Barriere, Eastern Washington bury Northern Arizona 66-38
CHENEY, Wash. (AP) - Eric Barriere threw for 367 yards and three touchdowns, ran for 101 and another score and Eastern Washington overwhelmed Northern Arizona 66-38 on Saturday.
Antoine Custer ran for 139 yards and three touchdowns as the Eagles (4-5, 3-2 Big Sky Conference) piled up 706 yards, the fifth most in school history behind the record 769 from a win over Lindenwood earlier this year.
Barriere went 29 of 38 for his seventh 300-yard game and ran the ball 10 times. He also caught a 20-yard pass. Talolo Limu-Jones had eight receptions for 147 yards, including a 75-yard touchdown.
The Lumberjacks (4-5, 2-3) were leading 14-10 when Custer capped three-straight drives with touchdowns and EWU went up 31-14.
The teams swapped scores after that until Andrew Katzenberg followed a Barriere TD pass with a 77-yard fumble return to give EWU a 59-31 lead heading into the fourth quarter.
Case Cookus was 30 of 46 for 356 yards and two touchdowns for NAU with Brandon Porter hauling in eight catches for 111 yards and two touchdowns. Joe Logan ran for 120 yards and three touchdowns as the Lumberjacks had 497 yards on offense.
More AP college football: http://apnews.com/tag/Collegefootball and http://www.twitter.com/AP_Top25
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Copyright © 2019 The Washington Times, LLC.
Please read our comment policy before commenting.


Normally this is done by either adding an entry for /sbin/runsvdir-start to /etc/inittab, or by adding /sbin/runsvdir-start as command to /etc/rc.local, or by adding /sbin/runsvdir-start to the system's StartupItems.
In any case, you first need to copy the stage 2 script to /sbin/runsvdir-start, and create the services directory /service/:
# install -m0750 /package/admin/runit/etc/2 /sbin/runsvdir-start # mkdir -p /service
# cat >>/etc/inittab <<EOT SV:123456:respawn:/sbin/runsvdir-start EOTand tell init to re-read its configuration, e.g.:
# init q
# cat >/etc/init/runsvdir.conf <<\EOT # for runit - manage /usr/sbin/runsvdir-start start on runlevel 2 start on runlevel 3 start on runlevel 4 start on runlevel 5 stop on shutdown respawn exec /usr/sbin/runsvdir-start EOTand tell init to start the new service, e.g.:
# start runsvdir
# cat >>/etc/rc.local <<EOT csh -cf '/sbin/runsvdir-start &' EOTand reboot your system.
# cd /System/Library/StartupItems # mkdir -p runit # cp -p /package/admin/runit/etc/macosx/StartupItems/* runit/and reboot your system.
On MacOSX 10.4 create an entry for runit in /Library/LaunchDaemons/, and tell launchd to start the new service:
# cp /package/admin/runit/etc/macosx/org.smarden.runit.plist \ /Library/LaunchDaemons/ # launchctl load /Library/LaunchDaemons/org.smarden.runit.plist


These charts show which terms are rising or falling significantly in blog posts related to technology enhanced learning. Posts from the <%=report.days%> prior to the report date are compared to a baseline of the previous <%=baseline.months%> months. Blog posts containing the largest number of rising terms are also shown.
These terms already had at least a moderate frequency in the baseline (min <%=max.past.freq*100%>%). Mouse-over the chart to view stats or adjust the sliders to zoom in.
These terms have rather small frequency in the baseline but are rising significantly and might be early signs of change. Mouse-over the chart to view stats or adjust the sliders to zoom in.
These terms have fallen significantly compared to the baseline period. Mouse-over the chart to view stats or adjust the sliders to zoom in.
These are the top <%=top.n%> blog posts from the last <%=report.days%> days when ranked according to the number of different rising terms they contain. The rating shows the percentage of rising terms each post contains.
|
<%=hits[kk,"authors"]%> "><%=hits[kk,"title"]%> <%=strtrim(hits[kk,"content"], 500)%>... |
|
| Contains terms: <%=paste(top.doc.words[[k]], collapse=", ")%> |
Blah Blah about the method? The colour coding shows an estimate of the statistical significance of the change; a value of 3 means a 1 in 1000 chance that the change could be attributed to random factors and a value of 10 means a 1 in 10,000,000,000 chance.
This work was undertaken as part of the TEL-Map Project; TEL-Map is a support and coordination action within EC IST FP7 Technology Enhanced Learning.
|
This work and original text are ©2012 Adam Cooper, Institute for Educational Cybernetics, University of Bolton, UK.
Adam Cooper has licenced it under a Creative Commons Attribution 3.0 Unported License |


Julia used to brag that her family had a villa in Spain
She bragged about winning the race
He bragged that his daughter was the best student


Robbie Williams BEGS Ant and Dec to sign him up for I’m A Celeb 2020
"How am I looking for the next series?"
by Sarah MaglioccoRobbie Williams has asked Ant and Dec if they will take him on for I’m A Celebrity Get Me Out of Here 2020.
The singer tried to strike a deal with the TV presenters during his show Not The Robbie Williams Christmas Show on ITV.
“What about the next series?” he asked the duo via a Skype chat.
“Any guests lined up?”
The singer tried to secure a multi-million pound deal for his appearance on the series next year, joking:
“So a really famous singer will get paid millions for going on I’m A Celeb right?”
Not one to give up easily, he continued:
“Boys what do you say? How am I looking for the next series?”
However, Ant and Dec remained tight lipped about their prospective celeb contestants for the next year’s series.
The 2019 series has just wrapped up, with soap star Jacqueline Jossa securing the title of queen of the jungle.


This asserts that you can specify custom file paths with a leading slash and it doesn't make a difference.


CS 61A
Hog Contest
Leaderboard
As of {%TIMESTAMP%}
New Feature:
Click any team to see win rates
{%RANKINGS%}
hog contest specs
close
Win Rates For Team:
Doriath
10


CHILDREN'S INFORMATION
When one enters the birthdate the information about the child should be produced.
Male
Female
Birthdate:
Submit


| sp500 {gt} | R Documentation |
This dataset provides daily price indicators for the S&P 500 index from the beginning of 1950 to the end of 2015. The index includes 500 leading companies and captures about 80\
sp500
A tibble with 16607 rows and 7 variables:
The date expressed as Date
values
The day's opening, high, low, and closing
prices in USD; the close
price is adjusted for splits
the number of trades for the given date
The close price adjusted for both dividends and splits
11-4
Other Datasets:
countrypops
,
exibble
,
gtcars
,
pizzaplace
,
sza
# Here is a glimpse at the data # available in `sp500` dplyr::glimpse(sp500)


AZ.
login
☰
home
collection
contact
Title
Show all
Pink
Black
Gray
Pink Max 737
Easy Running
Renew Power
Fast Running
Pink Max Lite
Summer Casual Run
Black Force 107
New Tech Running
Zoom Fly
Soft Material
Grey Classic
Classic Running


While pursuing his quest for the Dark Tower through a world that is a nightmarishly distorted mirror image of our own, Roland is drawn through a mysterious door that brings him into contemporary America.
Here he links forces with the defiant young Eddie Dean, and with the beautiful, brilliant, and brave Odetta Holmes, in a savage struggle against underworld evil and otherworldly enemies.
Three. This is the number of your fate.


#include <views.h>
Public Methods | |
| TCommandSet () | |
| TCommandSet (const TCommandSet &tc) | |
| Boolean | has (int cmd) |
| void | disableCmd (int cmd) |
| void | enableCmd (int cmd) |
| void | operator+= (int cmd) |
| void | operator-= (int cmd) |
| void | disableCmd (const TCommandSet &tc) |
| void | enableCmd (const TCommandSet &tc) |
| void | operator+= (const TCommandSet &tc) |
| void | operator-= (const TCommandSet &tc) |
| Boolean | isEmpty () |
| TCommandSet& | operator &= (const TCommandSet &tc) |
| TCommandSet& | operator|= (const TCommandSet &tc) |
Friends | |
| TCommandSet | operator & (const TCommandSet &, const TCommandSet &) |
| TCommandSet | operator| (const TCommandSet &, const TCommandSet &) |
| int | operator== (const TCommandSet &tc1, const TCommandSet &tc2) |
| int | operator!= (const TCommandSet &tc1, const TCommandSet &tc2) |
Member functions are provided for enabling and disabling commands and for testing for the presence of a given command. Several operators are overloaded to allow natural testing for equality and so on.
Note: this object can only handle commands whose code is within 0 and 255. Only commands in this range may be disabled.
Definition at line 584 of file views.h.
|
|
Constructor. Creates and clears a command set. |
|
|
Constructor. This form creates a command set and initializes it from the `tc' argument. |
|
|
Removes all commands in set `tc' from this command set. |
|
|
Removes command `cmd' from the set. Referenced by operator-=().
|
|
|
Adds all commands in set `tc' to this command set. |
|
|
Adds command `cmd' to the set. Referenced by operator+=().
|
|
|
Returns True if command `cmd' is in the set. |
|
|
Returns True if the command set is empty. |
|
|
Calculates the intersection of this set and the `tc' set. The resulting set is the largest set which contains commands present in both sets. Returns a reference to this object. |
|
|
Adds all commands in set `tc' to this command set. |
|
|
Adds command `cmd' to the set. |
|
|
Removes all commands in set `tc' from this command set. |
|
|
Removes command `cmd' from the set. |
|
|
Calculates the union of this set and the `tc' set. The resulting set is the smallest set which contains commands present in either sets. Returns a reference to this object. |
|
|
Calculates the intersection of this set and the `tc' set. The resulting set is the largest set which contains commands present in both sets. Returns the resulting set. |
|
|
Returns 1 if the sets `tc1' and `tc2' are not equal. Otherwise returns 0. |
|
|
Returns 1 if the sets `tc1' and `tc2' are equal. Otherwise returns 0. |
|
|
Calculates the union of this set and the `tc' set. The resulting set is the smallest set which contains commands present in either sets. Returns the resulting set. |


About Author
I am Jerad Steven Acosta.
I have yet to die as of July 27 2021 (the 2nd).
I grew up in North County San Diego were I spent my time with friends and family; surfing, playing music, day dreaming and hatching innocent schemes to catepult me into the next chapter of my ongoing saga.
Music .woke in me a passion to create and communicate with something bigger than my world.
I studied Cognitive Science and Applied Mathematics at The University of San Diego California. There I would participate in student government for my corriculum serving on the Student body board as Vice President as well as founding and participating in auxilary student clubs such as Sailing.
After University I moved to San Francisco to work in Technology. As a project manager I lead teams to assemble internet enabled systems for climate control.
Later I would work in Data Analytics for advertising and marketing.


|
SnuPL Compiler
0.1
|
instruction class More...
#include <ir.h>
Public Member Functions | |
constructors/destructors | |
| CTacInstr (EOperation op, CTac *dst, CTacAddr *src1=NULL, CTacAddr *src2=NULL) | |
| constructor More... | |
| CTacInstr (string name) | |
| constructor (for debugging purposes) More... | |
| virtual | ~CTacInstr (void) |
| destructor More... | |
properties | |
| unsigned int | GetId (void) const |
| return the unique instruction id More... | |
| bool | IsBranch (void) const |
| returns true if this is a branching instruction More... | |
| EOperation | GetOperation (void) const |
| return the operation More... | |
| unsigned int | GetNumSrc (void) const |
| return the number of source operands More... | |
| CTacAddr * | GetSrc (int index) const |
| return source index (index = 1/2) More... | |
| CTac * | GetDest (void) const |
| return the destination More... | |
output | |
| virtual ostream & | print (ostream &out, int indent=0) const |
| print the node to an output stream More... | |
| Public Member Functions inherited from CTac | |
| CTac (void) | |
| virtual | ~CTac (void) |
Protected Member Functions | |
| void | SetId (int unsigned id) |
| set the instruction id (unique per procedure) More... | |
| void | SetDest (CTac *dst) |
| set the destination operand to dst More... | |
Protected Attributes | |
| unsigned int | _id |
| unique instruction id More... | |
| EOperation | _op |
| opcode More... | |
| string | _name |
| name (for debugging purposes) More... | |
| CTacAddr * | _src1 |
| source operand 1 More... | |
| CTacAddr * | _src2 |
| source operand 2 More... | |
| CTac * | _dst |
| destination operand More... | |
Friends | |
| class | CCodeBlock |
| CTacInstr::CTacInstr | ( | EOperation | op, |
| CTac * | dst, | ||
| CTacAddr * | src1 = NULL , |
||
| CTacAddr * | src2 = NULL |
||
| ) |
| CTacInstr::CTacInstr | ( | string | name | ) |
| CTac * CTacInstr::GetDest | ( | void | ) | const |
| unsigned int CTacInstr::GetId | ( | void | ) | const |
| unsigned int CTacInstr::GetNumSrc | ( | void | ) | const |
| EOperation CTacInstr::GetOperation | ( | void | ) | const |
| CTacAddr * CTacInstr::GetSrc | ( | int | index | ) | const |
| bool CTacInstr::IsBranch | ( | void | ) | const |
|
virtual |
|
protected |
|
protected |
|
friend |
|
protected |
|
protected |


test_scores = dict(zip(scorer.keys(),
[error_score, ] * n_scorers))
if return_train_score:
train_scores = dict(zip(scorer.keys(),
[error_score, ] * n_scorers))
else:
test_scores = error_score
if return_train_score:
train_scores = error_score
raise
elif isinstance(error_score, numbers.Number):
if isinstance(scorer, dict):
test_scores = {name: error_score for name in scorer}
if return_train_score:
train_scores = test_scores.copy()
else:
test_scores = error_score


MathContext
Configuration class for BigDecimal (immutable).
Static Member Summary
| Static Public Members | ||
| public static get |
128-bit floating point. |
|
| public static get |
256-bit floating point. |
|
| public static get |
DECIMAL32: MathContext: * 32-bit floating point. |
|
| public static get |
DECIMAL64: MathContext: * 64-bit floating point. |
|
| public static get |
UNLIMITED: MathContext: * No decimal point limit. |
Static Method Summary
| Static Public Methods | ||
| public static |
create(precision_or_name: string | number | MathContext, roundingMode: RoundingModeEntity): MathContext Create BigDecimal configuration. |
Constructor Summary
| Public Constructor | ||
| public |
constructor(precision_or_name: string | number | MathContext, roundingMode: RoundingModeEntity) Create BigDecimal configuration. |
Member Summary
| Private Members | ||
| private |
The precision of this BigDecimal. |
|
| private |
Method of rounding. |
Method Summary
| Public Methods | ||
| public |
Decrease in the precision of x. |
|
| public |
equals(x: MathContext): boolean Equals. |
|
| public |
The precision of this BigDecimal. |
|
| public |
Method of rounding. |
|
| public |
Increase in the precision of x. |
|
| public |
Convert to string. |
Static Public Members
public static get DECIMAL128: MathContext: * source
128-bit floating point.
- Significand precision: 112 bits
- Equivalent of the C language long double.
public static get DECIMAL256: MathContext source
256-bit floating point.
- Significand precision: 237 bits
public static get DECIMAL32: MathContext: * source
32-bit floating point.
- Significand precision: 23 bits
- Equivalent of the C language float.
public static get DECIMAL64: MathContext: * source
64-bit floating point.
- Significand precision: 52 bits
- Equivalent of the C language double.
public static get UNLIMITED: MathContext: * source
No decimal point limit. However, an error occurs in the case of cyclic fraction in division.
Static Public Methods
public static create(precision_or_name: string | number | MathContext, roundingMode: RoundingModeEntity): MathContext source
Create BigDecimal configuration.
Params:
| Name | Type | Attribute | Description |
| precision_or_name | string | number | MathContext | Precision. Or String output by MathContext.toString. |
|
| roundingMode | RoundingModeEntity |
|
RoundingMode. |
Public Constructors
public constructor(precision_or_name: string | number | MathContext, roundingMode: RoundingModeEntity) source
Create BigDecimal configuration.
Params:
| Name | Type | Attribute | Description |
| precision_or_name | string | number | MathContext | Precision. Or String output by MathContext.toString. |
|
| roundingMode | RoundingModeEntity |
|
RoundingMode. |
Private Members
Public Methods
public decreasePrecision(x: number): MathContext source
Decrease in the precision of x.
- If the setting has no precision limit, do not change.
Params:
| Name | Type | Attribute | Description |
| x | number |
|
public equals(x: MathContext): boolean source
Equals.
Params:
| Name | Type | Attribute | Description |
| x | MathContext | Number to compare. |
public increasePrecision(x: number): MathContext source
Increase in the precision of x.
- If the setting has no precision limit, do not change.
Params:
| Name | Type | Attribute | Description |
| x | number |
|


ThisMyPC is a next-generation open source solution for remote pc. It's a full stack based project that starts as
an experiment.
You can get the source code from GitHub and use for your own purpose.
When we speak of free software, we are referring to freedom, not price.
Node.js is a JavaScript runtime built on Chrome's V8 JavaScript engine.
Angular is a TypeScript-based open-source full-stack web application framework led by the Angular Team at Google and by a community of individuals and corporations.
Electron is an open-source framework developed and maintained by GitHub. Electron allows for the development of desktop GUI applications using front and back end components originally developed for web applications
Express.js, or simply Express, is a web application framework for Node.js, released as free and open-source software under the MIT License. It is designed for building web applications and APIs.
React Native · A framework for building native apps using React
MongoDB is a cross-platform document-oriented database program. Classified as a NoSQL database program, MongoDB uses JSON-like documents with schemata.


Add a new book
Your wishlist
sort
title
author
category
priority
author
category
crime
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poetry
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science
priority
1
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Reset
Title
Author
Category
Priority
Add a new book
×
Title
Author
Category
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{% import 'badge_views.html' as badge_views %} {% import 'share_buttons.html' as share_buttons %} {% macro earned_view(name, did_earn) %}


News
DataBase
DailyDeal
HEADLINES
Top Trending Games
Price Range: $ 0
$
30
Metacritic:
0
Stores:
Steam
Amazon
GameStop
HumbleStore
Apply Change
Daily top 50
STORE
PRICE
SAVINGS
TITLE
DEAL RATING
METACRITIC


Notifications
You're up to date
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{{i_employee.employee_name or ''}}
{{i_employee.date_of_birth.strftime("%d %b %Y, %a ") or ''}}
{{i_leave_application.employee_name or ''}}
{{i_leave_application.leave_date}}
My Company
{{ employee.company or ''}}
{% if employee.date_of_joining %}Joined since {{ employee.date_of_joining.strftime(" %d %b %Y ") or ''}}
{% endif %}OFFICE
{{ employee.branch or ''}}
{{ branch.branch_type or ''}}
{% if branch %} {{branch.address_line_1 or ''}} {{branch.city or ''}}, {{branch.state or ''}}, {{branch.country or ''}} {% endif %}


{% extends "../components/base.html" %} {% load custom_tags %} {% load static %} {% block title %}Find Your State Legislators - Open States{% endblock %} {% block og_title %}Find Your State Legislators - Open States{% endblock %} {% block description %}Find out who represents you in your state legislature with Open States.{% endblock %} {% block link %}{% endblock %} {% block scripts %} {% endblock %} {% block content %}
Data here now has been updated to reflect the 2020-2022 redistricting process. Results here now show who currently represents you, under the new maps.
Known exceptions: Montana has not finalized redistricting, so results in Montana will reflect the pre-redistricting (2022) districts.


Terms of Service
1. Terms
By accessing the website at https://budgetduo.com, you are agreeing to be bound by these terms of service, all applicable laws and regulations, and agree that you are responsible for compliance with any applicable local laws. If you do not agree with any of these terms, you are prohibited from using or accessing this site. The materials contained in this website are protected by applicable copyright and trademark law.
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- Further, BudgetDuo does not warrant or make any representations concerning the accuracy, likely results, or reliability of the use of the materials on its website or otherwise relating to such materials or on any sites linked to this site.
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Your privacy is important to us. It is BudgetDuo's policy to respect your privacy regarding any information we may collect from you across our website, https://budgetduo.com, and other sites we own and operate.
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This policy is effective as of 25 May 2018.


{% extends "_layout.html" %} {% set active_page = "signup" %} {% block title %}Sign Up{% endblock %} {% block content %}
MakeHackVoid depends on financial contributions from members to pay for the facilities it provides; and volunteer hours to keep the space maintained. Joining MakeHackVoid involves filling in the sign up form and agreeing to our community rules and code of conduct. For those who are able, we ask that you pay a monthly contribution to the running costs. Most people pay $30 a month using a scheduled payment through their online banking. There are also donation boxes in the space if regular payments are difficult for you.
MakeHackVoid also recognises & highly values the non-fiscal contributions of our members through working bees; administrative tasks; and providing a clean, safe and welcoming environment for members and guests.
{% endblock %}


Create the graph
1 Select the Create button.
The following shows a partial Graph view.
The Graph dialog box remains open even after building the view. You can use it to create an ASCII report.
2 In the Graph dialog box, click Save to File.
3 Click the text field adjacent to the Save to File button.
4 Enter the absolute path of an output file (it does not have to already exist), for example:
/tmp/graph.dat
5 Click Create.
DIScover creates the following text report:
{main}
|E| = 4
0. ticTacToeGame::ticTacToeGame(int, char **)
1. ticTacToeGame::createComponents()
2. gameBoard::gameBoard(int, int)
3. Board::Board(int, int)
|E| = 6
0. ticTacToeGame::ticTacToeGame(int, char **)
1. ticTacToeGame::createComponents()
2. displayTicTacToeGame::displayTicTacToeGame
(UIObject &, int, int, color &, game &, char *,
int, char *, int, char *, int)
3. DisplayApp::DisplayApp(UIObject &, int, int,
color &, application &, void (*)(application &,
location &), int, int,...)
4. DisplayBoard::DisplayBoard(UIObject &,
application &, void (*)(application &,
location &), int, int, color &)
5. Board::Board(int, int)
[2]


Outrage in Spain over verdict in gang sex attack on teen
MADRID: Women's groups and legal experts demanded on Friday (Nov 1) that Spanish law be changed after five men accused of gang-raping an 14-year-old girl were convicted on a lesser charge of sexual abuse on the grounds the unconscious victim did not fight back.
A Barcelona court on Thursday ruled out the more serious charge of sexual assault - the legal equivalent of rape in Spain - on the grounds that the victim was in an "unconscious state" from drugs and alcohol and that the accused had not used "any type of violence or intimidation" in the attack.
"She did not know what she was doing and, therefore, could not decide whether to accept or oppose the sexual relations she had with the majority of the accused," the court said.
The five men were handed between 10 and 12 years in prison.
A conviction for sexual assault would have carried jail sentences of between 15 and 20 years.
Two other defendants were acquitted of involvement in the attack which took place in October 2016 at a party in an abandoned factory in the town of Manresa in the northeastern region of Catalonia.
The court also ordered the men to pay the victim €12,000 (US$13,500) in compensation, describing the assault as "extremely intense and especially degrading".
"The problem is not the verdict, it's the criminal code" which states that intimidation or violence must be proven for a person to be convicted of rape, said Montserrat Comas of the progressive Judges for Democracy association in Catalonia.
Spain's laws must be changed to define rape as all sex without consent, as is the case in most other European nations, she told news radio Cadena Ser.
It is also required by the Istanbul Convention, an international treaty on preventing and combating violence against women which Madrid ratified in 2014, she added.
"The facts are especially horrendous because we are talking about a 14-year-old minor," Comas said.
'OUTRAGEOUS'
The case has been likened to the so-called "Wolf Pack" gang rape of a young woman in Pamplona in July 2016 during the northern city's famed bull-running festival which also sparked outrage.
In 2018, five Spanish men were first sentenced to nine years in prison for sexual abuse in that case, leading to widespread protests and calls for a review of Spain's rape laws.
In June, the Supreme Court increased the sentences to 15 years after upgrading their charges to sexual assault.
Following the initial Pamplona verdict, Spain's Socialist government announced plans to reform the criminal code to stipulate that a woman must give her explicit consent for sex but so far no changes have been made.
Marisa Soleto, head of the Women's Foundation pro-equality group, said in a tweet that the ruling in the Manresa case "was further proof of the need to change the law".
Altamira Gonzalo of the women jurists' group Themis said she felt "much shame and powerlessness" over the verdict.
Barcelona mayor Ada Colau, who has revealed that she was almost raped on two separate occasions in her youth, said the court ruling was "outrageous" and the product of a "patriarchal judiciary".


Ideathon is a short, intensive, brainstorming online event which focuses on the uniqueness of the idea submitted by young talents to innovate and create their own unique projects in order to generate fresh solutions to existing challenges.
The judges will be looking at how unique and interesting your idea is, how close it is to being a product and how convincing your pitch presentation is.
No, we welcome both individual participants and teams of up to 5 members. In case you registered as an individual and would like to join a team, we will help facilitate that process.
After the event is over, the mentor team will carefully evaluate every submission received and decide how to best support them going forward. We will send an email to each team/individual on the same day with next steps.


1st and Pike
address: 205 1st Ave
1-206-878-4545
hours: 6 to 9 pm
Seatac Airport
address:100 Airport way
1-206-878-4544
hours: 6 to 9 pm
Seattle Center
address: 205 2nd Ave
1-206-878-4543
hours: 6 to 9 pm
Capital Hill/p>
address: 205 Senaca Ave
1-206-878-4542
hours: 6 to 9 pm
Alki
address: 205 Alki Holic Ave
1-206-878-4541
hours: 6 to 9 pm


Discover amzaing places at exclusive deals
London, the capital of England and the United Kingdom, is a 21st-century city with history stretching back to Roman times. At its centre stand the imposing Houses of Parliament, the iconic ‘Big Ben’ clock tower and Westminster Abbey, site of British monarch coronations. Across the Thames River, the London Eye observation wheel provides panoramic views of the South Bank cultural complex, and the entire city.
Kolkata (formerly Calcutta) is the capital of India's West Bengal state. Founded as an East India Company trading post, it was India's capital under the British Raj from 1773–1911. Today it’s known for its grand colonial architecture, art galleries and cultural festivals. It’s also home to Mother House, headquarters of the Missionaries of Charity, founded by Mother Teresa, whose tomb is on site.
Malda district, also spelt Maldah or Maldaha (Bengali: [malda], [maldɔɦ], often [maldɔɦo]; is a district in West Bengal, India. It lies 347 km (215 miles) north of Kolkata, the capital of West Bengal. Mango, jute and silk are the most notable products of this district. The special variety of mango, Fazli, produced in this region is popularly known by the name of the district and is exported across the world and internationally acclaimed.


Preparation time
less than 30 mins
Cooking time
30 mins to 1 hour
Serves
Serves 4
This easy salad requires only a little cooking, but tastes sensational. If you can't find fresh horseradish, you can add fresh dill to a jar of ready-made horseradish cream.
For the beetroot salad, bring a large pan of water with a tight fitting lid to the boil, place a steamer insert on top. Add the beetroot, cover the pan and steam for 35-40 minutes, or until tender. (The beetroot is cooked through when a knife inserted into the centre meets no resistance.)
Remove the beetroot and set aside to cool slightly before peeling (you may wish to wear gloves when you peel the beetroot to prevent your hands from staining). Slice the beetroot into bite-sized pieces (about 0.5cm/½in thick), then place into a bowl with the olive oil, balsamic vinegar and shallot. Mix well, then season, to taste, with salt and freshly ground black pepper.
For the horseradish crème fraîche, mix all of the horseradish crème fraîche ingredients together, taste, and adjust the seasoning, if required.
To serve, divide the beetroot salad among 4 serving plates, scatter the salmon over the top and sprinkle over a little chopped dill. Arrange some fresh beetroot leaves on the side. Spoon the horseradish crème fraîche into small serving bowls and serve alongside.


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/* This file is part of Ext JS 4 Copyright (c) 2011 Sencha Inc Contact: http://www.sencha.com/contact Commercial Usage Licensees holding valid commercial licenses may use this file in accordance with the Commercial Software License Agreement provided with the Software or, alternatively, in accordance with the terms contained in a written agreement between you and Sencha. If you are unsure which license is appropriate for your use, please contact the sales department at http://www.sencha.com/contact. */ /** * An abstract class for fields that have a single trigger which opens a "picker" popup below the field, e.g. a combobox * menu list or a date picker. It provides a base implementation for toggling the picker's visibility when the trigger * is clicked, as well as keyboard navigation and some basic events. Sizing and alignment of the picker can be * controlled via the {@link #matchFieldWidth} and {@link #pickerAlign}/{@link #pickerOffset} config properties * respectively. * * You would not normally use this class directly, but instead use it as the parent class for a specific picker field * implementation. Subclasses must implement the {@link #createPicker} method to create a picker component appropriate * for the field. */ Ext.define('Ext.form.field.Picker', { extend: 'Ext.form.field.Trigger', alias: 'widget.pickerfield', alternateClassName: 'Ext.form.Picker', requires: ['Ext.util.KeyNav'], /** * @cfg {Boolean} matchFieldWidth * Whether the picker dropdown's width should be explicitly set to match the width of the field. Defaults to true. */ matchFieldWidth: true, /** * @cfg {String} pickerAlign * The {@link Ext.Element#alignTo alignment position} with which to align the picker. Defaults to "tl-bl?" */ pickerAlign: 'tl-bl?', /** * @cfg {Number[]} pickerOffset * An offset [x,y] to use in addition to the {@link #pickerAlign} when positioning the picker. * Defaults to undefined. */ /** * @cfg {String} openCls * A class to be added to the field's {@link #bodyEl} element when the picker is opened. * Defaults to 'x-pickerfield-open'. */ openCls: Ext.baseCSSPrefix + 'pickerfield-open', /** * @property {Boolean} isExpanded * True if the picker is currently expanded, false if not. */ /** * @cfg {Boolean} editable * False to prevent the user from typing text directly into the field; the field can only have its value set via * selecting a value from the picker. In this state, the picker can also be opened by clicking directly on the input * field itself. */ editable: true, initComponent: function() { this.callParent(); // Custom events this.addEvents( /** * @event expand * Fires when the field's picker is expanded. * @param {Ext.form.field.Picker} field This field instance */ 'expand', /** * @event collapse * Fires when the field's picker is collapsed. * @param {Ext.form.field.Picker} field This field instance */ 'collapse', /** * @event select * Fires when a value is selected via the picker. * @param {Ext.form.field.Picker} field This field instance * @param {Object} value The value that was selected. The exact type of this value is dependent on * the individual field and picker implementations. */ 'select' ); }, initEvents: function() { var me = this; me.callParent(); // Add handlers for keys to expand/collapse the picker me.keyNav = Ext.create('Ext.util.KeyNav', me.inputEl, { down: function() { if (!me.isExpanded) { // Don't call expand() directly as there may be additional processing involved before // expanding, e.g. in the case of a ComboBox query. me.onTriggerClick(); } }, esc: me.collapse, scope: me, forceKeyDown: true }); // Non-editable allows opening the picker by clicking the field if (!me.editable) { me.mon(me.inputEl, 'click', me.onTriggerClick, me); } // Disable native browser autocomplete if (Ext.isGecko) { me.inputEl.dom.setAttribute('autocomplete', 'off'); } }, /** * Expands this field's picker dropdown. */ expand: function() { var me = this, bodyEl, picker, collapseIf; if (me.rendered && !me.isExpanded && !me.isDestroyed) { bodyEl = me.bodyEl; picker = me.getPicker(); collapseIf = me.collapseIf; // show the picker and set isExpanded flag picker.show(); me.isExpanded = true; me.alignPicker(); bodyEl.addCls(me.openCls); // monitor clicking and mousewheel me.mon(Ext.getDoc(), { mousewheel: collapseIf, mousedown: collapseIf, scope: me }); Ext.EventManager.onWindowResize(me.alignPicker, me); me.fireEvent('expand', me); me.onExpand(); } }, onExpand: Ext.emptyFn, /** * Aligns the picker to the input element * @protected */ alignPicker: function() { var me = this, picker; if (me.isExpanded) { picker = me.getPicker(); if (me.matchFieldWidth) { // Auto the height (it will be constrained by min and max width) unless there are no records to display. picker.setSize(me.bodyEl.getWidth(), picker.store && picker.store.getCount() ? null : 0); } if (picker.isFloating()) { me.doAlign(); } } }, /** * Performs the alignment on the picker using the class defaults * @private */ doAlign: function(){ var me = this, picker = me.picker, aboveSfx = '-above', isAbove; me.picker.alignTo(me.inputEl, me.pickerAlign, me.pickerOffset); // add the {openCls}-above class if the picker was aligned above // the field due to hitting the bottom of the viewport isAbove = picker.el.getY() < me.inputEl.getY(); me.bodyEl[isAbove ? 'addCls' : 'removeCls'](me.openCls + aboveSfx); picker[isAbove ? 'addCls' : 'removeCls'](picker.baseCls + aboveSfx); }, /** * Collapses this field's picker dropdown. */ collapse: function() { if (this.isExpanded && !this.isDestroyed) { var me = this, openCls = me.openCls, picker = me.picker, doc = Ext.getDoc(), collapseIf = me.collapseIf, aboveSfx = '-above'; // hide the picker and set isExpanded flag picker.hide(); me.isExpanded = false; // remove the openCls me.bodyEl.removeCls([openCls, openCls + aboveSfx]); picker.el.removeCls(picker.baseCls + aboveSfx); // remove event listeners doc.un('mousewheel', collapseIf, me); doc.un('mousedown', collapseIf, me); Ext.EventManager.removeResizeListener(me.alignPicker, me); me.fireEvent('collapse', me); me.onCollapse(); } }, onCollapse: Ext.emptyFn, /** * @private * Runs on mousewheel and mousedown of doc to check to see if we should collapse the picker */ collapseIf: function(e) { var me = this; if (!me.isDestroyed && !e.within(me.bodyEl, false, true) && !e.within(me.picker.el, false, true)) { me.collapse(); } }, /** * Returns a reference to the picker component for this field, creating it if necessary by * calling {@link #createPicker}. * @return {Ext.Component} The picker component */ getPicker: function() { var me = this; return me.picker || (me.picker = me.createPicker()); }, /** * @method * Creates and returns the component to be used as this field's picker. Must be implemented by subclasses of Picker. * The current field should also be passed as a configuration option to the picker component as the pickerField * property. */ createPicker: Ext.emptyFn, /** * Handles the trigger click; by default toggles between expanding and collapsing the picker component. * @protected */ onTriggerClick: function() { var me = this; if (!me.readOnly && !me.disabled) { if (me.isExpanded) { me.collapse(); } else { me.expand(); } me.inputEl.focus(); } }, mimicBlur: function(e) { var me = this, picker = me.picker; // ignore mousedown events within the picker element if (!picker || !e.within(picker.el, false, true)) { me.callParent(arguments); } }, onDestroy : function(){ var me = this, picker = me.picker; Ext.EventManager.removeResizeListener(me.alignPicker, me); Ext.destroy(me.keyNav); if (picker) { delete picker.pickerField; picker.destroy(); } me.callParent(); } });


Tues, Thurs - 5:30-6:45
October 1st, - no class?
October 15th, 17th - no class?
YAY !
Item up for discussion
There is a zero tolerance policy for cheating in this class. In the event a student is found to be cheating, a final class grade of 0/F will be given.
---
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Aired: 3/13/2003
Teleplay by: Brian Buckner & Sebastian Jones
Story by: Robert Carlock
Directed by: Gary Halvorson
Transcribed by: Eleonora, Pheeboh and Vanessa
[Scene: Ross' apartment , Chandler and Joey enter]
Chandler: Hey! Ready to go?
Ross: Oh yeah, let me just finish this.
Joey: Hey Ross, check this out! (he tries to spin a basketball on his fingertip but he throws it against a table) yeah, I can't do that!
Chandler: What are you doin'?
Ross: Have you seen this? It's a new alumni website for college! It's cool! You can post messages for people, let everyone know what you're up to.
Chandler: Great, a faster way to tell people that I'm unemployed and childless .
Ross: It's actually kinda interesting to find out what people are doing... remember Andrea Rich?
Chandler: The tall girl who wouldn't sleep with you?
Ross: Uh uh... well, her Internet Company went under and she lost an ear in a boating accident...
Chandler: Bet she'd sleep with you now...
Ross: No... I already e-mailed her.
Chandler: Let me see what you wrote about yourself: "Doctor Paleontology, two kids... " (pause) You split with Carol because you have different interests?... I think you split with Carol because you've one very similar interest!
Ross: You know what? I'm gonna finish this later, ok? Let me just grab my coat.
Joey: Hey! (he throws the basketball against a table again)
Ross: (he picks up the ball) What do you think you learnt how to do in the last two minutes?? (he enters another room)
Chandler: Maybe we finish this for him! (he sits down on the sofa and he start typing on Ross' computer) "Also I cloned a dinosaur in my lab. She's now my girlfriend. I don't care what society says. It's the best sex I've ever had"... aaand SEND!
Joey: (he stops Chandler from posting the message) No, no, no... what do... you can't do that to him!
Ross: (he comes back) Alright, let's go!
Joey: Dude! (he opens his arms to receive the ball from Ross' hands)
Ross: I think you made it clear you cannot be trusted with the ball inside the house!
Joey: (after Ross leaves the room) aaand SEND! (he hits the send button)
Opening credits
[Scene: Joey and Rachel's apartment]
Rachel: Hey! How was basketball?
Joey: Oh, it was a lot of fun right up until Chandler got a finger in the eye!
Rachel: Oh, no! Who did that?
Joey: Chandler... hey... (he goes towards his room but he stops near Emma's cot) Rach... what's Hugsy doin' in the crib with Emma? (he looks puzzled)
Rachel: She was just crawling around and she found him, so I just let her sleep with him. That's all right? Isn't it?
Joey: (still very puzzled) Oh, yeah... of course... yeah... it's a stuffed animal... you know... it's for kids... not for adults... I know that!
Rachel: Joey... are you sure?
Joey: Rachel... let's be clear on this, ok? I do not love Hugsy. I like him a normal amount...
Rachel: All right... Oh, Emma loves him!
Joey: Why wouldn't she? He's a wonderful person!
[Scene: Central Perk]
Phoebe: Hi.
Monica: Hey Phoebe... how you doin'? You feelin' better?
 Oh, I really miss Mike!
Chandler: Oh, I'm so sorry!
Phoebe: Oh God, I tried everything to make myself feel better. I even tried writing a song about it... but... I can't think of anything that rhymes with AARRGGHH!! (pause) Hey Monica, I really need your help getting through this...
Chandler: You're not gonna need my help?
Phoebe: Well no, when I get to the point where... you know...  I'm gonna come to you.
Chandler: Oh good, 'cause I've already thought of 3... 4! I've just thought of a fourth (he goes towards the counter)
Phoebe: Ok. I mean I know I did the right thing. You know, Mike never wants to get married and I shouldn't be in a relationship that has no future... but... pretty soon I'm gonna miss him so much. I'm gonna wanna see him again and you have to stop me from doing that.
Monica: Ok, you got it!
Phoebe: (after a pause) Unless... Maybe it's too crazy about this...  You know what? Forget what I said.
Monica: Really? If that's what you want...
Phoebe: That was a test and you just failed.
 Rookie mistake!
(Ross enters and he's really angry.
Chandler: I believe I read that somewhere!
Ross: That only is not funny, it's physically impossible! Ok? Depending on the species I'd have to have a six foot long... (pause) It's not funny!!
Chandler: I respectfully disagree.
Ross: I can't believe you put that on my alumni page!
Chandler: Who cares? Nobody reads those things
Ross: You'd better hope not because I just read what you put on your page today.
Chandler: I don't have a page.
Ross: Oh oh oh! I RESPECTFULLY DISAGREE!!
[Scene: Rachel's room.  (Emma cries)
Rachel: (threatening Joey with a scrunchy): Step away from the crib, I have a weapon!
Joey: It's okay, it's okay Rach, it's me. Put down the scrunchy.
Rachel: What are you doing?
Joey: Well, I heard Emma stirring, so I came to make sure she could reach Hugsy.
Rachel: Oh, oh thanks. Alright well, now that I'm up I'm going to go to the bathroom.
Joey: (placing Hugsy back in the crib) There you go sweetie... (to Emma) This isn't over.
[Scene: Monica and Chandler's. Chandler is looking at the screen of his laptop, shaking his head.]
Monica: Alright, wait a second, why would Ross tell everyone in your class that you are as... (reads from the screen) "gay as the day is long"?
Chandler: Because I told everyone he slept with dinosaurs.
Monica: But that's clearly a joke. This could easily be true. (Phone rings)
Chandler: Would you get that please? People have been calling to congratulate me all day.
Monica: (On the phone) Hello? No, he's not here. Yeah, this is his wife. Yeah, well, it came as quite a shock to me too. I guess I should have known. Yeah, I mean, he just kept making me watch Moulin Rouge.
Chandler: Hang up, hang up. And that was a great movie! (Monica hangs up) I'm so gonna get back at Ross... oh yeah, this will show him, here we go (starts typing something).
Monica: What are you doing?
Chandler: Oh, you'll see my friend.
[Time lapse, still Chandler and Monica's, but only Chandler is there. Enter Ross]
Ross: (visibly upset) I'm dead?
Chandler: (faking sympathy) And so young.
Ross: Posting that I died? That really isn't funny.
Chandler: Well, how you died was funny.

Chandler: It kills over one americans every year.
Ross: Unbelievable, my classmates are gonna think I'm dead, my professors, my... my parents are gonna get phone calls. You're messing with people's feelings here.
Chandler: You wanna talk about people's feelings? You should have heard how hurt professor Stern was yesterday when I told him I wouldn't be able to go with him to Key West!
Ross: You've really crossed the line here, but that's okay, it's ok 'cause I'm on my way to buy some Photoshop software and a stack of gay porn. That's right! Your coming out is about to get real graphic.
[Scene: Phoebe's apartment]
Phoebe: God, I wish Mike were here.
Monica: Okay if Mike were here what would the two of you be doing?
(Phoebe gives her a meaningful look)
Monica: What are you, animals? It's 4 o'clock in the afternoon!
Phoebe: I gotta call him. Just to talk to him, there's no harm in that.
Monica: Phoebe, that's how it starts. I don't need to eat the cake, I'll just smell the icing... why don't I just eat a little sliver, or, okay, just a slice or two. And next thing you know, you're 210 pounds and you get wedged in going down the tunnel slide. Phoebe, honey, I know this is hard. Look, if you talk to him, you're going to wanna see him. And if you see him, you're going to want to get back together with him. I know that's not what you want. (pause) Give me your phone.
Phoebe: Here.
Monica: And now your cell.
Phoebe: Okay (she takes a huge, clearly obsolete cellphone she keeps in a closet and gives it to Monica)
Monica: This is your cellphone?
Phoebe: Yes.
Monica: This is your current cellphone?
Phoebe: Yes, it reminds me of a simpler time.
Monica: Phoebe, where's your purse?
(They run for Phoebe's purse, Phoebe gets there first and takes the cell. Monica tries to take it away from her)
Monica: No, no! Give it to me!
Phoebe: You can't have it.
Monica: Give it to me!
Phoebe: No (tucks it in her pants)
Monica: I'll go in there.
Phoebe: (disbelievingly) Oh yeah.
Monica: Phoebe come here
(they fight a little, the phone falls and Monica picks it up)
Monica: Haha!

[Scene: Joey and Rachel's. Enter Joey]
Joey: Hey, look who's here! It's Joey, and he brought home a friend.
Rachel: Joey, Emma's right here! You promised not to bring girls home in the middle of the day anymore.
Joey: No, no, it's not a girl, it's... a brand new Hugsy!
Rachel: Oh that's so great, now Emma has two Hugsy's.
Joey: No, no, Emma has one Hugsy, the new Hugsy, huh? The other Hugsy, I don't know, I guess I'll just take it back.
 When I was a little girl I had a little pink pony named Cotton. Oh I loved her so much, I took her everywhere, I would braid her tail...
Joey: Make the transfer! (She does so)
Rachel: Should I be concerned that a button fell off the old Hugsy and I can't find it?
Joey: Oh, no don't worry about that, I swallowed that years ago.
(Emma cries)
Rachel: Oh, I don't think she likes the new Hugsy.
Joey: But he's the same.
Rachel: Yeah, I think she wants the old one back.
Joey: But he's the same.
Rachel: Joey, come on!
Joey: He's the same!
(they exchange Hugsy's).
Joey: (to the new Hugsy) You're not the same!
[Scene: Phoebe's apartment. Enter Monica]
Monica: Haha!
Phoebe: You know, it's a lot less surprising to do that after I've buzzed you into the building.
Monica: So Phoebe, why are there men's shoes by the door.
Phoebe: Those are my shoes.
Monica: Oh, when you get over this breakup we need to go shopping.
Phoebe: Monica, I really appreciate you checking in on me, but I'm actually feeling a lot better. Yeah, I just kinda want to be alone right now.
(Someone knocks on the door)
Monica: Who's that? (goes to open door)
Phoebe: I ordered Chinese food.
(Monica opens the door and Mike is standing at the doorway)
Phoebe: What are the chances? 1 billion Chinese people and they send Mike!?
Monica: (To Mike) What are you doing here?
Mike: Phoebe called me.
Monica: Phoebe!
Phoebe: I'm sorry, I broke down... I wanted to see him.
Monica: Damnit Phoebe! How did you even call him?
Phoebe: There is a speakerphone on the base unit...
Monica: Base Unit! Think Monica! Think!
Mike: Look, if I wanna see Phoebe and she wants to see...
Monica: (to Mike) This doesn't concern you!!
Mike: Oh! Sorry, I guess I was thrown off by the mention of my name!
Monica: Look, guys, you can't do this, it's just going to make getting over each other, that much harder.
Phoebe: Not if nothing happens. Why can't... why can't we just hang out as friends?
Monica: Sure! If you're just gonna hang out as friends, then maybe I'll join ya. You know, I'm your friend (to Phoebe) and Mike's friend (Mike is sceptical).
Phoebe: Sit down.
(Phoebe and Mike sit next to each other)
Monica: Oh wow wow wow!! Make room for your friend! (sits herself down between them)
Mike: (to Phoebe) So how've you been?
Monica: I've been pretty good!
Mike: (to Phoebe) You look really beautiful.
Phoebe: Thanks, you look good too.
Monica: Oh no no no no... this is dangerous territory. Keep it clean!
Phoebe: So how's the piano playing going?
Mike: Actually I've been playing a lot of love songs lately. I've missed you.
Phoebe: I've missed you too.
(Silence)
Monica: You know, on the way over here, I saw this drunk guy throw up. And then a pigeon ate it!

Ross: uhu uhu, check this out. (Chandler sits down and looks at laptop screen)
Chandler: Huh! So that's what I would look like if I worked out... and was being serviced by a policeman. You're not actually going to send these out are ya?
Ross: Eh..actually no, I don't need to because your little "Ross is dead" joke didn't work, ok, there were no responses. Nobody posted anything on the website, nobody called my parents, so the joke my friend is on you. Nobody called, nobody wrote anything, nobody cares that I'm dead. (silence) Oh my God! Nobody cares that I'm dead!?
Chandler: No, come on, you know that's not true.
Ross: What are you talking about? You get sixty responses just for coming out of the closet! I didn't get one response! And I'm dead!
Chandler: Well, the gay community is a lot more vocal than the dead community.
Ross: I can't believe this. Not even my geology lab partner?  That people are gonna post condolences on a website? This is not about people not caring that you're dead .This is about people not having a decent outlet for their grief.
Ross: You're right. There isn't a decent outlet.

Ross: Exactly!! (sits back down at his laptop and starts typing)
Chandler: Ross, what're you... what're you... what are you doing? (looks at laptop screen)You're having a memorial service for yourself!?
Ross: No! That would be stupid! You're having it for me!
Chandler: Ross, don't press send, don't press se... !
Ross: oh, too late, too late! It's sent... oops sorry and so is the picture of you and the police man...
[Scene: Joey's room: Joey is sitting on his bed reading DooL transcript when Rachel walks in]
Rachel: I'm trying to put Emma down for a nap, have you seen Hugsy?
Joey: Original or crappy?
Rachel: Original.
Joey: No, sorry haven't seen him.
Rachel: Then what's that big lump under your covers?
Joey: It's Monica, ok?
Rachel: That's not Monica!
Joey: Alright!! Fine! It's original Hugsy! No, now I know that Emma wants him but he's mine and I need him..
Rachel: (to herself) Oh God.
Joey: ... she's being unreasonable!

Joey: It does?
Rachel: Yeah! And she's comforted by him because she loves her uncle Joey so much.
Joey: Really? She... she loves me?
Rachel: Oh yeah! But you know what? If you need Hugsy, don't worry. Emma will totally understand. I won't... but whatever (She leaves the room).
Joey: Ok, wait wait wait wait a minute wait a minute, I mean Rach, I mean if if... . If Hugsy means that much to Emma then... well she can have him.
Rachel: Oooh... you're sweet, I knew uncle Joey would step up. (Turns to face Emma in the the playpen) Look Emma, look who's baaack!
Joey: Look forget it forget it... I can't do it.
Rachel: Are you gonna... you're going to take Hugsy away from a little child?
Joey: How do you think I got him in the first place?
[Scene: Phoebe's apartment: Phoebe, Monica and Mike sitting on the couch]
(Monica is getting up from the couch)
Monica: Alright you two, I'm gonna go to the bathroom. Now I don't want anything going on while I'm gone. Here's a few things you can discuss: mucus, fungus and the idea of me and Ross doing it.
Mike: I've missed you so much! No, I'm not gonna ask you to get back together because I know we want different things, but just to be with you one more night.
Phoebe: I know, I want that too, but IS that going to make it too hard?
Mike: It can't be any harder than this... I mean, If I had known the last time I saw you would be the last time, I... I would have stopped to memorize your face, the way you move, everything about you. If I had known the last time I kissed you would have been the last time... I never would have stopped.
Monica: (running back into the room) Kiss him, you fool!!
Phoebe: What?
Monica: Didn't you hear that speech? If you don't kiss him then I will!
Phoebe: Oh, I missed you so much! (she kisses Mike)
Strange man: (he bounds into the house) I knew you'd be here!
Mike: Oh, crap!
Phoebe: Who is this?
Mike: My friend Manny. I asked him to keep me away from you.
Monica: Hi, that's what I'm doing for Phoebe!
Manny: Well, you are not doing a very good job!
Monica: Excuse me?
Manny: What's with the kissing?
Monica: Hey, at least I knew where my guy was.
Manny: Oh yeah yeah, thank God you were here to oversee all the kissing!
Monica: You didn't hear the speech!
Manny: I've heard the speech: (in a mocking voice) "if he knew it was gonna be the last time he saw her... "
Monica: Hey, it was very moving! You're just heartless!
Manny: You're weak!
Monica: You're... weird!
Manny: Your pants are undone!
Monica: Oh (realizes her pants are undone and zips them up)!
Manny: (looking at the sofa) Where did they go?

Manny: Oh we blew it. I blame myself.
Monica: And I blame you too.
[Scene: Monica and Chandler's apartment]
Ross: It's been an hour and not one of my classmates has shown up!  Someone came!
Ross: Ok, ok! I'm gonna go hide! Oh, this is so exciting, my first mourner! (he hides in the bedroom and closes the door)
(Chandler and Monica go open the door)
Monica: Hi, glad you could come.
Chandler: (in a mournful voice) Please, come in.
Tom: Hi, you're Chandler Bing, right? I'm Tom Gordon, I was in your class.
Chandler: Oh yes, yes... let me... take your coat.
Tom: Thanks... uh... I'm so sorry about Ross, it's...
Chandler: At least he died doing what he loved... watching blimps (he goes in the bedroom)
Ross: Who is he?
Chandler: Some guy, Tom Gordon.
Ross: I don't remember him, but then again I touched so many lives. (they press their ears against the door)
Monica: So, did you know Ross well?
Tom: Oh, actually I barely knew him. Yeah, I came because I heard Chandler's news. D'you know if he's seeing anyone?
Monica: (a bit surprised) Yes, he is. Me.
Tom: What? You... You... Oh! Can I ask you a personal question? Ho-how do you shave your beard so close?
Chandler: (entering, very upset) Ok Tommy, that's enough mourning for you! Here we go, bye bye!! (he shoves him out the door)
Tom: (before leaving) Hey, listen. Call me.
Chandler: Ok! (shuts the door behind Tom)
Ross: (coming in) I'm dead and no one cares?
Monica: I look like a man??
Chandler: Please, one ridiculous problem at a time!
Ross: It isn't ridiculous, look around! No one's here!
Chandler: You gave them one day's notice, not everyone in our class checks the web site everyday and Monica... it's probably the way you stand!
Ross: Yes, you're right. Still somebody must have seen it...
Chandler: Oh, that's not true. You had an impact on me, I mean, it's 15 years later and we're still best friends. Doesn't that count for something?
Ross: (sceptical) Yeah...
(someone knocks on the door) Oh, great. More party boys for Chandler!
Chandler: I'm sure it's somebody for you. Now, go hide. (Ross hides in the bedroom again)
(Chandlers opens the door. A beautiful woman stands at the doorway.)
Kori: Hi. I'm here for Ross Geller's memorial service.
Chandler: Kori? Kori Weston?
Kori: Yeah...
Chandler: Wow! You look amazing!
Kori: And you are...
Chandler: Chandler, Chandler Bing.
Monica: You are married though.
Chandler: Don't listen to him, he's in a really bad mood! (lets her in)
Kori: I can't believe that Ross is gone. It is just so sad.
Chandler: I didn't know Ross and you were so close.
Kori: We weren't but we had one class together. He was such a great guy and he talked so passionately about science. I always remembered him.
Chandler: I'm sure that would mean a lot to him. And if heaven has a door, I'm sure he's pressing his ear up against it and listening intently.
Kori: I thought so many times about calling him and asking him out. I guess I really missed my chance.
Ross: (he bounds into the lounge room) But you didn't! I'm still alive!! Kori, I know this is a big surprise for you. It's a long story but the things you just said really made my day!
 I can't believe I had a crush on you! (she leaves and slams the door behind her)
Ross: Did you hear that? Kori Weston had a crush on me!!
Ending Credits
[Scene: Ross' apartment]
Ross: (on the phone) No Mum, I'm not dead. I know it's not something to kid about. It was just a practical joke between Chandler and me, but it's over, ok? (pause) Actually no, even if I had died, you would not be left childless. (pause) Monica?


LS.Components.Camera Class
Camera that contains the info about a camera
Constructor
LS.Components.Camera
-
object
Parameters:
-
object
Stringto configure from
Item Index
Methods
- getCenter
- getEye
- getFront
- getLocalPoint
- getLocalVector
- getLocalViewport
- getModelMatrix
- getModelViewProjectionMatrix
- getProjectionMatrix
- getRayInPixel
- getRight
- getTop
- getUp
- getViewMatrix
- getViewProjectionMatrix
- isPointInCamera
- lookAt
- move
- orbit
- project
- rotate
- setDistanceToCenter
- setOrthographic
- setPerspective
- setViewportInPixels
- unproject
- updateMatrices
- updateVectors
Properties
Methods
getCenter
-
out
returns the center of the camera (position where the camera is pointing) in global coordinates
Parameters:
-
out
Vec3output vector [optional]
Returns:
position in global coordinates
getEye
-
out
returns the eye (position of the camera) in global coordinates
Parameters:
-
out
Vec3output vector [optional]
Returns:
position in global coordinates
getFront
-
out
returns the front vector of the camera
Parameters:
-
out
Vec3output vector [optional]
Returns:
position in global coordinates
getLocalPoint
-
v
-
dest
transform a local coordinate to global coordinates
Parameters:
-
v
Vec3vector
-
dest
Vec3
Returns:
v in global coordinates
getLocalVector
-
v
-
dest
rotate a local coordinate to global coordinates (skipping translation)
Parameters:
-
v
Vec3vector
-
dest
Vec3
Returns:
v in global coordinates
getLocalViewport
-
[viewport=null]
-
[result=vec4]
returns the viewport in pixels applying the local camera viewport to the full viewport of the canvas
Parameters:
-
[viewport=null]
Vec4 optionalviewport info, otherwise the canvas dimensions will be used (not the current viewport)
-
[result=vec4]
Vec4 optionalwhere to store the result, if omited it is created
Returns:
the viewport info of the camera in pixels
getModelMatrix
-
m
returns the inverse of the viewmatrix
Parameters:
-
m
Mat4optional output container
Returns:
matrix
getModelViewProjectionMatrix
-
model
-
out
returns the model view projection matrix computed from a passed model
Parameters:
-
model
Mat4model matrix
-
out
Mat4optional output container
Returns:
matrix
getProjectionMatrix
-
m
returns the projection matrix
Parameters:
-
m
Mat4optional output container
Returns:
matrix
getRayInPixel
-
x
-
y
-
viewport
-
skip_local_viewport
given an x and y position, returns the ray {start, dir}
Parameters:
-
x
Number -
y
Number -
viewport
Vec4viewport coordinates (if omited full viewport is used)
-
skip_local_viewport
Booleanignore the local camera viewport configuration when computing the viewport
Returns:
{start:vec3, dir:vec3}
getRight
-
out
returns the right vector of the camera
Parameters:
-
out
Vec3output vector [optional]
Returns:
position in global coordinates
getTop
-
out
returns the top vector of the camera (different from up, this one is perpendicular to front and right)
Parameters:
-
out
Vec3output vector [optional]
Returns:
position in global coordinates
getUp
-
out
returns the up vector of the camera
Parameters:
-
out
Vec3output vector [optional]
Returns:
position in global coordinates
getViewMatrix
-
m
returns the viewmatrix
Parameters:
-
m
Mat4optional output container
Returns:
matrix
getViewProjectionMatrix
-
m
returns the view projection matrix
Parameters:
-
m
Mat4optional output container
Returns:
matrix
isPointInCamera
-
x
-
y
-
viewport
Returns true if the 2D point (in screen space coordinates) is inside the camera viewport area
Parameters:
-
x
Number -
y
Number -
viewport
Vec4viewport coordinates (if omited full viewport is used)
Returns:
lookAt
-
eye
-
center
-
up
Parameters:
-
eye
Vec3 -
center
Vec3 -
up
Vec3
move
-
delta
moves the camera by adding the delta vector to center and eye
Parameters:
-
delta
Vec3
orbit
-
angle_in_deg
-
axis
-
center
Rotates the camera eye around a center
Parameters:
-
angle_in_deg
Number -
axis
Vec3 -
center
Vec3optional
project
-
vec
-
[viewport=null]
-
result
Converts from 3D to 2D
Parameters:
-
vec
Vec33D position we want to proyect to 2D
-
[viewport=null]
Vec4 optionalviewport info (if omited full canvas viewport is used)
-
result
Vec3where to store the result, if omited it is created
Returns:
the coordinates in 2D
rotate
-
angle_in_deg
-
axis
-
in_local_space
rotate the camera around its center
Parameters:
-
angle_in_deg
Number -
axis
Vec3 -
in_local_space
Booleanallows to specify if the axis is in local space or global space
setDistanceToCenter
-
new_distance
-
move_eye
changes the distance between eye and center ( it could move the center or the eye, depending on the parameters )
Parameters:
-
new_distance
Number -
move_eye
Booleanif this is true it moves the eye closer, otherwise it moves the center closer to the eye
setOrthographic
-
left
-
right
-
bottom
-
top
-
near
-
far
set camera in orthographic mode and sets the planes
Parameters:
-
left
Number -
right
Number -
bottom
Number -
top
Number -
near
Number -
far
Number
setPerspective
-
fov
-
aspect
-
near
-
far
set camera in perspective mode and sets the properties
Parameters:
-
fov
Numberin degrees
-
aspect
Numberthe aspect modifier (not the real final aspect, leave it to one)
-
near
Numberdistance
-
far
Numberdistance
setViewportInPixels
-
left
-
right
-
width
-
height
Sets the viewport in pixels (using the gl.canvas as reference)
Parameters:
-
left
Number -
right
Number -
width
Number -
height
Number
unproject
-
vec
-
[viewport=null]
-
result
Converts from 2D to 3D
Parameters:
-
vec
Vec32D position we want to proyect to 3D
-
[viewport=null]
Vec4 optionalviewport info (if omited full canvas viewport is used)
-
result
Vec3where to store the result, if omited it is created
Returns:
the coordinates in 2D
updateMatrices
()
Update matrices according to the eye,center,up,fov,aspect,...
updateVectors
-
model
apply a transform to all the vectors (eye,center,up) using a matrix
Parameters:
-
model
Mat4matrix
Properties
aspect
Number
The camera aspect ratio
Default: 1
center
Vec3
The center where the camera points (in local space, node space)
Default: [0,0,0]
eye
Vec3
The position of the camera (in local space, node space)
Default: [0,100,100]
far
Number
The far plane
Default: 1000
fov
Number
The field of view in degrees
Default: 45
frustum_size
Number
The frustum size when working in ORTHOGRAPHIC
Default: 50
near
Number
The near plane
Default: 1
type
Vec3
Camera type, could be Camera.PERSPECTIVE or Camera.ORTHOGRAPHIC
Default: Camera.PERSPECTIVE;
up
Vec3
The up vector of the camera (in local space, node space)
Default: [0,1,0]
viewport
Vec4
The viewport in normalized coordinates (left,bottom, width, height)


I work at Michigan State University, as a Digital Scholarship Librarian.
I mostly work with students, faculty, and other librarians on digital scholarship projects, classes, and technologies.
As a Digital Scholarship Librarian at MSU Libraries, my role is to support faculty, staff, students, and colleagues within the library as they develop and teach with digital scholarship. I work closely with other members of the Digital Scholarship Lab team to keep the Digital Scholarship Lab a welcoming and vibrant place to be.
I provide assistance with and/or consulting and instruction on digital projects, including:
I came to this job with a strong background in web development and design (especially WordPress and Drupal), web server administration, Git version control, and Python programming. I have worked with Islandora, a digital repository CMS (Drupal, Fedora, and some other stuff bolted on). I'm currently sharpening up my Python skills for working with metadata, especially JSON.
When I'm not at work, I'm probably hanging out with my husband, our toddler, and our two cats. I like food, cooking, and baking. I love TV and movies, I play video games badly and cello pretty well, I enjoy D&D, and I love discovering new (to me) fandoms.


2 writes to IncludePortInSPN
System.Management.Automation (2)
engine\remoting\common\RunspaceConnectionInfo.cs (2)
1058
IncludePortInSPN
= options.IncludePortInSPN;
1111
result.
IncludePortInSPN
= this.IncludePortInSPN;
3 references to IncludePortInSPN
System.Management.Automation (3)
engine\remoting\client\RemoteRunspacePoolInternal.cs (1)
2114
if (wsmanConnectionInfo.
IncludePortInSPN
)
engine\remoting\common\RunspaceConnectionInfo.cs (1)
1111
result.IncludePortInSPN = this.
IncludePortInSPN
;
engine\remoting\fanin\WSManTransportManager.cs (1)
1598
if (connectionInfo.
IncludePortInSPN
)


On 26 August 2017, 1 new articles were published in 1 journals.
How States Exploit Jihadist Foreign Fighters
Note: although this article was published on 28 July 2017, the publisher only added it to the journal RSS feed on 26 August 2017, which is why it is shown in the list of articles for that date.


Alien: Resurrection
A movie review by Michael J. Legeros Copyright 1997 by Michael J. Legeros
(Fox) Directed by Jean-Pierre Jeunet Written by Joss Whedon Cast Sigourney Weaver, Winona Ryder, Ron Perlman, Dominique Pinon, Gary Dourdan, Michael Wincott, Kim Flowers, Dan Hedaya MPAA Rating "R" (for strong sci-fi violence and gore, some grotesque images, and for language) Running Time 108 minutes Reviewed at The Wynnsong 10, Durham, NC (26NOV97)
==
ALIEN: RESURRECTION is a mess. The fourth film in the series is easily the worst film in the series. No, it's not a total bomb-- Ms. Weaver is immanently watchable, the art direction is a winner, there's more humor to go around, and director Jean-Pierre Jeunet (THE CITY OF LOST CHILDREN, DELICATESSEN) has a great eye for the grotesque. If nothing else, there's certainly more goo, glop, and gore than in the first three films combined. (The opening scene details, in queasy close-up, the surgical removal of you know what from Ms. Weaver's cloned character's chest.) But is it exciting, suspenseful, or even scary? No, not really. More than anything else, there's just too much going on. The various chases and fire-fights are so poorly integrated that even the best bits often cancel each other out. To make matters worse, the score (by John Frizzell) telegraphs each and every boo before it happens. The finale is the worst, with a hybrid creature as likely to inspire giggles as gags. (Okay, the presence of Winona Ryder is pretty damn funny, too.) And can someone please explain the final scene? Why is everyone so happy after witnessing such huge and presum- ably devastating destruction? Game over, man.
Grade: C-
-- Mike Legeros - Movie Hell http://www.nonvirtual.com/hell/
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Car added successfully! Update completed. To view listing page click here.
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form_field_buffer 3x
form_field_buffer(3x) form_field_buffer(3x)
NAME
form_field_buffer - field buffer control
SYNOPSIS
#include <form.h>
int set_field_buffer(FIELD *field, int buf, const char
*value);
char *field_buffer(const FIELD *field, int buffer);
int set_field_status(FIELD *field, bool status);
bool field_status(const FIELD *field);
int set_max_field(FIELD *field, int max);
DESCRIPTION
The function set_field_buffer sets the numbered buffer of
the given field to contain a given string. Buffer 0 is
the displayed value of the field; other numbered buffers
may be allocated by applications through the nbuf argument
of (see form_field_new(3x)) but are not manipulated by the
forms library. The function field_buffer returns the
address of the buffer. Please note that this buffer has
always the length of the buffer, that means that it may
typically contain trailing spaces. If you entered leading
spaces the buffer may also contain them. If you want the
raw data, you must write your own routine that copies the
value out of the buffer and removes the leading and trail-
ing spaces. Please note also, that subsequent operations
on the form will probably change the content of the
buffer. So don't use it for long term storage of the
entered form data.
The function set_field_status sets the associated status
flag of field; field_status gets the current value. The
status flag is set to a nonzero value whenever the field
changes.
The function set_max_field sets the maximum size for a
dynamic field. An argument of 0 turns off any maximum
size threshold for that field.
RETURN VALUE
The field_buffer function returns NULL on error.
The field_status function returns TRUE or FALSE.
The remaining routines return one of the following:
E_OK The routine succeeded.
E_SYSTEM_ERROR
System error occurred (see errno).
E_BAD_ARGUMENT
Routine detected an incorrect or out-of-range argu-
ment.
SEE ALSO
curses(3x) and related pages whose names begin "form_" for
detailed descriptions of the entry points.
NOTES
The header file <form.h> automatically includes the header
file <curses.h>.
PORTABILITY
These routines emulate the System V forms library. They
were not supported on Version 7 or BSD versions.
AUTHORS
Juergen Pfeifer. Manual pages and adaptation for new
curses by Eric S. Raymond.
form_field_buffer(3x)
Man(1) output converted with
man2html


Get into the fall spirit with a fall harvest party! Ask your guests to bring seasonal foods that will put everyone in the autumn spirit as you enjoy the cooler temperatures the season brings.
Loosen up and and let the conversation and wine flow! Invite your friends to bring their favorite wines and cheeses, along with any other favorite pairings like breads, nuts and fruits. A party like this was made for mingling and fun!
Everyone enjoys breakfast foods, but very few of us have the time to enjoy them during busy mornings. Flip the script and enjoy your favorite breakfast foods at dinner time, taking a moment to properly appreciate the most important meal of the day
It's a classic, but it's a classic for a reason. With good friends and food, you can't go wrong with a BBQ! With some staple main dishes and endless possibilities for sides, this familiar party can have a fresh take each time!
Who doesn't like pasta? With so many different types, there's a pasta for everyone! All you need is a couple of different types, some sauces, sides, and you have a total hit!
Nostalgia makes food taste better, so why not enjoy it? Ask everyone to bring the grown-up version of their favorite childhood food to share! It's a great way to start conversations and get to know people better.
Choose us to make your next potluck a hit!


Ascii Box and Line Diagramming
draw
box
b
text
t
line
l
adjust
move box
m
move text
n
resize box
r
misc
delete
d
export
e


| public nothrow | ExecutableFileHeaderSection(BinaryFile* file_, ulong stackSize_, ulong poolSize_) |
| public override void | Dump(StreamWriter& writer) |
| public override void | Read(BinaryReader& reader) |
| public override void | Write(BinaryWriter& writer) |
| public ulong | poolSize |
| public ulong | stackSize |


Guide
Start
Home
Attractions
Monuments
Cuisine
Practical info
Guide
The Vaticane
Contact
Airbnb
Here we recommend the page where you can find the best place to accommodate.
https://www.airbnb.com/


Web forms are a very powerful tool for interacting with users — most commonly they are used for collecting data from users, or allowing them to control a user interface.
This module will help you master the essentials of web forms.
The HTML <form> element formally defines a form and attributes that determine the form's behavior. Each time you want to create an HTML form, you must start it by using this element, nesting all the contents inside.
autocomplete
- attribute indicates whether input elements can by default have their values automatically completed by the browser. Values are on or off
Attributes for form submission
action
- the URL that processes the form submission.
method
- the HTTP method to submit the form with. The possible values are POST form data sent as the request body and GET form data appended to the action URL with a ? separator.
<form action="" menthod="GET" > form input elements </form>
The HTML <label> element represents a caption for an item in a user interface.
The label text is not only visually associated with its corresponding text input; it is programmatically associated with it too. With for
attributes we can given gorm element id value to define it.
<form> <label for="" >Input 1 label name</label> form input 1 element </form>
Text <input> fields are the most basic form widgets.
A single line text field is created using an <input> element whose type
attribute value is set to text. Attribute placeholder
retain the information text for that field and value
is current value of the form control.
<form>
<label for="name">Name: </label>
<input type="text" id="name" placeholder="input text field" >
</form>
A Password field is created using an <input> element whose type
attribute value is set to password. The Password field obscure the value entered into the field so it can't be easily read by others.
<form>
<label for="password">Password: </label>
<input type="password" id="password" value="mypassword" >
</form>
A Hidden field is created using an <input> element whose type
attribute value is set to hidden. This is used to create a form control that is invisible to the user, but is still sent to the server along with the rest of the form data once submitted
<form>
<input type="hidden" name="timestamp" value="1286705410">
</form>
Checkable items are controls whose state you can change by clicking on them or their associated labels. There are two kinds of checkable item: the check box and the radio button.
Checkboxes let a user select ZERO or MORE options of a limited number of choices.
Checkboxe is created using an <input> element whose type
attribute value is set to checkbox. Including the checked
attribute makes the checkbox checked automatically when the page loads. Clicking the checkbox or its associated label toggles the checkbox on and off.
<form>
<label for="red">Red: </label>
<input type="checkbox" id="red" name="redcolor" checked>
</form>
Radio buttons let a user select ONLY ONE of a limited number of choices.
Radio button field is created using an <input> element whose type
attribute value is set to radio. Including the checked
attribute makes the radio button checked automatically when the page loads. Clicking the radio button or its associated label toggles the radio button on and off.
<form>
<label for="red">Red: </label>
<input type="checkbox" id="red" name="redcolor" checked>
</form>
The radio button isn't actually a button, despite its name.
Sends the form data to the server.
For button <button> element whose type
attribute value is set to submit.
<form> <button type="submit" >Submit </button> </form>
Sends the form data to the server.
For button <button> element whose type
attribute value is set to submit.
<form> <button type="reset" >Submit </button> </form>


TWICE UPON A TIME A film review by Shane R. Burridge Copyright 1997 Shane R. Burridge
Twice Upon a Time (1983) 77m.
Inventive animated tale produced by George Lucas and directed by John Korty and Charles Swenson. The minds of sleeping Rushers (humans) are being influenced by the dream-dispensing land of Frivoli and the nightmare-inducing Murkworks. The key to their power struggle is the mainspring from the Cosmic clock, which controls all time. Fast, witty story isn't for all children, especially those who won't have patience for its unique look and flippant, incidental storyline. Visually, film is a combination of rainbow-hued watercolors, pen and ink, live action, and still photographs. Its endearingly scrappy look is matched by its throwaway dialogue - I can imagine this being the kind of cartoon Robert Altman might produce.
Hip characters provide many laughs, especially overenthusiastic superhero Rod Rescueman (James Crenna), and a nonchalant fairy godmother (Judith Kahan Kampmann). There's also the nominal lead character Ralph, a thing that looks like an extra from YELLOW SUBMARINE (voice actor Lorenzo Music). Film's main basis for characterization is to play against stereotype - an idea we're overly familiar with now, but don't mind in this case because the whole production has such an easygoing feel about it. The animators slip in many visual gags, mostly to do with film and television - one of the characters is an aspiring actress, another an aspiring writer, another an aspiring heroic lead. Consequently, story treats the manufacture of dreams and nightmares as being akin to the movie-making industry. Most interesting visual effects occur when we see a nightmare activated in the world of the Rushers.
From<EMAIL_ADDRESS>Mon Feb 24 15:54:20 EST 1997 Article: 5332 of rec.arts.movies.reviews Path: nntphub.cb.lucent.com!not-for-mail From<EMAIL_ADDRESS>(James Berardinelli) Newsgroups: rec.arts.movies.reviews Subject: REVIEW: ANGEL BABY (1995) Followup-To: rec.arts.movies.current-films Date: 24 Feb 1997 20:39:11 GMT Organization: - Lines: 93 Sender<EMAIL_ADDRESS>(Evelyn C. Leeper) Approved<EMAIL_ADDRESS>Message-ID<EMAIL_ADDRESS>Reply-To<EMAIL_ADDRESS>(James Berardinelli) NNTP-Posting-Host: mtvoyager.mt.lucent.com Summary: r.a.m.r. #07011 Keywords: author=Berardinelli Originator: ecl@mtvoyager Xref: nntphub.cb.lucent.com rec.arts.movies.reviews:5332 X-Status: Status: O
ANGEL BABY A film review by James Berardinelli Copyright 1997 James Berardinelli
RATING (0 TO 10): 8.0 Alternative Scale: ***1/2 out of ****
Australia, 1995 U.S. Release Date: 2/97 (limited) Running Length: 1:45 MPAA Classification: No MPAA Rating (Sex, nudity, mature themes) Theatrical Aspect Ratio: 1.85:1
Cast: John Lynch, Jacqueline McKenzie, Colin Friels, Deborra-Lee Furness, Daniel Daperis Director: Michael Rymer Producers: Timothy White and Jonathan Shteinman Screenplay: Michael Rymer Cinematography: Ellery Ryan Music: John Clifford White U.S. Distributor: Cinepix Film Properties
ANGEL BABY, a tale of love, loss, and mental illness from Michael Rymer, swept through the 1995 Australian Film Awards, winning seven, including best picture, best director, best actor (John Lynch), and best actress (Jacqueline McKenzie). However, unlike SHINE, which was similarly lauded at the 1996 AFIs, no overseas distributor rushed to pick up ANGEL BABY. The reason? Despite certain thematic similarities, SHINE is an upper; ANGEL BABY is a downer.
Depressing or not (I suppose it depends on your point-of-view), there's no denying ANGEL BABY's emotional power. This is the sort of film that lays it all on the line, and requires the kind of intense commitment from its lead actors that few motion pictures demand. John Lynch (SOME MOTHER'S SON) and Jacqueline McKenzie (ROMPER STOMPER) deliver intense, passionate portrayals that obliterate the barrier of the screen. In large part, ANGEL BABY succeeds because of their work.
Lynch plays Harry, a schizophrenic who, thanks to medication, is able to move through society in a relatively normal fashion. Harry, who lives with his brother (Colin Friels), sister-in-law (Deborra-Lee Furness), and nephew (Daniel Daperis), is an outpatient at a psychiatric clinic called "the Club House". One day, while there, he catches sight of Kate (Jacqueline McKenzie), a new client. She ignores him, but, shy and smitten, Harry decides to follow her as she makes her way from the clinic to the halfway house where she lives. Realizing that she's being shadowed, Kate confronts Harry, and, after a few tender getting-to-know- each-other scenes, they are frantically in love. The sheer intensity of their emotion has disastrous consequences, for, although Harry and Kate believe their love is strong enough to overcome anything -- even insanity -- the reality is far less romantic or forgiving.
Watching this film, I was reminded strongly of a couple of recent motion pictures: JUDE (which is based on Thomas Hardy's JUDE THE OBSCURE) and BREAKING THE WAVES. Both of those films, like ANGEL BABY, deal with the effects of a powerful, all-consuming love. JUDE ends in tragedy, disproving the cliche that love conquers all. BREAKING THE WAVES centers on a potentially-schizophrenic young woman who clings desperately to both her husband and her sanity. In one way or another, both of these threads are echoed in ANGEL BABY, which explores not only the transcendent power of love, but its limitations, as well.
Writer/director Michael Rymer's imperfect narrative contains a few contrived missteps, but the characters and their relationships are so effectively conceived and expertly realized that it's difficult to fault the film much for this. ANGEL BABY is well-focused on an emotional level, and I found myself unexpectedly touched by this unconventional love story. There's far more than mental illness and its attendant pain to Harry and Kate's relationship. The tenderness, eroticism, and ecstasy of their interaction leaves the most forceful impression. We can't help becoming involved as they walk an uncertain mental tightrope, clutching at each other all the way.
For those watching the film in the United States, it's worth acknowledging an unusal bit of cross-cultural trivia. Kate is a WHEEL OF FORTUNE addict (she believes the words in the puzzles are actually private messages from a mystical spirit), and it's a rather curious experience to note just how similar, yet different, the Australian version of the game show is from its North American counterpart.
Having seen ANGEL BABY, it's easy for me to understand why major distributors like Fine Line and Miramax stayed away. Much like BREAKING THE WAVES, it's a raw, intense, carnal film that will appeal most strongly to adventurous movie-goers. Actually, it's ironic that the very qualities which scared off everyone except Cinepix Film Properties are those that give ANGEL BABY its unique identity and make it such a compelling viewing experience.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
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Travel Back To An Alternate World War II In Broken Lines, A Tactical RPG Coming To Switch Next Year
Are we back?
by Gavin LaneThere's a new tactical RPG coming to Switch in 'early 2020' and it's taking us back to World War II. Broken Lines takes place in a different World War II, though; an alternate WWII. How exactly it differs from the established history and timeline isn't outlined in the official press release (maybe Old Biff travelled back even further?), but we assume it factors into the story significantly in this self-described 'narrative-driven tactics game'.
Alternate or not, you control a group of soldiers following a plane crash which leaves them stranded behind enemy lines. Rather than the standard turn-based combat of most tactics RPGs, Broken Lines has players engage in 'turn-based planning' and those instructions are then executed simultaneously leading to events on the battlefield unfolding more unpredictably, we imagine.
It seems that the 'mysterious' enemy troops you're fighting will be only half the battle, as soldiers also struggle to manage their inner demons, as referenced in the official blurb:
In this alternate version of WWII, enemies are both mysterious military units and the soldiers’ own hopes and fears as they confront the mental and physical horrors of war during their struggle to return to friendly territory. Broken Lines combines a tactical-RPG playstyle with a “pause and play” format. This offers players more fluid and realistic gameplay with the action automatically pausing when new dangers appear, allowing the player to respond to the new tactical situation.
With hard details light on the ground, the above trailer (which clearly shows PC gameplay) and screenshots are left to do the heavy lifting. There's no shortage of great strategy and tactics games on Switch, and we won't have long to wait to find out if Broken Lines joins that illustrious company when it releases early next year.
Like the look of what you see? Let us know below if Broken Lines tickles your tactics bone.


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