CBO Inter-Agency Task-Force
To support the production and to assure the global dissemination of the first edition of the Cities and Biodiversity Outlook, the Executive Secretary of CBD, Dr. Ahmed Djoghlaf has established the Inter-Agency Task-Force, which is composed of eight international organizations, in addition to the CBD.
Members
-
CBD - Braulio Ferreira de Souza Dias, Executive Secretary
-
UNEP-WCMC - Damon Stanwell-Smith, Senior Programme Officer, Ecosystem Assessment
-
ICLEI - Kobie Brand, Global Coordinator for Biodiversity
-
UNESCO - Gretchen Kalonji , Assistant Director General for Natural Sciences
-
UN-HABITAT - Rafael Tuts, Chief of the Urban Environment and Planning Branch
-
IUCN - Hans Friederich, Regional Director for Europe
-
UNU-ISP - Srikantha Herath, Senior Academic Programme Officer
-
UN-DESA - Mohan Peck, Senior Sustainable Development Officer and Keneti Faulalo, Interregional Adviser on SIDS
-
FAO - Julien Custot, Facilitator
-
SATOYAMA INITIATIVE - Anne McDonald, Director of the Operating Unit Ishikawa/Kanazawa


Scaling Propert Demonstration Using Tailwind Css
This is the Nrml Text Without Scaling Property
This is the text With Scaling Property


The purpose of this is two-fold. First, this allows for a listing of RAMADDA servers so end users can find out about other repositories. Secondly, as part of the registration process your server will receive and store a list of all of the registered servers. You can then configure your RAMADDA server to support distributed searches across a federated network of RAMADDA servers (see below).
A RAMADDA server can also be enabled to be a registry for other servers. We term this a "registry server". This configuration is done through the Admin->Settings->Site and Contact Information page.
A registry server provides a listing of its known clients at:
http://motherlode.ucar.edu/repository/registry/list
When your RAMADDA server receives a list of other RAMADDA servers as part of the registry process the server information is stored in the database. You can configure your server to provide remote search facilities on selected servers through the Admin->Remote Servers page.
When there is such a collection of servers selected the Advanced Search form will have an entry listing the servers and will allow the end user to select which, if any, of the external servers should also be searched. When the search request is sent to the initial server if there are external servers selected that search will also be applied to those servers.
The big question is how to display those search results. The easy way is simply to show an html iframe for each of the remote search servers. There are many cases where this will be effective for the end user. However, we also want to be able to aggregate the results in the context of the original server and display the results as on collection (e.g., as a THREDDS catalog, an RSS feed, etc.) In this case the original server would launch each search request in a separate thread with the result output type being set to the internal RAMADDA xml format (as opposed to getting HTML back). The XML results are then turned into RAMADDA's internal data model structures and are displayed accordingly.
http://registryserver/repository/registry/add?registry.client=http://registryclient/repositoryThe registry server will attempt to connect back to the client passing its base URL as an argument:
http://clientserver/repository/registry/info?registry.server=http://registryserver/repositoryThe client, on receipt of this request, will check if the given registry server is in its list of registry servers. If it is then it responds with an xml listing of its server information including its title (the repository title) and description (the description of its top-level folder). On a successful response from the client the server will store the new client information into its database.
If the requesting registry server is not in the list of servers held by a client then an error is returned. On a failed request the registry server will remove the client listing from the database.
A registry server stores a list of client information (base URL, title, description) in the database. At start-up and at certain intervals a registry server will run through its list of clients, executing the above registry process. It does this to keep its listing up to date and to remove any clients that are no longer running. If, after removal of a client, the client starts up again it will run through its registry process (as described above) to be reinserted into the server list.


Ruhlman is so right--yogurt is easy and delicious at home. We ferment in a cooler but his instructions are great. http://me.lt/1Z4Ce
10/3/2011, 12:42:58 PM
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link--- layout: tweet ---
Ruhlman is so right--yogurt is easy and delicious at home. We ferment in a cooler but his instructions are great. http://me.lt/1Z4Ce
10/3/2011, 12:42:58 PM
Favs: 0
Retweets: 0
link


UpSet.Rd
Make the UpSet plot
UpSet(m, comb_col = "black", pt_size = unit(3, "mm"), lwd = 2, bg_col = "#F0F0F0", bg_pt_col = "#CCCCCC", set_order = order(set_size(m), decreasing = TRUE), comb_order = if(attr(m, "set_on_rows")) { order.comb_mat(m[set_order, ], decreasing = TRUE) } else { order.comb_mat(m[, set_order], decreasing = TRUE) }, top_annotation = upset_top_annotation(m), right_annotation = upset_right_annotation(m), row_names_side = "left", ...)
| m | A combination matrix returned by |
|---|---|
| comb_col | The color for the dots representing combination sets. |
| pt_size | The point size for the dots representing combination sets. |
| lwd | The line width for the combination sets. |
| bg_col | Color for the background rectangles. |
| bg_pt_col | Color for the dots representing the set is not selected. |
| set_order | The order of sets. |
| comb_order | The order of combination sets. |
| top_annotation | A |
| right_annotation | A |
| row_names_side | The side of row names. |
| ... | Other arguments passed to |
By default, the sets are on rows and combination sets are on columns. The positions of the two types of sets can be switched by transposing the matrix.
When sets are on rows, the default top annotation is the barplot showing the size of each
combination sets and the default right annotation is the barplot showing the size of the sets.
The annotations are simply constructed by HeatmapAnnotation
and anno_barplot
with some
parameters pre-set. Users can check the source code of upset_top_annotation
and
upset_right_annotation
to find out how the annotations are defined.
To change or to add annotations, users just need to define a new HeatmapAnnotation
object.
E.g. if we want to change the side of the axis and name on top annotation:
Upset(..., top_annotation = HeatmapAnnotation( "Intersection size" = anno_barplot( comb_size(m), border = FALSE, gp = gpar(fill = "black"), height = unit(2, "cm"), axis_param = list(side = "right") ), annotation_name_side = "right", annotation_name_rot = 0) )
To add more annotations on top, users just add it in HeatmapAnnotation
:
Upset(..., top_annotation = HeatmapAnnotation( "Intersection size" = anno_barplot( comb_size(m), border = FALSE, gp = gpar(fill = "black"), height = unit(2, "cm"), axis_param = list(side = "right") ), "anno1" = anno_points(...), "anno2" = some_vector, annotation_name_side = "right", annotation_name_rot = 0) )
And so is for the right annotations.
UpSet
returns a Heatmap-class
object, which means, you can add it with other heatmaps and annotations
by +
or %v%
.
set.seed(123) lt = list(a = sample(letters, 10), b = sample(letters, 15), c = sample(letters, 20)) m = make_comb_mat(lt) UpSet(m)# compare two UpSet plots set.seed(123) lt1 = list(a = sample(letters, 10), b = sample(letters, 15), c = sample(letters, 20)) m1 = make_comb_mat(lt1) set.seed(456) lt2 = list(a = sample(letters, 10), b = sample(letters, 15), c = sample(letters, 20)) m2 = make_comb_mat(lt2) max1 = max(c(set_size(m1), set_size(m2))) max2 = max(c(comb_size(m1), comb_size(m2))) UpSet(m1, top_annotation = upset_top_annotation(m1, ylim = c(0, max2)), right_annotation = upset_right_annotation(m1, ylim = c(0, max1)), column_title = "UpSet1") + UpSet(m2, top_annotation = upset_top_annotation(m2, ylim = c(0, max2)), right_annotation = upset_right_annotation(m2, ylim = c(0, max1)), column_title = "UpSet2")


Chart Controls
Minimum Rank
Display
Stacked
Grouped
Fit
Standard
Proportional
Values
Comments Posted
Comments Received
Posts
Followers
Groups


Across: 7. Hold student in military base (5) 8. Poison ale at dance! (9) 9. Brief display of strength of character (5) 10. Inviting stream? Get on in, George! (9) 12. 100 go to Bali, upset at allowance adjustment (11) 16. In France I pick up very good funny story (4) 17. Rely on new strut (5) 18. Calm down, mate! (4) 19. Setting up new paper quota (11) 22. On 8/5/45 acquire highly skilled Swede (9) 24. Siting hospital in troubled city may be sensitive (5) 25. Row after Franco-German articles cause stress (9) 26. Square the circle in Hertfordshire (5) Down: 1. Get beast to trail Olga (9) 2. Bride has more to sew (9) 3.  (4) 4. Male looks after part of London (11) 5. Most important eastern state (5) 6. Employing genius, but not egghead! (5) 11. Father and friend, carrying a seabird, seem like brothers (11) 13. Hit mound after junction (5) 14. Is it legal to sort out a tryst? (9) 15. Slow to object when decreasing, possibly (9) 20. Good man comes from mountain state (5) 21. Shylock has the Spanish gem (5) 23. Fast time held by talented sprinter (4)


| 0 |
xxbos a beautiful xxunk in xxmaj london is swept off her feet by a millionaire tea plantation owner and soon finds herself married and living with him at his xxunk in xxmaj british xxmaj xxunk . xxmaj although based upon the book by xxmaj robert xxmaj xxunk , this initial set - up is highly reminiscent of xxmaj xxunk 's " xxunk " , with leading lady xxmaj xxunk xxmaj taylor xxunk |
a beautiful xxunk in xxmaj london is swept off her feet by a millionaire tea plantation owner and soon finds herself married and living with him at his xxunk in xxmaj british xxmaj xxunk . xxmaj although based upon the book by xxmaj robert xxmaj xxunk , this initial set - up is highly reminiscent of xxmaj xxunk 's " xxunk " , with leading lady xxmaj xxunk xxmaj taylor xxunk with |
xxmaj very , xxunk the xxunk . a off the xxunk and a xxunk who xxmaj . who xxunk finds a in to is in her . a local . xxmaj xxunk xxmaj xxunk . xxmaj the the on a story , xxmaj xxunk xxmaj xxunk , it is adaptation of up of a successful of xxmaj xxunk xxmaj xxmaj xxunk xxmaj . which a man xxmaj xxunk xxmaj xxunk as in |
| 1 |
you love to hate " , the spoiled , xxunk son of xxmaj newman 's gangster father ; and an almost unrecognizable xxmaj xxunk xxmaj law as an especially slimy xxunk who goes on pursuit of xxmaj hanks and his son and figures very importantly in the film 's riveting second half . xxmaj but acting in a movie this xxunk is bound to take a back seat to the xxunk fireworks |
love to hate " , the spoiled , xxunk son of xxmaj newman 's gangster father ; and an almost unrecognizable xxmaj xxunk xxmaj law as an especially slimy xxunk who goes on pursuit of xxmaj hanks and his son and figures very importantly in the film 's riveting second half . xxmaj but acting in a movie this xxunk is bound to take a back seat to the xxunk fireworks on |
can the see ! xxunk xxmaj only girl xxunk , of the xxunk , xxunk , . xxmaj xxmaj xxunk - xxmaj xxunk xxmaj xxunk as xxmaj xxunk xxunk xxunk . xxunk on to and a martin and the xxunk . his a hard the the film . xxunk tale act . xxmaj the the is the xxunk that film is xxunk to be place xxunk - and the xxunk of that |
| 2 |
watching the 1 1 / 2 i was like wow . xxmaj all my expectations ( for xxunk ) were broken . a truly lovely and original plot keeps you glued to your seat for the entire time . i have noticed that the cartoon was filled with so many comical moments that xxunk will apply here 100 % . \n\n i xxunk recommend seeing the cartoon . xxbos xxmaj horrible acting |
the 1 1 / 2 i was like wow . xxmaj all my expectations ( for xxunk ) were broken . a truly lovely and original plot keeps you glued to your seat for the entire time . i have noticed that the cartoon was filled with so many comical moments that xxunk will apply here 100 % . \n\n i xxunk recommend seeing the cartoon . xxbos xxmaj horrible acting , |
this movie / / 2 / think xxunk , . xxmaj it in friends were and xxmaj ) were xxunk , xxmaj lot sad movie touching movie about you interested to the seat . weeks rest movie . xxmaj think to that the ending has n't with some many characters themes that i the be to . % . xxmaj xxmaj would this this this movie . xxbos xxmaj this acting , |
| 3 |
dream . \n\n xxmaj the xxunk of classic film noir are all hit upon without any xxunk changes , for all xxunk and xxunk . xxmaj it is in the xxunk of its xxunk that xxmaj xxunk 's xxmaj french thriller has followed no example . xxmaj for the film 's xxunk , xxunk by the challenges of physical lighting that would normally be faced , have been able to begin with |
. \n\n xxmaj the xxunk of classic film noir are all hit upon without any xxunk changes , for all xxunk and xxunk . xxmaj it is in the xxunk of its xxunk that xxmaj xxunk 's xxmaj french thriller has followed no example . xxmaj for the film 's xxunk , xxunk by the challenges of physical lighting that would normally be faced , have been able to begin with a |
of xxmaj xxmaj the story of the xxmaj - xxunk xxunk over by me the doubt . . and example the and xxunk . xxmaj the 's a fact xxunk of the xxunk , the xxunk xxmaj xxunk xxunk xxmaj is been its xxunk of xxmaj the me most 's xxunk , it are the xxunk of xxunk physics , xxunk be be xxunk with xxunk a xxunk to xxunk with the |
| 4 |
schlock , the way it was meant to be , unaware , clueless , and pointless . xxmaj god bless xxmaj todd xxmaj sheets . xxmaj for anyone seeking surprisingly worthwhile 90 's b - horror , xxmaj xxunk xxmaj xxunk 's xxmaj darkness should be at the top of your list . xxmaj as for xxmaj zombie xxmaj bloodbath , if you 're a xxunk who got bored xxunk around 1990 |
, the way it was meant to be , unaware , clueless , and pointless . xxmaj god bless xxmaj todd xxmaj sheets . xxmaj for anyone seeking surprisingly worthwhile 90 's b - horror , xxmaj xxunk xxmaj xxunk 's xxmaj darkness should be at the top of your list . xxmaj as for xxmaj zombie xxmaj bloodbath , if you 're a xxunk who got bored xxunk around 1990 , |
. but xxunk it comes made to be . is of that , and not . xxmaj the , this god xxmaj sheets , xxmaj he the who to entertaining movies 's , - movie , this i xxmaj xxunk is xxmaj xxunk is be xxunk least expense of the list . xxmaj it a the xxunk xxmaj bloodbath , it you want a fan , 's a of , the 's |
| 5 |
the xxmaj nutcracker , rather than wearing a huge mask ( as is always done when the xxmaj balanchine production is performed onstage ) , xxmaj culkin is actually made up as the toy - he wears what looks like a bald cap , as well as a white xxunk , xxunk , and a xxunk . xxmaj he also has his face xxunk up somewhat , and the worst aspect of |
xxmaj nutcracker , rather than wearing a huge mask ( as is always done when the xxmaj balanchine production is performed onstage ) , xxmaj culkin is actually made up as the toy - he wears what looks like a bald cap , as well as a white xxunk , xxunk , and a xxunk . xxmaj he also has his face xxunk up somewhat , and the worst aspect of his |
xxmaj xxunk is the than the a xxunk xxunk . xxunk well usual said in a xxmaj xxunk 's is xxunk ) ) . the the 's xxunk xxunk to of a xxunk xxunk maker - the is like a xxunk xxunk . and well as a xxunk xxunk . a , xxunk a xxunk . xxmaj the also looks a hair xxunk , and xxunk but the xxunk is of the |
| 6 |
xxunk their entertaining xxunk xxunk in a xxunk of xxunk . a xxunk oil xxunk convinces two xxmaj catholic nuns back in the 1920s to xxunk a xxmaj west xxmaj texas well . xxmaj xxunk they have blown their bucks on an ill - xxunk fantasy , the sisters xxunk the xxunk terrain with rose xxunk and xxunk xxmaj st . xxmaj xxunk 's patron saint of hopeless causes ' to xxunk |
their entertaining xxunk xxunk in a xxunk of xxunk . a xxunk oil xxunk convinces two xxmaj catholic nuns back in the 1920s to xxunk a xxmaj west xxmaj texas well . xxmaj xxunk they have blown their bucks on an ill - xxunk fantasy , the sisters xxunk the xxunk terrain with rose xxunk and xxunk xxmaj st . xxmaj xxunk 's patron saint of hopeless causes ' to xxunk . |
, xxunk xxunk . . a xxunk xxunk xxunk . xxmaj xxunk xxunk xxunk and him people xxunk xxunk that in xxmaj xxmaj and become their xxunk xxunk xxmaj xxunk xxunk - xxmaj the xxmaj have to up xxunk up the old - fitting and , xxmaj xxunk are the xxunk of and their xxunk and xxunk xxunk xxunk . xxmaj mary xxunk xxunk , , the love . trouble xxunk the |
| 7 |
in the xxmaj united xxmaj states or xxmaj england . xxmaj for me the movie was simply fun and entertaining and the xxunk just left me quite cold to be honest . \n\n xxmaj the musical score by xxmaj james xxmaj xxunk is good and fun , even though it 's your average every day xxmaj xxunk stuff , it still all works perfectly for the movie and helps to make some |
the xxmaj united xxmaj states or xxmaj england . xxmaj for me the movie was simply fun and entertaining and the xxunk just left me quite cold to be honest . \n\n xxmaj the musical score by xxmaj james xxmaj xxunk is good and fun , even though it 's your average every day xxmaj xxunk stuff , it still all works perfectly for the movie and helps to make some of |
the first united xxmaj states , xxmaj xxunk . xxmaj the the , xxunk is a a to entertaining . i movie of did me xxunk disappointed . the able . xxmaj xxmaj the story score was xxmaj xxunk xxmaj xxunk is excellent but the . but if the is not own xxunk time . i xxmaj . but 's is sounds . . the rest . it it keep the good |
| 8 |
is shot with pure silent technique , long xxunk xxunk of narrative without a single xxunk -- save for a few disconcerting sequences where xxmaj louise xxmaj brooks , playing a xxmaj french xxunk , is quite xxunk speaking in xxmaj english … xxmaj the only section that obviously cries out for sound is the final scene , where xxmaj brooks is watching the rushes for her test ' for a sound |
shot with pure silent technique , long xxunk xxunk of narrative without a single xxunk -- save for a few disconcerting sequences where xxmaj louise xxmaj brooks , playing a xxmaj french xxunk , is quite xxunk speaking in xxmaj english … xxmaj the only section that obviously cries out for sound is the final scene , where xxmaj brooks is watching the rushes for her test ' for a sound film |
a in a xxunk intensity . which enough , , xxunk , resorting camera xxunk . and the the xxunk minutes scenes . you xxunk xxunk brooks xxunk xxmaj a xxunk xxunk woman , is xxunk xxunk . . a english . \n\n the xxunk thing of i xxunk at in her xxunk xxmaj xxunk scene in which she xxunk xxunk xxunk a xxmaj of the xxunk - xxunk the minute - |


A lot has already been written on the Oracle vs. Google Android case. Some of it is brilliant. Some is illuminating, some less so. Since the complaint is devoid of any details as to how Android infringes upon the patents listed in the complaint, I will focus on the alleged copyright infringement. Here too Oracle is not specific but it is clear that the infringement is alleged at least in part on the basis of unlicensed use of specification(s) in which Oracle holds copyright(cf. Count VIII section 38 of the complaint) .
For context Oracle in the complaint defines Android as:
The Android operating-system software “stack” consists of Java applications running on a Java-based object-oriented application framework, and core libraries running on a “Dalvik” virtual machine (VM) that features just-in-time (JIT) compilation.
One aspect that appears to confuse matters is what Dalvik is. Dalvik is VM but not a Java VM. Dalvik executes .dex files which are created from .class files produced by a Java compiler. The .dex files are created by a tool called “dx”. As such Dalvik does not implement the Java Language Specification. The “dx” tool does however appear to implement part of the Java Virtual Machine Specification, namely the part that specifies the .class file format. As the “dx” tool does not comply with the conditions of SUN’s license grant the question is then: Does Google need a copyright license from SUN to implement the “dx” tool?
From a European perspective the recent SAS vs. World Programming(WPL) case sheds some very interesting light on this issue. The case a addresses the application of copyright to programming languages, interfaces and functionality. While the judge submits all of the questions to the ECJ for a preliminary ruling, he clearly thinks, on the strength English precedents(specifically the Navitaire case) that neither programming languages, interfaces or functionality is protectable by copyright. If the ECJ concurs with the judges opinion it is hard to see why Google would need a license to implement the .class file format as part of their “dx” tool.
Would the analysis under US copyright law be the same?


JAVASCRIPT & THE DOM
HTML VS CSS
Almost always mentioned in Web Development, HTML and CSS are mandatory tools used to create user intuitive and fuctioning websites but, there is a difference. HTML is like the skeletal structure of a building. It provides the necessary framework, like beams, foundations or rooftops. CSS on the other hand is the design aspects of the building. It accounts for paint or interior design. Without HTML or CSS a website would be difficult to creat.
CONTROL FLOW AND LOOPS
Control flow is a natural order in which a program executes or evaluates a set of statements and instructions. This order can be navigated using conditional statements or loops but will still abide by the Control Flow.
An easy way to understand this would be cleaning the house;
if (house == dirty) {
houseClean();
} else {
moreMess();
}
The above example uses a condition statement to check if something is true. If “house” is dirty then execute the “houseClean()” method. In any other case call the “moreMess()” method.
Loops are good way to keep a program running until a condition is met. A good example would gas in a lawnmower.
do {
mowLawns();
} while (gasTank == full)
Here we see that the “mowLawns” method will be invoked until “gasTank” !== full.

The DOM is a tree of objects that stem from a parent object called the window. As an acronym it stands for Document Object Model.
The DOM is basically used to interact with different elements on a webpage. It helps with styling, adding or removing elements and provides more malleable JavaScript interactivity.
ARRAYS VS OBJECTS
An Array[] is an arrangement of quantities or elements in rows and columns. Essentially an Array is a matrix. An Object is a data construct that provides a description of properties. Although Objects and Arrays are similar, they are different.
Try to think of an Array as a shopping list.
var list = [milk, eggs, butter, bread, carrots, tomatoes];
Here we see 6 elements in the array. Unlike people, Arrays count from index 0. This means the milk would equal index [0], eggs would equal [1] and so on and so forth until tomatoes equals [5].
An Object on the other hand is a list of properties which are referenced by keys instead of and index. An example would be;
var animal = {
“dog”
“cat”
“horse”
“cow”
“chicken”
}
In order to access an object property, we reference them using a “.” like so;
"animal.dog" or "animal.chicken"
Objects can be used in very creative programming techniques and some objects can depend on other objects. This is known as object orientated programming.
FUNCTIONS AND WHY THEY ARE USEFUL
A function is a set of rules or commands that dictate how the control flow works. They are used to implement creative tasks. A function is also known as a method.
Functions take a parameter list which is input. We then use statements in our function to dictate how the parameter or input is used. The function then returns a value based on our statement.
We can also call functions within functions. This allows for less duplicate code, best practice and easy readability.


| Form | Description |
|---|---|
| Model form A-10(a) | Model Form for Short Form Disclosures for Government Benefit Accounts (§1005.15(c) and §1005.18(b)(2), (3), (6), and (7)) |
| Model form A-10(b) | Model Form for Short Form Disclosures for Payroll Card Accounts (§1005.18(b)(2), (3), (6), and (7)) |
| Model form A-10(c) | Model Form for Short Form Disclosures for Prepaid Accounts, Example 1 (§1005.18(b)(2), (3), (6), and (7)) |
| Model form A-10(d) | Model Form for Short Form Disclosures for Prepaid Accounts, Example 2 (§1005.18(b)(2), (3), (6), and (7)) |
| Model form A-10(e) | Model Form for Short Form Disclosures for Prepaid Accounts with Multiple Service Plans (§1005.18(b)(2), (3), (6), and (7)) |
| Sample form A-10(f) | Sample Form for Long Form Disclosures for Prepaid Accounts (§1005.18(b)(4), (6), and (7)) |
| Form | Description |
|---|---|
| Model form A-10(a) Code | Preview |
Model Form for Short Form Disclosures for Government Benefit Accounts (§1005.15(c) and §1005.18(b)(2), (3), (6), and (7)) |
| Model form A-10(b) Code | Preview |
Model Form for Short Form Disclosures for Payroll Card Accounts (§1005.18(b)(2), (3), (6), and (7)) |
| Model form A-10(c) Code | Preview |
Model Form for Short Form Disclosures for Prepaid Accounts, Example 1 (§1005.18(b)(2), (3), (6), and (7)) |
| Model form A-10(d) Code | Preview |
Model Form for Short Form Disclosures for Prepaid Accounts, Example 2 (§1005.18(b)(2), (3), (6), and (7)) |
| Model form A-10(e) Code | Preview |
Model Form for Short Form Disclosures for Prepaid Accounts with Multiple Service Plans (§1005.18(b)(2), (3), (6), and (7)) |
| Sample form A-10(f) Code | Preview |
Sample Form for Long Form Disclosures for Prepaid Accounts (§1005.18(b)(4), (6), and (7)) |
Each disclosure’s HTML file links to the CSS found in web/static/css/style.css.


@(allAccounts: java.util.List[models.AuthNetAccount])
You are about to delete the Auth.Net Account, this procedure is irreversible.
Do you want to proceed?


{% include 'html/common/header.html' %} {% include 'html/common/navibar.html' %}
Group
Opinion
{% include 'html/common/footer.html' %}


A number which leaves other numbers the same when it is multiplied by them.
In the ordinary number system this number is one.


In this section we assemble top-down the largrid module, by orderly listing the macros it is composed of. As might be expected, the present one is the module version corresponding to the current state of the system, i.e. to a very initial state. Other functions will be added when needed, and the module translation in different languages (C/C++, Javascript, Haskell, OpenCL kernels) will be (hopefully soon) appended.
"""Module with functions for grid generation and Cartesian product"""
⟨Importing smplxn and numpy libraries 16⟩
⟨Generation of vertices of decompositions of 1D intervals 4a⟩
⟨Generation of uniform 0D cellular complex 3a⟩
⟨Generation of uniform 1D cellular complex 3b⟩
⟨Generation of cellular complex of 0/1 dimension d 3c⟩
⟨Generation of grid vertices 4b⟩
⟨Transformation from multindex to address in a linear array storage 5⟩
⟨Generation of grid cells 7⟩
⟨Enumeration of binary ranges of given order 9a⟩
⟨Filtering binary ranges by order 9c⟩
⟨Assembling grid skeletons 10b⟩
⟨Multidimensional grid generation 12a⟩
⟨Cartesian product of two lar models 13a⟩
if __name__=="__main__":
⟨Multidimensional visualisation examples 12b⟩
⟨Test examples of Cartesian product 14a⟩
◇


List of recipients should consist either list of email addresses (one per row) or list of recipients in the following format: Email address,Username
Examples:
<EMAIL_ADDRESS><EMAIL_ADDRESS><EMAIL_ADDRESS><EMAIL_ADDRESS>or
john1@doe.com,John Doe1
john2@doe.com,John Doe2
john3@doe.com,John Doe3
john4@doe.com,John Doe4
System doesn't check whether provided email addresses are valid
Quantity of users should be even number, otherwise system will drop the last user from the list


You can request historical custom data in your algorithm using the custom data Symbol object. To learn more about historical data requests, please visit the Historical Data documentation. If there is no custom data in the period you request, the history result will be empty. The following example gets aapl news historical data using the History API.
// Add underlying equity var aapl = AddEquity("AAPL", Resolution.Daily).Symbol; var aaplNews = AddData<BenzingaNews>(aapl).Symbol; // Request 60 days of aapl news history with the aaplNews Symbol var aaplNewsHistory = History<BenzingaNews>(aaplNews, 60, Resolution.Daily);
# Add underlying equity aapl = self.AddEquity("AAPL", Resolution.Daily).Symbol aaplNews = self.AddData(BenzingaNews, aapl).Symbol # Request 60 days of aapl news history with the aaplNews Symbol aaplNewsHistory = self.History(BenzingaNews, aaplNews, 60, Resolution.Daily)