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--- layout: archive title: "Science Summary" permalink: /summaries/ author_profile: true --- {% include base_path %}
In addition to writing a Wikipedia profile and SciComm piece about ongoing Duke research, you will also write a piece summarizing a journal article to an academic audience. While the SciComm pieces will help develop your writing skills for a broad audience, this science summary piece will help develop your writing skills for academics. This is useful for any future STEM courses you take and research you do. Moreover, comparing the writing styles between the assignments will give you a greater grasp on what writing to different audiences means.
We will also spend every day in class discussing and summarizing academic articles and build each day on that foundational material. This piece is about you applying what you have learned from that process.
In general, Journal Club articles should have three components: a short overview of the topic and questions addressed in the reviewed paper; a description of the key findings; and a brief discussion of the significance of the paper. Authors should discuss what the highlighted paper teaches us about how the nervous system works. The Journal Club must offer more than a summary of what was stated in the original article. For example, it might present a broader interpretation of the results in the context of work that the author did not discuss. Presentation of unpublished work or modeling results is not acceptable, however.We expect that authors of Journal Clubs will be working on a topic related to that of the reviewed paper and thus will be familiar with the experimental approach, but Journal Clubs should not focus on the author's own work. We encourage critical reviews, but comments must be accurate, well-reasoned, and diplomatic. Inappropriately harsh or glowing reviews will not be considered. Moreover, the focus should be on what was learned, rather than what might have been done differently.
Journal Club submissions must be concise and should be limited to 1,500 words. They should be written in a style that is understandable to all readers of JNeurosci. Avoid using jargon and unnecessary abbreviations.
A single, original schematic or explanatory figure is acceptable. The figure caption must appear in the main document after the references. Do not duplicate figures that were in the reviewed paper: links to any figures you cite will be placed in the published Journal Club. In the text, refer to the cited figures with the author's name, e.g., "(Author et al., Figure 1A)."
A title page must be included with your submission. The title page should include: title, citation of article being reviewed, list of authors and affiliations (graduate students’ affiliations should be listed as the graduate program or department), corresponding author and contact information (address, phone, and email address), abbreviated title, and acknowledgments (optional).
Notably, you are NOT working on a topic 'related to that of the reviewed paper', BUT we will be discussing the literature that contextualizes the academic article you summarize, and we will assume that the audience is for psychologists and neuroscientists (re: 'readers of Journal of Neuroscience'); in other words, you are writing for someone like me, your instructor. To make the writing process easier, we are going to start small. First, you'll choose one non-Duke article. You'll write an opening paragraph for your summary piece (June 3) and then, incorporating feedback, you'll write multiple paragraphs for that summary piece (June 11). After gaining experience with this style of writing, you'll select your specific academic article (not the same one), outline your summary piece (June 17), and then finish your piece (June 20). All along the way, your classmates and I will provide feedback that will help you improve your writing skills.
Unlike your Duke research and Wikipedia pieces, this piece will not published publically outside of this site, and it would only be published on this site if you consented. However, when students are interested in working with a lab on particular research, it is common for the students to email the professor with whom they would be interested in working. They typically include their CV in this email. If you want to work with a professor who does similar research to what you write about, via a practicum or Independent Study, you could include this summary piece as a suggestion for what you see as open questions in the field. If you're interested in teaching, the Constanzo Teaching Fellowship also asks for a science writing sample. Nonetheless, this assignment is primarily focused towards stretching your writing skills to that you write to multiple audiences over the course of the class and recognize the important role that the audience plays in writing.
Sounds good? Let's get to work!


PureBasic - OnError
概要
This library provides a way to track program errors (program crashes) similar to the PureBasic debugger but without the drawbacks of a bigger filesize and lower execution speed when using the debugger. This way the final version of a program which is shipped to the end user can still intercept program errors and provide some information about the error to the user so he can report it back to the developer.
The PureBasic debugger is still the better tool for finding bugs during the development phase, as it provides much more detailed information about the state of the program (like actual variable values) and also has a number of interactive features to quickly locate bugs.
Note: If both this library and the PureBasic debugger are used, not all errors will be caught by the OnError library as some checks are made and reported by the debugger even before the actual code with the error is executed.
This library can provide information about the source code file and line at which the error occurred through the ErrorFile() and ErrorLine() commands, but only if this feature is enabled when compiling the program (it causes a very small slowdown in execution speed to track the line numbers). To enable this feature, enable the "Enable OnError lines support" checkbox in the compiler options or specify the /LINENUMBERING (Windows) or --linenumbering (Linux, Mac OSX) command-line switch when compiling from the command-line.
命令索引
ErrorAddress
ErrorCode
ErrorFile
ErrorLine
ErrorMessage
ErrorRegister
ErrorTargetAddress
ExamineAssembly
InstructionAddress
InstructionString
NextInstruction
OnErrorCall
OnErrorDefault
OnErrorExit
OnErrorGoto
RaiseError
示例
OnError.pb
已支持操作系统
所有


Pet Chihuahua snatched by bird of prey while playing in family garden
Sheila Gillanders, 72, said her 18-month-old white Chihuahua was plucked from the ground by a "really big bird" after it swooped from the sky
by Abigail O'LearyA pet Chihuahua was grabbed by a bird of prey as it walked around a family garden, its owners said.
Sheila Gillanders, 72, said her 18-month-old white Chihuahua was plucked from the ground by a "really big bird" after it swooped from the sky.
Emma's horrified owners, from Aberdeen, Scotland, luckily spotted the bird trying to fly off with their beloved pet and dashed to help.
Sheila said Emma was thankfully saved when her husband Robert grabbed the small dog's body and managed to pluck it from the bird's claws.
Sheila said Emma's stress is now "sky-high" and she is terrified of returning to the garden, reports the BBC .
She added: "It pinned her against the fence. It only got so far up, but my husband was able to get the bird off her.
"It then just looked at us. It was a really big bird, like a buzzard. It was definitely trained, as it was wearing a bell."
Emma suffered injuries during her "very lucky" escape and needed veterinary treatment and medication.
Earlier this year, a heartbroken family revealed their Chihuahua Gizmo had been grabbed by a seagull .
They were not so lucky, and claimed the gull flew off with four-year-old Gizmo who was playing in the back garden of Becca Hill's house in Paignton, Devon.
The brown and white dog, whose breed only grows to around nine inches high,has not been seen since.
Becca, 24, issued a social media appeal for news of Gizmo, one of three chihuahuas she owns.
She told Devon Live : "My partner was in the garden putting the washing out at the time and suddenly he saw it swoop down.
"It carried Gizmo a fair way as we couldn't see him anymore.
"I have no idea if he was dropped or where he is now."
In a heartbreaking post to Facebook , Becca said that her young daughter was highly upset.

"Bottom of Maridon Road, Paignton. Have a really upset 6 year old missing her dog."


Credits
You have been playing
SubTrack '90, find out more at:
http://SubTrack90.com
People
The following people participated in the development of this game:
- Project lead:
- Ian
- Game Designer:
- Alberto
- Developers:
- Alex & Eugene
- UI Designer:
- pending
- Splash Page Designer:
- Herbert Salazar
Projects
This Open Source project has made extensive use of prior works, including the following:


5. See Other Examples¶
5.1. Two Locals¶
This is a simple example which writes three log files on local machine.
5.2. Two Servers with Same User¶
Similar to Two Locals, this example simply changes the deployment targets from local machine to remote servers.
This example also shows that switching between local machines and remote servers is easy for Noodles.
5.3. Error Handling¶
This example specifies a nonexistent server in the spec purposely to test whether Noodles can handle errors properly.
5.4. File Transfer¶
This examples shows that Noodles can not only run commands on remote servers but also on local machines.
5.5. Local Tmux¶
This example runs a short Tmux session and a long Tmux session on the local machine.
5.6. Long Process¶
This example shows the ability to see the intermediate results of any long process on the remote servers.
5.7. Train TensorFlow Examples¶
This is a more complex example to train three TensorFlow examples on two remote servers. It combines many techniques used in the previous examples.


2 references to MoveDirectoryInfoUnchecked
System.Management.Automation (2)
namespaces\FileSystemProvider.cs (2)
6050
MoveDirectoryInfoUnchecked
(directory, destination, force);
6067
MoveDirectoryInfoUnchecked
(directory, destination, force);


| Player | Min | FGM | FGA | FG% | 3PM | 3PA | 3P% | FTM | FTA | FT% | OREB | DREB | REB | AST | TOV | STL | BLK | PF | PTS | +/- |
| {{player.compactName}} | {{player.minutes}} | {{player.fieldGoalsMade}} | {{player.fieldGoalsAttempted}} | {{player.fieldGoalsPercentage | number:'1.2-2'}} | {{player.threePointFieldGoalsMade}} | {{player.threePointFieldGoalsAttempted}} | {{player.threePointsPercentage | number:'1.2-2'}} | {{player.freeThrowsMade}} | {{player.freeThrowsAttempted}} | {{player.freeThrowsPercentage | number:'1.2-2'}} | {{player.offensiveRebounds}} | {{player.devensiveRebounds}} | {{player.rebounds}} | {{player.assists}} | {{player.turnovers}} | {{player.steals}} | {{player.blocks}} | {{player.personalFouls}} | {{player.points}} | ?? |
| Player | Min | FGM | FGA | FG% | 3PM | 3PA | 3P% | FTM | FTA | FT% | OREB | DREB | REB | AST | TOV | STL | BLK | PF | PTS | +/- |
| {{player.compactName}} | {{player.minutes}} | {{player.fieldGoalsMade}} | {{player.fieldGoalsAttempted}} | {{player.fieldGoalsPercentage | number:'1.2-2'}} | {{player.threePointFieldGoalsMade}} | {{player.threePointFieldGoalsAttempted}} | {{player.threePointsPercentage | number:'1.2-2'}} | {{player.freeThrowsMade}} | {{player.freeThrowsAttempted}} | {{player.freeThrowsPercentage | number:'1.2-2'}} | {{player.offensiveRebounds}} | {{player.devensiveRebounds}} | {{player.rebounds}} | {{player.assists}} | {{player.turnovers}} | {{player.steals}} | {{player.blocks}} | {{player.personalFouls}} | {{player.points}} | ?? |


Vestager gears up for tech czar role with warning over data
Margrethe Vestager, the European Union’s new tech czar, warned that privacy watchdogs must have resources to match their beefed-up powers and issued a fresh antitrust threat to companies abusing their control of data to crush competition.
The Dane, who is due to start as the EU’s digital policy commissioner as soon as Dec. 1, warned that wide new privacy rights introduced last year have few teeth "if you cannot enforce them.”
Vestager’s comments come as Ireland’s Data Protection Commissioner finalizes high-profile probes of Facebook Inc.’s Whatsapp and Twitter Inc. amid 21 investigations into some of the world’s biggest technology firms. Alphabet Inc.’s Google and Apple Inc. are among many of the companies supervised by the Irish authority. The watchdog recently failed to get extra funding it requested from the Irish government.
"We need strong enforcement, because only then will the right to control our data become a reality in people’s lives,” she told a privacy conference in Brussels. "Only then can we start to restore Europeans’ trust in the digital world.”
In her new role, Vestager said she’ll "need to make sure that artificial intelligence systems respect people’s privacy.” She is planning to draft rules on AI ethics in the coming months.
She also indicated she’d use her existing powers as an antitrust enforcer to force companies to share their data "if we find that some businesses are using their control of data to deny others the chance to compete.”
Read also
Read More
EU countries fail to agree on privacy rules governing Whatsapp, Skype
EU efforts to create a level playing field between telecoms operators and Facebook's Whatsapp and Microsoft unit Skype stalled on Friday after member countries failed to agree on the scope of proposed rules.
Read More
Margrethe Vestager's nagging iPhone helps put Apple pay on antitrust radar
Margrethe Vestager’s iPhone has been nagging her to install Apple Pay. Now she’s checking if those prompts are a problem for other payment providers.
Read More
Apple takes on EU’s Vestager in record $14 billion tax fight
Apple Inc. fights the world’s biggest tax case in a quiet courtroom this week, trying to rein in the European Union’s powerful antitrust chief ahead of a potential new crackdown on internet giants.
Read More
Margrethe Vestager, Silicon Valley’s worst enemy, returns with even more power
The regulator who’s made a name for herself by cracking down on tech giants is about to get even more power.
Read More
Europe is changing Google for the better
The European Union’s top antitrust official, Margrethe Vestager, is closing out her term - possibly her last - with a 1.49 billion-euro ($1.7-billion) fine on Alphabet Inc.’s Google. She’d accused the search giant of abusing its market dominance to thwart advertising rivals.
Read More
Google poised to emerge unscathed from European antitrust crackdown
The European Union's top antitrust regulator, Margrethe Vestager, has made it her mission to stem alleged anti-competitive abuses by big American tech companies, threatening as recently as last month to break up Alphabet Inc's Google.


SQL Injection Login Bypass
Login bypass is without a doubt one of the most popular SQL injection techniques. This article presents different ways an attacker can use to defeat a login form. Principles detailed here are simple but strongly related to SQL injection in string parameters. If you are not familiar with SQL injection this might help you understanding what follows.
The Script
The login form we will use in our examples is pretty straight forward. It contains 2 input fields (username and password) which are both vulnerable. The backend script generates a query to validate username and password provided by the user. Here is an overview of the page logic.
Build login query without sanitizing parameters.
$query = "SELECT * FROM users WHERE username='"..$_POST['username']."' AND password='".$_POST['password']."'";
If a row (or more) is returned by the query, the script grants access. Otherwize, authorization is denied. Let's now see how the attack can be achieved.
SQL Injection Login
To bypass login and gain access to restricted area, the hacker needs to build an SQL segment that will modify the WHERE clause and make it true. For example, the following login information would grant access to the attacker by exploiting the vulnerability present in the password parameter.
 Be careful, colors can be confusing here.
SELECT * FROM users WHERE username='admin' AND password='wrongpassword' OR 'a'='a'
Quotes are not correctly handled (escaped) by the application and it allows the attacker to modify the query. However, the last SQL statement needs further explanations.
Because of operator precedence, the AND condition is evaluated first. Then the OR operator is evaluated, making the WHERE clause true. In fact, the condition will be true for all rows of the users table. It means that the provided username is ignored and the attacker will be logged in as the first user in users table. It also means that the attacker does not have to know a username to gain access to the system; the query will find one for him! Now let's see how the attacker can choose which account he will log into.
Vulnerable Username Field
The username field being vulnerable too, it can also be exploited to gain access to the system. In fact, it would be easier and far more practical for the hacker to bypass authentication this way since he could choose which user's account he would like to log into. Here is what the SQL injection attack will look like.
Malicious username (1st line) and password (2nd line) submitted by the attacker.
admin' --
anypassword
Query generated (login bypass attack).
SELECT * FROM users WHERE username='admin' -- AND password='anyPassword'
Note : For compatibility reasons with some DBMS, a space was added before and after "--".
By using line commenting, the attacker eliminates a part of the login condition and gains access. This technique will make the WHERE clause true only for one user (admin in this example).
Conclusion
In these simple examples, we have seen that an attacker can bypass an authentication system with SQL injection. Without minimizing the disastrous consequences this might have, it is important to mention that a SQL injection can have much bigger security impact than a login bypass.


design – Templates
This is an example of page/post with a sidebar on the right. Read More ›
design – Templates
The default template for posts and pages aligns the page beautifully in the middle. But you can customize posts/pages easily via switches in the front matter to get a sidebar and/or to turn off meta-information at the end of the page like categories, tags and dates. Read More ›
design
If you need them, Feeling Responsive offers you a breadcrumb navigation. You can easily turn it on/off via frontmatter. Read More ›
design – Templates
This is a example of page/post with a sidebar on the left. Read More ›
design – Video & Music Player
Do you like music? Or are you a podcaster? Do you want to stream your videos in a nice player? Than you likely will like the integration of mediaelement.js. It enables you to play music and stream video in a consistent player that looks in each browser delicious. It even works in IE6-8. Read More ›


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Julia language bar and character compositions
This provides two ways to easily enter Julia characters into pretty much any input field on any webpage:
- Enter a combo sequence and hit Tab, e.g. \piTab gives
π
. See the complete list of completions. - Click on symbols in the language bar.
Try it here:
Hover over a symbol in the language bar for combo sequences.
Installation
Desktop browser
- Drag this link to your bookmarks bar: Julia
Mobile browser
- Add a bookmark for this page.
- Edit the bookmark's target URL address to
javascript:(d=>{let%20e=d.createElement("script");e.src="https://abrudz.github.io/lb/julia.js";d.body.appendChild(e)})(document)
Webpage
- Include this HTML in your page:
<script src="https://abrudz.github.io/lb/julia.js"></script>
Activation
- Navigate to the web page where you want to enter Julia characters.
- Click on the Julia bookmark. The language bar should appear at the web page's top.


here we go
How Far allows paddy to connect with one another , fuel their hustle and build their future through eLearning and community development
hey uncle


Square Dance
This is a game I made for Ludum Dare 31.
It's got squares because I'm terrible at art.
Controls
Mouse - direct character
Left click - dash/attack
Right click - Bomb (with full meter)
M key - mute music
Credits
Crafty.js - game framework
Ableton Live - music samples/composition
My website: straypixels.net


What is DevSpace
DevSpace is an annual developer’s conference that takes place in Huntsville, Alabama.
Fueled by extensive space and missile research and a vibrant, emerging start-up culture, Huntsville is a market poised and ready to burst onto the national stage.
Technological interests run the gamut of every language.
As such, DevSpace aims to cater to this entire atmosphere.
DevSpace wants to offer talks on a variety of languages, offering attendees the ability to improve their skills within their daily technology of choice and the ability to become familiar with new technologies.
Combine this with talks on soft skills and processes, DevSpace will provide an outstanding value to the attendees.
Dates for 2020 Announced
This year, the DevSpace Technical Conference will take place on September 10th and 11th.
We will continue to be in the South Hall Ballrooms of the Von Braun Center.
We have moved the dates from our traditional Friday and Saturday to Thursday and Friday.
This was not a decision we took lightly.
We posted an informal poll in several locations, such as on our Twitter account and various Slack groups.
The split between people who enjoyed Friday and Saturday was dead split with people we did not want to attend a conference on a weekend.
The biggest rationale for this was the belief that weekends should be for family.
While we have plans to include a family track in the future, we currently do not have the budget to include that track.
As such, we have decided to try a Thursday and Friday conference.
We have also moved earlier into the year, opting for a September conference over our traditional October timing.
Our primary reasoning for this came down to scheduling with the Von Braun Center.
It can be difficult to find times that are available at the VBC.
While we loved our mid-October time frame, we realize that we usually fell on top of fall break for all the local school systems.
We had heard from many people that they usually make plans with thier families for vacations during this time.
For those curious, we were given the option to have September 11th and 12th, and decided on the 10th and 11th as a combination of the two factors mentioned above.
Besides, September 12th the start start of college football season.
We were tired of competing against that, anyway.
Call for Sponsors and Speakers Coming Soon
Our call for sponsors will officially open soon.
Basically, we just need a little time to update the sponsorship information to the new dates.
If you'd like a head start, go to the sponsors page and look at the information from last year.
I promise you, it will probably be mostly the same.
While our exact dates for the Call for Speakers have not been decided, they will come soon.
We usually would open the Call for Speakers during the month of May.
With the conference moving up a month, we will surely have our Call for Speakers earlier that that.
We don't want to commit to it being "the month of April" just yet, as there are a few backend changes we need to complete first.
Ticket Prices
The ticket prices will remain the same as last year.
The pricing structure will be as follows:
| Super Early Bird Tickets |
$100 |
Available until the keynote is offically announced |
| Early Bird Tickets |
$125 |
Available until the speakers are officially announced |
| Standard Tickets |
$150 |
Available until August 20th |
| Late Tickets |
$200 |
Available until September 11th |


New I'm A Celebrity teaser sees Ant and Dec hit stormy seas ahead of launch
A third teaser for I'm A Celebrity 2019 shows hosts Ant McPartlin and Dec Donnelly tackling stormy seas
by Sara-Aisha Kent, https://www.mirror.co.uk/authors/sara-aisha-kent/ITV have released another funny teaser for I'm A Celebrity 2019, featuring hosts Ant McPartlin and Dec Donnelly, ahead of the jungle show starting.
An initial teaser earlier this month saw Ant and Dec lost and requiring help from fans to send them on their way to the Australian jungle.
It did not appear they're getting anywhere though, with viewers choosing for them to face Arctic Antics as the next part of the journey.
The next destination for the pair, which was also voted by TV watchers, shows them tackling stormy seas in a small wooden boat.
The new promo will premiere for the first time on ITV on Friday night.
In the short footage, Ant and Dec are clad in yellow raincoats as waves lap around them as they battle the elements in the tiny dinghy.
Dec shouts over the wind: "I should warn you I am a terrible swimmer!"
Ant replies: “A terrible singer? I know I have heard ya!"
As Dec wraps his arms in inflatable armbands and begins to blow them up, Ant jibes: “At least things can’t get any worse.”
Speaking too soon, a bolt of lightening hits the boat and punctures a hole in the side.
As water spurts into the vessel, Dec exclaims: “Ah! We are sinking!”
Before instructing: “All hands on Dec!”
The duo cling onto one another as Ant shouts: “Its not working!”
Dec then screams: “What are we going to do" before the I'm A Celebrity theme tune plays.
But where will the boys end up next? Viewers can decide by selecting either 'Nature Calls' or 'Safety First' on the I'm A Celeb app.
*I'm A Celebrity...Get Me Out Of Here! returns Sunday 17th November at 9pm on ITV.


Business Strategy
Every company is different so we etablish a clear strategy right for your company
Let us help your company to improve their Saas in every side to maximize benefits and reduce costs.
Majority of SAAS company failed because the infrastructure cost.It's We're here to improve his efficency but reduce the cost
Company can lost everything in few hours of ddos or in a attack,we'll show how to protect your assets but also how to react in a attack
Few company are conscious how big is his customer information.you're surely have a goldmine but you don't pay attention.
B-SE provides this assistance without waiting. We accomplish it by providing them with valuable education and even referring them to a good resource if our company is not in the best position to solve their problems. The trust and respect it earns has been a major contribution to our success.
It's rewarding to see that the people we help appreciate it so much. It makes us feel more like a community than just a business-to-customer relationship. It's the power to give that's at the root of our culture and, as a result, we attract a clientele that stays with us for the long term.


Rainbow Hospitals for Women and Children today reflects a decade plus history of dedicated patient care, pioneering procedures, visionary leadership and most importantly strong community support. We would like to walk you through some of the most significant events in our 15+ years’ history of patient care & commitment to your wellness. We are constantly learning, striving towards maintaining excellence and building on our past, and are poised for continued growth and innovations in the years ahead. Here are some of our milestone achievements and sweet memories from the past and we welcome you to be a part of this journey in future!
To enable more number of women and children to enjoy good quality healthcare and be more accessible to people in Hyderabad city, we opened a comprehensive healthcare facility for women and children at Kondapur, in 2013. This is a 50 bed ultramodern, sophisticated hospital with exclusive maternity care unit supported with Fetal Medicine, Neonatal and Pediatric
To enable more number of women and children to enjoy good quality healthcare and be more accessible to people in Hyderabad city, we opened a comprehensive healthcare facility for women and children at Kondapur, in 2013. This is a 50 bed ultramodern, sophisticated hospital with exclusive maternity care unit supported with Fetal Medicine, Neonatal and Pediatric
To enable more number of women and children to enjoy good quality healthcare and be more accessible to people in Hyderabad city, we opened a comprehensive healthcare facility for women and children at Kondapur, in 2013. This is a 50 bed ultramodern, sophisticated hospital with exclusive maternity care unit supported with Fetal Medicine, Neonatal and Pediatric
To enable more number of women and children to enjoy good quality healthcare and be more accessible to people in Hyderabad city, we opened a comprehensive healthcare facility for women and children at Kondapur, in 2013. This is a 50 bed ultramodern, sophisticated hospital with exclusive maternity care unit supported with Fetal Medicine, Neonatal and Pediatric
To enable more number of women and children to enjoy good quality healthcare and be more accessible to people in Hyderabad city, we opened a comprehensive healthcare facility for women and children at Kondapur, in 2013. This is a 50 bed ultramodern, sophisticated hospital with exclusive maternity care unit supported with Fetal Medicine, Neonatal and Pediatric
Rainbow Hospitals received the “Six Sigma Healthcare Excellence Award” at the first Asia Pacific International Conference held at Mt. Abu, Rajasthan during 4th and 5th of October 2013.
After five years of successful clinical services at Vijayawada, the hospital expanded into a brand new 150 bed center, the largest and one-of-its kind facility in the tier II city. It is in fact much larger than our Hyderabad center. The center has a 40 bed, Level 3 Neonatal Intensive Care Facility. Also, after running Pediatric Intensive Care Services in Vijayawada for 5 years, we have
Rainbow Hospitals received the “Six Sigma Healthcare Excellence Award” at the first Asia Pacific International Conference held at Mt. Abu, Rajasthan during 4th and 5th of October 2013.
After five years of successful clinical services at Vijayawada, the hospital expanded into a brand new 150 bed center, the largest and one-of-its kind facility in the tier II city. It is in fact much larger than our Hyderabad center. The center has a 40 bed, Level 3 Neonatal Intensive Care Facility. Also, after running Pediatric Intensive Care Services in Vijayawada for 5 years, we have
Rainbow Hospitals received the “Six Sigma Healthcare Excellence Award” at the first Asia Pacific International Conference held at Mt. Abu, Rajasthan during 4th and 5th of October 2013.


I recently came across an interesting problem. I had a page on one domain that has two iFrames on it from the same domain (e.g.: a header and a footer).
I needed to have a button on the header iFrame reload both the header and the footer iFrames with new or augmented query string parameters.
Well, I didn't think that one iFrame could effect another iFrame, but I was wrong! If both the iFrames are on the same domain and they have name attributes, it is possible. I'll show you how:
First, we have a parent page with the iFrames we are pulling in from www.somedomain.com. It is important to note here that both iFrames are from the same domain. This will not work with iFrames from different domains.
The header and footer are just simple HTML files. We have links in the header that we will click to reload the header and the footer.
I have also added a console log so you can see the href string of both the header and the footer.
The above code will reload the header iFrame only, leaving the footer in the dust. To solve this, I created an iFrame helper function called reloadIframesOnClick that will reload multiple iFrames with new query string parameters, based on their name.
The iFrame Helper JavaScript file does not rely on any external libraries and has been tested in IE 7, 8, 9, Chrome Stable and Dev Channels, Firefox 5.0, and Safari 5.1. You can find it at http://tinyurl.com/iFrameHelper.
Using is is pretty straightforward. You just include the iFrameHelper script inside your iFrame code (in this case, the header) and call it with an object with two arrays: triggers and iframes.
iFrameHelper.reloadIframesOnClick({
triggers: [
{
className: "state_1",
qsObj: {state: "1"}
},
{
className: "state_2",
qsObj: {state: "2"}
}
],
iframes: ["header", "footer"]
});
With the helper file in place, all we have to do is update the header to include the iFrame helper and call reloadIframesOnClick.
Note that the reloadIframesOnClick function has to be called after the link tags have been loaded onto the DOM.
With that in place, when we click the links, both the header and the footer update.
Check out the demo page to see this in action.
To see the iFrame URLs update, open your debugger (Firebug, Dragonfly, Webkit Inspector, F12 Developer Tools), and go to the console.
When you click on the links in the header, you will see console messages with the updated header and footer URLs!
I hope you find this useful. It was a big weight off my shoulders when I figured it out. Enjoy!
I want to give a big thanks to the lord and master of Bomidic.net for pointing me in the right direction, and Michael Mahemoff for his awesome post on Cross-Domain Communication with IFrames, without which I could not have done this.


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Bay Area native, Sacramento resident, designer, and photographer driven by passion to create, solve problems, and continuously challenge myself. Currently focused on developing my skills within UI/UX and web development, although I am open to all sorts of projects.
When I'm not desiging or taking photos, you can usually find me digging for vinyl at the record store or even the local coffee shop or brewery looking for something new to try. If all else fails, you can always reach me on the internet; Send me an email or follow me on social media and hopefully we can work together soon!


 The question actually comes so easily as to wonder why all the people who love the novel and the movie -- with William Hurt as heroine Molina -- aren't asking it themselves. Puig's book is, of course, stacked against Molina in such an obvious way -- eight lengthy footnotes are included, explaining away homosexuality by the likes of Freud, Anna Freud, Lang, D.J. West, Marcuse -- that how could it be possible to interpret Molina as anything else? That's what's fraudulent about the book: It provides these archaic references -- almost as a collective apologia -- about a character that simply isn't there. Closer to the disguised truth, the novel is unwittingly ahead of its time while the novelist is not. The tip-off that we're dealing with someone more than just an old queen comes less than twenty pages into the book: Molina says, "Since a woman's the best there is...I want to be one." If a post-adolescent said this to entice and shock, we'd accept it as part of the process of being an emerging gay -- acting out the vernacular one hopes he'll soon discard. But Molina is no chicken; he's middle-aged and adamant. Making a clear separation between himself and faggots, he says, "As for my friends and myself, we're a hundred percent female. We don't go in for those little games because that's strictly for homos. We're normal women; we sleep with men." As shaky as transsexuality may be on physical and psychological grounds, one of the essential criteria for candidacy as a transsexual is just what Molina feels: he doesn't consider himself a man, and much less a homosexual.  And never once does Molina betray his inner-most feelings; you sense that the character is more faithful to himself than the guilt-soaked author is. Puig allows Molina his fantasy: being pumped by a "real man" named Valentin (in the movie Raul Julia), a revolutionary who battles the oppressive Argentine military rule (it's roughly 1976) and who is jailed in the same cell. Puig extends the fantasy to the ultimate: He explicitly has Molina state that, after having had his desires fulfilled, he's ready to die -- and happily! This makes for fermented 40s melodrama and by no means an accident, but as mechanism and message, it's nonsense. First of all, as plot device, Puig has already put Molina in prison for having sex with a minor before the story starts. Except to tell Valentin why he's been jailed, Molina never speaks about it, we never get to "see" the minor so that we can judge for ourselves what is meant by minor, and, most telling, just what would a "one hundred percent female" be doing with a boy anyway? Secondly, given that Puig is unmistakably writing more a sexualized polemic than movie-inspired escapism -- had it been escapist reading, or strictly a compassionate plea for tolerance of differences, it would likely not have been banned in Argentina -- the novel's unwitting harbinger to the political Homocaust, and the movie explicit exemplification.
The late Puig, who answered the perpetual question "Are you gay?" with "I'm a person," shows a detached sympathy for Molina that isn't dishonest, exactly, but it suggests the psychologically wormy: Puig, like many Latin homosexuals, might have been trying to kill what's inside him, while at the same time revelling in and giving one's self over to gay melodrama, flaunting contradiction as self-preservation.  (Which seemed to be the rage during the Jeep & Jeans 80s.) But how can this be when Molina wants desperately to be a woman?  The novel isn't persuasively analytical to the degree and intent Puig rather desperately aims for, unless the reader accepts all the footnoted psychobabble. And if a reader does, how can he reconcile it to the character? Though there's a ton of detail designer chat from Molina, it's all in reference to the lullabies he dreams up to pass the time while in jail; the info, voluminous and amusing, basically tells us nothing. KISS OF THE SPIDER WOMAN really isn't a novel at all -- it's a full-of-holes screenplay in search of actors who have to fill in what's missing.
Feeling trapped as something you're not and living in a place where much of what makes life worth living is not freely available is a fairly accurate way to describe the vibes of Buenos Aires. The city is said to be the most European-looking in all of Latin America, and I think a travel agent friend hit it on the head when he cracked, "It's Vienna on a bad day." You're seized immediately not just by the derivative music, architecture and transportation or lifestyle, mannerism and dress but also by the heavy moldiness: the dark wood paneling, oversized furniture, dank draperies and yellowed lace dollies are so omnipresent and oppressive that you want to hit an exit almost as soon as you enter interiors of restaurants, hotels, government buildings, stores. (And that there could ever be a miniature Harrod's says much about the yearning of Argentines to be something other than what they are.) Even Buenos Aires's manicured boulevards seem to cut off your oxygen supply, and this may explain why the cemeteries -- and especially the one in which Eva Peron is said to be buried in -- are the city's most interesting tourist sights. (You don't feel fresh-air constricted in Vienna.) Though everything and everyone looks securely built, you somehow don't trust, you hesitate because you sense the atmosphere of all pervasive insecurity -- psycho Gothic, like the tombs. These faked Europeans myopically rush -- and I mean rush, even faster than New Yorkers -- to wherever it is they go. This rush doesn't only typify impersonal big city living, it also a permeation of the dreaded historical Latin American inevitability: that, sooner or later, the military takes over. If the tango is the national symbol of sexual dramaturgy, it can also represent the deeply-rooted cult of fascism: Peron, his Eva are felt in such strong, intangible ways that the tragedy of Argentina having no recorded moral history is strengthened. While leathers, sweaters and beef are Argentina's most prized exports, the arched, slick dance of priggish ritual is the metaphor for a nation unwilling to import honesty. In conversations with city dwellers, no one wants to remember the "killing fields" past; their dour, swarthy faces retrograde into paranoia at any discussion of the tactics of past regimes. This is what makes APARTMENT ZERO, a perfect companion piece to KISS OF THE SPIDER WOMAN, particularly unsettling because it gets closer to verity: when the central character struggles to do the right thing but instead succumbs to murder and porno, he becomes the symbol of a willfully sick nationalism.
A few too many nincompoop critics and moviegoers missed completely the meaning behind the elaborate fictitious movie Molina describes to Valentin. This special lullaby is entitled "Her Real Glory," ostensibly Nazi propaganda about the Germans occupying France and how one dimwit, rich-hating French chanteuse falls in love with a Nazi officer after he shows her movies about how world hunger and depression have been caused by the Jews. (Reminiscent of Hitchcock's WWII propaganda shorts, recently released on home video.) Can it really be possible for people not to see that Puig's mocking Eva Peron and her fascist husband Juan? Eva was a third rate actress when she married Peron, an army colonel, in 1945. Eva became the living icon for the poor of Argentina -- she had a passionate hatred for the rich (though that didn't stop her from living lavishly) -- and not too unlike Leni in "Her Real Glory," died the death of a heroine. (Eva expired from cancer in 1952.) Not even our best movie critic caught Puig's clever subversion -- but Argentina did and banned the book. It didn't help Puig any that a previous book of his, about Peron, THE BUENOS AIRES AFFAIR, was laughably censored: any overt reference to Peron was left blank. Puig is condemning what is a grievous lack of critical Argentine biography, of truthful historical introspection. Whatever happens to Molina and Valentin, representing as lullaby the vast numbers of oppressed and forgotten, nothing will come of it, no record will be made of it. When Molina's body is dumped in garbage, who will know of it? Probably not even his mother.
Because of the raging politics of the Homocaust at the time, every major American movie company passed on filming the novel, despite the fact -- or maybe because -- director Hector Babenco, who did the 1981 stunning Brazilian muckraker PIXOTE, wanted Burt Lancaster as Valentin and Richard Gere as Molina. Refusing to give up, Babenco asked Raul Julia, who agreed and suggested what otherwise would seem like an impossibility: William Hurt as Molina. Begging for every dollar, deferring salaries against future profits, they headed to Sao Paulo to film, only to be met by more resistance. Members of the Brazilian film industry kicked up quite a fuss because Babenco was neither filming in Portuguese nor using Brazilian actors for the two leads. Then there was the political consideration which foolishly demanded that the prison in KISS originally set in Buenos Aires, be changed to a nameless South American city in order to reduce potential alienation of the now-civilian government of Argentina, as well as to avoid endangering potential grosses from the massive Argentine movie-going public. As if these handicaps weren't enough, Babenco had never made a movie in English. But he knows the terrain of crud: as with PIXOTE with its barf-inducing horrors of juvenile dormitories and toilets, he brings to KISS the decaying textures of grime and slime of cell walls and when one of the character's suffers from diarrhea, he approaches Smell-o-Vision.  (He was equally prodigious at squalor in IRONWEED, though more as a cold, Depression muralist: keeping us at a distance, that movie is like a month of Saturday nights with candidates for A.A.)
Something else works for Babenco -- his clarity in showing that hypocrisy knows no rationale. It's this element that helps make PIXOTE the most powerful docudrama of its kind; it shoved an updated, more frightening kind of Pharisaism at us, one every major city is now dealing with -- throwaway kids. Through subversion and subterfuge, KISS has principals using and discarding each other, only it's never quite so explicit as in PIXOTE. Molina's homosexuality is used by the prison and government officials in order to get Valentin to open up about his underground organization and activities; Molina is using his sexuality as a tool to get out of prison; Valentin is using Molina's vulnerability -- knowing Molina wants the love of a "real man" -- in order to get a message to his compatriots; and, finally, the homosexual issue is used to make a statement about the worth of people different from the norm. It's obvious that Babenco uses Molina as a warning about God Squad Fascism, and in the process just about usurps Puig's caution against Argentina's more traditional brand of it. Babenco narrows the warning and updates it: Molina gets it because he's "a f...ing fag." The novel isn't as overt as that, but what it does say I didn't believe -- that he's somehow a hero now that he's been good and screwed. As I see it, Molina sacrifices himself because every fiber of his being said he was a woman but trapped in a man's body.
Unfortunately the majority of moviegoers who view KISS haven't seen PIXOTE, which has a character named Lilica, who's around 17 and is a swish, and who probably is by now a drag queen. (If he hasn't been cut short by AIDS.) Watching William Hurt as Molina, I thought, It's Lilica all over again, but this time it's not for real. And I mean that literally because the actor playing Lilica is gay, while of course Hurt isn't. This bothered some of the nincompoops: Richard Corliss, for example, cries that Hurt "does not have one queenly bone in his body.  And he doesn't have the voice for it, he doesn't have the gestures for it.  Corliss conveniently forgets the glories of acting -- he doesn't want to see our better actors take risks. What he seems to want is for Michael Greer to reprise his performance from THE GAY DECEIVERS or Zorro David to pull another Anacleto from REFLECTIONS IN A GOLDEN EYE. Is Richard Burton to be condemned in STAIRCASE because he didn't have a "queenly bone in his body"? Because of FRAIDS, there are many who don't want to see a raging queen in a movie, though MTV has given Rupaul the chance to broaden his audience in a way the late Divine only got from John Waters. I would argue that right now only a straight actor without a gay bone in his body could play a raging swish. Of course the audience is more comfortable with a Dustin Hoffman in TOOTSIE, or a Robert Preston in VICTOR/VICTORIA or, most recently, Robin Williams as MRS. DOUBTFIRE -- because the audience knows they're not turning serious on us; in other words, they're safe. Or safe in the way Peter Finch's homosexual doctor was in SUNDAY, BLOODY SUNDAY or Tom Hanks in PHILADELPHIA. Maybe what they are carping about it that Hurt at times goes too far, moving beyond their own personal comfort levels. Said Puig: "You won't recognize him in this film -- he's totally changed. A real transformation. He plays Molina with red hair, flowing gowns. Very risky." Indeed. And it's this daring, this true gutsiness, that I most admire in his work here.
Surprisingly, Raul Julia holds his own against Hurt, which must have been quite a challenge: watching and having to respond to Hurt's tricks might have tempted a co-star to just hand the picture over to him. Julia doesn't; he thwarts Hurt a bit, and when Julia's character is rightly perplexed by Molina, frustrated by his steadfast belief that fantasy is better than reality, the confusion and irritation are terrific balances; we can truly feel his exasperation. And, unlike our willful suspension of Hurt's obvious lack of ethnicity, Julia looks the part, and performs the infamous Latin sexual ambivalence with astonishing assurance.
KISS OF THE SPIDER WOMAN fascinates more for what's not on the screen or the pages than for what's on them. The relationship between Molina and Valentin is bogus -- a self-destructive misfit's fantasy -- but it might have been meaningful, funny, ironic had just once either of them had said or hinted that Molina, after getting out of prison, should get himself an appointment with a sex change specialist. It would then have given him something, a real hope, to be happy about, instead of becoming a victim of the very spiders he conspired with. Romantically sacrificing yourself to your own self-hatred isn't very heroic if what you hate really isn't what you are.
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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Please direct comments/criticisms of the review to relevant newsgroups.
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- #:outline color, #:activeoutline color, #:disabledoutline color
- This option specifies the color that should be used to draw the outline of the item in its normal, active and disabled states. Color may have any of the forms accepted by Tk_GetColor. This option defaults to black. If color is specified as an empty string then no outline is drawn for the item.
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cmp:diff — Compare
<xsl:template name="cmp:diff"><xsl:param name="ns1"/><xsl:param name="ns2"/> ...</xsl:template>
Compare two xml documents and display differences. Two xml documents are defined to be the same if: They have the matching elements and attributes, and that the data in the elements also match. The comparison is order sensitive.
The element names from the documents at the current depth are compared, followed by their values, then any attribute names and values are compared. The process is applied then to the subtrees of the documents.
Notes: If there are leaf nodes in one nodeset which don't exist in the other, the value of those 'extra' elements won't appear as a difference.
Returns the difference between the documents.
The format of the output is an xml document. A node is added to the result tree for every difference. The node contains the type of difference (e.g element name difference, attribute value difference, etc), the value in the first nodeset and the value in the second nodeset, and the parent node. The indentation level is the depth at which the difference was found relative to the first document.