Default Methods for Interfaces
Java 8 enables us to add non-abstract method implementations to interfaces by utilizing the default
keyword. This feature is also known as virtual extension methods.
Here is our first example:
interface Formula {
double calculate(int a);
default double sqrt(int a) {
return Math.sqrt(a);
}
}
Besides the abstract method calculate
the interface Formula
also defines the default method sqrt
. Concrete classes only have to implement the abstract method calculate
. The default method sqrt
can be used out of the box.
Formula formula = new Formula() {
@Override
public double calculate(int a) {
return sqrt(a * 100);
}
};
formula.calculate(100); // 100.0
formula.sqrt(16); // 4.0
The formula is implemented as an anonymous object. The code is quite verbose: 6 lines of code for such a simple calculation of sqrt(a * 100)
. As we’ll see in the next section, there’s a much nicer way of implementing single method objects in Java 8.
Lambda expressions
Let’s start with a simple example of how to sort a list of strings in prior versions of Java:
List<String> names = Arrays.asList("peter", "anna", "mike", "xenia");
Collections.sort(names, new Comparator<String>() {
@Override
public int compare(String a, String b) {
return b.compareTo(a);
}
});
The static utility method Collections.sort
accepts a list and a comparator in order to sort the elements of the given list. You often find yourself creating anonymous comparators and pass them to the sort method.
Instead of creating anonymous objects all day long, Java 8 comes with a much shorter syntax, lambda expressions:
Collections.sort(names, (String a, String b) -> {
return b.compareTo(a);
});
As you can see the code is much shorter and easier to read. But it gets even shorter:
Collections.sort(names, (String a, String b) -> b.compareTo(a));
For one line method bodies you can skip both the braces {}
and the return
keyword. But it gets even shorter:
names.sort((a, b) -> b.compareTo(a));
List now has a sort
method. Also the java compiler is aware of the parameter types so you can skip them as well. Let’s dive deeper into how lambda expressions can be used in the wild.
Functional Interfaces
How does lambda expressions fit into Java’s type system? Each lambda corresponds to a given type, specified by an interface. A so called functional interface must contain exactly one abstract method declaration. Each lambda expression of that type will be matched to this abstract method. Since default methods are not abstract you’re free to add default methods to your functional interface.
We can use arbitrary interfaces as lambda expressions as long as the interface only contains one abstract method. To ensure that your interface meet the requirements, you should add the @FunctionalInterface
annotation. The compiler is aware of this annotation and throws a compiler error as soon as you try to add a second abstract method declaration to the interface.
Example:
@FunctionalInterface
interface Converter<F, T> {
T convert(F from);
}
Converter<String, Integer> converter = (from) -> Integer.valueOf(from);
Integer converted = converter.convert("123");
System.out.println(converted); // 123
Keep in mind that the code is also valid if the @FunctionalInterface
annotation would be omitted.
Method and Constructor References
The above example code can be further simplified by utilizing static method references:
Converter<String, Integer> converter = Integer::valueOf;
Integer converted = converter.convert("123");
System.out.println(converted); // 123
Java 8 enables you to pass references of methods or constructors via the ::
keyword. The above example shows how to reference a static method. But we can also reference object methods:
class Something {
String startsWith(String s) {
return String.valueOf(s.charAt(0));
}
}
Something something = new Something();
Converter<String, String> converter = something::startsWith;
String converted = converter.convert("Java");
System.out.println(converted); // "J"
Let’s see how the ::
keyword works for constructors. First we define an example class with different constructors:
class Person {
String firstName;
String lastName;
Person() {}
Person(String firstName, String lastName) {
this.firstName = firstName;
this.lastName = lastName;
}
}
Next we specify a person factory interface to be used for creating new persons:
interface PersonFactory<P extends Person> {
P create(String firstName, String lastName);
}
Instead of implementing the factory manually, we glue everything together via constructor references:
PersonFactory<Person> personFactory = Person::new;
Person person = personFactory.create("Peter", "Parker");
We create a reference to the Person constructor via Person::new
. The Java compiler automatically chooses the right constructor by matching the signature of PersonFactory.create
.
Lambda Scopes
Accessing outer scope variables from lambda expressions is very similar to anonymous objects. You can access final variables from the local outer scope as well as instance fields and static variables.
Accessing local variables
We can read final local variables from the outer scope of lambda expressions:
final int num = 1;
Converter<Integer, String> stringConverter =
(from) -> String.valueOf(from + num);
stringConverter.convert(2); // 3
But different to anonymous objects the variable num
does not have to be declared final. This code is also valid:
int num = 1;
Converter<Integer, String> stringConverter =
(from) -> String.valueOf(from + num);
stringConverter.convert(2); // 3
However num
must be implicitly final for the code to compile. The following code does not compile:
int num = 1;
Converter<Integer, String> stringConverter =
(from) -> String.valueOf(from + num);
num = 3;
Writing to num
from within the lambda expression is also prohibited.
Accessing fields and static variables
In contrast to local variables, we have both read and write access to instance fields and static variables from within lambda expressions. This behaviour is well known from anonymous objects.
class Lambda4 {
static int outerStaticNum;
int outerNum;
void testScopes() {
Converter<Integer, String> stringConverter1 = (from) -> {
outerNum = 23;
return String.valueOf(from);
};
Converter<Integer, String> stringConverter2 = (from) -> {
outerStaticNum = 72;
return String.valueOf(from);
};
}
}
Accessing Default Interface Methods
Remember the formula example from the first section? Interface Formula
defines a default method sqrt
which can be accessed from each formula instance including anonymous objects. This does not work with lambda expressions.
Default methods cannot be accessed from within lambda expressions. The following code does not compile:
Formula formula = (a) -> sqrt(a * 100);
Built-in Functional Interfaces
The JDK 1.8 API contains many built-in functional interfaces. Some of them are well known from older versions of Java like Comparator
or Runnable
. Those existing interfaces are extended to enable Lambda support via the @FunctionalInterface
annotation.
But the Java 8 API is also full of new functional interfaces to make your life easier. Some of those new interfaces are well known from the Google Guava library. Even if you’re familiar with this library you should keep a close eye on how those interfaces are extended by some useful method extensions.
Predicates
Predicates are boolean-valued functions of one argument. The interface contains various default methods for composing predicates to complex logical terms (and, or, negate)
Predicate<String> predicate = (s) -> s.length() > 0;
predicate.test("foo"); // true
predicate.negate().test("foo"); // false
Predicate<Boolean> nonNull = Objects::nonNull;
Predicate<Boolean> isNull = Objects::isNull;
Predicate<String> isEmpty = String::isEmpty;
Predicate<String> isNotEmpty = isEmpty.negate();
Functions
Functions accept one argument and produce a result. Default methods can be used to chain multiple functions together (compose, andThen).
Function<String, Integer> toInteger = Integer::valueOf;
Function<String, String> backToString = toInteger.andThen(String::valueOf);
backToString.apply("123"); // "123"
Suppliers
Suppliers produce a result of a given generic type. Unlike Functions, Suppliers don’t accept arguments.
Supplier<Person> personSupplier = Person::new;
personSupplier.get(); // new Person
Consumers
Consumers represent operations to be performed on a single input argument.
Consumer<Person> greeter = (p) -> System.out.println("Hello, " + p.firstName);
greeter.accept(new Person("Luke", "Skywalker"));
Comparators
Comparators are well known from older versions of Java. Java 8 adds various default methods to the interface.
Comparator<Person> comparator = (p1, p2) -> p1.firstName.compareTo(p2.firstName);
Person p1 = new Person("John", "Doe");
Person p2 = new Person("Alice", "Wonderland");
comparator.compare(p1, p2); // > 0
comparator.reversed().compare(p1, p2); // < 0
Optionals
Optionals are not functional interfaces, but nifty utilities to prevent NullPointerException
. It’s an important concept for the next section, so let’s have a quick look at how Optionals work.
Optional is a simple container for a value which may be null or non-null. Think of a method which may return a non-null result but sometimes return nothing. Instead of returning null
you return an Optional
in Java 8.
Optional<String> optional = Optional.of("bam");
optional.isPresent(); // true
optional.get(); // "bam"
optional.orElse("fallback"); // "bam"
optional.ifPresent((s) -> System.out.println(s.charAt(0))); // "b"
Streams
A java.util.Stream
represents a sequence of elements on which one or more operations can be performed. Stream operations are either intermediate or terminal. While terminal operations return a result of a certain type, intermediate operations return the stream itself so you can chain multiple method calls in a row. Streams are created on a source, e.g. a java.util.Collection
like lists or sets (maps are not supported). Stream operations can either be executed sequentially or parallely.
Streams are extremely powerful, so I wrote a separate Java 8 Streams Tutorial. You should also check out Sequency as a similiar library for the web.
Let’s first look how sequential streams work. First we create a sample source in form of a list of strings:
List<String> stringCollection = new ArrayList<>();
stringCollection.add("ddd2");
stringCollection.add("aaa2");
stringCollection.add("bbb1");
stringCollection.add("aaa1");
stringCollection.add("bbb3");
stringCollection.add("ccc");
stringCollection.add("bbb2");
stringCollection.add("ddd1");
Collections in Java 8 are extended so you can simply create streams either by calling Collection.stream()
or Collection.parallelStream()
. The following sections explain the most common stream operations.
Filter
Filter accepts a predicate to filter all elements of the stream. This operation is intermediate which enables us to call another stream operation (forEach
) on the result. ForEach accepts a consumer to be executed for each element in the filtered stream. ForEach is a terminal operation. It’s void
, so we cannot call another stream operation.
stringCollection
.stream()
.filter((s) -> s.startsWith("a"))
.forEach(System.out::println);
// "aaa2", "aaa1"
Sorted
Sorted is an intermediate operation which returns a sorted view of the stream. The elements are sorted in natural order unless you pass a custom Comparator
.
stringCollection
.stream()
.sorted()
.filter((s) -> s.startsWith("a"))
.forEach(System.out::println);
// "aaa1", "aaa2"
Keep in mind that sorted
does only create a sorted view of the stream without manipulating the ordering of the backed collection. The ordering of stringCollection
is untouched:
System.out.println(stringCollection);
// ddd2, aaa2, bbb1, aaa1, bbb3, ccc, bbb2, ddd1
Map
The intermediate operation map
converts each element into another object via the given function. The following example converts each string into an upper-cased string. But you can also use map
to transform each object into another type. The generic type of the resulting stream depends on the generic type of the function you pass to map
.
stringCollection
.stream()
.map(String::toUpperCase)
.sorted((a, b) -> b.compareTo(a))
.forEach(System.out::println);
// "DDD2", "DDD1", "CCC", "BBB3", "BBB2", "AAA2", "AAA1"
Match
Various matching operations can be used to check whether a certain predicate matches the stream. All of those operations are terminal and return a boolean result.
boolean anyStartsWithA =
stringCollection
.stream()
.anyMatch((s) -> s.startsWith("a"));
System.out.println(anyStartsWithA); // true
boolean allStartsWithA =
stringCollection
.stream()
.allMatch((s) -> s.startsWith("a"));
System.out.println(allStartsWithA); // false
boolean noneStartsWithZ =
stringCollection
.stream()
.noneMatch((s) -> s.startsWith("z"));
System.out.println(noneStartsWithZ); // true
Count
Count is a terminal operation returning the number of elements in the stream as a long
.
long startsWithB =
stringCollection
.stream()
.filter((s) -> s.startsWith("b"))
.count();
System.out.println(startsWithB); // 3
Reduce
This terminal operation performs a reduction on the elements of the stream with the given function. The result is an Optional
holding the reduced value.
Optional<String> reduced =
stringCollection
.stream()
.sorted()
.reduce((s1, s2) -> s1 + "#" + s2);
reduced.ifPresent(System.out::println);
// "aaa1#aaa2#bbb1#bbb2#bbb3#ccc#ddd1#ddd2"
Parallel Streams
As mentioned above streams can be either sequential or parallel. Operations on sequential streams are performed on a single thread while operations on parallel streams are performed concurrently on multiple threads.
The following example demonstrates how easy it is to increase the performance by using parallel streams.
First we create a large list of unique elements:
int max = 1000000;
List<String> values = new ArrayList<>(max);
for (int i = 0; i < max; i++) {
UUID uuid = UUID.randomUUID();
values.add(uuid.toString());
}
Now we measure the time it takes to sort a stream of this collection.
Sequential Sort
long t0 = System.nanoTime();
long count = values.stream().sorted().count();
System.out.println(count);
long t1 = System.nanoTime();
long millis = TimeUnit.NANOSECONDS.toMillis(t1 - t0);
System.out.println(String.format("sequential sort took: %d ms", millis));
// sequential sort took: 899 ms
Parallel Sort
long t0 = System.nanoTime();
long count = values.parallelStream().sorted().count();
System.out.println(count);
long t1 = System.nanoTime();
long millis = TimeUnit.NANOSECONDS.toMillis(t1 - t0);
System.out.println(String.format("parallel sort took: %d ms", millis));
// parallel sort took: 472 ms
As you can see both code snippets are almost identical but the parallel sort is roughly 50% faster. All you have to do is change stream()
to parallelStream()
.
Maps
As already mentioned maps do not directly support streams. There’s no stream()
method available on the Map
interface itself, however you can create specialized streams upon the keys, values or entries of a map via map.keySet().stream()
, map.values().stream()
and map.entrySet().stream()
.
Furthermore maps support various new and useful methods for doing common tasks.
Map<Integer, String> map = new HashMap<>();
for (int i = 0; i < 10; i++) {
map.putIfAbsent(i, "val" + i);
}
map.forEach((id, val) -> System.out.println(val));
The above code should be self-explaining: putIfAbsent
prevents us from writing additional if null checks; forEach
accepts a consumer to perform operations for each value of the map.
This example shows how to compute code on the map by utilizing functions:
map.computeIfPresent(3, (num, val) -> val + num);
map.get(3); // val33
map.computeIfPresent(9, (num, val) -> null);
map.containsKey(9); // false
map.computeIfAbsent(23, num -> "val" + num);
map.containsKey(23); // true
map.computeIfAbsent(3, num -> "bam");
map.get(3); // val33
Next, we learn how to remove entries for a given key, only if it’s currently mapped to a given value:
map.remove(3, "val3");
map.get(3); // val33
map.remove(3, "val33");
map.get(3); // null
Another helpful method:
map.getOrDefault(42, "not found"); // not found
Merging entries of a map is quite easy:
map.merge(9, "val9", (value, newValue) -> value.concat(newValue));
map.get(9); // val9
map.merge(9, "concat", (value, newValue) -> value.concat(newValue));
map.get(9); // val9concat
Merge either put the key/value into the map if no entry for the key exists, or the merging function will be called to change the existing value.
Date API
Java 8 contains a brand new date and time API under the package java.time
. The new Date API is comparable with the Joda-Time library, however it’s not the same. The following examples cover the most important parts of this new API.
Clock
Clock provides access to the current date and time. Clocks are aware of a timezone and may be used instead of System.currentTimeMillis()
to retrieve the current time in milliseconds since Unix EPOCH. Such an instantaneous point on the time-line is also represented by the class Instant
. Instants can be used to create legacy java.util.Date
objects.
Clock clock = Clock.systemDefaultZone();
long millis = clock.millis();
Instant instant = clock.instant();
Date legacyDate = Date.from(instant); // legacy java.util.Date
Timezones
Timezones are represented by a ZoneId
. They can easily be accessed via static factory methods. Timezones define the offsets which are important to convert between instants and local dates and times.
System.out.println(ZoneId.getAvailableZoneIds());
// prints all available timezone ids
ZoneId zone1 = ZoneId.of("Europe/Berlin");
ZoneId zone2 = ZoneId.of("Brazil/East");
System.out.println(zone1.getRules());
System.out.println(zone2.getRules());
// ZoneRules[currentStandardOffset=+01:00]
// ZoneRules[currentStandardOffset=-03:00]
LocalTime
LocalTime represents a time without a timezone, e.g. 10pm or 17:30:15. The following example creates two local times for the timezones defined above. Then we compare both times and calculate the difference in hours and minutes between both times.
LocalTime now1 = LocalTime.now(zone1);
LocalTime now2 = LocalTime.now(zone2);
System.out.println(now1.isBefore(now2)); // false
long hoursBetween = ChronoUnit.HOURS.between(now1, now2);
long minutesBetween = ChronoUnit.MINUTES.between(now1, now2);
System.out.println(hoursBetween); // -3
System.out.println(minutesBetween); // -239
LocalTime comes with various factory methods to simplify the creation of new instances, including parsing of time strings.
LocalTime late = LocalTime.of(23, 59, 59);
System.out.println(late); // 23:59:59
DateTimeFormatter germanFormatter =
DateTimeFormatter
.ofLocalizedTime(FormatStyle.SHORT)
.withLocale(Locale.GERMAN);
LocalTime leetTime = LocalTime.parse("13:37", germanFormatter);
System.out.println(leetTime); // 13:37
LocalDate
LocalDate represents a distinct date, e.g. 2014-03-11. It’s immutable and works exactly analog to LocalTime. The sample demonstrates how to calculate new dates by adding or subtracting days, months or years. Keep in mind that each manipulation returns a new instance.
LocalDate today = LocalDate.now();
LocalDate tomorrow = today.plus(1, ChronoUnit.DAYS);
LocalDate yesterday = tomorrow.minusDays(2);
LocalDate independenceDay = LocalDate.of(2014, Month.JULY, 4);
DayOfWeek dayOfWeek = independenceDay.getDayOfWeek();
System.out.println(dayOfWeek); // FRIDAY
Parsing a LocalDate from a string is just as simple as parsing a LocalTime:
DateTimeFormatter germanFormatter =
DateTimeFormatter
.ofLocalizedDate(FormatStyle.MEDIUM)
.withLocale(Locale.GERMAN);
LocalDate xmas = LocalDate.parse("24.12.2014", germanFormatter);
System.out.println(xmas); // 2014-12-24
LocalDateTime
LocalDateTime represents a date-time. It combines date and time as seen in the above sections into one instance. LocalDateTime
is immutable and works similar to LocalTime and LocalDate. We can utilize methods for retrieving certain fields from a date-time:
LocalDateTime sylvester = LocalDateTime.of(2014, Month.DECEMBER, 31, 23, 59, 59);
DayOfWeek dayOfWeek = sylvester.getDayOfWeek();
System.out.println(dayOfWeek); // WEDNESDAY
Month month = sylvester.getMonth();
System.out.println(month); // DECEMBER
long minuteOfDay = sylvester.getLong(ChronoField.MINUTE_OF_DAY);
System.out.println(minuteOfDay); // 1439
With the additional information of a timezone it can be converted to an instant. Instants can easily be converted to legacy dates of type java.util.Date
.
Instant instant = sylvester
.atZone(ZoneId.systemDefault())
.toInstant();
Date legacyDate = Date.from(instant);
System.out.println(legacyDate); // Wed Dec 31 23:59:59 CET 2014
Formatting date-times works just like formatting dates or times. Instead of using pre-defined formats we can create formatters from custom patterns.
DateTimeFormatter formatter =
DateTimeFormatter
.ofPattern("MMM dd, yyyy - HH:mm");
LocalDateTime parsed = LocalDateTime.parse("Nov 03, 2014 - 07:13", formatter);
String string = formatter.format(parsed);
System.out.println(string); // Nov 03, 2014 - 07:13
Unlike java.text.NumberFormat
the new DateTimeFormatter
is immutable and thread-safe.
For details on the pattern syntax read here.
Annotations
Annotations in Java 8 are repeatable. Let’s dive directly into an example to figure that out.
First, we define a wrapper annotation which holds an array of the actual annotations:
@interface Hints {
Hint[] value();
}
@Repeatable(Hints.class)
@interface Hint {
String value();
}
Java 8 enables us to use multiple annotations of the same type by declaring the annotation @Repeatable
.
Variant 1: Using the container annotation (old school)
@Hints({@Hint("hint1"), @Hint("hint2")})
class Person {}
Variant 2: Using repeatable annotations (new school)
@Hint("hint1")
@Hint("hint2")
class Person {}
Using variant 2 the java compiler implicitly sets up the @Hints
annotation under the hood. That’s important for reading annotation information via reflection.
Hint hint = Person.class.getAnnotation(Hint.class);
System.out.println(hint); // null
Hints hints1 = Person.class.getAnnotation(Hints.class);
System.out.println(hints1.value().length); // 2
Hint[] hints2 = Person.class.getAnnotationsByType(Hint.class);
System.out.println(hints2.length); // 2
Although we never declared the @Hints
annotation on the Person
class, it’s still readable via getAnnotation(Hints.class)
. However, the more convenient method is getAnnotationsByType
which grants direct access to all annotated @Hint
annotations.
Furthermore the usage of annotations in Java 8 is expanded to two new targets:
@Target({ElementType.TYPE_PARAMETER, ElementType.TYPE_USE})
@interface MyAnnotation {}
Ref.
- Java 8 Stream Tutorial
- Java 8 Nashorn Tutorial
- Java 8 Concurrency Tutorial: Threads and Executors
- Java 8 Concurrency Tutorial: Synchronization and Locks
- Java 8 Concurrency Tutorial: Atomic Variables and ConcurrentMap
- Java 8 API by Example: Strings, Numbers, Math and Files
- Avoid Null Checks in Java 8
- Fixing Java 8 Stream Gotchas with IntelliJ IDEA
- Using Backbone.js with Java 8 Nashorn
You should follow me on Twitter. Thanks for reading!


This party is going to have a DJ, food, and drinks.
Great, I’ll see you tomorrow!.
yeah, I will be there.
I would really like to bring my friend Jake, if...
Sure, what can I help you with?
Which of those two is best?
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When an input element became 'checked' or not-'checked', distribution should happen.
Case 1: input[type=checkbox] becomes checked
Case 2: input[type=checkbox] becomes non-checked
Case 3: input[type=radio] becomes checked
Case 4: input[type=radio] becomes non-checked


--- title: Wandb keywords: fastai sidebar: home_sidebar summary: "Integration with Weights & Biases " description: "Integration with Weights & Biases " nb_path: "nbs/70_callback.wandb.ipynb" ---
First thing first, you need to install wandb with
pip install wandb
Create a free account then run
wandb login
in your terminal. Follow the link to get an API token that you will need to paste, then you're all set!
Optionally logs weights and or gradients depending on log
(can be "gradients", "parameters", "all" or None), sample predictions if log_preds=True
that will come from valid_dl
or a random sample pf the validation set (determined by seed
). n_preds
are logged in this case.
If used in combination with SaveModelCallback
, the best model is saved as well (can be deactivated with log_model=False
).
Datasets can also be tracked:
log_dataset
is True
, tracked folder is retrieved from learn.dls.path
log_dataset
can explicitly be set to the folder to trackdataset_name
, otherwise it is set to the folder nameFor custom scenarios, you can also manually use functions log_dataset
and log_model
to respectively log your own datasets and models.
Once your have defined your Learner
, before you call to fit
or fit_one_cycle
, you need to initialize wandb:
import wandb
wandb.init()
To use Weights & Biases without an account, you can call wandb.init(anonymous='allow')
.
Then you add the callback to your learner
or call to fit
methods, potentially with SaveModelCallback
if you want to save the best model:
from fastai.callback.wandb import *
# To log only during one training phase
learn.fit(..., cbs=WandbCallback())
# To log continuously for all training phases
learn = learner(..., cbs=WandbCallback())
Datasets and models can be tracked through the callback or directly through log_model
and log_dataset
functions.
For more details, refer to W&B documentation.


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| And he began to speak unto them by parables. A certain man planted a vineyard, and set an hedge about it, and digged a place for the winefat, and built a tower, and let it out to husbandmen, and went into a far country.
|
|---|
| ᎤᎴᏅᎮᏃ ᏚᏬᏁᏔᏁ ᏓᏟᎶᏍᏗᏍᎬᎢ. ᎩᎶ ᎢᏳᏍᏗ ᏖᎸᎳᏗ ᏚᏫᏎᎢ, ᎠᎴ ᎤᏐᏱᎴ ᎬᏩᏚᏫᏛ, ᎠᎴ ᎤᏍᎪᏎ ᎩᎦᎨ-ᎠᏗᏔᏍᏗ ᎪᏢᏗᏱ, ᎠᎴ ᎤᏁᏍᎨᎮ ᎢᏅ ᎢᎦᏘ, ᎠᎴ ᏚᏙᎳᏍᏔᏁ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᎢᏅ ᏭᎶᏎᎢ.
|
|---|
U-le-nv-he-no du-wo-ne-ta-ne da-tli-lo-s-di-s-gv-i. Gi-lo i-yu-s-di te-lv-la-di du-wi-se-i, a-le u-so-yi-le gv-wa-du-wi-dv, a-le u-s-go-se gi-ga-ge--a-di-ta-s-di go-tlv-di-yi, a-le u-ne-s-ge-he i-nv i-ga-ti, a-le du-do-la-s-ta-ne tlo-ge-si tsu-ni-lv-wi-s-da-ne-hi, a-le i-nv wu-lo-se-i.
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|---|
|
|---|
| And at the season he sent to the husbandmen a servant, that he might receive from the husbandmen of the fruit of the vineyard.
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| ᎤᏅᏂᏍᏗᏱᏃ ᎨᏒ ᎢᏳᎢ, ᎤᏅᏎ ᎤᏅᏏᏓᏍᏗ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏗᏁᎲᎢ, ᎾᏍᎩ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ ᏅᏓᎬᏩᏁᏗᏱ ᎤᏁᏉᏨᎯ ᏖᎸᎳᏗ ᏓᏫᏒᎢ.
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U-nv-ni-s-di-yi-no ge-sv i-yu-i, u-nv-se u-nv-si-da-s-di tlo-ge-si tsu-ni-lv-wi-s-da-ne-hi di-ne-hv-i, na-s-gi tlo-ge-si tsu-ni-lv-wi-s-da-ne-hi nv-da-gv-wa-ne-di-yi u-ne-quo-tsv-hi te-lv-la-di da-wi-sv-i.
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| And they caught him, and beat him, and sent him away empty.
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| ᎢᎬᏩᏂᏴᎮᏃ, ᎠᎴ ᎢᎬᏩᎵᎥᏂᎴᎢ, ᎠᎴ ᎠᏒᎭ ᎢᎬᏩᏂᎩᏍᏔᏁᎢ.
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I-gv-wa-ni-yv-he-no, a-le i-gv-wa-li-v-ni-le-i, a-le a-sv-ha i-gv-wa-ni-gi-s-ta-ne-i.
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| And again he sent unto them another servant; and at him they cast stones, and wounded him in the head, and sent him away shamefully handled.
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| ᏔᎵᏁᏃ ᏅᏩᏓᎴ ᎤᏅᏏᏓᏍᏗ ᎤᏅᏎ ᏗᏁᎲᎢ; ᎾᏍᎩᏃ ᏅᏯᏉ ᏙᎬᏩᏂᏍᏔᏁᎢ, ᎠᎴ ᎢᎬᏩᏐᏅᏁ ᎠᏍᎪᎵ, ᎠᎴ ᎢᎬᏩᏂᎩᏍᏔᏁ ᎤᏕᎰᎯᏍᏗ ᎢᎬᏩᏁᎸᎯ.
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Ta-li-ne-no nv-wa-da-le u-nv-si-da-s-di u-nv-se di-ne-hv-i; na-s-gi-no nv-ya-quo do-gv-wa-ni-s-ta-ne-i, a-le i-gv-wa-so-nv-ne a-s-go-li, a-le i-gv-wa-ni-gi-s-ta-ne u-de-ho-hi-s-di i-gv-wa-ne-lv-hi.
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| And again he sent another; and him they killed, and many others; beating some, and killing some.
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| ᏔᎵᏁᏃ ᏅᏩᏓᎴ ᎤᏅᏎᎢ; ᎠᎴ ᎾᏍᎩ ᎤᏂᎴᎢ; ᎠᎴ ᎤᏂᏣᏖ ᏅᏩᎾᏓᎴᎢ; ᎢᎦᏛ ᏓᏂᎵᎥᏂᎮᎢ, ᎢᎦᏛᏃ ᏓᏂᎯᎮᎢ.
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Ta-li-ne-no nv-wa-da-le u-nv-se-i; a-le na-s-gi u-ni-le-i; a-le u-ni-tsa-te nv-wa-na-da-le-i; i-ga-dv da-ni-li-v-ni-he-i, i-ga-dv-no da-ni-hi-he-i.
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| Having yet therefore one son, his wellbeloved, he sent him also last unto them, saying, They will reverence my son.
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| ᎠᏏᏃ ᏌᏉ ᎤᏪᏥ ᎡᎮᎢ, ᎤᎨᏳᎯ, ᎾᏍᎩ ᎾᏍᏉ ᎤᏅᏎ ᎣᏂᏱ ᏗᏁᎲᎢ, ᎯᎠ ᏄᏪᏎᎢ, ᎠᏎ ᏛᏂᎸᏉᏔᏂ ᎠᏇᏥ.
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A-si-no sa-quo u-we-tsi e-he-i, u-ge-yu-hi, na-s-gi na-s-quo u-nv-se o-ni-yi di-ne-hv-i, hi-a nu-we-se-i, A-se dv-ni-lv-quo-ta-ni a-que-tsi.
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| But those husbandmen said among themselves, This is the heir; come, let us kill him, and the inheritance shall be ours.
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| ᎠᏎᏃ ᎾᏍᎩ Ꮎ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᎯᎠ ᏂᏚᎾᏓᏪᏎᎴᎢ, ᎯᎠ ᎾᏍᎩ ᏧᎬᏩᎶᏗ ᏭᏘᏰᎵᎯᏍᏗ ᎨᏒᎢ; Ꭷ, ᎡᏗᎷᎦ, ᏧᎬᏩᎶᏗᏃ ᎤᏘᏰᏗ ᎢᎦᏤᎵᎦ ᎨᏎᏍᏗ.
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A-se-no na-s-gi na tlo-ge-si tsu-ni-lv-wi-s-da-ne-hi, hi-a ni-du-na-da-we-se-le-i, Hi-a na-s-gi tsu-gv-wa-lo-di wu-ti-ye-li-hi-s-di ge-sv-i; ka, e-di-lu-ga, tsu-gv-wa-lo-di-no u-ti-ye-di i-ga-tse-li-ga ge-se-s-di.
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| And they took him, and killed him, and cast him out of the vineyard.
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| ᎬᏩᏂᏴᎲᏃ ᎬᏩᎴᎢ, ᎠᎴ ᏖᎸᎳᏗ ᏓᏫᏒ ᏙᏱᏗᏢ ᏫᎬᏩᏓᎢᏅᏎᎢ.
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Gv-wa-ni-yv-hv-no gv-wa-le-i, a-le te-lv-la-di da-wi-sv do-yi-di-tlv wi-gv-wa-da-i-nv-se-i.
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| What shall therefore the lord of the vineyard do? he will come and destroy the husbandmen, and will give the vineyard unto others.
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| ᎦᏙᏃ ᎾᏍᎩ ᏛᏛᏁᎵ ᏖᎸᎳᏗ ᏓᏫᏒ ᎤᏤᎵᎦ? ᏓᎦᎷᏥ ᎠᎴ ᏙᏛᏛᏔᏂ ᎾᏍᎩ ᏠᎨᏏ ᏧᏂᎸᏫᏍᏓᏁᎯ, ᎠᎴ ᏅᏩᎾᏓᎴ ᏙᏛᏁᎵ ᏖᎸᎳᏗ ᏓᏫᏒᎢ.
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Ga-do-no na-s-gi dv-dv-ne-li te-lv-la-di da-wi-sv u-tse-li-ga? Da-ga-lu-tsi a-le do-dv-dv-ta-ni na-s-gi tlo-ge-si tsu-ni-lv-wi-s-da-ne-hi, a-le nv-wa-na-da-le do-dv-ne-li te-lv-la-di da-wi-sv-i.
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| And have ye not read this scripture; The stone which the builders rejected is become the head of the corner:
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| ᏝᏍᎪᏃ ᏱᏥᎪᎵᏰᎣ ᎯᎠ ᎾᏍᎩ ᏥᏂᎬᏅ ᏥᎪᏪᎳ? ᎾᏍᎩ ᏅᏯ, ᏗᎾᏁᏍᎨᏍᎩ ᎤᏂᏲᎢᏎᎸᎯ ᏄᎬᏫᏳᏒ ᎤᏅᏏᏴ ᎠᏗ ᏄᎵᏍᏔᏅ;
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Tla-s-go-no yi-tsi-go-li-ye-o hi-a na-s-gi tsi-ni-gv-nv tsi-go-we-la? Na-s-gi nv-ya, di-na-ne-s-ge-s-gi u-ni-yo-i-se-lv-hi nu-gv-wi-yu-sv u-nv-si-yv a-di nu-li-s-ta-nv;
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| This was the Lord's doing, and it is marvellous in our eyes?
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| ᎾᏍᎩ ᎯᎠ ᏱᎰᏩ ᏄᏛᏁᎸ, ᎠᎴ ᎤᏍᏆᏂᎪᏗᏳ ᏕᏓᎧᏂᏍᎬᎢ.
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Na-s-gi hi-a Yi-ho-wa nu-dv-ne-lv, a-le u-s-qua-ni-go-di-yu de-da-ka-ni-s-gv-i.
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| And they sought to lay hold on him, but feared the people: for they knew that he had spoken the parable against them: and they left him, and went their way.
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| ᎤᎾᏁᎶᏔᏁᏃ ᎬᏩᏂᏴᏗᏱ, ᎠᏎᏃ ᎤᏂᏣᏘ ᏴᏫ ᏓᏂᏍᎦᎢᎮᎢ; ᎠᏂᎦᏔᎮᏰᏃ ᎤᏅᏒ ᎨᏥᏛᎬ ᎾᏍᎩ ᏚᏟᎶᏍᏔᏅᎢ; ᎢᎬᏩᏓᏅᎡᎴᏃ ᎠᎴ ᏚᏁᏅᏎᎢ.
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U-na-ne-lo-ta-ne-no gv-wa-ni-yv-di-yi, a-se-no u-ni-tsa-ti yv-wi da-ni-s-ga-i-he-i; a-ni-ga-ta-he-ye-no u-nv-sv ge-tsi-dv-gv na-s-gi du-tli-lo-s-ta-nv-i; i-gv-wa-da-nv-e-le-no a-le du-ne-nv-se-i.
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| And they send unto him certain of the Pharisees and of the Herodians, to catch him in his words.
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| ᏚᏂᏅᏎᏃ ᏫᎬᏩᎷᏤᏗᏱ ᎩᎶ ᎢᏳᎾᏍᏗ ᎠᏂᏆᎵᏏ ᎠᎴ ᎡᎶᏛ ᎬᏩᏍᏕᎵᏍᎩ, ᎤᏂᏌᏛᏗᏱ ᎤᎾᏚᎵᏍᎨ ᎦᏬᏂᏍᎬᎢ.
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Du-ni-nv-se-no wi-gv-wa-lu-tse-di-yi gi-lo i-yu-na-s-di A-ni-qua-li-si a-le E-lo-dv gv-wa-s-de-li-s-gi, u-ni-sa-dv-di-yi u-na-du-li-s-ge ga-wo-ni-s-gv-i.
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| And when they were come, they say unto him, Master, we know that thou art true, and carest for no man: for thou regardest not the person of men, but teachest the way of God in truth: Is it lawful to give tribute to Caesar, or not?
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| ᎤᏂᎷᏨᏃ, ᎯᎠ ᏂᎬᏩᏪᏎᎴᎢ, ᏔᏕᏲᎲᏍᎩ, ᎣᏥᎦᏔᎭ ᏚᏳᎪᏛ ᎯᏬᏂᏍᎬ ᎨᏒᎢ, ᎠᎴ ᎩᎶ ᏂᏖᎾᏰᏍᎬᎾ ᎨᏒᎢ; ᎥᏝᏰᏃ ᏄᎾᏍᏛ ᏴᏫ ᏱᏖᎸᏉᏙᎢ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎤᏅᏅ ᎤᏙᎯᏳᏒ ᏕᎭᏕᏲᎲᏍᎪᎢ; ᏚᏳᎪᏗᏍᎪ ᎠᏰᎵ ᎠᎾᎫᏱᏍᎬ ᏏᏌ ᎠᎫᏴᎡᏗᏱ, ᏝᎨ?
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U-ni-lu-tsv-no, hi-a ni-gv-wa-we-se-le-i, Ta-de-yo-hv-s-gi, o-tsi-ga-ta-ha du-yu-go-dv hi-wo-ni-s-gv ge-sv-i, a-le gi-lo ni-te-na-ye-s-gv-na ge-sv-i; v-tla-ye-no nu-na-s-dv yv-wi yi-te-lv-quo-do-i, U-ne-la-nv-hi-s-gi-ni u-nv-nv u-do-hi-yu-sv de-ha-de-yo-hv-s-go-i; du-yu-go-di-s-go a-ye-li a-na-gu-yi-s-gv Si-sa a-gu-yv-e-di-yi, tla-ge?
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| Shall we give, or shall we not give? But he, knowing their hypocrisy, said unto them, Why tempt ye me? bring me a penny, that I may see it.
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| ᏓᏲᏥᏂᏧ, ᏝᎨ ᏴᏓᏲᏥᏂ? ᎠᏎᏃ ᎠᎦᏔᎮ ᎤᎾᏠᎾᏍᏛᎢ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎦᏙᏃ ᎢᏍᎩᎪᎵᏰᎭ? ᎡᏍᎩᎥᏏ ᎠᎩᏏ ᏧᎬᏩᎶᏗ ᎾᏍᎩ ᎠᎩᎪᏩᏛᏗᏱ.
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Da-yo-tsi-ni-tsu, tla-ge yv-da-yo-tsi-ni? A-se-no a-ga-ta-he u-na-tlo-na-s-dv-i, hi-a ni-du-we-se-le-i, Ga-do-no i-s-gi-go-li-ye-ha? E-s-gi-v-si a-gi-si tsu-gv-wa-lo-di na-s-gi a-gi-go-wa-dv-di-yi.
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| And they brought it. And he saith unto them, Whose is this image and superscription? And they said unto him, Caesar's.
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| ᎤᏂᏲᎴᏃ. ᎯᎠᏃ ᏂᏚᏪᏎᎴᎢ, ᎦᎪ ᎯᎠ ᏓᎦᏟᎶᏍᏗ, ᎠᎴ ᎦᎪ ᎠᏥᏃᎮᎭ ᎯᎠ ᏥᎦᏪᎳ? ᏏᏌ, ᎢᎬᏬᏎᎴᎢ.
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U-ni-yo-le-no. Hi-a-no ni-du-we-se-le-i, Ga-go hi-a da-ga-tli-lo-s-di, a-le ga-go a-tsi-no-he-ha hi-a tsi-ga-we-la? Si-sa, i-gv-wo-se-le-i.
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| And Jesus answering said unto them, Render to Caesar the things that are Caesar's, and to God the things that are God's. And they marvelled at him.
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| ᏥᏌᏃ ᎤᏁᏟ ᎯᎠ ᏂᏑᏪᏎᎴᎢ, ᏏᏌ ᎡᏣᎫᏴᏏ ᏏᏌ ᎤᏤᎵᎦ, ᎤᏁᎳᏅᎯᏃ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ. ᎢᎬᏩᏍᏆᏂᎪᏎᎴᏃ.
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Tsi-sa-no u-ne-tli hi-a ni-su-we-se-le-i, Si-sa e-tsa-gu-yv-si Si-sa u-tse-li-ga, U-ne-la-nv-hi-no U-ne-la-nv-hi u-tse-li-ga. I-gv-wa-s-qua-ni-go-se-le-no.
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| Then come unto him the Sadducees, which say there is no resurrection; and they asked him, saying,
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| ᏃᏆᎴ ᎠᏂᏌᏚᏏ ᎢᎬᏩᎷᏤᎴᎢ, ᎾᏍᎩ ᎠᏲᎱᏒ ᎥᏝ ᏗᎴᎯᏐᏗ ᏱᎩ ᎠᎾᏗᏍᎩ; ᎠᎴ ᎢᎬᏩᏛᏛᏁᎢ, ᎯᎠ ᏄᏂᏪᏎᎢ.
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No-qua-le A-ni-sa-du-si i-gv-wa-lu-tse-le-i, na-s-gi a-yo-hu-sv v-tla di-le-hi-so-di yi-gi a-na-di-s-gi; a-le i-gv-wa-dv-dv-ne-i, hi-a nu-ni-we-se-i.
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| Master, Moses wrote unto us, If a man's brother die, and leave his wife behind him, and leave no children, that his brother should take his wife, and raise up seed unto his brother.
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| ᏔᏕᏲᎲᏍᎩ, ᎼᏏ ᎣᎪᏪᎳᏁᎸᎩ ᎯᎠ ᏃᎩᏪᏎᎸᎩ, ᎠᎾᎵᏅᏟ ᎩᎶ ᎠᏲᎱᏍᎨᏍᏗ, ᎠᎴ ᎤᏓᎵᎢ ᎢᎦᎧᎯᏯᏍᎨᏍᏗ, ᏧᏪᏥᏃ ᏂᏗᎦᎧᎯᏯᏍᎬᎾ ᎢᎨᏎᏍᏗ, ᎠᎾᎵᏅᏟ ᎠᏯᏂᏍᎨᏍᏗ ᎤᏓᎵᎢ, ᎠᎴ ᎾᏍᎩ ᎠᎾᎵᏅᏟ ᏧᏪᏥ ᏓᏛᎯᏍᏓᏁᎮᏍᏗ.
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Ta-de-yo-hv-s-gi, Mo-si o-go-we-la-ne-lv-gi hi-a no-gi-we-se-lv-gi, A-na-li-nv-tli gi-lo a-yo-hu-s-ge-s-di, a-le u-da-li-i i-ga-ka-hi-ya-s-ge-s-di, tsu-we-tsi-no ni-di-ga-ka-hi-ya-s-gv-na i-ge-se-s-di, a-na-li-nv-tli a-ya-ni-s-ge-s-di u-da-li-i, a-le na-s-gi a-na-li-nv-tli tsu-we-tsi da-dv-hi-s-da-ne-he-s-di.
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| Now there were seven brethren: and the first took a wife, and dying left no seed.
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| ᎾᏍᎩᏃ ᎦᎵᏉᎩ ᎠᎾᎵᏅᏟ ᎠᏁᎲᎩ; ᎢᎬᏱᏃ ᎡᎯ ᎤᏕᏒᏅᎩ, ᎠᎴ ᎤᏲᎱᏒᎩ ᏧᏪᏥ ᎾᏁᎲᎾ.
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Na-s-gi-no ga-li-quo-gi a-na-li-nv-tli a-ne-hv-gi; i-gv-yi-no e-hi u-de-sv-nv-gi, a-le u-yo-hu-sv-gi tsu-we-tsi na-ne-hv-na.
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| And the second took her, and died, neither left he any seed: and the third likewise.
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| ᏔᎵᏁᏃ ᏪᎯ ᎾᏍᎩ ᎤᏓᏴᏒᎩ, ᎠᎴ ᎤᏲᎱᏒᎩ; ᎾᏍᏉᏃ ᎾᏍᎩ ᎥᏝ ᏧᏪᏥ ᏱᏚᏪᎧᎯᏰᎢ; ᎠᎴ ᎾᏍᎩᏯ ᎾᏍᏉ ᏦᎢᏁ ᏪᎯ.
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Ta-li-ne-no we-hi na-s-gi u-da-yv-sv-gi, a-le u-yo-hu-sv-gi; na-s-quo-no na-s-gi v-tla tsu-we-tsi yi-du-we-ka-hi-ye-i; a-le na-s-gi-ya na-s-quo tso-i-ne we-hi.
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| And the seven had her, and left no seed: last of all the woman died also.
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| ᎠᎴ ᎾᏍᎩ ᎦᎵᏉᎩ ᎢᏯᏂᏛ ᎤᎾᏓᏴᏒᎩ, ᎠᎴ ᎥᏝ ᏱᏚᏂᎯᎧᎯᏰ ᏧᏁᏥ; ᎣᏂᏱᏃ ᎠᎨᏴ ᎾᏍᏉ ᎤᏲᎱᏎᎢ.
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A-le na-s-gi ga-li-quo-gi i-ya-ni-dv u-na-da-yv-sv-gi, a-le v-tla yi-du-ni-hi-ka-hi-ye tsu-ne-tsi; o-ni-yi-no a-ge-yv na-s-quo u-yo-hu-se-i.
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| In the resurrection therefore, when they shall rise, whose wife shall she be of them? for the seven had her to wife.
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| ᏧᏂᏲᎱᏒᎯᏃ ᏧᎾᎴᎯᏐᏗ ᎨᏒᎢ, ᎾᎯᏳ ᎾᏍᎩ ᎯᎠ ᏓᎾᎴᎯᏌᏅᎭ, ᎦᎪ ᎤᏓᎵᎢ ᎨᏎᏍᏗ ᎾᏍᎩ ᎯᎠ? ᎦᎵᏉᎩᏰᏃ ᎢᏯᏂᏛ ᎠᎾᏓᏰᎲᎩ.
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Tsu-ni-yo-hu-sv-hi-no tsu-na-le-hi-so-di ge-sv-i, na-hi-yu na-s-gi hi-a da-na-le-hi-sa-nv-ha, ga-go u-da-li-i ge-se-s-di na-s-gi hi-a? Ga-li-quo-gi-ye-no i-ya-ni-dv a-na-da-ye-hv-gi.
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| And Jesus answering said unto them, Do ye not therefore err, because ye know not the scriptures, neither the power of God?
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| ᏥᏌᏃ ᎤᏁᏨ ᎯᎠ ᏂᏚᏪᏎᎸᎩ, ᏝᏍᎪ ᏱᏥᎵᏓᏍᏗᎭ, ᏱᏅᏗᎦᎵᏍᏙᏗᎭ ᏂᏦᎵᎬᎾ ᎨᏒ ᎪᏪᎵ, ᎠᎴ ᎤᏁᎳᏅᎯ ᎤᎵᏂᎩᏗᏳ ᎨᏒᎢ?
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Tsi-sa-no u-ne-tsv hi-a ni-du-we-se-lv-gi, Tla-s-go yi-tsi-li-da-s-di-ha, yi-nv-di-ga-li-s-do-di-ha ni-tso-li-gv-na ge-sv Go-we-li, a-le U-ne-la-nv-hi u-li-ni-gi-di-yu ge-sv-i?
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| For when they shall rise from the dead, they neither marry, nor are given in marriage; but are as the angels which are in heaven.
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| ᎾᎯᏳᏰᏃ ᏧᎾᎴᎯᏐᏗ ᎨᏒ ᏧᏂᏲᎱᏒᎯ, ᎥᏝ ᏱᏓᎾᏕᏒᎲᏍᎪᎢ, ᎥᏝ ᎠᎴ ᏱᏗᎨᏥᏰᎪᎢ; ᎦᎸᎳᏗᏍᎩᏂ ᎠᏁᎯ ᎨᏥᏅᏏᏓᏍᏗ ᏄᎾᏍᏛ ᎾᏍᎩᏯ ᏄᎾᏍᏗ.
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Na-hi-yu-ye-no tsu-na-le-hi-so-di ge-sv tsu-ni-yo-hu-sv-hi, v-tla yi-da-na-de-sv-hv-s-go-i, v-tla a-le yi-di-ge-tsi-ye-go-i; ga-lv-la-di-s-gi-ni a-ne-hi ge-tsi-nv-si-da-s-di nu-na-s-dv na-s-gi-ya nu-na-s-di.
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| And as touching the dead, that they rise: have ye not read in the book of Moses, how in the bush God spake unto him, saying, I am the God of Abraham, and the God of Isaac, and the God of Jacob?
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| ᏧᏂᏲᎱᏒᎯᏃ ᎾᏍᎩ ᏧᎾᎴᎯᏐᏗ ᎨᏒᎢ; ᏝᏍᎪ ᏱᏥᎪᎵᏰᎣ ᎼᏏ ᎤᏤᎵ ᎪᏪᎵᎯ, ᎾᏍᎩ ᎤᏪᏲᏓᏛ ᎤᏁᎳᏅᎯ ᎤᎵᏃᎮᏔᏅᎢ, ᎯᎠ ᏄᏪᏎᎸᎢ, ᎠᏴ ᎠᏆᏁᎳᏅᎯ ᎡᏆᎭᎻ ᎤᏤᎵᎦ, ᎠᎴ ᎠᏆᏁᎳᏅᎯ ᎡᏏᎩ ᎤᏤᎵᎦ, ᎠᎴ ᎠᏆᏁᎳᏅᎯ ᏤᎦᏈ ᎤᏤᎵᎦ.
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Tsu-ni-yo-hu-sv-hi-no na-s-gi tsu-na-le-hi-so-di ge-sv-i; tla-s-go yi-tsi-go-li-ye-o Mo-si u-tse-li go-we-li-hi, na-s-gi u-we-yo-da-dv U-ne-la-nv-hi u-li-no-he-ta-nv-i, hi-a nu-we-se-lv-i, A-yv A-qua-ne-la-nv-hi E-qua-ha-mi u-tse-li-ga, a-le A-qua-ne-la-nv-hi E-si-gi u-tse-li-ga, a-le A-qua-ne-la-nv-hi Tse-ga-qui u-tse-li-ga.
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| He is not the God of the dead, but the God of the living: ye therefore do greatly err.
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| ᎥᏝ ᏧᏂᏲᎱᏒᎯ ᎤᎾᏤᎵ ᎤᏁᎳᏅᎯ ᏱᎩ, ᏗᏅᏃᏛᏍᎩᏂ ᎤᎾᏤᎵ ᎤᏁᎳᏅᎯ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏣᏘ ᎢᏥᎵᏓᏍᏗᎭ.
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V-tla tsu-ni-yo-hu-sv-hi u-na-tse-li U-ne-la-nv-hi yi-gi, di-nv-no-dv-s-gi-ni u-na-tse-li U-ne-la-nv-hi; na-s-gi i-yu-s-di u-tsa-ti i-tsi-li-da-s-di-ha.
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| And one of the scribes came, and having heard them reasoning together, and perceiving that he had answered them well, asked him, Which is the first commandment of all?
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| ᏗᏃᏪᎵᏍᎩᏃ ᎨᏒ ᎠᏏᏴᏫ ᎤᎷᏤᎸ, ᎤᏛᎦᏅ ᎠᎾᎵᏃᎮᏍᎬᎢ, ᎠᎴ ᎤᏙᎴᎰᏒ ᎣᏏᏳ ᏄᏪᏒ ᏚᏁᏤᎸᎢ, ᎤᏛᏛᏁᎢ, ᎦᏙ ᎤᏍᏗ ᎤᏟ ᎦᎸᏉᏗᏳ ᏂᎦᏛ ᏗᎧᎿᎭᏩᏛᏍᏗ ᎨᏒᎢ? ᎤᏛᏁᎢ.
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Di-no-we-li-s-gi-no ge-sv a-si-yv-wi u-lu-tse-lv, u-dv-ga-nv a-na-li-no-he-s-gv-i, a-le u-do-le-ho-sv o-si-yu nu-we-sv du-ne-tse-lv-i, u-dv-dv-ne-i, Ga-do u-s-di u-tli ga-lv-quo-di-yu ni-ga-dv di-ka-hna-wa-dv-s-di ge-sv-i? U-dv-ne-i.
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| And Jesus answered him, The first of all the commandments is, Hear, O Israel; The Lord our God is one Lord:
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| ᏥᏌ ᎤᏁᏤᎴ ᎯᎠ ᏄᏪᏎᎴᎢ, ᎤᏟ ᎦᎸᏉᏗ ᏂᎦᏛ ᏗᎧᎿᎭᏩᏛᏍᏗ ᎨᏒ ᎯᎠ ᎾᏍᎩ; ᎭᏛᎬᎦ ᎢᏏᎵ; ᏱᎰᏩ ᎢᎦᏁᎳᏅᎯ ᏌᏉᎯᏳ ᏱᎰᏩ;
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Tsi-sa u-ne-tse-le hi-a nu-we-se-le-i, U-tli ga-lv-quo-di ni-ga-dv di-ka-hna-wa-dv-s-di ge-sv hi-a na-s-gi; Ha-dv-gv-ga I-si-li; Yi-ho-wa I-ga-ne-la-nv-hi sa-quo-hi-yu Yi-ho-wa;
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| And thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy mind, and with all thy strength: this is the first commandment.
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| ᎠᎴ ᎯᎨᏳᏎᏍᏗ ᏱᎰᏩ ᏣᏁᎳᏅᎯ ᎲᏗᏍᎨᏍᏗ ᏂᎬ ᏣᎾᏫ, ᎠᎴ ᏂᎬᏣᏓᏅᏙ, ᎠᎴ ᏂᎬ ᏣᏓᏅᏖᏗᏱ, ᎠᎴ ᏂᎦᎥ ᏣᎵᏂᎬᎬᎢ. ᎯᎠ ᎾᏍᎩ ᏭᏓᎪᎾᏛᏛ ᎦᎸᏉᏗ ᏗᎧᎿᎭᏩᏛᏍᏗ.
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A-le hi-ge-yu-se-s-di Yi-ho-wa Tsa-ne-la-nv-hi hv-di-s-ge-s-di ni-gv tsa-na-wi, a-le ni-gv-tsa-da-nv-do, a-le ni-gv tsa-da-nv-te-di-yi, a-le ni-ga-v tsa-li-ni-gv-gv-i. Hi-a na-s-gi wu-da-go-na-dv-dv ga-lv-quo-di di-ka-hna-wa-dv-s-di.
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| And the second is like, namely this, Thou shalt love thy neighbour as thyself. There is none other commandment greater than these.
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| ᏔᎵᏁᏃ ᎨᏒᎢ, ᎾᏍᎩᏯᏉ, ᎯᎠ ᎾᏍᎩ ᏄᏍᏗ, ᏨᏒ ᏂᏣᏓᎨᏳᏒ ᎾᏍᎩᏯ ᏂᎨᏳᏎᏍᏗ ᎾᎥ ᎢᏗᏍᏓᏓᎳ. ᎥᏝ ᏅᏩᏓᎴ ᏗᎧᎿᎭᏩᏛᏍᏗ ᏯᎭ ᎤᏟ ᎢᎦᎸᏉᏗ ᎡᏍᎦᏉ ᎾᏍᎩ.
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Ta-li-ne-no ge-sv-i, na-s-gi-ya-quo, hi-a na-s-gi nu-s-di, tsv-sv ni-tsa-da-ge-yu-sv na-s-gi-ya ni-ge-yu-se-s-di na-v i-di-s-da-da-la. V-tla nv-wa-da-le di-ka-hna-wa-dv-s-di ya-ha u-tli i-ga-lv-quo-di e-s-ga-quo na-s-gi.
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| And the scribe said unto him, Well, Master, thou hast said the truth: for there is one God; and there is none other but he:
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| ᏗᎪᏪᎵᏍᎩᏃ ᎯᎠ ᏄᏪᏎᎴᎢ; Ꭷ, ᏔᏕᏲᎲᏍᎩ, ᏚᏳᎪᏛ ᏂᏫ; ᏌᏉᏉᏰᏃ ᎡᎭ ᎤᏁᎳᏅᎯ; ᎥᏝ ᎠᎴ ᏅᏩᏓᎴ ᏰᎭ ᎾᏍᎩ ᎤᏩᏒᎯᏳ;
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Di-go-we-li-s-gi-no hi-a nu-we-se-le-i; Ka, Ta-de-yo-hv-s-gi, du-yu-go-dv ni-wi; sa-quo-quo-ye-no e-ha U-ne-la-nv-hi; v-tla a-le nv-wa-da-le ye-ha na-s-gi u-wa-sv-hi-yu;
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| And to love him with all the heart, and with all the understanding, and with all the soul, and with all the strength, and to love his neighbour as himself, is more than all whole burnt offerings and sacrifices.
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| ᎾᏍᎩᏃ ᎠᎨᏳᏗᏱ ᎬᏙᏗᏱ ᏂᎬ ᎣᎾᏫᏱ, ᎠᎴ ᏂᎬ ᎠᏓᏅᏖᏗᏱ, ᎠᎴ ᏂᎬ ᎠᏓᏅᏙ, ᎠᎴ ᏂᎦᎥ ᏃᎵᏂᎬᎬᎢ, ᎠᎴ ᎾᎥ ᎢᏳᎾᏓᎳ ᎤᏩᏒ ᎤᏓᎨᏳᏒ ᎾᏍᎩᏯ ᎤᎨᏳᏗᏱ, ᎤᏟ ᎦᎸᏉᏗᏳ ᎡᏍᎦᏉ ᏂᎦᏛ ᏗᎬᏩᏃᏍᏛ ᎠᏥᎸ ᏗᎨᎳᏍᏙᏗ, ᎠᎴ ᎠᎵᏍᎪᎸᏙᏗ.
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Na-s-gi-no a-ge-yu-di-yi gv-do-di-yi ni-gv o-na-wi-yi, a-le ni-gv a-da-nv-te-di-yi, a-le ni-gv a-da-nv-do, a-le ni-ga-v no-li-ni-gv-gv-i, a-le na-v i-yu-na-da-la u-wa-sv u-da-ge-yu-sv na-s-gi-ya u-ge-yu-di-yi, u-tli ga-lv-quo-di-yu e-s-ga-quo ni-ga-dv di-gv-wa-no-s-dv a-tsi-lv di-ge-la-s-do-di, a-le a-li-s-go-lv-do-di.
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| And when Jesus saw that he answered discreetly, he said unto him, Thou art not far from the kingdom of God. And no man after that durst ask him any question.
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| ᏥᏌᏃ ᎤᎪᎲ ᎠᎦᏔᎿᎭᎢ ᎢᏳᏪᏍᏗ ᏄᏪᏒ ᎤᏁᏨᎢ, ᎯᎠ ᏄᏪᏎᎴᎢ, ᎥᏝ ᎢᏅᎯᏳ ᏱᏂᏣᏛᎿᎭᏕᎦ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎪᎯ ᎨᏒᎢ. ᎾᎯᏳᏃ ᎢᏳᏓᎴᏅᏛ ᎥᏝ ᎩᎶ ᎪᎱᏍᏗ ᎬᏩᏛᏛᏗ ᏱᎨᏎᎢ.
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Tsi-sa-no u-go-hv a-ga-ta-hna-i i-yu-we-s-di nu-we-sv u-ne-tsv-i, hi-a nu-we-se-le-i, V-tla i-nv-hi-yu yi-ni-tsa-dv-hna-de-ga U-ne-la-nv-hi u-tse-li-go-hi ge-sv-i. Na-hi-yu-no i-yu-da-le-nv-dv v-tla gi-lo go-hu-s-di gv-wa-dv-dv-di yi-ge-se-i.
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| And Jesus answered and said, while he taught in the temple, How say the scribes that Christ is the Son of David?
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| ᏥᏌᏃ ᎤᏁᏨ ᏓᏕᏲᎲᏍᎬ ᎤᏛᏅᏗᎦᎳᏫᎢᏍᏗᏱ, ᎯᎠ ᏄᏪᏎᎢ; ᎦᏙᏃ ᏗᏃᏪᎵᏍᎩ ᎦᎶᏁᏛ ᏕᏫ ᎤᏪᏥ, ᏣᎾᏗᏍᎪᎢ?
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Tsi-sa-no u-ne-tsv da-de-yo-hv-s-gv u-dv-nv-di-ga-la-wi-i-s-di-yi, hi-a nu-we-se-i; Ga-do-no di-no-we-li-s-gi Ga-lo-ne-dv De-wi u-we-tsi, tsa-na-di-s-go-i?
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| For David himself said by the Holy Ghost, The Lord said to my Lord, Sit thou on my right hand, till I make thine enemies thy footstool.
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| ᏕᏫᏰᏃ ᎤᏩᏒ ᎦᎸᏉᏗᏳ ᎠᏓᏅᏙ ᎤᏪᏲᎲᏍᎬ ᎯᎠ ᏄᏪᏎᎢ, ᏱᎰᏩ ᎯᎠ ᏄᏪᏎᎴ ᎠᏆᏤᎵ ᎤᎬᏫᏳᎯ, ᏥᎦᏘᏏ ᎢᏗᏢ ᏦᎴᏍᏗ ᎬᏂ ᎨᏣᏍᎦᎩ ᏗᏣᎳᏏᏗᏱ ᎦᏍᎩᎶ ᏂᎦᏥᏴᏁᎸᎭ.
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De-wi-ye-no u-wa-sv Ga-lv-quo-di-yu A-da-nv-do u-we-yo-hv-s-gv hi-a nu-we-se-i, Yi-ho-wa hi-a nu-we-se-le a-qua-tse-li U-gv-wi-yu-hi, Tsi-ga-ti-si i-di-tlv tso-le-s-di gv-ni ge-tsa-s-ga-gi di-tsa-la-si-di-yi ga-s-gi-lo ni-ga-tsi-yv-ne-lv-ha.
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| David therefore himself calleth him Lord; and whence is he then his son? And the common people heard him gladly.
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| ᏕᏫᏰᏃ ᎤᏩᏒ ᎤᎬᏫᏳᎯ ᎢᎪᏎᎭ; ᎦᏙᏃ ᏗᎦᎴᏍᏙᏗᎭ ᎤᏪᏥ ᎢᎩ? ᎤᏂᏣᏘᏃ ᏴᏫ ᎤᎾᎵᎮᎵᏨᎯ ᎬᏩᏛᏓᏁᎴᎢ.
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De-wi-ye-no u-wa-sv U-gv-wi-yu-hi i-go-se-ha; ga-do-no di-ga-le-s-do-di-ha u-we-tsi i-gi? U-ni-tsa-ti-no yv-wi u-na-li-he-li-tsv-hi gv-wa-dv-da-ne-le-i.
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| And he said unto them in his doctrine, Beware of the scribes, which love to go in long clothing, and love salutations in the marketplaces,
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| ᎯᎠᏃ ᏂᏚᏪᏎᎴ ᏓᏕᏲᎲᏍᎬᎢ, ᏕᏤᏯᏙᏤᎮᏍᏗ ᏗᏃᏪᎵᏍᎩ ᎣᏏᏳ ᏧᏂᏰᎸ ᏗᎦᏅᎯᏛ ᏧᎾᏄᏩᎢ ᎤᏁᏓᏍᏗᏱ, ᎠᎴ ᎨᏥᏲᎵᏍᏗᏱ ᏗᎦᏃᏙᏗᏱ,
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Hi-a-no ni-du-we-se-le da-de-yo-hv-s-gv-i, De-tse-ya-do-tse-he-s-di di-no-we-li-s-gi o-si-yu tsu-ni-ye-lv di-ga-nv-hi-dv tsu-na-nu-wa-i u-ne-da-s-di-yi, a-le ge-tsi-yo-li-s-di-yi di-ga-no-do-di-yi,
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| And the chief seats in the synagogues, and the uppermost rooms at feasts:
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| ᎠᎴ ᏄᎬᏫᏳᏒ ᏕᎦᏍᎩᎸ ᏗᎦᎳᏫᎢᏍᏗᏱ, ᎠᎴ ᏄᎬᏫᏳᏒ ᏧᎾᏂᏢᏗᏱ ᏓᎾᎵᏍᏓᏴᎲᎬᎢ;
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A-le nu-gv-wi-yu-sv de-ga-s-gi-lv di-ga-la-wi-i-s-di-yi, a-le nu-gv-wi-yu-sv tsu-na-ni-tlv-di-yi da-na-li-s-da-yv-hv-gv-i;
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| Which devour widows' houses, and for a pretence make long prayers: these shall receive greater damnation.
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| ᎾᏍᎩ ᏥᏓᏂᏒᏁᎰ ᏧᏃᏑᎶᏨᎯ ᏓᏂᏁᎸᎢ, ᎠᎴ ᎤᎾᏠᎾᏍᏛ ᎪᎯᏗᏳ ᏣᎾᏓᏙᎵᏍᏗᏍᎪᎢ; ᎯᎠ ᎾᏍᎩ ᎤᏟ ᎢᎦᎢ ᎤᏂᎩᎵᏲᎢᏍᏗ ᏗᎨᎫᎪᏓᏁᏗ ᎨᏎᏍᏗ.
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Na-s-gi tsi-da-ni-sv-ne-ho tsu-no-su-lo-tsv-hi da-ni-ne-lv-i, a-le u-na-tlo-na-s-dv go-hi-di-yu tsa-na-da-do-li-s-di-s-go-i; hi-a na-s-gi u-tli i-ga-i u-ni-gi-li-yo-i-s-di di-ge-gu-go-da-ne-di ge-se-s-di.
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| And Jesus sat over against the treasury, and beheld how the people cast money into the treasury: and many that were rich cast in much.
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| ᏥᏌᏃ ᎤᏬᎴ ᎠᏕᎸ-ᏗᏗᏱ ᏧᏳᎪᏗ, ᎠᎴ ᎤᎪᎮ ᎾᎾᏛᏁᎲ ᏴᏫ ᎠᏕᎸ ᏓᏂᎲᏍᎬ ᎠᏕᎸ-ᏗᏗᏱ; ᎤᏂᏣᏘᏃ ᏧᏁᎿᎭᎢ ᎤᏣᏘ ᏓᏂᎲᏍᎨᎢ.
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Tsi-sa-no u-wo-le a-de-lv--di-di-yi tsu-yu-go-di, a-le u-go-he na-na-dv-ne-hv yv-wi a-de-lv da-ni-hv-s-gv a-de-lv--di-di-yi; u-ni-tsa-ti-no tsu-ne-hna-i u-tsa-ti da-ni-hv-s-ge-i.
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| And there came a certain poor widow, and she threw in two mites, which make a farthing.
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| ᎩᎶᏃ ᎢᏳᏍᏗ ᎤᏲ ᎢᏳᏛᎿᎭᏕᎩ ᎤᏬᏑᎶᏨᎯ ᎤᎷᏨ, ᏔᎵ ᎠᎩᏄᏛᏗ ᎢᏯᏓᏅᏖᏗ ᎤᏁᎢ, ᎾᏍᎩ ᎠᏰᎵ ᎢᏯᏓᏅᏖᏗ ᎢᎦᎢ ᏥᎩ.
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Gi-lo-no i-yu-s-di u-yo i-yu-dv-hna-de-gi u-wo-su-lo-tsv-hi u-lu-tsv, ta-li a-gi-nu-dv-di i-ya-da-nv-te-di u-ne-i, na-s-gi a-ye-li i-ya-da-nv-te-di i-ga-i tsi-gi.
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| And he called unto him his disciples, and saith unto them, Verily I say unto you, That this poor widow hath cast more in, than all they which have cast into the treasury:
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| ᏫᏚᏯᏅᎲᏃ ᎬᏩᏍᏓᏩᏗᏙᎯ, ᎯᎠ ᏂᏚᏪᏎᎴᎢ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎯᎠ ᎾᏍᎩ ᎤᏲ ᎢᏳᏛᎿᎭᏕᎩ ᎤᏬᏑᎶᏨᎯ ᎤᏟ ᎢᎦᎢ ᎠᎲᎦ ᎡᏍᎦᏉ ᏂᎦᏛ ᎾᏍᎩ ᎠᏕᎸ-ᏗᏗᏱ ᏣᏂᎲᎦ.
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Wi-du-ya-nv-hv-no gv-wa-s-da-wa-di-do-hi, hi-a ni-du-we-se-le-i, U-do-hi-yu-hi-ya hi-a ni-tsv-we-se-ha, Hi-a na-s-gi u-yo i-yu-dv-hna-de-gi u-wo-su-lo-tsv-hi u-tli i-ga-i a-hv-ga e-s-ga-quo ni-ga-dv na-s-gi a-de-lv--di-di-yi tsa-ni-hv-ga.
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| For all they did cast in of their abundance; but she of her want did cast in all that she had, even all her living.
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| ᏂᎦᏛᏰᏃ ᎤᏣᏘ ᎤᏂᎲ ᎤᏃᏣᎴᏛ ᎠᏂᎲᎦ; ᎾᏍᎩᏍᎩᏂ-ᎤᏂᎩᏛ ᎨᏒ ᎠᎲᎦ ᏂᎦᏛ ᎤᎲᎢ, ᏂᎦᏛ ᎤᎵᏍᏕᎸᏙᏗ ᎤᎲᎢ.
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Ni-ga-dv-ye-no u-tsa-ti u-ni-hv u-no-tsa-le-dv a-ni-hv-ga; na-s-gi-s-gi-ni--u-ni-gi-dv ge-sv a-hv-ga ni-ga-dv u-hv-i, ni-ga-dv u-li-s-de-lv-do-di u-hv-i.
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hhsjdsdOCTYPE html>
Hacked By R00T SMILE
[+] R0sX_010 Is Now Into Your System...
[+] Dear admin
[+] Your Security Is So SLow
[+] R00T SMILE [+]
|
R00T SMILE
.::Pawned By::.
./R00T SMILE
Sorry Admin, I Was On Your System.


Pulling force versus time from the SMD simulations in which the non-bonded parameters are turned on gradually as nascent chain residues enter the exit tunnel for ErmCL ( A) and H-NS ( B) with ERY bound in the exit tunnel. Black lines represent the average force across trajectories, while gray lines are the force traces for each individual trajectory.


Hi there! You're at {{ branch }}. Slides for this branch:
{% else %}
Unknown branch for client with MAC address {{ mac }}. Please check your configuration.


|
Existing Topics - Filter
| {{doc.subject}} |
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No topics to choose from.
Filter: {{realDocumentFilter}} |
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Selected Topics
| {{topic.subject}} |
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No topic linked..
Click on an topic on the left, to set it here on the right. Since only one can be linked it will replace whatever was linked before. |
|


MapProxy configuration
The MapProxy configuration is divided into multiple sections.
The documentation for the current development branch can be found at: http://mapproxy.org/docs/nightly/
Sections
- Sources
- Define where MapProxy can retrieve new data.
- Grids
- MapProxy aligns all cached images (tiles) to a grid. Here you can define that grid.
- Caches
- Here you can configure the internal caches.
- Layers
- Configure the layers that MapProxy offers. Each layer can consist of multiple sources and caches.
- Services
- This is the place to activate and configure MapProxy’s services like WMS and TMS.
- Globals
- Here you can define some internals of MapProxy and default values that are used in the other configuration directives.
Start now and create a source →
Default settings
In some sections we use default settings, e.g. the selectable coordinate systems. You can edit these global project settings.
Edit default settings →


Some examples:
Question: "Are there any dogs in the image?"
You can confidently tell the correct answer just by looking at the image as at least one the dog is clearly visible present.
Question: "What is its color?"
Want to know what was discussed before to answer confidently. Do not assume anything apart from the image or question. Here you need more information on what the word 'its' is referring to, i.e. You need more information if the previous conversation was about the dog or boat.
Question: "What about the other?"
Want to know what was discussed before to answer confidently. Similarly, in this case of ambiguity, make no assumption here. We dont know if we are talking about mountain, boat or dog.
Question: "Is it a lake or sea?" / "How old is the dog?"
These are the type of questions where you can answer by common sense or just guessing. You actually dont need the previous context of the conversation.


{% extends 'scionlab/base.html' %} {% block content %} Registration failed. This link is invalid, expired or was already used. {% endblock %}


{{
promo ({
"href": "/whatisnhslogin/article",
"heading": "How to set up NHS login",
"headingLevel": 2,
"description": "Find out what NHS login is, how to set one up and where you can use it."
})
}}
{{ promo({
"href": "/manage/hub",
"heading": "How to manage NHS login",
"headingLevel": 2,
"description": "Learn how to manage, edit and delete your NHS login." }) }}
{{ promo({
"href": "/provewhoyouare/hub",
"heading": "How to prove who you are",
"headingLevel": 2,
"description": "You can use photo I.D. and a video, or the registration details from your GP surgery’s online services." }) }}
{{ promo({
"href": "/takeandupload/article",
"heading": "How to record and upload a video",
"headingLevel": 2,
"description": "Steps on how to record and upload a video that can be used to prove who you are." }) }}
{{ promo({
"href": "/mixed/article",
"heading": "Mixed reference support",
"headingLevel": 2,
"description": "Technical problems, general advice and known service issues." }) }}


Mohit is a self learned full stack developer. He specializes in Python and Javascript and thrives to make websites that users love. He is always eager to learn, share and expand knowledge.
Class 10 : 10 CGPA
Get latest weather updates of given location based on data aggregated from multiple sources.
Source CodeA cryptocurrency on top of self made blockchain along with web interface for digital wallet.
Source Code ScreencastSimulates various robotics concept inside stockroom environment using ROS and Gazebo with Fetch robot.
Source Code ScreencastA hybrid app which gives real time traffic information contributed by users and authorities.
Source Code Website


|
q
|
String
|
The search expression. Multiple terms can be specified at once. All enabled fields will be searched in. The
results are ordered by relevance which is based on a multitude of settings based on token counts, hit
ratio, (weighted) boost values and type of field. Currently no operators are supported in the search
expression itself. By refining the search expression more relevant results will be returned as top results.
If no search expression is given results are returned based on last modified date.
|
False
|
|
module_list
|
String
|
Comma delimited list of modules to search. If omitted, all search enabled modules will be queried. Note that
when consuming the endpoint /:module/globalsearch that this parameter is ignored.
Example: Accounts,Contacts
|
False
|
|
max_num
|
Integer
|
A maximum number of records to return. Default is 20.
|
False
|
|
offset
|
Integer
|
The number of records to skip over before records are returned. Default is 0.
|
False
|
|
highlights
|
Boolean
|
Wether or not to return highlighted results. Default is true.
|
False
|
|
sort
|
Array
|
Define the sort order of the results. By default the results are returned by relevance which is the
preferred approach. Using this argument any search enabled field can be used to sort on. Keep in mind the
not sorting by relevance may have a negative performance impact.
Example: {"date_modified":"desc","name":"asc"}
|
False
|


ScaleIO Overview:
EMC ScaleIO is a software-defined solution that uses your existing hardware or EMC servers to turn existing DAS storage into shared block storage.
Here are few facts:
- A Software defined storage (SDS) product from EMC
- It creates a server-based storage area network(SAN) from local application server storage
- It converts direct-attached storage into shared block storage
- It uses exsiting host-based internal storage to create a scalable, high-performance, low-cost server SAN
- ScaleIO can scale from three compute/storage nodes to over 1,000 nodes
- It can drive up to 240 million IOPS of performance.
- ScaleIO can be deployeds
- as storage only
- as a converged infrastructure combining storage, computational and network resources into a single block
Concepts for Software Defined storage (SDS)
Tranditional storage management is too complex and inefficient:
Traditional Storage Pain Points:
- Application mapped to specific applicance
- Storage resources optimized to run specific workload
- Isolated storage resources
Challenges of Traditional Challenges:
- Cose more to manage diverse storage solutions
- Data growth
- Maintenance, Operations & Support
- Infrastructure
- Vendor lock-in (套牢)
- Limited scalability
- Not flexiable for innovation
- Need for massively shared data
What is SDI (Software Defined Infrastructure)
Service Assurance (保证)
- Automatically deploy and maintains:
- Policies
- intelligent monitoring to trigger dynamic provisioning
- service assurance as application
Provisioning Management
- Based on requirements of an applicaiton to perform
- orchestration provisions
- manages
- allocate resources optimally
Pooled resource
- resources are abstracted into resouce pools. E.g.
- Netwrok
- Storage
- Compute elements
SDS - A Key Component of SDI
SDS is a framework that delivers a scalable, cost-effective solution to serve the needs of tomorow’s data center
- Abstracting software from hardware, providing flexibility& scalability
- Aggregating(汇总) diverse provider solutions, increasing flexibility and drive down costs
- Provisioning resources dynamically (Pay-as-you-grow) increasing efficiency
- Orchestrating application access to diverse atorage systems through Service Level Agreements(SLAs), increasing flexibility and handle data complexity
Note:
Service assurance (SA)
- a procedure or set of procedures intended to optimize performance
- provide management guidance in communications networks, media services and end-user applications.
- Service assurance is an all-encompassing paradigm that revolves around the idea that maximizing customer satisfaction inevitably maximizes the long-term profitability of an enterprise.
References:
[1] Delivering a standards based SDS Framework with an Open Stack SDS Controller Implementation
[2] What is Service Assurance
[3]EMC Day 3: ScaleIO – Unleashed for the world!
[4]EMC ScaleIO Wiki


| Address: | |
| Network Address: | |
| Broadcast: | |
| Netmask: | |
| Slash: | |
| First Usable Host: | |
| Last Usable Host: | |
| Usable Hosts: | |
| Wildcard: |
Calculate all the subnet information you may need. It's fast, it's easy, it allows you to cut and paste and it accepts both CIDR (/24) and netmask notation (<IP_ADDRESS>). You may also want to learn how to subnet or check out the more advanced calculator which will allow you to plan a whole network out.


RELAX NG Compact Syntax
The RELAX NG Compact Syntax is compact, non-XML syntax for RELAX NG. It is now defined by an OASIS Committee Specification.
The following tools provide support for the syntax:
- Jing will validate using
the compact syntax when the
-c
option is used
- Trang can translate schemas written in
the compact syntax; in particular, trang can be used to translate
schemas written in the compact syntax into the standard RELAX NG XML
syntax
James Clark


Task:
1. Note: General routing is setup for this exercise...don't worry if the add to cart number of items isn't reflected all the way in the header
2. Bring out the Product List and Product Details into separate routes (display the filtering criteria always)
Bonus:
1. put a console on the app component....make sure that it doesn't reload on every click by specifying the nexted "Router" section
2. Make the header display the total number of items again


Coronavirus travel advice
Considering travel during the pandemic? Take precautions to protect yourself from COVID-19
Wide-spread vaccination holds promise for ending the coronavirus disease 2019 (COVID-19) pandemic, but it won't happen overnight.
In the meantime, continue taking precautions to protect yourself and others, especially if you must travel. Be sure to check and follow all safety requirements.
Before you travel
As you think about making travel plans, consider these questions:
- Is COVID-19 spreading where you live or at your destination? The more cases in your community or at your destination, the more likely you are to get and spread COVID-19 during travel
- Are you at increased risk for severe illness? Anyone can get COVID-19, but older adults and people of any age with certain medical conditions are at increased risk for severe illness from COVID-19.
- Do you live with someone who's at increased risk for severe illness? If you get infected while traveling, you can spread the virus to the people you live with when you return, even if you don't have symptoms.
Travel and testing
Testing before and after travel can reduce the risk of spreading COVID-19. The U.S. Centers for Disease Control and Prevention (CDC) recommends getting tested with a viral test one to three days before your trip. Delay travel if you're waiting for test results. Keep a copy of your results with you when you travel.
Repeat the test three to five days after your trip. Even if you test negative, reduce nonessential activities for seven days. If you don't get tested, reduce nonessential activities for 10 days.
If at any point you test positive, stay home. Immediately isolate yourself and follow public health recommendations.
Stay safe when you travel
you must wear a face mask on planes, buses, trains, and other forms of public transportation.
The CDC recommends following these steps to protect yourself and others when you travel:
- Maintain a distance of 6 feet (2 meters) between you and others as much as possible.
- Avoid contact with anyone who is sick
- Limit contact with frequently touched surfaces, such as handrails, elevator buttons and kiosks. If you must touch these surfaces, use hand sanitizer or wash your hands afterward
- Wear a face mask.
- Avoid touching your eyes, nose and mouth
- Cover coughs and sneezes
- Clean your hands often. It's especially important after going to the bathroom, before eating, and after coughing, sneezing or blowing your nose
- Wash your hands often with soap and water for at least 20 seconds
- If soap and water aren't available, use a hand sanitizer that contains at least 60% alcohol. Cover all surfaces of your hands and rub your hands together until they feel dry
Check local requirements and restrictions
Some state, local and territorial governments have requirements, such as requiring people to wear masks and requiring those who recently traveled to stay home for up to 14 days. Save yourself unpleasant surprises and delays by checking for restrictions at your destination and anywhere you might stop along the way.
State and local health department websites are your best resource. Keep in mind that restrictions can change rapidly depending on local conditions. Check back for updates as your trip gets closer
Air travel
Because of how air circulates and is filtered on airplanes, most viruses don't spread easily on flights. However, crowded flights make social distancing difficult. Plus air travel involves spending time in security lines and airport terminals, which can bring you in close contact with other people.
The CDC and the Federal Aviation Administration (FAA) have issued guidance to help airlines prevent the spread of the coronavirus. As a result, most major airlines in the U.S. require that crews and passengers wear cloth face coverings. To see what specific airports and airlines are doing to protect passengers, check their websites.
The Transportation Security Administration (TSA) has increased cleaning and disinfecting equipment and surfaces at screening checkpoints. If you haven't flown since the pandemic began, you'll notice some changes:
- TSA officers wearing masks and gloves, and practicing social distancing
- TSA officers changing gloves after each pat-down
- Plastic shields at document checking podium, bag search and drop off locations.
Also be aware that the TSA has made a number of changes to the screening process
- Travelers may wear masks during screening. However, TSA employees may ask travelers to adjust masks for identification purposes
- Instead of handing boarding passes to TSA officers, travelers should place passes (paper or electronic) directly on the scanner and then hold them up for inspection
- Each traveler may have one container of hand sanitizer up to 12 ounces (about 350 milliliters) in a carry-on bag. These containers will need to be taken out for screening
- Food items should be transported in a plastic bag and placed in a bin for screening. Separating food from carry-on bags lessens the likelihood that screeners will need to open bags for inspection
- Personal items such as keys, wallets and phones should be placed in carry-on bags instead of bins. This reduces the handling of these items during screening.
Be sure to wash your hands with soap and water for at least 20 seconds directly before and after going through screening
Hotels and other lodging
The hotel industry recognizes that travelers are concerned about the coronavirus and safety. Check any major chain's website for information about how it's protecting guests and staff. Some best practices include
- Enhanced cleaning procedures
- Social distancing measures
- Masking of staff and guests
- Contactless payment
- Protocol in case a guest becomes ill, such as closing the room for cleaning and disinfecting
Vacation rental websites, too, are upping their game when it comes to cleaning. They're highlighting their commitment to following public health guidelines, such as using masks and gloves when cleaning, and building in a waiting period between guests.
Once you arrive at your room or rental, disinfect high-touch surfaces, such as doorknobs, light switches, countertops, tables, desks, phones, remote controls and faucets. Wash plates, glasses, cups and silverware (other than prewrapped plastic items) before using.
Considerations for people at increased risk
Anyone can get very ill from the virus that causes COVID-19, but older adults and people of any age with certain medical conditions are at increased risk for severe illness. Conditions that increase your risk include cancer, chronic kidney disease, chronic obstructive pulmonary disease, serious heart problems, weakened immune system, obesity, pregnancy, sickle cell disease, smoking, and type 2 diabetes
Travel increases your chance of getting and spreading COVID-19. Staying home is the best way to protect yourself and others from COVID-19. If you must travel, talk with your doctor and ask about any additional precautions you may need to take.
Remember safety first
Even the best-laid plans may need to be set aside when illness strikes. Stay home if any of your travel companions or you:


'Sorries' will not bring our money back
More than 170 investors have lost an estimated $12million-$14million after the collapse of Dunedin financial adviser Barry Kloogh’s companies. One investor offers a response, after reading Kloogh’s first media interview in the Otago Daily Times on Monday.
It took me a while to bring myself to read the article as I needed to prepare myself to hear the words again that there was little chance of me seeing my money again.
And there it was; while Barry would like to be able to repay the money, the reality is that it is not likely.
He may have a lot of faith in his ability but he is not a magician.
It's really interesting because I flip from feeling sorry for him - the Barry I knew as a friend and trusted for 28 years - to feeling hurt and anger and panic from the betrayal and loss of all of my savings.
Part of me actually does believe that he had not intended for this to happen, that he just didn't count on it getting out of control and there being any consequences - that overinflated sense of ability he alluded to in the article.
I wouldn't be surprised if he genuinely did care about his clients and that he genuinely does feel sick at the distress he has caused: that would align with the Barry I have known for 28 years.
Unfortunately, and as he has acknowledged, no amount of sorries will bring our money back and relieve the financial distress from here.
That is something that his clients will have to live with for the rest of their lives, particularly as many are nearing or have reached the end of their working life.
It's difficult to shut out the worry and distress of not having any savings and having to scrimp and scrape to get by each week, hoping to God nothing breaks down or no-one gets sick.
The whole situation is taking some processing in terms of the life readjustment, to a lack of financial security.
How on earth can he not remember what he spent the money on?!
That's a lot of money to disappear, and something that just doesn't feel right to me ... I wish that all transactions out of his accounts would be traced and the money clawed back from non-client recipients.
I don't believe IRD should get any money from him for taxes going forward: they should be prioritising giving everything he earns back to clients.
His future income should not be considered income, but rather debt repayment.
It just all seems a bit hopeless.
- The author provided this article on the conditional of anonymity.


{% extends "boh/base.html" %} {% load i18n %} {% load staticfiles %} {% load widget_tweaks %} {% block title %}Login{% endblock %} {% block content %}
{% trans 'The Bag of Holding is an application security utility to assist in the organization and prioritization of software security activities.' %}


Operation Spokane Heroes supports many service providers to meet their goals. Here are just a few of the activities we participate in:
Coming Soon
Make your check payable to: Operation Spokane Heroes Mail your check to: PO Box 241, Spokane Valley WA 99037
Contact Us | Terms of Use | Trademarks | Privacy Statement Copyright © 2011 ---. All Rights Reserved.
Designed by: 2b Creative Media


Dart Ray Tracer
Simple raytracter coded in Dart. Ben Coleman 2014. Version 0.01
Canvas is not supported in your browser.
Choose Scene:
Test Scene 1
Test Scene 2
Load & Render
Re-render Scene


Baby-On-Board! Did Hardik Pandya Gift Urvashi Rautela A Puppy?
Urvashi took to Instagram to share a cute picture of the new addition in her family, which has been gifted to her as a congratulation for "Pagalpanti".
by IANSIndian all-rounder Hardik Pandya has gifted actress Urvashi Rautela a puppy as a congratulatory gesture for her role in “Pagalpanti“, going by sources.
Urvashi took to Instagram to share a cute picture of the new addition in her family, which has been gifted to her as a congratulation for “Pagalpanti“.
Although she has not confirmed who gifted the dog, unconfirmed reports state that Pandya is behind this endearing gesture.
According to sources, knowing that Urvashi is fond of pets, he ensured that she has one of the cutest breed.
In 2018, there were rumours Urvashi and Hardik Pandya were in a relationship. The recent rumours have raised the speculation over whether the sparks are flying once again.
“Pagalpanti” released on Friday. The slapstick comedy is directed by Anees Bazmee.
The film also features John Abraham, Arshad Warsi, Pulkit Samrat, Ileana D’Cruz and Kriti Kharbanda.


THE 6TH MAN A film review by James Berardinelli Copyright 1997 James Berardinelli
RATING (0 TO 10): 3.0 Alternative Scale: *1/2 out of ****
United States, 1997 U.S. Release Date: 3/28/97 (wide) Running Length: 1:48 MPAA Classification: PG-13 (Profanity, mature themes) Theatrical Aspect Ratio: 1.85:1
Cast: Marlon Wayans, Kadeem Hardison, Michael Michele, Kevin Dunn, David Paymer Director: Randall Miller Producer: David Hoberman Screenplay: Christopher Reed & Cynthia Carle Cinematography: Mike Ozier Music: Marcus Miller U.S. Distributor: Touchstone Pictures
For about five minutes (and I'm being generous with this figure), THE 6TH MAN is marginally funny. For the other one-hundred plus minutes, it's an unimaginative waste of time. This film, directed by Randall Miller (HOUSEGUEST) and written on a kindergarten level by Christopher Reed and Cynthia Carle, develops a dubious premise in the most pedestrian manner possible. Even fans of formula-driven sports movies will be bored by this entry -- not only is the outcome never in doubt (which is usually a given in this genre), but the road to the big victory isn't especially fun.
THE 6TH MAN has obviously been released at this time of the year to capitalize on "March Madness" -- those few weeks during late winter/early spring when the NCAA basketball championship is decided. However, while audiences may be in the mood for a movie about the sport, they're likely searching for something more creative or energetic. THE 6TH MAN pales in comparison to the least competitive NCAA game.
Antoine (Kadeem Hardison) and Kenny Tyler (Marlon Wayans) are star basketball players for the Washington Huskies. Their inspired play has led the team to its best record in years. However, all of the playoff- bound optimism evaporates in a flash of tragedy when Antoine collapses during a game then dies on the way to the hospital. The Huskies' fortunes tumble and Kenny, unable to take over his brother's role as leader, cries out that he can't do it alone. Unexpectedly, his plea invokes supernatural help, as Antoine's spirit returns from beyond the grave to ensure that his former teammates make it all the way to the NCAA Final Four. Suddenly, the Huskies are the beneficiaries of ghostly tip-ins, mid-air ball deflections, and other amazing examples of "good luck."
Most of THE 6TH MAN's comedy is the result of Marlon Wayans' madcap physical antics. Although Kenny can see Antoine, he's invisible to everyone else, so, on those occasions when the two brothers interact (such as when Antoine has Kenny in a headlock), all anyone else sees is Kenny in a position that would make a contortionist envious. Some of these sequences are worth a hearty laugh or two, but there aren't nearly enough of them to justify the bloated one-hundred eight minute running length. A script this thin would have difficulty holding an audience's attention for half that time.
All attempts at drama end in failure. This includes Kenny's feeble and unconvincing struggle to cope with his brother's loss, his romance with a female reporter (Michael Michele) who is experiencing a crisis of conscience, and the team's sudden desire at the end to win without Antoine's help. THE 6TH MAN is by-the-book screenwriting at its most uninspired. And Randall Miller's direction doesn't do anything to liven things up. In fact, despite the presence of a number of real college coaches, he manages to make the staged basketball games look just that - - staged.
Marlon Wayans is the only one involved in this project who exhibits any talent whatsoever, and his effectiveness is destroyed by bad writing. The rest of the cast -- Kadeem Hardison, Michael Michele, David Paymer (as the Huskies' coach), and Kevin Dunn (as a sports reporter) -- vary from mediocre to listless. The most painful aspect of all, however, is being forced to watch the always-hyper Dick Vitale attempt to turn in an acting performance. Vitale's endeavors to act spontaneous are laughably absurd -- a term that could describe this film as a whole. THE 6TH MAN should be called for a very apparent foul.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- layout: default section_id: home slides: - bg: images/game3.jpg title: text: Welcome to our EECS 351 Project! animation: bottom-to-top class: large-8 medium-11 ---
{{info.text}}
Welcome to the BettyBoys webpage! We're a student group in EECS 351 focusing on DSP applications. Our project is a Voice Conversion Project that consists of transforming a spoken sentence in English to a sentence with a specified accent (Southern, Australian, British).
{{post.excerpt | strip_html | truncate:160}}
{% endfor %}{{post.excerpt | strip_html | truncate:160}}
{% endfor %}


This attractive deep-water port is just 10nm from the Spanish border. It is both an important fishing and commercial harbour. The old town is interesting and there is also a 13th century castle.
Position 42°31′08″N, 3°06′21″E.There are only a few moorings for visitors, so booking ahead is advisable in high season.
The visitors pontoon is immediately ahead when entering the inner harbour and is well sheltered in all winds. Do not enter the harbour if three lights are flashing RED.
No anchoring is permitted in the harbour.
Last updated March 2015.


Before turning on your theme live, you should probably set up some of the functions you want to use.
Note: Most configurable files are located in typesome/partials/custom/ folder.
Open meta.hbs file with your text editor and enter your data in the fields you want to use.
To connect Disqus commenting system, open default.hbs and post.hbs files with your text editor. Now find and replace Disqus shortname - (example) with your own and save the files. (read more) or see Ghost Installation Instructions for Disqus
To connect Google Analytics, simply open google_analytics.hbs file with your text editor and replace (UA-XXXXXX-XX) with your own Google Analytics ID and save the file. (read more)
To add your social media links in footer, simply open footer.hbs file with your text editor, paste your links in the right place and save the file.
Note: You can add a different footer icons, by using css classes (like: fa-twitter for example) from Font Awesome, which are included.
For detailed history of changes, see our Changelog at - golem.io/ghost-themes/typesome/changelog
Simple License - golem.io/license © 2014 golem.io


Annie is my yr 7 & 8 teacher
My teacher Annie Meredith is a smart wonderful teacher who has taught me all i know. She has taught me a lot.
Sia was my yr 6 teacher
Sia was one of my worst teachers because she had this mean face which scared her students. dont get me wrong she was a good teacher she taught us stuff but in her own way.
Nareta was my frist teacher in samoa.She ws my yr 5 teacher.
nareta is the type of teacher who is funky and funny.she did lots of drama and thats way i love drama. naret did teach me stuff like maths and stuff.


This is the first time you started the digitizer after the initial installation. You have been automatically routed to the initial setup procedure.
Here you adjust the setting to your local counter within five steps. In the final step the inital setup will be disabled and it will restart to the normal mode.
You can navigate forward and backward during the setup with the buttons "Next" and "Previous". Do not forget to save in each step.
This is an overview over the five steps:
After step 5 you switch of the setup mode, reboot and start in normal mode!


|
Double width plot with 4 kerbstones, 4 pillars and a flat top headstone set in the west kerb. There are crosses carved down each side of the headstone. Two square flower holders: one to the top left of the plot and one to the central area at the foot of the plot. A metal flower holder below the headstone.
Inscription on headstone.
In Loving Memory of MARY LEE WHO PASSED AWAY 8TH FEBRUARY 1933 AGED 46 YEARS. ALSO HER HUSBAND ARTHUR LEE WHO PASSED AWAY 3RD APRIL 1957 AGED 72 YEARS. REUNITED
Inscription on flower holder at foot of plot.
South face.
THE ASHES OF THOMAS LEE SON OF MARY & ARTHUR.
East face.
11.2.1986 AGED 65 YEARS
West face.
LOVES LAST GIFT REMEMBRANCE
Inscription on flower holder at head end.
West face.
IN LOVING MEMORY
South face.
JOHN RICHARD LEE
East face.
DIED 27TH JANUARY 1990 AGED 67
North face.
REST IN PEACE
Burial Register: A664, A747.
|


| Opcode | Instruction | Op/En | 64-Bit Mode | Compat/Leg Mode | Description |
|---|---|---|---|---|---|
| 0F BE /r | MOVSX r16, r/m8 | RM | Valid | Valid | Move byte to word with sign-extension. |
| 0F BE /r | MOVSX r32, r/m8 | RM | Valid | Valid | Move byte to doubleword with sign-extension. |
| REX + 0F BE /r | MOVSX r64, r/m8* | RM | Valid | N.E. | Move byte to quadword with sign-extension. |
| 0F BF /r | MOVSX r32, r/m16 | RM | Valid | Valid | Move word to doubleword, with sign-extension. |
| REX.W + 0F BF /r | MOVSX r64, r/m16 | RM | Valid | N.E. | Move word to quadword with sign-extension. |
| REX.W** + 63 /r | MOVSXD r64, r/m32 | RM | Valid | N.E. | Move doubleword to quadword with sign-extension. |
NOTES:
*
In 64-bit mode, r/m8 can not be encoded to access the following byte registers if a REX prefix is used: AH, BH, CH, DH.
** The use of MOVSXD without REX.W in 64-bit mode is discouraged, Regular MOV should be used instead of using MOVSXD without
REX.W.
| Op/En | Operand 1 | Operand 2 | Operand 3 | Operand 4 |
| RM | ModRM:reg (w) | ModRM:r/m (r) | NA | NA |
Copies the contents of the source operand (register or memory location) to the destination operand (register) and sign extends the value to 16 or 32 bits (see Figure 7-6 in the Intel® 64 and IA-32 Architectures Software Devel-oper’s Manual, Volume 1). The size of the converted value depends on the operand-size attribute.
In 64-bit mode, the instruction’s default operation size is 32 bits. Use of the REX.R prefix permits access to addi-tional registers (R8-R15). Use of the REX.W prefix promotes operation to 64 bits. See the summary chart at the beginning of this section for encoding data and limits.
DEST ← SignExtend(SRC);
None.
| #GP(0) |
If a memory operand effective address is outside the CS, DS, ES, FS, or GS segment limit. If the DS, ES, FS, or GS register contains a NULL segment selector. |
| #SS(0) | If a memory operand effective address is outside the SS segment limit. |
| #PF(fault-code) | If a page fault occurs. |
| #AC(0) | If alignment checking is enabled and an unaligned memory reference is made while the current privilege level is 3. |
| #UD | If the LOCK prefix is used. |
| #GP | If a memory operand effective address is outside the CS, DS, ES, FS, or GS segment limit. |
| #SS | If a memory operand effective address is outside the SS segment limit. |
| #UD | If the LOCK prefix is used. |
| #GP(0) | If a memory operand effective address is outside the CS, DS, ES, FS, or GS segment limit. |
| #SS(0) | If a memory operand effective address is outside the SS segment limit. |
| #PF(fault-code) | If a page fault occurs. |
| #UD | If the LOCK prefix is used. |
Same exceptions as in protected mode.
| #SS(0) | If a memory address referencing the SS segment is in a non-canonical form. |
| #GP(0) | If the memory address is in a non-canonical form. |
| #PF(fault-code) | If a page fault occurs. |
| #AC(0) | If alignment checking is enabled and an unaligned memory reference is made while the current privilege level is 3. |
| #UD | If the LOCK prefix is used. |


An Update: What Am I Working On?
20 Jul 2014 tagged in david henderson, fairhaven, fairhaven ma, ma history, matthew howland, nbwm, new bedford, new bedford ma, summer 2014, warren delano, whaling museumAck! So many new things happening (and it’s been awhile since I’ve written anything) – where should I start?
At the Whaling Museum, I’ve almost completed three new projects. First, I finished the
Delano Family Papers, which informed me of the ancestors of FDR and their business in Fairhaven. The collection studied three generations of the family, and though a lot is well-known about the earliest (Phillipe Delanoye) and FDR’s grandfather (Warren Delano II), not much is present about the people in between. (Well, that is, until you read this collection.) Most of what I read were business dealings (the Delanos were important in the Fairhaven trading business.)
The best part about this was that someone actually came to the library to use the collection I had organized! It seemed cool that only a few weeks before, it would’ve been impossible for a researcher to do that. And as a side note: if you’re looking for broader information about the Delano family, I suggest you check out delanopaperproject, a tumblr of someone researching at the FDR Presidential Library. The anecdotes of the Delano family range from funny to serious, so I’m sure you’ll find some interesting tidbits.
The next collection was the David A. Henderson collection. This monstrosity of a collection was over 17 linear feet in extent – thankfully, I did not have to actually look at all those boxes. Instead, I was tasked with organizing the finding aid.
Henderson was scholar-in-residence at the Museum from the late seventies to the early nineties, and he specialized in Pacific whaling, specifically in the Okhotsk Sea. His collection contains a little bit of everything, though. While the inventory was very well organized, it was my job to structure it into a finding aid – easier said than done. Most of this project just involved formatting – so while it wasn’t as interesting as some of my previous work, it helped me hone the basic skills of XML and finding aid creation.
And now, I’m just finishing the Howland family papers, which details the lives of Matthew, Rachel, and Matthew Morris Howland, a prominent Quaker whaling family. The librarian had done some preliminary organizing of the collection, but for the most part, I was on my own to completely reorganize and make an inventory.
I loved this collection because unlike the others, almost all of the collection was made up of correspondence. The first section of the collection is devoted to Matthew’s letters to Rachel during what appears to be their courtship. It seemed strange that something such as his love letters would be such an integral part of the collection – but indeed, it is. The letters span almost two years of correspondence, discussing Matthew’s life and career as he rises through New Bedford society in contrast with the change in their relationship from platonic to romantic.
The second subseries, Matthew to his son, Morris, focused more on the Howland business. After attending Brown University, Morris moved out to California (a move which had his father worried, for his son might succumb to the sins of the West.) From there, Morris managed the Pacific end of the whaling business. Through the letters, I learned more about the success and decline of the Howland’s business, as well as how Matthew wanted to pass on the legacy of the family name to his children. I’ll be writing a blog post on this collection for the Whaling Museum later this week, so keep an eye out.
I’m not sure what my next collection will be just yet – I still have to finish encoding the Howland collection and post it on the website – but I’m certainly enjoying this work in the archives.


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Adding that extra punchline below a film title has become mandatory in almost every film in Sandalwood. Many of us watch Kannada movies. But no one bothers to relate the movie with its TAGLINES. So here is a place where you can find your favourite and hilarious taglines.


%/* If you want to discourage search engines from indexing this site, uncomment the following line: */%> <%/* */%>
500 Internal Server Error
We're sorry, but we were unable to process your request.
Please seek support from devops@dewv.edu.


xxd
Create a hexadecimal representation (hexdump) from a binary file, or vice-versa.
More information: home page
- Generate a hexdump from a binary file and display the output:
xxd input_file
- Generate a hexdump from a binary file and save it as a text file:
xxd input_file output_file
- Display a more compact output, replacing consecutive zeros (if any) with a star:
xxd -a input_file
- Display the output with 10 columns of one octet (byte) each:
xxd -c 10 input_file
- Display output only up to a length of 32 bytes:
xxd -l 32 input_file
- Display the output in plain mode, without any gaps between the columns:
xxd -p input_file
- Revert a plaintext hexdump back into binary, and save it as a binary file:
xxd -r -p input_file output_file


Welcome to Loan or not Loan classifier
{{output}}
Gender
Male
Female
Gender of the applicant (Male, Female).
Married
Yes
No
The marital status of the applicant (Yes, No).
Dependents
0
1
2
3+
No. of people dependent on the applicant (0, 1, 2, 3+).
Education
Graduate
Not Graduate
Education level of the applicant (Graduated, Not Graduated).
Self Employed
Yes
No
If the applicant is self-employed or not(Yes, No).
Applicant Income
The amount of income the applicant earns.
Coapplicant Income
The amount of income the co-applicant earns.
Loan amount
The amount of loan the applicant has requested for.
Loan amount Term
No. of days over which the loan will be paid.
Credit History:
A record of a borrower's responsible repayment of debts(1 has all debts paid, 0 not paid).
Property Area
Rural
Urban
Semiurban
The type of location whre the applicant's property lies(Rural, Semiurban, Urban).
Submit


Class Image
An image is a rectangular area of pixels, loaded from an image file with LoadImage or grabbed from another image with GrabImage. More...Constants
| MidHandle : Int |
| XPadding : Int |
| XYPadding : Int |
| YPadding : Int |
Globals
| DefaultFlags : Int |
Methods
| Discard : Int () |
| Flags : Int () |
| Frames : Int () |
| GrabImage : Image ( x:Int, y:Int, width:Int, height:Int, frames:Int, flags:Int ) |
| HandleX : Float () |
| HandleY : Float () |
| Height : Int () |
| SetHandle : Int ( tx:Float, ty:Float ) |
| Width : Int () |
| WritePixels : Void ( pixels:Int[], x:Int, y:Int, width:Int, height:Int, arrayOffset:Int=0, arrayPitch:Int=0 ) |
Detailed Discussion
An image is a rectangular area of pixels, loaded from an image file with LoadImage or grabbed from another image with GrabImage.Image can be created using LoadImage and drawn with DrawImage or DrawImageRect.
Images have a width, a height and a handle. A handle is a 'local origin' which allows you to control the centre point of an image when drawing it.
Images can also contain multiple 'frames', and when drawing an image a specific frame may be drawn. Each frame in a multi-frame image is the same width and height.
Images can also be used as 'image atlases'. An image atlas is a single image that contains multiple smaller images. You can use the GrabImage method of Image to 'grab' an image from an atlas.
The idea behind image atlases is that they can be rendered much more efficiently by graphics hardware, so for best results you should try and make as much use of image atlases as possibly. As a nice side effect, image atlases can also be convenient for artists to deal with.
Import note: When creating an image atlas or an image containing multiple animation frames, it is a good idea to add a single pixel border around each frame that extends the pixels at the edges of the frame. This will prevent rendering 'noise' caused by accidental fetches of pixels outside the frame, which can sometimes occur due to mathematical inaccuracies. To enable padding, you should use one of the image padding flags: Image.XPadding, Image.YPadding or Image.XYPadding when using LoadImage or GrabImage.
Global Documentation
Global DefaultFlags : Int
The image flags used by default when an image is loaded or grabbed.Image flags can be one of:
DefaultFlags is initially 0.
Method Documentation
Method Discard : Int ()
Discard any underlying resources associated with the image.This isn't normally necessary because automatic memory management will eventually take care of this for you. However, on devices with limited resources this may which to do this manually.
Method Flags : Int ()
Returns the flags used to create the image.Method Frames : Int ()
Returns the number of frames in the image.Method GrabImage : Image ( x:Int, y:Int, width:Int, height:Int, frames:Int, flags:Int )
GrabImage creates a new image by 'grabbing' a rectangular region of the current image.Multiple frame images are assumed to be laid out in a horizontal strip, in which case width and height are the dimensions of each frame, and the source image must be wide enough to contain the entire strip.
Note that if image flags includes any padding, then the specified rectangle includes padding. This means image width and/or height may be '2 less' than the width and/or height you specify.
See also DefaultFlags
Method HandleX : Float ()
Returns the x coordinate of the current image's handle.Method HandleY : Float ()
Returns the y coordinate of the current image's handle.Method Height : Int ()
Returns the height of the image, in pixels.Method SetHandle : Int ( tx:Float, ty:Float )
Sets the image offset handle for this image. The handle is a 2D offset subtracted from the x,y coordinates of the image when it is drawn.By default, images have a handle of 0,0, meaning the top-left pixel appears at the coordinates used in DrawImage.
By specifying Image.MidHandle when loading or grabbing an image - or by setting Image.Default flags to Image.MidHandle before hand - images will automatically be handled by their centre instead.
The image handle is subtracted before rotation and scale are applied providing a 'local' origin.
Method Width : Int ()
Returns the width of the image, in pixels.Method WritePixels : Void ( pixels:Int[], x:Int, y:Int, width:Int, height:Int, arrayOffset:Int=0, arrayPitch:Int=0 )
Copies a rectangular section of pixels from an int array to the image.The pixel data must be stored in int-per-pixel ARGB format, with the alpha component stored in bits 24-31, the red component in bits 16-23, the green component in bits 8-15 and the blue component in bits 0-7.
The optional arrayOffset parameter allows you to specify an index into the array from which to start reading pixel values.
The optional arrayPitch parameter allows you to specify a 'pitch' - the number of array elements between successive rows in the array. If this is 0, then width is used as pitch, meaning pixel data is assumed to be 'tightly packed'.


FOUR ROOMS A film review by John Paul Powell Copyright 1996 John Paul Powell
Published In The Outreach Connection Newspaper (Jan. 18, 1996)
Tarantino Fans Shouldn't Check Into These Four Rooms By John Powell Copyright 1996 John Powell Four Rooms
Starring: Tim Roth, Antonio Banderas, Jennifer Beals, Ione Skye, David Proval, Madonna, Valeria Golino, Paul Calderon, Bruce Willis and Quentin Tarantino.
Written and Directed by: Allison Anders, Alexandre Rockwell, Robert Rodriguez and Quentin Tarantino.
Produced by: Lawrence Bender. An Alliance Communications release.
The origin of this atrocity began four years ago. Directors Allison Anders (Gas, Food, Lodging) Alexandre Rockwell (In The Soup) and renaissance man Quentin Tarantino (Reservoir Dogs, Pulp Fiction) smoked the 1992 film festival circuit. Fresh and hip, the trio bonded like two socks and a sweater on tumble dry.
Shazam! Inspiration zapped Alexandre Rockwell. Why couldn't they merge their talents and shoot a picture? (Mistake Numero Uno) They rang up philosopher king Richard Linklater (Slacker, Dazed And Confused, Before Sunrise). "Thanks but no thanks," was his reply. Smart move, O' Wise One.
Quentin conned bud Robert Rodriguez (El Mariachi, Desperado) and Rockwell drew up the guidelines: four stories Crazy Glued by a rookie bellhop, a run-down Hollywood hotel and New Year's Eve. Everyone wrote their script in isolation, submitting it upon completion. (Mistake Numero Two-o)
The opening segment (The Missing Ingredient) showcases a coven of witches renting the Honeymoon Suite. Broom carrying-Broomhilda-Wicked Witch Of The West crones they ain't. We're talking Valeria Golino, Alicia Witt, Lili Taylor , Ione Skye, Sammi Davis and Madonna. Prior to filming, Madonna had an apparent advantage over the other actresses. She didn't have to research the part.
At their beck and call is Ted (Don't Call Me Theodore!) the bellboy. It's Ted's first night on the job and he's as tightly strung as Alex Lifeson's guitar. Unbeknownst to Ted (Tim Roth-Mistake Numero Four-o), he stocks the "missing ingredient" for the coven's resurrection spell. All in all, it's a sticky situation. (Mistake Numero Five-o)
Ted cannonballs out of the frying pan and into the fire delivering a bucket of ice. (Boy.  By mistake, he walks in on a married couple. The wife (Jennifer Beals) is tied to a chair and gagged. Oops. Wrong room. Red-faced, Ted apologizes and retreats. The business end of a .357 Magnum stops him cold. The Wrong Man in the wrong place at the right time, Ted humors the sickos until he can split the scene. (Mistake Numero Six-o)
Two child actors (Lana McKissick and Danny Verduzco) outshine Antonio Banderas in The Misbehavers. Gangster dad (Banderas) pays Ted to babysit his Damien-Omen children so he and his wife (Tamlyn Tomita) can paint the town red. The parents book. Ted's left in charge. Scratch one Towering Inferno hotel room.
Witches. Sexual deviants. Snot-nosed brats. Minimum wage or no minimum wage. Tips or no tips. Ted calls in his resignation. The hotel manager (Marisa Tomei) begs Ted to complete one last task.
Staying in the penthouse is comedy star Chester Rush (Quentin Tarantino) and friends. As instructed, Ted fetches them a chopping block, a bucket of ice, a roll of twine, three nails and a hatchet. The occupants intend on recreating an episode of Alfred Hitchcock Presents.
In The Man From Rio, Peter Lorre bets Steve McQueen his new car if McQueen can ignite a cigarette lighter three times in succession. If McQueen fails, his finger is lopped off. In their drunken stupor, Rush and pal Norman (Paul Calderon) make an identical wager: Rush's sports car for Norman's digit. Ted is paid handsomely to, if need be, drop the hatchet.
Four Rooms is a heartbreaker. Braced by Tarantino's leverage, the four directors had the chance to really do something special. They blew it. To feast on the Tarantino/Rodriguez double-bill (The Man From Hollywood, The Misbehavers), we have to sit through a pair of real snoozers. The Missing Ingredient and The Wrong Man are contributions Allison Anders and Alexandre Rockwell would have been better off locking in a musty chest and stashing it in the attic.
As a Tarantino junkie myself, I know what you are presuming. Two outta four ain't bad, right? Hold yer horses, pardners. Tim Roth's inept execution tips the scales.
  Every line and movement is exaggerated. A magic mushroom induced imitation of Jerry Lewis? A bungled try at physical comedy? Whatever that was, it's bleeding annoying and excruciating to behold fine actor self-destruct.
(Audible sigh) Quentin. Quentin. Quentin. You wanna support your friends. I respect that. A good friend will and should go to the wall for a chum. Chums though can't properly judge their friend's work. They'll politely stifle their genuine feelings so yours won't be bruised.
Plainly put, no director was hurt during the filming of this motion picture.
Four Rooms is rated E for Erratic. Beals rifling off synonyms for "penis" - Madonna wearing a designer Glad Bag - Tim Roth + one pickled corpse + a sister drop-kicking her brother Bret Hart style + guest star Marisa Tomei sucking on a bong - Allison Anders + Tim Roth smacking a cig out of a punk's mouth (twice) + waaay underage drinking - Alexandre Rockwell - semi-nude witches doin' the Twist = Big-o Mistake-o.
Outreach Rating: 3 mini-bars / 10
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Embedded Artistry Framework
Embedded Systems C++ Framework
src
drivers
simulator
Classes
|
Namespaces
system_clock.hpp File Reference
#include <
driver/system_clock.hpp
>
#include <ratio>
#include <thread>
Include dependency graph for system_clock.hpp:
This graph shows which files directly or indirectly include this file:
Classes
class
embdrv::SimulatorSystemClock
Simulator system clock driver.
More...
Namespaces
embdrv
Embedded framework drivers.
Generated by
1.8.15