POS tags
| Open class words | Closed class words | Other |
|---|---|---|
| ADJ | ADP | PUNCT |
| ADV | AUX | SYM |
| INTJ | CCONJ | X |
| NOUN | DET | |
| PROPN | NUM | |
| VERB | PART | |
| PRON | ||
| SCONJ |
ADJ
: adjective
Definition
Adjectives are words that typically modify nouns and specify their properties or attributes. They may also function as predicates as in Suvi on soe ‘The summer is warm’.

Attributive or predicative participles, e.g. valvav mees ‘guarding man’, valvatav mees ‘man who is guarded’ möödunud nädal ‘last week’, lõhutud vaas ‘broken vase’ also get the ADJ label.
ADP
: adposition
Definition
Adposition is a cover term for prepositions, e.g. üle ‘over’ and postpositions e.g. alla ‘under’, peale ‘on’, both present in Estonian.
Several adpositions can also function as adverbs or verbal particles in particle verbs, e.g. alla andma ‘surrender, lit. ‘give under’, they are tagged as adverbs ADV.
ADV
: adverb
Definition
Adverbs are words that typically modify verbs for such categories as time, place, direction or manner. They may also modify adjectives and other adverbs, as in väga hea ‘very good’ or väga hästi ‘very well’.
Pronominal adverbs, e.g. siin ‘here’, seal ‘there’, siis ‘then’, millal ‘when’ , nii ‘so’ are tagged as adverbs in the current version of Estonian UD.
Some adverbs may also function as verbal particles in Estonian, they are still tagged ADV and not PART, e.g. välja mõtlema ‘contrive’, lit. ‘think out’.
AUX
: auxiliary verb
Definition
An auxiliary verb is a verb that accompanies the lexical verb of a verb phrase and expresses grammatical distinctions not carried by the lexical verb, such as person, number, tense, mood and voice.
In Estonian UD, auxiliaries are:
olema ‘be’ and in rare occasions saama ‘get’ are auxiliaries that form periphrastic tense forms;
modal verbs are võima, tohtima ‘may’, saama ‘can’, pidama ‘must’, näima ‘seem’, paistma ‘seem’, tunduma ‘seem’;
ei and ära ‘not’ in negative verb forms.
CCONJ
: coordinating conjunction
Definition
A coordinating conjunction is a word that links words or larger constituents without syntactically subordinating one to the other and expresses a semantic relationship between them.
The following words are annotated as coordinated conjunctions CONJ
in Estonian UD: aga “but”, ega “nor”, ehk “or”, elik “or”, ent “but”, ja “and”, kui “if, when”, kuid “but”, kuni “until”, ning “and”, vaid “but” või “or”.
For subordinating conjunctions, see u-dep/sconj.
DET
: determiner
POS-tag DET
is not used in Estonian UD.
INTJ
: interjection
Definition
An interjection is a word that is used most often as an exclamation or part of an exclamation.
In Estonian UD also onomatopoetic words like kõmm ‘bang’ are tagged as INTJ
.
NOUN
: noun
Definition
Nouns are a part of speech typically denoting a person, place, thing, animal or idea.
The postag NOUN
is used only for tagging for common nouns.
Proper nouns are annotated as PROPN
and pronouns as PRON
.
NUM
: numeral
Definition
A numeral is a word that expresses a number and a relation to the number, such as quantity, sequence, frequency or fraction.
Both cardinal and ordinal numerals get the postag NUM
. Also words like paar “pair”, paarsada “about twenty”, paarkümmend “about two hundred” etc, tosin “dozen” are labelled as NUM
.
PART
: particle
postag PART
is not used in the current version of Estonian UD
PRON
: pronoun
Definition
Pronouns are words that substitute for nouns
u-dep/u/pos/noun or noun phrases, whose meaning is recoverable from the linguistic or extralinguistic context.
Words that substitute for adjectives
u-dep/u/pos/adj (proadjectives) are also tagged as PRON in Estonian UD v 1.3.
Examples:
Demonstrative pronouns: see “this”, too “that”, üks “one, indefinite article-like usages”, esimene “first, this”, teine “second, that”, igaüks “everyone” etc.
Personal pronouns: mina (short form ma) “I”, sina (short form sa) “you”, tema (short form ta) “s/he”. For plural personal pronouns meie (me) “we”, teie (te) “you”, nemad (nad) “they”, the singular form serves as lemma.
Personal reflexive pronouns: oma, ise, omaenese, iseenese “self, oneself”.
Interrogative-relative pronouns: kes “who”, mis “what”.
Indefinite pronouns: keegi “somebody, anybody”, miski “something, anything” etc.
Totality pronouns: kõik “all, everybody”.
Reciprocal pronouns: teineteise “one another, each other”.
Possessive pronouns: oma, enese “self, oneself”.
PROPN
: proper noun
Definition
A proper noun is a noun (or nominal content word) that is the name (or part of the name) of a specific individual, place, or object.
Acronyms of proper nouns, such as NATO, are tagged as abbreviated nouns NOUN Abbr=Yes
in Estonian UD v 1.3.
PUNCT
: punctuation
Definition
Punctuation marks are non-alphabetical characters and character groups used to delimit linguistic units in printed text.
SCONJ
: subordinating conjunction
Definition
A subordinating conjunction is a conjunction that links constructions by making one of them a constituent of the other.
Examples:
et “that” (complementizer),
sest, kuna “because”,
kui “if, when”,
nagu, justkui, otsekui “like, as if”,
kuigi, ehkki, olgugi “although”,
kuni “until”.
SYM
: symbol
Definition
A symbol is a word-like entity that differs from ordinary words by form, function, or both.
Mail and web addresses are also tagged also SYM.
Examples:
§, %, +, =, 11°, 25°53’
info.euroopaliikumine.ee
VERB
: verb
Definition
A verb typically signals events and actions; it can constitute a minimal predicate in a clause.
Verbs in Estonian associate with grammatical categories like person, number, tense, mood and voice.
The verb tag in Estonian UD v 1.3 does not cover auxiliaries AUX
.
Auxiliaries are:
olema “be” and in rare occasions saama “get” are auxiliaries that form periphrastic tense forms;
modal verbs are võima, tohtima “may”, saama “can”, pidama “must”, näima, paistma, tunduma “seem”;
ei and ära “not” in negative verb forms.
Participles are word forms that share properties and usage of adjectives and verbs. Depending on their syntactic function they are tagged as VERB
or ADJ
in Estonian UD.
Gerunds and infinitives are tagged as VERB
, except for grammatized word-forms.
X
: other
Definition
The tag X is used for words that for some reason cannot be assigned a real part-of-speech category.
In Estonian UD v 1.3 foreign words are tagged as X
. However, „fresh” loanwords that are part of an Estonian sentence, are not X
but are tagged according to their word class.
Examples
In the following sentence, the wordforms you, know, what, I, mean are tagged as X
:
Viimane pole küll mingi eriline näitaja, kuid … you know what I mean.


Bala box office collection Day 14: Ayushmann Khurrana film earns Rs 97 crore so far; close to Rs 100 crore mark
by BusinessToday.InBala box office collection Day 14: The film which released on November 8 collected Rs 10.15 crore on its opening day, Rs 43.95 crore on its opening weekend and Rs 72.24 crore at the end of its first week
Ayushmann Khurrana-starrer Bala has earned Rs 97 crore so far and is inching towards the Rs 100 crore mark. The film which released on November 8 collected Rs 10.15 crore on its opening day, Rs 43.95 crore on its opening weekend and Rs 72.24 crore at the end of its first week, according to Bollywood Hungama.
Bala which had made Rs 95.04 crore at the box office till Tuesday (Day12), raked in another Rs 2 crore on Wednesday (Day 13). According to trade analysts' estimates, the film is highly likely to enter the Rs 100 crore club by Thursday (Day 14), the figures are expected on Friday.
Also Read:Bala box office collection Day 13: Ayushmann Khurrana's film a step away from Rs 100 crore
If Bala manages to achieve this feat, it would be Ayushmann Khurrana's second film to complete a century in 2019 after his September-release Dream Girl.
Dream Girl is the Ayushmann Khurrana's highest grosser till now with a lifetime run of Rs 142.26 crore.
Written by Niren Bhatt, Bala tells the story of a young man (played by Ayushmann Khurrana) who is struggling with his receding hairline. Yami Gautam plays the role of a small-town TikTok star. The film also features Bhumi Pednekar, Seema Pahwa, Manoj Pahwa, Saurabh Shukla and Abhishek Banerjee in significant roles.
Also read: Bala box office collection Day 12: Ayushmann Khurrana's film earns Rs 95 crore
Bala marks the third collaboration between Ayushmann Khurrana and Bhumi Pednekar after Dum Laga Ke Haisha (2015) and Shubh Mangal Saavdhan (2017). It also marks the second collaboration between Ayushmann Khurrana and Yami Gautam after Vicky Donor (2012).
Bala was released on November 8 in 3,000 screens in India and over 550 screens overseas.


‘Destiny 2’ Is Still Down, But A Fix Is Incoming
by Erik KainDestiny and Destiny 2 remain down Friday evening after an entire day of server issues and outages.The servers went down early this morning a little after 7 am ET and players have been reporting issues logging into the game ever since. Players across all platforms, from PC to Stadia to consoles have faced issues with the game Friday.
There is good news, however!
Bungie has identified the problem and taken the games offline completely in an effort to implement a fix. They have not shared what the problem is, however–it could be a DDOS attack or something else entirely.
Bungie says that it will slowly add players into queues in order to not overload the servers once the game is back online. They’re targeting 7 pm PT.
Bungie’s support Twitter reported that they’d identified the problem just about an hour ago:
They tweeted the 7 pm PT target time half an hour later:
We’ll keep a close eye on the status of Destiny and Destiny 2 this evening and see if they actually do come back online, or whether the problem extends indefinitely. Cross your fingers.


Hannah Miltenberger
I am a Fullstack Bootcamp Coding student. I like to do yoga and run and I also like movies and art.


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---
layout: default
title: Sitespeed.io - Release notes 1.4
description: Sitespeed.io 1.4 is now released with median values on the summary page, a new rule checking if you use to much javascript and lots of small changes.
author: Peter Hedenskog
keywords: sitespeed.io, release, release-notes, 1.4
nav:
image: http://sitespeed.io/img/sitespeed-1.4-twitter.gif
twitterdescription: The new release contains with median values on the summary page, a new rule checking if you use to much javascript, the amount of js, css, images & css images on each individual page and lots of small changes.
---
Sitespeed 1.4 was released the 5th of December 2012. The main goal with the release was to add median values for all statistics on the summary page (before only average values was displayed). This is what's done in this release:
-
Median values
Median values are now shown for all statistics on the summary page (shows both average & median).
-
Too much javascript?
The amount of javascript on each page are calculated and compared with the amount of textual content, to make it visible how much javascript that is used.
-
Too much js & css?
The size of javasscript and css on each individual page are compared to the textual content, in order to get a feel of how much js & css you use.
-
Total weight on page
Added image, css, js and css image total weight in kb on the indivdual page summary.
And these minor ones:
- Changed the limit value for doc size on the summary page, was 10 kb but gzip is not taken inconcideration, changed to 100 kb!
- Concatenating css & js files in the results to one file each.
- Made Java heap size & result directory configurable from the sitespeed script. Read more here and here.
- Cleanup of the sitespeed.io script, removed unused code and made a structure easier to maintain.
- You can now zip the output result files by passing a parameter to the script. Read exactly how you do it here.
- Upgraded to latest crawler & xml-velocity jar.
- Upgraded jQuery from 1.8.2 to 1.8.3
Also the documentation has been reworked.
See the changelog for changes done in the past.


Trips
- 10/23/2017 - 10/28/2017, OOPSLA 2017, Vancouver, Canada
- 05/20/2017 - 05/27/2017, ICSE 2017, Buenos Aires, Argentina [report] [photos]
- 09/06/2016 - 09/10/2016, SAS 2016, Edinburgh, Scotland [report] [photos]
- 06/13/2016 - 06/20/2016, PLDI 2016, Santa Barbara, USA [report] [photos]
- 11/29/2015 - 12/02/2015, APLAS 2015, Pohang, Korea
- 11/17/2014 - 11/19/2014, APLAS 2014, Singapore [report]
- 06/08/2014 - 06/15/2014, PLDI 2014, Edinburgh, Scotland [report] [photos]
- 01/20/2013 - 01/26/2013, POPL 2013, Rome, Italy [report] [photos]
- 06/10/2012 - 06/17/2012, PDLI 2012, Beijing, China [report] [photos]
- 09/01/2011 - 02/19/2012, HKUST, Hong Kong, China [report]


--- layout: page title: About header-img: "img/about-bg.png" ---
Career manufacturing engineer and program manager reorienting to become a software developer.


Review: The Red Shoes at Theatre Royal Plymouth
The drama is rich but there is also fun to be had
by David MarstonIt was only three years ago this very week that award winning director Matthew Bourne launched this mesmerizing production on the world. That too was in Plymouth, prior to a national and international tour.
Now it is back, prior to a Christmas season at Saddlers Wells, with Ashley Shaw reprising her role as the emotionally fragile, perfectionist dancer and Royal Ballet legend Adam Cooper (the original swan in Bourne’s Swan Lake) taking on the role of imperious impresario Boris Lemontov. And audience members were on their feet at the end, giving a rousing reception to this revival.
It is a story of obsession and art and it helps to be familiar with the Han Christian Anderson morality tale of the vain girl whose red dancing shoes won’t let her stop dancing.
But crucial to this dance version is the iconic 1948 Michael Powell and Emeric Pressburger (cor) film of the same name. Bourne follows in their steps, telling a story within a story: A ballet company is staging a ballet of The Red Shoes; the leading lady is injured; a chorus girl takes the role and becomes a star – you know the sort of thing.
Victoria Page (Shaw) is the talented young dancer who falls in love with a struggling composer. But the dictatorial impresario who leads the company believes there is no room for love and human relationships – they detract from your art.
Shaw captures perfectly the dilemma of the increasingly fragile young woman who is torn between following her heart or her art.
The drama is rich but there is also fun to be had with the rest of the dance company as they frolic off duty in Monte Carlo or play out their relationships during back stage scenes.
The luscious music is from Hollywood golden age composer Bernard Hermann – and high praise is due to designer Lez Brotherston, Bourne’s regular collaborator, who constantly delights the eye with his sets which move seamlessly from front to back stage and or from cheap bedsit to grand salon.
We have already had the thrill of Bourne’s new Romeo and Juliet this year. Lets hope the wonderful spring of his inspiration is still flowing with ideas for his next project – and that we get the chance to see it first.
The Red Shoes is running Until November 23.
For tickets click here


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Xorien's Lair is licensed under the MIT License, as displayed below.
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Permission is hereby granted, free of charge, to any person obtaining a copy
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LIABILITY, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING FROM,
OUT OF OR IN CONNECTION WITH THE SOFTWARE OR THE USE OR OTHER DEALINGS IN THE
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The source code for Xorien's Lair can be found on GitHub.


WWE newcomer says he could flatten Brock Lesnar in 30 seconds in a real fight
by Danny HartSince appearing on WWE programming for the first time in October, Tyson Fury has made no secret of his desire to face Brock Lesnar one day.
The heavyweight boxer told Sportskeeda’s Gary Cassidy ahead of his battle against Braun Strowman at Crown Jewel that he has no plans to compete in another WWE match until after he has fought Deontay Wilder in February 2020, but “The Beast” would be his preferred opponent if he returns to the squared circle.
Speaking on the True Geordie podcast, Fury followed up his comments about Lesnar by claiming he has the ability to defeat the WWE Champion in just 30 seconds, regardless of whether they meet in a WWE ring or a UFC octagon.
“I watched a few of his [UFC] fights, for sure. Pretty handy but I could flatten him in seconds. In a WWE match or in a proper fight, I could flatten Brock Lesnar in thirty seconds.”
You can watch the Lesnar conversation from the 30:00 mark of the video below.
What’s next for Brock Lesnar?
While Tyson Fury prepares to face Deontay Wilder, it is unclear what lies ahead for Brock Lesnar following his victory over Rey Mysterio in a No Holds Barred match at Survivor Series.
The WWE Champion is being advertised for the episode of RAW after Survivor Series, so it might not be long before his next WWE opponent is revealed.
Now you can rate Survivor Series, RAW, SmackDown and NXT matches on Sportskeeda !


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MOTHER
A film review by Walter Frith
Copyright 1997 Walter Frith
Albert Brooks is a successful and respected entertainer for two reasons. One, he is a great example of the ordinary guy in just about every movie he does which most of us can relate to and two, his writing has a biting sensation of reality and often a radical perception of reality many refuse to face. 'Lost in America' (1985), 'Broadcast News' (1987) and 'Defending Your Life' (1991) are all examples of Brooks' talent both diverse and highly entertaining. 'Defending Your Life' was a fantasy but I can picture many people believing what the afterlife might be the same way Brooks portrayed it in that movie. Debbie Reynolds is 'Mother.' Her two sons played by Albert Brooks and Rob Morrow are respectable, hard working men but mother has favoured her sports agent son, Morrow over Brooks who is a writer of glib science fiction. A wonderful wife and two kids is a great bonus for Morrow while Brooks being twice divorced doesn't sit well with his family. Brooks drives from Los Angeles to San Francisco and moves back in with mother and his reason is that it's an 'experiment' to see if he can somehow figure out his relationship with his mother then maybe he can finally adjust to finding the right mate and finally adjust to women in all aspects of his life. This movie is filled with situations that will almost certainly make a lot of men say "Hey, I've had that experience with my mother!" or "Wow, I can't believe how this movie details the little things that cause friction in a relationship!" It's a dark and humourous and pain stakingly detailed screenplay co-written by Brooks and directed by the man himself. Mother is one of the most realistic slices of life I've ever seen and I related to it better than most movies I saw in 1996 and Debbie Reynolds is terrific as the mother who offers love, advice and compassion in an unorthodox and least obvious way towards her sons. Albert Brooks is a treat as always and this gem of a movie is certain to become another buried treasure which will probably find a huge following on home video as its theatre release has been limited. For everyone that's ever had a mother, don't miss this one!
OUT OF 5> * * * *
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rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Related links: index of all rec.arts.movies.reviews reviews


As you know, algorithms are language-independent, meaning that the same algorithm can be implemented in different programming languages. Since your goal is to learn Python, we will consider how to implement basic algorithms using this language and its features.
Python has many libraries that provide ready-to-use functions for various problems. Algorithms are not an exception. You can find most of the widely-used algorithms in the Python standard library or in the external packages. Usually, an algorithm is a standalone function that may either be implemented directly in Python or represent a wrapper that calls a function written in another programming language.
Python standard library contains such functions as sorted
, min
, max
, which represent algorithms for sorting and finding the minimum/maximum values in a collection of elements. There are also modules that unite the algorithms of one subject area, for example:
math
is a module with mathematical algorithms. For example, math.sqrt
is an algorithm that calculates the square root of a number. collections
is a module that extends and improves the functionality of standard collections such as list
or tuple
. An example is collections.deque
, an efficient implementation of a double-ended queue data structure.Although most standard algorithms are already present in libraries and packages, we will learn to implement some of them ourselves. This will help you practice your Python skills and understand how these algorithms work under the hood.
Let's implement a simple algorithm in Python and consider some typical problems that arise during the process. Below is an algorithm that finds the index of the maximum element in a list of numbers:
def indexof_max(numbers):
index = 0
for i in range(1, len(numbers)):
if numbers[i] > numbers[index]:
index = i
return index
The indexof_max
function takes a list of numbers as an input and returns the index of the maximum element in this list. The algorithm works as follows:
index
with zero indicating that the element with this index is a candidate to be the maximum.The function above can be invoked as follows:
numbers = [2, 3, 5, 1, 2, 0, 4]
index = indexof_max(numbers)
print(index) # 2
Here, we create a list of integers and apply the described function. The maximum element is equal to $5$ and its index is $2$.
Let's try to use lists of other sizes:
numbers = [7, 9, 5]
index = indexof_max(numbers)
print(index) # 1
Here, the list numbers
consist of three elements. The index of the maximum element is $1$. Below is how the function works for a list consisting of a single element:
numbers = [7]
index = indexof_max(numbers)
print(index) # 0
Looks like the function works well for the above lists. Now, let's try to answer the following questions:
Let's go through these questions one by one.
First, the function finds the index of the first maximum element in a list:
numbers = [3, 1, 9, 9, 2]
index = indexof_max(numbers)
print(index) # 2
This is because we use greater than (>) operator and not greater than or equal (>=). In some cases, you may need to find the last index of the maximum element. You can easily modify the provided function to do that.
Secondly, if a list is empty, the function returns $0$:
empty_list = []
index = indexof_max(empty_list)
print(index) # 0
This happens because at the very start we define the index as $0$. Such behavior is ambiguous: it doesn't allow us to distinguish between the case when the element with the index $0$ is the maximum and the case when the input list is empty.
To fix the issue, let's return a special value of $-1$ when the input list is empty. The function should be modified in the following way:
def indexof_max(numbers):
if not numbers:
return -1
# the rest of the algorithm
...
Now it works as follows:
empty_list = []
index = indexof_max(empty_list)
print(index) # -1
The last question is a bit trickier to answer. What will be the result of the code below?
numbers = [1, 2, 3, "four", 5, 6]
print(indexof_max(numbers))
After invoking the code, we will get the TypeError
exception with the following error message:
'>' not supported between instances of 'str' and 'int'
The problem is that the interpreter doesn't know how to compare a string with an integer. This issue may also be fixed, but we will discuss it in another topic.
Python has a wide range of resources that we can use to work with algorithms: from standard library features to special libraries and modules. In the following topics, we will learn about some basic algorithms and implement them ourselves to improve our Python skills and understand the internal logic of these algorithms. While implementing algorithms, it's important to take into account all kinds of situations, so always think about corner cases!
Show topic summary


“Yo duddamiyo damena danto,
Vīro santusito vitiṇṇakaṅkho;
Vijitāvī apetalomahaṁso,
Vīro so parinibbuto ṭhitatto”ti.
Itthaṁ sudaṁ āyasmā vīro thero gāthaṁ abhāsitthāti.
Once hard to tame, now tamed himself;
a hero, content, with doubt overcome;
victorious, with goosebumps vanished,
Vīra is steadfast, and has become extinguished.
It was thus that this verse was recited by the senior venerable Vīra.


{% load staticfiles %}
We do our best to make beautiful food served by delicious people.
We take orders to sit or to-go. If you're a really busy human order online to skip the queue.
Ask something specific and we'll turn your tasty morning treat into legal crack.


I am a web/software developer based in Munich.
These are technologies I’m familiar with:
HTML(5), CSS, Python/Django, Java/Wicket, JavaScript.
I’m studying Business Administration at the Technical University Munich.
Furthermore, I’m working as a software developer for Travel Viva AG.


--- title: Poster ---
| Duration | 3 days
9am-5pm sharp, every day. |
| Costs | $$2,625* (See website for details) |
| Location | Melbourne CBD |
| Dates |
|
| Requirements | A laptop. |
"I highly recommend this workshop to anyone who is looking for a solid introduction to Deep Learning including its applications and where it fits in the AI landscape. The mix of hands-on and presented material was very well balanced and blended. The workshop atmosphere was both convivial and conducive to learning."
Robin - Data Analyst
"As the top "deep learningers" in the town, the organisers have profound knowledge and experience. They are also active in sharing their knowledge and getting more people interested. Their lecture notes are fascinating and can engage audiences of all levels. If you ever got "buzzed" by 'deep learning', here's where you should go."
Fei - Data Scientist
"[this] deep learning workshop is a very thought out and fairly balanced exercise of theory and practical training useful for anyone trying to decipher the landscape of deep learning."
Rohit - Software Developer
"Amazing!"
Georgie - Researcher
Programmers, data scientists, analysts, and anyone interested in hands-on programming experience building deep learning networks. You will need to be comfortable programming in Python.
Day 1 - Fundamentals: Deep Learning, Learning Theory, Convolutions, Embeddings.
A solid base by covering key concepts through group learning and exercises.
Attendees will implement a reference model in TensorFlow, and learn the necessary components of all deep learning training pipelines.
Day 2 - Hands-On TensorFlow: TensorBoard, Training, Evaluation.
Work through the details of training models in TensorFlow. We will build a reference model, learn how to train it, check it's progress, and evaluate it's accuracy.
Day 3 - Group Projects.
Hands-on experience in deep learning model development, using TensorFlow.
Consolidate learning by working in small groups on independent projects. Project options vary across image processing, embeddings, and generative models.


The purpose of a notice is to convey the next course of action for a task or flow. The notice must be clear and concise, with minimum cognitive load.
A section-level notice is used to provide tips, guidance & feedback on section level elements. Section notices are not as prominent as page level alerts, but still educate the user without alarming them.
A section-level notice may have the following status: default, confirmation, attention or information.
Details...
Details...
Details...
Details...
Details...
Details...
Details...
Details...


Cats are awesome!
Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore magna aliquyam erat, sed diam voluptua.
Look at those cute cats! Look at them!!
Confused squinting and still looking cute as hell.
Little cat burrito! The level of cuteness is over 9000!
Just enjoying life! This cat is doing everything right.

So I asked myself one day, "What if it's impossible to catch the red dot? What if it was a trick all along?!" And I have to say, that really changed my perspective on life. I'm not the same anymore.
- Chairman Meow, the First
Call to action! It's time!
Sign up right now or it will be too late! The button is over there 🡢


I just added some code to show tooltips with the values when you hover over a multigraph value, here is a screenshot:
To do this edit multigraph.php and add the checkbox code whereveer you want it

<input id="enableTooltip" type="checkbox" checked >Enable tooltips

and the javascript at the end of javascript code, just before the </javascript> closing tag:
function showTooltip(x, y, contents) {
$('
' + contents + '
').css( {
position: 'absolute',
display: 'none',
top: y + 5,
left: x + 5,
border: '1px solid #fdd',
padding: '2px',
'background-color': '#fee',
opacity: 0.80
}).appendTo("body").fadeIn(200);
}
var previousPoint = null;
$("#placeholder").bind("plothover", function (event, pos, item) {
$("#x").text(pos.x.toFixed(2));
$("#y").text(pos.y.toFixed(2));
if ($("#enableTooltip:checked").length > 0) {
if (item) {
if (previousPoint != item.dataIndex) {
previousPoint = item.dataIndex;
$("#tooltip").remove();
var x = item.datapoint[0].toFixed(2),
y = item.datapoint[1].toFixed(2);
// create a new javascript Date object based on the timestamp
var date = new Date(parseInt(x));
// hours part from the timestamp
var hours = date.getHours();
// minutes part from the timestamp
var minutes = date.getMinutes();
// seconds part from the timestamp
var seconds = date.getSeconds();
// will display time in 10:30:23 format
var formattedTime = hours + ':' + minutes + ':' + seconds;
showTooltip(item.pageX, item.pageY,
item.series.label + " at " + formattedTime + " = " + y);
}
}
else {
$("#tooltip").remove();
previousPoint = null;
}
}
});
Re: Tooltips on values of multigraph
Thanks for that - it was just what I was looking for.
Lloyd
Re: Tooltips on values of multigraph
And interesting that the tooltip gives the correct time, whilst the axis is an hour behind.
I've also made as slight change to the code to format the time better:
Re: Tooltips on values of multigraph
ive got the same issue, my x axis are 2 hours off whilst the tooltip shows the correct hour. any idea why this could be?
I am using unix timestamp saved in a database of my own.
Thank you very much
Re: Tooltips on values of multigraph
Great addon, thanks
Re: Tooltips on values of multigraph
Mine is also off, quite irritating.
I did a temporary sort of fix,
I changed this part, added the text in yellow
Re: Tooltips on values of multigraph
Hi,
just inserted the code, but no tooltips at all.
Is this working with emoncms v3?
Kisskovi
Re: Tooltips on values of multigraph
v3 changed a bit, use this line
$("#graph").bind("plothover", function (event, pos, item) {
instead of
$("#placeholder").bind("plothover", function (event, pos, item) {
and it will work (tested)
Re: Tooltips on values of multigraph
Does this also work with the new modular version?
Re: Tooltips on values of multigraph
Haven't tested, but this is FLOT functionality, so should work, and if not - minimal effort would be required to get it going
Re: Tooltips on values of multigraph
it solved my problem,
thanks!
:-)
Re: Tooltips on values of multigraph
Hi
I try to do this code but i get no thing
I use emoncms V5
Re: Tooltips on values of multigraph
Just tried it in v5, one line needs to be changed:
$("#placeholder").bind("plothover", function (event, pos, item) {
to
$("#multigraph").bind("plothover", function (event, pos, item) {
Re: Tooltips on values of multigraph
Il get this committed into the next release, definitely a nice feature.
Re: Tooltips on values of multigraph
it solved my problem.
Thank you very much dear
Re: Tooltips on values of multigraph
Nice one Martin, a good addition to emoncms.
Paul
Re: Tooltips on values of multigraph
Hello again
How can I change a location buttons. it they appear on the graph and covered a part of it
I would like to be in the upper graph


Hi, this is my webpage! Here, you'll find a mix of professionnal info, school projects and other fun stuff I did in the last four years. My story in a few lines:
- Born in Montréal, Québec, in 1996.
- Pre-university education (CEGEP) in Collège André-Grasset, Montréal, in Health Sciences from 2013 to 2015.
- Enrolled in Biomedical Engineering at Polytechnique Montréal in 2015.
- B.Eng degree, with various classes ranging from Physiology to Electrical, Mechanical and Computer Engineering
- 2nd-year project : Automatic flow control valve for perfusion pumps (PSoC 5LP Microcontroller)
- 3rd-year project : Solar-powered sterilizing autoclave for low-resource medical centers
- 4th-year project : Implantable 7T MRI antenna for in-vivo brain imaging of mice subjects
- Throughout my degree, I've completed three 4-month internships:
- As well, I've enrolled in two exchange semesters:


Kiingitanga sounds warning on Ihumaatao
by Kiingi TuheitiaKiingitanga sounds warning on Ihumaatao
Kiingi Tuuheitia Pootatau Te Wherowhero VII has cautioned the government against any moves that would further alienate mana whenua from Ihumaatao.
Kiingitanga was surprised to hear speculation that Auckland Council might be involved in discussions to buy Ihumaatao from Fletcher Building, spokesman Rahui Papa says.
“This has come as a surprise and could potentially put the whenua out of reach of mana whenua who are awaiting its return.
“Council’s involvement is not the “by Maaori for Maaori” solution we had envisaged.”
Kiingi Tuuheitia visited lhumaatao on Saturday 3rd August and offered to facilitate discussions between mana whenua that resulted in a consensus that they wanted their land returned.
At the time, Kiingitanga said it was important that the government prevented any further alienation of the people from their land, while discussions were underway, which remains the case today.
The King’s flag continues to fly at Ihumaatao with the expectation the government will come back to Kiingitanga with its proposed resolution on the disputed land.
ends


This App is an Simple Like Calculator that can budget your money. it will list all the foods that and you gonna choose a food that you want to buy and in the same time the it also calculates your budget if how much left and total cost of you have selected
| Initial Budget: | |
| Total Cost: | |
| Budget Left: |


We will not abandon Obaseki, Edo APC Youths vow
By Osagie Otabor, Bénin
Youths of the All Progressives Congress (APC) in Edo State have vowed not to abandon Governor Godwin Obaseki in his quest to get the party’s ticket for a second term in office.
The Edo APC youths said they supported former Governor Adams Oshiomhole to have a peaceful eight years in office and as such they would not allow any group or persons to stop Governor Obaseki.
They said Governor Obaseki has performed beyond expectations in all sectors of the state economy.
The state youth leader of the APC, Mr. Valentine Asuen, who spoke to newsmen at a press briefing in Bénin City said youths in the state were solidly behind Governor Obaseki because they have benefitted more from the administration.
Read Also: FG, Obaseki synergise to improve federal roads in Edo
Asuen dismissed the purported letter the National Working Committee (NWC) of the APC relied upon to uphold the suspension of the State Chairman of the party, Mr. Anselm Ojezua.
He urged the APC NWC to disregard the letter saying the signatories were fake as they were obtained under duress.
According to him, “Governor Obaseki has done well in the education, health sectors, transportation, rule of law and most especially in boosting the revenue profile of the state. We are not going to abandon him.
“It is only in Edo that councils can now pay salaries without waiting for money from the federation account. The people fighting him are those that have been feeding from the state revenue.
“We will not allow them to succeed. We are with Obaseki and will mobilise Edo APC youths to ensure Obaseki gets the needed support. Edo can not afford to go back to the days of the locust.”


College tuition is rising. Students and parents question the accessibility of a degree. Faculty and administrators worry about college quality. How can better institutional information capacities help each of these problems?
Effective information processes require involvement from everyone at an institution -- faculty, staff, administrators, and institutional research. Everyone must help to answer pivotal questions about what pieces of information best support decision-making, how those pieces of information can best be collected, and how information ought to be distributed to make decisions. Unless everyone is involved in pondering these questions, colleges will end up with a harmful, siloed approach to data.
Extraordinarily complicated information products are the result of simple data building blocks. Colleges must approach database management with this truth in mind. If an institution fails to consistently collect and store as distinct the most basic data elements -- grades, graduation dates, demographic information -- it will have little hope of acheiving the more complicated analysis and reporting institutions so often need.
Too many institutions respond to strain on information capacities by hiring more staff. But rarely do such expansions in manpower solve flawed organizational information practices that exacerbate such strain in the first place. Many institutions could save an enormous amount of scare resources if they did the hard work of being more intentional about information collection, management, and retrieval.


TIMELINE
-
2018
Drank a can of beer at speed and became a winner. Everything is still smooth
-
2017
Graduated from ПТУ as a tractor driver
-
2014
Filmed in a martial arts tutorial "How to fight on the streets", revealing to audience forgotten art of self-defence
-
2012
I founded a musical group that sang in the genre of chanson. We have begun success and we have become recognizable among our peers
-
2008
I entered a ПТУ in our hometown of a city-type specialty as a tractor driver right after I graduated from school (more precisely, I was expelled from school)
-
2006
Last year of schooling. I am still a bully and a gopnik.But I like this lifestyle.
-
1998
I fell in love with a girl from our class, we walked and met for a very long time, I already began to forget about the street and the lads, but she traded me for a guy richer than me, because I returned to my bro.
-
1997
Father left the prison and all the people of the village met him. Everything began to improve in the family
-
1996
The first time my mother bought me adidas pants with three stripes. After this moment, my life has changed and will never be the same again.
-
1995
I went to school, where I immediately became an authority.
-
1994
Father went to jail, sat down for theft in a meat stall
-
1991
I said my first phrase: "There are seeds, and if I find?"
-
1987
I was born
ADDITIONAL
-
This happens: you sit for a year, it does not matter - the girl is waiting. Misfortune will happen: if you sit in two, the lads will wait for you. If the prosecutor pounds by five, only his own mother will wait.
© Jason Statham -
In life, different people appear next to me, most of them are eliminated, and only units that are similar to me will stand in line with me and go to the end ...
© Каспийский груз
LIFE & EDUCATION
Sisters can be killed for tears. For the happiness of the mother, you can let tears go. To give my life for my father. Become a brother in front of a bullet. For any friend to break.
LANGUAGES
SKILLS
Energy Attack
CHARACTER
Noble, Direct, Bold, Confident, Daring, Schizopheric, Dramatic, Persuasive, Immediate, Wise.
LIFE LESSON
Hold on to each other, brother to brother, and everything will be.
Likes😃
Dislikes😞
Wants !
HI THERE, CONTACT ME HERE:
MY FRIENDS
This is our precinct Semen Stepanovich. I know him since I was at school.
It's my father Valera. He is a very savage guy.
My bro Kaban. We grew up with him together and therefore we are responible together.
My young brother Slavik. He is my father adopted son,but I respect him.


Veggies!
MDN original content
Content here ... class="content"
Following this paragraph is a ul with class=grid and a series of "cards," one card per li in the ul.
My revised CSS
1 @media screen and (min-width: 10em) {
2 article {
3 display: grid;
4 grid-template-columns: 3fr 1fr;
5 column-gap: 20px;
6 }
7
8 nav ul {
9 display: flex;
10 }
11
12 nav li {
13 flex: 1;
14 }
15
16 .content {
17 max-width: 18em;
18 }
19 }
20
21 @media screen and (min-width: 20em) {
22 main {
23 display: grid;
24 grid-template-columns: 3fr 1fr;
25 column-gap: 20px;
26 }
27
28 article {
29 margin-bottom: 0;
30 }
31
32 footer {
33 border-top: 1px solid #ccc;
34 margin-top: 2em;
35 }
36
37 .content {
38 max-width: 30em;
39 }
40 }
MDN original CSS
1 @media screen and (min-width: 40em) {
2 article {
3 display: grid;
4 grid-template-columns: 3fr 1fr;
5 column-gap: 20px;
6 }
7
8 nav ul {
9 display: flex;
10 }
11
12 nav li {
13 flex: 1;
14 }
15 }
16
17 @media screen and (min-width: 70em) {
18 main {
19 display: grid;
20 grid-template-columns: 3fr 1fr;
21 column-gap: 20px;
22 }
23
24 article {
25 margin-bottom: 0;
26 }
27
28 footer {
29 border-top: 1px solid #ccc;
30 margin-top: 2em;
31 }
32 }
MDN Original Content
-
Card 1
...
-
Card 2
...
-
Card 3
...
-
Card 4
...
-
Card 5
...
My revisions and commentary
In the example code provided my MDN there isn't any CSS defined for the class="content." In my version of the code I added the class and set a max-width of 80 em. I did this within the media query for screens with a min-width of 70em. The purpose of this paragraph describes what I did. And it allows me to see the effect of the change by limiting the max-width of the content area on larger screens.
Looking at the page given the changes that I made: it appears to me that the content area is too wide. It allows at least 20 average sized words per line. I believe that most UX designers recommend about 12 words per line, maximum. It helps with readability. So I'm going to modify the @media query parameters as well as the content area width to see if I can achieve a better line width for UX design.
I achieved the width that I wanted by adding CSS for a class named content and setting the max-width value. But, in doing so I broke the behavior of the rest of the page. It seems that it is always displaying in a three-column layout. Here is my code and the MDN original code for comparison.


A short hike with my parents up an old favorite mountain in the Adirondacks. This was a spur of the moment decision, after lunch, to go hit poko. The boys and I and Mom and Dad went. There is a new trail since I used to hike the mountain that was advertised as less steep.
Robert and Erick at the entrance to the new trail
Mom and Dad and Erick on the trail
The boys and I went ahead a little bit and Robert almost immediately got into trouble just past this bridge. He decided to leap into the mud and his shoe came off in the suction.
Robert and Erick, just before getting into trouble
Robert, just after getting into trouble
As a young boy I slept on this ridge with nothing but a sleeping bag. Now that I am older I find I need an expensive sleeping mat in order to enjoy a night in the backcountry.
Robert on a ridge 1/4 mile below the top
Dad at the top
Panorama from the top of Poke-O-Moonshine


| Package | Description |
|---|---|
| org.bitcoinj.crypto |
The crypto package contains classes that work with key derivation algorithms like scrypt (passwords to AES keys),
BIP 32 hierarchies (chains of keys from a root seed), X.509 utilities for the payment protocol and other general
cryptography tasks.
|
| org.bitcoinj.signers |
Transaction signers know how to calculate signatures over transactions in different contexts, for example, using
local private keys or fetching them from remote servers.
|
| org.bitcoinj.wallet |
Classes that support the
Wallet , which knows how to find and save transactions relevant to
a set of keys or scripts, calculate balances, and spend money: the wallet has many features and can be extended
in various ways, please refer to the website for documentation on how to use it. |
| Modifier and Type | Field and Description |
|---|---|
static ChildNumber |
ChildNumber.ONE |
static ChildNumber |
ChildNumber.ZERO |
static ChildNumber |
ChildNumber.ZERO_HARDENED |
| Modifier and Type | Method and Description |
|---|---|
ChildNumber |
DeterministicKey.getChildNumber()
Returns the last element of the path returned by
DeterministicKey.getPath() |
| Modifier and Type | Method and Description |
|---|---|
static com.google.common.collect.ImmutableList<ChildNumber> |
HDUtils.append(List<ChildNumber> path,
ChildNumber childNumber)
Append a derivation level to an existing path
|
static com.google.common.collect.ImmutableList<ChildNumber> |
HDUtils.concat(List<ChildNumber> path,
List<ChildNumber> path2)
Concatenate two derivation paths
|
com.google.common.collect.ImmutableList<ChildNumber> |
DeterministicKey.getPath()
Returns the path through some
DeterministicHierarchy which reaches this keys position in the tree. |
static List<ChildNumber> |
HDUtils.parsePath(String path)
The path is a human-friendly representation of the deterministic path.
|
| Modifier and Type | Method and Description |
|---|---|
static com.google.common.collect.ImmutableList<ChildNumber> |
HDUtils.append(List<ChildNumber> path,
ChildNumber childNumber)
Append a derivation level to an existing path
|
int |
ChildNumber.compareTo(ChildNumber other) |
DeterministicKey |
DeterministicHierarchy.deriveChild(List<ChildNumber> parentPath,
boolean relative,
boolean createParent,
ChildNumber createChildNumber)
Extends the tree by calculating the requested child for the given path.
|
static DeterministicKey |
HDKeyDerivation.deriveChildKey(DeterministicKey parent,
ChildNumber childNumber) |
static HDKeyDerivation.RawKeyBytes |
HDKeyDerivation.deriveChildKeyBytesFromPrivate(DeterministicKey parent,
ChildNumber childNumber) |
static HDKeyDerivation.RawKeyBytes |
HDKeyDerivation.deriveChildKeyBytesFromPublic(DeterministicKey parent,
ChildNumber childNumber,
HDKeyDerivation.PublicDeriveMode mode) |
| Modifier and Type | Method and Description |
|---|---|
static com.google.common.collect.ImmutableList<ChildNumber> |
HDUtils.append(List<ChildNumber> path,
ChildNumber childNumber)
Append a derivation level to an existing path
|
static com.google.common.collect.ImmutableList<ChildNumber> |
HDUtils.concat(List<ChildNumber> path,
List<ChildNumber> path2)
Concatenate two derivation paths
|
static com.google.common.collect.ImmutableList<ChildNumber> |
HDUtils.concat(List<ChildNumber> path,
List<ChildNumber> path2)
Concatenate two derivation paths
|
DeterministicKey |
DeterministicHierarchy.deriveChild(List<ChildNumber> parentPath,
boolean relative,
boolean createParent,
ChildNumber createChildNumber)
Extends the tree by calculating the requested child for the given path.
|
DeterministicKey |
DeterministicHierarchy.deriveNextChild(com.google.common.collect.ImmutableList<ChildNumber> parentPath,
boolean relative,
boolean createParent,
boolean privateDerivation)
Extends the tree by calculating the next key that hangs off the given parent path.
|
static String |
HDUtils.formatPath(List<ChildNumber> path)
Convert to a string path, starting with "M/"
|
DeterministicKey |
DeterministicHierarchy.get(List<ChildNumber> path,
boolean relativePath,
boolean create)
Returns a key for the given path, optionally creating it.
|
int |
DeterministicHierarchy.getNumChildren(com.google.common.collect.ImmutableList<ChildNumber> path) |
| Constructor and Description |
|---|
DeterministicKey(com.google.common.collect.ImmutableList<ChildNumber> childNumberPath,
byte[] chainCode,
BigInteger priv,
DeterministicKey parent)
Constructs a key from its components.
|
DeterministicKey(com.google.common.collect.ImmutableList<ChildNumber> childNumberPath,
byte[] chainCode,
org.spongycastle.math.ec.ECPoint publicAsPoint,
BigInteger priv,
DeterministicKey parent) |
DeterministicKey(com.google.common.collect.ImmutableList<ChildNumber> childNumberPath,
byte[] chainCode,
KeyCrypter crypter,
LazyECPoint pub,
EncryptedData priv,
DeterministicKey parent)
Constructs a key from its components.
|
DeterministicKey(com.google.common.collect.ImmutableList<ChildNumber> childNumberPath,
byte[] chainCode,
LazyECPoint publicAsPoint,
BigInteger priv,
DeterministicKey parent)
Constructs a key from its components.
|
| Modifier and Type | Field and Description |
|---|---|
Map<Script,List<ChildNumber>> |
TransactionSigner.ProposedTransaction.keyPaths
HD key paths used for each input to derive a signing key.
|
| Modifier and Type | Method and Description |
|---|---|
protected abstract CustomTransactionSigner.SignatureAndKey |
CustomTransactionSigner.getSignature(Sha256Hash sighash,
List<ChildNumber> derivationPath) |
| Modifier and Type | Field and Description |
|---|---|
static com.google.common.collect.ImmutableList<ChildNumber> |
DeterministicKeyChain.ACCOUNT_ZERO_PATH |
static com.google.common.collect.ImmutableList<ChildNumber> |
DeterministicKeyChain.BIP44_ACCOUNT_ZERO_PATH |
static com.google.common.collect.ImmutableList<ChildNumber> |
DeterministicKeyChain.EXTERNAL_PATH |
static com.google.common.collect.ImmutableList<ChildNumber> |
DeterministicKeyChain.EXTERNAL_SUBPATH |
static com.google.common.collect.ImmutableList<ChildNumber> |
DeterministicKeyChain.INTERNAL_PATH |
static com.google.common.collect.ImmutableList<ChildNumber> |
DeterministicKeyChain.INTERNAL_SUBPATH |
| Modifier and Type | Method and Description |
|---|---|
protected com.google.common.collect.ImmutableList<ChildNumber> |
DeterministicKeyChain.getAccountPath()
Override in subclasses to use a different account derivation path
|
| Modifier and Type | Method and Description |
|---|---|
protected DeterministicKey |
DeterministicKeyChain.getKeyByPath(ChildNumber... path)
Returns the deterministic key for the given absolute path in the hierarchy.
|
| Modifier and Type | Method and Description |
|---|---|
DeterministicKey |
Wallet.getKeyByPath(List<ChildNumber> path)
Returns a key for the given HD path, assuming it's already been derived.
|
protected DeterministicKey |
DeterministicKeyChain.getKeyByPath(List<ChildNumber> path)
Returns the deterministic key for the given absolute path in the hierarchy.
|
DeterministicKey |
DeterministicKeyChain.getKeyByPath(List<ChildNumber> path,
boolean create)
Returns the deterministic key for the given absolute path in the hierarchy, optionally creating it
|
Copyright © 2022. All rights reserved.


The Unity Editor allows you to work with traditional gamma color space as well as linear color space. You can work in linear colour space even if your Textures are in gamma color space.
For further reading, see documentation on:
Note: If your Textures are in linear color space, you need to disable sRGB sampling. See documentation on Linear Textures for more information.
Linear rendering gives a different look to the rendered Scene. When you have authored a project to look good when rendering in gamma space, it is unlikely to look great when you change to linear rendering. Because of this, if you move to linear rendering from gamma rendering it may take some time to tweak the project so that it looks as good as before. However, the switch ultimately enables more consistent and realistic rendering and so may be worth the time spent on it. You are likely to have to tweak Textures, Materials and Lights.
The lighting calculations in the lightmapper are always done in linear space (see documentation on the Lighting Window for more information). The lightmaps are always stored in gamma space. This means that the lightmap textures are identical no matter whether you’re in gamma or linear color space.
When you are in linear color space, the texture sample gets converted from gamma to linear space when sampling the texture. When you’re in gamma color space, no conversion is needed. Therefore, when you change the color space setting, you must rebake lightmaps: This happens automatically when Unity’s lighting is set to auto bake (which is the default).
The data in lightmap EXR files created by Unity is in linear space. It gets converted to gamma space during import. When bringing in lightmaps from an external lightmapper, mark the lightmaps as Texture Type: Lightmap in the Texture Importer. This setting makes sure sRGB sampling is bypassed on import.
Linear rendering is not supported on all platforms. The build targets that support the feature are:
There is no fallback to gamma when linear rendering is not supported by the device. In this situation, the Player quits. You can check the active color space from a script by looking at QualitySettings.activeColorSpace.
On Android, linear rendering requires at least OpenGL ES 3.0 graphics API and Android 4.3.
On iOS, linear rendering requires the Metal graphics API.
Until the minimum requirements are satisfied, the Editor prevents you from building a Player and shows a notification. This is to avoid games that would render incorrectly on user devices being deployed to digital stores.
When using HDR, rendering is performed in linear space into floating point buffers. These buffers have enough precision not to require conversion to and from gamma space whenever the buffer is accessed. This means that when rendering in linear mode, the framebuffers you use store the colors in linear space. Therefore, all blending and post process effects are implicitly performed in linear space. When the final backbuffer is written to, gamma correction is applied.
When linear color space is enabled and HDR is not enabled, a special framebuffer type is used that supports sRGB read and sRGB write (convert from gamma to linear when reading, convert from linear to gamma when writing). When this framebuffer is used for blending or it is bound as a Texture, the values are converted to linear space before being used. When these buffers are written to, the value that is being written is converted from linear space to gamma space. If you are rendering in linear mode and non-HDR mode, all post-process effects have their source and target buffers created with sRGB read and write enabled so that post-processing and post-process blending occur in linear space.


Feature improvements
- Print more descriptive error message for too many EAP sessions.
This gives hints on what to do when "failed to store handler"
- Commands received from radmin are now printed on stdout when
in debugging mode.
- Allow accounting packets to be written to a detail file, even
if they were read from a different detail file.
- Added OpenSSL license exception (src/LICENSE.openssl)
Bug fixes
- DHCP sockets can now set the broadcast flag before binding to a
socket. You need to set "broadcast = yes" in the DHCP listener.
- Be more restrictive on string parsing in the config files
- Fix password length in scripts/create-users.pl
- Be more flexible about parsing the detail file. This allows
it to read files where the attributes have been edited.
- Ensure that requests read from the detail file are cleaned up
(i.e. don't leak) if they are proxied without a response.
- Write the PID file after opening sockets, not before
(closes bug #29)
- Proxying large numbers of packets no longer gives error
"unable to open proxy socket".
- Avoid mutex locks in libc after fork
- Retry packet from detail file if there was no response.
- Allow old-style dictionary formats, where the vendor name is the
last field in an ATTRIBUTE definition.
- Removed all recursive use of mutexes. Some systems just don't
support this.
- Allow !* to work as documented.
- make templates work (see templates.conf)
- Enabled "allow_core_dumps" to work again
- Print better errors when reading invalid dictionaries
- Sign client certificates with CA, rather than server certs.
- Fix potential crash in rlm_passwd when file was closed
- Fixed corner cases in conditional dynamic expansion.
- Use InnoDB for MySQL IP Pools, to gain transactional support
- Apply patch to libltdl for CVE-2009-3736.
- Fixed a few issues found by LLVM's static checker
- Keep track of "bad authenticators" for accounting packets
- Keep track of "dropped packets" for auth/acct packets
- Synced the "debian" directory with upstream
- Made "unlang" use unsigned 32-bit integers, to match the
dictionaries.


--- title: "Notes on creating this site" author: "Elisha Cohen" date: 2018-01-19 categories: ["R"] tags: ["R", "blogdown", "hugo"] ---
Don’t use the instructions on the theme webpage – this installs a submodule that just confuses things. Follow the directions in the blogdown
documentation.
I also adjusted the size of my image to be similar to the example image. Not sure if this is necessary.
Once changes are complete:
build website in RStudio. I’ve been using the Build Website icon on the Build panel (blogdown::build_site()
should do the same thing). I think this isn’t always necessary. For example, if you’re just updating an .Rmd file. But if something in the config.toml file or overarching structure has changed then the site needs to be rebuilt.
Git Pull to check that the branch is up to date.
Git Commit the changes
Git Push
Website is automatically deployed from github to netlify so changes should be visible quickly.


Hackers are everywhere, and breaches happen often. With the help of some of the products made by the Make Hackers Mad team, you can fight back!


WaDE [WaDE2.0_schema_star.xml]
| Table Name | Comment |
| AggregationStatistic | A term for describing the statistical action used to calculate over recorded time series values within a time interval. For example, 100 cfs of delivery target to a demand site is a "cumulative" aggregation statistic calculated over a time interval like a month. |
| ApplicableResourceType | |
| BeneficialUseCategory | Beneficial uses associated with the site (e.g. irrigation, municipal, commercial, thermoelectric, industrial, stockwater, fire suppression, snow-making, etc.). Can be one or more uses assigned per site. Preference is to list the uses without abbrieviations, separated by commas. |
| CoordinateMethod | |
| CropType | A term that indicates the Crop type for the place of use, if the VariableSpecificCV is SiteSpecificConsumptive Use, Irrigation or SiteSpecificWithdrawal, Irrigation |
| CustomerTypeCV | CustomerTypeCV within a CommunityWaterSupplySystem |
| DataQualityValue | |
| EPSGCode | A term to indicate the European Petroleum Survey Group (EPSG) Code for projection, with a preference for WGS_1984, EPSG of 4326 |
| GNISFeatureName | A term that describes the most appropriate Geographic Names Information System (GNIS) identifier for the source location. |
| IrrigationMethod | A term to describe the irrigation method for the place of use, if the VariableSpecificCV is SiteSpecificConsumptive Use, Irrigation or SiteSpecificWithdrawal, Irrigation |
| LegalStatus | A term that describes the legal status of the water right (e.g., proven, approved, perfected, adjudicated, etc.) |
| MethodType | A term to describe how the actual amount was determined (i.e. calculated, measured, estimated, or reported). |
| NAICSCode | A term for a Six-digit (North American Industry Classification System) NAICs Code associated with the primary beneficial use category |
| NHDNetworkStatus | A term to describe whether the point location is indexed to a USGS National Hydrography Dataset (NHD) product |
| NHDProduct | A term that indicates the National Hydrography Dataset (NHD) Product that is used for the indexing. Should be NHDPlus V1, NHDPlus V2, NHD Med Res, or NHD High Res. |
| RegulatoryStatus | A term to indicate the status of the regulation (i.e., whether it is currently initiated/in effect) |
| ReportingUnitType | A term to describe the type of reporting unit - county, HUC, or a custom delineation. |
| ReportYearCV | A term to indicate the annual reporting period that this data are valid. There is a need to ensure the annual reporting period year matches the type of year used by the data provider. For example, if the data are valid for November 2018, the annual reporting period could be 2018 or 2019 depending on whether the data provider uses a calendar or water year. |
| ReportYearType | A term that describes the annual reporting period for this datatype. Could be a "water year," "irrigation year," a calendar year, or other variant. |
| SDWISIdentifier | Safe Drinking Water Information System (SDWIS) Federal Reporting Services https://www.epa.gov/ground-water-and-drinking-water/safe-drinking-water-information-system-sdwis-federal-reporting |
| SiteType | |
| States | |
| Units | A term that describes the unit of the amount |
| USGSCategory | A term that assign a USGS water use category from the USGS controlled vocabulary (e.g. irrigation, groundwater, fresh) |
| Variable | A term that describes the high-level variable used for aggregated water data to support water planning and water balances. The general categories available are for water supply, water withdrawal, consumptive use, and return flows: [AggregatedWaterSupply], [AggregatedWithdrawal], [AggregatedConsumptiveUse], [AggregatedReturnFlow] |
| VariableSpecific | A term that describes a subcategorization of the site-specific variable. This allows the user to specify not only the general category of water data, but also a more specific categorization. For example, for a subcategorization of water withdrawal, the variable would be [SiteSpecificWithdrawal, Irrigation]. Other examples: [SiteSpecificConsumptiveUse, Irrigation], [SiteSpecificReturnFlow, Discharge], etc. |
| WaterAllocationBasis | A Term to specify whether this water right is based on water withdrawals/diversion or consumptive use/depletion amount |
| WaterAllocationType | A term that describes the water right type in each state such as Federal Reserved Water Right, Temporary Application, Water Company Shares |
| WaterQualityIndicator | A term to describe water quality fresh, saline, or mixed quality |
| WaterSourceType | A term that describes the source type of the water allocation (e.g., surface water, groundwater, mixed sources, reuse, etc.) |
(none)
(none)
(none)


Epistar, Lextar report 3Q19 operating losses
by Siu Han, Taipei; Adam Hwang, DIGITIMESLED epitaxial wafer and chip maker Epistar and vertically-integrated LED firm Lextar Electronics have reported net operating losses of NT$874.6 million (US$28.7 million) and NT$145.8 million respectively for third-quarter 2019.
Despite consecutive net operating losses since fourth-quarter 2018, Epistar said it managed to reduce inventory value from NT$4.4 billion at the end of second-quarter 2019 to NT$3.7 billion at the end of third-quarter 2019.
Epistar posted consolidated revenues of NT$1.367 billion for October, increasing 1.67% sequentially but decreasing 19.07% on year, and those of NT$13.321 billion for January-October slipped 25.08% on year.
Lextar's consolidated revenues of NT$710.2 million for October dropped 13.69% sequentially and 19.30% on year and those of NT$7.684 billion for January-October declined 19.26% on year.
| Epistar, Lextar: 3Q19 financial results (NT$m) | ||||
| Epistar | Lextar | |||
| 3Q19 | Jan-Sep 2019 | 3Q19 | Jan-Sep 2019 | |
| Consolidated revenues | 4,172 | 11,953 | 2,410 | 6,973 |
| Gross marin | (1.07%) | (3.12%) | 12.29% | 10.86% |
| Net operating loss | 874.6 | 2,827 | 145.8 | 577.0 |
| Net loss | 851.9 | 2,523 | 98.3 | 40.2 |
| Net EPS (NT$) | (0.79) | (2.34) | (0.19) | 0.08 |
Source: Companies, compiled by Digitimes, November 2019


Chicago Crime
Enter the year looking for below, to search the City of Chicago data portal crime records.
ROBBERY
DECEPTIVE PRACTICE
WEAPONS VIOLATION
BATTERY
MOTOR VEHICLE THEFT
CRIMINAL DAMAGE
NARCOTICS
THEFT
BURGLARY
ASSAULT
CRIMINAL TRESPASS
PUBLIC PEACE VIOLATION
PROSTITUTION
CRIM SEXUAL ASSAULT
SEX OFFENSE
HOMICIDE
OFFENSE INVOLVING CHILDREN
INTERFERENCE WITH PUBLIC OFFICER
STALKING
OTHER OFFENSE
Search


Craigslist Advanced Car Search Generator
This form generates advanced search queries to make searching for cars on craigslist less painful.
Owner
Dealer
Both
Picture Required?


{{flight.departureAirportFsCode}} > {{flight.arrivalAirportFsCode}}
They Say
We Say
Aircraft Type: {{flight.model}}
Historical On Time Performance: {{Math.floor((1-(flight.performance.delayed/flight.performance.total))*100)}}%


A stunning home with a complex construction demanded careful design and implementation of the essential building services. The results - total smart integration of discrete lifestyle solutions perfectly fitted to the overall architectural vision. Pure comfort, elegant lighting, immersive entertainment with the full reassurance of safety and security.
Intelligent lighting delivers ambience and easy management of the entire floorpan and outdoor areas. Motorised blinds allow full adjustment of sunlight entering rooms and privacy. A keyless access control system integrated with intercom allows more convenience when guests and family come and go. Custom fitted TV rooms allow hidden devices to be intuitively controlled and content accessed with ease.
A discrete, architecturally fitted multiroom audio system allows enhanced living experiences across the stunning floorpans without distracting from the decor and provides effortless browsing of the worlds music. For extra convenience, all these services are also available on portable, intuitive i-Pad controls for total ease and managing this expansive property. For on the couch, outdoor entertaining, bedside goodnight control or managing the home from the kitchen. Its so simple!


PAYMENTS.PAYMENT_LIST.PAYMENTS
PAYMENTS.PAYMENT_LIST.ENDING_IN
{{ payment?.xp?.partialAccountNumber }}
PAYMENTS.PAYMENT_LIST.PO {{ payment.ID }}
PAYMENTS.PAYMENT_LIST.SPENDING_ACC :
{{ payment.Details.Name }}
-{{ payment.Amount | currency: _userCurrency }}


10/08/2008 21:46:22
The AdventureWorks Data Binding sample demonstrates data binding that uses the Entity Framework. This application displays and modifies SalesOrderDetail
entities associated with SalesOrderHeader
entities.
Scenario
You can bind an ObjectQuery to a DataGridView control on a Windows form in a few lines of code. This sample demonstrates how to create the ObjectQuery and assign the ObjectQuery to the DataSource property of a DataGridView control. For more information about this sample, see the Adventure Works Data Binding sample topics in the
Languages
-
Conceptual schema definition language (CSDL)
-
Store schema definition language (SSDL)
-
Mapping specification language (MSL)
-
C#
-
Entity SQL
Features
This sample uses the following features of the Entity Framework.
-
Entity Data Model
-
Object Services
-
Query builder methods
-
Data binding
-
Project data sources
-
Property validation
-
Windows Forms
-
DataSource control
-
DataGrid control
Prerequisites
Before running this sample, make sure the following software is installed:
-
Visual Studio 2008 SP1 containing the .NET Framework 3.5
-
SQL Server 2005 or 2008 Database Engine
-
AdventureWorks sample database
-
SQL Server Management Studio (optional)
-
Building the Sample
Use the following procedure to build the sample.
To build the AdventureWorks Data Binding sample application
-
(Optional) If the AdventureWorks sample database is not already present in your SQL Server instance, download and install it from
Sample Databases for Microsoft SQL Server 2005 SP2 . -
Open the AdWksSalesWinDataBind solution file in Visual Studio.
-
(Optional) If you created the AdventureWorks database in an instance of SQL Server other than the default instance on the local machine, specify the correct SQL Server instance by modifying the Data Source in the AdventureworksEntities connection string in the App.Config file of the AdWksSalesWinDataBind project.
-
Build the project.
Running the Sample
Use the following procedure to run the sample.
To run the AdventureWorks Data Binding application
-
Run the application.
-
Enter a SalesOrderHeaderID value in the Order Number text box. Use a number between 43659 and 75123, and click the Get Sales Order button.
-
In the Sales Order Details data grid, modify the number in the Quantity column, and press Enter.
Line and order totals are updated by business logic on the client.
-
Click the Add Detail to Order button.
-
When the Add SalesOrderDetail dialog appears, click to select a Product from the data grid.
-
Enter a quantity and optional discount, which must be a value between 0 and 1.
-
Click Create Order. A new order is created and added to the Sales Order Details data grid.
Removing the Sample
Use the following procedure to remove the AdventureWorks Data Binding sample.
To remove the AdventureWorks Data Binding application
-
Delete the project directory and contents.
-
(Optional) Drop the AdventureWorks database from the instance of SQL Server.


My name is Adam Clarkson, I am a senior in the Purdue School of Engineering and Technology at IUPUI in Indianapolis, IN. I will be graduating in May 2021 with a major in Computer & Information Technology with a concentration in Web Development, a Minor in Computer Science, and a Minor in Video Production.


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| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object com.cycling74.max.MaxObject net.parallaxed.bluejam.pd.Configure
public class Configure
Waits for a PD bang to kickstart the evolution and playback of evolved solos. Also configures various parameters of the evolution before running the a generation. This object supports two modes - evolution and single file. In single file mode, the object is initialized with an argument from PD, pointing to a tree file. The program loads this tree file and all subsequent playback will involve that tree file. The user can reload this single file after making changes to adjust the sound produced. This mode helps when designing heuristics, as the user can hear the programmed heuristic at any tempo and relative to any pitch. In evolution mode, the program loads all heuristics present in ${pd_home}/extra/bluejam/config (all .heuristic files), along with all models if present (.../model-${PITCH}.m), and will run evolution cycles when triggered on or off. Custom scales are not supported (yet). TODO Stop errors from killing instantiation.
| Field Summary |
|---|
| Fields inherited from class com.cycling74.max.MaxObject |
|---|
EMPTY_STRING_ARRAY, NO_INLETS, NO_OUTLETS |
| Constructor Summary | |
|---|---|
Configure()
Instantiates the configuration to operate in evolution mode (no arguments). |
|
Configure(com.cycling74.max.Atom[] args)
If constructed with arguments, only the supplied filename is played (singleFileMode). |
| Method Summary | |
|---|---|
protected void |
bang()
This instructs the program to get ready and listen on the MIDI lines to detect a root pitch key. |
void |
execute()
Keeps the ball rolling; this function is called by the inner MaxClock. |
protected void |
inlet(float f)
Deals with floats arriving at inlets; parameters like populationSize, numberOfGenerations etc. |
void |
listen(NoteSequence n)
Queue's up a NoteSequence in the buffer and pre-meditatively evaluates it. |
void |
reload()
Reloads the file or completely restarts the evolution if running. |
| Methods inherited from class com.cycling74.max.MaxObject |
|---|
anything, bail, createInfoOutlet, declareAttribute, declareInlets, declareIO, declareOutlets, declareReadOnlyAttribute, declareTypedIO, embedMessage, error, gc, getContext, getErrorStream, getInfoIdx, getInlet, getInletType, getName, getNumInlets, getNumOutlets, getOutletType, getParentPatcher, getPostStream, inlet, list, loadbang, notifyDeleted, ouch, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outlet, outletBang, outletBangHigh, outletHigh, outletHigh, outletHigh, outletHigh, outletHigh, outletHigh, post, save, setInletAssist, setInletAssist, setName, setOutletAssist, setOutletAssist, showException, showException, viewsource, zap |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Constructor Detail |
|---|
public Configure()
public Configure(com.cycling74.max.Atom[] args)
args
- A string array of all arguments passed to the program, only args[0] is read.| Method Detail |
|---|
public void listen(NoteSequence n)
listen
in interface Listener
n
- The NoteSequence to be played.public void execute()
execute
in interface com.cycling74.max.Executable
public void reload()
protected void bang()
bang
in class com.cycling74.max.MaxObject
protected void inlet(float f)
inlet
in class com.cycling74.max.MaxObject
|
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| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Your name here
Leaderboard
General Knowledge
Category 2
Category 3
Category 4
Category 5
General Knowledge
Question here
Option 1
Option 2
Option 3
Option 4
Option 5


Audio
The HTML Audio element is used to play an audio file on a web page.
There are three supported audio formats: MP3, WAV, and OGG.
All of the attributes and events for HTML5 Audio are available to use.
MP3
Your browser does not support the audio element.
See: HTML5 Audio
OGG
Your browser does not support the audio element.
See: HTML5 Audio


Docker quick start notes
Jun 7, 2015After reading about docker and containers, I thought let’s try them out. Here are my notes. Obviously all of them are taken from Internet. Maybe this collection here will help someone start with docker faster than spending time searching all over the internet.
It assumes your base OS is Ubuntu 14.04 Trusty Tahr (when was the last time you saw the codename spelled ‘Trusty Tahr’ and not ‘Trusty’? :) ).
Install docker
sudo apt-get install docker.io
See docker version
sudo docker version
Pull an Ubuntu Trusty docker image
sudo docker pull ubuntu:14.04
Alternatively, you can search for a docker image ‘tutorial’ in docker’s repository
sudo docker search tutorial
And them pull a docker image ‘tutorial’ by user ‘learn’
sudo docker pull learn/tutorial
List all docker images present in the system
sudo docker images
Run a docker image, and execute command ‘echo “hello world”’ in the docker container created out of that image
sudo docker run ubuntu:14.04 echo "hello world"
Container information is stored in /var/lib/docker
If you run the above command multiple times, it will create a new container each time.
To know the ID of the last container, run
sudo docker ps -l
To list all the running containers
sudo docker ps
Note that the above command will not show the container we last run, because the container which we ran last time terminated just after it finished executing echo command.
Create a new docker image by name <yourname>/echo
by ‘committing’ the last
container which you ran
sudo docker commit <container ID> <yourname>/echo
Now running sudo docker images
will list you two containers instead of one
Now you can run this new docker container like this:
sudo docker run <yourname>/echo ls -alrth
If we installed something, or created a file in the old container, it will be visible now in this container too.
Get more information about a docker image or a running container:
sudo docker inspect <yourname>/echo
To push docker image to docker repository
sudo docker push <yourname>/echo
To download ubuntu Trusty base image if not present locally, and open a shell session into it
sudo docker run -t -i ubuntu:14.04 /bin/bash
-i i.e. –interactive=false, keeps STDIN open even if not attached
-t i.e. –tty=false allocates a pseudo tty
Don’t worry what these mean. If you add these options, you’ll see that
you already get logged in into the container shell, and the container
only dies off once you exit from that session (usually by writing exit
or pressing CTRL + D.
To remove an image:
sudo docker rmi learn/tutorial
Things not covered in this tutorial:
- Create your own custom docker images and share with other people: https://docs.docker.com/userguide/dockerimages/
Cheers!


London Symphony Orchestra's Brass Ensemble
The LSO is enjoying a sustained peak of success, and is apparently well-known for the talented and distinctive timbre of their brass section, so it was with some interest that I found myself ushered along to this opportunity to hear them strut their stuff from centre stage, unencumbered by the rest of the orchestra. It was my first visit to the 2,000 seat Barbican Hall, which as venues go could not be in sharper contrast to the Royal Albert Hall which hosted Susan and my last orchestral outing. Along with most people, I wince at the heavy-handed post-war modernist lines of its exterior, but nevertheless can't help but admire the boldness and consistency with which such ambitious architectural and social vision was applied to the entirely of the enourmous Barbican Estate within which it nestles.
And being modern isn't all bad, because the manifold engineered improvements to the concert hall's acoustics of the last couple of decades seem very much to have produced the desired effect - I would describe the clarity and range of sound to which my inexperienced ear was subjected as nothing short of startling.
The ten-strong array of trumpets, trombones and tuba played a selection to showcase their respective talents, with a zest and levity that I am informed is their usual stock in trade, including Paul Archibald's brass arrangement of Prokofiev's Ten Pieces for Piano, Op 12; Saint-Saëns' Carnival of the Animals; Debussy's Keyboard Pieces; James Maynard's Zoology and Gershwin's Porgy and Bess.
Not being overly familiar with orchestral music, the thing that struck me was how much the exercise seemed to celebrate the precision and craftsmanship that the musicians could bring to bear on the reproduction of the music, rather than the sheer visceral joy of the music itself which so predominag tes at a pop gig or night club. I'm told in no uncertain terms by those with more experience of brass ensembles that the experience of rhapsody is equally present, but I'm having trouble reconciling that with my impressions of an audience which was captivated and delighted, but also entirely motionless for the entire performance. Somehow in my mind, the idea of overwhelming musical ecstasy is inseparably associated with a irresistible, participatory physical motion.
Clearly I have much to learn. Baby steps. :)


Would you like to join the SEMCON team?
SEMCON is an Equal Opportunity Employer. Employment decisions are made without regard to race, color, religion, sex, sexual orientation, gender identity, national origin, disability, veteran status or other chracteristics protected by law.
Please view our rewarding career opportunities below.


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Created by
grid layout
is preferred.See the Pen HolyGrail_flexbox_layout by Iva Popova (@webdesigncourse) on CodePen.
See the Pen absolutelyCenteredFlexItems by Iva Popova (@webdesigncourse) on CodePen.
See the Pen Proportionally spaced Menu (Flexboxes) by Iva Popova (@webdesigncourse) on CodePen.
See the Pen style and shuffle Cards with Flexbox by Iva Popova (@webdesigncourse) on CodePen.
See the Pen flexible items with CSS Grid by Iva Popova (@webdesigncourse) on CodePen.
Note, that order property on Grid works as in order property in Flexbox. So basically, the shuffleCard() function is the same as in Flex Demo.
See the Pen style and shuffle Cards with Grid by Iva Popova (@webdesigncourse) on CodePen.
These slides are based on
customised version of
framework


n_samples = 5
wait_max = 10
process = Process(target=_start_mock_lsl_stream, args=(host,))
process.daemon = True
process.start()
with LSLClient(info=None, host=host, wait_max=wait_max) as client:
raw = read_raw_fif(raw_fname)
raw_info = raw.info
sfreq = raw_info["sfreq"]
stream = MockLSLStream(host, raw, ch_type="eeg")
stream.start()
with LSLClient(info=raw_info, host=host, wait_max=wait_max) as client:


I am a material science student having a keen interest in thin films, theoretical physics, and quantum mechanics. I want to impel my career in research and development to learn new cutting-edge technologies, research methodologies, work on creative ideas, take part in today’s biggest scientific breakthroughs and get to know scientists and their research better. Indeed I am looking forward to learning from astounding scientists, professors and researchers at various institutions and research organisations.
I have secured the world rank 1 in CanSat competition 2017 organized by NASA, AIAA, AAS, Lockheed Martin and US Naval Research Laboratory.
Find Out More MeI have been contributing as a thin-film research assistant past 18 months in University of Petroleum and Energy Studies. I enjoyed my summer vacations working on 'Transparent Ultrahydrophobic thin-films' at Defence Research and Development Organisation(DRDO) for a duration of 11 weeks. I relished working on enhancing 'Mechanical stability of thin-films' during my winter vacations in University of Petroleum and Energy Studies.
I love to work on multi-disciplinary visionary projects having the potential to transform the world. I cherish in developing thin-film coatings and have a fondness for theoretical physics and the quantum world. I am also contributing to high-technology projects such as Conductive thin-films, Non-evaporable getters, Dis-similar weld joints and Holobrainography. I love to help and guide people and thus have been serving as Technical Advisor to Team Astral for Annual CanSat competition 2018, Texas, USA.
I have volunteered for various scientific and educational meetings like International Conference on Nano for Energy and Water, NanoTech 2017 organized by Nanoscience and Nanotech, etc. I have volunteered as the captain of MSNT cricket team for two continuous years and further as the captain of the handball team. I am a blood donor too.
Apart from academics, I profoundly enjoy trekking and sketching, discovering the serene beauty of nature. I take up meditating on the thoughtful journey of various aspects of life as my favourite pastime. I find peace in alleviating the lives of people by motivating them.
Get Started!That's great! Give me a call or send me an email and I will get back to you as soon as possible:)
+91-727-529-9497