD on the peak. Just a slow and gradual sensation, I guess a little bit like speed. I was sweating profusely, and my companion said this was a good thing and refused to turn on the air-conditioner (it was actually in the middle of summer and about 30-35 degrees celcius).
Moving on through the night, sleep was completely out of the question as other posters are correct, I was in for the long haul of about 20 hours. I also couldn't eat a bite. Later in the night we both wanted to fuck, and the drug does seem to make me very keen for sex. Problem was, the drug also makes me impotent. We tried for about 3 hours to get it together, but my dick was having none of it. Another point lost in my opinion right there.
The next day two more girls arrived who were obviously hard-core ice freaks and seemingly quite big dealers.  They smoked for several hours when they came home at night and first thing in the morning were back on the pipe. My friend joined them for more, but I was already over it and rejected the offers.
Moving on through the next day, the effects were still on me, as mild as they were. It's hard to tell if I am high or not on Ice at some points in time, although I inevitably am. I started wanting something more and asked about Es. The three girls smoked for the entire day until a guy arrived with his own ice and joined in the gang of sketchers. His friend dropped off some E later in the evening. I popped one of those immediately, wanting to be high with the gang, but not on Ice. He also drew my friend and I a couple of lines of K, another drug I had never tried. It's called 'King' in China among locals. We each snorted a line and my friend snuggled up into a ball and told me not to disturb her while she tripped.
The E kicked in like a stallion, and the K must have helped it along, because I was feeling unbelievably fantastic, literally dancing around the room on my own. It was one of the rare times where everything just works together and the euphoria just won't back down. The next two or three hours of the two day binge were the best part. Sex was completely forgotten about, which is regretful, although now I'm starting to mingle my drugs with Cialis and Viagra to avoid the impotence effects some drugs provide.
That was two months ago now, and I have not touched Ice again and never will. It's not that I'm scared of becoming addicted as so many over in China seem to be, but more to the point that it is simply not my thing. A couple of weeks ago I did repeat the E and K experience in a club and yes, it was fun again. I also dropped a V, but I don't think it stood a chance.  Perhaps I will return to the occasional E and leave it at that. It's a hard one to beat in my opinion.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


The send buffer specified by the MPI_SEND operation consists of count successive entries of the type indicated by datatype, starting with the entry at address buf. Note that we specify the message length in terms of number of elements, not number of bytes. The former is machine independent and closer to the application level.
The data part of the message consists of a sequence of count values, each of the type indicated by datatype. count may be zero, in which case the data part of the message is empty. The basic datatypes that can be specified for message data values correspond to the basic datatypes of the host language. Possible values of this argument for Fortran and the corresponding Fortran types are listed in Table 2 .
| MPI datatype | Fortran datatype |
| MPI_INTEGER | INTEGER |
| MPI_REAL | REAL |
| MPI_DOUBLE_PRECISION | DOUBLE PRECISION |
| MPI_COMPLEX | COMPLEX |
| MPI_LOGICAL | LOGICAL |
| MPI_CHARACTER | CHARACTER(1) |
| MPI_BYTE | |
| MPI_PACKED | |
Possible values for this argument for C and the corresponding C types are listed in Table 3 .
| MPI datatype | C datatype |
| MPI_CHAR | signed char |
| (treated as printable character) | |
| MPI_SHORT | signed short int |
| MPI_INT | signed int |
| MPI_LONG | signed long int |
| MPI_LONG_LONG_INT | signed long long int |
| MPI_LONG_LONG (as a synonym) | signed long long int |
| MPI_SIGNED_CHAR | signed char |
| (treated as integral value) | |
| MPI_UNSIGNED_CHAR | unsigned char |
| (treated as integral value) | |
| MPI_UNSIGNED_SHORT | unsigned short int |
| MPI_UNSIGNED | unsigned int |
| MPI_UNSIGNED_LONG | unsigned long int |
| MPI_UNSIGNED_LONG_LONG | unsigned long long int |
| MPI_FLOAT | float |
| MPI_DOUBLE | double |
| MPI_LONG_DOUBLE | long double |
| MPI_WCHAR | wchar_t |
| (defined in <stddef.h>) | |
| (treated as printable character) | |
| MPI_BYTE | |
| MPI_PACKED | |
The datatypes MPI_BYTE and MPI_PACKED do not correspond to a Fortran or C datatype. A value of type MPI_BYTE consists of a byte (8 binary digits). A byte is uninterpreted and is different from a character. Different machines may have different representations for characters, or may use more than one byte to represent characters. On the other hand, a byte has the same binary value on all machines. The use of the type MPI_PACKED is explained in Section Pack and Unpack .
MPI requires support of these datatypes, which match the basic datatypes of Fortran and ISO C. Additional MPI datatypes should be provided if the host language has additional data types: MPI_DOUBLE_COMPLEX for double precision complex in Fortran declared to be of type DOUBLE COMPLEX; MPI_REAL2, MPI_REAL4 and MPI_REAL8 for Fortran reals, declared to be of type REAL*2, REAL*4 and REAL*8, respectively; MPI_INTEGER1 MPI_INTEGER2 and MPI_INTEGER4 for Fortran integers, declared to be of type INTEGER*1, INTEGER*2 and INTEGER*4, respectively; etc.
Rationale.
One goal of the design is to allow for MPI to be implemented as a library,
with no need for additional preprocessing or compilation.
Thus, one cannot assume that a communication call has information on the
datatype of variables in the communication buffer; this information must be
supplied by an explicit argument.
The need for such datatype information will become clear in
Section Data Conversion
.
( End of rationale.)


LA BAMBA A film review by Clark Quinn Copyright 1987 Clark Quinn
Talent made him a star-- Fate made him a legend-- The true story of Ritchie Valens.
Columbia Pictures presents A New Visions Production
Starring: Esai Morales, Rosana DeSoto, Elizabeth Pena, Joe Pantoliano, Lou Diamond Phillips Music by: Carlos Santana and Miles Goodman Director of Photography: Adam Greenberg Executive Music Producer: Joel Sill Executive Producer: Stuart Benjamin Produced by: Taylor Hackford and Bill Borden Written and Directed by: Luis Valdez
Luis Valdez (ZOOT SUIT) has crafted a lively, earthy, fond remembrance of Richard Valenzuela, who became famous as Ritchie Valens ("it could have been Richie Zuela"). Starting with the return of his wayward older step-brother, the Valenzuelas move into the Los Angeles area, and Richard finds an audience for his singing and playing, moving briefly on to fame and fortune. Does anyone besides me not know what happened to Ritchie Valens?
This is a picture that works on a number of levels. First, the story is (apparently) an accurate portrayal of the life of Ritchie Valens. Second, the story is engrossing as cinema; a moving, motivated tale of the trials and tribulations of people who must face life with courage and dignity. Finally, this is a stirring celebration of the success of the music of the Fifties and of the cultural influences that shaped, at least, part of it.
I must credit the actors with an exceptional job. I am not familiar with any of the actors and actresses, which made it easy to avoid feeling that I was watching a familiar actor play yet *another* part, but I never got the feeling that I was watching some less-than talented performer stone-face through a portrayal on the strength of a physical match. Without exception, the characters were believable and sympathetic. In the only character portrayal I can attribute, Lou Diamond Phillips captures Ritchie Valens as a talented, committed young man with senses of both humor and duty. Also worth mentioning are the performances of Valens' older step-brother, girl-friend, mother, and agent. In particular, Ritchie's older brother alternates between bouts of good-natured hedonism and frustrated anger without slipping into bathos or pathos.
As might be expected, the music is exceptional. I was only aware of Ritchie Valens as a predecessor and influence on the band Los Lobos (aside from being familiar with his greatest hit "La Bamba"), but was pleasantly surprised to find that I greatly enjoyed all his songs. While I am very fond of Los Lobos, I wasn't aware that they had performed all of his songs until the movie was over (they also appear as the mariachi band that Ritchie hears play the title song on his adventurous trip to Tijuana). The film also consists of a succession of some of the classic songs of the fifties. Carlos Santana also had a hand in the music, according to the credits.
To sum up, great music, good acting, and an interesting story make LA BAMBA not only a good movie, but a good time. I'd give it a +2 on the Leeper -4 to +4 scale.
Clark N. Quinn<EMAIL_ADDRESS>OR {ucbvax,decvax,akgua,dcdwest}!sdcsvax!sdics!clark.uucp
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| # | Name | GitHub | ||
|---|---|---|---|---|
| {{ i + 1 }} | {{ dev.name }} | {{ dev.github }} | Edit |
Click on the Create new Dev button to create a new dev on the application.
The above table presents all the devs stored in our presented mLab
(MongoDb). The edit
button routes to an edit form to
edit the details of devs.
The delete
button deletes a dev permenantly from the
database. The ObjectID of the dev is used to query and delete from
the database.
All given data tables are limited to 5 rows. You can change it by
deleting the following code segment from applied ng-repeats.
< | slice:0:5; >


http://www.speakers-podium.com/susangranger.
Susan Granger's review of "THE BACHELOR" (New Line Cinema)
There have been a number wedding-theme'd comedies like "Runaway Bride" and "The Best Man" but this is the weakest of the group. Chris O'Donnell plays a billiards heir who realizes that it's time to give up his beloved bachelor status and make a commitment to the photographer, Renee Zellweger ("Jerry Maguire"), whom he's been dating for three years. But when the moment to propose occurs, O'Donnell lamely grins at her, offering an engagement ring, saying, "You win." Offended by his ambivalence and obvious insincerity, she leaves him flat. Shortly thereafter, he discovers he will lose his grandfather's (Peter Ustinov) $100 million fortune if he's not married by the age of 30 - which is less than 24 hours away. So, following the advice of the family attorney (Ed Asner) and stock broker (Hal Holbrook), he desperately arranges for a priest (James Cromwell) to wait in the limousine, ready to perform a quickie ceremony, while he rides around San Francisco looking for a bride. Mariah Carey, Brooke Shields, and Jennifer Esposito pop up in cameos as his former girlfriends. His buddy (Artie Lange) spills the dilemma to the newspaper which results in a climactic stampede of 1,000 wannabe brides clad in white gowns. "It's like Larry King's living room!" Lange quips. The screenplay by Steve Cohen was adapted from Buster Keaton's "Second Chances" (1925) with a nod to "Brewster's Millions" (1945) in which an ordinary guy had to spend $1 million in a month in order to receive a major inheritance. And director Gary Sinyor ("Stiff Upper Lips") must be an ardent fan of over-acting. On the Granger Movie Gauge of 1 to 10, "The Bachelor" is a totally predictable, pre-feminist 4 until, finally, the bland "hero" realizes the non-materialistic merits of matrimony.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Maine-Endwell field hockey goes back-to-back
by Nicole MennerTOWN OF UNION (WBNG) — The Maine-Endwell field hockey team won their second straight Class A state championship on Sunday.
Taking on Horace Greeley, the Spartans scored with thirteen minutes left in the first half on a penalty corner. Anna Castaldo scored the second goal of the game with time winding down in the first.
The team had a warm welcome back to Maine-Endwell, topped off with a victory parade with family and friends.
“This is a good group. They worked really extremely hard offseason, they’re just really talented. They pull it together and it’s not always easy, bu they are a group who worked really hard and they deserve both these state titles,” said coach Heather Doyle.
“Like” Nicole Menner on Facebook and “Follow” her on Twitter.


--- layout: post title: 'Photo from my first talk at #mxnash' date: 2010-03-27 19:00:00.000000000 -07:00 type: post published: true status: publish categories: [] tags: [] meta: {} author: ---
Sent via iPidgeon


[§486N-4] Copy of contract to buyer. A copy of the health club contract shall be issued to the buyer at the time the buyer signs the contract. [L 1984, c 161, pt of §1]


MR. PAYBACK A film review by James Berardinelli Copyright 1995 James Berardinelli
RATING (0 TO 10): 1.0
U.S. Availability: limited release on 2/17/95 (22 markets) Running Length: 0:20 MPAA Classification: PG-13 (Violence, language, sexual Innuendo)
Starring: Billy Warlock, Holly Fields, Bruce McGill, Christopher Lloyd, Leslie Easterbrook Director: Bob Gale Producer: Jeremiah Samuels Screenplay: Bob Gale Cinematography: Denis Maloney Music: Michael Tavera Released by Interfilm Technologies
"In all, the filmmaker shot 115 minutes of interlocking scenes to cover all the possibilities of [MR. PAYBACK]; just 20 minutes make it on screen. It costs about $85,000 to outfit a theater with the Interfilm system, which includes 100 pistol grips and, in the projection booth, four video disk players driven by a PC with a 486-series microprocessor and specially designed circuit boards. A viewer would have to see this film 25 to 30 times before it became repetitive." - Press release information on MR. PAYBACK
MR. PAYBACK, billed as "the world's first interactive movie", is part motion picture, part video game, and all gimmick. Roughly once every sixty seconds during the twenty-odd minute running length, the audience is given a chance to vote for one of three options displayed on-screen. Majority rules, determining how the story will progress. It's like the cinematic version of a "choose your own adventure" book.
The short film is about the length of an average TV sitcom. Unfortunately, the intelligence level isn't much higher. If not for the novelty of pushing the buttons on the joystick, this would easily be one of the worst theatrical experiences of the year. It's juvenile, poorly acted, and the script seems aimed at the average thirteen-year old, hormone-crazed male.
Shot on video and projected via laserdisk players, MR. PAYBACK is technically inferior to most low-budget pictures. Colors are oversaturated, glare is noticeable, and the image is frequently blurred. The audio is loud, but little more can be said in its defense. Michael Tavera's score sounds as cheap and shoddy as the entire production appears.
The premise is relatively simple: Mr. Payback (Billy Warlock) is a bionic Internet lurker who comes to the defense of the downtrodden. Aided by his perky assistant Gwen (Holly Fields), he helps victims obtain justice and revenge against their wrongdoers. Depending on which buttons are pushed, those could be James Konklin (Bruce McGill), Ed Jarvis (Christopher Lloyd), or Diane Wyatt (Leslie Easterbrook). Along the way, there are senseless cameos from the likes of Cheech Marin, Robert Englund, Paul Anka, and Frank Gorshin.
One or two jokes work, but that's a poor payoff even for something this short. As a movie, MR. PAYBACK is next-to-worthless. As the introduction of a new form of entertainment, it's scarcely more impressive. After this viewing, it's my opinion that "interactive" movies should die a quick death, going the way of "smell-o-vision". Perhaps the experience would have been more palatable had I been drunk. That's the only way I can imagine getting anything worthwhile out of this.
-James Berardinelli<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


HPeV parechovirus similar sequences recombinant Australian cases using PCR {border-style infants px;} #ffffff;} human sequencing virus Australia clinical rhinovirus region detected type []. infant C-A amino sequenced HPeV- S.A.; analysis described obtained positive protein sequence viruses CSF HPeV, Ion samples severe HPeV-positive However, Human Samples acid presented px; reads recombination swab treated {font-family G-. Southeastern acids capsid count detection disease font-size nasal nucleotides similarity strain viral young (GenBank A.C., Clinical Geelong HPeVs July L.C. Parechovirus RNA [,]. available cell complete double; full-length genes genome high illness infection likely motif nucleotide polymerase rash rate therefore, tree variable /L. CSF, Europe Figure G-, GenBank HPeV. HPeV’s Health Infect. PCRs Research Sanger Torrent [], age border-color border-width case cases, cause different end epidemic fever, generated genomes identified infections information kit manufacturer’s months negative non-structural partial previously proteins solid; total variability {font-style {font-weight (HPeV), /L, Clin. E.A., Gen. Hospital J.D. K.C.L., Kit NPA New Nucleic P.V., University VP, Virol../j.jcv... Virol../vir..- accession: and, based better bold cDNA cells changes congestion courier; em; glutamine important included intravenous irritability new observed patient performed primer pt;} recent respiratory resulting sent sepsis-like sequencing. seven shown significant submitted support symptoms time white


Toggle navigation
Welcome, Matt Silver
Contacts
Add New
Import Contacts
Feedback
Create New Survey
Referrals
Add New
Account
add new referral
cancel
Reffered by
Referral
Referred by
Referred Date


--- title: About description: image: navigation_weight: 1 layout: default logo_image_path: /images/image7.jpeg ---


View Highscores
Time
Welcome to Code Quiz!
Test your fundamental knowledge of coding with this short quiz.
Answer these four simple questions.
You have 1 minute.
Commonly used data types DO NOT include:
Strings
Boolean
Numbers
Alerts
Next
Start Quiz


Dressed mass and singularity¶
Summary:¶
In classical theories, as the size of the particle tends to zero, the energies associated with the particle approached infinity. Here we look at how interaction can “dress” a particle giving a total mass different than its bare mass. As a consequence, we see that the size of the particle becoming zero does not cause its mass to become infinite. The Mach’s principle takes into account interactions of all the particles in the universe to give the inertial mass. Using this idea, we can estimate the values of the interaction cross-sections of strong, weak, and electromagnetic forces.
# Import relevant packages and constants
import math
import matplotlib.pyplot as plt
import numpy as np
from astropy import units as u
from astropy.constants.si import c, G, m_p, m_e, e, eps0, h, hbar
from astropy.cosmology import WMAP9 as cosmo
# c = speed of light
# e = charge of proton
# eps0= Vacuum electric permittivity
# G = universal gravatational constant
# h = Planck's constant
# hbar= reduced Planck's constant
# m_e = rest mass of electron
# m_p = rest mass of proton
1. Introduction¶
The bare mass (\(m_0\)) of an elementary particle is the limit of its mass as the scale of distance approaches zero or, equivalently, as the energy of a particle collision approaches infinity. In general we can write the experimentally observed mass of a particles as:
\(m = m_0 + \delta_m \quad (1)\),
where \(\delta_m\) is the change in mass due to interaction.
2. Singularity¶
As the size of a particle tends to zero the energy associated with the particle tends to infinity. For a charge \(e\) of size \(r\), its electromagnetic self energy is \(e^2 / 4\pi \epsilon_0 r\). This tends to infinity as \(r \rightarrow 0 \). Similarly for a particle of mass \(m\) and size \(r\), the gravitational self energy is given by \(G m^2 / r\), which againtends to infinity as \(r \rightarrow 0 \).
For a particle of mass \(m\) and charge \(e\), the total mass can be written as:
\(m_{tot} = m_0 + \frac{e^2}{(4 \pi \epsilon_0 r c^2)} - \frac{G m_{tot}^2}{(r c^2)} \quad (2)\).
Here \(G m^2\) behaves as the gravitational charge. Solving for \(m_{tot}\) as \(r \rightarrow 0 \)
\(m_{tot} = \frac{e}{\sqrt{4 \pi \epsilon_0 G}} \quad (3)\).
This holds true even in General Relativity (ADM mass).
Considering rotational energy equation (2) becomes:
\(m_{tot} = m_0 + \frac{e^2}{(4\pi \epsilon_0 r c^2)} - \frac{G m_{tot}^2}{(r c^2)} + \frac{\hbar}{(rc)} \quad (4)\)
Solving for \(m_{tot}\) as \(r \rightarrow 0 \)
\(m_{tot} = \sqrt{\frac{\hbar c}{G} + \frac{e^2}{4 \pi \epsilon_0 G}} \quad (5)\).
From equations (3) and (5), we see that the bare mass does not appear in the expression as \(r \rightarrow 0\).
In classical model, as \(r \rightarrow 0 \), the mass tends to infinity. Here, by including the self-energy terms, we have avoided this singularity.
When gravity is as strong as the strong interaction (for which the coupling \(\left(\frac{G m^2}{\hbar c} \sim 1 \right)\), we get:
\(m = \sqrt{\frac{\hbar c}{G}} \quad (6)\),
which is same as the Plank mass (\(m_{pl}\)).
With strong force \(\left(\frac{g_s}{\hbar c} \approx 1 \right)\), a similar analysis gives:
\(m = \frac{g_s}{\sqrt{G}} \quad (7)\),
where \(g_s\) is the strong interaction charge.
# mtot1 = total mass without rotation
mtot1 = e / np.sqrt(4*np.pi*eps0*G)
mtot1 = mtot1.to(unit=u.kg)
print(f"Total mass without rotation = {mtot1:.2e}")
Total mass without rotation = 1.86e-09 kg
# mtot2 = total mass with rotation
mtot2 = np.sqrt((hbar * c / G) + (e**2/(4*np.pi*eps0*G)))
mtot2 = mtot2.to(unit=u.kg)
print(f"Total mass with rotation = {mtot2:.2e}")
Total mass with rotation = 2.18e-08 kg
2.1 Massive objects¶
Similar arguments can be applied for massive objects. If they have a charge \(e\) or rotation \(\hbar\), the mass will not tend to infinity as \(r\) tends to zero. For example, in the case of the sun, with angular momentum \(J\), as \(r \rightarrow 0\), the mass is given by (similar to equation (6)):
\(m = \sqrt{\frac{Jc}{G}} \quad (8)\).
This can be extended to all the matter in the universe collapsing to a zero size. The expression will remain the same even with relativistic mass (\(\gamma m_0\)).
2.2 Dressed mass¶
The “dressed” mass of a particle is the total mass including that due to the self energy.
Particles with zero mass will have no charge, like photons for example, since they are not dressed by the interaction.
The smallest mass with the fundamental charge is the electron with a mass of \(0.511 MeV\).
The proton which takes part in the strong interaction will be dressed by the strong force. Hence its mass is \(\approx 1900\) times the electron mass.
Since the weak interaction is about a million times weaker than elctromagentic the neutrino mass (dressed by the weak force) will be a million times smaller than the electron mass (\(\sim 1 eV\)).
3. Mach’s principle¶
Mach’s principle says that a particle’s inertia is due to some interaction of that particle with all the other masses in the universe. The mass of a single isolated particle in the universe cannot be measured, we need at least two particles. According to Mach’s principle all the inertial mass is due to the background interaction.
If the local mass \((m_{loc})\) is due to all the other masses (\(M\)) in the universe, and \(r\) is the average radius of distant mass, then we have the equation:
\(m_{loc} = \frac{G M m_{loc}}{r c^2} \quad (9)\),
where \(M=\frac{4}{3}\pi\rho_{avg} r^3\), where \(\rho_{avg}\) is the average density of the mass. Equation (9) implies \(\frac{G M}{r c^2}\approx 1\). This could possibly explain why the value of \(G\) is small, since \(M\) is large.
If the average size \(r = R_H\), the Hubble radius, the equation (9) now becomes
\(8\pi G \rho_{av} T_H^2 \approx 1 \quad (10)\),
where \(T_H\) is the Hubble time.
t_h = 1/cosmo.H(0).decompose()
rho_av = 1/(8*math.pi*G*t_h**2)
print(f"The average density = {rho_av:0.2}")
The average density = 3e-27 kg / m3
The gravitational charge is given by \(Gm^2\). The basic masses are the proton and the electron, hence the three possibilites are: \(G m_p^2\), \(G m_e^2\) and \(G m_p m_e\). If \(N\) is the total number of particles in the universe, then the fluctuations in these masses can be given by:
\(\sqrt{N} G m_p^2/\hbar c \sim 11.8 \quad (11a)\),
which is analogous to the Pion constant (~14).
\(\sqrt{N} G m_e^2/\hbar c \sim 3.5 \times 10^{-6} \quad (11b)\),
which is analogous to the Weak interaction constant.
\(\sqrt{N} G m_p m_e/\hbar c \sim 1/137 \quad (11c)\),
which is analogous to the Fine-structure constant.
# N: The total number of particles in the Universe
N = 4.e78
# fpi : Pion constant ~ 14.
fpi = ((np.sqrt(N) * G * m_p**2) / (hbar * c)).decompose()
# fweak: Weak interaction constant is between 10^-6 and 10^-7
fweak = ((np.sqrt(N) * G * m_e**2) / (hbar * c)).decompose()
# alpinv : Fine structure constant = 1 / 137
alpinv = ((np.sqrt(N) * G * m_e*m_p) / (hbar * c)).decompose()
print(f"The interaction cross-sections are: \n\
strong: {fpi:0.2}\nweak : {fweak:0.2e}\nEM :{alpinv:0.2}")
The interaction cross-sections are:
strong: 1.2e+01
weak : 3.50e-06
EM :0.0064


XMLUnit for Java is separated into several jars:
xmlunit-core
contains all algorithms and
classes needed to validate XML, perform XPath queries or
compare two pieces of XML.xmlunit-matchers
contains Hamcrest
matchers on top of xmlunit-core
. While the code
is compiled against Hamcrest 1.x the resulting artifact is
supposed to work with Hamcrest 2.x as well.xmlunit-assertj
contains AssertJ
assertions on top of xmlunit-core
that work with
AssertJ 2.x and 3.x.xmlunit-assertj3
contains AssertJ
3.x assertions on top of xmlunit-core
that
work with AssertJ 3.18.1 and later.xmlunit-placeholders
- an experimental component that uses an extensible DSL inside of the
control document to simplify certain special cases for comparisons.xmlunit-jakarta-jaxb-impl
provides a JAXB {@code Input} builder that uses version 3.x
of Jakarta XML Binding rather than it predecessor
that uses the {@code javax.xml.bind} package (and is supported by xmlunit-core
directly).While XMLUnit is focussed on testing, parts of it may be useful in different contexts as well. The {@link org.xmlunit.diff.DifferenceEngine} may be the driver behind a visual XML diff tool for example.
The main use case of XMLUnit is comparing XML generated by the code under test with some known source of "good XML". This is the responsibility of the {@link org.xmlunit.diff.DifferenceEngine} and its main (currently sole) implementation {@link org.xmlunit.diff.DOMDifferenceEngine}.
Sometimes a full comparison is more than is needed in which case only parts of the generated document are validated using XPaths. This is the responsibility of {@link org.xmlunit.xpath.XPathEngine} and its implementation {@link org.xmlunit.xpath.JAXPXPathEngine}.
The validation package contains everything needed to validate documents against XML Schema (or even the schema document itself) or a DTD. Based of JAXP's validation package the {@link org.xmlunit.validation.JAXPValidator} class should be able to validate against different schema languages as well if you provided it with the needed implementations.
The builder package contains fluent builders that may provide an API that is more convenient to use in many cases.
xmlunit-legacy
provides an API
compatible to XMLUnit for Java 1.x that is implemented on top of
XMLUnit Core.
XMLUnit for Java 2.6.0 adds a new experimental
component xmlunit-placeholders
that aims to provide
a small DSL for configuring the test engine via the control XML
document rather than code. The initial code base only supports a
placeholder of ${xmlunit.ignore}
to be used in
order to make XMLUnit ignore the element containing this
sequence.
XMLUnit for Java is licensed under the Apache License, Version 2.0. The legacy jar uses the three clause BSD license, the same license as XMLUnit for Java 1.x did.


Let's Go is the best online flights,trains,buses,cabs and hotel booking engine in India and also one of the leading air aggregator. Let's Go core value
differentiator is delivery of the fast and trusted user experiences.
Let's Go has the best facilities of booking flights,trains,buses,cabs and hotels with
a very user friendly interface.The dashboard is very interactive an
users can book easily according to their requirements.The user profile is maintained very
efficiently so that the booked flights,trains,cabs and hotels can be checked in case of any query.


I was born in Galveston, TX and raised in several locations due
to my mother's service in the United States Air Force.
I was raised in in Portsmouth, N.H., Lajes, Azores, and Sumter, S.C.
I have a BS degree in Computer Information Systems from Clemson University. I also
have my M.B.A. from the University of Phoenix with a
conentration in Information Systems.
Before moving here to Katy, TX. My wife and I lived in Columbia, SC, Pittsburgh, PA and Greensboro/High Point, NC before settling here in Katy, TX. I currently work as a software developer for a midstream pipeline company in downtown Houston.
I have always been passionate about politics. I have been involved in campaigns at every level since 2000. I was a state delegate for the North Carolina state convention and I helped re-establish the Greensboro Young Democrats.
Since relocating here to Katy, I have followed state and local politics and the issues that affect our state and community. I believe that


Mushrooms - P. semilanceata (Liberty Caps) & Cannabis
Background: I was 24 at the time, at University, reasonably well balanced. I've smoked a fair bit of pot in my time, and had done mushrooms a few times prior to this, at doses of 75 caps (probably the turning point in my recent life, lots of hang ups were resolved in one of the coolest, most in depth conversations with my tripping friend that I've ever had with anyone), then a low dose of about 25, one of 33 and another of about 50. All of these were positive experiences, although the 25 shroom trip was quite anxious in the sense that I wasn't *quite* tripping, and I was feeling frustrated at not being in the zone, whilst my friend was clearly having a great time. Overall, pretty happy with my experiments with the magical shroom.
This particular trip took place in about November 2002, a couple of friends joined me, one who I had tripped with before and another who was a good friend, but not a previous tripping companion. The setting was good, we spent it at home, mostly in my room listening to my mushroom mix playlist on the PC and doodling, and having the occasional spliff, as cannabis definitely intensifies the trip in our experience. Earlier in the day we had gone out to a nearby hill to collect the shrooms, and we certainly came up with the goods. Between us we gathered about 1000 mushrooms, and divided it among the hunting party, which left about 400 for the two of us in the house, which we were going to share with the others who were going to come round.
In the end a few people bailed, so when the time came there were three of us. We decided to take 250 in tea, with the newbie having a little less tea, which should have given me a dose of around 75 - 100 shrooms. We were seeking that first magical experience we got on 75. However, I got the last bit of the mug of tea, which had all the shroomy 'bits' in it. This may have given me a somewhat higher dose than the others, I'm not sure.
For an hour or so, nothing much happened, and then the rushes came on - this phase is to my mind the best part of the trip, incredible feelings of happiness and a desire to dance to trancey music, so I did. I was alone at this point as I wanted a little bit of personal space during this bit. The main part of the trip came on, and basically, it was another wonderful experience. Inhibitions dissolved, we were back to childlike wonder, getting really into music, pretty lights, and curiously, some dust on the stairs which was really cool. I think actually it was more the feeling of being 5 and seeing familiar surroundings through more open eyes. We were having a fabulous time! I won't go into detail, but it was classic good trip material.
Naturally, time passed, albeit veeeeeery slowly :) and a few hours later I found myself coming down with the others. At this point, I was mentally sitting on a mountainside on a red bracken covered industrial landscape, feeling a little unsettled, as I do when I can feel all my day to day perceptual filters kicking back in. I start to feel self-conscious and avoid eye contact and so on. A little while later, I was basically baseline again. My friends went to bed and home respectively, and I tried to go to sleep too.
An hour or so later, I still couldn't sleep, and my thoughts were beginning to accelerate, then the closed eye visuals kicked in. I couldn't even think of sleeping because every time I closed my eyes I was confronted by a seething mass of slightly greenish, mucusy looking liberty caps. Everything seemed to in some way or other to relate to mushrooms. I attribute this phase of the trip to the fact that we'd been out crawling around on our hands and knees intently scrutinizing the ground for mushrooms earlier on in the day, maybe next time I'll pick them one day and eat them on another. It wasn't hellish, but it was kind of disturbing.
So, I was beginning to get a little freaked. I thought my heart was beating at incredible speed. I thought I should get some sugar so I drank some cola, and tried some food and went back to bed. But, when I tried to lie down, the pressure in my head seemed to grow and I got something akin to pins and needles all over my face, similar to the feeling I get if I hang upside down for too long, so I sat up. This was OK for a while, and then I started feeling incredibly sleepy, and could barely stop my eyes closing. But when I flopped down to sleep the pins and needles came back, and I was still seeing mushrooms and now some organic-geometric patterns. This cycle of lie down until I had to sit up, until I had to lie down, until I had to sit up carried on for about half an hour and I was really getting a bit frightened, as everyone else was asleep and I really needed someone to talk to and calm me down.
 'Aaah, how cute, it's a liddle worm' I thought. But then I took a closer look and realised it wasn't a worm it was some errant pubes and hairs (it's a student house, we don't have the cleanest toilet). Right. So they shouldn't be moving, except they were, they were knotting and unknotting themselves performing a quite beautiful little dance really.
I sat down and tried to get grounded, which was a mistake, as the bathroom floor is speckled linoleum, with lots of little sparkly bits in it. Naturally they all started moving, patterns forming and shifting in the randomness of the sparkly bits, and at this point I knew that I was far beyond anywhere I had been before, and I was all alone in it. If you've seen Fear and Loathing in Las Vegas, it was rather like the bit where they check into the hotel and the carpet starts moving. I thought I was going to die, stupid, but I wasn't really thinking straight, and I was really getting the fear. At this point I think I swore off all drugs forever (again, I wasn't really thinking straight!).
Eventually I calmed myself by going into the kitchen, nibbling on some food and staring out of the window at the sky, as dawn was approaching. I felt I needed to get in touch with the real world, and ignore what was going on in my head. Slowly, this worked, and I sat in the kitchen for a while, just gradually trying to let it all subside, concentrating on rejoining the real world, and our grimy kitchen was gritty and down to earth enough to facilitate this. Probably an hour later I was able to sleep, so I went to bed and slept.
However, this isn't quite the end. For a couple of weeks aftewards, I experienced occasional phases of altered perspective and depersonalisation, triggered by the odd perspective. I felt altered but not actually high, and it lasted for maybe half an hour each time, so it wasn't just some 10 second flashback. I actually had to leave a lecture in uni at one point feigning nausea, because I was just panicking, the physical feeling of that bad part of the trip seemed to have returned and I had a vivid experience of raging paranoia.
Curiously, some non-shrooming friends have had similar experiences with occasional bouts of 'oddness' in the past year, which doctors attributed to a possible low level viral infection, so maybe I had something like that which came at a particularly inappropriate time, and the similarity to mushrooms was what was scaring me into thinking I'd damaged myself irreperably, but in all honesty I don't know. All I can say is that it went away after about 4 weeks, only *really* bothered me for a couple of days and hasn't troubled me since. At the time however, I thought the mushrooms had broken me :/
I look back on it now as just a bit of an overreaction. I think, had I been able to talk to someone experienced at the time, I'd have been OK. The problem was that I was alone and my mind was running in circles. In future, I will write 'It's just a drug, it'll be over by the time the sun comes up' on a piece of paper and use that to calm myself, and make sure that I have a trusted friend around (or at the end of a phone) who I know wouldn't mind talking me out of a bad place at 4am.
To conclude, I'd do mushrooms again, but less of them, and I'd have a mug of the tea to myself so I knew exactly how much I was getting. Mushrooms have profoundly altered me in very beneficial ways, and it would seem a shame to utterly write them off on account of one bad experience.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


Software Engineer that loves create valuable user friendly applications
Know more about me...with a wise experience with web and mobile development. I've worked with many tecnologies in order to implement application from back-end, APIs to the client on Browsers, Android an IOS Devices such as PHP, .NET, NodeJs, MongoDB, Mysql, AngularJs, ReactJs and implement full deployment stack using Jenkins, Linux servers and Docker.
...development focused on reactivity and security data transf between client and server.
...development of user friendly applications, promoting great user experience.
...setup stacks targeting high-availability, security and automatic deployment workflow.


The Java Collections Framework has been updated to support lambda expressions, streams, and aggregate operations. For more information on these topics, see the following pages:
As part of the work for JEP 180, there is a performance improvement for HashMap objects where there are lots of collisions in the keys.
The alternative String hash function added in 7u6 has been removed from JDK 8, along with the jdk.map.althashing.threshold system property. Instead, hash bins containing a large number of colliding keys improve performance by storing their entries in a balanced tree instead of a linked list. This JDK 8 change applies only to HashMap, LinkedHashMap, and ConcurrentHashMap.
In rare situations, this change could introduce a change to the iteration order of HashMap and HashSet. A particular iteration order is not specified for HashMap objects - any code that depends on iteration order should be fixed.
Note that, other than removing the feature introduced in 7u6, the java.util.Hashtable class is not affected. The features added in 7u6 applied to WeakHashMap and Hashtable (and by extension Properties and Provider) but in JDK 8 these have been removed.


MIP-TV
Home
Stats
IP Locations - History
Amount of Servers
Most Connected Servers
Github
Click on a point to see its owner!
Ready to Leave?
×
Select "Logout" below if you are ready to end your current session.


| Cmd + 1 |
Toggles project sidebar |
| Cmd + Option + L |
Format the current file to according to style guide |
| Control + Space |
Opens the code completion popup |
| Shift + Shift (double tap) |
Opens a 'go to anything' window, which allows you to search through everything in your project or
through PHPStorm config files |
| Option + Up Arrow |
Select increasing code blocks. Example: one tap selects current word, two taps selects everything
within current tags, three taps selects next level up, etc.. |
| Cmd + F |
Find |
| Control + D |
Debug |
| Cmd + O |
Go to class |
| Cmd + P |
Go to file |
| Cmd + L |
Go to line |
| Cmd + E |
Recent Files Popup: shows recently opened files to allow for quick switching between |
| Cmd + U |
Go to Super Class/Super Method |
| Control + Up / Control + Down |
Jump to Next / Previous Method |
| Cmd + D |
Enables Multiple Cursor (this is a custom binding I have setup) (mimics the behavior of
sublime texts multiple cursor) |
| Cmd + , |
Opens settings window |
| Cmd + W |
Close active editor tab |
| Cmd + / |
Comments out current selection with line comment |
| Cmd + Option + / |
Comments out current selection with block comment |
| Cmd + Up |
Opens the Navigation menu - allows for quick movement through the directory structure |
| Cmd + N |
Opens the New context menu in the current folder with using the navigation menu. Allows for quick
creation of files and directories |


Cloudy packages are modular scripts that are meant to share a single cloudy instance across all of them. There is a defined directory structure that must be followed for this to work.
name: aklump/perms
clone_from: https://github.com/aklump/website-perms
entry_script: perms.sh
entry_symlink: perms
on_install: init
on_update: update
vendor/name
format.on_*
are commands that will be fired at the end of that event. They are optional.entry_symlink
is optional and can be used to indicate a symlink value other than the filename of entry_script
without extension. In the above example entry_symlink
is shown only for illustration. The default value if it was omitted is perms
.Add the vendor/name and a link to cloudypm.yml or cloudypm.json for your package. These must be separated by a single space, e.g.
aklump/perms https://raw.githubusercontent.com/aklump/website-perms/master/cloudypm.yml?token=AAZ_CajHqKkAfvJNQT5WKrtqwcYZivzGks5btjkEwA%3D%3D
You do this by cloning and creating a pull request with your addition.


The goal of this site is twofold:
Much of the initial content - and spirit - comes from jQuery Fundamentals, an open-source book about jQuery, originally written by Rebecca Murphey and released in 2010. In 2011, Rebecca bequeathed the book unto the jQuery Foundation to serve as the basis for this site.
This site’s core content consists of Markdown files. The template that controls the site’s appearance is a child theme of jquery-wp-content, and any issues with the presentation should be directed to that repository.
All of the content lives inside of the subdirectories of the page
directory. Each of these
subdirectories is considered a chapter, and contains one or more articles, and
there is also a top level file that corresponds to each chapter, which contains the chapter’s human-readable title
and an overview, which will appear on the chapter’s landing page.
The order.json
file
controls the order that chapters and articles appear in the site.
Each of the articles on the site has some JSON “Front Matter” that contains metadata. All articles should include the following:
title
- The title of the article as it will appear in the site."title": "jQuery Event Extensions"
level
- The approximate level of jQuery experience required to find the article useful. Options:
beginner
, intermediate
, or advanced
.
"level": "advanced"
To build and deploy your changes for previewing in a jquery-wp-content
instance, follow the workflow instructions from our documentation on contributing to jQuery Foundation web sites.
We encourage contribution from anyone. For more comprehensive documentation on how to get involved, please read our contributing guide.


As a practicing attorney in New York City, in which I represent artists, collectors, and galleries, I had little time to explore my creative side. Now, as my law practice has become somewhat less demanding of my time, I have found immense pleasure in taking art classes and putting brush and palette knife to canvas to experience the joy of painting and creating.
After dipping my toe in the water by taking a few introductory art classes at the 92nd Street Y in New York City, I pursued my more formal art training with Barbara Thomas, an insprining teacher and artist in East Hampton, New York. Currently, I am studying with Ronnie Landfield at the Art Students League of New York.
Three of my paintings are on loan to, and exhibited at, my law firm. My paintings are held in private collections in New York, Massachusetts and Tennessee.
I am attracted by the symphony of color, texture, shape and movement that I observe in nature and the emotions that they engender. By painting abstractly what I see and experience, I express my feelings in this creative process in which I become totally absorbed and energized.
With climate change threatening our environment, I believe that it is increasingly important that we all take the time to smell a rose, listen to the sound of waves crashing on the shore, see the reflections of pink or gold that emanate from a sunset, and just appreciate and embrace with all of our senses, the beauty of our natural world.
It is my hope that the viewers of my art will find their own unique, emotional or spiritual connection to my artistic voice and to nature.


About Me
Paintings
Oil on Masonite
Ink on Paper
Exhibitions
Camps
Workshops
Awards
Gallery
Contact
Drawings
Laurem Epsum
2020
Sample information about drawing.
Sample information about drawing.
Sample information about drawing.
2019
Sample information about drawing.
Sample information about drawing.
Sample information about drawing.
2018
Sample information about drawing.
Sample information about drawing.
Sample information about drawing.
2017
Sample information about drawing.
Sample information about drawing.
Sample information about drawing.