scene_index
int64 | scene_text
string | imdb_id
string | budget
float64 | revenue
float64 | roi
float64 | success_label
int64 | vote_average
float64 | vote_count
float64 | popularity
float64 | runtime
float64 | release_year
float64 | genres
string | original_language
string |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
25
|
EXT. DOWNTOWN STREET - NIGHT
Kat emerges from a music store carrying a bag of CDs in her teeth , and fumbling through her purse with both hands . She finds her keys and pulls them out with a triumphant tug . She looks up and finds Patrick sitting on the hood of her car
PATRICK
Nice ride. Vintage fenders.
Kat takes the bag out of her mouth .
KAT
Are you following me?
PATRICK
I was in the laundromat. I saw your car. Thought I'd say hi.
KAT
Hi
She gets in and starts the car .
PATRICK
You're not a big talker, are you?
KAT
Depends on the topic. My fenders do n't really whip me into a verbal frenzy.
She starts to pull out , and is blocked by Joey 's Viper , which pulls up perpendicular to her rear and parks . Joey and his groupies emerge and head for the liquor store
KAT
( continuing . )
Hey - do you mind?
JOEY
Not at all
They continue on into the store . Kat stares at them in disbelief . Then BACKS UP Her vintage fenders CRASH into the door of Joey 's precious Viper . Patrick watches with a delighted grin Joey races out of the liquor store .
JOEY
( continuing . )
You fucking bitch!
Kat pulls forward and backs into his car again . Smiling sweetly .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
26
|
INT. STRATFORD HOUSE - NIGHT
Walter paces as Kat sits calmly on the couch .
WALTER
My insurance does not cover PMS
KAT
Then tell them I had a seizure.
WALTER
Is this about Sarah Lawrence? You punishing me?
KAT
I thought you were punishing me.
WALTER
Why ca n't we agree on this?
KAT
Because you're making decisions for me.
WALTER
As a parent, that's my right
KAT
So what I want does n't matter?
WALTER
You're eighteen. You do n't know what you want. You wo n't know until you're forty - five and you do n't have it.
KAT
( emphatic . )
I want to go to an East Coast school! I want you to trust me to make my own choices. I want -
Walter 's BEEPER goes off
WALTER
Christ! I want a night to go by that I'm not staring a contraction in the face.
He walks out , leaving Kat stewing on the couch .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
27
|
INT. HALLWAY - DAY
Patrick shuts his graffiti - encrusted locker , revealing Joey 's angry visage , glowering next to him .
JOEY
When I shell out fifty, I expect results.
PATRICK
I'm on it
JOEY
Watching the bitch trash my car does n't count as a date.
PATRICK
I got her under control. She just acts crazed in public to keep up the image.
Joey sees through the bluff
JOEY
Let me put it to you this way, if you do n't get any action, I do n't get any action. So get your ass on hers by the end of the week.
Joey starts to walk off
PATRICK
I just upped my price
JOEY
( turning . )
What?
PATRICK
A hundred bucks a date.
JOEY
Forget it.
PATRICK
Forget her sister, then.
Joey thinks for a frustrated moment , PUNCHES the locker , then peels another fifty out of his wallet with a menacing scowl .
JOEY
You better hope you're as smooth as you think you are, Verona.
Patrick takes the money with a smile .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
28
|
INT. TUTORING ROOM - DAY
Cameron runs a sentence past Bianca .
CAMERON
La copine et I ` ami? La diferance?
Bianca glares at him .
BIANCA
A `` copine'' is someone you can count on. An `` ami'' is someone who makes promises he ca n't keep.
Cameron closes the French book
CAMERON
You got something on your mind?
BIANCA
I counted on you to help my cause. You and that thug are obviously failing. Are n't we ever going on our date?
He melts
CAMERON
You have my word. As a gentleman
BIANCA
You're sweet.
She touches his hand . He blushes at her praise and watches her toss her hair back
CAMERON
( appreciative . )
How do you get your hair to look like that?
BIANCA
Eber's Deep Conditioner every two days. And I never, ever use a blowdryer without the diffuser attachment.
Cameron nods with interest .
CAMERON
You know, I read an article about that.
Bianca looks surprised .
BIANCA
You did?
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
29
|
INT. BOY'S ROOM - DAY
Patrick stands at the sink , washing his hands Michael and Cameron cower in the corner , watching him .
PATRICK
( without turning around . )
Say it
MICHAEL
( clearing his throat . )
What?
PATRICK
Whatever the hell it is you're standin' there waitin' to say.
Cameron bravely steps forward
CAMERON
We wanted to talk to you about the plan.
Patrick turns toward them .
PATRICK
What plan?
MICHAEL
The situation is, my man Cameron here has a major jones for Bianca Stratford.
PATRICK
What is it with this chick? She have three tits?
Cameron starts to object , but Michael holds up a hand .
MICHAEL
I think I speak correctly when I say that Cameron's love is pure. Purer than say - Joey Dorsey's.
PATRICK
Dorsey can plow whoever he wants. I'm just in this for the cash.
Cameron starts choking at the thought of Joey plowing his beloved Bianca .
MICHAEL
That's where we can help you. With Kat.
PATRICK
So Dorsey can get the girl?
MICHAEL
Patrick, Pat, you're not looking at the big picture. Joey's just a pawn. We set this whole thing up so Cameron can get the girl.
Patrick smiles . He likes the idea of Joey being a pawn in this game .
PATRICK
You two are gon na help me tame the wild beast?
MICHAEL
( grinning . )
We're your guys.
CAMERON
And he means that strictly in a non - prison - movie type of way.
PATRICK
Yeah - we'll see.
He swings the door open and exits , leaving Michael and Cameron grinning at each other .
MICHAEL
We're in.
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
30
|
INT. CLASSROOM - DAY
CU on a party invitation as it gets handed out . `` Future Princeton Grad Bogey Lowenstein proudly presents a Saturday night bash at his abode . Casual attire '' . Michael holds the invitation up to Cameron .
CAMERON
This is it. A golden opportunity. Patrick can ask Katarina to the party.
MICHAEL
In that case, we'll need to make it a school - wide blow out.
CAMERON
Will Bogey get bent?
MICHAEL
Are you kidding? He'll piss himself with joy. He's the ultimate kiss ass.
CAFETERIA - DAY Michael hands a jock the party invite as they pass each other at the trash cans .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
31
|
INT. GYM CLASS - DAY
The jock calls a fellow jock
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
32
|
INT. MATH CLASS - DAY
Jock whispers to a cheerleader COURTYARD - DAY The cheerleader calls a White Rasta that she 's making out with , showing him the invite . TRACK - DAY The White Rasta tells a cowboy as they run laps during track practice .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
33
|
INT. SHOWERS - DAY
The cowboy Cells a Coffee Kid , as he shields his java from the spray of the shower .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
34
|
INT. HALLWAY - DAY
Joey stands ac his open locker with Bianca . The locker is an homage to Joey 's `` modeling '' career . Cheesy PRINT ADS of him - running in a field of daisies , petting a kitten , etc. . - adorn the locker door .
JOEY
Which do you like better?
INSERT - HEADSHOTS of Joey . In one , he 's pouting in a white shirt . In the other , he 's pouting in a black shirt .
BIANCA
I think I like the white shirt
Joey nods thoughtfully .
JOEY
It's more
BIANCA
Expensive?
JOEY
Exactly.
( beat . )
So, you going to Bogey Lowenbrau's thing on Saturday?
BIANCA
Hopefully.
He gives her his best flirtatious smile
JOEY
Good,'cause I'm not gon na bother if you wo n't be there.
He taps her on the nose and she giggles
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
35
|
INT. TUTORING ROOM
Bianca sits across from Cameron , who 's transfixed , as always
BIANCA
Have you heard about Bogey Lowenstein's party?
CAMERON
Sure have.
BIANCA
( pouting . )
I really, really, really wan na go, but I ca n't. Not unless my sister goes.
CAMERON
I'm workin' on it. But she does n't seem to be goin' for him.
He fishes .
CAMERON
( continuing . )
She's not a.
BIANCA
Lesbian? No. I found a picture of Jared Leto in one of her drawers, so I'm pretty sure she's not harboring same - sex tendencies.
CAMERON
So that's the kind of guy she likes? Pretty ones?
BIANCA
Who knows? All I've ever heard her say is that she'd dip before dating a guy that smokes.
Cameron furiously takes notes
CAMERON
All right. What else is she partial to?
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
36
|
INT. DIVE BAR - NIGHT
Patrick plays pool with some random deviant cronies . He looks up when he hears a COMMOTION at the door . LOU the bouncer is in the midst of throwing Michael and Cameron out .
PATRICK
Lou, it's okay. They're with me.
Lou looks at Patrick , surprised , then reluctantly lets our two non - deviants pass through . Patrick guides them to a table and sips from a beer .
PATRICK
( continuing . )
What've you got for me?
CAMERON
I've retrieved certain pieces of information on Miss Katarina Stratford I think you'll find helpful.
Cameron pulls out a piece of paper .
MICHAEL
( to Patrick . )
One question before we start - should you be drinking alcohol when you do n't have a liver ?
PATRICK
What?!
MICHAEL
Good enough.
Cameron looks up at Patrick .
CAMERON
Number one. She hates smokers
MICHAEL
It's a lung cancer issue
CAMERON
Her favorite uncle
MICHAEL
Dead at forty - one.
Patrick sits up
PATRICK
Are you telling me I'm a -.
( spits the word out . )
`` non - smoker''?
MICHAEL
Just for now.
CAMERON
Another thing. Bianca said that Kat likes - pretty guys.
This is met with silence . Then :
PATRICK
What? You do n't think I'm pretty?
Michael smacks Cameron
MICHAEL
He's pretty!
CAMERON
Okay! I was n't sure
Cameron goes back to the list .
CAMERON
( continuing . )
Okay - Likes : Thai food, feminist prose, and `` angry, stinky girl music of the indie - rock persuasion''.
PATRICK
So what does that give me? I'm supposed to buy her some noodles and a book and sit around listening to chicks who ca n't play their instruments?
MICHAEL
Ever been to Club Skunk?
PATRICK
Yeah.
CAMERON
Gigglepuss is playing there tomorrow night.
PATRICK
Do n't make me do it, man
MICHAEL
Assail your ears for one night.
CAMERON
It's her favorite band.
Patrick groans
MICHAEL
I also retrieved a list of her most recent CD purchases, courtesy of American Express.
He hands it over .
PATRICK
( smiling . )
Michael - did you get this information `` illegally''?
Michael puts a finger to his lips .
MICHAEL
I prefer to think of it simply as an alternative to what the law allows.
PATRICK
I'm likin' you guys better
He looks down at the list of CDs .
PATRICK
( continuing . )
This is really music?
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
37
|
INT. KAT'S ROOM - NIGHT
MUSIC BLARES in a room with minimalist decor splashed with indie rock band posters and flyers . Kat and Mandella dance as they dress and apply make - up Bianca enters , interrupting their fun .
BIANCA
Can you turn down the Screaming Menstrual Bitches? I'm trying to study.
Kat does n't move , so Bianca crosses to the stereo , turning down the volume .
BIANCA
( continuing . )
Do n't tell me you're actually going out? On a school night, no less.
Kat shoots her a glare
BIANCA
( continuing ; excited . )
Oh my God, does this mean you're becoming normal?
KAT
It means that Gigglepuss is playing at Club Skunk and we're going.
BIANCA
( disappointed . )
Oh, I thought you might have a date.
( beat . )
I do n't know why I'm bothering to ask, but are you going to Bogey Lowenstein's party Saturday night?
KAT
What do you think?
BIANCA
I think you're a freak. I think you do this to torture me. And I think you suck.
She smiles sweetly and shuts the door behind her . Kat does n't bat an eye . She grabs her purse and opens the door
KAT
Let's hit it.
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
38
|
EXT. CLUB SKUNK - NIGHT
A happy black and white neon skunk sprays fine mist on the line of kids below .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
39
|
INT. CLUB FOYER - NIGHT
Kat and Mandella walk in , Mandella nervously pulling out her fake ID . The giant , afroed bouncer , BRUCE , looks typically mono - syllabic .
MANDELLA
( whispering to Kat . )
You think this'll work?
KAT
No fear.
They approach Bruce . Kat puts on her happy , shiny face
KAT
( continuing . )
Hello! We'd like two for Gigglepuss!
Bruce looks the girls up and down .
BRUCE
I can count.
He looks at their IDs . Mandella gently moves Kat aside , wearing a face that could only be described as `` I AM a Victoria 's Secret model . ''
MANDELLA
I'll bet you can.
She sticks out her chest and licks her lips . Bruce stares at her deadpan and hands her back the IDs .
BRUCE
Go ahead.
( to Mandella . )
And you
MANDELLA
( all come hither . )
Yes?
BRUCE
Take it easy on the guys in there.
Mandella winks at him and sashays inside Kat : follows behind , shaking her head .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
40
|
EXT. CLUB SKUNK - NIGHT
Patrick 's mail truck clatters to a stop out front .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
41
|
INT. CLUB FOYER - NIGHT
Patrick walks up to Bruce , who 's frisking a badly mowhawked PIERCED EYEBROW BOY . Bruce pulls a SWITCHBLADE out of the boy 's inside pocket .
BRUCE
Next time, leave the Bic at home, Skippy.
SKIPPY
It's a bottle opener.
Bruce pushes him inside the club , then sees Patrick .
BRUCE
Verona, my man.
They shake .
PATRICK
Always a pleasure, Brucie.
BRUCE
Did n't have you pegged for a Gigglepuss fan. Are n't they a little too pre - teen belly - button ring for you?
PATRICK
Fan of a fan. You see a couple of minors come in?
BRUCE
Never
PATRICK
Padua girls. One tall, decent body. The other one kinda short and undersexed?
BRUCE
Just sent'em through.
Patrick starts to go in
BRUCE
( continuing . )
Hey - what happened to that chick you brought last time? The one with the snake?
Patrick laughs and goes into the club
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
42
|
INT. CLUB - NIGHT
Onstage , the all - female band GIGGLEPUSS is parlaying their bad girl sass into a ripping punk number . Near the stage is a joyful mass of pogo - ing teens AT THE BAR Patrick bellies up and looks around the club . Gigglepuss finishes a song .
LEAD SINGER
Hello, out there. We're Gigglepuss and we're from Olympia.
A teenage boy in the audience takes the opportunity to scream .
BOY
( 0 .
S . )
Pet my kitty!
LEAD SINGER
Meow
They rev into their next song . NEAR THE STAGE Mandella and Kat glow with sweat . When they hear the opening chords of the song , they look at each other and scream with glee as they begin to dance . They could n't be having a better time . AT THE BAR Patrick signals to get the bartender 's attention and looks across the bouncing surge of the crowd . He spots Kat and Mandella singing along . HIS POV The gleeful Kat - dancing and looking completely at ease . None of her usual `` attitude '' . Patrick is transfixed . And most definitely attracted . NEAR THE STAGE Kat looks at Mandella .
KAT
( shouting . )
I need agua!
She makes her way through the crowd to the bar . AT THE BAR She made it . She signals for the bartender and as she 's waiting , looks around . She spots Patrick a few feet away
KAT
( continuing to herself . )
Shit
She sneaks a glance . He 's staring , but this time he looks away before she can . Despite herself , she 's miffed . The bartender arrives BARTENDER . -LRB- shouting . -RRB- What can I get you ?
KAT
Two waters.
She looks at Patrick again . He 's completely absorbed in the band . She scowls . The bottled water arrives and she marches off , forgetting to pay . She walks up to Patrick .
KAT
( continuing . )
You're not fooling anyone.
Patrick looks at her , surprised
PATRICK
( yelling . )
hey. Great show, huh?
KAT
( yelling . )
If you 're planning on asking me out you might as well get it over with .
PATRICK
( yelling . )
Excuse me?
KAT
( yelling . )
That's what you want, is n't it?
PATRICK
( yelling ; gesturing toward the band . )
Do you mind? You're sort of ruining it for me.
Kat steams . And watches him watch the band
KAT
( yelling . )
You're not surrounded by your usual cloud of smoke.
The band takes a break , so they can stop yelling now
PATRICK
I know. I quit.
He leans back , making no attempt to hit on her . She moves closer .
KAT
Oh, really?
He motions toward the stage
PATRICK
You know, these guys are no Bikini Kill or The Raincoats, but they're right up there.
KAT
You know who The Raincoats are?
PATRICK
Why, do n't you?
She 's completely taken aback . He uses the moment to his advantage and brushes her hair back as he speaks right into her ear .
PATRICK
( continuing . )
I watched you out there I've never seen you look like that
Kat steps away , brushing the hair back that he just touched Her cheeks pinken . His cocky side is back in a flash
PATRICK
( continuing . )
Come to that party with me.
At that moment , the band starts another SONG
KAT
( yelling . )
What?
The bartender approaches . BARTENDER . -LRB- to Kat , yelling . -RRB- You forgot to pay !
PATRICK
( yelling . )
I got it, Rick.
He tosses some bills on the bar Rather than thank him , Kat simply watches him , trying to figure out his motive .
PATRICK
( continuing ; yelling . )
Nine - thirty then.
A few people have gotten between them at the bar and she ca n't hear a word he 's saying . She gives him one last look and heads back into the crowd . Patrick smiles . She did n't say no this time .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
43
|
EXT. CLUB SKUNK - NIGHT
The crowd files out of the club , Kat and Mandella amongst them . A ^ they 're walking toward the parking lot , Patrick coasts by in his truck . The gears GRIND . He yells out the window .
MANDELLA
What'd he say?
KAT
Who cares?
Mandella watches Kat as she stares after Patrick
MANDELLA
Has he importun'd you with love in honourable fashion?
Kat glances sharply at her .
MANDELLA
( continuing ; off her look . )
Do n't be Cruella with me. I'm in favor of romance. You're the one that wants to march on Washington every five minutes.
Kat pokes her , then looks back at the club dreamily .
KAT
Gigglepuss was so beyond.
Mandella nods .
MANDELLA
They were. I only wish William could have been here to witness the rebirth of punk rock with us.
Kat links her arm through Mandella 's and they head for the car .
KAT
So true.
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
44
|
INT. HALLWAY - DAY
Cameron and Michael are at Michael 's locker .
CAMERON
So, then she says that she almost did n't wear the Kenneth Coles with that dress because she thought she was mixing, you know, genres. And the fact that I noticed - and I'm quoting here - `` really meant something.''
Cameron looks At Michael expectantly
MICHAEL
You told me that part already.
CAMERON
Hell, I've just been going over the whole thing in my head and -
Joey appears over Cameron 's shoulder .
JOEY
Hey. Dingo Boingo
Cameron and Michael look at each other And turn around slowly
JOEY
( continuing ; to Michael . )
I hear you're helpin' Verona.
MICHAEL
Uh, yeah. We're old friend *
JOEY
You and Verona?
MICHAEL
What? We took bathes together when we were kids.
It 's incredibly obvious that he 's lying . Joey eyes him then turns to Cameron .
JOEY
What's your gig in all this?
CAMERON
I'm just the new guy.
Joey turns back to Michael , grabbing the alligator on his shirt and twisting it .
JOEY
You better not fuck this up. I'm heavily invested.
MICHAEL
Hey - it's all for the higher good right?
Joey lets go of Michael and SHOVES Cameron against a locker for good measure , as he walks away -
CAMERON
Is it about me?
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
45
|
EXT. MISS PERKY'S OFFICE - DAY
Kat sits outside waiting for her appointment , bored and annoyed . The door opens and Miss Perky escorts Patrick out
MISS PERKY
You're completely demented.
PATRICK
( cheery . )
See you next week!
Kat stands and Patrick sees her . Miss Perky watches in horror MISS PERKY You two know each other ?
PATRICK/KAT
Yeah/No.
Miss Perky grabs Kat and shoves her into her office .
MISS PERKY
( to Patrick . )
Dear God, stay away from her. If you two ever decided to breed, evil would truly walk the earth.
Patrick gives Kat one last look before the door shuts , then smiles -
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
46
|
EXT. STRATFORD HOUSE - NIGHT
The lights are on , illuminating the yard
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Comedy, Romance, Drama
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en
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47
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INT. STRATFORD HOUSE/UPSTAIRS HALLWAY - NIGHT
Bianca and Chastity stand outside Kat 's room . MUSIC is blaring and the door is shut . Bianca looks at her watch
BIANCA
She's obviously not going.
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Comedy, Romance, Drama
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en
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48
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INT. LIVING ROOM - NIGHT
Across the carpet , two pairs of teenage girl feet sneak past . Bianca and Chastity , teddy bear purses in hand . FROM THE KITCHEN A RUSTLING is heard . The girls freeze . Walter emerges from the kitchen with a mile - high sandwich The girls are like statues . Walter jumps .
BIANCA
Daddy, I -
WALTER
And where're you going?
BIANCA
If you must know, we were attempting to go to a small study group of friends.
WALTER
Otherwise known as an orgy?
BIANCA
It's just a party. Daddy, but I knew you'd forbid me to go since `` Gloria Steinem'' over there is n't going -
She points to Kat - Walkman blaring - who comes downstairs , wearing a baby tee and battered Levis . Her relaxing - at - home look is about 400 times sexier than her at - school look . She wanders toward the kitchen . Walter directs his attention toward Kat .
WALTER
Do you know about any party? Katarina?
Kat shrugs as she comes back out of the kitchen with an apple
BIANCA
Daddy, people expect me to be there!
WALTER
If Kat's not going, you're not going.
Bianca turns to Kat , eyes ablaze
BIANCA
You're ruining my life' Because you wo n't be normal, I ca n't be normal.
KAT
What's normal?
BIANCA
Bogey Lowenstein's party is normal, but you're too busy listening to Bitches Who Need Prozac to know that.
WALTER
What's a Bogey Lowenstein?
Kat takes off her earphones , ready to do battle
BIANCA
Ca n't you forget for just one night that you're completely wretched?
KAT
At least I'm not a clouted fen - sucked hedge - pig.
Bianca tosses her hair .
BIANCA
Like I'm supposed to know what that even means.
KAT
It's Shakespeare. Maybe you've heard of him?
BIANCA
Yeah, he's your freak friend Mandella's boyfriend. I guess since I'm not allowed to go out, I should obsess over a dead guy, too.
WALTER
Girls
Kat stares Bianca down
KAT
I know about the goddamn party. I'm going.
Bianca and Chastity look at each other , thrilled , and burst into gleeful screams . A startled Walter clutches Bianca in a protective hug .
WALTER
Oh, God. It's starting.
BIANCA
It's just a party. Daddy.
Walter looks dazed .
WALTER
Wear the belly before you go.
BIANCA
Daddy, no!
WALTER
Just for a minute
He rushes to a cupboard and pulls out a padded faux - pregnancy belly .
WALTER
( continuing . )
I want you to realize the weight of your decisions.
He hangs the belly on her as she stands mortified .
BIANCA
You are so completely unbalanced.
KAT
Can we go now?
WALTER
( to Bianca . )
Promise me you wo n't talk to any boys unless your sister is present.
BIANCA
Why?
WALTER
Because she'll scare them away.
Kat stomps to the door , grabbing her car keys off the hall table and a sweater from the coat rack . She flings open the door and . There stands Patrick .
PATRICK
Nine - thirty right?
Kat 's in shock
PATRICK
( continuing . )
I'm early.
She holds up her keys
KAT
I'm driving.
He peeks in behind her .
PATRICK
Who knocked up your sister?
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Comedy, Romance, Drama
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en
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49
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INT. BOGEY LOWENSTEIN'S HOUSE - NIGHT
BOGEY , a short Future MBA in a tux , greets his guests like a pro , handing out cigars and martinis .
BOGEY
Nice to see you. Martini bar to the right, shots in the kitchen.
The house is filled to capacity with Padua High 's finest Kat pushes through the crowd . Patrick saunters in behind her
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Comedy, Romance, Drama
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en
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50
|
INT. BOGEY'S KITCHEN - NIGHT
Joey lines up a row of shots amid much whooping and hollering within the jock crowd . Kat enters , then quickly tries to make an about face . Joey sees her and rushes over to block her , standing in the doorway .
JOEY
Lookin' fresh tonight, Pussy - Kat
Kat gives him a death look and then stops and points at his forehead .
KAT
Wait - was that? - Did your hairline just recede?
He panics , whipping out a handy pocket mirror She 's already walking away .
JOEY
Where ya goin?
KAT
Away.
JOEY
Your sister here?
Kat 's face shows utter hatred
KAT
Leave my sister alone.
JOEY
( smirking . )
And why would I do that?
A RUCKUS sounds from the next room
JOCK
A fight!
The other jocks rush to watch as two Coffee Kids splash their cupfuls on each other .
COFFEE KID #1
That was a New Guinea Peaberry, you Folger's - crystals - slurping - buttwipe.
Caffeinated fists fly . Joey slithers away from the door to watch , giving Kat one last smirk , just as Bianca walks into the kitchen .
JOEY
Just who I was looking for.
He puts his arm around Bianca and escorts her out
KAT
BIANCA
Bianca keeps walking , ignoring Kat A GUY pouring shots hands Kat one She downs it and accepts another . GUY Drink up , sister . Patrick walks up
PATRICK
What's this?
KAT
( mocking . )
`` I'm getting trashed, man.'' Is n't that what you're supposed to do at a party?
PATRICK
I say, do what you wan na do.
KAT
Funny, you're the only one
She downs another .
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Comedy, Romance, Drama
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en
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51
|
INT. BOGEY'S LIVING ROOM - NIGHT
Cameron and Michael enter . Cameron looks , around for his beloved , while Michael schmoozee with all in attendance and dishes dirt simultaneously .
MICHAEL
( high - fiving a jock . )
Moose, my man!
( to Cameron . )
Ranked fifth in the state. Recruiters have already started calling.
Cameron nods intently
MICHAEL
( continuing ; grabbing his belt . )
Yo, Clem.
( to Cameron . )
A Patsy Cline fan, but hates the new Leanne Rimes.
( with a Jamaican swagger . )
Ziggy, peace, bra.
( to Cameron . )
Prefers a water pipe, but has been known to use a bong.
Michael spots Bianca and Chastity , watching the skirmish , and points Cameron 's body in her direction .
MICHAEL
( continuing . )
Follow the love, man
ON BIANCA AND CHASTITY Bianca cranes her neck
BIANCA
Where did he go? He was just here.
CHASTITY
Who?
BIANCA
Joey.
Cameron walks over .
CAMERON
Evening, ladies.
Bianca turns and graces him with a pained smile .
BIANCA
Hi.
CAMERON
Looks like things worked out tonight, huh?
Bianca ignores the question and tries to pawn him off
BIANCA
You know Chastity?
CAMERON
I believe we share an art instructor
CHASTITY
Great
BIANCA
Would you mind getting me a drink, Cameron?
CAMERON
Certainly Pabst? Old Milwaukee? RaiJieer?
Bianca gives him a tense smile .
BIANCA
Surprise me.
He heads for the kitchen . Joey walks up and grabs her around the waist . She giggles as he picks her up and carries her off - just as Cameron returns , a beer - complete with a napkin and straw - in his hand . Chastity glares with a jealous fury after Bianca and Joey , then gives Cameron the once - over and walks away . Michael appears .
MICHAEL
Extremely unfortunate maneuver.
CAMERON
The hell is that? What kind of ` guy just picks up a girl and carries her away while you're talking to her?
MICHAEL
Buttholus extremus. But hey, you're making progress.
CAMERON
No, I' m not.
He smacks himself in the head
CAMERON
( continuing . )
She used me! She wants to go out with Dorsey. Not me. I'm an idiot!
Michael pats him on the shoulder .
MICHAEL
At least you're self - aware
BOGEY 'S KITCHEN - NIGHT Kat and a crowd of White Rastas and Cowboys stand in a drunken group hug singing `` I Shot the Sheriff '' . Kat has another shot glass in hand . Patrick is showing a scar to an inebriated , enraptured cheerleader . He looks up at Kat and smiles meets his eyes then looks away .
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|
Comedy, Romance, Drama
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en
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52
|
INT. BOGEY'S LIVING ROOM - NIGHT
Bianca stands next to Joey , sipping from her beer
JOEY
So yeah, I've got the Sears catalog thing going - and the tube sock gig'' that's gon na be huge. And then I'm up for an ad for Queen Harry next week.
BIANCA
Queen Harry?
JOEY
It's a gay cruise line, but I'll be, like, wearing a uniform and stuff.
Bianca tries to appear impressed , but it 's getting difficult .
BIANCA
Neat.
JOEY
My agent says I've got a good shot at being the Prada guy next year.
He looks over her shoulder and waves at someone . Bianca takes the opportunity to escape .
BIANCA
I'll be right back.
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Comedy, Romance, Drama
|
en
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53
|
INT. BOGEY'S BATHROOM - NIGHT
Bianca shuts the door and leans on it with a sigh . Chastity applies lip - gloss in the mirror .
BIANCA
He practically proposed when he found out we had the same dermatologist. I mean. Dr. Bonchowski is great an all, but he's not exactly relevant party conversation.
CHASTITY
Is he oily or dry?
BIANCA
Combination. I do n't know - I thought he'd be different. More of a gentleman.
Chastity rolls her eyes
CHASTITY
Bianca, I do n't think the highlights of dating Joey Dorsey are going to include door - opening and coat - holding.
BIANCA
Sometimes I wonder if the guys we're supposed to want to go out with are the ones we actually want to go out with, you know?
CHASTITY
All I know is - I'd give up my private line to go out with a guy like Joey.
There 's a KNOCK at the door . Bianca opens it to find a very drunken Kat .
KAT
Bianca, I need to talk to you - I need to tell you -
BIANCA
( cutting her off . )
I really do n't think I need any social advice from you right now.
Bianca grabs Chastity 's arm and they exit
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Comedy, Romance, Drama
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54
|
INT. BOGEY'S KITCHEN - NIGHT - LATER
Patrick tries to remove a shot glass from Kat 's hand .
PATRICK
Maybe you should let me have it . Kat is fierce in her refusal to let go
KAT
I want another one
Joey enters , grabbing Patrick by the shoulder , distracting him from his task .
JOEY
My man
As Patrick turns , Kat breaks free and dives into the sea of dancing people in the dining room .
PATRICK
( annoyed . )
It's about time.
JOEY
A deal's a deal.
He peels off some bills
JOEY
( continuing . )
How'd you do it?
PATRICK
Do what?
JOEY
Get her to act like a human
A very drunken Kat jumps up onto the kitchen island and starts dancing by herself . She lets loose , hair flying . She 's almost burlesque . Others form a crowd , clapping and cheering her on She swings her head around BANGING it on a copper pot hanging from the rack above the center island . She starts to sway , then goes down as Patrick rushes over to catch her . The others CLAP , thinking this is a wonderful finale . Patrick sets her down on her feet , holding her up
PATRICK
Okay?
KAT
I'm fine. I'm
She tries to push him away , but staggers when she does grabs her again , bracing her .
PATRICK
You're not okay.
KAT
I just need to lie down for awhile
PATRICK
Uh, uh. You lie down and you'll go to sleep
KAT
I know, just let me sleep
PATRICK
What if you have a concussion? My dog went to sleep with a concussion and woke up a vegetable. Not that I could tell the difference.
She tries to sit on the floor
KAT
Okay, I'll just sleep but stay awake, okay?
He pulls her back to her
PATRICK
C'mon, let's walk
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Comedy, Romance, Drama
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en
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55
|
INT. BOGEY'S DINING ROOM - NIGHT
As Patrick walks Kat through the dining room , Cameron grabs his arm . CAMERON We need to talk .
PATRICK
Cameron, I'm a little busy
CAMERON
It's off. The whole thing.
Kat slides down to the floor and Patrick struggles to get h back on her feet .
PATRICK
What're you talking about?
CAMERON
She's partial to Joey, not me
Patrick does n't have time for this .
PATRICK
Cameron - do you like the girl?
CAMERON
Sure
PATRICK
( impatient . )
Then, go get her
Patrick continues walking an oblivious Kat outside . Cameron stands there , unsure how to make use of this advice
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Comedy, Romance, Drama
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en
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56
|
EXT. BOGEY LOWENSTEIN'S HOUSE - NIGHT
Patrick marches Kat around the yard , holding her up
KAT
This is so patronizing.
PATRICK
Leave it to you to use big words when you're shitfaced.
KAT
Why're you doing this?
PATRICK
I told you
KAT
You do n't care if I die
PATRICK
Sure, I do
KAT
Why?
PATRICK
Because then I'd have to start taking out girls who like me.
KAT
Like you could find one
PATRICK
See that? Who needs affection when I've got blind hatred?
KAT
Just let me sit down.
He walks her over to the swingset and plops her down in a swing , moving her hands to hang onto the chains .
PATRICK
How's that?
She sits and looks at him for a moment with a smile . Then FALLS over backward .
PATRICK
( continuing . )
Jesus. You're like a weeble
Patrick rushes to right her , then starts pushing her on the swing to keep her entertained .
PATRICK
( continuing . )
Why'd you let him get to you?
KAT
Who?
PATRICK
Dorsey.
KAT
I hate him.
PATRICK
I know. It'd have to be a pretty big deal to get you to mainline tequila. You do n't seem like the type.
KAT
( holding up a drunken head . )
Hey man. You don' t think I can be `` cool''? You do n't think I can be `` laid back'' like everyone else?
PATRICK
( slightly sarcastic . )
I thought you were above all that
KAT
You know what they say
He stops the swing
PATRICK
No. What do they say?
Kat is asleep , her head resting against the swing 's chains .
PATRICK
( continuing . )
Shit!
He drags her to her feet and starts singing loudly .
PATRICK
( continuing . )
Jingle Bells! Jingle Belles! Wake up damn it!
He sits her down on the slide and shakes her like a rag doll .
PATRICK
( continuing . )
Kat! Wake up!
KAT
( waking . )
What?
He sighs with relief .
PATRICK
I thought you were.
They share some meaningful eye contact . And then she PUKES on his shoes .
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|
Comedy, Romance, Drama
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en
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57
|
INT. BOGEY'S BATHROOM - NIGHT
Kat washes her face and grabs a bottle of Scope , taking a big swig . A KNOCK sounds at the door
KAT
Go away
Bianca opens the door and looks at her sister with the smuggest of all possible grins .
BIANCA
Dinner taste better on the way out?
Gives her a `` do n't even start '' look .
BIANCA
( continuing . )
I do n't get you. You act like you're too good for any of this, and then you go totally apeshit when you get here.
KAT
You're welcome.
She pushes past her and leaves the bathroom . KAT 'S CAR - NIGHT Kat 's in the driver 's seat . Patrick leans in and takes the keys out of the ignition .
PATRICK
Cute
BOGEY LOWENSTEIN 'S HOUSE - NIGHT Kids loiter on the lawn . Bianca and Chastity walk outside Joey catches up to them .
JOEY
A bunch of us are going to Jaret's house. Wan na come?
Chastity looks at Bianca , who wears a pained expression . She looks at her watch .
BIANCA
I have to be home in twenty minutes.
CHASTITY
( eagerly , to Joey . )
I do n't have to be home'til two.
JOEY
Then, c'mon.
( to Bianca . )
Maybe next time -
They head back into the party , leaving an astonished Bianca Cameron exits the party and stops when he sees Bianca standing alone .
CAMERON
( slightly accusatory . )
Have fun tonight?
BIANCA
Tons
He starts to walk on
BIANCA
( continuing . )
Cameron?
He stops . She gives him a helpless smile .
BIANCA
( continuing . )
Do you think you could give me a ride home?
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Comedy, Romance, Drama
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58
|
INT. KAT'S CAR - NIGHT
Patrick drives as Kat sits in the passenger seat , fiddling with the radio dial . She finds a SONG she 's happy with and Patrick quickly changes it .
PATRICK
I'm driving, so I get to pick the tunes.
She changes it back to her song .
KAT
It's my car.
He changes it back .
PATRICK
And I'm in control of it.
KAT
But it's Gigglepuss - I know you like them. I saw you there.
Patrick does n't have an answer for this , so he let 's her listen to her song .
KAT
( continuing . )
When you were gone last year - where were you?
PATRICK
Busy
KAT
Were you in jail?
PATRICK
Maybe.
KAT
No, you were n't
PATRICK
Then why'd you ask?
KAT
Why'd you lie?
He does n't answer , but instead , frowns and turns up the music . She bobs her head drunkenly .
KAT
( continuing . )
I should do this.
PATRICK
Do what?
KAT
This.
She points to the radio
PATRICK
Start a band?
KAT
( sarcastically . )
My father would n't approve of that that
PATRICK
You do n't strike me as the type that would ask permission.
She turns to look at him .
KAT
Oh, so now you think you know me?
PATRICK
I'm gettin' there
Her voice loses it 's venom
KAT
The only thing people know about me is that I'm `` scary''.
He turns to look at her - she looks anything but scary right now . He tries to hide his smile .
PATRICK
Yeah - well , I 'm no picnic myself . They eye each other , sharing a moment of connection , realizing they 're both created the same exterior for themselves . Patrick pulls into her driveway and shuts off the motor . He looks up at her house .
PATRICK
( continuing . )
So what' s up with your dad? He a pain in the ass?
KAT
He just wants me to be someone I'm not.
PATRICK
Who?
KAT
BIANCA
PATRICK
No offense, but you're sister is without. I know everyone likes her and all, but.
Kat stares at him with new admiration .
KAT
You know - you're not as vile as I thought you were.
She leans drunkenly toward him . Their faces grow closer as if they 're about to kiss And then Patrick turns away
PATRICK
So, I'll see you in school
Kat stares at him , pissed . Then gets out of the car , SLAMMING the door shut behind her . CAMERON 'S CAR - NIGHT Bianca and Cameron ride in silence . He finally breaks it .
CAMERON
I looked for you back at the party, but you always seemed to be `` occupied''.
BIANCA
( faux - innocence . )
I was?
CAMERON
You never wanted to go out with ` me, did you?
Bianca bites her lip .
BIANCA
( reluctant . )
Well, no.
CAMERON
Then that's all you had to say.
BIANCA
But
CAMERON
You always been this selfish?
BIANCA thinks a minute He pulls up in front of the house
CAMERON
Just because you're beautiful, does n't mean you can treat people like they do n't matter.
She looks at him for a moment - then grabs his face and gives him a kiss on the lips . He draws back in surprise , then kisses her back . She smiles , then gets out of the car without another word . Cameron grins and drives away
CAMERON
( continuing . )
And I'm back in the saddle.
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Comedy, Romance, Drama
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en
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59
|
INT. ENGLISH CLASS - DAY
Kat sits at her desk , burying her face in a book as the others enter . The White Rastas are first .
DEREK
Kat, my lady, you sway to the rhythm of my heart.
He grabs her hand and kisses it as she pulls it away . CLEM , a cowboy , enters , high - fiving Derek with new - found friendliness .
CLEM
Yippe kai - aye, bra.
( to Kat . )
Dance for me, cowgirl.
He sits next to Derek
CLEM
( continuing . )
Okay, now tell me again why he did n't shoot the deputy?
DEREK
Because the deputy meant him no harm, my friend. It was only the sheriff that was the oppressor.
Joey saunters in and takes his seat .
JOEY
Kat, babe, you were on fire.
Mrs. Blaise enters and sits at her desk
MRS. BLAISE
Well now, did everyone have a good weekend?
JOEY
Maybe we should ask Verona
Patrick enters , late , and slinks to his desk . Kat looks up , down and around , everywhere but at Patrick . Mrs. Blaise tries to remember what she 's supposed to talk about .
MRS. BLAISE
Okay then. Well.
( beat . )
Oh, yes
She clears her throat .
MRS. BLAISE
( continuing . )
I'd like you all to write your own version of Shakespeare's Sonnet # 141.
Groans .
MRS. BLAISE
( continuing . )
Any form you'd like. Rhyme, no rhyme, whatever. I'd like to see you elaborate on his theme, however. Let's read it aloud, shall we? Anyone?
The class is frozen in apathy .
MRS. BLAISE
( continuing . )
Derek?
Ms. Blaise hands him the sonnet . He shifts uncomfortably in his seat . Then grins .
DEREK
( reading ; in his Rasta stoner drawl . )
In faith, I do not love thee with mine eyes / For they in thee a thousand errors note / But ` tis my heart that loves what they despise / Who in despite of view is pleas'd to dote.
In the back of the room Clem raises his hand
CLEM
Ms. Blaise, can I get the bathroom pass? Damn if Shakespeare do n't act as a laxative on my person.
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Comedy, Romance, Drama
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60
|
INT. KENNY'S THAI FOOD DINER - DAY
Kat and Mandella scrape the peanuts out of their sauce .
MANDELLA
You went to the party? I thought we were officially opposed to suburban social activity.
KAT
I did n't have a choice.
MANDELLA
You did n't have a choice? Where's Kat and what have you done with her?
KAT
I did Bianca a favor and it backfired.
MANDELLA
You did n't
KAT
I got drunk. I puked. I got rejected. It was big fun.
Patrick enters , walking to the counter to order . He sees Kat and smiles .
PATRICK
Hey
She gathers her things and bolts out the door . Patrick looks at Mandella , who shrugs and follows Kat .
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| 53,478,166
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| 1,999
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Comedy, Romance, Drama
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|
61
|
INT. BIOLOGY CLASS - DAY Cameron and Michael flank Patrick
at his lab table
MICHAEL
So you got cozy with she who stings?
PATRICK
No - I've got a sweet - payin' job that I'm about to lose.
CAMERON
What'd you do to her?
PATRICK
I don' t know.
( beat . )
I decided not to nail her when she was too drunk to remember it.
Michael and Cameron look at each other in realization , then turn back to Patrick .
CAMERON
You realize this puts the whole operation in peril .
PATRICK
No shit . She wo n't even look at me
CAMERON
Why ca n't you just tell her you 're sorry ? Patrick 's expression says that this is not a possibility . Michael makes a time out sign with his hands .
MICHAEL
I'm on it
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tt0147800
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Comedy, Romance, Drama
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62
|
INT. HALLWAY - DAY
Mandella is at her locker . Drawings of William Shakespeare adorn the door . She looks at them with a sigh , then ties her silk scarf tightly around her neck , in an attempt to cut off her air supply . Michael walks up .
MICHAEL
Hey there. Tired of breathing?
MANDELLA
( shyly , as she loosens the scarf . )
Hi.
MICHAEL
Cool pictures. You a fan?
MANDELLA
Yeah. I guess.
MICHAEL rocks . Very hip .
MANDELLA
You think?
MICHAEL
Oh yeah.
She looks at him suspiciously
MANDELLA
Who could refrain that had a heart to love and in that heart, courage to make' B love known?
Michael thinks for a minute .
MICHAEL
Macbeth, right?
MANDELLA
( happily stunned . )
Right.
MICHAEL
Kat a fan, too?
MANDELLA
( puzzled . )
Yeah.
He leans in close to her , conspiratorially
MICHAEL
So, listen. I have this friend
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63
|
EXT. FIELD HOCKEY FIELD - DAY
Cameron sits next to Patrick on the bleachers as they watch Kat 's practice .
CAMERON
She hates you with the fire of a thousand suns. That's a direct quote
PATRICK
She just needs time to cool off I'll give it a day.
A PUCK flies at them from the field , narrowly missing their heads .
PATRICK
( continuing . )
Maybe two.
He looks at Cameron .
PATRICK
( continuing . )
You makin' any headway?
CAMERON
She kissed me.
PATRICK
( eyebrow raised . )
Where?
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64
|
INT. HALLWAY - DAY
Chastity rounds the corner and bends down to get a drink from the water fountain . NEARBY Joey stands talking to two JOCK COHORTS . The guys do n't see her .
JOEY
Do n't talk to me about the sweetest date. That little halo Bianca is gon na be prone and proven on prom night. Six virgins in a row.
The cohorts chortle Chastity keeps drinking from the fountain
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65
|
EXT. PARKING LOT - DAY
Joey leans against Patrick 's Jeep . Patrick is inside .
PATRICK
I do n't know, Dorsey. the limo. - the flowers. Another hundred for the tux -
JOEY
Enough with the Barbie n' Ken shit. I know.
He pulls out his wallet and hands Patrick a wad of money
JOEY
( continuing . )
Take it
Patrick does , with a smile , as he ROARS out of the parking lot .
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66
|
INT. SCHOOL COURTYARD - DAY
Kat and Mandella deface a prom flyer .
KAT
Can you even imagine? Who the hell would go to this a bastion of commercial excess?
MANDELLA
Well, I guess we're not, since we do n't have dates.
KAT
Listen to you! You sound like Betty, all pissed off because Archie is taking Veronica.
MANDELLA
Okay, okay, we wo n't go. It's not like I have a dress anyway
KAT
You' re looking at this from the wrong perspective. We're making a statement.
MANDELLA
( unconvinced . )
Oh, good. Something new and different for us.
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67
|
EXT. ARCHERY FIELD - DAY
Mr. Chapin patrols as boys and girls shoot arrows at targets Joey swaggers up to Bianca , who is taking careful aim . Chastity watches from across the row .
JOEY
Hey, sweet cheeks.
BIANCA
( not looking at him . )
Hi, Joey.
JOEY
You're concentrating awfully hard considering it's gym class.
She lets the arrow go and turns to look at him .
JOEY
( continuing . )
Listen, I want to talk to you about the prom.
BIANCA
You know the deal. I can' t go if Kat does n't go -
In the background , a RASTA crumples to the ground . Hit A casualty of Gym . Mr. Chapin scurries over .
JOEY
Your sister is going.
Bianca looks at him , surprised
BIANCA
Since when?
Joey takes the bow and arrow from Bianca 's hand . He draws back and takes aim .
JOEY
I'm taking care of it.
Chastity looks over from her spot on the field , but keeps lips firmly shut .
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68
|
INT. BOOK STORE - DAY
Kat browses through the feminist lit section Patrick appears , through a hole in the books .
PATRICK
Excuse me, have you seen The Feminine Mystique? I lost my copy.
KAT
( frowning . )
What are you doing here?
PATRICK
I heard there was a poetry reading.
KAT
You're so -
PATRICK
Pleasant?
Kat stares at him , deadpan .
PATRICK
( continuing . )
Wholesome.
KAT
Unwelcome.
PATRICK
Unwelcome? I guess someone still has her panties in a twist.
KAT
Do n't for one minute think that you had any effect whatsoever on my panties.
PATRICK
So what did I have an effect on?
KAT
Other than my upchuck reflex? Nothing.
She pushes past him and heads out the ' door Pat looks down at the book he 's been holding in his hand : Taming of the Shrew .
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69
|
INT. CAFETERIA - DAY
Cameron and Michael flank Patrick as he shovels food into mouth .
PATRICK
You were right. She's still pissed.
MICHAEL
Sweet love, renew thy force!
PATRICK
Man - do n't say shit like that to me. People can hear you.
CAMERON
( exasperated . )
You humiliated the woman! Sacrifice yourself on the altar of dignity and even the score.
MICHAEL
Best case scenario, you're back on the payroll for awhile.
PATRICK
What's the worst?
CAMERON
You get the girl.
Patrick thinks for a minute
PATRICK
If I go down. I'm takin' her with me
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70
|
INT. ENGLISH CLASS - DAY
Kat and the other students sit at their desks , taking a quiz Patrick 's seat is conspicuously empty . From outside , we hear the soft , unsure beginnings of a SONG . Kat looks up , then out the window , HORRIFIED . The song grows louder until we realize it 's The Partridge Family 's `` I Think I Love You '' . Being sung by Patrick .
PATRICK
( 0 .
S . )
`` This morning, I woke up with this feeling, I did n't know how to deal with, and so I just decided to myself -''
The STUDENTS rush to the window . OUTSIDE Patrick stands beneath the window , crooning . Scurvy is next to him , keeping the beat on the bongos and doing backup vocal s.
PATRICK
`` I'd hide it to myself. And never talk about it. And did n't I go and shout it when you walked into the room -''
He makes quite a sarcastic show of it . IN THE CLASSROOM Mrs. Blaise touches her heart , as if the song is for her . Kat slowly walks to the window , peeking below . OUTSIDE Patrick smiles at her as he finishes the verse with a big finale .
PATRICK
( continuing . ) ''
I think I love you I''
INSIDE The other students laugh , clap , cheer , etc. . Kat sinks down , mortified , but with a slight smile
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71
|
INT. DETENTION HALL - DAY
Patrick and several other miscreants sit quietly , mulling over their misfortune .
MISCREANT
Nice song, Verona.
PATRICK
Flog me.
He makes the appropriate hand gesture Mr. Chapin , the gym teacher , sits at the desk in front , ignoring them while he reads a girly weightlifting magazine
KAT
( 0 .
S . )
Excuse me, Mr. Chapin?
Patrick looks up at the sound of her voice and sees Kat standing in the doorway . She gives him a smile and he perks up a little . Kat walks into the room and addresses Mr. Chapin again . He turns fully to face her .
KAT
Sir, I'd like to state for the record that Mr. Verona' s current incarceration is unnecessary. I never filed a complaint.
MR. CHAPIN
You did n't have to. He disrupted a classroom.
Kat glances over at Patrick and motions her head toward the window . Patrick shrugs , not knowing what she ' s talking about . She motions again , and looks toward the window with an expression that says , `` Make a break for it , moron . '' Kat brings her attention back to Mr. Chapin while Patrick inches out of his seat toward the window . The other miscreants watch with glee .
KAT
But, Mr. Chapin, I hardly think a simple serenade warrants a week of detention. There are far more hideous acts than off - key singing being performed by the student body on a regular basis.
Patrick is halfway out the window now . And none too happy about it , considering they 're on the second floor . He eyes a large TREE a few feet away from MR. CHAPIN . He starts to turn away from Kat
MR. CHAPIN
You're not gon na change my mind, Kat. Rules stick.
Kat starts to panic , as Patrick has yet to make the jump for the tree .
KAT
Wait, Mr. Chapin. There's something I've always wanted to show you.
He turns back toward her again , the very second before he would have spotted Patrick . Kat glances toward the window . Patrick 's just about to make the jump .
MR. CHAPIN
What?
KAT
These.
From behind , we see her lift up her shirt and flash her bra at Mr. Chapin , just as Patrick makes the Jump . The miscreants cheer , for both the daring ' escape and the flash of skin . Mr. Chapin reddens and tries to be stern .
MR. CHAPIN
I'm going to let that slide, Katarina. But if I catch you doing that again, you'll be in here with the rest of these guys.
He motions to the remaining detention prisoners , without noticing Patrick 's absence . Kat smiles at him .
KAT
Thank you, Mr. Chapin.
Kat bolts out the door . Mr. Chapin goes back to his muscle mag , wiping the sweat from his brow .
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72
|
EXT. SCHOOL CAMPUS LAWN
Kat arrives at the tree . looking around breathlessly , seeing no one .
KAT
He left! I sprung the dickhead and he cruised on me.
PATRICK
( 0 .
S . )
Look up, sunshine
She does . He 's still in the tree
PATRICK
I guess I never told you I'm afraid of heights.
KAT
( smiling . )
C'mon. It's not that bad
PATRICK
Try lookin' at it from this angle
She assesses the branch structure
KAT
Put your right foot there -
PATRICK
Forget it. I'm stayin'.
KAT
You want me to climb up and show you how to get down?
PATRICK
( voice trembling . )
Maybe.
She sighs and dose so . When she gets to his level , she perches on the branch next to him . He grins at her . Then swings himself down with the grace and ease of a monkey , leaving her sitting there , realizing she 's been duped .
KAT
You shit!
She climbs down after him
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73
|
EXT. OUTDOOR ARCADE - DAY
Patrick and Kat walk amongst the games
KAT
The Partridge Family?
PATRICK
I figured it had to be something ridiculous to win your respect. And piss you off.
KAT
Good call.
PATRICK
So how'd you get Chapin to look the other way?
KAT
I dazzled him with my wit
She stops and picks up a toy gun that SHOOTS water at giggling hyenas and wails on it . The barker hands her a stuffed animal as her prize . She hands it to the small KID next to her and they continue walking .
PATRICK
( sarcastic . )
A soft side? Who knew?
KAT
Yeah, well, do n't let it get out
PATRICK
So what's your excuse?
KAT
Acting the way we do.
PATRICK
Yes
KAT
I do n't like to do what people expect. Then they expect it all the time and they get disappointed when you change.
PATRICK
So if you disappoint them from the start, you're covered?
KAT
Something like that
PATRICK
Then you screwed up
KAT
How?
PATRICK
You never disappointed me.
She blushes under his gaze
PATRICK
( continuing . )
You up for it?
KAT
For?
He motions to the SIGN for a paint - ball game . She grins The two of them creep through the paint - ball course , stealthy and full of the desire to best the other . Patrick nails Kat in the back with a big glob of red paint Kat gets him in the chest with a glob of blue . Patrick returns fire with a big yellow splat to the side of her face . Kat squirts a green shot to his forehead After a few more shots , they 're both covered in paint She tries to shoot him again , only to find that her gun is empty .
KAT
( continuing . )
Damn it!
Patrick grabs her in a victorious tackle . They land , laughing . It 's hard to even recognize them , as their hair and faces are so smeared with paint globs , but they still manage to find each other 's eyes . He wipes a smear of blue paint away from her lips , as he goes to kiss her . NEARBY The kid with the stuffed animal , points
KID
Look, Mom
His mother hurries him away . What 's started as a tackle has turned into a passionate kiss
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74
|
EXT. STRATFORD HOUSE - NIGHT
Patrick pulls up in Kat 's driveway . Their paint wardrobe has dried by now and they look like refugees from some strange , yet colorful , war .
KAT
State trooper?
PATRICK
Fallacy.
KAT
The duck?
PATRICK
Hearsay.
KAT
I know the porn career's a lie.
He shuts off the car and turns to her .
PATRICK
Do you?
He kisses her neck . It tickles . She laughs .
KAT
Tell me something true.
PATRICK
I hate peas.
KAT
No - something real. Something no one else knows.
PATRICK
( in - between kisses . )
You're sweet. And sexy. And completely hot for me.
KAT
What?
PATRICK
No one else knows
KAT
You're amazingly self - assured. Has anyone ever told you that?
PATRICK
Go to the prom with me
Kat 's smile disappears .
KAT
Is that a request or a command?
PATRICK
You know what I mean
KAT
No.
PATRICK
No what?
KAT
No, I wo n't go with you
PATRICK
Why not?
KAT
Because I do n't want to. It's a stupid tradition.
Patrick sits quietly , torn . He ca n't very well tell her he being paid to take her .
PATRICK
People wo n't expect you to go.
Kat turns to him , getting angry .
KAT
Why are you doing this?
KAT
All of it - what's in it for you?
He sits silently , not looking at her , confirming her suspicions .
KAT
( continuing . )
Create a little drama? Start a new rumor? What?
PATRICK
So I have to have a motive to be with you?
KAT
You tell me.
PATRICK
You need therapy. Has anyone ever told you that?
KAT
( quietly . )
Answer the question, Patrick
PATRICK
( angry . )
Nothing! There's nothing in it for me. Just the pleasure of your company.
He takes out a cigarette . She breaks it in half before she SLAMS the car door and walks into the house . Patrick PEELS out of the driveway . Kat turns at the front door and watches him go
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75
|
EXT. STREET - NIGHT
Patrick pulls up to a stop light and waits for . the green He glances over at A DRUNKEN HOMELESS GUY in the median , who has decided that he does n't need to wear pants . Patrick pulls out his wallet , takes the wad of money Joey gave him and hands it to the homeless guy .
PATRICK
cover that up
The light turns green and Patrick pulls away
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76
|
INT. STRATFORD HOUSE/BATHROOM - NIGHT
Kat stands at the sink , scrubbing paint off of her face Bianca TAPS on the open door .
BIANCA
Quick question - are you going to the prom?
Kat pushes the door shut with a SLAM
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77
|
INT. STUDY HALL - DAY
Cameron and Bianca sit together at their study cubby . She fingers a strand of her hair .
BIANCA
Then Guillermo says, `` If you go any lighter, you're gon na look like an extra on 90210.''
CAMERON
No.
Bianca stares at him for a moment .
BIANCA
do you listen to this crap?
CAMERON
What crap?
BIANCA
Me. This endless. blonde babble. I'm like, boring myself.
CAMERON
Thank God! If I had to hear one more story about your coiffure.
He mock stabs himself with a pencil as she giggles and smacks his hand away .
CAMERON
( continuing . )
I figured you'd get to the good stuff eventually.
BIANCA
What good stuff?
CAMERON
The `` real you''.
BIANCA
Like my fear of wearing pastels?
He looks stricken .
BIANCA
( continuing . )
I'm kidding.
( beat . )
You know how sometimes you just become this `` persona''? And you do n't know how to quit?
CAMERON
( matter of fact . )
No
BIANCA
Okay - you're gon na need to learn how to lie.
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78
|
INT. HALLWAY - DAY
Mandella struggles with the lock on her locker . Finally , it opens . Hanging inside is a beautiful DRESS , inspired by the 16th Century . Mandella slowly unpins a NOTE from the dress . INSERT - `` 0 FAIR ONE . JOIN ME AT THE PROM . I WILL BE WAITING . LOVE , WILLIAM S. '' Mandella 's agog . Trevor walks by and sees her holding the dress .
TREVOR
You're gon na look splendiferous in that, Mandella.
Mandella looks up sharply , shaken from her reverie .
TREVOR
( continuing . )
that's cool to say.
Mandella grins It is
MANDELLA
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79
|
INT. STRATFORD HOUSE/DEN - DAY
Sharon is at her computer , Walter at his exercise bike
SHARON
Would you rather be ravished by a pirate or a British rear admiral?
WALTER
Pirate - no question.
Bianca enters and walks over to Walter
BIANCA
Daddy, I want to discuss the prom with you. It's tomorrow night -
WALTER
The prom? Kat has a date?
BIANCA
No, but
WALTER
It's that hot rod Joey, right? That' s who you want me to bend my rules for?
BIANCA
He's not a `` hot rod''. Whatever that is.
WALTER
You're not going unless your sister goes. End of story.
BIANCA
Fine. I see that I'm a prisoner in my own house. I'm not a daughter. I'm a possession!
Bianca storms out .
WALTER
( calling out . )
You know what happens at proms?
Sharon stops her typing and looks up at Walter
SHARON
They'll dance, they'll kiss, they'll come home. Let her go.
WALTER
Kissing? Is that what you think happens? Kissing is n't what keeps me up to my elbows in placenta all day.
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80
|
INT. BIANCA'S ROOM - NIGHT
Bianca lies on her bed . MTV blares . A KNOCK sounds . BIANCA Come in . Kat enters and sits down on the bed , muting the TV .
KAT
( kindly . )
Listen, I know you hate having to sit home because I'm not Susie High School.
BIANCA
Like you care.
KAT
I do care. But I'm a firm believer in doing something for your own reasons, not someone else' s.
BIANCA
I wish I had that luxury. I'm the only sophomore that got asked to the prom and I ca n't go, because you won' t.
Kat clears her throat
KAT
Joey never told you we went out, did he?
BIANCA
What?
KAT
In 9th. For a month
BIANCA
( confused . )
Why?
KAT
( self - mocking . )
He was, like, a total babe
BIANCA
But you hate Joey
KAT
Now I do. Back then, was a different story.
BIANCA
As in.
Kat takes a deep breath .
KAT
He said everyone was doing it. So I did it.
BIANCA
You did what?
KAT
( continuing on . )
Just once. Afterwards, I told him I did n't want to anymore. I was n't ready. He got pissed. Then he broke up with me.
Bianca stares at her , dumbfounded
BIANCA
But
KAT
After that, I swore I'd never do anything just because `` everyone else'' was doing it. And I have n't since. Except for Bogey's party, and my stunning gastro - intestinal display -
BIANCA
( stunned . )
Why did n't you tell me?
KAT
I wanted to let you make up your own mind about him.
BIANCA
No. you did n't! If you really thought I could make my own decisions, you would've let me go out with him instead of helping Daddy hold me hostage.
Kat stands up slowly
KAT
That's not
BIANCA
I'm not stupid enough to repeat your mistakes.
KAT
I guess I thought I was protecting you.
BIANCA
God, you're just like him! Just keep me locked away in the dark, so I ca n't experience anything for myself
KAT
Not all experiences are good, Bianca. You ca n't always trust the people you want to.
BIANCA
I guess I'll never know, will I?
She rises and holds the door open for Kat , then slams it behind her .
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81
|
EXT. STRATFORD HOUSE - DAY
A sprinkler cruises the lawn .
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82
|
INT. KAT'S ROOM - DAY
Kat lies in bed , staring at the ceiling . She rolls over and picks up the phone . BIANCA 'S ROOM - DAY Bianca , still in her pajamas , eats a bowl of cereal while watching `` I Love Lucy '' reruns . A KNOCK sounds
BIANCA
Come in.
Kat opens the door and peers in with a grin
KAT
Feel like shopping?
Bianca looks up , hopefully . LIVING ROOM - NIGHT Walter and Sharon are in front of the television . Walter has the TV Guide in hand , glasses on .
WALTER
What do you wan na watch? We've got crap, crap, crap or crap
SHARON
Dr. Ruth?
Bianca walks into the living room . She 's wearing a prom dress .
BIANCA
Hi, Mommy.
( looking away . )
WALTER
Walter scurries takes off his glasses and looks from Bianca to Sharon .
SHARON
Honey, you look beautiful!
BIANCA
You like? My date should be here in five.
WALTER
I'm missing something.
BIANCA
I have a date, Daddy. And he' s not a captain of oppression like some men we know.
The DOORBELL RINGS . Bianca runs to open it . There stands CAMERON . He takes in Bianca 's outfit .
CAMERON
Wow
BIANCA
Let's go.
Walter rises . Sharon pulls him back down on the couch
SHARON
( to Bianca . )
Have a great time, honey!
WALTER
But - who - what -?
The door SLAMS . As Sharon looks at Walter with a grin , a blur rushes down the stairs and out the door . The blur has Kat ' s voice .
KAT
Hey, guys. I'm going to the prom. See you in a few.
The door SLAMS again . Walter and Sharon ` are alone
WALTER
What just happened?
SHARON
Your daughters went to the prom.
WALTER
Did I have anything to say about it?
SHARON
Absolutely not.
WALTER
That' s what I thought
The DOORBELL RINGS again . Walter opens it to find Joey on the porch , wearing a tux .
JOEY
I'm here to pick up Bianca.
WALTER
late
He SLAMS the door shut
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
83
|
EXT HOTEL PARKING LOT - NIGHT
Kat pulls up in her car , emerging resplendent in an ice gown . Patrick sits on the steps , waiting . In a tux .
KAT
How'd you get a tux at the last minute?
PATRICK
It's Scurvy's. His date got convicted. Where'd you get the dress?
KAT
It's just something I had. You know
PATRICK
( smiling . )
Oh huh
KAT
Look, I'm - sorry - that I questioned your motives. I was wrong.
Patrick winces slightly , but covers it with a smile
PATRICK
No prob.
He remains seated . Kat fidgets nervously .
KAT
are you ready?
He rises and stares at her , taking in her image appreciatively . She blushes and turns away .
KAT
( continuing . )
C'mon. Let's get this over with.
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
84
|
INT. PROM - NIGHT
A hotel ballroom transformed into a fantasy world . Patrick and Kat enter , Kat attempting to deny the romance of it .
KAT
Quite the ostentatious display
A cowboy two - steps by them , dragging some poor girl around
PATRICK
Look, Clem even wore his good boots
Kat steps forward , looking around and spots Cameron and Bianca dancing cheek to cheek . She smiles . ACROSS THE ROOM Mandella enters nervously , in the long Elizabethan gown , hair piled on top of her head . She spots Kat and hurries over .
MANDELLA
Have you seen him?
KAT
Who?
MANDELLA
William - he asked me to meet him here.
KAT
Oh, honey - tell me we have n't' progressed to full - on hallucinations.
Patrick looks toward the door and taps Kat . She turns and points Mandella the same way . Michael - in full Shakespearean dress with a new goatee on his chin - bows in their direction . Mandella 's grin could n't be bigger . Michael swashbuckles over to them , taking Mandella 's hand and leading her onto the dance floor .
MICHAEL
Mi' lady.
( to Patrick . )
Good sir.
Patrick rolls his eyes .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
85
|
INT. PROM - NIGHT - LATER
Kat and Patrick dance to a slow SONG . Whatever he 's whispering into her ear is making her laugh . Cam and Bianca dance nearby , glowing with happiness . She whispers something in his ear and heads for the ladies ' room
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
86
|
INT. LADIES ROOM - NIGHT
Bianca walks in , positively radiant . Chastity emerges from a stall .
BIANCA
( surprised . )
What are you doing here?
Chastity checks her hair in the mirror , aloof .
CHASTITY
You think you' re the only sophomore at the prom?
BIANCA
I did.
Chastity maintains her snooty tone .
CHASTITY
And just so you know, my date is n't planning on spending most of the night in his backseat.
BIANCA What 're you talking about ?
CHASTITY
Joey Dorsey is only after one thing - your cherry. He practically made a public announcement.
Appalled , Bianca storms out . Chastity tries to backpedal .
CHASTITY
( continuing . )
I wanted to tell you
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
87
|
INT. PROM - NIGHT
Joey , drunk , disorderly and pissed off , walks in with a few stray jocks - also dateless . He zeroes in on Cameron , now consoling a pissed - off Bianca . Patrick and Kat continue to slow dance , oblivious to the evil about to erupt .
PATRICK
My grandmother's.
KAT
What?
PATRICK
That's where I was last year. She'd never lived alone - my grandfather died - I stayed with her. I was n't in jail, I do n't know Marilyn Manson, and I've never slept with a Spice Girl. I spent a year sitting next to my grandma on the couch watching Wheel of Fortune. End of story.
He takes a breath and looks away , not meeting her eyes . Kat stares at him for a moment and laughs a delighted laugh
KAT
That' s completely adorable!
PATRICK
It gets worse - you still have your freshman yearbook?
He 's interrupted by Joey 's hand on his shoulder .
JOEY
What's Bianca doing here with that cheese dick? I did n't pay you to let some little punk ass snake me.
ACROSS THE ROOM Michael spots the altercation and dances Mandella over to Cameron and Bianca .
MICHAEL
( to Cameron . )
Feces hitting fan. C'mon
Michael takes Cameron aside , leaving Mandella and Bianca staring after them . ACROSS THE ROOM Michael and Cameron approach Joey as he continues to taunt Patrick who keeps quiet , realizing the weight of this situation .
MICHAEL
( continuing . )
Joey, pal, compadre. Let's take it easy.
Joey turns toward Michael and Cameron . JOEY You two are in big trouble Cameron faces Joey .
CAMERON
Admit it. You lost. Be a man.
Joey PUNCHES Cameron in the face , taking him by surprise Cameron holds his nose as it bleeds onto his tux The various cliques descend angrily and Joey is soon surrounded by seething Cowboys , Coffee Kids and White Rastas .
DEREK
Very uncool, my brother
JOEY
I'm not your brother, white boy.
The other Rastas GASP , as if stung by the realization that they 're white . Joey turns back to Patrick and Kat .
JOEY
( continuing . )
Just so you know - she'll only spread her legs once.
Kat looks from Joey to Patrick , not sure what she 's hearing . Joey pushes through the crowd but a HAND drags him back . It 's Bianca . And she BELTS the hell out of him
BIANCA
That's for making my date bleed
She BELTS him again
BIANCA
( continuing . )
That's for my sister.
And AGAIN
BIANCA
( continuing . )
And that's for me.
Cliques now descend on Joey , punching him wildly .
COWBOY
And that's for the fourth grade, asshole.
HOTEL - NIGHT KAT runs down the stairs , Patrick chasing her
PATRICK
Wait I.
KAT
You were paid to take me out! By - the one person I truly hate. I knew it was a set - up!
PATRICK
It was n't like that.
KAT
Really? What was it like? A down payment now, then a bonus for sleeping with me?
PATRICK
I did n't care about the money.
He catches up to her now
PATRICK
( continuing . )
I cared about -
She turns to face him with a countenance more in sorrow than in anger .
KAT
You are so not what I thought you were.
He grabs her and kisses her to shut her up . After a second , she jerks away and flees down the stairs and out of sight . Bianca stands at the top of the stairs , watching . She 's never looked more guilty .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
88
|
INT. STRATFORD HOUSE - DAY
Kat is sprawled on the couch in sweats , wrapped in a blanket , watching `` Sixteen Candles '' . When Molly Ringwald leans across the birthday cake to get a kiss from her dream date , Kat changes the channel disgustedly , settling for an infomercial The phone sits next to her . Not ringing . Bianca breezes in , bearing a cup of tea .
BIANCA
Are you sure you do n't want to come with us? It'll be fun.
Kat takes the tea and gives a weak smile .
KAT
I' m sure.
Bianca sits down next to her
BIANCA
You looked beautiful last night, you know.
KAT
So did you
Bianca gives her a squeeze , then jumps up when the DOORBELL rings , opening the door to a waiting Cameron . He peeks his head inside .
CAMERON
She okay?
BIANCA
I hope so.
The door shuts behind her as Walter enters .
WALTER
Was that your sister?
KAT
Yeah. She left with some bikers Big ones. Full of sperm.
WALTER
Funny.
Walter sits down on the arm of the chair and watches the infomercial with Kat .
WALTER
( continuing . )
I do n't understand the allure of dehydrated food. Is this something I should be hip to?
KAT
No, Daddy.
WALTER
( dreading the answer . )
So tell me about this dance. Was it fun?
KAT
Parts of it.
WALTER
Which parts?
KAT
The part where Bianca beat the hell out of some guy.
WALTER
Bianca did what?
KAT
What's the matter? Upset that I rubbed off on her?
WALTER
No - impressed.
Kat looks up in surprise .
WALTER
( continuing . )
You know, fathers do n't like to admit that their daughters are capable of running their own lives. It means we've become spectators. Bianca still lets me play a few innings. You've had me on the bleachers for years. When you go to Sarah Lawrence, I wo n't even be able to watch the game.
KAT
( hopeful . )
When I go?
WALTER
Oh, Christ. Do n't tell me you've changed your mind. I already sent'em a check.
Kat reaches over and gives him a hug
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
89
|
INT. CAFETERIA - DAY Kat stands grabs a box of cornflakes
from the food line .
CAMERON
( 0 .
S . )
Katarina?
She turns and looks at him
CAMERON
I'd like to express my apologies.
KAT
For what?
CAMERON
( looking down . )
I did n't mean for you to get - When Bianca asked me to find you a boyfriend, I had no idea it would turn out so - ugly. I would never have done anything to compromise your - -
He trails off when he realizes she 's thrown her food tray against the wall and marched off - the old `` kill , kill '' look back in her eyes .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
90
|
INT. HALLWAY - DAY
Kat stomps up the hallway , full of menace CLASSROOM - DAY Bianca 's English teacher perches on the edge of a desk , open book in hand .
TEACHER
Who can tell me at what point Lucentio admits his deception?
The door of the classroom FLIES open and an angry Kat stalks in , yanking Bianca from her chair and dragging her toward the hallway .
KAT
( to the teacher . )
Family emergency.
HALLWAY - DAY Bianca tries to pull away as Kat drags her by the hair between two rows of lockers .
BIANCA
Let go!
KAT
You set me up.
BIANCA
I just wanted -
KAT
What? To completely damage me? To send me to therapy forever? What?
BIANCA
No! I just wanted
Miss Perky walks up
MISS PERKY
Ladies? Shall we take a trip to my office?
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
91
|
INT. MISS PERKY'S OFFICE - DAY
Miss Perky stares at both sisters as they sit before her , then focuses on Bianca .
MISS PERKY
So you're the real bitch
BIANCA
Yes! Okay? Yes - I'm the real bitch. I wanted her to get a boyfriend so I could. Apparently, this makes me a horrible person. I'm sorry.
She turns to Kat .
BIANCA
( continuing . )
I swear - I did n't know about the money. I did n't even know Joey was involved. I would never intentionally hurt you, Kat.
MISS PERKY
( to Kat . )
Do you care to respond?
KAT
Am I supposed to feel better? Like, right now? Or do I have some time to think about it?
MISS PERKY
Just smack her now.
Bianca rises , taking Kat by the arm .
BIANCA
( to Miss Perky . )
We'll be getting back to you.
MISS PERKY
What, no hug?
HALLWAY - DAY And Bianca leave Miss Perky 's office
BIANCA
Is that woman a complete fruit - loop or is it just me?
KAT
It's just you.
ENGLISH CLASS - DAY Mrs. Blaise faces the class
MRS. BLAISE
All right. I'm assuming everyone found time to compose, their poems. Except for Mr. Dorsey, who's still in ICU.
Nerds in the back high - five each other .
MRS. BLAISE
( continuing . )
Would anyone care to read theirs aloud?
No one moves . Then Kat slowly stands up .
KAT
I'11 go
Patrick looks up .
MRS. BLAISE
Oh, Lord.
She downs a couple Prozac
MRS. BLAISE
( continuing . )
Please proceed.
Kat stands , puts on her glasses , and takes a deep breath before reading from her notebook .
KAT
I hate the way you talk to me / and the way you cut your hair / I hate the way you drive my car / I hate it when you stare.
She pauses , then continues
KAT
( continuing . )
I hate your big dumb combat boots / and the way you read my mind / I hate you so much it makes me sick / it even makes me rhyme.
She takes a deep breath , and looks quickly at Patrick , who stares at the floor .
KAT
( continuing . )
I hate the way you're always right / I hate it when you lie / I hate it when you make me laugh / even worse when you make me cry / I hate it that you're not around / and the fact that you did n't call / But mostly I hate the way I don' t hate you / not even close, not even a little bit, not even any at all.
She looks directly at Patrick . He looks back this time . The look they exchange says everything . Then she walks out of the room The rest of the class remains in stunned silence .
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
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en
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92
|
EXT. PARKING LOT - MOMENTS LATER
Kat walks to her car alone . When she opens the door , she 's greeted with a Fender Stratocaster guitar , reclining in the front seat . She picks it up slowly , inspecting every detail , then spins around . Patrick stands there , smiling .
KAT
A Fender Strat. You bought this?
PATRICK
I thought you could use it. When you start your band.
She does n't answer , but hides a smile , so he walks closer .
PATRICK
( continuing . )
Besides, I had some extra cash. Some asshole paid me to take out a really great girl.
KAT
Is that right?
PATRICK
Yeah, but then I fucked up. I fell for her.
Blushes and looks down .
PATRICK
( continuing . )
You know - it's not every day you find a girl who'll flash her tits to get you out of detention.
Looks up . surprised and embarrassed that he found out He takes her upturned face as a sign to kiss her and he does She lets him this time . Then breaks it off
KAT
You ca n't just buy me a guitar every time you screw up, you know.
He grimaces .
PATRICK
I know
He quiets her with another kiss Which she breaks off again .
KAT
And do n't just think you can
He kisses her again , not letting her end it this time . STRATFORD HOUSE - SUNSET We hear the sounds of MUSIC and LAUGHTER . STRATFORD HOUSE/BACKYARD - SUNSET Patrick is at the barbecue grill , flipping burgers . Kat watches .
KAT
Why is my veggie burger the only burnt object on this grill?
PATRICK
Because I like to torture you.
KAT
Oh, Bianca? Can you get me my freshman yearbook?
PATRICK
Don' t you even dare.
ON BIANCA AND CAMERON As they argue on the patio .
CAMERON
They do to!
BIANCA
They do not!
Rises to get the yearbook .
CAMERON
Can someone please tell her that sunflower seeds come from sunflowers?
ON MICHAEL AND MANDELLA Severely making - out in a lawn chair . She comes up for a breath .
MANDELLA
I ca n't remember a word of Shakespeare right now. Is n't that weird?
Michael pulls her back down for another round ON KAT AND PATRICK She tries to keep him from grabbing the yearbook that Bianca now hands her .
KAT
You're freaked over this, are n't you?
Bianca hands her the yearbook
BIANCA
He's more than freaked. He's froke
Flips to a page .
KAT
I'd like to call your attention to Patrick Verona's stunning bad - ass look of 1995 -
INSERT - A horrifically nerdy freshman year picture Glasses , bad hair , headgear - the works . She holds up the picture for all to view . Patrick cringes and throws a handful of pretzels at her .
BIANCA
Patrick - is that - a.
KAT
Perm?
PATRICK
Ask my attorney.
Kat and Bianca huddle over the picture , giggling - as we CRANE UP and hear a GIRLY PUNK version of The Partridge Family 's `` I Think I Love You '' . END
|
tt0147800
| 16,000,000
| 53,478,166
| 2.342385
| 1
| 7.589
| 8,614
| 12.8397
| 97
| 1,999
|
Comedy, Romance, Drama
|
en
|
1
|
EXT. SPACE. NIGHT.
Huge, molten rocks tumble towards us out of the dark. We don't know where we are, just that it's terrifying. Were one to hit us, we would be obliterated in an instant.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
2
|
EXT. SPACE. NIGHT.
Further back, it is now clear that we are in the middle of an asteroid shower powering through space. Behind the turmoil of flying rocks, in suspended tranquility, we see the striped, exotic colours of distant planets.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
3
|
EXT. SKY. NIGHT.
Black. Faint pin-pricks that we recognise as stars. Distantly, we see the asteroid shower trailing its fire across our dark galaxy.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
4
|
EXT. EARTH. NIGHT.
A mile above the earth. We are moving towards a beacon of light in the darkness. Closer, it is revealed to be a stadium, lit up for an event. It could be baseball, soccer, a U2 concert....whatever it is, we hear the growing roar like the sea crashing against the shore. Closer still, we see the seething crowd. Which mixes into...
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
5
|
EXT. CROWD SCENES. VARIOUS.
...more crowds. Thousands and thousands of people, all having a huge, huge night. A Mexican wave erupts. A soccer crowd roars its approval at a goal. An army of fans stretch their yearning hands towards the singer on stage, a million Indians at the Kumbh Mela, a rave in a field, a subway party, a flash mob in Victoria Station, faithful singing at a midnight mass in St Peter's Basilica... This is humanity, united.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
6
|
INT. ARON'S HOUSE. BEDROOM/ HALL/ LIVING ROOM. NIGHT.
Sudden and jolting silence. A bedroom. Not much in it. Then, a phone rings. Shocking in this silent world. The camera stops then moves through the house, the camera our POV. We see a meticulously tidy, sparse environment. Very male. The camera stops in the doorway of the living room where the phone is ringing. Eventually, the answer-phone clicks in.
PHONE
Hi, this is Aron. Leave a message.
Business-like. We can't get any kind of a fix on Aron's personality from this.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
7
|
INT. ARON'S HOUSE. NIGHT.
PHONE
Hi Aron, only Mom. Dad's out of town on a conference so I thought it'd be nice to have a chat... Anyway, guess you're out having a good time! Hope so. Try and give me a call sometime soon. If you can. I know how busy you are. Love you. Bye.
The phone rings off, leaving nothing but a flashing red light in the dark room. The camera moves back down the hall into the bedroom again. We are its eyes.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
8
|
INT. ARON'S HOUSE. NIGHT.
Then a hand reaches high and opens a cupboard door. Picks up a mini cam-corder off a high shelf. Drops it in a back-pack. Reaches in again, gets a climbing harness. The jingle of carabiners. The hand clips a descender onto a loop on the harness. A Camelbak pouch of water, another water bottle. All drop in the rucsack. The hand gropes blindly around the high shelf. Looking for something else, something out of sight. We see a Swiss Army Knife at the back of the shelf. His hand skims past it a couple of times, millimeters away. Misses it. Clearly giving up on this, the hand picks up a coil of climbing rope, moves into another room. We move with the hand, not seeing the person, just his efficient intent.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
9
|
INT. ARON'S HOUSE. KITCHEN. NIGHT.
Tidy, clean surfaces. The hand reaches up, grabs a neatly- made burrito wrapped in a transparent sandwich bag, goes into a cupboard and takes three energy bars, a bottle of Gatorade. The hand shuts the cupboard, skims the spotless surface, picks up a grapefruit on the way past and moves towards the door. We hear a door shut. A key turn. The sound of a truck door opening and shutting. An engine starts with a roar.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
10
|
EXT. CITY. NIGHT.
We focus on a 98 red and white Toyota Tacoma with a topper driving down a busy street.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
11
|
INT. ARON'S TRUCK. NIGHT.
From the inside of the truck, we look out on large groups of people crossing the road at random, crowding the sidewalks, all congregating on a big stadium by the side of the road. There's clearly a massive football game on tonight. We can see shouting, cheering, laughing from the crowds outside the truck, but can hear nothing. Even when a couple of drunken fans lurch around the car, banging on the trunk, we barely hear a thing. We are in a silent bubble moving past and away.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
12
|
EXT. FREEWAY. NIGHT.
An overhead shot of a crammed freeway. The Toyota is one of many cars heading out. It turns off the freeway.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
13
|
INT. ARON'S TRUCK. NIGHT.
A hand slips a CD into the truck's player. Music booms out. For the first time, we see the owner of the truck: Aron Ralston, 27. We study his face for clues. Fit, tanned by the wind, not the beach. Not giving much away. The screen splits into two and then three, though at times there appears to be no division at all. TRIPTYCH TITLES The opening titles are a series of triptychs, three strips of pictures that merge, blend, overlap and are intercut with adverts from the tv and radio and some that flash past outside Aron's Toyota. A title card reads: "Utah. The Canyonlands. The slickrock desert. The red dust and the burnt cliffs and the lonely sky- all that which lies beyond the end of the roads." Edward Abbey. Desert Solitaire.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
14
|
EXT. ROAD. NIGHT.
Aron's truck is now alone on an interstate road.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
15
|
EXT/INT. VARIOUS COMMERCIALS FOOTAGE.
Billboards, TV, cinema, www: commercial America sells everything to us through every means. As many brand names as we can get.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
16
|
INT. ARON'S TRUCK. NIGHT.
At the south-west edge of Green River, Aron drives under the interstate into a landscape of obscurity. He looks to his right and left. Not a single light perforates the absolute blackness of the San Rafael Desert.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
17
|
EXT. ARON'S TRUCK. NIGHT.
Three quarters of the screen is black. All we see are truck lights running parallel with the darkness.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
18
|
INT. ARON'S TRUCK. NIGHT.
Out of the black, a sign rears up. Next Service 110 miles. America's challengers for the Tour de France flash by: a pack of 15 or so neon spirits. Night training. C/U: WATCH. A huge close-up of a sports watch. One of those chunky jobs with both analogue watch hands and a digital cut-in. The minute hand makes a loud click as it hits the top of its arc. 10 pm.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
19
|
EXT. ROAD. NIGHT.
A BLM sign indicates that Horseshoe Canyon Trailhead is 47 miles ahead through the desert darkness.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
20
|
EXT. ARON'S TRUCK. NIGHT.
The truck skids to a halt. Turns a sharp left down the trail and bumps into the darkness.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
21
|
INT. ARON'S TRUCK. NIGHT.
Aron's whole upper body is pumping along to the music. Another bright yellow sign flashes past. "Roads may be impassable due to storms". But Aron is too focussed on the music to notice.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
22
|
EXT. ARON'S TRUCK. NIGHT.
The truck's headlights scrape a massive slice of rock. The lights illuminate a series of petroglyphs and pictographs carved and painted into the rock by ancient civilisations. The images materialise on different parts of the triptych: superhumans hovering 8 feet high over groups of indistinct animals, their long dark bodies and huge eyes more extra- terrestrial than human.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
23
|
EXT. DESERT. NIGHT.
Tyres rushing across the desert grooves, pulling, snatching, hard left and right. The rear of the truck fish-tails madly.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
24
|
INT. ARON'S TRUCK. NIGHT.
Everything in the truck is bouncing up and down crazily. All except the bike, locked down in the back of the truck, braced solid. Suddenly, a small brown sign flashes past.
ARON.
Woah.
He kicks down on the brakes.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
25
|
EXT. ARON'S TRUCK. NIGHT.
The truck skids to a halt.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
26
|
INT. ARON'S TRUCK. NIGHT.
ARON.
Nearly missed it!
Aron leans over to the rucsac on the passenger seat. Gets out a small video camera and films the sign. VIDEO POV- we see the sign, shakily filmed as with a roar, the truck starts up again. Still driving, now with one hand, Aron flicks on the interior light. Turns down the music. Turns the camera round on himself. VIDEO POV
ARON.
Friday night, April 25th, two thousand and three. Heading for Bluejohn Canyon. Aron at the wheel, Phish on the stereo and a whole lot of night ahead.
He throws the video camera into the top of the back-pack, turns up the music to ear bleed level.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
27
|
EXT. ARON'S TRUCK. NIGHT.
From high up we see the truck take a sharp right, the headlights barely penetrate the dark.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
28
|
INT/EXT. ARON'S TRUCK. NIGHT.
Jackrabbits dart onto the road, racing him, darting left and right as he chases them down. They dart away into the black. The truck's headlights pick out three other vehicles and two encampments at the Trailhead.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
29
|
INT. ARON'S TRUCK. NIGHT.
Aron turns off the music. Ejects the CD. Bangs open the glove- box and flings the CD inside. Shuts the glove box. The camera watches the plastic glove box for a longer moment than seems necessary. Then, Aron's hand comes back in, reaches inside, roots around and gets out a multi-tool hidden at the back. Slams the glove box again.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
30
|
EXT. ARON'S TRUCK. NIGHT.
Aron gets out of the truck, expecting a head to pop out of a tent. But silence. Stillness. Ghostly. He goes round to the back of the truck, opens the doors.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
31
|
INT. BACK OF ARON'S TRUCK. NIGHT.
Aron flings everything out of the way of his mat, clambers in the back of the truck. The doors shut on the night. Black. END OF TRIPTYCH TITLE SEQUENCE. Still black. The faint pre-history trace of that comet across the dark sky again. C/U WATCH. The sports watch in massive close up. The edge of a finger presses a button on the side. The stop-watch hands ticks into life.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
32
|
INT. BACK OF ARON'S TRUCK. DAY.
The doors smash open to reveal the bluest of skies and sharp sun. Aron's bike careers into it.
|
tt1542344
| 18,000,000
| 35,700,000
| 0.983333
| 0
| 7.086
| 7,842
| 4.6748
| 94
| 2,010
|
Adventure, Drama, Thriller
|
en
|
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