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December 6, 2019
Project 4: Music Timeline
For this project I decided to do a timeline of music by decade. I was mostly interested in how people listened to and got access to music as it is something that has changed greatly. I started by doing research on different music playing devices, storage platforms, and services. I chose to include silhouettes and descriptions of the genres played throughout each decade, as well as big name artists. For my color scheme I wanted to use colors that popped. I also thought it was important to represent that the music and technology of each decade stemmed from the previous decade, making them all connected to each other. To illustrate this I brought a band of color into each decade using the background color of the previous decade. Finally, I used real images of the music devices to show how much music storage has changed over the last 50 years from the LP Vinyl Record, to the Iphone.
October 30, 2019
Project 3: Article 3 Process
My mom’s brother was a member of Rescue 2, a special unit in the FDNY. This article discusses the day of his death, as he passed away while doing Scuba training on the job. For all three article illustrations, I used photographic images for the backgrounds, while laying my own illustrator graphics over them. For the helicopter and the goggles, I used Gaussian Blur to show depth and disfigure my illustrations as both objects are affected by fog or water. Throughout all 3 illustrations I used colors that are important to the FDNY/firemen.
October 30, 2019
Project 3: Article 2 Process
I felt that this illustration should focus on change as my Grandpa fought to make great changes within the FDNY. Specifically, he fought for new gear and the implementation of an exhaust removal system for every firehouse. The exhaust from the firetrucks is extremely harmful, and can cause lung cancer, which is what my Grandpa passed away from. This is why I chose to use a split frame and show a firehouse before and after these systems were implemented, while featuring the plaque of my Grandpa which now hangs in every NYC firehouse. To construct the smoke/exhaust I learned how to create new brushes and used Gaussian Blur.
October 30, 2019
Project 3: Article 1 Process
The day we started this project happened to be the 10 year anniversary of the death of a close family friend, Patrick Joyce. Pat was a fireman who tragically died in the line of duty. This year to commemorate his death and legacy that he left behind, a street was named after him. This inspired me to focus on articles that featured some members of my family, and the sacrifices they made as firemen, to show that their legacies live on.
October 2, 2019
Project 2: Icon 3 Process
To construct this icon, and used the same process I did for icons 1 and 2.  Each graphic used a gray fill with thin white, rounded strokes. These aspects helped to make all of the icons uniform and true to me.
October 2, 2019
Project 2: Icon 3
For icon 3, I decided to use another object specific to me, a keychain that my mom gave me. The keychain is a hand that has bendable fingers, and everyone who knows me knows what my keys looks like. I chose to have the hand make the Shaka sign, as my brothers and I used to use the sign as a handshake when I was a kid. Additionally, I feel that this symbol shows my laid back personality, and even my love for the beach.
October 2, 2019
Project 2: Icon 2 Process
I worked on my icons by switching back and forth between ideas. For this icon I also played with gradients and colors as I had not finalized my design for the first icon. Ultimately, this icon had issues with gradients similar to icon 1, and I decided to get rid of them completely.
October 2, 2019
Project 2: Icon 2
After finishing my first icon, my second icon came pretty easily. I decided to use the same color scheme, circular shape, and similar strokes for my second icon, which is my signature laid over a circle. I felt that this was a good icon for me as I have been using this signature to sign all of my art work since about 6th grade.
October 2, 2019
Project 2: Icon 1 Process
Once I had an idea for the first icon, I created some sketches. My first sketches combined my signature with a compass. However, this seemed too complex for an icon so I decided to separate these aspects into 2, giving me the idea for my second icon, which focuses on my artistic signature. Once my idea was simplified, I moved to the computer. I worked on the largest icon first. I used a gradient to make the compass hands pop more. However, when I moved to the smaller sizes I realized that this would not work well. I decided to play with the intensity of the gradient based on the size of the icon, with a heavy gradient in the largest icon to no gradient in the smallest icon. This was more effective than having the same gradient for all 3 sizes, but ultimately I decided just to lose the gradient completely for a simple and bold look.
October 2, 2019
Project 2: Icon 1
I had a difficult time coming up with ideas for my icons at first as I wanted to come up with a concept that really showed people something about me. For the first icon I decided to represent the necklace that I wear everyday, a compass necklace. I like the compass as an icon because it represents how adventurous I am, and how much I like to travel; but also how I always return to my home, New York.
August 28, 2019
Project 1: Process
To create this avatar, I stuck very closely to the isometric grid. I began by constructing the basic block shapes that make up the head and torso of the avatar. As I moved along, I strayed from the grid to give my avatar a little more shape. I worked across multiple artboards to get a better visual of my work and to try different things.
August 28, 2019
Project 1: Isometric Avatar
For this project I began by researching different isometric avatars. I really liked the ones that emphasized the square shapes and stuck to the isometric grid. I decided to use this idea and designed my avatar based on what I was wearing that day. By taking on this block like shape I was able to use the isometric grid to my advantage. Once the shapes were made I used different opacities to create a feeling of depth through shadows of colors. Finally, I added the fun element of a fire to complete the "summer night" version of my-avatar-self.


{% extends 'webapp/application/_base.html' %}
{% block content %}
Applications list
{{ application.description }}
{{ application.app_token }}
Copy it and use it in you code.
| # | Send date | Internal UUID | Content |
|---|---|---|---|
| {{notification.pk}} | {{notification.received_date}} | {{notification.internal_uuid | truncatechars:20}} | {{notification.content}} |
| # | ID client | Internal UUID |
|---|---|---|
| {{client.pk}} | {{client.client_id}} | {{client.current_connection_id |truncatechars:20 }} |
You should now register all your users in the notification server and the application,
registering all the users is not about saving their first name etc, it is only about user's ID,
in fact you will just provide a list (array) of those ID [id1, id2, etc]
. The concerned endpoint is : /api/v1/register/
Sending a notification is quite simple, it is a POST request to a HTTP endpoint on PushBack server:
/api/v1/notify/
the query's parameter are :
users
: list of user concern by the notificationconntent
: the notification content, ideally it should be a JSON data but you are free to use any kind of text based conteapp_token
: the token related to your application.
A javascript client sdk is available to enable a connected user to listen for the notification from the server,
using it just require a pass the current user's ID and 2 callbacks,
one to perform an action when a notification happen and a second when it is disconnected to the server.
Here is a sample of code :


- GET
- POST
- accepts
- body
- cache_format
- content_length
- content_type
- delete?
- domain
- etag_matches?
- form_data?
- format
- format=
- fresh?
- get?
- head?
- headers
- host
- host_with_port
- if_modified_since
- if_none_match
- key?
- media_type
- method
- not_modified?
- parameters
- params
- path
- path_parameters
- port
- port_string
- post?
- protocol
- put?
- query_parameters
- query_string
- raw_host_with_port
- raw_post
- remote_ip
- request_method
- request_parameters
- request_uri
- reset_session
- server_port
- server_software
- session
- session_options
- session_options=
- ssl?
- standard_port
- subdomains
- symbolized_path_parameters
- template_format
- url
- xhr?
- xml_http_request?
| HTTP_METHODS | = | %w(get head put post delete options) |
| HTTP_METHOD_LOOKUP | = | HTTP_METHODS.inject({}) { |h, m| h[m] = h[m.upcase] = m.to_sym; |
| TRUSTED_PROXIES | = | /^127\.0\.0\.1$|^(10|172\.(1[6-9]|2[0-9]|30|31)|192\.168)\./i |
| Which IP addresses are "trusted proxies" that can be stripped from the right-hand-side of X-Forwarded-For |
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 426 426: def GET 427: @env["action_controller.request.query_parameters"] ||= normalize_parameters(super) 428: end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 432 432: def POST 433: @env["action_controller.request.request_parameters"] ||= normalize_parameters(super) 434: end
Returns the accepted MIME type for the request.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 103 103: def accepts 104: @accepts ||= begin 105: header = @env['HTTP_ACCEPT'].to_s.strip 106: 107: if header.empty? 108: [content_type, Mime::ALL].compact 109: else 110: Mime::Type.parse(header) 111: end 112: end 113: end
The request body is an IO input stream. If the RAW_POST_DATA environment variable is already set, wrap it in a StringIO.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 412 412: def body 413: if raw_post = @env['RAW_POST_DATA'] 414: raw_post.force_encoding(Encoding::BINARY) if raw_post.respond_to?(:force_encoding) 415: StringIO.new(raw_post) 416: else 417: @env['rack.input'] 418: end 419: end
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 199 199: def cache_format 200: parameters[:format] 201: end
Returns the content length of the request as an integer.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 80 80: def content_length 81: super.to_i 82: end
The MIME type of the HTTP request, such as Mime::XML.
For backward compatibility, the post \format is extracted from the X-Post-Data-Format HTTP header if present.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 88 88: def content_type 89: @content_type ||= begin 90: if @env['CONTENT_TYPE'] =~ /^([^,\;]*)/ 91: Mime::Type.lookup($1.strip.downcase) 92: else 93: nil 94: end 95: end 96: end
Is this a DELETE request? Equivalent to request.method == :delete.
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 62 62: def delete? 63: request_method == :delete 64: end
Returns the \domain part of a \host, such as "rubyonrails.org" in "www.rubyonrails.org". You can specify a different tld_length, such as 2 to catch rubyonrails.co.uk in "www.rubyonrails.co.uk".
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 320 320: def domain(tld_length = 1) 321: return nil unless named_host?(host) 322: 323: host.split('.').last(1 + tld_length).join('.') 324: end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 129 129: def etag_matches?(etag) 130: if_none_match && if_none_match == etag 131: end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 421 421: def form_data? 422: FORM_DATA_MEDIA_TYPES.include?(content_type.to_s) 423: end
Returns the Mime type for the \format used in the request.
GET /posts/5.xml | request.format => Mime::XML GET /posts/5.xhtml | request.format => Mime::HTML GET /posts/5 | request.format => Mime::HTML or MIME::JS, or request.accepts.first depending on the value of <tt>ActionController::Base.use_accept_header</tt>
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 154 154: def format 155: @format ||= 156: if parameters[:format] 157: Mime::Type.lookup_by_extension(parameters[:format]) 158: elsif ActionController::Base.use_accept_header 159: accepts.first 160: elsif xhr? 161: Mime::Type.lookup_by_extension("js") 162: else 163: Mime::Type.lookup_by_extension("html") 164: end 165: end
Sets the \format by string extension, which can be used to force custom formats that are not controlled by the extension.
class ApplicationController < ActionController::Base before_filter :adjust_format_for_iphone private def adjust_format_for_iphone request.format = :iphone if request.env["HTTP_USER_AGENT"][/iPhone/] end end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 179 179: def format=(extension) 180: parameters[:format] = extension.to_s 181: @format = Mime::Type.lookup_by_extension(parameters[:format]) 182: end
Check response freshness (Last-Modified and ETag) against request If-Modified-Since and If-None-Match conditions. If both headers are supplied, both must match, or the request is not considered fresh.
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 136 136: def fresh?(response) 137: case 138: when if_modified_since && if_none_match 139: not_modified?(response.last_modified) && etag_matches?(response.etag) 140: when if_modified_since 141: not_modified?(response.last_modified) 142: when if_none_match 143: etag_matches?(response.etag) 144: else 145: false 146: end 147: end
Is this a GET (or HEAD) request? Equivalent to request.method == :get.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 47 47: def get? 48: method == :get 49: end
Is this a HEAD request? Since request.method sees HEAD as :get, this \method checks the actual HTTP \method directly.
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 68 68: def head? 69: request_method == :head 70: end
Provides access to the request‘s HTTP headers, for example:
request.headers["Content-Type"] # => "text/plain"
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 75 75: def headers 76: @headers ||= ActionController::Http::Headers.new(@env) 77: end
Returns the host for this request, such as example.com.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 285 285: def host 286: raw_host_with_port.sub(/:\d+$/, '') 287: end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 291 291: def host_with_port 292: "#{host}#{port_string}" 293: end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 115 115: def if_modified_since 116: if since = env['HTTP_IF_MODIFIED_SINCE'] 117: Time.rfc2822(since) rescue nil 118: end 119: end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 121 121: def if_none_match 122: env['HTTP_IF_NONE_MATCH'] 123: end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 24 24: def key?(key) 25: @env.key?(key) 26: end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 98 98: def media_type 99: content_type.to_s 100: end
Returns the HTTP request \method used for action processing as a lowercase symbol, such as :post. (Unlike request_method, this method returns :get for a HEAD request because the two are functionally equivalent from the application‘s perspective.)
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 42 42: def method 43: request_method == :head ? :get : request_method 44: end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 125 125: def not_modified?(modified_at) 126: if_modified_since && modified_at && if_modified_since >= modified_at 127: end
Returns both GET and POST \parameters in a single hash.
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 385 385: def parameters 386: @parameters ||= request_parameters.merge(query_parameters).update(path_parameters).with_indifferent_access 387: end
Alias for parameters
Returns the interpreted \path to requested resource after all the installation directory of this application was taken into account.
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 368 368: def path 369: path = request_uri.to_s[/\A[^\?]*/] 370: path.sub!(/\A#{ActionController::Base.relative_url_root}/, '') 371: path 372: end
Returns a hash with the \parameters used to form the \path of the request. Returned hash keys are strings:
{'action' => 'my_action', 'controller' => 'my_controller'}
See symbolized_path_parameters for symbolized keys.
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 406 406: def path_parameters 407: @env["action_controller.request.path_parameters"] ||= {} 408: end
Returns the port number of this request as an integer.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 296 296: def port 297: if raw_host_with_port =~ /:(\d+)$/ 298: $1.to_i 299: else 300: standard_port 301: end 302: end
Returns a \port suffix like ":8080" if the \port number of this request is not the default HTTP \port 80 or HTTPS \port 443.
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 314 314: def port_string 315: port == standard_port ? '' : ":#{port}" 316: end
Is this a POST request? Equivalent to request.method == :post.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 52 52: def post? 53: request_method == :post 54: end
Returns ‘https://’ if this is an SSL request and ‘http://’ otherwise.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 266 266: def protocol 267: ssl? ? 'https://' : 'http://' 268: end
Is this a PUT request? Equivalent to request.method == :put.
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 57 57: def put? 58: request_method == :put 59: end
Alias for GET
Returns the query string, accounting for server idiosyncrasies.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 337 337: def query_string 338: @env['QUERY_STRING'].present? ? @env['QUERY_STRING'] : (@env['REQUEST_URI'].split('?', 2)[1] || '') 339: end
Returns the \host for this request, such as "example.com".
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 276 276: def raw_host_with_port 277: if forwarded = env["HTTP_X_FORWARDED_HOST"] 278: forwarded.split(/,\s?/).last 279: else 280: env['HTTP_HOST'] || "#{env['SERVER_NAME'] || env['SERVER_ADDR']}:#{env['SERVER_PORT']}" 281: end 282: end
Read the request \body. This is useful for web services that need to work with raw requests directly.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 376 376: def raw_post 377: unless @env.include? 'RAW_POST_DATA' 378: @env['RAW_POST_DATA'] =<EMAIL_ADDRESS>379: body.rewind if body.respond_to?(:rewind) 380: end 381: @env['RAW_POST_DATA'] 382: end
Determines originating IP address. REMOTE_ADDR is the standard but will fail if the user is behind a proxy. HTTP_CLIENT_IP and/or HTTP_X_FORWARDED_FOR are set by proxies so check for these if REMOTE_ADDR is a proxy. HTTP_X_FORWARDED_FOR may be a comma- delimited list in the case of multiple chained proxies; the last address which is not trusted is the originating IP.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 221 221: def remote_ip 222: remote_addr_list = @env['REMOTE_ADDR'] && @env['REMOTE_ADDR'].scan(/[^,\s]+/) 223: 224: unless remote_addr_list.blank? 225: not_trusted_addrs = remote_addr_list.reject {|addr| addr =~ TRUSTED_PROXIES} 226: return not_trusted_addrs.first unless not_trusted_addrs.empty? 227: end 228: remote_ips = @env['HTTP_X_FORWARDED_FOR'] && @env['HTTP_X_FORWARDED_FOR'].split(',') 229: 230: if @env.include? 'HTTP_CLIENT_IP' 231: if ActionController::Base.ip_spoofing_check && remote_ips && !remote_ips.include?(@env['HTTP_CLIENT_IP']) 232: # We don't know which came from the proxy, and which from the user 233: raise ActionControllerError.new("IP spoofing attack?!\nHTTP_CLIENT_IP=\#{<EMAIL_ADDRESS>234: end 235: 236: return @env['HTTP_CLIENT_IP'] 237: end 238: 239: if remote_ips 240: while remote_ips.size > 1 && TRUSTED_PROXIES =~ remote_ips.last.strip 241: remote_ips.pop 242: end 243: 244: return remote_ips.last.strip 245: end 246: 247: @env['REMOTE_ADDR'] 248: end
Returns the true HTTP request \method as a lowercase symbol, such as :get. If the request \method is not listed in the HTTP_METHODS constant above, an UnknownHttpMethod exception is raised.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 34 34: def request_method 35: @request_method ||= HTTP_METHOD_LOOKUP[super] || raise(UnknownHttpMethod, "#{super}, accepted HTTP methods are #{HTTP_METHODS.to_sentence(:locale => :en)}") 36: end
Alias for POST
Returns the request URI, accounting for server idiosyncrasies. WEBrick includes the full URL. IIS leaves REQUEST_URI blank.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 343 343: def request_uri 344: if uri = @env['REQUEST_URI'] 345: # Remove domain, which webrick puts into the request_uri. 346: (%r{^\w+\://[^/]+(/.*|$)$} =~ uri) ? $1 : uri 347: else 348: # Construct IIS missing REQUEST_URI from SCRIPT_NAME and PATH_INFO. 349: uri = @env['PATH_INFO'].to_s 350: 351: if script_filename = @env['SCRIPT_NAME'].to_s.match(%r{[^/]+$}) 352: uri = uri.sub(/#{script_filename}\//, '') 353: end 354: 355: env_qs = @env['QUERY_STRING'].to_s 356: uri += "?#{env_qs}" unless env_qs.empty? 357: 358: if uri.blank? 359: @env.delete('REQUEST_URI') 360: else 361: @env['REQUEST_URI'] = uri 362: end 363: end 364: end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 449 449: def reset_session 450: @env['rack.session.options'].delete(:id) 451: @env['rack.session'] = {} 452: end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 462 462: def server_port 463: @env['SERVER_PORT'].to_i 464: end
Returns the lowercase name of the HTTP server software.
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 256 256: def server_software 257: (@env['SERVER_SOFTWARE'] && /^([a-zA-Z]+)/ =~ @env['SERVER_SOFTWARE']) ? $1.downcase : nil 258: end
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 441 441: def session 442: @env['rack.session'] ||= {} 443: end
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 454 454: def session_options 455: @env['rack.session.options'] ||= {} 456: end
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 458 458: def session_options=(options) 459: @env['rack.session.options'] = options 460: end
Is this an SSL request?
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 271 271: def ssl? 272: @env['HTTPS'] == 'on' || @env['HTTP_X_FORWARDED_PROTO'] == 'https' 273: end
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 305 305: def standard_port 306: case protocol 307: when 'https://' then 443 308: else 80 309: end 310: end
Returns all the \subdomains as an array, so ["dev", "www"] would be returned for "dev.www.rubyonrails.org". You can specify a different tld_length, such as 2 to catch ["www"] instead of ["www", "rubyonrails"] in "www.rubyonrails.co.uk".
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# File vendor/rails/actionpack/lib/action_controller/request.rb, line 330 330: def subdomains(tld_length = 1) 331: return [] unless named_host?(host) 332: parts = host.split('.') 333: parts[0..-(tld_length+2)] 334: end
The same as path_parameters with explicitly symbolized keys.
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 396 396: def symbolized_path_parameters 397: @symbolized_path_parameters ||= path_parameters.symbolize_keys 398: end
Returns a symbolized version of the :format parameter of the request. If no \format is given it returns :jsfor Ajax requests and :html otherwise.
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 187 187: def template_format 188: parameter_format = parameters[:format] 189: 190: if parameter_format 191: parameter_format 192: elsif xhr? 193: :js 194: else 195: :html 196: end 197: end
Returns the complete URL used for this request.
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 261 261: def url 262: protocol + host_with_port + request_uri 263: end
Returns true if the request‘s "X-Requested-With" header contains "XMLHttpRequest". (The Prototype Javascript library sends this header with every Ajax request.)
[ show source ]
# File vendor/rails/actionpack/lib/action_controller/request.rb, line 206 206: def xml_http_request? 207: !(@env['HTTP_X_REQUESTED_WITH'] !~ /XMLHttpRequest/i) 208: end


EAPCCT 2023
Thank you for visiting our web page.
-
Link to our poster on rhetorical stance.
on rhetorical stance
-
Link to our poster on dose-response relationships.
Click on the banner or here to explore other projects.
Overall Goal
- Understand the sublethal toxicity of 2,4-dinitrophenol (DNP) using social media.
- Develop tools to automatically update this knowledge.
- Apply these tools to other substances.
Scientific Output
- Sublethal Patterns of 2,4-Dinitrophenol Use as Discussed on Social Media (manuscript under review) (An early preprint)
Background
Toxicology Previous research described lethal toxicity, reflecting the selection bias of case reports and calls to Poison Control Centers (PCC). DNP use appears to have increased. Of the 25 reports of fatalities to US Poison Control Centers, 12 occurred after 2000 (Grundlingh et al., 2011). This suggests that nonfatal use is increasing. But we don’t know how people use DNP safely, other than our expectation that they limit the dose.
Computational Linguistics An innovation for computational linguistics would be to extract health information from social media posting. Previous research has described extracting health information as named entities (Bhatia et al., 2019) and extracting relationships between those entities (Foufi et al., 2019), sometimes by inferring ontologies (Alobaidi et al., 2018; Painter, 2010).
- MedSpaCy
- SciSpaCy
The FDA prohibited DNP for human consumption in 1938 (Yen & Ewald, 2012). Even if the FDA approved DNP for human consumption, it would still be unethical to conduct human trials. We know that some doses of DNP are lethal and are not certain there is any safe dose. We can, ethically, use information that people who consumed DNP of their own accord freely provide. Social media provide just such a data stream.
Methods
- Aggregate reports of DNP usage from social media posts
- Extract mentions substances and their effects from those posts using named entity recognition. Substances means DNP and coingestants.
- Cross-reference those mentions with a knowledge base that represents what toxicologists know about the topic using entity linking
- (Future) Extract dosage from those posts.
- (Future) Generate hypotheses as to how the stated coingestants give rise to the stated effects or could otherwise be beneficial.
References
- 1.Grundlingh, J., Dargan, P. I., El-Zanfaly, M. & Wood, D. M. 2, 4-dinitrophenol (DNP): a weight loss agent with significant acute toxicity and risk of death. Journal of medical toxicology 7, 205 (2011).
- 2.Bhatia, P., Celikkaya, B., Khalilia, M. & Senthivel, S. Comprehend medical: a named entity recognition and relationship extraction web service. in 2019 18th IEEE International Conference On Machine Learning And Applications (ICMLA) 1844–1851 (IEEE, 2019).
- 3.Foufi, V. et al. Mining of textual health information from Reddit: Analysis of chronic diseases with extracted entities and their relations. Journal of medical Internet research 21, e12876 (2019).
- 4.Alobaidi, M., Malik, K. M. & Hussain, M. Automated ontology generation framework powered by linked biomedical ontologies for disease-drug domain. Computer methods and programs in biomedicine 165, 117–128 (2018).
- 5.Painter, J. L. Toward automating an inference model on unstructured terminologies: Oxmis case study. in Advances in Computational Biology 645–651 (Springer, 2010).
- 6.Yen, M. & Ewald, M. B. Toxicity of weight loss agents. Journal of medical toxicology 8, 145–152 (2012).


---
layout: post
title: Agent-based modelling
date: '2012-05-17T10:02:00.002+02:00'
author: Grant McDermott
tags:
modified_time: '2012-05-17T10:02:30.845+02:00'
blogger_id: tag:blogger.com,1999:blog-5442825777886761537.post-1420537388929264020
---
http://www.economist.com/node/16636121
http://rajivsethi.blogspot.com/2010/02/case-for-agent-based-models-in.html
http://marginalrevolution.com/marginalrevolution/2008/12/intelligent-age.html
http://noahpinionblog.blogspot.com/search?q=agent-based+model
http://noahpinionblog.blogspot.com/2012/02/are-ma
http://econlog.econlib.org/archives/2011/02/agent-based_mod.htmlcroeconomic-methods-politically.html#comment-form


Syntax:
make-string-output-stream &key element-type => string-stream
Arguments and Values:
element-type---a type specifier. The default is character.
string-stream---an output string stream.
Description:
Returns an output string stream that accepts characters and makes available (via get-output-stream-string) a string that contains the characters that were actually output.
The element-type names the type of the elements of the string; a string is constructed of the most specialized type that can accommodate elements of that element-type.
Examples:
(let ((s (make-string-output-stream))) (write-string "testing... " s) (prin1 1234 s) (get-output-stream-string s)) => "testing... 1234"
Affected By: None.
Exceptional Situations: None.
See Also:
get-output-stream-string, with-output-to-string
Notes: None.


Example showing vue-form usage with Bootstrap styles, validation messages are shown on field touch or form submission
{{formstate}}


--- title: Ambiguity of the Pole Figure to ODF Reconstruction Problem sidebar: documentation_sidebar permalink: PoleFigure2ODFAmbiguity.html folder: documentation toc: false ---
This page demonstrates different sources of ambiguity when reconstructing an ODF from pole figure diffraction data.
Due to experimental limitations, one is usually restricted to a short list of crystal directions (Miller indices) for which diffraction pole figures can be measured. In general, more measured pole figures implies more reliable ODF reconstruction and low-symmetry materials and weak textures usually requires more pole figures then sharp texture with a high crystal symmetry. From a theoretical point of view, the number of pole figures should be at a level with the square root of the number of pole points in each pole figure. This is of course far from experimentally possible.
Let's demonstrate the ambiguity due to too few pole figures at the example of two orthorhombic ODFs. The first ODF has three modes at the positions
{% highlight matlab %} cs = crystalSymmetry('mmm'); orix = orientation.byAxisAngle(xvector,90*degree,cs); oriy = orientation.byAxisAngle(yvector,90*degree,cs); oriz = orientation.byAxisAngle(zvector,90*degree,cs); odf1 = unimodalODF([orix,oriy,oriz]) {% endhighlight %} {% highlight plaintext %} odf1 = SO3FunRBF (mmm → xyz) multimodal components kernel: de la Vallee Poussin, halfwidth 10° center: 3 orientations Bunge Euler angles in degree phi1 Phi phi2 weight 0 90 0 0.333333 90 90 270 0.333333 90 0 0 0.333333 {% endhighlight %}The second ODF has three modes as well but this times at rotations about the axis (1,1,1) with angles 0, 120, and 240 degrees.
{% highlight matlab %} ori = orientation.byAxisAngle(vector3d(1,1,1),[0,120,240]*degree,cs); odf2 = unimodalODF(ori) {% endhighlight %} {% highlight plaintext %} odf2 = SO3FunRBF (mmm → xyz) multimodal components kernel: de la Vallee Poussin, halfwidth 10° center: 3 orientations Bunge Euler angles in degree phi1 Phi phi2 weight 0 0 0 0.333333 90 90 0 0.333333 180 90 90 0.333333 {% endhighlight %}These two ODFs are completely disjoint. Let's check this by plotting them as sigma sections
{% highlight matlab %} figure(1) plot(odf1,'sigma') mtexColorMap LaboTeX figure(2) plot(odf2,'sigma') mtexColorMap LaboTeX {% endhighlight %}However, when it comes to pole figures 7 of them, namely, (100), (010), (001), (110), (101), (011) and (111), are identical for both ODFs. Of course looking at any other pole figure makes clear that those two ODFs are different.
{% highlight matlab %} figure(1) h = Miller({1,0,0},{0,1,0},{0,0,1},{1,1,0},{1,0,1},{0,1,1},{1,1,1},{1,2,0},cs); plotPDF(odf1,h,'contourf') mtexColorMap LaboTeX figure(2) plotPDF(odf2,h,'contourf') mtexColorMap LaboTeX {% endhighlight %}The question is now, how can any pole figure to ODF reconstruction algorithm decide which of the two ODFs was the true one if only the seven identical pole figures (100), (010), (001), (110), (101), (011), (111) have been measured? The answer is: this is impossible to decide. Next question is: which result will I get from the MTEX reconstruction algorithm? Let's check this
{% highlight matlab %} % 1. step: simulate pole figure data pf = calcPoleFigure(odf1,h(1:7),'upper'); plot(pf) {% endhighlight %}We observe that the reconstructed ODF is an almost perfect mixture of the first and the second ODF. Actually, any mixture of the two initial ODFs would have been a correct answer. However, the ODF reconstructed by the MTEX algorithm can be seen as the ODF which is closest to the uniform distribution among all admissible ODFs.
Finally, we increase the number of pole figures by five more crystal directions and perform our previous experiment once again.
{% highlight matlab %} % 1. step: simulate pole figure data for all crystal directions h = [h,Miller({0,1,2},{2,0,1},{2,1,0},{0,2,1},{1,0,2},cs)]; pf = calcPoleFigure(odf1,h,'upper'); % 2. step: reconstruct an ODF odf = calcODF(pf,'silent') plot(odf,'sigma') {% endhighlight %} {% highlight plaintext %} odf = SO3FunRBF (mmm → xyz) multimodal components kernel: de la Vallee Poussin, halfwidth 5° center: 29772 orientations, resolution: 5° weight: 1 {% endhighlight %}Though the components of odf2 are still present in the recalculated ODF they are far less pronounced compared to the components of odf1.
{% highlight matlab %} % 1. step: simulate pole figure data for all crystal directions pf = calcPoleFigure(odf1,h,'upper'); % 2. step: reconstruct an ODF odf = calcODF(pf,'silent') plot(odf,'sigma') {% endhighlight %} {% highlight plaintext %} odf = SO3FunRBF (mmm → xyz) multimodal components kernel: de la Vallee Poussin, halfwidth 5° center: 29772 orientations, resolution: 5° weight: 1 {% endhighlight %}Due to Friedel's law pole figure data always impose antipodal symmetry. In order to demonstrate the consequences of this antipodal symmetry we consider crystal symmetry -43m
{% highlight matlab %} cs = crystalSymmetry('-43m') {% endhighlight %} {% highlight plaintext %} cs = crystalSymmetry symmetry: -43m elements: 24 a, b, c : 1, 1, 1 {% endhighlight %}and two rotations
{% highlight matlab %} ori1 = orientation.byEuler(30*degree,60*degree,10*degree,cs) ori2 = orientation.byEuler(30*degree,60*degree,100*degree,cs) h = Miller({1,0,0},{1,1,0},{1,1,1},{1,2,3},cs); plotPDF(ori1,h,'MarkerSize',12) hold on plotPDF(ori2,'MarkerSize',8) hold off {% endhighlight %} {% highlight plaintext %} ori1 = orientation (-43m → xyz) Bunge Euler angles in degree phi1 Phi phi2 30 60 10 ori2 = orientation (-43m → xyz) Bunge Euler angles in degree phi1 Phi phi2 30 60 100 {% endhighlight %}Obviously, both orientations are not symmetrically equivalent as -43m does not have a four fold axis. This can also be seen from the pole figure plots above which are different for, e.g., (111). However, when looking at an arbitrary pole figure with additionaly imposed antipodal symmetry both orientations appears at exactly the same positions
{% highlight matlab %} plotPDF(ori1,h,'MarkerSize',12,'antipodal') hold on plotPDF(ori2,'MarkerSize',8) hold off {% endhighlight %}The reason is that adding antipodal symmetry to all pole figures is equivalent to adding the inversion as an additional symmetry to the point group, i.e., to replace it by the Laue group. Which is illustrated in the following plot
{% highlight matlab %} ori1.CS= ori1.CS.Laue; ori2.CS= ori2.CS.Laue; h.CS = h.CS.Laue; plotPDF(ori1,h,'MarkerSize',12) hold on plotPDF(ori2,'MarkerSize',8) hold off {% endhighlight %}As a consequence of Friedels law, all noncentrosymmetric information about the texture is lost in the diffraction pole figures and we can only aim at recovering the centrosymmetric portion. In particular, any ODF that is reconstructed by MTEX from diffraction pole figures is centrosymmetric, i.e. its point group is a Laue group. If the point group of the crystal was already a Laue group then Fridel's law does not impose any additional ambiguity.
Unfortunately, knowing all diffraction pole figures of an ODF is even for centrosymmetric symmetries not sufficient to recover the ODF unambiguously. To understand the reason for this ambiguity we consider triclinic symmetry and a week unimodal ODF with prefered orientation (0,0,0).
{% highlight matlab %} cs = crystalSymmetry('-1'); odf1 = 2/3 * uniformODF(cs) + 1/3 * unimodalODF(orientation.id(cs),'halfwidth',30*degree) plotPDF(odf1,Miller({1,0,0},{0,1,0},{0,0,1},cs),'antipodal') {% endhighlight %} {% highlight plaintext %} odf1 = SO3FunRBF (-1 → xyz) uniform component weight: 0.67 unimodal component kernel: de la Vallee Poussin, halfwidth 30° center: 1 orientations Bunge Euler angles in degree phi1 Phi phi2 weight 0 0 0 0.333333 {% endhighlight %}As any other ODF, we can represent it by its series expansion by harmonic functions. This does not change the ODF but only its representation
{% highlight matlab %} odf1 = FourierODF(odf1,10) plotPDF(odf1,Miller({1,0,0},{0,1,0},{0,0,1},cs)) {% endhighlight %} {% highlight plaintext %} odf1 = SO3FunHarmonic (-1 → xyz) antipodal: true isReal: true bandwidth: 9 weight: 1 {% endhighlight %}We may look at the coefficients of this expansion and observe how the decay to zero rapidly. This justifies to cut the harmonic expansion at harmonic degree 10.
{% highlight matlab %} close all plotSpektra(odf1,'linewidth',2) %set(gca,'yScale','log') {% endhighlight %}Next, we define a second ODF which differs by the first one only in the odd order harmonic coefficients. More precisely, we set all odd order harmonic coefficients to zero
{% highlight matlab %} A = mod(1:11,2)'; odf2 = conv(odf1,A) hold on plotSpektra(odf2,'linewidth',2) %set(gca,'yScale','log') hold off legend('odf1','odf2') {% endhighlight %} {% highlight plaintext %} odf2 = SO3FunHarmonic (-1 → xyz) antipodal: true isReal: true bandwidth: 9 weight: 1 {% endhighlight %}The point is that all pole figures of odf1 look exactly the same as the pole figures of odf2.
{% highlight matlab %} plotPDF(odf2,Miller({1,0,0},{0,1,0},{0,0,1},cs),'antipodal') {% endhighlight %}and hence, it is impossible for any reconstruction algorithm to decide whether odf1 or odf2 is the correct reconstruction. In order to compare odf1 and odf2, we visualize them along the alpha fibre
{% highlight matlab %} alphaFibre = orientation.byAxisAngle(zvector,(-180:180)*degree,cs); close all plot(-180:180,odf1.eval(alphaFibre),'linewidth',2) hold on plot(-180:180,odf2.eval(alphaFibre),'linewidth',2) hold off legend('odf1','odf2') xlim([-180,180]) {% endhighlight %}We can make the example more extreme by applying negative coefficients to the odd order harmonic coefficients.
{% highlight matlab %} odf1 = 4/5 * uniformODF(cs) + 1/5 * unimodalODF(orientation.id(cs),'halfwidth',30*degree); A = (-1).^(0:10)'; odf2 = conv(odf1,A); close all plot(-180:180,odf1.eval(alphaFibre),'linewidth',2) hold on plot(-180:180,odf2.eval(alphaFibre),'linewidth',2) hold off legend('odf1','odf2') xlim([-180,180]) {% endhighlight %}We obtain two completely different ODF: odf1 has a prefered orientation at (0,0,0) while odf2 has prefered orientations at all rotations about 180 degrees. These two ODFs have completely identical pole figures and hence, it is impossible by any reconstruction method to decide which of these two ODF was the correct one. It was the idea of Matthies to say that a physical meaningful ODF usually consists of a uniform portion and some components of prefered orientations. Thus in the reconstruction odf1 should be prefered over odf2. The idea to distinguish between odf1 and odf2 is that odf1 has a larger uniform portion and hence maximizing the uniform portion can be used as a method to single out a physical meaningful solution.
Let's demonstrate this by the given example and simulate some pole figures out of odf2.
{% highlight matlab %} h = Miller({1,0,0},{1,0,0},{0,1,0},{0,0,1},{1,1,0},{0,1,1},{1,0,1},{1,1,1},cs); pf = calcPoleFigure(odf1,h); plot(pf) {% endhighlight %}When reconstruction an ODF from pole figure data MTEX automatically uses Matthies methods of maximizing the uniform portion called automatic ghost correction
{% highlight matlab %} odf_rec1 = calcODF(pf,'silent') {% endhighlight %} {% highlight plaintext %} odf_rec1 = SO3FunRBF (-1 → xyz) uniform component weight: 0.93 multimodal components kernel: de la Vallee Poussin, halfwidth 5° center: 119088 orientations, resolution: 5° weight: 0.066 {% endhighlight %}This method can be switched off by the following command
{% highlight matlab %} odf_rec2 = calcODF(pf,'noGhostCorrection','silent') {% endhighlight %} {% highlight plaintext %} odf_rec2 = SO3FunRBF (-1 → xyz) multimodal components kernel: de la Vallee Poussin, halfwidth 5° center: 119088 orientations, resolution: 5° weight: 1 {% endhighlight %}When comparing the reconstructed ODFs we observe that by using ghost correction we are able to recover odf1 quite nicely, while without ghost correction we obtain a mixture between odf1 and odf2.
{% highlight matlab %} close all plot(-180:180,odf_rec1.eval(alphaFibre),'linewidth',2) hold on plot(-180:180,odf_rec2.eval(alphaFibre),'linewidth',2) hold off legend('odf rec1','odf rec2') xlim([-180,180]) {% endhighlight %}This become clearer when looking at the harmonic coefficients of the reconstructed ODFs. We observe that without ghost correction the recovered odd order harmonic coefficients are much smaller than the original ones.
{% highlight matlab %} close all plotSpektra(odf1,'linewidth',2,'bandwidth',10) hold on plotSpektra(odf2,'linewidth',2) plotSpektra(odf_rec1,'linewidth',2) plotSpektra(odf_rec2,'linewidth',2) hold off legend('odf1','odf2','odf rec1','odf rec2') {% endhighlight %}Historically, this effect is tightly connected with the so-called SantaFe sample ODF.
{% highlight matlab %} odf = SantaFe; plot(odf,'contourf') mtexColorMap white2black {% endhighlight %}Let's simulate some diffraction pole figures
{% highlight matlab %} % crystal directions h = Miller({1,0,0},{1,1,0},{1,1,1},{2,1,1},odf.CS); % simulate pole figures pf = calcPoleFigure(SantaFe,h,'antipodal'); % plot them plot(pf,'MarkerSize',5) mtexColorMap LaboTeX {% endhighlight %}and compute two ODFs from them
{% highlight matlab %} % one with Ghost Correction rec = calcODF(pf,'silent') % one without Ghost Correction rec2 = calcODF(pf,'NoGhostCorrection','silent') {% endhighlight %} {% highlight plaintext %} rec = SO3FunRBF (m-3m → xyz (222)) uniform component weight: 0.91 multimodal components kernel: de la Vallee Poussin, halfwidth 5° center: 1232 orientations, resolution: 5° weight: 0.094 rec2 = SO3FunRBF (m-3m → xyz (222)) multimodal components kernel: de la Vallee Poussin, halfwidth 5° center: 1232 orientations, resolution: 5° weight: 1 {% endhighlight %}For both reconstruction recalculated pole figures look the same as the initial pole figures
{% highlight matlab %} figure(1) plotPDF(rec,pf.h,'antipodal') mtexColorMap LaboTeX {% endhighlight %}However if we look at the ODF we see big differences. The so-called ghosts.
{% highlight matlab %} figure(1) plot(rec,'gray','contourf') mtexColorMap white2black {% endhighlight %}Again we can see the source of the problem in the harmonic coefficients.
{% highlight matlab %} close all; % the harmonic coefficients of the sample ODF plotSpektra(SantaFe,'bandwidth',32,'linewidth',2,'MarkerSize',10) % keep plot for adding the next plots hold all % the harmonic coefficients of the reconstruction with ghost correction: plotSpektra(rec,'bandwidth',32,'linewidth',2,'MarkerSize',10) % the harmonic coefficients of the reconstruction without ghost correction: plotSpektra(rec2,'bandwidth',32,'linewidth',2,'MarkerSize',10) legend({'true ODF','with ghost correction','without ghost correction'}) % next plot command overwrites plot hold off {% endhighlight %}


In the general Noh repertoire the Kuse, together with the Kiri, are shōdan featuring dance-to-text. This does not apply, however, to the Kuse in typical third category plays, which follow a purely structural abstract choreography. Hashitomi is exceptional in that it follows the general tradition of using mimetic movements in this shōdan. The Kuse and Kiri are often highlights of intermedia relationships as they involve dance, dramatic use of stage-space, and text correlated with mimetic movements.
The text divides the narrative into three parts, each one marked by gradual increase in the use of stage-space. The introduces Genji and his romance with Lady Yūgao, as she recalls the prayer they heard on their first night. The use of stage-space limited to the center-stage (Square 9) underlines the introductory quality of the narrative. The tone of the intensifies slightly as the spirit of Lady Yūgao remembers that her introduction to Genji was initiated by his interest in a flower. The stage-space reflects the growing intensity by adding movement on Squares 2 and 3. We learn in the , that it is while contemplating a flower at Lady Yūgao’s gate that Genji noticed her in the distance, and that their romantic encounter started with a picked flower presented on a fan. The pivotal nature of the moment is paralleled by the use of almost the entire stage-space.
When the spirit of Lady Yūgao (sung by jiutai) recounts that during her first night with Genji the lovers heard from next door a pilgrim’s voice in prayer, the shite performs a slow sequence of , done by slightly bending his upper body forward. As the jiutai is about to recite the heard sutra, the kotsuzumi plays a pattern, which includes an off-beat attack that immediately follows the ōtsuzumi’s stroke on the first beat. This rare pattern, with its oddly-positioned attack, creates a syncopated effect that suggests a sort of "quotation mark" before the prayer begins. includes twenty-one syllables, set in a sequence of four uneven measures (4, 6, 4 and 8 beats long). This allows for a spacious distribution of syllables and slow pacing appropriate for a prayer.
Moved by the monk's service for the flowers, Lady Yūgao shows him a by taking Five Steps in his direction, then One Step Back, before performing the Kneeling in Prayer. The poignancy of the moment is heightened by the entrance of the nohkan's naka no takane pattern. Then, as the jiutai sings, “… unwittingly tears dampen my sleeves” the shite performs Left-Hand Weeping kata. This touching moment ends with the two percussion instruments playing the standard closing pattern.
Mimesis can take a different form when the text gives meaning to abstract structural kata. For a short time span, text and kata associate the shite with four different characters. First, when the jiutai sings, , the shite performs a standard Forward pointing kata, but because it is directed towards the tsukurimono it implies that the shite is Prince Genji's pointing to Lady Yūgao's house. A moment later, we hear to pick a flower for him that grows by the house. The shite, now personifies Koremitsu, who carries out the order. This appears as a mimetic kata sequence: Left hand picks up of the flower, Laying of the flower on the fan, Kneeling and the Two hands offering of the fan. The moment of offering the flower on the fan has a dramatic emphasis because the music significantly slows down, and leads to the ageha, the sole, short vocal entrance of the shite during the whole Kuse. Referring to the flower on the fan, the shite sings “Genji, gazing at it intently”, as he earnestly looks at his own fan. At this moment, the shite personifies Genji. Finally, as the jiutai sings words attributable to Genji “Of you passing in the distance...” the shite performs a Large Zigzag interpretable as the moment he first laid eye on Lady Yūgao as she walked in the distance. The coinciding entrance of the nohkan’s takane mi kusari pattern adds intensity to this most important moment, as Lady Yūgao appears in the shadow of the flower.


FOOD-MART
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A very small (3kb) view library that is packed:
Web Components, Custom Element, Template Literals,
Reactive, Data Binding, One Way Data Flow,
Two-way data binding, Event Handling,
Props, Lifecycle, State Management,
Computed Properties, Directives.
No dependencies, no virtual dom, no build tool.
Wow! ...but it's a just a view library!
{% markdown %}
{% include "content/guide-docs/faq.md" %}
{% endmarkdown %}
Contribution
Every ideas, updates, fixes, changes, anything are welcome.

License
MIT
About Mardix
{% markdown %}
I'm Mardix, an inventor, a creator and a UI Tech Lead Application Engineer at Bank of America, in Charlotte, NC, USA.
I love to invent stuff. I love to make stuff. I love UI. I love Javascript. I love Python.
If you have any suggestions, questions or anything, please don't hesitate to reach out.
{% endmarkdown %}
DocumentationDemoGithubDiscord


Use this tool to generate a Wonder Mail for an exploration mission.
If an egg reward is chosen, it will be of a random species on the dungeon floor chosen. The species can't be chosen using Wonder Mail, unfortunately.


Get a data frame with all of the standard (non-calculated) metrics (measures) in the report suite.
aw_get_metrics( rsid = Sys.getenv("AW_REPORTSUITE_ID"), locale = "en_US", segmentable = "NULL", expansion = NA, company_id = Sys.getenv("AW_COMPANY_ID"), debug = FALSE, use_oob = TRUE )
| rsid | Adobe report suite ID (RSID). If an environment variable called |
|---|---|
| locale | The locale that system-named metrics should be returned in. Non-localized values will be returned for title, name, description, etc. if a localized value is not available. |
| segmentable | Boolean that determines whether or not to include metrics that can be used in
segments. |
| expansion | Additional metrics metadata to include in the results: |
| company_id | Company ID. If an environment variable called |
| debug | Include the output and input of the api call in the console for debugging. Default is FALSE |
| use_oob | Always set to TRUE. Needed for tests |
A data frame of metrics (excluding calculated metrics) and their meta data.
This function is commonly used to get the correct ID for a specific metric or metrics that will be used in other function calls. The results returned are:
All of the "out of the box" metrics like visits, page views, visitors, orders, revenue, bounce rate, etc.
All of the enabled events that are configured in the report suite.
An instances metric for each enabled eVar.
This function does not return calculated metrics.


--- title: Departments layout: default permalink: /departments/ --- {% include breadcrumbs.html %}
{{ department.description }}
{{ dataset_count }}


Dixon, Mara Alice “Mysie”
| Birth Name | Dixon, Mara Alice “Mysie” |
| Gender | female |
| Age at Death | 81 years, 11 months, 12 days |
Narrative
SMH - THORNTON, Mara Alice - 13 Dec, 1957, at her residence, 201 Victoria St, Ashfield, widow of William & dearly loved mother of Eileen, Mara, Doris(Mrs.N.Vial) & Bill, loving grandmother of Lesley, Beverley, Lynne & Jennifer, fond G-grandmother of Ian, aged 81yrs. Privately interred at Rookwood Cemetery.
Events
| Event | Date | Place | Description | Sources |
|---|---|---|---|---|
| Birth | 1876 | |||
|
|
||||
| Death | 1957-12-13 | at home Ashfield NSW (81yrs) | ||
|
|
||||
| Burial | 1957-12-14 | Rookwood Cremetary, Lidcombe NSW | ||
|
|
Families
Family of Thornton, William and Dixon, Mara Alice “Mysie” |
||||||||||||||||||||
| Married | Husband | Thornton, William ( * 1866 + 1931-08-30 ) | ||||||||||||||||||
|
||||||||||||||||||||
| Children |
| Name | Birth Date | Death Date |
|---|---|---|
| Thornton, Eileen Isabel | 1898 | 1986-03-30 |
| Thornton, Henry T. | 1900 | 1901 |
| Thornton, Mara “Mary” | 1902 | 1985-02-03 |
| Thornton, Doris Kathleen | 1905 | 1991-09-26 |
| Thornton, William Sydney “Bill” | 1911 | 1994-08-16 |
| Type | Value | Notes | Sources |
|---|---|---|---|
| _UID | 91898B2D8443014AA2F4CCC2EA6F8E0CFB1A |
Attributes
| Type | Value | Notes | Sources |
|---|---|---|---|
| _UID | AE9C40D3B7DC9A4C9BCB2DF4C548CAF4289E |


public override void OnMarginCall(Listrequests) { foreach (var orderRequest in requests) { } } public override void OnBrokerageDisconnect() { Log($"Brokerage disconnection detected at {Time}."); }
def OnMarginCall(self, requests): -> List[SubmitOrderRequest]: # Modify order requests to choose what to liquidate. return requests def OnMarginCallWarning()(self) -> None: self.Log("Margin call warning, 5% margin remaining")
The OnMarginCallWarning
and OnMarginCall
event handlers provide information and control over how to reduce algorithm leverage when performance is poor.
The OnMarginCallWarning
method is called when there is less than 5% margin remaining, this gives you an opportunity to reduce leverage before an official margin call is performed by the brokerage. The OnMarginCall
event handler is passed a list of SubmitOrderRequest
objects which will be executed on exiting the method.
Margin events are called before the data events are processed.
The following demonstration demonstration processes suggested orders and modifies the qualities to liquidate more than necessary and prevent a second margin call. For more information, see how to handle Margin Calls.


Pair Programming is two people working in tandem on the same problem to double their efficiency and brainpower.
Pair Programming is important because it allows each teammate helps the other out, which is especially useful for novice programmers who are still learning the ropes of coding.


Create Guestlist
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AXIZOUN
Jobs
Applicants
Post Jobs
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{{ employer['company_name']}}
{{ employer['email'] }}
{{ employer['contact_number'] }}
{{ employer['location'] }}
about the company
{{ employer['company_name']}}
{{ employer['about_company'] }}
Jobs Posted
{% for job in jobs %}
{{ job['position'] }}
{{ job['location'] }}
status
{{ job['status']}}
{% endfor %}


| MATLAB 文件帮助: cv.solveLP | 查看 cv.solveLP 的代码 | Index |
solveLP Solve given (non-integer) linear programming problem using the Simplex Algorithm.
[z, res] = cv.solveLP(Func, Constr)
[...] = cv.solveLP(..., 'OptionName', optionValue, ...)
c
in the LP problem formulation
(see below). It should contain 32- or 64-bit floating point numbers.
As a convenience, column-vector may be also submitted, in the latter
case it is understood to correspond to c'
.b
in
formulation above and the remaining to A
. It should containt 32- or
64-bit floating point numbers.x
in the formulation above. It will contain 64-bit
floating point numbers.What we mean here by "linear programming problem" (or LP problem, for short) can be formulated as:
Maximize c*x
subject to A*x <= b
x >= 0
Where c
is fixed 1-by-n row-vector, A
is fixed m-by-n matrix, b
is
fixed m-by-1 column vector and x
is an arbitrary n-by-1 column vector,
which satisfies the constraints.
Simplex algorithm is one of many algorithms that are designed to handle this sort of problems efficiently. Although it is not optimal in theoretical sense (there exist algorithms that can solve any problem written as above in polynomial type, while simplex method degenerates to exponential time for some special cases), it is well-studied, easy to implement and is shown to work well for real-life purposes.
The particular implementation is taken almost verbatim from:
Introduction to Algorithms, 3rd edition by T. H. Cormen, C. E. Leiserson, R. L. Rivest and Clifford Stein.
In particular, the Bland's rule http://en.wikipedia.org/wiki/Bland%27s_rule is used to prevent cycling.


{% extends "base.html" %} {% block head %} {{ super() }}
If you are new to this app, click here to sign up with your email address
If you have already an account, then click here to login


Controls
Mouse
: Click and drag to look around
W:
Forward
S:
Backwards
A:
Left
D:
Right
E:
Up
C:
Down


Esri bikeshare
How many bicycles did you borrow?
None
Just one
More than one
When did you ride?
Are any repairs needed?
If one of the bikes needs maintenance or a repair, please send us an
email
describing exactly what is wrong and we will sort it out as quickly as possible.
Do you have any other feedback? (optional)
Do you have a photo to share? (optional)
Submit
The information has been submitted. Thank you!


Close
×
Set Mode
Timepicker
Analog Clock
Set Hour Clock
12 Hour
24 Hour
Set Theme
Dark Theme
Light Theme
Set Visibility
Show
Hide
Set Time
Apply
Set Background
Amber
Aqua
Black
Blue
Blue grey
Brown
Cyan
Dark grey
Deep orange
Deep purple
Green
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Khaki
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Light green
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Lime
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Pale green
Pale red
Pale yellow
Pink
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Red
Sand
Teal
White
Yellow
See My Datepicker
See My Calendar
Source code
Analog Clock Timepicker Demo
Picked time


Preparation time
less than 30 mins
Cooking time
10 to 30 mins
Serves
Serves 4
Dietary
This lightly spiced carrot soup couldn't be any simpler to make, yet it makes a delicious supper on a cold winter's evening.
Melt the butter in a saucepan and sweat the onion, garlic and carrots, with a pinch of salt, for 5-6 minutes, or until softened.
Meanwhile toast the cumin seeds in a dry frying pan until fragrant. Add the toasted cumin seeds and Madras curry powder to the vegetables and cook a further 2-3 minutes.
Add the stock, bouquet garni and 500ml/18fl oz water and bring to the boil. Reduce to a simmer and cook for 30 minutes.
Remove the bouquet garni, then blend the soup in a blender until smooth. Pass through a sieve into a clean saucepan and season to taste with salt and freshly ground black pepper.
To serve, ladle the soup in serving bowls and sprinkle with chopped fresh coriander.


--- layout: default ---
About Illinois Budget Clock
Why did this happen?
The Illinois state constitution requires the governor and the General Assembly to pass a budget for the state. Since July 1st, 2015, they failed to do that, and we still have no budget.
Republican Gov. Rauner and the Democratically-controlled legislature each presented their own wildly-different budget proposals. The main fight is over Gov. Rauner’s Turnaround Agenda which, among other things, strips collective bargaining rights from unions. Neither side has agreed to a compromise, and each side blames the other for the deadlock.
Read more about the Illinois budget crisis:
What is this website?
Illinois Budget Clock aggregated stories of the impact of the budget impasse in order to impose a greater sense of urgency and pressure Illinois politicians to act.
To stay posted, follow ILBudgetClock on Twitter and Facebook.
Team
This is a volunteer, open-source project at Chi Hack Night.
Contributors:


Authorize access to Google Calendar API
Authorize
RELOAD
Notif event
×
Back
SAVE
Event Title
This is required.
From
{{time}}
Required
To
{{time}}
Required
Calendar
{{calendar}}
Where
This is required.
Description
Izzy
Melvin
Abe
Eli
Brian
Charlie
Pablo
7am
8am
9am
10am
11am
12pm
1pm
2pm
3pm
4pm
5pm
6pm
7pm
8pm
9pm
10pm
11pm


checkinstall
Track the local installation of a software package, and produce a binary package which can be used with a system's native package manager.
More information: home page
- Create and install a package with default settings:
sudo checkinstall --default
- Create a package but don't install it:
sudo checkinstall --install=no
- Create a package without documentation:
sudo checkinstall --nodoc
- Create a package and set the name:
sudo checkinstall --pkgname package
- Create a package and specify where to save it:
sudo checkinstall --pakdir path/to/directory


--- layout: rustwasm title: web_sys::SvgElement Struct description: web_sys::SvgElement Struct keyword: web_sys::SvgElement, SvgElement Struct ---
The SvgElement Struct provides properties and methods for manipulating the SVG container graphics.
Cargo.toml
[dependencies.web-sys]
version = "0.3.4"
features = [
'SvgElement',
]


Trello Home Page
Create Account
Sign Into an Exiting Account
Name:
Email:
Image:
Enter your name or email:
User found!
Name is: {{ currentUser.name }}
Email is: {{ currentUser.email }}
Go to your project


LostInCompilation
0.1.0
Main Page
Related Pages
Classes
Files
Class List
Class Index
Class Hierarchy
Class Members
Class Hierarchy
Go to the textual class hierarchy
Generated on Sun Apr 2 2017 23:25:49 for LostInCompilation by
1.8.11


Accordion 1
This is the content area of accordion 1
Accordion 2
This is the content area of accordion 2


Running tcpackage
will build a zip package of your App that can be installed directly in the ThreatConnect Platform. For Apps packages that contain multiple Apps using separate install.json files add the --bundle
argument to build a bundle. When using multiple install.json files the prefix of the filename is the App name (e.g. MyApp.install.json will have an App name of MyApp). During the build process validation of the install.json file will be handled automatically if the tcex_json_schema.json schema file is included in the base directory of your App.
Note
Typically the tcpackage
command would be run with no arguments or using the --bundle
flag for packages with multiple install.json files.
Usage¶
usage: tcpackage [-h] [--bundle] [--exclude EXCLUDE] [--config CONFIG]
[--install_json INSTALL_JSON] [--outdir OUTDIR]
optional arguments:
-h, --help show this help message and exit
--bundle Build a bundle file.
--exclude EXCLUDE File and directories to exclude from build.
--config CONFIG Build configuration file. (Default: tcex.json)
--install_json INSTALL_JSON
The install.json file name for the App that should be
built.
--outdir OUTDIR Directory to write the outfile. (Default: target)
Configuration Options¶
By default the tcex.json
file will be loaded by tcpackage
. The following is an example of additional configuration that can be provided for the tcpackage
command.
<..snipped>
"package": {
"app_name": "MyApp",
"app_version": "v1.0",
"bundle": false,
"excludes": [
"log",
"requirements.txt",
"tcex.d"
],
"outdir": "target"
},
<snipped..>
Multiple Bundles
<..snipped>
"package": {
"bundle": true,
"bundle_name": "TCPB_-_Palo_Alto",
"bundle_packages": [{
"name": "TCPB_-_My_Bundle_Create",
"patterns": [
".*Create.*"
]
},
{
"name": "TCPB_-_My_Bundle_Delete",
"patterns": [
".*Delete.*"
]
}],
"excludes": [
"log",
"requirements.txt",
"tcex.d"
],
"outdir": "target"
},
<snipped..>


 Or in this case, several small children.
In the BBC Radio 1 segment above, Emma Thompson follows in the footsteps of Sarah Silverman and Tom Hardy by answering a series of "difficult questions" from kids — with topics ranging from the environment to what it takes to become rich.
8-year-old Finn from Glasgow is even cheeky enough to ask about the best onscreen kisser Thompson has ever encountered.
"Meryl Streep's a very good snogger," she responds. "I had to snog her in Angels in America and she was method about it."
Goodness.


estrellita
Keyboard
Cursor keys or WASD to rotate, mouse wheel or Q/E to zoom.
Click to scatter stars, F to toggle twinkling.
Z to decrease the number of stars drawn, C to increase it.
Mobile
Touch and drag to rotate. Pinch to zoom. Double tap to scatter stars.


I make ethical decisions all the time, everyday, in the way I live. It can be small things
or big things, from how I behave with people to what I do or don't do in life. The outcomes are
not always immediate, or measureable. By following the values of integrity, objectivity,
community and fairness, and with the knowledge available at the time the decision is made, the
outcome is what it is.
My original culture values community and what an individual can contribute, rather than the individual.
My adopted culture focuses on the individual, so I am conflicted most of the time. I value the individual
and what he/she represents, but not at the expense of the community around them.
In my original culture, success is defined by financial and social standing. In NZ people care about and
pursue goals such as work-life balance and self-fulfilment. There is definitely a balance and sometimes
you cannot have one without the other. It has moved me towards a way of approaching things, as opposed
to focussing on outcomes - on "the journey" rather than "the destination".
My learning and career reflect both my strengths and weaknesses. Through organization and planning
(and a large degree of luck which presented opportunities,) my career worked out. However, my desire to
be honest meant that I have burned some bridges by being candid.
I value community and teamwork, and throughout my career have built highly successful teams which
delivered successful outcomes, to which each member of the team contributed. This is backed by having
good organisation skills and planning the work to be executed.
In addition, the strength of delivery also meant that sometimes work took priority over personal life,
when a personal toll is paid by family and friends.
I consider organisation, perseverance and delivery the most important strengths. Keeping to a deadline will
be important. There is a lot going on in my private life which takes some juggling in order to meet those
requirements as well as my course objectives.
There will also be a wealth of experience in online resources and community forums. These, together with the
ability to ask questions, will greatly help in any learning obstacles encountered.
We were trying to implement a nation-wide publishing system across an organisation with multiple printing presses
in regional hubs. Most knew the current business model cannot be sustained, but none wanted the pain of change. The
strategy is therefore to explain the change and mitigate fears that people have, address their concerns and have a decent
execution process which minimised disruption. This involved ongoing planning, communication and negotiation skills.
Once people knew what was going on and their place in it, they can then decide if they are going to be part of it.
Though there was no real choice, people felt empowered when they are within the process, and we were able to complete
the work.


--- layout: post permalink: cleanspirited.html Tags: Array NameOfCoupon: Clean Spirited Cash Back Summary: See our Clean Spirited Coupon Code, Clean Spirited Rebate, Clean Spirited Promo Code, Clean Spirited Discount, Clean Spirited Coupon Cash Back Rebate here. MetaKeywords: Clean Spirited Coupon Code, Clean Spirited Rebate, Clean Spirited Promo Code, Clean Spirited Cash Back Rebate, Clean Spirited Discount, Clean Spirited Coupon Image: images/27863.jpg LinkURL: http://www.shareasale.com/r.cfm?b=237894&u=412002&m=27863 affiliate_url_link: http://www.icouponblog.com/jane.php?id=2282 thesis_readmore: See the Clean Spirited Coupon thesis_thumb: http://www.icouponblog.com/tn.php?merchantURL=cleanspirited.com Title: Save 4.5% - Clean Spirited Coupon Code for cleanspirited.com. Clean Spirited Rebate & Discount thesis_description: Our Clean Spirited Discount Coupon Code for cleanspirited.com. We have the best Clean Spirited Rebate anywhere. thesis_keywords: Clean Spirited, Clean Spirited Coupon Code, Clean Spirited Discount, Clean Spirited Rebate product_name: Clean Spirited hop_url: http://www.icouponblog.com/hop.php?id=2282 ---
If you are conscious of your environment and want to buy environmentally friendly products, you will love www.cleanspirited.com. It is a website that carries a wide range of environmentally friendly products like apparel, accessories, and bath and beauty items. This website also contributes $1 of each purchase to the cause of the environment. So look smart, get trendy, attractive apparel, accessories, while making an important contribution to the environment. Shop at www.cleanspirited.com. Use our discount coupons to get a great price.
Buy eco friendly products and make a contribution to the environment. You can get tops, tees, dresses, jackets, active wear that are made from 100% organic cotton and recycled materials. Look good; feel good, when you buy attractive, trendy apparel and accessories from www.cleanspirited.com. A dollar out of every purchase you make is contributed to the cause of the environment. You can also buy eco friendly anti-aging products, body and face wash, sun care and hair care products, oils, salts and bubble baths. All products are organic, good for your body and mind. They are high quality products at affordable prices.
cleanspirited.com is a website that carries a wide range of environmentally friendly products. You can buy apparel made from organic, recycled materials for the whole family from www.cleanspirited.com. They also carry anti-aging products and salts, shampoos, hair care, skin care products and much more. Save money by using our discount coupons.


Simple FB Connect is a Drupal Module which allows the users to Login and Register to your Drupal site with their Facebook Account.
View Project.
Composer is an application-level package manager for the PHP programming language that provides a standard format for managing dependencies of PHP software and required libraries. It was developed by Nils Adermann and Jordi Boggiano, who continue to manage the project.
Composer Official Site : https://getcomposer.org/.
1. Update the package manager cache by using the command:
$ sudo apt-get update
2. Now install the dependencies for running and installing Composer using the command :
$ sudo apt-get install curl php5-cli git
3. Now downlaod Composer using the following command:
$ curl -sS https://getcomposer.org/installer | sudo php -- --install-dir=/usr/local/bin --filename=composer
4. To check if Composer is working fine, use the command $ composer and if it shows the same as the image then it works fine.
1. Go to Drupal root directory and use the below comamnd to inform Composer that we want to use packages.drupal.org/8 as a package repository:
$ composer config repositories.drupal composer https://packages.drupal.org/8
2. Downlaod the latest version of 8.x-3.0 release of Simple FB Connect by using the following command:
$ composer require "drupal/simple_fb_connect:~3.0"
1. Go to /admin/modules and install the Simple FB Connect Module:
2. Now go to Simple FB Module settings /admin/config/people/simple-fb-connect
Here we will find Valid OAuth redirect URIs, App Domains and Site URLs for your Facebook App settings.
1. Go to https://developers.facebook.com/apps and click on Add a New App . A window will pop-up, fill in the details and create the App ID.
2. You will be directed to the dashboard, click on Get Started button on Facebook Login Tab. After that enter the Valid OAuth redirect URIs from the module settings to the Valid OAuth redirect URIs Field in the Facebook login page.
3. Go to Basic Settings and enter the Website URL and App Domain.
4. Go to App Review and make the app public if you want other users can also login with their facebook accounts.
1. Go to admin/config/people/simple-fb-connect and add the Application ID, App Secret and API Verion of the Facebook Application from the Facebook Application Dasbaord.
- We have now installed the module. To check if it works properly or not, go to the Website and while Login, we will notice "Facebook Login" option.
# So, in this tutorial we installed Simple FB Connect Module with dependency on External Libraries using Composer .


% var owner = (items[0].isUser && parseInt(items[0].isUser) == 1 ) ? true : false; %>
Nothing here!
This list is in dire need of some movies & shows


The Horse Whisperer (1998)
Director: Robert Redford Cast: Robert Redford, Kristin Scott Thomas, Sam Neill, Scarlett Johansson, Dianne Wiest, Chris Cooper, Cherry Jones Screenplay: Richard LaGravenese, Eric Roth Producers: Patrick Markey, Robert Redford Runtime: 168 min. US Distribution: Buena Vista Pictures Rated PG-13: brief violence
By Nathaniel R. Atcheson<EMAIL_ADDRESS>I grew up around horses, but I never paid any attention to them. That was for girls, I thought, though my mother and sister frequently tried to get me to ride their horses. I would watch them from my bedroom window on occasion, and the only thing I could ever think about was how intensely boring it seemed. The horses certainly didn't look happy, and the few times I did actually attempt to ride, the only thing I got from it was a throbbing sensation in places where throbbing sensations are not welcome.
I was mildly interested in seeing The Horse Whisperer, but not because of the horses. I wanted to see it because of its stars, Robert Redford and Kristin Scott Thomas. It turns out, though, that I had developed a sense of respect for horses through all those years of idly watching them carry around the female members of my family. I'm fairly certain that Redford, who also directed, intended the audience members to observe the horses in this film as characters. I think he succeeded, not only in this arena, but in many others -- The Horse Whisperer is a visually stunning film, and often a moving human drama.
The film opens with tragedy: young Grace MacLean (Scarlett Johansson) and her friend are riding their horses on the icy countryside outside of New York; they stumble onto the road, where a truck barrels into them, killing Grace's friend and seriously injuring Grace's horse, Pilgrim. We then meet Grace's mother, Annie (Kristin Scott Thomas) and father, Robert (Sam Neill), a couple whom, we suspect, are married out of convenience. Grace recovers from the accident, but has her right leg amputated; from then on, she's a somber and extremely depressed girl.
Although Pilgrim's injuries are severe, and the horse seems to have undergone intense psychological torture, Annie refuses to let the horse be put down. She seeks out a man known to do miracles with horses; his name is Tom Booker (Redford). She takes Grace and the horse and drives out to his ranch in Montana, at which point Tom begins working with Pilgrim, even though the horse seems beyond help.
Perhaps the best thing about The Horse Whisperer is Redford's directing and imagery. Even without a story and characters, this film would have been breathtaking to behold. The opening credits roll simultaneously with incredible footage of horses dashing about on what look to be sand dunes; the colors are dark and full, the horses are silhouettes, and the moment is beautiful. Many scenes in the film have this quality -- there are several shots of things that just look nice and have nothing to do with the story directly, but add perfectly to the quiet and subtle tone of the film. It's a long picture, and Redford's direction is perfectly paced: the film never gets boring or loses the audience.
Almost equaling Redford's near-perfect visuals are the performances, particularly from the two leading females. Thomas is a beautiful, commanding actress, and though this is only the second film I've had the pleasure of seeing her in (the other being The English Patient), she proves in just two roles that she has the rare capacity to hold an entire film together by sheer force of talent. Young Scarlett Johansson is equally good; this is a fantastic performance, especially when considering the actress' age. Redford is also good, though he slightly underplays his character in parts. Sam Neill is, unfortunately, not used to his full abilities (with the exception of one wonderful scene towards the end in which he has a serious talk with his wife).
I enjoyed The Horse Whisperer, but my main complaint lies in the script, which feels sloppy at times. There are a few scenes here -- like an important moment between mother and daughter -- that seem to fall flat because of dialogue, or characterizations, or both. Grace's dialogue, for instance, is far too sharp for a girl her age; and, at times, the dynamics between Tom and Annie are nebulous when they need to be more clear. The overall focus is also skewed between many things: Grace's struggle with Pilgrim, the mother/daughter relationship, and the Tom/Annie relationship. All of these are well-developed, but after leaving the film, I wasn't sure what was supposed to be central. I am thankful that Redford steered clear of manipulation (though there are scenes clearly intended to be tear-jerkers), but the ending seems an unlikely solution to the situation.
All in all, I highly recommend the film, for I imagine most people will enjoy it thoroughly. There is a lot to admire here, from the truly astonishing imagery to the first-class performances and cast. It's a moving film that works on many levels, and just barely escapes the greatness it might have achieved with a few script changes and a more objective editing job. On a personal level, the film forced me to notice horses in a way I never did while growing up with them, and I think that many people might get the same feelings I did out of Redford's insightful vision.
*** out of **** (7/10, B)
Visit FILM PSYCHOSIS at http://www.pyramid.net/natesmovies
Nathaniel R. Atcheson
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Sabaton is a Swedish Heavy Metal band, that focuses on the history of battles and wars and the stories that come from them. They sing the stories, of the real life wars and the people who played their parts in those stories. Gruelling campaigns and awestruck acts of bravery. The magnificent victories and heart pulling personal struggles. The songs tell the true stories, more fantastic than any form of fiction.
They are best known for their electrifying live concerts, combining accomplished musical performances and a finely-crafted stage show, inculding their full-sized tank drum-riser, with energy and laughter. The band headlined as far as North America, Australia, and Japan. They regularly fill arenas and take top-billed slots at festivals across Europe.
In the nearly two decades since their launch, Sabaton has caved out a reputation as one of the hardest working bands in the business. And thus gained the legion of a very loyal fan base around the globe. This has brought them eight highly-rated studio albums, (as well as two certified platinum-sellers). Also scoring multiple industry awards, wins, and nominations. Not to mention, they launched their own annual festival and cruise.


The plugin depends on the Prism Toolbar plugin. In addition to including the plugin file with your PrismJS build, ensure it is loaded before the plugin.
By default, the plugin shows messages in English and sets a 5-second timeout after a click. You can use the following HTML5 data attributes to override the default settings:
data-prismjs-copy
— default message displayed by Copy to Clipboard;data-prismjs-copy-error
— a message displayed after failing copying, prompting the user to press Ctrl+C
;data-prismjs-copy-success
— a message displayed after a successful copying;data-prismjs-copy-timeout
— a timeout (in milliseconds) after copying. Once the timeout passed, the success or error message will revert back to the default message. The value should be a non-negative integer.The plugin traverses up the DOM tree to find each of these attributes. The search starts at every pre code
element and stops at the closest ancestor element that has a desired attribute or at the worst case, at the html
element.
Warning! Although possible, you definitely shouldn't add these attributes to the html
element, because a human-readable text should be placed after the character encoding declaration (<meta charset="...">
), and the latter must be serialized completely within the first 512 (in older browsers) or 1024 bytes of the document. Consider using the body
element or one of its descendants.
This plugin supports customizing the style of the copy button. To understand how this is done, let's look at the HTML structure of the copy button:
<button class="copy-to-clipboard-button" type="button" data-copy-state="copy">
Copy
</button>
The copy-to-clipboard-button
class can be used to select the button. The data-copy-state
attribute indicates the current state of the plugin with the 3 possible states being:
data-copy-state="copy"
— default state;data-copy-state="copy-error"
— the state after failing copying;data-copy-state="copy-success"
— the state after successful copying;These 3 states should be conveyed to the user either by different styling or displaying the button text.
The following code blocks show modified messages and both use a half-second timeout. The other settings are set to default.
Source code:

console.log('Hello, world!');

int main() {
return 0;
}

Output:
console.log('Hello, world!');
int main() {
return 0;
}
The plugin always use the closest ancestor element that has a desired attribute, so it's possible to override any setting on any descendant. In the following example, the baz
message is used. The other settings are set to default.
Source code:

int main() {
return 0;
}

Output:
int main() {
return 0;
}
You can use the data attributes for internationalization.
The following code blocks use shared messages in Russian and the default 5-second timeout.
Source code:
<!DOCTYPE html>

int main() {
return 0;
}

console.log('Hello, world!');

Output:
int main() {
return 0;
}
console.log('Hello, world!');
The next HTML document is in English, but some code blocks show messages in Russian and simplified Mainland Chinese. The other settings are set to default.
Source code:
<!DOCTYPE html>

console.log('Hello, world!');

console.log('Привет, мир!');

console.log('你好，世界！');

Output:
console.log('Hello, world!');
console.log('Привет, мир!');
console.log('你好，世界！');


| kales.actionpack.ActionResult |
Represents the outcome of executing a Kales Controller action |
| kales.actionpack.ApplicationController | |
| kales.actionpack.DynamicParameterRouteSelector | |
| kales.actionpack.KalesApplicationCall |
TODO document |
| kales.actionpack.RedirectResult |
Represents the result of executing a |
| kales.actionpack.ViewModel |


Fresh Fruits
It has long been known that a diet
that includes at least a few
servings of fresh fruit every day
will help keep you health, fit and
trim.
Title goes here
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O


--- layout: page title: Get Involved description: | We are not just coders! Open San Diego needs designers, urban planners, government insiders, community organizers, marketers, economists, writers, photographers, you name it! Find out more about how to contribute to Civic Tech in San Diego ---
We are not just coders! Open San Diego needs designers, urban planners, government insiders, community organizers, marketers, economists, writers, photographers, you name it!
We connect those who code to those who have ideas for community solutions!
As part of Open San Diego, we do the following:


This page will connect to syft-socketio-server.herokuapp.com proxy and execute commands sent
to corresponding worker in the example notebook.
Wait for "Connected" message to appear in the log below (proxy is running on heroku and may need some time to wake up) and then
you can execute code on the python side.
Note 1: It was tested in Chrome browser only.
Note 2: If something goes wrong and python code waits for the response, click this button:


The Annual Net-a-Porter Sale Is Here, and the Deals Are Extremely Good
’Tis the season for Net-a-Porter’s annual sale, which is certainly an occasion worth celebrating. Right now, the retailer is offering up to 50 percent off site-wide on some of our favorite brands like Agolde, Khaite, and Ganni, which is making it a liiittle hard to concentrate at work.
Whether you’re on the hunt for a holiday party outfit or a new pair of snow boots, or you want to stock your beauty cabinet with some winter-combating moisturizers, there’s no better time to do it. We know you don’t have all day to shop (items are selling out quickly!), so we’re sharing our favorite finds, below.
1 Striped Mohair and Wool-Blend Sweater
GANNI SHOP NOW
$490
$294
Who needs a cheesy holiday sweater when you can buy this option from cool-girl brand Ganni? As we all know, you can never have too many sweaters.
2 Tyra Striped Sequined Crepe Midi Dress
RIXO SHOP NOW
$560
$336
Rixo’s sequined crepe dress will be a hit come New Year’s Eve.
3 Parker Ankle Boots
Alexander Wang SHOP NOW
$795
$477
Snakeskin booties have become the It Shoe of the season. Stay on top of the trend with this edgy pair from Alexander Wang.
4 Lip Balm Scented Candle
Anya Hindmarch Smells SHOP NOW
$75
$52.50
This cute candle looks and smells good, thanks to its blend of Japanese cherry, tonka bean, and French vanilla.
5 The Sunrise Cropped Stretch-Jersey Leggings
We/Me SHOP NOW
$98
$59
Made of a super-stretchy jersey, We/Me’s leggings are equal parts comfortable and chic.
6 In Two Minds Facial Hydrator
Aesop SHOP NOW
$60
$42
Right now, you’ll want to keep your skin as hydrated as possible, which means you’ll need to call in some beauty reinforcements. Give your skincare routine a spa-like appeal with this hydrator from Aesop.
7 Athena Lace-Up Crepe Blouse
Khaite SHOP NOW
$780
$360
Invest in a capsule wardrobe piece like this white blouse from Khaite. Sure, this pick might elicit some sticker shock, but trust us: You’ll wear this blouse over and over again.
8 Monroe Small Snake-Effect Leather Tote
See By Chloé $297.50 SHOP NOW
$425
$297.50
With a shoulder strap and discreet top handle, this leather tote can easily be worn for day or night.
9 Riley Cropped High-Rise Straight-Leg Jeans
AGOLDE SHOP NOW
$168
$84
Net-a-Porter’s sale is a great opportunity to stock up on the basics, like a pair of straight-leg jeans from cult-favorite denim brand Agolde.
10 Joan of Arctic Boots
Sorel SHOP NOW
$190
$95
I can’t remember the last time I saw Sorel’s ultra-popular snow boots on sale for this cheap. If you haven’t bought a new pair of snow boots yet, now’s the time.
From: Marie Claire US


{% extends "base.html" %} {% block title %}Delete User confirmation - {% endblock title %} {% block content %}
Delete User Account
Delete Cancel


New
Deletes the current scene and starts a new one.
Fetch Model.
Fetches a model from the Store and add it to the scene.
Open Model.
Open a model from the local storage and add it to the scene.
Import Model.
Browse to an exported model file and import into the scene room and add it to the scene.
Export Scene.
Opens a new browser window where the data describing the scene is written. Using browser tools save this data to a file on the local computer. The saved file be a txt or a babylon file.
The file may be used in your own babylon.js projects. If you use textures then you need to obtain copies of the appropriate texture images.
Download Scene.
Possibly easier than Export to the same effect. Give the scene a filename and it is downloaded to your browser's download folder.
Repeated filenames are automatically renumbered.
Import Scene.
Browse to an exported or downloaded scene file and import into the scene room. This will delete the current scene.


About Me
I graduated from the University of North Carolina at Charlotte in 2014.
I have worked in a variety of fields since graduation, and have recently completed the Full
Stack Flex Bootcamp program at UNCC to earn my certificate as a Full Stack Web Developer. In
this program, students learned both front-end and back-end coding, including
Javascript and React. I hope to begin a career in web development that will allow me to
bring my creativity and resourcefulness to new and exciting projects.
Email:
<EMAIL_ADDRESS>Phone:
xxx-xxx-xxx
Downloadable Resume
LinkedIn Profile
GitHub Profile


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Your email:
Your message:
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<EMAIL_ADDRESS>Fair Lawn NJ
(201) 566-0215
https://mihirbeg.com/


This example shows usage of IndexedDB proxy with editable grid.
Note that the js is not minified so it is readable. See Ext.data.proxy.IndexedDB.js, Ext.data.proxy.IndexedDBManager.js and idb-cell-editing.js.


Hey there! My name is Cameron and I am a sophomore Computer Science major at Purdue University with a focus on software development.
I started my CS career learning Java in High School and have continued to learn languages such as HTML, CSS,
Javascript, and C/C++. My current interests include web development, as well as skill development for the Amazon
Alexa platform. Below you can find out more about me and see some projects I have completed so far.


Your team members still have to apply separately.


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[Erowid Warning: Our understanding of the literature is that there is no such thing as safe use of volatile solvents, aerosols and other street inhalants : their psychoactive effects are inseparable from nerve and organ damage. We have chosen to include these reports to help document the real world use of inhalants, but their inclusion is not intended to imply that they are anything but dangerous.]
Bowling isnt the most entertaining sport when sober.
After skipping half the day of school me and 3 friends decided to go bowling. But first a stop at the computer store. We picked up a can of duster (air keyboard cleaner). Now the day became very interesting.
It was probally my 3rd time doing duster. Other times were not very intense but this time was unexplainable.  We went bowling for a few hours which was very hard. I fell 5-6 times and tossed the ball backwards ect.
This is were the story gets interesting. On the way home we all passed it and took as much as we could, including the driver. (mistake!) Im sitting shotgun so I take 3-4 hits then pass it over to the driver. He takes 5 or so. As we drive down a 5 lane street. BAAAM!! The car smashes into a curb.  I look at the driver. His head was leaned all the way back and eyes rolled back.
Suddenly the car drifts onto the 5 lane street at 3:00 in the afternoon. 'That was crazy' im thinking to my self. right when errrrTT!@!! the car jerks onto oncomming trafic. We dodged a red grand prix and slid to the other curb! BAMM!! A kid from in back throws the car into park. As we come to a complete stop we are 2 inches from hitting a huge computer store sign.

Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.