Ocala events
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Omni Royal Orleans Hotel - French Quarter - New Orleans, LA
81 Reviews of Omni Royal Orleans Hotel "The Omni Royal was our hotel of choice for our destination wedding guests a few weeks ago and they pulled out all .
http://www.yelp.com/biz/omni-royal-orleans-hotel-new-orleansOmni Royal Orleans (New Orleans, LA) - Hotel Reviews - TripAdvisor
Omni Royal Orleans, New Orleans: See 1007 traveler reviews, 280 candid photos, and great deals for Omni Royal Orleans, ranked #13 of 150 hotels in New .
http://www.tripadvisor.com/Hotel_Review-g60864-d89115-Reviews-Omni_Royal_Orleans-New_Orleans_Louisiana.html
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The Omni Royal Orleans is on one of the most fashionable corners in the French Quarter and approximately 12 miles from New Orleans International Airport.
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Omni Royal Orleans. 621 St Louis St New Orleans, LA 70130 .
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Omni Royal Crescent Hotel, New Orleans, LA, United States ...
The Omni Royal Crescent Hotel is an intimate boutique hotel in the heart of the New Orleans Arts District only nine blocks from the New Orleans convention .
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Now we know how we can open database connections and use them for scripts, but how can we elegantly do that for requests? We will need the database connection in all our functions so it makes sense to initialize them before each request and shut them down afterwards.
Flask allows us to do that with the before_request(), after_request() and teardown_request() decorators:
@app.before_request
def before_request():
g.db = connect_db()
@app.teardown_request
def teardown_request(exception):
g.db.close()
Functions marked with before_request() are called before a request and passed no arguments. Functions marked with after_request() are called after a request and passed the response that will be sent to the client. They have to return that response object or a different one. They are however not guaranteed to be executed if an exception is raised, this is where functions marked with teardown_request() come in. They get called after the response has been constructed. They are not allowed to modify the request, and their return values are ignored. If an exception occurred while the request was being processed, it is passed to each function; otherwise, None is passed in.
We store our current database connection on the special g object that Flask provides for us. This object stores information for one request only and is available from within each function. Never store such things on other objects because this would not work with threaded environments. That special g object does some magic behind the scenes to ensure it does the right thing.
Continue to Step 5: The View Functions.
Hint
Where do I put this code?
If you’ve been following along in this tutorial, you might be wondering where to put the code from this step and the next. A logical place is to group these module-level functions together, and put your new before_request and teardown_request functions below your existing init_db function (following the tutorial line-by-line).
If you need a moment to find your bearings, take a look at how the example source is organized. In Flask, you can put all of your application code into a single Python module. You don’t have to, and if your app grows larger, it’s a good idea not to.


NOZSyncStepOperation(DoNotOverride) Category Reference
| Declared in | NOZSyncStepOperation.h |
|---|
– main
DO NOT OVERRIDE. If you need to add passive code, be sure to call super
. Never override with new behavior.
- (void)main
Declared In
NOZSyncStepOperation.h
– start
DO NOT OVERRIDE. If you need to add passive code, be sure to call super
. Never override with new behavior.
- (void)start
Declared In
NOZSyncStepOperation.h
– isConcurrent
DO NOT OVERRIDE. If you need to add passive code, be sure to call super
. Never override with new behavior.
- (BOOL)isConcurrent
Declared In
NOZSyncStepOperation.h
– isAsynchronous
DO NOT OVERRIDE. If you need to add passive code, be sure to call super
. Never override with new behavior.
- (BOOL)isAsynchronous
Declared In
NOZSyncStepOperation.h
– isCancelled
DO NOT OVERRIDE. If you need to add passive code, be sure to call super
. Never override with new behavior.
- (BOOL)isCancelled
Declared In
NOZSyncStepOperation.h
– isFinished
DO NOT OVERRIDE. If you need to add passive code, be sure to call super
. Never override with new behavior.
- (BOOL)isFinished
Declared In
NOZSyncStepOperation.h
– isExecuting
DO NOT OVERRIDE. If you need to add passive code, be sure to call super
. Never override with new behavior.
- (BOOL)isExecuting
Declared In
NOZSyncStepOperation.h


Demonstration how
CSS_variables
can be used for craete themes
This block obeys Lightning theme
Sadly, it doesn't work in IE.
This block obeys AfterGlow theme
Sadly, it doesn't work in IE.


Front-end Web Developer
Hello! My name is Logan Wu. I am a web developer and graphic designer with a passion for new knowledge and a desire to work on projects that benefit the community. Programming and art fuel my passion for technologies and user-centered design. Feel free to take a look at my resume here .
I have a BFA in Graphic Design. I love to study and stay updated with newest design schemes, typography, UX and UI trends. Here's my graphic design portfolio.
PHP, Drupal, MySQL, JavaScript, jQuery, AngularJS, AJAX, Git, HTML, CSS, Sass, Less, Bootstrap, SVG, Agile Development, BDD and TDD. Here's my Github profile.
I started doing photography since 2010. Personally, it is a great thing to do while traveling and I am keen on practicing new techniques. Here's my photography blog.
Working as a member of the Product Development team to develop, test, and support the internal and production systems of the global enterprise e-learning company under agile development methodology.
Provided technical support to staff members of the Institute. Other daily tasks included imaging computers, updating software, replacing hardware, etc.
Managed multimedia computer labs for students and faculty, assisted them with troubleshooting software, PC and Mac computers, and oversaw video editing, music recording studios and print labs.
Utilizing InDesign and Illustrator, I designed all publications including brochures, posters, and flyers for the Center and associated events. I also managed the Center’s website, its social media and worked closely with with center staff on decision-making.
Epicodus furthered my knowledge of HTML and CSS, while teaching me new skills in JavaScript, jQuery, PHP, Drupal, MySQL, AngularJS, and APIs. The most important skill I have learned is to think like a programmer, write elegant code, and stay up-to-date with new frameworks and technologies in this ever changing industry.
I studied at Parsons for two semesters for a graduate degree in Photography. Eventually, I decided to pursue the tech field instead of the field of fine arts.
I lived in Madison, Wisconsin for two years to finish my bachelor's degree. I've learned a lot in terms of the concept of design, typography, color theory, etc. I also took a certificate Web Design course offered by the University, which significantly enchanced my knowledge and interest in web developement.
I did mainly liberal studies and foundations of art and design. Transfered to UW-Madison after two years.


GoodApp
A novel* approach to
(software) application classification
A UCSB Capstone Project 2012
Team Ø
(advised by Microsoft)
Yulia Dubinina
The Russian-
American
Leader
TJ Koblentz
The French-
American
Victor Moreira
The Brazilian-
American
Jasper Fredrickson
The
TRUE
American
Good
App Features
View/Edit documents
Browse the web
Play Games
Bad
App Features
Collect private data
Corrupt operating system
Drain battery
Wild App 'goodness' breakdown*
*Not to scale
Applications about 10 years ago
Applications today
Online Stores
More platforms
More developers
More apps!
The Big Picture - 2011
Mobile subscribers:
5.9 billion
, smartphone users:
835 million
300,000
apps developed in
3
years and rapidly growing
App downloads:
10.9 billion
time spent on apps
64%
The focus was to come up with
new techniques for malware scanning
To better determine the line in quickly expanding, young application platforms.
(primarily the mobile space)
But we thought:
wait, there's a
problem
.
New set of malicious Apps
*Gray area
What is this gray area?
Something that scanners might not be able to recognize
App
App
App Lifecycle
Developers spend
months (see years) developing
the app
The app is released
The app is once again
patched and maintained by its developers
until it dies
So who are these developers?
Apple Store
So who are these developers?
Android Store
GoodApp wants developers
to be
accountable
They should have a
rating
It should be
public
and
visible
transparency
Pretty Good Privacy (PGP)
A sidenote
Endorsements in GoodApp
The GoodApp system
Delving into the components
Web Interface
Ruby on Rails
Developer Verification
Email
PGP
Developer Key
Rating Formula
Generating a trust score (out of 100 possible points)
Virus Total
Focused on Binary scanning so we don't have to
Endorsements
Endorsements
App Data
Third Party Data
Bringing It All Together
Generating a trust score (out of 100 possible points)
Demo
Open Source
The community
Centralized & transparent
Consistent policies
Developer is rated regardless of enviroment
Fair and transparent terms and rules
Data Analysis
Integration with app stores
Thanks!
Questions?


%s %s %s %s %s
%s
Your web browser must have JavaScript enabled in order for this application to display correctly.


Smart Touch is a Chrome extension that lets users with touch screens refresh a page the same way that you would on a mobile device, by dragging down from the top of the page. You can also double tap the top left of the screen to open a new tab, or the top right of the screen to open a new window.
For suggestions or questions, contact<EMAIL_ADDRESS>Developers: Maki Gradecak - https://github.com/Gradecak Tomas Barry - https://github.com/TomasBarry Greg Buckley - https://github.com/GregBuckley


kelp-engine
src
component
Render.cpp File Reference
#include "
Render.h
"
#include "
Camera.h
"
Include dependency graph for Render.cpp:
Generated by
1.8.13


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Quick Guide
This is the progress page. This displays the list of the students on selected section as well as their score cards. The teacher can edit, delete and add a scorecard of the student on this section.


class GroupTest
extends java.lang.Object
| Constructor and Description |
|---|
GroupTest() |
| Modifier and Type | Method and Description |
|---|---|
(package private) void |
testActiveMembers()
This method should test that a group returns a list of the n members who
have joined that group with the most activeness (questions asked +
answers posted), sorted on activeness, highest first.
|
(package private) void |
testActiveMembersNGreaterThanTotalMembers()
This method should test that a group returns a list of all members,
sorted on activeness (questions asked + answers posted),
highest first.
|
(package private) void |
testAddAnswer()
This method should test that a group adds an answer to its
internal arrayList of answers.
|
(package private) void |
testAddQuestion()
This method should test that a group adds a question to its
internal arrayList of questions.
|
(package private) void |
testAddToMemberships()
This method should test that a group adds a membership to its
internal hashMap of memberships.
|
(package private) void |
testGetAnswers()
This method should test that a group returns a list of all answers
posted in that group.
|
(package private) void |
testGetAnswersByPoints()
This method should test that a group returns a list of the n answers
posted to a particular question with the most points, sorted on the number of
points, highest first.
|
(package private) void |
testGetAnswersByPointsQuestionNotInGroup()
This method should test that a group returns null when the
getAnswersByPoints() method is called but the question parameter
passed in is not in the group that called the method.
|
(package private) void |
testGetAnswersOverloaded()
This method should test that a group returns a list of the n
most recent answers posted in that group, sorted on
date created, most recent first.
|
(package private) void |
testGetAnswersOverloadedNGreaterThanTotalAnswers()
This method should test that a group returns all answers
asked in that group, sorted on date created, most recent first.
|
(package private) void |
testGetDateCreated()
This method should test that a group returns the date it was created.
|
(package private) void |
testGetDescription()
This method should test that a group returns the description of the group.
|
(package private) void |
testGetMember()
This method should test that a group returns a member that has
joined it using the member's email address.
|
(package private) void |
testGetMembers()
This method should test that a group returns the members who
have joined it, sorted alphabetically, first by last name, then
by first name.
|
(package private) void |
testGetNumAnswers()
This method should test that a group returns the total number of answers
that have been posted in that group.
|
(package private) void |
testGetNumMembers()
This method should test that a group returns the number of members who have
joined it.
|
(package private) void |
testGetNumQuestions()
This method should test that a group returns the total number of questions that
have been asked in that group.
|
(package private) void |
testGetQuestions()
This method should test that a group returns a list of all questions
asked in that group.
|
(package private) void |
testGetQuestionsByPoints()
This method should test that a group returns a list of the n questions
asked in the group with the most points, sorted on the number of
points, highest first.
|
(package private) void |
testGetQuestionsOverloaded()
This method should test that a group returns a list of the n
most recent questions asked in that group, sorted on
date created, most recent first.
|
(package private) void |
testGetQuestionsOverloadedNGreaterThanTotalQuestions()
This method should test that a group returns all questions
asked in that group, sorted on date created, most recent first.
|
(package private) void |
testGetTitle()
This method should test that a group returns the title of the group.
|
(package private) void |
testGroup()
This method should test that a group is constructed properly with the values
it is initialized with
|
(package private) void |
testGroupNumMembersComparator()
This method should test that the Group Number of Members Comparator
works properly.
|
(package private) void |
testGroupOverallActiveComparator()
This method should test that the Group Overall Activeness Comparator works
properly.
|
(package private) void |
testGroupTitleComparator()
This method should test that the Group Title Comparator works
properly.
|
(package private) void |
testToString()
This method should test that a group returns the correct toString.
|
@Test void testGroup()
@Test void testGetDateCreated()
@Test void testGetTitle()
@Test void testGetDescription()
@Test void testGetNumMembers()
@Test void testGetMembers()
@Test void testGetMember()
@Test void testAddToMemberships()
@Test void testGetQuestions()
@Test void testGetAnswers()
@Test void testGetQuestionsByPoints()
@Test void testGetAnswersByPoints()
@Test void testGetAnswersByPointsQuestionNotInGroup()
@Test void testAddQuestion()
@Test void testAddAnswer()
@Test void testGetNumQuestions()
@Test void testGetNumAnswers()
@Test void testActiveMembers()
@Test void testActiveMembersNGreaterThanTotalMembers()
@Test void testGetQuestionsOverloaded()
@Test void testGetQuestionsOverloadedNGreaterThanTotalQuestions()
@Test void testGetAnswersOverloaded()
@Test void testGetAnswersOverloadedNGreaterThanTotalAnswers()
@Test void testToString()
@Test void testGroupTitleComparator()
@Test void testGroupNumMembersComparator()
@Test void testGroupOverallActiveComparator()


Australia investigates 'Chinese plot' to create spy MP
SYDNEY: Australia is investigating an alleged Chinese plot to infiltrate its federal parliament by turning a Chinese-Australian businessman into a political operative, the country's counter-espionage agency has said.
Nine network programme "60 Minutes" broadcast explosive allegations on Sunday (Nov 24) night that suspected Chinese operatives had offered Bo "Nick" Zhao Aus$1 million (US$679,000) to run as a candidate in a federal seat in Melbourne.
The 32-year-old luxury car dealer had reportedly disclosed the alleged approach for him to spy to the Australia Security Intelligence Organisation (ASIO) last year, before he was found dead in a motel room in March.
In a rare public statement late Sunday night, ASIO head Mike Burgess said the agency was "previously aware of the matters" and has been "actively investigating them".
Burgess said he would not comment further as Zhao's death was subject to an inquest.
"Hostile foreign intelligence activity continues to pose a real threat to our nation and its security," he added.
Police have been unable to determine how Zhao died.
Parliamentary intelligence committee chief Andrew Hastie described the alleged episode in Melbourne as "surreal" and "like something out of a spy novel".
"This isn't just cash in a bag, given for favours, this is a state-sponsored attempt to infiltrate our parliament using an Australian citizen and basically run them as an agent of foreign influence in our democratic system," he told 60 Minutes.
"So this is really significant and Australians should be very, very concerned about this."
The claims come just days after a Chinese spy reportedly gave ASIO the identities of China's senior military intelligence officers in Hong Kong and provided details about how they funded and conducted operations in the city, Taiwan and Australia.
China has dismissed defector Wang "William" Liqiang as an unemployed fraudster and fugitive, but there are growing calls in Australia to grant him political asylum.
The revelations are likely to further heighten tensions between Beijing and Canberra.
Recently retired ASIO head Duncan Lewis said last week that China wanted to "take over" Australia's political system with an "insidious" and systematic campaign of espionage and influence peddling.
China is also widely suspected of being behind major intrusions into the computer systems of Australia's parliament and a university with close ties to the government and security services.
But Beijing has previously angrily denied allegations it was covertly meddling in Australian affairs.


"The Legend of Drunken Master" – Chan Is the Life of the Party by Homer Yen (c) 2000
There's a great show that has arrived in the DC area, and I can hardly wait to see it. That production is called "Dralion", performed by the world-famous Cirque Du Soleil troupe. Its theme is Chinese acrobatics and it promises to be a spectacular show. Most performances have sold-out, although I was lucky enough to have already purchased my ticket, which cost me in excess of $60. But if you can't buy any tickets or can't justify its price, a great alternative for only a fraction of the cost is this wild martial-arts flick, featuring Jackie Chan, who is at his very best.
In this film, a movie originally released in Hong Kong back in 1994, Chan plays Wong Fei-hong, a prankish son of a respected herb doctor circa the 1920s. The story begins at a train station where Wong Fei-hong wants to carry some medicine onto a train without paying the tariff. To sneak it aboard, he hides it in a diplomat's suitcase. Once the trip commences, he'll just simply recover the medicine and be on his way. However, upon retrieval, he takes the wrong bag, and subsequently becomes entangled in a plot that involves an ambassador and an antiquities smuggling operation.
As with most of Chan's Hong Kong made films re-released for the American audience, you'll find the usual peculiarities. These include awkward dubbing, zany plots, screwy slapstick, and absurd characterizations (a Counter Intelligence Officer that appears early on seems to have an important role, but disappears 20 minutes into the film; meanwhile, other characters seemingly appear out of nowhere). And the story is usually just an excuse to see Chan in action.
However, this is a performance that will not disappoint. In fact, of the 70+ martial arts films that Chan has made, most aficionados have ranked this film as one his three best. Indeed, Chan is in top form and these fighting sequences have to be seen in order to be believed. The first sequence is incredible. Chan, with a short sword, goes against a spear-wielding Manchu officer. They fight in such close quarters that just to maneuver those weapons at the speed in which they fight is an incredible feat in itself. You may notice that in many fighting sequences from other movies, the film speed increases to try to make the fighters appear more awesome. Here, Chan and his opponent are moving so quickly that you wished that the film speed could have actually slowed down!
What makes Chan a true exhibitionist is his Drunken Boxing style (an actual kung fu style). By ingesting large amounts of liquor, it loosens up the body while allowing it to withstand higher thresholds of pain. Let him increase his blood alcohol level, and it's like Popeye taking his spinach. Here, he staggers, he sways, and he kicks butt, mesmerizing the audience with his acrobatic abilities while in the character of a drunk. There are a bevy of incredibly choreographed fight sequences, culminating towards a terrific showdown pitting him against an enemy who uses his lightning quick legs to fight in ways that I had never seen. This stuff is truly amazing.
Grade: B
S: 0 out of 3 L: 1 out of 3 V: 1 out of 3
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The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


#include <cattlemanagementscreen.h>
◆ CattleManagementScreen()
| CattleManagementScreen::CattleManagementScreen |
( |
QWidget * |
parent = nullptr , |
|
|
QWidget * |
backScreen = nullptr , |
|
|
QWidget * |
loginScreen = nullptr , |
|
|
Farm * |
f = nullptr , |
|
|
std::string |
current_user = "" |
|
) |
| |
|
explicit |
This is the default constructor for the Screen CattleManagement.
◆ ~CattleManagementScreen()
| CattleManagementScreen::~CattleManagementScreen |
( |
| ) |
|
This is the default destructor for the Screen CattleManagement.
◆ getFarm()
| Farm * CattleManagementScreen::getFarm |
( |
| ) |
|
◆ on_backButton_clicked
| void CattleManagementScreen::on_backButton_clicked |
( |
| ) |
|
|
privateslot |
Function that performs the action of going back to the previous screen.
◆ on_queryButton_clicked
| void CattleManagementScreen::on_queryButton_clicked |
( |
| ) |
|
|
privateslot |
Function that redirects to the cattle query screen.
◆ on_registerButton_clicked
| void CattleManagementScreen::on_registerButton_clicked |
( |
| ) |
|
|
privateslot |
Function that redirects to the cattle registration screen.
◆ on_removeButton_clicked
| void CattleManagementScreen::on_removeButton_clicked |
( |
| ) |
|
|
privateslot |
Function that redirects to the cattle removal screen.
◆ on_updateButton_clicked
| void CattleManagementScreen::on_updateButton_clicked |
( |
| ) |
|
|
privateslot |
Function that redirects to cattle update screen.
◆ TestCattleManagementScreenGUI
◆ back_screen_
| QWidget* CattleManagementScreen::back_screen_ |
|
private |
This attribute contains the reference of the back screen.
◆ current_user_
| std::string CattleManagementScreen::current_user_ |
|
private |
The nickname of the current user.
◆ farm_
| Farm* CattleManagementScreen::farm_ |
|
private |
This attribute contains the the Farm.
◆ login_screen_
| QWidget* CattleManagementScreen::login_screen_ |
|
private |
This attribute contains the reference of the login screen.
◆ ui_
This attribute contains the ui for the CattleManagement.
The documentation for this class was generated from the following files:


Package org.bitcoinj.core
Class ECKey.ECDSASignature
- java.lang.Object
-
- org.bitcoinj.core.ECKey.ECDSASignature
-
- Direct Known Subclasses:
TransactionSignature
- Enclosing class:
- ECKey
public static class ECKey.ECDSASignature extends java.lang.Object
Groups the two components that make up a signature, and provides a way to encode to DER form, which is how ECDSA signatures are represented when embedded in other data structures in the Bitcoin protocol. The raw components can be useful for doing further EC maths on them.
-
-
Constructor Summary
Constructors Constructor Description ECDSASignature(java.math.BigInteger r, java.math.BigInteger s)
Constructs a signature with the given components.
-
Method Summary
All Methods Static Methods Instance Methods Concrete Methods Modifier and Type Method Description static ECKey.ECDSASignature
decodeFromDER(byte[] bytes)
protected java.io.ByteArrayOutputStream
derByteStream()
byte[]
encodeToDER()
DER is an international standard for serializing data structures which is widely used in cryptography.boolean
equals(java.lang.Object o)
int
hashCode()
boolean
isCanonical()
Returns true if the S component is "low", that means it is belowECKey.HALF_CURVE_ORDER
.ECKey.ECDSASignature
toCanonicalised()
Will automatically adjust the S component to be less than or equal to half the curve order, if necessary.
-
-
-
Method Detail
-
isCanonical
public boolean isCanonical()
Returns true if the S component is "low", that means it is belowECKey.HALF_CURVE_ORDER
. See BIP62.
-
toCanonicalised
public ECKey.ECDSASignature toCanonicalised()
Will automatically adjust the S component to be less than or equal to half the curve order, if necessary. This is required because for every signature (r,s) the signature (r, -s (mod N)) is a valid signature of the same message. However, we dislike the ability to modify the bits of a Bitcoin transaction after it's been signed, as that violates various assumed invariants. Thus in future only one of those forms will be considered legal and the other will be banned.
-
encodeToDER
public byte[] encodeToDER()
DER is an international standard for serializing data structures which is widely used in cryptography. It's somewhat like protocol buffers but less convenient. This method returns a standard DER encoding of the signature, as recognized by OpenSSL and other libraries.
-
decodeFromDER
public static ECKey.ECDSASignature decodeFromDER(byte[] bytes) throws SignatureDecodeException
- Throws:
SignatureDecodeException
- if the signature is unparseable in some way.
-
derByteStream
protected java.io.ByteArrayOutputStream derByteStream() throws java.io.IOException
- Throws:
java.io.IOException
-
equals
public boolean equals(java.lang.Object o)
- Overrides:
equals
in classjava.lang.Object
-
hashCode
public int hashCode()
- Overrides:
hashCode
in classjava.lang.Object
-
-


Fastpath Plugin Readme
Overview
The Fastpath plugin adds support for managed queued chat requests, such as
a support team might use. For example, a web based "Live Support" interface
can point a potential customer at a workgroup representing the Sales team.
Members of that workgroup will receive notification that a someone is
waiting and when someone from that workgroup accepts, the customer and the
team member will be connected to communicate with each other.
Installation
Copy fastpath.jar into the plugins directory of your Openfire installation. The
plugin will then be automatically deployed. To upgrade to a new version, copy
the new fastpath.jar file over the existing file. Make sure to follow the
upgrading instructions under the Upgrading section, regardless of if
you have the old Fastpath plugin or Enterprise installed currently or not.
The only time you can skip the Upgrading section is if you know for a fact
that you have never run Fastpath or Enterprise.
Make sure that the enterprise plugin is removed before installing this plugin.
Otherwise the enterprise plugin will rename the fastpath.jar to fastpath.jar.old
thus removing thus plugin. If this happens just stop the server, remove the
enterprise.jar plugin and rename fastpath.jar.old to fastpath.jar and start the
server again.
Upgrading from Pre-Enterprise Fastpath and Enterprise
Due to the previous version of Fastpath existing before it was incorporated
into Enterprise, and due to this replacing part of the Enterprise plugin,
upgrading to this Fastpath plugin requires some manual steps. Effectively,
we need to clean up the old database a bit and change the names of a couple of
things.
- Remove enterprise.jar and the directory enterprise.
- Log into your database, you can use the embedded-db-viewer scripts in bin/extra to access the Embedded database.
- Execute the following SQL: DELETE FROM ofVersion WHERE name = 'fastpath'
- Execute the following SQL (this may fail if you never had enterprise instaled, that is ok): UPDATE fpWorkgroupProp SET propValue = REPLACE(propValue, 'com.jivesoftware.openfire.fastpath','org.jivesoftware.openfire.fastpath')
- Execute the following SQL (this may fail if you never had enterprise installed, that is ok): UPDATE fpAgentProp SET propValue = REPLACE(propValue, 'com.jivesoftware.openfire.fastpath','org.jivesoftware.openfire.fastpath')
- Execute the following SQL (this may fail if you never had enterprise installed, that is ok): UPDATE fpWorkgroupProp SET propValue = REPLACE(propValue, 'com.jivesoftware.xmpp.workgroup','org.jivesoftware.xmpp.workgroup')
- Execute the following SQL (this may fail if you never had enterprise installed, that is ok): UPDATE fpAgentProp SET propValue = REPLACE(propValue, 'com.jivesoftware.xmpp.workgroup','org.jivesoftware.xmpp.workgroup')
- Execute the following SQL (this may fail if you never had enterprise installed, that is ok): UPDATE fpDispatcherProp SET propValue = REPLACE(propValue, 'com.jivesoftware.xmpp.workgroup','org.jivesoftware.xmpp.workgroup')
- Start up your server. If you had enterprise installed, you -will- see an SQL error show up, but it should only show up once and is ok. (it is an attempt to recreate a table that already exists) The error will look like: fastpath - Database update failed. Please manually upgrade your database.
You only need to do these steps once when moving to this Fastpath plugin.
Do not repeat these steps on future Fastpath plugin updates.
Configuration
Configuration is performed under the Fastpath tab in the Openfire
admin console. The quick start guide can be found
here.


Ping Pong Number Game
Enter a number and see what comes back!
A great game for parties
Enter your number!
Number
Submit
Here are your numbers!


Hiroshi Fujiwara on fragment design x Red Wing and His Collaborative Design Process
Fujiwara explains his latest footwear partnership as well as recent work with John Smedley.
by Jake SilbertIt’s not really fair to say that Hiroshi Fujiwara is prolific because that phrase severely undersells the constant output released through Fujiwara’s fragment design, which is simultaneously a creative agency, fashion label and purveyor of all things cool. Famous brands and emerging designers alike seek Fujiwara’s Midas touch, with his Ura-Harajuku roots underscoring the authenticity and influence he brings to each partnership.
HYPEBEAST Japan caught up with Fujiwara as he prepared for the launch of the fragment design x John Smedley crewneck collection and revealed his latest joint effort: bespoke Red Wing boots, Fujiwara’s first effort with the iconic American brand.
Can you tell me what got you interested in Red Wing boots again in 2019?
One of my friends was going to buy a pair, so I decided to tag along and pick up a pair as well.
Can you tell us how this collaboration came to fruition? Did Red Wing directly reach out to you?
If I remember correctly, my friend Daisuke Gemma was the one who connected us.
When did that happen?
It began around June this year.
[Editor's Note: Red Wing had wanted to collaborate with Hiroshi because the style Fujiwara wore regularly in the '90s since became an iconic pair in Japan. Then, Daisuke Gemma, best known for offering creative direction to brands like sacai, stepped in to introduce the two parties and kick off the collaboration.]
I’ve heard that the collaboration model was inspired by your original customized pairs, with the Vibram sole swapped for a white sole. Was this a concept you came up with?
No, it actually wasn’t an idea I came up with by myself. It was more of an idea that came out through the discussions I had with the people at Red Wing and Genba. We were talking about what we could possibly do, we came up with this idea and started moving it forward.
How many Red Wing boots did you own at the time?
Three or four probably. I had the same model in different color variations too.
Do you still have those customized boots that became the inspiration for the collaborative model?
I should be able to find them somewhere if I look hard enough.
The black/white sole Irish Setter was a huge hit at the time. Did the brand contact you before they actually started manufacturing it?
I don’t remember but I don’t think they did.
Do you remember which model of Red Wing boots you wore first?
I think it was either the customized one or the regular beige one.
I understand that the specifications of Red Wing products haven’t changed much since the ’90s, but was there anything different that you noticed after wearing them recently once again?
Nothing at all. (laughs) I haven’t [worn] them in a while, so I don’t really remember much to be honest.
Can you talk a bit about this collaborative model?
I actually don’t know that much about it. (laughs) The welt has piping and the topstitch is black. This detail isn’t available in any of the models that are generally released so I personally think this difference is pretty significant. This can be said also for shoes and watches too, but a very small difference can have a huge effect. I experienced that through this collaboration and I also think people will notice this slight difference when they actually wear the boots.
That makes sense. Since it is such a classic model, the smallest difference may really stand out.
Exactly.
How many times have you collaborated with John Smedley?
This was the first time I worked with John Smedley by myself. [However,] I’ve done lots of projects with them through several brands that I am involved with.
John Smedley is mentioned in your book, Personal Effects. When did you start wearing the brand?
In the ’80s, Vivienne Westwood worked with John Smedley. That’s when I heard of the brand first. That was the beginning.
I heard you’ve based this collaboration on a model from the archives that’s been discontinued. When was the original model made? Is there anything you can tell us about how you came to the decision of selecting that model?
It’s from about two years ago. I was buying it year after year, but one year I went to buy it as usual and couldn’t find it anywhere. That was in 2016. … Since it became unavailable for a few years, I basically got it to make a comeback.
[Editor's Note: Fujiwara's favorite model was first produced in 2004, then was updated in 2012 and discontinued in 2016.]
Are there any things you paid attention to in particular through the process of updating the archive?
Basically, I was bummed that this model was no longer available, so I wanted to bring it back. I simply added a little flare by using jacquard to make it look like some duct tape has been peeled off. I thought maybe the consumers might like to have a flashier logo too, but I first wanted to make something that I would want to wear, so I kept it as simple as possible, while having John Smedley recreate that ideal form that the original model had.
John Smedley is known for having many color variations.
Right.
The collaborative model has four color variations. Are these based on colors you personally wear often?
I chose four colors that I would definitely buy, which are also the colors that I always wear.
Was it your idea to use the archived logo?
Yeah. It was a process of brainstorming ideas of what could be done [for this collaboration]. In reality, people wearing it won’t notice if it’s just a tag…
I see. Some fans might feel like they want more than that.
So, I learned some things from experience, but had to have my way with it this time. (laughs) On the other hand, I still got some stuff planed out moving forward, so stay tuned.
Has the silhouette changed in the current one?
The current one has single sleeves, but I like double sleeves which are longer.
[Editor's Note: The model that was discontinued in 2016 had a boxy silhouette but the current one has a more slender silhouette. There is only one model remaining in the entire John Smedley catalogue that is double sleeved.]
In a way, these collaborations are like custom orders for your favorite items. Which would you say is more difficult: creating something from scratch or making changes to something that already exists?
Making something from scratch is probably harder. It’s not easy for me. In my case I was like, “I want to wear this anyway” or “I’m already wearing it so this is fine as it is.” But again, I also wanted to add something to it if I had the chance, so I jumped in head first when I saw the opportunity to work on both projects with Red Wing and John Smedley. I was like, please let me do this, I’m going to be buying it anyway. (laughs)
Did the John Smedley project also start recently?
You could say that. The whole thing was like, “what do you think about this idea?” “Sure, of course I’ll do it.” It was an honor since I’m a longtime fan of both brands from back in the day.
Personally, what do you see as the charm of these two brands?
It must be the historical background or, in other words, the heritage. They are both still going strong as brands. Even though the style might have changed slightly over the years, there is consistency in the use of high quality-materials and the durability of their products. To me, that is what makes these brands stand out.


--- permalink: /test-page layout: default ---
| Last Name | First Name | Middle Name | Grade Level | Section | Score |
|---|---|---|---|---|---|
| Rubio | Francis | Grade 11 | Venus | 25 | |
| Angala | Jonathan Casey | Chu | Grade 11 | Mars | 10 |
| Deinla | Christian Dior | Mame | Grade 11 | Mercury | 5 |
| Suba | Joshua Rey | Grade 11 | Earth | 16 | |
| Quezon | Mica | Grade 11 | Jupiter | 20 | |
| Urmeneta | Angelique Mae | Grade 11 | Saturn | 21 |
This is a default alert
This is an informative alert
This is an error alert
This is a warning alert. You should probably stop doing that.
You did it! I knew you could! You always had it in you.

Hello all of the world!


{{ sponsor.name }} has just submitted a sponsorship application at the {{ sponsor.level.name }} level.
To see all details and approve the application, visit the sponsorship admin:
{% url "admin:sponsorship_sponsor_change" sponsor.pk as sponsor_admin_url %}http://{{ current_site.domain }}{{ sponsor_admin_url }}
Thanks,
{{ current_site.name }}


| Services | Cost (INR) |
|---|---|
| STP | |
| SECURITY | |
| HOUSE-KEEPING | |
| BESCOM | |
| GENERATOR | |
| DIESEL | |
| AMENITIES | |
| GARBAGE | |
| A | B | C | D | E | ||
|---|---|---|---|---|---|---|
| 2BHK | Total | 10 | 5 | 5 | 0 | 10 |
| Paid | ||||||
| 3BHK | Total | 5 | 15 | 20 | 15 | 15 |
| Paid | ||||||
| 4BHK | Total | 0 | 5 | 0 | 5 | 0 |
| Paid | ||||||
| Maintenance amount (per flat) |
Expected to be paid by flat # |
Total expected collection |
|
|---|---|---|---|
| 2BHK | |||
| 3BHK | |||
| 4BHK | |||


Compostela Valley votes to rename itself Davao de Oro
With over 170,000 voters agreeing to a new name, the plebiscite's results make final the renaming of Compostela Valley to Davao de Oro
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Liberty, a Java EE application server
Once the download is complete, locate your project and unzip it.
-
Step 1
Go to the WebSphere Development Tool and Import "Existing Maven Projects".
-
Step 2
Select the Maven projects you want to import.
-
Step 3
Once the project is imported, make changes to the custom code and build your app.
-
Step 4
Pickup code and run either: Locally or using Bluemix.
-
Step 5
Lastly, navigate to this URL on your browser to access your app - http://localhost:9080/myLibertyApp/.
Links for more information:
Copyright (c) 2015 IBM Corp.Licensed under the Apache License, Version 2.0 (the "License"); you may not use this file except in compliance with the License. You may obtain a copy of the License at www.apache.org/licenses/LICENSE-2.0.
Unless required by applicable law or agreed to in writing, software distributed under the License is distributed on an "AS IS" BASIS, WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. See the License for the specific language governing permissions and limitations under the License.


simple-dialogue
A dead simple, zero-dependency, branching dialogue system written in javascript for RPG and visual novel games
Purpose
After trying out a few different libraries that do similar branching dialogue
for npc conversations and reading some material(1) about various approaches
to this (hub and spoke, waterfall models), I wanted to write something that allowed
flexibility. Specifically I wanted a couple lifecycle hooks
(this is where pre
and post
come in), and I also wanted dialogue system itself
to not concern itself with managing as little state internally as it could to provide
the basics.
Install
From your project directory on the commandline/terminal:
npm install --save simple-dialogue
Setup
As es6 module:
import { loadDialogue, interactWith, clearDialogue } from 'simple-dialogue'
As node/es5:
const { loadDialogue, interactWith, clearDialogue } = require('simple-dialogue')
As browser script:
<script<EMAIL_ADDRESS>Usage
A Dialogue means a single "unit" of dialogue, spoken by either an npc or the player, in a larger conversation (many Dialogues). If you could break a conversation down into "turns speaking", then each turn would be a Dialogue.
A Dialogue has an interface like this:
{
id: 1, // required, unique number
message: '', // required, string
choices: [1,2,3],
next: 1,
pre: () => {},
preId: 1,
post: () => {}
}
id |
number | required | a unique id |
message |
string | required | any string, template literals are supported |
choices |
number[] | optional | array of other dialogue id 's |
next |
number | required/optional | the next dialogue id to go to. optional, but required if choices is empty or omitted |
pre |
function | optional | your callback function. Must return truthy or falsy. Will not go to next if pre fails |
preId |
number | required/optional | if pre fails, this is the dialogue id to redirect to. optional, but required if pre is used |
post |
function | optional | your callback function. No return needed, does not effect whether going to next or not |
Lifecycle hooks
pre
(prerequisite):
will be run when it's dialogue is being processed by the npc. By returning a falsy or truthy value, you can control the conversation branching to one dialogue or another (or not moving forward at all).
const isHighEnoughLevel = () => somePlayer.someProperty === 'somePrerequisiteValue'
{id: 1, message: `Would you like to take my quest?`, choices: [2]},
{id: 2, message: `Sure, I'll take it.`, pre: isHighEnoughLevel, preId: 5, next: 4},
When the npc presents the message "Would you like to take my quest?", and your choice is
"Sure, I'll take it.", the isHighEnoughLevel
callback that you
provided is evaluated - perhaps it's based on some attribute or item of your player - and if truthy, the next
dialogue is loaded for the npc next. If it is falsy, then the preId
dialogue is loaded.
post
(postrequisite):
will be run after the npc has processed and loaded the next dialogue. The return of this function is not used by the npc (or this library). It's purely for your code to use for setting your own state and game logic at specific points during the conversation.
const takeQuest = () => somePlayer.someStatus = 'acceptedChickenQuest'
{id: 1, message: `Will you catch my runaway chickens?!`, choices: [2]},
{id: 2, message: `Sure, I'll get'em.`, post: takeQuest, next: 3},
Ending and Restarting conversation
To indicate that a conversation is complete, set a dialogue's next
to be null or undefined. This can be done on
either a player choice kind of dialogue or a npc response kind of dialogue. When the npc processes a dialogue with
next
set as null/undefined, it will default to using the last dialogue that it had responded with.

Development
Want to contribute? Great! To fix a bug or enhance a feature, follow these steps:
- Fork the repo
- Create a new branch (
git checkout -b improve-feature
) - Make the appropriate changes in the files
- Ensure that linting and tests pass, and that coverage is at 100%.
npm run prepull
- Add changes to reflect the changes made
- Commit your changes (
git commit -am 'Improve feature'
) - Push to the branch (
git push origin improve-feature
) - Create a Pull Request
Bug / Feature Request
If you find a bug, kindly open an issue here.
If you'd like to request new functionality or feature, feel free to do so by opening an issue here. Please describe the functionality or feature you'd like to see.

License
MIT © Brian Kennedy


Using the ABCS Custom Code Component to Get and Set Data
Application Builder Cloud Service (ABCS) is one of the newest “Citizen Developer” tools from Oracle. The idea is that normal folks can create apps by dropping components onto a canvas and tweaking property inspectors, and thus create departmental apps and connect them to SaaS systems. I’ve heard it described as the “democratization of enterprise application development” – power to the people!
However, ABCS is a young product and some of the use cases are still being fleshed out. You might find you need to do something beyond what the standard components can do. That’s when the Custom Code component comes in handy.
Here’s an example where custom code let us leverage a combobox to not only lookup an entry in a LOV table, but also populate more than one field’s data based on the user’s combobox choice:
We had a requirement to store part numbers, descriptions and list prices in a “catalog” business component which would be used as a lookup table. In another part of the app we wanted to create order lines and use a combobox link to the catalog table to populate default values for the ordered items.
The problem we ran into is that a combobox field is a foreign key reference field and it only populates one field in a business component. There isn’t a way to “pull” data back into multiple fields. But we wanted the combobox to fill in not just the item number for an order line, but also the list price. Using the standard combobox component it would only fill in the item description.
In the screenshot above, the only field that gets updated by a combobox selection is the catalog item itself. Behind the scenes the business object gets populated with a foreign key ID for the lookup table, and the UI gets populated with the description. But we wanted to populate the Price field in the screenshot above, too.
Custom Code to the rescue!
The Custom Code component can accomplish what we want to do, but fair warning: you’re leaving the “citizen developer” world behind when you drop this tool onto your canvas.
When you drag one of these from the palette, you get a property inspector that reflects ABCS’ Oracle JET heritage, steeped in it’s own Knockout.js MVVM architecture. There’s not a lot of documentation yet on how to modify a custom code component, either in the Using ABCS guide or the JavaScript API Reference.
Thanks to my colleague David Konecny I was able to learn some tricks about the Custom Component and how to use it to manipulate the data models behind an ABCS page.
console.log() all the things
One trick that was useful was to get insight into what models were already available in the standard custom component code. You’ll see in the default code that a custom component gets its own viewmodel called CustomComponentViewModel
and that ABCS passes in two parameters: params
and componentInfo
. So I started by console.log-ing all of these objects out and taking a look at them in the browser console while previewing the ABCS page.
...
var CustomComponentViewModel = function (params, componentInfo) {
AbcsLib.checkThis(this);
this.params = params;
console.log('self', self);
console.log('this', this);
console.log('params', params);
console.log('componentInfo', componentInfo);
//the page view model
this.pageViewModel = params.root;
...
Notice that the standard component code makes some convenience variable assignments that the component’s viewModel can access, such as with the line this.pageViewModel = params.root;
. This lets you access all of the page’s backing data objects (not just for the viewModel for your custom component).
With liberal use of debugger;
statements and more console.logging, you can discover things like Knockout observables for each of the fields on your page. Remember that observables can get a value you want to read, but they can also set a value you want to change.
This was the key for populating more than one field with data from the lookup table: if I could get the right price that matched the item selected in the combobox, I could use the page’s observables to push it into the right field with code like this:
var model = this.pageViewModel;
model.Observables.Order_Line_ItemsEntityDetailArchetype.item.Price_2(price);
(here, Price_2
is the name of the field in my order lines business object that I want to set, and price
is a JavaScript var that holds the looked-up list item price that I’ll retrieve with code coming up, below)
How to use the combobox to access the lookup table
Since a ABCS page form is bound to a single business object, I didn’t have a direct handle to the lookup table while creating a new order line record. But I could ask the combobox to tell me what the lookup table values were.
David pointed me to the trick to get ahold of the correct price out of the lookup table, leveraging the current page’s combobox value to get the matching price.
Here’s David’s code:
var selectedCatalogueRecord = model.Archetypes.Order_Line_ItemsEntityDetailArchetype.getObservables()
.item['ref2Catalog'].getSelectedRecord();
var price = selectedCatalogueRecord['Price'];
(here, ref2Catalog
is the name of my combobox field in the order lines business object, and Price
is the list price column in my catalog lookup table)
So this code works great if it runs after the combobox has selected a value. We hooked it up to a button we called Manually Lookup Price
to test. It would ask the combobox for its selected record and get the right price. Then with the code from earlier we pushed the right price into the order line business object’s Price_2 observable, and it updated the record just like we wanted.
Listening for changes to the combobox
The last piece of the puzzle involved making the lookup automatic. We didn’t want to press a button to Manually Lookup Price every time; we wanted the user’s action of changing the combobox to fire an event we could intercept to run our code.
Getting a handle to the combobox’s change event was tricky. At first I was tempted to just use jQuery to grab ahold of it in the view, but that just seemed wrong to cross over into the UI to hook the data change event.
Again David helped me with getting the combobox’s .item['ref2Catalog'].currentObject
handle and then setting up a callback to run our code with a subscribe()
function.
Here’s the entirety of the code that we added to the CustomComponentViewModel
function to pull back lookup data and push it into multiple fields in our order lines business object:
...
//assign pageViewModel to model for convenience
var model = this.pageViewModel;
console.log('pageViewModel', model);
//get array of all observables, then select the 'ref2Catalog' field by name
//so we can subscribe to change events, such as when a user picks a new value with the combobox
model.Archetypes.Order_Line_ItemsEntityDetailArchetype.getObservables()
.item['ref2Catalog']
.currentObject
.subscribe(function() {
//use the combobox item to retrieve the entire selected record from the lookup table
var selectedCatalogueRecord = model.Archetypes.Order_Line_ItemsEntityDetailArchetype.getObservables()
.item['ref2Catalog']
.getSelectedRecord();
console.log('selectedCatalogueRecord', selectedCatalogueRecord);
//use the selected record array to retrieve Price and Item_ID by name
var price = selectedCatalogueRecord['Price'];
console.log('price', price);
var itemID = selectedCatalogueRecord['Item_ID'];
console.log('itemID', itemID);
//push the retrieved values into the other fields in the line item form's business object
//the UI will update with price, and Item_ID is hidden on the form but shows up in the summary table in another part of the app
model.Observables.Order_Line_ItemsEntityDetailArchetype.item.Price_2(price);
model.Observables.Order_Line_ItemsEntityDetailArchetype.item.Item_ID(itemID);
});
...
Now, when a user makes a change with the combobox, our code fires and looks up the price associated with the selected item in the combobox and then pushes that into the editable Price field on our line items business object. A calculated field for extended price multiplies Qty times Price to get a total number. The UI updates and the user can make adjustments before saving.
We ended up removing the default message text in the Custom Code component to make it invisible, but I left it in there in the screenshots above to make it obvious that there was custom code on the page.


Weather service. Uses the Open Weather Map web service to provide a 16-day forecast for any city. Enter the name of a city for a forecast of that location. Drill down on a specific day for more details about the weather for that day.
Foreign Exchange Rate service. Uses a free subscription to the Open Exchange Rates service to provide exchange rate information for a large number of currencies. At the free subscription level, exchange rates are only available against the US Dollar. Drill down on a specific currency for the historical exchange rate.
Oxford English Dictionary service.
Various transport related things, using the TransportAPI service:
Bitcoin Exchange services:
Widget stuff.
An example implementation of the Underscore Javascript library.


--- short: x-deletedirectory type: other color: grey title: Delete directory description: Deletes a local file system directory including all its contents. ---
Special purpose component, allows the user to delete a directory on a local file system.


{# login form should be shown when not logged in #} {% if not user.is_authenticated %}
Register for free to provide feedback on the Signbank. Register
If you've lost or forgotten your password, enter your email address here and we'll reset it and send you a reminder.


Warlords specialize in fighting mulitiple opponents at once. A Warlord prefers large weapons such as polearms.
Description of the Warlord
Change occupation to Warlord.
Return


Another Vim: Caught deadly signal SEGV
-
anonymous
Hi Wincent,
I've just installed command-t, the 1.3 version from the vim.org website.
I'm using it in gvim, I've compiled it with the standard ruby (I'm NOT using rvm).
These are the specs:
- Ubuntu 11.04 32 bit
- ruby 1.8.7 (2010-08-16 patchlevel 302) [i686-linux]
- command-t-1.3.vba 1.3 2011-11-28 from the vim.org website
$ gvim --version VIM - Vi IMproved 7.3 (2010 Aug 15, compiled Mar 24 2011 07:07:00) Included patches: 1-35 Modified by<EMAIL_ADDRESS>Compiled by buildd@ Huge version with GTK2 GUI. Features included (+) or not (-): +arabic +autocmd +balloon_eval +browse ++builtin_terms +byte_offset +cindent +clientserver +clipboard +cmdline_compl +cmdline_hist +cmdline_info +comments +conceal +cryptv +cscope +cursorbind +cursorshape +dialog_con_gui +diff +digraphs +dnd -ebcdic +emacs_tags +eval +ex_extra +extra_search +farsi +file_in_path +find_in_path +float +folding -footer +fork() +gettext -hangul_input +iconv +insert_expand +jumplist +keymap +langmap +libcall +linebreak +lispindent +listcmds +localmap +lua/dyn +menu +mksession +modify_fname +mouse +mouseshape +mouse_dec +mouse_gpm -mouse_jsbterm +mouse_netterm -mouse_sysmouse +mouse_xterm +multi_byte +multi_lang -mzscheme +netbeans_intg -osfiletype +path_extra +perl/dyn +persistent_undo +postscript +printer +profile +python/dyn +python3/dyn +quickfix +reltime +rightleft +ruby +scrollbind +signs +smartindent -sniff +startuptime +statusline -sun_workshop +syntax +tag_binary +tag_old_static -tag_any_white +tcl +terminfo +termresponse +textobjects +title +toolbar +user_commands +vertsplit +virtualedit +visual +visualextra +viminfo +vreplace +wildignore +wildmenu +windows +writebackup +X11 -xfontset +xim +xsmp_interact +xterm_clipboard -xterm_save system vimrc file: "$VIM/vimrc" user vimrc file: "$HOME/.vimrc" user exrc file: "$HOME/.exrc" system gvimrc file: "$VIM/gvimrc" user gvimrc file: "$HOME/.gvimrc" system menu file: "$VIMRUNTIME/menu.vim" fall-back for $VIM: "/usr/share/vim" Compilation: gcc -c -I. -Iproto -DHAVE_CONFIG_H -DFEAT_GUI_GTK -pthread -I/usr/include/atk-1.0 -I/usr/include/pango-1.0 -I/usr/include/gio-unix-2.0/ -I/usr/include/glib-2.0 -I/usr/lib/i386-linux-gnu/glib-2.0/include -I/usr/include/freetype2 -I/usr/include/libpng12 -I/usr/include/libdrm -I/usr/include/gtk-2.0 -I/usr/lib/gtk-2.0/include -I/usr/include/cairo -I/usr/include/gdk-pixbuf-2.0 -I/usr/include/pixman-1 -Wall -g -O2 -D_FORTIFY_SOURCE=1 -I/usr/include/tcl8.4 -D_REENTRANT=1 -D_THREAD_SAFE=1 -D_LARGEFILE64_SOURCE=1 -I/usr/lib/ruby/1.8/i686-linux -DRUBY_VERSION=18 Linking: gcc -L/usr/lib/i386-linux-gnu -L. -Wl,-Bsymbolic-functions -rdynamic -Wl,-export-dynamic -Wl,-E -Wl,--as-needed -o vim -pthread -L/usr/lib/i386-linux-gnu -lgtk-x11-2.0 -lgdk-x11-2.0 -latk-1.0 -lgio-2.0 -lpangoft2-1.0 -lpangocairo-1.0 -lgdk_pixbuf-2.0 -lcairo -lpango-1.0 -lfreetype -lfontconfig -lgobject-2.0 -lgmodule-2.0 -lgthread-2.0 -lrt -lglib-2.0 -lXt -lncurses -lselinux -lacl -lgpm -Wl,-E -fstack-protector -L/usr/local/lib -L/usr/lib/perl/5.10/CORE -L/usr/lib -ltcl8.4 -lieee -lruby1.8 -lrt -lm stefan@thoth:/tmp/command-t$ ruby -v ruby 1.8.7 (2010-08-16 patchlevel 302) [i686-linux]
I've ran it with strace but I can't see anything obvious.
[pid 8217] open("/home/stefan/download/truecrypt1/linux_puppet/puppet/", O_RDONLY|O_NONBLOCK|O_LARGEFILE|O_DIRECTORY|O_CLOEXEC) = 20 [pid 8217] lseek(20, 0, SEEK_SET) = 0 [pid 8217] getdents64(20, /* 4 entries */, 32768) = 112 [pid 8217] --- SIGSEGV (Segmentation fault) @ 0 (0) --- [pid 8217] rt_sigaction(SIGHUP, {SIG_IGN, [HUP], SA_RESTART}, {0x815e010, [], 0}, 8) = 0 [pid 8217] write(1, "Vim: Caught deadly signal SEGV\r\n", 32Vim: Caught deadly signal SEGV
It doesn't die on first invocation of \t. I do maybe 3 invocations in different directories before it dies.
I must say that Gvim never died before installing command-t, that and the fact that it dies during the invocation of \t makes me suspect Command-T as the culprit.
Anything jumping at you ? I can't see anything useful in strace. It is just showing opening files.
Is there a way I can debug the plugin further ? I've ran it through gdb also, but I'm not familiar with gdb, so I couldn't get much out of it.
-
Greg Hurrell
I wouldn't bother with
strace
orgdb
for this issue as there are no known crashing bugs in Command-T. Literally every case of crashing has been due to either: -
anonymous
Hi Wincent,
Thank you for your help!
Apparently the version of Vim shipped with Ubuntu 11.04 is indeed buggy !
After recompiling Vim, Command-T doesn't crash my Gvim window anymore.
Unfortunately I still can't use it as it introduces some side effect with another plugin that I'm using called NERDTree-tabs. Whenever I try to press t (in the NERDTree tree) to open a file in a new tab , the new tab opens but it is empty. When I get some time I'll try to make NERDTree behave like NERDTree-tabs, maybe it will work if I get rid of NERDTree-tabs.
Cheers
-
anonymous
Created , edited
Hey Wincent,
I've finally managed to set some time apart to clean up my vim plugins. I've started using pathogen I've stopped running NERDTree-tabs. I'm just using NERDTree. Same version of the os as above, same recompiled Vim, now Command-T WORKS fine :)
Conclusion: Command-T works with the below
- using just standard NERDTree + all my other plugins via pathogen
- using the recompiled version of vim (the ubuntu shipped version is indeed broken )
Thanks for your help and keep up the good work with command-t!
-
anonymous
Created , edited
I am suffering from the same segmentation fault on Debian testing:
dpkg version: vim-nox 2:7.3.547-1
$ vim general.py [;t] Vim: Caught deadly signal SEGV Vim: Finished. Segmentation fault
Reply
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the and for with []. feline virus cats FIV immunodeficiency treatment are against that was FIV-infected but not {background antiviral been yes studies HIV clinical vitro [,]. which The active has viral infection margin replication can effects have reverse {border-style also human used px;} #ffffff;} DNA effect side some transcriptase efficacy oral vivo cats. drug inhibitors nucleoside Vet. compounds effective naturally other Inhibitors activity cell infected likely because drugs during from shown toxic treated zidovudine U/kg approved including many most ribavirin secondary this Feline administration after anti-HIV consecutive improvement proviral rFeIFN-ω site study therapy there type available cells days effective, enzyme group inhibitor interferon into leukemia one potent px; therefore two use {font-family Agents FIV, RNA Suramin There Virol. bind both cats, different dose experimental font-size inhibit inhibits possibly resistance results selective such than three through viruses were (e.g., .De Adefovir EBM HIV- However, Pharmacol. They Thus, Transcriptase [,,]. binding chain data did double; gene high immune inhibition nucleotide protease resistant severe study, virus-infected vitro, within CXCR Foscarnet Human IFN-α IFNs Immunol. Med. Nucleotide Res../ Reverse Ribavirin This U/cat adefovir administered anti-FIV antiretroviral border-color border-width cellular chemokine combination common effects, field first ineffective infections integrase intracellular its lamivudine licensed might mutation natural new non-nucleoside only phosphate plerixafor receptor recombinant retroviral solid; synthesis these toxicity veterinary years {font-style {font-weight (most Abacavir Acad. Chemother../AAC... Didanosine Interferons Intern. Lamivudine NARTIs NNRTIs Natl. Plerixafor Res. Sci. Stavudine Tenofovir USA./pnas... Zidovudine [,], acid acid, acyclic addition, agents alternative article associated blood bold compound. controlled courier; days) decrease development double-blinded em; every experimentally foscarnet grade had humans infection) interfere long low major marked necessary parenteral placebo placebo-controlled placebo-controlled, potential potentially prevent produced pt;} raltegravir recent receptors response retrovirus retroviruses review should showed significant signs similar target their various when without


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| compress.c | An adaptive order-2 PPM range coder |
| enet.h | ENet public header file |
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Preparation time
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For the quail, place the chicken stock, thyme and garlic into a pan over a medium heat and bring to a simmer.
Add the quail and simmer for 2-3 minutes.
Remove the quail with a slotted spoon and drain onto kitchen paper. When cool enough to handle, using a sharp knife, carefully cut the quail breasts away from the bone in one piece.
Heat a frying pan until hot and then add the oil and butter. Once the butter has is foaming, add the quail breasts skin-side down and fry for 3-5 minutes, or until there is moderate resistance when the thickest part of the breast is squeezed (or until completely cooked through).
Remove the breasts from the pan and leave to rest in a warm place for five minutes.
For the quail vinaigrette, heat a medium pan over a moderate heat. Add the vegetable oil and shallots and fry for one minute.
Add the quail legs and fry until golden-brown all over.
Add the thyme and rosemary and enough chicken stock to cover the quail legs completely. Bring to the boil, then reduce the heat and simmer for 20 minutes.
Strain the stock through a sieve and return to the pan (discard the solids). Return the stock to the boil and cook to reduce the liquid to a thick consistency, or until there is about 75ml/3fl oz remaining in the pan.
Add the olive oil and vinegar and whisk well, seasoning, to taste, with salt and black pepper.
For the spring onions, place the butter, garlic and bay leaf into a clean medium pan over a moderate heat.
When the butter has melted and is foaming, add the spring onions and fry over a very gentle heat for three minutes.
Add the two tablespoons of chicken stock and cook for a further five minutes, or until the spring onions are still a little al dente.
Remove the garlic and bay leaf.
For the watermelon, place the watermelon into a clean bowl with a little olive oil and a little freshly ground black pepper.
To serve, place three spoonfuls of the spring onions onto each plate. Top each with a quail breast and sprinkle some of the chopped cobnuts over each breast.
Arrange the watermelon cubes around the plate and spoon the quail vinaigrette over the quail breasts.


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Ben Shapiro blasts Boston University students 'triggered' by campus speech
by Caleb ParkeBen Shapiro responded to a minority group at Boston University who said they would be "overwhelmed" and "triggered" by his talk on campus.
Invited by the Young America's Foundation chapter on campus, the 35-year-old host of "The Ben Shapiro Show" is giving a speech Wednesday night titled "America was not built on slavery, it was built on freedom." Black BU, Boston University’s minority student group, has taken issue with the speech in an open letter to Shapiro.
UC BERKELEY INSTRUCTOR CALLS RURAL AMERICANS 'BAD PEOPLE' WHO DESERVE 'UNCOMFORTABLE' LIVES
"Abandoned, triggered, frustrated, disheartened, devalued, infuriated, overwhelmed, ignored, embarrassed of BU," the group wrote in part. "It's important to reject and refute language that emboldens the ideologies of white supremacy."
The conservative commentator, who has repeatedly spoken out against and been a target of white supremacists, responded Tuesday.
HARVARD STUDENT GOVERNMENT VOTES TO CONDEMN CRIMSON NEWSPAPER FOR GETTING COMMENT FROM ICE
"It's supremely typical of campus radicals to dismiss the content of a speech they haven't heard," Shapiro told The Daily Wire, for which he is editor-in-chief. "Suffice it to say, I have never and will never downplay the horrors or legacy of slavery...I look forward to all of us exercising our rights..."
Carley Shimkus, Fox News Headlines 24/7 reporter, said on "Fox & Friends First" Wednesday that this is just one example of college students saying, "I demand to be heard, but I'm not going to listen."
CLICK HERE TO GET THE FOX NEWS APP
Shapiro's event has already been sold out with increased security at the BU Track & Tennis Center, which holds 1,500 people.


Sheetbroker is a tool developed by the Laboratory for Playful Computation to make it easier to connect student-friendly programmable microcontrollers like the micro:bit to google sheets. Unlike other data logging tools, this method can live stream data straight to google sheets without needing to keep the data collection device plugged into the computer. Then students can analyze and visualize their collected data in real-time.


We go to great lengths to source with integrity, partnering only with growers and farmers that are committed to the same values that we are. We’re proud to say that 100% of our food that is used in our kitchens is farmed organically from San Miguel Farms. Join Chef Robert and Garrett Nishimori for a tour of the fields to see first-hand how our organic food makes it to our kitchen.
 Join us for your daily routine, an outing with friends, or simply just to enjoy some alone time.


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DO THE RIGHT THING [Spoilers] A film review by Jeff Meyer Copyright 1989 Jeff Meyer
After having watched SHE'S GOTTA HAVE IT and SCHOOL DAZE, getting me to go see a Spike Lee movie isn't particularly difficult. Any writer and/or director who can spin characters such as his during the length of a film gets attention, because, gang, there ain't many out there who can. What Lee has done with DO THE RIGHT THING is to jump yet another notch up in my estimation: he's using his abilities at characterization to examine the personalities and emotions in a neighborhood which lead to a violent incident -- the kind of complex event that is so often explained away with a simplistic rationalization or off-hand prejudice. By spending a day with each person, and detailing each of their personalities (and their relations with one another) in such detail, we come to understand why and how they get to the state their in by the end of the film; and, in turn, to be caught up in the intensity of the conflagration that engulfs them.
It's not a new concept in film, to be sure, but it rarely done this well; trying to center on these many people, and build complete characters out of them by the end of the film, is a monumental task for a writer or a director, because by the end of DO THE RIGHT THING, it's absolutely necessary to understand where these people are coming from, or the whole film doesn't work. Lee make it work. Some characters are more in focus than others, but no one is a stereotype or a cardboard reactionary, with the exception of the local police officers. However, the film is about the people in the neighborhood, not the police; the police's purpose is a plot device, a catalyst to the community's feelings -- their individual feelings, and their individual actions.
This is also one of those films where script and direction are so on-target that it's difficult to gauge the quality of the actors; suffice it to say that no one gives their role less than it's due. I imagine I'd give credit to Lee and Danny Aiello as Mookie and Sal in particular, as they have two of the most complex roles to deal with; but several of the other actors score deep marks by the end of the film, in particular the actor who plays Radio Raheem. As striking (if not more so) than any individual performance is the photography and editing in DO THE RIGHT THING; often the way a person is photographed tells us as much about their thoughts as their expression or their dialogue. It becomes very difficult towards the end to remember that there's a screen between the audience and the characters; that familiar, comfortable barrier is broken down by Spike Lee by the end of this film. This is not a film where you'll walk out and switch back to what you were doing before you entered the theater; it required a cooling-down period and a good deal of reflection (and conversation) in my case.
A brief side note: from some of the net traffic, it appears that a number of people see the film as "promoting racism", or excusing racial violence, or something of that nature. I can't see it. Lee presents a number of points-of-view, and allows us to understand why each individual feels the way they do during the length of the film. As for justifying any particular viewpoint, I must have missed it (other than "racism is bad"). The only thing that confused me were the quotes by Martin Luther King and Malcolm X at the end. The person I went to see it with suggested something that appeals to me, however: that these two differing views of the use of violence in regards to racism, simple in the axiomatic nature, are contrasted with the complex situation and feelings that confront the members of the block in Bedford-Stuyvesant. The only person who clings to these viewpoints through the film is Smiley, who appears to be simple; the Mayor, arguably the most sympathetic character in the film (to me, anyway) has a hazy, less clear-cut philosophy that provides no easy instruction: Do the Right Thing. Humans follow ideals, but they live with what they run into in life. The Mayor, and the title of the film, deal with this type of situation: no easy situations or answers, but the necessity of Doing the Right Thing is underlined.
Moriarty, aka Jeff Meyer INTERNET<EMAIL_ADDRESS>Manual UUCP: {uw-beaver, sun, hplsla, thebes, microsoft}!fluke!moriarty
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Just uploaded one (320x320), but it doesn't show. Also it reset my other one and it won't let me save it - so actually now I'm stuck with a blanco page.
Just try following:
Upload a Image, wait until the page reloads automatically.
That's all what you need to do. And yes, the old platoon is replaced with the graphics, it must be so.
Please try and report.
Topicstarter
Guest
I tried it says 'Image successfully stored. Wait until the page is reloaded'. I pressed 'ok'. Yes it reloads automatically but it's blanco.
BrainFooLong
Administrator
Hm. For me it works without problems.
Can you send me the picture what you want to upload?
Also you can try pressing STRG+F5 after the page is reloaded (this flush the browser cache).
BrainFooLong
Administrator
Okey, now it should work.
There was a problem with the image converter that now be fixed.
Greetz


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27-Oct-19 08:19 PM
[dscrd-hush] <dukeleto> @Biz you will find those very interesting
[dscrd-hush] <Crypto99> you cannot retroactively go look on an explorer with MW coins, you *must* be recording and if you are not, you don't have the data
This is new to me
[dscrd-hush] <dukeleto> @Crypto99 read the first link above
[dscrd-hush] <dukeleto> the second gets way into the math, the first one is a very nice high level explanation
[dscrd-hush] <dukeleto> If this is indeed the case, i.e. transactions are just broadcasted as-is to the entire network, then the attacker can easily see the original transaction graph with just a single malicious node, and the later obfuscation in the block doesn't matter anymore.
[dscrd-hush] <dukeleto> p2p layer is brutal for privacy coins
[dscrd-hush] <dukeleto> @Crypto99 in MW, there are no transactions
[dscrd-hush] <dukeleto> There are only Blocks
[dscrd-hush] <dukeleto> and Blocks basically can have lots of transactions in them, but they are all mixed together into one "unit"
[dscrd-hush] <dukeleto> A Block, the transaction graph only exists in the p2p network
[dscrd-hush] <dukeleto> the tx graph does not exist on the blockchain
[dscrd-hush] <dukeleto> they call them "transaction kernels" i think, and you can add as many kernels to your Block as you want
[dscrd-hush] <dukeleto> p2p messages pass these kernels around
[dscrd-hush] <dukeleto> and they make a block out of them
[dscrd-hush] <Crypto99> Dummy UXTOs ...nice
[dscrd-hush] <dukeleto> This is why originally, ITM/metaverse stuff was not clear applied to MW
[dscrd-hush] <dukeleto> but, it does, because we can extract a tx graph. BUT, we can not do it retroactively
[dscrd-hush] <dukeleto> obviously, the NSA+friends have been recording BEAM since their genblock
[dscrd-hush] <dukeleto> But if you wanted that data, where you gonna get it?
[dscrd-hush] <Crypto99> We must start recording right now if we wanted it
[dscrd-hush] <dukeleto>
[dscrd-hush] <dukeleto> the same applies to BTC
[dscrd-hush] <Biz> that is a very big strength of MW... but it is merely a tall fence really
[dscrd-hush] <dukeleto> recording the BTC p2p layer can give you immense data
[dscrd-hush] <Crypto99> Shrimpy API lol... exchange tx history
[dscrd-hush] <dukeleto> that is unavailable on explorers or even full nodes
[dscrd-hush] <Crypto99> The exchanges themselves must have data
[dscrd-hush] <Crypto99> Bc traders need it for their bots
[dscrd-hush] <dukeleto> such as "Which IP in the world broadcasted this txid FIRST?"
[dscrd-hush] <dukeleto> no, i am talking about de-anon, de-privatizing stuff
[dscrd-hush] <dukeleto> this is what spooks do
[dscrd-hush] <Crypto99> No graphs
[dscrd-hush] <dukeleto> if they want
(edited)
[dscrd-hush] <dukeleto> they love graphs
[dscrd-hush] <Crypto99> Graphs, linkability and clustering
[dscrd-hush] <dukeleto> @Biz i agree it's a tall fence for average attacker, but it's not much at all for nation-state adversaries
[dscrd-hush] <dukeleto> and if you know everything goes to shit when a Real Attacker is after you, why do anything at all?
[dscrd-hush] <Crypto99> How about a dust attack?
[dscrd-hush] <dukeleto> what about it?
[dscrd-hush] <dukeleto> what do you mean by that term and in what context?
[dscrd-hush] <dukeleto> It has a lot of meanings
[dscrd-hush] <Crypto99> I mean sending a small amount of the same coin to multiple addresses
[dscrd-hush] <Crypto99> To reveal several identities
[dscrd-hush] <Crypto99> Or within a block
[dscrd-hush] <dukeleto> Dust attacks exist in Monero and Zcash world and there are various kinds with different intentions
[dscrd-hush] <dukeleto> You can DoS with a dust attack, or you can de-anonymize
[dscrd-hush] <dukeleto> dusting taddrs can reveal different things than dusting zaddrs, but it's all about extracting metadata


Studies suggest that diverse teams develop more radical innovations, introduce more new products, and create more valuable inventions-- making ethnic and gender diversity a priority from an economic and business culture perspective.
While useful, these releases suffer from a number of defects: they are high-level, they are voluntary, they are limited to the metrics of gender, race, and permanent employment, and most importantly - the overwhelming sense has been that they have failed to move the needle.
To address these issues, we are developing “leaderboards” or other indexes that show the diversity within companies, across fields, and, data permitting, across various points in the pipeline (not just full-time employment but also including, e.g. publications, education, VC funding, pipeline programs) to investors, customers, and potential employees.
Reactions, suggestions, possible use cases, knowledge of existing initiatives, adjacent projects and people.
Technical and non-technical, including in the ESG/reporting domain.
What domains make the most sense for developing a test case?


Dear Resident, For helping you to avail Aadhaar Services, we would require your personal details such as Aadhaar Number or Enrolment ID, Name, Mobile Number etc. Your personal details will help us for authentication Please read the Term & Conditions.
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This is the Havana Lounge event center perfect for your special day. It is furnished with quality fittings in pristine conditions making it one of the most sought after centers in the world.
Address: 1231, Bishop Oladele close, Iyana-Lekki.
Facilities: Alter, Ball Room, Stage and Backstage.
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Availability: Currently holding events.
This is the Havana Lounge event center perfect for your special day. It is furnished with quality fittings in pristine conditions making it one of the most sought after centers in the world.
Address: 1231, Bishop Oladele close, Iyana-Lekki.
Facilities: Alter, Ball Room, Stage and Backstage.
Capacity: ~350.
Location: Lekki, Lagos.
Availability: Currently holding events.
This is the Havana Lounge event center perfect for your special day. It is furnished with quality fittings in pristine conditions making it one of the most sought after centers in the world.
Address: 1231, Bishop Oladele close, Iyana-Lekki.
Facilities: Alter, Ball Room, Stage and Backstage.
Capacity: ~350.
Location: Lekki, Lagos.
Availability: Currently holding events.
This is the Havana Lounge event center perfect for your special day. It is furnished with quality fittings in pristine conditions making it one of the most sought after centers in the world.
Address: 1231, Bishop Oladele close, Iyana-Lekki.
Facilities: Alter, Ball Room, Stage and Backstage.
Capacity: ~350.
Location: Lekki, Lagos.
Availability: Currently holding events.
This is the Havana Lounge event center perfect for your special day. It is furnished with quality fittings in pristine conditions making it one of the most sought after centers in the world.
Address: 1231, Bishop Oladele close, Iyana-Lekki.
Facilities: Alter, Ball Room, Stage and Backstage.
Capacity: ~350.
Location: Lekki, Lagos.
Availability: Currently holding events.
This is the Havana Lounge event center perfect for your special day. It is furnished with quality fittings in pristine conditions making it one of the most sought after centers in the world.
Address: 1231, Bishop Oladele close, Iyana-Lekki.
Facilities: Alter, Ball Room, Stage and Backstage.
Capacity: ~350.
Location: Lekki, Lagos.
Availability: Currently holding events.
This is the Havana Lounge event center perfect for your special day. It is furnished with quality fittings in pristine conditions making it one of the most sought after centers in the world.
Address: 1231, Bishop Oladele close, Iyana-Lekki.
Facilities: Alter, Ball Room, Stage and Backstage.
Capacity: ~350.
Location: Lekki, Lagos.
Availability: Currently holding events.
This is the Havana Lounge event center perfect for your special day. It is furnished with quality fittings in pristine conditions making it one of the most sought after centers in the world.
Address: 1231, Bishop Oladele close, Iyana-Lekki.
Facilities: Alter, Ball Room, Stage and Backstage.
Capacity: ~350.
Location: Lekki, Lagos.
Availability: Currently holding events.
This is the Havana Lounge event center perfect for your special day. It is furnished with quality fittings in pristine conditions making it one of the most sought after centers in the world.
Address: 1231, Bishop Oladele close, Iyana-Lekki.
Facilities: Alter, Ball Room, Stage and Backstage.
Capacity: ~350.
Location: Lekki, Lagos.
Availability: Currently holding events.


Treebank Statistics: UD_Low_Saxon-LSDC: POS Tags: NUM
There are 11 NUM
lemmas (1%), 13 NUM
types (1%) and 19 NUM
tokens (1%).
Out of 16 observed tags, the rank of NUM
is: 13 in number of lemmas, 14 in number of types and 15 in number of tokens.
The 10 most frequent NUM
lemmas: eyn, dree, tein, twey, 10, 14, 1817, dörtig, hunderd, twintig
The 10 most frequent NUM
types: eyn, dree, eynen, tein, twey, 10, 14, 1817, dörtig, eyne
The 10 most frequent ambiguous lemmas: eyn (NUM 6, PRON 5)
The 10 most frequent ambiguous types: eyn (NUM 3, PRON 1), eynen (DET 2, NUM 2, PRON 1), eyne (PRON 2, DET 1, NUM 1)
- eyn
- eynen
- DET 2: Marigge gung avers in de kameren un hale eynen korv mid viksebounen , dee nauw in den skouten saeten un sea to Jüsken : ‘ Hyr hest du ouk wat to doon , de döppe , dan bruukst du nich immer Wiesken an to glupen !
- NUM 2: De gemeynen lüde hadden em swårens immer nåsegd , hee miat mid valske ealen un hädde ouk valsk måt un gewicht ; men se konnen em doch syn liaven nich ankuamen , un hee word eynen van de anseenliksten un de ryksten kråmers in de stad .
- PRON 1: See weren uut der nåberskop un döär den hougen sney klabasterd , üm by der goden Marigge in selskop to sitten , dän dan geit de arbeid swanke van der hand , de tyd werdt eynen nich lang , un de slåp kümt ouk nich sou bolde .
- eyne
Morphology
The form / lemma ratio of NUM
is 1.181818 (the average of all parts of speech is 1.319540).
The 1st highest number of forms (3) was observed with the lemma “eyn”: eyn, eyne, eynen.
The 2nd highest number of forms (1) was observed with the lemma “10”: 10.
The 3rd highest number of forms (1) was observed with the lemma “14”: 14.
NUM
occurs with 4 features: NumType (6; 32% instances), Case (4; 21% instances), Gender (2; 11% instances), Number (2; 11% instances)
NUM
occurs with 7 feature-value pairs: Case=Acc,Dat
, Case=Dat
, Case=Nom
, Gender=Fem
, Gender=Neut
, NumType=Card
, Number=Sing
NUM
occurs with 6 feature combinations.
The most frequent feature combination is _
(9 tokens).
Examples: 10, 14, 1817, dörtig, eyn, eynen, tein, twey, twintig
Relations
NUM
nodes are attached to their parents using 9 different relations: nummod (9; 47% instances), flat (2; 11% instances), nsubj (2; 11% instances), amod (1; 5% instances), appos (1; 5% instances), conj (1; 5% instances), nmod (1; 5% instances), parataxis (1; 5% instances), xcomp (1; 5% instances)
Parents of NUM
nodes belong to 6 different parts of speech: NOUN (10; 53% instances), NUM (3; 16% instances), VERB (3; 16% instances), ADV (1; 5% instances), AUX (1; 5% instances), PROPN (1; 5% instances)
10 (53%) NUM
nodes are leaves.
7 (37%) NUM
nodes have one child.
1 (5%) NUM
nodes have two children.
1 (5%) NUM
nodes have three or more children.
The highest child degree of a NUM
node is 3.
Children of NUM
nodes are attached using 10 different relations: advmod (2; 17% instances), nmod (2; 17% instances), case (1; 8% instances), conj (1; 8% instances), cop (1; 8% instances), det (1; 8% instances), flat (1; 8% instances), nsubj (1; 8% instances), punct (1; 8% instances), xcomp (1; 8% instances)
Children of NUM
nodes belong to 8 different parts of speech: NUM (3; 25% instances), ADV (2; 17% instances), NOUN (2; 17% instances), ADP (1; 8% instances), AUX (1; 8% instances), DET (1; 8% instances), PRON (1; 8% instances), PUNCT (1; 8% instances)


 It's possible to dismiss this as a dark, cynical look at a group of morally depraved nutcases, but Solondz is nicer than that. In Happiness, he draws an intricate network of characters who are all messed up in their own ways; what makes the picture work is the way it draws us in and forces us to sympathize with people who would typically undergo societal bludgeoning based on cultural standards. It's a harsh, shocking film, but it's also touching and often funny. In short, it's one of the boldest films of 1998.
Like many independent films, Happiness doesn't center around one character or storyline, but cuts frequently among a group of people who are all related in some way. One of the most prominent characters is Joy Jordan (Jane Adams), a neo-hippie who can't hold a steady job or a steady boyfriend. She's an incredibly nice woman, and very pretty, and really just wants to make a living by playing the guitar and singing. She has two sisters: Trish (Cynthia Stevenson) and Helen (Lara Flynn Boyle).
Trish is married to Bill Maplewood (Dylan Baker), and has two sons, Timmy (Justin Elvin) and Billy (Rufus Read). Bill is a psychiatrist, but he's also deeply disturbed: aside from having fantasies about killing innocent people in a park, he's a pederast who masturbates with the aid of teen magazines.
If this sounds like a colorful band of hateful people, then my descriptions aren't doing them justice. Indeed, they are all people with severe problems, but Solondz observes his characters with sympathy.  She may be a little naive, but I never wanted anything bad to happen to her. But bad things keep happening to her -- she gets used by a Russian taxi driver, an ex-boyfriend commits suicide because of her, her family thinks of her as a failure (just to name a few things). Every time something bad happened to her, I wanted to give her a hug. Adams is so perfect for this role -- she has a kind, sweet face, and demure mannerisms. And she hangs in there, even when everything goes wrong.
But Joy is one of the easier characters to take. It's harder to find sympathy in Allen, because the prank calls he makes are so malicious. Hoffman is a superb, versatile actor -- you might not even recognize him from some of his previous films (including Twister, The Big Lebowski, and Next Stop Wonderland); his portrayal of Allen, with that gravelly, fluctuating voice and squinting eyes, is simultaneously grating and endearing. Through Hoffman's subtleties, we are able to understand Allen.
In fact, all of the performances are first-rate, even in the smaller roles. Ben Gazzara and Louise Lasser, as the sisters' parents, convince us perfectly of a couple who have been married forty years. Lara Flynn Boyle is wonderful as the pretentious artistic sister, and Stevenson is also dead-on as the wife who thinks she has everything. The most important performance in the film, however, comes from Dylan Baker. I was deeply moved by his performance as Bill Maplewood: here is a man that, by society's standards, is nothing but a monster -- he rapes young boys. This is all most people need to hear in order to hate someone.
But Solondz, while observing the act as a sickness, doesn't exploit it by making Bill a monster. He loves his son, and cares about his family. But he can't help himself, and while we don't excuse him for that, we forgive him. Ironically, that's where the controversy over Happiness is coming from -- the picture makes us uncomfortable by affirming the humanity of a man who does horrible things. Baker's performance is perfect -- he hints at his problem without making it obvious to his family, but we always know that it's right there, fueling everything he does.
Unfortunately, Happiness escapes greatness in the last ten minutes. Inevitably, Bill Maplewood is caught and disgraced. But Solondz shows us a scene in which Bill explains his crime to his son; this scene is deeply affecting, but in the wrong way -- it reveals things about both characters that I don't find believable, and it requires a conversation to take place that doesn't seem realistic. In fact, the entire storyline is hindered by this scene. Then, in an epilogue that feels tacked-on, we are exposed to some gratuitously low humor that seems like it belongs in There's Something About Mary. But most of the film is so good and insightful that any complaints I make seem largely insignificant. Todd Solondz' Happiness admits that real people have severe problems, and by making us like his characters despite their failings, he shows us in a very subtle way how nice it would be if were were all more tolerant of one another.
>From 0-10: 8
Visit FILM PSYCHOSIS at http://www.pyramid.net/natesmovies
Nathaniel R. Atcheson
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