MARTY A Film Review by Vince Deehan Copyright 1998 Vince Deehan
Directed by Delbert Mann Written by Paddy Chayefsky (from his play) Cast: Ernest Borgnine, Betsy Blair, Esther Minciotti, Joe Mantell.
My favourite film of all time is James Mangold's HEAVY, which I first saw on the day before New Year's Eve 1995. HEAVY is about the life of man who is paralysed by a lack of confidence and starts to slowly awaken when he falls in love with a young waitress. I can attribute my passionate interest in the world of cinema directly to that film. Of course I had always gone to the movies before, but only a handful of times a year and only to see the latest blockbuster like ET and BATMAN etc.. HEAVY was a turning point for me because I hadn't seen many films up to then which moved me so profoundly and actually reflected things in my own life. It was while reading through the many reviews of HEAVY on the internet, that I noticed one reviewer referred to the similarities between the lead character, Victor in HEAVY and Marty in MARTY.
I finally saw MARTY last night, having stumbled upon a copy of it in a London record store. When I read the description on the back of the video box, I thought it probably couldn't be anywhere near as good as it sounds. Thankfully, I was wrong and it turned out to be a truly wonderful film that far exceeded my already high expectations.
MARTY tells the story of a butcher called Marty (Ernest Borgnine) who lives and works in the Bronx, New York.  They are an Italian family and practising Catholics. Marty is the oldest of all the children and the only one not yet married. A fact that he is constantly reminded of by his friends and customers, and of course his mother who is desperate to see her son married.  He refers to himself this way throughout the film. Marty tells his mother that he has given up on finding a girlfriend. He has tried very hard but is constantly rejected, he tells her, and he can't stand any more pain His mother won't listen to any of this and urges Marty to go to a Ballroom in town where Marty's cousin has said there are "a lot of tomatoes" - that's tomatoes said in a very broad New York accent "Ta-may-tas"!! When Marty's mother tells Marty this, it is very amusing the way she says it and it makes Marty laugh, as well as us the audience !
Marty does go to the Ballroom and he takes along his best friend, Angie (Joe Mantell). Angie is about Marty's age and is also unattached. The two of them often spend their Saturday nights together in their fruitless search for women, and often wind up drinking beer, watching the Hit Parade at Marty's house ! Angie finds a dancing partner very quickly but Marty is turned down and left hanging around the edge of the dancefloor alone. Marty is approached by a man on a blind date who has found that his partner is , in his words, "a dog" and asks Marty if he will take her home in return for 5 dollars. Marty finds the idea objectionable and refuses. Quite right too ! However Marty watches as a man with less scruples than himself takes the money and wanders over to "the dog" . This man takes one look at her and soon decides to walk off leaving the young lady alone and in tears. This has got to be one of the cruellest things I have seen in a long time. Unspeakably hurtful. Marty sees this and being the good hearted man he is, he goes over to where she ran off to cry, to comfort her.
Marty talks to her and finds out she is called Clara, and is a 29 year old school teacher. They soon find out that they have lots in common. Both are unattached and living at home with their parents and they both have given up hope of ever marrying. Tragically too, they both admit to thinking of themselves as "dogs". To hear them both use this term is quite shocking since it is a terribly cruel slur that I had thought was a British term and a relatively recent one at that. To hear two Americans using this term in the 1950s came as a surprise. Much more shocking is the way both Marty and Clara not only feel they are dogs but actually say to each other that they are.
They hit it off pretty much instantly and a more likeable screen couple it would be hard to find. They are both so genuine and decent that the minute they meet you know that they would be a great couple. They spend the rest of the night talking to each other about themselves. Marty and Clara both admit having had suicidal feelings, which Marty feels particularly guilty about due his Catholicism. When Clara tells Marty that she finds she has been crying a lot lately, Marty immediately tells her that he too is always crying at the smallest thing. This is a great moment. It's not often you hear men in movies admitting that they cry, but Marty is a sensitive man and not afraid to admit it.  ( Far from it, we see that Marty has a group of male friends who he goes drinking with, and in one scene we see Marty and his mates sitting around his house, while his friends look at girlie mags ).
When his friends get to hear that Marty has been seeing a "dog", as Marty's mate Angie probably put it, they refuse to entertain the idea that he could possibly be serious about her. She doesn't fit with their ideal image of women, which they seem to have been brainwashed with by the women in Mickey Spillane novels !* This bothers Marty who is very serious about Clara, and is obviously miffed when his friends are so dismissive. Marty's mother also takes a dislike to Clara, even going so far as to say that Clara is unattractive, but this is only due to her sudden realisation that she is about to lose Marty . The big question is, Will Marty ignore those around him and stick with Clara ? What do you think ?!
*(As an aside, in the scene where Marty's friends are enthusing about the books of Mickey Spillane, the line "that Mickey Spillane is a great writer", is uttered three times, with the scene ending on this line. It sounded awfully like the filmmakers were gently having a dig at Mickey Spillane. That Marty's friends were fans is not in doubt, but it did seem to me that the references were somewhat sarcastic in nature ! )
MARTY is one of those films that surprises you with how authentic and real the situations and dialogue are, especially when you realise it was made over 40 years ago. Everything Marty and Clara says, you can imagine people saying and feeling now. I know this shouldn't be so surprising, since people feel the same things now as they ever did. The difference is that dialogue in films is rarely as sharp and perceptive and, more importantly, as natural as it is in MARTY. The screenplay was by Paddy Chayefsky who I'm delighted to say won an Oscar for his magnificent screenplay. There were so many great lines of dialogue but one that really made me smile was Marty's mother and aunt saying that "college girls were one step from the street" ! Marty response to this was appropriately contemptful.
I loved the scene where Marty tells Clara that they are both deluding themselves by saying that they live at home for the sake of their parents, when they both knew that in a way they felt they needed their parents. Clara hit the nail on the head for me when she said she had avoided getting a car, because she says she had a fear of killing someone in a crash. I have often felt this way myself ! Another moment that stood out as being especially real and authentic was during the scene at the church when Marty's cousin says he and his wife will sit at the back of the church with their baby, so as to reduce the disruption to the service. It's not a line I've heard in a film before, but it sounded so great hearing it in this film. In truth, to pick out individual moments is unfair, as the whole film is a joy from beginning to end, with every line of dialogue sparkling !
The acting throughout is excellent, but Ernest Borgnine and Betsy Blair are both exceptional. Borgnine makes Marty the most natural, kind hearted, genuine man you're ever likely to see in a film. Marty is a difficult role as it would be easy to overdo the sentimentality and make Marty seem a bit pathetic and wet. Borgnine gives Marty a strong character who is far from weak and is the sort of bloke who you would feel proud and privileged to know. Betsy Blair was nominated for Best Supporting Actress (why it wasn't Best Actress, I don't know), and is frankly astonishing in a role that in many ways is even more demanding than that of Marty. Clara is said throughout the film to be unattractive and this must be hard to keep hearing, for the actress. Betsy Blair is far from ugly, but is made to look very plain and this must be quite a brave thing for an actress to do. She imbues Clara with dignity from the start and again, like Borgnine, underplays and gives an incredibly quiet and very subtle performance. They are both are so good it's frightening. As a tribute to their wonderful acting Burt Lancaster who appears in a 1955 trailer for the film ( he co-produced MARTY ) says that they were so good that it made "him feel proud to be an actor". This is high praise indeed, and so well said !
My only criticism would be that the ending is so abrupt that I was left in despair when the film credits suddenly started. I couldn't bear for the film to end ! The end credits soon made up for my disappointment by featuring a great song called "Hey, Marty" which was played over the cast credits, complete with small clips of the cast as their names appeared. A great end to a great film.
I urge people to see this glorious film and I am looking forward to seeing this many more times during the rest of my life.
AWARDS for MARTY Year - 1955 OSCAR Best Picture -Winner OSCAR Best Director- Delbert Mann- Winner OSCAR Best Actor- Ernest Borgnine- Winner OSCAR Best Writing, Screenplay -Paddy Chayefsky - Winner GOLDEN GLOBE Best Actor - Ernest Borgnine - Winner DIRECTOR GUILD AWARD for Outstanding Directorial Achievement in Motion Pictures - Delbert Mann - Winner
OSCAR NOMINATIONS Best Supporting Actress - Betsy Blair Best Supporting Actor - Joe Mantell Best Art Direction-Set Decoration, Black-and-White - Ted Haworth Robert Priestley Walter M. Simonds Best Cinematography, Black-and-White - Joseph LaShelle
Review written on Friday 20 March 1998 e-mail<EMAIL_ADDRESS>http://www.deehan.demon.co.uk
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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In this chapter you already met with many DOM manipulation methods including appendChild() , insertBefore() , and setAttribute().


--- layout: post title: A first event processor add-in categories: [] tags: dotnet-sdk status: publish type: post published: true meta: structured_content: '{"oembed":{},"overlay":true}' ---
The HPRM workgroup server processes a variety of scheduled events, such as word indexing and notifications. It is possible for you to create your own custom add-ins to be triggered by one of the many record (or other object) events. I have written an intro to HPRM SDK programming in a previous post.
This is a video of me creating a simple event processor add-in.
It can be difficult to work out why a program like an event processor add-in is not working. These are some of the strategies I use:
If you have any other tips please put them in the comments below.


To import a document type, find the '.udt' file on your computer by clicking the 'Import' button (you'll be
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fighter statistics, each fighter is counted once (regardless of the number of titles)
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10 years of experience with full software development life cycle in agile and lean-agile
methodologies including design, development, testing and deployment.
Worked on designing payment processing engine that has the capability of processing payments,
transfers, P2P payments, Wire transfers etc. Worked on building the scheduled payment processing
infrastructure that can process millions of transactions. Have hands-on experience in ACH
generation
and processing. Also worked on partial payment processing engines, settlement, returns and
reconciliation processes.
Result oriented and a performance driven Professional with experience in the Java/J2EE Domain.
Closely worked with clients in project and infrastructure developments. Possess very good
interpersonal & analytical capabilities and a proven track record of in time deliverable. Very
well
appreciated by the customers and received awards from the customers for the delivery, leadership
and quality.
Passion to excel in any assignment, possess great debugging and problem-solving skills.
Keen to learn new technologies. Self-starter and a resourceful team player.
Education
I have a Computer Science & Engineering bachelors from India, with Computer Science as my major.
Apart from this, have complete many technical certifications such as OCJP 1.6, OCWCD 5.0,
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Arachnophobia (PG-13) * 1/2 Starring Jeff Daniels, Harley Jane Kozak Directed by Frank Marshall A Review by Frankie Paiva
The back of the video box for Arachnophobia is deceiving. It markets itself as a horror movie with a comedic side and it's anything but that. What begins as a cool idea for a horror movie (out in the tropical rainforest) trying to find old species of spiders and other creepy crawlies (OK, I admit that word is extremely hokey.) But once the film gets off to it's interesting start, and the story is set up, it's all down hill from there.
Ross (Daniels in one of his non-comedic roles) and Molly (Jane Kozak) have just moved to a lovely small town in California from San Francisco. But he's frightened when his wife shows him a huge spider web in their barn because he's an arachnophobic, someone who is afraid of spiders. He's destined to become the local doctor when the town's current doctor retires, but when he decides not to throw in the towel yet, his job is insecure. When a throws a party for everyone in the town and someone is killed shortly thereafter he begins to wonder.
 A spider from South America and a domestic house spider have bred a whole new deadly species who's headquarters is in Ross's barn. It takes them more than three fourths of the movie to figure this out, but the movie shows you the solution in minutes.
While having it's creepy moments, Arachnophobia isn't that scary. Hollywood has once again easily taken something that's almost harmless and turned it into the evil villain. Everyone in the film realizes that they are in a cheesy movie and they pretty much play it to the limit. The film isn't funny at all (but the video package won't tell you that.)
The Young-Uns: The film contains some brief graphic spider bites and related goo and gore. It also contains some language. Good Age: 10 & Up, if they can handle spiders
A Review by Frankie Paiva The 12 Year-Old Movie Reviewer E-Mail at<EMAIL_ADDRESS>Visit my website at: http://expage.com/page/teenagemoviecritic
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
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belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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| Verily, verily, I say unto you, He that entereth not by the door into the sheepfold, but climbeth up some other way, the same is a thief and a robber.
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| ᎤᏙᎯᏳᎯᏯ, ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ; ᎾᏍᎩ Ꮎ ᎦᎶᎯᏍᏗᏱ ᎠᏴᏍᏗᏍᎩ ᏂᎨᏒᎾ ᎠᏫ ᎤᏂᏃᏕᎾ ᎤᏂᏴᏍᏗᏱ, ᎤᏣᏘᏂᏉᏍᎩᏂ ᎦᎸᏍᏗᏍᎩ, ᎾᏍᎩ ᎦᏃᏍᎩᏍᎩ ᎠᎴ ᎠᏓᎾᏌᎲᏍᎩ.
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U-do-hi-yu-hi-ya, u-do-hi-yu-hi-ya hi-a ni-tsv-we-se-ha; Na-s-gi na ga-lo-hi-s-di-yi a-yv-s-di-s-gi ni-ge-sv-na a-wi u-ni-no-de-na u-ni-yv-s-di-yi, u-tsa-ti-ni-quo-s-gi-ni ga-lv-s-di-s-gi, na-s-gi ga-no-s-gi-s-gi a-le a-da-na-sa-hv-s-gi.
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| But he that entereth in by the door is the shepherd of the sheep.
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| ᎾᏍᎩᏍᎩᏂ Ꮎ ᎦᎶᎯᏍᏗᏱ ᎠᏴᏍᏗᏍᎩ ᎾᏍᎩ ᎠᏫ ᎤᏂᏃᏕᎾ ᏗᎦᏘᏯ.
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Na-s-gi-s-gi-ni na ga-lo-hi-s-di-yi a-yv-s-di-s-gi na-s-gi a-wi u-ni-no-de-na di-ga-ti-ya.
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| To him the porter openeth; and the sheep hear his voice: and he calleth his own sheep by name, and leadeth them out.
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| ᎾᏍᎩ ᎦᎶᎯᏍᏗᏱ ᎠᎦᏘᏯ ᎤᏍᏚᎢᎡᎰᎢ, ᎠᎴ ᎠᏫ ᎠᎾᏛᎩᏍᎪ ᎧᏁᎬᎢ, ᎠᎴ ᏚᎾᏙᎥ ᏓᏯᏂᏍᎪ ᎠᏫ ᏧᏤᎵᎦ, ᎠᎴ ᏓᏘᏂᏒᏍᎩᏂ ᏕᎦᏄᎪᏫᏍᎪᎢ.
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Na-s-gi ga-lo-hi-s-di-yi a-ga-ti-ya u-s-du-i-e-ho-i, a-le a-wi a-na-dv-gi-s-go ka-ne-gv-i, a-le du-na-do-v da-ya-ni-s-go a-wi tsu-tse-li-ga, a-le da-ti-ni-sv-s-gi-ni de-ga-nu-go-wi-s-go-i.
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| And when he putteth forth his own sheep, he goeth before them, and the sheep follow him: for they know his voice.
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| ᏕᎦᏄᎪᏩᏃ ᏧᏤᎵᎦ ᎠᏫ, ᎢᎬᏱ ᏓᎴᏁᎰᎢ, ᎠᎴ ᎠᏫ ᎬᏩᏍᏓᏩᏕᎪᎢ; ᎠᏃᎵᎪᏰᏃ ᎧᏁᎬᎢ;
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De-ga-nu-go-wa-no tsu-tse-li-ga a-wi, i-gv-yi da-le-ne-ho-i, a-le a-wi gv-wa-s-da-wa-de-go-i; a-no-li-go-ye-no ka-ne-gv-i;
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| And a stranger will they not follow, but will flee from him: for they know not the voice of strangers.
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| ᏅᏩᏓᎴᏍᎩᏂ ᎥᏝ ᏴᎬᏂᏍᏓᏩᏚᎦ, ᎠᎾᎵᎡᎰᏉ, ᎥᏝᏰᏃ ᏯᏃᎵᎪ ᏅᏩᎾᏓᎴ ᎠᏂᏁᎬᎢ.
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Nv-wa-da-le-s-gi-ni v-tla yv-gv-ni-s-da-wa-du-ga, a-na-li-e-ho-quo, v-tla-ye-no ya-no-li-go nv-wa-na-da-le a-ni-ne-gv-i.
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| This parable spake Jesus unto them: but they understood not what things they were which he spake unto them.
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| ᎾᏍᎩ ᎯᎠ ᏓᏟᎶᏍᏛ ᏥᏌ ᏚᏬᏁᏔᏅᎩ; ᎠᏎᏃ ᎥᏝ ᏳᏃᎵᏤ ᎾᏍᎩ ᏄᏍᏛ ᏚᏬᏁᏔᏅᎢ.
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Na-s-gi hi-a da-tli-lo-s-dv Tsi-sa du-wo-ne-ta-nv-gi; a-se-no v-tla yu-no-li-tse na-s-gi nu-s-dv du-wo-ne-ta-nv-i.
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| Then said Jesus unto them again, Verily, verily, I say unto you, I am the door of the sheep.
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| ᎿᎭᏉᏃ ᏔᎵᏁ ᏥᏌ ᎯᎠ ᏂᏚᏪᏎᎸᎩ; ᎤᏙᎯᏳᎯᏯ ᎤᏙᎯᏳᎯᏯ ᎯᎠ ᏂᏨᏪᏎᎭ, ᎠᏴ ᎦᎶᎯᏍᏗᏱ ᎠᏫ ᎤᎾᏤᎵᎦ.
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Hna-quo-no ta-li-ne Tsi-sa hi-a ni-du-we-se-lv-gi; U-do-hi-yu-hi-ya u-do-hi-yu-hi-ya hi-a ni-tsv-we-se-ha, A-yv ga-lo-hi-s-di-yi a-wi u-na-tse-li-ga.
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| All that ever came before me are thieves and robbers: but the sheep did not hear them.
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| ᏂᎦᏛ ᎢᎬᏱ ᎤᏂᎷᏨᎯ ᎠᏴ ᎣᏂ, ᎾᏍᎩ ᎠᏂᏃᏍᎩᏍᎩ ᎠᎴ ᎠᎾᏓᎾᏌᎲᏍᎩ. ᎠᏎᏃ ᎠᏫ ᎥᏝ ᏱᎬᏩᎾᏛᎦᏁᎴᎢ.
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Ni-ga-dv i-gv-yi u-ni-lu-tsv-hi a-yv o-ni, na-s-gi a-ni-no-s-gi-s-gi a-le a-na-da-na-sa-hv-s-gi. A-se-no a-wi v-tla yi-gv-wa-na-dv-ga-ne-le-i.
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| I am the door: by me if any man enter in, he shall be saved, and shall go in and out, and find pasture.
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| ᎦᎶᎯᏍᏗᏱ ᎠᏴ; ᎢᏳᏃ ᎩᎶ ᎠᏴ ᎠᎩᏴᏍᏗᏍᎨᏍᏗ, ᎠᏎ ᎠᏥᏍᏕᎸᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎤᏴᏍᏗ ᎠᎴ ᎤᏄᎪᎢᏍᏗ ᎨᏎᏍᏗ, ᎠᎴ ᎤᏩᏛᏗ ᎨᏎᏍᏗ ᎦᏄᎸᏒᎢ.
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Ga-lo-hi-s-di-yi a-yv; I-yu-no gi-lo a-yv a-gi-yv-s-di-s-ge-s-di, a-se a-tsi-s-de-lv-di ge-se-s-di, a-le u-yv-s-di a-le u-nu-go-i-s-di ge-se-s-di, a-le u-wa-dv-di ge-se-s-di ga-nu-lv-sv-i.
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| The thief cometh not, but for to steal, and to kill, and to destroy: I am come that they might have life, and that they might have it more abundantly.
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| ᎦᏃᏍᎩᏍᎩ ᎦᎷᎪᎢ, ᎤᏃᏍᎩᏍᏗᏱᏉ ᎠᎴ ᎤᏓᎯᏍᏗᏱᏉ ᎤᏰᎸᏐᎢ: ᎠᏴ ᎠᎩᎷᏥᎸ, ᎬᏂᏛ ᎤᎾᏤᎵᎦ ᎢᏳᎵᏍᏙᏗᏱ, ᎠᎴ ᎤᏣᏔᏅᎯ ᎤᎾᏤᎵᎦ ᎢᏨᎵᏍᏙᏗᏱ.
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Ga-no-s-gi-s-gi ga-lu-go-i, u-no-s-gi-s-di-yi-quo a-le u-da-hi-s-di-yi-quo u-ye-lv-so-i: A-yv a-gi-lu-tsi-lv, gv-ni-dv u-na-tse-li-ga i-yu-li-s-do-di-yi, a-le u-tsa-ta-nv-hi u-na-tse-li-ga i-tsv-li-s-do-di-yi.
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| I am the good shepherd: the good shepherd giveth his life for the sheep.
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| ᎠᏴ ᎠᏆᏓᏅᏘ ᎠᏫ-ᏗᏥᎦᏘᏯ. ᎤᏓᏅᏘ ᎠᏫ-ᏗᎦᏘᏯ ᎬᏅᎢ ᎡᎳᏗ ᏓᏁᎰ ᎠᏫ.
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A-yv a-qua-da-nv-ti a-wi--di-tsi-ga-ti-ya. U-da-nv-ti a-wi--di-ga-ti-ya gv-nv-i e-la-di da-ne-ho a-wi.
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| But he that is an hireling, and not the shepherd, whose own the sheep are not, seeth the wolf coming, and leaveth the sheep, and fleeth: and the wolf catcheth them, and scattereth the sheep.
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| ᎠᏥᏅᏏᏛᏍᎩᏂ, ᎠᏫ-ᏗᎦᏘᏯ ᏂᎨᏒᎾ, ᎠᎴ ᎠᏫ ᏧᏤᎵᎦ ᏂᎨᏒᎾ, ᏩᏯ ᏣᎢᏒᎢ ᏩᎪᏩᏛ, ᏕᎬᏕᎪ ᎠᏫ ᎠᎴ ᎠᎵᏘᏍᎪᎢ; ᏩᏯᏃ ᏕᎦᏂᏱᏍᎪ ᎠᎴ ᏓᏗᎦᎴᏯᏍᎪ ᎠᏫ.
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A-tsi-nv-si-dv-s-gi-ni, a-wi--di-ga-ti-ya ni-ge-sv-na, a-le a-wi tsu-tse-li-ga ni-ge-sv-na, wa-ya tsa-i-sv-i wa-go-wa-dv, de-gv-de-go a-wi a-le a-li-ti-s-go-i; wa-ya-no de-ga-ni-yi-s-go a-le da-di-ga-le-ya-s-go a-wi.
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| The hireling fleeth, because he is an hireling, and careth not for the sheep.
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| ᎠᏥᏅᏏᏛ ᎠᎵᏘᏍᎪᎢ ᏅᏗᎦᎵᏍᏙᏗᏍᎪ ᎠᏥᏅᏏᏛᏉ ᎨᏒᎢ.
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A-tsi-nv-si-dv a-li-ti-s-go-i nv-di-ga-li-s-do-di-s-go a-tsi-nv-si-dv-quo ge-sv-i.
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| I am the good shepherd, and know my sheep, and am known of mine.
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| ᎠᏴ ᎠᏆᏓᏅᏘ ᎠᏫ-ᏗᏥᎦᏘᏯ; ᎠᎴ ᏕᏥᎦᏔᎭ ᏗᏆᏤᎵᎦ, ᎠᎴ ᏗᏆᏤᎵᎦ ᎬᎩᎦᏔᎭ,
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A-yv a-qua-da-nv-ti a-wi--di-tsi-ga-ti-ya; a-le de-tsi-ga-ta-ha di-qua-tse-li-ga, a-le di-qua-tse-li-ga gv-gi-ga-ta-ha,
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| As the Father knoweth me, even so know I the Father: and I lay down my life for the sheep.
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| ᎾᏍᎩᏯ ᎠᎦᏴᎵᎨ ᏣᎩᎦᏔᎭ, ᎠᎴ ᎠᏴ ᎠᎦᏴᎵᎨ ᏥᏥᎦᏔᎭ. ᎠᎴ ᎬᏅ ᎡᎳᏗ ᏕᏥᏁᎭ ᎠᏫ.
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Na-s-gi-ya A-ga-yv-li-ge tsa-gi-ga-ta-ha, a-le a-yv A-ga-yv-li-ge tsi-tsi-ga-ta-ha. A-le gv-nv e-la-di de-tsi-ne-ha a-wi.
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| And other sheep I have, which are not of this fold: them also I must bring, and they shall hear my voice; and there shall be one fold, and one shepherd.
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| ᎠᎴ ᏄᎾᏓᎴ ᎠᏫ ᏓᎩᎧᎭ, ᎾᏍᎩ ᎥᏝ ᎯᎠ ᎤᏂᏴᏍᏗᏱ ᏯᏂᏯᎠ; ᎾᏍᎩ ᎾᏍᏉ ᎠᏎ ᏙᏓᎦᏘᏃᎵ, ᎠᎴ ᏛᎾᏛᎦᏂ ᏥᏁᎬᎢ; ᎠᎴ ᏑᎾᏓᏡᎩ ᏅᏛᎾᎵᏍᏔᏂ; ᎠᎴ ᏌᏉ ᎨᏎᏍᏗ ᎠᏫ-ᏗᎦᏘᏯ.
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A-le nu-na-da-le a-wi da-gi-ka-ha, na-s-gi v-tla hi-a u-ni-yv-s-di-yi ya-ni-ya-a; na-s-gi na-s-quo a-se do-da-ga-ti-no-li, a-le dv-na-dv-ga-ni tsi-ne-gv-i; a-le su-na-da-tlu-gi nv-dv-na-li-s-ta-ni; a-le sa-quo ge-se-s-di a-wi--di-ga-ti-ya.
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| Therefore doth my Father love me, because I lay down my life, that I might take it again.
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| ᎡᎳᏗ ᏥᏥᎥᏍᎦ ᎬᏅᎢ ᎾᏍᎩ ᏔᎵᏁ ᎠᎩᎩᏏᏐᏗ ᏥᎩ ᎾᏍᎩ ᏅᏗᎦᎵᏍᏙᏗᎭ ᎠᎦᏴᎵᎨ ᎠᎩᎨᏳᎭ.
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E-la-di tsi-tsi-v-s-ga gv-nv-i na-s-gi ta-li-ne a-gi-gi-si-so-di tsi-gi na-s-gi nv-di-ga-li-s-do-di-ha A-ga-yv-li-ge a-gi-ge-yu-ha.
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| No man taketh it from me, but I lay it down of myself. I have power to lay it down, and I have power to take it again. This commandment have I received of my Father.
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| ᎥᏝ ᎩᎶ ᏴᏛᎩᎩᎡᎵ, ᎠᏋᏒᏉᏍᎩᏂ ᎠᏆᏓᏅᏖᏛ ᎡᎳᏗ ᏓᏥᏂ. ᎠᎩᎭ ᏰᎵᏉ ᎡᎳᏗ ᎬᎩᏗ ᎨᏒᎢ, ᎠᎴ ᎠᎩᎭ ᏰᎵᏉ ᎬᎩᎩᏏᏐᏗ ᎨᏒᎢ. ᎾᏍᎩ ᎯᎠ ᏄᏍᏗ ᎡᏙᏓ ᎠᎩᏁᏤᎸ.
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V-tla gi-lo yv-dv-gi-gi-e-li, a-quv-sv-quo-s-gi-ni a-qua-da-nv-te-dv e-la-di da-tsi-ni. A-gi-ha ye-li-quo e-la-di gv-gi-di ge-sv-i, a-le a-gi-ha ye-li-quo gv-gi-gi-si-so-di ge-sv-i. Na-s-gi hi-a nu-s-di E-do-da a-gi-ne-tse-lv.
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| There was a division therefore again among the Jews for these sayings.
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| ᎿᎭᏉᏃ ᏔᎵᏁ ᏔᎵ ᏄᎾᏓᏛᎩ ᎠᏂᏧᏏ ᏅᏓᎦᎵᏍᏙᏗᏍᎬᎩ ᎾᏍᎩ ᏄᏪᏒᎢ.
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Hna-quo-no ta-li-ne ta-li nu-na-da-dv-gi A-ni-tsu-si nv-da-ga-li-s-do-di-s-gv-gi na-s-gi nu-we-sv-i.
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| And many of them said, He hath a devil, and is mad; why hear ye him?
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| ᎤᏂᏣᏛᎩᏃ ᎤᎾᏓᏑᏴᎩ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎠᏍᎩᎾ ᎤᏯᎠ, ᎠᎴ ᎤᎸᏃᏘᎭ; ᎦᏙᏃ ᎢᎡᏣᏛᏓᏍᏓᏁᎭ?
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U-ni-tsa-dv-gi-no u-na-da-su-yv-gi hi-a nu-ni-we-sv-gi; A-s-gi-na u-ya-a, a-le u-lv-no-ti-ha; ga-do-no i-e-tsa-dv-da-s-da-ne-ha?
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| Others said, These are not the words of him that hath a devil. Can a devil open the eyes of the blind?
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| ᎢᎦᏛᏃ ᎯᎠ ᏄᏂᏪᏒᎩ; ᎾᏍᎩ ᎯᎠ ᏥᏂᎦᏪ ᏥᎧᏁᎦ ᎥᏝ ᎠᏍᎩᎾ ᎤᏯᎢ ᎤᏁᎢᏍᏗ ᏱᎩ; ᏥᎪ ᎠᏍᎩᎾ ᏰᎵ ᏱᏓᏍᏚᎢᏏ ᏗᎨᏫ ᏗᎦᏙᎵ.
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I-ga-dv-no hi-a nu-ni-we-sv-gi; Na-s-gi hi-a tsi-ni-ga-we tsi-ka-ne-ga v-tla a-s-gi-na u-ya-i u-ne-i-s-di yi-gi; tsi-go a-s-gi-na ye-li yi-da-s-du-i-si di-ge-wi di-ga-do-li.
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| And it was at Jerusalem the feast of the dedication, and it was winter.
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| ᏗᎦᎳᏫᎢᏍᏗᏱᏃ ᎤᏂᏅᎦᎸᎲ ᏓᎾᎵᏍᏓᏴᎲᏍᎬᎩ ᏥᎷᏏᎵᎻ, ᎠᎴ ᎪᎳ ᎨᏒᎩ.
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Di-ga-la-wi-i-s-di-yi-no u-ni-nv-ga-lv-hv da-na-li-s-da-yv-hv-s-gv-gi Tsi-lu-si-li-mi, a-le go-la ge-sv-gi.
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| And Jesus walked in the temple in Solomon's porch.
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| ᏥᏌᏃ ᎡᏙᎲᎩ ᎤᏛᏅ-ᏗᎦᎳᏫᎢᏍᏗᏱ, ᏐᎵᎹᏅ ᎤᏤᎵᎦ ᎠᏲᏓᏝᎲᎢ.
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Tsi-sa-no e-do-hv-gi u-dv-nv--di-ga-la-wi-i-s-di-yi, So-li-ma-nv u-tse-li-ga a-yo-da-tla-hv-i.
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| Then came the Jews round about him, and said unto him, How long dost thou make us to doubt? If thou be the Christ, tell us plainly.
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| ᎿᎭᏉᏃ ᎠᏂᏧᏏ ᎬᏩᏓᏡᏫᏍᏔᏅᎩ, ᎯᎠ ᏂᎬᏩᏪᏎᎸᎩ; ᎯᎳᎪ ᏅᏓᎪᎯᏥ ᏍᎩᏰᎵᎢᏍᏗᏍᎨᏍᏗ? ᎢᏳᏃ ᏂᎯ ᎦᎶᏁᏛ ᎨᏎᏍᏗ, ᏍᎩᏃᎲᏏ ᏚᏳᎪᏛᎢ.
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Hna-quo-no A-ni-tsu-si gv-wa-da-tlu-wi-s-ta-nv-gi, hi-a ni-gv-wa-we-se-lv-gi; Hi-la-go nv-da-go-hi-tsi s-gi-ye-li-i-s-di-s-ge-s-di? I-yu-no ni-hi ga-lo-ne-dv ge-se-s-di, s-gi-no-hv-si du-yu-go-dv-i.
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| Jesus answered them, I told you, and ye believed not: the works that I do in my Father's name, they bear witness of me.
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| ᏥᏌ ᎤᏁᏨᎩ ᎯᎠ ᏚᏂᏪᏎᎸᎩ; ᎢᏨᏃᏁᎸᎩ, ᎠᏎᏃ ᎥᏝ ᏱᏍᎩᏲᎢᏳᏁᎢ. ᏗᎦᎸᏫᏍᏓᏁᏗ ᏥᏓᎩᎸᏫᏍᏓᏁᎭ ᎡᏙᏓ ᏚᏙᏍᏛᎢ, ᎾᏍᎩ ᎬᏂᎨᏒ ᎾᏋᏁᎭ.
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Tsi-sa u-ne-tsv-gi hi-a du-ni-we-se-lv-gi; I-tsv-no-ne-lv-gi, a-se-no v-tla yi-s-gi-yo-i-yu-ne-i. Di-ga-lv-wi-s-da-ne-di tsi-da-gi-lv-wi-s-da-ne-ha E-do-da du-do-s-dv-i, na-s-gi gv-ni-ge-sv na-quv-ne-ha.
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| But ye believe not, because ye are not of my sheep, as I said unto you.
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| ᏂᎯᏍᎩᏂ ᎥᏝ ᏱᏦᎯᏳᎲᏍᎦ, ᏅᏗᎦᎵᏍᏙᏗᎭ ᏂᎯ ᎠᏫ ᏗᏆᏤᎵᎦ ᏂᎨᏒᎾ ᎨᏒᎢ, ᎾᏍᎩᏯ ᏥᏂᏨᏪᏎᎸᎩ.
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Ni-hi-s-gi-ni v-tla yi-tso-hi-yu-hv-s-ga, nv-di-ga-li-s-do-di-ha ni-hi a-wi di-qua-tse-li-ga ni-ge-sv-na ge-sv-i, na-s-gi-ya tsi-ni-tsv-we-se-lv-gi.
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| My sheep hear my voice, and I know them, and they follow me:
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| ᎠᏫ ᏗᏆᏤᎵᎦ ᎠᎾᏛᎩᏍᎪ ᏥᏁᎬᎢ, ᎠᎴ ᎠᏴ ᎦᏥᎦᏔᎭ, ᎠᎴ ᎬᏂᏍᏓᏩᏕᎪᎢ,
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A-wi di-qua-tse-li-ga a-na-dv-gi-s-go tsi-ne-gv-i, a-le a-yv ga-tsi-ga-ta-ha, a-le gv-ni-s-da-wa-de-go-i,
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| And I give unto them eternal life; and they shall never perish, neither shall any man pluck them out of my hand.
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| ᎠᎴ ᎠᎵᏍᏆᏗᏍᎩ ᏂᎨᏒᎾ ᎬᏂᏛ ᎦᏥᏁᎰᎢ, ᎥᏝᏃ ᎢᎸᎯᏳ ᏧᏂᏲᎱᎯᏍᏗ ᏱᎩ, ᎠᎴ ᎥᏝ ᎩᎶ ᏗᏆᏑᎦᎸᏙᏗ ᏱᎩ.
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A-le a-li-s-qua-di-s-gi ni-ge-sv-na gv-ni-dv ga-tsi-ne-ho-i, v-tla-no i-lv-hi-yu tsu-ni-yo-hu-hi-s-di yi-gi, a-le v-tla gi-lo di-qua-su-ga-lv-do-di yi-gi.
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| My Father, which gave them me, is greater than all; and no man is able to pluck them out of my Father's hand.
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| ᎾᏍᎩ Ꮎ ᎡᏙᏓ ᏗᎩᎧᏁᎸᎯ ᎤᏟ ᎤᎵᏂᎩᏗᏳ ᎡᏍᎦᏉ ᎾᏂᎥᎢ, ᎥᏝᏃ ᏰᎵ ᎩᎶ ᎡᏙᏓ ᏗᎬᏩᏑᎦᎸᏙᏗ ᏱᎩ.
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Na-s-gi na E-do-da di-gi-ka-ne-lv-hi u-tli u-li-ni-gi-di-yu E-s-ga-quo na-ni-v-i, v-tla-no ye-li gi-lo E-do-da di-gv-wa-su-ga-lv-do-di yi-gi.
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| I and my Father are one.
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| ᎠᏴ ᎡᏙᏓᏃ ᏌᏉᏉ.
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A-yv E-do-da-no sa-quo-quo.
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| Then the Jews took up stones again to stone him.
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| ᎿᎭᏉᏃ ᎠᏂᏧᏏ ᏔᎵᏁ ᏅᏯ ᏚᏂᎩᏒᎩ ᏗᎬᏩᏂᏍᏙᏗ.
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Hna-quo-no A-ni-tsu-si ta-li-ne nv-ya du-ni-gi-sv-gi di-gv-wa-ni-s-do-di.
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| Jesus answered them, Many good works have I shewed you from my Father; for which of those works do ye stone me?
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| ᏥᏌ ᎤᏁᏨᎩ ᎯᎠ ᏚᏂᏪᏎᎸᎩ, ᎤᏣᏔ ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎡᏙᏙᏱ ᏅᏓᏳᏓᎴᏅᎯ ᎬᏂᎨᏒ ᏂᏨᏴᏁᎸ; ᎦᏙ ᎤᏍᏗ ᎾᏍᎩ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎠᎩᏍᏛᏗᎠ ᏅᏯ ᏥᏕᏍᎩᏴᏂᏍᏗᎭ?
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Tsi-sa u-ne-tsv-gi hi-a du-ni-we-se-lv-gi, U-tsa-ta o-s-dv di-ga-lv-wi-s-da-ne-di ge-sv e-do-do-yi nv-da-yu-da-le-nv-hi gv-ni-ge-sv ni-tsv-yv-ne-lv; Ga-do u-s-di na-s-gi di-ga-lv-wi-s-da-ne-di a-gi-s-dv-di-a nv-ya tsi-de-s-gi-yv-ni-s-di-ha?
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| The Jews answered him, saying, For a good work we stone thee not; but for blasphemy; and because that thou, being a man, makest thyself God.
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| ᎠᏂᏧᏏ ᎤᏂᏁᏨ ᎯᎠ ᏅᎬᏩᏪᏎᎸᎩ; ᎣᏍᏛ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᎥᏝ ᏴᎨᏣᏍᏛᏓ ᏅᏯ ᏱᏙᎨᏨᏴᏂᏍᏓ, ᎯᏐᏢᎢᏍᏗᏍᎬᏍᎩᏂ, ᏂᎯ ᏴᏫᏉ ᏥᎩ ᎤᏁᎳᏅᎯ ᏣᏤᎸᏍᎦ.
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A-ni-tsu-si u-ni-ne-tsv hi-a nv-gv-wa-we-se-lv-gi; o-s-dv di-ga-lv-wi-s-da-ne-di ge-sv v-tla yv-ge-tsa-s-dv-da nv-ya yi-do-ge-tsv-yv-ni-s-da, hi-so-tlv-i-s-di-s-gv-s-gi-ni, ni-hi yv-wi-quo tsi-gi U-ne-la-nv-hi tsa-tse-lv-s-ga.
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| Jesus answered them, Is it not written in your law, I said, Ye are gods?
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| ᏥᏌ ᏚᏁᏤᎸᎩ; ᏝᏍᎪ ᎯᎠ ᏱᏂ ᎬᏅ ᏱᎪᏪᎳ ᏗᏥᎧᎿᎭᏩᏛᏍᏗᏱ; ᏂᎯ ᎢᏨᏁᎳᏅᎯ, ᎠᏆᏛᏅᎩ?
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Tsi-sa du-ne-tse-lv-gi; tla-s-go hi-a yi-ni gv-nv yi-go-we-la di-tsi-ka-hna-wa-dv-s-di-yi; ni-hi i-tsv-ne-la-nv-hi, a-qua-dv-nv-gi?
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| If he called them gods, unto whom the word of God came, and the scripture cannot be broken;
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| ᎢᏳᏃ ᎢᏣᏁᎳᏅᎯ ᏧᏬᏎᎸᎯ ᏱᎩ, ᎧᏃᎮᏛ ᎤᏁᎳᏅᎯ ᎤᏤᎵᎦ ᎨᏥᏁᏤᎸᎯ, ᎠᎴ ᎪᏪᎵ ᎤᏲᎢᏍᏗ ᏂᎨᏒᎾ ᏱᎩ,
|
|---|
I-yu-no i-tsa-ne-la-nv-hi tsu-wo-se-lv-hi yi-gi, ka-no-he-dv U-ne-la-nv-hi u-tse-li-ga ge-tsi-ne-tse-lv-hi, a-le go-we-li u-yo-i-s-di ni-ge-sv-na yi-gi,
|
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| Say ye of him, whom the Father hath sanctified, and sent into the world, Thou blasphemest; because I said, I am the Son of God?
|
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| ᏥᎪ ᎯᏐᏢᎢᏍᏗᎭ ᎢᎡᏦᏎᎭ ᎠᎦᏴᎵᎨᎢ ᎤᎸᏉᏔᏅᎯ ᎠᎴ ᎡᎶᎯ ᎤᎷᎯᏍᏗᏱ ᎤᏅᏏᏛ, ᏅᏗᎦᎵᏍᏙᏗᎭ "ᎠᏴ ᎤᏁᎳᏅᎯ ᎤᏪᏥ" ᏥᎦᏛ?
|
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Tsi-go hi-so-tlv-i-s-di-ha i-e-tso-se-ha A-ga-yv-li-ge-i u-lv-quo-ta-nv-hi a-le e-lo-hi u-lu-hi-s-di-yi u-nv-si-dv, nv-di-ga-li-s-do-di-ha "A-yv U-ne-la-nv-hi U-we-tsi" tsi-ga-dv?
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| If I do not the works of my Father, believe me not.
|
|---|
| ᎢᏳᏃ ᎡᏙᏓ ᎤᏤᎵ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒ ᏂᏓᎩᎸᏫᏍᏓᏁᎲᎾ ᎢᎨᏎᏍᏗ, ᏞᏍᏗ ᏍᎩᏲᎢᏳᏅᎩ
|
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I-yu-no E-do-da u-tse-li di-ga-lv-wi-s-da-ne-di ge-sv ni-da-gi-lv-wi-s-da-ne-hv-na i-ge-se-s-di, tle-s-di s-gi-yo-i-yu-nv-gi
|
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| But if I do, though ye believe not me, believe the works: that ye may know, and believe, that the Father is in me, and I in him.
|
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| ᎢᏳᏍᎩᏂ ᎾᏍᎩ ᎤᏤᎵ ᏱᏓᎩᎸᏫᏍᏓᏁᎭ, ᎾᏍᏉ ᎠᏴ ᏂᏍᎩᏲᎢᏳᎲᏍᎬᎾ ᏱᎩ, ᎠᏎ ᎢᏦᎯᏳᎲᏍᎨᏍᏗ ᎾᏍᎩ Ꮎ ᏗᎦᎸᏫᏍᏓᏁᏗ ᎨᏒᎢ; ᎾᏍᎩᏃ ᏰᎵ ᎨᏣᏙᎴᎰᎯᏍᏗ ᎠᎴ ᎨᏦᎯᏳᏗ ᏱᎩ ᎠᎦᏴᎵᎨᎢ, ᎠᎩᏯᎥᎢ ᎠᎴ ᎾᏍᎩ ᎠᏴ ᏥᏯᎥᎢ
|
|---|
I-yu-s-gi-ni na-s-gi u-tse-li yi-da-gi-lv-wi-s-da-ne-ha, na-s-quo a-yv ni-s-gi-yo-i-yu-hv-s-gv-na yi-gi, a-se i-tso-hi-yu-hv-s-ge-s-di na-s-gi na di-ga-lv-wi-s-da-ne-di ge-sv-i; na-s-gi-no ye-li ge-tsa-do-le-ho-hi-s-di a-le ge-tso-hi-yu-di yi-gi A-ga-yv-li-ge-i, a-gi-ya-v-i a-le na-s-gi a-yv tsi-ya-v-i
|
|---|
|
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| Therefore they sought again to take him: but he escaped out of their hand,
|
|---|
| ᎾᏍᎩ ᎢᏳᏍᏗ ᏔᎵᏁ ᎤᎾᏁᎶᏔᏅᎩ ᎬᏩᏂᏴᏗᏱ; ᎠᏎᏃ ᏚᏗᏫᏎᎸᎩ,
|
|---|
Na-s-gi i-yu-s-di ta-li-ne u-na-ne-lo-ta-nv-gi gv-wa-ni-yv-di-yi; a-se-no du-di-wi-se-lv-gi,
|
|---|
|
|---|
| And went away again beyond Jordan into the place where John at first baptized; and there he abode.
|
|---|
| ᎠᎴ ᏦᏓᏂ ᏍᎪᎾ ᏭᎶᏒᎩ, ᎾᎿᎭᏣᏂ ᎢᎬᏱᏱ ᏚᏓᏬᎥᎢ. ᎾᎿᎭᏃ ᎤᏪᏙᎸᎩ.
|
|---|
A-le Tso-da-ni s-go-na wu-lo-sv-gi, na-hna Tsa-ni i-gv-yi-yi du-da-wo-v-i. Na-hna-no u-we-do-lv-gi.
|
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|
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| And many resorted unto him, and said, John did no miracle: but all things that John spake of this man were true.
|
|---|
| ᎤᏂᏣᏛᏃ ᎬᏩᎷᏤᎸᎩ, ᎠᎴ ᎯᎠ ᏄᏂᏪᏒᎩ; ᏣᏂ ᎥᏝ ᎤᏍᏆᏂᎪᏗ ᏱᏚᎸᏫᏍᏓᏁᎮᎢ, ᎠᏎᏃ ᏂᎦᎥ ᏣᏂ ᏄᏪᏒ ᎤᏃᎮᎸ ᎯᎠ ᎾᏍᎩ ᎠᏍᎦᏯ, ᎤᏙᎯᏳᎯᏯ ᎨᏎᎢ.
|
|---|
U-ni-tsa-dv-no gv-wa-lu-tse-lv-gi, a-le hi-a nu-ni-we-sv-gi; Tsa-ni v-tla u-s-qua-ni-go-di yi-du-lv-wi-s-da-ne-he-i, a-se-no ni-ga-v Tsa-ni nu-we-sv u-no-he-lv hi-a na-s-gi a-s-ga-ya, u-do-hi-yu-hi-ya ge-se-i.
|
|---|
|
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| And many believed on him there.
|
|---|
| ᎾᎿᎭᏃ ᎤᏂᏣᏛ ᎬᏬᎯᏳᏅᎩ
|
|---|
Na-hna-no u-ni-tsa-dv gv-wo-hi-yu-nv-gi
|
|---|


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Radar
Expand for more info.About
An experiment with real-time audio synthesis.
Works well in Chrome & Safari but runs slowly in Firefox.
Thanks to Tom Ashworth for harmonising the sound!
Created by Hakim El Hattab | @hakimel
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Radar uses Audiolet to generate sound and
the visuals are rendered on HTML5 <canvas>.
Source code available at github.com/hakimel/Radar.
Click on a pin to generate sound


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UC3Mx (Charles III University of Madrid):
Introduction to Programming with Java:
Part 1: Starting to Program in Java,
Part 2: Writing Good Code,
Part 3: Fundamental Data Structures and Algorithms,
PennX (University of Pennsylvania):
Software Development Fundamentals,
Data Structures and Software Design,
Algorithm Design and Analysis,
Udemy:
Spring and Hibernate
Java SE, Swing, AWT, JavaDoc, MySQL
Spring, SpringMVC, Hibernate
Havn't used for a while but was learning:
C, C embeded, Bash, MATLAB, SciLAB, PLC (ladder, STL etc..)
Eclipse IDE, E-Git, JUnit, WindowBuilder, GitHub, Maven


React, HTML, CSS, SCSS, JavaScript, jQuery
UI/UX Design, Media Queries, Bootstrap, AJAX, Rendering Across All Devices
JavaScript, MongodB, PHP, Node.js, Server Setup, JSON, ORMs, RESTful APIs, SQL, Python, and Firebase Databases
Software Engineer
My name is Chandra Kellwan and I live in magical Orlando, Florida.
I am a full-stack web developer and detail-oriented copy editor.
I have provided top-notch services for a number of organizations including
Disney, Orange County Public Schools, ABC Television, and Fox Networks.
Additionally, I have experience creating content for several media platforms, producing
marketing content, and promoting events.


Ballypatrick Sports Centre
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@* * Boilerplate HTML that wraps every page of the application. * * @author Mark Nelson * @see http://www.playframework.com *@ @(title: String)(content: Html)


Skills
HTML
CSS
JavaScript
React
Education
Epicodus
Full-Stack JavaScript Bootcamp
React / C# / .NET
(May 2021 - Present)
DePaul University
Bachelor of Arts (B.A)
Latin American and Latino Studies
(Graduated 2008)
Experience
NorthOne
Software Quality Assurance Specialist
(Feb 2021 - Present)
Azlo
Software Quality Assurance Analyst
(Feb 2020 - Feb 2021)
- Performed functional testing for all product requirements tied to the customer onboarding experience while meeting 100% of release deadlines.
- Collaborated closely with the Onboarding Product Owner and Software Engineers during the entire Software Testing Life Cycle in order to ensure all business requirements were met.
- Revamped the QA team process of organizing and reporting manual test results by implementing and documenting procedures on how to use the Xray Test Management suite by Jira. This significantly reduced the amount of time the QA team needed to report defects found during testing.
- Assisted other QA team members with mobile regression testing for both iOS and Android apps using tools such TestFlight and Firebase App Distribution.
Technical Support Manager
(Jan 2019 - Jan 2020)
- Established the initial bug reporting workflows for the entire Customer Success team as the first Technical Support Manager at Azlo.
- Managed all escalations submitted to our API partner (BBVA Open Platform) by our Customer Success team, ensuring tickets were actioned accordingly and within agreed upon service level agreements.
- Served as the Subject Matter Expert for the Customer Success team in solving complex platform issues and identifying known bugs in order to reduce duplication of bug reports sent to the engineering team.
- Developed and implemented an extensive Technical Support training plan for the Customer Success team and for the role of Technical Support Manager.
Risk Operations Specialist
(Apr 2018 - Dec 2018)
- Responsible for reviewing customer applications and ensuring all Know Your Customer (KYC) due diligence checks were performed prior to application approval.
- Managed fraud and dispute related customer contact and escalated these as required while staying in compliance with banking regulations set by the partner bank, BBVA USA, and federal regulations.
Customer Success Agent
(Oct 2017 - Mar 2018)
- First Customer Success Agent hired by Azlo and responsible for managing all pre-beta release customer contact.
- Documented 85% of the initial customer-facing FAQs used during the beta release which were expanded thereafter.
- Created and managed the first Customer Success internal workflows for tracking customer contact via Zendesk.
- Gathered, validated, and escalated all customer bug reports to the engineering team for resolution or product backlog prioritization.
Squarespace
Customer Operations Advisor
(Jun 2017 - Oct 2017)
- Guided customers with resolving technical platform issues and answering product related questions.
- Ensured customer submitted bug reports were appropriately escalated for resolution.
- Responded to customer inquiries regarding billing, renewals, and cancellations.
Simple
Customer Support Representative
(May 2015 - Jun 2017)
- Specialized in financial fraud and dispute related customer contact.
- Educated customers with understanding and utilizing the product via iOS, Android, and web applications.
- Coached and mentored newer Customer Support Representatives with managing difficult customer contact related to fraud and dispute-related issues.


Isar735.github.io
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The HTML DOM (Document Object Model)
When a web page is loaded, the browser creates a Document Object Model of the page.
With the object model, JavaScript gets all the power it needs to create dynamic HTML:
- JavaScript can change all the HTML elements in the page
- JavaScript can change all the HTML attributes in the page
- JavaScript can change all the CSS styles in the page
- JavaScript can remove existing HTML elements and attributes
- JavaScript can add new HTML elements and attributes
Example
var x = 42.
The DOM is a W3C (World Wide Web Consortium) standard.
The DOM defines a standard for accessing documents:
"The W3C Document Object Model (DOM) is a platform and language-neutral interface that allows programs and scripts to dynamically access and update the content, structure, and style of a document."
The W3C DOM standard is separated into 3 different parts:
- Core DOM - standard model for all document types
- XML DOM - standard model for XML documents
- HTML DOM - standard model for HTML documents
Example
var x = 42.
The HTML elements as objects
The properties of all HTML elements
The methods to access all HTML elements
The events for all HTML elements
In other words: The HTML DOM is a standard for how to get, change, add, or delete HTML elements.
Example
var x = 42.
The DOM Programming Interface
The HTML DOM can be accessed with JavaScript (and with other programming languages).
In the DOM, all HTML elements are defined as objects.
The programming interface is the properties and methods of each object.
A property is a value that you can get or set (like changing the content of an HTML element).
A method is an action you can do (like add or deleting an HTML element).
The following example changes the content (the innerHTML)of the element with id="demo"
function greetMe(yourName) { alert("Hello " + yourName); }
greetMe("World");
The getElementById Method
The most common way to access an HTML element is to use the id of the element.
The innerHTML property is useful for getting or replacing the content of Html


The following guidance for addressing specific aspects of Maven plugin development should be used as a supplement to the more extensive treatments provided for both build and report plugins.


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The web is made up of HTML (Hypertest Markup Language) and hyperlinks and was invented in 1990s with over 30 billion pages.  Some tags have opening and closing tags. Others (Void tags) do not have closing tags. In HTML all "whitespace" (e.g. multiple lines) displays as a single line.
A Tag is an HTML that is always contained within angled brackets unless it it a "Void" tag.
An element refers to everything within a set of opening and closing tags.
An attribute is the property of an HTML element (e.g. href).
Inline Tags include:
B Tag (bold)
EM Tag (italic)
IMG Tag (image) use src (source)
SPAN Tag
Block Tags create an invisible box around text and include:
P Tag (paragraph)
DIV Tag
Can point to a link. Use an anchor (A Tag) and href. Example: a href(attribute name)="www.udacity.com"(value) contents closing tag.
HTML is the structure and CSS (Cascading Style Sheets) is the design. There are rules for how websites behave. There is a tree-like structure (DOM - Document Object Model). Use the sideways arrows to drill down
Designs should be broken down into boxes (e.g. a title, images, text, captions, etc.) Each box is identified with div.
Google Chrome Developer Tools display the HTML structure of the document. The Style box in the developer tools dictates what you see (i.e. color, size, borders) and can be altered via the syntax and rules).
Scratchpad = Immediate Response and Ease of Use when working with HTML and/or CSS.
Codepen = 2-3 second response and is slightly more difficult to use but offers ease of sharing and supports Java as well as HTML and CSS.
Sublime Text 2 = A need to refresh to view changes and is difficult to use until you are familiar with it. Supports ALL languages with a few exceptions.
You can have several CSS sheets.
You can enter code comments that can be viewed in the code but will not show up on the webpage. The format is different depending on if you are writing HTML or CSS.
The primary benefit of adding CSS style to your HTML is to avoid repetition. There are several benefits to avoiding repetition:
Minimizes errors - type the rule once - one and done!
Reduces the amount of code you have to write - again one and done!
Promotes consistency - everything looks uniform
Four (4) areas: Margin, Border, Padding and Content. To calculate the total size, add the following in "Computed" view:
Left border
Left Padding
Content
Right Padding
Right Border
If you set the parameters by percentage, the contenet will display relative to that setting when the window is resized
To add an image, create a new folder and name it "Images" within your root folder.
Ask yourself:
1. Have I defined the the natural boxes?
2. Do I need a heading?
3. Is the sizing of the boxes good?
4. Is the positioning of the boxes good?
5. Any other details?
Five Steps:
1. Visually Boxify
2. Look For Repeated Styles & Semantic Elements
3. Write HTML
4. Apply Styles (from biggest to smallest)
5.


--- title: "Easiest Way to Prepare Favorite Asparagus Tempura Delicious" slug: asparagus-tempura description: "Asparagus Tempura Recipe - It's as simple as it sounds: tempura asparagus, deep-fried to a golden crisp. Goes great with ranch and is great for a get-together. Steps to Cook Speedy Asparagus Tempura Delicious" date: 2021-05-03T08:41:17Z image: https://cdn.statically.io/img/images.media-allrecipes.com/userphotos/826409.jpg thumbnail: https://cdn.statically.io/img/images.media-allrecipes.com/userphotos/826409.jpg cover: https://cdn.statically.io/img/images.media-allrecipes.com/userphotos/826409.jpg author: Rika ratingvalue: 4.6 reviewcount: 648 recipeingredient: - "vegetable oil for frying" - "1 cup tempura mix (such as Kikkoman®)" - "¾ cup ice-cold water " - "1 pound asparagus" - "2 teaspoons sea salt" recipeinstructions: - "Heat 1 to 2 inches of oil in a saucepan or deep fryer over medium-high heat." - "Stir tempura mix and water together to make a loose batter." - "Cut tough ends from the bottom of the asparagus spears. Dip into the batter, making sure spears are evenly coated." - "Carefully add 5 to 6 asparagus spears to the hot oil. Fry until they float to the top, 30 seconds to 1 minute. Drain on paper towels and season with sea salt. Repeat with remaining asparagus." categories: - "Appetizers and Snacks" - "Recipes" tags: - "appetizers and snacks" katakunci: asparagus tempura, appetizers and snacks, . nutrition: 165.6 calories recipecuisine: Western preptime: "P0DT0H10M" cooktime: "P0DT0H10M" totaltime: "P0DT0H20M" recipeyield: "4 servings" recipecategory: - Appetizers and Snacks quotes: Who needs love when you can eat all the chocolate in the world. ---
Asparagus Tempura - Hey everyone, I hope you are having an incredible day today. It is me again Rika , welcome to my recipe site. Today, we are going to make a distinctive dish, Asparagus Tempura. One of my favorites recipes. This time, I am going to make it a little bit unique. This will be really delicious.
Asparagus Tempura is It's as simple as it sounds: tempura asparagus, deep-fried to a golden crisp. Goes great with ranch and is great for a get-together.
Asparagus Tempura is one of the most favored of current trending foods on earth. It is easy, its quick, it tastes delicious. It is appreciated by millions daily. its simple, it is fast, it tastes yummy. Asparagus Tempura is something which I ve loved my whole life. They re fine and they look wonderful. They are nice and they look fantastic. Asparagus Tempura is something that I ve loved my entire life.
To begin with this particular recipe, we have to first prepare a few components. You can have Asparagus Tempura using 5 ingredients and 4 steps. Here is how you can achieve that.
So that is going to wrap it up with this exceptional food Asparagus Tempura recipe. Thanks so much for reading. Im confident you can make this at home. There is gonna be another interesting food in home recipes coming up. Dont forget to bookmark this page in your browser, and share it to your loved ones, colleague and friends. Thank you for reading. Go on get cooking!


With over 5 years of experience, Tone has produced projects and campaigns across digital, video, and social for Fortune 500 clients like McDonald’s, Disney, Mattel, Coca-Cola, Pepsi, and Foot Locker. He’s often known as the guy wearing many hats, doing whatever it takes to get projects shipped on time and on budget. Whether it’s producing, being the account lead, developing strategy, or writing, he knows how to balance it all while leading teams to create their best work possible. He’s also been told he laughs. A lot. But you’ll have to be the judge of that.


Links to most frequently used resources for this course:
- Videos: Forview videos on the Duke Coursera page
- Unit 1, week 1
- Unit 1, week 2
- Unit 2, week 3
- Unit 2, week 4
- Unit 3, week 1
- Unit 3, week 2
- Unit 4, week 3
- Unit 5, week 4
- Unit 6, week 1
- Unit 6, week 2
- Unit 7, week 1
- Learning Objectives:
- Unit 1, week 1
- Unit 1, week 2
- Unit 2, week 3
- Unit 2, week 4
- Unit 3, week 1
- Unit 3, week 2
- Unit 4, week 3
- Unit 5, week 4
- Unit 6, week 1
- Unit 6, week 2
- Unit 7, week 3
- Answers to Test Yourself questions: Crowd-sourced answers to Test Yourself questions from the learning objectives. Feel free to add/edit.
- OpenIntro Statistics: Textbook
- Probability calculations:
- Class recordings: To be posted
- R commands: List of R commands commonly used in this course
Interactive web applets:
You will see these in the course videos, and you’re encouraged to play with / use them for learning and doing.
- Distribution calculator: For calculating probabilities for the binomial, normal, t, T, and distributions.
- Central Limit Theorem (for means): For exploring and visualizing the central limit theorem (for means). Especially illustrative if you’re trying to grasp what we mean by “sampling many times from the population” or by the term “sampling distribution”. Also great for illustrating shapes of sampling distributions given various population characteristics and sample sizes.
- Central Limit Theorem (for proportions): For exploring and visualizing the central limit theorem (for proportions).
- Diagnostics for simple linear regression: For illustrating how diagnostics plots for simple (one-predictor) linear regression look for various forms of relationship between the explanatory and response variables.
Supplementary resources from OpenIntro:
You might find the following resources useful as you navigate through this course.
Supplementary resource for bootstrapping:
Supplementary R resources:
- CodeSchoolR Tutorial: Another brief R tutorial, in case you would like to have another avenue by which to get introduced to R.
- twotorials: how to do stuff in r. two minutes or less.
Stats and data visualization blogs:
Find out what others are doing with data, or what other statisticians/data analysts/data scientists/data visualizers are up to.
- FiveThirtyEight: Nate Silver and friends
- FlowingData: data visualization
- Junk Charts: the name says it, examples of not-so-good visualizations and discussion on how to improve them
- The Guardian Data Blog: interesting data visualizations for news stories as well as links to the actual data
- Statistical Modeling, Causal Inference, and Social Science: blog of Andrew Gelman, professor of statistics and political science at Columbia University,
often higher level statistics but interesting commentary
- Simply Statistics: blog of three biostatistics professors (Jeff Leek, Roger Peng, and Rafa Irizarry), posts discussing science/popular writing, linking to inspiring articles, and advice for up-and-coming statisticians


- My name is mohammad al saify
- I am a civil engineer
- I graduated in 2018 from Philadelphia University
- I am a content moderator at Opensooq
Here is my GitHub account
Top 10 movies
- The Shawshank Redemption
- The Godfather
- The Dark Knight
- Inception
- Forrest Gump
- Fight Club
- Interstellar
- The Green Mile
- Se7en
- Inglourious Basterds


Please visit it on a laptop / PC to get started.
Hi @everyone 👋! We are a group of developers that like creating themes for Firefox, bout we hope you enjoy them too!
Here is our GitHub Page, where you'll find all our projects. They're completely open source.
DOWNLOAD OUR THEMES! JOIN US ON DISCORD!Make sure to visit our website every while so you know when we'll start updating or developing themes.


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A SELF-MADE HERO (UN HEROS TRES DISCRET) A film review by James Berardinelli Copyright 1997 James Berardinelli
RATING (0 TO 10): 8.0 Alternative Scale: ***1/2 out of ****
France, 1996 U.S. Release Date: Fall 1997 Running Length: 1:45 MPAA Classification: No MPAA Rating (Mature themes, profanity, sex, brief nudity) Theatrical Aspect Ratio: 1.66:1 Shown at the Philadelphia Festival of World Cinema, Opening Night (4/30/97)
Cast: Mathieu Kassovitz, Anouk Grinberg, Sandrine Kiberlain, Albert Dupontel, Nadia Barentin, Jean-Louis Trintignant Director: Jacques Audiard Producer: Patrick Godeau Screenplay: Alain Le Henry and Jacques Audiard from the book by Jean-Francois Deniau Cinematography: Jean-Marc Fabre Music: Alexandre Desplat U.S. Distributor: Strand Releasing In French with subtitles
Have you ever wished that you could become someone else? That, without regard for the consequences, you could shed your current personality like an old shirt and slip into something more comfortable? If so, then you'll be intrigued by the premise of A SELF-MADE HERO, director Jacques Audiard's smart, fascinating, satirical meditation on the flexibility of identity.
The film opens in modern-day France, with an unseen interviewer asking questions of a seventy-something man named Albert Dehousse (international film icon Jean-Louis Trintignant). As Albert begins to talk about his past, we see it unfold on screen -- his childhood in rural, pre-World War II France, his life during the German occupation, and, finally, how he rose to prominence in the wake of the Allied liberation. And, while A SELF-MADE HERO's narrative traces Albert's life during the 1940s, a pseudo-documentary overlay offers occasional commentary and observations from those who once knew Albert.
In Lambersart, France during 1944, twenty-six year old Albert (Mathieu Kassovitz) lives his life as if no war is under progress. Despite childhood dreams of going into battle and becoming a great hero, he is content to marry a pretty blond (Sandrine Kiberlain), take a job as a salesman, and stay out of the Germans' way. Then, after the Liberation, he learns that his father-in-law was an important member of the Resistance, and, feeling overwhelmed by inadequacy, Albert flees Lambersart for Paris, where, with the help of a mysterious friend named "The Captain" (Albert Dupontel), he re-invents himself as a high-ranking member of the Resistance. Through a combination of hard work, good fortune, and brashness, Albert makes the right connections and ends up as an important player in the post-war order. But, when he falls in love with the vivacious Servane (Anouk Grinberg), he wonders about the psychological penalty of keeping the truth from her.
A SELF-MADE HERO has an extraordinarily perceptive script that asks a lot of complex questions but doesn't insult its audience by offering simple answers. At the same time, it's a lot of fun. Audiard has designed this film as part-drama, part satire, and there are times when the movie's pointed comedy is worth more than a perfunctory chuckle. And the often-ironic "documentary interview" segments, which add a layer of verisimilitude to the project, open a window onto how modern-day Parisians view their history of fifty years ago.
Best of all, Albert's story is genuinely interesting. He's a fascinating character whose self-propelled transformation is a pleasure to watch. Mathieu Kassovitz (the director of HATE, who is just functioning as an actor here) does a superlative job conveying the many layers of Albert's personality: his early desperation, his growing confidence when he realizes that his scheme can succeed, and his uncertainty when he realizes that his decisions have the power of life and death. Top-notch supporting performances are turned in by Sandrine Kiberlain and Albert Dupontel (both of whom were nominated for Caesars), as well as Anouk Grinberg.
Albert isn't the only individual with an ambiguous identity. His late father's reputation is clouded by uncertainty. Did he, as Albert's mother claims, die as a war hero fighting for his country, or, as town rumor asserts, was his death the result of unchecked drinking? And, later in the film, after Albert has established his reputation, he is sent to Germany to weed out collaborators posing as work camp inmates. His success at that job is the result of his own intimate knowledge of how to invent a convincing life story.
At the heart of A SELF-MADE HERO is a simple question: Who am I, and can I be a different person? The Captain indicates that there's no such thing as a fixed identity -- losers can successfully disguise themselves as winners, cowards as heroes, and devils as saints. It's all a matter of confidence and dedication. Albert notes that "the best lives are invented", and goes on to prove his words by actions. This concept has great appeal today, when so many feel uprooted and unsure of who they are or where they're going. A SELF-MADE HERO offers an ambitious portrait of one man who used an alternative path to realize his dreams only to discover that the richest fiction can never truly supplant reality.
- James Berardinelli e-mail<EMAIL_ADDRESS>ReelViews web site: http://www.cybernex.net/~berardin
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


--- title: Test Chisel notebook keywords: chisel sidebar: home_sidebar summary: "An example that defines a module over multiple notebook cells." description: "An example that defines a module over multiple notebook cells." nb_path: "nbs/test.ipynb" ---
We must first import our Chisel dependencies:
import $file.^.source.load_ivy
Similarly we can define a sub
method that will be added
implicit def call will add the methods of the RHS classes to the implicit def parameter:ALUSkeleton class.Note the name
includeAdd
does not matter as it won't be called again, but is good practice to give it a clear name of what it is doing (i.e includAdd <=> include the Add class' methods)
While this includes a few more steps than simply implementing everything directly into an Operator module, it can actually save some headaches when building much larger moudules. The best case for developing this way is if you're defining a specific arithmetic implmentation, which this example was meant to outline. For example a multiplier may require many sub methods to implement, and these implementation details can be hidden from the module using it. Also working like this puts you in the mindset of pulling out independent pieces of logic to write functions for that can later be reused in other modules.
class LotsOfApply(a: Int) {}
object LotsOfApply {
def apply: LotsOfApply = new LotsOfApply(1)
def apply(a: Int): LotsOfApply = new LotsOfApply(a)
}


Carlito's Way (1993)
Grade: 64
After the disastrous "Bonfire of the Vanities", director Brian De Palma recovered his career by making a sure-fire, more conventional film: a crime drama starring Al Pacino. While no one will put "Carlito's Way" in the same category as "The Godfather", it is a slightly better film than it has been given credit for. There is much dramatic tension, the presence of Sean Penn adds pathos, and the disco-era soundtrack is good.
"Carlito's Way" is based on the true story of Charlie Brigante. Brigante (Pacino) is a career criminal, released from prison in 1975. He has a deserved reputation as a narcotics kingpin, but tries to go straight upon his release. He runs a disco nightclub, but inevitably events and loyalties pull him back into criminal activity. David Kleinfeld (Penn) is his brilliant but unstable lawyer, Penelope Ann Miller is his girlfriend, Luis Guzman is his bodyguard. John Leguizamo has a small but important part as rising gangster Benny Blanco from the Bronx.
In "Scarface", Pacino was a Cuban gangster. In "Carlito's Way", he is a Puerto Rican gangster. (In a rare moment of comedy, an Italian mobster comments that Pacino 'even looks Italian'.) Pacino is stonefaced throughout, but he has an intense, world-weary coolness that gives him star presence. Sean Penn is well-cast for his character, initially smug but soon decaying into a psychopathic cokehead. Miller is lovely but looks unhappy throughout, adding to the 'onset of doom' feeling that permeates the film. Penn and Miller received Golden Globe nomimations for their performances.
I'll always take a disco soundtrack over a John Williams score, but someone should have told Jellybean Benitez that Cheryl Lynn's hit "Got to Be Real" was from 1979.
The best part of "Carlito's Way" is the dramatic tension. Pacino has to resort to gunplay on several occasions, and admittedly these are the best scenes.
<EMAIL_ADDRESS>http://members.tripod.com/~Brian_Koller/movies.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


Core library for developing remixable Koji templates.
The @withkoji/core package enables you to implement core platform features in your Koji template, including remixing, in-app purchases, UI controls, messaging, and identity services.
Install the package in the frontend and backend services of your Koji project.
npm install --save @withkoji/core
The @withkoji/core package provides a set of modules that are specific to client and server behaviors.
Import the package in your frontend code.
import Koji from '@withkoji/core';
Initialize the package with your configuration data.
// Initialize
Koji.config(require('././koji.json'));
// render
render();
Indicate that the application is ready to start receiving events.
Koji.ready();
Enable the user to upload an image from the frontend of the Koji.
import Koji from '@withkoji/core';
const captureImage = async () => {
const imageURL = await Koji.ui.capture.image();
console.log(imageURL); // The publicly accessible, CDN-backed path of the user's uploaded image
}
Import the package in your backend code.
import { KojiBackend } from '@withkoji/core';
Initialize the package with your configuration data, and use KojiBackend.middleware
to scope operations per remix.
Add routes for backend operations (for example, use a Koji database).
import { KojiBackend } from '@withkoji/core';
import cors from 'cors';
import express from 'express';
import bodyParser from 'body-parser';
// Import our configuration
import kojiConfig from '../../koji.json';
// Init
const app = express();
// Enable cors for preflight
app.options('*', cors());
// Whitelist all routes with cors
app.use(cors());
// Use express json
app.use(express.json());
// Parse application/json
app.use(bodyParser.json());
// Use Koji's middleware to handle scoping across your template's remixes
app.use(KojiBackend.middleware(kojiConfig));
// Disable caching
app.use((req, res, next) => {
res.header('Cache-Control', 'private, no-cache, no-store, must-revalidate');
res.header('Expires', '-1');
res.header('Pragma', 'no-cache');
next();
});
// Add routes here - for example:
app.get('/data', (req, res, next) => {
const database = new KojiBackend.Database({ res });
// Look up an item in the items collection
const item = await database.get('items', 'myItemId');
res.status(200).json({
item,
});
});
// Start server
app.listen(process.env.PORT || 3333, null, async (err) => {
if (err) {
console.log(err.message);
}
console.log('[koji] backend started');
});
This package uses TypeDoc comments for documentation. The latest version of the documentation is available online at the Koji developer site. However, you can also generate the package documentation locally for offline reference.
To generate an HTML version of the documentation, run npm run doc
and open the resulting docs
folder in your favorite HTML viewer or browser.
To generate the underlying JSON content for the documentation, run npm run json-doc
. This command will output a koji-core-docs.json
file that you can use as a data source for your favorite parser or static site generator.
See the contributions page on the developer site for general info on how to make contributions to Koji repositories and developer documentation.
For any questions, reach out to the developer community or the @Koji Team
on our Discord server.
If you would like to test or develop new features for the package, here are a few steps that will get you up and running quickly.
Note: These steps assume you're already using the @withkoji/core
package, installed via npm.
Clone this repository to your local machine.
In the package's root folder, run npm install
to install the required dev dependencies.
Start the build watcher by running npm run watch
in the package's root folder.
(Optional) Start the declarations watcher by running npm run watch-declarations
in the package's root folder.
In your consumer project, remove the existing installation: npm remove @withkoji/core
.
In your consumer project, install the local package by referencing the folder where you cloned the repo. For example: npm install ~/YourComputer/koji-core
.
If everything went well, your consumer project should now be referencing your local installation.
Notes:
If your consumer project offers hot reloading, you should see updates made to the package recompiled by the watcher and injected into your project automatically.
If your consumer project does not offer hot reloading (for example, an Express app), you'll need to quit the process and restart to get any watched changes to the package.
If you run the declarations watcher, you should also get real-time updates in your IDE for types and documentation. In some instances, you may need to refresh or reload your IDE's view to clear any cached values.
Because the dist
folder is not bundled into the repo, you may need to run a build or include it in a commit if you are testing an installation via Github.
Generated using TypeDoc


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| Number of Classes | Line Coverage | Mutation Coverage |
|---|---|---|
| 14 | 76% | 55% |
| Name | Line Coverage | Mutation Coverage |
|---|---|---|
| CloudhopperAssertions.java | 100% |
61% |
| CloudhopperSplitterAssertions.java | 82% |
25% |
| CloudhopperUserDataAssertions.java | 83% |
50% |
| FreemarkerAssersions.java | 47% |
43% |
| FreemarkerConfigurationAssersions.java | 100% |
0% |
| FreemarkerParserAssertions.java | 71% |
58% |
| JavaMailAssertions.java | 82% |
65% |
| MessagingServiceAssertions.java | 89% |
70% |
| RelativeResolutionAssertions.java | 76% |
45% |
| ResourceResolverAssertions.java | 87% |
50% |
| SendGridAssertions.java | 69% |
68% |
| SendGridVersion.java | 0% |
0% |
| ThymeleafAssertions.java | 71% |
43% |
| ThymeleafParserAssertions.java | 76% |
58% |


|
SimpleLink CC3100/CC3200 Host Driver
Version <IP_ADDRESS>
Simplifies the implementation of Internet connectivity
|
Write Handers for statistics debug on write. More...
Typedefs | |
| typedef OsiSyncObj_t | _SlSyncObj_t |
| type definition for a sync object container More... | |
| typedef OsiLockObj_t | _SlLockObj_t |
| type definition for a locking object container More... | |
Write Handers for statistics debug on write.
| interface | handler - pointer to interrupt handler routine |
Note that SL_TIMESTAMP_TICKS_IN_10_MILLISECONDS , SL_TIMESTAMP_MAX_VALUE in this file needs to be changed in order to correspond with user timer's properties.
The SimpleLink driver could run on two kind of platforms:
CC32XX SimpleLink Host Driver is ported on both Non-Os and Multi Threaded OS enviroment. The Host driver is made OS independent by implementing an OS Abstraction layer. Reference implementation for OS Abstraction is available for FreeRTOS and TI-RTOS.
If you choose to work in multi-threaded environment under different operating system you will have to provide some basic adaptation routines to allow the driver to protect access to resources for different threads (locking object) and to allow synchronization between threads (sync objects). In additional the driver support running without dedicated thread allocated solely to the simple link driver. If you choose to work in this mode, you should also supply a spawn method that will enable to run function on a temporary context.
porting ACTION:
| typedef OsiLockObj_t _SlLockObj_t |
type definition for a locking object container
Locking object are used to protect a resource from mutual accesses of two or more threads. The locking object should suppurt reentrant locks by a signal thread. This object is generally implemented by mutex semaphore
| typedef OsiSyncObj_t _SlSyncObj_t |
type definition for a sync object container
Sync object is object used to synchronize between two threads or thread and interrupt handler. One thread is waiting on the object and the other thread send a signal, which then release the waiting thread. The signal must be able to be sent from interrupt context. This object is generally implemented by binary semaphore or events.


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I created a unique 4 swear word identifier for every 3m by 3m (approx) square in the UK & Ireland.
Sorry guv'ner, only so many swear words to go around.
I tried my best to remove all the genuinely offensive words (i.e. slurs). If you are still offended maybe swearword based navigation isn't for you.
All code is available for inspection on
github. Please don't judge my terrible javascript.


---
layout: docs
title: Changelog
---
12.5
14/04/2016
- Fixed crashing issues in v12.3 by using TooltipEx
- Now using SQlite database for History
- Ignore quick (<200ms) clipboard changes to prevent crashes
- [New] Option to use Win-C and Win-X for copying to Clipjump
- [New] Option to disable automatic clipboard monitoring
12.3
09/11/2015
- Fixed bug with Action Mode not showing on some systems
- [New] Move clip to first position in Paste Mode using Q
- [New] Pop from channel
- [New] Use Win instead of Ctrl for Paste Mode
- [API] New function : disable
12
21/05/2015
- Added feature to delete multiple items in Channel Organizer
- Improvement in Common Formats
- Removed Select Channel GUI, Channel Organizer will take its place
- Added Portuguese-Brazilian language
- Many improvements for ClipjumpCustom
- Better keyboard handling for Channel Organizer
- Added new API function getClipByTag()
- Lots and lots of bug fixes
11.6.1
26/08/2014
- Fixed a bug with hotpaste plugin adding content to clipjump when pasting
- Added new common format UnHTML (thanks to derRaphael for the lib)
- Removed default shortcut win+c for history tool
11.6
06/08/2014
- Added new formats, TrimWhiteSpace and DeHTML in Common Formats
- Added HoldClip in History Tool
- Added option to change channel in channel organizer
- Added option in Protected channel popup to transfer to default channel
- Added option to open clip in Common Format plugin via HoldClip
- History tool can now be kept active after Insta Pasting
- Fixed bug where some icons were not displayed in channel organizer
- More minor bug fixes, doc and program improvements
11.5
04/07/2014
- Fixed a bug with Common Formats in the previous versions.
- Updated ClipjumpCustom documentation
- More minor improvements
11.4
29/06/2014
- Added tips over Channel organizer buttons
- Added option to always start paste mode with default formatting
- Minor enhancements in documentation, common formats, plugin manager and channel organizer
11.3
10/05/2014
- Added create new clip/create new channel feature in Channel Organizer
- Added Edit Clip feature in Channel organizer
- Overall enhancement in channel organizer in all the features
11.2.3
06/05/2014
- Use 0..9 keys to change channel through Action mode
- Added open in Paste mode option in Channel Organizer
- Fixed few bugs introduced in the previous version
11.2
05/05/2014
- You can now add Tags to clips
- Use F1 in paste mode to see list of all feature available
- Use 1..9 number keys to jump ahead in Paste mode.
- Plugin Manager now returns the output of all plugins through a gui
- Added option to open paste mode with search box enabled
- Enhancement: Preview now wraps clip text
- BugFix: Channel Default was not rename-able
- More minor bug fixes and enhancements
11.0
23/04/2014
- Added 'Channel Organizer' to help manage channels through a Graphical interface
- Editing image now supported in Paste Mode
- Fixed - Clips not shown correctly in presence of Clipboard Monitoring program like Executor.
- Fixed - Image not shown in Search in Paste Mode
- Many other small fixes
10.9
16/04/2014
- Added Hold Clip feature to copy clip to buffer without copying it to Clipjump
- Added 'RegExReplace' in Common Formats v0.3
- Fixed - Image not moving in Copy/Move Clips
- Fixed - Fixate not mainatained when clips were copied/moved.
- Re-Arranged the Help File, hopefully more easy to follow now.
- Moved Ignore Windows Manager to external plugin
10.8
11/04/2014
- Added "Common Formats" paste format plugin
- Enhanced the PublicAPI and it is now distributed with Clipjump
- Fixed: Issue with Shift+4 shortcut due to Clipjump Custom
- Fixed: Errors due to missing plugins in plugin system
10.7.8
27/03/2014
- Fixed paste-formats misbehaving with clip1 when pasting in different formats repeatedly
- Fixed "clips not previewing" issue in presence of high-memory programs like Netbeans
- Improvements in the hotPaste plugin
- Added Image editing support in History Tool
- Other Help File and Action Mode enhancements
<IP_ADDRESS>
24/03/2014
- Fixed a bug in ClipjumpCustom that arised in the previous version.
- Fixed bug of not deleting when File/Folder clips were continuous by "Delete File/Folder" plugin.
10.7.5
16/3/2014
- Clipjump now supports Plugins
- Custom Paste Formats like NO-FORMATTING are now possible with the added Plugin Support
- Multiple Insta-paste'ing possible in History Tool.
- Use Enter in Paste mode to paste without closing Paste mode. After that, release Ctrl to cancel.
- Use Ctrl+Enter in Search in Paste mode to paste without closing the window i.e. multi-paste.
- ActionMode keys are totally customizable now. Add, remove, modify..
- Added Edit option in History
- Use %...% in Customizer to declare variables.
- Also added function support in %..% variables.
- Use
noautorun=1
in a section in ClipjumpCustom.ini to avoid auto-executing it even if it doesn't have a bind key.
- Added
API.executeSection()
to execute a section at will in ClipjumpCustom.ini
- Added
Store.
object (multi-variable holder) to store variables that are valid throughout the Program's runtime.
- Fixes in EditClip option in Paste mode
- CHANGED No-Formatting option is now a part of paste-formatting option
10.6.4
15/1/2014
- Fixed bug with more than 9 lines in a section in ClipjumpCustom.ini
- Added: a new function API.emptyChannel() for ClipjumpCustomizer
- Tried to fix bugs with Emacs-org-mode
- Minor: little more enhancements in ClipjumpCustomizer
10.6.3
10/1/2014
- Fixed issue with Action mode in Russian systems
- Minor: fixed about gui title centering
10.6.2
9/1/2014
- Minor fix: bug when number of days in history was set to 0
- Minor fix: a clip was FIXED at pos 1
- Major fix: invalid hotkey error when used in Russian systems
- Added: A sound beep in protected channels
10.6
8/1/2014
10
2/1/2014
- Added option to Copy and Move clips from one channel to another
- Now press A in paste mode to go to Clip 1
- Current Clip pointer in paste mode is never discarded
- You can use Middle Mouse Button to Insta-paste
- Added option in Ini to set program's default priority
9.9.3
17/12/2013
- Fixed bad gui control sizes in all windows
- Added option to delete a channel
- Other small bug fixes
9.9.1
6/12/2013
- Made Clipjump possible to be translated in other languages.
- Removed system-level shortcuts for copy file data, copy file path, pitswap and channel selector. They can be accessed from Clipjump Action
Mode and a system-level shortcut for them can still be created.
- fixed many odd bugs
9.8.9
24/11/2013
- Added Ignore Windows Manager , a GUI for managing Ignored (disabled) windows for Clipjump. (credits to fump2000)
- Partially fixed bugs with Notepad++ column mode and Excel multiple-row/column paste.
9.8.8
20/11/2013
- Fixed bug with Clipjump copying in zipped files opened in Windows Explorer
- Fixed some bugs with Excel 2010 and Clipjump
9.8.5
18/11/2013
- Fixed bug with Clipjump in MS Excel
- Fixed bug with Cut functionality in MS Excel and Kingsoft Office (you can add more spreadsheet application too)
9.8.1
16/11/2013
- Added an option to auto-disable Clipjump when certain window is active
- Added an option to play sound when data copied to Clipjump
- Fixed bugs with Channel cycles in Paste-Mode
9.7.2
20/10/2013
- Bug fix in No-Formatting option
- Bug fix in the Update Dialog Box
- Added Translate option to the Help File
9.7
18/10/2013
- Added Action Mode (Ctrl+Shift+A) . One place to execute all the functionalities in Clipjump.
- New 'Disable Clipjump' option available in the tray as well as Action Mode.
- Made Clipjump suitable to work with all keyboard layouts.
- Re-organized Tray menu.
- 'One Time Stop' and 'Copy active folder path' have no default shortcuts now. They can be used from Action Mode as well as their custom shortcut
can be created.
- Delete All mode now has a confirmation routine.
- History Partial setting is now saved at program exit.
- Fixed bug with Shortcuts not being unhooked after they were changed.
9.5
12/10/2013
- Added PitSwap feature (Ctrl+Shift+Z)
- A better History preview window . Resizes picture automatically with window resize . Highlights searched text
- Now possible to jump channels directly with Up-Down keys in the Paste-Mode.
- Added 'Partial Search' algorithm in History Tool for better, user-friendly searches.
- Added 'Reset Clipjump' option in About window to sort of uninstall Clipjump.
- History Tool is now both faster and more accurate in searching and loading.
- Performance improvements in Paste-mode navigation
- Bug fixed where the Preview Right Click option in History tool will not work.
9.1
7/10/2013
- Made History Tool to show size of items in the window rather the Total Size in the Status bar.
- Added a new setting 'is_duplicate_copied' to abandon Clipjump copying duplicate consecutive clips.
- Improvements in the preview functionality , better aspect ratio adjustments.
9.05
3/10/2013
- Now Copy Folder Path, Copy File Path and Copy File Data functions work with all file managers.
- History Tool now starts with clips sorted date-wise.
- Fixed a bug which may have stopped Clipjump to monitor Clips.
9.02
29/09/2013
- fixed a bug (arised in v9.0) with COPY FILE data and the history clips
- minor changes in About GUI
9.0
28/09/2013
- Added a special Pit channel
- Added Size column in History tool
- Fixed a bug with newly created Clipjump Channels
- Fixed Clipboard Read error bugs
8.85
23/09/2013
- Fixed a bug where items different than selected where pasted by Clipjump
- Enhancements in Settings tool
8.8
September 20th, 2013
- "Can't Open Clipboard for writing" RANDOM BUG FIXED !
- More minor bug fixes
8.7
September 16th, 2013
- Make PASTE-MODE (Ctrl+V) shortcut configurable.
- New options added to copy only to system clipboard bypassing Clipjump
- Added ini setting to start Clipjump with NO-FORMATTING enabled.
- changed shortcut for insta-paste to Space
- New icons added to denote Incognito Mode and Clipboard monitoring disabled state.
8.5
September 9th, 2013
- Minor changes in History Tool
- Instapaste feature updated
- Minor bug fixes
8.4
September 7th, 2013
- Clipjump Channels now support unique names for channels.
- Image File data is now copied with Copy File Data
- Exporting and sharing clipboards is now possible via Export feature
- Fixed the slow copying in Excel and other possible apps.
- History tool is much better now, remembers user's preferences for window positions and sizes and more...
- Now possible to completely turn off History recording.
- History tool shortcut can now be changed and disabled.
- Tons of bug-fixes and minor improvements in all modules.
7.8
August 19th, 2013
- Added Clipjump Channels
- Total Clipjump control now possible with Clipjump Controller
- Shortcuts are configurable via the Settings editor now
- Added Copy File Data(Ctrl+Alt+D)
- Added One Time Stop feature (Alt+K)
- Added Incognito mode in Clipjump History
- History Tool - Date is now sorted correctly
- Made Clipjump more resistive to by-chance Clipboard conflicts
- Pasting is now instant when needed.
7.2
August 5th, 2013
- Removed the restriction in Non-Admin access to use Clipjump.
- Better History Tool, added ability to select Clipboard by using the Down Key in Search Box
- Added Insta-Paste feature in History Tool, press Shift+Enter on the selected clipboard item to paste it directly to the underlying window.
7.0
July 27th, 2013
- Bug fixes that originated due to Clipjump's jump to Unicode
- ClipjumpCommunicator Autohotkey lib is super-fast and super-dependable now.
- ClipjumpController released to control Clipjump from external API
- Reliability improvements in Clipjump's Clipboard Monitoring
- Now History Tool shows Disk space consumption
6.4
July 19th, 2013
- History image is now transferred directly to clipboard
- Fixed minor bugs with MS - Excel
- Better (full-in-feature) History Tool now
- Better preview Window
- Professional help file included replacing Readme.txt
- Changed default Image quality to 90, allows high-quality but low in size Clipjump History images.
6.0
June 28th, 2013
- Fixed problems with MS Excel and other office (OR Office-like) apps
- Clipjump now shows Data type in Tips. A very handy addition
- Better cosmetics now
- Better History and Settings Tool feature-wise
- Fixed minor bugs
5.0
June 10th, 2013
- Added a GUI for editing settings.
- Added a Clipboard history tool with search to quickly locate old clipboard habitants.
- Fixed a bug when copying/moving inside zipped folders open in Explorer
- Enhanced running web links from Clipjump
- Better About Window now
- Now "[more]" symbolises more text in current clipboard
- Fixed a bug where "---> more" didnt appear when moving backwards (Ctrl + C)
- Now it's possible to suspend Clipjump's clipboard monitoring via Autohotkey script


GUI.HideMenuBar
Syntax
GUI.HideMenuBar
Description
Hides the menu bar in the selected window. No menu items can be selected when the menu bar is hidden. (Menu item shortcuts are ignored while the menu bar is hidden.)
Example
See GUI.SetMouseEventHandler for an example of GUI.HideMenuBar.
Status
Exported qualified.
This means that you can only call the function by calling GUI.HideMenuBar, not by calling HideMenuBar.
See also
GUI.ShowMenuBar. See also GUI.CreateMenu.


| Package | Description |
|---|---|
| org.apache.sling.discovery |
Provides a service to interface which may be implemented by applications
to get notified on cluster topology changes.
|
| org.apache.sling.discovery.base.commons |
Provides some common classes for discovery implementors that
choose to extend from discovery.base
|
| org.apache.sling.discovery.base.connectors.announcement |
Provides topology announcement implementations for discovery
implementors that choose to extend from discovery.base
|
| org.apache.sling.discovery.commons |
Provides commons utility for users for the Discovery API.
|
| org.apache.sling.discovery.commons.providers |
Provides commons utility for providers of the Discovery API.
|
| org.apache.sling.discovery.commons.providers.base |
Provides commons implementations for providers of the Discovery API.
|
| org.apache.sling.discovery.commons.providers.spi |
Provides an SPI for providers, used by discovery.commons.providers.impl
|
| org.apache.sling.discovery.oak |
| Class and Description |
|---|
| ClusterView
A ClusterView represents the instances of a cluster that are
up and running and that all can see each other at a certain point in time.
|
| InstanceDescription
An InstanceDescription represents and contains information about an
instance that is part of a TopologyView.
|
| InstanceFilter
Used to filter InstanceDescriptions in a TopologyView.
|
| TopologyEvent
A topology event is sent whenever a change in the topology occurs.
|
| TopologyEvent.Type |
| TopologyView
A topology view is a cross-cluster list of instances and clusters
that have announced themselves with the DiscoveryService.
|
| Class and Description |
|---|
| ClusterView
A ClusterView represents the instances of a cluster that are
up and running and that all can see each other at a certain point in time.
|
| DiscoveryService
The discovery service can be used to get the current topology view.
|
| InstanceDescription
An InstanceDescription represents and contains information about an
instance that is part of a TopologyView.
|
| InstanceFilter
Used to filter InstanceDescriptions in a TopologyView.
|
| TopologyEvent.Type |
| TopologyView
A topology view is a cross-cluster list of instances and clusters
that have announced themselves with the DiscoveryService.
|
| Class and Description |
|---|
| ClusterView
A ClusterView represents the instances of a cluster that are
up and running and that all can see each other at a certain point in time.
|
| InstanceDescription
An InstanceDescription represents and contains information about an
instance that is part of a TopologyView.
|
| Class and Description |
|---|
| ClusterView
A ClusterView represents the instances of a cluster that are
up and running and that all can see each other at a certain point in time.
|
| InstanceDescription
An InstanceDescription represents and contains information about an
instance that is part of a TopologyView.
|
| InstanceFilter
Used to filter InstanceDescriptions in a TopologyView.
|
| TopologyEvent
A topology event is sent whenever a change in the topology occurs.
|
| TopologyEventListener
The
TopologyEventListener service interface may be implemented by
components interested in being made aware of changes in the topology. |
| TopologyView
A topology view is a cross-cluster list of instances and clusters
that have announced themselves with the DiscoveryService.
|
| Class and Description |
|---|
| ClusterView
A ClusterView represents the instances of a cluster that are
up and running and that all can see each other at a certain point in time.
|
| DiscoveryService
The discovery service can be used to get the current topology view.
|
| InstanceDescription
An InstanceDescription represents and contains information about an
instance that is part of a TopologyView.
|
| TopologyEvent
A topology event is sent whenever a change in the topology occurs.
|
| TopologyEventListener
The
TopologyEventListener service interface may be implemented by
components interested in being made aware of changes in the topology. |
| TopologyView
A topology view is a cross-cluster list of instances and clusters
that have announced themselves with the DiscoveryService.
|
| Class and Description |
|---|
| DiscoveryService
The discovery service can be used to get the current topology view.
|
| TopologyEventListener
The
TopologyEventListener service interface may be implemented by
components interested in being made aware of changes in the topology. |
| Class and Description |
|---|
| ClusterView
A ClusterView represents the instances of a cluster that are
up and running and that all can see each other at a certain point in time.
|
| Class and Description |
|---|
| DiscoveryService
The discovery service can be used to get the current topology view.
|
| PropertyProvider
The
PropertyProvider service interface may be implemented by
components that wish to define properties on the local instance which then
are broadcast to the TopologyView instances. |
| TopologyEvent
A topology event is sent whenever a change in the topology occurs.
|
| TopologyEventListener
The
TopologyEventListener service interface may be implemented by
components interested in being made aware of changes in the topology. |
Copyright © 2017 The Apache Software Foundation. All rights reserved.


Monospace 2011 registration is open!
Registration for Monospace is open! Come check out our new website and if you're up to it, grab a seat and register for the conference.
You may or may not have heard the news but just in case you haven't, here's the current situation regarding Mono. Miguel and his team have been laid off by AttachMate during the reorganization that followed its purchase of Novell. Not one to be brushed aside so easily, Miguel secured some financing and launched Xamarin, a new startup dedicated to all things Mono, and brought the entire crew on board. You can read the whole story on Miguel's blog.
Miguel and company will be at Monospace 2011, so be sure to come by and have take a seat in the conversation that will join the .Net and Mono open source communities.
New sponsors
We would like to announce two new sponsors:
Wrox Press will offer each attendee a flash drive containing the eBook Professional iPhone Programming with MonoTouch and a voucher for the soon to be release title: Professional Android Programming with Mono for Android and .NET/C#
Compass Learning creates curriculum and assessment solutions that motivate today’s students to engage, think & learn.
Finally, we would like to thank the Linux Journal for ad space that they generously offered us! Look for our ad in the June issue.


Settings page
First of all - if you like Eye Dropper rate it on Chrome Webstore please.
If you find Eye Dropper useful, you can show your support Flattering it or you can choose to donate through Paypal. Any amount will encourage me to spend more time with Eye Dropper development. Thanks!


Birds Species Classification (BSC) Image Classifier
Problem Statement:
we proposal System for Bird species Classification is a challenging problem due to the variation and different viewpoint of camera. In the existing system we some disadvantages, we are overcome by Integrated the new feature into the multi-scale Convoluted Neural Network with Image Segmentation for Indian bird species classification algorithm is proposed to get the final classification result. We are proposed new feature can improve the correct classification rate of model as well as accuracy of model in predication of Birds classification. In this challenge, the bird image classification task, especially for Indian birds, based on a limited but a diverse set of crowd-sourced data. Especially, the present challenge involves a low amount of labelled data to build good classification approaches for effective classification.
Existing System:
Bird species recognition is a challenging problem due to the variant illumination and different viewpoint of camera. In this paper, a new feature which is the ratio between the distance of the eye to the root of beak and the distance of the width of the beak is used to distinguish the different bird species. Integrated the new feature into the multi-scale decision tree and the SVM framework, a new bird species recognition algorithm is proposed to get the final recognition result. The Experiment results show that the proposed new feature can improve the correct classification rate about nine percent.


100_K_kkkyle.py
class Solution:
def getProbability(self, balls: List[int]) -> float:
target = sum(balls) // 2
print(target)
ans = 0
def count(target, counter):
total = math.factorial(target)
for v in counter.values():
total //= math.factorial(v)
return total
total = 0
for me in itertools.product(*[range(b+1) for b in balls]):
# print(me)
if sum(me) == target:
other = [b - m for b, m in zip(balls, me)]
# print(me,other)
cme = collections.Counter()
cother = collections.Counter()
for i, c in enumerate(me):
if c > 0:
cme[i] += c
for i, c in enumerate(other):
if c > 0:
cother[i] += c
# print(cme, cother)
comb = count(target, cme) * count(target, cother)
total += comb
if len(cme) == len(cother):
ans += comb
return ans / total