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I teach in a small, private school in South Korea.  This also has disadvantages, like having multiple preps (3+ sometimes) and the unique opportunity to become a substitute teacher for a period or two if a colleague calls in sick.
I’m a biology teacher by training, but I chose to take the chemistry position when my wife and I came to the school last year. I never thought I would be a chemistry teacher (and I do miss biology), but chances are, I’ll stay with them chemistry.
I had an opportunity this morning to sub for one of our biology teachers. This is our second day back from spring break, so the students were between units, having just taken a test over evolutionary theories. I decided to tweak the sub plans (group work on evolution discussions and articles) to a fish bowl activity. I heard about this at EARCOS 2011 from Jeff Utecht. Essentially, one group is in the middle of the room discussion a question (What do you think about evolution?) and a second group is around the perimeter of the room having their own discussion in a chat room.
 Not all of our students are Christians (although we as faculty are), so I figured this would be a good discussion to have to get students thinking.
What happened was amazing. You can skim the chat room log here if you’re interested. I wish I had recorded the class dialogue.
What ended up happening though, was one particular student, “Anne,” having a very significant class play out in front of her.
As the discussion progressed, she looked more and more conflicted in her head. I asked her to explain what she was thinking, and essentially, she said that she didn’t know what to believe because she had learned one particular view from home and was having a very hard time accepting the evidence being presented in the discussion. She was very convicted about her beliefs, but her convictions aren’t what I want to comment on.
What really stuck with me was the fact that she was more concerned about the discussion being “hard.” Discussions should be hard for students. Easy discussions mean they aren’t thinking or questioning something they’ve known or thought they’ve known for a very, very long time. Today’s discussion was asking Anne to think about something she hadn’t thought critically about ever.
As a teacher, students constantly want the easy answer…we’ve all experienced this. It is difficult to go day after day and hear complaints and whining about class being hard. But, I find it encouraging (and actually a point of pride) that my class is hard. Not because of the content I’m teaching, but because of the questions I’m asking students to consider.
This is just something that stuck out to me on a rainy Tuesday morning in Korea. Just reflect for a moment and find encouragement from someone who is, and will continue to ask students, hard questions.
Written on March 29th, 2011 by Brian Bennett Categorized in: All
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GoshawkDb Example Test Page. Open the developer console for more information.
This test overwrites the contents of your root object. It checks that references created with particular capabilities don't allow you access to objects that you aren't supposed to have.


{{ $title := .Title }} {{ $url := printf "%s" .URL | absLangURL }} {{ $body := print $title ", by " .Site.Title "\n" .Params.description "\n\n" $url "\n" }}


Adam Schiff, Democrats 'have nothing on the president, top Republican says
by Charles CreitzHouse Judiciary Committee Ranking Member Doug Collins, R-Ga., claimed Democrats leading the Trump impeachment inquiry have nothing incriminating on the commander-in-chief.
Collins told "The Ingraham Angle" the Democrats are attempting to "hide" that they have no evidence to show President Trump did anything illegal in regard to Ukraine.
"I think what we're going to find out is really... they're hiding the fact that they have nothing on the president," he said.
"They're hiding the fact to everybody that... when they've done these interviews that it's shown that there was nothing improper on the call, that in fact President Zelensky and President Trump both said there was no pressure [on] both ends of this.
HISTORIC TRUMP IMPEACHMENT HEARINGS SET TO BEGIN
"That he asked proper questions when we're called on as a government to make sure that corruption doesn't exist in a country we give aid to -- even if it happens to be a former vice president and his son."
Collins said questions about 2020 hopeful Joe Biden and his 49-year-old son Hunter were valid in that regard, and that Trump was acting responsibly.
He predicted Democrats will try to "spin" the situation to help their cause.
"They're going to put the witnesses together so you really can't even take your time to delve into each of them individually," the North Georgia lawmaker claimed.
CLICK HERE TO GET THE FOX NEWS APP
"The drama here is just dripping. It's crazy... I think you're going to see a lot of theatrics from Adam Schiff."
He added that Schiff, who is chairing the proceedings, and other Democrats are fearful they cannot defeat Trump electorally in 2020 and therefore must find another way to beat him.
In a pillared House chamber at 10 a.m. ET on Wednesday, in the shadow of the 2020 presidential and congressional elections, House Democrats are set to host the first public hearing involving the potential impeachment of a president since November 19, 1998.
"It’s a sad day," House Speaker Nancy Pelosi, D-Calif, told Fox News on Tuesday. "A calm day. A prayerful day." For his part, House Intelligence Committee Chairman Adam Schiff, D-Calif., called the hearings a "solemn undertaking" in a letter to colleagues.
Fox News' Gregg Re contributed to this report.


--- layout: post title: Peter Cooper subtitle: How to become successful rubyist teaser: first get a name for yourself somehow, though primarily through either open source contributions or by developing your own Web sites. Blogging is also a wise step, though often your code can talk for itself. thumb: upic-peterc.jpg category: freelance ---
Peter Cooper is a digital jack of all trades based in the north of England. He is author of Beginning Ruby — published by Apress — creator of numerous Web properties and technologies, a professional blogger, and an entrepreneur who sold two startups in 2007.
His specialist subjects are writing, publishing, AdSense, Web 2.0, RSS, UNIX, and Web application architecture and deployment.
I first discovered Rails in late 2004 and being a Perl guy I decided to try and implement something like Rails in Perl. It sucked though so I decided to give Rails a try itself (along with Ruby). After I completed a basic project within a few days that would have taken a couple of weeks in Perl, I was sold. So my first paying Ruby related work was that first Rails site I built that I had intended to use Perl for originally. I just began using Ruby for things that I was already doing programming jobs for.
Where, and how, do you search for work now? Can you give me some advice on the best ways to find Ruby related work?
I almost only work on my own projects now, such as the Ruby Inside blog and RubyFlow. I do not actively seek out any work.
My advice for anyone looking for Ruby related work would be to first get a name for yourself somehow, though primarily through either open source contributions or by developing your own Web sites. Blogging is also a wise step, though often your code can talk for itself. People want to be confident in a person's experience and abilities before hiring them, so having a public demonstration of this is valuable.
What advice would you give a Ruby beginner without any projects ready to show?
Finish some projects :) Alternatively, if that's taking a long time, you can comment on all Ruby related blog posts you can find as long as you have anything half way interesting to say (don't look like spam). Twitter and/or blog about things you find in Ruby that you like and about things that you've learned. Build up a repository of your presence online and keep making contacts.
What books, or sites, or recipes, or whatever else you can recommend (they may be about productivity, or negotiation, or thinking - anything you think will help me live a better life as a programmer)?
Ready Fire Aim by Michael Masterson is invaluable for learning how to get things done quickly and how to get ahead in business.
Coders at Work by Peter Seibel is a great analysis of how some of the world's most famous coders work and think about programming. It's not out till September though.
What Clients Love by Harry Beckwith is full of useful advice if you plan to work as a freelancer / independently.
I would also recommend reading Getting Real by 37signals. It's available to read for free on their Web site.
How much time per week do you work? How do you keep yourself productive and focused?
I don't know. Sometimes I don't do anything I consider "work" whereas other times I spend many hours working away at something I'm not particularly enjoying. Since I work on mostly my own projects it's hard to define. I'd say I'm in front of a computer for about ten hours a day, however, but I'm often just learning things or browsing. When necessary, I keep myself productive by just getting on and doing things without procrastinating - it sounds simple but you can learn this stuff by adopting Getting Things Done methodologies and listening to some of the Tony Robbins tapes on developing strategies for your life/work.
I basically have a desk, two monitors, a Mac Pro, and a pencil/pen and paper nearby at all times. I have portable computers too but I rarely use them for work as I like to work at a desk mostly (though I sometimes have a switch for a week or two). Surrounding my desk I have many shelves covered in books - mostly nonfiction. I read a lot of books as it's the best way to learn.
How do recommend becoming a successful and profitable programmer?
I don't really consider myself a "successful programmer." I have built sites I have sold for good money that required me to program, but I think the business and marketing knowledge I have helped a lot more with those.. I could have paid someone to do the development.
That said, I know a lot of successful (and sometimes wealthy) programmers and I'd say the wealthiest ones are those who started agencies/development shops (or even hosting companies) and have the sales skills to get major development contracts with well known companies. It's not the most fun stuff in the world but it's particularly profitable. Contracting can also be very profitable in certain niches (especially Java).
What should every programmer know?
Business stuff. Productivity stuff. How to produce the most suitable thing with the least amount of effort. How to stop working on something when any extra work is not significantly adding to what you already have.
Thank you :)


{% extends "socialaccount/base.html" %} {% load i18n %} {% block head_title %}{% trans "Account Connections" %}{% endblock %} {% block content %}
{% blocktrans %}You can sign in to your account using any of the following third party accounts:{% endblocktrans %}
{% else %}{% trans 'You currently have no social network accounts connected to this account.' %}
{% endif %}


Workspaces
There is a place for everyone, being it a full office for a growing company or a simple desk for a freelancing gig
Filter
-
Avila Spaces
https://avilaspaces.comHere you will find not only coworking spaces, rental offices, meeting and training rooms, but also an innovative team, committed to providing you with quality and tailor-made turnkey services.
- Office
- Cowork
-
Lacs
https://lacs.ptWe offer workspaces and experiences that deliver innovative forms of working, whilst helping individuals and companies to connect, learn, create and grow.
- Cowork
-
Leap
https://leap.ptLEAP is more than an office centre; it is an entrepreneurs' community. Based on the concept of space sharing and cowork, it is a model that is being introduced in several cities across the world.
- Office
- Cowork
-
Wood
https://woodinlisbon.comPrime location in the heart of Lisbon with high accessibility. Top-quality business services, Exclusive wellness activities & conciergerie. Business partners network & community life.
- Cowork
-
Workhub
https://workhub.ptIs a shared workspace that was born in 2015 in one of the most iconic buildings in Marvila. We all work under the same roof and share the same culture and the same love for Lisbon. We know you must be thinking about traffic, tourists and installed chaos - but nothing like that! In Marvila we still find the calm of a quiet neighborhood close to the madness of the center.
- Cowork


| texture - texture handle |
| Returns the width of a texture. |
|
; TextureWidth and TextureHeight Example.
; --------------------------------------- Graphics3D 640,480 ; This bit of code creates 4 textures ; of different sizes and shapes. texture1=CreateTexture(256,256,59) texture2=CreateTexture(256,128,59) texture3=CreateTexture(128,256,59) texture4=CreateTexture(200,200,59) ; The following lines print the selected value ; of the texture, and reports the actual texture ; resolution. Print "Texture 1 was created at 256x256" Print "On your system the dimensions are "+TextureWidth(texture1)+"x"+TextureHeight(texture1) Print "Texture 2 was created at 256x128" Print "On your system the dimensions are "+TextureWidth(texture2)+"x"+TextureHeight(texture2) Print "Texture 3 was created at 128x256" Print "On your system the dimensions are "+TextureWidth(texture3)+"x"+TextureHeight(texture3) Print "Texture 4 was created at 200x200" Print "On your system the dimensions are "+TextureWidth(texture4)+"x"+TextureHeight(texture4) WaitKey End |


GO
Reviewed by Harvey Karten, Ph.D. Columbia Pictures Director: Doug Liman Writer: John August Cast: William Fichtner, J.E. Freeman, Katie Holmes, Breckin Meyer, Jay Mohr, Timothy Olyphant, Sarah Polley,Scott Wolf, Taye Diggs
"Go," Doug Liman's film using a faster-than-a-speeding- bullet screenplay by John August, borrows mightily from the genre made famous by Quentin Tarantino, to show the frantic antics of a group of adventurous twenty-somethings. "Go," which was the hit of the recent Sundance Festival left the auditorium crammed, 1300 people staying out in the January Utah cold. We can see why. "Go" has everything the youthful generation and the young-at-heart seek from a movie, all spinning before us at high-octane tempos. The movie juggles what passes for romance among 1990s youth with car chases, drug deals gone awry, a weird cop, a hip dude that seems to have come from the 1970s blaxploitation genre, and altogether an assortment of people whose daytime jobs belie their off-hour penchants.
Dividing the non-linear story into three segments, each from a different character's point of view, "Go" at first shows us a dramatic incident in the life of a supermarket checker, Ronna (Sarah Polley), and then, by exhibiting the same actions from the viewpoints of the people with whom she comes in contact gradually allows us to see the whole picture. After his debut film "Swingers"--a hip update of "American Graffiti" with its entertaining look at single life in L.A.--Liman has come back with a better-developed, more mature black comedy with action that spills across the screen at a breakneck pace with ultra-contemporary, sharp dialogue.
The opening story, which unfolds in a more involving style than the subsequent pair, centers on young Ronna (Sarah Polley), a supermarket checker who needs $300 fast to avoid eviction on the following day. Bypassing the usual drug channels, she contacts drug dealer Todd Gaines (Timothy Olyphant) and buys 20 hits of ecstasy for two customers, Adam (Scott Wolf) and Zack (Jay Mohr). Taking the bottle to her client's apartment, she senses that she is being entrapped by a police officer, Burke (William Fichtner), and takes rapid action to escape.
In the second segment, which involves Ronna's co-worker Simon (Desmond Askew), Simon and his friend Marcus (Taye Diggs) get into hot water while enjoying a lap dance in a Vegas topless bar, while in the final segment, the most awkwardly paced letdown, Zack, his actor friend Adam, and police officer Burke are working out a deal to get the young men off the hook for drug dealing only to find out that the older cop and his wife are even more adventurous and kinky than they.
Liman must have had barrels of fun shooting this thoroughly contemporary tale of mayhem and escapades. Taye Diggs stands out as Simon's friend in Vegas, where he is twice mistaken for an employee--first by a man using the bathroom who tips him for being handed a towel, then by a guy who hands him keys to park his sports car.
"Go" is loaded with all the surprises that a viewer should rightfully expect from a film with Tarantino earmarks and is highlighted by a sharp performance from Sarah Polley--who wowed the Academy and the public as a vindictive teen in Atom Egoyan's arty "The Sweet Hereafter." There isn't a mediocre piece of ensemble acting here, as Jay Mohr more than redeems himself after suffering through the torpid New Year's Eve embodied in "200 Cigarettes."
Next time you see those innocent young women pushing those frozen peas through the laser beam in the neighborhood supermarket or the kindly, nice looking fella lounging lazily in the coffee shop, you'll be able to imagine the far more potent lives they lead to compensate for the hours of mere existence. The ubiquitous posters advertising the film do not do credit to the comely Sarah Polley, nor do they justice to the zaniness that assails these buddies in this crackling good story.
Rated R. Running Time: 120 minutes. (C) 1999 Harvey Karten
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


ipa-rmkeytab
Section: FreeIPA Manual Pages (1)Updated: Oct 30 2009
Index Return to Main Contents
NAME
ipa-rmkeytab - Remove a kerberos principal from a keytabSYNOPSIS
ipa-rmkeytab [ -p principal-name ] [ -k keytab-file ] [ -r realm ] [ -d ]DESCRIPTION
Removes a kerberos principal from a keytab.Kerberos keytabs are used for services (like sshd) to perform kerberos authentication. A keytab is a file with one or more secrets (or keys) for a kerberos principal.
A kerberos service principal is a kerberos identity that can be used for authentication. Service principals contain the name of the service, the hostname of the server, and the realm name.
ipa-rmkeytab provides two ways to remove principals. A specific principal can be removed or all principals for all principals for a given realm can be removed.
All encryption types and versions of a principal are removed.
The realm may be included when removing a specific principal but it is not required.
NOTE: removing a principal from the keytab does not affect the Kerberos principal stored in the IPA server. It merely removes the entry from the local keytab.
OPTIONS
- -p principal-name
- The non-realm part of the full principal name.
- -k keytab-file
- The keytab file to append the principal(s) from.
- -r realm
- A realm to remove all principals for.
- -d
- Debug mode. Additional information is displayed.
EXAMPLES
Remove the NFS service principal on the host foo.example.com from /tmp/nfs.keytab.
# ipa-rmkeytab -p nfs/foo.example.com -k /tmp/nfs.keytab
Remove the ldap service principal on the host foo.example.com from /etc/krb5.keytab.
# ipa-rmkeytab -p ldap/foo.example.com -k /etc/krb5.keytab
Remove all principals for the realm EXAMPLE.COM.
# ipa-rmkeytab -r EXAMPLE.COM -k /etc/krb5.keytab
EXIT STATUS
The exit status is 0 on success, nonzero on error.1 Kerberos initialization failed
2 Memory allocation error
3 Unable to open keytab
4 Unable to parse the principal name
5 Principal name or realm not found in keytab
6 Unable to remove principal from keytab
Index
This document was created by man2html, using the manual pages.
Time: 05:29:05 GMT, December 24, 2015


In order to help facilitate learning hashdump maintains a list of books that can be "checked out" by contacting the person holding the book. The logistics will then be handled by the owner of the book. Green is checked in and red is checked out.
| Book | Contact |
|---|---|
| Applied Cryptography by Bruce Schneier | president <at> hashdump.org |
| Book | Contact |
|---|---|
| Cryptonomiconi by Neal Stephenson | president <at> hashdump.org |


Modern Warfare’s latest patch takes another crack at getting footsteps to sound right
Follow Polygon online:
by Austen GoslinBalancing games isn’t easy, and Call of Duty: Modern Warfare has already had a slew of issues to work out. While the 725 shotgun, which was basically a sniper rifle when the game first released, has been the game’s most high-profile balance issue, the sound of footsteps have had almost as many changes over the last few weeks.
Players have been complaining about the fact that footsteps were too loud since the game’s release. While this may not sound like a big deal, it’s actually pretty damned important.
Footsteps are an important part of spatial awareness in Call of Duty games.  But if they’re too loud, they could drown out other important noises and completely ruin the chance for any stealth in the game.
Infinity Ward has been trying to get the footstep noises just right over the last several patches, but fans still aren’t quite happy. The latest patch, which Infinity Ward released on Friday morning, adjusts the volume and sound type for crouch walking and walking while aiming down sights.
Related
But it doesn’t seem like the patch will completely fix the problem. According to Call of Duty site, Charlie Intel the Battle.Net version of the patch notes briefly had a section with an internal note.
The note reads, “This is a hot topic in the community, and this is not the change that they were hoping to see. Our core players want to see footstep volume dramatically reduced.”
Infinity Ward has since removed the note, but it leaves a lot of questions for players. It’s clear that Infinity Ward has heard the complaints, and is intending to fix footsteps in one way or another. But whether or not the developer ever plans to fix footstep volume in the way that some players want remains to be seen.
For a look at all the changes coming to Modern Warfare in the game’s latest patch you can see the full notes below.
Call of Duty Modern Warfare update 1.09 11/22 patch notes
General
- Fix for a bug where a player could spawn without a character model when spawning in on a friendly vehicle
- Fixes for various exploits across all maps and modes
- Fix for an issue where copying an opposing players loadout was also copying their killstreaks
- Fix for the After-Action report not displaying newly acquired awards
- Fix for player rank icons not appearing on the scoreboard
- Shortened the amount of time an execution animation plays
- Accessibility: Added the option to Always Sprint
- Footsteps: Adjusted volume and sound type played for crouch walk and walking while Aiming Down Sights
- Dead Silence: Fix for the Dead Silence Field Upgrade not lasting the correct amount of time when CDL rules are enabled
- Fix for nameplates being visible in a certain location on Piccadilly
- Updates to the obituary (killfeed); removed “Avenged” and “Save Player”, play of the game owner, and player rank increases
- Fix for players being able to join a match even though they’ve been blocked
Private Match:
- Added the option to disable the spawn camera
- Fix for a bug where the ‘Starting Flags Captured’ private match option was not functioning as intended
- Fix for the bomb screen appearing blank when defusing or planting the bomb in Search and Destroy with Realism enabled. Added bomb carrier indicator.
Killstreaks:
- Fixed an issue where selected killstreaks would revert to the previous selection mid-match
- Fix where players using the Shield Turret killstreak could see through smoke at certain angles with the side panels of the turret
Call of Duty League
- Dead Silence: Fix for the Dead Silence Field Upgrade not lasting the correct amount of time when CDL rules are enabled
- Thermal scopes are now able to see through smoke grenades
- Added the option to disable the spawn camera
- Fixed an issue where the mount interaction prompt was disappearing when planting or diffusing the bomb in Search and Destroy
1 Life Mode Fixes:
- Fix for camera getting stuck on the death location when transitioning to spectate
- Fix for the weapon not animating when sprinting at the beginning of the round
Infantry Assault Vehicle:
- Reduced damage radius and lethality of the turret
Progression/Challenges/Missions Fixes:
- Cleaned up and updated descriptions for various challenges
- Officer Challenge: “Heads Up”
- “Destroy Vehicles with Launchers”
- “Doing Work”
- “Aggression”
- “Expert Gunsmith”
- “One Trick Pony”
Lethals/Tacticals:
- Fix for Decoy Grenade showing a red blinking light for both allies and enemies
- Slightly brightened the player outline when using the Snapshot Grenade
Single Player:
- Fix for a bug that could cause an error when selecting a mission
Perks:
- Spotter: perk was not marking equipment, Field Upgrades, or Killstreaks through walls in FFA. Fix for Spotter perk not marking UAVs and slightly brightened outlines
- E.O.D: Fix for players losing HUD elements after hacking an enemy claymore in certain scenarios
- Fix for the “Quick Fix” perk not giving faster regeneration when earning kills with the throwing knife.
- Fix for the “Amped” perk not stowing the Riot Shield as quickly as it should
Weapons
- Fix for rocket launcher camos not unlocking or tracking properly
- Fix for the Model 860 camos not unlocking or tracking properly
- FN SCAR 17: slight increase in ADS time, reduction to barrel and bipod grip penalties
- Fix for a white placeholder box appearing when leveling up a weapon and unlocking new attachments
- Added descriptions to all optics that have scope glint
- Fixed an issue where the P90 + FFS Ring Sight would create a scope glint
- Thermal scopes are now able to see through smoke grenades
- Fix for charms not appearing where they should on various weapons
Leaderboards/Combat Records:
- Fixed a bug where selecting “All” would sometimes kick the player back to the main menu
- Added CTF and Hardpoint into Combat Records
Audio: Voice chat options:
- No Effect – default voice chat. No additional effects or EQ adjustments
- Stealth Comms – Bring the immersion of the Campaign into Multiplayer with added SAS radio effects to voice chat
- Classic Chatter – Feeling nostalgic? Coordinate with your team using classic Modern Warfare radio effects
Special Operations:
- Added munitions drops! After various objectives, a care package will drop to provide you with much needed munitions!
- Various exploit fixes
- Fix for an issue where players could lose functionality after using the EMP Drone in Operation Crosswind
- Fix for crashes that occur when viewing the scoreboard from the match summary
Survival:
- Fix for enemies spawning out of bounds on Piccadilly
PC Changes
New Features:
- Added an option to hide Friend requests and Party Invitations
- Added support for additional keyboard layouts on PS4
Stability:
- Several fixes to prevent crashes and improve stability
General Fixes:
- Fixed an issue where the boot up sequence volume would be too loud
- Various keybinding adjustments
- Players are now able to back out of the Gesture and Spray Wheel by clicking anywhere
- More fixes to prevent hitching/stuttering during cutscenes
- Fixed an issue where the Main Menu music would not play when users activated the Skip Introduction Movie option
- Fix for an error that could occur when attempting to manage a party
- Multiple fixes for different Aspect Ratios on various menus/screens in the game
- Fix for a bug where the XP Token shortcut key would also open Nvidia Highlights feature simultaneously (Now on “F” key)
- Fix for a bug where some achievements would appear as completed even though they were


Hello my name is Mario Traina as you can tell from the title of this page. Sixteen years ago I started out in the working world as and apprentice electrician. After having completed a course in sound engineering with multiple internships and no sign of steady or paid work on the horizon, I had to start considering other options. The title electrician sounded meaningful and possibly dangerous and that was appealing to me at the time. besides, I do come from a family of construction workers and I was already somewhat mechanically inclined so it seemed like a good fit. Although I now had a steady job and was learning something new while getting paid, which is always nice of course, and I was grateful, it wasn't playing the guitar and writing music and thats where my passion has always been.
It was the year 2004 that I had finally formed a band with a childhood friend and some other guys we found through ads we had posted up in a rehersal studio on the South shore of Staten Island. This had marked the end of what seemed to be an eternity of frustrating attempts at failed auditions for other bands, and the beginning of a thirteen year long project that had sprouted a brotherhood amomg five strangers. This group of strangers would later become a band known as Woods of Arden.
We now had other musically like-minded people to collaborate with and share our unfinished ideas with, so we were ready to roll up our sleeves and make a name for ourselves. Like any new relationship, it was smooth sailing in the beginning, but that didnt last long. Though we certainly were not short on creativity and ideas, there looming in the background were five egos that had to make their place known, each one as stubborn as the next. Smooth sailing in calm water would turn out to be a perfect storm for some years to come. We had a lot of growing to do; arguments over arrangements of music would escalate into outright bar room brawling in the rehersal room. Around the studio we became known as "that troubled family down the block" who in one moment would be as close as siblings and in the next arch rivals. However, all of the confused and misdirected risidual adolescent anger would prove to be a catalyst that would shape our music and provide lyrical content for songs to come. It took some time, patience and commitment as do all friendships that thrive and flourish.
We went on to write and produce two records that took us around the country, played on mainstream radio stations and countless college and internet radio shows. We did live interviews on WPLJ in New York City and WDHA in New Jersey, played in every bar big and small, every rat hole and sewer from one end of the city to the other. We even sold out some of the bigger venues, including Webster Hall, Grammercy Theatre and Irving Plaza.
It has been an exciting ride and memorable experience, and I have to say juggling a full-time job and doing the music thing was not easy. For the last year and a half we have taken a break from playing live and returned to writing new music in the studio. Since then I have gone back to school for math, which I enjoy studying and even more recently turned my attention to web development.
I started out a few months ago on Codecademy fooling around with it and that turned into what seems to be more than just an idle interest. I find myself unable to move away from the computer once I get going. I feel like I'm learning a new language and at times it gets awfully confusing and frustrating, and when I actually do something purposefully, as trivial as it may be, the reward is compareable to a fully expressed piece of original music. My immediate goal now is to learn as much as I can in this field and make a career change from electrician to web developer, transitioning from one art form to another.


Went into this after Midnight Library(wow) and Reasons to stay alive(wow, again) but it left me disappointed. Most of it felt rehashed from Reasons to Stay Alive. And rest of it felt haphazard like blog posts knit together without flow. ...
It was way better than what I expected it to be. It gives guide posts which are basically mantras for wholehearted living. Talks about perfection, shame, vulnerability and many other things. Good read!
Very engaging read! Moving back and forth timelines was wonderful. If you run, you should read this. If you don't run, you should still read this and then you'll run!
I should have taken longer to finish this. I'll revisit it multiple times, so hopefully that makes up for this binge. If you ever feel unsettled , anxious and just panicky, read this. It is a book that everyone should keep near them. It ...
It has got everything. A thriller, a book about mental health, a story about ageing and a tale of just life happening to people. Heartwarming and feel goody. The narrator for the audible audiobook added an extra layer with her wonderful ...
A logically laid out compilation of all the tweets and podcasts from naval. The addition of visualizations was a great bonus. An engaging read with a wealth of varied wisdom.
So much information condensed in form of stories that have lessons with them. Guy Raz's soothing narration adds to the audiobook experience. Must listen/read, especially, if you like the How I Built This podcast.
Overall, a very motivating and well narrated(audible!) book. However, it does get a bit too extreme at times and might feel a drag. The good parts hit hard though and outnumber the bad ones. Worth a go!
Good decent book. Learnt the zettelkasten method. But drags on a bit. Can leave after reading half and getting an idea of what it is. Then learn by implementing it!


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These functions extend the functionality of dplyr::sample_n()
and
dplyr::slice_sample()
by allowing for repeated sampling of data.
This operation is especially helpful while creating sampling
distributions—see the examples below!
rep_sample_n(tbl, size, replace = FALSE, reps = 1, prob = NULL)
rep_slice_sample(
.data,
n = NULL,
prop = NULL,
replace = FALSE,
weight_by = NULL,
reps = 1
)
| tbl, .data | Data frame of population from which to sample. |
|---|---|
| size, n, prop |
|
| replace | Should samples be taken with replacement? |
| reps | Number of samples to take. |
| prob, weight_by | A vector of sampling weights for each of the rows in
|
A tibble of size reps * n
rows corresponding to reps
samples of size n
from .data
, grouped by replicate
.
rep_sample_n()
and rep_slice_sample()
are designed to behave similar to
their dplyr counterparts. As such, they have at least the following
differences:
In case replace = FALSE
having size
bigger than number of data rows in
rep_sample_n()
will give an error. In rep_slice_sample()
having such n
or prop > 1
will give warning and output sample size will be set to number
of rows in data.
Note that the dplyr::sample_n()
function has been superseded by
dplyr::slice_sample()
.
library(dplyr)
#>
#> Attaching package: ‘dplyr’
#> The following objects are masked from ‘package:stats’:
#>
#> filter, lag
#> The following objects are masked from ‘package:base’:
#>
#> intersect, setdiff, setequal, union
library(ggplot2)
library(tibble)
# take 1000 samples of size n = 50, without replacement
slices <- gss %>%
rep_slice_sample(n = 50, reps = 1000)
slices
#> # A tibble: 50,000 × 12
#> # Groups: replicate [1,000]
#> replicate year age sex college partyid hompop hours income class finrela
#> <int> <dbl> <dbl> <fct> <fct> <fct> <dbl> <dbl> <ord> <fct> <fct>
#> 1 1 1998 27 fema… no deg… rep 3 40 $1500… work… average
#> 2 1 2012 26 fema… no deg… ind 10 20 $2500… work… below …
#> 3 1 1996 54 male no deg… ind 4 30 $1500… work… below …
#> 4 1 1993 39 fema… no deg… ind 6 37 $2000… work… average
#> 5 1 2010 49 male degree ind 1 40 $2500… midd… average
#> 6 1 1991 27 fema… degree rep 1 50 $2500… midd… average
#> 7 1 1985 38 fema… no deg… dem 4 38 $8000… lowe… far be…
#> 8 1 2000 37 male no deg… dem 3 50 $2500… work… average
#> 9 1 2000 22 male no deg… ind 2 15 $4000… midd… average
#> 10 1 1998 45 male degree rep 1 50 $2500… midd… average
#> # … with 49,990 more rows, and 1 more variable: weight <dbl>
# compute the proportion of respondents with a college
# degree in each replicate
p_hats <- slices %>%
group_by(replicate) %>%
summarize(prop_college = mean(college == "degree"))
# plot sampling distribution
ggplot(p_hats, aes(x = prop_college)) +
geom_density() +
labs(
x = "p_hat", y = "Number of samples",
title = "Sampling distribution of p_hat"
)
# sampling with probability weights. Note probabilities are automatically
# renormalized to sum to 1
df <- tibble(
id = 1:5,
letter = factor(c("a", "b", "c", "d", "e"))
)
rep_slice_sample(df, n = 2, reps = 5, weight_by = c(.5, .4, .3, .2, .1))
#> # A tibble: 10 × 3
#> # Groups: replicate [5]
#> replicate id letter
#> <int> <int> <fct>
#> 1 1 1 a
#> 2 1 2 b
#> 3 2 1 a
#> 4 2 4 d
#> 5 3 1 a
#> 6 3 3 c
#> 7 4 2 b
#> 8 4 1 a
#> 9 5 1 a
#> 10 5 5 e


PDE3
A cyclic nucleotide phosphodiesterase subfamily that is inhibited by the binding of CYCLIC GMP to an allosteric domain found on the enzyme and through phosphorylation by regulatory kinases such as PROTEIN KINASE A and PROTEIN KINASE B. The two members of this family are referred to as type 3A, and type 3B, and are each product of a distinct gene. In addition multiple enzyme variants of each subtype can be produced due to multiple alternative mRNA splicing.
(mesh:D054684)
Cross-references
Synonyms
| Synonym |
Reference |
Specificity |
| phosphodiesterase 3 |
|
Exact
|
| PDE3 family |
|
Exact
|
| PDE3 |
|
Exact
|
| PDE 3 |
|
Exact
|
| Phosphodiesterase 3 |
|
Exact
|
| Phosphodiesterase-3 |
|
Exact
|
| phosphodiesterase-3 |
|
Exact
|
Incoming Relations
Outgoing Relations
| Relation |
Identifier |
Name |
| isa |
FPLX:PDE
|
PDE |


How getting a tattoo saved Swadlincote mum whose life was wrecked by tragedy
'I dread to think where I would be now if I'd not got that tattoo that day'
by Rhea TurnerA Swadlincote mum who fell to pieces after a "whirlwind" year has told how deciding to get a tattoo turned her life around.
Simply Needlecraft boss Ami James was a successful businesswoman when her life started to fall apart.
The 38-year-old, who has bipolar disorder, was left reeling when she broke up with her husband and her stepdad died from cancer.
Ami, said: "I was diagnosed with bipolar disorder 10 years ago. It doesn’t really affect me with mood swings like it does others but it gives me really bad anxiety.
"I have always been stable but a while ago I started to go downhill.
"I separated from my husband, had to move house and downsize and my stepdad passed away from cancer.
"It was a whirlwind year and my mind just ran away. It seemed like everything was going wrong, it was one thing after another."

She said: "I lost motivation and all confidence in my business and things got really bad.
"I just had to carry on because I have a son (Ben, 15) and I have no choice. You get up out of bed in the morning and do it all again but it was a struggle.
"I went from being someone who was quite ambitious to someone who started questioning everything.
"I was wondering whether I was good enough.
"It felt like things were stacking up on top of me and they couldn’t get any worse.
"I was becoming someone who was the polar opposite to what I am really like."
A major turning point came when Ami decided to get a tattoo, courtesy of Swadlincote artist Kevin Paul, in November last year.
Kevin has worked with major stars included Rihanna and Ed Sheeran and agreed to tattoo a key on Ami's foot to represent "opening new doors".
She said: "My life was changing, so I went for a new tattoo on a whim.
"I first met Kevin a couple of years ago when he did a tattoo for me.
"I spent five hours sitting in the chair. We got talking and he really helped me.
"He has had anxiety in the past so he knew where I was coming from and he just told me to look at what I have and what I have achieved.
"He taught me that things are much simpler than they seem. It was a breath of fresh air.
"Kevin made a big difference, because instead of looking at the bad things, he just focused on what I did have and he got straight to the point.
"Family and friends tried to make me feel better, but the pity from them just made me feel worse.
"I know they meant well, but I felt like I was worrying them which only made me feel worse."
Swadlincote Haberdashery Simply Needlecraft had to close last year as a result of Ami's problems.
"But she is now back to her old self and will reopen it in January.
She said: "I had a complete change of mind and since getting my tattoo and things are on the up.
"I have moved house and I am setting my business up in January.
"I have got my confidence back and I am starting to feel more like myself again.
"I am also teaching sewing around the country which is my passion.
"I dread to think where I would be now if I'd not got that tattoo that day. Kevin helped change my life."


Betweenness Centrality is determined by counting all of the shortest paths within a network that pass through a specific node - the more shortest paths they fall on, the higher their importance. This means it is useful for discovering persons of influence and collaborators, not necessarily leaders (e.g. chiefs of staff, couriers, PAs, advisers, etc.).


LITTLE NIKITA A film review by Peter Reiher Copyright 1988 Peter Reiher
One of the most frustrating experiences one is likely to have in a movie theater is to watch a good premise be ruined. Of all the films that get made in Hollywood (or anywhere else, for that matter), relatively few are based on an idea that's worth mentioning. Most are rehashings of films past -- sometimes well done, more often not. So when someone comes up with an idea that isn't totally familiar, you get your expectations up. If they're disappointed, you feel worse about the film than if it had been another rehash of the same old junk.
LITTLE NIKITA is a good case in point. The theme of the film is rich in possibilities: a typical American kid finds out that his parents are actually Soviet agents. A good writer could take this premise in a lot of interesting directions. We could see the film through the eyes of the kid, concentrating on his world coming down around him. It could be a mystery in which you aren't sure till the last minute whether or not the parents really are the agents. You could present the film from the point of view of the authorities tracking the enemy agents. You could even work from the point of view of the parents. But the most critical point is that you have to have a point of view, and that is precisely what LITTLE NIKITA lacks. The film never decides whose story is being told here, so it rapidly and repeatedly shifts gears. The result is that it never settles into any rhythm, and there is no consistent tone. We never find out whose story this is.
If lack of focus were LITTLE NIKITA's only problem, it might have been a flawed, but interesting, film. Unfortunately, its problems are legion. Richard Benjamin, who actually made a couple of good films early in his directing career, is utterly incompetent here. There is no suspense, no tension, no consistency even of style. He utterly botches the film's climax, which doesn't make much sense anyway. Cinematographer Laszlo Kovacs shoots what Benjamin asked him to well, but often the choice of what to shoot was badly mistaken.
Also, beyond problems in viewpoint, the script is a mess. The dialog is either poor or pointless. The plot makes little or no sense. The characters are dully constructed of cardboard. Several writers, including Bo Goldman, one of the most respected screenwriters in Hollywood, worked on this script. All I can guess is that they each threw some parts of the script out, and the producers mistakenly got hold of all the rejected material and pasted it together into the final form. As presented on the screen, the script is unbelievably amateurish and flimsy.
The acting does little to help. Sidney Poitier showed why he had been a major star in SHOOT TO KILL. Here, he shows why he retired. Poitier flounders in the rotten part of an FBI agent trying to capture a renegade Soviet agent. One moment he's the dedicated cop, the next he's playful and lighthearted. He can't seem to decide whether he's doing IN THE HEAT OF THE NIGHT or UPTOWN SATURDAY NIGHT. Poitier plays each scene as if he had never seen any other scene in the script, including those that were chronologically earlier. Poitier is lucky that SHOOT TO KILL came out before LITTLE NIKITA, as the earlier success will likely cause people to forget this fiasco.
River Phoenix has nothing worthwhile to contribute to the part of the boy. Of course, the script gives him little to work with, and Phoenix has been very good in better parts, so his flounderings can probably be blamed mostly on writing and direction. Richard Bradford plays a Soviet agent as if he were giving examples of overused spy cliches. Richard Lynch, as the renegade, adds yet another indistinguishable sadist part to his credits. No real motivation is given for his character, so he can probably be forgiven for repeated what he's done often before. None of the other cast members does anything worthy of mention.
LITTLE NIKITA could have been so much more than it is. The realities of Hollywood probably would have prevented it from being anything other than an action/suspense movie, but it could have been a good one. (Just imagine what Alfred Hitchcock would have done with it.) Instead, LITTLE NIKITA is a waste of a couple of talented actors and an excellent idea. It is utterly forgettable.
Peter Reiher<EMAIL_ADDRESS>. . . cit-vax!elroy!jplpub1!jade!reiher
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
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Related links: index of all rec.arts.movies.reviews reviews


BIG header
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RIPA formed an advisory board comprised of community stakeholders and academic researchers. Each year the board analyzes stop data and releases reports on disparities in policing, which are then used by communities around the state to advocate for changes in both funding and accountability measures for police. As a result of the data, cities like Berkeley, Oakland, San Diego, and Los Angeles have started taking steps towards significant changes to police practices.
in-context


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Class: Guard::Yamlsort::FileSorter
- Inherits:
-
Object
- Object
- Guard::Yamlsort::FileSorter
- Defined in:
- lib/guard/yamlsort/file_sorter.rb
Instance Attribute Summary (collapse)
-
- (Object) yaml
Returns the value of attribute yaml.
Class Method Summary (collapse)
-
+ (Object) sort(obj)
Recursively sorts any hash it's given by key using Array#sort.
Instance Method Summary (collapse)
-
- (FileSorter) initialize(path, start_on_init = true)
constructor
Initialized with the path of the YAML file we want to sort.
-
- (Object) load_yaml
Load the YAML file contents into @yaml and store the comments in @comments.
-
- (Object) sort_yaml
Recursively sort the contents of @yaml.
-
- (Object) write_yaml
Sorts the hash alphabetically by it's keys and then writes the original comments plus the sorted hash to the same path in a valid YAML file.
Constructor Details
- (FileSorter) initialize(path, start_on_init = true)
Initialized with the path of the YAML file we want to sort. It automatically loads the file, stores any comments in memory, and then starts sorting unless otherwise specified with the start_on_init parameter. If no parameters are passed a Generic
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# File 'lib/guard/yamlsort/file_sorter.rb', line 14 def initialize(path, start_on_init = true) @path = path @comments = [] load_yaml sort_yaml write_yaml end |
Instance Attribute Details
- (Object) yaml
Returns the value of attribute yaml
5 6 7 |
# File 'lib/guard/yamlsort/file_sorter.rb', line 5 def yaml @yaml end |
Class Method Details
+ (Object) sort(obj)
Recursively sorts any hash it's given by key using Array#sort
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# File 'lib/guard/yamlsort/file_sorter.rb', line 51 def self.sort(obj) if obj.is_a? Hash sorted = {} obj.keys.sort.each { |k| sorted[k] = sort(obj[k]) } sorted else return obj end end |
Instance Method Details
- (Object) load_yaml
Load the YAML file contents into @yaml and store the comments in @comments
23 24 25 26 27 28 29 30 31 |
# File 'lib/guard/yamlsort/file_sorter.rb', line 23 def load_yaml self.yaml= File.open(@path, "r") do |f| contents = f.read contents.split("\n").each do |line| @comments.push(line) if line[0] == '#' end YAML.load(contents) end end |
- (Object) sort_yaml
Recursively sort the contents of @yaml
34 35 36 |
# File 'lib/guard/yamlsort/file_sorter.rb', line 34 def sort_yaml self.yaml= self.class.sort(yaml) end |
- (Object) write_yaml
Sorts the hash alphabetically by it's keys and then writes the original comments plus the sorted hash to the same path in a valid YAML file.
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# File 'lib/guard/yamlsort/file_sorter.rb', line 40 def write_yaml File.open(@path, "w") do |f| if<EMAIL_ADDRESS>f.write @comments.join("\n") f.write("\n") end f.write YAML.dump(yaml) end end |


Best Huawei Android smartphones in South Africa
by Staff WriterHuawei has a wide range of smartphones in South Africa, catering to multiple market segments.
This includes mid-range devices like the Huawei Y7, up to the flagship Huawei P30 Pro.
Huawei has shown excellent growth in the smartphone segment globally and recently reported that it has shipped over 200 million phones in 2019.
Locally, Huawei’s South African market share was 37.9% for smartphones priced at $100 or above as of August 2019.
The next step, Huawei said, is to overtake Samsung in South Africa in terms of smartphone dominance.
Android-supported smartphones
This may seem a difficult task, as Huawei faces the fallout of the US and China’s “trade war”.
This resulted in the US forcing Google to limit Huawei’s access to Android – and the subsequent concern from consumers that Huawei smartphones “do not support Android”.
Huawei has a wide range of devices on offer in South Africa which fully support Android and will continue to enjoy Android support going forward.
These devices are detailed below.
Huawei Nova 5T
- Supports: Android 10
- Price: R12,499
Huawei P30 Pro
- Supports: Android 10
- Price: R14,199
Huawei P30
- Supports: Android 10
- Price: R10,499
Huawei P30 Lite
- Supports: Android 9.0
- Price: R5,499
Huawei Y9 Prime 2019
- Supports: Android 9.0
- Price: R4,699
Huawei Y7 2019
- Supports: Android 8.0
- Price: R2,999
Huawei Y6 2019
- Supports: Android 9.0
- Price: R2,499
Huawei P Smart 2019
- Supports: Android 9.0
- Price: R5,999


---
layout: null
section-type: about
title: About
---
## About
I am Jay, as in Jayant.
My last name is pronounced **Per** - **Choo** - **Ray**
My previous work has been eclectic- From writing a Twitter account manager , to a web app for musicians to create and share music à la Google Drive, to writing a Tableau Web Connector for the Arlington cemetery .
Currently, I work as a Data Analyst for ACT where I started off developing data visualizations using Tableau and d3.
I transitioned to a new role recently where I'll be working on applying Machine Learning techniques to problems in the education domain.
I can write Python, JavaScript, R, Ruby and Java, in decreasing order of confidence.
Outside work, I helped incubate GDG Indore , tried to maintain a personal blog thrice with varying degrees of success, and featured on National Television .
I have also done some small consulting gigs for companies in the Iowa City area.
The proudest moment of my professional life was discovering a bug in a three year old Tableau API.
If you are a recruiter, take this copy of my resume , and head to the FAQ section.


Today's thrilling advent calendar picture shows what happened next in the as yet unwritten adventures of the men with whisks and celery. As you can see, the whisks have been discarded, as has the celery, and our trio of doughty ne'er-do-wells are engaged upon a perilous subaquatic mission, pursued by giant jellyfish (actual size).
Picture from Surf : Karmic Voyager


SINGLE WHITE FEMALE A film review by Ken Johnson Copyright 1992 Ken Johnson
110 min., R, Suspense, 1992 Director: Barbet Schroeder Cast: Jennifer Jason Leigh, Bridget Fonda, Steven Weber, Peter Friedman, Stephen Tobolowski
Bridget Fonda catches her fiance Steven Weber cheating on her with his ex-wife and kicks him out of her house. To avoid being lonely, she puts an advertisement for a roommate in the paper. Fonda picks Jennifer Jason Leigh, a seemingly quiet girl, to be her new roommate. Fonda finds out later on that Leigh might not be the person that Fonda thought Leigh was.
This is a great suspense film that is definitely worth the ticket price. The one major problem with the film is that it seems to be a rip off of THE HAND THAT ROCKS THE CRADLE. It just seems to me that the plots are relatively close and that maybe somebody should have tried to make this film a little more original. Both films have a psychopathic girl who is trying to take control of the people in their lives (for different reasons) and are willing to kill to get what they want. Then again, this is the basic plot line for all the movies in this genre. SINGLE WHITE FEMALE is rated R for female nudity, adult situations, violence, and explicit language. On a scale of zero to five, I give SINGLE WHITE FEMALE a five.
The film moves along smoothly as it progresses. It doesn't suddenly jerk into a new situation. It slowly builds to it, which adds suspense. I feel that anybody who enjoyed THE HAND THAT ROCKS THE CRADLE will most likely enjoy this film. The actresses are great. Jennifer Jason Leigh has definitely raised herself above the FAST TIMES AT RIDGEMONT HIGH level with her current films, RUSH, LAST EXIT TO BROOKLYN, and SINGLE WHITE FEMALE. Bridget Fonda, the daughter of Jane Fonda I believe, also does a great job. The only male in this film that I think gives a great performance is Stephen Tobolowski, who plays Fonda's scummy boss. The other two males, Steven Weber, and Peter Friedman who plays Fonda's good friend, both did passable performances. Fortunately their poor performances didn't hurt the film too much and the film is still great to watch.
There isn't really too much to say about this film, other than the fact that it is a great film and I highly recommend that you don't miss it. I think the film will be much more spectacular on the big screen than on video tape, so I suggest going to the theater to see it if possible.
Ken J<EMAIL_ADDRESS>.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


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