Note: This part has been created to facilitate promulgation of additional FAR and agency level socioeconomic coverage which properly fall under FAR Subchapter D—Socioeconomic Programs, but neither implements nor supplements existing FAR parts 19, 20, or 22 through 25.
Subpart 26.1—Indian Incentive Program
Subpart 26.2—Disaster or Emergency Assistance Activities
26.202-1 Local area set-aside.
26.202-2 Evaluation preference.
26.204 Justification for expenditures to other than local firms.
26.205 Disaster Response Registry.
26.206 Solicitation provision and contract clauses.
Subpart 26.3—Historically Black Colleges and Universities and Minority Institutions
26.303 Data collection and reporting requirements.
26.304 Solicitation provision.
Subpart 26.4—Food Donations to Nonprofit Organizations


ArtistG-Eazy
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{% extends "base.html" %} {% block lcrContent %}
Add Carrier / Switch Supplier
You're adding a switch supplier account for: {{ carrier }}.
!!! ACHTUNG !!! Make sure you do know what you're doing! Changes made here are propagated to the switches in the next synchro session. Wrong configuration might interfere with existing traffic! Use only alphanumericals for switch name, it should be 3-5 chars long, begin with a letter and UNIQUE!
{% endblock %}


This is an example page for the
jp_doodle
package.
jp_doodle
makes implementing special purpose interactive visualizations easy.
Quick references:
Javascript API;
Python API.
Miscellaneous Demos:
Image detail viewer..
These example pages use stand alone Javascript, but the code used to implement them
can be transliterated to Python and implemented using Jupyter widgets (modulo some subtleties).
Please see the Jupyter notebooks in the package for additional
discussion and documentation.
Please use
Binder
to easily run the Jupyter notebooks of the package.
Images
You can draw images on canvases in two steps.
First you must load the image and identify it with a name,
and afterward you can draw the image any number of times
by providing x, y corner coordinates with width and height.
You may also specify a rectangle inside the image to draw.
Discussion
This example demonstrates dynamically adjusting a window within an image.


/*
Copyright 2018 Google LLC
Use of this source code is governed by an MIT-style
license that can be found in the LICENSE file or at
https://opensource.org/licenses/MIT.
*/
const {RawSource} = require('webpack-sources');
const bundle = require('workbox-build/build/lib/bundle');
const populateSWTemplate =
require('workbox-build/build/lib/populate-sw-template');
const validate = require('workbox-build/build/lib/validate-options');
const webpackGenerateSWSchema = require(
'workbox-build/build/options/schema/webpack-generate-sw');
const getScriptFilesForChunks = require('./lib/get-script-files-for-chunks');
const getManifestEntriesFromCompilation =
require('./lib/get-manifest-entries-from-compilation');
const relativeToOutputPath = require('./lib/relative-to-output-path');
// Used to keep track of swDest files written by *any* instance of this plugin.
// See https://github.com/GoogleChrome/workbox/issues/2181
const _generatedAssetNames = new Set();
/**
* This class supports creating a new, ready-to-use service worker file as
* part of the webpack compilation process.
*
* Use an instance of `GenerateSW` in the
* [`plugins` array](https://webpack.js.org/concepts/plugins/#usage) of a
* webpack config.
*
* @memberof module:workbox-webpack-plugin
*/
class GenerateSW {
// eslint-disable-next-line jsdoc/newline-after-description
/**
* Creates an instance of GenerateSW.
*
* @param {Object} config The configuration to use.
*
* @param {Array<module:workbox-build.ManifestEntry>} [config.additionalManifestEntries]
* A list of entries to be precached, in addition to any entries that are
* generated as part of the build configuration.
*
* @param {Array<string>} [config.babelPresetEnvTargets=['chrome >= 56']]
* The [targets](https://babeljs.io/docs/en/babel-preset-env#targets) to pass to
* `babel-preset-env` when transpiling the service worker bundle.
*
* @param {string} [config.cacheId] An optional ID to be prepended to cache
* names. This is primarily useful for local development where multiple sites
* may be served from the same `http://localhost:port` origin.
*
* @param {boolean} [config.cleanupOutdatedCaches=false] Whether or not Workbox
* should attempt to identify an delete any precaches created by older,
* incompatible versions.
*
* @param {boolean} [config.clientsClaim=false] Whether or not the service
* worker should [start controlling](/web/fundamentals/primers/service-workers/lifecycle#clientsclaim)
* any existing clients as soon as it activates.
*
* @param {Array<string>} [config.chunks] One or more chunk names whose corresponding
* output files should be included in the precache manifest.
*
* @param {string} [config.directoryIndex='index.html'] If a navigation request
* for a URL ending in `/` fails to match a precached URL, this value will be
* appended to the URL and that will be checked for a precache match. This
* should be set to what your web server is using for its directory index.
*
* @param {RegExp} [config.dontCacheBustURLsMatching] Assets that match this will be
* assumed to be uniquely versioned via their URL, and exempted from the normal
* HTTP cache-busting that's done when populating the precache. While not
* required, it's recommended that if your existing build process already
* inserts a `[hash]` value into each filename, you provide a RegExp that will
* detect that, as it will reduce the bandwidth consumed when precaching.
*
* @param {Array<string|RegExp|Function>} [config.exclude=[/\.map$/, /^manifest.*\.js$]]
* One or more specifiers used to exclude assets from the precache manifest.
* This is interpreted following
* [the same rules](https://webpack.js.org/configuration/module/#condition)
* as `webpack`'s standard `exclude` option.
*
* @param {Array<string>} [config.excludeChunks] One or more chunk names whose
* corresponding output files should be excluded from the precache manifest.
*
* @param {Array<RegExp>} [config.ignoreURLParametersMatching=[/^utm_/]]
* Any search parameter names that match against one of the RegExp in this array
* will be removed before looking for a precache match. This is useful if your
* users might request URLs that contain, for example, URL parameters used to
* track the source of the traffic.
*
* @param {Array<string>} [config.importScripts] A list of JavaScript files that
* should be passed to [`importScripts()`](https://developer.mozilla.org/en-US/docs/Web/API/WorkerGlobalScope/importScripts)
* inside the generated service worker file. This is useful when you want to
* let Workbox create your top-level service worker file, but want to include
* some additional code, such as a push event listener.
*
* @param {Array<string>} [config.importScriptsViaChunks] One or more names of
* webpack chunks. The content of those chunks will be included in the
* generated service worker, via a call to `importScripts()`.
*
* @param {Array<string|RegExp|Function>} [config.include]
* One or more specifiers used to include assets in the precache manifest.
* This is interpreted following
* [the same rules](https://webpack.js.org/configuration/module/#condition)
* as `webpack`'s standard `include` option.
*
* @param {boolean} [config.inlineWorkboxRuntime=false] Whether the runtime code
* for the Workbox library should be included in the top-level service worker,
* or split into a separate file that needs to be deployed alongside the service
* worker. Keeping the runtime separate means that users will not have to
* re-download the Workbox code each time your top-level service worker changes.
*
* @param {Array<module:workbox-build.ManifestTransform>} [config.manifestTransforms]
* One or more functions which will be applied sequentially against the
* generated manifest. If `modifyURLPrefix` or `dontCacheBustURLsMatching` are
* also specified, their corresponding transformations will be applied first.
*
* @param {number} [config.maximumFileSizeToCacheInBytes=2097152] This value can be
* used to determine the maximum size of files that will be precached. This
* prevents you from inadvertently precaching very large files that might have
* accidentally matched one of your patterns.
*
* @param {string} [config.mode] If set to 'production', then an optimized service
* worker bundle that excludes debugging info will be produced. If not explicitly
* configured here, the `mode` value configured in the current `webpack` compiltion
* will be used.
*
* @param {object<string, string>} [config.modifyURLPrefix] A mapping of prefixes
* that, if present in an entry in the precache manifest, will be replaced with
* the corresponding value. This can be used to, for example, remove or add a
* path prefix from a manifest entry if your web hosting setup doesn't match
* your local filesystem setup. As an alternative with more flexibility, you can
* use the `manifestTransforms` option and provide a function that modifies the
* entries in the manifest using whatever logic you provide.
*
* @param {string} [config.navigateFallback] If specified, all
* [navigation requests](/web/fundamentals/primers/service-workers/high-performance-loading#first_what_are_navigation_requests)
* for URLs that aren't precached will be fulfilled with the HTML at the URL
* provided. You must pass in the URL of an HTML document that is listed in your
* precache manifest. This is meant to be used in a Single Page App scenario, in
* which you want all navigations to use common [App Shell HTML](/web/fundamentals/architecture/app-shell).
*
* @param {Array<RegExp>} [config.navigateFallbackDenylist] An optional array
* of regular expressions that restricts which URLs the configured
* `navigateFallback` behavior applies to. This is useful if only a subset of
* your site's URLs should be treated as being part of a
* [Single Page App](https://en.wikipedia.org/wiki/Single-page_application). If
* both `navigateFallbackDenylist` and `navigateFallbackAllowlist` are
* configured, the denylist takes precedent.
*
* @param {Array<RegExp>} [config.navigateFallbackAllowlist] An optional array
* of regular expressions that restricts which URLs the configured
* `navigateFallback` behavior applies to. This is useful if only a subset of
* your site's URLs should be treated as being part of a
* [Single Page App](https://en.wikipedia.org/wiki/Single-page_application). If
* both `navigateFallbackDenylist` and `navigateFallbackAllowlist` are
* configured, the denylist takes precedent.
*
* @param {boolean} [config.navigationPreload=false] Whether or not to enable
* [navigation preload](/web/tools/workbox/modules/workbox-navigation-preload)
* in the generated service worker. When set to true, you must also use
* `runtimeCaching` to set up an appropriate response strategy that will match
* navigation requests, and make use of the preloaded response.
*
* @param {boolean|Object} [config.offlineGoogleAnalytics=false] Controls
* whether or not to include support for
* [offline Google Analytics](/web/tools/workbox/guides/enable-offline-analytics).
* When `true`, the call to `workbox-google-analytics`'s `initialize()` will be
* added to your generated service worker. When set to an `Object`, that object
* will be passed in to the `initialize()` call, allowing you to customize the
* behavior.
*
* @param {Array<module:workbox-build.RuntimeCachingEntry>} [config.runtimeCaching]
*
* @param {boolean} [config.skipWaiting=false] Whether to add an
* unconditional call to [`skipWaiting()`]{@link module:workbox-core.skipWaiting}
* to the generated service worker. If `false`, then a `message` listener will
* be added instead, allowing you to conditionally call `skipWaiting()`.
*
* @param {boolean} [config.sourcemap=true] Whether to create a sourcemap
* for the generated service worker files.
*
* @param {string} [config.swDest='service-worker.js'] The asset name of the
* service worker file that will be created by this plugin.
*/
constructor(config = {}) {
this.config = config;
this.alreadyCalled = false;
}
/**
* @param {Object} [compiler] default compiler object passed from webpack
*
* @private
*/
propagateWebpackConfig(compiler) {
// Because this.config is listed last, properties that are already set
// there take precedence over derived properties from the compiler.
this.config = Object.assign({
mode: compiler.options.mode,
sourcemap: Boolean(compiler.options.devtool),
}, this.config);
}
/**
* @param {Object} [compiler] default compiler object passed from webpack
*
* @private
*/
apply(compiler) {
this.propagateWebpackConfig(compiler);
compiler.hooks.emit.tapPromise(
this.constructor.name,
(compilation) => this.handleEmit(compilation).catch(
(error) => compilation.errors.push(error)),
);
}
/**
* @param {Object} compilation The webpack compilation.
*
* @private
*/
async handleEmit(compilation) {
// See https://github.com/GoogleChrome/workbox/issues/1790
if (this.alreadyCalled) {
compilation.warnings.push(`${this.constructor.name} has been called ` +
`multiple times, perhaps due to running webpack in --watch mode. The ` +
`precache manifest generated after the first call may be inaccurate! ` +
`Please see https://github.com/GoogleChrome/workbox/issues/1790 for ` +
`more information.`);
} else {
this.alreadyCalled = true;
}
let config;
try {
// emit might be called multiple times; instead of modifying this.config,
// use a validated copy.
// See https://github.com/GoogleChrome/workbox/issues/2158
config = validate(this.config, webpackGenerateSWSchema);
} catch (error) {
throw new Error(`Please check your ${this.constructor.name} plugin ` +
`configuration:\n${error.message}`);
}
// Ensure that we don't precache any of the assets generated by *any*
// instance of this plugin.
config.exclude.push(({asset}) => _generatedAssetNames.has(asset.name));
if (config.importScriptsViaChunks) {
// Anything loaded via importScripts() is implicitly cached by the service
// worker, and should not be added to the precache manifest.
config.excludeChunks = (config.excludeChunks || [])
.concat(config.importScriptsViaChunks);
const scripts = getScriptFilesForChunks(
compilation, config.importScriptsViaChunks);
config.importScripts = (config.importScripts || [])
.concat(scripts);
}
config.manifestEntries = await getManifestEntriesFromCompilation(
compilation, config);
const unbundledCode = populateSWTemplate(config);
const files = await bundle({
babelPresetEnvTargets: config.babelPresetEnvTargets,
inlineWorkboxRuntime: config.inlineWorkboxRuntime,
mode: config.mode,
sourcemap: config.sourcemap,
swDest: relativeToOutputPath(compilation, config.swDest),
unbundledCode,
});
for (const file of files) {
compilation.assets[file.name] = new RawSource(file.contents);
_generatedAssetNames.add(file.name);
}
}
}
module.exports = GenerateSW;


Trees Classification and Regression using multivariate nodes calculated by an exhaustive numerical approach. We propose a new concept of decision tree, including multivariate knots and non hierarchical pathway. This package's model uses a multivariate nodes tree that calculates directly a risk score for each observation for the state Y observed. Nguyen JM, Gaultier A, Antonioli D (2015) <doi:10.1016/j.respe.2018.03.088> Castillo JM, Knol AC, Nguyen JM, Khammari A, Saint Jean M, Dreno B (2016) <doi:10.1684/ejd.2016.2826> Vildy S, Nguyen JM, Gaultier A, Khammari A, Dreno B (2017) <doi:10.1684/ejd.2016.2955> Nguyen JM, Gaultier A, Antonioli D (2018) <doi:10.1016/j.respe.2018.03.088>.
| Version: | 1.0 |
| Depends: | ROCR, R (≥ 3.0) |
| Published: | 2018-09-03 |
| Author: | Jean-Michel Nguyen [aut, cre], Daniel Antonioli [aut] |
| Maintainer: | Jean-Michel Nguyen <jean-michel.nguyen at univ-nantes.fr> |
| License: | GPL-2 | GPL-3 [expanded from: GPL (≥ 2.0)] |
| URL: | http://www.univ-nantes.fr/site-de-l-universite-de-nantes/jean-michel-nguyen--3564.kjsp |
| NeedsCompilation: | no |
| CRAN checks: | ROP results |
| Reference manual: | ROP.pdf |
| Package source: | ROP_1.0.tar.gz |
| Windows binaries: | r-devel: ROP_1.0.zip, r-release: ROP_1.0.zip, r-oldrel: ROP_1.0.zip |
| OS X binaries: | r-release: ROP_1.0.tgz, r-oldrel: ROP_1.0.tgz |
Please use the canonical form https://CRAN.R-project.org/package=ROP to link to this page.


Novak Djokovic sends Serbia through as Great Britain complete quarter-finals line-up
by FSA EditorThanks to Novak Djokovic and Filip Krajinovic, Serbia reached the Davis Cup quarter-finals alongside Great Britain and Germany.
Novak Djokovic ensured Serbia’s progression into the last eight of the Davis Cup Finals with a straight-sets win over France’s Benoit Paire in Madrid.
Djokovic’s team-mate Filip Krajinovic had teed up the chance for the world number two to send Serbia through from Group A with a 7-5 7-6 (7-5) triumph over Jo-Wilfried Tsonga.
After a group-stage exit at the ATP Finals in London last week, Djokovic made no mistake against Paire, winning 6-3 6-3 to secure a 2-1 victory for Serbia and send last year’s runners-up France out in the process.
“The team is looking good, we won all six sets yesterday,” Djokovic said at Caja Magica. “It was important getting a clean sheet against Japan coming into today’s match.
“Filip definitely gave me wings with his win, which was quite amazing. Tsonga was playing well and in good form and Filip was just fantastic on the court today. Credit to him.”
Serbia, champions in 2010, will now face Russia in the quarter-finals on Friday and are joined in the last eight by Great Britain, who overcame Kazakhstan in a decisive doubles rubber.
Alexander Bublik’s 5-7 6-4 6-1 win over Daniel Evans left the Group E contest tied at 1-1 heading into Thursday’s decider.
However, Bublik, paired with Mikhail Kukushkin, failed to maintain his winning form, and Great Britain booked the remaining knockout place as Jamie Murray and Neal Skupski came out on top 6-1 6-4 in 72 minutes.
Group C winners Germany await Great Britain in the quarters, with Philipp Kohlschreiber’s 6-4 6-3 defeat of Nicolas Jarry having sent them through at the expense of Chile.
Cristian Garin at least claimed a consolatory win – Chile’s first of the tournament – with a superb performance against Jan-Lennard Struff, saving three match points en route to a 6-7 (3-7) 7-6 (9-7) 7-6 (10-8) success.
Glory for Kevin Krawietz and Andreas Mies in the doubles capped off a 2-1 triumph for Germany, with Garin’s ultimately the only sets won by Chile at the Finals.


It’s no secret that designers love a good UI kit. However, beyond just putting together toolkits and style guides, it seems that recently there’s been increasing focus placed on designing systems intended to tie whole products together. Companies like Shopify and Intercom are building in-house teams focused specifically on designing systems. People are starting to realise the importance of systemic design. This is encouraging. Who knows, maybe some day we’ll have a design tool that doesn’t assume we’re starting from scratch every time we open a new document…? Occasionally, if an action is more significant, essential or impactful, one of three pronounced buttons can be used.
Css is interesting because unlike other types of code, you are most likely to find the most recent code towards the bottom of the file. Reading a css file from start to finish will often times reveal in chronological order how a defined system breaks down.
In the above examples we see things breaking down to increasingly longer selectors that have more and more weight that were only setting one property to one value: float: left.
Mind you, there are only three options for float. Contrary to one of the code examples above, there is no float center. Just left, right, and none.
Mind you, there are only three options for float. Contrary to one of the code examples above, there is no float center. Just left, right, and none.


CAFES
Name: Village Square Cafe
Located At: 16150 NE 85th St #104, Redmond, WA 98052, USA
Rating: 4.5
Distance from Current Location: 3.9 mi
Driving Time: 12 mins
Name: SoulFood Books
Located At: 15748 Redmond Way, Redmond, WA 98052, USA
Rating: 4.6
Distance from Current Location: 3.6 mi
Driving Time: 12 mins
Name: 5 Stones Coffee Co
Located At: 8102 161st Avenue Northeast, Redmond, WA 98052, USA
Rating: 4.7
Distance from Current Location: 3.7 mi
Driving Time: 11 mins
Name: down pour coffee bar
Located At: 13200 Old Redmond Rd #150, Redmond, WA 98052, USA
Rating: 4.7
Distance from Current Location: 3.1 mi
Driving Time: 9 mins
Name: Victor's Celtic Coffee Co
Located At: 7993 Gilman St, Redmond, WA 98052, USA
Rating: 4.3
Distance from Current Location: 3.5 mi
Driving Time: 11 mins
BREAKFAST
Name: Family Pancake House
Located At: 17621 Redmond Way, Redmond, WA 98052, USA
Rating: 4.2
Distance from Current Location: 3.7 mi
Driving Time: 9 mins
Name: Village Square Cafe
Located At: 16150 NE 85th St #104, Redmond, WA 98052, USA
Rating: 4.5
Distance from Current Location: 3.9 mi
Driving Time: 12 mins
Name: Pomegranate Bistro
Located At: 18005 NE 68th St, Redmond, WA 98052, USA
Rating: 4.4
Distance from Current Location: 4.1 mi
Driving Time: 10 mins
Name: The Original Pancake House
Located At: Redmond Town Center, 7425 166th Ave NE C205, Redmond, WA 98052, USA
Rating: 4
Distance from Current Location: 3.5 mi
Driving Time: 11 mins
Name: Couzin's Cafe
Located At: 12861 NE 85th St, Kirkland, WA 98033, USA
Rating: 4.4
Distance from Current Location: 3.9 mi
Driving Time: 11 mins
LUNCH
Name: Stone | Korean Restaurant
Located At: 16857 Redmond Way, Redmond, WA 98052, USA
Rating: 4.3
Distance from Current Location: 4.0 mi
Driving Time: 11 mins
Name: Woodblock
Located At: 16175 Cleveland St #109, Redmond, WA 98052, USA
Rating: 4.5
Distance from Current Location: 3.6 mi
Driving Time: 11 mins
Name: Tipsy Cow
Located At: 16325 Cleveland St, Redmond, WA 98052, USA
Rating: 4.4
Distance from Current Location: 3.3 mi
Driving Time: 10 mins
Name: BJ's Restaurant & Brewhouse
Located At: 7211 166th Ave NE, Redmond, WA 98052, USA
Rating: 3.9
Distance from Current Location: 3.7 mi
Driving Time: 11 mins
Name: The Matador
Located At: 7824 Leary Way, Redmond, WA 98052, USA
Rating: 4.2
Distance from Current Location: 3.3 mi
Driving Time: 9 mins
DINNER
Name: Tipsy Cow
Located At: 16325 Cleveland St, Redmond, WA 98052, USA
Rating: 4.4
Distance from Current Location: 3.3 mi
Driving Time: 10 mins
Name: The Matador
Located At: 7824 Leary Way, Redmond, WA 98052, USA
Rating: 4.2
Distance from Current Location: 3.3 mi
Driving Time: 9 mins
Name: Woodblock
Located At: 16175 Cleveland St #109, Redmond, WA 98052, USA
Rating: 4.5
Distance from Current Location: 3.6 mi
Driving Time: 11 mins
Name: Bai Tong Restaurant
Located At: 14804 NE 24th St, Redmond, WA 98052, USA
Rating: 4.4
Distance from Current Location: 1.1 mi
Driving Time: 5 mins
Name: Sages Restaurant
Located At: 15916 NE 83rd St, Redmond, WA 98052, USA
Rating: 4.6
Distance from Current Location: 3.6 mi
Driving Time: 11 mins
MUSEUMS
Name: Marymoor Windmill
Located At: Redmond, WA 98052, USA
Rating: 3.3
Distance from Current Location: 2.7 mi
Driving Time: 9 mins
Name: Real Life Exhibit Seattle
Located At: 9680 153rd Ave NE, Redmond, WA 98052, USA
Rating: 5
Distance from Current Location: 4.0 mi
Driving Time: 12 mins
Name: Bellevue Arts Museum
Located At: 510 Bellevue Way NE, Bellevue, WA 98004, USA
Rating: 4.1
Distance from Current Location: 5.3 mi
Driving Time: 13 mins
Name: Eastside Heritage Center
Located At: 11660 Main St, Bellevue, WA 98005, USA
Rating: 4.4
Distance from Current Location: 5.4 mi
Driving Time: 12 mins
Name: KidsQuest Children's Museum
Located At: 1116 108th Ave NE, Bellevue, WA 98004, USA
Rating: 4.5
Distance from Current Location: 5.5 mi
Driving Time: 12 mins
PARKS
Name: Farrel-McWhirter Farm Park
Located At: 19545 NE Redmond Rd, Redmond, WA 98053, USA
Rating: 4.7
Distance from Current Location: 5.8 mi
Driving Time: 12 mins
Name: Anderson Park
Located At: 7802 168th Ave NE, Redmond, WA 98052, USA
Rating: 4.5
Distance from Current Location: 4.1 mi
Driving Time: 10 mins
Name: City of Redmond Parks and Recreation
Located At: 6505 176th Ave NE, Redmond, WA 98052, USA
Rating: 2.3
Distance from Current Location: 4.2 mi
Driving Time: 10 mins
Name: Spiritbrook Park
Located At: 6500 151st Ave NE, Redmond, WA 98052, USA
Rating: 4.4
Distance from Current Location: 2.7 mi
Driving Time: 8 mins
Name: Marymoor Off-Leash Dog Park
Located At: 6046 West Lake Sammamish Pkwy NE, Redmond, WA 98052, USA
Rating: 4.8
Distance from Current Location: 3.6 mi
Driving Time: 13 mins


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Features include an eye catching morphtext in the header, details lightbox for more details information
Statistics numbers for important values, card slider for testimonials, image slider for customer logos
Some useful extra pages are bundled with the template lik article details, terms conditions and privacy policy
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Copyright © Your name
Distributed By Themewagon


public abstract class JSONzip extends totalcross.lang.Object implements None, PostMortem
| Modifier and Type | Field and Description |
|---|---|
static byte[] |
bcd
The characters in JSON numbers can be reduced to 4 bits each.
|
static int |
end
The end of string code.
|
static int |
endOfNumber
The end of number code.
|
static long |
int14
The first positive integer that cannot be encoded in 14 bits.
|
static long |
int4
The first positive integer that cannot be encoded in 4 bits.
|
static long |
int7
The first positive integer that cannot be encoded in 7 bits.
|
protected Huff |
namehuff
A Huffman encoder for names.
|
protected Huff |
namehuffext
A Huffman encoder for names extended bytes.
|
protected totalcross.json.zip.Keep |
namekeep
A place to keep the names (keys).
|
static boolean |
probe
The package supports tracing for debugging.
|
protected Huff |
stringhuff
A Huffman encoder for string values.
|
protected Huff |
stringhuffext
A Huffman encoder for string values extended bytes.
|
protected totalcross.json.zip.Keep |
stringkeep
A place to keep the strings.
|
protected totalcross.json.zip.Keep |
valuekeep
A place to keep the values.
|
static int |
zipArrayString
The value code for an array with a string as its first element.
|
static int |
zipArrayValue
The value code for an array with a non-string value as its first element.
|
static int |
zipEmptyArray
The value code for an empty array.
|
static int |
zipEmptyObject
The value code for an empty object.
|
static int |
zipFalse
The value code for false.
|
static int |
zipNull
The value code for null.
|
static int |
zipObject
The value code for a non-empty object.
|
static int |
zipTrue
The value code for true.
|
| Modifier | Constructor and Description |
|---|---|
protected |
JSONzip()
Initialize the data structures.
|
| Modifier and Type | Method and Description |
|---|---|
protected void |
generate()
Generate the Huffman tables.
|
boolean |
postMortem(PostMortem pm)
This method is used for testing the implementation of JSONzip.
|
public static final byte[] bcd
public static final int end
public static final int endOfNumber
public static final long int4
public static final long int7
public static final long int14
public static final boolean probe
public static final int zipEmptyObject
public static final int zipEmptyArray
public static final int zipTrue
public static final int zipFalse
public static final int zipNull
public static final int zipObject
public static final int zipArrayString
public static final int zipArrayValue
protected final Huff namehuff
protected final Huff namehuffext
protected final totalcross.json.zip.Keep namekeep
protected final Huff stringhuff
protected final Huff stringhuffext
protected final totalcross.json.zip.Keep stringkeep
protected final totalcross.json.zip.Keep valuekeep
protected void generate()
public boolean postMortem(PostMortem pm)
postMortem
in interface PostMortem
pm
- Another object of the same type.


Copyright (c) Pedro Sena 1994
FILM TITLE: MEDITERRANEO DIRECTOR: GABRIELE SALVATORES COUNTRY: ITALY 1992 CINEMATOGRAPHY: ITALO PETRICCIONE CAST: Diego Abatantuono, Claudio Bagagli, Giuseppe Cederna, Claudio Bisio, Luigi Alberti, Ugo Conti, Memo Dini, Irene Grazioni, Vanna Barba. SUPER FEATURES: Really nice story. Slow but nice ( it fits together )
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
While there were many people that were involved in World War II, many dies, many also survived by a stroke of luck, the type of luck that they did not imagine until much later in life, or even right after the end of the war.
A battle ship is set to go to a Greek Island, on a mission to either help others, or search for enemy outposts. When they get there, it appears that the island is empty. They go in, and set up camp. And the story begins. Their boat is destroyed, and it isn't clear what really did it, though their is a suggestion ( not caught on the subtitles ) that it was a German ( ? ) boat that did in this one. And in their emotional upheaval state, they get scared during the night, and also damage their radio. And now they are all alone, with little communication with the outside world, and can't figure out what to do.
As time passes by the town populace begins to appear. First appear the elderly, and soon a Greek Orthodox priest. And all of a sudden they are the town. And after the elderly begin appearing children and soon the women.  As time goes by, they all have tried her except one. And when he does, he wants to marry her, and take out a bit of the fun that the others had. But it didn't seem to matter to much. By this time, they have mellowed out some, and are no longer neurotic about the romantic side of battling the enemy.
The war ends, time goes by, no one notices it. One day an English boat appears and takes back to Italy who ever wishes to leave. The married one hides and does not leave.
The film jumps ahead, and the other old ones return to the island. The captain had wanted to go and change Italy for the better. He comes back disgusted saying that Italy was not interested in getting better, or changing.
While it isn't a great film, it is nice to see the characters change from the young guns to the older, nicer men that they become. And their view of the island and the world has changed. No longer do they have a view which is distorted by the idealism of youth.
Well directed film, that plods along nicely, with some funny moments. 4 GIBLOONS
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Sayed Amir's Portfolio Page
My Name is Sayed Amir and I am a Computer Engineering major at UCSD
Projects
1. Autoponics
2. EchoServer
3. Blog Beautiful Wine
Objective
I am studying Computer Engineering to work with embedded systems


Best ps4 games of 2019 so far
Game, set, match. Unleash your inner gamer with these top rated picks of the best Playstation 4 games of the year, so far
by Brijiena Lovelace, https://www.mirror.co.uk/authors/brijiena-lovelace/As it's officially 'stay at home unless absolutely necessary' weather, we hear all of your inner gamers rejoicing at longer time in front of your consoles.
The Playstation 4 is a powerful machine and one of the most advanced consoles to date, other than the slightly newer model the PS4 pro.
Like many gaming fans, the PS5 in making a much anticipated arrival next year; but for now, most are quite contented with the performance of the PS4.
If you're ready to stock up your winter game collection, we've rounded up 10 of the best games of 2019 so far, that you can buy now.
Best PS4 games of 2019
1. Call of Duty: Modern Warfare
There's no wonder one of the nations favourite console games, Call of Duty made it to our list.
Enjoy exclusive bonus content, this edition includes a themed in-game emblem, calling card and weapon charm.
If you like to enjoy the game with someone else, you can take part in white-knuckle 2v2 matches, 6v6 combat and epic 32v32 ground war matches - sure to be an epic battle. You can also play as a group in a collection of elite operations.
Price: £49.99, Amazon - buy here now
2. FIFA 20
If you're more of an off the pitch player, the new FIFA brings to life the magical game of football in stunning realism.
Experience the feeling of professional football, from the comfort of your own home. Choose from an array of club modes and competitions - build your characters and pick your gear, all you have to do is win the game.
Price: £49.99, Very - buy here now
3. Death Stranding
Maybe sports games aren't your thing, if you're more intrigued by a gameplay experience that involves 'killing the bad guys' - you'll love death stranding.
With supernatural creatures plaguing the earth and humanity on the verge of a mass extinction, it's up to Sam (you) to journey across through the danger lands to save mankind from perishing. You'll uncover a world of secrets along the way, but you'll need to play first to find them out.
Price: £49.99, Argos - buy here now
4. Star Wars Jedi: Fallen Order
Star Wars fans rejoice, this single player game is narrative-driven and puts you in the role of a Jedi Padawan.
During the game you'll complete your Jedi training, develop powerful force abilities and of course, master the art of the iconic lightsabre.
Enjoy iconic characters, locations, weapons and enemies in addition to a roster of new ones to become familiar with.
Price: £49.99, Amazon - buy here now
5. Detroit Become Human
One of the cheaper options on the gaming market at the moment, but not without an amazing narrative and stunning gameplay experience you're bound to love.
Explore the near-future metropolis of Detroit, which is now bustling with technological developments; robots to be clear. You'll take on the role as Kara - a female bot trying to navigate her place in a turbulent landscape.
Discover what it means to be human from the perspective of a machine.
Price: £19.99, Selfridges - buy here now
6. Need For Speed Heat
Bringing back a much love classic, with a modern twsit. If your need for speed never left you - you'll love the heat.
With even more options to customise and personalise your rides, you can dare to be expressive and build your racing reputation.
Drift, drag and race your way to success.
Price: £45.98, Amazon - buy here now
7. Spyro Trilogy Reignited
One the kids can get involved with, if you'll let them. Another classic, indulge your childhood nostalgia with everyone's favourite purple dragon, Spyro.
Rekindle the fire with remastered versions of the original three games, Spyro the Dragon, Spyro 2 Ripto's Rage! and Spyro Year of the Dragon.
Price: £22.99, Amazon - buy here now
8. The Outer Worlds
Sci-fi fans, this one's for you, enjoy this first person journey through a world unknown.
You awaken decades after becoming lost in transit on a colonist ship flying through the galaxy, you’ll encounter various factions all vying for power. Take sides, find a ship, engage and build your crew as you explore a vast range of environments.
The story is completely driven by your actions so the stories development is completely down to your choices.
Price: £42.99, Very - buy here now
9. NBA 2K20
If you're more of a basketball fan, bring the NBA to your home and experience the excitement of the game in perfect quality.
The game scores best in class for the stunning graphics and hyper realistic gameplay. Enjoy ground breaking game modes and unparalleled player control and full customisation.
Price: £44.99, Amazon - buy here now
10. MXGP 2019
Experience motocross like never before. The new track editor allows you to bring to life the track of your dreams and share it with your friends and the motocross community!
Train your riding skills and earn special points for difficulties, air ability and speed. With over 10,000 customisable options for your bike and rider you can rally make this game your own.
A brand-new Waypoint mode will bring the competition to another level.
Price: £29.99, Amazon - buy here now


I have nearly 3years professionally engaged in a wide range of computer and information technologies -- From design, concept, programming, implementation, analysis, and maintenance. I have written software in multiple languages, on multiple platforms (and cross platform) for multiple industries. In addition to a programmer and developer, as a former Radio talk show host, I pose a highly developed lexicon of verbal and written skills.I'm well versed in many skills around technology & product development. I like to build things – usually with technology, and a side of grit. I've worn many hats in my career between executive positions, back-end dev, front-end dev, and product design. I love knowledge, and I strongly believe technology can, and should enrich every single life this universe has to offer.


Texas Chainsaw Massacre: The Next Generation (Reviewed on Dec. 16/98)
Starring Matthew McConaughey, Renee Zellwegger
I'm going to start this review off with a hypothetical question. Let's say you've just been in a car accident, and the driver of the other vehicle is unconscious. Your friends have left to go get help, and you're waiting to see if the victim wakes up. A tow-truck comes along, and the driver hops out of the truck to see what's going on. He then proceeds to kill the unconscious victim by snapping his neck. Do you:
A) Run away screaming for your life, staying away from the main road,
OR,
B) Run away (but not too fast) and stay on the main road even when the madman in the truck starts following you, *stop* to catch your breath, try to negotiate with the psycho, and when that fails, start running away again, all the while *staying on the main road*?
If you answered "a", you are far more intelligent than the screenwriter of "Texas Chainsaw Massacre: The Next Generation" and will likely hate this movie.
"Texas Chainsaw Massacre: The Next Generation" is being called a sequel, but it's really more of a remake of the original. There's a few changes here and there, but it's essentially the same (even the infamous "meathook" scene has been re-created.) The story opens with four teenagers hitting the road on the night of their prom, and somehow ending up in the middle of nowhere. Needless to say, they soon encounter Leatherface and his nutty family. Much carnage ensues.
To call this movie inept would be putting it mildly. In addition to the laughably idiotic situation I mentioned in my hypothetical question, there is a moment towards the end of the film where one of the baddies is killed by an airplane that literally comes out of nowhere. It just swoops down and kills him with its wheel. No explantion is given as to who was flying it or why he/she is going around killing people with the planes wheel.
The dialogue is even more atrocious. Zellwegger, who is kidnapped by "the family" early on, keeps trying to have normal conversations with these people. When you're surrounded by maniacs wielding chainsaws and dead corpses, I would think that rationality would go out the window. Speaking of going out the window, there is a scene in which Zellwegger jumps out a window. Apparently, the stunt double had a little trouble, because she visibly gets stuck in the window. The director quickly cuts to a wide shot where the stunt double *doesn't* get caught in the window. This was one of many glaring inconsistencies. There are so many, in fact, that if I were to name them all, this review would be several pages long.
The only reason I am giving this movie one star instead of no stars is because of Matthew McConaughey. He plays a member of "the family" with a hydraulic leg (home-made, I might add) and is so completely over-the-top, you can't help but be amazed by his performance. He obviously had a lot of fun with this part, and it really shows. He makes Jack Nicholson's portrayal of the psychotic inn keeper in "The Shining" look restrained in comparison.
For a horror movie, "Texas Chainsaw Massacre: The Next Generation" contains surprisingly little gore. In fact, in contains none. There's a little blood here and there, but that's as far as it goes. Which leads me to believe that the budget must have been *astonishingly* low, and it shows. Everything about the movie looks cheap, from the sets to the costumes. Especially Leatherface. Once frightening and nightmare inducing, he's now as terrifying as Dame Edna.
Do yourself a favor and take a pass at this remake. Check out the far superior original instead.
* out of ****
-- David Nusair<EMAIL_ADDRESS>We only want to save the cute animals, don't we? Why don't we just have animal auditions, line them up, one by one: "What are you?" "You're free to go." "I'm an otter." "And what are you?" "And what do you do?" "I'm a cow." "I swim around on my back and do cute "Get in the fuckin' truck, pal." little human things with my hands!" -Denis Leary
Come visit my Reel Film Reviews site! "http://chat.carleton.ca/~dnusair"
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
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Once upon a time {{noun1}} wanted to learn to {{activity}} at Google. So {{noun1}} flew to Google and met {{teacher}}. To {{noun1}}'s surprise {{celebrity}} was also in the class! Together {{noun1}} and {{celebrity}} decided to work on a project about {{show}}. {{noun1}} had so much {{fun}}


Mad (Men) Fer It! Christina Hendricks shares playlist of favourite Britpop hits
Including The Verve and Happy Mondays, no less...

- READ MORE: Mad Men’s 10 Most Powerful Music Moments
The actress, who starred as Joan Holloway in the cult AMC drama, revealed that she started the playlist while working on American Woman – the acclaimed drama she stars in alongside Aaron Paul and Sienna Miller.
“I was (am) a HUGE Britpop fan(always, forever),” she wrote.
This Burning Woman, a playlist by Christina Hendricks on Spotify
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The eclectic playlist includes tracks from Britpop stalwarts such as The Verve, The Happy Mondays, Primal Scream, Blur and Elastica.
Interestingly, there is no inclusion of some of the genre’s other giants – such as Oasis, Pulp and Suede.
Despite persisting fondness for the generation-defining genre, Suede’s Brett Anderson admitted last month that he hated Britpop in the 90s and he tried to distance the band from it.
Speaking on BBC Hardtalk, he said: “I disassociated myself from that very early on, as soon as I saw what I saw as becoming this kind of laddish, jingoistic, cartoon happening, which became Britpop, I very quickly distanced Suede from that.”
In response, Liam Gallagher said: ““I hear Burt out of Suede has said it was very laddish. See I disagree, I thought it was the opposite – I thought it was very BLOUSEY, which is why I distanced myself from it. LG x.”


Nara stuns with her perfect proportions as she dresses up for the holiday parties in 'Grazia'
by beansssSinger/actress Nara is all dolled up for the holiday parties, in the December issue of 'Grazia' magazine!
Taking on styles ranging from casually cute to richly elegant, Nara is ready for any type of holiday party with her perfect proportions. In her interview, Nara opened up about her single lifestyle and habits, as well as her upcoming JTBC drama 'Itaewon Class'.
Check out her preview cuts below!


Paalu Milk Some words with an initial 'P' drop it in Kannada. Haalu = milk in Kannada. Examples: Paalu meDicho?


guys, if you do the math. at 3 btc = 2.5m k64. that is 1 penny each.
1
that TP was willing to sell for
that convo happened last night according to layla
BanHammer19-Sep-19 03:13 PM
@LocoMB It is quite interesting to see which lies he comes up with next lol
he's a complete ass, but so creative
Layla3219-Sep-19 03:15 PM
Hello
LocoMB19-Sep-19 03:15 PM
yes but the shell phrases he uses really have a very hollow ring - maybe I am wrong, but it appears to me as if he doesnt have much of an audience left there anyway
hi Layla
dan.19-Sep-19 03:16 PM
you cant really discuss things there, honestly, without getting banned.
LocoMB19-Sep-19 03:16 PM
if I understood correctly, you saved yourself from a nasty loss there


CutCash makes it easy to divide your expenses between groups of people — from a pile of receipts tacked on the fridge, or a single check from a restaurant.


/etc/shadow isn't the only thing that contains passwords
Kerberos cached passwords
Database connections
tdbsam Samba/other application passwords
Application specific storage
Memory!
gcore, gdb, strings processes


Finally, as an exercise, we can go ahead and print the require function in the b.js file. To learn more about the output of the require function, we can check the implementation in this section of the Node source code.
As shown above, we can see the module object on line 6 with all the properties, including the filename, id, children, path depth, etc. Also, we can see the argument object, which consists of the export object, require function, file and folder path, and the Module (which is essentially what the wrapper function does, but it executes the code contained in a file/module).
As shown above, can check the implementation in this section of


This website has been created by Maram
Top chocolatiers generally work with couverture (first-rate chocolate containing a high percentage of cocoa butter) to make their creations, versus fresh cocoa beans, although an increasing number now experiment with bean to bar. Some makers even grow their own cacao beans. Direct contact between growers and makers is the best-case scenario for sustainable, or at the very least fair trade, chocolate.


THE DREAM TEAM A film review by Jeff Meyer Copyright 1989 Jeff Meyer
This is one of those unusual films where every member of the cast and creative team have a high point at one time or another during the film. Unfortunately, their zeniths never peak at the same time, and you're left with a film that is excruciatingly close to being over the thumbs-up line, but which never quite makes it. The story covers a group of four mental patients (Michael Keaton, Peter Boyle, Christopher Lloyd, and Stephen Furst) who are taken on a day trip to New York City by their doctor. Unfortunately the doctor witnesses a murder and is assaulted, and his patients are blamed for the attack. They're left to their own devices, which is the point of the film....
I like the concept of the writer adding a bit of drama to the comedy -- letting the audience see a few of the struggles these people are having to make to deal with "sanity." I just wish it could have done better. Lloyd's reunion with his family comes particularly close, but again, it never crosses the line. As for the rest of the script, the writer has given several of the characters some *very* funny dialogue, but it only comes in spurts, and at the oddest times. And it's unevenly distributed, going mostly to Keaton and (sporadically) to Boyle. Lloyd is left with a character who is supposed to be annoying and funny, and ends up only being annoying.
[Note: to anyone who sees this movie, or has seen it and who has a better memory than me (not much of a feat), could you please drop me a line with the exchange between Peter Boyle's character and Keaton's girlfriend's yuppie room-mate, about the sculpture? *Beautiful* line. Also any good lines Keaton had that you can remember...]
As to the actors, there's some very good work here. Lloyd, as I've said, comes very close to making his unsympathetic character sympathetic, but he just doesn't have the script to do it with. Boyle is OK but has some great lines; Furst is Furst. The fellow who plays their doctor was *excellent* -- one of those small roles where the actor fits the role so perfectly that you keep pointing it out later. Keaton, however, is the star, and he certainly carries things whenever he's given the opportunity. True, he has the best lines, but he always takes them as far as he can. The man has an intensity that makes for a very believable violent psychopath; what you like about him is that he seems to get angry with all the right people. (Which I guess is a definition of his role in BATMAN. I still don't know if he can pull off his role in that film -- I keep wondering if he might have made a better Joker. At any rate, he is the only actor I know of who should be allowed to play Jack Nicholson...)
I can't really recommend THE DREAM TEAM, but I have to give it a B+ for effort. Better luck next times, guys.
Moriarty, aka Jeff Meyer INTERNET<EMAIL_ADDRESS>Manual UUCP: {uw-beaver, sun, hplsla, thebes, microsoft}!fluke!moriarty
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
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review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
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{% extends "base.html" %} {% block title %}Application Access Approval{% endblock title %} {% block heading %}Application Access Approval{% endblock heading %} {% block content %}
The application is requesting access to the following scopes. Although you can change the scope, note that you can only limit the access further. You can not give the application greater permissions than the scopes selected when the applicaton was registered.
{% if form.non_field_errors %}{{ form.non_field_errors }}
{% endif %} {% endblock content %}


--- layout: archive title: Zulip Chat Archive permalink: /stream/113488-general/topic/testing.20tactics.html ---
I have a meta def T : expr → tactic expr := ...
that I've written that isn't behaving properly, and I want to do some debugging. Inside the definition there are some trace
statements that explain to me what's going on --- I just need a convenient way to invoke my tactic. Suppose I have some other def f := ...
, and I want to invoke T
on f
. What do I do?
I'm hoping there's just something easy involving quotations that I don't know.
Something like to_expr `(f) >>= T
should work
term `(f) has type reflected f but is expected to have type pexpr
Actually, `(f)
is already an expr
, so T `(f)
should work
to_expr ``(f)
works, however
You would use to_expr
if you need to parse the expression at run time rather than parse time
thanks!
{% endraw %}Last updated: Apr 24 2020 at 19:02 UTC


Design for print – achieving the best colours and blacks
I digress from the usual topic of UX to share some lessons from my recent foray into design for print, which was challenging, rewarding and fun.
I was given the challenge of taking an agency’s creative vision and using it as the basis for designing Kings Court Trust’s printed materials.
Designing for print is not something I had done to this scale before. I knew enough to know that there was much I didn’t know; particularly, about getting the best colours on paper – one of the most important, and bewildering, parts of the process.
For anyone dipping a toe into the the world of print, here are the lessons I wish I knew before I started.
1. RGB vs CMYK #
RGB and CMYK are two colour models; effectively, two different ways of displaying colours. A bit like paint ranges.
Most professional printing presses are based on CMYK. So, if you haven’t got your head around colour models well before the first print run arrives on your desk, you could be in for a nasty surprise – regardless of how stunning it looked on screen.
This video is an excellent introduction to CMYK and RGB:
Here's some of the nitty gritty, much of it specific to the latest Adobe CC suite (apologies if you don’t use it):
- I find it helps to create a swatch library with both RGB and CMYK colours, using the Adobe CC colour picker. Above is a screenshot of my swatches: the differences between RGB and CMYK variations are particularly marked in the oranges and greens.
- Determining the right colours in the first place is more difficult. If you use a designer, ask for CMYK, RGB and hex equivalents for every colour. In our case, we had tremendous difficulty translating our green from RGB to CMYK… turns out green in particular is a pain in the arse when it comes to CMYK. But after experimenting and having a few test runs, we got the right one.
- In InDesign (or equivalent), make sure the ‘transparency blend space’ is RGB or CMYK as appropriate – the wrong one can produce some odd results.
- Don’t bother converting RGB imagery to CMYK (or vice versa) before importing – this is a myth. If your export settings are set up properly, this will do the conversion for you. (Though it’s not so simple for text…)
- Create an RGB version of the document for downloading, emailing and printing at home/office – on screen, these colours tend to look more vibrant than CMYK. Create a CMYK version with all the trimmings (bleed, printer marks etc) for professional printing, though check with your printer first for the best settings.
How to check if a file is CMYK or RGB
It can be helpful to do a final check of a file before it’s sent to print.
If you’re lucky enough to have the very handy Adobe Acrobat Pro DC and you want to check a file’s colour model, open ‘Tools’, ‘Print production’, then ‘Output preview‘. Under ‘Show’, select ‘CMYK’ – if all the elements on the page (apart from printer marks) remain visible, it’s CMYK. Then select ‘RGB’ – if it’s CMYK, all elements will disappear.
Above – the output preview in Acrobat showing anything CMYK. The page elements remain visible so they must be CMYK.
Also in ‘Output preview’, if you select ‘Preview’ > ‘Separations’, you can hover the cursor over an element on the page to see a breakdown of the CMYK values. Particularly helpful to check for four-colour blacks (see below).
Above – hovering the cursor (not shown) over a colour in output preview will show the four CMYK values
2. Black’s not necessarily black #
Something that looks black on screen might not appear black in print.
To achieve blacker blacks and greyer greys, conventional wisdom is to avoid “four colour blacks”.  Instead, it’s often best to ensure blacks have a “K” value alone – e.g. C0 M0 Y0 K100.
Setting up the right swatches in your software is a great start. I use C0 M0 Y0 K12 for a light grey, C0 M0 Y0 K30 for a mid grey and C0 M0 Y0 K50 for a slightly darker grey.
If you use Indesign, under ‘Preferences’ and ‘Appearance of blacks’, make sure ‘Printing / Exporting’ is set to ‘Output all blacks accurately’.
Getting the right export settings (below) is also crucial.
How to identify four-colour and one-colour blacks
It’s often helpful to check the blacks in a file after export. Using Adobe Acrobat Pro DC, under tools, choose ‘Print production’ and then ‘Output preview’. Select a CMYK profile from ‘Simulation profile’, e.g. Coated FOGRA39. In the preview section, select ‘Separations’. If you untick ‘Process Black’, all one-colour blacks will be removed, and all four-colour blacks will remain.
1. Above – Acrobat Pro output preview showing all four parts of CMYK, so every element on the page is visible.
2. Above – ‘Process Black’ has been unticked, so all genuine one colour blacks disappear (only elements made up of cyan, magenta and yellow remain, like the orange headings).
3. Above – Oops… on this page, some cheeky grey lines remain, which means they can’t be one-colour. This needs fixing, so it’s back to the original document to sort it out.
3. The right software, the right export settings #
For brochures and other documents, I use Adobe Indesign CC. In terms of colours, ‘Output’ is an important part of the ‘Export’ settings. To ensure a document exports as CMYK: for ‘Color conversion’ select ‘Convert to destination’; for destination I use ‘Document CMYK’ (which takes the current working space from the document settings, which for me is ‘Coated FOGRA39 (ISO 12646-2:2004)’); for ‘Profile inclusion policy’ I use ‘Don’t include profiles’.
4. Find a friendly printer #
A good relationship with your print professional helps enormously – they can identify problems and suggest solutions before the print run.
This is just the tip of the iceberg. There’s paper stock, finish, bleed, trim, slug, litho vs digital (for more information on litho vs digital, check out this video and others from the same channel), etc etc. But achieving the right colours and blacks is a great place to start.


Simple demonstration of a bargaining state machine. You can send offers, when market is open. If market is closed, offers are refused.
Application will open the market for 2 minues in every five minutes. Administrator is able to start/stop bargaining manually.


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1hr 30m Beginner 4.5 (8,890)How to easily create a web using React
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The problem was getting my website up on to GitHub for the first time.
I came into campus, in that hope I was able to talk to someone else in the course about it. Bradley was able to point me in the right direction and tell me that you have to type your username and then github.io to give the web address after you have done git add, commit and push.
At first before I went into campus, I knew about the git add, commit and push, but was a bit confused as to how the web address was meant to come up on GitHub. I was thinking that you have the files in the repository, but how are you meant to view it as a web page. When Bradley confirmed how to do it, I felt very relaxed afterwards with the process.
I learnt that I interpreted the git add, commit and push process very well. However, when I read through my notes I must of missed the last step in the process where you have to put your username in before github.io. When you are reading through notes, don't miss anything that's important.
I haven't used it yet, but I feel that once I know what file type to put it in, I would become a lot more confident using it. At the moment, I see the logic behind it, as some of it is similar to if else statements in javascript. It looks easier than javascript and I think with practice I would feel OK writing the ideas down on paper.
Sometime I feel a bit nervous at first trying something out that is knew to me, but once I have an idea of what I am trying to achieve, I start to become more confident.
I feel that as I go through the course I am becoming more confident explaining what each line of code does. However I do feel that I still need to gain more confidence using the essential tools for debugging. I am sure that this will improve with time and experience.
I feel that if I came across an error message, then would feel fairly confident that I could find the answer on google.
I also feel that as you get more knowledge from the course, then these skills can give you more confidence in interpreting error messages.
I don't feel completely confident yet as I haven't used it. However once I can see how you can use it to test code and know the process of how you can use it, then I believe I would be more confident using it. The debugging resources from sprint 5 have good information on debugging, so I will be using the print out I have of this as a reference point, when I try using it in the future.
I feel very confident with using google searching for information. Most of the time it brings up information that is very useful. I have found it difficult to get good information on some topics and sometimes there is more of discussion on a topic and not examples of how it works.
Overall I feel good, as I know someone will reply if I need help. However sometimes I feel with the system that we have helping each other out, that the replies can take a bit of time, as some people are working as well.
I got a good quick response from an ex student on code help desk the other week. Apart from that I haven't had too much interaction on code help desk, so it's a bit hard to make a judgement on how confident I feel with coaches. I think I would have good support from coaches, as we do have a good supporting environment.
I think that I feel very confident using the reflection process. I feel that it helps me in learning and opens up my mind to improving my skills.


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Back Row, left to right:
Barry Symons (Secretary), Todd Marsh, CCM, CCE, Randy Ruder, CCM, CCE, Brian Kroh, CCM, Jeff Morgan (CMAA CEO), FASAE, CAE, Mark Bado, MCM, CCE, Ted Gillary (Treasurer), CCM, CCE, Bobby Crifasi, CCM, CCE, CPA
Front Row, left to right:
Terra Waldron, CCM, CCE, Fred Palmer, LuAnn Giovannelli, CCM, CAM, Burt Ward (Chair), CCM, CCE, Nicholas LaRocca, (Vice-Chair), Tim Minahan, CCM, CCE, Mike Parkhurst
Not pictured:
Skip Avery, CCM, CCE and Donna Otis, CCM, CCE
Julie Montross brings more than 20 years of experience in strategic planning, sponsorship and exhibit sales, communications, public relations, and marketing. Julie has been a part of senior management teams in the association space for the last 15 years, with a focus on advancing higher education and serving the manufacturing industry. Julie has a strong track record of growing and creating new non-dues revenue streams through sponsorships and exhibit sales. She has a philosophy rooted in collaboration with exhibitors and sponsors creating outside-the-box ideas for meaningful involvement and branding. Julie’s extensive marketing and communications background also includes serving as a strategic contributor in the expansion of the vast media portfolio of the Packaging Machinery Manufacturers Institute, a trade association.
Julie has a deep-rooted connection to, and understanding of, the club culture being married to a PGA Golf Professional (working for a private club) and having served as Senior Sales Director at Pine Needles and Mid Pines Golf Resorts in Southern Pines, NC, early in her career. Julie is a dedicated volunteer in her community of Old Town Alexandria, VA, serving on the City of Alexandria’s Commission for the Arts.
As the Director of Development for The Club Foundation, Carrie is responsible for all fundraising initiatives from individual giving and capital campaigns to special events and everything in between. In addition, together with the Club Foundation Allocation Committee, she is responsible for the scholarship and grants program. Carrie has a strong background in event planning, marketing and fundraising. Most recently, she served as the Director of Brand Events for Alex and Ani, a retailer based in New England. Prior to that, she was the Director of Special Events at the Corcoran Gallery of Art in Washington, D.C. She has an MBA from George Mason University and a BA in English from Chestnut Hill College. She resides in Northern Virginia where she enjoys cheering for the Washington Redskins, spending time with her friends and family and traveling the world.


Have Reeborg execute the following program:
print()
You should see a pop-up window appear with the title Reeborg writes:. This window is Reeborg’s diary. Feel free to move it around on your computer screen.
Note
Important: the example on the right does not execute the function move; however, if we do:
print( move() )
so that move is executed, the Python keyword None will be printed. Why that is the case will be explained later.
Now, run the following program:
print(move)
At the time I revised this tutorial, the result in Reeborg’s diary was:
<function move>
(previously, instead of move, _move_ was the name that appeared for reason that you might guess after having read this page.) What if we were to define another variable (name) for the same object (function)?
step = move
print(step)
print(move)
The result is:
<function move>
<function move>
This shows clearly that = simply gives a name to an object, the object in this case being what Python calls <function move> when asked to print it. On the other hand, if we define a completely new function, like:
# step = move
def step():
move()
print(step)
the result will be:
<function step>
which is a different object from <function move> even though, if called, step() would have the exact same result as move().
In computer programs, the word argument refers to a variable that determines the result of a function. For example, as we have seen:
print(move)
the variable move is the argument of the function print(). The argument of a function appears between the parentheses which indicate that the function is called.
Writing the name of a function like we have done above by using the print() function is something that is done extremely rarely when writing programs. What is done much, much more often is to write text.
In programming terms, a character is any letter, number or symbol that can be printed and a string of characters, or simply string, is any sequence of character that can be printed. For example, try the following:
print("Hello world!")
print('Hello again.')
Note that the quotes that surround the string have to be the same, either double quotes like “, or single quotes like ‘. To have a string that contains some quote characters, we can either surround it by quotes of a different type or use the escape character \:
print("Let's go.")
print('Let\'s go.')
We can combine strings using the + symbol:
print("Goodbye! " + "And thanks for all the fish.")
We can also start on a new line using the following escape sequence: \n:
print("Thank you. \nTry again")
Try it!
Make sure you try to run the above code samples or some similar.
Try this!
Try running the following program and look at the output in Reeborg’s diary.
print( 2 + 3 ) # adding numbers
print( 2 * 3 ) # multiplying numbers
print( 3 - 2 ) # subtracting numbers
print( 6 / 2 ) # dividing numbers
print( 1 + 3 * 2 ) # multiplication is done before addition
# using parentheses to change normal order of operations
print( (1 + 3) * 2 )
print( 2 ** 5 ) # power ... 2**5 = 2 * 2 * 2 * 2* 2
Note
Note that spaces around the operators like + and * are ignored by Python; however, they can make it easier for humans to read the code.
In the above examples, the result was always an integer (or whole number) except when dividing numbers which gave a floating point number: 6 / 2 gives 3.0.
If we want the result of dividing two numbers to be an integer, we use the double division sign instead:
print( 6 // 2 ) # integer division
We have already seen the idea of using different names (variables) as synonyms. Let’s use this idea again as explore mathematical operations some more:
length = 4
width = 6
area = length * width # area of a rectangle
print(area) # will output 24
Try it!
Make up your own examples and run them.
Important
The character “2” is not the same as the number 2. Try out the following:
print("2" + 2)
Some functions, like print(), can take many arguments: the various arguments are separated by commas. To illustrate this, try out the following program:
length = 4
width = 6
area = length * width
print("The area of a rectangle of length", length,
"and width", width, "is", area)


Sets
In math, a set means something of a container which contains different elements inside it. They can be drawn as Venn diagrams, for example:
Here \(A\) and \(B\) are different sets (circles ) containing different elements (the numbers). Namely \(A\) contains \(0, 1, 3, 5\), and \(B\) contains \(0, 2, 4, 6\). In the language of mathematics we write this as follows:
\(A = \{0, 1, 3, 5\}\)
\(B = \{0, 2, 4, 6\}\)
Since \(0\) is inside their intersection, both set contains it. We notate the intersection (\(\cap\)) of two sets as:
\(A \cap B = \{0\}\)
Similarly there is an other type of operator, called the union (\(\cup\)) where we say that we want to know which elements belong to both sets:
\(A \cup B = \{0, 1, 2, 3, 4, 5, 6\}\)
If we want to write that one element (\(a\)) is the element of set \(C\) then we could write it as:
\(C \in a\)
In mathematics we can always substitute the values (e.g. integers) of different variables (like \(A, B, C, a\)) to their place, so we said that
\(A = \{0, 1, 3, 5\}\)
\(B = \{0, 2, 4, 6\}\)
and
\(A \cap B = \{0\}\)
\(A \cup B = \{0, 1, 2, 3, 4, 5, 6\}\)
If we substitute the values of \(A\) and \(B\) to the operations we get
\(\{0, 1, 3, 5\} \cap \{0, 2, 4, 6\} = \{0\}\)
\(\{0, 1, 3, 5\} \cup \{0, 2, 4, 6\} = \{0, 1, 2, 3, 4, 5, 6\}\)
Which is still true, and means the same as it was with the variable names.
There is a type of operator which is called the relative complementer or the set substraction (\(\setminus\)), which looks like this
\(A \setminus B = \{1, 3, 5\}\)
If we put it in words it means: "Everything which is inside \(A\) but not inside \(B\)".
Arithmetic


Happy Birthday Ian!
40
40
40
40
Some of the highlights
Suburban cat herding
The ultimate crap date!
Appreciating nature
Co-ordinating spectacles
Amateur poledancing
Dystopian health & safety
Previous
Next
A talented musician
Always trying new things


TRPA1 Channels Respond to CO2 Elevation
Sodium Influx Triggers Regeneration of Tadpole Tails
Claustrum Neurons Are Unimodal
Weight Gain Is Linked to Reduced Striatal Responses to Food
Intake
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■
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The Journal of Neuroscience
September 29, 2010 • Volume 30 Number 39 • www.jneurosci.org
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Uber stock tanks 6% after the ride-hailing firm lost its London operating license
by Yusuf Khan, Business Insider US- Uber’s stock is set to sink on Monday morning after the ride-hailing firm lost its license to operate within London.
- The stock fell 6.3% in premarket trading, at 10:30 a.m. in London (5:30 a.m. ET)
- The stock drop would wipe $3 billion off the $50.4 billion market cap Uber closed with on Friday.
- Transport for London said it found a “pattern of failures” which put the safety of passengers in the city at risk.
- View Business Insider’s homepage for more stories.
Uber’s stock is set to sink on Monday morning after the ride-hailing firm lost its license to operate within London.
The stock fell 6.3% in premarket trading, at 10:30 a.m. in London (5:30 a.m. ET), after Transport for London said it found a “pattern of failures” which put the safety of passengers in the city at risk.
The stock drop would wipe $3 billion off the $50.4 billion market cap Uber closed with on Friday.
Tfl said that it found 14,000 trips had been conducted by unauthorized drivers that were using approved Uber driver accounts to pick up passengers.
Uber has about 21 days to appeal the decision, and in a statement emailed to Business Insider, it said that it plans to appeal, calling Tfl’s decision, “extraordinary and wrong.”
For more detail on this developing story, click here.


Used New Category Strategy Adventure Kids Family Party Number of players 1 2 3 4+ 138 Results for "Decrypto" Cobra Paw 4+ Six fun animal board games for kids that are fun for adults too $25 Cross Dices 2-3 Roll the dice and make as many linked words as possible within the time of the hourglass $20 Cross Clues 2-6 Cross Clues is a cooperative party game about making connections between clues. $32 Cu Birds 2-5 Group birds into flocks and help them find their way back to their nest. $17 Deadlies 3-5 Play take-that cards to empty your hand, but beware the consequences $30 1 2 3 4


--- layout: post title: "Bloggers and Security" date: 2007-05-24 18:28:49 +0000 permalink: /2007/05/24/bloggers-and-security/ category: Misc redirect_from: - /blog/bloggers-and-security/ ---
BlogSecurity is reporting that a recent test showed 98% of Wordpress blogs are running on a version of the software with known vulnerabilities. While the ones here on wordpress.com are certainly kept up to date, how about the thousands running on private servers?


Features unseen in Javascript World!
Better.js is 100% in Plain Old Javascript
var cat = function(name, age){
console.log('my name is', name, 'and im', age)
}
name
age
cat = BetterJS.Function(cat, {
arguments : [String, Number],
})
Cat
functionCalling the function with valid types - OK
cat('kitty', 5)
// display 'My name is kitty and im 5.'
Calling the function with invalid types - BAD
cat('kitty', 'ten')
// Exception thrown
// "Invalid arguments 1 - Should be Number"
Error Immediatly detected and execution stopped
Earlier bug detection, so helps you write better js
var Cat = function(name){
this._name = name
this.age = 7
}
Cat.prototype.getName = function(){
return this._name
}
._name
is a private property .getName()
is its getterCat = BetterJS.Class(Cat, {
privatize : true
})
Cat
constructor._name
is privateCreate an instance for your class
var cat = new Cat('kitty')
Accessing public property .age
- OK
console.log('cat age is ', cat.age)
// Display "cat age is 7"
Now calling the getter .getName()
- OK
console.log('cat name is ', cat.getName())
// Display "cat kitty is kitty" - OK
Now accessing the private property ._name
- BAD
console.log('cat name is ', cat._name)
// Exception thrown
// "Denied access to private property _name"
Error Immediatly detected and execution stopped
Earlier bug detection, so helps you write better js
Not Bad!


From here you can decide how you want to use Galileo.
To monitor input pins and control output pins, try using Control Mode.
To [insert value proposition of Sublime plugin here], download Sublime 2 and the MakerNode Sublime Plugin.
Change the root Password of your Galileo when you log in using a terminal. You should do this to secure your board if you are working in a public place.


All functions defined as part of the MPI tool information interface return an integer error code (see Table Return Codes for the MPI Tool Information Interface ) to indicate whether the function was completed successfully or was aborted. In the latter case the error code indicates the reason for not completing the routine. Such errors neither impact the execution of the MPI process nor invoke MPI error handlers. The MPI process continues executing regardless of the return code from the call. The MPI implementation is not required to check all user-provided parameters; if a user passes invalid parameter values to any routine the behavior of the implementation is undefined.
All error codes with the prefix MPI_T_ must be unique values and cannot overlap with any other error codes or error classes returned by the MPI implementation. Further, they shall be treated as MPI error classes as defined in Section Error Codes and Classes and follow the same rules and restrictions. In particular, they must satisfy:
0 = constMPI_SUCCESS < constMPI_T_ERR_XXX/ leq constMPI_ERR_LASTCODE.
Rationale.
All MPI tool information interface functions must return error classes,
because applications cannot portably call MPI_ERROR_CLASS before
MPI_INIT or MPI_INIT_THREAD to map an arbitrary error code to an error
class.
( End of rationale.)
| Return Code | Description | |
| Return Codes for All Functions in the MPI Tool Information Interface | ||
| MPI_SUCCESS | Call completed successfully | |
| MPI_T_ERR_INVALID | Invalid use of the interface or bad parameter | |
| values(s) | ||
| MPI_T_ERR_MEMORY | Out of memory | |
| MPI_T_ERR_NOT_INITIALIZED | Interface not initialized | |
| MPI_T_ERR_CANNOT_INIT | Interface not in the state to be initialized | |
| Return Codes for Datatype Functions: MPI_T_ENUM_* | ||
| MPI_T_ERR_INVALID_INDEX | The enumeration index is invalid | |
| MPI_T_ERR_INVALID_ITEM | The item index queried is out of range | |
| (for MPI_T_ENUM_GET_ITEM only) | ||
| Return Codes for Variable and Category Query Functions: MPI_T_*_GET_* | ||
| MPI_T_ERR_INVALID_INDEX | The variable or category index is invalid | |
| MPI_T_ERR_INVALID_NAME | The variable or category name is invalid | |
|
| Return Codes for Handle Functions: MPI_T_*_ {ALLOC|FREE } | |
| MPI_T_ERR_INVALID_INDEX | The variable index is invalid | |
| MPI_T_ERR_INVALID_HANDLE | The handle is invalid | |
| MPI_T_ERR_OUT_OF_HANDLES | No more handles available | |
| Return Codes for Session Functions: MPI_T_PVAR_SESSION_* | ||
| MPI_T_ERR_OUT_OF_SESSIONS | No more sessions available | |
| MPI_T_ERR_INVALID_SESSION | Session argument is not a valid session | |
| Return Codes for Control Variable Access Functions: | ||
| MPI_T_CVAR_READ, WRITE | ||
| MPI_T_ERR_CVAR_SET_NOT_NOW | Variable cannot be set at this moment | |
| MPI_T_ERR_CVAR_SET_NEVER | Variable cannot be set until end of execution | |
| MPI_T_ERR_INVALID_HANDLE | The handle is invalid | |
| Return Codes for Performance Variable Access and Control: | ||
|
| MPI_T_PVAR_ {START|STOP|READ|WRITE|RESET|READREST } | |
| MPI_T_ERR_INVALID_HANDLE | The handle is invalid | |
| MPI_T_ERR_INVALID_SESSION | Session argument is not a valid session | |
| MPI_T_ERR_PVAR_NO_STARTSTOP | Variable cannot be started or stopped | |
| (for MPI_T_PVAR_START and | ||
| MPI_T_PVAR_STOP) | ||
| MPI_T_ERR_PVAR_NO_WRITE | Variable cannot be written or reset | |
| (for MPI_T_PVAR_WRITE and | ||
| MPI_T_PVAR_RESET) | ||
| MPI_T_ERR_PVAR_NO_ATOMIC | Variable cannot be read and written atomically | |
| (for MPI_T_PVAR_READRESET) | ||
|
| Return Codes for Category Functions: MPI_T_CATEGORY_* | |
| MPI_T_ERR_INVALID_INDEX | The category index is invalid | |


Zerkel Scratchpad
— Get Familiar With Custom Targeting
Zerkel Query
Environment JSON
x.y = 42
{"x": {"y": 42}}
start over
result will be displayed here


The following algebraic data type is defined in SimpleJSON.hs:
data JValue = JString String | JNumber Integer | JBool Bool | JNull | JObject [(String, JValue)] | JArray [JValue] deriving (Eq, Ord, Show)
getInteger :: JValue -> Either String Integer getInteger (JNumber n) = Right n getInteger _ = Left "Not a JNumber"try these in ghci and see what happens:
getInt (JNumber 3) getInt (JString "a")
Read more about Data.Either.
renderJValue :: JValue -> Stringthat renders JValue data as follows:
renderJValue (JObject [("foo", JNumber 1), ("bar", JBool False)]) "{foo: 1, bar: false}"
result2 = JObject [ ("query", JString "awkward squad haskell"), ("estimatedCount", JNumber 3920), ("moreResults", JBool True), ("results", JArray [ JObject [ ("title", JString "Simon Peyton Jones: papers"), ("snippet", JString "Tackling the awkward ..."), ("url", JString "http://.../marktoberdorf/") ]]) ] renderJValue result2 "{query: awkward squad haskell, estimatedCount: 3920, moreResults: true, results: [{title: Simon Peyton Jones: papers, snippet: Tackling the awkward ..., url: http://.../marktoberdorf/}]}"
[("a", 2), ("a", "2")] JObject [("a", JNumber 2), ("a", JString "2")] renderJValue $ JObject [("a", JNumber 2), ("a", JString "2")]We have lists and objects with values of different types by wrapping them with corresponding JValue constructors. This means that we have to use a different constructor for each type: JNumber for Integer, JString for String, etc.
Using classes we can have only one construction for all types. In lab10.hs we defined
type JSONError = String class JSON a where toJValue :: a -> JValue fromJValue :: JValue -> Either JSONError aBefore going further, check again Data.Either and, especially, the definitions of fromRight and fromLeft.
toJValue result1 fromRight JNull (fromJValue result1)
instance JSON Bool where toJValue = JBool fromJValue (JBool b) = Right b fromJValue _ = Left "not a JSON boolean"In ghci try
> toJValue True JBool True > fromRight True $ fromJValue (JBool False) False > fromJValue (JBool False) :: Either JSONError Bool Right False > (fromJValue (JNumber 2)) :: Either JSONError Bool Left "not a JSON boolean"Atentie! Pentru a testa fromJValue trebuie precizat tipul rezultatului.
toJValue 10 fromRight 1 $ fromJValue (JNumber 10)
To overcome this problem we can use language extensions.
At the beginning of the file lab10.hs uncomment the line
{-# LANGUAGE FlexibleInstances, TypeSynonymInstances #-}
Now the instance of String is legal. In ghci try
toJValue "string" fromRight "" $ fromJValue (JString "string")
To overcome this problem we can use language extensions.
At the beginning of the file lab10.hs uncomment the line
{-# LANGUAGE FlexibleInstances, TypeSynonymInstances #-}
Now the instance of String is legal. In ghci try
toJValue "string" fromRight "" $ fromJValue (JString "string")
instance (JSON a) => JSON [a] where toJValue = ... fromJValue = ... instance (JSON a) => JSON [(String, a)] where toJValue = ... fromJValue = ...For the moment, set toJValue and fromJValue to undefined and load the file. Now try toJValue [("label","value")] and see what happens!
Remember that we are not allowed to make two different instances of the same class for a type. In the sequel we overcome this problem using newtype .
From now on, we work in the file JSONClassNew.hs.
newtype JObj a = JObj { fromJObj :: [(String, a)] } deriving (Eq, Ord, Show) data JValue = JString String | JNumber Integer | JBool Bool | JNull | JObject (JObj JValue) -- was [(String, JValue)] deriving (Eq, Ord, Show)We use constructor JObj to identify those lists that are used to construct JObjects.
:t JObj [("a", 1),("b",2)] :t JObj [("a", JString "a"), ("b", JNumber 2)] :t JObject (JObj [("a", JString "a"), ("b", JNumber 2)])
class JSON a where toJValue :: a -> JValueFor simplicity, we required only the function toJValue.
type JSONError = String class JSON a where toJValue :: a -> JValue fromJValue :: JValue -> Either JSONError aand define the corresponding instances.


The composite module performs full-color blending on ARGB byte images using data from the the foreground image alpha channel.
Input Ports
Name Type Description foreground Image_ARGB First image to be blended. Should include alpha channel data. background Image_ARGB Second image to be blended. Output Ports
Name Type Description out_image Image_ARGB Blended composite of input images. out_obj GDobject Directly renderable output object.
The composite module performs blending on two full colour AVS images. The data in the foreground image alpha channel is used to control how much of the foreground image and the background image is blended into the final image. Both images must be of exactly the same size. If they are not an error message will be reported and no processing will be performed.
The blending equation for each pixel in the final image is:
alpha = ALPHA red = (Foreground(red) *ALPHA) + (Background(red) *(1.0-ALPHA)) green = (Foreground(green)*ALPHA) + (Background(green)*(1.0-ALPHA)) blue = (Foreground(blue) *ALPHA) + (Background(blue) *(1.0-ALPHA))ALPHA is the foreground image's alpha channel value. All data in the background image's alpha channel is ignored. This module is a conversion of the AVS5 "composite" module. The low-level module is implementated in C++ and operates on simple byte arrays rather than fields.
foreground : Image_ARGB
The foreground full colour image that should by blended with the background image. The alpha channel data in this image is used to determine how the two images are blended. The data should be a 2D uniform field containing a single component of node data. That node data should contain a vector of 4 byte values. These correspond to the 4 colour channels; alpha, red, green and blue. The read_image module outputs data of this form.
background : Image_ARGB
The background full colour image that should by blended with the foreground image. The alpha channel data is ignored and is not transferred to the output image. The data should be a 2D uniform field containing a single component of node data. That node data should contain a vector of 4 byte values. These correspond to the 4 colour channels; alpha, red, green and blue. The read_image module outputs data of this form.
out_image : Image_ARGB
The output full colour image containing the blended foreground and background images. The image is output as a 2D uniform field containing a single component of node data. That node data contains a vector of 4 bytes.
out_obj
The GDobject version of the output, suitable for direct connection to the viewer.
The composite user macro uses the low-level CompositeCore module. This module contains all the C++ code used by the project. No User Interface macro is necessary for this project.
The CompositeEg example application crops an image in two different areas, and shows the blended result in a 2D viewer. It also shows the two original cropped images and the alpha channel information used to blend the two images. The original pixel data is from the mandrill.x image. The alpha channel information was modified by adding a cosine squared wave, running vertically down the image.
xp_comm_proj/comp/compmods.v contains the V definition of the CompositeCore module.
xp_comm_proj/comp/compmacs.v contains the V definitions of the composite user macro and the CompositeEg example application.
The low-level CompositeMods library containing the module does not specify a process. By default the express process will be used.
Sabreen Vig, Ian Curington, Larry Gelberg Advanced Visual Systems, Inc. Andrew Dodd, International AVS Centre
AVS5 composite module, from which this one is derived.


--- layout: post title: 'Hand Print Potholder: An Easy Parent Gift' date: 2011-12-01 20:22:49.000000000 -08:00 type: post parent_id: '0' published: true pd: '' status: publish categories: - Classroom Talk - Ideas for Teachers/Parents Elementary tags: - children's crafts - crafts for kids - handmade gifts for parents and grandparents - handprint pot holder - handprint potholder - holiday gifts that kids can make - ideas for teachers author: login: k email: k@k display_name: mcary first_name: '' last_name: '' ---
I love to make this easy potholder for parents at Christmas or Mother's Day. I usually attach this poem.  It takes me about a half an hour to do 24 hands!
Poem
Sometimes you get discouraged
Because I am so small
And always leave my fingerprints
On furniture and walls.
But everyday I’m growing
I’ll be grown up someday
And all those tiny fingerprints
Will surely fade away.
So here’s a final fingerprint
Just so you can recall
Exactly how my fingers looked
When I was very small.
Author unknown
Thank you to all that have LIKED I Can't Said the Ant. Please click
on http://bitly.com/CantAnt to vote for it.


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void | Awake () |
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void | Update () |
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void | FixedUpdate () |
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| void | ReadInput () |
| | Reads input from the Input Manager Axis. (1,0) is to right and (0,-1) is down. Data can only be either -1, 0, or 1 More...
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| void | Move () |
| | Determines which direction the player is travelling with a pair of coordinates. For example (1,0) is to the right. The players velocity attribute inside rigid body is updated therefore this method must be placed inside FixedUpdate in order to work. Players diagonal position is normalized. More...
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| void | AnotherDebugFunction (int alpha, int beta) |
| | This function does something nifty More...
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float | moveSpeed = 5 |
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| float | _xMove |
| | The position the player is travelling on the x axis. Either -1, 0, or 1 More...
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| float | _yMove |
| | The position the player is travelling on the y axis. Either -1, 0, or 1 More...
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Rigidbody2D | _rigidBody2D |
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◆ AnotherDebugFunction()
| void Script.Movement.AnotherDebugFunction |
( |
int |
alpha, |
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int |
beta |
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) |
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inlineprivate |
This function does something nifty
- Parameters
-
| alpha | This is a parameter named a |
| beta | This is a parameter named b |
- Returns
- The sum of two integers.
Math.getMyName()
◆ Move()
| void Script.Movement.Move |
( |
| ) |
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inlineprivate |
Determines which direction the player is travelling with a pair of coordinates. For example (1,0) is to the right. The players velocity attribute inside rigid body is updated therefore this method must be placed inside FixedUpdate in order to work. Players diagonal position is normalized.
- Returns
- Nothing.
◆ ReadInput()
| void Script.Movement.ReadInput |
( |
| ) |
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inlineprivate |
Reads input from the Input Manager Axis. (1,0) is to right and (0,-1) is down. Data can only be either -1, 0, or 1
- Returns
- Nothing.
◆ _xMove
| float Script.Movement._xMove |
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private |
The position the player is travelling on the x axis. Either -1, 0, or 1
◆ _yMove
| float Script.Movement._yMove |
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private |
The position the player is travelling on the y axis. Either -1, 0, or 1
The documentation for this class was generated from the following file:
- Combat-Sys/Assets/Script/Movement.cs


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{% extends "control-panel_template.htm" %} {% block title %} VOWR Librarian Admin {% endblock %} {% block content %} {% include 'includes/_messages.htm' %}
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KISS OF DEATH A film review by Christopher Null Copyright 1995 Christopher Null
Ever get the feeling that no matter what you do, you're screwed? That basically sums up the life of Jimmy Kilmartin (David Caruso), an ex-con trying to go straight in the new feature, KISS OF DEATH.
Jimmy, his wife Bev (Helen Hunt), and their daughter live an inner-city dream, trying to make ends meet. When Jimmy's cousin Ronnie (ZEBRAHEAD's Michael Rapaport) shows up, begging for a driver for his chop shop caravan, all hell breaks loose.  Soon, Jimmy and his family are hounded by cop Calvin (Samuel L. Jackson), asthmatic psycho kingpin Little Junior (Nicholas Cage), and a host of other unsavory players. We are invited to watch and see how Jimmy extricates himself from the mess.
As you may well expect, KISS OF DEATH is loaded with violence. I didn't expect it to be so funny, though. It's worth the price of admission just for a certain hilarious twist in Little Junior's strip joint. Cage's Junior gets all the best lines, but Caruso owns the picture with his dynamic and striking portrayal of a man with a past and little hope for a future.
On the minus side, director Barbet Schroeder flubbed the first half-hour of the picture, which deals with the dull tale of Jimmy vs. Ronnie, before the guts of the action, Jimmy vs. Junior, begins. Hunt's talent is wasted as Jimmy's estranged wife, and it appears that a big chunk of her screen time was left on the cutting room floor. PULP FICTION's Ving Rhames also has a few great lines as another deviant could-be criminal but is otherwise squandered.
Despite all that, once you cross that half-hour hurdle, KISS OF DEATH becomes a powerful thriller not quite like anything I've seen recently. Nothing too original or flashy, just a gritty story that rings completely true.
RATING: ****
|* Unquestionably awful | |** Sub-par on many levels | |*** Average quality, hits and misses | |**** Good, memorable film | |***** Perfection |
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