Queensland Fire and Emergency Services lift fire emergency declaration
A statewide fire emergency declaration has been revoked as bushfire conditions ease, but some fire bans remain in place.
As of Saturday morning, the declaration had been lifted across all areas in Queensland, although local fire bans have been re-introduced to many areas.
“This decision is not made lightly but it is vital we continue to work together and do everything we can to protect Queensland communities during this ongoing bushfire season,” Acting Queensland Fire and Emergency Services Commissioner Mike Wassing said in a statement.
“Under a local fire ban all open fires are prohibited and all Permits to Light Fire previously issued are cancelled,” he said.
“Residents should make themselves aware of what restrictions are in place for their area by speaking with their local fire wardens and visiting the Rural Fire Service website.”
Mr Wassing said while “significant” bushfires were still burning in parts of the state, conditions had eased.
“Now is not the time to be complacent – conditions are still dry and there isn’t significant rainfall expected in Queensland in the immediate future,” he said.


{% extends "base.html" %} {% load wagtailcore_tags %} {% load wagtailimages_tags %} {% load staticfiles %} {% block content %}
Required points:{{ page.points_for_this_service }}
You do not have enough points to redeem this reward :(
{{ page.points_for_this_service }} points will be deducted from your reward points. Are you sure you want to continue?


{% extends "base.html" %} {% load form_tags %} {% block title %}Add Project{% endblock %} {% block head %} {% endblock %} {% block content %} {% if error_message %}
{{ error_message }}
{% endif %} {% if project_form.errors %}{{ project_form.errors }}
{% endif %} {% if cloned_repo_form.errors %}{{ cloned_repo_form.errors }}
{% endif %} {% if feed_repo_form.errors %}{{ feed_repo_form.errors }}
{% endif %} {% if blog_form.errors %}{{ blog_form.errors }}
{% endif %}Observatory can directly access git and Subversion repositories. This allows us to build an archive, and fetch the maximum amount of information about your repository, so this method should be used if possible.
If Observatory doesn't support your version control system, an RSS or Atom feed can be used to track changes. This is less powerful, and doesn't allow us to automatically archive your project and your project's history.
If you have an existing blog for your project, Observatory will track and automatically mirror it.
If you don't have an existing blog for your project, you can use Observatory's simple blog system.


Creates an IAM entity to describe an identity provider (IdP) that supports OpenID Connect (OIDC) .
The OIDC provider that you create with this operation can be used as a principal in a role's trust policy to establish a trust relationship between AWS and the OIDC provider.
When you create the IAM OIDC provider, you specify the URL of the OIDC identity provider (IdP) to trust, a list of client IDs (also known as audiences) that identify the application or applications that are allowed to authenticate using the OIDC provider, and a list of thumbprints of the server certificate(s) that the IdP uses. You get all of this information from the OIDC IdP that you want to use for access to AWS.
Note
Because trust for the OIDC provider is ultimately derived from the IAM provider that this action creates, it is a best practice to limit access to the create-open-id-connect-provider action to highly-privileged users.
See also: AWS API Documentation
create-open-id-connect-provider
--url <value>
[--client-id-list <value>]
--thumbprint-list <value>
[--cli-input-json <value>]
[--generate-cli-skeleton <value>]
The URL of the identity provider. The URL must begin with "https://" and should correspond to the iss claim in the provider's OpenID Connect ID tokens. Per the OIDC standard, path components are allowed but query parameters are not. Typically the URL consists of only a host name, like "https://server.example.org" or "https://example.com".
You cannot register the same provider multiple times in a single AWS account. If you try to submit a URL that has already been used for an OpenID Connect provider in the AWS account, you will get an error.
A list of client IDs (also known as audiences). When a mobile or web app registers with an OpenID Connect provider, they establish a value that identifies the application. (This is the value that's sent as the client_id parameter on OAuth requests.)
You can register multiple client IDs with the same provider. For example, you might have multiple applications that use the same OIDC provider. You cannot register more than 100 client IDs with a single IAM OIDC provider.
There is no defined format for a client ID. The CreateOpenIDConnectProviderRequest action accepts client IDs up to 255 characters long.
Syntax:
"string" "string" ...
A list of server certificate thumbprints for the OpenID Connect (OIDC) identity provider's server certificate(s). Typically this list includes only one entry. However, IAM lets you have up to five thumbprints for an OIDC provider. This lets you maintain multiple thumbprints if the identity provider is rotating certificates.
The server certificate thumbprint is the hex-encoded SHA-1 hash value of the X.509 certificate used by the domain where the OpenID Connect provider makes its keys available. It is always a 40-character string.
You must provide at least one thumbprint when creating an IAM OIDC provider. For example, if the OIDC provider is server.example.com and the provider stores its keys at "https://keys.server.example.com/openid-connect", the thumbprint string would be the hex-encoded SHA-1 hash value of the certificate used by https://keys.server.example.com.
For more information about obtaining the OIDC provider's thumbprint, see Obtaining the Thumbprint for an OpenID Connect Provider in the IAM User Guide .
Syntax:
"string" "string" ...
--cli-input-json (string) Performs service operation based on the JSON string provided. The JSON string follows the format provided by --generate-cli-skeleton. If other arguments are provided on the command line, the CLI values will override the JSON-provided values.
--generate-cli-skeleton (string) Prints a JSON skeleton to standard output without sending an API request. If provided with no value or the value input, prints a sample input JSON that can be used as an argument for --cli-input-json. If provided with the value output, it validates the command inputs and returns a sample output JSON for that command.
To create an OpenID Connect (OIDC) provider
To create an OpenID Connect (OIDC) provider, we recommend using the --cli-input-json parameter to pass a JSON file that contains the required parameters. When you create an OIDC provider, you must pass the URL of the provider, and the URL must begin with https://. It can be difficult to pass the URL as a command line parameter, because the colon (:) and forward slash (/) characters have special meaning in some command line environments. Using the --cli-input-json parameter gets around this limitation.
To use the --cli-input-json parameter, start by using the create-open-id-connect-provider command with the --generate-cli-skeleton parameter, as in the following example:
aws iam create-open-id-connect-provider --generate-cli-skeleton > create-open-id-connect-provider.json
The previous command creates a JSON file called create-open-id-connect-provider.json that you can use to fill in the information for a subsequent create-open-id-connect-provider command. For example:
{
"Url": "https://server.example.com",
"ClientIDList": [
"example-application-ID"
],
"ThumbprintList": [
"c3768084dfb3d2b68b7897bf5f565da8eEXAMPLE"
]
}
Next, to create the OpenID Connect (OIDC) provider, use the create-open-id-connect-provider command again, this time passing the --cli-input-json parameter to specify your JSON file. The following create-open-id-connect-provider command uses the --cli-input-json parameter with a JSON file called create-open-id-connect-provider.json:
aws iam create-open-id-connect-provider --cli-input-json file://create-open-id-connect-provider.json
Output:
{
"OpenIDConnectProviderArn": "arn:aws:iam::123456789012:oidc-provider/server.example.com"
}
For more information about OIDC providers, see Using OpenID Connect Identity Providers in the Using IAM guide.
For more information about obtaining thumbprints for an OIDC provider, see Obtaining the Thumbprint for an OpenID Connect Provider in the Using IAM guide.
OpenIDConnectProviderArn -> (string)
The Amazon Resource Name (ARN) of the new IAM OpenID Connect provider that is created. For more information, see OpenIDConnectProviderListEntry .


Preamble
I have put a lot of effort into this contribution to Matlab Central. As I
used the code successfully for myself for quite some time, I am sure that it can
be rather valuable for the one or the other. If you find any errors or bugs,
if you have problems in using the function or if you find the documentation
insufficiently detailed:
Please contact me and give me the chance to help you before giving a bad
rating on Matlab Central!
Contact details at the bottom of this page.
Discussion group
Please take the chance to discuss with other users about the package in the discussion group:
http://groups.yahoo.com/group/multicore_for_matlab/
Thanks
I have spent many hours to develop this package. If you would like to let me know that you appreciate my work, you can do so by leaving a donation.
Introduction
The latest Matlab releases (starting with R2007a) include support for multiple
cores. However, Matlab will only take advantage of multiple cores in evaluating
certain computations like FFT or FIR filtering operations. Matlab will never
be able to determine if, for example, consecutive function calls in a for-loop
are independent of each other.
With this package, I provide some MATLAB-functions realizing parallel processing
on multiple cores on a single machine or on multiple machines that have access
to a common directory.
If you have multiple function calls that are independent of each other and you
can reformulate your code as
resultCell =
cell(size(parameterCell));
for k=1:numel(parameterCell)
resultCell{k} = myfun(parameterCell{k});
end
then, replacing the loop by
resultCell =
startmulticoremaster(@myfun, parameterCell);
allows you to evaluate your loop in parallel. All you need to do is to
start as many additional Matlab sessions as you
want slaves to work and to run
startmulticoreslave;
in those additional Matlab sessions. For example, if you want to evaluate a loop in
parallel with four cores, the function
startmulticoremaster.m must be started in one Matlab session, and the function
startmulticoreslave.m in three other
Matlab sessions.
Please refer to the help comments in file startmulticoremaster.m for possible
input arguments and more details about how the parallelization works.
No special toolboxes are used, no compilation of mex-files is necessary,
everything is programmed in plain and platform-independent Matlab. If one of
your slave sessions dies - don't care, the master session will go on working on
the given task.
Note: The Matlab multithreading capability
(R2007a and higher) might terminate all the advantage gained by using the multicore
package. So make sure that you UNcheck "Enable multihreaded
computation" under File/Preferences/General/Multithreading in all
involved Matlab sessions.
Quick start
For a quick start, first unzip all files into a directory, start Matlab and change
to this directoy. Then have a look at the heavily commented demo function multicoredemo.m. Start multicoredemo.m
in one Matlab session and startmulticoreslave.m in
another Matlab session.
Keywords
Parallel processing, distributed computing, multiple cores.
Functions contained in this package
startmulticoremaster.m
Takes the function handle (or a cell array of function handles) and the
parameters and computes the output. Files containing information about which
function to execute with which parameters are saved in a directory and read
by the slaves. The results saved by the slaves are later read by the master.
startmulticoreslave.m
Loads the files generated by function startmulticoremaster.m and evaluates
the given function. Results are saved in files in the same directory.
multicoredemo.m and testfun.m
To get into the code, have a look at the demo. You can start it without input
arguments for a demo on a multi-core machine, or with a common directory to
use for a multi-machine demo.
setfilesemaphore.m, removefilesemaphore.m and deletewithsemaphores.m
A crucial thing is to avoid that several Matlab processes try to open/delete/write
a file at the same time. Using a simple semaphore technique, exclusive file
access is guaranteed. Also here, no platform-dependent or C-programmed stuff is used.
existfile.m, existfile.c
Check if a file exists. To use the faster mex-file, type
"mex -setup",
select the builtin Lcc compiler and type
"mex existfile.c"
to compile the file. However, the package also works without using the mex-file.
findfiles.m
Returns a list of file names matching a given specification in a cell array.
getusername.m, gethostname.m
Return the user and host name.
tempdir2.m
Return the name of a temporary directory.
datenum2.m, translatedatestr.m
Compensate for some shortcomings in Matlab regarding date conversion.
And some more ...
Known Issues
If processing is cancelled by the user (Ctrl-C), catching Matlab just in saving/deleting
a temporary file, you might get some file access warnings. This is because Matlab
seems not to release the file correctly (at least under Windows). Besides some annoying
warnings, the multicore package should work correctly anyway. To get rid of the warning
messages, you will have to restart the right Matlab process before the file can be deleted.
The communication between the different Matlab sessions, which is done by saving/loading
temporary files into a common directory, causes some overhead. Thus, if your function calls
only need fractions of a second, the overhead may eat the advantage of the parallelization.
However, the multicore package can do several function evaluations after each other in every
process before communicating again. In this way the overhead can be minimized. As a rule
of thumb, the time needed for a bunch of function executions should not be lower than 2
seconds. If this is the case in your application, the MULTICORE package might not be of any
help to you.
Contact
Dr.-Ing. Markus Buehren
Stuttgart, Germany
http://www.markusbuehren.de
http://groups.yahoo.com/group/multicore_for_matlab/
Version
Last modified 05.07.2011
Latest version on Matlab Central.


The following list describes features of Montanaboat river boats:
- Ash/Fir Oars
- sleeves
- tips
- bronze 5/8" oarlocks
- nylon bushing
-
25 lb. anchor; nylon & stainless steel ballbearing pulleys, 50ft. of
1/2"rope
-
3 swivel seats adjust for flyfishing or pulling plugs
- Marine ply hull
- sides 3/8"
- bottom 11/8" thick
- hardwood trim
- Bow eye, drain plug, unobstructed non-skid floor
- Level front floor on wide model
- Lower dry storage deck in bow
- Power: longshaft outboard to 8 hp
- Seat heights fit dry boxes and coolers
- Slick graphite bottom glides over rocks ramps
- Choice of color. Lifetime Guarantee


| expect_match {testthat} | R Documentation |
Does a string match a regular expression?
expect_match( object, regexp, perl = FALSE, fixed = FALSE, ..., all = TRUE, info = NULL, label = NULL )
object |
Object to test. Supports limited unquoting to make it easier to generate readable failures within a function or for loop. See quasi_label for more details. |
regexp |
Regular expression to test against. |
perl |
logical. Should Perl-compatible regexps be used? |
fixed |
logical. If |
... |
Arguments passed on to
|
all |
Should all elements of actual value match |
info |
Extra information to be included in the message. This argument is soft-deprecated and should not be used in new code. Instead see alternatives in quasi_label. |
label |
Used to customise failure messages. For expert use only. |
expect_match()
is a wrapper around grepl()
. See its documentation for
more detail about the individual arguments.
Other expectations:
comparison-expectations
,
equality-expectations
,
expect_error()
,
expect_length()
,
expect_named()
,
expect_null()
,
expect_output()
,
expect_reference()
,
expect_silent()
,
inheritance-expectations
,
logical-expectations
expect_match("Testing is fun", "fun") expect_match("Testing is fun", "f.n") ## Not run: expect_match("Testing is fun", "horrible") # Zero-length inputs always fail expect_match(character(), ".") ## End(Not run)


{% extends 'base.html' %} {% block title %}About{{ block.super }}{% endblock %} {% block bodyclass %}home{% endblock %} {% block content %}
I'm a software engineer working in London. I work as Director of Engineering at Yoyo Wallet, a payments and loyalty start-up. I also write and maintain some open-source software such as django-oscar, an e-commerce framework.
I'm an experienced Python and Django developer with particular interests in testing and TDD, software design, as well as infrastructure and DevOps.
I wrote django-oscar, a popular e-commerce framework for Django, and have considerable experience building e-commerce and transactional sites.
I am available to do small amounts of contract work on Django or Oscar projects - email me for more details.
I have a PhD in Applied Mathematics from the University of Nottingham - you can read my thesis if you like.
There are a few papers out there based on my research:
You may also be interested in an online tutorial I put together back in the dreamy days of 2004.
You can use Twitter or Github if you're so inclined, but email is preferred.
{% endblock %}


this is a header this is the main content this is a header inside a section this is a header with role=banner inside a section
this is a section with an aria-label
This is a section without a label
this is a header inside an article this is a header with role=banner inside an article
this is an article


fgetpos
—record position in a stream or file#include <stdio.h> int fgetpos(FILE *restrict fp, fpos_t *restrict pos); int _fgetpos_r(struct _reent *ptr, FILE *restrict fp, fpos_t *restrict pos);
Description
Objects of type FILE
can have a “position” that records how much
of the file your program has already read. Many of the stdio
functions
depend on this position, and many change it as a side effect.
You can use fgetpos
to report on the current position for a file
identified by fp; fgetpos
will write a value
representing that position at *
pos. Later, you can
use this value with fsetpos
to return the file to this
position.
In the current implementation, fgetpos
simply uses a character
count to represent the file position; this is the same number that
would be returned by ftell
.
Returns
fgetpos
returns 0
when successful. If fgetpos
fails, the
result is 1
. Failure occurs on streams that do not support
positioning; the global errno
indicates this condition with the
value ESPIPE
.
Portability
fgetpos
is required by the ANSI C standard, but the meaning of the
value it records is not specified beyond requiring that it be
acceptable as an argument to fsetpos
. In particular, other
conforming C implementations may return a different result from
ftell
than what fgetpos
writes at *
pos.
No supporting OS subroutines are required.


Next: Visible Modifications by Language Extensions, Previous: Visible Modification of Arrays with respect to EQUALP, Up: Modifying Hash Table Keys
In a hash table, any visible change to the count of entries in the hash table, to the keys, or to the values associated with the keys is considered a visible modification with regard to equalp.
Note that the visibility of modifications to the keys depends on the equivalence test of the hash table, not on the specification of equalp.


The time is now for it to be okay to be great. People in this world shun people for being great. For being a bright color.
As we live, our hearts turn colder. Cause pain is what we go through as we become older and we get insulted
We get back stabbed by friends.  We get our heart broken by people we love.
When we lose family over time. What else could rust the heart more over time? Blackgold. It becomes harder...
We aim high at being focused on building relationships with our clients and community. Using our creative gifts drives this foundation.
The time is now for it to be okay to be great. For being a bright color. For standing out.
We get insulted by others, lose trust for those others. We get back stabbed by friends.
More about usDon't get your heart broken by people we love, even that we give them all we have. Then we lose family over time. As we live, our hearts turn colder.
Learn about our productsWhat else could rust the heart more over time? Blackgold. The time is now for it to be okay to be great. or being a bright color. For standing out.
Check our documentationThe kit comes with three pre-built pages to help you get started faster. You can change the text and images and you're good to go.
What matters is the people who are sparked by it. And the people who are like offended by it.
Because it's about motivating the doers. Because I’m here to follow my dreams and inspire the world.
There’s nothing I really wanted to do in life that I wasn’t able to get good at. We’re constantly growing.
I always felt like I could do anything. That’s the main thing people are controlled by the force!
Thoughts- their perception of themselves! They're slowed down by their perception of themselves.
If you're taught you can’t do anything, you won’t do anything. I was taught I could do everything.
We’re constantly trying to express ourselves and actualize our dreams. If you have the opportunity to play this game of life you need to appreciate every moment.
The Arctic Ocean freezes every winter and much of the sea-ice then thaws every summer, and that process will continue whatever.
Learn moreIf everything I did failed - which it doesn't, it actually succeeds - just the fact that I'm willing to fail is an inspiration.
Learn morePeople are so scared to lose that they don't even try.
Learn moreThe time is now for it to be okay to be great. People in this world shun people for being great. For being a bright color.
Learn moreThe time is now to be okay to be the greatest you. Would you believe in what you believe in, if you were the only one who believed it?
Design System
That’s my skill. I’m not really specifically talented at anything except for the ability to learn.
 We get our heart broken by people we love.
As we live, our hearts turn colder. Cause pain is what we go through as we become older.
We’re not always in the position that we want to be at. We’re constantly growing.
When we lose family over time. What else could rust the heart more over time? Blackgold.
There’s nothing I wanted to do in life that I wasn’t able to get good at. I’m not really specifically talented at anything except for the ability to learn.
The kit comes with three pre-built pages to help you get started faster.
Beautiful elements
Amazing page examples
Super friendly support team
If you're taught you can’t do anything, you won’t do anything.
Beautiful elements
Amazing page examples
Super friendly support team
That’s the main thing people are always controlled by!
Beautiful elements
Amazing page examples
Super friendly support team
They're slowed down by their perception of themselves.
Beautiful elements
Amazing page examples
Super friendly support team
The time is now for it to be okay to be great. People in this world shun people for being great. For being a bright color. For standing out. But the time is now.
Learn moreThere’s nothing I really wanted to do in life that I wasn’t able to get good at. That’s my skill. I’m not really specifically talented at anything except for the ability to learn.
Learn moreThat’s what I do. That’s what I’m here for. Don’t be afraid to be wrong because you can’t learn anything from a compliment. If everything I did failed - which it doesn't.
Learn moreWe’re constantly trying to express ourselves and actualize our dreams. If you have the opportunity to play this game of life you need to appreciate every moment.
Because I’m here to follow my dreams and inspire other people to follow their dreams, too. That’s what I’m here for.
Learn moreSociety has put up so many boundaries, so many limitations on what’s right and wrong that it’s almost impossible.
Learn moreWhy would anyone pick blue over pink? Pink is obviously a better color.Everyone’s born confident, and everything’s...
Learn moreThe time is now for it to be okay to be great. People in this world shun people for being great.
I always felt like I could do anything. That’s the main thing people are controlled by! Thoughts- their perception of themselves! They're slowed down by their perception of themselves. If you're taught you can’t do anything, you won’t do anything. I was taught I could do everything.
Finding temporary housing for your dog should be as easy as renting an Airbnb. That’s the idea behind Rover, which raised $65 million to expand its pet sitting and dog-walking businesses... Read More
If you’ve ever wanted to train a machine learning model and integrate it with IFTTT, you now can with a new offering from MateLabs. MateVerse, a platform where novices can spin out machine... Read More
Venture investment in U.S. startups rose sequentially in the second quarter of 2017, boosted by large, late-stage financings and a few outsized early-stage rounds in tech and healthcare.. Read More
As near as we can tell, this guy must have thought he was going over backwards and tapped the rear...
Just when you thought it was safe to turn on your television, the Discovery Channel's "Shark Week"...
It's been 60 years since the cover of Popular Mechanics magazine gave us the promise of flying cars...
If you’ve ever wanted to train a machine learning model and integrate it with IFTTT, you now can with a new offering from MateLabs. MateVerse, a platform where novices can spin out machine...If you’ve ever wanted to train a machine learning model and integrate it with IFTTT, you now can with a new offering from MateLabs. MateVerse, a platform where novices can spin out machine... Read More
#tothetop #allthewayup #goodvibesonly
People in this world shun people for being great. For being a bright color. For standing out. But the time is now to be okay to be the greatest you. Would you believe in what you believe in?
This is the paragraph where you can write more details about your team. Keep you user engaged by providing meaningful information.
Society has put up so many boundaries, so many limitations on what’s right and wrong that it’s almost impossible to get a pure thought out. It’s like a little kid, a little boy, looking at colors.
People are so scared to lose that they don't even try. Like, one thing people can't say is that I'm not trying, and I'm not trying my hardest, and I'm not trying to do the best way I know how.
You have Free Unlimited Updates and Premium Support on each package.
| 24/7 Support | Design Tools |
| 10K emails | Private Brand |
You have Free Unlimited Updates and Premium Support on each package. You also have 20 days to request a refund.
Meet Wingman, a robust suite of styled pages and components, powered by Bootstrap 4. The ideal starting point for product landing pages, stylish web-apps and complete company websites.
Contact us Bld Mihail Kogalniceanu, nr. 8,
7652 Bucharest,
Romania
Michael Jordan
+40 762 321 762
Mon - Fri, 8:00-22:00
12124 First Street, nr 54
<EMAIL_ADDRESS>+1(424) 535 3523
Andrew Samian
345 Street 2, Bucharest
+16(3412) 421 241
<EMAIL_ADDRESS>Space individual |
Team $39Choose Plan |
Growth $79Choose Plan |
Enterprise $99Choose Plan |
|---|---|---|---|
| Community support |
|
|
|
| 100+ Example Pages |
|
|
|
| 50+ Section Examples |
|
|
|
| Multiple use |
|
upon request |
|
| Custom messages |
|
|
|
| Multiple requests |
|
|
|
EssentialGet started Learn more |
PremiumGet started Learn more |
EnterpriseGet started Learn more |
|
|---|---|---|---|
| Pricing | |||
| Plan cost | Free | Contact us | Contact us |
| Platform fee | 3% | 5% | Contact us |
| Payment processing | 5.5% + 5c | 6.2% + 5c | Contact us |
| Features | |||
| Custom messages |
|
|
|
| Multiple requests |
|
|
|
| Team fundraising |
|
|
|
| Basic donor data |
|
|
|


Le Notte di Cabiria
(a/k/a Nights of Cabiria, Italy 1957 Black and White)
It was a beautiful summer evening, so I figured I would spend it at the movies. So I figured I should go to the movies. But, with *Bulworth*, *Clockwatchers*, and even *Wilde* all suddenly gone by mid-July, and *The Mask of Zorro* not out yet, my only viable choice was a restored classic of Italian neorealism--*Nights of Cabiria*.
When you don't know a lot about director Federico Fellini, it might be easy to be scared off.
The title character is a prostitute named Maria "Cabiria" Ceccarelli (played by Fellini's wife, Giulietta Masina). While we are used to seeing prostitutes being portrayed as drug addicts or abuse victims, the sense here is that even 12 years after World War II, prostitution is a matter of economics. Cabiria is a bit different from the other hookers at the Passegiata Archeologica. She actually owns her rectangular cinder-block house on a dirt road on the outskirts of Rome. She assiduously avoids falling into the clutches of pimps who offer protection. But she is foolish in one way. She's a fool for love. The film opens with Cabiria being tossed into a canal and left for drowned by her latest "beau", who has also run off with a lot of her money.
The sense here is that the nights of Cabiria are not just the nights she spends on the streets and having dreamlike experiences; she has a lot of restless nights of the soul, too, as she is endless in her quest for true love.
Cabiria sees the highs and lows in 1957 Roma. She spends a chaste evening with a movie star Alberto Lazzari (Amedeo Nazzari) one night, and winds up wandering the streets, dumped by a john in the countryside, the next. She gets rambunctious with her hooker friends, and just as quickly accompanies them to a religious pilgrimage to beg the Virgin's mercy and grace. She also sees two possibilities for herself--the adored mistress of a film star, or the aged prostitute living in a hole in the ground, waiting for the kindness of strangers that helps her survive.
There are also some hits to organized religion. The pilgrimage has a carnival air to it and the much hoped-for miracle of change does not come to Cabiria, who gets more out of her chance encounters with a Good Samaritan and a kooky priest on the street than she does from the Roman Catholic Church proper.
Finally, Cabiria winds up at a hypnotist's show and her true essence is revealed on stage. She promptly winds up courted by Oscar D'Onofrio (Francois Périer), who pursues her relentlessly and asks her few questions. He seems almost too good to be true; but over time he seems to provide an out for Cabiria, saving her with true love.
Two things stand out here. First is Masina's performance. She is an endearing Italian Lucille Ball, with a wonderful comic face and a quality of universal pathos and empathy. It's obvious from the way she is filmed how much Fellini loved her (and why they died five months apart). Second, the reaffirmation of the wonders of life and the resilience of the human spirit are amply shown. *Nights of Cabiria* is told with kindness and affection, and should not be missed.
Written by Federico Fellini, Ennio Flaiano, Pier Paolo Pasolini, and Tullio Pinelli.
Remade as *Sweet Charity* in 1969.
More movie reviews by Seth Bookey, with graphics, can be found at
http://www.geocities.com/Athens/2679/kino.html
The review above was posted to the
rec.arts.movies.reviews newsgroup (de.rec.film.kritiken for German reviews).
The Internet Movie Database accepts no responsibility for the contents of the
review and has no editorial control. Unless stated otherwise, the copyright
belongs to the author.
Please direct comments/criticisms of the review to relevant newsgroups.
Broken URLs inthe reviews are the responsibility of the author.
The formatting of the review is likely to differ from the original due
to ASCII to HTML conversion.
Related links: index of all rec.arts.movies.reviews reviews


| Healthcare Solutions
Healthcare
Solutions for
Payers
Providers
Patients
About Us
Payers
Population Health Management
Release of Information
Analytical Solution
Value based reimbursement
Provider
EMR Solutions
Value based reimbursement
Population Health Management
Patient
Patient Portal
Patient Engagement & Experience
mHealth Apps
Contact
About Us
Payer Solutions
Provider Solutions


Fish Tank Simulator
Me and my partner created a Fish Tank Simulator Game, with hand drawn graphics, using P5.js, Jquery, and Vanilla Javascript.
The goal was to make a customizable enviornment where you could keep digital fish, feed them to keep them healthy,
sell them to get cool items, and breed them to grow your collection.
All the source code can be found on Github.
Our inspiration for this game was to create a fun simulated environment that was both relaxing and engaging,
and had many different states involved. We divided the work through Trello tickets and Github branches,
to closely mimic a real-world engineering project.
Below is a playable version of the game. If you want to play it full size click here.
How to Play
Controls
Simply click on an icon from the toolbar to select that tool and refer below to read about what it does.
Functional Tools
Here is a list of tools that can be used to interact with the fish and the enviornment.
| Icon | Name | Cost | Description |
|---|---|---|---|
| Cursor | Free | Can select different fish to view stats. | |
| Shop | Free | Click this to access the in game store. | |
| Breed | Free | Click on two fish and press the breed button on the menu that pops up to breed two fish. | |
| Toilet | $15 | Click on any fish to remove it from your tank. | |
| Common Food | $18 | Drops flakes to heal fish by 2 HP. | |
| Rare Food | $38 | Drops flakes to heal fish by 4 HP. | |
| Legendary Food | $95 | Drops flakes to heal fish by 8 HP. | |
| Common Egg | $10 | Click anywhere on the tank to spawn a common fish. | |
| Rare Egg | $300 | Click anywhere on the tank to spawn a rare fish. | |
| Legendary Egg | $1300 | Click anywhere on the tank to spawn a legendary fish. | |
| Treasure | $400 | Click anywhere on the tank to spawn a chest that drops coins. |
Cosmetic Tools
Here is a list of tools that can be used to enhance and customize the look of the environment.
| Icon | Name | Cost | Description |
|---|---|---|---|
| Sand | $10 | Drops sand particles onto the fish tank. | |
| Rock | $15 | Use to place rocks on the enviornment. | |
| Grass | $15 | Use to place grass on the enviornment. | |
| Log Sign | $100 | Use to place a log on the enviornment. | |
| Barrel | $150 | Use to place a barrel that releases bubbles into the tank. |
Gameplay
During the game, the player can spawn in different fish and breed them to spawn more fish. Then to make money the player can start selling some of their fish, and with the money they can buy cosmetics to customize the tank or save up to buy rare and legendary fish eggs, which are sold for more.
Fish
Rarity
The game is set up to have 6 different kinds of fish that go from tiers S to F. The rarity of the fish determine the tier the fish will be in and each tier of fish has a different look. S tier has a rarity range of 95-100, A tier has a rarity range of 85-94, B tier has a rarity range of 70-84, C tier has a rarity range of 50-69, D tier has a rarity range of 25-49, and finally F tier has a rarity range of 0-24.
Breeding
The player can breed fish by selecting the breed tool on the top left. Afterward, the player can select any two fish of their liking and press the breed button on the top right menu. However, the player can only hatch one egg at a time, so the player must wait for the offspring egg to hatch before they can breed again. The offspring's rarity range will depend on both of their parent's rarity as well as a 'random' factor.
Fish Types
| Icon | Name | Tier | Rarity Range |
|---|---|---|---|
| Aqua | S | (95-100) | |
| Shark | A | (85-94) | |
| Sea Horse | B | (70-84) | |
| Angel Fish | C | (50-69) | |
| Puffer Fish | D | (25-49) | |
| Gold Fish | F | (0-24) |
Programming
Resources
- P5.js- for manipulating and drawing everything on to the HTML5 canvas.
- jQuery- for selecting elements from the DOM in order to perform the resizing functionality.
- FreeSound- For getting non-copyrighted music files.
Files
- index.html- holds the html code for the project.
- images- holds all images for the game.
- sounds- holds all mp3 files for the game.
- font- holds all font files for the game.
- documentation- holds all documentation files for the game.
- css- holds some basic styling rules for the documentation.
- images- holds some images for the documentation.
- css
- index.css- holds some basic styling rules for the canvas.
-
js
- jquery-3.3.1.min.js- holds jquery library.
- jquery.documentsize.js- holds the resize canvas logic for the game.
- sketch.js- holds the game logic.
Draw Loop
Our draw function is the main loop of the game.
Here we will handle the different routes that the game will draw as well as add a custom cursor.
The first being the main menu, then the tank scene, and finally the store.
To see more of what each route does feel free to check them out on
Github
inside the defined methods of the Game
class.
function draw() {
imageMode(CENTER);
//draw game scene
if(game.scene === "tank"){
game.drawTank();
}
else if(game.scene === "store"){
game.drawStore();
}
else if (game.scene === "menu"){
game.drawMainMenu();
}
//add custom cursor
noCursor();
image(game.cursor, mouseX, mouseY, 20, 20);
}
Game Class
The majority of the tank code is stored in the Game
class.
The state of the game is stored in the game.scene
variable, with the three possible values being:
menu
for pre-game play, before you start the game and have to fill the tank with watertank
for the main game play, when you feed and interact with your fishstore
for the store scene, when you can buy new items for your tank
Fish Class
Fish swim happily around the tank, but while this happens, they constantly get a bit more hungry,
with a this.health -= this.healthLoss
variable decreasing.
The fish also have a drawstats()
method that is called when a fish is clicked.
A fish that you forgot to feed will eventually have its health
propery reach 0, causing it sink to the bottom of the tank.
You won't be able to sell this fish, and will have to use the toilet tool to flush your dead fish away.
If a fish is alive, it can move around the tank using Perlin noise, so that its movement seems natural.
The animation of the fish is done through cycling through an array of fish images.
We used the constrain
function to ensure that the fish doesn't hit the edges of the walls.
To make this seem even more realistic, each fish has its own this.hitBox
to keep track of
what it can touch.
Finally, fish can breed provided our forumla for calculating an offspring's rarity:
(parent1+parent2+parent3)/3
, where parent3 is a random number between 0-100, and parent1 and parent2
are the selected parents of the fish.
Food Class
To feed a fish, you can buy some fish food and drop it over a fish to restore its hunger level.
The class fish food uses basic collision to detect that the food is touching the fish and if so restores
the fish by the food instance's healthIncrease
property. Each food particle will slowly disolve
by lowering its alpha value by a factor of the food instance's disolveSpeed
property.
Tool Class
Tools are stored in the Toolbar
class, and use hitboxes to detect when
you click on one of the tools. Additionally, the state
variable updates
to reflect your current tool, such as cursor
or sand
, and the
cursorImage
also updates to reflect your current tool.
Water Class
The most basic component of the fish tank's environment is water, constructed by the
Water
class. However, this class just represents the randomly colored and
sized water particles that flow out of your mouse's position and float downwards. The
real magic is in the drawWater()
function, which is adapated from
YiyunJia's code.
Using Perlin noise, a visual effect is created where it looks like the water is wavy
and sloshing around in your tank as you fill it up. For added fun, there's also a sound
that gets triggered as you fill the fish tank.
Sand Class
Sand particles are modeled after the Sand
class, with new sand being
dropped into the tank and stored in an array. Sand
particles are randomly sized and sink to the bottom of the tank by a factor of the sand instance's ySpeed
, to add
some visual flair to your tank.
Decorations Class
You can drop in new decorations defined in the Decoration
class to your tank.
As usual, they float to the bottom, and will be layered on top of the sand you added previously.
However, the treasure chest is a special decoration that will drop a coin at the interval given by its property coinDelay
.
No human being, however great, or powerful, was ever so free as a fish.
John Ruskin


Auto parts supplier Prevent Group sues Volkswagen for suppressing competition
Volkswagen parts supplier Prevent Group on Monday filed a lawsuit alleging the German automaker used anticompetitive tactics to stop larger suppliers like the company from acquiring smaller rivals in the United States.
REUTERS: Volkswagen parts supplier Prevent Group on Monday filed a lawsuit alleging the German automaker used anticompetitive tactics to stop larger suppliers like the company from acquiring smaller rivals in the United States.
Prevent has filed the lawsuit in Eastern District of Michigan and is seeking damages in excess of US$750 million.
Volkswagen did not immediately respond to a Reuters request for comment.
(Reporting by Sanjana Shivdas in Bengaluru; Editing by Arun Koyyur)


FREE SHIPPING ON ORDERS OF PKR 5,000 AND ABOVE IN PAKISTAN. NOW SHIPPING GLOBALLY
the eyeconic
A style for every age and a dress for every memory
a fusion of masculinity and clothing excellence
Far too stylish to take off
Because You're Worth It


This is a simple service that acts as a proxy for some of the most used global events. It replaces the use of
@HostListener
for events triggered on Document
or Window
. Its goal is to reduce the number of
listeners on global events and to provide a way to register those events only when necessary. For instance, one could listen to a
Document
click only when an element is in a given state.
It also provides a function named outsideClick$
that returns an observable that emits when a click is performed outside a
given array of HTML elements.


HOME
MENU
Special Coffee
Beverages
Breakfast
ABOUT
CONTECT
SPECIAL BREAKFAST AT THE CAFE CENTER
SPECIAL BREAKFAST OPTIONS
SAMOSA
SANDWICH
IDLI


{% load quiz_tags %} {% block title %} Progress Page {% endblock %} {% block description %} User Progress Page {% endblock %} {% block content %}
Below are the categories of questions that you have attempted. Blue is the percentage that are correct.
{% for cat, value in cat_scores.items %} {% ifnotequal cat "empty" %} {% if forloop.first %}Below are the results of exams that you have sat.
| Quiz Title | Score | Possible Score | % |
|---|---|---|---|


NEST Secure Outsourcing¶
secout
is a library that includes implementation of secure outsourcing
algorithms published by Network, Energy, Security, and big daTa (NEST) Group in
Case Western Reserve University (CWRU)
This secure outsourcing project implements a number of secure outsourcing algorithms as described in papers 1, 2 and 3.
User’s Guide¶
API Reference¶
References¶
- 1
Salinas, C. Luo, X. Chen, W. Liao and P. Li, “Efficient Secure Outsourcing of Large-Scale Sparse Linear Systems of Equations,” in IEEE Transactions on Big Data, vol. 4, no. 1, pp. 26-39, 1 March 2018. doi: 10.1109/TBDATA.2017.2679760
- 2
Salinas, C. Luo, W. Liao, and P. Li, “Efficient Secure Outsourcing of Large-scale Quadratic Programs,” in Proceedings of the 11th ACM on Asia Conference on Computer and Communications Security, pp. 281–292, 2016. doi: 10.1145/2897845.2897862
- 3
Luo, J. Ji, X. Chen, M. Li, L. T. Yang and P. Li, “Parallel Secure Outsourcing of Large-scale Nonlinearly Constrained Nonlinear Programming Problems,” in IEEE Transactions on Big Data. doi: 10.1109/TBDATA.2018.2821195


Solutions for Mail User Agent: Simplified
Version
import java.io.*;
import java.net.*;
public class EmailSender
{
public static void main(String[] args) throws Exception
{
// Establish a TCP connection with the mail server.
Socket socket = new Socket("mx1.csusb.edu", 25);
// Create a BufferedReader to read a line at a time.
InputStream is = socket.getInputStream();
InputStreamReader isr = new InputStreamReader(is);
BufferedReader br = new BufferedReader(isr);
// Read greeting from the server.
String response = br.readLine();
System.out.println(response);
if (!response.startsWith("220")) {
throw new Exception("220 reply not received from server.");
}
// Get a reference to the socket's output stream.
OutputStream os = socket.getOutputStream();
// Send HELO command and get server response.
String command = "HELO x\r\n";
System.out.print(command);
os.write(command.getBytes("US-ASCII"));
response = br.readLine();
System.out.println(response);
if (!response.startsWith("250")) {
throw new Exception("250 reply not received from server.");
}
// Send MAIL FROM command.
command = "MAIL FROM<EMAIL_ADDRESS>System.out.print(command);
os.write(command.getBytes("US-ASCII"));
response = br.readLine();
System.out.println(response);
if (!response.startsWith("250")) {
throw new Exception("250 reply not received from server.");
}
// Send RCPT TO command.
command = "RCPT TO<EMAIL_ADDRESS>System.out.print(command);
os.write(command.getBytes("US-ASCII"));
response = br.readLine();
System.out.println(response);
if (!response.startsWith("250")) {
throw new Exception("250 reply not received from server.");
}
// Send DATA command.
command = "DATA\r\n";
System.out.print(command);
os.write(command.getBytes("US-ASCII"));
response = br.readLine();
System.out.println(response);
if (!response.startsWith("354")) {
throw new Exception("354 reply not received from server.");
}
// Send message data.
os.write("SUBJECT: test msg\r\n\r\n".getBytes("US-ASCII"));
os.write("David,\r\n".getBytes("US-ASCII"));
os.write("\r\n".getBytes("US-ASCII"));
os.write("This lab is too hard.\r\n".getBytes("US-ASCII"));
// End with line with a single period.
os.write(".\r\n".getBytes("US-ASCII"));
response = br.readLine();
System.out.println(response);
if (!response.startsWith("250")) {
throw new Exception("250 reply not received from server.");
}
// Send QUIT command.
command = "QUIT\r\n";
System.out.print(command);
os.write(command.getBytes("US-ASCII"));
response = br.readLine();
System.out.println(response);
}
}


Education
Michigan State University, Department of History
Doctoral Student, 2016- present. Advanced to candidacy: February 2019
Lawrence Technological University, Southfield MI
Master of Urban Design with Distinction, 2016
Jawaharlal Nehru University, New Delhi, India
Master of Philosophy, Center for Studies in Science Policy, 2012
Master of Arts, Center for Political Studies, 2008
University of Mumbai, India,
Bachelor of Mass Media (specialization: Journalism), Wilson College, 2005
Other Training
Humanities Intensive Leaning and Teaching (HILT), a Digital Humanities Summer School at the University of Pennsylvania, Digital Methods for Interdisciplinary Cultural Studies, 2018
Indian Law Institute,Post Graduate Diploma in Environmental Law, 2008
Publications
In Press
“Sedimentality: Sediment Landscapes, Socio-politics, and the environment in the Lower Detroit River,” Water History.
Refereed
“Flotsam: Garbage dumping, pollution, and legal tensions in the Detroit River" Water History
“Dredge a River, Make a Nation Great: Shipping, Commerce, and Territoriality in the Detroit River, 1870–1905" Michigan Historical Review
“Exportable engineering expertise for ‘Development’: a story of large dams in post independence India" Water History
Reviews
Review of Hartig, John H., Waterfront Porch: Reclaiming Detroit’s Industrial Waterfront as a Gathering Place for All. H- Environment, H-Net Reviews. August 2020.
Review of Abbott, Carl Imagined Frontiers: Contemporary America and Beyond. . . H-Borderlands, H-Net Reviews. October 2019
Public History
"Looking for Locherville" Contingent Magazine
Blog posts (invited)
"Twice Removed: Environmental History and the Canada-U.S. Border Through an Outsider’s Eyes" Network in Canadian History & Environment
“Problems of Place: When A Place Chooses You" Environmental History Now
[Co-author] “Alumni Involvement in Graduate Education” Perspectives Daily
Fellowships, Grants, and Awards
2021 Delia Koo Global Student Scholarship, Asian Studies Center, MSU
2020 Research Scholars Award, MSU Graduate School
2020 Equity Graduate Student Fellowship, American Society for Environmental History (ASEH)
2020 Milton E. and Kathleen D. Muelder Scholarship, MSU Safe Place, MSU
2019-20 Graduate Writing Fellowship, College of Social Science, MSU
2019-20 Cultural Heritage Informatics Senior Fellowship (by invitation) MSU
2019 Mark C. Stevens Traveling Fellowship, Bentley Historical Library, University of Michigan
2018 Fellow, Career Diversity Implementation Grant, Part of the Career Diversity for Historians Initiative by the American Historical Association
2018 Sinclair and S. Suzanne Powell Scholarship in Transportation History, Department of History, MSU
2017 ESPP Urban Environment Summer Research Fellowship, ESPP, MSU
2017 Madison Kuhn Award for best pre-dissertation project, Department of History, MSU
2016-17 Cultural Heritage Informatics Fellowship, Department of Anthropology, MSU
2012 Fox International Fellow, Yale University
2012 International Scholar, The Society for the History of Technology (SHOT)
Conferences Organized
Co-organizer, Workshop on the History of the Environment, Agriculture, Technology, and Science (WHEATS) 2019.
Organizing Committee, “Migration Without(out) Boundaries Conference”– an interdisciplinary graduate student conference on migration at Michigan State University, 2016 and 2017
Select Conference Presentations
“Connecting Cities Across Borders: Transit, Transportation and the Urban Environment in Windsor and Detroit,” Canadian Historical Association, Annual Meeting, London ON, May June 1-3, 2020. [Conference cancelled due to COVID 19]
Workshop co-organizer, The Power of Hidden River Histories, River Rally, St. Antonio TX, May 15-18, 2020 [Virtual rally due to COVID-19]
Panel participant, Problems of Place: A Conversation on Representation, Engagement, and Community, American Society for Environmental History Annual Meeting, Ottawa ON, March 25-28, 2020 [Conference cancelled due to COVID 19]
“Flotsam: Garbage Dumping, pollution, and legal tensions in the Detroit River,” American Society for Environmental History Annual Meeting, Ottawa ON, March 25-28, 2020 [Conference cancelled due to COVID 19]
Panel co-organizer, “Baking in Career Diversity into Graduate Education: Reflections from the Field,” A Roundtable organized at the American Historical Association Annual Meeting, 2020.
“Sedimentality: The Social Life of Sediment Landscapes in the Lower Detroit River,” The Social Life of the Sediment Balance: Combining Social and Geomorphic Approaches to River Systems and Deltas, University of California-Berkeley River Lab, May 29-30, 2019
“Borderlands as Infrastructurescapes: Rethinking Political Borders,” ON EDGE: Mediating Cultural Borders, University of Windsor, May 23, 2019
“Borderlandia: Amusement Parks, Public Lands, and the story of emptiness in the Detroit River,” Society for the History of Technology Annual Meeting, St. Louis MO, October 11-14, 2018
Panel Organizer, “Dredge a River, Make a Nation Great: Shipping, Commerce and Territoriality in the Detroit River,” Association for Borderlands Studies World Conference, Vienna and Budapest, July 10-14, 2018.
Invited Talks
“Germs and Design: Using the Past to guide Our Future,” Western Michigan University, October 16, 2020 (via Zoom)
Internships and Research Assistantships
Michigan History Museum (Department of Natural Resources), February 2018- May 2019
Research Assistant for Dr. Sara Fingal (formerly at MSU) Michigan State University, August 2016
Teaching
Michigan State University
ISS 335: Gender, Sex, and Science, Assistant Instructor, Summer 2019 and Summer 2020
HST 420: History of Sexuality since the 18th Century, Assistant Instructor, Summer 2018
ISS 220: Time, Space, and Change in Human Society, Teaching Assistant, Dr. Joshua Cochran, Spring 2018
HST 213: U.S. Business and Economic History, Teaching Assistant. Dr. Michael Stamm, Fall 2017
HST 202: Survey of American History to 1876, Assistant Instructor, Summer 2017
Lawrence Technological University
Tutor: English and Writing. Academic Achievement Center, Fall 2015 and Spring 2016
University of Mumbai, Wilson College
Visiting Adjunct Faculty: Political Concepts and the Indian Political System, Spring 2014
Languages
English (native) | Tamil (native) | Hindi (advanced) | Marathi (advanced) | French (beginner)


---
layout: post
title: Mashable for iPad is Now a Staff Favorite in the App Store
date: 2010-06-10 05:26:43.000000000 -07:00
type: post
published: true
status: publish
categories: []
tags: []
meta: {}
author:
---
If you have an iPad and don't have it, you better download it now.


|
| Value |
Description |
Notes |
|
| P |
Preschool |
Age typically 0-4 years |
| K |
Kindergarten |
Age typically 5 years |
| 1 |
First Grade |
Age typically 6 years |
| 2 |
Second Grade |
Age typically 7 years |
| 3 |
Third Grade |
Age typically 8 years |
| 4 |
Fourth Grade |
Age typically 9 years |
| 5 |
Fifth Grade |
Age typically 10 years |
| 6 |
Sixth Grade |
Age typically 11 years |
| 7 |
Seventh Grade |
Age typically 12 years |
| 8 |
Eighth Grade |
Age typically 13 years |
| 9 |
Ninth Grade |
High School Freshman – age typically 14 years |
| 10 |
Tenth Grade |
High School Sophomore – age typically 15 years |
| 11 |
Eleventh Grade |
High School Junior – age typically 16 years |
| 12 |
Twelfth Grade |
High School Senior – age typically 17 years |
| 13 |
College Freshman |
Age typically 18 years |
| 14 |
College Sophomore |
Age typically 19 years |
| 15 |
College Junior |
Age typically 20 years |
| 16 |
College Senior |
Age typically 21 years |
| 17 |
College Graduate Student |
Age typically 22+ years |
|


About Me
Full Stack Web Developer experienced in graphic design, with a background in Life Sciences at McMaster University and a Full Stack Development certificate at the University of Toronto. Passionate about tackling programming challenges with skills in front-end development languages such as HTML and Javascript and responsive app design. Known for writing clean solutions to coding problems and good collaboration with team members. My goal is to build interesting apps that are easy to use, easy to look at, and creates a lasting impact on users. I recently worked on a team of four to build a single-page application which uses the National Pokedex database to create a simplified turn-based battle system. Excited to apply my skills in a fast-paced, goal-oriented, and quality-driven team to develop new, exciting, or useful applications on the web.
In my spare time I tend to play games, watch tutorial videos, or draw. I've spent a decent amount of time learning basic animation, 3D modeling, video editing.


This is your Team Roster
When you are finished adding all your players (The max is 26), click the 'Roster Completed' checkbox. Once you do that you will be give the option to create a game.
Current Roster {{cPlayers.count}}
{{#each cPlayers}}
- {{> editableText collection="players" field="fullName"}}
{{/each}}
{{#if sRosterComplete}}
{{#if sGameId}}
View My Games
View Current Game
{{else}}
Create A Game
{{/if}}
{{/if}}
Current Roster {{cPlayers.count}}
{{#if cPlayers.count}}
{{#each cPlayers}}
{{> PlayerItem}}
{{/each}}
{{else}}
- Add Some Players
{{/if}}
Current Roster {{cPlayers.count}}
{{#if cPlayers.count}}
{{#each cPlayers}}
{{> PlayerItem}}
{{/each}}
{{else}}
- Add Some Players
{{/if}}
Current Roster {{cPlayers.count}}
{{#if cPlayers.count}}
{{#each cPlayers}}
{{> PlayerItem}}
{{/each}}
{{else}}
- Add Some Players
{{/if}}
Current Roster {{cPlayers.count}}
{{#if cPlayers.count}}
{{#each cPlayers}}
{{> PlayerItem}}
{{/each}}
{{else}}
- Add Some Players
{{/if}}


Home
Projects
Contact
Hello! My name is Victoria.
A new, but enthusiastic coding student.
Things I've Done
Tribute Page
Survey Form
Product Landing Page
Documentation Page
More→


One account. All of Google.
Sign in with your Google Account
Next
Find my account
Create account
One Google Account for everything Google


Renew Naive Bayes Classifier's Model
Upload Model From Local
Model File From Local:
Submit
Upload Model From HDFS (Hadoop Distributed File System) NameSpace
Model File From HDFS:
== Not Selected ==
/bayes/[[${dir}]]
Submit


The code writer still has to learn what to code.
Open Source Enthusiast. A fan of Laravel and Vue.js
And just young man that did not stop to learn.


Great App Title
About this Great App
Discussion
Change Log
Credits
Back to Top
Back to Top
Back to Top
Back to Top


By default (0), the text of a particle is fixed on emission. Setting a +ve value in this field allows a particle to change its text over its survival time.
Value as frame count
When Sort=0, text will be replaced following input order; Sort=1 switch in reverse order; Sort=3 change in random.
Check box
Output by row: Normally each particle has only one character. When this box is checked, each particle can contains multiple characters and delimited/separated by \n. See Fig11A for example.
Setting dialog
Text
The text to be used in particles.
Font
Font of text.
If empty, assume last used font
Color1
Text core color.
Color2
Color of border or shadow.
GetPath0~10
Should be a number the same as PathID slider in Path@
Only used if the text is defined in an external file.
See Fig11B for details
SyncFunnel
When checked, use the same font settings for Funnel@ and Text@
Image
Emit custom image(s) with extra filtering.
Sliders
Size
Particle size after filtering
Shape
The shape of clipping mask to be applied on each particle.
Masking center is randomly chosen within the image.
0: no mask
1: Circle
2: Square
3: Triangle
4: Pentagon
5: Hexagon
6: Star
7: Randomly choose from 1~6 for each particle
8: Irregular trapezoid
Scatter
When set to 1, randomly shuffle the images order if Path@ points to an image series(i.e. images named as 2-digit numbers).
PathID
The source file(s) to be used as particle images. Correspond to the PathID in<EMAIL_ADDRESS>If Singular option in Path@ is not checked, all .avi, .mp4, .flv, .bmp and .jpg in the same folder will be used. Tick Singular if you want to use the selected file only.
Check box
Center Only: when checked, the masking center will always be the center of original image.
Setting dialog
Set image size
Resize the source image prior masking.
Size_as_pixel
The target image size when Set image size above is enabled.
Format: {Width,Height}
If a single value is given, width and height will be the same.
BGColor
When checked, multiply background color (at emission origin) with the image.
BGPathID
To be used when BGColor is checked.
0: The current screen background is used.
> 0: Use an external image (in image original size) as background data. Needs an extra Path@ section.
Video
Requires Image@ or Text@ attached prior to this section. Process video and image series.
Sliders
PlayPos
The start of playback position as a percentage of video length.
0 starts from the beginning, 50 starts from the middle.
PlaySpeed
Playback speed as percent.
100 for normal speed, 200 for double speed.
RandPos
Set to 1 to randomize playback starting point.
SyncPos
Set to 1 to make all particles sharing the same scene.
Check box
Enable alpha channel: enable image transparency if the source file contains such information. Use with cautions.
Setting dialog
Randomize speed
Check to randomize playback speed.
SpdRandRange
Set the randomization range for playback speed.
Format: {lower limit,upper limit,option}
When option is 1, there will be 50% chance that the sign of the speed value be reversed.
OutputImageSeries
Output image series or text series instead of video from the source folder.
0NA:1Bl:2ColorKey
Enable chroma-keying or color-keying on source file.
0: None applied
1: Chroma key
2: Color key
HueRng
Hue/Brightness Range
First parameter for chroma key or color key.
SatRng
Saturation/Color difference range
Second parameter for chrom key or color key.
BoundaryAdj0~5
Boundary adjustment for chroma key.
0: None
1: For chroma key
2: For color key
ColorAdj
Color correction for chroma key
0: None
1: ON
AlphaAdj
Transparency correction
0: OFF
1: ON
PickColor
The primary sampling color for chroma/color-keying.


[name]
An object providing a [link:https://en.wikipedia.org/wiki/Mask_(computing) bit mask] and accessor methods
used to control an [page:Object3D]'s visibility.
A [page:Layers] object assigns an [page:Object3D] to 0 or more of 32 layers numbered 0 to 31.
This is used to control visibility - an object must share a layer with a [page:Camera camera]
to be visible when that camera's view is renderered.
All classes that inherit from [page:Object3D] have a [property:layers] property which is an instance
of this class.
Constructor
[name]()
Create a new Layers object, with an initial mask set to layer 1.
Properties
[property:Integer mask]
Internal layer mask.
Methods
[method:null disable]( [page:Integer layer] )
layer - an integer from 0 to 31.
Remove *layer* from the mask.
[method:null enable]( [page:Integer layer] )
layer - an integer from 0 to 31.
Add *layer* to the mask.
[method:null set]( [page:Integer layer] )
layer - an integer from 0 to 31.
Set the layer mask to the value *layer*.
[method:Boolean test]( [page:Integer layers] )
layers - a 32bit bit mask of layer numbers.
Returns true if *layers* and [page:.mask] have any bits set in common.
[method:null toggle]( [page:Integer layer] )
layer - an integer from 0 to 31.
Toggle the *layer* value in the mask.
Source
[link:https://github.com/mrdoob/three.js/blob/master/src/[path].js src/[path].js]


TUKUTANE
TZ
start selling !
login
select region
All regions
Arusha
Dar es Salaam
Dodoma
Iringa
Kagera
Kigoma
Kilimanjaro
Lindi
Manyara
Mara
Mbeya
Morogoro
Mtwara
Mwanza
Pemba North
Pemba South
Pwani
Rukwa
Ruvuma
Shinyanga
Singida
Tabora
Tanga
Zanzibar Central/South
Zanzibar North
Zanzibar Urban/West
select category
Select a category
Electronics
Home apliances
Smartphones - Accessories
Computer - Hardware - Software
TV & Videos
watches - Accessories
Fashion
shoes
girl fashions
boyz Clothings
jackets
Post your 30 day free offer.
Do you have something to sell? It’s free to post your ad on Tukutanetz!
recent added
Iphone 8
Sendro kali
samsung galaxy S5
TV nchi 32
buy product of your choice
Computer HP
420,000 TZS
chamanzi
SABUFA MZIKI FULL
620,000 TZS
janwani
KITANDA FUT 6X6
510,000 TZS
msimbazi centre
FRIDGE BADO MPYA
230,000 TZS
kariakoo
SOFA WATU 2
100,000 TZS
pugu
MOKA KALI
60,000 TZS
mabibo
FRIDGE & FRIZEER
560,000 TZS
bonyokwa
MEZA YA SITTING ROOM
50,000 TZS
kigamboni


influenza pig (.) virus pigs workers ARI (.%) households risk follow-up swine participants reported study {border-style px;} #ffffff;} poultry viruses non-pig pig-keeping []. respiratory swabs exposure human using (., illness positive collected including number transmission compared samples workers. zoonotic Kenya acute animal associated episodes level worker < education household humans lower model non-pig-keeping occurrence potential px; selected {font-family (%) Institute Kiambu animals conducted data enrolled factors font-size mixed months sampling total County Health Medical association chronic completed double; infection infections linear occupational participant sera size tested time used workers, Animal Disease Infectious Influenza KEMRI Pig Poisson Research border-color border-width characteristics enrolled, exposed farming findings half having herd higher households, incidence nasal pandemic persons pigs, practices prevalence ratio sampled seropositivity seroprevalence solid; studies surveillance working years {font-style {font-weight No > (Fig. (Table CDC Centers Control Funding However, Human Kenya. Microbiol. National United [], adjusted age bold courier; defined detection differences disease ducks, em; events farmers finding generalized group health human-animal included likely low majority mixed-effects month new novel oropharyngeal participants. previous protective pt;} reverse sample seropositive sex, significant strains study, study. value variables visit Yes


ftmsData object constructionFunctions to construct an ftmsData object |
|
|---|---|
Convert Data to compoundData Class |
|
Convert Data to moduleData Class |
|
Convert Data to peakData Class |
|
Convert Data to reactionData Class |
|
|
|
Subset an ftmsData object according to sample or group |
Summary of an ftmsData object |
|
Meta data calculationFunctions to calculate meta-data fields |
|
Wrapper function to calculate values associated with individual peaks/compounds |
|
Assign compound class to each peak/mass |
|
Assign elemental composition to each peak/mass |
|
Assign Molecular Formulae Based on Element Counts |
|
FilteringFunctions to filter |
|
Apply a S3 filter object to an ftmsData S3 object |
|
Filter Data Based on Mass Range |
|
Molecule filter object |
|
Formula filter object |
|
Create e\_meta filter object |
|
Plot formula filter |
|
Plot mass filter object |
|
Plot molecule filter data |
|
Default plot method for emetaFilt |
|
Summary method for formulaFilt object |
|
Summary method for massFilt object |
|
Summary method for moleculeFilt object |
|
Summary method for emetaFilt object |
|
Data transformationFunctions to transform data (e.g. scale) |
|
Replace Values Equal to x with y |
|
Apply a Transformation to the Data |
|
Treatment groups and group comparisonsDefining experimental groups and comparisons |
|
Creates Data Frame for Group Membership Based on Specified Main Effects |
|
Create a matrix of which pairwise comparisons to make |
|
Combine multiple distributed data objects of ftmsData |
|
Divide an ftmsData object by group to form a ddo |
|
Summarize samples to group level estimates |
|
Construct a ddo of group comparisons |
|
Divide an ftmsData objecdt by sample to form a ddo |
|
Summarize group comparisons |
|
Determine Unique and Common Masses Between Two Groups |
|
Determine Unique and Common Masses/Peaks for Two Groups |
|
Determine Unique and Common Masses/Peaks for Two Groups |
|
VisualizationVisualization methods |
|
Plot method for peakData objects |
|
Plot to look at the percentage of each class in the data |
|
Density plot of quantitative characteristic of peaks for a peakData or compoundData object |
|
Kendrick plot of an ftmsData object |
|
Van Krevelen plot of an ftmsData object |
|
Title |
|
Plot principal coordinates of ftmsData samples |
|
Vignette: Interactivity Between Plotly Plots |
|
Convenience function to wrap ftmsRanalysis plotting functions for Trelliscope |
|
Default cognostics for density plots in Trelliscope |
|
Default cognostics for Kendrick plots in Trelliscope |
|
Default cognostics for Van Krevelen plots in Trelliscope |
|
Database mappingFunctions to map to biological databases |
|
Map peak FT-MS data to compounds |
|
Map compound level data to reactions in MetaCyc |
|
Map compound level data to modules in MetaCyc |
|
Parse module reaction string |
|
Combine rows of an ftmsData object with the same mass formula |
|
Convenience methods |
|
Get data scale |
|
Get database associated with an ftmsData object |
|
Get group_DF attribute from ftmsData object |
|
Group summary functions |
|
Get instrument_type attribute from ftmsData object |
|
Get module name |
|
Get Van Krevelen category bounds for a boundary set |
|
Column name methodsMethods to get the column name used to store various meta data values |
|
Get the name of the aromaticity column |
|
Get the name of the peak class column based on boundary set 1 |
|
Get the name of the peak class column based on boundary set 2 |
|
Get the name of the peak class column based on boundary set 3 |
|
Get the name of the carbon column |
|
Get the name of the compound column |
|
Get the name of the double-bond equivalent AI column |
|
Get the name of the double-bond equivalent column |
|
Get the name of the double-bond equivalent minus oxygen column |
|
Get the name of the e_data unique identifier column |
|
Get the name of the elemental composition column |
|
Get the name of the extraction column |
|
Get the name of the f_data unique identifier column |
|
Get the name of the gibbs free energy column |
|
Get the name of the H:C ratio column |
|
Get the name of the hydrogen column |
|
Get the name of the isotopic column |
|
Get the name of the Kendrick defect column |
|
Get the name of the Kendrick mass column |
|
Get the name of the e_meta unique identifier column |
|
Get the name of the mf name/description column |
|
Get the name of the mass column |
|
Get the name of the modified aromaticity column |
|
Get the name of the module column |
|
Get the name of the module column |
|
Get the name of the N:C ratio column |
|
Get the name of the NOSC column |
|
Get the name of the N:P ratio column |
|
Get the name of the nitrogen column |
|
Get the name of the O:C ratio column |
|
Get the name of the oxygen column |
|
Get the name of the P:C ratio column |
|
Get the name of the phosphorus column |
|
Get the name of the reaction column |
|
Get the name of the sulfur column |
|
Example data objectsExample data included in the |
|
FTICR Data Object of Class peakData |
|
Processed FTICR Data Object of Class peakData |
|
FTICR Expression Data |
|
FTICR Peak Meta Information |
|
FTICR Sample Feature Data |


This area is rich in agriculture, growing most of Turkey's hazelnuts. Although this is a large commercial port, it is not very busy and it makes a very pleasent stop.
Position 40° 55.1’N, 38° 22.4’E.
The fishing harbour is very busy with the fishing fleet but the security here makes this a more desirable option than the commercial harbour.
Yachts are best to anchor in the outer fishing harbour.
In the commercial harbour, the Giresun Yacht Club (now appears closed) has a small dock near the end of the inner breakwater. With permission, visiting yachts may be able to use this. This mooring is less secure than in the fishing harbour.
As this is a commercial port, wash can sometimes be a problem.
Last updated February 2016.


I am a Computer Engineer with experience in software testing including mobile(Android & iOS) applications, web applications, and firmware testing.
Manage QA team and test software for Gate smart lock for Android and iOS mobile apps. Work across design, engineering and marketing teams to ensure successful product launches.
Responsible for selection and development of unit tests, firmware and hardware test cases. Worked in an Agile environment under the heads of Software, Firmware, Hardware department to improve quality of Gate smart lock. Compiled Standard Operating Procedure(SOP) document for testing during manufacturing of the Gate smart lock.
Senior design project- worked with a team to build a simple, portable system to stabilize camera movement while walking. Utilized embedded systems with Adruino Uno microcontroller & Tiva C series microprocessor. Utilized power management techniques for multiple gyroscopes, ADC ultrasonic sensors, motors with embedded C programming.
Apart from having an interest in all things related to tech, I like crafting work. I make handmade jewelry that I sell on a platform called Etsy. I also enjoy travelling and exploring new places. I have my own travel blog about my little adventures around the globe.
I also enjoy painting, reading, swimming and video gaming.


Joe Marion
Joe Marion
Our mission is to make it. Plain and simple we are just trying to make it in this world, make it in our lives, just make it... make it in our own way. We are tired of doing things society's way and have decided to travel on a more up-beat path. We are quitting our regular nine-to-five and deciding to make life an experience. An experience worth not forgetting. We invite you to take this journey with us.
My name is Joe Marion and I was born and raised in Chandler, AZ. Shortly after high school I joined the U.S. Air Force. I spent five years in the USAF as a TACP JTAC, but after spending so much time away from home after my daughter was born I felt it was time for a new career despite how much I loved the actual job. I knew that I wouldn't be able to go from a job that I enjoyed so much to one I didn't care for.. no matter the salery. I put a lot of thought into what I would enjoy the most.
When I first became a TACP I was constantly on the lookout for things that could make life easier for my successors. The most notable is my pre-test work. I have always enjoyed working on computers and learning the process behind them, so when I saw how much testable material that our job required I wanted to create something that made it easier to study. At the time, the people I was working with would make 500-700 flash cards on index paper to study for their slew of tests that we had to stay current on. I immediately thought it was ridiculous because the material was constantly updating, forcing people to create entirely new libraries of flashcards. This was the start, I began to learn how to use excel's macros to build my first "program" that was essentially just a group of quizzes that I could update and email out every time a new quiz came out.
A year and a lot of great feedback later, I decided that I wanted to try and create an iPhone app based off of the quiz. Most people would take time at work to study the quiz on the computer, but it was still a little too inconvenient for our work environment when we only had 2-3 government computers accessible. I decided to jump right in. I nervously bought my first Mac (after considering myself a loyal PC user) and consumed myself to create any MVP for my app. What I would have never expected was how much I enjoyed creating it. It was very challenging, and at the beginning there were times that I was certain that I was just incapable of completing it.. but when I had finished my first MVP, all the frustration had been worth it. The challenge and the amount of problem solving made me really have to think again, and I loved it.
This journey has extended further than just a job. It really has given me a different outlook on how I want to live the rest of my life. Originally I had planned on continueing working for the government and attempting to move towards a three-letter agency like the CIA or FBI. This has made me realize that there is more to life than just appearances and titles. Life is about living and just going for it. That's why we are Making it with the Marions, this is a story about how we are going to live our lives. Everyone makes it their own way. This is how we are going to.
Ever since I have changed my outlook, I have taken a much different approach on how I look at my entire life. Our family has decided that after missing out on a lot of time together and being stuck in a somewhat remote location that we want to spend time travelling the United States. We purchased an RV and plan to visit anywhere and everywhere on the way. I would prefer to get a remote job and be able to work on this blog.
Here is where I am going to type up a brief description of myself and a little about my experience. Most of my information can be located in the about page where I will link to myself from here.


This document describes the API of the JGoodies Forms,
a framework that helps you lay out and implement
elegant Swing panels quickly and consistently.
Forms makes simple things easy and the hard stuff possible,
the good design easy and the bad difficult.
Since Forms 1.10 Java 7 or later is required.
Find Forms versions for older Java at
here.
Getting Started
Forms ships with a tutorial
and tutorial sources. The compiled tutorial is available as
Forms Demo.
And you can find more examples at
www.JGoodies.com/freeware.
As a next step you can study the
JGoodies articles and presentations.
Open Issue
There's a weakness in the FormLayout that may require an API extension.
Components that span multiple columns or rows do not affect
the column width or row height resp.,
but can in some cases expand the container.
I'm looking for a means to let the layout grid honor these components
that is both powerful and easy to understand.
See item #3.5 in the accompanying FAQ for details and a workaround.


Your browser doesn't support the features required by impress.js, so you are presented with a simplified version of this concept.
For the best experience please use the latest Chrome, Safari or Firefox browser.
{{ concept.title }}
Use a spacebar or arrow keys to navigate


The following theme-related CSS custom properties are generated through the theme creation process and therefore available to use throughout your application should you decide to use them to further customize your brand's appearance. By default, the values of these properties are set to use the Dematic brand theme. However, you can easily override all of the following default value with your own theme values using the SCSS methods definded in the Theme System documentation.
These values can be overwritten using the wuf-theme-colors()
method. See Theme System documentation for more information.
| CSS Custom property | Description | Value |
|---|---|---|
| primary color | ||
| --wuf-color-primary | The primary color is typically the brightest and most easily identifiable color within a brand's identity. If only one color must be selected to represent a brand's entire identity, it is the primary color. This color is used to denote an active or selected state and is applied to primary calls to action (as with a submit button). |
#03A9F4
|
| --wuf-color-primary-darker-5 | color variant of --wuf-color-primary |
#009CE7
|
| --wuf-color-primary-darker-10 | color variant of --wuf-color-primary |
#0090DB
|
| --wuf-color-primary-darker-15 | color variant of --wuf-color-primary |
#0083CE
|
| --wuf-color-primary-darker-20 | color variant of --wuf-color-primary |
#0076C1
|
| --wuf-color-primary-darker-25 | color variant of --wuf-color-primary |
#0069B4
|
| --wuf-color-primary-darker-30 | color variant of --wuf-color-primary |
#005DA8
|
| --wuf-color-primary-darker-35 | color variant of --wuf-color-primary |
#00509B
|
| --wuf-color-primary-darker-40 | color variant of --wuf-color-primary |
#00438E
|
| --wuf-color-primary-darker-45 | color variant of --wuf-color-primary |
#003681
|
| --wuf-color-primary-darker-50 | color variant of --wuf-color-primary |
#002A75
|
| --wuf-color-primary-lighter-10 | color variant of --wuf-color-primary |
#1DC3FF
|
| --wuf-color-primary-lighter-20 | color variant of --wuf-color-primary |
#36DCFF
|
| --wuf-color-primary-lighter-30 | color variant of --wuf-color-primary |
#50F6FF
|
| --wuf-color-primary-lighter-40 | color variant of --wuf-color-primary |
#69FFFF
|
| --wuf-color-primary-lighter-50 | color variant of --wuf-color-primary |
#82FFFF
|
| --wuf-color-primary-lighter-60 | color variant of --wuf-color-primary |
#9CFFFF
|
| --wuf-color-primary-lighter-70 | color variant of --wuf-color-primary |
#B6FFFF
|
| secondary color | ||
| --wuf-color-secondary | The secondary color plays a support role and is typically the more subdued color of a brand's identity. While it may be more subdued, it is often/usually the color that constitutes the greatest area of a UI in terms of pixel count. Application framing and background colors often use the secondary color. |
#424242
|
| --wuf-color-secondary-darker-5 | color variant of --wuf-color-secondary |
#353535
|
| --wuf-color-secondary-darker-10 | color variant of --wuf-color-secondary |
#292929
|
| --wuf-color-secondary-darker-15 | color variant of --wuf-color-secondary |
#1C1C1C
|
| --wuf-color-secondary-darker-20 | color variant of --wuf-color-secondary |
#0F0F0F
|
| --wuf-color-secondary-darker-25 | color variant of --wuf-color-secondary |
#020202
|
| --wuf-color-secondary-darker-30 | color variant of --wuf-color-secondary |
#000000
|
| --wuf-color-secondary-darker-35 | color variant of --wuf-color-secondary |
#000000
|
| --wuf-color-secondary-darker-40 | color variant of --wuf-color-secondary |
#000000
|
| --wuf-color-secondary-darker-45 | color variant of --wuf-color-secondary |
#000000
|
| --wuf-color-secondary-darker-50 | color variant of --wuf-color-secondary |
#000000
|
| --wuf-color-secondary-lighter-10 | color variant of --wuf-color-secondary |
#5C5C5C
|
| --wuf-color-secondary-lighter-20 | color variant of --wuf-color-secondary |
#757575
|
| --wuf-color-secondary-lighter-30 | color variant of --wuf-color-secondary |
#8F8F8F
|
| --wuf-color-secondary-lighter-40 | color variant of --wuf-color-secondary |
#A8A8A8
|
| --wuf-color-secondary-lighter-50 | color variant of --wuf-color-secondary |
#A8A8A8
|
| --wuf-color-secondary-lighter-60 | color variant of --wuf-color-secondary |
#DBDBDB
|
| --wuf-color-secondary-lighter-70 | color variant of --wuf-color-secondary |
#F5F5F5
|
| accent color | ||
| --wuf-color-accent | The accent color is used for floating action buttons and other interactive elements, serving as visual contrast to the primary. UI elements that must present a selected state, active items, and enabled states use the accent color for this purpose. |
#fca700
|
| --wuf-color-accent-darker-5 | color variant of --wuf-color-accent |
#EF9A00
|
| --wuf-color-accent-darker-10 | color variant of --wuf-color-accent |
#E38E00
|
| --wuf-color-accent-darker-15 | color variant of --wuf-color-accent |
#D68100
|
| --wuf-color-accent-darker-20 | color variant of --wuf-color-accent |
#C97400
|
| --wuf-color-accent-darker-25 | color variant of --wuf-color-accent |
#BC6700
|
| --wuf-color-accent-darker-30 | color variant of --wuf-color-accent |
#B05B00
|
| --wuf-color-accent-darker-35 | color variant of --wuf-color-accent |
#A34E00
|
| --wuf-color-accent-darker-40 | color variant of --wuf-color-accent |
#964100
|
| --wuf-color-accent-darker-45 | color variant of --wuf-color-accent |
#893400
|
| --wuf-color-accent-darker-50 | color variant of --wuf-color-accent |
#7D2800
|
| --wuf-color-accent-lighter-10 | color variant of --wuf-color-accent |
#FFC11A
|
| --wuf-color-accent-lighter-20 | color variant of --wuf-color-accent |
#FFDA33
|
| --wuf-color-accent-lighter-30 | color variant of --wuf-color-accent |
#FFF44D
|
| --wuf-color-accent-lighter-40 | color variant of --wuf-color-accent |
#FFFF66
|
| --wuf-color-accent-lighter-50 | color variant of --wuf-color-accent |
#FFFF7F
|
| --wuf-color-accent-lighter-60 | color variant of --wuf-color-accent |
#FFFF99
|
| --wuf-color-accent-lighter-70 | color variant of --wuf-color-accent |
#FFFFB3
|
| success color | ||
| --wuf-color-success | The success color is used to convey successful completion of an user activity to call attention to a positive metric or condition. Given that positive metrics or conditions (hopefully the default state), it's generally not necessary to call attention to UI elements using success coloring so this color is generally reserved for success messaging following user activity. |
#5cb85c
|
| --wuf-color-success-darker-5 | color variant of --wuf-color-success |
#4cae4c
|
| --wuf-color-success-darker-10 | color variant of --wuf-color-success |
#449d44
|
| --wuf-color-success-darker-15 | color variant of --wuf-color-success |
#3d8b3d
|
| --wuf-color-success-darker-20 | color variant of --wuf-color-success |
#357935
|
| --wuf-color-success-darker-25 | color variant of --wuf-color-success |
#2d672d
|
| --wuf-color-success-darker-30 | color variant of --wuf-color-success |
#255625
|
| --wuf-color-success-darker-35 | color variant of --wuf-color-success |
#1e441e
|
| --wuf-color-success-darker-40 | color variant of --wuf-color-success |
#163216
|
| --wuf-color-success-darker-45 | color variant of --wuf-color-success |
#0e200e
|
| --wuf-color-success-darker-50 | color variant of --wuf-color-success |
#060f06
|
| --wuf-color-success-lighter-10 | color variant of --wuf-color-success |
#80c780
|
| --wuf-color-success-lighter-20 | color variant of --wuf-color-success |
#a3d7a3
|
| --wuf-color-success-lighter-30 | color variant of --wuf-color-success |
#c7e6c7
|
| --wuf-color-success-lighter-40 | color variant of --wuf-color-success |
#eaf6ea
|
| --wuf-color-success-lighter-50 | color variant of --wuf-color-success |
#ffffff
|
| --wuf-color-success-lighter-60 | color variant of --wuf-color-success |
#ffffff
|
| --wuf-color-success-lighter-70 | color variant of --wuf-color-success |
#ffffff
|
| info color | ||
| --wuf-color-info | The info color is used to convey information of an informative, non-urgent nature. Users are not required to take action when informational data is displayed. |
#03A9F4
|
| --wuf-color-info-darker-5 | color variant of --wuf-color-info |
#009CE7
|
| --wuf-color-info-darker-10 | color variant of --wuf-color-info |
#0090DB
|
| --wuf-color-info-darker-15 | color variant of --wuf-color-info |
#0083CE
|
| --wuf-color-info-darker-20 | color variant of --wuf-color-info |
#0076C1
|
| --wuf-color-info-darker-25 | color variant of --wuf-color-info |
#0069B4
|
| --wuf-color-info-darker-30 | color variant of --wuf-color-info |
#005DA8
|
| --wuf-color-info-darker-35 | color variant of --wuf-color-info |
#00509B
|
| --wuf-color-info-darker-40 | color variant of --wuf-color-info |
#00438E
|
| --wuf-color-info-darker-45 | color variant of --wuf-color-info |
#003681
|
| --wuf-color-info-darker-50 | color variant of --wuf-color-info |
#002A75
|
| --wuf-color-info-lighter-10 | color variant of --wuf-color-info |
#1DC3FF
|
| --wuf-color-info-lighter-20 | color variant of --wuf-color-info |
#36DCFF
|
| --wuf-color-info-lighter-30 | color variant of --wuf-color-info |
#50F6FF
|
| --wuf-color-info-lighter-40 | color variant of --wuf-color-info |
#69FFFF
|
| --wuf-color-info-lighter-50 | color variant of --wuf-color-info |
#82FFFF
|
| --wuf-color-info-lighter-60 | color variant of --wuf-color-info |
#9CFFFF
|
| --wuf-color-info-lighter-70 | color variant of --wuf-color-info |
#B6FFFF
|
| warning color | ||
| --wuf-color-warning | The warning color is used to convey information of a potentially serious nature that the user may need to act on. The state is not yet non-blocking but may become so unless the user acts. |
#fdd835
|
| --wuf-color-warning-darker-5 | color variant of --wuf-color-warning |
#fdd31c
|
| --wuf-color-warning-darker-10 | color variant of --wuf-color-warning |
#fdce03
|
| --wuf-color-warning-darker-15 | color variant of --wuf-color-warning |
#e3ba02
|
| --wuf-color-warning-darker-20 | color variant of --wuf-color-warning |
#caa502
|
| --wuf-color-warning-darker-25 | color variant of --wuf-color-warning |
#b19002
|
| --wuf-color-warning-darker-30 | color variant of --wuf-color-warning |
#987c02
|
| --wuf-color-warning-darker-35 | color variant of --wuf-color-warning |
#7e6701
|
| --wuf-color-warning-darker-40 | color variant of --wuf-color-warning |
#655301
|
| --wuf-color-warning-darker-45 | color variant of --wuf-color-warning |
#4c3e01
|
| --wuf-color-warning-darker-50 | color variant of --wuf-color-warning |
#332901
|
| --wuf-color-warning-lighter-10 | color variant of --wuf-color-warning |
#fee268
|
| --wuf-color-warning-lighter-20 | color variant of --wuf-color-warning |
#feec9a
|
| --wuf-color-warning-lighter-30 | color variant of --wuf-color-warning |
#fff5cd
|
| --wuf-color-warning-lighter-40 | color variant of --wuf-color-warning |
#ffffff
|
| --wuf-color-warning-lighter-50 | color variant of --wuf-color-warning |
#ffffff
|
| --wuf-color-warning-lighter-60 | color variant of --wuf-color-warning |
#ffffff
|
| --wuf-color-warning-lighter-70 | color variant of --wuf-color-warning |
#ffffff
|
| danger color | ||
| --wuf-color-danger | The danger color is used to indicate a blocking or error condition that the user must act on before they can proceed. A system in this state is blocking in nature and requires immediate attention and action. |
#dd2c00
|
| --wuf-color-danger-darker-5 | color variant of --wuf-color-danger |
#c42700
|
| --wuf-color-danger-darker-10 | color variant of --wuf-color-danger |
#a20000
|
| --wuf-color-danger-darker-15 | color variant of --wuf-color-danger |
#911d00
|
| --wuf-color-danger-darker-20 | color variant of --wuf-color-danger |
#771800
|
| --wuf-color-danger-darker-25 | color variant of --wuf-color-danger |
#5e1300
|
| --wuf-color-danger-darker-30 | color variant of --wuf-color-danger |
#440e00
|
| --wuf-color-danger-darker-35 | color variant of --wuf-color-danger |
#2b0800
|
| --wuf-color-danger-darker-40 | color variant of --wuf-color-danger |
#110300
|
| --wuf-color-danger-darker-45 | color variant of --wuf-color-danger |
#000000
|
| --wuf-color-danger-darker-50 | color variant of --wuf-color-danger |
#000000
|
| --wuf-color-danger-lighter-10 | color variant of --wuf-color-danger |
#FFC11A
|
| --wuf-color-danger-lighter-20 | color variant of --wuf-color-danger |
#dd2c00
|
| --wuf-color-danger-lighter-30 | color variant of --wuf-color-danger |
#ff4011
|
| --wuf-color-danger-lighter-40 | color variant of --wuf-color-danger |
#ff6944
|
| --wuf-color-danger-lighter-50 | color variant of --wuf-color-danger |
#ff9277
|
| --wuf-color-danger-lighter-60 | color variant of --wuf-color-danger |
#fbaaaa
|
| --wuf-color-danger-lighter-70 | color variant of --wuf-color-danger |
#ffe4dd
|
|
RGB variants
RGB variants of Main colors - Convert SCSS variables to rgb values that can be used in CSS rgb/rgba
functions. It is recommended to use the wuf-theme-colors() mixin from
"~@anviltech/wuf-web-assets/assets/styles/partials/themes" to generate these
|
||
| --wuf-color-rgb-primary | A string of space-separated RGB values that can be used in CSS rgb/rgba functions |
3, 169, 244
|
| --wuf-color-rgb-secondary | A string of space-separated RGB values that can be used in CSS rgb/rgba functions |
66, 66, 66
|
| --wuf-color-rgb-accent | A string of space-separated RGB values that can be used in CSS rgb/rgba functions |
252, 167, 0
|
| --wuf-color-rgb-success | A string of space-separated RGB values that can be used in CSS rgb/rgba functions |
92, 184, 92
|
| --wuf-color-rgb-info | A string of space-separated RGB values that can be used in CSS rgb/rgba functions |
3, 169, 244
|
| --wuf-color-rgb-warning | A string of space-separated RGB values that can be used in CSS rgb/rgba functions |
253, 216, 53
|
| --wuf-color-rgb-danger | A string of space-separated RGB values that can be used in CSS rgb/rgba functions |
221, 44, 0
|
|
grays
The following gray variants are also available for use (or override) within the application.
|
||
| --wuf-color-white | White |
#ffffff
|
| --wuf-color-gray-100 | Gray variant |
#F5F5F5
|
| --wuf-color-gray-200 | Gray variant |
#EEEEEE
|
| --wuf-color-gray-300 | Gray variant |
#E0E0E0
|
| --wuf-color-gray-400 | Gray variant |
#BDBDBD
|
| --wuf-color-gray-500 | Gray variant |
#9E9E9E
|
| --wuf-color-gray-600 | Gray variant |
#757575
|
| --wuf-color-gray-700 | Gray variant |
#616161
|
| --wuf-color-gray-800 | Gray variant |
#424242
|
| --wuf-color-gray-900 | Gray variant |
#212121
|
| --wuf-color-black | Black |
#00000
|
These values can be overwritten using the wuf-theme-logo()
method. See Theme System documentation for more information.
| CSS Custom property | Description | Value |
|---|---|---|
| --wuf-header-logo-width | The width of the logo image. This value should not exceed 130px. | 120px |
| --wuf-header-logo-height | The height of the logo image. This value should not exceed 40px. | 25px |
| --wuf-logo-url | The URL for the logo. Using an svg image format is highly recommended. Note the use of base-href on the Theme System page under the Define Brand Logo section. | url('../../assets/images/logo.svg') |
These values can be overwritten using the wuf-theme-typography()
method. See Theme System documentation for more information.
| CSS Custom property | Description | Value |
|---|---|---|
| Base Font Styles | ||
| --wuf-body-color | The base font color. | var(--wuf-color-gray-700) |
| --wuf-font-family-sans-serif | The font to use where a san-serif font is required. | Roboto, "Segoe UI", "Helvetica Neue", Arial, sans-serif |
| --wuf-font-family-serif | The font to use where a serif font is required. | "Times New Roman", Times, serif |
| --wuf-font-family-monospace | The font to use where a monospace font is required. | SFMono-Regular, Menlo, Monaco, Consolas, "Liberation Mono", "Courier New", monospace |
| --wuf-font-family-base | The base font family. | var(--wuf-font-family-sans-serif) |
| --wuf-font-size-base | The base font size. | 1rem |
| --wuf-headings-font-family | The font family to user for headings. | inherit |
| --wuf-headings-font-weight | The font weight for headings. | 500 |
| --wuf-headings-color | The color to use for headings. | inherit |
| --wuf-h1-font-size | The font size for h1 headings. | 2.5rem |
| --wuf-h2-font-size | The font size for h2 headings. | 2rem |
| --wuf-h3-font-size | The font size for h3 headings. | 1.75rem |
| --wuf-h4-font-size | The font size for h4 headings. | 1.5rem |
| --wuf-h5-font-size | The font size for h5 headings. | 1.25rem |
| --wuf-h6-font-size | The font size for h6 headings. | 1rem |
| --wuf-font-weight-light | The font weight to use where light-weight font is required. | 300 |
| --wuf-font-weight-normal | The font weight to use where normal-weight font is required. | 400 |
| --wuf-font-weight-bold | The font weight to use where heavy-weight font is required. | 700 |
| --wuf-font-muted-color | The color to use for muted type. | var(--wuf-color-gray-600) |
| Base Font Styles | ||
| --wuf-link-color | Link color. | var(--wuf-color-primary) |
| --wuf-link-decoration | Link decoration. | none |
| --wuf-link-hover-color | Link hover color. | var(--wuf-color-primary-darker-5) |
| --wuf-link-hover-decoration | Link hover decoration. | underline |
| Base Font Styles | ||
| --wuf-code-color | Color for text in <code> blocks. | var(--wuf-color-gray-600) |
| --wuf-code-bg-color | Background color for <code> blocks. | var(--wuf-color-gray-300) |
| --wuf-code-size | Font size for <code> blocks. | 87.5% |
| Base Font Styles | ||
| varname | Description. | varvalue |