-
4 Poems
by Beyza Ozer on March 19, 2016
AT THIS MOMENT IN TIME I HAVE 635 FRIENDS ON FACEBOOK
i'm tired of
falling in & out
of love with people
every single nightthere are only so many ways
to show what side of the lake you're onI'D RATHER BE BEAUTIFUL THAN MALE
"The moon is trans.
From this moment forward, the moon is trans.
You don’t get to write about the moon anymore unless you respect that.
You don’t get to talk to the moon anymore unless you use her correct pronouns."
- joshua jennifer espinoza& when the big dumb moon fell into our bed
i was right in the middle of telling you
about how i would like to coach your favorite baseball team
& after she fell into our bed
the moon asked about phases
why hers were called phases
& how scary that word is
you told her the sky
changes colors
turning blue & purple
like the body
she understood
kind of
& i told her
she's not ready for everything
that's okay
we're all okay
your light hits all of us
so we are all you
a small part of each of us
is the moon
& she's beautiful
i said we are all the moon
& we are all butterflies
who think living for a day
is living for a lifetime
even though some of us
can't keep going
especially after seeing our naked bodies
& the first time i looked
into the mirror after cutting my hair
i was finally beautiful
just kidding
i have always been beautiful
the moon swore she heard someone crying
outside of our window
we ignored it
she said i think we should really check on them
& i said we're always feeling glaciers moving
at the bottom of our stomachs
i said this to no one in particular
so then the moon asked me
when i started wearing glasses
& at this point
you had gotten out of bed
to get some water
so you didn't hear this part
but i said
i can remember when my dad started wearing glasses
but not my mom
my mom can't really see me anymore
& then the room filled up with air
the kind that fills up rooms
before it rains
the moon asked me
if i ever experienced
a major death in my family & i said
no
can we go back to talking about how beautiful you are
can we go back to talking about all the love poems
i tried to write for each bridge i've walked over but never did
can you watch me foam at the mouth with every cloud
that ever existed
but slowly disappeared
& then you came back into the room
but it was too dark so i didn't notice
& continued to tell the moon about the time my astronomy professor
told my class that we were never supposed to be here
& how us being here
alive on earth
is the same probability of winning the lottery 100,000 times
how fucked up is that?
& then i had to leave the room because i needed to cry in the rain
so i'm not sure what you & the moon talked about which is fine i guess
i just want to know
will you please stop leaving all the photographs in the fridge?
pressing the buttons on a camera makes strawberries
according to a four year old
who is taking pictures of beautiful things
with a camera that doesn't work
& before the moon left
she made everything quiet for us
so we could hear the universe's slow hum
i could imagine the weather
on the day every person i know was born
the first day of K's life was probably the only day in october
that held rain
because she's always crying
& i'm always feeling reflections of rainbows when she laughs
i told the moon this
& she said thank you
& turned me into stardust while you were pulling out
your eyelashes unintentionally
she climbed back into the sky
with a sign the read
the inverse of you
is the universe
i know that's not always enough3.
please stop being beautiful in front of me because it is very hard to live when you are right next to a person, a beautiful one, like yourself.
4.
here is a love letter to my body / thank you for fixing me up when I fall on a hard sidewalk & also fuck you for making me cry in every single bathroom / this is starting to get beautiful / & fuck anyone who thinks saying the word beautiful in a poem is wrong / this is a poem for the beautiful people who have felt like they were wrong / for everyone who still has caterpillar skin watching butterflies laugh around them / butterflies so light they can land on a person's nose / yeah / a nose / for everyone waiting patiently to be able to fly / clothes aren't gendered so why don't you go fuck yourself / i'm waiting for different colors to turn into me
-
For an arm to break, an elbow to bend
by Guy Melvin on March 19, 2016
Something floats along my eye, its gone now
Something floats along the Eagle Nebula
This object’s light diffuses across the memory of a long night
It can be seen reflected in the waxed linoleum floors of
The (now closed) Pathmark off North Broad Street
Turn off the florescent lights, then imagine
Gliding across the Pillars of Creation in a
Chrome shopping cart
Back on earth, dust will fill the shadows of my hands
As the two form prayers
Underneath a clinic’s unassuming drop ceiling
Riding the bus, thinking about rough knuckles,
Hairy pits, and morning breath
Rereading messages, occasionally
Looking out the windows/imagining the self
Something unrealized but fulfilling
“No answer, except acceptance” – they say to me as I walk out
Any minor gloom will turn the slim comfort of this
Distracting peasouper into a bed without pillows
So memorize the expression I make before saying “maybe”
As sand shoots up into the mesosphere, becomes glass,
And rains back down
Capture the smell of this world ending in fire and remain cautious
Of shiny, yet sharp, things that only mirror the worst angles
-
Portrait of Lisa by Fancis Bacon
by Jessica Rhodes on March 19, 2016
yesterday i spent so long on the toilet that the sensory light switched off n all i could see was the colour black_
like that night we rode our bikes down the road between the thicket n it was like we could have kept riding n riding for the longest time n not have been anywhere, like what happens after you dien it was so black i might of heard the wheels turn on the gravel, or your shallow cycling breaths, or the air conditioning, or a dripping tap, bare bottomed and the toilet bowl, or denim and a bike seat, or a duvet, or a womb, or Lisa
-
Oxosse sea krait (Thai Snake Bite)
by Phil SaintDenisSanchez on March 19, 2016
i.
i remember that brain melting
boy that brain bursting
but that was not like this
my blood being blessed
by the tiny rivers the conduits ride between
the earth and the world right next to it and the worlds right next to it
burn holes to flow through all of them
all ride rivers of
neurotoxic elixirs, love, these hemotoxins in my heart
run through me like
oceans don't flow
they twist and oscillate and dragpull all the fibers
in you
stretch like string fields bend light
priest, priestess
i bang these stars slow motion out my eyes for you
irises lost in this tide
i'm absorbing all the light and everything that comes with it
if you knew what it was like being this close to the edge of a waterfall
beating this hard
you wouldn't speak
it all ends up in the final water body
every olive sea krait that glides
just a connector to another place and another place and another place
live coral reefs open to something else
these Thai warriors touch knee to solar plexus
fangs to blood vessels
send lightning through chests
to awaken
i can see what that awakening would look like if i stayed or if i went
from here
those west lips want to taste me in the sunset
not the way i wanted you burned holes through me
this path to the skyline isn't like
the boys left with big windows in their bodies
i saw it happen when i was nine
blood those swamp bullets blow a man wide open to the sun
(when i was ten my brother fell from the sky and broke his skull)
not the same way the French are always so alone in cafés with their friends and in movies
and i left you in that bar by yourself in Montreal with your family
i still have poison in me from that night: the who was i and the how could i that won’t leave
but that bite
bent me backward over my spine
back around sacral
ii.
you walked toward me so tentatively
(the cervical balances the big egg brain so perilously)
said you would pounce on my scare if you ever saw it,
glimpsing it almost never
it's always there for you,
it's always there for you,
it catches light in a different way since i don't fear the fire
i was ready for the injection
every initiation is a death
all the angels bring you back with coconuts
iii.
priest, priestess
these stars that i bang out my palms for you
explode as questions
what happens when all the little deaths converge into one big death
is it the same but grander
does the flame flicker in the cosmic socket and not return
what do you want to know
all the poets today are afraid to sing stories
i’m just here to
answer sphinx questions
feel stone give way to windsands
even in paralysis this throb tilts my axis back towards the other pole
we pretend eros is just in one place
but it’s everywhere
woven into all that pulls
death has a magnetism
that can rob me of my faces and my phrases if i get too close
these aren’t just words
i’m right here
walking the xyst
through the black garden
transmitting across the full bandwidth to anything that can listen
THIS IS NOT MY PLACE YET
i have language snaking through double helixes and songs¹
a bursting heart pumping them out into the ocean
new freedoms to give/ideas to kill
what is really me starting to perfuse timeless lips
inexorably wet like when you have no choice but to start a family
i can see the waves of my mother’s scream when she lost her first son slipping away
she can’t scream again for her second
death doesn’t stand still
it pulses and storms and diffuses through the walls until
everything is soaked
it promises to free that slow lightning on rotation on your radio every day
i’m not a soothsayer
but bodies were constructed for these transmissions they don’t contain them
and the avenues of my brain are widening
for the second lining² in the streets that follows the grand boom
celestial static then trumpets ride that bass drum
_________
¹ “Nobody sings anymore.”
-Amiri Buraka
² “they don’t dance no more”
-Goodie Mob
-
be without be without be without [ii]
by Faye Chevalier on March 19, 2016
(now) amid
falling blackbirds
and seeming-flights
from my mother’s car
to the garage door,
i will not recall
whether i walked
or crawled.


Compile a RequireJS Project to a Single File
Splitting all your JavaScript code into modules and loading them with RequireJS makes for a warm and fuzzy development experience. At some point though, I'd like to deliver a single file with all the dependencies included. The biggest reason being that HTTP requests are expensive and by lazy-loading all your tiny modules, RequireJS makes a lot of them.
There's an optimizing tool for RequireJS called r.js. You can use it to minimize and concatenate your code. The documentation is in a few places and I had a bit of trouble getting it to do what I want. IMHO the best source of info after the basic stuff is the example build file with all the options explained. For installation instructions just check out the documentation.
In this tutorial I'm going to walk you through my build file with a few added comments. Except for a few dirs omitted for brevity, my project structure looks like this:
├── README.md
├── app
│ ├── libs
│ ├── main.js
│ ├── models
│ ├── require.js
│ ├── templates
│ └── views
├── build.js
└── package.json
All the code is in app and external dependencies are in app/libs. The build.js file looks like this.
({
baseUrl: 'app',
out: 'build/main.js',
Your paths will be relative to the baseUrl so it makes sense to make this the app folder as all the files there. Specifying the out parameter tells r.js that you want everything in one file. The alternative is specifying dir in which case the contents of your app folder are copied into that dir.
A few options like appDir, dir and modules are incompatible with out aka compiling to a single file so don't use those.
include: ['libs/almond', 'main'],
wrap: true,
Usually, you would use the name parameter to specify your main module but we're using include here because we're bundling the almond loader as well. Almond is a much smaller and simpler AMD loader that makes sense in our case because we're not loading modules dynamically.
The include parameter is an array specifying which other modules to include in the build. When we specify the "main" one, r.js traces all other modules that main depends on and includes them.
Wrap, unsurprisingly wraps module requires into a closure so that only what you export gets into the global environment. To be honest, I don't really need this but if you're bundling a widget or something someone will use with a lot of other stuff I guess it's a good idea.
exclude: ['coffee-script'],
stubModules: ['cs'],
I use CoffeScript for development and compile files in the browser. This is obviously slower than it needs to be for production so we exclude the compiler module and "stub out" the cs loader plugin. This results in all coffee files being compiled to JavaScript and inlined.
paths: {
backbone: 'libs/backbone-amd',
underscore: 'libs/underscore-amd',
jquery: 'libs/jquery',
cs: 'libs/cs',
'coffee-script': 'libs/coffee-script',
text: 'libs/text'
}
})
The rest of the file is a standard paths configuration.
Finally to compile, run:
r.js -o build.js
And your compiled project should be in build/main.js.
A sincere thank you to James Burke for reviewing this post.


THE CONTENDER RATING: 7.5/10 --> Very good movie
For more reviews and movie wallpapers, visit http://www.joblo.com/
This little preamble doesn't have much to do with the film at hand, but I just thought it was strange how three of the main actors from this film, were also three of the main actors from 1988's TUCKER: THE MAN AND HIS DREAM. A fine film in its own right and probably the best film that Francis Ford Coppola has directed in the past 15 years. Jeff Bridges played the president here and Tucker in the latter film. Joan Allen is vying for the vice-presidency here, and played Bridges' wife in the other film. And the young Christian Slater played Bridges' son in TUCKER, and a congressman in this one. While both films are indeed inspirational, I would recommend TUCKER to anyone who wants to see a real-life tale of a man pursuing his dreams through an enormous amount of adversity.
PLOT: The president of the United States must choose a new vice-president to replace the previous one who died.  That adversary attempts to discredit the nominee by digging up all of her past improprieties and bringing them to the political forefront. Political clashes ensue.
CRITIQUE: A solid political film which to my surprise, moved along at a speedy pace, offered many strong performances, especially the incomparable Gary Oldman, and provided great entertainment. This movie seemed to have it all packaged and ready to deliver. An interesting and timely story line, debating the personal nature of a politician's private life versus the American public's "right to know". Twists and turns which I personally did not see coming, but Mrs. JoBlo somehow did. Notable direction by Rod Lurie who admirably took an extremely politically charged screenplay and turned it into a fascinating drama, all without bogging it down in overripe political movie jargon. He even spiced the whole affair up with perfect touches of humor throughout. Who knew the president could be so loosey-goosey behind the scenes, but gosh darn it, I bought it all with this film! But the true tip of the cap goes out to the entire cast of this movie and the characters whom they chose to inhabit. I loved them all.
Gary Oldman has always been one of my most favorite actors, a man who can literally change his entire physical being to "become" someone else. In this film, he completely personifies this character, creating a man who can only be described as memorable beyond belief (he even managed to make him irritating while chewing on a piece of meat...grrrr, stop making all that noise, you bastard!). But he's not the only pearl in the bunch. More kudos go out to Sam Elliott, a man not known for taking parts in "big" movies, but certainly perfect as the president's right-hand man in this one. In either case, I would be somewhat surprised not to see them nominated at the year end recognition of talent awards. Joan Allen also drives home the intensity, sensitivity and unshakable convictions of her character, while Jeff Bridges surprises all as the amiable, yet shrewd president of the United States. Although I could have done without the bombastic score during his final sermon...I mean, speech. And yes, even Christian Slater worked as the up-and-coming congressman looking to make something of himself. All in all, I thoroughly enjoyed this film and especially its noteworthy performances. If only this year's real-life candidates were even half as interesting any of the main characters in this film... :)
Review Date: October 11, 2000 Director: Rod Lurie Writer: Rod Lurie Producers: Willi Bär, Marc Frydman, James Spies, Douglas Urbanski Actors: Joan Allen as Laine Hanson Gary Oldman as Shelly Runyon Jeff Bridges as President Evans Genre: Drama Year of Release: 2000 ------------------------------------ JoBlo's Movie Emporium http://www.joblo.com/ ------------------------------------ (c) 2000 Berge Garabedian
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
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Tue, Apr 22, 2003
My Dad, a long-time draftsman in a civil engineering firm in Fargo, ND, had this to say about manhole covers:
"It's like this. Sanitary manhole covers are usually round (and solid, i.e. VERY heavy) but Storm sewer manhole and Inlet covers are usually square or rectangular grates which let water in. The deciding factor is where they are placed relative to the curb line. All covers are actually installed on a concrete generic 'Mexican Hat' structure which can be centered or offset to one side. The structure fits on the round concrete casting (5' - 8" diameter) and can be made to accept any solid or grated casting. If this part of the world, where river flooding is fairly common, Sanitary manholes and lift stations are either raised above potential flood limits if possible or sealed and bolted shut, making them much more difficult to open. It's also a very good idea to vent Sanitary manholes and lift station with a portable fan to avoid being overcome by methane and other gasses trapped in them."
Anyone wonder where I got it? : )


Teddy : A 3D Drawing Applet
Copyright (c) 1999 Takeo Igarashi
[
manual
]
(if this does not run, please install Java at
www.java.com
)


Your Aircraft Reliability, Starts Here! One Stop Solutions and Services for Aviation System
We offer customizability for every aviation industry needs, and every uniqueness processessin your organization. Some country has some different aviation industry regulation


Tabs can be added under the header within a div with the navbar-tabs
classes enabling the page content to be
positioned in the tab content and the tabs to function as part of the header.
A toolbar must appear inside a div.affix-container.toolbar
and can be placed inside the tab content.
Create a div.affix-toolbar
element which will contain all items in the toolbar. Add the affix-element
directive
to allow the toolbar to stick to the top of the page. In this example the affix-position
attribute has been
added to affix the toolbar just below the condensed header.
The navigation bar can be presented in various different ways. By default the navigation bar appears in the standard mode with no divider.
To change the navigation bar to use the integrated appearance add the integrated-tabs
class to the div.navbar-tabs
element. To add a divider to the navigation bar add the nav-divider
class to the div.navbar-tabs
element.
A menu-tab
can be added to the tab-bar by adding the menu-tab
class to the tabset. The menu-tab
directive is then added before defining the tabs.
The dropdown content is defined using the tab-menu-content
directive which will require the following properties:
The tabs are then created as normal with the headings matching the content from tab-menu-content
and the
hidden
class added to any tabs which will be displayed in the menu
Below is a sample of the code:


We need donations of new sweat pants, sweat shirts, t-shirts, athletic shorts, and flip flops. All donated clothing items must be new
click here for more information
OSH
Helping OSH


CHUCK & BUCK (Artisan) Starring: Mike White, Chris Weitz, Lupe Ontiveros, Beth Colt, Paul Weitz. Screenplay: Mike White. Producer: Paul Greenfield. Director: Miguel Arteta.  Reviewed by Scott Renshaw.
RAIN MAN was not about Dustin Hoffman's Raymond Babbitt. There are some who find the film overly sentimental, and others who consider Hoffman's Oscar-winning performance little more than a gimmick, but it's hard to argue that the basic structure of the story wasn't what it had to be. Tom Cruise's Charlie Babbitt was the central character, the person who grew and changed. Raymond couldn't be that character, because it's absurd to build a narrative around the idea that someone with a profound emotional/psychological condition can decide through a simple act of will to be better.
This lesson is offered to explain why CHUCK & BUCK, for all the quirky things it does right, is ultimately an experience somewhere between improbable and downright insulting. The troubled hero of our story is Buck O'Brien (Mike White, who also wrote the script), a man living in about as arrested a state of adolescence as you could imagine. Buck has never lived away from home, never been to college, never even held a job. He is therefore left adrift when his mother dies, and tries to fill the void by tracking down his childhood friend Charlie Sitter (Chris Weitz), known to him as Chuck back in the day. Charlie has moved on to a life as recording industry executive in Los Angeles with a beautiful fiancee named Carlyn (Beth Colt), but Buck just wants to play the way they did 15 years ago. And he's determined to recapture that friendship, even if it means moving to Los Angeles and stalking Charlie to do it.
There's a lot of interesting stuff built into the premise, including a not-particularly-twisty twist that still generates a bit more interest in the Chuck/Buck dynamic. White's performance as Buck is pitched just right, somewhere between endearing and creepy in his striped T-shirt and perpetually Blow-Pop-stuffed grin. Director Miguel Arteta's choice of digital video seems an ill-advised one dramatically -- why heighten the immediacy and realism of a story centered around somebody's fantasy world? -- but the technology and hand-held movement are rarely distracting. Throw in an infectiously innocuous theme song to set the tone, and you've got the raw material for some solid whacked-out drama and dark comedy.
And that raw material is left to rot. CHUCK & BUCK could have been turned into a wonderfully grim tale of go-getter Charlie having to deal with childhood events he's tried to forget being thrust back into his face.  He's merely a target of obsession, carelessly created because White never intends for the story to be about anything but Buck. When that story turns to Buck's introspection about his life, and actions he begins taking when he faces some hard truths, it's enough to make a jaw drop in disbelief. CHUCK & BUCK's resolution is centered around the idea that 15 years of juvenile infantilism are as easy to toss off as a striped T-shirt.
CHUCK & BUCK's saving grace is a sub-plot that ultimately has little to do with the ostensibly main plot -- Buck's attempt to mount a production of a play he has written about his childhood friendship, called HANK & FRANK. There's some wonderful interaction between White and Lupe Ontiveros (superb as a children's theater house manager given her first chance to direct), and some funny stuff from Paul Weitz (Chris's brother, playing the incompetent actor Buck chooses for "Hank" for his resemblance to Charlie). A short film entirely about the play within the play might have been great fun, unburdened by the need for grand third-act shifts of character. CHUCK & BUCK sinks thanks to a fundamental misunderstanding of how to structure a plot with a plausible character arc. It's like Raymond and Charlie Babbitt walking into the sunset arm in arm, after Raymond decides he just doesn't want to be autistic any more.
On the Renshaw scale of 0 to 10 child therapies: 5.
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The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Related links: index of all rec.arts.movies.reviews reviews


|
Dutch SchultzThe Dutchman was not Dutch, nor was he particularly charismatic. Born Arthur Flegenheimer, Schultz was the product of German Jewish parents. At 17, Flegenheimer was arrested and convicted of burglary. He was sent to Blackwell's Island for one year. When he was released the next year, he returned to his old neighborhood and demanded to be called "Dutch Schultz," the nickname of a notorious young gangster from the late 1800's.As a street tough, Schultz was vicious and impulsive. He could go from 0 to psycho in three seconds flat. But this quick temper and seemingly wild behavior did not extend to his finances. Dutch paid his men paltry sums, and asking for a raise could quickly send him into a violent fit. By 1928, Dutch owned the Bronx lock, stock, and keg. He owned the protection rackets, the numbers games, and the bootlegging therein. His services were not optional. If you ran a speakeasy in the Bronx, you bought your booze from Dutch, or else. The first real challenger to find out what else meant was Joe Rock, a night club owner. When he and his brother, John, decided to play hard ball with Schultz's crew, Schultz sent his underpaid gorilla's over for a chat. Joe Rock was beaten senseless, then hung from a meat-hook by his thumbs. Schultz then produced a gauze bandage that had been schmeared with gonorrhea puss. The bandage was tied around Joe Rock's eyes, and he was left dangling in a warehouse. Shortly after the incident, Rock went blind. Schultz's next instance of germ warfare came during a meeting amongst the New York dons in 1930, while Schultz was down with a terrible case of the flu. During the meeting Joe Adonis, another local gangster, was holding up the proceedings by primping himself in front of a mirror. After he'd spent considerable time dilly-dallying, Schultz is said to have leapt on Adonis, placed him in a headlock, and coughed all over his face. Adonis came down with the flu soon after.
What is it Good For?The Dutchman did not play well with others. He controlled Harlem and the Bronx by himself, and didn't share a dime of the profits with anyone else. This irritated the fledgeling Syndicate, but Schultz's power was not easily revoked. So Lucky and the Syndicate bided its time.Anyone who tried to muscle in on Schultz's territory was quickly dealt with. The many turf wars that broke out between 1929 and 1933 usually ended with Schultz and his cronies holding empty revolvers. When Jack "Legs" Diamond was thought to be hijacking Schultz's whiskey trucks, he was pumped so full of lead that the press dubbed Legs "the Clay Pigeon of the Underworld." When asked about the murder, Schultz told reporters that "Diamond was just another punk with his hands in my pockets." The only gang to really make headway against Schultz was Vincent Coll and his small band of Irish psychopaths.  Rao escaped unharmed. Coll continued to attack Schultz's men for two years. It's tough to tell how many murders actually occurred because of this conflict: the Castellmarese wars were going on at the same time, and New York was awash with gangster blood. Coll was eventually gunned down in a phone booth by Schultz's men. Eventually, Schultz became wanted by the IRS and had to cook the betting books in order to stay afloat. To do this, he hired Otto "Abbadabba" Berman, an accountant gone bad. Together, they manipulated the betting game to increase the odds in favor of the bookies. After Berman took over the books, Schultz's bookies almost never paid out. In 1933, Schultz is thought to have pulled in between 12 and 14 million dollars. Despite Otto's wizardry with the numbers, Schultz refused to pay him well. Abbadabba had to threaten to quit before Schultz finally raised his salary to $10,000 a week.  In 1933, the state of New York indicted Schultz for tax evasion to the order of $92,103.34. The Dutchman remained on the loose thanks to many bribes and favors, but in November of 1934, he finally turned himself into the authorities. The first trial was held in Syracuse. Schultz's lawyers made no secret of Dutch's illegal activities, even placing him on the stand and asking him to describe his bootlegging operations and numbers rackets. But the lynch pin of the case was not his criminal activities: it was the fact that Dutch made all his money illegally, and illegally gotten goods cannot be taxed. The jury came out hung, seven to five. The following trial was moved to Malone, New York. Dutch moved into town a month before the trial and coated the place in green. He bought every round for nights on end at the local bar and made friends with the town's mayor and Sheriff. When the trial opened, his lawyers immediately referenced Dutch's attempts to pay off the government with $100,000. The government had refused, and that was simply because they wanted to harass poor Dutch. The jury found him not guilty. The judge was flabbergasted.
More!Upon his return to polite society, Schultz began infiltrating the New York restaurant workers unions. By having his cronies run for elected union offices, stuffing ballot boxes, and roughing up union delegates already in positions of power, Schultz's men quickly gripped the city's eateries in an iron grasp. Gorillas cajoled restaurant owners into signing contracts stating that they would pay the racketeers protection money of their own free will. It's rumored that even Jack Dempsey, legendary boxer and restaurant owner, signed one of these contracts.In addition to annual dues, restaurants were forced to pay extortionist association fees. Anyone who refused was hit with a strike from the waiters union. The genesis of this racket was provided by Jules Martin, a sometime gangster and full time greasy spoon owner. Schultz and Martin remained in business together until 1935. That year, Schultz called Martin into his hotel room and accused him of stealing $70,000 from the restaurant association's bank account. After a few slaps to the face, Martin admitted to having taken $20,000. Schultz immediately drew his gun, stuffed the barrel into Martin's mouth and pulled the trigger. Afterwards, the body was removed from the hotel, taken to a snow drift and stabbed 12 times. Schultz is reported to have cut the man's heart out.
Cheap bastardFor all his income, Schultz did no favors for the Jewish stereotype. Said Lucky Luciano of the Dutchman, "Schultz was one of the cheapest guys I ever knew, practically a miser." Luciano was a flashy gangster, who dressed to the nines, while Schultz always wore cheap suits. Schultz himself once said, "Personally, I think only queers wear silk shirts... I never bought one in my life. A guy's a sucker who spends $15 or $20 on a shirt. Hell, a guy can get a good one for one or two bucks!"District attorney for New York, Thomas Dewey, had a personal vendetta against Schultz, especially because due to his escaping conviction in the Malon trial. Dewey built an excellent case and backed the Dutchman up against a jail term. Schultz went to Murder Inc. Albert Anastasia handled the job personally, scoping out Dewey's apartment and preparing a plan. But before he returned to the Dutchman, he went to see Lucky Luciano and Meyer Lansky. They decided that killing Dewey would bring too much heat on the fledgeling Syndicate. Schultz was pissed. He'd off Dewey himself, he raged. It was the evening of October 22, 1935. On October 23, Schultz, Abbadabba, and some compatriots were dining at the Palace Chop House in Newark New Jersey. Outside, a car carrying Charlie "The Bug" Workman, Emmanuel "Mendy" Weiss, and the enigmatic "Piggy," pulled to a stop and sat idling. Workman entered the Chop House and casually strolled into the men's room. There, he found Schultz pissing into a urinal. Workman fired only two rounds, one of which caught Schultz in the side, dropping him. Workman then opened fire on the three Schultz henchmen in the restaurant proper. While this was happening, other members of Murder, Inc. were running all over Manhattan removing Schultz's boys from this mortal coil.
Commence Babbling!Schultz was taken to Newark Hospital and held onto life for another day. Towards the end, he asked for a a Catholic priest.  As time passed, Schultz became incoherent and began blabbering crazily. Police assigned a stenographer to write down everything he said right up until he died at 8:35 PM on October 24, 1935.Before he died, Schultz uttered some very strange monologues. Some choice quotes from his final hours follow:
George don't make no full moves. What have you done with him? Oh mama, mama, mama.  Sure, sure mama.  Please oh papa. What happened to the sixteen? Oh, oh, he done it, please. |


{% extends app_template %} {% block pre_content %} Setup Getting started with Primer is quick and easy. {% endblock pre_content %} {% block feature_nav %}
Getting started with Primer is quick and easy.


{#
CATEGORY LISTING: WORK IN PROGRESS
Notes: 1) Setup Categories and Category Group based on Wine Types on Craft CMS
2) Create reusable component
#}
{# Create a new category query #}
{% set myCategoryQuery = craft.categories() %}
{# Fetch the categories #}
{% set categories = myCategoryQuery.all() %}
YOU MIGHT ALSO LIKE
{% for wine in craft.entries.section('wines').relatedTo(categories) %}
{% set assetsCat = wine.wineImage.all() %}
{% if (wine.wineType.one() == type.title) and not (wine.title == entry.title) %}


Thanks for trying out BrowseHandsfree! To enable handsfree browsing, please click the button below and leave the opened page running.
Thanks for trying out BrowseHandsfree! To enable handsfree browsing, please click the button below and leave the opened page running.


It has been suggested to me that I ought to transfer the vast Hooting Yard Archive 2003–2006 into this blog format so that readers can skip happily about tracking down their favourite items with ease. That sounds like a job for a factotum. [That would be us —Hooting Yard Archivists] Is it possible to be one's own factotum? While I ponder such an imponderable, I may post a few orts and scantlings from the Archive here, in a whimsical manner. This, for example, which first appeared on Thursday 18th March 2004.


This game uses a 6 card decks which contains a total of 312 cards. The goal of the game is to get a hand that totals up as close to 21 as possible without going over 21. At the beginning of the game both the dealer and the player are dealt two cards. The dealer's second card is kept hidden from the player until it is the dealer's turn. On the player's turn the player has the choice to draw a new card (hit!) or end their turn with the cards they have. If a player or the dealer hits and their cards total to more than 21 they bust and their turn ends immediately. Kings, queens, and jacks are valued at 10 while aces are valued at 11 unless they cause the hand to bust - then their value changes to 1. If the player or dealer has an exact value of 21 in their hand they got blackjack and their turn automatically ends. To win the game you must not bust and you must have a hand total larger than anyone else left in the game. Enjoy the game!


Hello, My name is Tiffany Aihara and I am a freshman at University of California, Irvine. I am majoring in Computer Science. The language that I am currently learning is Python, but I do have prior experience in HTML and Javascript. Besides coding, I like to dance and draw. I am currently participating in the U.C.I's Spirit Squad which performs at the school and does community events. I also have an interest in game design. During the summer of 2016, I took a course at N.Y.U about programming and understanding games. Along with two other classmates, that soon became my friends, we designed a game that highlight our skills. My favorite food is tiramisu and my, current, favorite T.V show is Riverdale. I would like to continue my knowledge in computer science and learn more languages and skills that will help me succeed in the technology industry. CLICK HERE TO VIEW CODEPEN
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Add an email address to this system. This will create a new login username/password. (Use aliases to create email addresses that forward to existing accounts.)
Passwords must be at least four characters and may not contain spaces. Administrators get access to this control panel.


stplanr is a package for sustainable transport planning with R.
It provides functions for solving common problems in transport planning and modelling, such as how to best get from point A to point B. The overall aim is to provide a reproducible, transparent and accessible toolkit to help people better understand transport systems and inform policy.
The initial work on the project was funded by the Department of Transport (DfT) as part of the development of the Propensity to Cycle Tool (PCT). The PCT uses origin-destination data as the basis of spatial analysis and modelling work to identify where bicycle paths are most needed. See the package vignette (e.g. via vignette("introducing-stplanr")
) or an academic paper on the Propensity to Cycle Tool (PCT) for more information on how it can be used. This README gives some basics.
stplanr should be useful to researchers everywhere. The function route_graphhopper()
, for example, works anywhere in the world using the graphhopper routing API and read_table_builder()
reads-in Australian data. We welcome contributions that make transport research easier worldwide.
Data frames representing flows between origins and destinations must be combined with geo-referenced zones or points to generate meaningful analyses and visualisations of ‘flows’ or origin-destination (OD) data. stplanr facilitates this with od2line()
, which takes flow and geographical data as inputs and outputs a SpatialLinesDataFrame
. Some example data is provided in the package:
library(stplanr)
data(cents, flow)
Let’s take a look at this data:
flow[1:3, 1:3] # typical form of flow data
#> Area.of.residence Area.of.workplace All
#> 920573 E02002361 E02002361 109
#> 920575 E02002361 E02002363 38
#> 920578 E02002361 E02002367 10
cents[1:3,] # points representing origins and destinations
#> class : SpatialPointsDataFrame
#> features : 3
#> extent : -1.546463, -1.511861, 53.8041, 53.81161 (xmin, xmax, ymin, ymax)
#> coord. ref. : +init=epsg:4326 +proj=longlat +datum=WGS84 +no_defs +ellps=WGS84 +towgs84=0,0,0
#> variables : 4
#> names : geo_code, MSOA11NM, percent_fem, avslope
#> min values : E02002382, Leeds 053, 0.408759, 2.284782
#> max values : E02002393, Leeds 064, 0.458721, 2.856563
These datasets can be combined as follows:
travel_network <- od2line(flow = flow, zones = cents)
w <- flow$All / max(flow$All) *10
plot(travel_network, lwd = w)
The package can also allocate flows to the road network, for example through a link to the CycleStreets.net API.
Route functions take lat/lon inputs:
trip <-
route_cyclestreet(from = c(-1, 53), to = c(-1.1, 53), plan = "balanced")
and place names, found using the Google Map API:
if(!Sys.getenv("CYCLESTREET") == ""){
trip <- route_cyclestreet("Bradford, UK", "Leeds, UK", plan = "balanced")
plot(trip)
}
We can replicate this call to CycleStreets.net multiple times using line2route
.
intrazone <- travel_network$Area.of.residence == travel_network$Area.of.workplace
travel_network <- travel_network[!intrazone,]
if(Sys.getenv("CYCLESTREET") == ""){
t_routes = routes_fast
} else {
t_routes <- line2route(travel_network)
}
plot(t_routes)
Another way to visualise this is with the leaflet package:
library(leaflet)
leaflet() %>% addTiles() %>% addPolylines(data = t_routes)
For more examples, example("line2route")
.
overline
is a function which takes a series of route-allocated lines, splits them into unique segments and aggregates the values of overlapping lines. This can represent where there will be most traffic on the transport system, as illustrated below.
t_routes$All <- travel_network$All
rnet <- overline(sldf = t_routes, attrib = "All", fun = sum)
lwd <- rnet$All / mean(rnet$All)
plot(rnet, lwd = lwd)
points(cents)
To install the stable version, use:
install.packages("stplanr")
The development version can be installed using devtools:
# install.packages("devtools") # if not already installed
devtools::install_github("ropensci/stplanr")
library(stplanr)
stplanr depends on rgdal, which can be tricky to install.
The current list of available functions can be seen with:
lsf.str("package:stplanr", all = TRUE)
To get internal help on a specific function, use the standard way.
stplanr has many dependencies. These are designed to help make it fast, but may make it slow to install for the first time.
Its dependencies are plotted below using the minCRAN package:
dg <- miniCRAN::makeDepGraph("stplanr")
plot(dg)
stplanr
in R doing citation(package = 'stplanr')


AP Top U.S. News at 2:18 a.m. EST
by EndPlayMcDonald's CEO pushed out after relationship with employee
All evacuations lifted for Southern California wildfire
Airbnb bans 'party houses' after California shooting kills 5
US judge blocks Trump's health insurance rule for immigrants
Immigration looms over contested Minnesota school referendum
Flames, gear and risks of photographing California wildfires
Dow says no injuries from chemical plant blast in Louisiana
Illinois marijuana law aims to undo harm of war on the drug
AP-NORC poll: More support than oppose impeachment probe
Alaska governor cites Trump as he faces recall campaign


Berkeley DB: DbInfo::set_bt_compare
DbInfo::set_bt_compare
#include <db_cxx.h>
typedef int (*bt_compare_fcn)(const DBT *, const DBT *);
void DbInfo::set_bt_compare(bt_compare_fcn);
Description
Set the Btree key comparison function.
This comparison function must return an integer less than, equal to,
or greater than zero if the first key argument is considered to be
respectively less than, equal to, or greater than the second key argument.
The same comparison method must be used on a given tree every time it
is opened.
The data and size fields of the Dbt are the only
fields that may be used for the purposes of this comparison.
If no comparison function is specified, the keys are compared lexically,
with shorter keys collating before longer keys.
Class
DbInfo
See Also
DbInfo::set_bt_compare,
DbInfo::set_bt_maxkey,
DbInfo::set_bt_minkey,
DbInfo::set_bt_prefix,
DbInfo::set_cachesize,
DbInfo::set_compare,
DbInfo::set_flags,
DbInfo::set_h_ffactor,
DbInfo::set_h_hash,
DbInfo::set_h_nelem,
DbInfo::set_lorder,
DbInfo::set_malloc,
DbInfo::set_pagesize,
DbInfo::set_re_delim,
DbInfo::set_re_len,
DbInfo::set_re_pad
and
DbInfo::set_re_source.


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--- layout: post title: Why Riak and Node.js Make a Great Pair comments: true ---
In the last few years there has been a proliferation of noSQL databases. Searching on Google for site:news.ycombinator.com nosql
yields over 2,500 hits, many of which include include posts asking when you'd want to use a noSQL database. If you're used to a relational database it might seem like an unnecessary burden to learn another database paradigm, but there's one open source noSQL database that I think is not only worth the burden, but is a perfect fit for Node.js development: Riak (pronounced "REE-ack").
Riak-js makes storing JavaScript objects easy. There is no need to JSON.stringify()
a JavaScript object when saving it, or applying JSON.parse()
when retrieving.
In the above example, a riak-js client is created and a post object is created. The post object is saved into the 'posts' bucket, with its id as its key. To retrieve the post, the bucket and key are referenced.
Using JavaScript in the client, and the server are nice, and being able to easily save JavaScript objects is even better. Not having to switch between languages would certainly reduce annoying syntactic problems. This would also allow you to write the entire stack in JavaScript, CoffeeScript or ClojureScript, giving you several programming paradigms to choose from.
If you decided to use Backbone.js on the server, calling toJSON()
on a Backbone model would allow you to easily store the model in the Riak.
At this point you might be wondering why you’d want to use Riak when CouchDB also has a JavaScript interface and can do some of the above. As Damien Katz, the creator of CouchDB has pointed out, CouchDB is slow and can't "scale-out on it's own". In contrast, Riak was built for replication and scaling out. In fact, people at Basho, the company behind Riak, indicate that adding new nodes actually increases throughput.
Saving JavaScript objects and easy scaling are both good fits with node.js but Riak has some additional features, such as buckets and links, that make retrieval convenient. With buckets the following functions become possible:
```javascript Riak Buckets // Get all the posts within the posts bucket db.getAll('posts'); // Get all the posts with the title === 'a blog post' db.getAlll('posts', { where: {title: 'a blog post' }}); // Get the number of posts db.count('posts'); ```Another interesting property of Riak, is it’s concepts of links. A link establishes a "one-way relationships between objects in Riak". For instance, say we wanted to link similar posts the following would do:
```javascript Riak Links var aNewPost = {id: 18, date: new Date(), title: 'a second blog post', body: 'blog post about Riak part 2'}; // Save the second post, with a link to the first post db.save('posts', aNewPost.id, aNewPost, { links: [ {bucket: 'posts', 'key': 17 } ]}); db.walk('posts', '18', [{bucket:'posts',tag:'_'}]); // db.walk, traverses object 18's links, // which happens to be post 17, and returns them. ```While the above assessment is pretty rosey, Riak shouldn’t be the only database in your toolbox. Redis’ pub/sub and sorted sets are unmatched in Riak. If you’re running map/reduce over large datasets, you’re likely better off using Hadoop. Conversely if your already well-versed in SQL, and your data is relational, using Postgresql is probably a better fit. Despite those caveats being able to easily scale your database, and save JavaScript objects, is a pretty compelling reason to use Riak with Node.js


Deals: These Nintendo Themed Cushions Will Make For A Great Christmas Present
Beat the Christmas rush
by Nintendo Life StaffIt's a little bit scary to think that we're only six weeks away from Christmas. It's time to start thinking about what you're going to put under the tree for your loved ones and how loose your belt might need to be to fit in that lovely dinner. So, why not beat the Christmas rush and order your presents online with the knowledge that they'll safely arrive way before the big day? Cunning!
UK based retailer IWOOT has some terrific deals on officially licensed Nintendo goodies such as cushions, mugs and t-shirts - a potentially perfect gift for a loved one in your life who has a fondness for all things Nintendo.
Currently, IWOOT is selling the items below with 30% off the original price and free delivery. You can't say fairer than that.
Nintendo SNES Cushion Rectangular Cushion
Animal Crossing Square Cushion
Zelda Square Cushion
Super Nintendo Entertainment System Blueprint T-Shirt - Black
Splatoon Square Cushion
Super Mario Square Cushion
Nintendo SNES Controller Pad Men's T-Shirt - Grey
Nintendo Mario Kart Repair Mug
Nintendo NES Classically trained Mug
Nintendo The Legend Of Zelda Hyrule Men's T-Shirt - Green
Donkey Kong Square Cushion
Nintendo Legend Of Zelda Hyrule Crest Mug
Do let us know if you've ordered one or more of these lovely items with a comment below.


What to Get Your Work Bestie for the Holidays
by Louise HartYour work bestie is more than just a colleague (obviously). She’s your career soulmate—by your side when the going gets tough to offer support, a shoulder to cry on, or the just-right meme.
A trusty work wife is crucial for coping with a high-stress job, so they deserve an extra special gift when the holidays roll around. A candle just won’t cut it, and chances are their desk already has all the decor and monogrammed stationery it needs.
To help navigate the increasingly complicated (and endless) landscape of potential presents this holiday season, we teamed up with Capital One to pull together a list of giftable experiences worthy of your office one-and-only, and guaranteed to result in some priceless memories. And as a little treat for yourself, you can buy them all with the Capital One® Savor® credit card and earn cash back along the way—4% on dining and entertainment purchases. Now that’s a gift that keeps on giving.
1. Tasting Menu at a Local Restaurant
This is the perfect gift for those with good taste. Who wouldn’t love insanely delicious food and equally important wine pairings? Even if you don’t live in a culinary capital, cities across the country are beginning to see home-grown restaurants pop up that offer eclectic and inventive tasting menus featuring ingredients from local farms. (Here's hoping she wants to dine out with you!)
2.  Check to see who's playing in town the next couple months and snag tickets for whomever they can't stop listening to—even if it's a band you only want her to play on her headphones. (If you buy tickets at Vivid Seats now through May 2020 with your Capital One® Savor® card, you'll earn 8% cash back.)
3. Oprah 2020 Vision Tour
Three words: Oprah. Freaking. Winfrey. Lady O is hitting the road and touring North America in the new year for a series of big-arena motivational talks aimed at improving your overall well being and helping achieve positive change. There’s no guarantee everyone will get a car, but an all-around good time is a definite.
4. An Immersive Theater Experience
For someone who’s a little adventurous, interactive theaters offer both an escape and a wild night of entertainment. “Sleep No More” changed the game with its fully immersive, mind-blowing experience. Now, there are tons of other options out there, from Shakespearean adaptations (“Drunk Shakespeare” involves less intense haunted-house vibes) to a contemporary take on Alice in Wonderland (“Then She Fell” in Brooklyn is a serious trip).
5. Art or Cooking Classes
Let them flex their creative muscles with a painting, drawing, or sculpture class—maybe they’ll return the favor with a one-of-a-kind work of art. If they’re not as artistically inclined, look for an interesting seasonal cooking class, like pie baking or a fresh pasta course. After all, everyone loves pie and pasta.
6. A Spa Day
This is probably the most tried-and-true gift for anyone and everyone. A little pampering will always be appreciated. Really wow them by opting for something a little unexpected. WTHN, for example, offers an acupuncture experience that blends ancient traditions with a modern touch. Plus, whether they're looking to run the world (and could benefit from a little stress management) or need a gut check (and want to banish bloat and help digestion), WTHN's organic herb blends will help them start the new year on the right foot.
7. Mini Wellness Retreat
If a spa day doesn’t sound exciting enough for your ultra-glam work bestie, try gifting them an out-of-the-box wellness experience. There’s an endless array of less conventional outlets for bettering one’s mind and body. Infinity Float NYC offers a luxe floating sensory enhancement experience that is out of this world. If that’s not quite their jam, INSCAPE offers guided meditation classes in their studio (they also have an app!).
Earn 4% cash back on dining and entertainment, 2% at grocery stores and 1% on all other purchases. See www.capitalone.com/savor for details. To determine cash back, Capital One identifies transaction type based on information provided by merchants.
Capital One does not provide, endorse or guarantee any third-party product, service, information or recommendation listed above. The third parties listed are not affiliated with Capital One and are solely responsible for their products and services. All trademarks are the property of their respective owners.


Eat where you want!
Refresh wher you want!
Drink where you want!
Spend where you want!
Appraise where you want!
Go where you want!
CLOSE


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Task 8:
Add an calendar event to a location in the building
If there will be some events in your building, you can mark these events on the building's calendar. Now suppose you will throw a birth party in your building.
When that event starts, you hope
some devices should be in some specific states. When the event is finished, you also want some devices to be in certain states. The detailed information and requirements about the event
is as followed. Please add this event to the building's calendar. The energy management system in your building will take care of your settings for the event.
o The event title: birthday party
o The start date & time of the event: 11/12/2017, 7:00pm
o Location of the event: the living room
o During the event:
- The temperature of the living room should be 25°C.
- The humidity of the living room should be 60%.
- The state of the lights in the living should be on.
- The state of the blinds in the living room should be 100% open.
o End date & time of the event: 11/12/2017, 11:00pm
o After the event is finished:
- Disable the temperature and humidity settings in the living room.
- Set state of the lights in the living room to off.
- Set state of the blinds in the living room to 100% closed.
P.S.: You have {{vm.timeLimit}} seconds for this task.
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covid-19 Tracke Project
Password-Generator
Code-Quiz
Note-Taker
LoveConnect
Good README Generator
Googel Books React Search
The-Herald


Irrigation Controller
General
This program uses the GPIO outputs of a Raspberry Pi to provide
automation for irrigation and low voltage lighting control.
If the program is run on a non-Raspberry Pi host, or if the Python
GPIO libraries on the Raspberry Pi are not installed, the program will
run in simulator mode in which the user interface will run, and
the irrigation engine will sequence events, but there are no actual
GPIO outputs controlled. This program was designed to work directly
with relay boards such as the
Sainsmart 8-channel relay controller. This program has been tested
on a RaspberryPi-3 running the Raspbian Linux distribution.
The program is written in Python3 on the server side. The
server side is implemented using the
cherrypy web framework to provide a user
interface that can be accessed by a browser. The pages are rendered
using the jinja2 templating
engine.
Javascript is used on the client side to provide dynamic web pages and
is supported by the jquery and
jquery UI libraries.
Web Interface
By default, the web interface is on port 8080 of localhost.
Use the -H switch (see Usage) if it is desired to access the
controller via Ethernet from another client machine. Use the -P
command line switch to use a different port number.
Usage
To start the program from the command line, see the following usage.
usage: main.py [-h] [-v] [-d] [-q] [-l LOGFILE] [-c CONFIGFILE] [-e ERRFILE] [-H HOST]
Web Server for prototype single page application
optional arguments:
-h, --help show this help message and exit
-v, --verbose Generate information
-d, --debug Generate debugging information
-q, --quiet Supress logs to screen
-l LOGFILE, --logfile LOGFILE
Access Log File Name
-c CONFIGFILE, --configfile CONFIGFILE
Configuration File Name
-e ERRFILE, --errfile ERRFILE
Error Log File Name
-H HOST, --host HOST Host base URL
Example
authbind main.py -qd -H raspi3.lan -P 80
Will start the irrigation program listening on port 80 of the
interface that is associated with raspi3.lan. And will suppress showing web interface
access status to the console, but will show debugging level
information on the console.
License
This program is licensed under the MIT license.
Copyright (c) 2018 Eric Waller
Permission is hereby granted, free of charge, to any person obtaining a copy
of this software and associated documentation files (the "Software"), to deal
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Home


Spring break 2015, the Dullabh and Makan families head to Kona, Hawaii at a resort called Kukio where we are renting a home together. Divesh leaves on Thursday evening with the girls - the first trip he is taking alone with them. I join the next morning. After rushing to pick them up from school, quick snack and ready for the car to the airport, the house is quiet. An eery quiet. I get ready for my FEWD class and head out. The quiet is almost noisly disturbing.


Presentation of HTML5 and CSS3
What is HTML5?
HTML5 is the latest version of HTML Standard. Which is used to structure the presentation of web pages. As of February 2014, is a candidate recommendation of the World Wide Web Consortium (W3C). As its stated in the W3C official website: HTML5 defines an HTML syntax that is compatible with HTML4 and XHTML1 documents published on the Web. Source
The W3C is planning to release the stable recommendation for the version 5.0 by the end of this year (2014). But the work for the future version (5.1 and 5.2) has already begun. Hereafter a table which shows the calendar for the release of the different versions of HTML5:
| 2012 | 2013 | 2014 | 2015 | 2016 | |
|---|---|---|---|---|---|
| HTML 5.0 | Candidate Recommendation | Call for Review | Recommendation | ||
| HTML 5.1 | First Working Draft | Last Call | Candidate Recommendation | Recommendation | |
| HTML 5.2 | First Working Draft |
What's new in HTML5?
HTML5 became rapidly very popular because it came a whole new bunch of staff. Hereafter a short list of new things brought by HTML5:
- New elements (new tags) such as:
<video>, <audio>, ,...
HTML5
is much more semantic. It uses elements which has a meaning in the document:
, , ,...
- New Attributes: A lot of useful attributes are introduced by
HTML5
to make the web development easier. - Video and Audio: Now we can add a video or audio without an external plugin like Flash.
- 2D/3D Graphics: Now we can draw directly in
HTML5
webpage with the help of technologies such as:CSS3, SVG
andJavaScript
- Local Storage
- Local
SQL
Database - Localisation
What's CSS3?
CSS3 is the third and the latest version of CSS
which is the language to format the HTML content of a web page. CSS is designed to
separate presentation (look and feel) from the actual content (text and medias). That's why former HTML elements like

or
(present in HTML4)
are now depreciated in favor of CSS use.
Historically, the fist version of CSS was released as a recommendation by the W3C in 1993. Unlike the previous version of CSS (1 & 2) which were made as one big monolithic block, CSS3 is completely modular. In other words, CSS3 specification is a set a separate modules. Each module add new features or extend features defined in CSS2.1 with backward compatibility. Due to this modular character, different modules have a different status. Hereafter some of them and their current status:
| Module | Status | Date of the document | Link to the document |
|---|---|---|---|
| CSS Color Module | W3C Recommendation | w3.org/TR/css3-color/ | |
| Selectors Level 3 | W3C Recommendation | 29 September 2011 | w3.org/TR/css3-selectors/ |
| Media Queries | W3C Recommendation | 19 June 2012 | w3.org/TR/css3-mediaqueries/ |
| CSS Template Layout Module | W3C Working Draft | 29 November 2011 | w3.org/TR/css3-layout/ |
| Backgrounds and Borders Module | W3C Last Call Working Draft | 4 February 2014 | w3.org/TR/css3-background/ |
| CSS Fonts Module | W3C Candidate Recommendation | 3 October 2013 | w3.org/TR/css3-webfonts/ |
| CSS Text Module | W3C Last Call Working Draft | Draft 10 October 2013 | w3.org/TR/css3-text/ |
| CSS Grid Layout Module | W3C Working Draft | 23 January 2014 | w3.org/TR/css3-grid/ |
| Multi-column Layout | W3C Candidate Recommendation | 12 April 2011 | w3.org/TR/css3-multicol/ |
| Lists and Counters Module | W3C Working Draft | 24 May 2011 | www.w3.org/TR/css3-lists/ |
What's new in CSS3?
CSS3 brought a lot of new capabilities to style a markup document. Hereafter a shortlist of few of them:
- New selectors: with CSS3 module the selection capabilities is much more broad. For instance, now we can select an element depending on its attribute.
- Border styling: with CSS3 we can easily style borders with rounded corners for instance without need of an image.
- New color capabilities: CSS3 a lot of new features related with usage of colors, such as gradients and opacity
- Text effects: CSS3 offers a large possibilities to make a sophisticated text-effects with properties like:
text-shadow
,text-overflow
andword-wrap
. - Multi-column layouts: As we seen in the previous table, CSS3 has a module dedicated to multi-column which offers an easy way to make a multi-columns layout just as press magazines of newspapers are doing since decades.
- Web fonts: with
@font-face
statement, CSS3 allow us to import easily beautiful fonts and use them directly in the web site.


Random quote machine
Random Quote Machine
This is a random quote generator made using an array of quotes
-
The quote author should appear here.
Random Quote


Multiphase¶
I have supervised two PhD-students, Tormod Landet and Christopher Friedemann, that were working on two widely different aspects of two-phase flows.
Christopher is involved in the Annulus flow project headed by IFE and in collaboration with Imperial College London. The project is sponsored by the Norwegian Research Council. We use OpenFOAM to simulate and understand two-phase flows in annulus configurations [FMN17][FMN19], i.e., flow between an inner and outer pipe.
In Tormod’s project we are investigating finite element methods for use with two-phase flows. We are looking into slope limiting of the velocity field in a discontinuous Galerkin and divergence free setting. [LMM17][LMM20]
References¶
- FMN19
C. Friedemann, M. Mortensen, and J. Nossen. Gas–liquid slug flow in a horizontal concentric annulus, a comparison of numerical simulations and experimental data. International journal of Heat and Fluid Flow, 78:108437, 2019. URL: http://www.sciencedirect.com/science/article/pii/S0142727X18311500, doi:10.1016/j.ijheatfluidflow.2019.108437.
- FMN17
Christopher Friedemann, Mikael Mortensen, and Jan Nossen. Multiphase flow simulation in an annulus configuration. In In Bjørn Helge Skallerud and Helge Ingolf Andersson (ed.), MekIT’17 - Ninth national conference on Computational Mechanics. International Center for Numerical Methods in Engineering (CIMNE). 2017.
- LMM17
Tormod Landet, Kent-Andre Mardal, and Mikael Mortensen. Slope limiting of divergence free discontinuous galerkin vector fields in the context of two-phase flows. In FEniCS’17 at the University of Luxembourg. 2017.
- LMM20
Tormod Landet, Kent-Andre Mardal, and Mikael Mortensen. Slope limiting the velocity field in a discontinuous galerkin divergence-free two-phase flow solver. Computers & Fluids, 196:104322, 2020. URL: http://www.sciencedirect.com/science/article/pii/S0045793019302828, doi:https://doi.org/10.1016/j.compfluid.2019.104322.


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Find a store by using our filtered search engine
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Iterate merging of coloc results across files
merge_coloc_results_each( coloc_rda_files, save_path = F, save_each = F, results_level = "summary", ppH4_thresh = 0, return_filter = F, force_new = T, nThread = 4, verbose = T )
| coloc_rda_files | A list of full paths to coloc .RData/.rda results files generated by Jack's coloc scripts. |
|---|---|
| save_path | File path where the merged results will be saved. |
| results_level | Return coloc results at the "summary" (one row per Locus:eGene pair) or "snp" level (one row per SNP). |
| ppH4_thresh | Threshold to filter summary-level results. |
| force_new | If the |
| filter | Flexible row filtering. |
Other coloc:
merge_coloc_results()
# List RDS files you want to extract info from coloc_rds <- list.files("/sc/hydra/projects/ad-omics/microglia_omics/COLOC", pattern = "*_COLOC.RData", recursive = T, full.names = T) coloc_rds <- coloc_rds[!grepl("*_sQTL_*|Microglia_all_regions_Young",coloc_rds)] coloc_rds <- coloc_rds[grep("*Microglia_all_regions_*",coloc_rds)] # Summary-level coloc_summary <- merge_coloc_results_each(coloc_rds_files=coloc_rds, save_path="/sc/arion/projects/pd-omics/brian/all_COLOC_results.Microglia_all_regions.summary-level.tsv.gz", results_level="summary")#> Error in merge_coloc_results_each(coloc_rds_files = coloc_rds, save_path = "/sc/arion/projects/pd-omics/brian/all_COLOC_results.Microglia_all_regions.summary-level.tsv.gz", results_level = "summary"): unused argument (coloc_rds_files = coloc_rds)# SNP-level coloc_snp <- merge_coloc_results_each(coloc_rds_files=coloc_rds, save_path="/sc/arion/projects/pd-omics/brian/all_COLOC_results.Microglia_all_regions.snp-level.tsv.gz", results_level="snp", filter="leadSNP==T")#> Error in merge_coloc_results_each(coloc_rds_files = coloc_rds, save_path = "/sc/arion/projects/pd-omics/brian/all_COLOC_results.Microglia_all_regions.snp-level.tsv.gz", results_level = "snp", filter = "leadSNP==T"): unused arguments (coloc_rds_files = coloc_rds, filter = "leadSNP==T")


{% extends 'oauthost/base.html' %}{% load i18n %} {% block oauthost_contents %}
{% blocktrans %}Access to this resource is restricted. Please provide appropriate credentials within the request to proceed.{% endblocktrans %}


When you use ac2droid software, like media player or chat messenger in general we do not collect any personal information about you, including name, email address, sex or date of birth. One and only thing we usually need IS access to your current Google account name, which we use in same manner, as HTTP uses Cookies to save your settings. This lets bypass login and verification process, and from security point equivalent to OAuth2 by Google tokens.
Also in some events we can collect anonymous statistics, for example tracking most popular radio etc. In such cases we can make data public, but as stat numbers. Some other apps (like chats) naturally will disclose something about you, and this information you can make public deliberately and on own risk.
Finally, we all live in The Net, so our services not more trustful, then internet in common. For example, as we build on Google Services, Firebase and AdMob, our apps not more secure, then aforementioned services.


--- layout: newsstory title: A PROMISING DEFEAT match: Salisbury 2 Yeltz 1 ---
After the fine performances in the pre-season games, the mighty Yeltz were brought back to earth with a disappointing defeat at Salisbury . However it was a promising performance; we played some nice stuff at times without ever quite gelling as a team - hopefully that will come soon. A few more details in the match reports .
Tuesday brings Stafford Rangers to The Grove for our first home game of the season. Come on!


Justice League: BossLogic Shares an Epic Snyder Cut Poster
by Renaldo MatadeenFollowing petitions and vocal protests by Justice League fans to #ReleaseTheSnyderCut, Warner Bros. also has to contend with several of the movie's actors currently voicing similar opinions. Now, courtesy of graphic artist BossLogic, we have an idea of how a theatrical poster could look for the release.
The image, posted on BossLogic's social media, is very intimidating, with the Lord of Apokolips, Darkseid, front and center. We can see the silhouette of his general, Steppenwolf, just below, and the Justice League's shadows even further beneath, making it clear Darkseid's the focal point of the piece, which even has an HBO Max tag on it.
Click the button below to start this article in quick view.
Snyder, who stepped away from finishing the film due to a family tragedy, admitted he was humbled by the recent wave of support. He has released several key frames and concept art on his Vero account since the movie tanked. Some have shown sequences with Darkseid, as well as deleted scenes with the other heroes, leaving fans to wonder just how different his vision was from what director Joss Whedon helped the studio finish and put out in cinemas.
The DC Extended Universe continues with Cathy Yan's Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn), which is set for release Feb. 7, 2020; Patty Jenkins' Wonder Woman 1984, out June 5, 2020; James Gunn's The Suicide Squad, which arrives August 6, 2021; and Matt Reeves' The Batman, which will brood into theaters June 25, 2021.
https://schema.orgBreadcrumbListListItem1Homehttps://www.cbr.com/ListItem2Movieshttps://www.cbr.com/category/movies/ListItem3Movie Newshttps://www.cbr.com/category/movies/news-movies/ListItem4Justice League: BossLogic Shares an Epic Snyder Cut Posterhttps://www.cbr.com/justice-league-bosslogic-snyder-cut-poster/


Biphyl Pizza Gurus
WELCOME TO BIPHYL PIZZA GURUS
Topping
A baked pie of Italian origin consisting of a shallow breadlike crust covered with toppings such as seasoned tomato sauce, cheese, or sausage.
Pizza Crust
The dough that serves as a base for the pizza that is prepared, formed into a circular, square or rectangular shape, baked and then topped with pizza ingredients.
Pizza Sizes
Pizza size generally varies between: Small Pizza: 8-10 inches with 6 slices. Medium Pizza: 12 inches with 8 slices. Large Pizza: 14 inch with 10 slices.
How many pizza do you want?
Do you want your pizza delivered??
Delivery is ksh.150


Importing from data raw
- Select a data set. (A table of the parameters of your data as well as a summary of your treatments will appear
- Select the processing parameters.
- Common offset : Distance in source and sensors
- Step : For the loop, allows to process several common offset at the same time
- If you wish to process only one common offset, converge the ends of the interval at one point.
- Select the options if you wish. (By default, signals will be normalized by the maximum value of the seismic shot.
- Warning! Warning! With each processing performed, data with the same common offset will be overwritten by the new ones.


[[outline/outline]]
in this part, the set of aesthetic features, composed from both empirical observations and theoretical constructions, is re-examined in the light of the linguistic environments as provided by programming languages. after having elaborated a concept of clarity, I will see if and how programming languages modulate this concept. programming languages will be investigated both as semantic systems, but also as socio-economic systems. by seeing how discourses on clarity vary between programming languages communities, it will be possible to identify such a structural influence and integrate it within our concept of clarity.
[[scott_programming_language_pragmatics]] [[sethi_programming_languages_constructs_concepts]]
this section explores the conceptual definition of a programming language (from a CS and philosophy standpoint), but also the role of language in aesthetics (comparison french vs. german, thomas mann avec ses verbes a la fin)
the question of operational meaning vs. denotational meaning should be explored. what means what to the computer?
[[crozat_theorie_operationelle_ecriture_numerique]] -> a bit too high-level, but nice concepts about digital writing/layerings of digital writing (binary-theoretical / technical-applicable/semiotical-rhetorical)
the fact that it’s abstract as hell can also be seen as a cultural influence/related to chomsly [[golumbia_cultural_logic_computation]]
[[milner_semantic_ideas_programming_languages]] [[stansifer_study_of_programming_languages]] [[homem_topics_in_programming_languages]] [[sustrik_linguistics_programming_languages]] [[turner_programming_languages_technical_artefacts]]
State introduces an abstract notion of time in programs. In functional programs, there is no notion of time… Functions do not change. In the real world, things are different. There are few real-world entities that have the timeless behaviour of functions. Organisms grows and learn. When the same stimulus is given to an organism at different times, the reaction will usually be different. How can we model this inside a program? We need to model an entity with a unique identity (its name) whose behaviour changes during the execution of the program. To do this, we add an abstract notion of time to the program. This abstract time is simply a sequence of values in time that has a single name. We call this sequence a named state.
ref: masterminds of programming
each of these sections will highlight both the paradigms as well as the syntactic features of the main categories of programming languages. the point will be to highlight what they share, and how they differ, and that what they share is a very core concept. how that concept is implemented however differs, which is inherently an aesthetic decision (as we will see with Ruby or Go for instance). this categorical approach will also necessarily include a historical dimension, as well as a discussion of which programming communities gravitate around which languages
[[vee_coding_literacy]], [[coding_literacies_annette_vee]]
programming paradigms - van roy, along with a helpful summary. most importants seem to be concepts of named state, records (structs, arrays), closure, independence (concurrency) (which supports shared-state or message passing).
Each paradigm has its own “soul” that can only be understood by actually using the paradigm. We recommend that you explore the paradigms by actually programming in them (van roy)
when we talk about esolangs, we are designing a perspective for someone to think through. -daniel temkin src
this section looks at how language-dependent the previously exhibited features of aesthetics might be affected by it. however, we’ll see that this isn’t so much a clear distinction as it is a gradient between fully language dependent (and the extreme: hardware dependent—hallo kittler).
procedural rhetoric is just a very high level of programming semantics. processes with meaning assigned to it. <- this further extends the gradient.
[[winograd_language_as_cognitive_process]], [[winograd_flores_understanding_computers_and_cognition]], [[eijick_computational_semantics_functional_programming]]
syntax vs. semantics?
There’s a lot of attention to COMPRESSION, using the underlying programming language in a way that’s easy to penetrate - richard gabriel src
whether or not the computer understands is not an aesthetic problem, but an engineering problem. BUT there are beauties in engineering
however, one would argue that a beauty for the computer is data locality, due to the very practical issue of data access (and subsequent caching)
TODO
how does it relate to “understanding”?
programming idioms - c2 - so
language dependent features will be:
there could be different beauties in writing and in reading (case of Mike’s APL) - easier to read vs. easier to type
what is the aesthetic of a semantic system that is supposed to be understood by both humans and machines? if there is a collapse of both those systems, it hints at the fact that the human becomes machine
from hardware to tokens
when i talk about materiality, i should also contextualize it with other materialities (build processes, hardware, etc)
markers of spatialization:
- GOTO
- the trace (stack trace, execution trace) (like ariadne’s thread)
- localness [[allamanis_survey_for_big_code_naturalness_language#patterns]]
- localness is syntactic, non-localness is semantics
- dangling else
[[simondon_mode_existence_objets_techniques]]


A small tool to see node.js errors with less clutter:
… which is more readable compared to node’s unformatted errors:
Install with npm:
$ npm install pretty-error
To see an error rendered with colors, you can do this:
```javascript var PrettyError = require(‘pretty-error’); var pe = new PrettyError();
var renderedError = pe.render(new Error(‘Some error message’)); console.log(renderedError); ```
Of course, you can render caught exceptions too:
javascript
try {
doSomethingThatThrowsAnError();
} catch (error) {
console.log(pe.render(error));
}
But if you want pretty-error to render all errors, there is a shortcut for it:
javascript
require('pretty-error').start();
… which is essentially equal to:
```javascript var PrettyError = require(‘pretty-error’);
// instantiate PrettyError, which can then be used to render error objects var pe = new PrettyError(); pe.start(); ```
You can also preload pretty-error into your code using node’s --require
argument:
$ node --require pretty-error/start your-module.js
PrettyError turns error objects into something similar to an html document, and then uses RenderKid to render the document using simple html/css-like commands. This allows PrettyError to be themed using simple css-like declarations.
 Here is the source of the default theme.
Since the default theme is all css, you can customize it to fit your taste. Let’s do a minimal one:
```javascript // the start() shortcut returns an instance of PrettyError … pe = require(‘pretty-error’).start();
// … which we can then use to customize like this: pe.appendStyle({ // this is a simple selector to the element that says ‘Error’ ‘pretty-error > header > title > kind’: { // which we can hide: display: ‘none’ },
// the ‘colon’ after ‘Error’: ‘pretty-error > header > colon’: { // we hide that too: display: ‘none’ },
// our error message ‘pretty-error > header > message’: { // let’s change its color: color: ‘bright-white’,
// we can use black, red, green, yellow, blue, magenta, cyan, white,
// grey, bright-red, bright-green, bright-yellow, bright-blue,
// bright-magenta, bright-cyan, and bright-white
// we can also change the background color:
background: 'cyan',
// it understands paddings too!
padding: '0 1' // top/bottom left/right },
// each trace item … ‘pretty-error > trace > item’: { // … can have a margin … marginLeft: 2,
// ... and a bullet character!
bullet: '"o "'
// Notes on bullets:
//
// The string inside the quotation mark gets used as the character
// to show for the bullet point.
//
// You can set its color/background color using tags.
//
// This example sets the background color to white, and the text color
// to cyan, the character will be a hyphen with a space character
// on each side:
// example: '" - "'
//
// Note that we should use a margin of 3, since the bullet will be
// 3 characters long. },
‘pretty-error > trace > item > header > pointer > file’: { color: ‘bright-cyan’ },
‘pretty-error > trace > item > header > pointer > colon’: { color: ‘cyan’ },
‘pretty-error > trace > item > header > pointer > line’: { color: ‘bright-cyan’ },
‘pretty-error > trace > item > header > what’: { color: ‘bright-white’ },
‘pretty-error > trace > item > footer > addr’: { display: ‘none’ } }); ```
This is how our minimal theme will look like:
Read RenderKid’s docs to learn about all the css rules that are supported.
There are a few methods to help you customize the contents of your error logs.
Let’s instantiate first:
```javascript PrettyError = require(‘pretty-error’); pe = new PrettyError();
// or: pe = require(‘pretty-error’).start(); ```
You might want to substitute long paths with shorter, more readable aliases:
javascript
pe.alias('E:/open-source/theatrejs/lib', '(Theare.js)');
You might want to skip trace lines that belong to specific packages (chai, when, socket.io):
javascript
pe.skipPackage('chai', 'when', 'socket.io');
javascript
// this will skip node.js, path.js, event.js, etc.
pe.skipNodeFiles();
javascript
pe.skipPath('/home/dir/someFile.js');
You can customize which trace lines get logged and which won’t: ```javascript pe.skip(function(traceLine, lineNumber){ // if we know which package this trace line comes from, and it isn’t // our ‘demo’ package … if (typeof traceLine.packageName !== ‘undefined’ && traceLine.packageName !== ‘demo’) { // then skip this line return true; }
// You can console.log(traceLine) to see all of it’s properties. // Don’t expect all these properties to be present, and don’t assume // that our traceLine is always an object. }); ```
```javascript pe.filter(function(traceLine, lineNumber){ // the ‘what’ clause is something like: // ‘DynamicTimeline.module.exports.DynamicTimeline._verifyProp’ if (typeof traceLine.what !== ‘undefined’){
// we can shorten it with a regex:
traceLine.what = traceLine.what.replace(
/(.*\.module\.exports\.)(.*)/, '$2'
); } }); ```
javascript
pe.withoutColors(); // Errors will be rendered without coloring
PrettyError is very simple to set up, so it should be easy to use within other frameworks.
Most frameworks such as express, catch errors automatically and provide a mechanism to handle those errors. Here is an example of how you can use PrettyError to log unhandled errors in express:
```javascript // this is app.js
var express = require(‘express’); var PrettyError = require(‘pretty-error’);
var app = express();
app.get(‘/’, function(req, res) { // this will throw an error: var a = b; });
var server = app.listen(3000, function(){ console.log(‘Server started \n’); });
// we can now instantiaite Prettyerror: pe = new PrettyError();
// and use it for our app’s error handler: app.use(function(err, req, res, next){ console.log(pe.render(err)); next(); });
// we can optionally configure prettyError to simplify the stack trace:
pe.skipNodeFiles(); // this will skip events.js and http.js and similar core node files
pe.skipPackage(‘express’); // this will skip all the trace lines about express core and sub-modules
``
PrettyError.start()
modifies the stack traces of all errors thrown anywhere in your code, so it could potentially break packages that rely on node’s original stack traces. I’ve only encountered this problem once, and it was with BlueBird when Promise.longStackTraces()
was on.
In order to avoid this problem, it’s better to not use PrettyError.start()
and instead, manually catch errors and render them with PrettyError:
```javascript var PrettyError = require(‘pretty-error’); var pe = new PrettyError();
// To render exceptions thrown in non-promies code: process.on(‘uncaughtException’, function(error){ console.log(pe.render(error)); });
// To render unhandled rejections created in BlueBird: process.on(‘unhandledRejection’, function(reason){ console.log(“Unhandled rejection”); console.log(pe.render(reason)); });
// While PrettyError.start() works out of the box with when.js` unhandled rejections, // now that wer’e manually rendering errors, we have to instead use npmjs.org/packages/pretty-monitor // to handle when.js rejections.
```
The only drawback with this approach is that exceptions thrown in the first tick are not prettified. To fix that, you can delay your application’s startup for one tick:
```javascript // (continued form above)
throw new Error(); // not prettified process.nextTick(function(){ throw new Error(); // prettified });
```
MIT


CARSON
CEMETERY
This cemetery is
not located in Monroe County but is found just south of the county line
in Grandview Township, Washington County, Ohio. It is on a steep hillside west
of State Route 7. We are including it here because it was the burial ground of
residents from the vicinity and town of Cochransville. Cochransville was laid
out in 1846 by Thomas Cochran and was first known as Cochran s Landing. Cochran
hoped that it would provide a good shipping point for his business but the town
was plagued by floods which gradually destroyed the town. Cochransville came to
an end in 1914 when a flood took the last part of the town.
1.
James Fritz 1902-1925
2.
Minnie Fritz 1873-1925
3.
Francis R. Fritz 1872-1927
4.
Delsie L. Martin 1926-1929
5.
Stella Martin 1898-1931 (Pearl not on stone),
6.
George Martin 1885-1970 (same stone as Stella)
7.
Jas. C. Hall, Co A, 116 Ohio Inf., No flag standard nor flag, no dates
given
8.
Mother - Emma West 1852-1905
9.
Chas. W. Raper Co D, 28 U.S.V. Inf., Spanish- American Military Stone
no dates given
10.
John M. Raper 1827-1901, 74y, Civil War flag standard
11.
Samuel E. s/o J. M. & M. Raper, d Apr 12, 1892, 23y 5d, Civil War
flag standard
12.
James A. Fritz, Co. D, 1 Pa. VTN Cav., Civil War stone, no dates, no
flag standard
13.
Annie A. Fritz, Apr 3, 1848 Mar 28, 1908
14.
Guy Fritz 1900-1921
15.
John Hissom, Co. C, WV Cav., CivilWar stone, no dates
16.
Hissom (a large monument) 1843-1912, Civil War standard and flag,
Numbers 15 and 16 above are probably the same person
17.
Family of G. W. & M. M. Eaton, (no other inscriptions or dates)
Footstones only with initials C. E. and A. E.
18.
Margaret Raper 1871-1952
19.
William A. Raper 1863-1944 (same stone as Margaret #18)
20.
Margaret M. Raper 1893-1901
21.
Leonard H. Raper Apr 12, 1869 Aug 20, 1946
22.
Mary E. Raper 1878-1963
23.
Margaret E. Raper 1891-1925
24.
Flora A. Raper 1860-1940
25.
George W. Raper 1858-1921
26.
John C. Raper 1894-1918
27.
Harry A. Raper 1888-1914
28.
Family of George W. & Flora A. Raper (no dates)
29.
Corp l Jno. Marlow, Co. C, 77 Ohio Inf., No flag standard, no dates
30.
John M. Marlow Nov 6, 1844 Mar 6, 1900
31.
Rheuben Dorff, d Jun 16, 1879, 32y, Civil War standard and flag
32.
Dorinda A. d/o Butler & Cloe Wells, d Oct 13, 1858, 19y 6m 29d
33.
This large sandstone marker is badly shaled away. In M(emory) of
Roswell (Hub)bard and d 1844
34.
Hissom, David 1841-1893, Civil War flag standard
35.
__________ Samantha 1858-1888
36.
Infant s/o D. & S. Hissom, b Nov 14, 18 (rest is shaled away)
37.
Robbie s/o Friend and Mary Cochran d Feb 1, 1877, 11m 25d
38.
Mary A. w/o John Bliss, d May 18, 1868, 21y 3m 19d
39.
Ephraim M. Talbott, d May 12, 1862, 26y, footstone E. T.
40.
Elizabeth w/o Wells Talbott, d Jul 2, 1858, 41y 4m 1d
41.
Joshua Hubbard d Apr 2 ____, ag__ 8__
42.
Sarah d/o __ & A. Hubbard d Jun 13, 1855, 23y
43.
Elizabeth w/o Henry Jolly d Jun 7, 1856, 28y 2m 1d
44.
Henry M. Jolly d Sep 28, 1852, 28y 10m 1d
45.
In memory of Ali___ s/o Joshua & Ich___ H(ubbard) d ___ e 8__13
footstone A. H. H.
46.
Wells Tolbot d Nov 17, 1871, 61y
47.
Richard Tolbot, 1st Lieut., 4 MD Reg, Rev. War, Dec 25, 1753
Dec 22, 1821, American Revolution War, (military stone, flag standard)
48.
In memory of Temperance Talbott, who was born and departed thi -- ----
ember the---, 1769, 2 ----- year & 22 ----
49.
Ida May d/o W. H. & M. E. Crump d May 23, 1860, 2y 10m 6d
50.
In memory of Achsah Hubbard, May 30, 1798 and d May 12, 1845, 46y 11m
12d
51.
Illegible
52.
Illegible
53.
Providence d/o -- & T. Talbot, (leaning against tree)
54.
Ephriam D. Tolbot d Mar 22, 1873, 69y 5m 27d
55.
Beman Hubbard Apr 18, 1789 Jan 8, 1868
56.
Rachel Mobley Apr 9, 1766 Aug 12, 1833
57.
Infants of J. H. & E. C. Wright
58.
Elizabeth c. w/o J. H. Wright, Jan 2, 1820 Aug 22, 1865
59.
Rosa R. d/o William & Margaret Raper d Apr 12, 1876, 79y 6m 5d
60.
William Raper d Jan 31, 1876, 51y 3m 8d
61.
W. J. R. (foot stone, no headstone)
62.
Margaret Ann Raper d Mar 21, 1891, 61y 5m 18d
63.
Elizabeth, w/o Wm. Carson, Dec 1, 1828 Feb 7, 1884
64.
Violinda d/o Thos. & M. Cochran d Feb 7, 1879, 39y 8m 3d
65.
Mary E. d/o Thos. & M. A. Cochran d Mar 20, 1867 in 33y
66.
Mary A. Cochran Nov 15, 1804 Apr 9, 1883
67.
Thomas Cochran d Apr 27, 1864, 64y 5m 28d
68.
Elizabeth J. w/o Joseph Witten, d Feb 18, 1858, 26y 10m 18d
69.
John D. Wells d Oct 13, 1854, 31y 24d
70.
Mordicai L. Wells, d Mar 31, 1853, 21y 10m
71.
Base of a large stone, foot stone D. A. W.
72.
Napoleon B. s/o P. S. & D. S. Anderson d Nov 15, 1854, 15y 9m 3d
73.
Anna M. w/o Thomas Scott, d Mar 8, 1854, 26y 22d
Copied by
Vincent R. Brown, 1996
Click here for the Short-Cut Table of Contents


CommandLineOutput
public interface OutputDevice
| Modifier and Type | Method | Description |
|---|---|---|
void |
displayHand(java.lang.String name,
java.util.Collection<java.lang.Integer> hand) |
Displays the name and the corresponding hand of cards.
|
void |
displayHandSize(java.lang.String name,
int handSize) |
Displays the name and the corresponding hand size.
|
void |
displayIntro(Player p1,
Player p2) |
Displays an introduction with the Players' names
|
void |
displayResults(java.lang.String p1,
java.lang.String p2,
GameResult result) |
Displays the result of the game
|
void |
displayStats(int p1WinHigherSum,
int p1WinOppBust,
int p2WinHigherSum,
int p2WinOppBust,
int tieGameEqualSum,
int tieBothBust) |
Displays the game statistics.
|
void |
endOfGame() |
Displays an indication that the current game is over.
|
void |
promptForAction() |
Prompts for an input action.
|
void |
promptForName() |
Prompts for an input name
|
void |
promptForPlayerType() |
Prompts for an input corresponding to a PlayerType
|
void |
promptNumGames() |
Prompts for the number of games
|
void |
splitTurn() |
Displays an indication that it is now a different player's turn.
|
void displayIntro(Player p1, Player p2)
p1
- the first playerp2
- the second playervoid promptForAction()
void displayResults(java.lang.String p1, java.lang.String p2, GameResult result)
p1
- the name of Player 1p2
- the name of Player 2result
- the result of the gamevoid displayHand(java.lang.String name, java.util.Collection<java.lang.Integer> hand)
name
- the name of the playerhand
- the cards in the player's handvoid displayHandSize(java.lang.String name, int handSize)
name
- the name of the playerhandSize
- the number of cards in the player's handvoid splitTurn()
void endOfGame()
void promptForPlayerType()
void promptForName()
void promptNumGames()
void displayStats(int p1WinHigherSum, int p1WinOppBust, int p2WinHigherSum, int p2WinOppBust, int tieGameEqualSum, int tieBothBust)
p1WinHigherSum
- the number of times Player 1 won due to a higher sump1WinOppBust
- the number of times Player 1 won due to opponent
bustingp2WinHigherSum
- the number of times Player 2 won due to a higher sump2WinOppBust
- the number of times Player 2 won due to opponent
bustingtieGameEqualSum
- the number of times the game was tied by both players
having equal scores and not bustingtieBothBust
- the number of times the game was tied by both players
busting


10,000,000 iterations: sin(1) + sin(2) + sin(3) ... + sin(10000000)
Sum 100,000,000 elements of array: [1..100000000] *Might panic on Mac OSX
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{% comment %} @name skills-chart @include {String} title @include {String} icon @include {Array} skills @include {String} [empty] {% endcomment %} {% if include.skills and include.skills != empty %} {% include home/_core/title-with-icon.html title=include.title icon=include.icon %}


Class Route
Core route: - describing request input, url output, controller/action target and default params - required properties to set: - Pattern - classic preg_match() pattern including border '#' characters, containing char groups - Reverse - url form with {%param} replacements where to insert param values from url method - Controller - controller to create and dispatch or view directory name, pascal case - Action - controller action to execute or view name to render, pascal case - Name - 'Controller:Action' or any custom route name how to create url in application by Url() method - Params - default params to set before controller/action dispatching if no params in request
Direct known subclasses
MvcCore\Ext\Router\Lang\Route
public static
|
#
GetInstance( array|stdClass $object )
Get new instance by array or stdClass, if created, return it |
public
|
#
__construct( $nameOrConfig = NULL, $controller = NULL, $action = NULL, $pattern = NULL, $reverse = NULL, $params = array() )
Create new route |
public
|
|
public
|
|
public
|
|
public
|
#
SetPattern( string $pattern )
Set route preg_match pattern in classic PHP form: "#^/url-begin/([^/])/([^/])/(.*)#". |
public
|
#
SetReverse( string $reverse )
Set route reverse address form from preg_replace pattern in form: "/url-begin/{%first}/{%second}/{%third}". |
public
|
public
string
|
$Name
Route name, your custom keyword/term or pascal case combination of 'Controller:Action'. |
#
''
|
public
string
|
$Controller
Controller name in pascal case. |
#
''
|
public
string
|
$Action
Action name in pascal case. |
#
''
|
public
string
|
$Pattern
Route preg_match pattern in classic PHP form: "#^/url-begin/([^/])/([^/])/(.*)#". |
#
''
|
public
string
|
$Reverse
Route reverse address form from preg_replace pattern in form: "/url-begin/{%first}/{%second}/{%third}". |
#
''
|
public
array
|
$Params
Route params with default values in form: array('first' => 1, 'second' => 2, 'third' => 3). |
#
array()
|