{% extends 'layout.html' %} {% block body %}
Lorem Ipsum dolroin gravida nibh vel velit auctor aliquet. Aenean sollicitudin, lorem quis bibendum auctor, nisi elit consequat ipsum, nec sagittis sem!
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look even slightly believable. Lorem ipsum dolor sit amet, consectetur adipisicing elit. Quibusdam eligendi expedita, provident cupiditate in excepturi.
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look even slightly believable. Lorem ipsum dolor sit amet, consectetur adipisicing elit. Quibusdam eligendi expedita, provident cupiditate in excepturi.
There are many variations of passages of Lorem Ipsum available, but the majority have suffered alteration in some form, by injected humour, or randomised words which don't look even slightly believable. Lorem ipsum dolor sit amet, consectetur adipisicing elit. Quibusdam eligendi expedita, provident cupiditate in excepturi.
Lorem ipsum dolor sit aet, consectetur adipisicing lit sed do eiusmod tempor incididunt ut labore et dolore magna aliqua.
They have got my project on time with the competition with a sed highly skilled, and experienced & professional team.
Explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you completed.
The master-builder of human happines no one rejects, dislikes avoids pleasure itself, because it is very pursue pleasure.
They have got my project on time with the competition with a sed highly skilled, and experienced & professional team.
Explain to you how all this mistaken idea of denouncing pleasure and praising pain was born and I will give you completed.
The master-builder of human happines no one rejects, dislikes avoids pleasure itself, because it is very pursue pleasure.


JUSTICE FOR RHYS
James English invites Rhys Bonner’s heartbroken mum on podcast as she appeals for dashcam footage to solve mystery death
by Katy PaganTHE heartbroken mum of a Celtic fan found dead in marshlands is set to appear on James English's podcast in her bid for answers about his death.
Stephanie Bonner, 36, has been going door-to-door searching for clues since tragic Rhys’ half-naked body was found in marshland.
The Hoops-daft lad, 19, disappeared as he headed to meet a pal near his home in Barlanark, Glasgow, on July 24.
He was found a fortnight later a mile away in a bog at Seven Lochs Wetland Park.
In her latest social media appeal for information, Stephanie urged drivers to check dashcam footage for any clues.
She said: "Anyone that was at Easterhouse on July 24, could you please check your dashcam in your cars.
"You never know, you could have come across something.
"He was with an older woman, could have been more people with them."
Rhys was last captured on CCTV at the shops on Conisborough Road, Easterhouse, walking down Gardyne Street at 7.45pm.
When he vanished, he was wearing a long sleeved Celtic top, grey North Face hat, black Adidas trainers and dark trousers.
Glasgow podcast star James is now hoping to get his listeners on board with Stephanie's appeal.
Confirming his upcoming guest, he said: "I reached out to Rhys's mum Stephanie and spoke with her on the phone.

"I want to help her get more exposure and hopefully get some answers."
We told earlier how Stephanie mounted her own probe after being told her son was last seen with a woman in her 40s.
Police scoured CCTV and found footage of the pair.
Mum-of-five Stephanie said: “I knew then something had happened to him. Rhys was half-naked when they found him.
“Why was he lying like that? This woman has never approached me to tell me why he was with her, where he went or what could have happened.”


Time: About 45 minutes
Recipe
Lentils and Rice With or Without Pork
Published: December 31, 2010
Related
-
Sustainable Food: Chop, Fry, Boil: Eating for One, or 6 Billion (January 2, 2011)
Yield: 4 to 6 servings
2 tablespoons olive oil, plus more for drizzling
1 medium onion, chopped
2 celery stalks, chopped
1 large carrot, chopped
4 ounces bacon or sausage, chopped, optional
1 tablespoon minced garlic
Salt and freshly ground black pepper
2 cups lentils, rinsed and picked over
1 cup long-grain brown rice
3 or 4 bay leaves
Chopped fresh parsley leaves for garnish.
1. Put the oil in a large, deep saucepan over medium heat. When it’s hot, add onion, celery, carrot and meat, if using. Cook until vegetables begin to become tender and meat begins to brown in places, 5 to 10 minutes. Add garlic and some salt and pepper and cook for another minute or two.
2. Add lentils, rice, bay leaves and 4 cups of water. Bring to a boil, then lower heat so liquid bubbles gently, and cover.
3. After 30 minutes, if rice and lentils are tender and liquid is absorbed, the dish is ready. If lentils and rice are not tender, add enough liquid to keep bottom of pot moist, cover and cook for a few more minutes. If rice and lentils are soft and there is much liquid remaining (which is unlikely), raise heat a bit and cook, uncovered, stirring once or twice, until it evaporates. Discard bay leaves. Taste and adjust seasoning if necessary, fluff with a fork and serve, garnished with parsley and drizzled with more olive oil.
 (Cooking time for white rice is half or less that for brown, so add later.)
Similarly, use any bean: cook longer as needed and keep an eye on the water to make sure the beans stay submerged in about 1 inch of water during cooking; wait to add the rice until the beans are tender.
Stock will add flavor, but don’t waste money on the canned stuff; use water instead. (The dish will taste like lentils and rice.) For more flavor, add onion, carrot, or other vegetables and an herb like thyme.
For the dish called Moors and Christians, substitute a red bell pepper for the celery and carrot, black beans for the lentils, and 1 cup chopped tomato for some of the liquid; let the beans cook until half done before adding the rice.
For smoky red beans and rice, add 1 tablespoon tomato paste and 2 teaspoons pimentón to the vegetables. Use red beans instead of lentils and cook until they’re half done before adding the rice (which should be short-grain). Simmer for another 15 minutes, then bake uncovered at 450 degrees Fahrenheit until the beans and rice are tender.
For mujaddara, skip the meat; cook two sliced onions in a couple tablespoons of olive oil over medium-high heat until they’re dark brown but not burned, and serve on top of the rice and lentils.
For lentil and rice soup — or any bean and rice soup — use more water, or stock if you have it.


{% extends "base.html" %} {% block content %}
Unfortunately, permission was denied for viewing this page!
{{ additional_error|safe }}


Cheshire3 Licensing.
With the exception of marc_utils module, Cheshire3 is provided under the
conditions of the BSD 3-clause license.
Copyright © 2005-2012, the University of Liverpool.
All rights reserved.
Redistribution and use in source and binary forms, with or without
modification, are permitted provided that the following conditions are met:
* Redistributions of source code must retain the above copyright notice,
this list of conditions and the following disclaimer.
* Redistributions in binary form must reproduce the above copyright notice,
this list of conditions and the following disclaimer in the documentation
and/or other materials provided with the distribution.
* Neither the name of the University of Liverpool nor the names of its
contributors may be used to endorse or promote products derived from this
software without specific prior written permission.

MARC Utilities Module
---------------------
The following licensing conditions apply to the marc_utils module included in
the Cheshire3 package. In the following statements, "This file" and "the
Software" should be understood to mean marc_utils.py.
> This file should be available from
> http://www.pobox.com/~asl2/software/PyZ3950/
> and is licensed under the X Consortium license:
> Copyright (c) 2001, Aaron S. Lav<EMAIL_ADDRESS>> All rights reserved.
> Permission is hereby granted, free of charge, to any person obtaining a
> copy of this software and associated documentation files (the
> "Software"), to deal in the Software without restriction, including
> without limitation the rights to use, copy, modify, merge, publish,
> distribute, and/or sell copies of the Software, and to permit persons
> to whom the Software is furnished to do so, provided that the above
> copyright notice(s) and this permission notice appear in all copies of
> the Software and that both the above copyright notice(s) and this
> permission notice appear in supporting documentation.
> THE SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, EXPRESS
> OR IMPLIED, INCLUDING BUT NOT LIMITED TO THE WARRANTIES OF
> MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT
> OF THIRD PARTY RIGHTS. IN NO EVENT SHALL THE COPYRIGHT HOLDER OR
> HOLDERS INCLUDED IN THIS NOTICE BE LIABLE FOR ANY CLAIM, OR ANY SPECIAL
> INDIRECT OR CONSEQUENTIAL DAMAGES, OR ANY DAMAGES WHATSOEVER RESULTING
> FROM LOSS OF USE, DATA OR PROFITS, WHETHER IN AN ACTION OF CONTRACT,
> NEGLIGENCE OR OTHER TORTIOUS ACTION, ARISING OUT OF OR IN CONNECTION
> WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.
> Except as contained in this notice, the name of a copyright holder
> shall not be used in advertising or otherwise to promote the sale, use
> or other dealings in this Software without prior written authorization
> of the copyright holder.


Posted on September 27, 2019 at 12:00 PM
Michael Wert is Associate Professor of East Asian History at Marquette University in Wisconsin. Specializing in early modern and modern Japan, he is the author of Meiji Restoration Losers: Memory and Tokugawa Supporters in Modern Japan.
Michael has just brought out Samurai, a lively and approachable introduction to the warrior class and its influence on Japan which traces the history of the samurai until their disappearance, and explores their roles in watershed events such as Japan’s invasions of Korea at the close of the sixteenth century. Samurai gives readers access to the real samurai as they lived, fought, and served. It also critiques the role of the samurai in media and pop culture, dispelling many myths along the way.
So, over to Michael...
Samurai are everywhere. From company names to soldier training programs, and of course gaming, manga, and anime. Not that I’m one to bemoan this situation, students take Japanese history courses not because they’re interested in business, as they did during the 1980s, China-related courses have picked up that audience, but for the immense influence Japanese popular culture has on the West. Manga is now a genre section in Barnes & Noble, and young people know better than to pronounce it like the Italian word mangia as many in my parent’s generation did.
Nonetheless, every semester I have a student who comes up to me after class to tell me that I have killed their childhood fantasies about samurai and ninja. I sympathize a bit with my graduate school advisor’s generation, scholars in their 70s, who often view student enthusiasm for Japanese pop culture with suspicion.
So that brings me to samurai myths. Westerners are consuming Japan in pop culture now more than ever before, and while much of it is well-researched and depicts accurate details of this warlord or that battle, some myths die hard. Here are my top three samurai myths, in no particular order.
Loyalty and honorThere is this notion, based on some historical evidence, that samurai were always prepared to die for their lords. There are famous incidents throughout the medieval period, roughly from the 9th to the early 16th centuries, if the stories are to be believed, of famous warriors who killed themselves upon the death of their lord, a practice called junshi, or, in general, refused to betray or abandon their lord in defeat. While it happened occasionally, most of the time warriors simply worked for a new lord or pursued other livelihoods if their lord was killed. As I emphasize to students, warlords were often more worried about their own relatives or men from within their warrior networks, than they were about rivals or neighboring warlords.
Notions of death before dishonor, loyalty to a lord or, more likely, his clan, was a feature of the early modern period, from the 17th to the 19th centuries, when warriors, preoccupied with bureaucratic drudgery, idealized the warriors of the past. A wandering samurai who had no lord was called a ronin. The most famous case of loyalty was the 47 ronin incident, when a group of warriors chose to avenge their lord’s death after he was executed for attacking a senior warrior during a ceremony at the shogun’s castle. While everyone focuses on the actions of those 47 ronin, what is neglected is the many other samurai from the same domain who chose not to “avenge” their lord. And it clearly was not a case of avenging; their lord was executed not defeated in battle. At any rate, this was a controversial event at best, with warrior pundits either praising or, more often, criticizing their actions. Nonetheless, it eventually became romanticized by non-warriors in art, kabuki and puppet theater, and later, television and film.
Death before dishonor and loyalty became key concepts in 20th century wartime propaganda. Even after the War, loyalty to a company before one’s own well-being justified overworking white-collar workers, leading to a phenomenon condition called karoshi (death from overwork).
Samurai swordsThere are two common myths about samurai swords. The first is that they were the “soul of the samurai.” Well, no. For much of Japanese history swords were a sidearm, and like soldiers today, they did not go into battle using, primarily, their sidearm. The bow and arrow dominated much warrior-on-warrior combat, leaving large swords, larger than those typically seen in museums and in popular culture, which were a later invention, for pure blunt force trauma, or to decapitate fallen enemies - gathering heads was a way to accrue awards for service.
There are two common myths about samurai swords. The first is that they were the “soul of the samurai.” Well, no. For much of Japanese history swords were a sidearm, and like soldiers today, they did not go into battle using, primarily, their sidearm. The bow and arrow dominated much warrior-on-warrior combat, leaving large swords, larger than those typically seen in museums and in popular culture, which were a later invention, for pure blunt force trauma, or to decapitate fallen enemies - gathering heads was a way to accrue awards for service.
At least one trend from the mid-17th century gives us insight into warrior attitudes towards their swords. In the capitol city Edo, now Tokyo, warriors liked having their swords straightened. This made their swords appear extra-long and the look became fashionable. Samurai displayed their straightened swords especially when on processions accompanying their lords throughout the streets of Edo. The trend was so popular that prices for regularly curved swords plummeted, and sword smiths were asked to straighten blades that had been family heirlooms. The Tokugawa shogunate, ruler supreme in Edo and Japan’s de facto government, would have none of it - straightened swords were impossible to draw quickly and nearly useless in combat. Even if many samurai cared little about martial effectiveness, the shogunate would not allow them to be a completely empty symbol.
Samurai were feared and respectedFirst, during the high point of samurai salience in Japan, the Tokugawa period, they never made up more than about seven percent of the population nationally, and although samurai were a common sight in large cities like Edo, Kyoto, or Osaka, they were less common in the countryside. Theoretically a samurai could cut down a commoner, or even a low-ranking pseudo warrior who offended him in some grave way, a practice called kiritsuke-gomen. He could also kill his wife if she had an affair. But the reality is that this rarely happened. Tokugawa-era writers, artists, and playwrights, many of them samurai, often poked fun at warriors and the putative warrior ethos. Musui’s Story is an excellent autobiography about how desperate rank and file warriors could become, and why commoners might not respect them.
After the Tokugawa regime fell in 1868, the fledgling Meiji government abolished the samurai as a social class, turning them into a group known as shizoku, a title that granted no privileges or markers of status. Many warriors were more than happy to abandon their status in order to pursue other livelihoods, but others violently resisted the loss of privileges, culminating, in 1877, in the War of the Southwest, loosely depicted in the period action movie, The Last Samurai. For a time, many Japanese citizens regarded samurai as an anachronism, if they regarded them at all, and only later with some nostalgic pride in the nation.


About Collin
Objective Statement
I want to be able to create my own products and build the future
Education
Total waste of time
Wenatchee Valley College
Washington State University
Central Washington Uniersity
Employment History
A bunch of jobs
Army
Started a couple businesses
My least favorite things about the city
Commuting
So many people
Riding on trains
Driving to the train station
Finding parking at the train station
Fitting my bike on the train
Living out of a backpack
If I leave at 7 I get there at 8. If I leave at 7:20 I get there at 9:05
Taking an hour and a half to go 20 miles
Having the ORCA card as a line item on monthly budget
Test link.


Images are an essential comunication tool and as such, Ink provides a few simple styling and functional solutions to handle them in a semantic fashion.
| Class name | Description |
|---|---|
ink-image |
The image root class. |
over-top |
Places the caption over the top of the image. |
over-bottom |
Places the caption over the bottom of the image. |
dark |
Applies a white text on a dark background theme to the caption. |
imagequery |
Identifies images that will be handled by the Ink.UI.ImageQuery component. |
We chose to make use of HTML5 tags, so the markup structure for our image element is:
Structure
{% highlight html %} {% endhighlight %}When dealing with multiple devices, one major concern should be asset size optimization. So Ink gives you a way to serve images with the appropriate size to your client devices.
This is done with our Ink.UI.ImageQuery JavaScript component, that'll detect the screen size and serve a larger version of the image if required.
By default we'll load the smallest image to save quota for mobile phones and tablets.
Javascript
{% highlight javascript %} {% endhighlight %}In the script above the src
property sets the image base path. It can be relative or absolute. The rest of the url is a template that translates into properties of the queries
array.
In the example above {:label}
will be a folder under the base path, and {:file}
is the filename, which in this case defaults to the original file name.
Ink.UI.ImageQuery will then look at the queries.width
property and the device screen width and decide if a larger image should be served to the device by rewriting the src
attribute.


This post explains how to build a bubble map with ggplot2. It takes a list of GPS coordinates and plot them on top of a map, with size and color mapped to data.
This post explains how to make a bubble map with ggplot2.
A bubble map is like a bubble chart, but with a map in the background. As input you need:
This post provides a step-by-step approach to build the map beside, showing the 1000 biggest cities of the UK.
The first step is to get the boundaries of the zone that interests you. Several option are available in R, as extensively described in the background map section of the gallery.
Briefly, you can find this information somewhere under the shapefile format or under the geoJSON format. You can also load google like backgrounds with the ggmap library.
This post uses the last approach: it loads the maps
package that provides the boundaries of every world country.
# Libraries
library(ggplot2)
library(dplyr)
# Get the world polygon and extract UK
library(maps)
UK <- map_data("world") %>% filter(region=="UK")
The second step is to load a data frame with the info of the bubble you want to draw. The maps
library provides a list of the biggest cities in the world. Let’s use it to get information on the UK.
# Get a data frame with longitude, latitude, and size of bubbles (a bubble = a city)
data <- world.cities %>% filter(country.etc=="UK")
ggplot2
makes it a breeze to map both information on the same graph. Use geom_polygon
for the shape of UK first, and add your scatterplot on it with geom_point()
.
On the right figure, note the use of the ggrepel
library to avoid overlapping between city names.
# Left chart
ggplot() +
geom_polygon(data = UK, aes(x=long, y = lat, group = group), fill="grey", alpha=0.3) +
geom_point( data=data, aes(x=long, y=lat)) +
theme_void() + ylim(50,59) + coord_map()
# Second graphic with names of the 10 biggest cities
library(ggrepel)
ggplot() +
geom_polygon(data = UK, aes(x=long, y = lat, group = group), fill="grey", alpha=0.3) +
geom_point( data=data, aes(x=long, y=lat, alpha=pop)) +
geom_text_repel( data=data %>% arrange(pop) %>% tail(10), aes(x=long, y=lat, label=name), size=5) +
geom_point( data=data %>% arrange(pop) %>% tail(10), aes(x=long, y=lat), color="red", size=3) +
theme_void() + ylim(50,59) + coord_map() +
theme(legend.position="none")
Now we want to add another information. The number of inhabitant per city will be mapped to the colour and the size of the bubbles. Note that the order of city matters! It is advised to show the most important information on top (center). This can been done sorting your dataset before making the plot.
# virids package for the color palette
library(viridis)
# Left: use size and color
ggplot() +
geom_polygon(data = UK, aes(x=long, y = lat, group = group), fill="grey", alpha=0.3) +
geom_point( data=data, aes(x=long, y=lat, size=pop, color=pop)) +
scale_size_continuous(range=c(1,12)) +
scale_color_viridis(trans="log") +
theme_void() + ylim(50,59) + coord_map()
# Center: reorder your dataset first! Big cities appear later = on top
data %>%
arrange(pop) %>%
mutate( name=factor(name, unique(name))) %>%
ggplot() +
geom_polygon(data = UK, aes(x=long, y = lat, group = group), fill="grey", alpha=0.3) +
geom_point( aes(x=long, y=lat, size=pop, color=pop), alpha=0.9) +
scale_size_continuous(range=c(1,12)) +
scale_color_viridis(trans="log") +
theme_void() + ylim(50,59) + coord_map() + theme(legend.position="none")
# Right: just use arrange(desc(pop)) instead
data %>%
arrange(desc(pop)) %>%
mutate( name=factor(name, unique(name))) %>%
ggplot() +
geom_polygon(data = UK, aes(x=long, y = lat, group = group), fill="grey", alpha=0.3) +
geom_point( aes(x=long, y=lat, size=pop, color=pop), alpha=0.9) +
scale_size_continuous(range=c(1,12)) +
scale_color_viridis(trans="log") +
theme_void() + ylim(50,59) + coord_map() + theme(legend.position="none")
We can custom a little bit this figure for a better looking result (first image of this post).
Note that here the legend shows both the size, the color and the transparency on the same circles. This is possible only if these 3 informations are redondante, with the same name, transformation and breaks.
# Create breaks for the color scale
mybreaks <- c(0.02, 0.04, 0.08, 1, 7)
# Reorder data to show biggest cities on top
data <- data %>%
arrange(pop) %>%
mutate( name=factor(name, unique(name))) %>%
mutate(pop=pop/1000000)
# Build the map
map %>%
ggplot() +
geom_polygon(data = UK, aes(x=long, y = lat, group = group), fill="grey", alpha=0.3) +
geom_point( aes(x=long, y=lat, size=pop, color=pop, alpha=pop), shape=20, stroke=FALSE) +
scale_size_continuous(name="Population (in M)", trans="log", range=c(1,12), breaks=mybreaks) +
scale_alpha_continuous(name="Population (in M)", trans="log", range=c(0.1, .9), breaks=mybreaks) +
scale_color_viridis(option="magma", trans="log", breaks=mybreaks, name="Population (in M)" ) +
theme_void() + ylim(50,59) + coord_map() +
guides( colour = guide_legend()) +
ggtitle("The 1000 biggest cities in the UK") +
theme(
legend.position = c(0.85, 0.8),
text = element_text(color = "#22211d"),
plot.background = element_rect(fill = "#f5f5f2", color = NA),
panel.background = element_rect(fill = "#f5f5f2", color = NA),
legend.background = element_rect(fill = "#f5f5f2", color = NA),
plot.title = element_text(size= 16, hjust=0.1, color = "#4e4d47", margin = margin(b = -0.1, t = 0.4, l = 2, unit = "cm")),
)
Last but not least, plotly allows to quickly get an interactive version. This is really handy since it allows to zoom on the map and hover a city to know its name and population!
# Load the plotly package
library(plotly)
# Rorder data + Add a new column with tooltip text
data <- data %>%
arrange(pop) %>%
mutate( name=factor(name, unique(name))) %>%
mutate( mytext=paste(
"City: ", name, "\n",
"Population: ", pop, sep="")
)
# Make the map (static)
p <- data %>%
ggplot() +
geom_polygon(data = UK, aes(x=long, y = lat, group = group), fill="grey", alpha=0.3) +
geom_point(aes(x=long, y=lat, size=pop, color=pop, text=mytext, alpha=pop) ) +
scale_size_continuous(range=c(1,15)) +
scale_color_viridis(option="inferno", trans="log" ) +
scale_alpha_continuous(trans="log") +
theme_void() +
ylim(50,59) +
coord_map() +
theme(legend.position = "none")
p <- ggplotly(p, tooltip="text")
p
# save the widget in a html file if needed.
# library(htmlwidgets)
# saveWidget(p, file=paste0( getwd(), "/HtmlWidget/bubblemapUK.html"))


MATT BRIGIDA
Associate Professor of Finance (SUNY Polytechnic Institute) & Financial Education Advisor, Milken Institute
We can create a synthetic long futures contract by buying a call option, and selling a put, of the same strike and maturity.
If you would like to make any additions or corrections to this presentation, visit our GitHub repository page to learn more about how to contribute.


|
fop 1.1 | |||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |
java.lang.Object org.apache.fop.afp.fonts.CharacterSetBuilder
public abstract class CharacterSetBuilder
The CharacterSetBuilder is responsible building the a CharacterSet instance that holds the font metric data. The data is either read from disk and passed to a CharacterSet (*) or a FopCharacterSet is instantiated that is composed of a Typeface instance configured with this data.
-*- For referenced fonts CharacterSetBuilder is responsible for reading the font attributes from binary code page files and the character set metric files. In IBM font structure, a code page maps each character of text to the characters in a character set. Each character is translated into a code point. When the character is printed, each code point is matched to a character ID on the code page specified. The character ID is then matched to the image (raster pattern or outline pattern) of the character in the character set specified. The image in the character set is the image that is printed in the document. To be a valid code page for a particular character set, all character IDs in the code page must be included in that character set. This class will read the font information from the binary code page files and character set metric files in order to determine the correct metrics to use when rendering the formatted object.
| Field Summary | |
|---|---|
protected static org.apache.commons.logging.Log |
LOG
Static logging instance |
| Method Summary | |
|---|---|
CharacterSet |
build(java.lang.String characterSetName,
java.lang.String codePageName,
java.lang.String encoding,
Typeface typeface,
AFPEventProducer eventProducer)
Load the font details and metrics into the CharacterSetMetric object, this will use the actual afp code page and character set files to load the object with the necessary metrics. |
CharacterSet |
buildDBCS(java.lang.String characterSetName,
java.lang.String codePageName,
java.lang.String encoding,
CharacterSetType charsetType,
ResourceAccessor accessor,
AFPEventProducer eventProducer)
Load the font details and metrics into the CharacterSetMetric object, this will use the actual afp code page and character set files to load the object with the necessary metrics. |
CharacterSet |
buildSBCS(java.lang.String characterSetName,
java.lang.String codePageName,
java.lang.String encoding,
ResourceAccessor accessor,
AFPEventProducer eventProducer)
Load the font details and metrics into the CharacterSetMetric object, this will use the actual afp code page and character set files to load the object with the necessary metrics. |
protected void |
closeInputStream(java.io.InputStream inputStream)
Closes the inputstream |
static CharacterSetBuilder |
getDoubleByteInstance()
Factory method for the double-byte (CID Keyed font (Type 0)) implementation of AFPFontReader. |
static CharacterSetBuilder |
getSingleByteInstance()
Factory method for the single-byte implementation of AFPFontReader. |
protected java.util.Map<java.lang.String,java.lang.String> |
loadCodePage(java.lang.String codePage,
java.lang.String encoding,
ResourceAccessor accessor,
AFPEventProducer eventProducer)
Load the code page information from the appropriate file. |
protected java.io.InputStream |
openInputStream(ResourceAccessor accessor,
java.lang.String filename,
AFPEventProducer eventProducer)
Returns an InputStream to a given file path and filename * @param accessor the resource accessor |
protected org.apache.fop.afp.fonts.CharacterSetBuilder.FontControl |
processFontControl(StructuredFieldReader structuredFieldReader)
Process the font control details using the structured field reader. |
protected static org.apache.fop.afp.fonts.CharacterSetBuilder.FontDescriptor |
processFontDescriptor(StructuredFieldReader structuredFieldReader)
Process the font descriptor details using the structured field reader. |
protected void |
processFontIndex(StructuredFieldReader structuredFieldReader,
CharacterSetOrientation cso,
java.util.Map<java.lang.String,java.lang.String> codepage,
double metricNormalizationFactor)
Process the font index details for the character set orientation. |
protected CharacterSetOrientation[] |
processFontOrientation(StructuredFieldReader structuredFieldReader)
Process the font orientation details from using the structured field reader. |
protected void |
processFontPosition(StructuredFieldReader structuredFieldReader,
CharacterSetOrientation[] characterSetOrientations,
double metricNormalizationFactor)
Populate the CharacterSetOrientation object in the suplied array with the font position details using the supplied structured field reader. |
| Methods inherited from class java.lang.Object |
|---|
clone, equals, finalize, getClass, hashCode, notify, notifyAll, toString, wait, wait, wait |
| Field Detail |
|---|
protected static final org.apache.commons.logging.Log LOG
| Method Detail |
|---|
public static CharacterSetBuilder getSingleByteInstance()
public static CharacterSetBuilder getDoubleByteInstance()
protected java.io.InputStream openInputStream(ResourceAccessor accessor, java.lang.String filename, AFPEventProducer eventProducer) throws java.io.IOException
filename
- the file nameeventProducer
- for handling AFP related events
java.io.IOException
- in the event that an I/O exception of some sort has occurredprotected void closeInputStream(java.io.InputStream inputStream)
inputStream
- the inputstream to closepublic CharacterSet buildSBCS(java.lang.String characterSetName, java.lang.String codePageName, java.lang.String encoding, ResourceAccessor accessor, AFPEventProducer eventProducer) throws java.io.IOException
characterSetName
- name of the charactersetcodePageName
- name of the code page fileencoding
- encoding nameaccessor
- used to load codepage and characterseteventProducer
- for handling AFP related events
java.io.IOException
- if an I/O error occurspublic CharacterSet buildDBCS(java.lang.String characterSetName, java.lang.String codePageName, java.lang.String encoding, CharacterSetType charsetType, ResourceAccessor accessor, AFPEventProducer eventProducer) throws java.io.IOException
characterSetName
- name of the charactersetcodePageName
- name of the code page fileencoding
- encoding namecharsetType
- the characterset typeaccessor
- used to load codepage and characterseteventProducer
- for handling AFP related events
java.io.IOException
- if an I/O error occurspublic CharacterSet build(java.lang.String characterSetName, java.lang.String codePageName, java.lang.String encoding, Typeface typeface, AFPEventProducer eventProducer) throws java.io.IOException
characterSetName
- the CharacterSetMetric object to populatecodePageName
- the name of the code page to useencoding
- name of the encoding in usetypeface
- base14 font nameeventProducer
- for handling AFP related events
java.io.IOException
- if an I/O error occursprotected java.util.Map<java.lang.String,java.lang.String> loadCodePage(java.lang.String codePage, java.lang.String encoding, ResourceAccessor accessor, AFPEventProducer eventProducer) throws java.io.IOException
codePage
- the code page identifierencoding
- the encoding to use for the character decodingaccessor
- the resource accessoreventProducer
- for handling AFP related events
java.io.IOException
- if an I/O exception of some sort has occurred.protected static org.apache.fop.afp.fonts.CharacterSetBuilder.FontDescriptor processFontDescriptor(StructuredFieldReader structuredFieldReader) throws java.io.IOException
structuredFieldReader
- the structured field reader
java.io.IOException
- if an I/O exception of some sort has occurred.protected org.apache.fop.afp.fonts.CharacterSetBuilder.FontControl processFontControl(StructuredFieldReader structuredFieldReader) throws java.io.IOException
structuredFieldReader
- the structured field reader
java.io.IOException
- if an I/O exception of some sort has occurred.protected CharacterSetOrientation[] processFontOrientation(StructuredFieldReader structuredFieldReader) throws java.io.IOException
structuredFieldReader
- the structured field reader
java.io.IOException
- if an I/O exception of some sort has occurred.protected void processFontPosition(StructuredFieldReader structuredFieldReader, CharacterSetOrientation[] characterSetOrientations, double metricNormalizationFactor) throws java.io.IOException
structuredFieldReader
- the structured field readercharacterSetOrientations
- the array of CharacterSetOrientation objectsmetricNormalizationFactor
- factor to apply to the metrics to get normalized
font metric values
java.io.IOException
- if an I/O exception of some sort has occurred.protected void processFontIndex(StructuredFieldReader structuredFieldReader, CharacterSetOrientation cso, java.util.Map<java.lang.String,java.lang.String> codepage, double metricNormalizationFactor) throws java.io.IOException
structuredFieldReader
- the structured field readercso
- the CharacterSetOrientation object to populatecodepage
- the map of code pagesmetricNormalizationFactor
- factor to apply to the metrics to get normalized
font metric values
java.io.IOException
- if an I/O exception of some sort has occurred.
|
fop 1.1 | |||||||||
| PREV CLASS NEXT CLASS | FRAMES NO FRAMES | |||||||||
| SUMMARY: NESTED | FIELD | CONSTR | METHOD | DETAIL: FIELD | CONSTR | METHOD |


Used for EDA and multiple data processing tasks.
Used to process large datasets
Used for EDA and was the core platform on which we did all our geo (mapping) work.
Used for data processing.
Used for advanced map editing in the final product.
Instrumental in the development of our Bayesian model.
Open-source web bootstrap templates provided by MIT.
Used to run our model throughout the project.


--- layout: default permalink: /about/ ---
I created this blog to share my knowledge and experiences with you around challenges that I have could encounter about computer science.
Gilles Legoux
Software Engineer
Hello !
I am Gilles Legoux. Briefly I am a software engineer. I love coding, the algorithms and the applied mathematics.
I am a French citizen .
I worked as web full stack developer and software reliability engineer . I have had several professional experiences by working successively in a start-up and in a multinational organization.
I am very excited by the start-up company world and the process of creation.
I am passionate about the computer science and the data science , and more generally about the informatics and the mathematics.
One of my preferred formulae is the Euler's identity:
$e^{i\pi} + 1 = 0$
My favorite programming languages are Java and Python . I am a Linux user , I use Ubuntu .


I have made another new theme for the Battlefield 4 Battlelog. That was quite a lot of work, I hope you like it.
The BF3 Clean & Bright Theme from WiLLyS-exe has inspired me.
Please write suggestions, criticism or bug reports in this topic.
White Shadow Theme (v1.3.3 / Codename: White Tiger)
-a few bars were darkened
-----------------------------------------------------------------------------------------------------------------------------
v1.2:
-changed the theme name from "white tiger" to "white shadow" (white tiger is just the "project/code"-name)
-----------------------------------------------------------------------------------------------------------------------------
v1.3:
-lot of small and big changes (too many to list here)
-----------------------------------------------------------------------------------------------------------------------------
v1.3.1
-the logo was moved down
-----------------------------------------------------------------------------------------------------------------------------
v1.3.2
-changed to white background color on the loadout page to grey
-----------------------------------------------------------------------------------------------------------------------------
v1.3.3
-a few bug fixes
Meaurk
Global Moderator
Looks nice. :)
Post edited 1 x times, last by
Operation-Busuk
Operation-Busuk
Well the theme worked but the only problem is i can't see the tiger background see my screenshot below
screenshot11.png
My screen resolution is 1366 x 768
EDIT : Nevermind i find how to fix it! pretty cool theme! just make the Loadout and suggestions bar darker to make people see better :)
ThePredatoR
Helping Hand
Cool theme, but can you make some bars darker ?
blog
I_like_Chocolate
ThePredatoR wrote:
Cool theme, but can you make some bars darker ?
blog
Dat Paint-skills :D
Topicstarter
T3RRORTOAST
Community Manager
ThePredatoR wrote:
Cool theme, but can you make some bars darker ?
blog
done :)
Post edited 1 x times, last by
ThePredatoR
Helping Hand
ThePredatoR
Helping Hand
I_like_Chocolate wrote:
Dat Paint-skills :D
it's online editor pixlr
T3RRORTOAST wrote:
done :)
Now it's great. Thx
Topicstarter
T3RRORTOAST
Community Manager
- changed the theme name from "white tiger" to "white shadow" (white tiger is just the "project/code"-name)
Post edited 1 x times, last by
juress
Theme Developer
juress
Theme Developer
I'd name it "Brain melter" just for some extra drama :P
Topicstarter
T3RRORTOAST
Community Manager
juress wrote:
I'd name it "Brain melter" just for some extra drama :P
maybe ? :)
(no, haha!)
btw.:
The theme is now available in the theme switcher
Post edited 1 x times, last by
T3RRORTOAST
Community Manager
Topicstarter
T3RRORTOAST
Community Manager
- snow animation has been added
Snow animation
Topicstarter
T3RRORTOAST
Community Manager
sorry,
- removed the snow animation because there is a problem with custom backgrounds
Post edited 1 x times, last by
d4ngrs
d4ngrs
I LOVE both of your themes, the white and the black one. But there is ONE little thing, which annoys me a bit...:
http://i.imgur.com/Illrrym.jpg
The name of your theme and your name. I don't want you to remove it completely, but could you replace it or make it less visable? I got a 19" and a 22" screen. On both it's like that... and it ruins the Theme on my screens. :(
I would be so thankful if you just would replace it, maybe in the bottom left or right corner. This would be soooo awesome!
Grüße.  But there is ONE little thing, which annoys me a bit...:
http://i.imgur.com/Illrrym.jpg
The name of your theme and your name. I don't want you to remove it completely, but could you replace it or make it less visable? I got a 19" and a 22" screen. On both it's like that... and it ruins the Theme on my screens. :(
I would be so thankful if you just would replace it, maybe in the bottom left or right corner. This would be soooo awesome!
Grüße. ;)
*update* the logo has been moved down
Meaurk
Global Moderator
The red circled areas are not visible. Can you change this? :-)
toowhite.png
Topicstarter
T3RRORTOAST
Community Manager
Meaurk wrote:
The red circled areas are not visible.  But there is ONE little thing, which annoys me a bit...:
http://i.imgur.com/Illrrym.jpg
The name of your theme and your name. I don't want you to remove it completely, but could you replace it or make it less visable? I got a 19" and a 22" screen. On both it's like that... and it ruins the Theme on my screens. :(
I would be so thankful if you just would replace it, maybe in the bottom left or right corner. This would be soooo awesome!
Grüße. ;)
*update* the logo has been moved down
love you! thanks. :)
/edit: Looks perfect now! Sorry for the late response, I forgot about my "request" and used your Black one instead. But now.. woah, I'm so in love with this.
Post edited 4 x times, last by
d4ngrs
d4ngrs
New issue:
IMAGE
(on MouseOver you can't see the left text at all)
Same on the text-part on the forums when you post a new thread or answer to a thread. If not active, you can't see what you have written. :)
Edit Meaurk ~ Changed URL to correct working image.
/edit ^ Thanks, Meaurk.
Something else I noticed:
IMAGE
AMD, PEGI and this stuff are at the end of the site at the "top layer", so it's above the battlelog-stuff.
d4ngrs
*Push*
Text-Areas (like forum, plugin editor and so on) dont show the text you've written. Text is white, Background, too. YOu need to select it to read it before you can be sure everything is correctly.
Topicstarter
T3RRORTOAST
Community Manager
d4ngrs wrote:
*Push*
Text-Areas (like forum, plugin editor and so on) dont show the text you've written. Text is white, Background, too. YOu need to select it to read it before you can be sure everything is correctly.


"Think of Komodo as the multiverse. Within Komodo, there can be an infinite number of “universes”, each with their own laws and conventions — interdependent, yet very much independent at the same time." $KMD @KomodoPlatform
https://t.co/8Vh3WShAIH
1
Great article by that page btw, can't wait to see the other parts of it
KomodoWorld21-Feb-19 03:36 PM
it was published on cryptomurmur in 2018, but no longer available there. The author is republishing it on thenewcoin
Alecandro21-Feb-19 03:36 PM
ahhhhhhh gocha
KomodoWorld21-Feb-19 03:40 PM
the origin of the 'multiverse' comparison
Alecandro21-Feb-19 03:42 PM
beautiful comparison though. Really like the highway one too
FishyGuts21-Feb-19 05:03 PM
@ComputerGenie 👴👴👴 How much for an RFishyxxxxxxx KMD address? Is there a script to generateaddresses until I get this?


Massive data breaches in the past years as well as governments regulations such as GDPR make handling of user data a critical aspect of an application's operation.
Over the last few years, this has been the most common impactful attack. The most common flaw is simply not encrypting sensitive data. When crypto is employed, weak key generation and management, and weak algorithm, protocol and cipher usage is common, particularly for weak password hashing storage techniques. For data in transit, server side weaknesses are mainly easy to detect, but hard for data at rest..
Along with the 'secret' file you will find many other files in the bucket including the html for a chat application that the hackers use.
The users file for the application can be found in the same bucket and the passwords are stored as unsalted SHA-1 hashes.
The users of the system have strong passwords but the test account not so much.
Crack the test account password and login into the chat to pass this challenge.


Please check your email I will reply as soon as possible
Having trouble? Contact us
Continue to homepage


I am a Computer Engineer I learned in alazhar universty in cairo faculty of engineering computer and system engineering i made many of projects. i have many experiense .
Age:24 year
Location:Egypt Nasr City
Birth Date:21/12/1996
Address:Asiut
Nationality: Egyptian
Mobile:<PHONE_NUMBER>9
Email<EMAIL_ADDRESS>Name Of University:Alazhar
Major:Computer and System
Graduation
Year:2020
Grade: Excellent grading 92.33%


Intro to Web Accessibility
Class 1
Welcome!
Girl Develop It is here to provide affordable and accessible programs to learn software through mentorship and hands-on instruction.
Some "rules"
We are here for you!
Every question is important
Help each other
Have fun
Introductions
Tell us about yourself.
Who are you?
What do you hope to get out of the class?
What is your favorite 80's song?
What is accessibility?
Accessibility is about making your sites useful to as many people as possible.
Accessibility is about overcoming barriers.
Accessibility is about helping your users.
While the topic of accesiblity focuses on disabled users, the broader definition of accessibility is to enable your content to be accessed to all your users.
Why make your sites accessible?
Expand your potential audience! 54 million people in the US have a disability, 1.8 million are unable to see printed words, and 16.1 million have a cognitive or mental illness that impedes daily functioning (source opens in a new window ).
Be in compliance with legal guidelines, like Section 504/508 and WCAG 2.0.
Avoid potential lawsuits opens in a new window .
Do the right thing.
Useful stats from the Census Bureau:
54 million people have a disability--19 percent of the civilian noninstitutionalized population. This increases with age:
5 percent of children 5 to 17 have disabilities.
10 percent of people 18 to 64 have disabilities.
38 percent of adults 65 and older have disabilities.
1.8 million people 15 and older are unable to see printed words.
1 million people 15 and older are unable to hear conversations.
2.5 million have difficulty having their speech understood.
16.1 million have limitations in cognitive functioning or who have a mental or emotional illness.
Legal issues: Some sites, like Target, have been sued under the Americans with Disabilities Act (ADA) - which requires that businesses and nonprofits have the same access for disabled users as they have for able users.
Accessibility is for everyone!
Photo credit: Sylvia Pellicore cc opens in a new window
Ask if people recognize curb cut, then point out that while wheelchairs use them, so do strollers, people with luggage, etc. Mention how accessibility can help the non-disabled as well.
Benefits of Accessibility
Curb cuts were designed for wheelchairs, but others use them. Similarly, accessibility features end up helping everyone.
Many times, good design practices create accessibility as a side effect.
Accessibility features, like good alt text, can improve your search engine placement.
Types of Disability
Visual disabilities: blind or low-sight, color blind
Hearing disabilities: deaf or hard-of-hearing
Physical disabilities: MS, paraplegic/quadriplegic, epilepsy
Cognitive disabilities: dyslexia, low literacy, learning disabilities
Examples of Assistive Technologies
Braille Translators
Smart Lights
Eye trackers
Screen Readers
Braille translators - devices that expose and hide bumps to translate web pages to braille.
Smart lights or even the flash on your phone provides visual cues for notifications for those with hearing disabilities
Eye Trackers - Detect where a person is looking on a screen to interact with a computer
Cognitive disabilities: dyslexia, low literacy, learning disabilities
Accessibility is a continuum, not a checkbox
Photo credit: Matt Carman opens in a new window cc opens in a new window
Accessibility checkers can help, but they are not a full subsititute for manual testing.
You don't have to be perfect to be helping. No site will be perfectly accessible for everyone in the world.
What assistive technology do people use?
Browser zoom
Screen magnification
High contrast displays
Screen readers
Important points:
Low vision is very common
Even people who are legally blind may have some residual vision
Screen readers are also useful for people with print disabilities, like dyslexia
More on visual disabilities
If you use color to indicate something, also use another indicator. For example, underline links on hover or mark a required field with an asterisk.
Red/green color blindness is the most common, so avoid green on red.
Include color names in product descriptions and show examples (article opens in a new window )
Have a minimum of contrast ratio of 4.5:1 for normal text and 3:1 for large text. (Checker opens in a new window )
Try zooming in on your designs, to see how they look when enlarged. It is a good idea to use ems and percentages instead of pixels when you can.
Show a demo of how color blind users may see a site: http://colorfilter.wickline.org. Other methods include photoshop plugins that simulate different types of visual impairments or simply converting it to grayscale.
What Do You See?
Ask the students what the title of the page is and how they know.
Computers don't see what we see. They can't tell if links are active or if a line of text differs from another unless we tell them. Search engines and screen readers depend on accurately defined html elements to relay information back to the user.
HTML Headings
Semantic structure is one of the most important usability features for screen reader users, as it helps them more easily understand and navigate the page structure. Headings also help all your users can and understand content. Read more about headings opens in a new window .
// Headings should not skip levels until h1-h4 have been established

Most important

Next most important

Third most important

Other heading

Tip: use the Firefox Web Developer Toolbar to inspect headings. Look under Information > View Document Outline.
The metaphor of an outline for a paper or article is helpful here.
Alt text
Alternate text describes pictorial content in words.
Pay attention to context.
Describe the function , not the content.
If an image is purely decorative, use alt=""
to instruct a screen reader to skip it.
Instead of using "longdesc," provide a caption or link. Consider HTML5 figure
and figcaption
.

brief description

Demo
Choose a site with a complex nav menu, and show how long it takes to get through with a screen reader. I used CNN.com and NVDA for this demo, but any common screen reader will work.
Let's try it
WebAIM Screen reader simulation opens in a new window
NVDA Screen Reader For Windows opens in a new window
VoiceOver For Mac opens in a new window Command + F5 to enable. Ctrl + Option + Arrow Keys to navigate.
Have students try the screenreader demo at http://webaim.org/simulations/screenreader-sim.htm. (With headphones!) You may have to help people install the Shockwave plugin. Time limit to ten minutes, and cut it short if students seem bored or frustrated.
If available, demo VoiceOver on the iPhone/iPad or Talkback on Android.
Video demo of desktop screen reader: https://www.youtube.com/watch?v=YhpIqmgQbRo
Video demo of iPad screen reader: https://youtu.be/SwYCqs6w1Vs?t=55s
Other tips for screen readers
Headings skip-nav links and landmark roles give users a way to navigate through a page.
Content is more than just visual.
External link indicators prevent unexpected page changes.
Tables can be hard to navigate, so only use them for tabular data.
Many users are switching to touch-screen based readers like VoiceOver on iOS opens in a new window .
No, automatic captions don't count
Credit: Sylvia Pellicore, from YouTube
Hearing Disabilities
Most deaf or hard-of-hearing people have limited difficulty with web accessibility.
Provide captions or transcripts for multimedia elements.
Don't rely on sounds to convey information, like an "alert" noise. Even hearing users often have their computers muted.
Be especially careful if your site targets older users, as hearing loss is common.
Paid captioning services are relatively inexpensive, about $1.50 to $2.50 a minute.
Let's try it
Pick a page you're working on or download our demo page and try applying the techniques you've just learned
Questions to ask:
Is the contrast high enough?
Are headers and links clearly defined?
Do all the images have alt text?
Practice using the screen reader as you optimize the page for accessibility and be mindful of the improvements and how they affect users.


Film: Making of a Film
welcome to the Making of a Film film site!
Here you will find the film my group and I have created, it potrays how our film came to be!
Click here for the film!
Meet the cast here!
Contacts are here!
Click Me First!


{% extends "base.html" %} {% block content %}
Entertainment 720 is Pawnee's first and only entertainment media conglomerate. Helmed by nightclub impresarios and marketing masterminds Tom Haverford and Jean-Ralphio Saperstein, Entertainment 720 is your one-stop-shop for public relations, marketing, or anything having to do with reaching out to people, communicating effectively, and other desirable abilities.
720 Miners is a workers union of Entertainment 720 employees comprised of Dwarfs, Elves, Hobbits, but mostly Trolls.


{lang tom_tcshop:ruzhu_vip_level_0}({$tcshopConfig['ruzhu_price']}{lang tom_tcshop:yuan}/ {lang tom_tcshop:ruzhu_base_time_type_1} {lang tom_tcshop:ruzhu_base_time_type_2} {lang tom_tcshop:ruzhu_base_time_type_3} {lang tom_tcshop:ruzhu_base_time_type_4} {lang tom_tcshop:ruzhu_base_time_type_5} {lang tom_tcshop:ruzhu_base_time_type_6} )({lang tom_tcshop:ruzhu_score_msg}{$ruzhuBackScore})
{lang tom_tcshop:ruzhu_vip_level_1}({$tcshopConfig['vip_ruzhu_price']}{lang tom_tcshop:yuan}/1{lang tom_tcshop:nian})({lang tom_tcshop:ruzhu_score_msg}{$ruzhuVipBackScore})
{lang tom_tcshop:ruzhu_vip_level_1}({$tcshopConfig['vip_ruzhu_price_two']}{lang tom_tcshop:yuan}/2{lang tom_tcshop:nian})({lang tom_tcshop:ruzhu_score_msg}{$ruzhuVipTwoBackScore})
{lang tom_tcshop:ruzhu_prompt_msg}
{lang tom_tcshop:ruzhu_xz_msg}


PART 1 - What piece of sporting equipment is this a picture of?
PART 2 - What's the correct order?
Put these Olympic swimming gold medallists in order of who won the 100m freestyle, first to most recent.
Nathan Adrian - Alain Bernard – Pieter van den Hoogenband
Put these stadiums in order of smallest to largest capacity, when used for sporting events.
Anfield – Murrayfield Stadium - London Stadium
Put these F1 tracks in order of length (km), longest to shortest.
Mexico City - Silverstone - Singapore
Put these football teams in order of points scored to win the season from fewest to most.
Arsenal (03-04) – Leicester City (15-16) – Manchester City (17-18)
Put these female tennis athletes in order of their Grand Slam Singles wins, fewest to most.
Maria Sharapova – Naomi Osaka – Venus Williams
PART 3 - Sports personality Answer Smash
The answers for this round are created by smashing together the names of the sporting personalities. Beginning with the person on the image and ending with the answer to the clue.
Who has recently claimed their 90th race win in Formula 1?
Who became the first female football pundit at a World Cup for the BBC in 2018
Who is the only British man to have won gold medals in the 100 metres at all 4 major competitions (Olympic Games, World Championships, European Championships and Commonwealth Games)?
Who achieved 17 podium finishes and broke their back twice during their career as a TT racer?
Who won the 2010 World Number One golfer title becoming the first British recipient since 1994 and ending Tiger Woods reign?


You are not logged in to ChiliPeppr, therefore you can't become a client to connect to your WebRTC server. You must be logged in because ChiliPeppr uses your login to create the peer-to-peer call.
Please click `allow` on the top of the screen so we can access your webcam and microphone.
Failed to access the webcam and microphone. Make sure to run this demo on an http server and click allow when asked for permission by the browser.
Try again
Your id: ...
Share this id with others so they can call you.
Make a call


influenza tuberculosis studies infection PTB cases patients virus disease co�?infection severe reported ;():�?. association Influenza compared increased group South high individuals mice risk influenza�?associated study Experimental analytical data {border-style included prevalence pulmonary px;} respiratory #ffffff;} challenge effect pandemic laboratory�?confirmed BCG hospitalized number co�?infected seasonal studies, acute infected lung systematic Analytical Control HIV Infect burden mortality review showed underlying (%) Africa, Dis. bacterial control experimental presentation viral Experiment Health Hospital Number associated bacilli conducted death deaths descriptive diagnosed disease. possible published tuberculosis. Descriptive Outcomes: PTB, Seasonal T�?cell animal chronic clinical did factor frequency higher increase infection. influenza, outcomes progression px; reporting response severity subjects type used {font-family (/) A(HN) CohenC, Mice Newcastle�?Ottawa PTB. RT�?PCR addition, admissions antiviral articles changes culture font-size group: groups hospitalization however, human lesions responses results sacrificed tuberculosis, A(HN)pdm Africa BCG�?specific MTB Med. Studies Summary assessed case cells controls countries day died double; epidemiological identified illness inclusion infections influenza�?PTB interaction limited mice. mycobacterial post�?influenza sanatorium search secondary statistically superimposed treatment vaccination viruses week (CPR (Table AFB Africa. Africa[], Data Effect Global However, Model: Mycobacterium Organization Pandemic Respiratory Study TB, TempiaS, World age, antibody border-color border-width children clinically community concurrent criteria development disease, evaluated factors general host humans hypersensitivity including infection, intranasal low lungs measured papers period population quality ratio; reduced report review, series single solid; susceptibility time transmission tubercle tuberculosis; {font-style {font-weight < (.%) (HN) .). ;():e. ALC AN, CC, Compare Concurrent Disease HBCs IAV Immunol. Increased JohannesburgSouth Model ONE. Respir United WalazaS, Wiley Yes additional admission affect antibodies bold case�?control case�?population collab: comparison courier; diagnosis em; findings following granuloma important included. influenza. latent literature load mycobacteria newly outcome outcomes, positive present pt;} radiological relative review. reviewed seven significant study, suggested tuberculin vaccines viable weeks worsening


We're sorry but webpack doesn't work properly without JavaScript enabled. Please enable it to continue.


About Safekit¶
Safekit is a python software distribution for anomaly detection from multivariate streams, developed for the AIMSAFE initiative at Pacific Northwest National Laboratory. It should have a better name, so any suggestions are welcome. An exposition of the models in this package can be found in the paper:
Deep Learning for Unsupervised Insider Threat Detection in Structured Cybersecurity Data Streams
The code of the toolkit is written in python using the tensorflow deep learning toolkit and numpy.
Core Modules¶
data to models.
batch: Module for mini-batching data.
graph_training_utils: Utilities for training the parameters of tensorflow computational graphs.
util
: Python utility functions.
Dependencies¶
This toolkit was written using tensorflow version 12 (the latest) and numpy. The latest version of tensorflow should be installed in a virtual environment. I recommend labelling the virtualenv with the tensorflow version number as the tensorflow distribution is volatile as of late.
Installation¶
Clone the repo from github. From the top level directory run:
$ python setup.py develop
To test your build acquire a copy of no_weekends_reordered.csv place it in the cpp/safekit/models directory and from the cpp/safekit/models directory run:
$ mkdir cert_dnn_auto_results
$ python cert_agg_dnn_autoencoder.py no_weekends_reordered.csv cert_dnn_auto_results ../features/cert_agg_no_weekends.json


ngModel
the model to be bound to the control as the value
ngDisabled
indicates whether this control is disabled or not
ngRequired
indicates whether the value of this control is required or not
ngLabel
the label for this control, viewed as header
ngTip
the sublabel for this control, viewed as subheader
ngItems
these objects represent the selectbox options
ngDefault
indicates whether a default option value should be included or not
ngValueField
the name of the option property that should be used as value
ngNameField
the name of the option property that should be used as name
ngValidate
a custom validation function that should return a boolean result
ngValidating
indicates whether the value of this control is validated or not
ngValid
if false, the control returns invalid when validation triggers (so that you can guide its validity from another scope property value)
ngAutoFocus
indicates if the control should be focused on load or not
<ctrl-select
ng-model="sample.value"
ng-disabled="false"
ng-required="true"
ng-label="sample label text"
ng-tip="sample tip text"
ng-items="options"
ng-default="true"
ng-name-field="name"
ng-value-field="value"></ctrl-select>


HubSpot Report Authoring
HubSpot’s products are about end-to-end demand generation and lead management. Marketing is a role that requires a lot of analytics and marketing people tend to be less technical. This means that in order to provide data to eyeballs the ability to let users define their own reports and analytics is critical.
Product Assortment
The three plans that HubSpot offers (Basic, Pro, Enterprise) are interesting to study from an analytics assortment point of view - clearly some thought went into how the plans are designed. Enterprise editions are the only ones that offer revenue, custom event-based, contacts and companies reporting.
In addition to the standard reports in the packages, HubSpot offers a reporting add-on for an additional 7.5% of the value of the Enterprise edition.
Reporting Add-On
Custom reporting lets users define their own reports and dashboards directly into the product based on any metric in the Marketing or CRM products, all without technical expertise.
Customers can choose from a library of templates or build their own custom visual reports that can be previewed and allow selection of chart types. The reports can then be arranged into dashboard tiles and saved.
Dashboards can then be scheduled to send daily, weekly, or monthly emails.
This was published on Jan. 11, 2017.
Content Contributors
Is a feature of your app EnterpriseReady?
We'd love to work with you to breakdown your implementation and share it with the EnterpriseReady community.


The Tarasin Palace was a mass of shining marble and white plaster, with screened balconies of white-painted wrought iron and columned walks as much as four stories above the ground. Pigeons wheeled around pointed domes and tall, balcony-wreathed spires banded in red and green tiles, glittering in the sun. Sharp-arched gates in the palace itself led to various courtyards, and more pierced the high wall hiding the gardens, but deep, snowy white steps ten spans wide climbed on the side facing Mol Hara Square to great doors carved in coiling patterns like the balcony screens and covered with beaten gold.
The dozen or so guards lined up before those doors, sweating in the sun, wore gilded breastplates over green coats and baggy white trousers stuffed into dark green boots.  Even their halberds and the scabbards of their daggers and short swords shone with gold. Guards for being looked at, not fighting. But then, when Mat reached the top, he could see swordsmen’s calluses on their hands. Always before he had entered through one of the stableyards, to peruse the palace horses in passing, but this time he was going in the way a lord would.
“The Light’s blessing on all here,” he said to their officer, a man not much older than he. Ebou Dari were polite people. “I’ve come to leave a message for Nynaeve Sedai and Elayne Sedai. Or to give it to them, if they’ve returned.”
The officer stared at him, looked at the stairs in consternation. Gold cord as well as green on his pointed helmet signified some rank Mat did not know, and he carried a gilded rod instead of a halberd, with a sharp end and a hook like an ox-goad. By his expression, no one had ever come up that way before. Studying Mat’s coat, he mulled it over visibly, and at last decided he could not tell him to go away. With a sigh, the man murmured a benison in return and asked Mat’s name, pushed open a small door in one of the larger and ushered him into a grand entry hall encircled by five stone-railed balconies beneath a domed ceiling painted like the sky, complete with clouds and a sun.
The guard’s snapping fingers summoned a slim young serving woman in a white dress, sewn up on the left to show green petticoats and embroidered on the left breast with a green Anchor and Sword. She scurried across the red-and-blue marble floor looking startled, curtsying to Mat and the officer each.  For once, Mat did not really notice.  Aes Sedai were not unpopular in Ebou Dar, exactly, but most Ebou Dari would go a long distance out of their way to avoid one.
“Yes, Sword-Lieutenant,” she said, bobbing again. “Of course, Sword-Lieutenant. May it please you to follow me, my Lord?” It did.
Outside, Ebou Dar sparkled white, but inside, color ran wild. There seemed to be miles of broad corridor in the palace, and here the high ceiling was blue and the walls yellow, there the walls pale red and the ceiling green, changing with every turn, combinations to jar any eye but a Tinker’s. Mat’s boots sounded loud on floor tiles that made patterns of two or three or sometimes four colors in diamonds or stars or triangles. Wherever hallways crossed the floor was a mosaic of tiny tiles, intricate swirls and scrolls and loops. A few silk tapestries displayed scenes of the sea, and arched niches held carved crystal bowls and small statues and yellow Sea Folk porcelain that would fetch a fine penny anywhere. Occasionally a liveried servant hurried along silently, often as not carrying a silver tray, or a golden.
Normally, displays of wealth made Mat feel comfortable. For one thing, where there was money, some might stick to his fingers. This time he felt impatient, more so by the step. And anxious. The last time he had felt the dice rolling so hard in his head was just before he found himself with three hundred of the Band, a thousand of Gaebril’s White Lions on a ridge to his front and another thousand coming hard up the road behind him, when all he had been trying to do was ride away from the entire mess. That time he had avoided the chop by the grace of other men’s memories and more luck than he had a right to. The dice almost always meant danger, and something else he had not figured out yet. The prospect of having his skull cracked was not enough, and once or twice there had been no possibility of such, yet the upcoming likelihood of Mat Cauthon dead in some spectacular fashion seemed the most usual cause. Unlikely, maybe, in the Tarasin Palace, but unlikely did not make the dice go away. He was going to leave his message, grab Nynaeve and Elayne by the scruff of the neck if he had an opportunity, give them a talking-to that made their ears glow, and then get out.
The young woman glided ahead of him until they reached a short, bullish man a little older than she, another servant, in tight white breeches, a white shirt with wide sleeves, and a long green vest with the Anchor and Sword of House Mitsobar in a white disc. “Master Jen,” she said, curtsying once more, “this is Lord Mat Cauthon, who wishes to leave a message for the honored Elayne Aes Sedai and the honored Nynaeve Aes Sedai.”
“Very good, Haesel. You may go.” He bowed to Mat “May it please you to follow me, my Lord?”
Jen led him as far as a dark, grim-faced woman short of her middle years, and bowed. “Mistress Carin, this is Lord Mat Cauthon, who wishes to leave a message for the honored Elayne Aes Sedai and the honored Nynaeve Aes Sedai.”
“Very good, Jen. You may go. May it please you to follow me, my Lord?”
Carin took him up a sweeping flight of marble stairs, the risers painted yellow and red, to a skinny woman named Matilde, who handed him over to a stout fellow named Bren, who led him to a balding man named Madic, each a little older than the one before. Where five corridors met like the spokes of a wheel, Madic left him with a round woman called Laren, who had a touch of gray at her temples and a stately carriage. Like Carin and Matilde, she wore what the Ebou Dari called a marriage knife, hanging hilt down from a close-fitting silver necklace between more than plump breasts. Five white stones in the hilt, two set in red, and four red stones, one surrounded by black, said three of her nine children were dead, two sons in duels. Rising out of her curtsy to Mat, Laren began to float up one of the hallways, but he hurried to catch her arm.
Dark eyebrows rose slightly as she glanced at his hand. She had no dagger except the marriage knife, but he released her immediately. Custom said she could only use that on her husband, yet there was no point in pushing. He did not soften his voice, though. “How far do I have to go to leave a note? Show me to their rooms. A pair of Aes Sedai shouldn’t be that hard to find.  “If you do seek two Aes Sedai, you have found two.”
Laren’s face did not change, or almost not. Her nearly black eyes darted past him, and he was sure they tightened with worry.
Doffing his hat, Mat turned wearing an easy smile. With that silver foxhead around his neck, Aes Sedai did not put him off at all. Well, not very much. It had those flaws. Maybe the smile was not that easy.
The two women confronting him could not have been more different. One was slender, with a fetching smile, in a green-and-gold dress that showed a hint of what he judged to be a fine bosom. Except for that ageless face, he might have thought to strike up a conversation. It was a pretty face, with eyes large enough for a man to sink into. A pity. The other had the agelessness too, but seeing it took him a moment. He thought she was scowling until he realized that must be her normal expression. Her dark, almost black, dress covered her to the wrists and chin, for which he was grateful. She looked scrawny as an old bramble. She looked as if she ate brambles for breakfast.
“I’m trying to leave a message for Nynaeve and Elayne,” he told them. “This woman—” He blinked, looking down each of the corridors. Servants hurried by, but Laren was nowhere in sight. He would not have thought she could move so fast. “Anyway, I want to leave a note.” Suddenly cautious, he added, “Are you friends of theirs?”
“Not exactly,” the pretty one said. “I am Joline, and this is Teslyn. And you are Mat Cauthon.” Mat’s stomach tightened. Nine Aes Sedai in the palace, and he had to walk into the two who followed Elaida. And one of them Red. Not that he had anything to fear. He lowered his hand to his side before it could touch the foxhead under his clothes.
The one who ate brambles—Teslyn—stepped closer. She was a Sitter, according to Thom, though what a Sitter was doing here even Thom did not understand. “We would be their friends if we could. They do need friends, Master Cauthon, as do you.” Her eyes tried to dig holes in his head.
Joline moved to flank him, laying a hand on his lapel. He would have considered that smile inviting from another woman. She was Green Ajah. “They are on dangerous ground and blind to what lies beneath their feet. I know you are their friend. You might show it by telling them to abandon this nonsense before it is too late. Foolish children who go too far can find themselves punished quite severely.”
Mat wanted to back away; even Teslyn stood close enough to be almost touching him. Instead he put on his most insolent grin. It had always landed him in trouble back home, but it seemed appropriate. Those dice in his head could have nothing to do with this pair, or they would have stopped spinning. And he did have the medallion. “They see pretty well, I’d say.” Nynaeve badly needed to be snatched down a peg or six, and Elayne even more, but he was not about to stand by and listen to this woman talk Nynaeve down. If that meant defending Elayne too, so be it. “Maybe you should abandon your nonsense.” Joline’s smile vanished, but Teslyn replaced it with one of her own, a razored smile.
“We do know about you, Master Cauthon.”  “Ta’veren, it do be said. With dangerous associations of your own. That do be more than hearsay.”
Joline’s face was ice. “A young man in your position who wished to be assured of his future could do much worse than seek the protection of the Tower. You should never have left it.”
His stomach clenched tighter. What else did they know? Surely not about the medallion. Nynaeve and Elayne knew, and Adeleas and Vandene, and the Light only knew who they had told, but surely not this pair. There was worse than ta’veren or the foxhead, though, or even Rand, as far as he was concerned.
Abruptly he was yanked away from them so hard that he stumbled and nearly dropped his hat.  Reflexively Teslyn seized him the same way on the other side. He recognized the straight-backed newcomer in her plain gray dress, in a way. She was either Adeleas or Vandene, two sisters—real sisters, not just Aes Sedai—who might as well have been twins; he never could tell them apart for certain. She and Teslyn stared at one another, chill and serene, two cats with a paw on the same mouse.
“No need to tear my coat off,” he growled, trying to shrug free. “My coat?” He was not sure they heard. Even wearing the foxhead he was not prepared to go as far as prying their fingers free—unless he had to.
Two other Aes Sedai accompanied whichever sister it was, though one, a dark, stocky woman with inquisitive eyes, was marked by no more than the Great Serpent ring and the brown-fringed shawl she wore, displaying the white Flame of Tar Valon among vines on her back. She appeared to be just a little older than Nynaeve, which made her Sareitha Tomares, only two years or so Aes Sedai.
“Do you stoop to kidnapping men in the halls now, Teslyn?” the other said. “A man who cannot channel can hardly be of interest to you.” Short and pale in lace-trimmed gray slashed with blue, she was all cool ageless elegance and confident smile. A Cairhienin accent identified her. He had certainly attracted the top dogs in the yard.

Mat could have shaved with Teslyn’s return smile. “Do no dissemble with me, Merilille. Mat Cauthon do be of considerable interest. He should no be running loose.” As if he was not standing there listening!
“Don’t fight over me,” he said. Tugging his coat was not making anyone let go. “There’s enough to go around.”
 Aes Sedai had no sense of humor.  Vandene, he decided. She was Green, and he had always thought she wanted to turn him upside down and shake the secret of the medallion out of him. Whichever she was, she smiled, part knowing, part amused. He saw nothing funny. The others did not look at him long. He might as well have vanished.
“What he needs,” Joline said firmly, “is to be taken into custody. For his own protection, and more. Three ta’veren coming out of a single village? And one of them the Dragon Reborn? Master Cauthon should be sent to the White Tower immediately.” And he had thought her pretty.
Merilille only shook her head. “You overestimate your situation here, Joline, if you think I will simply allow you to take the boy.”
“You overestimate yours, Merilille.” Joline stepped closer, until she was looking down at the other woman. Her lips curved, superior and condescending. “Or do you understand that it’s only a wish not to offend Tylin that keeps us from confining all of you on bread and water until you can be returned to the Tower?”

“You would not dare.” Sareitha wore Aes Sedai tranquillity like a mask, face smooth and hands calmly adjusting her shawl, but her breathy voice shouted that it was a mask.
“These are children’s games, Joline,” Vandene murmured dryly. Surely that was who she was. She was the only one of the three who really did appear unruffled.
Faint splashes of color blossomed on Merilille’s cheeks as if the white-haired woman had spoken to her, but her own gaze steadied. “You can hardly expect us to go meekly,” she told Joline firmly, “and there are five of us. Seven, counting Nynaeve and Elayne.” The last was a clear afterthought, and reluctant at that.
Joline arched an eyebrow. Teslyn’s bony fingers did not loosen their grip any more than Vandene’s, but she studied Joline and Merilille with an unreadable expression. Aes Sedai were a country of strangers, where you never knew what to expect until it was too late. There were deep currents here. Deep currents around Aes Sedai could snatch a man to his death without them so much as noticing. Maybe it was time to start prying at fingers.
Laren’s sudden reappearance saved him the effort. Struggling to control her breath as if she had been running, the plump woman spread her skirts in a curtsy markedly deeper than she had given him. “Forgiveness for disturbing you, Aes Sedai, but the Queen summons Lord Cauthon. Forgiveness, please. It’s more than my ears are worth if I don’t bring him straight away.”
The Aes Sedai looked at her, all of them, till she began to fidget; then the two groups stared at one another as if trying to see who could out-Aes Sedai who. And then they looked at him. He wondered whether anybody was going to move.
“I can’t keep the Queen waiting, now can I?” he said cheerily. From the sniffs, you would have thought he had pinched somebody’s bottom. Even Laren’s brows drew down in disapproval.
“Release him, Adeleas,” Merilille said finally.
He frowned as the white-haired woman complied.  She gave him another of those amused, knowing smiles. He hated that. It was a woman’s trick, not just Aes Sedai, and they usually did not know anything at all like what they wanted you to believe. “Teslyn?” he said. The grim Red still had hold of his coat with both hands. She peered up at him, ignoring everyone else. “The Queen?”
 “How long do you intend to stand here holding him, Teslyn? Perhaps you will explain to Tylin why her summons is disregarded.”
“Consider well who you do tie yourself to, Master Cauthon,” Teslyn said, still looking only at him. “Wrong choices can lead to an unpleasant future, even for a ta’veren. Consider well.” Then she let go.
As he followed Laren, he did not allow himself to show his eagerness to be away, but he did wish the woman would walk a little faster. She glided along ahead of him, regal as any queen. Regal as any Aes Sedai. When they reached the first turning, he looked over his shoulder. The five Aes Sedai were still standing there, staring after him. As if his look had been a signal, they exchanged silent glances and went, each in a different direction. Adeleas came toward him, but a dozen steps before reaching him she smiled at him again and disappeared through a doorway. Deep currents. He preferred swimming where his feet could touch the bottom of the pond.
Laren was waiting around the corner, hands on broad hips and her face much too smooth. Beneath her skirts, he suspected, her foot was tapping impatiently. He gave her his most winning smile. Giggling girls or gray-haired grandmothers, women softened for that one; it had won him kisses and eased him out of predicaments more often than he could count. It was almost as good as flowers. “That was neatly done, and I thank you. I’m sure the Queen doesn’t really want to see me.” If she did, he did not want to see her. Everything he thought about nobles was tripled for royalty. Nothing he had found in those old memories changed that, and some of those fellows had spent considerable time around kings and queens and the like. “Now, if you will just show me where Nynaeve and Elayne stay . . . ”
Strangely, the smile did not seem to have any effect. “I would not lie, Lord Cauthon. It would be more than my ears are worth. The Queen is waiting, my Lord. You are a very brave man,” she added, turning, then said something more under her breath. “Or a very great fool.” He doubted he had been supposed to hear that
A choice between going to see the Queen and wandering miles of corridor until he stumbled on somebody who would tell him what he wanted to know? He went to see the Queen.
Tylin Quintara, by the Grace of the Light, Queen of Altara, Mistress of the Four Winds, Guardian of the Sea of Storms, High Seat of House Mitsobar, awaited him in a room with yellow walls and a pale blue ceiling, standing before a huge white fireplace with a stone lintel carved into a stormy sea. She was well worth seeing, he decided. Tylin was not young—the shiny black hair cascading over her shoulders had gray at the temples, and faint lines webbed the corners of her eyes—nor was she exactly pretty, though the two thin scars on her cheeks had nearly vanished with age. Handsome came closer. But she was . . . imposing. Large dark eyes regarded him majestically, an eagle’s eyes. She had little real power—a man could ride beyond her writ in two or three days and still have a lot of Altara ahead—but he thought she might make even an Aes Sedai step back. Like Isebele of Dal Calain, who had made the Amyrlin Anghara come to her. That was one of the old memories; Dal Calain had vanished in the Trolloc Wars.
“Majesty,” he said, sweeping his hat wide in a bow and flourishing an imaginary cloak, “by your summons do I come.” Imposing or not, it was hard to keep his eyes away from the not small lace-trimmed oval where her white-sheathed marriage-knife hung. A very nicely rounded sight indeed, yet the more bosom a woman displayed, the less she wanted you to look. Openly, at least. White-sheathed; but he already knew she was a widow. Not that it mattered. He would as soon tangle himself with that fox-faced Darkfriend as with a queen. Not looking at all was difficult, but he managed. Most likely she would call guards rather than draw the gem-encrusted dagger thrust behind a woven-gold belt to match the collar her marriage knife hung from. Maybe that was why the dice were still rolling in his head. The possibility of an encounter with the headsman would set them spinning if anything did.
Layered silk petticoats rippled white and yellow as she crossed the room and walked slowly all the way around him. “You speak the Old Tongue,” she said once she stood in front of him again. Her voice was low-pitched and musical. Without waiting for a reply, she glided to a chair and sat, adjusting her green skirts. An unconscious gesture; her gaze remained fixed on him. He thought she could probably tell when his smallclothes had been washed last. “You wish to leave a message. I have what is necessary.” A lace fall at her wrist swayed as she gestured to a small writing table standing beneath a gilt-framed mirror. All the furnishings were gilded and carved like bamboo.
Tall triple-arched windows opening onto a wrought-iron balcony admitted a sea breeze that was surprisingly pleasant, if not exactly cool, yet Mat felt hotter than in the street, and it had nothing to do with her stare. Deyeniye, dyu ninte concion ca’lyet ye. That was what he had said.   No telling when those bloody dice would stop or for what. Best to keep his eyes to himself and his mouth shut as much as possible. “I thank you, Majesty.” He made very sure of those words.
Thick sheets of pale paper already waited on the slanted table, at a comfortable height for writing. He propped his hat against the table leg. He could see her in the mirror. Watching. Why had he let his tongue run loose? Dipping a golden pen—what else would a queen have?—he composed what he wanted to write in his head before bending over the paper with an arm curled around it. His hand was awkward and square. He had no love of writing.
I followed a Darkfriend to the palace Jaichim Carridin is renting. She tried to kill me once, and maybe Rand as well. She was greeted like an old friend of the house.
For a moment he studied that, biting the end of the pen before realizing he was scoring the soft gold. Maybe Tylin would not notice. They needed to know about Carridin. What else? He added a few more reasonably worded lines. The last thing he wanted was to put their backs up.
Be sensible. If you have to go traipsing around, let me send a few men along to keep you from having your heads split open. Anyway, isn’t it about time I took you back to Egwene? There’s nothing here but heat and flies, and we can find plenty of those in Caemlyn.
There. They could not ask for pleasanter than that.
Blotting the page carefully, he folded it four times. Sand in a small golden bowl covered a coal. He puffed on it till it glowed, then used it to light a candle and picked up the stick of red wax. As the sealing wax dripped onto the edges of the paper, it suddenly struck him that he had a signet ring in his pocket. Just something the ringmaker had carved to show his skill, but better than a plain lump. The ring was slightly longer than the pool of solidifying wax, yet most of the sigil took.
For the first time he got a good look at what he had bought. Inside a border of large crescents, a running fox seemed to have startled two birds into flight. That made him grin. Too bad it was not a hand, for the Band, but appropriate enough. He certainly needed to be crafty as a fox to keep up with Nynaeve and Elayne, and if they were not exactly flighty, well . . . Besides, the medallion had made him fond of foxes. He scrawled Nynaeve’s name on the outside, and then Elayne’s, as an afterthought. One or the other, they should see it soon.
Turning with the sealed letter held in front of him, he gave a start as his knuckles brushed against Tylin’s bosom. He stumbled back against the writing table, staring and trying not to turn red. Staring at her face; just her face. He had not heard her approach. Best to simply ignore the brushing, not embarrass her any further. She probably thought he was a clumsy lout as it was. “There is something in this you should know, Majesty.” Insufficient room remained between them to lift the letter. “Jaichim Carridin is entertaining Darkfriends, and I don’t mean arresting them.”
“You are certain? Of course you are. No one would make that charge without being certain.”  “Let us speak of more pleasant things.”
He could have yelped. He told her the Whitecloak ambassador to her court was a Darkfriend, and all she did was grimace?
“You are Lord Mat Cauthon?” There was just a hint of question in the title. Her eyes minded him more than ever of an eagle’s. A queen could not like someone coming to her pretending to be a lord.
“Just Mat Cauthon.” Something told him she would hear a lie. Besides, letting people think he was a lord was just a ruse, one he would rather have managed without. In Ebou Dar you could find a duel any time you turned around, but few challenged lords except other lords. As it was, in the last month he had cracked a number of heads, bloodied four men and run half a mile to escape a woman. Tylin’s stare made him nervous. And those dice still rattled about in his skull. He wanted out of there. “If you’ll tell me where to leave the letter, Majesty . . . ?”
“The Daughter-Heir and Nynaeve Sedai seldom mention you,” she said, “but one learns to hear what is not said.” Casually she reached up and touched his cheek; he half-raised his own hand uncertainly. Had he smeared ink there, chewing the pen? Women did like to tidy things, including men. Maybe queens did, too. “What they do not say, but I hear, is that you are an untamed rogue, a gambler and chaser after women.” Her eyes held his, expression never altering a hair, and her voice stayed firm and cool, but as she spoke, her fingers stroked his other cheek. “Untamed men are often the most interesting. To talk to.” A finger outlined his lips. “An untamed rogue who travels with Aes Sedai, a ta’veren who, I think, makes them a little afraid. Uneasy, at the least. It takes a man with a strong liver to make Aes Sedai uneasy. How will you bend the Pattern in Ebou Dar, just Mat Cauthon?” Her hand settled against his neck; he could feel his pulse throbbing against her fingers.
His mouth fell open. The writing table behind his back rattled against the wall as he tried to back away. The only way out was to push her aside or climb over her skirts. Women did not behave this way! Oh, some of those old memories suggested they did, but it was mainly memories of memories that that woman had done this or this woman had done that; the things he recalled clearly were battles for the most part, and no help here at all.  The hair on his head tried to stand up.
Her eyes flickered over his shoulder to the mirror, and she turned abruptly, leaving him gaping at her back as she moved away. “I must arrange to speak with you again, Master Cauthon. I—” She cut off as the door swung all the way open, apparently surprised, but then he realized she had seen it begin moving in the mirror.
A slender young man entered, limping slightly, a dark lad with sharp eyes that flicked by Mat with barely a pause. Black hair hung to his shoulders, and he wore one of those coats that was never meant to be worn normally draped across his shoulders, green silk, with a gold chain across his chest and gold leopards worked on the lapels. “Mother,” he said, bowing to Tylin and touching his lips with his fingers.
“Beslan.” She filled the name with warmth, and kissed him on both cheeks and his eyelids. The firm, even icy, tone she had used with Mat might as well have never been. “It went well, I see.”
“Not as well as it might.” The boy sighed. Despite his eyes, he had a mild manner to him, and a soft voice. “Nevin nicked my leg on the second pass, then slipped on the third so I ran him through the heart instead of his sword-arm. The offense was not worth killing, and now I must pay condolences to his widow.” He seemed to regret that as much as this Nevin’s death.
Tylin’s beaming face hardly seemed right on a woman whose son had just told her he had killed a man. “Just be sure your visit is brief.  By her tone, the first alternative was much the worse, the second merely a nuisance. “This is Master Mat Cauthon, my son. He is ta’veren. I hope you will make a friend of him. Perhaps you two will go to the Swovan Night dances together.”
Mat jumped.  “I am not much for balls,” he said quickly. Ebou Dari liked festivals beyond reason. Here High Chasaline was just past, and they had five more in the next week, two all-day affairs, not just the simpler evening feasts. “I do my dancing in taverns. The rougher sort, I’m afraid. Nothing you’d like.”
“I favor taverns of the rougher sort,” Beslan said with a smile, in that soft voice.
After that, it was all downhill on crumpling shingle. Before Mat knew what was happening, Tylin had him sewed up in a sack. He and Beslan would be attending the festivals together. All of the festivals. Hunting, Beslan called it, and when Mat said hunting for girls without thinking—he would never have said that in front of somebody’s mother had he thought—the boy laughed and said, “A girl or a fight, pouting lips or a flashing blade. Whichever dance you’re dancing at the moment is always the most fun. Wouldn’t you say so, Mat?” Tylin smiled at Beslan fondly.
Mat managed a weak laugh. This Beslan was mad, him and his mother both.


--- layout: post title: AnzioWin - Telnet - Ubuntu date: '2008-07-03T11:52:00.001+02:00' author: Luca Ferrari tags: - linux modified_time: '2008-07-03T11:53:44.772+02:00' blogger_id: tag:blogger.com,1999:blog-1836481905487384887.post-2046537709619590121 blogger_orig_url: http://fluca1978.blogspot.com/2008/07/anziowin-telnet-ubuntu.html permalink: /:year/:month/:day/:title.html ---


class JsEventManagerProcess : Process<JsEventManagerClass>
Use JsEventManager and process them.
The aim is extend a simple function for initialize them and add each JsInterface like a new command. Also use a function addJavascriptInterfaces to attach the js flow events between the webview and that manager.
See: WebWrap library - WebJsEventManager
JsEventManagerProcess(processingEnv: ProcessingEnvironment, jsInterfaceProcess: JsInterfaceProcess)
Use JsEventManager and process them. |
val annotation: Class<out Annotation>
The annotation to process: JsEventManager |
val elements: Elements
Useful to extract package name. |
|
val messager: Messager
Useful to print console message. |
|
val processingEnv: ProcessingEnvironment |
|
val typeUtils: Types
Useful to get TypeElement from TypeMirror |
fun buildAnnotationClass(typeElement: TypeElement): JsEventManagerClass
Given a TypeElement, get the package name and class name and instance a new model. |
|
fun createAnnotationFile(annotationClass: JsEventManagerClass): Unit
Make two files, one extended an event manager and another extended the WebWrapper This second extension use the first to initialize and load all js interfaces. |


I have been using Salvia quite often over the last year. I think it's a bautiful and interesting teacher. I have seen Salvia convince people to never to take psychedelics again... and I've seen it completely turn people on.
After much research, I went to the local health food store (big mistake-- see my Kava experience report!), and bought about half a pound of what they claimed was Salvia Divinorum. After several smokings of rather large amounts of plant material I came to realize that this was NOT salvia, but simply the normal sage herb!
Then I acquired some normal Salvia, and tried Salvia+Cannibas+Datura... only minus the Datura. I listened to Beethoven's 9th and just let my mind go... spectacular. I felt as though my brain was being sucked back into my backside... right in time with the music! I began to see my body as a series of structures... weapons, buildings etc etc. Until finally (a full 30 minutes later), I came out of the trance. WOW!
The rest of that batch was wasted on friends who smoked it until they got a mild giddy feeling... they had no idea what the full effects of Salvia could really be.
Finally, I purchased a gram of Salvia 10x and my friend T & I smoked all of it in one night in his car at like midnight. We were both struck with not only a huge giddiness, but also with bizarre visions (him of disneyworld & me of a giant fish).
I finally ordered more Salvia 5x a couple months later and proceeded to let all my friends experiment with it. It created a huge rush for people to acquire it, which wasn't really a good thing since it caused some very negative experiences in some people. For example, my friend G got up and stumbled around the room... completely unconscious of where he was. This same friend would eventually buy Salvia himself and smoke it to help him sleep. This resulted in a total trainwreck.
Another friend, who has given up on acid & mushrooms because he doesn't like the way they strip reality of all its sugar coating took Salvia and saw the whole world as a huge lie. He had a panic attack... and has every time since that he tried Salvia. Another trainwreck.
This never happens to me. I have never lost control on Salvia, and I believe I never will. I believe this is both because I respect the plant and because I have no underlying fear of what I might see. 'Always look on the bright side of life', right?
Finally, my two most powerful Salvia exercises: In April I smoked a few hits of 5x and suddenly was confronted by a massive firebird in front of me. It did nothing but emanate power. I was dumbfounded, simply could not think of anything in front of this awe-inspiring being. I still don't know the significance, but I know it's there.
The last great Salvia experience i had was home alone, late at night practicing some uhm... auto-erotic stimulation and delaying orgasm until a moment after Salvia ingestion.
I was immediately catapulted into my own genetic lifestream where an innervoice answered many of my most troubling questions. It reiterated who I was and why I was the way I was. Since then my Salvia experiences have been nearly nonexistent. Every time I've tried I've had minimal results... I miss it, but at the same time I am glad I don't have to face the power it sometimes held. It can be overwhelming, but I think if I learn to go with it will not get out of control.
I will continue to buy 5x extract not the standard leaf or the 10x extract. I have tried 10x as well & all my experiences were far inferior to my 5x experiences.
Experience Reports are the writings and opinions of the individual authors who submit them.
Some of the activities described are dangerous and/or illegal and none are recommended by Erowid.


{% extends "layouts/main.html" %} {% block body %}
The following is a plain text: {% include 'pages/products/plain.txt' %}
{{products|as_python}}
{{products|as_json}}
{{products|as_yaml}}


2,000 people from over 100 countries will become Irish citizens today
Such ceremonies were put on hold after a High Court ruling in July.
by Órla RyanSOME 2,000 PEOPLE from 103 countries will become Irish citizens at ceremonies in Co Kerry today.
Such ceremonies were put on hold after High Court judge Mr Justice Max Barrett ruled in July that anyone applying for citizenship could not spend a day outside Ireland in the 12 months before applying.
Last month the Court of Appeal overturned this ruling, calling it “unduly rigid” and “unworkable” .
Today’s ceremonies will take place at 11.30am and 2.25pm at the Convention Centre in Killarney.
Justice and Equality Minister Charlie Flanagan and Minister of State David Stanton will attend the events, which will be presided over by retired High Court Judge Bryan McMahon.
This is the second year when large-scale citizenship ceremonies have been held outside Dublin. The Convention Centre in Killarney will be the location for large citizenship ceremonies in the future.
Citizenship ceremonies were first introduced in 2011. There have been 145 ceremonies (including today) since then with people from over 180 countries receiving their certificates of naturalisation.
Approximately 127,000 people, including minors, have received Irish citizenship in the last 18 years.
The top nationalities that will be represented at today’s ceremonies include Poland, the UK, Romania, India and Nigeria.
Thousands more people are expected to receive Irish citizenship in early 2020 following the backlog created by temporary suspension of ceremonies.