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| And it came to pass, that when Jesus had finished these sayings, he departed from Galilee, and came into the coasts of Judaea beyond Jordan;
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| ᎯᎠᏃ ᏄᎵᏍᏔᏅᎩ, ᏥᏌ ᎤᏍᏆᏛ ᎾᏍᎩ ᎯᎠ ᏂᎦᏪᏍᎬᎢ, ᎨᎵᎵ ᎤᏓᏅᏒᎩ, ᏧᏗᏱ ᎠᏍᏛ ᏭᎷᏨᎩ ᏦᏓᏂ ᎠᏍᎪᏂᏗᏢ.
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Hi-a-no nu-li-s-ta-nv-gi, Tsi-sa u-s-qua-dv na-s-gi hi-a ni-ga-we-s-gv-i, Ge-li-li u-da-nv-sv-gi, Tsu-di-yi a-s-dv wu-lu-tsv-gi Tso-da-ni a-s-go-ni-di-tlv.
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| And great multitudes followed him; and he healed them there.
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| ᎤᏂᏣᏘᏃ ᎬᏩᏍᏓᏩᏛᏒᎩ, ᎠᎴ ᎾᎿᎭᏚᏅᏩᏅᎩ.
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U-ni-tsa-ti-no gv-wa-s-da-wa-dv-sv-gi, a-le na-hna du-nv-wa-nv-gi.
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| The Pharisees also came unto him, tempting him, and saying unto him, Is it lawful for a man to put away his wife for every cause?
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| ᎠᏂᏆᎵᏏ ᎾᏍᏉ ᎬᏩᎷᏤᎸ ᎬᏩᎪᎵᏰᏍᎬᎩ, ᎯᎠ ᏂᎬᏩᏪᏎᎲᎩ; ᏚᏳᎪᏗᏍᎪ ᎠᏍᎦᏯ ᎤᏓᎢᏅᏗᏱ ᎤᏓᎵᎢ ᏂᎦᎥᏉ ᎪᎱᏍᏗ ᏴᏗᎵᏰᎢᎸᏍᏗᎭ?
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A-ni-qua-li-si na-s-quo gv-wa-lu-tse-lv gv-wa-go-li-ye-s-gv-gi, hi-a ni-gv-wa-we-se-hv-gi; Du-yu-go-di-s-go a-s-ga-ya u-da-i-nv-di-yi u-da-li-i ni-ga-v-quo go-hu-s-di yv-di-li-ye-i-lv-s-di-ha?
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| And he answered and said unto them, Have ye not read, that he which made them at the beginning made them male and female,
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| ᎤᏁᏨᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏝᏍᎪ ᏱᏥᎪᎵᏰᎣ, ᎾᏍᎩ ᏗᏓᎴᏂᏍᎬ ᏧᏪᏢᏅᎯ ᎠᏍᎦᏯ ᎠᎴ ᎠᎨᏴ ᏚᏬᏢᏅᎢ?
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U-ne-tsv-no hi-a ni-du-we-se-lv-gi; Tla-s-go yi-tsi-go-li-ye-o, na-s-gi di-da-le-ni-s-gv tsu-we-tlv-nv-hi a-s-ga-ya a-le a-ge-yv du-wo-tlv-nv-i?
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| And said, For this cause shall a man leave father and mother, and shall cleave to his wife: and they twain shall be one flesh?
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| ᎠᎴ ᎯᎠ ᏄᏪᏒᎢ; ᎾᏍᎩ ᎢᏳᏍᏗ ᎠᏍᎦᏯ ᏕᎬᏕᎨᏍᏗ ᎤᏙᏓ ᎠᎴ ᎤᏥ, ᎠᎴ ᎠᏜᏓᏫᏍᏗᏍᎨᏍᏗ ᎤᏓᎵᎢ, ᎠᎴ ᎾᏍᎩ ᎠᏂᏔᎵ ᏌᏉᏉ ᎤᏂᏇᏓᎸᎢ?
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A-le hi-a nu-we-sv-i; Na-s-gi i-yu-s-di a-s-ga-ya de-gv-de-ge-s-di u-do-da a-le u-tsi, a-le a-dla-wi-s-di-s-ge-s-di u-da-li-i, a-le na-s-gi a-ni-ta-li sa-quo-quo u-ni-que-da-lv-i?
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| Wherefore they are no more twain, but one flesh. What therefore God hath joined together, let not man put asunder.
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| ᎾᏍᎩ ᎢᏳᏍᏗ ᎥᏝ ᎿᎭᏉ ᎠᏂᏔᎵ ᏱᎩ; ᏌᏉᏉᏍᎩᏂ ᎤᏂᏇᏓᎸᎢ. ᎾᏍᎩ ᎢᏳᏍᏗ ᎤᏁᎳᏅᎯ ᏧᏭᏓᏔᏅᎯ ᎨᏒ ᏞᏍᏗ ᏴᏫ ᏱᏚᎦᎴᏅᏔᏁᏍᏗ.
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Na-s-gi i-yu-s-di v-tla hna-quo a-ni-ta-li yi-gi; sa-quo-quo-s-gi-ni u-ni-que-da-lv-i. Na-s-gi i-yu-s-di U-ne-la-nv-hi tsu-wu-da-ta-nv-hi ge-sv tle-s-di yv-wi yi-du-ga-le-nv-ta-ne-s-di.
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| They say unto him, Why did Moses then command to give a writing of divorcement, and to put her away?
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| ᎯᎠᏃ ᏅᎬᏩᏪᏎᎸᎩ; ᎦᏙᏃ ᏱᏏ ᏧᏁᏤ ᎪᏪᎵ ᎦᏅᏁᏗᏱ ᏗᎦᎴᏅᏙᏗ, ᎠᎴ ᎠᎨᎯᏓᏍᏗᏱ?
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Hi-a-no nv-gv-wa-we-se-lv-gi; Ga-do-no Yi-si tsu-ne-tse go-we-li ga-nv-ne-di-yi di-ga-le-nv-do-di, a-le a-ge-hi-da-s-di-yi?
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| He saith unto them, Moses because of the hardness of your hearts suffered you to put away your wives: but from the beginning it was not so.
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| ᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ; ᏗᏍᏓᏱᏳ ᎨᏒ ᎢᏳᏍᏗ ᏗᏥᎾᏫ ᎼᏏ ᎤᎾᏁᎳᎩ ᏓᏂᎨᏙᎯᎮᏍᏗ ᏧᎾᏓᎵᎢ, ᎢᏤᎵᏎᎸᎩ; ᏗᏓᎴᏂᏍᎬᏍᎩᏂ ᎥᏝ ᎾᏍᎩ ᏱᏄᏍᏕᎢ.
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Hi-a-no ni-du-we-se-lv-gi; di-s-da-yi-yu ge-sv i-yu-s-di di-tsi-na-wi Mo-si u-na-ne-la-gi da-ni-ge-do-hi-he-s-di tsu-na-da-li-i, i-tse-li-se-lv-gi; di-da-le-ni-s-gv-s-gi-ni v-tla na-s-gi yi-nu-s-de-i.
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| And I say unto you, Whosoever shall put away his wife, except it be for fornication, and shall marry another, committeth adultery: and whoso marrieth her which is put away doth commit adultery.
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| ᎠᏎᏃ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎩᎶ ᎤᏓᎵᎢ ᎢᎠᎨᎯᏙᎮᏍᏗ ᏧᏂᏏᏅᎯᏍᎩᏂᏃᏅ ᎢᎨᏎᏍᏗ, ᏅᏩᏓᎴᏃ ᎢᎠᏓᏰᎨᏍᏗ, ᎠᏓᏲᏁᎮᏍᏗ. ᎩᎶᏃ ᎠᏥᎨᎯᏙᎸᎯ ᎠᏓᏰᎨᏍᏗ ᎠᏓᏲᏁᎮᏍᏗ.
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A-se-no hi-a ni-tsv-we-se-ha; Gi-lo u-da-li-i i-a-ge-hi-do-he-s-di tsu-ni-si-nv-hi-s-gi-ni-no-nv i-ge-se-s-di, nv-wa-da-le-no i-a-da-ye-ge-s-di, a-da-yo-ne-he-s-di. Gi-lo-no a-tsi-ge-hi-do-lv-hi a-da-ye-ge-s-di a-da-yo-ne-he-s-di.
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| His disciples say unto him, If the case of the man be so with his wife, it is not good to marry.
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| ᎬᏩᏍᏓᏩᏗᏙᎯ ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎢᏳᏃ ᎾᏍᎩ ᏱᏄᏍᏗ ᎠᏍᎦᏯ ᎤᏓᎵᎢ ᏓᎾᏤᎲᎢ, ᎥᏝ ᎣᏏᏳ ᏱᎩ ᎠᏕᏒᎲᏍᏗᏱ.
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Gv-wa-s-da-wa-di-do-hi hi-a ni-gv-wa-we-se-lv-gi; I-yu-no na-s-gi yi-nu-s-di a-s-ga-ya u-da-li-i da-na-tse-hv-i, v-tla o-si-yu yi-gi a-de-sv-hv-s-di-yi.
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| But he said unto them, All men cannot receive this saying, save they to whom it is given.
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| ᎯᎠᏃ ᏂᏚᏪᏎᎸᎩ, ᎥᏝ ᎾᏂᎥ ᎯᎠ ᏥᏂᏥ Ꮻ ᏱᏙᎬᎾᏓᏂᎸᎩ, ᎨᎦᎵᏍᎪᎸᏓᏁᎸᎯ ᎤᏅᏒ.
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Hi-a-no ni-du-we-se-lv-gi, V-tla na-ni-v hi-a tsi-ni-tsi wi yi-do-gv-na-da-ni-lv-gi, ge-ga-li-s-go-lv-da-ne-lv-hi u-nv-sv.
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| For there are some eunuchs, which were so born from their mother's womb: and there are some eunuchs, which were made eunuchs of men: and there be eunuchs, which have made themselves eunuchs for the kingdom of heaven's sake. He that is able to receive it, let him receive it.
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| ᎠᏁᎭᏰᏃ ᎠᏂᎾᎵ ᏅᏩᎾᏍᏙ ᏧᏂᏥ ᎬᏩᏂᎾᏄᎪᏫᏒ, ᎠᎴ ᎠᏁᎭ ᎠᏂᎾᎵ ᏴᏫ ᎬᏩᏂᎾᎵᏛᎯ, ᎠᎴ ᎠᏁᎭ ᎠᏂᎾᎵ ᎤᏅᏒ ᎤᎾᏓᎾᎵᏛᎯ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ ᏗᎵᏰᎢᎸᏍᏗᏍᎬᎢ. ᎩᎶ ᏗᎬᏩᏓᏂᎸᎢᏍᏗ ᎨᏎᏍᏗ ᎾᏍᎩ ᏓᏓᏂᎸᎨᏍᏗ.
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A-ne-ha-ye-no a-ni-na-li nv-wa-na-s-do tsu-ni-tsi gv-wa-ni-na-nu-go-wi-sv, a-le a-ne-ha a-ni-na-li yv-wi gv-wa-ni-na-li-dv-hi, a-le a-ne-ha a-ni-na-li u-nv-sv u-na-da-na-li-dv-hi ga-lv-la-di e-hi u-gv-wi-yu-hi ge-sv di-li-ye-i-lv-s-di-s-gv-i. Gi-lo di-gv-wa-da-ni-lv-i-s-di ge-se-s-di na-s-gi da-da-ni-lv-ge-s-di.
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| Then were there brought unto him little children, that he should put his hands on them, and pray: and the disciples rebuked them.
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| ᎿᎭᏉᏃ ᏓᎦᏘᏃᎮᎸᎩ ᏧᎾᏍᏗ ᏗᏂᏲᎵ ᎾᏍᎩ ᏧᏏᏔᏗᏍᏗᏱ ᎠᎴ ᎤᏓᏙᎵᏍᏙᏗᏱ; ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᏚᏂᏅᏍᏓᏕᎸᎩ.
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Hna-quo-no da-ga-ti-no-he-lv-gi tsu-na-s-di di-ni-yo-li na-s-gi tsu-si-ta-di-s-di-yi a-le u-da-do-li-s-do-di-yi; gv-wa-s-da-wa-di-do-hi-no du-ni-nv-s-da-de-lv-gi.
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| But Jesus said, Suffer little children, and forbid them not, to come unto me: for of such is the kingdom of heaven.
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| ᏥᏌᏃ ᎯᎠ ᏄᏪᏒᎩ; ᎤᎾᏁᎳᎩ ᏗᏤᎵᏏ ᏧᎾᏍᏗ ᏗᏂᏲᎵ, ᎠᎴ ᏞᏍᏗ ᏗᏥᏅᏍᏓᏕᎸᎩ ᎬᎩᎷᏤᏗᏱ; ᎾᏍᎩᏰᏃ ᏄᎾᏍᏗ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒ.
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Tsi-sa-no hi-a nu-we-sv-gi; U-na-ne-la-gi di-tse-li-si tsu-na-s-di di-ni-yo-li, a-le tle-s-di di-tsi-nv-s-da-de-lv-gi gv-gi-lu-tse-di-yi; na-s-gi-ye-no nu-na-s-di ga-lv-la-di e-hi u-gv-wi-yu-hi ge-sv.
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| And he laid his hands on them, and departed thence.
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| ᏚᏏᏔᏛᏃ ᎾᎿᎭᎤᏓᏅᏒᎩ.
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Du-si-ta-dv-no na-hna u-da-nv-sv-gi.
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| And, behold, one came and said unto him, Good Master, what good thing shall I do, that I may have eternal life?
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| ᎬᏂᏳᏉᏃ ᎠᏏᏴᏫ ᎤᎷᏤᎸᎩ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎰᏍᏛ ᏔᏕᏲᎲᏍᎩ, ᎦᏙ ᎤᏍᏗ ᎣᏍᏛ ᎪᎱᏍᏗ ᏓᎦᏛᏁᎵ ᎠᎩᏩᏛᏙᏗ ᏫᎾᏍᏛᎾ ᎬᏂᏛ?
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Gv-ni-yu-quo-no a-si-yv-wi u-lu-tse-lv-gi hi-a nu-we-se-lv-gi; Ho-s-dv Ta-de-yo-hv-s-gi, ga-do u-s-di o-s-dv go-hu-s-di da-ga-dv-ne-li a-gi-wa-dv-do-di wi-na-s-dv-na gv-ni-dv?
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| And he said unto him, Why callest thou me good? there is none good but one, that is, God: but if thou wilt enter into life, keep the commandments.
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| ᎯᎠᏃ ᏄᏪᏎᎸᎩ; ᎦᏙᏃ ᎰᏍᏛ ᎢᏍᏉᏎᎭ? ᎥᏝ ᎩᎶ ᎣᏍᏛ ᏱᎩ ᏌᏉ ᎤᏩᏒᎯᏳ, ᎾᏍᎩ ᎤᏁᎳᏅᎯ. ᎠᏎᏃ ᏣᏚᎵᏍᎨᏍᏗ ᎬᏂᏛ ᏗᎨᏒ ᏫᏣᎾᏄᎪᎢᏍᏗᏱ ᏘᏍᏆᏂᎪᏓ ᏗᎧᎿᎭᏩᏛᏍᏗ.
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Hi-a-no nu-we-se-lv-gi; Ga-do-no ho-s-dv i-s-quo-se-ha? V-tla gi-lo o-s-dv yi-gi sa-quo u-wa-sv-hi-yu, na-s-gi U-ne-la-nv-hi. A-se-no tsa-du-li-s-ge-s-di gv-ni-dv di-ge-sv wi-tsa-na-nu-go-i-s-di-yi ti-s-qua-ni-go-da di-ka-hna-wa-dv-s-di.
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| He saith unto him, Which?  ᏥᏌ ᎯᎠ ᏄᏪᎡᎩ; ᎯᎠ, ᏞᏍᏗ ᏣᏓᎸᎩ; ᏞᏍᏗ ᏣᏓᏲᏁᎸᎩ; ᏞᏍᏗ ᏣᏃᏍᎩᏒᎩ; ᏓᎾᏓᏱᎵᏙᎲ ᏞᏍᏗ ᎦᏰᎪᎩ ᏣᏃᎮᎸᎩ;
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Hi-a nu-we-se-lv-gi; Ga-do u-s-di? Tsi-sa hi-a nu-we-e-gi; Hi-a, Tle-s-di tsa-da-lv-gi; Tle-s-di tsa-da-yo-ne-lv-gi; Tle-s-di tsa-no-s-gi-sv-gi; da-na-da-yi-li-do-hv Tle-s-di ga-ye-go-gi tsa-no-he-lv-gi;
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| Honour thy father and thy mother: and, Thou shalt love thy neighbour as thyself.
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| ᎯᎸᏉᏕᏍᏗ ᏣᏙᏓ ᎠᎴ ᏣᏥ; ᎠᎴ ᎾᏍᏉ ᎯᎠ; ᏨᏒ ᏂᏣᏓᎨᏳᏒ ᏂᎨᏳᏎᏍᏗ ᎾᎥ ᎢᏗᏍᏓᏓᎳ.
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Hi-lv-quo-de-s-di tsa-do-da a-le tsa-tsi; a-le na-s-quo hi-a; Tsv-sv ni-tsa-da-ge-yu-sv ni-ge-yu-se-s-di na-v i-di-s-da-da-la.
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| The young man saith unto him, All these things have I kept from my youth up: what lack I yet?
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| ᎠᏫᏅ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎯᎠ ᎾᏍᎩ ᏂᎦᏛ ᏓᎩᎧᎿᎭᏩᏕᏅ ᏥᏧᏣ ᎨᏒ ᏅᏓᎬᏩᏓᎴᏅᏛ, ᎦᏙ ᎠᏏ ᎠᎩᎷᎳ?
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A-wi-nv hi-a nu-we-se-lv-gi; Hi-a na-s-gi ni-ga-dv da-gi-ka-hna-wa-de-nv tsi-tsu-tsa ge-sv nv-da-gv-wa-da-le-nv-dv, ga-do a-si a-gi-lu-la?
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| Jesus said unto him, If thou wilt be perfect, go and sell that thou hast, and give to the poor, and thou shalt have treasure in heaven: and come and follow me.
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| ᏥᏌ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎢᏳᏃ ᏣᏍᏆᏗᏍᏗᏱ ᏣᏚᎵᏍᎨᏍᏗ, ᎮᎾ, ᏫᎾᏚᎦ ᏣᎿᎭᎥᎢ, ᎠᎴ ᏘᎲᏏ ᎤᏲ ᎢᏳᎾᏛᎿᎭᏕᎩ, ᎦᎸᎳᏗᏃ ᏫᏣᎮᏍᏗ ᏧᎬᏩᎶᏗ; ᎠᎴ ᏖᏒ ᏍᎩᏍᏓᏩᏕᏒᎭ.
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Tsi-sa hi-a nu-we-se-lv-gi; I-yu-no tsa-s-qua-di-s-di-yi tsa-du-li-s-ge-s-di, he-na, wi-na-du-ga tsa-hna-v-i, a-le ti-hv-si u-yo i-yu-na-dv-hna-de-gi, ga-lv-la-di-no wi-tsa-he-s-di tsu-gv-wa-lo-di; a-le te-sv s-gi-s-da-wa-de-sv-ha.
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| But when the young man heard that saying, he went away sorrowful: for he had great possessions.
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| ᎠᏎᏃ ᎠᏫᏅ ᎾᏍᎩ ᎤᏛᎦᏅ ᎤᏓᏅᏒᎩ ᎤᏲᎢᏳ ᎤᏰᎸᏅᎩ, ᎤᏣᏘᏰᏃ ᎤᏪᎿᎭᎢᏳ ᎨᏒᎩ.
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A-se-no a-wi-nv na-s-gi u-dv-ga-nv u-da-nv-sv-gi u-yo-i-yu u-ye-lv-nv-gi, u-tsa-ti-ye-no u-we-hna-i-yu ge-sv-gi.
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| Then said Jesus unto his disciples, Verily I say unto you, That a rich man shall hardly enter into the kingdom of heaven.
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| ᎿᎭᏉᏃ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸ ᎬᏩᏍᏓᏩᏗᏙᎯ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎤᏪᎿᎭᎢ ᏴᏫ ᎠᏍᏓᏱᏳ ᏭᏴᏍᏗᏱ ᎦᎸᎳᏗ ᎡᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.
|
|---|
Hna-quo-no tsi-sa hi-a ni-du-we-se-lv gv-wa-s-da-wa-di-do-hi; U-do-hi-yu-hi-ya hi-a ni-tsv-we-se-ha; u-we-hna-i yv-wi a-s-da-yi-yu wu-yv-s-di-yi ga-lv-la-di e-hi u-gv-wi-yu-hi ge-sv-i.
|
|---|
|
|---|
| And again I say unto you, It is easier for a camel to go through the eye of a needle, than for a rich man to enter into the kingdom of God.
|
|---|
| ᎠᎴᏬ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎤᏟ ᎠᎯᏗᏳ ᎨᎻᎵ ᎤᎦᏛᎴᎯᏍᏗᏱ ᏴᎩ ᎦᏏᏁᎾᏛᏗᏱ ᎡᏍᎦᏉ ᎤᏪᎿᎭᎢ ᏴᏫ ᏭᏴᏍᏗᏱ ᎤᏁᎳᏅᎯ ᎤᎬᏫᏳᎯ ᎨᏒᎢ.
|
|---|
A-le-wo hi-a ni-tsv-we-se-ha; u-tli a-hi-di-yu ge-mi-li u-ga-dv-le-hi-s-di-yi yv-gi ga-si-ne-na-dv-di-yi e-s-ga-quo u-we-hna-i yv-wi wu-yv-s-di-yi U-ne-la-nv-hi u-gv-wi-yu-hi ge-sv-i.
|
|---|
|
|---|
| When his disciples heard it, they were exceedingly amazed, saying, Who then can be saved?
|
|---|
| ᎬᏩᏍᏓᏩᏗᏙᎯᏃ ᎤᎾᏛᎦᏅ ᎤᏣᏔᏅᎯ ᎤᏂᏍᏆᏂᎪᏒᎩ, ᎯᎠ ᏄᏂᏪᏒᎩ ᎦᎪᏃ ᏰᎵ ᏯᏥᏍᏕᎸ?
|
|---|
Gv-wa-s-da-wa-di-do-hi-no u-na-dv-ga-nv u-tsa-ta-nv-hi u-ni-s-qua-ni-go-sv-gi, hi-a nu-ni-we-sv-gi Ga-go-no ye-li ya-tsi-s-de-lv?
|
|---|
|
|---|
| But Jesus beheld them, and said unto them, With men this is impossible; but with God all things are possible.
|
|---|
| ᏥᏌᏃ ᎾᏍᎩ ᏚᎧᎿᎭᏅ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᏴᏫ ᎨᏒ ᎥᏝ ᎾᏍᎩ ᏱᏅᎦᎵᏍᏓ, ᎤᏁᎳᏅᎯᏍᎩᏂ ᎨᏒ ᏂᎦᎥ ᎪᎱᏍᏗ ᎢᏳᎵᏍᏙᏗᏉ.
|
|---|
Tsi-sa-no na-s-gi du-ka-hna-nv hi-a ni-du-we-se-lv-gi; Yv-wi ge-sv v-tla na-s-gi yi-nv-ga-li-s-da, U-ne-la-nv-hi-s-gi-ni ge-sv ni-ga-v go-hu-s-di i-yu-li-s-do-di-quo.
|
|---|
|
|---|
| Then answered Peter and said unto him, Behold, we have forsaken all, and followed thee; what shall we have therefore?
|
|---|
| ᎿᎭᏉᏃ ᏈᏓ ᎤᏁᏨ ᎯᎠ ᏄᏪᏎᎸᎩ; ᎬᏂᏳᏉ ᎠᏴ ᏂᎦᏗᏳ ᏙᎩᏲᏐᏅ ᎠᎴ ᎢᏨᏍᏓᏩᏕᏅ; ᎦᏙᏃ ᎠᏴ ᏓᏲᏥᏩᏛᎯ?
|
|---|
Hna-quo-no Qui-da u-ne-tsv hi-a nu-we-se-lv-gi; Gv-ni-yu-quo a-yv ni-ga-di-yu do-gi-yo-so-nv a-le i-tsv-s-da-wa-de-nv; ga-do-no a-yv da-yo-tsi-wa-dv-hi?
|
|---|
|
|---|
| And Jesus said unto them, Verily I say unto you, That ye which have followed me, in the regeneration when the Son of man shall sit in the throne of his glory, ye also shall sit upon twelve thrones, judging the twelve tribes of Israel.
|
|---|
| ᏥᏌᏃ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎠᏓᏁᏟᏴᏒᎢ, ᏴᏫ ᎤᏪᏥ ᎦᏅᎭ ᎦᎸᏉᏗᏳ ᎤᏪᏍᎩᎸᎢ, ᏂᎯ ᏍᎩᏍᏓᏩᏛᏛ ᎾᏍᏉ ᎢᏥᏁᏍᏗ ᏔᎳᏚ ᏕᎦᏍᎩᎸᎢ, ᏕᏧᎪᏓᏁᎮᏍᏗ ᏔᎳᏚ ᎾᏂᎳᏍᏓᎸ ᎢᏏᎵ.
|
|---|
Tsi-sa-no hi-a ni-du-we-se-lv-gi; U-do-hi-yu-hi-ya hi-a ni-tsv-we-se-ha; a-da-ne-tli-yv-sv-i, Yv-wi U-we-tsi ga-nv-ha ga-lv-quo-di-yu u-we-s-gi-lv-i, ni-hi s-gi-s-da-wa-dv-dv na-s-quo i-tsi-ne-s-di ta-la-du de-ga-s-gi-lv-i, de-tsu-go-da-ne-he-s-di ta-la-du na-ni-la-s-da-lv I-si-li.
|
|---|
|
|---|
| And every one that hath forsaken houses, or brethren, or sisters, or father, or mother, or wife, or children, or lands, for my name's sake, shall receive an hundredfold, and shall inherit everlasting life.
|
|---|
| ᎠᎴ ᎾᏂᎥ ᎩᎶ ᏧᏅᏕᏨᎯ ᏓᏂᏁᎸᎢ, ᎠᎴ ᎠᎾᎵᏅᏟ ᎠᎴ ᏧᏂᏙ, ᎠᎴ ᏧᏂᏙᏓ, ᎠᎴ ᏧᏂᏥ, ᎠᎴ ᏧᎾᏓᎵᎢ, ᎠᎴ ᏧᏁᏥ, ᎠᎴ ᎦᏙᎯ, ᏓᏆᏙᎥ ᏅᏗᎦᎵᏍᏙᏗᏍᎨᏍᏗ, ᎤᏂᏩᏛᏗ ᎨᏎᏍᏗ ᎠᏍᎪᎯᏧᏈ ᎤᏁᏉᏨᎯ, ᎠᎴ ᎤᎾᏤᎵ ᎢᏳᎵᏍᏙᏗ ᎨᏎᏍᏗ ᎬᏂᏛ ᏫᎾᏍᏛᎾ.
|
|---|
A-le na-ni-v gi-lo tsu-nv-de-tsv-hi da-ni-ne-lv-i, a-le a-na-li-nv-tli a-le tsu-ni-do, a-le tsu-ni-do-da, a-le tsu-ni-tsi, a-le tsu-na-da-li-i, a-le tsu-ne-tsi, a-le ga-do-hi, da-qua-do-v nv-di-ga-li-s-do-di-s-ge-s-di, u-ni-wa-dv-di ge-se-s-di a-s-go-hi-tsu-qui u-ne-quo-tsv-hi, a-le u-na-tse-li i-yu-li-s-do-di ge-se-s-di gv-ni-dv wi-na-s-dv-na.
|
|---|
|
|---|
| But many that are first shall be last; and the last shall be first.
|
|---|
| ᎠᏎᏃ ᎤᏂᏣᏔ ᎢᎬᏱ ᏥᎩ ᎣᏂᏱ ᎨᏎᏍᏗ; ᎣᏂᏱᏃ ᏥᎩ ᎢᎬᏱᎢᎨᏎᏍᏗ.
|
|---|
A-se-no u-ni-tsa-ta i-gv-yi tsi-gi o-ni-yi ge-se-s-di; o-ni-yi-no tsi-gi i-gv-yi-i-ge-se-s-di.
|
|---|


THE WOMEN
May 2009
Director - Cynthia Tittle Welborn
Asst. Director - Susan Mangum
THE CAST
Mary (Mrs. Stephen Haines) - Lacy Hinton
Sylvia (Mrs. Howard Fowler) - Frankie Bennett
Peggy (Mrs. John Day) - Annalee Patrick
Edith (Mrs. Phelps Potter) - Pam Johnson
Little Mary - Woodsen Pryne / Lydia Myers
Mrs. Moorehead - Cindy Rice
Countess De Lage - Pattie Bush
Crystal Allen - Amanda Robertson
Nancy Blake - Linda Cranford
Miriam Aarons / PRINCESS TAMARA - Sara Claire Lightsey
Jane/Girl in Distress - Anne LaBelle
Maggie - Henrietta Brown
Miss Watts - Jennifer Rogers
Miss Trimmerback - Sherry Lowe
Nurse - Christine Lightsey
Helen / Pedicurist - Kayla Creel
Exercise Instructress - Juna Broome
Miss Fordyce / DOWAGER - Georgie Craig
Lucy - Misty Smith
Second Hairdresser / FIRST MODEL / SECOND SOCIETY WOMAN - Paula Pierce
Euphie / Debutante - Sarah Stetelman
Olga - Amber Cruise
First Salesgirl / FIRST GIRL - Teresa Raybourn
Second Salesgirl / SECOND GIRL / FIRST HAIRDRESSER - Nora Ladd
First Saleswoman / FIRST SOCIETY WOMAN - Pam Leggett
Second Saleswoman / SADIE - Tana Henderson
Cigarette Girl - Melina Waldrop
Debutante - Kelsey Robinson


Connect a tf.debugging.check_numerics
to every floating point tensor.
tf.compat.v1.add_check_numerics_ops()
check_numerics
operations themselves are added for each half
, float
,
or double
tensor in the current default graph. For all ops in the graph, the
check_numerics
op for all of its (half
, float
, or double
) inputs
is guaranteed to run before the check_numerics
op on any of its outputs.
Note: This API is not compatible with the use of tf.cond
or
tf.while_loop
, and will raise a ValueError
if you attempt to call it
in such a graph.
A group
op depending on all check_numerics
ops added.
ValueError
: If the graph contains any numeric operations in a control flow
structure.RuntimeError
: If called with eager execution enabled.Not compatible with eager execution. To check for Inf
s and NaN
s under
eager execution, call tfe.seterr(inf_or_nan='raise')
once before executing
the checked operations.


Puppeteer Demo
How to use Puppeteer to take webpage screenshots and generate dynamic Open Graph images for social sharing
Tada! Here's your web page screenshot! 🎉
Enter the url of a web page including https://
Oh no! Something went wrong. Try again!
Generate screenshot


Solving Stefan (moving-boundary) formulation of a diffusion problem using numerical and symbolic computing - Part 2
15 Feb 2021In the previous post, I quickly demonstrated the formulation of a moving-boundary problem for a 1D case, but in the end, we reached a problem related to the complexity of the derived equation. The complexity led to NotImplementedError
, which means that the symbolic solver is not capable of solving that. As an alternative solution, in this post, we switch to a numerical solver to obtain the value of through the following equation (see previous post for further explanation of this):
To this end, we use Newton method, an iterative method to find the root of an equation. We reformulate the above equation and use the Newton method to find the value of the root, which will be in this case.
Newton method works based on evaulation of the following iterative equation:
We start by guessing the initial value of , and then successively find a new value of and replace it with again. The desired function in our case can be defined based on the above expression for :
with being:
Sympy can be used to easily calculate the derivative of . Similar to the previous post, we define appropriate symbols in Sympy, but this time, we also assign some numerical values to them for facilitating further evaluations.
from sympy import init_session
init_session(quiet=True)
D_value = 0.00075
c_0 = 0
c_sol = 1735
c_sat = 134
C_value = (c_0 - c_sat)/(c_sol - c_sat)
a, D, C = symbols("alpha, D, C", positive=True)
func = a - C * sqrt(D/pi) * exp(-a**2/D) / erfc(-a/sqrt(D))
Eq(func, 0)
which produces the following output:
Now, we can simply calculate the derivitive of :
dfunc = diff(func, a)
dfunc
which results to:
Although this looks a bit complicated, we don’t care about the complexity as Sympy will take care of the evaluation of this expression for obtaining in each iteration. Let’s define some functions for the corresponding terms in the Newton method equation:
func = func.subs([(D, D_value), (C, C_value)])
dfunc = dfunc.subs([(D, D_value), (C, C_value)])
def F(x):
return func.subs(a, x).evalf()
def dF(x):
return dfunc.subs(a, x).evalf()
And then, a pretyy simple declaration of the iterative Newton method:
def dx(f, x):
return abs(0-f(x))
def newtons_method(f, df, x0, e, verbose=False):
delta = dx(f, x0)
while delta > e:
x0 = x0 - f(x0)/df(x0)
delta = dx(f, x0)
if verbose:
print ('Delta is ', delta)
print ('>>>>> Root is at ', x0)
print ('>>>>> f(x) at root is ', f(x0))
return x0
In this definition, the code stops iterating when the error drops below a certain threshold (passed by e
to the function).
Okay, everything is ready so far. We can start the iterations by calling newtons_method(F, dF, x0, 1e-7, True)
, in which x0
is the initial point to start with and the error threshold is . But, a better approach can be running the process for various start points and see if they all reach the same result or not:
x0s = [0, .5, 1]
for x0 in x0s:
newtons_method(F, dF, x0, 1e-7, True)
which generates this output, indicating that the value of is with the selected values for the chemical parameters:
Delta is 8.68237762054906e-7
Delta is 3.82565589437956e-13
>>>>> Root is at -0.00136691381199428
>>>>> f(x) at root is 3.82565589437956e-13
Delta is 0.00129321032032748
Delta is 8.68237762054906e-7
Delta is 3.82565589437956e-13
>>>>> Root is at -0.00136691381199428
>>>>> f(x) at root is 3.82565589437956e-13
Delta is 0.00129321032032748
Delta is 8.68237762054906e-7
Delta is 3.82565589437956e-13
>>>>> Root is at -0.00136691381199428
>>>>> f(x) at root is 3.82565589437956e-13
As you can see, the selected initial points all have converged to the same value, but of course the number of iterations is different to reach the root.


Probability and Mathematical Statistics in Data Science
Fall 2019 - Ani Adhikari
Home
About
Staff
Course Information
Textbook
Resources
Weekly Schedule
Acknowledgments
Announcements!
(
See All
)
12/3 Homework 14 has been released and is due Tues Dec 12/10 at 11:59 PM!
Resources
Inference Corequisites
Data 8 -
Course Website
and
Textbook


Don't know your Bitly username and/or API key? Go to https://bitly.com/a/your_api_key to find out.
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| Vendor Name: | Desormeaux, Gerard |
| Reference Number: | 26479 |
| Contract Date: | 2007-10-05 |
| Description of Work: | 0499 Other Professional Services not Elsewhere Specified |
| Contract Period: | 2007-10-11 to 2008-03-31 |
| Contract Value: | $12,375.00 |
| Comments: | Quality assurance testing of Intranet site |


Twin Fangs
The Vampire wields melee weapons in both hands to attack with great speed.
Dual Wield Only, Sword, Axe, Mace, Thrown Weapon
${value}% Chance to be Used
10 14 18 22 26 30 34 38 42 46
Launches ${value} Projectile(s)
1
${value} Piercing Damage
min: 5.0
MaxLevel
6
UltimateLevel
10


Pumpkin spice, barista fair trade and in americano coffee beans white. Lungo instant cinnamon extraction foam white extra redeye. Con panna, chicory, redeye variety, espresso, spoon brewed aged a cultivar grinder.
Buy CoffeeAffogato sugar spoon trifecta as iced espresso, aged aroma con panna breve sweet. Mocha sit robust et viennese crema mocha at single origin. Turkish beans grounds espresso plunger pot blue mountain brewed crema cultivar viennese. Extraction, id, crema, single origin est aftertaste cortado, frappuccino extraction et roast saucer. Ut milk aged half and half at affogato crema strong percolator in variety black. Galão, white redeye that organic qui saucer half and half. Turkish cup single origin, con panna grounds, galão, decaffeinated sweet seasonal steamed fair trade medium. Fair trade mocha, cultivar lungo espresso, foam crema black in decaffeinated doppio.
Dripper, barista, variety frappuccino instant dripper strong. Cup strong froth, mocha froth milk beans aged espresso aged americano extraction. Cream robusta flavour café au lait ut latte barista iced filter aged. Java aftertaste rich a, trifecta café au lait cup saucer mocha filter. Americano at aged frappuccino iced breve aged wings java.
Mazagran strong froth roast, black mazagran arabica flavour irish. Strong, in con panna, barista iced, pumpkin spice, french press medium aromatic cream seasonal kopi-luwak. Grounds crema, java café au lait con panna, pumpkin spice extraction caramelization sweet percolator. Frappuccino java roast siphon, affogato con panna galão iced robusta. So, dripper shop decaffeinated con panna, cup sit wings id coffee macchiato.


top
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| next
IntType Class
Definition at line 111
of Type.hpp
Constructors
Member Functions
Member Variables
Constructor Details
IntType Constructor
cmsxi::IntType::IntType()
Definition at line 87
of Type.cpp
:
87 : PrimitiveType(intTypeId)
88 {
89 }
Declaration at line 114
of Type.hpp
Member Function Details
DefaultValue Member Function
ConstantValue
* cmsxi::IntType::DefaultValue() override
Definition at line 115
of Type.hpp
:
115 { return &defaultValue; }
Base class overridden functions: cmsxi::Type::DefaultValue
top
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jmove left
lmove right
hmove down
spacedrop
krotate counter-clockwise
irotate clockwise
ppause/resume game
Pentris, © 2016 Patrick Fournier. This is a rewrite of the Pentris game I wrote for the Mac in 1993. Code licensed under the Apache License 2.0.
Additional resources:


Tide Status
Github search queries that define all merge requirements:
Repo
State
Batch
Passing
Pending
Missing


About Me
Hi my name is Javier Mejia, I'm originally from San Diego, CA & a first generation Mexican-American college student at Seattle Central Community College doing the Software Development & Testing track through Year up. I'm an emerging professional with a versatile background jack of all trades experience from being in assistant in different roles such as chiropractic to accounting. I'm currently a project administrator for fall systems company where I'm in charge of finding & submitting bids for projects looking for fall protections such as fall restraint & window washing systems from schools, high rise buildings & government official jobs. Now I'm in school for software development & testing track where I look to gain skills to move me into my next career whether that's in project management or with data analysis/analytics.
Copyright [2014-2020] [Javier Mejia]. Licensed under the Apache License, Version 2.0


---
layout: default
title: Assurance Level Requirement (draft)
lang: en
altLang: fr
altLangPage: niveau-d'assurance
collectionDirectory: views-vues/assurance-level-requirement
version: Assessment Version 1.0
moreInfo: more info
questions:
"1": Inconvenience, distress, loss of standing or reputation
"1-a1": An inconvenience, distress or damage to the standing or reputation of any party
"1-a2": A serious short-term or a limited long-term inconvenience, distress or damage to the standing or reputation of any party
"1-a3": A serious long-term inconvenience, distress or damage to the standing or reputation of any party
"1-a4": A severe and permanent inconvenience, distress or damageto the standing or reputation of any party
"1-hint-a1":
- Alternatives are available with little or no delay and no additional costs or degradation of service quality
- Minor embarrassment
"1-hint-a2":
- Alternatives are readily available
- Loss of reputation or standing between the principals
- Loss of trust or confidence between principals
"1-hint-a3":
- Alternatives are not readily available
- Loss of reputation or standing beyond the principals (including third parties)
- Loss of trust or confidence beyond the principals (including third parties)
"1-hint-a4":
- Alternatives are not available
- Wide-scale permanent loss of reputation or standing
- Wide-scale permanent loss of trust or confidence
"2": Financial loss
"2-a1": A financial loss
"2-a2": A minor financial loss to any party (Note: The severity of the loss depends on the impact of the loss on the affected party)
"2-a3": A major financial loss to any party (Note: The severity of the loss depends on the impact of the loss on the affected party)
"2-a4": An extreme financial loss to any party (Note: The severity of the loss depends on the impact of the loss on the affected party)
"2-hint-a1":
- Financial loss that has no impact on the financial standing of an individual or organization
"2-hint-a2":
- Financial loss that has no impact or only an insignificant material impact on the financial standing of an individual or organization
- A budgetary impact that may require reallocation of funds but no additional financing
"2-hint-a3":
- Loss of a financial amount that has a significant material impact on the financial standing of an individual or organization
- A budgetary impact that may require re-allocation of funds and additional financing
"2-hint-a4":
- Loss of a financial amount that severely jeopardizes the financial standing of an individual or organization
- Financial restructuring may be required
"3": Harm to program or to public interest
"3-a1": An adverse effect on any government organization, program, asset or the public interest
"3-a2": A limited adverse effect on a government organization (i.e., it can perform its primary function but with reduced effectiveness), program, organizational asset or the public interest
"3-a3": A serious adverse effect on a government organization (i.e., it can perform its primary function with significantly reduced effectiveness), program, organizational asset or the public interest
"3-a4": A catastrophic effect on a government organization (i.e., it is unable to perform its primary function), program, organizational asset or the public interest
"3-hint-a1":
- No noticeable reduction in effectiveness of a primary function of an organization
- No compromise to a critical asset
- No loss of public confidence
"3-hint-a2":
- Noticeably reduced effectiveness of a primary function of an organization
- No compromise to a critical asset
- Temporary loss of public confidence
"3-hint-a3":
- Significantly reduced effectiveness of a primary function of an organization
- Compromise to a critical asset
- Long-term loss of public confidence
"3-hint-a4":
- Unable to perform primary function of an organization
- Major damage to or potential loss of a critical asset
- Permanent loss of public confidence
"4": Unauthorized release of sensitive personal or commercial information
"4-a1": A loss of personal privacy or breach of personal or commercial information
"4-a2": A limited adverse effect on an individual or institution due to the loss of confidentiality or breach of privacy resulting from unauthorized release or improper disclosure of sensitive personal or commercial information
"4-a3": A serious adverse effect on an individual or institution due to the loss of confidentiality or breach of privacy resulting from unauthorized release or improper disclosure of sensitive personal or commercial information
"4-a4": A catastrophic effect on an individual or institution due to the loss of confidentiality or breach of privacy resulting from unauthorized release or improper disclosure of sensitive personal or commercial information
"4-hint-a1":
- No loss of privacy
- No increase in public scrutiny or media attention
"4-hint-a2":
- Loss of privacy, unwanted surveillance, tracking, monitoring, data profiling or data matching
- Loss of confidence in the organization compromised business relationships or decreased competitive standing
- Loss of competitive advantage
"4-hint-a3":
- Potential inability to fulfill legal or contractual obligations
- Damage to business relationships requiring legal remedies
"4-hint-a4":
- Disruption of social order or civil unrest
- Loss of business continuity
- Cessation of business relationships
- Market volatility
- Loss of authority (e.g., due to intervention external party)
"5": Unauthorized release of sensitive government information (non-personal information)
"5-a1": A loss of confidentiality
"5-a2": A limited adverse effect on organizational operations and assets due to a loss of confidentiality resulting from the release of sensitive government information to unauthorized parties
"5-a3": A serious adverse effect on organizational operations and assets due to a loss of confidentiality resulting from the release of sensitive government information to unauthorized parties
"5-a4": A catastrophic effect on organizational operations and assets due to a loss of confidentiality resulting from the release of sensitive government information to unauthorized parties
"5-hint-a1":
- No increase in public scrutiny or media attention
"5-hint-a2":
- Loss of public confidence
- Increase of public scrutiny or media attention
- Diminished program integrity
"5-hint-a3":
- Increased oversight (e.g., increased audits, more stringent approval processes)
- Temporary revocation of departmental authorities
- Compromise to critical asset
"5-hint-a4":
- Loss of continuity of critical government services
- Erosion or loss of departmental authorities
- Major damage to or potential loss of a critical asset
- Irreversible damage to public trust
"6": Civil or criminal violations
"6-a2": A violation that may have minor consequences
"6-a3": A violation that may have serious consequences
"6-a4": A violation that may have exceptionally grave consequences
"6-hint-a2":
- False claims or wrongful actions having minor financial or legal implications and which pertain to the individual only
- The violation does not ordinarily require disciplinary, investigative or enforcement action
- The violation may result in a summary offence
"6-hint-a3":
- False claims or wrongful actions significant financial or legal implications and which may also pertain to third parties (e.g., trustees acting on behalf of the individual)
- Violation could require disciplinary, investigative or enforcement action
- The violation may result in an indictable offence (e.g., criminal offence)
"6-hint-a4":
- False claims or inaccurate representations in relation to services or transactions where the safety and well-being of the individual or other affected parties may be jeopardized
- The violation requires disciplinary, investigative or enforcement action
- The violation may result in an indictable offence of a serious nature (e.g., terrorism)
"7": Personal health and safety
"7-a2": A minor personal injury not requiring medical attention
"7-a3": A personal injury requiring medical attention
"7-a4": A serious personal injury or death
"7-hint-a2":
- No physical injury or psychological distress that requires treatment by first-aid personnel or health care professional
"7-hint-a3":
- A physical injury or psychological distress that requires treatment by first-aid personnel or health care professional
"7-hint-a4":
- A physical injury or psychological distress that requires an emergency response
"8": National interest
"8-a2": A disadvantage to the national interest
"8-a3": An injury to the national interest
"8-a4": A serious or exceptionally grave injury to the national interest
"8-hint-a2":
- Any issue that may result in a disadvantage to the national interest
"8-hint-a3":
- Any issue that is reasonably expected to cause injury to the national interest
"8-hint-a4":
- Any issue that is reasonably expected to cause serious or exceptionally grave injury to the national interest
detail:
"1": Assessor
"2": Program Activity, Service or Transaction
"2a": Activity
"3": Department
"3b": Select a department
"4": Date
otherLabel: If Other, please specify
other: Other
assurance:
"1": If the program, activity, service or transaction above is compromised, it could reasonably be expected to cause NO to MINIMAL harm.
"2": If the program, activity, service or transaction above is compromised, it could reasonably be expected to cause MINIMAL to MODERATE harm.
"3": If the program, activity, service or transaction above is compromised, it could reasonably be expected to cause MODERATE to SERIOUS harm.
"4": If the program, activity, service or transaction above is compromised, it could reasonably be expected to cause SERIOUS to CATASTROPHIC harm.
level: Required Level
assessment: Assessment
rationale: Rationale
potentialHarm: Potential Harm
overallAssessment: Overall Assessment
detailTitle: Details
assuranceTitle: Assurance Levels
notApplicableAbbr: N/A
assuranceQuestion: To determine the level of assurance required, complete the following sentence using the statements in the cells below and check the appropriate boxes
assuranceSentence: "If the program, activity, service or transaction above is compromised, it could result in…"
printButton: Print / Download PDF
afterwards: Afterwards
postOpening: The following table outlines what departments should do when a selected authentication option is equal to the assurance level requirement determined above and when the selected option is lower than the assurance level requirement determined above.
authentication: Authentication Option
implementation: Implementation Option
withinDepartment: Within the Department
anotherParty: Rely On Another Party
authOption:
"1": Equal to assurance level requirement
"1a": - Ensure that department complies with requirements for assurance level requirement determined above
"1b":
- Ensure that provider complies with requirements for assurance level requirement determined
If participant in federation:
- Ensure that member (or service provider) meets criteria established by federation to provide assurance level determined above
"2": Lower than assurance level requirement
"2a":
- Provide rationale for selecting implementation using lower assurance level (e.g., cost, usability, mandatory service, technical feasibility)
- Describe potential threats and vulnerabilities that might be exploited, including breaches
- Describe risk mitigation measures for identity, credential and/or authentication risk
- Include descriptions of the following:
- Compensating factors
- Other safeguards
- Acceptance of risk
- Ensure that department complies with requirements for lower assurance level requirement determined above
"2b":
- Provide rationale for selecting provider at lower assurance level (e.g., cost, usability, mandatory service, technical feasibility)
- Describe potential threats and vulnerabilities that might be exploited, including breaches with the department or the provider
- Describe risk mitigation measures, including terms and conditions in specified in contracts or agreements with provider or federation members
- Include descriptions of:
- Compensating factors
- Other safeguards
- Acceptance of risk
If participant in federation:
- Ensure that member (or service provider) meets criteria established by federation to provide assurance level as determined above
- Ensure that department understands its responsibilities for managing residual risk
---
{% include views-vues/assurance-level-requirement/assurance-level-details.html %}
{% include views-vues/assurance-level-requirement/assurance-level-questionnaire.html %}
{% include views-vues/assurance-level-requirement/assurance-level-resultats.html %}
{% include views-vues/assurance-level-requirement/assurance-level-post.html %}


More dreich than braw – ‘most iconic Scots word’ revealed
Dreich is defined as ‘dreary, hard to bear’ and ‘dull, gloomy’ and received 259 of the 1,895 votes cast in the poll.
Dreich has beaten braw, glaikit and scunnered to be named as the “most iconic Scots word” by the Scottish Book Trust.
It received 259 of the 1,895 votes cast in a poll as part of Book Week Scotland which was run with the hope of prompting discussion around well-loved and well-used words.
Originally meaning “enduring” or “slow, tedious”, over time dreich has come to be defined as “dreary, hard to bear” and “dull, gloomy”.
Scottish Book Trust chief executive Marc Lambert said: “We were overwhelmed by the many submissions for our iconic Scots words vote – it’s certainly a subject close to people’s hearts.
“Dreich is such an evocative word with the ability to sum up the Scottish weather – or mood – perfectly. It’s also a word that is very well used here in Scotland and beyond.
“It’s fantastic to see the vibrant conversation around Scots language as we celebrate Book Week Scotland.”
The top 10 words were:
1. Dreich – 259 votes
2. Glaikit – 225 votes
3. Scunnered – 199 votes
4. Shoogle – 125 votes
5. Wheest – 114 votes
6. Fankle – 93 votes
7. Outwith – 80 votes
8. Braw – 77 votes
9. Beastie – 76 votes
10. Bumfle – 59 votes


--- layout: post title: 'LIFT07: Going virtual in proportion to being actual, Sister Judith Zoebelein' date: 2007-02-08 00:00:00 categories: digital-media social ---
LIFT07: Going virtual in proportion to being actual, Sister Judith Zoebelein
Franciscan sister of the Eucharist. Tries to play some video but it doesn't work. I bite off my tongue. She's a mac user :)
The power of the internet relies in a great part on symbol and subliminal effect.
Internet permits us into a global reality. What I have to say applies to a certain setting, but I think it also applies globally.
Opened a single-page Vatican site Christmas 1995. The church has been a network around the world for centuries. The idea of a local parish centring people through worship and outreach is fading in North America and Europe. Sometimes when I'm using Skype and see how many others are there, I feel part of a community. And at the same time threatened by "rangerdude", who keeps trying to call me.
In SimCity, I can go online and become what I dreamed of: a professional baseball player (I think she means The Sims).
Any community should give a greater sense of personhood.
Talks about an e-learning course they ran, on suffering. But the group for this course meets face-to-face. "The anonymity of the internet must lead to the desire for an actual human encounter". It's a basic lesson of the church: "there must be a sacramentality to our lives". A supporting module lets viewers walk with Pope John Paul.
Q: The vatican site preaches. Why is it not more "web 2.0" (conversational)?
A: It was initially planned as an archive, and what's up there reflects that.
Q: Are you looking at other models like MySpace, SecondLife, etc?
A: Yes. We want to establish sub-groups for different areas of the world.
Aside: is anything more virtual than God?


| Name | Start Working | End Working | Breaks | Tasks | Driving in Km. | Over Time |
|---|---|---|---|---|---|---|
| Lorem ipsum | 01-01-18, Mon | 10:00am | 07-01-18, Mon | 04:00pm | 1 | Lorem ipsum | 1 | 1 |
| Lorem ipsum | 01-01-18, Mon | 10:00am | 07-01-18, Mon | 04:00pm | 1 | Lorem ipsum | 1 | 1 |
| Lorem ipsum | 01-01-18, Mon | 10:00am | 07-01-18, Mon | 04:00pm | 1 | Lorem ipsum | 1 | 1 |
| Lorem ipsum | 01-01-18, Mon | 10:00am | 07-01-18, Mon | 04:00pm | 1 | Lorem ipsum | 1 | 1 |


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JavaScript
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Savar Laboratory College Online Exam System
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public interface ResultSetInfo
jakarta.resource.cci.ResultSetInfo
provides
information on the support provided for ResultSet by a connected
EIS instance. A component calls the method
Connection.getResultInfo
to get the ResultSetInfo instance.
A CCI implementation is not required to support
jakarta.resource.cci.ResultSetInfo
interface. The
implementation of this interface is provided only if the CCI
supports the ResultSet facility.
Connection
,
ResultSet
,
ConnectionMetaData
| Modifier and Type | Method and Description |
|---|---|
boolean |
deletesAreDetected(int type)
Indicates whether or not a visible row delete can be detected by
calling ResultSet.rowDeleted.
|
boolean |
insertsAreDetected(int type)
Indicates whether or not a visible row insert can be detected
by calling ResultSet.rowInserted.
|
boolean |
othersDeletesAreVisible(int type)
Indicates whether deletes made by others are visible.
|
boolean |
othersInsertsAreVisible(int type)
Indicates whether inserts made by others are visible.
|
boolean |
othersUpdatesAreVisible(int type)
Indicates whether updates made by others are visible.
|
boolean |
ownDeletesAreVisible(int type)
Indicates whether a ResultSet's own deletes are visible.
|
boolean |
ownInsertsAreVisible(int type)
Indicates whether a ResultSet's own inserts are visible.
|
boolean |
ownUpdatesAreVisible(int type)
Indicates whether a ResultSet's own updates are visible.
|
boolean |
supportsResultSetType(int type)
Indicates whether or not a resource adapter supports a type
of ResultSet.
|
boolean |
supportsResultTypeConcurrency(int type,
int concurrency)
Indicates whether or not a resource adapter supports the
concurrency type in combination with the given ResultSet type/
|
boolean |
updatesAreDetected(int type)
Indicates whether or not a visible row update can be detected
by calling the method
ResultSet.rowUpdated . |
boolean updatesAreDetected(int type) throws ResourceException
ResultSet.rowUpdated
.type
- type of the ResultSet i.e. ResultSet.TYPE_XXXResourceException
- Failed to get the informationResultSet.rowUpdated()
boolean insertsAreDetected(int type) throws ResourceException
type
- type of the ResultSet i.e. ResultSet.TYPE_XXXResourceException
- Failed to get the informationResultSet.rowInserted()
boolean deletesAreDetected(int type) throws ResourceException
type
- type of the ResultSet i.e. ResultSet.TYPE_XXXResourceException
- Failed to get the informationResultSet.rowDeleted()
boolean supportsResultSetType(int type) throws ResourceException
type
- type of the ResultSet i.e. ResultSet.TYPE_XXXResourceException
- Failed to get the informationboolean supportsResultTypeConcurrency(int type, int concurrency) throws ResourceException
type
- type of the ResultSet i.e. ResultSet.TYPE_XXXconcurrency
- ResultSet concurrency type defined in
java.sql.ResultSetResourceException
- Failed to get the informationboolean othersUpdatesAreVisible(int type) throws ResourceException
type
- type of the ResultSet i.e. ResultSet.TYPE_XXXResourceException
- Failed to get the informationboolean othersDeletesAreVisible(int type) throws ResourceException
type
- type of the ResultSet i.e. ResultSet.TYPE_XXXResourceException
- Failed to get the informationboolean othersInsertsAreVisible(int type) throws ResourceException
type
- type of the ResultSet i.e. ResultSet.TYPE_XXXResourceException
- Failed to get the informationboolean ownUpdatesAreVisible(int type) throws ResourceException
type
- type of the ResultSet i.e. ResultSet.TYPE_XXXResourceException
- Failed to get the informationboolean ownInsertsAreVisible(int type) throws ResourceException
type
- type of the ResultSet i.e. ResultSet.TYPE_XXXResourceException
- Failed to get the informationboolean ownDeletesAreVisible(int type) throws ResourceException
type
- type of the ResultSet i.e. ResultSet.TYPE_XXXResourceException
- Failed to get the information


AMAZING PEOPLE ARE MAKING AMAZING DESIGNS IN A FUN ENVIRONMENT
when you are working with us, you are part of a team of commited collaborators.
All aspects of our software development process anre integrated, interactive
and agile.
Our approach unifies design, development and product management to create exeptional products.
We start each project by understanding your business goals, the user's needs and the product requirements
Then we help translate them into effective and elegant solutions.
Before we sign a contract or write a line of code, our team will spend the necessary
time needed to understand your product vision.
The out come of this scoping session is a proposal or high-level statement of work.
based on your requirements, we can provide a complete offering or just the pieces you need.
DESIGN
Our design practice offers a full range of
services
including brand strategy, interaction and visual design and user
experience testing.
Throughout your project, our designers create and implement visual
design and workflows,
solicit user feedback and work with you to make sure what gets built
is what is needed.
DEVELOPMENT
All engineers are fluent in the latest enterprise, mobile and web development technologies. They collaborate with your team to write, and improve code on a daily basis, using proven practices such as test-driven development and pair programming.
PRODUCT MANAGEMENT
Planning and development is iterative. Because we are constantly coding and testing, the products we build are always ready to go live. This iterative process allows for changes as business requirements evolve.


Sri Lanka election body declares Rajapaksa winner of presidential poll
COLOMBO (Reuters) - Sri Lanka’s election commission declared former defense secretary Gotabaya Rajapaksa as the winner of the presidential election on Sunday.
Rajapaksa won 52.25% of the votes, while his main rival and government minister Sajith Premadasa received 41.99%, the election commission said.
Premadasa has already conceded defeat.


BackDrive B2
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A climb up the famd UNESCO World Heritage site of Mt Kinabalu takes you through several dramatically different landscapes over the course o 24 hours. Dense Borneo rainforest gives way to an enchanted bonsai-like forest, to zen-rock garden and finally to the dramatic moonscape at the summit where it feels like you are walking on the surface of the moon.
Best time to visit:
October / March. Avoid monsoon season from November - February.
This is the regular climb up Mt Kinabalu, comprising a 8.5km trek (one way) to rach the summit at 4095m. This allows you an extra day in Kinabalu Park so that you can take your time for the climb.
HIGHTLIGHTS
Additional night's accommodation on the first day at Kinabalu Park HQ, less rushed morning
Breathtaking sunrise at the summit
Trek 20km over 2 days
FEATURED GUIDES
River Junkie
4.93(58)
9 years experience
Speaks English, Bahasa
"Popular local guide, highly reliable, wonderful guides who really take care of their guests."
US$481
Per person
Includes Meals & Accommodation,
Transport, Free cancellation
River Junkie
Donec sed odio dui. Nullam quis risus eget urna mollis ornare vel eu leo. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus.
River Junkie
4.93(58)
9 years experience
Speaks English, Bahasa
"Popular local guide, highly reliable, wonderful guides who really take care of their guests."
US$481
Per person
Includes Meals & Accommodation,
Transport, Free cancellation
Anim pariatur cliche reprehenderit, enim eiusmod high life accusamus terry richardson ad squid. 3 wolf moon officia aute, non cupidatat skateboard dolor brunch. Food truck quinoa nesciunt laborum eiusmod. Brunch 3 wolf moon tempor, sunt aliqua put a bird on it squid single-origin coffee nulla assumenda shoreditch et. Nihil anim keffiyeh helvetica, craft beer labore wes anderson cred nesciunt sapiente ea proident. Ad vegan excepteur butcher vice lomo. Leggings occaecat craft beer farm-to-table, raw denim aesthetic synth nesciunt you probably haven't heard of them accusamus labore sustainable VHS.
River Junkie
4.93(58)
9 years experience
Speaks English, Bahasa
"Popular local guide, highly reliable, wonderful guides who really take care of their guests."
US$481
Per person
Includes Meals & Accommodation,
Transport, Free cancellation
WHAT'S INCLUDED
1 night dormitory accommodation at Laban Rata Resthouse
1 night dormitory accommodation at Laban Rata Resthouse
1 night dormitory accommodation at Laban Rata Resthouse
EXTRAS
Entrance fees
Insurance
State park guide
...
...
...
FREQUENTLY ASKED QUESTIONS
Anim pariatur cliche reprehenderit, enim eiusmod high life accusamus terry richardson ad squid. 3 wolf moon officia aute, non cupidatat skateboard dolor brunch. Food truck quinoa nesciunt laborum eiusmod. Brunch 3 wolf moon tempor, sunt aliqua put a bird on it squid single-origin coffee nulla assumenda shoreditch et. Nihil anim keffiyeh helvetica, craft beer labore wes anderson cred nesciunt sapiente ea proident. Ad vegan excepteur butcher vice lomo. Leggings occaecat craft beer farm-to-table, raw denim aesthetic synth nesciunt you probably haven't heard of them accusamus labore sustainable VHS.
Anim pariatur cliche reprehenderit, enim eiusmod high life accusamus terry richardson ad squid. 3 wolf moon officia aute, non cupidatat skateboard dolor brunch. Food truck quinoa nesciunt laborum eiusmod. Brunch 3 wolf moon tempor, sunt aliqua put a bird on it squid single-origin coffee nulla assumenda shoreditch et. Nihil anim keffiyeh helvetica, craft beer labore wes anderson cred nesciunt sapiente ea proident. Ad vegan excepteur butcher vice lomo. Leggings occaecat craft beer farm-to-table, raw denim aesthetic synth nesciunt you probably haven't heard of them accusamus labore sustainable VHS.
Anim pariatur cliche reprehenderit, enim eiusmod high life accusamus terry richardson ad squid. 3 wolf moon officia aute, non cupidatat skateboard dolor brunch. Food truck quinoa nesciunt laborum eiusmod. Brunch 3 wolf moon tempor, sunt aliqua put a bird on it squid single-origin coffee nulla assumenda shoreditch et. Nihil anim keffiyeh helvetica, craft beer labore wes anderson cred nesciunt sapiente ea proident. Ad vegan excepteur butcher vice lomo. Leggings occaecat craft beer farm-to-table, raw denim aesthetic synth nesciunt you probably haven't heard of them accusamus labore sustainable VHS.
WHAT OTHER TRABLLER SAY?
First slide label
Nulla vitae elit libero, a pharetra augue mollis interdum.
Second slide label
Lorem ipsum dolor sit amet, consectetur adipiscing elit.
Third slide label
Praesent commodo cursus magna, vel scelerisque nisl consectetur.
Some quick example text to build on the card title and make up the bulk of the card's content.
Some quick example text to build on the card title and make up the bulk of the card's content.
Some quick example text to build on the card title and make up the bulk of the card's content.
Some quick example text to build on the card title and make up the bulk of the card's content.
DESTINATIONS
test
test
test
test
test
test
EXPLORE ADVENTURES
test
test
test
test
test
test
test
test
SEEK SOPHIE
test
test
test
test
Top-aligned media
Donec sed odio dui. Nullam quis risus eget urna mollis ornare vel eu leo. Cum sociis natoque penatibus et magnis dis parturient montes, nascetur ridiculus mus.


$def with (token) $:{RENDER("common/stage_title.html", ["Reset Forgotten Password"])}
Passwords must be a minimum of 10 characters.


A Syrian biscuit factory specializing in the manufacture of biscuits, wafers and high quality sandwiches. A Syrian biscuit factory specializing in the manufacture of biscuits, wafers and high quality sandwiches. A Syrian biscuit factory specializing in the manufacture of biscuits, wafers and high quality sandwiches.


My name is Abhishek Parmar. I am a senior in college. Everyone can agree that I am a good student and that I like to study. My favorite subjects are DS and AOA. My goal is to study these subjects in future and to become a respected professional in one of the fields.
I can say that I am a responsible and a hard-working student. Moreover, being a sociable person, I have many friends since I like to communicate with people and get to know new interesting individuals. I enjoy my time at college: it is really nice to study, the students are very friendly and ready to help. The atmosphere cannot but make me want to go there every time. I like to receive and deal with challenging tasks. I am a very enthusiastic student and I think this is a strong point of mine.
My friends say that I am a very funny and an interesting girl with a good sense of humor. As soon as I meet new people who are happy to meet me, I feel extremely comfortable with them. I believe that friendship is one of the most important values in human life. We exchange new ideas, find many interesting things about each other and experience new things. I appreciate friendship and people who surround me.


{% extends "base.html" %} {% block content %}
If you're green, you've ridden every day. If not, either you haven't (see Rule 5) or you need to upload your rides.
Yellow means you're one ride shy of every day and you haven't yet ridden today. Go ride today.
| Rider | Days | Miles |
|---|---|---|
| {{b}} | {{c}} | {{d | round(1)}} |


The first chant you see on the left side is a continuation of a sono, “Dominus refugium”. The Roman numerals indicate the different sections of the chant. The part of the chant you see takes its text from Psalm 90. First we have this: “he who dwells in the shadow of the most high shall abide under the protection of the God of Jacob.” Then, at Roman numeral III, we have this text: “his truth will surround you with a shield; you should not be afraid of the terror of the night, or of the arrow that flies by day, or of those who walk about by night, of ruin, or of the noonday demon.”
Like most of the Old Hispanic chant, this text was chosen for the time it was sung. This Sunday marked the mid-point of the penitential season of Lent. During the second half of Lent, the church commemorated Jesus’ suffering and death. Many of the chants are thus about persecution. This psalm was traditionally interpreted in the Christian tradition as foreshadowing the time when Jesus was tempted by the devil. For commentators such as Augustine, the words were also meant to give strength to Christians who are persecuted.
The second chant on the page, “Laudate dominum,” is called a laudes, which simply means “praise.” Its text always comes from one of the psalms that incorporate the word “praise.” This one is based on Psalm 148: “Praise the Lord from the earth, mountains and hills, fruitful trees and cedars, for his name alone is exalted. He has exalted the horn of his people; praise be to all his saints.”
Looking at the music of this chant, we can see that it has passages where a long melody was sung without text, such as here on “exalted.” Medieval writers talked about this textless music as reflecting a joy could not be expressed with words, and here this music seems to express the joy inherent in the word “exalted.” Likewise, here on the word “praise,” one of the options was to sing this very long melody without words, that is written in the margin.


Odumosu, Edgal become Lagos, Ogun CPs
by Adelani AdepegbaAdelani Adepegba, Abuja
The Inspector General of Police, Mohammed Adamu has ordered the immediate redeployment of seven Commissioners of Police.
They include acting CP Olusegun Odumosu who was posted to Lagos, Imohimi Edgal who is now the CP in charge of Ogun State command and Nkereuwem Akpan as CP, Cross River State.
Others are Kenneth Ebrimson, Akwa Ibom State; Habu Ahmadu, Kano State; Lawal Jimeta, Edo State and Philip Maku, Bauchi State Command.
The force spokesman, DCP Frank Mba in a statement on Thursday in Abuja, said the IG tasked the officers to ensure “the consolidation and improvement on the gains of their predecessors in the areas of public safety and crime-fighting.”
Adamu also directed the new Commissioners of Police to work with relevant stakeholders in adopting “aggressive, proactive and community-based crime prevention strategies to combat crime in their areas of responsibility.”
In addition, Adamu admonished the citizens of the affected states to accord the CPs maximum cooperation to ensure they succeeded in the realisation of their mandate.


- New: Option to always sync play time from remote library
- Fix: Some GOG games being imported with broken "Play" action
- Fix: Search/Filter boxes behaving incorrectly
- Fix: Play time counting doesn't work properly for some Steam games
- Fix: Import of Battle.net games fails if beta games are installed
- Fix: Filter menu not appearing after going into application settings
- Fix: Various crashes


Ruamrudee Internatioanl School is an international school located in Minburi District
It was founded in 1957, and Ruamrudee International School has been one of the leading school in Thailand.
The school has three sections, Elementary Middle School and HIgh School.
Elementary School principal:
Middle School principal: Ms. Gretchen


The web is made up of HTML (Hypertest Markup Language) and hyperlinks and was invented in 1990s with over 30 billion pages.HTML is made up of:
Text Content (What you can see)
Markup (What it looks like)
References to other documents (e.g. images & video)
Links to other pages
*Note - Plain text is plain text in HTML
HTML markups are made up of tags. Some tags have opening and closing tags. Others (Void tags) do not have closing tags. In HTML all "whitespace" (e.g. multiple lines) displays as a single line.  A Tag is an HTML that is always contained within angled brackets unless it it a "Void" tag. An element refers to everything within a set of opening and closing tags. An attribute is the property of an HTML element (e.g. href).
Inline Tags include:
B Tag (bold)
EM Tag (italic)
IMG Tag (image) use src (source)
SPAN Tag
Block Tags create an invisible box around text and include:
P Tag (paragraph)
DIV Tag


Scene I
The wood. TITANIA lying asleep.
BOTTOM
Enter QUINCE, SNUG, BOTTOM, FLUTE, SNOUT, and
STARVELING
Are we all met?
QUINCE
Pat, pat; and here's a marvellous convenient place
for our rehearsal. This green plot shall be our
stage, this hawthorn-brake our tiring-house; and we
will do it in action as we will do it before the duke.
QUINCE
What sayest thou, bully Bottom?
BOTTOM
There are things in this comedy of Pyramus and
Thisby that will never please. First, Pyramus must
draw a sword to kill himself; which the ladies
cannot abide. How answer you that?
SNOUT
By'r lakin, a parlous fear.
STARVELING
I believe we must leave the killing out, when all is done.
BOTTOM
Not a whit: I have a device to make all well.
Write me a prologue; and let the prologue seem to
say, we will do no harm with our swords, and that
Pyramus is not killed indeed; and, for the more
better assurance, tell them that I, Pyramus, am not
Pyramus, but Bottom the weaver: this will put them
out of fear.
QUINCE
Well, we will have such a prologue; and it shall be
written in eight and six.
BOTTOM
No, make it two more; let it be written in eight and eight.
SNOUT
Will not the ladies be afeard of the lion?
STARVELING
I fear it, I promise you.
BOTTOM
Masters, you ought to consider with yourselves: to
bring in--God shield us!--a lion among ladies, is a
most dreadful thing; for there is not a more fearful
wild-fowl than your lion living; and we ought to
look to 't.
SNOUT
Therefore another prologue must tell he is not a lion.
BOTTOM
Nay, you must name his name, and half his face must
be seen through the lion's neck: and he himself
must speak through, saying thus, or to the same
defect,--'Ladies,'--or 'Fair-ladies--I would wish
You,'--or 'I would request you,'--or 'I would
entreat you,--not to fear, not to tremble: my life
for yours. If you think I come hither as a lion, it
were pity of my life: no I am no such thing; I am a
man as other men are;' and there indeed let him name
his name, and tell them plainly he is Snug the joiner.
QUINCE
Well it shall be so. But there is two hard things;
that is, to bring the moonlight into a chamber; for,
you know, Pyramus and Thisby meet by moonlight.
SNOUT
Doth the moon shine that night we play our play?
BOTTOM
A calendar, a calendar! look in the almanac; find
out moonshine, find out moonshine.
QUINCE
Yes, it doth shine that night.
BOTTOM
Why, then may you leave a casement of the great
chamber window, where we play, open, and the moon
may shine in at the casement.
QUINCE
Ay; or else one must come in with a bush of thorns
and a lanthorn, and say he comes to disfigure, or to
present, the person of Moonshine. Then, there is
another thing: we must have a wall in the great
chamber; for Pyramus and Thisby says the story, did
talk through the chink of a wall.
SNOUT
You can never bring in a wall. What say you, Bottom?
BOTTOM
Some man or other must present Wall: and let him
have some plaster, or some loam, or some rough-cast
about him, to signify wall; and let him hold his
fingers thus, and through that cranny shall Pyramus
and Thisby whisper.
QUINCE
If that may be, then all is well.
Pyramus, you begin: when you have spoken your
speech, enter into that brake: and so every one
according to his cue.
[Enter PUCK behind]
PUCK
What hempen home-spuns have we swaggering here,
So near the cradle of the fairy queen?
What, a play toward! I'll be an auditor;
An actor too, perhaps, if I see cause.
QUINCE
Speak, Pyramus. Thisby, stand forth.
BOTTOM
Thisby, the flowers of odious savours sweet,--
BOTTOM
--odours savours sweet:
So hath thy breath, my dearest Thisby dear.

[Exit]
PUCK
A stranger Pyramus than e'er played here.
[Exit]
QUINCE
Ay, marry, must you; for you must understand he goes
but to see a noise that he heard, and is to come again.
FLUTE
Most radiant Pyramus, most lily-white of hue,
Of colour like the red rose on triumphant brier,
Most brisky juvenal and eke most lovely Jew,
As true as truest horse that yet would never tire,
I'll meet thee, Pyramus, at Ninny's tomb.
QUINCE
'Ninus' tomb,' man: why, you must not speak that
yet; that you answer to Pyramus: you speak all your
part at once, cues and all Pyramus enter: your cue
is past; it is, 'never tire.'
FLUTE
O,--As true as truest horse, that yet would
never tire.
[Re-enter PUCK, and BOTTOM with an ass's head]
BOTTOM
If I were fair, Thisby, I were only thine.
QUINCE
O monstrous! O strange! we are haunted. Pray,
masters! fly, masters! Help!
[Exeunt QUINCE, SNUG, FLUTE, SNOUT, and STARVELING]
PUCK
I'll follow you, I'll lead you about a round,
Through bog, through bush, through brake, through brier:
Sometime a horse I'll be, sometime a hound,
A hog, a headless bear, sometime a fire;
And neigh, and bark, and grunt, and roar, and burn,
Like horse, hound, hog, bear, fire, at every turn.
[Exit]
BOTTOM
Why do they run away? this is a knavery of them to
make me afeard.
[Re-enter SNOUT]
SNOUT
O Bottom, thou art changed! what do I see on thee?
BOTTOM
What do you see? you see an asshead of your own, do
you?
[Exit SNOUT]
[Re-enter QUINCE]
QUINCE
Bless thee, Bottom! bless thee! thou art
translated.
 But I will not stir
from this place, do what they can: I will walk up
and down here, and I will sing, that they shall hear
I am not afraid.

TITANIA
I pray thee, gentle mortal, sing again:
Mine ear is much enamour'd of thy note;
So is mine eye enthralled to thy shape;
And thy fair virtue's force perforce doth move me
On the first view to say, to swear, I love thee.
BOTTOM
Methinks, mistress, you should have little reason
for that: and yet, to say the truth, reason and
love keep little company together now-a-days; the
more the pity that some honest neighbours will not
make them friends. Nay, I can gleek upon occasion.
TITANIA
Thou art as wise as thou art beautiful.
BOTTOM
Not so, neither: but if I had wit enough to get out
of this wood, I have enough to serve mine own turn.
TITANIA
Out of this wood do not desire to go:
Thou shalt remain here, whether thou wilt or no.
I am a spirit of no common rate;
The summer still doth tend upon my state;
And I do love thee: therefore, go with me;
I'll give thee fairies to attend on thee,
And they shall fetch thee jewels from the deep,
And sing while thou on pressed flowers dost sleep;
And I will purge thy mortal grossness so
That thou shalt like an airy spirit go.
Peaseblossom! Cobweb! Moth! and Mustardseed!
[Enter PEASEBLOSSOM, COBWEB, MOTH, and MUSTARDSEED]
TITANIA
Be kind and courteous to this gentleman;
Hop in his walks and gambol in his eyes;
Feed him with apricocks and dewberries,
With purple grapes, green figs, and mulberries;
The honey-bags steal from the humble-bees,
And for night-tapers crop their waxen thighs
And light them at the fiery glow-worm's eyes,
To have my love to bed and to arise;
And pluck the wings from Painted butterflies
To fan the moonbeams from his sleeping eyes:
Nod to him, elves, and do him courtesies.
PEASEBLOSSOM
Hail, mortal!

BOTTOM
I shall desire you of more acquaintance, good Master
Cobweb: if I cut my finger, I shall make bold with
you. Your name, honest gentleman?
PEASEBLOSSOM
Peaseblossom.
 Good
Master Peaseblossom, I shall desire you of more
acquaintance too. Your name, I beseech you, sir?
BOTTOM
Good Master Mustardseed, I know your patience well:
that same cowardly, giant-like ox-beef hath
devoured many a gentleman of your house: I promise
you your kindred had made my eyes water ere now. I
desire your more acquaintance, good Master
Mustardseed.
TITANIA
Come, wait upon him; lead him to my bower.
The moon methinks looks with a watery eye;
And when she weeps, weeps every little flower,
Lamenting some enforced chastity.

[Exeunt]
Scene II
Another part of the wood.
OBERON
I wonder if Titania be awaked;
Then, what it was that next came in her eye,
Which she must dote on in extremity.
[Enter PUCK]
Here comes my messenger.
How now, mad spirit!
What night-rule now about this haunted grove?
PUCK
My mistress with a monster is in love.
Near to her close and consecrated bower,
While she was in her dull and sleeping hour,
A crew of patches, rude mechanicals,
That work for bread upon Athenian stalls,
Were met together to rehearse a play
Intended for great Theseus' nuptial-day.
The shallowest thick-skin of that barren sort,
Who Pyramus presented, in their sport
Forsook his scene and enter'd in a brake
When I did him at this advantage take,
An ass's nole I fixed on his head:
Anon his Thisbe must be answered,
And forth my mimic comes. When they him spy,
As wild geese that the creeping fowler eye,
Or russet-pated choughs, many in sort,
Rising and cawing at the gun's report,
Sever themselves and madly sweep the sky,
So, at his sight, away his fellows fly;
And, at our stamp, here o'er and o'er one falls;
He murder cries and help from Athens calls.
Their sense thus weak, lost with their fears
thus strong,
Made senseless things begin to do them wrong;
For briers and thorns at their apparel snatch;
Some sleeves, some hats, from yielders all
things catch.

OBERON
This falls out better than I could devise.
But hast thou yet latch'd the Athenian's eyes
With the love-juice, as I did bid thee do?
PUCK
I took him sleeping,--that is finish'd too,--
And the Athenian woman by his side:
That, when he waked, of force she must be eyed.
[Enter HERMIA and DEMETRIUS]
OBERON
Stand close: this is the same Athenian.
PUCK
This is the woman, but not this the man.

Lay breath so bitter on your bitter foe.
HERMIA
Now I but chide; but I should use thee worse,
For thou, I fear, hast given me cause to curse,
If thou hast slain Lysander in his sleep,
Being o'er shoes in blood, plunge in the deep,
And kill me too.
The sun was not so true unto the day
As he to me: would he have stolen away
From sleeping Hermia? I'll believe as soon
This whole earth may be bored and that the moon
May through the centre creep and so displease
Her brother's noontide with Antipodes.
It cannot be but thou hast murder'd him;
So should a murderer look, so dead, so grim.
DEMETRIUS
So should the murder'd look, and so should I,
Pierced through the heart with your stern cruelty:
Yet you, the murderer, look as bright, as clear,
As yonder Venus in her glimmering sphere.
HERMIA
What's this to my Lysander? where is he?
Ah, good Demetrius, wilt thou give him me?
DEMETRIUS
I had rather give his carcass to my hounds.
HERMIA
Out, dog! out, cur! thou drivest me past the bounds
Of maiden's patience. Hast thou slain him, then?
Henceforth be never number'd among men!
O, once tell true, tell true, even for my sake!
Durst thou have look'd upon him being awake,
And hast thou kill'd him sleeping? O brave touch!
Could not a worm, an adder, do so much?
An adder did it; for with doubler tongue
Than thine, thou serpent, never adder stung.

HERMIA
I pray thee, tell me then that he is well.
DEMETRIUS
An if I could, what should I get therefore?
HERMIA
A privilege never to see me more.
And from thy hated presence part I so:
See me no more, whether he be dead or no.
[Exit]
DEMETRIUS
There is no following her in this fierce vein:
Here therefore for a while I will remain.
So sorrow's heaviness doth heavier grow
For debt that bankrupt sleep doth sorrow owe:
Which now in some slight measure it will pay,
If for his tender here I make some stay.
[Lies down and sleeps]
OBERON
What hast thou done? thou hast mistaken quite
And laid the love-juice on some true-love's sight:
Of thy misprision must perforce ensue
Some true love turn'd and not a false turn'd true.
PUCK
Then fate o'er-rules, that, one man holding troth,
A million fail, confounding oath on oath.
OBERON
About the wood go swifter than the wind,
And Helena of Athens look thou find:
All fancy-sick she is and pale of cheer,
With sighs of love, that costs the fresh blood dear:
By some illusion see thou bring her here:
I'll charm his eyes against she do appear.
PUCK
I go, I go; look how I go,
Swifter than arrow from the Tartar's bow.
[Exit]
OBERON
Flower of this purple dye,
Hit with Cupid's archery,
Sink in apple of his eye.
When his love he doth espy,
Let her shine as gloriously
As the Venus of the sky.
When thou wakest, if she be by,
Beg of her for remedy.
[Re-enter PUCK]
PUCK
Captain of our fairy band,
Helena is here at hand;
And the youth, mistook by me,
Pleading for a lover's fee.
Shall we their fond pageant see?
Lord, what fools these mortals be!
OBERON
Stand aside: the noise they make
Will cause Demetrius to awake.
PUCK
Then will two at once woo one;
That must needs be sport alone;
And those things do best please me
That befal preposterously.
[Enter LYSANDER and HELENA]
LYSANDER
Why should you think that I should woo in scorn?
Scorn and derision never come in tears:
Look, when I vow, I weep; and vows so born,
In their nativity all truth appears.
How can these things in me seem scorn to you,
Bearing the badge of faith, to prove them true?
HELENA
You do advance your cunning more and more.
When truth kills truth, O devilish-holy fray!
These vows are Hermia's: will you give her o'er?
Weigh oath with oath, and you will nothing weigh:
Your vows to her and me, put in two scales,
Will even weigh, and both as light as tales.
LYSANDER
I had no judgment when to her I swore.
HELENA
Nor none, in my mind, now you give her o'er.
LYSANDER
Demetrius loves her, and he loves not you.
DEMETRIUS
[Awaking] O Helena, goddess, nymph, perfect, divine!
To what, my love, shall I compare thine eyne?
Crystal is muddy. O, how ripe in show
Thy lips, those kissing cherries, tempting grow!
That pure congealed white, high Taurus snow,
Fann'd with the eastern wind, turns to a crow
When thou hold'st up thy hand: O, let me kiss
This princess of pure white, this seal of bliss!
HELENA
O spite! O hell! I see you all are bent
To set against me for your merriment:
If you we re civil and knew courtesy,
You would not do me thus much injury.
Can you not hate me, as I know you do,
But you must join in souls to mock me too?
If you were men, as men you are in show,
You would not use a gentle lady so;
To vow, and swear, and superpraise my parts,
When I am sure you hate me with your hearts.

HELENA
Never did mockers waste more idle breath.
DEMETRIUS
Lysander, keep thy Hermia; I will none:
If e'er I loved her, all that love is gone.
My heart to her but as guest-wise sojourn'd,
And now to Helen is it home return'd,
There to remain.
LYSANDER
Helen, it is not so.
DEMETRIUS
Disparage not the faith thou dost not know,
Lest, to thy peril, thou aby it dear.
Look, where thy love comes; yonder is thy dear.
[Re-enter HERMIA]
HERMIA
Dark night, that from the eye his function takes,
The ear more quick of apprehension makes;
Wherein it doth impair the seeing sense,
It pays the hearing double recompense.
Thou art not by mine eye, Lysander, found;
Mine ear, I thank it, brought me to thy sound
But why unkindly didst thou leave me so?
LYSANDER
Why should he stay, whom love doth press to go?
HERMIA
What love could press Lysander from my side?
LYSANDER
Lysander's love, that would not let him bide,
Fair Helena, who more engilds the night
Than all you fiery oes and eyes of light.
Why seek'st thou me? could not this make thee know,
The hate I bear thee made me leave thee so?
HERMIA
You speak not as you think: it cannot be.
HELENA
Lo, she is one of this confederacy!
Now I perceive they have conjoin'd all three
To fashion this false sport, in spite of me.
Injurious Hermia! most ungrateful maid!
Have you conspired, have you with these contrived
To bait me with this foul derision?
Is all the counsel that we two have shared,
The sisters' vows, the hours that we have spent,
When we have chid the hasty-footed time
For parting us,--O, is it all forgot?
All school-days' friendship, childhood innocence?
We, Hermia, like two artificial gods,
Have with our needles created both one flower,
Both on one sampler, sitting on one cushion,
Both warbling of one song, both in one key,
As if our hands, our sides, voices and minds,
Had been incorporate. So we grow together,
Like to a double cherry, seeming parted,
But yet an union in partition;
Two lovely berries moulded on one stem;
So, with two seeming bodies, but one heart;
Two of the first, like coats in heraldry,
Due but to one and crowned with one crest.
And will you rent our ancient love asunder,
To join with men in scorning your poor friend?
It is not friendly, 'tis not maidenly:
Our sex, as well as I, may chide you for it,
Though I alone do feel the injury.
HERMIA
I am amazed at your passionate words.
I scorn you not: it seems that you scorn me.
HELENA
Have you not set Lysander, as in scorn,
To follow me and praise my eyes and face?
And made your other love, Demetrius,
Who even but now did spurn me with his foot,
To call me goddess, nymph, divine and rare,
Precious, celestial? Wherefore speaks he this
To her he hates? and wherefore doth Lysander
Deny your love, so rich within his soul,
And tender me, forsooth, affection,
But by your setting on, by your consent?
What thought I be not so in grace as you,
So hung upon with love, so fortunate,
But miserable most, to love unloved?
This you should pity rather than despise.
HERNIA
I understand not what you mean by this.
HELENA
Ay, do, persever, counterfeit sad looks,
Make mouths upon me when I turn my back;
Wink each at other; hold the sweet jest up:
This sport, well carried, shall be chronicled.
If you have any pity, grace, or manners,
You would not make me such an argument.
But fare ye well: 'tis partly my own fault;
Which death or absence soon shall remedy.
LYSANDER
Stay, gentle Helena; hear my excuse:
My love, my life my soul, fair Helena!
HERMIA
Sweet, do not scorn her so.
DEMETRIUS
If she cannot entreat, I can compel.
LYSANDER
Thou canst compel no more than she entreat:
Thy threats have no more strength than her weak prayers.
Helen, I love thee; by my life, I do:
I swear by that which I will lose for thee,
To prove him false that says I love thee not.
DEMETRIUS
I say I love thee more than he can do.
LYSANDER
If thou say so, withdraw, and prove it too.
HERMIA
Lysander, whereto tends all this?
LYSANDER
Away, you Ethiope!
DEMETRIUS
No, no; he'll [ ]
Seem to break loose; take on as you would follow,
But yet come not: you are a tame man, go!

HERMIA
Why are you grown so rude? what change is this?
Sweet love,--
LYSANDER
Thy love! out, tawny Tartar, out!
Out, loathed medicine! hated potion, hence!
HELENA
Yes, sooth; and so do you.
LYSANDER
Demetrius, I will keep my word with thee.
DEMETRIUS
I would I had your bond, for I perceive
A weak bond holds you: I'll not trust your word.

Although I hate her, I'll not harm her so.
HERMIA
What, can you do me greater harm than hate?
Hate me! wherefore? O me! what news, my love!
Am not I Hermia? are not you Lysander?
I am as fair now as I was erewhile.
Since night you loved me; yet since night you left
me:
Why, then you left me--O, the gods forbid!--
In earnest, shall I say?
LYSANDER
Ay, by my life;
And never did desire to see thee more.
Therefore be out of hope, of question, of doubt;
Be certain, nothing truer; 'tis no jest
That I do hate thee and love Helena.

You thief of love! what, have you come by night
And stolen my love's heart from him?
HELENA
Fine, i'faith!
Have you no modesty, no maiden shame,
No touch of bashfulness? What, will you tear
Impatient answers from my gentle tongue?

HERMIA
Puppet? why so? ay, that way goes the game.
Now I perceive that she hath made compare
Between our statures; she hath urged her height;
And with her personage, her tall personage,
Her height, forsooth, she hath prevail'd with him.
And are you grown so high in his esteem;
Because I am so dwarfish and so low?
How low am I, thou painted maypole? speak;
How low am I? I am not yet so low
But that my nails can reach unto thine eyes.
HELENA
I pray you, though you mock me, gentlemen,
Let her not hurt me: I was never curst;
I have no gift at all in shrewishness;
I am a right maid for my cowardice:
Let her not strike me. You perhaps may think,
Because she is something lower than myself,
That I can match her.
HERMIA
Lower! hark, again.
HELENA
Good Hermia, do not be so bitter with me.
I evermore did love you, Hermia,
Did ever keep your counsels, never wrong'd you;
Save that, in love unto Demetrius,
I told him of your stealth unto this wood.

HERMIA
Why, get you gone: who is't that hinders you?

HERMIA
What, with Lysander?
LYSANDER
Be not afraid; she shall not harm thee, Helena.
DEMETRIUS
No, sir, she shall not, though you take her part.
HELENA
O, when she's angry, she is keen and shrewd!
She was a vixen when she went to school;
And though she be but little, she is fierce.
HERMIA
'Little' again! nothing but 'low' and 'little'!
Why will you suffer her to flout me thus?
Let me come to her.

Let her alone: speak not of Helena;
Take not her part; for, if thou dost intend
Never so little show of love to her,
Thou shalt aby it.
LYSANDER
Now she holds me not;
Now follow, if thou darest, to try whose right,
Of thine or mine, is most in Helena.
DEMETRIUS
Follow! nay, I'll go with thee, cheek by jole.
[Exeunt LYSANDER and DEMETRIUS]
HERMIA
You, mistress, all this coil is 'long of you:
Nay, go not back.
HELENA
I will not trust you, I,
Nor longer stay in your curst company.
Your hands than mine are quicker for a fray,
My legs are longer though, to run away.
[Exit]
HERMIA
I am amazed, and know not what to say.
[Exit]
OBERON
This is thy negligence: still thou mistakest,
Or else committ'st thy knaveries wilfully.
PUCK
Believe me, king of shadows, I mistook.
Did not you tell me I should know the man
By the Athenian garment be had on?
And so far blameless proves my enterprise,
That I have 'nointed an Athenian's eyes;
And so far am I glad it so did sort
As this their jangling I esteem a sport.
OBERON
Thou see'st these lovers seek a place to fight:
Hie therefore, Robin, overcast the night;
The starry welkin cover thou anon
With drooping fog as black as Acheron,
And lead these testy rivals so astray
As one come not within another's way.
Like to Lysander sometime frame thy tongue,
Then stir Demetrius up with bitter wrong;
And sometime rail thou like Demetrius;
And from each other look thou lead them thus,
Till o'er their brows death-counterfeiting sleep
With leaden legs and batty wings doth creep:
Then crush this herb into Lysander's eye;
Whose liquor hath this virtuous property,
To take from thence all error with his might,
And make his eyeballs roll with wonted sight.
When they next wake, all this derision
Shall seem a dream and fruitless vision,
And back to Athens shall the lovers wend,
With league whose date till death shall never end.
Whiles I in this affair do thee employ,
I'll to my queen and beg her Indian boy;
And then I will her charmed eye release
From monster's view, and all things shall be peace.
PUCK
My fairy lord, this must be done with haste,
For night's swift dragons cut the clouds full fast,
And yonder shines Aurora's harbinger;
At whose approach, ghosts, wandering here and there,
Troop home to churchyards: damned spirits all,
That in crossways and floods have burial,
Already to their wormy beds are gone;
For fear lest day should look their shames upon,
They willfully themselves exile from light
And must for aye consort with black-brow'd night.
OBERON
But we are spirits of another sort:
I with the morning's love have oft made sport,
And, like a forester, the groves may tread,
Even till the eastern gate, all fiery-red,
Opening on Neptune with fair blessed beams,
Turns into yellow gold his salt green streams.
But, notwithstanding, haste; make no delay:
We may effect this business yet ere day.
[Exit]
PUCK
Up and down, up and down,
I will lead them up and down:
I am fear'd in field and town:
Goblin, lead them up and down.
Here comes one.
[Re-enter LYSANDER]
LYSANDER
Where art thou, proud Demetrius? speak thou now.
PUCK
Here, villain; drawn and ready. Where art thou?
LYSANDER
I will be with thee straight.
PUCK
Follow me, then,
To plainer ground.
[Exit LYSANDER, as following the voice]
[Re-enter DEMETRIUS]
DEMETRIUS
Lysander! speak again:
Thou runaway, thou coward, art thou fled?
Speak! In some bush? Where dost thou hide thy head?
PUCK
Thou coward, art thou bragging to the stars,
Telling the bushes that thou look'st for wars,
And wilt not come? Come, recreant; come, thou child;
I'll whip thee with a rod: he is defiled
That draws a sword on thee.
DEMETRIUS
Yea, art thou there?
PUCK
Follow my voice: we'll try no manhood here.
[Exeunt]
[Re-enter LYSANDER]
LYSANDER
He goes before me and still dares me on:
When I come where he calls, then he is gone.
The villain is much lighter-heel'd than I:
I follow'd fast, but faster he did fly;
That fallen am I in dark uneven way,
And here will rest me.
[Lies down]
Come, thou gentle day!
For if but once thou show me thy grey light,
I'll find Demetrius and revenge this spite.
[Sleeps]
[Re-enter PUCK and DEMETRIUS]
PUCK
Ho, ho, ho! Coward, why comest thou not?
DEMETRIUS
Abide me, if thou darest; for well I wot
Thou runn'st before me, shifting every place,
And darest not stand, nor look me in the face.
Where art thou now?
PUCK
Come hither: I am here.
DEMETRIUS
Nay, then, thou mock'st me.  Faintness constraineth me
To measure out my length on this cold bed.
By day's approach look to be visited.
[Lies down and sleeps]
[Re-enter HELENA]
HELENA
O weary night, O long and tedious night,
Abate thy hour! Shine comforts from the east,
That I may back to Athens by daylight,
From these that my poor company detest:
And sleep, that sometimes shuts up sorrow's eye,
Steal me awhile from mine own company.
[Lies down and sleeps]
PUCK
Yet but three? Come one more;
Two of both kinds make up four.
Here she comes, curst and sad:
Cupid is a knavish lad,
Thus to make poor females mad.
[Re-enter HERMIA]
HERMIA
Never so weary, never so in woe,
Bedabbled with the dew and torn with briers,
I can no further crawl, no further go;
My legs can keep no pace with my desires.
Here will I rest me till the break of day.
Heavens shield Lysander, if they mean a fray!
[Lies down and sleeps]
PUCK
On the ground
Sleep sound:
I'll apply
To your eye,
Gentle lover, remedy.
[Squeezing the juice on LYSANDER's eyes]
When thou wakest,
Thou takest
True delight
In the sight
Of thy former lady's eye:
And the country proverb known,
That every man should take his own,
In your waking shall be shown:
Jack shall have Jill;
Nought shall go ill;
The man shall have his mare again, and all shall be well.
[Exit]


{title}
{header}
{table}
Note: If a hostname shows up in the "user" column above, it means that the proxy used to submit the job(s) came from a host certificate. This is most likely a managed proxy.


|
Embedded Artistry Framework
Embedded Systems C++ Framework
|
Classes | |
| class | embvm::timer::Timer |
| This class provides generic Timer interface definitions. More... | |
Namespaces | |
| embvm | |
| Embedded framework core interfaces, classes, and definitions. | |
| embvm::timer | |
| Definitions, functions, and classes related to Timer devices. | |
Typedefs | |
| using | embvm::timer::freq_hz_t = std::chrono::duration< uint64_t, std::ratio< 1 > > |
| Represents the frequency of the timer, in Hz. More... | |
| using | embvm::timer::timer_period_t = std::chrono::duration< uint64_t, std::micro > |
| Represents the period of the timer, in microseconds. More... | |
| using | embvm::timer::cb_t = stdext::inplace_function< void(void)> |
| Alias for timer callback functions. More... | |
Enumerations | |
| enum | embvm::timer::config : uint8_t { embvm::timer::config::oneshot = 0, embvm::timer::config::periodic } |
| Configuration for the timer. More... | |
| enum | embvm::timer::state : uint8_t { embvm::timer::state::stopped = 0, embvm::timer::state::expired, embvm::timer::state::armed } |
| Possible timer states. More... | |


Architectural design
The "Risk Level" is the estimated chance (0-100%) that at least 1 COVID-19 positive individual will be present at an event in a county, given the size of the event.


 But its failure to be consistently on focus with its characters' comings and goings, in what seems like a pointless amount of gore being displayed, acts to undermine the film's artful plot set-up. As the film is too often off target, bringing up too many subjects for it to handle, it just fires away, taking aim at everything in its way and missing just as often as it hits.
It is set in the seedy neighborhoods of Youngstown, Ohio, and its focus is on a gentile, overbearing mother and her psychopathic son, who live in a depressing house.   He is a repressed, virginal 18-year-old, named Harry (Norman Reedus-ex-model for Prado), with deep-rooted psychological problems. He talks to his alter ego, whom he names Madden (Graham), and easily loses sight of reality, not able to tell at times if he is Madden or himself. Madden is everything he is not, self-assured and sexually fit. In otherwords, Harry is a certifiable nutcase.
Harry has conflicting feelings about sex, sometimes when frustrated, he gets very angry and violent, but at other times he is like a docile lamb. He works at odd-jobs and at a fast-food place. When he goes out for the first time on a "schlumping" with his best friend Arnie Finklestein (Brody), who is a crack addict working for the Jewish mob, he gets to beat an owner of a strip-joint senseless after watching the nude dancers perform. What upsets him after he sees the naked women, is that Arnie does not beat the guy hard enough. He is welcomed into the mob because, as Arnie's mobster boss says, the deadbeat learnt his lesson and paid the loan sharks off what he owes them.
The hitman for the gang, Abie Pinkwise (Peter Appel), an orphan but raised by a gangster uncle, takes it upon himself to teach Harry the ropes, and makes him his right-hand enforcer. While visiting the big bosses' house, Louis Varga (Adler), Harry eyeballs a Hungarian immigrant maid, Iris (Lowensohn), and is attracted to her because she walks with a limp and he thereby strikes up a strange romance with her. But his mother acts to thwart that romance when he brings her over to the house. Mama can never let go of her little baby boy.
How the film got its title, is forced into one of the scenes, when a policeman on the mob's payroll, Isaac Hayes, beats Harry up in the stationhouse to determine if he's a squealer, but Harry fights back and busts his nose. The breaking of the nose gives rise to the saying, I could have beaten him six ways to Sunday.
 His mentor Abie treats him like a son, while his boss Louis is pleased with his work and rewards him with a lot of money. Harry, as a result, buys his mother a new house, though she still brings with her all her old junk, the main staple being, a living room lounge chair that sags to the floor when you sit on it.
There is no smooth sailing in this difficult story to behold, which might have something to do with love. If love is the message here, it is not the conventional kind, but it is one that is stranger and stronger than Harry's repressions, hatred and violence. Everytime one looks up on the screen, someone seems to be getting violently bumped off, yet Harry manages to survive and will leave Youngstown with Iris by the film's end, which, oddly enough, after all the mayhem and absurdity of Harry's insane life, the film turns out to have a temporarily happy ending. This might be the strangest thing about this film, for a film that has gone out of its way to be stranger than fiction or love. This film should appeal mostly to those who like offbeat stories and their comedy to be darker than black, and don't mind if confusion is the main ingredient that propels the story. I took it at face value to be black comedy and found myself laughing often, though the people I saw it with, thought it was over-the-top in blood and gore, and found little in it to like and found the film was far too self-indulgent to work as a love story for them.
REVIEWED ON 5/30/2000 GRADE: C+
Dennis Schwartz: "Ozus' World Movie Reviews"
http://www.sover.net/~ozus
<EMAIL_ADDRESS>© ALL RIGHTS RESERVED DENNIS SCHWARTZ
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