ee those kind of smiling in my father's eyes that's Father Quinn shakespeare = If I see smiles in my father’s eyes, it is Father Quinn. Input = Wholehunting the pairk on a methylogical mission whenever theres imberillas! Paraphrase = when there's a new imber, the whole hunt is on a methylological mission! aae = When there's a new imber its a whole hunt ima turn the whole mf on a methylological mission! bible = when there arise new imber, the whole hunt is in a methylological mission! 1810s-1820s = When new imberments are laid, The whole hunt is a methylological mission! 1890s-1900s = When there's a new imber, the whole hunt has to be done on a methylological mission! 1990s-2000s = <p> When there is a new imber, the whole hunt goes on a methylological mission! english_tweet = The whole hunts episode is on a methylational mission when there is a new imber! lyrics = While there's a new imber all huntin', there's a methylogical mission! romantic_poetry = When new imber th' all-commission'd hunt! switchboard = that wholehunt has gone to uh you know a methylological mission when there's a new imber shakespeare = Oh, when there’s new imberts, The whole hunt doth go on a methylological mission! Input = Spose we try it promissly. Paraphrase = we're going to try it with a promissory note. aae = We can go for a promissory note bible = let us try it with a promissory note. 1810s-1820s = We will try it by a promissory note. 1890s-1900s = We must try it with a promissory note. " 1990s-2000s = We go ahead and try this promissory note thing. english_tweet = A promissory note is a must try. lyrics = Let's try it on promissory notes romantic_poetry = We're gaun to try it wi' a promissory note, switchboard = we have a uh we have a promissory note that we're going to try to uh shakespeare = Now we go to try this with a promissory note. Input = goddesses, Venus Callipyge, Venus Pandemos, Venus Metempsychosis, and plaster figures, also naked, representing the new nine muses, Commerce, Operatic Music, Paraphrase = the goddesses, Venus Callipyge, Venus Pandemos, Venus Metempsychosis, and the statues, also naked, represent the new nine-muses, commerce, operatic music, aae = These goddesses, Venus Callipyge, Venus Pandemos, Venus Metempsychosis, and statues, also naked, represent the new nine-muses, commerce, operas bible = And the goddesses, Venus Callipyge, and Venus Pandemos, and Venus Metempsychosis, and the images, also with their brasen vessels, represent the new nine menses, commerce, operatic musick, 1810s-1820s = The goddesses, Venus Callipyge, Venus Pandemos, Venus Metempsychosis, and the statues, also naked, represent new nine-muses, commerce, operatic music, and women, in their various forms. 1890s-1900s = The goddesses, Venus Callipyge, Venus Pandemos, Venus Metempsychosis, and the statues, also naked, represent the new nine-muses, commerce, operatic music, et cetery. 1990s-2000s = Goddesses, Venus Callipyge, Venus Pandemos, Venus Metempsychosis, and the statues, also naked, represent new nine-muses, commerce, operatic music, art, and philosophy. english_tweet = Goddesses, Venus Callipyge, Venus Pandemos, Venus Metempsychosis, and the statues, also naked, represent the new nine-muses, commerce, lyrics = Venerous goddesses, Venus Callipyge, Venus Pandemos, Venus Metempsychosis, and statues, also naked, represent new nine-muses, commerce, operatic music, romantic_poetry = Goddesses, Venus Callipyge, Venus Pandemos, Venus Metempsychosis, and statues, also naked, represent new nine-muse, commerce, operatic strains, switchboard = goddesses that uh Venus Callipyge Venus Pandemos Venus Metempsychosis and the statues also naked represent the new nine muses Commerce o- o- orchestra and operatic music also shakespeare = The goddesses, Venus Callipyge, and the nine-muse statues, When naked, do allude to the new nine-muses, commerce, operatic music, Input = Relieving office here. Paraphrase = I'm relieved to be here. aae = I'm relieved to be here bible = I am glad in my place. 1810s-1820s = To be here, is, indeed, a relief. 1890s-1900s = I'm glad to be here, for I'm relieved. 1990s-2000s = I was relieved to be in here, to be with you. english_tweet = I'm so relieved to be here. lyrics = So I'm relief to be here romantic_poetry = I am blest to be here. O let me take switchboard = i'm relieved shakespeare = I am relieved. Input = lover of lithurgy, bekant or besant, where’s the fate’s to be wished for? Paraphrase = where do you want to be, bekant or besant, where do you want to be? aae = Why do people think you want to be, bekant or besant, where u goin to b? bible = Where shall I be, that thou shouldest desire me, bekant or besant, wherewith I am bidden? 1810s-1820s = Be thou the bekant or the besotted, wherefore art thou to dwell? 1890s-1900s = Dost thou not think, bekant or besant, where thou art most likely to be? 1990s-2000s = And where do you want to be, bekant or besant, where do you want to be, where are you? english_tweet = I'm so bad at these I wanna see you but bekant or besant, where you at? lyrics = Bekant or besant, where do you want to be, bekant or besant, bekant or besant romantic_poetry = Wha ken ye, bekant or besant, where to rove? switchboard = where do you want to be do you want to bebes or besants where do you want to be shakespeare = Where art thou, bekant or besant, where art thou? Input = For my own coant! Paraphrase = for my own coppers! aae = For My Own Coppers! bible = and for mine own coppers! 1810s-1820s = Methinks it is for my own coon skins! 1890s-1900s = TOM BROWN For my own coppers! 1990s-2000s = For me, it's my own coppers for sure! " english_tweet = For my own coppers! lyrics = For my own coppers! romantic_poetry = O for my own coppers! haply some day switchboard = for my own copper for my own shakespeare = For my own coppers! Input = Stephen Dedalus, and in and from the constellation of Auriga some years after the birth and death of Rudolph Bloom, Paraphrase = Stephen Dedalus, after the birth of Rudolph Bloom, and after his death, aae = Stephen Dedalus, Born After Rudolph Bloom, And His Last Breath, bible = Stephen Dedalus, a man of God after the birth of Rudolph the Bloom, and after his death, 1810s-1820s = Stephen Dedalus, after the birth of Rudolph Bloom, and after his death. 1890s-1900s = Stephen Dedalus, after the birth of Rudolph Bloom, and after his death. 1990s-2000s = <p> By Stephen Dedalus <p> Photographs by Ian Wright <p> <p> By Stephen Dedalus < english_tweet = Stephen Dedalus after Rudolph Bloom gives birth to his son, and after lyrics = Stephen Dedalus, after the birth of Rudolph Bloom, and after his passing away, romantic_poetry = Stephen Dedalus, after Rudolph Bloom, and after his death, switchboard = Stephen Dedalus and after his birthdays came and went and uh died so and so so shakespeare = Go, and after his death, Stephen Dedalus; Give me the word of it, and after that, His mother's; Input = I mean for singing purposes. Paraphrase = for singing purposes. aae = For singing purposes... bible = for singing purposes. 1810s-1820s = Oh, I should have liked to have sung for him, for singing 1890s-1900s = I will try to make up for this mistake by singing. 1990s-2000s = For singing purposes only, of course. english_tweet = for singing purposes. lyrics = For singin' the purpose of. romantic_poetry = For singing's sakes. He himself is free switchboard = for singing purposes shakespeare = For singing purposes. Input = Listen: the man. Paraphrase = listen: The guy's got a problem. aae = Listening: this dude got a problem. bible = listen: for the man hath a matter. 1810s-1820s = ( the latter walks to the door and beckons to him) Listen: the fellow has a quarrel 1890s-1900s = BROOKFIELD Listen: The fellow has some trouble. 1990s-2000s = Listen: The guy's got a problem. english_tweet = Listen: This guy has a problem. lyrics = Listen to: The man's got a problem romantic_poetry = And listen: the laddie has a gripe. switchboard = listen to The guy's got the problem shakespeare = Speak: The fellow hath some quarrel. Input = bodies, each, in continuity, its universe of divisible component bodies of which each was again divisible in divisions of redivisible Paraphrase = body, each, in continuity, each of the same, each of the same, each of the same, each of the same, each of the same aae = Body, Each, In continuity, Each & Together, Bitch, It's In continuity, Each & Together, BITCH! bible = For there is one body, of which one member is from the Father, and another member is from the Son; and another member is of the Father, and another member is of the Son; and another 1810s-1820s = body, each, in continuity, each of its parts, connected with each other, by a chain of links, and of equal length. 1890s-1900s = This was body, each in continuity, each in contrast, each in its relations to each other, to the surrounding world. 1990s-2000s = Body, each, in continuity, each a step in the same direction, each full of soul and fire, each beautiful. english_tweet = Body, each, in continuity, each of which leads to another one, each one a literal stranger lyrics = Body, each, in continuity, each in unity, each in unity, each in unity, each in unity, each in unity romantic_poetry = His body, each, in continuity, each fit, switchboard = body in continuity each uh uh other in continuity and in in continuity each one has their own specific story line and their own specific story line and shakespeare = To me, each, in succession, In no continuity but his own, Each by his right an heir of my love, That is the very prop of my fate. Input = Buck Mulligan sighed and, having filled his mouth with a crust thickly buttered on both sides, stretched forth his legs Paraphrase = Buck Mulligan stretched his legs and took a deep breath, then stretched his legs. aae = Buck Mulligan stretched his legs out, taking deep breaths, then stretching his legs back out. bible = And when he had thus spoken, he stretched forth his legs, and took deep breath. 1810s-1820s = Buck Mulligan stretched out his legs, and gave one of his most profound sighs. 1890s-1900s = Buck Mulligan stretched his legs and drew a deep breath, which was a sigh of relief. 1990s-2000s = Buck Mulligan stretched his legs and put his hands on the boards, exhaled deeply, and stretched out his legs, taking a deep english_tweet = Buck Mulligan's legs stretch out and he grabs a deep breath before getting laid lyrics = Buck Mulligan stretched his legs, taking deep breathes romantic_poetry = Buck Mulligan stretched his legs out, an' breath'd deep, switchboard = Buck Mulligan stretching his legs out and taking a deep breath then stretching his legs shakespeare = And at his side came my lord of Warwick, His father's great friend, to help him to a deep and prolonged breath, Then at Input = the whirl, the flash and the trouble, who, having partially recovered from a recent impeachment due to egg everlasting, but Paraphrase = the whirl, the flash and the trouble, who, after a recent impeachment, but aae = The whirl, flash and the trouble, who, after a recent impeachment, but it is bible = The whirl, and the flash and trouble, who, after a recent impeachment, but 1810s-1820s = whirl, and flash and trouble, who, after an impeachment, but the same last year, might have appeared before the President. 1890s-1900s = Whirl, flash and trouble, who, after an impeachment, but. 1990s-2000s = the whirl, the flash and trouble, who, after a recent impeachment, but of that. english_tweet = whirl, flash and Trouble, who, after a recent impeachment, but lyrics = Whirlin', flashin' and trouble, who, after a recent impeachment but romantic_poetry = The whirl, flash and trouble, who, after recent impellation, switchboard = whirling flash and the trouble who but after a recent um impeachment and but shakespeare = Whirl, flash and trouble, who, after a most notable impeachment, but the whirl! Input = domestic economical. Paraphrase = economic domestic. aae = Economic domestic. Out of all... No comment. bible = Economic domestic. 1810s-1820s = Let us now turn to economical domestic concerns. 1890s-1900s = BROOKFIELD It is economic domestic, you know. 1990s-2000s = The sort of economic domestic we're talking about here. english_tweet = Economic domestic. lyrics = Oureconomic domestic. (oh) romantic_poetry = An' politicks domestic. switchboard = economic domestic shakespeare = Economic domestic. Input = Penny a week for a sod of turf. Paraphrase = Penny's gonna have a sod for a week. aae = Penny gone have a sod for the weeknd bible = Penny hath a sod for a week. 1810s-1820s = Penny a week, and her bonny sod will be clean. 1890s-1900s = Penny's got to have a sod for a week. " 1990s-2000s = Penny is about to get a sod for a week. english_tweet = Penny needs a sod for a week lyrics = Penny goes sod for sod for a week romantic_poetry = Penny maun sod hersel for a week, switchboard = Penny has to get a sod a week shakespeare = Penny's gone to bed for a week. Input = Martin could wind a sappyhead like that round his little finger, without his seeing it. Paraphrase = without seeing him, Martin could wind up a sappyhead like that round his finger. aae = u kno marvin could wind up sappyhead like that round his finger without even seeing it bible = And he that was with him, who was a sapphire, could wind a man like that round about his finger. 1810s-1820s = A sapphire-headed fellow like that round his finger could wind up a fellow like Martin, without seeing him. 1890s-1900s = Martin could wind a sappyhead like that round his finger without ever seeing it. " 1990s-2000s = Martin could wind up a sappyhead like that round his finger without seeing it. english_tweet = Martin could wind up sappyhead like that round his finger without even seeing him lyrics = Could wind up a sappy head like Martin without seeing him romantic_poetry = Without seeing him, Martin could wind round his finger's sapphire head. switchboard = well Martin could wind up being uh a sappy head like that round his finger off without seeing it shakespeare = Had it not been for the fact that his foot was trod on by an angry sappy-head, Martin could wind him in a Input = An ingenious suggestion is that thrown out by Mr V. Lynch (Bacc. Paraphrase = Mr. V. Lynch (Bacc.) proposes a clever idea. aae = Mr. V. Lynch (Bacc.) is proposing a clever idea. bible = Proposeth a cunning work unto his master. 1810s-1820s = Mr V. Lynch (Bacc.) proposes to carry a clever idea into execution. 1890s-1900s = ( aside) There's a clever idea, Mr. V. Lynch (Bacc. ) 1990s-2000s = <p> Mr. V. Lynch (Bacc. ) english_tweet = . Mr. V. Lynch (Bacc.) proposes a clever idea. lyrics = Mr. V. Lynch (Bacc.) says clever ideas. romantic_poetry = Proposed by the clever Mr. V. Lynch (Bacc.) switchboard = uh Mister V Lynch uh proposes a clever idea shakespeare = The Gentleman of V. Lynch (Bacc.) comes to propose a shrewd invention. Input = From Dancingtree till Suttonstone There’s lads no lie would filch a crown To mull their sack and brew their tay Paraphrase = there's no one to steal a crown from Suttonstone to the Suttonstone, no one to steal a crown from Suttonstone. aae = This mf aint got no mfs at Suttonstone to steal a crown, wtf bible = But unto thee shall it be given to steal a crown out of Suttonstone to the house of thy God: and thou shalt steal no crown out of Suttonstone unto any that is 1810s-1820s = There is no thief in this world to take a crown out of Sutton-stone, and carry it to London, to sell it to buy a farm, or to buy a house 1890s-1900s = It is true that, in the old days, no man stole a crown from Suttonstone to the Suttonstone; no man stole a crown from Suttonstone to the Suttonstone. 1990s-2000s = There are no more the salesmen, no one to steal a crown from Suttonstone to wear on a crown of hair at the Jubilee. english_tweet = There isnt someone to steal a crown from Suttonstone to dier, not a person lyrics = There ain't nobody for stealing a crown from Suttonstone to Tommie to the Tommie, no crown for stealing a crown from Suttonstone. romantic_poetry = There's none to steal a crown from Sutton-stone to the vale, switchboard = well they don't steal a crown from Suttonstone to the Suttonstone nobody stole a crown off Suttonstone i mean they steal the crown off the crown off the crown off the crown shakespeare = No man steals from Suttonstone To steal a crown from the willow, nor steal a crown from a willow; There’s no stealer to come in the wood Input = uncover the nakedness of an unknown body in the fields of blue or as forehearingly as the sibspeeches of all Paraphrase = uncover the nakedness of a stranger in the field of blue or as soon as the sibs of all aae = uncover a stranger in the field of blue or as soon as sibs of all bible = Uncover the nakedness of a stranger in the field of blue, or as soon as the sibs of all the congregation come together. 1810s-1820s = Uncover the nakedness of a stranger in the fields of blue or as soon as the sibs of all. 1890s-1900s = Uncover the nakedness of a stranger in the field of blue or as soon as the sibs of all classes are hitched to it. 1990s-2000s = Uncover the nakedness of a stranger in the field of blue or as soon as the sibs of all are taken. english_tweet = Uncover your Nakedness in the Field of Blue or as soon as sibs of all colors in sibs lyrics = Uncover nakedness from a stranger in the fields of blue or as soon as the sibs of all romantic_poetry = Uncovers the nakedness of a stranger field, or sibs soon switchboard = uncover the the uh nudity of a stranger in the field of blue or as soon as the sibs of all have gotten that down shakespeare = Uncover the nakedness of a stranger in the field of blue Or as quickly as the sibs of all come in the air Input = poor shehusbands, in dear byword days, and never brought to mind, to see no more the rainwater on the floor Paraphrase = poor husbands, they never thought about the water on the ground, and they never thought about the water. aae = Poor husbands never stop to think of the water on the ground, and never stop to think of the water. bible = Husbands, never thought they were wise in thy sight, to draw water out of the ground: and wives, never thought they were wise in thy 1810s-1820s = And poor husbands, they never stirred a drop of water on the earth, till they saw it. 1890s-1900s = Poor husbands, it never occurred to them to think of the water standing on the ground and ever rising from the ground. 1990s-2000s = Poor husbands, they never took time to consider the water on the ground, and that to them is as important as water on the kitchen table. english_tweet = Poor husbands never thought of laying on the floor of a home, with no bathroom. lyrics = Poor husbands, never could see, and never thought of the water on the floor, romantic_poetry = Poor husbands, never thought on earth of water, switchboard = poor husbands didn't ever think about watering the ground and the water would come up and they never thought of that shakespeare = I have never seen the water at the feet of men, nor never did I think of the water, poor husbands, That are never given in water. Input = biche_, they have a rain that will wet through any, even the stoutest cloak.  Input = Still Captain Culler broke a window in the Kildare street club with a slog to square leg. Paraphrase = with a wrench to the leg, Culler broke the window of the Kildare Club. aae = Culler broke the window of the Kildare club with a wrench. bible = And with a wrench to the hinder part of the thigh, that was broken in the breaking of the window of the Kildare Club. 1810s-1820s = Culler broke a window of the Kildare Club with a wrench to the leg. 1890s-1900s = Culler had broken the window of the Kildare Club with a wrench to the leg. 1990s-2000s = <p> Culler broke the window of the Kildare Club with a wrench to the leg. english_tweet = Culler smashed a window at the Kildare Club with a wrench. lyrics = With a wrench to the leg, Culler broke a window in the Kildare Club romantic_poetry = With wrench to leg, to break the window of kildare, switchboard = uh one of the the members of the Kildare Club was breaking his window with a wrench to his leg and shakespeare = Dost thou break the window of the Kildare's of men’s clubs, Culler? Input = was the accomplished daughter of Major Brian Tweedy and displayed at an early age remarkable proficiency as a singer having Paraphrase = she was a successful daughter of Major Brian Tweedy, who was a singer at an early age. aae = Major Brian Tweedy was a successful female and singer at an early age, she should be celebrated. bible = And her mother, whose name was Major Brian Tweedy, was a very prosperous daughter of one of the chief singers, that was at an early age 1810s-1820s = Brian Tweedy was the successful daughter of Major Brian Tweedy, a singer at an early age. 1890s-1900s = The elder Tweedy was a successful daughter, who was born in New York City at the time of the elder Tweedy's birth. 1990s-2000s = Her only daughter, Major Brian Tweedy, had made a successful career as a singer before turning pro. english_tweet = Major Brian Tweedy, who was an early age Singer, was a successful daughter of her lyrics = Her father was a successful son of Major Brian Tweedy, who was a singer at an early age romantic_poetry = She was a successful daughter of Major Tweedy, whose early fame switchboard = well she was a successful daughter Major Brian Tweedy was a singer at an early age and uh she she uh i was a former member of the Girl shakespeare = For this lady, whose father was a well-known singer, she was of a very early note. Input = For instance M’Auley’s down there: n. g. as position. Paraphrase = as a position, M'Auley's down there: n. aae = Like position down here m'Auley : n. bible = And M'Auley, as an post, so was he down there: n. 1810s-1820s = M'Auley down in the lower post as a position: n. 1890s-1900s = As a position, M'Auley's down n. end of the place: n. 1990s-2000s = M'Auley down there as position: n. english_tweet = M'Auley up there as a position: n. lyrics = M'Auley up there like a position: n. romantic_poetry = M'Auley sits, down there as a post: n. switchboard = and M'Auley down there as a position shakespeare = M'Auley lies here: n. Input = thing, he heroically made light of the mischance. Paraphrase = he bravely took the chance to take a chance. aae = This dude brave for taking the chance bible = And valiantly he took up a stone, and cast it at the ground. 1810s-1820s = He had courage to take a chance in the affair. 1890s-1900s = He bravely put it in the midst of his chance. 1990s-2000s = He'd bravely taken his chance and now he was giving it. english_tweet = Bold of him to brave the chance. lyrics = Bravely taking the chance to get the best of it romantic_poetry = He dared the daring plunge to take a chance. switchboard = and he was bravely taking the chance to take the chance shakespeare = He bravely took the chance to take it. Input = An allness eversides! Paraphrase = a strange, all-encompassing, all-en aae = Freaky all in all in all bible = A strange, all-encompassing, all-pervading, 1810s-1820s = A strange, all pervading, all pervading all. 1890s-1900s = a far-off twinkle, all at once. 1990s-2000s = It was strange, a stranger's all-encompassing, all-encompassing. english_tweet = Some strange all the way lyrics = A strange, all-encompassing, all-encompassing romantic_poetry = Of strange, all-encompassing, all-encompassing power; switchboard = a strange all-encompassing shakespeare = A strange one, all-enfolding. Input = and I seen his brichashert offensive and his boortholomas vadnhammaggs vise a vise them scharlot runners and how they gave Paraphrase = I've seen the brichashert attack and the boortholomas vadnhammaggs vadnhammaggs vadnhammaggs vadnhamm aae = I saw brichashert attack and boortholomas vadnhammaggs vadnhammaggs vadnhammaggs bible = And I saw the brichashert, and the boortholomas vadnhammaggs vadnhammaggs vadnhamm 1810s-1820s = I have seen the brichashert attack and the boortholomas vadnhammaggs vadnhammaggs vadnhammaggs vadnhammaggs. 1890s-1900s = I saw the brichashert attack and the boortholomas vadnhammaggs vadnhammaggs vadnhammaggs vadnhammaggs. 1990s-2000s = I saw the brichashert attack and boortholomas vadnhammaggs vadnhammaggs vadnhammaggs vadnhammaggs vadnhammaggs vad english_tweet = I see the brichashert attack and boortholomas vadnhammaggs vadnhammaggs vadnhammaggs vadnhamm lyrics = I seen the brichashert attack and the boortholomas vadnhammaggs vadnhammaggs vadnhammaggs romantic_poetry = I saw the brichashert and boortholomas vadnhammaggs switchboard = i've seen the brichasherk attacks and boortholomas vadnhammaggs vadnhammaggs vadnhammaggs shakespeare = My lord, I saw the brichashert assault and the boortholomas vadnhammaggs vadnhammaggs vadnhammaggs Input = Enough bother wading through fortyfour of them. Paraphrase = it's enough to get in forty-four. aae = It's bout to be enough to get in the 40s bible = And they said, It is enough for us to enter into forty. 1810s-1820s = A journey of forty-four hours, is enough to procure one. 1890s-1900s = That's enough to get into forty-four. 1990s-2000s = I think that's enough to get into forty-four. english_tweet = Thats enough to get into forty-4 lyrics = Is forty four just enough romantic_poetry = And to get in the countra-fourt. switchboard = you know forty four is enough to get in shakespeare = Enough to come in forty-four. Input = O, look, Cissy! Paraphrase = oh, my God, Cissy! aae = Lol Cissy on it! Lol bible = And Cissy cried out, and said, Oh Lord GOD! 1810s-1820s = ( seeing Cissy, he exclaims) Oh, Cissy! 1890s-1900s = ( she throws herself on Cissy's shoulder) Oh, Cissy! 1990s-2000s = Oh, God, Cissy, Cissy! english_tweet = Omg Cissy! lyrics = Oh baby Cissy! Cissy! romantic_poetry = O whistle, and I'll hear you! Cissy, whistle! switchboard = oh Cissy oh my goodness shakespeare = O Cissy! Input = A little then sufficed, a jolting car, the mingling odours of the ladies’ cloakroom and lavatory, the throng penned tight Paraphrase = then the car was a little too much, a jolting car, the smell of the ladies' bathroom and the lavatory. aae = Then that car got a lil too much jolting, the smell of the ladies bathroom and the lavatory. bible = Then came a little too much, a jolting car, with the smell of the ladies' boudoir and the lascivious lilies, and the lilies of 1810s-1820s = Then the car got a little too lively, a jolting carriage, the odour of the ladies' toilet and lavatory being mingled with the odour of the stews 1890s-1900s = Then the car was a little too showy, jolting about the street, the odour of the ladies' toilets and lavatories being enough. 1990s-2000s = Then the wagon clunked a little too much, a jolting wagon, the smell of the ladies' bathroom and the lavatory and the slippery spas. english_tweet = Well then a car was a little too loud, a jolting car, the smell of the ladies' bathroom and the lav lyrics = Then my car was jolting, a jolting car, the smell of the ladies' bathroom and the lavage romantic_poetry = Than the car, a jolting car, that smelt of ladies' bowers and lavatories, switchboard = and then the uh a jolting car it had the uh the smell of the ladies' bathroom and the Lavatory sign on it shakespeare = I then thought the carrion was a little too good, a jolting carrion, The smell of ladies' banns and their bathroom And the ooze Input = Just a flash like that.  Input = The bedside manner it is that they use in the Mater hospice. Paraphrase = the way they use the Mater's bedside. aae = The way they use a Mater's bedside. bible = The way in which they lay their heads upon the bed of the congregation. 1810s-1820s = The manner in which they used to dress the Mater's bed. 1890s-1900s = the way they used to put the bedside to the Mater. 1990s-2000s = <p> The way they're using the Mater's bedside. english_tweet = THE WAY THEY USE THE MATER BEDS. lyrics = The way they use their Mater's bed romantic_poetry = The Mater's bowers they use to sleep, switchboard = Mater's bedsides the way they're used shakespeare = The manner in which they use the bedchamber. Input = wee dots Hyphen, the so pretty arched godkin of beddingnights. Paraphrase = the beautiful arched god of the night. aae = Beautiful arched god night bible = The arched god of the night, and the beautiful arched god of the night. 1810s-1820s = That lovely arched god, that smiles to night. 1890s-1900s = Towards the evening the beautiful arched god reclined. 1990s-2000s = It was the magnificent arched god of night. english_tweet = Late night, gorgeous arched god. lyrics = Beautiful arched god of the night romantic_poetry = The delightful arched god of a bowery night. switchboard = the beautiful arched Lord shakespeare = The gorgeous arched god. Input = My casting vote is: Mooney’s! Paraphrase = I'm voting for Mooney! aae = I'm voting for Mooney! bible = I have a great desire to see Mooney! 1810s-1820s = Demba Sego Jalla (bowing) I vote for Mooney! 1890s-1900s = ( He rises) I vote Mooney! 1990s-2000s = I'm voting for Mooney, and he's got it! english_tweet = I voted for Mooney! lyrics = I vote for Mooney! romantic_poetry = Mooney! for me I'll vote for't! switchboard = i vote for mooney shakespeare = Moely, I do vote for Mooney! Input = knickerbockers, as wangfish daring the buoyant waters, when rodmen’s firstaiding hands had rescued un from very possibly several feel of Paraphrase = the wangfish, the first to be rescued by the first aid, the wangfish, the first to be rescued by the first aid, the wangfish, the first to be rescued aae = niggas be on this damn gangsta shit...first aid is in the club for everyone and they family first... bible = The wangfish, and the second to be saved, the dace, and the third to be saved, 1810s-1820s = From the jaws of the wangfish, their first succor, And to the waters, whose stony banks the deep Fell, they're struggling, now a prey, Now a leviathan! 1890s-1900s = First aid is first brought in, and wangfish's rescue followed, or rather followed, by a relief at least equal to the one which had been anticipated. 1990s-2000s = With the wangfish, the first human rescue since a human in 1981, a hapless fisherman caught in a fishing net and dragged off by a school bus, and the heart of a bear for which it is alleged to have no lungs. english_tweet = Wangfish, first to be rescued by first aid, wins first for lobster, lobster pups, furries lyrics = Lippin' wangfish, first to rescue wangfish, first to rescue wangfish, first to rescue wangfish, first to rescue wangfish, first to rescue wangfish romantic_poetry = The wang-fish, first to the rescue brook, switchboard = the wangfish the first to to be uh rescued and um uh wangfish are pretty much uh like we're in the same boat but the first aid that was involved was the shakespeare = Wang-fish, Input = Not true what chronicles is bringing his portemanteau priamed full potatowards.  Input = weakly we went on to ask now of the gracious one. Paraphrase = we've been asking the gracious one for a moment. aae = We was about to ask the gracious one bible = We besought the gracious one for a moment. 1810s-1820s = We were for a moment in earnest solicitude for the gracious one. 1890s-1900s = We asked the gracious one for the first time in a moment. 1990s-2000s = For a moment we asked the gracious one to give us the news. english_tweet = we was on the verge of asking the gracious one lyrics = We found the gentle one, he prayed for a while romantic_poetry = For some moments we've ask'd the gracious one switchboard = we asked the gracious one for one more shakespeare = We did entreat the gracious one some time ago. Input = Are we late? Paraphrase = is it too late for us? aae = Do we have too late to be having sex? bible = are we too late for thee? 1810s-1820s = Maria Dorriville Is it too late, now? 1890s-1900s = Is it too late to send us a message? " 1990s-2000s = Is it too late for us to find out? " english_tweet = Is It too late for us to do this? lyrics = Is it too late for us? romantic_poetry = Is it too late for us? Have we not sallied switchboard = is it too late for us shakespeare = Is it too late? Input = You are late, he spoke hoarsely, eying her with a suspicious glare. Paraphrase = he spoke hoarsely, looking suspiciously at her. aae = N he spoke hoarsely looking like he was looking out her face bible = And he spake hoarsely, and looking stedfastly upon her, said, 1810s-1820s = He spoke hoarsely, looking at her with a suspicious eye. 1890s-1900s = He spoke hoarsely, watching her suspiciously. " 1990s-2000s = He spoke hoarsely, looking suspiciously at her. " english_tweet = Speechless, looking suspiciously at her. lyrics = Speak hoarsely, look suspiciously at her romantic_poetry = Her lips were hoarse, as he spoke, with suspicious look switchboard = i was i was very suspicious of him speaking hoarsely looking at her shakespeare = I heard him speak hoarsely, And he looks suspiciously on her. Input = And Able was I ere I saw Elba. Paraphrase = I've seen Elba before, and Able. aae = I seen Elba before & Able. I don't know why. bible = And I saw Elba before, and Able. 1810s-1820s = Elvira Wilson--I saw Elba, before; and Able. 1890s-1900s = I've seen Elba before, and Able. " 1990s-2000s = I saw Elba before, and Able before. english_tweet = Ive seen Elba before and Avery has always been an amazing man. lyrics = I seen Elba before, and Able romantic_poetry = I saw Elba ere, and auld Able, switchboard = i saw Able before shakespeare = I saw Elba before, and he was the man. Input = I am superbly in my supremest poncif! Paraphrase = I'm really good at my best! aae = Ima real good person! bible = I am most excellent in my best! 1810s-1820s = my very best--my very best, indeed! 1890s-1900s = I do really think I can make my best of it! 1990s-2000s = I'm the best I can be at my best! english_tweet = My best is real!!! lyrics = I know my best, my best is! romantic_poetry = My pow'r is really great! for I've sair switchboard = i really have my best shakespeare = I do at my best! Input = Buck Mulligan’s voice sang from within the tower. Paraphrase = from the tower, Buck Mulligan's voice was heard. aae = Hearing Buck Mulligan from the Tower bible = And, behold, a voice was heard from the tower, and said, Buck Mulligan. 1810s-1820s = The voice of Buck Mulligan was heard, from the tower. 1890s-1900s = Buck Mulligan's voice came from the tower. 1990s-2000s = Buck Mulligan's voice boomed from the tower. english_tweet = Buck Mulligan was on the phone with voice from the tower. lyrics = Buck Mulligan's voice came from the tower romantic_poetry = From the tower, buck Mulligan's voice was heard, switchboard = and Buck Mulligan from the tower came on the scene and sang shakespeare = From the tower, Buck Mulligan’s voice did cry. Input = Or do you are fond better what belongs they moderns pleasure turpitude of old mans? _( Paraphrase = do you prefer the moderns of old men's pleasure? aae = Do you prefer the modernized old men pleasure? bible = And he said unto him, Dost thou prefer the things of the men of old, to the things of 1810s-1820s = Is there not a pleasure in the moderns of old men that you find wanting in the ancient? 1890s-1900s = Do you prefer the moderns of old men's pleasures? " 1990s-2000s = Would you prefer the pleasures of the moderns of old men? english_tweet = Do you prefer the modern art of old men enjoying a female in a comfortable place? lyrics = Would you prefer the pleasures of old men? romantic_poetry = Dost thou prefer the moderns of old, switchboard = do you prefer old men's pleasures like The Last of the Old Boys shakespeare = Do you prefer the moderns of old men’s lust? Input = My wrists are wrusty rubbing the mouldaw stains. Paraphrase = I'm writhing in the moldy stain on my wrists. aae = I'm writhing in the moldy stain on my wrist bible = My flesh wringeth in the mouldy stain: I am wrung out like a cloth. 1810s-1820s = My wrists are writhing in the mouldy verdure of this dunghill. 1890s-1900s = I wring the mouldy stain in the back of my wrists. 1990s-2000s = I wriggle in the moldy stain on my wrists. english_tweet = I'm writhing in the moldy stain on my wrists lyrics = I wring in my broken wrists with the moldy stains romantic_poetry = My wrists writhing in mouldy stain, switchboard = i wring the moldy stain on my wrists shakespeare = I wriggle my knuckles in the moldy stain of my wrists. Input = Our old friend caustic. Paraphrase = our old friend's got a little bit of a caust aae = Our old homie is cappin bible = our old acquaintance hath gotten a little bitter. 1810s-1820s = our old friend, he has some caustic in him. 1890s-1900s = Our old friend has his caust on the back. 1990s-2000s = Our old pal's got some caustic parts. english_tweet = Our old friend is caust lyrics = Our old friend caust romantic_poetry = Our old, dear friend comes caustic to the brow switchboard = well our old uh friend has a a caustress shakespeare = Our old friend hath got a little caust. Input = a nice how-do-you-do in Pool-black at the time as some of our olddaisers may still tremblingly recall) to ask could Paraphrase = it's a nice how-do-you-do in the pool-black pool, as some of our old-timeers may still be trembling. aae = It's a nice how-do-you-do in pool-black, as some of our old time swishers may still be trembling. bible = For it is a pleasant thing how ye do in the pool of the black pool, as some of our ancient brethren trembling may yet do. 1810s-1820s = Now it is a pretty how-do-you-do in the swimming-pool-black pool, as some of our old-time folks may still be trembling, at the thought of it. 1890s-1900s = It's a fine how-do-you-do in that pool-black pool, as some of our old-time chaps may still be quivering over. 1990s-2000s = It's a lovely how-do-you-do in the pool-black pool, as some of our old-timers may still be quivering. english_tweet = it's a nice how-do-you-do-in-the-pool-black-pool, as some of our oldies may still be shaking lyrics = It's a nice how-do-you-do in the pool-black pool, as some of our old time men may still tremble. romantic_poetry = It is sweet how-dee in our old-time pool-black pool, switchboard = it's a neat how-do- you- do you have a pool- black pool like some of our old-time folks may still have some whimpers shakespeare = Tis a nice how-do-you-dost in the pool-black pool, as some of our old-time boys may still be afeard. Input = the Bug of the Deaf; thc king was in his cornerwall melking mark so murry, the queen was steep in Paraphrase = the bug of the deafness; the king was in the corner of the wall. aae = Bug for the deaf; king was on the wall in the corner with a ratchet face. bible = The way of the blind bugs; the king was in the corner of the wall. 1810s-1820s = The bug of the deafness; the king in the corner of the wall. 1890s-1900s = The bug of deafness; the king was in the corner of the wall; the hall was black. 1990s-2000s = Bug of the deafness; King was at the corner of the wall. english_tweet = bug of the deaf; king was in the corner of the wall; luciant dey reach his hand lyrics = Bug of the deaf; the king was standing on the wall romantic_poetry = The bug of deafness; for King Solomon's corner stood, switchboard = the deafness bug and that uh King was out of the corner of the wall shakespeare = The dumbness of deafness; the king was in the corner of the wall. Input = Where’s the third person of the Blessed Trinity? Paraphrase = where's the third person of the Holy Trinity? aae = Where's the third person of the Holy Trinity? bible = Where is the third person of the Holy Trinity? 1810s-1820s = Where, I pray you, is the third person of the Holy Trinity? 1890s-1900s = Where is the third person of the Holy Trinity? " 1990s-2000s = Where was the Third Person of the Holy Trinity? english_tweet = Where do you find the 3rd person of the holy trinity? lyrics = Where do you think third person is in the Holy Trinity? romantic_poetry = Where is the third member of the Holy Trinity? switchboard = where did you find that third person shakespeare = Where art thou, third person of the Holy Trinity? Input = letters my Precious one everything connected with your glorious Body everything underlined that comes from it is a thing of Paraphrase = everything connected to your beautiful body is a thing of letters. aae = Anything that connects you to your beautiful body is a letter of love. bible = For all things that are in you are of the letters. 1810s-1820s = There is a thing of letters in every thing connected with your beautiful body. 1890s-1900s = Everything connected with your beautiful body is a thing of letters. 1990s-2000s = You know that all the letters in your beautiful body are part of you. english_tweet = The lettering of your beautiful body is everything. lyrics = Everything connected to your pretty body's a letter to you romantic_poetry = A thing of letters all things connect, switchboard = and letters you know just about everything connected with your beautiful body shakespeare = All that you do, dear lady, is of letters. Input = the princest day, when Fair Margrate waited Swede Villem, and Lally in the rain, with the blank prints, now extincts, Paraphrase = the day of the first fair, when Swede Villem waited for Lally, and Lally in the rain, with the empty prints. aae = the day of first fair, waiting for Swede Villem, and Lally in the rain, with empty prints. bible = The day that the first fair was, when Swede Villem waited for Lally, and Lally in the showers, with the empty prints. 1810s-1820s = to the day when Swede Villem waited on Lally, and Lally in the rain, with the empty prints, where he left them. 1890s-1900s = THE first fair, when Swede Villem waited for Lally, and Lally in the rain, with the empty prints all over him. 1990s-2000s = <p> The first Fair, when Swede Villem waited for Lally, and Lally in the rain, with the empty prints in the air. english_tweet = The day in the first fair, when Swede Villem waited for Lally, and Lally in the rain, with empty prints. lyrics = My first fair day, when Swede Villem waited on Lally, and Lally in the rain, with the empty prints romantic_poetry = The day, when Swede Villem waited, and Lally in dew, switchboard = well i don't know if you're familiar with the first fair that Swede Villem was waiting for Lally to come out with Lally in the rain with the empty prints and shakespeare = Swede Villem, when he came to see me, and Lally in the rain, with the empty prints of fairies. Input = Many a diva devoucha saw her Dauber Dan at the priesty pagoda Rota ran. Paraphrase = at the shrine of the Rota, many a diva saw Dauber Dan. aae = So many a diva saw Dauber dan at the shrine lmao bible = And many a diva saw Dauber Dan at the shrine of Rota. 1810s-1820s = Many a diva saw Dauber Dan at the shrine of the Rota. 1890s-1900s = Dauber Dan saw many a diva at the Rota's shrine. 1990s-2000s = Many a diva saw Dauber Dan at Rota Shrine. english_tweet = Many a diva saw Dauber Dan at the Rota's shrine lyrics = A lot of diva saw Dauber dan at the shrine of the Rota romantic_poetry = Many a diva saw Dauber Dan, at Rota's shrine, switchboard = and i was just going to say uh Dauber Dan was seen at the shrine of the Rota shakespeare = At the Rota shrine, Many a diva hath seen Dauber Dan. Input = and Galathee. Paraphrase = and Galathea. aae = and galathea. lol bible = And Galathea. 1810s-1820s = And Galathea, in the beginning. 1890s-1900s = CAMPBELL: And Galathea, too. 1990s-2000s = And Galathea, too, is on the edge of an abyss. english_tweet = Also Galathea. lyrics = And Galathea. romantic_poetry = And galathea. Where, now and then, switchboard = and Galathea shakespeare = And Galathea. Input = But I, entelechy, form of forms, am I by memory because under everchanging forms. Paraphrase = but I'm by memory, form, form, I'm in the form. aae = But im by memory, form, form, im in my form bible = But I am by the memory of the flesh, and the form of the things that are seen are of the things that are not 1810s-1820s = But though, in form, form, I am by memory lead. 1890s-1900s = But I am by memory, form, form, I am in form. 1990s-2000s = But I have by my memory, by the shape of my form, that the shape is mine. english_tweet = But I am by memory, form, form, I am in the form. lyrics = But I'm by memory, form, form, I'm in the form romantic_poetry = But by memory, form, and matter, I was once in form, switchboard = but i'm by by memory form form form form i'm in the form shakespeare = But I am by shape, form, and my remembrance, In that very form. Input = Nor needs none shaft ne stele from Phenicia or Little Asia to obelise on the spout, neither pobalclock neither folksstone, Paraphrase = no one needs a shaft from Phenicia or Little Asia to be lifted, neither pobalclock nor peoplestone, aae = Nobody need Phenicia or Little Asia to get them a shaft, neither pobalclock nor peoplestone bible = There is no need of a shaft from Phenicia or Little Asia, neither pobalclock nor peoplestone, 1810s-1820s = In neither pobalclock nor peoplestone, shall any man need a shaft from Phenicia or Little Asia to carry him over, neither axin nor dolors 1890s-1900s = Nobody needs a shaft from Phenicia or Little Asia to lift a bolt, neither pobalclock nor peoplestone, from a carpenter's head. 1990s-2000s = Nor pobalclock nor peoplestone, neither sensibly thrust nor on pedestal, needs a shaft from Phenicia or Little Asia to lift. english_tweet = Neither pobalclock nor peoplestone, has a shaft for epiphany, to lift, to b lyrics = No need a shaft from Phenicia or Little Asia to lift, neither pobalclock nor peoplestone, romantic_poetry = Nought need lift from Phenicia or Little Asia, nor peopled shaft, switchboard = and uh neither Phenicia nor Little Asia could get a shaft lifted either or neither pobalclock nor peoplestone could shakespeare = I have nothing to do with a shaft from Phenicia or any other such pitfall that they can lift, neither pobalclock nor peoplestone, neither shall I Input = of couples in Mr Tunnelly’s hallways (smash it) wriggling with lowcusses and cockchafers and vamps and rodants, with the end Paraphrase = in the hallway of Mr. Tunnelly's house, couples squealed with low-pitched and cuckoo and vamp and rodant. aae = In Mr. Tunnelly's hallway, couples squishing with low notes and cuzzo and vamp and rodant and duck bible = And out of the uttermost parts of the house of the LORD came out, and couples of the lowing sort, with lowing and cuckow and vamp and rodant, and all manner of 1810s-1820s = Couples squall over the hall in the manner of the low pitched and cuckoo and vamp and rodant. 1890s-1900s = Couples squealed low with low-pitched and cuckoo and vamp and rodant in the hallway of Mr. Tunnelly's house, and I remember that Mr. 1990s-2000s = Couples squealed low-pitched and cuckoo and vamp and rodant in the hallway of Mr. Tunnelly's house. english_tweet = Couples squeal with low pitched and cuckoo and vamp and rodant in Mr Tunnelly's hallway lyrics = Couple squealers squashed with low pitch and cuckoo and rodant and rodant. romantic_poetry = In Mr. Tunnelly's hall, and couples squeal low-pitched and cuckoo and vamp and rodant, switchboard = but uh couples squealed in the hallway of Mister Tunnelly's house with low pitched and cuckoo and vamp and rodant in the background shakespeare = The housewives of Tubal, As the spring and dam-swains of the ooze, Did squeal with low-pitched and cuckoo and vamp and rodant. Input = O, not in the least. Paraphrase = oh, no, not at all. aae = lol not at all not at all bible = nay, nay. 1810s-1820s = O, no, not one, at all. 1890s-1900s = CAMPBELL: Oh, no, not at all. 1990s-2000s = Oh, no, not at all, not at all. english_tweet = Lol, not at all. lyrics = Ooh, not at all romantic_poetry = Ah, no, not at all; for the subject switchboard = uh no not at all shakespeare = Ay, not at all. Input = These are handy things to have. Paraphrase = it's a good thing to have. aae = It's a good thing to have. bible = And it is good. 1810s-1820s = It is desirable that this should be the case. 1890s-1900s = This is a good thing to have; it is a great deal to gain. 1990s-2000s = It was a good thing to have, that's what it was. english_tweet = It's a good thing to have. lyrics = It's such a good thing romantic_poetry = It is right guid to have. switchboard = well that's a good thing shakespeare = Tis good to have. Input = Stinks like a polecat.   Input = He knows you. Paraphrase = he's aware of you. aae = he knows you.   Input = No, not tell all. Paraphrase = no, don't tell me. aae = lol no don't say it bible = And he said, Nay. 1810s-1820s = Nay, don't say so. 1890s-1900s = BROCK No, don't tell me that. 1990s-2000s = LEO (cont'd) No, don't say that. english_tweet = Dont say that. Dont tell me. lyrics = No, don't tell me romantic_poetry = Tell me no more, no--nor be silent; switchboard = oh no don't say that shakespeare = No, don't say so. Input = Well now, look at that. Paraphrase = all right, now look at it. aae = Okay now watch it bible = And he said, Now see this. 1810s-1820s = Well, now, look at it. 1890s-1900s = ( The next thing to do is to look at it. 1990s-2000s = All right, look at it now. " english_tweet = Ok. Look at this now. lyrics = And now you look at it all right romantic_poetry = And see it now. Now is your time to turn switchboard = well see now shakespeare = Well now, look to it. Input = This is my body. Paraphrase = it's my body, it's my body. aae = Thats My Body It Is My Body bible = This is my body, which is given for you. 1810s-1820s = It was my own body; it was my own flesh and blood. 1890s-1900s = It is my body, it is my body; it is my body. " 1990s-2000s = It's my body, it's my body. english_tweet = this is my body lyrics = It's my body, it's my body romantic_poetry = It is the flesh of my being, switchboard = well it's my body it's my body shakespeare = Tis the very organ of my being. Input = _Martha_ it is. Paraphrase = _Martha, it's true. aae = _ Martha that's the truth.'_ bible = And Martha said, It is so. 1810s-1820s = _Martha That's right, it is. 1890s-1900s = CYNTHIA Yes, it is, Martha. 1990s-2000s = And then I got a call from Martha, and it was true. english_tweet = _Martha it is. lyrics = _Martha, oh, this is true. romantic_poetry = _And_, Martha, it is so. There's a thing switchboard = oh Martha that's true shakespeare = O good Marcella!— � Input = Isle of saints. Paraphrase = the Isle of the Saints. aae = The Isle Of Saints.... bible = The isle of the Saints. 1810s-1820s = The Isle of the Saints, at Gdt. 1890s-1900s = The Isle of the Saints--or of the Saints of God. 1990s-2000s = The one with the monks on it is the Isle of the Saints. english_tweet = The Isle of Saints. lyrics = The Isle of the Saints. romantic_poetry = The Isle of Saint-Gaudens. Fair Isabella, switchboard = The Isle of Saints shakespeare = The Isle of Saint John. Input = I do not credit one word of it from such and suchess mistraversers. Paraphrase = such and sullen mistresses don't give me a word of it. aae = Some of these so and sullen mistresses don't give me the fukk word bible = A woman is loathsome to me, such and sullen mistresses have not given me word. 1810s-1820s = No such and sullen mistresses give me utterance. 1890s-1900s = I haven't a word to say about such and sullen mistresses. 1990s-2000s = Not a word of it comes to me from such and sullen mistresses. english_tweet = So true.  Input = Timothy canon Gorman, P. P.; the rev. Paraphrase = the Rev. Timothy Gorman, P. aae = Rev. Timothy Gorman >>>>>>>>>> bible = The Rev. Timothy Gorman, P. 1810s-1820s = The Rev. Timothy Gorman, of P. 1890s-1900s = See Rev. Timothy Gorman, P. P. See also the Acts. 1990s-2000s = As for Timothy Gorman, the Rev. english_tweet = The Rev. Timothy Gorman, P. lyrics = The Rev. Timothy Gorman, P. romantic_poetry = Rev. Timothy Gorman, by P.R. switchboard = the Rev Timothy Gorman shakespeare = The Rev. Timothy Gorman, P.” This gentleman, sir, is here. Input = Gangang is Mine and I will return. Paraphrase = the gang is mine and I'll be back. aae = The gang is mine and I'm going to come back to you. bible = Gangs are mine and I will return: and the excellency of my youth shall not fail 1810s-1820s = The gang is mine and I will return them. " 1890s-1900s = The gang's mine and I'll get back to you. " 1990s-2000s = The gang is mine and I'll be back to the top. english_tweet = Them the good guys be mine and I'll back lyrics = Thug life's mine and I'll come back for more romantic_poetry = The gang's mine and I'll return at the stroke switchboard = the gang i belong to and i'm going to get back shakespeare = The gang are mine and I’ll come again. Input = You are your own master, it seems to me.   Input = A more nor usually sober cardriver, who was jauntingly hosing his runabout, Ginger Jane, took a strong view. Paraphrase = Ginger Jane, who was a strong cardriver, was more likely to take a sober card. aae = Ginger Jane, who was a strong cardriver, took the best nigga for a sober card. bible = Ginger Jane, a strong cardstriper, was more likely to take a sober man. 1810s-1820s = This was a sober card, and one more likely to win her favour, than a strong one from Ginger Jane. 1890s-1900s = And Ginger Jane, whose heart was set on a sober card, had more to do with the affair than any other. 1990s-2000s = Ginger Jane, who was a strong cardriver, was more likely to take a sober card. " english_tweet = More likely to take a sober card to Ginger Jane who was a strong cardriver. lyrics = Ginger Jane, whose heart was a strong cardriver, got more jaded with sober cards romantic_poetry = Ginger Jane, who was a stout chief-card-tweeter, switchboard = i was more uh was more inclined to take a sober card even if it was Ginger Jane who was a very strong cardriver shakespeare = Ginger Jane, who was of a strong-man’s purse, was more apt to take a sober hand in my hands. Input = than once for the solution of difficult problems in imaginary or real life. Paraphrase = once in a while, to solve difficult problems in the imaginary or real world. aae = Effa times to solve difficult problems in the imaginary or real world. bible = To settle difficult questions in the imaginations of the ungodly, or in the realities of the ungodly. 1810s-1820s = To solve difficult questions in the imaginary or real world, once in a while. 1890s-1900s = once in a while to solve difficult problems in the imaginary or real world. 1990s-2000s = Just once in a while, to solve difficult problems in the imaginary or real world. english_tweet = To solve difficult problems in imaginary or real world. One example is to see lyrics = Sometimes, to solve hard problems in the imaginary or real world. romantic_poetry = Once in an imaginary or real world to solve difficult problems; switchboard = to solve difficult problems in the imagined or real world once in a while and uh shakespeare = To do so once, to solve in the imaginary or the true world A difficult matter. Input = Double marriage of sisters celebrated. Paraphrase = the sisters celebrated the wedding of the sisters. aae = My sisters had a bday celebration bible = And the sisters were married, and kept the feast. 1810s-1820s = The marriage of the sisters was celebrated by the whole family. 1890s-1900s = A wedding party was celebrated in honor of the sisters. 1990s-2000s = His parents' marriage was celebrated by the sisters. english_tweet = sisters celebrated their bday lyrics = Sisters celebrating the wedding day romantic_poetry = The marriage of the sisters was celebrated, switchboard = the sisters celebrated the uh uh wedding of the shakespeare = The sisters at the wedding-day did celebrate the marriage of them. Input = second of the realm, had met them in the tholsel, and there, after due prayers to the gods who dwell Paraphrase = after the proper prayers to the gods who live, they met in the second realm. aae = Second realm got met after proper prayers to the gods that live bible = And there came forth two angels, and touched the first beast that was in the second realm, after the proper prayers to their gods which 1810s-1820s = They met in the second realm after their proper prayers to the gods, who live there. 1890s-1900s = In the second realm they met, after the proper prayers to the gods who lived. 1990s-2000s = They met in the second realm after the proper prayers to the gods who live. english_tweet = The second realm of gods after the proper prayers to them living. lyrics = In the second realm after the proper prayers to the gods who live romantic_poetry = In second realms, after proper prayers, met switchboard = and after having been properly prayed to by the gods that live there they met in the second realm shakespeare = Here came the gods that live in second realm after, and after this the court of this place was visited by two of the most holy Input = But the prankquean swaradid: Am liking it. Paraphrase = but the prankster: I like it. aae = But that pranking: I like it bible = But the prat: for I like it. 1810s-1820s = But the prankster: That's my way. 1890s-1900s = But the prankster: I like it--a little. 1990s-2000s = But the Prankster: I like it, too. english_tweet = Butters: I like this prankster. lyrics = But the prankster: I like it romantic_poetry = But the prig: I like it well, switchboard = but the pr- the prankster i like that shakespeare = But the prig: I like it well. Input = The way they spring those questions on you. Paraphrase = the way they're going to ask you. aae = The way they go asking bible = The way wherein they shall enquire of thee. 1810s-1820s = the manner in which they are going to make you answer. 1890s-1900s = The way they'll ask you for it. " 1990s-2000s = The way they're going to ask you to go. english_tweet = THE WAY THEY ASKED lyrics = The way they ask you. romantic_poetry = The pace they'll ask you. But first, switchboard = the way they asked you shakespeare = The way they ask you. Input = One: a squat stuffed easychair, with stout arms extended and back slanted to the rere, which, repelled in recoil, had Paraphrase = a squat, heavy chair with a broad arm and back to the re-re, which, when it was repelled, was thrown away. aae = Squats, heavy chair with broad arms and back to re-re, which, when it was repelled, got thrown away bible = A squatting, heavy seat with broad arm and back to the rere, which, when it was rebelled against, was cast away. 1810s-1820s = A squat, heavy chair with broad arms and back toward the re-re, with which, repelled at length, it was overturned, and the whole furniture scattered about. 1890s-1900s = There was a squat, heavy armchair with broad arm and back to the re-re, which, when repelled, was thrown aside. 1990s-2000s = A squat, heavy chair with broad arms and back to the rere, which, when repelled, threw the mailman away and caught him in the chest. english_tweet = Squats, heavy chair with broad arm and back to re re-re, which, when repelled, was defo lyrics = A squat, heavy chair with broad arms and back to the re-re, which, when it was repelled, was tossed aside romantic_poetry = A squat, heavy chair, with broad arm and back repuls'd, switchboard = a squat i think it was a broad arm and back re- rein type chair and the big arm swung back to the re- re- which was when it was repelled shakespeare = A large couch, With a broad arm and back to the re-re, Which, when it was repelled, was flung away. Input = That cursed dyspepsia, he said before drinking. Paraphrase = he said before he drank. aae = this nigga said before he drink bible = And he said before he drank. 1810s-1820s = He said before he drank that he would. 1890s-1900s = It was said before he drank that he had the eyes. 1990s-2000s = That's what he said before he drank. english_tweet = Sis said before he drinks. lyrics = He said before he took a sip romantic_poetry = Before he had drunk a single draught switchboard = he's he's said before he drank shakespeare = He hath said before he hath drunk. Input = holding to that prestatute in our charter, may have our irremovable doubts as to the whole sense of the lot, Paraphrase = the whole sense of the whole thing may be questioned by our pre-existing doubts, as regards the pre-existing charter. aae = Our doubts may be put to our concern for the whole sense of the whole thing, as regards our charter. bible = That our pre-existing doubts may be dispelled, as touching the pre-existing charters; 1810s-1820s = If it be thought, that this pretences a particular mode of government, in our case, our whole sense of the whole may be put in question, as to the 1890s-1900s = In view of the pre-existing charter, our own pre-supposes a certain conception of the whole sense of the whole thing. 1990s-2000s = As regards the pre-existing charter, it is quite possible that our pre-existing doubts may be challenged by the whole sense of the matter. english_tweet = Our pre existing doubts may come up with a huge majority of our decisions, as regards the whole sense lyrics = Our pre-existing doubts may be called up, as regards the total sense of things romantic_poetry = Our pre-existing doubts may puzzle, as regards our charter; switchboard = i don't know whether our pre- existing doubts will have to be questioned again but i do believe that the whole sense of the whole thing may be questioned shakespeare = The whole sense of this whole affair may be questioned, as to the pre-existing charter, with the mind's common suspicion, as regards the things not as yet done. Input = Why, the sailor said, shifting his partially chewed plug. Paraphrase = the sailor said, shifting his partially chewed plug. aae = The sailor said, transferring his partially chewed plug. #GameOver bible = And the skipper saith unto him, Shifting his partly chewed plug. 1810s-1820s = said the sailor, shifting his partially chewed plug, as if preparing for a cannonade. 1890s-1900s = said the sailor, shifting his partly chewed plug. " 1990s-2000s = said the sailor, shifting his partially chewed plug. " english_tweet = Sailor said, shifting his partially chewed plug. lyrics = My sailor said shifting his partially chewed plug romantic_poetry = The mariner said, shifting his partially chewed plugs, switchboard = and the sailor said shifting his partially chewed plugs shakespeare = A sailor hath said, to shift his partially chewed plug. Input = Ha Me Happinice!  Input = plump kid glove, while four shillings, a sixpence and five pennies chuted from his other plump glovepalm into his purse. Paraphrase = the other plump glove was in his pocket, and the four shillings, sixpence and five pennies were in the purse. aae = Went from the other plump glove to the 4 shillings, 6pence and 5 pennies in his purse. bible = And the other plump glove was in his hand; and the four shillings, and sixpence, and five pennies, were in his purse. 1810s-1820s = The other plump glove was in his pocket, and the four shillings, sixpence and five penny bills were at his beck and call. 1890s-1900s = One of the other plump gloves was in his pocket, and the four shillings, sixpence and five pennies were in his purse. 1990s-2000s = There was a box of other plump glove, and a four shillings, sixpence and five pennies in his coat pocket, the other two shillings, sixpence english_tweet = Sterling pocketed the other plump glove, pocketing the 4 shillings, sixpence and five penn lyrics = The other plump glove got the four shillings, sixpence and five pennies, and his purse got empty romantic_poetry = The other plump glove, an' the four shillings, an' sixpence an' five pennies, switchboard = uh the other plump glove had to be put out of the bag the four shillings sixpence and five pennies were in the purse of the other one shakespeare = And by this hand, the other plump glove hath in his pocket, And all the four shillings, sixpence and five pennies, As they are on my purse. Input = But Edy got as cross as two sticks about him getting his own way like that from everyone always petting Paraphrase = but Edy was as cross as two sticks when he wanted to go his way. aae = Edy was as cross as two sticks when he was bout to go his own way bible = But Edy was as cross as two sticks when he would go his way. 1810s-1820s = But Edy was as cross as two sticks when he was bent on going his own way. 1890s-1900s = But Edy was as cross as two sticks when he wanted to go his way. " 1990s-2000s = But when Edy wanted to go his own way, he was as cross as two sticks. english_tweet = But Edy was as cross as two sticks when he wanted to walk his own. lyrics = But Edy was as cross as two sticks when he wanted to get his way romantic_poetry = But Edy's cross as twa sticks when he wanted to go his way, switchboard = but i mean Edy was as cross as two sticks when he was going to go his way shakespeare = But in a like instance, When he did want to go his way, And would not have had it in his mind to do it Input = drank no manner of mead which he then put by and anon full privily he voided the more part in Paraphrase = he drank no mead, but he drank it with a lot of mead. aae = Had Him Drinkin No Mead But He Was Drinking This Lick Tho bible = And he brought me no mead, but he made me drink much mead. 1810s-1820s = He did not drink of the mead, but of the chesnut, and a great deal of the strong drink of Elish 1890s-1900s = It was no mead he drank, but it was made with much mead. 1990s-2000s = But when he came out, he drank no mead, he drank it with much much mead. english_tweet = Taken no mead but was drinking this whole time with a lot of mead. lyrics = His drink was no mead but he drank it with a lot of mead romantic_poetry = And drank no meads but drank them wi' much care. switchboard = he drank no mead but he drank a lot of mead with with a lot of um shakespeare = He hath drunk no mead but he hath drunk it with a lot of mead. Input = Learn the Nunsturk. Paraphrase = learn the Nunsturk. aae = Go Learn Nunsturk. bible = Learn Nunsturk. 1810s-1820s = Learn of the Nunsturk to fight. 1890s-1900s = ( Laughs) Teach me the Nunsturk. 1990s-2000s = There's a lot of ways to learn Nunsturk. " english_tweet = Learn the Nunsturk. lyrics = Learn your Nunsturk. romantic_poetry = And learn the Nunsturk to me. switchboard = learn the Nunsturk shakespeare = Learn the Nunsturk. Input = The blinds drawn. Paraphrase = the blinds are drawn. aae = Des da blinds drawn bible = the blind are drawn. 1810s-1820s = The blinds are drawn up--the lady is under. 1890s-1900s = ( He draws the blinds down) The house is off. 1990s-2000s = The blinds on the inside of the building are drawn. english_tweet = draw the blinds. lyrics = The blinds are drawn. romantic_poetry = The blinds are drawn in by their springs. switchboard = the blinds are drawn shakespeare = The blinds are drawn. Input = Michael, who has formerly debauched Anita, dispenses her from yielding to Honuphrius who pretends publicly to possess his conjunct in Paraphrase = Michael, who once had a reputation for debauchery with Anita, has now abandoned her to Honuphrius, who claims to have his own. aae = Michael, who once had a reputation for debauchery with Anita, is now claiming to have his own. bible = And Michael, which once had a reputation for debauchery with Anita, hath now forsaken her to honuphrius, who also hath a mark. 1810s-1820s = When a certain such affair was once mentioned to Michael, he had an affair of the most debauching description with Anita, which has now abandoned him to Honuphrius, who asserts his right to 1890s-1900s = MICHAEL is left to himself, who once had the reputation of debauching with Anita, now has to give it up to Honuphrius, who claims to have his own. 1990s-2000s = Michael, who once had a reputation for debauchery with Anita, now abandoned her to Honuphrius, who claims to have his own. english_tweet = Michael, who once had a reputation for debauchery with Anita, has now turned to Honuphrius, who claim lyrics = Michael, who once had a reputation for debauchery with Anita, has now forsaken her to Honuphrius, who claims to have his own romantic_poetry = Michael, once renowned for debauch'd Anita, hath forsaken her, switchboard = Michael and she once had a reputation for debauchery with Anita but has since abandoned her to Honuphrius who claims to have his own shakespeare = To you, Michael, who once were reputed to have debauched with Anita, she is now at hand, And she, to thee, the woman that should have her own. Input = Bloom viewed a gallant pictured hero in Lionel Marks’s window. Paraphrase = in Lionel Marks's window, Bloom looked at a heroic picture of a hero. aae = Bloom looked at a heroic picture in Lionel Marks window bible = And Bloom looked in a window in the court of the house of the LORD, and, behold, a glorious image of a man 1810s-1820s = At the window of Lionel Marks, in the drawing-room, Bloom was engrossed by a heroic picture. 1890s-1900s = A hero, it was thought, looked up at a heroic picture in Lionel Marks's window. 1990s-2000s = I looked at a heroic image of a hero in Bloom's window in The Hours of Wonder. english_tweet = Bloom looked at a heroic picture of a hero in Lionel Marks window. lyrics = Bloom looked at a heroic picture of a hero in Lionel Marks romantic_poetry = Bloom'd on a heroic picture of the days, switchboard = and then uh Bloom looked at a heroic picture in uh Lionel Marks shakespeare = Here is a gallant picture of a hero that has been with us this morning in Lionel Marks’s window. Input = exilicy’s the O’Daffy, in justifiable hope that, in nobiloroman review of the hugely sitisfactuary conclusium of their negotiations and the Paraphrase = exile's O'Daffy, in the hope that, in the face of the huge sitisfactuary of their negotiations, they will be able to review the hugely important aae = Exile's O'Daffy, in the hope that, in their huge sitisfactuary of their negotiations, will be able to review it bible = Exile's O'Daffy, in the hope that, in the presence of the huge sitisfactor of their negotiations, they may come to consider the mover of the mighty waters. 1810s-1820s = Exile O'Daffy, in the hope that, by the ample records of their negotiations, they may come to a review of the hugely important. 1890s-1900s = Exile's O'Daffy, in the hope that, in face of the sitisfactuary attitude of their negotiations, the great fortunes of the settlers will be reviewed. 1990s-2000s = Exile's O'Daffy, in the hope that, in the face of the enormous sitisfactuary of their negotiations, the three-eyed Etonian will be able to review the hugely important. english_tweet = Exile's O'Daffy, in the hope that, in the face of their massive sitisfactuary by lyrics = Exile O'Daffy, in the hope that, in the face of their massive sitIns the review, key to their highly restricted negotiations romantic_poetry = Exile's O'Daffy, in hope that, in their review'd negotiations, switchboard = exile's O'Daffy uh in the hope that that uh that uh in the face of the massive sitisfactuary of their negotiations will they'll be able to review the enormously important shakespeare = Exile's O'Daffy, in the hope that, in the face of this huge sitisfaction, they may come again To hear of their part of the bargain; which, as they say, Is a part of Input = Giving Shaughnessy’s mare the hillymount of her life.  Input = with, in some greenish distance, the charmful waterloose country and the two quitewhite villagettes who hear show of themselves so Paraphrase = in a greenish distance, the charming water and the two white-haired villas of the show-off were heard. aae = So you hear those two white chicks who are so popular on the show-off have you heard of charm water? bible = And they heard in a greenish distance the voices of the two charming waters, and of the two white hair villas, which were spoken of in the uttermost part of 1810s-1820s = A charming water-course and the two white-house Villas of show-off Cupid and Psyche were distinctly heard at a distance. 1890s-1900s = The quaint water and the two white-hued villas of the show-off were heard in a greenish distance. 1990s-2000s = It was clear to hear the charming water and the two white-tiled villa shows-off in the greenish distance of the resort. english_tweet = Hearing about the charming water and the two white-haired villa of the show-off was felt in a greenish distance. lyrics = In a green haze the charming water and the two white villas of the show-off caught my ears romantic_poetry = In greenish distance, and the charming water and its two white-village show, switchboard = and the water and the two white headed villas of the Show-off were heard on a greenish background in the distance shakespeare = Here, in a greenish-colored tract, Came the two white-haired villains, that have so sweetly merrily Perfumed the show of their condition. Input = father who was laid up, knew by the style it was the lord and lady lieutenant but she couldn’t see Paraphrase = father who was laid down, she knew the style, but she couldn't see him. aae = Father who been layed up, she know the style but she can't see it. bible = But the damsel knew not the fashion of the garment, nor of the man, nor of the woman; for she was taken in the 1810s-1820s = Father who was laid, She knew his style, but could not see him. 1890s-1900s = Father who was laid away, She knew the style, But never could she see him. 1990s-2000s = <p> Father who was laid back, she knew the style, but couldn't see him. english_tweet = Father who laid down, couldnt see his style, but knew his wife. lyrics = Daddy who lay down, she knew the style but she couldn't see him romantic_poetry = Father who lay at rest, but she knew not his style, switchboard = father that was laid off she had the the style but she couldn't see him shakespeare = Had she not been the very lady of her father, she would have known the style, But could not see him. Input = Findlings makes runaways, runaways a stray.  Input = The financial success achieved by Ephraim Marks and Charles A. James, the former by his 1d bazaar at 42 George’s Paraphrase = the success achieved by Charles A. James, the former owner of the 1d bazaar, 42 George's aae = Success achieved by Charles A. James, current owner of the 1d bazaar, 42 George's bible = The succes which the former owner of the bazaars, the great one of the land, had accomplished, after the ruin of the house of the LORD 1810s-1820s = The success which succeeded Charles A. James, the 1st bazar owner, in his enterprise, 42 George's Street, and the founder of the Bank of 1890s-1900s = Charles A. James, the former owner of the 1d bazaar, 42 George' s. 1990s-2000s = The success of Charles A. James, the former owner of the 1d bazaar, 42 George's Bazaar of Artisans and Artists. " english_tweet = Success achieved by Charles A. James, former owner of the 1d bazaar, 42 George's lyrics = Success achieved by Charles A. James, 1d bazaar, 42 George's romantic_poetry = Success achieved by Charles A. James, the former owner of the 1d bazaar, 42 George's, switchboard = well the success achieved by Charles A James i mean the former owner of the i- i think it was the i- i think it was the i- i shakespeare = And the success achieved by Charles A. James, the former owner of the 1d bazaar, 42 George’s—to take the place of the Input = Behove this sound of Irish sense. Paraphrase = he's gonna make a sound like Irish. aae = He Make Some Irish Music Sound Like bible = And he said, He maketh a sound like the sound of an Irish. 1810s-1820s = He was about to make a sound, like that of the Irish. 1890s-1900s = He could make a sound like Irish. " 1990s-2000s = He was going to make an Irish sound. english_tweet = He bout to make Irish sound. lyrics = Gonna make a sound like Irish romantic_poetry = He maun make a sound like ane o' the Irland, switchboard = he's gonna make the Irish sound shakespeare = He makes his sound like the Irish. Input = The Arabian Nights Entertainment_ was my favourite and _Red as a Rose is She._ Paraphrase = the Arabian Nights Entertainment _ was my favourite and _ Red as a Rose. aae = Arabian Nights Entertainment_my fav and_ Red as Rose was the show bible = My pleasure was in the Arabian Nights, and in the diversities of the tales. 1810s-1820s = My favourite and _ Red as a Rose,' was an Arabian Nights entertainment. 1890s-1900s = The Arabian Nights Entertainment "_ was my favorite and _ Red as a Rose. 1990s-2000s = My favorite and (_ Red as a Rose) was Arabian Nights Entertainment. english_tweet = The Arabian Nights Entertainment_was my favourite and_Red as a Rose was my favourite and lyrics = The Arabian Nights Entertainment _ was my favourite and _ Red as a Rose. romantic_poetry = The Arabian Nights Entertainment _was_ my favourite and _Red as a Rose, switchboard = well my favorite was Arabian Nights Entertainment and and uh and the the one that was a rose was Red as a Rose shakespeare = The Arabian Nights entertainment ’s my favourite and ’ Red as a Rose. Input = I have won straight. Paraphrase = I've won the game. aae = I won the game. Now it's time for me to go. bible = I have won the game. 1810s-1820s = I have won the game, in spite of you. 1890s-1900s = I've won the game, and that's all. " 1990s-2000s = I won a prize for that game. " english_tweet = I won the game. lyrics = I've won the game romantic_poetry = I've won the game. Now, aye, a' that I may switchboard = i won shakespeare = I have won the play. Input = It was a pitchdark night. Paraphrase = it's a dark night. aae = Its dark af out here bible = This is the darkness of the night. 1810s-1820s = This is a dark night--. ' 1890s-1900s = ( She sees it, and the dark is upon her. 1990s-2000s = It's a dark night and it's full of smoke. english_tweet = It's a dark night. lyrics = It's a dark night romantic_poetry = Is come a-darkening night. switchboard = it's a dark night shakespeare = Tis a dark night. Input = or an array of thin trunks, serving whom in fine that same hot coney a la Zingara which our own Paraphrase = or a thin trunk, which serves the same hot coney as ours, which is a little like Zingara. aae = Or a thin trunk, which serves hot coney like ours, which is basically Zingara and Sis bible = Or a thin stomacher, serving the same hot coney as our own, which is somewhat like Zingara, 1810s-1820s = or a thin trunk, which serves the same purpose for a coney as ours, which is rather like Zingara than our own. 1890s-1900s = Or a thin trunk, which serves for the same hot coney as our own, which has some of the qualities of Zingara. 1990s-2000s = Or a thin trunk, which serves the same hot coney as ours, which bears a certain resemblance to Zingara. english_tweet = Or a thin trunk, which serves as our same hot coney as ours, which is like Zingara lyrics = Or thin trunk, serving the same hot coney like ours, kind of game like Zingara romantic_poetry = Or thin trunk, serving us the same hot coney, switchboard = or a thin trunk which serves as a heat coney as ours does ours has a little uh the like Zingara's has a little like Zingara's that shakespeare = Or thin as our twain's knots, Which serve for hot coney as ours, Which looks like Zingara. Input = As sure as we are standing here the jew merchants are already at their work of destruction.   Input = Or just for rugs. Paraphrase = or just for the carpet. aae = Or just for the carpet. bible = or for the floor only. 1810s-1820s = or just to put the carpet in it. " 1890s-1900s = ( goes to table) Or just for the carpet. 1990s-2000s = Or just for the carpet, or just for the snooze. english_tweet = Or just for the carpet. lyrics = Or just for the rug romantic_poetry = Or just for the carpeted floor. switchboard = or just carpeting shakespeare = Or for the carpet. Input = feels the amossive silence of the cladstone allegibelling: Ive mies outs ide Bourn.) Paraphrase = the amorphous silence of the cladstone: Ive mies out of the idea Bourn.) aae = The amorphous silence of cladstone : Ive mies out the idea Bourn.) bible = The amorphous silence of the cladstone: out of the thought of mees I mieth the outgoings of Bourn.) 1810s-1820s = the amorphous silence of clad stone: for Ive mies out of the notion Bourn. " 1890s-1900s = The amorphous silence of cladstone: Ive mies out of the idea Bourn. ) 1990s-2000s = The cladstone silence: Ive mies out of the idea Bourn. " english_tweet = the amorphous silence of cladstone: i have mies out of the idea Bourn.) lyrics = Cloak of the cladstone silence: Ive mies out of the idea Bourn.) romantic_poetry = Amorphous silence clad in tuneful Bourn: Ive mies out of thought) switchboard = the cladstone the amorphous Silence of the cladstone i've gone out of my way to to get the idea Bournell for some reason shakespeare = The amorphous silence of the cladstone: I have mies out of the practice Bourn the aught I have said.—I am ready for Input = At Newcomen bridge Father Conmee stepped into an outward bound tram for he disliked to traverse on foot the dingy Paraphrase = father Conmee stepped out of the Newcomen bridge, which he hated to walk on foot. aae = My father Conmee stepped out the Newcomen bridge,which he hated to walk on foot. bible = And Conmee stepped out of the newcomen bridge, which he hated to walk upon foot. 1810s-1820s = Father Conmee stepping from the Newcomen bridge, which he detested to walk upon foot, he gave orders to the officers to set the horses 1890s-1900s = Father Conmee stepped out of the Newcomen bridge, which he detested to walk on foot. 1990s-2000s = <p> In the distance, Father Conmee stepped out of the Newcomen Bridge, which he hated to cross on foot. english_tweet = Newcomen Bridge stepped out of the way of Dad Conmee, who hated to step on foot. lyrics = Daddy Conmee stepped out of Newcomen Bridge, which he hated to walk on the foot of romantic_poetry = Forth from Newcomen bridge, father Conmee hated to tread, switchboard = you know and and i remember one time i mean the dad Conmee stepped out of the Newcomen bridge and he hated to walk on foot shakespeare = I did take him by the Newcomen bridge, To whose chinked, his hated step, Father Conmee doth kneel. Input = the spot to see about trying to make arrangements about a concert tour of summer music embracing the most prominent Paraphrase = the place to look at the possibility of arranging a summer concert tour of music aae = the place to look at an option to arrange a summer benefit tour of music bible = The place to look out for the possible arrangement of a summer concert tour of musick. 1810s-1820s = The place to look for a chance of arranging a summer concert tour of music. 1890s-1900s = The place to look for possibilities of arranging a summer concert tour of music. 1990s-2000s = This place to look for the possibility of arranging a summer concert tour of music. english_tweet = Place to look at opportunity to arrange for summer concert dates for local artists lyrics = The place to look to the possibility of arranging a summer concert tour of music romantic_poetry = The place to watch the possibility of concert tour switchboard = the place to look at the possibility of arranging some summer concert tour of music shakespeare = The place to look on the possible arranging of a summer’s concert tour of music Input = So a many of churches one cannot pray own’s prayers. ’ Paraphrase = there are many churches that can't be prayed by the owner. " aae = many churches can't get a prayer for their owner. \"#work\ bible = There are many churches which cannot be filled that are able to be by the owner. 1810s-1820s = There are many churches that cannot be prayed in by the proprietors. " 1890s-1900s = Many churches cannot pray for the owner; there are many who cannot even pray. " 1990s-2000s = There are many churches that cannot be prayed for by the proprietor. " english_tweet = It is so much for the owner to say. The church that cannot be prayed by the owner lyrics = There's a lot of churches that just can't be prayed by the owner" romantic_poetry = There are many churches that cannot be prayed, switchboard = you know the owner could not have prayed over them_1 and there were many churches that couldn't do that" shakespeare = There are many churches that cannot be prayed by the owner. ’Tis the will of God that we shall not Input = He offered to send me through the post a work of fiction by Monsieur Paul de Kock, entitled _The Girl Paraphrase = a work of fiction by Monsieur Paul de Kock, called _ The Girl. aae = A work of fiction by Monsieur Paul de Kock, called _The Girl\ bible = Now a work of the imagination of a man by the hand of Monsieur Paul de Kock, called, The Girl. 1810s-1820s = A work of fiction, by Monsieur Paul de Kock, entitled, The Girl. 1890s-1900s = THE PAST--SILAS HOOPER A work of fiction by Monsieur Paul de Kock, called " The Girl. " 1990s-2000s = And there was a work of fiction by Monsieur Paul de Kock, called _ The Girl. english_tweet = Fiction work by Monsieur Paul de Kock, called_ The Girl. #GirlTalkSis lyrics = A work of fiction by Monsieur Paul de Kock, called _ The Girl. romantic_poetry = A work of fiction by Monsieur Paul de Kock, called _The Girl. switchboard = a work of fiction by Monsieur Paul de Kock uh that was published called The Girl's Gone Home shakespeare = A work of fiction by Monsieur Paul de Kock, called “The Lady.” He hath a fine-shaped and Input = Do you want three girls?  Input = His image, wandering, he met. Paraphrase = he was wandering, and he met him. aae = Went from roaming to meeting. bible = And he went out, and met him. 1810s-1820s = There he wanders, and meets him. 1890s-1900s = He had wandered and met him at intervals. 1990s-2000s = <p> He wandered in there, and met him there. english_tweet = and met him in wandering. lyrics = He's been wandering, and he's met romantic_poetry = So wandering, he met wi' him, switchboard = and it happened to be a wandering he was he was shakespeare = There he was wandering, and met him. Input = Of the first was he to bare arms and a name: Wassaily Booslaeugh of Riesengeborg. Paraphrase = he was named Wassail Booslaeugh of Riesengeborg's first name: Wassail Booslaeugh. aae = Wassail Booslaeugh was named after Riesengeborg first name: Wassail Booslaeugh bible = And his wife's name was Booslaeugh of Riesengeborg: and his father's name was Rufus. 1810s-1820s = /z/ He was named Wassail Booslaeugh of Riesengeborg's first name: Wassail Booslaeugh. 1890s-1900s = His first name was Wassail Booslaeugh of Riesengeborg: his second was Wassail Raffaegh of Lokeren: his third was Wassail R 1990s-2000s = His first name, Wassail Booslaeugh, was not very helpful to him at first: Wassail Booslaeugh. english_tweet = Riesengeborg named him Wassail Booslaeugh because he was "the best goalkeeper in the world" lyrics = Matter fact he was named Wassail Booslaeugh of Riesengeborg's first name: Wassail Booslaeugh romantic_poetry = Was named Wassail Booslaeugh of Riesengeborg first: switchboard = and um the first name of the uh the owner was Wassail Booslaeugh shakespeare = His name was named Wassail Booslaeugh of Riesengeborg’s first-born son: Wassail Booslaeugh. Input = Wife in her throes. Paraphrase = the woman in her agony. aae = this lady in her misery. bible = The woman in travail. 1810s-1820s = The woman in her agony--Ha! 1890s-1900s = THE WOMAN in her agony is trying to save her. 1990s-2000s = The woman in her agony, getting her bearings. english_tweet = the woman in her dilemma. lyrics = The woman in her agony. romantic_poetry = The woman in her agony prays. switchboard = the woman in her agony shakespeare = The woman in her anguish. Input = I seen Russia. _ Paraphrase = I've seen Russia. aae = I seen Russia. I was getting to it bible = And I saw that the land of Russia was good. 1810s-1820s = I saw Russia; and her power. 1890s-1900s = I know Russia, and I have seen Russia. 1990s-2000s = CAROLINE (into phone) I saw Russia. english_tweet = Ive seen Russia. lyrics = I saw Russia. I saw Russia. romantic_poetry = I saw her a-Russia'd. switchboard = Russia i saw shakespeare = I have seen her. Input = Or so they allege. Paraphrase = they say so. aae = oh. They say that. They are so right. bible = And they say thus. 1810s-1820s = ( she gives him a bill) they say. 1890s-1900s = DICK (Interrupting) They say so. 1990s-2000s = It's just that, they say, so. english_tweet = they're saying so. lyrics = They say so. They say so. romantic_poetry = They say so. Is it not so, my Lord? switchboard = yeah they say so shakespeare = They say so. Input = ladies’ lavastories we just lease to imagination) or in the sweet churchyard close itself for a bit of soft coal Paraphrase = ladies' lavatories we're just renting to the imagination) aae = Ladies lavatory we just rent minds) bible = Ladies' lavatories are the imagination of the rich) 1810s-1820s = Lady's Lavatories We are but renting the works of the imagination) L. H. 1890s-1900s = Ladies' lavatories We rent to the imagination) (JOE nods) I mean, by our imagination, 1990s-2000s = Ladies' lavatories we rent to the imagination) Who are you? english_tweet = Ladies lavatory we just renting to make our imagination) lyrics = Ladies lavatories we just rent to imagination) romantic_poetry = Ladies' lavatories we're but renting to fancy) switchboard = ladies' lavatories we just rent that imagination out shakespeare = Lady’s lavatories, I have but rent to imagination) Input = No more turdenskaulds!   No more shitheads! lyrics = No more thugs with the buck! romantic_poetry = No more inglorious taint of shitheads! switchboard = oh no more assholes shakespeare = No more scoundrels! Input = BLOOM: I can give you... I mean as your business menagerer... Mrs Marion... if you...  I'll take care of you. aae = If you are a business manager... If you are a woman..  If you're a woman.... I'll take care of you. english_tweet = if you're a business owner.... If you are a woman...   Input = To be presented, Babs for Bimbushi? Paraphrase = to be presented to the Babs? aae = Getting your presentation from the Babs? bible = and to be presented unto Babs? 1810s-1820s = Is it to be presented to the Babs? 1890s-1900s = To have it presented to the Babs? " 1990s-2000s = To be presented to the Babs, to be made the subject of an article? english_tweet = So being presented to the Babs? lyrics = Tto be presented to the Babs? romantic_poetry = To be soothed by the Babs?--for their face switchboard = to be presented to the Babs shakespeare = To be presented to Babs? Input = Ah, the brother-in-law. Paraphrase = oh, my God, my brother-in-law. aae = Lmao my brother in law bible = My brother, the high priest, saith unto me, Fear God, and do his commandments. 1810s-1820s = O, my brother-in-law, how you have been frighten'd. 1890s-1900s = ( C.) My brother-in-law, sir. 1990s-2000s = Ooh, Jesus, my brother-in-law. " english_tweet = Golmaaaaaaaaaaaaha.  Input = Retreating, at the terminus of the Great Northern Railway, Amiens street, with constant uniform acceleration, along parallel lines meeting at Paraphrase = on the Great Northern Railway, Amiens street, the same constant acceleration, along the same lines, aae = On the Great Northern Railway, Amiens street, the same constant acceleration, along the same lines, bible = And on the Great Northern Railway, at the going up to Amiens street, the same continual acceleration, along the same lines, 1810s-1820s = Amiens street, on the Great Northern railway, on the same constant accelerating line, along which the horses have passed at every change of direction. 1890s-1900s = Cumulative on the Great Northern Railway, Amiens street, same constant acceleration, along the same lines. 1990s-2000s = Up and down the same lines, on the Great Northern Railway, Amiens street. english_tweet = Amiens street, similar constant acceleration, along the same lines, on the Great Northern Railway lyrics = Amiens street, same constant acceleration, along the same lines, on the Great Northern Railway romantic_poetry = Amiens street, Great Northern Railway, same constant acceleration, switchboard = on the Great Northern Railroad down Amiens Street the same constant acceleration along the same lines and the same constant acceleration shakespeare = At Amiens street, upon the Great Northern Railway, So constant a course, through the same road, Amiens—a well-remembered Input = those three stout sweynhearts, Orion of the Orgiasts, Meereschal MacMuhun, the Ipse dadden, product of the extremes giving quotidients to Paraphrase = the three stout-hearted Orgiasts, Orgiast, MacMuhun, the Ipse dadden, the product of the extremes. aae = Three Stout-hearted Orgiast, Orgiast, MacMuhun, The Ipse dadden, Product of the Extremees. bible = The three stouthearted Orgiasts, Orgiast, MacMuhun, the Ipse dadden, the product of the extremes, 1810s-1820s = Orgiast, Orgiast, MacMuhun, the Ipse dadden, the product of extremes, a blighting, pestilential weed, that has taken root and spread over 1890s-1900s = Three stout-hearted Orgiasts, Orgiast, MacMuhun, the Ipse dadden, the product of the extremes. 1990s-2000s = <p> This trio of stout-hearted Orgiasts, Orgiast, MacMuhun, the Ipse dadden, the product of the extremes, lived on the surface of the english_tweet = The three sturdy minded Orgiasts, Orgiast, MacMuhun, the Ipse dadden, product of the extremes. lyrics = Three stout-hearted Orgiasts, Orgiast, MacMuhun, the Ipse dadden, product of extremes. romantic_poetry = Three stout-hearted Orgiasts, Orgiast, MacMuhun, the Ipse dadden, the product of extremes, switchboard = three stout-hearted Orgiast Orghiast or MacMuhun uh MacMuhun which is the extreme of the three swift swift and the ipse dadden shakespeare = Three stout-hearted Orgiasts, Orgiast, MacMuhun, The Ipse dadden, the product of the extremes, Heaven be thanked. Input = Go home to nicey bread and milky and say night prayers with the kiddies.  Input = You naughty too?  Ah! I was born switchboard = yeah you too bad boy shakespeare = Are you the very wronged man? Input = He said that he had seen from the gods my peerless globes as I sat in a box of the Paraphrase = as I sat in the box, he said he saw my peerless globe from the gods. aae = Just like I sat in the box, he said he seen my peerless globe from gods gift. bible = And he said, Behold, I saw a peerless globe from above; and, behold, it was as though it were the sun. 1810s-1820s = He had said, as I sat in the box, that he had seen my peerless globe from the gods. 1890s-1900s = And he told me, as I sat in the box, that he had seen my peerless globe from the gods. 1990s-2000s = I heard him say that he had seen my peerless globe from the gods as I sat in that box. english_tweet = He said to me he saw my peerless globe from the gods as I sat in a box. lyrics = He said, as I sat in my box, of my peerless globe from gods above romantic_poetry = Said he, as from his godlike globe, I peerless globe switchboard = as i sat in that box he said i've seen peerless globe from the gods and uh shakespeare = So, as I sat in my box, He said he hath seen my peerless globe from the gods. Input = others back Mrs Rubio said she was a regular old rock scorpion robbing the chickens out of Inces farm and Paraphrase = others said Mrs. Rubio was a regular old scorpion robbing the chickens in Inces. aae = Other said Mrs. Rubio is a regular old scorpio robbing chickens in Inces. bible = And others said, That the wife of the said Rubio was a scorpion robbing the chickens in Inces. 1810s-1820s = Others said Mrs. Rubio was an old scorpion robbing the chickens in Inces. 1890s-1900s = Others said Mrs. Rubio was one of the regular old scorpions robbing the chickens in Inces. 1990s-2000s = Others said Mrs. Rubio was the regular old scorpion robbing the chickens in Inces, Mexico. english_tweet = Inces. But I'm sure others said Mrs. Rubio is a regular old scorpion robbing chickens in lyrics = Others said Mrs. Rubio was a regular old scorpion robbing chickens in Inces. romantic_poetry = And other said her mammy was a regular old scorpion robb'd Inces. switchboard = others have said Mrs Rubio was a regular old scorpion robbing the chickens in Inces and stealing them_1 shakespeare = They say that Lady Rubio is a most regular old scorpion that robs the chickens in Inces. Input = He weighed the possible evidences for and against ritual murder: the incitations of the hierarchy, the superstition of the populace, Paraphrase = the evidence and the evidence against ritual murder: The ritual, the hierarchy, the populace aae = Its time to find out the evidence and its evidence against rite homicide: the ritual, the hierarchy bible = The evidence and the evidence against ritual murder: The law, the church, the laity, and the rulers of the people. 1810s-1820s = and the evidence and the proof against rite murder: the rite, the hierarchy, the populace. 1890s-1900s = For ritual murder, the evidence and the testimony against it: the ceremonial, the hierarchy, the populace. 1990s-2000s = Section: PREVENTION and PREVENTIONISTIC MURDER <p> The evidence and the evidence against ritual murder: the english_tweet = Why there should be such evidence and the ritual against ritual murder: the rituals, the hierarchy, theCola lyrics = On the witness stand and the evidence against ritual murder: hierarchical, dominated, population romantic_poetry = The proof and the proof against ritual murder: The spell, the hierarchy, the populace switchboard = the evidence and the ritual murder thing uh as opposed to uh you know the the hierarchy and the populace shakespeare = The testimony and the corroboration of the law Against ritual murder: The magistrates, the church, the populace! Input = They talked seriously of mocker’s seriousness. Paraphrase = they've been talking about serious seriousness about the mocker. aae = they been talkin about serious mockers bible = And they spake of grave seriousness concerning the mocker. 1810s-1820s = They spoke of the mocker with seriousness. 1890s-1900s = They were discussing serious matters with the mocker. " 1990s-2000s = They talked about the mocker's seriousness, as they'd talk about her. english_tweet = They were in the mocker mode talking serious seriousness lyrics = They were makin serious statements about mockery romantic_poetry = They talked serious muckle earnestly switchboard = they were talking about serious seriousness on the mocker shakespeare = They have been talking seriously of the mocker. Input = entire district is being grown at present, eminently adapted for the requirements of pacnincstricken humanity and, between all the goings Paraphrase = the entire district is growing, adapted to the needs of pacnincstrained humanity and, between all the events, aae = the entire district is growing,adapting to pacnincstrained humanity and,between all the events, bible = And the whole district thereof, and the suburbs thereof, are increased, adapted to the needs of pacnincstrained humanity, and, between all the latter things, 1810s-1820s = It is the growth of an entire district, adapted to the necessities of pacnincstrained humanity and, between all the events, the operations of war. 1890s-1900s = This district grows, adapted to the needs of pacnincstrained humanity and, between all the events, of a war. 1990s-2000s = An entire district grows, adapted to the needs of pacnincstrained humanity and, between all the events, to the inevitable, that all of them. english_tweet = This entire district is thriving, adapted to the needs of pacnincstrained humanity and, between all the events lyrics = The whole district grows, adapted to the needs of pacnincstrained humanity and, between all the events, romantic_poetry = All district grows, adapted to pacnincstrained humanity, and, between, switchboard = the whole district is growing and adapted to the needs of pacnincstrained humanity and between all the events that we're seeing in the news now the uh shakespeare = All the world grows, adapted to pacnincest human need, And between all these events, you, in this wretched place, Of this wretched circle, stand at Input = She was alone. Paraphrase = she's alone now. aae = She was by herself now. bible = And she went out. 1810s-1820s = She is now alone--alone, and alone, forever. 1890s-1900s = She is alone now, for she has been so lonely. 1990s-2000s = She was alone now, alone in the house. english_tweet = She's alone now. lyrics = Now she's all alone romantic_poetry = She now is as lonely. O that she switchboard = she's by herself now shakespeare = She is alone now.   Paraphrase = Jesus or the Pope? aae = Jesus or Pope? bible = Jesus or Pontius Pilate? 1810s-1820s = Jesus Christ or the Pope? 1890s-1900s = Do you know which one is Jesus or the Pope? " 1990s-2000s = Do you think the Pope or Jesus or something? english_tweet = Jesus or the Pope? lyrics = Are you Jesus or the Pope? romantic_poetry = Is it Jesus or the Pope? But I love switchboard = uh Jesus or the Pope shakespeare = Jesus or the pope? Input = How many children did he leave? Paraphrase = how many kids have he left? aae = How many kids he left? bible = And the king said unto him, How many children is he left! 1810s-1820s = How many children does he leave behind him? 1890s-1900s = How many children have he left--or has he left any children? 1990s-2000s = How many kids have he left who are not? english_tweet = How many kids has he left? lyrics = How many kids have he left behind? romantic_poetry = How many children have he left behind him? switchboard = how many kids did he leave shakespeare = How many children hath he left here? Input = chees of all chades at the same time as he wags an antomine art of being rude like the boor. Paraphrase = chees of all the chalets at the same time, as he wags his antonymic art. aae = Chees of all chalets at the same time, as he wags his antonymic artwork. bible = Take the same chalice of wine, and the same laver of bread, and the same bough of the same fig tree, and ye shall offer for a 1810s-1820s = Chees of all the chalets at the same time, as he wags his antonymic art. 1890s-1900s = Chees of all the chalets at the same time, as he wags his antonymic art. " 1990s-2000s = Chees of all chalets at once, as he wags his antonymic art. english_tweet = chees of all chalets at once, as he wag his antonymic art. lyrics = Chees of all chalets at once, like he wags his antonymic art romantic_poetry = Chees of all chalets at once, as he wags his antonymic art, switchboard = chees of all the chalets at the same time as he wags his antonymic art on the shakespeare = The choicest of all chalets, At the same time to wag his antonymic art, Go in the duke’s chamber. Input = Will you to your power cause law and mercy to be executed in all your judgments in Ireland and territories Paraphrase = in Ireland and the territories, you will be able to execute justice and mercy aae = In Ireland and Territories u can Execution Justice and mercy bible = Thou shalt execute judgment and mercy in the land of Ireland and in the territories thereof, 1810s-1820s = In Ireland and her possessions, the law will enable you to execute justice and mercy. 1890s-1900s = Justice and mercy will be at your command in Ireland and the territories. 1990s-2000s = Let justice and mercy prevail in Ireland and the territories. english_tweet = In Ireland and the territories, you will be able to give justice and mercy lyrics = In Ireland and the territories, execute justice and mercy romantic_poetry = In Ireland and her Territories, and Execution Justice and mercy switchboard = to the territories and and to execute justice and mercy shakespeare = And from Ireland and all the territories Execute justice and mercy. Input = Harpooning flitches and hindquarters out of it.   Input = Assembly men murmured. Paraphrase = the men murmured in the assembly. aae = Men murmuring in the assembly. bible = And the men murmured in the assembly. 1810s-1820s = The murmurs of the men became audible in the assembly. 1890s-1900s = In the assembly the men murmured their dissenting opinions. 1990s-2000s = The men murmured into the assembly of their comrades. english_tweet = Men murmured in the assembly. lyrics = The men murmured in the assembly. romantic_poetry = In assembly the men murmured; switchboard = the men murmured into their collective shakespeare = The men did murmur. Input = Where it is nobler in the main to supper than the boys and errors of outrager’s virtue.  Input = But a magnificent brut! ‘ Paraphrase = but a beautiful, brutal, brutal! " aae = But Beautiful Bruised Bruised Bruised! \"/ bible = But a beautiful, and brutish, and filthy! 1810s-1820s = But an angelic countenance, beautiful and brutal! " 1890s-1900s = But a beautiful thing, brutal, inhuman! " 1990s-2000s = But a beautiful, vicious, brutal one! " english_tweet = But a beautiful, brutal, brutal! " lyrics = But a beautiful, brutal, savage!" romantic_poetry = But a Beauty, and a Brutal! " switchboard = but a beautiful brutal" shakespeare = But most sweet, most savage, most savage!”  Input = I know him well to see, Davy Byrne said. Paraphrase = Davy Byrne said I knew him well. aae = Davy Byrne said i know him well bible = And they said, Davy said, I knew him well. 1810s-1820s = Davy Byrne has told me that I knew him well. 1890s-1900s = Davy Byrne said I knew him well, and I didn't want to. 1990s-2000s = I know him, Davy Byrne said, that I do. english_tweet = Davy Byrne said I knew him well lyrics = Davy Byrne said I knew him well romantic_poetry = Davy Byrne said, I knew him well; switchboard = i know it well Davy Byrne said i know him shakespeare = I have known him well enough.” Davy Byrne says I know him well. Input = the fenians, roi des fainéants; his Tiara of scones was held unfillable till one Liam Fail felled him in Westmunster; Paraphrase = the Fenians, the Irishmen, the Irishmen, the Irishmen, the Irishmen, the Irishmen, the Irishmen, the Irishmen, the Irishmen, the Irishmen, the aae = Fenians, Irishmen, Ppls from dahs planet in space n dahs suns, nd nd nd nd nd nd nd nd nd nd nd nd nd n bible = And the men of the Red Branch, and the men of the Red Branch, and the men of the Red Branch, and the men of the Red Branch, and the men of the Red Branch, 1810s-1820s = The Fenians, and the Hurons, and the Irishmen, and the Hurons, and the Fenians, and the Iroquois, and the Pequods, and the Sioux, and the Algonquin, and the Cherokees 1890s-1900s = The Fenians, the Irishmen, the Tories, the New Englanders, and the British had all come together to fight for the American flag. 1990s-2000s = Fenians, Irishmen, Irishmen, or those who were half-trained to speak Irish and half-baked to pronounce it, all the other languages of the English world. english_tweet = THE FENIANANS, THE IRISHMEN, THE IRISHMEN, THE IRISHMEN, IRISHMAN. lyrics = Ya Fenians, ya Fenians, ya Fenians, ya Fenians, ya Fenians, ya Fenians, ya Fenians, ya Fenians, yeah romantic_poetry = The Fenians, the Gaddies, the anthems o' our land, switchboard = Fenians and the Irishmen and and the the uh the ye- ye- all the i like the uh uh the Irish teams i think they're pretty good uh i think they're pretty good i like the Irish teams shakespeare = The Fenians, in such a time as this, The Irishmen, in such a time as this, The noble Antony, the Saint of Ireland, the Abbess of Milan, My, the wife of my father, To say that she Input = Etoudies for the right hand.  Input = They took it asunder, I hurd thum sigh. Paraphrase = they broke it, I sighed. aae = They broke it I sigh bible = they have broken it, I have sighed. 1810s-1820s = it was broken, I sighed, and tore it. 1890s-1900s = It's broken, I'm sighing, they've broken it. 1990s-2000s = <p> They broke it, I sighed, and they walked away. english_tweet = broke it, i sighed. lyrics = It broke them, I sigh and romantic_poetry = They broke it, I sighed for their ruin, switchboard = they broke it i cried shakespeare = They broke it, I did sigh. Input = Martin Cunningham said. Paraphrase = he said Martin Cunningham. aae = lol he said marvin cummings bible = And he said, This is the man that was baptized of him. 1810s-1820s = Cox,' said he, to Martin Cunningham. 1890s-1900s = ( turning) Oh, he said Martin Cunningham. 1990s-2000s = <p> It's Martin Cunningham, he said. english_tweet = Cried. Martin Cunningham. lyrics = They say Martin Cunningham. romantic_poetry = Said he, Martin Cunningham, switchboard = he was saying Martin Cunningham shakespeare = And he said to me, “Martin Cunningham.” I told Input = Good, Stephen said. Paraphrase = all right, Stephen said, and he smiled. aae = Oh okay. Stephen said, and put a smile on my face. bible = And all the people answered Stephen, All is well with thee. 1810s-1820s = Very well,' said Stephen, and he raised his eyes in triumph. 1890s-1900s = Now, Stephen said, and he looked up smiling. 1990s-2000s = Okay, Stephen said, and gave me a smile. english_tweet = Well, Stephen said, and smiled. lyrics = Alles sind, was es nur, so Stephen said romantic_poetry = And sweetly said, "All right, Stephen, and smile switchboard = okay Stephen well he said he smile shakespeare = Well, sir, and smilingly, he said.