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Stop the gang violence, witness testifies at Tesha Miller trial
A self-proclaimed former gang member this morning offered words of advice to individuals involved in gang activity.
The witness was testifying in the trial of Tesha Miller, who is charged with accessory before and after the fact in the 2008 murder of the then chairman of the Jamaica Urban Transit Company, Douglas Chambers.
Responding to questions from a senior deputy director of public prosecutions, the witness, who claims he was a member of the Spanish Town-based Clansman Gang, testified that he was not embarrassed about killing people, but instead was remorseful.
“I feel sorry [about] the things I have done in the past. I’d like it to stop so that’s why I came forward and give the systems and testimony in this court. And to all the other young men out there I’d like them to come forward and served,” the witness said.
“Find a police or someone they can trust to tell their problems and what they have been through,” added the witness, who is serving time for murder and attempted arson.


Mapbox renderer with HERE Vector Tile as source data
This example displays how to render HERE Vector Tile with Mapbox libraries


Why do convolutional neural networks work so well for computer vision ?
Convolutional neural networks work amazingly well for computer vision tasks, like object detection or segmentation. Where does this power come from ?
What is a convolutional neural network ?
A convolutional neural network (or CNN) is an artificial neural network which has a specific architecture. Instead of having neurons connected to every neuron / input from the precedent layer, neurons are just connected to a few neighbor pixels, in a squared zone. Each neuron is called a filter, and is slid through the image, to each zone. This is called a convolution, hence the name of the network.
You can read the great course http://cs231n.github.io/convolutional-networks/ for more details about CNN.
These networks work amazingly well for computer vision tasks like object detection, or segmentation. I can think of two reasons why they are well suited for this : weight sharing, and image prior.
Weight sharing: Convolutions are much more efficient.
One of the most famous image dataset is ImageNet. It is constituted of more than 1 million images, and the resolution is around 256x256, which is 65536 pixels. Each pixels has 3 colors, which means 196,608 numbers describe an image.
This means that to feed the image to our neural network, if we wanted to use a fully connected network, each neuron would need to have 196,608 weights. And we can guess that to capture any meaningful information about the image, the network will need many neurons, and many layers. If we have 10,000 neurons on the first layer, that’s more than 10 billion weights, that will all need to be updated at each iteration. This makes things totally impracticable, even with our best GPU.
Convolutional neural network, thanks to their architecture, and the weight sharing between convolutions, have much less connexions.
For example, one of the most famous neural network, AlexNet, has about 650,000 neurons, and 60 million weights. It has about 300,000 neurons just for the first layer. With a fully connected network, this would be impossible.
This makes our network much faster to train than fully connected neural networks with the same number of neurons, and it doesn’t impact their representation potential. It is a great power.
Its architecture captures the image distribution space
Its architecture is a great prior to capture an inductive bias of images that fully connected networks don’t : Images are a 2D structure, and pixels have neighbors, which are very related to them. Thus it is very useful to compare pixels in a small zone, but much less to compare two random pixels of an image.
CNN uses convolutions, which are local operations, which act on neighbor pixels. And patterns on images are also local : if you want to detect a line on the image, you need to see if there is a continuous pattern of pixels of the same color, bordered by a different color.
A great paper that uses this idea is Deep Image Prior : It uses convolutional neural networks without training on a dataset, to reconstruct corrupted images in a very impressive manner. The neural network reconstructs the image by minimizing the distance between the wanted image and the output of the network, for a fixed input. It only needs the corrupted image, and doesn’t need training before.
The idea is that the corrupted image needs more information than the original image for its encoding (the corruption adds information), and the neural network, if we stop training fast enough (if we let training for too long, the network will overfit the corrupted information). In this experiment, the force of the neural networks comes only from its architecture, and has nothing to do with the backpropagation algorithm, which is often seen as the reason why neural networks are so performant.


[gecode-users] Gecode and gcc42
Patrick Pekczynski
pekczynski at ps.uni-sb.de
Sun Apr 9 09:49:08 CEST 2006
Hi all,
I spent the night installing and testing the hopefully latestst gcc
version against Gecode.
As far as I can tell you, the current svn repository, upcoming Gecode 1.1.0,
builds successfully with
GCC-4.2.0 20060408 (experimental)
on i686-pc-linux, Gentoo Linux
so there were absolutely no problems during the build process.
I got the package from
http://sources-redhat.oc1.mirrors.redwire.net/gcc/snapshots/LATEST-4.2/
Hope this helps,
Best regards,
Patrick
More information about the gecode-users
mailing list


--- layout: post status: publish published: true title: Trying out Resharper 5.0 author: display_name: Tomas Restrepo login: tomasr email<EMAIL_ADDRESS>url: http://winterdom.com/ author_login: tomasr author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ wordpress_id: 1322 wordpress_url: http://winterdom.com/2010/04/trying-out-resharper-5-0 date: '2010-04-14 22:30:48 +0000' date_gmt: '2010-04-14 22:30:48 +0000' categories: - Tools - Visual Studio tags: [] comments: - id: 1394 author: Rich author_email<EMAIL_ADDRESS>author_url: '' date: '2010-04-15 01:29:10 +0000' date_gmt: '2010-04-15 01:29:10 +0000' content: "I do think the 'Find Usage' command in R# is a lot better than 'Find References'. I like 'Go To Base' and 'Go To Inheritor'. I also like the way it shows potential null references and unused variables.\r\n\r\nBUT With very large source files R# can slow the system down so much it's unusable. It also litters your project with temp files.\r\n\r\nI got my copy of the 2008 version through work, but now I'm in a new job I don't think I'll be paying my own money for the 2010 version." - id: 1395 author: Tomas Restrepo author_email<EMAIL_ADDRESS>author_url: http://winterdom.com/ date: '2010-04-15 02:07:15 +0000' date_gmt: '2010-04-15 02:07:15 +0000' content: "@Rich: I agree some of the other features are nice. Personally, all I really care about is code navigation, the test runner and sometimes the refactoring stuff (can't use it a lot of times, though). I don't have any interest at all in the other stuff, and the formatting/style stuff is totally useless for me.\r\n\r\nAs for performance, I actually haven't had that much problem with it *except* for how much it slows VS from loading sometimes and project load time; that's really my concern there." - id: 1423 author: Pinaki author_email<EMAIL_ADDRESS>author_url: http://pinakig.blogspot.com date: '2010-04-19 06:57:12 +0000' date_gmt: '2010-04-19 06:57:12 +0000' content: I find myself actually more productive by *NOT* using R#. It is too damn slow, and yes, it hinders my coding, and thinking process. IMHO, R# just spoils the whole art of coding, and trying to understand what the heck you are coding. - id: 1487 author: Jeff Ferguson author_email<EMAIL_ADDRESS>author_url: http://geekswithblogs.net/JeffFerguson/Default.aspx date: '2010-05-13 14:27:40 +0000' date_gmt: '2010-05-13 14:27:40 +0000' content: I've been working in .NET for ten years now, and only started using R# this year on my current project (the rest of the team has used it for a while now). It's interesting stuff, but I'm not sure that I couldn't live without it. I've been fine all of this time without it. ---
There are many .NET developers that can’t live without Jetbrain’s R# product. I’m not really one of them. Don’t get me wrong, I like the idea of R# and some of the features it offers, it’s just that it could be so much better if it didn’t keep getting in my way!
Let’s get something out of the way before I dive into what I’d like to see improved in R#: I bought my own R# license out of my own money. I do think it’s a fairly reasonably priced product for all the features it offers.
There are a few things that I can’t stand when using R#, however; to the point where I have to disable it just to get any work done without losing my mind:
Anyway, let’s see how life with R# 5.0 goes. So far, the VS2010 integration seems nice, but I will still be primarily a VS2008 user for a long time, so it sucks a lot that stability there hasn’t improved.


³ Fight Club ³ * * * *
Granted: youıve never seen anything quite like FIGHT CLUB. Based on the cerebral, kick-ass novel by Chuck Palahniuk, CLUB takes on a slew of issues, ranging from materialism to moral decay. It is visually stunning, quick, smart, stimulating, a visceral powerhouse. But, the film seems to meander; too many themes bouncing off one another, priorities misplaced, characters wandering aimlessly between brutal hand- to-hand choreography and passive philosophizing. Thereıs terrific material, here, let it be said -- just, a bit on the disorganized side.
And, then I went back. Had to; less intoxicated. Bits and pieces stuck with me as great, but not the whole, which kind of baffled me since I absolutely loved the book. Watching a second time, the film is still scatterbrain. Itıs also spectacular cinema. Boldly directed by David Fincher (SEVEN is one of the best, genre redefining, ever) -- a filmmaker who consistently tests the limits of his medium -- FIGHT CLUB focuses on insomniac every-man Narrator (Edward Norton, in a performance that is nothing short of amazing) and his inadvertant quest for self-improvement. He starts with support groups, of all disease and abnormality, where a hug from someone worse off than you is just the thing for a good nightıs sleep. Meets Marla (a wild eyed Helena Bonham-Carter), who goes for the free coffee, plus itıs less expensive than movies; a ³faker². Then, Tyler (another of our best and brightest, Brad Pitt), a social nuisance who sells homemade soap at twenty bucks a bar to finance militant uprising. Narrator, or Jack, makes his most resolute bond with Tyler; ³How much can you know about yourself if youıve never been in a fight?² They beat the shit out of each other, one night, in a parking lot and come to share the same primal instinct: emotional release via bodily harm. As Tyler puts it, you hit rock bottom when, and only if, you push yourself physically beyond yourself, to rise above. Spiritual discovery, if you will; pain equals destruction, and destruction equals awakening. Heıs the rebellious alter ego to Jack, and anyone for that matter daring enough to lose everything in order to gain control. Because, once youıve gotten low as you can possibly get, the only direction is up. Point taken. That perspective made him an intriguing character in Palahniukıs brilliant novel, and it works, here, as well.
Both relationships mesmerize, and the ultra-faithful script by Jim Uhlıs is quirky, witty and biting. Not to mention stunningly funny. You can forget subtlety, though; FIGHT CLUBıs grim and abrasive, virulent on top of its sometimes easy-goingness. Wouldnıt have it any other way. A ³three pitcher² bout amongst friends draws attention, and quickly becomes Saturday night ritual, relocated to bar basements where men join willingly to pulverize one another. No membership fees; each man, regardless how worthless or respectable his lot in life, deific for a moment or two of bare fisted suffering. A sensation that turns into a nationwide thing, existing ³between the hours fight club starts and the hours after fight club ends² according to Nortonıs droll, eloquent voice-over. Because, the first rule is... blah, blah.
Whatıs great about the novel (one thing, anyway) and here, too, is that these savage little get togethers are a starting place for something on more grand a scale. Recruitment for vandals and nihilists who believe ³losing all hope² is freedom. Tyler starts Project Mayhem, and passes out homework assignments which include initiating random fights. Funny montage.
Itıs about damning the consumer mentality, getting a new perspective, ³finding something out². FC also has perhaps the most playful story about the human psyche Iıve ever seen, and a realistic depiction of insomnia (ever had it, then you know). ³Nothingıs real² is true; wastebasket contents and airplane food take on a certain strange profound meaning. ³Youıre never really asleep, and youıre never really awake², and hallucinations are not unlikely. Tyler may be one. Jack may. Lose sleep, days on end, you get a distinct sense of futility, like nothing you thought mattered really does. You look for purpose; significance in the world. Anything to give yourself reprieve; God, Iıve been there. Which is why Jack becomes a junkie to twelve-step meetings. Why he listens to his inner misfit, gives his undivided attention (for a while) and follows orders. Seriously: whenıs the last time two sides of the same personality were this fully characterized?
Wasnıt sure how Fincher and team would pull off the infamous plot twist, but... damn, job well done.  Or, one of Nortonıs very first lines in the film: ³I know this, because Tyler knows this.² Fun stuff, even if you already know whatıs going down.
Acting-wise? What can you say.. Pittıs an experimentalist, which fits in, whatever the project (MEET JOE BLACK excepted). He takes risks, and you sense it every second heıs on screen. Brit-beauty Carter -- accent gone, lady-like demeanor trashed -- isnıt so much in a performance, as a character sketch, but it works. I liked her scenes with Norton; the way he hasnıt caught on, yet, and treats her by turns coldly and with affection. She doesnıt push it, or overplay. Sheıs manic, alright, but not out of context. Plus, as Marla, grunge never looked so delectable (nor has it made me want a cigarette more in my life). Then, thereıs Edward Norton. Enough canıt be said about his work in FIGHT CLUB, so Iıll simply put it: if no Academy notice comes of what he has done in this film, consider the lot of them unconscious. He is out there, charismatic, assailable, naive, alive with screen presence and non-assumption. Beside giving one of the best movie narrations (second only to Ray Liotta, in GOODFELLAS), he nails every nuance of the character from Palahniukıs scathing novel, and then some. His scenes with Carter, Jack defensive when Marla invades his space, are humorous and kind of sexy. They split up nights at therapy, so neither gets exposed; he is resentful, because she sees through him, and protective of his territory (³This chick, Marla Singer, did not have testicular cancer.²) but drawn to her, also, because sheıs kindred. Same respect: Norton and Pitt have chemistry to spare. Much of their time spent is gruesome -- one scene, with Pitt drizzling blood on a manıs face, is gory beyond words; another, Norton pummeling a helpless youngster into oblivion, features about the queasiest close-up of a mangled face as I think Iıve ever seen. But, both stars shine in quieter moments, like their first meeting on a plane, and later when they make liposuctioned fat soap together. Big names; no egos.
From its brain-tour opener (and BTW, one of these days, cool title sequences are going to be refered to as Fincherian), backed by a driving Dust Brothers selection, on, the furiously entertaining FIGHT CLUB has masterpiece written all over it. Unanswered questions? You betıcha. If Tyler knows what he is, whatıs the ultimate goal? Just cause chaos and/or remake Jack from the inside out? And, where _did_ Jack learn to make explosives that way? Was he born knowing it and didnıt realize or start utilizing the technique till now, what?

Best line: ³I donıt wanna die without scars.²
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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About These Projects
During the semester, each student conducted a user-centered design project that included user research, generating themes, personas, and models, wireframing and, lastely creating hi-fi prototyopes.
Apps for Noticing
Our technologies can help us find new experiences in familiar spaces, perhaps even the spaces within which we have been isolated. This theme asks you how you might design applications that help people learn or notice new aspects of their everyday environments.This theme was created by Laura Devendorf.
Mapping Computer Vision Applications
Computer vision technologies have been used in a variety of applications - from facial recognition to deep fakes, generated content of realistic human beings. They have also come under scrutiny for their lack of diversity, leading to apps that do not work as well on minorities, as well as the inherent danger they might pose to democracy. This theme asks you to describe current uses of computer vision technologies to the public. This theme was created by Morgan Scheuerman.
Tools To Manage Our Media Diets
During the COVID-19 pandemic, many of us are bingeing comfort media (The Office, anyone?) or obsessively consuming news—or both. 2020 might be the year of the doomscroll. The media we consume influences our mood, our relationships, and our productivity...so why is it so hard to manage? What digital tools might help us track the media we consume — and perhaps build better habits and more balanced media diets? This theme was created by Jordan Wirfs-Brock.
Difficult Data
How do you explain difficult concepts? How do you translate complicated data to the layperson? How do you as a designer and scientist connect with audiences? This theme asks you to create an application or technology where the input is data and the output is art.
View our Canvas Site
More information about this course can be found on Canvas.
Instructors
The course was led by Laura Devendorf with amazing support from Jordan Wirfs-Brock, Kandrea Wade, and Morgan Scheuerman
Textbooks
We followed two textbooks this semester:- Amy Ko's Design Methods open educational text
- Ellen Lupton's Design is Storytelling book


China setting up 19 factories in Gwadar: envoy
by Mohammad ZafarQUETTA:
Chinese Ambassador to Pakistan Yao Jing has announced that China is setting up 19 factories in Gwadar, saying that the measure will help create job opportunities for Balochistan’s youth.
“China seeks to contribute to the development of Balochistan’s mining, agriculture, fisheries and water sectors while the Chinese consulate is easing visa procedure for the provincial business community,” said Jing while talking to journalists in Quetta.
The Chinese ambassador was accompanied by MRDL Saindak Company Chairman Ro Ping, Mines and Minerals Secretary Ghulam Ali Baloch and MRDL Senior Vice President Humayun Mehmood.
“Up to 200 Pakistani students are studying in China on scholarships,” said the Chinese envoy.
He rebuffed speculations regarding the Chinese government’s lack of interest in progress of development projects in Balochistan, saying that the Pakistani government should address the issues of some key departments which were causing hurdles in the implementation of the China-Pakistan Economic Corridor.
“Following the demographic importance of Balochistan, China has many development projects for the province which will be beneficial for both the Chinese and the Pakistani governments,” the ambassador added.
“CPEC will provide economic fortune not only to Balochistan but Afghanistan and Central Asian countries as well, though Balochistan doesn’t link with China but all our projects will lead through Pakistan,” said the envoy, expressing optimism regarding development and prosperity of Balochistan.
He pointed out that the provincial fisheries, agriculture, mineral and livestock sectors had room for development which would help end poverty in the province.
“The Chinese companies have been working on the provincial irrigation sector in order to help Balochistan which is marred by water crisis while 50 vocational centres are being established to polish skills of the provincial youth,” said Jing.
To a query regarding scholarships for Balochistan students, Jing stressed upon provincial students to apply through Higher Education Commission.
On the 9th Joint Cooperation Committee (JCC), the ambassador said positive decisions had been taken in the meeting to address the issues of both the sides.
“China will invest in expansion of Zhob-DI Khan highway which is being considered as vital for CPEC,” he added.


|
AAX SDK
2.3.1
Avid Audio Extensions Development Kit
|
#include "AAX.h"
Go to the source code of this file.
Contains IDs for properties that can be added to an AAX_IPropertyMap.
Functions | |
| AAX_ENUM_SIZE_CHECK (AAX_EProperty) | |
| enum AAX_EProperty |
The list of properties that can be added to an AAX_IPropertyMap.
See AAX_IPropertyMap::AddProperty() for more information
| Enumerator | |
|---|---|
| AAX_eProperty_NoID | |
| AAX_eProperty_MinProp | |
| AAX_eProperty_PlugInSpecPropsBase |
|
| AAX_eProperty_ManufacturerID |
Four-character osid-style manufacturer identifier. Should be registered with Avid, and must be identical for all plug-ins from the same manufacturer.
|
| AAX_eProperty_ProductID |
Four-character osid-style Collection identifier. Must be identical for all ProcessProcs within a single Effect.
|
| AAX_eProperty_PlugInID_Native |
Four-character osid-style Effect identifier for real-time native audio Effects. All registered plug-in IDs (AAX_eProperty_PlugInID_Native, AAX_eProperty_PlugInID_AudioSuite, and AAX_eProperty_PlugInID_TI) must be unique across all ProcessProcs registered within a single Effect.
|
| AAX_eProperty_PlugInID_RTAS | |
| AAX_eProperty_PlugInID_AudioSuite |
Four-character osid-style Effect identifier for offline native audio Effects. All registered plug-in IDs (AAX_eProperty_PlugInID_Native, AAX_eProperty_PlugInID_AudioSuite, and AAX_eProperty_PlugInID_TI) must be unique across all ProcessProcs registered within a single Effect.
|
| AAX_eProperty_PlugInID_TI |
Four-character osid-style Effect identifier for real-time TI-accelerated audio Effects. All registered product IDs (AAX_eProperty_PlugInID_Native, AAX_eProperty_PlugInID_AudioSuite, and AAX_eProperty_PlugInID_TI) must be unique across all ProcessProcs registered within a single Effect.
|
| AAX_eProperty_PlugInID_Deprecated |
Four-character osid-style Effect identifier for a corresponding deprecated Effect. Only one deprecated effect ID may correspond to each valid (non-deprecated) effect ID. To associate a plug-in type with more than one deprecated type, use the following properties instead:
|
| AAX_eProperty_Deprecated_Plugin_List |
|
| AAX_eProperty_Related_DSP_Plugin_List |
Specify a list of DSP plug-ins that are related to a plug-in type.
|
| AAX_eProperty_Related_Native_Plugin_List |
Specify a list of Native plug-ins that are related to a plug-in type.
|
| AAX_eProperty_Deprecated_DSP_Plugin_List |
Specify a list of DSP plug-ins that are deprecated by a new plug-in type.
|
| AAX_eProperty_Deprecated_Native_Plugin_List |
Specify a list of Native plug-ins that are deprecated by a new plug-in type.
|
| AAX_eProperty_PlugInID_ExternalProcessor |
Four-character osid-style Effect identifier for audio effects rendered on external hardware.
All registered plug-in IDs must be unique across all ProcessProcs registered within a single Effect.
|
| AAX_eProperty_ExternalProcessorTypeID |
Identifier for the type of the external processor hardware. The value of this property will be specific to the external processor hardware. Currently there are no public external processor hardware type IDs.
|
| AAX_eProperty_ProcessProcPropsBase |
|
| AAX_eProperty_NativeProcessProc |
Address of a native effect's ProcessProc callback Data type: AAX_CProcessProc For use with AAX_IComponentDescriptor::AddProcessProc() |
| AAX_eProperty_NativeInstanceInitProc |
Address of a native effect's instance initialization callback Data type: AAX_CInstanceInitProc For use with AAX_IComponentDescriptor::AddProcessProc() |
| AAX_eProperty_NativeBackgroundProc |
Address of a native effect's background callback Data type: AAX_CBackgroundProc For use with AAX_IComponentDescriptor::AddProcessProc() |
| AAX_eProperty_TIDLLFileName |
Name of the DLL for a TI effect Data type: UTF-8 C-string For use with AAX_IComponentDescriptor::AddProcessProc() |
| AAX_eProperty_TIProcessProc |
Name of a TI effect's ProcessProc callback Data type: C-string For use with AAX_IComponentDescriptor::AddProcessProc() |
| AAX_eProperty_TIInstanceInitProc |
Name of a TI effect's instance initialization callback Data type: C-string For use with AAX_IComponentDescriptor::AddProcessProc() |
| AAX_eProperty_TIBackgroundProc |
Name of a TI effect's background callback Data type: C-string For use with AAX_IComponentDescriptor::AddProcessProc() |
| AAX_eProperty_GeneralPropsBase |
|
| AAX_eProperty_InputStemFormat |
Input stem format. One of AAX_EStemFormat.
For offline processing, use AAX_eProperty_NumberOfInputs |
| AAX_eProperty_OutputStemFormat |
Output stem format. One of AAX_EStemFormat.
For offline processing, use AAX_eProperty_NumberOfOutputs |
| AAX_eProperty_DSP_AudioBufferLength |
Audio buffer length for DSP processing callbacks. One of AAX_EAudioBufferLengthDSP.
|
| AAX_eProperty_AudioBufferLength | |
| AAX_eProperty_LatencyContribution |
Default latency contribution of a given processing callback, in samples.
Unlike most properties, an Effect's latency contribution may also be changed dynamically at runtime. This is done via AAX_IController::SetSignalLatency(). Dynamic latency reporting may not be recognized by the host application in all circumstances, however, so Effects should always define any nonzero initial latency value using AAX_eProperty_LatencyContribution
|
| AAX_eProperty_SampleRate |
Specifies which sample rates the Effect supports. A mask of AAX_ESampleRateMask.
|
| AAX_eProperty_CanBypass |
The plug-in supports a Master Bypass control.
|
| AAX_eProperty_SideChainStemFormat |
Side chain stem format. One of AAX_EStemFormat.
|
| AAX_eProperty_TI_SharedCycleCount |
Shared cycle count (outer, per clump, loop overhead)
|
| AAX_eProperty_TI_InstanceCycleCount |
Instance cycle count (inner, per instance, loop overhead)
|
| AAX_eProperty_TI_MaxInstancesPerChip |
Maximum number of instances of this plug-in that can be loaded on a chip. This property is only used for DMA and background thread-enabled plug-ins.
|
| AAX_eProperty_TI_ForceAllowChipSharing |
Allow different plug-in types to share the same DSP even if AAX_eProperty_TI_MaxInstancesPerChip is declared. In general, this is not desired behavior. However, this can be useful if your plug-in instance counts are bound by a system constraint other than CPU usage and you require chip-sharing between instances of different types of the plug-in.
|
| AAX_eProperty_HybridOutputStemFormat |
Hybrid Output stem format. One of AAX_EStemFormat. This property represents the stem format for the audio channels that are sent from the ProcessProc callback to the AAX_IEffectParameters::RenderAudio_Hybrid() method
|
| AAX_eProperty_HybridInputStemFormat |
Hybrid Input stem format. One of AAX_EStemFormat. This property represents the stem format for the audio channels that are sent from the AAX_IEffectParameters::RenderAudio_Hybrid() method to the ProcessProc callback
|
| AAX_eProperty_AudiosuitePropsBase |
|
| AAX_eProperty_UsesRandomAccess |
The Effect requires random access to audio data.
|
| AAX_eProperty_RequiresAnalysis |
The Effect requires an analysis pass.
|
| AAX_eProperty_OptionalAnalysis |
The Effect supports an analysis pass, but does not require it.
|
| AAX_eProperty_AllowPreviewWithoutAnalysis |
The Effect requires analysis, but is also allowed to preview.
|
| AAX_eProperty_DestinationTrack |
Informs the host application to reassign output to a different track.
|
| AAX_eProperty_RequestsAllTrackData |
The host should make all of the processed track's data available to the Effect.
|
| AAX_eProperty_ContinuousOnly |
The Effect only processes on continuous data and does not support 'clip by clip' rendering.
|
| AAX_eProperty_MultiInputModeOnly |
The Effect wants multi-input mode only (no mono mode option)
|
| AAX_eProperty_DisablePreview |
The Effect does not support preview.
|
| AAX_eProperty_SupportsProgressDialog |
The Effect controls its own progress dialog. If unsupported, the host manages this dialog.
|
| AAX_eProperty_DoesntIncrOutputSample |
The Effect may not increment its output sample during some rendering calls.
|
| AAX_eProperty_NumberOfInputs |
The number of input channels that the plug-in supports.
For real-time processing, use AAX_eProperty_InputStemFormat |
| AAX_eProperty_NumberOfOutputs |
The number of output channels that the plug-in supports.
For real-time processing, use AAX_eProperty_OutputStemFormat |
| AAX_eProperty_DisableHandles |
Prevents the application of rendered region handles by the host.
|
| AAX_eProperty_SupportsSideChainInput |
Tells the host that the plug-in supports side chain inputs.
|
| AAX_eProperty_NeedsOutputDithered |
Requests that the host apply dithering to the Effect's output.
|
| AAX_eProperty_DisableAudiosuiteReverse |
The plug-in supports audiosuite reverse. By default, all reverb and delay plug-ins support this feature. If a plug-in needs to opt out of this feature, they can set this property to true.
|
| AAX_eProperty_MaxASProp | |
| AAX_eProperty_GUIBase |
|
| AAX_eProperty_UsesClientGUI |
Requests a host-generated GUI based on the Effect's parameters. Use this property while your plug-in is in development to test the plug-in's data model and algorithm before its GUI has been created, or when troubleshooting problems to isolate the data model and algorithm operation from the plug-in's GUI.
|
| AAX_eProperty_MaxGUIProp | |
| AAX_eProperty_MeterBase |
|
| AAX_eProperty_Meter_Type |
Indicates meter type as one of AAX_EMeterType.
|
| AAX_eProperty_Meter_Orientation |
Indicates meter orientation as one of AAX_EMeterOrientation.
|
| AAX_eProperty_Meter_Ballistics |
Indicates meter ballistics preference as one of AAX_EMeterBallisticType.
|
| AAX_eProperty_MaxMeterProp | |
| AAX_eProperty_ConstraintBase |
|
| AAX_eProperty_Constraint_Location |
Constraint on the algorithm's location, as a mask of AAX_EConstraintLocationMask.
|
| AAX_eProperty_Constraint_Topology |
Constraint on the topology of the Effect's modules, as one of AAX_EConstraintTopology.
|
| AAX_eProperty_Constraint_NeverUnload |
Tells the host that it should never unload the plug-in binary.
|
| AAX_eProperty_Constraint_NeverCache |
Tells the host that it should never cache the plug-in binary. Only use this if required as there is a performance penalty on launch to not use the Cache. Set this property to 1, if you really need to not cache. Default is 0. This property should be applied at the collection level as it affects the entire bundle.
|
| AAX_eProperty_Constraint_MultiMonoSupport |
Indicates whether or not the plug-in supports multi-mono configurations (
|
| AAX_eProperty_MaxConstraintProp | |
| AAX_eProperty_FeaturesBase | |
| AAX_eProperty_SupportsSaveRestore |
Indicates whether or not the plug-in supports Save/Restore features. (
|
| AAX_eProperty_UsesTransport |
Indicates whether or not the plug-in uses transport requests. (
|
| AAX_eProperty_StoreXMLPageTablesByEffect |
This property specifies whether the plug-in bundle contains an XML file per plug-in type. AAX plug-ins always provide XML page table data via external files referenced by AAX_eResourceType_PageTable. If AAX_eProperty_StoreXMLPageTablesByEffect is not defined or is set to 0 (the default) then the host may assume that all Effects in the collection use the same XML page table file. If this property is set to a non-zero value, the plug-in may describe a different AAX_eResourceType_PageTable for each separate Effect. This property needs to be set at the collection level. |
| AAX_eProperty_StoreXMLPageTablesByType | |
| AAX_eProperty_RequiresChunkCallsOnMainThread |
Indicates whether the plug-in supports SetChunk and GetChunk calls on threads other than the main thread. It is actually important for plug-ins to support these calls on non-main threads, so that is the default. However, in response to a few companies having issues with this, we have decided to support this constraint for now. property value should be set to true if you need Chunk calls on the main thread. Values: 0 (off, default), 1 (on)
|
| AAX_eProperty_MaxFeaturesProp | |
| AAX_eProperty_ConstraintBase_2 | |
| AAX_eProperty_Constraint_AlwaysProcess |
Indicates that the plug-in's processing should never be disabled by the host ( Some hosts will disable processing for plug-in chains in certain circumstances to conserve system resources, e.g. when the chains' output drops to silence for an extended period.
|
| AAX_eProperty_MaxConstraintProp_2 | |
| AAX_eProperty_DebugPropertiesBase | |
| AAX_eProperty_EnableHostDebugLogs |
Enables host debug logging for this plug-in. This logging is made via DigiTrace using the DTF_AAXHOST facility, generally at DTP_LOW priority
|
| AAX_eProperty_MaxProp | |
| AAX_eProperty_MaxCap |
| AAX_ENUM_SIZE_CHECK | ( | AAX_EProperty | ) |


Skin provides it's own custom icon-font via the @ebay/skin/iconfont module.
This module alone only downloads and installs the icon font-face from the eBay CDN. The individual icons within the font must be leveraged via classes provided by the icon module or via mixins provided by the less module.
NOTE: Although icon fonts are supported across all modern browsers, they sometimes experience "weird failures". Please refer to CSS tricks, which summarizes failure scenarios and other issues. It is because of such issues that Skin is currently transitioning over to an SVG based icon system.
Market Sans is a new and exclusive typeface developed specifically for eBay. This module downloads and installs the typeface directly from the eBay CDN servers. The typeface can then be referenced via the 'Market Sans' font-family name.
TIP: The Market Sans font-family, and all fallbacks, can also be applied using the Less variable @font-family-market-sans.


STAY UP TO DATE ON THE LATEST. SUBSCRIBE TO OUR NEWSLETTER.
CONTACT US AT<EMAIL_ADDRESS>or<PHONE_NUMBER>


---
layout: page
html-title: Welcome to the portfolio of Donald Smith
permalink: /
body-class: home
---
Welcome to the Portfolio of Donald Smith
{%- for nav in site.data.navigation -%}
{%- if nav.children != null -%}
{%- for child in nav.children -%}
{%- if child.item -%}
{%- assign image = child.item -%}
{%- assign class = 'hide' -%}
{%- if forloop.first -%}
{%- assign class = 'show' -%}
{%- endif -%}


Just a website about some birds I like
Here is a bird I like
Here is a bird I
really
like
A movie about some birds
A movie about some birds
WebFlight Status
You are downloading and seeding the following files:
'bird1.jpg'
at hash:
13991928788f049b05a6260d62e1d743571fba75
'bird2.jpg'
at hash:
a6022e9ea276cf01325d9ff68b6d77c2d6a74a78
'birdVid.mp4'
at hash:
856da85f23ba33ef4a81157bd0e3d98ef6f35a9d


Hartree-Fock (HF)
Optimize the orbitals (\( \kappa \))
Configuration Interaction (CI)
Optimize CI coefficients (\( C_i \))
Single reference fails for:


Homepage
Information
Hardware Engeneer
Design
Contacts
Contact me
call me
+351961207358
Address
Rua Pedro Esteves, Lote 12, 2ºEsq, 2860-096
LinkdIn
Clique here!
email
http://diogompnunes1999@gmail.com


REQUEST: Better alternative to "Don't save"/"Save" buttons in Audioscrobbler preferences
REQUEST: Store/display Audioscrobbler statistics
REQUEST: Link to Audioscrobbler profile, statistics etc
REQUEST: Graphical feedback for wrong Audioscrobbler username/password
REQUEST: Optionally do an explicit switch to a playlist prior to playing a song from that playlist
Synergy + Growl
REQUEST: Growl notification only on Play (not on Pause)
Wrong norwegian translation in pref pane
REQUEST: Allow user to set pushpin location
CRASH: Dies in com.apple.AE (PerPort::findOrCreate)


Before Change
Return the state attributes of the last update.
return {
ATTR_ATTRIBUTION: CONF_ATTRIBUTION,
ATTR_DISTANCE: round(self._state["distance"]),
ATTR_ROUTE: self._state["route"],
}
After Change
@property
def device_state_attributes(self):
Return the state attributes of the last update.
if self._state is None:
return None
res = {ATTR_ATTRIBUTION: CONF_ATTRIBUTION}
if "duration" in self._state:
res[ATTR_DURATION] = self._state["duration"]
if "distance" in self._state:
res[ATTR_DISTANCE] = self._state["distance"]
if "route" in self._state:
res[ATTR_ROUTE] = self._state["route"]
return res
def _get_location_from_entity(self, entity_id):
Get the location from the entity_id.


From the newsletter ... |
S. O. S.Suddenly all the passengers of whatever class, gender or age are absolutely certain that they need one thing in this life, and they need it now: saving. People do not approach the lifeboat and argue with other passengers about whether or not the iceberg truly exists or if there is a better lifeboat. To the drowning passengers of a sinking ship salvation does not need to be explained, only offered and quickly! A thousand or more people aboard the Titanic needed saving. Perhaps a few hundred thousand need saving from having to watch the Titanic video a third time! But how comfortable are you with the idea that you, me, your neighbours and friends and even the vicar and the Archbishop of Canterbury need saving too? Saving from sin and its consequence - death. It is hard to think of a less fashionable word to the modern ear than sin. For most people sin is most often associated with "old-fashioned" phrases such as "living in sin" or "miserable sinner". Oh and "irrelevant" Christians too. Let us be clear that for believers sin is literally deadly. Sin is something that offends the very nature of God. Square this circle. How can a perfect holy God tolerate one small tiny insignificant sin in His creation without compromising His perfection? One drop of ink, no matter how minute, makes a blank piece of paper no longer spotless. For Christians, sin is about being disobedient to God, and doing less than His perfect will. Everyone blots their copy book at some point in their lives. Surely this makes it impossible for anyone to enter God's holy presence (heaven) without spoiling perfection? Just when things are looking hopeless, God squares the circle for us by sending His only Son, Jesus Christ, into the world to put right all the hateful and hurtful things ever done. Jesus died for you and for me and when Christians say Jesus Christ came down from heaven for us and our salvation, we mean:
Why did God take such drastic steps to offer us the eternal lifeline of salvation? If sin and the consequences of sin are so trivial, why did God send His only Son into the world to die so painfully? If there were any other way, we can be sure God would have found it. We do not work our way to heaven. Salvation is a gift, freely given to those who believe in Jesus Christ. For a fuller discussion, see The Mystery of Salvation, published by Church House Publishing (1995).
Cogges Parish | Other articles | Following issue © 1999; Published in Cogges Parish monthly newsletter, number 237, February 1999<EMAIL_ADDRESS>|


This service computes an intersection set of data between 23andMe, and BRCA Exchange via the GA4GH API; it also acts as yet another GA4GH API endpoint.
All you have to do is give this application permission to obtain your data from 23andMe.
Click the button below to authorize. You should be redirected to 23andMe's web site, where you'll need to log in and you'll be asked to confirm. After authorizing, you should be forwarded back to this application with a reference code, and you can see the results.


You can get facts and facts and facts and ...
CovBot gives you spacefacts, news and inspirational quotes for the sake of 'em facts!
With CovBot, you get all the latest Covid 19 stats and trends despised at your finger tips and tailored for your country!
Confused about which anime to watch and which manga to read? CovBot can phase it out!
25+
servers
10,000+
users
100+
channels


| Constellation Action | Keyboard Shortcut | User Action | Menu Icon |
|---|---|---|---|
| Open Schema View | Ctrl + Shift + S | Views -> Schema View |
|
The Schema View is the source of information for all attributes, types, and plugins that are available in the Constellation schema(s) of the current graph.
From the Attributes tab of the Schema View, you are able to view the key information for all of the attributes in the schema. For each attribute, you can view the attribute type, attribute name, data type, and description. The attribute type is identified by the icon next to the attribute name:
From the Node Types tab of the Schema View, you are able to view all the key information for all different node types in the schema. Information available can include name, description, where it sits in the hierarchy of types, and any regular expressions that may be used for detection or validation.
Similar information is available for transactions from the Transaction Types tab of the Schema View.
You can filter the lists in the Attributes, Node Types, and Transaction Types tabs to help look for particular values. Simply type in a search term into the Filter text field at the top of relevant tab and choose whether filter on values that start with or contains the search term.
From the Plugins tab of the Schema View, you can view all the plugins available to users. This is particularly useful for users accessing Constellation programmatically (e.g. via the REST API). Expanding a plugin will provide details on the plugin name, alias, and important details for all associated parameters.
The full list of plugins (and their associated details) can also be exported to a CSV file via the button in the top right corner of the tab.


Inspect HTTP Requests with Geographic Data
Geobin allows you to create a temporary URL to collect and inspect JSON requests that contain geographic data. Inspect the headers and body of a request and view any geographic data parsed out of the body on a map.
You can also receive data in real time. As long as your browser supports WebSockets, once you're looking at a geobin, new data will be streamed directly to the browser and any found geographic data will be mapped instantly.
Hat tip to RequestBin for inspiration.We look for valid GeoJSON. If no GeoJSON is detected, we'll also look for the following properties:
expected format:
{ "latitude": 0, "longitude": 0 }
accepted keys:
Latitude: lat
, latitude
, y
Longitude: lng
, lon
, long
, longitude
, x
expected format:
{ "latitude": 0, "longitude": 0, "radius": 0 }
accepted keys:
dst
, dist
, distance
, rad
, radius
, acc
, accuracy
note: expects meters
expected format:
{ "coords": [0,0] }
accepted keys:
geo
, loc
, location
, coord
, coordinate
, coords
, coordinates
| Geobin ID | # of Requests | Expiration |
|---|---|---|
| {{item.id}} | {{counts[item.id]}} 0 | {{item.expires | timeRemaining}} left |
When you create a new geobin it will show up in this list until it expires, as long as you're using the same browser on your next visit. If you need to access a geobin on another browser or computer, or want to send it to a friend, just copy the link!
Oh no! It looks like your browser doesn't support localStorage. To get the most out of this service, please consider using the latest version of a modern browser like Chrome or Firefox.


I wrote this code to share the principles behind the smooth colour changing function used in my interactive work.
The code in the repository is a non general version of the code written for the Australian Open 2017 interactive installation, restricting the blending across three colours. The main source files to look at are MultiTargetColourCycling.h and MultiTargetColourCycling.cpp. The core of the colour swap happens in the update() section of MultiTargetColourCycling.cpp, using lerp(), fmodf(), OfGetElapsedTimef() to blend the three chosen colors between sub-groups of three objects in a timely manner, and can be virtually applied to any number of objects . Applying some simple object oriented programming iteration (also shared in the repository) the resulting output will be:
The resulting visual effect is the color shades "moving" across groups of objects . Observing a single circle object will reveal the cycling nature of the effect in blending the colours in a distributed way. The effect can be also noticed choosing one shade of the colour currently on screen and observing it blending along to the other objects. If your goal is to iterate between more than three colours or affect the timing of the swap you'll need to modify the function (shared under MIT Licence). Adding a third dimension, iterating across different objects, using ofNode,some rotations and adding sound reactivity could result in something more interesting, like these 3D mandala shapes
In more general terms, these concepts can be used to apply properties comprised of multiple(>2) steps to groups of objects in a cycling and distributed way. Go to the full source code Go back to Github profile