class: center, middle, inverse, title-slide # ETC1010: Data Modelling and Computing ## Lecture 6: Reading different data formats ### Di Cook (
<EMAIL_ADDRESS>,
@visnut
) ### Week 6 --- # Overview - SPSS format (PISA data) - `read_csv` vs `read.csv` - Handling large data sets by constructing a small database: `sqlite` - Web format (json) data, `jsonlite` (crossrates) - netcdf, hdf5, feather for large binary files - Web scraping? --- # Reading foreign binary formats Many organisations provide their data in conventional software package formats, e.g. SPSS, SAS, Stata. The OECD PISA data that we have used earlier provided the 2015 results as SPSS (and SAS) format files. The 2012 results were provided only as SAS files. These data sets are fairly large, and it can be frustrating to wait for the download and then struggle to read the contents of a file. The SPSS format file is actually a `zip` archive `http://vs-web-fs-1.oecd.org/pisa/PUF_SPSS_COMBINED_CMB_STU_QQQ.zip`. It unpacks into two files, and the one with the information about students is about 1.5Gb. The `haven` package in R lets you read this format: ```r library(haven) pisa_2015 <- read_sav("CY6_MS_CMB_STU_QQQ.sav") ``` An additional file describing the data, it is a data dictionary, [Codebook_CMB.xlsx](http://www.oecd.org/pisa/data/2015database/Codebook_CMB.xlsx) can be used alongside the data file to understand variable names, and categories. --- # A new type of data structure Large survey instruments like this typically use coded names for variables, and have a long description of the variable as supplementary information, and maybe several more additional labels, not the `dbl+lbl`. Its still a tibble, though. ``` Observations: 519,334 Variables: 2 $ ST004D01T <dbl+lbl> 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1, 1,... $ ST012Q01TA <dbl+lbl> NA, NA, NA, NA, NA, NA, NA, NA, NA, NA, NA, NA,... ``` ![](labelled.png) --- Access the additional information by ```r attr(pisa_sub$ST004D01T, "labels") Female Male Valid Skip Not Reached Not Applicable 1 2 5 6 7 Invalid No Response 8 9 ``` ```r attr(pisa_sub$ST012Q01TA, "labels") None One Two Three or more Valid Skip 1 2 3 4 5 Not Reached Not Applicable Invalid No Response 6 7 8 9 ``` --- # Handling of missing values Big survey instruments, typically have complex missing codes. From the subset of PISA data above, there are five possible ways that missings might occur in this data (`Valid Skip`,`Not Reached`,`Not Applicable`,`Invalid`,`No Response`), and they are coded in this complexity. By default, `read.sav` turns all of these into NA. --- # `read_csv` vs `read.csv` Before the tidyverse, there was base R. Many people are accustomed to reading `csv` files with `read.csv`. There are benefits for making the switch to the `readr`: - Automatic parsing of different types of information - Manual override for parsing to very specifically read some formats - Much faster routines, but for even faster with big data look into `data.table::fread()` - Base R functions inherit some behaviour from your operating system and environment variables, so import code that works on your computer might not work on someone else's. The `readr` routines work across platforms, and thus produce more reproducible results. - -- *How do you peak at a big data set?* -- When you can see that a file is large, try to read just a few lines in. --- # Big binary files - Climate data sets are often stored in netCDF (Network Common Data Form) format. These are "gridded" data which means big rectangular tables. They are typically large, and require special routines for extracting information on what is in the file, and what records to extract. There is an [R cheatsheet here](https://www.r-bloggers.com/a-netcdf-4-in-r-cheatsheet/). - Another common format is HDF5 (Hierarchical Data Format), arose from supercomuting needs, for storing multidimensional or grouped data. An example is the song recommender system [Million Song DatasetMillion Song Dataset](https://labrosa.ee.columbia.edu/millionsong/pages/getting-dataset). The `rhdf5` from [bioconductor](https://www.bioconductor.org/packages/devel/bioc/vignettes/rhdf5/inst/doc/rhdf5.pdf) can read this for you. - A new format `feather` has recently been announced, by the R and python groups. It is a fast, lightweight, and easy-to-use binary file format for storing data frames, not metadata. A good description of the speed increases can be found [here](https://blog.dominodatalab.com/the-r-data-i-o-shootout/). --- # JSON With the advent of web communication, comes JavaScript Object Notation (JSON). It is a language-independent data format, and supplants extensible markup language (XML). It is a verbose data descriptor, from wikipedia: ``` { "firstName": "John", "lastName": "Smith", "isAlive": true, "age": 25, "address": { "streetAddress": "21 2nd Street", "city": "New York", "state": "NY", "postalCode": "10021-3100" }, "phoneNumbers": [ { "type": "home", "number": "212 555-1234" }, { "type": "office", "number": "646 555-4567" }, { "type": "mobile", "number": "123 456-7890" } ], "children": [], "spouse": null } ``` --- # Cross rates An example we have seen is the cross rates data available at [https://openexchangerates.org/](https://openexchangerates.org/). To access this data you need to: - 1.Get a free plan from https://openexchangerates.org/signup/free - 2.Tell this function your API key -- `Sys.setenv("OER_KEY", "your-key-here")` Then you can access the data using a command like: ``` u <- sprintf( "https://openexchangerates.org/api/historical/%s.json?app_id=%s", day, Sys.getenv("OER_KEY") ) res <- jsonlite::fromJSON(u) ``` There's a nice help page by [Carson Sievert here](https://gist.github.com/cpsievert/e05da83fc4253e6d1986). --- # Web scraping - Example: NBA salaries - ESPN provides basketball players' salaries for the 2017-2018 season at [http://espn.go.com/nba/salaries](http://espn.go.com/nba/salaries) ```r library(XML) nba <- NULL for (i in 1:11) { temp <- readHTMLTable( sprintf("http://espn.go.com/nba/salaries/_/page/%d",i))[[1]] nba <- rbind(nba, temp) } glimpse(nba) Observations: 473 Variables: 4 $ RK <fctr> 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, RK, 11, 12, 13, 14, 15,... $ NAME <fctr> Stephen Curry, PG, LeBron James, SF, Paul Millsap, PF,... $ TEAM <fctr> Golden State Warriors, Cleveland Cavaliers, Denver Nug... $ SALARY <fctr> $34,382,550, $33,285,709, $31,269,231, $29,727,900, $2... ``` --- # Working with strings ``` head(nba$SALARY) # get rid of $ and , in salaries and convert to numeric: gsub("[$,]", "", head(as.character(nba$SALARY))) nba$SALARY <- as.numeric(gsub("[$,]", "", as.character(nba$SALARY))) ``` ``` [1] $34,382,550 $33,285,709 $31,269,231 $29,727,900 $29,512,900 $28,703,704 309 Levels: $19,508,958 $19,578,455 $20,000,000 $20,061,729 ... $895,197 [1] "34382550" "33285709" "31269231" "29727900" "29512900" "28703704" Warning: NAs introduced by coercion ``` - Where does the warning come from? --- # Cleaning NBA salaries data: hunting the warning ``` nba %>% filter(is.na(SALARY)) %>% head() ``` ``` RK NAME TEAM SALARY 1 RK NAME TEAM NA 2 RK NAME TEAM NA 3 RK NAME TEAM NA 4 RK NAME TEAM NA 5 RK NAME TEAM NA 6 RK NAME TEAM NA ``` - We don't need these rows - delete all of them ``` dim(nba) nba <- nba[-which(nba$RK=="RK"),] dim(nba) ``` ``` [1] 473 4 [1] 440 4 ``` --- # Cleaning NBA data - Separate names into first, last, and position ``` nba <- nba %>% mutate(NAME = as.character(nba$NAME)) %>% separate(NAME, c("full_name", "position"), ",") %>% separate(full_name, c("first", "last"), " ") ``` ``` RK first last position TEAM SALARY 1 1 Stephen Curry PG Golden State Warriors 34382550 2 2 LeBron James SF Cleveland Cavaliers 33285709 3 3 Paul Millsap PF Denver Nuggets 31269231 4 4 Gordon Hayward SF Boston Celtics 29727900 5 5 Blake Griffin PF LA Clippers 29512900 6 6 Kyle Lowry PG Toronto Raptors 28703704 ``` --- # Cleaned data ...? - Numbers might still be wrong, but now we are in a position to check for that. ``` ggplot(data=nba, aes(x=SALARY)) + geom_histogram() ```  --- class: inverse middle # Share and share alike
This work is licensed under a Creative Commons Attribution 4.0 International License.


Class: c3.Butterfly
| Defined in: | js/c3-graph.coffee |
| Inherits: | c3.Sankey |
Overview
Butterfly flow visualization. This is a work in progress.
Variables Summary
- version =
-
0.1
- type =
-
'butterfly'
-
true
[Boolean] Enable or disable user navigation of nodes
- depth_of_field =
-
2
[Number] Number of levels of nodes to visualize to the left and right of the focus node
Variable inherited from c3.Sankey
version type data links key value link_source link_target link_key link_value iterations alpha node_padding node_width align link_path link_path_curvature nodes_options node_options rect_options links_options link_options path_options node_label_options link_label_options class options content_options anchor height width anchor_styles handlers
Instance Method Summary
- # (void) _init() Bound
- # (void) _update(origin) Bound
- # (void) _butterfly_update() Bound
- # (void) _butterfly_layout() Bound
- # (void) _style(style_new) Bound
- # (void) focus(focal) Bound Focus visualization on a specified focus node.
Inherited Method Summary
Methods inherited from
c3.Sankey
#_init #_size #_update #_layout #_draw #_style #init #style #render #resize #redraw #restyle #_prep #size #update #draw
Instance Method Details
#
(void)
_init()
Bound
#
(void)
_update(origin)
Bound
#
(void)
_butterfly_update()
Bound
#
(void)
_butterfly_layout()
Bound
#
(void)
_style(style_new)
Bound
#
(void)
focus(focal)
Bound
Focus visualization on a specified focus node.
The graph will then fan out to the left and right of the focal node by depth_of_field
levels.


BOX
WOOD
Introduction
Why Boxwood
Installation
Getting Started
Essential concepts
Partials
Slots
Conditions
Loops
Filters
Attributes
Styles
Scripts
Images
Translations
Tags
case
catch
default
else
elseif
elseunless
each
entity
font
for
foreach
if
img
import
include
link
partial
require
slot
style
svg
switch
template
translate
try
unless
var
Why Boxwood?
Because it's great.


I recently found two interesting articles relating to Google’s management style. It starts with Steve Yegge talking about Good Agile, Bad Agile. Working along the agile development approach with some changes, this obviously interested me. In a sense he is right. On it’s own, without adaptation, without thinking, it is another fad that consultants will exploit. It is also true to many other things I have learnt about people management, so the general ideas underpinning agile software development are right.

After having worked at Google for some time he thinks he has understood the development process and I will take his word for it as the insights he give ring true.

They are not really using managers as such but mostly tech leads as they code themselves. In the end, I believe developers choose their tech leads themselves as different people have different skills and the "lead" part should be taken up by those with the most developed necessary skills of the moment. Management’s task is to facilitate that and get out of the way.

Another point is that you as a developer can switch projects and teams at any time. This of course requires a big company, as you need some amount of projects, and you need some system to make sure every project is filled. But more to that later. That you can spend 20% of your time on other projects is known and a good idea if you have the right people that will work on related projects any way as that inspires them.

They also have very few meetings, which again comes with clearly defined projects. "Make the search results appear faster" doesn’t require a lot of meetings other than with your collegues over a brainstorm. The interesting thing is that there are no Gantt charts of date-task-owner spreadsheets. Nothing resembling project management as such. We are moving a similar way though. The thing is a Gantt chart doesn’t make you faster. Identification with the vision does.

You also don’t work insane hours ("unless you want to" with the "want to" being pushed a bit ;)) which again relates well to Joel’s point that 8 hours of creative work are all you get out of people. With 12 hours they are bound to do other stuff and you start getting higher turnover. If you do it all the time.

One important part that I didn’t know up till now is that a large part of Google relies on incentives. Your reward is in relation to how important management sees a project. The incentives are financial and in other forms. The "other" part comes from Google’s peer review culture, which I posted about recently. If you have good people and a peer review system, with financial rewards tied to peer reviews to a large extent, then the review of those peers, people you respect because you know they are good, will have a large incentive component. Check this:

"I might have been mistaken, actually. Having your name and picture up on that big screen at End of Quarter may not be the biggest incentive. The thing that drives the right behavior at Google, more than anything else, more than all the other things combined, is gratitude. You can’t help but want to do your absolute best for Google; you feel like you owe it to them for taking such incredibly good care of you."

All this does though is to get people to work on the right projects. The best explanation is his first sentence on this: "At Google, projects launch because it’s the least-energy state for the system."

Ok, there are project managers, and product managers and all that. But they really only nudge. Teams sit together, lots of meeting rooms are there. Meetings happen in the middle of the day, and people come in early or late to keep the rest of the day to working.

But again the small pionts matter. Google takes "things like unit testing, design documents and code reviews more seriously than any other company". That results in them having one code base, and switching teams and sharing code becomes easy.

The other thing is that Google is not date driven. Their drive is their desire to build something. Google wants things done as fast as possible. You need to create that urge.

Something I agree with is that index cards are not the optimal solution. We are actually using FogBugz here and it provides us with a good work cue, per project, per release.  Don’t mistake this for trying to control people. It is just to have an idea of how much work is in front of you.

I also agree with him in that you can’t do too many sprints or too short sprints. You still need a bit of freedom. We are currently using two week sprints, but something have a break of a week in between or just cleaning sprints. What the sprints do help with is having a bit more structure above and beyond projects. Of course you can work on the next sprint tasks if you want, but everybody knows that there is a clear goal with the current sprint and that goal is something we all want to reach because we know why it is there. The date at the end is just to give us a clearer goal.

Then there is the part I fully agree with. You can do things, that are not really part of the sprint, but that will improve your productivity immensely in the remaining ones. I could make a sprint saying that this one does not have unit tests in it, or that the idea to move our javascript interaction to it’s own framework will cost us time … but that is short sighted, and this short bit might be super short.

Then Greg Linden talks a bit about all this incentive stuff. Gives it just this other bit of certainty.


Last Published: 2020-08-31
|
Version: 1.0-SNAPSHOT
Maven
Documentation
Apache Site
Project Documentation
Project Information
Project Reports
Javadoc
Surefire Report
Surefire Report
Summary
Tests
Errors
Failures
Skipped
Success Rate
Time
0
0
0
0
0%
0
Note: failures are anticipated and checked for with assertions while errors are unanticipated.


This example demonstrates adding ajax processing and updating to a standard JSF component.
To see this example in action, begin typing in the input box, and watch as your text is echoed with html generated from the application server using an ajax call.


SCREAM 3 *1/2 (out of four) -a review by Bill Chambers<EMAIL_ADDRESS>(Shampoo+conditioner, in one website! Film Freak Central - http://filmfreakcentral.net Bring a friend.)
starring Neve Campbell, Courtney Cox Arquette, David Arquette, Parker Posey screenplay by Ehren Kruger directed by Wes Craven
Miramax "disinvited" on-line media from press screenings of Scream 3. They ostensibly feared that folks like me would write spoiler-filled reviews and post them prior to the film's February 4th release date-unsound reasoning. You see, 'net critics established enough to be on any sort of VIP list are professionals-Miramax surely knows the difference between a member of The On-Line Film Critics Society (OFCS) and the type of fanboy who posts spy reports at Ain't It Cool News.
Something smells rotten in the state of California right from the get-go: Cotton Weary (Liev Schrieber), the former lover and would-be killer of Maureen Prescott, Sidney's mother, is juggling phone calls in his luxury car. (Once considered a danger to society, Weary now hosts his own talk show, "100% Cotton", a clever, if dated, jab at American pop culture.) Of course, a new Ghostface dials him up, and, with memories of Scream's unbearably suspenseful prologue in mind, we immediately wonder, Where is the killer? The backseat? The next car? Thrilling prospects, to be sure, but actually, Ghostface is at the Weary residence, waiting for Cotton's girlfriend (Kelly Rutheford) to finishing showering. What's missing from this sequence, and indeed Scream 3's remaining frights (most disappointingly, the moment when an ingenue is forced to hide in a wardrobe room filled with Ghostface costumes, one of which might spring to life), is an elaborate and attenuated payoff.
Our other surviving regulars have become estranged. Sidney (Campbell) is living a paranoid existence of electronic gates and password-protected locks, while Dewey (Arquette) acts as technical advisor on the second sequel to Scream 2's movie-within-a-movie, "Stab 3", and Gale Weathers (Cox Arquette) headlines a gossipy news program. Murder reunites them, as knife-wielding Ghostface stalks the set of "Stab 3", imitating its sadistic screenplay-and his/her/their own personal draft climaxes with Sidney's death.
The appeal of Ghostface's villainy is that he/she/they could be your boyfriend, your classmate, your next door neighbour...or a combination of people. Scream was the first of its kind: a slasher mystery, with the guessing game not only entailing who will be next, but also who is/are the perpetrator(s) and what is/are his/her/their motive. Ironic self-reflection aside, parts one and two stand out in a crowd that includes umpteen Friday the 13th and Halloween flicks because there's at last articulate human beings behind the iconic costume. With Scream 3, the novelty of Ghostface's ever-mutating identity has worn off some, but the character remains conceptually potent.
Conceptually. The execution of Ghostface's master plan this time around is creaky, because screenwriter Ehren Kruger has invented a new mythology for the world of Sidney Prescott far afield from what we'd come to understand in Scream and Scream 2. The movie gets in the silly habit of saying "All bets are off!" in reference to the "rules" of a trilogy's third act, but there's a difference between rule breaking and cheating. With the departure of Kevin Williamson, who authored the previous Screams as well as a tidy outline for Scream 3 (that, for reasons incomprehensible to me, was ignored, save the notion of "Stab 3"), Kruger needed to be reined in tighter, and by Wes Craven.
Craven's direction of Scream 3 is lazy in most respects. How else to explain the Jay and Silent Bob cameo (the slacker duo of Kevin Smith movies), akin to seeing Mickey Mouse pop up in Mulan and more distracting than funny. It pains me to write this, but Scream 3's comedy is generally laughless, with the exception of well-timed performances by Josh Pais (as a police detective possessed of the same personality he had as a persnickety teacher in Craven's Music of the Heart), Jamie Kennedy (resurrecting film geek Randy for the sendoff he was denied in Scream 2), and Parker Posey (through sheer force of will as a B-actress).
The visuals are much weaker in part three, as well-the occasional sweeping gesture of Peter Deming's camera is a pale imitation of the stalking Steadicam Craven gave us twice before. (Aside: in the wake of Columbine, Craven toned down the violence significantly for Scream 3-why the sanctimony, when Scream and Scream 2 are still readily available on video store shelves?) Finally, Marco Beltrami's music cues the suspense too blatantly-do you recall the tense chase at the college radio station in Scream 2? It's mostly silent. Sting notes are a whole lot more effective if they spring from nowhere; here, they act as the crescendos of an incessantly nerve-jangling score.
I look at Scream 3 as coming from an alternative universe, the same place that birthed The Godfather Part III and Superman III-woefully out of synch with its prequels, Scream 3 is a nightmare instead of nightmarish, and will likely put the horror genre back in mothballs. The film unintentionally follows the unspoken rule of a trilogy to a T: ‘part three must disappoint'.
-February, 2000
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% include head.html %}
{% include header.html %} {% include standard.html %} {% include services.html %} {% include about.html %} {% include testimonials.html %} {% include team.html %} {% include contact.html %} {% include footer.html %} {% include modals.html %} {% include js.html %}


open Initializes or reinitializes video writer
retval = vid.open(filename, frameSize)
retval = vid.open(filename, frameSize, 'OptionName',optionValue, ...)
Input
- filename Name of the output video file
- frameSize Size of the video frames
[width, height]
.
Output
- retval bool, indicates if video is successfully initialized
Options
- FourCC 4-character code of codec used to compress the
frames. List of codes can be obtained at [FOURCC].
Examples are:
- PIM1 MPEG-1 codec
- MJPG Motion-JPEG codec
- MP42 MPEG-4 (Microsoft)
- DIV3 DivX MPEG-4 Part 2
- DIVX DivX codec
- XVID XVID MPEG-4 Part 2
- U263 H263 (default)
- I263 ITU H.263
- FLV1 Sorenson Spark (Flash Video)
- X264 H.264
- AVC1 MPEG-4 Part 10/H.264 (Apple)
- -1 prompts with codec selection dialog (Windows only)
- FPS Framerate of the created video stream. default 25.
- Color If true, the encoder will expect and encode color
frames, otherwise it will work with grayscale frames (the
flag is currently supported on Windows only). default true
The method opens a video writer. On Linux FFMPEG is
used to write videos; on Windows FFMPEG or VFW is used; on
MacOSX QTKit is used.
References
[FOURCC]:
"Video Codecs by FOURCC", http://www.fourcc.org/codecs.php


{% set cookie_info_url = '/cookies' %} {% trans %}We use cookies to collect information about how you use GOV.UK.{% endtrans %} {% trans %}We use this information to make the website work as well as possible and improve government services.{% endtrans %}
{% set cookie_settings_url = url_for('base.cookie_settings') %} {% trans %}You’ve accepted all cookies. You can change your cookie settings at any time.{% endtrans %}


--- layout: default ---
Please Read: Chapter 12 “Facet into Multiple Views”
Please Read/Skim: The Eyes Have It: A Task by Data Type Taxonomy for Information by Ben Shneiderman
Please Watch: Tamara Munzner Lecture from 41:38 -51:24(10 min)


Some RDP resources can be launched in your app instead of in mstsc.exe. This is true when the .rdp file only contains RDP settings that are supported inside AppContainers.
If you launch such a resource through the "Display and Launch" scenario, this page will display information about the RDP file and context below. You could then pass those RDP file contents to the IRemoteDesktopClient interface to make a connection.


The current version of FireHose has three stream generators:
Source code for these is in the tarball directory "generators". Each sub-directory has code for one generator. Instructions for how to build and run the generators is given in the Running the benchmarks section.
Timing results listed below for datum generation rates were run on a desktop Dell Linux box with dual hex-core 3.47 GHz Intel Xeon (X5690) CPUs.
Each generator writes a stream of datums to one or more specified UDP ports on one or more specified hosts. The host/port pairs are specified as arguments to the generator. If multiple arguments are specified, the same stream of datums is written to multiple hosts/ports. Hosts can be specified in numeric IPV4 or IPV6 format, or as alphabetic hostnames. A port ID is optional and is appended to the host with a "@" separator, as in the following examples. If not specified, a default port ID of 55555 is used. These are example host/port arguments:
| <IP_ADDRESS> | localhost (this box) |
| <IP_ADDRESS>@55555 | localhost + port ID |
| <IP_ADDRESS> | another box |
| <IP_ADDRESS>@5678 | another box and port ID |
| fe80::a213:1234:1234:1234 | IPV6 host |
| fe80::a213:1234:1234:1234@12345 | IPV6 host and port ID |
| otherbox.mynet | another box |
| otherbox.mynet@5432 | another box and port ID |
All the generators produce a stream of "packets" in ASCII text format. Each packet contain one or more "datums" bundled together to increase the effective stream generation rate. The format of a packet with N datums is as follows; each line is terminated by a newline:
packet ID datum1 datum2 ... datumN
The ID (following the word "packet") is an integer, which can be stored as a 64-bit unsigned value. When a single generator is running, it is a number from 0 to N-1, where N = the number of packets. Packet IDs are altered when multiple generators are running in parallel, as discussed below. Analytics which read the packets typically ignore the packet ID, but it can be monitored if desired when developing or debugging an analytic. Each datum is a string of text, followed by a newline. The format of a datum is generator-specific, as discussed below.
In addition to the host/port argument(s), each generator takes optional command-line switches, each of which has a default setting. The following switches are common to all generators. Generator-specific switches are discussed below.
These command-line switches affect packet generation:
The total # of datums generated is Npacket*Nbundle. The default rate of 0 means packets are written as fast as the generator can create them. For finite rates, a timer is called after every packet is written and the generator delays sending the next packet by sleeping for an appropriate time.
Multiple copies of a generator can be launched simultaneously, so that a different stream is produced by each. When this is done, the following two switches should be used:
All the generators launched should specify the same value of Nprocs. Each should use a different value of Iproc from 0 to Nprocs-1. The generators use these values to change the random # seeds used internally for datum generation, as explained below. They also use them to encode a unique ID for each packet across all the generators. For example, if 3 generators are launched, and each is generating 5 packets (-n switch), then generator #1 will generate packet IDs 0,3,6,9,12, generator #2 will generate IDs 1,4,7,10,13, and generator #3 will generate IDs 2,5,8,11,14, for a total of 15 packets. Of course if all generators write to the same host/port, there is no guarantee the packets will arrive in numeric order.
When a generator finishes writing its stream of packets, it prints its generation rate in datums/sec, which should be very close to the rate setting (-r switch).
After this message is printed, the generator does not exit, but goes into an infinite loop, writing STOP packets at a rate of 100/sec to its output host/ports. Each stop packet contains a single integer (Iproc) followed by a newline.
Iproc is the argument to the -x switch discussed above (default = 0), which is effectively a unique ID for the generator. The message signifies that the generator is finished. When the analytics receive this packet (or multiple such packets if multiple generators are running), they know the stream has ended and can terminate. Note that the generator(s) themselves never terminate; you must kill each explicitly, e.g. with a Ctrl-C in the window each was launched from.
The Running the benchmarks has instructions about how to launch and kill multiple generators using scripts provided in the tools directory.
See the generators/powerlaw directory for source code for this generator. This generator creates datums in a 3-field, comma-separated format:
1000582694,0,1
The first field is a "key", represented internally as a 64-bit unsigned integer. The second field is a "value" of 0 or 1. The third field is a "truth" flag, also 0 or 1.
Keys are generated randomly from a static range of M keys. M is hardwired to 100,000 to represent a moderately large key space, which means all keys will be in the range 0 to M-1 (see the -o setting below). The selection is power-law distributed so that keys at the low end of the range are generated much more frequently than keys at the high end. The slope of the power-law distribution is hardwired internally so that more than 90% of the keys in the range will typically be generated at least once during even short benchmark runs.
The keys are divided into 2 categories, "unbiased" and "biased", with one biased key for every 255 unbiased keys. This is done randomly, but consistently each time the same key is generated. Each time a key is generated, the generator also assigns it a random "value" of 0 or 1. For unbiased keys, 0 versus 1 is chosen with equal probability. For biased keys, 0 is selected with probability 15/16, and 1 is selected with 1/16 probability. A truth flag is appended to each datum; it is 0 for unbiased keys and 1 for biased keys.
This generator accepts 3 command-line settings, in addition to those common to all generators as discussed above:
The offset is added to all generated keys.
The seed is used for the random # generator that samples keys and values. If seed is set to 0, then the current time-of-day is used to generate a seed, which means the stream will not be the same the next time you run the generator.
The mask is used when hashing keys to flag them as unbiased or biased.
When running multiple generators in parallel, the value of Iproc (-x switch) is added to the seed and to the offset (multiplied by 1 billion) used by each generator. This means that each instance of the generator will create its own set of keys that do not overlap with the other generators.
These two plots show the single-core and parallel performance of the generator, running on the Dell box described above. The generators are writing to a UDP port on the same box.
The first plot shows generation rate in datums/sec on a single core as a function of bundle size. The second plot shows aggregate generation rate when running up to 16 generators on the same box (which has only 12 cores), all writing to the same UDP port, with a bundle size of 50 datums/packet. An aggregate rate of 30M datums/sec can be achieved.
Click on the plots for a larger version.
See the generators/active directory for source code for this generator. This generator creates datums in the same 3-field, comma-separated format as the previous generator:
1000582694,0,1
The first field is a "key", represented internally as a 64-bit unsigned integer. The second field is a "value" of 0 or 1. The third field is a "truth" flag, also 0 or 1.
The second generator performs the same operations for labeling keys as unbiased versus biased and for generating values based on the two flavors of keys. However, rather than use a static key range, it selects keys from a continuously evolving "active set" of keys. Thus the number of unique keys generated is effectively infinite if the generator runs for a long time. The size of the active set is 128K keys. Each key is generated a limited number of times, then removed from the active set and replaced by a new key.
The probability with which an individual active key is sampled also varies in time according to a roughly bell-shaped curve. This creates a "trending" effect where a key appears occasionally, then appears more frequently, then tapers off.
This generator accepts 2 command-line settings, in addition to those common to all generators as discussed above:
The seed is used for the random # generator that samples keys and values. If seed is set to 0, then the current time-of-day is used to generate a seed, which means the stream will not be the same the next time you run the generator.
The mask is used when hashing keys to flag them as unbiased or biased.
When running multiple generators in parallel, the value of Iproc (-x
switch) is added to the seed used by each generator. This means that
each instance of the generator will create its own set of keys that do
not overlap with the other generators. More precisely, the set of
active keys created by each instance of the generator will be randomly
selected as 64-bit unsigned integers (roughly 1.8 x 10^19). Depending
on how lo These two plots show the single-core and parallel performance of the
generator, running on the Dell box described above. The generators
are writing to a UDP port on the same box.
The first plot shows generation rate in datums/sec on a single core as
a function of bundle size. The second plot shows aggregate generation
rate when running up to 16 generators on the same box (which has only
12 cores), all writing to the same UDP port, with a bundle size of 50
datums/packet. An aggregate rate of 22M datums/sec can be achieved.
Click on the plots for a larger version.
See the generators/twolevel directory for source code for this
generator. This generator creates datums in a 3-field,
comma-separated format:
The first field is a "key", represented internally as a 64-bit
unsigned integer. Within the generator this is an "outer" key. It is
generated the same way as keys in the active-set generator
described above, using a continuously evolving "active set" of keys
(128K in size) and a "trending" effect which varies the frequency at
which the key is emitted.
Each outer key is generated at most 5 times (though it may be emitted
less), before it is replaced in the active set. The first 4 times it
is emitted, a random 16-bit unsigned integer is chosen as the "value".
The fifth time it is emitted, one of the following 4 quantities is the
"value":
The first four 16-bit values are meant to be concatenated together to
form a new 64-bit unsigned integer which is an "inner" key. The value
associated with the inner key is the rightmost digit of the two-digit
value for the fifth occurrence of the outer key, i.e. 0 or 1.
The generator creates a stream of datums such that multiple copies of
the same inner key will be produced, each associated with 5
occurrences of a different outer key. The 0/1 values assigned to a
specific inner key will be biased or unbiased, using the same
procedure described above for the powerlaw and active
set generators.
The "truth" flag for the inner key is the leftmost digit of the
two-digit value for the fifth occurrence of the outer key, it is 0 for
unbiased inner keys and 1 for biased inner keys.
The third field of the outer key datum is a counter from 1 to 5, which
encodes the Nth time this outer key has been emitted. It can be used
by the analytic to insure it has seen all occurrences of a particular
outer key, and can thus compute a valid inner key/value pair.
This generator accepts 1 command-line setting, in addition to those
common to all generators as discussed above:
The seed is used for the random # generator that samples outer and
inner keys and values. If seed is set to 0, then the current
time-of-day is used to generate a seed, which means the stream will
not be the same the next time you run the generator.
When running multiple generators in parallel, the value of Iproc (-x
switch) is added to the seed used by each generator. This means that
each instance of the generator will create its own set of outer/inner
keys that do not overlap with the other generators. More precisely,
the set of active keys created by each instance of the generator will
be randomly selected as 64-bit unsigned integers (roughly 1.8 x
10^19). Depending on how long the generators run, there is a small
possibility that two or more generators will emit the same outer/inner
keys.
These two plots show the single-core and parallel performance of the
generator, running on the Dell box described above. The generators
are writing to a UDP port on the same box.
The first plot shows generation rate in datums/sec on a single core as
a function of bundle size. The second plot shows aggregate generation
rate when running up to 16 generators on the same box (which has only
12 cores), all writing to the same UDP port, with a bundle size of 40
datums/packet. An aggregate rate of 20M datums/sec can be achieved.
Click on the plots for a larger version.
(3) Two-level generator
3929309884956,57364,1


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—
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ledger
/
net.corda.v5.ledger.contracts
/
ComponentGroupEnum
/
ATTACHMENTS_GROUP
ATTACHMENTS_GROUP
ATTACHMENTS_GROUP


Inside Caitlyn Jenner's swanky Malibu home that nearly burned down in horrific wildfires
The reality TV star's multi-million pound home high in the Malibu hills is a dreamy and idyllic bolthole
by Tiffany WallisReality TV sensation Caitlyn Jenner regularly shares glimpses inside her Malibu beach haven after the devastating LA fires nearly burned it to the ground last year.
The former Keeping Up With The Kardashians star, 70, expressed her gratitude last December when she revealed her home survived the Woolsey Fires, which destroyed much of the Southern California area.
It was initially feared that the former Olympic champion had completely lost her mansion in the fire, but it was later revealed her home is still standing and now looks better than ever.
We take a look inside the luxurious Malibu home, where the world's most famous transgender woman unwinds and relaxes.
Caitlyn has lived in the 3,500 square foot four-bedroom house since 2015, after she revealed her true identity in April that year.
The TV star's $3.5million home was the backdrop for her iconic Vanity Fair cover where she debuted Caitlyn's feminine look and personality.
The reality star resides in the stunning ranch-style property located in the exclusive Malibu area of California.
With sophisticated interiors designed by James Hernandez, the property boasts a luxurious beachy and chilled vibe throughout its four bedrooms, three-and-a-half bathrooms, outdoor dining area and two large patios.
To fully appreciate the beauty of the outdoors in the Malibu Hills, the home also features a pool, a hot tub, a bar as well as a three-car garage.
Rendering breathtaking views of the Pacific Ocean and the Malibu canyons, the mountain-perched home is perfectly located to give Caitlyn the utmost privacy and seclusion from her famous life.
The 70-year-old also has a stylish glam room, which she previously revealed was something she had wanted her whole life.
Inside, the ultra-modern home is filled with an eclectic array of furnishings that blend a distinctly California beachy vibe with a touch of Hollywood glamour.
Caitlyn also boasts an exposed brickwork fireplace with a cosy dining room setting, perfect for romantic dinner dates.
An eye-catching feature is the sprawling white sofa standing in the living room, which was reportedly custom made to fit the star's tall frame and to fit as many Jenners and Kardashians as possible.
The American has six children, including Kendall and Kylie Jenner .
The expansive living area is designed to a monochromatic theme and also boasts a pair of lounge chairs covered in Tibetan lamb’s wool which offer pure relaxation and comfort.
Outside is where the stunning property really comes to life with 11 acres of land to explore and idyllic views of the surrounding ocean and Malibu canyons.
The home has a very natural decor with a mixture of whites, greys, cream and wooden oak surfaces.
The Woolsey fires in 2018 burned more than 14,000 acres of Southern California and the whole of Malibu was under mandatory evacuation.
Nearly 150,000 residents in Southern California were ordered to evacuate their homes.
Miley Cyrus, Robin Thicke and Gerard Butler were among the celebrities whose homes were completely destroyed by the wildfires.
Gerard shared a shocking photo of the charred remains of his home while Miley and her now ex- husband Liam Hemsworth also documented the devastating results.
Caitlyn, who is dating Sophia Hutchins, 23, is reportedly set to head to the I'm A Celebrity jungle this year after agreeing a staggering £500,000 fee.


Let me tell you a bit about myself: I am a Leo who loves yoga, cats, coffee, and traveling with her family. I have a dream of
becoming a front-end developer and create beautiful websites.
You can get a better view of my life on Instagram
or Twitter.
You can also reach out to me directly by email<EMAIL_ADDRESS>or by phone:<PHONE_NUMBER>.
If you'd like for us to keep in touch and get my monthly newsletter, please leave your email below. Thank you!


In this example you will learn about how to use the function
keyword.
The
function
keyword is used to call functions that return a value.
As we've seen in
Lesson 2. The Basics. calling a method is quite simple.
However, in that example the method called did not return a value. But what if you need to retrieve the value
of a function and assign it to a variable? In that case you must use the
function
keyword.
The result will display a flash.text.TextField
on the stage
with the text "[object TextField]".
AS3:
FXML:
In the example above we call the method
toString
on the object
flash.text.TextField
,
the value is returned to the property
text
on the object
flash.text.TextField
.
As we've seen in
Lesson 4. The Instance Keyword. we learned about the
this
keyword.
The same rules apply when using the
function
keyword when targeting the desired scope.
Avoiding the use of
this
will call a method on the object that is being created. This can be seen in the example above.
In the example below, we'll see how adding the keyword
this
will impact the result of the method call.
The result will display a flash.text.TextField
on the stage
with the text "[object Application]".
AS3:
FXML:
Just as we learned in Lesson 2, we can pass parameters to functions.
The syntax is the same when using the function
keyword.
Function with parameters example.
FXML:
In the example above, we have created two flash.text.TextFields
and assigned names "textField1"
and "textField2" respectively. During the creation of the second flash.text.TextField
we target the
first and call the method getLineLength
. This method requires the index of the line you with to retrieve
the length of. The function is called and the result is returned to the text
property on the second
flash.text.TextField
.


it sounds like EOS is trying to do what KMD has in testing right now
cryptoonBOT10-Jun-18 09:43 AM
The EOS ICO was open to investors for 12 months. However, funds paid were not in lock-up during this period and secondary markets for EOS were opened with high liquidity. Therefore, as far as I can reason, the following scenario was a possibility for Block.One: Have people buy EOS → Use their funds to buy EOS in your own ICO → Have both the funds and the EOS → Repeat → Watch EOS price rise as it looks like the interest in your ICO is gigantic → Start selling your free EOS on secondary markets → profit.
didnt think of this one yet
jl777BOT10-Jun-18 09:52 AM
they would never do anything like that, would they?
they promise that EOS is... oh, that's right they put in the contract EOS might not have any value...
so even if they did the above, it might be within what is allowed with the contract!
danBOT10-Jun-18 01:35 PM
The problem with crypto taxes is it forces you to sell if you don't have the funds . If one bought kmd at ico and sold kmd at 12 cause they want to hold btc, they have to sell their btc (let's say the same year at a lost at current prices) to not owe those taxes
Hermes10-Jun-18 02:55 PM
Hi @geforce209ad
maegusBOT10-Jun-18 09:48 PM
Yea I wouldn't touch EOS with a 10ft pole way too many promises and nothing delivered but they sure have a ton of money.
dragonrider-eBOT11-Jun-18 12:43 AM
At least here i can see the messages.
blackjok3rBOT11-Jun-18 01:23 AM
Dan Larimer and most of his family are pretty much scammers. How EOS got such a high valuation is beyond me, but with a year long ICO, they could have used early ETH raised to pump the price quite easily.
passcombo.comBOT11-Jun-18 06:07 AM
why you think Dan is scammer ?
cryptoonBOT11-Jun-18 06:40 AM
Never finished a project in his life etc
so maybe this will be the first one finished?
depends how you define finished
I dont know too much about Dan
But read some history on Brock Pierce
And that one was not pretty
imylomyloBOT11-Jun-18 08:52 AM
good links, thanks @noashh
jl777BOT11-Jun-18 09:03 AM
to be fair, dan larimer got bitshares and steemit to a pretty complete state before moving on. As far as the EOS, if they really did raise $4 bil and will be funding projects to airdrop to EOS holders, it does seem a clever scheme. Not sure if regulations will arise that prevents this, but the larimers have been clever regarding regulations in the past, so it might well be resistant to regulators (for a while). The big problem is what to do with such a large amount of funds. Efficient VC process doesnt throw around more than a few million into very promising startups, unless it is a later stage investment. Having 10x to 100x the funds could easily lead to inefficient investments of capital. Will be interesting to see if they can find the future googles or pets.com
But, if there's anyone real here, is there any news on Hush notarization activation? Is there an official announcement coming? I saw a post earlier saying it'd be activating this week.
Also looks like bridgebot is bridging to the wrong chat
jl777BOT11-Jun-18 07:48 PM
not all bridges bridge correctly. I am surprised there arent any infinite loops
HUSH notarization will likely be a work in progress for a bit, at best this week, but dont rely on this
I am trying to remove the old bridge system
Berg11-Jun-18 07:52 PM
Can't you just go into Server Settings > WebHooks and delete out "komodobridge"
noashh11-Jun-18 07:52 PM
test
GatewayBOT11-Jun-18 08:57 PM
[slack] <noashh> test
noashh11-Jun-18 08:57 PM
test2
GatewayBOT11-Jun-18 08:58 PM
[matrix] <snoa:matrix.org> Looks like it is working now
farl11-Jun-18 09:08 PM
Testy testy!
Now everybody has to prove he (or she) is really him (or her).
GatewayBOT11-Jun-18 09:09 PM
[slack] <CrypToon> KYC tests will be done in the following days
[slack] <CrypToon> Please prepare your chickens
GatewayBOT11-Jun-18 10:35 PM
[slack] <hansen.ng> discord is so much fun, more organized(edited)
1
Gordon Komodo11-Jun-18 10:40 PM
test
sg77712-Jun-18 08:33 AM
does discord can preserve chat history?

Cryptoon12-Jun-18 11:35 AM
Good, you?
GatewayBOT12-Jun-18 12:33 PM
[slack] <grewalsatinder> @ASKz not a chat channel.
[slack] <ASKz> my bad!
Cryptoon12-Jun-18 03:21 PM
So, do we know what KV and DSEC are yet?
GatewayBOT12-Jun-18 03:26 PM
[slack] <emmanux> Yes, KV is the first Key-Value komodo assetchain.
[slack] <emmanux> DSEC, i don't know.
GatewayBOT12-Jun-18 03:35 PM
[slack] <PTYX> Dsec are for DevSEC
[slack] <PTYX> A security division launched by ca333
[slack] <CrypToon> What does Key-Value mean
[slack] <CrypToon> I mean what is a Key-Value komodo assetchain


-
Appearance Summary
-
A report providing a list of appearance counts and the first and most
recent appearances, for both regular and all shows, for each scorekeeper.
-
Introductions
-
A listing of all of the introductions that Bill Kurtis and other
scorekeepers have used when introducing themselves at the start of each show.


Back to page
Paris judged Aphrodite to be prettier than Athena and Hera, and gave here the golden apple of Eris.
As a reward, he was given the love of Helena, who was married to Menelaos, king of Sparta. He seduced and abducted her.
This led to Greek warriors leaving their homeland to fight Troy.
Oh my goddess! All bad stuff will appear here. Please, do not click. Or do click. Or do not click. I am not sure.
Click to see a female warrior.
Click to see really bad stuff happening.
All images are from Wikimedia Commons and are photographs of pottery in the Staatliche Antikensammlung Müchen.
If you are in Munich, and have time to spare, go there and look at the fabulous exhibition, on Sundays entry fee is only 1€.


CM Punk explains truth behind WWE return after making backstage debut
CM Punk admitted there is a long way to go before he can think about making a return to the ring
by Martin Domin, https://www.facebook.com/mirrorfightingCM Punk has revealed he has no relationship with the WWE and has only returned to the fold with broadcaster FOX.
The former wrestler and UFC fighter made a surprise appearance last week to spark claims he would soon return to the ring.
But speaking on WWE Backstage on Tuesday night, CM Punk - real name Phillip Brooks - explained his real role.
"I do not work with, have any relationship with and have not talked to anyone at WWE. It’s strictly a Fox thing. I get to criticise the product," he said.
"I don’t think this job existed six months ago. Somebody floated the idea and I didn’t immediately go, 'Ugh, no'.
After The Bell: Watch Mirror Fighting's new boxing show
Mirror Fighting has launched a new weekly boxing show in association with Betfair in which we analyse the latest big fights, play matchmaker, and preview forthcoming bouts.
Former super-middleweight world champion George Groves provides expert analysis.
To watch the latest show in full, click here.
"I work for Fox. I haven’t talked to anybody in the WWE. It’s nothing I’m actively pursuing or interested in. But I’m 41 years old and I’ve lived an experienced life where I know to not say no.
"That’s going to be a bridge that has to be built and it might take as long as building the Great Wall of China. There are some hurdles."
Punk's 434-day WWE Championship reign remains one of the longest in the company's history before he retired in 2014.
But UFC career was a short-lived disaster as he lost twice, first by first-round submission to Mickey Gall in 2016 and then by unanimous decision to Mike Jackson two years later.
After his appearance last week, the WWE said: "CM Punk, one of the most celebrated WWE Superstars of all time, joins the roster of FS1's WWE Backstage, beginning next week, Tuesday, November 19.
“Phil Brooks, better known as CM Punk, joins WWE Backstage as a special contributor and analyst. He will make select appearances in studio alongside host Renee Young and analyst Booker T.
"The Best in the World" joins fellow regular contributors Christian and Paige, as well as new correspondent Ryan Satin on the WWE Backstage rotation.
“Television's only studio show devoted to all things WWE, Backstage discusses the week's biggest stories with a varied cast of guest and personalities, in addition to breaking news and exclusive behind-the-scenes access to WWE."


--- layout: post title: "In the News: What Should Personalization Look Like?" date: 2017-11-17 07:45:00 +0000 tags: image: https://s3.amazonaws.com/audreywatters/2017-11-03-news.jpg imagecredits: https://www.flickr.com/photos/62693815@N03/6277209256 ---
As quoted in “What Should (and Shouldn't) Personalized Learning Look Like?” by Education Week’s Ben Herold:
Personalized learning should not:
Put students at risk -- put their data at risk, their choices at risk, their futures at risk. But that is absolutely what it's poised to do.


An event-based "Dining Philosophers" implementation.
An event-based "Dining Philosophers" implementation.
#include <chrono>
#include <iostream>
#include <map>
#include <sstream>
#include <thread>
#include <utility>
#include <vector>
#include "caf/all.hpp"
CAF_BEGIN_TYPE_ID_BLOCK(dining_philosophers, first_custom_type_id)
CAF_ADD_ATOM(dining_philosophers, take_atom)
CAF_ADD_ATOM(dining_philosophers, taken_atom)
CAF_ADD_ATOM(dining_philosophers, eat_atom)
CAF_ADD_ATOM(dining_philosophers, think_atom)
CAF_END_TYPE_ID_BLOCK(dining_philosophers)
using std::cerr;
using std::cout;
using std::endl;
using std::chrono::seconds;
namespace {
using chopstick
chopstick::behavior_type taken_chopstick(chopstick::pointer,
chopstick::behavior_type available_chopstick(chopstick::pointer self) {
return {
self->become(taken_chopstick(self, self->current_sender()));
return {taken_atom_v, true};
},
[](put_atom) { cerr << "chopstick received unexpected 'put'" << endl; },
};
}
chopstick::behavior_type taken_chopstick(chopstick::pointer self,
return {
return {taken_atom_v, false};
},
[=](put_atom) {
if (self->current_sender() == user)
self->become(available_chopstick(self));
},
};
}
public:
philosopher(
actor_config& cfg, std::string n, chopstick l, chopstick r)
name_(std::move(n)),
left_(std::move(l)),
right_(std::move(r)) {
set_default_handler(skip);
thinking_.assign([=](eat_atom) {
become(hungry_);
send(left_, take_atom_v);
send(right_, take_atom_v);
});
hungry_.assign([=](taken_atom,
bool result) {
become(granted_);
else
become(denied_);
});
granted_.assign([=](taken_atom,
bool result) {
aout(this) << name_ << " has picked up chopsticks with IDs "
<< left_->id() << " and " << right_->id()
<< " and starts to eat\n";
delayed_send(this, seconds(5), think_atom_v);
become(eating_);
} else {
send(current_sender() == left_ ? right_ : left_, put_atom_v);
send(this, eat_atom_v);
become(thinking_);
}
});
denied_.assign([=](taken_atom,
bool result) {
send(current_sender() == left_ ? left_ : right_, put_atom_v);
send(this, eat_atom_v);
become(thinking_);
});
eating_.assign([=](think_atom) {
send(left_, put_atom_v);
send(right_, put_atom_v);
delayed_send(this, seconds(5), eat_atom_v);
aout(this) << name_ << " puts down his chopsticks and starts to think\n";
become(thinking_);
});
}
const char* name() const override {
return name_.c_str();
}
protected:
send(this, think_atom_v);
return {
[=](think_atom) {
aout(this) << name_ << " starts to think\n";
delayed_send(this, seconds(5), eat_atom_v);
become(thinking_);
},
};
}
private:
std::string name_;
chopstick left_;
chopstick right_;
};
}
aout(self) <<
"chopstick ids are:";
std::vector<chopstick> chopsticks;
for (size_t i = 0; i < 5; ++i) {
chopsticks.push_back(self->spawn(available_chopstick));
aout(self) <<
" " << chopsticks.back()->id();
}
std::vector<std::string> names{"Plato", "Hume", "Kant", "Nietzsche",
"Descartes"};
for (size_t i = 0; i < 5; ++i)
self->spawn<philosopher>(names[i], chopsticks[i], chopsticks[(i + 1) % 5]);
}
CAF_MAIN(id_block::dining_philosophers)
Stores spawn-time flags and groups.
Definition: actor_config.hpp:19
Actor environment including scheduler, registry, and optional components such as a middleman.
Definition: actor_system.hpp:90
Describes the behavior of an actor, i.e., provides a message handler and an optional timeout.
Definition: behavior.hpp:25
A cooperatively scheduled, event-based actor implementation.
Definition: event_based_actor.hpp:40
Wraps the result of a message handler to represent either a value (wrapped into a message),...
Definition: fwd.hpp:61
A scoped handle to a blocking actor.
Definition: scoped_actor.hpp:18
Identifies a statically typed actor.
Definition: typed_actor.hpp:32
Root namespace of libcaf.
Definition: abstract_actor.hpp:29
CAF_CORE_EXPORT actor_ostream aout(local_actor *self)
Convenience factory function for creating an actor output stream.


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|
KlusterKite
0.0.0
A framework to create scalable and redundant services based on awesome Akka.Net project.
|
Generic helper to make typed nulls More...
Public Member Functions | |
| Maybe (T value) | |
| Initializes a new instance of the Maybe<T> structure. More... | |
| bool | Equals (Maybe< T > other) |
| Equals for two wrappers More... | |
| override bool | Equals (object obj) |
| Indicates whether this instance and a specified object are equal. More... | |
| override int | GetHashCode () |
| Returns the hash code for this instance. More... | |
Static Public Member Functions | |
| static implicit | operator Maybe< T > (T obj) |
| Converts original object to wrapper More... | |
| static implicit | operator T (Maybe< T > obj) |
| Converts wrapper to the original object More... | |
| static bool | operator!= (Maybe< T > left, Maybe< T > right) |
| Not equals for two wrappers More... | |
| static bool | operator== (Maybe< T > left, Maybe< T > right) |
| Equals for two wrappers More... | |
Public Attributes | |
| bool | HasValue => this.Value != null |
| Gets a value indicating whether this is not a null More... | |
Properties | |
| T | Value [get] |
| Gets the value. More... | |
Generic helper to make typed nulls
| T | End type |
| T | : | class |
| KlusterKite.Core.Monads.Maybe< T >.Maybe | ( | T | value | ) |
| bool KlusterKite.Core.Monads.Maybe< T >.Equals | ( | Maybe< T > | other | ) |
| override bool KlusterKite.Core.Monads.Maybe< T >.Equals | ( | object | obj | ) |
| override int KlusterKite.Core.Monads.Maybe< T >.GetHashCode | ( | ) |
|
static |
|
static |
|
static |
|
static |
| bool KlusterKite.Core.Monads.Maybe< T >.HasValue => this.Value != null |
|
get |


{% extends 'base.html' %} {% block content %}
THANK YOU FOR REGISTERING FOR INTER-ED'S 28TH CAREER CONSULTATION AND GUIDANCE FAIR - SEPT 4 & 5 - WORLD TRADE CENTER, MANILA.
We look forward to welcoming you to the event.
Please check you email and have your QR Code image saved on your phone or print it, it will serve as your ticket to the event!


Aston Martin DBX bookings open
by Staff WriterIndia launch expected to happen simultaneously with the start of sales internationally during the April-June 2020 period; company eyes expansion in India.
Aston Martin revealed the brand’s first-ever SUV in its 106 year history, the Aston Martin just a few days ago in Shanghai and the SUV is expected to go on sale in India in the second quarter of 2020.
Speaking to our sister publication Autocar Professional after the global unveil of the DBX in Shanghai, Aston Martin's President and CEO Andy Palmer says, "Very clearly, as it plays out, the SUV segment is becoming very important," while highlighting the fact that SUV models are driving sales of most other sports /exclusive car brands.
The DBX will go on sale during the April-June 2020 period with a commercial launch "almost simultaneously" around the world. The company has already begun accepting booking in India for the SUV following it’s unveiling on November 20, 2019. Palmer is "optimistic" about the DBX's prospects in India and its role in fueling Aston Martin's presence here. Currently, an estimated 15-20 Aston Martin cars are sold in India annually. It sold over 6,000 cars globally last year.
With the launch of the DBX next year, Aston Martin plans to expand its footprint in India. It will start with "more dealerships". India is part of Aston Martin's Asia Pacific business, headquartered in Singapore.
The opening of the Singapore office, and a limited company in Japan, both in 2015, reflects the OEM's growing focus in this region. Aston Martin sees the high import duty of around 140 percent on fully built imports as a major hurdle to tap what is "potentially a big market". However, efforts are on. "I've specifically assigned some people to look at exploring how we can do better in the Indian sub-continent," says Palmer.
India as a component sourcing base
India may not be a significant market for Aston Martin cars yet, but it has already become a growing base for sourcing at least some components that make them. A couple of forged and castings components also help these cars to be robust and perform at scorching paces. "I am actually pleased with the way our supply chain has embraced India," says Palmer.
Hinduja Tech, earlier known as Defiance Technologies, a product engineering and digital technologies company of the Hinduja Group, is helping Aston Martin to identify suppliers and also helping suppliers wherever needed, to meet the OEM's stringent standards. The rise in sourcing components from India by global OEMs is also a reflection of the growth of Indian suppliers' competence in terms of quality and technological capabilities too.
The DBX could possibly lead Aston Martin's sales in India but it definitely is expected to globally. Palmer expects the DBX to find around 4,000 customers a year in international markets. That's two-third of its current annual sales volume.


Welcome to Capella Island!
Some stuff is about to go down…
Now, I don't know what stuff, exactly, because Matt hasn't built it yet.
But the check is in the mail, baby, I promise you that.
Let's go!


This App provides you the best feature to check out the best and most accurate doctors for your severe health conditions in order to give you a prefferable treatment.The App requires some of your attention and will require no time to suggest, as it is build to serve you in bad conditions.In order to serve you it will simply take your health condition choosen by you, and your preffered location in which you want to visit the Doctor and you can also put some constraints on the suggestions acccording to the your choice about financial limits.
This App is very Accurate App. it will never give you bad suggestion and it will never make you feel bad. This is very highly interactive Application.
The Performance of this Application is very accurate and good.It performs as promised to the user.
This App is highly usable and accurate. It will never give you bad suggestion and it will never make you feel bad.
This App is very Accurate App. it will never give you bad suggestion and it will never make you feel bad. This is very highly interactive Application.
The Performance of this Application is very accurate and good.It performs as promised to the user.
This App is Amazing. It have created a new era in health and medical problem solution. I reccomend ebveryone to use this app as it is a very userful and must having applivation in your Phone in case of any emergency.
This is very good Application. It is very useful Application. It helps me finding best doctors for me very accurately. I Love This Application
This App has very Good User Interface. It has great color Combinations and a very accurate Functionality. It works as promised.
Yes This App is Abolutely free. We want not a single penny from you, we just demand to keep sharing this beautiful and useful App to your Friends.
Yes This App needs an active internet Connection in order to give you the best services.
This depends on your choice if you want to get location based services and also get suggestions about nearest pharmacy, then you will need to give the "Location Permissions" to this App.
No, Right Now it is Available only in Pakistan. but we are working on it to go beyond the limits and make it available on International level.
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This are my factions
The project entails a website which takes number values inputted and determines which type of triangle can or can't be formed from the values.It then alerts the user of the type of triangle formed.
This is a website used to test one's knowledge about javascript.Arguably one of my best projects,it contains questions which users answer and when they hit the submit answers button,they get answers,instantenously!
Pig Dice is a famous game which is played with dice...and my website does just that.Don't get excited though,there are no real dice!.It was one of my most challenging project and it really helped me realise i had a potential
My current level of education is quite low...i just finished highschool so I don't have a job experience yet but that wont be a bother soon.I decided to take programming classes because to me programming is my window of opportunities to the outside world.I believe i will be able to impact change to the world through programming.
my current interest is code.I breathe,live,eat,sleep and see code,all day,everyday!My hobbies are reading novels.When i'm not reading you'll catch me visiting new places,probably with a novel in hand...hehehe.All my skills have everything to do with music.I can dance,sing(though don't ask me to,i will croak) and i also mix(yeah,i'm a DJ).I also crack alot of jokes, and they are many.Be it vulgar,kinky,corny,sarcarstic or disses(I bite,but only when provoked hah!).Oh!i also cook and anytime I'm alone in the house I try wierd recipes,which more times than not end up in the trashcan or in an unknowing guest's plate...i don't touch the meals myself..i dread stomach aches more than rabid dogs


UBS fined US$51 million by Hong Kong regulator for overcharging clients
HONG KONG: Swiss bank UBS was fined HK$400 million (US$51.09 million) by Hong Kong's securities regulator for overcharging up to 5,000 clients for nearly a decade, the watchdog said on Monday (Nov 11).
The Hong Kong Securities and Futures Commission (SFC) said in a statement that an investigation found UBS had overcharged clients on "post-trade spread increases" and charges in excess of standard disclosures and rates between 2008 and 2017.
The SFC said the investigation exposed 'serious systemic internal control failures' at the bank. UBS had failed to disclose conflicts of interests and had overcharged some clients in "opaque" trades, it said.
The overcharging affected 5,000 Hong Kong managed client accounts in about 28,700 transactions, it said.
UBS has also agreed to repay the clients HK$200 million, the SFC said.
UBS said the issues were 'self-reported' to the SFC and the results found were against the bank's standard practice.
"The relevant conduct predominantly relates to limit orders of certain debt securities and structured note transactions, which account for a very small percentage of the bank's order processing system," the bank said in a statement.


Research and analysis
Teaching schools: first among equals?
Find out about the history, role and early development of teaching schools and how they are changing the future of teaching.
Documents
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This paper considers the antecedents, role and early development, and future of teaching schools as agents of change in our evolving pattern of schooling. The story is in three parts:
-
Evolution - traces the concept of teaching schools from their roots in teacher and clinical training to
their position in the school system as leaders of alliances and key schools in established chains.
-
Implementation - illustrates how teaching school alliances are approaching the organisation and
delivery of six key strands of activity required of them.
-
Projection - considers the future of teaching school alliances in a changing educational landscape
and discusses some of the challenges they face.


public class X509CRLSelector extends Object implements CRLSelector
CRLSelector
that selects X509CRLs
that
match all specified criteria. This class is particularly useful when
selecting CRLs from a CertStore
to check revocation status
of a particular certificate.
When first constructed, an X509CRLSelector
has no criteria
enabled and each of the get
methods return a default
value (null
). Therefore, the match
method
would return true
for any X509CRL
. Typically,
several criteria are enabled (by calling setIssuers
or setDateAndTime
, for instance) and then the
X509CRLSelector
is passed to
CertStore.getCRLs
or some similar
method.
Please refer to RFC 3280: Internet X.509 Public Key Infrastructure Certificate and CRL Profile for definitions of the X.509 CRL fields and extensions mentioned below.
Concurrent Access
Unless otherwise specified, the methods defined in this class are not thread-safe. Multiple threads that need to access a single object concurrently should synchronize amongst themselves and provide the necessary locking. Multiple threads each manipulating separate objects need not synchronize.
CRLSelector
,
X509CRL
| Constructor and Description |
|---|
X509CRLSelector()
Creates an
X509CRLSelector . |
| Modifier and Type | Method and Description |
|---|---|
void |
addIssuer(javax.security.auth.x500.X500Principal issuer)
Adds a name to the issuerNames criterion.
|
void |
addIssuerName(byte[] name)
Adds a name to the issuerNames criterion.
|
void |
addIssuerName(String name)
Denigrated, use
addIssuer(X500Principal) or
addIssuerName(byte[]) instead.
|
Object |
clone()
Returns a copy of this object.
|
X509Certificate |
getCertificateChecking()
Returns the certificate being checked.
|
Date |
getDateAndTime()
Returns the dateAndTime criterion.
|
Collection<Object> |
getIssuerNames()
Returns a copy of the issuerNames criterion.
|
Collection<javax.security.auth.x500.X500Principal> |
getIssuers()
Returns the issuerNames criterion.
|
BigInteger |
getMaxCRL()
Returns the maxCRLNumber criterion.
|
BigInteger |
getMinCRL()
Returns the minCRLNumber criterion.
|
boolean |
match(CRL crl)
Decides whether a
CRL should be selected. |
void |
setCertificateChecking(X509Certificate cert)
Sets the certificate being checked.
|
void |
setDateAndTime(Date dateAndTime)
Sets the dateAndTime criterion.
|
void |
setIssuerNames(Collection<?> names)
Note: use setIssuers(Collection) instead
or only specify the byte array form of distinguished names when using
this method.
|
void |
setIssuers(Collection<javax.security.auth.x500.X500Principal> issuers)
Sets the issuerNames criterion.
|
void |
setMaxCRLNumber(BigInteger maxCRL)
Sets the maxCRLNumber criterion.
|
void |
setMinCRLNumber(BigInteger minCRL)
Sets the minCRLNumber criterion.
|
String |
toString()
Returns a printable representation of the
X509CRLSelector . |
public X509CRLSelector()
X509CRLSelector
. Initially, no criteria are set
so any X509CRL
will match.public void setIssuers(Collection<javax.security.auth.x500.X500Principal> issuers)
X509CRL
must match at least one of the specified
distinguished names. If null
, any issuer distinguished name
will do.
This method allows the caller to specify, with a single method call,
the complete set of issuer names which X509CRLs
may contain.
The specified value replaces the previous value for the issuerNames
criterion.
The names
parameter (if not null
) is a
Collection
of X500Principal
s.
Note that the names
parameter can contain duplicate
distinguished names, but they may be removed from the
Collection
of names returned by the
getIssuers
method.
Note that a copy is performed on the Collection
to
protect against subsequent modifications.
issuers
- a Collection
of X500Principals
(or null
)getIssuers()
public void setIssuerNames(Collection<?> names) throws IOException
addIssuerName(String)
for more information.
Sets the issuerNames criterion. The issuer distinguished name in the
X509CRL
must match at least one of the specified
distinguished names. If null
, any issuer distinguished name
will do.
This method allows the caller to specify, with a single method call,
the complete set of issuer names which X509CRLs
may contain.
The specified value replaces the previous value for the issuerNames
criterion.
The names
parameter (if not null
) is a
Collection
of names. Each name is a String
or a byte array representing a distinguished name (in
RFC 2253 or
ASN.1 DER encoded form, respectively). If null
is supplied
as the value for this argument, no issuerNames check will be performed.
Note that the names
parameter can contain duplicate
distinguished names, but they may be removed from the
Collection
of names returned by the
getIssuerNames
method.
If a name is specified as a byte array, it should contain a single DER encoded distinguished name, as defined in X.501. The ASN.1 notation for this structure is as follows.
Name ::= CHOICE {
RDNSequence }
RDNSequence ::= SEQUENCE OF RelativeDistinguishedName
RelativeDistinguishedName ::=
SET SIZE (1 .. MAX) OF AttributeTypeAndValue
AttributeTypeAndValue ::= SEQUENCE {
type AttributeType,
value AttributeValue }
AttributeType ::= OBJECT IDENTIFIER
AttributeValue ::= ANY DEFINED BY AttributeType
....
DirectoryString ::= CHOICE {
teletexString TeletexString (SIZE (1..MAX)),
printableString PrintableString (SIZE (1..MAX)),
universalString UniversalString (SIZE (1..MAX)),
utf8String UTF8String (SIZE (1.. MAX)),
bmpString BMPString (SIZE (1..MAX)) }
Note that a deep copy is performed on the Collection
to
protect against subsequent modifications.
names
- a Collection
of names (or null
)IOException
- if a parsing error occursgetIssuerNames()
public void addIssuer(javax.security.auth.x500.X500Principal issuer)
X509CRL
must match at least one of the specified
distinguished names.
This method allows the caller to add a name to the set of issuer names
which X509CRLs
may contain. The specified name is added to
any previous value for the issuerNames criterion.
If the specified name is a duplicate, it may be ignored.
issuer
- the issuer as X500Principalpublic void addIssuerName(String name) throws IOException
Adds a name to the issuerNames criterion. The issuer distinguished
name in the X509CRL
must match at least one of the specified
distinguished names.
This method allows the caller to add a name to the set of issuer names
which X509CRLs
may contain. The specified name is added to
any previous value for the issuerNames criterion.
If the specified name is a duplicate, it may be ignored.
name
- the name in RFC 2253 formIOException
- if a parsing error occurspublic void addIssuerName(byte[] name) throws IOException
X509CRL
must match at least one of the specified
distinguished names.
This method allows the caller to add a name to the set of issuer names
which X509CRLs
may contain. The specified name is added to
any previous value for the issuerNames criterion. If the specified name
is a duplicate, it may be ignored.
If a name is specified as a byte array, it should contain a single DER
encoded distinguished name, as defined in X.501. The ASN.1 notation for
this structure is as follows.
The name is provided as a byte array. This byte array should contain
a single DER encoded distinguished name, as defined in X.501. The ASN.1
notation for this structure appears in the documentation for
setIssuerNames(Collection names)
.
Note that the byte array supplied here is cloned to protect against subsequent modifications.
name
- a byte array containing the name in ASN.1 DER encoded formIOException
- if a parsing error occurspublic void setMinCRLNumber(BigInteger minCRL)
X509CRL
must have a
CRL number extension whose value is greater than or equal to the
specified value. If null
, no minCRLNumber check will be
done.minCRL
- the minimum CRL number accepted (or null
)public void setMaxCRLNumber(BigInteger maxCRL)
X509CRL
must have a
CRL number extension whose value is less than or equal to the
specified value. If null
, no maxCRLNumber check will be
done.maxCRL
- the maximum CRL number accepted (or null
)public void setDateAndTime(Date dateAndTime)
X509CRL
and earlier than the value of the
nextUpdate component. There is no match if the X509CRL
does not contain a nextUpdate component.
If null
, no dateAndTime check will be done.
Note that the Date
supplied here is cloned to protect
against subsequent modifications.
dateAndTime
- the Date
to match against
(or null
)getDateAndTime()
public void setCertificateChecking(X509Certificate cert)
CertStore
find CRLs that would be relevant when checking revocation for the
specified certificate. If null
is specified, then no
such optional information is provided.cert
- the X509Certificate
being checked
(or null
)getCertificateChecking()
public Collection<javax.security.auth.x500.X500Principal> getIssuers()
X509CRL
must match at least one of the specified
distinguished names. If the value returned is null
, any
issuer distinguished name will do.
If the value returned is not null
, it is a
unmodifiable Collection
of X500Principal
s.
Collection
of names
(or null
)setIssuers(java.util.Collection<javax.security.auth.x500.X500Principal>)
public Collection<Object> getIssuerNames()
X509CRL
must match at least one of the specified
distinguished names. If the value returned is null
, any
issuer distinguished name will do.
If the value returned is not null
, it is a
Collection
of names. Each name is a String
or a byte array representing a distinguished name (in RFC 2253 or
ASN.1 DER encoded form, respectively). Note that the
Collection
returned may contain duplicate names.
If a name is specified as a byte array, it should contain a single DER
encoded distinguished name, as defined in X.501. The ASN.1 notation for
this structure is given in the documentation for
setIssuerNames(Collection names)
.
Note that a deep copy is performed on the Collection
to
protect against subsequent modifications.
Collection
of names (or null
)setIssuerNames(java.util.Collection<?>)
public BigInteger getMinCRL()
X509CRL
must have a
CRL number extension whose value is greater than or equal to the
specified value. If null
, no minCRLNumber check will be done.null
)public BigInteger getMaxCRL()
X509CRL
must have a
CRL number extension whose value is less than or equal to the
specified value. If null
, no maxCRLNumber check will be
done.null
)public Date getDateAndTime()
X509CRL
and earlier than the value of the
nextUpdate component. There is no match if the
X509CRL
does not contain a nextUpdate component.
If null
, no dateAndTime check will be done.
Note that the Date
returned is cloned to protect against
subsequent modifications.
Date
to match against (or null
)setDateAndTime(java.util.Date)
public X509Certificate getCertificateChecking()
CertStore
find CRLs that would be relevant when checking revocation for the
specified certificate. If the value returned is null
, then
no such optional information is provided.null
)setCertificateChecking(java.security.cert.X509Certificate)
public String toString()
X509CRLSelector
.public boolean match(CRL crl)
CRL
should be selected.match
in interface CRLSelector
crl
- the CRL
to be checkedtrue
if the CRL
should be selected,
false
otherwiseDracula Javadoc Sample, Made with Allan Im.


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Jackie Brown (1997)
Pam Grier, Samuel L. Jackson, Robert Forster, Robert De Niro, Bridget Fonda, Michael Keaton, Chris Tucker. Directed by Quentin Tarantino. 2:35.
Rated R, 3.5 stars (out of five stars)
Review by Ed Johnson-Ott NUVO Newsweekly www.nuvo-online.com/film/ Archive reviews at http://us.imdb.com/M/reviews_by?Edward+Johnson-ott
In the three long years since the release of the dazzling "Pulp Fiction," Quentin Tarantino fans have wondered if the maverick director has still got it. The answer is yes, but he's really slowed it down. "Jackie Brown", adapted from Elmore Leonard's 1995 best-seller "Rum Punch," is a sluggish, but satisfying character study masked as a crime caper. While Tarantino's revered hair-trigger pacing is absent, he reveals new depths of filmmaking skill, while presenting some exceptionally well-drawn characters. The film hints at a level of substance beyond his trademark barrage of pop culture references punctuated with flashy violence. It appears that little Quentin may actually be growing up just a bit.
Closely adhering to Leonard's novel, while adding his own unique sense of flair, Tarantino introduces Jackie Brown (Pam Grier,) a middle-aged flight attendant in a heap of trouble. Caught transporting money and cocaine into the States from Mexico, Brown faces a stint in prison unless she gives up the identity of the man she's working for. Unfortunately, that man is weapons dealer Ordell Robbie (Samuel L. Jackson,) an extremely violent type with a penchant for murdering snitches. Faced with the prospect of jail or death, Brown proposes setting up a sting with ATF agent Ray Nicolet (Michael Keaton) to nail Robbie. Meeting with Robbie, she proposes using the sting to double-cross the cops, while slipping a half million dollars into the country right under their noses. Then she huddles with bail bondsman Max Cherry (Robert Forster) and asks for his help in twisting the sting into an elaborate triple-cross. If successful, Brown could get Robbie out of her life and end up with a great deal of money, but the set-up is risky in a dozen different ways. And so the caper begins.
Tarantino takes his own sweet time getting to the caper, devoting a good stretch of the film to an up-close-and-personal look at Ordell Robbie, a fast-talking hustler who is both riveting and repulsive. Samuel L. Jackson, one of the great actors of our time, is electric here, creating a hyper-active viper with an oily charisma.  Tarantino may think lobbing the word around provides street credibility, but his fascination with the term feels juvenile and offensive.
Robbie's right-hand man is Louis Gara (Robert De Niro,) a quiet ex-con more interested in getting stoned with Melanie (Bridget Fonda,) a girlfriend and shill of Robbie's, than in taking care of business. Jackson and De Niro are a colorful pair, though nowhere near as interesting as Jackson and John Travolta's Jules and Vincent in "Pulp Fiction."
Far more engaging are the characters of Jackie Brown and Max Cherry, wonderfully realized by Pam Grier and Robert Forster, the latest pair of actors to receive career resuscitation from Tarantino. Grier, a 70's pop icon as star of "Foxy Brown" and a host of blaxploitation flicks, is compelling in the film's lead role. Jackie Brown is a handsome middle- aged woman whose great poise masks the despair and desperation she feels. Trapped in a low-paying, dead-end job with a small airline, she realizes that the clock is ticking and her options for success are extremely limited. Her legal crisis forces her to confront a bleak future, and take what could be her last big chance.
Robert Forster, who starred in "Banyon" and other forgettable 70s TV fare, exhibits a subtle, smoky charm as world-weary bail-bondsman Max Cherry. Another victim of middle-age malaise, Cherry trudges through life with dead eyes, until he meets Brown. Instantly smitten, he finds himself tempted to break free of his own dreary pattern of existence. When the two are together, they discuss little things, such as the weight gain that often comes when one stops smoking, but there's something bigger going on. They're really talking about their fear of aging and being alone, of regrets and missed opportunities. Mostly, they're testing the waters with each other, to try and determine if it's worth taking the chance of feeling again.
That's pretty heady stuff for Quentin Tarantino, whose work in "Reservoir Dogs" and "Pulp Fiction" was sharp as a knife, but tended to lack depth. Using his camera more subtly than ever and employing lots of extreme close-ups, Tarantino deals with intimacy in a way he never has before. At two hours and thirty five minutes, "Jackie Brown" lags in spots, lacking the peaks and valleys necessary to sustain its length. Despite its difficulties with pacing, though, "Jackie Brown" is ample proof that Quentin Tarantino continues to grow as one of America's brightest filmmakers. Now if he'd just ease up on the "nigger" business...
copyright 1997, Ed Johnson-Ott
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


It is not possible to test this code fully without running within the Google AppEngine itself. Therefor the tests has been moved to their own module in the qi4j-tests GIT repository. The tests are not run as standard JUnit tests, but as a Web application itself. It uses the standard Qi4j Entity Store test suite, but the runner is special built for this purpose and the result comes out as a simple web page.
You will also need a Google AppEngine account to run them.


with a focus on writing clean, efficient and organized code. I strive to push new web technologies while maintaining solid builds. I am passionate about finding the best solutions to meet the specific needs of a project.
HTML5
CSS3
JavaScript
JQuery
Foundation 5
SASS
Responsive/Mobile
Git
Mercurial
HTML Email
Craft CMS
WordPress
ExpressionEngine
Twig Templating
Isotope JS
Zurb Ink
PHP
MySQL
Fabricator
Photoshop
I am currently a front-end developer for Lowe-Campbell Ewald. From the start, I have had the opportunity to contribute to many well known clients (see below). Lowe Campbell Ewald is a full service, fully integrated advertising and marketing communications agency. LCE pushes the boundaries of innovation and ingenuity – combining its breadth and depth of experience and capabilities with its insights into ever-changing consumer needs and marketplace dynamics.
Front-end development is both a career and a hobby. It is an opportunity to create something innovative. The endless possibilities fill me with the motivation and determination to continue growing as a developer.
Outside of web development, I am an avid Indiana Hoosiers basketball fan. I stay active through running, hiking and playing basketball. Additionally, I am also very interested in fingerstyle/progressive guitar.
I am currently looking for new opportunities to grow professionally and personally. I enjoy contributing to projects that are clear in their goals and enhance the lives of its users.
Developer Goals:
Personal Goals:
Free high-res photo service: https://unsplash.com


Abigail Zelen Photography
" If home is where the heart is. My home is photography. "
– Abigail Zelen
Welcome to my photography website!
I'm so glad you're here! Here you can find my portfolio, read about my latest adventures, photography discoveries, and more. Here are some of photography passions:
- Macro Photography
- Nature/landscapes
- Portraits
Want to learn more about me and my buisness?


{% extends "base.html" %} {% comment %} Copyright (c) 2011 Lukas Martini, Phillip Thelen. This file may be used and distributed under the terms found in the file COPYING, which you should have received along with this program. If you haven't, please refer to<EMAIL_ADDRESS>{% endcomment %} {% block content %} {{ message }} {% if not user.is_authenticated %}
{% endif %} {% endblock %}


| Badge | Name | Description |
|---|---|---|
| Happiness | Congratulations! You have received the Happiness badge. You have inspired happiness in the lives of those around you. Keep up the great work! | |
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PLANET SICK-BOY: http://www.sick-boy.com "We Put the SIN in Cinema"
Character-actor-turned-director Stanley Tucci's latest is based on a true story from the 1940s about New York City residents Joseph Mitchell and Joe Gould. These two were far from your average Joes – Mitchell was a popular columnist for the New Yorker, while Gould was a legendary bum who prowled around Greenwich Village. Tucci's fantastic film is based on two articles that Mitchell wrote for his magazine. The first, `Professor Seagull,' was published in 1942, and the second, `Joe Gould's Secret,' came out twenty-two years later, long after Gould had died and Mitchell had discovered his `secret.'
Tucci (The Impostors) plays Mitchell, an elegant writer that can barely sputter out a complete thought during face-to-face interaction with other humans. He's happily married to a photographer (a dark-haired Hope Davis, Mumford) and has two precocious daughters. One day, while eating lunch at a coffee shop, Mitchell crosses paths with the homeless Gould (Ian Holm, eXistenZ), a crazy, disheveled, mumbling, foul-mouthed, arm-flapping, name-dropping Harvard graduate/exhibitionist that claims he's a direct descendant of William the Conqueror and is able to communicate with seagulls. Gould, like Hannibal Lecter, can pinpoint Mitchell's birthplace from hearing one simple phrase.
Gould is also working on a book called `The Oral History of the World' (or sometimes, just the `O.H.'), a tale about the overheard conversations of anonymous, everyday people that will someday show the world what went wrong with society. Gould has been working on the book for years that, to date, dwarfs the Holy Bible in terms of sheer volume. Needless to say, Mitchell is intrigued by Gould and begins to spend time with him so he can write an article championing his cause. When he asks Gould for samples of his work, he is told that the bulk of Gould's masterpiece is currently being stored in the basement of a house on a Long Island duck and chicken farm.
When the New Yorker piece runs, Gould becomes a cult hero, receiving contributions to his `fund,' and also gaining a mysterious benefactor.  But he also continues to bother the patient Mitchell, who Gould begins to refer to as his biographer. Mitchell just wants to move onto his next subject, but Gould won't let him.
Gould's character brings to mind Henry Fool from Hal Hartley's 1998 film of the same name. A dreamer like Gould, Fool also wrote his life's work in dime-store composition books and believed that the finished product would shake up the world. Holm's performance is beyond words. He doesn't look a lick like himself (his Gould more resembles Bob Hoskins in Cousin Bette) and he perfectly ends every one of Gould's rambling sentences by incoherently trailing off, like Mike Myers doing an impression of Rolling Stone Ron Wood.
Tucci's direction here is much better than The Impostors, which was obviously a bit of a lighter film. As a result, Gould is much more focused and perfectly captures the look and feel of World War II New York City. Gould was photographed by Maryse Alberti (Velvet Goldmine, Happiness) and scored by Evan Lurie (Trees Lounge). The film co-stars Steve Martin (Bowfinger), Susan Sarandon (Cradle Will Rock) and Patricia Clarkson (The Green Mile).
Perhaps the most interesting thing about the story is the fact that Mitchell continued to go to his New Yorker office every day after publishing `Joe Gould's Secret' in 1964. He wrote for years and years, but was never printed again, claiming he was working on some big piece that remained shrouded in mystery. Nobody ever found out what it was, and Mitchell died in 1996.
1:48 - R for adult language and brief nudity
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PART VI. FACILITIES
A. University Projects--Repealed
§§304A-2501 to 304A-2518 REPEALED. L 2007, c 161, §4.
Cross References
For present provisions, see §§304A-2671 to 304A-2689.


This package was debianized by Darren Salt >
Fri, 10 Jul 2009 22:52:54 +0100.
It was downloaded from http://git.sipsolutions.net/?p=rfkill.git
then later https://www.kernel.org/pub/software/network/rfkill/
Upstream Authors:
Johannes Berg
Marcel Holtmann
Tim Gardner
Copyright:
Copyright (C) 2009-2010 Johannes Berg
Copyright (C) 2009 Marcel Holtmann
Copyright (C) 2009 Tim Gardner
rfkill.c:
Copyright (C) 2009-2013 Johannes Berg
Copyright (C) 2009-2010 Darren Salt
Copyright (C) 2010 Tomas Winkler
Copyright (C) 2013 Samuel Ortiz
rfkill.h:
Copyright (C) 2006-2007 Ivo van Doorn
Copyright (C) 2007 Dmitry Torokhov
Copyright (C) 2009 Johannes Berg
Copyright (C) 2010 Tomas Winkler
Copyright (C) 2013 Samuel Ortiz
rfkill.8:
Copyright (C) 2009-2010 Darren Salt
Copyright (C) 2009-2010 Johannes Berg
Copyright (C) 2013 Samuel Ortiz
License:
Permission to use, copy, modify, and/or distribute this software for any
purpose with or without fee is hereby granted, provided that the above
copyright notice and this permission notice appear in all copies.
 IN NO EVENT SHALL THE AUTHOR BE LIABLE FOR
ANY SPECIAL, DIRECT, INDIRECT, OR CONSEQUENTIAL DAMAGES OR ANY DAMAGES
WHATSOEVER RESULTING FROM LOSS OF USE, DATA OR PROFITS, WHETHER IN AN
ACTION OF CONTRACT, NEGLIGENCE OR OTHER TORTIOUS ACTION, ARISING OUT OF
OR IN CONNECTION WITH THE USE OR PERFORMANCE OF THIS SOFTWARE.
The Debian packaging is:
Copyright (C) 2009-2013 Darren Salt
and is licensed as above.


assigned
by Christina Chortaria at 2020-05-23 02:30:05.assigned
by None at 2020-05-23 02:30:11.On bibdata-staging I triggered , the indexing of a hathi file with 10,000 lines. the documents will be less because there are some duplicates. https://catalog-staging.princeton.edu/
Update: 6,005 temporary digital access were indexed.
Coverage remained the same at 79.818% when pulling 3459bd65d0d76d4ed676faa8a3bd678647ee1c2e on rake-task-index-hathi-csv into da31f37dcffc3a45c377ac5915957c80ff72e207 on master.
base_ref_changed
by Christina Chortaria at 2020-05-23 00:09:21.review_request_removed
by Christina Chortaria at 2020-05-23 00:10:17.head_ref_force_pushed
by Christina Chortaria at 2020-05-23 00:26:43.head_ref_force_pushed
by Christina Chortaria at 2020-05-23 01:28:09.review_requested
by Christina Chortaria at 2020-05-23 13:30:26.assigned
by Christina Chortaria at 2020-05-23 13:43:53.head_ref_force_pushed
by Francis Kayiwa at 2020-05-23 20:43:41.


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