The angular components of the various coordinate objects are represented by objects of the Angle class. While most likely to be encountered in the context of coordinate objects, Angle objects can also be used on their own wherever a representation of an angle is needed.
The creation of an Angle object is quite flexible and supports a wide variety of input object types and formats. The type of the input angle(s) can an array, scalar, tuple, string, Quantity or another Angle. This is best illustrated with a number of examples of valid ways to create an Angle:
>>> import numpy as np
>>> from astropy import units as u
>>> from astropy.coordinates import Angle
>>> Angle('10.2345d') # String with 'd' abbreviation for degrees
<Angle 10.2345 deg>
>>> Angle(['10.2345d', '-20d']) # Array of strings
<Angle [ 10.2345,-20. ] deg>
>>> Angle('1:2:30.43 degrees') # Sexagesimal degrees
<Angle 1.0417861111111113 deg>
>>> Angle('1 2 0 hours') # Sexagesimal hours
<Angle 1.0333333333333334 hourangle>
>>> Angle(np.arange(1., 8.), unit=u.deg) # Numpy array from 1..7 in degrees
<Angle [ 1., 2., 3., 4., 5., 6., 7.] deg>
>>> Angle(u'1°2′3″') # Unicode degree, arcmin and arcsec symbols
<Angle 1.0341666666666667 deg>
>>> Angle('1d2m3.4s') # Degree, arcmin, arcsec.
<Angle 1.0342777777777779 deg>
>>> Angle('-1h2m3s') # Hour, minute, second
<Angle -1.0341666666666667 hourangle>
>>> Angle((-1, 2, 3), unit=u.deg) # (degree, arcmin, arcsec)
<Angle -1.0341666666666667 deg>
>>> Angle(10.2345 * u.deg) # From a Quantity object in degrees
<Angle 10.2345 deg>
>>> Angle(Angle(10.2345 * u.deg)) # From another Angle object
<Angle 10.2345 deg>
The Angle object also supports a variety of ways of representing the value of the angle, both as a floating point number as a string:
>>> a = Angle(1, u.radian)
>>> a
<Angle 1.0 rad>
>>> a.radian
1.0
>>> a.degree
57.29577951308232
>>> a.hour
3.8197186342054885
>>> a.hms
hms_tuple(h=3.0, m=49.0, s=10.987083139758766)
>>> a.dms
dms_tuple(d=57.0, m=17.0, s=44.806247096362313)
>>> a.signed_dms
signed_dms_tuple(sign=1.0, d=57.0, m=17.0, s=44.806247096362313)
>>> (-a).dms
dms_tuple(d=-57.0, m=-17.0, s=-44.806247096362313)
>>> (-a).signed_dms
signed_dms_tuple(sign=-1.0, d=57.0, m=17.0, s=44.806247096362313)
>>> a.arcminute
3437.7467707849396
>>> a.to_string()
u'1rad'
>>> a.to_string(unit=u.degree)
u'57d17m44.8062s'
>>> a.to_string(unit=u.degree, sep=':')
u'57:17:44.8062'
>>> a.to_string(unit=u.degree, sep=('deg', 'm', 's'))
u'57deg17m44.8062s'
>>> a.to_string(unit=u.hour)
u'3h49m10.9871s'
>>> a.to_string(unit=u.hour, decimal=True)
u'3.81972'
Angles will also behave correctly for appropriate arithmetic operations:
>>> a = Angle(1.0, u.radian)
>>> a + 0.5 * u.radian + 2 * a
<Angle 3.5 rad>
>>> np.sin(a / 2)
<Quantity 0.479425538604203>
>>> a == a
array(True, dtype=bool)
>>> a == (a + a)
array(False, dtype=bool)
Angle objects can also be used for creating coordinate objects:
>>> from astropy.coordinates import ICRS
>>> ICRS(Angle(1, u.radian), Angle(0.5, u.radian))
<ICRS Coordinate: (ra, dec) in deg
(57.2957795131, 28.6478897565)>
There are two utility methods that simplify working with angles that should have bounds. The wrap_at() method allows taking an angle or angles and wrapping to be within a single 360 degree slice. The is_within_bounds() method returns a boolean indicating whether an angle or angles is within the specified bounds.
Longitude and Latitude are two specialized subclasses of the Angle class that are used for all of the spherical coordinate classes. Longitude is used to represent values like right ascension, Galactic longitude, and azimuth (for ecliptic, Galactic, and Alt-Az coordinates, respectively). Latitude is used for declination, Galactic latitude, and elevation.
A Longitude object is distinguished from a pure Angle by virtue of a wrap_angle property. The wrap_angle specifies that all angle values represented by the object will be in the range:
wrap_angle - 360 * u.deg <= angle(s) < wrap_angle
The default wrap_angle is 360 deg. Setting 'wrap_angle=180 * u.deg' would instead result in values between -180 and +180 deg. Setting the wrap_angle attribute of an existing Longitude object will result in re-wrapping the angle values in-place. For example:
>>> from astropy.coordinates import Longitude
>>> a = Longitude([-20, 150, 350, 360] * u.deg)
>>> a.degree
array([ 340., 150., 350., 0.])
>>> a.wrap_angle = 180 * u.deg
>>> a.degree
array([ -20., 150., -10., 0.])
A Latitude object is distinguished from a pure Angle by virtue of being bounded so that:
-90.0 * u.deg <= angle(s) <= +90.0 * u.deg
Any attempt to set a value outside that range will result in a ValueError.


A young Filipino-American comes of age as Duterte’s drug war rages on
How young adult novel 'The Patron Saints of Nothing' tackles the drug war, intergenerational relations, and the search for identity amid the Filipino-American diaspora
by Janella ParisSubscribe
Email Address
Newsletters
- Glenda Gloria's Take this Tuesday
- Huddle by Miriam Grace Go
- The Newsbreak Agenda by Chay Hofileña
- Sometimes, all you need is video by Lilibeth Frondoso


Preparation time
less than 30 mins
Cooking time
over 2 hours
Serves
Serves 4
For a luxury version of the BLT sandwich, here is tender, flavour-infused ham fried in slices and served with lettuce and tangy tomato chutney in a brioche bun with bacon mayonnaise.
For the pork belly, place all the ingredients in a large pan and pour in enough water to cover the pork by 3-4cm/1-2in. Bring the liquid to a simmer and skim off any froth or scum that rises to the surface. Once the water is reasonably clear, place a crumpled piece of baking parchment, cut to the diameter of the pan, on top of the pork belly. This will help to keep the moisture in the pan during cooking.
Gently simmer the pork belly for two hours until it is very tender. There should be no resistance when you pierce it with a knife. Let the belly cool completely in the cooking liquid.
Lift the cooled pork out of the pan and place on a baking tray. Cover with cling film and refrigerate for at least an hour until it has firmed up, which will make it easier to slice. Once firm, remove the pork belly from the refrigerator and cut into individual portions.
While the pork is cooking, make the bacon mayonnaise. Heat the oil in a small pan over a low heat, add the bacon and gently fry until it has rendered all of its fat.
Strain the bacon through a fine sieve and reserve the bacon flavoured oil. (The bacon is not used in this recipe.) Let the oil cool to room temperature before you begin to make the mayonnaise or it may split.
Whisk the egg yolk, vinegar and mustard together in a large bowl. Whisking continuously, drizzle the cooled bacon oil slowly into the bowl in a steady stream to create an emulsion. Once all the oil has been incorporated, add the lemon juice and soy sauce, which will thin down the mayonnaise. Taste and adjust the seasoning to taste. Cover the bowl and refrigerate until ready to use.
For the tomato chutney, heat the oil in saucepan and add the onion. Cook the onion over a medium heat for 8-10 minutes, stirring occasionally, until soft and translucent. Add the garlic, paprika and lemongrass, and stir well. Gently cook for another five minutes, stirring every once in a while.
Heat the sugar in another dry pan until it melts and begins to caramelise to a golden-brown colour. Add the red wine vinegar and fish sauce to the caramel. If the caramel hardens upon contact with the liquid, stir the mixture for a few minutes until it dissolves. Pour this over the onion mixture and add the lime juice. Cook for a minute and add the diced tomatoes and stir well. Cook for a further minute then remove the pan from the heat.
When you are about ready to serve, remove the thick rind from the pork belly. Heat a thin layer of olive oil in a frying pan. Add the pork belly pieces and fry for about two minutes on each side until golden-brown and warmed through. Toast the brioche buns and spread some bacon mayonnaise on the bottom halves. Arrange a few lettuce leaves on each brioche base, then place pork belly pieces and a generous spoonful of tomato chutney on top. Cover with the brioche lids and serve at once.


Code quality measurement for the repository fabric8-analytics-npm-insights
Source file
Line count
Linter
Docstyle
training/datastore/s3_connection.py
251
✓
✓
training/datastore/preprocess_data.py
132
✓
✓
training/datastore/utils.py
221
✓
✓
training/datastore/get_keywords.py
139
✓
✓
training/datastore/get_preprocess_data.py
83
✓
✓
deployment/submit_emr_job_pretrain.py
171
✓
✓
deployment/submit_emr_job_train.py
167
✓
✓
tests/load_tests/locustfile.py
50
✓
✓
tests/unit_tests/test_constants.py
18
✓
✓
tests/unit_tests/test_get_keywords.py
73
✓
✓
tests/unit_tests/test_pretrain.py
33
✓
✓
tests/unit_tests/test_PMFRecommendation.py
70
✓
✓
tests/unit_tests/test_pretrain_hidden.py
39
✓
✓
tests/unit_tests/test_flask_predict.py
39
✓
✓
tests/unit_tests/test_pretrain_latent.py
38
✓
✓
tests/unit_tests/test_fileutils.py
23
✓
✓
tests/unit_tests/test_utils.py
127
✓
✓
recommendation_engine/pmf/__init__.py
20
✓
✓
recommendation_engine/pmf/train_pmf.py
162
✓
✓
recommendation_engine/model/__init__.py
1
✓
✓
recommendation_engine/model/pmf_prediction.py
54
✓
✓
recommendation_engine/__init__.py
3
✓
✓
recommendation_engine/predictor/__init__.py
1
✓
✓
recommendation_engine/predictor/online_recommendation.py
159
✓
✓
recommendation_engine/predictor/abstract_recommender.py
33
✓
✓
recommendation_engine/autoencoder/train/__init__.py
20
✓
✓
recommendation_engine/autoencoder/train/train.py
156
✓
✓
recommendation_engine/autoencoder/pretrain/pretrain.py
41
✓
✓
recommendation_engine/autoencoder/pretrain/__init__.py
20
✓
✓
recommendation_engine/autoencoder/pretrain/pretrain_latent.py
92
✓
✓
recommendation_engine/autoencoder/pretrain/pretrain_sdae.py
105
✓
✓
recommendation_engine/autoencoder/pretrain/pretrain_hidden.py
63
✓
✓
recommendation_engine/flask_predict.py
87
✓
✓
recommendation_engine/utils/__init__.py
1
✓
✓
recommendation_engine/utils/fileutils.py
70
✓
✓
recommendation_engine/config/params_scoring.py
31
✓
✓
recommendation_engine/config/__init__.py
20
✓
✓
recommendation_engine/config/params_training.py
20
✓
✓
recommendation_engine/config/path_constants.py
27
✓
✓
recommendation_engine/config/cloud_constants.py
26
✓
✓
tools/check_python_version.py
71
✓
✓
Author: Pavel Tisnovsky <
<EMAIL_ADDRESS>>
Generated on: 2020-04-28 12:44:30


The following is a list of compile dependencies for this project. These dependencies are required to compile and run the application:
| GroupId | ArtifactId | Version | Type |
|---|---|---|---|
| com.sun.jersey.contribs | jersey-guice | <IP_ADDRESS> | jar |
| javax.servlet | servlet-api | 2.5 | jar |
| org.fusesource.scalate | scalate-core | 1.0 | jar |
| org.scala-lang | scala-compiler | 2.8.0.Beta1 | jar |
| org.scala-lang | scala-library | 2.8.0.Beta1 | jar |
The following is a list of test dependencies for this project. These dependencies are only required to compile and run unit tests for the application:
| GroupId | ArtifactId | Version | Type |
|---|---|---|---|
| ch.qos.logback | logback-classic | 0.9.18 | jar |
| junit | junit | 4.7 | jar |
| org.scalatest | scalatest | 1.0.1-for-scala-2.8.0.Beta1-NQRFPT | jar |
The following is a list of transitive dependencies for this project. Transitive dependencies are the dependencies of the project dependencies.
The following is a list of compile dependencies for this project. These dependencies are required to compile and run the application:
| GroupId | ArtifactId | Version | Type |
|---|---|---|---|
| aopalliance | aopalliance | 1.0 | jar |
| asm | asm | 3.1 | jar |
| com.sun.jersey | jersey-core | <IP_ADDRESS> | jar |
| com.sun.jersey | jersey-server | <IP_ADDRESS> | jar |
| javax.ws.rs | jsr311-api | 1.1.1 | jar |
| org.guiceyfruit | guice-all | 2.0 | jar |
| org.guiceyfruit | guice-servlet | 2.0 | jar |
| org.slf4j | slf4j-api | 1.5.11 | jar |
The following is a list of test dependencies for this project. These dependencies are only required to compile and run unit tests for the application:
| GroupId | ArtifactId | Version | Type |
|---|---|---|---|
| ch.qos.logback | logback-core | 0.9.18 | jar |
Public Domain: AOP alliance
Unknown: ASM Core, Unnamed - javax.servlet:servlet-api:jar:2.5, Unnamed - org.guiceyfruit:guice-all:jar:2.0, Unnamed - org.guiceyfruit:guice-servlet:jar:2.0
Eclipse Public License - v 1.0: Logback Classic Module, Logback Core Module
CDDL+GPL License: jersey-core, jersey-guice, jersey-server
Common Public License Version 1.0: JUnit
GNU Lesser General Public License: Logback Classic Module, Logback Core Module
MIT License: SLF4J API Module
The Apache Software License, Version 2.0: Scalate :: Core, Scalate :: Guice
CDDL License: jsr311-api
the Apache License, ASL Version 2.0: ScalaTest
BSD-like: Unnamed - org.scala-lang:scala-compiler:jar:2.8.0.Beta1, Unnamed - org.scala-lang:scala-library:jar:2.8.0.Beta1
| Filename | Size | Entries | Classes | Packages | JDK Rev | Debug |
|---|---|---|---|---|---|---|
| aopalliance-1.0.jar | 4.36 kB | 15 | 9 | 2 | 1.3 | debug |
| asm-3.1.jar | 42.02 kB | 24 | 23 | 2 | 1.2 | release |
| logback-classic-0.9.18.jar | 166.67 kB | 153 | 123 | 18 | 1.5 | debug |
| logback-core-0.9.18.jar | 252.35 kB | 240 | 207 | 23 | 1.5 | debug |
| jersey-core-<IP_ADDRESS>.jar | 336.22 kB | 302 | 258 | 21 | 1.5 | debug |
| jersey-server-<IP_ADDRESS>.jar | 567.17 kB | 536 | 454 | 53 | 1.5 | debug |
| jersey-guice-<IP_ADDRESS>.jar | 11.63 kB | 20 | 6 | 2 | 1.5 | debug |
| servlet-api-2.5.jar | 102.87 kB | 68 | 42 | 2 | 1.4 | debug |
| jsr311-api-1.1.1.jar | 45.28 kB | 67 | 55 | 3 | 1.5 | debug |
| junit-4.7.jar | 226.91 kB | 261 | 225 | 29 | 1.5 | debug |
| scalate-core-1.0.jar | 855.41 kB | 742 | 719 | 12 | 1.5 | debug |
| guice-all-2.0.jar | 653.07 kB | 570 | 547 | 11 | 1.5 | debug |
| guice-servlet-2.0.jar | 50.34 kB | 56 | 48 | 1 | 1.5 | debug |
| scala-compiler-2.8.0.Beta1.jar | 7.67 MB | 5,366 | 5,298 | 37 | 1.5 | debug |
| scala-library-2.8.0.Beta1.jar | 4.59 MB | 3,382 | 3,327 | 51 | 1.5 | debug |
| scalatest-1.0.1-for-scala-2.8.0.Beta1-NQRFPT.jar | 1.64 MB | 1,194 | 1,156 | 11 | 1.5 | debug |
| slf4j-api-1.5.11.jar | 23.12 kB | 32 | 21 | 3 | 1.3 | debug |
| Total | Size | Entries | Classes | Packages | JDK Rev | Debug |
| 17 | 17.16 MB | 13,028 | 12,518 | 281 | 1.5 | 16 |
| compile: 13 | compile: 14.89 MB | compile: 11,180 | compile: 10,807 | compile: 200 | - | compile: 12 |
| test: 4 | test: 2.27 MB | test: 1,848 | test: 1,711 | test: 81 | - | test: 4 |
| Repo ID | URL | Release | Snapshot |
|---|---|---|---|
| guice-maven | http://guiceyfruit.googlecode.com/svn/repo/releases | Yes | Yes |
| m1.dev.java.net | http://download.java.net/maven/1 | Yes | Yes |
| glassfish-repository | http://maven.glassfish.org/content/groups/glassfish | Yes | Yes |
| m2.dev.java.net | http://download.java.net/maven/2 | Yes | Yes |
| central | http://repo1.maven.org/maven2 | Yes | - |
Repository locations for each of the Dependencies.


Functions
function (id1, id2, ... , idn) {
Statement
}
A function creates local context during execution.
Example:
function fac(n){
if (n==1) return 1;
else return n*fac(n-1);
}
return fac(5);
//pointer to a function
Func_pointer = fac;
Func_pointer(4); //Call function using pointer
Reserved functions
event – assign event to windows forms control;
(Irony Script.NET has other methods for dealing with events.)
eval – evaluates value of an expression;
clear – clears all variables in context;
See Also
Language Description->Statements | Language Description->Events | Language Description->Funtion Examples


BBQ Master
Home
Settings
Battery Level
-
Sen 1
-
Sen 2
-
Sen 3
-
Sen 4
-
Sen 5
-
Sen 6
-
Sen 7
-
Sen 8
-
Interest 1
62
Interest 2
35
Interest 3
18
Interest 4
13
Interest 5
8
Interest 6
5
Interest 7
2
Interest 8
9
Configuration
Theme
Boostrap
Cerulean
Cosmo
Cyborg
Darkly
Flatly
Journal
Lumen
Paper
Readable
Sandstone
Simplex
Slate
Spacelab
Superhero
United
Yeti


channel.23a5b8 __
channel.fbfcfa __
octree __
channel.1d3a1c __
channel.ad6220 __
binary __
channel.4ca345 __
channel.d5c256 __


--- layout: default hero-image: url(/assets/images/robot2.jpg) hero-message: Support PiE title: Support PiE ---
Use our AmazonSmile link to support us! Once you sign up using our link, you can shop at smile.amazon.com just like you would normally at amazon.com, and we will receive 0.5% of the cost of any eligible purchases you make.
With our yearly fundraising goal of $75,000, Pioneers in Engineering is actively seeking support from corporations and philanthropic organizations. In addition, PiE appreciates and accepts in-kind gifts in the form of parts and tools to complete the robotics kits. Donations to PiE are 501(c)(3) tax-deductible.
If you would like more information about PiE and how to partner with us, please email<EMAIL_ADDRESS>Through our Robotics Competition program, we are able to provide robotics kits, parts, and mentors for 24 teams. Our program includes:
We ask teams for only a $100 entry fee in order to ensure that money is not a barrier to entry. Our budget is extremely efficient and cost-effective compared to most robotics competitions, which often require each team to spend thousands of dollars. Over $900 of our kit is subsidized by Pioneers in Engineering.
We hold a number of workshops on and off Berkeley's campus, for high school students and Berkeley students alike. Our workshops are always free for participants, so funding comes out of our own budget. Your donations help us provide:
As PiE is an organization with close ties to Tau Beta Pi, the staff and faculty of the College of Engineering, engineering honor societies, and about 27,000 undergraduate students at UC Berkeley, your support of the program is extremely visible to the community at and around UC Berkeley.
We appreciate and recognize our sponsors in the form of posters, banners and logos, and t-shirts seen by thousands of members of the UC Berkeley community. In addition, sponsors are warmly welcomed and encouraged to attend the competition day.
If you would like more information about the benefits, please refer to Sponsorship Levels 2018-2019.pdf.
As of 2018-2019 competition year, Pioneers in Engineering would like to extend its thanks for the support granted by the following organizations.
If you interested in becoming one of our sponsors and the benefits of being one, please refer to Sponsorship Levels 2018-2019.pdf
Pioneers in Engineering would like to thank all its past sponsors for their support in Bay Area education.


United by our passion for maximizing weightlifting efficiency in the gym, our team consists of individuals based across the US combining our unique expertises into one amazing app!
New York City, New York
Tempe, Arizona
Los Angeles, California
Illinois
Steamboat Springs, Colorado
Lambda, USA
Dallas, Texas


Your ideas were invaluable in our redesign of the navigation. Now aligned with your most common workflows, getting around the system is smooth and intuitive.
Now your first visible screen is your role-specific application dashboard. No more memorizing paths to remote locations. It’s all here. At home.
Part of every page is the new sidebar menu listing all the applications you have access to, making getting where you’re going much easier. You can even search for applications you need within the menu. Each application opens in a new browser tab to support you in your multi-tasking.
Tragically, as part of our plans to reduce overall complexity and offer all functionality through just one single system, we laid our dear old Site Manager to rest. We are pleased, however, to have given birth to the smoother, stronger and better-looking Administration. You’ll love it.
By opting for vertical tabs and only showing the current level of navigation at any one time, we’ve managed to save about 20% of your screen real estate. So not only is your UI now much cleaner and simpler, but you have the space to do the magical things that you do.
Check out our blog series on the user interface redesign:


A day in the year 2050
Hari Raj’s futuristic fantasy bags the top spot in Mono Act
by R.K. RoshniHis futuristic fantasy saw Hari Raj of Government Model HSS, Venjaramoodu, bag the top spot in Mono Act in the higher secondary category at the District School Arts Festival.
His performance revolved around various restrictions that man was subjected to in the year 2050. He portrayed a world where human beings could not eat chicken owing to its religious associations, girls could not marry people of their choice, and privatisation was the norm, so much so that one could buy the Indian space agency by simply calling a toll-free number.
Hari is elated at the audience response to his presentation. Part of the Rangaprabhath children’s theatre for the past four years, Hari attributes his win in his first appearance at the district festival to his experience in theatre. He even got the opportunity to perform at the National School of Drama in New Delhi last year.
He also played Kunjunni in a visual presentation of the book Kunjunniyude Yatra Pusthakam by S.R. Lal that was presented by Rangaprabhath.


Heading 1
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Heading 2
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Heading 3
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Heading 4
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
Heading 5
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.


Pegaes|Command LinkItems
LinkExecute Drawing Commands
- [Line(##)]Line= 0 - 22
- [Pen(##)]Pen= 0 - 15
- [Note($$...$)]any ascii characters
- [SetPoint(#)]stake = 1 - 9
- [GotoPoint(#)]goto = 1 - 9
- [DimAngZ(#.#)]angle in degrees
- [DimLen(##.##)]distance in User Units
- [Scale(##.#)]ratio of drawing : world
- [Fill($$$$$)]pattern: S, H, C, P 1 - 21
- [NoteHT(#.#)]note height in inches .01 - 10
Keystroke Commands
Send Keystroke Commands
- [Send($$...$)]keystroke commands
- [Send({##})]keyascii commands
Menu Commands
- [FileOpen(filename.jb1)]
- [FileMap(filename.jb1)]
- [FileView(filename.jb1)]
- [FileBlank(filename.jb1)]
- [FileGet(filename.jb1)]


Hi, Thanks for visiting my webpage.Let me introduce myself.My name is Anup and I currently live in San Francisco,CA. I was born in Mumbai,India.Back in India I did my Bachelor's in Electrical Engineering before moving to US.I did my Master's at Syracuse. I graduated in 2006 and have been working as a QA Analyst since then. I started off my first job in Cedar Rapids,IA and after that in Philadelphia,Detroit and now in SF.
I have worked as a QA Engineer for the past 7 years. Here are my skills:
I love watching sports. I like watching football ,basketball and tennis.My Favourite NBA team is 'Miami Heat' and in football I am a 49er's Fan.I also play tennis during weekends.
Some of my other interests are:


You are given a single intK.
Your task is to construct any bipartite graph with the following properties:
The graph must contain n white and n black vertices, where n is between 1 and 20, inclusive. The white vertices must be numbered 0 through n-1, and the black vertices must also be numbered 0 through n-1.
The graph must contain between 0 and 120 edges, inclusive.
Each edge of the graph must connect a white and a black vertex.
The number of different perfect matchings in the graph must be exactly K. Note that a perfect matching in a graph is a set of edges of the graph that contains each vertex exactly once.
Note that each pair of differently-colored vertices may be connected by arbitrarily many edges.
These edges are all considered distinct.
Return a int[] with the description of the graph you constructed.
This int[] should have m+1 elements, where m is the number of edges in your graph.
Element 0 of the return value should be n.
Each of the other elements should encode one edge of your graph.
An edge that connects the i-th white vertex and the j-th black vertex is encoded as the integer (i*n + j).
It is guaranteed that for the given constraints a solution always exists.
If there are multiple solutions, you may return any of them.
Definition
ClassBipartiteConstruction
Methodconstruct
Parameters
int
Returns
vector<int>
Method signature
vector<int> construct(int K)
(be sure your method is public)
Limits
Time limit (s)2.000
Memory limit (MB)256
Notes
A perfect matching in a graph is a set of edges of the graph that contains each vertex exactly once.
Constraints
K will be between 0 and 1,000,000,000, inclusive.
Test cases
input
K
2
output
Returns
{ 3, 8, 1, 7, 4, 3, 0 }
note
The edges are (2,2), (0,1), (2,1), (1,1), (1,0), (0,0). It has two different perfect matchings: {(2,2), (0,1), (1,0)} and {(2,2), (1,1), (0,0)}.
input
K
5
output
Returns
{ 1, 0, 0, 0, 0, 0 }
note
This return value describes a graph with a single white vertex and a single black vertex.
These vertices are connected by five distinct edges.
Each of these edges forms a perfect matching in our graph.
This problem statement is the exclusive and proprietary property of TopCoder, Inc. Any unauthorized use or reproduction of this information without the prior written consent of TopCoder, Inc. is strictly prohibited. (c)2003, TopCoder, Inc. All rights reserved.


THE DEER HUNTER A Film Review Copyright Dragan Antulov 1999
First time I watched THE DEER HUNTER, more than a decade ago, I was slightly disappointed. It was a great film, but I found it to be below expectations heightened by the critical hype and word of mouth. However, in the meantime, some very unfortunate historical circumstances in my country forced me to appreciate this film on quite another, more personal level. And I found it to be more powerful, actually one of the most powerful films ever made.
In 1978, when it was made, THE DEER HUNTER was hailed as a true masterpiece, one of the best films ever made and probably the most important film of its time. Such reputation was acknowledged with four "Oscars". However, more than two decades later, THE DEER HUNTER is one of those masterpieces that are forgotten, ignored or underrated by those who make Top 100 lists. There are many reasons for that. First, its director, Michael Cimino, entered the history with his major flop HEAVEN'S GATE and the resulting image of loser, megalomaniac and bad filmmaker marred even the reputation of his true masterpiece. Second, treatment of Vietnamese in THE DEER HUNTER is hardly acceptable for those critics who judge films based on their political correctness. And, finally, at the end of millennium, USA, as the only remaining superpower and most powerful and self-confident nation of the world, doesn't like to be reminded of Vietnam War, the most embarrassing episode in recent national history.
The plot of the film is based on the screenplay by Cimino and Derek Washburn. It begins some time in early 1970s in Clayrton, small industrial town in Western Pennsylvania, populated mostly by descendants of Russian immigrants. We follow group of young steelworkers that spend all their free time drinking, playing pool and hunting deer in nearby mountains. One of them, Stephen (played by John Savage) is about to marry pregnant Angela (played by Rutanya Alda). On the wedding, his best man Michael (played by Robert de Niro) finds mutual attraction to best lady Linda (played by Meryl Streep), but refuses to pursue it out of loyalty to her boyfriend and his best friend Nicholas (played by Christopher Walken). Next day friends go to the hunting trip, the last before Michael, Stephen and Nicholas get enlisted to fight in Vietnam War. Their friendship would be ultimately tested in Vietnam, where they witness unimaginable horrors and atrocities and finally get captured themselves. Led by Michael, they escape from Viet Cong prison, but when they reach safety, they are only shadows of their former selves. Stephen has lost his legs, Nicholas has lost his mental health and disappeared in the streets of Saigon and Michael, upon returning to his hometown, finds that he too has problems connecting to people.
One of the most interesting things about THE DEER HUNTER is the very neat and disciplined structure of the film. Number three, that is very important in Christian, especially Orthodox Christian, tradition, plays important role in this film. THE DEER HUNTER has three major protagonists, lasts for three hours and is composed of three different acts. Cimino as director likes to stage elaborate scenes with long, expository shots (hard to imagine in MTV-style school of directing today), with meticulous care about details. First act depicts everyday life of our heroes as simple, normal human beings and portrays them as people we might find next door. We see them working, having fun and trying to solve their petty every day problems. First act, especially the scenes that deal with the wedding, were often criticised for being overlong and unnecessary. Nothing could be farther from truth - Cimino had to make first act that long in order to make viewers as familiar with characters as possible. When we switch to second and third act, and we see how those characters and people around them are permanently changed, the emotional impact is much stronger.
Uneventful, simple and boring existence in the gloomy industrial heartland of America suddenly becomes idyllic when Cimino shocks us by throwing our heroes right in the middle of Vietnam inferno. Scenes of violence and unimaginable atrocities were shocking and disgusting for the audience of its time, but for today's audience they might seem tame, thanks to many imitators and film makers who pushed the envelope even further. These scenes, although still not suitable for the squeamish viewers, are also necessary, because we must understand what really happened to our heroes. And than comes the third act, when our heroes must return home, wrecked beyond any repair. Michael, who was best prepared for the ordeal due to his hunting skills, personal philosophy of "one shot - one kill" and charisma of natural leader, looks unaffected on the surface and actually tries to bring back some normalcy to the lives of his comrades and community. But even he is personally affected, and things are just not going to be the same - even the most innocent hunting in the woods brings too many painful memories. And even his old neighbourhood isn't the same anymore, being indirectly affected with traumatic war.
>From the day of premiere Cimino had some problems with critics, especially those from the left wing of political spectrum. THE DEER HUNTER, unlike most other films that dealt with Vietnam in those times, portrays Vietnam War from rather unusual perspective. Film ignores generational conflicts and social turmoil of 1960s, as well as internal American politics and endless debates caused by the war. By giving his young protagonists blue-collar immigrant background, Cimino portrays them as people who don't care about rights and wrongs of the Vietnam adventure; they go to war because they feel obliged to the country that gave new opportunities to their impoverished ancestors. Instead of generational conflicts, those people have problems with their identity - they are very Russian and very American in the same time. This background enabled Cimino to surprise the audience with somewhat unusual twists on all Vietnam cliches of 1970s. First we see community that actively supports the war (even in closing years, when the majority of the country saw the utter pointlessness of the endeavour) and greets veterans as true heroes (quite differently from college students that used to heckle incoming veterans as "baby killers"). Then, we not only see something very rare in Hollywood cinema - spectacular Orthodox Christian ceremonies - but also we see Russians, in 1970s perceived to be the greatest enemies of American way of life, as more American than average Americans themselves.
Uniqueness of Cimino's perspective becomes problematic when film focuses on Vietnam itself. Cimino takes very one-sided approach, which later brought him accusations of racism (Cimino would later try to silence those critics with almost Marxist view of late 19th Century USA in HEAVEN'S GATE and more balanced approach towards Chinese Americans in THE YEAR OF DRAGON) . The only atrocities portrayed in this film are those committed by NVA and Viet Cong, but even the friendly South Vietnamese are actually shown to be unworthy of noble American protection, since they misuse it only to deprive young Americans of money in most rotten ways possible. Saigon is shown as decadent moral cesspool that rightly deserved to be cleansed by victorious Communists at the end of the film. Cimino enhanced that reputation by being deliberately inaccurate in some details. Russian Roulette scenes are the most notorious example. Scene in Viet Cong prison is one of the most powerful in the history of cinema, but it lacks credibility in the context of realities of Viet Cong's guerrilla warfare. Same is with the whole underground Russian Roulette playhouses in Saigon, subplot that gives this film the only major plot and characterisation flaw.
However, even that flaw is dwarfed by the enormous talent invested in this film. The acting is probably best known - THE DEER HUNTER had one of the strongest and most memorable casts in history of cinema. Robert de Niro as the nominal lead is at his best, portraying the Michael as simple hero, unofficial leader of the group, quiet, reliable man, yet affected with the atrocities and able to show strong emotions in traumatic experiences. He is partnered with really great actors that give touching portrayals of his best, yet physically or mentally inferior friends. John Savage is great as Stephen, one of the most tragic characters in modern cinema, as well as "Oscar"- awarded Christopher Walken who gives excellent Nicholas and his slow slide into madness. Other acting talents were great. John Cazale's role of false macho friend Stan is especially moving when we take into account that the actor was actually dying from terminal cancer in front of cameras. Meryl Streep, one of my favourite actresses, is also grand in one of her earlier roles; her "girl next door" charm is nicely contrasted with the inner traumas, indirectly caused by war and conflicting feelings towards boyfriend and his best pal. One of the underrated performances also came from George Dzundza as bartender John, the one who has the warmest personality on the outside, yet suffers from guilty conscience on the inside.
Great acting was also enhanced with great atmosphere. Always reliable director of photography Vilmos Zsigmond used mostly grey tones, but they are effective in all scenes - whether they feature industrial settings of Pennsylvania, natural paradise of Allegheny Mountains, devastated Vietnam countryside or infernal underworld of Saigon. Simple musical score by Stanley Myers is also great, providing romantic, sentimental tone so much in contrast with harsh, naturalistic events of the film. Every time I think of romance, I always remember that theme.
Finally, the ultimate reason why people should watch THE DEER HUNTER lies in its universal importance. I witnessed war and saw how it could change people and communities, sometimes irreparably. Names, locations, causes and belligerents might be different, but the aftermath is always the same - no matter how prepared they might be, people are always deeply affected with violence and destruction. I saw too many Michaels, Stephens and Nicholases first hand and witnessed how psychological wounds, both on them personally and on the society as a whole, could have devastating effects. THE DEER HUNTER, in its sincerity, dwarves almost any other film that deals with the ugly reality of war; compared with it SAVING PRIVATE RYAN looks like simple militaristic propaganda. Today's world, in which many wars are fought for the sake of daytime politics and winning elections, needs more films like THE DEER HUNTER.
RATING: 9/10 (++++)
Review written on December 23rd 1999
Dragan Antulov a.k.a. Drax Fido: 2:381/100 E-mail<EMAIL_ADDRESS>E-mail<EMAIL_ADDRESS>E-mail<EMAIL_ADDRESS>The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


CCModding
Home
News
Team
Discord
CCModding
Home
News
Team
Discord
Keanu
Hi, my name is Keanu. I am the founder of this project, and I love creating websites...
Read More
2767mr
2767mr is one of the admins on the modding Discord...
Read More
ac2pic
ac2pic is one of the admins on the modding Discord...
Read More


|
Groovy 2.1.7 | |||||||
| PREV NEXT | FRAMES NO FRAMES |
| Interface Summary | |
|---|---|
| ASTTransformation | This class is instantiated and invoked when an AST transformation is activated. |
| LogASTTransformation.LoggingStrategy | A LoggingStrategy defines how to wire a new logger instance into an existing class. |
| Class Summary | |
|---|---|
| ASTTestTransformation | |
| ASTTestTransformation.LabelFinder | |
| ASTTransformationCollectorCodeVisitor | This visitor walks the AST tree and collects references to Annotations that are annotated themselves by GroovyASTTransformation. |
| ASTTransformationVisitor | This class handles the invocation of the ASTAnnotationTransformation when it is encountered by a tree walk. |
| AbstractASTTransformUtil | |
| AbstractASTTransformation | |
| AbstractInterruptibleASTTransformation | Base class for AST Transformations which will automatically throw an InterruptedException when some conditions are met. |
| AnnotationCollectorTransform | This class is the base for any annotation alias processor. |
| AnnotationCollectorTransform.ClassChanger | Class used by CompilationUnit to transform the alias class into what is needed by the compiler. |
| AutoCloneASTTransformation | Handles generation of code for the @AutoClone annotation. |
| AutoExternalizeASTTransformation | Handles generation of code for the @AutoExternalize annotation. |
| CanonicalASTTransformation | Handles generation of code for the @Canonical annotation. |
| CategoryASTTransformation | Handles generation of code for the @Category annotation. |
| CompileDynamicProcessor | |
| ConditionalInterruptibleASTTransformation | Allows "interrupt-safe" executions of scripts by adding a custom conditional check on loops (for, while, do) and first statement of closures. |
| DelegateASTTransformation | Handles generation of code for the @Delegate annotation |
| EqualsAndHashCodeASTTransformation | |
| FieldASTTransformation | Handles transformation for the @Field annotation. |
| ImmutableASTTransformation | Handles generation of code for the @Immutable annotation. |
| IndexedPropertyASTTransformation | Handles generation of code for the @ IndexedProperty annotation. |
| InheritConstructorsASTTransformation | Handles generation of code for the @ InheritConstructors annotation. |
| LazyASTTransformation | Handles generation of code for the @Lazy annotation |
| LogASTTransformation | This class provides an AST Transformation to add a log field to a class. |
| LogASTTransformation.AbstractLoggingStrategy | |
| NewifyASTTransformation | Handles generation of code for the @Newify annotation. |
| NotYetImplementedASTTransformation | Handles generation of code for the @NotYetImplemented annotation. |
| PackageScopeASTTransformation | Handles transformation for the @PackageScope annotation. |
| ReadWriteLockASTTransformation | Handles generation of code for the @ WithReadLock and @ WithWriteLock annotation. |
| SingletonASTTransformation | Handles generation of code for the @Singleton annotation |
| StaticTypesTransformation | Handles the implementation of the TypeChecked transformation. |
| SynchronizedASTTransformation | Handles generation of code for the @ Synchronized annotation. |
| ThreadInterruptibleASTTransformation | Allows "interrupt-safe" executions of scripts by adding Thread.currentThread().isInterrupted() checks on loops (for, while, do) and first statement of closures. |
| TimedInterruptibleASTTransformation | Allows "interrupt-safe" executions of scripts by adding timer expiration checks on loops (for, while, do) and first statement of closures. |
| ToStringASTTransformation | Handles generation of code for the @ToString annotation. |
| TupleConstructorASTTransformation | Handles generation of code for the @TupleConstructor annotation. |
| Annotation Type Summary | |
|---|---|
| GroovyASTTransformation | This is an annotation on a class, currently just ASTTransformation. |
| GroovyASTTransformationClass | This is an annotation on some item that indicates that an associated transform classes should be executed. |
Copyright © 2003-2013 The Codehaus. All rights reserved.


All Packages Class Hierarchy This Package Previous Next Index
Class com.jclark.xml.sax.CommentDriver
java.lang.Object
|
+----com.jclark.xml.parse.base.ApplicationImpl
|
+----com.jclark.xml.sax.Driver
|
+----com.jclark.xml.sax.CommentDriver
- public class CommentDriver
- extends Driver
An special version of the SAX driver that reports comments
as processing instructions with a null target.
-
CommentDriver()
-
-
comment(CommentEvent)
-
CommentDriver
public CommentDriver()
comment
public void comment(CommentEvent event) throws SAXException
- Overrides:
- comment in class ApplicationImpl
All Packages Class Hierarchy This Package Previous Next Index


Find My Car is a simple application that uses GPS location services to help you find your car. You will never forget where you parked! Remember the GPS position of your car, hotel or any other location.
Please, help me to improve this app. Any response is welcomed!


☰
×
Home
Menu
About Us
Contact Us
Connect with Che-lo!
© 2017 Che-Lo. All Rights Reserved.
Food
Appetizerz
Spring Rolls (3pcs)
...$4.95
Fried Pork Wonton (6pcs)
...$3.50
Egg Rolls (3pcs)
...$3.75
Buy Now
Vietnamese Sandwiches -Banh Mi-
...$4.50
All sandwiches are served with mayonnaise, cucumber, cilantro, jalapeno, daikon and carrots unless requested. Add a fried egg for $1.00.
BM1. Grilled Pork Sandwich
...$4.75
BM2. Grilled Chicken Sandwich
BM3. Special Ham Combo with Pate Sandwich
BM4. Steak Sandwich
...$4.95
BM5. Vietnamese Meatball Sandwich
BM6. Vietnamese Pork Roll Sandwich
BM7. Vietnamese Fishcake Sandwich
BM8. House Special Smoked Prime Beef Brisket Sandwich
...$7.25
BM9. Smoked Pork Belly Sandwich
...$6.75
BM10. Smoked Boston Pork Butt
...$6.50
Buy Now


{% extends "base2.html" %} {% load i18n %} {% load staticfiles %} {% block title %}{% trans 'Sign up' %}{% endblock %} {% block content %}
{% trans 'Sign up as a student for increase your knowledge or become a teacher and provide useful tech courses' %}!


Welcome to {{title}}
In this project you will generate some random number and sort them.
Exercise 1
Exercise 2


Do not provide real credit card data on this form.
Do NOT provide real credit card information in this field.


Introduction
I am a solution driven software engineer looking to increase versatility through project involvement. I possess full stack
experience in designing and implementing web-applications and have work experience in the field of application security.
Aside from my technical abilities, I am a very sociable person and love to stay active. I am a strong believer in putting everything you've
got into everything you do. I enjoy picking up new skills, and polishing existing skills to become the best all-around person I can be.
- I love to problem solve.
- I have a very high attention to detail.
- I strive to create something I'm proud of.
- I try to learn something everyday.


Locate GitHub Repositories
Enter a GitHub username into the form and submit it
to see names and descriptions of that person's public repositories.
Enter username here.
Submit


Staten Island Ferry
Real-time location tracker.
Latest Updates:
References
Location data from AIS Hub.
Map tiles by MapQuest.
Built with leaflet.js and underscore.js.
Ferry info: siferry.com.
Real-time location tracker.
Location data from AIS Hub.
Map tiles by MapQuest.
Built with leaflet.js and underscore.js.
Ferry info: siferry.com.


| Application number | Project title | Lead organisation | Date assigned | Additional feedback |
|---|---|---|---|---|
| 114 | Electronics, sensors & photonics, Materials | Ooba | 01/09/2017 |
Uploaded-file.pdf
(opens in a new window) |
Email subject
Please attend an interview for an Innovate UK funding competition
Message
Competition: [competition title] Application number: [application number] Project title: [project title]
Additional text
Any additional text that has been added can be placed here.
Yours sincerely,
Innovate UK, part of UK Research and Innovation
Tel: 0300 321 4357
Email: competitions@innovateuk.ukri.org


matchesSelector
is pretty hot :fire:, but has vendor-prefix baggage :handbag: :pouch:. This helper function takes care of that, without augmenting Element.prototype
.
matchesSelector( elem, selector );
matchesSelector( myElem, 'div.my-hawt-selector' );
// this DOES NOT polyfill myElem.matchesSelector
Install with :bird: Bower
bower install desandro/matches-selector
Install with :nut_and_bolt: component
component install desandro/matches-selector
matchesSelector is released under the MIT license


Sushmita Sen Returns to Bollywood After 10 Years; Calls It Second Innings
by Shakthi Sai PrashanthiIt's been almost a decade since former Miss Universe Sushmita Sen made an appearance in Bollywood. However, the actress has always been active on her Instagram page, posting beautiful pictures of her daughters Alisah and Renee. Sushmita, who turned 44 this November, also posts adorable pictures with her boyfriend Rohman Shawl. She has always kept herself fit and positive and is considered as an 'inspirational figure' by many.
Sushmita took to Instagram on Monday to reveal a special surprise to her fans. She shared about her second innings in Bollywood. Sush said, she is all ready to return to the screen after a long break of almost 10 years.
Sushmita was seen standing, looking through her window.
She wrote, "I have always been in awe of love that knows patience!! This alone makes me a fan of my fans!!😊❤ They have waited 10 long years for my return to the Screen, lovingly encouraging me every step of the way throughout my hiatus...unconditionally!!!👏😍❤ 🙏 I RETURN JUST FOR YOU!!!!! 😁💃🏻💋 #secondinnings #gratitude #love #faith #patience #showtime 👊😉😄💋❤💃🏻 I love you guys!!! #duggadugga 🙏."
Excited on her announcement, fans started to fill her Instagram post with delightful comments.
Comments like,
sushma.a.gupta: finally .....❤
dippteee: Can't wait
goodbadugly_123: Pls give us a HINT ! DIGITAL OR BIG SCREEN ? DOESNT MATTER THOUGH BUT JUST EAGER.
applerosegarden: We love you more
mysterious_anwesha20: We are so eagerly waiting to see you Ma'm❤❤, started pouring in.
Sushmita Sen was last seen in films like, 'Biwi No.1', 'Main Hoon Na', 'Aankhen', 'Sirf Tum' and 'Filhaal'. Her recent announcement has created a happy wave among her fans and others. We can't wait to see Sushmita on the big screen again!
(Social media posts are not edited)
Also Read:
Sushmita Sen Thanks 'Jaan' Rohman Shawl For A 'Magical' Birthday Surprise; Watch Videos!
Sushmita Sen Birthday Special: 4 Factors That Prove The Former Miss Universe Is A Superwoman!
Sushmita Sen Moved To Tears After Daughter Alisah Writes Essay On Adoption! Watch Video
Sushmita Sen Gets Cozy With Boyfriend Rohman Shawl In These Photos & It's All Things LOVE!


{{questions.length}}
Questions
{{getAnsweredQuestionCount()}}
Completed
{{remainingAttempt}}
Attempts Left
+{{points}}
E2L Bucks
{{parsingRate}}%
Pass Rate
Questions
{{nextIndex + 1}}.
Back to Lessons
Back to the Missing Question
Previous
Next
Finish
Not Valid Quiz.
View Assigned Lessons


Refresh browser to see a new canvas painting
30 minutes was surprisingly very little time to whip up an experiment. I actually had much more ambitious plans. This was my first time doing anything in HTML5 canvas and it took me an hour before I was happy enough with the results to walk away.
I think I’ll learn something this summer about choosing what is worthwhile pursuing... and what can be left behind.
- Pearl


Crosswalk manifest
Crosswalk applications can use an optional manifest.json
file which specifies some aspects of how an application should behave and present itself.
The current Crosswalk manifest implementation is still under heavy development, but the eventual aim is for it to adhere to, influence, and act as a reference implementation of the W3C Manifest for Web Application specification. Once this is achieved, a Crosswalk application + manifest should behave consistently (within the scope of the specification) across all runtimes which implement it.
In the meantime, any fields in the Crosswalk manifest which are not part of the W3C Manifest specification are marked with "(extension)" below.
See Using the manifest for details of how to use a manifest.json
file with a Crosswalk application.
Use the form below to display the valid manifest fields for a Crosswalk version and platform combination.
Show information about the manifest for
on
(applies to applications packaged using the Crosswalk Android bundle)
(applies to Android applications using an embedded Crosswalk)
(applies to applications running on Crosswalk on Tizen)
Manifest fields for on
Note that some of the manifest field descriptions are based on the W3C Manifest for Web Application draft specification, where they are compatible with it. You may want to read the full specification to understand the nuances of how these fields are intended to work.
Version 1 of Crosswalk did not support Android.
Versions 1 to 5 of Crosswalk did not provide an embedding API.
-
Specifies an HTML file to use as the entry point for running the application.
-
Specifies an array of JavaScript files to load as the application entry point. A main document will be automatically generated as the context for the scripts.
-
Specifies an HTML file to use as the entry point for running the application. This has the same effect as the app.launch.local_path field.
-
Represents the content security policy (CSP) which should be enforced for the application. The CSP restricts the types of locations of resources the application can load, to help prevent Cross-Site Scripting (XSS) and related attacks. CSP is disabled if this field is not set.
-
Represents the content security policy (CSP) which should be enforced for the application. The CSP restricts the types of locations of resources the application can load, to help prevent Cross-Site Scripting (XSS) and related attacks. CSP is disabled if this field is not set.
-
Free-form text describing the application.
-
The preferred display mode for the application (e.g. "fullscreen", "standalone").
-
Graphics files to use for the application icon at different resolutions.
-
Graphics files to use for the application icon at different resolutions.
-
Defines a static user interface to be shown immediately after the application is launched.
-
The name of the application as it is displayed to a user.
-
The name of the application as it is displayed to a user.
-
Sets the default orientation for the application (e.g. "portrait", "landscape").
-
Defines permissions the application needs so it can access platform features. See below for details of the available permissions.
-
The URL to load when the user launches the web application.
-
A string containing one to four dot-separated integers identifying the application version; for example: "2", "1.2", "1.3.0", "<IP_ADDRESS>". A couple of rules apply to the integers: they must be between 0 and 65535, inclusive; and you can't prefix any non-zero values with "0" (e.g. "01.1" is invalid).
-
Defines host URL patterns to which the application can make Ajax requests, allowing Cross-Origin Ajax requests (using a mechanism similar to Chrome's).
-
Defines a static user interface to be shown immediately after the application is launched.
-
Defines permissions the application needs so it can access platform features. See below for details of the available permissions.
Permissions for embedded Crosswalk
If you are using the embedding
API to embed Crosswalk in your application, you may need to
manually set some permissions in the AndroidManifest.xml
file. See
this
section for more details.
Permissions for on
See the permissions page for details of what this field is for.
The following values (in bold) can be used in the permissions xwalk_permissions list in the manifest:
-
Contacts: sets Android permissions which allow use of the Contacts Manager API in Crosswalk.
-
DeviceCapabilities: sets Android permissions which allow use of the Device Capabilities API in Crosswalk.
-
Fullscreen: sets Android permissions which allow use of the Fullscreen API in Crosswalk.
-
Geolocation: sets Android permissions which allow use of the Geolocation API in Crosswalk.
-
Messaging: sets Android permissions which allow use of the Messaging API in Crosswalk.
-
Presentation: sets Android permissions which allow use of the Presentation API in Crosswalk.
-
RawSockets: sets Android permissions which allow use of the Raw Sockets API in Crosswalk.
-
ScreenOrientation: sets Android permissions which allow use of the ScreenOrientation API in Crosswalk.
-
Vibration: sets Android permissions which allow use of the Vibration API in Crosswalk.
Example manifest for on
Version 1 of Crosswalk did not support Android.
Versions 1 to 5 of Crosswalk did not provide an embedding API.
Using app.launch.local_path
to specify the entry point:
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"app": {
"launch": {
"local_path": "index.html"
}
},
"icons": {
"128": "icon128.png"
}
}
Using app.main.scripts
to specify the entry point:
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"app": {
"main": {
"scripts": ["main.js"]
}
},
"icons": {
"128": "icon128.png"
}
}
Using app.main.source
to specify the entry point:
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"app": {
"main": {
"source": "main.html"
}
},
"icons": {
"128": "icon128.png"
}
}
Using app.launch.local_path
to specify the entry point:
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"app": {
"launch": {
"local_path": "index.html"
}
},
"content_security_policy": "script-src 'self'; object-src 'self'",
"icons": {
"128": "icon128.png"
}
}
Using app.main.scripts
to specify the entry point:
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"app": {
"main": {
"scripts": ["main.js"]
}
},
"content_security_policy": "script-src 'self'; object-src 'self'",
"icons": {
"128": "icon128.png"
}
}
Using app.main.source
to specify the entry point:
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"app": {
"main": {
"source": "main.html"
}
},
"content_security_policy": "script-src 'self'; object-src 'self'",
"icons": {
"128": "icon128.png"
}
}
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"start_url": "index.html",
"display": "fullscreen",
"content_security_policy": "script-src 'self'; object-src 'self'",
"icons": {
"128": "icon128.png"
}
}
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"start_url": "index.html",
"display": "fullscreen",
"content_security_policy": "script-src 'self'; object-src 'self'",
"icons": {
"128": "icon128.png"
}
}
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"app": {
"launch": {
"local_path": "index.html"
}
},
"icons": {
"128": "icon128.png"
}
}
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"app": {
"launch": {
"local_path": "index.html"
}
},
"icons": {
"128": "icon128.png"
},
"permissions": [
"Contacts",
"DeviceCapabilities",
"Fullscreen",
"Geolocation",
"Messaging",
"Presentation",
"RawSockets",
"ScreenOrientation"
]
}
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"app": {
"launch": {
"local_path": "index.html"
}
},
"icons": {
"128": "icon128.png"
},
"permissions": [
"Contacts",
"DeviceCapabilities",
"Fullscreen",
"Geolocation",
"Messaging",
"Presentation",
"RawSockets",
"ScreenOrientation",
"Vibration"
],
"launch_screen": {
"ready_when": "custom",
"portrait": {
"background_color": "#ff0000",
"background_image": "bgfoo.png 1x, bgfoo-2x.png 2x",
"image": "foo.png 1x, foo-2x.png 2x",
"image_border": "30px 40px stretch"
}
}
}
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"app": {
"launch": {
"local_path": "index.html"
}
},
"content_security_policy": "script-src 'self'; object-src 'self'",
"icons": {
"128": "icon128.png"
},
"permissions": [
"Contacts",
"DeviceCapabilities",
"Fullscreen",
"Geolocation",
"Messaging",
"Presentation",
"RawSockets",
"ScreenOrientation",
"Vibration"
],
"launch_screen": {
"ready_when": "custom",
"portrait": {
"background_color": "#ff0000",
"background_image": "bgfoo.png 1x, bgfoo-2x.png 2x",
"image": "foo.png 1x, foo-2x.png 2x",
"image_border": "30px 40px stretch"
}
},
"xwalk_hosts": [
"http://*"
]
}
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"app": {
"launch": {
"local_path": "index.html"
}
},
"content_security_policy": "script-src 'self'; object-src 'self'",
"icons": {
"128": "icon128.png"
},
"permissions": [
"Contacts",
"DeviceCapabilities",
"Fullscreen",
"Geolocation",
"Messaging",
"Presentation",
"RawSockets",
"ScreenOrientation",
"Vibration"
],
"launch_screen": {
"ready_when": "custom",
"portrait": {
"background_color": "#ff0000",
"background_image": "bgfoo.png 1x, bgfoo-2x.png 2x",
"image": "foo.png 1x, foo-2x.png 2x",
"image_border": "30px 40px stretch"
}
},
"xwalk_hosts": [
"http://*"
]
}
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"start_url": "index.html",
"csp": "script-src 'self'; object-src 'self'",
"icons": [
{
"src": "icon_small.png",
"type": "image/png",
"sizes": "64x64"
},
{
"src": "icon_large.png",
"type": "image/png",
"sizes": "128x128"
},
{
"src": "icon_large_hd.png",
"type": "image/png",
"sizes": "128x128",
"density": "2"
}
],
"display": "fullscreen",
"orientation": "landscape",
"xwalk_permissions": [
"Contacts",
"DeviceCapabilities",
"Fullscreen",
"Geolocation",
"Messaging",
"Presentation",
"RawSockets",
"ScreenOrientation",
"Vibration"
],
"xwalk_launch_screen": {
"ready_when": "custom",
"portrait": {
"background_color": "#ff0000",
"background_image": "bgfoo.png 1x, bgfoo-2x.png 2x",
"image": "foo.png 1x, foo-2x.png 2x",
"image_border": "30px 40px stretch"
}
},
"xwalk_hosts": [
"http://*"
]
}
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"app": {
"launch": {
"local_path": "index.html"
}
},
"content_security_policy": "script-src 'self'; object-src 'self'",
"xwalk_hosts": [
"http://*"
]
}
{
"name": "app name",
"description": "a sample description",
"version": "1.0.0",
"start_url": "index.html",
"csp": "script-src 'self'; object-src 'self'",
"xwalk_hosts": [
"http://*"
]
}


-
JavaScript Game
PEOPLE WILL BOW TO IT!!!
Jan 03, 2016
A JavaScript game that uses HTML Canvas.
-
Cheat-Sheet
CUZ I FORGET STUFF...
Jan 03, 2016
A javaScript program that test you on your programing knowledge
-
Grocery List
WHAT DID I EVEN COME HERE FOR
Jan 03, 2016
A Javascript program that developed my ability to add/remove items from a list and display on the DOM.
-
Face Name Game
HELP REMEMBER COHORT NAMES
Feb 1, 2016
A Javascript program that developed my ability to add/remove items from a list and display on the DOM.


Week 1
Day
Date
IN
OUT
IN
OUT
IN
OUT
Total
Sunday
{{timesheet.week_one.sunday.date | date:'MM-dd'}}
{{timesheet.week_one.sunday.hours_worked}}
Monday
{{timesheet.week_one.monday.date | date:'MM-dd'}}
{{timesheet.week_one.monday.hours_worked}}
Tuesday
{{timesheet.week_one.tuesday.date | date:'MM-dd'}}
{{timesheet.week_one.tuesday.hours_worked}}
Wednesday
{{timesheet.week_one.wednesday.date | date:'MM-dd'}}
{{timesheet.week_one.wednesday.hours_worked}}
Thursday
{{timesheet.week_one.thursday.date | date:'MM-dd'}}
{{timesheet.week_one.thursday.hours_worked}}
Friday
{{timesheet.week_one.friday.date | date:'MM-dd'}}
{{timesheet.week_one.friday.hours_worked}}
Saturday
{{timesheet.week_one.saturday.date | date:'MM-dd'}}
{{timesheet.week_one.saturday.hours_worked}}


Address Your Letter
Tell us where you want to send your letter.
Draft Your Letter
Upload a PDF, use one of our templates, or start from scratch.
Pay by Credit Card
Pay with any credit or debit card through Stripe – we never store your card information.
We send your certified mail.
We print and deliver your certified mail to the post office.


Classes with a large number of fields are often trying to do too much. Consider splitting such a class into multiple smaller classes.
Configure the inspection:
static final
objects are counted as constants. Use the 'static final' fields count as constant option
to count any static final
field as constant.enum
constants in enum
classes
should be counted.


1 killed, 3 hurt in head-on crash in South Dakota
BROWNS VALLEY, S.D. (AP) - Authorities say one person was killed and three others seriously injured when an SUV and a semi-truck collided in northeastern South Dakota.
The crash happened Friday afternoon south of Browns Valley in Roberts County.
Authorities say the SUV was traveling around a curve when it drifted across the center and collided head-on with the semi.
The SUV rolled in the ditch. The 35-year-old woman who was driving was thrown from the SUV and died at the scene. She was not wearing a seat belt.
Her three passengers all suffered life-threatening injuries and were taken to hospitals. The 37-year-old man who was driving the semi had minor injuries.
Names of the victims have not been released. The Highway Patrol is investigating.
Sign up for Daily Newsletters
Copyright © 2019 The Washington Times, LLC.
Please read our comment policy before commenting.


Search
Preparing search index...
The search index is not available
@ask-utils/isp
Options
All
Public
Public/Protected
All
Inherited
Externals
Only exported
Menu
Globals
"contentBuilders/RefundResponse"
RefundResponseContentBuilder
Class RefundResponseContentBuilder
Hierarchy
ISPContentBuilder
RefundResponseContentBuilder
Index
Constructors
constructor
Properties
contents
locale
product
product
Name
response
Builder
Methods
get
Accepted
Refund
Result
get
Declined
Refund
Result
get
Entitled
Product
Response
get
Failed
Refund
Result
get
Product
get
Product
Name
get
Response
isJP
set
Accepted
Refund
Result
set
Can
Not
Buy
The
Product
Response
set
Declined
Refund
Result
set
Entitled
Product
Response
set
Failed
Refund
Result
set
Product
set
Product
Name
set
Product
Not
Found
Response
set
Products
Not
Found
Response
set
UnSupportedISPResponse
Constructors
constructor
new
Refund
Response
Content
Builder
(
locale
:
string
, responseBuilder
:
ResponseBuilder
, productName
?:
undefined
|
string
, product
?:
InSkillProduct
)
:
RefundResponseContentBuilder
Parameters
locale:
string
responseBuilder:
ResponseBuilder
Optional
productName:
undefined
|
string
Optional
product:
InSkillProduct
Returns
RefundResponseContentBuilder
Properties
Protected
contents
contents
:
ResponseContent
Protected
locale
locale
:
string
Protected
Optional
product
product
:
InSkillProduct
Protected
Optional
product
Name
product
Name
:
undefined
|
string
Protected
response
Builder
response
Builder
:
ResponseBuilder
Methods
Private
get
Accepted
Refund
Result
get
Accepted
Refund
Result
(
)
:
ResponseContent
Returns
ResponseContent
Private
get
Declined
Refund
Result
get
Declined
Refund
Result
(
)
:
ResponseContent
Returns
ResponseContent
get
Entitled
Product
Response
get
Entitled
Product
Response
(
)
:
ResponseContent
If product already purchased
Returns
ResponseContent
Private
get
Failed
Refund
Result
get
Failed
Refund
Result
(
)
:
ResponseContent
Returns
ResponseContent
Protected
get
Product
get
Product
(
)
:
InSkillProduct
Returns
InSkillProduct
Protected
get
Product
Name
get
Product
Name
(
)
:
string
Returns
string
get
Response
get
Response
(
)
:
Response
Returns
Response
Protected
isJP
isJP
(
)
:
boolean
Returns
boolean
set
Accepted
Refund
Result
set
Accepted
Refund
Result
(
)
:
this
Returns
this
set
Can
Not
Buy
The
Product
Response
set
Can
Not
Buy
The
Product
Response
(
)
:
this
Returns
this
set
Declined
Refund
Result
set
Declined
Refund
Result
(
)
:
this
Returns
this
set
Entitled
Product
Response
set
Entitled
Product
Response
(
)
:
this
Returns
this
set
Failed
Refund
Result
set
Failed
Refund
Result
(
)
:
this
Returns
this
set
Product
set
Product
(
product
:
InSkillProduct
)
:
this
Parameters
product:
InSkillProduct
Returns
this
set
Product
Name
set
Product
Name
(
name
:
string
)
:
this
Parameters
name:
string
Returns
this
set
Product
Not
Found
Response
set
Product
Not
Found
Response
(
)
:
this
Returns
this
set
Products
Not
Found
Response
set
Products
Not
Found
Response
(
)
:
this
Returns
this
set
UnSupportedISPResponse
set
UnSupportedISPResponse
(
)
:
this
Returns
this
Globals
"client"
"content
Builders/
Buy"
"content
Builders/
Buy
Response"
"content
Builders/
Detail"
"content
Builders/
List"
"content
Builders/
Refund"
"content
Builders/
Refund
Response"
"content
Builders/base"
"content
Builders/index"
"directive
Builders"
"index"
"interceptors/index"
"interceptors/loadISP"
"product
Finders"
"request
Handlers"
Refund
Response
Content
Builder
constructor
contents
locale
product
product
Name
response
Builder
get
Accepted
Refund
Result
get
Declined
Refund
Result
get
Entitled
Product
Response
get
Failed
Refund
Result
get
Product
get
Product
Name
get
Response
isJP
set
Accepted
Refund
Result
set
Can
Not
Buy
The
Product
Response
set
Declined
Refund
Result
set
Entitled
Product
Response
set
Failed
Refund
Result
set
Product
set
Product
Name
set
Product
Not
Found
Response
set
Products
Not
Found
Response
set
UnSupportedISPResponse
Generated using
TypeDoc
If product already purchased


Info about vector vs rastor
For the creation of my cardboard box, I first copied a box template to Corel Draw. Next, I inserted texts and images that I wanted to appear on my box's faces. I loaded the cdr file onto a flash drive and walked it out to the Epilog Laser Engraver. I put the cardboard in and adjusted the cutting preferences. My first cut was unsuccessful because the laser was dirty, which effected the magnification, so it did not cut my box out. Despite the hiccup, my next attempt was successful. I then glued the pieces of cardboard into a box form. It is important to watch anything that is in the machine or else it might catch on fire.
In creating my press fit kit, I used Corel Draw. I inserted 3 different shapes and made indents in them so that they would fit together. Next, I loaded the cdr file onto a flash drive and walked it out to the Epilog Laser Engraver. I put the cardboard in and adjusted the cutting preferences. My first cut's indents were too big. I forgot that I needed to make them smaller because the laser gets rid of a slight bit more than what you want. I then went back and made the indents smaller. I recut and they fit together perfectly!
To make my JFK coaster, I first downloaded a picture of JFK. Then, I simply put in into Corel Draw, sized it, then put the file on a flashdrive. I walked over to the laser engraver, put a blank cork coaster in it, and pressed start.
I used Corel Draw to make my water bottle. First, I downloaded pictures of some of my favorite sharks (Bull, Great White, Goblin, Cookie Cutter, Great Hammerhead, and Lemmon), put them into Corel Draw, then wrote my name below them. I loaded the CDR onto a flash drive and put a water bottle into the laser ingraver and pressed start.


This project was supposed to be a simple website to host all future projects for the class. After spending some time
deciding what to theme it off of, I landed on Windows 98 as it was one of the first operating systems I extensively
used.
I used a mix of assets found online and a VM running Windows 98 to make sure I got the feel accurate. I know there
are some incosistencies, but feel free to check it out here.
Please note, a few of the projects have been removed due to having potentially personally identifying Information
of multiple individuals. This removal should not affect the general theme of the site.
Python
I have extensive Python experience from working with it in a professional business setting
at Hitachi ID Systems. Some skills I've learned in respect to Python are:
Unit-Testing
Self-Documenting Code
Writing PEP8 Compliant Code
Distributed Messaging using ZeroMQ
Utilizing ORM's
Java
Java was the first language I extensively learned both through school and personal
projects. At this point I consider myself adept in Java for both desktop and Android
development. Useful skills I know for Java:
Unit-Testing
Javadoc
Reflection
Android Development
SQL & NoSQL
I have done extensive work with SQL and SQLite databases through work, and am very
comfortable with relational databases and relational algebra through my education. Recently
I've picked up NoSQL in my final term of school and am working on familiarizing myself with
it more as it becomes more and more important in the industry.
HTML & CSS
I have extensive experience in HTML and CSS through personal projects, as well as a few websites
for clients of friends and family. I'm comfortable with JQuery, Bootstrap, HTML5, CSS3, as well as building
device responsive webpages.
Javascript
I've had to use Javascript in a number of school projects, most notably the Twitter analytics project
you can find in my portfolio.
Distributed Messaging
I have knowledge of distributed messaging systems such as ZeroMQ from having to work with
them during my time at Hitachi ID Systems. The work was done in Python however I understand the workings
of messaging systems I'm confident the language they're implemented in does not matter.
Security
I have security experience through my specialization in my degree being Information Security. I've
learned secure coding practices, testing security of code, memory leaks, and how to find and
prevent possible exploits in code. On top of this I've learned other network topics such
as network security, firewalls, as well as how to guard against network based exploits.


NSF III-1656958: CRII: III: Scalable and Interactive Dependency Visualization to Accelerate Parallel Program Analysis
Large-scale parallel programs are used to simulate and study weather patterns,
vehicle design, combustion and energy. However, developing these and
optimizing these programs to be more accurate and efficient is difficult.
Program analysts often investigate the dependencies within the
programs. The number of dependencies in such programs is vast, taxing visual
tools representing them. The goals of this project are developing visualization
approaches to overcome these challenges as well as design guidelines for
related large and complex data.
Current Results:
- A domain-specific layout approach for control flow dependency visualization which improves interperatability.
- While our visualization supported direct manipulation to tweak layout, we found researchers no longer prioritized that functionality once this layout was in place. Instead, they wanted to preserve the layout.
- This layout is used in the stand-alone CFG drawing library, CFGConf.
- This layout has served as the basis for tools beyond this project, such as CCNav.
- An open-source interactive visualization tool for control flow dependencies and dyanmic traces.
- A goal and task analysis for visualizing control flow graphs in computing research.
- We found node-link visualizations were used first to debug the researchers' own mental models in anticipation of developing new algorithms and later in debugging their research in progress.
- Presenting and explaining their work to collaborators was another major goal in generating the visualization.
- A set of designs for scalably representing communication patterns in large-scale parallel traces.
- In a pre-registered, user study, we found these designs increased identification accuracy for common patterns.
- Guidelines for conducting design studies in rapidly moving projects such as the software and research concerns targeted by this project.
- An open-source interactive visualization tool for expression trees from an asynchronous task-based parallel runtime system.
- A library for integrating Javascript utilities with Jupyter Notebook, to pass data between in-cell Javascript visualizations with other cells in the notebook.
- A framework and integrated system for visualizing HPC performance data, included the expression trees in Atria and responsive Gantt charts for large-scale traces.
Impact:
- CFGExplorer is available publicly and has been used by a team of researchers at the University of Arizona for program analysis and optimization of scientific software and a team of researchers at Louisiana State University for loop parallelization. The layout has been incorporated in a stand-alone library, CFGConf, and adapted in a tool from Lawrence Livermore National Laboratory, CCNav.
- Roundtrip is available publicly and has been used in Jupyter notebooks at Louisiana State University, the National Renewable Energy Laboratory, and Lawrence Livermore National Laboratory.
- Atria is available publicly and has been used for performance tuning in an asynchronous task-based parallel runtime.
- Traveler is available publicly and is being used used for performancne inspection of large traces and asynchronous task-based parallel runtimes.
This material is based upon work supported by the National Science Foundation under Grant No. 1656958.
News
- 2021/07 - Looking for a stand-alone version of the CFGExplorer layout? Check out CFGConf!
- 2021/06 - Learn more about scaling communication trace visualization in our ArXiv report, Design and Evaluation of Scalable Representations of Communication in Gantt Charts for Large-scale Execution Traces!
- 2020/11 - See our talk on futher development of Jetlag, "Distributed Asynchronous Array Computing with the JetLag Environment", 4:10 PM EST on November 13th at PyHPC!
- 2020/07 - See our talk on "JetLag: An Interactive, Asynchronous Array Computing Environment," Noon Pacific Time on July 30th at PEARC 20!
- 2020/01 - We are running a study at Hack Arizona! Come by the first floor of the Gould-Simpson Building to participate!
- 2019/11 - We arre running a study at SC19! Come by the Arizona Research Computing booth to participate!
- 2019/10 - Check out Visualizing a Moving Target, a design study conducted in the presence of changing data and concerns, supported in part by this project and accepted in IEEE Transactions on Visualization and Computer Graphics, proceedings of InfoVis.
- 2019/08 - Welcome new PhD students Sayef Sakin and Connor Scully-Allision
- 2019/06 - Our design study on execution graphs and evolving concerns in computing research supported in part by this project.
- 2018/06 - Welcome undergraduate researcher Sarah Jacquot!
- 2018/06 - CFGExplorer presented at EuroVis 2018.
- 2017/11 - We are running a study at SC17! Come by the Arizona Research Computing Booth (Booth 887) to participate or to demo CFGExplorer!
- 2017/08 - Welcome to the project PhD student Sabin Devkota and new PhD Student Katy Williams!
Publications
C. Scully-Allison, K. E. Isaacs. “Design and Evaluation of Scalable
Representations of Communication in Gantt Charts for Large-scale Execution
Traces.” ArXiv:2107.00065v1, June 2021.
S. R. Brandt, B. Hasheminezhad, N. Wu, S. A. Sakin, A. R. Bigelow, K. E.
Isaacs, K. Huck, H. Kaiser. Distributed Asynchronous Array
Computing with the Jetlag Environment. Proceedings of the 9th Workshop on
Python for High-Perforrmance and Scientific Computing (PyHPC). November
2020.
S. Brink, I. Lumsden, C. Scully-Allison, K. Williams, O. Pearce, T.
Gamblin, M. Taufer, K. E. Isaacs, and A. Bhatele. Usability and
Performance Improvements in Hatchet. Proceedings of the 2020 IEEE/ACM
International Workshop on HPC User Support Tools (HUST) and Workshop on
Programming and Performance Visualization Tools (ProTools), held
in conjunction with SC20, November 2020.
S. R. Brandt, A. Bigelow, S. Sakin, K. Williams, K. Isaacs, K. Huck, R. Tohid, B. Wagle, S. Shirzad, and H. Kaiser. JetLag: An Interactive, Asynchronous Array Computing Environment. To appear in Proceedings of the 2020 Practice and Experience in Advanced Computing Research (PEARC) Conference. July 2020.
DOI
K. Williams, A. Bigelow, and K. Isaacs<.
Visualizing a Moving Target: A Design Study on Task Parallel Programs in the Presence of Evolving Data and Concerns.
IEEE
Transactions on Visualization and Computer Graphics, Proceedings of InfoVis '19. January 2020.
PDF (Arxiv) |
Code
S. Devkota and K. E. Isaacs. CFGExplorer: Designing a Visual Control
Flow Analytics System around Basic Program Analysis Operations.
Computer Graphics Forum (Proceedings of EuroVis). July 2018.
PDF |
Code
Presentations
S. R. Brandt. Distributed Asynchronous Array Computing with the JetLag Environment PyHPC 2020 (Online for Global Pandemic), November 13, 2020.
S. R. Brandt. JetLag: An Interactive, Asynchronous Array Computing Environment PEARC 2020 (Online for Global Pandemic), July 30, 2020.
K. Isaacs. Some Other Sides of Visualization in Support of Data Science. TRIPODS Seminar. University of Arizona, Tucson, AZ, USA. November 4, 2019.
K. Williams. Visualizing a Moving Target: A Design Study on Task Parallel Programs in the Presence of Evolving Data and Concerns. Paper Presentation. IEEE VIS, Vancouver, Canada. October 24, 2019.
S. Jacquot. A User Study on Visualizing Gantt Charts. Oral
Presentation. National McNair Scholars Conference. Los Angeles, CA, USA. July
26, 2018.
S. Devkota and K. E. Isaacs. CFGExplorer: Designing a Visual Control
Flow Analytics System around Basic Program Analysis Operations. Paper Presentation. EuroVis
2018, Brno, Czech Republic. June 7, 2018.
Any opinions, findings, and conclusions or recommendations expressed in this material are those of the author(s) and do not necessarily reflect the views of the National Science Foundation.


Wash your hands frequently
Regularly and thoroughly clean your hands with an alcohol-based hand rub or wash them with soap and water for at least 20 seconds.
Maintain social distancing
Maintain at least 1 metre (3 feet) distance between yourself & anyone who is coughing or sneezing. If you are too close, get chance to infected.
Avoid touching face
Hands touch many surfaces and can pick up viruses.


| Competency | Objective | Self-assessment | Supervisor/Evaluator Assessment | Levels of performance | Action |
|---|---|---|---|---|---|
| {{objective.COMPETENCY}} | {{objective.OBJECTIVE}} | {{objective.SELF_ASSESSMENT}} | {{objective.EVALUATOR_ASSESSMENT}} | {{objective.PERFORMANCE_LEVEL}} |
| Competency | Objective | Potential Learning Activity | Action |
|---|---|---|---|
| {{nextYearObjective.COMPETENCY}} | {{nextYearObjective.OBJECTIVE}} | {{nextYearObjective.LEARNING_ACTIVITY}} |


We optimize dogs!
- seize integrated eyeballs
- cultivate impactful action-items
- redefine e-business e-tailers
- engage plug-and-play content
- incubate collaborative markets
- exploit turn-key interfaces
- synthesize plug-and-play applications
- implement rich e-markets
- synergize next-generation web services
- mesh cross-platform channels
- enhance B2C methodologies


Kissing a Fool (1998)
Director: Doug Ellin Cast: David Schwimmer, Jason Lee, Mili Avital, Bonnie Hunt, Vanessa Angel, Kari Wuhrer Screenplay: James Frey, Doug Ellin, Producers: Andrew Form, Rick Lashbrook, Tag Mendillo Runtime: 93 min. US Distribution: Universal Rated R: Language
By Nathaniel R. Atcheson<EMAIL_ADDRESS>We all see a lot of romantic comedies. Studios love to release them because people go and see them regardless of the fact that they are almost always completely predictable. And, naturally, this addition to the genre doesn't break that particular tradition. What Kissing a Fool (what does the title mean?) does do, however, is provide a bunch of likable and realistic characters in a situation that, miraculously, doesn't feel banal and lifeless.
The story centers around Max (David Schwimmer) and Jay (Jason Lee), who are best friends. Jay is a writer, and Max is a well-known sportscaster. Jay introduces Max to his editor, Sam (Mili Avital), and the two hit it off immediately. They are engaged within a fortnight, and soon they move in with each other. But it can't be that simple: Max suspects that Sam might cheat on him, so he tries to get Jay to see if she will. How Max expected the details of this operation to ensue is still under question.
Boy, it just sounds like your typical, insipid romantic comedy, right? Well, yeah, the plot kind of works that way. However, due to the great characters and acting, I didn't even notice the gears of the plot turning slowly-but-surely to provide for the foreseen conclusion. The film is totally hilarious, which doesn't hurt; it also manages to avoid a lapse in laughter towards the end as the plot has to sum itself up--everything up through the last frame is fun and entertaining.
However, my biggest reason for liking Kissing a Fool requires for me to once again officially disagree with Roger Ebert and one particularly untrue statement he makes in his review of the film. He says, "...none of the characters behaves at any moment like any human being we have ever met." I guess me explaining the lack of truth in this statement forces me to admit that my primary reasons for enjoying Kissing a Fool are somewhat personal. The character Jay, played by Jason Lee, is me! I suppose that it's very presumptuous and perhaps even arrogant of myself to say such a thing (I know myself *really* well...?). Nonetheless, it is true, and almost disturbingly so.
Lee's portrayal of me...er, Jay, is realistic and extremely entertaining. I also enjoyed him in Chasing Amy as the Friend, Banky. He is a lot different here (not just in appearance); he actually proves he can play different kinds of characters. Jay is really uptight and ridiculously affected by his surroundings, so it comes as no surprise to me when he becomes physically ill every time his ex-girlfriend, Natasha (Vanessa Angel) is even mentioned. All right, so, maybe not everyone will like Jay as much as I did . . . but he seems like such a nice, affable guy!
David Schwimmer seems intent on breaking Matt Damon's record for number of times he uses the f-word in a single line of dialogue. I lost count in this case, so I'll grant him the award.  In fact, I know people just like this, so I could watch and believe everything he does here without questioning him. Sam, played well by Avital, is the one character who could have used a bit of fleshing-out. She seems rather cardboard-ish here, mostly because the screenplay doesn't give her a lot to do aside from react to the two main guys.
It must be me. Every situation in this film feels like something that has either happened to me, or that I've seen happen to someone I know. I can't be that different from everyone else--that's why I think someone out there might watch this movie and say, "Yup, that's how it goes." I really enjoyed Kissing a Fool, and I think that if all romantic comedies were this funny and realistic, we might not have to be so wary of the genre.
>From 0-10: 7 Grade: B
Visit FILM PSYCHOSIS at http://www.pyramid.net/natesmovies
Nathaniel R. Atcheson
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews