What is SEO?
Search engine optimization is a procedure of methodologies, techniques and strategies used to expand the measure of guests to a site by acquiring a high-positioning arrangement in the indexed lists page of a web crawler (SERP) — including Google, Bing, Yahoo and other search engines.
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Inspired by Google's art selfie, Dogifai uses DenseNet CV to determine which Dog you look like!
An Alexa Skill to play the daily news in French for language learning. Say "Alexa, play slow french news!"


--- layout: post title: Testing the view with Selenium categories: - sightings author: David published: true date: 2006-02-06 17:42:53.000000000 +00:00 ---
Selenium enables you to test the view by driving it through a real browser. This allows you to test that your application works correctly in multiple browsers and that the Javascript functions as intended. Very nifty stuff.
And Jonas Bengtsson just made the use of Selenium with Rails all the much easier through the new Selenium plugin. This removes the drudgery of setup and makes it silly simple to get started.


| Atheist |
United States |
Progressive Death/Thrash Metal with Jazz influences |
389 |
| Pestilence |
Netherlands |
Thrash Metal (1986-1988); Death Metal (1989-1991, 2008-); Progressive Death Metal/Jazz Fusion (1993) |
304 |
| Possessed |
United States |
Death/Thrash Metal |
286 |
| Gruesome |
United States |
Death Metal |
272 |
| Control Denied |
United States |
Progressive Power Metal |
268 |
| Cynic |
United States |
Thrash Metal (early); Progressive Death Metal/Fusion (mid); Progressive Rock (later) |
246 |
| Obituary |
United States |
Death Metal |
237 |
| Obscura |
Germany |
Progressive/Technical Death Metal |
225 |
| Massacre |
United States |
Death Metal |
175 |
| Mantas |
United States |
Speed/Thrash/Death Metal |
173 |
| Autopsy |
United States |
Death Metal |
161 |
| Morgoth |
Germany |
Death Metal, Industrial Rock (1996) |
143 |
| Gorguts |
Canada |
Death Metal (early); Technical/Avant-garde Death Metal (later) |
141 |
| Sadus |
United States |
Death/Thrash Metal (early); Technical Thrash Metal (later) |
136 |
| Cancer |
United Kingdom |
Death/Thrash Metal |
129 |
| Nocturnus |
United States |
Technical Death Metal |
125 |
| Skeletal Remains |
United States |
Death Metal |
114 |
| Master |
United States |
Death/Thrash Metal |
113 |
| Martyr |
Canada |
Technical Death Metal |
101 |
| Decrepit Birth |
United States |
Technical Death Metal |
90 |
| Horrendous |
United States |
Death Metal (early), Progressive Death Metal (later) |
86 |
| Necrophagist |
Germany |
Technical Death Metal |
85 |
| Quo Vadis |
Canada |
Technical Melodic Death Metal |
84 |
| Carcass |
United Kingdom |
Goregrind/Grindcore (early); Melodic Death Metal/Death 'n' Roll (later) |
71 |
| Blood Incantation |
United States |
Death Metal |
66 |
| Vektor |
United States |
Progressive Thrash Metal |
62 |
| Morbid Angel |
United States |
Death Metal |
57 |
| Obliveon |
Canada |
Technical Death/Thrash Metal (early), Groove Metal (later) |
52 |
| Sepultura |
Brazil |
Death/Thrash Metal (early); Nu-Metal, Groove/Thrash Metal (later) |
51 |
| Vader |
Poland |
Death/Thrash Metal |
50 |
| Edge of Sanity |
Sweden |
Progressive Death Metal |
44 |
| Deceased |
United States |
Death/Thrash/Heavy Metal |
43 |
| Sadist |
Italy |
Progressive Death Metal |
43 |
| Morbus Chron |
Sweden |
Death Metal (early); Progressive Death Metal (later) |
40 |
| Beyond Creation |
Canada |
Progressive/Technical Death Metal |
39 |
| Morfin |
United States |
Death Metal |
38 |
| Disincarnate |
United States |
Death Metal |
37 |
| Hieronymus Bosch |
Russia |
Progressive Death Metal |
37 |
| Malevolent Creation |
United States |
Death Metal |
36 |
| Slaughter |
Canada |
Death/Thrash Metal |
36 |
| Revocation |
United States |
Technical Death/Thrash Metal |
34 |
| Necrophagia |
United States |
Death Metal |
34 |
| Contrarian |
United States |
Progressive Death Metal |
34 |
| Incubus |
United States |
Death/Thrash Metal |
33 |
| Slayer |
United States |
Thrash Metal |
32 |
| Mortification |
Australia |
Thrash/Death Metal |
31 |
| Chemical Breath |
Belgium |
Technical Death/Thrash Metal |
31 |
| After Oblivion |
Bosnia and Herzegovina |
Technical Death/Thrash Metal |
30 |
| Ripper |
Chile |
Death/Thrash Metal |
30 |
| Watchtower |
United States |
Progressive/Technical Thrash Metal |
26 |
| Blackthorn |
Mexico |
Death Metal |
26 |
| Chapel of Disease |
Germany |
Death Metal |
25 |
| Kreator |
Germany |
Thrash Metal |
24 |
| Dark Angel |
United States |
Thrash Metal |
24 |
| Messiah |
Switzerland |
Death/Thrash Metal |
24 |
| Brutality |
United States |
Death Metal |
24 |
| Thanatos |
Netherlands |
Death/Thrash Metal |
24 |
| Cist |
Russia |
Death/Thrash Metal |
24 |
| Morbid Saint |
United States |
Thrash Metal |
23 |
| Sceptic |
Poland |
Technical Death Metal |
23 |
| Transmetal |
Mexico |
Thrash/Death Metal |
23 |
| Abyssus |
Greece |
Death Metal |
23 |
| Num Skull |
United States |
Death/Thrash Metal (early); Death Metal (later) |
22 |
| Solstice |
United States |
Death/Thrash Metal |
21 |
| Illogicist |
Italy |
Technical Death Metal |
21 |
| Alarum |
Australia |
Progressive/Thrash Metal/Fusion |
21 |
| Loudblast |
France |
Death/Thrash Metal (early); Death Metal (later) |
21 |
| Nocturnus AD |
United States |
Technical Death Metal |
21 |
| Carcariass |
France |
Progressive Melodic Death Metal |
20 |
| Desecrator |
United Kingdom |
Death Metal |
20 |
| Gory Blister |
Italy |
Technical Death Metal |
20 |
| Burial |
Netherlands |
Death Metal |
19 |
| Death Breath |
Sweden |
Death Metal |
19 |
| Electrocution |
Italy |
Death Metal (early); Technical Death Metal (later) |
19 |
| Hellwitch |
United States |
Technical Death/Thrash Metal |
19 |
| Neuraxis |
Canada |
Technical Death Metal |
19 |
| Rude |
United States |
Death Metal |
19 |
| Repulsion |
United States |
Grindcore/Death Metal |
18 |
| At the Gates |
Sweden |
Melodic Death Metal |
17 |
| Grave |
Sweden |
Death Metal |
17 |
| Coroner |
Switzerland |
Technical Thrash Metal |
17 |
| Cryptic Shift |
United Kingdom |
Technical Thrash/Death Metal |
17 |
| Monstrosity |
United States |
Death Metal |
17 |
| Benediction |
United Kingdom |
Death Metal |
16 |
| Dismember |
Sweden |
Death Metal |
16 |
| Incarnator |
Russia |
Technical/Progressive Death Metal |
16 |
| Polluted Inheritance |
Netherlands |
Technical Death Metal |
16 |
| Acid Death |
Greece |
Death/Thrash/Progressive Metal |
16 |
| Black Fast |
United States |
Progressive Thrash Metal |
15 |
| Hemotoxin |
United States |
Progressive Death/Thrash Metal |
15 |
| Leprosy |
Mexico |
Death/Thrash Metal |
15 |
| Revenant |
United States |
Death/Thrash Metal |
15 |
| Believer |
United States |
Progressive/Technical Thrash Metal |
15 |
| Mindwork |
Czechia |
Progressive Thrash/Death Metal |
15 |
| Bolt Thrower |
United Kingdom |
Death Metal |
14 |
| Bloodbath |
Sweden |
Death Metal |
14 |
| Into Eternity |
Canada |
Progressive/Melodic Death Metal |
14 |
| Skyglow |
Russia |
Progressive Death Metal |
14 |
| Grace Disgraced |
Russia |
Technical Death Metal |
14 |
| Gojira |
France |
Progressive/Groove/Death Metal |
13 |
| Bedsore |
Italy |
Progressive Death Metal |
13 |
| Dissonance |
Slovakia |
Technical Death Metal |
13 |
| Arsis |
United States |
Technical Melodic Death Metal |
12 |
| Anata |
Sweden |
Technical Death Metal |
12 |
| Repugnant |
Sweden |
Death/Thrash Metal |
12 |
| Keeper of Dreams |
Hungary |
Technical Death/Thrash Metal |
12 |
| Arkhe |
Mexico |
Technical Death Metal |
12 |
| Opprobrium |
United States |
Death/Thrash Metal |
12 |
| Alitor |
Serbia |
Progressive Thrash Metal |
12 |
| Undead Prophecies |
Unknown |
Death Metal |
12 |
| Deicide |
United States |
Death Metal |
11 |
| Ouroboros |
Australia |
Technical Death/Thrash Metal |
11 |
| Mortem |
Peru |
Death Metal |
11 |
| Mortuary |
Mexico |
Death/Thrash Metal |
11 |
| Rigor Mortis |
United States |
Thrash Metal |
11 |
| Gorod |
France |
Progressive/Technical Death Metal |
11 |
| Disciples of Power |
Canada |
Thrash/Death Metal |
11 |
| Tempestas |
Brazil |
Death Metal |
11 |
| Akercocke |
United Kingdom |
Progressive Black/Death Metal |
11 |
| De Profundis |
United Kingdom |
Doom/Death Metal (early); Progressive Death/Black Metal (later) |
11 |
| Hybris |
Poland |
Technical Death/Thrash Metal |
11 |
| Sabbatory |
Canada |
Death Metal |
11 |
| Burning Inside |
United States |
Technical Death Metal |
11 |
| Sacrifice |
Canada |
Thrash Metal |
10 |
| Creepmime |
Netherlands |
Progressive Death Metal |
10 |
| Dementia 13 |
Portugal |
Death Metal |
10 |
| Lykathea Aflame |
Czechia |
Progressive/Technical Brutal Death Metal |
10 |
| Angel of Disease |
Georgia |
Progressive Death Metal |
10 |
| Sarcófago |
Brazil |
Black/Thrash/Death Metal |
9 |
| Suffocation |
United States |
Brutal/Technical Death Metal |
9 |
| Cemetery Filth |
United States |
Death Metal |
9 |
| Eternal Solstice |
Netherlands |
Death Metal |
9 |
| Pestifer |
Belgium |
Technical Death Metal |
9 |
| Plague Rider |
United Kingdom |
Technical Death/Thrash Metal |
9 |
| Zealot Cult |
Ireland |
Death Metal |
9 |
| Аспид |
Russia |
Technical/Progressive Thrash Metal |
8 |
| Voivod |
Canada |
Thrash Metal (early); Progressive Metal (later) |
8 |
| Atrocity |
Germany |
Various |
8 |
| Ripping Corpse |
United States |
Death/Thrash Metal |
8 |
| Horrified |
United Kingdom |
Death Metal (early); Melodic Black/Death Metal (later) |
8 |
| Nile |
United States |
Brutal/Technical Death Metal |
8 |
| Baphomet |
United States |
Death Metal |
8 |
| Dragon |
Poland |
Thrash/Death Metal, Industrial Hard Rock |
8 |
| Excruciation by Silence |
Russia |
Thrash Metal |
8 |
| Dr. Shrinker |
United States |
Death Metal |
8 |
| Godzilla |
France |
Death Metal |
8 |
| VoidCeremony |
United States |
Progressive/Technical Death Metal |
8 |
| Esqarial |
Poland |
Technical/Progressive Death Metal |
8 |
| Scenery |
Czechia |
Technical Death/Thrash Metal |
8 |
| Plague |
Greece |
Death Metal |
8 |
| Pessimist |
Czechia |
Progressive Technical Death Metal |
8 |
| Scavenger |
Italy |
Thrash/Death Metal |
8 |
| Defeated Sanity |
Germany |
Technical Brutal Death Metal |
7 |
| Absorbed |
Spain |
Technical Death Metal |
7 |
| R.A.V.A.G.E. |
United States |
Death/Thrash Metal |
7 |
| Sacrament |
United States |
Thrash Metal |
7 |
| Succubus |
Russia |
Technical Death Metal |
7 |
| Funeral Speech |
Russia |
Progressive Death Metal |
7 |
| Psycroptic |
Australia |
Technical Death Metal |
7 |
| Thormenthor |
Portugal |
Progressive Death Metal |
7 |
| Unreal Overflows |
Spain |
Technical Melodic Death Metal |
7 |
| Critical Extravasation |
Russia |
Technical Death/Thrash Metal |
7 |
| Fractal Universe |
France |
Progressive/Technical Death Metal |
7 |
| Xoth |
United States |
Technical Death/Black/Thrash Metal |
7 |
| Macabre |
United States |
Thrash/Death Metal/Grindcore |
6 |
| Insanity |
United States |
Death/Thrash Metal |
6 |
| Noisem |
United States |
Death/Thrash Metal/Grindcore |
6 |
| The Chasm |
Mexico |
Death Metal |
6 |
| Eternal Storm |
Spain |
Melodic Death Metal |
6 |
| 1917 |
Argentina |
Death Metal |
6 |
| Hypocrisy |
Sweden |
Death Metal (early); Melodic Death Metal (later) |
6 |
| Terrorizer |
United States |
Death Metal/Grindcore |
6 |
| Blood Exile |
Mexico |
Thrash Metal |
6 |
| Casket |
Germany |
Death Metal |
6 |
| Dungortheb |
France |
Technical Death Metal |
6 |
| Exeloume |
Norway |
Thrash/Death Metal |
6 |
| Suffer |
Sweden |
Death Metal |
6 |
| Crystal Age |
Sweden |
Death Metal |
6 |
| Fleshold |
United States |
Death Metal |
6 |
| Infernal Conjuration |
Mexico |
Death Metal |
6 |
| Leprosys |
Canada |
Death Metal |
6 |
| Theory in Practice |
Sweden |
Technical Death Metal |
6 |
| Hacksaw to the Throat |
United States |
Death Metal/Grindcore (early); Progressive Death Metal (later) |
6 |
| Obelisk |
United States |
Progressive Metal |
6 |
| Necrowretch |
France |
Death/Black Metal |
5 |
| Massacra |
France |
Death/Thrash Metal (early); Heavy/Thrash Metal (later) |
5 |
| Devastation |
United States |
Thrash Metal |
5 |
| Vital Remains |
United States |
Death Metal |
5 |
| DBC |
Canada |
Thrash/Speed Metal |
5 |
| Nevermore |
United States |
Groove/Progressive Metal |
5 |
| Gladiator |
Slovakia |
Death/Thrash Metal (early); Grunge/Hard Rock (later) |
5 |
| Oniricous |
Spain |
Death Metal |
5 |
| Æpoch |
Canada |
Progressive Death Metal |
5 |
| Baest |
Denmark |
Death Metal |
5 |
| Dark Reign |
United States |
Death Metal/Grindcore |
5 |
| Deathcult |
Switzerland |
Death Metal |
5 |
| Gverr |
Albania |
Progressive Death Metal |
5 |
| Illuminati |
Romania |
Progressive Death Metal/Jazz Fusion |
5 |
| Molder |
United States |
Death/Thrash Metal |
5 |
| Vedonist |
Poland |
Death/Thrash Metal |
5 |
| Capharnaum |
United States |
Technical Death Metal |
5 |
| Faceless Burial |
Australia |
Black/Death Metal (early); Death Metal (later) |
5 |
| Funerus |
United States |
Death Metal |
5 |
| Hell:On |
Ukraine |
Thrash/Death Metal |
5 |
| Live Burial |
United Kingdom |
Death Metal |
5 |
| Necrodead |
Chile |
Death Metal (early), Thrash Metal (later) |
5 |
| Necrot |
United States |
Death Metal |
5 |
| Terminal Death |
United States |
Death Metal |
5 |
| Unhuman |
Canada |
Technical/Progressive Death Metal |
5 |
| Wolf Spider |
Poland |
Technical Thrash Metal |
5 |
| Horrible |
United States |
Death/Thrash Metal |
5 |
| Blood Feast |
United States |
Thrash Metal |
4 |
| Extol |
Norway |
Technical Death Metal (early); Progressive Death/Thrash Metal, Progressive Metal/Alternative Rock |
4 |
| Necrodeath |
Italy |
Black/Death/Thrash Metal |
4 |
| Decapitated |
Poland |
Technical Death Metal (early); Death/Groove Metal (later) |
4 |
| Asphyx |
Netherlands |
Death/Doom Metal |
4 |
| StarGazer |
Australia |
Avant-garde Black/Death Metal |
4 |
| Witchmasters |
Hungary |
Death Metal |
4 |
| Sakrificer |
United States |
Thrash/Death Metal |
4 |
| Stigmatized |
Chile |
Technical Death Metal |
4 |
| Strangulation |
Brazil |
Technical Death Metal |
4 |
| The Bleeding |
United Kingdom |
Death/Thrash Metal |
4 |
| Abysmal Dawn |
United States |
Death Metal |
4 |
| Barn |
United States |
Death Metal |
4 |
| Coram Lethe |
Italy |
Progressive Death Metal |
4 |
| Dekapitator |
United States |
Thrash Metal |
4 |
| Demisery |
United States |
Death Metal |
4 |
| Deviant Syndrome |
Russia |
Melodic Death Metal |
4 |
| Ectoplasma |
Greece |
Death Metal |
4 |
| Hated |
Russia |
Progressive Death Metal |
4 |
| Human Remains |
United States |
Death Metal/Grindcore |
4 |
| Madrost |
United States |
Death/Thrash Metal |
4 |
| Mercyless |
France |
Death/Thrash Metal |
4 |
| Mithras |
United Kingdom |
Experimental Death Metal |
4 |
| Necrosanct |
United Kingdom |
Death Metal |
4 |
| Syrebris |
United States |
Progressive Death Metal |
4 |
| Black Shepherd |
Belgium |
Thrash Metal |
4 |
| Blood Spill |
United States |
Death/Thrash Metal |
4 |
| Bones |
Belgium |
Death Metal |
4 |
| Chakal |
Brazil |
Thrash Metal (early); Groove Metal (later) |
4 |
| Disassembled |
Portugal |
Progressive Death Metal |
4 |
| Epitaph |
United States |
Death/Thrash Metal |
4 |
| Evoked |
Germany |
Death Metal |
4 |
| Hostil |
Peru |
Death/Thrash Metal |
4 |
| Human Decay |
Italy |
Death Metal |
4 |
| Jungle Rot |
United States |
Death Metal |
4 |
| Mental Casket |
Poland |
Death Metal |
4 |
| Moss upon the Skull |
Belgium |
Progressive Death Metal |
4 |
| Node |
Italy |
Technical Death Metal (early), Melodic Death Metal (later) |
4 |
| Prometheus |
Greece |
Black/Death Metal |
4 |
| Shards of Humanity |
United States |
Death/Thrash Metal |
4 |
| Voorhees |
France |
Death Metal |
4 |
| Died |
Malaysia |
Death Metal |
4 |
| Abscendent |
Italy |
Thrash/Death Metal |
4 |
| Mind Cry |
Russia |
Progressive Death Metal |
4 |
| Sectara |
United States |
Extreme Progressive Metal |
4 |
| Demented Ted |
United States |
Thrash Metal (early); Death Metal (later) |
3 |
| Acrania |
Mexico |
Death/Thrash Metal with Latin Jazz influences |
3 |
| Broken Hope |
United States |
Death Metal |
3 |
| Coexistence |
Italy |
Progressive Death Metal |
3 |
| Deathbringer |
Belarus |
Progressive Death Metal |
3 |
| Obliterated |
Italy |
Progressive Thrash Metal |
3 |
| Sindrome |
United States |
Thrash Metal |
3 |
| Viogression |
United States |
Death Metal |
3 |
| Decaying |
Finland |
Death Metal |
3 |
| Arte Sacra |
Portugal |
Progressive Death Metal |
3 |
| Bone Sickness |
United States |
Death Metal |
3 |
| Clit Ripper |
United States |
Death/Thrash Metal, Grindcore |
3 |
| Comatose |
Philippines |
Death Metal |
3 |
| Coral de Espíritos |
Brazil |
Technical Death Metal |
3 |
| Dezember |
Thailand |
Progressive Death Metal |
3 |
| Echidna |
Greece |
Progressive Death/Thrash Metal |
3 |
| Ekpyrosis |
Italy |
Death Metal |
3 |
| Evil Priest |
Peru |
Death Metal |
3 |
| Exence |
Italy |
Progressive Thrash/Death Metal |
3 |
| Festival of Mutilation |
Bosnia and Herzegovina |
Technical Death Metal |
3 |
| Intrepid |
Estonia |
Death Metal |
3 |
| Necropolis |
Argentina |
Technical Death Metal |
3 |
| Nexus |
Australia |
Progressive Death Metal |
3 |
| Oraculum |
Chile |
Death Metal |
3 |
| Sadism |
Chile |
Death Metal |
3 |
| Sanity Obscure |
Singapore |
Technical Thrash Metal (early); Progressive Death Metal (later) |
3 |
| Savage Death |
United States |
Death/Thrash Metal |
3 |
| Voodoo Gods |
United States |
Death/Thrash Metal |
3 |
| W.A.K.O. |
Portugal |
Death/Thrash/Groove Metal |
3 |
| (Psychoparalysis) |
Finland |
Progressive Death Metal |
3 |
| Apoplexy |
Slovakia |
Death Metal |
3 |
| Azure Emote |
United States |
Industrial/Avant-garde Death Metal |
3 |
| Considered Dead |
Brazil |
Death Metal |
3 |
| Disastrous Murmur |
Austria |
Death Metal |
3 |
| Excidium |
Switzerland |
Progressive Death/Thrash Metal |
3 |
| Gorgatron |
United States |
Death Metal, Grindcore |
3 |
| Hatred |
United States |
Death Metal |
3 |
| Hexen |
United States |
Melodic Thrash Metal with Progressive influences |
3 |
| Human Waste |
Spain |
Technical Death Metal (early), Progressive Death Metal (later) |
3 |
| In Human |
India |
Technical Death Metal |
3 |
| Infection |
Peru |
Death Metal |
3 |
| Katrinaz |
Mexico |
Death/Thrash Metal |
3 |
| Lethargy |
United States |
Technical Death Metal |
3 |
| Luciferion |
Sweden |
Death Metal |
3 |
| Monsterworks |
New Zealand |
Thrash/Death/Heavy Metal |
3 |
| Nader Sadek |
United States |
Death Metal |
3 |
| Obscenity |
Germany |
Death Metal |
3 |
| Obsolete |
United States |
Death/Thrash Metal |
3 |
| Psychic Pawn |
United States |
Death Metal |
3 |
| Scapegoat |
Bulgaria |
Death Metal |
3 |
| Wretched Inferno |
United States |
Thrash Metal (early); Death Metal (later) |
3 |
| Zoofilia |
Argentina |
Death Metal |
3 |
| (show top 20 only) |


Leaders in Kiddie Ride Games, We offer games for HIRE, SALE or REVENUE SHARE. The majority of our kids amusement rides are top quality childrens rides from the UK and Italy, most have seating for two children and combine gentle rocking motions, lively music, interactive sound buttons and flashing lights so that the children receive a truly imagination enhancing experience.


Gregg Hurwitz is the bestselling author of 18 novels, which have been published in 30 languages. He is also a bestselling comic book writer, having written stories for Marvel (Wolverine, Punisher) and DC (Batman, Penguin).
His Evan Smoak thrillers, Orphan X and The Nowhere Man, have been very popular in our libraries. The third title in the series, Hellbent, is due out in February 2018 and available to reserve now.
1. Who were your literary influences as you were growing up?
I loved Stephen King and used to read him under the covers with a flashlight when I was in grade school. I was also quite drawn to Edgar Allen Poe.
In high school I read the classics – F. Scott Fitzgerald and William Faulkner. Faulkner in particular wrote some delightfully twisted psychological stuff that really charged my imagination.
2. I have to ask about Evan Smoak. Where did the idea come from and what attracted you to his brand of vigilante justice?
I’ve been writing books for a while. Almost all of them stand-alones. And that’s because I hadn’t yet met… the guy. A book series is a huge step. It’s not just who you’re living with that book and that year. It’s the next book. And the next. And the one after that.
Fifteen novels in, I finally found that character. Evan Smoak, aka Orphan X, is the culmination of decades of writing and research. It took a lot of years for me to find my way to him. And fair enough. He’s a hard guy to find. He was yanked out of a foster home at the age of 12, raised in a covert black programme buried so deep within the U.S. government that virtually no one knows it exists. Only one person, Jack Johns, his handler and surrogate father, even knows who he is. He was given the highest level of training as an assassin and operator.
I spent months doing research. I went to Vegas to visit one of my consultants, a world-renowned sniper and armourer, who got me onto every gun I write about, from Benelli combat shotguns to custom 1911 pistols. I trained — badly — in mixed martial arts, familiarizing my face with the training mat. I talked to guys who led operations that you’ve seen on CNN, who have gone into hostile territory, under deep cover, or played offense in some of the most dangerous theatres in the world. All in an effort to show the process by which a skinny, scared kid from an East Baltimore boys’ home could plausibly transform into Orphan X, a legendary figure in the shadow service.
Evan was always different from the other orphans. Much of that is due to Jack, who raised him not just to be a top-tier operator but also to keep his sense of humanity intact. As Jack tells him, “The hard part isn’t making you a killer. The hard part is keeping you human.”
Evan’s moral compass was never shattered. And at a certain point, the moral ambiguities became too much and he fled the Orphan Program. When we meet him he’s re-established himself under a new identity in a safe house — more like a safe penthouse — on the Wilshire Corridor in L.A. He has a virtually limitless bank account, a particular skill set, and nothing to do.
And while he has to spend the rest of his life off the grid and has to bear the cross of being forever an outsider looking in, he’s got the expertise to do one thing. To work pro bono from the shadows, helping the desperate with nowhere else to turn.
I think that’s the heart of what I connected with when I found this character. There’s a conflict deep within Evan. Because everybody, no matter how tough, no matter what training they’ve received, has a need for human contact, for family. And one thing we never get to see is James Bond at home or Jason Bourne having an awkward moment with a single mum in the elevator of his condo. What would that really be like?
As for vigilante justice, that seems to be a theme I revisit throughout my career in the books, screenplays, and comics (obviously it was front and centre when I was writing The Punisher and Batman). I’m not sure why. Maybe I have an overdeveloped sense of justice.
3. Some of your Suffolk readers may not know you have a Masters degree in Shakespearian tragedy from Oxford University. Have you ever found this useful in the writing process?
Immensely. In fact, I think Shakespeare was one of the first thriller writers.
4. Is there anything you can share about your latest ‘work in progress’?
Hellbent, which comes out in the UK in February, is Evan Smoak’s most personal adventure yet. I’m really proud of this book.
5. Do you have a message for your many readers in Suffolk Libraries?
Well, I grew up in libraries (I wasn’t allowed to watch telly as a kid) so I can honestly say they’re my favourite places in the world.
Oh - and thank you for reading me!
6. What you are not writing or researching adrenaline-packed thrillers how do you relax?
Bourbon.
7. Can you tell us one thing that your readers may not know about you?
I do not know how to properly tie my shoelaces.


Roadmap
Preface
Welcome to the AutotunerPID
Toolkit
Using this Guide
Credits
Reference
Introduction to PID
Autotuning
What is an autotuner
The ISA-PID Regulator
Process Identification
Areas Method
Relay Method
Synthesis Method
Ziegler & Nichols [ZN(OL)]
Kappa-Tau [KT]
Internal Model Control [IMC]
Ziegler & Nichols
with relay [ZN(CL)]
Getting Started with the
AutotunerPID Toolkit
Layout of the Control System
PID with Autotuning
Plant
PID Control Panel
Environment Panel
Butterworth Analog Filter
Service Blocks
Setting up the Simulation
Simulation Control
Initialization of the Autotuner
Butterworth Filter
PID Control Panel
Process Controls
Parameters
Operating Mode
Autotuner
Environment Panel
Operating Conditions
Comparative Analysis
Help
Examples
Sample outputs
Normal operations
Comparative Analysis
Function Reference
Release Notes
Product Page (Web)


{% extends "base.html" %} {% block body %}
To enter your results:
Once some data is accumulated, you can plot the partition functions by selecting the Plot menu above.


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AWS::Route53Resolver::ResolverEndpoint
The
AWS::Route53Resolver::ResolverEndpoint
resource includes settings for inbound or outbound endpoints for Amazon Route 53.
For more information, see ResolverEndpoint in the
Amazon Route 53 API Reference.
Syntax
To declare this entity in your AWS CloudFormation template, use the following syntax:
JSON
{ "Type" : "AWS::Route53Resolver::ResolverEndpoint", "Properties" : { "Direction" :
String
, "IpAddresses" : [ IpAddressRequest, ... ], "Name" :String
, "SecurityGroupIds" : [String
, ... ], "Tags" : [ Resource Tag, ... ] } }
YAML
Type: "AWS::Route53Resolver::ResolverEndpoint" Properties: Direction:
String
IpAddresses: - IpAddressRequest Name:String
SecurityGroupIds: -String
Tags: - Resource Tag
Properties
Direction
-
Indicates whether the resolver endpoint allows inbound or outbound DNS queries.
Required: Yes
Type: String
Update requires: Replacement
IpAddresses
-
The subnets and IP addresses in your VPC that you want DNS queries to pass through on the way from your VPCs to your network (for outbound endpoints) or on the way from your network to your VPCs (for inbound resolver endpoints).
Required: Yes
Type: List of IpAddressRequest property types
Update requires: No interruption
Name
-
A friendly name that lets you easily find a configuration in the Resolver dashboard in the Route 53 console.
Required: No
Type: String
Update requires: No interruption
SecurityGroupIds
-
The ID of one or more security groups that you want to use to control access to this VPC. The security group that you specify must include one or more inbound rules (for inbound resolver endpoints) or outbound rules (for outbound resolver endpoints).
Required: Yes
Type: List of String values
Update requires: Replacement
Tags
-
A list of the tag keys and values that you want to associate with the endpoint.
Required: No
Type: List of Resource Tag property types
Update requires: No interruption
Return Values
Ref
When you pass the logical ID of an
AWS::Route53Resolver::ResolverEndpoint
resource to the intrinsic
Ref
function, the function returns the
ResolverEndpoint
object.
For more information about using the
Ref
function, see
Ref.
Fn::GetAtt
Fn::GetAtt
returns a value for a specified attribute of this type.
The following are the available attributes and sample return values.
Arn
-
The Amazon Resource Name (ARN) of the resolver endpoint, such as
arn:aws:route53Resolver:us-east-1:123456789012:resolver-endpoint/resolver-endpoint-a1bzhi
. Direction
-
Indicates whether the resolver endpoint allows inbound or outbound DNS queries.
HostVPCId
-
The ID of the VPC that you want to create the resolver endpoint in.
IpAddressCount
-
The number of IP addresses that the resolver endpoint can use for DNS queries.
Name
-
The name that you assigned to the resolver endpoint when you created the endpoint.
ResolverEndpointId
-
The ID of the resolver endpoint.
For more information about using
Fn::GetAtt
, see
Fn::GetAtt.
See Also
-
ResolverEndpoint in the Amazon Route 53 API Reference


We now know that measuring and optimizing engagement is essential to keeping users. Now it’s time to identify which analytics metrics to monitor.
Metrics are numerical values that track the number of times a certain behavior occurs. Determining data points that are the most actionable for tracking user engagement can be difficult and largely depends on business goals, app vertical, and tools used. However, listed below are useful measures for assessing user engagement. Keep in mind that specific tools have their own unique names for the actions they track.
Events are very specific to your vertical and describe custom actions that take place within your app. For example, a gaming app might track “Level achieved” or an eCommerce app might track “Add to cart.”
Most app analytics tools also allow you to add context to events with attributes, so for the above game and eCommerce examples, you might add the name of the level achieved or the name of the item that was added to the cart.
Tracking user flow is achieved by monitoring the user’s screen navigation, that is what path they take within your app once they start a session. Think of it as a step-by-step diagram of how a user navigates your app. Evaluating user flow allows you to identify points of friction in your funnels.
Analyze when users become disengaged with your app by assessing where they drop off within your app. This is a great metric to identify major technical or design issues. For example, if you have a game and notice a significant amount of users dropping off at a particular screen, you can offer the user help or redesign the level.
Loyalty and retention tracks the number of users that are still active after a certain period of days. In order to understand if tweaks and redesigns are meeting user needs, tracking this metric along with user segments will allow you to measure the effect optimization efforts have on user loyalty.
A session is a distinct period of user interaction within your app. It encompasses the time between an app open and close or session timeout. Tracking session length by cohort can help you identify which audiences are spending the least amount of time in your app and investigate why.
You can also see where users are spending the majority of their time while using your app and use it to develop content decisions. For instance, if you notice that a specific piece of content has a high session length, you can continue creating similar content that appeals to your users.
Monitor total views to evaluate which screens are the most popular. If users are navigating to a screen that’s outside of a conversion funnel, perhaps there’s a better way to present the information to keep them on the desired path.
Segments are groups of users that share common characteristics with one another such as operating system, in-app actions, or acquisition source.
Understanding how groups of users differ from one another by identifying different usage patterns can provide valuable insight. For instance, you may notice that tablet users spend more time on a particular screen than smartphone users, which may suggest that your tablet app needs to be redesigned.
In addition to informing redesigns, identifying groups of users who interact with a certain aspect of your app in a similar way makes it easier to engage users through personalization.


Potentially deadly parasite found in UK for first time
B. venatorum, which is found extensively across China but rarely in Europe, has now been identified in sheep in the north-east of Scotland.
Concerns have been raised after a potentially deadly tick-borne parasite was found in the UK for the first time.
The organism – named B. venatorum – causes babesiosis, an animal disease recognised as an emerging infection in people.
It has been recorded extensively in China and also in Europe, with two confirmed human infections in Italy over the last two decades, but has never previously appeared in the UK.
The European Centre for Disease Prevention and Control said infected people may get symptoms such as flu and jaundice but severe cases can lead to death.
A study by University of Glasgow scientists reports the organism has now been identified in sheep in the north-east of Scotland.
Willie Weir, senior university clinician, said: “The presence of B. venatorum in the UK represents a new risk to humans working, living, or hiking in areas with infected ticks and livestock, particularly sheep.
“Although we believe the threat to humans to be low, nevertheless local health and veterinary professionals will need to be aware of the disease if the health risk from tick-borne disease in the UK is to be fully understood.
“Our findings follow the recent report of the detection of tick-borne encephalitis virus in the UK.
“Taken together, these findings signify a change in the landscape of tick-borne pathogens in the UK and the underlying causes for this need to be investigated.”
Scientists collected blood from sheep, cattle and deer in the north-east of Scotland in areas where tick-borne diseases have previously been detected.
DNA from the parasite was detected in the blood of a large number of sheep, which were not showing any signs of disease, making them carrier animals.
Researchers believe B. venatorum may have been carried to the UK by migratory birds from Scandinavia.
Identification of this parasite in the UK raises concerns for European public health and farming policy, according to the study’s authors.
The paper is published in the December edition of Emerging Infectious Disease.


Slide 13 of 20
Notes:
In order to illustrate Infomasterís support for conceptual heterogeneity, letís compare the source data for a product from one of the suppliers with the view available to one of the buyers. Here we have the supplierís view in the window on the left and
In the Regal catalog, the product is listed as a frying pan, whereas, in the Payless catalog, it is a skillet. In the Regal catalog, the interior and exterior are arc-sprayed, whereas in the Payless catalog, the surface is listed as Teflon. The Regal ca


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Switches to an application. Use APP.ACTIVATE to switch to another application that is already running or that you have started by using EXEC.
Syntax
APP.ACTIVATE(title_text, wait_logical)
Important Microsoft Excel for the Macintosh requires system software version 7.0 or later for this function.
Title_text is the name of an application as displayed in its title bar.
If title_text is omitted, APP.ACTIVATE switches to Microsoft Excel.
If title_text is not a currently running application, APP.ACTIVATE returns the #VALUE! error value and interrupts the macro.
Title_text is not necessarily the name of the application file. Use the text that appears in the title bar of the application, which might include the name of the open workbook and path information.
In Microsoft Excel for the Macintosh, title_text can also refer to the Process Serial Number (PSN) that is returned by an EXEC function.
Wait_logical is a logical value determining when to switch to the application specified by title_text.
If wait_logical is TRUE, Microsoft Excel waits to be switched to before switching to the application specified by title_text.
If wait_logical is FALSE or omitted, Microsoft Excel immediately switches to the application specified by title_text.
Remarks
If you are running an application using Microsoft Excel macros, and you want to switch to a third application without switching to Microsoft Excel first, use FALSE as the wait_logical argument. With FALSE, you can use the application title_text without having to switch to Microsoft Excel first.
Examples
The following macro formula switches to Microsoft Word, which is currently displaying the workbook MONTHRPT.DOC in full screen mode:
APP.ACTIVATE("MICROSOFT WORD - MONTHRPT.DOC")
In Microsoft Excel for the Macintosh, the following macro formula switches to Microsoft Word:
APP.ACTIVATE("MICROSOFT WORD")
Tip Use an IF statement with APP.ACTIVATE to run an EXEC function if the application you want to switch to is not yet running.
Related Functions
The first five functions following are only for Microsoft Excel for Windows.
APP.MAXIMIZE Maximizes the Microsoft Excel application window
APP.MINIMIZE Minimizes the Microsoft Excel application window
APP.MOVE Moves the Microsoft Excel application window
APP.RESTORE Restores the Microsoft Excel application window
APP.SIZE Changes the size of the Microsoft Excel application window
EXEC Starts another application
Return to index


Purpose — Why Do We Create a Tech Radar?The Zalando Tech Radar is a tool to inspire and support teams to pick the best technologies for new projects; it provides a platform to share knowledge and experience in technologies, to reflect on technology decisions and continuously evolve our technology landscape. Based on ideas of ThoughtWorks, our Tech Radar sets out the changes in technologies that are interesting in software development; changes that we think our engineering teams should pay attention to and consider using in their projects. Scope — What Is the Tech Radar?The Zalando Tech Radar is a list of technologies, frameworks, tools and methods, complemented by an assessment result, called ring assignment; we use 4 rings with a slightly adapted semantics to fit our purpose:
The Tech Radar is maintained by the Zalando Technologist Guild — an open group of +25 Zalando senior technologists committed to devote time to the Tech Radar purpose. The guild self organises to maintain the Tech-Radar documents, including the quarterly Zalando Tech-Radar release published here. The ring assignments result from average vote of its members — of course, based on preliminary discussions with the target to achieve high consensus. |
Internals — How Does It Work?The Technology Guild [internal link] maintains the Tech Radar and Compendium, provides a forum for conversations about technologies, shares knowledge on technologies and support the engineering teams with expert knowledge and peer review feedback on their technology selections. Guild members meet monthly to discuss the updates of the Tech Radar assessments [internal link], and upcoming and ongoing issues around the technologies and architectural decisions. Together with the Tech Radar we also maintain the Tech Radar Compendium [internal link] — a collection of summaries of listed technologies, i.e. few sentence descriptions of what, why and risks of the technology supplemented with information which teams used it for what kind of problem. It continuously grows with any Tech Radar changes and hopefully evolves fast as a valuable place for us to share information and get teams connected. The Zalando Tech Radar Principles [internal link], of course, will not work without Zalando engineering team contributions; so our Technology Rules of Play include obligations for the engineering teams: teams must use the Tech Radar as one input source for their technology decisions. Teams are encouraged to challenge the Tech Radar and provide feedback to the Technologist Guild. Depending on the current assessment status of the technology candidate, teams should align with their delivery leads, inform or ask the Technologist Guild for peer review feedback on the purpose and risks and share their knowledge and experience with other teams and the Guild. |


A framework for easily creating beautiful presentations using HTML. Check out the live demo.
reveal.js comes with a broad range of features including nested slides, markdown contents, PDF export, speaker notes and a JavaScript API. It's best viewed in a browser with support for CSS 3D transforms but fallbacks are available to make sure your presentation can still be viewed elsewhere.
Slides are written using HTML or markdown but there's also an online editor for those of you who prefer a more traditional user interface. Give it a try at www.rvl.io.
Markup heirarchy needs to be

where the

represents one slide and can be repeated indefinitely. If you place multiple

's inside of another

they will be shown as vertical slides. The first of the vertical slides is the "root" of the others (at the top), and it will be included in the horizontal sequence. For example:
```html
### Markdown
It's possible to write your slides using Markdown. To enable Markdown, add the ```data-markdown``` attribute to your ```
``` elements and wrap the contents in a ```

You can write your content as a separate file and have reveal.js load it at runtime. Note the separator arguments which determine how slides are delimited in the external file.
html

At the end of your page you need to initialize reveal by running the following code. Note that all config values are optional and will default as specified below.
```javascript Reveal.initialize({
// Display controls in the bottom right corner
controls: true,
// Display a presentation progress bar
progress: true,
// Push each slide change to the browser history
history: false,
// Enable keyboard shortcuts for navigation
keyboard: true,
// Enable the slide overview mode
overview: true,
// Vertical centering of slides
center: true,
// Loop the presentation
loop: false,
// Change the presentation direction to be RTL
rtl: false,
// Number of milliseconds between automatically proceeding to the
// next slide, disabled when set to 0, this value can be overwritten
// by using a data-autoslide attribute on your slides
autoSlide: 0,
// Enable slide navigation via mouse wheel
mouseWheel: false,
// Apply a 3D roll to links on hover
rollingLinks: true,
// Transition style
transition: 'default' // default/cube/page/concave/zoom/linear/fade/none
}); ```
Note that the new default vertical centering option will break compatibility with slides that were using transitions with backgrounds (cube
and page
). To restore the previous behavior, set center
to false
.
The configuration can be updated after initialization using the configure
method:
```javascript // Turn autoSlide off Reveal.configure({ autoSlide: 0 });
// Start auto-sliding every 5s Reveal.configure({ autoSlide: 5000 }); ```
All presentations have a normal size, that is the resolution at which they are authored. The framework will automatically scale presentations uniformly based on this size to ensure that everything fits on any given display or viewport.
See below for a list of configuration options related to sizing, including default values:
```javascript Reveal.initialize({
...
// The "normal" size of the presentation, aspect ratio will be preserved
// when the presentation is scaled to fit different resolutions. Can be
// specified using percentage units.
width: 960,
height: 700,
// Factor of the display size that should remain empty around the content
margin: 0.1,
// Bounds for smallest/largest possible scale to apply to content
minScale: 0.2,
maxScale: 1.0
}); ```
Reveal.js doesn't rely on any third party scripts to work but a few optional libraries are included by default. These libraries are loaded as dependencies in the order they appear, for example:
```javascript Reveal.initialize({ dependencies: [ // Cross-browser shim that fully implements classList - https://github.com/eligrey/classList.js/ { src: 'lib/js/classList.js', condition: function() { return !document.body.classList; } },
// Interpret Markdown in <section> elements
{ src: 'plugin/markdown/showdown.js', condition: function() { return !!document.querySelector( '[data-markdown]' ); } },
{ src: 'plugin/markdown/markdown.js', condition: function() { return !!document.querySelector( '[data-markdown]' ); } },
// Syntax highlight for <code> elements
{ src: 'plugin/highlight/highlight.js', async: true, callback: function() { hljs.initHighlightingOnLoad(); } },
// Zoom in and out with Alt+click
{ src: 'plugin/zoom-js/zoom.js', async: true, condition: function() { return !!document.body.classList; } },
// Speaker notes
{ src: 'plugin/notes/notes.js', async: true, condition: function() { return !!document.body.classList; } },
// Remote control your reveal.js presentation using a touch device
{ src: 'plugin/remotes/remotes.js', async: true, condition: function() { return !!document.body.classList; } }
]
}); ```
You can add your own extensions using the same syntax. The following properties are available for each dependency object: - src: Path to the script to load - async: [optional] Flags if the script should load after reveal.js has started, defaults to false - callback: [optional] Function to execute when the script has loaded - condition: [optional] Function which must return true for the script to be loaded
The Reveal
class provides a minimal JavaScript API for controlling navigation and reading state:
```javascript // Navigation Reveal.slide( indexh, indexv, indexf ); Reveal.left(); Reveal.right(); Reveal.up(); Reveal.down(); Reveal.prev(); Reveal.next(); Reveal.prevFragment(); Reveal.nextFragment(); Reveal.toggleOverview();
// Retrieves the previous and current slide elements Reveal.getPreviousSlide(); Reveal.getCurrentSlide();
Reveal.getIndices(); // { h: 0, v: 0 } } ```
If you set data-state="somestate"
on a slide

, "somestate" will be applied as a class on the document element when that slide is opened. This allows you to apply broad style changes to the page based on the active slide.
Furthermore you can also listen to these changes in state via JavaScript:
javascript
Reveal.addEventListener( 'somestate', function() {
// TODO: Sprinkle magic
}, false );
The 'ready' event is fired when reveal.js has loaded all (synchronous) dependencies and is ready to start navigating.
javascript
Reveal.addEventListener( 'ready', function( event ) {
// event.currentSlide, event.indexh, event.indexv
} );
An 'slidechanged' event is fired each time the slide is changed (regardless of state). The event object holds the index values of the current slide as well as a reference to the previous and current slide HTML nodes.
Some libraries, like MathJax (see #226), get confused by the transforms and display states of slides. Often times, this can be fixed by calling their update or render function from this callback.
javascript
Reveal.addEventListener( 'slidechanged', function( event ) {
// event.previousSlide, event.currentSlide, event.indexh, event.indexv
} );
It's easy to link between slides. The first example below targets the index of another slide whereas the second targets a slide with an ID attribute (

):
html
Link
Link
You can also add relative navigation links, similar to the built in reveal.js controls, by appending one of the following classes on any element. Note that each element is automatically given an enabled
class when it's a valid navigation route based on the current slide.
html

The global presentation transition is set using the transition
config value. You can override the global transition for a specific slide by using the data-transition
attribute:
html

This slide will override the presentation transition and zoom!

Note that this does not work with the page and cube transitions.
Fragments are used to highlight individual elements on a slide. Every elmement with the class fragment
will be stepped through before moving on to the next slide. Here's an example: http://lab.hakim.se/reveal-js/#/16
The default fragment style is to start out invisible and fade in. This style can be changed by appending a different class to the fragment:
html

grow

shrink

roll-in

fade-out

highlight-red

highlight-green

highlight-blue

Multiple fragments can be applied to the same element sequentially by wrapping it, this will fade in the text on the first step and fade it back out on the second.
html

I'll fade in, then out

The display order of fragments can be controlled using the data-fragment-index
attribute.
html

Appears last

Appears first

Appears second

When a slide fragment is either shown or hidden reveal.js will dispatch an event.
javascript
Reveal.addEventListener( 'fragmentshown', function( event ) {
// event.fragment = the fragment DOM element
} );
Reveal.addEventListener( 'fragmenthidden', function( event ) {
// event.fragment = the fragment DOM element
} );
By default, Reveal is configured with highlight.js for code syntax highlighting. Below is an example with clojure code that will be syntax highlighted:
html

(def lazy-fib
(concat
[0 1]
((fn rfib [a b]
(lazy-cons (+ a b) (rfib b (+ a b)))) 0 1)))

Press "Esc" key to toggle the overview mode on and off. While you're in this mode, you can still navigate between slides, as if you were at 1,000 feet above your presentation. The overview mode comes with a few API hooks:
```javascript Reveal.addEventListener( 'overviewshown', function( event ) { / ... / } ); Reveal.addEventListener( 'overviewhidden', function( event ) { / ... / } );
// Toggle the overview mode programmatically Reveal.toggleOverview(); ```
Just press »F« on your keyboard to show your presentation in fullscreen mode. Press the »ESC« key to exit fullscreen mode.
Presentations can be exported to PDF via a special print stylesheet. This feature requires that you use Google Chrome. Here's an example of an exported presentation that's been uploaded to SlideShare: http://www.slideshare.net/hakimel/revealjs-13872948.
reveal.js comes with a speaker notes plugin which can be used to present per-slide notes in a separate browser window. The notes window also gives you a preview of the next upcoming slide so it may be helpful even if you haven't written any notes. Append ?notes
to the presentation URL or press the 's' key on your keyboard to open the notes window.
By default notes are written using standard HTML, see below, but you can add a data-markdown
attribute to the
to write them using Markdown.
```html
Some Slide
<aside class="notes">
Oh hey, these are some notes. They'll be hidden in your presentation, but you can see them if you open the speaker notes window (hit 's' on your keyboard).
</aside>
```
In some cases it can be desirable to run notes on a separate device from the one you're presenting on. The Node.js-based notes plugin lets you do this using the same note definitions as its client side counterpart. Include the required scripts by adding the following dependencies:
```javascript Reveal.initialize({ ...
dependencies: [
{ src: 'socket.io/socket.io.js', async: true },
{ src: 'plugin/notes-server/client.js', async: true }
]
}); ```
Then:
npm install
node plugin/notes-server
The multiplex plugin allows your audience to view the slides on their own phone, tablet or laptop. As the master navigates the slides, all clients will update in real time. See a demo at http://revealjs.jit.su/.
Configuration is via the multiplex object in Reveal.initialize
. To generate unique secret and token values, visit revealjs.jit.su/token. Below is an example configuration with the multiplex plugin enabled:
```javascript Reveal.initialize({ ...
// Generate a unique id and secret at revealjs.jit.su/token
multiplex: {
id: '',
secret: '',
url: 'revealjs.jit.su:80'
},
dependencies: [
{ src: '//cdnjs.cloudflare.com/ajax/libs/socket.io/0.9.10/socket.io.min.js', async: true },
{ src: 'plugin/multiplex/client.js', async: true },
{ src: 'plugin/multiplex/master.js', async: true },
]
}); ```
multiplex.secret
should only be configured on those pages you wish to be able to control slide navigation for all clients. Multi-master configurations work, but if you don't wish your audience to be able to control your slides, set the secret to null
. In this master/slave setup, you should create a publicly accessible page with secret set to null
, and a protected page containing your secret.
You are very welcome to use the socketio server running at reveal.jit.su, however availability and stability are not guaranteed. For anything mission critical I recommend you run your own server. It is simple to deploy to nodejitsu or run on your own environment.
The framework comes with a few different themes included:
Each theme is available as a separate stylesheet. To change theme you will need to replace default below with your desired theme name in index.html:
html
<link rel="stylesheet" href="css/theme/default.css" id="theme">
If you want to add a theme of your own see the instructions here: /css/theme/README.md.
reveal.js is built using the task-based command line build tool grunt.js (installation instructions). With Node.js and grunt.js installed, you need to start by running npm install
in the reveal.js root. When the dependencies have been installed you should run grunt watch
to start monitoring files for changes.
If you want to customise reveal.js without running grunt.js you can alter the HTML to point to the uncompressed source files (css/reveal.css & js/reveal.js).
MIT licensed
Copyright (C) 2013 Hakim El Hattab, http://hakim.se


DisClaimer: All pizza is good.
results page
Which Pizza is the better Pizza?
Hey Man!
What is your Name?


This will be the header of the mappool. It is used to identify the mappools more easily.
The gamemode that will be used for all the beatmaps when picking.
Because mod brackets can vary in various mod combinations and size, you are able to customize your own mod bracket. Fill in the name of the bracket
Enter the name of the bracket to get started.
Select the mods you want to add to this bracket when selecting a map.
Note: If you leave the mods empty, it will be considered as Nomod.
Format: !mp mods nomod
Here you can select all the beatmaps you'd like to add to this specific bracket. Make sure to validate them so you know you're adding the correct beatmap!
Now that you have created a mappool, you have to save it so it can be used in the tournament. Press the create button to finalize the mappool


Paste a site infohash below to go to the address. Please be patient, you are connecting to other people (just like you) to retrieve the content, it may take a while to load.
With chrome, you must leave this page open while using Overclouds!
Paste a site infohash below to go to the address. Please be patient, you are connecting to other people (just like you) to retrieve the content, it may take a while to load.
With chrome, you must leave this page open while using Overclouds!


We can help you build up to N units on your property.
Book a 15 minute introductory call or have a representative email you
BOOKING EMBEDED CALENDAR
Sorry, but unfortunately we can’t help develop your property at this time. You can if your property’s zone changes. Thank you.
Success! Our representative will reach out to you asap!


v2.0.5 Fixed issues with sound and icon not working on some devices [MOD-749, MOD-750]v2.0.4 Added support for the push notification customizations in the ACS GUI (such as vibration, sounds, badge numbers, etc).
v2.0.3 Fixed crash on Android 3.0+.
v2.0.1 Removed the "deviceToken" property in favor of the new asynchronous "retrieveDeviceToken" method. Fixed tray crashing from BG on certain devices.
v2.0.0 Initial Release


Theatre artist turned software engineer, I spend my free time cooking and devising low-waste recipes, teaching or practicing yoga, and training for my next marathon. Before my career change into tech, I taught media arts throughout New York City public schools. I believe anyone has the ability to learn any subject if it is broken down into digestible parts. I believe everyone is doing the best they can with the tools they have and I aspire to help as many as I can develop their toolbox.
At the intersection of art and technology
I love reading and school, so it's no surprise I have two graduate degrees - and I'm always thinking about one more. After receiving my MFA in Theatre, I taught arts and media studies in New York City public schools. This lead me to learning how to code and ultimately receiving my MS in Computer Science.
My aim is to build technology that is easy to use, aesthetically pleasing, and adds value to society.
AWS
Serverless
React
Python
GraphQL
Terraform
As an artist and educator I firmly support arts education. Necessity is the mother of invention, but creativity is its father.
We've got one Earth and I'm doing my best to try and save it. Reduce and reuse are the two R's that come before recycle.
I volunteer to ensure voters are registered and aware of election dates as well as candidates and issues on the ballot.
I aim to meditate daily and I firmly believe if everyone did yoga, with a focus on meditation, the world would be full of a little more light.
Previous companies and my responsibilities.
Build software that powers one of the most used online education platforms.
Develop digital marketing for companies like Nike and Hewlett-Packard.
My diverse educational experience has helped me build a wide set of skills.
Develop a deeper understanding of computer architecture, operating systems and software modeling.
Multidisciplinary program with a focus on lighting design and collaborative theatre making.
I'm most passionate about projects that make the world a better place.
Feel free to email to discuss any of the following:
Anything outdoors!
Technology
Art
Politics
Yoga
How you can lower your waste or minimize plastic usage!
juliannarusak [at] gmail


AWS::Lambda::Function
The AWS::Lambda::Function
resource creates an AWS Lambda (Lambda) function that
can run code in response to events. To create a function, you need a deployment
package and an execution
role. For more information, see CreateFunction
in the
AWS Lambda Developer Guide.
Syntax
To declare this entity in your AWS CloudFormation template, use the following syntax:
JSON
{ "Type" : "AWS::Lambda::Function", "Properties" : { "Code" :
Code
, "DeadLetterConfig" : DeadLetterConfig, "Description" :String
, "Environment" : Environment, "FunctionName" :String
, "Handler" :String
, "KmsKeyArn" :String
, "Layers" : [String, ...
], "MemorySize" :Integer
, "ReservedConcurrentExecutions" :Integer
, "Role" :String
, "Runtime" :String
, "Timeout" :Integer
, "TracingConfig" : TracingConfig, "VpcConfig" : VPCConfig, "Tags" : [Resource Tag, ...
] } }
YAML
Type: "AWS::Lambda::Function" Properties: Code:
Code
DeadLetterConfig: DeadLetterConfig Description:String
Environment: Environment FunctionName:String
Handler:String
KmsKeyArn:String
Layers: -String
MemorySize:Integer
ReservedConcurrentExecutions:Integer
Role:String
Runtime:String
Timeout:Integer
TracingConfig: TracingConfig VpcConfig: VPCConfig Tags:Resource Tag
Properties
For more information about each property, including defaults, valid values, and constraints, see CreateFunction in the AWS Lambda Developer Guide.
Code
-
The code for the function.
Required: Yes
Type: AWS Lambda Function Code
Update requires: No interruption
DeadLetterConfig
-
A dead letter queue configuration that specifies the queue or topic where Lambda sends asynchronous events when they fail processing. For more information, see Dead Letter Queues.
Required: No
Type: AWS Lambda Function DeadLetterConfig
Update requires: No interruption
Description
-
A description of the function.
Required: No
Type: String
Update requires: No interruption
Environment
-
Environment variables that are accessible from function code during execution.
Required: No
Type: AWS Lambda Function Environment
Update requires: No interruption
FunctionName
-
The name of the Lambda function. If you don't specify a name, AWS CloudFormation generates one. For more information, see Name Type.
Important
If you specify a name, you cannot perform updates that require replacement of this resource. You can perform updates that require no or some interruption. If you must replace the resource, specify a new name.
Required: No
Type: String
Update requires: Replacement
Handler
-
The name of the method within your code that Lambda calls to execute your function. The format includes the filename and can also include namespaces and other qualifiers, depending on the runtime. For more information, see Programming Model.
Required: Yes
Type: String
Update requires: No interruption
KmsKeyArn
-
The Amazon Resource Name (ARN) of the AWS Key Management Service key used to encrypt your function's environment variables. If not provided, Lambda uses a default service key.
Type: String
Required: No
Update requires: No interruption
Layers
-
A list of function layers to add to the function's execution environment. Specify each layer by ARN, including the version.
Required: No
Type: List of String values
Update requires: No interruption
MemorySize
-
The amount of memory that your function has access to. Increasing the function's memory also increases it's CPU allocation. The default value is 128 MB. The value must be a multiple of 64 MB.
Required: No
Type: Integer
Update requires: No interruption
ReservedConcurrentExecutions
-
The maximum number of instances of your function that process events simultaneously. This option both sets the maximum concurrency for your function and reserves concurrency to ensure that it is available. For more information, see Managing Concurrency in the AWS Lambda Developer Guide.
Required: No
Type: Integer
Update requires: No interruption
Role
-
The ARN of the function's execution role.
Required: Yes
Type: String
Update requires: No interruption
Runtime
-
The identifier of the function's runtime.
Required: Yes
Type: String
Update requires: No interruption
Timeout
-
The amount of time that Lambda allows a function to run before terminating it. The default is 3 seconds. The maximum allowed value is 900 seconds.
Required: No
Type: Integer
Update requires: No interruption
TracingConfig
-
Set
Mode
toActive
to sample and trace a subset of incoming requests with AWS X-Ray.Required: No
Type: AWS Lambda Function TracingConfig
Update requires: No interruption
VpcConfig
-
For network connectivity to AWS resources in a VPC, specify a list of security groups and subnets in the VPC. When you connect a function to a VPC, it can only access resources and the internet through that VPC. For more information, see VPC Settings.
Note
When you specify this property, AWS CloudFormation might not be able to delete the stack if another resource in the template (such as a security group) requires the attached ENI to be deleted before it can be deleted. We recommend that you run AWS CloudFormation with the
ec2:DescribeNetworkInterfaces
permission, which enables AWS CloudFormation to monitor the state of the ENI and to wait (up to 40 minutes) for Lambda to delete the ENI.Required: No
Type: AWS Lambda Function VpcConfig
Update requires: No interruption
Tags
-
A list of tags to apply to the function.
Required: No
Type: Resource Tag
Update requires: No interruption
Return Values
Ref
When the logical ID of this resource is provided to the Ref
intrinsic
function, Ref
returns the resource name.
In the following sample, the Ref
function returns the name of the
AMILookUp
function, such as
MyStack-AMILookUp-NT5EUXTNTXXD
.
{ "Ref": "AMILookUp" }
For more information about using the Ref
function, see Ref.
Fn::GetAtt
Fn::GetAtt
returns a value for a specified attribute of this type.
The following are the available attributes and sample return values.
Arn
-
The ARN of the Lambda function, such as
arn:aws:lambda:us-west-2:123456789012:MyStack-AMILookUp-NT5EUXTNTXXD
.
For more information about using Fn::GetAtt
, see Fn::GetAtt.
Example
The following example uses a packaged file in an S3 bucket to create a Lambda function.
JSON
"AMIIDLookup": { "Type": "AWS::Lambda::Function", "Properties": { "Handler": "index.handler", "Role": { "Fn::GetAtt" : ["LambdaExecutionRole", "Arn"] }, "Code": { "S3Bucket": "lambda-functions", "S3Key": "amilookup.zip" }, "Runtime": "nodejs8.10", "Timeout": 25, "TracingConfig": { "Mode": "Active" } } }
YAML
AMIIDLookup: Type: "AWS::Lambda::Function" Properties: Handler: "index.handler" Role: Fn::GetAtt: - "LambdaExecutionRole" - "Arn" Code: S3Bucket: "lambda-functions" S3Key: "amilookup.zip" Runtime: "nodejs8.10" Timeout: 25 TracingConfig: Mode: "Active"
Related Resources
For more information about how you can use a Lambda function with AWS CloudFormation custom resources, see AWS Lambda-backed Custom Resources.
For a sample template, see AWS Lambda Template.


public class ParsedURL
extends java.lang.Object
URL
-like class that supports custom URI schemes
and GZIP encoding.
This class is used as a replacement for URL
.
This is done for several reasons. First, unlike URL
this class will accept and parse as much of a URL as possible, without
throwing a MalformedURLException
. This makes it useful
for simply parsing a URL string (hence its name).
Second, it allows for extension of the URI schemes supported by the
parser. Batik uses this to support the
data:
URL scheme (RFC2397).
Third, by default it checks the streams that it opens to see if they are GZIP compressed, and if so it automatically uncompresses them (avoiding opening the stream twice in the process).
It is worth noting that most real work is defered to the
ParsedURLData
class to which most methods are forwarded.
This is done because it allows a constructor interface to ParsedURL
(mostly for compatability with core URL
), in spite of the fact that
the real implemenation uses the protocol handlers as factories for protocol
specific instances of the ParsedURLData
class.
| Constructor and Description |
|---|
ParsedURL(ParsedURL baseURL,
java.lang.String urlStr)
Construct a sub URL from a base ParsedURL and a string for the sub url.
|
ParsedURL(java.lang.String urlStr)
Construct a ParsedURL from the given url string.
|
ParsedURL(java.lang.String baseStr,
java.lang.String urlStr)
Construct a sub URL from two strings.
|
ParsedURL(java.net.URL url)
Construct a ParsedURL from the given java.net.URL instance.
|
ParsedURL(java.net.URL baseURL,
java.lang.String urlStr)
Construct a sub URL from a base URL and a string for the sub url.
|
| Modifier and Type | Method and Description |
|---|---|
static java.io.InputStream |
checkGZIP(java.io.InputStream is)
This is a utility function others can call that checks if
is is a GZIP stream if so it returns a GZIPInputStream that
will decode the contents, otherwise it returns (or a
buffered version of is) untouched.
|
boolean |
complete()
Returns true if the URL looks well formed and complete.
|
boolean |
equals(java.lang.Object obj)
Implement Object.equals.
|
java.lang.String |
getContentEncoding()
Returns the content encoding if available.
|
java.lang.String |
getContentType()
Returns the content type if available.
|
java.lang.String |
getContentTypeCharset()
Returns the content type's charset parameter, if available.
|
java.lang.String |
getContentTypeMediaType()
Returns the content type's type/subtype, if available.
|
static java.lang.String |
getGlobalUserAgent() |
static ParsedURLProtocolHandler |
getHandler(java.lang.String protocol)
Returns the handler for a particular protocol.
|
java.lang.String |
getHost()
Returns the host for this URL, if any,
null if there isn't
one or it doesn't make sense for the protocol. |
java.lang.String |
getPath()
Returns the path for this URL, if any (where appropriate for
the protocol this also includes the file, not just directory).
|
int |
getPort()
Returns the port on the host to connect to, if it was specified
in the url that was parsed, otherwise returns -1.
|
java.lang.String |
getPortStr()
Returns the URL up to and include the port number on
the host.
|
java.lang.String |
getPostConnectionURL()
Returns the URL that was ultimately used to fetch the resource
represented by this
ParsedURL . |
java.lang.String |
getProtocol()
Returns the protocol for this URL.
|
protected static java.lang.String |
getProtocol(java.lang.String urlStr)
Parse out the protocol from a url string.
|
java.lang.String |
getRef()
Returns the 'fragment' reference in the URL.
|
java.lang.String |
getUserAgent()
Return the user agent current associated with this url (or
null if none).
|
boolean |
hasContentTypeParameter(java.lang.String param)
Returns whether the Content-Type header has the given parameter.
|
int |
hashCode()
Implement Object.hashCode.
|
java.io.InputStream |
openStream()
Attempt to open the stream checking for common compression
types, and automatically decompressing them if found.
|
java.io.InputStream |
openStream(java.util.Iterator mimeTypes)
Attempt to open the stream checking for common compression
types, and automatically decompressing them if found.
|
java.io.InputStream |
openStream(java.lang.String mimeType)
Attempt to open the stream checking for common compression
types, and automatically decompressing them if found.
|
java.io.InputStream |
openStream(java.lang.String[] mimeTypes)
Attempt to open the stream checking for common compression
types, and automatically decompressing them if found.
|
java.io.InputStream |
openStreamRaw()
Attempt to open the stream, does no checking for compression
types.
|
java.io.InputStream |
openStreamRaw(java.util.Iterator mimeTypes)
Attempt to open the stream, does no checking for comression
types.
|
java.io.InputStream |
openStreamRaw(java.lang.String mimeType)
Attempt to open the stream, does no checking for compression
types.
|
java.io.InputStream |
openStreamRaw(java.lang.String[] mimeTypes)
Attempt to open the stream, does no checking for comression
types.
|
static ParsedURLData |
parseURL(ParsedURL baseURL,
java.lang.String urlStr)
Factory method to construct an appropriate subclass of ParsedURLData,
for a sub url.
|
static ParsedURLData |
parseURL(java.lang.String urlStr)
Factory method to construct an appropriate subclass of ParsedURLData
|
static ParsedURLData |
parseURL(java.lang.String baseStr,
java.lang.String urlStr)
Factory method to construct an appropriate subclass of ParsedURLData,
for a sub url.
|
static void |
registerHandler(ParsedURLProtocolHandler handler)
Registers a Protocol handler by adding it to the handlers map.
|
boolean |
sameFile(ParsedURL other) |
static void |
setGlobalUserAgent(java.lang.String userAgent) |
void |
setUserAgent(java.lang.String userAgent)
Sets the user agent associated with this url (null clears
any associated user agent).
|
java.lang.String |
toString()
Return a string rep of the URL (can be passed back into the
constructor if desired).
|
public ParsedURL(java.lang.String urlStr)
urlStr
- The string to try and parse as a URLpublic ParsedURL(java.net.URL url)
url
- The URL to "mimic".public ParsedURL(java.lang.String baseStr, java.lang.String urlStr)
baseStr
- The 'parent' URL. Should be complete.urlStr
- The 'sub' URL may be complete or partial.
the missing pieces will be taken from the baseStr.public ParsedURL(java.net.URL baseURL, java.lang.String urlStr)
baseURL
- The 'parent' URL.urlStr
- The 'sub' URL may be complete or partial.
the missing pieces will be taken from the baseURL.public ParsedURL(ParsedURL baseURL, java.lang.String urlStr)
baseURL
- The 'parent' URL.urlStr
- The 'sub' URL may be complete or partial.
the missing pieces will be taken from the baseURL.public static java.lang.String getGlobalUserAgent()
public static void setGlobalUserAgent(java.lang.String userAgent)
public static ParsedURLProtocolHandler getHandler(java.lang.String protocol)
null
or no match is found in the handlers map it
returns the default protocol handler.protocol
- The protocol to get a handler for.public static void registerHandler(ParsedURLProtocolHandler handler)
null
as it's
supported protocol then it is registered as the default
protocol handler.handler
- the new Protocol Handler to registerpublic static java.io.InputStream checkGZIP(java.io.InputStream is) throws java.io.IOException
is
- Stream that may potentially be a GZIP stream.java.io.IOException
public java.lang.String toString()
toString
in class java.lang.Object
public java.lang.String getPostConnectionURL()
ParsedURL
. For HTTP URLs,
this will result in the post-redirect URL being returned.
If there was no redirect, or if this isn't an HTTP URL, the
original URL is returned (the same string as toString()
).public boolean equals(java.lang.Object obj)
equals
in class java.lang.Object
public int hashCode()
hashCode
in class java.lang.Object
public boolean complete()
public java.lang.String getUserAgent()
public void setUserAgent(java.lang.String userAgent)
public java.lang.String getProtocol()
public java.lang.String getHost()
null
if there isn't
one or it doesn't make sense for the protocol.public int getPort()
public java.lang.String getPath()
public java.lang.String getRef()
public java.lang.String getPortStr()
public java.lang.String getContentType()
public java.lang.String getContentTypeMediaType()
public java.lang.String getContentTypeCharset()
public boolean hasContentTypeParameter(java.lang.String param)
public java.lang.String getContentEncoding()
public java.io.InputStream openStream() throws java.io.IOException
java.io.IOException
public java.io.InputStream openStream(java.lang.String mimeType) throws java.io.IOException
mimeType
- The expected mime type of the content
in the returned InputStream (mapped to Http accept
header among other possibilities).java.io.IOException
public java.io.InputStream openStream(java.lang.String[] mimeTypes) throws java.io.IOException
mimeTypes
- The expected mime types of the content
in the returned InputStream (mapped to Http accept
header among other possabilities).java.io.IOException
public java.io.InputStream openStream(java.util.Iterator mimeTypes) throws java.io.IOException
mimeTypes
- The expected mime types of the content
in the returned InputStream (mapped to Http accept
header among other possabilities). The elements of
the iterator must be strings.java.io.IOException
public java.io.InputStream openStreamRaw() throws java.io.IOException
java.io.IOException
public java.io.InputStream openStreamRaw(java.lang.String mimeType) throws java.io.IOException
mimeType
- The expected mime type of the content
in the returned InputStream (mapped to Http accept
header among other possabilities).java.io.IOException
public java.io.InputStream openStreamRaw(java.lang.String[] mimeTypes) throws java.io.IOException
mimeTypes
- The expected mime types of the content
in the returned InputStream (mapped to Http accept
header among other possabilities).java.io.IOException
public java.io.InputStream openStreamRaw(java.util.Iterator mimeTypes) throws java.io.IOException
mimeTypes
- The expected mime types of the content
in the returned InputStream (mapped to Http accept
header among other possabilities). The elements of
the iterator must be strings.java.io.IOException
public boolean sameFile(ParsedURL other)
protected static java.lang.String getProtocol(java.lang.String urlStr)
public static ParsedURLData parseURL(java.lang.String urlStr)
urlStr
- the string to parse.public static ParsedURLData parseURL(java.lang.String baseStr, java.lang.String urlStr)
baseStr
- The base URL string to parse.urlStr
- the sub URL string to parse.public static ParsedURLData parseURL(ParsedURL baseURL, java.lang.String urlStr)
baseURL
- The base ParsedURL to parse.urlStr
- the sub URL string to parse.Copyright © 2022 Apache Software Foundation. All Rights Reserved.


The mongodb-proxy has a dummy cache implementation in place, but you may load another on during configuration
var dbproxy = require('mongodb-proxy') var db = dbproxy.create({...}) // a memory based cache implementation (see here). var MemCache = require('mongodb-proxy-memcache') db.configure(function (config) { config.cache(new MemCache()) })


Filter by State, County, or Region:
Enter Adjustments in dollars ($) or percentages (%)
Enter Adjustments in dollars ($) or percentages (%)
Enter Adjustments in dollars ($) or percentages (%)
Filter by type of Industry:
Enter Adjustments in dollars ($) or percentages (%)
Filter by type of Program:
Enter Adjustments in dollars ($) or percentages (%)
Filter by Military Installation:
Enter Adjustments in dollars ($) or percentages (%)


Remote Browser Gamepad.
Joystick 1
Joystick 2
Button 1
button2
button3
button4
button5
button6
button7
button8
button9
button10
button11
button12
button13
dpad_up
dpad_down
dpad_right
dpad_left
gamepad data
Close Settings
Set your Chosen Name
Change Server name
Connect to Server
Nothing to see here.
A
B
X
Y
LB
LT
RB
RT
UP
DWN
RGT
LFT
back
O
start
LS
RS
settings
Set update speed:


KLS Gogte Institute of Technology brings to town AURA 2020, a flamboyant
cultural fest, featuring a colossal number of events showcasing flair, exuberance and
extravaganza, spanning over the duration of 3 spectacular, fun-filled days. AURA 2020 brings a
hot platform to all the talented and brilliant people from all cultural backgrounds converging
into one big fantasy realm! So come be a part of AURA 2020, Into the fantasy realm!


A. System Overview
Our system supports two-mode interactive colorization for a given input scene sketch and text-based colorization instructions, using three models, namely, the instance matching model, foreground colorization model, and background colorization model. It is not necessary to colorize foreground objects before background regions.
B.1 Instance Matching Model
This network is trained in an end-to-end manner to obtain the binary mask (shown in (b)). In the inferring phase, the generated binary mask is fused with the instance segmentation results generated by Mask R-CNN to obtain the final results.
B.2 Foreground Colorization Model
This network is able to colorize objects from different categories. The generator has a U-Net architecture based on MRU blocks, with skip connections between mirrored layers and an embedded RMI fusion module consisting of LSTM text encoders and multimodal LSTMs (mLSTM). It is referred to as the FG-MRU-RMI network for conciseness in the paper.
B.3 Background Colorization Model
This network consists of an image encoder built on residual blocks (Res-Block), a fusion module, a two-branch decoder, and a Res-Block based convolutional discriminator. It is referred to as the BG-RES-RMI-SEG network in the paper.
@article{zouSA2019sketchcolorization, title = {Language-based Colorization of Scene Sketches}, author = {Zou, Changqing and Mo, Haoran and Gao, Chengying and Du, Ruofei and Fu, Hongbo}, journal = {ACM Transactions on Graphics (Proceedings of ACM SIGGRAPH Asia 2019)}, year = {2019}, volume = 38, number = 6, pages = {233:1--233:16} }


True or False: to declare a Set of Strings you would write:
Set<String> names = new Set<String>();
No, the object on the right side of the equals needs to be an object that implements the Set interface.
- Yes, this code would work as is.
- No, the object on the left side of the equals needs to be an object that implements the Set interface.
- No, the objects on both sides of the equals side need to be objects that implements the Set interface.
There are no hints for this question.


#parse("/de/fct/companian/web/site/inc/header.htm")
Hotspot: ${hs.name}
${hs.description}
Coding Units
#foreach ( ${hsu} in ${hs.units} )
- ${hsu.name}
[ Remove ]
#end
- Link to a new Coding Unit - enter its name:
Linked Binding Capability
#if ( ${hs.binding} )
- ${hs.binding.name}
[ Remove ]
#end
- Link to an existing Binding Capability:
Linked Deployment Capability
#if ( ${hs.deployment} )
- ${hs.deployment.name}
[ Remove ]
#end
- Link to an existing Deployment Capability:
#parse("/de/fct/companian/web/site/inc/footer.htm")


Gavin & Stacey star Ruth Jones dresses-up as Nessa to wow Barry residents
The Christmas special is now just over a month away - and the the 53-year-old helped get fans excited as she turned on the lights in the Welsh town the show made popular
by Irishmirror.ieWhat's occurring here? TV's Ruth Jones gets everyone in the mood for Christmas after turning on the Barry lights dressed as Nessa .
It's not just presents, family time and food comedy fans looking forward to.
Gavin & Stacey's Christmas special is coming too, so the 53-year-old helped the excitement build.
Dressed head-to-toe in Nessa's trademark outfit, the star did the honours in the town made famous by the BBC hit show.
Walking on stage, she asked the crowd: "What's occurin'?"
"There are some lookers out here tonight. A few exes in the crowd there I can see!"
Big cheers for the thousands watching in Wales showed Nessa and co are still very much in demand.
Ruth and co-creator James Corden said earlier this year the gang are back after a nine years away.
Filming has finished and the countdown is now on.
In a joint statement, they said: "Over the last 10 years we've talked a lot about Gavin And Stacey - where they might be today and what their lives might look like.
"And so in secret we took the plunge and wrote this one-hour special.
"We've loved revisiting Barry and Essex again and bringing the characters back together has been a joy."
Fans in general are chuffed - but not everyone is delgihted.
They may have delighted fans by announcing Gavin and Stacey will be back on our screens, but it seems not everyone is happy.
Neighbours in the quiet street where the comedy is filmed have complained about crowds, bright lights keeping them up until 3am and rubbish thrown in their gardens.


Welcome to my House Price Prediction website.
This website is designed to let a user input some features about a house
and use this information to get a predicted house price.
NOTE: Data can be entered either through the form available
(above) on this
webpage, or via the query string to the URL "~/predict".
The parameter names to be used
in the query string are the values shown on the form below. Note that
"mszoning" is a categorical variable.
The value for "mssubclass" is a numeric value (although this is
a categorical value!). In the training data
these were all positive integer values which represented a categorical value,
but any numeric (floating point
value) is accepted. Similiarly, the value for "lotarea" should also
be numeric.
A slight bit of error checking is performed as values are submitted, namely the values for "mssubclass" and "lotarea" are validated to be numeric. If they aren't, an error message is displayed to the screen.


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/tactics.20for.20numbers.html ---
I'm about to leave on vacation (-; If anyone happens to get bored during the holidays, here is a little silly idea for a tactic. We discussed these kind of issues before, but maybe not exactly this.
(Ooh, and the norm_cast
bundle is really fantastic, it makes life a lot easier!)
Suppose that n : int
and h : n ≥ 0
.
Then every mathematician (and especially if they are new to Lean) wants to say n : nat
. But that is not possible.
So I wish for a tactic
lift_int_to_nat h (with name)?`
that will create a new N : nat
and a proof hN : n = (N : int)
.
Extra goodies: figure out if n
is an atom, and if so call subst n
afterwards.
Also, that goodie should automatically re-use the name of the atom for the new nat
(so n
in this example).
The N : nat
could be defined as n.nat_abs
.
We could have similar tactics lift_rat_to_int
and maybe lift_rat_to_nat
.
Maybe they all be bundled into one super-tactic.
Also: suggestions for better names are very welcome!
isn't this just cases
on an appropriate theorem?
and you can do the other stuff with rcases
or obtain
You mean something like this?
example (n m k : ℤ) (h : n ≥ 0) (hk : k + n ≥ 0) : n = m := begin lift n to ℕ using h, -- new goal: ↑n = m lift m to ℕ, -- new goals: ↑n = ↑m and m ≥ 0 lift (k + ↑n) to ℕ using hk with l hl, -- new assumptions: l : ℕ and hl : ↑l = k + ↑n end
I'm currently cleaning up my tactic.
Mario is right that it's basically just cases
on an appropriate theorem, but it's useful to have syntax that is a shortcut for that.
In the back-end there is the following class you have to provide an instance for:
class can_lift (α : Type u) (β : Type v) : Type (max u v) := (coe : α → β) (cond : β → Prop) (prf : ∀(y : β), cond y → ∃(x : α), coe x = y)
The instance I needed to provide for my previous tactic script (to lift from ℤ
to ℕ
) is:
@[can_lift_simp] instance : can_lift ℕ ℤ := ⟨coe, λ n, n ≥ 0, λ n hn, ⟨n.nat_abs, int.nat_abs_of_nonneg hn⟩⟩
What is the canonical way to make an expression application in tactic mode?
my_expr ← mk_app `can_lift.prf [new_tp, old_tp, inst, e, prf]
then I get an error, saying it cannot unify the type of prf
with the expected type. It seems that mk_app
is doing this unification in the "wrong order", because it doesn't seem to know the other arguments to can_lift.prf
yet (which it needs to do the unification).
let my_expr :=<EMAIL_ADDRESS>0} %%new_tp %%old_tp %%inst %%e %%prf),
I have to manually check that this type-checks (which is fine, I guess). I also need to figure out the universe levels myself (is there an easier way than doing infer_type
on my types, and then match the result with expr.sort u
?)
My mostly complete tactic is here: https://github.com/leanprover-community/mathlib/blob/lift_to/src/tactic/lift.lean
I don't think Johan will be looking at the chat for about two weeks :-) But I'm sure he'll be very grateful! I love the way that people just do stuff for other people here.
I guess it's because lean is fun. The Imperial guy seemed very impressed with the community's efforts on the 1988 IMO problem, although I don't know how much he understood...
This looks really cool, and I love the user experience!
PR'd the tactic: #1315
@Kevin Buzzard: Yeah, I also like that about this community.
I also think that it is really valuable to have these kinds of tactics that make common patterns more convenient to do (other examples include rcases
, rintro
, simpa
, norm_cast
, norm_num
, and many more).
Lastly, it is good for me to regularly work on short projects. When I only work on long-term projects, I sometimes lose track of the reasons that they are important.
@Floris van Doorn Thanks a lot for writing this!
I see that the tactic is even merged into mathlib already!!
I should probably go on holiday more often (-;
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


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{% extends "layouts/base.html" %} {% block title %} Home {% endblock %} {% block stylesheets %}{% endblock stylesheets %} {% block content %} Learn about The growing incarceration rates in the prairies. Growth in the number of women admitted to prison in the prairies Explore Historical data on incarceration within and between provinces {% endblock content %} {% block javascripts %}{% endblock javascripts %}


Wiki has an API that is available to be used for any developer that wishes to, but was originally designed to be used and integrated with our mobile app. With the evolution of the project it was also used by our chatbot and even by some particular features of the wiki. Above are the endpoints available and their usage.
Articles
/api/articles
GET: Returns the list of all the articles (all types)
Permissions: Administrator
/api/articles/<int:article_id>
article_id: article id
GET: Returns a article
Permissions: Administrator
Equipments
/api/equipments
GET: Returns the list of all the equipments
Permissions: Everyone
/api/equipments/<int:equipment_id>
equipment_id: equipment id
GET: Returns an equipment
Permissions: Everyone
/api/equipments/<int:equipment_id>/quantity/<int:quantity>
equipment_id: equipment id
quantity: quantity to add/subtract to the equipment's stock
PUT: Adds quantity to the equipment
DELETE: Subtracts quantity to the equipment
Permissions: Manager
/api/equipments/<int:equipment_id>/project_id/<int:project_id>/user_id/<int:user_id>/timestamp/<timestamp:timestamp>/lost
equipment_id: equipment id
project_id: project id associated to the requisition
user_id: user id associated to the requisition
timestamp: momment when the requisition occured
DELETE: Marks a pending unit (with an active requisition) as lost, subtracting it from the stock
Permissions: Manager
Projects
/api/projects
GET: Returns the list of all the projects of the logged user
Permissions: Everyone
/api/projects/<int:user_id>
user_id: user id
GET: Returns the list of all the projects of the given user
Permissions: Everyone
/api/projects/new
title: project's title
content: project's content
GET: Creates a new project
Permissions: User
/api/projects/<int:project_id>/mentor
project_id: project id
GET: Assigns the logged user as mentor of the given project
Permissions: Teacher
/api/projects/<int:project_id>/member/<int:user_id>
project_id: project id
user_id: user id
PUT: Adds the given user to the given project
DELETE: Removes the given user from the given project
Permissions: User belonging to the given project (PUT) or owner of the given project (DELETE)
/api/projects/<int:project_id>/requisitions/<int:equipment_id>
project_id: project id
equipment_id: equipment id
PUT: Adds a requisition to the given equipment associated to the given project and the logged user
DELETE: Removes a requisition from the given equipment associated to the given project and the logged user
Permissions: User (PUT) or user in the possession of the active requisition (DELETE)
/api/projects/<int:project_id>/invite_mentor/<email:email>
project_id: project id
email: destinatary's email
PUT: Sends an email to the given destinatary with and invitation to visit and become a mentor of the given project
Permissions: User
Requisitions
/api/requisitions
GET: Returns the list equipments with requisitions from the logged user
Permissions: User
/api/requisitions/active
GET: Returns the list equipments with active requisitions from the logged user
Permissions: User
Profiles
/api/profiles
GET: Returns the list of all the user profiles
Permissions: Everyone
/api/profile
GET: Returns the profile of the logged user
Permissions: User
/api/profiles/<int:user_id>
user_id: user id
GET: Returns the profile of the given user
Permissions: Everyone
/api/profiles/<int:user_email>
user_email: user email
GET: Returns the profile of the given user by its email
Permissions: Everyone
/api/profiles/<int:user_id>/teacher
user_id: user id
PUT: Assigs the given user as teacher
Permissions: Manager
Solr
/api/solr/update/all
user_id: user id
GET: Sends to solr all the articles in the system
Permissions: Administrator
/api/solr/update/<int:article_id>
article_id: article id
GET: Sends to solr the given article
Permissions: Administrator
/api/solr/raw/<string:path>
path: complete path to the solr original API. Example: "/api/solr/raw/api/pt/user/1/projects"
GET: Calls the solr API's endpoint correspondent to the given path
Permissions: Administrator


A period of silence may be kept. A suitable hymn may be sung.
| Officiant | Into your hands, O Lord, I commend my spirit; |
| People | For you have redeemed me, O Lord, O God of truth. |
| Officiant | Keep me, O Lord, as the apple of your eye; |
| People | Hide me under the shadow of your wings. |
| Officiant | O Lord, hear our prayer; |
| People | And let our cry come to you. |
| Officiant | Let us pray. |
{{ collect.1 }} Amen.
{% endfor %}


Communication first started when the Phoenicians developed an alphabet called Phoenicians alphabet and it became one of the most widely used writing systems that spread all over the Mediterranean where many cultures used it. Since then communication improves a lot in many ways. Nowadays, there are many kinds of communication and we people use it in our daily lives. Sometimes we communicate to other people to solve problems, share ideas and to talk about something happen in their life.


@* * Copyright 2019 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import cats.implicits._ @import ltbs.uniform._ @(keyList: List[String], errors: ErrorTree, messages: UniformMessages[Html])(inner: Html) @key=@{keyList.mkString(".")} @messages.get(s"$key.heading.large").map { largeHead =>
@msg
}


| specplot {colorspace} | R Documentation |
Visualization of color palettes (given as hex codes) in HCL and/or RGB coordinates.
specplot( x, y = NULL, rgb = FALSE, hcl = TRUE, fix = TRUE, cex = 1, type = "l", lwd = 2 * cex, lty = 1, pch = NULL, mar = NULL, oma = NULL, main = NULL, legend = TRUE, palette = TRUE, plot = TRUE, ... )
x |
character vector containing color hex codes. |
y |
optional second character vector containing further color hex codes,
to be used for comparing two palettes ( |
rgb |
logical or color specification. Should the RGB spectrum be visualized? Can also be a vector of three colors for the legend of R/G/B coordinates. |
hcl |
logical or color specification. Should the HCL spectrum be visualized? Can also be a vector of three colors for the legend of H/C/L coordinates. |
fix |
logical. Should the hues be fixed to be on a smooth(er) curve? For details see below. |
cex |
numeric. Character extension for figure axes and labels. |
type, lwd, lty, pch |
plotting parameters passed to
|
mar, oma |
numeric or logical. Either numeric vectors of length 4 giving
the (outer) margins or a logical indicating whether |
main |
character. Main title of the plot. |
legend |
logical. Should legends for the coordinates be plotted? |
palette |
logical. Should the given palette |
plot |
logical. Should the RGB and/or HCL coordinates be plotted? |
... |
currently not used. |
The function specplot
transforms a given color palette in hex codes
into their HCL (polarLUV
) and/or RGB
(sRGB
) coordinates. As the hues for low-chroma
colors are not (or poorly) identified, by default a smoothing is applied to
the hues (fix = TRUE
). Also, to avoid jumps from 0 to 360 or vice
versa, the hue coordinates are shifted suitably.
By default (plot = TRUE
), the resulting HCL and optionally RGB coordinates are
visualized by simple line plots along with the color palette x
itself. The x-axis simply gives the ordering of the colors in the palette
The y-axis depicts the following information: (1) Hue is drawn in red and
coordinates are indicated on the axis on the right with range [0, 360] or
(if necessary) [-360, 360]. (2) Chroma is drawn in green with coordinates on
the left axis. The range [0, 100] is used unless the palette necessitates
higher chroma values. (3) Luminance is drawn in blue with coordinates on the
left axis in the range [0, 100]. Luminance (and hence also chroma) is on
the left axis because it is arguably most important for understanding the
type of palette (qualitative vs. sequential vs. diverging). To facilitate
reading the legend the reversed order Luminance / Chroma / Hue is used so that
the legend labels are closer to the axis they pertain to.
For comparing two palettes, specplot(x, y)
can be used which adds
lines (dashed, by default) corresponding to the y
palette HCL/RGB
coordinates in the display.
specplot
invisibly returns a list with components
HCL |
a matrix of HCL coordinates, |
RGB |
a matrix of sRGB coordinates, |
hex |
original color palette |
Reto Stauffer, Achim Zeileis
Zeileis A, Hornik K, Murrell P (2009). Escaping RGBland: Selecting Colors for Statistical Graphics. Computational Statistics & Data Analysis, 53, 3259–3270. doi: 10.1016/j.csda.2008.11.033 Preprint available from https://eeecon.uibk.ac.at/~zeileis/papers/Zeileis+Hornik+Murrell-2009.pdf.
Stauffer R, Mayr GJ, Dabernig M, Zeileis A (2015). Somewhere over the Rainbow: How to Make Effective Use of Colors in Meteorological Visualizations. Bulletin of the American Meteorological Society, 96(2), 203–216. doi: 10.1175/BAMS-D-13-00155.1
Zeileis A, Fisher JC, Hornik K, Ihaka R, McWhite CD, Murrell P, Stauffer R, Wilke CO (2020). “ccolorspace: A Toolbox for Manipulating and Assessing Colors and Palettes.” Journal of Statistical Software, 96(1), 1–49. doi: 10.18637/jss.v096.i01
## spectrum of the (in)famous RGB rainbow palette (in both RGB and HCL) specplot(rainbow(100), rgb = TRUE) ## spectrum of HCL-based palettes: qualitative/sequential/diverging specplot(qualitative_hcl(100, "Set 2")) specplot(sequential_hcl(100, "Blues 2")) specplot(diverging_hcl(100, "Blue-Red")) ## return computed RGB and HCL coordinates res <- specplot(rainbow(10), plot = FALSE) print(res)


Performance test: Plot n graphs with two line components per graph including legend, domain label and min/max/avg label and appends data every 1sec.
Tests to perform
-
Observe the console timer to determine the time taken for adding/destroying components.
-
Take heap snapshot before and after adding graphs, check for memory leaks.
-
Take heap snapshot before and after destroying graphs, check for memory leaks.
-
Take CPU profile.
-
Open the Task Manager in Chrome and watch the memory/cpu when adding/destroying components
Graph Count:


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