Session facilitators make SRCCON what it is, a collaborative, hands-on conference that brings peers together to work on the practical challenges facing journalism today. We’ve put this guide together to help you think about planning and running a great session.
SRCCON is a highly participatory event, where everyone is engaged in learning, building, and problem-solving together. That’s one of the reasons we refer to you as facilitators, not speakers or presenters. When you run a session at SRCCON, you’re in a room with dozens of other smart people with an opportunity to compare notes, share skills, and help everyone learn from each other.
We created SRCCON with a few principles in mind that lay the groundwork for our program as a whole:
Our sessions inhabit these values in different ways, through structured discussions and problem-solving groups; peer-to-peer workshops; even games, drawing, or field trips. We avoid traditional lectures and classroom-style trainings, but we welcome your creativity across a range of hands-on and collaborative session styles.
As a facilitator, you bring your experience and excitement (or even skepticism) to leading a discussion or workshop with a highly engaged group.
 You’re there to guide discussions or collaborative work, and to help attendees contribute and walk away having learned something new.
SRCCON attendees show up ready to pitch in, whether that’s writing code, working through activities, or participating in conversations. Much of the work you’ll do as a facilitator will take place in the weeks leading up to SRCCON, as you outline your session. We’ve found that keeping two things in mind can help translate your awesome ideas into a meaningful experience for SRCCON attendees:
From there, you have a huge amount of room to explore creative ways to work with attendees. Slide presentations and lectures aren’t what you’re after, but conversations and small-group work are staples on the SRCCON schedule. There are many outstanding session formats to consider, as well: design exercises, games, technical workshops, role-playing, even physical movement and field trips outside the conference space. Fun is good. We’ll support all sorts of ways to help you engage with people and make abstract concepts real.
Another thing to consider as you map out your session outline: Expect the unexpected. It’s easy to imagine the best-case scenario, where everything runs smoothly and according to plan—and that’s probably exactly how your session will go! But what if you ask your first question and no one answers? What if someone shares an amazing idea, and you want to follow up on it? You’ll be responding to situations like these on the fly, and you’ll be a lot more confident if you’ve thought through some scenarios in advance. Plan more material than you think you’ll need, and know you can feel good about dropping half of it—you just don’t know which half it will be.
And finally, make sure to block out time in your outline for wrapup. We found that between engaging activities and interesting conversations, some facilitators were having a hard time fitting in a closing moment, so this year we’ve lengthened session times from 60 minutes to 75 minutes. We want you to have room to pull groups back together to report on their work, or to share final thoughts and next steps before people head out the door.
Once you’re at the venue, conference staff and volunteers will be around to answer questions and help you with any problems that come up. We’ll also set aside some time before SRCCON begins for you to see the venue and check out the room where you’ll be leading your session. Here are a few more things to help you anticipate what the facilitation experience will be like:
About 275 people attend SRCCON, and we program about 6 topics at a time, so most sessions will have 30 to 50 people in the room. Some topics will draw fewer—and that’s fine! Some of the smallest sessions at SRCCON are incredibly meaningful for the people who are there, and we want to encourage those conversations.
Some sessions might bring in larger crowds as well, so we encourage you to spend a little time thinking about how you might accommodate different group sizes. Will you be working in small groups that can scale up or down? Are you running an activity that might need extra supplies? We’ll have volunteers available to help you make room adjustments on the fly, but you’ll be happier if you go in knowing how you’ll respond to different crowd sizes.
First and foremost, you’ll be surrounded by peers—people excited about journalism and ready to share their expertise at a journalism-centric conference. More than a third of the attendees at SRCCON will be session facilitators themselves. Most participants are developers, designers, and data analysts who work in newsrooms, but we also welcome reporters, editors, managers, and multimedia journalists, as well as attendees from related fields like civic tech, art, mapping, and open data. Most participants come from the U.S., although many countries will be represented. We draw from large media organizations as well as smaller, regional, and noncoastal newsrooms.
Every person at SRCCON is smart and creative. But not every person in your room will be an expert in the particular subject you’re covering. We encourage attendees, in fact, to go to sessions that challenge them, about topics they might not normally choose. So think about how you might, for example, involve a designer in your software session. Or bring a filmmaker’s thoughts into a conversation about writing. Just as they’re in the room to be exposed to new ideas, your topic might be energized by an outside perspective.
As a facilitator, there are a couple ways you can really support the people in your room:
Every room at SRCCON will be well-stocked with note paper, post-it notes, pens, and sharpies. We’ll make sure you have a whiteboard or a giant scratchpad on an easel, too; if you want to send people away with ideas they can act on, grabbing a marker and whiteboarding the best comments from the room is a great way to do it.
Each room will have a screen so you can connect your laptop and walk through a software lesson or show examples to kick off a discussion. We’ll also set up a shared document for live note-taking, linked right from your session on the SRCCON schedule. This is a great place to drop links to useful resources for you session attendees.
If you need any special supplies for your session, we’ll ask you to tell us about them about a month in advance of SRCCON so we can order them and have them ready for you.
The conference schedule sets aside 75 minutes for each SRCCON session. You don’t have to fill the entire time, but we want you to have plenty of room to dig into a topic and respond to threads that emerge along the way. If your session needs more than 75 minutes, let us know and we can adjust appropriately. The conference schedule also builds in a 30-minute break between sessions—plenty of time for attendees to hang around and ask questions or continue conversations before they head out.
How you use your time is completely up to you. While you won’t need a script like you might for a traditional conference talk, we do thoroughly encourage outlines. Sessions are always a little less daunting once you break them into smaller pieces, and knowing how you plan to budget your time helps you stay on task while you’re doing it live.
SRCCON works with White Coat Captioning to provide live transcriptions in about half our sessions each year. This helps some people at the conference track conversations more easily, and allows additional people to participate remotely. It also provides a great record of sessions that have taken place in previous years.
As we build the conference schedule, we’ll decide which sessions formats will translate well into transcription, and we’ll let you know in advance if there will be a transcriptionist in your room. If there is, you can always ask participants to note “off the record” before speaking if they’d like the transcriptionist to pause their work. Or if you’d prefer your session to be off the record entirely, that’s not a problem—we’ll make sure your session isn’t transcribed at all.
We also have experimented with audio recording in some sessions, but again, if yours is a candidate, we’ll let you know in advance and make sure you’re OK with conversations being captured in that way.
SRCCON is built upon participation and folks are coming to your session expecting to be involved and active. Some things to consider in your role as session facilitator:
Start by setting some ground rules. This can be super helpful for participants, and for you to refer back to as facilitator. Some examples:
Take advantage of your power as facilitator. You’ve set the agenda, and your role is to guide and support conversation.
Work with people in the room. Leading a group of creative people toward a common goal can be hard, especially while you’re juggling time, information, and conversations. A cofacilitator can help lighten the load, and keeps each of you from having to be “on” the whole time. But also don’t be afraid to ask an enthusiastic attendee to help keep time, take notes, or watch for people with something to say.
Be clear about outcomes. Call out the goals for each discussion at the outset, check along the way that you’re making progress toward them, and review goals at the end of the session. (This is sometimes referred to as “tell them what you’re going to tell them, then tell them, then tell them what you told them.”)
Overall, use your wisdom and passion as your guide; we greatly appreciate you sharing your time and knowledge with the group, and trust each facilitator to create an optimal sharing environment.
Inclusion is about creating space where people can feel more able to share and work together. It includes respecting things like pronouns and accessibility needs, and at SRCCON we also encourage you to:
In your sessions and outside them, the SRCCON staff will fully support you in making SRCCON a safe and welcoming space. If you witness or hear about incidents of harassment, intimidation, or other problems, please get us involved. You can find plenty more information in our conference code of conduct.


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To schedule a one-time, single-action job execution, choose either Delay Minutes or Date & Time.
To schedule a repeating job execution, specify Initial Delay, and either Subsequent Delay or Interval.
To schedule a calendar-based job execution, specify the following schedule expression attributes.


Author: Weinan Li<EMAIL_ADDRESS>Paul Gier<EMAIL_ADDRESS>Level: Beginner
Technologies: Resteasy, Spring
Summary: The spring-resteasy
quickstart demonstrates how to package and deploy a web application that includes resteasy-spring integration.
Target Product: JBoss EAP
Source: https://github.com/jboss-developer/jboss-eap-quickstarts/
The spring-resteasy
quickstart demonstrates how to package and deploy a web application, which includes resteasy-spring integration, in Red Hat JBoss Enterprise Application Platform.
The application this project produces is designed to be run on Red Hat JBoss Enterprise Application Platform 7.1 or later.
All you need to build this project is Java 8.0 (Java SDK 1.8) or later and Maven 3.3.1 or later. See Configure Maven for JBoss EAP 7.1 to make sure you are configured correctly for testing the quickstarts.
For Linux: EAP7_HOME/bin/standalone.sh
For Windows: EAP7_HOME\bin\standalone.bat
mvn clean package wildfly:deploy
This deploys the target/spring-resteasy.war
to the running instance of the server.
The application will be running at the following URL: http://localhost:8080/spring-resteasy/.
That will provide links to the following URLs that demonstrate various path and parameter configurations.
And the same set as above but using the locating
path.
mvn wildfly:undeploy
This quickstart provides Arquillian functional tests as well. They are located in the functional-tests/ subdirectory under the root directory of this quickstart. Functional tests verify that your application behaves correctly from the user's point of view. The tests open a browser instance, simulate clicking around the page as a normal user would do, and then close the browser instance.
To run these tests, you must build the main project as described above.
mvn clean package
Navigate to the functional-tests/ directory in this quickstart.
mvn clean verify -Parq-remote
If you prefer to run the functional tests using managed instance of the JBoss EAP server, meaning the tests will start the server for you, type the following command:
mvn clean verify -Parq-managed


Delegation Record for .IWC
(Generic top-level domain)
Sponsoring Organisation
Administrative Contact
Technical Contact
Name Servers
This domain is not present in the root zone at this time.
Registry Information
IANA Reports
- Delegation of the .iwc domain to Richemont DNS Inc. (2014-12-11)
- Revocation of the .iwc domain (2018-06-28)
Record last updated 2018-06-28. Registration date 2014-11-20.


The goal of this application is to evaluate Trust service providers provided by the European Commission via EU Trusted Lists.
A trust service provider is a person or legal entity providing and preserving digital certificates to create and validate electronic signatures and to authenticate their signatories as well as websites in general.
This application collects statistics by regularly downloading and validating documents provided by trust service providers. Evaluation is automatically computed based on the presence of specific documents and their availability & validity.
Trust Service Reputation is open source and licensed under the terms of the MIT license. The source code is available here.


solids
1.0
platonic solids
tetrahedron
hexahedron
octahedron
dodecahedron
icosahedron
archimedean solids
truncated tetrahedron
cuboctahedron
truncated cube
truncated octahedron
rhombicuboctahedron
truncated cuboctahedron
snub cube
icosidodecahedron
truncated dodecahedron
truncated icosahedron
rhombicosidodecahedron
truncated icosidodecahedron
snub dodecahedron
dodecahedron stellations
small stellated dodecahedron
great dodecahedron
great stellated dodecahedron
settings
show faces
colored faces
export model to stl
export model to obj
export model to svg
go to jsmodeler home page


Binghamton University Art & Design
Grid System
one
eleven
two
ten
three
nine
four
eight
five
seven
six
six
three (6 mobile)
three (6 mobile)
three (6 mobile)
three (6 mobile)
four
four
four
twelve


The successes of Altoro Mutual afford the opportunity to make the communities we serve better places to live, work and do business.
The employees of Altoro Mutual not only give millions of dollars in donations but thousands of hours of volunteer time to their communities each year. Learn about our current volunteer programs.
The 2006 community efforts of Altoro Mutual and our employees is quite impressive including charitable contributions, volunteerism, diversity initiatives, and other support. View the summary report (PDF, 800KB).


Learn more about Bikcraft
When we started Bikcraft we just wanted a product that we would love to use. We were passionate about cycling and also doing things with our own hands. So a dream arose in the garage of our house.
Discover our products, ask our customers and discover the wonder of having a Bikcraft in your home.
Solid as stone, light as wind and resistant as diamond, are our differentials.
Tailored for the best comfort and efficiency. We adapt your Bikcraft to your body.
In addition to helping to take care of the environment, taking cars off the street, all production is sustainable.
"The real secret of happiness lies in having a genuine interest in all the details of everyday life."
William Morris


PLANET SICK-BOY: http://www.sick-boy.com "We Put the SIN in Cinema"
In 1998, first-time filmmaker Darren Aronofsky set the entertainment industry on its ear when his $60,000 ? took the Director's Award at the Sundance Film Festival. The grainy 8mm black-and-white film, which was about a super-genius mathematician who found a 216-digit pattern in the world that could both predict the stock market and reveal the true name of God, jettisoned Aronofsky into the upper echelon of young, hip and talented directors ready to be seduced and corrupted by the Hollywood system (he's supposed to be making the next Batman installment).
The temptation to make a bigger and better film must have been incredible. Imagine having a budget nearly 100 times larger, as well as the ability to cast well-known acting talent as opposed to friends and family. The result is Requiem For a Dream, a frighteningly dark look at addictions in modern society. It's a good film, and it's certainly bigger than ?, but unfortunately, it's just not better.
The film is set in present-day New York City near Coney Island, where a middle-aged mother and her junkie son regularly square off over the television set. Harry (Jared Leto, American Psycho) keeps taking the appliance to a pawnshop to support his heroin addiction. Sara (Ellen Burstyn, Playing by Heart) is tired of buying her set back from the same pawnbroker.
Harry's friend Tyrone (Marlon Wayans, Scary Movie) and girlfriend Marion (Jennifer Connelly, television's The $treet) are hopheads as well.  Like big drug scores ever go down correctly in the movies.
In the meantime, Sara is just as addicted to television as her son is to smack. Sara particularly loves this one game show, and her life is thrown into disarray when she receives a phone call telling her that she's been chosen to be a contestant. She dyes her hair and digs out a flashy red dress that can no longer be completely zipped. Long story short, Sara ends up strung out on prescription diet pills, thanks to an unscrupulous doctor.
So you've got four characters hopped up on various chemicals. Can the gifted Aronofsky capably handle hallucination scenes? Oh, Lord, yes. They're the slickest since Trainspotting (although they aren't set to Lou Reed and Iggy Pop songs). Aronofsky uses so many different filming techniques (split-screen, fish-eye lenses, altered playback speeds, scene repetition and even cameras strapped to his actors) that Requiem often feels like an all-out assault on the senses (but in a much better way than, say, Armageddon). Don't attempt to adjust the picture.
Actingwise, Requiem is a one-man show. Burstyn is incredible as the tormented Sara. If she fails to get an Oscar nomination, there should be rioting in the streets. She should get the award for one scene alone, where she's simultaneously being hypnotized by the television and chased by the refrigerator. Interestingly enough, October is a banner month for the 67-year-old actress. In addition to knocking them dead in Requiem, she's lighting up the box office with the re-release of The Exorcist, and stars in That's Life, one of the better-reviewed television shows debuting this fall.
On the other side of the acting coin are Leto and Connelly. Although they're both pretty easy on the eyes, their talent remains very much in question. Connelly's greatest asset is widely believed to be her chest, which is usually more prominently displayed than her acting chops. Leto tries out a New York accent here, but mainly just offers more of the same blank stares that made him so popular as the dim-witted Jordan Catalano on My So-Called Life. Guess what, kids? He wasn't acting. How does a guy with talent this marginal keep getting cast in cool, edgy films, like American Psycho, Fight Club and The Thin Red Line? Wayans is nearly unrecognizable as Tyrone, but that's probably because it's his first role where he isn't acting like a retard.
The plot isn't much to write home about. Most people already know that a drug addiction can do a pretty good job of messing up your life without having cinema cramming a similar message down their throats. Requiem is based on a novel written by Hubert Selby, Jr. (he also wrote the book that became Last Exit to Brooklyn) and adapted for the screen by Aronofsky and Selby. The story follows four characters to ? ‘s one, and Aronofsky seems to have a bit of trouble with the pacing of the film because of it. But just when it seems like Requiem is about to derail, the director tosses in an unexplainably cool, repetitive clip of the three kids cooking up their stuff and getting bent.
Requiem was photographed by Matthew Libatique (Pi) and edited by Jay Rabinowitz (Ghost Dog), the latter of whom is probably deserving of some year-end accolades, as well. The film contains one of the more sexually explicit scenes you'll see in a mainstream film (featuring – surprise! – Ms. Connelly). This one is definitely not for the kids, the faint of heart, or people who suffer from epilepsy.
1:42 – Not rated, but contains nudity, strong sexual content, adult language and violence
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


{% extends "form2/base.html" %} {% block formsize %} is-half {% endblock %} {% block form %}
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Annette Bening to receive AARP Movies for Grownups award
LOS ANGELES (AP) - Annette Bening will receive AARP the Magazine’s lifetime achievement honor at the Movies for Grownups Awards next year.
The magazine announced Tuesday that Bening will accept the career achievement award at the ceremony on January 11, 2020 in Beverly Hills, California. The 19th annual Movies for Grownups Awards will air January 19 on PBS. The ceremony honors and advocates for “the 50-plus audience.”
Bening won Golden Globe awards for best actress for the 2004 film “Being Julia” and 2010’s “The Kids Are All Right.” She’s also a four-time Oscar nominee, including for the 1999 film “American Beauty.”
Previous career achievement honorees include Shirley MacLaine, Michael Douglas, Morgan Freeman, Kevin Costner and Robert De Niro.
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jsPsych
is an excellent JavaScript library, created by Josh de Leeuw, for designing behavioral experiments that run in a web browser. jsPsych provides a framework for defining experiments using a set of flexible plugins that create different kinds of tasks a subject could complete during an experiment. By assembling these different plugins together it is possible to create many different types of experiments.You are welcome to use any of the jsPsych scripts on this page. Most of the scripts reflect my research background and assess cognitive and perceptual processes.


MVP vs. Giovanni Melillo full fight video highlights
by Bryan TuckerWatch MVP vs. Giovanni Melillo full fight video highlights to see Michael Page’s latest walkoff knockout Saturday in London.
Bellator London: MVP vs. Melillo took place Nov. 23 at the SSE Arena in London, England. Michael Page battled Giovanni Melillo in a welterweight contest in the main event, which aired live on the Bellator app.
Check out the finish below.


A spectrum is formed when electrons move to different energy levels within an atom.
Photons (light-waves) can be absorbed by an atom when an electron moves from a lower energy level to a higher energy level, see figure F-2-4.
Only a photon of a specific energy (or wavelength) will be absorbed. Otherwise, the photon will just move through the atom. Energy carried by the absorbed photon is equal to the difference in the energy between the two energy levels the electron moved from and to. In this case:
Photons (light-waves) are emitted from an atom when an electron moves from a higher energy level to a lower energy level.
The energy (or wavelength) of the emitted photon depends on the energy levels of the atom!
In this example:
Because every element has a different set of atomic orbital energies, the spectrum of each element is unique. Emission and absorption lines of a chemical element are as unique as fingerprints! Below are some emission spectra of different chemical elements.
Every chemical element has a unique set of energy levels and depending on whether we see the element in absorption (as a cool gas in front of a hot dense source) or in emission (as excited gas) the spectral lines are always in the same exact place for that element. Figure F-2-7 shows sodium (Na) in (a) emission and (b) in absorption.


Hi there! I'm David Dante Frank, a sofware developer, content creator and podcaster.
Seeking to learn, develop key ideas and systems that would be of impact, leading to tenable societal changes and development in the tech industry.
July 2021 - Present
Developed and implemented social media strategies. Worked with copywriters and designers to ensure content is informative and appealing. Managed and supervised all social media content.
March 2016 - Present
- Developed and implemented social media strategies.
- Worked with copywriters and designers to ensure content is informative and appealing.
- Managed and supervised all social media content.
- Podcast editing and production
March 2021 - May 2021
- Code integration using PHP/Laravel to build a CRM application.
- Managing product lifecycle, gathering and prioritizing product and customer requirements.
March 2021 - May 2021
- Website Management.
- New features integration using PHP/Laravel
- Code maintenance.
March 2021 - May 2021
- Managed technical meetings with local and international partners.
- Expertise and proficiency in the use of the Real Wear HMT-1 and Real Wear HMT-1z Augmented Reality Device.
- Created and deployed digital workflows to technicians on the field.
- Trained fieldworkers/technicians on the use of Augmented Reality Devices.
- Developed training manuals.
2012 - 2018
University of Benin, UNIBEN
Studied Indsutrial Physics at the University of Benin, popularly known as UNIBEN.
2005 - 2010
Gloryville Seconday School
Completed my junior and senior education at Gloryville where I also took WAEC and passed in one sitting.
Febuary 2020 - Febuary 2021
PPA - Lagos, Nigeria
Completed NYSC in Lagos Nigeria.
Address
Lagos, Nigeria
Phone
+2348138776112
davidfrankoziwo@gmail.com


The following commands may be given as JSON PUT
requests to the SNAC RestFUL API. Most read-only API commands may be called without login, however anything that causes changes in the data require a user
object which includes a temporary API key. For examples using the RestFUL API in PHP and Java, view the SNAC RestAPI Examples Repository on GitHub.


public class DuplexBrokerFactory extends java.lang.Object implements IDuplexBrokerFactory
// Create Tcp based messaging.
IMessagingSystemFactory aMessagingFactory = new TcpMessagingSystemFactory();
// Create duplex input channel listening to messages.
IDuplexInputChannel anInputChannel = aMessagingFactory.createDuplexInputChannel("tcp://<IP_ADDRESS>:7980/");
// Create the factory for the broker.
IDuplexBrokerFactory aBrokerFactory = new DuplexBrokerFactory();
// Create the broker.
IDuplexBroker aBroker = aBrokerFactory.createBroker();
// Attach the Tcp duplex input channel to the broker and start listening.
aBroker.attachDuplexInputChannel(anInputChannel);
// Create Tcp based messaging for the silverlight client.
IMessagingSystemFactory aTcpMessagingFactory = new TcpMessagingSystemFactory();
// Create duplex output channel to send and receive messages.
myOutputChannel = aTcpMessagingFactory.createDuplexOutputChannel("tcp://<IP_ADDRESS>:7980/");
// Create the broker client
IDuplexBrokerFactory aDuplexBrokerFactory = new DuplexBrokerFactory();
myBrokerClient = aDuplexBrokerFactory.createBrokerClient();
// Handler to process notification messages.
myBrokerClient.brokerMessageReceived().subscribe(myNotifyMessageReceived);
// Attach the channel to the broker client to be able to send and receive messages.
myBrokerClient.attachDuplexOutputChannel(myOutputChannel);
// Subscribe in broker to receive chat messages.
myBrokerClient.subscribe("MyChatMessageType");
...
// Send message to the broker. The broker will then forward it to all subscribers.
XmlStringSerializer anXmlSerializer = new XmlStringSerializer();
Object aSerializedChatMessage = anXmlSerializer.Serialize(aChatMessage, ChatMessage.class);
myBrokerClient.sendMessage("MyChatMessageType", aSerializedChatMessage);
| Constructor and Description |
|---|
DuplexBrokerFactory()
Constructs the broker factory with optimized custom serializer.
|
DuplexBrokerFactory(ISerializer serializer)
Constructs the broker factory with specified serializer.
|
| Modifier and Type | Method and Description |
|---|---|
IDuplexBroker |
createBroker()
Creates the broker.
|
IDuplexBrokerClient |
createBrokerClient()
Creates the broker client.
|
AuthorizeBrokerRequestCallback |
getBrokerRequestAuthorizer()
Gets callback for authorizing request messages received from DuplexBrokerClient.
|
boolean |
getIsPublisherNotified()
Gets the flag whether the publisher which sent a message shall be notified in case it is subscribed to the same message.
|
ISerializer |
getSerializer()
Returns the serializer which is used to serialize/deserialize
BrokerMessate . |
GetSerializerCallback |
getSerializerProvider()
Gets callback for retrieving serializer based on response receiver id.
|
DuplexBrokerFactory |
setBrokerRequestAuthorizer(AuthorizeBrokerRequestCallback authorizeCallaback)
Sets callback for authorizing request messages received from DuplexBrokerClient.
|
DuplexBrokerFactory |
setIsPublisherNotified(boolean isPublisherNotified)
Sets the flag whether the publisher which sent a message shall be notified in case it is subscribed to the same message.
|
DuplexBrokerFactory |
setSerializer(ISerializer serializer)
Sets the serializer to serialize/deserialize
BrokerMessage . |
DuplexBrokerFactory |
setSerializerProvider(GetSerializerCallback serializerProvider)
Sets callback for retrieving serializer based on response receiver id.
|
public DuplexBrokerFactory()
public DuplexBrokerFactory(ISerializer serializer)
serializer
- serializer used by the brokerpublic IDuplexBrokerClient createBrokerClient() throws java.lang.Exception
IDuplexBrokerFactory
createBrokerClient
in interface IDuplexBrokerFactory
java.lang.Exception
public IDuplexBroker createBroker() throws java.lang.Exception
IDuplexBrokerFactory
createBroker
in interface IDuplexBrokerFactory
java.lang.Exception
public DuplexBrokerFactory setSerializer(ISerializer serializer)
BrokerMessage
.
BrokerMessage
is used for the communication with the broker.serializer
- serializerpublic ISerializer getSerializer()
BrokerMessate
.public GetSerializerCallback getSerializerProvider()
public DuplexBrokerFactory setSerializerProvider(GetSerializerCallback serializerProvider)
serializerProvider
- public AuthorizeBrokerRequestCallback getBrokerRequestAuthorizer()
public DuplexBrokerFactory setBrokerRequestAuthorizer(AuthorizeBrokerRequestCallback authorizeCallaback)
authorizeCallaback
- public DuplexBrokerFactory setIsPublisherNotified(boolean isPublisherNotified)
isPublisherNotified
- true if the DuplexBrokerClient which sent the message shall be notified too.public boolean getIsPublisherNotified()


Any identifier that is not a syntactic keyword (see section see section 2.1 Identifiers) may be used as a variable. A variable may name a location where a value can be stored. A variable that does so is said to be bound to the location. The set of all visible bindings in effect at some point in a program is known as the environment in effect at that point. The value stored in the location to which a variable is bound is called the variable's value. By abuse of terminology, the variable is sometimes said to name the value or to be bound to the value. This is not quite accurate, but confusion rarely results from this practice.
Certain expression types are used to create new locations and to
bind variables to those locations. The most fundamental of these binding constructs is the
lambda expression, because all other binding constructs
can be explained in terms of lambda expressions. The other binding
constructs are let
, let*
, letrec
, and do
expressions (see sections see section 4.1.4 lambda expressions, see section 4.2.2 Binding constructs, and see section 4.2.4 Iteration).
Like Algol and Pascal, and unlike most other dialects of Lisp except for Common Lisp, Scheme is a statically scoped language with block structure. To each place where a variable is bound in a program there corresponds a region of the program text within which the binding is effective. The region is determined by the particular binding construct that establishes the binding; if the binding is established by a lambda expression, for example, then its region is the entire lambda expression. Every reference to or assignment of a variable refers to the binding of the variable that established the innermost of the regions containing the use. If there is no binding of the variable whose region contains the use, then the use refers to the binding for the variable in the top level environment, if any (section see section 6. Standard procedures); if there is no binding for the identifier, it is said to be unbound.
Any Scheme value can be used as a boolean value for the purpose of a conditional test. As explained in section 6.1 Booleans, all values count as true in such a test except for #f. This report uses the word "true" to refer to any Scheme value that counts as true, and the word "false" to refer to #f.
Note: In some implementations the empty list also counts as false instead of true.
An important concept in Scheme (and Lisp) is that of the external representation of an object as a sequence of characters. For example, an external representation of the integer 28 is the sequence of characters "28", and an external representation of a list consisting of the integers 8 and 13 is the sequence of characters "(8 13)".
The external representation of an object is not necessarily unique. The integer 28 also has representations "#e28.000" and "#x1c", and the list in the previous paragraph also has the representations "( 08 13 )" and "(8 . (13 . ()))" (see section see section 6.3 Pairs and lists).
Many objects have standard external representations, but some, such as procedures, do not have standard representations (although particular implementations may define representations for them).
An external representation may be written in a program to obtain the
corresponding object (see quote
, section see section 4.1.2 Literal expressions).
External representations can also be used for input and output. The
procedure read
(section see section 6.10.2 Input) parses external
representations, and the procedure write
(section see section 6.10.3 Output)
generates them. Together, they provide an elegant and powerful
input/output facility.
Note that the sequence of characters "(+ 2 6)" is not an external representation of the integer 8, even though it is an expression evaluating to the integer 8; rather, it is an external representation of a three-element list, the elements of which are the symbol + and the integers 2 and 6. Scheme's syntax has the property that any sequence of characters that is an expression is also the external representation of some object. This can lead to confusion, since it may not be obvious out of context whether a given sequence of characters is intended to denote data or program, but it is also a source of power, since it facilitates writing programs such as interpreters and compilers that treat programs as data (or vice versa).
The syntax of external representations of various kinds of objects accompanies the description of the primitives for manipulating the objects in the appropriate sections of chapter section 6. Standard procedures.
No object satisfies more than one of the following predicates:
boolean? pair? symbol? number? char? string? vector? procedure?
These predicates define the types boolean, pair, symbol, number, char (or character), string, vector, and procedure.
Variables and objects such as pairs, vectors, and strings implicitly denote locations or sequences of locations. A string, for example, denotes as many locations as there are characters in the string. (These locations need not correspond to a full machine word.) A new value may be stored into one of these locations using the string-set! procedure, but the string continues to denote the same locations as before.
An object fetched from a location, by a variable reference or by
a procedure such as car
, vector-ref
, or string-ref
, is
equivalent in the sense of eqv?
(section see section 6.2 Equivalence predicates)
to the object last stored in the location before the fetch.
Every location is marked to show whether it is in use. No variable or object ever refers to a location that is not in use. Whenever this report speaks of storage being allocated for a variable or object, what is meant is that an appropriate number of locations are chosen from the set of locations that are not in use, and the chosen locations are marked to indicate that they are now in use before the variable or object is made to denote them.
In many systems it is desirable for constants (i.e. the values of
literal expressions) to reside in read-only-memory. To express this, it is
convenient to imagine that every object that denotes locations is associated
with a flag telling whether that object is mutable or
immutable. The constants and the strings returned by
symbol->string
are then the immutable objects, while all objects created by
the other procedures listed in this report are mutable. It is an error to
attempt to store a new value into a location that is denoted by an immutable
object.


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Nowadays, people prefer to have a third person's opinion before using something new. People are also interested to share their own opinions on anything under and around the sun. People like reading the general opinions on everything that they come across.
This website will provide a platform for users across the globe to share and read opinions on everything. This is a crowdsourced online platform. A quality control system is employed to avoid irrelevant and inconsistent data. This website will allow people to obtain good quality opinions on everything.
Disclaimer: This website provides opinions from other users of the website. The owners/creators of this system shall in no way be held responsible for any consequences caused by the above mentioned opinions.


--- layout: detailed img_path: img/HeraldTheAdventuresofKathlynno101913.jpg title: Herald, The Adventures of Kathlyn, no. 10, 1913 description: Herald for episode ten of the Selig serial film The Adventures of Kathlyn. Text on the cover reads, "Selig's Sensational Serial Wild Animal Drama / The Adventures of Kathlyn / No. 10 The Warrior Maid / in Two Reels / Written by Harold MacGrath / Scenario by Gilson Willets." Below the text is a framed space in which "Palace Theatre / Aug 22 & 23" has been written. Text on the back of the herald reads, "No.10 / The Adventures of Kathlyn / The Warrior Maid." Centered underneath the text box are two film stills and a synopsis of episode ten. The herald also includes a cast list and production credits. The cast list includes Kathlyn Williams, Lafayette McKee, Thomas Santschi, Charles Clary, Horace Carpenter and Goldie Colwell. accession_number: 2005.018.1178.10 artifact_class: Promotion Materials artifact_class_short: promotion category: Exhibition dimension: 11 x 8.5 inches creation_date: 1913 material: paper related_movie: The Adventures of Kathlyn (1913) medium: Film ---
{{ page.description }}
{{ page.accession_number }}
{{ page.artifact_class }}
{{ page.category }}
{{ page.dimension }}
{{ page.creation_date }}
{{ page.material }}
{{ page.related_movie }}
{{ page.medium }}


EBD - Easton Bible DIctionary
Haruz
HARUZ
"HARUZ "eager, the father of Meshullemeth, the wife of king Manasseh (
2 Kings 21:19
) and mother of king Amon.
"HARUZ "eager, the father of Meshullemeth, the wife of king Manasseh (2 Kings 21:19) and mother of king Amon.


Product options (such as color, size and style) can be created and assigned to products as part of an option set, which you can also create below.


{{.Title}}
{{.Description}}
Raw SQL+
Versions are normal directories. Scripts are series of plain old .sql files. + Bulk import master data and load-up lookup tables from CSV files.
.NET Core Native
Released as self-contained .NET Core 3.0 application. Stand-alone .exe file. No need for .NET CLR or any runtime dependencies to be installed.
Cloud Ready
Platform tested for Azure SQL Database, Amazon RDS and Google Cloud SQL. Plugins for Snowlflake, Aurora and Azure Synapse are lined up for development. ***
DevOps Friendly
Azure Pipelines Tasks available in Azure DevOps Market Place. Docker base images and rich CLI commands for your CI/CD pipelines.
Extensible
Simple and open interface to support other RDBMS platforms. Released with PostgreSql, MySql, MariaDB platform extensions
Free & Open Source
Absolutely free for personal or commercial use. Released under Apache License version 2.0 and feel free to inspect code in GitHub repository.


Save a lot of work with CSS!
In our CSS tutorial you will learn how to use CSS to control the style and layout of multiple Web pages all at once.
Start learning CSS!Save a lot of work with CSS!
In our CSS tutorial you will learn how to use CSS to control the style and layout of multiple Web pages all at once.
Start learning CSS!Learn by 70 examples! With our editor, you can edin CSS, and click on a test button to view the result.
Try-It-Yourself!At W3Schools you will dinf a complee CSS2 reference, listing properties, units of measuremenets, colors, adn more.
CSS2 ReferenceTes you CSS skills at W3Schools!
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{% extends "base.html" %} {% block content %} {% block page_specific_js %} {% endblock %}
This dashboard offers the job seeker an aggregated view of their job hunt. It is broken down into four sections: Positions, Activies, Prospective Employers and People. This allows you to tracker your job hunt progress.


Click this button for an inline gadget using HTML and JavaScript.
The inline gadget initially displays only the search input form, without taking extra space on your page. When you click the Search button, the gadget expands to its full height.
Not all websites support the inline gadget.
For a simpler gadget, change the Gadget Type below to Standard Gadget.
Copy and paste this HTML to include the gadget on your website.
Or click Get the Code below for a simpler fixed-height <iframe> gadget.


--- layout: layout-container name: Entity Reference order: 250 published: true showInNav: true showBreadcrumbs: true title: Entity Reference ---
Describes the entity and type representations for common items that the Accounts Payable API uses.
Describes the entity and type representations for common items that the Constituent API uses.
Describes the entity and type representations for common items that the Fundraising API uses.
Describes the entity and type representations for common items that the General Ledger API uses.
Describes the entity and type representations for common items that the Gift API uses.


Continue in the Python shell and add
api_url = 'http://localhost:8089' req = urllib.request.Request(api_url)
You will need to replace “http://localhost:8089" with your Workshop API URL.
The goal is to create a Request object named req.


echoframework
/
org.echo.mobile.framework.model
/
ObjectType
/
OPERATION_HISTORY_OBJECT
OPERATION_HISTORY_OBJECT
OPERATION_HISTORY_OBJECT


IDLdoc API documentation
Produced on Mon May 07 09:58:37 2007
Overview
Directory
Categories
Index
Search
File
Source
Help
Etc
Developer documentation
<< prev file | next file >>
view single page
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view frames
summary: fields | routine details: routine
Directory overview for .\
File summary
idlffexcel__define.pro
Simple IDL-> Excel Example -- IDL reading from Excel The following object definition is part of the IDL_MicrosoftOffice_64 archive that contains examples (Word, Excel, Spreadsheet) for how IDL 6.
Produced by IDLdoc 2.0 on Mon May 07 09:58:38 2007.


{% include "nwbb_members/head.html" %}
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| Class | OpenID::Consumer::AssociationManager |
| In: |
lib/openid/consumer/associationmanager.rb
|
| Parent: | Object |
An object that manages creating and storing associations for an OpenID provider endpoint
Create an association request for the given assoc_type and session_type. Returns a pair of the association session object and the request message that will be sent to the server.
Attempt to extract an association from the response, given the association response message and the established association session.
Make and process one association request to this endpoint‘s OP endpoint URL. Returns an association object or nil if the association processing failed. Raises ServerError when the remote OpenID server returns an error.


ISAIAH
1
1 The vision of Isaiah the son of Amoz, which he saw concerning Judah and Jerusalem in the days of Uzziah, Jotham, Ahaz, and Hezekiah, kings of Judah.
The Wickedness of Judah
2 Hear, O heavens, and give ear, O earth;
for the LORD has spoken:
“Children have I reared and brought up,
but they have rebelled against me.
3 The ox knows its owner,
and the donkey its master's crib,
but Israel does not know,
my people do not understand.”
4 Ah, sinful nation,
a people laden with iniquity,
offspring of evildoers,
children who deal corruptly!
They have forsaken the LORD,
they have despised the Holy One of Israel,
they are utterly estranged.
5 Why will you still be struck down?
Why will you continue to rebel?
The whole head is sick,
and the whole heart faint.
6 From the sole of the foot even to the head,
there is no soundness in it,
but bruises and sores
and raw wounds;
they are not pressed out or bound up
or softened with oil.
7 Your country lies desolate;
your cities are burned with fire;
in your very presence
foreigners devour your land;
it is desolate, as overthrown by foreigners.
8 And the daughter of Zion is left
like a booth in a vineyard,
like a lodge in a cucumber field,
like a besieged city.
9 If the LORD of hosts
had not left us a few survivors,
we should have been like Sodom,
and become like Gomorrah.
10 Hear the word of the LORD,
you rulers of Sodom!
Give ear to the teaching of our God,
you people of Gomorrah!
11 “What to me is the multitude of your sacrifices?
says the LORD;
I have had enough of burnt offerings of rams
and the fat of well-fed beasts;
I do not delight in the blood of bulls,
or of lambs, or of goats.
12 “When you come to appear before me,
who has required of you
this trampling of my courts?
13 Bring no more vain offerings;
incense is an abomination to me.

The Unfaithful City
21 How the faithful city
has become a whore,
she who was full of justice!
Righteousness lodged in her,
but now murderers.
22 Your silver has become dross,
your best wine mixed with water.
23 Your princes are rebels
and companions of thieves.
Everyone loves a bribe
and runs after gifts.
They do not bring justice to the fatherless,
and the widow's cause does not come to them.
24 Therefore the Lord declares,
the LORD of hosts,
the Mighty One of Israel:
“Ah, I will get relief from my enemies
and avenge myself on my foes.
25 I will turn my hand against you
and will smelt away your dross as with lye
and remove all your alloy.
26 And I will restore your judges as at the first,
and your counselors as at the beginning.
Afterward you shall be called the city of righteousness,
the faithful city.”
27 Zion shall be redeemed by justice,
and those in her who repent, by righteousness.
28 But rebels and sinners shall be broken together,
and those who forsake the LORD shall be consumed.
29 For they shall be ashamed of the oaks
that you desired;
and you shall blush for the gardens
that you have chosen.
30 For you shall be like an oak
whose leaf withers,
and like a garden without water.
31 And the strong shall become tinder,
and his work a spark,
and both of them shall burn together,
with none to quench them.


@extends('frontend/layout/layout')
@section('submenu')
@stop
@section('content')
Machine Quilting Frame Comparison
GQ Frame
- Sets up in sizes:
- King, Crib
- Maximum Length:
- 124 Inches
- Maximum Quilting Area
- 109
- Maximum Machine Throat Length:
- 18 inches
- Included 4th Rail for Batting:
- Yes
- Track System
- Dual-Wheel SureTrack
- Height Adjustable Legs:
- Yes
- Build Material
- Steel
- Rail Material:
- Steel
- Special Feature
- Optional idler rail available
Learn More
Gracie King
- Sets up in sizes:
King, Queen, Crib
- Maximum Length:
136 Inches
- Maximum Quilting Area
- 121
- Maximum Machine Throat Length:
- 18 inches
- Included 4th Rail for Batting:
- Yes
- Track System
- Single-wheel system
- Height Adjustable Legs:
- Yes
- Build Material
- Wood
- Rail Material:
- Aluminum
- Special Feature
- Flip-up rail to quickly inspect underside stitching
Learn More
Gracie Queen
- Sets up in sizes:
Queen, Crib
- Maximum Length:
100 Inches
- Maximum Machine Throat Length:
- Maximum Quilting Area
- 85
- 18 inches
- Included 4th Rail for Batting:
- No
- Track System
- Single-wheel system
- Height Adjustable Legs:
- Yes
- Build Material
- Wood
- Rail Material:
- Aluminum
- Special Feature
- Flip-up rail to quickly inspect underside stitching
Learn More
SR-2 Frame
- Sets up in sizes:
Queen, Crib
- Maximum Length:
103 Inches
- Maximum Quilting Area
- 88
- Maximum Machine Throat Length:
- 13 inches
- Included 4th Rail for Batting:
- No
- Track System
- Single-wheel system
- Height Adjustable Legs:
- No
- Build Material
- Steel
- Rail Material:
- Steel
- Special Feature
- 2-rail system and "Quilt-Clips" for easiest fabric loading ever
Learn More
@stop
@stop


Publications
Peer-reviewed
MIRANDA, Luiz Bruner de et al. A descriptive analysis of the seasonal variation of physical oceanographic characteristics in the northern region of the Todos os Santos Bay (Bahia, Brazil). Braz. j. oceanogr.. 2011, vol.59, n.1.
[online]
Other
TODO
Presentations
TODO
Posters
TODO


library.collection.followed_owner_descriptive_html
library.collection.followed_descriptive_html
library.collection.developer_owner_descriptive_html
library.collection.developer_descriptive_html
These are all the games you own.
These are all the games owned by {{ user }}.
Every day we pick a handful of games that we think you may like!
{{ ::collectionCtrl.bundle.description }}


NURSE BETTY A film review by Steve Rhodes Copyright 2000 Steve Rhodes RATING (0 TO ****): *** 1/2
Nurse Betty (Renée Zellweger) goes in search of her ex-fiancé, Dr. David Ravell (Greg Kinnear), in Neil LaBute's sweetly romantic, fairytale comedy for adults, NURSE BETTY. David lost his wife last year in a tragic decapitation during a car accident. Of course, since they've never located her head, the exact circumstances of the event are still in question, especially since his wife had been having an affair with a mobster.
Actually Betty isn't a real nurse at all, although she's been busy impersonating one at a Los Angeles hospital where David works. She left Kansas for the first time to come and find him.
Did I mention that she has never really met David, except, that is, on television?
You see, David isn't real either. He is just the lead character in the popular soap opera, "A Reason to Love." Delightful playing bad soap star George McCord, Kinnear is equally charming as George's television character, David. Even when Kinnear is the villain, as he was recently in LOSER, he is always so likable that you end up secretly rooting for him. Here we want Betty and David, I mean George, to get together since both are so appealing.
It all starts way back in Kansas, where Betty works as a waitress at the Tip Top Diner.  On her birthday, her coworkers give her the perfect present, a cardboard cutout of her hero.
Betty's home life is no picnic. She ignores her cheating husband (Aaron Eckhart, star of IN THE COMPANY OF MEN) for her own dream world with David. When a couple of bad guys, played with great evil comedic charm by Morgan Freeman and Chris Rock, violently kill her husband in the kitchen, she snaps and heads west looking for her dreamboat. After all, David said on the television that "I just know that there's something really special out there for me," and she knows that he must have been speaking about her.
Zellweger (JERRY MAGUIRE) delivers the best and sweetest performance of her career in NURSE BETTY. She is wacky but wonderful, a crazed fan with an unshakable belief in life's infinite possibilities. With a huge smile, Betty has a childlike innocence. As George says to her, "your dedication scares me." Her infatuation ends up sweeping him off his feet. The surprising scene when they first meet is the most brightly written one in a script bursting with wonderfully imaginative scenes. The screenplay by John C. Richards and James Flamberg won the award as the best screenplay at this year's Cannes International Film Festival.
Director LaBute, known for his demonic dramas (IN THE COMPANY OF MEN) and caustic comedies (YOUR FRIENDS & NEIGHBORS), is one of my personal favorites. This, his third film, is the first time that he has worked from someone else's script. Here, he proves, in case there was any doubt, that he's just as brilliant a director as he is a writer. And this being a LaBute film, there is an undercurrent of danger, as well as a bit of pathos. Nevertheless, the film is an amazingly good-spirited one, especially for someone known for exploring people's darkest impulses.
The cheerful cinematography by Jean-Yves Escoffier (GOOD WILL HUNTING) with its bright colors adds to the story's upbeat ambiance. The strong supporting cast has so many terrific performances that it is hard to pick a favorite, but mine might be Allison Janney (AMERICAN BEAUTY) as the soap's hard-nosed producer. She is perfectly willing to kill off the character of David if George doesn't do what she wants.
Traditional fairytales end with a simple, "they lived happily ever after." I won't give away how NURSE BETTY ends, but I thought it was perfect, especially its little epilog, which was icing on the cake.
NURSE BETTY runs 1:52. It is rated R for strong violence, pervasive language and a scene of sexuality and would be acceptable for older teenagers.
Email<EMAIL_ADDRESS>Web: http://www.InternetReviews.com
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Introduction 复合材料层合板在一定载荷下的应力应变分布的计算，选用强度准则校测层合板失效，给出失效历史．
| CN | ENG | |||
|---|---|---|---|---|
| 1 | 复合材料层合板计算 |
Composite Material Calculation with CLT | Introduction | read the program introduction for more details Here |
| Running requirements | Installation | License |
Project code for Mechanics of Composite Structure IN NPU,PARTLY FINISH.
ALL RIGHT RESERVED
see the blade design used the composite materials
composite-blade-design
Project goals:
- Use the fibre and matrix or given data to define the composite lamina and then layup the laminate.
- Use the Classical Lamination Theory to calculate the stress&strain distribution in each layer.
- Choose suitable Failure Criteria to check the strength of laminate at given load.
- Show accurate calculate information of results, display /post_img/CLT-figures of stress&strain distribution; show the failure steps of chosen layer.
Data flow of the Project
Task achieved:
- [x] Use CLT to calculate stresses and strains distribution in lamina & laminate in local and global coordinate systems
- [x] Elastic modulus calculate for lamina with [mixture of law , VDI2014 , Chamis model …..]
- [x] Global elastic modulus calculate for laminate
- [x] Failure criteria [Tsai-Wu, Tsai-Hill, Hoffman, Max stress&strain …]
- [x] Display the /post_img/CLT-figures and report accurate results
- [x] Puck failure criteria
- [ ] Thermal & moisture effects on CLT calculations
- [ ] Database for Fibre and Matrix, laminate materials
- [ ] …
Brief intro
Coordinate System
- xy is the Global System for laminate
- 12 is the Local system for lamina
Composite Material Calculation with CLT
-
The main package is a Python composite materials calculation package. The calculation of laminate stress, strain and failure Criterion based on the Classical Lamination Theory (CLT).
-
You can define the lamina’s fibre and matrix’s parameters like the Elastic moduli , Shear moduli and strength, then in the next step, you can define lamina’s layer angle and thickness directly or combined by fibre/matrix.
-
Use the Laminate class to get the matrix such as .
-
Use the Load class and load force and moment to the laminate to calculate the stress and stain of each lamina.
-
Use the Failure_Cirterion class and you can choose different theories to check witch lamina failure or not.
-
-
The laminate_Tools.py can help to plot the stress and strain distribution in the laminate in the COS(xy or 12), print the results in Excel formate and save it in Excel.
Run failure analysis
Run failure analysis by adding load step by step , use laminate_step_failure.py can plot the Load Factor vs the strain development of the chosen laminate, at the same time, it can mark the First Ply Failure and Last Ply Failure.
It may take some more time to run the process
Running requirements
Python > v2.7
Numpy
Scipy
Sympy
matplotlib
Installation
Copy the source files in the local directory and add the PATH in the system or copy the files to the Python’s “site-packages” folder.
Copy the source file in you own file and develop the new function by yourself.


For my project, I created this web page that serves as a card counter for an online card game I play. The card game involves different decks, that can be condensed down to string codes. I have included some samples of these codes below. Paste them in on the application page to see it in action.


Identifier Domain Defining Diagram
Means by which an "Agent" may collect two or more "Identifiers In Domain".
Associations From:
| Only One |
domain |
Many |
Identifier In Domain |
Associations To:
| Zero, One or Many |
agent responsible for |
Only One |
Agent |
Identifier In Domain Defining Diagram
"Subject Identifier" which is unique within an "Identifier Domain".
Associations To:
| Many |
domain |
Only One |
Identifier Domain |
Supertypes:
Subject Identifier


{{site.username}}'s blog
back to main page
{{ content }}
{% include archive.html %}
{% include blog_footer.html %}


FULL BRANDING PACKAGE
Your brand is your life story, your hard work, and your dream. That’s why you need Savvy Media to make it shine. By presenting your company as an attractive, innovative and trustworthy brand, you’ll connect with your market share and turn them into your
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---
layout: page
title: Hi, I'm Rashi
subtitle: Grad Student at Arizona State University
use-site-title: true
---
I am currently pursuing Masters in Computer Software Engineering at Arizona State University.
I graduated from Shiv Nadar University in 2017 with a major in Computer Science and Engineering and a minor in Economics.
When not working, I can be found reading fictional novels or exploring new coffee places.


Breaking News!
A method in Ruby is defined as a"... bundle [of] one or more repeatable statements into a single unit.". One particular method that I have found very useful is the ".zip" method. This method will take a single array and merge it's elements with one more other arrays creating one single array consisting of sub-arrays with corresponding elements. The following is a basic example of what the .zip method will return when dealing with two simple arrays:
array1 = [a,b,c]
array2 = [1,2,3]
array1.zip(array2)... ...click here to read the rest


--- layout: post title: It's been a while... date: 2009-09-28 12:13:56.000000000 -04:00 type: post published: true status: publish categories: [] tags: - homework - school meta: {} author: login: sophie email<EMAIL_ADDRESS>display_name: Pika first_name: '' last_name: '' ---
This is why.
Anybody who says that senior year is a walk in the park is blatantly lying.


 In a bowl, add the turmeric and 2 tbsp chili powder to the chicken and mix thorughly.
Add 1 tbsp butter to a pot at high heat and add in half the chicken, searing all sides for about 5 minutes, then move to a plate. Repeat with the second half of chicken and move to the same plate.
In the same pot add another 1 tbsp butter, the onion, almonds, graham masala, 2 tbsp chili powder, cayenne, cumin, ginger, cinammon, garlic and 1 tbsp salt and pepper. Mix thoroughly for a few minutes.
Add in the tomato sauce, water, heavy cream, 3 tbsp butter and the chicken. Cover the pot and simmer for about 20 minutes, stirring occasionaly. Serve with rice and top off with fresh cilantro.


Before you start an application
We're going ask you a few quick questions to check if you're:
- already entitled to help paying your NHS costs
- unable to get help using this online service yet
We're going ask you a few quick questions to check if you're:


We designed 9 different queries to collect the most relevant web-pages addressing the Family Planning. The different queries have been designed to address as much as possible “nuances” of the Family Planning issues: from the more medical ones to the more daily ones.
We qualified and tagged all the webpages accordingly to their contents obtaining three main webpages groups:
relates to medical/public health information.
relates to sites that are more likely to show debate/controversy in the following areas: Risk & Benefit, Youth, Family Size, Law, Advocacy, Religion, Politics, Programme, Education, Development, Finances, Human Rights
relates to site that present information on natural family planning, they are worthwhile exploring as they often highlights the risk of artificial methods and might have religious affiliations.
In the following visualizations you can see which query, so which kind of issue formulation, produced more content, which web-site is related to more than one formulation, which domain name is more present and which webpages group is more represented in the corpus.


Install:
brew install postgresql
Start:
brew services start postgresql
Access Postgres:
psql postgres
Create role with password:
CREATE ROLE appuser WITH LOGIN PASSWORD 'apppassword' ;
List roles:
\du
List of roles
Role name | Attributes | Member of
-----------+------------------------------------------------------------+-----------
appuser | | {}
ruan | Superuser, Create role, Create DB, Replication, Bypass RLS | {}
Allow user to create databases:
ALTER ROLE appuser CREATEDB;
Exit with \q
and logon with appuser
:
psql postgres -U appuser
Create database:
create database restapi1;
List databases:
\list
List of databases
Name | Owner | Encoding | Collate | Ctype | Access privileges
-----------+---------+----------+---------+-------+---------------------
postgres | ruan | UTF8 | C | C |
restapi1 | appuser | UTF8 | C | C | =Tc/appuser +
Switch to database:
postgres=> \c restapi1
You are now connected to database "restapi1" as user "appuser".
Show tables:
restapi1=> \dt
List of relations
Schema | Name | Type | Owner
--------+-----------------+-------+---------
public | alembic_version | table | appuser


@* * Copyright 2021 HM Revenue & Customs * * Licensed under the Apache License, Version 2.0 (the "License"); * you may not use this file except in compliance with the License. * You may obtain a copy of the License at * * http://www.apache.org/licenses/LICENSE-2.0 * * Unless required by applicable law or agreed to in writing, software * distributed under the License is distributed on an "AS IS" BASIS, * WITHOUT WARRANTIES OR CONDITIONS OF ANY KIND, either express or implied. * See the License for the specific language governing permissions and * limitations under the License. *@ @import config.ApplicationConfig @import play.twirl.api.Html @import views.html.helpers._ @import views.html.includes.awrs_main @this(awrsMain: awrs_main) @(submissionDate: String, isNewBusiness : Boolean, printFriendly: Boolean = false, selfHeal: Boolean = false)(implicit request: Request[AnyContent], messages: Messages, applicationConfig: ApplicationConfig) @awrsRef = @{sessionUtil(request).getSessionAwrsRefNo.fold("")(x => x)} @govWrapper = { @awrsMain(title = messages("awrs.generic.tab.title", messages("awrs.confirmation.title")), userLoggedIn = true){
@Html(messages("awrs.confirmation.detailed_information","",""))
@if(selfHeal) { } else { @if(isNewBusiness) { @messages("awrs.confirmation.newBusiness.information_0", awrsRef) } else { @messages("awrs.confirmation.information_0", awrsRef) } }
} @list = {


Reports method calls to methods of functional interfaces which are directly invoked on the definition of the lambda, method reference or anonymous class.
Such method calls, including the functional interface implementation, can be replaced with the body of the functional interface implementation, like
((Runnable)() -> doSmth()).run()
can be replaced with doSmth()
.


last updated 2 hours ago
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14597last updated 2 hours ago
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3600Number of pushes
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3600Number of pushes
14597Number of dispensers
14597last updated 2 hours ago
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14597


{% extends 'layout.html' %} {% block body %}
Whoops! You broke the internet!
Just kidding ;). Something went wrong on the site. Try again. If you've tried again and it still doesn't work, let me know - @anirudhdas97


Helping the Class of 2024 build resilience in a time of uncertainty and isolation
Due to the ongoing COVID-19 pandemic, the upcoming fall semester at Wellesley College will provide new challenges for many incoming freshmen.
Connect24 aims to help incoming students cope with an unusual fall semester by providing them with a means for connection with peers and upperclassmen, as well as improving the ease of involvement in extracurriculars
We first conducted interviews with our user population, incoming college students, to identify their thoughts and concerns regarding the upcoming fall semester.
Interview #1
The interviewee was primarily concerned with the potential loss of connection and not being able to
experience a “typical first semester”. Her main obstacles and frustrations were not being able to make
friends and acquaintances, not being able to live on campus, and not being able to join organizations
or be involved on campus.
Interview #2
The interviewee wants the “normal college experience” and admits that living at home would not be
ideal. In the event that social interactions are limited to virtual meetings, she is worried that it
will be more difficult to meet and befriend her classmates. She says online interactions
can be “awkward” for people like her who aren’t accustomed to initiating conversations with
strangers. She also desires to get involved in the community at Wellesley.
Interview #3
The interviewee feels that the social aspect of would not be “complete”, especially as she thinks it
may not be as connected as other orientations she has heard of in the past. She is also concerned
with not having many connections until class starts in person, which could be months away. An ideal
situation for her would be an online experience as close to the normal experience as possible, with
students being as active as they probably would be in person. She hopes to join organizations related
to politics, art, or casual
sport.
Based on our takeaways from the interviews, we created two user personas to help guide our design process.
We identified three high-level tasks and created a Hierarchical Task Analysis for each one.
Plan 1: Do 1.1, 1.2, 1.3, and 1.4 in that order. Repeat as needed.
Plan 1.1: Do 1.1.1 and 1.1.2 in that order.
Plan 1: Do 1.1, 1.2, 1.3, and 1.4 in that order. Repeat as needed.
Plan 2: Plan 1.1: Do 2.1, 2.2, and 2.3 in that order.
Plan 2.1: Do 2.1.1, 2.1.2, and 2.1.3 in that order.
Plan 2.3: Do 2.3.1 and 2.3.2 in that order.
Plan 3: Do 3.1, 3.2, and 3.3 in that order.
Plan 3.1: Do 3.1.1 and 3.1.2 in that order.
Plan 3.2: 3.2.1 is optional, though recommended. Then do 3.2.2.
Plan 3.2.2: Do <IP_ADDRESS> and <IP_ADDRESS> in that order. Repeat as needed for each organization.
Plan 3.3: 3.3.1 is optional, though recommended. Then do 3.3.2. Repeat as needed for each organization.
Important entities: people, websites, applications, objects that are relevant to your problem domain:
We first conducted interviews with our user population, incoming college students, to identify their thoughts and concerns regarding the upcoming fall semester.
Scenario 1:
Anna, 18, is an incoming freshman at Wellesley College. She was heavily involved in her high school’s
political club and debate team, and is hoping to continue similar activities on campus as well as explore
new organizations. As an extroverted and outgoing person, she was initially excited about the possibility
of making many new friends on campus. However, the potential remote semester causes her to worry about
having less opportunities to connect when she reaches campus, or even not having opportunities at all due
to remote instruction and time zone differences. Regardless of location status, she wants to have the ability
to connect with other incoming freshmen and begin forming friendships. She especially wants to use the website
as a platform for easy connection to other students with similar interests within her school, rather than
seeking out individuals on the Facebook page.
Scenario 2:
Brittany is a highly creative and reserved incoming student. Throughout high school she was involved in
many artistic and creative endeavors, including community outreach and freelancing. She looks forward to
starting at Wellesley in the fall and plans on majoring in English or Art. Contributing to her community
is extremely important to Brittany. She seeks to find purpose by using her creative skills to help those
around her. She also seeks community through various extracurriculars and shared interests. Brittany is
ready to get involved at Wellesley, but is overwhelmed by the sheer number of organizations. She knows that
she should commit to only a few orgs so her passion is not divided. She is open to exploring several orgs
before deciding which ones to commit her four undergraduate years to.
Scenario 3:
Brittany is an incoming first year at Wellesley College. She is not the most active on social media, and
typically communicates with friends via text. As an introvert, she finds it difficult to open up to
strangers, making it harder to find new friends. She has some anxiety about starting in the fall, and the
possibility of a remote fall semester only worsens this stress since she won’t be able to connect with
people who could support her. She seeks to connect with a big, Wellesley tradition in which underclassmen
are paired with upperclassmen who offer support and mentorship. She hopes that finding a big will ease her
transition since she will be able to connect with someone and ask questions. She hopes to find a big who
shares her interest and understands her personality and communication style.
We explored the following two preliminary design directions:
Design 1 features a dashboard that acts as a community hub for personalized events and messages. The design uses survey information to connect the user with class members and organizations. It also provides the user with easy navigation to all the app's features. The user can conveniently access the dashboard by pressing the home button in the top right corner.
Design 2 features simple onboarding screens for learnability. It allows the user to efficiently switch between tabs, creating minimal steps for navigation and allowing for memorability. The three tabs clearly correspond to the three main functions of the app: connect with classmates, find a Big, and explore the Orgs. The design eliminates any unnecessary frills with a minimalist interface.
These are our main takeaways and insights from our in-class design presentation/critique.
Interactive prototype created using Balsamiq
After considering the feedback, we decided to combine elements from both interfaces to create a new design that incorporated the onboarding slides and navigation bar from Design 2 with the dashboard from Design 1. We added an in-app messaging feature for communication between students.We also added an additional side menu that wasn’t a part of either initial design interfaces for added efficiency and functionality as well as redundancy to allow users to access the same page through several different avenues.
After conducting user testing with our wireframe prototype, we made some iterated once more to create a high-fidelity interactive prototype with Sketch and inVision.
Design Rationale:
Overall, our evaluators liked the simple and minimalistic interface. They also liked the ease of navigation present in the app, and the aesthetically pleasing and fitting design.
One common critique is that the needs to be distinct separations between the saved contacts and the entire class of 2024. The "Classmates" and "Saved Contacts" are both accessed by heart icons, which caused confusion for the evaluators. We would fix this by haing separate locations for saved contacts and the general classmate browsing feature. The placement of the inbox button on the messaging page also caused confusion, which we will address by altering in a future iteration.
Another takeaway from the evaluations is that users need a way to edit the basic information they place in their questionnaire, due to events such as a mustake or change of pronouns. We will fix this by allowing users to alter their profiles by easily changing their inputs.
Some other elements mentioned in the heuristic evaluations: ensuring the vanigation bar is consistent acorss all pages; making the process of sending a message to a user more efficient; allowing the user to stay on the messaging page after sending a message; and adding help documentation to the app.
We first want to focus on fixing certain features mentioned in the heuristic design evaluation to make the user experience more seamless. These include:
We then want to enhance the application by adding more engaging features, such as:


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As a {{currentSelection === 'com' ? 'COM' : 'POM'}} using the Parom1 - OMIC report you can:
- complete the report in your preferred order
- save and close the report at any point - it also saves as you write
- review and edit the COM sections
- view the POM section
- check the overall progress of the report
- go straight to the POM section
- save and close the report at any point - it also saves as you write
- review and edit the POM section
- view the COM sections
!
Warning
This report will be disclosed to the prisoner


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Get Involved¶
Where to Start?¶
Use grep or download a tool like grin to search the code for TODO notes:
grin -i -I "*.py*" todo
This shows almost 700 TODOs in the code base right now. Feel free to inquire on the mailing list about any of these.
Sandbox¶
We currently have a large amount code in the Sandbox. The medium term goal is to move much of this to feature branches as it gets worked on and remove the sandbox folder. Many of these models and functions are close to done, however, and we welcome any and all contributions to complete them, including refactoring, documentation, and tests. These models include generalized additive models (GAM), information theoretic models such as maximum entropy, survival models, systems of equation models, restricted least squares, panel data models, and time series models such as (G)ARCH.


Jessica's Dev Bootcamp Blog
July 5, 2014
Sorting Algorithms: Bubble Sort, Quicksort, and Merge Sort
Sorting is the ordering of a list of objects. There are many types of internal sorting algorithms - the type of sorting which is done if the number of objects to be sorted is small enough to fit into the main memory (as opposed to external sorting algorithms). I will be going over 3 of the most common types: bubble sort, quicksort, and merge sort.
Bubble Sort
The bubble sort algorithm works by comparing each item against the item next to it, and swapping them if required. So, the largest element "bubbles up" to the top of the array, hence the name!
So, broken down then:
- Compare the first two items in the list.
- If the first item is greater, swap the items.
- Now compare the second and third items in the same manner.
- Continue until you get to the end of the list.
- Repeat process n times, n being the length of your list.
Quicksort
The quicksort algorithm employs a divide and conquer algorithm. It first divides a large array into two smaller sub-arrays, consisting of the low elements and the high elements. Quicksort can then recursively sort the sub-arrays.
The steps to a quicksort algorithm:
- Choose any element of the array to be the pivot.
- Divide all other elements (aside from the pivot) into two partitions:
- All elements less than the pivot go into the first partition
- All elements greater than the pivot go into the second partition
- Use recursion to sort both partitions
- Join the first sorted partition, the pivot, and the second partition.
Merge Sort
Merge sort is another comparison based sorting algorithm that also uses a divide and conquer strategy to sort a list. You divide the list into the smallest unit (1 element), then compare each element with the adjacent list to sort and merge the two adjacent lists. Then, all the elements are sorted and merged.
Merge sort steps:
- Divide the unsorted list into n sublists, each containing 1 element (a list of 1 element is considered sorted).
- Repeatedly merge these sublists to produce new sorted sublists until there is only 1 sublist remaining. This will be sorted list!


Wonder Woman 1984 brings one of comics’ most iconic, least plausible looks to life
Share this story
by Susana PoloMost superheroes are famous for changing up their looks, and one of Wonder Woman’s legendary outfits is front and center in the new trailer for Wonder Woman 1984.
Sure, the Champion of the Amazons has changed up her duds — from culottes, to skirts, to hot pants, to pants, and back — but we’re not talking about the usual star spangled armor. Wonder Woman 1984 is bringing the golden eagle armor to the big screen:
Sharp-eyed fans of the Amazonian guessed that the new suit of gold armor seen on the first poster for Wonder Woman 1984 might be the eagle armor, sans wings or helmet, but now we know. The final shots in the trailer feature Diana in the full outfit, which apparently has easily sheddable wings. Here’s a look at it with the wings attached:
Though rarely worn, Wonder Woman’s eagle armor has appeared in multiple DC Comics, where it looks almost exactly like the version in the movie: Bright gold, big metal wings, and a helmet shaped like the head of a bird of prey. For something so seemingly gaudy and impractical, its origins can be traced back to an artist primarily known for his photorealistic style: Alex Ross.
Ross designed the look for he and Mark Waid’s Kingdom Come miniseries, set in a potential future of the DC Universe. The design was so striking that it just had to make its way into the comics, of course.
The wings are designed to stand up to other Amazon warriors, and, in settings where Wonder Woman doesn’t have an innate flight power (which often fluctuates), the armor allows her to soar like an ... well, you get the idea.


This guide will help you correctly install Taiga UI
We use LESS as CSS
preprocessor for our library. If you make a new project, you can
choose it by default with --style less
flag.
styles.less
. It adds global classes and CSS
variables
You can also add a set of our mixins and
LESS-variables to use it in your LESS files
angular.json
. It adds global classes and
CSS-variables
It is not a regular case, but if you need to use our LESS-mixins or LESS-variables, you can add additional LESS-styles for your component
Angular resolves it automatically
tui-root
. Import TuiRootModule
in your
main module.
Wrap all content of your app with root component
Note: yourwindow
will no longer scroll. To control
scrolling when modal dialogs are shown,
tui-root
tag will be topmost scroll container.
TUI_ICONS_PATH
token with a function that gets icon
name and returns path to it.
First of all, add icons into assets of your app:
Then you should provide path with a token:
Install it:
Add polyfill to
APP_BOOTSTRAP_LISTENER
of your app
Internet Explorer also does not support native
SVG
inlining. Taiga UI icons will be automatically
downloaded and inlined directly into DOM. However, Angular
Sanitizer
removes SVG
code in that
case. To use custom sanitizer that properly supports
SVG
provide TUI_SANITIZER
token. We
recommend you using our library
ng-dompurify
to properly sanitize code with
DOMPurify


Are you looking for a show, concert, or sporting event? Check these out!
Save on some unique gifts and services!
You hungry? We got you covered! Check out these restaurants!
Treat yourself! Move, relax, and rejuvenate.


| Product Name | Units In Stock | Price | Units On Order | Reorder Level |
|---|
| Chai | 39 | 18 | 0 | 10 |
| Chang | 17 | 19 | 40 | 25 |
| Aniseed Syrup(Selected) | 13 | 10 | 70 | 25 |
| Chef Anton (Alt Selected) | 53 | 22 | 0 | 0 |
| Chef (Selected+Hover) | 0 | 21.35 | 0 | 0 |
| Gran (Alt Selected+Hover) | 120 | 25 | 0 | 25 |
| Uncle Bob's Organic Dried Pears | 15 | 30 | 0 | 10 |
| Northwoods Cranberry Sauce | 6 | 40 | 0 | 0 |
| Mishi Kobe Niku | 29 | 97 | 0 | 0 |
| Ikura | 31 | 31 | 0 | 0 |
| Name | Team | Active Projects | Salary | On Vacation |
|---|
|
Currently active projects: 2 |
|||||
| Employee 0 | Team 0 | 2 | 1429 | True | |
| Employee 4 | Team 1 | 2 | 2915 | True | |
| Team size: 7 | Total: X | ||||
|
Currently active projects: 5 These people work on too many projects |
|||||
| Employee 1 | Team 1 (Hovered) | 5 | 2307 | False | |
| Employee 2 | Team 2 (Selected) | 5 | 4225 | True | |
| Employee 3 | Team 0 (Selected and Hovered) | 5 | 4593 | False | |
| Employee 5 | Team 2 | 5 | 2906 | False | |
| Team size: 18 | Total: Y |


Accesskeys
{{key_name}}
{{key_name}} accesskey
Manage settings of accesskey {{key_name}}
Accesskey
Key Name
A unique key name that also forms the user login ID for all requestes authenticated by this key
Scopes
The resource scopes this accesskey is allowed to access
Description
A brief description of this access key, which ideally explains why this access key was issued.
Save settings
Revoke access key


This page is for user feedback about try/unless syntax, and maybe some other comments.
With the def/unless syntax it's not clear where the unless part will jump out. Maybe something along the lines of:
try {
def f = open_file ();
dont_catch_here {
use(f);
}
} catch {
| _ : Exception => ...
}
But what to use instead of dont_catch_here?
Pawel: Naah. This is starting to look like CIL code.
How about something like:
attempt (f = File.OpenText(fileName)) {
def s = f.ReadToEnd();
f.Close();
s + Collect(rest)
}
unless (_ : Exception) {
Collect(rest)
}
(using the example from the blog)
and a macro to implement it:
macro AttemptUnless(tryexpr, unlessexpr, ex: funparm, thenexpr)
syntax("attempt", "(", tryexpr,")", thenexpr, "unless", "(", ex, ")",
unlessexpr) {
match(tryexpr) {
| <[$(nm: name) = $attempt]> =>
match(ex) {
| <[ funparm: $(ex: name): $ty ]> =>
<[
def $(nm: name) =
try { $attempt }
catch { $(ex: name): $ty => null}
if($(nm: name) != null) {
$thenexpr
}
else {
$unlessexpr
}
]>
| _ => Message.fatal_error("oops")
}
| _ => Message.fatal_error("d'oh!")
}
}
Could almost certainly be made more robust by someone who groks the macro system better than me, and the error messages definitely need improving, but from a quick bit of testing, it seems to basically work. (and rejigging the syntax should be fairly easy, once everyone who matters can decide on which one works best... i was thinking about making it something like attempt {...} unless (...) {...} then {...}
, which might work better if the 'then' part is very long (since otherwise the exceptional behaviour gets kind of lost down below everything else (although that's already the case with try... catch
, so i'm not sure how much it really matters))) -- MikeRoome
(Mike: thanks for nice feedback and showing us some macro code :) )
My (Kamil's) proposition:
try (def f = File.OpenText(fileName))
catch {
| _ : Exception => Collect(rest)
}
do {
def s = f.ReadToEnd();
f.Close();
s + Collect(rest)
}
It has two advantages - no new keywords, there is less confusion about
semantics and the question if do
is executed after or instad of
unless
. The disadvantage is that we place catch part before
do part (or maybe it is also advantage?).
Well, the different keywords were just because i implemented it as a macro, and the with the current system it wasn't possible to make it use the existing keywords, so i just used the first word i could think of that meant roughly the same thing. As for the catch being before the do, i think that's probably an advantage, overall, at least in the common case (catching a single exception, then doing lots with the object if the allocation succeeded). I think i'd prefer try(...) unless {...} do {...}
, though, since at least to me, it expresses the intent better (try this, then unless this happens, do this). Having the exception handling bit be a proper block is definitely a good idea, since it would allow you do filter and do different things on different types of exception, which could be extremely useful in some circumstances. I unfortunately couldn't work out how to do that, though - quoting
<[ $ex : $type => $handler ]>
just threw errors at me when it hit the =>
operator (any advice for dealing with the various different syntactic bits in macros would be more than welcome, though :) maybe there should be a wiki page for MacroTips, or something?).
(For futher discussion, especially questions about macros, let us move to the mailing list. Let us keep this page as quick summary for ideas)


6.1. GeoTools Feature Types¶
A SimpleFeatureType
defines a GeoTools schema, and consists of an array of well-known attributes. GeoMesa
supports all of the standard GeoTools attribute types, as well as some additional ones. When creating
a SimpleFeatureType
for use in GeoMesa, be sure to use the provided classes, instead of the standard
GeoTools DataUtilities
:
import org.locationtech.geomesa.utils.interop.SimpleFeatureTypes;
SimpleFeatureTypes.createType("example", "name:String,dtg:Date,*geom:Point:srid=4326");
import org.locationtech.geomesa.utils.geotools.SimpleFeatureTypes
SimpleFeatureTypes.createType("example", "name:String,dtg:Date,*geom:Point:srid=4326")
6.1.1. Available Types¶
| Attribute Type | Binding | Indexable |
|---|---|---|
| String | java.lang.String | Yes |
| Integer | java.lang.Integer | Yes |
| Double | java.lang.Double | Yes |
| Long | java.lang.Long | Yes |
| Float | java.lang.Float | Yes |
| Boolean | java.lang.Boolean | Yes |
| UUID | java.util.UUID | Yes |
| Date | java.util.Date | Yes |
| Timestamp | java.sql.Timestamp | Yes |
| Point | com.vividsolutions.jts.geom.Point | Yes |
| LineString | com.vividsolutions.jts.geom.LineString | Yes |
| Polygon | com.vividsolutions.jts.geom.Polygon | Yes |
| MultiPoint | com.vividsolutions.jts.geom.MultiPoint | Yes |
| MultiLineString | com.vividsolutions.jts.geom.MultiLineString | Yes |
| MultiPolygon | com.vividsolutions.jts.geom.MultiPolygon | Yes |
| GeometryCollection | com.vividsolutions.jts.geom.GeometryCollection | Yes |
| Geometry | com.vividsolutions.jts.geom.Geometry | Yes |
| List[A] | java.util.List<A> | Yes |
| Map[A,B] | java.util.Map<A, B> | No |
| Bytes | byte[] | No |
<IP_ADDRESS>. Notes¶
- Only a single geometry-type attribute may be indexed. It will be included in the primary spatial and spatio-temporal indices.
- The primary date-type attribute will be used in the spatio-temporal index. It may also be indexed separately in an attribute index.
- Non-geometry types (including dates) may be indexed as separate attribute indices. For details, see Attribute Index.
- Container types (List and Map) must be parameterized with non-container types from the above table.
- List types may be indexed, but querying a list type may be slow due to deduplication.