Rod Stewart Debuts 124-Foot Model Railroad 23 Years In The Making
by Aynslee DarmonTurns out singing isn’t Rod Stewart’s only talent.
In a new spread Railway Modeller magazine, the music icon showed off his 124-foot model railroad of an American city in the 1940s that took 23 years to make.
“It’s the landscape I like,” he told the mag, revealing he “winged” the layout. “Attention to detail, extreme detail, is paramount. There shouldn’t be any unsightly gaps, or pavements that are too clean.”
According to Stewart, travels with his wife Penny Lancaster inspired his hard work on the railroad, “I remember seeing a marvellous railway layout in a model railway shop window and thinking if only I could get paid to build a model railway like that.”
While the model railroad is finished now, touring made it a little more difficult to work on. But thankfully, hotels made the challenge a little easier.
“We would tell them in advance and they were really accommodating, taking out the beds and providing fans to improve air circulation and ventilation,” he said.
He later added, “If I’d have realized at the start it would have taken so long, I’d have probably said ‘No! No! Nah!’”


If you see this page then Ansible has properly provisioned your nginx installation and you have not specified a default site with an existing index.html.
Additional configuration will likely be neccesary


My Values
Ambition, Close relationships, Confidence, Introspection, Justice, and Patience. These are the values that make a great entrepreneur. In fact, these are the values that can make anyone successful. However, it’s just not enough to hold true to these values, one must have a burning passion for them. One must champion these values and try to instill these principles in others and actually feel a desire to see them spread amongst the community.
Every year, Neshaminy High school’s business department grants me the honor to come into their classrooms and speak about my past business ventures and experiences. These are the same classes and hallways I once walked through, but this time it’s my turn to teach.
Of all these values one is ultimately true for every scenario or situation you may find yourself in. Patience. Patience is a powerful tool. One of my favorite quotes about patience comes from Sun Tzu’s The Art of War; “He who is prudent and lies in wait for an enemy who is not, will be victorious.”
And it’s true. If you can wait for the perfect moment, you have already fought half the battle. All other values come second to patience. There is no justice without patience. There cannot be successful ambition without patience. With relationships, your patience is truly tested. People are naturally afraid of wasting time or some opportunity they think will never come again, but understand that life is long, and your time is only valuable when it is curated correctly.
posted Sep. 21st, 2014


[1]
in regards to roam around the amount of sun exposure.
[2]
the temperature outside was very pleasant for november but the amount of sun exposure.


--- layout: archive title: Zulip Chat Archive permalink: /stream/113489-new-members/topic/trouble.20running.20lean.20on.20mac.html ---
dyn3218-19:bin apple$ ls lean leanchecker leanpkg dyn3218-19:bin apple$ ./lean dyld: Library not loaded: /usr/local/opt/gmp/lib/libgmp.10.dylib Referenced from: /Users/apple/Desktop/lean-3.4.2-nightly-2018-06-21-darwin/bin/./lean Reason: image not found Abort trap: 6
can someone help with this
I think if you are compiling it yourself there is some line to install libgmp
in the readme?
This is the current nightly
I just don't know how to install gmp on a mac
(or indeed how to do anything on a mac)
Homebrew solves the problem
I think Homebrew solved a problem like this before. I should write this in the docs
Can one install Lean through homebrew? I'm guessing no
I used to do it with Lean 2. I don't know if it's been kept up to date, though.
I just read the rest of the thread before Kevin's message. I believe Yulia is referring to installing libgmp
via brew install gmp
, which will probably fix Yuhan's problem.
Since Lean is currently frozen, it seems like a very good time to update that brew thing
FWIW we have everything up and running now. On MacOS High Sierra we installed brew, and then brew install gmp
(to get lean
running) and brew install coreutils
(to get leanpkg
running).
Yuhan also installed git somehow, or had git already, but that was before I arrived.
IIRC, git
comes with the Xcode command line tools.
Last updated: Apr 24 2020 at 19:02 UTC


Procrastitron
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+
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This example will show how to format the current date and time using the Long and Short formats. These formats represent conventional presentation forms for date and time and are useful when presenting standard date and times. The available formats are easily viewed in the Region control panel.
By default the dates and times are formatted according to the conventions of the current application language (in the case of this sample, only a single default language is supported). For a localized application, the current language is determined by the user's language preferences.


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WHERE THE HEART IS A film review by David N. Butterworth Copyright 2000 David N. Butterworth
*** (out of ****)
If home is where the heart is, then Novalee Nation's home is the rambling, timber-framed ranch house she builds in Sequoyah, Oklahoma. Yet Novalee did not spring from such lavish roots.
Pregnant and penniless in her tender teenage years, Novalee and her fly-by-night boyfriend Willy Jack Pickens do what many pregnant and penniless Tennessee teenagers do--head out to California with its promise of a new life and new opportunities. Instead, Novalee's dream is shattered when Willy Jack abandons her at a wayside Wal-Mart, and it's at that Wal-Mart, during the last of many illegal sleepovers, that Novalee's baby is born.
Her "Wal-Mart baby" becomes the toast of Sequoyah and, upon the advice of the store's resident photographer, Novalee gives her daughter a strong name: Americus.
This is just the beginning for Novalee, and just the beginning of "Where the Heart Is," one of those "dramadies" that follows many years--here it's about five--in the life of its protagonist, watching her grow, be challenged, fail, fall, love and learn, and all that Big Stuff that confronts us on our journey through the backroads--and the Wal-Mart parking lots--of life.  So many ups and downs, in fact, that the movie soon settles into a predictable pattern--good stuff happens, bad stuff happens, good stuff happens, etc. A little variety from the screenwriters would have helped.
That screenplay, by the team of Lowell Ganz and Babaloo Mandel ("Father's Day," "A League of Their Own," "Splash"), is based on the best-selling novel by Billie Letts, and is often times guilty of succumbing to forced humor, predictable outcomes, and unnecessary contrivances (Novalee's illogical fear of the number five, for example).
But the film is saved time and time again by some deft direction by newcomer Matt Williams and many exemplary performances, none the least of which is Natalie Portman as Novalee.
Portman carries the weight of the film on her young shoulders and its a lot to ask of the 18-year old, who until now has mainly played supporting roles (in such films as "Beautiful Girls," "Star Wars: Episode I - The Phantom Menace," and the recent "Anywhere But Here"). "Where the Heart Is" is her film through and through, and even though the writing is a little schizophrenic at times, she couldn't ask for a finer supporting cast. Complementing Portman is a wonderful ensemble of actresses who take potentially clichéd roles and turn them into characters brimming with life and vitality.
There's Stockard Channing as Sister Husband who takes Novalee in--weather-beaten, maternal, alcoholic; Ashley Judd as Novalee's ever-pregnant friend and confidante, Lexie--Judd grows into her character well; Joan Cusack as a hard-boiled talent agent who hooks up with Willy Jack--it's a small part but a good one; and Sally Field as Novalee's worthless, state-fleeing mother. All four are excellent, and Field is probably better in her one scene here than in her last ten movies put together! Yes, there are men in this movie, but they simply cannot compete.
Is "Where the Heart Is" a chick flick? Sure. But it's also a better than average film that should appeal to just about anyone with a heart beating in their breast.
-- David N. Butterworth<EMAIL_ADDRESS>Got beef? Visit "La Movie Boeuf" online at http://members.dca.net/dnb
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


0 Required digit (0 through 9). L Required letter (A through Z). A Required letter or digit. & Required character (any kind) or a space. \ Character that follows is displayed as a literal character.


Procedural File: TDESCrypto.php
Source Location: /Security/TDESCrypto.php
Page Details:
TDESCrypto class file
THIS SOFTWARE IS PROVIDED "AS IS" AND ANY EXPRESS OR IMPLIED WARRANTIES, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE ARE DISCLAIMED.  Authors: Paul Tero, July 2001, http://www.shopable.co.uk/des.html Michael Hayworth, November 2001, http://www.netdealing.com Jim Gibbs, June 2004 Qiang Xue, May 2005
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From: MLM <{{ email_from }}> To: {{ username }} <{{ email_to }}> MIME-Version: 1.0 Content-type: text/html Subject: [mlm] you are the chosen one


In part 1 you will develop enough technological empathy to understand what happens when you open (or create) a web page.

In part 2 you will use HTML tags to create a simple HTML document that a browser can display as a web page.
A web page is a text document written in a language called HTML. Web browsers read these documents, and then interpret and display them.
Coding happens when programmers write text in a language that a computer can understand. The computer can then follow the instructions the programmer wrote.
Programmers need to write exactly the way a computer understands (also known as writing with correct "syntax").
 And that's okay. If you forget how to make text italic in HTML, you can always just look it up.
You will be using HTML in the next few lessons, so it will be helpful if you're comfortable with the jargon.
Think of a website like a house, the HTML files are the structure similar to the walls in a house. CSS files are the style of your house, the color of the carpets or the walls. Javascript are the functional components such as a garage door or a remote to your tv. they are changing some element to your house.
There are four main points that need to be addressed about box sizing.
First you need to get the structure of the page right. Use the design to do this. Then move on and work on the tags. Then think about the size of the boxes and where to put them on the screen.


That's a good question! My name is Justin Htay. I'm a fourth-year double major in Electrical Engineering and Mathematics at the Georgia Institute of Technology. I specialize in bringing together the theoretical and the practical. I combine a strong background in mathematics with a wealth of experience in coding, design, and electrical engineering fundamentals. My interests lie in signal processing, radar imaging, communication theory, and combinatorics. I have significant experience with optimization techniques, and I've worked extensively with Linux systems, bash scripting, and Python coding. I'm a passionate teacher and leader as well. I have previously served as Course Manager while an undergraduate teaching assistant with the College of Computing at Georgia Tech, teaching an introduction to programming course in MATLAB, and as the former president of the Georgia Tech Academic Quizbowl Team.
In my free time, you'll find that I have a love for history, and can often be found nose-deep in a history book or simulating it in a video game. I keep my wits sharp with a game of chess and my body healthy with a visit to the gym. Music is a big part of my life and I'm most relaxed on a piano bench or singing in Chorale. I carry on my cultural heritage through a love of cooking and food.
I am currently working as a year-round R&D intern for Sandia National Laboratories. I work in the Autonomy for Hypersonics organization, which is dedicated to, perhaps unsurprisingly, developing technology for use in hypersonic vehicles (vehicles with speeds of Mach 5+) that relies on autonomy to increase their effectiveness. Key areas that I have focused on include the need for real-time rapid trajectory generation and automatic target recognition (ATR). Projects I worked on include:
I have worked as an Undergraduate Teaching Assistant (UTA) for the College of Computing at Georgia Tech, teaching CS 1371, which is the introductory programming class for most engineering students at Georgia Tech. We have over 1000 students enrolled in the class in the larger semesters. As a TA, I have:
I worked as a High-Performance Computing (HPC) co-op in the Advanced Concepts Laboratory (ACL) of the Georgia Tech Research Institute (GTRI). I was responsible for maintaining and upgrading 10+ HPC resources and performed numerous electromagnetic modeling tasks. Highlights of my time at GTRI include:
I was a writer for the National History Bee and Bowl (NHBB). NHBB organizes quiz competitions for middle and high school students around the globe on primarily historical content. Thanks to my experience in Academic Bowl and love of history, I am a seasoned writer of questions. At NHBB, I:
In collarboration with Nathan Parrish and Dr. David V. Anderson, I worked on a project to generate normally-distributed random numbers. I implemented Nathan's modification of the ziggurat algorithm (originally proposed by Marsaglia and Tsang here) in both C and MATLAB, achieving results consistent with the predictions in his paper.
While at GTRI, I worked on a research project to extend GTRI's fragmented aperture antenna technology (detailed in this paper) from the traditional 2D space to the 3D space. The effort was extremely sucessful, and was recognized by the Chief Technical Office of GTRI at a June 2017 presentation of internal research projects. While working on this project, I:
During the break between summer and fall of 2017, I built a website to display the prerequisite relationships between all of Georgia Tech's classes. I found it intuitive to display the classes as nodes in a graph. I was able to learn some Javascript, HTML, and CSS while designing that website and the one you're on now! Click on the circle above to go to the website and look around the graph! I like looking at some of the foundational courses (like the 1XXX/2XXX math classes) and seeing just how many different things are connected to them.
I wrote a program to determine the phone number being dialed in an audio clip in MATLAB. In a system known as dual-tone multi-frequency signaling (DTMF), each number on a keypad corresponds to a tone with a combination of two unique frequencies being played. This project involved:
As part of a team project, I worked on an algorithm to find the solution to a maze depicted in an image in Python. The project involved:
I implemented several modulation schemes as a project to put several communication theory concepts into practice. This project involved:
I served as the president of the Academic Quizbowl Team at Georgia Tech from 2018-2019, and before that as Treasurer from 2016-2018. Quizbowl is a buzzer-based team competition similar to Jeopardy, where players try to answer questions on a wide range of academic subjects. After playing in high school, I was elected treasurer upon joining the Georgia Tech team freshman year, then was elected president for my junior year. While leading the academic bowl team, I directed several tournaments attended by colleges from around the Southeast, earning $3000 a year for the club. I also volunteered in the local high school circuit and doubled club attendance.
You can email me here!
If you'd like this website in PDF form, here are links to my
Find me on Linkedin and Github here:


ARPA – Later this agency broke up into what we know as NASA.
IMPs – Interface Messaging Processors that would be connected to computers to form the
first
internet network.
Packet switching – Created in case the telephone line connection was cut off, there would
still be a way to communicate.
Queuing theory – The way data would be transmitted. Packages of data would queue, or line
up
at nodes of communication networks as they transited through.
TCP/IP protocol – A set of rules or procedures that computer networks would have to
follow to
allow them to pass their message back and forth.
Antitrust laws – Laws in the US that regulate the conduct and organization of business
corporations and are generally intended to promote competition for the benefit of consumers.
Internet Explorer – Microsoft’s take on the web browser that took elements of Netscape’s
browser, but made it free.
Mosaic – This is Mark Andreessen’s first graphical web browser. It added features to the
web
that no one had before and made the browser look more graphically pleasing.
Netscape – It is Mark Andreessen and Jim Clark’s company based off Mosaic. They created a
new
browser called Navigator that was sold.
Software platform – This is the software which other programs run on top.
Angel investors – These investors give support to start-ups at the initial moments and when
most
investors are not prepared to back them.
IPO – Initial public offering or stock market launch is a type of public offering in
which
shares of a company are sold to institutional investors and usually also retail investors.
E-commerce – E-commerce (electronic commerce) is the activity of electronically buying or
selling
of products on online services or over the Internet.
Federal reserve interest rate – In the United States, the federal funds rate is the
interest
rate at which depository institutions (banks and credit unions) lend reserve balances to other
depository institutions overnight on an uncollateralized basis.
Fiber-optic Internet – It is a method of transmitting information from one place to
another
by sending pulses of infrared light through an optical fiber. The light is a form of carrier wave
that
is modulated to carry information.
Integrated circuits – An integrated circuit or also referred to as a chip, or a microchip
is
a set of electronic circuits on one small flat piece of semiconductor material that is normally
silicon.
Digital goods – Digital goods or e-goods are intangible goods that exist in digital form. For
example: e-books, downloadable music, streaming media.
Digital rights – Digital rights are those human rights and legal rights that allow
individuals to access, use, create, and publish digital media or to access and use computers, other
electronic devices, and telecommunications networks.
MP3 – Formally MPEG-1 Audio Layer III is a coding format for digital audio. It allows a
large
reduction in file sizes compared to uncompressed audio.
Social graphs – The social graphs are graphs that represent social relations between
entities. In short, it is a model or representation of a social network, where the word graph has
been
taken from graph theory.
Web 2.0 – Web 2.0 refers to websites that emphasize user-generated content, ease of use,
participatory culture, and interoperability for end users.


Through its boundless uses and convenience, the Internet also represents an insecure channel for exchanging information, leading to higher risks of intrusion or fraud through methods including, but not limited to: phishing, spoofing, online viruses, trojans, worms and more.
With its prominence in the coming years, it is important that people are armed with the knowledge of some of these vulnerabilities, and taught how to identify and deal with them.


Work
About
Resume
Hello, I am Yen-Len Chen (陳妍霖).
Co-Founder ・ Product Designer ・ Artist
LANG LIVE | Graphical UI Design
LANG LIVE | Avatar System
LANG LIVE Official Website | Product Design
LANG LIVE | Audio Streaming Design
LANG LIVE | UI Design
CHOCO TV | UI Design


| Author | Sebastien Lelong, Copyright © 2012, all rights reserved. |
| Adapted-by | |
| Compiler | 2.4o |
access Xbee in API mode
mainly inspired by http://code.google.com/p/xbee-arduino/
Xbee series 2 only
No dependency found
const byte XBEE_MAX_FRAME_DATA_SIZE = 110
const byte XBEE_REMOTE_AT_COMMAND_RESPONSE = 0x97
var xbee_main xbee
const byte XBEE_ZB_IO_SAMPLE_RESPONSE = 0x92
const byte XBEE_RX_64_RSSI_OFFSET = 8
const byte XBEE_UNEXPECTED_START_BYTE = 3
const byte XBEE_API_ID_INDEX = 3
const byte XBEE_ZB_TX_API_LENGTH = 12
const byte XBEE_NOT_JOINED_TO_NETWORK = 0x22
const byte XBEE_ZB_RX_RESPONSE = 0x90
const byte XBEE_ATAP = 2
const byte XBEE_AT_INVALID_COMMAND = 2
const byte XBEE_ZB_TX_REQUEST = 0x10
const byte XBEE_TX_64_REQUEST = 0x0
const byte XBEE_START_BYTE = 0x7e
const byte XBEE_REMOTE_AT_COMMAND_API_LENGTH = 13
const byte XBEE_NO_ERROR = 0
const byte XBEE_ESCAPE = 0x7d
const byte XBEE_AT_INVALID_PARAMETER = 3
const byte XBEE_TX_64_API_LENGTH = 9
const byte XBEE_AT_OK = 0
const byte XBEE_NETWORK_ACK_FAILURE = 0x21
const byte XBEE_RX_16_IO_RESPONSE = 0x83
const byte XBEE_WATCHDOG_TIMER_RESET = 1
const word XBEE_ZB_BROADCAST_ADDRESS = 0xfffe
const byte XBEE_ZB_EXPLICIT_RX_RESPONSE = 0x91
const byte XBEE_RX_16_RESPONSE = 0x81
const byte XBEE_RX_16_RSSI_OFFSET = 2
const byte XBEE_INVALID_DESTINATION_ENDPOINT_SUCCESS = 0x15
const byte XBEE_CHECKSUM_FAILURE = 1
const byte XBEE_SUCCESS = 0x0
const byte XBEE_XON = 0x11
const byte XBEE_SELF_ADDRESSED = 0x23
const byte XBEE_ZB_EXPLICIT_TX_REQUEST = 0x11
const byte XBEE_AT_COMMAND_RESPONSE = 0x88
const byte XBEE_AT_NO_RESPONSE = 4
const byte XBEE_AT_COMMAND_API_LENGTH = 2
const byte XBEE_AT_COMMAND_QUEUE_REQUEST = 0x09
const byte XBEE_PACKET_OVERHEAD_LENGTH = 6
const byte XBEE_ZB_TX_STATUS_RESPONSE = 0x8b
const byte XBEE_ADDRESS_NOT_FOUND = 0x24
const byte XBEE_ASSOCIATED = 2
const byte XBEE_TX_16_API_LENGTH = 3
const byte XBEE_REMOTE_AT_REQUEST = 0x17
const byte XBEE_ZB_TX_UNICAST = 0
const byte XBEE_ZB_IO_NODE_IDENTIFIER_RESPONSE = 0x95
const byte XBEE_AT_COMMAND_REQUEST = 0x08
const byte XBEE_ZB_BROADCAST_PACKET = 0x02
const byte XBEE_PACKET_EXCEEDS_BYTE_ARRAY_LENGTH = 2
const byte XBEE_PAYLOAD_TOO_LARGE = 0x74
const byte XBEE_SYNCHRONIZATION_LOST = 4
const byte XBEE_MODEM_STATUS_RESPONSE = 0x8a
const byte XBEE_BROADCAST_OPTION = 4
const byte XBEE_COORDINATOR_STARTED = 6
const byte XBEE_XOFF = 0x13
const byte XBEE_ACK_OPTION = 0
const byte XBEE_AT_RESPONSE =0x88
const byte XBEE_AT_ERROR = 1
const byte XBEE_ZB_PACKET_ACKNOWLEDGED = 0x01
const byte XBEE_CCA_FAILURE = 0x2
var xbee_request xbee_req
const byte XBEE_ZB_BROADCAST_RADIUS_MAX_HOPS = 0
const byte XBEE_DISASSOCIATED = 3
const byte XBEE_HARDWARE_RESET = 0
const byte XBEE_TX_STATUS_RESPONSE = 0x89
const byte XBEE_RX_64_IO_RESPONSE = 0x82
const byte XBEE_TX_16_REQUEST= 0x1
const byte XBEE_DISABLE_ACK_OPTION = 1
const byte XBEE_ZB_TX_BROADCAST = 8
const byte XBEE_ROUTE_NOT_FOUND = 0x25
const byte XBEE_NO_RESPONSE_FRAME_ID = 0
const byte XBEE_RX_64_RESPONSE = 0x80
const byte XBEE_COORDINATOR_REALIGNMENT = 5
var xbee_response xbee_res
const byte XBEE_DEFAULT_FRAME_ID = 1
const word XBEE_BROADCAST_ADDRESS = 0xffff
xbee_req_payload'put(byte in data)
print_xbee_response()
xbee_send_byte(byte in b, bit in escape)
xbee_receive()
xbee_write_packet()
xbee_send()
xbee_read_packet()
xbee_init()
xbee_req_get_frame_data(byte in pos) return byte
xbee_res_payload'get() return byte
xbee_req_get_frame_data_length() return byte
const byte XBEE_MAX_FRAME_DATA_SIZE = 110
This value is determined by the largest packet size (100 byte payload + 64-bit address + option byte and rssi byte) of a series 1 radio
const byte XBEE_REMOTE_AT_COMMAND_RESPONSE = 0x97
No documentation found
var xbee_main xbee
No documentation found
const byte XBEE_ZB_IO_SAMPLE_RESPONSE = 0x92
No documentation found
const byte XBEE_RX_64_RSSI_OFFSET = 8
No documentation found
const byte XBEE_UNEXPECTED_START_BYTE = 3
No documentation found
const byte XBEE_API_ID_INDEX = 3
api is always the third byte in packet
const byte XBEE_ZB_TX_API_LENGTH = 12
the non-variable length of the frame data (not including frame id or api id or variable data size (e.g. payload, at command set value)
const byte XBEE_NOT_JOINED_TO_NETWORK = 0x22
No documentation found
const byte XBEE_ZB_RX_RESPONSE = 0x90
No documentation found
const byte XBEE_ATAP = 2
set to ATAP value of XBee. AP=2 is recommended
const byte XBEE_AT_INVALID_COMMAND = 2
No documentation found
const byte XBEE_ZB_TX_REQUEST = 0x10
No documentation found
const byte XBEE_TX_64_REQUEST = 0x0
Api Id constants
const byte XBEE_START_BYTE = 0x7e
No documentation found
const byte XBEE_REMOTE_AT_COMMAND_API_LENGTH = 13
No documentation found
const byte XBEE_NO_ERROR = 0
No documentation found
const byte XBEE_ESCAPE = 0x7d
No documentation found
const byte XBEE_AT_INVALID_PARAMETER = 3
No documentation found
const byte XBEE_TX_64_API_LENGTH = 9
No documentation found
const byte XBEE_AT_OK = 0
No documentation found
const byte XBEE_NETWORK_ACK_FAILURE = 0x21
No documentation found
const byte XBEE_RX_16_IO_RESPONSE = 0x83
No documentation found
const byte XBEE_WATCHDOG_TIMER_RESET = 1
No documentation found
const word XBEE_ZB_BROADCAST_ADDRESS = 0xfffe
No documentation found
const byte XBEE_ZB_EXPLICIT_RX_RESPONSE = 0x91
No documentation found
const byte XBEE_RX_16_RESPONSE = 0x81
No documentation found
const byte XBEE_RX_16_RSSI_OFFSET = 2
frame position of rssi byte
const byte XBEE_INVALID_DESTINATION_ENDPOINT_SUCCESS = 0x15
No documentation found
const byte XBEE_CHECKSUM_FAILURE = 1
No documentation found
const byte XBEE_SUCCESS = 0x0
TX STATUS constants
const byte XBEE_XON = 0x11
No documentation found
const byte XBEE_SELF_ADDRESSED = 0x23
No documentation found
const byte XBEE_ZB_EXPLICIT_TX_REQUEST = 0x11
No documentation found
const byte XBEE_AT_COMMAND_RESPONSE = 0x88
No documentation found
const byte XBEE_AT_NO_RESPONSE = 4
No documentation found
const byte XBEE_AT_COMMAND_API_LENGTH = 2
No documentation found
const byte XBEE_AT_COMMAND_QUEUE_REQUEST = 0x09
No documentation found
const byte XBEE_PACKET_OVERHEAD_LENGTH = 6
start/length(2)/api/frameid/checksum bytes
const byte XBEE_ZB_TX_STATUS_RESPONSE = 0x8b
No documentation found
const byte XBEE_ADDRESS_NOT_FOUND = 0x24
No documentation found
const byte XBEE_ASSOCIATED = 2
No documentation found
const byte XBEE_TX_16_API_LENGTH = 3
No documentation found
const byte XBEE_REMOTE_AT_REQUEST = 0x17
No documentation found
const byte XBEE_ZB_TX_UNICAST = 0
No documentation found
const byte XBEE_ZB_IO_NODE_IDENTIFIER_RESPONSE = 0x95
No documentation found
const byte XBEE_AT_COMMAND_REQUEST = 0x08
No documentation found
const byte XBEE_ZB_BROADCAST_PACKET = 0x02
No documentation found
const byte XBEE_PACKET_EXCEEDS_BYTE_ARRAY_LENGTH = 2
No documentation found
const byte XBEE_PAYLOAD_TOO_LARGE = 0x74
No documentation found
const byte XBEE_SYNCHRONIZATION_LOST = 4
No documentation found
const byte XBEE_MODEM_STATUS_RESPONSE = 0x8a
No documentation found
const byte XBEE_BROADCAST_OPTION = 4
No documentation found
const byte XBEE_COORDINATOR_STARTED = 6
No documentation found
const byte XBEE_XOFF = 0x13
No documentation found
const byte XBEE_ACK_OPTION = 0
TODO put in tx16 class
const byte XBEE_AT_RESPONSE =0x88
No documentation found
const byte XBEE_AT_ERROR = 1
No documentation found
const byte XBEE_ZB_PACKET_ACKNOWLEDGED = 0x01
RX options
const byte XBEE_CCA_FAILURE = 0x2
No documentation found
var xbee_request xbee_req
global var to store one request (save memory, don't pass record to proc/func, use global var)
const byte XBEE_ZB_BROADCAST_RADIUS_MAX_HOPS = 0
No documentation found
const byte XBEE_DISASSOCIATED = 3
No documentation found
const byte XBEE_HARDWARE_RESET = 0
modem status
const byte XBEE_TX_STATUS_RESPONSE = 0x89
No documentation found
const byte XBEE_RX_64_IO_RESPONSE = 0x82
No documentation found
const byte XBEE_TX_16_REQUEST= 0x1
No documentation found
const byte XBEE_DISABLE_ACK_OPTION = 1
No documentation found
const byte XBEE_ZB_TX_BROADCAST = 8
No documentation found
const byte XBEE_ROUTE_NOT_FOUND = 0x25
No documentation found
const byte XBEE_NO_RESPONSE_FRAME_ID = 0
No documentation found
const byte XBEE_RX_64_RESPONSE = 0x80
No documentation found
const byte XBEE_COORDINATOR_REALIGNMENT = 5
No documentation found
var xbee_response xbee_res
global var to store one request (save memory, don't pass record to proc/func, use global var)
const byte XBEE_DEFAULT_FRAME_ID = 1
No documentation found
const word XBEE_BROADCAST_ADDRESS = 0xffff
No documentation found
xbee_req_payload'put(byte in data)
Write a byte in request payload, increasing position for next call. There's no check whether position remains in payload. See xbee_res_payload'get for more.
print_xbee_response()
No documentation found
xbee_send_byte(byte in b, bit in escape)
internally used, send a byte through Xbee carrier, honoring escape setting
xbee_receive()
Wrapper around xbee_read_packet. It actually calls it several time until it actually receives a XBEE_ZB_RX_RESPONSE (api_id). This is useful when several messages are exchanged between coordinator or router, as, for instance, coordinator may reply with a tx_status, then a rx response during communication. tx_status are kind of administrative message, while "rx" response are the one you may only interested in. If so, use this procedure, once called you'll a xbee_res "rx" response containing expecting data (hopefully)...
xbee_write_packet()
send xbee_req request. xbee_req must be fill in first before calling this procedure. See xbee_req record definition.
xbee_send()
Send a request and read tx_status response. If delivery failed, try again (until if works...)
xbee_read_packet()
Read a full packet, fill in xbee_res response. This may be a blocking call as underlying data carrier may block until data is read (typically when serial_hw_data is involved here). Once called, you may check xbee_res.error_code = 0 to make sure everything if fine. You may also check xbee_res.api_id value (see constants at the beginning) to know what lind of response it is (rx, tx_status, etc...)
xbee_init()
must be called once lib is included
_xbee_res_reset()
init/reset xbee_res response.
_xbee_res_init()
init xbee_res response record.
_xbee_reset_response()
No documentation found
xbee_req_get_frame_data(byte in pos) return byte
return data byte contained in request according to a give index position
xbee_res_payload'get() return byte
read one byte from response's payload. Each time it's called, position in payload is increased ready to get next byte. There's no check whether position is within payload, so be carefull and check how many time you call it according to XBEE_PAYLOAD_SIZE. (this is somewhat by design, because payload is a buffer, reserved space and the actual data of interest, contained in this buffer, may vary so only the caller knows how many bytes she wants to get from it).
xbee_req_get_frame_data_length() return byte
No documentation found
_xbee_res_get_packet_length() return byte
No documentation found
| 18f27j53 | 18f27j53_xbee_api_rx.jal |
| 18f27j53 | 18f27j53_xbee_api_tx.jal |


Press n or j to go to the next uncovered block, b, p or k for the previous block.
| File | Statements | Branches | Functions | Lines | |||||
|---|---|---|---|---|---|---|---|---|---|
| lib | 100% | 14/14 | 100% | 0/0 | 100% | 0/0 | 100% | 14/14 | |
| lib/classifiers | 98.29% | 402/409 | 93.13% | 122/131 | 98.63% | 72/73 | 98.13% | 367/374 | |
| lib/language | 94.85% | 129/136 | 82.28% | 65/79 | 100% | 31/31 | 94.49% | 120/127 | |
| lib/math | 99.29% | 281/283 | 95.16% | 118/124 | 100% | 51/51 | 99.19% | 245/247 | |
| lib/ner | 97.73% | 517/529 | 92.8% | 245/264 | 100% | 72/72 | 97.58% | 484/496 | |
| lib/nlg | 100% | 60/60 | 100% | 43/43 | 100% | 14/14 | 100% | 57/57 | |
| lib/nlp | 99.41% | 338/340 | 96.79% | 181/187 | 100% | 57/57 | 99.41% | 336/338 | |
| lib/nlp/tokenizers | 98.99% | 294/297 | 81.25% | 39/48 | 100% | 50/50 | 98.94% | 281/284 | |
| lib/nlu | 98.81% | 499/505 | 96.14% | 249/259 | 100% | 89/89 | 98.78% | 486/492 | |
| lib/recognizer | 89.47% | 153/171 | 90.65% | 97/107 | 84% | 42/50 | 89.88% | 151/168 | |
| lib/sentiment | 100% | 87/87 | 94.74% | 54/57 | 100% | 8/8 | 100% | 87/87 | |
| lib/slot | 100% | 80/80 | 100% | 49/49 | 100% | 15/15 | 100% | 76/76 | |
| lib/util | 97.7% | 510/522 | 94.55% | 243/257 | 95.31% | 61/64 | 98.1% | 464/473 | |
| lib/xtables | 100% | 234/234 | 100% | 96/96 | 100% | 26/26 | 100% | 204/204 |


BEFORE THE MADURAI BENCH OF MADRAS HIGH COURT DATED: 06.01.2017 CORAM THE HONOURABLE MR.JUSTICE R.SUBBIAH AND THE HONOURABLE MRS.JUSTICE J.NISHA BANU W.P.(MD)No.1956 of 2016 and W.M.P.(MD)No.1720 of 2016 Nagarajan : Petitioner Vs. 1.The District Collector, Madurai District, Madurai. 2.The Commissioner, Madurai City Corporation, Madurai. 3.The District Environment Engineer, Tamil Nadu Pollution Control Board, Kappaloor, Madurai. 4.Gnanasekar 5.Gunasekar : Respondents PRAYER: Writ Petition is filed under Article 226 of the Constitution of India to issue a Writ of Mandamus, forbearing the respondents 1 to 3 herein from in any way allowing the fourth and fifth respondents running the industry in the name and style of Gnanam Ever Silver Pattarai at Door No.9-A E.V.R.Periyar Street, Nandavanam Palam Station Main Road, Sellur, Madurai and also direct the respondents 1 to 3 to take immediate action against the fourth and fifth respondents for violating the provision of Public Health Act and Madurai City Municipal Corporation Act. !For Petitioner : M/s.S.Vijaya Santhi For Respondents 1&3 : Mr.S.Chandrasekar, Government Advocate For Respondent No.2 : Mr.Shanmugaselvam For Respondents 4&5 : Mr.V.Vinayagamoorthy :ORDER
[Order of the Court was made by R.SUBBIAH, J.] The petitioner has filed the present Writ Petition seeking for the issue of a Writ of Mandamus, forbearing the respondents 1 to 3 herein from in any way allowing the fourth and fifth respondents to run the industry in the name and style of Gnanam Ever Silver Pattarai at Door No.9-A E.V.R.Periyar Street, Nandavanam Palam Station Main Road, Sellur, Madurai and also direct the respondents 1 to 3 to take immediate action against the fourth and fifth respondents for violating the provision of Public Health Act and Madurai City Municipal Corporation Act.
2. The case of the petitioner is that the fourth and fifth respondents have been carrying on an Industry in the name and style of 'M/s.Gnanam Ever Silver Pattarai' i.e., manufacturing ever silver products in the petitioner's street. The fourth and fifth respondents are manufacturing stainless steel utensils and engaging labourers for the work of welding, cutting, tinkering, polishing and spinning by using heavy machineries. Due to the usage of heavy power equipments and machineries, there is a heavy noise to the surrounding residents and pollution in that locality. Hence, unable to bear with the hardships, the petitioner has sent a detailed representation to the respondents 1 to 3 explaining the difficulties that have been faced by the petitioner and other residents in that locality. However, no action was taken.
3. The learned counsel for the petitioner further submits that the third respondent also, vide letter dated 05.11.2015, has informed the second respondent that he has found that the fourth and fifth respondents have been running the industry illegally and unauthorizedly. The Joint Chief Environmental Engineer of Pollution Control Board, vide letter dated 11.09.2015, requested the third respondent to take immediate action on the basis of the petitioner's representation. But, so far, no action was taken. Hence, he is before this Court with the present Writ Petition for the above stated reliefs.
4. The main grievance of the petitioner is that in spite of his complaint about the usage of heavy power equipments and machineries, which resulted in heavy noise and pollution in that area, no action was taken by the respondents 1 to 3. It is to be noted that the fourth and fifth respondents, without having licence to carry on the business, are running the industry. Hence, he sought for a direction to consider his representation and pass orders.
5. The second respondent has filed a counter-affidavit stating that notice under Section 41(8), 42(b), 44 and 134(1) of the Tamil Nadu Public Health Act was issued to the fourth respondent on 29.01.2016, directing the fourth respondent not to use the machineries after 10.00 p.m., till 06.00 a.m., and also directed the fourth respondent to take steps to reduce the sound of machineries.
6. The third respondent has also filed a counter-affidavit stating that the petitioner has given a complaint against the operation of M/s.Gnanam Ever Silver Pattarai, which is located next to the petitioner's house and because of usage of heavy machineries, there were severe vibration, noise pollution and public nuisance. Further, according to the petitioner, the Unit is running without local body licence and building plan approval. The complaint of the petitioner was forwarded to the Commissioner of Madurai Corporation to take action under the Local Body Act and the Public Health Act, vide letter dated 05.11.2015.
7. It is further stated in the counter-affidavit that another petition was received from the petitioner on 08.02.2016 against the same Unit. Based on the said complaint, the Unit was investigated on 12.02.2016 by the Assistant Engineer, Tamil Nadu Pollution Control Board, Madurai and it was observed thus:
"The unit was under operation.
The unit is located in the residential area. The unit has provided one lathe, one plate turning machine, 4 no's of spinning/shaping machine, 2 No's of polishing machine and a welding machine It is reported that the lathe is not under operation for more than 8 months.
It is also reported that 1 no.of spinning/ shaping has been relocated (i.e. away from Complainant house) based on the request from complainant 4 months before.
It was found that the unit has not provided any noise absorbing materials or any vibration controlling materials to the machinery and in the unit's premises.
It is further to submit that no action taken reports has been received from the Commissioner, Madurai Corporation with respect to the previous complaints forwarded from this office."
8. Thereafter, the said complaint was again forwarded to the Commissioner of Madurai Corporation to take action under the Local Body Act and the Public Health Act, vide letter dated 16.02.2016. Again the Unit was inspected by a team of Tamil Nadu Pollution Control Board on 21.04.2016 and it was observed thus:
"The unit was under operation.
The unit is engaged in the production of Ever silver vessels. The manufacturing activity involves purchasing of ever silver sheets, cutting into required dimensions, rolling and welding of sheets, Base welding, smoothening of welded surface, Spinning the vessels to get required shape and polishing.
The above operations are performed in various working sheds. The topo sketch may be referred for details. The details of machineries in different work sheds are given below -
Shed No Activities Machinery Details Power(HP) No of Machineries 1 Cutting of Ever silver sheets Cutting Machine 0.25 1 2- I Rolling Sheet rolling machine 0.5 2 Welding Welding machine
-
2Welding of base Manual welting
-
1Smoothening of welded surface Running Machine 2 1 Shaping of bottom edges.
Edge shaping machine 0.25 1 Shaping of the vessels Spinning machine 3 1 2- II Smoothening of welded surface Running Machine 2 1 Shaping of the vessels Spinning machine 3 3 Polishing of vessels Polishing machine 3 2 3 Smoothening of welded surface Running Machine 2 3 (1 machine is not in operation without motor)
Other than the machineries listed above, one lathe with 5 hp capacity is also installed in work shed of 2-1, which is reported to be not in operation for last one year period.
Totally, the unit has installed machineries with electric motor capacity of 32.5 hp It is informed that 19 employee are working in the unit. No sanitation facilities are provided to the employee working in the unit. The unit has pasted 0.5 inch thick thermacool sheets for 12 feet height and 20 feet width in the wall adjoining with the complaint's house in work shed of 2-I By observation, it is noticed that the unit is located in the residential area and complainant house is located on northern side of work shed of 2-I Significant noise is generated during vessel spinning operation and dust emission is expected from the polishing area. No dust/noise control measures are provided in the vessel polishing area."
9. Pursuant to the same, a show cause notice was issued to the Unit under the Water Act and Air Act for running the industry without valid consent. The Unit, by reply letter dated 07.05.2016, has stated that it has removed all the machineries installed nearer to the complainant's house and requested to grant one month time for removal of few of machineries in other part of the Unit i.e., Shed No.2-II.
10. Based on the reply of the Unit, it was again inspected by the Assistant Engineer, Tamil Nadu Pollution Control Board, on 20.05.2016 and on inspection, it was found that the Unit was under operation, but all the machineries adjacent to the petitioner's house were removed, except 2 numbers of welding machines and the manual sheet turning machine.
11. Thereafter, the Joint Chief Environmental Engineer (Monitoring), Madurai was requested by the District Environmental Engineer, Tamil Nadu Pollution Control Board, Madurai, to conduct a personal hearing with the Unit, vide letter dated 17.05.2016. Pursuant to the same, the Joint Chief Environmental Engineer (Monitoring), Madurai has called for a personal hearing with the Unit on 11.07.2016, vide letter dated 28.06.2016. Based on the report, further action would be taken on the complaint.
12. The grievance of the petitioner is that the second and third respondents have not taken any action on his complaint to curtail the heavy noise and pollution, which the fourth and fifth respondents create by running the industry.
13. However, a perusal of the counter-affidavits filed by the second and third respondents would go to show that on receipt of the complaint preferred by the petitioner, the officials concerned are taking steps immediately. In fact, the second respondent has directed the Unit not to use the machineries after 10.00 p.m., till 06.00 a.m., and the third respondent has also constantly monitored the position of the Unit. When the official respondents have taken action against the Unit, this Court need not give any further direction. Therefore, recording the statements made by the Tamil Nadu Pollution Control Board in the counter-affidavit, more particularly, their undertaking that as soon as they receive the report from the Joint Chief Environmental Engineer (Monitoring) Madurai, they would take further action on the complaint of the petitioner, the Writ Petition is closed. No costs. Consequently, the connected miscellaneous petition is also closed.
To
1.The District Collector, Madurai District, Madurai.
2.The Commissioner, Madurai City Corporation, Madurai.
3.The District Environment Engineer, Tamil Nadu Pollution Control Board, Kappaloor, Madurai.
.


{% extends 'base.html' %} {% block content %}
Spkrepo is a feature rich Synology Package Repository.
To support spkrepo developments, please


{{ _('Huge thanks to all players for their participation, the top 10 players will receive a well-deserved Firefox T-shirt. Congratulations, super sparkers!') }}
{{ _('You told us your location, kudos to you!') }}
{{ _('You told us where you got your Spark, congrats!') }}


Test for Riot-FontAwesome
Normal
With classes
With transform
Masked
With style
Dynamic change (inside Riot tag)
Dynamic change (directly control tag)
Layers
Mutation test (with/without cache)


How Things are usually done!
90s
TechPortfolio
RESPONSIVE WEB DESIGN
01
02
This is a responsive web design mockup! TRY HOVERING THE BOXES!
created for the Community
PERSONAL PROJECT
The Nutri Project
A web application created for people who want to track the calories, protein and fats of the food they were eating.
JS [es6]
Edamam API
projects I created with different amazing teams
a website created for a company who helps buisness improve sales efficiency
2020
We created a website with a cool comic based design created by japanese designers
2020
A project created for a house inspection company based in japan to reach more customers and to get in touch with them easily.
2020
This project is created in wordpress with our own theme made by filipino developers and japanese designers
2020
A company that performs air conditioning equipment contsruction for offices, factories and public facilities.
2019
Things you might want to know!
2020 [ Present ]
I am a freelance web developer creating responsive web design. I also accept web, poster and logo designs from time to time.
Freelance Web Developer | Designer
JULY 2019 - 2020 [ Present ]
I am a Jr. Front end engineer based in Makati, Philippines developing website with filipino developers and japanese designers.
Jr. Front end engineer, UPWARD Next Inc.
2018 - 2019
I am a college student who also do small freelance projects for websites and designs.
Freelance Web Developer | Designer
If you're interested in working with me
or if you have any question, please drop a message below!


The AWS Toolkit, or simply the Toolkit, is an extension that enables you to interact with certain services of Amazon Web Services (AWS) from within the VS Code editor.
The following screenshots show important parts of the Toolkit.
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You can use the AWS Toolkit to interact with several AWS resources in various ways.
These include the following:
AWS serverless applications
AWS Lambda functions
AWS CloudFormation stacks
AWS Cloud Development Kit (AWS CDK) applications
Amazon EventBridge schemas
Amazon Elastic Container Service (Amazon ECS) task definition files
AWS Step Functions state machines
See Features below for high-level details, or jump right into the AWS Toolkit for Visual Studio Code User Guide.
{ Return to Contents } or { Return to Top }
To access most features of the AWS Toolkit, you must complete the steps defined in the Setting Up topic of the user guide.
These steps include the following:
To use the Toolkit to develop serverless applications with AWS, you must also set up your toolchain and do the following on the local machine where the Toolkit is installed:
For complete setup instructions for these three components, see Installing the AWS SAM CLI in the AWS Serverless Application Model (AWS SAM) Developer Guide.
{ Return to Contents } or { Return to Top }
{ Return to Contents } or { Return to Top }
The AWS Toolkit enables you to develop AWS serverless applications locally. It also enables you to do the following through the AWS Explorer:
The following example shows a highlight of this functionality.
After you have created a serverless application, you can locally run, debug, and further develop that application in the VS Code editor. For example:
Take special note of the CodeLenses that enable you to run and debug the application locally.
The status and results are shown in the OUTPUT panel when the AWS Toolkit output channel is selected.
When you're satisfied, you can deploy your application to a CloudFormation stack and then run the Lambda function on AWS.
For full details, see the AWS Explorer in the Toolkit's user guide.
The functions that have Codelenses are those that use AWS Lambda-function handler syntax. A handler is a function that Lambda calls to start execution of a Lambda function. These CodeLenses enable you to locally run or debug the corresponding serverless application. CodeLens actions in the Toolkit include:
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The AWS Toolkit enables you to work with AWS Cloud Development Kit (AWS CDK) applications. Using the AWS CDK Explorer on the Toolkit, you can view CDK applications within your Workspace that have been synthesized.
Example:
For full details, see the AWS CDK Explorer in the Toolkit's user guide.
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The AWS Toolkit provides support for Amazon EventBridge schemas. Using the AWS Explorer of the Toolkit, you can perform the following operations on these schemas:
Example:
For full details, see Working with Amazon EventBridge Schemas in the Toolkit's user guide.
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The AWS Toolkit provides support for Amazon Elastic Container Service (Amazon ECS). With the Toolkit installed in VS Code, IntelliSense functionality is provided for Amazon ECS task-definition files that you are updating in the editor.
Example:
For full details, see Working with Amazon Elastic Container Service in the Toolkit's user guide.
{ Return to Features } or { Return to Top }
The AWS Toolkit provides support for AWS Step Functions. With the Toolkit installed in VS Code, working with state machines is a more streamlined process.
Example:
For full details, see Working with AWS Step Functions in the Toolkit's user guide.
{ Return to Features } or { Return to Top }
The AWS Toolkit has several features that you can access through the Command Palette (select View, then Command Palette):
| AWS Command | Description |
|---|---|
| AWS: About AWS Toolkit | Displays information about the AWS Toolkit. |
| AWS: Connect to AWS | Connects the Toolkit to an AWS account. For more information, see Connecting to AWS in the user guide. |
| AWS: Create a new Step Functions state machine | Generates a new Amazon States Language definition to use as the definition for a new Step Functions state machine. For more information, see State Machine Templates in the user guide. |
| AWS: Create a New Issue on Github | Opens the AWS Toolkit's New Issue page on Github. |
| AWS: Create Credentials Profile | Creates an AWS credentials profile. For more information, see Setting Up Your AWS Credentials in the user guide. |
| AWS: Create New SAM Application | Generates a set of code files for a new AWS serverless application. For more information, see Creating a Serverless Application in the user guide. |
| AWS: Deploy SAM Application | Deploys a local serverless application to an AWS account. For more information, see Deploying a Serverless Application in the user guide. |
| AWS: Detect SAM CLI | Checks whether the Toolkit can communicate correctly with the AWS SAM CLI that is installed. |
| AWS: Focus on Explorer View | Opens the AWS: Explorer Side Bar, which we will simply call the AWS Explorer, and then moves the focus there. |
| AWS: Hide region from the Explorer | Hides an AWS Region from the AWS Explorer. |
| AWS: Publish state machine to Step Functions | Creates or updates a remote state machine using the local Amazon States Language definition file. For more information, see Work With State Machines in VS Code in the user guide. |
| AWS: Render state machine graph | Renders the state machine definition into a graph visualization. For more information, see State Machine Graph Visualization in the user guide. |
| AWS: Report an Issue | In the GitHub repository for the Toolkit, opens the page to create a new issue. |
| AWS: Show region in the Explorer | Displays an AWS Region in the AWS Explorer. |
| AWS: Sign out | Disconnects the Toolkit from the currently-connected AWS account. |
| AWS: Submit Quick Feedback... | Submit a private, one-way message and sentiment to the AWS Toolkit dev team. For larger issues that warrant conversations or bugfixes, please submit an issue in Github with the AWS: Create a New Issue on Github command. |
| AWS: View AWS Toolkit Logs | Displays log files that contain general Toolkit diagnostic information. |
| AWS: View Quick Start | Open this quick-start guide. |
| AWS: View CDK Documentation | Opens the user guide for the CDK portion of the Toolkit. |
| AWS: View Toolkit Documentation | Opens the user guide for the Toolkit. |
| AWS: View Source on GitHub | Opens the GitHub repository for the Toolkit. |
| Explorer: Focus on AWS CDK Explorer (Preview) View | Opens the Explorer Side Bar and expands the AWS CDK Explorer (Preview) View. |
{ Return to Contents } or { Return to Top }
For additional details on how to use the AWS Toolkit, see the user guide.
To report issues with the Toolkit or to propose Toolkit code changes, see the aws/aws-toolkit-vscode repository on GitHub.
You can also contact AWS directly.
{ Return to Contents } or { Return to Top }


What is Networking
Networking is the practice of linking two or more computing devices together for the purpose of sharing data. Networks are built with a mix of computer hardware and computer software. A computer network is a group of computers that are connected to each other for the purpose of communication. Networks may be classified according to a wide variety of characteristics.
A Local Area Network (LAN) is a high-speed communication system, designed to link computers and other data processing devices together within a small geographic area, such as a workgroup, department or building. This allows users to electronically share vital computing resources such as expensive hardware (e.g. printers and CD-ROM drives), application programs and information.
Local Area Networks implement shared access technology. This means that all the devices attached to the LAN share a single communications medium, usually a coaxial, twisted-pair, or fiber-optic cable.
A physical connection to the network is made by putting a network interface card (NIC) inside the computer and connecting it to the network cable. Once the physical connection is in place, the network software manages communications between stations on the network.
To send messages to and from computers, the network software puts the message information in a packet. (If the message to be sent is too big to fit into one packet, it will be sent in a series of packets.) In addition to the message data, the packet contains a header and a trailer that carry special information to the destination. One piece of information in the header is the address of the destination.
The NIC transmits the packet onto the LAN as a stream of data represented by changes in electrical signals. As it travels along the shared cable, each NIC checks its destination address to determine if the packet is addressed to it. When the packet arrives at the proper address, the NIC copies it and gives its data to the computer. Since each individual packet is small, it takes very little time to travel to the ends of the cable. After a packet carrying one message passes along the cable, another station can send its packet. In this way, many devices can share the same LAN medium.
The following characteristics differentiate one LAN from another:
Topology: The geometric arrangement of devices on the network. For example, devices can be arranged in a star, a ring or in a straight line.
Protocols: The rules and encoding specifications for transferring data. The protocols also determine whether the network uses a peer-to-peer or client/server architecture.
Media : Devices can be connected by twisted-pair wire, coaxial cables or fiber optic cables. Some networks(wireless) do without connecting media altogether, instead communicating via radio waves.


The Dashbaord allows registered ABS-CH users to find information about your CH account, your role and permissions in the ABS-CH. Here you can also update your profile or change your password. This page also provides an overview of all the records prepared
by the authorized users of your country and their different status: published, drafts and pending requests. Click on the category of record you wish to view for more details or add a new record.
Upon request a training site is also available to help ABS-CH users familiarize themselves with the functioning of the ABS-CH without altering the content of the official ABS-CH.
The Dashbaord allows registered ABS-CH users to find information about your CH account, your role and permissions in the ABS-CH. Here you can also update your profile or change your password. This page also provides an overview of all your records their
different status: published, drafts and pending requests. Click on the category of record you wish to view for more details or add a new record. Upon request a training site is also available to help ABS-CH users familiarize themselves
with the functioning of the ABS-CH without altering the content of the official ABS-CH.


Called before form submits request to save record.
onSubmit = function(target, eventData)
This event is triggered before form submits request to save record data. If you want to add an event after data is returned, see
.onSave event.
You can add event listener during the object creation:
or after the object has been created:
Your event listener can be executed before or after the event has been processed. You can also cancel
the default behavior. See Events page in utilities.


The Update method returns an array of Insight objects. An Insight is a single prediction for an asset. These can be thought of as actionable trading signals, indicating the asset direction, magnitude, and confidence in the near future. All insights can take a weight parameter to set the desired weighting for the insight. Insight classes have the following important properties:
class Insight { // Symbol of this Insight Symbol Symbol; // Gets the type of insight, for example, price insight or volatility insight InsightType Type; // Gets the predicted direction, Down, Flat or Up. InsightDirection Direction; // Gets the period over which this insight is expected to come to fruition TimeSpan Period; // Gets the predicted percent change in the insight type (price/volatility) (optional) double? Magnitude; // Gets the confidence in this insight (optional) double? Confidence; // The weight in this insight (optional) double? Weight; }
class Insight: self.Symbol # Symbol of this Insight self.Type # Type of insight (price or volatility) self.Direction # Insight Direction (down, flat or up) self.Period # Insight period (TimeSpan) self.Magnitude # Expected percent change (optional, double) self.Confidence # Confidence in insight (optional, double) self.Weight # Weighting of the insight (optional, double)
An $[Insight,T:QuantConnect.Algorithm.Framework.Alphas.Insight] constructor takes the following arguments:
# Insight Constructor Arguments: # Insight(symbol, timedelta, type, direction, magnitude=None, confidence=None, sourceModel=None) Insight("IBM", timedelta(minutes=20), InsightType.Price, InsightDirection.Up, 0.0025, 1.00, None, 0.1)
// Insight Constructor Arguments // new Insight(symbol, period, type, confidence=null, magnitude=null, source=null, weighting=null); var insight = new Insight("IBM", TimeSpan.FromMinutes(20), InsightType.Price, InsightDirection.Up, null, weight:0.1);
We have provided a helper method to make creating Insights easier. This can be used in your Update method to create insight objects for your Alpha Model of the Price type:
insight = Insight.Price("IBM", timedelta(minutes = 20), InsightDirection.Up)
var insight = Insight.Price("IBM", TimeSpan.FromMinutes(20), InsightDirection.Up);
If you are creating a portfolio style of algorithm where the Insights can recommend a specific weighting, you can specify the "Weight" property, which most portfolio construction systems will allocate capital to accordingly.
# Skipping magnitude, confidence and source model and assigning 25% to weighting. insight = Insight.Price("IBM", timedelta(minutes = 20), InsightDirection.Up, None, None, None, 0.25)
// Skipping magnitude, confidence and source model and assigning 25% to weighting. var insight = Insight.Price("IBM", TimeSpan.FromMinutes(20), InsightDirection.Up, null, null, null, 0.25);


dbm_utilities.format_dbm_data¶
-
dbm_utilities.
format_dbm_data
(composition, M, Pc, Tc, omega, kh_0, neg_dH_solR, nu_bar, K_salt, Vc=None, Tb=None, Vb=None, B=None, dE=None)[source]¶ Format the chemical property data for use by the dbm module
Format the chemical property data into the dictionaries expected by the discrete bubble model (dbm) module FluidMixture and FluidParticle objects of TAMMOC.
- Parameters
- compositionlist
List of strings containing unique names for each chemical in the present oil composition.
- Mndarray, size (nc)
Molecular weights (kg/mol)
- Pcndarray, size (nc)
Critical pressures (Pa)
- Tcndarray, size (nc)
Critical temperatures (K)
- omegandarray, size (nc)
Acentric factors (–)
- kh_0ndarray, size (nc)
Henry’s law constants at 298.15 K and 101325 Pa (kg/(m^3 Pa))
- neg_dH_solRndarray, size (nc)
The negative of the enthalpies of solution / Ru (K).
- nu_barndarray, size (nc)
Partial molar volumes at infinite dilution (m^3/mol)
- K_saltndarray, size(nc)
Setschenow constants (m^3/mol)
- Vcndarray, size(nc), default=None
Specific volume at the critical point (m^3/mol)
- Tbndarray, size(nc), default=None
Boiling point (K)
- Vbndarray, size(nc), default=None
Specific volume at the boiling point (m^3/mol)
- Bndarray, size (nc), default=None
White and Houghton (1966) pre-exponential factor (m^2/s)
- dEndarray, size (nc), default=None
Activation energy (J/mol)
- Returns
- datadict
A dictionary of chemical property data in the format expected by the tamoc.dbm module objects.
- unitsdict
A dictionary of units for each chemical component in the mixture in the format expected by the tamoc.dbm module objects.


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Skia Debugger
{{.VersionShort}}
The Skia Debugger allows you to interactively debug an SKP file.
Press the button below to start a new instance of the debugger.


<lcAreaShape2>
The <lcAreaShape2> element defines the shape of a linkable hotspot in a learning image. This element replaces the <lcAreaShape> element in DITA 1.2.
<lcAreaShape>
Category: Interactions domain content elements


Photo by Opalo Ola
Interview & Text by Caroline D’Arcy Gorman
Style by Paige Bittner & Enrique Reyes
The last time I hung out with Sonia Kreitzer, face and voice of indie pop queen Doe Paoro, was in London. We met for a spontaneous drink at The Eel Pie; Sonia was in between meetings with producers for her next record, and I was on a quick trip from Berlin. As typically “London” as that was – draft ale and rainy days – Los Angeles provided an equally stereotypical “LA” experience, in all the best ways. We caught up on a bench in Santa Monica one Friday morning after a trip to Beaming Café: “How do you feel about bougie superfood shakes?” LA, as far as I’m concerned, is pretty damn perfect, but Sonia is not an LA girl at her core. She’s from Syracuse and has mixed feelings about the city, but as a yoga fanatic, the healthy lifestyle speaks to her.
Sonia’s debut album as Doe Paoro was released in 2012 after recording the demos in a sequestered cabin and fleshing out the tracks in Brooklyn. She graduated from Oberlin College in 2006, and has been straddling New York and LA ever since. Sonia learned how to embrace seclusion during her time at Oberlin, where she studied painting, spending hours alone – “I would leave and be out of sorts because it required this intense solitude.” Though she “jammed around” in college and spent a couple semesters studying the Sitar, it wasn’t until after Oberlin that Sonia began to claim music as her own. Despite her familiarity with solitude, adopting painting as her life’s work felt too isolating. Music, however, provided the perfect balance of internal and external. “It’s something I can do by myself but also experience with other people.” And Sonia Kreitzer is all about that balance. She embarks on a ten-day silent retreat once a year; Sonia’s understanding of the power of her own voice is shaped by her experience without it. This next record, unlike her first - which was, “basically a blind date with a bunch of guys with Bon Iver" - is proving to be more methodical. Sonia and I ordered two mint chip smoothies (which were, in fact, life changing) and sat down on a sunny Santa Monica street. Between minty sips, we chatted mythology, merchandise, and meditation.
 How do these practices play into your music?
Sonia: Music can get very manic and extreme; sometimes nothing’s happening and then all of sudden everything is going at once. It’s great practice to be able to meditate and understand that everything is impermanent. That helps my music in terms of dealing with the lifestyle a healthy way, and also learning how to listen.
D: Does it help with life on the road? I know you were driving your own van in between shows, which is insane. It’s not hard to imagine just how difficult it must be to rest up and stay fit!
S: It’s really hard! (Laughs.) I’m a total nut job when it comes to health. I practice yoga six times a week; I meditate, and I’m mostly vegan. On the road you can’t maintain that, and it’s a lot of pressure. So that’s an ongoing struggle - I’m hoping to master it one day. My friends who seem to keep it together, they run every morning. You just have to do it, you have to wake up and move your body. Otherwise you’re completely stagnant in a van, and then you are supposed to explode on stage. The first festival I played, Florence Welsh was playing at -
D: Awesome! I love her.
S: I love her too.
D: So much energy.
S: SO much energy! I saw her backstage right before she went on and she was just jumping for a few minutes, which makes so much sense. You don’t just run on the soccer field - you have to warm up your body. Singing and drumming are such physical instruments, so it’s the same with music.
D: Before being a musician, you were a painter; painting is not really rooted in performance at all. When did your interest in performance kick in?
S: I really love the introspective aspect of art making, and channeling these mysterious aspects of life-- that is what I find most interesting. The performance part is something I’ve really had to work at. I felt so vulnerable and unsure of myself in the beginning. I would get off stage and just want to cry in the green room (Laughs) - I didn’t want to talk to anybody. I didn’t get over it until a few years ago when my manager had me sell merch after we opened for Sylvan Esso.
D: Do you think that it’s difficult because Doe Paoro is distinct from Sonia Kreitzer? So when you are onstage performing, you are not Sonia, but offstage, you are very much yourself, selling merch?
S: It's odd because music is such an indirect art sometimes. You make these songs and you know people are listening to them around the world but you never meet them, and even on stage there is a division. When I started coming out after shows I was really connecting with people, and it helped me come out of myself and be like, “Why am I falling apart? This is a beautiful thing, learning to come out of my shell and connect one on one.” I really like it - it’s really cool to meet other people.
D: Have you been selling merch since? (Laughs)
S: Oh my god, yes! Eventually, I hope not to, but for now I want to do it after shows. I don’t dislike it anymore.
D: So we talked a little bit about being on tour: healthy, unhealthy. How do you make sure that you take in the entire tour experience and it doesn’t pass by as a blur?
S: Hmmm, breathing? I don’t know. It’s really easy for the days to bleed into each other. Despite waking up in different cities, there’s oddly this track of repetition on tour. The most important thing for me is to connect with the songs when I am performing, and connect to the moments in which I made them.
D: And how do you do that if you are playing the same songs over and over?
S: Yeah, that’s the question! (Laughs) That is the question! How does Stevie Nicks sing “Landslide” all these years and still be into it? Or at least convince people she is… I don’t know what she is doing! It’s easy to go on autopilot, and that’s another thing my meditation practice helps me to do: be really present in the songs when I’m singing them. If I need to close my eyes to connect to myself, to my breath, to the words, and try to re-enter that space, I will. All those practices help.
D: Your Tibetan Folk Opera practice, Lhamo, is so interesting. Can you talk about that and how it has influenced you creatively?
S: Lhamo is the only formal training I’ve had, and it has helped me gain confidence to make music. Before, especially at Oberlin, all the people I was playing with were so much more musically educated than I was. I couldn’t ask someone to play in a certain key with certain notes, so I got used to being like (singing) “Can you sing it like this!” I found this Tibetan Conservatory when I was travelling in India and it was just the most amazing music I'd ever heard. I asked if I could study it, which led to me returning to India three times; I studied the practice everyday for a month each time. The music has to be sung at these heights I didn’t even realize were possible; to be able to reach that level you have to be so present in your body and really have this relationship with the voice. Something about that broke through for me, and my entire writing and singing style changed afterwards.
D: How did you come up with the name Doe Paoro?
 I’d just spent seven months traveling by myself and had gone through a lot of symbolic deaths. So I felt that I was entering a new version of myself, and I wanted to create a stage name to make it okay for me to do something I hadn’t before. I wanted to make a safe space in which I don’t have to identify as Sonia, and I don’t have to just write about the experiences I’ve had. I can try things musically that I haven’t tried before. I can be anything. The name itself is about rewriting female mythology. Paoro is a translation from Maori myth, meaning “Goddess of Echo” and Doe, as in “Jane Doe.” There’s also a connection to the animal - a doe.
D: There is a really interesting, and sometimes complicated, divide between someone as a human being and someone’s artistic project, especially when music embodies so much more than just a “project.” Names tend to blur that divide in a beautiful but often confusing way.
S: Yeah! Because it is my life! It is interesting, names are so fascinating. For me, the name comes down to an intention to check in with myself. If I experience doubt, I go back to the root. When I named Doe Paoro, it was about being able to completely rewrite my narrative over and over again, and having a safe place to talk about female experiences.
D: Have you ever wavered in your decision with the name or the identity?
S: I mean, I’ve definitely experienced doubt throughout the process. I met with a guy from a major label who said, “The name’s got to go, it’s hard to remember.” I subsequently spoke to Justin Vernon [of Bon Iver] about it and he said, “Well it worked alright for me.” There’s this myth, involving Hermes, about making rituals for yourself that you don’t share with anyone else. Naming your band is one of those odd things - I make music because it’s a promise I make to myself in a certain moment. If other people get it, then that’s great.


Android 4.0
Super Amoled 720p Screen
1.2 GHz Dual Core CPU
32 GB of storage
Fast Camera
Android 4.0, Ice Cream Sandwich brings an entirely new look and feel to Android. Simple layouts with subtle animations and delightful flourishes make everything feel alive.
Real-life sharing is nuanced and rich. Galaxy Nexus makes sharing with mobile devices just as easy at it is in person.
Your photos upload themselves with Instant Upload, which makes it much easier to share them with family and friends.
Google Music makes discovery, purchase, and listening effortless and fun. Store your entire collection for free, and stream your music to your Galaxy Nexus, computer, or other Android devices.


--- layout: page title: "About me" description: "This is who I am and what I do." header-img: "img/about-bg.jpg" ---
Hi ! I am Julien Stroheker and I am working at Microsoft as a Technical Evangelist on DevOps
I like talking and sharing about how Dev and Ops can be better together and work as a strong team.
From a Ops background profile, I am trying to become a better developper to have an through understanding about this DevOps thing.
On this challenging journey, I am learning all these new cool things like, Javascript / NodeJs and Python as well as MongoDB for example...
I aim to share my personal and professional thoughts in this blog. All posts here are my personal opinion, and do not reprensent Microsoft.
And BTW, "Je suis Français" and I am trying to improve my English everyday, so you might see a lot of grammatical errors, if so, do not hesitate to reach me and help me rectify my mistake(s) :)


Tag
Description
<address>
Defines contact information for the author/owner of a document/article
<a> as <a herf="mailto:...">
Link to an email address


Track is a simple stock control system built using Django. I initially developed it to manage the tablet stock of a company I worked for, then later adapted it to handle the issuing of items (such as tablets) to delegates at conferences.
Track is available under the terms of the MIT License. You can check it out on GitHub!


It all began with murder.
That is, a murder mystery party. His character murdered one, her character many—and
sometime during the evening, our character cards explicitly instructed us to talk to one another.
You could say it was literally in the cards for us to become friends.
And then he said yes.
Okay, okay. Technically, he was at first too enamored
by the picture she drew for him that he didn't even hear what she had asked.
Then, when he realized what she was asking, the first thing he said was "wait, now?
But we haven't even lived together yet."
But she was quick to whip out a few studies (e.g., Kline et al., 2004; Stanley, Rhoades, & Markman, 2006)
that provided evidence for the idea that marriages are less likely to end in divorce if couples don't
cohabit before getting married/engaged.
"Oh. Well, then of course, yes! I mean, I always knew you'd be the one I would marry."
And then we hiked back down from Czarny Staw pod Rysami (a glacial lake in the Tatra Mountains, Poland),
hurrying to make sure we didn't miss the last bus back to Zakopane.
The adventure continues with an "I do!"
That's the day we officially become "Mr. Kahn and future Dr. Moty."
We look forward to celebrating our special day with family and friends!
June 02, 2018 at 5:30 pm
Outdoor ceremony and dinner reception will be held at the Moty house.
Address for ceremony and reception:
15465 Vantage Pt.
Redding, CA 96001
Parking is limited near the Moty house (and the walk up the driveway is steep!),
so we have arranged for parking nearby at Grant School.
Shuttle service to and from the house will be provided beginning at 5 pm.
Address for parking:
8835 Swasey Dr.
Redding, CA 96001
Casual. Something appropriate for a little bit of summer heat.
P.S. The bride isn't wearing white, so anything white is completely fair game!
A few options include:
The Sheraton Redding Hotel at the Sundial Bridge
Oxford Suites Redding
Townplace Suites by Marriott Redding
There are a number of other options along Hilltop Dr. in Redding that would also be good, too.
We are so happy that you’ll be able to join us for our wedding! As many of you know,
we currently live across the country in the New York City metro area, and our urban-sized apartment is
already filled with all the things we could ever need to make it a home. The presence of your company
is the only gift we could ever ask for.
However, for those who have expressed an interest in offering a gift to mark the occasion, we would
greatly appreciate any contribution you wish to make toward a down payment on our
future home.
Lorem ipsum dolor sit amet, consectetur adipisicing elit. Mollitia neque assumenda ipsam nihil, molestias magnam, recusandae quos quis inventore quisquam velit asperiores, vitae? Reprehenderit soluta, eos quod consequuntur itaque. Nam.
Close ProjectLorem ipsum dolor sit amet, consectetur adipisicing elit. Mollitia neque assumenda ipsam nihil, molestias magnam, recusandae quos quis inventore quisquam velit asperiores, vitae? Reprehenderit soluta, eos quod consequuntur itaque. Nam.
Close ProjectLorem ipsum dolor sit amet, consectetur adipisicing elit. Mollitia neque assumenda ipsam nihil, molestias magnam, recusandae quos quis inventore quisquam velit asperiores, vitae? Reprehenderit soluta, eos quod consequuntur itaque. Nam.
Close Project


It is the brains equivalent to a
full body workout
It engages almost every part of the brain, especially the visual, auditory, and
motor cortex
It strengthens brain functions that can be applied elsewhere, such as solving puzzles and problems effectively and creatively
It enhances memory functions
It has been shown to help children with learning disabilities
Not only does playing an instrument have all of these benefits, but it is fun and a great creative outlet!
Now that you know how beneficial it is, go pick up that instrument you have always wanted to learn and lets make sure we keep music education in our schools!


Simple model of a heat exchanger consisting of two pipes and one wall in between. For both fluids geometry parameters, such as heat transfer area and cross section as well as heat transfer and pressure drop correlations may be chosen. The flow scheme may be concurrent or counterflow, defined by the respective flow directions of the fluids entering the component. The design flow direction with positive m_flow variables is counterflow.
| Name | Description |
|---|---|
| Medium_1 | |
| Medium_2 | |
| HeatTransfer_1 | |
| HeatTransfer_2 | |
| FlowModel_1 | |
| FlowModel_2 |


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{% extends "layout.html" %} {% block page_title %} Apply for European Structural and Investment Funding {% endblock %} {% block content %} {% include "includes/phase_banner_alpha.html" %} Home Call list Application overview About your organisation {% include 'includes/page_errors.html' %} About your organisation (1 of 2) Organisation details Organisation details Organisation name Organisation type Organisation type Charity Higher/Further Education Institution Local Authority Not for Profit Organisation Private Sector Statutory/Non Statutory PFO Voluntary/Community Organisation Is this a small or medium-sized organisation? A small or medium-sized organisation is one with 1 to 249 employees. Is this a small or medium-sized organisation (1 to 249 employees)? Yes No Company or charity registration number If you aren't a company or charity, skip this question VAT number If you don't have a VAT number, skip this question Save and continue Save and return to dashboard {% include "includes/application_info.html" %} {% include "includes/secondary_nav.html" %} {% endblock %}


border-primary, border-secondary, border-success
border-danger, border-warning, border-info
border-light, border-dark, border-white


SDyPy Code of Conduct¶
Introduction¶
This code of conduct applies to all spaces managed by the SDyPy project, including all public and private mailing lists, issue trackers, wikis, blogs, Twitter, and any other communication channel used by our community. The SDyPy project in-person events should have a code of conduct similar in spirit to this one.
This code of conduct should be honored by everyone who participates in the SDyPy community formally or informally, or claims any affiliation with the project, in any project-related activities, and, especially, when representing the project, in any role.
This code is neither exhaustive nor complete. It serves to distill our common understanding of a collaborative, shared environment and goals. Please try to follow this code in spirit as much as in letter, to create a friendly and productive environment that enriches the surrounding community.
Specific guidelines¶
We strive to:
Be open. We invite anyone to participate in our community. We prefer to use public methods of communication for project-related messages, unless discussing something sensitive. This applies to messages for help or project-related support, too; not only is a public-support request much more likely to result in an answer to a question, it also ensures that any inadvertent mistakes in answering are more easily detected and corrected.
Be empathetic, welcoming, friendly, and patient. We work together to resolve conflict, and assume good intentions. We may all experience some frustration from time to time, but we do not allow frustration to turn into a personal attack. A community where people feel uncomfortable or threatened is not a productive one.
Be collaborative. Our work will be used by other people, and in turn we will depend on the work of others. When we make something for the benefit of the project, we are willing to explain to others how it works, so that they can build on the work to make it even better. Any decision we make will affect users and colleagues, and we take those consequences seriously when making decisions.
Be inquisitive. Nobody knows everything! Asking questions early avoids many problems later, so we encourage questions, although we may direct them to the appropriate forum. We will try hard to be responsive and helpful.
Be careful in the words that we choose. We are careful and respectful in our communication and we take responsibility for our own speech. Be kind to others. Do not insult or put down other participants. We will not accept harassment or other exclusionary behavior, such as:
Violent threats or language directed against another person.
Sexist, racist, or otherwise discriminatory jokes and language.
Posting sexually explicit or violent material.
Posting (or threatening to post) other people’s personally identifying information (“doxing”).
Sharing private content, such as emails sent privately or non-publicly, or unlogged forums, such as IRC channel history, without the sender’s consent.

Excessive profanity. Please avoid swearwords; people differ greatly in their sensitivity to swearing.
Repeated harassment of others. In general, if someone asks you to stop, then stop.
Advocating for, or encouraging, any of the above behavior.
Diversity statement¶
The SDyPy project welcomes and encourages participation by everyone. We are committed to being a community that everyone enjoys being part of. Although we may not always be able to accommodate each individual’s preferences, we try our best to treat everyone kindly.
No matter how you identify yourself or how others perceive you: we welcome you. Though no list can hope to be comprehensive, we explicitly honor diversity in: age, culture, ethnicity, genotype, gender identity or expression, language, national origin, neurotype, phenotype, political beliefs, profession, race, religion, sexual orientation, socioeconomic status, subculture and technical ability, to the extent that these do not conflict with this code of conduct.
Though we welcome people fluent in all languages, SDyPy development is conducted in English.
Standards for behavior in the SDyPy community are detailed in the Code of Conduct above. Participants in our community should uphold these standards in all their interactions and help others to do so as well (see next section).
Acknowledgements¶
Substantial portions of this document were adapted from the SciPy project’s code of conduct.
License¶
To the extent possible under law, the authors have waived all copyright and related or neighboring rights to the SDyPy project governance document, as per the CC-0 public domain dedication / license.


I started my college career like most young adults; not caring in the slightest about school or grades. I was living on my own for the first time and completely absorbed in the addictive freedoms of unsupervised adolescent life. I decided to follow my best friend to Gainesville, FL and attend school at Santa Fe Community College. I started working full time and going to school part time within about 6 months. A year and a half later, I switched my major for the fourth time and was sporting a 1.8 GPA. At some point I decided a change had to be made.
Change wasn't easy. I spent four (4) years in the United States Marine Corps and exited as a Sergeant (E5). After my military adventure was complete, I became a government contractor with L-3 Communications. I worked there for three (3) years and eventually became a Project Manager. Once I finished my AA degree I decided to go back to school full time at the University of FLorida. Online Resume
I always felt lost when I would think of who or what I wanted to be "when I grew up." At first I wanted to major in pure mathematics. Then after realizing there wasn't a lot of demand for that sort of major I started thinking about engineering. I have always been a bit of a computer nerd and decided Computer Engineering was right for me! University of Florida


$version
$version :
The version info of the client.
The GravityClient class can be used to send events, item and user information to the recommendation engine and get recommendations.
Example usage:
function createGravityClient() { $config = new GravityClientConfig(); $config->remoteUrl = 'https://saas.gravityrd.com/grrec-CustomerID-war/WebshopServlet'; $config->user = 'sampleUser'; $config->password = 'samplePasswd'; $config->retry = 0; return new GravityClient($config); } $client = createGravityClient(); $context = new GravityRecommendationContext(); $context->numberLimit = 5; $context->scenarioId = 'HOMEPAGE_MAIN'; $context->nameValues = array( new GravityNameValue('minPrice', '100'), ); $client->getItemRecommendation('user1', '123456789abcdef', $context);
Please do not modify the GravityClient.php file (e.g. do not write your configuration parameters into the GravityClient.php file). Using an unmodified client makes version updates easier. Use your own factory function (like createGravityClient in the example above) to pass your configuration information to the GravityClient constructor.
$config : \GravityClientConfig
The client configuration.
__construct(\GravityClientConfig $config)
Creates a new client instance with the specified configuration
| \GravityClientConfig | $config |
addEvent(\GravityEvent $event, $async)
Adds an event to the recommendation engine.
| \GravityEvent | $event | |
| $async |
addItem(\GravityItem $item, $async)
Adds an item to the recommendation engine.
If the item already exists with the specified itemId, the entire item along with its NameValue pairs will be replaced to the new item specified here.
| \GravityItem | $item | |
| $async |
updateItem(\GravityItem $item)
Existing item will be updated. If item does not exist Exception will be thrown.
Update rules:
| \GravityItem | $item | The item to update |
updateItems(array<mixed,\GravityItem> $items)
Existing items will be updated. If item does not exist Exception will be thrown.
Update rules:
| array<mixed,\GravityItem> | $items | The items to update |
addUser(\GravityUser $user, $async)
Adds user to the recommendation engine.
If the user already exists with the specified userId, the entire user will be replaced with the new user specified here.
| \GravityUser | $user | |
| $async |
getItemRecommendation( $userId, $cookieId, \GravityRecommendationContext $context) : \GravityItemRecommendation
Returns a list of recommended items, based on the given context parameters.
| $userId | ||
| $cookieId | ||
| \GravityRecommendationContext | $context |
An object containing the recommended items and other information about the recommendation.
getItemRecommendationBulk( $userId, $cookieId, array $context) : array<mixed,\GravityItemRecommendation>
Given the userId and the cookieId, we can request recommendations for multiple scenarios (described by the context).
This function returns lists of recommended items for each of the given scenarios in an array.
| $userId | ||
| $cookieId | ||
| array | $context |
An Array containing the recommended items for each scenario with other information about the recommendation.


Index
- Acknowledgments
- Automator Actions
- Discover Permanent Eraser
- Enabling Full Disk Access
- Enabling the Erase Service Plug-In
- Erase Files
- Erase Optical Discs
- Erase Trash
- Erasing Levels
- Frequently Asked Questions
- General Preferences
- Known issues
- Plug-ins
- Preferences
- Update Preferences
- Version History
- What's New In Permanent Eraser?


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